Archive
-
Lluís Lleó: ‘It was important to me that the sandstone came from Spain and that I made them there’
Lluís Lleó talks about how, for his recent installation on Park Avenue, New York, he was inspired to use stones from Europe that referred to the history of murals and fresco painting as a way of re-establishing a relationship between…
-
Stephen Chambers: The Court of Redonda – Venice Biennale 2017
UK artist Stephen Chambers talks about looking for the extraordinary within the ordinary, about the appeal of fictional kingdoms, the relationship between art and literature, and being led by his instincts to do what he ‘can’t help doing’
-
Marlie Mul: ‘It’s not a refusal. It’s that, basically, nothing was possible’
Until the end of October this year, there will be no exhibition in Gallery 1 of Glasgow’s Gallery of Modern Art. Here, Marlie Mul, the artist who was meant to be showing in the space from May onwards, explains why
-
Andrew Rogers: I AM–ENERGY
Among Expo 2017’s vast complex of pavilions stands Andrew Rogers’ I AM–ENERGY. A sculptural feat of engineering, it spirals triumphantly upwards to more than 10 metres, confronting visitors like a graceful ballerina en pointe
-
Laura Youngson Coll: ‘The real catharsis was in the making process, because that’s something that’s personal to me, and it’s the way in which I assimilate things’
Expanding on her fascination with the world of nature and natural sciences, Laura Youngson Coll has produced an intricate series of work in vellum – mixing fact and fiction, beauty and abjection – responding to the loss of her partner…
-
Vic McEwan: ‘I played a paddle-steamer to an audience of 1,000 and used a hospital bed as a cello’
The artist Vic McEwan talks about his project on the swan hoppers of the Murrumbidgee river in Australia, and working with Alder Hey children’s hospital in Liverpool to consider the negative effects of high sound levels in wards. He hopes,…
-
Dreamers Awake
Filled with dark eroticism and witty visual puns, Dreamers Awake is a sprawling survey that explores the influence of surrealism through works by women artists from the 1920s on
-
Maggie’s Centre for cancer care, Oldham
An enchanting matchbox on stilts, with a garden below and a tree at its centre, there is poetry, symbolism and a real emotional intelligence here at dRMM’s new Maggie’s Centre for cancer care in Oldham
-
Jesse Jones: Tremble Tremble – Venice Biennale 2017
Gender inequality was one of many human rights issues that artists wrestled with at the 57th Venice Biennale, with one of the most powerful statements coming from the Irish pavilion, in the Arsenale. Here, artist and film-maker Jesse Jones has…
-
Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
Don’t come to Alexandra Dementieva’s exhibition with the hope of being a passive spectator. As she explains, her aim is to draw the visitor in to her installations, to engage them in public performance
-
Raqib Shaw
A new show at the Whitworth Manchester combines Raqib Shaw’s paintings and sculptures with prints, textiles and objects that reveal an intense dialogue between the ages and across continents
-
Evgenia Arbugaeva: ‘I’m always making up stories and believing in magic’
The Russian photographer Evgenia Arbugaeva spins gold from the light of desolate places, finding beauty in some unlikely environments
-
Esther Rolinson: ‘Light has an immediacy. We are literally woken up by it’
The multimedia artist Esther Rolinson talks about her exhibition Gravitate at Watermans Art Centre, the allure of light and its qualities as an artistic material, the significance of collaborative work and the incessant movement of her art-making
-
Ida Applebroog: Mercy Hospital
These drawings from the forgotten sketchbooks of the well-known feminist artist Ida Applebroog offer an intimate insight into her struggle with depression during a six-week stay at Mercy Hospital in 1969
-
Afruz Amighi: ‘I wanted to make a procession of characters that embodied both good and bad’
In No More Disguise, Afruz Amighi’s first show of drawings, the New York-based artist discusses the creative impulse she experienced following the 2016 US election, and the role of American history in her most personal work to date
-
Willow Hai: ‘The jade burial suit is the single most important object in the show – and the best in China’
Willow Hai, director of the China Institute in New York, talks about its current show, Dreams of the Kings, a spectacular collection of treasures from the Han dynasty, including possibly the earliest dated jade burial suit in existence
-
Tom Burr: Surplus of Myself
Running parallel to Münster’s Skulptur Projekte, notions of private and public are unsettled in this playful post-minimal exhibition of new works by American artist Tom Burr
-
Learning from Athens: Documenta 14 (Part two, Kassel)
Returned to its traditional home in central Germany, Documenta 14 abounds with intelligent, well-curated art by an often obscure array of international practitioners. But does it live up to its valiant political aims?
-
A Handful of Dust: Photography after Man Ray and Marcel Duchamp
A haunting exhibition in which dust plays a divine agent of death
-
George Drivas: Laboratory of Dilemmas – Venice Biennale 2017
For the 57th Venice Biennale, Greek artist George Drivas offers his customary blend of architecture and film in a narrative video installation that explores the resonances between an ancient story by Aeschylus, involving a group of women seeking asylum, and…
-
Howard Hodgkin: Painting India
Radiating the heat and light of India, and expressing the artist’s love for the South Asian country, this vibrant exhibition brings Hodgkin’s “somewhere else” to the north of England










-1927-300.jpg)












-300.jpg)