Archive
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Phillip King. Studio International, 1965, Volume 170, 254
Phillip King, young British sculptor working mainly in plastic, answers some questions by John Coplans
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Studio International – November 1965
Volume 170 Number 871
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Studio International – October 1965
Volume 170 Number 870
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Studio International – September 1965
Volume 170 Number 869
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Assemblage: The savage eye of Ed Kienholz
Studio International, Vol 170, No. 869, September, 1965
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Studio International – August 1965
Volume 170 Number 868
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Studio International – July 1965
Volume 170 Number 867
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Studio International – June 1965
Volume 169 Number 866
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Studio International – May 1965
Volume 169 Number 865
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Studio International – April 1965
Volume 169 Number 864
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Studio International – March 1965
Volume 169 Number 863
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Studio International – February 1965
Volume 169 Number 862
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Studio International – January 1965
Volume 169 Number 861
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On art and technology
One nice thing about technology is that it can neither be called serious nor the opposite. It just is. The matter is only to come to terms with it. Technology has a history but no destiny. It is used to…
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No Tension In Machines
Clacking, ticking and now and then breaking down, an exhibition at New York University’s Art Gallery brought New York the first full-scale experience of the machine-art being produced by two groups and various individuals in Italy.
