Archive
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Calliope (Καλλιόπη)
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Athena (Αθηνά)
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Artemis (Άρτεμις)
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Apollo (Ἀπόλλων)
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Aphrodite (Ἀφροδίτ)
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Anni Albers: Touching Vision
Remaining committed to the Bauhaus ideals of uniting art and design as one field of form-production, Anni Albers’s pictorial weavings and later graphic prints promoted the egalitarian dissemination of artistic forms and prototypes
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Art and China after 1989: Theater of the World
The curatorial mission, to showcase the influence on artists and their practice of two distinct moments of political impact – the Tiananmen Square crackdown and the failed promise of the 2008 Beijing Olympics – upends our understanding of the modern…
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Matthias Dörfelt: There are not many people using code and technology as an expressive tool’
The Los Angeles-based German digital artist talks about computer programs, his interest in bitcoin, his Donald Trump Twitterbot, and how software, coding and drawing form the pillars of his work
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Jasper Johns: ‘Something Resembling Truth’
The first comprehensive exhibition of Jasper Johns to be held in the UK in the past 40 years looks back over six decades of this great American artist’s work
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Russian Revolution: A Contested Legacy
The exhibition is unique as a form of intergenerational and intercultural dialogue. It brings together curatorial and artistic talent to initiate an inquiry into the legacy of the Russian revolution
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Alex Katz: ‘Ultimately, content is not important. The style is what is important’
As his student subway drawings go on show alongside recent paintings and sculptures at Timothy Taylor, London, Alex Katz explains why he believes content to be unimportant, and what he means by seeking only to portray the ‘immediate presence’
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Pavel Brăila: ‘Roots are the most important thing that we have’
After a summer of double Documentas, the Moldovan artist Pavel Brăila is now included in the second edition of the Art Encounters Biennial in Timișoara, Romania. Here, he talks about how his home region has inspired his work
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Monica Bonvicini: 3612,54 M³ VS 0,05 M³
In her latest exhibition, the rather unwieldy title of which refers to the volume of space in the gallery vs that of the artist, Monica Bonvicini employs her large installations to consider notions of power, domination and control
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Cai Guo-Qiang: Fireflies
Philadelphia’s most illustrious thoroughfare celebrated its 100th anniversary with a spectacular and enchanting live performance from Cai Guo-Qiang
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Rachel Whiteread Retrospective
In the most substantial survey of Rachel Whiteread’s work to date, the Tate looks back over 30 years of her sculptures
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Idris Khan: Absorbing Light
Reflections on the horrors of one of Syria’s most famous prisons have driven Idris Khan to new forms of expression, including bronze sculptures and abstract painting
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Nathalie Du Pasquier: ‘From the beginning, I did not belong to the design world or to the art world’
In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful practice that started with legendary design collective Memphis. Here, she talks about the show and moving from design to painting
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Louise Bourgeois: An Unfolding Portrait
MoMA’s expertly curated exhibition of Bourgeois’ prints rescue the artist from her legend, revealing her drawings to have incubated, formulated and unleashed the emotions that would be entrapped in the fame of her sculpture
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Jenny Holzer: Softer
In her current exhibition at Blenheim Palace, Holzer responds to the building’s military history with more than 50 works examining the brutality of war
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Jake and Dinos Chapman: The Disasters of Everyday Life
Among the casts of suicide vests, it is the Chapman brothers’ reworked etchings of Goya that hold the interest, drawing us in to view more closely the horrors of war
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Zach Blas: Contra-Internet
Zach Blas searches for a future beyond the internet’s catch-all web at the artist’s Gasworks exhibition Contra-Internet
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From the Vapor of Gasoline
This exhibition is a lively collection of works from a group of impressive and challenging artists, which together tell a powerful story of the social ills affecting the US from the Nixon years to the turn of the century
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Martin Puryear
This retrospective is nicely paced to reflect the breadth and depth in Martin Puryear’s sculptures, which draw you in with their physical and aesthetic seductions, all the better to unsettle and undermine you with the slow reveal of their ambiguities







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