Archive – Page 211 – Studio International

Technology and Art

An artist can acquire such [technical] skills for himself or he can borrow other people’s.

Studio International – March 1969

Volume 177 Number 909

The cybernetic sculpture of Tsai Wen-ying

Our attitude today to machinery is such a compound of dependence, admiration and fear; and the relationship between man and machine is so fundamental to the twentieth-century environment—both physical and metaphysical—that it is not surprising if many artists have begun…

Studio International – February 1969

Volume 177 Number 908

Studio International – January 1969

Volume 177 Number 907

Studio International – December 1968

Volume 176 Number 906

Richard Lindner and the human being as a toy

Studio International, December 1968, Volume 176 Number 906, pp. 252–255.

Cybernetic Serendipity—Getting Rid of Preconceptions

Cybernetic Serendipity exhibition was the demonstration of machine-aided creative processesBy JASIA REICHARDT

Studio International – November 1968

Volume 176 Number 905

Cybernetic Serendipity: Correspondence

‘Cybernetics includes all observable systems—whether biological, electronic, industrial, economic or anything else.’

Studio International – October 1968

Volume 176 Number 904

Studio International – September 1968

Volume 176 Number 903

Studio International – July-August 1968

Volume 176 Number 902

Studio International – June 1968

Volume 175 Number 901

New York Commentary, June 1968

Studio International, June 1968, vol.175, no.901, pp.320-322

Studio International – May 1968

Volume 175 Number 900

Studio International – April 1968

Volume 175 Number 899

Non-games

The esoteric books and games we are involved with here are those which one cannot do anything with. The books are books by virtue of having their pages bound together; the games are games because this is what they are…