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Emil Nolde. Self-portrait, 1917. Selbstbild, 1917. Oil on plywood, 83.5 x 65 cm. © Nolde Stiftung Seebüll.

Emil Nolde: Colour Is Life

f Nolde’s mind – a powerful image of an ice-skater stands out, bent forward, hands clasped, gliding ...

Cherry Pickles. Self-Portrait as William S Burroughs, 2014. Oil on canvas, 100 x 80 cm.

Women Can’t Paint: Part 1

References

1. Ruth Borchard Collection: David Hockney. Tall Dutch Trees After Hobbema (Useful Knowledge), 2017. Acrylic on six canvases (two canvases: 36 x 36 in, four joined canvases: 24 x 48 in) overall installation dimensions 64 x 144 in (162.6 cm x 365.8 cm). Photograph courtesy Pace Gallery. © 2018 David Hockney.

David Hockney: Something New in Painting (and Photography) [and even Print...

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David Hockney: Someth...

Philip K Smith III, Open Sky, Installation view, Palazzo Isimbardi, Milan. Photograph: Lance Gerber. Courtesy of the artist and Cos.

Phillip K Smith III: ‘The earth and the sky are the things that bind us...

Joe Lloyd: First things first: how did this project com...

José Parlá in residence at Landmarks, the public art programme of The University of Texas at Austin, 2017. Photograph: Rey Parlá.

José Parlá: ‘It challenges me to work against the grain of the status ...

Allie Biswas: You have spoken about “writing” and ...

Wasp, installation view, Hannah Barry Gallery, London, 2018. Photograph: Damian Griffiths.

Wasp

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Wasp

Taking its name from Andrea Arnold’s award-winning short film Wasp, this gr...

Creativity and Collaboration: Revisiting Cybernetic Serendipity, National Academy of Sciences, Washington DC, 2018.

Creativity and Collaboration: Revisiting Cybernetic Serendipity

Role/Play: Collaborative Creativity and Creative Collaborations, St...

E.E.Cummings. Sound, 1919. Oil on canvas, 89.2 x 88.9 cm. Metropolitan Museum of Art, New York. © The Estate of E.E.Cummings.

America’s Cool Modernism: O’Keeffe to Hopper

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America’s Cool Modernism: O’Keeffe to Hopper...

John Walter. The Shonky Bar. Photograph: Ruth Clark.

Shonky: The Aesthetics of Awkwardness

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Shonky: The Aesthetics of Awkwardness

Guest curat...

Interiority, 2018. Installation view,  Hunter/Whitfield, London.

Clementine Keith-Roach: ‘I think of domestic objects and furniture as ph...

Izabella Scott: The objects in Interiority are arranged...



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