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Sam Gilliam. After Micro W #2, 1982. Acrylic on polyester, 114.3 x 172 x 22.9 cm. Private collection, Europe.




Art critic Clement Greenberg coined the term ‘post-painterly abstract...

Yayoi Kusama Museum, Bentencho, Shinjuku-ku. Exterior view, ground level. © Yayoi Kusama.

Yayoi Kusama Museum opens in Tokyo


Yayoi Kusama Museum opens in Tokyo

Japanese artist Y...

Modigliani in his studio, photograph by Paul Guillaume, c1915. © RMN-Grand Palais (musée de l’Orangerie) I Archives Alain Bouret, image Dominique Couto.




This extraordinary retrospective unites Modigliani’s portraits ...

Nnenna Okore. Photograph: Jonathan Greet.

Nnenna Okore: ‘My work seeks to highlight Earth’s vulnerability and fr...

Emily Spicer: Tell me a little about the importance of ...

William Kentridge, Ursonate, 2017. St Thomas the Apostle Church, Harlem, New York. Courtesy of Performa. Photograph © Paula Court.

William Kentridge: ‘One needs sometimes to show the power of the irratio...

Natasha Kurchanova: Could you tell me what inspired thi...

Carmen Herrera. Pavanne, 1967/2017. 274.3 x 274.3 x 182.9 cm (108 x 108 x 72 in). © Carmen Herrera; Courtesy Lisson Gallery.

Carmen Herrera


Carmen Herrera

Herrera’s abstract, geometric paintings pulse with life...

Louisa Fairclough. A Rose, 2017. 1 x 16mm film looped (colour, silent, 9 min) projected onto a suspended acrylic screen, 1 x performance for a field recording pressed onto dubplate vinyl (20 min). Installation view: A Song cycle for the Ruins of a Psychiatric Unit, Danielle Arnaud Gallery, 2017. Photograph: Oskar Proctor. Courtesy the artist and Danielle Arnaud.

Louisa Fairclough: A Song Cycle for the Ruins of a Psychiatric Unit


Louisa Fairclough: A Song Cyc...

Calum Colvin. Studio installation.

Arthur Watson: ‘Central to the organisation of the show was that work wo...

f the Academy’s library to be viewed. The digitalised...

Neha Choksi. Video still from Faith in friction, 2017. 7-channel 4K video installation transferred to HD, each channel with stereo sound, 36 min loop. Courtesy the artist and Project 88.

Neha Choksi: ‘Transformations necessitate lost pasts and renewals of fut...

Allie Biswas: The Hayward Gallery introduced your work ...

Gianfranco Baruchello. Déserteur da la Légion (Deserter from the Legion), 1974. Mixed media, wood, glass, 50 x 70 x 16 cm. Courtesy Fondazione Baruchello, Rome.

Gianfranco Baruchello: Incidents of Lesser Account


Gianfranco Baruchello: Incidents of Lesser Acc...

Zoe Buckman. Champ, 2016. Neon, glass, leather, 30 x 18 x 10 in. Courtesy the artist and 21c Museum.

Zoë Buckman: ‘One role of feminism is to address and reframe how we con...

Allie Biswas: How did the subject of women come into yo...

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