Describing herself as ‘an artist who works in textiles’ Pym talks about her recent surgery for mending at the V&A, why she mends old clothes and artefacts, and why she feels it is so important to see the damage and the repair.

Since founding his New York gallery in 2006, Fergus McCaffrey has been instrumental in introducing postwar Japanese art to a western audience. He talks about his deep attachment to Japanese art and craft and his hopes for his new gallery in the heart of Tokyo.

The Hayward Gallery’s group show suggests future survival will demand that humans adjust to changing circumstances rather than adapting the environment to maintain their current mode of living.

Painting is back, and Berlin’s Gallery Weekend proved a great opportunity to survey its return.

The 10th edition of the major art showcase was an affirmation of the city’s commitment to visual culture.

Through installation, sound, film and dance, Paul Maheke's work explores gender and racial stereotypes, articulating the restrictions placed around black, male and queer identities. For his first major solo show, at the Chisenhale Gallery, he has stepped out of the central performing role and brought in three female artists to expand this dialogue. He talks about the origins and expression of the resulting work, A Fire Circle for a Public Hearing.

Joan Jonas talks about her multidisciplinary installation works currently on show at Tate Modern and the live performances undertaken for the 2018 Tate Live Exhibition: Ten Days Six Nights programme.

As environmental changes affect more areas of the world, our lifestyles need to be more sustainable. Looking back over 400 years of fashion history, Fashioned from Nature asks what humans have done wrong and how we can innovate to improve.

Nancy Fouts brings her trademark baroque theatricality, dada mischief and love of a good pun to Flowers Gallery in London with a decade’s worth of visual treats.

Coming off Hockney’s stunning retrospective at the Metropolitan Museum of Art celebrating his 80th birthday, this new body of work proposes to resolve the artist’s lifetime pursuit of accurate perspective with a radical new way to authentically see.