America loves firsts, and, following a hiatus of three years, the once-unruly Whitney Biennial, now closely curating what’s hottest in American art in its sleek, shiny, grown-up, new space, fits the bill.
This fascinating exhibition tells the story of two Renaissance greats and their unlikely collaboration.
More than 200 works mark the largest monographic exhibition to date devoted to the Belgian modernist. In a feast of colour and strong brush strokes, a collaboration of more than 30 museums, private collectors and cultural institutions, invite the attentive observer to become immersed in an independent world between fauvism and avant garde.
Pushing his physical and mental boundaries to the limit, Doğruel seeks to make performances from his life and to use the medium of performance art as a tool to enhance his spirituality and find a broader sense of life.
The museum reopens its doors after a renovation by artist Hiroshi Sugimoto that combines modern technology with ancient techniques, allowing visitors to see historical artworks in a setting similar to that in which they would originally have been viewed.
As mercurial as this master of the Polish avant-garde might seem, a career-wide survey revealed some persistent concerns while retaining much of the mystery.
Manhattan’s storied art fair pushed back against a softening art market with strong work, mid-range sales and more than 65,000 visitors – the jury is out, though, on what was added by a new director’s ambitious overhaul.
Turning the gallery at narrative projects, London, into a 1970s cinema, Bakhshi places his audience at the centre of two pivotal – and parallel – events in recent Iranian history.
Jawlensky’s art may be considered a life-long meditation on the process of change in his personal life.
The fascinating and expansive exhibition provides an intriguing and rare insight into the dialogue between art and politics, the individual and the state, freedom of expression and the pull of ideology.
The Indian artist, brought up in a family of goldsmiths, adapts age-old techniques to make work that seems to bear witness and testimony to this family history and its artistic tradition.
This fascinating exhibition brings together some of the artist’s vast archive of ephemera concerning mysticism, the paranormal and the pseudo-scientific with an immersive film featuring Oursler’s family, Houdini and Arthur Conan Doyle, as viewers are forced to consider the authenticity of what they are seeing.
This solo exhibition, which celebrates Tuneu’s 50 years as an artist, brings together his most recent work, with 23 new paintings as well as sculptures, all of which play with the possibilities of the hexagon.
Using his body as an object, Ghanaian artist Serge Attukwei Clottey works with international media – as well as plastic yellow “gallons” (jerrycans) – to speak out about politics, religion, sex and tradition.
Freeman Bentley’s paintings are visual and psychosocial mazes that tease layers of meaning from architectural spaces. She talks about her inspiration and the social tensions that lurk beneath the surface.
Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dense exhibition reveals the breadth and quality of artistic output from the world’s second largest continent.
Dmitry Vilensky and Olga Egorova of the Russian collective Chto Delat talk about their latest exhibition, On the Possibility of Light, at KOW in Berlin, and how they hope to foster debate through their engagement with political struggles.
This is a fabulously varied exhibition with a sting in the tail. The times, they were a changin', but so much remains the same.
With the lightest of touches, artist Do Ho Suh can transform the architectural into a symbol of the transient – and temporal – nature of life.
The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digital technology can expand art and remove the barriers between the work and the viewer.
The Australian artist’s new exhibition at the ICA in London re-examines Britain’s colonial relationship with Australia. She talks about what that means to her and how her work reflects those ideas.
The artist talks about notions of voyeurism, and her interest in personal space and the power of suggestion.
This group exhibition, including work by Josef Albers, David Annesley, Anthony Caro and Hélio Oiticica, provides an interesting survey of 1960s abstract art and its legacies, and suggests a few intriguing connections.
This exhibition pops and sparks, but ultimately goes out with a disappointing fizzle, leaving us to wonder what happened to the American dream.
This exhibition is a provocative, disturbing, poignant and ultimately telling exploration of the implications and complications arising from technology’s advancing role in human evolution.
In the Lithuanian artist’s latest exhibition, contrasting public reaction to the dismantling of communist public sculptures in his homeland are examined in two video works.
In the 1960s, technological machines were seen as benign helpers or megalomaniac monsters. Fifty years on, at a time when technology permeates everything we do, this show looks at how it reframes the way we think.
The Japanese photographer, famous for his portraits of celebrities and nudes, has selected about 120 works, taken over a 50-year period, leading the viewer on a trip down memory lane.
Best known for his party scenes, Michael Andrews’ later landscapes reveal him as a master of perspective and a laureate of uncertainty.
During her lifetime, Hannah Gluckstein (Gluck) refused to show in group exhibitions. The Fine Art Society has stayed true to her wishes with this extensive retrospective on the ground floor complemented by an exhibition upstairs of works by several of her contemporaries.