Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about the exhibition Home Strike at I’étrangère in London.
In her first major UK solo exhibition, the Brazilian artist shows the importance of collective action in an exciting experiment in the occupation and transformation of publicly accessible space.
Tate Britain’s All Too Human explores family, sex and death, and offers a fantastic chance to explore what connects some of the biggest names of the past 100 years.
For his first solo exhibition, artist-designer Sam Stewart transforms an unoccupied space within a New York townhouse by imagining the life of its mythical occupant.
Hankins, senior curator at the Hirshhorn museum, explains how a collaboration with Mark Bradford led to the artist’s monumental cyclorama Pickett’s Charge, and why the subject, the 1883 Battle of Gettysburg, still resonates today in the US.
Andy Holden talks about his relationship with his father, the ornithologist Peter Holden, nature verses nurture, and sentimentality in the animal kingdom.
With references to the Fibonacci sequence and the golden ratio, Griffa’s paintings are works to puzzle out and ponder.
Lydia Ourahmane talks about her exhibition at the Chisenhale Gallery, allegiance, betrayal, drawing on her Algerian family history for her work, and why she nearly dropped out of art school .
Jamie Fobert Architects’ new wing for Kettle’s Yard in Cambridge opened this month, doubling the education space and bringing its facilities bang up to date. How harmonious is the marriage of this incisive 21st-century building with the Georgian and modernist originals?.
Two exhibitions at Dundee Contemporary Arts confront and explore the relationships between the viewer, the art itself and the gallery space, in playful and thought-provoking ways.
Su Richardson talks about her crocheted works, made in the 1970s, and also more recently constructed body parts “indicating bitter fantasies”.
Presenting Roy Lichtenstein, Sigmar Polke and Gerald Laing in dialogue with each other within the context of their pop-inspired pointillism, Source and Stimulus is a vibrant study of the origin of the Ben-Day dot in fine art.
Kavaliauskaitė, originally from Lithuania but now living in Finland, talks about art and alchemy, haunted mansions, her latest exhibition and why she was drawn to live in Nuutajärvi, a village famous for its glass-blowing.
Catherine Mason considers the ICA’s groundbreaking computer art exhibition of 1968 and looks at how it has shaped digital art in the 50 years since.
An exhibition of work by the Canadian painter David Milne charts his progression from depictions of New York city scenes to the battlefields of France and Belgium back to the rural US and Canada, influenced on the way by European painters such as Cézanne, Matisse and Brâncuși.
Teeming with hidden treasures, this exhibition is a compact survey of key movements and artists in Italian modern art in the early 20th century, a febrile moment in the country’s artistic and political history.
The artist known for focusing on the poetic aspects of daily life talks about new approaches to painting as seen in his current series of works, which draws on gardens situated in the bustling urban environment of Shanghai.
This exhibition looks at how social media platforms and the digital manipulation of images are being used to reflect on the ideals of female bodies.
As revealed by this tightly curated exhibition at New York’s Museum of Modern Art, Tarsila do Amaral, the latest artist to ride the current wave of Brazilian modernism, turns out to have invented it.
Her legacy has often been dwarfed by her biography – as Rodin’s student and lover, who spent 30 years in a psychiatric institution. But with a new museum in her name, and 11 of her works saved for the French nation, Camille Claudel is coming out of the shadows.
Krakow-based artist Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), responding to the policies from the current rightwing Polish government that violate women’s rights.
For his first major retrospective, the undersung American artist fills the ICA Philadelphia with more than 300 works that span a 30-year career. Leibowitz discusses how he established himself as an artist in the 1980s and 90s, and the origins of Candyass, his longstanding moniker.
The pioneer of immersive, sculptural light installations explains his process and procedures, interests in performance, film and architecture, and his new exhibition at the Hepworth Wakefield.
Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based artist Claudia Wieser discusses her references from 1970s TV to Greek plays, and the danger of making work that is too beautiful.
Events planned around the Creativity and Collaboration: Revisiting Cybernetic Serendipity symposium at the National Academy of Sciences Sackler Colloquium, Washington D.C.
The exhibition is a must-see for anyone interested in the early history of computer technology and its connection to art and design.
Yto Barrada discusses her new exhibition at the Barbican Centre, which draws on a calamitous earthquake and the remarkable text it prompted.
Maija Luutonen is the inaugural recipient of the Kiasma Commission by Kordelin, a project to promote contemporary Finnish art. Here, she discusses her exhibition at Helsinki’s Kiasma Museum of Contemporary Art, community-building, monuments and painting on paper.
In a hulking presentation at Gagosian, the painter laureate of putrefaction continues to moulder old masterpieces into pestilent husks. To what end remains elusive.
The artist weaves multiple narratives to evoke the complexity of East African society. Here, he talks about his exhibition The Chapel, at the South London Gallery, and how it gave him the chance to think about religion, spirituality and politics in a new way.