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Dawn Mellor: ‘It is not surprising that activism and resentments due to ...

Dawn Mellor, best-known for her parodic portraits of celebrities, talks about taking a year of from ...

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Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...

American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...

Jedd Novatt: ‘I feel the same tension about the next work as I did 40 ye...

In advance of an exhibition of new works, Novatt talks about his long career making geometric sculpt...

Langlands & Bell: ‘We like to be catapulted into the unknown; we like a ...

For a new show at Birmingham’s Ikon gallery, they have turned their shared gaze on to the giants o...

Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...

Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about th...

Su Richardson: interview

Su Richardson talks about her work in the exhibition Home Strike at I’étrangère, London...

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Małgorzata Markiewicz: interview

Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), part of the exhibition H...

Cary Leibowitz: ‘I hate my aesthetic. I wish I was delicate and elegant ...

For his first major retrospective, the undersung American artist fills the ICA Philadelphia with mor...

Alge Julija Kavaliauskaitė: ‘There is something about glass that I am c...

Kavaliauskaitė, originally from Latvia but now living in Finland, talks about art and alchemy, haun...

Anthony McCall: ‘The sculptural aspect of a piece occurs only at the mom...

The pioneer of immersive, sculptural light installations explains his process and procedures, intere...

Sam Stewart: ‘From a psychological perspective, working in someone's hom...

For his first solo exhibition, artist-designer Sam Stewart transforms an unoccupied space within a N...

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Claudia Wieser: ’I know there is the danger of beauty in my work, or a d...

Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based ar...

Evelyn Hankins: ‘Mark Bradford’s project directly challenges the idea ...

Hankins, senior curator at the Hirshhorn museum, explains how a collaboration with Mark Bradford led...

Andy Holden: ‘A lot of my work is a fidelity to what feels right more th...

Andy Holden talks about his relationship with his father, the ornithologist Peter Holden, nature ver...

Zhang Enli: ‘I pay attention to the subtle things that you might usually...

The artist known for focusing on the poetic aspects of daily life talks about new approaches to pain...

Yto Barrada: ‘The whole thing is a dance between a mad poet, children an...

Yto Barrada discusses her new exhibition at the Barbican Centre, which draws on a calamitous earthqu...

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Lydia Ourahmane: ‘Working with this personal history is something I have...

Lydia Ourahmane talks about her exhibition at the Chisenhale Gallery, allegiance, betrayal, drawing ...

Maija Luutonen: ‘I’m not a big fan of monuments’

Maija Luutonen is the inaugural recipient of the Kiasma Commission by Kordelin, a project to promote...

Michael Armitage: ‘Can an art space function in the same way as a chapel...

The artist weaves multiple narratives to evoke the complexity of East African society. Here, he talk...

Encountering the Buddha and the Kandell Tibetan Buddhist Shrine Room – a...

The curator talks about Encountering the Buddha: Art and Practice Across Asia, the current exhibitio...

Sophie Herxheimer: ‘I’m after precision in poetry … I’m after exac...

Poet, writer and image-maker Sophie Herxheimer talks about the ideas and inspiration that inform her...

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Jason Brooks: ‘In a world that wants to eradicate detail by airbrushing ...

Ahead of his exhibition at Marlborough, London, Jason Brooks showed Studio International around his ...

Tabita Rezaire: ‘Reclamation allowed me to glow into my blackness, woman...

The artist talks about ‘decolonial healing’, her response to cyber-racism and the distorted repr...

Edmund Clark: ‘The intervention, the control, the censorship is part of ...

Edmund Clark discusses his recent residency at the UK’s only wholly therapeutic prison, HMP Grendo...

Bharti Kher: ‘In the way a kitchen has many different things cooking at ...

Kher talks about the difficulty of being identified as an ‘Indian’ artist, being a procrastinato...

Peter Hill: ‘I have a love for the solitude of lighthouses at one extrem...

The artist talks about his creation of a fictional museum, his current lecture tour, Fake News + Sup...

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Latif Al Ani: ‘I was documenting for the sake of archiving. I never thou...

The Iraqi photographer considers his photographic preservation of a long-vanished Iraq, his preoccup...

Ania Dabrowska: ‘By the retelling of archival stories we have the power ...

Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, mov...

Köken Ergun: ‘In Turkey, the image of the soldier has been victimised b...

The Turkish film-maker talks about his 2005 video I, Soldier, and its relevance to the political sit...

Shirazeh Houshiary: ‘We can’t fix our identity or our borders, the onl...

Houshiary talks about evolution, Einstein and shamans, and how her work involves thinking in other d...



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