logo studio international

Cy Twombly: Cycles and Seasons

The opening of Callimachus's 'Hymn to Apollo' as translated by Lombardo and Rayer. The god, patron o...

<

The Hanging Gardens of Colas: Bernard Lassus

In 2008 Bernard Lassus finally completed his major project for the company Colas. Now this achieveme...

A Maltese Celebration: Architecture into Art

Richard England, now seventy years of age, is a totally indigenous Maltese architect of internationa...

'Poet of Light' Vilhelm Hammershoi: The Poetry of Silence

The exhibition of the work of the Danish artist Vilhelm Hammershoi (1864-1916), entitled 'The Poetry...

Book review: Photo Art: The New World of Photography

This work, which originated with the Cologne publisher DuMont Buchverlag in 2007, is an invaluable a...

Architecture Not Now

As we approach the second decade of the turbulent 21st century, the level playing field sought by bo...

<

Psycho Buildings at the Hayward Gallery

The Hayward Gallery, London, under director Ralph Rugoff, has organised another trailblazing exhibit...

Gustav Klimt: Painting, Design and Modern Life in Vienna 1900

To celebrate 2008 as European Capital of Culture, Tate Liverpool is presenting the first, 'comprehen...

Book review: Fold out futures

Dr Irene Barberis teaches and researches at Royal Melbourne Institute of Technology. She has recentl...

Arthur Watson: poetic conceptualist

The work of Arthur Watson plays an important role in contemporary Scottish art. Characterised by a '...

Photographing Nepal from the Inside Out

On 14 March 2008, the Rubin Museum of Art, a venue dedicated to Himalayan arts and culture, opened t...

<

An Englishman in Tasmania - Nicholas Blowers

Nicholas Blowers was born in Chelmsford, England in 1972. He studied locally, and then Fine Art at S...

The Whitney Biennial 2008

The 2008 Whitney Biennial is smaller and quieter than in previous years, despite its extension to th...

Peter Doig

A mid-career retrospective at Tate Britain is enough to cement the reputation of any artist, or else...

Gathering into gospel order: the Shaker approach to design

A consideration of Shaker-made architecture, furniture and commercial wares - items of remarkable be...

The portrait sculpture of Celia Scott

To open a door and enter a room where there are foregathered a dozen individuals, chiefly architects...

<

China Design Now

At the time of writing, the Olympic torch continues to make its troubled way around the globe, the p...

Papunya painting: out of the desert

Art is a central force in Aboriginal culture and a critical political tool. Through an understanding...

Alexander Rodchenko: Revolution in Photography

Questions about the nature of representation have dogged the medium of photography since its concept...

Lucas Cranach

There is good reason this month in London to revisit Cranach. Last year saw the Courtauld Institute ...

<

Book review: The Lost Vanguard: Russian Modernist Architecture 1922-1932

This remarkable survey was synchronised with an exhibition of the same title presented at the Museum...

Turner to Monet: The Triumph of Landscape

This exhibition sets out to be revisionary, looking at 19th-century landscape painting afresh. The g...

Derek Jarman: Brutal Beauty

Fourteen years after Derek Jarman's death, this exhibition, together with a season of films at three...

Mars Collects! The Martian Museum of Terrestrial Art: Barbican Art Gallery...

'The Mayan civilisation was ruled by a caste of peace-loving astronomer priests' ...

Poussin and Nature: Arcadian Visions

Landscape painting remains, in the 21st-century, a continuing subject of fascination for art enthusi...

<

Art & Today

Art & Today is the fruit of the decade spent by the author as contributing editor to Art in America ...

Book review: Real Baroque. The Baroque Architecture of Sicily

This work is timely in so far as it forms part of the broad revision of architectural history that i...

Contemporary Drawing: Recent Studies

Drawing has played a pivotal role in the work of most artists since the beginning of time. Following...

Statuesque Dance

This exhibition and catalogue of the work of German artist Neo Rauch (now at the Max Ernst Museum, B...



studio international logo
Copyright © 1893–2018 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Cybernetic Serendipity
CyberArt Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA