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An Exhibition of Event Photography

For anyone interested in the ways in which a photograph can aspire to the condition of a work of art...

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NeoCraft Conference

The NeoCraft Conference held in the Nova Scotia College of Art and Design University in Halifax, Nov...

l'atelier d'Alberto Giacometti

Travelling through countryside around the northern reaches of Paris, you catch sight of white escarp...

Book review: Heterotopic visions

Increasingly, contemporary artists, as much as architects and urban planners, have to grope for a cl...

Book review: Marvellous Melbourne

This important city monograph was first published over a year ago, but it is exemplary within the 'W...

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Seduced by the Oldest Topic in the World

Sex is an extremely popular subject, but 'sex appeal' is nearly impossible to define. People seem to...

Joan Eardley

Joan Eardley's life was cut tragically short by cancer in 1963 at the age of 42. Born in England she...

Sleepless in Siena

The current winter show at the National Gallery, London, perhaps springs from mixed motives. Firstly...

The One and the Many: Carlos Ortiz and the Dance of Life

For Nuyorican artist Carlos Ortiz, the seeds for a series of personal epiphanies were planted while ...

The 52nd Venice Biennale

The 52nd Venice Biennale ended on 21 November 2007. It will have presented an enormous challenge to ...

Towers: from Manhattan to Moscow

Renzo Piano's New York Times Building, situated on 8th Avenue, Manhattan, was opened this month to c...

Extreme Embroidery: Art and Craft Meet On the Verge

In 2007, the Museum of Arts & Design in New York City embarked on a series of exhibits examining way...

Colin St John Wilson: Buildings and Projects

Roger Stonehouse was the chosen author for this extensive monograph, which forms a catalogue raisonn...

Book review: Archaeology of an Urban Desert

Jon Naar is a British photographer who has been based in New York. In 1974 he joined up with the lat...

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Age of Transparency and Innocence: the Changing Face of Childhood

The excellent exhibition 'The Changing Face of Childhood', the product of a collaboration between th...

Bauhaus: 1919-1933

Architects, sculptors, painters, we must all turn to the crafts. Art is not a 'profession'. There is...

The Art of Seduction

This book is the catalogue of the current Barbican Exhibition in London. It forms a substantial volu...

Architecture: London's new rail terminus at St Pancras

In the 18th century there lay just to the north of the burgeoning City of London, divided from the m...

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Art and Survival: Patricia Johanson's Environmental Projects

The outstanding American landscapist Patricia Johanson occupies a unique position in American contem...

RB Kitaj

The recent death of Ron Kitaj has not been the subject of the attention that an artist of such talen...

Millais

The autumn grand exhibition at Tate Britain is on the work of John Everett Millais (1829-1896), prom...

Sidney Nolan: A New Retrospective

This is the first major retrospective of Sidney Nolan's paintings since his death in 1992. It presen...

The painting of modern life

This is an outstanding international exhibition, dedicated to a significant section of contemporary ...

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Frieze Art Fair 2007

In only five years, Frieze has gone from a standing start to being a major fixture in the art world ...

Artists imagine action to stimulate change

The Lisson Gallery in London took the phrase 'Imagine Action' as the title for its recent summer exh...

Matthew Barney: Drawing Restraint

When we speak of executing something - an article, a work of art, a musical composition - we speak o...

Migrant architects from Britain: the RIBA Stirling Prize 2007

As we digest the results of the annual celebration of the Royal Institute of British Architects (RIB...



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