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The Unilever Series: Miroslaw Balka, ‘How it is’

The Unilever series are commissioned works whose proportions bear a relation to the space in which t...

Book review: Art and Text; Poor. Old. Tired. Horse

The tradition whereby literary works are recited rather than read in silence can be traced to the ba...

Remains and Remnants. Anselm Kiefer: The Fertile Crescent

In conversation with Tim Marlow, director of exhibitions at the White Cube, Anselm Kiefer mentions t...

Grayson Perry: The Walthamstow Tapestry

After more than 20 years making pots Grayson Perry admits to no longer being the na...

Book review: MJ Long, Artists' Studios

This book is something of a rarity today. It comes as a survey of the design of 14...

Making Art in Paradise. Serizawa: Master of Japanese Textile Design

Designated in 1956 as a 'Living National Treasure' by the Japanese government, textile artist Seriza...

The Not-So-Secret Language of Pins

A skilled diplomat's arsenal might include a surprisingly diverse range of tactics because a success...

Eduardo Paolozzi: The Jet Age Compendium

It seems to be the close season for Paolozziana at the moment, notwithstanding the presence in Tate ...

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Book review: An Outline of European Architecture by Nikolaus Pevsner

In this new and updated edition, the current publishers have produced a well-timed development of th...

Book review: Trevor Dannatt: Works and Words

Trevor Dannatt, RA, FRIBA (b. London 1920) has been a prominent architect in Britain for most of the...

American Idyll – Jenny Watson

Jenny Watson has been showing with Galerie Transit in Brussels for over 12 years and they are showin...

They Called Me Mayer July: Painted Memories of a Jewish Childhood in Polan...

'The places I remember exist no more. They are only in my head, and if I die they will disappear wit...

Rosalind Nashashibi at the ICA

This exhibition sees a return to the ICA for Nashashibi, the first female artist to win their Beck...

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The Enlightenments. Edinburgh International Festival 2009

The 2009 Festival is promoted this year, as taking its inspiration from the 18th century Scottish En...

Patrick Tjungurrayi and Warlimpirrnga Tjapaltjarri

The showing of two senior Aboriginal artists in Melbourne this month is one of many opportunities to...

Book review: One Thousand Drawings by Tracey Emin

Tracey Emin: Those Who Suffer Love was shown at White Cube Gallery, London earlier this year (29 May...

Raphael to Renoir

The Raphael to Renoir exhibition at the National Galleries of Scotland (NGS) allows a rare glimpse i...

Book review: The Woodblock Painting of Cressida Campbell

Containing nearly 300 illustrationsThe Woodblock Painting of Cressida Campbellis the first comprehen...

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The Discovery of Spain. British Artists and Collectors: Goya to Picasso

In The Discovery of Spain exhibition, the National Gallery of Scotland (NGS) has put together an aes...

Radical Nature: Art and Architecture for a Changing Planet 1969-2009

It is appropriate therefore that the earliest works in this exhibition date from that time, tracking...

One Collector's Delightful Passion

Buriki: Japanese Tin Toys from the Golden Age of the American Automobile An Exhibition of the Yoku ...

Beyond Bloomsbury: Designs of the Omega Workshops, 1913–19

Beyond Bloomsbury: Designs of the Omega Workshops, 1913-19 offers an opportunity for the work of the...

Luis Barragan: Il Poeta Del Silenzio

The year 2002 commemorated the centenary of the birth of Luis Barragan, one of the great architect-p...

The Beijing National Aquatics Centre

Situated on the western side of the extended axis along the Olympic Green and directly fronting the ...

The Beijing National Stadium - Beijing Olympic Architecture in Retrospect ...

The modern day Olympic Games has been than just a sporting event where thousands of athletes gather ...

Gormley's Plinth: One and Other

One and Other. Trafalgar Square, London, 6 July...



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