Yinka Shonibare CBE: Suspended States
When does an artistic trope stop being art? The incessant repetition of Yinka Shonibare’s trademar...
Zineb Sedira: Dreams Have No Titles
This enveloping Gesamtkunstwerk is a multifarious evocation of political resistance that does not ma...
Spanning seven decades of Yoko Ono’s groundbreaking work, from the 1950s to now, some done with Jo...
Zarina Bhimji's quietly reflective films and photographs, with their evocative use of colour and lig...
Zineb Sedira – interview: ‘It makes sense to include part of my life, ...
Zineb Sedira discusses her acclaimed French Pavilion for the 2022 Venice Biennale, as well as how th...
Yuki Kihara: Paradise Camp – Venice Biennale 2022
The artist, who is of mixed Japanese and Samoan heritage, talks about showcasing queer rights and re...
Yoan Capote – interview: ‘When a Cuban looks at the sea, he remembers ...
The artist talks about his new series of large-scale paintings, Requiem, and how his work is influen...
The Chinese artist Yu Ji has salvaged construction debris from east London and Shanghai to create a ...
Young Poland: The Polish Arts and Crafts Movement, 1890-1918 – book revi...
The range of work to emerge from the Young Poland movement is staggering and this well-researched, b...
The Metropolitan Museum of Art in New York reveals Yoko Ono’s new commission, created in response ...
Yuko Hasegawa – interview: ‘We built Olafur Eliasson’s exhibition wi...
The artistic director at the Museum of Contemporary Art in Tokyo was preparing a solo exhibition of ...
Covering the first decade of Rembrandt’s work, with more than 30 paintings and 90 drawings and pri...
Ziba Ardalan – interview: ‘Parasol has been 16 years of go-go … Mayb...
Ardalan talks about her decision to close Parasol unit, and its achievements in London over the last...
Yasumasa Morimura: Ego Obscura, Tokyo 2020
In his search for ‘the self’, Morimura takes on the guise of well-known historical figures and c...
Young Bomberg and the Old Masters
This disappointingly limited exhibition does little to uphold the promised insight into the influenc...
Yorkshire Sculpture International 2019
A new international quadrennial across Leeds and Wakefield opens with an introspective first edition...
Yorkshire Sculpture Park opens Weston visitor centre
A visitor pavilion by Feilden Fowles opens up an overlooked area of the 500-acre sculpture park. The...
Eight key works from the past 15 years, all unapologetically seen from a woman’s perspective, circ...
Leonard’s stripped-back black-and-white aerial photographs take us back to a simpler time...
Yayoi Kusama: The Moving Moment When I Went to the Universe
In the 60s, Kusama was a pioneering artist, but it’s hard not to feel that this show, with its hyp...
Zuzanna Czebatul: ‘People have to talk and dance with each other’
The artist talks about tigers, tarot cards, the vast carpet she made for this year’s Art Cologne a...
Zhang Enli: ‘I pay attention to the subtle things that you might usually...
The artist known for focusing on the poetic aspects of daily life talks about new approaches to pain...
Yto Barrada: ‘The whole thing is a dance between a mad poet, children an...
Yto Barrada discusses her new exhibition at the Barbican Centre, which draws on a calamitous earthqu...
Yayoi Kusama Museum opens in Tokyo
Japanese artist Yayoi Kusama, famous for her polka dots and pumpkins, opened her own museum in Tokyo...
Zoë Buckman: ‘One role of feminism is to address and reframe how we con...
The London-born, New York-based artist known for incorporating highly personal motifs, such as embro...
Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...
Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...
Yuri Pattison: context, collapse
In the first exhibition at mother’s tankstation project’s new London gallery, Yuri Pattison’s ...
Zach Blas searches for a future beyond the internet’s catch-all web at the artist’s Gasworks exh...
Zoë Paul: La Perma-Perla Kraal Emporium
‘We need to have a connection to the place we live in. It’s an extension of ourselves and it’s...
Yuko Mohri: 'I’m very curious about organic ecosystems'
Mohri talked to Studio International before the opening of her exhibition Moré Moré [Leaky] and ex...