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Invisible: Art about the Unseen, 1957-2012
From the amusing to the philosophical, there are works you can observe and others you can take part ...
Grayson Perry. The Vanity of Small Differences
Grayson Perry’s current exhibition at Victoria Miro features his new series of six tapestries, The...
Giuseppe Cavalli: Master of Light
Giuseppe Cavalli: Master of Light – In 1947, Italian photographer Giuseppe Cavalli (1904–61) co-...
Grand Palais, Galerie sud-est, Paris until 17 June 2012. This spring, the Grand Palais shows the fir...
Hirst Reconsidered: Damien Hirst, Tate Modern, London, 2012
Reviews of Damien Hirst’s work invariably focus on the artist’s apparently contradictory identit...
Giorgio Vasari: Dessins du Louvre
This winter, in celebration of the five hundredth centenary of Giorgio Vasari's birth, the Louvre op...
The enigma of Gerhard Richter is not here resolved by Tate Modern’s new exhibition. Yet the exhibi...
Homage to Michael Spens. The Royal Academy Summer Exhibition, 2011
The Royal Academy Summer Exhibition is, and always has been, a major event, a showcase of recent wor...
Georg Baselitz: Between Eagles and Pioneers
In 1963, the conservative German newspaper, Die Welt, was one amongst several to vehemently object t...
Polish born artist Gosia Wlodarczak completed a 12-day performative drawing in March this year for t...
I Know Something About Love, curated by Ziba Ardalan for Parasol Unit, comprises works by four inter...
George Shaw: The Sly and Unseen Day
George Shaw has been working away since 1996 at least, and this new show brings his paintings in par...
In his preface to the catalogue for Poussin Gallery’s current exhibition, High Abstract, Mel Goodi...
Since the 1980s Mexican artist, Gabriel Orozco has been making “work” – and it can only be des...
Grayson Perry: Visual Dialogues
Perfectly turned out in a pink and green satin dress, with matching hair ribbons and boldly rouged c...
The work of Chinese artist Guan Wei is an important comment on contemporary global culture. Born in ...
Paul Gauguin shaped a mythology that lasted; a persona deliberately crafted yet wildly varied. The f...
Helen Frankenthaler: Paper is Painting
Helen Frankenthaler: Paper is Painting, at Bernard Jacobson Gallery, London is one of three exhibiti...
Impressionist Gardens. National Gallery Complex, Edinburgh, 2010
We review this outstanding exhibition, which moves on to Madrid imminently, able to report that visi...
How the Master Became the Master
Matisse: Radical Invention, 1913–1917 is the kind of show the Museum of Modern Art (MoMA) does bes...
Hipsters, Hustlers, and Handball Players: Leon Levinstein's New York Photo...
Leon Levinstein (1910–1988) is renowned for the casual, black and white shots of his adopted city,...
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George Gittoes: Descendence stories, from Night Vision, The Diaries
Artist and film-maker, George Gittoes has shown new paintings the Descendence series (2009...
Graphic Heroes, Magic Monsters: Japanese Prints by Utagawa Kuniyoshi from ...
The proliferation of Japanese-style comics (manga), rapidly expanding international audiences for th...
The late, much lamented Paris-based English sculptor Raymond Mason (see obituary, 28 February, 2010)...
Inscription: drawing, making, thinking
Inscription: drawing, making, thinking is the fourth of Jerwood...
Hitting a Wall, Finding a Shape: An interview with Gary Hill
Using a curious Internet nickname that plays with a literary reference used in his work, pioneering ...
Gary Hill: Poetics Beyond the Third Dimension
If a word is worth 0.001 pictures, as stated at the entrance of American artist Gary Hill...
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