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Catherine Parsonage. Suddenly Every Wednesday, 2017. Acrylic on canvas, 122 x 183 cm. © the artist.

Catherine Parsonage: ‘I wanted to break things apart, let everything be ...

Rosanna Mclaughlin: I would like to begin by asking you...

Eve Fowler. Photograph: Steven Perilloux.

Eve Fowler: ‘Stein’s work really affected me’

Christiana Spens: What drew you to Gertrude Stein’s work initially? When did ...

Studio of Katharina Grosse, Berlin, 2018.

Katharina Grosse: Prototypes of imagination

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Katharina Grosse: Prototypes of imagination

Manuel Mathieu. Loyalty, 2017. Mixed media, 70 x 80 in. Photograph: Guy L’ heureux.

Manuel Mathieu: ‘Life experience sometimes forces you to see things that...

Emily Spicer: You were born in and grew up in Haiti. Ho...

Junya Ishigami at the exhibition Junya Ishigami, Fondation Cartier pour l’art contemporain. Photograph © Renaud Monfourny.

Junya Ishigami: Freeing Architecture

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Junya Ishigami: Freeing Architecture

In his attemp...

August Sander. Boxer (Boxers), 1929 (printed 1972). Gelatin silver print, 80.2 x 60 cm (31 5/8 x 23 5/8 in). Photograph: Genevieve Hanson. © Die Photographische Sammlung/SK Stiftung Kultur - August Sander Archiv, Cologne / DACS 2018.

August Sander: Men Without Masks

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August Sander: Men Without Masks

Taken together, the p...

Sarah Morris. Big Ben [2012], for Art on the Underground, Gloucester Road station, London, 11 June 2012 – 1 September 2013. Photograph: Thierry Bal.

Eleanor Pinfield: ‘London – and London Underground - deserves to have ...

Veronica Simpson: There is obviously a huge amount of t...

Divest UAL ‘Die-in’, Central Saint Martins College, London, 2015. Photograph: Georgia Brown.

David Cross: ‘Art is what fills the gap between how the world is and how...

MK Palomar: Am I right in thinking that there was a poi...

KAYA (Kerstin Brätsch and Debo Eilers), Portrait, 2018. Photograph: Daniele Molajoli.

Kerstin Brätsch_Ruine / Kaya_Kovo

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Kerstin Brätsch_Ruine / Kaya_Kovo

Brätsch is an ar...

Phyllida Barlow, Quarry, 2018. Photograph: Anna Kunst, courtesy Jupiter Artland.

Phyllida Barlow: ‘It’s the first time I’ve experienced making someth...

Veronica Simpson: This is your first permanent sculptur...



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