Tag: Richard Hamilton

Iconic: Portraiture from Francis Bacon to Andy Warhol

There are no buts! This small exhibition at the Holburne Museum in Bath has considered every angle and every detail and the result truly is a bijou gem
Mali Morris – interview: ‘A phrase that I use as a mantra is “What if?”’

In the run up to her exhibition at Hatton Gallery, Morris talks about her processes of applying and removing paint and the dynamic between planning and chance
The Shape of Things: Still Life in Britain

With works from the 17th century to today, from Edwaert Collier to Duncan Grant and Maggi Hambling, this exhibition shows that still life, once seen as the lowliest of genres, has much to offer
Matt Rugg: Connecting Form

In the first major retrospective of the British abstract artist and teacher, his playful curiosity for found industrial materials and unswervingly experimental eye come into their own
Capturing the Moment: A Journey through Painting and Photography

This exhibition considers the relationship between the two media, from documentary photography of the 1930s to the digital age. There is little new here, but some standout individual works
Richard Hamilton: Respective

Key works and a wealth of fascinating archive material make this small show a must see
Thinking Machines: Art and Design in the Computer Age, 1959-1989

The exhibition is a must-see for anyone interested in the early history of computer technology and its connection to art and design
Larry Bell: ‘You have to trust what you’re doing, to trust the work’

The artist discusses his latest solo exhibition, at the White Cube gallery, the spontaneity that occurs during the making process, why he chose to stop painting, and going to tea with Marcel Duchamp
Fighting History

Fighting History, an exhibition examining 250 years of history painting, has received a torrent of abuse from the British press. It has been accused of being “feeble,” “terribly presented” and “frustrating.” Surely, it can’t be that bad?
Reflections on the Self: From Dürer to Struth

This exhibition explores the genre of the self-portrait, looking at the ways in which more than 50 artists from the 1400s onwards have sought to visualise the self