Tag: retrospective

  • Zanele Muholi

    Anger, hurt, vulnerability, love, togetherness, celebration, passion … South African visual activist Zanele Muholi captures and evinces every imaginable emotion at high intensity

  • Irina Nakhova – interview: ‘I want my works to provoke curiosity’

    The Russian artist talks about her latest exhibition, Museum on the Edge, at the Zimmerli Art Museum, Rutgers University, and explains why she sees art not as a profession, but rather as her way of being

  • Bruce Nauman: Disappearing Acts

    This retrospective helps us understand Nauman as an artist who turns attention to himself, his body and his image as an object of exploration in its relation to time, place and history

  • Emil Nolde: Colour Is Life

    With a riot of vibrant colours, German expressionist painter and printmaker Emil Nolde brings to life flowers and gardens, dancers and cabaret singers, and people of all different types and races

  • Agathe Sorel interview: ‘I never have an idea in advance, even now. Experimentation spreads through all my work’

    Agathe Sorel talks about her battle to get printmaking recognised in art colleges, her unconventional use of the engraved line, the influence of maths and science on her work – and being kicked out of photo shops

  • Mark Rothko: The Retrospective

    Hamburger Kunsthalle Museum 16 May–14 September 2008

  • Francis Bacon at Tate Britain

    Francis Bacon (1909-1992) at Tate Britain heralds the artist’s centenary in 2009. It is the first retrospective since 1985, enabling a re-assessment of his work, although the exhibitions in Edinburgh, Francis Bacon: Portraits and Heads (2005) and Norwich, Francis Bacon…

  • Joan Eardley

    Joan Eardley’s life was cut tragically short by cancer in 1963 at the age of 42. Born in England she spent her life in Scotland, after studying at the Glasgow School of Art. Two subjects dominate the retrospective exhibition at…

  • Martin Kippenberger

    Tate Modern, London 8 February-14 May 2006 Kippenberger’s restless stylistic movements resist the monumentality that a retrospective can impart, and this resistance gives the exhibition a manic energy. Rooms full of painted pastiche spill out into sculptures, books, catalogues and…