Tag: Phyllida Barlow

Caspar Heinemann: Sod All

The artist takes us on a deep, dark emotional dive with his nihilistic installation that references obscure religious books, occultism, folk revivalism and sexual politics through a typical mixture of found and repurposed materials
Immortal Apples, Eternal Eggs

This extensive exhibition of still life works from two major collections is full of clever visual pairings and rich in conceptual layers
Phyllida Barlow: Unscripted

Barlow’s playful approach turned found objects into composites that shone, while nodding to the artists she loved. Following her death last year, the curator here has attempted to reimagine rather than repeat her installations
These Mad Hybrids: John Hoyland and Contemporary Sculpture

In this joyous and eccentric show, Hoyland’s jaunty ceramic sculptures are shown alongside equally playful sculptures from contemporary artists including Hew Locke and Phyllida Barlow
When Forms Come Alive

The Hayward Gallery’s spring exhibition is an effervescent playground of kinetically inclined sculpture that captures the drifting, mushrooming and vibrating movements of the natural world
Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space

This apposite pairing of two conceptually rigorous artists provokes myriad questions about process, composition and the materiality of paper
Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives us an opportunity to look again and think again’

A major UK survey exhibition of her work reveals the restless creativity and curiosity of this talented, multimedia artist. She talks about her love of landscape and her revolutionary approach to pattern
Nalini Malani – interview: ‘The future is female. There is no other way’

Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now on in Barcelona. She has also just been awarded the first National Gallery Contemporary Fellowship. She explains why telling and retelling stories,…
Yorkshire Sculpture International 2019

A new international quadrennial across Leeds and Wakefield opens with an introspective first edition, which finds the sculptural in some surprising places
Phyllida Barlow: Cul-de-Sac

This exhibition of new work is more pared back than we have come to expect from Barlow. Her aim, she says, is ‘to come back to what is essential’