Tag: Peter Doig
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Christopher Le Brun & Charlotte Verity – interview: ‘There is such a thing as too much dialogue’
To coincide with a rare joint exhibition now on view at The Gallery at Windsor in Florida, the artists consider the limitless possibilities of paint, their resistance to genre boundaries and the importance of keeping a harmonious distance between one…
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Mixing It Up: Painting Today
In an uplifting show that is dizzying in its scope and variety, 31 contemporary artists celebrate diverse images and ideas
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Matthew Krishanu – interview: ‘I want my paintings to exist somewhere between the precision of a photograph and something looser’
Krishanu, whose figurative paintings explore childhood, religion, colonialism and empire, talks about why he works from photographs, his hope that viewers will inhabit the people in his paintings, and his inclusion at a forthcoming show at the Hayward Gallery
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Charlotte Keates – interview: ‘I want my paintings to feel more like dreamscapes, that sense of deja-vu’
The artist talks about her series of paintings in the group show Just What Is It …?, at Cristea Roberts Gallery, and how they draw on memories engaging all five senses
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Michael Armitage: Paradise Edict
The British Kenyan painter’s first institutional show demonstrates his remarkable development, while allowing space for his neglected East African influences
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Denzil Forrester – interview: ‘I needed that dark space to bring out that energy… you have to give yourself over to it’
Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo institutional show, at Nottingham Contemporary
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Milton Avery: The Late Portraits
Focusing on works done in the final four years of Avery’s career, these portraits depict the people and motifs closest to him
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Peter Doig
The Scottish painter’s latest works are as beautiful as ever, but exhibit a newfound looseness, playfulness and sense of violence
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Painters’ Painters
There is a quiet revolution happening in paint. But, paradoxically, Painters’ Painters seems out to prove otherwise
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Jules de Balincourt: ‘I can’t be painting bouquets of flowers and pretend that everything is wonderful. That doesn’t interest me’
The painter’s uncanny worlds reflect the post-9/11 zeitgeist with a beguiling charm. The world is a fragile, unsettling place, he says, and it’s difficult not to respond to that
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