Tag: Hauser & Wirth
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Sophie Taeuber-Arp
An online exhibition at Hauser & Wirth serves as a fine reintroduction to one of the interwar avant garde’s great boundary-shattering figures
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Not Vital: SCARCH
Is there another living artist who has reimagined what architecture is or does quite so comprehensively as Vital?
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Keith Tyson – interview: ‘I’m quite happy for the world to seep through me and for the work to just emerge’
The artist talks about the joys of scaling back, relearning the craft of painting, and why the flower paintings in his new show, Life Still, at Hauser & Wirth, London, are about so much more than flowers
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Zoe Leonard: Aerials
Leonard’s stripped-back black-and-white aerial photographs take us back to a simpler time
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Martin Creed: ‘You’re at the mercy of these feelings you don’t have any control over’
Creed spoke to us at the opening of his new show, Toast, which includes a dancing sock, a painting that moves in and out of the room and a troupe of singers, along with new drawings, videos, paintings, textiles and…
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Berlinde de Bruyckere: Stages & Tales
In two powerful sets of new work at Hauser & Wirth’s Somerset outpost, the Belgian sculptor moves beyond her figurative past in an attempt to capture the tragedy of the present day
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August Sander: Men Without Masks
Taken together, the portraits shown here, captured by the German photographer between 1910 and 1931, are a quiet revelation, a unique and emotive window into the collected lives of his countrymen and women in the interwar period
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Ida Applebroog: Mercy Hospital
These drawings from the forgotten sketchbooks of the well-known feminist artist Ida Applebroog offer an intimate insight into her struggle with depression during a six-week stay at Mercy Hospital in 1969
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Lee Lozano: c 1962
Merging human organs and household objects, Lee Lozano’s early miniatures are erotic and unsettling in equal parts
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Rashid Johnson: Fly Away
This is Johnson at his best. Mirrors, branded wood, black soap, shea butter, cut-up photography – his trademark materials are all here in this vast gallery, as he draws visitors in to contemplate his themes of anxiety and race

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