Tag: Gerhard Richter

  • Germany divided: Baselitz and his generation

    The British Museum, London 6 February – 31 August 2014

  • Canan Tolon: Sidesteps

    Parasol Unit, London 15 January – 16 March 2014

  • Nick Relph: Tomorrow There Is No Recording

    Chisenhale Gallery, London 20 September – 10 November 2013

  • Munch: The Problem With Women

    This timely showing of 60 various graphics in all, some six of which are from the Gallery’s own collection, focuses on Munch’s lithographs, woodcuts, dry-point prints plus one etching, from the years 1895–1915. Here therefore, is a compelling cross-section of…

  • Toby Ziegler

    Ziegler’s current show at Simon Lee follows two other successful solo exhibitions, most recently The Alienation of Objects at 176 in London, as well as several group exhibitions from Finland to China. His work fuses enchanting, pale detachment with a…

  • Joseph Beuys Lives

    At this time, it is salutary to look back again at the volumes of Studio International and to be reminded of the loss of this artist. Reproduced here is the cover of the March 1986 issue (vol 199, no. 1012),…

  • Gerhard Richter: Panorama

    The enigma of Gerhard Richter is not here resolved by Tate Modern’s new exhibition. Yet the exhibition is, as is now usual at Tate Modern, very well curated

  • Colour Chart: Reinventing Colour, 1950 to Today

    Being an artist has often meant being a colourist. The twentieth and twenty-first centuries may have seen a dramatic shift in how we respond to and value colour, early experiments in photography giving a new lease of life to black…

  • Gerhard Richter Portraits

    This is a substantial selection of work, a broadly chronological arrangement from throughout his career, sublimated by Stanton Williams’ sensitive exhibition design into a total experience

  • Gerhard Richter: Paintings from private collections – book review

    Edinburgh’s National Gallery was indeed fortunate to receive the above exhibition following showings in Baden-Baden and then, Beijing, earlier in 2008. Reviewing the Catalogue is to appreciate a valuable tool to understanding the more salient tendencies of Richter’s work. This…