Tag: Eduardo Paolozzi

  • The British Line: Group Show

    What defines the British national character? The British Line, an exhibition at the Robin Katz gallery of monochrome drawings by some of the greatest British artists from the 20th century to today, hopes to answer that question

  • Michael Spens: obituary

    The architect, writer, and former publisher/editor of Studio International, Michael Patrick Spens of Wormiston, Knight 1st Class, Order of the Lion of Finland (for services to architecture), has died aged 74.

  • Rodin

    Rodin Royal Academy of Arts, London 23 September 2006-1 January 2007

  • Eduardo Paolozzi: The Jet Age Compendium

    Raven Row, London 4 September–1 November 2009

  • Richard Hamilton: ‘Protest pictures’

    Inverleith House, Edinburgh 31 July-12 October 2008

  • Pallant House Gallery, Chichester

    Pallant House Gallery, which opened on 1 July 2006 in the centre of Chichester, is a dramatic conjunction of old and new – dramatic, that is, internally. From the exterior, as approached from the town, a seamless joining has been…

  • Paolozzi remembered

    The late British sculptor and Royal Academician, Sir Eduardo Paolozzi, who died in 2005, will be subject to a commemorative exhibition at the Royal Academy of Arts from 12 June to 20 August 2006, where over 100 works will be…

  • A tribute to Eduardo Paolozzi

    Robin Spencer, Paolozzi’s biographer and editor of his ‘Writings and Interviews’,1 has given us permission to record here the tribute that he delivered at the Memorial Reception to Sir Eduardo, which was held close to his donated collection at the…

  • Will Maclean: Driftworks

    Will Maclean’s exhibition, ‘Driftworks’ at Dundee Contemporary Arts is the finest exhibition by a contemporary artist in Scotland that I have seen in the 14 years I have lived there since coming from Australia. It coincides with the publication of…

  • Michael Andrews revisited

    If there was ever a clearer purpose and definition of the respective rationale behind the division of Tate works into Tate Modern and Tate Britain, the present retrospective of the painter Michael Andrews is a reassuring touchstone. Whereas  (not even…