Tag: Ed Atkins

  • Ed Atkins

    In this major retrospective, the viewer is like an avatar navigating the humans – real and CGI – that populate Atkins’ world of existential dread

  • Lynn Hershman Leeson – Twisted; Ed Atkins – Get Life/Love’s Work

    The human body provides a jumping-off point for both artists, but while Hershman Leeson’s exploration of the relationship between technology and self draw strongly on a feminist perspective, Atkins’ consideration of identity is rather troubling

  • What Absence Is Made Of

    This exhibition brings together more than 70 works from the Hirshhorn’s collection in an attempt to explore how artists attempt to show what absence looks like

  • Suspended Animation

    Nine contemporary artists ask what has become of reality and physicality in the age of the virtual – and imagine human existence in a digital future

  • One and Other

    The Zabludowicz Collection sets the stage for a shrewd reflection on the real versus the created self in the modern age

  • 2015 Triennial: Surround Audience

    Surround Audience includes some strong works, but the New Museum’s Triennial 2015 bombards you with pieces that compete for attention, so while video- and sound-based works hold their own, quieter, more conceptual pieces are easily overlooked

  • Andrea Mason: ‘If I had to be categorised really simply … I am an artist who writes’

    Artist and writer Andrea Mason talked to us from her studio in Camberwell, south London about Literary Kitchen, the creative writing enterprise she founded, her collaboration with Philippe Bradshaw and the inspirations behind her current research and writing as art…

  • Sam Belinfante: ‘For galleries, sound is still a terrifying prospect’

    Sam Belinfante talks about the role of listening in the visual arts and the challenges he faced in curating this engaging and impressive show, which features some of the key figures in aural art today

  • Ed Atkins: interview

    Anna McNay spoke to Ed Atkins about his current exhibition at the Serpentine Sackler Gallery, where his film Ribbons (2014) is showing alongside related installations of text and image