Tag: CyberArt

  • Xavier Cha: ‘I’m attracted to manipulating the viewer’s sense of logic, time and perception’

    The multimedia artist talks about exploring the physical and psychological relationships between the human body and technology, and why the apparatus and artifice of any human pursuit in contemporary life is of interest to her

  • Rafael Lozano-Hemmer: interview

    Famous for his interactive installations for public spaces, Rafael Lozano-Hemmer talks about his unusual path from physical chemistry graduate to artist, and the growing relationship between technology and artistic practice

  • Julio Le Parc: Light and Movement

    Le Parc Lumière – Kinetic works by Julio Le Parc Casa Daros, Rio de Janeiro 12 October 2013 – 23 February 2014

  • Light Show

    During the course of his expedition to the North Pole, Fridtjof Nansen, in his journal, describes the features of the arctic icescape. The last stages of this epic journey are undergone on foot, and in conditions that contrived to thwart…

  • Rafael Lozano-Hemmer

    Haunch of Venison, London 15 October–29 November 2008

  • ‘Art & Technology’ on BBC

    “The series is primarily concerned with two problems—how artists use various technologies and how they react to the products of technology…”

  • Technology and art 20

    On industrializ­ation and machinery in The Red Desert; on ‘Ecogame’ designed as a continuous interactive game-like situation; and on Support Languages/Art Language.

  • Technology and Art 15: Computer graphics at Brunel

    “The potential that was so evident at the 1968 ICA exhibition is still there, but the actuality has hardly advanced at all, and this is depressing. There was always a danger that the phenomenon called computer art would come to…

  • Technology and art 8: `The prehistory of the visible’

    To read Burnham on vitalist or biomorphic sculpture is to be reminded that there is no apparent correlation between the stature of a given artist and the validity of his scientific assumptions. The discontinuities between science and modern art are…

  • Technology and art 5

    The added originality in [Petar] Milojević’s technique is that by slight changes to his programming logic he can produce an infinite variety of floral textures. This seems as near ‘art’ as anything one has seen from computers: a poetic hint…