Tag: Computer Art
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Cybernetic Serendipity 50th Anniversary
The Studio International special issue Cybernetic Serendipity: The Computer and the Arts was first published in July 1968 to accompany the ICA exhibition of the same name curated by Jasia Reichardt. Both the publication and the exhibition are now legendary
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Matthias Dörfelt: There are not many people using code and technology as an expressive tool’
The Los Angeles-based German digital artist talks about computer programs, his interest in bitcoin, his Donald Trump Twitterbot, and how software, coding and drawing form the pillars of his work
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Gerfried Stocker: ‘The first time I went to Ars Electronica Festival was mind-blowing’
Gerfried Stocker talks about going from being a media artist influenced by Ars Electronica to becoming its artistic director and the mind behind its organisation
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Harold Cohen: ‘I was probably the only person who considered the computer to be potentially an autonomous art-making entity’
Pioneer of computer art Harold Cohen died last year at the age of 87. In 2015, in one of the last interviews of his life, he talked to Studio International about his long career
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Delving into coding: the art of Harold Cohen
Harold Cohen, who developed Aaron, one of the first and most complex software programs for computer-generated art, died last year at the age of 87. We look back at his achievements
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The Computer and Music: Coordinate Expansion
Cybernetic Serendipity: the computer and the arts, Studio International Special Issue, 1968
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Hello, Robot: Design Between Human and Machine
This exhibition is a provocative, disturbing, poignant and ultimately telling exploration of the implications and complications arising from technology’s advancing role in human evolution
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The Ars Electronica Festival 2016: Radical Atoms and the Alchemists of our Time
This year’s festival includes more than 30 exhibitions, around 20 concerts and visual art and sound performances each day, an open-air drone show, plus symposiums, lectures and workshops
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Xavier Cha: ‘I’m attracted to manipulating the viewer’s sense of logic, time and perception’
The multimedia artist talks about exploring the physical and psychological relationships between the human body and technology, and why the apparatus and artifice of any human pursuit in contemporary life is of interest to her
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Primary Codes
This ambitious exhibition by four greats of computer art brings together works from the very start of the genre in the early 1960s to the modern day. Despite being a very successful event, it is fair to question: is this…
