Tag: Camden Art Centre

  • Liz Larner – interview

    On the event of her first UK institutional show at Camden Art Centre, the American sculptor discusses plastics, ceramics and the legend of Lilith

  • Nat Faulkner – interview

    At the opening of his first public exhibition, Nat Faulkner, winner of the Camden Art Centre Emerging Artist Prize at Frieze 2024, talks about his fascination for the darkroom, what attracts him in the analogue process, and how Londoners’ use…

  • Karimah Ashadu: Tendered

    Ashadu’s three films may aim to give a voice to marginalised men in the former British colony of Nigeria, but their stories are overshadowed by an overwhelming sense of authorial privilege

  • There: a Feeling | Gregg Bordowitz

    In his first institutional solo exhibition in the UK, the American artist and activist shares stories, prints and films reflecting on connection, survival and contagion

  • Lonnie Holley: All Rendered Truth

    The American artist and musician redeems humanity’s junk and reveals the dark histories of mundane objects

  • Matthew Krishanu: The Bough Breaks

    Interweaving childhood memories and imagination with the history of painting, Matthew Krishanu creates narrative series of universal relevance

  • Martin Wong: Malicious Mischief

    A survey of the Chinese American artist confirms him as one of the most unusual, ingenious and forceful painters of his time

  • Atiéna R Kilfa: The Unhomely

    In Kilfa’s new video work, which is integrated into an architectural structure, the viewer finds themselves like an Alice in Wonderland figure, unsure of what is big and what is small, what is real and what is imagined

  • Mohammed Sami: The Point 0

    Acrylic paint is slathered, scraped, smeared and sprayed in Mohammed Sami’s psychologically taut paintings, whose enigmatic, ambiguous scenes recall his memories of life in Baghdad under Saddam Hussein and, later, a refugee camp in Sweden

  • Forrest Bess: Out of the Blue

    An alluring and alarming exhibition gathers the work and words of Forrest Bess, postwar America’s strangest visionary artist