Tag: Anthony Caro

Ten Sculptures by Tim Scott 1961-71– book review

A thorough introduction to and overview of a fascinating artist who has been far too overlooked. The focus on this decade brings to the fore Scott’s paradoxical sculptures and horizontal Brâncuși-ism
Olivia Bax – interview: ‘With art, there are so many unwritten rules and I find it interesting to challenge them and break them’

The sculptor talks about curating These Mad Hybrids: John Hoyland and Contemporary Sculpture, now at the Millenium Gallery, Sheffield, her early career as Anthony Caro’s assistant and why humour is so vital to her work
Immortal Apples, Eternal Eggs

This extensive exhibition of still life works from two major collections is full of clever visual pairings and rich in conceptual layers
Bernard Cohen: Things Seen

An exhibition of recent works by the veteran British painter draws on medieval stained glass, Velázquez, nature and the process of painting
Anthony Caro: The Inspiration of Architecture

The grand Georgian home of the neo-classical architect John Soane provides the background for Caro’s modernist sculpture. It’s an aesthetic collision not to be missed
Rhythm and Geometry: Constructivist Art in Britain since 1951

There is some compelling work here, but this could have been a chance to see a century of revolution in art, science and technology from the 1920s to the present, so neglecting the pre-1950 period seems a shame
Garth Evans: But, Hands Have Eyes

You would probably learn more from a foot-high sculpture by Evans than the whole extravaganza that Antony Gormley is about to present at the Royal Academy
Sam Cornish: ‘We started with this idea that all works would have to contain repetition, sequence and symmetry’

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relatively unsung period in art history was characterised by more than just bright colours and glossy surfaces
Colour is

This group exhibition, including work by Josef Albers, David Annesley, Anthony Caro and Hélio Oiticica, provides an interesting survey of 1960s abstract art and its legacies, and suggests a few intriguing connections
Art in Dialogue: Duccio | Caro

Bringing together a medieval Sienese altarpiece fragment and a late-20th-century abstract sculpture, despite their being separated by more than 700 years, opens up a lively dialogue that sheds new light on both works