Tag: Anselm Kiefer

  • Catharsis: A Grief Drawn Out – book review

    To what extent can the visual language of grief be translated? Janet McKenzie looks back over 20 years’ worth of drawings in search of words

  • Thérèse Oulton

    A bewitching and challenging exhibition of paintings from 1983 until 2024, revealing an underappreciated abstract painter with a distinct and enigmatic visual language

  • Expansive Change: Distortion as Dialogue in Modern & Contemporary Art

    Among a flotilla of known artists, curator Santiago Rumney-Guggenheim has launched a few lesser-known names in an overview from 1920 to 2014, a time when art changed at a head-spinning pace

  • Anselm Kiefer: Fallen Angels

    With a mix of new and old works, Kiefer draws us into a world where good and evil are blurred – and it’s hard not to see parallels with what is happening in Gaza

  • Anselm Kiefer: Pour Paul Celan

    Here, in four installations and 19 vast canvases, Kiefer creates a dialogue with the work of Paul Celan, the great German-language poet who has influenced the artist’s output since adolescence

  • Joan Eardley: Centenary

    To mark the centenary of her birth, the Scottish Gallery is hosting a small but impressive exhibition of Joan Eardley, with material – new and old – on her life and practice, in Glasgow and on the coast in Catterline

  • Royal Academy of Arts Summer Exhibition 2020

    For the first time ever, the Summer Exhibition falls in autumn and winter, but the RA’s galleries look much as they do every year

  • Anselm Kiefer: Superstrings, Runes, The Norns, Gordian Knot

    Kiefer’s vast new works bring together scientific theory, mythology, astrology, mathematics and spirituality. The result is mysterious and unsettling

  • Cerith Wyn Evans: “… the Illuminating Gas”

    Enter Wyn Evans’s dazzling universe with this show of mesmerising light and sound sculptures and installations

  • Royal Academy of Arts Summer Exhibition 2019

    The spectacle that is the Royal Academy Summer Exhibition and the stylishness of its visitors has, it seems, never waned and, from the outset, the press has contributed to its reputation. Its visitors are just as important as the artworks…