Tag: Ana Mendieta

  • Ana Mendieta

    The last of the great trilogy of female artists to have a retrospective at Tate Modern this summer – and by no means the least

  • Solange Pessoa: Pilgrim Fields

    An olfactory orgy of marigolds, chamomile, grasses, sheepskins and kelp is arranged into a surreal landscape – and a lush scentscape – to prick our understanding of what is wild and what is natural, in the Brazilian artist’s first UK…

  • Chechu Álava – interview: ‘We painters are like relay runners who pass the baton to each other to continue the race’

    Álava explains how her passion for art history and her interest in gender issues blend together in her work, how she honours the memory of previously forgotten women by presenting them with love and, by doing so, hopes to provide…

  • Pine’s Eye

    From rejecting cultivated gardens in favour of wild spaces to using traditional craft rather than modern techniques, the artists in this show throw new light on how we look at the world

  • Covered in Time and History: The Films of Ana Mendieta

    Mud, blood, fire and water: a touring exhibition of the Cuban American artist affirms her continuing relevance while revealing her formidable skill as a film-maker

  • Chiharu Shiota: Beyond Time

    Using 2,000 balls of thread, Chiharu Shiota’s installation of white woollen webbing in the chapel at Yorkshire Sculpture Park drifts up from floor to ceiling, twisting around and drawing you in to the spirit of the place

  • What Absence Is Made Of

    This exhibition brings together more than 70 works from the Hirshhorn’s collection in an attempt to explore how artists attempt to show what absence looks like

  • Linda Stupart: ‘I’m interested in thinking about a world without men’

    The writer, sculptor and performance artist talks about the power of crystals, witchcraft and using sci-fi as a tool to write queer time and imagine queer futures

  • Francesca Woodman: On Being An Angel

    Influenced by surrealism and the Gothic revival, as well as speaking to the contemporary 1970s feminist zeitgeist, Francesca Woodman’s photography offers a timeless representation of a young woman on the cusp of adulthood

  • Carl Andre: Sculpture as Place, 1958-2010

    Dia: Beacon, Beacon, New York 5 May 2014 – 2 March 2015