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Published  30/11/-0001
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Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural ...

The founder of Tashkeel, Dubai’s first public studio space for artists, talks about her hopes for ...

Sophia Narrett: ‘I see the sewing process as akin to drawing’

The artist talks about the process of making her embroideries, why she uses pop culture for source m...

Patricia Cronin: 'A silent protest can be quite powerful' – Venice Bienn...

Patricia Cronin talks about Shrine for Girls, her installation at the Venice Biennale that commemora...

Geoffrey Eastop: ‘The character of the mark describes the object’

Geoffrey Eastop – his creative legacy. Studio international visited Ecchinswell in Hampshire – t...

Eileen Cooper: ‘Artists are real sponges. We take things and absorb them...

The artist talks about having a retrospective at the Royal Academy at the same time as showing in it...

Lynette Yiadom-Boakye: ‘Maybe I’m not as interested in people as I tho...

The artist, whose latest exhibition, Verses After Dusk, is on at the Serpentine Gallery, London, tal...

Chloe Dewe Mathews: ‘I wanted to bring the viewer in, so they become par...

Chloe Dewe Mathews’s Tate commission, Congregation, looks at south London’s African churches, ca...

Sarah Lucas: I Scream Daddio – Venice Biennale 2015

Sarah Lucas came to prominence in the 90s with the generation of Young British Artists, but it has t...

Cecily Brown: ‘In a way you can see things more clearly when they’re s...

The artist talks about her latest exhibition, The English Garden, explains why it is a lot harder to...

On My Way – Venice Biennale 2015

As a parallel event to the Venice Biennale, a group of artists from Russia present an exhibition tha...

Rachel Maclean: ‘I’m taking and contributing to the weird recycled eco...

The artist talks about taking her inspiration from YouTube and LolCats to Britney Spears and Scottis...

Jake Chapman: ‘Show me a Hitler and I’ll draw on it’

Having unveiled the sinister Sturm und Drang at Ekebergparken Sculpture Park, Oslo, one half of arti...

Rafaël Rozendaal: ‘I see the same intensification of reality in Mondria...

The artist, who now has hundreds of websites to his name, talks about using the internet as his canv...

BGL: ‘In our installation, people play with money, and we like this game...

Canadian art collective BGL makes art that is playful and provocative, using irony and parodic inter...

Graham Fagen: ‘Come into the garden and forget about the war’ – Veni...

Glasgow-based artist Graham Fagen, who is representing Scotland for the 56th Venice Biennale, has mi...

Catlin Art Prize 2015

Eight of the UK’s most promising arts graduates are picked each year to show at the Catlin Art Pri...

Brown & Son: Art That Makes Itself

Father and son Paul and Daniel Brown work together as Brown & Son, ‘Purveyors of digital images si...

Klaus Staudt: interview

A leading practitioner of concrete-constructivist art for some 50 years, Klaus Staudt was also part ...

Michal Rovner: ‘I don’t want to tell a story, I’m looking for someth...

The Israeli artist discusses the work in her current exhibition Panorama, life split between New Yor...

Theaster Gates: ‘How do you get people to see things that to them are in...

In his latest exhibition at London’s White Cube Gallery, Artes Mundi prize-winner and social pract...

Roxana Halls: ‘I often equate painting with performance’

The artist talks about her new show, Unknown Women, in which she explores concealment of identity, t...

Gordon Shrigley: ‘I wanted to use the possibilities of fine art to creat...

Artist Gordon Shrigley has entered the fray for the 2015 general election, standing against sitting ...

Gordon Shrigley: ‘What I’m doing now is a form of performance art that...

An artist who has been concerned with concepts related to the line for more than 20 years, Gordon Sh...

C4RD, the Centre for Recent Drawing

Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...

Andrew Hewish: ‘I’m interested in a process of drift, where things are...

Artist and C4RD director Andrew Hewish discusses how he makes objects and paintings using a broad va...

Gordon Shrigley: ‘Will Peck and I had lots of conversations about what t...

Will Peck, a recent graduate, and Gordon Shrigley, artist, (Gordon has various strings to his bow an...

Andrew Hewish: ‘To introduce drawing as a category automatically produce...

Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...

Shirin Neshat: ‘Nothing is more powerful than human expression’

The artist talks about her latest exhibition, for which she photographed ordinary people in Azerbaij...

Gavin Turk: ‘For a long time I’d say: “I don’t think I’m growing...

For the launch of Project Beard at the Other Art Fair, artist Gavin Turk will shave off his beard in...

Sarah Jane Moon: 'Painting is fundamentally the relationship between an ar...

Having trained in portrait painting at Heatherley School of Fine Art (2009-2011), Sarah Jane Moon we...

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