Share: Share on Facebook Share on X

Daniel\’s dance

The new book Natasha’s Dance by Orlando Figes, which provides
a romantic but revelatory overview of historic Russia lacks a full
visual arts corollary. The current wide interest in things Russian
needs fuller understanding – it’s not just the newly screened television
drama of Daniel (sorry) Dr Zhivago. We are seeking a critique from
our Muscovite St Petersburg correspondent – he pulls no punches
(Viz Documenta, October 2002 transmissions here).

related articles…

  • British Art Show 10: A Chorus of Strangers

    This show’s ambition to address testing times feels muted by a restrospective feel and with the exception of a few works, notably by Shiraz Bayjoo and Precious Okoyomon, there is little that is challenging or innovative

  • Kaari Upson: Dollhouse – a Retrospective

    In Upson’s work, the domestic is explored not just as a built structure, but as the space where the human psyche is formed, moulded like her silicone casts

  • Vietnam: Don McCullin – book review

    This book, which McCullin has said will be his last, documents his work across three campaigns in Vietnam, including images that have never before been seen publicly

  • Liz Larner – interview

    On the event of her first UK institutional show at Camden Art Centre, the American sculptor discusses plastics, ceramics and the legend of Lilith

  • Sophie Calle: Something Missing?

    Frequently working more as a sociologist than an artist, the interrogative French artist explores human behaviour, from the banal to the profound. Her work can make you laugh but it can also make you cry