Category: Interview
-
Harland Miller: ‘Brevity is no strength of mine’
The writer and artist discusses Berlin, Bowie and alter egos, his show with Blain Southern, and why he won’t use 10 words when 20 will do
-
Dóra Maurer: ‘My work has been based on change, shifting, traces, temporality’
As a new exhibition surveys her 50-years career, the Hungarian artist talks about colour, maths and geometry – and why she doesn’t like finished work
-
Almuth Tebbenhoff: ‘I’m wrestling with ideas that are way out of my control’
The sculptor talks about the perpetual puzzle of the cosmos and its vastness, eternity and the meaning of life – all themes running through her work, no matter what its scale
-
Anthony McCall: ‘I wondered if it would be possible to make a film that existed only at the moment of projection’
The artist, a key figure in the avant-garde London Film-makers’ Co-operative in the 1970s, discusses his current exhibition at a 15th-century gothic palace in Barcelona
-
Cory Arcangel – interview: ‘Making art is just basically dowsing’
The Brooklyn-based artist talks about his latest show at the Lisson Gallery in London, billed as ‘a technological exploration of obsession and obsolescence’
-
Katie Paterson: ‘As a child, I used to practise daydreaming’
With her largest UK show to date currently on at the Lowry, the artist talks about the relationship with heavenly bodies and the wider cosmos, her graveyard of stars and sending her work into space
-
Elizabeth Price: ‘I’m interested in music and the voice because it brings a very different sensual and emotional register to the work’
Studio International visited Elizabeth Price in her studio in south-east London to talk to her about her work A Restoration, made for the Ashmolean Museum in Oxford
-
Stephen Prina: ‘The exhibition was really about considering whether I could embark on an autobiographical project that I would deem acceptable’
The post-conceptual artist talks about his hometown, studying with John Baldessari at California Institute of the Arts, and a missed encounter with John Cage
-
David Claerbout: ‘I sculpt in duration’
The artist talks about duration, place and history in his practice, and how he sees his way of working as archaeological research rather than a production process
-
Martine Syms: ‘I am interested in the idea of the gulf between your lived experience and its representation’
The Los Angeles-based artist talks about semiotics, funkadelic Afrofuturism, and how to create a 90-minute feature-length film out of 180 30-second clips
-300.jpg)
