Category: Interview
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James Richards: ‘I was really into making an exhibition space where there would be nothing to look at’
The artist, who will be representing Wales in Venice (Cymru yn Fenis) at next year’s biennale, talks about his processes of collaging together digital fragments to create immersive audiovisual installations
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Arthur Watson: ‘What connected Nagoya and Chicago was the level of interest in the work. “Not bad,” is as good as it gets in north-east Scotland’
The artist talks about his current exhibition, Double Diablerie, in which he explores superstitions around the Devil, along with fellow Scottish artist Ian Howard and two Japanese artists
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Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’
Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image search to create works with layers of geological exploration
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Joey Holder: ‘I’d like to see a lot more collaboration between the sciences and the arts’
The artist shows Studio International around her ‘futuristic medical room’ installation and explains how what, at first, might seem like science fiction, is pretty much science fact
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Simon Starling: ‘A little knowledge is a powerful thing, and too much knowledge can stifle creativity’
The Turner Prize-winning conceptual artist underscores his first institutional show in New York with a meticulously researched multimedia installation based around WB Yeats’s 1916 play At the Hawk’s Well and Noh theatre
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Tom Ellis: ‘Defining yourself in opposition to something else is always going to be self-defeating’
The British artist talks about context, subversion and what it means to build a career in the middle
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Peter Liversidge: ‘My work is solely about engagement’
The artist talks about the significance of his “proposals”, and discusses his recent project at Tate Modern involving a 500-strong choral performance, and his two new shows in the US
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Susan Webster and Stuart Kestenbaum: interview
Maine’s poet laureate Stuart Kestenbaum and artist Susan Webster talk about their recent collaborative cross-disciplinary work
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Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror. There is only one mirror that is fragmented in various moments and places’
In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke to Studio International about the history of time as captured in his Mirror Paintings, his rejection of the concept of a signature style, and the conviction that…
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Simon Lewty: ‘I draw only from the imagination’
Lewty, whose work combines fantastic images with text, talks about where his inspiration comes from, the music he listens to while working, and the artists who have influenced him over his lifetime
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