Category: Interview
-
Crystal Fischetti – interview: ‘I use my whole body when I paint’
Crystal Fischetti talks about ‘coming out’ of the spiritual closet, and how she uses her whole body to paint, in a dance-like, yogic manner
-
Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happening in real life’
Prabhakar Pachpute talks about growing up in a coal-mining region in India, and how its associated landscape and characters have become his subject matter
-
Tako Taal and Adam Benmakhlouf – interview: ‘This slow-motion style of festival creates a community of audience members’
Tako Taal and Adam Benmakhlouf discuss their ideas behind the 2021 Artists’ Moving Image Festival – and turning a weekend festival into a year-long event
-
Nick Hornby – interview: ‘Liquefied photography is magical and mysterious’
Nick Hornby talks about his shift from art history to personal histories, and combining analogue and digital processes to create photo-sculptural objects
-
Sara Barker – interview: ‘I tackle sculpture from the position of painting and vice versa’
Glasgow-based Sara Barker talks about how the pandemic has affected her practice and her exhibition, undo the knot, currently on show at CAMPLE LINE
-
Luiz Zerbini – interview: ‘I treat a painting as an oracle’
Ahead of his delayed new exhibition at Stephen Friedman Gallery, Brazilian painter Luiz Zerbini discusses urbanity and nature, the power of geometry and the secret life of paintings
-
Jordan Baseman on turning mastectomy tattoos into the subject of a cartoon – interview
Dealing with everything from embalming to post cancer surgery tattoos, Jordan Baseman’s films seek to explore difficult subjects with wit and honesty
-
Sarah Wood – interview: ‘At the moment we all want to gather around stories, so I think art is going to be quite important in the future and I hope we value it’
Sarah Wood talks about what lockdown has taught her and how making her latest film piece has challenged the way she works
-
Jim Dine – interview: ‘I never stop looking. I never stop examining. I never stop inventing from what I see’
Jim Dine talks about his six-decade-long career, his various mediums of expression, his use of Pinocchio as a metaphor for art, and how he will never give up on a work
-
Katharina Grosse – interview: ‘My eyes are my most important tools’
Katharina Grosse talks about the importance of layering, colour and bodily intelligence in her painting practice, and her work on show at the Fondazione Merz in Turin, which is inspired by the medieval tale of Perceval and the Black Knight
