Author: jaywp
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Farewell then, Chris
Another trauma with a quiet ending was the dastardly removal of the highly successful Minister for Culture, Media, and Sport. Was it that Smith too readily favoured art over sport, reversing the interest of the majority of voters in this…
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Edinburgh bids for a Guggenheim
The great trajectory of the Solomon R Guggenheim Galleries continues apace. This is a great vindication of the concept of the transferable museum brand, and has confounded the sceptics. Bilbao Guggenheim has been a phenomenal success. What are the criteria…
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Blood and lust
There is a bloodbath in Frankfurt, and it isn’t the result of Al Quaida’s targeting of the European Bank. ‘’Blood: Perspectives on Art, Power, Politics and Pathology’, runs through until 27 January at Schirn Kunsthalle, Romerberg, Frankfurt-am-Main and at mak.frankfurt.…
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Archer art hits Warhol market
Tate Modern’s Warhol Retrospective
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Millennium Dome doom
As the year proceeded, the Dome displayed its accursed, doom-laden trajectory downwards. Various dreams of ownership enterprise were touted. Legacy plc proposed a business park, Nomura and Sony teamed up to offer an outdoor market within, to be called Dome…
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Loot to boot
Today, there is a generation of war victims, descendants of 20th century pioneers, now made modern masters, who rightfully seek to reclaim works that had been held during the war, until divested by the families of the artists. Into this…
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Forgery in the citadel of connoisseurship
The Getty Museum was deeply shocked to be alerted to the possibility of a number of forged Renaissance drawings in its midst, especially since the purchasing policy has been altruistic, scholarly, and, need one say it, generous. And yet the…
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Drama and trauma 2001
The art world has had its own share of drama and trauma during 2001. Of course, looming over all that took place is the terrorist attack on the World Trade Center (see article, September 11: European Thoughts, September 2001). New…
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V & A
Mark Jones was the perfect choice to run the V & A; he had successfully masterminded the new building for the Museum of Scotland before he left, and he appears undaunted by the challenge of the brilliant Libeskind spiral, as…
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Tate Britain backing-up
Tate Britain has at last received the necessary lift-off through an architectural redesign which could not be achieved entirely through exhibition diversity alone. Called the Centenary Development and costing 32.3 million, there is less razzmatazz and more contemplation of the…