jaywp – Page 210 – Studio International

Technology and art 8: `The prehistory of the visible’

To read Burnham on vitalist or biomorphic sculpture is to be reminded that there is no apparent correlation between the stature of a given artist and the validity of his scientific assumptions. The discontinuities between science and modern art are…

Studio International – November 1969

Volume 178 Number 916

Studio International – October 1969

Volume 178 Number 915

Studio International – September 1969

Volume 178 Number 914

Technology and art 5

The added originality in [Petar] Milojević’s technique is that by slight changes to his programming logic he can produce an infinite variety of floral textures. This seems as near ‘art’ as anything one has seen from computers: a poetic hint…

Studio International – July/August 1969

Volume 178 Number 913

Studio International – June 1969

Volume 177 Number 912

Technology and Art 4: SYMBIOTIC ART

Sound and light are not the only media which can be used, and it seems worthwhile to consider such work as moving towards a new art form or research discipline— a suitable name for which could be ‘symbiotic art’.

Studio International – May 1969

Volume 177 Number 911

Studio International – April 1969

Volume 177 Number 910

Technology and Art

An artist can acquire such [technical] skills for himself or he can borrow other people’s.

Studio International – March 1969

Volume 177 Number 909

The cybernetic sculpture of Tsai Wen-ying

Our attitude today to machinery is such a compound of dependence, admiration and fear; and the relationship between man and machine is so fundamental to the twentieth-century environment—both physical and metaphysical—that it is not surprising if many artists have begun…