Author: jaywp
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Carol Bove/Carlo Scarpa
This exhibition brings together sculptures by US artist Carol Bove and furniture and sculptures by Venetian architect and exhibition designer Carlo Scarpa
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Fighting History
Fighting History, an exhibition examining 250 years of history painting, has received a torrent of abuse from the British press. It has been accused of being “feeble,” “terribly presented” and “frustrating.” Surely, it can’t be that bad?
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Herman de Vries: ‘My guru is a squirrel’ – Venice Biennale 2015
Herman de Vries, whose work spreads far beyond the confines of the Rietveld pavilion, explains why he looks to this creature for guidance in every day living, noting the importance of nature as mother, truth and teacher
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Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural process to have veiled women in my work’
The founder of Tashkeel, Dubai’s first public studio space for artists, talks about her hopes for the centre, being a role model for young women in Dubai, and how being a mother has changed her pace of work
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Pulitzer Arts Foundation marks its relaunch
With a new name, a doubling of gallery space, and new director Cara Starke, the revamped museum is kicking off with an exhibition of three great American artists, Alexander Calder, Fred Sandback and Richard Tuttle
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Sophia Narrett: ‘I see the sewing process as akin to drawing’
The artist talks about the process of making her embroideries, why she uses pop culture for source material and why narrative is so important to her
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Carsten Höller: Decision
In his latest major exhibition, Carsten Höller’s playful artwork turns the Hayward Gallery into a theme park, with the use of installations, kinetic sculptures, videos and light
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Richard Tuttle: Separation
Richard Tuttle’s third solo exhibition with Modern Art shows four new bodies of work that continue his exploration of the properties of humble, everyday materials such as paper, cloth, wood and wire
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Patricia Cronin: ‘A silent protest can be quite powerful’ – Venice Biennale 2015
Patricia Cronin talks about Shrine for Girls, her installation at the Venice Biennale that commemorates three girls raped in India, 276 schoolgirls kidnapped by Boko Haram, and the women of the Magdalene laundries, and what compelled her to speak out
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Eileen Cooper: ‘Artists are real sponges. We take things and absorb them and eventually use them in our work’
The artist talks about having a retrospective at the Royal Academy at the same time as showing in its Summer Exhibition, critics’ sometimes overzealous interpretation of her works and her love of materials and process
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Geoffrey Eastop: ‘The character of the mark describes the object’
Geoffrey Eastop – his creative legacy. Studio international visited Ecchinswell in Hampshire – to view Geoffrey Eastop’s Open Studio. We had arranged to interview Eastop, but very sadly he died at the age of 93, on Christmas Day 2014, some…
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Julian Opie: ‘I’ve always used movement as much as colour or imagery’
The artist talks about his current exhibition at the Alan Cristea Gallery, playing with the way we interact, see and deal emotionally with the world through vision, light and the brain – and making rude drawings of his tutors as…
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Conrad Shawcross: The Dappled Light of the Sun
As well as his epic, sprawling installation that greets visitors to the Royal Academy Summer Exhibition, you can see miniature sculptures by Conrad Shawcross at the Victoria Miro Gallery
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Chloe Dewe Mathews: ‘I wanted to bring the viewer in, so they become part of the congregation’
Chloe Dewe Mathews’s Tate commission, Congregation, looks at south London’s African churches, capturing the community in the physical and emotional act of worship. She talks about what motivated her to video the congregations and why the new Bosse & Baum…
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Agnes Martin
This major retrospective spans Martin’s career from the early 50s to the last drawing made before her death, and confirms her as one of the foremost painters of the 20th century
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Lynette Yiadom-Boakye: ‘Maybe I’m not as interested in people as I thought I was’
The artist, whose latest exhibition, Verses After Dusk, is on at the Serpentine Gallery, London, talks about how she makes her paintings timeless and placeless, and her interest in the nature of painting itself and what that does to the…
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Alighiero Boetti: Order and Disorder
As well as some of his best-known works of embroidery and ballpoint-pen drawings, this exhibition includes fascinating archival material, including postcards, photographs and letters that shed light on the artist’s life
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Roni Horn: Butterfly Doubt
Three recent series of works from the New York artist, using her trademark method of tessellating two pictures together, draw the viewer into a carefully choreographed network of associations
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Cecily Brown: ‘In a way you can see things more clearly when they’re small’
The artist talks about her latest exhibition, The English Garden, explains why it is a lot harder to make a small painting than a big one, why the surface of a painting is so important for her, and how she…
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Sarah Lucas: I Scream Daddio – Venice Biennale 2015
Sarah Lucas came to prominence in the 90s with the generation of Young British Artists, but it has taken her until now, at the age of 52, to be invited to represent Britain at the Venice Biennale. Curator Richard Riley…
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On My Way – Venice Biennale 2015
As a parallel event to the Venice Biennale, a group of artists from Russia present an exhibition that juxtaposes works made in new and traditional media, further undermining the principle of media-specificity. Studio International spoke to some of the artists
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ART15: London’s Global Art Fair
Galleries from 40 countries came together at this third edition of the London fair to celebrate art from every corner of the globe
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Tracey Emin | Egon Schiele: Where I Want to Go
In this exhibition, in which Tracey Emin juxtaposes her works with those of her teenage idol Egon Schiele, she explores love, loneliness and vulnerability





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