Archive

Nicole Eisenman: What Happened

A thrilling survey of the American artist injects the venerable medium of painting with vitality and virtuosity
Elisa Giardina Papa: Flock – She Preferred the Lineage of Goats and Ducks

In a series of new ceramic works, video and works on paper, the Sicilian artist explores the myths and traditions she learned as a child from her grandmother, in particular the tales of women persecuted as heretics by the Spanish…
Tamara Henderson: Green in the Grooves

Through paintings, a sound installation and sculptures, Henderson takes us on a sensory voyage of discovery through the natural world
Renoir in Guernsey, 1883

One hundred and forty years ago, Auguste Renoir spent five weeks in Guernsey. He made at least 15 paintings and drawings on, and of, the island. Now, several of these have returned, along with others of the period, to be…
Rory Pilgrim – interview: ‘I hope the work I create is like a permaculture – always living’

This year’s Turner Prize nominee talks about choosing between a career in music and art, the Dutch attitude to artists and their collaborative process, which includes a new project, working with prisoners
Philip Guston

This strait-laced, work-focused retrospective affirms Philip Guston’s place as one of the 20th century’s finest painters
Edvard Munch: Magic of the North and Edvard Munch: Trembling Earth

Two major exhibitions celebrate Munch’s works this autumn. One draws attention to his time in Berlin at the turn of the 20th century, the other directs the view on to his impressions of landscape
Kim Conaty – interview: ‘Ruth Asawa pursued drawing throughout her life, the sculpture coming from it, wire the equivalent of line’

Conaty, the Whitney Museum’s curator of prints and drawings, explains what led her to organise a show of Asawa’s drawings rather than the wire sculptures for which she is famed
Farah Al Qasimi: Abort, Retry, Fail

In her first solo UK show, Al Qasimi’s photographs and video work respond to our escapist tendencies while challenging us to grapple with the difficult ambiguities of what we see
Matt Rugg: Connecting Form

In the first major retrospective of the British abstract artist and teacher, his playful curiosity for found industrial materials and unswervingly experimental eye come into their own