Archive
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Technology and Art
An artist can acquire such [technical] skills for himself or he can borrow other people’s.
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Studio International – March 1969
Volume 177 Number 909
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The cybernetic sculpture of Tsai Wen-ying
Our attitude today to machinery is such a compound of dependence, admiration and fear; and the relationship between man and machine is so fundamental to the twentieth-century environment—both physical and metaphysical—that it is not surprising if many artists have begun…
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Studio International – February 1969
Volume 177 Number 908
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Studio International – January 1969
Volume 177 Number 907
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Studio International – December 1968
Volume 176 Number 906
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Richard Lindner and the human being as a toy
Studio International, December 1968, Volume 176 Number 906, pp. 252–255.
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Cybernetic Serendipity—Getting Rid of Preconceptions
Cybernetic Serendipity exhibition was the demonstration of machine-aided creative processesBy JASIA REICHARDT
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Studio International – November 1968
Volume 176 Number 905
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Cybernetic Serendipity: Correspondence
‘Cybernetics includes all observable systems—whether biological, electronic, industrial, economic or anything else.’
