Archive

  • Ed Atkins

    In this major retrospective, the viewer is like an avatar navigating the humans – real and CGI – that populate Atkins’ world of existential dread

  • Sharjah March Meeting 2025: To Carry Songs

    Sharjah Art Foundation’s annual symposium this year explored how culture is preserved and shared within communities

  • Christopher Le Brun & Charlotte Verity – interview: ‘There is such a thing as too much dialogue’

    To coincide with a rare joint exhibition now on view at The Gallery at Windsor in Florida, the artists consider the limitless possibilities of paint, their resistance to genre boundaries and the importance of keeping a harmonious distance between one…

  • Valentina Karga: Well Beings

    The artist highlights the ecological horrors ravaging our world, but her aim is not to shock or to shame. With her cosy sofas and sensory objects, she wants us to find ways to deal with the anxieties and conflicts we…

  • Peter Mitchell: Nothing Lasts Forever

    Mitchell’s photographs of urban decay and the demolition of buildings in Leeds over the past 50 years show a world now vanished, but his empathy for his subjects shines through

  • Lee Bul: Long Tail Halo

    Lee’s headless heroines and canines are the fifth of the Met’s Genesis Facade Commissions. But what do the Korean artist’s sculptures represent, and what are the influences behind these fantastic creatures?

  • Lina Lapelytė – interview: ‘Between this group of performers, what we share is the virtuosity of listening’

    Perhaps best known for her eco-opera Sun & Sea (Marina), Lapelytė discusses her approach to improvisation and collaboration, the joy of interacting with architecture and the virtuosity of listening and her new installation at The Cosmic House, London

  • Undersea

    Spanning four centuries and diverse cultures, this show of more than 7o works, including paintings, prints, drawings and objects, explores the mysteries and myths of the world beneath our oceans

  • With Graphic Intent

    With highlights from the Courtauld’s collection of German and Austrian modernist works on paper and some noteworthy loans, this is a must-see exhibition for anyone interested in early modernist expressionism and the graphic arts

  • Uncanny

    Louise Bourgeois, Sheida Soleimani and Gillian Wearing are among the 30 female artists contributing to a show that is challenging, unsettling and sometimes downright uncomfortable