Sir Anthony Caro does have independence of mind: he has stoically
resisted the blandishments of the Royal Academy, an accolade that
most of his distinguished contemporaries have felt unable to resist.
Caro’s exhibition at Yorkshire Sculpture Park (opened 26 September)
reveals a concern with the figurative in sculpture, largely absent
from Caro’s work for so long, which demonstrates that his work
is still evolving. Long ago in Venice, Caro’s work was subject
to a major exhibition; brilliant yellow constructions sparkled in
Venetian spaces. One particularly challenging piece was positioned
close to Harry’s Bar. Within sight, a second yellow piece sprang
up, this time having a more impromptu feel about it, using ropes,
boxes and planks. ‘Quello e Caro ma’ quisto e piu Caro’
the gondoliers had written beside their own challenging, sculptural
statement about fine art values for contemporary art.
