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A playful exhibition of Picasso’s work at Tate Modern highlights the performative nature of the artist and his world.
The American painter Susan Roth talks about working in the ‘trenches of our time, where time bends and folds’, the ‘roiling’ surfaces of her shaped canvases, her recent works in synthetic stone, and being filled with ‘radical hope’.
From ectoplasmic photography to the psychedelic drawings of mediums, this exhibition looks at the past and present of haunted art.
British architect Asif Khan has reinvented a Soviet-era cinema as a space for experimentation and collaboration. Tselinny Center of Contemporary Culture is Kazakhstan’s first major public building designed to encourage, educate and celebrate the region’s contemporary creatives, artists and audiences.
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A conduit for 500 years of Sikh knowledge, this two-artist exhibition, with significant input from Without Shape Without Form, offers more than simply art for art’s sake.
Prepare to be awed by the sheer talent of this great American painter, whose works revive the history painting for the modern age.
This is powerful encounter between two major female artists whose work confronts gender, oppression, colonialism and politics.
From Scottish herring girls to the Gaza genocide, this exhibition is about belonging and identity.
Following the publication earlier this year of a Thames & Hudson monograph on his art, John Walker talks about how the landscape of Maine suits his work, his admiration for Brâncuși and why, if the world were on fire, he would rescue Rembrandt’s Jewish Bride.
Tracking the artist’s development from local student to ‘father of modern art’, 135 works made by Paul Cezanne in and of his beloved home town of Aix-en-Provence have returned to the city for this intriguing exhibition linked to the restoration of his family home.
This retrospective brings the German South African artist back into view, while tracing her position within German expressionism and the impact she had on modern art in Africa in the 20th century.
An artist and researcher, Elaine Shemilt is known for her pioneering work in feminist video in the 1970s. She talks about growing up during the Troubles in Northern Ireland, using her own body in her videos and why she sees protecting our planet as a mature form of feminism.
This exhaustive yet compact guide to London’s statues of women presents a motley crew, not just of queens and heroines, but of ‘normal’ women of all shapes and forms.
The Belgian artist talks about the issues, artists and musicians that inspire her, the evolution of key motifs and techniques, the influence of her childhood experiences, and the joy of making her first public sculpture.
This grand tribute to Pissarro evokes the bliss of a walk in nature and is an illuminating look at the man who was crucial to French impressionism despite being an outsider.
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The first UK institutional show dedicated to Kentridge’s sculpture is joyfully approachable while maintaining its critical bite, as we are drawn into his creative imagination.
Guy Oliver’s laugh-out-loud film about being a teenager, Aqsa Arif’s exploration of life as a refugee on a Glasgow council estate and a poignant look at artist John Bellany, who battled alcoholism and ill health, are just some of the shows in this year’s festival.
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With 11 artists and more than 100 works, the wonders of the natural world are stunningly brought to life in this year’s Space to Breathe summer art exhibition, in collaboration with Purdy Hicks Gallery.
A thoughtfully curated exploration of the convergence of art and health in the work of Munch, a man very much invested in a modernising medical world.
This show draws international attention to a vibrant new art space in the Norwegian city of Trondheim. But does it justify revived interest in the artist’s later works?.
At Sunderland’s Northern Gallery for Contemporary Art, which stands beside the River Wear, is a new exhibition by Ro Robertson. We met them there to talk about the central installation and the other works in their first solo institutional show.
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This show pays homage to the remarkable legacy of 10 artists who left their Scottish homeland to achieve success, becoming immersed in international developments in art in London, Paris and New York.
She was an aristocrat sculpting voluptuous female figures, he a working-class maker of scrap metal kinetic sculptures – but their tumultuous personal relationship and creative collaborations endured.
