https://www.studiointernational.com/index.php/summer-exhibition-2020-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/Tracey-Emin-2.jpg Tracey Emin, The Ship. Acrylic on canvas, 152.5 x 182.2 cm. © The Artist. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/Anselm-Kiefer-1-.jpg Anselm Kiefer, Vier plus Eins. Emulsion, oil, acrylic, shellac, wood, metal and chalk on canvas, 330 x 570 cm. © Anselm Kiefer. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/Grayson-Perry-1.jpg Grayson Perry, The American Dream. Etching, 109.6 x 239.8 cm. Grayson Perry & Paragon | Contemporary Editions Ltd, London. Photo: Stephen White & Co. https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/RA-Summer-7.jpg Left: Isaac Julien. Lessons of the Hour, London 1983 – Who killed Colin Roach?; Right: Yinka Shonibare. Air Kid (Girl). Installation view RA Summer Exhibition 2020. Photo: © Royal Academy of Arts / David Parry https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/Frank-Bowling-2.jpg Frank Bowling, Watermelon Bight. Acrylic on canvas, 297.2 x 185.4 cm. © Frank Bowling. All Rights Reserved, DACS 2020. https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/Eileen-Cooper-2.jpg Eileen Cooper, Belong to Cats II. Oil on canvas, 51 x 61 cm. © Eileen Cooper RA. Photo: Malcolm Southward. https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/RA-Summer-2020-1000.jpg Royal Academy of Arts Summer Exhibition, London, 6 October 2020 – 3 January 2021. https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/RA-Summer-4.jpg Isaac Julien. Lessons of the Hour, London 1983 – Who killed Colin Roach? Installation view, RA Summer Exhibition 2020. Artwork: Courtesy of the artist, Victoria Miro, London/Venice, and Metro Pictures, New York. Photo: © Royal Academy of Arts / David Parry https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/Fiona-Rae-1.jpg Fiona Rae, Abstract 20 (Drawing). Gouache and watercolour on paper, 42 x 56 cm. © Fiona Rae RA. https://www.studiointernational.com/images/articles/r/068-ra-summer-show-2020/Wilkinson-Eyre-2.jpg Chris Wilkinson, Urban Farm Proposal for Smithfield Market. Watercolour and graphite, 60 x 85 cm. © Wilkinson Eyre. Photo: Ben Bisek. https://www.studiointernational.com/index.php/daniel-libeskind-imperial-war-museum-at-salford-manchester https://www.studiointernational.com/images/articles/i/impwarmuseum/01b2wm_4.jpg Imperial War Museum at Salford, Manchester https://www.studiointernational.com/images/articles/i/impwarmuseum/wm189_1.jpg Imperial War Museum at Salford, Manchester https://www.studiointernational.com/images/articles/i/impwarmuseum/01b2wm_3.jpg Imperial War Museum at Salford, Manchester https://www.studiointernational.com/images/articles/i/impwarmuseum/01e024_0.jpg Imperial War Museum at Salford, Manchester https://www.studiointernational.com/images/articles/i/impwarmuseum/wm195_1.jpg Imperial War Museum at Salford, Manchester https://www.studiointernational.com/index.php/review-andrea-palladio-his-life-and-legacy https://www.studiointernational.com/images/articles/p/palladio/key-19_b.jpg Dom https://www.studiointernational.com/images/articles/p/palladio/key-199_b.jpg Model of the Villa Capra, known as the Villa Rotonda, 1970. Lime and beech wood with porcelain biscuit details, 65.5 x 140 x 140 cm. Centro Internazionale di Studi di Architettura Andrea Palladio, Vicenza. Photo Alberto Carolo https://www.studiointernational.com/images/articles/p/palladio/key-222.jpg Andrea Palladio (1508–1580). Project for an alternative entrance to the Rialto Bridge, after May 1566 and before 1570. Pen, ink and wash, 55.0 x 42.8 cm. Pinacoteca Civica, Vicenza https://www.studiointernational.com/images/articles/p/palladio/palladio_key-189_b.jpg Model of the Church of the Redentore, 1972. Wood and plaster, 154 x 243.5 x 89 cm. Centro Internazionale di Studi di Architettura Andrea Palladio, Vicenza. Photo Alberto Carolo. https://www.studiointernational.com/index.php/ronchamp-at-sixty-le-corbusier-s-timeless-legacy https://www.studiointernational.com/images/articles/r/ronchamp10/chapel1-b.jpg Le Corbusier. Chapel of Nôtre Dame du Haut, 1955. Exterior view. Ronchamp, France. Photograph: © Chung. https://www.studiointernational.com/images/articles/r/ronchamp10/chapel2-b.jpg Le Corbusier. Chapel of Nôtre Dame du Haut, 1955. Interior view. Ronchamp, France. Photograph: © Chung. https://www.studiointernational.com/images/articles/r/ronchamp10/chapel3-b.jpg Le Corbusier. Chapel of Nôtre Dame du Haut, 1955. Interior view – one of the three light towers. Ronchamp, France. Photograph: © Chung. https://www.studiointernational.com/images/articles/r/ronchamp10/chapel4-b.jpg Le Corbusier. Chapel of Nôtre Dame du Haut, 1955. Interior view (2). Ronchamp, France. Photograph: © Chung. https://www.studiointernational.com/index.php/blueprint-on-a-tidal-surge https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/v_aatdundee_kengokuma_entrance-b.jpg V&A Museum, Dundee. Entrance. https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/01_v&a-at-dundee-a1-panels_kengo-kuma-2-b.jpg View of the public squares, V&A Museum and the Firth of Tay. https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/01_v&a-at-dundee-a1-panels_kengo-kuma-20-b.jpg V&A Museum, Dundee. View from the waterfront. https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/01_v&a-at-dundee-a1-panels_kengo-kuma-22-b.jpg V&A Museum, Dundee at sunset. https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/v&aatdundee_kengokuma_back-b.jpg V&A Museum, Dundee. Back view. https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/01_v&a-at-dundee-a1-panels_kengo-kuma-16-b.jpg V&A Museum, Dundee. The main hall seen from the balcony on the first floor. https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/01_v&a-at-dundee-a1-panels_kengo-kuma-6-b.jpg V&A Museum, Dundee. The digital wall and art installations in the main entrance hall. https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/masterplan-b.jpg V&A Museum, Dundee. Aerial view. https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/section-b.jpg V&A Museum, Dundee. Section. https://www.studiointernational.com/images/articles/v/vanda-dundee-2011/section-detail-b.jpg V&A Museum, Dundee. Section (detail). https://www.studiointernational.com/index.php/alvar-aalto-library-in-vyborg-saving-a-modern-masterpiece https://www.studiointernational.com/images/articles/a/aalto-library-2011/alvar-aalto-library-img_1168-b.jpg Alvar Aalto. Viipuri Library. Restored entrance lobby. https://www.studiointernational.com/images/articles/a/aalto-library-2011/alvar-aalto-library-img_1287-b.jpg Alvar Aalto. Viipuri Library. Restored undulating timber ceiling of the Lecture Hall. https://www.studiointernational.com/index.php/alvar-aalto-through-the-eyes-of-shigeru-ban https://www.studiointernational.com/images/articles/a/aalto/alvar_aalto_b.jpg Alvar Aalto in the 1970s. Image courtesy of the Alvar Aalto Museum, Jyväskylä © Eva and Pertti Ingervo https://www.studiointernational.com/images/articles/a/aalto/2b.jpg Alvar Aalto. Villa Mairea, Noormarkku, Finland 1938-39. Main entrance © Judith Turner, 2006 https://www.studiointernational.com/images/articles/a/aalto/3b.jpg Alvar Aalto. Villa Mairea, Noormarkku, Finland 1938-39. View of north-east corner with main entrance canopy. Image courtesy of the Alvar Aalto Museum, Jyväskylä © Gustaf Welin https://www.studiointernational.com/images/articles/a/aalto/4b.jpg Shigeru Ban. Japan Pavillion, EXPO 2000. Hannover, Germany. Main exhibition space. Image courtesy of Shigeru Ban Architects © Hiroyuki Hirai https://www.studiointernational.com/images/articles/a/aalto/5b.jpg Alvar Aalto. Civic Centre, Seinäjoki, Finland 1958-87 City Library © Judith Turner, 2006 https://www.studiointernational.com/images/articles/a/aalto/6b.jpg Shigeru Ban. Paper tubes, detail. Courtesy of Shigeru Ban Architects © Takashi Sekiguchi https://www.studiointernational.com/images/articles/a/aalto/7b.jpg Alvar Aalto. Savoy Vase, 1937 © Iittala https://www.studiointernational.com/index.php/awesome-archigram https://www.studiointernational.com/images/articles/a/archigram/amazing_archigram_b.jpg Cover illustration of the fourth issue of Archigram magazine. Credit: Archigram. https://www.studiointernational.com/images/articles/a/archigram/monte_carlo_b.jpg Banquet, Features Monte Carlo, 1969 Credit: Peter Cook, Dennis Crompton, Ron Herron, Archigram https://www.studiointernational.com/images/articles/a/archigram/sponge_city_b.jpg Sponge City, 1974. Archgram/Peter Cook. https://www.studiointernational.com/index.php/the-beijing-national-aquatics-centre-of-bird-s-nest-and-bubbles-in-retrospect-ii https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/01_b.jpg Night view of the National Aquatics Centre from the Olympic Green axis. The colour of the ETFE pillow changes to a luminous deep blue colour when illuminated from within. https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/02_b.jpg View of the Water Cube from the southeast towards the National Stadium. https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/03_b.jpg The muted light quality inside the Water Cube. https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/04_b.jpg The audience seating and the translucent roof over them. https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/05_b.jpg View of the ETFE roof cavity from within the Water Cube. https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/06_b.jpg Close-up view of the ETFE roof cavity, exposing the molecule-like structural framing around which the EFTE fabric is stretched on. https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/07_b.jpg The façade of the Water Cube adopting a pastel blue hue. https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/09_b.jpg The ETFE pillows looking metallic silver. https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/10_b.jpg The soft, bulging ETFE pillows of the Water Cube in contrast with the hard metallic structures of the Bird Nest. https://www.studiointernational.com/images/articles/a/aquatic_centre/../aquatic_centre/14_b.jpg A close-up of the ETFE pillow at night. https://www.studiointernational.com/index.php/dont-art-fashion-music-chicks-on-speed https://www.studiointernational.com/images/articles/c/chicks-on-speed-2010/amplified-hat-011-b.jpg Chicks on Speed. Amplified hat. Opening performance. Photo Gilmar Ribeiro. https://www.studiointernational.com/images/articles/c/chicks-on-speed-2010/cos_2929-b.jpg Chicks on Speed. Opening performance (Image 1). Photo Gilmar Ribeiro. https://www.studiointernational.com/images/articles/c/chicks-on-speed-2010/cos_2932-b.jpg Chicks on Speed. Opening performance (Image 2). Photo Gilmar Ribeiro. https://www.studiointernational.com/images/articles/c/chicks-on-speed-2010/cos_2996-b.jpg Chicks on Speed. Opening performance (Image 3). Photo Gilmar Ribeiro. https://www.studiointernational.com/index.php/la-tendenza-italian-architecture-1965-1985 https://www.studiointernational.com/images/articles/l/la-tendenza-2012/aldorossi-b.jpg Aldo Rossi, Perspective Composition, Teatro del Mondo, Venice 1980. Centre Pompidou Musee Nationale d’Art Moderne. Don de l'artiste en 1992 © Eredi Aldo Rossi. Courtesy Fondazione Aldo Rossi. https://www.studiointernational.com/images/articles/l/la-tendenza-2012/bbprtourvelascamilan19501958-b.jpg BBPR. Torre Velasca, Milan, Lombardie, 1950-1958. Maquette, plastique peint, bois – 107 x 120.5 x 106.5 cm. Achat 2008. Centre Pompidou, Musée national d'art moderne. Photograph: Philippe Migeat/Georges Meguerditchian. Centre Pompidou, MNAM-CCI /Dist.RMN-GP. © Arch. Prof. Alberico Barbiano di Belgiojoso. https://www.studiointernational.com/images/articles/l/la-tendenza-2012/carlo-aymonino-b.jpg Carlo Aymonino. Bibliothèque nationale, Rome, 1959. Projet non réalisé, en collaboration avec B. De Rossi. Maquette, bois massif et placages - 37 x 93.5 x 64 cm. Don de l’architecte, 2007. Photograph: Philippe Migeat/Georges Meguerditchian. Centre Pompidou, MNAM-CCI /Dist.RMN-GP. https://www.studiointernational.com/index.php/archilab-new-experiments-in-architecture-art-and-the-city-1950-2005 https://www.studiointernational.com/images/articles/a/archilab/archilab09_b.jpg NOX (Lars Spuybroek), Soft Office, 2000. CG. ©NOX (Lars Spuybroek) https://www.studiointernational.com/images/articles/a/archilab/archilab08_b.jpg KOL / MAC Studio (Sulan Kolatan & William Mac Donald), https://www.studiointernational.com/images/articles/a/archilab/archilab03_b.jpg Eckhard Schulze-Fielitz, Raumstadt, 1959. 700 x 700 x 1350 mm. Collection FRAC Centre, Orléans, France. Photo by Philippe Magnon https://www.studiointernational.com/images/articles/a/archilab/archilab01_b.jpg Coop Himmelb(l)au, Villa Rosa, 1967. 400 x 680 x 680 mm. Collection FRAC Centre, Orléans, France. Photo by Philippe Magnon https://www.studiointernational.com/index.php/sculptural-architecture-in-austria https://www.studiointernational.com/images/articles/a/austrian_architecture/001_b.jpg Pagoda in Nanjing. 3rd book, A History of Architecture. Fischer von Erlach, JB. 60 x 42 cm, Vienna Museum. Credit: Vienna Museum. https://www.studiointernational.com/images/articles/a/austrian_architecture/004_b.jpg Roof penthouse. Wolf D Prix, Helmut Swiczinsky and Partner, Vienna. Credit: Gerald Zugmann, Vienna. https://www.studiointernational.com/images/articles/a/austrian_architecture/008_b.jpg Hans Hollein. Generali Media Tower, Vienna, 2001. Credit: Archiv Hans Hollein, Vienna. https://www.studiointernational.com/images/articles/a/austrian_architecture/009_b.jpg Wolfgang Tschapeller. Building at Murau, 2002. Credit: W Feiersinger. https://www.studiointernational.com/images/articles/a/austrian_architecture/st_stephens_b.jpg The St Stephens Cathedral, Vienna, faced by the Haas Haus Centre. Architect Professor Hans Hollein (1983). https://www.studiointernational.com/index.php/luis-barragan-il-poeta-del-silenzio https://www.studiointernational.com/images/articles/b/barragan09/galardi_1_b.jpg The Gilardi House in Mexico City (1976). https://www.studiointernational.com/images/articles/b/barragan09/galardi_2_b.jpg The Gilardi House in Mexico City (1976). https://www.studiointernational.com/images/articles/b/barragan09/galardi_3_b.jpg The Gilardi House in Mexico City (1976). https://www.studiointernational.com/index.php/the-first-architectural-biennale-beijing-2004 https://www.studiointernational.com/images/articles/b/beijing_biennale/chinese_pavilion_b.jpg View of the Chinese Pavilion. Credit: News Centre, Committe of the Architectural Biennial Beijing https://www.studiointernational.com/images/articles/b/beijing_biennale/german_pavilion_b.jpg Close-up view of German Pavilion. Credit: News Centre, Committe of the Architectural Biennial Beijing https://www.studiointernational.com/index.php/the-beijing-national-stadium-beijing-olympic-architecture-in-retrospect-i https://www.studiointernational.com/images/articles/b/birds_nest/01_b.jpg View of the National Stadium from the Olympic Axis. https://www.studiointernational.com/images/articles/b/birds_nest/02_b.jpg View of the National Stadium from the Olympic Plaza between the Stadium and the National Aquatics Centre. https://www.studiointernational.com/images/articles/b/birds_nest/03_b.jpg The skin, the structure, the wall, the roof – all interwoven into one integrated whole. https://www.studiointernational.com/images/articles/b/birds_nest/04_b.jpg The ‘Forest of Steel’ – an extended threshold prior to entering the Stadium. https://www.studiointernational.com/images/articles/b/birds_nest/05_b.jpg The interplay of light and shadow of the ‘skeletal skin’ of the Stadium. https://www.studiointernational.com/images/articles/b/birds_nest/06_b.jpg The continuation of the elliptical curves within the Stadium. https://www.studiointernational.com/images/articles/b/birds_nest/07_b.jpg View of the Stadium at night. https://www.studiointernational.com/images/articles/b/birds_nest/08_b.jpg View of the Stadium at night. https://www.studiointernational.com/index.php/achille-castiglioni-an-obituary https://www.studiointernational.com/images/articles/c/castiglione/ashtray_b.jpg Servo Fumo floor ashtray produced by Zanotta 1961 https://www.studiointernational.com/images/articles/c/castiglione/bicycle_seat_b.jpg The Stella bicycle seat produced by Zanotta 1957 https://www.studiointernational.com/images/articles/c/castiglione/eeling_seat_b.jpg Primate kneeling seat produced by Zanotta 1970 https://www.studiointernational.com/images/articles/c/castiglione/leonardo_table_b.jpg Leonardo studio table produced by Zanotta 1969 https://www.studiointernational.com/images/articles/c/castiglione/ractor_seat_b.jpg Mezzadro tractor seat produced byZanotta 1957 https://www.studiointernational.com/index.php/late-modern-or-postmodern--new-architecture-by-trevor-dannatt https://www.studiointernational.com/images/articles/t/terwick-wood-2012/terwick-wood-illustration-b.jpg New Architecture by Trevor Dannatt. South elevation of the new house with the old house superimposed in outline. https://www.studiointernational.com/images/articles/t/terwick-wood-2012/dja-thp-0012-b.jpg All photographs: Peter Cook. https://www.studiointernational.com/images/articles/t/terwick-wood-2012/dja-thp-0017-b.jpg All photographs: Peter Cook. https://www.studiointernational.com/images/articles/t/terwick-wood-2012/terwick-wood-view-from-house-b.jpg New Architecture by Trevor Dannatt. View from inside the house. https://www.studiointernational.com/images/articles/t/terwick-wood-2012/site-plan-terwick-wood-b.jpg New Architecture by Trevor Dannatt. Site plan. https://www.studiointernational.com/images/articles/t/terwick-wood-2012/ground-floor-terwick-wood-b.jpg New Architecture by Trevor Dannatt. Ground floor plan. https://www.studiointernational.com/images/articles/t/terwick-wood-2012/1st-floor-terwick-wood-b.jpg New Architecture by Trevor Dannatt. 1st floor plan. https://www.studiointernational.com/index.php/tales-of-two-cities-berlin--dresden https://www.studiointernational.com/images/articles/d/dresden06/1b.jpg Dresden station redevelopment. Credit: Nigel Young/Foster and Partners. https://www.studiointernational.com/images/articles/d/dresden06/2b.jpg Dresden station redevelopment. Credit: Nigel Young/Foster and Partners. https://www.studiointernational.com/images/articles/d/dresden06/3b.jpg Dresden station redevelopment. Credit: Nigel Young/Foster and Partners. https://www.studiointernational.com/images/articles/d/dresden06/4b.jpg Dresden station redevelopment. Credit: Nigel Young/Foster and Partners. https://www.studiointernational.com/images/articles/d/dresden06/5b.jpg Dresden station redevelopment. Credit: Nigel Young/Foster and Partners. https://www.studiointernational.com/images/articles/d/dresden06/6b.jpg Dresden station redevelopment. Credit: Nigel Young/Foster and Partners. https://www.studiointernational.com/index.php/drummond-house-meigle-perthshire https://www.studiointernational.com/images/articles/d/drummond-house-2011/drummond7-b.jpg Drummond House, “The Shed”, Meigle. Landformed architecture. https://www.studiointernational.com/images/articles/d/drummond-house-2011/drummond_house_gh040709_gh1-b.jpg Drummond House, “The Shed”, Meigle. Material Expression. Earthen Brick and Zinc Roof. https://www.studiointernational.com/images/articles/d/drummond-house-2011/drummond_house_gh040709_gh2-b.jpg Drummond House, “The Shed”, Meigle. A playful transcription of rural type. https://www.studiointernational.com/images/articles/d/drummond-house-2011/drummond4-b.jpg Drummond House, “The Shed”, Meigle. Articulated open interior space high volume. https://www.studiointernational.com/images/articles/d/drummond-house-2011/drummond5-b.jpg Drummond House, “The Shed”, Meigle. Articulated open interior space low volume. https://www.studiointernational.com/images/articles/d/drummond-house-2011/drummond6-b.jpg Drummond House, “The Shed”, Meigle. Erosion. https://www.studiointernational.com/images/articles/d/drummond-house-2011/drumsect-b.jpg Drummond House, “The Shed”, Meigle. Cross-section plan. https://www.studiointernational.com/images/articles/d/drummond-house-2011/drumfirst-b.jpg Drummond House, “The Shed”, Meigle. First Floor Plan. https://www.studiointernational.com/images/articles/d/drummond-house-2011/drumground-b.jpg Drummond House, “The Shed”, Meigle. Ground Floor Plan. https://www.studiointernational.com/index.php/eileen-gray-at-the-design-museum--london-2005 https://www.studiointernational.com/images/articles/e/eileen_gray/eileen_gray_b.jpg Eileen Gray https://www.studiointernational.com/images/articles/e/eileen_gray/table_b.jpg Eileen Gray. E.1027 table (1926-29). https://www.studiointernational.com/images/articles/e/eileen_gray/house_b.jpg Eileen Gray. E.1027 house (1926-29). https://www.studiointernational.com/index.php/new-studio-collaboration-in-perth--scotland https://www.studiointernational.com/images/articles/f/fergus-purdie-2012/fwp_10-b.jpg Fergus Purdie Architect. Extract from design notebook investigating the external courtyard area and potential (soup garden) to extend towards adjoining gardens. https://www.studiointernational.com/images/articles/f/fergus-purdie-2012/arthur-40_2-b.jpg Arthur Watson. Extract from Arthur Watson's notebook investigating the internal spaces (note the overlaying of artist notations on architect plan drawings). https://www.studiointernational.com/index.php/frank-gehry-maggie-s-centre-dundee https://www.studiointernational.com/images/articles/g/gehry_f/mag_dundeefront.jpg Maggie's Centre, Dundee by Frank Gehry. https://www.studiointernational.com/images/articles/g/gehry_f/mag_dundeeroof.jpg Maggie's Centre, Dundee, roof detail. https://www.studiointernational.com/index.php/frank-gehry-walt-disney-concert-hall https://www.studiointernational.com/images/articles/g/gehry/frank_gehry1b.jpg Frank Gehry. https://www.studiointernational.com/images/articles/g/gehry/489_6_med_b.jpg Aerial view, Walt Disney Concert Hall. Designed by Frank Gehry. Courtesy of the Los Angeles Philharmonic https://www.studiointernational.com/images/articles/g/gehry/disney_hall_1b.jpg Exterior view, Walt Disney Concert Hall. Designed by Frank Gehry. Courtesy of the Los Angeles Philharmonic https://www.studiointernational.com/images/articles/g/gehry/disney_hall_4b.jpg Walt Disney Concert Hall. Designed by Frank Gehry. Courtesy of the Los Angeles Philharmonic. Photocredit: Federico Zignani https://www.studiointernational.com/images/articles/g/gehry/disney_hall_5b.jpg Walt Disney Concert Hall. Designed by Frank Gehry. Courtesy of the Los Angeles Philharmonic. Photocredit: Tom Bonner https://www.studiointernational.com/images/articles/g/gehry/disney_hall_interior_b.jpg Interior, Walt Disney Concert Hall. Designed by Frank Gehry. Courtesy of the Los Angeles Philharmonic. Photocredit: Federico Zignani. https://www.studiointernational.com/images/articles/g/gehry/disney_hall_model_3b.jpg Walt Disney Concert Hall. Designed by Frank Gehry. Courtesy of the Los Angeles Philharmonic https://www.studiointernational.com/index.php/steven-holl-america-s-best-architect https://www.studiointernational.com/images/articles/h/holl/0025_b.jpg The Nelson-Atkins Museum of Art, Kansas City, Missouri. Copyright: Andy Ryan. https://www.studiointernational.com/images/articles/h/holl/200004_b.jpg The Nelson-Atkins Museum of Art, Kansas City, Missouri. Copyright: Andy Ryan. https://www.studiointernational.com/images/articles/h/holl/0456_b.jpg The Nelson-Atkins Museum of Art, Kansas City, Missouri. Copyright: Andy Ryan. https://www.studiointernational.com/images/articles/h/holl/0410_b.jpg The Nelson-Atkins Museum of Art, Kansas City, Missouri. Copyright: Andy Ryan. https://www.studiointernational.com/images/articles/h/holl/0154_b.jpg The Nelson-Atkins Museum of Art, Kansas City, Missouri. Copyright: Andy Ryan. https://www.studiointernational.com/images/articles/h/holl/0134_b.jpg The Nelson-Atkins Museum of Art, Kansas City, Missouri. Copyright: Andy Ryan. https://www.studiointernational.com/index.php/john-pawson-plain-space https://www.studiointernational.com/images/articles/p/pawson-2010/designmuseum-baron-house-ext-sweden-ke-e-son-lindman-b.jpg John Pawson. Baron House exterior, Sweden. Photo: Åke E-son Lindman. https://www.studiointernational.com/images/articles/p/pawson-2010/designmuseum-novy-dvur-czech-rep-hisao-suzuki-b.jpg John Pawson. Monastery of Our Lady of Novy Dvur, Czech Republic. Photo: Hisao Suzuki. https://www.studiointernational.com/images/articles/p/pawson-2010/designmuseum-private-house-germany-todd-eberle-b.jpg John Pawson. Private House, Germany. Photo: Todd Eberle. https://www.studiointernational.com/images/articles/p/pawson-2010/designmuseum-john-pawson-london-orla-connolly-b.jpg John Pawson, London. Photo: Orla Connolly. https://www.studiointernational.com/images/articles/p/pawson-2010/designmuseum-sackler-crossing-royal-botanic-gardens-kew.-photo-richard-davies-b.jpg John Pawson. Sackler Crossing. Royal Botanic Gardens, Kew, London. Photo: Richard Davies. https://www.studiointernational.com/index.php/phyllis-lambert-and-the-canadian-centre-for-architecture https://www.studiointernational.com/images/articles/l/lambert/1344_b.jpg Canadian Centre for Architecture https://www.studiointernational.com/images/articles/l/lambert/1346_b.jpg Canadian Centre for Architecture https://www.studiointernational.com/images/articles/l/lambert/1348_b.jpg Canadian Centre for Architecture https://www.studiointernational.com/images/articles/l/lambert/1349_b.jpg Canadian Centre for Architecture https://www.studiointernational.com/images/articles/l/lambert/1350_b.jpg Canadian Centre for Architecture https://www.studiointernational.com/images/articles/l/lambert/1351_b.jpg Canadian Centre for Architecture https://www.studiointernational.com/index.php/lawn-road-flats https://www.studiointernational.com/images/articles/l/lawn_road_flats/lawn_road_1b.jpg Isokon long chair advertisement https://www.studiointernational.com/images/articles/l/lawn_road_flats/lawn_road_2b.jpg Wells Coates c. 1925 https://www.studiointernational.com/images/articles/l/lawn_road_flats/lawn_road_3b.jpg Isokon long chair and nesting table https://www.studiointernational.com/images/articles/l/lawn_road_flats/lawn_raod_4b.jpg Arthur Korn, Marcel Breuer, Ise Gropius, Walter Gropius https://www.studiointernational.com/images/articles/l/lawn_road_flats/lawn_road_5b.jpg St Leonard's Hill Brochure, 1937 https://www.studiointernational.com/images/articles/l/lawn_road_flats/lawn_road_6b.jpg Lawn Road Flats: front facade https://www.studiointernational.com/index.php/libeskind-impacting-denver https://www.studiointernational.com/images/articles/d/denver/1b.jpg Denver Art Museum, Frederick C Hamilton extension. Daniel Libeskind Davis Partnership. https://www.studiointernational.com/images/articles/d/denver/2b.jpg Denver Art Museum, Frederick C Hamilton extension. Daniel Libeskind Davis Partnership. https://www.studiointernational.com/images/articles/d/denver/3b.jpg Denver Art Museum, Frederick C Hamilton extension. Daniel Libeskind Davis Partnership. https://www.studiointernational.com/images/articles/d/denver/4b.jpg Denver Art Museum, Frederick C Hamilton extension. Daniel Libeskind Davis Partnership. https://www.studiointernational.com/images/articles/d/denver/5b.jpg Denver Art Museum, Frederick C Hamilton extension. Daniel Libeskind Davis Partnership. https://www.studiointernational.com/index.php/brad-pitt-s-initiative-making-it-right-new-houses-at-new-orleans-lower-ninth-ward https://www.studiointernational.com/images/articles/m/makingitright10/makeitright_model_01_pr-b.jpg Gehry Partners LLP. A two-family home. Image Courtesy of Gehry Partners, LLP. https://www.studiointernational.com/images/articles/m/makingitright10/makeitright_model_03_pr-b.jpg Gehry Partners LLP. A two-family home. Image Courtesy of Gehry Partners, LLP. https://www.studiointernational.com/index.php/robert-mallet-stevens https://www.studiointernational.com/images/articles/m/mallet_stevens/portrait1_b.jpg Portrait de Robert Mallet-Stevens, vers 1924. Photo D.R. Centre Pompidou, Mnam-Cci, Bibliothèque Kandinsky, fonds Mallet-Stevens. ©ADAGP, 2004, Paris https://www.studiointernational.com/images/articles/m/mallet_stevens/martel3_b.jpg Hôtel particulier de Jan et Joël Martel, rue Mallet-Stevens, Paris, 1926-1927. Photo : Centre Pompidou, Georges Méguerditchian, 2004. ©ADAGP, 2004, Paris https://www.studiointernational.com/images/articles/m/mallet_stevens/dessin1_b.jpg Projet pour une cité moderne : cercle populaire, 1917. Encre de Chine sur papier 29,9 X 42,9 cm. Collection Musée national d'art moderne/Centre de création industrielle - Centre Pompidou. Photo CNAC-GP/MNAM dist.RMN, Jacqueline Hyde. ©ADAGP, 2004, Paris https://www.studiointernational.com/images/articles/m/mallet_stevens/cavrois_b.jpg Propriété de M. Cavrois, Croix, 1929-1932. Photographies Véra Cardot et Pierre Joly, 1986. Centre Pompidou, Mnam-Cci, Bibliothèque Kandinsky, Fonds Cardot-Joly. ©ADAGP, 2004, Paris https://www.studiointernational.com/images/articles/m/mallet_stevens/cavrois3_b.jpg Propriété de M. Cavrois, Croix, 1929-1932. Photographies Véra Cardot et Pierre Joly, 1986. Centre Pompidou, Mnam-Cci, Bibliothèque Kandinsky, Fonds Cardot-Joly. ©ADAGP, 2004, Paris https://www.studiointernational.com/images/articles/m/mallet_stevens/cafe2_b.jpg Cafés du Brésil-Wagram, Paris 1929. Intérieur. Tirage original 22,5 X 16,5 cm. Photo L'illustration Collection particulière. ©ADAGP, 2004, Paris https://www.studiointernational.com/index.php/erich-mendelsohn-dynamics-and-function---realised-visions-of-a-cosmopolitan-architect--motion-path--bridget-smith-rebuild https://www.studiointernational.com/images/articles/m/mendelsohn/berlin_b.jpg Screen model of The Metal Workers' Union (IMG) Building, Berlin. Courtesy Graham Ellard and Stephen Johnstone. https://www.studiointernational.com/images/articles/m/mendelsohn/chemnitz_b.jpg Screen model of the Schocken Departmetn Store, Chemnitz. Courtesy Graham Ellard and Stephen Johnstone. https://www.studiointernational.com/images/articles/m/mendelsohn/stlouis_b.jpg Screen model of the B'nai Amoona Synagogue, St Louis. Courtesy Graham Ellard and Stephen Johnstone. https://www.studiointernational.com/images/articles/m/mvrdv_chinese_cities/mvrdv_04_b.jpg https://www.studiointernational.com/images/articles/m/mendelsohn/mend1b.jpg Bridget Smith. De La Warr Pavilion, 2004. Photo courtesy the artist. https://www.studiointernational.com/images/articles/m/mendelsohn/empty__room_b.jpg Bridget Smith. Empty Room, De La Warr Pavilion, 2004. Photo courtesy the artist. https://www.studiointernational.com/images/articles/m/mendelsohn/petersdorff_b.jpg Rudolf Petersdorff Department Store, Breslau, 1927-28. Photo: Kunstbibliothek Berlin, Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Berlin. Courtesy Institute für Auslandsbeziehungen, Stuttgart. https://www.studiointernational.com/images/articles/m/mendelsohn/schocken_b.jpg Screen model of the Schocken Department Store, Stuttgart, Germany. Courtesy Graham Ellard and Stephen Johnstone. https://www.studiointernational.com/index.php/a-futuristic-architectural-movement-from-the-past-speaks-to-the-present https://www.studiointernational.com/images/articles/m/metabolism-2011/metabolism_12-b.jpg Maki Fumihiko. Republic Polytechnic Campus, Singapore, 2007. Courtesy: Maki and Associates. https://www.studiointernational.com/index.php/museums-in-the-21st-century- https://www.studiointernational.com/images/articles/h/homer/branly_b.jpg Musée du quai Branly, Paris, Frankrig AJN; Ateliers Jean Nouvel. Interior view. Photo: Philippe Ruault © Philippe Ruault https://www.studiointernational.com/images/articles/h/homer/branly2_b.jpg Musée du quai Branly, Paris, Frankrig AJN; Ateliers Jean Nouvel. Exterior view. Photo: Roland Halbe © Roland Halbe https://www.studiointernational.com/images/articles/h/homer/century1b.jpg 21st Century Museum, Kanazawa, Japan (2002–2004) Kazuyo Sejima and Ryue Nishizawa/SANAA. Exterior view. © SANAA https://www.studiointernational.com/images/articles/h/homer/century2b.jpg 21st Century Museum, Kanazawa, Japan (2002-2004) Kazuyo Sejima and Ryue Nishizawa/SANAA. Interior view. © SANAA https://www.studiointernational.com/images/articles/h/homer/corcoran_b.jpg Corcoran Gallery of Art, Washington, DC, USA, Design phase: 1999–2003 (on hold). Gehry Partners, LLP. Final design model, 2005. © Gehry Partners, LLP https://www.studiointernational.com/images/articles/h/homer/eyebeam_b.jpg Eyebeam Museum of Art and Technology, New York, NY, USA, 2001 (on hold). Diller Scofidio + Renfro. Rendering, south-west-view. © Diller Scofidio + Renfro https://www.studiointernational.com/images/articles/h/homer/kunsthaus_b.jpg Kunsthaus Graz am Landesmuseum Joanneum, Graz, Austria, 2000–2003. Spacelab, Peter Cook / Colin Fournier. Photo: Zepp-Cam Seidl, 2004. © Kunsthaus Graz, Zepp-Cam https://www.studiointernational.com/index.php/spider-in-the-field-snow-land-agrarian-culture-center-matsudai-by-mvrdv https://www.studiointernational.com/images/articles/m/mvrdv/mvrdv1_b.jpg Snow-Land Agrarian Culture Centre, Matsudai by MVRDV https://www.studiointernational.com/images/articles/m/mvrdv/mvrdv2_b.jpg Snow-Land Agrarian Culture Centre, Matsudai by MVRDV https://www.studiointernational.com/images/articles/m/mvrdv/mvrdv3_b.jpg Snow-Land Agrarian Culture Centre, Matsudai by MVRDV https://www.studiointernational.com/index.php/alvar-aalto-and-the-sustainable-nordic-house https://www.studiointernational.com/images/articles/n/nordic-house-2012/aalto01-b.jpg Alvar Aalto. Nordic House (for Nordic Council), Reykjavik, 1963-68. Lakeside view of main elevation. The dark wall is clad in dark blue ceramic tiles specified by Aalto. https://www.studiointernational.com/images/articles/n/nordic-house-2012/aalto02-b.jpg Alvar Aalto. Nordic House (for Nordic Council), Reykjavik, 1963-68. Typical Aalto bronze door handles. https://www.studiointernational.com/images/articles/n/nordic-house-2012/aalto03-b.jpg Alvar Aalto. Nordic House (for Nordic Council), Reykjavik, 1963-68. Entrance Lobby with conical rooflight design first used by Aalto at Viipuri Library, Viipuri, Finland (now Vyborg, Russia), l933. https://www.studiointernational.com/index.php/pallant-house- https://www.studiointernational.com/images/articles/p/pallant_house_2/1b.jpg Courtyard image. Photographer - Peter Durant (2006). https://www.studiointernational.com/images/articles/p/pallant_house_2/2b.jpg Courtyard image. Photographer - Anne-Katrin Purkiss (2006). https://www.studiointernational.com/images/articles/p/pallant_house_2/3b.jpg Front of Pallant House Gallery. Photographer - Anne-Katrin Purkiss (2006). https://www.studiointernational.com/index.php/petra-rock-city-of-the-east https://www.studiointernational.com/images/articles/p/petra-10/the-khazneh-ii-b.jpg Richard England. Al-Khazneh - The Treasury. https://www.studiointernational.com/index.php/royal-academy-of-arts-summer-exhibition-2011-architecture-room https://www.studiointernational.com/images/articles/r/ra-architecture-2011/tonkin-liu-shi-li-bridge-b.jpg Tonkin Liu. Shi Ling Bridge and Rain Bow Gate, 2010. https://www.studiointernational.com/index.php/raphael-architect-raffaello-santi https://www.studiointernational.com/images/articles/r/rafaello/raffaello_b.jpg Raphael's 16-sided temple https://www.studiointernational.com/index.php/the-egg-in-a-box https://www.studiointernational.com/images/articles/r/rfh/1b.jpg Illustration of the Royal Festival Hall taken from The Official Record, 1951 published by Max Parrish. Copyright the Royal Festival Hall Archives https://www.studiointernational.com/images/articles/r/rfh/2b.jpg View of the Royal Festival Hall in 1951. Copyright the Royal Festival Hall Archives https://www.studiointernational.com/images/articles/r/rfh/3b.jpg The Royal Festival Hall as it will look when it reopens in June 2007. Copyright Hayes Davidson/Nick Wood https://www.studiointernational.com/images/articles/r/rfh/4b.jpg The refurbished Royal Festival Hall auditorium. copyright Richard Bryant arcaid.co.uk https://www.studiointernational.com/images/articles/r/rfh/5b.jpg Skylon Restaurant in the refurbished Royal Festival Hall. Designed by Conran & Partners for D+D London https://www.studiointernational.com/index.php/migrant-architects-from-britain-the-riba-stirling-prize-2007- https://www.studiointernational.com/images/articles/r/riba07/casa_b.jpg Office for Metropolitan Architecture. Casa da Musica, Porto, Portugal. Photograph © Phillipe Ruault. https://www.studiointernational.com/images/articles/r/riba07/dresden_b.jpg Foster + Partners. Dresden Station redevelopment, Dresden, Germany. Photograph © Nigel Young. https://www.studiointernational.com/images/articles/r/riba07/savill_b.jpg Glenn Howells Architects. The Savill Building, Windsor. Photograph © Gareth Gardner. https://www.studiointernational.com/images/articles/r/riba07/young_b.jpg Haworth Tompkins. Young Vic Theatre, London. Photograph © Philip Vile. https://www.studiointernational.com/images/articles/r/riba07/valencia_b.jpg David Chipperfield Architects. America’s Cup Building, Valencia, Spain. Photograph © Christian Richters. https://www.studiointernational.com/images/articles/r/riba07/marbach_b.jpg David Chipperfield Architects. Museum of Modern Literature, Marbach am Neckar, Germany. Photograph © Christian Richters. https://www.studiointernational.com/index.php/will-alsop-sharp-center https://www.studiointernational.com/images/articles/s/sharp-center/l5_b.jpg 1. Classroom 2. Critique area 3. Corridor 4. Studio 5. Exhibtion area 6. Office 7. Student lounge https://www.studiointernational.com/images/articles/s/sharp-center/l6_b.jpg 1. Classroom 2. Critique area 3. Corridor 4. Studio 5. Exhibtion area 6. Office 7. Research laboratory 8. Media output https://www.studiointernational.com/index.php/a-new-building-for-st-catz https://www.studiointernational.com/images/articles/s/st_catz/view_towards_hall_b.jpg The view to the hall gives some idea of Jacobsen's 3m grid as applied to the landscaping of the college https://www.studiointernational.com/images/articles/s/st_catz/music_hall_b.jpg Music house https://www.studiointernational.com/images/articles/s/st_catz/western_facade_b.jpg The western façade contains the original Porter's Lodge (so the entrance to St Catz) in the centre of the building https://www.studiointernational.com/images/articles/s/st_catz/photo_e_b.jpg Eastern façade of northern block https://www.studiointernational.com/images/articles/s/st_catz/photo_i_b.jpg Staircase in Arumugram Building https://www.studiointernational.com/images/articles/s/st_catz/photo_f_b.jpg Northern façade of Arumugram Building showing residential block beyond https://www.studiointernational.com/images/articles/s/st_catz/photo_h_b.jpg New Porter's Lodge https://www.studiointernational.com/index.php/architecture-london-s-new-rail-terminus-at-st-pancras https://www.studiointernational.com/images/articles/s/st_pancras/15816_b.jpg St Pancras Chambers (previously the Midland hotel), St Pancras station, London https://www.studiointernational.com/images/articles/s/st_pancras/16663_b.jpg Passengers arrive on the platform on the first day of Eurostar Services operating from the newly restored Barlow Shed at St Pancras International. Photo by Michael Walter/Troika https://www.studiointernational.com/images/articles/s/st_pancras/16707_b.jpg The Barlow Shed on the first day of Eurostar Services operating from the newly restored St Pancras International. Photo by Michael Walter/Troika https://www.studiointernational.com/images/articles/s/st_pancras/16709_b.jpg The Barlow Shed on the first day of Eurostar Services operating from the newly restored St Pancras International. Photo by Michael Walter/Troika https://www.studiointernational.com/images/articles/s/st_pancras/16714_b.jpg The Barlow Shed on the first day of Eurostar Services operating from the newly restored St Pancras International. Photo by Michael Walter/Troika https://www.studiointernational.com/index.php/james-frazer-stirling https://www.studiointernational.com/images/articles/s/stirling-2011/23842w_19stirlingfirm-b.jpg James Stirling (Firm). Florey Building, The Queen’s College, Oxford. Axonometric, 1966-71. Ink, graphite, and coloured crayon on tracing paper. James Stirling/Michael Wilford fonds, Collection Centre Canadien d’Architecture/Canadian Centre for Architecture, Montréal https://www.studiointernational.com/images/articles/s/stirling-2011/12-history-faculty-building,-university-of-cambridge,-england-(1963-67)-b.jpg James Stirling (Firm). History Faculty Building, University of Cambridge, England (1963-67). Presentation model, wood and plastic. James Stirling/Michael Wilford fonds, Canadian Centre for Architecture, Montréal. © CCA. https://www.studiointernational.com/images/articles/s/stirling-2011/16-clore-gallery,-tate-britain-b.jpg James Stirling, Michael Wilford, and Associates. Clore Gallery, Tate Britain. © Tate Photography. https://www.studiointernational.com/index.php/stirling-prize-for-architecture-2006--riba-uk- https://www.studiointernational.com/images/articles/s/stirling06/outside_b.jpg Outside Barajas Airport Terminal, Madrid. Photo credit: Katsuhisa Kida. https://www.studiointernational.com/images/articles/s/stirling06/escalators_b.jpg Escalators at Barajas Airport Terminal, Madrid. Photo credit: Manuel Renau. https://www.studiointernational.com/images/articles/s/stirling06/inside_b.jpg Inside Barajas Airport Terminal, Madrid. Photo credit: Manuel Renau. https://www.studiointernational.com/images/articles/s/stirling06/lights_b.jpg Lights, Barajas Airport Terminal, Madrid. Photo credit: Amparo Garrido. https://www.studiointernational.com/index.php/riba-stirling-prize-2005 https://www.studiointernational.com/images/articles/s/stirling_prize/debating_chamber_b.jpg Scottish Parliament Debating Chamber. Photo credit: Keith Hunter. https://www.studiointernational.com/images/articles/s/stirling_prize/exterior_b.jpg Scottish Parliament exterior. Photo credit: Keith Hunter. https://www.studiointernational.com/index.php/swiss-re--a-lovable-gherkin-in-space https://www.studiointernational.com/images/articles/s/swiss_tower/1004_b.jpg Credit: Nigel Young/Foster and Partners https://www.studiointernational.com/images/articles/s/swiss_tower/1004_progress_b.jpg Credit: Nigel Young/Foster and Partners https://www.studiointernational.com/images/articles/s/swiss_tower/1004_final_b.jpg Credit: Nigel Young/Foster and Partners https://www.studiointernational.com/images/articles/s/swiss_tower/001_b.jpg Credit: Nigel Young/Foster and Partners https://www.studiointernational.com/index.php/towers-from-manhattan-to-moscow- https://www.studiointernational.com/images/articles/t/towers/150_b.jpg The New York Times Building. Photograph: Annie Leibovitz for Forest City Ratner Companies https://www.studiointernational.com/images/articles/t/towers/171_b.jpg The New York Times Building. Photograph: Annie Leibovitz for Forest City Ratner Companies https://www.studiointernational.com/images/articles/t/towers/0238_b.jpg Installation of Birch and Moss Garden, the New York Times Building. Photograph: Annie Leibovitz for Forest City Ratner Companies https://www.studiointernational.com/images/articles/t/towers/nyt_b.jpg Rendering of the New York Times Building. The New York Times Company/Forest City Ratner Companies/Renzo Piano Building Workshop/ FXFowle Architects © Artefactory https://www.studiointernational.com/images/articles/t/towers/city-palace-tower_b.jpg The City Palace, Moscow. https://www.studiointernational.com/images/articles/t/towers/foyer_b.jpg The City Palace, Moscow. The foyer. https://www.studiointernational.com/images/articles/t/towers/staircase_b.jpg The City Palace, Moscow. Staircase to the champagne bar. https://www.studiointernational.com/images/articles/t/towers/view_b.jpg The City Palace, Moscow. View from looking down from the top of the tower. https://www.studiointernational.com/index.php/12th-venice-architecture-biennale https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2010/bahrain-pavilion-4150-02-b.jpg Kingdom of Bahrain Pavilion, view 1. Awarded the Golden Lion for the best national participation at the 12th Venice Architecture Biennale. The curators of the pavilion are Noura Al-Sayeh and Dr Fuad Al-Ansari, architects engaged in both teaching and practice in Bahrain. The exhibition's concept, design and production were realised in collaboration with lapa at the EPFL, Lausanne, and its director, Professor Harry Gugger. Photo copyright Christian Richters. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2010/bahrain-pavilion-4150-07-b.jpg Kingdom of Bahrain Pavilion, view 2. Awarded the Golden Lion for the best national participation at the 12th Venice Architecture Biennale. The curators of the pavilion are Noura Al-Sayeh and Dr Fuad Al-Ansari, architects engaged in both teaching and practice in Bahrain. The exhibition's concept, design and production were realised in collaboration with lapa at the EPFL, Lausanne, and its director, Professor Harry Gugger. Photo copyright Christian Richters. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2010/bahrain-pavilion-4150-13-b.jpg Kingdom of Bahrain Pavilion, view 3. Awarded the Golden Lion for the best national participation at the 12th Venice Architecture Biennale. The curators of the pavilion are Noura Al-Sayeh and Dr Fuad Al-Ansari, architects engaged in both teaching and practice in Bahrain. The exhibition's concept, design and production were realised in collaboration with lapa at the EPFL, Lausanne, and its director, Professor Harry Gugger. Photo copyright Christian Richters. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2010/bahrain-pavilion-4150-18-b.jpg Kingdom of Bahrain Pavilion, view 4. Awarded the Golden Lion for the best national participation at the 12th Venice Architecture Biennale. The curators of the pavilion are Noura Al-Sayeh and Dr Fuad Al-Ansari, architects engaged in both teaching and practice in Bahrain. The exhibition's concept, design and production were realised in collaboration with lapa at the EPFL, Lausanne, and its director, Professor Harry Gugger. Photo copyright Christian Richters. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2010/muf-british-pavilion_dsc6586-b.jpg The Stadium of Close Looking. British Pavilion, Venice Architecture Biennale 2010, view 1. 1:10 scale model of a section of the Olympic Stadium for London 2012, reinterpreted by muf with atelier one engineers, and built by Venetian carpenters Spazio Legno. Photo copyright Cristiano Corte. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2010/muf-british-pavilion_dsc6528-b.jpg The Stadium of Close Looking. British Pavilion, Venice Architecture Biennale 2010. 1:10 scale model of a section of the Olympic Stadium for London 2012, reinterpreted by muf with atelier one engineers, and built by Venetian carpenters Spazio Legno. Photo copyright Cristiano Corte. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2010/muf-british-pavilion_dsc6657_1-b.jpg The Stadium of Close Looking. British Pavilion, Venice Architecture Biennale 2010, view 3. 1:10 scale model of a section of the Olympic Stadium for London 2012, reinterpreted by muf with atelier one engineers, and built by Venetian carpenters Spazio Legno. Photo copyright Cristiano Corte. https://www.studiointernational.com/index.php/whitechapel-rising-the-new-opening https://www.studiointernational.com/images/articles/w/whitechapel_rising/ns-image-1_b.jpg Whitechapel Gallery: New spaces. Gallery 2. Photo: Richard Bryant https://www.studiointernational.com/images/articles/w/whitechapel_rising/ns-image-6_b.jpg Whitechapel Gallery: New spaces. Gallery 4 and Foyle Reading Room. Photo: Richard Bryant https://www.studiointernational.com/images/articles/w/whitechapel_rising/ns-image-11_b.jpg Whitechapel Gallery: New spaces. Whitechapel Gallery Dining Room. Photo: Richard Bryant https://www.studiointernational.com/index.php/xiangshan-campus--china-academy-of-art--hangzhou--china https://www.studiointernational.com/images/articles/c/china_academy/01b.jpg A close-up of the entrance sign plaque demonstrating innovative use of traditional indigenous materials in a contemporary context. https://www.studiointernational.com/images/articles/c/china_academy/02b.jpg Phase I of the Xiangshan Campus with its reflection in the little stream that runs through the campus. https://www.studiointernational.com/images/articles/c/china_academy/03b.jpg Entrance to the building compound courtyard. Note the use of simple, low-cost materials in a very controlled and texturised manner. https://www.studiointernational.com/images/articles/c/china_academy/04b.jpg The interplay of glass, timber and openings among the textured concrete ‘Mondrianese’ grid at the rear elevation of the building. https://www.studiointernational.com/images/articles/c/china_academy/05b.jpg The internal courtyard of building with its timber façade. https://www.studiointernational.com/images/articles/c/china_academy/06b.jpg View onto the timber panelled façade and windows with traditional ironmongery. https://www.studiointernational.com/images/articles/c/china_academy/07b.jpg View of Phase II of the Xiangshan Campus. Here the building ‘becomes’ the mountain with its ‘flying’ corridor being externalised and revealed to the public. https://www.studiointernational.com/images/articles/c/china_academy/08b.jpg Building number 14 with its iconic curved tile roof form. https://www.studiointernational.com/images/articles/c/china_academy/09b.jpg An interplay of concrete structures with in-fill ‘roof tile’ wall. https://www.studiointernational.com/images/articles/c/china_academy/10b.jpg A close-up of the roof-tile wall interplay with bricks, and the steel-framed door with bamboo fascia veneer. https://www.studiointernational.com/images/articles/c/china_academy/11b.jpg  The ‘other’ elevation of building number 14, with a more perforated façade of vertical concrete fin composition. https://www.studiointernational.com/images/articles/c/china_academy/12b.jpg  Two different, controlled and yet related treatments of buildings number 14 and 15. https://www.studiointernational.com/images/articles/c/china_academy/13b.jpg  Two different, controlled and yet related treatments of buildings number 14 and 15. https://www.studiointernational.com/images/articles/c/china_academy/14b.jpg  Buildings number 14, 15 and 16, seen in juxtaposition of each other. https://www.studiointernational.com/index.php/architecture-zaha-did-it https://www.studiointernational.com/images/articles/z/zaha/2b.jpg Maggie https://www.studiointernational.com/images/articles/z/zaha/3b.jpg Maggie https://www.studiointernational.com/images/articles/z/zaha/1b.jpg Maggie's Centre, Kirkcaldy, Fife. Credit: Werner Huthmacher. https://www.studiointernational.com/index.php/peter-zumthor-s-serpentine-gallery-pavilion-2011 https://www.studiointernational.com/images/articles/z/zumthor-pavilion-2011/cf048225serpentinezumthor_1mb-b.jpg Serpentine Gallery Pavilion 2011. Designed by Peter Zumthor. © Peter Zumthor. Photograph: John Offenbach. https://www.studiointernational.com/images/articles/z/zumthor-pavilion-2011/_mg_7808serpentinezumthormed-res-b.jpg Serpentine Gallery Pavilion 2011, view 2. Designed by Peter Zumthor. © Peter Zumthor. Photograph: John Offenbach. https://www.studiointernational.com/images/articles/z/zumthor-pavilion-2011/pz-serpentine-pavilion-14-press-page-b.jpg Serpentine Gallery Pavilion 2011, view 3. Designed by Peter Zumthor. © Peter Zumthor. Photograph: Hufton+Crow. https://www.studiointernational.com/images/articles/z/zumthor-pavilion-2011/pz-serpentine-pavilion-15-press-page-b.jpg Serpentine Gallery Pavilion 2011, view 4. Designed by Peter Zumthor. © Peter Zumthor. Photograph: Hufton+Crow. https://www.studiointernational.com/images/articles/z/zumthor-pavilion-2011/wh_img_0090-press-page-b.jpg Serpentine Gallery Pavilion 2011, view 5. Designed by Peter Zumthor. © Peter Zumthor. Photograph: Walter Herfst. https://www.studiointernational.com/images/articles/z/zumthor-pavilion-2011/wh_img_9970-b.jpg Serpentine Gallery Pavilion 2011, view 6. Designed by Peter Zumthor. © Peter Zumthor. Photograph: Walter Herfst. https://www.studiointernational.com/index.php/michael-andrews https://www.studiointernational.com/images/articles/a/andrewsm_arch1_297.jpg Michael Andrews. Laughter Uluru (Ayers Rock): the Cathedral I. 1985. Acrylic on canvas 96 x 108 inches. https://www.studiointernational.com/images/articles/a/andrewsm_arch2_297.jpg Michael Andrews. Permanent Water. Mutidjula, by the Kunia massif (Maggie Springs, Ayers Rock). 1985-86. Acrylic on canvas. 7 feet x 8 feet x 6 inches. https://www.studiointernational.com/images/articles/a/andrewsm_arch3_150.jpg Michael Andrews https://www.studiointernational.com/index.php/the-arthur-m-sackler-museum-of-art-and-archaeology-peking-university-china https://www.studiointernational.com/images/articles/a/ams_suppl/si6b.jpg The groundbreaking ceremony. From left to right: Winston Lord (the US Ambassador), Jill Sackler, Dr Arthur Sackler, Dr Qiau Xiu-Zhong, Dr Ding Shisun (President, Peking University), Curtis Cutter. 8 September 1986. https://www.studiointernational.com/images/articles/a/ams_suppl/si10b.jpg The Arthur M. Sackler Museum of Art and Archeology at Peking University. Main entrance. https://www.studiointernational.com/images/articles/a/ams_suppl/si9b.jpg The Arthur M. Sackler Museum of Art and Archeology at Peking University. Main building. https://www.studiointernational.com/index.php/israel-national-museum https://www.studiointernational.com/images/articles/i/israel-nat-museum/israel-national-museum.jpg The Israel National Museum. https://www.studiointernational.com/index.php/the-arthur-m-sackler-gallery-at-the-smithsonian-institution-washington-dc https://www.studiointernational.com/images/articles/a/ams_suppl/si1b.jpg The Arthur M Sackler Gallery (pyramided roof) at the Smithsonian Institution, Washington DC with the Smithsonian Institution building (the https://www.studiointernational.com/index.php/andy-warhol https://www.studiointernational.com/images/articles/w/warhol/warhol1b.jpg Andy Warhol. Shot Blue Marilyn 1964. Silkscreen ink & synthetic polymer paint on canvas. 101.6 x 101.6 cm. Courtesy the Brant Foundation, Greenwich, CT. © The Andy Warhol Foundation for the Visual Arts, Inc. DACS, London / ARS, New York. https://www.studiointernational.com/images/articles/w/warhol/warhol2b.jpg Andy Warhol. Big Electric Chair 1967. 137.2 x 185.5 cm. Sammlung FROELICH, Stuttgart. The Andy Warhol Foundation for the Visual Arts, Inc. DACS, London / ARS, New York. Photo: Uwe H. Seyl, Stuttgart https://www.studiointernational.com/images/articles/w/warhol/warhol3b.jpg Andy Warhol. Ten Foot Flowers 1967. Silkscreen ink & synthetic polymer paint on canvas. Private Collection. https://www.studiointernational.com/images/articles/w/warhol/warhol4b.jpg Andy Warhol. Marilyn Diptych 1962. Acrylic on canvas. 205.4 x 144.8 cm. Tate. Purchased 1980. https://www.studiointernational.com/images/articles/w/warhol/warhol5b.jpg Andy Warhol. Self-Portrait 1967. Silkscreen and acrylic on primed canvas. 182.8 x 183 cm. Sammlung FROEHLICH, Stuttgart. The Andy Warhol Foundation for the. Visual Arts, Inc. DACS, London / ARS, New York https://www.studiointernational.com/index.php/an-essay-on-sculpture-studio-international-1969-volume-177-no-907-12-13 https://www.studiointernational.com/images/articles/w/william-tucker-archive-1969/studio-international-january-1969-b.jpg Studio International, Volume 177, Number 907, January 1969. https://www.studiointernational.com/images/articles/w/william-tucker-archive-1969/studio-international-january-1969-p12-b.jpg Studio International, Volume 177, Number 907, January 1969, page 12. https://www.studiointernational.com/images/articles/w/william-tucker-archive-1969/studio-international-january-1969-p13-b.jpg Studio International, Volume 177, Number 907, January 1969, page 13. https://www.studiointernational.com/index.php/cream-rising-to-the-top-100-dresses-by-the-costume-institute-the-metropolitan-museum-of-art https://www.studiointernational.com/images/articles/1/100-dresses-2010/koda-dresses-jkt-b.jpg 100 Dresses. Book cover. https://www.studiointernational.com/images/articles/1/100-dresses-2010/1-mantua,late-17c-b.jpg Mantua. British, late 17th century. Wool, metal thread. Courtesy of The Metropolitan Museum of Art, Rogers Fund, 1933, 33.54a,b. https://www.studiointernational.com/images/articles/1/100-dresses-2010/2-robealafrancaise,1760-70-b.jpg Robe à la Francaise. French, 1760–70. Silk. Courtesy of The Metropolitan Museum of Art, Purchase, Irene Lewisohn Bequest, 1960, C.I.60.40.2a,b. https://www.studiointernational.com/images/articles/1/100-dresses-2010/3-louiseboulanger,1928-b.jpg Evening Dress, 1928. Louiseboulanger, French, 1878–1950. Silk, feathers. Courtesy of The Metropolitan Museum of Art, Gift of Mrs. Wolcott Blair, 1973, 1973.6a,b. https://www.studiointernational.com/images/articles/1/100-dresses-2010/4-yvesstlaurent-lelephantblanc-1958-b.jpg L’Elephant blanc, Evening Dress. House of Dior, French, founded 1947. Designer: Yves Saint Laurent, French, born Algeria, 1936–2008. Spring/Summer 1958. Silk, metallic thread, glass, plastic. Courtesy of The Metropolitan Museum of Art, Gift of Bernice Chrysler Garbisch, 1977, 1977.329.5a,b. https://www.studiointernational.com/index.php/book-review-andrei-tarkovsky-elements-of-cinema https://www.studiointernational.com/images/articles/b/book_covers/elements_of_cinema.jpg Andrei Tarkovsky: elements of cinema https://www.studiointernational.com/index.php/book-review-john-wolseley-landmarks-ii https://www.studiointernational.com/images/articles/w/wolseley-landmarks_cover.jpg John Wolseley: Landmarks II https://www.studiointernational.com/index.php/book-review-a-year-in-architecture https://www.studiointernational.com/images/articles/b/book_covers/a-year-in-architecture-cover.jpg A Year in Architecture https://www.studiointernational.com/index.php/can-architects-draw--architects-sketchbooks https://www.studiointernational.com/images/articles/a/architects-sketchbooks-2011/as-sketchbooks-cover-b.jpg Architects’ Sketchbook book cover. https://www.studiointernational.com/images/articles/a/architects-sketchbooks-2011/cla_91_m_1997_sel_ill_magna02_mod-b.jpg Peter Clash. Magna Project, Sheffield (unrealised design for a derelict industrial building). https://www.studiointernational.com/images/articles/a/architects-sketchbooks-2011/men_dis_0256_mnd-b.jpg Alessandro Mendini https://www.studiointernational.com/images/articles/a/architects-sketchbooks-2011/vin_kimmel_center_eelev_watercolor-b.jpg Rafael Vinoly. Kimmel Center, Philadelphia. 'You cannot start a sketch with a preordained idea in mind ... ideas are fleshed out that develop in watercolour, inks, and charcoal.' https://www.studiointernational.com/index.php/book-review-architecture-in-times-of-need-make-it-right-rebuilding-new-orleans-lower-ninth-ward https://www.studiointernational.com/images/articles/a/architecture-times-of-need/billes2-b.jpg Richard S. Kravet, AIA, NCARB; Gerald W. Billes, AIA, NCARB; Rachel Chotin, LEED-AP; Lauren Hickman. https://www.studiointernational.com/images/articles/a/architecture-times-of-need/edr-b.jpg Eskew + Dumez + Ripple. https://www.studiointernational.com/images/articles/a/architecture-times-of-need/pugh-scarpa-1-b.jpg Pugh + Scarpa Architects https://www.studiointernational.com/index.php/art-today https://www.studiointernational.com/images/articles/a/art_today_cover.jpg Art & Today https://www.studiointernational.com/index.php/book-review-art-and-text--poor--old--tired--horse https://www.studiointernational.com/images/articles/a/artandtext09/artandtext_cover_b.jpg Art and Text book cover. 2009. Black Dog Publishing. https://www.studiointernational.com/index.php/essential-art-deco https://www.studiointernational.com/images/articles/a/art_deco/essential-deco-jacket-b.jpg Essential-Deco-Jacket-B.jpg https://www.studiointernational.com/index.php/book-review-the-truth-about-babylon-babylon-myth-and-reality https://www.studiointernational.com/images/articles/b/babylon_book_cover.jpg The Truth about Babylon: Babylon Myth and Reality https://www.studiointernational.com/index.php/a-master-bows-to-his-country-and-his-people-balenciaga-and-spain-by-hamish-bowles https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-portrait-b.jpg Cristobal Balenciaga (circa 1952). Photo: Bettmann/CORBIS https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-archives-images-032-b.jpg Cristobal Balenciaga. House photograph of evening dress of ivory silk with polychrome silk floral embroidery by Lesage, summer 1960. Courtesy Balenciaga Archive. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-black-dress-front-view-b.jpg Cristobal Balenciaga. Day dress of black silk bengaline and velvet, winter 1947. Fine Arts Museums of San Francisco, gift of Mrs Eloise Heidland. Photo by Joe McDonald/Fine Arts Museums of San Francisco. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-black-gown-pink-bolero-b.jpg Cristobal Balenciaga. Evening ensemble with dress of black zibeline and bolero of pink gazar, summer 1968.  Fine Arts Museums of San Francisco, the Eleanor Christensen de Guigne Collection (Mrs. Christian de Guigne III), gift of Ronna and Eric Hoffman. Photo by Joe McDonald/Fine Arts Museums of San Francisco. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-black-gown-ruffle-detail-b.jpg Cristobal Balenciaga. Detail of evening ensemble of black silk gazar and wool, c1951. Fine Arts Museums of San Francisco. Gift of Elise Haas. Photo by Joe McDonald/Fine Arts Museums of San Francisco. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-bowles-bolero-b.jpg Cristobal Balenciaga. Evening bolero jacket of burgundy silk velvet and jet and passementerie embroidery by Bataille, winter 1946. Collection of Hamish Bowles. Photo by Kenny Komer. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-bowles-hat-b.jpg Cristobal Balenciaga. Black silk cocktail hat with silk rose. Collection of Hamish Bowles. Photo by Kenny Komer. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-chou-dress-b.jpg Cristobal Balenciaga. House photograph of evening ensemble; dress of black silk crepe and https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-infanta-dress-b.jpg Balenciaga “Infanta” evening dress; 1939. Photograph by George Hoyningen-Huene. R.J. Horst. Courtesy Staley/Wise Gallery, NYC. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-infanta-sketch-b.jpg Sketch of Balenciaga “Infanta” evening dress; from Vogue Magazine (September 15, 1939). Carl Erickson/Conde Nast Archive; Conde Nast. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-pink_black-dress-rear-view-b.jpg Cristobal Balenciaga. Cocktail dress of fuchsia silk shantung and black lace with black silk satin ribbons, summer 1966. Fine Arts Museums of San Francisco, the Eleanor Christensen de Guigne Collection (Mrs Christian de Guigne III), gift of Ronna and Eric Hoffman. Photo by Joe McDonald/Fine Arts Museums of San Francisco. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-rawlings-b.jpg Cristobal Balenciaga. Cocktail hat of ivory silk satin, 1953. Originally published in Vogue, October 15, 1953. Photo: John Rawlings. https://www.studiointernational.com/images/articles/b/balenciaga-2011/balenciaga-yellow-suit-b.jpg Cristobal Balenciaga. Suit of mustard-yellow linen, summer 1950. Collection of Hamish Bowles. Photo by Joe McDonald/Fine Arts Museums of San Francisco. https://www.studiointernational.com/index.php/book-review-brunelleschi-lacan-le-corbusier https://www.studiointernational.com/images/articles/b/book_covers/brunelleschi.jpg Brunelleschi, Lacan, Le Corbusier https://www.studiointernational.com/index.php/studies-in-form-roberto-capucci-art-into-fashion https://www.studiointernational.com/images/articles/c/capucci-2011/blum-jkt-a.jpg Roberto Capucci: Art into Fashion. Book cover. https://www.studiointernational.com/index.php/the-portrait-sculpture-of-celia-scott https://www.studiointernational.com/images/articles/c/celia_scott/012_b.jpg Celia Scott’s studio, 2000. Plaster casts, clockwise from below: MJ Long, Richard Meier, Celia Scott. Photo © Peter Cook https://www.studiointernational.com/images/articles/c/celia_scott/44_b.jpg Celia Scott. James Stirling, 1983. Bronze, detail. Photo © Jerry Hardman-Jones https://www.studiointernational.com/index.php/translating-a-spiritual-legacy-chanel-the-vocabulary-of-style https://www.studiointernational.com/images/articles/c/chanel-2011/gautier-b.jpg Chanel: The Vocabulary of Style https://www.studiointernational.com/index.php/book-review-young-chinese-artists-the-next-generation https://www.studiointernational.com/images/articles/b/book_covers/young_chinese_artists.jpg Young Chinese Artists: The Next Generation https://www.studiointernational.com/index.php/book-review-the-woodblock-painting-of-cressida-campbell https://www.studiointernational.com/images/articles/b/books/cressida_campbell.jpg The Woodblock Painting of Cressida Campbell https://www.studiointernational.com/index.php/book-review-dangerous-women-the-perils-of-muses-and-femmes-fatales https://www.studiointernational.com/images/articles/b/book_covers/dangerous_women.jpg Dangerous Women: The Perils of Muses and Femmes Fatales https://www.studiointernational.com/index.php/the-deconstructive-impulse-women-artists-reconfigure-the-signs-of-power-1973-1991 https://www.studiointernational.com/images/articles/d/deconstructive/deconstructive.jpg The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power 1973–1991 https://www.studiointernational.com/index.php/drawing-fashion-a-century-of-fashion-illustration https://www.studiointernational.com/images/articles/d/drawing_fashion/drawing-fashion-book-cover-a.jpg Drawing Fashion: A Century of Fashion Illustration https://www.studiointernational.com/index.php/egon-schiele-self-portraits-and-portraits https://www.studiointernational.com/images/articles/s/schiele-portraits-2011/schiele_selbstportraet-b.jpg Egon Schiele. Self-Portrait, 1912. Gouache and pencil on paper, 46.5 x 31.5 cm. Private collection, courtesy Neue Galerie New York. © Private collection, courtesy Neue Galerie New York. https://www.studiointernational.com/images/articles/s/schiele-portraits-2011/schiele_der-maler-albert-paris-guetersloh-b.jpg Egon Schiele. The Painter Albert Paris Gütersloh, 1918. Oil on canvas, 140.3 x 109.9 cm. The Minneapolis Institute of Arts, Gift of the P. D. McMillan Land Company. © The Minneapolis Institute of Arts. https://www.studiointernational.com/images/articles/s/schiele-portraits-2011/schiele_die-frau-des-kuenstlers_gouache-b.jpg Egon Schiele. The Artist’s Wife (Edith Schiele), 1917. Gouache on paper, 45.5 x 29.7 cm. Belvedere, Vienna. © Belvedere Vienna. https://www.studiointernational.com/images/articles/s/schiele-portraits-2011/schiele_paar-b.jpg Egon Schiele. Couple, 1909. Graphite, ink, crayon, and wash on paper, 44.5 x 31 cm. Carnegie Museum of Art, Pittsburgh, Speyer Purchase Fund for Drawings. © Carnegie Museum of Art, Pittsburgh. https://www.studiointernational.com/images/articles/s/schiele-portraits-2011/schiele_portrait-einer-dame-b.jpg Egon Schiele. Portrait of a Woman (Wally Neuzil), 1912. Gouache and pencil on paper, 24.8 x 24.8 cm. Private collection. https://www.studiointernational.com/index.php/book-review-george-barbier-the-birth-of-art-deco https://www.studiointernational.com/images/articles/b/book_covers/george-barbier-cover.jpg George Barbier: The Birth of Art Deco https://www.studiointernational.com/index.php/in-giacometti-s-studio https://www.studiointernational.com/images/articles/b/book_covers/giacometti-book-cover-2011.jpg In Giacometti’s Studio https://www.studiointernational.com/index.php/book-review-the-diary-of-charles-holme-s-1889-visit-to-japan-and-north-america https://www.studiointernational.com/images/articles/h/holmes_cover.jpg The Diary of Charles Holme's 1889 Visit to Japan and North America https://www.studiointernational.com/index.php/book-review-ken-kiff https://www.studiointernational.com/images/articles/k/kiff-ken-2015/kiff_0015gmb.jpg Ken Kiff. Clown (hand coloured), 1996-9. Hand coloured etching. Series of 15 etchings uniquely coloured by the artist. Image: 24.7 x 30.9 cm. https://www.studiointernational.com/images/articles/k/kiff-ken-2015/kiff_0019gmb.jpg Ken Kiff. The Large Tree, 1995. Drypoint, edition of 35. Image: 40.5 x 25.0 cm. https://www.studiointernational.com/images/articles/k/kiff-ken-2015/kiff_0020gmb.jpg Ken Kiff. After Giovanni di Paolo, 1993. Drypoint. Image: 26.0 x 32.3 cm. https://www.studiointernational.com/images/articles/k/kiff-ken-2015/kiff_0021gmb.jpg Ken Kiff. Walking Past Rocks and Flowers, 1996. Drypoint and aquatint, edition of 35. Image: 31.0 x 35.0 cm https://www.studiointernational.com/index.php/the-omnipotent-magician-lancelot-capability-brown-1716-1783 https://www.studiointernational.com/images/articles/k/kimberley-hall-2011/kimberley-hall-b.jpg Kimberley Hall sits in an 18th-century Arcadian landscape designed by Lancelot ‘Capability’ Brown. https://www.studiointernational.com/index.php/book-review-the-lost-vanguard-russian-modernist-architecture-1922-1932 https://www.studiointernational.com/images/articles/l/lost_vanguard_cover.jpg The Lost Vanguard: Russian Modernist Architecture 1922-1932 https://www.studiointernational.com/index.php/the-architecture-of-hope-maggie-s-cancer-caring-centres https://www.studiointernational.com/images/articles/b/book_covers/architectureofhope-cover.jpg The architecture of hope: Maggie’s cancer caring centres, by Charles Jencks and Edwin Heathcote. https://www.studiointernational.com/index.php/elemental-extravagance-the-jewelry-and-metalwork-of-marie-zimmermann https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/1-front-cover-b.jpg Marie Zimmermann. Covered chalices, 1931. Aluminum, painted copper and colored paste, 8 1/2 x 9 1/2 in. (21.6 x 24.1 cm). Carnegie Museum of Art, Pittsburgh, Roy A. Hunt Foundation, by exchange, and Second Century Acquisition Fund (2010.7.1-2). Photo: Gavin Ashworth © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/2-back-cover-b.jpg Marie Zimmermann. Necklace. Gold, shattuckite and coral, 17 in (43.2 cm). The Metropolitan Museum of Art, New York, Gift of Jacqueline Loewe Fowler, 2011 (2011.10.1). Photo: David Cole © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/10-3-b.jpg Marie Zimmermann. Vase on stand, by 1929. Copper vase with iron stand; vase, 9 7/8 x 8 7/8 in. (25 x 22.5 cm). Private collection. Photograph: David Cole © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/12-6-b.jpg Marie Zimmermann. Ring. Gold, enamel and zircon, 1/2 x 1/2 in. (1.3 x 1.3 cm). Private collection. Photograph: David Cole © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/13-6-b.jpg Marie Zimmermann. Ring. Gold, enamel, diamonds, lapis lazuli, and jadeite, nephrite or serpentine, 1 1/4 x 11/16 in. (3.2 x 1.7 cm). Private collection. Photograph: David Cole © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/14-6-b.jpg Marie Zimmermann. Necklace. Gold, enamel, pearls, green tourmalines and red garnets, 17 in (43.2 cm). The Metropolitan Museum of Art, New York, Purchase, Barrie A. and Deedee Wigmore Foundation Gift, 2011 (2011.18). Photograph: David Cole © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/15-6-b.jpg Marie Zimmermann. Dagger and Scabbard, dated 1921. Dagger handle: silver, emerald, pink tourmalines, jade, pink sapphire, ruby, emerald, blue sapphire, citrine, garnet, chrysoberyl, unheated multi-colored corundum. Blade: damascened steel with gold, pink tourmaline, blue sapphire, jade or chrysoprase, garnet, blue sapphire. Scabbard: silver, bone, red velvet, amethyst, lapis lazuli, pink tourmaline or pink sapphire, ruby or garnet, chrysoberyl, emerald, jade. Dagger, 8 1/2 in. (21.6 cm); scabbard, 6 1/8 in (15.6 cm). Private collection. Photograph: David Cole © Svartvik Metalworks, Ltd. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/16-6-b.jpg Marie Zimmermann. Ring, by 1922. Gold, baroque pearl, emeralds, pink sapphires and possibly rubies, 1 x 1 in (2.5 x 2.5 cm). Private collection. Photograph: David Cole © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/17-6-b.jpg Marie Zimmermann. Bracelet. Gold, enamel and sapphires, 4 x 1 1/2 in (10.2 x 3.8 cm). Private collection. Photograph: David Cole © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/18-7-b.jpg Marie Zimmermann. Bowl. Copper, 7 1/4 x 19 1/4 x 9 1/4 in (18.4 x 48.9 x 23.5 cm). Los Angeles County Museum of Art, Gift of American Decorative Art 1900 Foundation in honor of Wendy Kaplan (M.2008.276). © Los Angeles County Museum of Art. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/19-7-b.jpg Marie Zimmermann. Bowl. Copper, 7 1/2 x 11 5/8 x 7 1/4 in. (19.1 x 29.5 x 18.4 cm). Private collection. Photograph: Gavin Ashworth © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/20-7-b.jpg Marie Zimmermann. Vase, model 77. Copper, 10 x 7 1/2 in. (25.4 x 19.1 cm). Private collection. Photograph: Gavin Ashworth © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/21-7-b.jpg Marie Zimmermann. Vase, model 92. Copper, 3 3/4 x 15 1/4 x 7 in (9.5 x 38.7 x 17.8 cm). Private collection. Photograph: Gavin Ashworth © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/marie-zimmermann-2012/23-7-b.jpg Marie Zimmermann. Covered box. Copper and jade, 9 1/2 x 16 1/2 x 8 1/4 in (24.1 x 41.9 x 21 cm). Private collection. Photograph: Gavin Ashworth © American Decorative Art 1900 Foundation. Used by permission. https://www.studiointernational.com/index.php/fashion-s-archeologist-excavates-her-past-mary-mcfadden-a-lifetime-of-design-collecting-and-adventure https://www.studiointernational.com/images/articles/m/mary-mcfadden-2012/marymcfadden_p169-b.jpg Mary McFadden. Playing with techniques in zardossi, embroidery, macram https://www.studiointernational.com/images/articles/m/mary-mcfadden-2012/marymcfadden_p212-b.jpg Designs for Mary McFadden jewels, painted by Dede Shipman. https://www.studiointernational.com/images/articles/m/mary-mcfadden-2012/marymcfadden_p237-b.jpg Mary McFadden in her old New York living room. https://www.studiointernational.com/index.php/book-review-mj-long-artists-studios https://www.studiointernational.com/images/articles/a/artists_studios09/artistsstudios_front_b.jpg Artists' Studios, MJ Long. Black Dog Publishing Ltd, London, 2009. https://www.studiointernational.com/images/articles/a/artists_studios09/002_bookcase-axo_b.jpg MJ Long. Stepped bookcase for RB Kitaj. https://www.studiointernational.com/images/articles/a/artists_studios09/bdp_peterblake01_012_r_b.jpg Sir Colin St John Wilson RA. Glazing sketch for Sir Peter Blake's studio. https://www.studiointernational.com/images/articles/a/artists_studios09/bdp_porthmeor_010_b.jpg Long & Kentish. Drawing of Porthmeor Studios, St Ives. https://www.studiointernational.com/index.php/book-review-new-orleans-1867-photographs-by-theodore-lilienthal https://www.studiointernational.com/images/articles/n/new_orleans.jpg New Orleans 1867 https://www.studiointernational.com/index.php/a-walk-down-one-fashion-magazine-s-memory-lane-nostalgia-in-vogue-2000-2010 https://www.studiointernational.com/images/articles/n/nostalgia-in-vogue-2012/nostalgiainvogue_p033-b.jpg Leonard Bernstein, conductor and composer, wearing a tuxedo, sitting on a group of carpeted boxes. Portraits of people of the https://www.studiointernational.com/images/articles/n/nostalgia-in-vogue-2012/nostalgiainvogue_p042-b.jpg Lisa Fonssagrives-Penn wearing a dress of chiffon petals by Cristóbal Balenciaga. https://www.studiointernational.com/images/articles/n/nostalgia-in-vogue-2012/nostalgiainvogue_p055-b.jpg Cecil Day Lewis, poet, wearing a three-button, checked overcoat, hands in the pockets, with an umbrella. https://www.studiointernational.com/images/articles/n/nostalgia-in-vogue-2012/nostalgiainvogue_p099-b.jpg Close-up profile head shot of writer-lepidopterist Vladimir Nabokov. https://www.studiointernational.com/images/articles/n/nostalgia-in-vogue-2012/nostalgiainvogue_p164-165-b.jpg Regulars at the restaurant, Elaine's, in Manhattan, including, front row left to right: Arthur Kopit, Jack Gelber, George Plimpton and Gay Talese; second row, seated: Willie Morris, Jack Richardson, Elaine Kaufman, Christopher Cerf, David Halberstram; third row: Nicholas Pileggi, Robert Brown, Jean-Pierre Rassam (centre), and Bernard Farber (far right); back row: John Barry Ryan, III, Lewis H. Lapham, Bobby Short, William Styron, and Bruce Jay Friedman https://www.studiointernational.com/images/articles/n/nostalgia-in-vogue-2012/nostalgiainvogue_p188-b.jpg Beverly Johnson cover. https://www.studiointernational.com/images/articles/n/nostalgia-in-vogue-2012/nostalgiainvogue_p216-b.jpg Doberman biting the leg of model Christie Brinkley wearing a metallic high-heeled sandal by Geoffrey Beene. https://www.studiointernational.com/images/articles/n/nostalgia-in-vogue-2012/nostalgiainvogue_p262-b.jpg Irina Pantaeva Makeup Pumps Up – https://www.studiointernational.com/images/articles/n/nostalgia-in-vogue-2012/nostalgiainvogue_p277-b.jpg In his fall collection, John Galliano paid homage to Brassaï's famous subject from the streets of Montmartre, Madame Bijou. Model: Natalia Vodianova. https://www.studiointernational.com/index.php/the-thinking-hand-essential-and-embodied-wisdom-in-architecture https://www.studiointernational.com/images/articles/b/book_covers/the-thinking-hand-cover-a.jpg The Thinking Hand: Essential and Embodied Wisdom in Architecture https://www.studiointernational.com/index.php/peter-porter-1929-2010-an-appreciation-through-an-examination-of-his-collaborative-projects-with-arthur-boyd-1920-1999 https://www.studiointernational.com/images/articles/p/porter-boyd-2010/jonah-a.jpg Jonah https://www.studiointernational.com/images/articles/p/porter-boyd-2010/lady&unicorn-a.jpg The Lady & The Unicorn https://www.studiointernational.com/images/articles/p/porter-boyd-2010/narcissus-a.jpg Narcissus https://www.studiointernational.com/index.php/book-review-an-outline-of-european-architecture-by-nikolaus-pevsner https://www.studiointernational.com/images/articles/b/book_covers/pevsner.jpg An Outline of European Architecture https://www.studiointernational.com/index.php/book-review-photo-art-the-new-world-of-photography https://www.studiointernational.com/images/articles/p/photoart_cover.jpg Photo Art: The New World of Photography https://www.studiointernational.com/index.php/book-review-playing-with-pictures-the-art-of-victorian-photocollage-by-elizabeth-siegel https://www.studiointernational.com/images/articles/b/book_covers/playingwithpicturescover.jpg Playing with pictures https://www.studiointernational.com/index.php/book-review-projects-in-china-architects-von-gerkan-marg-and-partners https://www.studiointernational.com/images/articles/b/book_covers/projects-in-china.jpg Projects in China: Architects Von Gerkan Marg and Partners https://www.studiointernational.com/index.php/book-review-real-baroque--the-baroque-architecture-of-sicily https://www.studiointernational.com/images/articles/r/real_baroque/cristo_b.jpg The campanile of the church of Cristo dell'Olmo at Mazzarino, covered with majolica tiles. Photograph by Melo Minnella https://www.studiointernational.com/images/articles/r/real_baroque/gaspare_b.jpg A Fresco by Gaspare Fumagalli in the Palazzo Bongiorno in Gangi, Palermo. Photograph by Melo Minnella https://www.studiointernational.com/images/articles/r/real_baroque/saverio_b.jpg San Francesco Saverio in Palermo. Photograph by Melo Minnella https://www.studiointernational.com/index.php/book-review-the-revision-of-the-modern-seeking-the-real-narrative https://www.studiointernational.com/images/articles/b/book_covers/lightairopenness_b.jpg Light, air and openness: modern architecture between the wars, Paul Overy. London: Thames & Hudson, 2007. https://www.studiointernational.com/index.php/book-review-gerhard-richter-paintings-from-private-collections https://www.studiointernational.com/images/articles/g/gerhard_richter_cover.jpg Gerhard Richter Paintings from private collections https://www.studiointernational.com/index.php/book-review-ettore-sottsass-architect-designer https://www.studiointernational.com/images/articles/s/sottsass-2006/ettore-sottsass-architect-and-designer.jpg Ettore Sottsass: Architect & Designer. Ronald T Labaco. London & New York: Merrell, 2006. https://www.studiointernational.com/index.php/book-review-tarkovsky-russian-film-maker https://www.studiointernational.com/images/articles/t/tarkovsky/tar077_b.jpg Still from Ivan's Childhood. 1962. https://www.studiointernational.com/images/articles/t/tarkovsky/0042713_b.jpg Still from Solaris. Natalya Bondarchuk as Hari and Donatas Banionis as Kris Kelvin. 1972. https://www.studiointernational.com/images/articles/t/tarkovsky/tar090mirror_b.jpg Still from Mirror. Little Andrey in his father's house. 1974. https://www.studiointernational.com/images/articles/t/tarkovsky/stalker-28_b.jpg Still from Stalker. 1979. https://www.studiointernational.com/images/articles/t/tarkovsky/tar007_b.jpg Still from Nostalghia. 1983. https://www.studiointernational.com/images/articles/t/tarkovsky/tar088_b.jpg Still from The Sacrifice. 1986. https://www.studiointernational.com/index.php/isabel-toledo-fashion-from-the-inside-out-book-review https://www.studiointernational.com/images/articles/t/toledo/toledo_0924_b.jpg Isabel Toledo. Wave Dresses, Spring/Summer 2006. Eggplant and charcoal silk taffeta. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_1061_b.jpg Isabel Toledo. Convertible Lettuce dress, Spring/Summer 2003. Coral pink silk crepe gazar. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_1100_b.jpg Isabel Toledo. Woodgrain dress and jacket, Spring/Summer 2008. Black and white silk moiré ikat. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_1139_b.jpg Isabel Toledo. Butterfly Wingspan jacket, Spring/Summer 2006. Caramel lace, black chiffon, and silk tulle trim. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_18_b.jpg Isabel Toledo. Armor trench coat, Fall/Winter 2004–5. Silver and black acetate and silk. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_25_b.jpg Isabel Toledo. Diamond Draped Bodice Dresses, finished and unfinished, Fall 2005. White rayon jersey. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_28_b.jpg Isabel Toledo. (Left) Hermaphrodite Dress, circa 2005. Garnet silk taffeta. (Right) Cocoon Sleeve Gown, Spring/Summer 1998. Taupe silk taffeta. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_37_b.jpg Isabel Toledo. Cornflower top and Tulip skirt, Fall/Winter 1998–1999. Black silk velvet. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_50_b.jpg Isabel Toledo. Pie Coat, Spring/Summer 1995. Striped cotton denim. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_52_b.jpg Isabel Toledo. Apron Dress, Spring/Summer 1997. Purple, azure blue ombré silk chiffon. Photograph by William Palmer. https://www.studiointernational.com/images/articles/t/toledo/toledo_obama_01_b.jpg Isabel Toledo. Lent by First Lady Michelle Obama. Photographs by Irving Solero, © The Museum at the Fashion Institute of Technology, New York. https://www.studiointernational.com/index.php/book-review-trevor-dannatt-works-and-words https://www.studiointernational.com/images/articles/b/book_covers/trevor_dannatt.jpg Trevor Dannatt: works and words https://www.studiointernational.com/index.php/book-review-unconcealed-the-international-network-of-conceptual-artists-1967-77-dealers-exhibitions-and-public-collections https://www.studiointernational.com/images/articles/b/book_covers/unconcealed_final_cover_front.jpg Unconcealed The International Network of Conceptual Artists 1967–77: Dealers, Exhibitions and Public Collections https://www.studiointernational.com/index.php/book-review-california-video-artists-and-histories https://www.studiointernational.com/images/articles/c/california_video.jpg California Video: Artists and Histories https://www.studiointernational.com/index.php/book-review-maker-of-dreams-the-mother-of-them-all-madeleine-vionnet-edited-by-pamela-golbin https://www.studiointernational.com/images/articles/v/vionnet10/madeleinevionnet_pg018_no07_b.jpg Madeleine Vionnet. https://www.studiointernational.com/images/articles/v/vionnet10/madeleinevionnet_pg053_b.jpg Photo https://www.studiointernational.com/images/articles/v/vionnet10/madeleinevionnet_pg105_no3_b.jpg Photo https://www.studiointernational.com/images/articles/v/vionnet10/madeleinevionnet_pg189_no09_b.jpg Photo https://www.studiointernational.com/images/articles/v/vionnet10/madeleinevionnet_pg193_no26_b.jpg Photo https://www.studiointernational.com/images/articles/v/vionnet10/madeleinevionnet_pg211_no01_b.jpg Photo https://www.studiointernational.com/images/articles/v/vionnet10/madeleinevionnet_pg264_no14_b.jpg Photo https://www.studiointernational.com/index.php/the-43-uses-of-drawing https://www.studiointernational.com/images/articles/4/43-uses-of-drawing-2011/sergio-cittolin-press-b.jpg Sergio Cittolin. Data Acquisition Machine, 2009. Pen, ink and digital processes, 41 x 44 cm. © CERN physicist Sergio Cittolin. https://www.studiointernational.com/images/articles/4/43-uses-of-drawing-2011/tony-maidment-engraving-for-500-sum-bank-note-uzbekistan,-(back)-b.jpg Tony Maidment. Engraving for 500 Sum bank note Uzbekistan (back). Engraving on paper, 21 x 30 cm. © Tony Maidment. https://www.studiointernational.com/images/articles/4/43-uses-of-drawing-2011/morgan-o-hara-gregson-elect-cellist-b.jpg Morgan O’Hara. LIVE TRANSMISSION: movement of Peter Gregson performing on electronic cello, 2010. Graphite on Bristol paper, 65.5 x 81 cm. © Morgan O’Hara. https://www.studiointernational.com/images/articles/4/43-uses-of-drawing-2011/tony-maidment-pencil-sketch-for-500-sum-bank-note-uzbekistan,-(back)-b.jpg Tony Maidment. Pencil sketch for 500 Sum bank note Uzbekistan, (back). Pencil on paper, 20 x 26 cm. © Tony Maidment. https://www.studiointernational.com/index.php/arc-i-draw-for-you https://www.studiointernational.com/images/articles/a/arc/wr3g8238_b.jpg ARC: I Draw for You, Drawn Together (Maryclare Foá, Jane Grisewood, Birgitta Hosea and Carali McCall). https://www.studiointernational.com/index.php/alan-davie-works-on-paper https://www.studiointernational.com/images/articles/a/alan-davie-2012/alan-davie-drawings-b.jpg Alan Davie. Works on paper. © Alan Davie, courtesy Gimpel Fils. https://www.studiointernational.com/images/articles/a/alan-davie-2012/alan-davie-drawings-detail-b.jpg Alan Davie. Works on paper (detail). © Alan Davie, courtesy Gimpel Fils. https://www.studiointernational.com/index.php/artists-laboratory-02-stephen-farthing-ra https://www.studiointernational.com/images/articles/a/artists-laboratory-2010/stephen-farthing-boucher-the-back-story-2-b.jpg . https://www.studiointernational.com/images/articles/a/artists-laboratory-2010/stephen-farthing_1-b.jpg . https://www.studiointernational.com/images/articles/a/artists-laboratory-2010/stephen-farthing_3-b.jpg . https://www.studiointernational.com/index.php/conceptual-drawing-recent-work-by-bernhard-sachs-mike-parr-greg-creek-and-janenne-eaton https://www.studiointernational.com/images/articles/c/conceptual_drawing10/egg2_b.jpg Bernhard Sachs. Untitled, 2004. Acrylic and charcoal on cotton, 150 x 300 cm. Photo Julie Davies. https://www.studiointernational.com/images/articles/c/conceptual_drawing10/bernhard-sachs-08_b.jpg Bernhard Sachs. Installation view. Unseen: Studium. Fragments from Projects, 1977–2009. Melbourne Art Rooms, Melbourne, 2009. Photo: James Widdowson. https://www.studiointernational.com/images/articles/c/conceptual_drawing10/polish-game3_b.jpg Bernhard Sachs. Installation view. (Reconstruction of) The Polish Game, Ocular Lab, Melbourne, 2004. Photo: Julie Davies. https://www.studiointernational.com/images/articles/c/conceptual_drawing10/polish-game5_b.jpg Bernhard Sachs. Installation view 2. (Reconstruction of) The Polish Game, Ocular Lab, Melbourne, 2004. Photo: Julie Davies. https://www.studiointernational.com/images/articles/c/conceptual_drawing10/parr_1453_b.jpg Mike Parr. 100 Breaths, 1992. Performance, 100 self portraits on A4 sheets of copper. Exhibited by breathing each sheet directly onto his face. https://www.studiointernational.com/images/articles/c/conceptual_drawing10/parr_1454_b.jpg Mike Parr. 100 Breaths, 1992. Performance, 100 self portraits on A4 sheets of copper. Exhibited by breathing each sheet directly onto his face. https://www.studiointernational.com/images/articles/c/conceptual_drawing10/parr_1455_b.jpg Mike Parr. 100 Breaths, 1992. Performance, 100 self portraits on A4 sheets of copper. Exhibited by breathing each sheet directly onto his face. https://www.studiointernational.com/images/articles/c/conceptual_drawing10/creek-party-machine3_b.jpg Greg Creek. Greg Creek. Manifesto Drawing (4th Party Machine). https://www.studiointernational.com/images/articles/c/conceptual_drawing10/eaton_08_702_b.jpg Janenne Eaton. The Avenue of Honour – anatomy of a monument (detail), 1995. Rice paper, graphite, linen. 208 x 32 cm. https://www.studiointernational.com/images/articles/c/conceptual_drawing10/eaton_08_703_b.jpg Janenne Eaton. The Avenue of Honour – anatomy of a monument (verso of PTE Murdoch frottage), 1995. Rice paper, graphite, linen, Prisma Colour pencil, 208 x 32 cm.     https://www.studiointernational.com/index.php/drawn-identities-pepsi--shakers-and-tattoos https://www.studiointernational.com/images/articles/d/drawn-identities10/moko-drawing-b.jpg Pen and ink drawing by Prof Stephen Farthing RA, made from an early 19th century pen and ink drawing of Kona Kona’s facial tattoos by J Tooi, which is held in Auckland City Library. https://www.studiointernational.com/index.php/morgan-o-hara-live-transmissions-from-the-english-national-ballet https://www.studiointernational.com/images/articles/m/morgan-ohara-2012/morgan-ohara-2-b.jpg Morgan O’Hara. Gallery view at the Centre for Recent Drawing, London. https://www.studiointernational.com/images/articles/m/morgan-ohara-2012/morgan-ohara-b.jpg Morgan O’Hara. Gallery view (2) at the Centre for Recent Drawing, London. © Morgan O’Hara. https://www.studiointernational.com/index.php/china-the-three-emperors-1662-1795 https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/akey76_b.jpg Giuseppe Castiglione (Chinese name Lang Shining, 1688-1766). Pine, Hawk and Glossy Ganoderma, 1724. Hanging scroll, colour on silk. 242.3 x 157.1 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/bkey_1_b.jpg Anonymous court artists. Portrait of the Kangxi Emperor in Court Dress, late Kangxi period (1662-1722). Hanging scroll, colour on silk. 278.5 x 143 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/ekey_175j_b.jpg Anonymous court artists. From Twelve Beauties at Leisure Painted for Prince Yinzhen, the Future Yongzheng Emperor, late Kangxi period (between 1709 and 1723). One of a set of twelve screen paintings, ink and colour on silk. 184 x 98 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/fkey_176h_b.jpg Anonymous court artists. From Album of the Yongzheng Emperor in Costumes, Yongzheng period (1723-35). One of 14 album leaves, colour on silk. 34.9 x 31 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/hkey_187_b.jpg Giuseppe Castiglione (Chinese name Lang Shining, 1688-1766). Spring's Peaceful Message, c. 1736. Hanging scroll (originally a tieluo painting), ink and colour on silk. 68.8 x 40.6 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/ikey_200_b.jpg Decorative flattened flask (bianhu) in the shape of an ancient bronze, Qianlong period, 1736-95. Copper decorated with cloisonn https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/mkey_26_b.jpg Giuseppe Castiglione (Chinese name Lang Shining, 1688-1766) and others. The Qianlong Emperor Hunting Hare, 1755. Hanging scroll, colour on silk. 115.5 x 181.4 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/okey_311_b.jpg Bowl painted with orchids, longevity fungus (lingzhi) and rocks, with a poetic inscription and seals, Yongzheng period 1723-35. Porcelain with overglaze enamels. Height 5.5 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/pkey_302_b.jpg Teapot and cover, Yongzheng period 1723-35, Jingdezhen, Jiangxi Province. Porcelain with monochrome celadon glaze. Height 12.2 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/skey_341e_b.jpg Wang Shimin (1592-1680) From Scenes Described in Poems of Du Fu, 1666. One of twelve album leaves, ink and colour on paper. 38.8 x 25.6 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/ukey_393_b.jpg James Cox (d.c.1791) Clock in the shape of a crane carrying a pavilion on its back, 18th century. Gilt bronze and coloured stones. Height 40 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/wkey_429_b.jpg Vase with butterflies and flowering peach branches, Yongzheng period 1723-35 Jingdezhen, Jiangxi Province Porcelain with famille-rose enamels. Height 38 cm. The Palace Museum, Beijing. https://www.studiointernational.com/images/articles/r/ra_three_emperors/../ra_three_emperors/ykey_57_b.jpg Ceremonial costume for an imperial lama: collar, sleeves, skirt and beaded apron, eighteenth century. Embroidered silk and stained ivory, skirt 96 x 80 cm, sleeve length 58 cm. The Palace Museum, Beijing. https://www.studiointernational.com/index.php/royal-academicians-in-china-2003-2005 https://www.studiointernational.com/images/articles/r/ra_academicians/bellany-self-portrait_b.jpg John Bellany, Self Portrait In Tuxedo, Shanghai, 2005, 152cm X 90cms, Oil on canvas. Photo courtesy of the Artist. https://www.studiointernational.com/images/articles/r/ra_academicians/huxley-geng_b.jpg Paul Huxley, Geng, 2004. 173 x 173cm, Acrylic on canvas. Image courtesy of The Red Mansion Foundation. https://www.studiointernational.com/images/articles/r/ra_academicians/jones-attendant-1_b.jpg Allen Jones, Attendant, 2005. 197 cm, Sculpture. Image courtesy of The Red Mansion Foundation. https://www.studiointernational.com/images/articles/r/ra_academicians/mach-chairman-mao_b.jpg David Mach, Chairman Mao, 2004. 183 x 183 cm Collage. Image Courtesy of The Red Mansion Foundation. https://www.studiointernational.com/images/articles/r/ra_academicians/mach-chinese-lady_b.jpg David Mach, Chinese Lady, 2004. 193 X 193 cm Collage. Image courtesy of The Red Mansion Foundation. https://www.studiointernational.com/images/articles/r/ra_academicians/mckeever-templepainting27_b.jpg Ian McKeever, Temple Painting (2004), 270x400 cm, Acrylic And Oil On Canvas. Image courtesy of The Red Mansion Foundation. https://www.studiointernational.com/images/articles/r/ra_academicians/orr-shanghaiboogeywoogey1_b.jpg Chris Orr, Shanghai Boogey Woogey (3 Panels), 2004 201 X 100 cm, Ink Drawing. Image courtesy of The Red Mansion Foundation. https://www.studiointernational.com/images/articles/r/ra_academicians/orr-shanghaiboogeywoogey2_b.jpg Chris Orr, Shanghai Boogey Woogey (3 Panels), 2004 201 X 100 cm, Ink Drawing. Image courtesy of The Red Mansion Foundation. https://www.studiointernational.com/images/articles/r/ra_academicians/orr-shanghaiboogeywoogey3_b.jpg Chris Orr, Shanghai Boogey Woogey (3 Panels), 2004 201 X 100 cm, Ink Drawing. Image courtesy of The Red Mansion Foundation. https://www.studiointernational.com/index.php/v-amp-a-at-dundee-making-it-happen https://www.studiointernational.com/images/articles/v/vanda_dundee/dundee-masterplan_b.jpg Dundee Waterfront. Masterplan view. https://www.studiointernational.com/images/articles/v/vanda_dundee/dundee-waterfront-aerial_b.jpg Dundee Waterfront. Existing aerial view. https://www.studiointernational.com/images/articles/v/vanda_dundee/djcad-claire-redford_b.jpg Claire Redford, BDes Textiles. Duncan of Jordanstone College of Art & Design students (DJCAD). https://www.studiointernational.com/images/articles/v/vanda_dundee/djcad-lucy-allan-image_b.jpg Lucy Allan, BDes Jewellery. Duncan of Jordanstone College of Art & Design students (DJCAD). https://www.studiointernational.com/images/articles/v/vanda_dundee/pugh-v&a-fashion_b.jpg Gareth Pugh, part of the Fashion in Motion series, V&A South Kensington, London. https://www.studiointernational.com/index.php/joseph-beuys-collection-museum-schloss-moyland https://www.studiointernational.com/images/articles/b/beuys06/moyland03_b.jpg Museum Schloss Moyland, Bedburg-Hau, Germany. Photo: Giles Sutherland, 2006. https://www.studiointernational.com/images/articles/b/beuys06/moyland01_b.jpg Museum Schloss Moyland, Bedburg-Hau, Germany. Photo: Giles Sutherland, 2006. https://www.studiointernational.com/images/articles/b/beuys06/moyland02_b.jpg Museum Schloss Moyland, Bedburg-Hau, Germany. Photo: Giles Sutherland, 2006. https://www.studiointernational.com/index.php/return-of-the-buddha-the-qingzhou-discoveries https://www.studiointernational.com/images/articles/b/buddha/head_buddah3b.jpg Head of a Buddha, Northern Qi 550-577. Limestone, 23.5 x 0 cm. Qingzhou Municipal Museum, Shandong Province. Photo © The State Administration of Cultural Heritage, People's Republic of China https://www.studiointernational.com/images/articles/b/buddha/buddahb.jpg Seated Buddha, Northern Qi 550-577. Limestone. 64 x 40 x 35 cm. Qingzhou Municipal Museum, Shandong Province. Photo © The State Administration of Cultural Heritage, People's Republic of China https://www.studiointernational.com/images/articles/b/buddha/standing_buddah1b.jpg Standing Buddha, Northern Qi 550-577. Limestone, 150 x 45 x 25 cm. Qingzhou Municipal Museum, Shandong Province. Photo © The State Administration of Cultural Heritage, People's Republic of China https://www.studiointernational.com/images/articles/b/buddha/triadb.jpg Triad with mandorla, Late Northern Wei dynasty (386-534). Limestone, 113 x 95.5 x 30 cm. Qingzhou Municipal Museum, Shandong Province. Photo © The State Administration of Cultural Heritage, People's Republic of China https://www.studiointernational.com/index.php/beijing-s-new-arts-centre-the-capital-museum https://www.studiointernational.com/images/articles/c/capital_museum/1b.jpg 'Selected works of ancient calligraphy' exhibition located at the 3rd floor of the Elliptic Hall. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/2b.jpg Section of the exhibition of 'Ancient Capital: chapter on the history and culture of Beijing'. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/3b.jpg The Grand Hall inside the museum, with an area of 2,000 square metres and a height of 34 metres. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/4b.jpg The old Capital Museum inside the Confucious Temple. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/5b.jpg The Capital Museum (the main entrance side). Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/6b.jpg A visitor using the very popular multimedia facility inside the museum. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/7b.jpg The north-east corner of the museum, the elliptic exhibition hall. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/8b.jpg Section of exhibition of 'Ancient Capital: chapter on the history and culture of Beijing' (on the left is the chart of events happening outside China). Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/9b.jpg Reconstruction of a 'Hutong Residence' scene in the exhibition 'Stories of the Capital City – Old Beijing Folk-customs Exhibition'. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/10b.jpg 'Selected Works of Ancient Porcelain Art' exhibition located at the 4th floor of the Rectangular Hall. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/11b.jpg 'Selected works of ancient Buddhist Statues' exhibition located at the 4th floor of the Rectangular Hall. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/12b.jpg The rectangular exhibition hall inside the museum (far end), opposite the elliptic exhibition hall. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/13b.jpg Reconstruction of a river harbour inside the city in the exhibition of 'Ancient Capital: chapter on the history and culture of Beijing'. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/14b.jpg Reconstruction of a Peking opera performing platform. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/images/articles/c/capital_museum/15b.jpg 'Selected works of bronze art in the Beijing Area' exhibition located at the 4th floor of the Elliptic Hall. Courtesy of the Capital Museum, Beijing. https://www.studiointernational.com/index.php/the-chichu-art-museum https://www.studiointernational.com/images/articles/c/chichu_museum/chichu_ext_b.jpg Museum Exterior View, Chichu Art Museum, Naoshima, Kagawa, Japan https://www.studiointernational.com/images/articles/c/chichu_museum/chichu_entrance_b.jpg Museum Entrance, Chichu Art Museum, Naoshima, Kagawa, Japan https://www.studiointernational.com/images/articles/c/chichu_museum/chichu_court1_b.jpg Courtyard, Chichu Art Museum, Naoshima, Kagawa, Japan https://www.studiointernational.com/images/articles/c/chichu_museum/chichu_de_maria_b.jpg De Maria Gallery, Chichu Art Museum, Naoshima, Kagawa, Japan https://www.studiointernational.com/images/articles/c/chichu_museum/chichu_monet_b.jpg Monet Gallery, Chichu Art Museum, Naoshima, Kagawa, Japan https://www.studiointernational.com/index.php/interview-with-david-elliott-director-of-mori-art-museum-tokyo https://www.studiointernational.com/images/articles/m/mori/david-elliott_b.jpg British director of the Mori Art Museum, David Elliott https://www.studiointernational.com/images/articles/m/mori_museum/ito_b.jpg Ripple chair, by Toyo Ito, commissioned by the Mori to be installed outside the museum https://www.studiointernational.com/images/articles/m/mori_museum/cone_b.jpg The Mori Art Museum entrance cone https://www.studiointernational.com/images/articles/m/mori_museum/yoshioka_b.jpg Chairs that disappear on a rainy day, by Tokujin Yoshioka, commissioned by the Mori to be installed outside the museum https://www.studiointernational.com/images/articles/m/mori_museum/cai_guo_qiang_b.jpg High mountain flowing water, by Cai Guo-Qiang, commissioned by the Mori to be installed outside the museum https://www.studiointernational.com/index.php/modern-moma https://www.studiointernational.com/images/articles/m/moma_reopen_b/moma_b.jpg MoMA, view from 54th Street https://www.studiointernational.com/images/articles/m/moma_reopen_b/moma_garden_b.jpg MoMA, view from the Sculpture Garden https://www.studiointernational.com/images/articles/m/moma_reopen_b/moma_street_b.jpg MoMA, view from 53rd Street https://www.studiointernational.com/images/articles/m/moma_reopen_b/moma_street2_b.jpg MoMA, 53rd Street entrance https://www.studiointernational.com/images/articles/m/moma_reopen_b/moma_street3_b.jpg MoMA, view from 53rd Street https://www.studiointernational.com/index.php/mori-art-museum-tokyo https://www.studiointernational.com/images/articles/m/mori/david-elliott_b.jpg British director of the Mori Art Museum, David Elliott https://www.studiointernational.com/index.php/the-museum-of-the-mind-art-and-memory-in-world-cultures https://www.studiointernational.com/images/articles/m/museum_of_the_mind/mm043089_b.jpg Wood figure (nkisi). From Kongo, Democratic Republic of Congo, late 19th century © British Museum https://www.studiointernational.com/images/articles/m/museum_of_the_mind/mm043091_b.jpg Hide puppet of Mahatma Gandhi. From India, late 20th century © British Museum https://www.studiointernational.com/images/articles/m/museum_of_the_mind/mm043625_b.jpg Papier mache figure of La Caterina from the Day of the Dead festival. From Mexico City by the Linares family, 1980s. © British Museum https://www.studiointernational.com/images/articles/m/museum_of_the_mind/ps358147_b.jpg Wax death mask of Oliver Cromwell. From Britain, c.1658-1753. © British Museum https://www.studiointernational.com/index.php/the-national-museum-of-the-american-indian https://www.studiointernational.com/images/articles/n/nmai/nmai1_b.jpg National Museum of the American Indian (Exterior) https://www.studiointernational.com/images/articles/n/nmai/iroquois_b.jpg Buffalo Creek Dancers (Iroquois) https://www.studiointernational.com/images/articles/n/nmai/hawaiian_b.jpg Hâlau O Kekuhi (Native Hawaiian) https://www.studiointernational.com/images/articles/n/nmai/allanhouser2_b.jpg Works by Allan Houser (Warm Springs, Chiricahua Apache, 1914-1994) https://www.studiointernational.com/images/articles/n/nmai/nabajonative_b.jpg Diné Tah Nabajo Dancers https://www.studiointernational.com/images/articles/n/nmai/nmai2_b.jpg National Museum of the American Indian (Exterior) https://www.studiointernational.com/images/articles/n/nmai/native_peruvian_b.jpg Ccanto Scissor Dancers (Quechua) - Peru https://www.studiointernational.com/images/articles/n/nmai/nmai6_b.jpg National Museum of the American Indian (Interior) https://www.studiointernational.com/images/articles/n/nmai/scissor2_b.jpg Ccanto Scissor Dancers (Quechua) - Peru https://www.studiointernational.com/index.php/chantal-akerman https://www.studiointernational.com/images/articles/a/akerman/2b.jpg Chantal Akerman, Installation; To Walk Next to One https://www.studiointernational.com/images/articles/a/akerman/3b.jpg Chantal Akerman, Women from Antwerp in November (Femmes d https://www.studiointernational.com/images/articles/a/akerman/1b.jpg Chantal Akerman, To Walk Next to One's Shoelaces in an Empty Fridge, 2004. © the Artist. Courtesy Marian Goodman Gallery, New York/Paris. https://www.studiointernational.com/index.php/beneath-the-surface-toby-ross-southall-and-giorgio-bruni https://www.studiointernational.com/images/articles/b/beneath-the-surface-2010/toby-ross-southall-being-silent-isnt-strong4-2010-b.jpg Toby Ross-Southall. Self-Effacement II (Bonny Street) (Installation View), 2010. DVD loop, projection, corrugated iron shutter, dimensions variable. © the artist. https://www.studiointernational.com/images/articles/b/beneath-the-surface-2010/giorgio-bruni-and-what-2010-b.jpg Giorgio Bruni. And What?, 2010. DVD loop, TVs, projection, wood, corrugated iron, dimensions variable. © the artist. https://www.studiointernational.com/images/articles/b/beneath-the-surface-2010/giorgio-bruni-and-what-inner-2010-b.jpg Giorgio Bruni. And What? (inner view), 2010. DVD loop, TVs, projection, wood, corrugated iron, dimensions variable. © the artist. https://www.studiointernational.com/images/articles/b/beneath-the-surface-2010/toby-ross-southall-empirical-provocations2-2010-b.jpg Toby Ross-Southall. Empirical Provocations, (Installation View 2), 2010. 144 slides, slide projectors, chain, rear projection PVC screen mounted in box frame, dimensions variable. © the artist. https://www.studiointernational.com/images/articles/b/beneath-the-surface-2010/toby-ross-southall-being-silent-isnt-strong-2010-b.jpg Toby Ross-Southall. Being Silent Isn't Strong (Installation View), 2010. DVD loop,  chain, wood, TVs, mirror, dimensions variable. © the artist. https://www.studiointernational.com/images/articles/b/beneath-the-surface-2010/toby-ross-southall-being-silent-isnt-strong2-2010-b.jpg Toby Ross-Southall. Being Silent Isn't Strong (Installation View 2), 2010. DVD loop,  chain, wood, TVs, mirror, dimensions variable. © the artist. https://www.studiointernational.com/images/articles/b/beneath-the-surface-2010/toby-ross-southall-being-silent-isnt-strong3-2010-b.jpg Toby Ross-Southall. Being Silent Isn't Strong and Self-Effacement II (Bonny Street) (Installation View), 2010. © the artist. https://www.studiointernational.com/images/articles/b/beneath-the-surface-2010/giorgio-bruni-and-what-rear-2010-b.jpg Giorgio Bruni. And What? (rear view), 2010. DVD loop, TVs, projection, wood, corrugated iron, dimensions variable. © the artist. https://www.studiointernational.com/index.php/bill-viola-the-quintet-of-the-unseen https://www.studiointernational.com/images/articles/b/bill-viola-2011/bill-viola-the-quintet-of-the-unseen-b.jpg Bill Viola. The Quintet of the Unseen, 2000 (production still). Video installation, colour video rear projection on screen mounted on wall. Projected image size: 140 x 240 cm. Photo: Kira Perov. https://www.studiointernational.com/index.php/accountancy-as-terrorism-christie-malry-s-own-double-entry https://www.studiointernational.com/images/articles/c/christiemalry/cm_01.jpg Christie Malry's Own Double Entry https://www.studiointernational.com/images/articles/c/christiemalry/cm_02.jpg Christie Malry's Own Double Entry https://www.studiointernational.com/images/articles/c/christiemalry/cm_03.jpg Christie Malry's Own Double Entry https://www.studiointernational.com/index.php/bill-viola-the-passions https://www.studiointernational.com/images/articles/v/viola_passions/bill_viola_w014_b.jpg Bill Viola, The Quintet of the Astonished, 2000. Colour video rear projection on screen mounted on wall in dark room. Projected image size: 140 x 240 cm. Bill Viola Studio, Long Beach, CA © Bill Viola. Photo: Kira Perov https://www.studiointernational.com/images/articles/v/viola_passions/bill_viola_n4744_b.jpg Christ Mocked (The Crowning with Thorns), Hieronymus Bosch about 1490-1500. Oil 73.8 x 59.2 x 2 cm. The National Gallery, London © The National Gallery, London https://www.studiointernational.com/index.php/they-called-me-mayer-july-painted-memories-of-a-jewish-childhood-in-poland-before-the-holocaust https://www.studiointernational.com/images/articles/m/mayer/19-mayer-kirshenblatt_b.jpg Barbara Kirshenblatt-Gimblett and Mayer Kirshenblatt. Photo by Frédéric Brenner. Courtesy of the Judah L. Magnes Museum. https://www.studiointernational.com/images/articles/m/mayer/02-map-of-opatow_b.jpg Mayer Kirshenblatt. Map of Opatów/Apt, n.d.. Pencil on paper. Collection of the artist. Courtesy of the Judah L. Magnes Museum. © 2009 Mayer Kirshenblatt. https://www.studiointernational.com/index.php/lucy-stein-creemie-myopic-fables-group-show-purpling https://www.studiointernational.com/images/articles/l/lucy_stein09/creemie-myopic-fables-installation-3_b.jpg Lucy Stein. ‘Creemie Myopic Fables’. Installation. Courtesy the artist and Gimpel Fils. https://www.studiointernational.com/images/articles/l/lucy_stein09/purpling-installation01_b.jpg Lucy Stein. ‘Purpling’, 2009. Installation. Courtesy the artist and Gimpel Fils. https://www.studiointernational.com/index.php/max-beckmann https://www.studiointernational.com/images/articles/b/beckmann/self_portrait_in_tuxedob.jpg Max Beckmann. Self-Portrait in Tuxedo 1927. Oil on canvas, 139.5 x 95.5cm. Courtesy of the Busch-Reisinger Museum, Harvard University Art Museums, Association Fund. Copyright VG BILD-KUNST, Bonn/DACS 2002 https://www.studiointernational.com/images/articles/b/beckmann/carnival_1920b.jpg Max Beckmann. Carnival 1920. Oil on canvas, 186.4 x 91.8cm. Courtesy of Tate with assistance from the National Art Collections Fund and Friends of the Tate Gallery and Mercedes-Benz (UK)Ltd 1981. Copyright DACS 2002 https://www.studiointernational.com/images/articles/b/beckmann/death_1938b.jpg Max Beckmann. Death 1938. Oil on canvas, 121 x 176.5cm. Staatliche Museen zu Berlin, Preussicher Kulturbesitz Nationalgalerie. Photo credit: Jürg P. Anders, Berlin. Copyright VG BILD-KUNST, Bonn/DACS 2002 https://www.studiointernational.com/images/articles/b/beckmann/the_night_1918b.jpg Max Beckmann. The night 1918-19. Oil on canvas, 133 x 154. Courtesy of Kunstammlung Nordrhein-Westfalen, Dusseldorf. Copyright VG BILD-KUNST, Bonn/DACS 2002 https://www.studiointernational.com/index.php/yoshitomo-nara-from-the-depth-of-my-drawer https://www.studiointernational.com/images/articles/n/nara/nara2_b.jpg Yoshitomo Nara. Harmless Kitty, 1994. Acrylic on cotton canvas 150x140cm © 1994 Yoshitomo Nara. Col. olection Tomio Koyama Gallery https://www.studiointernational.com/images/articles/n/nara/nara6_b.jpg Yoshitomo Nara. Amuro Girl, 1997. Acrylic, lacquer on FRP 58x52x34cm © 1997 Yoshitomo Nara. Collection of Aomori Pref. Photo: Hisoka Miyauchi https://www.studiointernational.com/images/articles/n/nara/ynara_b.jpg Portrait of Yoshitomo Nara. Photo: Masako Nagano https://www.studiointernational.com/images/articles/n/nara/nara_1_b.jpg Yoshitomo Nara. Abandoned Puppy, 1995. Acrylic on cotton canvas 120x110cm © 1995 Yoshitomo Nara. Private collection https://www.studiointernational.com/images/articles/n/nara/nara3_b.jpg Yoshitomo Nara. Mr. Sky, 1997. Acrylic, lacquer, cotton on FRP 52x56x29.3cm © 1997 Yoshitomo Nara. Collection of Aomori Pref. Photo: Joshua White https://www.studiointernational.com/images/articles/n/nara/nara4_b.jpg Yoshitomo Nara. Fountain of Life, 2001. FRP lacquer, urethane, motor, water h.175x diam.180cm © 2001 Yoshitomo Nara. Collection of artist. https://www.studiointernational.com/images/articles/n/nara/nara7_b.jpg Yoshitomo Nara. Puffy Girl, 1997. Acrylic, lacquer on FRP 50.8x47x25.4cm © 1997 Yoshitomo Nara. Collection of Aomori Pref. Photo: Hisoka Miyauchi https://www.studiointernational.com/index.php/american-sublime-landscape-painting-in-the-united-states-1820-1880 https://www.studiointernational.com/images/articles/s/sublime-2002/sublime2b.jpg Albert Bierstadt (1830-1902). View of Niagra, 1869, oil on paper. Private collection. Photo: Greg Heins, Boston. https://www.studiointernational.com/images/articles/s/sublime-2002/sublime3b.jpg Frederic Edwin Church. Landscape with Sunset ,c.1860-1870, oil and pencil on thin cream board. Cooper-Hewitt, National Design Museum, Smithsonian Institution, gift of Louis P Church. https://www.studiointernational.com/images/articles/s/sublime-2002/sublime1b.jpg Martin Johnson Heade (1819-1904). Approaching Thunderstorm, 1859, oil on canvas. The Metropolitan Museum of Art, gift of Erving Wolf Foundation and Mr and Mrs Erving Wolf, 1975. ©1992 The Metropolitan Museum of Modern Art. https://www.studiointernational.com/images/articles/s/sublime-2002/sublime4b.jpg John Frederick Kensett (1816-1872). Eaton's Neck, Long Island, 1872, oil on canvas. The Metropolitan Museum of Art, gift of Thomas Kensett. ©1984 The Metropolitan Museum of Art. https://www.studiointernational.com/index.php/mediators-and-messengers-contemporary-art-in-the-landscape https://www.studiointernational.com/images/articles/t/triumph_of_painting/ad100236e_b.jpg Eva ROGERS, Mara/Yukul c. 1929–2002. 'Bush flowers' 1996. Synthetic polymer paint on canvas 94.2 x 58.8 cm. Purchased, 1997 © The artist’s estate, courtesy of Alcaston Gallery, Melbourne https://www.studiointernational.com/images/articles/t/triumph_of_painting/ad100268e_b.jpg Tjuruparu WATSON, Ngaatjatjarra born c. 1935. 'Natjula' 2003. Synthetic polymer paint on canvas 156.0 x 148.0 cm. Purchased, 2003 © Tjuruparu Watson, courtesy of Irrunytju Community Inc. https://www.studiointernational.com/images/articles/t/triumph_of_painting/ad100264e_b.jpg Judy NAPANGARDI WATSON, Warlpiri born c. 1925. 'Mina Mina' 2004. Synthetic polymer paint on canvas 152.0 x 107.0 cm. Purchased with funds donated by Supporters and Patrons of Indigenous Art, 2004 © Judy Napangardi Watson, courtesy of Warlukurlangu Artists, Yuendumu https://www.studiointernational.com/images/articles/k/karel_nel/nel_blindswimmer_b.jpg Karel Nel, Blind Swimmer https://www.studiointernational.com/images/articles/k/karel_nel/nel_seam_b.jpg Karel Nel, Seam, 2002. Red pigment, carboniferous material formed on the Gondwanaland mass before the splitting of the continents, linen/fibre grid. 48 inches high x 95 inches wide, 122 x 242 cm https://www.studiointernational.com/images/articles/k/karel_nel/nel_deep_core_b.jpg Karel Nel, Deep Core, 2002. Bonded fibre fabric, red ochre/brown ochre and black pigment and specularite. 71 inches x 47 inches wide, 181 x 120 cm https://www.studiointernational.com/images/articles/k/karel_nel/nel_potentfields_b.jpg Karel Nel, Potent Fields, 2002. Red and white ochre from the Transkei, South Africa. 122 x 242 cm https://www.studiointernational.com/images/articles/r/richter/2mustangb.jpg Gerhard Richter. Mustang Squadron (Mustang-Staffel). 1964. Oil on canvas, 34 1/2 https://www.studiointernational.com/images/articles/r/richter/5meadowb.jpg Gerhard Richter. Meadowland (Wiesental). 1985. Oil on canvas, 35 5/8 https://www.studiointernational.com/index.php/basquiat https://www.studiointernational.com/images/articles/b/basquait/el30_07_head_b.jpg Jean-Michel Basquiat, Untitled (Head 1981. Acrylic and mixed media on canvas 81 x 69 1/4 in. (205.7 x 175.9 cm). The Eli and Edythe L. Broad Collection, Los Angeles https://www.studiointernational.com/images/articles/b/basquait/artist_b.jpg Brooklyn Museum, Basquiat 1985. Jean-Michel Basquiat. Photo by LIZZIE HIMMEL© https://www.studiointernational.com/images/articles/b/basquait/el30_65_exu_b.jpg Jean-Michel Basquiat, Exu 1988. Acrylic and oil paintstick on canvas 79 x 100 in. (200.7 x 254 cm). Collection Aurélia Navarra https://www.studiointernational.com/images/articles/b/basquait/el30_59_eyes_and_eggs_b.jpg Jean-Michel Basquiat (1960-1988), Eyes and Eggs 1983. Acrylic, oil paintstick, and paper collage on cotton drop cloth 119 x 97 in. (302.3 x 246.4 cm). The Eli and Edythe L. Broad Collection, Los Angeles https://www.studiointernational.com/images/articles/b/basquait/el30_53_3_quarters_of_b.jpg Jean-Michel Basquiat, 3 Quarters of Olympia Minus the Servant 1982. Acrylic, oil paintstick, graphite, and paper collage on canvas mounted on tied wood supports 48 x 44 in. (121.9 x 111.8 cm). The Estate of Jean-Michel Basquiat https://www.studiointernational.com/images/articles/b/basquait/el30_46_boy_and_dog_b.jpg Jean-Michel Basquiat (1960-1988), Boy and Dog in a Johnnypump 1982. Acrylic and oil paintstick, and spray paint on canvas 94 1/2 x 165 1/2 in. (240 x 420.4 cm). Courtesy The Stephanie and Peter Brant Foundation, Greenwich, CT https://www.studiointernational.com/images/articles/b/basquait/el30_44_trumpet_b.jpg Jean-Michel Basquiat (1960-1988), Trumpet 1984. Acrylic and oil paintstick on canvas 60 x 60 in. (152.4 x 152.4 cm). On loan from private collection. Courtesy of the Norton Museum of Art https://www.studiointernational.com/images/articles/b/basquait/el30_43_max_roach_b.jpg Jean-Michel Basquiat, Max Roach 1984. Acrylic and oil paintstick on canvas 60 x 60 in. (152.4 x 152.4 cm) https://www.studiointernational.com/images/articles/b/basquait/el30_41_gold_griot_b.jpg Jean-Michel Basquiat, Gold Griot 1984. Oil and oil paintstick on wood117 x 73 in. (297.2 x 185.4 cm). The Broad Art Foundation, Santa Monica https://www.studiointernational.com/images/articles/b/basquait/el30_40_flexible_b.jpg Jean-Michel Basquiat (1960-1988), Flexible 1984. Acrylic and oil paintstick on wood 102 x 75 in. (259 x 190.5 cm). Estate of Jean-Michel Basquiat https://www.studiointernational.com/images/articles/b/basquait/el30_36_melting_point_b.jpg Jean-Michel Basquiat (1960-1988), Melting Point of Ice 1984. Acrylic, oil paintstick, and silkscreen on canvas 86 x 68 in. (218 x 172.7). The Broad Art Foundation https://www.studiointernational.com/images/articles/b/basquait/el30_28_in_italian_b.jpg Jean-Michel Basquiat (1960-1988), In Italian 1983. Acrylic, oil paintstick, and marker on wood supports. Diptych: 88 1/2 x 80in. (224.8 x 203.2). The Stephanie and Peter Brant Foundation https://www.studiointernational.com/images/articles/b/basquait/el30_17_philistines_b.jpg Jean-Michel Basquiat, Philistines 1982. Acrylic and oil paintstick on canvas 72 x 123 in. (182.9 x 312.4 cm). Collection of Mr. and Mrs. Thomas E. Worrell Jr. https://www.studiointernational.com/images/articles/b/basquait/el30_166_untitled_hea_b.jpg Jean-Michel Basquiat, Untitled (Head of a Madman) 1982. Mixed media on paper mounted on linen 43 x 31 in. (109.2 x 78.7 cm). Collection of Leo Malca https://www.studiointernational.com/images/articles/b/basquait/el30_130_untitled_b.jpg Jean-Michel Basquiat (1960-1988), Untitled 1981. Acrylic, oil, oil paintstick and gold leaf on found window 38 x 34 1/4 x 2 3/16 in. (121.9 x 121.9 cm). Collection of Leo Malca https://www.studiointernational.com/index.php/the-art-of-romare-bearden https://www.studiointernational.com/images/articles/b/bearden/funkingupmylife_b.jpg Romare Bearden, Thank You...§For F.U.M.L. (Funking Up My Life), 1978. Collage of various papers with ink and graphite on fiberboard38.1 x 46.7 cm (15 x 18 3/8). Donald Byrd © Romare Bearden Foundation / Licensed by VAGA, New York, New York https://www.studiointernational.com/index.php/homage-to-michael-spens-the-royal-academy-summer-exhibition-2011 https://www.studiointernational.com/images/articles/b/bellany-spens-2011/bellany-homage-to-michael-spens-b.jpg John Bellany. Homage to Michael Spens, 2011. © John Bellany https://www.studiointernational.com/index.php/david-blackburn-the-sublime-landscape https://www.studiointernational.com/images/articles/b/blackburn/blackburna.jpg David Blackburn. Landscape Vision 37. Pastel on paper 198 x 161 cm. https://www.studiointernational.com/index.php/modern-painters-the-camden-town-group https://www.studiointernational.com/images/articles/c/camden/victoria_b.jpg Charles Ginner. The Sunlit Square, Victoria Station, 1913. Oil on canvas,  870 x 100 x 780 mm. Atkinson Art Gallery, Southport, Sefton M.B.C. © The estate of Charles Ginner https://www.studiointernational.com/index.php/giorgio-de-chirico-and-the-myth-of-ariadne https://www.studiointernational.com/images/articles/d/dechirico/ariadne_b.jpg Giorgio de Chirico. Ariadne, 1913. Oil on canvas 135.6 x 180.3 cm. Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/d/dechirico/metaphysical_interior_b.jpg Giorgio de Chirico. Metaphysical Interior with Factory, 1969. Oil on canvas. 64.5 x 53.5 cm. Fondazione Giorgio e Isa de Chirico, Rome. https://www.studiointernational.com/images/articles/d/dechirico/piazza_d_italia_1961_b.jpg Giorgio de Chirico. Piazza d'Italia, 1961. Oil on canvas 40 x 50.5 cm. Collection of Derek Power, London. https://www.studiointernational.com/images/articles/d/dechirico/piazza_d_italia_1972_b.jpg Giorgio de Chirico. Piazza d'Italia, 1972. Oil on canvas 50 x 40 cm. Private collection. https://www.studiointernational.com/index.php/constable-portraits-the-painter-and-his-circle https://www.studiointernational.com/images/articles/c/constable-npg09/npg_annandmarycons_b.jpg John Constable. Ann and Mary Constable, 1814. Trustees of the Portsmouth Estates. Copyright: Reproduced by permission of the Wallop Family https://www.studiointernational.com/images/articles/c/constable-npg09/npg_johnconstables_b.jpg John Constable. Self-portrait, March 1806. Copyright: Tate, London 2009 https://www.studiointernational.com/images/articles/c/constable-npg09/npg_mariabicknell1_b.jpg John Constable. Maria Bicknell, 1816. Copyright: Tate, London 2009 https://www.studiointernational.com/images/articles/c/constable-npg09/npg_agirlinaredclo_b.jpg John Constable. A Girl in a Red Cloak (Mary Constable), 1809. Copyright: Private Collection https://www.studiointernational.com/images/articles/c/constable-npg09/npg_mrsedwardscirc_b.jpg John Constable. Mrs Edwards, circa 1818. Copyright: Museum of Art, Rhode Island School of Design. Corporate Membership Fund. https://www.studiointernational.com/index.php/art-in-the-making-degas https://www.studiointernational.com/images/articles/d/degas/degas_w09_b.jpg Degas, Hilaire-Germain-Edgar (1834-1917), Combing the Hair ('La Coiffure), about 1896 oil on canvas 114.3 x 146.1 cm. The National Gallery, London inv. NG 4865 © The National Gallery, London https://www.studiointernational.com/images/articles/d/degas/degas_w07_b.jpg Degas, Hilaire-Germain-Edgar (1834-1917), Portrait of Elena Carafa, probably about 1875 oil on canvas 69.8 x 54.6 cm. The National Gallery, London inv. NG 4167 © The National Gallery, London https://www.studiointernational.com/images/articles/d/degas/degas_w06_b.jpg Degas, Hilaire-Germain-Edgar (1834-1917), Miss La La at the Cirque Fernando, 1879 oil on canvas 116.8 x 77.5 cm. The National Gallery, London inv. NG 4121 © The National Gallery, London https://www.studiointernational.com/images/articles/d/degas/degas_w05_b.jpg Degas, Hilaire-Germain-Edgar (1834-1917), Young Spartans Exercising, about 1860 oil on canvas 109.2 x 154.3 cm. The National Gallery, London inv. NG 3860 © The National Gallery, London https://www.studiointernational.com/images/articles/d/degas/degas_w04_b.jpg Degas, Hilaire-Germain-Edgar (1834-1917), Princess Pauline de Metternich, about 1865 oil on canvas 40 x 28.8 cm. The National Gallery, London inv. NG 3337 © The National Gallery, London https://www.studiointernational.com/index.php/exiles-and-emigrants-epic-journeys-to-australia-in-the-victorian-era https://www.studiointernational.com/images/articles/e/exiles/ex1204b.jpg Unknown. Envelope from Victoria to UK, 1st March 1869–69. 6.8 x 12.1 cm (envelope). Private collection, Victoria. https://www.studiointernational.com/index.php/fabric-of-vision-dress-and-drapery-in-painting https://www.studiointernational.com/images/articles/f/fabric/bellb.jpg vanessa Bell. A Conversation c.1913-16. Oil on canvas, 86.6 x 81 cm. Private collection on extended loan to the Courtauld Institute Gallery, London. © 1961 Estate of Vanessa Bell, courtesy Henrietta Garnett. https://www.studiointernational.com/images/articles/f/fabric/boillyb.jpg Louis-Léopold BOILLY. Mme d'Aucourt de Saint-Just, c.1800. Oil on canvas 56 x 46 cm. Musée des Beaux-Arts, Lille. https://www.studiointernational.com/images/articles/f/fabric/corotb.jpg Jean-Baptiste-Camille Corot. The Lady in Blue, 1874. Oil on canvas 80 x 50.5 cm. Musée du Louvre, Paris.. https://www.studiointernational.com/images/articles/f/fabric/daumierb.jpg Honoré-Victorin Daumier. Nymphs pursued by Satyrs, 1850. Oil on canvas, 131.8 x 97.8 cm. Montreal Museum of Fine Arts, Quebec. https://www.studiointernational.com/images/articles/f/fabric/framptonb.jpg Meredith Frampton. Portrait of a Young Woman, 1935. Oil on canvas, 205.7 x 107.9 cm. Tate, London © Tate 2002. https://www.studiointernational.com/images/articles/f/fabric/lehmannb.jpg Henri Lehmann. Portrait of Franz Liszt, 1839. 113 x 86 cm. © Mairie de paris, Phototheque des Musées de la Ville de Paris. https://www.studiointernational.com/images/articles/f/fabric/shermanb.jpg Cindy Sherman. Untitled, 1982. Photograph on paper, 115.2 x 76 cm. © Courtesy of the artist and Metro Pictures, New York. https://www.studiointernational.com/images/articles/f/fabric/tissotb.jpg Henri Tissot. The Ball, c.1878. Oil on canvas, 90.2 x 50.2 cm. https://www.studiointernational.com/index.php/helen-frankenthaler-paintings-on-paper-1949-2002 https://www.studiointernational.com/images/articles/f/frankenthaler/black_sun_b.jpg Helen Frankenthaler. Black Sun Drawing with Red, 1960, oil on paper, 14 x 23 in. Image courtesy of The Royal Scottish Academy. https://www.studiointernational.com/images/articles/f/frankenthaler/contentment_b.jpg Helen Frankenthaler. Contentment Island, 2002, Acrylic on Paper, 74 x 60 in. Image courtesy of The Royal Scottish Academy. https://www.studiointernational.com/images/articles/f/frankenthaler/eve_b.jpg Helen Frankenthaler. Eve, 1995, Acrylic on Paper, 75 x 50 in. Image courtesy of The Royal Scottish Academy. https://www.studiointernational.com/images/articles/f/frankenthaler/flirt_b.jpg Helen Frankenthaler. Flirt, 1995, Acrylic on Paper, 60 x 89 in. Image courtesy of The Royal Scottish Academy. https://www.studiointernational.com/images/articles/f/frankenthaler/sightseers_b.jpg Helen Frankenthaler. The Sightseers, 1951. Mixed Media on Paper, 61 x 67 in. Image courtesy of The Royal Scottish Academy. https://www.studiointernational.com/index.php/gauguin-s-vision https://www.studiointernational.com/images/articles/g/gauguin/vision_after_b.jpg Paul Gauguin (1848-1903). Vision of the Sermon (Jacob Wrestling with the Angel), 1888. Oil on canvas © National Gallery of Scotland. https://www.studiointernational.com/index.php/gerhard-richter-panorama https://www.studiointernational.com/images/articles/r/richter-2011/gerhard-richter-mustang-squadron-1964-b.jpg Gerhard Richter. Mustang Squadron, 1964. (CR 19) Private Collection © Gerhard Richter. https://www.studiointernational.com/images/articles/r/richter-2011/gerhard-richter-aunt-marianne-(tante-marianne)-1965-b.jpg Gerhard Richter. Aunt Marianne (Tante Marianne), 1965. (CR 87) Yageo Foundation, Taiwan © Gerhard Richter. https://www.studiointernational.com/images/articles/r/richter-2011/gerhard-richter-reader-1994-b.jpg Gerhard Richter. Reader, 1994. © Gerhard Richter Courtesy San Francisco Museum of Modern Art. https://www.studiointernational.com/images/articles/r/richter-2011/gerhard-richter-demo-1997-b.jpg Gerhard Richter. Demo, 1997. (CR:848-3) The Rachofsky Collection © Gerhard Richter. https://www.studiointernational.com/images/articles/r/richter-2011/gerhard-richter-september-2005-b.jpg Gerhard Richter. September, 2005. (CR 891-5) The Museum of Modern Art, New York. Gift of the artist and Joe Hage, 2008. © Gerhard Richter. https://www.studiointernational.com/images/articles/r/richter-2011/gerhard-richter-cage-4-2006-b.jpg Gerhard Richter. Cage 4, 2006. (CR:897-4) Tate. Lent from a private collection 2007 © Gerhard Richter. https://www.studiointernational.com/index.php/poet-of-light-vilhelm-hammershoi-the-poetry-of-silence https://www.studiointernational.com/images/articles/h/hammershoi/../hammershoi/key-62_b.jpg Vilhelm Hammershøi. Interior. Young Woman seen from Behind, 1903-04. Oil on canvas, 61 x 50.5 cm. Randers Kunstmuseum. Photo: Niels Erik Hybye. https://www.studiointernational.com/images/articles/h/hammershoi/../hammershoi/key-40_b.jpg Vilhelm Hammershøi. Double Portrait, 1898. Oil on canvas, 72 x 86 cm. ARoS Aarhus Kunstmuseum, Denmark. Photo: Ole Hein Pedersen. https://www.studiointernational.com/images/articles/h/hammershoi/../hammershoi/key-30_b.jpg Vilhelm Hammershøi. From the British Museum. Winter, 1906. Oil on canvas, 51.9 x 45.3 cm. Fuglsang Kunstmuseum, Denmark. Photo: Hans Petersen. https://www.studiointernational.com/images/articles/h/hammershoi/../hammershoi/key-1_b.jpg Vilhelm Hammershøi. Portrait of a Young Woman. The Artist's Sister Anna Hammershoi, 1885. Oil on canvas, 112 x 91.5 cm. The Hirschsprung Collection, Copenhagen. Photo © The Hirschsprung Collection, Copenhagen / DOWIC Fotografi. https://www.studiointernational.com/images/articles/h/hammershoi/../hammershoi/key-63_b.jpg Vilhelm Hammershøi. Interior with Woman at Piano, Strandgade 30, 1901. Oil on canvas, 55.9 x 45.1 cm. Private collection. Photo: Maurice Aeschimann. https://www.studiointernational.com/images/articles/h/hammershoi/../hammershoi/key-75_b.jpg Vilhelm Hammershøi. Sunbeams or Sunshine. Dust Motes Dancing in the Sunbeams, 1900. Oil on canvas, 70 x 59 cm. Ordrupgaard, Copenhagen. Photo: Pernille Klemp. https://www.studiointernational.com/index.php/david-hockney-painting-on-paper https://www.studiointernational.com/images/articles/h/hockney/freudanddawson_b.jpg Lucien Freud and David Dawson 2002. Watercolour on paper (4 sheets) 122 x 91.5 cm. https://www.studiointernational.com/images/articles/h/hockney/fjord_b.jpg Fjord. Kamoyvraer 2002. Watercolour on paper (4 sheets) 91.5 x 122 cm; framed 96.5 x 127.5 cm. https://www.studiointernational.com/images/articles/h/hockney/the_maelstrom_b.jpg The Maelstrom. Bodo 2002. Watercolour on paper (6 sheets) 91.5 x 183cm; framed 96.5 x 188cm. https://www.studiointernational.com/images/articles/h/hockney/the_valley_b.jpg The Valley. Stalheim 2002. Watercolour on paper (6 sheets) 183 x 91.5 cm. https://www.studiointernational.com/index.php/howard-hodgkin-large-paintings-1984-2002 https://www.studiointernational.com/images/articles/h/hodgkin/americana1b.jpg Howard Hodgkin. Americana, 1999-2001. Oil on wood, 91 x 110.5 cm https://www.studiointernational.com/images/articles/h/hodgkin/chezstamos1b.jpg Howard Hodgkin. Chez Stamos, 1998. Oil on wood, 198.1 x 260.4 cm https://www.studiointernational.com/index.php/edward-hopper https://www.studiointernational.com/images/articles/h/hopper/wiliam_bri_b.jpg Williamsburg Bridge 1928. Oil on canvas 73.7 x 109.2 cm.The Metropolitan Museum of Art, George A. Hearn Fund 1937. Photocredit: Copyright 1989 The Metropolitan Museum of Art https://www.studiointernational.com/index.php/the-royal-academy-summer-exhibition-2007 https://www.studiointernational.com/images/articles/i/impressionists_by_the_sea/reynolds_b.jpg Image courtesy of Royal Academy of Arts https://www.studiointernational.com/images/articles/i/impressionists_by_the_sea/hang_b.jpg Image courtesy of Royal Academy of Arts https://www.studiointernational.com/index.php/when-words-are-worth-more-than-pictures https://www.studiointernational.com/images/articles/l/lacma/manuel_arellano_b.jpg Manuel Arellano. Diceño de chichimeco (Rendition of a Chichimeco), 1711. Oil on canvas. Museo de América, Madrid https://www.studiointernational.com/images/articles/l/lacma/juan_rodriguez_juarez_b.jpg Attributed to Juan Rodriguez Juárez. De mulatto y mestiza, produce mulatto es torna atrás (Mulatto and Mestiza Produce a Mulatto Return-Backwards), c. 1715. Oil on canvas. Collection JAPS, Mexico https://www.studiointernational.com/images/articles/l/lacma/jose_de_paez_b.jpg José de Páez. De español y castiza, español. 3. (From Spaniard and Castiza, Spaniard), c. 1770-80. Oil on canvas. Private Collection. Photo: José Ignacio Ganzález Manterola https://www.studiointernational.com/images/articles/l/lacma/de_mulato_y_espanola_b.jpg Anonymous. De mulatto y española, produce morisco. Mulato (Mulatto and Spaniard Produce a Morisco), c. 1780. Oil on copper. Private Collection. Photo: José Ignacio Ganzález Manterola https://www.studiointernational.com/images/articles/l/lacma/de_espanol_y_chamiza_b.jpg Anonymous. De español y chamiza, barcino. El agua. (From Spaniard and Chamizo, Barcino. Water), c. 1770-80. Oil on canvas. Private Collection. Photo: José Ignacio Ganzález Manterola https://www.studiointernational.com/images/articles/l/lacma/de_espanol_y_albina_b.jpg Anonymous. 9. De español y albina, torna atrás (From Spaniard and Albino, Return-Backwards), c. 1760-70. Oil on canvas. Private Collection. Photo: José Ignacio Ganzález Manterola https://www.studiointernational.com/index.php/past-things-and-present-jasper-johns-since-1983 https://www.studiointernational.com/images/articles/j/jasper_johns/untitled_2000_b.jpg Jasper JOHNS, Untitled 2000. Linocut on paper 22" x 17". Collection Walker Art Center, Minneapolis © Jasper Johns/Licensed by VAGA, New York, NY https://www.studiointernational.com/images/articles/j/jasper_johns/ventriloquist_1983_b.jpg Jasper JOHNS, Ventriloquist, 1983. Encaustic on canvas 75 x 50 in. Collection the Museum of Fine Arts, Houston © Jasper Johns/Licensed by VAGA, New York, NY https://www.studiointernational.com/images/articles/j/jasper_johns/untitled_1992_etching_b.jpg Jasper JOHNS, Untitled 1992. Etching, aquatint on paper 43 https://www.studiointernational.com/images/articles/j/jasper_johns/green_angel_b.jpg Jasper JOHNS, Green Angel 1990. Encaustic, sand on canvas 75 1/8 x 50 3/16 x 1 1/4 https://www.studiointernational.com/images/articles/j/jasper_johns/face_with_watch_b.jpg Jasper JOHNS, Face with Watch 1996. Intaglio on paper 42 x 31 7/8 https://www.studiointernational.com/index.php/jerwood-contemporary-painters https://www.studiointernational.com/images/articles/j/jerwoodprize10/clements-neil-58_1-b.jpg Neil Clements. https://www.studiointernational.com/images/articles/j/jerwoodprize10/gertz-lotte-untitled(distortion-of-good-taste)_4-b.jpg Lotte Gertz. Untitled (distortion of good taste), 2009. Oil, relief ink on paper mounted on board, 60 x 45.5 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/hetherington-iain_composite-picture-5-(diversified-cultural-worker-b.jpg Iain Hetherington. Composite picture 5 (diversified cultural worker), 2009. Oil on canvas, 56 x 56 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/hylanderthomas_triangulate_vg-hylat-00071_4-b.jpg Thomas Hylander. Triangulate, 2008. Acrylic on canvas, 30 x 40 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/mason-jill-familybusiness_4-b.jpg Jill Mason. Family business, 2009. Oil on linen, 30 x 25.5 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/nicholls-ja-land_3-b.jpg J.A. Nicholls. Land, 2009. Oil and acrylic on canvas, 66 x 65 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/pritchard-ben-bone-(holy)_4-b.jpg Ben Pritchard. Bone (holy), 2009. Oil on linen, 35.5 x 45.5 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/ryan-james,-dayz_5-b.jpg James Ryan. Dayz, 2009. Acrylic on canvas, 51 x 46 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/sinsel-daniel-untitled-hq12-ds7157p_5-b.jpg Daniel Sinsel. Untitled, 2009. Oil on linen, 44.5 x 44 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/stein-lucy-catherine-wheel-gf11631_1-b.jpg Lucy Stein. Catherine wheel, 2009. Oil on canvas, 180 x 160 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/thompson-mimei-yellow-tree_4-b.jpg Mimei Thompson. Yellow tree, 2009. Oil on canvas, 100 x 80 cm. https://www.studiointernational.com/images/articles/j/jerwoodprize10/visnes-hanneline-stain_4-b.jpg Hanneline Visnes. Stain, 2009. Oil on board, 48 x 61 cm. https://www.studiointernational.com/index.php/joan-eardley https://www.studiointernational.com/images/articles/j/joan_eardley/catterline_b.jpg Joan Eardley. Catterline in Winter, 1963. Oil on hardboard, 120.7 x 130.8 cm. Scottish National Gallery of Modern Art © With kind permission of the Eardley Estate. https://www.studiointernational.com/images/articles/j/joan_eardley/children_b.jpg Joan Eardley. Back Street Children Playing, 1960. Oil on board, 101 x 179 x 2 cm. Private Collection © With kind permission of the Eardley Estate. https://www.studiointernational.com/images/articles/j/joan_eardley/harvest_b.jpg Joan Eardley. Harvest, 1960–1961. Oil and grit on hardboard, 118.10 x 118.10 cm. Scottish National Gallery of Modern Art © With kind permission of the Eardley Estate. https://www.studiointernational.com/images/articles/j/joan_eardley/salmon_b.jpg Joan Eardley. Salmon Net Posts, 1961–62. Oil on board, 118.5 x 217.5 cm. Tate Gallery © With kind permission of the Eardley Estate. https://www.studiointernational.com/images/articles/j/joan_eardley/tenement_b.jpg Joan Eardley. Three children at a tenement window, 1961. Goache on paper, 45.8 x 37.2 cm. The Eardley Family © With kind permission of the Eardley Estate. https://www.studiointernational.com/index.php/john-hoyland-mysteries https://www.studiointernational.com/images/articles/h/hoyland-2011/when-time-began-b.jpg John Hoyland. When Time Began (Mysteries 11), 2010. Acrylic on cotton duck, 60 x 55 ins (152 x 140 cms). Courtesy of Beaux Arts. https://www.studiointernational.com/images/articles/h/hoyland-2011/throw-the-dice-b.jpg John Hoyland. Throw the Dice, 2010. Courtesy of Beaux Arts. https://www.studiointernational.com/images/articles/h/hoyland-2011/chance-b.jpg John Hoyland. Chance, 2010. Courtesy of Beaux Arts. https://www.studiointernational.com/images/articles/h/hoyland-2011/love-and-blood-b.jpg John Hoyland. Love and Blood, 2010. Courtesy of Beaux Arts. https://www.studiointernational.com/images/articles/h/hoyland-2011/mysteries-1-b.jpg John Hoyland. Mysteries 1, 2010. Courtesy of Beaux Arts. https://www.studiointernational.com/images/articles/h/hoyland-2011/saffron-medusa-b.jpg John Hoyland. Saffron Medusa, 2010. Acrylic on cotton duck, 36 x 30 ins (91 x 76 cms). Courtesy of Beaux Arts. https://www.studiointernational.com/index.php/john-the-painter https://www.studiointernational.com/images/articles/j/john_the_painter/savoy_2b.jpg John the Painter, Savoy Part 2, 1998, Acrylic on canvas, 160.5 x 152 cm https://www.studiointernational.com/images/articles/j/john_the_painter/black_and_white_b.jpg John the Painter, Black and White Minstrel Show, 1998. Acrylic on canvas, 152.5 x 152.5 cm https://www.studiointernational.com/images/articles/j/john_the_painter/flowers_for_sheila_b.jpg John the Painter, Flowers for Sheila, 1999, Acrylic on bedsheet, 186 x 227 cm https://www.studiointernational.com/images/articles/j/john_the_painter/flower_pot_b.jpg John the Painter, Flower Pot, 2001, Acrylic on canvas, 101 x 100 cm https://www.studiointernational.com/images/articles/j/john_the_painter/jet_plane_b.jpg John the Painter, Jet Plane, Blue, Red, Yellow, Green, Boxes, Arrows, on Grand Parade, Chinese Version, 1997, Gouache on brown paper, 214 x 511 cm. Collection: Irish Museum of Modern Art https://www.studiointernational.com/images/articles/j/john_the_painter/savoy_1b.jpg John the Painter, Savoy part 1, 1998, Acrylic on canvas, 160.5 x 152 cm https://www.studiointernational.com/images/articles/j/john_the_painter/shandon_clock_b.jpg John the Painter, Shandon (detail — Clock), 1999, Acrylic on canvas, 87 x 98 cm https://www.studiointernational.com/index.php/frida-kahlo https://www.studiointernational.com/images/articles/k/kahlo/hospital_henry_ford_b.jpg Frida Kahlo. Henry Ford Hospital or The Flying Bed, 1932 . Oil on metal panel. 305 x 350mm. Museo Dolores Olmedo Patino Mexico (Mexico City, Mexico) © Banco de México and INBAL, Mexico, 2004 https://www.studiointernational.com/images/articles/k/kahlo/0042_b.jpg Frida Kahlo. Birth or My Birth, 1932. Oil on metal 305 x 350 mm. Private Collection © Banco de México and INBAL Mexico, 2005 https://www.studiointernational.com/images/articles/k/kahlo/el_camion_b.jpg Frida Kahlo. The Bus, 1929. Oil on canvas 260 x 555m. Museo Dolores Olmedo Patino Mexico (Mexico City, Mexico) © Banco de México and INBAL, Mexico, 2005 https://www.studiointernational.com/images/articles/k/kahlo/dress_b.jpg Frida Kahlo. My Dress Hangs There or New York, 1933. Oil and collage on masonite 460 x 500 mm. Private Collection © Banco de México and INBAL Mexico, 2005 https://www.studiointernational.com/index.php/karel-nel-status-of-dust https://www.studiointernational.com/images/articles/k/karel_nel/nel_seam_b.jpg Karel Nel, Seam, 2002. Red pigment, carboniferous material formed on the Gondwanaland mass before the splitting of the continents, linen/fibre grid. 48 inches high x 95 inches wide, 122 x 242 cm https://www.studiointernational.com/images/articles/k/karel_nel/nel_installation_b.jpg Karel Nel, Installation https://www.studiointernational.com/images/articles/k/karel_nel/nel_blindswimmer_b.jpg Karel Nel, Blind Swimmer https://www.studiointernational.com/images/articles/k/karel_nel/nel_deep_core_b.jpg Karel Nel, Deep Core, 2002. Bonded fibre fabric, red ochre/brown ochre and black pigment and specularite. 71 inches x 47 inches wide, 181 x 120 cm https://www.studiointernational.com/images/articles/k/karel_nel/nel_potentfields_b.jpg Karel Nel, Potent Fields, 2002. Red and white ochre from the Transkei, South Africa. 122 x 242 cm https://www.studiointernational.com/index.php/ken-done-paintings https://www.studiointernational.com/images/articles/k/ken_done/operahouse_and_botani_b.jpg Opera House and Botanic Gardens, 1998, acrylic on canvas, 150 x 200 cms https://www.studiointernational.com/images/articles/k/ken_done/done_b.jpg Recent clothing from Done Art and Design, 2004 https://www.studiointernational.com/images/articles/k/ken_done/postcard_from_god_1975_b.jpg Postcard from God, 1976, oil on canvas, 110 x 104 cms https://www.studiointernational.com/images/articles/k/ken_done/australia_sculpture_b.jpg Australian Sculpture outside the Australian pavilion, Expo, Brisbane, 1988 https://www.studiointernational.com/index.php/remains-and-remnants--anselm-kiefer-the-fertile-crescent https://www.studiointernational.com/images/articles/a/anselm_kiefer09/karfunkelfee_white_cube_masons_yard_london_a4_1_b.jpg Anselm Kiefer. 'Karfunkelfee', White Cube Mason's Yard, London and 'The Fertile Cresent', White Cube Hoxton Square, 2009. https://www.studiointernational.com/index.php/ken-kiff https://www.studiointernational.com/images/articles/k/kiff-ken-2015/kiff_0021gmb.jpg Ken Kiff. Walking Past Rocks and Flowers, 1996. Drypoint and aquatint, 31.0 x 35.0 cm. Edition of 35. https://www.studiointernational.com/index.php/from-kirchner-to-kandinsky-german-expressionism-in-dutch-museums-1919-1964 https://www.studiointernational.com/images/articles/k/kirchner_to_kand/max_beckmann_1941_b.jpg Max BECKMANN, 'Doppelportrait von Quappi und mir', 1941. Oil on canvas, 194 x 89 cm. Stedelijk Museum Amsterdam https://www.studiointernational.com/images/articles/k/kirchner_to_kand/ernst_ludwig_1910_b.jpg Ernst LUDWIG KIRCHNER, 'Nacktes Mädchen hinter Vorhang (Fränzi)', 1910/1926. Oil on canvas, 120 x 90 cm. Stedelijk Museum Amsterdam https://www.studiointernational.com/images/articles/k/kirchner_to_kand/ernst_ludwi_1908_1920_b.jpg Ernst LUDWIG KIRCHNER, 'Czardastänzerinnen', 1908/1920. Oil on canvas, 150 x 200 cm. Gemeentemuseum Den Haag https://www.studiointernational.com/index.php/paul-klee-at-the-scottish-national-gallery https://www.studiointernational.com/images/articles/k/klee-redskin.jpg Paul Klee. Bildnis einer Rothautigen (Portrait of a redskin), 1917. Watercolour on canvas on card. 18.2 x 12.9 cm. https://www.studiointernational.com/index.php/the-blue-man-the-portrait-of-james-milliken-by-jean-etienne-liotard-c-1762 https://www.studiointernational.com/images/articles/l/liotard/liotard_b.jpg The Portrait of James Milliken of Milliken by Jean-Etienne Liotard, c.1753 https://www.studiointernational.com/index.php/mf-husain-the-lost-continent https://www.studiointernational.com/images/articles/l/lost_continent/husain_b.jpg MF Husain in front of painting depicting Ocean Queen Rocks the Ship https://www.studiointernational.com/images/articles/l/lost_continent/021456_b.jpg MF Husain. Untitled - A New Born Child Held Gently by a Falling Leaf, 2005. Oil on Canvas 6 x 7.5 ft. https://www.studiointernational.com/images/articles/l/lost_continent/021442_b.jpg MF Husain. Untitled - Andy Warhol versus Marilyn Monroe, 2005. Oil on Canvas 6 x 7.5 ft. https://www.studiointernational.com/images/articles/l/lost_continent/021448_b.jpg MF Husain. Untitled - Blind Horses and the Blue Charioteer, 2005. Oil on Canvas 6 x 7.5 ft. https://www.studiointernational.com/images/articles/l/lost_continent/021437_b.jpg MF Husain. Untitled - Empty Bowl at the Last Supper, 2005. Oil on Canvas 6 x 7.5 ft. https://www.studiointernational.com/images/articles/v/venice_resume/guston2_b.jpg Installation View – Italian Pavillion. Photo Credits Giorgio Zucchiatti https://www.studiointernational.com/images/articles/a/aichi_expo/hitachi_pavilion_b.jpg Hitachi Pavilion. Presents a World of Emotions and Surprises by re-creating realistic images of rare animals. Corporate Pavilion Zone. Aichi Expo 2005. Aichi, Japan https://www.studiointernational.com/images/articles/f/frieze05/5_b.jpg Subodh Gupta. Installation view. https://www.studiointernational.com/images/articles/o/obsessive_drawings/benefiel_blue_b.jpg Random Numeric Repeater # 9, 2002. Charles Benefiel (b.1967) New Mexico. Ink on paper 36 x 24 https://www.studiointernational.com/images/articles/o/obsessive_drawings/benefiel_red_b.jpg Random Numeric Repeater #7, 2001. Charles Benefiel (b.1967) New Mexico. Ink on paper 51 x 35 https://www.studiointernational.com/images/articles/o/obsessive_drawings/benefiel1_b.jpg Charles Benefiel, in front his multicolored https://www.studiointernational.com/images/articles/o/obsessive_drawings/doi_hd303_b.jpg Untitled #303, 2003. Hiroyuki Doi (b. 1946) Tokyo, Japan. Pen and Ink on paper 55 x 27 https://www.studiointernational.com/index.php/masters-of-colour-derain-to-kandinsky https://www.studiointernational.com/images/articles/r/ra_masters/braque.jpg Georges Braque. L'Estaque, 1906. Oil on canvas, 46 x 55 cm. Mr and Mrs Merzbacher, the Merzbacher Foundation and Carafe Investment Company. https://www.studiointernational.com/images/articles/r/ra_masters/derain.jpg André Derain. Boats in the Port of Collioure, 1905. Oil on canvas, 72 x 91 cm. Mr and Mrs Merzbacher, the Merzbacher Foundation and Carafe Investment Company. https://www.studiointernational.com/images/articles/r/ra_masters/kandinsky.jpg Vasily Kandinsky. Angel of the Last Judgement, 1911. Oil on cardboard, 64 x 50 cm. Mr and Mrs Merzbacher, the Merzbacher Foundation and Carafe Investment Company. https://www.studiointernational.com/images/articles/r/ra_masters/vlaminck.jpg Maurice de Vlaminck. Dancer of the https://www.studiointernational.com/images/articles/r/ra_masters/beckmannb.jpg Max Beckmann. Woman with Red Rooster, 1941. Oil on canvas 55 x 95 cm. Mr and Mrs Merzbacher, the Merzbacher Foundation and Carafe Investment Company. © DACS 2002 https://www.studiointernational.com/images/articles/r/ra_masters/matisseb.jpg Henri Matisse . Interior at Collioure (The Rest), c.1905-6. Oil on canvas 60 x 73 cm. Mr and Mrs Merzbacher, the Merzbacher Foundation and Carafe Investment Company. https://www.studiointernational.com/images/articles/r/ra_masters/vlaminck02b.jpg Maurice de Vlaminck. Potato Pickers, 1905-7. Oil on canvas 46 x 55.3 cm. Mr and Mrs Merzbacher, the Merzbacher Foundation and Carafe Investment Company. © ADAGP, Paris and DACS, London 2002. https://www.studiointernational.com/index.php/matisse-picasso https://www.studiointernational.com/images/articles/m/matissepicasso/si1ab.jpg Henri Matisse. Self Portrait, 1906. Oil on canvas, 55 x 46 cm. Statens Museum for Kunst, Copenhagen, Collection Johannes Rump © SUCCESSION Picasso/DACS (London). https://www.studiointernational.com/images/articles/m/matissepicasso/si1bb.jpg Pablo Picasso. Self Portrait with Palette 1906. Oil on canvas, 91.9 x 73.3 cm. Philadelphia Museum of Art. The A. E. Gallatin Collection 1950 © SUCCESSION Picasso/DACS (London). https://www.studiointernational.com/images/articles/m/matissepicasso/si5bb.jpg Pablo Picasso. Boy Leading a Horse, 1906. Oil on canvas, 2206 x 1312 mm. The Museum of Modern Art, New York. The William S. Paley Collection © SUCCESSION Picasso/DACS (London). https://www.studiointernational.com/images/articles/m/matissepicasso/si5ab.jpg Henri Matisse. Le Lux, 1907. Oil on canvas, 210 x 138 cm. Centre Georges Pompidou, Musée National d'Art Moderne/Centre de Création Industrielle, Paris © SUCCESSION Picasso/DACS (London). https://www.studiointernational.com/images/articles/m/matissepicasso/si3ab.jpg Henri Matisse . Red Interior: Still Life on a Blue Table, 1947. Oil on canvas, 116 x 89 cm. Kunstsammlung Nordrhein-Westfalen, Düsseldorf © SUCCESSION Picasso/DACS (London). https://www.studiointernational.com/images/articles/m/matissepicasso/si3bb.jpg Pablo Picasso . The Studio at La Californie, 1955. Oil on canvas, 116 x 89 cm. Paris, Musée National d'Art Moderne © SUCCESSION Picasso/DACS (London). https://www.studiointernational.com/index.php/matisse-his-art-and-his-textiles-the-fabric-of-dreams https://www.studiointernational.com/images/articles/m/matisse_06_05/codalisquescreen1a_b.jpg Henri Matisse, Odalisque with a Screen, 1923. Oil on canvas 61.5 x 50 cm. Statens Museum for Kunst, Copenhagen. Photo Hans Petersen © Succession H Matisse/DACS 2005 https://www.studiointernational.com/images/articles/m/matisse_06_05/gaodalisquea1a_b.jpg Henri Matisse, Odalisque with Yellow Persian Robe and Anemones, 1937. Oil on canvas 55.2 x 46 cm. Philadelphia Museum of Art, Philadelphia, The Samuel S. White 3rd and Vera White Collection, 1967. Photo Graydon Wood © Succession H Matisse/DACS 2005 https://www.studiointernational.com/images/articles/m/matisse_06_05/jmoorisha1a_b.jpg Henri Matisse, The Moorish Screen, 1921. Oil on canvas 90.8 x 74.3 cm. Philadelphia Museum of Art; Bequest of Lisa Norris Elkins, 1950 © Succession H Matisse/DACS 2005 https://www.studiointernational.com/images/articles/m/matisse_06_05/nredcrossb1a_b.jpg Henri Matisse, Composition with Red Cross, 1947. Coloured Gouache collage on paper 73.6 X 52.4cm. Private Collection USA (Courtesy Nancy Whyte Fine Arts, Inc New York) © Succession H Matisse/DACS 2005 https://www.studiointernational.com/images/articles/m/matisse_06_05/osnowflowersaa1a_b.jpg Henri Matisse, Snow Flowers, 1951. Watercolour and gouache on cut and pasted papers 174 X 80.6cm. The Metropolitan Museum of Art, New York. The Jacques and Natasha Gelman Collection, 1998 © Succession H Matisse/DACS 2005 https://www.studiointernational.com/index.php/the-painting-of-modern-life https://www.studiointernational.com/images/articles/m/modern_life/9309_b.jpg Johannes Kahrs. 93'09, 1997. Oil on canvas, 190 x 290 cm. © The artist, Collection SMAK, Ghent © DACS 2007 https://www.studiointernational.com/images/articles/m/modern_life/arsenal_b.jpg Elizabeth Peyton. Arsenal (Prince Harry), 1997. Oil on board, 28.6 x 36.8 cm. © The artist. Courtesy of a private collection, Sadie Coles HQ, London https://www.studiointernational.com/images/articles/m/modern_life/chair_b.jpg Andy Warhol. Big Electric Chair, 1967. Silkscreen and acrylic on primed canvas, 137.2 x 185.5 cm. © Licensed by the Andy Warhol Foundation for the Visual Arts, Inc/ARS, New York and DACS London 2007. Courtesy of the Froehlich Collection, Stuttgart https://www.studiointernational.com/images/articles/m/modern_life/family_b.jpg Malcolm Morley. Family Portrait, 1968. Acrylic and oil on canvas, 172.7 x 172.7 cm. © Malcolm Morley 2007 https://www.studiointernational.com/images/articles/m/modern_life/teacher_b.jpg Marlene Dumas. The Teacher (sub a), 1987. Oil on canvas, 160 x 200 cm. © The artist. Courtesy of a private collection https://www.studiointernational.com/images/articles/m/modern_life/time_b.jpg Vija Celmins. Time Magazine Cover, 1965. Oil on canvas, 56 x 40.6 cm. © The artist, courtesy of Hauser & Wirth/McKee Gallery, New York https://www.studiointernational.com/index.php/monet-the-seine-and-the-sea-1878-1883 https://www.studiointernational.com/images/articles/m/monet/sunset_nancy_b.jpg Monet. Sunset, Etretat, 1883 © Musée des Beaux Arts, Nancy https://www.studiointernational.com/images/articles/m/monet/the_artists_at_vetheuil_b.jpg Monet. The Artist's Garden at Vétheuil, 1881 © National Gallery of Art, Washington DC https://www.studiointernational.com/images/articles/m/monet/the_church_b.jpg Monet. The Church at Vétheuil, 1878 © National Gallery of Scotland, Edinburgh https://www.studiointernational.com/images/articles/m/monet/the_cliffs_at_fecamp_b.jpg Monet. The Cliffs at Fécamp, 1881 © Aberdeen Art Gallery & Museums Collection https://www.studiointernational.com/images/articles/m/monet/the_manneporte_etretat_b.jpg Monet. The Manneporte, Etretat, 1883 © The Metropolitan Museum of Art, New York https://www.studiointernational.com/images/articles/m/monet/camille_mon_deathbed_b.jpg Monet. Camille Monet on her Deathbed, 1879 © Musée d'Orsay, Paris https://www.studiointernational.com/index.php/mr-jeremy-moon-experiments-jeremy-moon-drawings-and-collages https://www.studiointernational.com/images/articles/m/moon/moon_b.jpg Jeremy Moon. Collage [ C3/71], 1971, pencil & pastel on paper, 52 x 63.5 cm, 20.5 x 25" https://www.studiointernational.com/images/articles/m/moon/moon2_b.jpg Jeremy Moon. Drawing [1969], 1969, pencil & pastel on paper, 20.3 x 25.4 cm, 8 x10 https://www.studiointernational.com/images/articles/m/moon/moon3_b.jpg Jeremy Moon. Drawing [1970], 1970, pencil & pastel on paper, 20.3 x 25.4 cm, 8 x10 https://www.studiointernational.com/images/articles/m/moon/moon4_b.jpg Jeremy Moon. Drawing [1970], 1970, pencil & pastel on paper, 20.3 x 25.4 cm, 8 x10 https://www.studiointernational.com/images/articles/m/moon/moon5_b.jpg Jeremy Moon. Drawing ['70], 1970, pencil & pastel on paper, 20.3 x 25.4 cm, 8 x10 https://www.studiointernational.com/index.php/moonrise-over-europe-jc-dahl-and-romantic-landscape https://www.studiointernational.com/images/articles/m/moonrise/kronlarge_b.jpg Johan Christian Dahl (1788-1857) Kronborg Castle by Moonlight, National Museum of Art, Architecture and Design, Oslo. https://www.studiointernational.com/images/articles/m/moonrise/stege_b.jpg Johan Christian Dahl (1788-1857). View of Stege in Moonligh, 1815. © Bergen Art Museum, Norway. https://www.studiointernational.com/images/articles/m/moonrise/naples_b.jpg Johan Christian Dahl (1788-1857). Boats on the Beach near Naples, 1821. © Bergen Art Museum, Norway. https://www.studiointernational.com/images/articles/m/moonrise/mother_b.jpg Johan Christian Dahl (1788-1857). Mother and Child by the Sea, 1840. © The Barber Institute of Fine Arts. https://www.studiointernational.com/images/articles/m/moonrise/fjord_b.jpg Johan Christian Dahl (1788-1857) Fjord at Sunset, 1850. © Bergen Art Museum, Norway. https://www.studiointernational.com/index.php/nine-green-bottles-giorgio-morandi-1890-1964 https://www.studiointernational.com/images/articles/m/morandi_08/natura-morta-1943_b.jpg Giorgio Morandi, 1890–1964. Natura morta, 1943. Oil on canvas 25 x 30 cm (60 x 68.6 cm framed). Private Collection, Crevalcore, Italy. foto © Luciano Calzolari, Crevalcore © Giorgio Morandi by SIAE 2008 https://www.studiointernational.com/images/articles/m/morandi_08/natura-morta-1954_b.jpg Giorgio Morandi, 1890–1964. Natura morta, 1954. Oil on canvas, 26 x 70 cm. Mart, Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Collezione Augusto e Francesca Giovanardi. Archivio fotografico Mart © Giorgio Morandi by SIAE 2008 https://www.studiointernational.com/images/articles/m/morandi_08/paesaggio-1962_b.jpg Giorgio Morandi, 1890–1964. Paesaggio, 1962. Oil on canvas, 30 x 35 cm. Bologna, Museo Morandi © Giorgio Morandi by SIAE 2008 https://www.studiointernational.com/index.php/berthe-morisot-an-impressionist-and-her-circle https://www.studiointernational.com/images/articles/m/morisot/lakeside_b.jpg Berthe Morisot, Au Bord du Lac (On the Lakeside), 1883. Oil on cnavas, 1883. Oil on canvas, 24 x 19 5/8 in. Musée Marmottan Monet. Gift of Annie Rouart. https://www.studiointernational.com/images/articles/m/morisot/manet_b.jpg Berthe Morisot. Eugene Manet A L'Ile de Wight (Eugene Manet at the Isle of Wight), 1875. Oil on canvas, 38 x 46 in. Musée Marmottan Monet. https://www.studiointernational.com/images/articles/m/morisot/garden_b.jpg Berthe Morisot. Le Jardin A Bougival (The Garden at Bougival), 1884. Oil on canvas, 73 x 92 in. Musée Marmottan Monet. https://www.studiointernational.com/index.php/barnett-newman-at-tate-modern https://www.studiointernational.com/images/articles/n/newman_b/newman6b.jpg Barnett Newman. from Eighteen Cantos. Canto XV 1963-4. Lithograph on paper. 375 x 322 mm. Tate. Presented by Mrs Annalee Newman, the artist’s widow 1972. © ARS, NY and DACS, London 2002 https://www.studiointernational.com/images/articles/n/newman_b/newman1b.jpg Barnett Newman. Black Fire I 1963. Oil on canvas. 289.5 x 213.4 cm. Daniel W. Dietrich II and the Daniel W. Dietrich II Trust © ARS, NY and DACS, London 2002 https://www.studiointernational.com/images/articles/n/newman_b/newman2b.jpg Barnett Newman. The Station of the Cross1958-66. First Sation 1958. Magna on canvas. 197.8 x 153.7 cm. National Gallery of Art, Washingtion DC, Robert and Jane Meyerhoff Collection. © ARS, NY and DACS, London 2002 https://www.studiointernational.com/images/articles/n/newman_b/newman3b.jpg Barnett Newman. Genesis – The Break 1946. Oil on canvas. 61 x 68.9 cm. Dia Centre for the Arts, New York. © ARS, NY and DACS, London 2002 https://www.studiointernational.com/images/articles/n/newman_b/newman4b.jpg Barnett Newman. Adam 1951-2. Oil on canvas. 2429 x 2029 mm. Tate. Purchased 1968. © ARS, NY and DACS, London 2002 https://www.studiointernational.com/images/articles/n/newman_b/newman8b.jpg Barnett Newman. Onement V 1952. Oil on canvas. 152.4 x 96.5 cm. Collection of Mr and Mrs David Pincus. © ARS, NY and DACS, London 2002 https://www.studiointernational.com/images/articles/n/newman_b/newman9b.jpg Barnett Newman. The Command 1946. Oil on canvas. 121.9 x 91.4 cm. Öffentliche Kunstammlung Basel. Gift of Annalee Newman in honour of Arnold Rüdlinger and Dr Franz Meyer, 1988. © ARS, NY and DACS, London 2002 https://www.studiointernational.com/images/articles/n/newman_b/newman10b.jpg Barnett Newman. The Way I 1952. Oil on canvas. 102 x 76.3 cm. Natinal Gallery of Canada, Ottawa. Purchased 1977. © ARS, NY and DACS, London 2002 https://www.studiointernational.com/images/articles/n/newman_b/newman12b.jpg Barnett Newman. Who’s Afraid of Red, Yellow and Blue II 1967. Oil on canvas. 304.8 x 259.1 cm. Staatsgalerie Stuggart, Germany. © ARS, NY and DACS, London 2002 https://www.studiointernational.com/index.php/winifred-nicholson-in-scotland https://www.studiointernational.com/images/articles/n/nicholson_w/sandaig_b.jpg Winifred Nicholson, Sandaig, 1951. Oil on canvas, 61 x 91 cm © Trustees of Winifred Nicholson https://www.studiointernational.com/images/articles/n/nicholson_w/chicks_b.jpg Winifred Nicholson, Cheeky Chicks, 1950. Oil on canvas, 49 x 84 cm © Trustees of Winifred Nicholson https://www.studiointernational.com/images/articles/n/nicholson_w/isles_b.jpg Winifred Nicholson, The Gate to the Isles, 1980. Oil on canvas, 46 x 61 cm © Trustees of Winifred Nicholson https://www.studiointernational.com/images/articles/n/nicholson_w/maxwells_b.jpg Winifred Nicholson, View from Gavin Maxwell's (Hebridean Flowers), 1958. Oil on canvas, 57 x 69 cm. Copyright Trustees of Winifred Nicholson https://www.studiointernational.com/images/articles/n/nicholson_w/stone_circle_b.jpg Winifred Nicholson, Stranraer Bronze Age Circle, 1950s. Oil on canvas, 50.5 x 76 cm © Trustees of Winifred Nicholson https://www.studiointernational.com/index.php/nordic-dawn-modernism-s-awakening-in-finland-1890-1920 https://www.studiointernational.com/images/articles/n/nordic_dawn/selbstpor_b.jpg Helene Schjerfbeck, Self-portrait, black background, 1915. Ateneum Art Museum https://www.studiointernational.com/images/articles/n/nordic_dawn/halonen_pioneers_b.jpg Pekka Halonen, Pioneers in Karelien, 1900. Ateneum Art Museum https://www.studiointernational.com/images/articles/n/nordic_dawn/simberg_engel_b.jpg Hugo Simberg, The Wounded Angel, 1903. Ateneum Art Museum https://www.studiointernational.com/images/articles/n/nordic_dawn/gallen_kullervo_b.jpg Akseli Gallén-Kallela, Kullervo's Curse, 1899. Ateneum Art Museum https://www.studiointernational.com/images/articles/n/nordic_dawn/everywhe_b.jpg Beda Stjernschantz, Kaikkialla ääni kaikuu, 1895. Ateneum Art Museum https://www.studiointernational.com/images/articles/n/nordic_dawn/edelfelt_kaukola_b.jpg Edelfelt Albert, Die Kaukola-Anhöhe bei Sonnenuntergang, 1889-1890. Ateneum Art Museum https://www.studiointernational.com/images/articles/n/nordic_dawn/rosenberg_b.jpg Valle Rosenberg, Self-portrait, 1910. Ateneum Art Museum https://www.studiointernational.com/index.php/chris-ofili-at-tate-britain https://www.studiointernational.com/images/articles/o/ofili10/id_10_ofili-b.jpg Chris Ofili. No Woman, No Cry, 1998. Acrylic, oil, polyester resin, pencil, paper collage, glitter, map pins and elephant dung on linen, 243.8 x 182.8 cm Photo: Tate. https://www.studiointernational.com/images/articles/o/ofili10/20470w_blossom-b.jpg Chris Ofili. Blossom, 1997. Oil, polyester resin, glitter, map pins and elephant dung on linen, 243.8 x 182.8 cm. Courtesy Contemporary Fine Arts, Berlin. Photo: Jochen Littkemann. https://www.studiointernational.com/images/articles/o/ofili10/id_14-b.jpg Chris Ofili. Third Eye Vision, 1999. Oil, acrylic, paper collage, glitter, polyester resin, map pins and elephant dung on linen, 243.8 x 182.8 cm Courtesy Walker Art Centre, Minneapolis. https://www.studiointernational.com/images/articles/o/ofili10/id_20-b.jpg Chris Ofili. Afro, 2000. Pencil on paper, 56 x 76 cm. Photo: Tate. https://www.studiointernational.com/images/articles/o/ofili10/id_45a-b.jpg Chris Ofili. The Upper Room, 1999. https://www.studiointernational.com/images/articles/o/ofili10/id_55_ofili-b.jpg Chris Ofili. The Raising of Lazarus, 2007. Oil and charcoal on linen, 278.7 x 200.4 cm. Courtesy David Zwirner, New York. https://www.studiointernational.com/index.php/the-one-and-the-many-carlos-ortiz-and-the-dance-of-life- https://www.studiointernational.com/images/articles/c/carlos_ortiz/carlos_b.jpg Carlos Ortiz. Photo by Veronica Aberham https://www.studiointernational.com/index.php/painting-passion-and-politics-masterpieces-from-the-walpole-collection https://www.studiointernational.com/images/articles/p/passion/bordonb.jpg Claude Gellée, called Le Lorrain (1602-1682). Landscape with Apollo and the Cumaean Sybil. Oil on canvas, 95.5 x 127 cm https://www.studiointernational.com/images/articles/p/passion/gelleeb.jpg Claude Gellée, called Le Lorrain (1602-1682). Landscape with Apollo and the Cumaean Sybil. Oil on canvas, 95.5 x 127 cm https://www.studiointernational.com/images/articles/p/passion/npoussinb.jpg Nicolas Poussin (1594-1665). The Holy Family with SS Elisabeth and John the Baptist 1645-55. Oil on canvas, 174 x 134 cm https://www.studiointernational.com/images/articles/p/passion/vandyckb.jpg Anthony Van Dyck (1599-1641). Portrait of Philadelphia and Elizabeth Wharton, 1637-9. Oil on canvas, 162 x 130 cm https://www.studiointernational.com/images/articles/p/passion/jwoottonb.jpg John Wootton (c.1682-1764). Sir Robert Walpole with Horse and Groom. Oil on canvas https://www.studiointernational.com/index.php/patrick-heron-the-growing-legacy-of-genius https://www.studiointernational.com/images/articles/h/heron03.jpg Patrick Heron (1920–99). Azalea Garden, May 1956. Oil on canvas https://www.studiointernational.com/images/articles/h/heron02.jpg Patrick Heron (1920–99). Red Garden Painting, 3–5 June 1985. Oil on canvas https://www.studiointernational.com/images/articles/h/heron01_150.jpg Patrick Heron (1920–99). Garden Painting, August 1956. Oil on canvas https://www.studiointernational.com/index.php/the-art-of-philip-guston-1913-1980 https://www.studiointernational.com/images/articles/g/guston/studio_b.jpg Philip Guston, The Studio, 1969. Oil on canvas. 121.9 x 106.7 cm. Private Collection https://www.studiointernational.com/images/articles/g/guston/gladiators_b.jpg Philip Guston, The Gladiators, 1938. Oil on canvas. 67.2 x 71.1 cm. The Edward R Broida Collection. Photo © 1986 Douglas M Parker Studio https://www.studiointernational.com/images/articles/g/guston/street2_b.jpg Philip Guston, Street II, 1977. Oil on canvas. 171.4 x 184.1 cm. The Estate of Philip Guston. Courtesy of McKee Gallery, New York https://www.studiointernational.com/images/articles/g/guston/painting_b.jpg Philip Guston, Painting, Smoking, Eating, 1973. Oil on canvas. 196.8 x 262.9 cm. Collection Stedelijk Museum, Amsterdam https://www.studiointernational.com/images/articles/g/guston/for_m_b.jpg Philip Guston, For M, 1955. Oil on canvas. 194 x 183.5 cm. San Francisco Museum of Modern Art, San Francsisco https://www.studiointernational.com/images/articles/g/guston/motherandchild_b.jpg Philip Guston, Mother and Child, 1930. Oil on canvas. 101.6 x 76.2 cm. Private Collection https://www.studiointernational.com/index.php/john-piper-in-the-1930s-abstraction-on-the-beach https://www.studiointernational.com/images/articles/j/john_piper/john_piper_1b.jpg John Piper, Harbour Scene, Newhaven. Private Collection https://www.studiointernational.com/images/articles/j/john_piper/john_piper_2b.jpg John Piper, Autumn at Stourhead, 1939-40, City Art Gallery, Manchester https://www.studiointernational.com/images/articles/j/john_piper/john_piper_3b.jpg John Piper, Newhaven, the Castle. Private Collection https://www.studiointernational.com/index.php/pre-raphaelite-and-other-masters-the-andrew-lloyd-webber-collection https://www.studiointernational.com/images/articles/p/pre_raphaelite/preraph3e_b.jpg Sir Edward Coley Burne-Jones The Attainment: The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Perceval, (detail) 1890-99. High-warp tapestry: wool and silk weft on cotton warp242 x 714 cm © Collection Lord Lloyd-Webber https://www.studiointernational.com/images/articles/p/pre_raphaelite/preraph3c_b.jpg Ince and Mayhew Cabinet and stand, c.1775. Satinwood with marquetry in engraved, stained and shaded woods, the drawer fronts crossbanded with tulipwood and ebony mouldings 103 x 51 x 213 cm © 2003 Collection Lord Lloyd-Webber https://www.studiointernational.com/images/articles/p/pre_raphaelite/preraph3d_b.jpg Sir Edward Coley Burne-Jones The Attainment: The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Perceval, (detail) 1890-99. High-warp tapestry: wool and silk weft on cotton warp242 x 714 cm © Collection Lord Lloyd-Webber https://www.studiointernational.com/images/articles/p/pre_raphaelite/preraph4a_b.jpg William Waterhouse Ophelia, 1st exhibited 1910. Oil on canvas 100.3 x 62.2 cm © 2003 Collection Lord Lloyd-Webber https://www.studiointernational.com/images/articles/p/pre_raphaelite/preraph3f_b.jpg William de Morgan Gold-ground lustre vase and cover painted with birds, trees and flowers, Fulham period, 1888-1898. Hand-painted underglaze colours on earthenware. 26 cm © 2003 Collection Lord Lloyd-Webber https://www.studiointernational.com/index.php/royal-academy-summer-exhibition-2004 https://www.studiointernational.com/images/articles/r/ra_summer/deathofamoth_b.jpg Sir Peter Blake CBE RA, Death of a Moth. Pencil 58 x 46 cm https://www.studiointernational.com/images/articles/r/ra_summer/northshore_b.jpg Bill Woodrow RA, North Shore Beat, Lock Maree. Linocut 40 x 30 cm https://www.studiointernational.com/images/articles/r/ra_summer/emma_b.jpg Sir Anthony Caro OM CBE RA, Emma Scribble. Steel 204 cm https://www.studiointernational.com/images/articles/r/ra_summer/dryden_b.jpg Albert Irvin RA, Dryden. Acrylic 183 x 153 cm https://www.studiointernational.com/images/articles/r/ra_summer/clivia_b.jpg Elizabeth Blackadder DBE RA, Clivia. Watercolour 70 x 80 cm https://www.studiointernational.com/images/articles/r/ra_summer/chirgirlplaneflower_b.jpg Hussein Chalayan, Untitled (Chair, Girl, Plane, Bird, Flower, Shoe). Feltpen 65 x 58 cm https://www.studiointernational.com/images/articles/r/ra_summer/andalucia4_b.jpg David Hockney, Andalucia. Mosque, Cordova. 2004. 29 1/2 x 83 inch. Watercolour on paper © David Hockney, 2004 https://www.studiointernational.com/index.php/raphael-from-urbino-to-rome https://www.studiointernational.com/images/articles/r/raphael/raphael_w001_b.jpg Raphael (1483-1520), Madonna of the Pinks, 1507-8 oil on wood (probably cherry) 29 x 23 cm © The National Gallery, London https://www.studiointernational.com/images/articles/r/raphael/raphael_w074_b.jpg Raphael, Self Portrait, about 1504 Ashmolean Museum, Oxford P II 515 © Copyright in this Photograph Reserved to the Ashmolean Museum, Oxford https://www.studiointernational.com/images/articles/r/raphael/raphael_w032_b.jpg Raphael, The Conestabile Madonna, about 1503-4 © With permission from The State Hermitage Museum, St Petersburg https://www.studiointernational.com/images/articles/r/raphael/raphael_w002_b.jpg Raphael (1483-1520), Portrait of Pope Julius II, mid 1511 oil on poplar 108.7 x 81 cm. The National Gallery, London © The National Gallery, London https://www.studiointernational.com/index.php/eric-ravilious https://www.studiointernational.com/images/articles/r/ravilious/the-westbury-horse_b.jpg Eric Ravilious, The Westbury Horse, 1939. Reproduced by kind permission of the Towner Art Gallery. https://www.studiointernational.com/images/articles/r/ravilious/rnas-sick-bay_b.jpg Eric Ravilious, RNAS Sick Bay, Dundee, 1941. https://www.studiointernational.com/images/articles/r/ravilious/no-29-bus_b.jpg Eric Ravilious, No 29 Bus, 1934. Reproduced by kind permission of the Towner Art Gallery. © Estate of Eric Ravilious, all rights reserved, DACS https://www.studiointernational.com/index.php/gerhard-richter-portraits https://www.studiointernational.com/images/articles/r/richter_portraits/selbstportrait_b.jpg Gerhard Richter. Self portrait, 1996. Flowerman Collection, Tatsumi Sato. © Gerhard Richter 2009. https://www.studiointernational.com/images/articles/r/richter_portraits/bettybygerhard_b.jpg Gerhard Richter. Betty, 1988. Saint Louis Art Museum, funds given by Mr and Mrs R Crosby Kemper Jr. through the Crosby Kemper Foundations, The Arthur and Helen Baer Charitable Foundation, Mr and Mrs Van-Lear Black III, Anabeth Calkins and John Weil. Copyright © Gerhard Richter 2009 https://www.studiointernational.com/images/articles/r/richter_portraits/ellabygerhardr_b.jpg Gerhard Richter. Elly, 2007. Private Collection. Copyright © Gerhard Richter 2009 https://www.studiointernational.com/images/articles/r/richter_portraits/lesendebygerha_b.jpg Gerhard Richter. Lesende, 1994. Collection San Francisco Museum of Modern Art, purchased through the gifts of Mimi and Peter Haasand, Helen and Charles Schwab and the Accessions Committee Fund. Copyright © Gerhard Richter 2009 https://www.studiointernational.com/index.php/bridget-riley-at-tate-britain https://www.studiointernational.com/images/articles/b/bridget_riley/riley_inst_1b.jpg Bridget Riley. Installation at Tate Britain - Room 1, L-R: Composition with Circles 3, 2003. Graphite, acrylic paint and permanent marker on plaster wall, 483 x 1760 cm © 2003 Bridget Riley. https://www.studiointernational.com/images/articles/b/bridget_riley/to_a_summers_day_b.jpg Bridget Riley. To a Summer's Day, 1980. Acrylic on canvas, 115.5 x 281 cm. Tate. Purchased 1982 © 2003 Bridget Riley. https://www.studiointernational.com/images/articles/b/bridget_riley/riley_inst_2b.jpg Bridget Riley. Arrest 2, 1965. Acrylic on linen, 194 x 191 cm. Nelson-Atkins Museum of Art, Missouri. Acquired through the generosity of the William T Kemper Foundation © 2003 Bridget Riley. https://www.studiointernational.com/index.php/james-rosenquist https://www.studiointernational.com/images/articles/r/rosenquist/5_dish_b.jpg James Rosenquist. Dishes, 1964. Oil on canvas, 50 x 60 inches (127 x 152.4 cm). Collection of Virginia and Bagley Wright. Photo courtesy of James Rosenquist https://www.studiointernational.com/images/articles/r/rosenquist/2_pres_b.jpg James Rosenquist. President Elect, 1960-61/1964. Oil on Masonite, 7 feet 5 3/4 inches x 12 feet (228 x 365.8 cm). Centre Georges Pompidou, Musée National d’Art Moderne/Centre de Création Industrielle, Paris. Photo courtesy of James Rosenquist https://www.studiointernational.com/images/articles/r/rosenquist/16_swim_b.jpg James Rosenquist. The Swimmer in the Econo-mist (painting 3), 1997-98. Oil on shaped canvas, 13 feet 2 1/4 inches x 20 feet 3/16 inches (402 x 610 cm). Commissioned by the Deutsche Bank in consultation with the Solomon R. Guggenheim Foundation for the Deutsche Guggenheim Berlin https://www.studiointernational.com/images/articles/r/rosenquist/8_uhau_b.jpg James Rosenquist. U-Haul-It, 1967. Oil on canvas, 5 feet x 14 feet 1 inch (152.4 x 429.3 cm). Whitney Museum of American Art, New York, Purchase, with funds from Mr. and Mrs. Lester Avnet, 68.38a-c. Photo courtesy of James Rosenquist https://www.studiointernational.com/images/articles/r/rosenquist/11_hous_b.jpg James Rosenquist. House of Fire, 1981. Oil on canvas, 6 feet 6 inches x 16 feet 6 inches (198.1 x 502.9 cm). The Metropolitan Museum of Art, New York, Purchase, Arthur Hoppock Hearn Fund, George A. Hearn Fund and Lila Acheson Wallace Gift, 1982.90.1a-c. Photo courtesy of James Rosenquist https://www.studiointernational.com/images/articles/r/rosenquist/9_pape_b.jpg James Rosenquist. Paper Clip, 1973. Oil and acrylic on canvas, 8 feet 6 1/4 inches x 18 feet 8 inches (259.7 x 569 cm). Dallas Museum of Art, Gift of The 500, Inc., Elizabeth B. Blake, Mr. and Mrs. James H. W. Jacks, Mr. and Mrs. Robert M. Meltzer, Mr. Joshua Muss, Mrs. John W. O’Boyle, Dr. Joanne Stroud and two anonymous donors in honor of Robert M. Murdock. Photo courtesy of James Rosenquist https://www.studiointernational.com/images/articles/r/rosenquist/18_coll_b.jpg James Rosenquist. Collage for President Elect, 1960-61. Cropped poster, magazine clippings, and mixed media, 14 1/2 x 23 13/16 inches (36.8 x 60.5 cm). Collection of the artist. Photo by George Holzer, courtesy of James Rosenquist https://www.studiointernational.com/images/articles/r/rosenquist/19_coll_b.jpg James Rosenquist. Collage for F-111, 1964. Unidentified clippings and mixed media on paper, 10 x 11 1/2 inches (25.4 x 29.2 cm). Collection of the artist. Photo by George Holzer, courtesy of James Rosenquist https://www.studiointernational.com/images/articles/r/rosenquist/20_coll_b.jpg James Rosenquist. Collage for U-Haul-It; U-Haul-It, One Way Anywhere; and For Bandini, 1968. Magazine clippings, color photograph, and mixed media on paper, 9 3/8 x 23 1/4 inches (23.8 x 59.1 cm).Collection of the artist. Photo by George Holzer, courtesy of James Rosenquist https://www.studiointernational.com/images/articles/r/rosenquist/22_sket_b.jpg James Rosenquist. Sketch for https://www.studiointernational.com/images/articles/r/rosenquist/13_welc_b.jpg James Rosenquist. Welcome to the Water Planet, 1987. Oil on canvas, 13 x 10 feet (396.2 x 304.8 cm). Private collection, on display in The Lenox Building, Atlanta. Photo courtesy of James Rosenquist https://www.studiointernational.com/index.php/vital-configurations-the-paintings-of-susan-rothenberg https://www.studiointernational.com/images/articles/r/rothenburg/red_studio_b.jpg Susan Rothenberg, Red Studio, 2003-2002. Oil on canvas / 63 x 58 ins / 160 x 147.3 cms https://www.studiointernational.com/images/articles/r/rothenburg/green_studio_b.jpg Susan Rothenberg, Green studio, 2003-2002. Oil on canvas 74 x 115 ins / 188 x 292.1 cms https://www.studiointernational.com/images/articles/r/rothenburg/crying_b.jpg Susan Rothenberg, Crying, 2003/2. Oil on canvas / 58 1/2 x 63 1/2 ins / 148.6 x 161.3 cms https://www.studiointernational.com/index.php/mark-rowan-hull-seeing-music-hearing-colour https://www.studiointernational.com/images/articles/r/rowan_hull/slide_6_b.jpg Mark Rowan-Hull. https://www.studiointernational.com/images/articles/r/rowan_hull/slide_18_b.jpg Mark Rowan-Hull. Turangalîla, 2004. Oil on canvas. https://www.studiointernational.com/images/articles/r/rowan_hull/slide_16_b.jpg Mark Rowan-Hull. Painted Live in response to Messiaen and Scriabin at Bloomsbury Theatre 2003. Acrylic on canvas. https://www.studiointernational.com/images/articles/r/rowan_hull/slide_5_b.jpg Mark Rowan-Hull. 'Dieu Parmi Nous' 2001. Oil on canvas. https://www.studiointernational.com/images/articles/r/rowan_hull/slide_7_b.jpg Mark Rowan-Hull. 'Dieu Parmi Nous' 2001. Oil on canvas. https://www.studiointernational.com/images/articles/r/rowan_hull/slide_8_b.jpg Mark Rowan-Hull. 'Dieu Parmi Nous' 2001. Oil on canvas. https://www.studiointernational.com/images/articles/r/rowan_hull/slide_10_b.jpg Mark Rowan-Hull. Performance with complementary lighting. Paintings inspired by Messe de la Pentecôte by Olivier Messiaen. Royal Festival Hall 2002. https://www.studiointernational.com/images/articles/r/rowan_hull/slide_11_b.jpg Mark Rowan-Hull. Performance with complementary lighting. Paintings inspired by Messe de la Pentecôte by Olivier Messiaen. Royal Festival Hall 2002. https://www.studiointernational.com/images/articles/r/rowan_hull/slide_12_b.jpg Mark Rowan-Hull. Royal Festival Hall, 2002, performance with complementary lighting. Paintings inspired by Messe de la Pentecôte by Olivier Messiaen. https://www.studiointernational.com/images/articles/r/rowan_hull/slide_17_b.jpg Mark Rowan-Hull. Painted Live in response to Messiaen and Scriabin at Bloomsbury Theatre 2003. Acrylic on canvas. https://www.studiointernational.com/index.php/russian-landscape-in-the-age-of-tolstoy https://www.studiointernational.com/images/articles/r/russian_landscape/russian_landscape_w52_b.jpg Arkhip Ivanovich Kuindzhi (1842–1910) Landscape, The Steppe, 1890. Oil on canvas 33 x 61 cm. State Tretyakov Gallery, Moscow inv. 1451 © State Tretyakov Gallery, Moscow https://www.studiointernational.com/images/articles/r/russian_landscape/russian_landscape_w57_b.jpg Isaak Ilich Levitan (1860–1900), The Vladimirka Road, 1892. Oil on canvas 79 x 123 cm. State Tretyakov Gallery, Moscow nv. 1485 © State Tretyakov Gallery, Moscow https://www.studiointernational.com/images/articles/r/russian_landscape/russian_landscape_w27_b.jpg Ivan Ivanovich Shishkin (1832–1898) In the Wild North, 1891. Oil on canvas 161 x 118 cm. Museum of Russian Art, Kiev nv. 190 © Museum of Russian Art, Kiev https://www.studiointernational.com/index.php/self-portrait-renaissance-to-contemporary https://www.studiointernational.com/images/articles/s/self_portrait/van_gogh_b.jpg Vincent van Gogh. Self-portrait with Felt Hat, 1888. Copyright: © Van Gogh Museum Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/s/self_portrait/bacon_b.jpg Francis Bacon. Self-portrait. Copyright: © Estate of Francis Bacon 2005. All rights reserved, DACS. Photo © CNAC/MNAM Dist. RMN/Philippe Migeat. https://www.studiointernational.com/images/articles/s/self_portrait/anguissola_b.jpg Sofonisba Anguissola. Self-portrait at the Easel Painting a Devotional Panel, 1556. Copyright: © Muzeum-Zamek, Lancut, Poland. https://www.studiointernational.com/images/articles/s/self_portrait/becker_b.jpg Paula Modersohn-Becker. Self-portrait. Copyright: © Rheinisches Bildarchiv, Koln. https://www.studiointernational.com/index.php/a-sense-of-place-three-artists https://www.studiointernational.com/images/articles/s/sense_of_place/miss_garnets_angel_b.jpg John Brown. Seeking Miss Garnet https://www.studiointernational.com/images/articles/b/buchanan/osterley_b.jpg Hugh Buchanan, Osterley I. 29.25 x 41.5in 74 x 105cm https://www.studiointernational.com/images/articles/s/sense_of_place/the_basilicas_b.jpg John Brown. The Basilica's Western Face at Night. Mixed media, 25.5 x 25.5 cms https://www.studiointernational.com/images/articles/s/sense_of_place/golden_altar_st_marks_b.jpg John Brown. Golden Altar, St Mark's. Mixed media, 25.5 x 25.5 cms https://www.studiointernational.com/images/articles/b/buchanan/inspecting_boughton_b.jpg Hugh Buchanan, Inspecting the plans, Boughton. Watercolour 2004, 30 x 22in 76 x 55.8cm https://www.studiointernational.com/images/articles/b/buchanan/chairs_in_shadow_osterley_b.jpg Hugh Buchanan, Chairs in shadow, Osterley. 39.25 x 58.25in 100 x 147cm https://www.studiointernational.com/index.php/sickert-today-degas-sickert-and-toulouse-lautrec-london-and-paris-1870-1910 https://www.studiointernational.com/images/articles/s/sickert/ennui_b.jpg Walter Sickert (1860-1942). Ennui, c. 1914. Oil on canvas 152.4 x 112.4 cm. Tate. Presented by the Contemporary Art Society 1924. Copyright: Estate of Walter R Sickert. All rights Reserved DACS 2004 https://www.studiointernational.com/images/articles/s/sickert/yellow_dancers_b.jpg Edgar Degas (1834-1917). Yellow Dancers 1874-76. Oil on canvas © The Art Institute of Chicago https://www.studiointernational.com/images/articles/s/sickert/girl_at_a_window_b.jpg Walter Sickert (1860-1942). Girl at a Window, Little Rachel, 1907. Oil on canvas 50.8 x 40.6 cm. Tate. Accepted by HM Government in lieu of tax and allocated to Tate Gallery 1991. Copyright: Estate of Walter R Sickert. All rights Reserved DACS 2004 https://www.studiointernational.com/images/articles/s/sickert/troupe_b.jpg Henri de Toulouse-Lautrec 1864-1901. La Troupe de Mademoiselle Eglantine 1896. Lithograph  617 x 804 mm. Victoria and Albert Museum https://www.studiointernational.com/images/articles/s/sickert/the_clowness_b.jpg Henri de Toulouse-Lautrec 1864-1901. The Clowness Cha-U-Kao 1895. Essence on cardboard. Musée d’Orsay, Paris. © photo RMN - H. Lewandowski https://www.studiointernational.com/index.php/tintoretto- https://www.studiointernational.com/images/articles/t/tintoretto/1b.jpg Photograph of the exterior of the new building extension to the Prado, by Rafael Moneo © Museo del Prado - Ministerio de Cultura https://www.studiointernational.com/index.php/titian https://www.studiointernational.com/images/articles/t/titian/titian_1b.jpg Titian. Bacchus and Ariadne, 1520–23. Oil on canvas, 175.2 x 190.5 cm. The National Gallery, London © The National Gallery, London https://www.studiointernational.com/images/articles/t/titian/titian_3b.jpg Titian. Danaë, 1544-5. Oil on canvas, 120 x 172 cm. Museo Nazionale di Capodimonte, Naples © Soprindendenza Speciale per il Polo Museale di Napoli https://www.studiointernational.com/images/articles/t/titian/titian_2b.jpg Titian. The Death of Actaeon, about 1565-76. Oil on canvas, 178.8 x 197.8 cm. The National Gallery, London © The National Gallery, London https://www.studiointernational.com/images/articles/t/titian/titian_4b.jpg Titian. The Andrians, about 1523-25. Oil on canvas, 175 x 193 cm. Museo Nacional del Prado, Madrid © Museo Nacional del Prado, Madrid https://www.studiointernational.com/images/articles/t/titian/titian_5b.jpg Titian. The Worship of Venus, 1516. Oil on canvas, 172 x 175 cm © Museo Nacional del Prado, Madrid https://www.studiointernational.com/images/articles/t/titian/titian_6b.jpg Titian. The Flaying of Marsyas, 1570-76. Oil on canvas, 212 x 207 cm © Arcibiskupsky zamek a zahrady v Kromerízí, Kromrízí_ https://www.studiointernational.com/index.php/the-triumph-of-painting-colour-power-aboriginal-art-post-1984-the-saatchi-gallery-london https://www.studiointernational.com/images/articles/t/triumph_of_painting/kippenberger_selfport_b.jpg Martin KIPPENBERGER, https://www.studiointernational.com/images/articles/t/triumph_of_painting/ad100268e_b.jpg Tjuruparu WATSON, Ngaatjatjarra born c. 1935. https://www.studiointernational.com/images/articles/t/triumph_of_painting/doig_canoelake_b.jpg Peter DOIG, 'Canoe-Lake', 1997-98. Oil on canvas, 200 x 300 cm. Copyright Saatchi Gallery https://www.studiointernational.com/images/articles/t/triumph_of_painting/ad100236e_b.jpg Eva ROGERS, Mara/Yukul c. 1929–2002. 'Bush flowers' 1996. Synthetic polymer paint on canvas 94.2 x 58.8 cm. Purchased, 1997 © The artist’s estate, courtesy of Alcaston Gallery, Melbourne https://www.studiointernational.com/images/articles/t/triumph_of_painting/ad100264e_b.jpg Judy NAPANGARDI WATSON, Warlpiri born c. 1925. 'Mina Mina' 2004. Synthetic polymer paint on canvas 152.0 x 107.0 cm. Purchased with funds donated by Supporters and Patrons of Indigenous Art, 2004 © Judy Napangardi Watson, courtesy of Warlukurlangu Artists, Yuendumu https://www.studiointernational.com/index.php/turner-whistler-monet https://www.studiointernational.com/images/articles/t/turner_whistler_monet/93_tu_san_benedetto_b.jpg Joseph Mallord William Turner, San Benedetto looking toward Fusina, exhibited 1843. Oil on canvas 62.2 x 92.7 cm. Tate https://www.studiointernational.com/images/articles/t/turner_whistler_monet/2_tu_sun_rising_vapour_b.jpg Joseph Mallord William Turner, Sun Rising Through Vapour: Fishermen cleaning and selling Fish, exhibited 1807. Oil on canvas 134.6 x 179.1 cm. National Gallery, London https://www.studiointernational.com/images/articles/t/turner_whistler_monet/92_wh_red_gold_sunset_b.jpg James Abbott McNeill Whistler, Red and Gold: Salute Sunset, 1880. Pastel 20.2 x 30.6 cm. Hunterian Art Gallery, Glasgow University https://www.studiointernational.com/images/articles/t/turner_whistler_monet/26_wh_wapping_b.jpg James Abbott McNeill Whistler, Wapping, 1860-64. Oil on canvas 71.1 x 101.6 cm. National Gallery of Art, Washington, D.C. (John Hay Whitney Collection) https://www.studiointernational.com/index.php/the-real-van-gogh-the-artist-and-his-letters https://www.studiointernational.com/images/articles/v/van-gogh10/van-gogh_-key-33-b.jpg Vincent van Gogh. Letter 252 from Vincent van Gogh to Theo van Gogh: Pollard Willow, c. 1 Aug 1882. Letter, 13.8 x 13.4 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/index.php/andy-warhol-self-portraits https://www.studiointernational.com/images/articles/w/warhol_4_05/self_portrait_four_b.jpg Self-Portrait, 1986. Synthetic polymer paint and silkscreen ink on canvas. 203.2 x 203.2 cm. National Gallery of Art, Washington, Gift of the Collectors Committee © 2004 Andy Warhol Foundation for the Visual Arts / ARS, New York https://www.studiointernational.com/images/articles/w/warhol_4_05/self_portrait_red_black_b.jpg Self-Portrait, 1986. Synthetic polymer paint and silkscreen ink on canvas. 101.6 x 101.6 cm. The Andy Warhol Museum, Pittsburgh, Founding Collection, Contribution the Andy Warhol Foundation for the Visual Arts, Inc. © 2004 Andy Warhol Foundation for the Visual Arts / ARS, New York https://www.studiointernational.com/images/articles/w/warhol_4_05/early_self_portrait_1964_b.jpg Early Self-Portrait, 1964. Acrylic, silver paint and silkscreen ink on canvas .50.8 x 41 cm. Froehlich Collection, Stuttgart © 2004 Andy Warhol Foundation for the Visual Arts / ARS, New York https://www.studiointernational.com/index.php/the-gao-xingjian-experience-a-personal-journey-to-the-infinite https://www.studiointernational.com/images/articles/g/gao_xingjian/oblivion_b.jpg Gao Xingjian. Oblivion, 86 x 96 cm, 1997. Private collection. https://www.studiointernational.com/images/articles/g/gao_xingjian/gaoxingjian_b.jpg Portrait of Gao Xingjian. https://www.studiointernational.com/images/articles/g/gao_xingjian/eclipse_b.jpg Gao Xingjian. Eclipse, 184 x 368 cm, 1999. Private collection. https://www.studiointernational.com/images/articles/g/gao_xingjian/intherain_b.jpg Gao Xingjian. In the Rain, 55.5 x 47.5 cm, 2000. Private collection. https://www.studiointernational.com/images/articles/g/gao_xingjian/rainofabeautifulday_b.jpg Gao Xingjian. Rain of A Beautiful Day, 144.5 x 139.5 cm, 2005. Private collection. https://www.studiointernational.com/images/articles/g/gao_xingjian/soulmountain_b.jpg Gao Xingjian. Soul Mountain, 64.2 x 46 cm, 2000. Private collection. https://www.studiointernational.com/index.php/the-possibilities-of-paint-an-interview-with-john-zinsser-by-cindi-di-marzo https://www.studiointernational.com/images/articles/z/zinsser/johnzinsser_b.jpg John Zinsser. Courtesy the artist. https://www.studiointernational.com/images/articles/z/zinsser/studio_b.jpg John Zinsser's studio. Courtesy the artist. https://www.studiointernational.com/index.php/nobuyoshi-araki-araki-self-life-death https://www.studiointernational.com/images/articles/a/araki/satchin_b.jpg Nobuyoshi Araki. From Satchin and His Brother Mabo, 1963 © Courtesy the artist https://www.studiointernational.com/images/articles/a/araki/shrine_b.jpg Nobuyoshi Araki. From In Ruins, early 1997 © Courtesy the artist https://www.studiointernational.com/images/articles/a/araki/colour_eros_b.jpg Nobuyoshi Araki. From Colour Eros, 2004-05 © Courtesy the artist https://www.studiointernational.com/images/articles/a/araki/novel_b.jpg Nobuyoshi Araki. From Novel Photography, 1996 © Courtesy the artist https://www.studiointernational.com/images/articles/a/araki/shino_b.jpg Nobuyoshi Araki. From Shino, 2000 © Courtesy the artist https://www.studiointernational.com/images/articles/a/arbus/4_b.jpg The human pincushion, Ronald C. Harrison, N.J. 1962. Copyright © 1962 The Estate of Diane Arbus, LLC https://www.studiointernational.com/index.php/diane-arbus-revelations https://www.studiointernational.com/images/articles/a/arbus/young_man_b.jpg Diane Arbus. A young man in curlers at home on West 20th Street, N.Y.C. 1966. Copyright © 1972 The Estate of Diane Arbus, LLC https://www.studiointernational.com/images/articles/a/arbus/84420711_b.jpg Diane Arbus. Albino sword swallower at a carnival, Md. 1970. Copyright © 1972 The Estate of Diane Arbus, LLC https://www.studiointernational.com/images/articles/a/arbus/82364762_b.jpg Diane Arbus. Two ladies at the automat, N.Y.C. 1966. Copyright © 1980 The Estate of Diane Arbus, LLC https://www.studiointernational.com/images/articles/a/arbus/82364761_b.jpg Diane Arbus. A young Brooklyn family going for a Sunday outing, N.Y.C. 1966. Copyright © 1966 The Estate of Diane Arbus, LLC https://www.studiointernational.com/images/articles/a/arbus/6_b.jpg Diane Arbus. Boy with straw hat waiting to march in a pro-war parade, N.Y.C. 1967. Copyright © 1969 The Estate of Diane Arbus, LLC https://www.studiointernational.com/images/articles/a/arbus/4_b.jpg Diane Arbus. The human pincushion, Ronald C. Harrison, N.J. 1962. Copyright © 1962 The Estate of Diane Arbus, LLC https://www.studiointernational.com/index.php/guy-bourdin-at-the-v-a-fashion-photography-as-art-from-the-beginning https://www.studiointernational.com/images/articles/b/bourdin/redsofalegs_b.jpg Image by Guy Bourdin 1978 © The Guy Bourdin Estate, 2003 https://www.studiointernational.com/images/articles/b/bourdin/girlinredswimsuit_b.jpg Guy Bourdin. Girl in red swimsuit. © The Guy Bourdin Estate, 2003 https://www.studiointernational.com/index.php/crazy-god--photographs-by-yvonne-de-rosa https://www.studiointernational.com/images/articles/d/de-rosa10/ydr_b.jpg Yvonne De Rosa. https://www.studiointernational.com/index.php/eadweard-muybridge-shaping-and-shifting-our-point-of-view https://www.studiointernational.com/images/articles/m/muybridge-2010/21718w_plate349-b.jpg Eadweard Muybridge. Fencing. (Movements. Male). Plate 349, 1887. Corcoran Gallery of Art, Washington, D.C., Museum Purchase, 87.7.334. https://www.studiointernational.com/images/articles/m/muybridge-2010/21719w_piwiackvalleyoftheyosemiteshowerofstarsvernalfall-b.jpg Eadweard Muybridge. Pi-Wi-Ack. Valley of the Yosemite. (Shower of Stars) “Vernal Fall.” 400 Feet Fall. No. 29, 1872. San Francisco Museum of Modern Art. Accessions Committee Fund and gift of Jeffrey Fraenkel and Frish Brandt. https://www.studiointernational.com/images/articles/m/muybridge-2010/21721w_lelandstanfordjronhisponygypsy-b.jpg Eadweard Muybridge. Leland Stanford, Jr. on his Pony “Gypsy” – Phases of a Stride by a Pony While Cantering, 1879. Wilson Centre for Photography. https://www.studiointernational.com/images/articles/m/muybridge-2010/21717w_contemplationrockglacierpoint1385-b.jpg Eadweard Muybridge. Contemplation Rock, Glacier Point (1385), 1872. Collection of California Historical Society. https://www.studiointernational.com/images/articles/m/muybridge-2010/21718w_plate349-detail-b.jpg Eadweard Muybridge. Fencing. (Movements. Male). Plate 349, (detail) 1887. Corcoran Gallery of Art, Washington, D.C., Museum Purchase, 87.7.334. https://www.studiointernational.com/index.php/helmut-newton https://www.studiointernational.com/images/articles/h/helmut-newton-2012/affiche-2-newton-b.jpg Poster for the Helmut Newton exhibition, Grand Palais, Galerie sud-est, Paris. https://www.studiointernational.com/index.php/new-work-by-bill-henson https://www.studiointernational.com/images/articles/h/henson/henson_i066_capt_b.jpg Bill Henson from Untitled 1980/82. Gelatin silver photograph. 43.0 x 39.0cm. Collection Bill Henson © Bill Henson. Photo: Mark Ashkanazy https://www.studiointernational.com/images/articles/h/henson/henson_m004_capt_b.jpg Bill Henson from Paris Opera Project 1991. Type C photapraph. 124.0 x 125.0cm. Collection Art Gallery of New South Wales, Sydney © Bill Henson. Photo: Mark Ashkanazy https://www.studiointernational.com/images/articles/h/henson/henson_i081_capt_b.jpg Bill Henson from Untitled 1980/82. Gelatin silver photopraph. 43.0 x 39.0cm. Collection Bill Henson © Bill Ashkanazy https://www.studiointernational.com/images/articles/h/henson/henson_n002_capt_b.jpg Bill Henson from Untitled 1996/97. Type C photograph, adhesive tape, pins, glassine. 185.0 x 185.0cm. Private Collection © Bill Henson. Photo: Mark Ashkanazy https://www.studiointernational.com/index.php/how-we-are https://www.studiointernational.com/images/articles/h/how_we_are/hennell_b.jpg Percy Hennell. Probable shotgun wound of left eye which has been lost. Tissue has been replaced by a flap of skin from forehead or scalp, hence the bandage around the head where the flap was raised. Antony Wallace Archive, British Association of Plastic, Reconstructive and Aesthetic Surgery. https://www.studiointernational.com/index.php/mario-testino-kate-who https://www.studiointernational.com/images/articles/m/mario-testino-kate-moss-2010/kate-moss-by-mario-testino-1996-b.jpg Mario Testino: Kate Who? https://www.studiointernational.com/index.php/sophie-calle-talking-to-strangers https://www.studiointernational.com/images/articles/s/sophie_calle09/sc-image-3_b.jpg Portrait of Sophie Calle. Copyright © Yves Geant. https://www.studiointernational.com/index.php/hiroshi-sugimoto-end-of-time https://www.studiointernational.com/images/articles/s/sugimoto/sugimoto_1_b.jpg Hiroshi Sugimoto. Installation view of Mathematical Forms in the gallery. Copyright Hiroshi Sugimoto. https://www.studiointernational.com/images/articles/s/sugimoto/sugimoto_5_b.jpg Hiroshi Sugimoto. View of Seascapes in the gallery set around the Noh performance stage. Copyright Hiroshi Sugimoto. https://www.studiointernational.com/images/articles/s/sugimoto/sugimoto_7_b.jpg Hiroshi Sugimoto. View of 21 Theater series on display in the gallery. Copyright Hiroshi Sugimoto. https://www.studiointernational.com/index.php/the-west-indian-front-room-memories-and-impressions-of-black-british-homes https://www.studiointernational.com/images/articles/w/west_indian_front_room/front_room_b.jpg View inside the West Indian Front Room. Photo credit: John A Neligan/Geffrye Museum. https://www.studiointernational.com/images/articles/w/west_indian_front_room/radiogram_b.jpg Radiogram, c1960. Photo credit: John Hammond/Geffrye Museum. https://www.studiointernational.com/images/articles/w/west_indian_front_room/woman_by_tv_b.jpg Front room, Brixton, 1969. Archival image by Neil Kenlock. Photo credit: Neil Kenlock/Geffrye Museum. https://www.studiointernational.com/index.php/an-exhibition-of-event-photography https://www.studiointernational.com/images/articles/w/written/1730a_b.jpg Reiner Ruthenbeck. Concert by Charlotte Moorman with Nam June Paik at the Kunstakademie in Düsseldorf, 1966 © VG Bildkunst, Bonn https://www.studiointernational.com/images/articles/w/written/1731a_b.jpg Ute Klophaus. Joseph Beuys' students in Wuppertal discuss the foundation of the German Student Party, 1967 © Ute Klophaus https://www.studiointernational.com/index.php/10-dialogues-richard-demarco-scotland-and-the-european-avant-garde https://www.studiointernational.com/images/articles/1/10-dialogues-2011/joseph-beuys-10974l-b.jpg Joseph Beuys on The Moor of Rannoch, the place which inspired him to create his moor “action” on 13 August 1970. https://www.studiointernational.com/images/articles/1/10-dialogues-2011/beuys-scottish-symphony-multiple-b.jpg Joseph Beuys. The Scottish Symphony Celtic Kinloch Rannoch performed at the 1970 Edinburgh International Festival. https://www.studiointernational.com/index.php/analog-trends-in-sound-and-picture https://www.studiointernational.com/images/articles/a/analog-2011/lewis_march_2009_ph_richard_bellia-b.jpg Lewis Durham, of the band Kitty, Daisy & Lewis. Photo: Richard Bellia. https://www.studiointernational.com/images/articles/a/analog-2011/peter_guest-b.jpg Richard Nicholson, Peter Guest, 2006. Courtesy of the artist and Riflemaker. https://www.studiointernational.com/images/articles/a/analog-2011/roy_bass-b.jpg Richard Nicholson. Roy Bass darkroom, Michael Dyer Associates, Covent Garden, 2006. Courtesy of the artist and Riflemaker https://www.studiointernational.com/images/articles/a/analog-2011/mitten_aztech_backup-b.jpg . https://www.studiointernational.com/images/articles/a/analog-2011/mitten_aztech_tablet-b.jpg . https://www.studiointernational.com/images/articles/a/analog-2011/mitten_aztech_toppal_(red)-b.jpg . https://www.studiointernational.com/index.php/cildo-meireles-from-sense-to-concept https://www.studiointernational.com/images/articles/m/meireles/redshift-impregnation_b.jpg Cildo Meireles. Red Shift: 1 Impregnation, 1967–84. White room and red objects, 300 x 1000 x 500 cm. © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/babel_b.jpg Cildo Meireles. Babel, 2001. Radios, diameter 500 x 300 cm. © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/fontes_b.jpg Cildo Meireles. Fontes, 1992. Approximately 6,000 carpenter’s rules, 1,000 clocks, 500,000 vinyl numbers, soundtrack, 300 x 600 x 600 cm. © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/glove-trotter_b.jpg Cildo Meireles. Glove trotter, 1991. Steel mesh, balls of various sizes, materials and colours, 520 x 420 cm. Daros-Latinamerica © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/insertions-coca-cola_b.jpg Cildo Meireles. Insertions into Ideological Circuits – Coca-Cola Project, 1970. © Cildo Meireles. Tate, London. https://www.studiointernational.com/images/articles/m/meireles/meshes-of-freedom_b.jpg Cildo Meireles. Meshes of Freedom I, 1976. Cotton rope, 120 x 120 cm. © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/missoes_b.jpg Cildo Meireles. Mission/Missions (How to Build Cathedrals), 1987. Approximately 600,000 coins, 800 communion wafers, 2,000 bones, 80 paving stones and black fabric, 235 x 600 x 600 cm. Daros-Latinamerica © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/red-shift-details_b.jpg Cildo Meireles. Red Shift: 1 Impregnation (detail), 1967–84. White room and red objects, 300 x 1000 x 500 cm. © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/through-general-view_b.jpg Cildo Meireles. Through, 1983–9/2008. Piece includes – Cellophane, aquarium, chicken wire, fishing nets, voile, glass, iron fencing, 600 x 1500 x 1500 cm. © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/through-the-centre_b.jpg Cildo Meireles. Through, 1983–9/2008. Piece includes – Cellophane, aquarium, chicken wire, fishing nets, voile, glass, iron fencing, 600 x 1500 x 1500 cm. © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/volatile_b.jpg Cildo Meireles. Volatile, 1980-94/2008. Talcum Powder, candle, gas scent, 350 x 700 x 900 cm. © Cildo Meireles https://www.studiointernational.com/images/articles/m/meireles/zero-cent_b.jpg Cildo Meireles. Zero Cent, 1978-84, Unlimited editions. Metal, diameter 1.5 cm. © Cildo Meireles https://www.studiointernational.com/index.php/west-meets-east-in-a-dadadventure https://www.studiointernational.com/images/articles/d/dad_adventure/rciny1b.jpg Performance artist Niky Wolcz impersonating Tristan, 2005 © Niky Wolcz. https://www.studiointernational.com/images/articles/d/dad_adventure/rciny2b.jpg Dadadventure, September 9: One of the performers on Dada texts from The Movement’s Manifestos (1918) and Tristan Tzara’ Gas Heart during Dadadventure © Craig Vetter. https://www.studiointernational.com/images/articles/d/dad_adventure/rciny3b.jpg Dadadventure, September 9: Presentation made by Tom Sandqvist © Romanian Cultural Institute New York. https://www.studiointernational.com/images/articles/d/dad_adventure/rciny6b.jpg Dadadventure, September 9: Opening of the exhibition with ‘Tristan Tzara’ breaking through the brown paper door in the exhibition © Romanian Cultural Institute New York. https://www.studiointernational.com/images/articles/d/dad_adventure/rciny7b.jpg Max Herman Maxy (1895-1971): Portrait of Tristan Tzara (1924) © National Art Museum of Romania (original to be on display in the exhibition starting with October 1). https://www.studiointernational.com/index.php/joseph-beuys-40th-anniversary-journey-to-the-moor-of-rannoch-and-the-road-to-the-isles https://www.studiointernational.com/images/articles/d/demarco-beuys-10/beuys1-b.jpg Joseph Beuys 40th anniversary journey https://www.studiointernational.com/images/articles/d/demarco-beuys-10/demarco-b.jpg Richard Demarco, 2010. Joseph Beuys 40th anniversary journey https://www.studiointernational.com/images/articles/d/demarco-beuys-10/beuys2-b.jpg Joseph Beuys. Scotland, 1970. https://www.studiointernational.com/images/articles/d/demarco-beuys-10/beuys3-b.jpg Joseph Beuys. On The Moor of Rannoch, Scotland, Summer 1970. https://www.studiointernational.com/images/articles/d/demarco-beuys-10/beuys4-b.jpg Joseph Beuys. Edinburgh International Festival, 1970. https://www.studiointernational.com/index.php/pierre-huyghe-celebration-park https://www.studiointernational.com/images/articles/h/huyghe/pierre-huyghe-03-copy_b.jpg Pierre Huyghe, Tate Modern. Photocredit: Andrew Dunkley. https://www.studiointernational.com/index.php/pallant-house-gallery--chichester https://www.studiointernational.com/images/articles/i/islamic_art/a-ottomantent_b.jpg Interior of the Ottoman tent. Courtesy Sean Bell https://www.studiointernational.com/images/articles/i/islamic_art/b_sbb0196_b.jpg Helmet and armour. Courtesy Sean Bell https://www.studiointernational.com/images/articles/i/islamic_art/c_sbb0088_b.jpg Courtesy Sean Bell https://www.studiointernational.com/images/articles/i/islamic_art/d-3_b.jpg Qajar Ruler Fath Ali Shah. © The State Hermitage Museum, St Petersburg https://www.studiointernational.com/images/articles/i/islamic_art/e-girl-in-a-fur-hat_b.jpg Girl in a Fur Hat Iran (1602). © The State Hermitage Museum, St Petersburg https://www.studiointernational.com/index.php/sol-lewitt-the-mystic-conceptualist https://www.studiointernational.com/images/articles/l/lewitt/fours_b.jpg Sol LeWitt. Drawing Series l968 (Fours) https://www.studiointernational.com/index.php/materiality-and-memory-an-interview-with-cildo-meireles https://www.studiointernational.com/images/articles/m/meireles/cildo-meireles-and-fontes_b.jpg Cildo Meireles. The clocks in the background are part of Fontes (1992/2008) installation. https://www.studiointernational.com/images/articles/m/meireles/cildo-meireles.atelie_b.jpg Cildo Meireles surrounded by the boxes which contain the first version of the Red Shift. https://www.studiointernational.com/index.php/pinta-the-latin-american-art-fair https://www.studiointernational.com/images/articles/p/pinta-2011/fbarbosa1-b.jpg Felipe Barbosa. Imperfect Mathematics. Exhibition view from May to July 2011 at the Baró Gallery. Courtesy Baró Gallery. https://www.studiointernational.com/images/articles/p/pinta-2011/felipeehrenberg1-b.jpg Publicity poster of Felipe Ehrenberg solo exhibition at Pinta 2011. Courtesy Felipe Ehrenberg. https://www.studiointernational.com/images/articles/p/pinta-2011/marcaccio-b.jpg Fabian Marcaccio studio, New York, March 2011. Courtesy Galerie Thomas Schulte, Berlin. https://www.studiointernational.com/index.php/p-s-1-moma-new-york https://www.studiointernational.com/images/articles/f/farber_feldmann/howard_hawks_ii_b.jpg Manny Farber, Howard Hawks II, 1977. Oil on paper 23 x 21 inches https://www.studiointernational.com/images/articles/f/farber_feldmann/formeula2_b.jpg Joan Wallace, Formula II (Something Borrowed, Something Blue) 1992. Acrylic on canvas, two sets of florescent lights, bowling pins, wood shelves and supports 84 x 72 x 20 inches https://www.studiointernational.com/index.php/eduardo-paolozzi-the-jet-age-compendium https://www.studiointernational.com/images/articles/p/paolozzi09/1_paolozzi-toysandobjects_b.jpg Toys and objects collected by Eduardo Paolozzi, 1950s–1970s. Victoria and Albert Museum; Collection Robin Spencer. Photograph by Marcus J. Leith. https://www.studiointernational.com/images/articles/p/paolozzi09/3_paolozzi_view_b.jpg Eduardo Paolozzi. Exhibition view, ‘Eduardo Paolozzi: The Jet Age Compendium’, Raven Row, London, 2009. Photograph by Marcus J. Leith. https://www.studiointernational.com/images/articles/p/paolozzi09/4_paolozzi_view_b.jpg Eduardo Paolozzi. Exhibition view, ‘Eduardo Paolozzi: The Jet Age Compendium’, Raven Row, London, 2009. Photograph by Marcus J. Leith. https://www.studiointernational.com/index.php/starred-restaurant-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/r/ra-restaurant-2011/ra-b.jpg RA Restaurant https://www.studiointernational.com/index.php/rsa-181st-annual-exhibition- https://www.studiointernational.com/images/articles/r/rsa/burmaroad_b.jpg Burma Road. Richard Demarco with Paul Neagu. https://www.studiointernational.com/images/articles/r/rsa/journey_b.jpg Journey to Hoy. Demarco Digital Archive. https://www.studiointernational.com/index.php/mark-rothko-the-retrospective https://www.studiointernational.com/images/articles/r/rothko_08/rothko_portrait_b.jpg Mark Rothko, 1961. © 1998 Kate Rothko Prizel and Christopher Rothko/VG Bild-Kunst, Bonn 2008 https://www.studiointernational.com/index.php/unseen-vogue-the-secret-history-of-fashion-photography https://www.studiointernational.com/images/articles/u/unseenvogue/envelope_b.jpg Envelope containing transparencies of Yves Saint Laurent's second haute couture collection as chief designer at Christian Dior, 1958 https://www.studiointernational.com/images/articles/u/unseenvogue/henry_clarke_b.jpg Photographed by Henry Clarke. Commissioned for British Vogue, May 1956 issue https://www.studiointernational.com/images/articles/u/unseenvogue/kate_moss_b.jpg Kate Moss, photographed by Nick Knight. Commissioned for British Vogue, February 1996 issue https://www.studiointernational.com/images/articles/u/unseenvogue/vivien_leigh_b.jpg Vivien Leigh, photographed by Cecil Beaton. Commissioned for British Vogue, 28 October 1936 issue https://www.studiointernational.com/index.php/warhol-a-celebration-of-life-and-death https://www.studiointernational.com/images/articles/w/warhol_2007/warhol-portraits_b.jpg Photograph of the Portraits Room. © Art works licensed by the Andy Warhol Foundation for the Visual Arts, Inc/ARS, New York and DACS London 2007. Photograph by Michael Wolchover https://www.studiointernational.com/images/articles/w/warhol_2007/warhol-skull-room_b.jpg Photograph of the Skulls Room. © Art works licensed by the Andy Warhol Foundation for the Visual Arts, Inc/ARS, New York and DACS London 2007. Photograph by Michael Wolchover https://www.studiointernational.com/index.php/every-day-is-a-good-day-the-visual-art-of-john-cage https://www.studiointernational.com/images/articles/j/john-cage-2011/john-cage-river-rocks-and-smoke-courtesy-the-john-cage-trust-b.jpg John Cage. River Rocks and Smoke: 4-11-90 #1. Watercolour and smoke on rag paper, 27.75 x 42.5 inches. Courtesy of The John Cage Trust at Bard. https://www.studiointernational.com/index.php/aboriginal-women-as-ambassadors-of-art-and-culture https://www.studiointernational.com/images/articles/a/across_the_desert/exhi007815_b.jpg Nyukana Baker, Ungakini Tjangala and Tjariya (Nungalka) Stanley (left to right) at Womikata, near Ernabella, May 2004. Photo: Beth Sometimes. https://www.studiointernational.com/index.php/africa-remix https://www.studiointernational.com/images/articles/a/africa_remix/20_bodys_isek_b.jpg Bodys Isek Kingelez (DR Congo), La ville de Sète en 3009, 2000. Paper, cardboard, paint, sequins, glue; covered by polyester in wooden frame 210 x 300 x 89 cm. Collection Musée International des Arts Modestes, Sète, France https://www.studiointernational.com/images/articles/a/africa_remix/13_hazoume_dacs_b.jpg Romuald Hazoumé, Bidon Armé, 2004. Mixed media, photograph 380 x 110 x 110 cm. Courtesy of the artist © ADAGP, Paris and DACS, London 2005 (optional) https://www.studiointernational.com/index.php/shaping-the-american-landscape-church--homer-and-moran https://www.studiointernational.com/images/articles/c/church_homer_moran/traveling14b.jpg Edward Timothy Hurley (American, 1869-1950) for Rookwood Pottery (founded 1880) 'Indian Encampment' vase. U.S.A., 1909. Glazed stoneware. Gift of Marcia and William Goodman, 1984-84-1 https://www.studiointernational.com/index.php/michael-andrews-revisited https://www.studiointernational.com/images/articles/a/andrewsm_cabin_297.jpg Michael Andrews. Cabin, 1975. Acrylic on canvas, 60 × 83 ⅞ in (152.4 × 213 cm). Private collection. https://www.studiointernational.com/images/articles/a/andrews_m_150.jpg Michael Andrews. The Deer Park, 1962. Oil paint on board, 214 x 244.5 cm. Tate. © The estate of Michael Andrews. https://www.studiointernational.com/index.php/anglomania-tradition-and-transgression-in-british-fashion https://www.studiointernational.com/images/articles/a/anglomania/jacket_b.jpg Jacket, 1996-97. Union Jack jacket designed by Alexander McQueen in collaboration with David Bowie, using distressed fabric. Worn by David Bowie on the Earthling album tour, 1996-97. Collection of David Bowie. https://www.studiointernational.com/images/articles/a/anglomania/ensemble_b.jpg Queen-ish Ensemble. Vivienne Westwood (British, b. 1941). Harris Tweed collection autumn/winter 1987-88. Burgundy cotton velvet with blue wool piping; faux ermine fur; black leather and natural wood; faux ermine fur and multicolored felted wool crown. Los Angeles County Museum of Art, Costume Council Fund, M.2002.97a-f. Photography © 2002 Museum Associates/LACMA. https://www.studiointernational.com/index.php/reality-check-two-performances-by-anindita-dutta-at-fukuoka-asian-art-museum-kyushu-japan https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/img_5531_0718-b.jpg Anindita Dutta. Doroing (Doro - clay in Japanese). Applying the clay to the stage backdrop. Courtesy Anindita Dutta. https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/img_6112_0725-b.jpg Anindita Dutta. Spraying water to keep the clay wet. Courtesy Anindita Dutta. https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/performance2-cut-out-b.jpg Anindita Dutta. Performance 2. A Mazing. Performed by students from Kyushu Sangyo University https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/anindita-dutta-b.jpg Anindita Dutta. Doroing (Doro - clay in Japanese). Getting the textures in clay. Courtesy Anindita Dutta. https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/anindita-dutta-applying-clay-b.jpg Anindita Dutta. Applying the clay to a performer. She has to be tough. Standing for four hours with a layer of clay is not an easy task! Courtesy Anindita Dutta. https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/anindita-dutta-applying-clay2-b.jpg Anindita Dutta. Directors delight. “I had such a wonderful and sincere group of students helping me. They followed each and every one of my instructions even through the language barrier.” Courtesy Anindita Dutta. https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/performance1-arm-wrestling-b.jpg Anindita Dutta. Performance 1. Wrest in Peace. Performed by students from Kyushu Sangyo University's Fine Arts Department. Courtesy Anindita Dutta. https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/performance1-at-table-b.jpg Anindita Dutta. Performance 1. Wrest in Peace. Performed by students from Kyushu Sangyo University's Fine Arts Department. Courtesy Anindita Dutta. https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/dsc_2603-b.jpg Anindita Dutta. Maze in preparation. Courtesy Anindita Dutta. https://www.studiointernational.com/images/articles/a/anindita-dutta-2010/performance2-cut-out2-b.jpg Anindita Dutta. Performance 2. A Mazing. Performed by students from Kyushu Sangyo University's Fine Arts Department. Courtesy Anindita Dutta. https://www.studiointernational.com/index.php/another-world-dal-magritte-mir-and-the-surrealists https://www.studiointernational.com/images/articles/a/another-world-10/le-temps-menacant-[threatening-weather]-rene-magritte-b.jpg Ren https://www.studiointernational.com/images/articles/a/another-world-10/maternity-joan-miro-b.jpg Joan Mir https://www.studiointernational.com/images/articles/a/another-world-10/exploding-raphaelesque-head-salvador-dali-b.jpg Salvador Dal https://www.studiointernational.com/index.php/anri-sala https://www.studiointernational.com/images/articles/a/anri-sala-2012/1-anri-sala-no-window-no-cry-2011-b.jpg Anri Sala. No Window No Cry (Le Corbusier, Maison-atelier Lipschitz, Boulogne), 2011. Boîte à musique, verre, cadre de fenêtre en bois, 135 × 108 × 10 cm. Courtesy: Galerie Chantal Crousel, Paris. Photograph: Juliana Santacruz. https://www.studiointernational.com/images/articles/a/anri-sala-2012/4-no-window-no-cry-2011-b.jpg Anri Sala. No Window No Cry (Juan O’Gorman, Biblioteca Central de la UNAM, Mexico City), 2011. Boîte à musique, verre, cadre de fenêtre en métal, 97 x 112 x 8 cm. Courtesy: Kurimanzutto, Mexico. Photograph: Anri Sala. https://www.studiointernational.com/images/articles/a/anri-sala-2012/5-no-window-no-cry-2011-b.jpg Anri Sala. No Window No Cry (Junzo Sakakura, Institut franco-japonais de Tokyo, Tokyo), 2011. Boîte à musique, verre, cadre de fenêtre en bois, 118 x 80 x 7 cm. Courtesy: Kaikai Kiki Gallery. © Photograph: Keizo Kioku. https://www.studiointernational.com/images/articles/a/anri-sala-2012/8-title-suspended-2008-b.jpg Anri Sala. Title Suspended, 2008. Résine, nitrille, moteur électrique, 67 × 110 × 36 cm. © Centre Pompidou, Mnam-Cci. © Photograph: Florian Kleinefenn. https://www.studiointernational.com/images/articles/a/anri-sala-2012/10-tlatelolco-clash-2011-b.jpg Anri Sala. Tlatelolco Clash, 2011. Projection vidéo HD, Dolby Digital 5.1, 11 min, 49 sec. Capture d’écran. © Anri Sala, 2011. Courtesy: kurimanzutto, Mexico; Marian Goodman Gallery, New York; Hauser & Wirth, Zurich, London; Galerie Chantal Crousel, Paris. https://www.studiointernational.com/images/articles/a/anri-sala-2012/13-untitled-(tagplant-2)-b.jpg Below: Anri Sala. Untitled (tagplant 2), 2005. Photographie noir et blanc sur papier baryté, 60 x 90 cm. © Anri Sala, 2011. Courtesy Galleria Alfonso Artiaco, Naples. https://www.studiointernational.com/index.php/giorgio-armani-a-retrospective https://www.studiointernational.com/images/articles/a/armani/black_dress_b.jpg Woman https://www.studiointernational.com/images/articles/a/armani/beaded_dress_b.jpg Woman's evening jacket and trousers (detail), fall/winter 1990-91. Photo: Ellen Labenski https://www.studiointernational.com/images/articles/a/armani/c_gada_i_84_85_01_b.jpg Woman's evening wear (detail), spring/summer 1985. Advertising campaign. Photo: Aldo Fallai https://www.studiointernational.com/images/articles/a/armani/d_gadpe_97_07_b.jpg Woman's evening dress and trousers (detail), fall/winter 1994-95. Advertising campaign. Photo: Peter Lindberg https://www.studiointernational.com/images/articles/a/armani/e_munro_006_b.jpg Man's suit (detail), fall/winter 1992-3, and woman's trouser suit (detail), spring/summer 1996. Photo: Tom Munro https://www.studiointernational.com/images/articles/a/armani/f_lucywarmani_b.jpg Installation view of Giorgio Armani at the Guggenheim Museum Bilbao, 31 March - 2 September, 2001. Photo by Erika Barahona Ede © FMGB https://www.studiointernational.com/images/articles/a/armani/g_ga_view20_b.jpg Installation view of Giorgio Armani at the Solomon R. Guggenheim Museum, New York, 20 October 2000 - 17 January 2001. Photo: Ellen Labenski © SRGF, NY https://www.studiointernational.com/index.php/the-armory-show-a-personal-view https://www.studiointernational.com/images/articles/a/armory-show-2012/dsc01027-b.jpg Rith (Aiko) Asawa. Untitled, c1950s. Looped brass & iron wire, 13 x 11 x 11 in. Loretta Howard Gallery. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2012/dsc01045-b.jpg Yayoi Kusama. Victoria Milo Gallery. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/the-art-of-seduction- https://www.studiointernational.com/images/articles/a/art_of_seduction/fragonard_b.jpg Jean Honoré Fragonard. The Beautiful Servant (Pointless Resistance), undated. Oil on canvas, oval. The National Museum of Fine Arts, Stockholm © The National Museum of Fine Arts, Stockholm https://www.studiointernational.com/index.php/artists-in-the-bush-land-issues-in-the-art-of-gw-bot-wendy-stavrianos-and-helen-geier https://www.studiointernational.com/images/articles/a/artists-bush/kanchan-helen_b.jpg Kanchan and Helen at work in Helen's studio in Braidwood. https://www.studiointernational.com/index.php/the-international-asian-art-fair https://www.studiointernational.com/images/articles/l/ldk_images/large/figure1_b.jpg Oscar Award-winning Chinese designer Tim Yip, Photo by Miguel Angel https://www.studiointernational.com/images/articles/l/ldk_images/large/figure3_b.jpg Large unglazed terracotta painted figure of a walking horse. Eastern Han Dynasty (25–220 A.D.). Sichuan Province H. 43 1/4" (110 cm). A&J Speelman Ltd., London. Photo by Miguel Angel https://www.studiointernational.com/images/articles/l/ldk_images/large/figure8_b.jpg Fung Ming Chip (b. 1951), Post-Marijuana (Swirl Script with traditional script), 2000. Ink on paper 27 1/2 x 27 in. (70 x 69 cm). Goedhuis Contemporary, New York https://www.studiointernational.com/images/articles/l/ldk_images/large/figure11_b.jpg Wang Dongling (b. 1945), Inhale Wind and Take a Ride on a Cloud, 2004. Ink on Paper 109.45 x 57.09 in. (278 x 145 cm). Goedhuis Contemporary, New York https://www.studiointernational.com/images/articles/l/ldk_images/large/figure13_b.jpg Maya, mother of Buddha. Central India, Mathura region. 1st Century. Pink/beige sandstone H. 89 cm. John Eskenazi, London. Photo by Miguel Angel https://www.studiointernational.com/images/articles/l/ldk_images/large/figure2_b.jpg A large green glazed pottery figure of a horse. Han Dynasty (206 B.C.–220 A.D.) H. 33 https://www.studiointernational.com/images/articles/l/ldk_images/large/figure4_b.jpg A PAIR OF LARGE PAINTED POTTERY FIGURES OF LOKAPALAS. Tang dynasty, late 7th/early 8th century. Height: 48 1/2 inches (123.2 cm.). The Chinese Porcelain Company https://www.studiointernational.com/images/articles/l/ldk_images/large/figure5_b.jpg Earthenware Horses, Tang Dynasty, eraly 8th century. 20 https://www.studiointernational.com/images/articles/l/ldk_images/large/figure6_b.jpg Marble Buddha, Seated in virasãna pose. Tang Dynasty, H. 31 https://www.studiointernational.com/images/articles/l/ldk_images/large/figure7_b.jpg A tall Chinese calligraphy hanging scroll. Ink on silk in ts'ao-shu, Cursive or https://www.studiointernational.com/images/articles/l/ldk_images/large/figure9_b.jpg Shao Yixuan (1886-1954) (with an inscription by Pu Ru (1896-1963)), Banana Leaf and Butterfly. Ink on paper, 35 1/2 x 14 1/2 in. China 2000 Fine Art, New York https://www.studiointernational.com/images/articles/l/ldk_images/large/figure10_b.jpg Yang Yanping (b. 1934). Song of Fall, 2000-2001. Chinese colored ink on rice paper 27 x 53 3/4 in (68.6 x 136.5 cm). Goedhuis Contemporary, New York https://www.studiointernational.com/images/articles/l/ldk_images/large/figure12_b.jpg Japanese bamboo artworks. Master Craftsmen Baskets. Twentieth-century. Tai Gallery/Textile Arts, Santa Fe. Photo by Miguel Angel https://www.studiointernational.com/images/articles/l/ldk_images/large/figure14_b.jpg Maya, mother of Buddha. Gandhara region. 5th century. Terracotta H. 135 cm. John Eskenazi, London. Photo by Miguel Angel https://www.studiointernational.com/images/articles/l/ldk_images/large/figure15_b.jpg STANDING BUDDHA. Stucco, with polychrome. Pakistan/Afghanistan, Gandhara region, Kushan period. 3-4th century A.D. 55 inches (139.7 cm.). Nancy Wiener Gallery, Inc., New York https://www.studiointernational.com/index.php/frank-auerbach https://www.studiointernational.com/images/articles/a/auerbach.jpg Reclining Head of Julia 1995. 1995, acrylic on board https://www.studiointernational.com/images/articles/a/auerbach-lampert150.jpg Head of Catherine Lampert. 1986, oil on canvas https://www.studiointernational.com/index.php/aztecs-at-the-royal-academy https://www.studiointernational.com/images/articles/a/aztecs/aztecs1b.jpg Mosaic mask of Tezcatlipoca, Aztec, Post Classic human skull, mosaic of turquiose and jet, eyes of shell and pyrite. 19.5 x 12.5 cm. The British Museum, London. Photo (C) The British Museum, London. https://www.studiointernational.com/images/articles/a/aztecs/key107b.jpg Dog, c.1500, Aztec. Stone, 47.5 x 20 x 29 cm. Museo Regional de Puebla, Puebla, CONACULTA-INAH. Photo Michel Zabe https://www.studiointernational.com/images/articles/a/aztecs/key28b.jpg Mictlantecuhtli, c.1480, Aztec. Fired clay, stucco and paint, 176 x 80 x 50 cm. Museo del Templo Mayor, Mexico City, CONACULTA-INAH. Photo Michel Zabe https://www.studiointernational.com/images/articles/a/aztecs/key321b.jpg Votive vessel with an image of Xilonen, c. 1500, Aztec. Fired clay and paint, 99 x 60 x 49 cm. Museo Nacional de Antropologia, Mexico City, CONACULTA-INAH. Photo Michel Zabe https://www.studiointernational.com/images/articles/a/aztecs/key382b.jpg Shield pendant, c. 1500, Aztec-Mixtec. Gold with silver and copper, 10.5 x 8.5 cm. Baluarte de Santiago, Veracruz, CONACULTA-INAH. Photo Michel Zabe https://www.studiointernational.com/images/articles/a/aztecs/key65b.jpg Head of a youth, c. 1500, Aztec. Stone, red shell and obsidian, 19.5 x 15.5 cm. Museo Nacional de Antropologia, Mexico City, CONACULTA-INAH. Photo Michel Zabe https://www.studiointernational.com/index.php/francis-bacon-at-tate-britain https://www.studiointernational.com/images/articles/b/bacon-tate_britain08/16097w_bacontriptych_b.jpg Francis Bacon. Triptych - In Memory of George Dyer, 1971. Oil on canvas 1980 x 1475 mm each. Fondation Beyeler, Basel © Estate of Francis Bacon. All Rights Reserved, DACS 2008 . Photo: Peter Schibli, Basel https://www.studiointernational.com/images/articles/b/bacon-tate_britain08/16252bacon_dog_b.jpg Francis Bacon. Study of a Dog, 1952. Oil on canvas, 2185 x 1580 x 118 mm © Tate https://www.studiointernational.com/images/articles/b/bacon-tate_britain08/16775francisbacon_b.jpg Francis Bacon. Study from the Human Body, 1949. Oil on canvas 1470 x 1342 mm. © Estate of Francis Bacon. All Rights Reserved, DACS 2008 https://www.studiointernational.com/images/articles/b/bacon-tate_britain08/16863bacontwofigur_b.jpg Francis Bacon. Two Figures in the Grass, 1954. Oil on canvas, 1520 x 1170 mm. Private Collection © Estate of Francis Bacon. All Rights Reserved, DACS 2008 https://www.studiointernational.com/images/articles/b/bacon-tate_britain08/16865francisbaconh_b.jpg Francis Bacon. Head VI, 1949. Oil on canvas, 932 x 765 mm. Arts Council Collection, Southbank Centre, London © Estate of Francis Bacon. All Rights Reserved, DACS 2008 https://www.studiointernational.com/images/articles/b/bacon-tate_britain08/15894wfrancisbacont_b.jpg Francis Bacon. Triptych – August 1972, 1972. Oil on canvas, each: 2175 x 1668 x 102 mm painting. Tate © Estate of Francis Bacon. All Rights Reserved, DACS 2007 https://www.studiointernational.com/index.php/balthus https://www.studiointernational.com/images/articles/b/balthus-2001/balthus_alice_355.jpg Balthus. Alice dans le miroir. 1933, olio su tela, 162 x 112 cm. parigi, Musée national d https://www.studiointernational.com/images/articles/b/balthus-2001/balthus_cosi_355.jpg Balthus. Cosi fan tutte – Étude pour le décor de l'acte I, scène I. 1950, gouache. Private collection. Photo: J Hyde https://www.studiointernational.com/index.php/barbara-kruger-site-specific-installation https://www.studiointernational.com/images/articles/b/barbara-kruger-2010/a-59912-b.jpg Barbara Kruger. CONTACT installation, 2010. Photo: Craig Boyko, courtesy the Art Gallery of Ontario. https://www.studiointernational.com/images/articles/b/barbara-kruger-2010/a-59913-b.jpg Barbara Kruger. CONTACT installation, 2010. Photo: Craig Boyko, courtesy the Art Gallery of Ontario. https://www.studiointernational.com/images/articles/b/barbara-kruger-2010/a-59914-b.jpg Barbara Kruger. CONTACT installation, 2010. Photo: Craig Boyko, courtesy the Art Gallery of Ontario. https://www.studiointernational.com/index.php/baroque-world-baroque-1620-1800-style-in-the-age-of-magnificence-v-a-london-2009 https://www.studiointernational.com/images/articles/b/baroque/altarpiece_b.jpg Altarpiece of the Virgin of Sorrows Mexico, c. 1690. © Fundacion Televisa, Mexico https://www.studiointernational.com/images/articles/b/baroque/bust_charles_ii_b.jpg Bust of Charles II, Honore Pelle, Genoa, 1684. © V&A Images https://www.studiointernational.com/images/articles/b/baroque/installationview1_b.jpg Baroque 1620-1800: Style in the Age of Magnificence at the V&A. Installation view. Photo: Richard Waite https://www.studiointernational.com/images/articles/b/baroque/installationview_b.jpg Baroque 1620-1800: Style in the Age of Magnificence at the V&A. Installation view. Photo: Richard Waite https://www.studiointernational.com/images/articles/b/baroque/louis_xiv_b.jpg Portrait of Louis XIV, After Hyacinthe Rigaud, Paris, about 1701. © RMN/Gérard Blot https://www.studiointernational.com/images/articles/b/baroque/mirror-table_b.jpg Silver mirror, table and stands, Gerrit Jensen, London, 1676-81. © NTPL/Andreas von Einsiedel https://www.studiointernational.com/images/articles/b/baroque/ostrich_egg_b.jpg Ostrich egg cup Mark of Benjamin Herfurth and Johann Joachim Kändler Dresden, 1734. © Grünes Gewölbe, Staatliche Kunstsammlungen Dresden. Photo: Jürgen Karpinski. https://www.studiointernational.com/images/articles/b/baroque/pearl_b.jpg Figure of a camel made from Baroque pearls, probably Frankfurt am Main, before 1706. © Grünes Gewölbe, Staatliche Kunstsammlungen Dresden. Photo: Jürgen Karpinski. https://www.studiointernational.com/images/articles/b/baroque/state_bed_b.jpg State bed given by Louis XIV to the Swedish Ambasador, Nils Bielke, Paris, before 1682. © The National Museum of Fine Arts, Stockholm. https://www.studiointernational.com/images/articles/b/baroque/violin_1_b.jpg Violin with royal Stuart arms, attributed to Ralph Agutter, London, about 1685. © V&A Images. https://www.studiointernational.com/images/articles/b/baroque/violin_2_b.jpg Violin with royal Stuart arms, attributed to Ralph Agutter, London, about 1685 (detail). © V&A Images. https://www.studiointernational.com/index.php/bauhaus-1919-1933 https://www.studiointernational.com/images/articles/b/bauhaus/kandinsky_b.jpg House Klee/Kandinsky in Dessau, 1925. Architect: Walter Gropius. Photograph: Hans Engels https://www.studiointernational.com/images/articles/b/bauhaus/siemensstadt_b.jpg Hans Engels. Ring Housing Estate Siemensstadt in Berlin, 1929. Architect: Fred Forbát https://www.studiointernational.com/images/articles/b/bauhaus/chair_b.jpg Marcel Breuer. Tubular steel armchair. Bauhaus-Archiv Berlin. Photograph: Fotostudio Bartsch https://www.studiointernational.com/index.php/you-beaut-country https://www.studiointernational.com/images/articles/a/aussydneyb2337.jpg Sir Sidney Nolan. Bird over harbour, Sydney, 1948. Ripolin on board 91.5 x 122cm https://www.studiointernational.com/images/articles/a/ausolsenj.jpg John Olsen. The Letter, Summer Holiday 1987. Oil on canvas 183 x 224cm. https://www.studiointernational.com/images/articles/a/ausbushyam.jpg Emily kame Kngwarreye. Bush yam 1994. Acrylic on canvas 172 x 134cm. https://www.studiointernational.com/images/articles/a/auscn0616.jpg Justin O'Brien. Flowers with Pears, skyros Greece c.1967. Oil on canvas on board 61 x 44cm. https://www.studiointernational.com/index.php/beijing-s-798-art-district https://www.studiointernational.com/images/articles/f/factory_798/1_b.jpg Slogans of Cultural Revolution inside the Beijing-Tokyo Art Project gallery https://www.studiointernational.com/images/articles/f/factory_798/2_b.jpg 798 Space (gallery) https://www.studiointernational.com/images/articles/f/factory_798/3_b.jpg Sculptures left in the open space inside 798 https://www.studiointernational.com/images/articles/f/factory_798/4_b.jpg Sculptors working inside a workshop inside 798 https://www.studiointernational.com/images/articles/f/factory_798/5_b.jpg Galleries among the workshops inside Factory 798 https://www.studiointernational.com/images/articles/f/factory_798/6_b.jpg Dashanzi Art District https://www.studiointernational.com/images/articles/f/factory_798/7_b.jpg Exhibition on Feng Zhengjie's works at Cheng Xindong International Contemporary Art Space, October, 2006 https://www.studiointernational.com/images/articles/f/factory_798/8_b.jpg Cheng Xindong International Contemporary Art Space https://www.studiointernational.com/index.php/out-of-beirut https://www.studiointernational.com/images/articles/b/beirut/here_and_elsewhere_b.jpg Here and perhaps elsewhere video stills from the documentary. Here and perhaps elsewhere © Lamia Joreige, 2003. https://www.studiointernational.com/images/articles/b/beirut/bo18_1b.jpg Bernard Khoury. BO18 Music Club. Built 1998. https://www.studiointernational.com/index.php/joseph-beuys-actions-vitrines-environments https://www.studiointernational.com/images/articles/b/beuys/jb_2_b.jpg Joseph Beuys and Venetian craftsmen installing Tramstop 1976. Photo credit Caroline Tisdall. Copyright DACS 2004 https://www.studiointernational.com/images/articles/b/beuys/pack_clean_b.jpg Joseph Beuys, Das Rudel (The Pack), 1969. Volkswagen bus with twenty-four wooden sleds, each with felt, flashlight, fat and stamped with Braunkreuz (brown oil paint). Photo Tate Modern https://www.studiointernational.com/images/articles/b/beuys/t05855_77857_b.jpg The End of the Twentieth Century 1983-5. Basalt, clay and felt displayed (variable): 900 x 7000 x 12000 mm installation. Purchased with assistance from Edwin C. Cohen and Echoing Green 1991. Copyright the Artist. Photo: Tate Modern https://www.studiointernational.com/index.php/scandinavian-design-beyond-the-myth https://www.studiointernational.com/images/articles/b/beyond_the_myth/panton_b.jpg Panton Chair by Verner Panton, 1967 https://www.studiointernational.com/images/articles/b/beyond_the_myth/1f03poppy_b.jpg Poppy Fabric by Marimekko, 1964 https://www.studiointernational.com/index.php/the-art-of-nothing-ivo-mesquita-and-the-bienal-internacional-de-arte-de-s-atilde-o-paulo https://www.studiointernational.com/images/articles/b/bienal_internacional/bienal10_b.jpg Bienal Internacional de Arte de São Paulo: Ciccilo Matarazzo Pavilion, slopes. Photographer: Eliza Ramos https://www.studiointernational.com/images/articles/b/bienal_internacional/bienal18_b.jpg Ivo Mesquita, chief curator of Bienal Internacional de Arte de São Paulo, on the floor he promised to leave empty for the exhibition. Photographer: Eliza Ramos https://www.studiointernational.com/images/articles/b/bienal_internacional/columns_b.jpg Bienal Internacional de Arte de São Paulo: Ciccilo Matarazzo Pavilion, columns and slopes. Photographer: Juan Guerra/Fundação Biena https://www.studiointernational.com/images/articles/b/bienal_internacional/flags_b.jpg Bienal Internacional de Arte de São Paulo: Ciccilo Matarazzo Pavilion, outside, flags square. Photographer: Juan Guerra/Fundação Bienal https://www.studiointernational.com/images/articles/b/bienal_internacional/ground_b.jpg Bienal Internacional de Arte de São Paulo: Ciccilo Matarazzo Pavilion, ground floor. Photographer: Juan Guerra/Fundação Bienal https://www.studiointernational.com/index.php/big-bang-creation-and-destruction-in-20th-century-art https://www.studiointernational.com/images/articles/b/big_bang/01_2viola_b.jpg Bill Viola, Five Angels for the Millennium, 2001. © Bill Viola, D. R. (reserved rights). © photographer : Kira Perov. © Centre Pompidou, MNAM, Paris/Tate, London/Whitney Museum of American. Art, New York (joint purchase) https://www.studiointernational.com/images/articles/b/big_bang/02_iglesias_b.jpg Cristina Iglesias, Untitled (Passage II), 2002. Installation. Braided rafia suspended from the ceiling. Raphia, string. Each element: 298 x 126 x 1 cm. © Centre Pompidou, MNAM, distr.RMN. © D.R. (reserved rights) https://www.studiointernational.com/images/articles/b/big_bang/03_currin_b.jpg John Currin, The Moroccan, 2001. Oil on canvas 66,04 x 55,88 cm © Centre Pompidou, MNAM, dist.RMN © John Currin © Photo: Georges Meguerditchian https://www.studiointernational.com/images/articles/b/big_bang/08_nauman_b.jpg Bruce Nauman, Pulling Mouth, 1969. 16 mm black and white cinematographic film, silent. Length: 9'. © Centre Pompidou, MNAM, dist.RMN © Adagp, Paris, 2005 https://www.studiointernational.com/index.php/starting-at-zero-black-mountain-college-1933-57 https://www.studiointernational.com/images/articles/b/black_mountain/aalbers_bwg1_b.jpg Annie Albers. Black-White-Gold I 1950. Pictorial weaving, 80 x 62.5 cm. Collection the Josef and Annie Albers Foundation. Photo Tim Nighswander. https://www.studiointernational.com/images/articles/b/black_mountain/aalbers_neck_b.jpg Annie Albers. Hardware Necklace. Drain strainer and paper clips reconstruction of the c 1940 original corks and booby pins on thread. Collection Mary Emma Harris, courtesy the Josef and Annie Albers Foundation. Photo Tim Nighswander. https://www.studiointernational.com/images/articles/b/black_mountain/aalbers&reed_neck_b.jpg Annie Albers and Alex Reed. Neckpiece c 1940. Bobby pins and chain. Collection Mrs Barbara Dreier, courtesy the Josef and Annie Albers Foundation. Photo: Tim Nighswander. https://www.studiointernational.com/images/articles/b/black_mountain/edek_unt16_b.jpg Elaine de Kooning. Untitled # 16 1948. Enamel on paper on canvas 80 x 50 cm. Private Collection, Cambridge, Massachusetts, USA. https://www.studiointernational.com/images/articles/b/black_mountain/johnson_profumo_b.jpg Ray Johnson. Untitled: f.x. Profumo c 1953-59, c 1980. 51.25 x 38.75. Estate of Ray Johnson. https://www.studiointernational.com/images/articles/b/black_mountain/kline_b.jpg Franz Kline. Untitled 1952. Ink on paper, 34.3 x 42.6 cm. Mr and Mrs C Jeffrey Simpson. https://www.studiointernational.com/images/articles/b/black_mountain/ky_bucky1_b.jpg Buckminster Fuller models, installation shots. Models made by Phillip Shelley and Phillip O'Farrell, architecture students of the University of Cambridge and geodesic dome made by second year architecture students, University of the West of England, Bristol. https://www.studiointernational.com/images/articles/b/black_mountain/ky_bucky2_b.jpg Buckminster Fuller models, installation shots. Models made by Phillip Shelley and Phillip O'Farrell, architecture students of the University of Cambridge and geodesic dome made by second year architecture students, University of the West of England, Bristol. https://www.studiointernational.com/images/articles/b/black_mountain/rausch_dance_b.jpg Robert Rauschenberg. Drawing for Joel Oppenheimer's The Dancer 1951. Ink on paper, 17.9 x 12.8 cm. James S Jaffe Rare Books, Haverford, PA, USA. https://www.studiointernational.com/images/articles/b/black_mountain/twombly_minoe_b.jpg Cy Twombly. Min-Oe 1951. Bitumen, oil based house paint on canvas, 85 x 100 cm. Courtesy Robert Rauschenberg Foundation. https://www.studiointernational.com/images/articles/b/black_mountain/wdek_unt1948_b.jpg Willem de Kooning. Untitled 1948. Pen and ink and ink wash on paper 23.75 x 22 cm. Hirshorn Museum and Sculpture Garden, Smithsonian Institute, Gift of Joseph H Hirshorn, 1966. https://www.studiointernational.com/images/articles/b/black_mountain/jalbers_oscillating_b.jpg Josef Albers. Oscillating (C) 1940-45. Oil on masonite. Collection the Josef and Annie Albers Foundation. https://www.studiointernational.com/index.php/bloomberg-new-contemporaries-2005 https://www.studiointernational.com/images/articles/b/bloomberg/627_temp_b.jpg Hideko Inoue, The Hat, 2005, oil on canvas. https://www.studiointernational.com/images/articles/b/bloomberg/628_temp_b.jpg Richard Mosse, Untitled, 2005, C-type photograph on aluminium. https://www.studiointernational.com/images/articles/b/bloomberg/629_temp_b.jpg Clive Murphy, What its like to be me, 2005, inflatable cardboard box, 30 x 30 x 12 cm. https://www.studiointernational.com/images/articles/b/bloomberg/630_temp_b.jpg Muzi Quawson, Asbury Park - Pull Back the Shade, 2005, slide projection. https://www.studiointernational.com/index.php/mother-and-child-divided https://www.studiointernational.com/images/articles/b/body/body29b.jpg Professor Gunther von Hagens, Horse and rider, installation view. https://www.studiointernational.com/images/articles/b/body/body34b.jpg Professor Gunther von Hagens, The Swordsman, installation view. https://www.studiointernational.com/images/articles/b/body/body43b.jpg Professor Gunther von Hagens, The Chess Player, installation view. https://www.studiointernational.com/images/articles/b/body/body57b.jpg Professor Gunther von Hagens https://www.studiointernational.com/images/articles/b/body/body15b.jpg Professor Gunther von Hagens, Anatomically prepared, plastinated whole body specimen, installation view. https://www.studiointernational.com/index.php/boris-mikhailov-triptychs https://www.studiointernational.com/images/articles/b/boris-mikhailov-2012/boris-mikhailov-triptych-case-history-b.jpg Boris Mikhailov. Untitled Triptych from the series Case History, 1997–98. C-Print, 60 x 40 cm each. © Boris Mikhailov. Courtesy of Sprovieri Gallery. https://www.studiointernational.com/index.php/hieronymus-bosch https://www.studiointernational.com/images/articles/j/john_patmos.jpg Saint John of Patmos https://www.studiointernational.com/index.php/a-runaway-girl-at-home-in-new-york-louise-bourgeois-at-the-guggenheim https://www.studiointernational.com/images/articles/b/bourgeois/666_b.jpg Louise Bourgeois in 1990 with her marble sculpture Eye to Eye (1970). Photo: Raimon Ramis © Louise Bourgeois https://www.studiointernational.com/images/articles/b/bourgeois/792_b.jpg Installation view of Spider Couple, Untitled, and Untitled at Solomon R. Guggenheim Museum, New York, 2008. © Solomon R. Guggenheim Foundation New York. Photo by David Heald https://www.studiointernational.com/index.php/down-among-the-bowery-boys https://www.studiointernational.com/images/articles/b/bowery/ext_b.jpg New Museum, exterior. Photograph: Dean Kaufman https://www.studiointernational.com/images/articles/b/bowery/lobby_b.jpg New Museum, lobby. Photograph: Dean Kaufman https://www.studiointernational.com/images/articles/b/bowery/lobby2_b.jpg New Museum, lobby, looking out. Photograph: Dean Kaufman https://www.studiointernational.com/images/articles/b/bowery/stair_b.jpg New Museum, stairwell. Photograph: Dean Kaufman https://www.studiointernational.com/images/articles/b/bowery/sky_b.jpg New Museum, skyroom terrace. Photograph: Dean Kaufman https://www.studiointernational.com/index.php/brit-insurance-design-of-the-year-2010--rock-stars--politics-and-ingenious-design https://www.studiointernational.com/images/articles/b/brit-awards-2010/folding-plug-h.jpg Min-Kyu Choi https://www.studiointernational.com/images/articles/b/brit-awards-2010/beth-ditto-2-b.jpg Beth Ditto for Evans. Photo: Rankin. https://www.studiointernational.com/images/articles/b/brit-awards-2010/brit-exhibits-21-gorilla-b.jpg Gorilla https://www.studiointernational.com/images/articles/b/brit-awards-2010/brit-exhibits-28-b.jpg Kennard Phillipps https://www.studiointernational.com/images/articles/b/brit-awards-2010/brit-exhibits-35-beehaus-b.jpg Beehaus designed by Omlet. Photo: Luke Hayes. https://www.studiointernational.com/images/articles/b/brit-awards-2010/ro-wmsportcarinasq-h-b.jpg Motivation https://www.studiointernational.com/images/articles/b/brit-awards-2010/zimbabwean-insitu-b.jpg TBWA\Hunt\Lascaris Trillion Dollar Campaign. https://www.studiointernational.com/images/articles/b/brit-awards-2010/glasses-mp4-player-b.jpg EyeWriter. Developed by members of Free Art and Technology (F.A.T), openFrameworks, Graffiti Research Lab,The Ebeling Group and Tony Quan. https://www.studiointernational.com/index.php/british-art-show-7-in-the-days-of-the-comet https://www.studiointernational.com/images/articles/b/brit-art-show-2011/christian-marclay-the-clock-2010-a4-7-b.jpg Christian Marclay. The Clock (video still), 2010. Edition of 6, single channel video, duration: 24 hours. https://www.studiointernational.com/images/articles/b/brit-art-show-2011/price_ugd8-b.jpg Elizabeth Price. User Group Disco (video still), 2009. All images courtesy the artist and MOT International. https://www.studiointernational.com/images/articles/b/brit-art-show-2011/matthew-darbyshire-b.jpg Matthew Darbyshire. An Exhibition for Modern Living, 2010. Photo: Kieron McCarron. https://www.studiointernational.com/images/articles/b/brit-art-show-2011/george_shaw_the_blocked_drain_2010-b.jpg George Shaw. The Blocked Drain, 2010. Humbrol enamel on board, 147.5 x 198 x 5 cm. Copyright the artist, courtesy the artist and Wilkinson Gallery. https://www.studiointernational.com/images/articles/b/brit-art-show-2011/roger-hiorns-untitled-(2005-2010)-part-of-british-art-show-7-b.jpg Roger Hiorns. Untitled (2005-10). Photo: Kieron McCarron. https://www.studiointernational.com/images/articles/b/brit-art-show-2011/sarah_lucas_nud-3_2009-b.jpg Sarah Lucas. NUD (3), 2009. Copyright the artist, courtesy the artist and Sadie Coles. https://www.studiointernational.com/index.php/camouflage https://www.studiointernational.com/images/articles/c/camouflage/1b.jpg P Tudor-Hart. Camouflaged sniper gloves, 1917 ©Artist’s estate Imperial War Museum https://www.studiointernational.com/images/articles/c/camouflage/2b.jpg Sniper’s camouflaged robe, First World War Imperial War Museum https://www.studiointernational.com/images/articles/c/camouflage/3b.jpg Venezuelan paratroopers, 2005 ©Chico Sanchez/EFE/epa/Corbis https://www.studiointernational.com/images/articles/c/camouflage/4b.jpg German steel helmet, First World War Imperial War Museum https://www.studiointernational.com/images/articles/c/camouflage/5b.jpg Shoes, designed by Philip Treacy, 2003 ©Philip Treacy for Gina Couture https://www.studiointernational.com/images/articles/c/camouflage/6b.jpg A Warhol. Camouflage, 1987 ©DACS/Founding Collection, The Andy Warhol Museum, Pittsburgh https://www.studiointernational.com/images/articles/c/camouflage/7b.jpg P Nash, A Howitzer Firing, 1918 Imperial War Museum https://www.studiointernational.com/images/articles/c/camouflage/8b.jpg Camouflaging a tank, First World War Imperial War Museum https://www.studiointernational.com/images/articles/c/camouflage/9b.jpg Matilda Mk II tank in desert camouflage, Second World War Imperial War Museum https://www.studiointernational.com/index.php/carlos-amorales-la-lange-des-morts https://www.studiointernational.com/images/articles/a/amorales-2012/negative-nature_2-b.jpg Bottom: Installation view. Courtesy Yvon Lambert Paris. Photograph: Didier Barroso. https://www.studiointernational.com/images/articles/a/amorales-2012/y-veremos-como-todo-reverbera_3-b.jpg Bottom: Installation view. Courtesy Yvon Lambert Paris. Photograph: Didier Barroso. https://www.studiointernational.com/index.php/changing-hands-and-building-bridges-tradition-and-innovation-in-native-american-art https://www.studiointernational.com/images/articles/c/changing_hands/dede_b.jpg Paula Rasmus Dede, Not Your Mama https://www.studiointernational.com/images/articles/c/changing_hands/singletarybox_b.jpg Preston Singletary, Bentwood Chest, 2004. Fused and sand-carved glass 18 x 14 ½ x 22 ½ https://www.studiointernational.com/images/articles/c/changing_hands/murphy_b.jpg Molly Murphy, Six Horses Courting Blanket, 2005. Commercial woven wool, glass beads, horsehair, store-bought trim, brass cones 50 x 80 x 1 inches. Collection of the artist. Photo: Chris Autio https://www.studiointernational.com/images/articles/c/changing_hands/laktonen_b.jpg Jerry Jacob Laktonen, Dream Paddles, 2004. Cottonwood, paint, glass beads, dentalium, feathers 60 x 4 x 1 in. each. Private collection https://www.studiointernational.com/images/articles/c/changing_hands/cadman_b.jpg Marcus Cadman, Kachina: Bingo Sheet https://www.studiointernational.com/index.php/jake-or-dinos-chapman https://www.studiointernational.com/images/articles/c/chapman-brothers-2011/masons-yard-ground-floor-(5)-a4-b.jpg Jake or Dinos Chapman. White Cube Mason's Yard, London. https://www.studiointernational.com/images/articles/c/chapman-brothers-2011/hoxton-square-ground-floor(6)-a4-b.jpg Jake or Dinos Chapman. White Cube Hoxton Square, London. https://www.studiointernational.com/index.php/china-design-now https://www.studiointernational.com/images/articles/c/china_design/9404_b.jpg Installation shot, China Design Now © V&A Images https://www.studiointernational.com/images/articles/c/china_design/9474_b.jpg Installation shot, China Design Now © V&A Images https://www.studiointernational.com/images/articles/c/china_design/9485_b.jpg Installation shot, China Design Now © V&A Images https://www.studiointernational.com/images/articles/c/china_design/9561_b.jpg Installation shot, China Design Now © V&A Images https://www.studiointernational.com/images/articles/c/china_design/9617_b.jpg Installation shot, China Design Now © V&A Images https://www.studiointernational.com/images/articles/c/china_design/chen_man_b.jpg Front cover artwork for Vision Magazine, February 2004. No licence for use in China © Chen Man https://www.studiointernational.com/images/articles/c/china_design/chen_shaohua_b.jpg Poster for Graphic Design in China Exhibition, 1992 © Chen Shaohua https://www.studiointernational.com/images/articles/c/china_design/herzog_b.jpg National Stadium - The Main Stadium for the 2008 Olympic Games, Beijing © Herzog & de Meuron https://www.studiointernational.com/index.php/china-s-artistic-evolution--then-and-now-china-crossroads-of-culture-follow-me--chinese-art-at-the-threshold-of-the-new-millennium https://www.studiointernational.com/images/articles/c/chinese_evolution/bodhisattva_b.jpg Standing Bodhisattva, Sui dynasty (581-619). Limestone with gilding and pigments. Height: 136cm. Copyright: Mori Art Museum. https://www.studiointernational.com/index.php/cold-war-modern https://www.studiointernational.com/images/articles/c/cold_war_modern/buckminsterfuller_b.jpg Save Our Planet, Save Our Cities poster featuring Richard Buckminster Fuller's Dome Over Manhattan scheme of the early 1960s, 1971. Unknown designer © V&A Images https://www.studiointernational.com/images/articles/c/cold_war_modern/jested_b.jpg Jested Tower, 1968-73. Karel Hubácek © Jiri Jiroutek https://www.studiointernational.com/images/articles/c/cold_war_modern/kitchendebate_b.jpg Vice-president Richard Nixon with USSR First Secretary Nikita Khrushchev during the 'Kitchen debate' at the American National Exhibition, Moscow, 1959 © PA Photos/AP https://www.studiointernational.com/images/articles/c/cold_war_modern/moscowskyskraper_b.jpg Administrative building in Zariad'e, 1947-49 (Unbuilt). Dimitrii Cechulin and I. Tigranov © Schusev State Museum of Architecture, Moscow https://www.studiointernational.com/images/articles/c/cold_war_modern/phonosuper_b.jpg Braun SK55 Stereo Radiogramme, 1956. Dieter Rams & Hans Gugelot for Braun © V&A Images https://www.studiointernational.com/index.php/unmasking-the-heroes-of-american-comic-art https://www.studiointernational.com/images/articles/c/comics/mermaid_b.jpg Anke Feuchtenberger. From 'The Little Mermaid,' 2006. Ink and crayon on paper, 10 1/2' x 14 ½'. Courtesy Adam Baumgold Gallery. https://www.studiointernational.com/images/articles/c/comics/movie_b.jpg Lauren Weinstein. 'Movie,' page 1, 2005. Ink and watercolor on paper. 14' x 17'. Courtesy Adam Baumgold Gallery. https://www.studiointernational.com/index.php/artist-as-peacemaker-beyond-conflict https://www.studiointernational.com/images/articles/c/conflict/george_donald1b.jpg George Donald . Untitled. Work on paper. 5 https://www.studiointernational.com/images/articles/c/conflict/marion_leven2b.jpg Marion Leven . Untitled. Work on paper. 5 https://www.studiointernational.com/images/articles/c/conflict/will_maclean3b.jpg Will Maclean. Untitled. Work on paper. 5 https://www.studiointernational.com/index.php/contemporary-drawing-recent-studies https://www.studiointernational.com/images/articles/c/contemporary_drawing/vitamind_cover.jpg Contemporary Drawing: Recent Studies https://www.studiointernational.com/images/articles/c/contemporary_drawing/drawing_now_cover.jpg Contemporary Drawing: Recent Studies https://www.studiointernational.com/images/articles/c/contemporary_drawing/drawing_in_australia_cover.jpg Contemporary Drawing: Recent Studies https://www.studiointernational.com/images/articles/c/contemporary_drawing/drawing_book_cover.jpg Contemporary Drawing: Recent Studies https://www.studiointernational.com/index.php/leonardo-da-vinci-experience--experiment--design https://www.studiointernational.com/images/articles/d/da_vinci/deluge_b.jpg Leonardo da Vinci. Deluge with rocks, floods and a tree, c.1516. 15.8 x 20.3 cm. Royal Collection © 2006 Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/d/da_vinci/head_lb.jpg Leonardo da Vinci. Head of a man showing how rays of light fall upon the face from an adjacent source, c.1488. 20.3 x 14.3 cm. Pen and ink on white paper. Royal Collection © 2006 Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/d/da_vinci/horse_b.jpg Leonardo da Vinci. Studies of horses and horsemen for the Battle of Anghiari, c.1503. 8.3 x 12 cm. Pen and Ink. The British Museum, London https://www.studiointernational.com/images/articles/d/da_vinci/man_b.jpg Leonardo da Vinci. Man Climbing a Ladder, c.1494. Code Forster II. 19.5 x 7cm. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/d/da_vinci/men_b.jpg Leonardo da Vinci. Men at work, digging, carrying, pulling etc, c.1509. 20.1 x 13 cm. Black chalk with some pen. Royal Collection © 2006 Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/d/da_vinci/sections_b.jpg Leonardo da Vinci. Vertical and horizontal sections of the human head and eye, c.1489. 20.3 x 14.3cm. Pen and ink and red chalk. Royal Collection © 2006 Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/d/da_vinci/action_b.jpg Leonardo da Vinci. Horses in action, with studies of expression horses, lion and man, and an architectural groundplan, c.1505. 19.6 x 30.8 cm. Pen and ink. Royal Collection © 2006 Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/d/da_vinci/spiral_b.jpg Leonardo da Vinci. Studies of a spiral staircase and of a pump, c. 1514. 28 x 18 cm (page size in bound volume). British Library, London. https://www.studiointernational.com/images/articles/d/da_vinci/studies_b.jpg Leonardo da Vinci. Studies of the heart of an ox, c.1513. 28 x 41 cm. Pen and ink on blue paper. Royal Collection © 2006 Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/d/da_vinci/vessels_b.jpg Leonardo da Vinci. Vessels of the arm with comparison of vessels in the old and the young, c.1508. Pen and ink 19 x 13.3 cm. Royal Collection https://www.studiointernational.com/index.php/hirst-reconsidered-damien-hirst--tate-modern--london--2012 https://www.studiointernational.com/images/articles/d/damien-hirst-2012/060a-b.jpg Damien Hirst. Sympathy in White Major – Absolution II, 2006 (detail). Butterflies and household gloss on canvas. © Damien Hirst and Science Ltd. All rights reserved. DACS 2012. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/d/damien-hirst-2012/hirst-lullaby-033-b.jpg Damien Hirst. Lullaby, the Seasons, 2002 (detail). Glass, stainless steel, steel, aluminium, nickel, bismuth and cast resin, coloured plaster and painted pills with dry transfers. © Damien Hirst and Science Ltd. All rights reserved. DACS 2012. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/d/damien-hirst-2012/hirst-shark-side-view-b.jpg Damien Hirst. The Physical Impossibility of Death in the Mind of Someone Living, 1991. Glass, painted steel, silicone, monofilament, shark and formaldehyde solution. © Damien Hirst and Science Ltd. All rights reserved. DACS 2012. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/d/damien-hirst-2012/damien-244-b.jpg Portrait of Damien Hirst. Photograph: Billie Scheepers. © Damien Hirst and Science Ltd. All rights reserved, DACS 2012. https://www.studiointernational.com/images/articles/d/damien-hirst-2012/1000-years-09-b.jpg Damien Hirst. A Thousand Years, 1990 (installation view). Glass, steel, silicone rubber, painted MDF, insect-ocutor, cow's head, blood, flies, maggots, metal dishes, cotton wool, sugar and water. © Damien Hirst and Science Ltd. All rights reserved. DACS 2012. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/d/damien-hirst-2012/hirst-room-3-b.jpg Damien Hirst. The Physical Impossibility of Death in the Mind of Someone Living, 1991 (installation view). Glass, painted steel, silicone, monofilament, shark and formaldehyde solution. © Damien Hirst and Science Ltd. All rights reserved. DACS 2012. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/d/damien-hirst-2012/room-7-4-b.jpg Damien Hirst. Pharmacy, 1992. Glass, faced particleboard, painted MDF, beech, ramin, wooden dowels, aluminium, pharmaceutical packaging, desks, office chairs, foot stools, apothecary bottles, coloured water, insect-o-cutor, medical text books, stationery, bowls, resin, honey and honey, dimensions variable. Tate. © Damien Hirst and Science Ltd. All rights reserved. DACS 2012. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/d/damien-hirst-2012/hirst_beautiful_childish-b.jpg Damien Hirst. Beautiful, childish, expressive, tasteless, not art, over simplistic, throw away, kid’s stuff, lacking integrity, rotating, nothing but visual candy, celebrating, sensational, inarguably beautiful painting (for over the sofa), 1996. © Damien Hirst and Science Ltd. All rights reserved. DACS 2012. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/index.php/the-danish-gift https://www.studiointernational.com/images/articles/d/danish_gift/11_b.jpg Exhibition view, exterior https://www.studiointernational.com/images/articles/d/danish_gift/37_b.jpg Exhibition view, interior https://www.studiointernational.com/index.php/the-house-of-books-has-no-windows https://www.studiointernational.com/images/articles/d/dark_pool/houseofbooks_b.jpg HouseofBooks_b.jpg https://www.studiointernational.com/images/articles/d/dark_pool/operaforasmallroom_b.jpg OperaforaSmallRoom_b.jpg https://www.studiointernational.com/images/articles/d/dark_pool/roadtrip_b.jpg RoadTrip_b.jpg https://www.studiointernational.com/images/articles/d/dark_pool/thedarkpool_b.jpg TheDarkPool_b.jpg https://www.studiointernational.com/images/articles/d/dark_pool/thekillingmachine_b.jpg TheKillingMachine_b.jpg https://www.studiointernational.com/index.php/the-deformation-man-david-lynch-s-chimerical-universe-of-metamorphosis https://www.studiointernational.com/images/articles/d/david_lynch/15b.jpg David Lynch. Untitled, undated. Photograph 27.9 x 35.3 cm. https://www.studiointernational.com/images/articles/d/david_lynch/4b.jpg David Lynch. Untitled, undated. Marker on paper, 7.6 x 7.6 cm. https://www.studiointernational.com/images/articles/d/david_lynch/5b.jpg David Lynch. Untitled, undated. Marker on bristol paper, 8.4 x 12 cm. https://www.studiointernational.com/images/articles/d/david_lynch/8b.jpg David Lynch. Untitled, undated. Marker on paper, 14 x 21 cm. https://www.studiointernational.com/images/articles/d/david_lynch/14b.jpg David Lynch. Untitled, undated. Photograph. https://www.studiointernational.com/images/articles/d/david_lynch/16b.jpg David Lynch. Untitled, undated. Photograph 27.9 x 35.3 cm. https://www.studiointernational.com/index.php/a-symphony-of-colours-and-shapes-color-moves-art-and-fashion-by-sonia-delaunay https://www.studiointernational.com/images/articles/d/delauney-2011/pr15-b.jpg Sonia Delaunay in her studio at boulevard Malesherbes, Paris, France, 1925. Photographed by Germaine Krull. Bibliothéque Nationale de France. © L & M Services B.V. The Hague 20100623. https://www.studiointernational.com/images/articles/d/delauney-2011/pr1-b.jpg Driving caps designed by Sonia Delaunay, 1924-28. Silk and wool embroidery on cotton. Musée de la Mode de la Ville de Paris, Musée Galliera. © L & M Services B.V. The Hague 20100623. https://www.studiointernational.com/images/articles/d/delauney-2011/pr2-b.jpg Bathing suit designed by Sonia Delaunay, France c1928. Knitted wool. Musée de la Mode de la Ville de Paris, Musée Galliera. © L & M Services B.V. The Hague 20100623. https://www.studiointernational.com/images/articles/d/delauney-2011/pr23_fpo-b.jpg Model wearing swimsuit designed by Sonia Delaunay, 1929. Photographed by Luigi Diaz for Presse Paris.Bibliothéque Nationale de France. © L & M Services B.V. The Hague 20100623. https://www.studiointernational.com/images/articles/d/delauney-2011/pr3-b.jpg Dress designed by Sonia Delaunay, France 1925-28. Printed silk satin with metallic embroidery. Musée de la Mode de la Ville de Paris, Musée Galliera. © L & M Services B.V. The Hague 20100623. https://www.studiointernational.com/index.php/richard-demarco--edinburgh-international-festival--2008-- https://www.studiointernational.com/images/articles/d/demarco/krzysztof_b.jpg Krzysztof Noworyta, Richard Demarco, Flora Crichton (Mother of Catherine Maxwell Stuart and Preceeding Laird of Traquair). https://www.studiointernational.com/images/articles/d/demarco/mroz_b.jpg Installation by Barbara Mróz. https://www.studiointernational.com/images/articles/d/demarco/station_b.jpg Station of the Cross, Traquair Chapel. https://www.studiointernational.com/index.php/designing-for-a-change https://www.studiointernational.com/images/articles/d/design_for_change/bamboo_b.jpg Bamboo treadle pump. Designer: Gunnar Barnes and International Development Enterprises Nepal. Manufacturer: numerous small- and medium-sized local workshops, Nepal and Bangladesh, 2006. Metal, plastic, bamboo. Dimensions: 5 ft x 2.5 ft x 7 ft. Photo © 2003 International Development Enterprises https://www.studiointernational.com/images/articles/d/design_for_change/gvs_b.jpg Global village shelter. Designer: Ferrara Design, Inc, with Architecture for Humanity. Manufacturer: Weyerhaeuser Company, United States, 2004. Triple-wall laminated corrugated cardboard. Dimensions: 92 inches x 98.5 inches x 98.5 inches. Photo © 2005 Architecture for Humanity and Grenada Relief, Recovery, and Reconstruction https://www.studiointernational.com/images/articles/d/design_for_change/madhouserhut_b.jpg Mad Housers hut. Designer and manufacturer: Mad Housers. United States, 1987. Wood, plywood, nails, roll roofing, plastic and/or screen for windows, silver sheet insulation, paint, caulk, metal flashing, stove pipe and cinderblocks 10 ft x 6 ft x 8 ft. Photo © 2005 Salma Abdulrahman https://www.studiointernational.com/images/articles/d/design_for_change/onelaptopperchild_b.jpg One laptop per child. Concept: Nicholas Negroponte, OLPC. Designer: Yves Behar, fuseproject. (with Martin Schnitzer and Bret Recor). Manufacturer: Quanta Computer, Inc, and OLPC, China, 2007. Composition: PC/ABS, rubber 1.3 inches x 9 inches x 9.5 inches https://www.studiointernational.com/images/articles/d/design_for_change/prosthesis_b.jpg Jaipur foot and below knee prosthesis. Designers: Master Ram Chandra Sharma and Dr PK Sethi. Manufacturer: Bhagwan Mahavir Viklang Sahayata Samiti, Jaipur, India, 1968. Micro-cellular rubber, cosmetic rubber compound, nylon cord rubber, trade rubber compound, cushion rubber compound, wooden keel with a connection bolt (Jaipur Foot); H.D.P.E. pipe, HDPE. sheet, Jaipur Foot, padeline sheet, leather straps (Below Knee). Dimensions: 9.5 inches (foot), 9 inches (instep), 9 inches (ball girth), 21 inches (below-knee), 19.5 inches (maximum diameter) © Bhagwan Mahavir Viklang Sahayata Samit https://www.studiointernational.com/images/articles/d/design_for_change/qdrum_b.jpg Q-Drum. Designer: PJ and JPS Hendrikse. Manufacturer: Kaymac Rotomoulders and Pioneer Plastics, Pretoria, South Africa, 1993. Linear low-density polyethelene 14 inches h x 19.5 inches diameter. Photo © 1993 PJ Hendrikse https://www.studiointernational.com/index.php/designer-of-the-year https://www.studiointernational.com/images/articles/d/designer_of_the_year/jonathan_ive_b.jpg Jonathan Ive, Apple iMac, 2002 https://www.studiointernational.com/images/articles/d/designer_of_the_year/tord_boontje_b.jpg Tord Boontje, Wednesday Light, 2002 https://www.studiointernational.com/images/articles/d/designer_of_the_year/solange_b.jpg Solange Azagury-Partridge, Boucheron emerald ring, 2002 https://www.studiointernational.com/index.php/-destricted--sex-as-performance-art https://www.studiointernational.com/images/articles/d/destricted/death__valley_b.jpg ‘Death valley’ from ‘Destricted’. Director: Sam Taylor-Wood https://www.studiointernational.com/images/articles/d/destricted/epic1_b.jpg 'Balkan erotic epic' from 'Destricted'. Director: Marina Abramovic https://www.studiointernational.com/images/articles/d/destricted/epic2_b.jpg 'Balkan erotic epic' from 'Destricted'. Director: Marina Abramovic https://www.studiointernational.com/images/articles/d/destricted/fuck_alone2_b.jpg 'We fuck alone' from 'Destricted'. Director: Gaspar Noé https://www.studiointernational.com/images/articles/d/destricted/hoist1_b.jpg 'Hoist' from 'Destricted'. Director: Matthew Barney https://www.studiointernational.com/images/articles/d/destricted/hoist2_b.jpg 'Hoist' from 'Destricted'. Director: Matthew Barney https://www.studiointernational.com/images/articles/d/destricted/house_call_b.jpg 'House call' from 'Destricted'. Director: Richard Prince https://www.studiointernational.com/images/articles/d/destricted/impaled1_b.jpg 'Impaled' from 'Destricted'. Director: Larry Clark https://www.studiointernational.com/images/articles/d/destricted/impaled2_b.jpg 'Impaled' from 'Destricted'. Director: Larry Clark https://www.studiointernational.com/images/articles/d/destricted/sync_b.jpg 'Sync' from 'Destricted'. Director: Marco Bambilla https://www.studiointernational.com/index.php/less-and-more--ndash--the-design-ethos-of-dieter-rams https://www.studiointernational.com/images/articles/d/dieter_rams/portrait-dieter-rams_b.jpg Dieter Rams, Design Museum. Photo: Luke Hayes. https://www.studiointernational.com/images/articles/d/dieter_rams/installation_b.jpg Less and More – The Design Ethos of Dieter Rams. Installation view, Design Museum, 2009. Photo: Luke Hayes. https://www.studiointernational.com/images/articles/d/dieter_rams/606-image_b.jpg 606 Universal Shelving System, 1960. Manufacturer: Vitsœ. Design by Dieter Rams. https://www.studiointernational.com/images/articles/d/dieter_rams/300-special-dl-3-shaver_b.jpg 300 Special DL 3, 1955. Manufacturer: Braun GmbH. Photo: Koichi Okuwaki. https://www.studiointernational.com/images/articles/d/dieter_rams/t-1000-portable-radio_b.jpg T 1000 Portable radio by Dieter Rams, 1963. Manufacturer: Braun GmbH. Photo Koichi Okuwaki. https://www.studiointernational.com/index.php/the-draper-touch https://www.studiointernational.com/images/articles/d/draper/as_19b.jpg Dining Room at Arrowhead Springs Resort in California, 1939. Photograph by Maynard Parker. Courtesy The Huntington Library, San Marino, California. https://www.studiointernational.com/images/articles/d/draper/c_3b.jpg Lobby of the Carlyle, circa 1930. Courtesy Collection of Dorothy Draper & Co. Inc., The Carleton Varney Design Group. https://www.studiointernational.com/images/articles/d/draper/con_9b.jpg Airplane interior rendering, circa 1957. Courtesy Collection of Dorothy Draper & Co. Inc, The Carleton Varney Design Group. https://www.studiointernational.com/images/articles/d/draper/convair1b.jpg Dorothy Draper with Convair executive, circa 1957. Courtesy Collection of Dorothy Draper & Co. Inc. The Carleton Varney Design Group. https://www.studiointernational.com/images/articles/d/draper/dd_3b.jpg Dorothy Draper, 1930s. Courtesy Collection of Dorothy Draper & Co. Inc. The Carleton Varney Design Group. https://www.studiointernational.com/images/articles/d/draper/hh_44b.jpg Lobby, 1937. Photographer, Van Nes De Vos. Courtesy Collection of Dorothy Draper & Co. Inc. The Carleton Varney Design Group. https://www.studiointernational.com/index.php/christopher-dresser-1834-1904-a-design-revolution https://www.studiointernational.com/images/articles/d/dresser/209_b.jpg Two vases Designed by Christopher Dresser. Manufactured by James Couper & Sons Glasgow, Scotland, ca. 1890. Clutha glass (blown, bubbled glass with coloured inclusions). Lent by The Birkhead Collection. Photo © 2001 Michael Whiteway https://www.studiointernational.com/images/articles/d/dresser/164tl_b.jpg Pitcher designed by Christopher Dresser, circa 1880. Manufactured by Linthorpe Art Pottery, Yorkshire, England. Earthenware David Bonsall, Image Bank Ltd. © 2001 Michael Whiteway https://www.studiointernational.com/images/articles/d/dresser/162t_b.jpg JUG, model no. 551 designed by Christopher Dresser. Manufactured by Linthorpe Art Pottery Yorkshire, England, ca. 1880 Glazed earthenware. Lent by The Birkenhead Collection. Photo: © 2001 Michael Whiteway https://www.studiointernational.com/images/articles/d/dresser/154_b.jpg Toast rack designed by Christopher Dresser. Manufactured by James Dixon & Sons Sheffield, England, ca. 1879 Silver-plated metal (electroplate). From the Collection of Ellen and Bill Taubman. Photo: © 2001 Michael Whiteway https://www.studiointernational.com/images/articles/d/dresser/146_b.jpg Decanter designed by Christopher Dresser. Manufactured by Hukin & Heath Birmingham, England, 1879 Silver-plated metal (electroplate), glass. Lent by Andrew McIntosh Patrick Photo: © 2001 Michael Whiteway https://www.studiointernational.com/images/articles/d/dresser/012t_b.jpg Teapot James Dixon & Sons. Sheffield. Electroplate and ebonized wood, designed c. 1878, made c. 1878-85. Photo: © the British Museum, London https://www.studiointernational.com/index.php/dynasty https://www.studiointernational.com/images/articles/d/dynasty-2010/raphaelle-ricol_mam-b.jpg Rapha https://www.studiointernational.com/images/articles/d/dynasty-2010/raphaelle-ricol_pt-b.jpg Rapha https://www.studiointernational.com/index.php/the-bespoke-portraitist-of-a-prosperous-world https://www.studiointernational.com/images/articles/v/vuillard-2012/29-vuillard-in-his-studio-b.jpg Édouard Vuillard in his studio at 56 Rue des Batignolles, Paris, c1898. Private collection. https://www.studiointernational.com/images/articles/v/vuillard-2012/01-self-portrait-with-waroquy-b.jpg Édouard Vuillard, Self-Portrait with Waroquy, 1889. Oil on canvas. The Metropolitan Museum of Art, New York, Gift of Alex M. Lewyt, 1955. https://www.studiointernational.com/images/articles/v/vuillard-2012/02-the-drawer-b.jpg Édouard Vuillard. The Drawer, c1892. Oil on canvas.  V. Madrigal Collection, New York. https://www.studiointernational.com/images/articles/v/vuillard-2012/03-at-the-cafe-b.jpg Édouard Vuillard. At the Cafe, c1898-9. Gouache and distemper on board.  Private collection. https://www.studiointernational.com/images/articles/v/vuillard-2012/04-mother-and-daughter-against-a-red-background-b.jpg Édouard Vuillard. Mother and Daughter Against a Red Background, 1891. Oil on cardboard. Private collection. https://www.studiointernational.com/images/articles/v/vuillard-2012/05-at-the-revue-blanche-b.jpg Édouard Vuillard. At the Revue Blanche (Félix Fénéon), 1897-98. Oil on cardboard. Solomon R. Guggenheim Museum, New York, the Hilla Rebay Collection. https://www.studiointernational.com/images/articles/v/vuillard-2012/06-thadee-natanson-at-his-desk-b.jpg Édouard Vuillard. Thadée Natanson at His Desk, c1899. Oil on cardboard, mounted on panel. Collection of Helen Frankenthaler. https://www.studiointernational.com/images/articles/v/vuillard-2012/07-la-grangette-at-valvins-b.jpg Édouard Vuillard. La Grangette at Valvins, 1896. Oil on cardboard, mounted on panel.  Galerie Berès, Paris. https://www.studiointernational.com/images/articles/v/vuillard-2012/08-misia-and-vallotton-at-villeneuve-b.jpg Édouard Vuillard. Misia and Vallotton at Villeneuve, 1899. Oil on cardboard.  Collection of William Kelly Simpson. https://www.studiointernational.com/images/articles/v/vuillard-2012/09-lucy-hessel-at-the-seashore-b.jpg Édouard Vuillard. Lucy Hessel at the Seashore, c1904. Oil on hardboard.  Hammer Museum, Los Angeles, the Armand Hammer Collection, Gift of the Armand Hammer Foundation. https://www.studiointernational.com/images/articles/v/vuillard-2012/10-guelder-roses-and-the-venus-de-milo-b.jpg Édouard Vuillard. Guelder Roses and the Venus de Milo, 1905. Oil on cardboard.  The Art Institute of Chicago, Gift of Mr. and Mrs. Sterling Morton. https://www.studiointernational.com/images/articles/v/vuillard-2012/11-messieurs-and-mesdames-josse-and-gaston-bernheim-jeune,-avenue-henri-martin-b.jpg Édouard Vuillard. Messieurs and Mesdames Josse and Gaston Bernheim-Jeune, Avenue Henri-Martin, 1905. Oil on cardboard, on panel.  Collection of Guy-Patrice Dauberville, courtesy of the Galerie Bernheim-Jeune, Paris. https://www.studiointernational.com/images/articles/v/vuillard-2012/12-claude-bernheim-de-villers-b.jpg Édouard Vuillard. Claude Bernheim de Villers, 1905-6. Oil on paper, mounted on plywood.  Musée d’Orsay, Paris, Gift of Mr. Gaston Bernheim de Villers, father of the model, 1951. https://www.studiointernational.com/index.php/letter-from-memphis https://www.studiointernational.com/images/articles/e/elvis/elvis_graceland_b.jpg Graceland, Memphis https://www.studiointernational.com/images/articles/e/elvis/elvis_sign_b.jpg Sign in Beale Street, Memphis https://www.studiointernational.com/images/articles/e/elvis/elvis_statue_b.jpg Statue in Memphis https://www.studiointernational.com/index.php/uch-emchek-or-3m-check-central-asia-s-first-art-residency-programme https://www.studiointernational.com/images/articles/u/uch-emchek/shailo08_b.jpg Shailo Dzhekshenbaev, Uch Emchek, 2008. https://www.studiointernational.com/index.php/a-little-madness-in-the-spring---emily-dickinson-s-garden-the-poetry-of-flowers https://www.studiointernational.com/images/articles/d/dickinson10/edickinsonportrait-b.jpg The only confirmed photograph of Emily Dickinson. Circa 1847, from a daguerreotype. Courtesy, Amherst College Library. https://www.studiointernational.com/images/articles/d/dickinson10/2010042951-85-b.jpg From left to right; Gregory Long, President of The New York Botanical Garden; Sigourney Weaver; and Todd Forrest, Vice President of Horticulture and Living Collections at The New York Botanical Garden. Photo by Talisman Brolin. https://www.studiointernational.com/images/articles/d/dickinson10/2010042951-411-b.jpg Reproduction of Emily Dickinson's white dress. Circa 1878-82, Emily Dickinson Museum Collection. Original, Amherst History Museum collection. https://www.studiointernational.com/images/articles/d/dickinson10/_ivo7679-b.jpg Re-creation of 19th-century New England flower garden. Emily Dickinson's Garden: The Poetry of Flowers. Photo by Ivo M. Vermeulen. https://www.studiointernational.com/images/articles/d/dickinson10/_ivo8316-b.jpg Re-creation of 19th-century New England flower garden 2. Emily Dickinson's Garden: The Poetry of Flowers. Photo by Ivo M. Vermeulen. https://www.studiointernational.com/images/articles/d/dickinson10/flowershow-b.jpg Re-creation of 19th-century New England flower garden (detail). Emily Dickinson's Garden: The Poetry of Flowers. Photo by Ivo M. Vermeulen. https://www.studiointernational.com/images/articles/d/dickinson10/herbimage-b.jpg Digital fascimile from Emily Dickinson's Herbarium. By permission of the Houghton Library, Harvard University, MS Am 1118.11. https://www.studiointernational.com/images/articles/d/dickinson10/homesteadlithograph4-b.jpg The Homestead. From a lithograph by J.B. Bachelder (1825-94), 1858. Courtesy of the Jones Library, Amherst, Massachusetts. https://www.studiointernational.com/index.php/worldly-wisdom-the-enlightenment-gallery https://www.studiointernational.com/images/articles/e/enlightenment/ps340747_b.jpg Maria Sibylla Merian, drawing of a Surinam caiman fighting a South American false coral snake. Surinam or Amsterdam, about AD 1699-1705. 30.6 x 45.4 cm © British Museum https://www.studiointernational.com/images/articles/e/enlightenment/loan10045_b.jpg A selection of shells from the collection of Rev. C.M Cracherode, bequeathed to the British Museum in 1799 including the thorny oyster. © Natural History Museum https://www.studiointernational.com/images/articles/e/enlightenment/img_1874_b.jpg The Enlightenment Gallery at the British Museum. Copyright British Museum https://www.studiointernational.com/images/articles/e/enlightenment/img_1866_b.jpg The Enlightenment Gallery at the British Museum. Copyright British Museum https://www.studiointernational.com/index.php/gabriel-orozco https://www.studiointernational.com/images/articles/g/gabriel-orozco-2011/011-b.jpg Gabriel Orozco. Black Kites, 1997. Philadelphia Museum of Art. Gift (by exchange) of Mr and Mrs James P Magill, 1997. © Courtesy of the artist; Marian Goodman Gallery, New York; Galerie Chantal Crousel, Paris; and kurimanzutto, Mexico City. https://www.studiointernational.com/images/articles/g/gabriel-orozco-2011/035-b.jpg Gabriel Orozco. Carambole with Pendulum, 1996. Tate. © Courtesy of the artist; Marian Goodman Gallery, New York; Galerie Chantal Crousel, Paris; and kurimanzutto, Mexico City  Photo: Carol Schadford. https://www.studiointernational.com/images/articles/g/gabriel-orozco-2011/yellow-schwalbe-1-b.jpg Gabriel Orozco. Until You Find Another Yellow Schwalbe, 1995. Tate. © Courtesy of the artist; Marian Goodman Gallery, New York; Galerie Chantal Crousel, Paris; and kurimanzutto, Mexico City. https://www.studiointernational.com/index.php/faith--narrative-and-desire https://www.studiointernational.com/images/articles/f/faith/durga_b.jpg Durga, company Style, Tanjore School, c 1820, watercolour on hand-laid European paper. https://www.studiointernational.com/images/articles/f/faith/garden_b.jpg Radha and Krishna in a garden, Pahari style, Kongra style, 1840. Painted in paper. Bequeathed by Ms GM Coles. https://www.studiointernational.com/images/articles/f/faith/paithan_b.jpg King Harischchandra and his family bathe in the river Ganges, Paithan style, Karnatka Andhra Pradesh border, late 19th-early 20th century. Given by Professor AL Dallapiccola. https://www.studiointernational.com/images/articles/f/faith/siva_b.jpg Shiva and Parvati seated on a terrace, Jaipur, Rajasthan, c 1800. Edward Moor Collection, given by Mrs AG Moor. https://www.studiointernational.com/index.php/fashion-in-colors https://www.studiointernational.com/images/articles/f/fashion_in_colors/colors_01_b.jpg Vivienne Westwood . Jacket and skirt England, 1993. Nylon lace, organdy, tulles. Photo: Takashi Hatakeyama. https://www.studiointernational.com/images/articles/f/fashion_in_colors/colors_02_b.jpg Mantua England, ca. 1740–50s. Silk taffeta brocaded with plant pattern. Photo: Takashi Hatakeyama. https://www.studiointernational.com/images/articles/f/fashion_in_colors/colors_03_b.jpg Madeleine Vionnet. Wedding dress France, ca. 1937. Silk crepe Photo: Takashi Hatakeyama. https://www.studiointernational.com/images/articles/f/fashion_in_colors/colors_04_b.jpg Viktor & Rolf. Jacket and pants. The Netherlands, 2003. Wool, layered with cotton and silk collars. Photo: Takashi Hatakeyama. https://www.studiointernational.com/index.php/festival-connections---179th-rsa-annual-exhibition https://www.studiointernational.com/images/articles/f/festival_connections/will_maclean_b.jpg Will Maclean RSA - King of the Summer Isles https://www.studiointernational.com/images/articles/f/festival_connections/kathryn_findlay_b.jpg Kathryn Findlay (Invited Artist) - Thinking Fields https://www.studiointernational.com/images/articles/f/festival_connections/jake_harvey_b.jpg Jake Harvey RSA - Stucken https://www.studiointernational.com/images/articles/f/festival_connections/gareth_fisher2_b.jpg Gareth Fisher RSA (Elect) - More Armature Than Head https://www.studiointernational.com/images/articles/f/festival_connections/gareth_fisher_b.jpg Gareth Fisher RSA (Elect) - G+G Head https://www.studiointernational.com/images/articles/f/festival_connections/dscf1819_b.jpg Installation view https://www.studiointernational.com/images/articles/f/festival_connections/dscf1809_b.jpg Arthur Watson - Towards a year-end drinking coat https://www.studiointernational.com/images/articles/f/festival_connections/doug_cocker_b.jpg Doug Cocker RSA (Elect) - Eight Horizons https://www.studiointernational.com/index.php/fiona-banner-harrier-and-jaguar-moving-installation-art-fast-forward https://www.studiointernational.com/images/articles/f/fiona-banner-10/fiona-banner-sea-harrier-1-b.jpg Fiona Banner: Harrier and Jaguar, installation view, Tate Britain Duveens Commission 2010, London. https://www.studiointernational.com/images/articles/f/fiona-banner-10/fiona-banner-sea-harrier-detail-1-b.jpg Fiona Banner: Harrier and Jaguar, installation view, Tate Britain Duveens Commission 2010, London. https://www.studiointernational.com/images/articles/f/fiona-banner-10/fiona-banner-sepecat-jaguar-1-b.jpg Fiona Banner: Harrier and Jaguar, installation view, Tate Britain Duveens Commission 2010, London. https://www.studiointernational.com/images/articles/f/fiona-banner-10/fiona-banner-sepecat-jaguar-2-b.jpg Fiona Banner: Harrier and Jaguar, installation view, Tate Britain Duveens Commission 2010, London. https://www.studiointernational.com/images/articles/f/fiona-banner-10/fiona-banner-sepecat-jaguar-detail-2-b.jpg Fiona Banner: Harrier and Jaguar, installation view, Tate Britain Duveens Commission 2010, London. https://www.studiointernational.com/index.php/francis-al-s-a-story-of-deception https://www.studiointernational.com/images/articles/a/alys-2010/019_alys_g-b.jpg Francis Al https://www.studiointernational.com/images/articles/a/alys-2010/029_alys_g-b.jpg Francis Al https://www.studiointernational.com/images/articles/a/alys-2010/041_alys_g-b.jpg Francis Al https://www.studiointernational.com/images/articles/a/alys-2010/tornado-b.jpg Francis Al https://www.studiointernational.com/index.php/frieze-art-fair https://www.studiointernational.com/images/articles/f/frieze/friezelocation_b.jpg Regents Park, London. Location for Frieze Art Fair, 17-20 October 2003 https://www.studiointernational.com/index.php/all-the-fun-of-the-fair-frieze-art-fair-2005 https://www.studiointernational.com/images/articles/f/frieze05/1_b.jpg Anish Kapoor. Marble, 2002. https://www.studiointernational.com/images/articles/f/frieze05/2_b.jpg Richard Wentworth taking a tour around Regent's Park. https://www.studiointernational.com/images/articles/f/frieze05/3_b.jpg Michael Beutler. next to center, 2005. https://www.studiointernational.com/images/articles/f/frieze05/4_b.jpg David Batchelor. Candelabra III, 2005. https://www.studiointernational.com/images/articles/v/venice_diary/zmijewski16_b.jpg Artur Zmijeswki. Repetition, 2005. Video Film. Courtesy the Artist. Photo credit Elena Tondello. https://www.studiointernational.com/images/articles/v/venice_resume/guston2_b.jpg Installation View – Italian Pavillion. Photo Credits Giorgio Zucchiatti https://www.studiointernational.com/images/articles/a/aichi_expo/hitachi_pavilion_b.jpg Hitachi Pavilion. Presents a World of Emotions and Surprises by re-creating realistic images of rare animals. Corporate Pavilion Zone. Aichi Expo 2005. Aichi, Japan https://www.studiointernational.com/images/articles/t/turner_prize_05/starling_installation_b.jpg Simon Starling. Shedboatshed (Mobile Architecture No.2), 2005. Mixed media Kunstmuseum Basel. Tabernas Desert Run, 2004. Fuel cell powered bicycle, watercolour and Perspex vitrine Glasgow City Council (Museums), Gallery of Modern Art, bought with the assistance of the National Art Collections Fund. https://www.studiointernational.com/images/articles/f/frieze05/5_b.jpg Subodh Gupta. Installation view. https://www.studiointernational.com/images/articles/f/frieze05/6_b.jpg Jim Lambie. The Clash. https://www.studiointernational.com/images/articles/f/frieze05/7_b.jpg Grayson Perry. An ultimate consumer durable and Quotes from the internet. https://www.studiointernational.com/images/articles/f/frieze05/8_b.jpg Anthony Gormley. Quarters https://www.studiointernational.com/images/articles/f/frieze05/9_b.jpg Cao Fei. COSPlayers, 2004. https://www.studiointernational.com/index.php/frieze-art-fair-2006- https://www.studiointernational.com/images/articles/f/frieze_06/2b.jpg Installation view. Frieze Art Fair, 2006. https://www.studiointernational.com/images/articles/f/frieze_06/4b.jpg Installation view. Frieze Art Fair, 2006. https://www.studiointernational.com/images/articles/f/frieze_06/f10b.jpg Installation view. Frieze Art Fair, 2006. https://www.studiointernational.com/images/articles/f/frieze_06/f22b.jpg Installation view. Frieze Art Fair, 2006. https://www.studiointernational.com/index.php/giorgio-vasari-dessins-du-louvre https://www.studiointernational.com/images/articles/g/giorgio-vasari-2011/10-plafond-de-la-salle-de-cosimo-il-vecchio-b.jpg Bibl. Image: Monbeig Goguel, 1972, n. 209; Allegri and Cecchi, 1980, p. 129-133. https://www.studiointernational.com/images/articles/g/giorgio-vasari-2011/g-vasari-2-bacchanale-b.jpg Bibl. Image: Barocchi, 1964 (1), N. 47; Monbeig Goguel, 1972, N. 222; Markova, 1992. https://www.studiointernational.com/index.php/george-gittoes-descendence-stories-from-night-vision-the-diaries https://www.studiointernational.com/images/articles/g/gittoes10/gittoes-dr-the_riddle-ii(02-ny)57.5x72.5cm-b.jpg George Gittoes. The Riddle 11, 2002. Drawing: pencil and mixed media on paper, 57.5 cm x 72.5 cm. Collection of Artist. https://www.studiointernational.com/images/articles/g/gittoes10/gittoes-dr-insect-b.jpg George Gittoes. The transformation - Metamorphosis - Kafka NY, 8 November 2002. Pencil and mixed media, 58.5 x 72.5 cm. https://www.studiointernational.com/images/articles/g/gittoes10/img_9061.jpg George Gittoes. Zombie Shuffle, 2009–2010. Oil on canvas, 200 cm x 300 cm. https://www.studiointernational.com/images/articles/g/gittoes10/img_9067-b.jpg George Gittoes. The Collector, 2009–2010. Oil on canvas, 200 cm x 300 cm. https://www.studiointernational.com/images/articles/g/gittoes10/img_9087-b.jpg George Gittoes. Assumption, 2009–2010. Oil on canvas, 200 cm x 300 cm. https://www.studiointernational.com/images/articles/g/gittoes10/img_9093-b.jpg George Gittoes. Descendence, 2009–2010. Oil on canvas, 200 cm x 300 cm. https://www.studiointernational.com/images/articles/g/gittoes10/gittoes-dr-fear.com(02-ny)72.5x57.5-b.jpg George Gittoes. Fear.com, 2002. Drawing: pencil, NY newspaper cutting, on paper, 72.5 cm x 57.5 cm. Collection of Artist. https://www.studiointernational.com/images/articles/g/gittoes10/img_9102-b.jpg George Gittoes. Smokers, 2009–2010. Oil on canvas, 200 cm x 160 cm. https://www.studiointernational.com/index.php/grayson-perry--the-vanity-of-small-differences https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry_expulsion-from-number-8-eden-close_2012-b.jpg Grayson Perry. Expulsion from Number 8 Eden Close, 2012. Wool, cotton, acrylic, polyester and silk tapestry, 200 x 400 cm (78 3/4 x 157 1/2 in), edition of 6 plus 2 artist https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry_the-agony-in-the-car-park_2012-detail-b.jpg Below: Grayson Perry. The Agony in the Car Park, 2012 (detail). Courtesy the Artist and Victoria Miro Gallery, London. https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry_the-upper-class-at-bay_2012-detail-b.jpg Grayson Perry. The Upper Class at Bay, 2012 (detail). Wool, cotton, acrylic, polyester and silk tapestry, 200 x 400 cm (78 3/4 x 157 1/2 in), edition of 6 plus 2 artist https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry_the-adoration-of-the-cage-fighters_2012-full-b.jpg Grayson Perry. The Adoration of the Cage Fighters, 2012. Wool, cotton, acrylic, polyester and silk tapestry, 200 x 400 cm (78 3/4 x 157 1/2 in), edition of 6 plus 2 artist https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry-the-annunciation-of-the-virgin-deal_2012-detail-b.jpg Grayson Perry. The Annunciation of the Virgin Deal, 2012 (detail). https://www.studiointernational.com/index.php/grayson-perry-visual-dialogues https://www.studiointernational.com/images/articles/g/grayson-perry-mag-2011/mwjan11per0094-b.jpg Grayson Perry. Jane Austen in E17 (detail), 2009. Courtesy Manchester Art Gallery. Photograph: www.markwaugh.net https://www.studiointernational.com/images/articles/g/grayson-perry-mag-2011/mwjan11per0085-b.jpg Grayson Perry at Manchester Art Gallery. Photograph: www.markwaugh.net https://www.studiointernational.com/index.php/professor-richard-gregory-1923-2010-is-there-a-future-for-figurative-art https://www.studiointernational.com/images/articles/g/gregory-representations-2010/meindert-hobbema-the-avenue-at-middelharnis-b.jpg Hobbema's design with the avenue of trees receding towards the centre of the picture is simple yet at the same time majestic. The trees are employed to mark the quick recession from foreground to background while the expanse of sky is emphasised by the upward-pointing trees. Unfortunately the paint of the sky was damaged by cleaning some time in the 19th century; the billowing cloud to the right is the best preserved section. https://www.studiointernational.com/index.php/gsk-contemporary-earth-art-of-a-changing-world https://www.studiointernational.com/images/articles/g/gsk-contemporary09/cornelia-parker_b.jpg Cornelia Parker. Heart of Darkness, 2004. Charcoal from a Florida Wildfire (prescribed forest burn that got out of control), 323 x 396 x 323 cm. Courtesy of the artist and Frith Street Gallery, London. https://www.studiointernational.com/images/articles/g/gsk-contemporary09/mona-hatoum-hot-spot_b.jpg Mona Hatoum. Hot Spot, 2006. Mixed media. Stainless steel and neon tube, 234 x 223 cm. David Roberts Collection, London. https://www.studiointernational.com/images/articles/g/gsk-contemporary09/spencer-finch-sunlight-in-an-empty-room_b.jpg Spencer Finch. Sunlight in an Empty Room (Passing Cloud for Emily Dickinson, Amherst, MA, August 28, 2004), 2004 (detail). Mixed media. Courtesy of the artist and Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gsk-contemporary09/gary-hume-the-industrialist_b.jpg Gary Hume. The Industrialist, 2008. Marble, 122 x 82 x 8 cm. © The artist. Photo: Stephen White. Courtesy Jay Jopling/White Cube (London). https://www.studiointernational.com/index.php/guan-wei https://www.studiointernational.com/images/articles/g/guan-wei-2010/5-guan-wei-beijing-solo-show-b.jpg Guan Wei. Installation view 4. Shui Mu Art Center, 798 Art village, Beijing. https://www.studiointernational.com/images/articles/g/guan-wei-2010/1-guan-wei-beijing-solo-show-b.jpg Guan Wei. Installation view 1. Shui Mu Art Center, 798 Art village, Beijing. https://www.studiointernational.com/images/articles/g/guan-wei-2010/2-guan-wei-beijing-solo-show-b.jpg Guan Wei. Installation view 2. Shui Mu Art Center, 798 Art village, Beijing. https://www.studiointernational.com/images/articles/g/guan-wei-2010/3-guan-wei-beijing-solo-show-b.jpg Guan Wei. Installation view 3. Shui Mu Art Center, 798 Art village, Beijing. https://www.studiointernational.com/images/articles/g/guan-wei-2010/7-guan-wei-beijing-solo-show-b.jpg Guan Wei. Installation view 5. Shui Mu Art Center, 798 Art village, Beijing. https://www.studiointernational.com/index.php/about-a-wall-hadrian-at-the-british-museum https://www.studiointernational.com/images/articles/h/hadrian/04-513798_b.jpg Colossal head of Antinous (‘Mondragone Head’) from a Roman villa near Frascati, c. AD 130–138. On loan from the Musée du Louvre, Paris. © Photo RMN / Hervé Lewandowski. https://www.studiointernational.com/images/articles/h/hadrian/56556_b.jpg Peacock made of gilded bronze, thought to have stood on a fence surrounding Hadrian’s Mausoleum, AD 117–138. On loan from the Musei Vaticani, Rome. © Musei Vaticani / Alessandro Bracchetti. https://www.studiointernational.com/images/articles/h/hadrian/354641001_b.jpg Statue of Hadrian as Mars, AD 117–125. Rome, Italy. On loan from the Musei Capitolini, Rome. © Musei Capitolini. https://www.studiointernational.com/images/articles/h/hadrian/bronze_b.jpg Bronze head from a statue of the emperor Hadrian, Roman Britain, AD 120–130. Found in the River Thames near London Bridge in 1834. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/h/hadrian/bust_b.jpg Bronze torso and head of Hadrian from Tel Shalem. Dated to around the time of the Jewish Revolt (AD 135). On loan from The Israel Museum, Jerusalem. © The Israel Museum, Jerusalem. https://www.studiointernational.com/images/articles/h/hadrian/coin_b.jpg Coin with portrait of young Hadrian (facing bust of Trajan and Plotina on the reverse), after AD 128. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/h/hadrian/villa_b.jpg The Maritime Theatre at Hadrian’s Villa, Tivoli, Lazio, Italy. © The Trustees of the British Museum. https://www.studiointernational.com/index.php/seeking-paradise https://www.studiointernational.com/images/articles/h/hamilton_finlay/first_floor_gallery_b.jpg Ian Hamilton-Finlay. 'Sentences'at Inverleith House, Royal Botanic Garden, Edinburgh. 2005 https://www.studiointernational.com/images/articles/h/hamilton_finlay/ihf_b.jpg Ian Hamilton-Finlay. 'Sentences'at Inverleith House, Royal Botanic Garden, Edinburgh. 2005 https://www.studiointernational.com/index.php/the-often-serendipitous-nature-of-museum-collecting https://www.studiointernational.com/images/articles/h/high-society-10/american-high-style-installation-image-1_-courtesy-the-brooklyn-museum-b.jpg American High Style Installation (Image 1). Photo Courtesy Brooklyn Museum https://www.studiointernational.com/images/articles/h/high-society-10/american-high-style-installation-image-5_-courtesy-the-brooklyn-museum-b.jpg American High Style Installation (Image 2). Photo Courtesy Brooklyn Museum https://www.studiointernational.com/index.php/time-travel-through-human-mindset-hiroshi-sugimoto-origins-of-art https://www.studiointernational.com/images/articles/s/sugimoto-2010/mimoca-insterllation-001-b.jpg Hiroshi Sugimoto. Lightning Fields installation at MIMOCA. © Hiroshi Sugimoto. Courtesy of Gallery Koyanagi. https://www.studiointernational.com/index.php/james--athenian--stuart https://www.studiointernational.com/images/articles/j/james_stuart/2b.jpg Armchair for the Painted Room, Spencer House, London, 1759-1766. Probably carved by Thomas Vardy. Carved and gilt limewood, silk damask upholstery (not original). © Courtesy of Spencer House and the Trustees of the Victoria and Albert Museum https://www.studiointernational.com/images/articles/j/james_stuart/3b.jpg Pair of gilt tripod stands, Shugboroguh, c. 1760s. Gilt wood, gilt brass surround, marble inserts. Courtesy of Shugborough, The Anson Collection (The National Trust) https://www.studiointernational.com/images/articles/j/james_stuart/5b.jpg Bruce White (photographer), Spencer House © Spencer House Limited https://www.studiointernational.com/images/articles/j/james_stuart/6b.jpg Tripod Perfume Burner with candle branches, c. 1760. Probably made by Diederich Nicolaus Anderson. Cast and chased gilt bronze, marble base. Courtesy of Kedleston Hall, The Scarsdale Collection (The National Trust) https://www.studiointernational.com/index.php/jazz-age-style-with-an-asian-twist-deco-japan-shaping-art-and-culture-1920-1945 https://www.studiointernational.com/images/articles/d/deco-japan-2012/040_decojapan-detail-b.jpg Below: Detail. https://www.studiointernational.com/images/articles/d/deco-japan-2012/046_decojapan-detail-b.jpg Below: Detail. https://www.studiointernational.com/index.php/derek-jarman-brutal-beauty https://www.studiointernational.com/images/articles/j/jarman/014_b.jpg Derek Jarman. Isaac Julien and Tilda Swinton at Derek Jarman https://www.studiointernational.com/index.php/jenny-holzer-sophisticated-devices https://www.studiointernational.com/images/articles/j/jenny-holzer-2012/damage_is_done-b.jpg Jenny Holzer. Damage is done by the tacit understanding... Text: Living Series (1980-1982), 1981. Text on cast bronze plaque, 15.2 x 24.1 cm. © 1981 Jenny Holzer, member Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/j/jenny-holzer-2012/jho_i-m-not-free-because-b.jpg Jenny Holzer with Lady Pink. I am not free because I can be exploded anytime, Text: Survival (1983-85). Spray paint on canvas, 264 x 288 x 2 cm. © 1983 Jenny Holzer, member Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/j/jenny-holzer-2012/living_more_people_will_be_building_hiding_places-b.jpg Jenny Holzer. More people will be building hiding places … Text: Living Series (1980-1982), 1981. Enamel on metal, hand-painted sign: black on white, 53.3 x 58.4 cm. © 1983 Jenny Holzer, member Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/j/jenny-holzer-2012/jho_installation_shots_viewing_room_01_lo-b.jpg Jenny Holzer. Installation view, 2012. https://www.studiointernational.com/index.php/a-fitting-coda-to-a-culture-bridging-career-an-interview-with-joe-earle-of-japan-society-gallery-april-2012 https://www.studiointernational.com/images/articles/j/joe-earle-2102/joeearle-2007-b.jpg Joe Earle https://www.studiointernational.com/index.php/john-makepeace-enriching-the-language-of-furniture https://www.studiointernational.com/images/articles/j/john-makepeace-2011/5_obelisk_johnmakepeace-b.jpg Obelisk by John Makepeace. https://www.studiointernational.com/images/articles/j/john-makepeace-2011/6_knot_chair_johnmakepeace-b.jpg Knot chair by John Makepeace. https://www.studiointernational.com/images/articles/j/john-makepeace-2011/8_trine_chair_johnmakepeace-b.jpg Trine chair by John Makepeace. https://www.studiointernational.com/images/articles/j/john-makepeace-2011/zebraspairofcabinetslar-b.jpg Pair of Zebra cabinets by John Makepeace. https://www.studiointernational.com/index.php/from-timbuktu-to-shangri-la https://www.studiointernational.com/images/articles/s/stephen-jones-2011/c[1]-b.jpg Stephen Jones. © Justinephotography. https://www.studiointernational.com/images/articles/s/stephen-jones-2011/chal_ss09_0215-b.jpg Hussein Chalayan. Spring/Summer 2009 ready-to-wear show, Paris Fashion Week. © Catwalking.com https://www.studiointernational.com/index.php/frida-kahlo-diego-rivera-masterpieces-from-the-geldman-collection https://www.studiointernational.com/images/articles/k/kahlo-rivera-2011/rivera_landscapewithcactus_1931-b.jpg Diego Rivera. Landscape with Cacti, 1931. Oil on canvas. © 2011 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./DACS. https://www.studiointernational.com/images/articles/k/kahlo-rivera-2011/kahlo_thebridewhobecomesfrightenedwhensheseeslifeopened_1943-b.jpg Frida Kahlo. The Bride Who Becomes Frightened When She Sees life Opened, 1943. Oil on canvas. © 2011 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./DACS. https://www.studiointernational.com/images/articles/k/kahlo-rivera-2011/rivera_lasthour_1915-b.jpg Diego Rivera. Last Hour, 1915. Oil on canvas. © 2011 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./DACS. https://www.studiointernational.com/index.php/tadeusz-kantor https://www.studiointernational.com/images/articles/k/kantor/altar_b.jpg 15th Century Gothic Altarpiece by Wit Stwosz, St Mary’s Basilica, Krakow https://www.studiointernational.com/images/articles/k/kantor/chair_b.jpg Sculptural Chair designed by Tadeusz Kantor and installed after his death in the garden of his country house in Hucisko, near Krakow https://www.studiointernational.com/index.php/barbara-kruger https://www.studiointernational.com/images/articles/k/kruger/krug05_1b.jpg Untitled, 2005. Copyright courtsey of the artist https://www.studiointernational.com/images/articles/k/kruger/krug05_2b.jpg Untitled, 2005. Copyright courtsey of the artist https://www.studiointernational.com/images/articles/k/kruger/krug05_3b.jpg Untitled, 2005. Copyright courtsey of the artist https://www.studiointernational.com/index.php/michael-landy-art-bin https://www.studiointernational.com/images/articles/l/landy10/ml-art-bin-1_b.jpg Landy Art Bin https://www.studiointernational.com/images/articles/l/landy10/ml-art-bin-2_b.jpg Landy Art Bin https://www.studiointernational.com/index.php/the-las-vegas-guggenheim-museum https://www.studiointernational.com/images/articles/l/las-vegas-guggenheim/jewel11b.jpg Guggenheim Museum Las Vegas. All photographs by David Heald (copyright) The Solomon R. Guggenheim Foundation, NY. https://www.studiointernational.com/images/articles/l/las-vegas-guggenheim/lasv_guggen_06.jpg Guggenheim Museum Las Vegas. All photographs by David Heald (copyright) The Solomon R. Guggenheim Foundation, NY. https://www.studiointernational.com/images/articles/l/las-vegas-guggenheim/lasv_guggen_05.jpg Guggenheim Museum Las Vegas. All photographs by David Heald (copyright) The Solomon R. Guggenheim Foundation, NY. https://www.studiointernational.com/index.php/the-hanging-gardens-of-colas-bernard-lassus https://www.studiointernational.com/images/articles/l/lassus/1b.jpg Les Jardins Suspendus de Colas © Colas SA & Bernard Lassus https://www.studiointernational.com/images/articles/l/lassus/2b.jpg Les Jardins Suspendus de Colas © Colas SA & Bernard Lassus https://www.studiointernational.com/images/articles/l/lassus/3b.jpg Les Jardins Suspendus de Colas © Colas SA & Bernard Lassus https://www.studiointernational.com/images/articles/l/lassus/4b.jpg Les Jardins Suspendus de Colas © Colas SA & Bernard Lassus https://www.studiointernational.com/images/articles/l/lassus/5b.jpg Les Jardins Suspendus de Colas © Colas SA & Bernard Lassus https://www.studiointernational.com/images/articles/l/lassus/6b.jpg Les Jardins Suspendus de Colas © Colas SA & Bernard Lassus https://www.studiointernational.com/images/articles/l/lassus/7b.jpg Les Jardins Suspendus de Colas © Colas SA & Bernard Lassus https://www.studiointernational.com/images/articles/l/lassus/8b.jpg Les Jardins Suspendus de Colas © Colas SA & Bernard Lassus https://www.studiointernational.com/images/articles/l/lassus/9b.jpg Les Jardins Suspendus de Colas © Colas SA & Bernard Lassus https://www.studiointernational.com/index.php/some-kind-of-magic-in-the-king-s-wood-nights-fold-lee-patterson https://www.studiointernational.com/images/articles/l/lee-patterson-2011/fold-performance-b.jpg Lee Patterson. Fold (Performance). Photo: Darius Wilson. https://www.studiointernational.com/images/articles/l/lee-patterson-2011/fold-lee-patterson-b.jpg Lee Patterson. Fold (location). Photo: Lee Patterson. https://www.studiointernational.com/index.php/letter-from-shanghai https://www.studiointernational.com/images/articles/s/shanghai5b.jpg Buildings hovering over Vienna. Hans Hollein, 1966. https://www.studiointernational.com/images/articles/s/shanghai6b.jpg Millennium Tower Vienna, 1999. Architects: Gustav Peichl, Boris Podrecca, Rudolf F Weber, Vienna. 50 floors. https://www.studiointernational.com/index.php/letter-from-sydney https://www.studiointernational.com/images/articles/s/sydney/sydney_letter_a.jpg Wanyubi Marika. Fish trap (marrindi), 2001. Natural pigments on bark, 119 cm x 57 cm. Collection of Colin and Liz Laverty, Sydney. Photo courtesy Annandale Galleries. https://www.studiointernational.com/index.php/letter-from-long-island https://www.studiointernational.com/images/articles/p/ps1/mossie3.jpg William E. Mossie. Playa Urbana/Urban Beach, 2002. https://www.studiointernational.com/images/articles/p/ps1/night1.jpg Ross Knight. Poking Out, 2000. Aluminum and Plexiglas. Courtesy of the artist and Team Gallery, NY https://www.studiointernational.com/images/articles/p/ps1/power2.jpg John Powers. Untitled, 2002. Styrofoam, paint https://www.studiointernational.com/images/articles/p/ps1/schnitger1.jpg Lara Schnitger. Wonder Twin (red), 2002. Fabric, wood, pins, zippers. 71 x 68 x 93 inches. Countesy of the Artist and Anthon Gallery, NY https://www.studiointernational.com/images/articles/p/ps1/held2.jpg Al Held. Requiem III, 1996. 180 X 216 inches, Acrylic on canvas. Courtesy of Robert Miller. https://www.studiointernational.com/images/articles/p/ps1/guyton.jpg Wade Guyton. Fragment of House? 2002. Plywood, aluminum. Courtesy of the artist. https://www.studiointernational.com/index.php/lucian-freud-portraits https://www.studiointernational.com/images/articles/l/lucian-freud-2012/lucian-freud-girl-with-a-white-dog-b.jpg Lucian Freud. Girl with a White Dog, 1950-1. © Tate, London 2012. Purchased 1952. https://www.studiointernational.com/images/articles/l/lucian-freud-2012/lucian-freud-man-with-a-feather-b.jpg Lucian Freud. Man with a Feather (Self-portrait), 1943. Private Collection © The Lucian Freud Archive. Photograph: Courtesy Lucian Freud Archive. https://www.studiointernational.com/images/articles/l/lucian-freud-2012/lucian-freud-girl-in-a-dark-jacket-b.jpg Lucian Freud. Girl in a Dark Jacket, 1947. Private Collection © The Lucian Freud Archive. Photo: Courtesy Lucian Freud Archive. https://www.studiointernational.com/images/articles/l/lucian-freud-2012/lucian-freud-reflection-self-b.jpg Lucian Freud. Reflection (Self-portrait), 1985. Private Collection, Ireland © The Lucian Freud Archive. Photo: Courtesy Lucian Freud Archive. https://www.studiointernational.com/index.php/lygia-pape-magnetized-space https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-at-the-national-exhibition-of-concrete-art-b.jpg Lygia Pape at the National Exhibition of Concrete Art, 1956. Published in Cruzeiro magazine. Vintage photography. Projeto Lygia Pape. © Projeto Lygia Pape https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-in-her-studio-1953-b.jpg Lygia Pape in her studio, 1953. Black and white photograph, 8.6 x 11.5 cm. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-livro-da-arquitectura-1959-60-b.jpg Lygia Pape. Livro da arquitectura (Book of Architecture) 1959–60. Tempera on cardboard, 12 elements, 30 x 30 cm each. Installation view. Museo Nacional Centro de Arte Reina Sofía, 2011. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-livro-do-tempo-2-b.jpg Lygia Pape. Livro do Tempo (Book of Time) 1961–63. Installation view. © 2011 Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-livro-do-tempo-b.jpg Lygia Pape. Livro do Tempo (Book of Time) 1961–63. Installation view 2. © 2011 Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-piece-from-the-livro-da-arquitectura--1959-60-b.jpg Lygia Pape. Livro do Tempo (Book of Time) (detail), 1961–63. © 2011 Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-roda-dos-prazeres_film-still-b.jpg Lygia Pape. Roda dos Prazeres (Wheels of Pleasure), 1968. Film still. Museo Nacional Centro de Arte Reina Sofía, 2011. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-roda-dos-prazeres_photograph-b.jpg Lygia Pape. Roda dos Prazeres (Wheels of Pleasure), 1968. Photograph. Museo Nacional Centro de Arte Reina Sofía, 2011. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-tecelar-1958-b.jpg Lygia Pape. Untitled. Tecelar (Weavings), 1958. Woodcut on Japanese paper, 35 x 44.5 cm. Installation view. Museo Nacional Centro de Arte Reina Sofía, 2011. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-trio-do-embalo-maluco-1968-b.jpg Lygia Pape. Trio do embalo maluco (Crazy Rocking Trio), 1968. Black and white photograph, 18 x 24 cm. Installation view. Museo Nacional Centro de Arte Reina Sofía, 2011. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-tteia-b.jpg Lygia Pape. Tteia (Web), 2011. Installation view, Magnetized Space, Serpentine Gallery, London. © 2011 Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-untitled-tecelar-1956-b.jpg Lygia Pape. Untitled. Tecelar (Weavings), 1956. Woodcut on Japanese paper, 35 x 44.5 cm. Installation view. Museo Nacional Centro de Arte Reina Sofía, 2011. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/l/lygia-pape-2012/lygia-pape-untitled-tecelar-1957-b.jpg Lygia Pape. Untitled. Tecelar (Weavings), 1957. Woodcut on Japanese paper, 35 x 44.5 cm. Installation view. Museo Nacional Centro de Arte Reina Sofía, 2011. © Projeto Lygia Pape. https://www.studiointernational.com/index.php/will-maclean-driftworks https://www.studiointernational.com/images/articles/m/maclean_w_2b.jpg Will Maclean, Andy Rice and Gerald Mair. Crux, 2001. https://www.studiointernational.com/images/articles/m/maclean_w_3b.jpg Will Maclean. Hooks, 1991. https://www.studiointernational.com/images/articles/m/maclean_w_4b.jpg Will Maclean and Andy Rice. Cod requiem. 2001. https://www.studiointernational.com/images/articles/m/maclean_w_5b.jpg Will Maclean. St Kilda Group (detail). 1998. https://www.studiointernational.com/index.php/maco-mexico-arte-contemporaneo https://www.studiointernational.com/images/articles/m/maco/tomie_ohtake.jpg Tomie OHTAKE, https://www.studiointernational.com/images/articles/m/maco/mujeres_viii.jpg Jesus ABAD COLORADO, https://www.studiointernational.com/images/articles/m/maco/casa_explotando3.jpg Begoña MORALES, https://www.studiointernational.com/images/articles/m/maco/tire.jpg Betsabee ROMERO, 'Untitled', 2005. Tire with gum, 60 cm Diam. Daniel Abate Galería, Buenos Aires, Argentina https://www.studiointernational.com/images/articles/m/maco/obsesion.jpg Yunior MARIÑO, 'Obsesión'. Oil on canvas. MYTO Gallery, Chapultepec, Mexico, D.F. https://www.studiointernational.com/images/articles/m/maco/natalia_manejando.jpg Emilio VALDÉS, 'Natalia Manejando'. Photograph. Luis Adelantado Gallery, Valencia, Spain https://www.studiointernational.com/images/articles/m/maco/lambretta_mexico_b.jpg Chris GILMOUR, 'Mood Lambretta', 2005. Cardboard and glue, life size. Courtesy of Perugi Artecontemporanea, Padova, Italy https://www.studiointernational.com/images/articles/m/maco/me_siento_mal.jpg Emilio VALDÉS, 'Me Siento Mal'. Ink on paper. Luis Adelantado Gallery, Valencia, Spain https://www.studiointernational.com/images/articles/m/maco/mam_3295_carrito_de_dulces.jpg Miguel ANGEL MADRIGAL, 'Carrito de Dulces', 2005. De la Serie: La ociosidad cubrió al gato. Pieza 2, 2005. Técnica mixta, 200 x 90 x 65 cm. Galería Enrique Guerrero, México, D.F., México https://www.studiointernational.com/images/articles/m/maco/goldenedge.jpg Stefan SAFER, 'Golden Edge', 2004. Cut out (8 pieces), golden cardboard, marker, 200 x 308 cm. Müllerdechiara Gallery, Berlin https://www.studiointernational.com/images/articles/m/maco/footballplayer.jpg Ambra POLIDORI, 'En el campo del juego', 2005. Zapatista football player https://www.studiointernational.com/images/articles/m/maco/cristina_canale_casadeam.jpg Cristina CANALE, 'Casa de Amigo II', 2004. Oil on canvas, 200 x 260 cm. Galeria Nara Roesler, São Paulo, Brazil https://www.studiointernational.com/images/articles/m/maco/brr_cla_ng_rt.jpg Fernanda BRUNET, 'Brr-cla-ng-rt!' Acrylic on linen. 70.87 x 94.49 inches, 180 x 240 cm. Ramis Barquet Gallery, New York, NY https://www.studiointernational.com/images/articles/m/maco/serie_reflejos.jpg Alejandra ECHEVERRÍA, 'Serie Reflejos: Traje Amarillo', 2005. Fotografía a color. Ed. única. 30cm x 24cm. Galería Enrique Guerrero, México, D.F., México https://www.studiointernational.com/images/articles/m/maco/5elemento.jpg Agustín CASTRO LÓPEZ, 'Sobre el quinto elemento', 2005. Mixta /tela. 180x140 cm. Galería Oscar Román, Polanco, Mexico, D.F. https://www.studiointernational.com/index.php/a-maltese-celebration-architecture-into-art https://www.studiointernational.com/images/articles/m/maltese_celebration/chapel_b.jpg Filfla Chapel, Malta. Architect: Richard England https://www.studiointernational.com/images/articles/m/maltese_celebration/church_b.jpg Hal Farrug Church, Malta. Architect: Richard England https://www.studiointernational.com/images/articles/m/maltese_celebration/garden_b.jpg Garden of Apollo, St. Julians, Malta. Architect: Richard England https://www.studiointernational.com/images/articles/m/maltese_celebration/house_b.jpg House in Moscow, Russia. Architect: Richard England https://www.studiointernational.com/images/articles/m/maltese_celebration/manikata_b.jpg Manikata Church, Malta. Architect: Richard England https://www.studiointernational.com/index.php/marina-abramovic-the-artist-is-present https://www.studiointernational.com/images/articles/a/abramovic10/marco-anelli-photograph-b.jpg Opening Reception for Marina Abramović: The Artist Is Present, The Museum of Modern Art, New York, 9 March 2010. Photo by Scott Rudd. https://www.studiointernational.com/images/articles/a/abramovic10/abramovic_performance1-b.jpg Marina Abramović. Installation view of Marina Abramović https://www.studiointernational.com/images/articles/a/abramovic10/abramovic_performance5-b.jpg Marina Abramović. Installation view (2) of Marina Abramović https://www.studiointernational.com/images/articles/a/abramovic10/exhibition_entrance-b.jpg Marina Abramović. Entrance to the exhibition Marina Abramović: The Artist is Present, The Museum of Modern Art, New York, 2010. Photo by Jason Mandella. In this photo: Marina Abramović and Ulay, Relation in Movement, 1977. Video (black and white, silent), sound environment (2010), Citro https://www.studiointernational.com/index.php/marius-bercea https://www.studiointernational.com/images/articles/m/marius-bercea-2011/portrait-photo-marius-bercea-b.jpg Marius Bercea. Photo: Daniel Popescu. https://www.studiointernational.com/index.php/obituary-raymond-mason https://www.studiointernational.com/images/articles/m/mason-2010/raymond-mason-2-b.jpg Raymond Mason. Photo https://www.studiointernational.com/index.php/how-the-master-became-the-master https://www.studiointernational.com/images/articles/m/matisse-2010/matisse-blue-nude-b.jpg Henri Matisse. Blue Nude (Memory of Biskra), 1907. Oil on canvas, 92.1 x 140.4 cm (36 1/4 x 55 1/4 inches). The Baltimore Museum of Art, The Cone Collection. © 2010 Succession H. Matisse/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/matisse-2010/matisse-bathers-river-b.jpg Henri Matisse. Bathers by a River, 1909–10, 1913, 1916–17. Oil on canvas, 102 1/2 x 154 3/16 inches (260 x 392 cm). The Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection, 1953.158. © 2010 Succession H. Matisse/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/matisse-2010/matisse-bathers-with-a-turtle-2-b.jpg Henri Matisse. Bathers with a Turtle, 1907–08. Oil on canvas, 179.1 x 220.3 cm (70 1/2 x 87 3/4 inches). Saint Louis Art Museum, gift of Mr and Mrs Joseph Pulitzer Jr., 24:1964. © 2010 Succession H. Matisse/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/matisse-2010/portraitofaugustepellerinii-b.jpg Henri Matisse. Portrait of Auguste Pellerin (II), 1917. Oil on canvas, 59 x 37⅞ inches (150.2 x 96.2 cm). Mus https://www.studiointernational.com/images/articles/m/matisse-2010/matisse-interior-with-goldfish-bowl-b.jpg Henri Matisse. Interior with Goldfish, 1914. Oil on canvas, 57 7/8 x 38 1/8 inches (147 x 96.8 cm). Musée National d https://www.studiointernational.com/images/articles/m/matisse-2010/matisse-shaft-of-sunlight-the-woods-of-trivaux-2-b.jpg Henri Matisse. Shaft of Sunlight, the Woods of Trivaux, 1917. Oil on canvas, 36 x 29⅛ inches (91 x 74 cm). Private collection. © 2010 Succession H. Matisse/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/matisse-2010/alvinlangdoncoburn_matissepaintingbathersbytheriver-b.jpg Henri Matisse painting Bathers by a River, May 13, 1913. Photograph by Alvin Langdon Coburn. Archives, International Museum of Photography at George Eastman House, Rochester, New York. https://www.studiointernational.com/images/articles/m/matisse-2010/composition-b.jpg Henri Matisse. Composition, 1915. Oil on canvas. 57 https://www.studiointernational.com/images/articles/m/matisse-2010/matisse-eva-mudocci-b.jpg Henri Matisse. Eva Mudocci, 1916. Graphite on three pieces of paper, mounted to canvas, 92.7 x 71.1 cm (36 1/2 x 28 inches). Lent by The Metropolitan Museum of Art, New York, The Pierre and Maria-Gaetana Matisse Collection. © 2010 Succession H. Matisse/Artists Rights Society (ARS), New York https://www.studiointernational.com/images/articles/m/matisse-2010/matisse-moroccans-b.jpg Henri Matisse. The Moroccans. Issy-les-Moulineaux, late 1915 and fall 1916. Oil on canvas, 71⅜ x 110 inches (181.3 x 279.4 cm). The Museum of Modern Art, New York, Gift of Mr and Mrs Samuel A Marx. © 2010 Succession H. Matisse/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/matisse-2010/matisse-piano-lesson-b.jpg Henri Matisse. The Piano Lesson, 1916. Oil on canvas, 96½ x 83¾ inches (245.1 x 212.7 cm). The Museum of Modern Art, New York. Mrs Simon Guggenheim Fund. © 2010 Succession H. Matisse/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/matisse-2010/matisse-yvonne-landsberg-b.jpg Henri Matisse. Portrait of Yvonne Landsberg, 1914. Oil on canvas, 147.3 x 97.5 cm (58 x 38⅜ inches). Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950. © 2010 Succession H. Matisse/Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/maven-commission-jenny-holzer-collaboration https://www.studiointernational.com/images/articles/m/maven10/mavencommission-b.jpg Maven Commission, 2010. By Angela Woodhouse and Caroline Broadhead. Photo: Andrew Spiers. https://www.studiointernational.com/images/articles/m/maven10/dance-b.jpg Maven Commission, 2010. By Angela Woodhouse and Caroline Broadhead. Photo: Alistair Wilson. https://www.studiointernational.com/images/articles/m/maven10/holzer_baltic_001-b.jpg 10 electronic signs with amber diodes, 2.3 x 333.8 x 641.9 in; 5.9 x 847.9 x 1,630.3 cm. Installation: Jenny Holzer, BALTIC Centre for Contemporary Art, Gateshead Quays, United Kingdom, 2010. Text: Selections from Truisms, 1977. https://www.studiointernational.com/images/articles/m/maven10/holzer_baltic_007-b.jpg Human bones, engraved silver, wood table. Installation: Jenny Holzer, BALTIC Centre for Contemporary Art, Gateshead Quays, United Kingdom, 2010. Text: Lustmord, 1993–95. https://www.studiointernational.com/images/articles/m/maven10/holzer_baltic_017-b.jpg 13 electronic signs with red and amber diodes, 140.3 x 109 x 172.2 in.; 356.2 x 276.9 x 437.4 cm. Installation: Jenny Holzer, BALTIC Centre for Contemporary Art, Gateshead Quays, United Kingdom, 2010. Text: US government documents. https://www.studiointernational.com/index.php/mad-s-chief-curator-makes-an-art-of-making-connections https://www.studiointernational.com/images/articles/m/macfadden/4b.jpg Radical Lace - Ed Mayer, Shelia Pepe. Courtesy Museum of Art and Design. https://www.studiointernational.com/images/articles/m/macfadden/5b.jpg Sabrina G Knitting Circle. Courtesy Museum of Art and Design. https://www.studiointernational.com/images/articles/m/macfadden/6b.jpg 2CC rendering day. Courtesy Museum of Art and Design. https://www.studiointernational.com/images/articles/m/macfadden/7b.jpg Artist, educator and children. Courtesy Museum of Art and Design. https://www.studiointernational.com/images/articles/m/macfadden/8b.jpg Family body painting. Courtesy Museum of Art and Design. https://www.studiointernational.com/images/articles/m/macfadden/9b.jpg Child making art. Courtesy Museum of Art and Design. https://www.studiointernational.com/images/articles/m/macfadden/11b.jpg Myra Mimlitsch. Courtesy Museum of Art and Design. https://www.studiointernational.com/index.php/the-dark-side-of-love--alexander-mcqueen-savage-beauty https://www.studiointernational.com/images/articles/m/mcqueen-2011/1-b.jpg Alexander McQueen. Ensemble, It’s a Jungle Out There, autumn/winter 1997–98. Courtesy of The Metropolitan Museum of Art, Photograph © Sølve Sundsbø/Art + Commerce. https://www.studiointernational.com/images/articles/m/mcqueen-2011/13-b.jpg Alexander McQueen. Ensemble, Plato’s Atlantis, spring/summer 2010. Courtesy of The Metropolitan Museum of Art, Photograph © Sølve Sundsbø/Art + Commerce. https://www.studiointernational.com/images/articles/m/mcqueen-2011/5-b.jpg Alexander McQueen. Dress, VOSS, spring/summer 2001. Courtesy of The Metropolitan Museum of Art, Photograph © Sølve Sundsbø/Art + Commerce. https://www.studiointernational.com/images/articles/m/mcqueen-2011/9-b.jpg Alexander McQueen. Dress, The Horn of Plenty, autumn/winter 2009–10. Courtesy of The Metropolitan Museum of Art, Photograph © Sølve Sundsbø/Art + Commerce. https://www.studiointernational.com/images/articles/m/mcqueen-2011/6.mcqueenno.13,spring1999-b.jpg Alexander McQueen. Dress, No. 13, spring/summer 1999. Courtesy of The Metropolitan Museum of Art, Photograph © Sølve Sundsbø/Art + Commerce. https://www.studiointernational.com/images/articles/m/mcqueen-2011/21-b.jpg Alexander McQueen. Gallery View – The Romantic Mind. Courtesy of The Metropolitan Museum of Art. https://www.studiointernational.com/images/articles/m/mcqueen-2011/22-b.jpg Alexander McQueen. Gallery View – Romantic Gothic. Courtesy of The Metropolitan Museum of Art. https://www.studiointernational.com/images/articles/m/mcqueen-2011/24-b.jpg Alexander McQueen. Gallery View – Cabinet of Curiosities. Courtesy of The Metropolitan Museum of Art. https://www.studiointernational.com/index.php/metamorphing-transformation-in-science-art-and-mythology https://www.studiointernational.com/images/articles/m/metamorphing/smith_harpie_b.jpg Kiki Smith, https://www.studiointernational.com/images/articles/m/metamorphing/cross_eyemaker_b.jpg Dorothy Cross, Still from the film https://www.studiointernational.com/images/articles/m/metamorphing/derges_frogs_b.jpg Susan Derges, https://www.studiointernational.com/images/articles/m/metamorphing/lee_origin_b.jpg Daniel Lee, https://www.studiointernational.com/images/articles/m/metamorphing/leg_transplant_b.jpg Attributed to the Master of Los Balbases, https://www.studiointernational.com/images/articles/m/metamorphing/pig_faced_lady_b.jpg Anon. https://www.studiointernational.com/images/articles/m/metamorphing/bosch_delights_b.jpg After Hieronymus Bosch, https://www.studiointernational.com/index.php/migrations-journeys-into-british-art--interview-with-sonia-boyce https://www.studiointernational.com/images/articles/m/migrations-2012/sonia-boyce-b.jpg Sonia Boyce. From Tarzan to Rambo: English Born 'Native' Considers her Relationship to the Constructed/Self Image and her Roots in Reconstruction, 1987. Photograph and mixed media. https://www.studiointernational.com/images/articles/m/migrations-2012/alys_railings-b.jpg Francis Alys. Railings, 2004. Tate © Francis Alÿs. Photograph: Tate Photography. https://www.studiointernational.com/images/articles/m/migrations-2012/canaletti_lonson_the_old_horse_guards-b.jpg Canaletto. London: The Old Horse Guards from St James’s Park, c1749. Tate. Lent by The Andrew Lloyd Webber Foundation. https://www.studiointernational.com/images/articles/m/migrations-2012/himid_between_the_two-b.jpg Lubaina Himid. Between the Two My Heart is Balanced, 1991. Tate. © Lubaina Himid. https://www.studiointernational.com/images/articles/m/migrations-2012/keith-piper-b.jpg Keith Piper. Go West Young Man, 1987. Tate. © Keith Piper. https://www.studiointernational.com/images/articles/m/migrations-2012/kramer_jews_at_prayer-b.jpg Jacob Kramer. Jews at Prayer, 1919. Tate © Estate of John David Roberts. By courtesy of the William Roberts Society. Photograph: Tate Photography. https://www.studiointernational.com/images/articles/m/migrations-2012/tissot_portsmouth_dockyard-b.jpg James Tissot. Portsmouth Dockyard, c1877. © Tate. https://www.studiointernational.com/index.php/treasures-of-the-ming-dynasty-are-unearthed-in-jingdezhen https://www.studiointernational.com/images/articles/m/ming_dynasty/amsmpu_b.jpg The Arthur M Sackler Museum of Art and Archaeology, Peking University, People's Republic of China https://www.studiointernational.com/images/articles/m/ming_dynasty/box_b.jpg Box with red glaze. Ming dynasty Yongle (1403-24). Height: 9.7 cm. Diameter at mouth 19cm. Diameter at base: 14.5 cm. The box covered with red glazed but inside is white glazed. There are floral designs around the box but unclear. https://www.studiointernational.com/images/articles/m/ming_dynasty/burner_b.jpg Incense burner with black glaze. Ming dynasty Yongle (1403-24). Height: 21.2 cm. Diameter at mouth: 14.5 cm. This Incense burner has two ears and three legs. The body is incised with designs of grass and chrysanthemum but unclear. It is covered with red glazed but uneven. https://www.studiointernational.com/images/articles/m/ming_dynasty/dragon_b.jpg Blue and white and underglazed red cloud dragon design vase (Mei Ping). Ming dynasty Yongle (1403-24). Height: 34.1 cm. Diameter at mouth: 6.7 cm. Diameter at base: 15.9 cm. This vase (Mei Ping) has a very small mouth, short neck, wide shoulder and small base with a round rim. The mouth is so small that only a single stem of plum blossoms would fit inside. This type of porcelain has thus been named 'Mei Ping', or 'plum-blossom vase'. In fact, vessels of this type were wine containers and very popular during the Ming and Qing dynasties. The design of this vase is uniquely done with blue and white mountains and waves in the lower part, an underglazed red dragon on the main body and clouds on the shoulders. https://www.studiointernational.com/images/articles/m/ming_dynasty/pot_b.jpg Monk's cap-shaped pot with red glaze. Ming dynasty Yongle (1403-24). Height: 19 cm. Diameter at mouth: 11.2 cm. Diameter at base: 8 cm. The mouth of the jar seemed slightly like a cap of monk and so it was named. It is covered with red glazed but uneven. https://www.studiointernational.com/index.php/misericord-cathie-pilkington-and-jay-cloth https://www.studiointernational.com/images/articles/m/misericord-2011/jay3-b.jpg Jay Cloth in situ at Misericord, Space Station Sixty-Five. © the artist and Space Station Sixty-Five. Photo: Jo David. https://www.studiointernational.com/index.php/coming-home--self-taught-artists--the-bible--and-the-american-south https://www.studiointernational.com/images/articles/m/mobia/mobia_b.jpg Museum of Biblical Art, New York, NY https://www.studiointernational.com/images/articles/m/mobia/heavenhell1_b.jpg Jas Johns (1941-2003), Heaven and Hell Britches, 2000-2002. Acrylic paint on overalls https://www.studiointernational.com/images/articles/m/mobia/heavenhell2_b.jpg Jas Johns (1941-2003), Heaven and Hell Britches, 2000-2002. Acrylic paint on overalls https://www.studiointernational.com/images/articles/m/mobia/greenangel_b.jpg Charlie Lucas (b. 1951), Green Angel, ca. 1980 or early 1990s. Metal and wood. Collection of Carl and Marian Mullis https://www.studiointernational.com/images/articles/m/mobia/goldhouse_b.jpg Howard Finster (1915 or 1916-2001), There is a House of Gold, #1000.271, 1978. Enamel and glitter on Masonite. Collection of John Turner https://www.studiointernational.com/images/articles/m/mobia/angel_b.jpg William Edmondson (ca. 1870-1951), Angel, 1937-1939. Carved limestone. Collection of Robert A. Roth https://www.studiointernational.com/index.php/modernism-designing-a-new-world--1914-1939- https://www.studiointernational.com/images/articles/m/modernism/04_b.jpg The Frankfurt Kitchen. PHOTO: Carlo Draisci. https://www.studiointernational.com/images/articles/m/modernism/05_b.jpg Detail, The Frankfurt Kitchen. PHOTO: Carlo Draisci. https://www.studiointernational.com/images/articles/m/modernism/07_b.jpg Sitting on Air. PHOTO: Carlo Draisci. https://www.studiointernational.com/images/articles/m/modernism/11_b.jpg Model of VW-Beetle car, 1949 © Deutsches Museum, München. https://www.studiointernational.com/images/articles/m/modernism/12_b.jpg Model of VW-Beetle car, 1949 © Deutsches Museum, München. https://www.studiointernational.com/images/articles/m/modernism/citta_b.jpg Antonio Sant'Elia (1888-1916). The città nuova apartment building with external elevators, gallery, covered passageway, on three street levels (tramways line, automobile lanes, pedestrian walkway), lamps and wireless telegraph, 1914 © Musei Civici Como- Palazzo Volpi. https://www.studiointernational.com/images/articles/m/modernism/cornelius_b.jpg Competition design for a shopping street with housing above in DenHaag, 1924 Cornelis van Eesteren (1897-1988) © Netherlands Architecture Institute, Rotterdam/collection Van Eesteren-Fluck & Van Lohuizen foundation, The Hague. Archive: Van Eesteren. https://www.studiointernational.com/images/articles/m/modernism/friedrichstrasse_b.jpg Ludwig Mies van der Rohe. Friedrichstrasse Skyscraper Project, perspective from north, 1921 © The Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/m/modernism/hajo_b.jpg Hajo Rose (1910-1989) High jumper in front of Prellerhouse 1930 © Bauhaus Archiv, Berlin. https://www.studiointernational.com/index.php/modes-en-miroir-la-france-et-la-hollande-au-temps-des-lumieres https://www.studiointernational.com/images/articles/m/modes_en_miroir/1caraco_b.jpg Camisole, end of the 18th century. Blue changeable silk taffeta, brocaded. Musée Galliera's coll. © : K. Maucotel / Paris-Musées. https://www.studiointernational.com/images/articles/m/modes_en_miroir/2robedechambre_b.jpg Man's dressing gown, reversible, c. 1750. Cotton painted and dyed (Indian), eight colours. Gemeentemuseum of La Haye's coll. © : M. Koopmans / Gemeentemuseum, La Haye. https://www.studiointernational.com/images/articles/m/modes_en_miroir/3gilet_b.jpg Man's waistcoat with sleeves, or jacket, c. 1747-1750. Sky blue figured silk. Large brocaded borders. Musée Galliera's coll. © : K. Maucotel / Paris-Musées. https://www.studiointernational.com/images/articles/m/modes_en_miroir/4robe_habit_b.jpg 'Habit à la française', three-piece set of coat, waistcoat and breeches, c. 1785-1795. Coat of blue figured silk (habit). Waistcoat of cream silk taffeta (waistcoat). Embroidery 'au passé' with appliqués of tulle. Gemeentemuseum of La Haye's coll. © : M. Koopmans / Gemeentemuseum, La Haye. https://www.studiointernational.com/images/articles/m/modes_en_miroir/5mantua_b.jpg Mantua, 1747. White silk satin. Chinoiserie embroidery, 'à disposition'. Gemeentemuseum of La Haye's coll. © : M. Koopmans / Gemeentemuseum, La Haye. https://www.studiointernational.com/index.php/giorgio-morandi https://www.studiointernational.com/images/articles/m/morandi_01.jpg Giorgio Morandi, Still Life 1947–48, oil on canvas. https://www.studiointernational.com/images/articles/m/morandi03.jpg Giorgio Morandi, Still Life 1958, pencil on paper. https://www.studiointernational.com/images/articles/m/morandi02.jpg Giorgio Morandi, Still Life 1956, oil on canvas. https://www.studiointernational.com/index.php/the-naked-portrait https://www.studiointernational.com/images/articles/n/naked/freud_b.jpg Lucian Freud. Naked Girl with Egg, 1980. Oil on Canvas © The Artist https://www.studiointernational.com/images/articles/n/naked/gg_b.jpg Gilbert & George. In the Piss, 1997, Photo-piece of nine panels © The Artist https://www.studiointernational.com/images/articles/n/naked/mom_b.jpg Elinor Carucci. Mom takes a bath, 2001. Photograph © Elinor Carucci Courtesy Edwynn Houk Gallery, New York https://www.studiointernational.com/images/articles/n/naked/stehli_b.jpg Jemima Stehli. Red Turning, 2000, C-Type Print © The Artist, courtesy Lisson Gallery, London https://www.studiointernational.com/index.php/neocraft-conference https://www.studiointernational.com/images/articles/n/neocraft/p0994_b.jpg P0994_b.jpg https://www.studiointernational.com/images/articles/n/neocraft/p0996_b.jpg P0996_b.jpg https://www.studiointernational.com/images/articles/n/neocraft/p0997_b.jpg P0997_b.jpg https://www.studiointernational.com/index.php/obsessive-drawing https://www.studiointernational.com/images/articles/o/obsessive_drawings/adolsek4_b.jpg Untitled14A, circa 1950-2003. Eugene Andolsek (b. 1921). Crabtree, Pennsylvania. India ink on graph paper 16 x 21". Courtesy of the Artist https://www.studiointernational.com/images/articles/o/obsessive_drawings/andolsek3_b.jpg Untitled13A, circa 1950-2003. Eugene Andolsek (b. 1921). Crabtree, Pennsylvania India ink on graph paper 16 x 21". Courtesy of C. Helen Lozovoy https://www.studiointernational.com/images/articles/o/obsessive_drawings/andolsek6_b.jpg Untitled 23A, circa 1950-2003. Eugene Andolsek (b. 1921). Crabtree, Pennsylvania. India ink on graph paper 16 x 21". Courtesy of Russell and Martha Elliott https://www.studiointernational.com/images/articles/o/obsessive_drawings/benefiel_b.jpg Random Numeric Repeater # 10, 2002. Charles Benefiel (b.1967) New Mexico. Ink and watercolor on paper 36 x 24". Courtesy of the Artist and American Primitive Gallery, New York https://www.studiointernational.com/images/articles/o/obsessive_drawings/benefiel_blue_b.jpg Random Numeric Repeater # 9, 2002. Charles Benefiel (b.1967) New Mexico. Ink on paper 36 x 24". Courtesy of the Artist and American Primitive Gallery, New York https://www.studiointernational.com/images/articles/o/obsessive_drawings/benefiel_red_b.jpg Random Numeric Repeater #7, 2001. Charles Benefiel (b.1967) New Mexico. Ink on paper 51 x 35". Courtesy of the Artist and American Primitive Gallery, New York https://www.studiointernational.com/images/articles/o/obsessive_drawings/benefiel1_b.jpg Charles Benefiel, in front his multicolored "Random Numeric Repeater #1", 2001, Ink and watercolor on paper 51 x 35 1/2". Photo by Miguel Angel https://www.studiointernational.com/images/articles/o/obsessive_drawings/doi_hd303_b.jpg Untitled #303, 2003. Hiroyuki Doi (b. 1946) Tokyo, Japan. Pen and Ink on paper 55 x 27". Courtesy of the Artist and Phyllis Kind Gallery, New York https://www.studiointernational.com/images/articles/o/obsessive_drawings/hipkiss_35_ft_b.jpg Chris Hipkiss, Lonely Europe Arm Yourself, 1994 -1995. Pencil and ink on paper 5 x 35'. From the collection of the John Michael Kohler Center, Wisconsin. Photo by GLENN THIESENHUSEN, SHEBOYGAN, WI https://www.studiointernational.com/images/articles/o/obsessive_drawings/hipkiss_b.jpg Chris Hipkiss in front of "Lonely Europe Arm Yourself," 1994 -1995, Pencil and ink on paper, 5 x 35'. Photo by Miguel Angel https://www.studiointernational.com/images/articles/o/obsessive_drawings/mthompson1_b.jpg Untitled #1, circa 2002-2005. Martin Thompson (b. 1956) Wellington, New Zealand. Pen on graph paper 15 3/4 x 22" diptych. Courtesy of the Artist https://www.studiointernational.com/images/articles/o/obsessive_drawings/mthompson5_b.jpg Untitled #5, circa 2002-2005. Martin Thompson (b. 1956) Wellington, New Zealand. Pen on graph paper 15 3/4 x 22" diptych. Courtesy of the Artist https://www.studiointernational.com/images/articles/o/obsessive_drawings/mthompson7_b.jpg Untitled #7, circa 2002-2005. Martin Thompson (b. 1956) Wellington, New Zealand. Pen on graph paper 15 3/4 x 22" diptych. Courtesy of the Artist https://www.studiointernational.com/images/articles/o/obsessive_drawings/my_life_roach_b.jpg My Life Roach, 2000. Chris Hipkiss (b. 1964) England and France. Graphite on paper 8 x 6". Courtesy of the Artist and Cavin-Morris Gallery, New York https://www.studiointernational.com/images/articles/o/obsessive_drawings/anchor_hare_b.jpg Anchor Hare, 1999. Chris Hipkiss (b. 1964) England and France. Pencil and ink on paper 8 x 5 3/4". Courtesy of the Artist and Cavin-Morris Gallery, New York https://www.studiointernational.com/index.php/beyond-bloomsbury-designs-of-the-omega-workshops-1913-ndash-19 https://www.studiointernational.com/images/articles/o/omega/04_b.jpg Omega Workshops, Design for a scarf or rug. Gouache and pencil on paper, 40.5 x 50.7 cm. The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/o/omega/08_b.jpg Omega Workshops (attributed to Duncan Grant). Plate painted with a sailboat, 1913. Commercial plate painted over the glaze, 25 cm diameter. The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/o/omega/09_b.jpg Roger Fry in the Omega Workshops. https://www.studiointernational.com/index.php/one-giant-leap https://www.studiointernational.com/images/articles/o/one-giant-leap-2012/celine-fitoussis-wall-to-wall-soap-installation-in-the-suite-bathroom-b.jpg Celine Fitoussi's wall-to-wall soap installation in the suite bathroom. https://www.studiointernational.com/index.php/the-changing-face-of-oz https://www.studiointernational.com/images/articles/o/oz/denslow_b.jpg W. W. Denslow. Design for Title Page, The Wonderful Wizard of Oz [George M. Hill, 1900]. Courtesy the C. Warren Hollister and Edith E. Hollister Collection. https://www.studiointernational.com/index.php/the-pleasure-of--pain---pain-passion--compassion--sensibility https://www.studiointernational.com/images/articles/p/pain/saw_b.jpg Amputation saw. Steel with ivory handle, Spanish, 19th century. The Science Museum https://www.studiointernational.com/images/articles/p/pain/inhaler_b.jpg Cotton drawstring bag, containing facemask and funnel for inhaling ether. Nickel plate and cotton, German, 1914-1918. The Science Museum https://www.studiointernational.com/images/articles/p/pain/chair_b.jpg Torture chair. Wood with 12 steel blades, Chinese, 18th-19th century. The Science Museum https://www.studiointernational.com/images/articles/p/pain/mask_b.jpg Mask with grotesque nose piece, moulded eye brows and furrowed brow worn by executioner. Iron, European, 16th-17th century. The Science Museum https://www.studiointernational.com/images/articles/p/pain/painex_b.jpg Bottle in box of Painex tablets by Clay and Abraham Ltd. English, 1930-1960. The Science Museum https://www.studiointernational.com/images/articles/p/pain/fennings_b.jpg Box of Fennings' Children's Cooling Powders. 1940-1970. The Science Museum https://www.studiointernational.com/index.php/a-tribute-to-eduardo-paolozzi https://www.studiointernational.com/images/articles/p/paolozzi_tribute/paolozzi_b.jpg Sir Eduardo Paolozzi https://www.studiointernational.com/index.php/a-creative-transatlantic-tango-shapes-the-modern-world-paris-new-york--1925-1940 https://www.studiointernational.com/images/articles/p/paris_new_york/janniot2_b.jpg Original atelier plaster mock-up of a detail from the bronze relief by Alfred Auguste Janniot for La Maison Française, New York, c. 1930. Courtesy Collection Martin du Louvre, Paris and Fonds Janniot https://www.studiointernational.com/images/articles/p/paris_new_york/mcny17_b.jpg Window display devoted to American designers at Lord & Taylor, New York, photograph by Worsinger, 1933. Museum of the City of New York; Gift of Lord & Taylor https://www.studiointernational.com/images/articles/p/paris_new_york/mcny18_b.jpg Promotional photograph of the Normandie superimposed on New York City streets, photograph by Byron Co., 1934. Museum of the City of New York; Byron Collection (93.1.1.11962) https://www.studiointernational.com/images/articles/p/paris_new_york/mcny22_b.jpg Menu from the restaurant at the French Pavilion, 1939/40 New York World's Fair. Museum of the City of New York https://www.studiointernational.com/images/articles/p/paris_new_york/mcny3_b.jpg Detail of radiator grille from the Squibb Building, New York, designed by Buchman & Kahn, photograph by Sigurd Fischer, c. 1930. Museum of the City of New York, Gift of Kahn and Jacobs, Architects https://www.studiointernational.com/images/articles/p/paris_new_york/mcnyf11_b.jpg Dress designed by Mainbocher, made in Paris, and sold at Saks Fifth Avenue’s Salon Moderne, silk satin and silver lamé, 1935. Museum of the City of New York (44.142.16a-c), photograph by John Halpern https://www.studiointernational.com/images/articles/p/paris_new_york/mcnyf13_b.jpg Dress designed by Valentina, 1940. Museum of the City of New York (90.23.3a,b), photograph by John Halpern https://www.studiointernational.com/images/articles/p/paris_new_york/mcnyf16_b.jpg Evening dress designed by Sophie Gimbel and sold at Saks Fifth Avenue's Salon Moderne, bias-silk satin, mid-1930s. Museum of the City of New York (85.69.17a-d), photograph by John Halpern https://www.studiointernational.com/images/articles/p/paris_new_york/mf1_b.jpg Boudoir with furnishings designed by Léon Jallot, reproduced from the folio Intérieurs III, 1928. Courtesy Marilyn F. Friedman https://www.studiointernational.com/images/articles/p/paris_new_york/pp2_b.jpg Poster depicting Josephine Baker, designed by Jean Chassaing, 1931. Courtesy the Rennert Collection, New York City https://www.studiointernational.com/images/articles/p/paris_new_york/prop2_b.jpg Advertisement for St. Raphaël aperitif in L'Illustration, June 10, 1939. Private collection https://www.studiointernational.com/images/articles/p/paris_new_york/prop6_b.jpg Illustration of La Revue negre by Pol Rab reproduced in the novel Sous le signe du jazz (Under the Sign of Jazz) by Stéphane Manier, 1926. Private collection https://www.studiointernational.com/images/articles/p/paris_new_york/prop8_b.jpg L’Illustration, June 10, 1939. Private collection https://www.studiointernational.com/index.php/the-british-council-collection-passports https://www.studiointernational.com/images/articles/p/passports/bc-image-13_b.jpg Michael Craig-Martin. Picturing: Iron, Watch, Pliers, Safety Pin, 1978. Plastic tape on acetate, 41.5 x 59 cm. © The Artist. Courtesy British Council Collection. https://www.studiointernational.com/images/articles/p/passports/bc-image-5_b.jpg David Hockney. Man in a Museum (Or You https://www.studiointernational.com/images/articles/p/passports/bc-image-16_b.jpg Chris Ofili. Painting With Shit On It, 1993. Acrylic and oil on canvas, elephant dung, 182.5 x 123 cm. © The Artist. Courtesy British Council Collection. https://www.studiointernational.com/images/articles/p/passports/bc-image-1_b.jpg Lucian Freud. Girl with Roses, 1947-8. Oil on canvas, 106 x 75 cm. © The Artist. Courtesy British Council Collection https://www.studiointernational.com/images/articles/p/passports/bc-image-4_b.jpg Peter Doig. Hill Houses, 1990-91. Oil on canvas, 200.1 x 240.3 cm. © The Artist/Victoria Miro. Courtesy British Council Collection. https://www.studiointernational.com/images/articles/p/passports/bc-image-9_b.jpg Damien Hirst. Apotryptophanae, 1994. 205.5 x 221 cm, household gloss and emulsion on canvas. © The Artist/Science. Courtesy British Council Collection. https://www.studiointernational.com/images/articles/p/passports/bc-image-11_b.jpg Paul Nash. Landscape Of The Megaliths, 1934. Oil on canvas, 49.5 X 73.2 cm. © Tate, London 2005. Courtesy British Council Collection. https://www.studiointernational.com/images/articles/p/passports/bc-image-12_b.jpg Anya Gallaccio. Preserve Beauty (New York), 2003. 500 Red Gerbera, glass and fittings, 247 x 130.8 cm. © The Artist. Courtesy British Council Collection. https://www.studiointernational.com/images/articles/p/passports/bc-image-15_b.jpg Ben Nicholson. 1935 (White Relief), 1935. Oil carved and built up wood, 54.5 x 80 cm. © Angela Verren-Taunt 2005. All rights reserved, DACS. Courtesy British Council Collection. https://www.studiointernational.com/index.php/michelangelo-pistoletto-the-mirror-of-judgment https://www.studiointernational.com/images/articles/p/pistoletto-2011/img_4355-press-page-b.jpg Michelangelo Pistoletto. The Mirror of Judgement. Installation view (1), Serpentine Gallery, London, 2011. https://www.studiointernational.com/images/articles/p/pistoletto-2011/img_4385-press-page-b.jpg Michelangelo Pistoletto. The Mirror of Judgement. Installation view (2), Serpentine Gallery, London, 2011. https://www.studiointernational.com/images/articles/p/pistoletto-2011/img_4410-press-page-b.jpg Michelangelo Pistoletto. The Mirror of Judgement. Installation view (3), Serpentine Gallery, London, 2011. https://www.studiointernational.com/images/articles/p/pistoletto-2011/img_4480-press-page-b.jpg Michelangelo Pistoletto. The Mirror of Judgement. Installation view (4), Serpentine Gallery, London, 2011. https://www.studiointernational.com/images/articles/p/pistoletto-2011/studio-july-aug-1970-pistoletto-b.jpg Michelangelo Pistoletto. Reproduced in Studio International, July/August 1970, Book Supplement. A graphic replication, in line, of a previous Studio International cover, that of October 1966 (a sculpture by William Turnbull, 3,4,5 (1966), steel, painted red and orange). https://www.studiointernational.com/images/articles/p/pistoletto-2011/si_oct66cover_s-b.jpg Studio International, October 1966. https://www.studiointernational.com/index.php/haute-couture-s-grand-showman https://www.studiointernational.com/images/articles/p/poiret/1_b.jpg Paul Poiret (French, 1879–1944). Coat, ca. 1919. Black silk and wool rep weave with white kid cutwork appliqué and white broadtail trim. The Metropolitan Museum of Art, Gift of Mrs. David J. Colton, 1961 https://www.studiointernational.com/images/articles/p/poiret/4_b.jpg Paul Poiret (French, 1879–1944). Opera Coat, 1912. Yellow and pale blue silk satin, black silk velvet, turquoise silk satin with gold and silver filé crocheted overlay, and silver filé trapunto half-belt and trim. The Metropolitan Museum of Art, Purchase, Irene Lewisohn Bequest, 1982 https://www.studiointernational.com/images/articles/p/poiret/5_b.jpg Paul Poiret (French, 1879–1944). Evening Wrap, 1918. Black silk and gold lamé striped satin weave jacquard. The Metropolitan Museum of Art, Milla Davenport and Zipporah Fleisher Fund, 2005 https://www.studiointernational.com/images/articles/p/poiret/7_b.jpg Paul Poiret (French, 1879-1944). Fancy Dress Costume, 1911. Seafoam green silk gauze, silver lamé, blue foil and blue and silver coiled cellophane cord appliqué, and blue, silver, coral, pink, and turquoise cellulose beading. The Metropolitan Museum of Art, Purchase, Irene Lewisohn Bequest, 1983 https://www.studiointernational.com/images/articles/p/poiret/18_b.jpg André Derain (1880-1954). Portrait of Paul Poiret. Musée de Grenoble, France. Photograph courtesy of Bridgeman Art Library / Peter Willi © 2007 Artists Rights Society (ARS), New York / ADAGP, Paris https://www.studiointernational.com/images/articles/p/poiret/20_b.jpg Peggy Guggenheim wearing a dress by Paul Poiret, 1923. Photograph by Man Ray © 2007 Artists Rights Society (ARS), New York / ADAGP, Paris © 2007 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris https://www.studiointernational.com/images/articles/p/poiret/21_b.jpg Denise Poiret in Paul Poiret's ‘Faune’ ensemble, 1919. Photograph by Delphi. Photograph courtesy of Les Arts Décoratifs, Fonds photographique patrimonial UFAC conservé au Musée de la Mode et du Textile, Paris.  Tous droits réservés © 2007 Artists Rights Society (ARS), New York / ADAGP, Paris https://www.studiointernational.com/images/articles/p/poiret/24_b.jpg ‘1811’ Evening Gown worn by Denise Poiret, 1907. Pink and purple striped silk and purple chiffon with gold lace trim. Courtesy of Musée de la Mode et du Textile. Photograph courtesy of  Anna Marie Kellen https://www.studiointernational.com/index.php/rodchenko-and-popova-defining-constructivism https://www.studiointernational.com/images/articles/r/rodchenko09/17846w_cmsid_232_b.jpg Lyubov Popova. Design for the cover of the booklet Russian Postal Telegraph Statistic, 1921. India ink and gouache on paper, 346 x 264 mm. State Tsaritsyno Museum of History, Architecture, Art, and Landscape, Moscow © State Tsaritsyno Museum of History, Architecture, Art, and Landscape, Moscow. https://www.studiointernational.com/index.php/from-neon-to-new-order-postmodernism-style-and-subversion-1970-1990 https://www.studiointernational.com/images/articles/p/postmodernism-2011/1_super_lamp-b.jpg Martine Bedin. Super Lamp. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/p/postmodernism-2011/3-supremely-bold-b.jpg Haim Steinback. Supremely Black, 1985. © Private Collection. https://www.studiointernational.com/images/articles/p/postmodernism-2011/4-consumers-rest-chair-1990-b.jpg Frank Schreiner (for Stiletto Studios). Consumer's Rest chair, 1990. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/p/postmodernism-2011/5-grace-jones-maternity-dress-1979-b.jpg Jean-Paul Goude and Antonio Lopez. Maternity dress for Grace Jones, 1979. © Jean-Paul Goude. https://www.studiointernational.com/images/articles/p/postmodernism-2011/6-wet-magazine-b.jpg Design by April Greiman in collaboration with Jayme Odgers. Wet: The Magazine of Gourmet Bathing no.20, Sept/Nov 1979 religion issue edited by Leonard Koren. https://www.studiointernational.com/images/articles/p/postmodernism-2011/7-power-corruption-and-lies-b.jpg Peter Saville. Power, Corruption & Lies album cover for New Order, 1983. © Peter Saville. https://www.studiointernational.com/index.php/leckhampton-prairie-garden-a-garden-for-today https://www.studiointernational.com/images/articles/l/leckhampton-2012/leckhampton-prairie-garden.jpg Leckhampton Prairie Garden https://www.studiointernational.com/index.php/-panic-attack--art-in-the-punk-years-- https://www.studiointernational.com/images/articles/p/punk/006_b.jpg Derek Jarman. Jordan https://www.studiointernational.com/images/articles/p/punk/009_b.jpg Keith Haring. Untitled, 1983. Vinyl paint of vinyl tarp. Courtesy of Max Lang, New York. © The estate of Keith Haring. https://www.studiointernational.com/images/articles/p/punk/003_b.jpg Linder. Untitled, 1977. Photomontage on card. Courtesy of Stuart Shave/Modern Art, London. https://www.studiointernational.com/index.php/rachel-howard-folie-deux https://www.studiointernational.com/images/articles/r/rachel-howard-2011/rachel-howard-portrait-photo-b.jpg Rachel Howard. Portrait Photo by Ross McNicol. Image courtesy of the artist and Blain|Southern. https://www.studiointernational.com/index.php/raphael-to-renoir https://www.studiointernational.com/images/articles/b/books/raphael-renoir-cover.jpg Raphael to Renoir https://www.studiointernational.com/index.php/rapture-art-s-seduction-by-fashion-since-1970 https://www.studiointernational.com/images/articles/r/rapture/fleury_s_01.jpg Sylvie Fleury, Agent Provocateur, 1995, shopping bags and contents, courtesy Laure Genillard/ the artist, © Sylvie Fleury https://www.studiointernational.com/images/articles/r/rapture/holtzer_j_01.jpg Jenny Holtzer, T-Shirt, 1982, T-shirt, courtesy Stefan Eins, photo Tom Warren, © Fashion Moda https://www.studiointernational.com/images/articles/r/rapture/kimmel_k_01.jpg Karen Kimmel, [open], one performer, 2001, mixed media installation with performance, courtesy Karen Kimmel and Sara Meltzer Gallery, photo Yvonne Venega, © Karen Kimmel https://www.studiointernational.com/images/articles/r/rapture/quinn_m_01.jpg Marc Quinn, Study for 'Beauty', 2000, Stainless steel, glass, evaporating frozen water & refridgerating equipment, courtesy Jay Jopling/White Cube, London, photo Robin Derrick, © Marc Quinn https://www.studiointernational.com/images/articles/r/rapture/semmes_b_01.jpg Beverley Semmes, Red Dress, 1992, velvet, wood, metal hanger, courtesy the artist and Leslie Tonkonow Artworks and Projects, New York/ owner of work: Hirshhorn Museum and Sculpture Garden, Washington DC, photo Patricia Wallace, © the artist https://www.studiointernational.com/index.php/araya-rasdjarmrearnsook https://www.studiointernational.com/images/articles/r/rasdjarmrearnsook/w25.jpg I'm living, 2002. https://www.studiointernational.com/images/articles/r/rasdjarmrearnsook/w23.jpg Sudsiri & Araya, 2002. https://www.studiointernational.com/images/articles/r/rasdjarmrearnsook/port.jpg Araya Rasdjarmrearnsook https://www.studiointernational.com/index.php/gerhard-richter-forty-years-of-painting https://www.studiointernational.com/images/articles/r/richter/1selfportb.jpg Gerhard Richter. Self-portrait (Selbstportrait). 1996. Oil on linen, 20 1/8 https://www.studiointernational.com/images/articles/r/richter/2mustangb.jpg Gerhard Richter. Mustang Squadron (Mustang-Staffel). 1964. Oil on canvas, 34 1/2 https://www.studiointernational.com/images/articles/r/richter/3townscapeb.jpg Gerhard Richter. Townscape Madrid (Stadtbild Madrid). 1968. Oil on canvas, 9' 1 1/16 https://www.studiointernational.com/images/articles/r/richter/4candlesb.jpg Gerhard Richter. Two candles (Zwei Kerzen). 1982. Oil on canvas, 55 1/8 https://www.studiointernational.com/images/articles/r/richter/5meadowb.jpg Gerhard Richter. Meadowland (Wiesental). 1985. Oil on canvas, 35 5/8 https://www.studiointernational.com/index.php/sixties-iconoclastic-art-and-its-representation https://www.studiointernational.com/images/articles/r/riflemaker/2_b.jpg Riflemaker becomes Indica. Installation view (outside of the gallery) https://www.studiointernational.com/images/articles/r/riflemaker/3_b.jpg Conrad Shawcross. Installation view, Riflemaker. https://www.studiointernational.com/images/articles/r/riflemaker/dunbar_b.jpg Indica: John Dunbar. Riflemaker Gallery. https://www.studiointernational.com/images/articles/r/riflemaker/yoko_b.jpg Indica: Yoko Ono. Riflemaker Gallery. https://www.studiointernational.com/index.php/robin-rhode-who-saw-who-and-through-the-gate https://www.studiointernational.com/images/articles/r/robin_rhodes/brick-face-(2008)_b.jpg Robin Rhode. Brick Face (2008), Photographic series. Copyright Robin Rhode, Courtesy the artist and Perry Rubenstein Gallery https://www.studiointernational.com/images/articles/r/robin_rhodes/ghost-dog-2008_b.jpg Robin Rhode. Ghost Dog 2008, Patinated bronze 34 5/8 x 48 13/16 x 31 1/2 in. (88 x 124 x 80 cm). © the artist. Photo: Todd-White Art Photography, Courtesy Jay Jopling/White Cube (London) https://www.studiointernational.com/images/articles/r/robin_rhodes/hard-rain-(2006)_b.jpg Robin Rhode. Hard Rain (2005), Photographic series. Copyright Robin Rhode, Courtesy the artist and Perry Rubenstein Gallery https://www.studiointernational.com/images/articles/r/robin_rhodes/impis-iii-2008_b.jpg Robin Rhode. Impis III 2008, Cast glass riot helmet, plastic, fabric and mirror on stone plinth 67 5/16 x 19 11/16 x 19 11/16 in. (171 x 50 x 50 cm). © the artist. Photo: Todd-White Art Photography. Courtesy Jay Jopling/White Cube (London) https://www.studiointernational.com/images/articles/r/robin_rhodes/newkidsonbike2002_b.jpg Robin Rhode. New Kids on the Bike (2002), Stop animated film. Copyright Robin Rhode, Courtesy the artist and Perry Rubenstein Gallery https://www.studiointernational.com/images/articles/r/robin_rhodes/stone-flag-(2004)_b.jpg Robin Rhode. Stone Flag (2004), Photographic Series. Copyright Robin Rhode, Courtesy the artist and Perry Rubenstein Gallery https://www.studiointernational.com/index.php/rothko-in-britain https://www.studiointernational.com/images/articles/r/rothko-in-britain-2011/rothko_image-02-b.jpg Mark Rothko 1961, Whitechapel Gallery. Photograph: Sandra Lousada https://www.studiointernational.com/images/articles/r/rothko-in-britain-2011/rothko_image-03-b.jpg Mark Rothko 1961, Whitechapel Gallery, view 2. Photograph: Sandra Lousada https://www.studiointernational.com/images/articles/r/rothko-in-britain-2011/rothko_image-05-b.jpg Mark Rothko 1961, Whitechapel Gallery, view 3. Photograph: Sandra Lousada https://www.studiointernational.com/images/articles/r/rothko-in-britain-2011/rothko_image-07-b.jpg Mark Rothko 1961, Whitechapel Gallery. Installation view, Whitechapel Gallery Archive. Photograph: Edgar Hyman. https://www.studiointernational.com/index.php/rudolf-steiner-and-contemporary-art-and-thinking-without-limits-inspired-by-rudolf-steiner https://www.studiointernational.com/images/articles/s/steiner-2011/jens_knigge_goetheanum-b.jpg . https://www.studiointernational.com/images/articles/s/steiner-2011/josef_vichal_vise-b.jpg . https://www.studiointernational.com/images/articles/s/steiner-2011/joseph-beuys-capri-batterie-b.jpg . https://www.studiointernational.com/images/articles/s/steiner-2011/karel_malich_dva-za-stolem-b.jpg . https://www.studiointernational.com/images/articles/s/steiner-2011/karel_malich_za-stolem-b.jpg . https://www.studiointernational.com/images/articles/s/steiner-2011/tony-cragg_distant-cousin-b.jpg . https://www.studiointernational.com/index.php/the-art-scene-in-santa-fe https://www.studiointernational.com/images/articles/s/santa_fe/figure4_b.jpg Milton Avery. Still Life with Bottles 1944, oil on canvas, 26 x 44 https://www.studiointernational.com/images/articles/s/santa_fe/figure1_b.jpg Manuel Neri. La Palestra no. 3, plaster with dry pigment, steel armature, polystyrene and burlap, 30 x 51 x 17.5 in. https://www.studiointernational.com/images/articles/s/santa_fe/figure2_b.jpg Manuel Neri. Encantada III 2004, marble, 45.5 x 19 x 12 in. https://www.studiointernational.com/images/articles/s/santa_fe/figure3_b.jpg Milton Avery. Still Life with Spoon c.1929, oil on board, 18 x 30 in. https://www.studiointernational.com/images/articles/s/santa_fe/figure5_b.jpg Paul Pletka. Nuestro Señor El Desollado 2004, acrylic on canvas, triptych, 84 x 136 in. https://www.studiointernational.com/index.php/fair-is-language-s-o-paulo-art-fair https://www.studiointernational.com/images/articles/f/fair_is_language/001.jpg Frieze Art Fair New York, 4–7 May 2012, Photographs: Miguel Benavides https://www.studiointernational.com/images/articles/f/fair_is_language/002.jpg Frieze Art Fair New York, 4–7 May 2012, Photographs: Miguel Benavides https://www.studiointernational.com/images/articles/f/fair_is_language/003.jpg Frieze Art Fair New York, 4–7 May 2012, Photographs: Miguel Benavides https://www.studiointernational.com/images/articles/f/fair_is_language/004.jpg Frieze Art Fair New York, 4–7 May 2012, Photographs: Miguel Benavides https://www.studiointernational.com/images/articles/f/fair_is_language/005.jpg Frieze Art Fair New York, 4–7 May 2012, Photographs: Miguel Benavides https://www.studiointernational.com/images/articles/f/fair_is_language/006.jpg Frieze Art Fair New 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4–7 May 2012, Photographs: Miguel Benavides https://www.studiointernational.com/images/articles/f/fair_is_language/176.jpg Frieze Art Fair New York, 4–7 May 2012, Photographs: Miguel Benavides https://www.studiointernational.com/images/articles/s/sao-paulo-2012/fernanda fragateiro img_1172-b.jpg Fernanda Fragateiro. See Part 2. I’ve had enough of this, Don Judd, “Complaints part1” in Studio International, p.182-185. https://www.studiointernational.com/images/articles/s/sao-paulo-2012/fernanda fragateiro img_1173-b.jpg Fernanda Fragateiro. See Part 2. I’ve had enough of this, Don Judd, “Complaints part1” in Studio International, p.182-185. (View 2). https://www.studiointernational.com/index.php/building-an-identity-through-innovation-and-change-the-bienal-de-s-atilde-o-paulo https://www.studiointernational.com/images/articles/s/sao_paulo/baraya_b.jpg Antoni Miralda . Installation partial view of the Pavilion. Photo by Juan Guerra. https://www.studiointernational.com/images/articles/s/sao_paulo/graham_b.jpg Dan Graham. Installation partial view of the Pavilion. Photo by Juan Guerra. https://www.studiointernational.com/images/articles/s/sao_paulo/miralda_b.jpg Alberto Baraya . Installation partial view of the Pavilion. Photo by Juan Guerra. https://www.studiointernational.com/images/articles/s/sao_paulo/pedro_b.jpg João Maria Gusmão e Pedro Paiva. Film/Video + Installation - 0'30"; How to Swerve the Earth Axis, 16mm film projection, colour, silent, 2'0"; colour, silent, 0'20" https://www.studiointernational.com/images/articles/s/sao_paulo/trope_b.jpg Paula Trope (Brazilian artist). Thirteen photographs nucleuses, from the series Os Meninos do Morrinho (pinhole technique). https://www.studiointernational.com/images/articles/s/sao_paulo/turcot_b.jpg Susan Turcot (Canada, b. 1966). Painting/Drawing + Sculpture Acre. Series of 28 graffiti drawings about Acre state. https://www.studiointernational.com/images/articles/s/sao_paulo/turcot2_b.jpg Susan Turcot. 48 Hour Boreal Drawings (series of drawings); Free Exchange. Series of drawings. Newspaper with the artist's drawings and locals' statements about Acre. https://www.studiointernational.com/index.php/schiaparelli-prada-impossible-conversations https://www.studiointernational.com/images/articles/s/schiaparelli-prada-2012/1-elsaschiaparelli,1932,bygeorgehoynignen-huene-b.jpg George Hoyningen-Huené (Russian, 1900 https://www.studiointernational.com/images/articles/s/schiaparelli-prada-2012/2-miucciapradabyguidoharari,1999-b.jpg Guido Harari (Italian, born Cairo, 1952). Portrait of Miuccia Prada, 1999. Courtesy of The Metropolitan Museum of Art, Guido Harari/Contrasto/Redux. https://www.studiointernational.com/images/articles/s/schiaparelli-prada-2012/4-prada,ss2011,davidsims-b.jpg Miuccia Prada, spring/summer 2011. Courtesy of The Metropolitan Museum of Art, Photograph © David Sims https://www.studiointernational.com/images/articles/s/schiaparelli-prada-2012/6-prada,ss2005bytobymacfarlanpond-b.jpg Miuccia Prada, spring/summer 2005. Courtesy of The Metropolitan Museum of Art. Photograph © Toby McFarlan Pond. https://www.studiointernational.com/images/articles/s/schiaparelli-prada-2012/8-prada,ss1999bytobymcfarlanpond-b.jpg Miuccia Prada, spring/summer, 1999. Courtesy of The Metropolitan Museum of Art. Photograph https://www.studiointernational.com/images/articles/s/schiaparelli-prada-2012/10-prada,aw1996-7bytobymcfarlanpond-b.jpg Miuccia Prada, autumn/winter 1996–97. Courtesy of The Metropolitan Museum of Art. Photograph © Toby McFarlan Pond. https://www.studiointernational.com/images/articles/s/schiaparelli-prada-2012/12-prada,aw2004-5,tobymcfarlanpond-b.jpg Miuccia Prada, autumn/winter, 2004–5. Courtesy of The Metropolitan Museum of Art. Photograph © Toby McFarlan Pond. https://www.studiointernational.com/images/articles/s/schiaparelli-prada-2012/14-prada,ss2006,tobymcfarlanpond-b.jpg Miuccia Prada, spring/summer 2006. Courtesy of The Metropolitan Museum of Art. Photograph © Toby McFarlan Pond. https://www.studiointernational.com/images/articles/s/schiaparelli-prada-2012/15-schiap,1931bymanray-b.jpg Elsa Schiaparelli in Elsa Schiaparelli, autumn 1931. Courtesy of The Metropolitan Museum of Art. Photograph by Man Ray. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris. https://www.studiointernational.com/index.php/the-art-olympics---the-eighth-shanghai-art-fair https://www.studiointernational.com/images/articles/s/shanghai_art_fair/arman_music_power_b.jpg Arman- Music Power https://www.studiointernational.com/images/articles/s/shanghai_art_fair/arman_venus_au_violon_b.jpg Arman- Venus au Violon https://www.studiointernational.com/images/articles/s/shanghai_art_fair/dubuffet_warhol_b.jpg Dubuffet- Warhol https://www.studiointernational.com/images/articles/s/shanghai_art_fair/botero_b.jpg Botero https://www.studiointernational.com/images/articles/s/shanghai_art_fair/general_view_b.jpg General view https://www.studiointernational.com/images/articles/s/shanghai_art_fair/greg_johns_b.jpg Greg Johns https://www.studiointernational.com/images/articles/s/shanghai_art_fair/murakami_dob_b.jpg Murakami- DOB https://www.studiointernational.com/index.php/shezad-dawood--piercing-brightness https://www.studiointernational.com/images/articles/s/shezad-dawood-2012/56-b.jpg MASK (played by Houda Echouafni) giving orders to the aliens. https://www.studiointernational.com/images/articles/s/shezad-dawood-2012/54-b.jpg The Extraction. https://www.studiointernational.com/images/articles/s/shezad-dawood-2012/47-b.jpg The Arrival. https://www.studiointernational.com/index.php/yoko-ono-to-the-light https://www.studiointernational.com/images/articles/y/yoko-ono-2012/_mg_0186-press-page-b.jpg Yoko Ono. Installation view (2), Yoko Ono: TO THE LIGHT, Serpentine Gallery, London. © 2012 Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/y/yoko-ono-2012/_mg_0281-press-page-b.jpg Yoko Ono. Installation view (3), Yoko Ono: TO THE LIGHT, Serpentine Gallery, London. © 2012 Jerry Hardman-Jones. https://www.studiointernational.com/index.php/bauhaus-art-as-life https://www.studiointernational.com/images/articles/b/bauhaus-2012/12-bauhaus-herbert-bayer-b.jpg Herbert Bayer. Postcard no. 11 for the Bauhaus exhibition in Weimar, Summer, 1923. Colour lithograph on cardboard. Bauhaus-Archiv Berlin. Photograph: Markus Hawlik. https://www.studiointernational.com/images/articles/b/bauhaus-2012/e-bauhaus_barbican_jho_8052-b.jpg Marcel Breuer. Children's table and chairs, 1923 (foreground). Klassik Stiftung Weimar, Bauhaus Museum. Photograph: Jane Hobson 2012. Courtesy of Barbican Art Gallery. https://www.studiointernational.com/images/articles/b/bauhaus-2012/bauhaus-installation-view-1-b.jpg Bauhaus: Art as Life, Barbican Art Gallery, London. Installation view (1). Photograph: Jane Hobson 2012. Courtesy of Barbican Art Gallery. https://www.studiointernational.com/images/articles/b/bauhaus-2012/bauhaus-installation-view-2-b.jpg Bauhaus: Art as Life, Barbican Art Gallery, London. Installation view (2). Photograph: Jane Hobson 2012. Courtesy of Barbican Art Gallery. https://www.studiointernational.com/images/articles/b/bauhaus-2012/albers-stacking-tables-b.jpg Josef Albers. Set of stacking tables, c1927. Photograph: Jane Hobson 2012. Courtesy of Barbican Art Gallery. https://www.studiointernational.com/images/articles/b/bauhaus-2012/24-bauhaus-wassily-kandinsky-b.jpg Wassily Kandinsky. Circles in a Circle, 1923. Oil on canvas. Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950. https://www.studiointernational.com/index.php/ships-and-sirens-at-festival-time https://www.studiointernational.com/images/articles/s/susan-philipsz-2012/edinburgh-art-festival-portait-of-susan-philipsz-courtesy-stuart-armitt-b.jpg Portrait of Susan Philipsz in Old Calton Cemetery, Edinburgh. Photograph: Courtesy Stuart Armitt. https://www.studiointernational.com/images/articles/s/susan-philipsz-2012/eaf-w&ak-johnston-time-gun-map-1879-b.jpg W&AK Johnston. Time Gun Map, 1879. Reproduced by permission of the Trustees of the National Library of Scotland. https://www.studiointernational.com/index.php/convergent-worlds https://www.studiointernational.com/images/articles/c/convergent-worlds-2012/JD-2012-b.jpg Juan Davila. Untitled, 2012. Oil on canvas, 186 x 253 cm. Courtesy the artist and Kalli Rolfe Contemporary Art, Melbourne. https://www.studiointernational.com/images/articles/c/convergent-worlds-2012/Where-is-Ned-Kelly-hi-res-b.jpg Guan Wei. Where’s Ned Kelly?, 2004. Acrylic on canvas, 180 x 306 cm. Courtesy the artists and Martin Browne Contemporary, Sydney. https://www.studiointernational.com/images/articles/c/convergent-worlds-2012/pherel-b.jpg Petr Herel. I’ll Be Your Mirror, 2004. Three pen and ink drawings with perforation, unique book, 18 x 9 cm. Courtesy the artist and Australian Galleries, Melbourne. https://www.studiointernational.com/index.php/the-road-to-van-eyck https://www.studiointernational.com/images/articles/v/van-eyck-2012/01-Annunciatie-b.jpg Jan van Eyck. The Annunciation, c1430-35. Oak, transferred on to canvas in St Petersburg after 1864, 92.7 x 36.7 cm. Washington DC, National Gallery of Art, Andrew W. Mellon Collection. https://www.studiointernational.com/images/articles/v/van-eyck-2012/01-b.jpg Jan van Eyck. The Madonna of the Mantle c1410-20. Paris or Southern Netherlands (?). Canvas, 148 x 195 cm. Le Puy-en-Velay, Musée Crozatier. https://www.studiointernational.com/index.php/richard-hamilton-the-late-works https://www.studiointernational.com/images/articles/r/richard-hamilton-2012/Richard-Hamilton-Bathroom-fig-b.jpg Richard Hamilton. Bathroom - fig.2 II, 2005-06. Oil on Fuji/Oce LightJet on canvas, 100 x 100 cm. © Courtesy of the Estate of Richard Hamilton. https://www.studiointernational.com/images/articles/r/richard-hamilton-2012/Richard-Hamilton-Descending-Nude-2006-b.jpg Richard Hamilton. Descending Nude, 2006. Oil on Fuji/Oce LightJet on canvas, 110 x 73 cm. © Courtesy of the Estate of Richard Hamilton. https://www.studiointernational.com/images/articles/r/richard-hamilton-2012/Richard-Hamilton-Hotel-du-Rhone-2005-b.jpg Richard Hamilton. Hotel du Rhone, 2005. Oil on Fuji/Oce LightJet on canvas, 100 x 100 cm. © Courtesy of the Estate of Richard Hamilton. https://www.studiointernational.com/images/articles/r/richard-hamilton-2012/Richard-Hamilton-Portrait-of-a-woman-as-an-artist-2007-b.jpg Richard Hamilton. Portrait of a woman as an artist, 2007. Oil on inkjet on canvas, 100 x 123 cm. © Courtesy of the Estate of Richard Hamilton. https://www.studiointernational.com/images/articles/r/richard-hamilton-2012/Richard-Hamilton-The-Passage-of-the-Angel-to-the-Virgin-2007-b.jpg Richard Hamilton. The Passage of the Angel to the Virgin, 2007. Digital montage, Fuji/Oce LightJet on canvas, 120 x 168 cm. © Courtesy of the Estate of Richard Hamilton. https://www.studiointernational.com/images/articles/r/richard-hamilton-2012/Richard-Hamilton-The-Saensbury-Wing-1999-2000-b.jpg Richard Hamilton. The passage of the bride, 1998-99. Oil on cibachrome on canvas, 102 x 127 cm. © Courtesy of the Estate of Richard Hamilton. https://www.studiointernational.com/images/articles/r/richard-hamilton-2012/Richard-Hamilton-The-passage-of-the-bride-1998-99-b.jpg Richard Hamilton. The Saensbury Wing, 1999-2000. Oil on canvas, 59.7 x 82 cm. © Courtesy of the Estate of Richard Hamilton. https://www.studiointernational.com/index.php/francis-bacon-five-decades https://www.studiointernational.com/images/articles/f/francis-bacon-2013/SID48913M-b.jpg Francis Bacon. Figure study I, 1945–46. Oil on canvas, 123 x 105.5 cm. Scottish National Gallery of Modern Art, Edinburgh. Accepted by H M Government in lieu of Inheritance Tax and allocated to the Scottish National Gallery of Modern Art, 1998. © The Estate of Francis Bacon. DACS/Licensed by Viscopy. https://www.studiointernational.com/images/articles/f/francis-bacon-2013/SID48931M-Detail-b.jpg Francis Bacon. Head II, 1949. Oil on canvas, 80 x 63.6 cm. Ulster Museum, Belfast. Donated by the Contemporary Art Society, London, 1959. National Museums Northern Ireland. © The Estate of Francis Bacon. DACS/Licensed by Viscopy. https://www.studiointernational.com/images/articles/f/francis-bacon-2013/SID48931-b.jpg Francis Bacon. Head II, (detail) 1949. Oil on canvas, 80 x 63.6 cm. Ulster Museum, Belfast. Donated by the Contemporary Art Society, London, 1959. National Museums Northern Ireland. © The Estate of Francis Bacon. DACS/Licensed by Viscopy. https://www.studiointernational.com/images/articles/f/francis-bacon-2013/SID48954M-b.jpg Francis Bacon. Study from the human body, 1949. Oil on canvas, 147 x 134.2 cm. National Gallery of Victoria, Melbourne. Purchased 1953. © The Estate of Francis Bacon. DACS/Licensed by Viscopy. https://www.studiointernational.com/images/articles/f/francis-bacon-2013/SID48992M-b.jpg Francis Bacon. Study for crouching nude, 1952. Oil and sand on canvas, 198 x 137.2 cm. Detroit Institute of Arts, Detroit. Gift of Dr Wilhelm R Valentiner. © The Estate of Francis Bacon. DACS/Licensed by Viscopy. Photograph: Bridgeman Art Library. https://www.studiointernational.com/images/articles/f/francis-bacon-2013/SID48998M-b.jpg Francis Bacon. Untitled (figure), 1950–51. Oil on canvas, 198 x 137 cm. The Estate of Francis Bacon. Courtesy Faggionato Fine Art, London. © The Estate of Francis Bacon. DACS/Licensed by Viscopy. Photograph: Courtesy The Estate of Francis Bacon. https://www.studiointernational.com/index.php/photography-s-vivid-past https://www.studiointernational.com/images/articles/p/photographys-vivid-past-2013/N-6301-00-000032-pr-b.jpg Thomas Gainsborough. Mr and Mrs Andrews, about 1750. ©The National Gallery, London. https://www.studiointernational.com/images/articles/p/photographys-vivid-past-2013/Past-Present-X7796-b.jpg Richard Learoyd. Man with Octopus Tattoo II, 2011. Unique Ilfochrome photograph, 148.6 x 125.7 cm. Courtesy of McKee Gallery, New York. © Richard Learoyd, courtesy McKee Gallery New York. https://www.studiointernational.com/images/articles/p/photographys-vivid-past-2013/christian-marclay-still-from-crossfire-b.jpg Christian Marclay. Still from Crossfire, 2007. Audio-visual installation on four screens, 8 min 27 s, loop. Courtesy of the artist, White Cube and The Photographers' Gallery, London. https://www.studiointernational.com/images/articles/p/photographys-vivid-past-2013/ria-van-dijk-photo-shot-1978-b.jpg Ria van Dijk. Photo-shot, Oosterhout, Netherlands, 1978. Polaroid, 10.8 x 8.8 cm. © Erik Kessels. Courtesy Stedelijk Museum, Amsterdam. Courtesy of The Photographers' Gallery, London. https://www.studiointernational.com/images/articles/p/photographys-vivid-past-2013/Beauvoir-&-Sartre-l-Fairground-at-Porte-d-Orleans-1929-b.jpg Simone de Beauvoir, Jean-Paul Sartre. Photo-shot, fairground at Porte d’Orléans, Paris, June, 1929. © Jazz Editions / Gamma / Gamma-Rapho. Courtesy of The Photographers’ Gallery, London. https://www.studiointernational.com/index.php/arthur-m-sackler-gallery-celebrates-25th-anniversary https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00444-b.jpg Arthur M. Sackler Gallery entrance, Washington DC. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00527-b.jpg Arthur M. Sackler Gallery entrance. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00459-b.jpg Perspectives by Ai Weiwei at the Arthur M. Sackler Gallery. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00313-b.jpg Beautifully arranged tables with guests. Arthur M. Sackler Gallery Gala. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00343-b.jpg Dame Jillian Sackler (centre), with Ann Nitze (left) and Susan Pillsbury, November 2012. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00361-b.jpg Korean-born violinist Hahn-Bin (performed at the Sackler Gala). https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00395-b.jpg Xu Bing's Twelve Monkeys on display at the Arthur M. Sackler Gallery's vertical gallery. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00406-b.jpg Xu Bing and Dame Jillian Sackler in front of his Twelve Monkeys work. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00198-b.jpg Preparing Christmas tree with explosives by Cai Guo Qiang. Commissioned by the Arthur M. Sackler Gallery and the State Department Art in Embassies Program. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC01402-b.jpg Christmas tree before explosion by Cai Guo Qiang. Commissioned by the Arthur M. Sackler Gallery and the State Department Art in Embassies Program. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC01403-b.jpg Christmas tree explosion by Cai Guo Qiang. Commissioned by the Arthur M. Sackler Gallery and the State Department Art in Embassies Program. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC01417-b.jpg Artist Cai Guo Qiang after his Christmas tree explosion. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00470-b.jpg Artist Gu Wenda at The Importance of Ink Past and Present talk. Different approaches to ink in modern and contemporary Chinese ink painting. https://www.studiointernational.com/images/articles/s/sackler-25th-anniversary-2012/DSC00528-b.jpg Mary McFadden at the book signing event. https://www.studiointernational.com/index.php/the-steins-collect-matisse-picasso-and-the-parisian-avant-garde https://www.studiointernational.com/images/articles/s/steins-collect-2012/steins-fig04-b.jpg Henri Matisse. Sarah Stein, 1916. Oil on canvas, 72.4 by 56.5 cm. San Francisco Museum of Modern Art. https://www.studiointernational.com/images/articles/s/steins-collect-2012/steins-fig05-b.jpg Henri Matisse. Michael Stein, 1916. Oil on canvas, 67.3 by 50.5 cm. San Francisco Museum of Modern Art. https://www.studiointernational.com/images/articles/s/steins-collect-2012/steins-fig01-b.jpg Gertrude Stein’s and Alice B. Toklas’s home at 27 Rue de Fleurus, Paris, 1934. Gelatin silver photograph. David and Barbara Block family archives. https://www.studiointernational.com/images/articles/s/steins-collect-2012/steins-fig02-b.jpg Henry Matisse. Blue Nude: Memory of Biskra, 1907. Oil on canvas, 92.1 by 140.3 cm. Baltimore Museum of Art. https://www.studiointernational.com/images/articles/s/steins-collect-2012/steins-fig03-b.jpg Pablo Picasso. Three Woman, 1908. Oil on canvas, 200 by 178 cm. State Hermitage Museum, Saint Petersburg. https://www.studiointernational.com/index.php/celebrating-life-at-the-chelsea-hotel-with-painter-david-remfry https://www.studiointernational.com/images/articles/d/david-remfry-2012/david-remfry-in-his-studio-november2011-b.jpg David Remfry in his Chelsea Hotel studio, November 2011. Photograph: Miguel Benavides. © Studio International. https://www.studiointernational.com/images/articles/d/david-remfry-2012/david-remfry-outside-chelsea-hotel-2011-b.jpg David Remfry outside the Chelsea Hotel, November 2011. Photograph: Miguel Benavides. © Studio International. https://www.studiointernational.com/images/articles/d/david-remfry-2012/chelsea-hotel-skylight-november-2011-b.jpg Chelsea Hotel. View of skylight and main staircase from 10th floor. Hanging artwork is an installation by Arthur Weinsten. Photograph: Miguel Benavides. © Studio International. https://www.studiointernational.com/images/articles/d/david-remfry-2012/chelsea-hotel-staircase-november-2011-b.jpg David Remfry on the staircase at the Chelsea Hotel, November 2011. Photograph: Miguel Benavides. © Studio International. https://www.studiointernational.com/images/articles/d/david-remfry-2012/chelsea-hotel-corridor-november-2011-b.jpg Chelsea Hotel 10th-floor hallway, west side, during first phase demolition 2011. Photograph: Miguel Benavides. © Studio International. https://www.studiointernational.com/images/articles/d/david-remfry-2012/chelsea-hotel-passageway-november-2011-b.jpg Chelsea Hotel lobby during first phase demolition, 2011. Floating figures is a work of art by Eugenie Gershoy (American 1901-83) featuring figures who lived at the hotel including composers Virgil Thompson (Four Saints in Three Acts), George Kleinsinger (Tubby the Tuba) and historian Dr Helen Johnson. The work has been left in situ and ignored during the renovation. The open door to the left of the telephone boxes used to be the storage cupboard but has recently been knocked through to the commercial space at the front of the hotel most recently occupied by the fishing tackle shop. Photograph: Miguel Benavides. © Studio International. https://www.studiointernational.com/images/articles/d/david-remfry-2012/individual-2-5-b.jpg David Remfry. Iglesia abandonada, 2011. Watercolour and graphite on paper, 102 x 153 cm. © David Remfry. https://www.studiointernational.com/images/articles/d/david-remfry-2012/3-women-b.jpg David Remfry. Untitled, 2009. Graphite and watercolour on paper, 51 x 153 cm. © David Remfry. https://www.studiointernational.com/images/articles/d/david-remfry-2012/dr02-b.jpg David Remfry. Untitled, 2006-7. Graphite and watercolour on paper, 52 x 115 cm. © David Remfry. https://www.studiointernational.com/images/articles/d/david-remfry-2012/three-women-b.jpg David Remfry. Untitled, 2010. Watercolour and graphite on paper, 51 x 153 cm. © David Remfry. https://www.studiointernational.com/images/articles/d/david-remfry-2012/individual-1-b.jpg David Remfry. Storyville III, 2009. Watercolour, graphite and wash on paper, 113 x 183 cm. © David Remfry. https://www.studiointernational.com/images/articles/d/david-remfry-2012/individual-2-b.jpg David Remfry. Storyville II, 2009. Watercolour, graphite and wash on paper, 117 x 83 cm. © David Remfry. https://www.studiointernational.com/images/articles/d/david-remfry-2012/d-remfry-gielgud-and-crisp-b.jpg David Remfry. Sketches of John Gielgud and Quentin Crisp on his studio wall, November 2011. © David Remfry. https://www.studiointernational.com/images/articles/d/david-remfry-2012/the-blue-dog-b.jpg David Remfry. The blue of the past, 2007. Watercolour and graphite on paper, 81 x 193 cm. © David Remfry. https://www.studiointernational.com/images/articles/d/david-remfry-2012/skyline-2-b.jpg David Remfry. From PS1, 2010. Watercolour on paper, 113 x 183 cm. © David Remfry. https://www.studiointernational.com/index.php/francesco-clemente-mandala-for-crusoe https://www.studiointernational.com/images/articles/f/francesco-clemente-2013/francesco-clemente-november-2012-b.jpg Francesco Clemente. London, November 2012. Photograph: Nick Howard https://www.studiointernational.com/images/articles/f/francesco-clemente-2013/Chasing-the-star-b.jpg Francesco Clemente. Chasing the star, 2012. Pigments on linen, 198.1 x 236.2 cm / (78 x 93 in). https://www.studiointernational.com/images/articles/f/francesco-clemente-2013/Newspaper-mandala-b.jpg Francesco Clemente. Newspaper mandala, 2012. Oil and pigments on linen, 182.9 x 182.9 cm / (72 x 72 in). https://www.studiointernational.com/images/articles/f/francesco-clemente-2013/The-dove-of-war-b.jpg Francesco Clemente. The dove of war, 2012. Pigments on linen, 231.1 x 284.5 cm / (91 x 112 in). https://www.studiointernational.com/index.php/the-mystery-of-appearance-conversations-between-ten-british-post-war-painters https://www.studiointernational.com/images/articles/t/the_mystery_of_appearance/Kossoff---Willesden-Junction,-Summer-No-b.jpg Leon Kossoff. Willesden Junction, Summer No.1, 1966. Oil on board, 91.4 x 152.4 cm. Private collection. © Leon Kossoff. https://www.studiointernational.com/images/articles/t/the_mystery_of_appearance/Richard-Hamilton-Finn-MacCool-b.jpg Richard Hamilton. Finn MacCool, 1983. Framed heliogravure, lift ground and spit-bite aquatint, engraving and burnisher on Rives paper, 76 x 56 cm (paper). © The Estate of Richard Hamilton. All rights reserved, DACS 2011. Courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/t/the_mystery_of_appearance/Image-I--FB-b.jpg Francis Bacon. Pope I – Study after Pope Innocent X by Velasquez, 1951. Oil on canvas, 197.8 x 137.4 cm. Aberdeen Art Gallery & Museums Collections. © The Estate of Francis Bacon. https://www.studiointernational.com/images/articles/t/the_mystery_of_appearance/Hamilton,-Mother-and-Child-copy-b.jpg Richard Hamilton. Mother and Child, 1984-85. Oil on canvas, 150 x 150 cm. Private collection. © The Estate of Richard Hamilton. https://www.studiointernational.com/images/articles/t/the_mystery_of_appearance/67B01-copy-b.jpg David Hockney. The Room Tarzana, 1967. Acrylic on canvas, 243.8 x 243.8 cm. © David Hockney. https://www.studiointernational.com/images/articles/t/the_mystery_of_appearance/Auerbach,-Reclining-Figure-(HV34976)-b.jpg Frank Auerbach. Reclining Figure, 1972. Oil on board, 38.1 X 40.6 cm. Private Collection, NY. © Frank Auerbach. https://www.studiointernational.com/images/articles/t/the_mystery_of_appearance/Auerbach-Primrose-Hill-Winter-Sunshine-b.jpg Frank Auerbach. Primrose Hill, Winter Sunshine, 1962-64. Oil on board, 104.1 x 144.8 cm. Private collection. © Frank Auerbach. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/t/the_mystery_of_appearance/Uglow,-Mosque-at-Ciftlik-Koyou-b.jpg Euan Uglow. Mosque at Çiftlik Koyou, 1966. Oil on canvas, 105 x 121 cm. Collection of Ethne Rudd. © The Estate of Euan Uglow, Courtesy of Browse & Darby. https://www.studiointernational.com/index.php/toby-ziegler https://www.studiointernational.com/images/articles/t/toby-zeigler-2012/tz_2011_antistrophe_c4741_pa4-b.jpg Toby Ziegler. Antistrophe, 2011. Oil paint on aluminium with timber frame, 225 x 173 x 136 cm. Courtesy of the artist and Simon Lee Gallery, London. https://www.studiointernational.com/images/articles/t/toby-zeigler-2012/tz_2011_blind-mouth_c4739_pa4-b.jpg Toby Ziegler. Blind Mouth, 2011. Oil paint on aluminium. 160 x 203 cm. Courtesy of the artist and Simon Lee Gallery, London. https://www.studiointernational.com/images/articles/t/toby-zeigler-2012/tz_2011_dactyl_c4744_pa4-(ii)-b.jpg Toby Ziegler. Dactyl, 2011. Oxidised aluminium and timber. 329.3 x 112.5 x 84.5 cm. Courtesy of the artist and Simon Lee Gallery, London. https://www.studiointernational.com/images/articles/t/toby-zeigler-2012/tz_2011_metaplasmus_c4742_pa4-(ii)-b.jpg Toby Ziegler. Metaplasmus, 2011. Oxidised aluminium and timber, 220 x 100 x 100 cm. Courtesy of the artist and Simon Lee Gallery, London. https://www.studiointernational.com/images/articles/t/toby-zeigler-2012/tz_2011_strophe_c4737_pa4-b.jpg Toby Ziegler. Strophe, 2011. Oil paint on aluminium, 225 x 164 cm. Courtesy of the artist and Simon Lee Gallery, London. https://www.studiointernational.com/images/articles/t/toby-zeigler-2012/tz_2011_submerged-metaphor_c4736_pa4-b.jpg Toby Ziegler. Submerged Metaphor, 2011. Oil paint on aluminium, 170 x 240 cm. Courtesy of the artist and Simon Lee Gallery, London. https://www.studiointernational.com/index.php/the-making-of-an-it-girl https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-006-b.jpg Postcard of Billie Burke, c1907, published by Dover Street Studio (English, active c1906–12). Hand-coloured photograph. Private collection. Photograph: Bruce White. https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-042-b.jpg Paul Boyer. Jane Hading in Plus que Reine. Cover of Le Théatre, May 1899. Private collection. Photograph: Bruce White. https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-063-b.jpg Reutlinger Studio (French, 1850-1937). Postcard of Jane Hading in La Pompadour, c1901. Hand-colored photograph with glitter. Private collection. Photograph: Bruce White. https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-77-b.jpg Van Bosch studio (French, active 1880s-1890s). Postcard of Jane Hading, c1889. Cabinet card. Private collection. Photograph: Bruce White. https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-088-b.jpg Charles Poynter (English, 1853–1929) for the House of Redfern (English, 1881–1929). Evening gown, c1904. Silk taffeta, silk satin, silk chiffon); lace; iridescent sequins and beads. Museum of the City of New York, Gift of Mrs. Ruth Fahnestock and Mrs. Faith Fahnestock Paine, 1941. Photograph: Bruce White. https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-092-b.jpg Billie Burke. Cover of The Theatre, October 1908. Private collection. Photograph: Bruce White https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-122-b.jpg Foulsham & Banfield (English, 1906–20). Postcard of Lily Elsie in The Merry Widow, c1907. Private collection. Photograph: Bruce White. https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-123-b.jpg Foulsham & Banfield (English, 1906–20). Postcard (2) of Lily Elsie in The Merry Widow, c1907. Private collection. Photograph: Bruce White. https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-227-b.jpg Advertisement for Rogers & Thompson’s Soirée Silk featuring Billie Burke. Photograph by Sarony Studio. From The Theatre, September 1916: 165. Private collection. Photograph: Bruce White. https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-275-b.jpg Postcard of the Théâtre du Vaudeville and the Boulevard des Italiens, c1905. Hand-coloured photograph. Private collection. Photograph: Bruce White. https://www.studiointernational.com/images/articles/s/staging-fashion-2012/tf-026-b.jpg Joseph G. Darlington and Co., Philadelphia (American, active early 20th century). Woman’s hat, c1908–10. Straw, silk flowers and leaves. Philadelphia Museum of Art, Gift of an anonymous donor, 1964-123-74. https://www.studiointernational.com/index.php/between-embodiment-and-identity https://www.studiointernational.com/images/articles/b/between_embodiment_and_identity/ALDWORTH-Reassembling-the-Self-3-b.jpg Susan Aldworth. Reassembling the Self 3, 2012. Lithograph made at the Curwen Studio, 85 x 65 cm, lithograph made at the Curwen Studio 2012. Image courtesy of the artist and GV Art. https://www.studiointernational.com/images/articles/b/between_embodiment_and_identity/ALDWORTH-Reassembling-the-Self-4-b.jpg Susan Aldworth. Reassembling the Self 4, 2012. Lithograph made at the Curwen Studio, 85 x 65 cm, lithograph made at the Curwen Studio 2012. Image courtesy of the artist and GV Art. https://www.studiointernational.com/images/articles/b/between_embodiment_and_identity/Susan-Aldworth-Out-of-Body-b.jpg Susan Aldworth. Out of Body, 2009. Film. Image courtesy of the artist and GV Art. https://www.studiointernational.com/images/articles/b/between_embodiment_and_identity/Andrew-Carnie-Seized-b.jpg Andrew Carnie. Seized: Out of this World, 2009. Slide dissolve installation. Images couresty of the artist and GV Art. https://www.studiointernational.com/images/articles/b/between_embodiment_and_identity/Karen-Ingham-Narrative-Remains-b.jpg Karen Ingham. Narrative Remains, 2009. Film. Images couresty of the artist and GV Art. https://www.studiointernational.com/index.php/a-delicate-game-of-cat-and-mouse https://www.studiointernational.com/images/articles/a/a_delicate_game_of_Cat_and_Mouse/31-Miguel-Conde-Negativo_3-b.jpg Miguel Condé, Madrid, 2003. Photograph by Larry Mangino. Courtesy Yale University Press. https://www.studiointernational.com/images/articles/a/a_delicate_game_of_Cat_and_Mouse/23-Henry-Moore-HMF6467-b.jpg Henry Moore, Perry Green, Hertfordshire, c1973. Photograph by Errol Jackson. Reproduced by permission of The Henry Moore Foundation. Courtesy Yale University Press. https://www.studiointernational.com/images/articles/a/a_delicate_game_of_Cat_and_Mouse/10-Rupert-Shrive-untitled-b.jpg Rupert Shrive, Paris, 2011. Photograph by Alberto Ricci. Courtesy Yale University Press. https://www.studiointernational.com/images/articles/a/a_delicate_game_of_Cat_and_Mouse/18-Cesar-1195640315cesr-b.jpg César, Fonderie Bocquel, Brèautè, 1998. Photograph by Claude Ivernè. Courtesy Yale University Press. https://www.studiointernational.com/images/articles/a/a_delicate_game_of_Cat_and_Mouse/21-piero-guccione-la-stanza-e-il-mare-1-b.jpg Pierro Guccione, Scicli, date unknown. Photograph by Luigi Nifosï. Courtesy Yale University Press. https://www.studiointernational.com/images/articles/a/a_delicate_game_of_Cat_and_Mouse/24-Claes-Oldenburg-AP0043-A-b.jpg Claes Oldenburg, New York, 2011. Photograph by D. James Dee. Courtesy Yale University Press. https://www.studiointernational.com/index.php/a-redefining-moment-in-the-history-of-native-american-art https://www.studiointernational.com/images/articles/a/a_redefining_moment_hist_native_american_art/3-b.jpg Frank Shebageget. Cell, 2010. Courtesy of the artist. Photograph: David Barbour. https://www.studiointernational.com/images/articles/a/a_redefining_moment_hist_native_american_art/4-b.jpg Frank Shebageget. Cell, 2010 (detail). Courtesy of the artist. Photograph: David Barbour. https://www.studiointernational.com/images/articles/a/a_redefining_moment_hist_native_american_art/5-b.jpg Jeremy Frey. Best of Show Basket, SWAIA, 2011. Courtesy of Ari Plosker Image copyright © 2012 Ari Plosker, all rights reserved. https://www.studiointernational.com/images/articles/a/a_redefining_moment_hist_native_american_art/7-b.jpg Marguerite Houle. Come, see real flowers of this painful world, 2008-09. Courtesy of the artist; Private Collection. https://www.studiointernational.com/images/articles/a/a_redefining_moment_hist_native_american_art/15-b.jpg Robert Tannahill. The Heckler, 2005. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/a_redefining_moment_hist_native_american_art/19-b.jpg Robert Tannahill. Plum Crazy, 2006. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/a_redefining_moment_hist_native_american_art/21-b.jpg Shan Goshorn. Educational Genocide: The Legacy of the Carlisle Indian Boarding School, 2011. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/a_redefining_moment_hist_native_american_art/22-b.jpg Shan Goshorn. Educational Genocide: The Legacy of the Carlisle Indian Boarding School, 2011. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/a_redefining_moment_hist_native_american_art/24-b.jpg Troy Jackson. Putting the Pieces Together, 2011. Courtesy of the artist. https://www.studiointernational.com/index.php/munch-the-problem-with-women https://www.studiointernational.com/images/articles/m/munch_the_problem_with_woman/Anxiety-1896-Woll-93-b.jpg Edvard Munch. Anxiety, 1896. Hand-coloured woodcut. Courtesy the Gundersen Collection, Oslo. © Munch Museum, Oslo. Scottish National Gallery of Modern Art. https://www.studiointernational.com/images/articles/m/munch_the_problem_with_woman/Madonna-Edvard-Munch-b.jpg Edvard Munch. Madonna, 1895. Hand-coloured lithograph. Courtesy the Gundersen Collection, Oslo. © Munch Museum, Oslo. https://www.studiointernational.com/images/articles/m/munch_the_problem_with_woman/Self-portrait-with-Skeleton-b.jpg Edvard Munch. Self-portrait with Skeleton, 1895. Lithograph, 45.5 x 31.7 cm. Courtesy the Gundersen Collection, Oslo. © Munch Museum, Oslo. https://www.studiointernational.com/images/articles/m/munch_the_problem_with_woman/The-Scream-b.jpg Edvard Munch. The Scream, 1895. Hand-coloured lithograph. Courtesy the Gundersen Collection, Oslo. © Munch Museum, Oslo. https://www.studiointernational.com/images/articles/m/munch_the_problem_with_woman/Two-Women-Munch-b.jpg Edvard Munch. Two Women on the Shore, 1898. Woodcut. Courtesy the Gundersen Collection, Oslo. © Munch Museum, Oslo. https://www.studiointernational.com/index.php/metamorphosis-titian-2012 https://www.studiointernational.com/images/articles/m/metamorphosis_titian_2012/Diana-and-Callisto-b.jpg Titian. Diana and Callisto, 1556-59. Oil on canvas. Bought jointly by the National Gallery and National Galleries of Scotland with contributions from the National Lottery through the Heritage Lottery Fund, the Art Fund, The Monument Trust and through private appeal and bequests, 2012. Photograph © The National Gallery, London/The National Galleries of Scotland. https://www.studiointernational.com/images/articles/m/metamorphosis_titian_2012/Diana_and_Actaeon-b.jpg Titian. Diana and Actaeon, 1556-59. Bought jointly by the National Gallery and National Galleries of Scotland with contributions from the Scottish Government, the National Heritage Memorial Fund, The Monument Trust, The Art Fund (with a contribution from the Wolfson Foundation) and through public appeal, 2009. ©The National Gallery, London. https://www.studiointernational.com/images/articles/m/metamorphosis_titian_2012/N-6420-00-000039-b.jpg Titian. The Death of Actaeon about 1559-75. Oil on canvas, 178.8 x 197.8 cm. Bought with a special grant and contributions from The Art Fund, The Pilgrim Trust and through public appeal, 1972. Photograph © The National Gallery, London. https://www.studiointernational.com/images/articles/m/metamorphosis_titian_2012/Chris-Ofili-Ovid-Actaeon-b.jpg Chris Ofili. Ovid - Actaeon, 2011-12. Oil on charcoal on linen, 318 x 198.5 x 4 cm. Courtesy the Artist and Victoria Miro Gallery, London. © Chris Ofili Courtesy the Artist and Victoria Miro Gallery, London. Photography © Stephen White. https://www.studiointernational.com/images/articles/m/metamorphosis_titian_2012/Chris-Ofili-Ovid-Desire-b.jpg Chris Ofili. Ovid - Desire, 2011-12. Oil, pastel and charcoal on linen, 310 x 200 x 4 cm. Courtesy the Artist and Victoria Miro Gallery, London. © Chris Ofili Courtesy the Artist and Victoria Miro Gallery, London. Photography © Stephen White. https://www.studiointernational.com/images/articles/m/metamorphosis_titian_2012/Mark-Wallinger-Diana-b.jpg Mark Wallinger. Diana, 2012. (3) © The artist, courtesy Anthony Reynolds Gallery. Photograph: The National Gallery, London. https://www.studiointernational.com/images/articles/m/metamorphosis_titian_2012/Mark-Wallinger-Diana-2-b.jpg Mark Wallinger. Diana, 2012. © The artist, courtesy Anthony Reynolds Gallery. Photograph: The National Gallery, London. https://www.studiointernational.com/images/articles/m/metamorphosis_titian_2012/Conrad-Shawcross-Trophy-b.jpg Conrad Shawcross. Trophy, 2012 (view 2). Carved composite wooden block (sapele, afzelia, American black walnut, English walnut, African walnut, oak, teak, apple, mahogany, afromosia, pear, iroko and utile), computer-controlled mechanical system, halogen light, steel, aluminium and glass. © Conrad Shawcross. Courtesy the Artist and Victoria Miro Gallery, London. https://www.studiointernational.com/images/articles/m/metamorphosis_titian_2012/Conrad-Shawcross-Trophy-2-b.jpg Conrad Shawcross. Trophy, 2012. Carved composite wooden block (sapele, afzelia, American black walnut, English walnut, African walnut, oak, teak, apple, mahogany, afromosia, pear, iroko and utile), computer-controlled mechanical system, halogen light, steel, aluminium and glass. © Conrad Shawcross. Courtesy the Artist and Victoria Miro Gallery, London. https://www.studiointernational.com/index.php/empress-of-the-sun https://www.studiointernational.com/images/articles/e/empress_of_the_sun/1-Catherine-II-on-her-horse-Brilliant-b.jpg Equestrian Portrait of Catherine II. By Vigilius Eriksen, 1722-82, Danish, signed after 1762. Oil on canvas. This is a small version of the huge painting that Eriksen undertook for the Audience Hall in the great palace at Peterhof. Catherine is depicted in Horse-Guard’s uniform on her stallion Brilliant. Cat No 32. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/monrepos-b.jpg Monrepos Manor, near Vyborg (Viipuri), Russia. House of Ludwig von Nicolay. Landscape view (period detail) https://www.studiointernational.com/images/articles/e/empress_of_the_sun/4-palace-embankment-b.jpg View of the Palace Embankment, St Petersburg, from Yasilyevsky Island. By Johann Georg De Meyr (1760-1816). German, signed and dated 1796. Oil on canvas. This painting is one of a series of views of St Petersburg which were completed between 1796 and 1803. It has been suggested that the series was carried out to mark the centenary of the foundation of St Petersburg. Cat No 58. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/10-potemkin-b.jpg Prince Grigory Potemkin. By Johann Baptist Lampi the Elder (1751-1830). Austrian, c1790. Oil on canvas. The ‘Grand Prince of the Tauride’ acquired legendary status in the eyes of his contemporaries. Here Lampi represents him as the ‘ideal military leader’ and stresses his heroic and freedom-loving character. Cat No 139. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/admiral-greig-b.jpg Admiral Samuel Greig. By an unknown artist, 19th century. Oil on canvas. Admiral Samuel Greig distinguished himself at the Battle of Chesme in 1770. At the start of the war with Sweden, in 1788, he commanded the Baltic Fleet and successfully defended the maritime approaches to St Petersburg. Cat No.138. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/borbinsky-b.jpg Count Alexei Bobrinsky as a child. By Carl Ludvig Christineck (1732/3-1792/4). Swedish, signed and dated 1769. Oil on canvas. Alexei Bobrinsky (1762-1813) was the illegitimate son of Catherine and Grigory Orlov. In 1782 he completed training in the Territorial Cadet Corps and entered the army as a lieutenant. After a stay in Paris Bobrinsky returned to Russia in 1788. His final years were spent in Bogorodintsk, in the Tula Province, where he engaged in agricultural pursuits, mineralogy and astronomy. Cat No. 24. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/cameron-staircase-b.jpg Cross-section of the staircase in the Agate Pavilion at Tsarskoye Selo. By Charles Cameron (c1743-c1812), Scottish, c1780. Pen and ink with wash and watercolour on paper. One of Charles Cameron's masterpieces was the staircase which joined the Agate Pavilion and the Cold Baths at Tsarskoye Selo. Cat No. 101. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/catherine-minerva-cameo-b.jpg Cameo of Elizabeth I of England. Attributed to the workshop of Richard Atsill or Julien de Fontenay, London, c1575-90. Three-layer sardonyx and gold. Acquired with the Duc d’Orléans’ collection of gemstones in 1787. Cat No. 265. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/highland-dress-b.jpg Highland Dress. Highland costume, sword, belt pistol, dirk with utensils and snuff set. Made or supplied by George Hunter, Edinburgh. Scottish, c1814-16. Wool, silk, ostrich feathers, steel, gold, silver, copper, bronze, quartz, agate, citrine, amethyst, hessonite, heliodor, ivory, horn, leather, velvet and wood. This full Highland outfit belonged to the Emperor Alexander I. Catherine’s grandson may have acquired it during his visit to London in 1814. Alternatively, it was acquired by Alexander’s brother, the Grand Duke Nicholas, during his visit to Edinburgh in 1816-17 and given to Alexander as a present. Cat No 219. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/imperial-guard-cavalry-uniform-b.jpg Catherine II´s Imperial Guard Cavalry Regiment Uniform (Officer's Dress Style). The outer dress, Russian, 1786; The under dress, Russian, 1779. Silk, metallic thread, bronze and gilding. On special military occasions the Empress would wear so-called ‘Officers’ Dresses’, which were fashioned according to the uniform of a particular regiment. The style of these costumes combined, in a unique way, features of French fashion (the open dress with special decorations) and the old Russian dress style (a free form dress with long folded sleeves). Cat No 51. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/imperial-guards-semenovsky-regiment-b.jpg Catherine II´s Officer’s Uniform of the Imperial Guards Semenovksy Regiment. Made by an unknown maker, Russian, 1770-80s. Silk, metallic thread, bronze stripes and gilding. Cat No 205. https://www.studiointernational.com/images/articles/e/empress_of_the_sun/Winter-Carnival-Sledge-b.jpg Carnival Sledge, used during winter carnival celebrations. Made by unknown craftsmen, Russian(?), 1760-70. Carved and gilded wood, steel and leather. Cat No 161. https://www.studiointernational.com/index.php/art-basel-miami-beach-2012 https://www.studiointernational.com/images/articles/a/art-basel-miami-2012/Alex-Israel-Miami-2012-b.jpg Alex Israel, Miami, 2012. 2012 Art Public Opening Night. Photograph courtesy of Art Basel. https://www.studiointernational.com/images/articles/a/art-basel-miami-2012/Ivan-Navarro-and-Courtney-Smith-b.jpg Iván Navarro and Courtney Smith. Street Lamp, 2012. Paul Kasmin Gallery, New York. Photograph courtesy of Art Basel. https://www.studiointernational.com/images/articles/a/art-basel-miami-2012/Lourival_Cuquinha_Varal_2012_A_Gentil_Carioca_Rio_de_Janeiro-b.jpg Lourival Cuquinha, Varal, 2012. A Gentil Carioca, Rio de Janeiro. Photograph courtesy of Art Basel. https://www.studiointernational.com/images/articles/a/art-basel-miami-2012/18073hd001-b.jpg Daniel Arsham. Pixel Cloud (New York), 2010. Plastic, paint, 53 1/4 x 78 x 67 in (135 x 200 x 170 cm). Courtesy of MCLEOI GALLERY, Australia and Galerie Perrotin. https://www.studiointernational.com/images/articles/a/art-basel-miami-2012/photo-2-b.jpg Installation view of Galerie Lelong’s booth at Art Basel Miami Beach 2012. Works clockwise from left: Lavender Heart (2012), Lin Tianmiao; Untitled (2009), Günther Förg; Untitled (1958). Hélio Oiticica; Male Bomb (1966), Nancy Spero; Untitled (2002), Jannis Kounellis; Untitled (Bonsai Tree) (2012), Lin Tianmiao. Courtesy Galerie Lelong, New York & Paris. https://www.studiointernational.com/images/articles/a/art-basel-miami-2012/photo-3-b.jpg Installation view (2) of Galerie Lelong’s booth at Art Basel Miami Beach 2012. Works clockwise from left: Untitled (2002), Jannis Kounellis; Marianna H (2012), Jaume Plensa; Standing Grey (2001), Sean Scully; Untitled #1375 (No Reason Except Love) (2011-12), Petah Coyne. Courtesy Galerie Lelong, New York & Paris. https://www.studiointernational.com/index.php/philip-guston-late-paintings https://www.studiointernational.com/images/articles/p/philip_guston_late_paintings/Guston-1-b.jpg Philip Guston. Aegean II, 1977. Oil on canvas, 92.7 x 177.8 cm. Private collection. https://www.studiointernational.com/images/articles/p/philip_guston_late_paintings/Guston-3-b.jpg Philip Guston. Smoking I, 1973. Oil on canvas, 134 x 137.2 cm. Private collection. https://www.studiointernational.com/images/articles/p/philip_guston_late_paintings/Guston-4-b.jpg Philip Guston. The Studio, 1969. Oil on canvas, 121.9 x 106.7 cm. Private collection. https://www.studiointernational.com/images/articles/p/philip_guston_late_paintings/Guston-5-b.jpg Philip Guston. The Line, 1978. Oil on canvas, 180.3 x 186.1 cm. Private collection. https://www.studiointernational.com/index.php/taking-a-transnational-picture-an-interview-with-maryam-najd https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/DSC_0373 copy.jpg Maryam Najd. Hemisphere, 2011-12. Oil on canvas, 120 x 240 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/Detail of the flag Installation .jpg Maryam Najd. Detail of the Non Existence Flag Project installation: Panorama monochromatic paintings, 2010-12. Acrylic and oil on canvas, 80 x 60 cm. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/DSC_0396 copy.jpg Maryam Najd. Installation view of Panorama paintings, 2011-12. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/Self- Portrait Osama.jpg Maryam Najd. Self portrait VIII, 2006-2007. Oil on canvas, 80 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/Maryam Najd. Obama.jpg Maryam Najd. Self portrait XII, 2010. Oil on canvas, 80 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/Self- Portrait Ahsan.jpg Maryam Najd. Self portrait XI, 2006-07. Oil on canvas, 80 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/Masquerade.jpg Maryam Najd. Masquerade, 2010. Oil on canvas, 130 x 160 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/DSC_0351 copy.jpg Maryam Najd. Leech man, 2010. Oil on canvas, 60 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/DSC_0364 copy.jpg Maryam Najd. Mr. President, 2010. Oil on canvas, 40 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/Green-wave Heroes.jpg Maryam Najd. Green wave Heroes, 2009-10. Oil on canvas, 80 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/Joker.jpg Maryam Najd. Joker, 2009-10. Oil on canvas, 60 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/Maryam Najd. Self portrait Farah.jpg Maryam Najd. Self portrait VI, 2006-07. Oil on canvas, 80 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/t/taking_transnational_picture_maryam_najd/DSC_0355 copy.jpg Maryam Najd. Riot police, 2010. Oil on canvas, 60 x 40 cm. © the artist. https://www.studiointernational.com/index.php/turner-prize-2012-exhibition https://www.studiointernational.com/images/articles/t/turner_prize_2012_exhibition/Luke-Fowler-All-Divided-Selves-2011-b.jpg Luke Fowler. All Divided Selves, 2011. Courtesy of the artist, The Modern Institute/Toby Webster Ltd, Glasgow and Galerie Gisela Capitain, Cologne. https://www.studiointernational.com/images/articles/t/turner_prize_2012_exhibition/Elizabeth-Price-User-Group-Disco-2009-b.jpg Elizabeth Price. User Group Disco, 2009. Copyright Elizabeth Price, courtesy MOTInternational, London. https://www.studiointernational.com/images/articles/t/turner_prize_2012_exhibition/Paul-Noble-Public-Toilet-1999-b.jpg Paul Noble. Public Toilet, 1999. © Paul Noble/Gagosian, London. https://www.studiointernational.com/images/articles/t/turner_prize_2012_exhibition/Spartacus-Chetwynd-Odd-Man-Out-05-May-2011-b.jpg Spartacus Chetwynd. Odd Man Out, Sadie Coles, London, 5 May–4 June 2011, inaugural performance 5 May. © Spartacus Chetwynd, courtesy Sadie Coles HQ, London https://www.studiointernational.com/index.php/go-figure-contemporary-chinese-portraiture https://www.studiointernational.com/images/articles/g/go_figure_cont_chinese/FangLijung_Untitled-b.jpg Fang Lijun. Untitled, 1995. Oil on canvas, 250 x 180 cm. Mixed media. M+ Sigg Collection. https://www.studiointernational.com/images/articles/g/go_figure_cont_chinese/Kan-Xuan_Looking,-Looking-for_Video-b.jpg Kan Xuan. Looking, Looking, Looking For, 2008. Video, 2.51 minutes (flat screen monitor, sound non invasive). M+ Sigg Collection. https://www.studiointernational.com/images/articles/g/go_figure_cont_chinese/Liu-Xiaodong_Eating-b.jpg Kan Xuan. Looking, Looking, Looking For, 2008. Video, 2.51 minutes (flat screen monitor, sound non invasive). M+ Sigg Collection. https://www.studiointernational.com/images/articles/g/go_figure_cont_chinese/ZengFanzhi_Untitled-b.jpg Zeng Fanzhi. Untitled, 1997. Oil on canvas, 170 x 145 cm. M+ Sigg Collection. https://www.studiointernational.com/images/articles/g/go_figure_cont_chinese/Zhang-Xiaogang_Hong-Haizi-b.jpg Zhang Xiaogang. Red child, 2005. Oil on canvas, 200 x 250 cm. M+ Sigg Collection. https://www.studiointernational.com/images/articles/g/go_figure_cont_chinese/AiWeiwei_NewspaperreaderSalzburg-b.jpg Ai Weiwei. Newspaper reader, 2004. Mixed media. M+ Sigg Collection. https://www.studiointernational.com/index.php/innovating-with-the-old-frieze-masters-2012 https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/8071532331_4fd9fd13c2_c.jpg Teresa Burga, Galerie Barbara Thumm. Frieze Masters 2012. Spotlight. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Frieze Masters 2012_ Daniel Katz Gallery.jpg Daniel Katz Gallery, London. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Frieze Masters 2012_ Ethnography.jpg Entwistle, London, Paris. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Frieze Masters 2012_Annie Leibovitz.jpg Annie Leibovitz: David Byrne, Los Angeles (1986). Bernheimer Fine Art Photography, Munich. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Frieze Masters 2012_Annie Leibovitz Louise Bourgeois.jpg Annie Leibovitz: Louise Bourgeois, 1997. Bernheimer Fine Art Photography, Munich. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Frieze Masters 2012_Galerie Meyer Oceanic Art.jpg Galerie Meyer Oceanic Art, Paris. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Frieze Masters 2012_Helly Nahmad Gallery London.jpg Helly Nahmad Gallery, London. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Frieze Masters 2012_Gericault.jpg Stair Sainty Gallery, London. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Frieze Masters 2012_Works by Giovani Stanchi c.1675. Koetser Gallery, Zurich.jpg Works by Giovani Stanchi c.1675. Koetser Gallery, Zurich. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Spotlight Works by Jeurgen Klauke.jpg Spotlight. Works by Jeurgen Klauke. Anita Beckers, Frankfurt. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Spotlight Works by Birgit Jurgenssen.jpg Spotlight. Works by Birgit Jurgenssen, Galerie Hubert Winter, Vienna. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Spotlight Works by Pier Paolo Calzolari.jpg Spotlight. Works by Pier Paolo Calzolari. Bernier/Eliades, Athens. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/i/innovating_frieze_masters_2012/Frieze Masters 2012_Millefleurs Tapestry.jpg Millefleurs Tapestry, Garden of Delight with Animals, Flanders c. 1500. Gallery Moshe Tabibnia, Milan. Frieze Masters 2012. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/index.php/saying-it https://www.studiointernational.com/images/articles/s/saying_it/Sissi-in-analysis-b.jpg Mieke Bal and Michelle Williams Gamaker. Sissi in Analysis, 2012. © Mieke Bal and Michelle Williams Gamaker. https://www.studiointernational.com/images/articles/s/saying_it/Sissi-in-analysis-2-web-b.jpg Sissi In Analysis © 2012 Mieke Bal & Michelle Williams Gamaker. Freud Museum London. Installation photographs: Paul Kubalek. https://www.studiointernational.com/images/articles/s/saying_it/Sissi-in-analysis-3-web-b.jpg Sissi In Analysis © 2012 Mieke Bal & Michelle Williams Gamaker. Freud Museum London. Installation photographs: Paul Kubalek. https://www.studiointernational.com/images/articles/s/saying_it/sissi-in-analysis-1-b.jpg Sissi In Analysis © 2012 Mieke Bal & Michelle Williams Gamaker. Freud Museum London. Installation photographs: Paul Kubalek. https://www.studiointernational.com/images/articles/s/saying_it/Sissi-Outside-1-web-b.jpg Mieke Bal and Michelle Williams Gamaker. Sissi Outside, 2011. © Mieke Bal and Michelle Williams Gamaker. https://www.studiointernational.com/images/articles/s/saying_it/cabinet-video-web-b.jpg Renate Ferro. The Cabinet, 2012. Installation photograph © Renate Ferro https://www.studiointernational.com/index.php/archive-mario-merz https://www.studiointernational.com/images/articles/m/mario_merz/studio-international-1976-p11-1s-b.jpg Mario Merz. An interview by Caroline Tisdall. Studio International, January/February 1976, page 11. https://www.studiointernational.com/images/articles/m/mario_merz/studio-international-1976-p12-1s-b.jpg Mario Merz. An interview by Caroline Tisdall. Studio International, January/February 1976, page 12. https://www.studiointernational.com/images/articles/m/mario_merz/studio-international-1976-p13-1s-b.jpg Mario Merz. An interview by Caroline Tisdall. Studio International, January/February 1976, page 13. https://www.studiointernational.com/images/articles/m/mario_merz/studio-international-1976-p14-1s-b.jpg Mario Merz. An interview by Caroline Tisdall. Studio International, January/February 1976, page 14. https://www.studiointernational.com/images/articles/m/mario_merz/studio-international-1976-p15-1s-b.jpg Mario Merz. An interview by Caroline Tisdall. Studio International, January/February 1976, page 15. https://www.studiointernational.com/images/articles/m/mario_merz/studio-international-1976-p16-1s-b.jpg Mario Merz. An interview by Caroline Tisdall. Studio International, January/February 1976, page 16. https://www.studiointernational.com/images/articles/m/mario_merz/studio-international-1976-p17-1s-b.jpg Mario Merz. An interview by Caroline Tisdall. Studio International, January/February 1976, page 17. https://www.studiointernational.com/index.php/irene-barberis-apocalypse-revelation-re-looking-feminale-the-edge-of-logic-intersecting-luminosities https://www.studiointernational.com/images/articles/i/irene_barberis_apocalypse_revelation/Cut-it-Out!.jpg Irene Barberis. Cut it Out! Its a Wonderful World, Resurrection in Melbourne 2012 (After Stanley Spencer), 2012. Laser-cut, multi coloured acrylic, 18 x 2.9 m, 2012. Photograph: Mark Ashkanasy. https://www.studiointernational.com/images/articles/i/irene_barberis_apocalypse_revelation/I-Barberis-2012-026-b.jpg Irene Barberis. Cut it Out! Its a Wonderful World; Resurrection in Melbourne 2012 (after Stanley Spencer), 2012. Detail. Acrylic laser cut acrylic with coloured mapping pins. Photograph: Mark Ashkanasy. https://www.studiointernational.com/images/articles/i/irene_barberis_apocalypse_revelation/I-Barberis-2012-057-b.jpg Irene Barberis. Installation view: Apocalypse/Revelation: Re Looking (Feminale; the edge of logic, intersecting luminosities). Centre: Writings on the Wall (on canvas) #7, (Revelation Chapters 16 -22), 2012. Primed canvas, acrylic housepaint, white marker and chalk pen, 1.4 x 3 m. Right: Cut it Out! Its a Wonderful World; Resurrection in Melbourne2012 (after Stanley Spencer), 2012. Laser cut acrylic with coloured mapping pins. Photograph: Mark Ashkanasy. https://www.studiointernational.com/images/articles/i/irene_barberis_apocalypse_revelation/I-Barberis-2012-063-b.jpg Irene Barberis. Installation view at Gallery Langford120. Slow Release, 2007. Welded Polyvinyl Chloride, handwritten marker texts, pumped air and artist's breath, 5 x 6 x 1.5 metres. Photograph: Mark Ashkanasy. https://www.studiointernational.com/images/articles/i/irene_barberis_apocalypse_revelation/I-Barberis-2012-103-b.jpg Dr Irene Barberis, Professor David Mainwarring, Emeritus Professor Michelle P Brown, Professor Bernard Muir. The Tapestry of Light of Light Project: The Art and Science of Illumination, 2012. Designed by Irene Barberis, woven at the Australian Tapestestry Workshop, sampler of phosphorescent and fluorescent tapestry woven by The Australian Tapestry Workshop. (Reference: Angers Tapestry). Photograph: Mark Ashkanasy. https://www.studiointernational.com/images/articles/i/irene_barberis_apocalypse_revelation/I-Barberis-2012-137-b.jpg Dr Irene Barberis. The Tapestry of Light of Light Project: The Art and Science of Illumination, 2010. Luminescent tapestry, designed by Irene Barberis, woven at the Australian Tapestestry Workshop. Light Drawing: Precious Stones; The New Jerusalem, Lumen wall- work # 10. (Reference Revelation 19: 21, 22.) 2012. Photograph: Mark Ashkanasy. https://www.studiointernational.com/index.php/the-liverpool-biennial-2012-the-uk-biennial-of-contemporary-art https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/aitken_mike_kelley.jpg Doug Aitken. The Source, 2012. Doug Aitken and American installation artist and musician Mike Kelley. Photograph: Courtesy of Doug Aitken Workshop and 303 Gallery, New York. https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/Bow Human Pamela Rosenkranz.jpg Pamela Rosenkranz. Bow Human, 2012. Acrylic plaster, emergency blanket, Vaseline, dimensions variable. https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/Galuppo & Mikloweit.jpg Adriana Galuppo & Sascha Mikloweit. Just Another Unexpected Guest, 2012. Solar mirror film, concertina razor wire, barb wire, steel, red A board, 14 x 26 x 5 m. https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/Markus Kahre.jpg Markus Kåhre. No title, 2012. Installation. https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/aitken_jack_white_0.jpg Doug Aitken. The Source, 2012. Jack White, musician, best known for his musical projects The White Stripes, The Raconteurs and The Dead Weather. Photograph: Courtesy of Doug Aitken Workshop and 303 Gallery, New York. https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/Dan Graham.jpg Dan Graham. 2-Way Mirror Cylinder Bisected By Perforated Stainless Steel, 2011-12. Public Pavilion. https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/Detail of Jorge Macchi instalation.jpg Jorge Macchi. Refraction, 2012. Detail of mixed media installation. https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/Jakob Kolding.jpg Jakob Kolding. Perspectives, 2012. Set of four offset posters, each 80 X 60 cm. https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/Superflex.jpg Superflex. Liverpool to Let, 2012. Mixed media installation, Commissioned by Liverpool Biennial. https://www.studiointernational.com/images/articles/l/liverpool_biennial2012/Inhospitable Landscape show detail (1).jpg Detail of the Inhospitable Landscape exhibition at Wolstenholme Creative Space. https://www.studiointernational.com/index.php/pre-raphaelites-victorian-avant-garde https://www.studiointernational.com/images/articles/p/pre-raphaelites_victorian_avant_garde/Edward-Burne-Jones-Laus-Veneris-1873-8-b.jpg Edward Burne-Jones. Laus Veneris, 1873-8. Laing Art Gallery, Newcastle upon Tyne. https://www.studiointernational.com/images/articles/p/pre-raphaelites_victorian_avant_garde/Ford-Madox-Brown-The-Pretty-Baa-Lambs-1851-9-b.jpg Ford Madox Brown. The Pretty Baa-Lambs, 1851-9. Birmingham Museums and Art Gallery, purchased 1956. https://www.studiointernational.com/images/articles/p/pre-raphaelites_victorian_avant_garde/John-Everett-Millais-Autumn-Leaves-1855-6-b.jpg John Everett Millais. Autumn Leaves, 1855-6. Manchester City Galleries. https://www.studiointernational.com/images/articles/p/pre-raphaelites_victorian_avant_garde/William-Holman-Hunt-Isabella-and-the-Pot-of-Basil-1866-8-b.jpg William Holman Hunt. Isabella and the Pot of Basil, 1866-8, retouched 1886. Laing Art Gallery, Newcastle upon Tyne. https://www.studiointernational.com/images/articles/p/pre-raphaelites_victorian_avant_garde/Dante-Gabriel-Rossetti-Astarte-Syriaca-1877-b.jpg Dante Gabriel Rossetti. Astarte Syriaca, 1877. Copyright Manchester City Galleries. https://www.studiointernational.com/index.php/an-american-in-paris-edward-hopper-retrospective https://www.studiointernational.com/images/articles/a/an_american_in_paris_edward_hopper/Edward-Hopper-couple-drinking-b.jpg Edward Hopper. Couple Drinking, 1906-7. Watercolour, 34.3 x 50.5 cm. New York, Whitney Museum of American Art, Josephine N. Hopper Bequest. © Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art. https://www.studiointernational.com/images/articles/a/an_american_in_paris_edward_hopper/edward-hopper-NIGHT_SHADOWS-b.jpg Edward Hopper. Night shadows, 1921. Etching, 17.5 x 21 cm. Philadelphia Museum of Art: Purchased with the Thomas Skelton Harrison Fund, 1962. © Philadelphia museum of art. https://www.studiointernational.com/images/articles/a/an_american_in_paris_edward_hopper/edward-hopper-ROOM-IN-NEW-YORK-B.jpg Edward Hopper. Room in New York, 1932. Oil on canvas, 74.4 x 93 cm. Sheldon Museum of Art, University of Nebraska – Lincoln, UNL-F.M. Hall Collection. © Sheldon Museum of Art. https://www.studiointernational.com/images/articles/a/an_american_in_paris_edward_hopper/edward-hopper-HOUSE_AT_DUSK-b.jpg Edward Hopper. House at Dusk, 1935. Oil on canvas, 92.1 x 127 cm. Virginia Museum of Fine Arts, Richmond. John Barton Payne Fund. ©Virginia Museum of Fine Arts. https://www.studiointernational.com/images/articles/a/an_american_in_paris_edward_hopper/edward-hopper-NIGHTHAWKS-b.jpg Edward Hopper. Nighthawks, 1942. Oil on canvas, 84.1 x 152.4 cm. Chicago, The Art Institute of Chicago, Friends of American Art Collection. © The Art Institute of Chicago. https://www.studiointernational.com/images/articles/a/an_american_in_paris_edward_hopper/edward-hopper-MORNING-SUN-b.jpg Edward Hopper. Morning Sun, 1952. Oil on canvas, 71.4 x 101.9 cm. Columbus Museum of Art, Ohio: Howald Fund Purchase. © Columbus Museum of Art, Ohio. https://www.studiointernational.com/images/articles/a/an_american_in_paris_edward_hopper/edward-hopper-NY_OFFICE-b.jpg Edward Hopper. New York Office, 1962. Oil on canvas, 102.87 x 140.02 cm. Montgomery Museum of Fine Arts, Montgomery, Alabama, The Blount Collection. © Montgomery Museum of Fine Arts. https://www.studiointernational.com/index.php/retelling-history-through-art-an-interview-with-kimathi-donkor https://www.studiointernational.com/images/articles/r/retelling_history_kimathi_donkor/Kimathi portrait.jpg Kimathi Donkor. Photograph: Thierry Bal https://www.studiointernational.com/images/articles/r/retelling_history_kimathi_donkor/Kimathi_Konbi_Continua.jpg Kimathi Donkor. Kombi Continua (Scenes from the life of Njinga Mbandi), 2010. Oil on linen, 160 x 171 cm. Copyright the artist. https://www.studiointernational.com/images/articles/r/retelling_history_kimathi_donkor/Kimathi_donkor_drama_queen_.jpg Kimathi Donkor. Drama Queen (Scenes from the life of Njinga Mbandi), 2010. Oil on linen, 160 x 100 cm. Copyright the artist. https://www.studiointernational.com/images/articles/r/retelling_history_kimathi_donkor/Kimathi_donkor_harriet_tubman_hi_0.jpg Kimathi Donkor. Harriet Tubman en route to Canada, 2012. Oil on canvas 165 x 201 cm. Copyright the artist. https://www.studiointernational.com/images/articles/r/retelling_history_kimathi_donkor/Kimathi_installationviewp2.jpg Kimathi Donkor. Installation view of Queens of the Undead PS2, Iniva at Rivington Place, 2012. Copyright the artist. Photo by Thierry Bal. https://www.studiointernational.com/images/articles/r/retelling_history_kimathi_donkor/Kimathi_donkor_madonna_hi_0.jpg Kimathi Donkor. Madonna Metropolitan, 2005. Oil on canvas 161.5 x 161.5 cm. Copyright the artist. Courtesy of People Can. https://www.studiointernational.com/images/articles/r/retelling_history_kimathi_donkor/Kimathi_donkor_nannys_fifth.jpg Kimathi Donkor. Nanny's fifth act of mercy, 2012. Oil on canvas 165 x 201 cm. Copyright the artist. https://www.studiointernational.com/images/articles/r/retelling_history_kimathi_donkor/Kimathi.whenshallwe3.jpg Kimathi Donkor. When shall we 3? (Scenes from the life of Njinga Mbandi), 2010. Oil on linen, 160 x 105 cm. Copyright the artist. https://www.studiointernational.com/images/articles/r/retelling_history_kimathi_donkor/Kimathi_donkor_yaa_asantewaa.jpg Kimathi Donkor. Yaa Asantewaa inspecting the dispositions at Ejisu, 2012. Oil on canvas 165 x 201 cm. Copyright the artist. https://www.studiointernational.com/index.php/antipodean-springtime-letter-from-australia https://www.studiointernational.com/images/articles/a/antipodean_springtime/Erub-installation-at-Langford120-b.jpg Erub Erwer Meta (Darnley Island Arts Centre) installation at Langford120, North Melbourne, 2012. https://www.studiointernational.com/images/articles/a/antipodean_springtime/Racy-Oui-Pitt,-Alida,-2012-b.jpg Racy Oui Pitt. Alida, 2012. Charcoal on paper, 76 x 232 cm. https://www.studiointernational.com/images/articles/a/antipodean_springtime/HM_Res,-2010-to-use-b.jpg Hilarie Mais. RES, 2010. Oil paint on wood, 210 x 210 x 4 cm. https://www.studiointernational.com/images/articles/a/antipodean_springtime/Tony-Scott-studio-image-b.jpg Tony Scott's studio. https://www.studiointernational.com/index.php/do-ho-suh-perfect-home https://www.studiointernational.com/images/articles/d/do_ho_suh_perfect_home/Do-Ho-Suh-Fallen-Star-b.jpg Do Ho Suh. Fallen Star – 1/5th Scale, 2008-11. Collection of The Samsung Museum of Art, Leeum, Seoul Korea. © Do Ho Suh. https://www.studiointernational.com/images/articles/d/do_ho_suh_perfect_home/IMG_0305-Do-Ho-Suh-Seoul-Home-b.jpg Do Ho Suh. Seoul Home / Seoul Home / Kanazawa Home, 2002-12. Collection of the artist. © Do Ho Suh. https://www.studiointernational.com/images/articles/d/do_ho_suh_perfect_home/IMG_0311-Do-Ho-Suh-Gate-b.jpg Do Ho Suh. Gate (Kanazawa version), 2012. https://www.studiointernational.com/images/articles/d/do_ho_suh_perfect_home/IMG_0312-Do-Ho-Suh-Wielandstr-18-b.jpg Do Ho Suh. Wielandstr. 18, 12159, Berlin, Germany-3 Corridors, 2011. https://www.studiointernational.com/images/articles/d/do_ho_suh_perfect_home/IMG_0313-Do-Ho-Suh-Wielandstr-18-(detail)-b.jpg Do Ho Suh. Wielandstr. 18, 12159, Berlin, Germany-3 Corridors, 2011. (Detail) https://www.studiointernational.com/index.php/elizabeth-price-2012-turner-prize-winner https://www.studiointernational.com/images/articles/e/elizabeth_price_turner_2012/elizabeth_price_turner_2012.jpg Elizabeth Price. Still from The Woolworths Choir of 1979, 2012. © Elizabeth Price 2012 https://www.studiointernational.com/index.php/john-bellany-a-passion-for-life https://www.studiointernational.com/images/articles/j/john-bellany-2012/Bellany,-Allegory,-1964-LH-Panel-b.jpg John Bellany. Allegory, 1964, (left-hand panel). Oil on canvas, 212.50 x 413.50 cm Scottish National Gallery of Modern Art. https://www.studiointernational.com/images/articles/j/john-bellany-2012/Bellany,-Allegory,-1964-Middle-Panel-b.jpg John Bellany. Allegory, 1964, (middle panel). Oil on canvas, 212.50 x 413.50 cm Scottish National Gallery of Modern Art. https://www.studiointernational.com/images/articles/j/john-bellany-2012/Bellany,-Allegory,-1964,-RH-Panel-b.jpg John Bellany. Allegory, 1964, (right-hand panel). Oil on canvas, 212.50 x 413.50 cm Scottish National Gallery of Modern Art. https://www.studiointernational.com/images/articles/j/john-bellany-2012/Bell_08_B_Pourquoi-1967.jpg John Bellany. Pourquoi?, 1967. Oil on board, 173.6 x 180.2 cm. Collection of the artist. https://www.studiointernational.com/images/articles/j/john-bellany-2012/Bell_41_Danae-(A-shower-of-Gold)-Homage-to-Titian-c1991-b.jpg John Bellany. Danäe (A Shower of Gold) Homage to Titian, c1991. Oil on canvas, 152 x 173 cm. Collection of the artist. https://www.studiointernational.com/images/articles/j/john-bellany-2012/Bellany,-Self-Portrait-(Addenbrookes)-1988-b.jpg John Bellany. Self-Portrait (from the Addenbrooke’s Hospital Series), 1988. Watercolour and black chalk on paper,77.5 x 56.9 cm. Scottish National Gallery of Modern Art. https://www.studiointernational.com/images/articles/j/john_bellany_a_passion_for_life/Bellany,-Self-Portrait-(Addenbrookes)-Red-Chalk-1988-b.jpg John Bellany. Self-Portrait (from the Addenbrooke’s Hospital Series), 1988. Red chalk on paper, 57 x 38.5 cm. Scottish National Gallery of Modern Art. https://www.studiointernational.com/images/articles/j/john_bellany_a_passion_for_life/Bellany,-Self-Portrait-1988-b.jpg John Bellany. Self-Portrait (from the Addenbrooke’s Hospital Series), 1988. Watercolour on paper, 57 x 38.6 cm. Scottish National Gallery of Modern Art. https://www.studiointernational.com/index.php/luc-tuymans-allo-david-zwirner-s-new-london-space https://www.studiointernational.com/images/articles/l/luc_tuymans_allo/Luc-Tuymans,-Allo!-I,-2012,-Oil-on-canvas,-133.7-x-182-b.jpg Luc Tuymans. Allo! I, 2012. Oil on canvas, 133.7 x 182.6 cm. Courtesy the artist and David Zwirner, New York London. https://www.studiointernational.com/images/articles/l/luc_tuymans_allo/Luc-Tuymans,-Allo!-IV,-2012,-Oil-on-canvas,-128.1-x-181-b.jpg Luc Tuymans. Allo! IV, 2012. Oil on canvas, 128.1 x 181.9 cm. Courtesy David Zwirner, New York London. https://www.studiointernational.com/images/articles/l/luc_tuymans_allo/Luc-Tuymans,-Allo!-VI,-2012,-Oil-on-canvas,-140.2-x-189-b.jpg Luc Tuymans, Allo! VI, 2012, Oil on canvas, 140.2 x 189.5 cm, Courtesy David Zwirner, New York London https://www.studiointernational.com/images/articles/l/luc_tuymans_allo/Luc-Tuymans-,-Allo!-II,-2012,-Oil-on-canvas,-130-b.jpg Luc Tuymans. Allo! II, 2012. Oil on canvas, 130.3 x 181 cm. Courtesy David Zwirner, New York London. https://www.studiointernational.com/index.php/aalto-and-america https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto01-fantastic-mountain-b.jpg Alvar Aalto. Topographical reference for Viipuri Library: Aalto’s sketch of a fantastic mountain which was the inspiration for the stepped section of the Viipuri Library reading room. https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto02-Viipuri-b.jpg Alvar Aalto. Viipuri library – main reading room. https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto03-Finland-pavilion-b.jpg Alvar Aalto. Finland Pavilion, interior perspective of the forest wall (1939). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto04-b.jpg Alvar Aalto. Baker House, MIT (1949), perspective of river elevation (1947). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto05-Poetry-b.jpg Alvar Aalto. Woodbury Poetry Room (1948), Lamont Library, Harvard University, original layout (photo 1979). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto06-Conference-b.jpg Alvar Aalto. Kaufmann Conference Rooms (1964). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto08-Library-reading-b.jpg Alvar Aalto. Mount Angel Abbey Library reading room (1970). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto09-Calascibetta-b.jpg Alvar Aalto. Topographical reference for Mount Angel Library: Sketch of Calascibetta, Sicily (1952). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto10-American-town-b.jpg Architectural design research with MIT students: ‘An American Town in Finland’ (1940). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto11-site-prototypes-b.jpg Architectural design research with MIT students: two diagrams showing ‘positive and negative environmental factors’ plus their effect on house orientation and size (1941). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto12-housing-prototype-b.jpg Architectural design research with MIT students: drawing of expandable housing prototype (1940). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto13-patient-room-sketch-b.jpg Alvar Aalto. Sketches from ‘The Humanising of Architecture’ showing how patients inhabit a typical room at the Paimio Sanatorium (1940). https://www.studiointernational.com/images/articles/a/aalto-in-america-2013/Aalto14-painting-b.jpg Aalto and the form-affinity to nature: Alvar Aalto. Untitled oil painting, 1963. https://www.studiointernational.com/index.php/beat-nation-art-hip-hop-and-aboriginal-culture-capsule https://www.studiointernational.com/images/capsules/beat-nation-toronto-c80.jpg Skeena Reece, Raven: On the Colonial Fleet (detail), 2010. Performance regalia. Courtesy the artist. Photo by Sebastien Krete. https://www.studiointernational.com/index.php/one-collector-s-delightful-passion https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_4_b.jpg General Motors Cadillac 62 Four-Door Sedan, 1950; with friction motor. 12 3/4 x 5 1/8 x 3 7/8 in. (32.5 x 13 x 10 cm). First sold by Marusan Shoten in 1953–54. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_6_b.jpg General Motors Cadillac 62 Four-Door Sedan, 1950; with friction motor. 9 1/2 x 3 7/8 x 3 1/8 in. (24 x 10 x 8 cm). Suzuki Gangu, about 1953–54. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_11_b.jpg General Motors Cadillac 62 Eldorado Four-Door Convertible, 1950; “Electromobile” version with battery-powered motor and working lights. 13 3/4 x 6 1/4 x 4 1/4 in. (35 x 16 x 11 cm). Nomura Toys. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_12_b.jpg General Motors Buick Four-Door Convertible, 1950. 10 3/4 x 4 3/4 x 4 1/4 in. (27.5 x 12 x 11 cm). Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_20_b.jpg General Motors Chevrolet Bel Air Two-Door Sedan, 1954. 11 3/8 x 5 1/8 x 3 3/4 in. (29 x 13 x 9.5 cm). Marusan Shoten. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_25_b.jpg Ford Thunderbird Two-Door Coupe, 1956. 11 x 4 1/4 x 3 1/8 in. (28 x 11 x 8 cm). Nomura Toys. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_26_b.jpg Left: “Noble Bus,” mid-1950s. 12 x 3 3/8 x 3 3/4 in. (30.5 x 8.5 x 9.5 cm). Kaname Sangyo. Right: Greyhound Bus, mid-1950s. 12 5/8 x 3 1/2 x 3 1/2 in. (32 x 9 x 9 cm). Yoku Tanaka Collection. Photos: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_29_b.jpg “Fire Jet” racing car, about 1955. 13 3/8 x 6 1/4 x 5 1/8 in. (34 x 16 x 13 cm). Asahi Gangu. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_35_b.jpg General Motors Oldsmobile Two-Door Sedan, 1955; with trailer. 5 1/2 x 2 3/8 x 1 3/4 in. (14 x 6 x 4.5 cm), 6 3/4 x 3 1/8 x 3 3/8 in. (17 x 8 x 8.5 cm). Yonezawa Gangu. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_37_b.jpg Ford Lincoln Futura show car, 1955; with battery-powered lights. 11 x 7 3/4 x 3 1/4 in. (28 x 12 x 8.5 cm). Alps Shoji. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_44_b.jpg Ford Fairlane Two-Door Convertible, 1956. 11 7/8 x 4 1/8 x 3 1/8 in. (30 x 10.5 x 8 cm). Bandai. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_48_b.jpg Chrysler New Yorker Four-Door Sedan, 1957. 14 1/8 x 5 1/4 x 3 1/2 in. (36 x 13.5 x 9 cm). Alps Shoji. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_54_b.jpg Ford Fairlane 500 Skyliner Two-Door Convertible with retractable hardtop, 1959; with battery-powered motor and remote control. 11 x 4 1/2 x 2 3/4 in. (28 x 11.5 x 7 cm). Manufactured for Cragstan Corporation, New York. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/images/articles/b/buriki_tin_toys/Buriki_57_b.jpg Boeing 377 Stratocruiser, late 1950s–early1960s. 17 3/4 x 20 7/8 x 5 7/8 in. (45 x 53 x 15 cm). Nikko Gangu Kogyo. Yoku Tanaka Collection. Photo: Tadaaki Nakagawa. https://www.studiointernational.com/index.php/silvia-hatzl-a-fragile-existence https://www.studiointernational.com/images/articles/s/silvia-hatzl-2013/The-visible-and-the-Invisible-(detail)-2012-b.jpg Silvia Hatzl. The visible and the Invisible (detail), 2012. Silk rust and animal intestine, 90 x 35 x 10 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/s/silvia-hatzl-2013/The-visible-and-the-Invisible-2012-b.jpg Silvia Hatzl. The visible and the Invisible, 2012. Silk rust and animal intestine, 90 x 35 x 10 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/s/silvia-hatzl-2013/silvia-hatzl-bust-2012-b.jpg Silvia Hatzl. Bust, 2012. Silk, cotton, linen, earth, ash, plaster, pigment, bone and paper, 67 x 30 x 42 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/s/silvia-hatzl-2013/silvia-hatzl-dress-2012-b.jpg Silvia Hatzl. Dress, 2012. Silk, ash and pigment, 100 x 53 x 17 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/s/silvia-hatzl-2013/silvia-hatzl-heads-2012-b.jpg Silvia Hatzl. Heads, 2012. Earth plaster, ash, pigment, cotton, silk, paper, rust, bones, 25 x 22 x 12 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/index.php/light-show https://www.studiointernational.com/images/articles/l/light-show-2013/ANTHONY-MCCALL_You-and-I-Horizontal_2005_Image-2.jpg Anthony McCall. You and I, Horizontal, 2005. © the artist. Courtesy of the artist and Sprüth Magers Berlin London Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/l/light-show-2013/CARLOS-CRUZ-DIEZ_Chromosaturation_1965-2013.jpg Carlos Cruz-Diez. Chromosaturation, 1965-2013. © the artist/DACS. Cruz-Diez Foundation. Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/l/light-show-2013/CERITH-WYN-EVANS_SUPERSTRUCTURE_2010.jpg Cerith Wyn Evans. S=U=P=E=R=S=T=R=U=C=T=U=R=E ('Trace me back to some loud, shallow, chill, underlying motive’s overspill…'), 2010. © the artist. Courtesy the artist and White Cube. Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/l/light-show-2013/IVAN-NAVARRO_Burden.jpg Iván Navarro. Burden (Lotte World Tower), 2011. © the artist. Courtesy Paul Kasmin Gallery. Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/l/light-show-2013/JIM-CAMPBELL_Exploded-View_2011.jpg Jim Campbell. Exploded View (Commuters), 2011. © the artist. Courtesy Bryce Wolkowitz Gallery, New York and studio of Jim Campbell. Photograph: Linda Nylind. https://www.studiointernational.com/index.php/tate-modern-2012-programme-in-retrospect-the-place-for-performance https://www.studiointernational.com/images/articles/t/tate-modern-2012/Aldo-Tambellini_Black-Zero_32.jpg Aldo Tambellini. Retracing Black Performance at Tate Modern, The Tanks 2012. https://www.studiointernational.com/images/articles/t/tate-modern-2012/HG2_4801HG20.jpg Anne Teresa De Keersmaeker Fase: Four movements to the Music of Steve Reich, Tate Modern, 2012. © Anne Teresa De Keersmaeker. Photograph: Hugo Glendinning . https://www.studiointernational.com/images/articles/t/tate-modern-2012/Tanks2_14.jpg The Tanks at Tate Modern. Photograph: Tate Photography. https://www.studiointernational.com/images/articles/t/tate-modern-2012/Tanks2_22.jpg The Tanks at Tate Modern. Photograph: Tate Photography. https://www.studiointernational.com/images/articles/t/tate-modern-2012/The-Tanks_01.jpg Sung Hwan Kim. The Tanks Commission, 2012 (installation view). © Sung Hwan Kim . Photograph: Tate Photography. https://www.studiointernational.com/images/articles/t/tate-modern-2012/The-Tanks_04.jpg Sung Hwan Kim. The Tanks Commission, 2012 (installation view). © Sung Hwan Kim . Photograph: Tate Photography. https://www.studiointernational.com/images/articles/t/tate-modern-2012/The-Tanks_13.jpg Lis Rhodes. Light Music 1975, Installation view, Tate Modern 18 July - 28 October 2012. © Lis Rhodes. Photograph: Tate Photography. https://www.studiointernational.com/images/articles/t/tate-modern-2012/The-Tanks_21.jpg Lis Rhodes. Light Music 1975, Installation view, Tate Modern 18 July - 28 October 2012. © Lis Rhodes. Photograph: Tate Photography. https://www.studiointernational.com/index.php/ursula-von-rydingsvard https://www.studiointernational.com/images/articles/u/UvR-2013/2000MamaYourLegs.jpg Studio view. Mama your legs, 2000. Cedar, graphite, steel and motor, 9ft. 5in. x 11ft. 8in. x 15ft. 6in. Photo by David Allison. © Ursula von Rydingsvard. Courtesy Galerie Lelong, New York. https://www.studiointernational.com/images/articles/u/UvR-2013/UvRConjugation2012-2.jpg Ursula von Rydingsvard in her studio, working on Conjugation, 2012. Photograph: Andria Morales. © Ursula von Rydingsvard. Courtesy Galerie Lelong, New York. https://www.studiointernational.com/images/articles/u/UvR-2013/Lubafront2-1.jpg Ursula von Rydingsvard. Luba, 2010. Cedar, graphite and cast bronze, 212 x 139 x 88 inches (538.5 x 353.1 x 223.5 cm) Storm King Art Center, Mountainville, New York. Photograph: Jerry L. Thompson. © Ursula von Rydingsvard Courtesy Galerie Lelong, New York. https://www.studiointernational.com/images/articles/u/UvR-2013/UVRwithcedarKatul.jpg Ursula von Rydingsvard in her studio with assembled cedar components of Katul Katul (1999-02). Photograph: Jerry L. Thompson. © Ursula von Rydingsvard. Courtesy Galerie Lelong, New York. https://www.studiointernational.com/images/articles/u/UvR-2013/P9220083.jpg Ursula von Rydingsvard marking in her studio, 2005. Photograph: Zonder Titel. © Ursula von Rydingsvard. Courtesy Galerie Lelong, New York. https://www.studiointernational.com/images/articles/u/UvR-2013/UvRwithBarclaysBowl-med.jpg Ursula von Rydingsvard in her studio with work in progress, 2013. Photograph: Andria Morales. © Ursula von Rydingsvard. Courtesy Galerie Lelong, New York. https://www.studiointernational.com/index.php/christo-s-gates-a-new-yorker-reflects https://www.studiointernational.com/images/articles/t/the_gates/thegates12_b.jpg Christo. The Gates: Central Park, New York, 1979-2005, installation view, 2013. Photo: Miguel Angel https://www.studiointernational.com/images/articles/t/the_gates/thegates5_b.jpg Christo. The Gates, Time Warner Building / Twin Towers view, installation view, 2013. Photo: Miguel Angel. https://www.studiointernational.com/images/articles/t/the_gates/thegates6_b.jpg Christo. The Gates, Central Park North - 110th Street view, installation view, 2013. Photo: Miguel Angel. https://www.studiointernational.com/images/articles/t/the_gates/thegates11_b.jpg Christo. The Gates: Central Park, New York, 1979-2005, installation view, 2013. Photo: Miguel Angel. https://www.studiointernational.com/images/articles/t/the_gates/thegates_1b.jpg Christo. The Gates. Mixed media, 8.5 x 11 in. Private collection, NY. https://www.studiointernational.com/images/articles/t/the_gates/thegates10_b.jpg Christo. The Gates: Central Park, New York, 1979-2005, installation view, 2013. Volunteers unhooking the saffron-coloured fabric. Photo: Miguel Angel. https://www.studiointernational.com/index.php/antony-gormley https://www.studiointernational.com/images/articles/a/antony-gormley-2011/antony-gormley_oct6753-b.jpg Antony Gormley. Photograph by Nick Howard. https://www.studiointernational.com/images/articles/a/antony-gormley-2011/antony-gormley_oct6688-b.jpg Antony Gormley. Studio, exterior view, 2011. Photograph by Nick Howard. https://www.studiointernational.com/images/articles/a/antony-gormley-2011/antony-gormley_oct6786-b.jpg Antony Gormley. Studio exterior view 2. Photograph by Nick Howard. https://www.studiointernational.com/images/articles/a/antony-gormley-2011/antony-gormley_oct6776-b.jpg Antony Gormley. Storeroom view. Photograph by Nick Howard. https://www.studiointernational.com/images/articles/a/antony-gormley-2011/antony-gormley_oct6784-b.jpg Antony Gormley. Storeroom view 3. Photograph by Nick Howard. https://www.studiointernational.com/images/articles/a/antony-gormley-2011/antony-gormley_oct6781-b.jpg Antony Gormley. Storeroom view 2. Photograph by Nick Howard. https://www.studiointernational.com/index.php/joerg-schmeisser https://www.studiointernational.com/images/articles/j/jorg-schmeisser/jorg-studio_b.jpg Jörg Schmeisser in his studio in Canberra, Australia, 28 October 2008. https://www.studiointernational.com/index.php/urban-narratives https://www.studiointernational.com/images/articles/u/urban-narrative-2013/Adip-Dutta-Untitled-2012.jpg Adip Dutta. Untitled, 2012. © Louis Vuitton/Jérémie Souteyrat
Courtesy of Espace Louis Vuitton Tokyo. https://www.studiointernational.com/images/articles/u/urban-narrative-2013/Snehasish-Maity-Anna-Silent-Voice-2012.jpg Snehasish Maity. Anna-Silent Voice, 2012. © Louis Vuitton/Jérémie Souteyrat
Courtesy of Espace Louis Vuitton Tokyo. https://www.studiointernational.com/images/articles/u/urban-narrative-2013/Snehasish-Maity-MASK_2012.jpg Snehasish Maity. Mask, 2012. © Louis Vuitton/Jérémie Souteyrat
Courtesy of Espace Louis Vuitton Tokyo. https://www.studiointernational.com/images/articles/u/urban-narrative-2013/Piyali-Sadhukhan-Rather-Protecting-Dream-2012.jpg Piyali Sadhukhan. Rather Protecting Dream, 2012. © Louis Vuitton/Jérémie Souteyrat
Courtesy of Espace Louis Vuitton Tokyo. https://www.studiointernational.com/images/articles/u/urban-narrative-2013/Sekhar-Roy-Skyline-2012.jpg Sekhar Roy. Skyline, 2012. © Louis Vuitton/Jérémie Souteyrat
Courtesy of Espace Louis Vuitton Tokyo. https://www.studiointernational.com/index.php/manet-portraying-life https://www.studiointernational.com/images/articles/m/manet-2013/KEY_033.jpg Edouard Manet. Berthe Morisot with a Bouquet of Violets, 1872. Oil on canvas, 55.5 x 40.5 cm. Musee d Orsay, Paris. Acquis avec la participation du Fonds du Patrimoine, de la Fondation Meyer, de Chine Times Group et d un mecenat coordonne par le quotidien Nikkei, 1998. Photograph copyright RMN (Musee d'Orsay)/Herve Lewandowski. https://www.studiointernational.com/images/articles/m/manet-2013/Key-031-1.jpg Edouard Manet. Music in the Tuileries Gardens, 1862. Oil on canvas, 76.2 x 118.1 cm. The National Gallery, London. Sir Hugh Lane Bequest, 1917. https://www.studiointernational.com/images/articles/m/manet-2013/Key-053-1.jpg Edouard Manet. Portrait of M. Antonin Proust, 1880. Oil on canvas, 129.5 x 95.9 cm. Lent by the Toledo Museum of Art; Gift of Edward Drummond Libbey. Photograph: Photography Incorporated, Toledo. https://www.studiointernational.com/images/articles/m/manet-2013/Key-057-1.jpg Edouard Manet. Street Singer, c1862. Oil on canvas, 171.1 x 105.8 cm. Museum of Fine Arts, Boston. Bequest of Sarah Choate Sears in memory of her husband, Joshua Montgomery Sears. Photograph courtesy Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/m/manet-2013/Key-060-1.jpg Edouard Manet. The Railway, 1873. Oil on canvas, 93.3 x 111.5 cm. National Gallery of Art, Washington, Gift of Horace Havemeyer in memory of his mother, Louisine W. Havemeyer, 1956.10.1. Photograph courtesy of the National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/m/manet-2013/Key-15-1.jpg Edouard Manet. Mme Manet in the Conservatory, 1879. Oil on canvas, 81 x 100 cm. The National Museum of Art, Architecture and Design, Oslo. Photograph: Borre Hostland. https://www.studiointernational.com/index.php/anish-kapoor-flashback https://www.studiointernational.com/images/articles/a/anish-kapoor-2011/anish-kapoor-by-phillipe-chancel-2007-b.jpg Anish Kapoor. Photo: Phillipe Chancel, 2007. https://www.studiointernational.com/index.php/norbert-francis-attard https://www.studiointernational.com/images/articles/a/attard/dscn2007b.jpg TU ES PETRUS https://www.studiointernational.com/images/articles/a/attard/dscn2016b.jpg TU ES PETRUS https://www.studiointernational.com/images/articles/a/attard/dscn2612b.jpg A PLACE CALLED PARADISE https://www.studiointernational.com/images/articles/a/attard/dscn2626b.jpg A PLACE CALLED PARADISE https://www.studiointernational.com/images/articles/a/attard/dscn2630b.jpg A PLACE CALLED PARADISE https://www.studiointernational.com/images/articles/a/attard/pic00109.jpg Norbert Francis Attard. Goddess of Fertility, acrylic on canvas, 1970. https://www.studiointernational.com/images/articles/a/attard/pic00150b.jpg Norbert Francis Attard. Accumulations, wood and black garbage bags, 1998. https://www.studiointernational.com/images/articles/a/attard/dscn1425b.jpg Norbert Francis Attard. The Radiant Present, acrylic on canvas, 1995. https://www.studiointernational.com/images/articles/a/attard/dscn1502b.jpg Norbert Francis Attard. Perfect Fit, ink drawing, 1973. https://www.studiointernational.com/images/articles/a/attard/dscn3047b.jpg Norbert Francis Attard. Only One Man, Offset lithograph, 1978. https://www.studiointernational.com/images/articles/a/attard/dscn3134b.jpg Norbert Francis Attard. Mihrab I, Offset lithograph, 1982. https://www.studiointernational.com/index.php/the-unilever-series-miroslaw-balka-how-it-is https://www.studiointernational.com/images/articles/b/balka09/20686w_balkapresscall14_b.jpg Miroslaw Balka at Tate Modern, London 2009. https://www.studiointernational.com/index.php/constantin-brancusi-the-essence-of-things https://www.studiointernational.com/images/articles/b/brancusi/tues_4b.jpg Torso of a Young Man II, 1923. Walnut, 42.7 x 28.4 x 14.6 cm. Musée National d’Art Moderne, Paris © ADAGP, Paris and DACS London 2004 https://www.studiointernational.com/images/articles/b/brancusi/tues_1b.jpg Head of a Child (head from the first step), 1917. Plaster, 16.9 x 26 x 19 cm. Musée National d’Art Moderne, Paris © ADAGP, Paris and DACS London 2004 https://www.studiointernational.com/images/articles/b/brancusi/8_m_b.jpg Adam and Eve, 1921. Chestnut (Adam) Oak (Eve), 238.7 x 47.5 x 43.3 cm. Solomon R. Guggenheim Museum of Art © ADAGP, Paris and DACS London 2004 https://www.studiointernational.com/images/articles/b/brancusi/20_m_b.jpg Torso of a Young Girl II 1923. Marble, 32.7 x 24.7 x 19.1 cm. Philadelphia Museum of Art © ADAGP, Paris and DACS London 2004 https://www.studiointernational.com/index.php/anthony-caro https://www.studiointernational.com/images/articles/c/caro/sunfeast_b.jpg Anthony Caro (b. 1924), Sun Feast 1969-70. Steel painted yellow 181.5 x 416.5 x 218.5 cm. Private Collection © the artist, Barford Sculptures Ltd. Photography: John Riddy https://www.studiointernational.com/images/articles/c/caro/sculpure_seven_b.jpg Anthony Caro (b. 1924), Sculpture Seven 1961. Steel, painted green, blue and brown 178 x 537 x 105.5 cm. Private Collection. Copyright: The artist, Barford Sculptures Ltd https://www.studiointernational.com/images/articles/c/caro/early_one_morning_b.jpg Anthony Caro (b. 1924), Early One Morning 1962. Steel and aluminium, painted red 289.6 x 619.8 x 335.3 cm. Tate. Presented by the Contemporary Art Society 1965 © the Artist, Barford Sculptures Ltd. Photography: Tate https://www.studiointernational.com/images/articles/c/caro/9_b.jpg Anthony Caro (b.1924), Twenty Four Hours 1960. Steel, painted dark brown and black 138.4 x 223.5 x 83.8 cm. Tate. Purchased 1975 © the Artist, Barford Sculptures Ltd. Photography: Tate https://www.studiointernational.com/images/articles/c/caro/58_b.jpg Anthony Caro (b.1924), Emma Dipper 1977. Steel, rusted and painted grey 213 x 170 x 320 cm. Tate. Presented by the artist 1982 © the artist, Barford Sculptures Ltd https://www.studiointernational.com/index.php/lynn-chadwick-cbe-pyramids-split-forms-and-beasts https://www.studiointernational.com/images/articles/c/chadwick/c24s_b.jpg MAQUETTE III JUBILEE III, 1984. Bronze, Edition: 9. Man-H: 77 x W: 33 x D: 68cm, Woman-H: 76 x W: 33 x D: 63cm https://www.studiointernational.com/images/articles/c/chadwick/797s_b.jpg SITTING COUPLE II, 1980. Bronze, Edition of 9. Height: 44.5 cm; 17.5 in. https://www.studiointernational.com/images/articles/c/chadwick/145_b.jpg THE STRANGER, 1954. Bronze, Edition of 9. Height: 73 cm; 29 in. https://www.studiointernational.com/index.php/daniel-roth-the-well https://www.studiointernational.com/images/articles/d/daniel_roth/100_3028_b.jpg Daniel Roth, The Well, 2006 at the South London Gallery. Photo: Mauricio Guillen. https://www.studiointernational.com/images/articles/d/daniel_roth/100_3033_b.jpg Daniel Roth, The Well, 2006 at the South London Gallery. Photo: Mauricio Guillen. https://www.studiointernational.com/images/articles/d/daniel_roth/100_3045_b.jpg Daniel Roth, The Well, 2006 at the South London Gallery. Photo: Mauricio Guillen. https://www.studiointernational.com/images/articles/d/daniel_roth/100_3058_b.jpg Daniel Roth, The Well, 2006 at the South London Gallery. Photo: Mauricio Guillen. https://www.studiointernational.com/images/articles/d/daniel_roth/100_3071_b.jpg Daniel Roth, The Well, 2006 at the South London Gallery. Photo: Mauricio Guillen. https://www.studiointernational.com/index.php/l-atelier-d-alberto-giacometti https://www.studiointernational.com/images/articles/g/giacometti/4b.jpg Alberto Giacometti. Walking Man, 1960 (cast 1981). Bronze, 180.5 x 23.9 x 97 cm. Fondation Alberto et Annette Giacometti, Paris © Adagp https://www.studiointernational.com/index.php/louise-nevelson-the-artist-and-the-legend https://www.studiointernational.com/images/articles/n/nevelson/diana_b.jpg Louise Nevelson in the living room of her Spring Street home, New York, 1979. Photograph by Diana MacKown. https://www.studiointernational.com/index.php/a-highly-calculated-affair-impressionism-fashion-modernity https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/01-Degas-The-Millinery-Shop.jpg Edgar Degas. The Millinery Shop, ca. 1882–86. Oil on canvas, 100 x 110.7 cm. The Art Institute of Chicago. Mr. and Mrs. Lewis Larned Coburn Memorial Collection. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/02-Monet-Women-in-the-garden-1866.jpg Claude Monet. Women in the Garden, 1866. Oil on canvas, 255 x 205 cm. Musée d'Orsay, Paris. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/03-Morisot-The-Sisters-1869.jpg Berthe Morisot. The Sisters, 1869. Oil on canvas, 52.1 x 81.3 cm. National Gallery of Art, Washington, D.C. Gift of Mrs. Charles S. Carstairs. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/04-Manet-The-Parisienne-c1875.jpg Édouard Manet. The Parisienne, ca. 1875. Oil on canvas, 192 x 125 cm). Nationalmuseum, Stockholm. Bequest 1917 of Bank Director S. Hult, Managing Director Kristoffer Hult, Director Ernest Thiel, Director Arthur Thiel, Director Casper Tamm. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/05-Renoir-Lise-the-Woman-with-the-Umbrella-1867.jpg Auguste Renoir. Lise (Woman with Umbrella), 1867. Oil on canvas, 184 x 115.6 cm. Museum Folkwang, Essen. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/06-Monet-Camille-1866.jpg Claude Monet. Camille, 1866. Oil on canvas, 231 x 151 cm. Kunsthalle Bremen, Der Kunstverein in Bremen. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/07-Caillebotte-Paris-Street-Rainy-Day-1877.jpg Gustave Caillebotte. Paris Street; Rainy Day, 1877. Oil on canvas, 212.2 x 276.2 cm. The Art Institute of Chicago Charles H. and Mary F. S. Worcester Collection. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/08-Madame-Louis-Joachim-Gaudibert_Monet.jpg Claude Monet. Madame Louis Joachim Gaudibert, 1868. Oil on canvas, 217 x 138.5 cm. Musée d'Orsay, Paris. Acquired thanks to an anonymous Canadian gift, 1951. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/09-Repose_Manet.jpg Édouard Manet. Repose, c1871. Oil on canvas, 148 x 113 cm. Museum of Art, Rhode Island School of Design, Providence Bequest of Mrs. Edith Stuyvesant Vanderbilt Gerry. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/10-Day-dress-with-shawl.jpg Day Dress. French, 1865–67. Gray silk faille. The Metropolitan Museum of Art, New York. Gift of Mrs. Alfred Poor, 1958 (C.I.58.4.4a-e). https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/11-Day-Dress_Met.jpg Day Dress, American, 1862–64. White cotton piqué with black soutache. The Metropolitan Museum of Art, New York. Gift of Chauncey Stillman, 1960 (C.I.60.6.11a, b). https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/14-Woman-in-the-Conservatory_Bartholome.jpg Albert Bartholomé. In the Conservatory (Madame Bartholomé), c1881. Oil on canvas, 233 x 142.5 cm. Musée d'Orsay, Paris. Gift of the Société des Amis du Musée d'Orsay, 1990. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/17-Portraits-at-the-Stock-Exchange_Degas.jpg Edgar Degas. Portraits at the Stock Exchange, 1878–79. Oil on canvas, 100 x 82 cm. Musée d'Orsay, Paris. Bequest subject to usufruct of Ernest May, 1923. https://www.studiointernational.com/images/articles/i/impressionism-and-fashion-2013/Gloria-photo-copy-155.jpg Gloria Groom, Mary and David Winton Green Curator, Nineteenth-Century European Painting and Sculpture, Art Institute of Chicago. https://www.studiointernational.com/index.php/the-armory-show-2013 https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01293.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/IMG_3232.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01317.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06395.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06311.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06292.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01201.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01315.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01437.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01345.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01199.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01252.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06331.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01398 - Copy.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01216.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01436.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01230.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01263.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01248.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01405.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01461.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06375.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01283.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01272.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06243.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01371.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01372.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06362 - Copy.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01282.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01452.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01381.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06402.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01393.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01181.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01356.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01367.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01347.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06272.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01353.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06327.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01253.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06182.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01384.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01235.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/Z_DSC06418.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06399.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01208.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01220.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06207.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01290.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06353.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06361.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01319.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01298.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01256.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01218.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06283.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01228.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06377.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06397.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01161.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01323.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01379.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06404.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01164.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01225.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01432.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/IMG_3325.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC06424.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01239.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01313.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01403.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-slideshow-2013/DSC01394.jpg Slideshow of images from the Armory Show, 2013. Photographs: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2013/01-Brillo_RL_3210.jpg Brillo Boxes. The artist was commissioned to reproduce 1,000 boxes by The Andy Warhol Museum. 250 boxes were given away each day. Photograph: Rosa Lopez. https://www.studiointernational.com/images/articles/a/armory-show-2013/02-Francis-Naumann-01420.jpg Marcel Duchamp. Nude Descending A Staircase, An Homage. Francis M. Naumann Fine Art, New York, NY. https://www.studiointernational.com/images/articles/a/armory-show-2013/03-Gagosian-01413.jpg Andy Warhol. Camouflage Works. Gagosian Gallery, New York, NY. https://www.studiointernational.com/images/articles/a/armory-show-2013/04-IsabelleVanDenEynde-01446.jpg Ramin Haerizadeh. Untitled works, 2012-13. Gallery Isabelle Van Den Eynde, Dubai. https://www.studiointernational.com/images/articles/a/armory-show-2013/07-SeanKelly-01463.jpg Marina Abramovic. Self Portrait, 2002/2013. 35mm colour film converted to video in full HD, without sound, 4' loop, in a grey linen presentation box consisting of master file on a portable memory device, one Blue-Ray DVD Master in full HD, and one Blue-Ray DVD exhibition copy. Dimensions variable. Editions of five with two APs. Sean Kelly Gallery, New York, NY. https://www.studiointernational.com/images/articles/a/armory-show-2013/08-Swirner-01457.jpg Diana Thater. Day for Night, 2013. Nine monitor video wall installation. Overall: 68 3/8 x 121 x 2 3/8 inches. Monitors, each 22 7/8 x 40 3/8 x 3 5/8. Edition one of one, one AP. David Swirner Gallery, New York / London. https://www.studiointernational.com/images/articles/a/armory-show-2013/09-Armory_Installation_Hovnanian_hires.jpg Rachel Lee Hovnanian. Dinner for Two: Wedding Cake, 2013. Mixed Media. Leila Heller Gallery, New York, NY. Photograph courtesy Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2013/12-bac3.jpg Kysa Johnson. Cosmic Bank Office (Bank of America Waiting Room). Morgan Lehman Gallery, New York, NY. https://www.studiointernational.com/images/articles/a/armory-show-2013/13-NickCave-06356.jpg Nick Cave. Untitled, 2013 (mixed media). Jack Shainman Gallery, New York, NY. https://www.studiointernational.com/images/articles/a/armory-show-2013/18-ConeyIsland-06286.jpg Tom Duncan. Dedicated to Coney Island. Mixed Media. Andrew Edlin Gallery, New York, NY. https://www.studiointernational.com/images/articles/a/armory-show-2013/19-SarahSze-01203.jpg Sarah Sze. Untitled, 2013. Mixed media, lamp, tripod, toothpicks, egg shells, string, 171.4 x 78.7 x 58.4 cm. https://www.studiointernational.com/images/articles/a/armory-show-2013/20-DavidMach.jpg David Mach. Marilyn Monroe (closeup), 2013. Pushpins, 39 1/2 inch diameter. Forum Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2013/15-Jim-Campbell-01165.jpg Jim Campbell. Exploded View, Commuters, 2011. Custom electronics, LEDs. Bryce Wolkowitz Gallery, Armory Show, New York, 2013. https://www.studiointernational.com/index.php/when-attitudes-become-form https://www.studiointernational.com/images/articles/h/hesse/untitled_1965_b.jpg Eva Hesse (1936 - 1970). Untitled 1965. Drawing and gouache on paper, Unique, 496 x 647 mm. Tate. Purchased 1986. © Estate of Eva Hesse https://www.studiointernational.com/images/articles/h/hesse/untitled_1966_b.jpg Eva Hesse (1936 - 1970). Untitled 1966. Ink and pencil on paper, 29.9 x 22.9 cm. Private Collection. Courtesy Galerie Hauser & Wirth, Zurich. © Estate of Eva Hesse https://www.studiointernational.com/images/articles/h/hesse/untitled_or_not_yet_1966_b.jpg Eva Hesse (1936 - 1970). Untitled or Not Yet 1966. Net bags, clear polythene sheeting, paper, metal weights, and string, 180.3 x 39.4 x 21 cm. San Francisco Museum of Modern Art, Purchased Through a Gift of Phyllis Wallis. © Estate of Eva Hesse. Photocredit: Courtesy The Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich https://www.studiointernational.com/index.php/roger-hiorns-seizure https://www.studiointernational.com/images/articles/h/hiorns/cobbing1b.jpg Roger Hiorns. Seizure. Artangel commission and production. Photograph: Nick Cobbing. https://www.studiointernational.com/images/articles/h/hiorns/cobbing2b.jpg Roger Hiorns. Seizure. Artangel commission and production. Photograph: Nick Cobbing. https://www.studiointernational.com/images/articles/h/hiorns/cobbing5b.jpg Roger Hiorns. Seizure. Artangel commission and production. Photograph: Nick Cobbing. https://www.studiointernational.com/images/articles/h/hiorns/cobbing6b.jpg Roger Hiorns. Seizure. Artangel commission and production. Photograph: Nick Cobbing. https://www.studiointernational.com/index.php/anish-kapoor-leviathan https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/e-01-monumenta2011-anish-kapoorleviathan-b.jpg Anish Kapoor. Leviathan, 2011. View from inside the artwork. Photo Plowy Didier - All Rights Reserved Monumenta 2011, the Ministry of Culture and Communication. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/e-02-monumenta2011-anish-kapoorleviathan-b.jpg Anish Kapoor. Leviathan, 2011. View from inside the artwork (2). Photo Plowy Didier - All Rights Reserved Monumenta 2011, the Ministry of Culture and Communication. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/e-03-monumenta2011-anish-kapoorleviathan-b.jpg Anish Kapoor. Leviathan, 2011. View from inside the artwork (3). Photo Plowy Didier - All Rights Reserved Monumenta 2011, the Ministry of Culture and Communication. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/e-04-monumenta2011-anish-kapoorleviathan-b.jpg Anish Kapoor. Leviathan, 2011. Assembling the artwork. Photo Laetitia Benat - All Rights Reserved Monumenta 2011, the Ministry of Culture and Communication. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/e-05-monumenta2011-anish-kapoorleviathan-b.jpg Anish Kapoor. Leviathan, 2011. Assembling the artwork (2). Photo Laetitia Benat - All Rights Reserved Monumenta 2011, the Ministry of Culture and Communication. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/e-14-monumenta-2011-anish-kapoor-leviathan-b.jpg Anish Kapoor. Leviathan, 2011. View of the artwork. Photo Plowy Didier - All Rights Reserved Monumenta 2011, the Ministry of Culture and Communication. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/kapoor-at-grand-palais-(10)-b.jpg Anish Kapoor. Leviathan, 2011, installation view, Grand Palais, Paris, 2011. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/kapoor-at-grand-palais-(11)-b.jpg Anish Kapoor. Leviathan, 2011, installation view, Grand Palais, Paris, 2011. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/kapoor-at-grand-palais-(17)-b.jpg Anish Kapoor. Leviathan, 2011, installation view, Grand Palais, Paris, 2011. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/kapoor-at-grand-palais-(4)-b.jpg Anish Kapoor. Leviathan, 2011, installation view, Grand Palais, Paris, 2011. https://www.studiointernational.com/images/articles/k/kapoor-leviathan-2011/kapoor-at-grand-palais-(7)-b.jpg Anish Kapoor. Leviathan, 2011, installation view, Grand Palais, Paris, 2011. https://www.studiointernational.com/index.php/a-singular-artist-brings-a-singular-work-to-south-america https://www.studiointernational.com/images/articles/k/kapoor/18_b.jpg Ascension Pavilion under the Chá Viaduct (Viaduto do Chá). https://www.studiointernational.com/images/articles/k/kapoor/10_b.jpg Brazilian curator, Marcello Dantas, Anish Kapoor and the Brazilian art critic Agnaldo Farias, Kapoor's lecture in CCBB, São Paulo, 28 January 2007. https://www.studiointernational.com/index.php/jannis-kounellis https://www.studiointernational.com/images/articles/k/kounellis/piper_b.jpg Jannis Kounellis (installation view), 2004. Photo: Manolis Baboussis https://www.studiointernational.com/index.php/in-the-kingdom-of-the-gods-and-goddesses https://www.studiointernational.com/images/articles/n/nek_chand/install_4b.jpg Installation shot of the exhibition Concrete Kingdom: Sculptures by Nek Chand. https://www.studiointernational.com/index.php/the-shape-of-things-to-come-new-sculpture https://www.studiointernational.com/images/articles/s/saatchi-sculpture-2011/hoirns--copper-sulphate-04-b.jpg Roger Hiorns. Copper Sulphate Chartres & Copper Sulphate Notre-Dame, 1996. Card constructions with copper sulphate chemical growth; mounted on glass and wood trestle table with Perspex cover underlit by two strip lights, 137 x 125 x 65 cm. Courtesy the Saatchi Gallery, London. © Folkert de Jong, 2007. https://www.studiointernational.com/images/articles/s/saatchi-sculpture-2011/dahlem-the-milky-way-b.jpg Björn Dahlem. The Milky Way, 2007. Wood, neon lamp, bottle of milk, dimensions variable. Courtesy the Saatchi Gallery, London. © Björn Dahlem, 2007. https://www.studiointernational.com/images/articles/s/saatchi-sculpture-2011/de-bruyckere-marthe2008_4-b.jpg Berlinde De Bruyckere. Marth, 2008. Wax, epoxy, metal, wood and glass, 280 x 172.5 x 119.5 cm. Courtesy the Saatchi Gallery, London. © Berlinde De Bruyckere, 2008. https://www.studiointernational.com/images/articles/s/saatchi-sculpture-2011/altmejd-the-healers-b.jpg David Altmejd. The Healers, 2008. Wood, foam, plaster, burlap, metal wire, paint, work dimensions 206 x 326 x 326 cm, plinth dimensions 33 x 367 x 367 cm. Courtesy the Saatchi Gallery, London. © David Altmejd, 2008. Photo © Stephen White. https://www.studiointernational.com/images/articles/s/saatchi-sculpture-2011/bachelor-b.jpg David Batchelor. Brick Lane Remix I, 2003. Shelving Units, found light boxes, fluorescent light, vinyl, acrylic sheet, cable, plugboards, 204 x 435 x 38 cm. Courtesy the Saatchi Gallery, London. © David Batchelor, 2011. https://www.studiointernational.com/images/articles/s/saatchi-sculpture-2011/folkert-de-jong-new-b.jpg Folkert de Jong. Seht der Mensch; The Shooting Lesson, 2007. Seven figures, installation variable 800 x 800 x 300 cm approximately. Courtesy the Saatchi Gallery, London. © Folkert de Jong, 2007. https://www.studiointernational.com/images/articles/s/saatchi-sculpture-2011/buggenhout-b.jpg Peter Buggenhout. The Blind Leading The Blind #21, 2007. Household dust, hair, wood, polyurethane, foam, aluminium, polyester, polystyrene, 117 x 105 x 184 cm. © Peter Buggenhout, 2007. Photo © Stephen White. https://www.studiointernational.com/images/articles/s/saatchi-sculpture-2011/honert-2-b.jpg Martin Honert. Riesen (Giants), 2007. Styrodur, polyurethan-rubber, wool, clothing, leather, 300 x 100 x 80 cm. Courtesy the Saatchi Gallery, London. © Martin Honert, 2011. Photo © Stephen White. https://www.studiointernational.com/index.php/architecture-ceramics-sculpture https://www.studiointernational.com/images/articles/n/nicholas-rena10/nicholas-rena-proving-ground_1-b.jpg Nicholas Rena and Matthew Smith. Proving Ground. Photograph: Phil Sayer. https://www.studiointernational.com/images/articles/n/nicholas-rena10/emmaus-b.jpg Nicholas Rena. Emmaus. https://www.studiointernational.com/images/articles/n/nicholas-rena10/nicholas-rena-pieces-on-display-b.jpg Nicholas Rena. Pieces on display at Jerwood Contemporary Makers Exhibition. Ceramic. Photograph: Phil Sayer. https://www.studiointernational.com/index.php/roni-horn-aka-roni-horn https://www.studiointernational.com/images/articles/r/roni_horn09/still_water_b.jpg Roni Horn. Still Water (The River Thames, for Example), 1999. One of 15 offset lithographs on uncoated paper, 76.2 x 104.1 cm each. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roni_horn09/key_and_cue_b.jpg Roni Horn. Key and Cue, No. 288 (I’m nobody! Who are you?), 1994/2003. Aluminium and solid cast plastic, 2 x 51 x 2 inches. Courtesy Hauser and Wirth, Zurich and London. https://www.studiointernational.com/images/articles/r/roni_horn09/paired-gold-mats_b.jpg Roni Horn. Paired Gold Mats, for Ross and Felix, 1994–5. Two pure gold mats, .002 x 152.4 x 124.5 cm each. Art Institute of Chicago. https://www.studiointernational.com/images/articles/r/roni_horn09/opposite_of_white_b.jpg Roni Horn. Opposite of White, 2006-07. Solid cast glass, height 38.1 cm, diameter 101.6 cm. Courtesy Hauser and Wirth, Zurich and London. https://www.studiointernational.com/images/articles/r/roni_horn09/thingsthathappenagain_b.jpg Roni Horn. Things That Happen Again: For Two Rooms, 1986. Copper, 29.2 x 88.9 cm. Courtesy Hauser and Wirth, Zurich and London. https://www.studiointernational.com/index.php/living-looking-making-richard-serra-and-others https://www.studiointernational.com/images/articles/s/serra/1b.jpg View of Gallery 1, courtesy of Gagosian Gallery. © Hélène Binet https://www.studiointernational.com/images/articles/s/serra/2b.jpg View of Gallery 1, courtesy of Gagosian Gallery. © Hélène Binet https://www.studiointernational.com/images/articles/s/serra/3b.jpg View of Gallery 1, courtesy of Gagosian Gallery. © Hélène Binet https://www.studiointernational.com/images/articles/s/serra/4b.jpg View of Gallery 1, courtesy of Gagosian Gallery. © Hélène Binet https://www.studiointernational.com/index.php/cy-twombly-philosophy-in-paint https://www.studiointernational.com/images/articles/t/twombly/cy_twombly_gag 17b.jpg Cy Twombly, Untitled (Gaeta collage 3/3), 1989. Acrylic, wax crayon and collage, 104 x 74.5 cm (41 x 29 1/4 inches. https://www.studiointernational.com/images/articles/t/twombly/cy_twombly_gag01b.jpg Cy Twombly, Nicola's Iris, 1990. Acrylic, pencil and wax crayon on paper, 75.5 x 56 cm (29 3/4 x 22 inches. https://www.studiointernational.com/index.php/tan-dun-s-visual-music https://www.studiointernational.com/images/articles/v/visual_music/08_b.jpg Tan Dun, 2005, 'Deconstructed' piano. 'Deconstruction - Reconstruction - Resurrection' installation Copyright: Tan Dun https://www.studiointernational.com/images/articles/v/visual_music/03_b.jpg Tan Dun, 2005, 'Reconstructed' piano zen garden. 'Deconstruction - Reconstruction - Resurrection' installation Copyright: Tan Dun https://www.studiointernational.com/images/articles/v/visual_music/01_b.jpg Tan Dun, 2005, 'Resurrected' piano. 'Deconstruction - Reconstruction - Resurrection' installation Copyright: Tan Dun https://www.studiointernational.com/index.php/arthur-watson-poetic-conceptualist https://www.studiointernational.com/images/articles/a/arthur_watson/cairn-gorm_b.jpg Will Maclean and Arthur Watson. A Northern Viewpoint (work in progress). Part of the series Cairn Gorm: Reading a Landscape on Cairn Gorm Mountain, Speyside, 2004-2008 https://www.studiointernational.com/images/articles/a/arthur_watson/register_b.jpg Arthur Watson. By-name Register (boxed and cased), at the DeMarco European Art Foundation, East Lothian https://www.studiointernational.com/images/articles/a/arthur_watson/singing_b.jpg Arthur Watson. Singing for Dead Singers. Aberdeen Art Gallery, 2000 https://www.studiointernational.com/images/articles/a/arthur_watson/cranghal_b.jpg Arthur Watson. An Cranghal, 2006. Isle of Skye. https://www.studiointernational.com/images/articles/a/arthur_watson/northing_b.jpg Arthur Watson. Detail of Approaching Storm and By-name Register (boxed). https://www.studiointernational.com/images/articles/a/arthur_watson/northing2_b.jpg Arthur Watson. Northing and Easting. Installing the exhibition ‘The Sea’. Left to right: Michael Spens (Studio International), Colin Greenslade (RSA Programme Director), Janet McKenzie (Studio International), with David Maclean and Arthur Watson https://www.studiointernational.com/images/articles/a/arthur_watson/northing3_b.jpg Arthur Watson. Northing and Easting. Finished installation https://www.studiointernational.com/images/articles/a/arthur_watson/scottish_b.jpg Will Maclean and Arthur Watson. A History of Scottish Performance (work in progress). Part of the series Cairn Gorm: Reading a Landscape on Cairn Gorm Mountain, Speyside, 2004–2008 https://www.studiointernational.com/images/articles/a/arthur_watson/singing2_b.jpg Arthur Watson. Singing for Dead Singers. Aberdeen Art Gallery, 2000 https://www.studiointernational.com/images/articles/a/arthur_watson/six_b.jpg Arthur Watson. Six Skies, Some Family Stereotypes. Scottish Sculpture Open, Kildrummy Castle, Aberdeenshire, 1997 https://www.studiointernational.com/index.php/embanking-the-sublime-the-unilever-series-rachel-whiteread https://www.studiointernational.com/images/articles/w/whiteread/rachel_bridge1b.jpg The Unilever Series: Rachel Whiteread. EMBANKMENT © Marcus Leith, Tate Photography. https://www.studiointernational.com/images/articles/w/whiteread/rachel_3b.jpg The Unilever Series: Rachel Whiteread. EMBANKMENT © Marcus Leith, Tate Photography. https://www.studiointernational.com/images/articles/w/whiteread/whiteread6b.jpg The Unilever Series: Rachel Whiteread. EMBANKMENT © Marcus Leith, Tate Photography. https://www.studiointernational.com/images/articles/w/whiteread/whiteread7b.jpg The Unilever Series: Rachel Whiteread. EMBANKMENT © Marcus Leith, Tate Photography. https://www.studiointernational.com/index.php/jay-defeo-a-retrospective https://www.studiointernational.com/images/articles/d/defeo-2013/defeo01_567.jpg Jay DeFeo. The Rose, 1958-66. Oil with wood and mica on canvas, 128 7/8 x 92 1/4 x 11 in. (327.3 x 234.3 x 27.9 cm). Whitney Museum of American Art, New York; gift of The Jay DeFeo Trust, Berkeley, CA, and purchase with funds from the Contemporary Painting and Sculpture Committee and the Judith Rothschild Foundation 95.170. © 2012 The Jay DeFeo Trust/Artists Rights Society (ARS), New York. Photograph: Ben Blackwell. https://www.studiointernational.com/images/articles/d/defeo-2013/defeo02_800.jpg Jay DeFeo. Untitled, from the Water Goggles series, 1977. Synthetic polymer, charcoal, ink, grease pencil and graphite on paper, 15 x 20 in. (38.1 x 50.8 cm). Private collection. © 2012 The Jay DeFeo Trust/Artists Rights Society (ARS), New York. Photograph: Ben Blackwell. https://www.studiointernational.com/images/articles/d/defeo-2013/defeo04_800.jpg Jay DeFeo. After Image, 1970. Graphite, gouache, and transparent synthetic polymer on paper with cut-and-torn tracing paper, 14 1/2 x 19 1/2 in. (36.8 x 49.5 cm). The Menil Collection, Houston; gift of Glenn Fukushima. © 2012 The Jay DeFeo Trust/Artists Rights Society (ARS), New York. Photograph: Paul Hester. https://www.studiointernational.com/images/articles/d/defeo-2013/defeo05_800.jpg Jay DeFeo. The Eyes, 1958. Graphite on paper, 42 x 84 3/4 in. (106.7 x 215.3 cm). Whitney Museum of American Art, New York; gift of the Lannan Foundation 96.242.3. © 2012 The Jay DeFeo Trust/Artists Rights Society (ARS), New York. Photograph: Geoffrey Clements. https://www.studiointernational.com/images/articles/d/defeo-2013/defeo06_607.jpg Jay DeFeo. Blue One, 1989. Oil on linen, 16 x 12 in. (40.6 x 30.5 cm). The Jay DeFeo Trust, Berkeley. © 2012 The Jay DeFeo Trust/Artists Rights Society (ARS), New York. Photograph: Ben Blackwell. https://www.studiointernational.com/images/articles/d/defeo-2013/defeo07_800.jpg Jay DeFeo. Dove One, 1989. Oil on linen, 16 x 20 in. (40.6 x 50.8). Collection of Dan and Claire Carlevaro. © 2012 The Jay DeFeo Trust/Artists Rights Society (ARS), New York. Photograph: Ben Blackwell. https://www.studiointernational.com/images/articles/d/defeo-2013/defeo08_800.jpg Jay DeFeo. Reflections of Africa No. 8, 1989. Charcoal and graphite on paper, 11 5/8 x 17 1/8 in. (29.5 x 43.5 cm). The Jay DeFeo Trust, Berkeley. © 2012 The Jay DeFeo Trust/Artists Rights Society (ARS), New York. Photograph: Ben Blackwell. https://www.studiointernational.com/index.php/susan-hiller-channels https://www.studiointernational.com/images/articles/h/hiller-susan-2013/Hiller-Matts-2013-01.jpg Susan Hiller. Channels, 2013. Installation photograph by Peter White, courtesy the artist, Timothy Taylor Gallery and Matt's Gallery, London. https://www.studiointernational.com/images/articles/h/hiller-susan-2013/Hiller-Matts-2013-02.jpg Susan Hiller. Channels, 2013. Installation photograph by Peter White, courtesy the artist, Timothy Taylor Gallery and Matt's Gallery, London. https://www.studiointernational.com/images/articles/h/hiller-susan-2013/Hiller-Matts-2013-04.jpg Susan Hiller. Channels, 2013. Installation photograph by Peter White, courtesy the artist, Timothy Taylor Gallery and Matt's Gallery, London. https://www.studiointernational.com/images/articles/h/hiller-susan-2013/Hiller-Matts-2013-05.jpg Susan Hiller. Channels, 2013. Installation photograph by Peter White, courtesy the artist, Timothy Taylor Gallery and Matt's Gallery, London. https://www.studiointernational.com/index.php/charles-harrison-in-retrospect https://www.studiointernational.com/images/articles/h/harrison-charles-2013/harrison-book-cover.jpg Charles Harrison: Looking Back. Published by Ridinghouse, London, 2011. https://www.studiointernational.com/images/articles/h/harrison-charles-2013/Gilbert-and-George-b500.jpg Gilbert & George. George the Cunt and Gilbert the Shit, 1969. This ‘magazine sculpture’ was published in Studio International in 1970, where it was shown in black and white with the offending words censored. https://www.studiointernational.com/images/articles/h/harrison-charles-2013/SI-April-1969-cover.jpg April 1969 edition of Studio International with a Donald Judd work on the cover. https://www.studiointernational.com/images/articles/h/harrison-charles-2013/Studio-International-cover-January-1968.jpg Studio International. January, 1968. Cover. https://www.studiointernational.com/images/articles/h/harrison-charles-2013/Studio-International-cover-July-August-1970.jpg Studio International. July/August, 1970. Book supplement. Cover. https://www.studiointernational.com/images/articles/h/harrison-charles-2013/Studio-International-cover-November-1970.jpg Studio International. July/August, 1970. Cover. https://www.studiointernational.com/index.php/schwitters-in-britain https://www.studiointernational.com/images/articles/s/schwitters-2013/id_0791_0.jpg Kurt Schwitters. En Morn, 1947. © Centre Georges Pompidou, Musée national d’art moderne, Paris/DACS 2012. https://www.studiointernational.com/images/articles/s/schwitters-2013/blossom.jpg Kurt Schwitters. Untitled (Opening Blossom), 1942-5. Sprengel Museum Hannover, on loan from Sammlung NORD/LB in der Niedersächsischen Sparkassenstiftung, Hannover. https://www.studiointernational.com/images/articles/s/schwitters-2013/id_044.jpg Kurt Schwitters. Untitled (Quality Street), 1943. © Sprengal Museum, Hannover/DACS 2012. https://www.studiointernational.com/images/articles/s/schwitters-2013/stone.jpg Kurt Schwitters. Irgendetwas mit einem Stein (Anything with a Stone), 1941-4. Sprengal Museum, Hannover/DACS 2012. https://www.studiointernational.com/index.php/joe-tilson-a-survey https://www.studiointernational.com/images/articles/t/tilson-2013/Tilson-Zikkurat-3-1967.jpg Joe Tilson. Zikkurat 3, 1967. Oil and acrylic on wood relief, 216 x 216 cm/85 x 85 in. https://www.studiointernational.com/images/articles/t/tilson-2013/tils_0013fl.jpg Joe Tilson. Mnemonic Device, 1974. Oil on wood relief, 208 x 208 cm/81 7/8 x 81 7/8 in. https://www.studiointernational.com/images/articles/t/tilson-2013/tils_0017fl.jpg Joe Tilson. Conjunction Great Spotted Woodpecker, Zola, 1999. Oil on canvas on wood panel, acrylic on canvas on wood relief, 64 x 69cm/25¼ x 27 1/8 in. https://www.studiointernational.com/images/articles/t/tilson-2013/tils_0027fl.jpg Joe Tilson. Finestra Veneziana Fondamenta Zattere-al Ponte Lungo, 2009. Acrylic, glass and Lattimo glass on wood relief, 132 x 107.5 cm/52 x 42 3/8 in. https://www.studiointernational.com/index.php/a-post-modern-renaissance-rooted-in-tradition https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Ai-Weiwei_CAP.jpg Ai Wei Wei. Grapes, 2008. Ten Qing Dynasty (1644-1911) stools, 92 x 172 x 153 cm. Courtesy of the artist; Friedman Benda, New York. Photograph: Bill Orcutt. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Baas-Maarten-CAP.jpg Maaren Baas. Where There's Smoke…Wood Chair (Marc Newson), 2009. Burned beech, epoxy resin, polyurethane lacquer, 99.7 x 74.9 x 74.9 cm). Courtesy of Eric S. Portnoy and Lucia C. Welch. Photograph: © the Artist; courtesy of Moss, New York. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Floris-Wubbon-CAP.jpg Floris Wubben. Tree Fungus Shelf, 2011. Pollard willow; cast epoxy resin, 130 x 50 x 195 cm). Collection of the Museum of Arts and Design, New York; Gift of the artist. Photograph: Studio Floris Wubben. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Moskovitz_CAP.jpg Mark Moskovitz. Faceword, 2012. Mixed hardwood, engineered lumber, various hardware, 91.4 x 139.7 x 50.8 cm. Courtesy of the artist. Photograph: Mark Moskovitz. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Sebastian-Errazuriz-CAP.jpg Sebastian Errazuriz. Porcupine Cabinet, 2011. Lacquered wood, steel, glass, 50.8 x 67.9 x 160 cm. Edition of 12. Courtesy of Cristina Grajales Gallery, New York. Photograph: Courtesy of Cristina Grajales Gallery, New York. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Smith,-Courtney-CAP.jpg Courtney Smith. Santo Antonio, 2003. Brazilian chest of drawers, plywood, 81.3 x 147.3 x 50.8 cm. Courtesy of the artist. Photograph: Mauro Restiffe. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Sofia-Maldonado-CAP.jpg Sofia Maldonado. Cock Fight, 2008. Found skateboards, paint, marker, dimensions variable. Courtesy of the artist; Magnan Metz Gallery, New York. Photograph: Courtesy of the artist; Magnan Metz Gallery, New York. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Taylor-Alison-Elizabeth_CAP.jpg Alison Elizabeth Taylor. Tap Left On, 2009-10. Wood veneer, shellac, 180.3 x 190.5 x 121.9 cm. Courtesy of the artist; James Cohan Gallery, New York. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Toguo-Barthelemy-2-CAP.jpg Barthélémy Toguo. Who is the terrorist?, 2005. Stamping and ink on paper, 65 x 50 cm. Edition of 10. © Barthélémy Toguo; Coutesy of Gallery Lelong, Paris. Photograph: Fabrice Gibert. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Toguo-Barthelemy_CAP.jpg Barthélémy Toguo. Who is the terrorist?, 2005. Stamping and ink on paper, 65 x 50 cm. Edition of 10. © Barthélémy Toguo; Coutesy of Gallery Lelong, Paris. Photograph: Fabrice Gibert. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Von-Rydingsvard_CAP.jpg Ursula von Rydingsvard. Oddychajaca, 2011. Cedar, graphite, 119.4 x 190.5 x 21.6 cm. © Ursula von Rydingsvard; Courtesy of Galerie Lelong, New York. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/ian-spencer_270212_004-Edit-CAP.jpg Yard Sale Project (Ian Spencer and Cairn Young). Roccapina III, 2011. Various hardwoods, 96.5 x 45.7 x 76.2 cm. Courtesy of the artist; Todd Merrill and Associates, New York. Photograph: Tim Platt. https://www.studiointernational.com/images/articles/a/against-the-grain-2013/Lowery-Stokes-Sims.jpg Lowery Stokes Sims https://www.studiointernational.com/index.php/antoni-tapies https://www.studiointernational.com/images/articles/t/tapies-2013/T007700_300pdi.jpg Antoni Tàpies. Prajna-Dhyana, 1993. Marble dust, varnish, acrylic and hair on wood, 220 x 200 cm. © Fundació Antoni Tàpies, Barcelona/VEGAP, Madrid, 2012; Courtesy, Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/t/tapies-2013/T008640_300dpi.jpg Antoni Tàpies. Materia i diaris, 2009. Mixed media and collage on wood, 130 x 194.3 cm. © Fundació Antoni Tàpies, Barcelona/VEGAP, Madrid, 2012; Photography by Gasull Fotografía, Barcelona. https://www.studiointernational.com/images/articles/t/tapies-2013/T008685_300dpi.jpg Antoni Tàpies. Tassa sobre gris, 2001. Mixed media on wood, 200 x 200 cm. © Fundació Antoni Tàpies, Barcelona/VEGAP, Madrid, 2012; Photography by Gasull Fotografía, Barcelona. https://www.studiointernational.com/index.php/portraiture-in-focus-irene-barberis-anita-taylor-and-helen-sturgess https://www.studiointernational.com/images/articles/p/portraiture-in-focus-2013/4-Narcoleptic-2004-.jpg Anita Taylor. Narcoleptic, 2004. Charcoal on paper, 38 x 28 cm. https://www.studiointernational.com/images/articles/p/portraiture-in-focus-2013/6-Glance-2012.jpg Anita Taylor. Glance, 2012. Charcoal on paper, 225 x 155 cm. https://www.studiointernational.com/images/articles/p/portraiture-in-focus-2013/7-Vestiges-2012.jpg Anita Taylor. Vestiges, 2012. Charcoal on paper, 220 x 155 cm. https://www.studiointernational.com/images/articles/p/portraiture-in-focus-2013/5-Magnolia-Venus-3_4-2009-mezzotint-and-tape-on-paper.jpg Helen Sturgess. Magnolia Venus, 2009. Mezzotint and tape on paper, 26.5 x 30.5 cm. Edition number 3 of 4. https://www.studiointernational.com/images/articles/p/portraiture-in-focus-2013/Becoming-Mr-Squiggle-2012.jpg Helen Sturgess. Becoming Mr. Squiggle, 2012. Pencil on paper, 76 x 54 cm. https://www.studiointernational.com/images/articles/p/portraiture-in-focus-2013/Of-Two-Minds-2013.jpg Helen Sturgess. Of Two Minds, (left and right hand drawing), 2013. Ink on paper, 28 x 39 cm. https://www.studiointernational.com/images/articles/p/portraiture-in-focus-2013/self-portrait-2013-graphite-on-Arches-paper,-108cmsx76cms.jpg Irene Barberis. Self Portrait, January 2013. Graphite on paper, 108 x 78 cm. https://www.studiointernational.com/images/articles/p/portraiture-in-focus-2013/Albert-Tucker-1991.jpg Irene Barberis. Albert Tucker, 1991. Charcoal on arches, 76 x 57 cm. https://www.studiointernational.com/index.php/roy-lichtenstein-retrospective https://www.studiointernational.com/images/articles/l/lichtenstein-2013/008NEW.jpg Roy Lichtenstein.
 Step-on Can with Leg, 1961. 
Oil on canvas. 
Fondation Louis Vuitton pour la Création. 
© Estate of Roy Lichtenstein/DACS 2012. https://www.studiointernational.com/images/articles/l/lichtenstein-2013/Lichtenstein_BrushstokeWithSpatter_1966.jpg Roy Lichtenstein.
 Brushstroke with Spatter, 1966. 
The Art Institute of Chicago, Barbara Neff Smith and Solomon Byron Smith Purchase Fund. 
© Estate of Roy Lichtenstein/DACS 2012. https://www.studiointernational.com/images/articles/l/lichtenstein-2013/051NEW.jpg Roy Lichtenstein.
 Still Life with Goldfish, 1972. 
Oil and Magna on canvas. 
Private Collection. 
© Estate of Roy Lichtenstein/DACS 2012. https://www.studiointernational.com/images/articles/l/lichtenstein-2013/Lichtenstein_BlueNude_1995.jpg Roy Lichtenstein.
 Blue Nude, 1995. 
Private Collection. 
© Estate of Roy Lichtenstein/DACS 2012. https://www.studiointernational.com/images/articles/l/lichtenstein-2013/Lichtenstein_LandscapeInFog_1996.jpg Roy Lichtenstein. Landscape in Fog, 1996. Private Collection. © Estate of Roy Lichtenstein/DACS 2012. https://www.studiointernational.com/index.php/mat-collishaw-this-is-not-an-exit https://www.studiointernational.com/images/articles/c/collishaw-2013/Elysium.jpg Mat Collishaw. Elysium, 2012. Oil on canvas, 230 x 230 cm / (90⅝ x 90⅝ in). © the artist. Image Courtesy of the Artist and Blain|Southern. Photograph: Matthew Hollow, 2012. https://www.studiointernational.com/images/articles/c/collishaw-2013/Sinners.jpg Mat Collishaw. Sinners, 2012. Oil on canvas, 225 x 225 cm / (88⅝ x 88⅝ in). © the artist. Image Courtesy of the Artist and Blain|Southern. Photograph: Matthew Hollow, 2012. https://www.studiointernational.com/images/articles/c/collishaw-2013/Urban-Legends.jpg Mat Collishaw. Urban Legends, 2012. Oil on canvas, 225 x 225 cm / (88⅝ x 88⅝ in). © the artist. Image Courtesy of the Artist and Blain|Southern. Photograph: Matthew Hollow, 2012. https://www.studiointernational.com/images/articles/c/collishaw-2013/Install-Shot_1.jpg Mat Collishaw: THIS IS NOT AN EXIT. Installation shot 1. Photograph: Peter Mallet, 2013. https://www.studiointernational.com/images/articles/c/collishaw-2013/Install-Shot_2.jpg Mat Collishaw: THIS IS NOT AN EXIT. Installation shot 2. Photograph: Peter Mallet, 2013. https://www.studiointernational.com/images/articles/c/collishaw-2013/Install-Shot_3.jpg Mat Collishaw: THIS IS NOT AN EXIT. Installation shot 3. Photograph: Peter Mallet, 2013. https://www.studiointernational.com/index.php/an-exhibition-to-see-landscape-landscript-nature-as-language-in-the-art-of-xu-bing https://www.studiointernational.com/images/articles/x/xu-bing-2013/Apricot-tree-(c)-Xu-Bing-Studio.jpg Xu Bing. 54-1, Apricot tree, southern Hebei, 1980–81. Pen and ink on paper, with children’s water paint, 15.5 x 20.5 cm. © Courtesy of Xu Bing Studio. https://www.studiointernational.com/images/articles/x/xu-bing-2013/Caves-(c)-Xu-Bing-Studio.jpg Xu Bing. Buddhist caves, Dunhuang, 1984. Pencil and chalk on paper, 37.4 x 46.6 cm. © Courtesy of Xu Bing Studio. https://www.studiointernational.com/images/articles/x/xu-bing-2013/Forestry-(c)-Xu-Bing-Studio.jpg Xu Bing. Forestry industry, Changbai, northeast China, June 1979. Inscribed: 七九年六月画于东方红林业局贮 木 场 徐冰 Drawn June 1979 at the East is Red forestry department timber yard and mill. Pencil on paper. © Courtesy of Xu Bing Studio. https://www.studiointernational.com/images/articles/x/xu-bing-2013/Hebei-(c)-Xu-Bing-Studio.jpg Xu Bing. Landscape, northern Hebei province, 1976. Pencil and crayon on paper, 27.3 x 19.5 cm. © Courtesy of Xu Bing Studio. https://www.studiointernational.com/images/articles/x/xu-bing-2013/Nanterre-(c)-Ashmolean-Museum,-University-of-Oxford.jpg Camille Pissarro. Nanterre, c.1860. Charcoal heightened with white chalk on grey paper. © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/x/xu-bing-2013/Ploughing-(c)-Ashmolean-Museum-University-of-Oxford.jpg Jean François Millet. Man ploughing and another sowing, 1849–52. Black crayon on off-white paper. © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/index.php/barbara-hepworth-the-hospital-drawings https://www.studiointernational.com/images/articles/h/hepworth-2013/Barbara_Hepworth,_Prelude-II.jpg Barbara Hepworth. Prelude II, 1948. The Fitzwilliam Museum, Cambridge © Bowness, Hepworth Estate. Image courtesy of The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/h/hepworth-2013/Barbara_Hepworth,_Tibia-Graft.jpg Barbara Hepworth. Tibia Graft, 1949. The Wakefield Permanent Art Collection © Bowness, Hepworth Estate. https://www.studiointernational.com/images/articles/h/hepworth-2013/Hepworth_Concentration-of-Hands-2.jpg Barbara Hepworth. Concentration of Hands II, 1948. Private Collection © Bowness, Hepworth Estate. Image courtesy of Hazlitt Holland-Hibbert. https://www.studiointernational.com/images/articles/h/hepworth-2013/Hepworth_Prevision-(British-Council-Collection).jpg Barbara Hepworth. Prevision, 1948. The British Council Collection © Bowness, Hepworth Estate. Image courtesy of the British Council Collection. https://www.studiointernational.com/index.php/a-choice-collection-of-latin-american-art-comes-home https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/14_N_Sra.jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/11_Casa_Daros_Restauracion_del_techo_de_la_antigua_capilla_dond.jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/13_Sem-o-piso_Foto-Fabio-Caffe-(17).jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/01_Casa_Daros_Vista_Aerea_Fabio-Caffe-Copia.jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/05_Casa-Daros_Fachada_Frontal_Fabio-Caffe-IP-020-Copia.jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/03_Casa_Daros_Fachada_Frontal_Fabio-Caffe-IP-014.jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/12_Fabio-Caffe_Imagens-do.jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/9_Casa-Daros-Obra-de-restauro-A-F-Rodrigues.jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/10_Casa-Daros-Obra-de-restauro_Fabio-Caffe.jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/reconstruction-views/08_Casa-Daros_Recepcao_Fabio-Caffe-IP_0026.jpg Erected in 1866, the neoclassical mansion housing the nearly 1,200-work collection seeding Casa Daros has been undergoing a long-term, intense restoration process. https://www.studiointernational.com/images/articles/d/daros-opening-2013/CASA_DAROS_Fernando-Arias_Foto-Sergio-Araujo.jpg Fernando Arias. Lego Coffin (Homage to the Children of the Drug War), 2000. Lego and plywood, 28.5 x 190.5 x 70 cm. Daros Latinamerica Collection, Zürich. Photo: Foto Sergio Araujo. © collecting agency! https://www.studiointernational.com/images/articles/d/daros-opening-2013/CASA_DAROS_Jose-Alejandro-Restrepo_Foto-Sergio-Araujo.jpg José Alejandro Restrepo. Musa paradisiaca, 1996. Media art installation. Overall approx. 300 x 1300 x 500 cm ; video: 10:00 min, b/w, sound; poster: 154.5 x 127 cm. Daros Latinamerica Collection, Zürich. Photo: Sergio Araujo. © the Artist. https://www.studiointernational.com/images/articles/d/daros-opening-2013/CASA_DAROS_Nadin-Ospina_Foto-Sergio-Araujo.jpg Nadín Ospina room at Cantos Cuentos Colombianos Exhibiton. Photograph: Foto Sergio Araujo. Casa Daros. https://www.studiointernational.com/images/articles/d/daros-opening-2013/Doris-Salcedo_Untitled,-1998_Photo-Courtesy-White-Cube-Galle.jpg Doris Salcedo. Untitled, 1998. Wood, concrete and metal, 202.5 x 125.5 x 51.4 cm. Daros Latinamerica Collection, Zürich. Photograph: Courtesy White Cube Gallery, London. © the Artist. https://www.studiointernational.com/images/articles/d/daros-opening-2013/Nadin-Ospina2_Chacmool,-2000-2003_Photo-FBM-studio,-Franzisk.jpg Nadín Ospina. Chacmool, 2000-2003. Stone, 33 x 57 x 27 cm. Daros Latinamerica Collection, Zürich. Photograph: FBM studio, Franziska Bodmer, Zürich. © the Artist. https://www.studiointernational.com/images/articles/d/daros-opening-2013/Oswaldo-Macia-Four-channel-audio-installation.jpg Oswaldo Macià. Vesper, 2000. Four channel audio installation, poster and cards, sound: 20:00 min; poster: 195 x 223 cm. Daros Latinamerica Collection, Zürich. Photo and ©: the artist. https://www.studiointernational.com/index.php/toyo-ito https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Portrait-of-Toyo-Ito.jpg Portrait of Toyo Ito. Photograph: Yoshiaki Tsutsui. https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Brugge-Pavilion_1.jpg Brugge Pavilion. Architect: Toyo Ito. Photograph: Stefaan Ysenbrandt. (View 1). https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Brugge-Pavilion_2.jpg Brugge Pavilion. Architect: Toyo Ito. Photograph: Stefaan Ysenbrandt. (View 2). https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Home-for-All-for-children-in-Higashimatsushima_1.jpg Home-for-All for children, Higashimatsushima. Architects: Toyo Ito + Maki Onishi /o+h. https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Home-for-All-for-children-in-Higashimatsushima_2.jpg Home-for-All for children, Higashimatsushima. Architects: Toyo Ito + Maki Onishi /o+h. (Interior view). https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Home-for-All-in-Rikuzentakata,-Japan_1.jpg Home-for-All, Rikuzentakata, Japan. Architects: Toyo Ito, Kumiko Inui, Sou Fujimoto, Akihisa Hirata. (View 1). https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Home-for-All-in-Rikuzentakata,-Japan_2.jpg Home-for-All, Rikuzentakata, Japan. Architects: Toyo Ito, Kumiko Inui, Sou Fujimoto, Akihisa Hirata. (View 2). https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Hopital-Cognacq-Jay.jpg Hopital Cognacq-Jay. Architect: Toyo Ito. Photograph: Yuji Ono. https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Ken-Iwata-Mother-and-Child-Museum_1.jpg Ken Iwata Mother and Child Museum, Imabari City Japan. Architect: Toyo Ito. (View 1). https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Ken-Iwata-Mother-and-Child-Museum_2.jpg Ken Iwata Mother and Child Museum, Imabari City Japan. Architect: Toyo Ito. (View 2). https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Sendai-Mediatheque_1.jpg Sendai Mediatheque. Architect: Toyo Ito. Photograph: Miyagi Prefecture Sightseeing Section. https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Sendai-Mediatheque_2.jpg Sendai Mediatheque. Architect: Toyo Ito. (Interior view). https://www.studiointernational.com/images/articles/t/toyo-ito-2013/Toyo-Ito-Museum-of-Architecture,-Imabari-City-Japan_2.jpg Museum of Architecture, Imabari City Japan. Architect: Toyo Ito. https://www.studiointernational.com/images/articles/t/toyo-ito-2013/architectural-school-for-children.jpg Architectural school for children. Photograph: ITO JUKU. https://www.studiointernational.com/images/articles/t/toyo-ito-2013/crematorium-Meiso-no-Mori-Municipal-Funeral-Hall_1.jpg Crematorium Meiso no Mori Municipal Funeral Hall. Architect: Toyo Ito. https://www.studiointernational.com/index.php/coming-soon-qatar-and-the-emirates https://www.studiointernational.com/images/articles/c/coming-soon-2013/IMG_1102.jpg SANAA (Kazuyo Sejima and Ryue Nishizawa), Bubble, 2013. Installation view, commissioned by Sharjah Art Foundation, image courtesy of Sharjah Art Foundation. https://www.studiointernational.com/images/articles/c/coming-soon-2013/IMG_1036.jpg Site of Sharjah Biennale. https://www.studiointernational.com/images/articles/c/coming-soon-2013/L1010337.jpg Qatar - skyscrapers of West Bay, including Jean Nouvel https://www.studiointernational.com/images/articles/c/coming-soon-2013/IMG_0743.jpg Two viewers taking a lunch break in Alain Ducasse restaurant in Qatar’s Islamic Museum. https://www.studiointernational.com/images/articles/c/coming-soon-2013/IMG_1193.jpg Viewer at Dubai Art Fair. https://www.studiointernational.com/images/articles/c/coming-soon-2013/L1010311.jpg Katari Cultural Center, Doha, Qatar - exterior with sculpture on exhibition. https://www.studiointernational.com/images/articles/c/coming-soon-2013/IMG_0270.jpg The Museum of Islamic Art in the Qatari capital Doha, designed by architect I. M. Pei. https://www.studiointernational.com/images/articles/c/coming-soon-2013/L1010538.jpg Sharja Biennial - a performance piece. https://www.studiointernational.com/images/articles/c/coming-soon-2013/L1010557.jpg One of the courtyard installations at Sharjah Biennial. https://www.studiointernational.com/images/articles/c/coming-soon-2013/Zayednationalmuseum_Foster-Partners_10168_101_rear_view_night.jpg Zayed National Museum, Abu Dhabi. Rear view at night. Architects Foster + Partners. Courtesy Zayed National Museum. https://www.studiointernational.com/images/articles/c/coming-soon-2013/Cultural_final_070806_20mg.jpg Guggenheim Abu Dhabi. Photograph courtesy Gehry Partners, LLP. https://www.studiointernational.com/images/articles/c/coming-soon-2013/Saadiyat-Cultural-District-Aerial-view.jpg Saadiyat Cultural District (aerial view). Courtesy Zayed National Museum. https://www.studiointernational.com/images/articles/c/coming-soon-2013/AJN_HW_Abu_Dhabi_Louvre_exterior_view.jpg Louvre Abu Dhabi. Architect: Ateliers Jean Nouvel. Developer: TDIC (Tourism Development & Investment Company). https://www.studiointernational.com/index.php/patrick-hughes https://www.studiointernational.com/images/articles/p/patrick-hughes-2013/patrick-hughes-flowers-gallery-2013.jpg Patrick Hughes talking to Studio International at the opening of Superspectivism at Flowers Cork Street, London, April 2013. https://www.studiointernational.com/index.php/dancing-around-the-bride https://www.studiointernational.com/images/articles/d/duchamp-2013/4-The-Bride-Stripped-Bare-by-Her-Bachelors,-Even-(The-Large-GLass),-1991-92-replica-of-1915-23-original,-Modena-Museet_Stockolm.jpg Marcel Duchamp. The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), 1991-92 (replica of 1915-23 original). Moderna Museet, Stockholm. https://www.studiointernational.com/images/articles/d/duchamp-2013/3-Duchamp,-Nude-Descending-a-Staircase-(No.jpg Marcel Duchamp. Nude Descending a Staircase (No. 2), 1912. Philadelphia Museum of Art, The Louise and Walter Arensberg Collection. © Succession Marcel Duchamp, 2013, ADAGP/Paris, DACS/London. https://www.studiointernational.com/images/articles/d/duchamp-2013/9-Robert-Rauschenberg,-Express,-1963.jpg Robert Rauschenberg. Express, 1963. Museo Thyssen-Bornemisza, Madrid, Spain. © The Robert Rauschenberg Foundation. DACS, London/VAGA, New York 2013. https://www.studiointernational.com/images/articles/d/duchamp-2013/7-John-Cage,-Strings-1-20,-1980.jpg John Cage. Strings 1-20, 1980. Private Collection. © John Cage Trust. https://www.studiointernational.com/images/articles/d/duchamp-2013/1-Jasper-Johns,-Dancers-on-a-Plane,-1979.jpg Jasper Johns. Dancers on a Plane, 1979. Collection of the artist. © Jasper Johns/VAGA, New York/DACS, London 2013. https://www.studiointernational.com/images/articles/d/duchamp-2013/2-Duchamp,-Fountain,-1950.jpg Marcel Duchamp. Fountain, 1950 (replica of 1917 original). Philadelphia Museum of Art, 125th Anniversary Acquisition. Gift (by exchange) of Mrs. Herbert Cameron Morris. © Succession Marcel Duchamp, 2013, ADAGP/Paris, DACS/London. https://www.studiointernational.com/index.php/godwin-bradbeer-pentimenti https://www.studiointernational.com/images/articles/b/bradbeer-2013/Baptism.jpg Godwin Bradbeer. Baptism. Chinagraph, charcoal, pastel dust on paper, 167 x 128 cm. https://www.studiointernational.com/images/articles/b/bradbeer-2013/Portrait.jpg Godwin Bradbeer. Portrait. Drawing - Chinagraph, charocal, pastel on paper, 84.5 x 69 cm. https://www.studiointernational.com/images/articles/b/bradbeer-2013/Tabula-Rasa-complete.jpg Godwin Bradbeer. Tabula Rasa. Mixed media - installation of over 140 salvaged blackboards, paint, chalk, mixed media, each panel 30 x 40 cm, installation dimensions variable. https://www.studiointernational.com/images/articles/b/bradbeer-2013/Tabula-Rasa-installation-view.jpg Godwin Bradbeer. Tabula Rasa. Mixed media - installation view. https://www.studiointernational.com/images/articles/b/bradbeer-2013/The-episode-version-1.jpg Godwin Bradbeer. The Episode - Version I. Drawing - chinagraph, pastel, silver oxide on paper, 112 x 195 cm. https://www.studiointernational.com/images/articles/b/bradbeer-2013/White-woman-.jpg Godwin Bradbeer. White Woman. Drawing - Chinagraph, pastel dusk silver oxide on paper, 144 x 104 cm. https://www.studiointernational.com/images/articles/b/bradbeer-2013/Yellow-male.jpg Godwin Bradbeer. Profile in White Light. Drawing - Chinagraph, silveroxide and pastel dust on paper, 118 x 124.5 cm. https://www.studiointernational.com/images/articles/b/bradbeer-2013/black-dress-dyptich.jpg Godwin Bradbeer. Black Dress - Diptych. Drawing - Chinagraph, charcoal, pastel on paper, 176.5 x 117 cm. https://www.studiointernational.com/index.php/frieze-new-york-2013 https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Paul-McCarthy-CAM00558.jpg Paul McCarthy. Balloon Dog, 2013. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Do-Ho-Suh-DSC01511.jpg Do Ho Suh. Wielandstr. 18 12159 Berlin, 2011. Polyester fabric, 138.58 x 82.68 x 258.27 in. Edition of 3. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Doug-Aitken-CAM00466.jpg Doug Aitken. ART (white). High density foam, wood, paint and mirror, 30 1/8 x 96 x 3 5/8 in. 303 Gallery, NY. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Farhad-Moshiri-Top-Of-The-World-DSC01493.jpg Farhad Moshiri. Top Of The World, 2011. Acrilic, plastic pearls, crystals, glitter and glaze on canvas mounted on board 168 x 250 x 10 cm. The Third Line. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Josiah-McElheny-DSC01502.jpg Josiah McElheny. Frozen Structure, 2008. Chrome plated aluminum, hand-blown and molded glass, electric lighting and rigging, 114 1/4 inches. White Cube. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Kris-Martin-CAM00517.jpg Kris Martin. Do Not Cross The Red Line, 2012. Sies + Höke, Dusseldorf, Germany https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Anish-Kapoor-DSC01523.jpg Anish Kapoor. Untitled, 2013. Fibreglass and paint, 140 x 140 x 70 cm. Lisson Gallery. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Penny-Slinger-DSC01495.jpg Penny Slinger. Bride in the Bath II, 1969/2013. Life-cast based assemblage sculpture - fibreglass, silk, resin and bathtub, 67 x 29 x 24 in. Broadway 1602, NY. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Rachel-Whiteread-DSC01541.jpg Rachel Whiteread. Sit, 2006. Plaster, wood and steel (7 units), 78 x 72.5 x 52 cm. Galleria Lorcan O'Neill Roma . https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Ry-Rocklen-DSC01537.jpg Ry Rocklen. Vesselator, 2013. Found dancing shelf, found display hands, foam, foam coat, paint, 38 x 38 x 152.5 cm. Praz-Delavallade Gallery. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Tom-Friedman-DSC01519.jpg Tom Friedman. Untitled (video camera), 2012. Wood and paint, 63 1/2 x 44 1/2 x 44 1/2 in. Luhring Augustine, NY. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Valeska-Soares-CAM00465.jpg Valeska Soares. Finale, 2013. Antique table, antique glasses, wavy mirror and liquor, 78.7 x 335.3 x 92.1 cm. Galeria Fortes Vilaça, Sao Paulo. https://www.studiointernational.com/images/articles/f/frieze-new-york-2013/Zhang-Wang-DSC01488.jpg Zhang Wang. Artificial Rock No. 71, 2004. Stainless steel, 185 x 165 x 100 cm. 1/1 AP Long March Space. https://www.studiointernational.com/index.php/inside-the-ordinary-fantastic-world-of-a-pop-artist https://www.studiointernational.com/images/articles/o/Oldenburg-2013/MoMA_Oldenburg_Store.jpg Claes Oldenburg. Study for a Poster, The Store, 1961. © 2013 Claes Oldenburg collection and courtesy the Oldenburg van Bruggen Studio. https://www.studiointernational.com/images/articles/o/Oldenburg-2013/MoMA_Oldenburg_City.jpg Claes Oldenburg. City as Alphabet, 1968. © 2013 Claes Oldenburg collection and courtesy the Oldenburg van Bruggen Studio. https://www.studiointernational.com/images/articles/o/Oldenburg-2013/MoMA_Oldenburg_Dog.jpg Claes Oldenburg. Ray Gun Poster—Dog, 1960. © 2013 Claes Oldenburg collection and courtesy the Oldenburg van Bruggen Studio. https://www.studiointernational.com/images/articles/o/Oldenburg-2013/OldenburgWritings_cover.jpg Cover of Claes Oldenburg: Writing on the Side 1956-1969, published by The Museum of Modern Art, New York. Courtesy MoMA. https://www.studiointernational.com/index.php/george-bellows-1882-1925-modern-american-life https://www.studiointernational.com/images/articles/b/bellows-2013/Bellows_key-24.jpg George Bellows. Stag at Sharkey's, 1909. Oil on canvas, 92 x 112.6 cm . The Cleveland Museum of Art, Hinman B. Hurlbut Collection © The Cleveland Museum of Art . https://www.studiointernational.com/images/articles/b/bellows-2013/bellows-key-010.jpg George Bellows. New York, 1911. Oil on canvas, 106.7 x 152.4 cm. National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. Photograph: Greg Williams. https://www.studiointernational.com/images/articles/b/bellows-2013/bellows-key-015.jpg George Bellows. Love of Winter, 1914. Oil on canvas, 82.6 x 102.9 cm. The Art Institute of Chicago, Friends of American Art Collection. Photography © The Art Institute of Chicago. https://www.studiointernational.com/images/articles/b/bellows-2013/bellows-key-031.jpg George Bellows. North River, 1908. Oil on canvas , 83.5 x 109.2 cm. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia, Joseph E. Temple Fund. https://www.studiointernational.com/images/articles/b/bellows-2013/bellows-key-108.jpg George Bellows. Emma at the Piano, 1914. Oil on panel, 73 x 94 cm. Chrysler Museum of Art, Norfolk, Gift of Walter P. Chrysler, Jr. Photograph © Courtesy of the Bellows Trust. https://www.studiointernational.com/images/articles/b/bellows-2013/bellows-key-34.jpg George Bellows. Men of the Docks, 1912. Oil on canvas, 114.3 x 161.3 cm. Randolph College, Founded as Randoph - Macon Woman's College in 1891, Lynchburg. https://www.studiointernational.com/index.php/zachary-buehner-the-ascent https://www.studiointernational.com/images/articles/b/buehner-2013/zachary-buehner-photo2.jpg Zachary Buehner. Coloring in the cold. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/buehner-2013/zachary-buehner-photo3.jpg Zachary Buehner. For the sake of the view. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/buehner-2013/zachary-buehner-photo.jpg Zachary Buehner. Untitled paper sculpture (detail). Courtesy of the artist. https://www.studiointernational.com/index.php/michael-landy-saints-alive https://www.studiointernational.com/images/articles/l/landy-michael-2013/MLandy.jpg Michael Landy as St Jerome, 2012. © Michael Landy, courtesy of the Thomas Dane Gallery, London / Photograph: The National Gallery, London. https://www.studiointernational.com/images/articles/l/landy-michael-2013/N-0773-00-000055-pr.jpg Cosimo Tura. Saint Jerome, probably about 1470. © The National Gallery, London. https://www.studiointernational.com/images/articles/l/landy-michael-2013/P5728_001_installation.jpg Installation of Saints Alive at the National Gallery, 2013. Michael Landy, courtesy of the Thomas Dane Gallery, London. © Michael Landy, courtesy of the Thomas Dane Gallery, London / Photograph: The National Gallery, London. https://www.studiointernational.com/images/articles/l/landy-michael-2013/P5728_002_X8058.jpg Michael Landy. Saint Jerome, 2012. Mixed media, 310 x 245 x 106 cm. Duerckheim Collection. © Michael Landy, courtesy of the Thomas Dane Gallery, London / Photograph: The National Gallery, London. https://www.studiointernational.com/images/articles/l/landy-michael-2013/P5728_003_X8059.jpg Michael Landy. Spin the Saint Catherine Wheel and Win the Crown of Martyrdom, 2013. Mixed media, 371 x 440 x 84 cm. © Michael Landy, courtesy of the Thomas Dane Gallery, London / Photograph: The National Gallery, London. https://www.studiointernational.com/images/articles/l/landy-michael-2013/P5728_006_X8278.jpg Michael Landy. Saint Apollonia, 2013. Mixed media, 282 x 76 x 86 cm. © Michael Landy, courtesy of the Thomas Dane Gallery, London / Photograph: The National Gallery, London https://www.studiointernational.com/index.php/limitations-on-despair https://www.studiointernational.com/images/articles/l/limitations-on-despair-2013/YasutoshiMatsuda_Blowfish-on-cutting-board.jpg Yasutoshi Matsuda. Blowfish on cutting board. https://www.studiointernational.com/images/articles/l/limitations-on-despair-2013/YasutoshiMatsuda_MorningGlory.jpg Yasutoshi Matsuda. Morning glory. https://www.studiointernational.com/images/articles/l/limitations-on-despair-2013/1-Rose-of-Justice.jpg Kaoru Okashita. Rose of Justice. https://www.studiointernational.com/images/articles/l/limitations-on-despair-2013/2-Girl-behind-iron-bar.jpg Masashi Hara. Girl behind the iron bar: Love and Peace. https://www.studiointernational.com/images/articles/l/limitations-on-despair-2013/3-Story-of-prison.jpg Sabutaro Mannen. Story of Prison part 1. https://www.studiointernational.com/images/articles/l/limitations-on-despair-2013/4-Nation-and-Murder.jpg Masumi Hayashi. Nation and Murder. https://www.studiointernational.com/images/articles/l/limitations-on-despair-2013/5-Museum-exterior-(1).jpg Tomonotsu Museum, Hiroshima. Museum exterior. https://www.studiointernational.com/images/articles/l/limitations-on-despair-2013/6-Exhibition-view.jpg Tomonotsu Museum, Hiroshima. Exhibition view. https://www.studiointernational.com/index.php/re-found-sara-beazley-charlotte-hodes-maria-noel https://www.studiointernational.com/images/articles/r/re-found-2013/Charlotte-Hodes-Figure-on-Pedestal-I_2013_Printed_and_Painted_papers_206x120cm_photography_by_Peter_Abrahams-(3).jpg Charlotte Hodes. Figure on Pedestal I, 2013. Printed and painted papers, 206 x 120 cm. https://www.studiointernational.com/images/articles/r/re-found-2013/CharlotteHodes_Filigree_swirling-cloth_50x26cm.jpg Charlotte Hodes. Filigree; swirling cloth, 2009. Slip, hand cut enamel transfer on earthenware, 50 x 26 cm high. https://www.studiointernational.com/images/articles/r/re-found-2013/CharlotteHodes_Silhouette_reflection.jpg Charlotte Hodes. Silhouette reflection, 2009. Slip, hand cut enamel transfer on earthenware, 57 cm high. https://www.studiointernational.com/images/articles/r/re-found-2013/installation-view-DSC_0079.jpg Insallation view. Re-Found: Sara Beazley, Charlotte Hodes, Maria Noel. Jaggedart, London, 2013. https://www.studiointernational.com/images/articles/r/re-found-2013/Maria-Noel-Triptych-puzzle.jpg María Noël. Triptych (puzzle), from the series “What do we talk about when we talk about art?”, 2013. Mixed media, etchings and lithographs, 60 x 60 cm each. https://www.studiointernational.com/images/articles/r/re-found-2013/Maria-Noel-What-do-we-talk-about-when-we-talk-about-art,-Diptych.jpg María Noël. Labyrinth (Diptych) from the series “What do we talk about when we talk about art?”, 2013. Mixed media, etchings and lithographs, 150 x 225 cm. https://www.studiointernational.com/images/articles/r/re-found-2013/Maria-Noel9.jpg María Noël. Apoll(in)air/e, 2013. Collage and lithograph on Madagascar paper, 120 x 56 cm. https://www.studiointernational.com/images/articles/r/re-found-2013/Sara-J-Beazley-Mongkok-I.jpg Sara J Beazley. Mongkok I, 2013. Collograph and silkscreen on paper, 76 x 56 cm. https://www.studiointernational.com/index.php/ellen-gallagher-axme https://www.studiointernational.com/images/articles/g/gallagher-ellen-2013/ellen-gallagher-Wiglette-from-DeLuxe_2004.jpg Ellen Gallagher. Wiglette from DeLuxe, 2004. Photogravure and plasticine, 33 x 26 cm. © Ellen Gallagher. https://www.studiointernational.com/images/articles/g/gallagher-ellen-2013/ellen-gallagher-So-Fun-from-Deluxe_2004.jpg Ellen Gallagher. So Fun from Deluxe, 2004. © Ellen Gallagher. https://www.studiointernational.com/images/articles/g/gallagher-ellen-2013/ellen-gallagher-ellen_moma_talk_1502201204.jpg Ellen Gallagher. Watery Ecstatic, 2005. Watercolour, graphite, varnish and cut paper on paper. © Ellen Gallagher. https://www.studiointernational.com/images/articles/g/gallagher-ellen-2013/ellen-gallagher-id_013.jpg Ellen Gallagher. Abu Simbel, 2005. © Ellen Gallagher. https://www.studiointernational.com/images/articles/g/gallagher-ellen-2013/ellen-gallagher-t12450_10_0.jpg Ellen Gallagher. Bird in Hand, 2006. © Ellen Gallagher. https://www.studiointernational.com/index.php/sebastiao-salgado-genesis https://www.studiointernational.com/images/articles/s/salgado-2013/Sebastiao-Salgado-05-1-450-43_WEB.jpg Sebastião Salgado. Iceberg between Paulet Island and the South Shetland Islands on the Weddell Sea. Antarctic Peninsula, 2005. © Sebastião Salgado/Amazonas Images/nbpictures https://www.studiointernational.com/images/articles/s/salgado-2013/Sebastiao-Salgado-05-3-241-67_WEB.jpg Sebastião Salgado. In the Upper Xingu region of Brazil’s Mato Grosso state, a group of waura fish in the Piulaga Lake near their village. The Upper Xingu Basin is home to an ethnically diverse population. Brazil, 2005. © Sebastião Salgado/Amazonas Images/nbpictures https://www.studiointernational.com/index.php/the-wisdom-of-birds-holding-king-shimmen https://www.studiointernational.com/images/articles/w/wisdom-of-birds-2013/Cockies-at-Boort-Lake-2012.jpg Judy Holding. Cockies at Boort Lake, 2012. Bronze, polymer clay and mirror, 24cm x 23cm x 10cm. Photograph: Ian Hill. https://www.studiointernational.com/images/articles/w/wisdom-of-birds-2013/GM-Eucalypt_Judy-Holding_2013.jpg Judy Holding. GM Eucalypt II, 2013. Mixed media, dimensions variable. https://www.studiointernational.com/images/articles/w/wisdom-of-birds-2013/Install_3.jpg Installation view. The Wisdom of Birds: Martin King, Judy Holding and Heather Shimmen. 8 May - 15 June 2013, Bendigo Visual Art Centre, Bendigo Australia. https://www.studiointernational.com/images/articles/w/wisdom-of-birds-2013/melencolia-160-charcoal-drawing-on-drafting-film-with-3-minute-stop-motion-animation.jpg Martin King. 'Melencolia' 160. Charcoal drawing on drafting film with three minute stop motion animation, (detail). https://www.studiointernational.com/images/articles/w/wisdom-of-birds-2013/searching-for-bird-river-books-etching-on-paper-hand-drawn-stop-motion-animation-original-soundtrack-2013.jpg Martin King. Searching for bird river, 2013. Books, etching on paper, hand drawn stop motion animation, original soundtrack. https://www.studiointernational.com/index.php/bill-viola-frustrated-actions-and-futile-gestures https://www.studiointernational.com/images/articles/v/viola-bill-2013/Chapel-of-Frustrated-Actions-and-Futile-Gestures-(Detail).jpg Bill Viola. Chapel of Frustrated Actions and Futile Gestures, 2013 (detail). Video/sound installation, nine channels of colour, high-definition video on a 3 x 3 grid of plasma displays; nine channels mono sound, 306 x 183 x 9 cm (120.5 x 35 x 3.5 in). © the artist. Image courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/v/viola-bill-2013/Chapel-of-Frustrated-Actions-and-Futile-Gestures-(Detail)-(2).jpg Bill Viola. Chapel of Frustrated Actions and Futile Gestures, 2013 (detail). Video/sound installation, nine channels of colour, High-Definition video on a 3 x 3 grid of plasma displays; nine channels mono sound, 306 x 183 x 9 cm (120.5 x 35 x 3.5 in). © the artist. Image courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/v/viola-bill-2013/Chapel-of-Frustrated-Actions-and-Futile-Gestures-(Detail)-(3).jpg Bill Viola. Chapel of Frustrated Actions and Futile Gestures, 2013 (detail). Video/sound installation, nine channels of colour, High-Definition video on a 3 x 3 grid of plasma displays; nine channels mono sound, 306 x 183 x 9 cm (120.5 x 35 x 3.5 in). © the artist. Image courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/v/viola-bill-2013/The-Dreamers-(Madison).jpg Bill Viola. The Dreamers, 2013 (detail). Video/sound installation, seven channels of colour High-Definition video on seven 65” plasma displays mounted vertically on wall in darkened room; four channels stereo sound, room dimensions: 6.5 x 6.5 x 3.5 m. © the artist. Image courtesy of the artist and Blain|Southern. Photograph: Kira Perov. https://www.studiointernational.com/images/articles/v/viola-bill-2013/Walking-on-the-Edge.jpg Bill Viola. Walking on the Edge, 2012. Colour High-Definition video on plasma display mounted on wall, 92.5 x 155.5 x 12.7 cm (36.4 x 61.2 x 5 in). © the artist. Image courtesy of the artist and Blain|Southern. Photograph: Kira Perov. https://www.studiointernational.com/index.php/global-clarion-call-fiona-hall-big-game-hunting https://www.studiointernational.com/images/articles/h/hall-fiona-2013/fiona-hall_DSC7096cc-lo-res.jpg Fiona Hall. Big Game Hunting, 2013. Installation view (1). Heide Museum of Modern Art, Melbourne. Photograph: John Brash. https://www.studiointernational.com/images/articles/h/hall-fiona-2013/fiona-hall_DSC7106cc-392.jpg Fiona Hall. Big Game Hunting, 2013. Installation view (2). Heide Museum of Modern Art, Melbourne. Photograph: John Brash. https://www.studiointernational.com/images/articles/h/hall-fiona-2013/fiona-hall_DSC7188cc-lo-res.jpg Fiona Hall. Big Game Hunting, 2013. Installation view (3). Heide Museum of Modern Art, Melbourne. Photograph: John Brash. https://www.studiointernational.com/images/articles/h/hall-fiona-2013/fiona-hall_DSC7264cc-lo-res.jpg Fiona Hall. Big Game Hunting, 2013. Installation view (4). Heide Museum of Modern Art, Melbourne. Photograph: John Brash. https://www.studiointernational.com/images/articles/h/hall-fiona-2013/fiona-hall_DSC7287cc-lo-res.jpg Fiona Hall. Big Game Hunting, 2013. Installation view (5). Heide Museum of Modern Art, Melbourne. Photograph: John Brash. https://www.studiointernational.com/images/articles/h/hall-fiona-2013/fiona-hall_DSC7327cc-lo-res.jpg Fiona Hall. Big Game Hunting, 2013. Installation view (6). Heide Museum of Modern Art, Melbourne. Photograph: John Brash. https://www.studiointernational.com/index.php/collection-sandretto-re-rebaudengo-have-you-seen-me-before https://www.studiointernational.com/images/articles/s/sandretto-re-rebaudengo-collection-2013/Have-you-seen-me-before-1.jpg Paola Pivi. Have you seen me before?, 2008. Polyuretheane foam, feathers, plastic, wood and steel, 108 x 200 x 100 cm. Courtesy Collezione Sandretto Re Rebaudengo. https://www.studiointernational.com/images/articles/s/sandretto-re-rebaudengo-collection-2013/Have-you-seen-me-before-2.jpg Philippe Parreno. Jean-Luc Godard, 1993. Artificial tree, Christmas decorations, folding chairs and tape recorder. Dimensions variable. Courtesy Collezione Sandretto Re Rebaudengo. https://www.studiointernational.com/images/articles/s/sandretto-re-rebaudengo-collection-2013/Have-you-seen-me-before-3.jpg Katharina Fritsch. Table with Cheese, 1981. Latex, steel, medium density, 75 x 120 x 120 cm. Courtesy Collezione Sandretto Re Rebaudengo. https://www.studiointernational.com/images/articles/s/sandretto-re-rebaudengo-collection-2013/Installation-View.jpg Installation view. Collection Sandretto Re Rebaudengo: Have you seen me before? Whitechapel Gallery. Photograph: Geoff Caddick/PA. https://www.studiointernational.com/index.php/nicholas-rena-the-harmony-of-the-year https://www.studiointernational.com/images/articles/r/rena-nicholas-2013/02-Rena-DOUBLE-1.jpg Nicholas Rena. The Harmony of the Year, 2013. Ceramic, painted and polished, bowl 27 cm high, red and blue 110 cm. Photograph: Philip Sayer. Copyright of photograph: Lynne Strover Gallery/Nicholas Rena. https://www.studiointernational.com/images/articles/r/rena-nicholas-2013/03-Rena-BLUE-BOWL.jpg Nicholas Rena. The Harmony of the Year, 2013. Ceramic, painted and polished, bowl 27 cm high. Photograph: Philip Sayer. Copyright of photograph: Lynne Strover Gallery/Nicholas Rena. https://www.studiointernational.com/images/articles/r/rena-nicholas-2013/04-Rena-GREEN-AND-PURPLE-DOUBLE.jpg Nicholas Rena. The Harmony of the Year, 2013. Ceramic, painted and polished, bowl 27 cm high, green and pink 85 cm. Photograph: Philip Sayer. Copyright of photograph: Lynne Strover Gallery/Nicholas Rena. https://www.studiointernational.com/images/articles/r/rena-nicholas-2013/01-RENA-WORKING-JPG.jpg Nicholas Rena. Portrait, 2013. Photograph: Philip Sayer. Copyright of photograph: Lynne Strover Gallery/Nicholas Rena. https://www.studiointernational.com/index.php/wilma-tabacco-gilt-edge https://www.studiointernational.com/images/articles/t/tabacco-wilma-2013/wilma-tabacco-Entry-Exit.jpg Wilma Tabacco. Entry/Exit, 2012. Oil on linen, two panels, 198 x 366 cm. https://www.studiointernational.com/images/articles/t/tabacco-wilma-2013/wilma-tabacco-Eugenias-Pleasure.jpg Wilma Tabacco. Eugenia's Pleasure, 2012. Metal leaf and oil on linen, 183 x 137 cm. https://www.studiointernational.com/images/articles/t/tabacco-wilma-2013/wilma-tabacco-Gilt-Edge.jpg Wilma Tabacco. Gilt Edge, 2013. Metal leaf and oil on linen, 183 x 153 cm. https://www.studiointernational.com/images/articles/t/tabacco-wilma-2013/wilma-tabacco-Herculaneum.jpg Wilma Tabacco. Herculaneum, 2012. Acrylic on linen, two panels, 198 x 336 cm. https://www.studiointernational.com/images/articles/t/tabacco-wilma-2013/wilma-tabacco-On-the-Nile.jpg Wilma Tabacco. On the Nile, 2012. Metal leaf and oil on linen, 153 x 153 cm. https://www.studiointernational.com/index.php/outside-in-55th-venice-biennale https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Marino-Auriti.jpg Marino Auriti. Il Enciclopedico Palazzo del Mondo (The Encyclopaedic Palace of the World). At 11 feet high, the model’s 1:200 scale would translate to half a mile high. Photograph: Dorothy Feaver. https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Movie-Drome.jpg Stan VanDerBeek. Movie-Drome. Photograph: Dorothy Feaver. https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Simon-Denny.jpg Simon Denny. Analogue Broadcasting Hardware Compression, 2013. Photograph: Dorothy Feaver. https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Fischli-&-Weiss.jpg Fischli & Weiss. The beagle boys at work: Plötzlich diese Übersicht (Suddenly This Overview), 1980–2012. Photograph: Dorothy Feaver. https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Shinichi-Sawada.jpg Shinichi Sawada. Untitled, 2006-07. Photograph: Dorothy Feaver. https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Evgenij-Kozlov-detail.jpg Evgenij Kozlov. The Leningrad Album, 1972 (detail). Photograph: Dorothy Feaver. https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Evgenij-Kozlov.jpg Evgenij Kozlov. The Leningrad Album, 1972. Photograph: Dorothy Feaver. https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Richard-Mosse-2.jpg Richard Mosse. The Enclave. Multiple screens, infrared 16mm film, soundtrack by Ben Frost. Photograph: Dorothy Feaver. https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Portuguese-Pavilion-2.jpg Joana Vaconselos. Decommissioned ferry, exterior covered in typical Portuguese blue and white tiles showing a Lisbon panorama. Ship's hold transformed into a fuzzy blue womb of crochet and fairy lights, with padded walls and giant pompoms hanging from above. Photograph: Dorothy Feaver. https://www.studiointernational.com/images/articles/v/venice-biennale-2013/Portuguese-Pavilion.jpg Joana Vaconselos. (Installation view 2) Decommissioned ferry, exterior covered in typical Portuguese blue and white tiles showing a Lisbon panorama. Ship's hold transformed into a fuzzy blue womb of crochet and fairy lights, with padded walls and giant pompoms hanging from above. Photograph: Dorothy Feaver. https://www.studiointernational.com/index.php/paul-delvaux https://www.studiointernational.com/images/articles/d/delvaux-paul-2013/Paul-Delvaux,-Les-femmes-devant-la-mer.jpg Paul Delvaux. Les femmes devant la mer, 1943. Oil on canvas, 105.5 x 166.5 cm. © Paul Delvaux Foundation, Belgium. Courtesy of Blain|Di Donna and the Paul Delvaux Foundation, Belgium. https://www.studiointernational.com/images/articles/d/delvaux-paul-2013/Paul-Delvaux,-La-mise-au-tombeau-III-1957.jpg Paul Delvaux. La mise au tombeau III, 1957. Oil on wood, 130 x 120 cm. © Paul Delvaux Foundation, Belgium. Courtesy of Blain|Di Donna and the Paul Delvaux Foundation, Belgium. https://www.studiointernational.com/images/articles/d/delvaux-paul-2013/Paul-Delvaux,-Le-recitant-1937.jpg Paul Delvaux. Le récitant, 1937. Oil on canvas, 70 x 80 cm. © Paul Delvaux Foundation, Belgium. Courtesy of Blain|Di Donna and the Paul Delvaux Foundation, Belgium. https://www.studiointernational.com/images/articles/d/delvaux-paul-2013/Paul-Delvaux-L,eloge-de-la-melancolie-1948.jpg Paul Delvaux. L'éloge de la mélancolie, 1948. Oil on panel, 153 x 255 cm. © Paul Delvaux Foundation, Belgium. Courtesy of Blain|Di Donna and the Paul Delvaux Foundation, Belgium. https://www.studiointernational.com/index.php/with-great-force-swiftly-and-surely https://www.studiointernational.com/images/articles/h/hilma-af-klint-2013/HAK_Pressebilder_1_Portrait_b.jpg Hilma af Klint in her studio, c 1895. © Stiftelsen Hilma af Klints Verk. https://www.studiointernational.com/images/articles/h/hilma-af-klint-2013/9783775734899_P01.jpg Book cover. Hilma af Klint: A Pioneer of Abstraction. Image: Hilma af Klint. The Ten Largest, No. 3, Youth, Group IV, 1907. Tempera on paper mounted on canvas, 321 × 240 cm. © Stiftelsen Hilma af Klints Verk, Photograph: Moderna Museet/Albin Dahlström. https://www.studiointernational.com/images/articles/h/hilma-af-klint-2013/HAK_Pressebilder_2_Altar_01.jpg Hilma af Klint. Altarpiece, No. 1, Group X, 1915. Oil and metal leaf on canvas, 237 × 179 cm. © Stiftelsen Hilma af Klints Verk, Photograph: Moderna Museet/Albin Dahlström. https://www.studiointernational.com/images/articles/h/hilma-af-klint-2013/HAK_Pressebilder_3_Schwan.jpg Hilma af Klint. The Swan, No. 17, Group IX, SUW Series, 1914–15. Oil on canvas, 150 x 151 cm. © Stiftelsen Hilma af Klints Verk, Photograph: Moderna Museet/Albin Dahlström. https://www.studiointernational.com/images/articles/h/hilma-af-klint-2013/HAK_Pressebilder_4_Buddha.jpg Hilma af Klint. Buddha’s Standpoint in Worldly Life, Series II, No. 3a, 1920. Oil on canvas, 37 x 28 cm. © Stiftelsen Hilma af Klints Verk, Photograph: Moderna Museet/Albin Dahlström. https://www.studiointernational.com/images/articles/h/hilma-af-klint-2013/HAK_Pressebilder_6_Evolution.jpg Hilma af Klint. Evolution, No. 15, Group VI, The WUS/Seven-Pointed Star Series, 1908. Oil on canvas, 99 × 130 cm. © Stiftelsen Hilma af Klints Verk, Photograph: Moderna Museet/Albin Dahlström. https://www.studiointernational.com/images/articles/h/hilma-af-klint-2013/Hilma_af_Klint_DvB__8_.jpg Installation view Hamburger Bahnhof, Berlin. Photograph: David von Becker https://www.studiointernational.com/index.php/los-angeles-takes-manhattan https://www.studiointernational.com/images/articles/s/summer-roundup-2013/James-Turrell-exh_ph020.jpg James Turrell. Aten Reign, 2013. Daylight and LED light, dimensions variable. © James Turrell. Installation view. Photograph: David Heald © Solomon R. Guggenheim Foundation, New York. https://www.studiointernational.com/images/articles/s/summer-roundup-2013/James-Turrell-exh_ph011.jpg James Turrell. Aten Reign, 2013. Daylight and LED light, dimensions variable. © James Turrell. Installation view 2. Photograph: David Heald © Solomon R. Guggenheim Foundation, New York. https://www.studiointernational.com/images/articles/s/summer-roundup-2013/James-Turrell_Afrum1.jpg James Turrell. Afrum I (White), 1967. Projected light, dimensions variable. Solomon R. Guggenheim Museum, New York, Panza Collection, Gift 92.4175. © James Turrell. Installation view: Singular Forms (sometimes repeated). Photograph: David Heald © Solomon R. Guggenheim Foundation, New York. https://www.studiointernational.com/images/articles/s/summer-roundup-2013/Ken-Price-1-L-Red,-1963.jpg Ken Price. L. Red, 1963. Ceramic painted with lacquer and acrylic on wood base, 13 ½ x 12 x 10 in. San Francisco Museum of Modern Art, San Francisco, Evelyn and Walter Haas, Jr. Fund Purchase. © Ken Price. Photograph: © Fredrik Nilsen. https://www.studiointernational.com/images/articles/s/summer-roundup-2013/Ken-Price_10-Hunchback-of-Venice,-2000.jpg Ken Price. Hunchback of Venice, 2000. Fired and painted clay, 14 ½ x 29 x 13 in. Dallas Price and Bob Van Breda. © Ken Price. Photograph: © Fredrik Nilsen. https://www.studiointernational.com/images/articles/s/summer-roundup-2013/Ken-Price_8-Pastel,-1995.jpg Ken Price. Pastel, 1995. Fired and painted clay, 14 ½ x 15 x 14 in. James Corcoran Gallery. © Ken Price. Photograph: © Fredrik Nilsen. https://www.studiointernational.com/images/articles/s/summer-roundup-2013/irwin_scrim_veil001_756.jpg Robert Irwin. Scrim veil-Black rectangle-Natural light Whitney Museum of American Art, New York, 1977. Cloth, metal, and wood, overall: 144 x 1368 x 49 in. (365.8 x 3474.7 x 124.5 cm). Whitney Museum of American Art, New York; gift of the artist 77.45. © Robert Irwin. Photograph: © Warren Silverman, 1977. Installation view: Robert Irwin (16 April–26 May 1977). https://www.studiointernational.com/images/articles/s/summer-roundup-2013/irwin_scrim_veil002_762.jpg Robert Irwin. Scrim veil-Black rectangle-Natural light Whitney Museum of American Art, New York, 1977. Cloth, metal, and wood, overall: 144 x 1368 x 49 in. (365.8 x 3474.7 x 124.5 cm). Whitney Museum of American Art, New York; gift of the artist 77.45. © Robert Irwin. Photograph: © Warren Silverman, 1977. Installation view 2: Robert Irwin (16 April–26 May 1977). https://www.studiointernational.com/images/articles/s/summer-roundup-2013/paul-mccarthy-WS-3-2013.jpg Paul McCarthy. WS, 2013. Image courtesy the artist and Hauser & Wirth. Photograph: Joshua White. https://www.studiointernational.com/images/articles/s/summer-roundup-2013/Paul_McCarthy_WS_JamesEwing-9341_CP.jpg Paul McCarthy. WS, 2013 (image 2). Image courtesy the artist and Hauser & Wirth. Installation photograph at Park Avenue Armory by James Ewing. https://www.studiointernational.com/images/articles/s/summer-roundup-2013/Llyn-Foulkes-4.jpg Llyn Foulkes. Who’s on Third?, 1971–73. Oil on canvas, 48 x 39 in (121.9 x 99.1 cm). John Jones Collection. https://www.studiointernational.com/images/articles/s/summer-roundup-2013/Llyn-Foulkes-10.jpg Llyn Foulkes. The Awakening, 1994–2012. Mixed mediums, 40 1/4 x 44 x 7 in (102.2 x 111.8 x 17.8 cm). Private collection. Photograph: Robert Wedemeyer. https://www.studiointernational.com/index.php/picturing-derry https://www.studiointernational.com/images/articles/p/picturing-derry-2013/CAR6908_NIreland109_MR.jpg Gilles Caron. Picture of Ann Kelly in the the aftermath of riots between Catholics and the Ulster police, Londonderry, Northern Ireland (August 1969). © Gilles Caron, 2013/Fondation Gilles Caron. https://www.studiointernational.com/images/articles/p/picturing-derry-2013/Melaugh.jpg Eamon Melaugh. These children are either engaged in strengthening street barricades or bringing some firewood home for the house. The boy with the flag is striking a particularly good revolutionary pose for one so young! Note the 'Derry Merry, Derry Free' banner in the background. The photograph may have been taken around the time of the Liberation Fleadh, 30 August 1969. Lecky Road, Bogside, Derry. https://www.studiointernational.com/images/articles/p/picturing-derry-2013/CAR6908_NIreland_C_MR.jpg Gilles Caron. Londonderry, Northern Ireland (August 1969) © Gilles Caron, 2013/Fondation Gilles Caron. https://www.studiointernational.com/images/articles/p/picturing-derry-2013/CAR6908_NIreland111_MR.jpg Gilles Caron. Apprentice Boys of Derry parade, Londonderry, Northern Ireland (12 August 1969) © Gilles Caron, 2013/Fondation Gilles Caron. https://www.studiointernational.com/index.php/chagall-modern-master https://www.studiointernational.com/images/articles/c/chagall-modern-master-2013/chagall-i_and_the_village.jpg Marc Chagall. 
I and the Village, 1911. 
Oil on canvas, 
192.1 x 151.4 cm. 
© ADAGP Paris and DACS, London 2013. Photograph: © SCALA, Florence. https://www.studiointernational.com/images/articles/c/chagall-modern-master-2013/chagall-lovers_on_a_bench_1911_0.jpg Marc Chagall.
 Lovers on a Bench, 1911. 
Oil on paper mounted on canvas, 
45.5 x 35 cm. 
Private collection © ADAGP Paris and DACS, London 2013. https://www.studiointernational.com/images/articles/c/chagall-modern-master-2013/chagall-mural-music_1920_0.jpg Marc Chagall. 
Music, 1920. 
Tempera, gouache and opaque white on canvas, 
213 x 104 cm. 
State Tretyakov Gallery, Moscow 
Creditline: © ADAGP Paris and DACS, London 2013. https://www.studiointernational.com/images/articles/c/chagall-modern-master-2013/chagall-paris_through_the_window_1913_1.jpg Marc Chagall. 
Paris Through the Window, 1913 
Oil on canvas, 
135.8 x 141.4 cm. 
© ADAGP Paris and DACS, London 2013. https://www.studiointernational.com/images/articles/c/chagall-modern-master-2013/chagall-the_promenade_1.jpg Marc Chagall.
 The Promenade, 1917–18. 
Oil on canvas, 
175.2 x 168.4 cm. 
© ADAGP Paris and DACS, London 2013. https://www.studiointernational.com/index.php/ibrahim-el-salahi-a-visionary-modernist https://www.studiointernational.com/images/articles/e/el-salahi-2013/El-Salahi_self-portrait_of_suffering_0.jpg Ibrahim El-Salahi. Self-Portrait of Suffering, 1961. Iwalewa-Haus, University of Bayreuth, Germany 
© Ibrahim El-Salahi. https://www.studiointernational.com/index.php/club-to-catwalk-london-fashion-in-the-1980s https://www.studiointernational.com/images/articles/c/club-to-catwalk-2013/3_The_Face_Hells_Angel_Cover.jpg Front cover from The Face, September 1986, no 77 (Hell’s Angels Cover). Lloyd Johnson gold jacket. Photograph © Eamonn McCabe. https://www.studiointernational.com/images/articles/c/club-to-catwalk-2013/11_BLITZ_Westwood.jpg Denim jacket, 'BLITZ', by Levi Strauss & Co., customised by Vivienne Westwood, 1986. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/club-to-catwalk-2013/12_BLITZ_Bowery.jpg Denim jacket, 'BLITZ', by Levi Strauss & Co., customised by Leigh Bowery, 1986. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/club-to-catwalk-2013/9_Cj_JonathanBatcave1983-001.jpg Jonathan Batcave, 1983. © Derek Ridgers https://www.studiointernational.com/images/articles/c/club-to-catwalk-2013/4_T-shirt_Katherine_Hamnett_1984.jpg Silk T-shirt, designed by Katherine Hamnett, 1984. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/club-to-catwalk-2013/1_Scarlett.jpg Bodymap, A/W 1984, Cat in the hat takes a rumble with a techno fish. Model: Scarlett Cannon, 1985. © Monica Curtin. https://www.studiointernational.com/index.php/revitalising-an-old-art-interview-with-fabricio-lopez https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/lopez-12xilocorgrande.jpg Fabricio Lopez. Oco [Hollow], 2013. Woodcut, 175 x 135 cm. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/lopez-03varzea175x135cmxilo2013.jpg Fabricio Lopez. Várzea [Lowland], 2013. Woodcut, 175 x 135 cm. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/lopez-06s_t40x40cmxilo2013-1.jpg Fabricio Lopez. Untitled, 2013. Woodcut, 40 x 40 cm. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/lopez-07s_t40x40cmxilo2013.jpg Fabricio Lopez. Untitled, 2013. Woodcut, 40 x 40 cm. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/lopez-08s_t40x40cmxilo2013.jpg Fabricio Lopez. Untitled, 2013. Woodcut, 40 x 40 cm. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/lopez-09s_t160x180cmmatriz2012.jpg Fabricio Lopez. Untitled, 2013. Woodcut, 160 x 180 cm. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/fabricio-lopez-01.jpg Fabricio Lopez working in his studio in Santos. © Fabricio Lopez. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/fabricio-lopez-in-studio-02.jpg Fabricio Lopez in his studio in Santos. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/fabricio-lopez-in-studio-03.jpg Fabricio Lopez’s studio in Santos. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/lopez-05s_t40x40cmxilo2013-1.jpg Fabricio Lopez. Untitled, 2013. Woodcut, 40 x 40 cm. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/lopez-04s_t40x40cmxilo2013.jpg Fabricio Lopez. Untitled, 2013. Woodcut, 40 x 40 cm. © Fabricio Lopez. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/l/lopez-fabricio-2013/lopez-11xilocorgrande.jpg Fabricio Lopez. Torso e Jardim [Torso and Garden], 2013. Woodcut, 175 x 135 cm. © Fabricio Lopez. Photograph: Everton Ballardin https://www.studiointernational.com/index.php/stay-of-life-in-venice https://www.studiointernational.com/images/articles/v/venice-biennale-2013-2/Jeremy-Deller_.jpg Jeremy Deller. We Sit Starving Amidst our Gold, 2013, Installation view. Photograph: Cristiano Corte. © British Council. Jeremy Deller's British Council commission is at la Biennale di Venezia until 24th November and will tour national venues in 2014. https://www.studiointernational.com/images/articles/v/venice-biennale-2013-2/bedwyr-williams-observatory-starry-messenger.jpg Bedwyr Williams. The Starry Messenger, 2013. https://www.studiointernational.com/images/articles/v/venice-biennale-2013-2/AiWeiWei_1.jpg Ai Weiwei. Bang, 2013. Photograph: Italo Rondinella. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2013-2/Anri-Sala_2.jpg Anri Sala. Ravel Ravel Unravel, 2013. Multi-screen, symphonic film installation. Photograph: Italo Rondinella. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2013-2/FINLANDIA_IR_4921.jpg Annti Laitinen. Falling Trees, 2013. Photograph: Italo Rondinella. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2013-2/Koki-Tanaka_3.jpg Koki Tanaka. Abstract speaking – sharing uncertainty and collectice acts, 2013. Photograph: Italo Rondinella. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2013-2/Simryn-Gill--Let-Go,-Lets-Go-detail1_HR.jpg Simryn Gill. Let Go, Lets Go, 2013 (detail). Photograph: Jenni Carter. https://www.studiointernational.com/images/articles/v/venice-biennale-2013-2/Jaar_2.jpg Alfredo Jaar. Venezia, Venezia, 2013. Installation view. Photograph: Italo Rondinella. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/index.php/experience-the-city-in-four-dimensions-through-the-lense-of-an-artist-at-beppu-onsen https://www.studiointernational.com/images/articles/b/beppu-project-2013/1-satoshi-hirose-beppu-city.jpg Satoshi Hirose. Beppu Mixed Bathing World (image 1). Photograph: Takashi Kubo. © Beppu Contemporary Art Festival https://www.studiointernational.com/images/articles/b/beppu-project-2013/2-satoshi-hirose-beppu-city.jpg Satoshi Hirose. Beppu Mixed Bathing World (image 2). Photograph: Takashi Kubo. © Beppu Contemporary Art Festival https://www.studiointernational.com/images/articles/b/beppu-project-2013/3-satoshi-hirose-beppu-city.jpg Satoshi Hirose. Beppu Mixed Bathing World (image 3). Photograph: Takashi Kubo. © Beppu Contemporary Art Festival https://www.studiointernational.com/images/articles/b/beppu-project-2013/4-satoshi-hirose-beppu-city.jpg Satoshi Hirose. Beppu Mixed Bathing World (image 4). Photograph: Takashi Kubo. © Beppu Contemporary Art Festival https://www.studiointernational.com/images/articles/b/beppu-project-2013/5-satoshi-hirose-beppu-city.jpg Satoshi Hirose. Beppu Mixed Bathing World (image 5). Photograph: Takashi Kubo. © Beppu Contemporary Art Festival https://www.studiointernational.com/images/articles/b/beppu-project-2013/6-satoshi-hirose-beppu-city.jpg Satoshi Hirose. Beppu Mixed Bathing World (image 6). Photograph: Takashi Kubo. © Beppu Contemporary Art Festival https://www.studiointernational.com/images/articles/b/beppu-project-2013/7-satoshi-hirose-beppu-city.jpg Satoshi Hirose. Beppu Mixed Bathing World (image 7). Photograph: Takashi Kubo. © Beppu Contemporary Art Festival https://www.studiointernational.com/images/articles/b/beppu-project-2013/8-satoshi-hirose-beppu-city.jpg Satoshi Hirose. Beppu Mixed Bathing World (image 8). Photograph: Takashi Kubo. © Beppu Contemporary Art Festival https://www.studiointernational.com/index.php/mayor-boris-johnson-unveils-large-blue-hahn-cock https://www.studiointernational.com/images/articles/f/fourth-plinth-2013/hahn-cock-trafalgar-square-london-2.jpg Katharina Fritsch. Hahn/Cock, 2013. View 2. Fourth Plinth, Trafalgar Square, London. © Studio International. https://www.studiointernational.com/index.php/sturtevant-leaps-jumps-and-bumps https://www.studiointernational.com/images/articles/s/sturtevant-2013/sturtevant_MG_3399.jpg Elaine Sturtevant. Installation view, Sturtevant: Leaps Jumps and Bumps. © 2013 Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/s/sturtevant-2013/sturtevant_MG_3513.jpg Elaine Sturtevant. Installation view 2, Sturtevant: Leaps Jumps and Bumps. © 2013 Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/s/sturtevant-2013/sturtevant_MG_3550_365.jpg Elaine Sturtevant. Installation view 3, Sturtevant: Leaps Jumps and Bumps. © 2013 Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/s/sturtevant-2013/Dillinger-Running-Series-1--press-page.jpg Elaine Sturtevant. Dillinger Running Series, 2000. Video installation on rotating platform, 26 min, looped. Installation view Galerie Thaddaeus Ropac, Paris. © 2013 Sturtevant. https://www.studiointernational.com/images/articles/s/sturtevant-2013/Finite-Infinite-(Moderna-Museet)--press-page.jpg Elaine Sturtevant. Finite Infinite, 2010. Video installation, 3 min 35 sec. Installation view Moderna Museet, Stockholm. Photograph: Asa Lundén. © 2013 Sturtevant. https://www.studiointernational.com/images/articles/s/sturtevant-2013/frog-cover--press-page-365.jpg Elaine Sturtevant. Foucault Fold, 2006. Photograph: Loren Muzzey. © 2013 Sturtevant. https://www.studiointernational.com/index.php/visions-of-the-universe https://www.studiointernational.com/images/articles/v/visions-of-the-universe-2013/113237main_image_feature_313_ys_4.jpg Astronauts repairing the Hubble Space Telescope. Endeavour space shuttle, 1993. The Hubble Space Telescope was sent into space in 1990. Orbiting outside the distorting effects of the Earth’s atmosphere, it has taken the most breath-taking images of our universe. This photograph shows astronauts F. Story Musgrave (on the robotic arm) and Jeffrey Hoffman (inside the shuttle) during the first servicing mission, which repaired a flaw in the telescope’s primary mirror. © NASA: http://www.nasa.gov/multimedia/imagegallery/image_feature_313.html https://www.studiointernational.com/images/articles/v/visions-of-the-universe-2013/PIA01299_modest.jpg The Galilean moons: Io, Europa, Ganymede and Callisto. Galileo orbiter spacecraft, 1996–97. Solid-State Imaging (CCD) System Jupiter has over 60 known moons. The four largest, shown here to scale, were first observed by Galileo in 1610. From left to right: Io, the moon closest to Jupiter, is the most volcanically active object in the Solar System; Europa has a smooth icy surface scarred by numerous cracks; Ganymede and Callisto are giants among moons, their surfaces dotted by many impact craters. © NASA/JPL/DLR: http://photojournal.jpl.nasa.gov/catalog/pia01299 https://www.studiointernational.com/images/articles/v/visions-of-the-universe-2013/PIA07740_modest.jpg Hyperion. Cassini orbiter spacecraft, 2005. Imaging Science Subsystem – Narrow Angle (enhanced colour image). This sponge-like object is one of the most bizarre of Saturn’s family of over sixty moons. Over 360 km from end to end, Hyperion is made largely of ice and has the consistency of a loose pile of rubble. Its surface is covered with irregular sharp-edged craters dusted with a mysterious dark material which may have originated on Phoebe, another of Saturn’s moons. © NASA/JPL/Space Science Institute: http://photojournal.jpl.nasa.gov/catalog/PIA07740 https://www.studiointernational.com/images/articles/v/visions-of-the-universe-2013/PIA12489_modest.jpg Bright-layered rock deposits with evidence of ancient water. Mars Reconnaissance Orbiter spacecraft, 2007. High Resolution Imaging Science Experiment (HiRISE) camera. From orbit, just a few hundred kilometres above the surface, spacecraft like NASA’s Mars Global Surveyor and Mars Reconnaissance Orbiter reveal the diverse landscapes of Mars. These include evidence of water in the distant Martian past. © Malin Space Science Systems/MGS/JPL/NASA: http://photojournal.jpl.nasa.gov/catalog/PIA12489 https://www.studiointernational.com/images/articles/v/visions-of-the-universe-2013/saturns-rings-PIA07873.jpg Saturn’s rings. Cassini orbiter spacecraft, 2005. Radio Science Subsystem (enhanced image). This startling view of Saturn’s ring system shows how image-processing techniques can be used to convey scientific information which could not otherwise be seen. Saturn’s clouds are shown in their natural colours but false-colour enhancement has been used to show the density of the icy particles which make up the rings. © NASA/JPL: http://photojournal.jpl.nasa.gov/catalog/pia07873 https://www.studiointernational.com/index.php/david-whitaker https://www.studiointernational.com/images/articles/w/whitaker-david-2013/PIRAMIDS-OF-LIGHT.jpg David Whitaker. Pyramids of Light, 2002/2003. Oil on canvas, 305 x 125 cm. © David Whitaker. Courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/w/whitaker-david-2013/P1060317.jpg David Whitaker. Blue Flame, 1981. Oil on canvas, 244 x 229 cm. © David Whitaker. Courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/w/whitaker-david-2013/blu-pafic.jpg David Whitaker. Blue Pacific, 1975. Oil on canvas, 210 x 243 cm. © David Whitaker. Courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/w/whitaker-david-2013/In-search-od-Moby-Dick.jpg David Whitaker. Moby Dick Series, 1976. Oil on canvas, 77 x 77 cm © David Whitaker. Courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/index.php/bill-traylor https://www.studiointernational.com/images/articles/t/traylor-bill-2013/blue_rabbit.jpg Bill Traylor. Untitled (Blue Rabbit Running), Montgomery 1939–1942. Poster paint and pencil on cardboard, 9 x 11 7/8 in. Louis-Dreyfus Family Collection. https://www.studiointernational.com/images/articles/t/traylor-bill-2013/man_construction_dog.jpg Bill Traylor. Untitled (Man with Cane on Construction, with Dog), Montgomery, 1939–1942. Poster paint, pencil, and colored pencil on cardboard, 14 x 7 in. Louis-Dreyfus Family Collection. https://www.studiointernational.com/images/articles/t/traylor-bill-2013/figure_construction.jpg Bill Traylor. Untitled (Figure: Construction, Black, Brown, Red), Montgomery, 1940–1942. Pencil and poster paint on cardboard, 15 1/8 x 7 1/4 in. Collection of Audrey Heckler. Photograph: Adam Reich. https://www.studiointernational.com/images/articles/t/traylor-bill-2013/dog_red.jpg Bill Traylor. Untitled (Dog on Red Background), Montgomery, 1939–1942. Poster paint and pencil on cardboard, 21 1/2 https://www.studiointernational.com/images/articles/t/traylor-bill-2013/Traylor_1997_114_CMYK.jpg Bill Traylor. Untitled (Exciting Event: House with Figures), Montgomery, Alabama, c1939-1947. Poster paint and pencil on cardboard, 13 1/2 x 13 7/8 in. High Museum of Art, Atlanta, Georgia, T. Marshall Hahn Collection. Photograph: Mike Jensen. https://www.studiointernational.com/images/articles/t/traylor-bill-2013/Traylor_1997_115_CMYK.jpg Bill Traylor. Untitled (Man in Blue Pants), Montgomery, Alabama, c1939-1947. Poster paint, pencil, colored pencil, and charcoal on cardboard, 10 5/8 x 7 1/4 in. High Museum of Art, Atlanta, Georgia, T. Marshall Hahn Collection. Photograph: Mike Jensen. https://www.studiointernational.com/index.php/kengo-kuma https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kengo-kuma-14191_168.jpg Kengo Kuma. Yusuhara Town Hall, Yusuhara, Takaoka, Kochi, Japan © Mitsumasa Fujitsuka. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kengo-kuma-14191_31.jpg Kengo Kuma. Water/Glass, Atami, Shizuoka, Japan © Mitsumasa Fujitsuka. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kengo-kuma-14191_78.jpg Kengo Kuma. Z58, Shanghai, China © Mitsumasa Fujitsuka. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kengo-kuma-14191_80_81.jpg Kengo Kuma. Z58, Shanghai, China © Mitsumasa Fujitsuka https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kengo-kuma-SFrance_101101_0377-D-S-P8b.jpg Kengo Kuma. Glass/Wood, New Canaan, Connecticut © Scott Frances. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kengo-kuma-lotus_house_02.jpg Kengo Kuma. Lotus House, Eastern Japan © Daici Ano. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kengo-kuma-nakagawa_05.jpg Kengo Kuma. Nakagawa-Machi Bato Hiroshige Museum, Nasu, Tochigi, Japan © Taku Hata. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kengo-kuma-prostho_03.jpg Kengo Kuma. GC Prostho Museum, Kasugai, Aichi, Japan © Daici Ano. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kengo-kuma-zarp_046.jpg Kengo Kuma. Museum of Wisdom, Chengdu, China © Daici Ano. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/Sou-Fujimoto-serpentine-pavilion.jpg Sou Fujimoto. Serpentine Gallery Pavilion 2013. 

© Sou Fujimoto Architects. 
Image © 2013 Iwan Baan. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/Sou-Fujimoto-concept-sketch.jpg Sou Fujimoto. Sketch of Serpentine Gallery Pavilion 2013. 

© Sou Fujimoto Architects. 
Image © 2013 Iwan Baan. https://www.studiointernational.com/images/articles/k/kuma-kengo-2013/kuma-book-cover.jpg Kengo Kuma: Complete Works book cover. https://www.studiointernational.com/index.php/date-with-fate https://www.studiointernational.com/images/articles/d/date-with-fate-at-the-tate-1971/ehrenburg-a-date-with-fate-at-the-tate.jpg Felipe Ehrenberg. A Date with Fate at The Tate, 1970. From left to right: artists Stuart Brisley, Felipe Ehrenberg, gallerist Sigi Krauss and artist John Plant. Courtesy of the Artist and Baro Gallery, Sao Paulo. Photograph: Philippe Mora. Audio Recording 14 min 37 sec. https://www.studiointernational.com/index.php/peter-doig-2008 https://www.studiointernational.com/images/articles/d/doig08/cabin_b.jpg Peter Doig. Cabin Essence, 1993–94. Oil on canvas, 230 x 360 cm. Private collection https://www.studiointernational.com/images/articles/d/doig08/jetty_b.jpg Peter Doig. Jetty, 1994. Oil on canvas, 200 x 248 cm. Collection of Mima and César Reyes, Puerto Rico https://www.studiointernational.com/images/articles/d/doig08/man_b.jpg Peter Doig. Man Dressed as Bat, 2004. Oil on paper, 72.4 x 57.8 cm. Courtesy Michael Werner Gallery, New York and Berlin https://www.studiointernational.com/images/articles/d/doig08/milky_way_b.jpg Peter Doig. Milky Way, 1989–90. Oil on canvas, 152 x 203, 5 cm. Artist’s collection https://www.studiointernational.com/images/articles/d/doig08/years_b.jpg Peter Doig. 100 Years Ago, 2001. Oil on canvas, 240 x 360 cm. Centre Pompidou, Paris. Musée national d’art moderne - Centre de création industrielle https://www.studiointernational.com/images/articles/c/cranach/key174_b.jpg Lucas Cranach the Elder. Apollo and Diana, c1526. Oil and tempera on beechwood, 84.6 x 57.2 cm. Her Majesty the Queen, The Royal Collection. Photo: The Royal Collection, 2007 https://www.studiointernational.com/index.php/peter-doig-no-foreign-lands https://www.studiointernational.com/images/articles/d/doig-peter-2013/peter-doig-DOI-140.jpg Peter Doig. Walking Figure by Pool, 2011. Oil on linen, 260 x 200 cm. https://www.studiointernational.com/images/articles/d/doig-peter-2013/peter-doig-DOI-156.jpg Peter Doig. Cricket Painting (Paragrand), 2006-2012. Oil on canvas, 300 x 200 cm. https://www.studiointernational.com/images/articles/d/doig-peter-2013/peter-doig-DOI-157.jpg Peter Doig. Painting for Wall Painters (Prosperity P.o.S.), 2010-2012. Distemper on linen, 240 x 360 cm. https://www.studiointernational.com/images/articles/d/doig-peter-2013/peter-doig-DOI-171.jpg Peter Doig. Grande Riviere, 2001-2002. Oil on canvas, 229 x 358 cm. https://www.studiointernational.com/images/articles/d/doig-peter-2013/peter-doig-DOI-70.jpg Peter Doig. Ping Pong, 2006-2008. Oil on canvas, 240 x 360 cm. https://www.studiointernational.com/index.php/man-ray https://www.studiointernational.com/images/articles/r/ray-man-2013/046-Man-Ray-Barbette-double-exposure.jpg Man Ray. Barbette, 1926. The J. Paul Getty Museum, Los Angeles. https://www.studiointernational.com/images/articles/r/ray-man-2013/090-Man-Ray-Solarized-portrait-of-Lee-Miller.jpg Man Ray. Solarised Portrait of Lee Miller, c1929. The Penrose Collection. Image courtesy the Lee Miller Archives. https://www.studiointernational.com/images/articles/r/ray-man-2013/101-Man-Ray-Man-Ray-Self-Portrait-with-Camera.jpg Man Ray. Self-Portrait with Camera, 1930. The Jewish Museum, New York. https://www.studiointernational.com/images/articles/r/ray-man-2013/134-Man-Ray-Juliet-with-headdress.jpg Man Ray. Juliet with Brazilian Headdress, 1945. The J. Paul Getty Museum, Los Angeles. https://www.studiointernational.com/images/articles/r/ray-man-2013/145-Man-Ray-Juliet.jpg Man Ray. Juliet, 1947. Collection Timothy Baum, New York. https://www.studiointernational.com/images/articles/r/ray-man-2013/150-Man-Ray-Ava-Gardner.jpg Man Ray. Ava Gardner in Costume for Albert Lewin's Pandora and the Flying Duchman, 1950. Collection Man Ray Trust. https://www.studiointernational.com/images/articles/r/ray-man-2013/153-Man-Ray-Catherine-Deneuve.jpg Man Ray. Catherine Deneuve, 1968. Private collection. https://www.studiointernational.com/index.php/gary-hume https://www.studiointernational.com/images/articles/h/hume-gary-2013/blackbird_0.jpg Gary Hume.Blackbird, 1998. Private collection, London. https://www.studiointernational.com/images/articles/h/hume-gary-2013/hume-gary-id_013rt1_copy_1.jpg Gary Hume. Tulips, 2009. Private collection, courtesy Matthew Marks Gallery https://www.studiointernational.com/images/articles/h/hume-gary-2013/hume-gary-id_018rt1_copy_1.jpg Gary Hume. The Cradle, 2011. Private collection. © Gary Hume. https://www.studiointernational.com/images/articles/h/hume-gary-2013/gary-hume-entrance-doors-tate-britain.jpg Gary Hume. Entrance doors to exhibition, Tate Britain, 2013. Photograph: Giorgio Bruni. © Studio International https://www.studiointernational.com/images/articles/h/hume-gary-2013/gary-hume-mother-and-child.jpg Gary Hume. Young Mother and Child, 2001. The Cranford Collection. Photograph: Giorgio Bruni. © Studio International https://www.studiointernational.com/index.php/all-i-have-learned-and-forgotten-again https://www.studiointernational.com/images/articles/n/nordstrom-jochum-2013/nordstrom-jochum-069.jpg Jockum Nordström. Installation view. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/n/nordstrom-jochum-2013/nordstrom-jochum-072.jpg Jockum Nordström. Installation view 2. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/n/nordstrom-jochum-2013/nordstrom-jochum-074.jpg Jockum Nordström. Installation view 3. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/n/nordstrom-jochum-2013/nordstrom-jochum-084.jpg Jockum Nordström. Installation view 4. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/index.php/emma-hart https://www.studiointernational.com/images/articles/h/hart-emma-2013/Emma-Hart-005.jpg Emma Hart. Dirty Looks, installation view. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/hart-emma-2013/Emma-Hart-028.jpg Emma Hart. Dirty Looks, installation view 2. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/hart-emma-2013/Emma-Hart-034.jpg Emma Hart. Dirty Looks, installation view 3. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/hart-emma-2013/Emma-Hart-037.jpg Emma Hart. Dirty Looks, installation view 4. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/hart-emma-2013/Emma-Hart-040.jpg Emma Hart. Dirty Looks, installation view 5. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/hart-emma-2013/Emma-Hart-050-230.jpg Emma Hart. Dirty Looks, installation view 6. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate. https://www.studiointernational.com/index.php/american-modern-a-canon-revived https://www.studiointernational.com/images/articles/a/american-modern-2013/Charles-Sheeler-Self-Portrait-1923.jpg Charles Sheeler. Self-Portrait, 1923. Conté crayon, gouache, and pencil on paper, 50.1 x 65.2 cm. Gift of Abby Aldrich Rockefeller, 1935. https://www.studiointernational.com/images/articles/a/american-modern-2013/Joseph-Stella-Factories-1918.jpg Joseph Stella. Factories, 1918. Oil on burlap, 142.2 x 116.8 cm. Acquired through the Lillie P. Bliss Bequest, 1943. https://www.studiointernational.com/images/articles/a/american-modern-2013/hopper.jpg Edward Hopper. House by the Railroad, 1925. Oil on canvas. 61 x 73.7 cm. The Museum of Modern Art, New York. Given anonymously. Digital Image © The Museum of Modern Art, New York, Digital Imaging Studio. https://www.studiointernational.com/images/articles/a/american-modern-2013/marin.jpg John Marin. Lower Manhattan (Composing Derived from Top of Woolworth), 1922. Gouache and charcoal with paper cut out attached with thread on paper. 54.5 x 67.5 cm. The Museum of Modern Art, New York. Acquired through the Lillie P. Bliss Bequest. © 2013 Estate of John Marin/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/a/american-modern-2013/bellows.jpg George Bellows. Dempsey and Firpo, 1923-24. Lithograph composition: 46 x 56.9 cm, sheet: 57.8 x 66 cm. Publisher: probably the artist, New York Printer: Bolton Brown, New York. Edition: 103. The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund Digital Image © The Museum of Modern Art, New York, Digital Imaging Studio. https://www.studiointernational.com/images/articles/a/american-modern-2013/ault.jpg George Ault. New Moon, New York, 1945. Oil on canvas, 71.1 x 50.8 cm. The Museum of Modern Art, New York. Gift of Mr. and Mrs. Leslie Ault. https://www.studiointernational.com/images/articles/a/american-modern-2013/burchfield_firsthepaticas.jpg Charles Burchfield. The First Hepaticas, 1917–18. Watercolour, gouache, and pencil on paper, 54.6 x 69.8 cm. The Museum of Modern Art, New York. Gift of Abby Aldrich Rockefeller. Reproduced with permission of the Charles E. Burchfield Foundation. https://www.studiointernational.com/images/articles/a/american-modern-2013/dove.jpg Arthur Dove. Willows, 1940. Oil on canvas. 63.5 x 88.9 cm. The Museum of Modern Art, New York. Gift of Duncan Phillips. ©The Estate of Arthur G. Dove, courtesy Terry Dintenfass, Inc. https://www.studiointernational.com/images/articles/a/american-modern-2013/spencer.jpg Niles Spencer. City Walls, 1921/22. Oil on canvas, 100 x 73 cm. The Museum of Modern Art, New York. Given anonymously (by exchange). ©2013 Niles Spencer. https://www.studiointernational.com/images/articles/a/american-modern-2013/stettheimer.jpg Florine Stettheimer. Family Portrait, II, 1933. Oil on canvas in artist’s frame, 117.4 x 164 cm. The Museum of Modern Art, New York. Gift of Miss Ettie Stettheimer. © Estate of Florine Stettheimer. https://www.studiointernational.com/images/articles/a/american-modern-2013/wyeth.jpg Andrew Wyeth. Christina’s World, 1948. Tempera on panel. 81.9 x 121.3 cm. The Museum of Modern Art, New York. Purchase. © Andrew Wyeth. https://www.studiointernational.com/images/articles/a/american-modern-2013/okeeffe-Evening-Star,-No-III-1917.jpg Georgia O'Keeffe. Evening Star, No. III, 1917. Watercolour on paper mounted on board, 22.7 x 30.4 cm. Mr and Mrs Donald B Straus Fund. © 2013 The Georgia O'Keeffe Foundation/Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/le-corbusier-an-atlas-of-modern-landscapes https://www.studiointernational.com/images/articles/l/le-corbusier-2013/Le-Corbusier-Parthenon,-Athens-1911.jpg Le Corbusier (Charles-Edouard Jeanneret). Parthenon, Athens. 1911. Perspective of the colonnade and the landscape. Watercolour, gouache, and pencil on paper. 38.3 x 38.5 cm. Fondation Le Corbusier, Paris. © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris/FLC. https://www.studiointernational.com/images/articles/l/le-corbusier-2013/le-corbusier-Urban-plan-for-Rio-de-Janeiro-1929.jpg Le Corbusier (Charles-Édouard Jeanneret). Urban plan for Rio de Janeiro. 1929. Aerial perspective with Guanabara Bay, the centre and the beaches. Charcoal and pastel on paper. 76 x 80.5 cm. Fondation Le Corbusier, Paris. © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris/FLC. https://www.studiointernational.com/images/articles/l/le-corbusier-2013/le-corbusier_installview4.jpg Installation view of the exhibition Le Corbusier: An Atlas of Modern Landscapes. June 15–September 23, 2013. © 2013 The Museum of Modern Art, New York. Photograph: Jonathan Muzikar. https://www.studiointernational.com/images/articles/l/le-corbusier-2013/Le-Corbusier-Assembly,-Chandigarh-1961-64.jpg Le Corbusier (Charles-Édouard Jeanneret). Assembly, Chandigarh. 1961-64. Model of the roof structure, 1964. Plaster and painted wood. 81 x 114.5 x 115.5 cm. The Museum of Modern Art. Gift of Barbara Jakobson and the Architecture & Design Purchase Fund, 2010. © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris/FLC. https://www.studiointernational.com/images/articles/l/le-corbusier-2013/Aircraft-by-Le-Corbusier-1935.jpg Aircraft by Le Corbusier, published in The Studio, London, with Studio Publications Inc, New York, 1935. This work was commissioned by Studio Ltd, London in respect of Le Corbusier’s special enthusiasm for aircraft, and is now a rare collectors’ item. https://www.studiointernational.com/images/articles/l/le-corbusier-2013/Studio-International-vol-200-No-1018-1987-cover.jpg Le Corbusier. The cover of Studio International, November 1987 (Vol 200, No 1018). The drawing (executry of Mrs Natalia Stucley) was made during a stay in the family’s home in Spain (1928) and had never previously been published in Studio International. https://www.studiointernational.com/images/articles/l/le-corbusier-2013/corbucoverfinal.jpg Le Corbusier: An Atlas of Modern Landscapes, edited by Jean Louis-Cohen. (Accompanying the exhibition of the same name at The Museum of Modern Art, New York, 15 June – 23 September 2013). Published by Thames & Hudson, London and New York, July 2013 https://www.studiointernational.com/index.php/on-top-of-two-empires-xu-longsen https://www.studiointernational.com/images/articles/x/xu-longsen-2011/img_9447-b.jpg Xu Longsen. On Top of Two Empires, 2011. Gallery views. Museum of Roman Civilization, Rome. Courtesy Beyond Art Space, Beijing. https://www.studiointernational.com/images/articles/x/xu-longsen-2011/img_8562-b.jpg Xu Longsen. On Top of Two Empires, 2011. Gallery views. Museum of Roman Civilization, Rome. Courtesy Beyond Art Space, Beijing. https://www.studiointernational.com/images/articles/x/xu-longsen-2011/xu-longsen-alvasariph-img_2318-b.jpg Xu Longsen. On Top of Two Empires, 2011. Gallery views. Museum of Roman Civilization, Rome. Courtesy Beyond Art Space, Beijing. https://www.studiointernational.com/images/articles/x/xu-longsen-2011/xu-longsen-alvasariph-img_2328-b.jpg Xu Longsen. On Top of Two Empires, 2011. Gallery views. Museum of Roman Civilization, Rome. Courtesy Beyond Art Space, Beijing. https://www.studiointernational.com/images/articles/x/xu-longsen-2011/xu-longsen-alvasariph-img_2359-b.jpg Xu Longsen. On Top of Two Empires, 2011. Gallery views. Museum of Roman Civilization, Rome. Courtesy Beyond Art Space, Beijing. https://www.studiointernational.com/images/articles/x/xu-longsen-2011/xu-longsen-alvasariph-img_2358-1-b.jpg Xu Longsen. On Top of Two Empires, 2011. Gallery views. Museum of Roman Civilization, Rome. Courtesy Beyond Art Space, Beijing. https://www.studiointernational.com/index.php/george-gittoes https://www.studiointernational.com/images/articles/g/gittoes-george-2013/gittoes-4.jpg George Gittoes. Blood & Tears, 1997. Oil on canvas, 120 x 67 1/2 in. https://www.studiointernational.com/images/articles/g/gittoes-george-2013/gittoes-3.jpg George Gittoes. Assumption (triptych), 2010. Oil on canvas, [overall] 78 3/4 x 261 in. https://www.studiointernational.com/images/articles/g/gittoes-george-2013/gittoes_MG_3380-Edit.jpg George Gittoes. American Soldier, 2002. Oil on canvas, 115 x 78 in. https://www.studiointernational.com/images/articles/g/gittoes-george-2013/George-Gittoes-shit-1997.jpg George Gittoes. Shit, 1997. Oil on canvas, 120 x 68 in. https://www.studiointernational.com/images/articles/g/gittoes-george-2013/George-Gittoes-Peshwar-2007.jpg George Gittoes. Peshawar, Pakistan, 2007. Ink and mixed media on paper. https://www.studiointernational.com/index.php/witches-and-wicked-bodies https://www.studiointernational.com/images/articles/w/witches-and-wicked-bodies-2013/Franz-Franken-Witches-Sabbath-1606.jpg Frans Francken II. Witches' Sabbath, 1606. Oil on oak panel. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/w/witches-and-wicked-bodies-2013/John_William_Waterhouse.jpg John William Waterhouse. The Magic Circle, 1886. Oil on canvas, 182.9 x 127 cm. © Tate, London. https://www.studiointernational.com/images/articles/w/witches-and-wicked-bodies-2013/Salvator-Rosa,-Witches-at-their-Incantations-(Scene-of-Witchcraft)--(c)-National-Gallery,-London.jpg Salvator Rosa (1615–73). Witches at their Incantations (Scene of Witchcraft) c. 1646. Oil on canvas, 72.5 x 132.5 cm. © National Gallery, London. https://www.studiointernational.com/images/articles/w/witches-and-wicked-bodies-2013/Salvator-Rosa,-Witches-at-their-Incantations-(Scene-of-Witchcraft)--(c)-National-Gallery,-London-detail.jpg Salvator Rosa (1615–73). Witches at their Incantations (Scene of Witchcraft) c. 1646 (detail). Oil on canvas, 72.5 x 132.5 cm. © National Gallery, London. https://www.studiointernational.com/images/articles/w/witches-and-wicked-bodies-2013/The-Four-Witches,-Durer.jpg Albrecht Dürer. The Four Witches (Bartsch No. 75 (89)). Engraving on paper 19 x 13.1 cm. © National Galleries of Scotland. https://www.studiointernational.com/images/articles/w/witches-and-wicked-bodies-2013/The-Witches-Rout-(The-Carcass),-Agostino-Veneziano.jpg Agostino Veneziano; after Raphael (Rafaello Santi). The Witches Rout (The Carcass). Engraving on paper 30.7 x 64.8 cm. © National Galleries of Scotland. https://www.studiointernational.com/images/articles/w/witches-and-wicked-bodies-2013/Three-Weird-Sisters-from-Macbeth.jpg Henry Fuseli. Three Weird Sisters from Macbeth, 1785. Mezzotint on paper, 45.7 x 55.8 cm. © British Museum. https://www.studiointernational.com/images/articles/w/witches-and-wicked-bodies-2013/William-Blake-The-Whore-of-Babylon,-1809.jpg William Blake. The Whore of Babylon, 1809. Pen and black ink and watercolours, 26.6 x 22.3 cm. © The Trustees of the British Museum. https://www.studiointernational.com/index.php/the-universal-addressability-of-dumb-things https://www.studiointernational.com/images/articles/d/dumb-things-2013/Cyberman-Helmet,-1985.jpg Cyberman Helmet, 1985. Courtesy Chris Balcombe. Photograph: Chris Balcombe. https://www.studiointernational.com/images/articles/d/dumb-things-2013/David-Brognon-(the-Plug)-&-Stephanie-Rollin,-Uterus-Vase-(2008).jpg David Brognon (the Plug) & Stephanie Rollin, Uterus Vase (2008). Courtesy of the artists. Photograph ©Andres Lejo 2012. https://www.studiointernational.com/images/articles/d/dumb-things-2013/David-Musgrave,-Animal,-1998.jpg David Musgrave, Animal (1998). Courtesy Greengrassi, London. Photograph: Marcus Leith. © the artist. https://www.studiointernational.com/images/articles/d/dumb-things-2013/Francois-Dallegret-Teds-Opera-Cosmic-Space-Suit,-1968.jpg Francois Dallegret, Ted's Opera Cosmic Space Suit, 1968. Courtesy the artist. © the artist. https://www.studiointernational.com/images/articles/d/dumb-things-2013/Hand-Reliquary_1250-1300.jpg Hand reliquary, 1250-1300. Courtesy Victoria and Albert Museum. https://www.studiointernational.com/images/articles/d/dumb-things-2013/Miroslav-Tichy,-Homemade-camera.jpg Miroslav Tichy’s Homemade Camera. Courtesy Foundation Tichy Ocean. Photograph © Roman Buxbaum, 1987. https://www.studiointernational.com/images/articles/d/dumb-things-2013/Model-of-a-cat-to-test-reflexes.jpg Model of a cat to test reflexes. © Science Museum https://www.studiointernational.com/images/articles/d/dumb-things-2013/Singing-Gargoyle,-England,-c.jpg Singing Gargoyle, England, c. 1200. Courtesy of Sam Fogg, London. https://www.studiointernational.com/images/articles/d/dumb-things-2013/Temple-Grandin_Squeeze-Machine_1965_In-cooperation-with-noted-researcher-and-author-Temple-Grandin_Therafin-Corporation-manufactures-the-SQUEEZE-MACHINE.jpg Temple Grandin, Squeeze Machine, 1965, In cooperation with noted researcher and author Temple Grandin. Therafin Corporation manufactures the SQUEEZE MACHINE. © Therafin Corporation Ltd 2012. https://www.studiointernational.com/images/articles/d/dumb-things-2013/Woofer_Design-by-Sander-Mulder.jpg Woofer Design by Sander Mulder. © Sander Mulder. https://www.studiointernational.com/images/articles/d/dumb-things-2013/Installation-view-DSC_3906.jpg Universal Addressability of Dumb Things Curated by Mark Leckey. Installation view. https://www.studiointernational.com/index.php/imran-qureshi-at-the-met https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/imran-qureshi-roof-garden-at-the-MET-DSC03390.jpg Imran Qureshi. The Roof Garden Commission, The Metropolitan Museum of Art, New York City. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/imran-qureshi-roof-garden-at-the-MET-DSC03380.jpg Imran Qureshi. The Roof Garden Commission, The Metropolitan Museum of Art, New York City. View 2. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/imran-qureshi-roof-garden-at-the-MET-DSC03389.jpg Imran Qureshi. The Roof Garden Commission, The Metropolitan Museum of Art, New York City. View 3. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/imran-qureshi-roof-garden-at-the-MET-DSC03395.jpg Imran Qureshi. The Roof Garden Commission, The Metropolitan Museum of Art, New York City. View 4. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/Moderate-enlighntenment,-2007_sm.jpg Imran Qureshi. Moderate Enlightenment. Ink, gouache, and watercolour on cardstock. 20 × 13.5 cm. Private collection, New York. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/This-leprous-brightness.jpg Imran Qureshi. This Leprous Brightness. Gouache and metallic paint on cardstock, 42 × 30 cm. Private collection, London, promised gift to the British Museum. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/Threatened-2010_sm.jpg Imran Qureshi. Threatened. Ink, gouache, watercolour, and metallic paint on cardstock, 33 × 24 cm. Collection of Ali and Amna Naqvi. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/moderate-enlightenment,-2009,-220-x-160mm_sm.jpg Imran Qureshi. Moderate Enlightenment. Ink, gouache, watercolour, and metallic paint on cardstock, 22 × 16 cm. Collection of Ali and Amna Naqvi. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/Beware the Buyers_sm.jpg Imran Qureshi. Beware the Buyers. Gouache on pasted papers, 17.2 × 28 cm. Collection of Shaila and Mamoon Zamir. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/Easy-Cutting.jpg Imran Qureshi. Easy Cutting. Ink, gouache, gold leaf and cut and pasted paper on cardstock, 34.3 × 19.4 cm. Purchase, Robert B. and Emilie W. Betts Foundation Gift, 2013. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/Military-Pantaloon.jpg Imran Qureshi. How To Cut The Front Of An Artillery Pantaloon. Ink, gouache and cut and pasted paper on layered paper, 28.9 × 21 cm. Purchase, Robert B. and Emilie W. Betts Foundation Gift, 2013. https://www.studiointernational.com/images/articles/q/qureshi-imran-2013/Moderate-Enlightenment,-2009,-285x-235mm.jpg Imran Qureshi. Moderate Enlightenment. Ink, gouache, and watercolour on cardstock. 28.5 × 23.5 cm. Collection of Aisha Khalid, Lahore. https://www.studiointernational.com/index.php/charles-esche https://www.studiointernational.com/images/articles/e/esche-charles-2013/Charles-Esche_photo_by_Sofia-Colucci_08_in-the-pavilion.jpg Charles Esche in the São Paulo Biennial Pavilion. Photograph: Sofia Colucci. Courtesy of Fundação Bienal de São Paulo. https://www.studiointernational.com/images/articles/e/esche-charles-2013/Bienal_Foto-Andreas-Otero_2-inside.jpg São Paulo Biennial Pavilion. Photograph: Andreas Otero. Courtesy of Fundação Bienal de São Paulo. https://www.studiointernational.com/images/articles/e/esche-charles-2013/Bienal_Foto-Andreas-Otero-from-outside.jpg São Paulo Biennial Pavilion (external view). Photograph: Andreas Otero. Courtesy of Fundação Bienal de São Paulo. https://www.studiointernational.com/index.php/the-birth-of-cinema https://www.studiointernational.com/images/articles/b/birth-of-cinema-2013/ARG-Florence-2012.jpg Aída Rubio González. Florence, 2013. Oil on canvas, 146 x 195 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/b/birth-of-cinema-2013/Antonio-Joli-Modena.jpg Antonio Joli (1700-1777). Campo Vaccino. Oil on canvas, 120 x 170 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/b/birth-of-cinema-2013/CL-Those-Who-Remain-The-Fall-2013.jpg Cesare Lucchini. Those who remain - the fall, 2013. Oil on canvas, 180 x 243 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/b/birth-of-cinema-2013/FATMA-BUCAK-Blessed-are-you-who-come-Still-IV.jpg Fatma Bucak. Blessed are you who come. HD Video, 8:42 minutes. Edition of 3. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/b/birth-of-cinema-2013/Ferrau-Fenzoni-(1562-1645)-Christ-Nailed-to-the-Cross.jpg Ferrau Fenzoni (1562-1645). Christ nailed to the cross. Oil on canvas, 106 x 145 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/b/birth-of-cinema-2013/Gideon-Kiefer,-The-Solemn-Moment-2013.jpg Gideon Kiefer. The solemn moment, 2013. Pencil and goache on a book cover, 26 x 16.5 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/b/birth-of-cinema-2013/Lanfranco-Quadrio,-Death-of-Acteon,-2013.jpg Lanfranco Quadrio. The death of actaeon, 2013. Mixed media on canvas, 200 x 148 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/images/articles/b/birth-of-cinema-2013/Robert-Muntean,-Your-life-was-into-my-mouth,-2013.jpg Robert Muntean. Your life was in my mouth, 2013. Oil on canvas, 200 x 240 cm. Courtesy Rosenfeld Porcini. https://www.studiointernational.com/index.php/the-photographic-world-of-the-gao-brothers https://www.studiointernational.com/images/articles/g/gao-brothers-2013/A-New-World-of-Nuclear-Cloud-Shape-2008.jpg Gao Zhen and Gao Qiang (The Gao Brothers). A New World of Nuclear Cloud Shape, 2008. Photograph, 180 x 247 cm. Image courtesy of Hua Gallery, London. https://www.studiointernational.com/images/articles/g/gao-brothers-2013/Sense-of-Space-Wake.jpg Gao Zhen and Gao Qiang (The Gao Brothers). Sense of Space, 2000. Photograph, 99.1 x 80 cm. Image courtesy of Hua Gallery, London. https://www.studiointernational.com/images/articles/g/gao-brothers-2013/Echo.jpg Gao Zhen and Gao Qiang (The Gao Brothers). Echo, 2002. Photograph, 125 x 150 cm. Image courtesy of Hua Gallery, London. https://www.studiointernational.com/images/articles/g/gao-brothers-2013/Outer-Space-Project-Map-of-China-220x180cm-2008.jpg Gao Zhen and Gao Qiang (The Gao Brothers). In Outerspace – Map of China, 2008. Photograph, 220 x 180 cm. Image courtesy of Hua Gallery, London. https://www.studiointernational.com/images/articles/g/gao-brothers-2013/The-Forever-Unfinished-Building-No.jpg Gao Zhen and Gao Qiang (The Gao Brothers). The Forever Unfinished Building No.2, 2005. Photograph, 120 x 398 cm. Image courtesy of Hua Gallery, London. https://www.studiointernational.com/index.php/moving-beyond https://www.studiointernational.com/images/articles/m/moving-beyond-2013/Guan-Jingjing-remnant-mountain.jpg Guan Jingjing. Remnant mountain 13-04, 2013. Tempera on canvas, 80 x 80 cm. https://www.studiointernational.com/images/articles/m/moving-beyond-2013/He-Gong-Dance-of-Zeus-2011.jpg He Gong. Dance Of Zeus, 2011. Acrylic on canvas, 200 x 300 cm. https://www.studiointernational.com/images/articles/m/moving-beyond-2013/Liu-Guofu-Monologue-03.jpg Liu Guofu. Monologue-03, 2010. Oil on canvas, 180 x 150 cm. https://www.studiointernational.com/images/articles/m/moving-beyond-2013/Wu-Jian-distant-view-2012-detail.jpg Wu Jian. Distant view, 2012. Oil on canvas, 90 x 260 cm. https://www.studiointernational.com/images/articles/m/moving-beyond-2013/Yang-Liming-2013-NO-1R-120X90CM.jpg Yang Liming. NO.1r, 2013. Oil on canvas, 120 x 90 cm. https://www.studiointernational.com/images/articles/m/moving-beyond-2013/Liang-Quan-Fresh-Tea-2010.jpg Liang Quan. Fresh Tea, 2010. Tea, colour, ink and rice paper collage, 90 x 60 cm. https://www.studiointernational.com/index.php/calligraffiti https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Jinchi_Pouran_Transparency-18_2012.jpg Pouran Jinchi. Transparency #18, 2012. Plexiglas and permanent marker, 4 x 3 in (10.2 x 7.6 cm). https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Twombly_Untitled_1971_Lithograph_21.6x29.5in.jpg Cy Twombly. Untitled (Study for "Triumph of Love"), 1961. Coloured pencil and graphite paper, 8.5 x 11 in (21.6 x 27.9 cm). Courtesy of Beth Rudin DeWoody, New York. https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Rostarr_Eclipse-Mars-II_2012_sumi-and-watercolor-ink-on-handmade-paper_29.5x29.5in-74.93x74.93cm.jpg ROSTARR. Eclipse Mars II, 2012. Sumi and watercolour ink on handmade paper, 29.5 x 29.5 in (74.93 x 74.93 cm). https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Alkadhi_Ayad_If-Words-Could-Kill-III_2013_Mixed-media-on-heavy-paper_30x37in-76.2x93.98cm_hires.jpg Ayad Alkadhi. If Words Could Kill III, 2013. Mixed media on heavy paper, 30 x 37 in (76.2 x 94 cm). https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Baziotes-framed.jpg William Baziotes. Untitled, c.1940s. Oil on board, 20 x 15 in (50.8 x 38.1 cm). https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Charles-Hossein-Zenderoudi,-Untitled,-1972,-Oil-on-canvas,-76-x-51-in.jpg Hossein Zenderoudi. Untitled, 1972. Oil on canvas, 77 x 52 in (195.5 x 132.1 cm). © 2013 Artists Right Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Grid27.jpg Hadieh Shafie. Grid 27, 2013. Ink and acrylic on Arches paper, 29.5 x 41 in (75 x 104 cm). https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Krasner_Lee_Water-No.-18_1969_Gouache-on-Howell-Paper_19x15in_hires.jpg Lee Krasner. Water No. 18, 1969. Gouache on Howell Paper, 19 x 15 in (48.25 x 38.1 cm). © 2013 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Mafi_Reza_Untitled_1974_Ink-and-oil-on-canvas_39-x-30-in_99.06-x-76.2-cm.jpg Reza Mafi. Untitled, 1974. Ink and oil on canvas, 39 x 30 in (99.06 x 76.2 cm). https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Moshiri_Farhad_Untitled-.jpg Farhad Moshiri. Untitled (My Heart is Your Love's Play Toy), 2004. Oil in canvas, 57 x 44 in (144.8 x 111.8 cm). https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Steir_Pat_UNTITLED_2004_Ink-and-pencil-on-paper_60-1-2-x-24-in_153.7-x-61-cm_hires.jpg Pat Steir. Untitled, 2004. Ink and paper on pencil, 60.5 x 24 in (153.7 x 61 cm). Courtesy of the artist, Leila Heller Gallery, and Cheim & Reid, New York. Photograph courtesy of Cheim & Read, New York. https://www.studiointernational.com/images/articles/c/calligraffiti-2013/Tobey_Mark_Calligraphy.jpg Mark Tobey. Calligraphic, 1956. Ink on paper, 17.75 x 11.5in (45.09 x 29.21 cm). https://www.studiointernational.com/images/articles/c/calligraffiti-2013/eL-Seed_Untitled_2013_Acrylic-on-Canvas_190-x-130-cm_hires.jpg eL Seed. The shape of the city changes faster than the heart of a human being, 2013. Acrylic on canvas, 74.8 x 51.2 in (190 x 130 cm). Courtesy Ouahid Berrehouma / itinerrance GALLERY. https://www.studiointernational.com/index.php/nam-june-paik https://www.studiointernational.com/images/articles/n/nam-june-paik-2013/MercebyMercebyPaik.jpg Nam June Paik. Merce by Merce by Paik, Part One (still) 1978. Video, colour. Nam Photograph: June Paik Art Center © Nam June Paik Estate. https://www.studiointernational.com/images/articles/n/nam-june-paik-2013/OperaSextronique.jpg Nam June Paik. Opera Sextronique 1967. Video, colour, silent. Photograph: Nam June Paik Art Center © Nam June Paik Estate. https://www.studiointernational.com/images/articles/n/nam-june-paik-2013/Talbot-Rice_Transmitted-Live_Nam-June-Paik-Resounds-Wed-24th-Jul-13_06.jpg Nam June Paik. Video Chandelier No.1, (detail) 1989. Video Sculpture. Photograph: Chris Park © Talbot Rice Gallery. https://www.studiointernational.com/images/articles/n/nam-june-paik-2013/Talbot-Rice_Transmitted-Live_Nam-June-Paik-15a.jpg Nam June Paik. Clockwise from top: Hommage à John Cage, 1958-62; Random Access, 1967-68; Symphony No.5, 1976 [1965]; Symphony No.6, 1980. https://www.studiointernational.com/images/articles/n/nam-june-paik-2013/Talbot-Rice_Transmitted-Live_Nam-June-Paik-Resounds_15b.jpg Top: Nam June Paik and Charlotte Moorman with TV Bra for Living Sculpture, 1969. Photograph, Peter Moore (c) Estate of Peter Moore/VAGA, New York. Below: Charlotte Moorman's TV Cello performance for Music of Time: Encounter with Korea at WDR, Cologne 1980. Photograph: © Erik Andersch. https://www.studiointernational.com/images/articles/n/nam-june-paik-2013/Talbot-Rice_Transmitted-Live_Nam-June-Paik-Resounds-15c.jpg Nam June Paik. Video Lounge (detail). Photograph: Chris Park © Talbot Rice Gallery. https://www.studiointernational.com/images/articles/n/nam-june-paik-2013/Talbot-Rice_Transmitted-Live_Nam-June-Paik-Resounds_14th-Aug-13_01_22.jpg Nam June Paik. TV Buddha, 2002 [1974]. Video Sculpture. Photograph: Chris Park © Talbot Rice Gallery. https://www.studiointernational.com/index.php/patrick-caulfield https://www.studiointernational.com/images/articles/c/caulfield-hume-2013/caulfield-id_015rt_copy_1.jpg Patrick Caulfield. Café Interior: Afternoon, 1973. Acylic on canvas, 214.6 x 214.6 cm. Private collection https://www.studiointernational.com/images/articles/c/caulfield-hume-2013/caulfield_patrick-p5025_selected_grapes_1981_1.jpg Patrick Caulfield. Selected Grapes, 1981. Acrylic on canvas, 45.7 x 60.8 cm. British Council Collection. https://www.studiointernational.com/images/articles/c/caulfield-hume-2013/Patrick-Caulfield-Braque-Curtain.jpg Patrick Caulfield. Braque curtain, 2005. © The estate of Patrick Caulfield/DACS 2013. Photograph: Giorgio Bruni. https://www.studiointernational.com/images/articles/c/caulfield-hume-2013/patrick-caulfield-pottery-1969-t01134_1.jpg Patrick Caulfield. Pottery, 1969. Tate. Oil on canvas, 213.4 x 152.4 cm © The estate of Patrick Caulfield. https://www.studiointernational.com/index.php/janet-cardiff https://www.studiointernational.com/images/articles/c/cardiff-janet-2013/Janet-Cardiff,-The-Forty-Part-Motet,-View-2.jpg Janet Cardiff. The Forty Part Motet, 2001. View 2. Fuentidueña Chapel at The Cloisters museum and gardens. Image: The Metropolitan Museum of Art/Wilson Santiago. https://www.studiointernational.com/images/articles/c/cardiff-janet-2013/Janet-Cardiff,-The-Forty-Part-Motet,-View-4.jpg Janet Cardiff. The Forty Part Motet, 2001. View 3. Fuentidueña Chapel at The Cloisters museum and gardens. Image: The Metropolitan Museum of Art/Wilson Santiago. https://www.studiointernational.com/images/articles/c/cardiff-janet-2013/Janet-Cardiff,-The-Forty-Part-Motet,-View-5.jpg Janet Cardiff. The Forty Part Motet, 2001. View 4. Fuentidueña Chapel at The Cloisters museum and gardens. Image: The Metropolitan Museum of Art/Wilson Santiago. https://www.studiointernational.com/images/articles/c/cardiff-janet-2013/Janet-Cardiff,-The-Forty-Part-Motet,-View-8.jpg Janet Cardiff. The Forty Part Motet, 2001. View 5. Fuentidueña Chapel at The Cloisters museum and gardens. Image: The Metropolitan Museum of Art/Wilson Santiago. https://www.studiointernational.com/index.php/a-painter-of-sorrows https://www.studiointernational.com/images/articles/c/chagall-marc-2013/Bride-and-Groom-on-Cock.jpg Marc Chagall. The Bride and Groom on Cock, 1939-47. Oil on canvas, 45 5/8 x 35 7/8 in. Collection of Dr. Hubert Burda, Munich. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/c/chagall-marc-2013/Self-Portrait-with-Clock.jpg Marc Chagall. Self-Portrait with Clock, 1947. Oil on canvas, 33 7/8 x 27 7/8 in. Private collection. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/c/chagall-marc-2013/The-Fall-of-the-Angel.jpg Marc Chagall. The Fall of the Angel, 1932-33-47. Oil on canvas, 58 1/4 x 63 3/8 in. Private Collection, on deposit at the Kunstmuseum Basel. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/c/chagall-marc-2013/The-Juggler.jpg Marc Chagall. The Juggler, 1943. Oil on canvas, 43 1/4 x 31 1/8 in. Private collection. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/c/chagall-marc-2013/Time-Is-a-River.jpg Marc Chagall. Time is a River without Banks, 1930-39. Oil on canvas, 39 1/4 x 32 in. Collection of Kathleen Kapnick, New York. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/c/chagall-marc-2013/Chagall-book-cover.jpg Chagall: Love, War and Exile. Co-published by the Jewish Museum and Yale University Press. https://www.studiointernational.com/index.php/alice-aycock https://www.studiointernational.com/images/articles/a/aycock-alice-2013/1-Alice-Aycock-1972-Maze.jpg Alice Aycock. Maze, 192. 12-sided wooden structure of 5 concentric dodecagonal rings, broken by 19 points of entry and 17 barriers; 32 diameter x 6 ft h. Originally sited at Gibney Farm near New Kingston, Pennsylvania, (destroyed 1974) Photo: Silver Spring Township Police Department, Mechanicsburg, PA. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/4-Alice-Aycock-1976-Masonry-Enclosure-Isometric-SectionB.jpg Alice Aycock. Masonry Enclosure: Project for a Doorway – Section, 1976. Graphite on tracing paper, 34 ¼ x 24 in. National Gallery, Washington, DC, Gift of Werner Kramarsky. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/13-Alice-Aycock-2013-HoopLa.jpg Alice Aycock. Hoop-La, 2013. Painted aluminum, 18’ high x 16’6” wide x 24’ long. Edition of 2. To be installed at 53rd street in Spring 2014. Courtesy Alice Aycock / PAPC & Galerie Thomas Schulte, Berlin. Rendering. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/10-Alice-Aycock-2013-Maelstrom.jpg Alice Aycock. Maelstrom, 2013. Painted aluminum, approximately 12’ high x 15’6” w x 67’ long. Edition of 2. To be installed between 52nd and 53rd streets in Spring 2014. Courtesy Alice Aycock / PAPC & Galerie Thomas Schulte, Berlin. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/2-Alice-Aycock-1975-2012-Simple-Network.jpg Alice Aycock. A Simple Network of Underground Wells and Tunnels, 1975/2012. Concrete, wood, earth, approximately 28’ x 50’ x 9’ deep. Originally sited at Merriewold West, Far Hills, New Jersey, (destroyed); Permanently reconstructed at The Fields Omi/Architecture Omi, Ghent, NY, 2011. Photograph: Dave Rittinger. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/3-Alice-Aycock-1975-2012-Simple-Network.jpg Alice Aycock. A Simple Network of Underground Wells and Tunnels, 1975/2012. View 2. Concrete, wood, earth, approximately 28’ x 50’ x 9’ deep. Originally sited at Merriewold West, Far Hills, New Jersey, (destroyed); Permanently reconstructed at The Fields Omi/Architecture Omi, Ghent, NY, 2011. Photograph: Dave Rittinger. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/5-Alice-Aycock-1983-Thousand-And-One-Nights.jpg Alice Aycock. The Thousand and One Nights in the Mansion Of Bliss, Part II, The Fortress Of Utopia (Fata Morgana), 1983 The Glance of Eternity: steel, galvanized sheet metal, Plexiglas, motorized parts; 3 ½ h x 14 w x 15 l ft. The Cookie Cutter: galvanized sheet metal; 4’ high x 12’ wide x 10’ long. The Loop to Loop: four elements- steel; 12’ high x 2 ½’ wide x 60’ long Camera Obscura: steel, brass, Styrofoam, plaster. Double Somersault: steel and blinking lights. Wave-Making Machines: two elements- painted wood, steel, motorised parts. The Tree of Life: galvanised sheet metal; 10’ high x 14’ wide. General von Hutier’s Infiltration Tactics: red-orange neon lights, steel; 50’ long. Croissant Cutter: steel, 3’ diameter x 10’ long. Photograph: Luigi Kurmann. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/7-Alice-Aycock-1993-Some-Night-Action.jpg Alice Aycock. Some Night Action, 1993. Aluminum, wood, marbles, motorized parts, an undulating ramp down which marbles flow into a spinning star system; 6 h x 17 l x 5 w ft. Clear glass marbles are ejected from a pipe into a bowl and flow down an undulating ramp into a spinning circular dish with slots representing the constellations. The marbles remain in their respective places until they are knocked out of position by other shooting marbles. The marbles fall into a center void, only to be recycled again. Photograph: Tim Lee https://www.studiointernational.com/images/articles/a/aycock-alice-2013/8-Alice-Aycock-2010-Rock-Paper-Scissors.jpg Alice Aycock. Rock, Paper, Scissors (India ’07), 2010. Watercolour and ink on paper, 95 11/16 x 59 ½ in. Miami Art Museum, Gift of Jerry Lindzon, FL. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/9-Alice-Aycock-2011-Devil-Whirlwinds-Gameboard-4RiversRun.jpg Alice Aycock. Devil Whirlwinds on the River’s Run: From the Gameboard Series for 3 Players #3, 2011. Watercolour and ink on paper, 66 x 50 in. Private Collection, FL. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/11-Alice-Aycock-2013-Maelstrom-Module-Three.jpg Alice Aycock. Maelstrom (Module 3), 2013. Painted aluminum; 6’ tall x 30’ wide x 30’ long. Edition of 2. The sculpture is part of the full scale Maelstrom. Temporary installation at LongHouse Reserve, East Hampton, NY, July-Oct. 2013. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/12-Alice-Aycock-2013-Maelstrom-Module-Three.jpg Alice Aycock. Maelstrom (Module 3), 2013. Painted aluminum; 6’ tall x 30’ wide x 30’ long. Edition of 2. The sculpture is part of the full scale Maelstrom. Temporary installation at LongHouse Reserve, East Hampton, NY, July-Oct. 2013. Courtesy Alice Aycock / PAPC & Galerie Thomas Schulte, Berlin. Photograph: Dave Rittinger. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/14-Alice-Aycock-2013-Waltzing-Matilda.jpg Alice Aycock. Waltzing Matilda, 2013. Reinforced fibreglass, Approximately 15’ high x 14’6” wide x 17’6” long. Edition of 2. To be installed at 56th street in Spring 2014. Courtesy Alice Aycock / PAPC & Galerie Thomas Schulte, Berlin. Rendering. https://www.studiointernational.com/images/articles/a/aycock-alice-2013/15-Alice-Aycock-2013-Cyclone-Twist.jpg Alice Aycock. Cyclone Twist, 2013. Painted aluminum, Approximately 27’ high x 14’6” wide x 13’6” long. Edition of 2. To be installed at 57th street in Spring 2014. Temporarily installed at “Beyond the Limits: Sotheby’s at Chatsworth,” Derbyshire, UK, September 2013. Courtesy Alice Aycock / PAPC & Galerie Thomas Schulte, Berlin. Reproduced by permission of Sotheby’s. https://www.studiointernational.com/index.php/black-performance-as-visual-art https://www.studiointernational.com/images/articles/b/black-performance-2013/2_PapoColo_Superman51_1977.jpg Papo Colo. Superman 51, 1977 (video still). VHS transferred to digital video, black and white, silent, TRT 4:08 min. Courtesy the artist [Video on view at both venues]. https://www.studiointernational.com/images/articles/b/black-performance-2013/5_PopeL_EatingWSJ_2000_donotmakeavailablefordownload.jpg Pope L. performing Eating the Wall Street Journal (2000), The Sculpture Center, New York, 2000. Courtesy the artist. Photograph: Lydia Grey. [Installation on view at Grey Art Gallery, NYU]. https://www.studiointernational.com/images/articles/b/black-performance-2013/6_McKenzie_WhileSuppliesLast_2003.jpg Dave McKenzie. While Supplies Last, 2003. Cast polyresin, each 6 x 2 (diameter) in. Courtesy the artist, Susanne Vielmetter Los Angeles Projects, and Wien Lukatsch Gallery. Photograph: Don Quaintance. [On view at The Studio Museum in Harlem]. https://www.studiointernational.com/images/articles/b/black-performance-2013/7_Hancock_Devotion_2013.jpg Trenton Doyle Hancock performing Devotion (2013), Contemporary Arts Museum Houston, January 31, 2013. Courtesy the artist and Contemporary Arts Museum Houston. Photograph: Max Fields. [To be performed at Grey Art Gallery, NYU on November 7, 2013] https://www.studiointernational.com/images/articles/b/black-performance-2013/8_Hoyt_SayItLoud_2004.jpg Satch Hoyt. Say It Loud, 2004. Books, metal staircase, microphone, speakers, and sound, dimensions variable. Courtesy the artist Photograph: Peter Gabriel. [On view at Grey Art Gallery, NYU]. https://www.studiointernational.com/images/articles/b/black-performance-2013/10_AshtonHarris_Hadrian_9_2002.jpg Lyle Ashton Harris. Memoirs of Hadrian #9, 2002. Unique Polaroid, 24 x 20 in. Courtesy the artist and CRG Gallery, New York [On view at Grey Art Gallery, NYU]. https://www.studiointernational.com/images/articles/b/black-performance-2013/11_Girl_MyDreams_2011.jpg Girl (Chitra Ganesh + Simone Leigh). My dreams, my works must wait till after hell…, 2011 (video still), digital video, colour, sound TRT 7:14 min. Courtesy the artists. [Video on view at The Studio Museum in Harlem]. https://www.studiointernational.com/index.php/artrio-2013 https://www.studiointernational.com/images/articles/a/art-rio-2013/ArtRio-2013_-Entrance.jpg ArtRio 2013. Entrance. Photograph: Sergio Greif. https://www.studiointernational.com/images/articles/a/art-rio-2013/ArtRio-2013-_-General-view_-Photo_Paulo-Vitor.jpg ArtRio 2013. General view. Photograph: Paulo Vitor. https://www.studiointernational.com/images/articles/a/art-rio-2013/Art-Rio-2013_-AmareloNegro-gallery.jpg Art Rio 2013. Amarelo Negro Arte Contemporânea Gallery. Photograph: Rafael Adorján. https://www.studiointernational.com/images/articles/a/art-rio-2013/Art-Rio-2013_Aut-Aut-Gallery.jpg Art Rio 2013. Aut Aut Gallery. Photograph: Camila Mello. https://www.studiointernational.com/images/articles/a/art-rio-2013/ArtRio-2013_Julian-Opie-artwork.jpg ArtRio2013. General View: Julian Opie artwork. https://www.studiointernational.com/images/articles/a/art-rio-2013/ArtRio2013_Mercedes-Viegas-Gallery.jpg ArtRio2013. Mercedes Viegas Gallery. Photograph: Rafaela Miranda. https://www.studiointernational.com/images/articles/a/art-rio-2013/ArtRio-2013_-Alexander-Calder-artwork.jpg ArtRio 2013. General View: Alexander Calder artwork. https://www.studiointernational.com/images/articles/a/art-rio-2013/ArtRio-2013_birds_eye-view_Photo_Claudio-Rebelo.jpg ArtRio 2013. Birds-eye view. Photograph: Claudio Rebelo. https://www.studiointernational.com/index.php/australia https://www.studiointernational.com/images/articles/a/australia-2013/Australia_key-121.jpg Sidney Nolan. Ned Kelly, 1946. Enamel on composition board, 90.8 x 121.5 cm. National Gallery of Australia, Canberra. https://www.studiointernational.com/images/articles/a/australia-2013/Key-109_DACS.jpg Charles Meere. Australian Beach Pattern, 1940. Oil on canvas, 91.5 x 122 cm. Art Gallery of New South Wales, purchased 1965. © DACS 2013 https://www.studiointernational.com/images/articles/a/australia-2013/Key-163.jpg Rover Thomas. Cyclone Tracy, 1991. Natural earth pigments and binder on canvas, 168 x 180 cm. National Gallery of Australia, Canberra, purchased 1991. © the artist's estate courtesy Warmun Art Centre https://www.studiointernational.com/images/articles/a/australia-2013/Key-175.jpg Dorothy Napangardi. Sandhills of Mina Mina, 2000. Synthetic polymer paint on canvas, 198 x 122 cm. National Gallery of Australia, Canberra. Purchased 2001. © Dorothy Napangardi. Licensed by Viscopy/DACS https://www.studiointernational.com/images/articles/a/australia-2013/Key-376-c.jpg Shaun Gladwell. Approach to Mundi Mundi, 2007. Production still from two-channel HD video. https://www.studiointernational.com/images/articles/a/australia-2013/Key-40.jpg Eugene von Guérard. Bush Fire, 1859. Oil on canvas, 34.8 x 56.3 cm. Art Gallery of Ballarat. Gift of Lady Currie in memory of her husband, the late Sir Alan Currie, 1948. https://www.studiointernational.com/images/articles/a/australia-2013/Key-59.jpg Tom Roberts. Allegro con brio: Bourke Street west c.1885-86, reworked 1890. Oil on canvas on composition board, 51.2 x 76.7 cm. National Gallery of Australia, Canberra and the National Library of Australia, Canberra. Purchased 1918. https://www.studiointernational.com/images/articles/a/australia-2013/Key-72.jpg Arthur Streeton. 'Fire's On', 1891. Oil on canvas, 183.8 x 122.5 cm. Art Gallery of New South Wales, purchased 1893. https://www.studiointernational.com/index.php/ana-mendieta https://www.studiointernational.com/images/articles/m/mendieta-ana-2013/ANA-MENDIETA_Imagen-de-Yagul.jpg Ana Mendieta. Imagen de Yágul (Image from Yagul), 1973. Colour photograph, 48.3 x 31.8 cm. Courtesy Glenstone Museum. https://www.studiointernational.com/images/articles/m/mendieta-ana-2013/ANA-MENDIETA_Sandwoman.jpg Ana Mendieta. Untitled, 1983-84. Sand and binder on wood, 160 x 94.9 x 5.1 cm. Collection Raquelín Mendieta Family Trust. https://www.studiointernational.com/images/articles/m/mendieta-ana-2013/ANA-MENDIETA_Tree-of-Life.jpg Ana Mendieta. Tree of Life, 1976. Colour photograph, 50.8 x 33.7 cm. Collection Raquelin Mendieta Family Trust. https://www.studiointernational.com/images/articles/m/mendieta-ana-2013/ANA-MENDIETA_Untitled-Blood-and-Feathers.jpg Ana Mendieta. Untitled (Blood and Feathers), 1974. Colour photograph, 25.4 x 20.3 cm. Collection Raquelin Mendieta Family Trust. https://www.studiointernational.com/images/articles/m/mendieta-ana-2013/ANA-MENDIETA_Untitled-Body-Tracks.jpg Ana Mendieta. Untitled (Body Tracks), 1974. Lifetime colour photograph, 25.4 x 20.3 cm. Collection Igor Da Costa. https://www.studiointernational.com/images/articles/m/mendieta-ana-2013/ANA-MENDIETA_Untitled-Grass-on-Woman.jpg Ana Mendieta. Untitled (Grass on Woman), 1972. Lifetime colour photograph, 20.3 x 25.4 cm. https://www.studiointernational.com/images/articles/m/mendieta-ana-2013/ANA-MENDIETA_Untitled.jpg Ana Mendieta. Untitled, 1973. Colour photograph, 23.5 x 18.4 cm. Collection Walker Art Center, Minneapolis, T. B. Walker Acquisition Fund, 2011. https://www.studiointernational.com/images/articles/m/mendieta-ana-2013/ANA-MENDIETA_untitled--wood.jpg Ana Mendieta. Untitled, 1985. Wood and gunpowder, 154.9 x 22.9 x 3.8 cm. https://www.studiointernational.com/index.php/li-songsong https://www.studiointernational.com/images/articles/l/li-songsong-2013/li-songsong-at-pace-gallery-2013.jpg Li Songsong at Pace London, 2013. https://www.studiointernational.com/images/articles/l/li-songsong-2013/Li-Songsong-A-British.jpg Li Songsong. Guests Are All Welcomed, 2013. Oil on canvas, 120 x 120 cm (47 1/4 x 47 1/4 in). © 2013 Li Songsong. https://www.studiointernational.com/images/articles/l/li-songsong-2013/Li-Songsong-Big-Girls.jpg Li Songsong. Big Girls, 2013. Oil on aluminum panel, 280 cm x 250 cm (110 1/4 x 98 7/16 in). © 2013 Li Songsong. https://www.studiointernational.com/images/articles/l/li-songsong-2013/li-songsong-Calvin-Klein.jpg Li Songsong. It's a Pity You aren't Interested in Anything Else, 2013. Oil on canvas, 300 cm x 210 cm (118 1/8 x 82 11/16 in). © 2013 Li Songsong. https://www.studiointernational.com/index.php/ian-hamilton-finlay https://www.studiointernational.com/images/articles/h/hamilton-ian-finlay-2013/Ian-Finlay-Hamilton-Namesof12.jpg Ian Hamilton Finlay. Now the Names of the Twelve are These, 1987. © Estate of Ian Hamilton Finlay. https://www.studiointernational.com/images/articles/h/hamilton-ian-finlay-2013/Ian-Finlay-Hamilton-2Scythes.jpg Ian Hamilton Finlay. Two Scythes, 1990. © Estate of Ian Hamilton Finlay. https://www.studiointernational.com/images/articles/h/hamilton-ian-finlay-2013/finlay-hamilton-gallery-view-1.jpg Ian Hamilton Finlay. Gallery view. Photograph: Christiana Spens. https://www.studiointernational.com/index.php/the-russian-avant-garde https://www.studiointernational.com/images/articles/r/russian-avant-garde-2013/104-Strozzi-The-Russian-Avant-garde---Goncharova,-Emptiness-copy.jpg Natal’ia Goncharova (1881-1962). Emptiness, 1913-14. Oil on canvas, 80 x 106 cm. Moscow, State Tretyakov Gallery, inv. Zh-1543. https://www.studiointernational.com/images/articles/r/russian-avant-garde-2013/105-Strozzi-The-Russian-Avant-garde---Malevich,-Black-Circle-copy.jpg Kazimir Malevich (1879-1935). Black Circle, 1915. Oil on canvas, 102 x 102 cm. St Petersburg, State Russian Museum, inv. Zh-9472. https://www.studiointernational.com/images/articles/r/russian-avant-garde-2013/106-Strozzi-The-Russian-Avant-garde---Kandinsky,-Black-Spot-copy.jpg Wassily Kandinsky (1866-1944). Black Spot, 1912. Oil on canvas, 101 x 113 cm. St Petersburg, State Russian Museum, inv. ZhB-1323. https://www.studiointernational.com/images/articles/r/russian-avant-garde-2013/310-Strozzi-The-Russian-Avant-garde---Mashkov,-Portrait-of-a-Lady-in-an-Armchair-copy.jpg Il’ia Mashkov (1881-1944). Portrait of a Lady in an Armchair, 1913. Oil on canvas, 177 x 115 cm. Ekaterinburg, Museum of Fine Arts, inv. 370. https://www.studiointernational.com/images/articles/r/russian-avant-garde-2013/9c04-Malevic,-Testa,-MSR-9498-g.jpg Kazimir Malevich (1879-1935). Head, 1928-1929. Oil on canvas, 61 x 41 cm. St. Petersburg, State Russian Museum, inv. Zh-9498. https://www.studiointernational.com/images/articles/r/russian-avant-garde-2013/810-Korovin,-Carovana,-MSR-5746-g-copy.jpg Konstantin Korovin (1861-1939). Caravan of Samoeds, 1898. Oil on canvas, 102 x 454 cm. St. Petersburg, State Russian Museum, inv. Zh-5746. https://www.studiointernational.com/index.php/interview-with-dorothea-rockburne https://www.studiointernational.com/images/articles/r/rockburne-dorothea-2013/conservationclass9_dorothea-rockburne.jpg Dorothea Rockburne. Conservation Class #9, 1973. Graphite on paper mounted on gessoed masonite, 34 1/2 × 70 in (87.6 × 177.8 cm). Collection the artist. © 2013 Dorothea Rockburne / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/r/rockburne-dorothea-2013/dorothea-rockburne-parallelogram2smallsquares3rdstudy_rockburne.jpg Dorothea Rockburne. Parallelogram/2 Small Squares, 3rd Study, 1977. Vellum, colored pencil, varnish, and glue mounted on ragboard. 43 × 33″ (109.2 × 83.8 cm). Collection the artist. © 2013 Dorothea Rockburne / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/r/rockburne-dorothea-2013/romanvi_dorothea-rockburne.jpg Dorothea Rockburne. Roman VI, 1977. Kraft paper, Copal oil varnish, blue pencil, Mylar tape, and glue on ragboard, 44 1/8 × 47 5/8 in (112.1 × 121 cm). Collection the artist. © 2013 Dorothea Rockburne / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/r/rockburne-dorothea-2013/trianglerectanglesmallsquare_dorothea-rockburne.jpg Dorothea Rockburne. Triangle, Rectangle, Small Square, 1978. Coloured pencil on transparentized paper on board, 33 x 43 in (83.8 x 109.2 cm). The Museum of Modern Art, New York. Gift of Sally and Wynn Kramarsky. © 2013 Dorothea Rockburne / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/r/rockburne-dorothea-2013/scalar_dorothea-rockburne.jpg Dorothea Rockburne. Scalar, 1971. Chipboard, crude oil, paper, and nails, overall 80 x 114 ½ x 3 ½ in (203.2 x 289.5 x 8.9 cm). The Museum of Modern Art, New York. Gift of Jo Carole and Ronald S. Lauder and Estée Lauder, Inc. in honour of J. Frederic Byers III. © 2013 Dorothea Rockburne / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/r/rockburne-dorothea-2013/locus_dorothea-rockburne.jpg Dorothea Rockburne. Untitled from Locus, 1972. One from a series of six relief etching and aquatints on folded paper, (approx., unfolded): 39 3/4 x 30 1/16 in (101 x 76.4 cm). Publisher: Parasol Press, New York. Printer: Crown Point Press, San Francisco. Edition: 42. The Museum of Modern Art, New York. Given in memory of Beth Lisa Feldman. © 2013 Dorothea Rockburne / Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/chris-burden https://www.studiointernational.com/images/articles/b/burden-chris-2013/1-Dos-Equis,-1972-photo-ChrisBurden.jpg Chris Burden. Dos Equis, 1972. Laguna Beach, California: October 16, 1972. Photograph: Barbara Burden. https://www.studiointernational.com/images/articles/b/burden-chris-2013/1-The-Big-Wheel,-1979.jpg Chris Burden. The Big Wheel, 1979. Three-ton, eight-foot diameter, cast-iron flywheel powered by a 1968 Benelli 250cc motorcycle, 112 x 175 x 143 in (284.5 x 444.5 x 363.2 cm). Collection The Museum of Contemporary Art Collection, Los Angeles. https://www.studiointernational.com/images/articles/b/burden-chris-2013/11-All-the-Submarines-of-the-United-States-of-America,-1987.jpg Chris Burden. All the Submarines of the United States of America, 1987. 625 miniature cardboard submarines, 96 x 240 x 144 in (243.8 x 609 x 365.2 cm). Dallas Museum of Art purchase with funds donated by the Jolesch Acquisition Fund, The 500 Inc., the National Endowment for the Arts, Bradbury Dyer, III, Mr. and Mrs. Bryant M. Hanley, Jr., Mr. and Mrs. Michael C. Mewhinney, Deedie and Rusty Rose, and Mr. and Mrs. William T. Solomon. https://www.studiointernational.com/images/articles/b/burden-chris-2013/13-Beam-Drop,-1984-photo-C.jpg Chris Burden. Beam Drop, 1984. Art Park, Lewiston, NY. Photograph: Chris Burden. https://www.studiointernational.com/images/articles/b/burden-chris-2013/3-Mexican-Bridge,-1998-photo-C.jpg Chris Burden. Mexican Bridge, 1998. Structural aluminum framing, wood, steel hardware, 111 ¾ × 180 × 37 in (283.8 × 457.2 × 94 cm). Collection Magasin 3 Stockholm Konsthall https://www.studiointernational.com/images/articles/b/burden-chris-2013/3-The-Rant,-2006.jpg Chris Burden. The Rant, 2006. Video, subtitles, colour, 2:10 min. Courtesy the artist. https://www.studiointernational.com/images/articles/b/burden-chris-2013/49-1-Ton-Crane-Truck,-2009-photo-E.jpg Chris Burden. 1 Ton Crane Truck, 2009. Restored 1964 F350 Ford crane truck with one-ton cast-iron weight, 14 ft × 22 ft 10 in × 8 ft (4.2 × 6.9 × 2.4 m). Courtesy the artist and Gagosian Gallery. https://www.studiointernational.com/images/articles/b/burden-chris-2013/6-LAPD-Uniforms,-1993-photo-FabricWorkshop.jpg Chris Burden. L.A.P.D. Uniforms, 1993. Wool serge, metal, leather, wood, plastic, 88 × 72 × 6 in (223.5 × 182.8 × 15.2 cm) each. Collection: Marion Boulton Stroud, Philadelphia; and Collection: Fabric Workshop and Museum, Philadelphia. Photograph courtesy of Fabric Workshop. https://www.studiointernational.com/images/articles/b/burden-chris-2013/BURDE_1974_Trans-fixed[1]_edited.jpg Chris Burden. Trans-fixed, 1974. Performance on Speedway Avenue, Venice, California, April 23, 1974. Photograph: Courtesy the artist and Gagosian Gallery https://www.studiointernational.com/images/articles/b/burden-chris-2013/Ghost-Ship,-2005-photo-Locus+.jpg Chris Burden. Ghost Ship, 2005. Thirty-foot handmade sixern sailboat, computers and software, hydraulics, Global Positioning System, auto rudder, rigging; Mast: 360 in (914.4 cm); Overall: 72 x 102 x 360 in (182.9 x 259 x 914.4 cm). Courtesy the artist and Gagosian Gallery. Photograph: Chris Burden. https://www.studiointernational.com/images/articles/b/burden-chris-2013/42-Beehive-Bunker-Topanga,-install-2006.-Photo-2008.jpg Chris Burden. Beehive Bunker, 2006. Concrete, steel rebar, steel wire, cast-iron manhole cover, plastic hoses, 10 ft × 9 ft 4 in d (3 × 2.8 m). Courtesy the artist. Photograph: Joel Searles. https://www.studiointernational.com/images/articles/b/burden-chris-2013/Full-Financial-Disclosure,-1977.jpg Chris Burden. Full Financial Disclosure, 1977. Baum-Silverman Gallery, Los Angeles, California: September 20, 1977. https://www.studiointernational.com/index.php/astronomy-photographer-of-the-year-2013 https://www.studiointernational.com/images/articles/a/astronomy-photographer-2013/Mark-Gee_Guiding-Light-to-the-Stars.jpg EARTH AND SPACE. Winner and Overall Winner: Mark Gee (Australia), Guiding Light to the Stars. The skies of the Southern Hemisphere offer a rich variety of astronomical highlights. The central regions of the Milky Way Galaxy, 26,000 light years away, appear as a tangle of dust and stars in the central part of the image. Two even more distant objects are visible as smudges of light in the upper left of the picture. These are the Magellanic Clouds, two small satellite galaxies in orbit around the Milky Way. © Mark Gee. https://www.studiointernational.com/images/articles/a/astronomy-photographer-2013/Fredrik-Broms_Green-Energy.jpg EARTH AND SPACE. Runner Up: Fredrik Broms (Norway), Green Energy. The shifting lights of the Aurora Borealis can take on many shapes and forms as they are moulded by the Earth’s complex magnetic field. Sheets and planes of glowing gas appear to be twisted into a giant vortex above Grøtfjord in Norway. © Fredrik Broms. https://www.studiointernational.com/images/articles/a/astronomy-photographer-2013/Adam-Block_Celestial-Impasto-Sh2-239.jpg DEEP SPACE. Winner: Adam Block (USA), Celestial Impasto: Sh2 - 239. Structures like this often seem unchanging and timeless on the scale of a human lifetime. However, they are fleeting and transient on astronomical timescales. Over just a few thousand years the fierce radiation from the stars in this nebula will erode the surrounding clouds of dust and gas, radically altering its appearance. © Adam Block. https://www.studiointernational.com/images/articles/a/astronomy-photographer-2013/Tom-O-Donoghue_Rho-Ophiuchi-and-Antares-Nebulae.jpg DEEP SPACE. Runner Up: Tom O’Donoghue (Ireland), Rho Ophiuchi and Antares Nebulae. The smoky appearance of the dust clouds in this image is fitting, since the grains of dust which make up the nebula are similar in size to particles of smoke here on Earth. The dust can reflect the light of nearby stars, as seen in the blue and yellow regions. It can also block and absorb the light of more distant stars, appearing brown and black in this image. To the right a bright star is ionizing a cloud of hydrogen gas, causing it to glow red, while below it far in the distance, is a globular cluster containing thousands of stars. © Tom O’Donoghue. https://www.studiointernational.com/images/articles/a/astronomy-photographer-2013/Man-To-Hui_Corona-Composite-of-2012-Australian-Totality.jpg OUR SOLAR SYSTEM. Winner: Man-To Hui (China), Corona Composite of 2012: Australian Totality. This image is a demonstration of both precision timing and rigorous post-processing. It gives the viewer a window onto the elusive outer atmosphere of the Sun – the corona. A natural dimming of the Sun’s blinding brightness, courtesy of the Moon, reveals the ghostly glow of gas that has a temperature of one million degrees Celsius. For centuries total solar eclipses were the only way to study this hidden treasure of the Sun. By photographing this event, the breathtaking experience of viewing a total solar eclipse is captured indefinitely. © Man-To Hui. https://www.studiointernational.com/images/articles/a/astronomy-photographer-2013/Alan-Friedman_Magnetic-Maelstrom.jpg OUR SOLAR SYSTEM. Runner Up: Alan Friedman (USA), Magnetic Maelstrom. The darkest patches or ‘umbrae’ in this image are each about the size of Earth, with the entire region of magnetic turmoil spanning the diameter of ten Earths. This image captures rich details directly around the sunspots, and further out in the so-called ‘quiet’ Sun where simmering hot plasma rises, cools and falls back. This produces a patchwork surface like a pot of boiling water, but on an epic scale – each bubbling granule is about the size of France. © Alan Friedman. https://www.studiointernational.com/index.php/elmgreen-dragset-at-the-v-a https://www.studiointernational.com/images/articles/e/elmgreen-and-dragset-2013/Elmgreen-and-Dragset-Hoarding_Crop.jpg Tomorrow: Elmgreen & Dragset at the V&A, 2013. Courtesy the Artists and Victoria Miro, London. © V&A. https://www.studiointernational.com/images/articles/e/elmgreen-and-dragset-2013/Elmgreen-and-Dragset_30B5867.jpg Michael Elmgreen and Ingar Dragset. Tomorrow: Elmgreen & Dragset at the V&A, 2013. Installation view 1 (detail). Courtesy the Artists and Victoria Miro, London. © Elmgreen & Dragset. Photograph: Anders Sune Berg. https://www.studiointernational.com/images/articles/e/elmgreen-and-dragset-2013/Elmgreen-and-Dragset_30B5880.jpg Michael Elmgreen and Ingar Dragset. Tomorrow: Elmgreen & Dragset at the V&A, 2013. Installation view 2 (detail). Courtesy the Artists and Victoria Miro, London. © Elmgreen & Dragset. Photograph: Anders Sune Berg. https://www.studiointernational.com/images/articles/e/elmgreen-and-dragset-2013/Elmgreen-and-Dragset_30B5953.jpg Michael Elmgreen and Ingar Dragset. Tomorrow: Elmgreen & Dragset at the V&A, 2013. Installation view 3 (detail). Courtesy the Artists and Victoria Miro, London. © Elmgreen & Dragset. Photograph: Anders Sune Berg. https://www.studiointernational.com/images/articles/e/elmgreen-and-dragset-2013/Elmgreen-and-Dragset_30B6190.jpg Michael Elmgreen and Ingar Dragset. Tomorrow: Elmgreen & Dragset at the V&A, 2013. Installation view 4 (detail). Courtesy the Artists and Victoria Miro, London. © Elmgreen & Dragset. Photograph: Anders Sune Berg. https://www.studiointernational.com/images/articles/e/elmgreen-and-dragset-2013/elmgreen-and-dragset-_30B5847.jpg Michael Elmgreen and Ingar Dragset. Tomorrow: Elmgreen & Dragset at the V&A, 2013. Installation view 5 (detail). Courtesy the Artists and Victoria Miro, London. © Elmgreen & Dragset. Photograph: Anders Sune Berg. https://www.studiointernational.com/index.php/marisa-merz-and-adrian-villar-rojas https://www.studiointernational.com/images/articles/m/merz-and-rojas-at-serpentine-gallery-2013/Merz-MG_0259.jpg Marisa Merz. 
Installation view 2, Serpentine Gallery, London 
(28 September - 10 November 2013) 
© 2013 Luke Hayes. https://www.studiointernational.com/images/articles/m/merz-and-rojas-at-serpentine-gallery-2013/Merz_MG_0184.jpg Marisa Merz. 
Installation view 3, Serpentine Gallery, London 
(28 September - 10 November 2013) 
© 2013 Luke Hayes. https://www.studiointernational.com/images/articles/m/merz-and-rojas-at-serpentine-gallery-2013/rojas-Elephant_008-11.jpg Adrián Villar Rojas. Today We Reboot The Planet. 
Installation view 1. 
Serpentine Sackler Gallery, London
 (28 September - 10 November 2013) 
© 2013 Jörg Baumann. https://www.studiointernational.com/images/articles/m/merz-and-rojas-at-serpentine-gallery-2013/rojas-Totalview_SW__001-4.jpg Adrián Villar Rojas. Today We Reboot The Planet. 
Installation view 3. 
Serpentine Sackler Gallery, London
 (28 September - 10 November 2013) 
© 2013 Jörg Baumann. https://www.studiointernational.com/images/articles/m/merz-and-rojas-at-serpentine-gallery-2013/Merz-MG_0243.jpg Marisa Merz. 
Installation view 1, Serpentine Gallery, London 
(28 September - 10 November 2013) 
© 2013 Luke Hayes. https://www.studiointernational.com/images/articles/m/merz-and-rojas-at-serpentine-gallery-2013/Merz_MG_0244.jpg Marisa Merz. 
Installation view 4, Serpentine Gallery, London 
(28 September - 10 November 2013) 
© 2013 Luke Hayes. https://www.studiointernational.com/images/articles/m/merz-and-rojas-at-serpentine-gallery-2013/rojas-ShelfM-S_2nd3rdL_0011-13.jpg Adrián Villar Rojas. Today We Reboot The Planet. 
Installation view 2. 
Serpentine Sackler Gallery, London
 (28 September - 10 November 2013) 
© 2013 Jörg Baumann. https://www.studiointernational.com/images/articles/m/merz-and-rojas-at-serpentine-gallery-2013/rojas-shelf_entrance_W_009-10_12.jpg Adrián Villar Rojas. Today We Reboot The Planet. 
Installation view 4. 
Serpentine Sackler Gallery, London
 (28 September - 10 November 2013) 
© 2013 Jörg Baumann. https://www.studiointernational.com/index.php/facing-the-modern https://www.studiointernational.com/images/articles/f/facing-the-modern-2013/Vienna-Portraits-X7702.jpg Gustav Klimt. Portrait of Amalie Zuckerkandl, 1917-18. Oil on canvas, 128 x 128 cm. © Belvedere, Vienna. Donated by Vita and Gustav Künstler. https://www.studiointernational.com/images/articles/f/facing-the-modern-2013/Vienna-Portraits-X7854.jpg Egon Schiele. Self Portrait with Raised Bared Shoulder, 1912. Oil on wood, 42.2 x 33.9 cm. © Leopold Museum Private Foundation, Vienna. https://www.studiointernational.com/images/articles/f/facing-the-modern-2013/TietzePortrait.jpg Portrait of Hans Tietse and Erica Tietse-Conrat, 1909. Oil on canvas, 76.5 x 136.2 cm. Abby Aldrich Rockefeller Fund. © 2013 Artists Rights Society (ARS), New York/Pro Litteris, Zurich. https://www.studiointernational.com/images/articles/f/facing-the-modern-2013/Vienna-Portraits-X7689.jpg Death Mask of Egon Schiele, 1918. © Wien Museum, Vienna. https://www.studiointernational.com/images/articles/f/facing-the-modern-2013/Vienna-Portraits-X7695.jpg Gustav Klimt. Ria Munk on her Deathbed, 1912. Oil on canvas, 50 x 50.5 cm. Private Collection. Courtesy Richard Nagy Ltd., London. © Photo courtesy of the owner. https://www.studiointernational.com/index.php/from-power-lunches-to-public-sculpture https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_cover.jpg It’s Modern: The Eye and Visual Influence of Alexander Liberman by Charles Churchward, book cover. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p010-011.jpg Omega, painting, 1961. Alexander Liberman papers, Archives of American Art, Smithsonian Institution. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p013.jpg Self portrait, 1936. Alexander Liberman papers, Archives of American Art, Smithsonian Institution. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p019.jpg Cover of VU, April 1934. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p023.jpg Cover of VU, May 1934. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p036.jpg Vogue cover. Photograph by Horst P. Horst, Vogue © Conde Nast Publications. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p044-btm.jpg Opposites, small sculpture, 1959. Alexander Liberman papers, Archives of American Art, Smithsonian Institution. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p069.jpg Alexander Liberman. Untitled, painting, 1960. Property of Private Collection. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p084.jpg The Artist in His Studio by Alexander Liberman, revised edition published by Random House, 1988. First published in 1960 by Viking. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p150-151.jpg Alexander Liberman. Illiad, sculpture, 1974-77. Photograph:Charles Churchward. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p178-179.jpg Aityal, charcoal on paper, 1989. Alexander Liberman papers, Archive of American Art, Smithsonian Institution. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p208-209.jpg 24 Circles on Black, 1993. Alexander Liberman papers, Archives of American art, Smithsonian Institution. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p234.jpg Vogue cover, 1951, Photograph: Erwin Blumenfeld. Vogue © Conde Nast Publications. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_p237.jpg Vanity Fair cover, Photograph: Harry Benson, 1985. Vanity Fair © Conde Nast Publications. https://www.studiointernational.com/images/articles/i/its-modern-2013/ItsModern_pxxx.jpg Alexander Liberman painting in his studio. Photograph: Dominique Nabokov. https://www.studiointernational.com/index.php/andy-warhol-pop-power-and-politics https://www.studiointernational.com/images/articles/w/warhol-scottish-parliament-2013/Andy-Warhol-Vote-McGovern-1972.jpg Andy Warhol. Vote McGovern, 1972. Founding Collection, The Andy Warhol Museum, Pittsburgh © 2008 Andy Warhol Foundation for the Visual Arts / ARS, New York. https://www.studiointernational.com/images/articles/w/warhol-scottish-parliament-2013/Andy-Warhol-Flash-November-22-1963-1968.jpg Andy Warhol. Flash - November 22, 1963, 1968. Collection of the Andy Warhol Museum, Pittsburgh

Image © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York / DACS, London 2013. https://www.studiointernational.com/images/articles/w/warhol-scottish-parliament-2013/Andy-Warhol-Campbells-Tomato-Juice-Box-1964.jpg Andy Warhol. Campbell's Tomato Juice Box, 1964. Synthetic polymer paint and silkscreen ink on wood, 10 x 19 x 9 1/2 https://www.studiointernational.com/images/articles/w/warhol-scottish-parliament-2013/Andy-Warhol-Jimmy-Carter-1976.jpg Andy Warhol. Jimmy Carter, 1976. Collection of the Andy Warhol Museum, Pittsburgh. Image © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York / DACS, London 2013. https://www.studiointernational.com/images/articles/w/warhol-scottish-parliament-2013/Andy-Warhol-Reigning-Queens-Queen-Elizabeth-II-of-the-United-Kingdom-1985.jpg Andy Warhol. Reigning Queens: Queen Elizabeth II of the United Kingdom, 1985. Founding Collection, The Andy Warhol Museum, Pittsburgh © 2008 Andy Warhol Foundation for the Visual Arts / ARS, New York. https://www.studiointernational.com/index.php/interview-with-anita-glesta https://www.studiointernational.com/images/articles/g/glesta-anita-2013/DSC03678.jpg Anita Glesta. Sound sculpture with figure on top (hand), installed in the courtyard. https://www.studiointernational.com/images/articles/g/glesta-anita-2013/DSC03712.jpg Anita Glesta. Gernika/Guernica video installation in main gallery. https://www.studiointernational.com/images/articles/g/glesta-anita-2013/DSC03719.jpg Anita Glesta. Sound sculpture with figure on top (foot), main entrance. https://www.studiointernational.com/images/articles/g/glesta-anita-2013/DSC03736.jpg Anita Glesta. Sound sculpture with figure on top (horns), installed in the courtyard. https://www.studiointernational.com/images/articles/g/glesta-anita-2013/DSC03772.jpg Museum's couryard, view of two sound sculptures. https://www.studiointernational.com/images/articles/g/glesta-anita-2013/DSC03765.jpg Anita Glesta, Lilly Wei and Dame Jillian Sackler. https://www.studiointernational.com/index.php/art-under-attack https://www.studiointernational.com/images/articles/a/art-under-attack-2013/000_1.jpg Oliver Cromwell (hung upside down). Highland Council. https://www.studiointernational.com/images/articles/a/art-under-attack-2013/allen_jones_chair.jpg Allen Jones. Chair, 1969. Tate © Allen Jones. https://www.studiointernational.com/images/articles/a/art-under-attack-2013/id_106.jpg Raphael Montañez Ortiz. 
Duncan Terrace Piano Destruction Concert: The Landesmans’ Homage to ‘Spring can really hang you up the most’, 1966. Photograph: Tate Photography. https://www.studiointernational.com/images/articles/a/art-under-attack-2013/id_108.jpg Raphael Montañez Ortiz. Duncan Terrace Piano Destruction Concert, 1966. Photograph: John Prosser. https://www.studiointernational.com/images/articles/a/art-under-attack-2013/jake_and_dinos_chapman_one_day_you_will_no_longer_be_loved_ii_no6_2008_high_res_1.jpg Jake and Dinos Chapman. One Day You Will No Longer Be Loved II (No 6), 2008. © Jake and Dinos Chapman.
 Photograph: Todd-White Art. Photography
 Courtesy White Cube. https://www.studiointernational.com/images/articles/a/art-under-attack-2013/statue_of_dead_christ_0.jpg Statue of the Dead Christ. The Mercers’ Company. https://www.studiointernational.com/index.php/home-truths https://www.studiointernational.com/images/articles/h/home-truths-2013/14-Leigh-Ledare-Mother-with-hand-on-bed.jpg Leigh Ledare. Mother with hand on bed, 2006. © Leigh Ledare. Courtesy of the artist and Pilar Corrias, London. https://www.studiointernational.com/images/articles/h/home-truths-2013/11-Janine-Antoni-Inhabit.jpg Janine Antoni. Inhabit, 2009. © Janine Antoni. Courtesy of the artist and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/h/home-truths-2013/6-Ana-Casas-Broda-Playroom-IV.jpg Ana Casas Broda. Playroom IV from the series Playroom, 2010. © Ana Casas Broda. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/home-truths-2013/7-Elina-Brotherus-Annunciation.jpg Elina Brotherus. Annunciation, 2009. © Elina Brotherus. Courtesy of the artist and GB Agency, Paris. https://www.studiointernational.com/index.php/sarah-lucas https://www.studiointernational.com/images/articles/l/lucas-sarah-2013/sarah-lucas-Image-2.jpg Sarah Lucas. Bunny Gets Snookered #1, 1997. Tan tights, plastic and chrome chair, steel clamp, kapok stuffing, wire, 106 x 82 x 81.5 cm. Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/lucas-sarah-2013/sarah-lucas-Image-3.jpg Sarah Lucas. Nice Tits, 2011. Concrete, wire mesh, tights, fluff, 208 x 160 x 60 cm. Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/lucas-sarah-2013/sarah-lucas-Image-5.jpg Sarah Lucas. Unknown Soldier, 2003. Concrete boots, neon tube, 183 x 58 x 36 cm. Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/lucas-sarah-2013/sarah-lucas-Image-6.jpg Sarah Lucas. Loungers #2, 2011. Tights, fluff, plastic bucket (black), plastic lounger, 199 x 62.5 x 55.5 cm. Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/lucas-sarah-2013/sarah-lucas-Image-7.jpg Sarah Lucas. Au Naturel, 1994. Mattress, water bucket, melons, oranges and cucumber, 84 x 168 x 145cm. Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/index.php/the-heritage-of-rogier-van-der-weyden https://www.studiointernational.com/images/articles/v/van-der-weyden-2013/Triptyque-des-miracles-du-Christ.jpg Master of the Legend of Saint Catherine (c. panel), Master of the Princely Portraits (l. wing), A. van den Bossche (r. wing). Triptych of the Miracles of Christ, between 1491-1495. © Melbourne, National Gallery of Victoria. https://www.studiointernational.com/images/articles/v/van-der-weyden-2013/Triptique-Sforza.jpg Workshop of Rogier van der Weyden. Sforza Triptych, c 1460. © KMSKB-MRBAB-RMFAB. Photograph: J Geleyns, Roscan. https://www.studiointernational.com/images/articles/v/van-der-weyden-2013/Nativite.jpg Master of the Prado Adoration. Nativity, c 1475-1500. © Birmingham Museums Trust. https://www.studiointernational.com/images/articles/v/van-der-weyden-2013/Bouclier-de-parade.jpg Master of the Princely Portraits. Parade shield. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/v/van-der-weyden-2013/La-presentation-au-temple.jpg Master of the Prado Adoration. The Presentation in the Temple, c 1470-80. © National Gallery of Art, Washington, Samuel H. Kress Collection. https://www.studiointernational.com/images/articles/v/van-der-weyden-2013/Antoine-de-Bourgogne.jpg Rogier van der Weyden. Portrait of Antony of Burgundy, c 1460. © KMSKB-MRBAB-RMFAB. Photograph: J Geleyns, Roscan. https://www.studiointernational.com/images/articles/v/van-der-weyden-2013/Pieta.jpg Rogier van der Weyden. Pietà, c 1465. © KMSKB-MRBAB-RMFAB. Photograph: J Geleyns, Roscan. https://www.studiointernational.com/images/articles/v/van-der-weyden-2013/Portraitdhomme.jpg Master of the view on the St Gudula. Portrait of a young man, probably early 1480s. © National Gallery, London. https://www.studiointernational.com/images/articles/v/van-der-weyden-2013/Adameteve.jpg Aert van den Bossche. Adam and Eve, c1490. © Switzerland, private collection. https://www.studiointernational.com/index.php/interview-with-mariko-mori https://www.studiointernational.com/images/articles/m/mori-mariko-2013/mariko-mori_davidsims-headshot.jpg Portrait of Mariko Mori. Photograph: David Sims. https://www.studiointernational.com/images/articles/m/mori-mariko-2013/Alaya_2.jpg Mariko Mori. Ālaya, 2013. Video, 2 minutes, 30 seconds. Courtesy of SCAI THE BATHHOUSE, Tokyo and Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mori-mariko-2013/HigherBeing42.jpg Mariko Mori. Higher Being no. 42, 2009. Mixed media on paper, 22 x 30 inches. Courtesy of SCAI THE BATHHOUSE, Tokyo and Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mori-mariko-2013/JourneyToSevenLightBay.jpg Mariko Mori. Journey to Seven Light Bay, Primal Rhythm, 2011. Video with sound, 5 minutes, 14 seconds. Sound by Ken Ikeda. © Faou Foundation, New York. Courtesy of Adobe Museum of Digital Media. https://www.studiointernational.com/images/articles/m/mori-mariko-2013/Ring.jpg Mariko Mori. Ring, 2012. Lucite; 48 inches diam., 2 2/5 inches thick. © Faou Foundation, New York. Courtesy of SCAI THE BATHOUSE, Tokyo and Sean Kelly, New York. Photo © Royal Academy of Arts, London/M. Leith. https://www.studiointernational.com/images/articles/m/mori-mariko-2013/Transcircle_3.jpg Mariko Mori. Transcircle 1.1, 2004. Stone, Corian, LED, Real-time control system; 132 3/8 inches diam., each stone 43 3/8 x 22 ¼ x 13 ½ inches. Courtesy of The Mori Art Museum, Tokyo. https://www.studiointernational.com/images/articles/m/mori-mariko-2013/Transcircle_detail.jpg Mariko Mori. Transcircle 1.1 (detail), 2004. Stone, Corian, LED, Real-time control system; 132 3/8 inches diam., each stone 43 3/8 x 22 ¼ x 13 ½ inches. Courtesy of The Mori Art Museum, Tokyo. https://www.studiointernational.com/images/articles/m/mori-mariko-2013/installation_MM_16.jpg Mariko Mori. FOREGROUND: Flatstone, 2006. Ceramic stones and acrylic vase; 192 × 124 × 3 1/2 inches. Courtesy of SCAI THE BATHHOUSE, Tokyo and Sean Kelly, New York. BACKGROUND: Transcircle 1.1, 2004. Stone, Corian, LED, real-time control system; 132 3/8 inches diam., each stone 43 3/8 × 22 1/4 × 13 1/2 inches. Courtesy of The Mori Art Museum, Tokyo. Installation photograph: Richard Goodbody. https://www.studiointernational.com/images/articles/m/mori-mariko-2013/installation_MM_32.jpg Mariko Mori. FOREGROUND: Tama I, 2011. Epoxy with pearlescent finish; 13 inches diam. BACKGROUND (LEFT TO RIGHT): White Hole VII, 2009. Mixed media on plexiglass panel; 50 × 55 inches. Higher Being no. 35, 2009. Mixed media on paper; 20 × 30 inches. Collection of Mr. and Mrs. Wilbur L. Ross. White Hole no. 47, 2008. Mixed media on paper; 22 × 30 inches. Faou no. 9, 2010. Mixed media on paper; 22 × 30 inches. Faou no. 21, 2010. Mixed media on paper; 22 × 30 inches. Higher Being no. 12, 2009. Mixed media on paper; 22 × 30 inches. Faou no. 43, 2010. Mixed media on paper; 22 × 30 inches. Courtesy of SCAI THE BATHHOUSE, Tokyo and Sean Kelly, New York. Installation photograph by Richard Goodbody. https://www.studiointernational.com/images/articles/m/mori-mariko-2013/Flatstone_3.jpg Mariko Mori. Flatstone, 2006. Ceramic stones and acrylic vase, 192 x 124 x 3 ½ inches. Courtesy of SCAI THE BATHHOUSE, Tokyo and Sean Kelly, New York. https://www.studiointernational.com/index.php/beyond-el-dorado https://www.studiointernational.com/images/articles/e/eldorado-2013/00008842.jpg Bird pectoral, Popayan, gold alloy, AD100-1600. Copyright the Trustees of the British Museum. https://www.studiointernational.com/images/articles/e/eldorado-2013/00391083.jpg Seated female poporo, Quimbaya, gold alloy, AD600-1100. Copyright the Trustees of the British Museum. https://www.studiointernational.com/images/articles/e/eldorado-2013/00421812.jpg Painted cotton textile, Muisca, AD1300-1400. Copyright the Trustees of the British Museum. https://www.studiointernational.com/images/articles/e/eldorado-2013/01249291.jpg Helmet, Quimbaya, gold alloy, 500BC-AD600. Copyright the Trustees of the British Museum. https://www.studiointernational.com/images/articles/e/eldorado-2013/01250078.jpg Articulated nose ornament, Yotoco, gold alloy, 200BC-AD1200. Copyright the Trustees of the British Museum. https://www.studiointernational.com/images/articles/e/eldorado-2013/AN00337977.jpg Poporo top with human faces, Quimbaya, AD600-1100. Copyright the Trustees of the British Museum. https://www.studiointernational.com/images/articles/e/eldorado-2013/O16584.jpg Anthropomorphic bat pectoral, Tairona, gold alloy, AD900-1600. Copyright Museo del Oro, Banco de la Republica, Colombia. https://www.studiointernational.com/images/articles/e/eldorado-2013/O20294.jpg Necklace of red stone and claw shaped beads, Tairona, gold alloy, AD900-1600. Copyright Museo del Oro, Banco de la Republica, Colombia. https://www.studiointernational.com/images/articles/e/eldorado-2013/O33194.jpg Funerary mask, Calima-Malagana, gold alloy, 100BC-AD400. Copyright Museo del Oro, Banco de la Republica, Colombia. https://www.studiointernational.com/images/articles/e/eldorado-2013/O33581-06537.jpg Necklace with claw shaped beads, Zenu, gold alloy, 200BC-AD1000. Copyright Museo del Oro, Banco de la Republica, Colombia. https://www.studiointernational.com/index.php/nick-relph https://www.studiointernational.com/images/articles/r/relph-nick-2013/Nick-Relph-at-Chisenhale-Gallery_06.jpg Nick Relph. Service Entrance, 2013. Silk, monofilament, 122 x 76 cm. Commissioned by Chisenhale Gallery. Courtesy of the artist and Herald St, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/r/relph-nick-2013/Nick-Relph-at-Chisenhale-Gallery_14.jpg Nick Relph. International Waters, 2013. Bamboo, cotton, nylon, ink, acrylic paint, 122 x 76 cm. Commissioned by Chisenhale Gallery. Courtesy of the artist and Herald St, London. Photograph: Andy Keate. https://www.studiointernational.com/index.php/the-mike-kelley-retrospective https://www.studiointernational.com/images/articles/k/kelley-mike-2013/mike-kelley-05.jpg Mike Kelley. Deodorized Central Mass with Satellites, 1991/1999. Plush toys sewn over wood and wire frames with styrofoam packing material, nylon rope, pulleys, steel hardware and hanging plates, fibreglass, car paint and disinfectant. Overall dimensions variable. © Estate of Mike Kelley. Images courtesy of Perry Rubenstein Gallery, Los Angeles. Photography: Joshua White/JWPictures.com. https://www.studiointernational.com/images/articles/k/kelley-mike-2013/mike-kelley-momaps1_101113_0321.jpg Installation view (1) of Mike Kelley at MoMA PS1, 2013. Photograph: Matthew Septimus. https://www.studiointernational.com/images/articles/k/kelley-mike-2013/mike-kelley-moma_101113_0017.jpg Installation view (2) of Mike Kelley at MoMA PS1, 2013. Photograph: Matthew Septimus. https://www.studiointernational.com/images/articles/k/kelley-mike-2013/mike-kelley-momaps1_101113_0189.jpg Installation view (3) of Mike Kelley at MoMA PS1, 2013. Photograph: Matthew Septimus. https://www.studiointernational.com/images/articles/k/kelley-mike-2013/mike-kelley-momaps1_101113_0515.jpg Installation view (4) of Mike Kelley at MoMA PS1, 2013. Photograph: Matthew Septimus. https://www.studiointernational.com/index.php/leger https://www.studiointernational.com/images/articles/l/leger-fernand-2013/Fernand-Leger-The-City-1919.jpg Fernand Léger. The City, 1919. Oil on canvas, 231.1 x 298.4 cm. Philadelphia Museum of Art, A. E. Gallatin Collection, 1952. © Artists Rights Society (ARS), New York / ADAGP, Paris https://www.studiointernational.com/images/articles/l/leger-fernand-2013/Fernand-Leger-Les-Disques-1918.jpg Fernand Léger. Les Disques, 1918. Oil on canvas, 268 × 208 × 3.9 cm. Musée d'art moderne de la ville de Paris. https://www.studiointernational.com/images/articles/l/leger-fernand-2013/Fernand-Leger-Composition-a-la-main-et-aux-chapeaux-1927.jpg Fernand Léger. Composition à la main et aux chapeaux, 1927. Oil on canvas, 248.3 x 185.4 cm. Centre Pompidou, Paris Musée national d'art moderne/Centre de création industrielle. https://www.studiointernational.com/index.php/wang-keping https://www.studiointernational.com/images/articles/w/wang-keping-2013/Wang-Keping,-La-Nuit,-1989.jpg Wang Keping. La Nuit, 1989. Ash, 45 x 25 x 23 cm (17 3/4 x 9 7/8 x 9 1/8 in). Courtesy of Ben Brown Fine Arts, London. https://www.studiointernational.com/images/articles/w/wang-keping-2013/Wang-Keping-Renaissance-2013.jpg Wang Keping. Renaissance, 2013. Bronze, 185 x 90 x 90 cm, (72 7/8 x 35 3/8 x 35 3/8 in). Courtesy of Ben Brown Fine Arts, London. https://www.studiointernational.com/images/articles/w/wang-keping-2013/Wang-Keping,-Fee-de-Lune,-2012.jpg Wang Keping. Fée de Lune, 2012. Bronze, 67 x 66 x 14 cm (26 3/8 x 26 x 5 1/2 in). Courtesy of Ben Brown Fine Arts, London. https://www.studiointernational.com/images/articles/w/wang-keping-2013/Wang-Keping,-Couple,-2004.jpg Wang Keping. Couple, 2004. Maple, 44 x 45 x 35 cm (17 3/8 x 17 3/4 x 13 3/4 in). Courtesy of Ben Brown Fine Arts, London. https://www.studiointernational.com/index.php/interview-with-jonathan-gabb https://www.studiointernational.com/images/articles/g/gabb-jonathan-2013/abrooksart_jg_reverse_sequence_pck_07.jpg Jonathan Gabb: Opera Rose. Installation view at A Brooks Art, London, 3 October – 16 November 2013. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/frieze-art-fair-london-2013 https://www.studiointernational.com/images/articles/f/frieze-london-2013/SHO_Wind-Sculpture_Frieze_3.jpg Yinka Shonibare, MBE. Wind Sculpture, 2013. Steel armature with hand painted fibre glass resin cast, 610 x 340 x 80cm (240 1/4 x 134 x 31 1/2in). Copyright the artist. Courtesy of the artist and Stephen Friedman Gallery, London. Photograph: Stephen White. https://www.studiointernational.com/images/articles/f/frieze-london-2013/ED71_But-Im-on-the-Guest-List-Too!_2012-d.jpg Elmgreen & Dragset. But I'm on the Guest List, Too!, 2012. Mirror polished stainless steel, 250 x 120 x 10 cm (98 3/8 x 47 1/4 x 4 in). Photograph: Stephen White. https://www.studiointernational.com/images/articles/f/frieze-london-2013/ED103_Powerless-Structures,-Fig-101_2013-b.jpg Elmgreen & Dragset. Powerless Structures, Fig. 101, 2013. Sculpture: 24-carat gold plated. Plinth: wood, 152 x 160 x 65 cm (59 7/8 x 63 x 25 5/8 in). Photograph: Holger Hönck. https://www.studiointernational.com/images/articles/f/frieze-london-2013/Cyprien-Gaillard-Gate-S,-2013-CG195_Gate_S_press.jpg Cyprien Gaillard. Gate S, 2013. Frottage, 150 x 150 cm. Courtesy Laura Bartlett Gallery, London and Sprueth Magers, Berlin/London. https://www.studiointernational.com/images/articles/f/frieze-london-2013/SS72_Untitled-(Cairn)_2013-a.jpg Sarah Sze. Untitled (Cairn), 2013. Courtesy Victoria Miro Gallery. https://www.studiointernational.com/images/articles/f/frieze-london-2013/BRUEGHEL-VP4596-Census-at-Bethlehem.jpg Pieter Brueghel the Younger. (Brussels 1564 – 1638 Antwerp). The Census at Bethlehem. On canvas, 122.7 x 171.7 cm (48 ¼ x 67¾ ins). Courtesy Johnny Van Haeften Ltd. https://www.studiointernational.com/index.php/whistler-and-the-thames https://www.studiointernational.com/images/articles/w/whistler-2013/A-Portrait-of-Whistler_1859-etching_British-Museum.jpg James Abbott McNeill Whistler. Whistler with a hat, 1859. Etching, 283 x 200 mm. The British Museum, London. https://www.studiointernational.com/images/articles/w/whistler-2013/Blue-and-Gold-Old-Battersea-Bridge,-Tate.jpg James Abbott McNeill Whistler. Nocturne: Blue and Gold ‐ Old Battersea Bridge, 1872-3. Oil on canvas, 68.3 x 51.2 cm. Tate, London. https://www.studiointernational.com/images/articles/w/whistler-2013/Symphony-in-White-no-2-The-Little-White-Girl,-Tate.jpg James Abbott McNeill Whistler. Symphony in White No. 2: The Little White Girl, 1864. Oil on canvas, 76.5 x 51.1 cm. Tate, London. https://www.studiointernational.com/images/articles/w/whistler-2013/The-Thames-at-Battersea_Whistler_British-Museum.jpg James Abbott McNeill Whistler. Battersea, c.1876-8. Watercolour, 90 x 123 mm. The British Museum, London. https://www.studiointernational.com/images/articles/w/whistler-2013/UMMA_Old-Battersea-Bridge_etching.jpg James Abbott McNeill Whistler. Old Battersea Bridge, 1878-9. Etching and drypoint, 202 x 293 mm. University of Michigan Museum of Art. https://www.studiointernational.com/images/articles/w/whistler-2013/Vauxhall-Bridge-1861-etching-V&A.jpg James Abbott McNeill Whistler. Vauxhall Bridge, 1861. Etching and drypoint, 217 x 278 mm. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/w/whistler-2013/Whistler_Brown-and-Silver-Old-Battersea-Bridge_Addison-Gallery.jpg James Abbott McNeill Whistler. Brown and Silver: Old Battersea Bridge, 1859‐63. Oil on canvas mounted on masonite, 63.82 x 76.04. Addison Gallery of American Art, Andover. https://www.studiointernational.com/images/articles/w/whistler-2013/Whistler_Designs-for-Wall-Decorations_Hunterian.jpg James Abbott McNeill Whistler. Designs for wall decorations r: Designs for 2 Lindsey Row r. & v.: Whistler's House, 2 Lindsey Row, 1877‐8. Pen and ink, 225 x 180 mm. The Hunterian, University of Glasgow. https://www.studiointernational.com/images/articles/w/whistler-2013/Whistler_The-Tall-Bridge_Hunterian.jpg James Abbott McNeill Whistler. The Tall Bridge, 1878. Lithotint, 343 x 244 mm. The Hunterian, University of Glasgow. https://www.studiointernational.com/images/articles/w/whistler-2013/Whistler_Wapping_NGA.jpg James Abbott McNeill Whistler. Wapping, 1860‐4. Oil on canvas, 71.1 x 101.6 cm. National Gallery of Art, Washington DC. https://www.studiointernational.com/images/articles/w/whistler-2013/Whsitler_Battersea-Reach-from-Lindsey-Houses_Hunterian.jpg James Abbott McNeill Whistler. Battersea Reach from Lindsey Houses, c.1864. Oil on canvas, 51 x 76.52 cm. The Hunterian, University of Glasgow. https://www.studiointernational.com/index.php/mark-bradford https://www.studiointernational.com/images/articles/b/bradford-mark-2013/Mark-Bradford-Biting-the-Book-2013-(screen-res).jpg Mark Bradford. Biting the Book, 2013. Mixed media on canvas, 102 5/16 x 144 11/16 in (259.8 x 367.5 cm). © Mark Bradford. Photograph: Ben Westoby. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/bradford-mark-2013/Mark-Bradford-Dusty-Knees-2013-(screen-res).jpg Mark Bradford. Dusty Knees, 2013. Mixed media on canvas, 102 x 144 in (259.1 x 365.8 cm). © Mark Bradford. Photograph: Ben Westoby. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/bradford-mark-2013/Mark-Bradford-Receive-Calls-On-Your-Cellphone-From-Jail-2013-(screen-res).jpg Mark Bradford. Receive Calls On Your Cellphone From Jail, 2013. Mixed media on canvas, 150 panels, each: 53 3/8 x 34 3/4 in (135.6 x 88.3 cm). © Mark Bradford. Photograph: Ben Westoby. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/bradford-mark-2013/Mark-Bradford-Constitution-I-2013-(screen-res).jpg Mark Bradford. Constitution I, 2013. Mixed media on canvas, 120 x 132 in (304.8 x 335.3 cm). © Mark Bradford. Photograph: Jack Hems. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/bradford-mark-2013/Mark-Bradford-Michigan-2013-(screen-res).jpg Mark Bradford. Michigan, 2013. Mixed media on canvas, 102 x 144 1/4 in (259.1 x 366.4 cm). © Mark Bradford. Photograph: Ben Westoby. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/bradford-mark-2013/Mark-Bradford-Among-Wires-and-Blood-2013-(screen-res).jpg Mark Bradford. Among Wires and Blood, 2013. Mixed media on canvas, 102 x 144 1/4 in (259.1 x 366.4 cm). © Mark Bradford. Photograph: Ben Westoby. Courtesy White Cube. https://www.studiointernational.com/index.php/kentridge https://www.studiointernational.com/images/articles/k/kentridge-william-2013/1-William-Kentridge-The-Refusal-of-Time_MMA-Installation.jpg William Kentridge. The Refusal of Time (installation view 1 at The Metropolitan Museum of Art, New York) 2012. Five-channel video with sound, megaphones, and breathing machine (‘elephant’), 30 minutes. A collaboration with Philip Miller, Catherine Meyburgh, and Peter Galison. Jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art Purchase, Roy R. and Marie S. Neuberger Foundation Inc. and Wendy Fisher Gifts and The Raymond and Beverly Sackler 21st Century Art Fund, 2013. © 2012 William Kentridge. https://www.studiointernational.com/images/articles/k/kentridge-william-2013/3-William-Kentridge-The-Refusal-of-Time_MMA-Installation.jpg William Kentridge. The Refusal of Time (installation view 2 at The Metropolitan Museum of Art, New York) 2012. Five-channel video with sound, megaphones, and breathing machine (‘elephant’), 30 minutes. A collaboration with Philip Miller, Catherine Meyburgh, and Peter Galison. Jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art Purchase, Roy R. and Marie S. Neuberger Foundation Inc. and Wendy Fisher Gifts and The Raymond and Beverly Sackler 21st Century Art Fund, 2013. © 2012 William Kentridge. https://www.studiointernational.com/images/articles/k/kentridge-william-2013/5-William-Kentridge-The-Refusal-of-Time_MMA-Installation.jpg William Kentridge. The Refusal of Time (installation view 3 at The Metropolitan Museum of Art, New York) 2012. Five-channel video with sound, megaphones, and breathing machine (‘elephant’), 30 minutes. A collaboration with Philip Miller, Catherine Meyburgh, and Peter Galison. Jointly owned by The Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art Purchase, Roy R. and Marie S. Neuberger Foundation Inc. and Wendy Fisher Gifts and The Raymond and Beverly Sackler 21st Century Art Fund, 2013. © 2012 William Kentridge. https://www.studiointernational.com/index.php/masterpieces-of-chinese-painting https://www.studiointernational.com/images/articles/c/chinese-masters-2013/Chen_Rong_Nine_Dragons.jpg Chen Rong. Nine Dragons (detail), 1244. Photograph © 2013 Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/c/chinese-masters-2013/Emperor_Huizong-Court_Ladies_Preparing_Newly_Woven_Wilk.jpg Possibly Emperor Huizong. Court Ladies Preparing Newly Woven Silk (detail), early 12th century. Photograph © 2013 Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/c/chinese-masters-2013/Five_Planets_and_Twenty-eight_Mansions_-_detail.jpg Unidentified Artist; traditionally attributed to Zhang Sengyou. The Five Planets and Twenty-eight Constellations (detail), 960-1127. © Osaka City Museum of Fine Arts https://www.studiointernational.com/images/articles/c/chinese-masters-2013/Mao_Song_A_Monkey_.jpg Unidentified artist; traditionally attributed to Mao Song. Monkey, 2nd quarter 12th century. Tokyo National Museum, Japan. Photograph: TNM Image Archives. https://www.studiointernational.com/images/articles/c/chinese-masters-2013/QiuYing-Saying_Farewell_at_Xunyang_-_detail.jpg Qiu Ying (1495-1552). Saying Farewell at Xunyang (detail), 1st half of 16th century. The Nelson-Atkins Museum of Art, Kansas City. Photograph: John Lamberton. https://www.studiointernational.com/images/articles/c/chinese-masters-2013/Ren_Renfa_Four_Pleasures_3_.jpg Unidentified artist; traditionally attributed to Ren Renfa. The Four Pleasures: Music, Chess, Calligraphy and Painting (detail), early 15th century. Tokyo National Museum, Japan. Photograph: TNM Image Archives. https://www.studiointernational.com/index.php/paul-klee https://www.studiointernational.com/images/articles/k/klee-paul-2013/Paul-Klee-Steps.jpg Paul Klee, Steps, 1929. Oil and ink on canvas,
520 x 430 mm.
Moderna Museet (Stockholm, Sweden). https://www.studiointernational.com/images/articles/k/klee-paul-2013/Paul-Klee-Redgreen-and-Violet-Yellow-Rhythms-1920.jpg Paul Klee.
 Redgreen and Violet-Yellow Rhythms, 1920.
Lent by The Metropolitan Museum of Art, The Berggruen Klee Collection, 1984 (1984.315.19) 
Image © The Metropolitan Museum of Art / Source: Art Resource/Scala Photo Archives. https://www.studiointernational.com/images/articles/k/klee-paul-2013/Paul-Klee-Park-near-Lu-1938.jpg Paul Klee.
Park near Lu, 1938.
Zentrum Paul Klee. https://www.studiointernational.com/images/articles/k/klee-paul-2013/Paul-Klee-Fire-at-Full-Moon-1933.jpg Paul Klee.
Fire at Full Moon, 1933.
Museum Folkwang, Essen, Germany. https://www.studiointernational.com/images/articles/k/klee-paul-2013/Paul-Klee-Comedy-1921.jpg Paul Klee. 
Comedy, 1921. 
Watercolour and oil on paper, 305 x 454 mm. Tate. Purchased 1946. https://www.studiointernational.com/index.php/daumier-visions-of-paris https://www.studiointernational.com/images/articles/d/daumier-honore-2013/Key-009.jpg Honoré Daumier. Lunch in the Country, c.1867-8. Oil on panel, 26 x 34 cm. National Museum of Wales, Cardiff. Photograph © National Museum of Wales. https://www.studiointernational.com/images/articles/d/daumier-honore-2013/Key-08.jpg Honoré Daumier. Man on a Rope, c.1858. Oil on canvas, 110.5 x 72.4 cm. Museum of Fine Arts, Boston. Tompkins Collection - Arthur Gordon Tompkins Fund. https://www.studiointernational.com/images/articles/d/daumier-honore-2013/Key-15-new.jpg Honoré Daumier. The Print Collector, c.1857-63. Oil on cradled panel, 42.3 x 33 cm. The Art Institute, Chicago. https://www.studiointernational.com/images/articles/d/daumier-honore-2013/Key-172.jpg Honoré Daumier. Salon de 1857 ... Triste Contenance de la Sculpture, 22 July 1857. Lithograph, second state, album impression, hand-coloured, 33 x 24.5 cm. Museum of Fine Arts, Boston. Bequest of William Perkins Babcock. https://www.studiointernational.com/images/articles/d/daumier-honore-2013/Key-27.jpg Honoré Daumier. Clown Playing a Drum, c.1865-7. Pen and black and grey ink, grey wash, watercolour, touches of gouache, 35.4 x 25.6 cm. The British Museum, London. Photograph © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/daumier-honore-2013/Key-29.jpg Honoré Daumier. The Defence, c.1865. Pen and ink and watercolour, 22.5 x 30 cm. The Samuel Courtauld Trust, The Courtauld Gallery, London. Photograph: The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/d/daumier-honore-2013/Key-30.jpg Honoré Daumier. Don Quixote and Sancho Panza, c.1855. Oil on oak, 40.3 x 64.1 cm. The National Gallery, London. Sir Hugh Lane Bequest, 1917. https://www.studiointernational.com/images/articles/d/daumier-honore-2013/Key-55.jpg Honoré Daumier. The Third Class Railway Carriage, 1862-4. Oil on canvas, 65.4 x 90.2 cm. The Metropolitan Museum of Art, New York. Photograph: © The Metropolitan Museum of Art/Art Resource/Scala, Florence. https://www.studiointernational.com/index.php/art-turning-left https://www.studiointernational.com/images/articles/a/art-turning-left-2013/p07143_el_lissitzky_sportsmen_1923_0.jpg El Lissitzky.
 Sportsmen (Sportier), 1923.
 Lithograph on paper
, 510 x 430 mm.
 Tate 
Image courtesy of Tate. https://www.studiointernational.com/images/articles/a/art-turning-left-2013/cildo-miereles-t12328.jpg Cildo Meireles. 
Insertions into Ideological Circuits: Coca-Cola Project, 1970. 
© Cildo Meireles. https://www.studiointernational.com/images/articles/a/art-turning-left-2013/jaques_louis_david_-_la_mort_de_marat.jpg Jacques-Louis David. The Death of Marat, 1793.
 Photograph: C Devleeschauwer.
 © Musee des Beaux-Arts. https://www.studiointernational.com/index.php/patricia-johanson https://www.studiointernational.com/images/articles/j/johanson-patricia-2013/1968_aerial_stephenlong_kopie.jpg Patricia Johanson. Stephen Long, 1968; Burkirk, ny. Paint on plywood, 48,768 x 5 x 1.2 cm. https://www.studiointernational.com/images/articles/j/johanson-patricia-2013/1981-86_dallas_pteris_paths&_duckweed_kopie.jpg Patricia Johanson. Dallas Pteris Paths & Duckweed, 1981-86. https://www.studiointernational.com/images/articles/j/johanson-patricia-2013/garden_of_sulphur_and_tar_(for_bob),_1969_kopie.jpg Patricia Johanson. Garden of Sulphur and Tar (for Bob), 1969. 43.18 x 58.42 cm. https://www.studiointernational.com/images/articles/j/johanson-patricia-2013/industrial_park,_1969_kopie.jpg Patricia Johanson. Industrial Park, 1969. 43.18 x 58.42 cm https://www.studiointernational.com/images/articles/j/johanson-patricia-2013/living_apartment_houses,_1969.jpg Patricia Johanson. Living Apartment Houses, 1969. 43.18 x 58.42 cm https://www.studiointernational.com/images/articles/j/johanson-patricia-2013/regional_highway_garden-_nature_walk,_1969.jpg Patricia Johanson. Regional Highway Garden – Nature Walk, 1969. 43.18 x 58.42 cm. https://www.studiointernational.com/images/articles/j/johanson-patricia-2013/sculpted_flood_plain,_1969.jpg Patricia Johanson. Sculpted Flood Plain, 1969. 43.18 x 58.42 cm. https://www.studiointernational.com/images/articles/j/johanson-patricia-2013/Patricia-Johanson-Book-Cover.jpg Patricia Johanson and the Re-Invention of Public Environmental Art, 1958–2010 book cover. https://www.studiointernational.com/index.php/permission-granted-tania-bruguera-s-immigrant-movement-international https://www.studiointernational.com/images/articles/b/bruguera-tania-2013/TBruguera_Awareness-Ribbon.jpg Tania Bruguera. Awareness Ribbon for Immigrant Respect Campaign, 2011. Awareness campaign. Metal pins, community meetings, letters sent to elected officials, media. Photograph: Camilo Godoy Courtesy of Immigrant Movement International (web). https://www.studiointernational.com/index.php/our-voice-as-protagonist-a-meeting-with-tania-bruguera https://www.studiointernational.com/images/articles/b/bruguera-tania-2013/Tania-Bruguera-at-CIMAM.jpg Tania Bruguera at the Museum of Modern Art in Rio de Janeiro. The Cuban installation and performance artist was a keynote speaker at the International Committee for Museums and Collections of Modern Art Conference (CIMAM) held in Brazil, August 2013. https://www.studiointernational.com/images/articles/b/bruguera-tania-2013/TBruguera_IMTown-Hall_016.jpg Tania Bruguera. Immigrant Movement International (IM International). Location: Corona, Queens, New York, United States. Conception year: 2006. Implementation years: 2010‐15. Medium: Appropriation of Political Strategies, Useful Art Duration: Long‐Term project Materials: Immigration policies and laws, Immigrant Population, Elected Officials, Politicians, Community Organizations, Public Pressure, Media. Courtesy of Immigrant Movement International. Photograph: IM International. https://www.studiointernational.com/images/articles/b/bruguera-tania-2013/TBruguera_IM.jpg Tania Bruguera. Immigrant Movement International, 2011–15. Event #1: MAKE A MOVEMENT (Slogan Workshop), 3 April 2011. Courtesy Studio Bruguera and Immigrant Movement International. Photograph: Ahram Jeon. https://www.studiointernational.com/images/articles/b/bruguera-tania-2013/TBruguera_United-Nations-01.jpg Tania Bruguera. MIGRANT MANIFESTO. First public reading of the Migrant Manifesto at the United Nations Student Conference on Human Rights. 2 December 2011. Courtesy of Immigrant Movement International. Photograph: Creative Time. https://www.studiointernational.com/images/articles/b/bruguera-tania-2013/TBruguera_Tatlins-whisper-5.jpg Tania Bruguera. Tatlin's Whispers #5, 2008. Medium: Decontextualization of an action. Materials: Mounted police, crowd control techniques, audience, dimensions variable. Performance view at UBS Openings: Live The Living Currency, Tate Modern. Photograph: Sheila Burnett. Courtesy Tate Modern. https://www.studiointernational.com/images/articles/b/bruguera-tania-2013/TBruguera_Tatlins-Whisper-6-Havana-Version.jpg Tania Bruguera. Tatlin Whisper # 6 (Havana version), 2009. Medium: Decontextualization of an action, Behaviour art materials: stage, podium, microphones, one loudspeaker inside and one loudspeaker outside of the building, two persons dressed in a military outfit, white dove, one minute free of censorship per speaker, 200 disposable cameras with flash. Performance view at Central Patio of the Wifredo Lam Contemporary Art Center. 10th Havana Biennial. Havana, Cuba. Courtesy of Studio Bruguera. https://www.studiointernational.com/index.php/klara-liden https://www.studiointernational.com/images/articles/l/liden-klara-2013/Klara_Liden_09.jpg Klara Lidén. Untitled (Poster Painting), 2010. Posters, Wheat Paste, 85 x 250 x 5cm. Collection: Carl Kostyái, London. https://www.studiointernational.com/images/articles/l/liden-klara-2013/Klara_Liden_01.jpg Klara Lidén. Installation shot of Untitled (Poster Paintings), 2007–13, for the exhibition The Myth of Progress, 2013. Photograph: Denis Mortell 2013 © Irish Museum of Modern Art. https://www.studiointernational.com/index.php/interview-with-john-mellencamp https://www.studiointernational.com/images/articles/m/mellencamp-john-2013/john-mellencamp-Strange-Fruit-2006.jpg John Mellencamp. Strange Fruit, 2006. Mixed media/canvas, two panels 60 x 42, 58 x 55 in. Image courtesy of the artist. © John Mellencamp. https://www.studiointernational.com/images/articles/m/mellencamp-john-2013/john-mellencamp-Self-With-Green-Backgound-1993.jpg John Mellencamp. Self with Green Background, 1993. Oil on canvas, 28 x 25 in. Image courtesy of the artist. © John Mellencamp. https://www.studiointernational.com/images/articles/m/mellencamp-john-2013/john-mellencamp-Hillbilly-Singer-2005.jpg John Mellencamp. Hillbilly Singer, 2005. Oil on canvas, 60 x 48 in. Image courtesy of the artist. © John Mellencamp. https://www.studiointernational.com/images/articles/m/mellencamp-john-2013/john-mellencamp-Gun-Control-2013-53.jpg John Mellencamp. Gun Control, 2013. Oil on canvas, 53.5 x 72 in. Image courtesy of the artist. © John Mellencamp. https://www.studiointernational.com/images/articles/m/mellencamp-john-2013/john-mellencamp-Scooter-2012.jpg John Mellencamp. Scooter, 2012. Oil on canvas, 24 x 28 in. Image courtesy of the artist. © John Mellencamp. https://www.studiointernational.com/images/articles/m/mellencamp-john-2013/john-mellencamp-BRMC-2012.jpg John Mellencamp. BRMC, 2012. Mixed media/canvas, 40 x 36 in. Image courtesy of the artist. © John Mellencamp. https://www.studiointernational.com/images/articles/m/mellencamp-john-2013/john-mellencamp-Man-In-The-Cage-2008.jpg John Mellencamp. Man in the Cage, 2008. Mixed media/canvas, 72 x 56 in. Image courtesy of the artist. © John Mellencamp. https://www.studiointernational.com/images/articles/m/mellencamp-john-2013/john-mellencamp-DSC_2607.jpg John Mellencamp. Photograph: Joe Rudinec, Rudinec & Associates. https://www.studiointernational.com/index.php/painting-now-five-contemporary-artists https://www.studiointernational.com/images/articles/p/painting-now-2013/image1(ling).jpg Simon Ling. Untitled, 2012 . © Simon Ling. https://www.studiointernational.com/images/articles/p/painting-now-2013/image2(Ling).jpg Simon Ling. Untitled, 2012. © Simon Ling. https://www.studiointernational.com/images/articles/p/painting-now-2013/Image3(Carnegie).jpg Gillian Carnegie. Prince, 2011–12. © Gillian Carnegie, courtesy the artist and Galerie Gisela Capitain, Cologne. https://www.studiointernational.com/images/articles/p/painting-now-2013/Image4(Abts).jpg Tomma Abts. Zebe, 2010. © Tomma Abts. https://www.studiointernational.com/images/articles/p/painting-now-2013/image5(abts).jpg Tomma Abts. Jeels, 2012. © Tomma Abts, Courtesy Galerie Buchholz, Berlin/Cologne. https://www.studiointernational.com/images/articles/p/painting-now-2013/Image6(story).jpg Catherine Story. Lovelock (I), 2010. © Catherine Story. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/p/painting-now-2013/Image7(Mckenzie).jpg Lucy McKenzie. Quodlibet XX (Fascism), 2012. © Lucy McKenzie. Photograph: Galerie Micheline Szwajcer. https://www.studiointernational.com/images/articles/p/painting-now-2013/Image8(story).jpg Catherine Story. Big Foot (II), 2009. © Catherine Story. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/p/painting-now-2013/image9(McKenzie).jpg Lucy McKenzie. Quodlibet XXII (Nazism), 2012. © Lucy McKenzie. Photograph: Galerie Micheline Szwajcer. https://www.studiointernational.com/index.php/the-queens-museum-new-york-reopens https://www.studiointernational.com/images/articles/q/queens-museum-2013/DSC04276.jpg The Queens Museum has a new name and a new life. Formerly the Queens Museum of Art, it reopened its doors to the public on 9 November. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/queens-museum-2013/DSC04324.jpg Panorama. 9,335 sq ft model of all five boroughs of the City of New York, 1:1,200 scale, wood, plastic, paper and brass. The model was originally commissioned by the legendary Robert Moses for the 1964 World’s Fair. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/queens-museum-2013/DSC04340.jpg Maria Magdalena Campos-Pons and Neil Leonard's performance, Rosa de los Vientos, Winds Rose to celebrate the opening of Citizens of the World: Cuba in Queens. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/queens-museum-2013/DSC04293.jpg Estudiantina Boliviana NYC, after their welcoming performance. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/queens-museum-2013/DSC04335.jpg Peter Schumann. The Shatterer. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/queens-museum-2013/DSC04298.jpg Peter Schumann. The Shatterer (view 2). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/queens-museum-2013/DSC04305.jpg Alice Hope and her chains work Untitled, 2013. Aluminum ball chain on perforated aluminium panel, 6 x 6 feet. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/q/queens-museum-2013/DSC04327.jpg Roberto Diago. Ciudad en ascenso (Ascending City), 2009. Charred wood installation. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/eileen-gray-architect-designer-painter https://www.studiointernational.com/images/articles/g/gray-eileen-2013/eileen-gray-Bibendum-armchair.jpg Eileen Gray. Bibendum armchair, circa 1930. Back and armrests made of two flared stacked rolls, stitched onto a deep semi-circular seat, canvas upholstery, originally ivory covered, chromed metal base. Photography: Christian Baraja, studio SLB and Provenance: Private collection, Paris.
 https://www.studiointernational.com/images/articles/g/gray-eileen-2013/eileen-gray-Cabinet-with-pivotting-drawers-2.jpg Eileen Gray. Cabinet with pivoting drawers, circa 1926-1929. Painted wood. Piece of furniture from the E1027 villa. Centre Pompidou, Musée national d’art moderne, Paris. Purchase, 1992. https://www.studiointernational.com/images/articles/g/gray-eileen-2013/eileen-gray-Dressing-table-screen.jpg Eileen Gray. Dressing table-screen, circa 1926-1929. Painted wood, aluminium, glass, cork, aluminium leaf. Piece of furniture from the E1027 villa. Centre Pompidou, musée national d’art moderne, Paris. Purchase, 1992. https://www.studiointernational.com/images/articles/g/gray-eileen-2013/Eileen_Gray-11.jpg Installation view of the exhibition Eileen Gray Architect Designer Painter, Irish Museum of Modern Art, 2013, Photograph: Denis Mortell. https://www.studiointernational.com/images/articles/g/gray-eileen-2013/Eileen_Gray-26.jpg Installation view (2) of the exhibition Eileen Gray Architect Designer Painter, Irish Museum of Modern Art, 2013, Photograph: Denis Mortell. https://www.studiointernational.com/index.php/the-serpentine-gallery-expands https://www.studiointernational.com/images/articles/s/serpentine-sackler-2013/_MG_1884-press-page.jpg Serpentine Sackler Gallery. 
Zaha Hadid Architects. Night view. Photograph © 2013 Luke Hayes. https://www.studiointernational.com/images/articles/s/serpentine-sackler-2013/_MG_1902-press-page.jpg Serpentine Sackler Gallery. 
Zaha Hadid Architects. Night view 2. Photograph © 2013 Luke Hayes. https://www.studiointernational.com/images/articles/s/serpentine-sackler-2013/_MG_8820.jpg Serpentine Sackler Gallery. 
Zaha Hadid Architects. Photograph © 2013 Luke Hayes. https://www.studiointernational.com/images/articles/s/serpentine-sackler-2013/_MG_0370-press-page.jpg Serpentine Sackler Gallery. 
Zaha Hadid Architects. Detail. Photograph © 2013 Luke Hayes. https://www.studiointernational.com/images/articles/s/serpentine-sackler-2013/Serpentine-Sackler-Gallery-rendering.jpg Rendering of Serpentine Sackler Gallery by
 Zaha Hadid Architects
 © Zaha Hadid Architects. https://www.studiointernational.com/index.php/heaven-and-earth-art-of-byzantium-from-greek-collections https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-039.jpg Table Support with the Good Shepherd, first half of 4th century. Prokonnesian marble, overall: 73 x 28 x 28.5 cm (28 3/4 x 11 x 11 1/4 in.) Byzantine and Christian Museum, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-048.jpg Mosaic icon of the Virgin Episkepsis, late 13th century. Glass, gold, and silver tesserae, overall: 107 x 73.5 cm (42 1/8 x 28 15/16 in.). Byzantine and Christian Museum, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-050.jpg Icon of the Crucifixion, first half of 14th century. Tempera and gold on wood, overall: 103.6 x 84 x 4.5 cm (40 13/16 x 33 1/16 x 1 3/4 in.). Byzantine and Christian Museum, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-068.jpg Fragment of a wall painting of the washing of the feet, 1360-1380. Fresco, overall: 92 x 78 x 6 cm (36 1/4 x 30 11/16 x 2 3/8 in.) Musem of Byzantine Culture, Thessaloniki. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-088.jpg Earring with Kufic inscriptions, first half of 10th century. Gold, pearls, and cloisonné enamel height: 4.8 x 3.6 cm (1 7/8 x 1 7/16 in.). National Archaeological Museum, Stathatos Collection, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-089.jpg Engagement ring, late 12th-13th century. Gold with enamel, diameter: 1.6 cm (5/8 in.). National Archaeological Museum, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-103.jpg Andreas Pavias. Icon of the Crucifixion, second half of 15th century. Egg tempera and gold on wood, overall: 83.5 x 59 cm (32 7/8 x 23 1/4 in.) National Gallery, Alexandros Soutzos Museum, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-121.jpg Head of Artemis, mid-3rd century or later. Marble, height: 12.1 cm (4 3/4 in.). Archaeological Museum of Ancient Corinth. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-127.jpg The Four Gospels with portrait of the evangelist Matthew, mid-10th century. Tempera, gold, and ink on parchment, overall: 34 x 25 cm (13 3/8 x 9 13/16 in.). National Library of Greece, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-134.jpg Unknown Artist. Hyperpyron of John V Palaiologos, 1341-1391. Gold, diameter: 2.5 cm (1 in.). Numismatic Museum, Athens https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-152.jpg Unknown Artist. Solidus of Irene of Athens, 797-802. Gold, diameter: 2 cm (13/16 in.). Numismatic Museum, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-156.jpg Unknown Artist. Head of Aphrodite, 1st century. Marble, possibly Parian (Marathi), height: 15 3/4 in. (40 cm). National Archaeological Museum, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-182.jpg Unknown Artist. Necklace or ornament for a dress, 4th century. Gold and precious stones; opus interrasile, overall size: 12.8 x 22.8 cm (5 1/16 x 9 in.). Museum of Cycladic Art, Athens. https://www.studiointernational.com/images/articles/h/heaven-and-earth-2013/3514-194.jpg Unknown Artist. Reliquary in the shape of a sarcophagus, 6th century. Marble, overall size: 11 x 25.5 x 15 cm (4 5/16 x 10 1/16 x 5 7/8 in.). Byzantine Museum of Naxos (Glezos Tower). https://www.studiointernational.com/index.php/crisis-and-catharsis-in-clay-an-interview-with-sana-musasama https://www.studiointernational.com/images/articles/m/musasama-sana-2013/sana-musasama-in-her-studio.jpg Sana Musasama in her studio. Photograph courtesy of Sana Musasama. https://www.studiointernational.com/images/articles/m/musasama-sana-2013/Musasama-The-Wall,-2010,-ceramic-and-mixed-media,-16-x-21-x-11-inches-ARTnews.jpg Sana Musasama. The Wall, 2010. Ceramic and mixed media, 16 x 21 x 11 in. Courtesy of the artist and the June Kelly Gallery, NY. https://www.studiointernational.com/images/articles/m/musasama-sana-2013/Musasama-Cut.jpg Sana Musasama. Cut, 2013. Stoneware, mixed media. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/musasama-sana-2013/musasama-pot_1_10.jpg Sana Musasama. House Series #1, 1978-1985. Vessel Pottery, undated. https://www.studiointernational.com/images/articles/m/musasama-sana-2013/musasama-pot_5_10.jpg Sana Musasama. House Series #5, 1978-1985. Vessel Pottery, undated. https://www.studiointernational.com/images/articles/m/musasama-sana-2013/Musasama,-I-Wonder,-2010,-ceramic-and-mixed-media-on-painted-canvas,-29.50-x-20.50-inches.jpg Sana Musasama. I Wonder, 2010. Ceramic and mixed media on painted canvas, 29.5 x 20.5 in. Courtesy of the artist and the June Kelly Gallery, NY. https://www.studiointernational.com/images/articles/m/musasama-sana-2013/Musasama-They-Raped-the-Mountains-for-the-Gold-_2c.jpg Sana Musasama. They Raped the Mountains for the Gold, 2007-10. Ceramic and mixed media on painted canvas, 60 x 17 in. Courtesy of the June Kelly Gallery, NY. https://www.studiointernational.com/images/articles/m/musasama-sana-2013/Ten-Fingers.jpg Sana Musasama. Ten Fingers Your Hands Are Tools, 2008-10. Ceramic and mixed media on painted canvas, 59 x 19 in. Courtesy of the June Kelly Gallery, NY. https://www.studiointernational.com/images/articles/m/musasama-sana-2013/Musasama-Maple-Tree-Series-II,1994,-54-x-12-x-15-inches,-ceramic.jpg Sana Musasama. Maple Tree Series #II, 1994. Ceramic, 54 x 12 x 15 in. Courtesy of the artist and the June Kelly Gallery, NY. https://www.studiointernational.com/index.php/magrittes-lonely-art https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte-clairvoyance.jpg René Magritte. La clairvoyance (Clairvoyance), 1936. Oil on canvas, 21 1/4 x 25 9/16″ (54 x 65 cm). Mr. and Mrs. Wilbur Ross. © Charly Herscovici - ADAGP – ARS, 2013. https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte-false-mirror.jpg René Magritte. Le faux miroir (The False Mirror), 1929. Oil on canvas, 21 1/4 x 31 7/8″ (54 x 80.9 cm). The Museum of Modern Art, New York. Purchase. © Charly Herscovici -–ADAGP – ARS, 2013. https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte-human-condition.jpg René Magritte. La condition humaine (The Human Condition), 1933. Oil on canvas, 100 x 81 x 1.6 cm (39 3/8 x 31 7/8 x 5/8 in.). National Gallery of Art, Washington, Gift of the Collector’s Committee. © Charly Herscovici -–ADAGP – ARS, 2013 https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte-interpretation-of-dreams.jpg René Magritte. La clef des songes (The Interpretation of Dreams), 1935. Oil on canvas, 16 1/8 x 10 5/8″ (41 x 27 cm). Collection of Jasper Johns. © Charly Herscovici - ADAGP – ARS, 2013. Photograph: Jerry Thompson. https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte_menace-dassassin.jpg René Magritte. L’assassin menacé (The Menaced Assassin), 1927. Oil on canvas, 59 1/4″ x 6′ 4 7/8″ (150.4 x 195.2 cm). Museum of Modern Art. Kay Sage Tanguy Fund. © Charly Herscovici – ADAGP – ARS, 2013. https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte_not-to-be-reproduced.jpg René Magritte. La reproduction interdite (Not to be Reproduced), 1937. Oil on canvas, 31 7/8 x 25 9/16 in. (81 x 65 cm). Museum Boijmans van Beuningen, Rotterdam. © Charly Herscovici - ADAGP – ARS, 2013. Photograph: Studio Tromp, Rotterdam. https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte_palace-of-curtains.jpg René Magritte. Le Palais de rideaux, III (The Palace of Curtains, III), 1928-29. Oil on canvas, 32 x 45 7/8″ (81.2 x 116.4 cm). Museum of Modern Art, New York. The Sidney and Harriet Janis Collection. © Charly Herscovici - ADAGP – ARS, 2013. https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte_the-lovers.jpg René Magritte. Les amants (The Lovers), 1928. Oil on canvas, 21 3/8 x 28 7/8″ (54 x 73.4 cm). Museum of Modern Art. Gift of Richard S. Zeisler. © Charly Herscovici - ADAGP – ARS, 2013. https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte_the-portrait.jpg René Magritte. Le portrait (The Portrait), 1935. Oil on canvas, 28 7/8 x 19 7/8″ (73.3 x 50.2 cm). Museum of Modern Art. Gift of Kay Sage Tanguy. © Charly Herscovici - ADAGP – ARS, 2013. https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte_time-transfixed.jpg René Magritte. La durée poignardée (Time Transfixed), 1938. Oil on canvas, 57 7/8 x 39″ (147 x 99 cm). The Art Institute of Chicago, Chicago. Joseph Winterbotham Collection. © Charly Herscovici - ADAGP – ARS, 2013. https://www.studiointernational.com/images/articles/m/magritte-rene-2013/rene-magritte_treachery-of-images.jpg René Magritte. La trahison des images (Ceci n’est pas une pipe) (The Treachery of Images [This is Not a Pipe]), 1929. Oil on canvas.,23 3/4 x 31 15/16 x 1 in. (60.33 x 81.12 x 2.54 cm). Los Angeles County Museum of Art, Los Angeles, California, U.S.A. © Charly Herscovici – ADAGP – ARS, 2013. Photograph: Digital Image © 2013 Museum Associates/LACMA,Licensed by Art Resource, NY. https://www.studiointernational.com/index.php/body-language https://www.studiointernational.com/images/articles/b/body-language-2013/CJ289_Walking-Woman_2004.jpg Chantal Joffe. 
Walking Woman, 
2004
. Oil on board
, 305 x 124 cm. © Chantal Joffe, 2004. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/body-language-2013/Installation-view,-Marianne-Vitale-&-Denis-Tarasov.jpg Marianne Vitale & Denis Tarasov. Installation view. © Sam Drake, 2013. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/body-language-2013/Kovitz,-Carnalitos-(Unamuno).jpg Kasper Kovitz. Carnalitos (Unamuno), 2010. Iberico ham, concrete, 50 x 29 x 29 cm. © Kasper Kovitz, 2010. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/body-language-2013/Kudo,-Floating-Island.jpg Makiko Kudo. Floating Island, 2012. Oil on canvas, 227 x 364.6 cm. © Makiko Kudo, 2012. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/body-language-2013/Stegner-Great-Plains.jpg Jansson Stegner. Great Plains, 2007. Oil on linen, 122 x 86.4 cm. © Jansson Stegner, 2007. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/body-language-2013/Walking-With-Vito-2008.jpg Henry Taylor. Walking with Vito, 2008. Acrylic on canvas, 167.5 x 244 cm. © Henry Taylor, 2008. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/index.php/dennis-oppenheim-thought-collision-factories https://www.studiointernational.com/images/articles/o/oppenheim-dennis-2013/Avoidtheissues.jpg Dennis Oppenheim. Avoid the Issues, 1974. Red and green fireworks sign, potassium nitrate, 60 x 430 cm. Duration: one minute. Location: looking east across East River to Brooklyn. 6.45pm, September. © Dennis Oppenheim. https://www.studiointernational.com/images/articles/o/oppenheim-dennis-2013/whirlpool-eyeofthestorm.jpg Dennis Oppenheim. Whirlpool - Eye of the Storm, 1973. ¾ mile by 4 mile schemata of a vortex (whirlpool), traced in the sky using standard white smoke discharged by an aircraft over El Mirage Dry Lake, Southern California. © Dennis Oppenheim. https://www.studiointernational.com/images/articles/o/oppenheim-dennis-2013/mindlessness.jpg Dennis Oppenheim. Mindlessness, 1974. Proposal for Palais des Beaux-Arts, Brussels. Graphite on vellum, 48.3 x 61 cm. © Dennis Oppenheim. https://www.studiointernational.com/images/articles/o/oppenheim-dennis-2013/narrowmind.jpg Dennis Oppenheim. Narrow Mind, 1974. Fireworks sign, location undisclosed. © Dennis Oppenheim, photograph courtesy Dennis Oppenheim studio. https://www.studiointernational.com/images/articles/o/oppenheim-dennis-2013/ArtAsLivingRitual.jpg Dennis Oppenheim. Kunst als Lebenritual [Art as Living Ritual]. Firework display in a park in Graz, Monday 7 October 1974, 19.30. A photograph of the fireworks sign was shown in the gallery with the remaining wood construction. © Dennis Oppenheim, photograph courtesy Dennis Oppenheim studio. https://www.studiointernational.com/images/articles/o/oppenheim-dennis-2013/Dennis-Oppenheim-installation-view-1.jpg Dennis Oppenheim. Installation view of Launching Structure #3 (An Armature for Projection) (1982). Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/o/oppenheim-dennis-2013/Dennis-Oppenheim-installation-view-2.jpg Dennis Oppenheim. Installation view (2) of Launching Structure #3 (An Armature for Projection), 1982. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/o/oppenheim-dennis-2013/Dennis-Oppenheim-installation-view-3.jpg Dennis Oppenheim. Installation view of Vibrating Forest, 1982. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/index.php/aquatopia-the-imaginary-of-the-ocean-deep https://www.studiointernational.com/images/articles/a/aquatopia-2013/tsi_aquatopia_dorothy_cross_relic_1.jpg Dorothy Cross. 
Relic, 
2010. 
Shark (Porbeagle), 21 carat gold leaf
, 60 x 70 x 182 cm
. Private Collection, London. 
Courtesy of the artist and Kerlin Gallery, Dublin. https://www.studiointernational.com/images/articles/a/aquatopia-2013/tsi_aquatopia_wangechi_mutu_blue_rose_2007.jpg Wangechi Mutu. Blue Rose, 2007. 
Ink, paint, mixed media, plant material and plastic pearls on Mylar
, 58.4 x 55.9 cm
. Courtesy the artist and Victoria Miro, London. 
© Wangechi Mutu. https://www.studiointernational.com/images/articles/a/aquatopia-2013/tsi_aquatopia_hepworth_porthmeor.jpg Dame Barbara Hepworth. Sea Form (Porthmeor), 1958
. Tate. 
© Bowness, Hepworth Estate. https://www.studiointernational.com/index.php/taylor-wessing-photographic-portrait-prize-2013 https://www.studiointernational.com/images/articles/t/taylor-wessing-prize-2013/Katie-Walsh-March-2013-by-Spencer-Murphy.jpg Spencer Murphy. Katie Walsh (March 2013) © Spencer Murphy. https://www.studiointernational.com/images/articles/t/taylor-wessing-prize-2013/Beauty-Recovery-Room-01-by-Ji-Yeo-(c)-Ji-Yeo.jpg Ji Yeo. Beauty Recovery Room 01 © Ji Yeo. https://www.studiointernational.com/images/articles/t/taylor-wessing-prize-2013/Cindy-and-Shirley-Aged-Ten-Holding-Baby-Terry-on-his-Christening-Day-by-Paul-Wenham-Clarke--(c)-Paul-Wenham-Clarke.jpg Paul Wenham-Clarke. Cindy & Shirley Aged Ten Holding Baby Terry on his Christening Day. © Paul Wenham-Clarke. https://www.studiointernational.com/images/articles/t/taylor-wessing-prize-2013/Lakshman-Dongari-by-David-Vintiner-(c)-David-Vintiner.jpg David Vintiner. Lakshman Dongari. © David Vintiner. https://www.studiointernational.com/images/articles/t/taylor-wessing-prize-2013/Martyn,-Sean-and-Jacob-by--William-Lakin-(c)-William-Lakin.jpg William Lakin. Martyn, Sean and Jacob. © William Lakin. https://www.studiointernational.com/images/articles/t/taylor-wessing-prize-2013/The-Ward-Family--by-Sophie-Brocks-(c)-Sophie-Brocks.jpg Sophie Brocks. The Ward Family. © Sophie Brocks. https://www.studiointernational.com/images/articles/t/taylor-wessing-prize-2013/Three-Colours-Red-by-Tom-Stewart-(c)-Tom-Stewart.jpg Tom Stewart. Three Colours Red. © Tom Stewart. https://www.studiointernational.com/index.php/laure-prouvost-wins-turner-prize-2013 https://www.studiointernational.com/images/articles/t/turner-prize-2013/Laure-prouvost-turner-prize-winner-2013.jpg Finalists Laure Prouvost, David Shrigley and Lynette Yadom-Boakyke at the opening of the Turner Prize gallery at Ebrington, Derry-Londonderry. https://www.studiointernational.com/images/articles/t/turner-prize-2013/Laure-Prouvost_Tate-Britain-Installation.jpg Laure Prouvost’s 2013 Turner Prize winning installation. https://www.studiointernational.com/images/articles/t/turner-prize-2013/Laure,-installation.jpg Grandma’s Dream, part of 2013 Turner Prize winner Laure Prouvost’s installation. https://www.studiointernational.com/images/articles/t/turner-prize-2013/Lynette_installation_3.jpg Lynette Yiadom-Boakyke. Installation view at the Turner Prize gallery at Ebrington, Derry-Londonderry. https://www.studiointernational.com/images/articles/t/turner-prize-2013/Shrigley_lifemodel_03.jpg David Shrigley’s Life Model exhibit for the 2013 Turner Prize at Ebrington, Derry-Londonderry. https://www.studiointernational.com/index.php/bloomberg-new-contemporaries-2013 https://www.studiointernational.com/images/articles/b/bloomberg-new-contemporaries-2013/Marlene-steyn-handsome-pool-party.jpg Marlene Steyn. The Handsome Pool Party, 2013. Oil and mixed media on canvas, Plasticine finger sculpture on top of the painting, 111 x 170 cm. https://www.studiointernational.com/images/articles/b/bloomberg-new-contemporaries-2013/lana-locke-orange-netting.jpg Lana Locke. Untitled (orange netting), 2012. Ffound objects, epoxy glue, spray paint, hair, parcel tape, 100 x 46 x 20 cm. https://www.studiointernational.com/images/articles/b/bloomberg-new-contemporaries-2013/ophelia-finke-konquiz-2013.jpg Ophelia Finke. Konquiz, 2013. Wood, paint, varnish, silicon, plastic, found objects, Plasticine, clay, bones, 44 x 47 x 42 cm. https://www.studiointernational.com/images/articles/b/bloomberg-new-contemporaries-2013/rebecca-ackroyd-scruff-2012.jpg Rebecca Ackroyd. Scruff, 2012. Resin, graphite, silver chain, 78 x 96 x 2 cm. https://www.studiointernational.com/index.php/leonora-carrington-the-celtic-surrealist https://www.studiointernational.com/images/articles/c/carrington-leonara-2013/Darvault,-1950.jpg Leonora Carrington. Darvault, c1950. Oil on canvas, 80 x 65 cm. Collection Miguel S. Escobedo, © Estate of Leonora Carrington/ARS. Photograph: Pim Schalkwijk https://www.studiointernational.com/images/articles/c/carrington-leonara-2013/The-Giantess,-1947.jpg Leonora Carrington. The Giantess (The Guardian of the Egg), c1947. Tempera on wood panel, 117 x 68 cm. Collection Miguel S. Escobedo. © Estate of Leonora Carrington/ARS. https://www.studiointernational.com/images/articles/c/carrington-leonara-2013/carrington-Ulus-Pants,1952.jpg Leonora Carrington. Ulu's Pants, 1952. Oil and tempera on panel, 55 x 91 cm. Private collection. © Estate of Leonora Carrington/ARS. https://www.studiointernational.com/index.php/mad-bad-and-sad-women-and-the-mind-doctors https://www.studiointernational.com/images/articles/m/mad-bad-sad-2013/GENZK51991-view1.jpg Isa Genzken. Untitled, 2012. © Isa Genzken Courtesy Hauser & Wirth, London and Galerie Buchholz, Berlin/Cologne. https://www.studiointernational.com/images/articles/m/mad-bad-sad-2013/Suffolk-bunny_sarah-lucas_copyright-Sadie-Coles-HQ-and-Freud-Museum-London.jpg Suffolk Bunny in Freud’s Study, Sarah Lucas. © Sadie Coles HQ and Freud Museum London. https://www.studiointernational.com/images/articles/m/mad-bad-sad-2013/T2-XXIII-Augustine.jpg XXIII Augustine, courtesy Museum Dr Guislain, Ghent. https://www.studiointernational.com/images/articles/m/mad-bad-sad-2013/Freud-by-Dali-Freud-Museum-London.jpg Salvador Dali. Drawing of Sigmund Freud. © Freud Museum, London. https://www.studiointernational.com/images/articles/m/mad-bad-sad-2013/LDBTH209-Sketch-of-an-Idea-for-Crazy-Jane-(1855)-(600-dpi).jpg Richard Dadd. Sketch of an Idea for Crazy Jane, 1855. Photograph reproduced by kind permission of the Bethlem Art and History Collections Trust. https://www.studiointernational.com/index.php/wael-shawky-myths-and-legend https://www.studiointernational.com/images/articles/s/shawky-wael-2013/16-wael-shawky_Al-Araba-al-Madfouna_2012_video-black-and-white-sound_21,22min_16790.jpg Wael Shawky
. Al Araba Al Madfuna, 2012
. Video-still, video, b/w, sound, 21:21 min. 
Courtesy Galerie Sfeir-Semler. https://www.studiointernational.com/images/articles/s/shawky-wael-2013/14_Wael-Shawky_Cabaret-Crusades_The-Path-to-Cairo,-2012_HD-video_Color_Sound_58min_19-PC-still.jpg Wael Shawky
. Cabaret Crusades: The Horror Show File, 2010. 
Video still, antioc 4 HD-video, colour, sound, 31:49 min. 
Courtesy Galerie Sfeir-Semler
. © 2013 Wael Shawky. https://www.studiointernational.com/images/articles/s/shawky-wael-2013/10-wael-shawky-Installation-view-5.jpg Wael Shawky. 
Installation view
, Serpentine Gallery, London 
(29 November 2013 - 9 February 2014). 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/s/shawky-wael-2013/2-wael-shawky-Installation-view.jpg Wael Shawky. 
Installation view
 (2), Serpentine Gallery, London 
(29 November 2013 - 9 February 2014). 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/s/shawky-wael-2013/3-wael-shawky-Installation-view-2.jpg Wael Shawky. 
Installation view
 (3), Serpentine Gallery, London 
(29 November 2013 - 9 February 2014). 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/s/shawky-wael-2013/7-wael-shawky-Installation-view-3.jpg Wael Shawky. 
Installation view
 (4), Serpentine Gallery, London 
(29 November 2013 - 9 February 2014). 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/s/shawky-wael-2013/9-wael-shawky-Installation-view-4.jpg Wael Shawky. 
Installation view
 (5), Serpentine Gallery, London 
(29 November 2013 - 9 February 2014). 
© 2013 Hugo Glendinning. https://www.studiointernational.com/index.php/peter-howson-in-conversation https://www.studiointernational.com/images/articles/h/howson-peter-2013/peter-howson-Agony-in-the-Garden.jpg Peter Howson. Agony in the Garden, 2005. Oil on canvas, 22 x 21 cm. © Peter Howson, Flowers Gallery, Cork St, London. https://www.studiointernational.com/images/articles/h/howson-peter-2013/peter-howson-Boy-in-Battle.jpg Peter Howson. Boy in Battle, 1994. 20.4 x 14.5 cm. © Peter Howson, Flowers Gallery, Cork St, London. https://www.studiointernational.com/images/articles/h/howson-peter-2013/peter-howson-Flag-of-Despair.jpg Peter Howson. Flag of Despair, 1989. Oil on canvas, 122 x 152 cm. © Peter Howson, Flowers Gallery, Cork St, London. https://www.studiointernational.com/images/articles/h/howson-peter-2013/peter-howson-Noble-Dosser.jpg Peter Howson. Noble Dosser, 1986. Oil on canvas, 106.5 x 75 cm. © Peter Howson, Flowers Gallery, Cork St, London. https://www.studiointernational.com/images/articles/h/howson-peter-2013/peter-howson-The-Bear.jpg Peter Howson. The Bear, 2013. Oil on canvas, 184 x 153cm. © Peter Howson, Flowers Gallery, Cork St, London. https://www.studiointernational.com/images/articles/h/howson-peter-2013/peter-howson-The-First-Step.jpg Peter Howson. The First Step, 2000. Oil on canvas, 180 x 214 cm. © Peter Howson, Flowers Gallery, Cork St, London. https://www.studiointernational.com/images/articles/h/howson-peter-2013/peter-howson-Untitled.jpg Peter Howson. Untitled, 1991. Oil on canvas, 244 x 183 cm. © Peter Howson, Flowers Gallery, Cork St, London. https://www.studiointernational.com/index.php/isa-genzken-s-objects-life-into-art https://www.studiointernational.com/images/articles/g/genzken-isa-2013/Isa-Genzken-The-artist-in-her-studio,-1982.jpg Isa Genzken in her studio, 1982. Image courtesy the artist and Galerie Buchholz, Cologne/Berlin. https://www.studiointernational.com/images/articles/g/genzken-isa-2013/Isa-Genzken-Bild-(Painting)-1989.jpg Isa Genzken. Bild (Painting), 1989. Concrete and steel, 263 x 160 x 77 cm. The Museum of Modern Art, New York. Gift of Susan and Leonard Feinstein and an anonymous donor. © 2012 The Museum of Modern Art, New York. Photo: Jonathan Muzikar. https://www.studiointernational.com/images/articles/g/genzken-isa-2013/Isa-Genzken-Hospital-(Ground-Zero)-2008.jpg Isa Genzken. Hospital (Ground Zero), 2008. Each: 312 × 63 × 76 cm. Collection Charles Asprey Courtesy the artist and Galerie Buchholz, Cologne/Berlin © Isa Genzken https://www.studiointernational.com/images/articles/g/genzken-isa-2013/Isa-Genzken-MLR-1992.jpg Isa Genzken. MLR, 1992. Alkyd resin spray paint on canvas, 122 x 82 cm. Lonti Ebers, New York. Courtesy the artist and Galerie Buchholz, Cologne/Berlin. © Isa Genzken. https://www.studiointernational.com/images/articles/g/genzken-isa-2013/Isa-Genzken-Red-Yellow-Black-Double-Ellipsoid-Twin-1982.jpg Isa Genzken. Rot-gelb-schwarzes Doppelellipsoid ‘Zwilling’ (Red-Yellow-Black Double Ellipsoid “Twin”), 1982. Lacquered wood, two parts. Overall: 24 x 33.5 x 1202.1 cm Part one: 13 x 20.5 x 600 cm Part two: 11 x 14 x 602 cm. Collection of the artist. Courtesy the artist and Galerie Buchholz, Cologne/Berlin. © Isa Genzken https://www.studiointernational.com/images/articles/g/genzken-isa-2013/Isa-Genzken-Schauspieler-(Actors)-(detail)-2013.jpg Isa Genzken. Schauspieler (Actors) (detail). 2013. Mannequins, clothes, shoes, fabric, and paper, dimensions variable. Courtesy the artist and Galerie Buchholz, Cologne/Berlin. © Isa Genzken. Photograph: Jens Ziehe, Berlin. https://www.studiointernational.com/images/articles/g/genzken-isa-2013/Isa-Genzken-Schwules-Baby-(Gay-Baby)-1997.jpg Isa Genzken. Schwules Baby (Gay Baby), 1997. Spray paint on metal, wire, and sheet steel, 130 × 40 × 36 cm. Collection of the artist. Courtesy the artist and Galerie Buchholz, Cologne/Berlin. © Isa Genzken https://www.studiointernational.com/images/articles/g/genzken-isa-2013/Installation-view-of-the-exhibition-Isa-Genzken.jpg Installation view of the exhibition Isa Genzken: Retrospective. November 23, 2013–March 10, 2014. © 2013 The Museum of Modern Art, New York. Photograph: Jonathan Muzikar https://www.studiointernational.com/images/articles/g/genzken-isa-2013/Installation-view-2-of-the-exhibition-Isa-Genzken.jpg Installation view (2) of the exhibition Isa Genzken: Retrospective. November 23, 2013–March 10, 2014. © 2013 The Museum of Modern Art, New York. Photograph: Jonathan Muzikar https://www.studiointernational.com/index.php/jake-and-dinos-chapman-come-and-see https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/6-Jake-and-Dinos-Chapman-The-Sum-of-all-Evil-2012-2013.jpg Jake and Dinos Chapman: Come and See. 
Installation view, 
Serpentine Sackler Gallery, London, 29 November 2013 - 9 February 2014. 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/8-Jake-and-Dinos-Chapman-The-Sum-of-all-Evil-2012-2013.jpg Jake and Dinos Chapman: Come and See. 
Installation view (2), 
Serpentine Sackler Gallery, London, 29 November 2013 - 9 February 2014. 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/10-Jake-and-Dinos-Chapman-The-Sum-of-all-Evil-2012-2013.jpg Jake and Dinos Chapman: Come and See. 
Installation view (3), 
Serpentine Sackler Gallery, London, 29 November 2013 - 9 February 2014. 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/11-Jake-and-Dinos-Chapman-The-Sum-of-all-Evil-2012-2013.jpg Jake and Dinos Chapman: Come and See. 
Installation view (4), 
Serpentine Sackler Gallery, London, 29 November 2013 - 9 February 2014. 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/12-Jake-and-Dinos-Chapman-The-Sum-of-all-Evil-2012-2013.jpg Jake and Dinos Chapman: Come and See. 
Installation view (5), 
Serpentine Sackler Gallery, London, 29 November 2013 - 9 February 2014. 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/14-Jake-and-Dinos-Chapman-The-Sum-of-all-Evil-2012-2013.jpg Jake and Dinos Chapman: Come and See. 
Installation view (6), 
Serpentine Sackler Gallery, London, 29 November 2013 - 9 February 2014. 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/15-Jake-and-Dinos-Chapman-The-Sum-of-all-Evil-2012-2013.jpg Jake and Dinos Chapman: Come and See. 
Installation view (7), 
Serpentine Sackler Gallery, London, 29 November 2013 - 9 February 2014. 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/16-Jake-and-Dinos-Chapman-The-Sum-of-all-Evil-2012-2013.jpg Jake and Dinos Chapman: Come and See. 
Installation view (8), 
Serpentine Sackler Gallery, London, 29 November 2013 - 9 February 2014. 
© 2013 Hugo Glendinning. https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/19-Jake-and-Dinos-Chapman-The-Sum-of-all-Evil-2012-2013-(medium-res)-2013-10-29.jpg Jake and Dinos Chapman
. The Sum of all Evil (detail), 2012-13. 
Fibreglass, plastic and mixed media in four vitrines, 215 x 128.7 x 249.8 cm). Courtesy White Cube. 
© Jake and Dinos Chapman. https://www.studiointernational.com/images/articles/c/chapman-jake-dinos-2013/21-Jake-and-Dinos-Chapman-The-Axminster-of-Evil-2008-(high-res).jpg Jake and Dinos Chapman. 
The Axminster of Evil, 2008. 
Edition of 5
, wool, 244 x 244 cm. 
© Jake and Dinos Chapman
. Courtesy White Cube. 
Photograph: Todd-White Art Photography. https://www.studiointernational.com/index.php/fausto-melotti https://www.studiointernational.com/images/articles/m/melotti-2013/Fausto-Melotti-Carro-delle-illusioni-1984.jpg Fausto Melotti. Carro delle illusioni, 1984. © Archivio Fausto Melotti, Milan. Photograph © Daniele De Lonti, Milan. https://www.studiointernational.com/images/articles/m/melotti-2013/Fausto-Melotti-Cavaliere-c1945.jpg Fausto Melotti. Cavaliere, c1945. © Archivio Fausto Melotti, Milan. Photograph © Daniele De Lonti, Milan. https://www.studiointernational.com/images/articles/m/melotti-2013/Fausto-Melotti-Diavolessa-c1945.jpg Fausto Melotti. Diavolessa, c1945. © Archivio Fausto Melotti, Milan. Photograph © Daniele De Lonti, Milan https://www.studiointernational.com/images/articles/m/melotti-2013/Fausto-Melotti-Il-magazzino-delle-idee-1980.jpg Fausto Melotti. Il magazzino delle idee, 1980. © Archivio Fausto Melotti, Milan. Photograph © Daniele De Lonti, Milan. https://www.studiointernational.com/images/articles/m/melotti-2013/Fausto-Melotti-Luna-la-roggia-1982.jpg Fausto Melotti, Luna la roggia, 1982. © Archivio Fausto Melotti, Milan. Photograph © Daniele De Lonti, Milan https://www.studiointernational.com/images/articles/m/melotti-2013/Fausto-Melotti-Luscita-delle-valchirie-1980.jpg Fausto Melotti. L'uscita delle valchirie, 1980. © Archivio Fausto Melotti, Milan. Photograph © Daniele De Lonti, Milan. https://www.studiointernational.com/images/articles/m/melotti-2013/Fausto-Melotti-Proscenio-1975.jpg Fausto Melotti. Proscenio, 1975. © Archivio Fausto Melotti, Milan. Photograph © Daniele De Lonti, Milan. https://www.studiointernational.com/images/articles/m/melotti-2013/Fausto-Melotti-Senza-perche-1974.jpg Fausto Melotti. Senza perché, 1974. © Archivio Fausto Melotti, Milan. Photograph © Daniele De Lonti, Milan. https://www.studiointernational.com/images/articles/m/melotti-2013/Fausto-Melotti-Teatrino-c1950.jpg Fausto Melotti. Teatrino, c1950. © Archivio Fausto Melotti, Milan. Photograph © Daniele De Lonti, Milan. https://www.studiointernational.com/index.php/damage-control-art-and-destruction-since-1950 https://www.studiointernational.com/images/articles/d/damage-control-2013/Arnold-Odermatt-Buochs-1965.jpg Arnold Odermatt. Buochs, 1965. Courtesy Galerie Springer, Berlin. https://www.studiointernational.com/images/articles/d/damage-control-2013/Jake_and_Dinos_Chapman_Injury_to_Insult_to_Injury_2004.jpg Jake and Dinos Chapman. Injury to Insult to Injury, 2004. © Jake and Dinos Chapman. Courtesy White Cube. https://www.studiointernational.com/images/articles/d/damage-control-2013/Laurel-Nakadates-Greater-New-York-2005.jpg Still from Laurel Nakadate’s Greater New York, 2005. Courtesy Leslie Tonkonow Artworks + Projects, New York. https://www.studiointernational.com/images/articles/d/damage-control-2013/Ruscha_Los_Angeles_County_Museum_on_Fire.jpg Ed Ruscha. The Los Angeles County Museum on Fire, 1965–68. Hirshhorn Museum and Sculpture Garden, Washington DC. https://www.studiointernational.com/images/articles/d/damage-control-2013/Wall_The_Destroyed_Room.jpg Jeff Wall, The Destroyed Room, 1978. Glenstone. https://www.studiointernational.com/images/articles/d/damage-control-2013/Yoshitomo-Nara-No-Fun-(in-the-floating-world)-1999.jpg Yoshitomo Nara. No Fun! (in the floating world), 1999. Courtesy of Eileen Harris Norton. https://www.studiointernational.com/images/articles/d/damage-control-2013/Yoshitomo-Nara-No-Nukes-(in-the-floating-world)-1999.jpg Yoshitomo Nara. No Nukes (in the floating world), 1999. Courtesy of Eileen Harris Norton. https://www.studiointernational.com/index.php/christopher-wool https://www.studiointernational.com/images/articles/w/wool-christopher-2013/Christopher-Wool_Absent-Without-Leave.jpg Christopher Wool. Absent Without Leave (DAAD, 1993), 1993. 188 black-and-white photocopies, 21.6 x 27.9 cm each. © Christopher Wool. https://www.studiointernational.com/images/articles/w/wool-christopher-2013/Christopher-Wool_Minor-Mishap-2001.jpg Christopher Wool. Minor Mishap, 2001. Silkscreen ink on linen, 274.3 x 182.9 cm. © Christopher Wool. https://www.studiointernational.com/images/articles/w/wool-christopher-2013/Christopher-Wool_TRBL.jpg Christopher Wool. Trouble, 1989. Enamel and acrylic on aluminum, 182.9 x 121.9 cm. © Christopher Wool. https://www.studiointernational.com/images/articles/w/wool-christopher-2013/Christopher-Wool_Untitled-1987.jpg Christopher Wool. Untitled, 1987. Enamel and flashe on aluminum, 182.9 x 121.9 cm. © Christopher Wool. https://www.studiointernational.com/images/articles/w/wool-christopher-2013/Christopher-Wool_Untitled-1994.jpg Christopher Wool. Untitled, 1994. Enamel on linen, 228.6 x 152.4 cm . © Christopher Wool. https://www.studiointernational.com/images/articles/w/wool-christopher-2013/Christopher-Wool_Untitled-2000-(TheHarderYouLook).jpg Christopher Wool. Untitled, 2000. Enamel on aluminum, 274.3 x 182.9 cm. © Christopher Wool . https://www.studiointernational.com/images/articles/w/wool-christopher-2013/Christopher-Wool_Untitled-2001.jpg Christopher Wool. Untitled, 2001. Silkscreen ink on linen, 228.6 x 152.4 cm. © Christopher Wool. https://www.studiointernational.com/images/articles/w/wool-christopher-2013/Christopher-Wool_Untitled-2010.jpg Christopher Wool. Untitled, 2010. Enamel on linen, 243.8 x 198.1 cm. © Christopher Wool. https://www.studiointernational.com/index.php/the-life-and-death-of-marina-abramovic https://www.studiointernational.com/images/articles/a/abramovic-marina-2013/MarinaAbramovic-Willem-Defoe.jpg Willem Dafoe in The Life and Death of Marina Abramović at Park Avenue Armory. Photograph: Joan Marcus. https://www.studiointernational.com/images/articles/a/abramovic-marina-2013/Marina-Abramovic-Willem-Defoe-2.jpg Willem Dafoe in The Life and Death of Marina Abramović at Park Avenue Armory (2). Photograph: Joan Marcus. https://www.studiointernational.com/images/articles/a/abramovic-marina-2013/Marina-Abramovic-Willem-Defoe-3.jpg Willem Dafoe in The Life and Death of Marina Abramović at Park Avenue Armory (3). Photograph: Joan Marcus. https://www.studiointernational.com/images/articles/a/abramovic-marina-2013/Marina-Abramovic-and-antony.jpg Marina Abramović and Antony in The Life and Death of Marina Abramović at Park Avenue Armory. Photograph: Joan Marcus. https://www.studiointernational.com/images/articles/a/abramovic-marina-2013/Marina-Abramovic-in-performance.jpg The Life and Death of Marina Abramović in performance at Park Avenue Armory. Photograph: Joan Marcus. https://www.studiointernational.com/images/articles/a/abramovic-marina-2013/Marina-Abramovic-in-performance-2.jpg The Life and Death of Marina Abramović in performance at Park Avenue Armory (2). Photograph: Joan Marcus. https://www.studiointernational.com/images/articles/a/abramovic-marina-2013/Marina-Abramovic-in-performance-3.jpg Marina Abramović in The Life and Death of Marina Abramović at Park Avenue Armory. Photograph: James Ewing. https://www.studiointernational.com/images/articles/a/abramovic-marina-2013/Marina-Abramovic-Willem-Defoe-5.jpg Willem Dafoe and Marina Abramović in The Life and Death of Marina Abramović at Park Avenue Armory (3). Photograph: Joan Marcus. https://www.studiointernational.com/index.php/mira-schendel-you-shall-see-the-difference-now-that-i-am-back-again https://www.studiointernational.com/images/articles/s/schendel-mira-2013/Mira-Schendel-Portrait-of-the-artist-in-1966.jpg Mira Schendel. Portrait of the artist in London, 1966. Photograph © Clay Perry, England & Co Gallery. https://www.studiointernational.com/images/articles/s/schendel-mira-2013/Mira-Schendel-Variants-1977.jpg Mira Schendel. Variants, 1977. Oil on rice paper and acylic sheets. The Museum of Fine Arts, Houston; The Adolpho Leirner Collection of Brazilian Constructive Art © The estate of Mira Schendel. https://www.studiointernational.com/index.php/turner-and-the-sea https://www.studiointernational.com/images/articles/t/turner-and-the-sea-2013/turner-A-Wreck-with-Fishing-Boats.jpg JMW Turner. A Wreck, with Fishing Boats, c1840. Oil on canvas. © Tate. https://www.studiointernational.com/images/articles/t/turner-and-the-sea-2013/Turner-Whalers-(also-known-as-The-Whale-Ship).jpg JMW Turner. Whalers (also known as The Whale Ship), 1845. Oil on canvas. © Metropolitan Museum of Art. https://www.studiointernational.com/images/articles/t/turner-and-the-sea-2013/Turner-The-Fighting-Temeraire-tugged-to-her-last-Berth-to-be-broken-up-1838.jpg JMW Turner. The Fighting Temeraire, tugged to her last Berth to be broken up 1838, (1839). Oil on canvas. © The National Gallery, London. https://www.studiointernational.com/images/articles/t/turner-and-the-sea-2013/Turner-The-Battle-of-Trafalgar.jpg JMW Turner. The Battle of Trafalgar, 21 October 1805, (1823–24). Oil on canvas. © National Maritime Museum (Greenwich Hospital Collection). https://www.studiointernational.com/images/articles/t/turner-and-the-sea-2013/Turner-Study-of-sea.jpg JMW Turner. Study of sea, c1820–30. Watercolour. © Tate. https://www.studiointernational.com/images/articles/t/turner-and-the-sea-2013/Turner-Snow-Storm-Steam-boat-off-a-Harbours-Mouth.jpg JMW Turner. Snow Storm – Steam-boat off a Harbour’s Mouth, 1842. Oil on canvas. © Tate. https://www.studiointernational.com/index.php/salla-tykka-the-palace https://www.studiointernational.com/images/articles/t/tykka-salla-2013/salla-tykka-AirsAbovethe-Ground8.jpg Salla Tykkä. Airs Above the Ground, 2010. Production still (1) by Alan Kucar. Courtesy the artist. https://www.studiointernational.com/images/articles/t/tykka-salla-2013/AirsAbovethe-Ground4-Salla-Tykka.jpg Salla Tykkä. Airs Above the Ground, 2010. Production still (2) by Alan Kucar. Courtesy the artist. https://www.studiointernational.com/images/articles/t/tykka-salla-2013/salla-tykka-AirsAbovethe-Ground5.jpg Salla Tykkä. Airs Above the Ground, 2010. Production still (3) by Alan Kucar. Courtesy the artist. https://www.studiointernational.com/images/articles/t/tykka-salla-2013/salla-tykka-AirsAbovethe-Ground13.jpg Salla Tykkä. Airs Above the Ground, 2010. Production still (4) by Alan Kucar. Courtesy the artist. https://www.studiointernational.com/images/articles/t/tykka-salla-2013/Sall-Tykka_VICTORIA_BALTIC1.jpg Salla Tykkä. Victoria, 2008. Courtesy the artist. https://www.studiointernational.com/images/articles/t/tykka-salla-2013/Sall-Tykka_VICTORIA_BALTIC2.jpg Salla Tykkä. Victoria, 2008. (2) Courtesy the artist. https://www.studiointernational.com/images/articles/t/tykka-salla-2013/Salla-Tykka_Giant_BALTIC-4.jpg Salla Tykkä. Giant, 2013. Production still. © Salla Tykkä. https://www.studiointernational.com/index.php/sarah-sze https://www.studiointernational.com/images/articles/s/sze-sarah-2013/FWM_Sarah-Sze_1st-floor-back.jpg Sarah Sze. Sarah Sze at The Fabric Workshop and Museum (installation view, first floor), 2013. Mixed media. Dimensions variable. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Tom Powel Imaging. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sze-sarah-2013/FWM_Sarah-Sze_1st-floor-back-detail.jpg Sarah Sze. Sarah Sze at The Fabric Workshop and Museum (detail, first floor), 2013. Mixed media. Dimensions variable. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Tom Powel Imaging. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sze-sarah-2013/FWM_Sarah-Sze_2nd-floor-a.jpg Sarah Sze. Sarah Sze at The Fabric Workshop and Museum (installation view, second floor), 2013. Mixed media. Dimensions variable. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Tom Powel Imaging. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sze-sarah-2013/FWM_Sarah-Sze_2nd-floor.jpg Sarah Sze. Sarah Sze at The Fabric Workshop and Museum (detail, second floor), 2013. Mixed media. Dimensions variable. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Tom Powel Imaging. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sze-sarah-2013/FWM_Sarah-Sze_8th-floor-installation-detail.jpg Sarah Sze. Sarah Sze at The Fabric Workshop and Museum (detail, eighth floor), 2013. Mixed media. Dimensions variable. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Tom Powel Imaging. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sze-sarah-2013/FWM_Sarah-Sze_8th-floor-detail.jpg Sarah Sze. Sarah Sze at The Fabric Workshop and Museum (detail 2, eighth floor), 2013. Mixed media. Dimensions variable. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Tom Powel Imaging. Courtesy of the artist. https://www.studiointernational.com/index.php/art-basel-miami-beach-2013-the-lowdown https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Gagosian009.jpg Gagosian. Jeff Koons, Baroque Egg with Bow (Turquoise/Magenta), 1994 – 2006. High-chromium stainless steel with transparent colour coating, 212.1 x 196.9 x 152.4 cm. One of four versions each uniquely coloured. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Example-of-collage-rephotographed-photo-montage.jpg An example of collage rephotographed photo montage. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Salt-water-taffy-creations-at-CiFo-breakfast.jpg Salt water taffy creations at CiFo breakfast. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Interpretation-of-Giorgiones-Odalisque.jpg Rob and Nick Carter. Transforming Nude Painting, 2013. 2.5 hour looped film, computer, frame 81 × 119 × 10 cm. Edition of 125 artists’ proofs. After Giorgione (Giorgio Bararellid de Castelfranco), c1478-1510, Sleeping Venus, c1510 Oil on canvas, 175 x 109 cm. Gemäldegalerie Alte Meister, Dresden. Fine Art Society Contemporary. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Gallerist-Nina-Johnson-and-Artist-Betty-Woodman.jpg Gallerist Nina Johnson and artist Betty Woodman. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Lisson_001.jpg Lisson Gallery. Art Basel in Miami Beach 2013. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Neugerriem_Schneider_001.jpg neugerriemschneider. Art Basel in Miami Beach 2013. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Spruth_Magers_001.jpg Sprüth Magers Berlin London. Art Basel in Miami Beach 2013. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Stuart_Shave_001.jpg Stuart Shave / Modern Art. Art Basel in Miami Beach 2013. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Thaddeus_Ropac020.jpg Galerie Thaddaeus Ropac. Art Basel in Miami Beach 2013. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/Ursula_Von_Rydingsvard_0001.jpg Ursula von Rydingsvard. Art Basel in Miami Beach 2013 | Public. https://www.studiointernational.com/images/articles/a/art-basel-miami-2013/HR_Elvira_Gonzalez_0451.jpg Galería Elvira González. Art Basel in Miami Beach 2013. https://www.studiointernational.com/index.php/when-culture-met-industry https://www.studiointernational.com/images/articles/s/shenzhen-biennale-2013/Cities-within-Cities-Border-Warehouse-Image-courtesy-Lilly-Wei.jpg Cities within Cities. Border Warehouse. Image courtesy Lilly Wei. https://www.studiointernational.com/images/articles/s/shenzhen-biennale-2013/Hilltopia-Srjdan-Jovanovic-Weiss-Border-Warehouse-image-courtesy-Lilly-Wei.jpg Hilltopia. Srjdan Jovanovic Weiss. Border Warehouse. Image courtesy Lilly Wei. https://www.studiointernational.com/images/articles/s/shenzhen-biennale-2013/Hong-Kong-Informal-Rooftop-Communities-Border-Warehouse-Image-courtesy-Lilly-Wei.jpg Hong Kong Informal Rooftop Communities. Border Warehouse. Image courtesy Lilly Wei. https://www.studiointernational.com/images/articles/s/shenzhen-biennale-2013/Machine-Hall-Value-Factory-image-courtesy-of-Lilly-Wei.jpg Machine Hall Value Factory. Image courtesy of Lilly Wei. https://www.studiointernational.com/images/articles/s/shenzhen-biennale-2013/Master-Plan-for-Shekou-Industrial-District-Border-Warehouse-image-courtesy-Lilly-Wei.jpg Master Plan for Shekou Industrial District. Border Warehouse. Image courtesy Lilly Wei. https://www.studiointernational.com/images/articles/s/shenzhen-biennale-2013/Ole-Bouman,-Li-Xiangning,-Jeffrey-Johnson.jpg Left to Right: Ole Bouman, Li Xiangning and Jeffrey Johnson. https://www.studiointernational.com/images/articles/s/shenzhen-biennale-2013/Tricycle-House-and-Tricycle-Parks-Border-Warehouse-Courtesy-Lilly-Wei.jpg Tricycle House and Tricycle Parks. Border Warehouse. Image courtesy Lilly Wei. https://www.studiointernational.com/images/articles/s/shenzhen-biennale-2013/Value-Factory-image-courtesy-Lilly-Wei.jpg Value Factory. Image courtesy Lilly Wei. https://www.studiointernational.com/index.php/thomas-bayrle-all-in-one https://www.studiointernational.com/images/articles/b/bayrle-thomas-2013/thomas-bayrle-installation-view-28.jpg Thomas Bayrle. All-in-One, 2013. Installation view. https://www.studiointernational.com/images/articles/b/bayrle-thomas-2013/BALTIC_Thomas-Bayrle_01.jpg Thomas Bayrle. La Vache qui rit, 1967. Courtesy the artist, Galerie Barbara Weiss, Berlin, Gavin Brown's Enterprise, New York. https://www.studiointernational.com/images/articles/b/bayrle-thomas-2013/BALTIC_Thomas-Bayrle_02.jpg Thomas Bayrle. One or the other, 1970. Serigraphy on paper, 50 x 125 cm (each sheet), Galerie Johann Widauer, Innsbruck. https://www.studiointernational.com/images/articles/b/bayrle-thomas-2013/BALTIC_Thomas-Bayrle_04.jpg Thomas Bayrle. Steig in das Traumbad der Liebe, 1970. From the series Feuer im Weizen. Courtesy the artist, Galerie Barbara Weiss, Berlin, Gavin Brown's Enterprise, New York. https://www.studiointernational.com/images/articles/b/bayrle-thomas-2013/BALTIC_Thomas-Bayrle_05.jpg Thomas Bayrle. Still from Gummibaum, 1993. 16 mm, 8:20 min, b/w, sound. Courtesy the artist. https://www.studiointernational.com/images/articles/b/bayrle-thomas-2013/baltic-exterior-view-44.jpg Thomas Bayrle. All-in-One. Exterior view. BALTIC Centre for Contemporary Art, Gateshead. 29 November 2013 – 23 February 2014. https://www.studiointernational.com/index.php/uproar-the-first-50-years-of-the-london-group-1913-1963 https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-12-Smith-Fitzroy-Street-Nude-No.jpg Matthew Smith. Fitzroy Street Nude No 2, 1916. Oil on canvas. British Council Collection. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-16-Bomberg-Ghetto-Theatre.jpg David Bomberg. Ghetto Theatre, 1920. Oil on canvas. Ben Uri, The London Jewish Museum of Art. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-35-Hermes-Butterfly.jpg Gertrude Hermes. Butterfly, 1937. Walnut. Private collection. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-10-Nevinson-Returning-to-the-Trenches.jpg CRW Nevinson. Returning to the Trenches, 1915. Drypoint etching on paper. British Museum London. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-1-Gilman-A-Portrait-of-Sylvia-Gosse-(1).jpg Harold Gilman. Portrait of Sylvia Gosse, 1912-3. Southampton City Art Gallery, Hampshire, UK. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-15-Meninsky-Mother-and-Child.jpg Bernard Meninsky. Mother and Child, 1919. Copyright the Estate of Bernard Meninsky. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-25-Nash-Northern-Adventure-(1).jpg Paul Nash. Northern Adventure, 1929. Copyright Tate, London 2013. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-26-Grant-Window-South-of-France.jpg Duncan Grant. Window, South of France, 1928. Copyright the estate of Duncan Grant. All rights reserved DACS 2013. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-39-Spear-Winter.jpg Ruskin Spear. Winter, 1940s. Southampton City Art Gallery, Hampshire, UK. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-42-Armitage-People-in-the-Wind.jpg Kenneth Armitage. People in the Wind, 1950. Copyright: Tate, London 2013. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-47-Hitchens-Red-Springs.jpg Ivon Hitchens. Red Spring, 1955. Copyright Jonathan Clarke Fine Art, Representatives of the Artists Estate. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-48-Bratby-Kitchen-Interior.jpg John Bratby. Kitchen Interior, 1955-6. Copyright the estate of John Bratby/Bridgeman Art Gallery. https://www.studiointernational.com/images/articles/u/uri-ben-2013/Cat-9-Gertler-Creation-of-Eve.jpg Mark Gertler. The Creation of Eve, 1914. Private Collection. https://www.studiointernational.com/index.php/julio-le-parc-light-and-movement https://www.studiointernational.com/images/articles/l/le-parc-julio-2013/Julio-Le-Parc_Continuel-lumiere-avec-formes-en-contorsions_1966_1996.jpg Julio Le Parc. Continuel-lumière avec formes en contortions, 1966/1996. Painted wood, painted metal, polystyrene foil, aluminum, motors and lights, 189.5 x 605 x 30 cm. Edition of nine, no. 2/9. https://www.studiointernational.com/images/articles/l/le-parc-julio-2013/Julio-Le-Parc_Continuel-lumiere-cylindre_1962.jpg Julio Le Parc. Continuel-lumière cylinder, 1962. Object: painted wood and stainless steel; Apparatus: painted wood, motors, metal disks and light. Edition of nine, no. 2/9. https://www.studiointernational.com/images/articles/l/le-parc-julio-2013/Julio-Le-Parc_Continuel-lumiere_-Mobile_1960_1966.jpg Julio Le Parc. Continuel-lumière – Mobile, 1960/1966. Painted wood, painted metal, 121 round stainless steel disks, nylon thread and lights, 217 x 200 x 20.5 cm. Edition of nine, no. 6/9. https://www.studiointernational.com/images/articles/l/le-parc-julio-2013/Julio-Le-Parc_Continuel_lumiere-avec-49-cylindres-vitesse-lente_1967.jpg Julio Le Parc. Continuel-lumière avec 49 cylindres vitesse lente, 1967. Object: painted wood and polystyrène foil. Two apparatuses: painted wood, motors, metal cylinders and light. Object: 203 x 203.5 x 20 cm. Edition of nine, no. 1/9 https://www.studiointernational.com/images/articles/l/le-parc-julio-2013/Julio-Le-Parc_Ensemble-de-8-mouvements-surprises-avec-lumiere-pulsante,-1966_1971.jpg Julio Le Parc. Ensemble de 8 mouvements surprises avec lumière pulsate, 1966/1971. Object: Painted wood, painted metal, rubber string, decoration balls, paper, cardboard, plastic, stainless steel springs, artificial leather and motors. Apparatus: painted wood, painted metal, interactive buttons, motor, coloured filter cylinder and light; Object: 251 x 253.5 x 20 cm. Edition of nine, no. 1/9. https://www.studiointernational.com/images/articles/l/le-parc-julio-2013/Julio-Le-Parc_Lumiere-saccadee,-1970.jpg Julio Le Parc. Lumière saccadée, 1970. Painted wood, painted metal, motor and light, 123.5 x 123.5 x 20 cm. Edition of nine, no. 1/9. https://www.studiointernational.com/images/articles/l/le-parc-julio-2013/Julio-Le-Parc_Lumieres-alternees,-1993.jpg Julio Le Parc. Lumières alternées, 1993. Apparatus: painted wood, painted metal and controlled lights; Semicircular white projection surface. Apparatus: 40 x 209 x 36 cm; semicircular projection surface: diameter approx. 453 cm. Edition of nine, no. 1/9. https://www.studiointernational.com/images/articles/l/le-parc-julio-2013/Meridianos-Alexander-Alberro-Hans-Michael-Herzog-e-Julio-Le-Parc.jpg Meridianos Project - Round Table with Alexander Alberro, Hans-Michael Herzog and Julio Le Parc at Casa Daros. https://www.studiointernational.com/images/articles/l/le-parc-julio-2013/Julio-Le-Parc_4-doubles-miroirs_1966.jpg Julio Le Parc with Doubles Mirros, 1966. Coleção Daros Latinamerica Zurique. https://www.studiointernational.com/index.php/the-scottish-colourists-series-jd-fergusson https://www.studiointernational.com/images/articles/s/scottish-colourists-2013/F015.jpg JD Fergusson. Grace McColl, 1930. Oil on canvas, 91.5 x 73.7 cm. Private collection, courtesy The Richard Green Gallery, London. https://www.studiointernational.com/images/articles/s/scottish-colourists-2013/F040.jpg JD Fergusson. Hortensia, 1907. Oil on canvas, 43 x 38 cm. The University of Aberdeen - bequeathed by Eric Linklater, 1976. https://www.studiointernational.com/images/articles/s/scottish-colourists-2013/F051.jpg JD Fergusson. Le Manteau Chinois, 1909. Oil on canvas, 199.5 x 97 cm. The Fergusson Gallery, Perth & Kinross Council - presented by the JD Fergusson Art Foundation 1991. https://www.studiointernational.com/images/articles/s/scottish-colourists-2013/F053.jpg JD Fergusson. Christmas Time in the South of France, 1922. Oil on canvas, 61 x 55.8 cm. The Fergusson Gallery, Perth & Kinross Council - purchased with the assistance of the Heritage Lottery Fund 1998. https://www.studiointernational.com/index.php/philippe-parreno-anywhere-anywhere-out-of-the-world https://www.studiointernational.com/images/articles/p/parreno-2013/PdT-Parreno-199.jpg Philippe Parreno. TV Channel, 2013 (detail). Courtesy Pilar Corrias Gallery.
 On screen: The Writer, 2007.
 Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/p/parreno-2013/PdT-Parreno-104.jpg Douglas Gordon + Philippe Parreno. Zidane: a 21st Century Portrait, 2006. Courtesy of the artist.
 Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/p/parreno-2013/PdT-Parreno-158.jpg Philippe Parreno. Danny La Rue, 2013 (detail).
 Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/p/parreno-2013/PdT-Parreno-040.jpg Philippe Parreno. TV Channel, 2013 (detail). Courtesy Pilar Corrias Gallery. On screen: The Writer, 2007. Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/p/parreno-2013/PdT-Parreno-065.jpg Philippe Parreno. C.H.Z (Continuously Habitable Zones), 2011. Courtesy Esther Schipper Gallery.
 Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/p/parreno-2013/PdT-Parreno-084.jpg Liam Gillick. Factories in the snow, 2007.
 Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/p/parreno-2013/PdT-Parreno-233.jpg Philippe Parreno. ModifiedDynamicPrimitivesforJoiningMovementSequences, 2013. 
Photograph: Aurélien Mole. https://www.studiointernational.com/index.php/rembrandt-auerbach-raw-truth https://www.studiointernational.com/images/articles/a/auerbach-rembrandt-2013/Frank-Auerbach-Head-of-E-O-W--II-1964--Frank-Auerbach-courtesy-Marlborough-Fine-Art.jpg Frank Auerbach. Head of E O W II, 1964. Frank Auerbach courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/a/auerbach-rembrandt-2013/Frank-AuerbachPrimrose-Hill-Summer-Sunshine-1964-Arts-Council-Collection-Southbank-Centre--Frank-Auerbach-courtesy-Marlborough-Fine-Art.jpg Frank Auerbach. Primrose Hill Summer Sunshine, 1964. Arts Council Collection Southbank Centre. Frank Auerbach courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/a/auerbach-rembrandt-2013/SK-A-4050.jpg Rembrandt Harmenszoon van Rijn. Self-portrait as the Apostle Paul, 1661. Oil on canvas, 91 x 77 cm. https://www.studiointernational.com/images/articles/a/auerbach-rembrandt-2013/SK-C-216.jpg Rembrandt Harmenszoon van Rijn. Isaac and Rebecca, known as ‘The Jewish Bride’, c1665–69. Oil on canvas, 121.5cm x 166.5 cm. https://www.studiointernational.com/index.php/painting-for-stimulation-guan-jingjing-solo-exhibition https://www.studiointernational.com/images/articles/j/jingjing-guan-2013/Remnant-Mountain-12-13,2012,tempera-on-canvas,50x50cm.jpg Guan Jingjing. Remnant Mountain 12-13, 2012. Tempera on canvas, 50 x 50 cm. © Guan Jingjing. https://www.studiointernational.com/images/articles/j/jingjing-guan-2013/Remnant-Mountain-13-05,2013,tempera-on-canvas,50x50cm.jpg Guan Jingjing. Remnant Mountain 13-05, 2013. Tempera on canvas, 50 x 50 cm. © Guan Jingjing. https://www.studiointernational.com/images/articles/j/jingjing-guan-2013/Remnant-Mountain-13-36-2013-tempera-on-canvas-240x80cm.jpg Guan Jingjing. Remnant Mountain 13-36, 2013. Tempera on canvas, 240 x 80 cm. © Guan Jingjing. https://www.studiointernational.com/images/articles/j/jingjing-guan-2013/Remnant-Mountain-13-37-2013-tempera-on-canvas-240x80cm.jpg Guan Jingjing. Remnant Mountain 13-37, 2013. Tempera on canvas, 240 x 80 cm. © Guan Jingjing. https://www.studiointernational.com/images/articles/j/jingjing-guan-2013/untitled-08-03,-2008,-ink-and-acrylic-on-canvas,-210x140cm.jpg Guan Jingjing. Untitled 08-03, 2008. Ink and acrylic on canvas, 210 x 140 cm. © Guan Jingjing. https://www.studiointernational.com/images/articles/j/jingjing-guan-2013/untitled-08-04,-2008,-ink-and-acrylic-on-canvas,-210x420cm.jpg Guan Jingjing. Untitled 08-04, 2008. Ink and acrylic on canvas, 210 x 420 cm. © Guan Jingjing. https://www.studiointernational.com/index.php/matisse-the-essence-of-line-selected-prints-1900-1950 https://www.studiointernational.com/images/articles/m/matisse-2013/matisse,-fanny-de-face,-D-37,-1914,-etching-on-chine-applique,-6-1-4-x-2-3-8-in.jpg Henri Matisse. Fanny de Face, 1914. Etching on chine applique, 6 1/4 x 2 3/8 in. © DACS. https://www.studiointernational.com/images/articles/m/matisse-2013/matisse,-la-persane,-D-507,-1929,-lithograph-on-wove-paper,-17-5-8-x-11-3-8-in,-N-53681.jpg Henri Matisse. La Persane, 1929. Lithograph on wove paper, 17 5/8 x 11 3/8 in. © DACS. https://www.studiointernational.com/images/articles/m/matisse-2013/matisse,-le-grand-nu,-D-403,-1906,-lithograph-on-china-paper,-11-1-4-x-10-in,-N-53654.jpg Henri Matisse. Le grand nu, 1906. Lithograph on china paper, 11 1/4 x 10 in. © DACS. https://www.studiointernational.com/images/articles/m/matisse-2013/matisse,-nu-couche-drape-dans-une-etoffe-fleurie,-D-121,-1929,-etching-on-chine-applique,-3-7-8-x-9-13-16-in,-N-53633.jpg Henri Matisse. Nu couché, drape dans une étoffe fleurie, 1929. Etching on chine applique, 3 7/8 x 9 13/16 in. © DACS. https://www.studiointernational.com/images/articles/m/matisse-2013/matisse,-odalisque,-brasero-et-coup-de-fruits,-D-504,-1929,-lithograph-on-wove-paper,-AP,-10-15-16-x-14-13-16-in,-N-53682.jpg Henri Matisse. Odalisque, brasero et coupe de fruits, 1929. Lithograph on wove paper, 10 15/16 x 14 13/16 in. © DACS. https://www.studiointernational.com/index.php/cartier-le-style-et-l-histoire https://www.studiointernational.com/images/articles/c/cartier-2013/oiseau-libere-FB-1944.jpg Broche Oiseau libéré, Cartier Paris, 1944. Or, platine, diamants taille rose, un cabochon de saphir, lapis-lazuli, corail. Collection Cartier. Photograph: Nick Welsh, Collection Cartier © Cartier. https://www.studiointernational.com/images/articles/c/cartier-2013/Halo-Tiara.jpg Diadème Halo, Cartier London, 1936. Platine, Diamants ronds taille ancienne et baguette hauteur au centre 4.0 cm. The Royal Collection/Her Majesty Queen Elizabeth II, London. © Royal Collection Trust / © Her Majesty Queen Elizabeth II 2013. https://www.studiointernational.com/images/articles/c/cartier-2013/Sac-1961-FB.jpg Sac, Cartier Paris, commande de 1961. Or, tigre rayures émail noir (fermoir) et émeraudes de forme navette (yeux), diamants taille brillant et 8/8, satin noir. Sur la languette, chiffre N et couronne. Doublure satin noir, six poches, un miroir et un porte-carte satin noir. Commande de Barbara Hutton, le sac porte l’initiale de la princesse Nina Mdivani, à qui le sac était destiné. 26,9 × 20 cm Photograph: Nick Welsh, Collection Cartier © Cartier. https://www.studiointernational.com/images/articles/c/cartier-2013/collier-1951.jpg Collier, Cartier Paris, 1951, transformé en 1953. Platine, or, diamants taille brillant, baguette et de forme fantaisie, 8 rubis birmans de forme coussin et ovale, facettés ce collier peut se porter en diadème grâce à une monture spéciale. Provenance: Elizabeth Taylor. Longueur 37.5 cm. Collection Cartier. Photograph: V. Wulveryck, Collection Cartier © Cartier. https://www.studiointernational.com/images/articles/c/cartier-2013/collier-crocodiles-1975.jpg Collier Crocodiles, Cartier Paris, commande de 1975. Or, 1,023 diamants jaune fantaisie taille brillant pour un poids total de 60.02 carats, deux cabochons d’émeraude de forme navette (yeux), 1,060 émeraudes pour un poids total de 66.86 carats, deux cabochons de rubis (yeux) entièrement articulé, chaque crocodile peut se porter en broche. Afin de ne pas blesser le cou lorsqu’il est porté en collier, les pattes intérieures sont remplacées par des motifs qui simulent des pattes repliées. Commande spéciale de María Félix. 30 x 27.3 cm; Collection Cartier. Photograph: V. Wulveryck, Collection Cartier © Cartier. https://www.studiointernational.com/images/articles/c/cartier-2013/parure-v.jpg Parure, Cartier Paris, v 1860. Or, améthystes de forme ovale et poire facettées, écaille collier 42.5 cm; peigne 11.3 x 12 cm; Broche 8 x 4 cm; Boucles d’oreille 4 x 1.7 cm. Collection Cartier. Photograph: V. Wulveryck, Collection Cartier © Cartier. https://www.studiointernational.com/images/articles/c/cartier-2013/pendulette-sur-encrier-1908-vue-du-haut.jpg Pendulette sur encrier, Cartier Paris, 1908. Argent, vermeil, or, platine, émail translucide gris, mauve et vert sur fond guilloché, émail blanc, cabochons de saphir, diamants taille rose 9.5 x 20,5 x 11 cm. Collection Cartier. Photograph: N. Welsh, Collection Cartier © Cartier. https://www.studiointernational.com/index.php/looking-for-legends-gambling-on-faith https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/Wang-Guangyi-COVER.jpg Wang Guangyi: Words and Thoughts 1985-2012 by Demetrio Paparoni. Book cover. https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-1988_14.jpg Wang Guangyi. Mao Zedong – Red Squares No. 1, 1988. Oil on canvas, 150 x 130 cm. © 2013 Wang Guangyi. https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-MG_1630_2.jpg Partial view of the exhibition Visual Polity: Another Wang Guangyi at OCT Contemporary Art Terminal, He Xiangning Art Museum, Shenzhen, China, 2008. © 2013 Wang Guangyi https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-1992_05.jpg Wang Guangyi. Great Criticism – Marlboro, 1992. Oil on canvas, 175 x 175 cm, © 2013 Wang Guangyi https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-GreatCriticismSeriesBeuys02.jpg Wang Guangyi. Great Criticism – Beuys, 2002. Oil on canvas, 200 x 300 cm. © 2013 Wang Guangyi https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-Pop_Art-2005.jpg Wang Guangyi. Great Criticism – Pop Art, 2005. Oil on canvas, 300 x 300 cm. © 2013 Wang Guangyi https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-20122012_E.jpg Wang Guangyi. Great Criticism – Walt Disney, 2005. Oil on canvas, 200 x 200 cm. © 2013 Wang Guangyi. https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-1991_01.jpg Wang Guangyi. International Politics – Necessary Negotiation, 1991. Oil on canvas, 120 x 150 cm, © 2013 Wang Guangyi. https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-EasternEuropeanLandscapes3.jpg Wang Guangyi. Eastern European Landscapes, 1993. Artificial fur, pictures, wooden boxes, 6 pieces, 90 x 50 x 30 cm each. Exhibited at Visual Polity: Another Wang Guangyi, OCT Contemporary Art Terminal, He Xiangning Art Museum, Shenzhen, China, 2008 (a picture was on show, which had been taken in 1993 in the artist’s studio). © 2013 Wang Guangyi. https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-1995_14.jpg Wang Guangyi. Visa on Red Background No. 1, 1995. Oil on canvas, 100 x 100 cm, © 2013 Wang Guangyi. https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-08.jpg Wang Guangyi. The Era of Materialism, 2000. Printed matter, wooden boxes and food. Exhibited at Society: The 2nd Upriver Gallery Academic Exhibition, Upriver Gallery, Chengdu, China, 2000. © 2013 Wang Guangyi https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-2001_01-7.jpg Wang Guangyi. Materialists, 2001–02. Exhibited at Visual Polity: Another Wang Guangyi, OCT Contemporary Art Terminal, He Xiangning Art Museum, Shenzhen, China, 2008. © 2013 Wang Guangyi https://www.studiointernational.com/images/articles/g/guangyi-wang-2013/wang-guangyi-2006_60_05-2.jpg Wang Guangyi. East Wind – Golden Dragon, 2006–07. Fibreglass, photograph, 500 x 190 x 165 cm. Exhibited at State Legacy: A Visual History Project on the State Concept, Manchester Institute for Research and Innovation in Art and Design, Manchester, Great Britain, 2009. © 2013 Wang Guangyi. https://www.studiointernational.com/index.php/table-of-contents-a-live-installation https://www.studiointernational.com/images/articles/s/siobhan-davies-dance-2013/ICA-home-image-392.jpg Siobhan Davies Dance. Table of Contents, a live installation at the ICA, London, January 2014. https://www.studiointernational.com/index.php/william-kentridge-fortuna https://www.studiointernational.com/images/articles/k/kentridge-william-2014/William-Kentridge-cover.jpg William Kentridge: Fortuna, edited by Lilian Tone with commentary by William Kentridge. Published by Thames and Hudson, 2013 https://www.studiointernational.com/images/articles/k/kentridge-william-2014/Colonial-Landscapes-4.jpg William Kentridge. Colonial Landscape (Falls looking Upstream), 1996. Charcoal and pastel on paper, 135.9 x 175.5 cm (53 ½ x 69 1/8 in). gordonschachatcollection. https://www.studiointernational.com/images/articles/k/kentridge-william-2014/Kentridge_Sculpture_bicycle-wheel.jpg William Kentridge. Bicycle Wheel, 2012. Mixed media, height: 260 cm (102 3/8 in); Base: 100 x 100 cm (39 3/8 x 39 3/8 in). Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg. https://www.studiointernational.com/images/articles/k/kentridge-william-2014/Stereoscope.jpg William Kentridge. Drawing for the film Stereoscope, 1999. Charcoal and pastel on paper, 120 x 160 cm (47 ¼ x 63 in). Collection Johannesburg Art Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2014/drawing-from-monument.jpg William Kentridge. Drawing from the film Monument, 1990. Charcoal on paper, 120 x 150 cm (47 ¼ x 59 1/8 in). Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg. https://www.studiointernational.com/images/articles/k/kentridge-william-2014/kent_head-1_085.jpg William Kentridge. Head I from the series Four Paper Heads, 2007. Lithography, letterpress, coloured pencil, watercolour and chine-collé. Approx. 37 x 25 x 20 cm (14 5/8 x 9 7/6 x 7 7/8 in). Edition of 25. Collection Goodman Gallery, Johannesburg. https://www.studiointernational.com/images/articles/k/kentridge-william-2014/kent_world-on-its-hind-legs_B_017.jpg William Kentridge. Drawing for Il Sole 24 Ore: Domenica (World on its Hind Legs), 2007. Charcoal and pastel on paper 213.5 x 150 cm (84 1/8 x 59 1/8 in). Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg. https://www.studiointernational.com/images/articles/k/kentridge-william-2014/other-faces.jpg William Kentridge. Drawings for the film Other Faces, 2011. Charcoal and coloured pencil on paper, triptych, 73 x 96 cm (28 ¾ x 37 7/8 in). Private collection. https://www.studiointernational.com/images/articles/k/kentridge-william-2014/procession.jpg William Kentridge. Procession 1999-2000. One of series of 25 bronze figures, dimensions variable between 40 x 27.9 x 26.9 cm and 33 x 25.4 x 17 cm. Collection of the artist, courtesy Marian Goodman Gallery, New York, and Goodman Gallery, Johannesburg. https://www.studiointernational.com/index.php/england-s-lost-architect-cecil-ross-pinsent https://www.studiointernational.com/images/articles/p/pinsent-cecil-2014/Pinsent-Book-cover.jpg An Infinity of Graces: Cecil Ross Pinsent, an English Architect in the Italian Landscape by Ethne Clarke. Published by WW Norton & Company, New York and London, 2013. https://www.studiointernational.com/index.php/siobhan-davies-dance-table-of-contents-video-review https://www.studiointernational.com/images/articles/s/siobhan-davies-dance-2013/siobhan-davies-ICA-london-2014-photo-martin-kennedy.jpg Siobhan Davies Dance: Table of Contents. A live installation at the ICA, London, January 2014. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/tracey-emin-20-years https://www.studiointernational.com/images/articles/e/emin-tracey-2008/bed_b.jpg Tracey Emin. My Bed, 1998. Mattress, linens, pillows, rope, various memorabilia, 79 x 211 x 234. Saatchi Gallery, London. © The Artist https://www.studiointernational.com/images/articles/e/emin-tracey-2008/exorcism_b.jpg Tracey Emin. Exorcism of the last painting I ever made, 1996. Performance at Galleri Andreas Brändström, Stockholm 1996. Dimensions of room 390 x 430. Saatchi Gallery, London. © The Artist https://www.studiointernational.com/images/articles/e/emin-tracey-2008/hotel_b.jpg Tracey Emin. Hotel International, 1993. Appliqué blanket, 260 x 240. © The Artist https://www.studiointernational.com/images/articles/e/emin-tracey-2008/perfect_b.jpg Tracey Emin. The Perfect Place to Grow, 2001. Mixed media: wooden birdhouse, DVD (1 minute 45 seconds), monitor, trestle, plants and ladder, 261 x 82.5 x 162. Tate: purchased 2004. © The Artist https://www.studiointernational.com/images/articles/e/emin-tracey-2008/die_b.jpg Tracey Emin. It’s Not the Way I Want to Die, 2005. Reclaimed metal and timber, 310 x 860 x 405 cm (1221/16 x 1597/16 x 3383/8 inches). Courtesy Jay Jopling / White Cube, London https://www.studiointernational.com/index.php/moving-pictures https://www.studiointernational.com/images/capsules/Wellington-Pink-Squad-protest-group-1981-John-Miller.jpg Wellington Pink Squad protest group, Riddiford Street, Wellington, 1981. Photograph: John Miller. https://www.studiointernational.com/index.php/interview-with-mark-fox-mfkpmq-robert-miller-gallery-new-york https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-MFX_20130726_0140.jpg Mark Fox. SLUGGO #1, 2013. Oil on paper with archival tape, 39 x 45 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-Juggler-of-Big-Idears.jpg Mark Fox. Juggler of Big Idears, 2013. Watercolour, ink acrylic, gouache, oil, colour pencil, graphite, marker on paper, pen, crayon, styrofoam, wood, bronze, 87 x 70 x 19 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-Fox_ladder_1.jpg Mark Fox. Untitled (Ladder), 2012. Acrylic, ink, watercolour on paper, ladder, bucket. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-20110317_092.jpg Mark Fox. Combs #3, 2011. Watercolour, ink acrylic, gouache, oil, colour pencil, graphite, marker, pen, crayon on paper, 74 x 48 x 3.5 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-D42S2305.jpg Mark Fox. Dust (detail), 2003-11. Ink and acrylic on paper with wire, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-20091130_010.jpg Mark Fox. Blanket, 2010. Watercolour and ink on paper, 50 x 38 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-White-Sawhorseman-(adam-1).jpg Mark Fox. Untitled (White Sawhorseman), 2010. Acrylic enamel on paper, linen tape, wire, wood. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-end-of-days-(philly)-image.jpg Mark Fox. End Of Days, 2008. Watercolour, ink acrylic, gouache, oil, colour pencil, graphite, marker, pen, crayon on paper, 89 x 65 x 5 in approx. (Philadelphia Museum of Art). Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-Diptych-no-gap.jpg Mark Fox. Diptych, 2007. Stainless steel. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-Deep-Grey-See.jpg Mark Fox. Deep Grey See, 2007. Oil on prepared paper, linen tape, gold leaf, gilded school desk, linoleum flooring. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-Fascia-.jpg Mark Fox. Fascia, 2005. Watercolour, ink acrylic, gouache, oil, colour pencil, graphite, marker, pen crayon on paper, (this view approx 144 x 228 x 72 in). (MoMA). Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-frame5.jpg Mark Fox. A scene from the performance, Account Me Puppet (Saw Theater Production), 2001. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-drawing-(criminal-stage)-final-copy.jpg Mark Fox. Drawing (Criminal's Stage), 1999. Ink, watercolour, wax crayon on paper, 30 x 22 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/fox-mark-2014/mark-fox-frame1.jpg Mark Fox. A scene from the performance, A Criminal's Story (Saw Theater Production), 1999. Courtesy of the artist. https://www.studiointernational.com/index.php/ancient-wisdom-and-modern-knowhow-learning-to-live-with-uncertainty https://www.studiointernational.com/images/articles/m/maxwell-robert-2014/maxwell-book-cover.jpg Ancient Wisdom And Modern Knowhow: Learning to Live With Uncertainty by Robert Maxwell. Published by Artifice Books on Architecture, 2013. https://www.studiointernational.com/index.php/hannah-hoch-whitechapel-gallery-london https://www.studiointernational.com/images/articles/h/hoch-hannah-2014/Hanna-Hoch-Untitled-From-an-Ethnographic-Museum-1930.jpg Hannah Höch. Untitled (From an Ethnographic Museum), 1930. Collage, 48.3 x 32.1 cm. Museum für Kunst und Gewerbe, Hamburg. Photograph: courtesy of Maria Thrun. https://www.studiointernational.com/images/articles/h/hoch-hannah-2014/Hanna-Hoch-Heads-of-State.jpg Hannah Höch. Heads of State. Collage, photomontage, 16.2 x 23.3 cm. Collection of IFA, Stuttgart. https://www.studiointernational.com/images/articles/h/hoch-hannah-2014/Hanna-Hoch-Made-for-a-Party-1936.jpg Hannah Höch. Made for a Party, 1936. Collage, 36 x 19.8 cm. Collection of IFA, Stuttgart. https://www.studiointernational.com/images/articles/h/hoch-hannah-2014/Hanna-Hoch-Little-Sun-1969.jpg Hannah Höch. Little Sun, 1969. Collage, 16.3 × 24.2 cm. Landesbank Berlin AG. https://www.studiointernational.com/index.php/the-tao-of-now-out-of-hand-materializing-the-postdigital-mad https://www.studiointernational.com/images/articles/o/out-of-hand-2014/Richard-Dupont-Sculpture.jpg Richard Dupont. Untitled (5), 2008. Pigmented cast-polyurethane resin. Courtesy of Cheryl Gold. Photograph: Richard Dupont. https://www.studiointernational.com/images/articles/o/out-of-hand-2014/Barry-X-Ball-Envy-Golden-Honeycomb-Calcite.jpg Barry X Ball. Envy, 2008-10. Golden Honeycomb Calcite, stainless steel. Private Collection. Photograph: Barry X Ball Studio. https://www.studiointernational.com/images/articles/o/out-of-hand-2014/FA9-9-2-CMYK.jpg Frank Stella. K.162, 2001. Epoxy resin, lacquer. Courtesy of FreedmanArt, New York. Photograph: © 2013 Frank Stella/Artists Rights Society (ARS). https://www.studiointernational.com/images/articles/o/out-of-hand-2014/ProtoHouse_v1_13.jpg Softkill Design. Prototype for a 3D Printed House, 2012. 

Laser sintered powder. 

Courtesy of Softkill Design

. Photograph: © Softkill Design. https://www.studiointernational.com/images/articles/o/out-of-hand-2014/Stephen-Jones_Bust-D65B26.jpg Stephen Jones. 
Bust of Lady Belhaven (after Samuel Joseph), 2011. Epoxy resin, nylon; stereolithography, laser sintering

. Made by .MGX by Materialise. 

Museum of Arts and Design purchase with funds provided by Alan and Marcia Docter. Photograph: Kent Pell, Courtesy of Phillips de Pury and Company. https://www.studiointernational.com/images/articles/o/out-of-hand-2014/Arad-Oh-Void-1-Acrylic_lrg.jpg Ron Arad. Oh Void 1, 2006. 

Acrylic. 

Courtesy of Friedman Benda

. Photograph: Erik and Petra Hesmerg https://www.studiointernational.com/images/articles/o/out-of-hand-2014/ML622254434732323-1-Master.jpg Christopher Bathgate. 
ML622254434732323, 2012. Aluminium, stainless steel, bronze, brass; computer numerical control (CNC) milling

. Courtesy of the artist. Photograph: Chris Bathgate. https://www.studiointernational.com/images/articles/o/out-of-hand-2014/Wim-Delvoye.jpg Wim Delvoye. Twisted Dump Truck (Counterclockwise, Scale model 1:5), 2011. 

Nickel-plated lasercut steel. 

Courtesy of Patricia Low Contemporary, Gstaad/St. Moritz. Photograph: Studio Wim Delvoye. https://www.studiointernational.com/images/articles/o/out-of-hand-2014/1-ZH-Coffee-Table-Liquid-Glacial-Smoke.jpg Zaha Hadid and Patrik Schumacher

. Liquid Glacial https://www.studiointernational.com/images/articles/o/out-of-hand-2014/Brainwave2.jpg Lucas Maassen and Unfold. Brain Wave Sofa (Process Image), 2010. 

Polyurethane foam, felt, wood, computer numerical controlled (CNC) milling
. Photograph: © Lucas Maassen and Unfold. https://www.studiointernational.com/images/articles/o/out-of-hand-2014/Nike-Vapor-Laser-Talon-1.jpg Shane Kohatsu

. Nike Vapor Laser Talon, 2013. Synthetic thermoplastic polyurethane textile upper, cubic dipped and painted nylon plate; laser sintering. 

Courtesy of Nike

. Photograph: Nike. https://www.studiointernational.com/index.php/canan-tolon-sidesteps-at-parasol-unit-london https://www.studiointernational.com/images/articles/t/tolon-canan-2014/1-Canan-Tolon-Untitled-(polyptych)-2001.jpg Canan Tolon. Untitled (polyptych), 2001. Rust and pigment on canvas, 267 x 274 cm (105 x 108 in). Collection Pınar and Hakan Ertaç. Photograph: Hakan Aydog an. https://www.studiointernational.com/images/articles/t/tolon-canan-2014/2-Canan-Tolon-Glitch-II-2007.jpg Canan Tolon. Glitch II, 2007. Oil on canvas, 140 x 180 cm (55 x 71 in). Tim and Nancy Howes, private collection. Photograph: Eli Ridgway. https://www.studiointernational.com/images/articles/t/tolon-canan-2014/3-Canan-Tolon-Untitled-1999.jpg Canan Tolon. Untitled, 1999. Black oil paint on Mylar. Sheet size 36 x 28 cm (14 x 11 in). Courtesy of the artist. Photograph: Benjamin Blackwell. https://www.studiointernational.com/images/articles/t/tolon-canan-2014/4-Canan-Tolon-Untitled-1990.jpg Canan Tolon. Untitled, 1990. Glass, grass and acrylic on canvas, 61 x 71 cm (24 x 28 in). Collection Riza Tansu. Photograph: Benjamin Blackwell. https://www.studiointernational.com/images/articles/t/tolon-canan-2014/5-Canan-Tolon-Futur-imparfait-1986-1999.jpg Canan Tolon. Futur imparfait, 1986–99. Ink on Mylar, 27.9 x 35.6 cm (11 x 14 in). The British Museum 2013. Funded by the Contemporary and Modern Middle East Art Acquisitions group (CaMMEA) and SAHA – Supporting Contemporary Art from Turkey. https://www.studiointernational.com/images/articles/t/tolon-canan-2014/Canan-Tolon-Sidesteps-Parasol-unit-installation-view-2014.jpg Cana Tolon. Time After Time, 2012. Oil on clay board, 125 panels. Courtesy of the artist and Gallery Paule Anglim, San Francisco. https://www.studiointernational.com/images/articles/t/tolon-canan-2014/Canan-Tolon-Sidesteps-Parasol-unit-installation-view-2014-(8).jpg Canan Tolon: Sidesteps. Parasol unit installation view (2), 2014. Courtesy of Parasol unit and the artist. Photograph: Stephen White © Canan Tolon. https://www.studiointernational.com/index.php/ink-art-past-as-present-in-contemporary-china-metropolitan-museum-of-art-review https://www.studiointernational.com/images/articles/i/ink-art-2014/14-1.jpg Gu Wenda. Mythos of Lost Dynasties Series—I Evaluate Characters Written by Three Men and Three Women, 1985. Hanging scroll; ink on paper, 9 ft. 4 1/4 in. × 70 1/16 in. (285.1 × 178 cm). Lent by a private collection, Hong Kong. © Gu Wenda. https://www.studiointernational.com/images/articles/i/ink-art-2014/Ai-Weiwei-Han-Jar-Overpainted-with-Coca-Cola-Logo.jpg Ai Weiwei. Han Jar Overpainted with Coca-Cola Logo, 1995. Earthenware, paint, H. 9 7/8 in. (25 cm); Diam. 11 in. (28 cm). Lent by M+ Sigg Collection, Hong Kong. © Ai Weiwei. https://www.studiointernational.com/images/articles/i/ink-art-2014/Duan-Jianyu-Beautiful-Dream-7.jpg Duan Jianyu. Beautiful Dream 7, 2008. Ink on cardboard, 11 1/2 x 17 1/4 in. (29 x 44 cm). Lent by the Sigg Collection. © Duan Jianyu. https://www.studiointernational.com/images/articles/i/ink-art-2014/Liu-Dan-Ink-Handscroll.jpg Liu Dan. Ink Handscroll, 1990. Ink and colour on paper, 37 3/4 in. x 58 ft. 4 in. (95.6 x 1780 cm). Lent by The San Diego Museum of Art, Museum purchase, 1998. © Liu Dan. https://www.studiointernational.com/images/articles/i/ink-art-2014/MH2_Fig.jpg Yang Fudong, Liu Lan, 2003. Single-channel video, 35mm black-and-white film transferred to DVD, with sound; 14 min. Lent by Marian Goodman Gallery, New York. © Yang Fudong. https://www.studiointernational.com/images/articles/i/ink-art-2014/NCMS-15.jpg Qiu Anxiong, New Classic of Mountains and Seas I, 2006. Three-channel animated video with sound; 30 min. Lent by the artist. © Qiu Anxiong. https://www.studiointernational.com/images/articles/i/ink-art-2014/PRen-Jian-rimeval-Chaos.jpg Ren Jian. Primeval Chaos, 1987–88. Handscroll; ink on polyester, 59 1/16 in. × 98 ft. 5 1/8 in. (150 × 3000 cm). Lent by Hong Kong Museum of Art, donated by Ms. Wong Ying-kay, Ada. © Ren Jian. https://www.studiointernational.com/images/articles/i/ink-art-2014/Yang-Jiechang-Crying-Landscape.jpg Yang Jiechang. Crying Landscape, 2002. Set of five triptychs, ink and colour on paper. Image (each triptych): 9 ft. 10 1/8 in. × 16 ft. 4 7/8 in. (300 × 500 cm). Lent by a private collection, New York. © Yang Jiechang. https://www.studiointernational.com/images/articles/i/ink-art-2014/DP158804.jpg Zhan Wang. Artificial Rock #10, 2001. Stainless steel, H. 29 1/2 in. (75 cm); W. 17 11/16 in. (45 cm); D. 7 1/2 in. (19 cm). Purchase, Friends of Asian Art Gifts, 2006. © Zhan Wang. https://www.studiointernational.com/images/articles/i/ink-art-2014/DP284977.jpg Shao Fan. Shadow, 2009. Rosewood, H. 35 in. (89 cm); W. 40 3/4 in. (103.5 cm); D. 40 3/4 in. (103.5 cm). Gift of Pearl Lam, 2010. © Shao Fan. https://www.studiointernational.com/images/articles/i/ink-art-2014/Wang-Dongling_Being-Open-and-Empty.jpg Wang Dongling. Being Open and Empty, 2005. Hanging scroll; ink on paper, 88 × 57 in. (223.5 × 144.8 cm). Gift of the artist, 2013. © Wang Dongling. https://www.studiointernational.com/images/articles/i/ink-art-2014/IA-ZhangJ.jpg Zhang Jianjun. Scholar Rock (The Mirage Garden) (Chinese, born 1955) Date: 2008 Culture: China Medium: Silicone rubber Dimensions: H. 77 1/4 in. (196 cm); W. 53 1/8 in. (135 cm); D. 34 1/4 in. (87 cm) Classification: Sculpture Credit Line: Lent by the Sigg Collection Rights and Reproduction: © Zhang Jianjun https://www.studiointernational.com/index.php/christian-bonnefoi-ginza-maison-hermes-tokyo-review https://www.studiointernational.com/images/articles/b/bonnefoi-christian-2014/Bonnefoi_artist.jpg Portrait of Christian Bonnefoi. © Nacása & Partners Inc./Courtesy of Fondation d’entreprise Hermès. https://www.studiointernational.com/images/articles/b/bonnefoi-christian-2014/Bonnefoi_Babel.jpg Christian Bonnefoi. Babel XXI, 2013. Acrylic on synthetic canvas, 280 x 240cm. © Nacása & Partners Inc. / Courtesy of Fondation d’entreprise Hermès. https://www.studiointernational.com/images/articles/b/bonnefoi-christian-2014/Bonnefoi_drawing.jpg Christian Bonnefoi. Petit Fioretti l’obscur, 1990. Acrylic, water colour on tarlatan canvas, 61 x 50cm. © Nacása & Partners Inc. / Courtesy of Fondation d’entreprise Hermès. https://www.studiointernational.com/images/articles/b/bonnefoi-christian-2014/Bonnefoi_Back.jpg Christian Bonnefoi. Dos, 2011-12, 1. Acrylic, collage on tissue paper, 230 x 165cm. © Nacása & Partners Inc. / Courtesy of Fondation d’entreprise Hermès. https://www.studiointernational.com/images/articles/b/bonnefoi-christian-2014/Bonnefoir_zodiacal-constellations.jpg Christian Bonnefoi. Le Zodiaque au-dessus de Ginza, 2013. Mixed media on tissue paper, dimension variable. © Nacása & Partners Inc. / Courtesy of Fondation d’entreprise Hermès. https://www.studiointernational.com/index.php/folk-couture-fashion-and-folk-art-american-folk-art-museum-review https://www.studiointernational.com/images/articles/f/folk-couture-2014/John_Bartlett.jpg John Bartlett. Photograph: Mete Ozeren. https://www.studiointernational.com/images/articles/f/folk-couture-2014/folk_couture_Bartlett_1.jpg Left: Original ensemble by by John Bartlett. Photograph: Mete Ozeren. Right: Man with Green Shirt and White Suspenders. Artist unidentified. Canada or United States. Late 19th/early 20th century. Paint on wood with metal, glass, and tape, 29 1/2 x 5 1/2 x 4 in. Collection American Folk Art Museum, New York. Gift of Leo and Dorothea Rabkin. Photograph: John Parnell, New York. https://www.studiointernational.com/images/articles/f/folk-couture-2014/Threeasfour.jpg threeASFOUR. Photograph: Mete Ozeren. https://www.studiointernational.com/images/articles/f/folk-couture-2014/folk_couture_threeASFOUR_02mt_1.jpg Left: Original ensemble by threeASFOUR. Photograph: Mete Ozeren. Inset right: Friendship Star Quilt, Elizabeth Hooton (Cresson) Savery (1808–1851) and others. Philadelphia, dated 1844. Cotton and linen with ink, 83 1/4 x 80 in. Collection American Folk Art Museum, New York. Gift of Marie D. and Charles A.T. O’Neill. Photograph: Matt Hoebermann, New York. https://www.studiointernational.com/images/articles/f/folk-couture-2014/Bibhu_Mohapatra.jpg Bibhu Mohapatra. Photograph: Mete Ozeren. https://www.studiointernational.com/images/articles/f/folk-couture-2014/folk_couture_Bibhu_Mohapatra_02mt_1.jpg Top: Original ensemble by Bibhu Mohapatra. Photograph: Mete Ozeren. Below: Tattoo Pattern Book, artist unidentified. New York City, 1873–1910. Ink on oiled cloth, with buckram binding, 4 1/2 x 3 1/4 x 3/4 in (closed). Collection American Folk Art Museum, New York. Anonymous gift. Photograph: Gavin Ashworth, New York. https://www.studiointernational.com/images/articles/f/folk-couture-2014/Gary_Graham.jpg Gary Graham. Photograph: Mete Ozeren. https://www.studiointernational.com/images/articles/f/folk-couture-2014/folk_couture_GaryGraham_02mt_1.jpg Left: Original ensemble by Gary Graham. Photograph: Mete Ozeren. Right: Ann Carll Coverlet: Blazing Star and Snowballs. Attributed to the Mott Mill (act. 1810–c. 1850), Westbury, New York, 1810. Indigo-dyed wool, natural cotton, 93 x 79 in. Collection American Folk Art Museum, New York. Gift of Margot Paul Ernst in memory of Susan B. Ernst. Photograph: Schecter Lee, New York. https://www.studiointernational.com/images/articles/f/folk-couture-2014/Yeohlee.jpg Yeolee Teng. Photograph: Mete Ozeren. https://www.studiointernational.com/images/articles/f/folk-couture-2014/folk_couture_Yeohlee_Teng_02mt_1.jpg Centre: Original ensemble by Gary Graham. Photograph: Mete Ozeren. Top left: Seated Dog, Sam Doyle (1906–1985). St. Helena Island, South Carolina, 1976. Paint on wood with tar and tin, 19 x 23 x 8 in. Collection American Folk Art Museum, New York Blanchard-Hill Collection, gift of M. Anne Hill and Edward V. Blanchard, Jr. Photograph: Gavin Ashworth, New York. Bottom left: Ram, Johnson Antonio (b. 1931). Lake Valley, New Mexico. Paint on wood with sheep hide, 1988, 33 x 21 x 23 in. Collection American Folk Art Museum, New York, Gift of Elizabeth Wecter. Top right: Seated Coyote, Max Alvarez (b. 1952). Santa Fe, New Mexico, 1985. Paint on cottonwood, 45 x 24 x 19 1/2 in. Collection American Folk Art Museum, New York. Gift of Elizabeth Wecter. Photograph: unidentified. Bottom right: Seated Jackalope, Alonzo Jiminez (b. 1949), Chupadero, New Mexico, 1983. Paint on cottonwood with antelope antlers, 33 x 11 1/2 x 27 in. Collection American Folk Art Museum, New York. Gift of Elizabeth Wecter. Photograph: Joseph McDonald. https://www.studiointernational.com/images/articles/f/folk-couture-2014/Michael_Bastian.jpg Michael Bastian. Photograph: Mete Ozeren. https://www.studiointernational.com/images/articles/f/folk-couture-2014/folk_couture_Bastian_1.jpg Original ensemble by Michael Bastian. Photograph: Mete Ozeren. Top left: Archangel Gabriel Weathervane, artist unidentified, United States, c. 1840. Paint on sheet metal, 35 x 32 1/2 x 1 1/4 in. Collection American Folk Art Museum, New York, gift of Adele Earnest. Photograph: John Parnell, New York. Bottom right: Anniversary Tin: Man’s Top Hat and Eyeglasses, artist unidentified, Gobles, Michigan, 1880–1900. Tin Hat: 9 1/2 x 11 1/2 x 5 1/4 in. Eyeglasses: 1 1/8 x 5 1/8 x 5 1/8 in. Collection American Folk Art Museum, New York. Gift of Martin and Enid Packard. Photograph: John Parnell, New York. https://www.studiointernational.com/images/articles/f/folk-couture-2014/Ronaldus_Shamask.jpg Ronaldus Shamask. Photograph: Mete Ozeren. https://www.studiointernational.com/images/articles/f/folk-couture-2014/folk_couture_Ronald_Shamask_02mt.jpg Original ensemble by Ronaldus Shamask. Photograph: Mete Ozeren. Inset left: Untitled (Jacket), James Castle (1899–1977), Garden Valley, Idaho. Early to mid-twentieth century. Coloured pencil on cardboard, 6 3/4 x 4 3/4 in. Collection American Folk Art Museum, New York. Gift of Dorothy Trapper Goldman. Photograph: Gavin Ashworth, New York. https://www.studiointernational.com/index.php/david-lynch-small-stories https://www.studiointernational.com/images/articles/l/lynch-david-2014/david-lynch-01.jpg David Lynch. Head #15. © David Lynch. Courtesy Galerie Item, Paris. https://www.studiointernational.com/images/articles/l/lynch-david-2014/david-lynch-02bd.jpg David Lynch. Interior #1. © David Lynch. Courtesy Galerie Item, Paris. https://www.studiointernational.com/images/articles/l/lynch-david-2014/david-lynch-03bd.jpg David Lynch. Interior #11. © David Lynch. Courtesy Galerie Item, Paris. https://www.studiointernational.com/images/articles/l/lynch-david-2014/david-lynch-04bd.jpg David Lynch. Thinking of childhood. © David Lynch. Courtesy Galerie Item, Paris. https://www.studiointernational.com/images/articles/l/lynch-david-2014/David-Lynch-portrait-DL05.jpg David Lynch. © Richard Dumas. https://www.studiointernational.com/index.php/making-painting-helen-frankenthaler-and-jmw-turner https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/Foot-of-St-Gothard-c1842-Turner.jpg JMW Turner. Foot of St. Gothard, c.1842. Watercolour on paper. City Art Gallery, Leeds. The Bridgeman Art Library. https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/Helen-Frankenthaler-Burnt-Norton.jpg Helen Frankenthaler. Burnt Norton. The Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/JMW-Turner-Stormy-Sea-Breaking-on-a-Shore-1840-45.jpg JMW Turner. Stormy Sea Breaking on a Shore, 1840-45. Yale Center for British Art, Paul Mellon Collection. https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/Helen-Frankenthaler-Covent-Garden-Study.jpg Helen Frankenthaler. Covent Garden Study: Final Maquette for the Third Movement, Kettle’s Yard, University of Cambridge. https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/JMW-Turner-The-Evening-Star-1830.jpg JMW Turner. The Evening Star, 1830. Oil on canvas. © The National Gallery, London. Turner Bequest, 1856. https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/Helen-Frankenthaler-Hotel-Cro-Magnon.jpg Helen Frankenthaler. Hotel Cro-Magnon. Courtesy Milwaukee Art Museum. https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/JMW-Turner-Thompsons-Aeolian-Harp-1809.jpg JMW Turner. Thompson’s Aeolian Harp, 1809. © Manchester City Galleries. https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/Helen-Frankenthaler-Overture.jpg Helen Frankenthaler. Overture, The Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/JMW-Turner-Trematon-Castle-Cornwall.jpg JMW Turner. Trematon Castle, Cornwall, c.1828. © Tate, London 2013. https://www.studiointernational.com/images/articles/t/turner-frankenthaler-2014/Helen-Frankenthaler-Sun-Dial.jpg Helen Frankenthaler. Sun Dial, Abbot Hall Art Gallery/Lakeland Arts Trust. © ARS, NY and DACS, London 2013. https://www.studiointernational.com/index.php/franz-ackermann-9-x-9-x-9-at-white-cube-london https://www.studiointernational.com/images/articles/a/ackermann-franz-2014/Franz-Ackermann-My-Private-Greens--Leaving-2007-2014-(medium-res).jpg Franz Ackermann. My Private Greens / Leaving, 2007-2014. Oil on canvas, © Franz Ackermann. Courtesy White Cube. https://www.studiointernational.com/images/articles/a/ackermann-franz-2014/Franz-Ackermann-The-Black-Hand-Monument-2013-2014-(medium-res).jpg Franz Ackermann. The Black Hand Monument, 2013-2014. Oil on canvas. © Franz Ackermann. Courtesy White Cube. https://www.studiointernational.com/images/articles/a/ackermann-franz-2014/Franz-Ackermann-9x9x9-White-Cube-Bermondsey-London-22-January---13-April-2014-(medium-res)-1.jpg Franz Ackermann, 9x9x9, 2014. © Franz Ackermann. Gallery view (1). Photograph: Jack Hems. Courtesy White Cube. https://www.studiointernational.com/images/articles/a/ackermann-franz-2014/Franz-Ackermann-9x9x9-White-Cube-Bermondsey-London-22-January---13-April-2014-(medium-res)-2.jpg Franz Ackermann, 9x9x9, 2014. © Franz Ackermann. Gallery view (2). Photograph: Jack Hems. Courtesy White Cube. https://www.studiointernational.com/images/articles/a/ackermann-franz-2014/Franz-Ackermann-9x9x9-White-Cube-Bermondsey-London-22-January---13-April-2014-(medium-res)-3.jpg Franz Ackermann, 9x9x9, 2014. © Franz Ackermann. Gallery view (3). Photograph: Jack Hems. Courtesy White Cube. https://www.studiointernational.com/index.php/sensing-spaces-architecture-reimagined-at-the-ra https://www.studiointernational.com/images/articles/s/sensing-spaces-2014/SSGRA034_Grafton.jpg Installation by Grafton Architects. Photograph © Royal Academy of Arts, London, 2014. Photograph: James Harris. https://www.studiointernational.com/images/articles/s/sensing-spaces-2014/SSGRA035.jpg Installation by Grafton Architects (view 2). Photograph © Royal Academy of Arts, London, 2014. Photograph: James Harris. https://www.studiointernational.com/images/articles/s/sensing-spaces-2014/SSKER053_Francis-Kere.jpg Installation by Diebedo Francis Kere. Photograph © Royal Academy of Arts, London, 2014. Photograph: James Harris. https://www.studiointernational.com/images/articles/s/sensing-spaces-2014/SSKER054.jpg Installation by Diebedo Francis Kere (view 2). Photograph © Royal Academy of Arts, London, 2014. Photograph: James Harris / © Kere Architecture. https://www.studiointernational.com/images/articles/s/sensing-spaces-2014/SSKUM031_Kengo-Kuma1.jpg Installation by Kengo Kuma. Photograph © Royal Academy of Arts, London, 2014. Photograph: James Harris. https://www.studiointernational.com/images/articles/s/sensing-spaces-2014/SSKUM034.jpg Installation by Kengo Kuma (view 2). Photograph © Royal Academy of Arts, London, 2014. Photograph: James Harris. https://www.studiointernational.com/images/articles/s/sensing-spaces-2014/SSPVE071_Pezo-von-Ellrichshausen.jpg Installation (Blue Pavilion) by Pezo von Ellrichshausen. Photograph © Royal Academy of Arts, London, 2014. Photograph: James Harris. https://www.studiointernational.com/images/articles/s/sensing-spaces-2014/SSPVE072.jpg Installation (Blue Pavilion) by Pezo von Ellrichshausen (view 2). Photograph © Royal Academy of Arts, London, 2014. Photograph: James Harris. https://www.studiointernational.com/index.php/carrie-mae-weems-three-decades-of-photography-and-video https://www.studiointernational.com/images/articles/w/weems-carrie-mae-2014/CMW_AfroChic_video_01_goldbluedress.jpg Carrie Mae Weems. Afro-Chic, 2010. Digital colour video, with sound, 5 min 30 sec. Collection of the artist, courtesy the artist and Jack Shainman Gallery, New York. © Carrie Mae Weems. https://www.studiointernational.com/index.php/derek-jarman-pandemonium https://www.studiointernational.com/images/articles/j/jarman-derek-2014/Burning-the-Pyramids-(Art-of-Mirrors),-Derek-Jarman-1970-73-,-C-LUMA-Foundation.jpg Derek Jarman. Burning the Pyramids (Art of Mirrors), 1970-73. © LUMA Foundation. https://www.studiointernational.com/images/articles/j/jarman-derek-2014/Studio-Bankside,-Derek-Jarman,-1973-74-,-C-LUMA-Foundation.jpg Derek Jarman. Studio Bankside, 1973-74. © LUMA Foundation. https://www.studiointernational.com/index.php/a-dialogue-with-nature-romantic-landscapes-from-britain-and-germany https://www.studiointernational.com/images/articles/d/dialogue-with-nature-2014/1-Cozens-Ruined-Fort.jpg John Robert Cozens (1752-1797). A ruined fort near Salerno, c. 1782. Graphite, watercolour and opaque watercolour (with scratching out) on laid paper, 251 x 368 cm. The Courtauld Gallery. https://www.studiointernational.com/images/articles/d/dialogue-with-nature-2014/2-Morgan-Fohrs-The-Ruins-of-Hohenbaden.jpg Carl Philipp Fohr (1795-1818). The Ruins of Hohenbaden, 1814-15. Watercolour on wove paper; ruled border in brown ink; partially laid down on the original green wove paper album folio, 195 x 221 mm. The Morgan Library & Museum. https://www.studiointernational.com/images/articles/d/dialogue-with-nature-2014/3-Friedrich-Moonlit-landscape.jpg Caspar David Friedrich (1774-1840). Moonlit landscape, c. 1808. Watercolour on paper, 232 x 365 mm. The Morgan Library & Museum. https://www.studiointernational.com/images/articles/d/dialogue-with-nature-2014/4-Palmer-The-Haunted-Stream.jpg Samuel Palmer (1805-1881). The Haunted Stream, c. 1826. Brush and brown ink and brown ink wash on wove paper, 92 x 123 mm. The Morgan Library & Museum. https://www.studiointernational.com/images/articles/d/dialogue-with-nature-2014/5-Lessing-Landscape-with-a-cemetery-and-a-church.jpg Karl Friedrich Lessing (1808-1880). Landscape with a cemetery and a church, 1837. Pen and brown ink and black inks, brush and brown ink, brown ink wash watercolour, opaque watercolour, and graphite with cut and adhered paper correction, on brown wove paper, 291 x 447 mm. The Morgan Library & Museum. https://www.studiointernational.com/images/articles/d/dialogue-with-nature-2014/6-Turner-Lake-Lucerne-towards-Fluelen.jpg Joseph Mallord William Turner (1775-1851). On Lake Lucerne, looking towards Fluelen, 1841(?). Watercolour, with scraping out and marks made with the thumb, over graphite on wove paper, 223 x 283 mm. The Courtauld Gallery. https://www.studiointernational.com/index.php/michael-snow-photo-centric https://www.studiointernational.com/images/articles/s/snow-michael-2014/michael-snow-times-1979.jpg Michael Snow. Times, 1979. Colour photograph, wood frame, 77 x 74 in. (195.6 x 188 cm). https://www.studiointernational.com/images/articles/s/snow-michael-2014/michael-snow-glares-1973.jpg Michael Snow. Glares, 1973. 81 black-and-white photographs, mounted on Masonite painted with acrylic; light fixture; frame, 58 3/8 x 39 3/8 in (149.2 x 100.3 cm). Manulife Financial Corporate Art Collection. https://www.studiointernational.com/images/articles/s/snow-michael-2014/michael-snow-Midnight-Blue.jpg Michael Snow. Midnight Blue, 1973-1974. Colour photograph, wood, acrylic paint, wax, 28 11/16 x 26 x 4 7/8 in (73 x 66 x 12.5 cm). Centre Pompidou, Paris. Musée national d'art moderne/Centre de création industrielle. Purchase, 1979. https://www.studiointernational.com/images/articles/s/snow-michael-2014/michael-snow-door.jpg Michael Snow. Door, 1979. Colour photograph, 90 x 46 x 5 in (228.6 x 119.3 x 15.2 cm). The Bailey Collection, Ontario, Canada. https://www.studiointernational.com/images/articles/s/snow-michael-2014/michael-snow-powers-of-two.jpg Michael Snow. Powers of Two, 2003. Four photographic transparencies, suspended from ceiling, 102 x 192 1/8 in (259 x 488 cm). https://www.studiointernational.com/index.php/america-latina-1960-2013-fondation-cartier-paris https://www.studiointernational.com/images/articles/a/america-latina-2014/G-deisler.jpg Guillermo Deisler. Untitled, 1977-79. Collage of newspaper clippings and photocopies, 23 x 18 cm. Courtesy Henrique Faria Fine Art, New York. © Guillermo Deisler. https://www.studiointernational.com/images/articles/a/america-latina-2014/PGasparini_Fondation-Cartier.jpg Paolo Gasparini. El habitat de les hombres..., Caracas, Bello Monte, 1968. © Paolo Gasparini. https://www.studiointernational.com/index.php/earthy-transitions-india-art-fair-2014 https://www.studiointernational.com/images/articles/i/india-art-fair-2014/AninditaDutta_creating_artwork.jpg Anindita Dutta creating Everything Ends and Everything Matters. © Anindita Dutta 2014. All Rights Reserved. Courtesy of the artist. Photograph: Mukunda De. https://www.studiointernational.com/images/articles/i/india-art-fair-2014/Everything-Ends-and-Everything-Matters-inner-view.jpg Anindita Dutta. Everything Ends and Everything Matters (Inner view). © Anindita Dutta 2014. All Rights Reserved. Courtesy of the artist. Photograph: Mukunda De. https://www.studiointernational.com/images/articles/i/india-art-fair-2014/Everything-Ends-and-Everything-Matters-performance.jpg Anindita Dutta. Everything Ends and Everything Matters (Performance). © Anindita Dutta 2014. All Rights Reserved. Courtesy of the artist. Photograph: Mukunda De. https://www.studiointernational.com/images/articles/i/india-art-fair-2014/Everything-Ends-and-Everything-Matters-side-view.jpg Anindita Dutta. Everything Ends and Everything Matters (Side view). © Anindita Dutta 2014. All Rights Reserved. Courtesy of the artist. Photograph: Mukunda De. https://www.studiointernational.com/images/articles/i/india-art-fair-2014/abir-karmarkar,-Lighthouse.jpg Abir Karmakar, Lighthouse, 2013. Found windows, concrete, iron pipes, plywood, household lights, 204.5 x 122 x 122 cm (80.5 x 48 x 48 in). https://www.studiointernational.com/images/articles/i/india-art-fair-2014/Shine-Shivan,-Untitled,2013,-.jpg Shine Shivan. Untitled, 2013. Taxidermy, palm thorns, blood stains, fabric and resin, 28.5 x 25.5 x 25 cm (72 x 60x 9.5 in). https://www.studiointernational.com/images/articles/i/india-art-fair-2014/Maskara-Gallery---Narendra-Yadav-Indivisible-Violent-Particle-2012-IAF-2014.jpg Narendra Yadav. That original may also be a reflection, 2010-14. Mirrors, motor and light, 3 x 5 x 4 m. https://www.studiointernational.com/images/articles/i/india-art-fair-2014/Rueben-Bellinkx.jpg Reuben Bellinkx. The musical chair, 2007. 16mm film consisting of three projections, black and white, 7.33 min loop. https://www.studiointernational.com/images/articles/i/india-art-fair-2014/jaganath-panda-at-iaf-detail-2.jpg Jagannath Panda. Wizard of the Wasteland, 2014. Fibreglass, gold leaf, fabric, auto paint, acrylic, glue, plastic toys, 274 x 228 x 152 cm (108 x 90 x 60 in). https://www.studiointernational.com/images/articles/i/india-art-fair-2014/porcelain-skull,-Jacky-Tsai.jpg Jacky Tsai. Porcelain Skull, 2014. Handpainted blue and white porcelain, 93 x 73 cm (36.6 x 28.7 in). https://www.studiointernational.com/images/articles/i/india-art-fair-2014/Fraz-Mateen.jpg Fraz Mateen. ID- 4, 2012. Carving on paper, 19.05 x 25.4 x 17.78 cm (7.5 x 10 x 2 in). https://www.studiointernational.com/images/articles/i/india-art-fair-2014/narendra-yadav-at-india-art-fair-1.jpg Narendra Yadav. Indivisible Violence Particle , 2012. Bronze, wood and concrete, 17.32 x 24.40 x5.90 cm. https://www.studiointernational.com/index.php/zurbaran-master-of-spains-golden-age https://www.studiointernational.com/images/articles/z/zurbaran-2014/francisco-de-zurbaran-Fray-Jeronimo-Perez.jpg Francisco de Zurbarán. Fray Jerónimo Pérez, ca. 1632-1634. Oil on canvas, 193 x 122 cm. Madrid, Museo de la Real Academia de Bellas Artes de San Fernando. https://www.studiointernational.com/images/articles/z/zurbaran-2014/francisco-de-zurbaran-agnus-dei.jpg Francisco de Zurbarán. Agnus dei, ca. 1635-1640. Oil on canvas, 35.56 x 52.07 cm. San Diego, The San Diego Museum of Art, gift of Anne R. and Amy Putnam. https://www.studiointernational.com/images/articles/z/zurbaran-2014/francisco-de-zurbaran-Saint-Peter-Nolasco-Vision-02.jpg Francisco de Zurbarán. Saint Peter Nolasco’s Vision, 1629. Oil on canvas, 179 x 223 cm. Madrid, Museo Nacional del Prado. https://www.studiointernational.com/images/articles/z/zurbaran-2014/Francisco-de-Zurbaran-Saint-Gabriel-the-Archangel-05.jpg Francisco de Zurbarán. Saint Gabriel the Archangel, ca. 1631-1632. Oil on canvas, 146.5 x 61.5 cm. Montpellier, Musée Fabre. https://www.studiointernational.com/images/articles/z/zurbaran-2014/francisco-de-zurbaran-Saint-Francis-06.jpg Francisco de Zurbarán. Saint Francis, ca. 1635. Oil on canvas, 204 x 112 cm. Milwaukee, Milwaukee Art Museum. https://www.studiointernational.com/images/articles/z/zurbaran-2014/Francisco-de-Zurbaran-A-Cup-of-Water-and-a-Rose-07.jpg Francisco de Zurbarán. A Cup of Water and a Rose. ca. 1630. Oil on canvas, 21.2 x 30.1 cm. London, The National Gallery. https://www.studiointernational.com/images/articles/z/zurbaran-2014/Francisco-de-Zurbaran-The-Flight-into-Egypt-11.jpg Francisco de Zurbarán. The Flight into Egypt, ca 1630-1635. Oil on canvas, 150 x 159 cm. Seattle, Seattle Art Museum, fractional gift from the Collection Barney A. Ebsworth. https://www.studiointernational.com/images/articles/z/zurbaran-2014/Francisco-de-Zurbaran-The-House-of-Nazareth-12.jpg Francisco de Zurbarán. The House of Nazareth, ca. 1644-1645. Oil on canvas, 151.2 x 204.8 cm. Madrid, Fondo Cultural Villar Mir https://www.studiointernational.com/images/articles/z/zurbaran-2014/Francisco-de-Zurbaran-The-Immaculate-Conception-14.jpg Francisco de Zurbarán. The Immaculate Conception, ca. 1635. Oil on canvas, 174 x 138 cm. Sigüenza, Museo Diocesiano (Fundación Perlado Verdugo, Jadraque). https://www.studiointernational.com/images/articles/z/zurbaran-2014/Francisco-de-Zurbaran-and-studio-Saint-Ursula-17.jpg Francisco de Zurbarán and studio. Saint Ursula, ca. 1635. Oil on canvas, 171.5 x 106.4 cm. Genova, Musei di Strada Nuova - Palazzo Bianco. https://www.studiointernational.com/images/articles/z/zurbaran-2014/Francisco-de-Zurbaran-Saint-Luke-as-a-Painter-before-Christ-on-the-Cross-21.jpg Francisco de Zurbarán. Saint Luke as a Painter, before Christ on the Cross, ca 1650. Oil on canvas, 105 x 84 cm. Madrid, Museo Nacional del Prado. https://www.studiointernational.com/images/articles/z/zurbaran-2014/Francisco-de-Zurbaran-Saint-Casilda-16.jpg Francisco de Zurbarán. Saint Casilda, ca. 1635. Oil on canvas, 171 x 107 cm. Madrid, Museo Thyssen-Bornemisza. https://www.studiointernational.com/images/articles/z/zurbaran-2014/Francisco-de-Zurbaran-The-Virgin-and-Child-with-Saint-John-the-Baptist.jpg Francisco de Zurbarán. The Virgin and Child with Saint John the Baptist, 1662. Oil on canvas, 169 x 127 cm. Bilbao, Museo de Bellas Artes. https://www.studiointernational.com/index.php/rachel-howard-northern-echo-at-blain-southern https://www.studiointernational.com/images/articles/h/howard-rachel-2014/rachel-howard-Bridge-(Beach-Banks).jpg Rachel Howard. Bridge (beach banks), 2013. Oil and acrylic on canvas, 76.2 x 91.4 cm (30 x 36 in). Photograph: Prudence Cummings Associates Ltd, 2013. Image courtesy of the artist and Blain|Southern, and copyright the artist. https://www.studiointernational.com/images/articles/h/howard-rachel-2014/rachel-howard-North.jpg Rachel Howard. North, 2013. Oil on canvas, 91.4 x 76.2 cm (36 x 30 in). Photograph: Prudence Cummings Associates Ltd, 2013. Image courtesy of the artist and Blain|Southern, and copyright the artist. https://www.studiointernational.com/images/articles/h/howard-rachel-2014/rachel-howard-Interior-(Square).jpg Rachel Howard. Interior (square), 2013. Oil and acrylic on canvas, 213.36 x 213.36 cm (84 x 84 in). Photograph: Prudence Cummings Associates Ltd, 2013. Image courtesy of the artist and Blain|Southern, and copyright the artist. https://www.studiointernational.com/images/articles/h/howard-rachel-2014/rachel-howard-Spit-And-Whisper.jpg Rachel Howard. Spit and Whisper, 2013. Oil and acrylic on canvas, 76.2 x 91.4 cm (30 x 36 in). Photograph: Prudence Cummings Associates Ltd, 2013. Image courtesy of the artist and Blain|Southern, and copyright the artist. https://www.studiointernational.com/images/articles/h/howard-rachel-2014/rachel-howard-Insomnia.jpg Rachel Howard. Insomnia, 2013. Oil and acrylic on canvas, 61 x 50.8 cm (24 x 20 in). Photograph: Prudence Cummings Associates Ltd, 2013. Image courtesy of the artist and Blain|Southern, and copyright the artist. https://www.studiointernational.com/index.php/kurt-jackson-interview https://www.studiointernational.com/images/articles/j/jackson-kurt-2014/view-from-fishermans-hut-2014.jpg The view from Kurt Jackson https://www.studiointernational.com/images/articles/j/jackson-kurt-2014/kurt-jackson-and-fox-painting.jpg Kurt Jackson in his St Just studio, with a painting of a dead fox, 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/jackson-kurt-2014/kurt-jackson-in-his-studio-2014.jpg Kurt Jackson in his St Just studio, 2014 with All that https://www.studiointernational.com/images/articles/j/jackson-kurt-2014/kurt-jackson-foundation-building-2014.jpg Exterior of the building that will house the Jackson Foundation, St Just, Cornwall, 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/jackson-kurt-2014/kurt-jackson-in-the-foundation-building-2014.jpg Kurt Jackson inside the building that will house the Jackson Foundation, St Just, Cornwall, 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/jackson-kurt-2014/kurt-jackson-and-no-go-by-ronnie.jpg Kurt Jackson with No Go By bird man, Ronnie, 2013. https://www.studiointernational.com/images/articles/j/jackson-kurt-2014/kurt-jackson-in-his-fishermans-hut-studio-2014.jpg Kurt Jackson talking to Studio International at St Just, Cornwall, 17 January 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/liu-wei-density-at-white-cube-masons-yard-london https://www.studiointernational.com/images/articles/l/liu-wei-2014/Liu-Wei-White-Cube-Masons-Yard-London-2014)-4.jpg Liu Wei. Density. Installation view (1). White Cube Mason's Yard, London, 29 January - 15 March 2014. © Liu Wei. Photograph: Jack Hems. Courtesy White Cube. https://www.studiointernational.com/images/articles/l/liu-wei-2014/Liu-Wei-White-Cube-Masons-Yard-London-2014-1.jpg Liu Wei. Density. Installation view (2). White Cube Mason's Yard, London, 29 January - 15 March 2014. © Liu Wei. Photograph: Jack Hems. Courtesy White Cube. https://www.studiointernational.com/images/articles/l/liu-wei-2014/Liu-Wei-White-Cube-Masons-Yard-London-2014-5.jpg Liu Wei. Density. Installation view (3). White Cube Mason's Yard, London, 29 January - 15 March 2014. © Liu Wei. Photograph: Jack Hems. Courtesy White Cube. https://www.studiointernational.com/images/articles/l/liu-wei-2014/Liu-Wei-White-Cube-Masons-Yard-London-2014-7.jpg Liu Wei. Density. Installation view (4). White Cube Mason's Yard, London, 29 January - 15 March 2014. © Liu Wei. Photograph: Jack Hems. Courtesy White Cube. https://www.studiointernational.com/images/articles/l/liu-wei-2014/Liu-Wei-White-Cube-Masons-Yard-London-2014-9.jpg Liu Wei. Density. Installation view (5). White Cube Mason's Yard, London, 29 January - 15 March 2014. © Liu Wei. Photograph: Jack Hems. Courtesy White Cube. https://www.studiointernational.com/index.php/martin-creed-interview-hayward-gallery-london https://www.studiointernational.com/images/articles/c/creed-martin-2014/Work-No-1805,-2014,-Martin-Creed,-Whats-the-point-of-it,-Hayward-Gallery,-2014-Installation-view,-photo-Linda-Nylind-(23).jpg Martin Creed. Work No 1805, 2014. What's the point of it, Hayward Gallery, 2014, installation view. Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/c/creed-martin-2014/Work-No-1806,-2014,-Martin-Creed,-Whats-the-point-of-it,-Hayward-Gallery,-2014-Installation-view,-photo-Linda-Nylind-(27).jpg Martin Creed. Work No 1806, 2014. What's the point of it, Hayward Gallery, 2014, installation view. Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/c/creed-martin-2014/Work-No-928,-2008,-Martin-Creed,-Whats-the-point-of-it,-Hayward-Gallery,-2014-Installation-view,-photo-Linda-Nylind-(21).jpg Martin Creed. Work No 928, 2014. What's the point of it, Hayward Gallery, 2014, installation view. Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/c/creed-martin-2014/martin-creed-Work-no.jpg Martin Creed. Work No 200, 2014. What's the point of it, Hayward Gallery, 2014, installation view. Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/c/creed-martin-2014/Martin-Creed,-Whats-the-point-of-it,-Hayward-Gallery,-2014-Installation-view,-photo-Linda-Nylind-(26).jpg Martin Creed. What's the point of it, Hayward Gallery, 2014, installation view. Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/c/creed-martin-2014/Martin-Creed-Whats-the-point-of-it,-Hayward-Gallery,-2014-Installation-view,-photo-Linda-Nylind-(20).jpg Martin Creed. What's the point of it, Hayward Gallery, 2014, installation view (2). Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/c/creed-martin-2014/Work-no-1000-Martin-Creed-(22).jpg Martin Creed. Work No 1000, 2014. What's the point of it, Hayward Gallery, 2014, installation view. Photograph: Linda Nylind. https://www.studiointernational.com/index.php/lights-in-snowland https://www.studiointernational.com/images/articles/s/snowland-2014/Light-Book-Snow-flake-interactive.jpg Takahiro Matsuo. Light Book, 2014. Projector, book, 1.2 x 8 x 4m. https://www.studiointernational.com/images/articles/s/snowland-2014/Light-Book-Snow-flake.jpg Takahiro Matsuo. Light Book, 2014. https://www.studiointernational.com/images/articles/s/snowland-2014/snowland.jpg Takahito Kimura. My Garden, 2014. LCD monitor, polarizing disk, dimension variable. https://www.studiointernational.com/index.php/james-turrell-recent-works-pace-london https://www.studiointernational.com/images/articles/t/turrell-james-2014/james-turrell-recent-works-pace-london-2014(5).jpg James Turrell: Recent Works. Installation view, courtesy Pace London. © James Turrell, Florian Holzherr. https://www.studiointernational.com/images/articles/t/turrell-james-2014/james-turrell-recent-works-pace-london-2014(6).jpg James Turrell. Sojourn, 2006. From the Tall Glass series. Installation view, courtesy Pace London. © James Turrell, Florian Holzherr. https://www.studiointernational.com/images/articles/t/turrell-james-2014/james-turrell-recent-works-pace-london-2014(3).jpg James Turrell. Ukaloo, Wide Glass, 2011. Installation view (1), courtesy Pace London. © James Turrell, Florian Holzherr. https://www.studiointernational.com/images/articles/t/turrell-james-2014/james-turrell-recent-works-pace-london-2014(4).jpg James Turrell. Ukaloo, Wide Glass, 2011. Installation view (2), courtesy Pace London. © James Turrell, Florian Holzherr. https://www.studiointernational.com/images/articles/t/turrell-james-2014/james-turrell-recent-works-pace-london-2014(2).jpg James Turrell. Ukaloo, Wide Glass, 2011. Installation view (3), courtesy Pace London. © James Turrell, Florian Holzherr. https://www.studiointernational.com/index.php/the-story-of-pamm-the-perez-art-museum-of-miami https://www.studiointernational.com/images/articles/p/pamm-2014/PAMM-south-facade-Iwan-Baan.jpg Pérez Art Museum Miami, south façade, December 2013. Designed by Herzog & de Meuron. Photograph: Iwan Baan . https://www.studiointernational.com/images/articles/p/pamm-2014/ai-weiwei-dropping-a-han-dy.jpg Ai Weiwei: According to What?. From top to bottom: Dropping a Han Dynasty Urn, 1995/2009; Coloured Vases, 2007-2010. Installation view Pérez Art Museum Miami. Photograph: Daniel Azoulay photography. https://www.studiointernational.com/images/articles/p/pamm-2014/Oscar-Munoz,-cortina-de-bano.jpg Oscar Muñoz. Cortinas de baño, 1994. Acrylic on plastic, 74 x 28 1/2 inches, each curtain; 5 curtains. Installation view Pérez Art Museum Miami. Collection Pérez Art Museum Miami, gift of George M. Safirstein M. D. and Pola Reydburd. https://www.studiointernational.com/images/articles/p/pamm-2014/Perez-Art-Museum-Miami,-view-of-AMERICANA.jpg AMERICANA: Progressive Forms. Installation view. Pérez Art Museum Miami. Photograph: Daniel Azoulay photography. https://www.studiointernational.com/images/articles/p/pamm-2014/monika-sosnowska-market-detail-2013.jpg Monika Sosnowska. Market (detail), 2013. Painted steel, 287 3/8 x 208 11/16 x 165 3/8 in. Courtesy of the artist and Hauser & Wirth, New York. Photograph: Daniel Azoulay photography . https://www.studiointernational.com/images/articles/p/pamm-2014/roberto-matta-crucificcion.jpg Roberto Matta. Crucifixion (Crucifixion), 1938. Oil on canvas, 28-1/2 x 35-3/4 in. Collection Pérez Art Museum Miami, gift of Jorge M. Pérez. https://www.studiointernational.com/images/articles/p/pamm-2014/wilfredo-lam-la-chevelure.jpg Wifredo Lam. La Chevelure, 1945. Oil and charcoal on canvas, 28-3/4 x 23 5/8 in. Collection Pérez Art Museum Miami, gift of Jorge M. Pérez. https://www.studiointernational.com/images/articles/p/pamm-2014/yael-bartana-inferno-3.jpg Yael Bartana. Production images from Inferno, 2013. Courtesy of the artist; Petzel, New York; Annet Gelink Gallery, Amsterdam; and Sommer Contemporary Art, Tel Aviv. https://www.studiointernational.com/images/articles/p/pamm-2014/pamm-image-search-Iwan-Baan.jpg Installation view, Pérez Art Museum Miami. Photograph: Daniel Azoulay photography. https://www.studiointernational.com/index.php/henri-cartier-bresson-the-centre-pompidou-paris https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/HENRI-CARTIER-BRESSON.jpg George Hoyningen-Huene. Henri Cartier-Bresson, New York, 1935. The Museum of Modern Art, Thomas Walther Collection, Purchase, New York. © George Hoyningen-Huene : © Horst / Courtesy-Staley / Wise Gallery / NYC. Crédit photographique : © 2013. Digital image, The Museum of Modern Art, New York / Scala, Florence. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/Camagey-Cuba-233.jpg Henri Cartier-Bresson. Camagüey, Cuba, 1963. Collection Fondation Henri Cartier-Bresson, Paris. © Henri Cartier-Bresson / Magnum Photos, courtesy Fondation Henri Cartier-Bresson. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/Giacometti-rue-dalesia-224.jpg Henri Cartier-Bresson. Alberto Giacometti, rue d’Alésia, Paris, France, 1961. Collection Fondation Henri Cartier-Bresson, Paris © Henri Cartier-Bresson / Magnum Photos, courtesy Fondation Henri Cartier-Bresson. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/Livourne-Toscane-0083.jpg Henri Cartier-Bresson. Livourne, Toscane, Italie, 1933. Centre Pompidou, musée national d’art moderne, Achat grâce au mécénat d’Yves Rocher, 2011, Ancienne collection Christian Bouqueret, Paris. © Henri Cartier-Bresson / Magnum Photos, courtesy Fondation Henri Cartier-Bresson. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/Martine-Franck-344.jpg Henri Cartier-Bresson. Martine Franck, Paris, France, 1967. 30.2 x 44.8 cm. Collection Eric et Louise Franck, Londres © Henri Cartier-Bresson / Magnum Photos, courtesy Fondation Henri Cartier-Bresson. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/Premiers-conges-payes-134.jpg Henri Cartier-Bresson. Premiers congés payés, bords de Seine, France, 1936. Collection Fondation Henri Cartier-Bresson, Paris © Henri Cartier-Bresson / Magnum Photos, courtesy Fondation Henri Cartier-Bresson. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/accelerateur-lineaire-261.jpg Henri Cartier-Bresson. Accélérateur linéaire, Université Stanford, États-Unis, 1967. 24.7 x 16.6 cm. Collection Fondation Henri Cartier-Bresson, Paris. © Henri Cartier-Bresson / Magnum Photos, courtesy Fondation Henri Cartier-Bresson. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/derriere-la-gare-saint-lazare-65.jpg Henri Cartier-Bresson. Derrière la gare Saint-Lazare, Paris, France, 1932. Bibliothèque nationale de France, Paris © Henri Cartier-Bresson / Magnum Photos, Òcourtesy Fondation Henri Cartier-Bresson. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/foule-attendant-devant-une-banque-193.jpg Henri Cartier-Bresson. Foule attendant devant une banque pour acheter de l’or pendant les derniers jours du Kuomintang, Shanghai, Chine, décembre 1948. Collection Fondation Henri Cartier-Bresson, Paris. © Henri Cartier-Bresson / Magnum Photos, courtesy Fondation Henri Cartier-Bresson. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/rue-de-vaugirard-241.jpg Henri Cartier-Bresson. Rue de Vaugirard, Paris, France, mai 1968. Collection Fondation Henri Cartier-Bresson, Paris © Henri Cartier-Bresson / Magnum Photos, courtesy Fondation Henri Cartier-Bresson. https://www.studiointernational.com/images/articles/c/cartier-bresson-henri-2014/velodrome-216.jpg Henri Cartier-Bresson. Course cycliste https://www.studiointernational.com/index.php/chiharu-shiota-dialogues https://www.studiointernational.com/images/articles/s/shiota-chiharu-2014/chiharu-shiota-Letter-of-Thanks.jpg Chiharu Shiota. Letter of Thanks, 2014. © DACS 2013, The New Art Gallery Walsall, Photograph: Jonathan Shaw. https://www.studiointernational.com/images/articles/s/shiota-chiharu-2014/chiharu-shiota-Red-Line-Series-2012-3.jpg Chiharu Shiota. Red Line V, 2012, Oil pastel on paper, 150 x 100 cm. © DACS 2013. Photograph: Sunhi Mang. https://www.studiointernational.com/images/articles/s/shiota-chiharu-2014/chiharu-shiota-Searching-for-the-Destination2.jpg Chiharu Shiota. Accumulation - Searching for the Destination, 2014. © DACS 2013, The New Art Gallery Walsall .Photograph: Jonathan Shaw. https://www.studiointernational.com/images/articles/s/shiota-chiharu-2014/chiharu-shiota-Searching-for-the-Destination1.jpg Chiharu Shiota. Accumulation - Searching for the Destination (detail), 2014. © DACS 2013, The New Art Gallery Walsall .Photograph: Jonathan Shaw. https://www.studiointernational.com/index.php/germany-divided-baselitz-and-his-generation-duerckheim-collection https://www.studiointernational.com/images/articles/g/germany-divided-2014/Georg-Baselitz-Man-on-a-Tree-Downwards.jpg Georg Baselitz. Mann am Baum abwärts (Man on a Tree Downwards), 1968/69. Charcoal on paper. Presented to the British Museum by Count Christian Duerckheim. Reproduced by permission of the artist. © Georg Baselitz. https://www.studiointernational.com/images/articles/g/germany-divided-2014/Georg-Baselitz-A-New-Type.jpg Georg Baselitz. Ein neuer Typ (‘A New Type’), 1965. Grey and yellow ochre watercolour, charcoal, graphite and white pastel on paper. Presented to the British Museum by Count Christian Duerckheim. Reproduced by permission of the artist. © Georg Baselitz. https://www.studiointernational.com/images/articles/g/germany-divided-2014/Georg-Baselitz-Partisan.jpg Georg Baselitz. Partisan, 1965. Yellow ochre gouache, grey wash, charcoal, graphite, white and pink pastel on paper. Presented to the British Museum by Count Christian Duerckheim. Reproduced by permission of the artist. © Georg Baselitz. https://www.studiointernational.com/images/articles/g/germany-divided-2014/AR-Penck-Untitled-(Self-portrait).jpg A.R. Penck. Untitled (Self-portrait), 1975. Grey and black ink wash on paper. Presented to the British Museum by Count Christian Duerckheim. © A.R. Penck/DACS 2013. https://www.studiointernational.com/images/articles/g/germany-divided-2014/AR-Penck-Untitled.jpg A.R. Penck. Untitled, 1967. Watercolour, gold and silver paint on coarse light-green paper. Presented to the British Museum by Count Christian Duerckheim. © A.R. Penck/DACS 2013. https://www.studiointernational.com/images/articles/g/germany-divided-2014/Markus-Lupertz-MONUMENT-dithyrambic-.jpg Markus Lüpertz. MONUMENT – dithyrambic, 1976. Gouache, ink and oil pastel on brown packing paper. Presented to the British Museum by Count Christian Duerckheim. © Markus Lüpertz/DACS 2013. https://www.studiointernational.com/images/articles/g/germany-divided-2014/Gerhard-Richter-Untitled.jpg Gerhard Richter. Untitled, 1967. Graphite and felt-tip pen on tracing paper. Presented to the British Museum by Count Christian Duerckheim. © Gerhard Richter 2014. https://www.studiointernational.com/images/articles/g/germany-divided-2014/Georg-Baselitz-Untitled-1965.jpg Georg Baselitz. Untitled, 1965. Charcoal on paper. Presented to the British Museum by Count Christian Duerckheim. Reproduced by permission of the artist. © Georg Baselitz https://www.studiointernational.com/images/articles/g/germany-divided-2014/Sigmar-Polke-Untitled-(sketchbook-16)-c-1969-.jpg Sigmar Polke. Untitled (sketchbook 16), c1969. 29 drawings in watercolour. Presented to the British Museum by Count Christian Duerckheim. © Polke/DACS 2013. https://www.studiointernational.com/images/articles/g/germany-divided-2014/Georg-Baselitz-Flying-Eagle-1977.jpg Georg Baselitz. Flying Eagle, 1977. Linocut additions in grey, red and yellow oil paint on paper. Presented to the British Museum by Count Christian Duerckheim. Reproduced by permission of the artist. © Georg Baselitz. https://www.studiointernational.com/images/articles/g/germany-divided-2014/Georg-Baselitz-Eagle-1981-82-.jpg Georg Baselitz. Eagle, 1981/82. Woodcut. From the portfolio Erste Konzentration I, published by Maximilian Verlag, Sabine Knust, Munich, 1982. Presented to the British Museum by Count Christian Duerckheim. Reproduced by permission of the artist. © Georg Baselitz. https://www.studiointernational.com/index.php/abigail-mclellan https://www.studiointernational.com/images/articles/m/mclennan-abigail-2014/Rebecca-And-Matthew.jpg Abigail McLellan. Rebecca and Matthew, 1998. Acrylic on canvas, 91 x 152 cm. https://www.studiointernational.com/images/articles/m/mclennan-abigail-2014/large-seafan-sculpture.jpg Abigail McLellan. Large Seafan Sculpture, 2005. Bronze and oak, approx 120 x 98 x 23 cm. https://www.studiointernational.com/images/articles/m/mclennan-abigail-2014/molecules-on-blue.jpg Abigail McLellan. Molecules On Blue, 2009. Acrylic on canvas, 30 x 25 cm. https://www.studiointernational.com/images/articles/m/mclennan-abigail-2014/pale-flowers-2002.jpg Abigail McLellan. Pale Flowers, 2002. Acrylic on canvas, 63 x 66 cm. https://www.studiointernational.com/images/articles/m/mclennan-abigail-2014/red-room-afternoon.jpg Abigail McLellan. Red Room Afternoon, 1994. Watercolour on paper, 56 x 76 cm. https://www.studiointernational.com/images/articles/m/mclennan-abigail-2014/studio-portrait-with-sweetheart-pincushion.jpg Abigail McLellan. Studio Portrait With Sweetheart Pincusion, 1993. Watercolour on paper, approx 54 x 75 cm. https://www.studiointernational.com/index.php/danie-mellor-exotic-lies-sacred-ties https://www.studiointernational.com/images/articles/m/mellor-danie-2014/MELLOR--A-Man-of-High-Degree.jpg Danie Mellor. A man of high degree, 2011. Pastel, pencil, glitter, Swarovski crystal and wash on Saunders Waterford paper, 89 x 59 cm. Private collection, New South Wales. https://www.studiointernational.com/images/articles/m/mellor-danie-2014/MELLOR-Advance-Australia-Fair.jpg Danie Mellor. Advance Australia fair, 2009/2013. Taxidermy, mosaic china, painted timber, artificial rock, gold leaf, neon and found objects, 152 x 74 x 78 cm. Collection of the artist. https://www.studiointernational.com/images/articles/m/mellor-danie-2014/MELLOR-Culture-Warriors.jpg Danie Mellor. Culture Warriors, 2008. Pastel, pencil and wash with glitter and Swarovski crystal on Saunders Waterford paper, 147 x 195 cm. Collection: National Gallery of Australia, Canberra. Purchased 2008. https://www.studiointernational.com/images/articles/m/mellor-danie-2014/MELLOR-From-Rite-to-Ritual.jpg Danie Mellor. From rite to ritual, 2009. Oil, wax pastel with pencil, glitter and Swarovski crystal on Saunders Waterford paper, 178 x 133.5 cm. Collection: National Gallery of Australia, Canberra. Purchased 2009. https://www.studiointernational.com/images/articles/m/mellor-danie-2014/MELLOR-Memento-Mori.jpg Danie Mellor. Memento mori, 2009. Pastel, pencil, glitter, Swarovski crystal and wash on Saunders Waterford paper, 153 x 176 cm. Private collection, Hong Kong. https://www.studiointernational.com/images/articles/m/mellor-danie-2014/MELLOR-Red-White-and-Blue.jpg Danie Mellor. Red, white and blue, 2008. Mixed media with mosaic and taxidermy, variable, tallest 105 cm. Collection: Australian Museum. Acquired with the assistance of the Australian Museum Foundation. https://www.studiointernational.com/index.php/kazuyo-sejima-ryue-nishizawa-sanaa https://www.studiointernational.com/images/articles/s/sanaa-2014/exterior-of-Towada-Art-Center-(1).jpg Ryue Nishizawa. Exterior view of the Towada Art Center, 2005–08. https://www.studiointernational.com/images/articles/s/sanaa-2014/One-of-detached-room-of-Art-Center.jpg Ryue Nishizawa. Exterior view (2) of the Towada Art Center, 2005–08. https://www.studiointernational.com/images/articles/s/sanaa-2014/kanazawa.jpg Kazuyo Sejima + Ryue Nishizawa/SANAA. 21st Century Museum of Contemporary Art, Kanazawa, Japan, 1999–2004. https://www.studiointernational.com/images/articles/s/sanaa-2014/teshima-by-morikawa.jpg Ryue Nishizawa. Teshima Art Museum, Shodo Island, Japan, 2004-10 https://www.studiointernational.com/images/articles/s/sanaa-2014/NEW-MUSEUM-EXTERIOR_by-Dean-Kaufman.jpg Kazuyo Sejima + Ryue Nishizawa/SANAA. New Museum of Contemporary Art, New York, USA, 2003–07. https://www.studiointernational.com/images/articles/s/sanaa-2014/exhibition-view1.jpg Towada Art Centre, Aomori, Japan, SANAA exhibition view: architectural models, drawings and video projections. https://www.studiointernational.com/images/articles/s/sanaa-2014/c4.jpg Towada Art Centre, Aomori, Japan, SANAA exhibition view (2): architectural models, drawings and video projections. https://www.studiointernational.com/index.php/strange-beauty-masters-of-the-renaissance-at-national-gallery-london https://www.studiointernational.com/images/articles/s/strange-beauty-2014/Altdorfer.jpg Albrecht Altdorfer (shortly before 1480-1538). Christ taking Leave of his Mother, probably 1520. Oil on lime. The National Gallery, London. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/strange-beauty-2014/Ambassadors.jpg Hans Holbein the Younger (1497/8-1543). Jean de Dinteville and Georges de Selve ('The Ambassadors'), 1533. Oil on oak. The National Gallery, London. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/strange-beauty-2014/Cranach.jpg Lucas Cranach the Elder (1472-1553). Charity, 1537-50. Oil on beech. The National Gallery, London. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/strange-beauty-2014/Durer.jpg Albrecht Dürer (1471–1528). Adam and Eve, 1504. Engraving, 25.2 x 19.3 cm. © The British Museum, London. https://www.studiointernational.com/images/articles/s/strange-beauty-2014/Swabian.jpg Swabian. Portrait of a Woman of the Hofer Family, about 1470. Oil on silver fir. The National Gallery, London. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/strange-beauty-2014/Venus.jpg Lucas Cranach the Elder (1472-1553). Cupid complaining to Venus, about 1525. Oil on wood, The National Gallery, London. © The National Gallery, London. https://www.studiointernational.com/index.php/robert-smithsons-new-jersey-at-montclair-art-museum https://www.studiointernational.com/images/articles/s/smithson-robert-2014/6-SMITHSON-A-Nonsite-Pine-Barrens-(NGA).jpg Robert Smithson. A Nonsite, Pine Barrens, New Jersey 1968 (Nonsite). Nonsite: painted aluminum, sand, and painted wood, 12 x 65 ½ x 65 ½ in. (30.48 x 166.37 x 166.37 cm). National Gallery of Art, Gift of Virginia Dwan. https://www.studiointernational.com/images/articles/s/smithson-robert-2014/6-SMITHSON-A-Nonsite-Pine-Barrens_medium.jpg Robert Smithson. A Nonsite, Pine Barrens, New Jersey 1967 (map); Aerial photograph/map: Overall (aerial photograph/map): 12 ½ x 10 ½ in. (31.75 x 26.67 cm). National Gallery of Art, Gift of Virginia Dwan. https://www.studiointernational.com/index.php/richard-hamilton-at-tate-modern-london https://www.studiointernational.com/images/articles/h/hamilton-richard-2014/Richard-Hamilton-Interior-II-1964.jpg Richard Hamilton, Interior II, 1964. Tate
© The estate of Richard Hamilton. https://www.studiointernational.com/images/articles/h/hamilton-richard-2014/Richard-Hamilton-Swingeing-London-67-1968-9.jpg Richard Hamilton. Swingeing London 67, 1968–9. Acrylic, collage and aluminium on canvas, 84.8 x 103 cm. Tate. © The estate of Richard Hamilton. https://www.studiointernational.com/images/articles/h/hamilton-richard-2014/Richard-Hamilton-The-Citizen-1981-3.jpg Richard Hamilton, The Citizen, 1981-3. Oil paint on two canvases, each: 200 x 100 cm. Tate
© The estate of Richard Hamilton. https://www.studiointernational.com/images/articles/h/hamilton-richard-2014/Richard-Hamilton-Just-what-was-it-that-made-yesterdays-homes-so-different,-so-appealing-1992.jpg Richard Hamilton, Just what was it that made yesterday's homes so different, so appealing? 1992. Tate
© Richard Hamilton 2005. All rights reserved, DACS. https://www.studiointernational.com/index.php/studio-international-yearbook-2011-vol-201-no-1033 https://www.studiointernational.com/images/articles/y/yearbook/2011-images/Studio-Yearbook-2011-Grayson-Perry-cover-150.jpg Studio International Yearbook 2011, cover. Image: Grayson Perry at Manchester Art Gallery. Courtesy Manchester Art Gallery. Photograph: Mark Waugh. https://www.studiointernational.com/images/articles/y/yearbook/2011-images/034-Gabriel-Orozco-(Page-34).jpg Studio International Yearbook 2011, page 34. Gabriel Orozco. Black Kites, 1997. Philadelphia Museum of Art. Gift (by exchange) of Mr and Mrs James P Magill, 1997. © Courtesy of the artist; Marian Goodman Gallery, New York; Galerie Chantal Crousel, Paris; and kurimanzutto, Mexico City https://www.studiointernational.com/images/articles/y/yearbook/2011-images/057-Grayson-Perry-(Page-57).jpg Studio International Yearbook 2011, page 57. Grayson Perry. Jane Austen in E17 (detail), 2009. Courtesy Manchester Art Gallery. Photograph: Mark Waugh. https://www.studiointernational.com/images/articles/y/yearbook/2011-images/058-Jake-and-Dinos-Chapman-(Page-58).jpg Studio International Yearbook 2011, page 58. Jake or Dinos Chapman. White Cube Mason's Yard, London. © the artists. Photographs: Ben Westoby. Courtesy White Cube. https://www.studiointernational.com/images/articles/y/yearbook/2011-images/073-Ai-Weiwei-(Page-73).jpg Studio International Yearbook 2011, page 73. Ai Weiwei, 2010. Photograph: Tate Photography. https://www.studiointernational.com/images/articles/y/yearbook/2011-images/113-John-Hoyland-(Page-113).jpg Studio International Yearbook 2011, page 113. John Hoyland. Love and Blood, 2010. Courtesy of Beaux Arts. https://www.studiointernational.com/images/articles/y/yearbook/2011-images/139-Peter-Zumthor-(Page-139).jpg Studio International Yearbook 2011, page 139. Serpentine Gallery Pavilion 2011. Designed by Peter Zumthor. © Peter Zumthor. Photograph: Walter Herfst https://www.studiointernational.com/images/articles/y/yearbook/2011-images/142-Balenciaga-(Page-142).jpg Studio International Yearbook 2011, page 142. Cristobal Balenciaga (circa 1952). Photograph: Bettmann/CORBIS. https://www.studiointernational.com/images/articles/y/yearbook/2011-images/228-Alexander-McQueen-(plain)-(Page-228).jpg Studio International Yearbook 2011, page 228. Alexander McQueen. Ensemble, Plato’s Atlantis, spring/summer 2010. Courtesy of The Metropolitan Museum of Art, Photograph © Sølve Sundsbø/Art + Commerce. https://www.studiointernational.com/images/articles/y/yearbook/2011-images/246-Anish-Kapoor-(Page-246).jpg Studio International Yearbook 2011, page 246. Anish Kapoor. Leviathan, 2011. View from inside the artwork. Photo Plowy Didier - All Rights Reserved Monumenta 2011, the Ministry of Culture and Communication https://www.studiointernational.com/images/articles/y/yearbook/2011-images/275-Gerhard-Richter-(Page-275).jpg Studio International Yearbook 2011, page 275. Top: Gerhard Richter. Reader, 1994. © Gerhard Richter. Courtesy San Francisco Museum of Modern Art. Below: Gerhard Richter. Demo, 1997. (CR:848-3) The Rachofsky Collection © Gerhard Richter. https://www.studiointernational.com/images/articles/y/yearbook/2011-images/296-Cecil-Beaton-(Page-296).jpg Studio International Yearbook 2011, page 296. Cecil Beaton. Marilyn Monroe, 1956. © Cecil Beaton. Studio Archive at Sotheby’s. Courtesy Cecil Beaton Studio. Archive at Sotheby’s. https://www.studiointernational.com/images/articles/y/yearbook/2011-images/011-Reality-and-Romance-(Page-11).jpg Studio International Yearbook 2011, page 10. The original 1968 stylized image of Che Guevara created by Jim Fitzpatrick. https://www.studiointernational.com/index.php/behind-the-scenes-at-a-museum-exhibiting-fashion-before-and-after-1971 https://www.studiointernational.com/images/articles/e/exhibiting-fashion-2014/exhibiting-fashion-cover.jpg Exhibiting Fashion: Before and After 1971 by Judith Clark and Amy de la Haye with Jeffrey Horsley. Published by Yale University Press, 2014. Book cover. https://www.studiointernational.com/index.php/the-drawn-word https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/The-Drawn-Word-book-cover.jpg The Drawn Word. Published by Studio International and the Studio Trust, 2014. Cover image: Will McLean. “All writing is drawing/ Method of Investigations”. Collage, pen, ink and wash drawing. Courtesy of the artist. https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/015-Kemp-(Page-15).jpg Leonardo da Vinci. The Codex Leicester, 1506-10. The Drawn Word, page 15. https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/037-Hodes-(Page-37).jpg Semblantes. Fabric, thread, metal and plastic, 95 x 150 x 5cm. Collection of Museu Bispo do Rosário Arte Contemporânea/ City Hall of Rio de Janeiro. Photographer: Rodrigo Lopes. The Drawn Word, page 37. https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/045-Bugg-(Page-45).jpg Grey Wave. Photographer: Roy James Shakespeare. The Drawn Word, page 45. https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/095-Gregory-(Page-95).jpg Corporal Trim’s line. First edition, Tristram Shandy, volume 9. ©The Laurence Sterne Trust. The Drawn Word, page 95. https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/115-Combined-Drawings-(Page-115).jpg Irene Barberis. Revelation/Apocalypse: 10. Silicone and PVC. Courtesy of the artist and Langford 120. The Drawn Word, page 115. https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/118-Combined-Drawings-(Page-118).jpg Stephen Farthing. A Portrait of Guiseppe Penone: 2005-2010. Pen and ink on paper. Courtesy of the artist. The Drawn Word, page 118. https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/123-Combined-Drawings-(Page-123).jpg Archie Moore. Drawing or Writing. Pen on paper. Courtesy of the artist. The Drawn Word, page 123. https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/125-Combined-Drawings-(Page-125).jpg Wilma Tabacco. Herculaneum. Pigment and emulsion on paper. Courtesy of the artist and Niagara Galleries. The Drawn Word, page 125. https://www.studiointernational.com/images/articles/t/the-drawn-word-2104/127-Combined-Drawings-(Page-127).jpg Arthur Watson. Ghost Town. Letterpress, pencil and watercolour. Courtesy of the artist. The Drawn Word, page 127. https://www.studiointernational.com/index.php/abstract-drawing https://www.studiointernational.com/images/articles/a/abstract-drawing-2014/Anish-Kapoor-Untilted-1987-LO-RES.jpg Anish Kapoor. Untitled, 1987. Papier mâché and paint on paper, 45.5 x 61 x 4.5 cm (17 7/8 x 24 1/8 x 1 3/4 in). © Anish Kapoor. Courtesy the artist. Photograph: Sophie Baker. https://www.studiointernational.com/images/articles/a/abstract-drawing-2014/Eva-Hesse.jpg Eva Hesse. No title, 1965. Ink on paper, 64.8 x 49.8 cm (25 1/2 x 19 5/8 in). © The Estate of Eva Hesse. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/a/abstract-drawing-2014/john-latham-1-second-drawing-1971.jpg John Latham. 1 Second Drawing, 1971. Spray gun on primed wood, 33.2 x 22.8 cm (13 1/8 x 9 in). Private collection, London. Courtesy John Latham Estate and Lisson Gallery. https://www.studiointernational.com/images/articles/a/abstract-drawing-2014/gordon-matta-clark-untitled-1976-77.jpg Gordon Matta-Clark. Untitled, 1976-77. Sculpture Stack of cut paper, pencil, 58 x 75 cm (22 7/8 x 29 ½ in). © Generali Foundation, Vienna. © 2013 Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York, DACS London. https://www.studiointernational.com/images/articles/a/abstract-drawing-2014/Richard-Serra.jpg Richard Serra. Untitled, 2009. Paintstick, 27 x 25 cm (10 5/8 x 9 7/8 in). Courtesy Private collection, London. © Richard Serra https://www.studiointernational.com/images/articles/a/abstract-drawing-2014/Nasreen-Mohamedi-Untitled.jpg Nasreen Mohamedi. Untitled, ca.1970s. Black and white photograph, 90 x 38 cm (35 3/8 x 15 in). Courtesy of Talwar Gallery, New York and New Delhi. https://www.studiointernational.com/images/articles/a/abstract-drawing-2014/sol-lewitt-4-colour-drawing-1971.jpg Sol LeWitt. 4 Colour Drawing, 1971. Pen and ink on Bristol board, 32.5 x 32.5 cm (12 3/4 x 12 3/4 in). © Estate of Sol LeWitt. Courtesy Lisson Gallery, London. Photograph: Ken Adlard. https://www.studiointernational.com/images/articles/a/abstract-drawing-2014/David-Bachelor-Magic-Hour-Drawings,-B,-2013,-Spray-paint,-ink-and-paper-on-squared-paper,-35.5-x-28-cm,-Courtesy-of-Galeria-Leme-and-Ingleby-Gallery.jpg David Batchelor. Magic Hour Drawings, 2013. Spray paint, ink and paper on squared paper, 35.5 x 28 cm. Courtesy of the artist, Galeria Leme, São Paolo and Ingleby Gallery, Edinburgh. https://www.studiointernational.com/index.php/italian-futurism-1909-1944-reconstructing-the-universe-guggenheim-new-york https://www.studiointernational.com/images/articles/i/italian-futurism-2014/Pannaggi_Treno-in-corso.jpg Ivo Pannaggi. Speeding Train (Treno in corsa), 1922. Oil on canvas, 100 x 120 cm. Fondazione Carima–Museo Palazzo Ricci, Macerata, Italy. Photograph: Courtesy Fondazione Cassa di risparmio della Provincia di Macerata. https://www.studiointernational.com/images/articles/i/italian-futurism-2014/Boccioni_Unique-Forms.jpg Umberto Boccioni. Unique Forms of Continuity in Space (Forme uniche della continuità nello spazio), 1913 (cast 1949). Bronze, 121.3 x 88.9 x 40 cm. The Metropolitan Museum of Art, New York, Bequest of Lydia Winston Malbin, 1989. Image Source: Art Resource, New York © The Metropolitan Museum of Art. https://www.studiointernational.com/images/articles/i/italian-futurism-2014/01_Balla_HandoftheViolinist.jpg Giacomo Balla. The Hand of the Violinist (The Rhythms of the Bow) (La mano del violinista [I ritmi dell’archetto]), 1912. Oil on canvas, 56 x 78.3 cm. Estorick Collection, London. © 2013 Artists Rights Society (ARS), New York / SIAE, Rome. https://www.studiointernational.com/images/articles/i/italian-futurism-2014/Cangiullo_Grande-folla-in-piazza-del-Popolo.jpg Francesco Cangiullo. Large Crowd in the Piazza del Popolo (Grande folla in Piazza del Popolo), 1914. Watercolor, gouache, and pencil on paper, 58 x 74 cm. Private collection. © 2013 Artists Rights Society (ARS), New York / SIAE, Rome. https://www.studiointernational.com/images/articles/i/italian-futurism-2014/carra_manifestazione-interventista-GM8.jpg Carlo Carrà. Interventionist Demonstration (Manifestazione Interventista), 1914. Tempera, pen, mica powder, paper glued on cardboard, 38.5 x 30 cm. The Solomon R. Guggenheim Foundation, The Gianni Mattioli Collection, on extended loan to the Peggy Guggenheim Collection, Venice. © 2013 Artists Rights Society (ARS), New York / SIAE, Rome. Photograph: Courtesy Solomon R. Guggenheim Foundation, New York. https://www.studiointernational.com/images/articles/i/italian-futurism-2014/Somenzi_1933.jpg Mino Somenzi, ed., with words-in-freedom image Airplanes (Aeroplani) by Pino Masnata. Futurismo 2, no. 32 (Apr. 16, 1933). Journal (Rome, 1933), 64 x 44 cm. Fonds Alberto Sartoris, Archives de la Construction Moderne–Ecole polytechnique fédérale de Lausanne (EPFL), Switzerland. Photograph: Jean-Daniel Chavan. https://www.studiointernational.com/images/articles/i/italian-futurism-2014/Udine_Crali_1939.jpg Tullio Crali. Before the Parachute Opens (Prima che si apra il paracadute), 1939. Oil on panel, 141 x 151 cm. Casa Cavazzini, Museo d’Arte Moderna e Contemporanea, Udine, Italy. Photograph: Claudio Marcon. https://www.studiointernational.com/index.php/landscape-architecture-bernard-lassus https://www.studiointernational.com/images/articles/l/lassus-bernard-2014/Bernard-lassus-and-sculpture.jpg Photograph of Bernard Lassus next to organic form sculpture (Malmo). https://www.studiointernational.com/images/articles/l/lassus-bernard-2014/arrows-at-night.jpg Bernard Lassus. Night photograph of motorway with sculpture. https://www.studiointernational.com/images/articles/l/lassus-bernard-2014/dolmens-day.jpg Bernard Lassus. Serial progression of four prominent installations set at intervals along the E6 (day). https://www.studiointernational.com/images/articles/l/lassus-bernard-2014/dolmens-at-night.jpg Bernard Lassus. Serial progression of four prominent installations set at intervals along the E6 (night). https://www.studiointernational.com/images/articles/l/lassus-bernard-2014/location-maps.jpg Bernard Lassus. Location map, with motorway marked in red. https://www.studiointernational.com/images/articles/l/lassus-bernard-2014/original-photo-ancient-boulders.jpg Bernard Lassus. Photograph from motorway of ancient boulders. https://www.studiointernational.com/index.php/raw-vision-25-years-of-art-brut https://www.studiointernational.com/images/articles/r/raw-vision-2014/Malcolm-McKesson--Correction-c1975.jpg Malcolm McKesson. Correction, c1975. Ink on paper, 18 x 15 cm. https://www.studiointernational.com/images/articles/r/raw-vision-2014/Henry-Darger-At-Calmanrina.jpg Henry Darger. At Calmanrina, c1930-1972. Collection de l'Art Brut, Lausanne. © Halle Saint Pierre. https://www.studiointernational.com/images/articles/r/raw-vision-2014/Nek-Chand_-The-Rock-Garden.jpg Nek Chand. The Rock Garden, Chandigarh, India. https://www.studiointernational.com/images/articles/r/raw-vision-2014/SAWADA-Shinichi-Sans-titre-2006-07.jpg Sawada Shinichi. Untitled, 2006-07. © Halle Saint Pierre. https://www.studiointernational.com/images/articles/r/raw-vision-2014/Vonn-Stropp-Vatic-sans-date.jpg Vonn Stropp. Vatic, sans date, acrylique sur panneau, collection particulière. https://www.studiointernational.com/images/articles/r/raw-vision-2014/Adolf-Wollfli-Sans-titre-1920.jpg Adolf Wollfli. Untitled, 1920. Crayon gris et de couleur sur papier. Galerie Christian Berst. https://www.studiointernational.com/index.php/agnes-denes-interview-a-visionary-artist https://www.studiointernational.com/images/articles/d/denes-agnes-2014/Agnes-Denes_Wheatfield_AgnesField_HR.jpg Agnes Denes, Wheatfield – A Confrontation: Battery Park Landfill, Downtown Manhattan – With Agnes Denes Standing in the Field, 1982. © Agnes Denes, courtesy Leslie Tonkonow Artworks + Projects, New York. https://www.studiointernational.com/images/articles/d/denes-agnes-2014/Agnes-Denes_TreeMountainTriptych_HR.jpg Agnes Denes, Tree Mountain – A Living Time Capsule, 1992–96/2013. © Agnes Denes, courtesy Leslie Tonkonow Artworks + Projects, New York. https://www.studiointernational.com/images/articles/d/denes-agnes-2014/Agnes-Denes_Flying-Bird-Pyramid.jpg Agnes Denes, Flying Bird Pyramid – A Space Station, 1994 Courtesy the artist and Leslie Tonkonow Artworks + Projects, New York https://www.studiointernational.com/images/articles/d/denes-agnes-2014/Agnes-Denes_Probability-Pyramid---Study-for-Crystal-Pyramid.jpg Agnes Denes, Probability Pyramid – Study for Crystal Pyramid, 1976. Private collection, Lund. https://www.studiointernational.com/images/articles/d/denes-agnes-2014/Agnes-Denes_TC77-102.jpg Agnes Denes. Rice/Tree/Burial, 1977/2012. (detail from Tree Chaining, 1977). Courtesy 49 Nord 6 Est – FRAC Lorraine Collection, © the artist. https://www.studiointernational.com/index.php/artists-anonymous-interview https://www.studiointernational.com/images/articles/a/artists-anonymous-2014/artists-anonymous-cyborg-afterimage.jpg Artists Anonymous. Cyborg, afterimage. 40 cm x 30 cm. © Artists Anonymous. https://www.studiointernational.com/images/articles/a/artists-anonymous-2014/artists-anonymous-portrait,-oil-on-board.jpg Artists Anonymous. Portrait, Oil on board, 39 cm x 32 cm. © Artists Anonymous. https://www.studiointernational.com/images/articles/a/artists-anonymous-2014/artists-anonymous-portrait,-afterimage.jpg Artists Anonymous. Portrait, afterimage, 39 cm x 32 cm. © Artists Anonymous. https://www.studiointernational.com/images/articles/a/artists-anonymous-2014/artists-anonymous-DSC_0030-copy.jpg Artists Anonymous. System of a Dawn, installation view (1). © Artists Anonymous. https://www.studiointernational.com/images/articles/a/artists-anonymous-2014/artists-anonymous-DSC_0077.jpg Artists Anonymous. System of a Dawn, installation view (2). © Artists Anonymous. https://www.studiointernational.com/images/articles/a/artists-anonymous-2014/artists-anonymous-installation-view.jpg Artists Anonymous. System of a Dawn, installation view (3). © Artists Anonymous. https://www.studiointernational.com/images/articles/a/artists-anonymous-2014/artists-anonymous-IMG_5254-Kopie.jpg Artists Anonymous. Studio view. © Artists Anonymous. https://www.studiointernational.com/index.php/xu-bing-interview-phoenix-project-at-the-cathedral https://www.studiointernational.com/images/articles/x/xu-bing-2014/xu-bing-phoenix-cathedral-DSC06843.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view (1), Cathedral of St John the Divine, 2014. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/x/xu-bing-2014/xu-bing-phoenix-cathedral-DSC06966.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view (2), Cathedral of St John the Divine, 2014. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/x/xu-bing-2014/Phoenix_Cathedral_2.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view of Phoenix: Xu Bing at the Cathedral, The Cathedral Church of Saint John the Divine, New York, 2013. 27 and 28 metres in length, 8 metres in width, 5 metres in height. Courtesy Xu Bing Studio and The Cathedral Church of Saint John the Divine. https://www.studiointernational.com/images/articles/x/xu-bing-2014/Phoenix_Cathedral_1.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view (2) of Phoenix: Xu Bing at the Cathedral, The Cathedral Church of Saint John the Divine, New York, 2013. 27 and 28 metres in length, 8 metres in width, 5 metres in height. Courtesy Xu Bing Studio and The Cathedral Church of Saint John the Divine. https://www.studiointernational.com/images/articles/x/xu-bing-2014/Phoenix_Cathedral_3.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view (3) of Phoenix: Xu Bing at the Cathedral, The Cathedral Church of Saint John the Divine, New York, 2013. 27 and 28 metres in length, 8 metres in width, 5 metres in height. Courtesy Xu Bing Studio and The Cathedral Church of Saint John the Divine. https://www.studiointernational.com/images/articles/x/xu-bing-2014/xu-bing-phoenix-cathedral-DSC05016.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view (6), Cathedral of St John the Divine, 2014. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/x/xu-bing-2014/xu-bing-phoenix-cathedral-DSC05023.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view (7), Cathedral of St John the Divine, 2014. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/x/xu-bing-2014/xu-bing-phoenix-cathedral-DSC05121.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view (8), Cathedral of St John the Divine, 2014. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/x/xu-bing-2014/Phoenix_Mass-MoCA_2.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view at MASS MoCA, Massachusetts, 2012. 27 and 28 metres in length, 8 metres in width, 5 metres in height. Courtesy Xu Bing Studio and MASS MoCA https://www.studiointernational.com/images/articles/x/xu-bing-2014/Phoenix_MASS-MoCA_4.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view (2) at MASS MoCA, Massachusetts, 2012. 27 and 28 metres in length, 8 metres in width, 5 metres in height. Courtesy Xu Bing Studio and MASS MoCA https://www.studiointernational.com/index.php/liliane-lijn-interview https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/E=MC3-03.jpg Liliane Lijn. E=MC3 Poemcon, 1968. Letraset on Perspex cone, motorised turntable, 44 x 23.5 x 23.5 cm. Text collaboration between Liliane Lijn and Nazli Nour. Collection the artist. Photograph: Liliane Lijn. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Clear-Light-Koan-003.jpg Liliane Lijn. Clear Light Koan respectively, 2008. Glass fibre, Polyester resin, 20mm thick Clear Perspex sections, motorised turntable, 170 x 96 cm diameter; Clear Red Koan, 2008. Glass fibre, Polyester resin, Fluorescent Red, Orange and Green Perspex, motorised turntable, fluorescent light, 153 x 80 cm base diameter. Government Art Collection. Photograph: Liliane Lijn . https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Cosmic-Dramas-The-Bride-001.jpg Liliane Lijn. The Bride, 1988. Mixed media performing sculpture, 244 x 244 x 153 cm (8 x 8 x 5 ft). Photograph: Tomek Sierek. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Cosmic-Dramas-The-Electric-Bride-002.jpg Liliane Lijn. The Electric Bride, 1989. Aluminium, steel, cock feathers, Elmflex micanite, brass, blown glass, 280 x 300 x 240 cm (9’4” x 10’ x 8’). Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Atom-Born-Beings-Poem-Machine-01.jpg Liliane Lijn. Atom Born Beings Poem Machine, 1962/3. Letraset on painted metal drum, plastic, painted metal, motor, 24.8 x 30 x 25.4 cm. Words taken from a poem of Nazli Nour. Altered in 1963 or later - changed from box to a lighter frame of plastic discs and metal rods. Collection: The artist. Photograph: Liliane Lijn. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Cosmic-Dramas-Conjunction-of-Opposites-002.jpg Liliane Lijn. Conjunction of Opposites: Lady of the Wild Things and Woman of War, 1986. Two mixed media performing sculptures enact a computer controlled 6 minute drama which includes movement, song, the transformation of sound to light, and a laser display, 400 x 800 x 400 cm (12 x 24 x 12 ft). First exhibited at the Art and Science Venice Biennale in 1986 in the Art, Technology, and Computers Section in the Arsenale. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Lost-Koan-04.jpg Liliane Lijn. Lost Koan, 2007. Glass reinforced polyester, Perspex, motorised drive and fluorescent lights, 250 x 150 cm base diameter. Photograph: Liliane Lijn. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/My-Body-My-Self-004.jpg Liliane Lijn. My Body My Self. Patinated bronze, ruby mica, argon, stainless steel, 202 x 60 x 52 cm (6' 7 https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Sky-Never-Stops-Poemcon-003.jpg Liliane Lijn. Sky Never Stops Poemcon, 1965. Letraset on painted truncated cork cone, motorised turntable, 41 x 24 x 24 cm. Poem by Leonard D. Marshall. Coll. National Art Library, V&A Museum. Photograph: Herve Gluagen. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Stardust-Ruins-Burma-Requiem-002.jpg Liliane Lijn. Stardust Ruins, Burma Requiem, 2008. Aerogel fragmented ring on bronze mirror in Perspex case, perlescent metallic coated square column housing dvd player, projector, 295 x 50 x 50 cm. Video: Burma, 60’ looped dvd. Photograph: Liliane Lijn. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Stardust-Ruins-Heavenly-Fragments-003.jpg Liliane Lijn. Stardust Ruins, Heavenly Fragments, 2008. Aerogel Fragments of cone and disc on grey mirror in Perspex case, perlescent metallic coated square column housing dvd player, projector, 295 x 65 x 65 cm; Video: Visions of the East, 50’ looped dvd. Photograph: Liliane Lijn. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Stardust-Ruins-Ruins-of-Kasch-003.jpg Liliane Lijn. Stardust Ruins, The Ruins of Kasch, 2008. Aerogel and rosin on mirror in Perspex case, perlescent metallic coated square column housing dvd player, projector, 295 x 90 x 90 cm; Video: Tunnel Vision 30’ looped dvd. The title of this work is taken from The Ruin of Kasch by Roberto Calasso, a book about the history of sacrifice. Photograph: Liliane Lijn. https://www.studiointernational.com/images/articles/l/lijn-liliane-2014/Atom-Body-was-Light-02.jpg Liliane Lijn. Atom Body Was Light Poemcon, 1964. Letraset and paint on wood cone, turntable, motor, 40.7 x 11.5 x 17.2 cm. Text by Nazli Nour. Collection: Leeds City Art Gallery. Made in Athens. Photograph: Liliane Lijn https://www.studiointernational.com/index.php/ana-mendieta-in-rome-interview-with-raquel-cecilia https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/Raquel-Cecilia-portrait.jpg Film-maker Raquel Cecilia in front of St Peter's Basilica during production in Rome, January 2013. https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/Ana-Mendieta_book-cover.jpg Ana Mendieta. She Got Love. Co-authors: Gambari Olga, Merz Beatrice. Published by Skira, 2013. https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/ana-mendieta-Arbol-de-la-Vida_1.jpg Ana Mendieta. Tree of Life, 1976. Colour photograph, 50.8 x 33.7 cm. Collection Raquelin Mendieta Family Trust. https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/ana-mendieta-Blood-and-1A62C2_1.jpg Ana Mendieta. Untitled (Blood and Feathers), 1974. Colour photograph, 25.4 x 20.3 cm. Collection Raquelin Mendieta Family Trust. https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/ana-mendieta-Facial-Cos-1A62C9_1.jpg Ana Mendieta. Untitled (Facial Cosmetic Variations), 1972. Suite of four colour photograph, 19 x 25 in. Galerie Lelong, New York. https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/ana-mendieta-Isla-silueta_1.jpg Ana Mendieta. Isla, 1979. Lifetime colour photograph, 12 ¾ 19 ¼ in. Estate Mendieta. https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/ana-mendieta-Nanigo-Burial_1.jpg Ana Mendieta. Ñañigo Burial, 1976. Lifetime black and white photograph, 20.3 x 25.4 cm. Private collection. https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/ana-mendieta-Silueta-1A62C8_1.jpg Ana Mendieta. Untitled (from Silueta Works in Mexico), 1976-1981. Estate colour photograph, 50.8 x 40.6 cm. Galerie Lelong, Paris. https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/ana-mendieta-Totem-Grov-1A62C1_1.jpg Ana Mendieta. Totem Grove 1983-85. Four semicircular tree trunks carved and burnt gunpowder. Estate Mendieta. https://www.studiointernational.com/images/articles/c/cecilia-raquel-2014/ana-mendieta-Untitled-A62C6_1.jpg Ana Mendieta. Untitled (Cuilapán Niche), 1973. Lifetime black and white photograph, 25.4 x 20.4 cm. Galerie Lelong, New York. https://www.studiointernational.com/index.php/vikings-life-and-legend-the-british-museum-london https://www.studiointernational.com/images/articles/v/vikings-2014/Axe.jpg Silver-inlaid axehead in the Mammen style, AD 900s. Bjerringhøj, Mammen, Jutland, Denmark. Iron, silver, brass. L 17.5 cm. © The National Museum of Denmark. https://www.studiointernational.com/images/articles/v/vikings-2014/00025321_001.jpg The Lewis Chessmen, berserkers. Late 12th century, Uig, Lewis, Scotland. Walrus ivory © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/v/vikings-2014/00713944_001.jpg The Vale of York hoard, AD 900s. North Yorkshire, England. Silver-gilt, gold, silver. British Museum, London/Yorkshire Museum, York. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/v/vikings-2014/Ear-Spoon.jpg Ear spoon with filigree terminal and suspension ring, 10th century. Gedehaven, south-west Zealand, Denmark. © The National Museum of Denmark. https://www.studiointernational.com/images/articles/v/vikings-2014/Neck-ring.jpg Neck-ring, 10th century. Kalmergården, Tissø, Zealand, Denmark. Gold. © The National Museum of Denmark. https://www.studiointernational.com/images/articles/v/vikings-2014/Odin.jpg Odin or völva figure, 800-1050. Lejre, Zealand, Denmark. Silver with niello. Photo: Ole Malling, Roskilde Museum. https://www.studiointernational.com/images/articles/v/vikings-2014/Pin2.jpg Pin with dragon's head, AD 950 – 1000. Hedeby, modern Germany. Copper alloy. L 16.2 cm. Archäologisches Landesmuseum, Schloss Gottorf, Schleswig. © Wikinger Museum Haithabu. https://www.studiointernational.com/images/articles/v/vikings-2014/Roskilde-6-i-Egmonthallen.jpg The installation of Roskilde 6 at the British Museum in the Sainsbury Exhibitions Gallery, January 2014 © Paul Raftery. https://www.studiointernational.com/images/articles/v/vikings-2014/Ship-Brooch.jpg Brooch shaped like a ship, 800-1050. Tjørnehøj II, Fyn, Denmark. Copper alloy. © The National Museum of Denmark. https://www.studiointernational.com/images/articles/v/vikings-2014/valkyrie2.jpg Valkyrie brooch, 9th century. Galgebakken, Vrejlev, Vendsyssel, Denmark. Silver. © The National Museum of Denmark. https://www.studiointernational.com/index.php/the-armory-show-2014-the-secondary-market https://www.studiointernational.com/images/articles/a/armory-show-2014/RyanMartin_volta.jpg Ryan Martin. Optimistic Voices II, 2014. Oil on canvas, 50 x 40 in. Mark Wolfe Contemporary, VOLTA NY. https://www.studiointernational.com/images/articles/a/armory-show-2014/InigoManglano-Ovalles-Cloud-Prototypes.jpg Iñigo Manglano-Ovalle. Cloud Prototype No. 2, 2006. Galerie Thomas Schulte. https://www.studiointernational.com/images/articles/a/armory-show-2014/AikoHachisuka.jpg Aiko Hachisuka. Five hand-sewn bundles of clothes. Eleven Rivington. https://www.studiointernational.com/images/articles/a/armory-show-2014/ElisabethSonnevk.jpg Elisabeth Sonneck. Untitled. Oil on paper. Brunnhofer Gallery, VOLTA NY 2014. https://www.studiointernational.com/images/articles/a/armory-show-2014/Ken-Okiishi.jpg Ken Okiishi. Robot-assisted splatter paintings behind Plexiglass. Pilar Corrias Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2014/Homage-to-capitalism.jpg Qiu Zhijie. 12 Axes: Homage to capitalism. Tianrenheyi Art Center. https://www.studiointernational.com/images/articles/a/armory-show-2014/DSC05535.jpg Julian Opie. Lily; eyes straight, head left, hair back, 2013. Lisson gallery. https://www.studiointernational.com/images/articles/a/armory-show-2014/KenPrice.jpg Ken Price. Fats, 1999. Vivian Horan Fine Art. https://www.studiointernational.com/images/articles/a/armory-show-2014/LiangShou.jpg Liang Shuo. Fit No.8, 2014. Gallery Yang. https://www.studiointernational.com/images/articles/a/armory-show-2014/MonicaCook_Pig.jpg Monica Cook. Reno with Hoagle, Tenderfoot, Precious and and Baby Corn, 2014. Postmasters Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2014/OlafHolzapfel.jpg Olaf Holzapfel. Lichtbild - Flufl, 2013. Galerie Gebr. Lehmann. https://www.studiointernational.com/images/articles/a/armory-show-2014/RubyChristi.jpg Ruby Christi. Untitled, 2013. Wood, polyester, fabric, cast fabric, thread & tiara, 42 x 40 x 14 in. Vadehra Art Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2014/TomWesselmann.jpg Tom Wesselmann. Great American Nude #82, 1966. Maxwell Davidson Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2014/UltraViolet_VOLTA-NY.jpg Ultra Violet. Culture Shock. ULTRA VOLTA: The Spectrum of Ultra Violet. VOLTA NY. https://www.studiointernational.com/images/articles/a/armory-show-2014/mcorman-zuma2_MB.jpg Mary Corman. Untitled (from the series Zuma), 2014. Watercolour on stretched paper, 50 x 34 in. MFA. https://www.studiointernational.com/index.php/viennese-season-actionism https://www.studiointernational.com/images/articles/v/viennese-actionism-2014/BRUS_Kopfbemalung,-Aktion,-Wien,-1964.jpg Günter Brus. Kopfbemalung, Aktion, Wien, 1964. Vintage black and white photograph, 24 x 17.5 cm. https://www.studiointernational.com/images/articles/v/viennese-actionism-2014/SCHWARZKOGLER_1st-Action,-Hochzeit-[Wedding]-1965.jpg Rudolf Schwarzkogler. 1st Action, Hochzeit [Wedding], 1965. Colour photograph, 70 x 81 cm. https://www.studiointernational.com/images/articles/v/viennese-actionism-2014/Schwarzkogler_3rd-Action_1965.jpg Rudolf Schwarzkogler. 3rd Action, 1965. Black and white photograph, 6.9 x 8.25 cm. Signed ‘Gunter Brus, Hermann Nitsch, Edith Adam’ verso. Photograph: Ludwig Hoffenreich with Heinz Cibulka. © The Artist, courtesy of Austin / Desmond Fine Art. https://www.studiointernational.com/images/articles/v/viennese-actionism-2014/NitschH_9-Aktion--9th-Action,-1965.jpg Hermann Nitsch. 9th Action, 1965. Vintage black and white photograph, 18 x 23.8 cm. Hoffenreich stamp verso. © The Artist, courtesy of Austin / Desmond Fine Art https://www.studiointernational.com/images/articles/v/viennese-actionism-2014/NitschH_9-Aktion--9th-Action_1965.jpg Hermann Nitsch. 9th Action, 1965. Vintage black and white photograph, 70 x 50 cm. Signed and dated ‘Hermann Nitsch’ verso, with studio stamp. © The Artist, courtesy of Austin / Desmond Fine Art https://www.studiointernational.com/images/articles/v/viennese-actionism-2014/BrusG_3-Aktionsskizzen,-c.jpg Günter Brus. 3 Aktionsskizzen, c1965–69. Three drawings, pencil on paper. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/v/viennese-actionism-2014/RUS004.jpg Rudolf Schwarzkogler. 4 Aktion, 1965. Set of 6 vintage black and white photographs. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/index.php/ruin-lust-tate-britain-london https://www.studiointernational.com/images/articles/r/ruin-lust-2014/jmw-turner-tintern-abbey-1794.jpg Joseph Mallord William Turner (1775‑1851). Tintern Abbey: The Crossing and Chancel, Looking towards the East Window. From Watercolours and Studies Relating to the Welsh and Marches Tours, 1794. Graphite and watercolour on paper, 35.9 x 25 cm. Collection Tate. https://www.studiointernational.com/images/articles/r/ruin-lust-2014/John-Armstrong-Coggeshall-Church-Essex-1940.jpg John Armstrong (1893‑1973). Coggeshall Church, Essex, 1940. Tempera on wood. Collection Tate. https://www.studiointernational.com/index.php/gustave-dore-master-of-imagination https://www.studiointernational.com/images/articles/d/dore-gustave-2014/01-Dore_Joyeusete.jpg Gustave Doré. Joyeuseté, dit aussi À saute-mouton, vers 1881. Bronze, 36,5 x 27 x 17 cm. Paris, musée d’Orsay © Musée d’Orsay, Dist.RMN-Grand Palais / Patrice Schmidt. https://www.studiointernational.com/images/articles/d/dore-gustave-2014/02-Dore_Enfance-de-Pentagruel.jpg Gustave Doré. L’enfance de Pantagruel, vers 1873. Aquarelle, plume et encre brune sur traits de crayon, rehauts de gouache blanche, 36 x 47,8 cm. Strasbourg, Musée d’Art Moderne et Contemporain de Strasbourg. © Photo musées de Strasbourg https://www.studiointernational.com/images/articles/d/dore-gustave-2014/03-Dore_Pauvresse-a-Londres.jpg Gustave Doré. Pauvresse à Londres, 1869. Lavis, plume et rehauts de gouache blanche, 46,3 x 30,6 cm. Strasbourg, Musée d’Art Moderne et Contemporain de Strasbourg. © Photo musées de Strasbourg. https://www.studiointernational.com/images/articles/d/dore-gustave-2014/04-Dore_La-Maison-hantee.jpg Gustave Doré. Le château enchanté dessin préparatoire à La Belle au bois dormant illustré par Gustave Doré, vers 1867-1869 Lavis, plume et encre brune, crayon, estompe et rehauts, 42,5 x 33 cm. Strasbourg, Musée d’Art Moderne et Contemporain de Strasbourg. © Photo musées de Strasbourg. https://www.studiointernational.com/images/articles/d/dore-gustave-2014/06-Dore_L-enigme.jpg Gustave Doré. L’Enigme, 1871. Huile sur toile, 130 x 195,5 cm. Paris, musée d’Orsay. © Musée d’Orsay, Dist.RMN-Grand Palais / Patrice Schmidt. https://www.studiointernational.com/images/articles/d/dore-gustave-2014/12-Dore_Souvenir-loch-lamond.jpg Gustave Doré. Souvenir de Loch Lamond, 1875. Huile sur toile, 131 x 196 cm. New York, collection particulière. © French & Company, New York. https://www.studiointernational.com/images/articles/d/dore-gustave-2014/13-Dore_Le-chat-botte.jpg Gustave Doré. Au secours ! Au secours ! Voilà M. le marquis de Carabas qui se noie, frontispice pour Le Maître Chat ou Le Chat botté, publié dans Charles Perrault, Contes, illustré par Gustave Doré, gravé par Adolphe François Pannemaker (1822-1900), Paris, Hetzel, 1862, in-fol. 43 x 31 x 4,5 cm (livre fermé). Paris, Bibliothèque nationale de France, réserve des Livres rares. © Bibliothèque Nationale de France. https://www.studiointernational.com/images/articles/d/dore-gustave-2014/16-Dore_Baron-Munchhausen.jpg Gustave Doré. D’autres étaient rangés en cercles et chantaient des choeurs d’une beauté inexprimable. Xylographie gravée par Adolphe François Pannemaker (1822-1900), publiée dans Rudolf Erich Raspe, Les Aventures du Baron de Münchhausen, Paris, Furne, 1862, in-4°. Paris, Bibliothèque nationale de France, département litterature. © Bibliothèque nationale de France. https://www.studiointernational.com/images/articles/d/dore-gustave-2014/07-Tournachon_Dore-barbu.jpg Adrien Tournachon (1825-1903). Gustave Doré barbu, vers 1854. Photographie, 23,3 x 17 cm. Paris, Bibliothèque nationale de France, département des Estampes et de la Photographie. © Bibliothèque Nationale de France. https://www.studiointernational.com/images/articles/d/dore-gustave-2014/11-Dore_Les-chouettes.jpg Gustave Doré. Les Chouettes, 1879. Aquarelle et crayon noir sur papier, 86 x 59 cm. Musée des Beaux-arts de Dijon (donation Granville). © Musée des Beaux-Arts de Dijon. Photo François Jay. https://www.studiointernational.com/index.php/shiver-me-timbers-nick-jeffrey-hannah-barry-gallery https://www.studiointernational.com/images/articles/j/jeffrey-nick-2014/Nick-Jeffrey-untitled-roy-orbison-2011-14.jpg Nick Jeffrey. Untitled (roy orbison), 2012-2014. Ink, acrylic, acetate, fabric, spraypaint pigment on polyester, 170 x 170 cm. https://www.studiointernational.com/images/articles/j/jeffrey-nick-2014/Nick-Jeffrey-Colour-of-fire-2014.jpg Nick Jeffrey. Colour of fire, 2014. Ink, spray paint, pigment on canvas, 200 x 145 cm. https://www.studiointernational.com/images/articles/j/jeffrey-nick-2014/Nick-Jeffrey-Kill-computers-2011-14.jpg Nick Jeffrey. Kill computers, 2011-14. Polyester, ink, safety pins & burnt markings on canvas, 170 x 170 cm. https://www.studiointernational.com/images/articles/j/jeffrey-nick-2014/Nick-Jeffrey-On-the-heap-2011-13.jpg Nick Jeffrey. On the heap, 2011-13. Ink, acrylic, oil, pigment, spray paint, bleach on linen, 180 x 160 cm. https://www.studiointernational.com/index.php/alice-aycock-paper-chase https://www.studiointernational.com/images/articles/a/aycock-alice-2013/14-Alice-Aycock-2013-Waltzing-Matilda.jpg Alice Aycock. Waltzing Matilda, 2013. Reinforced fibreglass, Approximately 15’ high x 14’6” wide x 17’6” long. Edition of 2. To be installed at 56th street in Spring 2014. Courtesy Alice Aycock / PAPC & Galerie Thomas Schulte, Berlin. Rendering. https://www.studiointernational.com/index.php/michael-craig-martin https://www.studiointernational.com/images/articles/c/craig-martin-michael-2014/CRAIG-MARTIN-2013-High-Heel-(pink)_day.jpg Michael Craig-Martin. High Heel (pink). © Michael Craig-Martin. Photograph: Matthew Bullen. https://www.studiointernational.com/images/articles/c/craig-martin-michael-2014/Michael-Craig-Martin-Pitchfork-(pink).jpg Michael Craig-Martin. Pitchfork (pink). © Chatsworth House Trust by permission Michael Craig-Martin. https://www.studiointernational.com/images/articles/c/craig-martin-michael-2014/Mars-restrained-by-Cupid.jpg Michael Craig-Martin at Chatsworth, installation image. John Gibson. Mars restrained by cupid. © Chatsworth House Trust https://www.studiointernational.com/images/articles/c/craig-martin-michael-2014/Michael-Craig-Martin-Gate-(white).jpg Michael Craig-Martin. Gate (white). © Chatsworth House Trust by permission Michael Craig-Martin. https://www.studiointernational.com/index.php/jonathan-gabb-saatchi-art-announces-winner-of-world-s-most-highly-submitted-art-prize https://www.studiointernational.com/images/articles/g/gabb-jonathan-2013/jonathan-gabb-hoxton-london-2013.jpg Jonathan Gabb speaking to Studio International at A Brooks Art, Hoxton, London, October 2013. © Studio International https://www.studiointernational.com/index.php/patrick-scott-image-space-light-irish-museum-of-modern-art https://www.studiointernational.com/images/articles/s/scott-patrick-2014/Patrick-Scott-Device-1971.jpg Patrick Scott. Device, 1971. Aubusson tapestry, woven by Tabard Frères et Souers, Aubusson, France, 148.6 x 120.6 cm. Collection Irish Museum of Modern Art, Heritage Gift, Heritage Gift, P.J. Carroll & Co. Ltd. Art Collection, 2005. https://www.studiointernational.com/images/articles/s/scott-patrick-2014/Patrick-Scott-Gold-Painting-12-94.jpg Patrick Scott. Gold Painting 12/94, 1994. Gold leaf and tempera on unprimed canvas, 244 x 122 cm. Private Collection. https://www.studiointernational.com/images/articles/s/scott-patrick-2014/Patrick-Scott-Large-Solar-Device.jpg Patrick Scott. Large Solar Device, 1964. Tempera on unprimed canvas, 234 x 153 cm. Collection Dublin City Gallery The Hugh Lane. https://www.studiointernational.com/images/articles/s/scott-patrick-2014/Patrick-Scott-Meditation-Painting-28.jpg Patrick Scott. Meditation Painting 28, 2006. Gold leaf and acrylic on unprimed canvas, 122 x 81 cm. Collection Irish Museum of Modern Art. Donation the artist, 2013. https://www.studiointernational.com/images/articles/s/scott-patrick-2014/Patrick-Scott-Rosc-Diptych.jpg Patrick Scott. Rosc Diptych, 1971. Acrylic on canvas, 122 x 121.5 cm each panel. Collection Irish Museum of Modern Art. Donated by the artist, 2013. https://www.studiointernational.com/images/articles/s/scott-patrick-2014/Patrick-Scott-1142.jpg Patrick Scott. Photograph: Kevin Dunne. https://www.studiointernational.com/index.php/welcome-to-iraq-south-london-gallery-camberwell https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/1-Jamal-Penjweny,-Saddam-is-Here,-2009-2010.jpg Jamal Penjweny. Saddam is Here, 2009-2010. Photograph, size variable. Courtesy of the artist and RUYA Foundation. https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/2-Jamal-Penjweny,-Saddam-is-Here,-2009-2010,-392.jpg Jamal Penjweny. Saddam is Here, 2009-2010. (Image 2). Photograph, size variable. Courtesy of the artist and RUYA Foundation. https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/3-Abdul-Raheem-Yassir,-miscellaneous-cartoons,-2003-2013.jpg Abdul Raheem Yassir. Miscellaneous cartoons, 2003-2013. Ink on paper. Courtesy of the artist and RUYA Foundation. https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/4-Kadhim-Nwir,-Untitled,-2011.jpg Kadhim Nwir. Untitled, 2011. Acrylic and mixed media on canvas, 120 x 150 cm. Courtesy of the artist and RUYA Foundation. https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/5-Hareth-Alhomaam,-Buzz,-2012.jpg Hareth Alhomaam. Buzz, 2012. Video, 10’. Courtesy of the artist and RUYA Foundation. https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/6-Bassim-Al-Shaker,-Date-Sellers,-2011.jpg Bassim Al-Shaker. Date Sellers, 2011. Oil on canvas, 60 x 80 cm. Courtesy of Al-Nakhla Gallery. Courtesy of the artist and RUYA Foundation. https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/7-Abdul-Raheem-Yassir,-miscellaneous-cartoons,-2003-2013.jpg Abdul Raheem Yassir. Miscellaneous cartoons, 2003-2013. Ink on paper, each 21 x 29.7 cm. Courtesy of the artist and RUYA Foundation. https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/3-WAMI-Yaseen-Wami,-Hashim-Taeeh,-Untitled,-2013.jpg WAMI (Yaseen Wami, Hashim Taeeh). Untitled, 2013. Cardboard and mixed media, dimensions variable. Installation view at the South London Gallery, 2014. Photograph: Andy Keate. Courtesy of the artist and RUYA Foundation. https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/6-Jamal-Penjweny,-There-the-Guns,-2012.jpg Jamal Penjweny. There the Guns, 2012. Video, 9'15 https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/5-Bareth-Alhomaam,-Buzz,-2012.jpg Bareth Alhomaam. Buzz, 2012. Video 14' 17 https://www.studiointernational.com/images/articles/w/welcome-to-iraq-2014/8-Installation-view-at-the-South-London-Gallery,-2014.jpg Installation view at the South London Gallery, 2014. Photograph: Andy Keate. Courtesy of the artist and RUYA Foundation. https://www.studiointernational.com/index.php/alex-warren-and-toby-ross-southall-directors-of-eleanor-interview https://www.studiointernational.com/images/articles/e/eleanor-film-2014/eleanor1.jpg Eleanor. Film still (1). Directed by Alex Warren and Tobias Ross-Southall. https://www.studiointernational.com/images/articles/e/eleanor-film-2014/eleanor2.jpg Eleanor. Film still (2). Directed by Alex Warren and Tobias Ross-Southall. https://www.studiointernational.com/images/articles/e/eleanor-film-2014/eleanor3.jpg Eleanor. Film still (3). Directed by Alex Warren and Tobias Ross-Southall. https://www.studiointernational.com/index.php/whitney-biennial https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/03-Lucien-Castaing-Taylor-and-Verena-Paravel.jpg Lucien Castaing-Taylor and Véréna Paravel. Still from Leviathan, 2012. DCP, colour, sound, 87 mins. Courtesy of the artists. https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/03-Zackary-Drucker-and-Rhys-Ernst.jpg Zackary Drucker and Rhys Ernst. Relationship, 2008. Photograph: Zackary Drucker. Courtesy of the artists and Luis De Jesus Los Angeles. https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/01-Charline-von-Heyl-Folk-Tales-2013.jpg Charline von Heyl. Folk Tales, 2013. Acrylic, ink,wax, charcoal and collage on paper, each: 24 x 19 in (61 x 48.3 cm). Courtesy of the artist and Petzel, New York. Photograph: Jason Mandella, https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/01-Robert-Ashley-and-Alex-Waterman.jpg Robert Ashley and Alex Waterman. Performance of El Parque, Vidas Perfectas, Irondale Theater, Brooklyn, NY; December 2011. Pictured: Ned Sublette as 'R', aka Raoul de Noget. Courtesy of the artist. Photograph: Phillip Stearns. https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/01Elijah-Burgher-Be-like-Orpheus-2013.jpg Elijah Burgher. Be like Orpheus, 2013. Colour pencil on paper, 18 x 24 in. Private Collection, Chicago. Copyright Elijah Burgher. Courtesy of the artist and Western Exhibitions, Chicago https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/02-Tony-Lewis.jpg Tony Lewis. peoplecol, 2013. Pencil, graphite powder and tape on paper, 84 x 60 in. Collection of the artist. Courtesy the artist and Shane Campbell Gallery, Chicago. Photograph: Robert Chase Heishman. https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/03-Dashiell-Manley-Scene-3-Version-B.jpg Dashiell Manley. Scene 3 Version B 2, 2013. Gouache, ink, watercolor, linen, wood, acrylic sheet, lighting gels, paper, tape, steel, 72.5 x 96.5 in. Photograph: Jeff Mclane. Image courtesy of the Artist, Redling Fine Art, and Jessica Silverman Gallery. https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/03-Keith-Mayerson-My-Family,-2013.jpg Keith Mayerson. My Family, 2013. Oil on linen, 56 x 70 in. Copyright Keith Mayerson. Courtesy the artist and Derek Eller Gallery, NY. Photograph: Tom Powel Imaging. https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/03-Ken-Okiishi-gesture_data,-2013.jpg Ken Okiishi. gesture/data, 2013. Oil on flatscreen, VHS transferred to .mp4 (colour, sound), 35 1/3 x 21 x 3 7/10 in. Collection of the artist. Copyright Ken Okiishi. Courtesy the artist and Reena Spaulings Fine Art, New York https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/Amy-Sillman,-Mother,-2013-14.jpg Amy Sillman. Mother, 2013-14. Oil on canvas, 91 x 84 in. (231.1 x 213.4 cm). Collection of the artist; courtesy Sikkema Jenkins Co., New York. Photograph: John Berens. https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/Jimmie-Durham-Choose-Any-Three,-1989.jpg Jimmie Durham. Choose Any Three, 1989. Carved and painted wood, metal, and glass, 99 3/16 x 49 3/16 x 48 in (251.9 x 124.9 x 121.9 cm). Kurimanzutto, Mexico City. Courtesy the artist and kurimanzutto, Mexico City. Copyright Jimmie Durham. Photograph: Jean Christophe Lett. https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/Molly-Zuckerman-Hartung-Notley,-2013.jpg Molly Zuckerman-Hartung. Notley, 2013. Latex housepaint, enamel, and spray paint on dropcloth (hinged, in two attached parts), 96 x 132 in. Courtesy of the artist and Corbett vs. Dempsey, Chicago. Photograph: Tom Van Eynde. https://www.studiointernational.com/images/articles/w/whitney-biennial-2014/My-Barbarian-Working-Mother.jpg My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade). Still from Universal Declaration of Infantile Anxiety Situations Reflected in the Creative Impulse, 2013. Video, colour, sound, 30 mins. Collection of the artist; courtesy Susanne Vielmetter Los Angeles Projects. Copyright My Barbarian. https://www.studiointernational.com/index.php/marrakech-biennale-fifth-edition-where-are-we-now https://www.studiointernational.com/images/articles/m/marrakech-biennale-2014/Eric-Van-Hove-Laraki.jpg Eric Van Hove. Laraki V12, 2013. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/m/marrakech-biennale-2014/Esme-Toler-Oli-Bozaingo-13th-Hour-2014.jpg Esme Toler & Oli Bonzanigo. The 13th Hour, 2014. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/m/marrakech-biennale-2014/Katinka-Bock.jpg Katinka Bock. Red, red, red, 2014. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/m/marrakech-biennale-2014/Max-Boufathal-207-Madonna.jpg Max Boufathal. Madonna 207, 2013. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/m/marrakech-biennale-2014/Max-Boufathal.jpg Max Boufathal. Madonna 207, 2013 (view 2). Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/m/marrakech-biennale-2014/Ton-Schuttelaar.jpg Ton Schuttelaar. Ultra Things series, 2014. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/m/marrakech-biennale-2014/Younes-Rahmoun.jpg Younes Rahmoun. 77, 2014. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/m/marrakech-biennale-2014/MB5-PRESS-PHOTObenohoud_hicham_bienvenue_iia-1.jpg Hicham Benohoud. Bienvenue à Marrakech, 2014. Commissioned by the Marrakech Biennale. Courtesy of the artist. Photograph: Pierre Antoine. https://www.studiointernational.com/images/articles/m/marrakech-biennale-2014/MB5-PRESS-PHOTOarikan_burak_monovacation.jpg Burak Arikan. Monovacation, 2013. This work was prepared for the purpose of WitrA Contemporary Architecture Series: Please do not Disturb exhibition realised in 2013. Courtesy of the artists. https://www.studiointernational.com/index.php/architecture-film-and-postmodern-culture https://www.studiointernational.com/images/articles/s/second-look-2014/second-look-book-cover.jpg Der zweite Blick/A Second Look. Alfred Hitchcock: The Birds; Blake Edwards: The Party; Ridley Scott: Blade Runner; Stefan Ruzowitzky: Anatomy; Ridley Scott: Gladiator by Konrad Kirsch. Published by Edition Axel Menges, Stuttgart-Fellbach, 2013. https://www.studiointernational.com/images/articles/s/second-look-2014/second-look-page-image.jpg Der zweite Blick/A Second Look. Top: Botticelli's The Birth of Venus, 1486 (detail). Below: Film still from The Birds (1963) by Alfred Hitchcock with Melanie Daniels (Tippi Hedren). https://www.studiointernational.com/index.php/esme-toler-and-oli-bonzanigo-interview https://www.studiointernational.com/images/articles/t/toler-esme-2014/Esme-Toler-Oli-Bozaingo-13th-Hour-2014.jpg Esme Toler and Olì Bonzanigo. The 13th Hour, 2014. Photograph: Harriet Thorpe. https://www.studiointernational.com/index.php/anna-raimondo-interview-marrakech-biennale-2014 https://www.studiointernational.com/images/articles/r/raimondo-anna-2014/DSC04656.jpg Anna Raimondo. Here. Now. Where?, created with artistic partner Younes Baba-Ali for the fifth Marrakech Biennale. The project involves hailing a taxi to take a journey through a menu of curated soundscapes. Image 2. https://www.studiointernational.com/images/articles/r/raimondo-anna-2014/DSC04657.jpg Anna Raimondo. Here. Now. Where?, created with artistic partner Younes Baba-Ali for the fifth Marrakech Biennale. The project involves hailing a taxi to take a journey through a menu of curated soundscapes. Image 3. https://www.studiointernational.com/images/articles/r/raimondo-anna-2014/DSC04793.jpg Anna Raimondo. Here. Now. Where?, created with artistic partner Younes Baba-Ali for the fifth Marrakech Biennale. The project involves hailing a taxi to take a journey through a menu of curated soundscapes. Image 4. https://www.studiointernational.com/images/articles/r/raimondo-anna-2014/IMG_3134.jpg Anna Raimondo. Here. Now. Where?, created with artistic partner Younes Baba-Ali for the fifth Marrakech Biennale. The project involves hailing a taxi to take a journey through a menu of curated soundscapes. Image 5. https://www.studiointernational.com/images/articles/r/raimondo-anna-2014/saotradio_icimaintenantou.jpg Saout Radio. Ici Maintenant Ou, 2014. Courtesy of the artists. https://www.studiointernational.com/index.php/veronese-magnificence-in-renaissance-venice https://www.studiointernational.com/images/articles/v/veronese-2014/N-0294-00-000124-pr.jpg Paolo Veronese (1528-1588). The Family of Darius before Alexander, 1565-67. Oil on canvas, 236.2 x 474.9 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/v/veronese-2014/N-1324-00-000050-pr.jpg Paolo Veronese (1528-1588). Allegories of Love - Scorn, c1570-75. Oil on canvas, 186.6 x 188.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/v/veronese-2014/Veronese-X7462.jpg Paolo Veronese (1528-1588). Venus, Mars and Cupid, c1580. Oil on canvas, 163 x 125 cm. © National Galleries of Scotland. https://www.studiointernational.com/images/articles/v/veronese-2014/Veronese-X7475.jpg Paolo Veronese (1528-1588). The Mystic Marriage of Saint Catherine, c1565-70. Oil on canvas, 337 x 241 cm. Gallerie dell'Accademia, Venice (1324). © Courtesy of the Ministero dei Beni e delle attività culturali e del turismo. https://www.studiointernational.com/images/articles/v/veronese-2014/x7478_A5.jpg Paolo Veronese (1528-1588). Martyrdom of Saint George, c1565. Chiesa di San Giorgio in Braida, Verona. © Photo Scala, Florence. https://www.studiointernational.com/index.php/sarah-raphael https://www.studiointernational.com/images/articles/r/raphael-sarah-2014/Sarah-Raphael-Cover-1.jpg Sarah Raphael by William Packer. Published by Unicorn Press, 2013. https://www.studiointernational.com/images/articles/r/raphael-sarah-2014/sarah-raphael_0002fl.jpg Sarah Raphael. Time Travel for Beginners, 2001. Acrylic on canvas, 182.8 x 244 cm. Courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/r/raphael-sarah-2014/sarah-raphael_0141fm.jpg Sarah Raphael. Portrait of Paul Brusa, c1998. Oil and watercolour on paper, 26.7 x 20.3 cm. Courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/r/raphael-sarah-2014/sarah-raphael_0157fl.jpg Sarah Raphael. Field and Wave, 1997. Oil on canvas, 93 x 93 cm. Courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/r/raphael-sarah-2014/sarah-raphael_0165fl.jpg Sarah Raphael. Self Portrait with small round Mirror, c1990s. Oil on canvas, 121 x 92 cm. Courtesy Marlborough Fine Art, London. https://www.studiointernational.com/index.php/tim-rollins-and-kos-s-angel-abreu-and-rick-savinon-interview https://www.studiointernational.com/images/articles/r/rollins-tim-and-kos-2014/deFINEart2014_TimRollinsExhibition_JM_03.jpg Tim Rollins and KOS. Exhibition view: RIVERS, part of deFINE Art 2014. SCAD Museum of Art. Photograph: John McKinnon. Courtesy of SCAD. https://www.studiointernational.com/images/articles/r/rollins-tim-and-kos-2014/deFINEart2014_TimRollinsExhibition_JM_01.jpg Tim Rollins and KOS. Exhibition view (2): RIVERS, part of deFINE Art 2014. SCAD Museum of Art. Photograph: John McKinnon. Courtesy of SCAD. https://www.studiointernational.com/index.php/alfredo-jaar-interview https://www.studiointernational.com/images/articles/j/jaar-alfredo-2014/deFINEart2014_AlfredoJaarExhibition-detail.jpg Alfredo Jaar. deFINE Art 2014 Gallery 110 exhibition view (detail). SCAD Museum of Art. Photograph: John McKinnon. Courtesy of SCAD. https://www.studiointernational.com/images/articles/j/jaar-alfredo-2014/deFINEart2014_AlfredoJaarExhibition_JM_02.jpg Alfredo Jaar. deFINE Art 2014 Gallery 110 exhibition view. SCAD Museum of Art. Photograph: John McKinnon. Courtesy of SCAD. https://www.studiointernational.com/index.php/robert-adams-the-place-we-live https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA01.jpg Robert Adams. Northeast of Keota, Colorado, 1969. 19 x 23 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA02.jpg Robert Adams. Methodist church, Bowen, Colorado, 1965. 30 x 21 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA03.jpg Robert Adams. Interstate 25, Eden, Colorado, 1968. 12.5 x 15 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA04.jpg Robert Adams. Eden, Colorado, 1968. 14.5 x 14.5 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA07.jpg Robert Adams. Colorado Springs, Colorado, 1969. 17.5 x 15 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA08.jpg Robert Adams. Pikes Peak, Colorado Springs, Colorado, 1969. 14.5 x 15 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA09.jpg Robert Adams. Burning oil sludge, north of Denver, Colorado, 1973-74. 15 x 19 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA11.jpg Robert Adams. Larimer County, Colorado, 1977. 23 x 28.5 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA13.jpg Robert Adams. Denver, Colorado, 1981. 17 x 17 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA14.jpg Robert Adams. Santa Ana Wash, San Bernardino County, California, 1982. 22.5 x 29 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/a/adams-robert-2014/RA19.jpg Robert Adams. Cape Blanco State Park, Oregon, 1999–2003. 43 x 34.5 cm. Yale University Art Gallery. © Robert Adams. Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. https://www.studiointernational.com/index.php/modern-nature-georgia-o-keeffe-and-lake-george https://www.studiointernational.com/images/articles/o/okeefe-georgia-2014/AppleFamily2.jpg Georgia O’Keeffe, American (1887-1986). Apple Family – 2, 1920. Oil on canvas, 8 1/8 x 10 1/8 in. Georgia O’Keeffe Museum. Gift of the Burnett Foundation and The Georgia O’Keeffe Foundation. © Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York. Photograph: Malcolm Varon, 2001. https://www.studiointernational.com/images/articles/o/okeefe-georgia-2014/AutumnLeaves.jpg Georgia O’Keeffe, American (1887-1986). Autumn Leaves, 1924. Oil on canvas, 20 1/4 x 16 3/8 in. Columbus Museum of Art, Ohio: Museum Purchase, Howald Fund II, 1981.006. © Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/o/okeefe-georgia-2014/ChestnutGrey.jpg Georgia O’Keeffe, American (1887-1986). The Chestnut Grey, 1924. Oil on canvas, 36 x 30 1/8 in. Curtis Galleries, Minneapolis, Minnesota. © Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/o/okeefe-georgia-2014/Jack-in-the-Pulpit-2.jpg Georgia O'Keeffe. Jack-in-the-Pulpit No. 2, 1930. Oil on canvas. The National Gallery of Art, Washington © 2013 National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/o/okeefe-georgia-2014/LGBarns.jpg Georgia O’Keeffe, American (1887-1986). Lake George Barns, 1926. Oil on canvas, 21 3/16 x 32 1/16 in. Collection Walker Art Center, Minneapolis. Gift of the T. B. Walker Foundation, 1954. © Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/o/okeefe-georgia-2014/LakeGeorge.jpg Georgia O’Keeffe, American (1887-1986). Lake George, 1922. Oil on canvas, 16 1/4 x 22 in. San Francisco Museum of Modern Art, Gift of Charlotte Mack. © Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/o/okeefe-georgia-2014/Petunias.jpg Georgia O’Keeffe, American (1887-1986). Petunias, 1925. Oil on board, 18 x 30 in. Fine Arts Museums of San Francisco, Museum purchase, Gift of the M. H. de Young Family, 1990.55. © Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/o/okeefe-georgia-2014/StarlightNight.jpg Georgia O’Keeffe, American (1887-1986). Starlight Night, Lake George, 1922. Oil on canvas, 16 x 24 in. Private Collection. © Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/o/okeefe-georgia-2014/White-Birch.jpg Georgia O'Keeffe. Lake George with White Birch, 1921. Oil on canvas. Private collection. © Georgia O’Keeffe Museum. https://www.studiointernational.com/index.php/alex-katz-70s-80s-90s https://www.studiointernational.com/images/articles/k/katz-alex-2014/alex-katz-Black_Stockings.jpg Alex Katz. Black Stockings, 1987. Oil on aluminum (6 pieces), overall size: 66 x 240 in (167.6 x 609.6 cm). © Alex Katz/Licensed by VAGA, New York, NY; Courtesy, Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/k/katz-alex-2014/alex-katz-T009148.jpg Alex Katz. Ada Ada, 1991. Oil on canvas, 59 7/8 x 120 1/2 in (152 x 306 cm). © Alex Katz/Licensed by VAGA, New York, NY; Courtesy, Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/k/katz-alex-2014/alex-katz-T009418.jpg Alex Katz. Dusk 2, 1992. Oil on linen, 48 x 48 in (121.9 x 121.9 cm). © Alex Katz/Licensed by VAGA, New York, NY; Courtesy, Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/k/katz-alex-2014/alex-katz-T009419.jpg Alex Katz. Vincent and Vivien, 1987. Oil on linen, 72 x 72 in (182.9 x 182.9 cm). © Alex Katz/Licensed by VAGA, New York, NY; Courtesy, Timothy Taylor Gallery, London. https://www.studiointernational.com/index.php/matthew-barney-river-of-fundament-haus-der-kunst-munich https://www.studiointernational.com/images/articles/b/barney-matthew-2014/HG1_9127_crop.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production Still. Photograph: Hugo Glendinning. © Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/b/barney-matthew-2014/Matthew-Barney-Canopic-Chest,-2011-(Detail).jpg Matthew Barney. Canopic Chest, 2011 (detail). Cast bronze. Laurenz-Stiftung, Basel. © Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/b/barney-matthew-2014/Matthew-Barney-Canopic-Chest,-2011.jpg Matthew Barney. Canopic Chest, 2011. Cast bronze. Laurenz-Stiftung, Basel. © Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/b/barney-matthew-2014/Matthew-Barney-Secret-Name,-2011.jpg Matthew Barney. River of Fundament. Secret Name, 2008-2011. Cast polycaprolactone, lead, copper and zinc. Courtesy of the artist and Gladstone Gallery, New York and Brussels. Installation view Haus der Kunst, 2014. Photograph: Maximilian Geuter https://www.studiointernational.com/images/articles/b/barney-matthew-2014/Matthew-Barney-and-Jonathan-Bepler-River-of-Fundament,-2014-2.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production still. Photograph: Hugo Glendinning. © Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/b/barney-matthew-2014/Matthew-Barney-and-Jonathan-Bepler-River-of-Fundament,-2014-3.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production still (2). Photograph: Hugo Glendinning. © Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/b/barney-matthew-2014/Matthew-Barney-and-Jonathan-Bepler-River-of-Fundament,-2014.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production still (3). Photograph: Hugo Glendinning. © Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/b/barney-matthew-2014/barney_e_transam_cmyk.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production still (4). Photograph: Hugo Glendinning. © Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/b/barney-matthew-2014/Barney_Portrait_Max_Geuter.jpg Matthew Barney. Photograph: Maximilian Geuter. https://www.studiointernational.com/index.php/ida-kerkovius-meine-welt-ist-die-farbe-my-world-is-colour https://www.studiointernational.com/images/articles/k/kerkovious-ida-2014/01_Ida-Kerkovius_Farbkomposition_1966.jpg Ida Kerkovius. Farbkomposition (Colour Composition), 1966. Watercolour on woodchip wallpaper, 55 x 67 cm. Collection Prof. Dr. Gerhard Kluge. Photograph: Kunstsammlungen Chemnitz/László Tóth. © Kerkovius family archive, Wendelstein 2014. https://www.studiointernational.com/images/articles/k/kerkovious-ida-2014/02_Ida-Kerkovius_Blumenstillleben-mit-Glasfenster_um-1955.jpg Ida Kerkovius. Blumenstillleben mit Glasfenster (Still life with flowers and window), c1955. Pastel and mixed media on cream paper, 59.1 x 50.1 cm. Collection Prof. Dr. Gerhard Kluge. Photograph: Kunstsammlungen Chemnitz/László Tóth. © Kerkovius family archive, Wendelstein 2014. https://www.studiointernational.com/images/articles/k/kerkovious-ida-2014/03_Ida-Kerkovius_Blauer-Balkon-im-Garten_1938.jpg Ida Kerkovius. Blauer Balkon im Garten (Blue balcony in the garden), 1938. Oil on canvas, 52 x 76 cm. Collection Prof. Dr. Gerhard Kluge. Photograph: Kunstsammlung Chemnitz/PUNCTUM/Bertram Kober. © Kerkovius family archive, Wendelstein 2014. https://www.studiointernational.com/images/articles/k/kerkovious-ida-2014/04_Ida-Kerkovius_Zinnien_1968.jpg Ida Kerkovius. Zinnien (Zinnias), 1968. Pastel and mixed media on dark brown paper, 70.7 x 50.3 cm. Collection Prof. Dr. Gerhard Kluge. Photograph: Kunstsammlungen Chemnitz/László Tóth. © Kerkovius family archive, Wendelstein 2014. https://www.studiointernational.com/images/articles/k/kerkovious-ida-2014/05_Ida-Kerkovius_Inselgruppe-auf-Norwegen_1936.jpg Ida Kerkovius. Inselgruppe auf Norwegen (Group of islands off Norway), 1936. Pastel on light grey paper, 49.7 x 69.5 cm. Collection Prof. Dr. Gerhard Kluge. Photograph: Kunstsammlungen Chemnitz/László Tóth. © Kerkovius family archive, Wendelstein 2014. https://www.studiointernational.com/images/articles/k/kerkovious-ida-2014/06_Ida-Kerkovius_Hauser-im-Herbst_1967.jpg Ida Kerkovius. Häuser im Herbst auf schwarzem Grund (Houses in autumn on a black background), 1967. Oil on canvas, 49 x 33 cm. Collection Prof. Dr. Gerhard Kluge. Photograph: Kunstsammlung Chemnitz/PUNCTUM/Bertram Kober. © Kerkovius family archive, Wendelstein 2014. https://www.studiointernational.com/images/articles/k/kerkovious-ida-2014/07_Ida-Kerkovius_Ischia_1952.jpg Ida Kerkovius. Ischia, 1952. Pastel on light brown paper, 49.8 x 70 cm. Collection Prof. Dr. Gerhard Kluge. Photograph: Kunstsammlungen Chemnitz/László Tóth. © Kerkovius family archive, Wendelstein 2014. https://www.studiointernational.com/images/articles/k/kerkovious-ida-2014/09_Ida-Kerkovius_Ischia_1955.jpg Ida Kerkovius. Ischia, 1955. Pastel on light brown paper, 50.5 x 67.5 cm. Collection Prof. Dr. Gerhard Kluge. Photograph: Kunstsammlungen Chemnitz/László Tóth. © Kerkovius family archive, Wendelstein 2014. https://www.studiointernational.com/index.php/obituary-michael-patrick-spens-of-wormiston https://www.studiointernational.com/images/articles/s/spens-michael-obituary-2014/Michael-Patrick-Spens-Argyl-and-Sutherland-Highlanders.jpg Michael Spens, Argyll and Sutherland Highlanders, c1959. https://www.studiointernational.com/images/articles/s/spens-michael-obituary-2014/Michael-Patrick-Spens-Edinburgh-summer-2013.jpg Michael Spens, Fife, summer 2013. https://www.studiointernational.com/images/articles/s/spens-michael-obituary-2014/Eduardo-Paolozzi-and-Michael-Patrick-Spens.jpg Michael Spens with Eduardo Paolozzi, c1971. https://www.studiointernational.com/images/articles/s/spens-michael-obituary-2014/Michael_Spens_Tryptich-John-Bellany.jpg John Bellany. Homage to Michael Spens, 2011. © John Bellany https://www.studiointernational.com/index.php/zhang-enli-interview-hauser-wirth-london https://www.studiointernational.com/images/articles/z/zhang-enli-2013/zhang-enli-hauser-and-wirth-jan-2014.jpg Zhang Enli talking to Studio International at Hauser & Wirth, London, January 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/z/zhang-enli-2013/zhang-enli-install-view-2014.jpg Zhang Enli, installation view, Hauser & Wirth, London, January 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/z/zhang-enli-2013/zhang-enli-the-box-2-2014.jpg Zhang Enli, installation view, Hauser & Wirth, London, January 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/z/zhang-enli-2013/zhang-enli-the-box-2014.jpg Zhang Enli, installation view, Hauser & Wirth, London, January 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/nika-autor-newsreel-the-news-is-ours https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA01.jpg Maribor students, members of Triglav Academic Club (Slava Klavora is second from the left), Zagreb, 7 December 1939 Archive document used in Newsreel 55, by Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden, 2013. Property of National Liberation Museum, Maribor. https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA04.jpg Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden. Newsreel 55, 2013. Video still, 30 min. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA05.jpg Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden. Newsreel 55, 2013. Video still (2), 30 min. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA06.jpg Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden. Newsreel 55, 2013. Video still (3), 30 min. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA08.jpg Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden. Newsreel 55, 2013. Video still (4), 30 min. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA09.jpg Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden. Newsreel 55, 2013. Video still (5), 30 min. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA10.jpg Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden. Newsreel 55, 2013. Video still (6), 30 min. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA11.jpg Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden. Newsreel 55, 2013. Video still (7), 30 min. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA12.jpg Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden. Newsreel 55, 2013. Video still (8), 30 min. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/autor-nika-2014/NA13.jpg Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden. Newsreel 55, 2013. Video still (9), 30 min. Courtesy of the artists. https://www.studiointernational.com/index.php/pangaea-new-art-from-africa-and-latin-america-saatchi-gallery https://www.studiointernational.com/images/articles/p/pangaea-2014/David-Koloane_Diskiology-II.jpg David Koloane. Diskiology II, 2010. Mixed media on paper, 165 x 126 cm. © David Koloane. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/pangaea-2014/Rafael-Gomezbarros.jpg Rafael Gómezbarros. Casa Tomada, 2013. Resin, Fibre Glass, Madera, Screen Cotton, Cuerda Arenas, Cerrejón Coal, dimensions variable. © Rachel Oates, 2014. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/pangaea-2014/Ibrahim-Mahama-(2).jpg Ibrahim Mahama. Untitled, 2013. Draped jute sacks wall installation. © Sam Drake, 2014. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/pangaea-2014/Vincent-Michea-Before-the-bigger-splash.jpg Vincent Michea. Before the Bigger Splash, 2012. Acrylic on canvas, 130 x 130 cm. © Vincent Michea, 2012. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/pangaea-2014/Murillo-Dark-Americano.jpg Oscar Murillo. Dark Americano, 2012. Oil and dirt on canvas, 304.8 x 429.3 cm. © Oscar Murillo, 2012. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/pangaea-2014/Antonio-Malta-Campos_figuresinred.jpg Antonio Malta Campos. Figures in Red, 2004. Oil on canvas, 230 x 360 cm. © Antonio Malta Campos, 2004. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/index.php/cezanne-and-the-modern-masterpieces-of-european-art-from-the-pearlman-collection https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Cistern-oil-The-Henry-and-Rose-Pearlman-Collection.jpg Paul Cézanne (1839–1906). Cistern in the Park of the Château Noir, c1900. Oil on canvas, 74.3 x 61 cm. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Cistern-watercolour-The-Henry-and-Rose-Pearlman-Collection.jpg Paul Cézanne (1839–1906). Cistern in the Park of the Château Noir, 1895–1900. Watercolour and graphite on pale buff wove paper, 50.6 x 43.4 cm. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Head,-1914-The-Henry-and-Rose-Pearlman-Collection.jpg Amedeo Modigliani (1884–1920). Head, 1914. Limestone, 41.8 x 12.5 x 17 cm. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Jean-Cocteau-The-Henry-and-Rose-Pearlman-Collection.jpg Amedeo Modigliani (1884–1920). Jean Cocteau, 1916–17. Oil on canvas, 100.4 x 81.3 cm. Signed upper left: Modigliani. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Mont-Sainte-Victoire-The-Henry-and-Rose-Pearlman-Collection.jpg Paul Cézanne (1839–1906). Mont Sainte-Victoire, c1902. Oil on canvas, 83.8 x 65.1 cm. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Pears-The-Henry-and-Rose-Pearlman-Collection.jpg Paul Cézanne (1839–1906). Three Pears, c1888–90. Watercolour, gouache, and graphite on cream laid paper, 24.2 x 31 cm. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Soutine-The-Henry-and-Rose-Pearlman-Collection.jpg ChaÏm Soutine (1893–1943). Self Portrait, c1918. Oil on canvas, 54.6 x 45.7 cm. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Still-Life-with-Carafe-The-Henry-and-Rose-Pearlman-Collection.jpg Paul Cézanne (1839–1906). Still Life with Carafe, Bottle, and Fruit, 1906. Watercolour and soft graphite on pale buff wove paper, 48 x 62.5 cm. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Tarascon-Stage-Coach-The-Henry-and-Rose-Pearlman-Collection.jpg Vincent van Gogh (1853–1890). Tarascon Stage Coach, 1888. Oil on canvas, 71.4 x 92.5 cm. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/images/articles/c/cezanne-and-the-modern-2014/Woman-in-a-Round-Hat-The-Henry-and-Rose-Pearlman-Collection.jpg Edouard Manet (1832–1883). Young Woman in a Round Hat, c1877–79. Oil on canvas, 54.6 x 45.1 cm. © The Henry and Rose Pearlman Collection. Photograph: Bruce M. White. https://www.studiointernational.com/index.php/michael-rush-interview https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-ext1.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Exterior view (1). Photograph: Paul Warchol. https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-ext2.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Exterior view (2). Photograph: Paul Warchol. https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-ext3.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Exterior view (3). Photograph: Paul Warchol. https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-ext4.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Exterior view (4). Photograph: Paul Warchol. https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-int1.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Interior view (1). https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-int2.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Interior view (2). https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-int3.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Interior view (3). https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-int4.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Interior view (4). https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-int5.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Interior view (5). https://www.studiointernational.com/images/articles/r/rush-michael-2014/eli-and-edythe-broad-museum-int6.jpg The Eli and Edythe Broad Art Museum at Michigan State University, designed by Zaha Hadid. Interior view (6). https://www.studiointernational.com/images/articles/r/rush-michael-2014/Handelman_02.jpg Michelle Handelman (installation). The Eli and Edythe Broad Art Museum at Michigan State University https://www.studiointernational.com/images/articles/r/rush-michael-2014/Evangeline_01.jpg Margaret Evangeline (installation). The Eli and Edythe Broad Art Museum at Michigan State University https://www.studiointernational.com/images/articles/r/rush-michael-2014/Evangeline_02.jpg Margaret Evangeline (installation). The Eli and Edythe Broad Art Museum at Michigan State University https://www.studiointernational.com/images/articles/r/rush-michael-2014/Hutchins_03.jpg Jessica Jackson Hutchins (installation). The Eli and Edythe Broad Art Museum at Michigan State University https://www.studiointernational.com/index.php/from-gucci-to-gaultier-london-hosts-two-major-fashion-exhibitions https://www.studiointernational.com/images/articles/f/fashion-in-london-2014/Fashion-home-image-640.jpg The Glamour of Italian Fashion 1945-2014 at the V&A, 5 April – 27 July 2014, and The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk at the Barbican, 11 April – 25 Aug 2014. https://www.studiointernational.com/images/articles/f/fashion-in-london-2014/vanda-install-1.jpg The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk at the Barbican, 11 April – 25 Aug 2014. Installation view. https://www.studiointernational.com/images/articles/f/fashion-in-london-2014/vanda-install-3.jpg The Glamour of Italian Fashion 1945-2014 at the V&A, 5 April – 27 July 2014. Installation view. https://www.studiointernational.com/index.php/wilhelmina-barns-graham-in-perspective-the-late-works https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/Garden-at-Balmungo.jpg Wilhelmina Barns-Graham. The Garden (Balmungo), 1990. Gouache on paper, 55.7 x 75.8 cm. Courtesy of Art First, copyright Barns-Graham Charitable Trust. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/Scorpio-Series-3,-No.jpg Wilhelmina Barns-Graham. Scorpio Series 3, no.2, 1997. Acrylic on paper, 58 x 76.5 cm. Courtesy of Art First, copyright Barns-Graham Charitable Trust. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/Travel-Memory.jpg Wilhelmina Barns-Graham. Travel Memory, 2001. Acrylic on paper, 29.5 x 39.1 cm. Courtesy of Art First, copyright Barns-Graham Charitable Trust. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/Decision.jpg Wilhelmina Barns-Graham. Decision, 2001. Acrylic on paper, 57.5 x 76.4 cm. Courtesy of Art First, copyright Barns-Graham Charitable Trust. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/WB-G-Lava-Forms-Lanzarote-2--BGT1098.jpg Wilhelmina Barns-Graham. Lava Forms Lanzarote No. 2, 1993. Chalk on black paper, 29.5 x 40.5 cm. Courtesy of Art First, copyright Barns-Graham Charitable Trust. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/WB-G-Ruta-de-los-Volcanes,-Lanzarote-BGT1142.jpg Wilhelmina Barns-Graham. Ruta de los Volcanes, Lanzarote, 1989. Pencil and wash on paper, 57 x 75.5 cm. Courtesy of Art First, copyright Barns-Graham Charitable Trust. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/WB-G-Volcanic-Island-(nr-Montana-del-Fuego)---BGT669.jpg Wilhelmina Barns-Graham. Volcanic Island (nr Montana del Fuego), 1989. Pencil on paper, 56 x 75.5 cm. Courtesy of Art First, copyright Barns-Graham Charitable Trust. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/Install-1.jpg Wilhelmina Barns-Graham. Art First installation view 1 – showing works including: Scorpio Series 3, No. 2 & Inside Outside No. 2. Courtesy of Art First. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/Install-2.jpg Wilhelmina Barns-Graham. Art First installation view 2, showing works Ocean, 2001 & Easter Series, Two Brushstrokes, 2000. Courtesy of Art First. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/Install-3.jpg Wilhelmina Barns-Graham. Art First installation view 3, showing Strung Forms, 1959, Scorpio Series 1, No. 16, 1996, Passing Forms, 1958. Courtesy of Art First. https://www.studiointernational.com/images/articles/b/barns-graham-wilhelmina-2014/Install-4.jpg Wilhelmina Barns-Graham. Art First installation view 4, showing Scorpio Series 2, No. 14 & April V, 2001. Courtesy of Art First. https://www.studiointernational.com/index.php/robert-mapplethorpe https://www.studiointernational.com/images/articles/m/mapplethorpe-robert-2014/Mapplethorpe-Self-Portrait-1980.jpg Robert Mapplethorpe. Self-Portrait, 1980. 50.8 x 40.6 cm. New York, Solomon R. Guggenheim Museum, Don de la Fondation Robert Mapplethorpe 1997. © Robert Mapplethorpe Foundation. Used by permission. https://www.studiointernational.com/index.php/alice-hope-interview-ricco-maresca-gallery-new-york-city https://www.studiointernational.com/images/articles/h/hope-alice-2014/Alice-Hope-DETAIL-BALL-CHAIN,-FERRITE-MAGNETS.jpg Alice Hope. Untitled. (detail). Ball chain, ferrite magnets, steel plate, 11 x 23 ft. https://www.studiointernational.com/images/articles/h/hope-alice-2014/Alice-Hope-UNDER-THE-RADAR_-DETAIL.jpg Alice Hope. Under The Radar, 2012 (detail). 6,498 Morse Nos's made out of 259,920 magnets on a 320 steel plate composition of 19 binary No's, 41 x 83 ft. https://www.studiointernational.com/images/articles/h/hope-alice-2014/Alice-Hope-UNTITLED-2012-FERRITE-MAGNETS.jpg Alice Hope. Untitled, 2012 (detail). Ferrite magnets, steel plate, 8 x 8 ft. https://www.studiointernational.com/images/articles/h/hope-alice-2014/Alice-Hope-UNTITLED-BINARY-CODE.jpg Alice Hope. Untitled, 2013. Binary code https://www.studiointernational.com/images/articles/h/hope-alice-2014/AHo-12.jpg Alice Hope. Untitled, 2014. LED lights, turtle net and aluminium tabs. 39 x 10 x 3 in (99 x 25.4 x 7.6 cm); 49 x 10 x 3 in (124.4 x 25.4 x 7.6 cm); 58 x 10 x 3 in (147.3 x 25.4 x 7.6 cm); 64 x 10 x 3 in (162.5 x 25.4 x 7.6 cm). https://www.studiointernational.com/images/articles/h/hope-alice-2014/AHo-18.jpg Alice Hope. Untitled, 2014. Aluminium tabs, diameter approx. 30 in (76.2 cm). https://www.studiointernational.com/images/articles/h/hope-alice-2014/Bead-Chain-Vermont.jpg Alice Hope. Untitled, 2014. Aluminium tabs and double-stranded ball chain, 104 x 41 in (264.1 x 104.1 cm). https://www.studiointernational.com/images/articles/h/hope-alice-2014/Matress.jpg Alice Hope. Untitled, 2014. Found nickel-plated box spring, anodized aluminium tabs and ball chain, 90 x 37 x 7 in (228.6 x 93.9 x 17.7 cm). https://www.studiointernational.com/images/articles/h/hope-alice-2014/vMGfY.jpg Alice Hope. Untitled, 2014. Distressed and corroded aluminium tabs, resin, 60 x 45 in (152.4 x 114.3 cm). https://www.studiointernational.com/images/articles/h/hope-alice-2014/Alice-Hope-BBS-FERRITE-MAGNETS.jpg Alice Hope. Untitled, 2009. BBs, ferrite magnets, steel plates; 130 sq ft. https://www.studiointernational.com/index.php/training-to-be-an-artist-art-centres-residencies-collectives-and-subsidised-studio-venues-in-new-york-city https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/Abrons.jpg Open Studios at Abrons Arts Center, 5 April 2014. Residents Lee Vanderpool and Tamar Ettun in Ettun's AIRspace studio. Photo courtesy of Jonathan Durham. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/Flux-dinner.jpg A dinner at Flux Factory. Photograph courtesy of Douglas Paulson and Flux Factory. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/Aferro-Weathersby_Ken-Studio_3.jpg Ken Weathersby’s Studio at Gallery Aferro’s Residency. Photograph courtesy of the artist. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/Greenpoint.jpg The Greenpoint Gallery’s exhibition opening. Photograph courtesy of the Greenpoint Gallery. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/ISCP8.jpg ISCP Exhibition Installation. February 2014. Photograph courtesy of Natasha Kurchanova. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/LMCC-Building-110.jpg Building 110, LMCC's Arts Center at Governors Island. Photograph courtesy of LMCC. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/NARS-Foundation-hallway-photo.jpg NARS: View of the studio hallway from gallery during Color me Badd exhibition. Photograph courtesy of the NARS Foundation. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/triangle-3.jpg Triangle Workshop Barbeque, 2010. Photograph courtesy of Triangle Arts Association’s Workshop & Residency Programs. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/Chashama1.jpg Current studio artist Seunghwei Koo prepares for her show at Chashama's 266 W 37th St gallery. Photograph courtesy of Chashama. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/EFA1.jpg Outdoor balloon installation by EFA Studio Member Artist Eunjung Hwang. Photograph courtesy of the Elizabeth Foundation for the Arts. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/Spaceworks-Gowanus-Studio-2.jpg Spaceworks’ Gowanus Studio. Photograph courtesy of Spaceworks. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/Eyebeam2.jpg Eyebeam’s exhibition opening. Photograph courtesy of Eyebeam Art + Technology Center. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/Recess-Liz-Magic-Laser-Bystander.jpg Liz Magic Laser at Recess. Photograph courtesy of the artist. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/Residency-Unlimited2.jpg Residency Unlimited exhibition and project space. Photograph courtesy of Residency Unlimited. https://www.studiointernational.com/images/articles/a/art-centres-NY-2014/PointB1.jpg PointB: Artist at work in the Guest Studio, Winter 2006. Photograph courtesy of PointB. https://www.studiointernational.com/index.php/van-gogh-artaud-the-man-suicided-by-society https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/01-Man-Ray_Antonin-Artaud.jpg Man Ray. Antonin Artaud, 1926. 13.1 x 7.5 cm. Paris, Centre Pompidou, Musée national d’Art Moderne / Centre de création industrielle. © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Jacques Faujour © Man Ray Trust / ADAGP, Paris 2014 https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/02-Van-Gogh_Portrait-de-l-artiste-89.jpg Vincent Van Gogh. Self portrait, Saint-Rémy-de-Provence, September 1889. Oil on canvas, 65 x 54.2 cm. Paris, musée d’Orsay, don de Paul et Marguerite Gachet. © Musée d'Orsay, dist. RMN-Grand Palais/Patrice Schmidt. https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/03-Van-Gogh_Portrait-de-l-artiste-87.jpg Vincent Van Gogh. Self portrait, Paris, Autumn 1887. Oil on canvas, 44 × 35.5 cm. Paris, musée d’Orsay, don de Jacques Laroche. © RMN-Grand Palais (Musée d'Orsay)/Gérard Blot. https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/04-Van-Gogh_Hopital-Saint-Paul.jpg Vincent Van Gogh. Saint-Paul Asylum, Saint-Rémy, October 1889. Oil on canvas, 63.4 x 49 cm. Paris, musée d’Orsay, donation of Max and Rosy Kaganovitch. https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/05-Van-Gogh_Chambre-a-Arles.jpg Vincent Van Gogh. Bedroom in Arles, Saint-Rémy-de-Provence, September 1889. Oil on canvas, 57.3 x 73.5 cm. Paris, Musée d'Orsay. © Musée d'Orsay, dist. RMN-Grand Palais/Patrice Schmidt. https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/06-Van-Gogh_Roses-et-Anemones.jpg Vincent Van Gogh. Roses and Anémones, Auvers-sur-Oise, June 1890. Oil on canvas, 51.7 x 52 cm. Paris, Musée d'Orsay, don de Paul Gachet fils. © Musée d'Orsay, dist. RMN-Grand Palais/Patrice Schmidt. https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/07-Van-Gogh_Fritillaires.jpg Vincent Van Gogh. Imperial Crown fritillaries in a copper vase, Paris, April/May 1887. Oil on canvas, 73.5 x 60.5 cm Paris, Musée d'Orsay, legs du comte Isaac de Camondo. © Musée d'Orsay, dist. RMN-Grand Palais/Patrice Schmidt. https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/08-Artaud_Theatre-de-la-cruaute.jpg Antonin Artaud. The Theatre of Cruelty, March 1946. 62.5 x 47.5 cm. Paris, Centre Pompidou, Musée national d’Art Moderne/Centre de création industrielle legs de Mme Paule Thévenin, 1994. © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais/Jacques Faujour. © ADAGP, Paris 2014. https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/09-Van-Gogh_Eglise-d-Auvers-sur-Oise.jpg Vincent Van Gogh. The Church at Auvers, June 1890. Oil on canvas, 93 x 74.5 cm. Paris, musée d’Orsay, acquis avec le concours de Paul Gachet, fils du docteur Paul Gachet, et la participation d’une donation anonyme canadienne. © Musée d'Orsay, dist. RMN-Grand Palais/Patrice Schmidt. https://www.studiointernational.com/images/articles/v/van-gogh-artaud-2014/10-Van-Gogh_Nuit-etoilee.jpg Vincent Van Gogh. Starry Night Over the Rhone, Arles, September 1888. Oil on canvas, 73 x 92 cm. Paris, Musée d'Orsay, don de M. et Mme Kahn-Scriber en souvenir de M. et Mme Fernand Moch. © RMN-Grand Palais (Musée d'Orsay)/Hervé Lewandowski. https://www.studiointernational.com/index.php/deutsche-borse-photography-prize-2014 https://www.studiointernational.com/images/articles/d/deutsche-borse-2014/Alberto-Garcia-Alix-My-feminine-side-2002.jpg Alberto García-Alix. My feminine side, 2002. © Alberto García-Alix. Courtesy of the artist. https://www.studiointernational.com/images/articles/d/deutsche-borse-2014/Alberto-Garcia-Alix-Self-portrait-with-Ana-Curra-1984.jpg Alberto García-Alix. Self-portrait with Ana Curra, 1984. © Alberto García-Alix. Courtesy of the artist. https://www.studiointernational.com/images/articles/d/deutsche-borse-2014/Lorna-Simpson-Momentum-2011.jpg Lorna Simpson. Momentum, 2011 (still). © Lorna Simpson. Courtesy of the artist and Salon94, New York. https://www.studiointernational.com/index.php/fondation-beyeler-presents-daros-latinamerica-collection https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/meireles_missao.jpg Cildo Meireles. Mission/Missions (How to build cathedrals), 1987. Coins, bones, communion wafers, light, paving stones and fabric, approx 300 x 600 x 600 cm. Daros Latinamerica Collection, Zürich. Photograph: Zoe Tempest, Zürich © the artist. https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/mendieta_anima.jpg Ana Mendieta. Soul, Silhouette of Fireworks, Oaxaca, Mexico, 1976. Soul, Silhouette of Fireworks, Oaxaca, Mexico. Single channel video, transferred from 8mm colour film, video: 3:00 min, colour, silent. Daros Latinamerica Collection, Zürich. Video Still: Zoe Tempest, Zürich. © The Estate of Ana Mendieta, courtesy of Galerie Lelong, New York. https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/kuitca_afghanistan.jpg Guillermo Kuitca. Afghanistan, 1990. Mixed media on mattress, 170 x 300 x 12 cm. Daros Latinamerica Collection, Zürich. Photograph: Courtesy Galleria Cardi & Co., Milan. © the artist. https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/kuitca_untitled_rhein.jpg Guillermo Kuitca. Untitled, 1991. Mixed media on canvas, 305.5 x 137.2 x 4.2 cm. Daros Latinamerica Collection, Zürich. Photograph: Tom Powel Imaging, New York. © the artist. https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/alom_habanasolo.jpg Juan Carlos Alom. Habana Solo, 2000. Single channel video, transferred from 16mm film, 15:00 min, b/w, sound. Daros Latinamerica Collection, Zürich. Video Still: Zoe Tempest, Zürich. © the artist. https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/salcedo_untitled.jpg Doris Salcedo. Untitled, 1998. Wood, concrete and metal, 202.5 x 125.5 x 51.4 cm. Daros Latinamerica Collection, Zürich. Photograph: Sergio Araujo. © the artist. https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/rios_return.jpg Miguel Angel Ríos. Return, 2003-04. Single channel video installation, 3:23 min, b/w, sound. Daros Latinamerica Collection, Zürich. Video Still: Zoe Tempest, Zürich. © the artist. https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/munoz_retrato.jpg Oscar Muñoz. Portrait/I Re-treat, 2003. Single channel video, 8:00 min, colour, silent. Daros Latinamerica Collection, Zürich. Video still: Zoe Tempest, Zürich. © the artist. https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/sierra_obstruccion.jpg Santiago Sierra. Obstruction of a freeway with a truck’s trailer, 1998. Single channel video, performance realised in November 1998, South Peripheral Ring, Mexico City, 6:00 min, colour, sound. Daros Latinamerica Collection, Zürich. Video still: unknown. © the artist. https://www.studiointernational.com/images/articles/f/fondation-beyeler-2014/smith_spiralcity.jpg Melanie Smith. Spiral City, 2002. Single channel video, 5:57 min, b/w, sound. Daros Latinamerica Collection, Zürich. Video still: unknown. © the artist. https://www.studiointernational.com/index.php/kaoruko-interview https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-010,-Aroma-Mother-Earth,-2011.jpg Kaoruko. Aroma Mother Earth, 2011. Acrylic, silk screen, sumi on canvas, 112 x 48 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-012,-Aroma-Hair,-2011.jpg Kaoruko. Aroma Hair, 2011, Acrylic, silk screen and sumi on canvas, 110 x 78 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-nyotaimori_2013.jpg Kaoruko. Nyotaimori, 2013. Acrylic gold leaf on canvas rice paper, 130 x 55 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-034_red_string_2013.jpg Kaoruko. Red string. 2013. Acrylic gold leaf embroidery thread on canvas, 100 x 74 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-035_stocking_2013.jpg Kaoruko. Stocking, 2013. Acrylic gold leaf on canvas, 84 x 108 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-038_Solemate_2013.jpg Kaoruko. Solemate, 2013. Acrylic gold leaf on canvas, 73.5 x 95 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-039_Oideyo_2013.jpg Kaoruko. Oideyo, 2013. Acrylic gold leaf on canvas, 84 x 108 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-040_Sumo_2013.jpg Kaoruko. Sumo, 2013. Acrylic gold leaf on canvas, 80.5 x 100 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-041_parallel_worlds_2013.jpg Kaoruko. Parallel worlds, 2013. Acrylic gold silver and aluminium leaf on canvas, 84 x 98 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-042_vortex_2013.jpg Kaoruko. Vortex, 2013. Acrylic gold and silver leaf on canvas, 120 x 84 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-Frill-2014.jpg Kaoruko. Frill, 2014. Acrylic on canvas, 25 x 25 in. Photograph: ayakamay.com https://www.studiointernational.com/images/articles/k/kaoruko-2014/Kaoruko-033_open_2013.jpg Kaoruko. Open, 2013. Acrylic gold leaf on canvas, 100 x 74 in. Photograph: ayakamay.com https://www.studiointernational.com/index.php/tauba-auerbach-and-david-robilliard-ica-london https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/robilliard_plates_pk014.jpg David Robilliard. The Naked Flame, 1988. Acrylic on canvas. Photograph: Paul Knight. Courtesy private collection, Berlin. © The Estate of David Robilliard. All rights reserved. DACS 2014. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/robilliard_plates_pk016.jpg David Robilliard. Box of Tricks - My Ass, 1987. Acrylic on canvas. Photograph: Paul Knight. © The Estate of David Robilliard. All rights reserved. DACS 2014. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/robilliard_plates_pk029.jpg David Robilliard. Instant Husbands Come in Packets, 1987. Acrylic on canvas. Photograph: Paul Knight. Courtesy private collection, Cologne. © The Estate of David Robilliard. All rights reserved. DACS 2014. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/robilliard_plates_pk033.jpg David Robilliard. Life Isn’t Good, It’s Excellent, 1987. Acrylic on canvas. Photograph: Paul Knight. Courtesy collection Michael Neff, Frankfurt am Main. © The Estate of David Robilliard. All rights reserved. DACS 2014. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/robilliard_plates_pk046.jpg David Robilliard. Don't Get Sand in Your Boiled Eggs, 1988. Acrylic on canvas. Photograph: Paul Knight. Courtesy private collection, Berlin. © The Estate of David Robilliard. All rights reserved. DACS 2014. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/robilliard_plates_pk055.jpg David Robilliard. Keep Tomorrow Free, 1988. Acrylic on canvas. Photograph: Paul Knight. Courtesy collection Judy Adam & David Ward. © The Estate of David Robilliard. All rights reserved. DACS 2014. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/robilliard_plates_pk037.jpg David Robilliard. Too Many Cocks Spoil the Breath, 1987. Acrylic on canvas. Photograph: Paul Knight. Courtesy collection Jochen Peter, Frankfurt am Main. © The Estate of David Robilliard. All rights reserved. DACS 2014. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/TAUBA_AUERBACH_ICA_pk040.jpg Tauba Auerbach: The New Ambidextrous Universe, Institute of Contemporary Arts, London, 2014. Installation view (1). Photograph: Paul Knight. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/TAUBA_AUERBACH_ICA_pk044.jpg Tauba Auerbach: The New Ambidextrous Universe, Institute of Contemporary Arts, London, 2014. Installation view (2). Photograph: Paul Knight. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/TAUBA_AUERBACH_ICA_pk045.jpg Tauba Auerbach: The New Ambidextrous Universe, Institute of Contemporary Arts, London, 2014. Installation view (3). Photograph: Paul Knight. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/TAUBA_AUERBACH_ICA_pk046.jpg Tauba Auerbach: The New Ambidextrous Universe, Institute of Contemporary Arts, London, 2014. Installation view (4). Photograph: Paul Knight. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/TAUBA_AUERBACH_ICA_pk051.jpg Tauba Auerbach: The New Ambidextrous Universe, Institute of Contemporary Arts, London, 2014. Installation view (5). Photograph: Paul Knight. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/TAUBA_AUERBACH_ICA_pk053.jpg Tauba Auerbach: The New Ambidextrous Universe, Institute of Contemporary Arts, London, 2014. Installation view (6). Photograph: Paul Knight. https://www.studiointernational.com/images/articles/a/auerbach-and-robilliard-2014/TAUBA_AUERBACH_ICA_pk057.jpg Tauba Auerbach: The New Ambidextrous Universe, Institute of Contemporary Arts, London, 2014. Installation view (7). Photograph: Paul Knight. https://www.studiointernational.com/index.php/seth-cluett-the-persistence-of-traces https://www.studiointernational.com/images/articles/c/cluett-seth-2014/ava_sc_01.jpg Seth Cluett: The Persistence of Traces, 2014. Installation view, Audio Visual Arts, New York. https://www.studiointernational.com/images/articles/c/cluett-seth-2014/ava_sc_09.jpg Seth Cluett: The Persistence of Traces, 2014. Installation view (2), Audio Visual Arts, New York. https://www.studiointernational.com/images/articles/c/cluett-seth-2014/ava_sc_07.jpg Seth Cluett: The Persistence of Traces, 2014. Installation view (3), Audio Visual Arts, New York. https://www.studiointernational.com/images/articles/c/cluett-seth-2014/ava_sc_11.jpg Seth Cluett. Semblance, 2014. Single-channel video. https://www.studiointernational.com/images/articles/c/cluett-seth-2014/ava_sc_12.jpg Seth Cluett: The Persistence of Traces, 2014. Installation view (4), Audio Visual Arts, New York. https://www.studiointernational.com/images/articles/c/cluett-seth-2014/ava_sc_02.jpg Seth Cluett: The Persistence of Traces, 2014. Installation view (5), Audio Visual Arts, New York. https://www.studiointernational.com/images/articles/c/cluett-seth-2014/ava_sc_04.jpg Seth Cluett: The Persistence of Traces, 2014. Installation view (6), Audio Visual Arts, New York. https://www.studiointernational.com/index.php/alibis-sigmar-polke-1963-2010-museum-of-modern-art-new-york https://www.studiointernational.com/images/articles/p/polke-sigmar-2014/moma_polke_ch2014-497.jpg Sigmar Polke. Solutions V (Lösungen V), 1967. Lacquer on canvas, 59 1⁄16 x 49 7⁄16 in (150 x 125.5 cm). Rheingold Collection. Photograph: Egbert Trogemann. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/p/polke-sigmar-2014/moma_polke_ch2014-58720.jpg Sigmar Polke. Modern Art (Moderne Kunst), 1968. Acrylic and lacquer on canvas, 59 1/16 x 49 3/16 in (150 x 125 cm). Froehlich Collection, Stuttgart. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/p/polke-sigmar-2014/moma_polke_ch2014-643.jpg Sigmar Polke. Negative Value II (Mizar) (Negativwert II (Mizar)), 1982. Dispersion paint, resin, and pigment on canvas, 103 1/8 × 79 1/8 in (262 × 201 cm). Private Collection. Photograph: Alistair Overbruck. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/p/polke-sigmar-2014/moma_polke_ch2014-134434.jpg Sigmar Polke. Raster Drawing (Portrait of Lee Harvey Oswald) (Rasterzeichnung (Porträt Lee Harvey Oswald)), 1963. Poster paint and pencil on paper, 37 5/16 × 27 1/2 in (94.8 × 69.8 cm). Private Collection. Photograph: Wolfgang Morell, Bonn. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/p/polke-sigmar-2014/moma_polke_ch2014-1362.jpg Sigmar Polke. Still from Quetta’s Hazy Blue Sky (Quetta’s blauer dunstiger Himmel)/Afghanistan–Pakistan, c1974–76. 16mm film transferred to video (colour, sound), 34:33 min. Private Collection. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/p/polke-sigmar-2014/moma_polke_ch2014-1987.jpg Sigmar Polke. Untitled (Rorschach) (Ohne Titel (Rorschach)), c1999. Coloured ink in bound notebook, 192 pages, each: 11 5⁄8 x 8 1⁄16 in (29.5 x 20.5 cm). Private Collection. Photograph: Alistair Overbruck. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/p/polke-sigmar-2014/moma_polke_ch2014-2190.jpg Sigmar Polke. Still from Soot Paintings (Rußbilder), 1990. 16 mm film transferred to video (colour, silent), 42:12 min. Private Collection. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/p/polke-sigmar-2014/moma_polke_li977_ccdaphne.jpg Sigmar Polke. Daphne (ΔΑΦΝΗ). 2004. Artist’s book, page: 16 5⁄16 x 11 7/16 in (41.5 x 29 cm). The Museum of Modern Art Library, New York. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/p/polke-sigmar-2014/moma_230_1991_correct.jpg Sigmar Polke. Watchtower (Hochsitz), 1984. Synthetic polymer paints and dry pigment on patterned fabric, 118 x 88.5 in (300 x 224.8 cm). The Museum of Modern Art, New York. Fractional and promised gift of Jo Carole and Ronald S. Lauder. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York/VG Bild Kunst, Bonn https://www.studiointernational.com/index.php/meg-hitchcock-interview https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/1-Subhan-Allah.jpg Meg Hitchcock. Subhan’Allah: The Lord’s Prayer, 2013. Letters cut from the Koran and Bible, 20 x 22.5 in. https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/2-Subhan-Allah-detail.jpg Meg Hitchcock. Subhan’Allah: The Lord’s Prayer, 2013 (detail). Letters cut from the Koran and Bible, 20 x 22.5 in. https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/3-Amazing-Grace.jpg Meg Hitchcock. Amazing Grace, 2013. Letters cut from the Bhagavad Gita, 30 x 22 in. https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/4-Amazing-Grace-detail.jpg Meg Hitchcock. Amazing Grace, 2013 (detail). Letters cut from the Bhagavad Gita, 30 x 22 in. https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/5-Satanic_Verses.jpg Meg Hitchcock. The Satanic Verses: Surah 9 (Repentance) from the Koran, 2012. Letters cut from The Satanic Verses by Salman Rushdie. 21 x 19 in. https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/6-Ancient-of-Days.jpg Meg Hitchcock. Ancient of Days: A Christian Hymn, 2014 (detail). Letters cut from Atheism in Pagan Antiquity, 14 x 11 in. https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/7-La-ilaha-illa-Allah.jpg Meg Hitchcock. La Ilaha Illa Allah, 2013. Letters cut from The Land of Bliss (Buddhist text) and the Bible, 14 x 11 in. https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/8-Lamentations.jpg Meg Hitchcock. Lamentations: The Lamentations of Jeremiah from the Bible, 2014. Letters cut from the 9th Mandala of the Rig Veda, 24 x 23 in. https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/9-Bondage-detail.jpg Meg Hitchcock. Bondage, 2014 (detail). Letters cut from Confessions by St. Augustine, 14 x 11 in. https://www.studiointernational.com/images/articles/h/hitchcock-meg-2014/10-Throne.jpg Meg Hitchcock. Throne: The Book of Revelation, 2012. Letters cut from the Koran, 44 1/2 x 30 in. https://www.studiointernational.com/index.php/jose-roca-interview https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-002.jpg Ceci Arango (b1967). Corocora stools, 1993. Fique fibre spiral-woven over esparto fibre, macana palm wood base. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-004C.jpg Alberto Baraya (b1968). Río (River), 2005. Video installation. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-005A.jpg Alberto Baraya (b1968). Corte (Cutting) from Proyecto del árbol de caucho (Rubber tree project), 2008. Colour photograph. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-009.jpg Alvaro Catalán de Ocón (b1975). PET Lamp project, 2013. Recycled plastic, metal, paja de tetera fibre, wool. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-012arte_LARA.jpg Nicolás Consuegra (b1976). El agua que tocas es la última que ha pasado y la primera que viene (The water that you touch is the last of what has passed and the first of that which comes), 2013. Multi-channel video installation. View of exhibition, LARA 2012. NC-arte, Bogota. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-013.jpg Clemencia Echeverri (b1950). Treno, 2007. Video installation. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-013A.jpg Clemencia Echeverri (b1950). Cauca River, Caldas, Colombia from Treno, 2007. Video still. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-015D.jpg Jorge Lizarazo/ Hechizoo (b1968). Walking Jade area rug, 2013. Nylon monofilament, metal. Courtesy of the artist and Cristina Grajales Gallery, NY. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-016L.jpg Susana Mejia (b1978). Tinted fique fibres drying in the Amazon, from Color Amazonia, 2006-2013. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-023E.jpg Carol Young (b1952). Memoria (Memory), 2013. Ceramic installation of 130 elements. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/roca-jose-2014/WW-026.jpg Olga de Amaral (b1932). Luz Blanca (White light), 1969 (reconstructed 1992, 2010). Plastic. Courtesy of Diego Amaral Ceballos. https://www.studiointernational.com/index.php/untitled-unconscious-rachel-howard-boo-saville-gorka-mohamed-george-ziffo-kikko-giannuzzi https://www.studiointernational.com/images/articles/u/untitled-2014/Untitled_face_pink_crop.jpg George Ziffo. Untitled Face, 2013. Oil on canvas, 125 x 155 x 5 cm. https://www.studiointernational.com/images/articles/u/untitled-2014/BS_UNTITLEDPEARL_2.jpg Boo Saville. Untitled (Pearl), 2014. Oil on canvas, 70 x 60 cm. https://www.studiointernational.com/images/articles/u/untitled-2014/Untitled_face_violet_crop.jpg George Ziffo. Untitled Face, 2013, Oil on Canvas, 95 x 155 x 5 cm. https://www.studiointernational.com/images/articles/u/untitled-2014/RH_THEBRIDE.jpg Rachel Howard. The Bride (Interior), 2013-2014. Oil and acrylic on canvas, 107 x 107 cm. https://www.studiointernational.com/images/articles/u/untitled-2014/BS_UNTITLEDBLUE.jpg Boo Saville. Untitled (Blue), 2014. Oil on canvas, 123 x 155 cm. https://www.studiointernational.com/images/articles/u/untitled-2014/RH_STUDYLETTERHOME.jpg Rachel Howard. Study (For Letter Home), 2013-2014. Oil and acrylic on canvas, 61 x 50.8 cm. https://www.studiointernational.com/images/articles/u/untitled-2014/KIKKO_ARDE.jpg Kikko Giannuzzi. Arde, 2013. Acrylic on paper, 71 x 111 cm. https://www.studiointernational.com/images/articles/u/untitled-2014/GORKA_SeatedComposition.jpg Gorka Mohamed. Seated Composition, 2013, Acrylic on linen, 144.5 x 200 cm. https://www.studiointernational.com/images/articles/u/untitled-2014/GORKA_1936.jpg Gorka Mohamed. 1936, 2014. Acrylic on linen, 44.5 x 59.5 cm. https://www.studiointernational.com/images/articles/u/untitled-2014/KIKKO_GIGI.jpg Kikko Giannuzzi. Gigi, 2013, Acrylic on paper, 71 x 111 cm. https://www.studiointernational.com/index.php/alexander-james-interview https://www.studiointernational.com/images/articles/j/james-alexander-2014/Alexander-james-Scream.jpg Alexander James. Scream, 2014. C-Type Print, 120 x 90 cm, single edition + two artist proofs, © Alexander James. https://www.studiointernational.com/images/articles/j/james-alexander-2014/Alexander-james-Torment.jpg Alexander James. Torment, 2014. C-Type Print, 90 x 76.5 cm, single edition + two artist proofs, © Alexander James. https://www.studiointernational.com/images/articles/j/james-alexander-2014/Jupiter.jpg Alexander James. Jupiter, 2014. C-Type Print, 120 x 90 cm, single edition + two artist proofs, © Alexander James. https://www.studiointernational.com/images/articles/j/james-alexander-2014/Mycenaean-I.jpg Alexander James. Mycenaean I, 2014. C-Type Print, 120 x 90 cm, single edition + two artist proofs, © Alexander James. https://www.studiointernational.com/index.php/mathieu-pernot-the-crossing https://www.studiointernational.com/images/articles/p/pernot-mathieu-2014/MathieuPernot_07.jpg Mathieu Pernot. Mantes-la-Jolie, 1 July 2001. Implosions series. Collection Philippe Gazeau © Mathieu Pernot. https://www.studiointernational.com/images/articles/p/pernot-mathieu-2014/MathieuPernot_16.jpg Mathieu Pernot. Mickaël, Arles, 2013. Fire series, 2013. 72 x 100 cm, edition of 7. Collection of the artist. © Mathieu Pernot. https://www.studiointernational.com/images/articles/p/pernot-mathieu-2014/MP-02.jpg Roger Demetrio, 1944. Passport photos on anthropometric notebook. Archives Départementales des Bouches-du-Rhône. https://www.studiointernational.com/index.php/ai-weiwei-according-to-what-the-brooklyn-museum https://www.studiointernational.com/images/articles/w/weiwei-ai-2014/He-Xie.jpg Ai Weiwei. He Xie, 2010. 3,200 porcelain crabs, dimensions variable. Installation at the Hirshhorn Museum and Sculpture Garden, Washington, D.C., 2012. Courtesy of Ai Weiwei Studio. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/w/weiwei-ai-2014/He-Xie-Detail.jpg Ai Weiwei. He Xie, 2010 (detail). 3,200 porcelain crabs, dimensions variable. Installation at the Hirshhorn Museum and Sculpture Garden, Washington, D.C., 2012. Courtesy of Ai Weiwei Studio. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/w/weiwei-ai-2014/SACRED.jpg Ai Weiwei. S.A.C.R.E.D, a six-part work composed of (i) S upper, (ii) A ccusers, (iii) C leansing, (iv) R itual, (v) E ntropy, (iv) D oubt, 2011‒13. Courtesy of Ai Weiwei Studio. © Ai Weiwei. https://www.studiointernational.com/images/articles/w/weiwei-ai-2014/Ritual.jpg Ai Weiwei. R itual (detail), 2011-2013. From the work S.A.C.R.E.D., 2011‒13. One of six dioramas in fiberglass and iron, 148 3/8 x 78 x 60 1/5 in (377 x 198 x 153 cm). Courtesy of Ai Weiwei Studio. © Ai Weiwei. https://www.studiointernational.com/images/articles/w/weiwei-ai-2014/Moon-Chest.jpg Ai Weiwei. Moon Chest, 2008. Seven chests in Huanghuali wood, each: 126 x 63 x 31 1/2 in (320 x 160 x 80 cm). Courtesy of Ai Weiwei Studio. © Ai Weiwei. https://www.studiointernational.com/images/articles/w/weiwei-ai-2014/Straight-Hirshhorn.jpg Ai Weiwei. Straight, 2008–12. Steel reinforcing bars, dimensions variable. © Ai Weiwei https://www.studiointernational.com/images/articles/w/weiwei-ai-2014/Colored-Vases.jpg Ai Weiwei. Colored Vases, 2007‒10. Han Dynasty vases and industrial paint, dimensions variable. Courtesy of Ai Weiwei Studio. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/w/weiwei-ai-2014/Ai-Weiwei.jpg Ai Weiwei, 2012. Photograph: Gao Yuan https://www.studiointernational.com/index.php/lower-east-side-the-real-estate-show-redux https://www.studiointernational.com/images/articles/r/real-estate-2014/Kiki-Smith-_Light-bulb.jpg Kiki Smith. Light Bulb, 2010. Ink and graphite on paper. Courtesy The Lodge Gallery, New York City. https://www.studiointernational.com/images/articles/r/real-estate-2014/shelter-kid-john-ahearn.jpg John Ahearn. Shelter Kid, 1999. Acrylic and wool on plaster. Courtesy The Lodge Gallery, New York City. https://www.studiointernational.com/images/articles/r/real-estate-2014/1_RealEstate_CuchifritosGallery.jpg The Real Estate Show, What Next: 2014. Insallation view (1). Cuchifritos Gallery + Project Space, New York 2014. Photograph courtesy of Bill Massey. https://www.studiointernational.com/images/articles/r/real-estate-2014/2_RealEstate_CuchifritosGallery.jpg The Real Estate Show, What Next: 2014. Insallation view (2). Cuchifritos Gallery + Project Space, New York 2014. Photograph courtesy of Bill Massey. https://www.studiointernational.com/images/articles/r/real-estate-2014/7_RealEstate_CuchifritosGallery.jpg Installation view (Lisa Kahane, John Ahearn). The Real Estate Show, What Next: 2014, Cuchifritos Gallery + Project Space, New York 2014. Photograph courtesy of Bill Massey. https://www.studiointernational.com/images/articles/r/real-estate-2014/8_RealEstate_CuchifritosGallery.jpg Installation view (Coleen Fitzgibbon). The Real Estate Show, What Next: 2014, Cuchifritos Gallery + Project Space, New York 2014. Photograph courtesy of Bill Massey. https://www.studiointernational.com/images/articles/r/real-estate-2014/12_RealEstate_CuchifritosGallery.jpg Gregory Lehmann, Essex St. Crossing. The Real Estate Show, What Next: 2014, Cuchifritos Gallery + Project Space, New York 2014. Photograph courtesy of Bill Massey. https://www.studiointernational.com/images/articles/r/real-estate-2014/abcnorio_RESx_Carol_Warner_02.jpg Carol Warner. RESx (The Real Estate Show Extended), ABC No Rio, New York City. https://www.studiointernational.com/images/articles/r/real-estate-2014/abcnorio_RESx_Mac_McGill.jpg Mac McGill. RESx (The Real Estate Show Extended), ABC No Rio, New York City. https://www.studiointernational.com/images/articles/r/real-estate-2014/abcnorio_RESx_installationview_01.jpg Installation view. RESx (The Real Estate Show Extended), ABC No Rio, New York City. https://www.studiointernational.com/images/articles/r/real-estate-2014/jfg-real-estate-invite-1980.jpg Becky Howland. Real Estate Show Flyers Insurrectionary Urban Development, 1979. The Real Estate Show Revisited, James Fuentes, New York City. https://www.studiointernational.com/images/articles/r/real-estate-2014/jfg-112.jpg The Real Estate Show Revisited, installation view. James Fuentes, New York City. https://www.studiointernational.com/images/articles/r/real-estate-2014/jfg-107.jpg The Real Estate Show Revisited, installation view (2). James Fuentes, New York City. https://www.studiointernational.com/index.php/catlin-art-prize https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/3-11-Dennis-J-Reinmuller-Echo-Chamber.jpg Dennis J Reinmüller. Echo Chamber. Photograph: Lara Morrell. https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/8-11-Virgile-Ittah-Echoue-au-seuil-de-la-raison.jpg Virgile Ittah. Echoué au seuil de la raison. Photograph: Lara Morrell. https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/6-11-Sarah-Fortais-1-2-3-Unfinished.jpg Sarah Fortais. 1 2 3 (Unfinished). Photograph: Lara Morrell. https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/1-3-Jakob-Rowlinson-An-Arrangement-of-Gestures.jpg Jakob Rowlinson. An Arrangement of Gestures (after Ptolemy https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/2-26-Mr-Mrs-Philip-Cath-Eves-Progress.jpg Mr & Mrs Philip Cath. Eve’s Progress. Photograph: Peter Hope. https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/11-18-Neil-Raitt.jpg Neil Raitt. Photograph: Peter Hope. https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/1-2-Jakob-Rowlinson-Drawings-for-An-Arrangement-of-Gestures.jpg Jakob Rowlinson. Drawings for An Arrangement of Gestures (after Ptolemy's Tetrabiblos). Courtesy the artist. https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/1-2-Lara-Morrell-sant-andrea.jpg Lara Morrell. Sant'andrea. Photographs on wood, 120 x 80cm. Courtesy the artist. https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/9-11-Neil-Raitt-Magic-Tree.jpg Neil Raitt. Magic Tree with Mr & Mrs Philip Cath’s Eve's Progress in background. Photograph: Lara Morrell. https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/13-26-Virgile-Ittah-Echoue-au-seuil-de-la-raison.jpg Virgile Ittah. Echoué au seuil de la raison. Photograph: Peter Hope. https://www.studiointernational.com/images/articles/c/catlin-art-prize-2014/25-26-Mr-and-Mrs-Philip-Cath-Eves-Progress.jpg Mr & Mrs Philip Cath. Eve’s Progress (view 2). Photograph: Peter Hope. https://www.studiointernational.com/index.php/odilon-redon https://www.studiointernational.com/images/articles/r/redon-odilon-2014/fb_key-visual_lac.jpg Odilon Redon. Butterflies, c1910. Oil on canvas, 73.9 x 54.9 cm. The Museum of Modern Art, New York, Gift of Mrs Werner E Josten in memory of her husband, 1964. Photograph: © 2013. Digital image, The Museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_apoll_orsay_lac.jpg Odilon Redon. Chariot of Apollo, c1910. Oil and pastel on canvas, 91.5 x 77 cm. Musée d‘Orsay, Paris. Photograph: © RMN-Grand Palais (Musée d‘Orsay)/Hervé Lewandowski. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_barque_moma.jpg Odilon Redon. The Boat, c1902. Pastel and charcoal on paper, 61 x 50.8 cm. The Museum of Modern Art, New York, Gift of the Ian Woodner Family Collection, 2000. Photograph: © 2013. Digital image, The Museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_buddha_orsay.jpg Odilon Redon. Buddha, c1905. Pastel on paper, 90 x 73 cm. Musée d‘Orsay, Paris. Photograph: © RMN-Grand Palais (Musée d‘Orsay)/Hervé Lewandowski. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_cube.jpg Odilon Redon. The Cube, 1880. Charcoal on paper, 43 x 29 cm. Private collection. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_enfant_coupe.jpg Odilon Redon. The Chalice of Becoming, 1894. Oil on canvas mounted on cardboard, 49 x 34.3 cm. Courtesy Michael Altman Fine Art and Advisory Services. Photograph: Michael Altman Fine Art / Michael Altman. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_martyr_otterlo.jpg Odilon Redon. Martyr, or Head of a Martyr on a Dish, or Saint John, 1877. Charcoal on paper, 36.6 x 36.3 cm. Kröller-Müller Museum, Otterlo. Photograph: Collection Kröller-Müller Museum, Otterlo. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_mort_bouddha.jpg Odilon Redon. The Death of Buddha, c1899. Pastel on paper, 49 x 39.5 cm. Millicent Rogers Collection. Photograph: Davis A. Gaffga. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_ophelia_woodner_neu_lac.jpg Odilon Redon. Ophelia, 1900–05. Pastel on paper mounted on cardboard, 50.5 x 67.3 cm. Dian Woodner Collection, New York. Photograph: Lynton Gardiner. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_pandora.jpg Odilon Redon. Pandora, c1914. Oil on canvas, 143.5 x 62.2 cm. The Metropolitan Museum of Art, New York, Bequest of Alexander M. Bing, 1959. Photograph: bpk/The Metropolitan Museum of Art. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_spinne.jpg Odilon Redon. The Smiling Spider, 1881. Charcoal on paper, 47.5 x 37 cm. Kunsthaus Zürich, Bequest of Doris Epstein-Meyer © 2014 Kunsthaus Zürich. All rights reserved. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_spring.jpg Odilon Redon. Spring, 1883. Charcoal, chalk, and pastel on paper, 53.3 x 37.1 cm. Jean Bonna Collection, Geneva. Photograph: Patrick Goetelen, Geneva. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_yeux_clos.jpg Odilon Redon. Closed Eyes, c1894. Oil on cardboard, 44.5 x 36.5 cm. Fujikawa Galleries, Tokyo. https://www.studiointernational.com/images/articles/r/redon-odilon-2014/redon_zyklop.jpg Odilon Redon. The Cyclops, 1914. Oil on cardboard mounted on panel, 65.8 x 52.7 cm. Kröller-Müller Museum, Otterlo. Photograph: Collection Kröller-Müller Museum, Otterlo. https://www.studiointernational.com/index.php/united-visual-artists-vanishing-point https://www.studiointernational.com/images/articles/u/uva-towner-2014/UVA_vanishingpoint8.jpg United Visual Artists: Vanishing Point. Installation view (6), 2013. RGB laser, black voile, code. Photo courtesy of the artists. https://www.studiointernational.com/images/articles/u/uva-towner-2014/UVA_vanishingpoint9.jpg United Visual Artists: Vanishing Point. Installation view (7), 2013. RGB laser, black voile, code. Photo courtesy of the artists. https://www.studiointernational.com/images/articles/u/uva-towner-2014/UVA_vanishingpoint.jpg United Visual Artists: Vanishing Point. Installation view (1), 2013. RGB laser, black voile, code. Photo courtesy of the artists. https://www.studiointernational.com/images/articles/u/uva-towner-2014/UVA_vanishingpoint10.jpg United Visual Artists: Vanishing Point. Installation view (2), 2013. RGB laser, black voile, code. Photo courtesy of the artists. https://www.studiointernational.com/images/articles/u/uva-towner-2014/UVA_vanishingpoint2.jpg United Visual Artists: Vanishing Point. Installation view (3), 2013. RGB laser, black voile, code. Photo courtesy of the artists. https://www.studiointernational.com/images/articles/u/uva-towner-2014/UVA_vanishingpoint3.jpg United Visual Artists: Vanishing Point. Installation view (4), 2013. RGB laser, black voile, code. Photo courtesy of the artists. https://www.studiointernational.com/images/articles/u/uva-towner-2014/UVA_vanishingpoint5.jpg United Visual Artists: Vanishing Point. Installation view (5), 2013. RGB laser, black voile, code. Photo courtesy of the artists. https://www.studiointernational.com/index.php/maxim-boxer-interview https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Kotyol_01.jpg Nina Kotel. Spaceship, 1997. From the series From the sketches of the first Russian colonists on the Moon. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Batynkov_01.jpg Konstantin Batynkov. From the series Parade of Planets, 2006. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Chakhal_01.jpg Gor Chahal. Correction of mistakes of Russian Avant-Garde, 2013. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Infante_02.jpg Francisco Infante-Arana. Artifacts, 1979. From the series Focuses of a Deflected Space. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Labas_01.jpg Alexander Labas. Aliens. Variant, 1974. From the series The Inhabitants of Distant Planets. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Larionov.jpg Mikhail Larionov. Une Promenade / Nature morte № 7, 1911–15. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Makarevich.jpg Igor Makarevich. Design of the Memorial Complex to Nikolai Fedorov, 1992. Under the project by V. Komar and A. Melamid Monuments for the Future. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Nasonov_01.jpg Arkadiy Nasonov. Here they are, the rounds!, 2010. From the series Dictatorship of the Form. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Ostretsov.jpg Georgy Ostretsov. Stewardess, 2008. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Ponomaryov_01.jpg Alexander Ponomarev. Star Navigation, 2010. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Shelkovsky_01.jpg Igor Shelkovsky. Robot, 2003. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Shutov_01.jpg Sergey Shutov. A Boy and A Planet, 2005. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/images/articles/b/boxer-maxim-2014/Tishkov_01.jpg Leonid Tishkov. Knitted Rocket for Space Travel to Late Father, 2011. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014. https://www.studiointernational.com/index.php/henri-matisse-the-cut-outs-tate-modern https://www.studiointernational.com/images/articles/m/matisse-henri-2014/matisse-044rt.jpg Henri Matisse. Large Composition with Masks, 1953. National Gallery of Art, Washington. Ailsa Mellon Bruce Fund 1973.17.1. Digital Image: © National Gallery of Art, Washington. Artwork: © Succession Henri Matisse/DACS 2014. https://www.studiointernational.com/images/articles/m/matisse-henri-2014/matisse-064rt.jpg Henri Matisse. Memory of Oceania, 1952-3. Gouache and crayon on cut-and-pasted paper over canvas. MoMA. Digital image: © 2013. The Museum of Modern Art, New York / Scala Florence. Artwork: © Succession Henri Matisse/DACS 2014. https://www.studiointernational.com/images/articles/m/matisse-henri-2014/matisee-id_010new_1.jpg Henri Matisse. The Horse, the Rider, and the Clown, 1943-4. Maquette for plate V of the illustrated book Jazz 1947. © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Jean-Claude Planchet. © Succession Henri Matisse/DACS 2013. https://www.studiointernational.com/images/articles/m/matisse-henri-2014/matisse_snail.jpg Henri Matisse. The Snail, 1953. Gouache on paper, cut and pasted on paper mounted to canvas. Tate © Succession Henri Matisse/DACS 2013. https://www.studiointernational.com/images/articles/m/matisse-henri-2014/matisse-050rt_1.jpg Henri Matisse. Blue Nude (I), 1952. Gouache painted paper cut-outs on paper on canvas, 106.3 x 78 cm. Foundation Beyeler, Riehen/Basel. Photograph: Robert Bayer, Basel. © Succession Henri Matisse/DACS 2013. https://www.studiointernational.com/images/articles/m/matisse-henri-2014/matisse-id_013repl.jpg Henri Matisse. Icarus, 1946. Maquette for plate VIII of the illustrated book Jazz 1947. Digital image: © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Jean-Claude Planchet. Artwork: © Succession Henri Matisse/DACS 2014. https://www.studiointernational.com/index.php/luke-gottelier-and-max-lamb https://www.studiointernational.com/images/articles/g/gottelier-and-lamb-2014/LG_0158.jpg Luke Gottelier. Swarmy, 2001. Oil on canvas, 127 x 102 cm. https://www.studiointernational.com/images/articles/g/gottelier-and-lamb-2014/LG_4823.jpg Luke Gottelier. Tent on Fire, 2001. Oil, acrylic, cat litter on canvas, 61 x 56 cm. https://www.studiointernational.com/images/articles/g/gottelier-and-lamb-2014/LG_4824.jpg Luke Gottelier. Enema Painting, 2002. Oil, watercolour and pencil on canvas, 61 x 51 cm. https://www.studiointernational.com/images/articles/g/gottelier-and-lamb-2014/ML_4827_a.jpg Max Lamb. Scrap Poly Armchair (Pastel Rainbow), 2014. Polystyrene, polyurethane rubber, 88 x 86 x 66 cm. https://www.studiointernational.com/images/articles/g/gottelier-and-lamb-2014/ML_4838_a.jpg Max Lamb. Scrap Poly Vase 1 (Natural), 2014. Polystyrene, polyurethane rubber, 35 x 20 x 15 cm. https://www.studiointernational.com/images/articles/g/gottelier-and-lamb-2014/ML_4836_a.jpg Max Lamb. Scrap Poly Bench 3 (Pastel Rainbow), 2014. Polystyrene, polyurethane rubber, 43 x 98 x 26 cm. https://www.studiointernational.com/images/articles/g/gottelier-and-lamb-2014/11.jpg Luke Gottelier and Max Lamb, installation view (1). Kate MacGarry, London, 2014. https://www.studiointernational.com/images/articles/g/gottelier-and-lamb-2014/12.jpg Luke Gottelier and Max Lamb, installation view (2). Kate MacGarry, London, 2014. https://www.studiointernational.com/index.php/jeanine-oleson-interview https://www.studiointernational.com/images/articles/o/oleson-jeanine-2014/_53A2028-RETOUCH-web.jpg Jeanine Oleson: Hear, Here. Installation view (1), New Museum, 2014. Courtesy New Museum, New York. Photograph: Jesse Untracht-Oakner. https://www.studiointernational.com/images/articles/o/oleson-jeanine-2014/_53A2033-RETOUCH-web.jpg Jeanine Oleson: Hear, Here. Installation view (2), New Museum, 2014. Courtesy New Museum, New York. Photograph: Jesse Untracht-Oakner. https://www.studiointernational.com/images/articles/o/oleson-jeanine-2014/_53A2054-RETOUCH-web.jpg Jeanine Oleson: Hear, Here. Installation view (3), New Museum, 2014. Courtesy New Museum, New York. Photograph: Jesse Untracht-Oakner. https://www.studiointernational.com/images/articles/o/oleson-jeanine-2014/_53A2073-RETOUCH-web.jpg Jeanine Oleson: Hear, Here. Installation view (4), New Museum, 2014. Courtesy New Museum, New York. Photograph: Jesse Untracht-Oakner. https://www.studiointernational.com/images/articles/o/oleson-jeanine-2014/_53A2114-RETOUCH-web.jpg Jeanine Oleson: Hear, Here. Installation view (5), New Museum, 2014. Courtesy New Museum, New York. Photograph: Jesse Untracht-Oakner. https://www.studiointernational.com/index.php/frieze-new-york-2014 https://www.studiointernational.com/images/articles/f/frieze-ny-2014/ANDREW_KREPS_FRIEZE_NY_2014_RAW_036_COMPOSITE.jpg Goshka Macuga. Of what is, that it is; of what is not, that it is not 2, 2012. Tapestry, 435 5/8 x 129 7/8 in (1106 x 330 cm). Edition 2 of 3 + 1 AP. Courtesy Andrew Kreps. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Goshka-Macuga-detail.jpg Goshka Macuga. Of what is, that it is; of what is not, that it is not 2, 2012 (detail). Tapestry, 435 5/8 x 129 7/8 in (1106 x 330 cm). Edition 2 of 3 + 1 AP. Courtesy Andrew Kreps. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Ali-Sasamoto-Luncheon-Field.jpg Ali Sasamoto. Luncheon Field. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Alice-Aycock-Twin-Vortexes-2012_14.jpg Alice Aycock. Twin Vortexes, 2012-14. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Bartos-booth-Panorama.jpg View of Armand Bartos booth, Frieze New York, 2014. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Carroll-Dunham.jpg Carroll Dunham. Frieze New York, 2014. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Detail-of-Alex-Katz-Tulips-4.jpg Alex Katz. Tulips 4 (detail). https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Eddie-Peake-installation-at-Galeria.jpg Eddie Peake. Installation at Galeria. Frieze New York, 2014. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Giillaume-Lebon-truncated-legs.jpg Giillaume Lebon. Truncated legs. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Aaron-Flint-Jamison-Conveyor-2013.jpg Aaron Flint Jamison. Conveyor, 2013. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Nikolas-Gambaroff-installation-view-05.jpg Nikolas Gambaroff. Installation view. Frieze New York, 2014. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Zhan-Wang-Sylvan-Stone-Generator-15.jpg Zhan Wang. Generator #15. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Thomas-Jefferson-boots.jpg Sean Townley's rendering of Thomas Jefferson’s booted calves. https://www.studiointernational.com/images/articles/f/frieze-ny-2014/Michelle-Grabner-500.jpg Michelle Grabner. Untitled, 2014. Silverpoint and gesso on panel 36 x 36 x 1 1/4 in. https://www.studiointernational.com/index.php/camille-henrot-the-restless-earth https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_0726.jpg Camille Henrot: The Restless Earth. Installation view (2), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_0736.jpg Camille Henrot: The Restless Earth. Installation view (3), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot-detail_0736.jpg Camille Henrot: The Restless Earth. Installation view (4), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_0765.jpg Camille Henrot: The Restless Earth. Installation view (5), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_0778.jpg Camille Henrot: The Restless Earth. Installation view (6), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_0688.jpg Camille Henrot: The Restless Earth. Installation view (1), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_0817.jpg Camille Henrot: The Restless Earth. Installation view (7), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_1194.jpg Camille Henrot: The Restless Earth. Installation view (8), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_1260.jpg Camille Henrot: The Restless Earth. Installation view (9), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_1263.jpg Camille Henrot: The Restless Earth. Installation view (10), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/henrot-camille-2014/Camille-Henrot_1269.jpg Camille Henrot: The Restless Earth. Installation view (11), New Museum, 2014. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/index.php/elizabeth-neel-interview https://www.studiointernational.com/images/articles/n/neel-elizabeth-2014/Click-the-Tongue-2014.jpg Elizabeth Neel. Click the Tongue, 2014. Oil on canvas, 243.8 x 193 cm. Courtesy Pilar Corrias. https://www.studiointernational.com/images/articles/n/neel-elizabeth-2014/Hinged-Ancestor-2014.jpg Elizabeth Neel. Hinged Ancestor, 2014. Oil and spray paint on canvas, 152.4 x 121.9 cm. Courtesy Pilar Corrias. https://www.studiointernational.com/images/articles/n/neel-elizabeth-2014/Look-Return-Look-Between-Wing-and-Fence-2014.jpg Elizabeth Neel. Look Return Look Between Wing and Fence, 2014. Oil and spray paint on canvas, 124.5 x 109.2 cm. Courtesy Pilar Corrias. https://www.studiointernational.com/images/articles/n/neel-elizabeth-2014/Pagoda-the-Prairie-2014.jpg Elizabeth Neel. Pagoda the Prairie, 2014. Oil on canvas, 243.8 x 193 cm. Courtesy Pilar Corrias. https://www.studiointernational.com/images/articles/n/neel-elizabeth-2014/Symptom-Machine2014.jpg Elizabeth Neel. Symptom Machine, 2014. Oil on canvas, 243.8 x 193 cm. Courtesy Pilar Corrias. https://www.studiointernational.com/images/articles/n/neel-elizabeth-2014/Workers-Work-2013.jpg Elizabeth Neel. Workers Work, 2013. Oil on canvas, 244 x 193 cm. Courtesy Pilar Corrias. https://www.studiointernational.com/images/articles/n/neel-elizabeth-2014/elizabeth-neel_the--people_installation-view_2.jpg Elizabeth Neel: The People, The Park, The Ornament. Installation view (1). Courtesy Pilar Corrias. https://www.studiointernational.com/images/articles/n/neel-elizabeth-2014/elizabeth-neel_the--people_installation-view_4.jpg Elizabeth Neel: The People, The Park, The Ornament. Installation view (1). Courtesy Pilar Corrias. https://www.studiointernational.com/images/articles/n/neel-elizabeth-2014/elizabeth-neel_the-people_installation-view_14.jpg Elizabeth Neel: The People, The Park, The Ornament. Installation view (1). Courtesy Pilar Corrias. https://www.studiointernational.com/index.php/meschac-gaba-exchange-market https://www.studiointernational.com/images/articles/g/gaba-2014/Gaba_TBG2014_install-2_G2.jpg Meschac Gaba: Exchange Market. Installation view (1), Tanya Bonakdar Gallery, New York, 26 April - 7 June 2014. https://www.studiointernational.com/images/articles/g/gaba-2014/Gaba_TBG2014_install_G1_Bureau-dechange.jpg Meschac Gaba: Exchange Market. Installation view (2), Tanya Bonakdar Gallery, New York, 26 April - 7 June 2014. https://www.studiointernational.com/images/articles/g/gaba-2014/TBG15724-view-2.jpg Meschac Gaba. Bureau d'échange [Exchange Office]: Brain, Stone, 2014. Wood table, metal umbrella frame, assorted banknotes, clothespins, electroplated gold brain, rocks and brick pieces, overall; 84 x 80 x 80 in 213 x 203 x 203 cm. https://www.studiointernational.com/images/articles/g/gaba-2014/TBG15720cc.jpg Meschac Gaba. Bureau d'échange [Exchange Office]: Cotton, 2014. Wood table, metal umbrella frame, assorted banknotes, clothespins, cotton stocks, overall; 84 x 80 x 80 in 213 x 203 x 203 cm. https://www.studiointernational.com/index.php/tania-kovats-oceans https://www.studiointernational.com/images/articles/k/kovats-tania-2014/Tania-Kovats_01.jpg Tania Kovats. Only Blue, 2013. 40 obsolete atlases, gesso, dimensions variable. Courtesy the artist. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/k/kovats-tania-2014/Tania-Kovats_22.jpg Tania Kovats. All the Sea, 2012–14. Seawater, glass, cork, oak. Courtesy the artist. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/k/kovats-tania-2014/Tania-Kovats_25.jpg Tania Kovats. All the Sea, 2012–14 (detail). Seawater, glass, cork, oak. Courtesy the artist. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/k/kovats-tania-2014/Tania-Kovats_34.jpg Tania Kovats. Where Seas Meet, North : Baltic, 2013–14. Courtesy the artist. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/k/kovats-tania-2014/Tania-Kovats_43.jpg Tania Kovats. Schist 32, 7, 9* , 10, 11, 14, 30, 2001 and Tania Kovats, Mountain, 2001. Courtesy the artist. Photograph: Ruth Clark. *Private collection. https://www.studiointernational.com/images/articles/k/kovats-tania-2014/Tania-Kovats_38.jpg Tania Kovats, Oceans. Installation view The Fruitmarket Gallery, 2014. Courtesy the artist. Photograph: Ruth Clark. *Private collection. https://www.studiointernational.com/images/articles/k/kovats-tania-2014/Tania-Kovats_46.jpg Foreground: Tania Kovats. Sea Mark, 2014. Background: Reef 1 and Reef 2. Glazed ceramic tiles on board. Courtesy the artist. Photograph: Ruth Clark. https://www.studiointernational.com/index.php/paul-coldwell-interview https://www.studiointernational.com/images/articles/c/coldwell-paul-2014/paul-coldwell-charms-I.jpg Paul Coldwell. Charms I, 2014. Aluminium and steel, approximately 50 x 60 x 20 cm. https://www.studiointernational.com/images/articles/c/coldwell-paul-2014/paul-coldwell-ghosts-and-empties.jpg Paul Coldwell. Ghosts & Empties, 2014. Resin, approximately 30 x 40 x 10 cm. https://www.studiointernational.com/images/articles/c/coldwell-paul-2014/paul-coldwell-soundtrack.jpg Paul Coldwell. Soundtrack to an Anxious Life. Set of 16 postcards, each approximately 15 x 11.5 cm. https://www.studiointernational.com/index.php/unravelling-the-mystery-and-mastery-of-america-s-first-couturier https://www.studiointernational.com/images/articles/k/koda-harold-2014/Portrait-of-Harold-Koda---Photo-by-Tatijana-Shoan.jpg Portrait of Harold Koda. Photograph: Tatijana Shoan. https://www.studiointernational.com/images/articles/k/koda-harold-2014/03-Ribbon-Cutting-Photo-by-Don-Pollard.jpg Met CEO Thomas P Campbell, First Lady Michelle Obama, Anna Wintour and Emily Rafferty, the museum's president, at the ribbon cutting ceremony. Courtesy of The Metropolitan Museum of Art/Don Pollard https://www.studiointernational.com/images/articles/k/koda-harold-2014/01-CharlesJamesBallGowns-CecilBeaton,1948.jpg Charles James Ball Gowns, 1948. Courtesy of The Metropolitan Museum of Art, Photograph by Cecil Beaton, Beaton / Vogue / Condé Nast Archive. Copyright © Condé Nast. https://www.studiointernational.com/images/articles/k/koda-harold-2014/02-CharlesJames-ModelbyCecilBeaton,-1948.jpg Charles James with Model, 1948. Courtesy of The Metropolitan Museum of Art, Photograph by Cecil Beaton, Beaton / Vogue / Condé Nast Archive. Copyright © Condé Nast. https://www.studiointernational.com/images/articles/k/koda-harold-2014/03-NancyJamesinSwanGown-CecilBeaton,1955.jpg Nancy James in Charles James Swan Gown, 1955. Courtesy of The Metropolitan Museum of Art, Photograph by Cecil Beaton, The Cecil Beaton Studio Archive at Sotheby's. https://www.studiointernational.com/images/articles/k/koda-harold-2014/04-CharlesJamesButterflyGown-CecilBeaton,1954.jpg Charles James Butterfly Gown, 1954. Courtesy of The Metropolitan Museum of Art, Photograph by Cecil Beaton, The Cecil Beaton Studio Archive at Sotheby's. https://www.studiointernational.com/images/articles/k/koda-harold-2014/09-CharlesJamesButterflyBallGown-1955.jpg Charles James. “Butterfly” Ball Gown, c1955. Brown silk chiffon, cream silk satin, brown silk satin, dark brown nylon tulle. © The Metropolitan Museum of Art, Purchase, Friends of The Costume Institute Fund, 2013. https://www.studiointernational.com/images/articles/k/koda-harold-2014/10-CharlesJamesBallGown-1949-50.jpg Charles James. Ball Gown, 1949-50. Red silk velvet, red silk satin, white cotton organdy. © The Metropolitan Museum of Art, Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Arturo and Paul Peralta-Ramos, 1954. https://www.studiointernational.com/images/articles/k/koda-harold-2014/14-CharlesJamesTaxiDress-1932.jpg Charles James. “Taxi” Dress, c1932. Black wool ribbed knit. © The Metropolitan Museum of Art, Purchase, Alan W. Kornberg Gift, 2013. https://www.studiointernational.com/images/articles/k/koda-harold-2014/Koda-(Charles-James).jpg Charles James catalogue cover. https://www.studiointernational.com/index.php/david-ostrowski-interview https://www.studiointernational.com/images/articles/o/ostrowski-david-2014/02-David-Ostrowski.jpg David Ostrowski. Emotional Paintings, installation view, Peres Projects, Berlin, 2 May – 21 June 2014. © David Ostrowski. Photograph: Hans-Georg Gaul. Courtesy of the Artist and Peres Projects, Berlin. https://www.studiointernational.com/images/articles/o/ostrowski-david-2014/03-David-Ostrowski.jpg David Ostrowski. F (I want to die forever), 2014. Linen on canvas, wood, 400 x 350 cm (157.48 x 137.8 in). © David Ostrowski. Photograph: Hans-Georg Gaul. Courtesy of the Artist and Peres Projects, Berlin. https://www.studiointernational.com/images/articles/o/ostrowski-david-2014/04-David-Ostrowski.jpg David Ostrowski. F (Musik ist Scheisse), 2014. Lacquer and dirt on canvas, wood, 400 x 350 cm (157.48 x 137.8 in) (detail). © David Ostrowski. Photograph: Hans-Georg Gaul. Courtesy of the Artist and Peres Projects, Berlin. https://www.studiointernational.com/index.php/ali-banisadr-interview https://www.studiointernational.com/images/articles/b/banisadr-ali-2014/Ali-Banisadr-Insufferable-Naturalist-L.jpg Ali Banisadr. Insufferable Naturalist, 2014. Oil on linen, 16 x 16 in. https://www.studiointernational.com/images/articles/b/banisadr-ali-2014/Ali-Banisadr-Motherboard-L.jpg Ali Banisadr. Motherboard, 2013. Oil on linen, 82 x 120 in. https://www.studiointernational.com/images/articles/b/banisadr-ali-2014/Ali-Banisadr-Ran-L.jpg Ali Banisadr. Ran, 2014. Oil on linen, 96 x 180 in. https://www.studiointernational.com/images/articles/b/banisadr-ali-2014/Ali-Banisadr-Ran-Detail2.jpg Ali Banisadr. Ran, 2014 (detail 1). Oil on linen, 96 x 180 in. https://www.studiointernational.com/images/articles/b/banisadr-ali-2014/Ali-Banisadr-Ran-Detail3.jpg Ali Banisadr. Ran, 2014 (detail 2). Oil on linen, 96 x 180 in. https://www.studiointernational.com/images/articles/b/banisadr-ali-2014/Ali-Banisadr-Contact-L.jpg Ali Banisadr. Contact, 2013. Oil on linen, 82 x 120 in. https://www.studiointernational.com/index.php/ursula-ilse-neuman-interview https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/Panoramic-Camera-pendant-2000.jpg Hyun-Seok Sim . Panoramic Camera (pendant), 2000. 20k gold, sterling silver, steel, plastic. Collection of the artist. Photograph: Gwang-chun Park. https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/3rdi-implanted-camera-2010.jpg Wafaa Bilal. 3rdi (implanted camera), 2010. Silver, ABS, high-speed USB cable. Collection of the artist. Photograph: Bryan Derballa. https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/Brooch-with-Eye-Miniature-c1845--.jpg Artist Unknown. Brooch with Eye Miniature, c1845. Watercolour on ivory, gold, pearls, rock crystal. Collection of Cathy Gordon. Photograph: Courtesy of Cathy Gordon. https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/Kalman_Tongue_Gilding_photo.jpg Lauren Kalman: Tongue Gilding, 2009. Digital video, 12 minutes. Courtesy of the artist and Sienna Patti. Photograph: Courtesy Sienna Patti. https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/Anchor-Shaped-Vinaigrette-pendant-c1855.jpg Artist Unknown. Anchor-Shaped Vinaigrette (pendant), c1855. Image. Ambrotype, sterling silver setting, glass. Collection of Daile Kaplan. Photograph: Matthew Starr. https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/Gijs_Bakker_Waterman-brooch-1991.jpg Gijs Bakker. Waterman (brooch), 1991. Copy of a postcard, diamonds, white gold 585, PVC. Collection of Angela Schaefer. Photograph: ©Thomas von der Heiden. https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/I-Am-Who-They-Were-neckpiece-2011.jpg Ashley Gilreath. I Am Who They Were (neckpiece), 2011. Decal photographs, sterling silver, bronze, optical glass. Collection of the artist. Photograph: Michael Webster. https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/Puig-Cuyas_Ramon_-No-1279-Isa-est.jpg Ramon Puig Cuyàs. N° 1279, Ita est (brooch) from the UTOPOS series, 2009. Internet images, enamel, acrylic resin, silver, nickel silver, onyx, shell, pearl, coral, plastic. Courtesy of a private collection. Photograph: Ramon Puig Cuyàs. https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/Turner_Sarah-C_If-One-Could-Wear-A-Marching-Band_2_C.jpg Sarah C Turner. If One Could Wear a Marching Band, 2004. Digital projections. Collection of the artist. Photograph: Sarah Turner. https://www.studiointernational.com/images/articles/m/multiple-exposure-2014/Zilioli_20.jpg Kara Ross. Transformations (neckpiece), 2012. Artist’s digital photographs, concrete, black diamonds, white sapphires, sterling silver 13 1/2 x 8 1/2 in (34.3 x 21.6cm). Collection of the artist. https://www.studiointernational.com/index.php/ancient-lives-new-discoveries https://www.studiointernational.com/images/articles/a/ancient-lives-2014/01411184_001.jpg A mummy undergoing a CT scan at the Royal Brompton Hospital, London. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/01474769_001.jpg Cartonnage of a priestess, adult, casing with a gilded face, named Tayesmutengebtiu, also called Tamut. Found in Thebes, 22nd Dynasty (c900 BC). © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/01478160_001.jpg Mummy of an adult male (aged 35 to older, name unknown), wrapped in linen bandages. Found at Thebes, 26th dynasty (c600 BC). © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/EA22939_Book_Body_03.jpg CT scan 3D visualisation of the mummified remains of Tayesmutengebtiu, also called Tamut, showing her skeleton and amulets. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/EA22939_Book_Body_04.jpg CT scan 3D visualisation of the mummified remains of Tayesmutengebtiu, also called Tamut, showing her body within the cartonnage. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/EA22939_Book_Body_05.jpg CT scan 3D visualisation of the mummified remains of Tayesmutengebtiu, also called Tamut, showing a section through the cartonnage and wrappings. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/EA22939_Book_Body_06.jpg CT scan 3D visualisation of the mummified remains of Tayesmutengebtiu, also called Tamut, showing the wrappings. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/EA22939_IMA_FeetScarab_01.jpg CT scan of the feet of Tayesmutengebtiu, also called Tamut, to show the metal covers on her toenails and the large amulet of the winged scarab beetle Khepri. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/Karnak-(2).jpg The temple of Amun-Re at Karnak, where Tayesmutengebtiu, also called Tamut, probably served as a priestess. © Vandenbeusch. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/Karnak.jpg The temple of Amun-Re at Karnak, where Tayesmutengebtiu, also called Tamut, probably served as a priestess. © Vandenbeusch. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/LinenMan_Body_Bones.jpg The CT scan of the mummy of an adult male (name unknown), showing his skeleton. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/LinenMan_Book_Bandages.jpg The CT scan of the mummy of an adult male (name unknown), showing the surface of the wrappings. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/LinenMan_Book_Body.jpg The CT scan of the mummy of an adult male (name unknown), showing his mummified remains. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/LinenMan_Skull_Front.jpg The CT scan of the skull of the mummy of an adult man (name unknown). The scan shows considerable evidence of dental abcesses and the loss of several teeth. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/ancient-lives-2014/LinenMan_Spatula_02.jpg The CT scan of the skull of the mummy of an adult man (name unknown). The scan shows the remains of the brain (coloured in blue) and evidence of a tool that was left in the skull as a mistake during the mummification process (in green). https://www.studiointernational.com/images/articles/a/ancient-lives-2014/Theban-necropolis.jpg The Theban necropolis where the mummy of an adult male was discovered. © Vandenbeusch . https://www.studiointernational.com/index.php/richard-long https://www.studiointernational.com/images/articles/l/long-richard-2014/Richard-LONG-140012p.jpg Richard Long. Installation view (1). Lisson Gallery, London, 23 May – 12 July. Courtesy the artist and Lisson Gallery. https://www.studiointernational.com/images/articles/l/long-richard-2014/Richard-LONG-int21p.jpg Richard Long. Installation view (2). Lisson Gallery, London, 23 May – 12 July. Courtesy the artist and Lisson Gallery. https://www.studiointernational.com/images/articles/l/long-richard-2014/Richard-LONG-int1p.jpg Richard Long. Installation view (3). Lisson Gallery, London, 23 May – 12 July. Courtesy the artist and Lisson Gallery. https://www.studiointernational.com/images/articles/l/long-richard-2014/Richard-LONG-int5p.jpg Richard Long. Installation view (4). Lisson Gallery, London, 23 May – 12 July. Courtesy the artist and Lisson Gallery. https://www.studiointernational.com/images/articles/l/long-richard-2014/LONG130016p.jpg Richard Long. Tsunami Walking, 2013. Text, 157 X 103 cm. © the artist; Courtesy, Lisson Gallery, London. https://www.studiointernational.com/index.php/joyce-cairns-interview https://www.studiointernational.com/images/articles/c/cairns-joyce-2014/Joyce-Cairns-studio-2014.jpg Studio visit, Broughty Ferry, May 2014. Photograph: Helen Glassford, Tatha Gallery Newport-on-Tay. https://www.studiointernational.com/images/articles/c/cairns-joyce-2014/They-said-the-War-was-partly-to-blame.jpg Joyce Cairns. They Said the War was partly to blame, 1986. Oil on panels, 213 x 244 cm. https://www.studiointernational.com/images/articles/c/cairns-joyce-2014/The-last-Supper-in-Footdee.jpg Joyce Cairns. The Last Supper in Footdee, 1989. Oil on panels, 213 x 244 cm. https://www.studiointernational.com/images/articles/c/cairns-joyce-2014/TV-DInners.jpg Joyce Cairns. TV Dinners 1991. Oil on panels, 213 x 244 cm. Glasgow City Council, Gallery of Modern Art. https://www.studiointernational.com/images/articles/c/cairns-joyce-2014/Cairns-Irma.jpg Joyce Cairns. Irma 1994 -95, Oil on panels, 213 x 244 cm. https://www.studiointernational.com/images/articles/c/cairns-joyce-2014/Cairns-Fathers-Memorabilia-Tunisia.jpg Joyce Cairns. Father’s Memorabilia, Tunisia. 1995. Oil on panel, 183 x 122cm. Collection of Edinburgh City Museums (The Scottish Army Museum, Edinburgh Castle). https://www.studiointernational.com/images/articles/c/cairns-joyce-2014/The-Magic-Gate-and-other-Stories.jpg Joyce Cairns. The Magic Gate and other Stories, 2012. Oil on panel, 183 x 244 cm. https://www.studiointernational.com/index.php/royal-academy-summer-exhibition-2014 https://www.studiointernational.com/images/articles/r/ra-summer-exhibition-2014/cornelia-parker-2014-studio-international.jpg Cornelia Parker spoke to Studio International at the opening of the Royal Academy Summer Exhibition 2014. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/ra-summer-exhibition-2014/hughie-o-donoghue-photo-studio-international.jpg Hughie O’Donoghue talking to Studio International about the process of hanging the Royal Academy Summer Exhibition 2014. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/ra-summer-exhibition-2014/edith-devaney-2014-photo-studio-international.jpg Edith Devaney, head of Summer Exhibition and contemporary curator at the Royal Academy of Arts talking to Studio International at the opening of the Royal Academy Summer Exhibition 2014. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/ra-summer-exhibition-2014/tim-marlow-2014-photo-studio-international.jpg Royal Academy artistic director, Tim Marlow, speaking to Studio International about his role and future plans for the Academy at the opening of the Royal Academy Summer Exhibition 2014. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/doug-cocker-interview https://www.studiointernational.com/images/articles/c/cocker-doug-2014/Doug-Cocker-studio-Lundie.jpg Doug Cocker’s studio, Lundie, Scotland, May 2014. Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/c/cocker-doug-2014/Doug-Cocker-sketchbook-page-1.jpg Doug Cocker: sketchbook pages (1). Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/c/cocker-doug-2014/Cocker-sketchbook-2.jpg Doug Cocker: sketchbook pages (2). Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/c/cocker-doug-2014/Cocker-sketchbook-3.jpg Doug Cocker: sketchbook pages (3). Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/c/cocker-doug-2014/Cocker-sketchbook-page-4.jpg Doug Cocker: sketchbook pages (4). Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/c/cocker-doug-2014/Cocker-sketchbook-page-5.jpg Doug Cocker: sketchbook pages (5). Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/c/cocker-doug-2014/Cocker-sketchbook-page-6.jpg Doug Cocker: sketchbook pages (6). Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/c/cocker-doug-2014/Doug-Cocker-portrait.jpg Doug Cocker with GHOST, at House for an Art Lover, Glasgow, 1999. https://www.studiointernational.com/index.php/mondrian-and-his-studios-tate-liverpool https://www.studiointernational.com/images/articles/m/mondrian-2014/mondrian-reconstruction_of_26_rue_du_depart_paris.jpg Reconstruction of Mondrian's studio at 26 rue du Depart, Paris based on 1926 Photo by Paul Delbo. © 2014 STAM, Research and Production: Frans Postma Delft-NL. Photograph: Fas Keuzenkamp. © 2014 Mondrian/Holtzman Trust c/oHCR InternationalUSA. https://www.studiointernational.com/images/articles/m/mondrian-2014/piet_mondrian_-_composition_with_red_yellow_and_blue_1927.jpg Piet Mondrian. Composition with Red, Yellow and Blue, 1927. Museum Folkwang, Essen. © 2014 Mondrian/Holtzman Trust c/oHCR InternationalUSA. https://www.studiointernational.com/images/articles/m/mondrian-2014/piet_mondrian-the-tree-a.jpg Piet Mondrian. The Tree A, c1913. Tate. © 2014 Mondrian/Holtzman Trust c/o HCR International USA. https://www.studiointernational.com/images/articles/m/mondrian-2014/mondrian-no_vi.jpg Piet Mondrian. Composition with Red, Yellow and Blue, 1927. Museum Folkwang, Essen. © 2014 Mondrian/Holtzman Trust c/oHCR InternationalUSA. https://www.studiointernational.com/index.php/isabel-nolan-interview https://www.studiointernational.com/images/articles/n/nolan-isabel-2014/04_IN28914.jpg Isabel Nolan. The Weakened Eye of Day, Irish Museum of Modern Art, Dublin. Installation view (2). Photograph © Denis Mortell. https://www.studiointernational.com/images/articles/n/nolan-isabel-2014/08_IN29014.jpg Isabel Nolan. The Weakened Eye of Day, Irish Museum of Modern Art, Dublin. Installation view (3). Photograph © Denis Mortell. https://www.studiointernational.com/images/articles/n/nolan-isabel-2014/11_Isabel_Nolan_16.jpg Isabel Nolan. The Weakened Eye of Day, Irish Museum of Modern Art, Dublin. Installation view (4). Photograph © Denis Mortell. https://www.studiointernational.com/images/articles/n/nolan-isabel-2014/15_IN29114.jpg Isabel Nolan. The Weakened Eye of Day, Irish Museum of Modern Art, Dublin. Installation view (5). Photograph © Denis Mortell. https://www.studiointernational.com/images/articles/n/nolan-isabel-2014/19_Isabel_Nolan_19.jpg Isabel Nolan. The Weakened Eye of Day, Irish Museum of Modern Art, Dublin. Installation view (6). Photograph © Denis Mortell. https://www.studiointernational.com/images/articles/n/nolan-isabel-2014/30_IN28214.jpg Isabel Nolan. The Weakened Eye of Day, Irish Museum of Modern Art, Dublin. Installation view (7). Photograph © Denis Mortell. https://www.studiointernational.com/images/articles/n/nolan-isabel-2014/36_IN29314.jpg Isabel Nolan. The Weakened Eye of Day, Irish Museum of Modern Art, Dublin. Installation view (8). Photograph © Denis Mortell. https://www.studiointernational.com/images/articles/n/nolan-isabel-2014/31_IN28514_1.jpg Isabel Nolan. The Weakened Eye of Day, Irish Museum of Modern Art, Dublin. Installation view (9). Photograph © Denis Mortell. https://www.studiointernational.com/images/articles/n/nolan-isabel-2014/isabel-nolan-portrait-2014-500.jpg Isabel Nolan. Photograph courtesy of Irish Museum of Modern Art, Dublin. https://www.studiointernational.com/index.php/marc-desgrandchamps-interview https://www.studiointernational.com/images/articles/d/desgrandchamps-2014/Marc-Desgrandchamps-portrait.jpg Marc Desgrandchamps. Photograph courtesy Galerie EIGEN + ART Berlin. https://www.studiointernational.com/images/articles/d/desgrandchamps-2014/MDesgrandchamps_oT_.jpg Marc Desgrandchamps. Untitled, 2014. Oil on canvas, 162 x 130 cm. Courtesy Galerie EIGEN + ART Leipzig/Berlin. Photograph: le Fotographe. https://www.studiointernational.com/images/articles/d/desgrandchamps-2014/MDesgrandchamps_oT_Diptychon.jpg Marc Desgrandchamps. Untitled, 2014. Oil on canvas, Diptychon, each 55 x 46 cm. Courtesy Galerie EIGEN + ART Leipzig/Berlin. Photograph: le Fotographe. https://www.studiointernational.com/images/articles/d/desgrandchamps-2014/MDesgrandchamps_Installaionview_1.jpg Marc Desgrandchamps. Solitudes, 2014. Installation view. Galerie EIGEN + ART Berlin. Photograph: Uwe Walter, Berlin. https://www.studiointernational.com/images/articles/d/desgrandchamps-2014/MDesgrandchamps_Installaionview_3.jpg Marc Desgrandchamps. Solitudes, 2014. Installation view (2). Galerie EIGEN + ART Berlin. Photograph: Uwe Walter, Berlin. https://www.studiointernational.com/index.php/art-made-in-the-trenches-of-life https://www.studiointernational.com/images/articles/s/self-taught-2014/1981-24-1.jpg Phrenological Head, c1850. Asa Ames (1823–1851), Evans, New York. Paint on wood, 16 3/8 x 13 x 7 1/8 in. Collection American Folk Art Museum, New York. Bequest of Jeanette Virgin. Photograph: John Parnell, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/1985-35-23a.jpg Rocking Mary/Mr. Fool, c1983 (double-sided). Sam Doyle (1906–1985), St. Helena Island, South Carolina. Enamel house paint on corrugated roofing tin, 52 x 26 x 1/2 in. Collection American Folk Art Museum, New York. Gift of Elizabeth Ross Johnson. Photograph: John Parnell, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/1987-14-1.jpg Untitled (Sideshow Banner). Attributed to Fred G. Johnson (1892–1990); O. Henry Tent & Awning Co., Chicago, Illinois, 1930–1940. Oil on canvas, 89 x 117 in. Collection American Folk Art Museum, New York. Gift of Tom Conway. Photograph: Schecter Lee, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/1991-34-1.jpg Untitled (Figures and Construction with Blue Border). Bill Traylor (c1854–1949). Montgomery, Alabama, c1941. Poster paint and pencil on cardboard. 15 1/2 x 8 in. Collection American Folk Art Museum, New York. Gift of Charles and Eugenia Shannon. Photograph: John Parnell, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/1998-10-47.jpg Untitled. Mary T. Smith (1904/5–1995), Hazlehurst, Mississippi, 1976. Paint on metal, 32 x 48 x 1/4 in. Collection American Folk Art Museum, New York. Blanchard-Hill Collection, gift of M. Anne Hill and Edward V. Blanchard Jr. Photograph: Gavin Ashworth, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/1999-18-1.jpg Jug. Dave Drake (c1800–c1870). Lewis J. Miles Pottery, Edgefield County, South Carolina, 1853. Alkaline-glazed stoneware, 14 1/2 x 12 x 11 1/2 in. Collection American Folk Art Museum, New York. Gift of Sally and Paul Hawkins. Photograph: John Parnell, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/2000-1-24.jpg The Pile of Andrius (#67). Eugene Von Bruenchenhein (1910–1983), Milwaukee, Wisconsin, December 31, 1954. Oil on corrugated cardboard, 13 x 15 1/2 in. Collection American Folk Art Museum, New York. Gift of Lewis and Jean Greenblatt. Photograph: by John Parnell, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/2001-32-1b.jpg Handmade Book. James Castle (1899–1977), Boise, Idaho, 1920–1950. Soot and saliva on found paper, bound with string, 12 x 10 3/16 in (closed). Collection American Folk Art Museum, New York. Gift of Thomas Isenberg. Photograph: Gavin Ashworth, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/2001-37-1.jpg Girl in Red Dress with Cat and Dog. Ammi Phillips (1788–1865), Vicinity of Amenia, New York, 1830–1835. Oil on canvas, 30 x 25 in. Collection American Folk Art Museum, New York. Gift of the Siegman Trust, Ralph Esmerian, trustee. Photograph: John Parnell, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/2008-21-1.jpg Kaleidoscopic XVI: More Is More. Paula Nadelstern (b1951), Bronx, New York, 1996. Cottons and silk, 64 x 64 in. Collection American Folk Art Museum, New York. Gift of the artist. Photograph: Karen Bell, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/2008-25-1.jpg Reina. Martín Ramírez (1895–1963), Auburn, California, c1960–1963. Paint, crayon, pencil, and collage on pieced paper, 48 x 16 1/2 in. Collection American Folk Art Museum, New York. Gift of the Family of Dr. Max Dunievitz and the Estate of Martin Ramirez. © Estate of Martín Ramírez. Photograph: Ellen McDermott. https://www.studiointernational.com/images/articles/s/self-taught-2014/2012-8-1.jpg Whig Rose and Swag Border Quilt. Unidentified slaves; made for Mrs. Marmaduke Beckwith Morton (1811–1880). Morton Plantation The Knob, Russellville, Kentucky, c1850. Cotton, 88 x 104 in. Collection American Folk Art Museum, New York. Gift of Marijane Edwards Camp. Photograph: Gavin Ashworth, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/2013-1-3.jpg Gift Drawing: The Tree of Light or Blazing Tree. Hannah Cohoon (1788–1864), Hancock, Massachusetts, 1845. Ink, pencil, and gouache on paper, 16 x 20 7/8 in. Collection American Folk Art Museum, New York. Gift of Ralph Esmerian. Photograph courtesy Sotheby’s, New York. https://www.studiointernational.com/images/articles/s/self-taught-2014/2013-6-1.jpg Birds Got to Have Somewhere to Roost. Thornton Dial Sr. (b1928), Alabama, 2012. Wood, carpet scraps, corrugated tin, burlap, nails, and enamel on wood, 61 1/4 x 48 x 10 in. Collection American Folk Art Museum, New York. Gift of the Thornton Dial family. Photograph: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/s/self-taught-2014/2003-10-1a.jpg (double-sided). 144 At Jennie Richee. Waiting for the blinding rain to stop./145 At Jennie Richee. Hard pressed and harassed by the storm. Henry Darger (1892–1973), Chicago, Illinois, 1950–1970. Watercolour, pencil, carbon tracing, and collage on pieced paper, 24 x 107 3/4 in. Collection American Folk Art Museum, New York. Museum purchase with funds generously provided by John and Margaret Robson. © Kiyoko Lerner. Photograph: James Prinz. https://www.studiointernational.com/index.php/pierre-nicolas-bounakoff-jean-marie-gallais-ida-tursic-and-wilfried-mille-interview https://www.studiointernational.com/images/articles/h/hetzler-max-2014/Elrod-Jeff_2014-Filament-2_1500.jpg Jeff Elrod. Filament 1, 2014. UV ink on Fisher canvas, 243.8 x 206.4 cm. Courtesy of the artist and Luhring Augustine, New York. © 2014, Jeff Elrod. https://www.studiointernational.com/images/articles/h/hetzler-max-2014/Nuur-Navid_2014-Local-Study-3_1500.jpg Navid Nuur. Local Study 3: The Eye Codex of the Monochrome, 2014. Custom made rug (brown wool), 272 x 215 cm. Courtesy the artist, Galerie Plan B, Berlin I Cluj, and Galerie Max Hetzler, Berlin I Paris. https://www.studiointernational.com/images/articles/h/hetzler-max-2014/Raedecker_2009-replica_1500.jpg Michael Raedecker. Replica, 2009. Acrylic and thread on canvas, 180 x 124 cm. Courtesy the artist and Galerie Max Hetzler, Berlin | Paris. Photograph: Peter White. https://www.studiointernational.com/images/articles/h/hetzler-max-2014/Ziegler-Toby_2009-The-Art-of-Sinking-(study)_1500.jpg Toby Ziegler. The Art of Sinking (study), 2009. Inkjet on paper, pins, ink, gouache, graphite, 320 x 430 cm. Courtesy the artist and Galerie Max Hetzler, Berlin | Paris. https://www.studiointernational.com/images/articles/h/hetzler-max-2014/2014-Installation-view-HTTG-1.jpg Halftone: Through the Grid, installation view, 2014. Courtesy Galerie Max Hetzler Berlin | Paris. Photograph: def image. https://www.studiointernational.com/images/articles/h/hetzler-max-2014/2014-Installation-view-HTTG-2-(photo_-def-image).jpg Halftone: Through the Grid, installation view (2), 2014. Courtesy Galerie Max Hetzler Berlin | Paris. Photograph: def image. https://www.studiointernational.com/images/articles/h/hetzler-max-2014/2014-Installation-view-HTTG-5-(photo_-def-image).jpg Halftone: Through the Grid, installation view (3), 2014. Courtesy Galerie Max Hetzler Berlin | Paris. Photograph: def image. https://www.studiointernational.com/index.php/carl-andre-sculpture-as-place-1958-2010 https://www.studiointernational.com/images/articles/a/andre-carl-2014/carl-andre-1_flat.jpg Installation view, Carl Andre: Sculpture as Place, 1958–2010, Dia:Beacon, Riggio Galleries, Beacon, New York. 5 May 2014–2 March 2015. Art © Carl Andre/Licensed by VAGA, New York, NY. Photograph: Bill Jacobson Studio, New York. Courtesy Dia Art Foundation, New York. https://www.studiointernational.com/images/articles/a/andre-carl-2014/carl-andre-2_flat.jpg Installation view (2), Carl Andre: Sculpture as Place, 1958–2010, Dia:Beacon, Riggio Galleries, Beacon, New York. 5 May 2014–2 March 2015. Art © Carl Andre/Licensed by VAGA, New York, NY. Photograph: Bill Jacobson Studio, New York. Courtesy Dia Art Foundation, New York. https://www.studiointernational.com/images/articles/a/andre-carl-2014/carl-andre-5-1_flat.jpg Installation view (3), Carl Andre: Sculpture as Place, 1958–2010, Dia:Beacon, Riggio Galleries, Beacon, New York. 5 May 2014–2 March 2015. Art © Carl Andre/Licensed by VAGA, New York, NY. Photograph: Bill Jacobson Studio, New York. Courtesy Dia Art Foundation, New York. https://www.studiointernational.com/index.php/british-folk-art-tate-britain https://www.studiointernational.com/images/articles/b/british-folk-art-2014/bone_cockeral.jpg Artist unknown. Bone cockerel (detail). Vivacity Culture and Leisure – Peterborough Museum. https://www.studiointernational.com/images/articles/b/british-folk-art-2014/ID_0061.jpg Unknown. Calcutta. By kind permission National Museum of the Royal Navy, Portsmouth. https://www.studiointernational.com/images/articles/b/british-folk-art-2014/ID_0061a.jpg Unknown (detail). Calcutta. By kind permission National Museum of the Royal Navy, Portsmouth. https://www.studiointernational.com/images/articles/b/british-folk-art-2014/ID_002.jpg Unknown. God in a Bottle (single). Beamish Museum (Durham, UK). Photograph: Marcus Leith & Andrew Dunkley/Tate Photography. https://www.studiointernational.com/images/articles/b/british-folk-art-2014/ID_002a.jpg Unknown. God in a Bottle (group). Beamish Museum (Durham, UK). Photograph: Marcus Leith & Andrew Dunkley/Tate Photography. https://www.studiointernational.com/images/articles/b/british-folk-art-2014/george_smart_goose_woman_cropped_1.jpg George Smart. Goose Woman c1840. Image courtesy of Tunbridge Wells Museum and Art Gallery. https://www.studiointernational.com/images/articles/b/british-folk-art-2014/pincushion.jpg Artist unknown. Heart pincushion. Beamish, The Living Museum of the North. Photograph: Tate Photography. https://www.studiointernational.com/index.php/nasreen-mohamedi https://www.studiointernational.com/images/articles/m/mohamedi-nasreen-2014/nasreen-mohamedi-untitled-2.jpg Nasreen Mohamedi. Untitled. © Glenbarra Art Museum. https://www.studiointernational.com/images/articles/m/mohamedi-nasreen-2014/nasreen-mohamedi-untitled.jpg Nasreen Mohamedi. Untitled. © Courtesy Chatterjee & Lal. https://www.studiointernational.com/images/articles/m/mohamedi-nasreen-2014/nasreen_at_her_studio_in_bombay_at_the_bhulabhai_desai_institute_courtsey_sikander_and_hydari_collection.jpg Nasreen at her studio in Bombay at the Bhulabhai Desai Institute, dated 2 November 1960. https://www.studiointernational.com/images/articles/m/mohamedi-nasreen-2014/nasreen_mohamedi-untitled-early-1980s.jpg Nasreen Mohamedi. Untitled, early 1980s. © Collection of Gayatri Jhaveri & Priyam Jhaveri. Mumbai, India. https://www.studiointernational.com/index.php/kenneth-clark-looking-for-civilisation https://www.studiointernational.com/images/articles/c/civilisation-2014/id_005.jpg John Constable. Sketch for ‘Hadleigh Castle’ c1828–9. Tate. https://www.studiointernational.com/images/articles/c/civilisation-2014/id_061.jpg Auguste Rodin. Eve, 1881. Private Collection. Photograph: Marcus Leith & Andrew Dunkley/Tate Photography. https://www.studiointernational.com/images/articles/c/civilisation-2014/id_086.jpg John Piper. Coventry Cathedral, 1940. © Crown Copyright, Manchester City Galleries. https://www.studiointernational.com/images/articles/c/civilisation-2014/id_101.jpg Georges Seurat. The Forest at Pontaubert, 1881. Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/c/civilisation-2014/paul_nash.jpg Paul Nash. Battle of Britain, 1941. © Imperial War Museums. https://www.studiointernational.com/index.php/jeff-koons-a-retrospective https://www.studiointernational.com/images/articles/k/koons-jeff-2014/photo6_Black-granite-Popeye(2009).jpg Jeff Koons. Popeye, 2009. Black granite. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/photo5_The-black-granite-woman-in-tub.jpg Jeff Koons. Naked woman kicking up in a bathtub. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons01_2340.jpg Jeff Koons. New! New Too!, 1983. Lithograph billboard mounted on cotton, 123 x 272 in (312.4 x 690.9 cm). Collection of the artist. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons04_2340.jpg Jeff Koons. One Ball Total Equilibrium Tank (Spalding Dr. J 241 Series), 1985. Glass, steel, sodium chloride reagent, distilled water, basketball, 64 3/4 x 30 3/4 x 13 1/4 in (164.5 x 78.1 x 33.7 cm). Collection of B. Z. and Michael Schwartz. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons05_2340.jpg Jeff Koons. Aqualung, 1985. Bronze, 27 x 17 1/2 x 17 1/2 in (68.6 x 44.5 x 44.5 cm). Private Collection, New York. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons06_2340.jpg Jeff Koons. Board Room, 1985. Framed Nike poster; 31 1/2 x 45 1/2 in (80 x 115.6 cm). JP Morgan Chase Art Collection. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons07_2340.jpg Jeff Koons. Aqui Bacardi, 1986. Oil inks on canvas; 45 x 60 in (114.3 x 152.4 cm). Ostrow Family Collection. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons11_2340.jpg Jeff Koons. Moon (Light Pink), 1995–2000. Mirror-polished stainless steel with transparent color coating, 130 x 130 x 40 in (330.2 x 330.2 x 101.6 cm). Collection of the artist. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons14_2340.jpg Jeff Koons. Made in Heaven,1989. Lithograph on paper on canvas, 125 x 272 in (317.5 x 690.9 cm). ARTIST ROOMS. Tate and the National Galleries of Scotland. Acquired jointly through The d’Offay Donation with assistance from the National Heritage Memorial Fund and Art Fund 2008. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons15.jpg Jeff Koons. Inflatable Flowers (Short Pink, Tall Purple), 1979. Vinyl, mirrors, and acrylic, 16 x 25 x 18 in (40.6 x 63.5 x 45.7 cm). Collection of Norman and Norah Stone. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons29.jpg Jeff Koons. Michael Jackson and Bubbles, 1988. Porcelain; 42 x 70 1⁄2 x 32 1⁄2 in (106.7 x 179.1 x 82.6 cm). Private collection. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons31.jpg Jeff Koons. Poodle, 1991. Polychromed wood, 23 x 39 1⁄2 x 20 1⁄2 in (58.4 x 100.3 x 52.1 cm). Whitney Museum of American Art, New York; promised gift of Thea Westreich Wagner and Ethan Wagner. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons33.jpg Jeff Koons. Tulips, 1995 – 98. Oil on canvas, 111 3⁄8 x 131 in (282.9 x 332.7cm). Private collection. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/koons24.jpg Jeff Koons. Saint John the Baptist, 1988. Porcelain, 56 1⁄2 x 30 x 24 1⁄2 in (143.5 x 76.2 x 62.2 cm). Edition no. 3/3. The Sonnabend Collection, Nina Sundell, and Antonio Homem. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2014/photo15_The-sponges-nd-me.jpg Jeff Koons. Sponge shelf, 1974. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/material-is-the-message https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Tatiana-Badanina-White-Clothes-(detail).jpg Tatiana Badanina. White Clothes, 2007-12. Paper, light, 400 x 700 x 30 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Aleksandr-and-Olga-Florenskii-Volodia-where-are-you-(1988).jpg Olga and Aleksandr Florenskii. Volodia, Where Are You? 1988. Cardboard, coloured paper, 105 x 9 x 9 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Vladimir-Govorkov-Mechanism-of-Big-Politics-2014.jpg Vladimir Govorkov. Mechanism of Big Politics, 2014. Cardboard, motor. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Elena-Gubanova-Ivan-Govorkov-Untitled-(2014).jpg Elena Gubanova and Ivan Govorkov. Untitled, 2014. Paper, video, 60 x 50 x 50 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Sergei-Katran-Russian-Rollercoaster-2012.jpg Sergei Katran. Russian Rollercoaster (Man’s Fate), 2012. Paper calendars, wire, 70 x 60 x 80 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Aleksandr-Kozhin-Tower-of-Babel(2008).jpg Aleksandr Kozhin. Tower of Babel, 2008. Cardboard, paper, collage, tempera, 221 x 90 x 90 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Vladimir-Kozin-Toilet-Paper-2009.jpg Vladimir Kozin. Toilet Paper, 2009. Tyre rubber, wire, 110 x 90 x 55 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Andrei-Krasulin-Box-2010.jpg Andrei Krasulin, Box, 2010. Corrugated cardboard, 35 x 48 x 40 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Andrei-Liublinskii-Mariia-Zaborovskaia-Collective-Action-1-.jpg Andrei Liublinskii and Mariia Zaborovskaia (Pprofessors). Collective Action - 1, 2013. Cardboard, composite material, 35 x 100 x 55 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Victor-Lukin-Untitled-(2012)-(2).jpg Victor Lukin. Untitled, 2012. Paper, cardboard, Whatman paper, 160 x 110 x 80 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Inna-Pozina-Stroll-with-Toilet-Paper.jpg Inna Pozina. A Stroll with Toilet Paper, 2013. Video. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Elena-Preis-Adventures-of-the-Square-(2002).jpg Elena Preis. The Journey of the Square, 2002. Six sheets of paper, 46 x 46; 49 x 46; 46 x 49; 50 x 59; 49 x 49; 55 x 46 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Victor-Votskii-Interpretation-of-Text-in-Space-(2005-2012).jpg Victor Votsky (Gavrilov). Interpretation of Text in Space of a Non-Linear Structure (Fracturing of Space), 2005-2012. Paper, 60 x 100 x 100 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Lidia-Shulgina-Looking-into-the-Abyss-1993.jpg Lidiia Shul'gina. Looking into the Abyss, 1993. Paint on newspaper, 32 x 32 x 29 cm. https://www.studiointernational.com/images/articles/m/material-is-the-message-2014/Elena-Preis-Duo.jpg Elena Preis. Duo, 2005. Paper, 25 x 16 x 17 cm. https://www.studiointernational.com/index.php/making-colour https://www.studiointernational.com/images/articles/m/making-colour-2014/X8384.jpg Moses Harris. The Natural System of Colours Wherein is displayed the regular and beautiful Order and Arrangement, Arising from the Three Premitives [sic], Red, Blue and Yellow, The manner in which each colour is formed, and its Composition, 1769/1776. Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/m/making-colour-2014/X8672.jpg Della Robbia family (active 15th – 16th centuries). Kneeling Angel holding a Candlestick, about 1500-50. Terracotta, painted with lavender-blue, green, yellow, manganese-purple and white tin-glazes. Lent by the Syndics of The Fitzwilliam Museum, Cambridge © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/m/making-colour-2014/NG1811.jpg Thomas Gainsborough. The Painter’s Daughters chasing a Butterfly, c1756. Oil on canvas. The National Gallery, London. Henry Vaughan Bequest, 1900. © The National Gallery, London. https://www.studiointernational.com/images/articles/m/making-colour-2014/NG200.jpg Sassoferrato. The Virgin in Prayer, 1640-50. Oil on canvas, 73 x 57.7 cm. The National Gallery, London. https://www.studiointernational.com/images/articles/m/making-colour-2014/NG4136.jpg Paul Cézanne. Hillside in Provence, c1890-2. Oil on canvas, 63.5 x 79.4 cm. The National Gallery, London. https://www.studiointernational.com/images/articles/m/making-colour-2014/NG4865.jpg Hilaire Germain Edgar Degas. Combing the Hair ('La Coiffure'), c1896. Oil on canvas, 114.3 x 146.7 cm. The National Gallery, London. https://www.studiointernational.com/index.php/anindita-dutta-maya https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta_DSC07344.jpg Anindita Dutta, 2014. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-MAYA_DSC08297.jpg Anindita Dutta. MAYA or Illusion, 2014. A wet clay performance, 11.5 x 44 feet. Performance view (1). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-MAYA_DSC08334.jpg Anindita Dutta. MAYA or Illusion, 2014. A wet clay performance, 11.5 x 44 feet. Performance view (2). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-MAYA_DSC08401.jpg Anindita Dutta. MAYA or Illusion, 2014. A wet clay performance, 11.5 x 44 feet. Performance view (3). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-MAYA_DSC09015.jpg Anindita Dutta. MAYA or Illusion, 2014. A wet clay performance, 11.5 x 44 feet. Performance view (4). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-Hour-Glass-2.jpg Anindita Dutta. Hourglass, 2014. 20 x 8 x 8.3 feet. Installation view (1). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-Hour-Glass-6.jpg Anindita Dutta. Hourglass, 2014. 20 x 8 x 8.3 feet. Installation view (2). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-Hour-Glass-3.jpg Anindita Dutta. Hourglass, 2014. 20 x 8 x 8.3 feet. Installation view (3). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-Hour-Glass-4.jpg Anindita Dutta. Hourglass, 2014. 20 x 8 x 8.3 feet. Installation view (4). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-Hour-Glass-5.jpg Anindita Dutta. Hourglass, 2014. 20 x 8 x 8.3 feet. Installation view (5). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-Life-Line_1b.jpg Anindita Dutta. Lifeline I, 2010. Courtesy of the artist. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-Life-Line_1a.jpg Anindita Dutta. Lifeline I, 2010 (2). Courtesy of the artist. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-knitting_memoirs.jpg Anindita Dutta. Knitting Memories, 2013. Courtesy of the artist. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-Portrait.jpg Anindita Dutta. Self Portraits, 2013. Courtesy of the artist. https://www.studiointernational.com/images/articles/d/dutta-anindita-2014/Anindita-Dutta-Brick_coffin.jpg Anindita Dutta. Brick Coffin, 2005. Courtesy of the artist. https://www.studiointernational.com/index.php/ralph-rugoff-interview https://www.studiointernational.com/images/articles/r/rugoff-ralph-2014/BENSON_Human-Statue,-2005.jpg Frank Benson. Human Statue, 2005. © the artist. Courtesy Sadie Coles HQ, London and Andrew Kreps Gallery, New York. https://www.studiointernational.com/images/articles/r/rugoff-ralph-2014/GANDER_Come-up-on-different-streets.jpg Ryan Gander. Come up on different streets, they both were streets of shame Or Absinth blurs my thoughts, I think we should be moving on, 2009”. © the artist. Photograph: Peter Hauk. The Ekard Collection, Courtesy Annet Gelink Gallery, Amsterdam. https://www.studiointernational.com/images/articles/r/rugoff-ralph-2014/McCARTHY_That-Girl.jpg Paul McCarthy. That Girl (T.G. Awake), 2012–1.3 © the artist. Courtesy the artist and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/r/rugoff-ralph-2014/Maurizio-Cattelan-Him-2001-Installation-view.jpg Maurizio Cattelan. Him, 2001. © the artist. Courtesy Maurizio Cattelan's Archive. Photograph: Paolo Pellion di Persano. https://www.studiointernational.com/images/articles/r/rugoff-ralph-2014/FISHER_Skinny-Sunrise,-2000.jpg Urs Fischer. Skinny Sunrise, 2000. © the artist. Courtesy of the artist and Galerie Eva Presenhuber, Zurich. https://www.studiointernational.com/images/articles/r/rugoff-ralph-2014/Rebecca-Warren,-SHE-2003.jpg Rebecca Warren. SHE, 2003. Dimensions variable. © the artist. https://www.studiointernational.com/images/articles/r/rugoff-ralph-2014/jeff-koons,-bear-and-policeman,-1988.jpg Jeff Koons. Bear and Policeman, 1988. © Jeff Koons. https://www.studiointernational.com/images/articles/r/rugoff-ralph-2014/GENZKEN_Untitled,-2012_3.jpg Isa Genzken. Untitled, 2012. © Isa Genzken. Courtesy the artist, Hauser & Wirth, London and Galerie Daniel Buchholz, Cologne. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/r/rugoff-ralph-2014/RONDINONE_nude-2011_SIDE.jpg Ugo Rondinone. nude (xxxxxxxxxxxxxx), 2011. © the artist. Courtesy Galerie Eva Presenhuber, Zurich. Photograph: Stefan Altenburger Photography, Zurich. https://www.studiointernational.com/index.php/jimmy-pike-a-desert-cowboy-in-london-retrospective https://www.studiointernational.com/images/articles/p/pike-jimmy-2014/Jimmy-Pike_Jamirtilangu_2002.jpg Jimmy Pike. Jamirtilangu, 2002. Synthetic polymer paint on canvas, 91 x 91 cm. Copyright the estate of the artist and Rebecca Hossack Art Gallery. https://www.studiointernational.com/images/articles/p/pike-jimmy-2014/Jimmy-Pike_Japingka-II_undated.jpg Jimmy Pike. Japingka II, undated. Synthetic polymer paint on linen, 152 x 109 cm. Copyright the estate of the artist and Rebecca Hossack Art Gallery. https://www.studiointernational.com/images/articles/p/pike-jimmy-2014/Jimmy-Pike_Jumu_undated.jpg Jimmy Pike. Jumu, undated. Acrylic on canvas, 45 x 45 cm. Copyright the estate of the artist and Rebecca Hossack Art Gallery. https://www.studiointernational.com/images/articles/p/pike-jimmy-2014/Jimmy-Pike_Kalpurtu-I_2000.jpg Jimmy Pike. Kalpurtu I, 2000. Acrylic on light pre-primed linen, 121 x 91 cm. Copyright the estate of the artist and Rebecca Hossack Art Gallery. https://www.studiointernational.com/images/articles/p/pike-jimmy-2014/Jimmy-Pike_London-Skyline_2001.jpg Jimmy Pike. London Skyline, 2001. Synthetic polymer paint on canvas, 123 x 130 cm. Copyright the estate of the artist and Rebecca Hossack Art Gallery. https://www.studiointernational.com/images/articles/p/pike-jimmy-2014/Jimmy-Pike_Male-Torso_2002.jpg Jimmy Pike. Male Torso_2002_Carved helicopter tree_35 x 14 x 10cm_Copyright the estate of the artist and Rebecca Hossack Art Gallery. https://www.studiointernational.com/images/articles/p/pike-jimmy-2014/Jimmy-Pike_Mantamarta_2002.jpg Jimmy Pike. Mantamarta, 2002. Synthetic polymer paint on canvas, 122 x 91 cm. Copyright the estate of the artist and Rebecca Hossack Art Gallery. https://www.studiointernational.com/images/articles/p/pike-jimmy-2014/Jimmy-Pike_Nganpayijarra-pila-Karlijarti-Karrilala_undated.jpg Jimmy Pike. Nganpayijarra pila Karlijarti Karrilala, undated. Synthetic polymer paint on cotton duck,. 90 x 90 cm. Copyright the estate of the artist and Rebecca Hossack Art Gallery. https://www.studiointernational.com/images/articles/p/pike-jimmy-2014/Jimmy-Pike_Parnaparnti-and-Kurntimaru-II.jpg Jimmy Pike. Parnaparnti and Kurntimaru II (Yellow Goanna and Black Goanna). Synthetic polymer paint on canvas, 122 x 91 cm. Copyright the estate of the artist and Rebecca Hossack Art Gallery. https://www.studiointernational.com/index.php/bruegel-to-freud-prints-from-the-courtauld-gallery https://www.studiointernational.com/images/articles/b/bruegel-2014/1-Courtauld-Prints-Bruegels-Rabbit-hunt.jpg Pieter Bruegel the Elder. Rabbit hunt, 1560. Etching, 22.2 x 29.1 cm. The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/b/bruegel-2014/2-Courtauld-Prints-Canalettos-Portico-with-lantern.jpg Canaletto. Portico with lantern, c1741-44. Etching, 29.8 x 43.1 cm. The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/b/bruegel-2014/4-Courtauld-Prints-Toulouse-Lautrecs-Jockey-1.jpg Henri de Toulouse-Lautrec. The Jockey, 1899. Lithograph, 51.6 x 36.3 cm. The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/b/bruegel-2014/6-Courtauld-Prints-Freuds-Blond-Girl.jpg Lucian Freud. Blond Girl, 1985. Etching, 690 x 542 mm. The Courtauld Gallery, London. Frank Auerbach Gift, 2012 © Lucian Freud Archive/Bridgeman Art Library. https://www.studiointernational.com/index.php/light-3-fridman-gallery https://www.studiointernational.com/images/articles/l/light-3-2014/Light3_StephenDean-(1).jpg Stephen Dean. A Frame, 2013. Aluminium structure and dichroic glass, (14 panels of 11 1/4 x 14 3/4 in) 92 x 56 x 17 in. https://www.studiointernational.com/images/articles/l/light-3-2014/Light3_StephenDean_EthanRyman.jpg Stephen Dean. Prayer Mill, 2009. Metal structure and dichroic glass, (40 panels of 4 x 6 in) 72 x 10 in x 10 in. https://www.studiointernational.com/images/articles/l/light-3-2014/Light3_EthanRyman.jpg Ethan Ryman. Configuration 1, 2014. Acrylic and gesso on wood, 29 1/4 x 30 1/2 x 2 1/4 in. https://www.studiointernational.com/images/articles/l/light-3-2014/Light3_EthanRyman2.jpg Ethan Ryman. Shift 2, 2004. Acrylic on wood with masking tape, 7 1/4 x 20 1/4 x 2 1/4 in. https://www.studiointernational.com/images/articles/l/light-3-2014/Light3_EthanRyman3.jpg Ethan Ryman. Blue shift, 2014. Acrylic on wood with masking tape, ink marker, 18 in x 13 ft x 15 in. https://www.studiointernational.com/images/articles/l/light-3-2014/Light3_JanTichy.jpg Jan Tichy. Installation no. 20 (walls), 2014. Two channel video projection, site-specific. https://www.studiointernational.com/images/articles/l/light-3-2014/Light3_JanTichy3.jpg Jan Tichy. Installation no. 20 (walls), 2014 (2). Two channel video projection, site-specific. https://www.studiointernational.com/images/articles/l/light-3-2014/Light3_JanTichy4.jpg Jan Tichy. Installation no. 20 (walls), 2014 (3). Two channel video projection, site-specific. https://www.studiointernational.com/images/articles/l/light-3-2014/Light3_JanTichy5.jpg Jan Tichy. Untitled (flowers), 2014. Two red lights sticks mounted on wall, 72 x 24 in. https://www.studiointernational.com/index.php/wim-delvoye-in-moscow https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Tatintsian-7.jpg Wim Delvoye. Twisted Dump Truck CCW, 2012. Laser-cut stainless steel. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Daphnis-and-Chloe-1.jpg Wim Delvoye. Daphnis and Chloe, 2009. Polished bronze, diameter 85 cm, height 165 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Twisted-Pieta-3.jpg Wim Delvoye. Twisted Pieta, 2005. Stone lacquered bronze, 76 х 70 х 77 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Delft-Saw-Blades-2.jpg Wim Delvoye. Installation of Delft Saw Blades, 1987. Enamel paint on saw blades, sizes vary. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Double-Helix-CCI-180-00-2.jpg Wim Delvoye. Double Helix CCI 180 00, 2007. Cupronickel, diameter 110 cm x height 50 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Ironing-boards.jpg Wim Delvoye. Installation of Ironing Boards. Enamel paint on enamel boards, approx 170 x 50 x 50 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Nautilus-2.jpg Wim Delvoye. Nautilus, 2010. Laser-cut corten steel, 172 х 150 х 84 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Suppo-Karmanyaka.jpg Wim Delvoye. Suppo Karmanyaka, 2012. Nickeled bronze, 164 x 61 x 51 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Mobius.jpg Wim Delvoye. Mobius, 2012. Silver. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Putti.jpg Wim Delvoye. Putti, 2013. Stereolithography; diameter 58 cm x height 74 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Twisted-Bust-I-2.jpg Wim Delvoye. Twisted Bust I, 2013. Stereolithography; 74 х 43 х 32 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Tatintsian-22.jpg Wim Delvoye. Car Tyre, 2010. Handcarved car tyres, 71 x 14 cm. Gary Tatintsian Gallery. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Cloaca-travel-kit-1.jpg Wim Delvoye. Cloaca Travel Kit, 2007. Mixed media. 20 х 77 х 67 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Coccux-pink-2.jpg Wim Delvoye. Coccux Double, 2011. Marble Rosso Alicante, 25 х 49 х 39 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Gandagas-A-72-1.jpg Wim Delvoye. Gandagas A72993, 1988. Enamel paint on gas canister, diameter 30 cm, height 60 cm. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Tatintsian-29.jpg Wim Delvoye. Installation view. Gary Tatintsian Gallery. https://www.studiointernational.com/images/articles/d/delvoye-wim-2014/Tatintsian-32.jpg Wim Delvoye. Installation view (2). Gary Tatintsian Gallery. https://www.studiointernational.com/index.php/joe-winkelman-interview https://www.studiointernational.com/images/articles/w/winkelman-joe-2014/Approaching-St-Kilda.jpg Joseph Winkelman. Approaching St. Kilda, 2003. Aquatint, 37.8 x 54.3 cm. © the artist. https://www.studiointernational.com/images/articles/w/winkelman-joe-2014/Fingals-Cave.jpg Joseph Winkelman. Fingal’s Cave, 2001. Etching and aquatint, 45 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/w/winkelman-joe-2014/winkelman-Image-3.jpg Joseph Winkelman. Fir and Yew, (Wadham College), 1998. Etching, 50 x 55 cm. © the artist. https://www.studiointernational.com/images/articles/w/winkelman-joe-2014/Hatching-Lane-sketch.jpg Joseph Winkelman. Hatching Lane, Leafield. Sketch, 20 x 50 cm. © the artist. https://www.studiointernational.com/images/articles/w/winkelman-joe-2014/joe-winkelman-2014-2-photo-nick-howard.jpg Joe Winkleman in his studio, 2014. Photograph: Nick Howard. https://www.studiointernational.com/index.php/kelly-richardson-haunted https://www.studiointernational.com/images/articles/r/richardson-kelly-2014/Kelly-Richardson-003aKR.jpg Kelly Richardson. Haunted. Installation view, Void Gallery, Derry. Photograph: Paola Bernardelli. https://www.studiointernational.com/images/articles/r/richardson-kelly-2014/Kelly-Richardson-034KR.jpg Kelly Richardson. Haunted. Installation view, Void Gallery, Derry (2). Photograph: Paola Bernardelli. https://www.studiointernational.com/images/articles/r/richardson-kelly-2014/Kelly-Richardson-037KR.jpg Kelly Richardson. Haunted. Installation view, Void Gallery, Derry (3). Photograph: Paola Bernardelli. https://www.studiointernational.com/images/articles/r/richardson-kelly-2014/Kelly-Richardson-042KR.jpg Kelly Richardson. Haunted. Installation view, Void Gallery, Derry (4). Photograph: Paola Bernardelli. https://www.studiointernational.com/index.php/shaun-mcdowell-interview https://www.studiointernational.com/images/articles/m/mcdowell-shaun-2014/Robert-Crumb-self-loathing.jpg R. Crumb. Self-Loathing Comics #1 (cover), 1994. Ink, correction fluid, and collage on paper, 52.1 x 44.8 x 2.5 cm. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/m/mcdowell-shaun-2014/save-yourself-image-1.jpg (E-E) Evgenij Kozlov. Ошибки учителницы рисования 7а класса, Еrrors of the art teacher of grade 7. From the series Ошипки по дороге в школу / Errars on the Way to School, 1990s. Blue crayon, paper, stamped E-E on the front page, 33.5 x 25 x 2 cm. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/m/mcdowell-shaun-2014/save-yourself-image-3.jpg Rose Wylie. Arab Head and Box, year unknown. Ink and coloured pencil, 33.5 x 25 x 1.5 cm. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/m/mcdowell-shaun-2014/save-yourself-image-4.jpg Saul Adamczewski. Save Yourself!, year unknown. Ink on paper, 33.5 x 25 x 1.5 cm. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/m/mcdowell-shaun-2014/save-yourself-image-7.jpg Marie Jacotey. Lying on a Sunday, never getting up, 2014. Coloured pencil on plaster, 14 x 11 x 1 cm. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/m/mcdowell-shaun-2014/shaun-mcdowell-2014.jpg Shaun McDowell, July 2014. Photograph: a passport cubicle. https://www.studiointernational.com/index.php/the-berlin-art-prize-2014 https://www.studiointernational.com/images/articles/b/berlin-art-prize-2014/BerlinArtPrize_UluBraun.jpg Ulu Braun. FORST, 2013. Video, single channel, 10min 45sec. Joseph Kadow and Timothy Schaumburg. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/berlin-art-prize-2014/BerlinArtPrize_DesPtohographies.jpg Des Ptohographies. Roche I-V, 2012. Photograph, 55 x 83 cm (each). Joseph Kadow and Timothy Schaumburg. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/berlin-art-prize-2014/BerlinArtPrize_Okka-EstherHungerbuehler.jpg Okka-Esther Hungerbühler. Blume, 2014. Adhesive foil, newspaper, wood, acrylic, battery, personal computer, 120 x 40 x 40 cm. Joseph Kadow and Timothy Schaumburg. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/berlin-art-prize-2014/Anne-Lass_Licht.jpg Anne Lass. Licht, 2012.  Photography, 92 x 80 cm. Photograph: Joseph Kadow and Timothy Schaumburg. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/berlin-art-prize-2014/Jean-Baptiste-Bouvet_Untitled-Door01.jpg Jean-Baptiste Bouvet. Untitled (door_01), 2014. Coloured varnish on wood, dimensions variable. Photograph: Joseph Kadow and Timothy Schaumburg. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/berlin-art-prize-2014/Kata-Unger_Battlefield-Shaping.jpg Kata Unger. Battlefield Shaping, 2013. Wool on wool, 267 x 197 cm. Photograph: Joseph Kadow and Timothy Schaumburg. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/berlin-art-prize-2014/Paolo-Chiesera_Nomad.jpg Paolo Chiesera, II. Stile (Tent) / Nomadic canvas-based artist run exhibition space, 2013. Oil on canvas (unstreched), 300 x 400 cm. Photograph: Joseph Kadow and Timothy Schaumburg. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/berlin-art-prize-2014/Dafna-Maimon_TheSheTheSame.jpg Dafna Maimon. The She The Same, 2014. Video, single channel, 23 min. Photograph: Joseph Kadow and Timothy Schaumburg. Courtesy of the artist. https://www.studiointernational.com/index.php/dennis-hopper-the-lost-album https://www.studiointernational.com/images/articles/h/hopper-dennis-2014/Dennis-Hopper-Key-019.jpg Dennis Hopper. Leon Bing, 1966. Photograph, 17.68 x 24.59 cm. The Hopper Art Trust © Dennis Hopper, courtesy The Hopper Art Trust. www.dennishopper.com https://www.studiointernational.com/images/articles/h/hopper-dennis-2014/Dennis-Hopper-Key-049.jpg Dennis Hopper. Irving Blum and Peggy Moffitt, 1964. Photograph, 16.69 x 24.92 cm. The Hopper Art Trust © Dennis Hopper, courtesy The Hopper Art Trust. www.dennishopper.com https://www.studiointernational.com/images/articles/h/hopper-dennis-2014/Dennis-Hopper-Key-070.jpg Dennis Hopper. Andy Warhol, Henry Geldzahler, David Hockney and Jeff Goodman, 1963. Photograph, 17.25 x 24.74 cm. The Hopper Art Trust © Dennis Hopper, courtesy The Hopper Art Trust. www.dennishopper.com https://www.studiointernational.com/images/articles/h/hopper-dennis-2014/Dennis-Hopper-Key-431.jpg Dennis Hopper. Martin Luther King, Jr., 1965. Photograph, 23.37 x 34.29 cm. The Hopper Art Trust © Dennis Hopper, courtesy The Hopper Art Trust. www.dennishopper.com https://www.studiointernational.com/images/articles/h/hopper-dennis-2014/Dennis-Hopper-Key-123.jpg Dennis Hopper. Jane Fonda and Roger Vadim at Their Wedding in Las Vegas, 1965. Photograph, 17.02 x 24.87 cm. The Hopper Art Trust © Dennis Hopper, courtesy The Hopper Art Trust. www.dennishopper.com https://www.studiointernational.com/images/articles/h/hopper-dennis-2014/Dennis-Hopper-Key-129.jpg Dennis Hopper. Paul Newman, 1964. Photograph, 16.64 x 25.02 cm. The Hopper Art Trust © Dennis Hopper, courtesy The Hopper Art Trust. www.dennishopper.com https://www.studiointernational.com/images/articles/h/hopper-dennis-2014/Dennis-Hopper-Key-149.jpg Dennis Hopper. Untitled (Blue Chip Stamps), 1961-67. Photograph, 24.97 x 17.12 cm. The Hopper Art Trust © Dennis Hopper, courtesy The Hopper Art Trust. www.dennishopper.com https://www.studiointernational.com/images/articles/h/hopper-dennis-2014/Dennis-Hopper-Key-165.jpg Dennis Hopper. Untitled (Hippie Girl Dancing), 1967. Photograph, 34.29 x 23.37 cm. The Hopper Art Trust © Dennis Hopper, courtesy The Hopper Art Trust. www.dennishopper.com https://www.studiointernational.com/images/articles/h/hopper-dennis-2014/Dennis-Hopper-Key-373.jpg Dennis Hopper. Double Standard, 1961. Photograph, 17.45 x 24.87 cm. The Hopper Art Trust © Dennis Hopper, courtesy The Hopper Art Trust. www.dennishopper.com https://www.studiointernational.com/index.php/charlotte-hodes-interview-painter-female-form-grammar-ornament https://www.studiointernational.com/images/articles/h/hodes-charlotte-2014/Proposition-14-Grammar-of-Ornament.jpg Charlotte Hodes. Grammar of Ornament: Proposition 14, The Colour Blue, 2014. Papercut, 56 x 83 cm. https://www.studiointernational.com/images/articles/h/hodes-charlotte-2014/Proposition-15.jpg Charlotte Hodes. Grammar of Ornament: Proposition 15, Light and Shade, Red, 2014. Papercut, 53 x 75 cm. https://www.studiointernational.com/images/articles/h/hodes-charlotte-2014/PO18_Detail2-copy.jpg Charlotte Hodes. Grammar of Ornament: Proposition 18, Field of Squares I, 2014 (detail). Papercut, 53 x 74.5 cm. https://www.studiointernational.com/images/articles/h/hodes-charlotte-2014/charlotte-hodes_MAY2401.jpg Charlotte Hodes. Studio interior with collage materials (2), London, May 2013. Photograph: Nick Howard. https://www.studiointernational.com/images/articles/h/hodes-charlotte-2014/Proposition-18-Field-of-Squares.jpg Charlotte Hodes. Grammar of Ornament: Proposition 18, Field of Squares I, 2014. Papercut, 53 x 74.5 cm. https://www.studiointernational.com/images/articles/h/hodes-charlotte-2014/Proposition-25.jpg Charlotte Hodes. Grammar of Ornament: Proposition 25, Lethargy, 2014. Papercut, 75.4 x 54.6 cm. https://www.studiointernational.com/images/articles/h/hodes-charlotte-2014/charlotte-hodes_MAY2307.jpg Charlotte Hodes in her studio, London, May 2013. Photograph: Nick Howard. https://www.studiointernational.com/images/articles/h/hodes-charlotte-2014/charlotte-hodes_MAY2285.jpg Charlotte Hodes. Studio interior with collage materials, London, May 2013. Photograph: Nick Howard. https://www.studiointernational.com/images/articles/h/hodes-charlotte-2014/charlotte-hodes_MAY2346.jpg Charlotte Hodes. Studio, work in progress, London, May 2013. Photograph: Nick Howard. https://www.studiointernational.com/index.php/dreams-or-reality-contemporary-art-in-moscow-summer-2014 https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/MP-1-natalie-maximova.jpg Natalie Maximova, True Self, 2013. Photograph, 60 x 60 cm. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/MP-4_1-olegmatrokhin.jpg Oleg Matrokhin, Phlogiston: Epitaph, 2013. Series of objects, assemblage from household textiles Dimensions variable Courtesy of the artist Photograph: Olga Alexeyenko. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/MP-5_2-Sylvia-Javen-3.jpg Sylvia Javén, Someone Else’s Problem, 2014. Installation. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/MP-7-kate-elliott.jpg Kate Elliott. The Study of Peter Pan, 2013. Photograph and video installation. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/MP-8-li-ran.jpg Li Ran. Another Modern Artist, 2013. Video, b/w, sound, 7:05 min. Courtesy of the artist and Aike-Dellarco Gallery, Shanghai. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/MP-9-chen-zhou-morning_.jpg Chen Zhou. Morning, 2011. 16 mm film transferred to HD video, colour, sound, 13:00 min. Courtesy of the artist and Aike-Dellarco Gallery, Shanghai. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/SP-3-Samir-Salakhov-1.jpg Samir Salakhov. Aquatic Life, 2013. Series of stencils. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/SP-5-zamir-suleymanov.jpg Zamir Suleymanov. Changli and His Army, 2013. Installation with 21 fans, 4.5 x 4.5 metres. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/Winzavod-1_4-Bismark-OMON-Kadan-Pedestal.jpg Nikita Kadan. Pedestal. Practice of Exclusion, 2009-11. Installation. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/Winzavod-5-Makarevich.jpg Igor Makarevich. Toadstool with Tatlin’s Tower, 2008. Installation. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/Winzavod-ZIP-Third-Lagoon-1.jpg Art group ZIP. The Third Lagoon, 2014. Total installation. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/MP-2-olya_kroytor_point.jpg Olya Kroytor. Point of Support, 2013. Performance. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/MP-3_3-zip-group-tower2.jpg ZIP Group. Civil Resistance District, 2013. Command Tower Object, wood, megaphone 250 x 150 x 150 cm. Courtesy of the artists. https://www.studiointernational.com/images/articles/m/moscow-biennale-2014/MP-3_10-zipgroup-sketch-for-tower.jpg ZIP Group. Civil Resistance District, 2013. Sketch for Command Tower Object. Courtesy of the artists. https://www.studiointernational.com/index.php/the-global-art-compass-new-directions-in-21st-century-art https://www.studiointernational.com/images/articles/b/book_covers/Global-Art-Compass-cover.jpg The Global Art Compass: New Directions in 21st-Century Art by Alistair Hicks. Published by Thames and Hudson, London, 2014. https://www.studiointernational.com/index.php/back-to-eden-contemporary-artists-wander-the-garden https://www.studiointernational.com/images/articles/b/back-to-eden-2014/Jennifer-Scanlan-portrait.jpg Jennifer Scanlon, 2014. https://www.studiointernational.com/images/articles/b/back-to-eden-2014/Furnas-The-Fruit-Eaters.jpg Barnaby Furnas. The Fruit Eaters, 2013. Acrylic on linen, 88 × 96 in. Courtesy of the artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/b/back-to-eden-2014/Fuss-The-Space-Between-the-Garden-and-Eve.jpg Adam Fuss. The Space Between Garden and Eve, 2011. Daguerreotype, 23 1/2 × 38 in. Courtesy of the artist and Cheim & Read, New York. https://www.studiointernational.com/images/articles/b/back-to-eden-2014/Reis-Vertical-Garden-Falling-Water.jpg Naomi Reis. Vertical Garden (Falling Water), 2008. Acrylic and ink mixed media collage on mylar, 53 × 35 in. Collection of Katarina Maxianova and Aaron Hagedorn. https://www.studiointernational.com/images/articles/b/back-to-eden-2014/Rockman-Gowanus.jpg Alexis Rockman. Gowanus, 2013. Oil on wood, 72 × 90 in. Courtesy of the Artist and Sperone Westwater, New York. https://www.studiointernational.com/images/articles/b/back-to-eden-2014/Tomaselli-Study-for-Explusion.jpg Fred Tomaselli. Study for Expulsion, 2000. Leaves, pills, acrylic, photocollage, and resin on wood panel, 24 × 30 in. Private Collection. https://www.studiointernational.com/images/articles/b/back-to-eden-2014/bell-detail-1_CP.jpg Anonda Bell. Neither Shall You Touch It, 2013-14 (detail). Mixed media on cut paper, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/back-to-eden-2014/sherwood_image.jpg Dana Sherwood. Banquets in the Dark Wildness, 2014. Video monitors, steel, aluminium, glass, plaster, clay, resin, foam, papier-mâché, and varnish, 28 × 42 × 70 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/back-to-eden-2014/Campos-pons_CP.jpg Maria Magdalena Campos-Pons. The One That Carries Fire, 2011. Drawing and mixed media on paper, three panels, 34 × 92 in each. Courtesy of the artist and Stephan Stoyanov Gallery. https://www.studiointernational.com/index.php/lucia-pizzani-interview https://www.studiointernational.com/images/articles/p/pizzani-lucia-2014/K17A3027-copy.jpg Lucía Pizzani. Capullo A9, 2013. Stoneware with multilayered glazing, 17 x 17 x 14 cm. https://www.studiointernational.com/images/articles/p/pizzani-lucia-2014/K17A3030-copy.jpg Lucía Pizzani. Capullo A4, 2013. Stoneware with multilayered glazing, 32 x 20 x 9 cm. https://www.studiointernational.com/images/articles/p/pizzani-lucia-2014/K17A3135-copy.jpg Lucía Pizzani. Impronta Series, 2013. Julia, Annie, Patricia, Paola and Kathiuska. Wet collodion photography on aluminium plates, 13 x 9 cm. https://www.studiointernational.com/images/articles/p/pizzani-lucia-2014/LPizzani-Improntas-Julia.jpg Lucía Pizzani. Impronta Series, 2013. Julia. Wet collodion photography on aluminium plates, 13 x 9 cm. https://www.studiointernational.com/images/articles/p/pizzani-lucia-2014/him.jpg Lucía Pizzani. Impronta Series, Him, 2013. Wet collodion processed photography on cotton paper, 40 x 30 cm. https://www.studiointernational.com/images/articles/p/pizzani-lucia-2014/her.jpg Lucía Pizzani. Impronta Series, Her, 2013. Wet collodion processed photography on cotton paper, 40 x 30 cm. https://www.studiointernational.com/images/articles/p/pizzani-lucia-2014/video-still-LpIzzani.jpg Lucía Pizzani. Noctura II ‐ Homage to Loie Fuller, 2013. Single-channel video, 1min 52s (video still). https://www.studiointernational.com/images/articles/p/pizzani-lucia-2014/lucia-pizzani-portrait.jpg Lucía Pizzani. Photograph: Gabriel Diaz. https://www.studiointernational.com/index.php/fiona-banner-interview-paolo-pellegrin-mistah-kurtz-not-dead https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-01.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014. Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-01b.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (2). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-02c.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (3). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-03.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (4). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-07.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (5). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-09.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (6). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-10.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (7). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-11-detail.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (8). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-11.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (9). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-13.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (10). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-14.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (11). Photograph: FXP Photography. https://www.studiointernational.com/images/articles/b/banner-fiona-2014/Fiona-Banner-2014_06_05-14-detail.jpg Fiona Banner in collaboration with Paolo Pellegrin and in association with the Archive of Modern Conflict. Mistah Kurtz – He Not Dead installation view at PEER, 2014 (12). Photograph: FXP Photography. https://www.studiointernational.com/index.php/gustav-metzger-interview-kettles-yard-auto-destructive-auto-creative-art-liquid-crystal https://www.studiointernational.com/images/articles/m/metzger-gustav-2014/metzger_1112.jpg Gustav Metzger. Liquid Crystal Environment, 1965/2005, exhibition view. © Kettle’s Yard, University of Cambridge. Photograph: Paul Allitt. https://www.studiointernational.com/images/articles/m/metzger-gustav-2014/metzger_1119.jpg Gustav Metzger. Liquid Crystal Environment, 1965/2005, exhibition view (2). © Kettle’s Yard, University of Cambridge. Photograph: Paul Allitt. https://www.studiointernational.com/images/articles/m/metzger-gustav-2014/metzger_1185.jpg Gustav Metzger. Dancing Tubes, exhibition view, 2014. © Kettle’s Yard, University of Cambridge. Photograph: Paul Allitt. https://www.studiointernational.com/images/articles/m/metzger-gustav-2014/metzger_1254.jpg Gustav Metzger. Drop on Hot Plate, exhibition view, 2014. © Kettle’s Yard, University of Cambridge. Photograph: Paul Allitt. https://www.studiointernational.com/images/articles/m/metzger-gustav-2014/metzger_1515.jpg Gustav Metzger. Drop on Hot Plate (detail), exhibition view, 2014. © Kettle’s Yard, University of Cambridge. Photograph: Paul Allitt. https://www.studiointernational.com/images/articles/m/metzger-gustav-2014/metzger_1314.jpg Gustav Metzger. Mica Cube, exhibition view, 2014. © Kettle’s Yard, University of Cambridge. Photograph: Paul Allitt. https://www.studiointernational.com/images/articles/m/metzger-gustav-2014/metzger_1202.jpg Gustav Metzger. Light Drawings. Exhibition view, 2014. © Kettle’s Yard, University of Cambridge. Photograph: Paul Allitt. https://www.studiointernational.com/index.php/virginia-woolf-art-life-and-vision https://www.studiointernational.com/images/articles/w/woolf-virginia-2014/002-Leonard-and-Virginia-Woolf-P439-Freund.jpg Gisele Freund. Virginia and Leonard Woolf, 1939. © Estate Gisèle Freund/IMEC Images. https://www.studiointernational.com/images/articles/w/woolf-virginia-2014/068-Woolf-A-Conversation.jpg Vanessa Bell. A Conversation, 1913-16. © The Samuel Courtauld Trust/1961 Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/w/woolf-virginia-2014/woolf_three_guineas_cover.jpg Three Guineas by Virginia Woolf, Hogarth Press, 1938. Cover design by Vanessa Bell. © Estate of Vanessa Bell, courtesy of Henrietta Garnett. Image: Victoria University Library. https://www.studiointernational.com/index.php/truth-and-memory-british-art-of-the-first-world-war https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_000518-Paths-of-Glory.jpg CRW Nevinson. Paths of Glory, 1917. Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_001146-We-Are-Making-a-New-World.jpg Paul Nash. We Are Making a New World, 1918. Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_001460-Gassed.jpg John Singer Sargent. Gassed, 1919. Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_001984-In-the-Gun-Factory-at-Woolwich-Arsenal.jpg George Clausen. In the Gun Factory at Woolwich Arsenal, 1918. Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_002243-large-Oppy-Wood.jpg John Nash. Oppy Wood, 1917, Evening (1918). Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_002268-large-Travoys-Arriving-with-Wounded.jpg Stanley Spencer. Travoys Arriving with Wounded at a Dressing-Station at Smol, Macedonia, September 1916 (1919). Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_002271-Shop-for-Machining-15-inch-Shells.jpg Anna Airy. Shop for Machining 15-inch Shells: Singer Manufacturing Company, Clydebank, Glasgow, 1918. Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_002747-large-A-Battery-Shelled-(1919).jpg Percy Wyndham Lewis. A Battery Shelled, 1919. Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_003819-Gassed.jpg Gilbert Rogers. Gassed. 'In Arduis Fidelis', 1919. Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_004438-To-the-Unknown-Soldier-in-France.jpg William Orpen. To the Unknown Soldier in France, 1921-1928. Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_004655-Youth-Mourning.jpg George Clausen. Youth Mourning, 1916. Oil on canvas. © IWM. https://www.studiointernational.com/images/articles/t/truth-and-memory-2014/IWM_ART_015661-The-Kensingtons-at-Laventie.jpg Eric Kennington. The Kensingtons at Laventie, 1915. Oil on glass. © IWM. https://www.studiointernational.com/index.php/bartosz-beda-interview https://www.studiointernational.com/images/articles/b/beda-bartosz-2014/Blue-Fellow.jpg Bartosz Beda. Blue Fellow, 2014. Oil on canvas, 178 x 132 cm. © Bartosz Beda. https://www.studiointernational.com/images/articles/b/beda-bartosz-2014/Europa(nic)-III.jpg Bartosz Beda. Europa(nic) III, 2014. Oil on wood panel, 38 x 26 cm. © Bartosz Beda. https://www.studiointernational.com/images/articles/b/beda-bartosz-2014/Ras(Putin)-III.jpg Bartosz Beda. Ras(Putin) III, 2014. Oil on wood panel, 30 x 30 cm. © Bartosz Beda. https://www.studiointernational.com/images/articles/b/beda-bartosz-2014/Solaris(Study).jpg Bartosz Beda. Solaris (Study), 2014. Oil on canvas, 50 x 39 cm. © Bartosz Beda. https://www.studiointernational.com/images/articles/b/beda-bartosz-2014/Temptation-II.jpg Bartosz Beda. Temptation II, 2014. Oil on canvas, 183 x 148 cm. © Bartosz Beda. https://www.studiointernational.com/images/articles/b/beda-bartosz-2014/View-Finder-II.jpg Bartosz Beda. View Finder II, 2013. Oil on canvas, 132 x 101 cm. © Bartosz Beda. https://www.studiointernational.com/index.php/the-space-where-i-am https://www.studiointernational.com/images/articles/t/the-space-where-I-am-2014/Donald-Judd,-Untitled,-1969.jpg Donald Judd. Untitled, 1969. Clear anodized aluminium and brushed aluminium, 21 x 642.6 x 20.3 cm (8¼ x 253 x 8 in). © the artist. Image courtesy of the artist and Blain|Southern. Photograph: Prudence Cuming. https://www.studiointernational.com/images/articles/t/the-space-where-I-am-2014/Michael-Joo,-Emigrant,-2012.jpg Michael Joo. Emigrant, 2012. Mirrored borosilicate glass, approx. 139.7 x 61 x 81.3 cm (55 x 24 x 32 in). © the artist. Image courtesy of the artist and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/t/the-space-where-I-am-2014/Rachel-Whiteread,-Untitled-(Paperbacks).jpg Rachel Whiteread. Untitled (Paperbacks), 2000. Plaster, polystyrene and steel 30.5 x 200.7 cm (12 x 79 in). © the artist. Image courtesy of the artist and Blain|Southern. Photograph: Todd White. https://www.studiointernational.com/images/articles/t/the-space-where-I-am-2014/Rosy-Keyser,-Eves-First-Confusion-Between-Penises-and-Snakes,-2012.jpg Rosy Keyser. Eve's First Confusion Between Penises and Snakes, 2012. String, sawdust, wood, enamel, dye and snakeskin 284.5 x 241.3 x 15.2 cm (112 x 95 x 6 in). © the artist. Image courtesy the artist and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/t/the-space-where-I-am-2014/Tom-Friedman,-Untitled-(A-Curse),-1992.jpg Tom Friedman. Untitled (A Curse), 1992. 11 inch sphere of space floating 11 inch above the top of a pedestal cursed by a witch, 133.4 x 28 x 28 cm (52½ x 11 x 11 in). © the artist. Image courtesy the artist and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/t/the-space-where-I-am-2014/Installation-Shot-4.jpg The Space Where I Am, installation view. Image courtesy the artist and Blain|Southern. Photograph: Peter Mallet https://www.studiointernational.com/index.php/radical-geometry-modern-art-of-south-america-from-the-patricia-phelps-de-cisneros-collection https://www.studiointernational.com/images/articles/r/radical-geometry-2014/Alfredo-Hlito-.jpg Alfredo Hlito. Chromatic Rhythms II, 1947. Oil on canvas, 69.9 x 70.2 cm. Coleccíon Patricia Phelps de Cisneros. © Sonia Henriquez Urena de Hlito. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/Carlos-Cruz-Diez.jpg Carlos Cruz-Diez. Physichromie No. 500, 1970. Casein paint on PVC and acrylic on plywood sheets, 183 x 484 x 8 cm. Coleccíon Patricia Phelps de Cisneros. © ADAGP, Paris and DACS, London 2014. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/CarlosCruz-Diez-Physichromie-No500_b1970.jpg Carlos Cruz-Diez. Physichromie No. 500, 1970. Casein paint on PVC and acrylic on plywood sheets, 183 x 484 x 8 cm. Gallery view. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/Gego,-Eight-Squares,-1961,-Painted-iron.jpg Gego (Gertrude Goldschmidt). Eight Squares, 1961. Painted iron. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/Gego.jpg Gego (Gertrude Goldschmidt). Sphere, 1976. Stainless steel, 99.1 x 91.4 x 88.9 cm. Coleccíon Patricia Phelps de Cisneros. © Fundación Gego. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/Helio-Oiticica,-Red-Monochrome,-c.jpg Helio Oiticica. Red Monochrome, c1959. Oil on plywood. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/JesusSoto_NylonCube_a,1990.jpg Jesus Soto. Nylon Cube, c1990. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/Joaquin-Torres-Garcia.jpg Joaquin Torres-Garcia. Construction in White and Black, 1938. Oil on paper mounted on wood, 80.7 x 101.9 cm. The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros in honour of David Rockefeller, 2004. Photo Coleccíon Patricia Phelps de Cisneros. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/Juan-Mele.jpg Juan Melé. Irregular Frame No. 2, 1946. Oil on plywood, 71.1 x 50.2 x 2.5 cm. Coleccíon Patricia Phelps de Cisneros. © Estate of Juan Mele. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/Lygia-Clark.jpg Lygia Clark. Machine–Medium, 1962. Golden aluminum, approx. 48.2 x 66.1 x 61 cm. Coleccíon Patricia Phelps de Cisneros. © The World of Lygia Clark Cultural Association. https://www.studiointernational.com/images/articles/r/radical-geometry-2014/Lygia-Pape.jpg Lygia Pape. Untitled (from the series Weaving), 1959. Woodcut on paper, 24.4 x 24.8 cm. Coleccíon Patricia Phelps de Cisneros. © Projeto Lygia Pape. https://www.studiointernational.com/index.php/peter-hujar-photographs-life-death-maureen-paley https://www.studiointernational.com/images/articles/h/hujar-peter-2014/MP-HUJAP-00053-A-300.jpg Peter Hujar. Self-Portrait Smoking, 1958. © 1987 The Peter Hujar Archive LLC. Courtesy Maureen Paley, London; Pace/MacGill Gallery, New York. https://www.studiointernational.com/images/articles/h/hujar-peter-2014/MP-HUJAP-00038-B-300.jpg Peter Hujar. David Wojnarowicz Reclining (II), 1981. © 1987 The Peter Hujar Archive LLC. Courtesy Maureen Paley, London; Pace/MacGill Gallery, New York. https://www.studiointernational.com/images/articles/h/hujar-peter-2014/MP-HUJAP-00040-B-300.jpg Peter Hujar. Diana Vreeland (II), 1975. © 1987 The Peter Hujar Archive LLC. Courtesy Maureen Paley, London; Pace/MacGill Gallery, New York. https://www.studiointernational.com/images/articles/h/hujar-peter-2014/MP-HUJAP-00041-C-300.jpg Peter Hujar. Divine (II), 1975. © 1987 The Peter Hujar Archive LLC. Courtesy Maureen Paley, London; Pace/MacGill Gallery, New York. https://www.studiointernational.com/images/articles/h/hujar-peter-2014/MP-HUJAP-00042-B-300.jpg Peter Hujar. Ethyl Eichelberger as Nefertiti (III), 1979. © 1987 The Peter Hujar Archive LLC. Courtesy Maureen Paley, London; Pace/MacGill Gallery, New York. https://www.studiointernational.com/images/articles/h/hujar-peter-2014/MP-HUJAP-00046-B-300.jpg Peter Hujar. Merce Cunningham and John Cage Seated (II), 1986. © 1987 The Peter Hujar Archive LLC. Courtesy Maureen Paley, London; Pace/MacGill Gallery, New York. https://www.studiointernational.com/images/articles/h/hujar-peter-2014/MP-HUJAP-00048-B-300.jpg Peter Hujar. Paul Thek (IV), 1975. © 1987 The Peter Hujar Archive LLC. Courtesy Maureen Paley, London; Pace/MacGill Gallery, New York. https://www.studiointernational.com/index.php/manifesta-10-european-biennial-contemporary-art-life-remarkable-monroe-russia https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_1 wp_beuys_joseph.jpg Joseph Beuys. Wirtschaftswerte (Economic Values), 1980. Iron shelves with basic food and tools from East Germany; plaster block with pencil and fat; paintings from the collection of the host museum. Shelves: 290 × 400 × 265 cm; Plaster block: 98.5 × 55.5 × 77.5 cm. Collection of S.M.A.K. Stedelijk Museum voor Actuele Kunst, Ghent, Belgium. Installation view, MANIFESTA 10, Winter Palace, State Hermitage Museum. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_2_wp_bourgeois_louise_IMG_9945.jpg Louise Bourgeois. Centre: The Institute, 2002. Silver 30.5 x 70.5 x 46.4 cm. Steel, glass, mirrors, and wood. Vitrine 177.8 x 101.6 x 60.9 cm. Collection of The Easton Foundation, New York, USA. Right: Nature Study, 1984–94. Courtesy State Hermitage Museum, St. Petersburg. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_4 wp_dumas_marlene_IMG_9311.jpg Marlene Dumas. Installation view, MANIFESTA 10, Winter Palace, State Hermitage Museum. This presentation has been made possible with financial support from the Mondriaan Fund and Wilhelmina E. Jansen Fund. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_6 N.Eisenman_It_is_so_2014_fin_lowres.jpg Nicole Eisenman. It is so. 2014. Oil on canvas, 65 x 82 in. Courtesy of the artist and Koenig & Clinton, New York; Galerie Barbara Weiss, Berlin; and Susanne Vielmetter Los Angeles Projects, Los Angeles. Collection of the Artist. Photograph: John Berens. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_7 wp_fritsch_hatharina_IMG_9254.jpg Katharina Fritsch. Woman with Dog, 2004. Polyester, aluminium, metal, colour. Woman 176 x 100 cm. Dog 49 x 44 x 68 cm. With the support of the Arts Foundation of North Rhine-Westphalia and the Institut für Auslandsbeziehungen e.V. Collection Stefan Edlis and Gael Neeson. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_11_Alys M10.jpg Francis Alÿs. Lada “Kopeika” Project. Brussels—St. Petersburg (video still), 2014. Video, 9 min. In collaboration with brother Frédéric, Constantin Felker, and Julien Devaux. Commissioned by MANIFESTA 10, St. Petersburg. With the support of the Flemish authorities. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_12 gsb_hirschhorn_thomas_ABSCHLAG-01.jpg Thomas Hirschhorn. ABSCHLAG, 2014. Scaffolding construction 16.5 × 9.36 × 3.25 m. Cardboard sheets, packing tape, wood, plywood boards, rolls of aluminium foil, polyethylene electric pipes, metal (Inox) pipes, acrylic, spray, styrofoam, foam blocks. Furniture for the room: 6 tables, 6 beds, 6 chairs, 12 beside chests, 6 bureaus, 6 chairs, 6 heaters, 6 closets, 6 chandeliers, 6 table lamps. Paintings by Kazimir Malevich, Pavel Filonov and Olga Rozanova from the collection of the State Russian Museum, St. Petersburg, Russia. Commissioned by MANIFESTA 10, St. Petersburg. With the support of the LUMA Foundation and the Swiss Arts Council Pro Helvetia. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_13 (2) Boris Mikhailov Liberty or Death Part of Maidan Installation.jpg Boris Mikhailov. The Theatre of War. Second Act. Time Out, 2013. Courtesy of the artist. Commissioned by MANIFESTA 10, St. Petersburg. With the support of the Institut für Auslandsbeziehungen e.V. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_14 gsb_nauman_bruce_install.jpg Bruce Nauman. Mapping the Studio I (Fat Chance John Cage), 2001. 7 DVD projections, 5:40:00 min. Collection of Dia Art Foundation; Partial Gift, Lannan Foundation, 2013. Exhibition copy — the original is on view at Dia: Beacon, New York, USA. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_19 Rineke Dijkstra.jpg Rineke Dijkstra. Marianna, 2014. Video. Commissioned by MANIFESTA 10, St. Petersburg. With the support of the Ilya Kuznetsov Ballet School of Dance and the St. Petersburg Center of artistic gymnastics “Zhemchuzhina”. With the support of the Mondrian Foundation and the Wilhelmina Jansen Foundation. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_21 (1) Vladislav Mamyshev-Monroe. Tragic Love. 1993. Black _ white photo, hand-colored. Collection of Elena Selina Gallery.jpg Vladislav Mamyshev-Monroe. Tragic Love. 1993. Black and white photograph, hand coloured. Courtesy of the artist's estate. https://www.studiointernational.com/images/articles/m/manifesta10-2014/M10_21-2-Vladislav Mamyshev-Monroe-Tragic-Love-1993ed.jpg Vladislav Mamyshev-Monroe. Tragic Love. 1993. Black and white photograph, hand coloured. Collection of Elena Selina – XL Gallery. https://www.studiointernational.com/index.php/i-must-first-apologise-joana-hadjithomas-khalil-joreige-email-scams https://www.studiointernational.com/images/articles/j/joana-and-khalil-2014/1-2-Hadjithomas-Joreige-La-Rumeur-du-monde---2014.jpg Joana Hadjithomas and Khalil Joreige. La Rumeur du monde, 2014. Installation video, 23 écrans, 100 hauts parleurs, 38 films HD, durées variables. Photograph : Villa Arson - J. Brasille. Courtesy des artistes et galeries In Situ Fabienne Leclerc (Paris), CRG (New York), The Third Line (Dubai). https://www.studiointernational.com/images/articles/j/joana-and-khalil-2014/12-3-Hadjithomas-Joreige-Its-all-real-Sasha-2014.jpg Joana Hadjithomas and Khalil Joreige. It’s all real / Tout est vrai : Sasha, 2014. Installation vidéo, 2 projections synchronisées HD, 4 min 23 sec, 2014. Courtesy des artistes et galeries In Situ Fabienne Leclerc (Paris), CRG (New York), The Third Line (Dubai). https://www.studiointernational.com/images/articles/j/joana-and-khalil-2014/14-Hadjithomas-Joreige-2008-Une-matrice--2014.jpg Joana Hadjithomas and Khalil Joreige. 2008, Une matrice , 2014. Sculpture en bois, 200 lames de bois, 110 x 110 x 110 cm, bande son. Courtesy des artistes et galeries In Situ Fabienne Leclerc (Paris), CRG (New York), The Third Line (Dubai). https://www.studiointernational.com/images/articles/j/joana-and-khalil-2014/4-Hadjithomas-Joreige-FIDEL-2014.jpg Joana Hadjithomas and Khalil Joreige. Fidel, 2014. Vidéo, HD, 11 min 48 sec. Photograph: Villa Arson - J. Brasille. Courtesy des artistes et galeries In Situ Fabienne Leclerc (Paris), CRG (New York), The Third Line (Dubai). https://www.studiointernational.com/images/articles/j/joana-and-khalil-2014/6-1-Hadjithomas-Joreige-La-chambre-des-Trophes-2014.jpg Joana Hadjithomas and Khalil Joreige. La Chambre des trophées, 2014. Béton, verre et photographie. Tirages photographiques plastifiés sur rouleaux. Dimensions variables. Photograph: Villa Arson - J. Brasille. Courtesy des artistes et galeries In Situ Fabienne Leclerc (Paris), CRG (New York), The Third Line (Dubai). https://www.studiointernational.com/images/articles/j/joana-and-khalil-2014/6-Hadjithomas-Joreige-DeSyncronicity-2014.jpg Joana Hadjithomas and Khalil Joreige. (DE)SYNCHRONICITY, 2014. Installation vidéo, 4 écrans synchronisés en boucle, 2 min 30 sec, Full HD. Photograph: Villa Arson - J. Brasille. Courtesy des artistes et galeries In Situ Fabienne Leclerc (Paris), CRG (New York), The Third Line (Dubai). https://www.studiointernational.com/images/articles/j/joana-and-khalil-2014/7-2-Hadjithomas-Joreige-A-Letter-Can-Always-Reach-its-Destination-2012.jpg Joana Hadjithomas and Khalil Joreige. A Letter Can Always Reach its Destination / Une lettre arrive toujours à destination, 2012. Installation vidéo. 2 vidéos HD synchronisées, 122 min, écran hologramme. Courtesy The Abraaj Group Art Prize. Courtesy des artistes et galeries In Situ Fabienne Leclerc (Paris), CRG (New York), The Third Line (Dubai). https://www.studiointernational.com/images/articles/j/joana-and-khalil-2014/7-Hadjithomas-Joreige-Une-lettre-arrive-toujours--destination-2012.jpg Joana Hadjithomas and Khalil Joreige. A Letter Can Always Reach its Destination / Une lettre arrive toujours à destination, 2012. Installation vidéo. 2 vidéos HD synchronisées, 122 min, écran hologramme. Photograph: Villa Arson - J. Brasille. Courtesy The Abraaj Group Art Prize. Courtesy des artistes et galeries In Situ Fabienne Leclerc (Paris), CRG (New York), The Third Line (Dubai). https://www.studiointernational.com/images/articles/j/joana-and-khalil-2014/3-3-Hadjithomas-Joreige-La-Gomtrie-de-lespaceGeometrie.jpg Joana Hadjithomas and Khalil Joreige. La Géométrie de l'espace, 2014. Sculpture, acier étiré oxydé, diamètre approximatif 80 cm. Dessins muraux, chronologie de 2005, 2008, 2010. Photograph: Villa Arson. Courtesy des artistes et galeries In Situ Fabienne Leclerc (Paris), CRG (New York), The Third Line (Dubai). https://www.studiointernational.com/index.php/henry-moore-body-void-review-damien-hirst-joseph-beuys https://www.studiointernational.com/images/articles/b/body-and-void-2012/1987_007_cave_web_0.jpg Antony Gormley. Cave, 1987. Charcoal, oil and pigment on paper, 38 x 29 cm. © the artist. Photograph: Antonia Reeve Photography, Edinburgh. https://www.studiointernational.com/images/articles/b/body-and-void-2012/des-hughes-one-thing-leads-to-another.jpg Des Hughes. One Thing Leads to Another. Private collection, © the artist. Courtesy of New Art Centre, Roche Court Sculpture Park. https://www.studiointernational.com/images/articles/b/body-and-void-2012/kapoor_anish_untitled_1997_98.jpg Anish Kapoor. Untitled, 1997-98. Arts Council Collection, Southbank Centre, London. Acquired with assistance from The Henry Moore Foundation. © the artist. https://www.studiointernational.com/images/articles/b/body-and-void-2012/kiss_and_tell_1989_richard_deacon.jpg Richard Deacon. Kiss and Tell, 1989. Epoxy, plywood, steel and timber, 176 x 226 x 170 cm. © the artist. Courtesy of Arts Council Collection, Southbank Centre, London. https://www.studiointernational.com/images/articles/b/body-and-void-2012/mcd_120_uprooted_resting.jpg Paul McDevitt. Uprooted, Resting, 2007. © the artist. Courtesy of the artist and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/b/body-and-void-2012/mcd_3_sculpture_in_a_landscape.jpg Paul McDevitt. Sculpture in a Landscape, 2003. © the artist. Courtesy of Arts Council Collection, Southbank Centre, London. https://www.studiointernational.com/images/articles/b/body-and-void-2012/mclean-fallen-warrior.jpg Bruce McLean. Fallen Warrior, 1969. © the artist. Courtesy of the artist and Tanya Leighton, Berlin. https://www.studiointernational.com/images/articles/b/body-and-void-2012/mclean_poses_for_plinths.jpg Bruce McLean. Pose Work for Plinths. © the artist. Courtesy of the artist and Tanya Leighton, Berlin. https://www.studiointernational.com/images/articles/b/body-and-void-2012/still-feeling-corner_1993.jpg Antony Gormley. Still Feeling (Corner), 1993. Lead, fibreglass and air, 197 x 53 x 36 cm. © the artist. https://www.studiointernational.com/index.php/sapporo-international-art-festival-hokkaido-japan-2014-ryuichi-sakamoto https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2006[1].jpg Ryuichi Sakamoto and Daito Manabe. Sensing Streams, 2014. https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2010[1].jpg Ryuichi Sakamoto and YCAM InterLab. Sensor for Forest Symphony. https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2012[1].jpg Isamu Noguchi. Glass Pyramid, Sapporo Moerenuma Park. https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2020[1].jpg Artist Aiko Miyanaga and the public around sound installation Soramimimisora, 2014. © Aiko Miyanaga. https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2024[1].jpg Aiko Miyanaga. Soramimimisora, 2014. Ceramic bowl with crack using water from Toyohira River. © Aiko Miyanaga. https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2028[1].jpg Taiji Matsue. Aerial photograph of self defense force, Makomanai Military Base, Hokkaido, 2014. https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2048[1].jpg Masao Okabe. The ruins of the Hokkaido Colliery and Steamship Company power station in Mayachi, Yubari, 1998. Frottage, pencil on paper, carton, fabric tape, tempered glass. https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2057[1].jpg Snow Crystal produced in Nakaya’s laboratory. Glass dry plate. Collection of Nakaya Ukichiro Museum of Snow and Ice, Kaga City. https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2076[1].jpg 500-metre-long underground walkways, Chikaho, where Senseless Drawings are being installed. https://www.studiointernational.com/images/articles/s/sapporo-art-festival-2014/IMG_2079[1].jpg Computer monitor converting the sensor of human traffic into signals for drawing. https://www.studiointernational.com/index.php/here-elsewhere-review-contemporary-art-arab-world-middle-east https://www.studiointernational.com/images/articles/h/here-and-elsewhere-2014/KHALILI_Mapping-Journey_Detail.jpg Bouchra Khalili. Mapping Journey #7, from “The Mapping Journey Project,” 2008–11 (still). Video, colour, sound; 6 min. Courtesy the artist and Galerie Polaris, Paris. https://www.studiointernational.com/images/articles/h/here-and-elsewhere-2014/Hourani_Qalandia_820.jpg Wafa Hourani. Qalandia 2087, 2009. Mixed media installation in six parts, sound, 216 x 354 in (550 x 900 cm). Nadour Collection, Düsseldorf. Installation view: Haus der Kunst, Munich. Photograph: Wilfried Petzi. https://www.studiointernational.com/images/articles/h/here-and-elsewhere-2014/Boghiguian_Untitled_3.jpg Anna Boghiguian. Untitled, 2011. Paint and white pencil on paper, 15 3/4 X 11 3/4 in (40 x 30 cm). Courtesy the artist and Sfeir-Semler Gallery, Beirut/Hamburg. https://www.studiointernational.com/images/articles/h/here-and-elsewhere-2014/Arsanios_jamila1.jpg Marwa Arsanios. Have You Ever Killed a Bear? Or Becoming Jamila, 2013–14 (still). Video, colour, sound; 28 min. Courtesy the artist. https://www.studiointernational.com/images/articles/h/here-and-elsewhere-2014/Jabri_collage_10.jpg Ali Jabri. Red Sea, from the “Nasser” series, c1977–83. Collage, 7 7/8 x 5 3/4 in (20 x 14.8 cm). Courtesy Diala al Jabiri. https://www.studiointernational.com/images/articles/h/here-and-elsewhere-2014/Jarrar_infiltrators-1.jpg Khaled Jarrar. Infiltrators, 2012 (still). Video, colour, sound; 70 min. Courtesy the artist. © Khaled Jarrar. https://www.studiointernational.com/images/articles/h/here-and-elsewhere-2014/Shawky_The-Cave_3.jpg Wael Shawky. The Cave (Amsterdam), 2005 (still). Video, colour, sound; 12:45 min. Courtesy the artist and Sfeir-Semler Gallery, Beirut/Hamburg. https://www.studiointernational.com/images/articles/h/here-and-elsewhere-2014/New-Museum_2014_07_Here-and-Elsewhere_Benoit-Pailley_2749.jpg Here and Elsewhere. Courtesy New Museum, New York. Photograph: Benoit Pailley. https://www.studiointernational.com/images/articles/h/here-and-elsewhere-2014/New-Museum_2014_07_Here-and-Elsewhere_Benoit-Pailley_2754b.jpg Here and Elsewhere. Courtesy New Museum, New York (2). Photograph: Benoit Pailley. https://www.studiointernational.com/index.php/wendy-white-madrid-me-marta-spain-movida-madrileno-pedro-almodovar https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_Barca86.300.jpg Wendy White. Barça 86, 2014. Acrylic on canvas, plexiglas and PVC frame, 15.5 x 15.5 in (39.4 x 39.4 cm). https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_ChupaChupa.300.jpg Wendy White. Chupa Chupa, 2014. Acrylic on canvas, plexiglas and PVC frame, 9 in diameter. https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_ElDeseo.300.jpg Wendy White. El Deseo, 2014. Acrylic on canvas, plexiglas and PVC frame, gold mirror, 13 in diameter. https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_LaLuna.300.jpg Wendy White. La Luna, 2014. Acrylic on canvas, plexiglas and PVC frame, sticker, 9 in diameter. https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_Limones.300.jpg Wendy White. Limones (after Ouka Leele), 2014. Acrylic on canvas, plexiglas and PVC frame, stickers, 17 in diameter. https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_MCF.300.jpg Wendy White. MCF II, 2014. Acrylic on canvas, plexiglas and PVC frame, gold, mirror, 9 in diameter. https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_MadridMeMata.300.jpg Wendy White. Madrid Me Mata, 2014. Acrylic on canvas, plexiglas and PVC frame, 18.25 x 13 in (46.4 x 33 cm). https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_RealMadrid.300.jpg Wendy White. Real Madrid, 2014. Acrylic on canvas, gold mirrored PVC frame, 12.6 x 9 in (32.1 x 22.9 cm). https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_Rock-Ola.300.jpg Wendy White. Rock-Ola, 2014. Acrylic on canvas, gold mirrored PVC frame, 10.5 x 10.5 in (26.7 x 26.7 cm). https://www.studiointernational.com/images/articles/w/white-wendy-2014/2014_SalirDeCopas.300.jpg Wendy White. Salir de Copas, 2014. Acrylic on canvas, gold mirrored PVC frame, 13 in diameter. https://www.studiointernational.com/images/articles/w/white-wendy-2014/install_14.jpg Wendy White. Madrid Me Mata Installation view (2). Arts + Leasure Gallery, New York. https://www.studiointernational.com/images/articles/w/white-wendy-2014/install_15.jpg Wendy White. Madrid Me Mata Installation view (3). Arts + Leasure Gallery, New York. https://www.studiointernational.com/images/articles/w/white-wendy-2014/install_16.jpg Wendy White. Madrid Me Mata Installation view (4). Arts + Leasure Gallery, New York. https://www.studiointernational.com/images/articles/w/white-wendy-2014/install_6.jpg Wendy White. Madrid Me Mata Installation view (5). Arts + Leasure Gallery, New York. https://www.studiointernational.com/images/articles/w/white-wendy-2014/install_8.jpg Wendy White. Madrid Me Mata Installation view (6). Arts + Leasure Gallery, New York. https://www.studiointernational.com/images/articles/w/white-wendy-2014/2009_Moriarty.180.jpg Wendy White. Feel Rabid or Not. Galeria Moriarty, Madrid (Sept 17 - Nov 1, 2009) https://www.studiointernational.com/images/articles/w/white-wendy-2014/2012_ARCOBOOTH.300.jpg Wendy White. Solo booth, Galeria Moriarty. ARCO Madrid 2012 https://www.studiointernational.com/images/articles/w/white-wendy-2014/2012_Moriarty.180.jpg Wendy White.En Asfalto. Galeria Moriarty, Madrid (Sept 20 - Nov 1, 2012) https://www.studiointernational.com/index.php/rose-wylie-artist-interview-studio-kent https://www.studiointernational.com/images/articles/w/wylie-rose-2014/rose-wylie-in-her-studio-2014.jpg Rose Wylie talking to Studio International in her Kent studio, 7 July 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/w/wylie-rose-2014/rose-wylie-nicole-kidman-black-strap-painting-in-studio-2014.jpg Rose Wylie. Black Strap painting in progress, 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/w/wylie-rose-2014/rose-wylie-with-nicole-kidman-painting-2014.jpg Rose Wylie talking to Studio International in her kitchen, 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/w/wylie-rose-2014/rose-wylies-(hot)-trainers-2014.jpg Rose Wylie's ‘HOT’ trainers. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/susan-hiller-resounding https://www.studiointernational.com/images/articles/h/hiller-susan-2014/HillerResounding1.jpg Susan Hiller. Resounding (infrared), 2013. Film still (1). 30-minute film. Courtesy of the artist and Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/h/hiller-susan-2014/HillerResounding2.jpg Susan Hiller. Resounding (infrared), 2013. Film still (2). 30-minute film. Courtesy of the artist and Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/h/hiller-susan-2014/HillerResounding3.jpg Susan Hiller. Resounding (infrared), 2013. Film still (3). 30-minute film. Courtesy of the artist and Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/h/hiller-susan-2014/HillerResounding4.jpg Susan Hiller. Resounding (infrared), 2013. Film still (4). 30-minute film. Courtesy of the artist and Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/h/hiller-susan-2014/HillerResounding5.jpg Susan Hiller. Resounding (infrared), 2013. Film still (5). 30-minute film. Courtesy of the artist and Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/h/hiller-susan-2014/Susan-Hiller-2014.jpg Susan Hiller, 2014. Courtesy of the artist and Timothy Taylor Gallery, London. https://www.studiointernational.com/index.php/calum-colvin-interview-artist-photography-scotland https://www.studiointernational.com/images/articles/c/colvin-calum-2014/FragmentVII.jpg Calum Colvin. Fragment VII, 2002. © the artist. https://www.studiointernational.com/images/articles/c/colvin-calum-2014/Hell-1993.jpg Calum Colvin. Hell, 1993. © the artist. https://www.studiointernational.com/images/articles/c/colvin-calum-2014/Last-Judgement-1993.jpg Calum Colvin. Last Judgement, 1993. © the artist. https://www.studiointernational.com/images/articles/c/colvin-calum-2014/Lust1993.jpg Calum Colvin. Lust, 1993. © the artist. https://www.studiointernational.com/images/articles/c/colvin-calum-2014/MuteSwan1994.jpg Calum Colvin. Mute Swan, 1994. © the artist. https://www.studiointernational.com/images/articles/c/colvin-calum-2014/SacredIbis.jpg Calum Colvin. Sacred Ibis, 1995. © the artist. https://www.studiointernational.com/images/articles/c/colvin-calum-2014/The-Common-Runt.jpg Calum Colvin. The Common Runt, 2007. © the artist. https://www.studiointernational.com/images/articles/c/colvin-calum-2014/VanitasAnaglyph.jpg Calum Colvin. Vanitas (Anaglyph), 2007. © the artist. https://www.studiointernational.com/images/articles/c/colvin-calum-2014/CColvin14thMay2013.jpg Calum Colvin, 2013. https://www.studiointernational.com/index.php/isa-genzken-botanical-garden-edinburgh https://www.studiointernational.com/images/articles/g/genzken-isa-2014/_DSC8559.jpg Isa Genzken. Installation view (1), Botanical Garden Inverleith House, Royal Botanic Garden, Edinburgh. © Isa Genzken. Courtesy of Hauser & Wirth and Galerie Buchholz Cologne/Berlin. Photograph: Michael Wolchover. https://www.studiointernational.com/images/articles/g/genzken-isa-2014/_DSC8589.jpg Isa Genzken. Installation view (2), Botanical Garden Inverleith House, Royal Botanic Garden, Edinburgh. © Isa Genzken. Courtesy of Hauser & Wirth and Galerie Buchholz Cologne/Berlin. Photograph: Michael Wolchover. https://www.studiointernational.com/images/articles/g/genzken-isa-2014/_DSC8596.jpg Isa Genzken. Installation view (3), Botanical Garden Inverleith House, Royal Botanic Garden, Edinburgh. © Isa Genzken. Courtesy of Hauser & Wirth and Galerie Buchholz Cologne/Berlin. Photograph: Michael Wolchover. https://www.studiointernational.com/images/articles/g/genzken-isa-2014/_DSC8619.jpg Isa Genzken. Installation view (4), Botanical Garden Inverleith House, Royal Botanic Garden, Edinburgh. © Isa Genzken. Courtesy of Hauser & Wirth and Galerie Buchholz Cologne/Berlin. Photograph: Michael Wolchover. https://www.studiointernational.com/images/articles/g/genzken-isa-2014/_DSC8635.jpg Isa Genzken. Installation view (5), Botanical Garden Inverleith House, Royal Botanic Garden, Edinburgh. © Isa Genzken. Courtesy of Hauser & Wirth and Galerie Buchholz Cologne/Berlin. Photograph: Michael Wolchover. https://www.studiointernational.com/images/articles/g/genzken-isa-2014/_DSC8690.jpg Isa Genzken. Installation view (6), Botanical Garden Inverleith House, Royal Botanic Garden, Edinburgh. © Isa Genzken. Courtesy of Hauser & Wirth and Galerie Buchholz Cologne/Berlin. Photograph: Michael Wolchover. https://www.studiointernational.com/index.php/rashid-johnson-magic-numbers-afrocentrism-new-black-yoga https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/1-2-4.jpg Rashid Johnson. 1,2,4, 2013. Cast bronze, black soap, wax, three panels, each 124.5 x 100.3 x 2.5 cm. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photograph: Martin Parsekian. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/Good-King.jpg Rashid Johnson. Good King, 2013, mirrored tile, black soap, wax, shea butter, plants, vinyl, 426.7 x 426.7 x 35.6 cm. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photograph: Martin Parsekian. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/Good-King_detail.jpg Rashid Johnson. Good King, 2013 (detail), mirrored tile, black soap, wax, shea butter, plants, vinyl, 426.7 x 426.7 x 35.6 cm. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photograph: Martin Parsekian. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/Hollywood-Shuffle.jpg Rashid Johnson. Hollywood Shuffle, 2013, burned red oak flooring, black soap, wax, 243.8 x 426.7 x 7.6 cm. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photograph: Martin Parsekian. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/The-New-Black-Yoga-Installation.jpg Rashid Johnson. The New Black Yoga Installation, 2011. 16mm film transferred to DVD, sound, 10 minutes 57 seconds. Branded Persian rugs, 27.9 x 35.6m. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photograph: Rebecca Constantopoulou and Fanis Vlastaras. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/The-New-Black-Yoga-Installation_detail.jpg Rashid Johnson. The New Black Yoga Installation, 2011 (detail). 16mm film transferred to DVD, sound, 10 minutes 57 seconds. Branded Persian rugs, 27.9 x 35.6m. Courtesy the artist and Hauser & Wirth. © Rashid Johnson. Photograph: Rebecca Constantopoulou and Fanis Vlastaras. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/The-New-Black-Yoga_1.jpg The New Black Yoga (video still 1), 2011. Video, 16mm film transferred to DVD, sound, 10 minutes 57 seconds. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/The-New-Black-Yoga_2.jpg The New Black Yoga (video still 2), 2011. Video, 16mm film transferred to DVD, sound, 10 minutes 57 seconds. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/RAJ_installation-view_1_HR.jpg Rashid Johnson. Magic Numbers, The George Economou Collection, installation view (1). Photograph: Rebecca Constantopoulou and Fanis Vlastaras. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/RAJ_installation-view_2_HR.jpg Rashid Johnson. Magic Numbers, The George Economou Collection, installation view (2). Photograph: Rebecca Constantopoulou and Fanis Vlastaras. https://www.studiointernational.com/images/articles/j/johnson-rashid-2014/Shea-Butter-Landscape.jpg Rashid Johnson. Shea Butter Landscape, 2014, Honduran mahagony, shea butter, glass, 81.86 x 152.4 x 365.8 cm. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photograph: Rebecca Constantopoulou and Fanis Vlastaras. https://www.studiointernational.com/index.php/jake-yuzna-new-york-museum-of-arts-and-design-biennial https://www.studiointernational.com/images/articles/m/mad_biennial-2014/c-Met-Tech-Onstage-Meghan-Duffy.jpg The Metropolitan Opera. Technical rehearsal on the Met Opera stage for 2013 new production of Strauss' https://www.studiointernational.com/images/articles/m/mad_biennial-2014/ellner_eglomise_textures_hi_rez_300dpi.jpg Miriam Ellner. Detail of Eglomisé Techniques. Photograph: Wiley Kidd. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/2014-07-01_Eric-Scott_Makers-AT-3353.jpg Ryan Matthew Cohn. Anatomical 12-Part Dissected Human Skull, 2014 (detail). Installation view. Photograph: Eric Scott. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/Chocolate-Whiskey.jpg Chocolate Whiskey. Kings County Distillery. Photograph: Valery Rizzo. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/JulieNick_Flowers.jpg Nick and Julie of CONFETTISYSTEM in their New York Studio. Photograph: CONFETTISYSTEM. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/DavidGalbraith-KenKenGS_detail_hi-res.jpg David Gailbraith. KenKen GS (installation view), 2011. Computer, custom software, video projector, speakers, plexiglas. Photograph: Paul McGeiver. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/OMtheWorkingDay.jpg Ohad Mermomi. The Working Day, 2012. Wood, acrylic paint, aluminium, PVC, concrete, paper. Photograph: Silvia Ross. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/StevenandWilliam_Tower_Volcano_Closed.jpg Steven and William Ladd. Volcano, 2008. Archival board, fibre, beads, metal. Photograph: Andrew Zuckerman. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/2014-07-01_Eric-Scott_Makers-AT-3332.jpg Rafael de Cárdenas/Architecture at Large. Stepin One 2 by, 2014 (detail). Photograph: Eric Scott. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/MADNYMakers-web-001.jpg NYC Makers: The MAD Biennial. Installation view from NYC Makers: The MAD Biennial opening night, 30 June 2014. Photograph: Gulshan Kirat. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/MADNYMakers-web-041.jpg NYC Makers: The MAD Biennial. Installation view (2) from NYC Makers: The MAD Biennial opening night, 30 June 2014. Photograph: Gulshan Kirat. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/2014-07-01_Eric-Scott_Makers-AT-3406.jpg (Detail of Fringe WallñCopper, 2014 and Catalogue 01, 2014 by CONFETTISYSTEM; two iterations of Pig Bench, 2014, Heyerdahl Bench, and Heyerdahl Coat Rack/Planter/Lamp, 2014 all by Misha Kahn; 100 Arrows, 2014 by Fredericks & Mae; Totem II, 2014 by Lindsey Adelman with Nancy Callan; and X-Tower 54.4, 2013 by MILGO/BUFKIN, fabricator and Haresh Lalvani, designer. Photograph: Eric Scott. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/MADNYMakers-web-006.jpg NYC Makers: The MAD Biennial. Installation view (3) from NYC Makers: The MAD Biennial opening night, 30 June 2014. Photograph: Gulshan Kirat. https://www.studiointernational.com/images/articles/m/mad_biennial-2014/01_Jake_Yuzna_Photo-by-Dom-Smith.jpg Jake Yuzna. Photograph: Dom Smith.jpg https://www.studiointernational.com/index.php/louise-bourgeois-woman-without-secrets-review-sculpture-maman https://www.studiointernational.com/images/articles/b/bourgeois-louise-2014/Louise-Bourgeois-in-1980.jpg Louise Bourgeois in 1980. Photograph: Mark Setteducati, © The Easton Foundation/Licensed by DACS. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2014/bour-10384_11-CB_LG.jpg Louise Bourgeois. 10 am Is When You Come To Me, 2006 (detail). Etching, watercolour, pencil, gouache on paper, 20 pages, each approximately 37.1 x 89.5 cm. Photograph: Christopher Burke, © The Easton Foundation/Licensed by DACS. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2014/Untitled-2010.jpg Louise Bourgeois. Untitled, 2010. Fabric, thread, rubber, stainless steel, wood and glass, 199.4 x 221 x 110.5 cm. Photograph: Christopher Burke, © The Easton Foundation/Licensed by DACS. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2014/cell-XIV-2000.jpg Louise Bourgeois. Cell XIV (portrait), 2000. Steel, glass, wood, metal and red fabric, 188 x 121.9 x 121.9 cm. Photograph: Christopher Burke, © The Easton Foundation/Licensed by DACS. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2014/cell-XIV-portrait-4309-CB-3_LG1.jpg Louise Bourgeois. Cell XIV (portrait), 2000 (detail). Steel, glass, wood, metal and red fabric, 188 x 121.9 x 121.9 cm. Photograph: Christopher Burke, © The Easton Foundation/Licensed by DACS. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2014/couple-I-1996.jpg Louise Bourgeois. Couple I, 1996. Fabric, hanging piece, 203.2 x 68.6 x 71.1 cm. Photograph: Christopher Burke, © The Easton Foundation/Licensed by DACS. https://www.studiointernational.com/index.php/lisa-corinne-davis-interview-artist-galerie-gris-new-york https://www.studiointernational.com/images/articles/d/davis_lisa-2014/FallaciousMatrix.jpg Lisa Corinne Davis. Fallacious Matrix, 2014. Oil on panel, 56 x 48 in. https://www.studiointernational.com/images/articles/d/davis_lisa-2014/FatuousModel.jpg Lisa Corinne Davis. Fatuous Model, 2013. Oil on panel, 22 x 30 in. https://www.studiointernational.com/images/articles/d/davis_lisa-2014/ImprovisedPlan.jpg Lisa Corinne Davis. Improvised Plan, 2014. Acrylic on arches paper, 22.5 x 30 in. https://www.studiointernational.com/images/articles/d/davis_lisa-2014/SchematicFabrication.jpg Lisa Corinne Davis. Schematic Fabrication, 2014. Acrylic on arches paper, 22.5 x 30 in. https://www.studiointernational.com/images/articles/d/davis_lisa-2014/lisa-corinne-davis.jpg Lisa Corinne Davis. https://www.studiointernational.com/index.php/where-were-you-lisson-gallery-minimalism https://www.studiointernational.com/images/articles/w/where-were-you-2014/AandC130003.jpg Allora & Calzadilla. Shape Shifter, 2013. Sandpaper on canvas. Photograph courtesy Allora & Calzadilla and Lisson Gallery. https://www.studiointernational.com/images/articles/w/where-were-you-2014/ROMM140001.jpg Julia Rommel. Robot, 2014. Oil on linen, 193 x 141 cm. © the artist; Courtesy, Lisson Gallery, London. https://www.studiointernational.com/images/articles/w/where-were-you-2014/OSTR140001.jpg David Ostrowski. F (Plötzlich Prinzessin), 2014. Acrylic and lacquer on canvas, 241 x 191 cm. © the artist; Courtesy, Lisson Gallery, London. https://www.studiointernational.com/images/articles/w/where-were-you-2014/INT17.jpg Installation view (1). Courtesy, Lisson Gallery, London. https://www.studiointernational.com/images/articles/w/where-were-you-2014/INT2.jpg Installation view (2). Courtesy, Lisson Gallery, London. https://www.studiointernational.com/index.php/ed-atkins-ribbons-serpentine-sackler-london https://www.studiointernational.com/images/articles/a/atkins-ed-2014/atkins-film-still-2.jpg Ed Atkins. Ribbons, 2014, film still. © the artist. https://www.studiointernational.com/images/articles/a/atkins-ed-2014/ed-atkins-in-his-london-studio-2014-photo-martin-kennedy.jpg Ed Atkins talking to Studio International, London, August 2014. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/a/atkins-ed-2014/atkins-film-still-1.jpg Ed Atkins. Ribbons, 2014, film still. © the artist. https://www.studiointernational.com/index.php/gego-review-gertrud-goldschmidt-artist-henry-moore-institute-sculpture https://www.studiointernational.com/images/articles/g/gego-2014/17-Siete-icosidodecaedros.jpg Gego. Siete icosidodecaedros (Seven icosidodecahedrons). c1977. Steel wire. © Fundación Gego. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/g/gego-2014/18-Reticularea.jpg Gego. Reticulárea, 1975. Stainless steel wire, 82 11/16 x 102 3/8 x 7 7/8 in. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/g/gego-2014/19-Reticularea-detail.jpg Gego. Reticulárea, 1975 (detail). Stainless steel wire, 82 11/16 x 102 3/8 x 7 7/8 in. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/g/gego-2014/1-Installation-View-of-Gallery-1.jpg Gego. Line as Object. Installation view (1). © Fundación Gego. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/g/gego-2014/11-Installation-View-of-Gallery-3.jpg Gego. Line as Object. Installation view (2). © Fundación Gego. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/g/gego-2014/12-Installation-View-of-Gallery-2.jpg Gego. Line as Object. Installation view (3). © Fundación Gego. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/g/gego-2014/14-Installation-View-of-Gallery-2.jpg Gego. Line as Object. Installation view (4). © Fundación Gego. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/g/gego-2014/2-Installation-View-of-Gallery-2.jpg Gego. Line as Object. Installation view (5). © Fundación Gego. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/g/gego-2014/6-Installation-View-of-Gallery-2.jpg Gego. Line as Object. Installation view (6). © Fundación Gego. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/index.php/an-idiosyncratic-a-to-z-of-the-human-condition-wellcome-collection-london https://www.studiointernational.com/images/articles/a/a-z-idiosyncracies/33-O-for-Obsolete-Knowledge-4.jpg O for OBSOLETE KNOWLEDGE. Phrenological heads, late 19th, early 20th century © Science Museum/Wellcome Library. https://www.studiointernational.com/images/articles/a/a-z-idiosyncracies/39-R-for-Resourcefulness.jpg R for RESOURCEFULNESS. Inuit snow goggles and wooden case decorated with hunting scenes. Carved wood and rawhide, 19th century © Science Museum/Wellcome Collection. Goggles such as these were invented by the Inuit people of North America about 2,000 years ago to protect wearers against snow blindness. https://www.studiointernational.com/images/articles/a/a-z-idiosyncracies/42-R-for-Resourcefulness.jpg R for RESOURCEFULNESS. Ivory artificial nose, Europe, 1701-1800 © Science Museum/Wellcome Library https://www.studiointernational.com/images/articles/a/a-z-idiosyncracies/43-R-for-Resourcefulness.jpg R for RESOURCEFULNESS. A case of false eyes. White glass with blood vessels in red and a variety of coloured lenses. Made by W. Halford of London. English, c1890 © Science Museum/Wellcome Library. https://www.studiointernational.com/index.php/strong-women-for-art-in-conversation-with-anna-lenz-book-review https://www.studiointernational.com/images/articles/s/strong-women-book-2014/strong-women-for-art-book-cover.jpg Strong Women For Art: In Conversation with Anna Lenz. Published by Hirmer, 2013. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/1.jpg Nanda Vigo in her studio; in the background her work: BASE + LINE, 2003. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/2.jpg Nanda Vigo in her studio with her work Cronotopo, 1966 and Light tree, 1983. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/3.jpg Nanda Vigo in her studio with her works. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/4.jpg Antje von Graevenitz, in the background the work of Gerhard von Graevenitz: Schwarze Streifen auf weiss, 1964. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/5.jpg Danielle Morellet. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/6.jpg Christine Uecker in the studio. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/7.jpg Christine, Jacob and Günther Uecker in the studio; in the background works by Günther Uecker. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/8.jpg Elizabeth Goldring-Piene in front of Japanese, 1974, by Otto Piene. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/9.jpg Danielle and Franςois Morellet with Rouge Pair-Bleu Impair n;1, n;2 et n; 3 by Franςois Morellet. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/images/articles/s/strong-women-book-2014/10.jpg Elizabeth Goldring-Piene and Otto Piene in the studio. Photograph © Roswitha Pross, Munich. https://www.studiointernational.com/index.php/tsuneko-taniuchi-micro-events-review-hermes-tokyo-performance-artist-weddings https://www.studiointernational.com/images/articles/t/taniuchi-2014/portrait-Tsuneko-Taniuchi.jpg Tsuneko Taniuchi. https://www.studiointernational.com/images/articles/t/taniuchi-2014/1.jpg Micro-Events by Tsuneko Taniuchi, installation view. © Tsuneko Taniuchi Adagp, 2014, Paris. https://www.studiointernational.com/images/articles/t/taniuchi-2014/2.jpg Micro-Events n°45. Taniuchi as waitress preparing coffee for the audience. © Tsuneko Taniuchi Adagp, 2014 Paris. https://www.studiointernational.com/images/articles/t/taniuchi-2014/3.jpg Micro-Events n°45. Waitress handing coffee bill to the customer. © Tsuneko Taniuchi Adagp, 2014 Paris. https://www.studiointernational.com/images/articles/t/taniuchi-2014/4.jpg Micro-Events n°45. Waitress asking a customer how he thinks about her delicacies © Tsuneko Taniuchi Adagp, 2014 Paris. https://www.studiointernational.com/images/articles/t/taniuchi-2014/5.jpg Micro-Events n°45. Taniuchi as ninja girl aspiring to save the world from conflict. © Tsuneko Taniuchi Adagp, 2014 Paris. https://www.studiointernational.com/images/articles/t/taniuchi-2014/6.jpg Micro-Events n°46. Wedding, Taniuchi marrying flower artist and the photographer. © Tsuneko Taniuchi Adagp, 2014 Paris. https://www.studiointernational.com/images/articles/t/taniuchi-2014/7.jpg Micro-Events n°46. Wedding Taniuchi dancing with her two grooms. © Tsuneko Taniuchi Adagp, 2014 Paris. Photograph: Nacása and Partners Inc. https://www.studiointernational.com/images/articles/t/taniuchi-2014/8.jpg Micro-Events n°46. Wedding Taniuchi with 18 groups. © Tsuneko Taniuchi Adagp, 2014. Paris. Photograph: Nacása and Partners Inc. https://www.studiointernational.com/index.php/mark-soo-interview-video-film-photography-koons-on-ice https://www.studiointernational.com/images/articles/s/soo_mark-2014/011 Several Circles.jpg Mark Soo. Several Circles, 2010. Dual-screen digital video installation or 35mm film installation. HD transferred to 35mm film transferred back to HD, sound, looped (5:45min). Commissioned by the Or Gallery, Vancouver. Photograph: Roman März. https://www.studiointernational.com/images/articles/s/soo_mark-2014/013 Several Circles.jpg Mark Soo. Several Circles, 2010. Dual-screen digital video installation or 35mm film installation (2). HD transferred to 35mm film transferred back to HD, sound, looped (5:45min). Commissioned by the Or Gallery, Vancouver. https://www.studiointernational.com/images/articles/s/soo_mark-2014/015 Several Circles.jpg Mark Soo. Several Circles, 2010. Dual-screen digital video installation or 35mm film installation (3). HD transferred to 35mm film transferred back to HD, sound, looped (5:45min). Commissioned by the Or Gallery, Vancouver. https://www.studiointernational.com/images/articles/s/soo_mark-2014/10_Soo_Koons-On-Ice.jpg Mark Soo. Koons On ice, 2014. Production still. Digital video, sound. Duration variable https://www.studiointernational.com/images/articles/s/soo_mark-2014/024 House Is A Feeling.jpg Mark Soo. House is a Feeling, 2009. Sound installation, dimensions variable. Speakers hidden behind wall, looped (52:00). Photograph: Rachel Topham, Vancouver Art Gallery, Vancouver. https://www.studiointernational.com/images/articles/s/soo_mark-2014/025 Monochrome Sunset.jpg Mark Soo. Monochrome Sunset (English Bay - Oppenheimer Park), 2006. Double-sided transparency, metal stand, low-pressure sodium streetlights, blue window tinting. Framed transparency 279 x 140cm, installation dimensions variable. Photograph: Scott Massey. https://www.studiointernational.com/images/articles/s/soo_mark-2014/080 Cat and Mouse.jpg Mark Soo. Beast of Burden; Cat & Mouse; Horse & Buggy, 2012. Series of three text-based works. Adhesive vinyl on glass, viewable recto verso. Overall size 1200 x 350 cm. Photograph: Henri Robideau. https://www.studiointernational.com/images/articles/s/soo_mark-2014/20_GRAD690006.jpg Dan Graham. Two Correlated Rotations, 1969. Black and white photograph, 74 x 86 cm. Courtesy Lisson Gallery, London. https://www.studiointernational.com/index.php/primrose-early-colour-photograph-russia-review-photographers-gallery https://www.studiointernational.com/images/articles/p/primrose-2014/01_PressImage-l-Ivan-Shagin-Student-beginning-of-1950s.jpg Ivan Shagin. Student, beginning of 1950s. Collection of the Multimedia Art Museum, Moscow/Moscow House of Photography Museum. © Multimedia Art Museum, Moscow/ Moscow House of Photography Museum. https://www.studiointernational.com/images/articles/p/primrose-2014/02_Varvara-Stepanova-Photomontage-Beready-1932.jpg Varvara Stepanova. Photomontage 'Beready!' 1932. Using photographs by A Rodchenko. Courtesy of a Private Collection. https://www.studiointernational.com/images/articles/p/primrose-2014/03_PT-Ivanov-First-year-of-the-military-service-1911.jpg P.T. Ivanov. First year of the military service, Saint Petersburg, 1911. Collection of the Multimedia Art Museum, Moscow/Moscow House of Photography Museum. © Multimedia Art Museum, Moscow/ Moscow House of Photography Museum. https://www.studiointernational.com/images/articles/p/primrose-2014/04_Dmitri-Baltermants-Stalin-funeral-1953.jpg Dmitri Baltermants. Stalin’s funeral, Moscow, 1953. Collection of the Multimedia Art Museum, Moscow/Moscow House of Photography Museum. © Multimedia Art Museum, Moscow/Moscow House of Photography. https://www.studiointernational.com/images/articles/p/primrose-2014/05_Dmitri-Baltermants-Rain-1960s.jpg Dmitri Baltermants. Rain, 1960s. Collection of the Multimedia Art Museum, Moscow/Moscow House of Photography Museum. © Multimedia Art Museum, Moscow/ Moscow House of Photography Museum. https://www.studiointernational.com/images/articles/p/primrose-2014/06_Dmitri-Baltermants-Untitled-Flag-1960s.jpg Dmitri Baltermants. Untitled (Flag), 1960s. Collection of the Multimedia Art Museum, Moscow/Moscow House of Photography Museum. © Multimedia Art Museum, Moscow/ Moscow House of Photography Museum. https://www.studiointernational.com/images/articles/p/primrose-2014/07_Boris-Mikhailov-From-the-Luriki-series-1971-1985.jpg Boris Mikhailov. From the ‘Luriki’ series. 1971-85. Collection of the Multimedia Art Museum, Moscow/Moscow House of Photography Museum. © Boris Mikhailov. © Multimedia Art Museum, Moscow/Moscow House of Photography Museum. https://www.studiointernational.com/images/articles/p/primrose-2014/08_Piotr-Vedenisov-Autochrome-1909-1914.jpg Piotr Vedenisov. Autochrome, 1909-14. Collection of the Multimedia Art Museum, Moscow/Moscow House of Photography Museum. © Multimedia Art Museum, Moscow/Moscow House of Photography Museum. https://www.studiointernational.com/index.php/rossettis-obsession-images-jane-morris-review-lady-lever-art-gallery-wirral https://www.studiointernational.com/images/articles/r/rossetti-2014/Pandora-Rossetti-(c)-National-Museums-Liverpool.jpg Dante Gabriel Rossetti. Pandora, 1878. Coloured chalks, 100.8 x 66.7 cm. © National Museums Liverpool. https://www.studiointernational.com/images/articles/r/rossetti-2014/rossetti-La-Donna-della-Finestra.jpg Dante Gabriel Rossetti. La Donna della Finestra, 1870. Coloured chalks on paper, 84.8 x 72.1 cm. © Bradford Museums and Galleries. https://www.studiointernational.com/images/articles/r/rossetti-2014/Jane-Morris-c1879.jpg Jane Morris, c1879. Jane Morris seated on a divan © Birmingham Museums Trust. https://www.studiointernational.com/index.php/stephen-farthing-interview-rootstein-hopkins-chair-drawing-university-arts-london-painting-atlantic https://www.studiointernational.com/images/articles/f/farthing-stephen-2014/Farthing-portrait-of-giuseppi-penoni-HR-CMYK.jpg Stephen Farthing. A Portrait of Guiseppe Penone: 2005-2010. Pen and ink on paper. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/farthing-stephen-2014/S-Farthing-1.jpg Stephen Farthing. The Drawn History of Painting: Malevich, 2010. Ink and crayon on paper. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/farthing-stephen-2014/S-Farthing-2.jpg Stephen Farthing. The Drawn History of Painting: Raeburn, 2010. Ink and crayon on paper. Courtesy of the artist. https://www.studiointernational.com/index.php/katie-paterson-earth-moon-earth-moonlight-sonata-edinburgh-festival https://www.studiointernational.com/images/articles/p/paterson-katie-2014/Katie-Paterson-Earth-Moon-Earth-2007.jpg Katie Paterson. Earth–Moon–Earth (Moonlight Sonata Reflected from the Surface of the Moon), 2007. Disklavier grand piano. Installation view, Cornerhouse, Manchester 2011. Photograph © We are Tape. Courtesy of the artist. https://www.studiointernational.com/images/articles/p/paterson-katie-2014/Katie-Paterson-Earth-Moon-Earth-2007-2.jpg Katie Paterson. Earth–Moon–Earth (Moonlight Sonata Reflected from the Surface of the Moon), 2007. Disklavier grand piano. Installation view (2), Cornerhouse, Manchester 2011. Photograph © We are Tape. Courtesy of the artist. https://www.studiointernational.com/index.php/ready-or-not-2014-new-jersey-arts-annual-fine-art https://www.studiointernational.com/images/articles/r/readyornot-2014/_MG_4866.jpg LNY + Mata Ruda + NDA. Imaginative Realism: The Native Sun, 2014. Spray paint, latex paint, wood, Astroturf. Dimensions variable. https://www.studiointernational.com/images/articles/r/readyornot-2014/LYM_So Yoon_Jose.jpg So Yoon Lym. Jose, 2009–11 (detail). Acrylic on paper, 22 x 30 in. https://www.studiointernational.com/images/articles/r/readyornot-2014/mack_jennifer_3.jpg Jennifer Mack-Watkins. Afrohawk, 2012. Silkscreen, 28 x 21 in. https://www.studiointernational.com/images/articles/r/readyornot-2014/Milcah Bassel-5.jpg Milcah Bassel. Interspacing, 2014. 17 miniature ladders (wood, paint) placed throughout the Newark Museum. Dimensions variable. https://www.studiointernational.com/images/articles/r/readyornot-2014/Yucef Merhi-4.jpg Yucef Merhi. Facial Poetry, 2014. Custom-made software and computers. Dimensions variable. https://www.studiointernational.com/images/articles/r/readyornot-2014/Jim Toia-1.jpg Jim Toia. The Petri Island Project (Detail), 2010–ongoing. Plastic petri dishes and mixed media. Dimensions variable. https://www.studiointernational.com/images/articles/r/readyornot-2014/Jim Toia-3.jpg Jim Toia. The Petri Island Project, 2010–ongoing. Plastic petri dishes and mixed media. Dimensions variable. https://www.studiointernational.com/images/articles/r/readyornot-2014/_MG_5042.jpg Andrew Demirjian. Morning Light, 2014. Video, TV sets, sync boxes. Dimensions variable. https://www.studiointernational.com/images/articles/r/readyornot-2014/Ariel Efron and Lucas Vickers-3.jpg Ariel Efron and Lucas Vickers. Exit Vestibule East, 2014. Interactive video mapping installation: Primesense camera, custom software, audio. Dimensions variable. https://www.studiointernational.com/images/articles/r/readyornot-2014/Dahlia Elsayed-5.jpg Dahlia Elsayed. We Would Begin Our Own, 2014. PVC pipes, nylon flags, paint, glitter. Dimensions variable. https://www.studiointernational.com/images/articles/r/readyornot-2014/Fran Shalom-2.jpg Fran Shalom. Jabberwocky, 2011. Oil on wood, 14 x 11 in. https://www.studiointernational.com/images/articles/r/readyornot-2014/_MG_5050.jpg Seunghwui Koo. New Yorker, 2013. Acrylic on resin. Dimensions variable. https://www.studiointernational.com/images/articles/r/readyornot-2014/NLBOfrenda.jpg Nina Lola Bachhuber. Ofrenda, 2013. Drawings, fabric, photograph, wood, hair, candles, feathers, metal, mirrors, tights, clay, paint, beads, fox skins, ostrich eggs, bones, thread, 100 1/2 x 84 1/2 x 74 in (255 x 214 x 188 cm). https://www.studiointernational.com/images/articles/r/readyornot-2014/Tenaglia1.jpg Christina Tenaglia. Untitled, 2013-14. Wood, paint, nails, screws. 11 ¼ x 11 x 2 ½ in; 8 ¼ x 20 x 1 ½ in; 12 ½ x 6 ¼ x 3 ¾ in; 5 ¾ x 17 x 1 ½ in. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/readyornot-2014/_MG_5046.jpg Seunghwui Koo. Narcissism, 2012. Acrylic on resin, mirror. 30 x 48 x 12 in. https://www.studiointernational.com/index.php/folkestone-triennial-lewis-biggs-alastair-upton-artists-interviews https://www.studiointernational.com/images/articles/f/folkestone-triennial-2014/Folkestone-homepage-image.jpg Folkestone Triennial 2014: video interviews with curator Lewis Biggs, Alastair Upton, chief executive of The Creative Foundation, artists Alex Hartley, Jyll Bradley, Emma Hart, Pablo Bronstein and rootoftwo (John Marshall and Cezanne Charles). https://www.studiointernational.com/index.php/rui-macedo-memorabilia-painting-exhibition-convento-capuchos-portugal https://www.studiointernational.com/images/articles/m/macedo_rui-2014/SI_1_web.jpg Rui Macedo. Memorabilia, 2014. Installation view: Exhibition hall, Convento dos Capuchos, Caparica, Portugal. © Courtesy of the artist and Amarelonegro Gallery, Rio de Janeiro. https://www.studiointernational.com/images/articles/m/macedo_rui-2014/SI_2_web.jpg Rui Macedo. Memorabilia, 2014. Installation view (2): Exhibition hall, Convento dos Capuchos, Caparica, Portugal. © Courtesy of the artist and Amarelonegro Gallery, Rio de Janeiro. https://www.studiointernational.com/images/articles/m/macedo_rui-2014/SI_3_web.jpg Rui Macedo. Memorabilia, 2014. Installation view (3): Exhibition hall, Convento dos Capuchos, Caparica, Portugal. © Courtesy of the artist and Amarelonegro Gallery, Rio de Janeiro. https://www.studiointernational.com/images/articles/m/macedo_rui-2014/SI_4_web.jpg Rui Macedo. Memorabilia, 2014. Installation view (4): Exhibition hall, Convento dos Capuchos, Caparica, Portugal. © Courtesy of the artist and Amarelonegro Gallery, Rio de Janeiro. https://www.studiointernational.com/images/articles/m/macedo_rui-2014/SI_5_web.jpg Rui Macedo. Untitled, 2014. Oil on canvas, 200 x 200 cm. © Courtesy of the artist and Amarelonegro Gallery, Rio de Janeiro. https://www.studiointernational.com/images/articles/m/macedo_rui-2014/SI_6_web.jpg Rui Macedo. Memorabilia, 2014. Installation view: Cloister, Convento dos Capuchos, Caparica, Portugal. © Courtesy of the artist and Amarelonegro Gallery, Rio de Janeiro. https://www.studiointernational.com/images/articles/m/macedo_rui-2014/SI_7_web.jpg Rui Macedo. Memorabilia, 2014. Installation view: Church, Convento dos Capuchos, Caparica, Portugal. © Courtesy of the artist and Amarelonegro Gallery, Rio de Janeiro. https://www.studiointernational.com/images/articles/m/macedo_rui-2014/SI_8_web.jpg Rui Macedo. Memorabilia, 2014. Installation view: Church, Convento dos Capuchos, Caparica, Portugal. © Courtesy of the artist and Amarelonegro Gallery, Rio de Janeiro. https://www.studiointernational.com/images/articles/m/macedo_rui-2014/SI_9_web.jpg Rui Macedo. Untitled, 2014. Oil on canvas, 185 x 140 cm. © Courtesy of the artist and Amarelonegro Gallery, Rio de Janeiro. https://www.studiointernational.com/index.php/digital-revolution-exhibition-barbican-art-design-film-music-video-games https://www.studiointernational.com/images/articles/d/digital-revolution-2014/CyberneticSerendipity_si_1968.jpg Cybernetic Serendipity: the computer and the arts. Edited by Jasia Reichardt. Published by Studio International (special issue), 1968. https://www.studiointernational.com/images/articles/d/digital-revolution-2014/2-Digital-Archaelogy.jpg Digital Revolution. Installation view (2), Digital Archaeology section, 
Barbican Centre. © Matthew G Lloyd/Getty Images #digitalrevolution. https://www.studiointernational.com/images/articles/d/digital-revolution-2014/3-Poster-for-original-Pong-Arcade-game.jpg Poster for the original Pong Arcade game. https://www.studiointernational.com/images/articles/d/digital-revolution-2014/4-will-i-ams-Pyramidi.jpg Will.i.am. Pyramidi. Installation view, in the Sound & Vision section, Barbican Centre. © Matthew G Lloyd/Getty Images #digitalrevolution. https://www.studiointernational.com/images/articles/d/digital-revolution-2014/5-Chris-Milk-The-Treachery-of-Sanctuary.jpg The Treachery of Sanctuary in the State of Play section, installation view, Barbican Centre. © Matthew G Lloyd/Getty Images #digitalrevolution. https://www.studiointernational.com/images/articles/d/digital-revolution-2014/6-DevArt.jpg DevArt section, installation view, Barbican Centre. © Matthew G Lloyd/Getty Images #digitalrevolution. https://www.studiointernational.com/images/articles/d/digital-revolution-2014/7-Umbrelliums-Assemblance.jpg Umbrellium’s Assemblance section, installation view, Barbican Centre. © Matthew G Lloyd/Getty Images #digitalrevolution. https://www.studiointernational.com/images/articles/d/digital-revolution-2014/8-Builder-Eater.jpg Builder/Eater, 1977. Generative Artwork. Courtesy of Paul Brown. https://www.studiointernational.com/images/articles/d/digital-revolution-2014/9-Digital-Revolution-Installation-detail.jpg Digital Revolution. Installation view (3), Barbican Centre. © Matthew G Lloyd/Getty Images #digitalrevolution. https://www.studiointernational.com/images/articles/d/digital-revolution-2014/1-Digital-Archaelogy.jpg Digital Revolution. Installation view, Digital Archaeology section, 
Barbican Centre. © Matthew G Lloyd/Getty Images #digitalrevolution. https://www.studiointernational.com/index.php/dashiell-manley-artist-film-maker-great-train-robbery https://www.studiointernational.com/images/articles/m/manley_dashiell-2014/arc_alphabet015 copy copy.jpg Dashiell Manley. Still (2) from Arc alphabets. 2011-12. Jpeg files transferred to digital video. TRT 18:25. https://www.studiointernational.com/images/articles/m/manley_dashiell-2014/Dashiell-Manley-The-Great- copy.jpg Dashiell Manley. The Great Train Robbery (scene 3 version c), 2013. Installation view, Storage, Los Angeles CA. https://www.studiointernational.com/images/articles/m/manley_dashiell-2014/Dashiell-Manley-The-Great-2 copy.jpg Dashiell Manley. The Great Train Robbery (scene 3 version c), 2013. Installation view (2), Storage, Los Angeles CA. https://www.studiointernational.com/images/articles/m/manley_dashiell-2014/Dashiell-Manley-The-Great- 3copy.jpg Dashiell Manley. The Great Train Robbery (scene 3 version c), 2013. Installation view (3), Storage, Los Angeles CA. https://www.studiointernational.com/images/articles/m/manley_dashiell-2014/manley_001.jpg Dashiell Manley. Still from Company and Conversations, 2014. Jpeg files transferred to digital video. TRT 19:47. https://www.studiointernational.com/images/articles/m/manley_dashiell-2014/manley_002.jpg Dashiell Manley. Still (2) from Company and Conversations, 2014. Jpeg files transferred to digital video. TRT 19:47. https://www.studiointernational.com/images/articles/m/manley_dashiell-2014/manley_003.jpg Dashiell Manley. Still (3) from Company and Conversations, 2014. Jpeg files transferred to digital video. TRT 19:47. https://www.studiointernational.com/images/articles/m/manley_dashiell-2014/IMG_5051 copy.jpg Dashiell Manley. The Great Train Robbery (scene 3 version b), 2013. Installation view, Redling Fine Art, Los Angeles CA. https://www.studiointernational.com/images/articles/m/manley_dashiell-2014/IMG_5058 copy.jpg Dashiell Manley. The Great Train Robbery (scene 3 version b), 2013. Installation view (2), Redling Fine Art, Los Angeles CA. https://www.studiointernational.com/index.php/will-maclean-marian-leven-interview-an-suileachan-isle-of-lewis-scotland https://www.studiointernational.com/images/articles/m/maclean-will-2014/2-Will-Maclean-and-Marian-Leven-Suileachan-2013.jpg Will Maclean and Marian Leven. Suileachan, 2013. https://www.studiointernational.com/images/articles/m/maclean-will-2014/3-Will-Maclean-Landraiders-Memorial-Gress-cairn-Isle-of-Lewis-1994.jpg Will Maclean. Land raiders memorial, Gress Cairn, Isle of Lewis, 1994. https://www.studiointernational.com/images/articles/m/maclean-will-2014/4-Will-Maclean,-Landraiders-Memorial,-Aignish-construction-drawing-1994.jpg Will Maclean. Construction drawing, Land raiders memorial, Aignish, 1994. https://www.studiointernational.com/images/articles/m/maclean-will-2014/5-Will-Maclean,-Landraiders-Memorial,-Cairn-at-Gress-construction-drawing,-Isle-of-Lewis-2013.jpg Will Maclean. Construction drawing, Land raiders memorial, Cairn at Gress, Isle of Lewis 2013. https://www.studiointernational.com/index.php/maryam-najd-accuracy-balance-west-iran-women-nude-pornography https://www.studiointernational.com/images/articles/n/najd-maryam-2014/Maryam-Najd-AandB14-cr.jpg Maryam Najd. I was raised to be covered III, 2014. Oil on canvas, 150 x 110 cm. © Galerie Van De Weghe, Antwerp. https://www.studiointernational.com/images/articles/n/najd-maryam-2014/Maryam-Najd-Preview08.jpg Maryam Najd. Competing Madonna, 2014. Installation view, Galerie van de Weghe, Antwerp, 2014. © Galerie Van De Weghe, Antwerp. https://www.studiointernational.com/images/articles/n/najd-maryam-2014/Maryam-Najd-AandB15-cr.jpg Maryam Najd. I was raised to be covered I, 2014. Oil on canvas, 200 x 150 cm. © Galerie Van De Weghe, Antwerp. https://www.studiointernational.com/images/articles/n/najd-maryam-2014/Maryam-Najd-AandB02-cr.jpg Maryam Najd. Untitled, 2014. Oil on canvas, 200 x 150 cm. © Galerie Van De Weghe, Antwerp. https://www.studiointernational.com/images/articles/n/najd-maryam-2014/Maryam-Najd-AandB04-cr.jpg Maryam Najd. Untitled, 2014. Oil on canvas, 100 x 130 cm. © Galerie Van De Weghe, Antwerp. https://www.studiointernational.com/images/articles/n/najd-maryam-2014/Maryam-Najd-AandB03-cr.jpg Maryam Najd. Untitled, 2014. Oil on canvas, 160 x 210 cm. © Galerie Van De Weghe, Antwerp. https://www.studiointernational.com/images/articles/n/najd-maryam-2014/Maryam-Najd-Preview02.jpg Maryam Najd. I was raised to be covered II, 2014. Oil on canvas, 150 x 110 cm. © Galerie Van De Weghe, Antwerp. https://www.studiointernational.com/images/articles/n/najd-maryam-2014/Maryam-Najd-cr103.jpg Maryam Najd. Monochrome Series II 'Pink', 2014. Oil on canvas, 210 x 160 cm. © Galerie Van De Weghe, Antwerp. https://www.studiointernational.com/images/articles/n/najd-maryam-2014/Maryam-Najd-AandB01-cr.jpg Maryam Najd. Zan, 2014. Oil on canvas, (4x) 120 x 90 cm. © Galerie Van De Weghe, Antwerp. https://www.studiointernational.com/index.php/rafael-lozano-hemmer-new-media-art-digital-technology-sphere-packing https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/1-sphere_montreal_2014_rlh_001.jpg Rafael Lozano-Hemmer. Sphere Packing, 2014. Series. Photograph: Antimodular Research. https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/3-surface_tension_mexico_01.jpg Rafael Lozano-Hemmer. Surface Tension, 1992. Photograph: Antimodular Research. https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/4-underscan_london_10.jpg Rafael Lozano-Hemmer. Under Scan, Relational Architecture 11, 2005. Shown at Trafalgar Square, London, United Kingdom, 2008. Photograph: Antimodular Research. https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/5-underscan_london_11.jpg Rafael Lozano-Hemmer. Under Scan, Relational Architecture 11, 2005. Shown at Trafalgar Square, London, United Kingdom, 2008. Photograph: Antimodular Research. https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/6-pulseroom_puebla_04.jpg Rafael Lozano-Hemmer. Pulse Room, 2006. Shown at Fábrica La Constancia, Plataforma, Puebla, México, 2008. Photograph: Alejandro Biazquez. https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/7-pulseroom_quebec_02.jpg Rafael Lozano-Hemmer. Pulse Room, 2006. Shown at Musée des Beaux-Arts du Québec, Quebec City, Québec, Canada, 2008. Photograph: Antimodular Research. https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/8-VoiceArray.jpg Rafael Lozano-Hemmer. Voice Array, 2013. Photograph: Antimodular Research. https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/9-VoiceArray.jpg Rafael Lozano-Hemmer. Voice Array, 2013. Shown at Recorders, Museum of Contemporary Art, Sydney, Australia. Photograph: Antimodular Research. https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/10-TheYearsMidnight_2011_12.jpg Rafael Lozano-Hemmer. The Year's Midnight, 2011. Photograph: Antimodular Research. https://www.studiointernational.com/images/articles/l/lozano-hemmer-2014/11-State-of-Play-section-of-DigitalRevolution.jpg Rafael Lozano-Hemmer. The Year's Midnight, 2011. Digital Revolution, installation view, State of Play section, 
Barbican Centre
, 2014. © Mark Allan #digitalrevolution. https://www.studiointernational.com/index.php/sally-smart-interview-pedagogical-puppet-university-connecticut-australia https://www.studiointernational.com/images/articles/s/smart-sally-2014/2_SALLY-SMART_CHOREOGRAPHING-COLLAGE.jpg Sally Smart. Choreographing Collage #1 (Pedagogical Puppet series), 2012. Digital photograph, 65.5 x 65.5 cm, edition of 5 AP 2. Courtesy the artist and Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/s/smart-sally-2014/3_SALLY-SMART_PEDAGOGICAL-PUPPET-_INSTRUCTIONS-FOR-CUTTING.jpg Sally Smart. The Pedagogical Puppet Instructions for Cutting and Tearing, 2012 (video still). Single channel HD digital video, audio, 7:26 mins. Courtesy the artist Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/s/smart-sally-2014/4_SALLY-SMART_CHOREOGRAPHING-COLLAGE-_INSTALL-VIEW_SYDNEY.jpg Sally Smart. Choreographing Collage, 2013. Installation view, Breenspace, Sydney. Synthetic polymer paint and ink on cotton and velvet with various collage elements ,video, steel, cotton, string, rope, cardboard, pins, photographs, chalk, pastel and glue all on canvas, 332 cm x 1150 cm. Photograph: Barry Lewis. Courtesy the artist, Breenspace and Purdy Hicks Gallery, London. https://www.studiointernational.com/images/articles/s/smart-sally-2014/5_SALLY-SMART-CHOREOGRAPHING-COLLAGE.jpg Sally Smart. Choreographing Collage, 2013 (detail). Installation view. Synthetic polymer paint and ink on cotton and velvet with various collage elements, video, steel, cotton, string, rope, cardboard, pins, photographs, chalk, pastel and glue all on canvas, 332 cm x 1150 cm. Photograph: A Whelan. Courtesy the artist and Purdy Hicks Gallery, London. https://www.studiointernational.com/images/articles/s/smart-sally-2014/6_SALLY-SMART_BLACKBOARD-CROP.jpg Sally Smart. I Build My Time, 2013. Installation view (detail). Synthetic polymer paint on wall with various collage elements ,video, steel, cotton, string, rope, cardboard, pins, photographs, chalk, 450 cm x 1400 cm. Courtesy the artist and Greenaway Art Gallery (Adelaide/Berlin). https://www.studiointernational.com/images/articles/s/smart-sally-2014/7_SALLY-SMART-SELF-PORTRAIT-PEDAGOGICAL-PUPPET.jpg Sally Smart. Pedagogical Puppet (Self Portrait), 2012. Digital Photograph, 198 cm x 101 cm (Ed 5 AP 2). Courtesy the artist, Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/s/smart-sally-2014/8_SALLY-SMART_FLAUBERTS.jpg Sally Smart. Flaubert’s Puppets, 2011. Installation view, Postmasters Gallery New York. Mixed media 450 cm x 800 cm. Courtesy the artist, Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/s/smart-sally-2014/9_SALLY-SMART_INSTALL-VIEW.jpg Sally Smart. The Choreography of Cutting, 2014. Installation view, Adelaide Biennial, Art Gallery of South Australia. Mixed media, size variable. Courtesy the artist and Art Gallery of South Australia. https://www.studiointernational.com/images/articles/s/smart-sally-2014/10-A_SALLY-SMART-THE-CHOREOGRAPHY-OF-CUTTING.jpg Sally Smart. The Choreography of Cutting, 2014. Installation view, Adelaide Biennial, Art Gallery of South Australia. Mixed media, size variable. Courtesy the artist and Art Gallery of South Australia. https://www.studiointernational.com/images/articles/s/smart-sally-2014/10B_SALLY-SMART_THE-CHOREOGRAPHY-OF-CUTTING.jpg Sally Smart. The Choreography of Cutting, 2014. Installation view (2), Adelaide Biennial, Art Gallery of South Australia. Mixed media, size variable. Courtesy the artist and Art Gallery of South Australia. https://www.studiointernational.com/index.php/christopher-le-brun-president-royal-academy-new-paintings-friedman-benda https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le Brun Choir.jpg Christopher Le Brun. Choir, 2013. Oil on canvas, 59.06 x 49.21 in (150 x 125 cm). Courtesy of Friedman Benda and the Artist. Photograph: Stephen White. https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le Brun Painting as Sunrise.jpg Christopher Le Brun. Painting as Sunrise, 2013. Oil on canvas, 111.81 x 105.91 in (284 x 269 cm). Courtesy of Friedman Benda and the Artist. Photograph: Stephen White. https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le Brun Walton.jpg Christopher Le Brun. Walton, 2013. Oil on canvas, 94.49 x 66.93 in (20 x 170 cm). Courtesy of Friedman Benda and the Artist. Photograph: Stephen White. https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le Brun Moment _lrg.jpg Christopher Le Brun. Moment, 2014. Oil on canvas, 62.99 x 55.12 in (160 x 140 cm). Courtesy of Friedman Benda and the Artist. Photograph: Stephen White. https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le Brun The Trial_lrg.jpg Christopher Le Brun. The Trial, 2012-2014. Oil on canvas, 94.49 x 66.93 in (240 x 170 cm). Courtesy of Friedman Benda and the Artist. Photograph: Stephen White. https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le-Brun-Maro.jpg Christopher Le Brun. Maro, 2014. Nestos marble, 500 x 153 x 36 cm, (196⅞ x 60 x 14⅛ in). Inscribed CLB and numbered 1/3. Edition of 3. Installation view at BEYOND LIMITS, Sotheby’s outdoor sculpture exhibition at Chatsworth, 8 September – 26 October 2014. Image courtesy Sotheby's. https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/CAM02170_MB.jpg Christopher Le Brun being photographed by Mariko Mori in front of Neither White, nor Warm nor Cold, 2013. Photograph: Miguel Benavides https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le Brun New Paintings 2_lrg.jpg Christopher Le Brun. Installation view. Present and Gather, 2014. Courtesy of Friedman Benda and Christopher Le Brun. Photograph: Adam Reich. https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le Brun New Paintings 6_lrg.jpg Christopher Le Brun. Installation view. Walton and Numeral, 2013. Courtesy of Friedman Benda and Christopher Le Brun. Photograph: Adam Reich. https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le Brun New Paintings 8_lrg.jpg Christopher Le Brun. Installation view. Enter the City, 2014. Courtesy of Friedman Benda and Christopher Le Brun. Photograph: Adam Reich. https://www.studiointernational.com/images/articles/l/le_brun_christopher-2014/Le Brun New Paintings 10_lrg.jpg Christopher Le Brun. Installation view. Neither White, nor Warm nor Cold, 2013. Courtesy of Friedman Benda and Christopher Le Brun. Photograph: Adam Reich. https://www.studiointernational.com/index.php/agathe-sorel-retrospective-london-print-works-sculpture https://www.studiointernational.com/images/articles/s/sorel-agathe-2014/Agathe-Sorel-155_Fishwife_Washday_2000.jpg Agathe Sorel. Fishwife (Washday), 2000. Digital montage, vignette, 90 x60 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sorel-agathe-2014/Agathe-Sorel-15_Step_into_the_Future_q1975.jpg Agathe Sorel. Step into the Future, 1975. Sculpture maquette finalist for Strand sculpture competition, 40 x 48 x 30 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sorel-agathe-2014/Agathe-Sorel-21_TAO_1965.jpg Agathe Sorel. TAO, 1965. Space engraving and welded steel, 100 x 60 x 58 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sorel-agathe-2014/Agathe-Sorel-22_Macho_the_Cock_1985.jpg Agathe Sorel. Macho the Cock, 1985. Space engraving and welded steel, 118 x 123 x 114 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sorel-agathe-2014/Agathe-Sorel-34_Ego_the_Goat_1987.jpg Agathe Sorel. Ego to the Goat, 1987. Space engraving and welded steel, 130 x 107 x 106.7 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/sorel-agathe-2014/Agathe-Sorel-37_Grotto_for_Torus.jpg Agathe Sorel. Grotto for Toros, 1989. Space engraving, welded steel and stone, 193 x 135 x 135 cm. Courtesy of the artist. https://www.studiointernational.com/index.php/xavier-mascaro-departure-saatchi-gallery-iron-sculpture-be-inspired-auction https://www.studiointernational.com/images/articles/m/mascaro-xavier-2014/Couple.jpg Xavier Mascaró. Couple, 2013. Ceramic and iron, 38 x 16 x 15cm. © Xavier Mascaró, 2013. Image courtesy of the artist. Photograph: Joaquin Cortes. https://www.studiointernational.com/images/articles/m/mascaro-xavier-2014/Heads-of-Eleonora-detail.jpg Xavier Mascaró. Queen (Head of Alexandra with four Heads of Eleanora), 2014. Iron, dimensions variable. © Xavier Mascaró, 2014. Image courtesy of the artist. Photograph: Joaquin Cortes. https://www.studiointernational.com/images/articles/m/mascaro-xavier-2014/Masks.jpg Xavier Mascaró. Masks, 2014. Iron, plexiglass, aluminium, mesh, fabric, dimensions variable. © Xavier Mascaró, 2014. Image courtesy of the artist. Photograph: Joaquin Cortes. https://www.studiointernational.com/images/articles/m/mascaro-xavier-2014/Sacred-Couple.jpg Xavier Mascaró. Sacred Couple, 2014. Iron and aluminium, 100 x 114 x 43cm. © Xavier Mascaró, 2014. Image courtesy of the artist. Photograph: Joaquin Cortes. https://www.studiointernational.com/images/articles/m/mascaro-xavier-2014/GUY_110914_-001.jpg Xavier Mascaro. Small Guardian, 2013. Glazed ceramic and molten iron, H64 x W43 x D32cm. © Xavier Mascaró, 2013. Image courtesy of the artist. https://www.studiointernational.com/images/articles/m/mascaro-xavier-2014/GUY_110914_-002.jpg Xavier Mascaro. Small Guardian, 2013 (view 2). Glazed ceramic and molten iron, H64 x W43 x D32cm. © Xavier Mascaró, 2013. Image courtesy of the artist. https://www.studiointernational.com/index.php/daniel-buren-like-childs-play-work-in-situ-review-musee-d-art-moderne-strasbourg https://www.studiointernational.com/images/articles/b/buren-daniel-2014/IMG_3678.jpg Daniel Buren. Comme Un Jeu d’Enfant / Like Child’s Play, Work In Situ. Installation view (1), MAMCS, Strasbourg, June 2014. © Daniel Buren - ADAGP Paris. Photograph: Phoebé Meyer. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/IMG_3687.jpg Daniel Buren. Comme Un Jeu d’Enfant / Like Child’s Play, Work In Situ. Installation view (2), MAMCS, Strasbourg, June 2014. © Daniel Buren - ADAGP Paris. Photograph: Phoebé Meyer. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/IMG_3737.jpg Daniel Buren. Comme Un Jeu d’Enfant / Like Child’s Play, Work In Situ. Installation view (3), MAMCS, Strasbourg, June 2014. © Daniel Buren - ADAGP Paris. Photograph: Phoebé Meyer. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/IMG_3742.jpg Daniel Buren. Comme Un Jeu d’Enfant / Like Child’s Play, Work In Situ. Installation view (4), MAMCS, Strasbourg, June 2014. © Daniel Buren - ADAGP Paris. Photograph: Phoebé Meyer. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/IMG_4226.jpg Daniel Buren. Comme Un Jeu d’Enfant / Like Child’s Play, Work In Situ. Installation view (5), MAMCS, Strasbourg, June 2014. © Daniel Buren - ADAGP Paris. Photograph: Phoebé Meyer. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/IMG_4285.jpg Daniel Buren. Comme Un Jeu d’Enfant / Like Child’s Play, Work In Situ. Installation view (6), MAMCS, Strasbourg, June 2014. © Daniel Buren - ADAGP Paris. Photograph: Phoebé Meyer. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/IMG_4369.jpg Daniel Buren. Comme Un Jeu d’Enfant / Like Child’s Play, Work In Situ. Installation view (7), MAMCS, Strasbourg, June 2014. © Daniel Buren - ADAGP Paris. Photograph: Phoebé Meyer. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/_Buren_005.jpg Daniel Buren. Comme un jeu d'enfant / Like child's play, work in situ. MAMCS, June 2014. © Daniel Buren, ADAGP 2014/Musées de Strasbourg, Mathieu Bertola. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/_Buren_037.jpg Daniel Buren. Comme un jeu d'enfant / Like child's play, work in situ (2). MAMCS, June 2014. © Daniel Buren, ADAGP 2014/Musées de Strasbourg, Mathieu Bertola. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/_Buren_047.jpg Daniel Buren. Comme un jeu d'enfant / Like child's play, work in situ (3). MAMCS, June 2014. © Daniel Buren, ADAGP 2014/Musées de Strasbourg, Mathieu Bertola. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/_Buren_047_version recadree.jpg Daniel Buren. Comme un jeu d'enfant / Like child's play, work in situ (4). MAMCS, June 2014. © Daniel Buren, ADAGP 2014/Musées de Strasbourg, Mathieu Bertola. https://www.studiointernational.com/images/articles/b/buren-daniel-2014/_Buren_087.jpg Daniel Buren. Comme un jeu d'enfant / Like child's play, work in situ (5). MAMCS, June 2014. © Daniel Buren, ADAGP 2014/Musées de Strasbourg, Mathieu Bertola. https://www.studiointernational.com/index.php/arnulf-rainer-retrospective-albertina-museum-vienna https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Black-Streaks-1974.jpg Arnulf Rainer. Black Streaks, 1974. © the artist. Courtesy Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Barrier-1974-75.jpg Arnulf Rainer. Barrier, 1974-75. © the artist. Courtesy Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Cross-1990-91.jpg Arnulf Rainer. Cross, 1990-91. © the artist. Courtesy Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Face-Farces--Color-Stripes-1972.jpg Arnulf Rainer. Face Farces: Color Stripes, 1972. © the artist. Courtesy Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Fatigued-Pose-I-1975.jpg Arnulf Rainer. Fatigued Pose I, 1975. © the artist. Courtesy Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Red-Overpainting-1953-57.jpg Arnulf Rainer. Red Overpainting, 1953-57. © the artist. Courtesy Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Sleep-1973-74.jpg Arnulf Rainer. Sleep, 1973-74. © the artist. Courtesy Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Supplication-Kneeling-1973-75.jpg Arnulf Rainer. Supplication (Kneeling), 1973-75. © the artist. Courtesy Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Untitled-1989-91.jpg Arnulf Rainer. Untitled, 1989-91. © the artist. Courtesy Albertina Museum, Vienna. Arnulf Rainer https://www.studiointernational.com/images/articles/r/rainer-arnulf-2014/Arnulf-Rainer-Untitled-2013.jpg Arnulf Rainer. Untitled, 2013. © the artist. Courtesy Albertina Museum, Vienna. https://www.studiointernational.com/index.php/real-tudors-kings-and-queens-rediscovered-national-portrait-gallery-henry-vii https://www.studiointernational.com/images/articles/t/the-tudors-npg-2014/NPG_835_1285_QueenElizabeth.jpg Queen Elizabeth I (The Ditchley portrait) by Marcus Gheeraerts the Younger. © National Portrait Gallery, London. https://www.studiointernational.com/images/articles/t/the-tudors-npg-2014/NPG_835_1286_QueenElizabeth.jpg Queen Elizabeth I by Unknown continental artist. © National Portrait Gallery, London. https://www.studiointernational.com/images/articles/t/the-tudors-npg-2014/NPG_835_1287_EdwardVIbyUnkn.jpg Edward VI by Unknown English artist c1547. © National Portrait Gallery, London. https://www.studiointernational.com/images/articles/t/the-tudors-npg-2014/NPG_835_1288_MaryIbyHansEwo.jpg Mary I by Hans Eworth, 1554. © Society of Antiquaries of London. https://www.studiointernational.com/index.php/mwangi-hutter-robert-hutter-ingrid-mwangi-eastleigh-crossing https://www.studiointernational.com/images/articles/h/hutter-mwangi-2014/turquoise realm3.jpg Mwangi Hutter. Turquoise Realm, 2014. Installation view, BOZAR, Brussels. Three channel video, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/hutter-mwangi-2014/turquoise realm1.jpg Mwangi Hutter. Turquoise Realm, 2014. Three channel video, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/hutter-mwangi-2014/turquoise realm2.jpg Mwangi Hutter. Turquoise Realm, 2014. Three channel video, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/hutter-mwangi-2014/the cage.jpg Mwangi Hutter. The Cage, 2009. Video. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/hutter-mwangi-2014/eastleigh crossingt.jpg Mwangi Hutter. Eastleigh Crossing, 2009. Video. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/hutter-mwangi-2014/in my house.jpg Mwangi Hutter. In My House, 2006. Video, reflective foil text, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/hutter-mwangi-2014/aesthetic of uprising II.jpg Mwangi Hutter. Aesthetic of Uprising II, 2011. Installation view, Pitzer Art Galleries, Claremont CA. Print on roll, black paint, cleaning rags with text, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/hutter-mwangi-2014/the view.jpg Mwangi Hutter. The View, 2013. Video. Courtesy of the artist. https://www.studiointernational.com/index.php/jasper-johns-regrets-courtauld-gallery-francis-bacon-lucian-freud https://www.studiointernational.com/images/articles/j/johns-jasper-2014/Jasper-Johns1.jpg Jasper Johns. Study for Regrets, 2012. Acrylic, photocopy collage, coloured pencil, ink and watercolour on paper, 28.9 x 45.1 cm. Collection of the artist. https://www.studiointernational.com/images/articles/j/johns-jasper-2014/Jasper-Johns2.jpg Jasper Johns. Untitled, 2013. Ink on plastic, 69.9 x 91.4 cm. The Museum of Modern Art, New York. Promised gift from a private collection. https://www.studiointernational.com/images/articles/j/johns-jasper-2014/Jasper-Johns4.jpg Jasper Johns. Regrets, 2013. Oil on canvas, 127 x 182.9 cm. Collection of the artist. https://www.studiointernational.com/images/articles/j/johns-jasper-2014/Jasper-Johns5.jpg Jasper Johns, Regrets, 2013. Oil on canvas, 170.2 x 243.8 cm. The Museum of Modern Art, New York. Promised gift of Marie-Josée and Henry R. Kravis. https://www.studiointernational.com/images/articles/j/johns-jasper-2014/Jasper-Johns7.jpg Jasper Johns. Untitled, 2013. Ink on plastic, 69.9 x 91.4 cm. The Museum of Modern Art, New York. Promised gift from a private collection. https://www.studiointernational.com/index.php/constantin-meunier-retrospective-exhibition-review-royal-museums-fine-arts-belgium https://www.studiointernational.com/images/articles/m/meunier-constantin-2014/MEUNIER_Liege.jpg Constantin Meunier. La coulee à Seraing, 1880. Oil on canvas. Musée des Beaux-Arts de la ville de Liège. © Ville de Liège – BAL. https://www.studiointernational.com/images/articles/m/meunier-constantin-2014/Meunier-10000-176.jpg Constantin Meunier. Triptyque de la mine, c1900. Oil on canvas, MRBAB, Brussels. © MRBAB/Photograph: J. Geleyns/Ro scan. https://www.studiointernational.com/images/articles/m/meunier-constantin-2014/Meunier-11542.jpg Constantin Meunier. La Guerre des Paysans 1798-1799 (le rassemblement), c1875. Oil on canvas, MRBAB, Brussels. © MRBAB/Photograph: J. Geleyns/Ro scan. https://www.studiointernational.com/images/articles/m/meunier-constantin-2014/Meunier-3066Adig.jpg Constantin Meunier. Le Puddleur, 1884/1887-88, bronze, MRBAB, Brussels. MRBAB, Brussels. © MRBAB/Photograph: J. Geleyns/Ro scan. https://www.studiointernational.com/images/articles/m/meunier-constantin-2014/Meunier-3200adig.jpg Constantin Meunier. Le grisou – femme retrouvant son enfant parmi les morts, 1889. Bronze. MRBAB, Brussels. © MRBAB/Photograph: J. Geleyns/Ro scan. https://www.studiointernational.com/images/articles/m/meunier-constantin-2014/Meunier-3227.jpg Constantin Meunier. Manufacture de tabac à Séville, 1883. Oil on canvas. MRBAB, Brussels. © MRBAB/Photograph: Grafisch Buro Lefevre, Heule. https://www.studiointernational.com/images/articles/m/meunier-constantin-2014/Meunier_KMSKA_1353.jpg Constantin Meunier. Saint Étienne, 1867. Oil on canvas, Musée royaux des Beaux-Arts, Antwerp. © Lukas- Art in Flanders vzw/Photograph: Hugo Martens. https://www.studiointernational.com/images/articles/m/meunier-constantin-2014/Meunier_Ost_133.jpg Constantin Meunier. La Walkyrie, c1886. Charcoal, pastel and pencil on paper, private collection. © Vincent Everarts. Photograph: Brussels. https://www.studiointernational.com/index.php/willem-van-genk-mind-traffic-american-folk-art-museum-nico-van-der-endt https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/KKannen-2009.jpg Nico van der Endt at the 2009 Forum for Outsider Art, Kunsthaus Kannen, Münster. Courtesy Kunsthaus Kannen. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/210302106.jpg Willem van Genk. Untitled (World Airport), 1965. Mixed media on assembled millboards, 44 ¾ x 46 ¾ in (113.5 x 119 cm). Collection Foundation Willem van Genk, Museum Dr Guislain, Ghent. Photograph: Guido Suykens, Ghent. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/210302107.jpg Willem van Genk. Untitled (Praha, Stad van Dubček or Prague, City of Dubček), c1970. Mixed media on assembled millboards, 48 x 48 in (122 x 122 cm). Collection Foundation Willem van Genk, Museum Dr. Guislain, Ghent. Photograph: Guido Suykens, Ghent. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/210302174.jpg Willem van Genk. Untitled (Reiseland Italien or Travel in Italy), 1964. Mixed media on millboard. 27 ¾ x 31 ½ x 1 ½ in (70.5 x 80 x 3.5 cm). Collection Foundation Willem van Genk, Museum Dr. Guislain, Ghent, 210302174. Photo: Guido Suykens, Ghent. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/21030241.jpg Willem van Genk. Untitled (Toblerone Trolley), c1980–2000. Tin cans, cardboard, metal, paint, paper, and plastic, 10 x 19 x 5 1/8 in (25.5 x 48 x 13 cm). Collection Foundation Willem van Genk, Museum Dr Guislain, Ghent. Photograph: Guido Suykens, Ghent. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/21030245.jpg Willem van Genk. Untitled (Velp–Oosterbeek Trolley), c1980–2000. Tin cans, cardboard, metal, paint, paper, and plastic, 10 ½ x 23 ½ x 5 1/8 in (27 x 60 x 13 cm). Collection Foundation Willem van Genk, Museum Dr Guislain, Ghent. Photograph: Guido Suykens, Ghent. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/240210368.jpg Willem van Genk. Untitled (Map of Rome). Ballpoint pen, ink, and pencil on paper, 25 ¼ x 23 ¼ in (64 x 59 cm). Collection Museum Dr Guislain, Ghent. Photograph: Guido Suykens, Ghent. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/24021052.jpg Willem van Genk. Untitled (Industry). Ballpoint pen on paper, 8 ½ x 8 in (21.5 x 20.3 cm). Collection Museum Dr Guislain, Ghent. Photograph: Guido Suykens, Ghent. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/Fasanella McCarthy Era Garden Party.jpg Ralph Fasanella. McCarthy Era Garden Party, 1954. Oil on canvas, 40 x 50 in. Andrew Edlin Gallery, New York, and the Estate of Ralph Fasanella. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/Fasanella iceman.jpg Ralph Fasanella. Iceman Crucified #4. 1958. Oil on canvas, 36 x 25 in. Smithsonian American Art Museum, Gift of the estate of Ralph Fasanella. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/OS0203007.jpg Willem van Genk. Untitled (Great Railroads of the World), c1970. Mixed media on assembled millboards, 26 ¾ x 52 ½ in (68 x 133 cm). Collection De Stadshof, Museum Dr. Guislain, Ghent. Photograph: Guido Suykens, Ghent. https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/OS1102125.jpg Willem van Genk. Untitled (Brooklyn Bridge), 1960. Mixed media on paper. Unframed: 38 ½ x 70 inches (98 x 178 cm). Framed: 43 x 74 inches (109,5 x 188 cm). Collection De Stadshof, Museum Dr. Guislain, Ghent, OS1102125. Photo: Guido Suykens, Ghent https://www.studiointernational.com/images/articles/v/van_genk_willem-2014/Zwarte jas001_detail.jpg Willem van Genk. Untitled (Raincoats). Detail. Leather and/or plastic, average height of 51 to 55 in (130 to 140 cm). Collection Museum Dr Guislain. https://www.studiointernational.com/index.php/anne-graham-shifting-sands-falling-trees-sydney https://www.studiointernational.com/images/articles/g/graham-anne-2014/3-Anne-Graham-studio-2012.jpg Anne Graham's studio, Mount Victoria, Blue Mountains near Sydney, 2012. Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/g/graham-anne-2014/4-Anne-Graham-studio-2012.jpg Anne Graham's studio (view 2), Mount Victoria, Blue Mountains near Sydney, 2012. Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/g/graham-anne-2014/6-Anne-Graham-Dark-Angel.jpg Anne Graham. Dark Angel, 2014. Cedar, MDF, copper, grevillea and clay, 65 x 130 x 10cm. https://www.studiointernational.com/images/articles/g/graham-anne-2014/Joni-and-Bacon-Photograph-and-dog-hair-felted.jpg Joni and Bacon (photograph), and dog hair felted. Installation view at William Wright Artists Projects, September 2014. https://www.studiointernational.com/images/articles/g/graham-anne-2014/Julie-and-Cloud-Photograph-and-dog-hair-felted.jpg Julie and Cloud (photograph), and dog hair felted. Installation view at William Wright Artists Projects, September 2014. https://www.studiointernational.com/index.php/celeste-boursier-mougenot-persistances-review-aubette-strasbourg https://www.studiointernational.com/images/articles/b/boursier-celeste-2014/persistance1_3.jpg Céleste Boursier-Mougenot. persistance 1, 2014 © Musées de la Ville de Strasbourg. Photograph: K. Stöber. https://www.studiointernational.com/images/articles/b/boursier-celeste-2014/videodrones_2.jpg Céleste Boursier-Mougenot. videodrones, 2014. Installation view (1) © Musées de la Ville de Strasbourg. Photograph: K. Stöber. https://www.studiointernational.com/images/articles/b/boursier-celeste-2014/videodrones_3.jpg Céleste Boursier-Mougenot. videodrones, 2014. Installation view (2) © Musées de la Ville de Strasbourg. Photograph: K. Stöber. https://www.studiointernational.com/images/articles/b/boursier-celeste-2014/videodrones_4.jpg Céleste Boursier-Mougenot. videodrones, 2014. Installation view (3) © Musées de la Ville de Strasbourg. Photograph: Mathieu Bertola. https://www.studiointernational.com/images/articles/b/boursier-celeste-2014/Celeste Boursier-Mougenot_01.jpg Céleste Boursier-Mougenot. videodrones, 2014 (1). © Musées de la Ville de Strasbourg. Photograph: Mathieu Bertola. https://www.studiointernational.com/images/articles/b/boursier-celeste-2014/Celeste Boursier-Mougenot_04.jpg Céleste Boursier-Mougenot. videodrones, 2014 (2). © Musées de la Ville de Strasbourg. Photograph: Mathieu Bertola. https://www.studiointernational.com/images/articles/b/boursier-celeste-2014/Celeste Boursier-Mougenot_08.jpg Céleste Boursier-Mougenot. videodrones, 2014 (3). © Musées de la Ville de Strasbourg. Photograph: Mathieu Bertola. https://www.studiointernational.com/index.php/daleast-the-laten-photon-jonathan-levine-gallery-chinese-contemporary-art https://www.studiointernational.com/images/articles/d/daleast-2014/V_L.jpg DALeast. V. Acrylic on canvas, 48.25 x 75.63 in (122.56 x 199.71 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/VI_L.jpg DALeast. VI. Acrylic on canvas. 15.5 x 23.5 inches (39.37 x 59.69 cm). Courtesy of the artist and the Jonathan Levine Gallery https://www.studiointernational.com/images/articles/d/daleast-2014/VII_L1.jpg DALeast. VII. Acrylic on canvas, 59 x 59 in (149.86 x 149.86 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/X_L.jpg DALeast. X. Acrylic on canvas, 49 x 17.5 in (124.46 x 44.45 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/XII_L.jpg DALeast. XII. Acrylic on canvas, 31.5 x 31.5 in (80.01 x 80.01 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/XIV_L.jpg DALeast. XIV. Acrylic on canvas, 18 x 47.75 in (45.72 x 121.29 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/XVI_L1.jpg DALeast. XVI. Acrylic on canvas, 17.75 x 23.75 in (45.09 x 60.33 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/XVII_L1.jpg DALeast. XVII. Acrylic on canvas, 19.38 x 19.38 in (49.21 x 49.21 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/d lion eating (duplicate)_L.jpg DALeast. Untitled 18. Ink on paper, 9 x 9 in (22.86 x 22.86 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/D1 first edit_L.jpg DALeast. Untitled 7. Ink on paper, 10 x 11 in (25.4 x 27.94 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/d10 first edit_L.jpg DALeast. Untitled 19. Ink on paper, 11 x 11 in (27.94 x 27.94 cm). Courtesy of the artist and the Jonathan Levine Gallery. https://www.studiointernational.com/images/articles/d/daleast-2014/DALeast-KR-NYC-2014.jpg DALeast. Mural at St Marks, 1st Street and Avenue A in Manhattan. Courtesy of the artist and the Jonathan Levine Gallery https://www.studiointernational.com/index.php/present-of-modernism-mumok-vienna https://www.studiointernational.com/images/articles/m/modernism-2014/13_laszlomoholynagy_komposition_qviii_1922.jpg László Moholy-Nagy. Komposition Q VIII, 1922. Oil on canvas, 96.3 x 75.7 x 2 cm. Mumok - Museum of Modern Art Foundation Ludwig Vienna. Photograph: mumok. © Bildrecht Wien, 2014. https://www.studiointernational.com/images/articles/m/modernism-2014/12_magritte_la_voix_du_sang_1959.jpg René Magritte. The Voice of Blood, 1959. Oil on canvas, 115 x 89 cm. Mumok - Museum of Modern Art Foundation Ludwig Vienna. Photograph: mumok. © Bildrecht Wien, 2014. https://www.studiointernational.com/images/articles/m/modernism-2014/14_pietmondrian_kompositionmitdoppellinieundblau_1935.jpg Piet Mondrian. Composition with Double Line and Blue (unfinished), 1935. Oil on canvas, 60 x 50 cm. Mumok - Museum of Modern Art Foundation Ludwig Vienna. Photograph: mumok. © Bildrecht Wien, 2014. https://www.studiointernational.com/images/articles/m/modernism-2014/03_bayer_blau_1926ii_1926.jpg Herbert Bayer. Blau 1926 / II, 1926. Gouache on paper on cardboard, 51 x 62 cm. Mumok - Museum of Modern Art Foundation Ludwig Vienna. Photograph: mumok. © Bildrecht Wien, 2014. https://www.studiointernational.com/images/articles/m/modernism-2014/09_islam_emptythepondtogetthefish_2008.jpg Runa Islam. Empty the pond to get the Fish, 2008. 335mm film, colour, sound, 12:8 min. Mumok - Museum of Modern Art Foundation Ludwig Vienna. Photograph: mumok. © Runa Islam. https://www.studiointernational.com/images/articles/m/modernism-2014/10_katarzynakozyra_rite_of_spring_1999.jpg Katarzyna Kozyra. Rite of Spring, 1999. Video installation, colour, sound, dimensions variable. Mumok - Museum of Modern Art Foundation Ludwig Vienna. Photograph: mumok. © Katarzyna Kozyra https://www.studiointernational.com/index.php/fu-site-politicians-review-galerie-paris-beijing https://www.studiointernational.com/images/articles/s/site-fu-2014/00-Site-Fu,-Room-Victorien-01,-2014.jpg Fu Site. Victorian Room no 1, 2013. Mixed media on paper, 97 x 97 cm. https://www.studiointernational.com/images/articles/s/site-fu-2014/01-Site-Fu,-Lit,-lhomme-dans-la-fumee,-2013.jpg Fu Site. Lit, l’homme dans la fumée, 2013. Mixed media on paper, 98 x 70.5 cm. https://www.studiointernational.com/images/articles/s/site-fu-2014/04-Fu-Site,-La-Robe,-2014.jpg Fu Site. Robe, 2013. Mixed media on paper, mounted on canvas, 80 x 60 cm. https://www.studiointernational.com/images/articles/s/site-fu-2014/11-Site-Fu,-Chambre-fermee-05,-2010.jpg Fu Site. Scaled room no 5, 2013. Oil on paper, mounted on canvas, 130 x 97 cm. https://www.studiointernational.com/images/articles/s/site-fu-2014/19-Site-Fu,-On-the-top,-2014.jpg Fu Site. The building, 2013. Mixed media on paper, mounted on canvas, 103 x 103 cm. https://www.studiointernational.com/images/articles/s/site-fu-2014/20-Site-Fu,-Room-Victorien-no2,-2014-.jpg Fu Site. Victorian Room II, 2014. Mixed media on paper, mounted on canvas, 120 x 96 cm. https://www.studiointernational.com/index.php/gw-bot-australia-royal-academy-2013-glyphs https://www.studiointernational.com/images/articles/b/bot-gw-2014/Glyphs_A_Life.jpg GW Bot. Glyphs - A life, 2013. Linocut on Korean hanj paper, 63 x 183 cm. https://www.studiointernational.com/images/articles/b/bot-gw-2014/Glyphs_Between_Worlds_a.jpg GW Bot. Glyphs between worlds, 2013. Rusted cut steel, 225 x 700 x 10 cm, variable. https://www.studiointernational.com/images/articles/b/bot-gw-2014/Treaty_Glyphs.jpg GW Bot. Treaty glyphs, 2013. Rusted cut steel, dimensions variable, each glyph approx 120cm high, central glyph 130cm. https://www.studiointernational.com/images/articles/b/bot-gw-2014/GWBot_2013_10_02_002.jpg GW Bot. Treaty Glyphs, 2013. Linocut on BFK paper, 92 x 52cm. https://www.studiointernational.com/index.php/ralph-fasanella-lest-we-forget-review-american-folk-art-museum https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/PieInTheSky_200554.jpg Ralph Fasanella. Pie in the Sky, 1947. Oil on canvas, 46 x 38 in. Collection American Folk Art Museum, New York. Gift of Eva Fasanella and her children, Gina Mostrando and Marc Fasanella, 2005.5.4. Photograph: Gavin Ashworth. https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/SamsDream_RF3537.jpg Ralph Fasanella. Sam's Dream, 1948. Oil on canvas, 59 1/2 x 50 in (151.1 x 127 cm). Courtesy Andrew Edlin Gallery, New York, and the Estate of Ralph Fasanella. https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/Fasanella McCarthy Era Garden Party.jpg Ralph Fasanella. McCarthy Era Garden Party, 1954. Oil on canvas, 40 x 50 in. Andrew Edlin Gallery, New York, and the Estate of Ralph Fasanella. https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/Fasanella New York City.jpg Ralph Fasanella. New York City, 1957. Oil on canvas. 50 x 110 in. Collection of Nicholas and Shelley Schorsch. Image courtesy Estate of Ralph Fasanella. https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/Fasanella McCarthy Press.jpg Ralph Fasanella. McCarthy Press, 1958. Oil on canvas, 40 x 70 in. Collection American Folk Art Museum, New York. Gift of Eva Fasanella and her children, Gina Mostrando and Marc Fasanella. Photograph: Gavin Ashworth. https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/Fasanella iceman.jpg Ralph Fasanella. Iceman Crucified #4, 1958. Oil on canvas, 36 x 25 in. Smithsonian American Art Museum, Gift of the estate of Ralph Fasanella. https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/Fasanella The Rosenbergs.jpg Ralph Fasanella. The Rosenbergs: Grey Day, 1963. Oil on canvas, 42 x 72 in. Andrew Edlin Gallery, New York, and the Estate of Ralph Fasanella. https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/Fasanella American Tragedy.jpg Ralph Fasanella. American Tragedy, 1964. Oil on canvas, 40 x 90 in. Collection of John and Susan Jerit. Image courtesy Andrew Edlin Gallery https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/Fasanella ModernTimes.jpg Ralph Fasanella. Modern Times, 1966. Oil on canvas, 49 ¾ x 104 in. Smithsonian American Art Museum. Gift of Maurice and Margo Cohen, Birmingham, MI. https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/Fasanella Family Supper.jpg Ralph Fasanella. Family Supper, 1972. Oil on canvas, 70 x 50 in. National Park Service. https://www.studiointernational.com/images/articles/f/fasanella-ralph-2014/Fasanella The Great Strike.jpg Ralph Fasanella. The Great Strike: Lawrence 1912, 1978. Oil on canvas, 65 x 118 in. Building and Construction Trades Department, AFL-CIO. Image courtesy Estate of Ralph Fasanella. https://www.studiointernational.com/index.php/crossing-the-line-2-drawing-in-the-middle-east-dubai https://www.studiointernational.com/images/articles/c/crossing-the-line-2014/Carole-Robb-On-Location-Rome.jpg Carole Robb. On Location, Rome, 2014. Pencil on paper, 27 x 20 cm. https://www.studiointernational.com/images/articles/c/crossing-the-line-2014/Irene-Barberis-detail.jpg Irene Barberis. Location: 'then I heard behind me a great voice...', drawn 2012, installation 2014 (detail). Four strands of handwritten silicone texts, 1.3 m x variable widths. https://www.studiointernational.com/images/articles/c/crossing-the-line-2014/Valerie-Hird-ExcerptfromIranianDiaryMVProject.jpg Valerie Hird. Maiden Voyages Project, 2009. Excerpt from Iranian Diary (top row – October 2009, bottom row – July 2009). Graphite, watercolour, asphaltum, ink, coloured pencil. Top row: 18.5 (H) x 31.5 (W) cm. Bottom row: 18.5 (H) x 42 (W) cm. https://www.studiointernational.com/images/articles/c/crossing-the-line-2014/Reni-Gower-Cobalt-300.jpg Reni Gower. Papercuts: White/cobalt, 2013. Acrylic on hand cut paper, 206 cm x 142 cm. Photograph: Reni Gower. https://www.studiointernational.com/images/articles/c/crossing-the-line-2014/Reni-Gower-Cobalt-Detail-300-2014.jpg Reni Gower. Papercuts: White/cobalt, 2013 (detail). Acrylic on hand cut paper, 206 cm x 142 cm. Photograph: Reni Gower. https://www.studiointernational.com/images/articles/c/crossing-the-line-2014/Julia-Townsend-Yellow-300.jpg Julia Townsend. Untitled, 2014. Acrylic on hand cut paper, 61 cm x 152 cm. Photograph: Reni Gower. https://www.studiointernational.com/images/articles/c/crossing-the-line-2014/Julia-Townsend-Detail-Yellow-300-dpi.jpg Julia Townsend. Untitled, 2014 (detail). Acrylic on hand cut paper, 61 cm x 152 cm. Photograph: Reni Gower. https://www.studiointernational.com/images/articles/c/crossing-the-line-2014/Performance-4.jpg Jorge Benitez and Susan Schuld in front of Gower's Papercuts. Performance image: Jam Jar Gallery, Dubai, 15 September 2014. Photograph: Reni Gower. https://www.studiointernational.com/index.php/trajectories-19th-20th-century-printmaking-india-pakistan https://www.studiointernational.com/images/articles/t/trajectories-2014/3.jpg Anupam Sud. Dialogue, 1984. Etching on paper, 49 x 64 cm. https://www.studiointernational.com/images/articles/t/trajectories-2014/2.jpg Ussman Ghouri. Etching and aquatint on paper, 15 x 10 in. https://www.studiointernational.com/index.php/peter-paul-rubens-sensation-and-sensuality-review https://www.studiointernational.com/images/articles/r/rubens-2014/Peter-Paul-Rubens-Coronation-of-Maria-de-Medici.jpg Peter Paul Rubens. Coronation of Maria de' Medici, c1622-25. Oil on panel, 49 x 63 cm. State Hermitage Museum, St Petersburg Photo © 2013. Photograph: Scala, Florence. https://www.studiointernational.com/images/articles/r/rubens-2014/Peter-Paul-Rubens-Le-Jardin-de-l-amour.jpg Peter Paul Rubens. Le Jardin de l’amour c1635. Oil on canvas. Madrid, Museo Nacional del Prado Photo © Madrid, Museo Nacional del Prado. https://www.studiointernational.com/images/articles/r/rubens-2014/Peter-Paul-Rubens-Pan-and-Syrinx-1617.jpg Peter Paul Rubens. Pan and Syrinx, 1617. Oil on panel, 40 x 61 cm. Staatliche Museen, Kassel. Photograph. Ute Brunzel. https://www.studiointernational.com/images/articles/r/rubens-2014/Peter-Paul-Rubens-Portrait-de-Maria-Grimaldi-230.jpg Peter Paul Rubens. Probably portrait de Maria Grimaldi and her dwarf c1606. Oil on canvas. Dorset, Kingston Lacy, The Bankes Collection - The National Trust Photograph © National Trust Images/Derrick E Witty. https://www.studiointernational.com/images/articles/r/rubens-2014/Peter-Paul-Rubens-Venus-Frigida.jpg Peter Paul Rubens. Venus Frigida, 1614. Oil on panel, 145.1 x 185.6 x 3.8 cm. © Lukas - Art in Flanders VZW/Royal Museum of Fine Arts Antwerp. Photograph: Hugo Maertens. https://www.studiointernational.com/images/articles/r/rubens-2014/Antoine-Coypel-Bacchus-and-Ariadne-on-the-Isle-of-Naxos.jpg Antoine Coypel. Bacchus and Ariadne on the Isle of Naxos, c1693. Oil on canvas, 73 x 85.5 cm. Philadelphia Museum of Art. https://www.studiointernational.com/images/articles/r/rubens-2014/Edouard-Manet-La-Peche.jpg Edouard Manet. La Pêche c1862-63. Oil on canvas. New York, The Metropolitan Museum of Art, Photograph © 2013. Image copyright The Metropolitan Museum of Art/Art Resource/Scala, Florence. https://www.studiointernational.com/images/articles/r/rubens-2014/Edwin-Landseer-The-Hunting-of-Chevy-Chase.jpg Edwin Landseer. The Hunting of Chevy Chase, 1825-26. Oil on canvas, 143.5 x 170.8 cm. Museums and Art Gallery, Birmingham Photograph © Birmingham Museums Trust. https://www.studiointernational.com/images/articles/r/rubens-2014/Eugene-Delacroix-The-Final-Reconciliation-.jpg Eugène Delacroix. The Final Reconciliation of Marie de' Medici with her son Louis XIII, 1828. Oil on canvas, 62 x 51 cm. Wallraf-Richartz Museum & Foundation Corboud, Cologne. Photo: Rheinisches Bildarchiv Köln. https://www.studiointernational.com/images/articles/r/rubens-2014/Gustav-Klimt-Sainte-Cecile-1885.jpg Gustav Klimt. Sainte Cécile, 1885. Oil on panel. Wien, Akademie der bildenden Künste Wien. Photograph: Belvedere, Vienna. https://www.studiointernational.com/images/articles/r/rubens-2014/Honore-Daumier-Woman-Pursued-by-Satyrs-1850.jpg Honoré Daumier. Woman Pursued by Satyrs, 1850. Oil on canvas, 131.8 x 97.8 cm. The Montreal Museum of Fine Arts. Photograph: The Montreal Museum of Fine Arts, Brian Merrett. https://www.studiointernational.com/images/articles/r/rubens-2014/John-Constable-Cottage-at-East-Bergholt-c1833.jpg John Constable. Cottage at East Bergholt, c1833. Oil on canvas, 87.5 x 112 cm. Lady Lever Art Gallery, Liverpool. Photograph © National Museums Liverpool, Lady Lever Art Gallery. https://www.studiointernational.com/images/articles/r/rubens-2014/Paul-Cezanne-Trois-baigneuses-.jpg Paul Cézanne. Trois baigneuses c1875. Oil on canvas. Collection particulière. Photograph: Ali Elai, Camerarts. https://www.studiointernational.com/index.php/yuri-pattison-free-traveller-cell-project-space-internet-technology https://www.studiointernational.com/images/articles/p/Pattison-Yuri-2014/Pattison-freetraveller-14.jpg Yuri Pattison. Aibo Overcoming Modernity, 2014. Programmed Sony AIBO (Artificial Intelligence Robot, homonymous with aibō, (pal or partner in Japanese) entertainment robot, static cling sticker, inflight magazines. https://www.studiointernational.com/images/articles/p/Pattison-Yuri-2014/Pattison-freetraveller-02.jpg Yuri Pattison. Free traveller, 2014. Cell Project Space. https://www.studiointernational.com/images/articles/p/Pattison-Yuri-2014/freetraveller-detail-24.jpg Yuri Pattison. Free traveller, 2014 (detail). Cell Project Space. https://www.studiointernational.com/index.php/the-whitney-biennial-2008 https://www.studiointernational.com/images/articles/w/whitney/wb_bradley_b.jpg Joe Bradley. Installation view, Peres Projects, 2007. From left: Cavalry, 2007; Itz, 2007; Night Runner with Strike, 2007; The Thing, 2007. https://www.studiointernational.com/images/articles/w/whitney/wb_caesar2_b.jpg Jedediah Caesar. Dry Stock, 2007 (in progress). Urethane resin, polyester resin, pigment, aluminium, titanium, wood and mixed media. Collection of the artist. Courtesy D'Amelio Terras. https://www.studiointernational.com/images/articles/w/whitney/wb_long_b.jpg Charles Long,.Untitled, 2006. Papier-mâché, plaster, steel, synthetic polymer, river sediment, and debris, 144 x 72 x 7 in (365.8 x 182.9 x 17.8 cm). Collection of the artist. Courtesy Tanya Bonakdar Gallery, New York. https://www.studiointernational.com/images/articles/w/whitney/wb_rossho1_b.jpg Amanda Ross-Ho. White Goddess 8, 2007. Synthetic polymer on cut canvas, 96 x 50 in (213.9 x 127 cm). Collection of the artist. courtesy Cherry and Martin, Los Angeles. https://www.studiointernational.com/images/articles/w/whitney/wb_tellez_b.jpg Javier Téllez. Production still from Letter on the Blind, For the Use of Those Who See, 2007. 16 mm film transferred to high-definition video, colour, sound; approximately 35 min. Collection of the artist; Commissioned by Creative Time, as part of Six Actions for New York City, co-produced by Peter Kilchmann Gallery. Courtesy Peter Kilchmann Gallery © Javier Tellez. Photograph: Cleverson. https://www.studiointernational.com/index.php/richard-demarco-edinburgh-international-festival-joseph-beuys https://www.studiointernational.com/images/articles/d/demarco-richard-2014/joseph-beuys-10972l-b.jpg Joseph Beuys on The Moor of Rannoch, the place which inspired him to create his moor “action” on 13 August 1970. https://www.studiointernational.com/images/articles/d/demarco-richard-2014/Richard-Demarco-and-Paul-Neagu.jpg Richard Demarco and Paul Neagu. Photograph courtesy Richard Demarco Archive www.demarco-archive.ac.uk https://www.studiointernational.com/images/articles/d/demarco-richard-2014/Kantor_002.jpg Lovelies and Dowdies, Edinburgh Festival 1972, Tadeusz Kantor (bottom left). Photograph: Richard Demarco. Courtesy Richard Demarco Archive www.demarco-archive.ac.uk https://www.studiointernational.com/images/articles/d/demarco-richard-2014/joseph-beuys-one-hundred-days-1972.jpg Joseph Beuys, One Hundred Days of the Free International University Event, Documenta Six, Kassel, Germany. Photograph: Richard Demarco. Courtesy Richard Demarco Archive www.demarco-archive.ac.uk https://www.studiointernational.com/images/articles/d/demarco-richard-2014/Richard-Demarco-and-Joseph-Beuys-1974.jpg Richard Demarco and Joseph Beuys, 1974. Photograph courtesy Richard Demarco Archive www.demarco-archive.ac.uk https://www.studiointernational.com/index.php/nasa-vintage-photographs-encountering-the-sublime-astronauts-space-travel https://www.studiointernational.com/images/articles/v/vintage-nasa-photographs-2014/Gerald-Carr-Edward-Gibson-leaving-the-hatchway-Skylab-4-February-1974.jpg Gerald Carr, Edward Gibson leaving the hatchway, Skylab 4, February 1974, c20 x 25 cm, NASA S74-17456. Courtesy Breese Little. https://www.studiointernational.com/index.php/zarouhie-abdalian-eighth-berlin-biennale-altman-siegel https://www.studiointernational.com/images/articles/a/abdalian-zarouhie-2014/02_Abdalian_AwaySetting.jpg Zarouhie Abdalian. Away Setting, 2012. Timers, lights, inaccessible split-level rooms. Dimensions variable. Installation view, Shanghai Biennial. Courtesy the artist and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/a/abdalian-zarouhie-2014/03_Abdalian_OccasionalMusic.jpg Zarouhie Abdalian. Occasional Music, 2013. Brass bells, electronics. Dimensions variable. Public installation commissioned for SFMOMA SECA award in downtown Oakland, CA. Courtesy the artist and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/a/abdalian-zarouhie-2014/04_Abdalian_BAM.jpg Zarouhie Abdalian. Each envelope as before, 2013. Acrylic vitrine, solenoids, electronics, and steel. 47 3/4 x 70 x 38 in. Installation view: Berkeley Art Museum, 2013. Courtesy the artist and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/a/abdalian-zarouhie-2014/05_Abdalian_AsADemonstration.jpg Zarouhie Abdalian. As a demonstration, 2013. Acrylic vacuum chamber, electric bell, and steel. 22 x 25 x 58 in. Photo: Robert Divers Herrick. Courtesy the artist and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/a/abdalian-zarouhie-2014/06_Abdalian_ACaveatADecoy.jpg Zarouhie Abdalian. a caveat, a decoy, 2014. Window, sound, and owl decoy. Dimensions variable. Installation for 8th Berlin Biennale at Kunst Werke, Berlin. Photograph: Joseph Kadow. Courtesy the artist and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/a/abdalian-zarouhie-2014/07_Abdalian_InUnison.jpg Zarouhie Abdalian. In Unison, 2014. Loudspeakers, sine tones, glass vessels, water. Dimensions variable. Installation view: David Winton Bell Gallery, Brown University, Providence, RI. Photograph: Matthew Clowney. Courtesy the artist and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/a/abdalian-zarouhie-2014/08_Abdalian_InUnisonDetail.jpg Zarouhie Abdalian. In Unison (detail), 2014. Loudspeakers, sine tones, glass vessels, water. Dimensions variable. Photograph: Matthew Clowney. Courtesy the artist and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/a/abdalian-zarouhie-2014/09_AbdalianRosenzwieg_Blockings.jpg Zarouhie Abdalian and Joseph Rosenzweig. Blockings (detail), 2014. Installation for 2nd CAFAM Biennial, Beijing: twenty-three exhibition labels. Dimensions variable. Courtesy the artists. https://www.studiointernational.com/images/articles/a/abdalian-zarouhie-2014/10_AbdalianRosenzweig_AProduction.jpg Zarouhie Abdalian and Joseph Rosenzweig. A Production, 2011. Spotlight, power cable, AC socket. Dimensions variable. Courtesy the artists. https://www.studiointernational.com/index.php/zero-countdown-to-tomorrow-1950s-60s-heinz-mack-otto-piene https://www.studiointernational.com/images/articles/z/zero-2014/Nanda-Vigo-Cronotopo-1964.jpg Nanda Vigo. Chronotopo, 1964. Aluminium and glass. 40 x 40 x 2 cm, (Base size: 116 x 40 x 20 cm). Courtesy of The Mayor Gallery, London. https://www.studiointernational.com/images/articles/z/zero-2014/77-2322_ph.jpg Lucio Fontana. Concetto spaziale, Attese, 1959. Synthetic paint on canvas, 125 × 250.8 cm. Solomon R. Guggenheim Museum, New York, Gift, Mrs. Teresita Fontana, Milan 77.2322. © 2014 Artists Rights Society (ARS), New York/SIAE, Rome. Photograph: David Heald © The Solomon R. Guggenheim Foundation, New York. https://www.studiointernational.com/images/articles/z/zero-2014/ZEROVol.3_1961_designHeinzMack.jpg Illustration from ZERO 3 (July 1961), design by Heinz Mack. © Heinz Mack. Photograph: Heinz Mack. https://www.studiointernational.com/images/articles/z/zero-2014/Verheyen_untitled1961.jpg Jef Verheyen. Untitled, 1961. Soot on paper, 70 x 53.5 cm. Private collection, Brussels. © Jef Verheyen. Photograph: Herman Huys, courtesy Galerij De Vuyst. https://www.studiointernational.com/images/articles/z/zero-2014/NewYork-NewYork1963_160x100x120WVZ587.jpg Heinz Mack. New York, New York, 1963. Aluminium on wood, 160 x 100 x 20 cm. Private collection. © Heinz Mack. Photograph: Heinz Mack. https://www.studiointernational.com/images/articles/z/zero-2014/93.4225_ph.jpg Piero Manzoni. Achrome, 1961. Fibreglass, fabric, wood, paint, and acrylic glazing, 66.8 x 58.4 x 24.8 cm. Solomon R. Guggenheim Museum, New York, Gift, Manzoni Family © 2014 Artists Rights Society (ARS)/SIAE Rome. Photograph: Ellen Labenski © The Solomon R. Guggenheim Foundation, New York. https://www.studiointernational.com/images/articles/z/zero-2014/konkavkonvex2.jpg Almir Mavignier. Convex-Concave II (Konvex-Konkav II), 1962. Oil on canvas, 141 x 100 cm. Collection of the artist. © Almir Mavignier. Photograph: Almir Mavignier. https://www.studiointernational.com/images/articles/z/zero-2014/Megert_Mirror Shard Book.jpg Christian Megert. Mirror Shard Book (Spiegelscherbenbuch), 1962. Glass, mirror, and adhesive tape, 42 x 30 x 2 cm. Collection of Mr. and Mrs. Nicolas Cattelain, London. © 2014 Artists Rights Society (ARS), New York/ProLitteris, Zurich. Photograph: Courtesy Franziska Megert. https://www.studiointernational.com/images/articles/z/zero-2014/Piene_LightBallet.jpg Otto Piene. Light Ballet (Light Satellite) (top) and Light Ballet (Light Drum), 1969. Chrome, glass, and light bulbs, sphere diameter: 38 cm; drum height: 45.7 cm, diameter: 124.5 cm. Moeller Fine Art, New York. © Otto Piene. Photograph: Courtesy Moeller Fine Art, New York. https://www.studiointernational.com/images/articles/z/zero-2014/VenusvonWillendorf.jpg Otto Piene. Venus of Willendorf (Venus von Willendorf), 1963. Oil and soot on canvas, 150 x 200 cm. Stedelijk Museum Amsterdam. © Otto Piene. Photograph: Courtesy Stedelijk Museum Amsterdam. https://www.studiointernational.com/images/articles/z/zero-2014/DasgelbeBild(TheYellowPicture)_1957_87X85cm-1.jpg Günther Uecker. The Yellow Picture (Das gelbe Bild), 1957–58. Nails and oil on canvas, 87 x 85 cm. Private collection. © Günther Uecker. Photograph: Nic Tenwiggenhorn. https://www.studiointernational.com/images/articles/z/zero-2014/Bury_punctuation.jpg Pol Bury. Punctuation (Ponctuation), 1959. Wood and electric motor, diameter: 70 cm. Private collection, Brussels, courtesy Patrick Derom Gallery, Brussels. © Pol Bury. Photograph: Courtesy Patrick Derom Gallery, Brussels. https://www.studiointernational.com/images/articles/z/zero-2014/DSC00093.jpg Zero: Countdown to Tomorrow, 1950s-60s, Solomon R Guggenheim Museum, New York, 10 October 2014 – 7 January 2015. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/z/zero-2014/DSC00086.jpg Zero: Countdown to Tomorrow, 1950s-60s (interior view), Solomon R Guggenheim Museum, New York, 10 October 2014 – 7 January 2015. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/fritz-wotruba-homage-to-michelangelo-21er-haus-vienna https://www.studiointernational.com/images/articles/w/wotruba-fritz-2014/wotruba_gehender.jpg Fritz Wotruba. Walking Person, 1951. Paper, feather in black and red, 29.5 x 21 cm. Belvedere Vienna, permanent loan from Fritz Wotruba Privatstiftung. Photograph: Harald Eisenberger, © Fritz Wotruba Privatstiftung. https://www.studiointernational.com/images/articles/w/wotruba-fritz-2014/08-wotruba-foto-14_presse.jpg Fritz Wotruba working on the unfinished Standing Figure, 1975. Carrara-marble, 211 x 62.5 x 69 cm. Belvedere Vienna, permanent loan from Fritz Wotruba Privatstiftung. Photograph: © Fritz Wotruba Privatstiftung. https://www.studiointernational.com/images/articles/w/wotruba-fritz-2014/04-wotruba-kat.jpg Fritz Wotruba. Two Figures and a Torso, 1958. Paper, quill in black, 29 x 42 cm. Belvedere Vienna, permanent loan from Fritz Wotruba Privatstiftung. Photograph: Harald Eisenberger, © Fritz Wotruba Privatstiftung. https://www.studiointernational.com/images/articles/w/wotruba-fritz-2014/wotruba-kat.jpg Fritz Wotruba. Sketch to an Architecture, 1966. Paper, quill in black, 34.5 x 49.1 cm. Belvedere Vienna, permanent loan from Fritz Wotruba Privatstiftung. Photograph: Stefan Zeisler, © Fritz Wotruba Privatstiftung. https://www.studiointernational.com/images/articles/w/wotruba-fritz-2014/06-wotruba-kat.jpg Fritz Wotruba. Print from the Cycle Hommage à Michelangelo, 1975. Paper, pencil, pen, 29.6 x 42 cm. Belvedere Vienna, permanent loan from Fritz Wotruba Privatstiftung. Photograph: Harald Eisenberger, © Fritz Wotruba Privatstiftung. https://www.studiointernational.com/index.php/ed-fornieles-modern-family-television-chisenhale-gallery https://www.studiointernational.com/images/articles/f/fornieles-ed-2014/Ed-Fornieles-at-Chisenhale-Gallery_05.jpg Ed Fornieles, Modern Family,  2014, installation view (2). Commissioned by Chisenhale Gallery. Courtesy of Carlos/Ishikawa, London. Photograph: Andy Keate.  https://www.studiointernational.com/images/articles/f/fornieles-ed-2014/Ed-Fornieles-at-Chisenhale-Gallery_07.jpg Ed Fornieles, Modern Family,  2014, installation view (3). Commissioned by Chisenhale Gallery. Courtesy of Carlos/ Ishikawa, London. Performer: Flora Wellesley Wesley. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/f/fornieles-ed-2014/Ed-Fornieles-at-Chisenhale-Gallery_1.jpg Ed Fornieles, Modern Family,  2014, installation view (4). Commissioned by Chisenhale Gallery. Courtesy of Carlos/Ishikawa, London. Photograph: Andy Keate.  https://www.studiointernational.com/images/articles/f/fornieles-ed-2014/Ed-Fornieles-at-Chisenhale-Gallery_11.jpg Ed Fornieles, Modern Family,  2014, installation view (5). Commissioned by Chisenhale Gallery. Courtesy of Carlos/ Ishikawa, London. Performer: Flora Wellesley Wesley. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/f/fornieles-ed-2014/Ed-Fornieles-at-Chisenhale-Gallery_28.jpg Ed Fornieles, Modern Family,  2014, installation view (6). Commissioned by Chisenhale Gallery. Courtesy of Carlos/Ishikawa, London. Photograph: Andy Keate.  https://www.studiointernational.com/images/articles/f/fornieles-ed-2014/Ed-Fornieles-at-Chisenhale-Gallery_36.jpg Ed Fornieles, Modern Family,  2014, installation view (7). Commissioned by Chisenhale Gallery. Courtesy of Carlos/Ishikawa, London. Photograph: Andy Keate.  https://www.studiointernational.com/images/articles/f/fornieles-ed-2014/Ed-Fornieles-at-Chisenhale-Gallery_38.jpg Ed Fornieles, Modern Family,  2014, installation view (8). Commissioned by Chisenhale Gallery. Courtesy of Carlos/Ishikawa, London. Photograph: Andy Keate.  https://www.studiointernational.com/index.php/what-would-mrs-webb-do-mad-glenn-adamson-interview https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/20130911_Glenn-Adamson_0515.jpg Glenn Adamson, MAD director. Courtesy of the Museum of Arts and Design. https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/1962_1_sil.Eva-Heyd.jpg Peter Voulkos. Vase, 1956. Stoneware, slip; wheel-thrown, slab-formed. Gift of Mr. and Mrs. Adam Gostomski, through the American. Craft Council, 1962. Photograph: Eva Heyd. https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/1968_13alt_sil.George.Erml_.jpg Wharton Esherick. Library Ladder, 1966. Cherry, mahogany; joined, dovetailed, tenoned. Purchased by the American Craft Council, 1968. Photograph: George Erml https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/1968_3_alt.jpg Robert Arneson. Box House Landscape with a View of Alice and https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/27-Mrs-Webb-with-pot-high-res-ACC-Lib.jpg Aileen Osborn Webb in Her Pottery Studio, date unknown. Photograph: American Craft Council. https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/1971_2ab.jpg Byron Temple. Teapot, 1967. Glazed clay; wheel thrown, hand built. Photograph: Ed Watkins. https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/1979_3_5.Eva_.Heyd_.jpg Anni Albers. Tikal, 1958. Cotton; plain weave, leno weave. Gift of the Johnson Wax Company, through the American Craft Council, 1979. Photograph: Eva Heyd. https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/1994_7ab_sil.photo_.credit.unknown.jpg Brent Kington. Weathervane, 1978. Steel, paint; forged, painted. Gift of Thelma Klein, 1994. https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/1995_15_sil.Eva_.Heyd_.jpg Betty Cooke, American. Neckpiece, c1959. Sterling silver, silver wire; fabricated. Gift of the artist, 1995. Photograph: Eva Heyd. https://www.studiointernational.com/images/articles/w/webb-osborn-aileen-2014/2014.17.jpg Joris Laarman. Maker Chair (Puzzle) (Prototype), 2014. Maple. Museum purchase with funds provided by Marcia and Alan Docter, 2014. https://www.studiointernational.com/index.php/panamarenko-universum-henri-van-herwegen-review https://www.studiointernational.com/images/articles/p/panamerenko-2014/5.jpg Panamarenko. De Première van de Hersenexpansie in Kleuren!, 16.12.1965 Panamarenko en Hugo Heyrman, Wide White Space Gallery, Antwerpen, courtesy collection M HKA. https://www.studiointernational.com/images/articles/p/panamerenko-2014/037_copy.jpg Panamarenko. Bing of the Ferro Lusto, (model), 2002. Courtesy Mulier Mulier Gallery. https://www.studiointernational.com/images/articles/p/panamerenko-2014/Afbeelding_132.jpg Panamarenko. Brazil, 2004. Courtesy private collection. https://www.studiointernational.com/images/articles/p/panamerenko-2014/archaeo_robinson.jpg Panamarenko. Archaeopterix Robinson, 2002. Courtesy private collection. https://www.studiointernational.com/images/articles/p/panamerenko-2014/happening_news.jpg Panamarenko. Happening News, nr. 1, September 1965, Happening News, Gerealiseerd en uitgegeven door Panamarenko, Hugo Heyrman, Yoshio Nakajima en Wout Vercammen, courtesy Collection M HKA. https://www.studiointernational.com/images/articles/p/panamerenko-2014/Panamarenko,_Grote_Elleboog_[Big_Elbow],_1990-1992.jpg Panamarenko. Grote Elleboog (Big Elbow), 1990-92. Courtesy Galerie Jamar. https://www.studiointernational.com/images/articles/p/panamerenko-2014/Panamarenko,_Pahama,_Spitsbergen,_Nova_Zemblaya,_1996.jpg Panamarenko. Pahama, Spitsbergen, Nova Zemblaya, 1996. Courtesy Collection Fondation Cartier, Paris. https://www.studiointernational.com/images/articles/p/panamerenko-2014/Panamarenko,_Pastille_Motor,_1991.jpg Panamarenko. Pastille Motor, 1991. Photograph: Syb'l S.- Pictures. Courtesy Collection M HK. https://www.studiointernational.com/images/articles/p/panamerenko-2014/Panamarenko,_Portable_Air_Transport_I,1969.jpg Panamarenko. Portable Air Transport I, 1969. Courtesy Galerie Jamar. https://www.studiointernational.com/images/articles/p/panamerenko-2014/112-7.jpg Panamarenko. In Space, 1965. Courtesy private collection. https://www.studiointernational.com/images/articles/p/panamerenko-2014/Panamarenko_Donderwolk_1970-1971.jpg Panamarenko. Donderwolk, 1970-71. Collection Koninklijke Musea voor Schone Kunsten van België. Photograph: M HKA. https://www.studiointernational.com/images/articles/p/panamerenko-2014/provo-car.jpg Panamarenko. Prova Car. Courtesy collection M HKA. https://www.studiointernational.com/images/articles/p/panamerenko-2014/Beeld_Panamareno_Universum.jpg Panamarenko. Pepto Bismo, 2003. Courtesy private collection. Photograph: M HKA. https://www.studiointernational.com/images/articles/p/panamerenko-2014/2014_Panamarenko_photocc.jpg Panamarenko. Grote Quadru Flip-Flop, 1998. Courtesy private collection. Photograph: M HKA. https://www.studiointernational.com/index.php/uovo-state-of-art-storage-facility-opening-new-york https://www.studiointernational.com/images/articles/u/uovo-2014/UOVO_Carousel_3.jpg UOVO. Art storage, Long Island City. Exterior view. https://www.studiointernational.com/images/articles/u/uovo-2014/Sample art storage.jpg UOVO. Art storage, Long Island City. Interior view. https://www.studiointernational.com/images/articles/u/uovo-2014/Interior_image_4.jpg UOVO. Art storage, Long Island City. Interior view (2). https://www.studiointernational.com/images/articles/u/uovo-2014/Hallway.jpg UOVO. Art storage, Long Island City. Interior view (3). https://www.studiointernational.com/images/articles/u/uovo-2014/Offices.jpg UOVO. Art storage, Long Island City. Interior view (offices). https://www.studiointernational.com/images/articles/u/uovo-2014/uovo-exterior-2.jpg UOVO. Art storage, Long Island City. Exterior view (2). https://www.studiointernational.com/index.php/robert-gober-the-heart-is-not-a-metaphor-moma https://www.studiointernational.com/images/articles/g/gober-reobert-2014/gober_untitledleg_198990.jpg Robert Gober. Untitled Leg, 1989–90. Beeswax, cotton, wood, leather, human hair. 11 3/8 x 7 3/4 x 20 in (28.9 x 19.7 x 50.8 cm). The Museum of Modern Art, New York. Gift of the Dannheisser Foundation. © 2014 Robert Gober. https://www.studiointernational.com/images/articles/g/gober-reobert-2014/gober_untitled_1991.jpg Robert Gober. Untitled, 1991. Wood, beeswax, leather, fabric, and human hair. 13 1/4 x 16 1/2 x 46 1/8 in (33.6 x 41.9 x 117.2 cm). The Museum of Modern Art, New York. Gift of Werner and Elaine Dannheisser. Background: Forest, 1991. Hand-painted silkscreen on paper. Image Credit: K. Ignatiadis, courtesy the artist and Matthew Marks Gallery. © 2014 Robert Gober. https://www.studiointernational.com/images/articles/g/gober-reobert-2014/gober_untitled_199495.jpg Robert Gober. Untitled, 1994 – 1995. Wood, beeswax, brick, plaster, plastic, leather, iron, charcoal, cotton socks, electric light and motor. 47 3/8 × 47 × 34″ (120.3 × 119.4 × 86.4 cm). Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel. Image Credit: D. James Dee, courtesy the artist and Matthew Marks Gallery. © 2014 Robert Gober https://www.studiointernational.com/images/articles/g/gober-reobert-2014/1.goberuntitled198081copy.jpg Robert Gober. Untitled, 1980-81. Oil on wood panel. 8 x 5 ¾ in (20.3 x 14.6 cm). Collection the artist. Image Credit: Ron Amstutz, courtesy the artist and Matthew Marks Gallery. © 2014 Robert Gober. https://www.studiointernational.com/images/articles/g/gober-reobert-2014/2.gobertheascendingsink1985.jpg Robert Gober. The Ascending Sink, 1985. Plaster, wood, steel, wire lath, and semi-gloss enamel paint. Two components, each: 30 x 33 x 27 in (76.2 x 83.8 x 68.6 cm); floor to top: 92 in (233.7 cm). Installed in the artist’s studio on Mulberry Street in Little Italy, Manhattan. Collection of Thea Westreich Wagner and Ethan Wagner, New York. Promised gift to the Whitney Museum of American Art. Image Credit: John Kramer, courtesy the artist. © 2014 Robert Gober . https://www.studiointernational.com/images/articles/g/gober-reobert-2014/7.goberuntitled2008.jpg Robert Gober. Untitled, 2008. Cast gypsum polymer. 14 ½ x 10 ¾ x 6 in (36.8 x 27.3 x 15.2 cm). Edition of 4, with 1 AP. Collection the artist. Image Credit: Fredrik Nilsen, courtesy the artist and Matthew Marks Gallery. © 2014 Robert Gober. https://www.studiointernational.com/images/articles/g/gober-reobert-2014/0377.jpg Installation view of Robert Gober: The Heart Is Not a Metaphor, The Museum of Modern Art, October 4, 2014–January 18, 2015. © 2014 The Museum of Modern Art. Photograph: Jonathan Muzikar. All works by Robert Gober © 2014 Robert Gober. https://www.studiointernational.com/images/articles/g/gober-reobert-2014/0490.jpg Installation view (2) of Robert Gober: The Heart Is Not a Metaphor, The Museum of Modern Art, October 4, 2014–January 18, 2015. © 2014 The Museum of Modern Art. Photograph: Jonathan Muzikar. All works by Robert Gober © 2014 Robert Gober. https://www.studiointernational.com/images/articles/g/gober-reobert-2014/0548.jpg Installation view (3) of Robert Gober: The Heart Is Not a Metaphor, The Museum of Modern Art, October 4, 2014–January 18, 2015. © 2014 The Museum of Modern Art. Photograph: Jonathan Muzikar. All works by Robert Gober © 2014 Robert Gober. https://www.studiointernational.com/images/articles/g/gober-reobert-2014/0788.jpg Installation view (4) of Robert Gober: The Heart Is Not a Metaphor, The Museum of Modern Art, October 4, 2014–January 18, 2015. © 2014 The Museum of Modern Art. Photograph: Jonathan Muzikar. All works by Robert Gober © 2014 Robert Gober. https://www.studiointernational.com/images/articles/g/gober-reobert-2014/0894.jpg Installation view (5) of Robert Gober: The Heart Is Not a Metaphor, The Museum of Modern Art, October 4, 2014–January 18, 2015. © 2014 The Museum of Modern Art. Photograph: Jonathan Muzikar. All works by Robert Gober © 2014 Robert Gober. https://www.studiointernational.com/images/articles/g/gober-reobert-2014/0948.jpg Installation view (6) of Robert Gober: The Heart Is Not a Metaphor, The Museum of Modern Art, October 4, 2014–January 18, 2015. © 2014 The Museum of Modern Art. Photograph: Jonathan Muzikar. All works by Robert Gober © 2014 Robert Gober. https://www.studiointernational.com/index.php/natalia-kolodzei-interview-this-leads-to-fire-neuberger-museum https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/bakhchanyan2005.jpg Vagrich Bakhchanyan. Stalin Face, 1981; 2005. Stamped card board, 11 x 9 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/borisov83.jpg Leonid Borisov. Composition K. No.2, 1983. Oil on canvas, 23-5/8 x 29-5/8 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/Bulatov.jpg Erik Bulatov. Woman Watching Vremya, 1981. Coloured pencil on paper. 13-3/4 x 17-1/2 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/dementieva3.jpg Alexandra Dementieva. Mirror's Memory, 2003. Interactive installation, 300 x 400 cm retro projection screen, Camera DV, Mac G4, Video Projection. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/frants 2.jpg Anna Frants. Für die Stadt, 2008. Video installation. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/Kandinsky.jpg Anton S. Kandinsky. Post-Soviet-Ism, 2012. Oil on canvas, 60 x 40 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/kabakov.jpg Ilya Kabakov. Composition, 1968. Coloured pencil on paper. 8-1/8 x 11-3/8 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/komarmelamid350.jpg Vitaly Komar (born 1943 in Moscow; lives and works in New York). Alexander Melamid (born 1945 in Moscow; lives and works in New York). Soul of Norton Dodge, from the project Corporation for Buying and Selling Souls, 1978-79. A construction of wood, metals, white string, and certificate on red paper. 6-3/4 x 10-1/8 x 5-1/8 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/kropivnitskaya65kolodzei.jpg Valentina Kropivnitskaya. An Islet, 1965. Pencil on paper, 17-1/8 x 25-1/4 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/Nemukhin1963.jpg Vladimir Nemukhin. Untitled, 1963. Crayon on paper, 10-3/4 x 11-3/4 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/Ney.jpg Alexander Ney. Weatherman, 2008. White terracotta, 8-5/8 x 16-1/2 x 4-/4 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/SanSan.jpg San San (Alexander Karasev). Eternity, 1998. Oil on canvas. 35-1/2 x 35-1/2 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/tyapushkin2.jpg Alexei Tyapushkin. Experiment in Aesthetics, 1967. Oil, collage on cardboard, 29 x 18-7/8 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/Vassilevskiers.jpg Oleg Vassiliev (born 1931 in Moscow; died 2013 in Minneapolis, MN). White Skiers, 1990. Oil on canvas. 51 x 39-1/4 in. Courtesy of the Kolodzei Foundation. https://www.studiointernational.com/images/articles/k/kolodzei-natalia-2014/YershovTrailofRevolutionaries.jpg Valery Yershov. Trail of Revolutionaries, from the series Lost Wanderings, 2009. Acrylic on canvas, 42 x 58 in. Courtesy of the Kolodzei Art Foundation. https://www.studiointernational.com/index.php/cubism-leonard-a-lauder-collection-pablo-picasso-georges-braque https://www.studiointernational.com/images/articles/c/cubism-2014/5. Pears and Grapes on a Table_Gris.jpg Juan Gris. Pears and Grapes on a Table, Céret, autumn 1913. Oil on canvas, 21 1/2 x 28 3/4 in (54.6 x 73 cm). Promised Gift from the Leonard A. Lauder Cubist Collection. https://www.studiointernational.com/images/articles/c/cubism-2014/8. Still Life with Checked Tablecloth_Gris.jpg Juan Gris. Still Life with Checked Tablecloth, Paris, spring 1915. Oil on canvas, 45 7/8 x 35 1/8 in (116.5 x 89.2 cm). The Metropolitan Museum of Art, Leonard A. Lauder Cubist Collection. https://www.studiointernational.com/images/articles/c/cubism-2014/15. Woman with a Book_Picasso.jpg Pablo Picasso. Woman with a Book, Paris, spring 1909. Oil on canvas, 36 1/4 x 28 3/4 in (92.1 x 73 cm). Promised Gift from the Leonard A. Lauder Cubist Collection. © 2014 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/c/cubism-2014/19. Woman in a Chemise in an Armchair_Picasso.jpg Pablo Picasso. Woman in a Chemise in an Armchair, Paris, late 1913–early 1914. Oil on canvas, 59 x 39 1/8 in (149.9 x 99.4 cm). Promised Gift from the Leonard A. Lauder Cubist Collection. © 2014 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/c/cubism-2014/12-Composition-(The-Typographer)_Leger.jpg Fernand Léger. Composition (The Typographer). 1918-19. Oil on canvas, 98 1/4 x 72 ¼ in (249.6 x 183.5 cm). Promised Gift from the Leonard A. Lauder Cubist Collection. © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris. https://www.studiointernational.com/index.php/john-keane-artist-in-residence-university-st-andrews-scotland https://www.studiointernational.com/images/articles/k/keane-john-2014/Basically-we-didnt-feel-they-were-terrorists-2005.jpg John Keane. Basically we didn't feel they were terrorists, 2005. Oil on linen © John Keane, courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/k/keane-john-2014/Bitch-Triptych-2005.jpg John Keane. Bitch Triptych, 2005. Inkjet, gold leaf on wood © John Keane, courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/k/keane-john-2014/Ecstasy-of-Fumbling-1991.jpg John Keane. Ecstasy of Fumbling, 1991. Oil and collage on canvas © John Keane, courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/k/keane-john-2014/Scenes-on-the-Road-to-Hell-V-1991.jpg John Keane. Scenes on the Road to Hell V, 1991. Mixed media on paper © John Keane, courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/k/keane-john-2014/Submission-V-2006.jpg John Keane. Submission V, 2006. Oil on linen © John Keane, courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/k/keane-john-2014/The-Other-Cheek-1989.jpg John Keane. The Other Cheek?, 1989. Oil and mixed media on canvas © John Keane, courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/k/keane-john-2014/They-Shouted-Got-the-Bitch-2005.jpg John Keane. They Shouted 'Got the Bitch'. 2005. Oil, Inkjet on paper on linen © John Keane , courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/k/keane-john-2014/Untitled-Terrorist-2-2004.jpg John Keane. Untitled (Terrorist) 2, 2004. Oil on linen © John Keane, courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/index.php/peter-sacks-aftermath-interview https://www.studiointernational.com/images/articles/s/sacks-peter-2014/4.Aftermath_2_7x7.jpg Peter Sacks. Migration 28, 2013. Mixed media. 36 x 36 in (91.4 x 91.4 cm). SACK-0034. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/5.Kalahari_6x6.jpg Peter Sacks. Necessity Mandela, 2013-2014. Mixed media. 76 ¾ x 153 ½ in (194.9 x 389.9 cm). SACK-0002. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/8.Aftermath_5_6x6.jpg Peter Sacks. Kalahari, 6 x 6, 2012-2013. Mixed media. 72 x 72 in (182.9 x 182.9 cm). SACK-0015. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/10.Aftermath_3_7x7.jpg Peter Sacks. Aftermath 6, 7 x 7, 2014. Mixed media. 84 x 84 in (213.4 x 213.4 cm). SACK-0021. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/13.Aftermath_Mandela_6x6.jpg Peter Sacks. Aftermath 1, 7 x 7, 2012-2014. Mixed media. 84 x 84 in (213.4 x 213.4 cm). SACK-0006. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/15.NecessityMandela_Triptych.jpg Peter Sacks. Necessity Mandela, 2013-2014. Mixed media. 76 ¾ x 153 ½ in (194.9 x 389.9 cm). SACK-0002. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/18. WestCliff_Triptych.jpg Peter Sacks. West Cliff, 2013-2014. Mixed media. 96 x 222 in (243.8 x 563.9 cm). SACK-0016. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/18A. EastCliff_foldout_detail_crop lores.jpg Peter Sacks. East Cliff (Detail), 2013-2014. Mixed media. 96 x 222 in (243.8 x 563.9 cm). SACK-0003. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/19A. WestCliff_foldout_detail_crop lores.jpg Peter Sacks. West Cliff (detail), 2013-2014. Mixed media. 96 x 222 in (243.8 x 563.9 cm). SACK-0016. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/SACK-0006 Aftermath_1_7x7.jpg Peter Sacks. Aftermath 1, 7 x 7, 2012-2014. Mixed media. 84 x 84 in (213.4 x 213.4 cm). SACK-0006. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/SACK-0012 Aftermath_4_7x7.jpg Peter Sacks. Aftermath 4, 7 x 7, 2011-2013. Mixed media. 84 x 84 in (213.4 x 213.4 cm). SACK-0012. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/SACK-0020 Aftermath_11_6x6.jpg Peter Sacks. Aftermath 11, 6 x 6, 2013-2014. Mixed media. 72 x 72 in (182.9 x 182.9 cm). SACK-0020. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/SACK-0042 UlyssesSeries_10.jpg Peter Sacks. Ulysses Series 8, 2013. Mixed media on paper. 14 ¼ x 10 ¼ in (36.2 x 26 cm). Framed 18 5/8 x 14 5/8 inches (47.3 x 37.1 centimeters). SACK-0042. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/images/articles/s/sacks-peter-2014/SACK-0048 UlyssesSeries_17.jpg Peter Sacks. Ulysses Series 14, 2013. Mixed media on paper. 14 ¼ x 10 ¼ in (36.2 x 26 cm). Framed 18 5/8 x 14 5/8 inches (47.3 x 37.1 centimeters). SACK-0048. Courtesy of the Artist and the Robert Miller Gallery. https://www.studiointernational.com/index.php/5x5-2014-public-arts-project-washington-lance-fung-nonuments https://www.studiointernational.com/images/articles/f/5x5-2014/BridgeGlennKaino5x5(1).jpg Glenn Kaino. Bridge, 2014. Fibreglass, steel, wire, gold paint. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/5x5-2014/DSC_3222Pacificside.jpg Birds Eye View of Nonuments. Courtesy of Fung Collaboratives. Photograph: John Talley. https://www.studiointernational.com/images/articles/f/5x5-2014/DSC_3391Pacificside.jpg Installation view of Nonuments. Courtesy of Fung Collaboratives. Photograph: John Talley. https://www.studiointernational.com/images/articles/f/5x5-2014/DSC_3398Pacificside.jpg Nora and Eliza Naranjo Morse, Digging and Peter Hutchinson, Nonument Thrown Rope. Courtesy of Fung Collaboratives. Photograph: John Talley. https://www.studiointernational.com/images/articles/f/5x5-2014/DSC_3481Pacificside.jpg Jonathan Fung, Peep; Cameron Hockenson, Migration; Peter Hutchinson, Nonument Thrown Rope; Michael Koliner, Nonumental Seating. Courtesy of Fung Collaboratives. Photograph: John Talley. https://www.studiointernational.com/images/articles/f/5x5-2014/DSC_3483Pacificside.jpg Jonathan Fung, Peep; Cameron Hockenson, Migration; Peter Hutchinson, Nonument Thrown Rope; Michael Koliner, Nonumental Seating. Courtesy of Fung Collaboratives. Photograph: John Talley. https://www.studiointernational.com/images/articles/f/5x5-2014/N77A3805-2.jpg Sanaz Mazinani. U.S.A.I.R.A.N, 2014. Vinyl, acrylic, LED lights. Photograph: Joshua Coga. https://www.studiointernational.com/images/articles/f/5x5-2014/N77A6120.jpg Sanaz Mazinani. U.S.A.I.R.A.N (detail), 2014. Vinyl, acrylic, LED lights. Photograph: Joshua Coga. https://www.studiointernational.com/images/articles/f/5x5-2014/N77A6697.jpg Abigail DeVille. Sunset Procession, The New Migration, 2014. Photograph: Joshua Coga. https://www.studiointernational.com/images/articles/f/5x5-2014/N77A6775.jpg Abigail DeVille. Sunset Procession, The New Migration, 2014 (2). Photograph: Joshua Coga. https://www.studiointernational.com/index.php/the-nakeds-naked-body-egon-schiele-drawing-room https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Alina Szapochnikow Bust.jpg Alina Szapocznikow. Bust-Length Figure of a Woman, Headless 2, c1971. Felt-tip on paper perforated along the left edge, 32 × 23.4 cm. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Egon_Schiele__Self_Portrait__1917__Lithograph__42_x_21_cm__Courtesy_Richard_Nagy__London.jpg Egon Schiele. Self Portrait, 1917. Lithograph. 42 x 21cm. Courtesy Richard Nagy, London. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/George Condo, Nude_Study_(i).jpg George Condo. Nude Study (i), 2007. Blue pencil on paper, 30.3 × 22.8 cm. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/George_Condo_Couple__2007_Pencil_on_paper_45.1_x_43.1_cm_Courtesy_Simon_Lee_Gallery__London_Private_collection_UK.jpg George Condo. Couple, 2007. Pencil on paper. 45.1 x 43.1 cm. Courtesy Simon Lee Gallery, London. Private collection, UK. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Georgina Starr, Study for The History of Sculpture 1, Pencil on paper and polyvinyl resin, 21cm x 28cm x 12cm. Image courtesy of the artist.Georgina Starr.jpg Georgina Starr. Study for The History of Sculpture (1), 2014. Pencil on paper and polyvinyl resin, 28 × 21 × 12 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Joseph_Beuys__Girl_with_Apple__1954.jpg Joseph Beuys. Girl with Apple, 1954. Pencil and watercolour on paper, 29.5 × 21 cm. Courtesy Thaddaeus Ropac, Paris. DACS 2014. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Louise_Bourgeois_Arch_of_Hysteria__1992.jpg Louise Bourgeois. Hanging Figure, 2000. Drypoint on cloth, 30.5 × 31.8 cm. The Easton Foundation. DACS 2014. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Louise_Bourgeois__Hanging_Figure__2000.jpg Louise Bourgeois. Arch of Hysteria, 1992. Ink, pencil and crayon on graph paper, 20.3 × 43.2 cm. The Easton Foundation. DACS 2014. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Maria_Lassnig_Woman_in_the_Bed__2002.jpg Maria Lassnig. Woman in the Bed, 2002. Pencil and watercolour on paper, 50.2 × 64.1 cm. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Marlene_Dumas_Bonnards_wife__1999.jpg Marlene Dumas. Bonnard's wife, 1999. Ink and acrylic on paper, 125 × 70 cm. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Paul_McCarthy_White_Snow_Walt_Paul_Drawings.jpg Paul McCarthy. Étant donnés White Snow Walt Paul Drawings (detail), 2013. Eight drawings, pencil on paper. Seven drawings (each): 61 x 45.7 cm; 1 drawing: 45.7 × 61 cm. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Rosemarie_Trockel__I_feel_something__1995.jpg Rosemarie Trockel. I feel something, 1995. Graphite on paper, 31.5 × 21 cm. https://www.studiointernational.com/images/articles/t/the-nakeds-2014/Stewart_Helm.jpg Stewart Helm. The line and the lust, 2011. Ink on paper, 50 × 70 cm. https://www.studiointernational.com/index.php/steve-mcqueen-film-ashes-broken-column-grenada https://www.studiointernational.com/images/articles/m/mcqueen-steve-2014/Steve-McQueen-Ashes-2014.jpg Steve McQueen. Ashes, 2014. Video still. Super8 film. Photograph: courtesy Thomas Dane Gallery, London. © Steve McQueen. https://www.studiointernational.com/images/articles/m/mcqueen-steve-2014/Steve-McQueen-Ashes-2014-Installation-view.jpg Steve McQueen. Ashes, 2014. Installation view. Photograph: courtesy Thomas Dane Gallery, London. https://www.studiointernational.com/images/articles/m/mcqueen-steve-2014/Steve-McQueen-Ashes-2014-Installation-view-2.jpg Steve McQueen. Broken Column, 2014. Installation view. Photograph: courtesy Thomas Dane Gallery, London. https://www.studiointernational.com/index.php/carsten-holler-review-leben-vienna-elevator-bed-flotation-tank https://www.studiointernational.com/images/articles/h/hoeller-carsten-2014/High_Psycho_Tank.jpg Carsten Höller. 
Hoher Psychotank (High Psycho Tank), 2014. 
Photograph: Attilio Maranzano 
© Carsten Höller / Bildrecht Wien 2014. https://www.studiointernational.com/images/articles/h/hoeller-carsten-2014/05_Carsten_Hoeller_psycho_tank.jpg Carsten Höller. 
Giant Psycho Tank, 1999
. Photograph: Jens Ziehe 
© Carsten Höller / Bildrecht Wien 2014
 Sketch: © Carsten Höller, 2014. https://www.studiointernational.com/images/articles/h/hoeller-carsten-2014/05_Carsten_Hoeller_psycho_tank_sketch.jpg Carsten Höller. 
Sketch of High Psycho Tank, 2014. 
 Photograph: Jens Ziehe 
© Carsten Höller / Bildrecht Wien 2014
 Sketch: © Carsten Höller, 2014. https://www.studiointernational.com/images/articles/h/hoeller-carsten-2014/08_Holler_Y_Kunsthaus_Graz_2008.jpg Carsten Höller. 
Y, 2003. 
Photograph: Jen Fong Photography / TBA21 
© Carsten Höller / Bildrecht Wien 2014. https://www.studiointernational.com/images/articles/h/hoeller-carsten-2014/Bullfinch_Scale.jpg Carsten Höller. 
Gimpelwaage (Bullfinch Scale), 2014.
 Photograph: Attilio Maranzano
 © Carsten Höller / Bildrecht Wien 2014. https://www.studiointernational.com/images/articles/h/hoeller-carsten-2014/Elevator_Bed_down.jpg Carsten Höller. 
Aufzugbett (Elevator Bed), 2010. Photograph: Attilio Maranzano 
© Carsten Höller / Bildrecht Wien 2014. https://www.studiointernational.com/images/articles/h/hoeller-carsten-2014/Half_Clock.jpg Carsten Höller. 
Halbe Uhr (Half Clock), 2014.
 Photograph: Attilio Maranzano
 © Carsten Höller / Bildrecht Wien 2014. https://www.studiointernational.com/index.php/versace-at-the-v-a https://www.studiointernational.com/images/articles/v/versace/ballgownb.jpg Versace Spring/Summer 1994. Ballgown. Pale gray silk and metal georget. https://www.studiointernational.com/images/articles/v/versace/lindaevangelistab.jpg Versace Spring/Summer 1992. Model: Linda Evangelista. © Irving Penn. https://www.studiointernational.com/images/articles/v/versace/lizhurleydressb.jpg Liz Hurley Versace 1992. Evening gown worn by Elizabeth Hurley at the premiere of Four Weddings and a Funeral. https://www.studiointernational.com/images/articles/v/versace/madonnadressb.jpg Versace Spring/Summer 1996. Evening gown worn by Madonna at the Brit Awards. Versace Dress https://www.studiointernational.com/index.php/memling-flemish-renaissance-review-rome https://www.studiointernational.com/images/articles/m/memling-2014/2.jpg Hans Memling. Portrait of a Man with a Roman Coin (Bernardo Bembo?), c1473-1474. Oil on oak panel, 31 x 23.2 cm. Anversa, Koninklijk Museum voor Schone Kunsten. https://www.studiointernational.com/images/articles/m/memling-2014/04a.jpg Hans Memling. Triptych of the Earthly Vanity and the Divine Salvation, c1485. Oil on board. Strasburgo, Musée des Beaux-Arts. https://www.studiointernational.com/images/articles/m/memling-2014/10.jpg Hans Memling. Portrait of a woman (fragment), c1480-1485. Oil on board, 23.2 x 18.4 cm. Collection Ambasciatore J. William Middendorf II. https://www.studiointernational.com/images/articles/m/memling-2014/11.jpg Hans Memling. Portrait of a man, c1470-1475. Oil on board, 33.5 x 23 cm. New York, The Frick Collection. https://www.studiointernational.com/images/articles/m/memling-2014/13.jpg Hans Memling. Trittico di Adriaan Reins, 1480. Oil on board. Bruges, Stedelijke Musea Brugge, Hospitaalmuseum. https://www.studiointernational.com/images/articles/m/memling-2014/15.jpg Hans Memling. Cristo benedicente, 1485. Oil on board. Genova, Musei di Strada Nuova, Palazzo Bianco. https://www.studiointernational.com/images/articles/m/memling-2014/17.jpg Rogier van der Weyden (e aiuti). Lamentation over the Dead Christ, 1460-1465. Oil on board, 111 x 95 cm. Firenze, Galleria degli Uffizi. https://www.studiointernational.com/images/articles/m/memling-2014/5.jpg Maestro della Leggenda di santa Caterina. Annunciazione, c1490-1495. Oil on board, 78 x 51 cm. Firenze, Museo Nazionale del Bargello. https://www.studiointernational.com/images/articles/m/memling-2014/8.jpg Hans Memling. Madonna and Child, 1485. Oil on board, 44 x 32 cm. Lisbona, Museu Nacional de Arte Antiga. https://www.studiointernational.com/images/articles/m/memling-2014/9.jpg Hans Memling. Portrait of a man, c1475-1480. Oil on board, 31.8 x 27.1 cm. Royal Collection Trust/HM Queen Elizabeth II. https://www.studiointernational.com/images/articles/m/memling-2014/14.jpg Hans Memling. Triptych of the Moreel Family, 1484. Altarpiece for the altar of Saints Maurus and Giles in the Church of Saint James in Bruges. Oil on board, Bruges, Stedelijke Musea, Groeningemuseum. https://www.studiointernational.com/index.php/rembrandt-late-works-national-gallery-london-review https://www.studiointernational.com/images/articles/r/rembrandt-2014/NG221.jpg Rembrandt. Self portrait at the age of 63, 1669. Oil on canvas, 86 x 70.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/r/rembrandt-2014/Rembrandt TFY X7905.pr.jpg Rembrandt. The Anatomy Lesson of Dr Joan Deyman, 1656. Oil on canvas, 100 x 134 cm. © Amsterdam Museum. https://www.studiointernational.com/images/articles/r/rembrandt-2014/Rembrandt TFY X7909.pr.jpg Rembrandt. The Sampling Officials of the Amsterdam Drapers’ Guild, known as ‘The Syndics’, about 1662. Oil on canvas, 191.5 x 279 cm. Rijksmuseum, on loan from the City of Amsterdam. © Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/r/rembrandt-2014/Rembrandt TFY X7910.pr.jpg Rembrandt. Portrait of a couple as Isaac and Rebecca, known as ‘The Jewish Bride’, c1665. Oil on canvas, 121.5 x 166.5 cm. Rijksmuseum, on loan from the City of Amsterdam (A. van der Hoop Bequest). © Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/r/rembrandt-2014/Rembrandt TFY X7943.pr.jpg Rembrandt. A young woman sleeping (Hendrickje Stoffels), about 1654. Brush and brown wash, with white bodycolour; ruled framing lines in pen and brown ink, 24.6 x 20.3 cm. The British Museum, London. © The Trustees of The British Museum. https://www.studiointernational.com/images/articles/r/rembrandt-2014/Rembrandt TFY X7955.pr.jpg Rembrandt. Bathsheba with King David's Letter, 1654. Oil on canvas, 142 x 142 cm. Paris, Musée du Louvre, Département des Peintures. © Musée du Louvre, Dist. RMN-Grand Palais / Angèle Dequier. https://www.studiointernational.com/index.php/michelle-grabner-interview-james-cohan-gallery-new-york https://www.studiointernational.com/images/articles/g/grabner-michelle-2014/GRABNER_Untitled_2014_JCG7320_cropped.jpg Michelle Grabner. Untitled, 2014. Enamel on panel. 20 x 16 x 7/8 in (50.8 x 40.6 x 2.2 cm). Courtesy of the artist and the James Cohan Gallery. https://www.studiointernational.com/images/articles/g/grabner-michelle-2014/GRABNER_Untitled_2014_JCG7324_cropped.jpg Michelle Grabner. Untitled, 2014. Enamel on panel. 12 x 12 x 7/8 in (30.5 x 30.5 x 2.2 cm). Courtesy of the artist and the James Cohan Gallery. https://www.studiointernational.com/images/articles/g/grabner-michelle-2014/GRABNER_Untitled_2014_JCG7380_cropped.jpg Michelle Grabner. Untitled, 2014. Enamel on panel. 50 x 48 x 1 1/2 in (127 x 121.9 x 3.8 cm). Courtesy of the artist and the James Cohan Gallery. https://www.studiointernational.com/images/articles/g/grabner-michelle-2014/GRABNER_Untitled_2014_JCG7381_cropped.jpg Michelle Grabner. Untitled, 2014. Enamel on panel. 60 x 60 x 1 1/2 in (152.4 x 152.4 x 3.8 cm). Courtesy of the artist and the James Cohan Gallery. https://www.studiointernational.com/images/articles/g/grabner-michelle-2014/GRABNER_Untitled_2014_JCG7385_cropped.jpg Michelle Grabner. Untitled, 2014. Enamel on panel. 50 x 48 x 1 1/2 in (127 x 121.9 x 3.8 cm). Courtesy of the artist and the James Cohan Gallery. https://www.studiointernational.com/images/articles/g/grabner-michelle-2014/GRABNER_Untitled_2014_JCG7386_cropped.jpg Michelle Grabner. Untitled, 2014. Enamel on panel. 60 x 60 x 1 1/2 in (152.4 x 152.4 x 3.8 cm). Courtesy of the artist and the James Cohan Gallery. https://www.studiointernational.com/images/articles/g/grabner-michelle-2014/GRABNER_Untitled_2014_JCG7387_cropped.jpg Michelle Grabner. Untitled, 2014. Enamel on panel. 60 x 60 x 1 1/2 in (152.4 x 152.4 x 3.8 cm). Courtesy of the artist and the James Cohan Gallery. https://www.studiointernational.com/images/articles/g/grabner-michelle-2014/GRABNER_Untitled_2014_JCG7399_cropped.jpg Michelle Grabner. Untitled, 2014. Enamel on panel. 18 x 18 x 3/4 in (45.7 x 45.7 x 1.9 cm). Courtesy of the artist and the James Cohan Gallery. https://www.studiointernational.com/index.php/nathaniel-prottas-museum-biblical-art-durer-rembrandt-tiepolo https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Blake 2014.1i.jpg William Blake. Job’s Despair, from Illustrations of the Book of Job, 1825 (published 1826). Engraving on India paper chine collé on wove paper. Jansma Collection, Grand Rapids Art Museum, 2014.1i https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Blake 2014.1n.jpg William Blake. The Lord Answering Job out of the Whirlwind, from Illustrations of the Book of Job, 1825 (published 1826). Engraving on India paper chine collé on wove paper. Jansma Collection, Grand Rapids Art Museum, 2014.1n https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Blake 2014.1s.jpg William Blake. Job’s Sacrifice, from Illustrations of the Book of Job, 1825 (published 1826) Engraving on India paper chine collé on wove paper. Jansma Collection, Grand Rapids Art Museum, 2014.1s https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Durer - Man of Sorrows.jpg Albrecht Dürer. The Man of Sorrows Standing by the Column, from The Engraved Passion, 1509 Engraving on paper. Jansma Collection, Grand Rapids Art Museum, 2007.16a https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Durer 2007.16b.jpg Albrecht Dürer. Christ on the Mount of Olives, from The Engraved Passion, 1508 Engraving on laid paper. Jansma Collection, Grand Rapids Art Museum, 2007.16b https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Durer 2007.16j.jpg Albrecht Dürer. Christ Carrying the Cross, from The Engraved Passion, 1512 Engraving on laid paper. Jansma Collection, Grand Rapids Art Museum, 2007.16j https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Durer 2007.16l.jpg Albrecht Dürer. Lamentation, from The Engraved Passion, 1507 Engraving on laid paper. Jansma Collection, Grand Rapids Art Museum, 2007.16l https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Durer 2007.16n.jpg Albrecht Dürer. Christ in Limbo, from The Engraved Passion, 1512 Engraving on laid paper. Jansma Collection, Grand Rapids Art Museum, 2007.16n https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Durer 2007.16o.jpg Albrecht Dürer. Resurrection, from The Engraved Passion, 1512 Engraving on laid paper. Jansma Collection, Grand Rapids Art Museum, 2007.16o https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Pechstein 2009.127a.jpg Max Pechstein. Hallowed Be Thy Name (Geheiliget werde Dein Name), from The Lord's Prayer (Das Vater Unser), 1921. Hand-coloured woodcut on cream wove paper. Jansma Collection, Grand Rapids Art Museum, 2009.127c https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Rembrandt - Christ Crucified Between Two Thieves.jpg Rembrandt van Rijn. Christ Crucified Between Two Thieves (The Three Crosses), 1653–55. Drypoint with burin on cream laid paper. Jansma Collection, Grand Rapids Art Museum, 2007.11 https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Rembrandt 2006.30.jpg Rembrandt van Rijn. Christ Preaching (La Petite Tombe), c1652. Etching, engraving, and drypoint on off-white laid paper. Jansma Collection, Grand Rapids Art Museum, 2006.30 https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Rembrandt 2006.37.jpg Rembrandt van Rijn. Abraham and Isaac, 1645. Etching and drypoint on cream laid paper. Jansma Collection, Grand Rapids Art Museum, 2006.37 https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Tiepolo - Joseph and Mary Seeking Shelter.jpg Giovanni Domenico Tiepolo. Joseph and Mary Seeking Shelter, plate 5 from The Flight into Egypt, 1750–53. Etching on paper Jansma Collection, Grand Rapids Art Museum, 2012.24 https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Tiepolo 2012.25.jpg Giovanni Domenico Tiepolo. The Holy Family Under a Palm Tree, plate 6 from The Flight into Egypt (Idee pittoresche sopra la fuga in Egitto), 1750–53. Etching on off-white laid paper. Jansma Collection, Grand Rapids Art Museum, 2012.25 https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Tiepolo 2012.26.jpg Giovanni Domenico Tiepolo. The Holy Family Leaving by a City Gate, plate 7 from The Flight into Egypt (Idee pittoresche sopra la fuga in Egitto), 1750–53. Etching on off-white laid paper. Jansma Collection, Grand Rapids Art Museum, 2012.26 https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/Tiepolo 2012.36.jpg Giovanni Domenico Tiepolo. The Holy Family Crossing the Lake in the Boat, plate 17 from The Flight into Egypt (Idee pittoresche sopra la fuga in Egitto), 1750–53. Etching on off-white laid paper. Jansma Collection, Grand Rapids Art Museum, 2012.36 https://www.studiointernational.com/images/articles/d/durer-rembrandt-tiepolo-2014/IMG_2781.jpg Installation view of Dürer, Rembrandt, Tiepolo: The Jansma Master Prints Collection from the Grand Rapids Art Museum at the Museum of Biblical Art, 2014. Photograph by Gina Fuentes Walker. https://www.studiointernational.com/index.php/v-s-gaitonde-painting-as-process-painting-as-life-guggenheim-museum-indian-modernism https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/GaitondePortrait.jpg Portrait, VS Gaitonde. Photograph: Shalini Saran. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/X.2013.1073.jpg Vasudeo Santu Gaitonde. Untitled, 1974. Oil on canvas, 55 1/8 x 40 2/8 in (152.3 x 102 cm). Jehangir Nicholson Art Foundation –Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Collection. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/X.2013.1085.jpg Vasudeo Santu Gaitonde. Painting No 1, 1962. Oil on canvas, 50 x 50 in (127 x 127 cm). Private collection, New York. Photograph: Sotheby’s, courtesy Sotheby’s, New York. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/X.2013.1093.jpg VS Gaitonde. Untitled, 1969. Oil on canvas, 59 7/8 x 39 7/8 in (152.1 x 101.3 cm). Private collection. © Solomon R. Guggenheim Foundation, New York. Photograph: Lee Ewing. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/X.2013.1097.jpg Vasudeo Santu Gaitonde. Untitled, 1975. Oil on canvas, 70 x 42 in (177.8 x 106.7 cm). Mr and Mrs Rajiv J Chaudhri Collection, New York. © Christie’s Images Limited 2014. Photograph: Christie’s. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/X.2013.1119_ph.jpg Vasudeo Santu Gaitonde. Untitled, 1963. Oil on canvas, 72 x 42 in (182.9 x 106.7 cm). Private collection. © Solomon R. Guggenheim Foundation, New York. Photograph: Kristopher McKay. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/X.2013.1137_cropped.jpg Vasudeo Santu Gaitonde. Untitled, 1962. Ink and watercolour on paper, 21 6/8 x 30 in (55.9 x 76.2 cm). Collection of Kiran Nadar, New Delhi. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/X.2013.1149.jpg VS Gaitonde. Untitled, 1977. Oil on canvas. 70 x 40 in (177.8 x 101.6 cm). Taj Mahal Palace Hotel, Mumbai. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/x.2013.1078.jpg Vasudeo Santu Gaitonde. Painting No 6, 1962. Oil on canvas, 39 7/8 x 44 7/8 in (101.3 x 113.8 cm). Tata Institute of Fundamental Research, Mumbai. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/x.2013.1082.jpg Vasudeo Santu Gaitonde. Untitled, 1995. Oil on canvas, 60 x 40 in (152.4 x 101.6 cm). Courtesy Pundole Family Collection and Khorshed and Dadiba Pundole. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/x.2013.1099.jpg Vasudeo Santu Gaitonde. Untitled, 1985. Oil on canvas. 60 1/4 x 40 3/16 in (153 x 102 cm). National Gallery of Modern Art, New Delhi. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/x.2013.1103.jpg Vasudeo Santu Gaitonde. Untitled, 1989. Oil on canvas, 50 1/4 x 40 in (127.6 x 101.6 cm). The Lekha and Anupam Poddar Collection. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/x.2013.1121.jpg Vasudeo Santu Gaitonde. Untitled, 1962. Ink and watercolour on paper, 21 6/8 x 30 in (55.9 x 76.2 cm). Collection of Kiran Nadar, New Delhi. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/x.2013.1125.jpg Vasudeo Santu Gaitonde. Untitled, 1973. Oil on canvas. 70 1/8 x 39 3/4 in (178 x 101 cm). National Gallery of Modern Art, New Delhi. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane. https://www.studiointernational.com/images/articles/g/gaitonde-v-g-2014/x.2014.105.jpg Vasudeo Santu Gaitonde. Untitled, 1987. Ink on paper, 14 3/8 x 10 7/8 in (36.5 x 27.5 cm). Collection of Ram Kumar. © Solomon R. Guggenheim Foundation, New York. Photograph: Anil Rane. https://www.studiointernational.com/index.php/egon-schiele-radical-nude-review-courtauld-gallery https://www.studiointernational.com/images/articles/s/schiele-egon-2014/1-Standing_nude_with_stockings.jpg Egon Schiele. Standing Nude with Stockings, 1914. Black chalk and gouache, 48.5 x 32.1 cm. Germanisches Nationalmuseum, Nuremburg. https://www.studiointernational.com/images/articles/s/schiele-egon-2014/3-Woman_with_black_stockings.jpg Egon Schiele. Woman with Black Stockings, 1913. Gouache, watercolour and pencil, 48.3 x 31.8 cm. Private collection, courtesy of Richard Nagy, London. https://www.studiointernational.com/images/articles/s/schiele-egon-2014/5-Nude_self_portrait.jpg Egon Schiele. Nude Self-Portrait in Gray with Open Mouth, 1910. Black chalk and gouache, 44.8 x 32.1 cm. The Leopold Museum, Vienna . https://www.studiointernational.com/images/articles/s/schiele-egon-2014/6-Two_women_embracing.jpg Egon Schiele. Two Girls Embracing (Friends), 1915. Gouache, watercolour and pencil, 48 x 32.7 cm. Museum of Fine Arts, Budapest. https://www.studiointernational.com/images/articles/s/schiele-egon-2014/8-Self_Portrait_as_Kneeling_Nude.jpg Egon Schiele. Kneeling Nude with Raised Hands (Self-Portrait), 1910. Black chalk and gouache on paper, 63 x 45 cm. The Leopold Museum, Vienna. https://www.studiointernational.com/images/articles/s/schiele-egon-2014/Squatting_Female_nude.jpg Egon Schiele. Squatting Female Nude, 1910. Black chalk, gouache and opaque white, 44.7 x 31 cm. The Leopold Museum, Vienna. https://www.studiointernational.com/index.php/cut-to-swipe-museum-modern-art-moma-james-richards-chris-marker-hito-steyerl https://www.studiointernational.com/images/articles/c/cut-to-swipe-2014/Image 1.jpg Hito Steyerl. How Not to Be Seen: A Fucking Didactic Educational .MOV File. 2013. Video (colour, sound), 14 min. Committee on Media and Performance Art Funds. © 2014 Hito Steyerl. https://www.studiointernational.com/images/articles/c/cut-to-swipe-2014/Image 2.jpg James Richards. Rosebud. 2013. Video (black and white, sound). 12:57 min. Fund for the Twenty-First Century. © 2014 James Richards. Courtesy the artist and Rodeo, Istanbul and London. https://www.studiointernational.com/images/articles/c/cut-to-swipe-2014/Image 3.jpg The Otolith Group in collaboration with Chris Marker. Inner Time of Television. 2007. Thirteen-channel video (colour, sound). 4 hrs 55 min. Courtesy The Otolith Group in collaboration with Chris Marker. Installation view of Thoughtform, The Otolith Group, MACBA, 2011. Image courtesy The Otolith Group and MACBA. Photograph: Gregory Civera. https://www.studiointernational.com/images/articles/c/cut-to-swipe-2014/Image 4.jpg Ken Okiishi. gesture/data. 2014. Oil and Chroma Key Video Paint on flat-screen televisions, VHS and HD video transferred to .mp4 (colour, sound). Left screen: 12:21 min loop; Right screen: 75:13 min loop. Acquired through the Generosity of Jill and Peter Kraus. © 2014 Ken Okiishi. https://www.studiointernational.com/images/articles/c/cut-to-swipe-2014/Image 5.jpg James Richards. Not Blacking Out, Just Turning the Lights Off. 2011. Two-channel video (colour, sound). 16:15 min. Commissioned by Chisenhale Gallery. Fund for the Twenty-First Century. © 2014 James Richards. Courtesy the artist and Rodeo, Istanbul and London. https://www.studiointernational.com/images/articles/c/cut-to-swipe-2014/Image 6.jpg Luther Price. Sorry. 2005-2012. Eighty handmade slides transferred to transparency slides. 9 min. Fund for the Twenty-First Century and Committee on Media and Performance Art Funds. © 2014 Luther Price. https://www.studiointernational.com/images/articles/c/cut-to-swipe-2014/Image 7.jpg Kevin Beasley. I.W.M.S.B. 2012. Audio. 20:49 min. Additional manipulation by Rosey Selig-Addiss. Courtesy the artist and MoMA/MoMA PS1 Records. The MoMA/MoMA PS1 Records Project is made possible by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation. https://www.studiointernational.com/index.php/what-marcel-duchamp-taught-me-readymade-peter-blake-michael-craig-martin https://www.studiointernational.com/images/articles/d/duchamp-2014/18_Installation-images.jpg What Marcel Duchamp Taught Me. Installation view, courtesy of The Fine Art Society. Photograph: Gina Soden. https://www.studiointernational.com/images/articles/d/duchamp-2014/Chris-Levine_Then-to-Now-and-Then-Again_2014.jpg Chris Levine. Then to Now and Then Again, 2014. Sculptures, glass and silver halide, 25 x 20 cm (9.8 x 7.9 in). https://www.studiointernational.com/images/articles/d/duchamp-2014/Cornelia-Parke_The-Distance-with-concealed-weapon_2014.jpg Cornelia Parker. The Distance with concealed weapon, 2014. Installation view courtesy of The Fine Art Society. Photograph: Gina Soden. https://www.studiointernational.com/images/articles/d/duchamp-2014/LAURENCE-Janet.jpg Janet Lawrence. Mining Residue, 2014. Courtesy the artist and The Fine Art Society. https://www.studiointernational.com/images/articles/d/duchamp-2014/Martin_Craig-Michael_Art-and-Design-1917_2013_HR.jpg Michael Craig-Martin. Art & Design, 1917-2013. Courtesy the artist and The Fine Art Society. https://www.studiointernational.com/images/articles/d/duchamp-2014/15_Installation-images.jpg What Marcel Duchamp Taught Me. Installation view (2), courtesy of The Fine Art Society. Photograph: Gina Soden. https://www.studiointernational.com/images/articles/d/duchamp-2014/Nancy-Fouts-various.jpg Nancy Fouts. What Marcel Duchamp Taught Me. Installation view (3), courtesy of The Fine Art Society. Photograph: Gina Soden. https://www.studiointernational.com/index.php/age-of-wonderland-dutch-design-week-eindhoven-review https://www.studiointernational.com/images/articles/a/age-of-wonderland-2014/20141004_Baltan_sasschilten.jpg Age of Wonderland by Baltan Laboratories & Hivos. Photograph: Sas Schilten. https://www.studiointernational.com/images/articles/a/age-of-wonderland-2014/20141018_ageofwonderland_sasschiltenHR-(12).jpg Age of Wonderland by Baltan Laboratories & Hivos (2). Photograph: Sas Schilten. https://www.studiointernational.com/images/articles/a/age-of-wonderland-2014/20141018_ageofwonderland_sasschiltenHR-(19).jpg Age of Wonderland by Baltan Laboratories & Hivos (3). Photograph: Sas Schilten. https://www.studiointernational.com/images/articles/a/age-of-wonderland-2014/20141019_ageofwonderland_sasschiltenHR-(2).jpg Age of Wonderland by Baltan Laboratories & Hivos (4). Photograph: Sas Schilten. https://www.studiointernational.com/images/articles/a/age-of-wonderland-2014/20141019_ageofwonderland_sasschiltenHR.jpg Age of Wonderland by Baltan Laboratories & Hivos (5). Photograph: Sas Schilten. https://www.studiointernational.com/images/articles/a/age-of-wonderland-2014/20141022_ageofwonderland_sasschiltenHR.jpg Age of Wonderland by Baltan Laboratories & Hivos (6). Photograph: Sas Schilten. https://www.studiointernational.com/index.php/ethereal-leila-heller-gallery-new-york-review-south-asian-art https://www.studiointernational.com/images/articles/e/ethereal-2014/No.565Bench_b.jpg Rana Begum. No. 565 Bench, 2014. Paint on walnut veneer on MDF, 17.1 x 86.6 x 19.7 in (45 x 220 x 50 cm). Courtesy the artist and Jhaveri Contemporary. https://www.studiointernational.com/images/articles/e/ethereal-2014/No.562Fold_c.jpg Rana Begum. No. 562 Fold, 2014. Paint on stainless steel, 58.7 x 48.8 x 15.3 in (149 x 124 x 39 cm). Courtesy the artist and Jhaveri Contemporary. https://www.studiointernational.com/images/articles/e/ethereal-2014/No.558_d.jpg Rana Begum. No, 558, 2014. Paint on powder-coated aluminium, 78.7 x 82.7 x 2 in (200 x 210 x 5 cm). Courtesy the artist and Jhaveri Contemporary. https://www.studiointernational.com/images/articles/e/ethereal-2014/Faiza Butt_My Love Plays in Heavenly Ways 2_hires.jpg Faiza Butt. My Love Plays in Heavenly Ways-2, 2014. Ink on polyester film, mounted on light film, 33 x 44.5 in (83.8 x 113 cm). Courtesy the artist and Vadehra Art Gallery. https://www.studiointernational.com/images/articles/e/ethereal-2014/Noor Ali Chagani_installed2.jpg Noor Ali Chagani. Hanging Rug (re-used bricks) [installation view], 2014. Miniature terracotta bricks, metal wires, 43 x 29 x 0.5 in (109.2 x 73.7 x 1.3 cm). Courtesy of the artist and White Turban Art Consultancy. https://www.studiointernational.com/images/articles/e/ethereal-2014/The Wall_2_2.jpg Noor Ali Chagani. The Wall 2, 2014. Terracotta bricks, cement and watercolour, 5 x 23.5 x 0.5 in (12.7 x 59.7 x 1.3 cm). Courtesy of the artist and White Turban Art Consultancy. https://www.studiointernational.com/images/articles/e/ethereal-2014/flying Carpet3_high.jpg Noor Ali Chagani. Red Brick Carpet, 2014. Miniature terracotta bricks, metal wires, 29 x 48 x 7 in (74 x 121 x 17.78 cm). Courtesy of the artist and White Turban Art Consultancy. https://www.studiointernational.com/images/articles/e/ethereal-2014/Dilip Chobisa_Untitled 1.jpg Dilip Chobisa. Untitled 1, 2014. Graphite on paper and canvas, acrylic colour, mixed media, painted wooden frame and acrylic glass, 36 x 26 in (91.4 x 66 cm). Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ethereal-2014/Surreal pond1 epiphany.jpg Sonia Khurana. Surreal Pond I (Epiphany) [Video Still], 2013/2014. Single screen wall piece. High definition video, silent, colour, 4 minutes, loop. Edition of 10. Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ethereal-2014/Hasan_Irfan_Self Portrait 2 After Anthony van Dyck_2014_ Opaque water color on paper_15 x 23 Inches_Hires.jpg Irfan Hasan. Self-­Portrait after Anthony van Dyck, 2014. Opaque watercolour on paper, 23 x 15 in (58.4 x 38.1 in). Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ethereal-2014/Hasan_Irfan_Portrait of a young man After Peter Paul Rubens_2014_ Opaque water color on paper_15 x 23 Inches_Hires.jpg Irfan Hasan. Self-­Portrait after Peter Paul Rubens, 2014. Opaque watercolour on paper, 23 x 15 in (58.4 x 38.1 in). Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ethereal-2014/Kazim_Ali_Untitled(self portrait with cloud)_2014_ pigments on watercolour paper and tracing film_ 68X40cm (2).jpg Ali Kazim. Untitled (Self Portrait with Cloud), 2014. Pigments on watercolour paper and polyester film, 26.7 x 15.7 in (68 x 40 cm). Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ethereal-2014/Manish Nai_Untitled I, 2013, corrugated cardboard, 229 x 46 x 39 cm - 90 x 18 x 15 in .jpg Manish Nai. Untitled I, 2012. Corrugated cardboard, 90 x 18 x 15.3 in (229 x 46 x 39 cm). Courtesy Galerie Mirchandani + Steinruecke, Mumbai. https://www.studiointernational.com/images/articles/e/ethereal-2014/Rashid Rana_installed.jpg Rashid Rana. War Within II [installation view], 2013. C Print + DIASEC, 94.5 x 236 in (240 x 600 cm) (in two parts). Courtesy the artist. https://www.studiointernational.com/images/articles/e/ethereal-2014/Sultana_Ayesha_Untitled_2014_Graphite on acid-free paper_25.4 x 25.1 cm.jpg Ayesha Sultana. Untitled, 2014. Graphite on acid-free paper, 10 x 9.9 in (25.4 x 25.1 cm). Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ethereal-2014/Talpur_Leeka-2_2009_Technical pen on paper_9.5 x 12.5 in.jpg Mohammad Ali Talpur. Leeka-2, 2009. Technical pen on paper, 9.5 x 12.5 in (24 x 31.75 cm). Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ethereal-2014/Wasim_Saira_ETHEREAL I_2014_Gouache on wasli paper_26.5 x 37 cm.jpg Saira Wasim. ETHEREAL I, 2014. Gouache on wasli paper, 14.6 x 10.4 in (37 x 26.5 cm). Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ethereal-2014/Wasim_Saira_Ethereal II_2014_Gouache on wasli paper_26.5 x 37 cm.jpg Saira Wasim. ETHEREAL II, 2014. Gouache on wasli paper, 14.6 x 10.4 in (37 x 26.5 cm). Courtesy of the artist. https://www.studiointernational.com/index.php/christian-thompson-australian-indigenous-interview https://www.studiointernational.com/images/articles/t/thompson-christian-2014/Thompson-Down-Under-World.jpg Christian Thompson. Down Under World, 2012. C Type Print, Fuji Pearl Metallic Paper, 100 x 100 cm. Courtesy the artist and Gallery Gabrielle Pizzi, Melbourne and Michael Reid Gallery, Sydney and Berlin. https://www.studiointernational.com/images/articles/t/thompson-christian-2014/Thompson-Danger-Will-Come.jpg Christian Thompson. Danger Will Come, 2012. C Type Print, Fuji Pearl Metallic Paper, 100 x 100 cm. Courtesy the artist and Gallery Gabrielle Pizzi, Melbourne and Michael Reid Gallery, Sydney and Berlin. https://www.studiointernational.com/images/articles/t/thompson-christian-2014/Thompson-Dead-As-A-Door-Nail.jpg Christian Thompson. Dead As A Door Nail, from the Lost Together series, 2009. C-Type Print, 100 x 100 cm. Courtesy the artist and Gallery Gabrielle Pizzi, Melbourne and Michael Reid Gallery, Sydney. https://www.studiointernational.com/images/articles/t/thompson-christian-2014/Thompson-Invaded-Dreams.jpg Christian Thompson. Invaded Dreams, 2012. C Type Print, Fuji Pearl Metallic Paper, 100 x 100 cm. Courtesy the artist and Gallery Gabrielle Pizzi, Melbourne and Michael Reid Gallery, Sydney and Berlin. https://www.studiointernational.com/images/articles/t/thompson-christian-2014/christian-thompson-Tree-of-Knowledge---13.jpg Christian Thompson. Tree of Knowledge, 45 minute solo performance, Art Galllery of New South Wales, Sydney, 2013. Courtesy of the artist and Gallery Gabrielle Pizzi, Melbourne and Michael Reid Gallery, Sydney and Berlin. https://www.studiointernational.com/images/articles/t/thompson-christian-2014/Gamu-Mambu-Blood-Song-2010.jpg Christian Thompson. Gamu Mambu (Blood Song), 2010. Duration, 2 min, 2 sec. Courtesy of the artist and Gallery Gabrielle Pizzi, Melbourne and Michael Reid Gallery, Sydney and Berlin. https://www.studiointernational.com/images/articles/t/thompson-christian-2014/Christian-Thompson-Ellipse-Small.jpg Christian Thompson. Ellipse, from the Polari series, 2014. C Type Print, Fuji Pearl Metallic Paper, 100 x 100 cm. Courtesy of the artist and Gallery Gabrielle Pizzi, Melbourne and Michael Reid Gallery, Sydney and Berlin. https://www.studiointernational.com/index.php/frieze-art-fair-london-2014-review https://www.studiointernational.com/images/articles/f/frieze-london-2014/Rodeo-Tamara-Henderson.jpg Tamara Henderson. Rodeo gallery, Istanbul. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze, 2014. https://www.studiointernational.com/images/articles/f/frieze-london-2014/Nick-Mauss.jpg Nick Mauss choreographs dancers from the Northern Ballet. Photograph: Polly Braden. Courtesy of Polly Braden/Frieze, 2014. https://www.studiointernational.com/images/articles/f/frieze-london-2014/Salon-94.jpg Works by artists Takuro Kuwata, Jayson Musson and Takeshi Murata at Salon 94. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze, 2014. https://www.studiointernational.com/images/articles/f/frieze-london-2014/Sadie-Coles.jpg Angus Fairhurst’s blood-red abstract spatterings on the walls at Sadie Coles HQ. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze, 2014. https://www.studiointernational.com/images/articles/f/frieze-london-2014/Gagosian.jpg A giant dice and Scrabble by Carsten Höller at Gagosian. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze, 2014. https://www.studiointernational.com/images/articles/f/frieze-london-2014/Pilar-Corrias.jpg Koo Jeong at Pilar Corrias. Photograph by Linda Nylind. Courtesy of Linda Nylind/Frieze, 2014. https://www.studiointernational.com/images/articles/f/frieze-london-2014/KAWS.jpg KAWS. Small Lie, 2013. Galerie Perrotin. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze, 2014. https://www.studiointernational.com/images/articles/f/frieze-london-2014/Gabriele-De-Santis.jpg Gabriele de Santis. Can’t Take My Eyes Off You, 2014. Frutta. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze, 2014. https://www.studiointernational.com/index.php/ev-day-semi-feral-review-interview-exploding-couture-catfight https://www.studiointernational.com/images/articles/e/ev-day-2014/Bombshell Best.jpg E.V. Day. Bombshell, 1999. from the series Exploding Couture. White crepe dress with monofilament and turnbuckles. 192 x 240 x 240 in. Whitney Museum of American Art, New York. Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ev-day-2014/webtransportercorr.jpg E.V. Day. Transporter, 2000. Silver sequin dress with monofilament, turnbuckles and mirrored disks. 115 x 48 x 48 in. Collection of Heather and Tony Podesta, Falls Church, VA. Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ev-day-2014/148_web1edgalaxyinstall.jpg E.V. Day. Galaxy, 2003. Henry Urbach Architecture Gallery. Courtesy of the artist. https://www.studiointernational.com/images/articles/e/ev-day-2014/DSC09654s.jpg E.V. Day. Bride Fight, 2006. Two vintage white silk bridal gowns, two tiaras, two veils, two pairs of shoes, two pairs of gloves, hairpiece, garters, panties, faux-pearl necklace, monofilament, fishing tackle and turnbuckles. Approx. 11 1/2 x 18 x 16 ft. Collection of The Lever House, NYC. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/e/ev-day-2014/DSC09658s.jpg E.V. Day. Bride Fight, 2006. Two vintage white silk bridal gowns, two tiaras, two veils, two pairs of shoes, two pairs of gloves, hairpiece, garters, panties, faux-pearl necklace, monofilament, fishing tackle and turnbuckles. Approx. 11 1/2 x 18 x 16 ft. Collection of The Lever House, NYC. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/e/ev-day-2014/Bride_Strip_Dragster.jpg E.V. Day. Bride Strip Dragster, 2007. Nylon bridal thong, artificial pearl, stainless steel hardware, acrylic box and steel base. 16 x 40 x 25 in. Courtesy of the artist and Salomon Contemporary. https://www.studiointernational.com/images/articles/e/ev-day-2014/Tongue_Detail.jpg E.V. Day. Tongue-Tied VI, 2009. Cast rubber, resin, nickel-plated rings and chain. Dimensions variable. Courtesy of the artist and Salomon Contemporary. https://www.studiointernational.com/images/articles/e/ev-day-2014/(EVD) INSTALLATION 2014 1 CROP HIGH RES.jpg E.V. Day. CatFight (Installation view). Mary Boone Gallery. Courtesy of Mary Boone Gallery, New York. https://www.studiointernational.com/images/articles/e/ev-day-2014/Semi-Feral_Skull_II.jpg E.V. Day. Semi-Feral Skull II, 2014. Resin sabre-tooth skull, reflective paint and metal stand, 12 x 9 x 14 in. Courtesy of the artist and Salomon Contemporary. https://www.studiointernational.com/images/articles/e/ev-day-2014/Skull_I.jpg E.V. Day. Semi-Feral Skull IV, 2014. Resin sabre-tooth skull, stocking, elastic bandage, reflective paint and metal stand, 14 x 8 x 15 in. Courtesy of the artist and Salomon Contemporary. https://www.studiointernational.com/images/articles/e/ev-day-2014/Skull_IV.jpg E.V. Day. Semi-Feral Skull I, 2014. Resin sabre-tooth skull, silver and aluminium leaf, 9 x 9 x 14 in. Courtesy of the artist and Salomon Contemporary https://www.studiointernational.com/images/articles/e/ev-day-2014/Mummified_II.jpg E.V. Day. Mummified Cat II, 2014. Resin cat skeleton, beeswax, braided twine, powdered chrome and sterling silver, 14 x 4 x 8 in. Courtesy of the artist and Salomon Contemporary. https://www.studiointernational.com/images/articles/e/ev-day-2014/Ladder_Detail.jpg E.V. Day. Chain Mink Emergency Escape Ladder (Detail), 2014. Mink, metal chain ladder, metal box, dimensions variable. Courtesy of the artist and Salomon Contemporary. https://www.studiointernational.com/images/articles/e/ev-day-2014/Exhibition_II.jpg E.V. Day. Exhibition view. Courtesy of the artist and Salomon Contemporary. https://www.studiointernational.com/index.php/emily-carr-british-columbia-from-forest-to-sea-review https://www.studiointernational.com/images/articles/c/carr-emily-2014/Emily-Carr-Happiness.jpg Emily Carr. Happiness, 1939. Oil on paper, 84.8 x 54 cm. University of Victoria Art Collection, Gift of Nikolai and Myfanwy Pavelic. https://www.studiointernational.com/images/articles/c/carr-emily-2014/Emily-Carr-Indian-Church.jpg Emily Carr. Indian Church, 1929. Oil on canvas, 108.6 x 68.9 cm (42 3/4 x 27 1/8 in.) Art Gallery of Ontario, Bequest of Charles S. Band, Toronto. https://www.studiointernational.com/images/articles/c/carr-emily-2014/Emily-Carr-Indian-War-Canoe-Alert-Bay.jpg Emily Carr. Indian War Canoe (Alert Bay), 1912. Oil on cardboard, 65 x 95,5 cm. The Montreal Museum of Fine Arts, Purchase, gift of A. Sidney Dawes. https://www.studiointernational.com/images/articles/c/carr-emily-2014/Emily-Carr-Tanoo.jpg Emily Carr. Tanoo, Queen Charlotte Island, BC, 1913. Courtesy of Royal BC Museum, BC Archives, Canada. https://www.studiointernational.com/images/articles/c/carr-emily-2014/Emily-Carr-Untitled-seascape-1935.jpg Emily Carr. Untitled (Seascape), 1935. Oil on paper mounted on board, 26.5 x 40.5 cm, The Art Gallery of Greater Victoria. https://www.studiointernational.com/images/articles/c/carr-emily-2014/Emily-Carr-and-pets.jpg Emily Carr and pets in her garden at 646 Simcoe Street, Victoria, British Columbia, c1918. Courtesy of the Royal BC Museum, BC Archives. https://www.studiointernational.com/index.php/fabrizio-poltronieri-iconic-theogonies-presentation-computational-gods-review https://www.studiointernational.com/images/articles/p/poltronieri-fabrizio-2014/fabrizioPoltronieri.jpg Fabrizio Augusto Poltronieri. Photograph: Caroline Menezes. https://www.studiointernational.com/index.php/hayal-pozanti-interview-painter-digital-media https://www.studiointernational.com/images/articles/p/pozanti-hayal-2014/2.Pozanti_Masters of Suspicion_Acrylic on canvas_74 x 40 inches_2014.jpg Hayal Pozanti. Masters of Suspicion, 2014. Acrylic on canvas, 74 x 40 in. Courtesy of the artist and Jessica Silverman Gallery. https://www.studiointernational.com/images/articles/p/pozanti-hayal-2014/3. Pozanti_The Family Drone_Acrylic on canvas_74 x 40 inches_2014.jpg Hayal Pozanti. The Family Drone, 2014. Acrylic on canvas, 74 x 40 in. Courtesy of the artist and Jessica Silverman Gallery. https://www.studiointernational.com/images/articles/p/pozanti-hayal-2014/4.Pozanti_Archival Alchemy_Acrylic on wood panel_45 x 45 inches_2014.jpg Hayal Pozanti. Archival Alchemy, 2014. Acrylic on wood panel, 45 x 45 in. Courtesy of the artist and Jessica Silverman Gallery. https://www.studiointernational.com/images/articles/p/pozanti-hayal-2014/5.Pozanti_Reflex Impulse_Acrylic on wood panel_45 x 45 inches_2014.jpg Hayal Pozanti. Reflex Impulse, 2014. Acrylic on wood panel, 45 x 45 in. Courtesy of the artist and Jessica Silverman Gallery. https://www.studiointernational.com/images/articles/p/pozanti-hayal-2014/7.Pozanti_Data Double_Acrylic on wood panel_40 x 40 inches_2014.jpg Hayal Pozanti. Data Double, 2014. Acrylic on wood panel, 40 x 40 in. Courtesy of the artist and Jessica Silverman Gallery. https://www.studiointernational.com/images/articles/p/pozanti-hayal-2014/8.Pozantil_Armory install view_2014.jpg Hayal Pozanti. Installation view from The Armory, 2014. Courtesy of the artist and Jessica Silverman Gallery. https://www.studiointernational.com/images/articles/p/pozanti-hayal-2014/9.Pozanti_FIAC install view_2014.jpg Hayal Pozanti. Installation view from FIAC Paris, 2014. Courtesy of the artist and Jessica Silverman Gallery. https://www.studiointernational.com/index.php/adeline-de-monseignat-home-creatures-ronchini-gallery https://www.studiointernational.com/images/articles/d/de-monseignat-adeline-2014/04.jpg Adeline de Monseignat: Home, installation view, Ronchini Gallery, London, 14 November 2014 – 17 January 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/d/de-monseignat-adeline-2014/02.jpg Adeline de Monseignat: Home, installation view, Ronchini Gallery, London, 14 November 2014 – 17 January 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/d/de-monseignat-adeline-2014/05.jpg Adeline de Monseignat: Home, installation view, Ronchini Gallery, London, 14 November 2014 – 17 January 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/d/de-monseignat-adeline-2014/03.jpg Adeline de Monseignat: Home, installation view, Ronchini Gallery, London, 14 November 2014 – 17 January 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/d/de-monseignat-adeline-2014/01.jpg Adeline de Monseignat: Home, installation view, Ronchini Gallery, London, 14 November 2014 – 17 January 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/d/de-monseignat-adeline-2014/06.jpg Adeline de Monseignat: Home, installation view, Ronchini Gallery, London, 14 November 2014 – 17 January 2015. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/marni-kotak-interview-performance-coolcarcut-birth-baby-x-microscope-gallery https://www.studiointernational.com/images/articles/k/kotak-marni-2014/CoolCarCut.jpg Marni Kotak. CoolCar Cut: Ajax’s Third Birthday Party. Installation shot, performance/installation, mixed media, dimensions variable. © 2014, Marni Kotak. Image courtesy of the artist and Microscope Gallery. https://www.studiointernational.com/images/articles/k/kotak-marni-2014/HotWaterBags.jpg Marni Kotak. Hot Water Bags. Performance/installation, mixed media, dimensions variable. © 2009, Marni Kotak. Image courtesy of the artist. https://www.studiointernational.com/images/articles/k/kotak-marni-2014/HowToFrenchKiss.jpg Marni Kotak. How To French Kiss. Performance/installation, mixed media, dimensions variable. © 2009, Marni Kotak. Image courtesy of the artist.) https://www.studiointernational.com/images/articles/k/kotak-marni-2014/Livesystems.jpg Marni Kotak. Livesystems.net. (Web-based artwork, 1999-ongoing. Screenshot from 2002. © 2002, Marni Kotak. Image courtesy of the artist. https://www.studiointernational.com/images/articles/k/kotak-marni-2014/MyGrandfathersFuneral.jpg Marni Kotak. My Grandfather’s Funeral. Performance/installation, mixed media, dimensions variable. © 2009, Marni Kotak. Image courtesy of the artist. https://www.studiointernational.com/images/articles/k/kotak-marni-2014/SunnyBluePlymouth.jpg Marni Kotak. Sunny Blue Plymouth (Losing My Virginity). Performance/installation, mixed media, dimensions variable. © 2010, Marni Kotak. Image courtesy of the artist. https://www.studiointernational.com/images/articles/k/kotak-marni-2014/ThirdGrade_Dumbo.jpg Marni Kotak. Third Grade (Dumbo). Performance image of work re-mounted in Dumbo warehouse, performance/installation, mixed media, dimensions variable. © 2006, Marni Kotak. Image courtesy of the artist. https://www.studiointernational.com/images/articles/k/kotak-marni-2014/ThirdGrade_WarMemorial.jpg Marni Kotak. Third Grade (Brooklyn War Memorial). Performance image of original censored work at Brooklyn War Memorial, performance/installation, mixed media, dimensions variable. © 2006, Marni Kotak. Image courtesy of the artist. https://www.studiointernational.com/images/articles/k/kotak-marni-2014/WelcometoMyHouse.jpg Marni Kotak. Welcome To MyHouse. Performance/installation, mixed media, dimensions variable. © 2010, Marni Kotak. Image courtesy of the artist. https://www.studiointernational.com/index.php/roxy-paine-interview-denuded-lens-marianne-boesky-gallery-checkpoint-dendroids https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-9259_7.jpg Roxy Paine. Checkpoint, 2014. Installation view (2). Maple, aluminium, fluorescent light bulbs, and acrylic prismatic light diffusers, 14ft x 26ft 11in x 18ft 7.5in (4.27 x 8.2 x 5.7m). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-9259_detail_studio_1.jpg Roxy Paine. Checkpoint, 2014 (detail). Maple, aluminium, fluorescent light bulbs, and acrylic prismatic light diffusers, 14ft x 26ft 11in x 18ft 7.5in (4.27 x 8.2 x 5.7m). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-9324_5.jpg Roxy Paine. Intrusion, 2014. Maple. 72 3/4 x 28 x 58 in (184.8 x 71.1 x 147.3 cm). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-9324_8.jpg Roxy Paine. Intrusion, 2014 (view 2). Maple. 72 3/4 x 28 x 58 in (184.8 x 71.1 x 147.3 cm). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-8991.jpg Roxy Paine. Machine of Indeterminacy, 2014. Maple. 45 x 64 x 46 in (114.3 x 162.6 x 116.8 cm). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-8991_3.jpg Roxy Paine. Machine of Indeterminacy, 2014 (view 2). Maple. 45 x 64 x 46 in (114.3 x 162.6 x 116.8 cm). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-9364_6_edited.jpg Roxy Paine. Scrutiny, 2014. Maple. Approx. 70 x 130 in (177.8 x 330.2 cm). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-9364_10.jpg Roxy Paine. Scrutiny, 2014 (detail). Maple. Approx. 70 x 130 in (177.8 x 330.2 cm). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-9364_3_edited.jpg Roxy Paine. Scrutiny, 2014 (detail 2). Maple. Approx. 70 x 130 in (177.8 x 330.2 cm). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/p/paine-roxy-2014/ROP-8993_new-2.jpg Roxy Paine. Speech Impediment, 2014. Maple. 23 x 40 x 11 in (58.4 x 101.6 x 27.9 cm). Courtesy of the artist and Marianne Boesky Gallery, New York © Roxy Paine. Photograph: Jason Wyche. https://www.studiointernational.com/index.php/allen-jones-royal-academy-london-pop-art https://www.studiointernational.com/images/articles/j/jones-allen-2014/Jones-page.jpg Allen Jones. Green Table, 1972. Painted fibreglass mannequin with leather, and glass table, 74 x 140 x 74cm. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/gretchen-bender-review-tate-liverpool-total-recall-cindy-sherman https://www.studiointernational.com/images/articles/b/bender-gretchen-2014/Total-Recall-1987.jpg Gretchen Bender. Total Recall, 1987. 8-channel video installation; 24 monitors, 3 screen projections, colour, sound, duration: 18min. © Estate of Gretchen Bender. Photo: Jason Mandella, Courtesy of The Kitchen, New York. https://www.studiointernational.com/images/articles/b/bender-gretchen-2014/Gremlins-1984.jpg Gretchen Bender. Gremlins, 1984. Four parts; laminated colour photographs; support: 66 x 83.8 cm, each panel displayed: 132.1 x 167.6 cm. © Estate of Gretchen Bender. Image courtesy of The Mint Museum, Charlotte, NC. https://www.studiointernational.com/images/articles/b/bender-gretchen-2014/Untitled-Landscape-Computer-1987.jpg Gretchen Bender. Untitled (Landscape, Computer Graphics, Death Squad), 1987. Three parts; Laminated colour photographs; support: 1016 x 1524 mm, each panel displayed: 304.8 x 152.4 cm. © Estate of Gretchen Bender. Image courtesy of The Mint Museum, Charlotte, NC. https://www.studiointernational.com/index.php/zarina-hashmi-descending-darkness-luhring-augustine-review-south-asian-art https://www.studiointernational.com/images/articles/z/zarina-2014/Abyss-2_20-2013-srgb.jpg Zarina. Abyss, 2013. Woodcut on BFK light paper mounted on Somerset Antique paper. Edition 3 of 20. Sheet size: 27 1/2 x 22 in (69.85 x 55.88 cm). © Zarina; Courtesy of the artist and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/z/zarina-2014/Aleppo-2013.jpg Zarina. Aleppo, 2013. Collage of Indian handmade paper dyed with Sumi ink and punched 22-karat gold leaf paper on Arches Cover buff paper. Unique. Sheet size: 22 x 18 in (55.88 x 45.72 cm). © Zarina; Courtesy of the artist and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/z/zarina-2014/Descending-Darkness-Detail-3.jpg Zarina. Descending Darkness, 2013. Black marble with pewter leaf strung with gold wire (111 units). Unique. Diameter: 84 in (213.3 cm), height: 87 in (221 cm), each unit 3 3/4 x 2 1/4 x 2 1/4 in (9.5 x 5.7 x 5.7 cm). © Zarina; Courtesy of the artist and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/z/zarina-2014/Descending-Darkness-full-3-High.jpg Zarina. Descending Darkness, 2013. Black marble with pewter leaf strung with gold wire (111 units). Unique. Diameter: 84 in (213.3 cm), height: 87 in (221 cm), each unit 3 3/4 x 2 1/4 x 2 1/4 in (9.5 x 5.7 x 5.7 cm). © Zarina; Courtesy of the artist and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/z/zarina-2014/Folding-House-all-50.jpg Zarina. Folding House, 2013. Set of 50 collages on Indian handmade paper with Sumi ink, 22-karat gold leaf, wax, mylar, pewter leaf and obsidian mounted on Arches Cover Buff paper. Unique. Each: 8 3/4 x 8 3/4 in (22.23 x 22.23 cm). © Zarina; Courtesy of the artist and Luhring Augustine, New York. https://www.studiointernational.com/index.php/faig-ahmed-collision-of-old-and-new-is-one-of-the-concepts-in-my-works https://www.studiointernational.com/images/articles/a/ahmed-faig-2014/Butah-Faig-Ahmed-2014.jpg Faig Ahmed. Butah, 2014. Hand-woven woollen rug, 180 x 230 cm. Image courtesy of the artist and Cuadro Gallery. https://www.studiointernational.com/images/articles/a/ahmed-faig-2014/Ilan-Faig-Ahmed-2014.jpg Faig Ahmed. Ilan, 2014. Hand-woven woollen rug, 180 x 230 cm. Image courtesy of the artist and Cuadro Gallery. https://www.studiointernational.com/images/articles/a/ahmed-faig-2014/Liquid-Faig-Ahmed-2014.jpg Faig Ahmed. Liquid, 2014. Hand-woven woollen rug, 290 x 400 cm. Image courtesy of the artist and Cuadro Gallery. https://www.studiointernational.com/images/articles/a/ahmed-faig-2014/Outflow-Faig-Ahmed-2014.jpg Faig Ahmed. Outflow, 2014. Hand-woven woollen rug, 120x 250 cm. Image courtesy of the artist and Cuadro Gallery. https://www.studiointernational.com/images/articles/a/ahmed-faig-2014/Shift-Faig-Ahmed-2014.jpg Faig Ahmed. Shift, 2014. Hand-woven woollen rug, 160 x 150 cm. Image courtesy of the artist and Cuadro Gallery. https://www.studiointernational.com/images/articles/a/ahmed-faig-2014/Shift-detail-Faig-Ahmed-2014.jpg Faig Ahmed. Shift, 2014 (detail). Hand-woven woollen rug, 160 x 150 cm. Image courtesy of the artist and Cuadro Gallery. https://www.studiointernational.com/images/articles/a/ahmed-faig-2014/Simurq-Faig-Ahmed-2014.jpg Faig Ahmed. Simurq, 2014. Hand-woven woollen rug, 180 x 230 cm. Image courtesy of the artist and Cuadro Gallery. https://www.studiointernational.com/index.php/pieter-vermeersch-carl-freedman-gallery-london-review https://www.studiointernational.com/images/articles/v/vermeersch-2014/PV105.jpg Pieter Vermeersch. Untitled, 2014. Oil on canvas, 150 x 111 cm. https://www.studiointernational.com/images/articles/v/vermeersch-2014/PV107.jpg Pieter Vermeersch. Untitled, 2014. Oil on marble, 38.5 x 34 cm. https://www.studiointernational.com/images/articles/v/vermeersch-2014/PV108.jpg Pieter Vermeersch. Untitled, 2014. Oil on marble, 35 x 28.5 cm. https://www.studiointernational.com/images/articles/v/vermeersch-2014/PV110.jpg Pieter Vermeersch. Untitled, 2014. Oil on marble, 38.5 x 35.3 cm. https://www.studiointernational.com/images/articles/v/vermeersch-2014/PV111.jpg Pieter Vermeersch. Untitled, 2014. Oil on marble, 35 x 29.2 cm. https://www.studiointernational.com/images/articles/v/vermeersch-2014/PV113.jpg Pieter Vermeersch. Untitled, 2014. Oil on marble, 57.5 x 42.1 cm. https://www.studiointernational.com/images/articles/v/vermeersch-2014/PV114.jpg Pieter Vermeersch. Untitled, 2014. Oil on marble, 39.3 x 36.8 cm. https://www.studiointernational.com/index.php/the-british-line-review-group-show-robin-katz-gallery-lucian-freud https://www.studiointernational.com/images/articles/b/british-line-2014/Freud-InteriorSceneOwl.jpg Lucian Freud. Untitled (Interior drawing, The owl), 1945. Pen and ink on paper, 54.5 by 40.5 cm. Private collection. https://www.studiointernational.com/images/articles/b/british-line-2014/Peter-Blake-the-student.jpg Peter Blake. The Student, 1967. Ink on paper
, 34.5 x 25.7cm. Cover illustration for Student magazine, published by the 16-year-old R Branson. Robert Fraser Gallery. https://www.studiointernational.com/images/articles/b/british-line-2014/Burra---Docks.jpg Edward Burra. East India Dock Road, 1929. Pencil on canvas, 
51 x 68.5 cm. Private collection. https://www.studiointernational.com/images/articles/b/british-line-2014/Paolozzi-Collage-1951.jpg Eduardo Paolozzi. Collage, 1951. Mixed media , 50 x 30 cm. https://www.studiointernational.com/images/articles/b/british-line-2014/Quiz-Churchill.jpg Powys Arthur Evans (aka ŒQuiz1). Churchill
. Pencil and ink on paper, 32 x 45 cm. https://www.studiointernational.com/images/articles/b/british-line-2014/hilton-roger-cow-ausdes.jpg Roger Hilton. Cow, c1964. Pastel on paper
, 25.3 x 20.3 cm. Private collection. https://www.studiointernational.com/images/articles/b/british-line-2014/Bomberg-DinoraDrawing.jpg David Bomberg. Dinora, 1937. Charcoal on paper, 64 x 54 cm. Private collection https://www.studiointernational.com/images/articles/b/british-line-2014/Law-BlackDrawing1-2-72.jpg Bob Law. Black Drawing 1. 2. 72, 1972. Graphite on paper mounted on canvas, 152.2 x 202.2 cm. Private collection, London. https://www.studiointernational.com/images/articles/b/british-line-2014/Riley-Bridget-Study-for-static.jpg Bridget Riley. Study for static II, 1966. Pen on paper, heightened with gouache, 52 x 32 cm. https://www.studiointernational.com/images/articles/b/british-line-2014/Michael-Landy-Self-Portrait-2007.jpg Michael Landy. Landy Family. Michael, Self Portrait, 2007. Pencil on paper, 70 x 50 cm. Collection of the artist. https://www.studiointernational.com/images/articles/b/british-line-2014/Michael-Landy-Gillian-Wearing.jpg Michael Landy. Landy Family. Gillian Wearing, 2007. Pencil on paper, 70 x 50 cm. Collection of the artist. https://www.studiointernational.com/images/articles/b/british-line-2014/Dead-daddy-long-legs.jpg Emma Cousin. YOLO (You Only Live Once), 2014. Charcoal on paper. https://www.studiointernational.com/images/articles/b/british-line-2014/Wakeley-drawing.jpg Shelagh Wakely. From the series As yet Unnamed, Drawings, 1988-90. Black ink on natural coloured calico, 70 x 56.5 cm. Photograph: © the artist. Courtesy of Richard Saltoun Gallery. The estate of Shelagh Wakely. https://www.studiointernational.com/index.php/new-orleans-biennial-prospect-3-notes-for-now-review-tavares-strachan-lisa-sigal https://www.studiointernational.com/images/articles/p/propspect3-2014/Basquiat_Natchez_P3.jpg Jean-Michel Basquiat. Natchez, 1985. Acrylic, wood and colour xeroxes on plywood mounted on wooden doors, 85 x 60.63 x 4 in. Galerie Andrea Caratsch, Zurich. © The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2014. https://www.studiointernational.com/images/articles/p/propspect3-2014/Ban_New Orleans_P3.jpg Shigeru Ban. Documentation of Post-Katrina Housing (Make it Right), New Orleans, 2009. Photograph and exterior view, 23.4 x 16.5 in. Courtesy Aspen Art Museum, Aspen. https://www.studiointernational.com/images/articles/p/propspect3-2014/Henrot_2_P3.jpg Camille Henrot. Stills from Grosse Fatigue, 2013. Video installation (colour, sound). Courtesy the artist, Silex Films and kamel mennour, Paris. https://www.studiointernational.com/images/articles/p/propspect3-2014/RymanP3.jpg Will Ryman. Icon, 2011. Painted stainless steel, fibreglass, paint, 360 x 144 in. Courtesy the artist and Paul Kasmin Gallery, New York. https://www.studiointernational.com/images/articles/p/propspect3-2014/Locke_2_P3.jpg Hew Locke. Details from The Nameless, 2010-14. Black beads, cord, glue on cotton cloth. Courtesy the artist and Hales Gallery, London. https://www.studiointernational.com/images/articles/p/propspect3-2014/Patterson_P3.jpg Ebony Patterson. In di Grass – beyond the bladez, 2014. Mixed media on paper, 40 x 120 in (2 parts; 40 x 30 in each). Courtesy the artist and Monique Meloche, Chicago. https://www.studiointernational.com/images/articles/p/propspect3-2014/Bhimji_Waiting.P3.jpg Zarina Bhimji. Still from Waiting, 2007. 35mm colour film, HD transfer, single screen installation. Duration: 7 min 48 sec. Courtesy the artist. https://www.studiointernational.com/images/articles/p/propspect3-2014/Carroll_Public Utility_P3.jpg Mary Ellen Carroll. Public Utility 2.0 (Drawing of Nodes for a Mesh Network in Conjunction with Super Wi-Fi Towers and Connectivity in New Orleans), 2014. Ink on paper, 10 × 8 in (25.4 × 20.3 cm). Courtesy the artist. https://www.studiointernational.com/images/articles/p/propspect3-2014/jungerman_001_P3.jpg Remy Jungerman. Wise Words, 2010. Painted wood, textile, photo, gin-bottles, kaolin, framed tile, map, 67.72 x 68.11 x 9.05 in. Courtesy the artist. https://www.studiointernational.com/images/articles/p/propspect3-2014/Vega Macotela_331_P3.jpg Antonio Vega Macotela. #331 (from Time Divisa), 2010. Human hair and paper, 22.05 x 16.93 in. Courtesy the artist and LABOR, Mexico D.F. In exchange for the artist spying on his ex-lover in the Zona Rosa, https://www.studiointernational.com/images/articles/p/propspect3-2014/Yi_Horror still 1_P3.jpg David Zink Yi. Stills from Horror Vacui, 2009. Two-channel HD video installation, dimensions variable, duration: 120 min. Courtesy the artist, Johann König and Hauser & Wirth Zürich London New York. https://www.studiointernational.com/images/articles/p/propspect3-2014/Owusu_1_P3.jpg Akosua Adoma Owusu. Stills from Kwaku Ananse, 2013. Single channel film projection, duration: 25 min. Courtesy the artist. https://www.studiointernational.com/images/articles/p/propspect3-2014/Weems_Lincoln_2_P3.jpg Carrie Mae Weems. Still from Lincoln, Lonnie, and Me – A Story in 5 Parts, 2012. Mixed media video theatre installation (“Pepper’s ghost” illusion technique), duration 18 min. Courtesy the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/p/propspect3-2014/Adkins_3_P3.jpg Terry Adkins. Ezekiel Double Drums, 2009 & Ezekiel Wheel, 2009. Mixed media. Courtesy Dillard University, New Orleans. https://www.studiointernational.com/images/articles/p/propspect3-2014/Bourgeois_Womack and Del Rey_P3.jpg Douglas Bourgeois. Womack and Del Ray, 2014. Oil on board, 20 x 16 in. Courtesy the artist and Arthur Roger Gallery, New Orleans. https://www.studiointernational.com/images/articles/p/propspect3-2014/Norris_2_P3.jpg Tameka Norris with Garrett Bradley. Still from Meka Jean: How She Got Good, 2014. Feature length film installation. Courtesy the artists and Lombard Freid Projects, New York. https://www.studiointernational.com/images/articles/p/propspect3-2014/Clark_New Orleans 4_P3.jpg Ed Clark. New Orleans Series #4, 2012. Acrylic on canvas, 53 x 66 in. Courtesy Stella Jones Gallery, New Orleans. https://www.studiointernational.com/index.php/franklin-sirmans-artistic-director-new-orleans-biennial-interview https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Gauguin_Under the Pandanus_P3.jpg Paul Gauguin. Under the Pandanus (I Raro te Oviri), 1891. Oil on canvas, 38 ½ x 47 ¾ x 3 ½ in. Courtesy of Dallas Museum of Art, Foundation for the Arts Collection, gift of the Adele R. Levy Fund, Inc. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Basquiat_CPRKR_P3.jpg Jean-Michel Basquiat. CPRKR, 1982. Acrylic, oilstick and collage on canvas, mounted on wood, 60 x 40 in. Donald Baechler Collection, New York. © The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2014. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/b_untitled(cadmium).jpg Jean-Michel Basquiat. Untitled (Cadmium), 1984. Oil, oilstick, and acrylic on canvas, 66 x 60 in. The High Museum of Art, Atlanta. © The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2014. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Amaral_Angels_P3.jpg Tarsila do Amaral. Angels, 1924. Oil on canvas, 33.66 x 28.54 in. Gilberto Chateaubriand Collection, MAM RJ, Rio de Janeiro, Brazil. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Thomas_Carnival_P3.jpg Alma Thomas. Carnival of Autumn Leaves, 1973. Oil on canvas, 50 x 50 in. Michael Rosenfeld Gallery LLC, New York. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Smith_Mene_P3.jpg Lucien Smith. Mene, Mene, Tekel Upharsin, 2013. Oil on Canvas, 93 x 131 in. Courtesy the artist and Salon 94, New York. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Tavares Strachan_Photo_Dusk_3-3.jpg Tavares Strachan. You belong here, 2014. Blocked out Neon, 30 x 80 ft. Courtesy of the artist. This project has been made possible, in part, by Canal Barge Company, Inc. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Caland_Sunrise_P3.jpg Huguette Caland. Sunrise, 1973. Oil on linen, 39 ½ x 39 ½ in. Courtesy of the artist and Lombard Freid Gallery, New York. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Tanks-Preview-4-72.jpg Glenn Kaino. Tank, 2014. Resin, aquariums, metal, coral. Photograph: Joseph Rynkiewicz, courtesy of Glenn Kaino and Kavi Gupta CHICAGO | BERLIN. Installation at Prospect 3 in New Orleans, curated by Franklin Sirmans. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Singleton_Angola_P3.jpg Herbert Singleton. Angola, n.d. (1990s). Painted wood bas relief, 81 x 33.5 x 1.25 in. Gordon W Bailey Collection. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Gibson_Here It Comes_P3.jpg Jeffrey Gibson. Here It Comes, 2014. Deer rawhide, glass and plastic beads, wool blanket, beetle wings, artist’s own repurposed painting, artificial sinew, Drusy quartz, steel and brass studs, 37 ½  x 13 ½  x 6 ½ in. Courtesy of the artist and Samsøn, Boston, MA & MARC STRAUS, New York. https://www.studiointernational.com/images/articles/p/prospect3_franklin-sirmans-2014/Fraser_Monument_P3.jpg Andrea Fraser. Um Monumento às Fantasias Descartadas (A Monument to Discarded Fantasies), 2003. Mixed media (Brazilian carnival costumes), variable dimensions. Courtesy of the artist. https://www.studiointernational.com/index.php/john-constable-making-of-a-master-victoria-and-albert-review https://www.studiointernational.com/images/articles/c/constable-2014/1-Self-portrait_by_John_Constable.jpg John Constable. Self-portrait, c1799-1804. Pencil and black chalk heightened with white and red chalk. © National Portrait Gallery, London https://www.studiointernational.com/images/articles/c/constable-2014/2-Pencerrig_by_Thomas_Jones.jpg Thomas Jones. Pencerrig, 1772. Oil paint on paper. © Tate, London 2014. https://www.studiointernational.com/images/articles/c/constable-2014/3-The_Hay_Wain_1821.jpg John Constable. The Hay Wain, 1821. Oil on canvas. © The National Gallery, London 2014. https://www.studiointernational.com/images/articles/c/constable-2014/4-The_Three_Trees_by_Rembrandt.jpg Rembrandt. The Three Trees, 1643. Etching. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-2014/5-Watermeadows_near_Salisbury.jpg John Constable. Watermeadows near Salisbury, 1829/30. Oil on canvas. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-2014/6-Brighton_Beach_1824.jpg John Constable. Brighton Beach, 1824. Oil on paper. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-2014/7-Salisbury_Cathedral_from_the_Bishops_Ground.jpg John Constable. Salisbury Cathedral from the Bishop’s Ground, 1823. Oil on canvas. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-2014/8-Stonehenge_c.jpg John Constable. Stonehenge, c1835. Watercolour. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-2014/9-Study_of_the_Truck_c.jpg John Constable. Study of the Truck of an Elm Tree, c1824. Oil on paper. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-2014/10-Study_of_cirrus_clouds_c.jpg John Constable. Study of cirrus clouds, c.1821-22. Oil on paper. © Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/maisie-broadhead-peepers-review-interview-royal-pavilion-brighton-george-iv https://www.studiointernational.com/images/articles/b/broadhead-maisie-2014/Maisie-Broadhead-Peepers-install-2.jpg Maisie Broadhead. Peepers, 2014. Installation view (2). Photograph © Matthew Andrews. https://www.studiointernational.com/images/articles/b/broadhead-maisie-2014/Maisie-Broadhead-Peepers-install-A.jpg Maisie Broadhead installing her installation Peepers in the Music Room of the Royal Pavilion, Brighton, October 2014. Photograph © Matthew Andrews. https://www.studiointernational.com/images/articles/b/broadhead-maisie-2014/Maisie-Broadhead-Peepers-install-B.jpg Maisie Broadhead installing her installation Peepers in the Music Room of the Royal Pavilion, Brighton, October 2014 (2). Photograph © Matthew Andrews. https://www.studiointernational.com/images/articles/b/broadhead-maisie-2014/Peepers-install-3.jpg Maisie Broadhead. Peepers, 2014. Installation view (3). Photograph © Matthew Andrews. https://www.studiointernational.com/images/articles/b/broadhead-maisie-2014/Peepers-installation-4.jpg Maisie Broadhead. Peepers, 2014. Installation view (4). Photograph © Matthew Andrews. https://www.studiointernational.com/index.php/chris-martin-artist-interview-anton-kern-gallery-new-york https://www.studiointernational.com/images/articles/m/martin-chris-2014/10722_MART_Untitled_e.jpg Chris Martin. Untitled, 2014. Oil, acrylic and glitter on canvas, 88 x 77 in (223.5 x 195.6 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10723_MART_Chameleon_e.jpg Chris Martin. Chameleon, 2014. Oil acrylic and collage on canvas, 88 x 77 in (223.5 x 195.6 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10724_MART_Untitled_e.jpg Chris Martin. Untitled, 2014. Acrylic, oil and glitter on canvas, 88 x 77 in (223.5 x 195.6 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10725_MART_Untitled_e.jpg Chris Martin. Tree, 2014. Oil, acrylic and collage on canvas, 90 x 75 in (228.6 x 190.5 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10726_MART_The_Music_of_Love_e.jpg Chris Martin. The Music of Love, 2013-2014. Oil, collage and glitter on canvas, 88 x 77 in (223.5 x 195.6 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10727_MART_Garden_at_11_Munn_Street_3_e.jpg Chris Martin. Garden at 11 Munn Street #3, 2014. Oil, acrylic and glitter on canvas, 90 x 75 in (228.6 x 190.5 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10729_MART_DreamBuffaloforFrankMoore.jpg Chris Martin. Dream Buffalo (for Frank Moore), 2014. Acrylic, glitter and collage on canvas, 88 x 77 in (223.5 x 195.6 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10731_MART_Seven_Black_and_White_e.jpg Chris Martin. Seven (Black and White), 2014. Acrylic on canvas, 88 x 77 in (223.5 x 195.6 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10732_MART_Shining_Forth_For_George_e.jpg Chris Martin. Shining Forth for George, 2014. Acrylic and collage on canvas, 88 x 77 in (223.5 x 195.6 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10735_MART_Paleocene_Sunset_e.jpg Chris Martin. Paleocene Sunset, 2014. Oil and collage on canvas, 64 x 59 in (162.6 x 149.9 cm). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10738_MART_Untitled_e.jpg Chris Martin. Untitled, 2014. Oil, acrylic and glitter on canvas, 64 x 59 in (162.6 x 149.9 cm). (ak#10737). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10739_MART_Untitled.jpg Chris Martin. Untitled, 2014. Acrylic and glitter on canvas, 64 x 59 in (162.6 x 149.9 cm). (ak#10738). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/10743_MART_Little_Pink_Seven_e.jpg Chris Martin. Little Pink Seven, 2014. Acrylic on canvas, 48 x 39 in (121.9 x 99.1 cm). (ak#10743). Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/AKG_2014_ChrisMartin_13.jpg Chris Martin. Installation view, 2014. Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/AKG_2014_ChrisMartin_19.jpg Chris Martin. Installation view (2), 2014. Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/m/martin-chris-2014/AKG_2014_ChrisMartin_5.jpg Chris Martin. Installation view (3), 2014. Courtesy of Anton Kern Gallery, New York. https://www.studiointernational.com/index.php/helena-rubinstein-beauty-is-power-review-jewish-museum-new-york-cosmetics https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/9780300195569.jpg Helena Rubinstein holding one of her masks from the Ivory Coast, 1934. Photograph by George Maillard Kesslere. Helena Rubinstein Foundation Archives, Fashion Institute of Technology, SUNY, Gladys Marcus Library, Special Collections https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_35-ArtifactsGalleryPhoto.jpg Helena Rubinstein in the library of her Paris apartment on the Ile St.-Louis, 1951. On display is a fraction of her extraordinary collection of African and Oceanic art. Helena Rubinstein Foundation Archives, Fashion Institute of Technology, SUNY, Gladys Marcus Library, Special Collections https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_14-Picasso2.jpg Pablo Picasso. Portrait of Helena Rubinstein XIX 27-11-1955, 1955. Conté crayon on paper, 17 1/4 x 12 5/8 in (43.8 x 32.1 cm). Himeji City Museum of Art, Japan. © 2014 Estate of Pablo Picasso / Artist Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_09-MiniRoom.jpg Early twentieth-century Montmartre artist’s studio, Miniature room. Tel Aviv Museum of Art, Israel https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_12retouched-Muray.jpg Rubinstein wearing a 1923 Paul Poiret dress, photographed by Nickolas Muray, c. 1924. Courtesy of George Eastman House, International Museum of Photography and Film. © Nickolas Muray Photo Archives https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_21-Warhol.jpg Andy Warhol. Madame Rubinstein in Kyoto, Japan, 1957. Ink with white highlights on paper, 16 3/4 x 22 in (42.5 x 55.9 cm). Williams College Museum of Art, Gift of Richard F. Holmes, Class of 1946. © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_24-LegerMFAH.jpg Fernand Léger. Interior, study for The Three Women, 1921. Watercolor on paperboard, 9 7⁄8 × 12 1⁄4 in (25.1 × 31.1 cm). The Museum of Fine Arts, Houston, Gift of Madame Helena Rubinstein. © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_15-PunuMask.jpg Punu face mask (mukudj). Gabon, date unknown. Wood, kaolin, and pigment. 12 1⁄2 in. (31.8 cm) high. Courtesy of The Kreeger Museum, Washington, DC https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_01-Combs.jpg Bete or Guro male and female pair of combs, Ivory Coast, date unknown. Wood, 9 3/4 in. (24.8 cm) high each. Private Collection, New York https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_27.jpg A 1949 French advertisement for complexion powder and rouge, drawn by Bernard Villemot. © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/TJM_Rubinstein_28retouched-NYCOpening.jpg A 1915 Vogue advertisement announcing Rubinstein’s inaugural beauty salon in New York. The ad features a portrait of Rubinstein by Paul Cesar Helleu. https://www.studiointernational.com/images/articles/r/rubinstein-helena-2014/20141026_tjm_651HelenaRubinstein_005.jpg Installation view Helena Rubinstein: Beauty Is Power, October 31, 2014 – March 22, 2015. © The Jewish Museum, NY. Photo by: David Heald. https://www.studiointernational.com/index.php/peder-balke-national-gallery-london-review-norway https://www.studiointernational.com/images/articles/b/balke-peder-2014/NG6614-The-Tempest.jpg Peder Balke. The Tempest, c1862. Oil on wood panel, 12 x 16.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/b/balke-peder-2014/X7036-Finnmark-Landscape.jpg Peder Balke. Finnmark Landscape, c1860. Oil on canvas, 34.9 x 52 cm. Collection of Asbjørn Lunde, New York. © Photograph courtesy of the owner. https://www.studiointernational.com/images/articles/b/balke-peder-2014/X7037-Moonlit-View-of-Stockholm.jpg Peder Balke. Moonlit View of Stockholm, c1850. Oil on canvas, 67.3 x 100.3 cm. Collection of Asbjørn Lunde, New York. © Photograph courtesy of the owner. https://www.studiointernational.com/images/articles/b/balke-peder-2014/X7038-Seascape.jpg Peder Balke. Seascape, c1860. Oil on canvas, 16.8 x 23.2 cm. Collection of Asbjørn Lunde, New York. © Photograph courtesy of the owner. https://www.studiointernational.com/images/articles/b/balke-peder-2014/X8703-North-Cape.jpg Peder Balke. North Cape, 1840s. Oil on cardboard, 67.5 × 84 cm. The National Museum of Art, Architecture and Design, Oslo. © The National Museum of Art, Architecture and Design, Oslo. Photograph: Jacques Lathion. https://www.studiointernational.com/images/articles/b/balke-peder-2014/X8712-Mount-Stetind-in-Fog.jpg Peder Balke. Mount Stetind in Fog, 1864. Oil on canvas, 71 × 58 cm. The National Museum of Art, Architecture and Design, Oslo. © The National Museum of Art, Architecture and Design, Oslo. Photograph: Jacques Lathion. https://www.studiointernational.com/images/articles/b/balke-peder-2014/X8743-The-Old-Bridge.jpg Peder Balke. The Old Bridge, 1860s. Oil on panel, 35 × 26 cm. Private collection. © Blaafarvevæket, Modum. Photograph: Thomas Widerberg. https://www.studiointernational.com/images/articles/b/balke-peder-2014/X8792-Northern-Lights.jpg Peder Balke. Northern Lights, 1870s. Oil on board, 10 × 12 cm. The Hearn Family Trust. © Photograph courtesy of the owner. https://www.studiointernational.com/index.php/gego-and-gerd-leufert-a-dialogue-review-gertrude-goldschmidt-new-york https://www.studiointernational.com/images/articles/g/gego-leufert-2014/4_GG_6.jpg Gego. Dibujo sin papel 85/18 (Drawing without paper 85/18), 1985. Metal and wire. Collection of Maria Cristina and Pablo Henning. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/g/gego-leufert-2014/5_Torres_09_LEUFERT.jpg Gerd Leufert, Serie Ganchos (Hooks series), c1980. Ink on paper, 25 x 18 3/4 in (63.5 x 48 cm). Courtesy Cecilia de Torres Gallery, LTD. https://www.studiointernational.com/images/articles/g/gego-leufert-2014/6_GG_1.jpg Gego. Dibujo sin papel 87/23 (Drawing without paper 87/23), 1987. Cardboard, mesh, and wire construction, 10 ½ x 13 ¾ in (26.5 x 35 cm). Private Collection. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/g/gego-leufert-2014/7_Faria_06_LEUFERT.jpg Gerd Leufert. Amor (Love), 1964. Ink on paper, 11 x 11 in (27.94 x 27.94 cm). Courtesy Henrique Faria Fine Art Gallery, New York. https://www.studiointernational.com/images/articles/g/gego-leufert-2014/CPPC_1999_17_LEUFERT.jpg Gerd Leufert. Listonado (Ventana) (Strip [Window]), 1972. Acrylic on wood, 35 7/16 x 31 1/2 x 3 1/8 in (90 x 80 x 8 cm). Colección Patricia Phelps de Cisneros, New York and Caracas. https://www.studiointernational.com/images/articles/g/gego-leufert-2014/Gego_Leufert_Installation_1.jpg Installation view, Gego and Gerd Leufert: a dialogue. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/g/gego-leufert-2014/Gego_Leufert_Installation_2.jpg Installation view (2), Gego and Gerd Leufert: a dialogue. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/g/gego-leufert-2014/Gego_Leufert_Installation_3.jpg Installation view (3), Gego and Gerd Leufert: a dialogue. Photograph: Peter Butler. https://www.studiointernational.com/index.php/jockum-nordstrom-for-the-insects-and-the-hounds-review-interview https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn_0234.jpg Jockum Nordström. Grandma’s meadow, 2014. Graphite on cardboard, 11 1/2 x 8 1/8 in (29 x 20.5 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/NORJO0190.jpg Jockum Nordström. Le monde, 2014. Graphite on cardboard, 13 3/4 x 9 7/8 in (35 x 25 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn_02262.jpg Jockum Nordström. Natt, 2014. Graphite on cardboard, 10 1/4 x 10 3/8 in (26 x 26.4 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn143.jpg Jockum Nordström. Wine and Bread, 2014. Graphite on paper, 16 3/8 x 20 3/4 in (41.5 x 52.5 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn133.jpg Jockum Nordström. Big sister, 2014. Graphite on paper, 18 7/8 x 15 3/4 in (48 x 40 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn122.jpg Jockum Nordström. When I met myself, 2014. Graphite on paper, 12 5/8 x 9 7/8 in (32 x 25 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn102.jpg Jockum Nordström. Sparetime, 2014. Watercolour, graphite, and collage on paper, 39 3/8 x 68 7/8 in (100 x 175 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn82.jpg Jockum Nordström. Inability, 2014. Watercolour, graphite, and collage on paper, 25 1/4 x 17 6/8 in (64 x 45 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn62.jpg Jockum Nordström. Cronological Note, 2014. Watercolour, graphite, and collage on paper, 64 3/4 x 43 1/2 in (164.5 x 110.5 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn52.jpg Jockum Nordström. Diktonius, 2014. Watercolour, graphite, and collage on paper, 63 3/4 x 31 1/8 in (162 x 79 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/bg_02261.jpg Jockum Nordström. Hour of the wolf, 2014. Watercolour, graphite, and collage on paper, 75 1/8 x 39 1/8 in (191 x 99.5 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn32.jpg Jockum Nordström. Passing song / Hoodoo watchdog, 2014. Watercolour, graphite, and collage on paper, 39 x 113 in (99 x 287 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/n/nordstrum-jochum-2014/jn16.jpg Jockum Nordström. The thieves, 2014. Watercolour, graphite, and collage on paper, 39 3/8 x 98 1/2 in (100 x 250 cm). Courtesy David Zwirner, New York/London https://www.studiointernational.com/index.php/janenne-eaton-interview-road-to-the-hills-review-australia https://www.studiointernational.com/images/articles/e/eaton-janenne-2014/J-Eaton-2014-003.jpg Janenne Eaton. Installation view (2). High Impact Styrene, enamel paint, aluminium, steel, fibreglass, fabric, mixed media, 244 x 620 cm (variable). https://www.studiointernational.com/images/articles/e/eaton-janenne-2014/J-Eaton-2014-008.jpg Janenne Eaton. Installation view (detail). Plexiglass, steel, photographic laminate, 45 (diam) x 41 cm. https://www.studiointernational.com/images/articles/e/eaton-janenne-2014/J-Eaton-2014-012.jpg Janenne Eaton. Installation view (detail). High Impact Styrene, enamel paint, mixed media, 62 x 82 cm each panel. https://www.studiointernational.com/images/articles/e/eaton-janenne-2014/J-Eaton-2014-015.jpg Janenne Eaton. Installation view (detail 2). High Impact Styrene, enamel paint, mixed media, 62 x 82 cm each panel. https://www.studiointernational.com/images/articles/e/eaton-janenne-2014/J-Eaton-2014-017.jpg Janenne Eaton. Installation view (detail 3). High Impact Styrene, enamel paint, mixed media, 62 x 82 cm each panel. https://www.studiointernational.com/images/articles/e/eaton-janenne-2014/J-Eaton-2014-005.jpg Janenne Eaton. Installation view (detail 4). https://www.studiointernational.com/index.php/giovanni-battista-moroni-royal-academy-arts-renaissance-portraiture-tailor https://www.studiointernational.com/images/articles/m/moroni-2014/key-12-new.jpg Giovanni Battista Moroni. A Gentleman in Adoration before the Baptism of Christ, c1555-60. Oil on canvas, 112.8 x 104 cm. Gerolamo and Roberta Etro. Photograph: Gerolamo and Roberta Etro. https://www.studiointernational.com/images/articles/m/moroni-2014/key-18.jpg Giovanni Battista Moroni. Gian Gerolamo Grumelli, c1560. Oil on canvas, 216 x 123 cm. Fondazione Museo di Palazzo Moroni - Lucretia Moroni Collection, Bergamo. Photograph: Marco Mazzoleni. https://www.studiointernational.com/images/articles/m/moroni-2014/key-23.jpg Giovanni Battista Moroni. Young Lady, c1560-65. Oil on canvas, 51 x 42 cm. Private collection. Photograph: Private collection. https://www.studiointernational.com/images/articles/m/moroni-2014/key-32.jpg Giovanni Battista Moroni. The Tailor, c1570. Oil on canvas, 99.5 x 77 cm. The National Gallery, London. Photograph: © The National Gallery, London. https://www.studiointernational.com/images/articles/m/moroni-2014/key-40.jpg Giovanni Battista Moroni. Gian Girolamo Albani, c1570. Oil on canvas, 107 x 75 cm. Private Collection. Photograph: Private collection. https://www.studiointernational.com/images/articles/m/moroni-2014/key-8-new.jpg Giovanni Battista Moroni. Isotta Brembati, c1555. Oil on canvas, 160 x 115 cm. Fondazione Museo di Palazzo Moroni - Lucretia Moroni Collection, Bergamo. Photograph: Marco Mazzoleni. https://www.studiointernational.com/index.php/nacho-carbonell-interview-pump-it-up-design-art-groninger-museum https://www.studiointernational.com/images/articles/c/carbonell-nacho-2014/1-pump-it-up-at-Groninger-Museum.jpg Nacho Carbonell. Pump It Up, 2007 (2014). Foam, rubber, silicone, 80 x 150 x 95 cm. Installation view (2). https://www.studiointernational.com/images/articles/c/carbonell-nacho-2014/2-confrontation.jpg Nacho Carbonell. Confrontation, 2011. Metal structure, metal mesh, paper mache. https://www.studiointernational.com/images/articles/c/carbonell-nacho-2014/2-oposition.jpg Nacho Carbonell. Opposition, 2011. Metal structure, metal mesh, paper mache. https://www.studiointernational.com/images/articles/c/carbonell-nacho-2014/3-bark-shelter.jpg Nacho Carbonell. Bark Shelter, 2014. Metal structure, metal mesh, cork, textile hardener, 247 x 98 x 133 cm. https://www.studiointernational.com/images/articles/c/carbonell-nacho-2014/3-three-chair.jpg Nacho Carbonell. Tree Chair, 2008. Metal structure, metal mesh, sawdust, leaves, textile hardener, 350 x 138 x 220 cm. https://www.studiointernational.com/images/articles/c/carbonell-nacho-2014/4-Archival-Table.jpg Nacho Carbonell. Archival Table, 2014. Metal structure, metal mesh, few spray layers of textile hardener, paper, pigments and yuta, table 246 x 108 x 200 cm; chair 83 x 72 x 60 cm. Photograph: Tathiana Uzlova. https://www.studiointernational.com/images/articles/c/carbonell-nacho-2014/4-Source-Chair.jpg Nacho Carbonell. Source Chair, 2014. Metal structure, metal mesh, few spray layers of textile hardener, paper, pigments and yuta, 239 x 207 x 169 cm. Photograph: Tathiana Uzlova. https://www.studiointernational.com/images/articles/c/carbonell-nacho-2014/4-the-hive.jpg Nacho Carbonell. The Hive, 2014. Metal structure, metal mesh, few spray layers of textile hardener, paper, pigments. Photograph: Tathiana Uzlova. https://www.studiointernational.com/images/articles/c/carbonell-nacho-2014/5-1-of-5.jpg Nacho Carbonell. https://www.studiointernational.com/index.php/stan-douglas-review-photographs-video-art-fruitmarket-gallery https://www.studiointernational.com/images/articles/d/douglas-stan-2014/2012_0147.jpg Stan Douglas. 2012_0147, 2013. Colour inkjet mounted on Dibond aluminium, 167.7 x 125.7 cm each (image size). Courtesy the artist, David Zwirner New York/London, and Victoria Miro, London. https://www.studiointernational.com/images/articles/d/douglas-stan-2014/Der_Sandmann.jpg Stan Douglas. Der Sandmann, 1995. Two channel, 16mm film installation, black and white, sound, 9 mins, 50 secs (loop). Courtesy the artist, David Zwirner New York/London, and Victoria Miro, London. https://www.studiointernational.com/images/articles/d/douglas-stan-2014/video-high-res.jpg Stan Douglas. Vidéo, 2007. High definition video installation, colour, sound (six musical variations), 18 mins, 11 secs (loop). Courtesy the artist, David Zwirner New York/London, and Victoria Miro, London. https://www.studiointernational.com/images/articles/d/douglas-stan-2014/Install-Malabar-People.jpg Stan Douglas. Installation view, The Fruit Market Gallery. All works courtesy the artist, David Zwirner New York/London, and Victoria Miro, London. https://www.studiointernational.com/images/articles/d/douglas-stan-2014/Install-Malabar-People-Midcentury-Studio.jpg Stan Douglas. Installation view (2), The Fruit Market Gallery. All works courtesy the artist, David Zwirner New York/London, and Victoria Miro, London. https://www.studiointernational.com/images/articles/d/douglas-stan-2014/Install-Corrupt-Files.jpg Stan Douglas. Installation view (3), The Fruit Market Gallery. All works courtesy the artist, David Zwirner New York/London, and Victoria Miro, London. https://www.studiointernational.com/index.php/art-basel-miami-beach-2014-review-art-as-entertainment https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/01.jpg Adam Magyar. Stainless, Xidan, 2014 (Beijing). High speed video, 9 min 25 sec, edition 1/3. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/02.jpg Constantin Brancusi. Le Coq, 1924. Polished bronze, 36 5/8 x 4 1/16 x 14 7/8 in (93 x 10.2 x 38 cm), Edition 5 of 8 (from an edition of 8), This edition sand casted, Susse Frères Foundry, 2013. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/04-Hubert-Bush.jpg Hubert Bush, 09, at Central Fine gallery. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/05.jpg Jean-François Rauzier. After Leonardo da Vinci, Lady with an Ermine, 1489, executed in 2013. Photograph transparency mounted in a lightbox, edition of 3, 60 x 60 x 5 cm. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/06.jpg The Urs Fischer installation at Sadie Cole. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/08.jpg Operation OZ Belv-Yam, by Lior Shvel. Performance piece at Rubells. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/10.jpg Iván Navarro. BOMB, 2014, at Paul Kasmin Gallery. Neon, drum, one-way mirror, mirror and electric energy, 32 x 72 in. Edition of 3 + 1 AP. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/11.jpg Detail of Jack Pierson's Naked Pictures, 2014. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/14.jpg Larry Gagosian, Art Basel Miami, 2014. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/15.jpg Installation view of Op Art iPad work. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/17.jpg Louise Nevelson installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/21-Rock-for-sale.jpg Rock for sale. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/22-rocks.jpg Foreground: Richard Long. Leuk Stone Circle, 2000. Background: Wilhem Mundt. Trashstone 412, 2008. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2014/25.jpg Serge Alain Nitegeka, (not yet titled), 2014, paint on wood, 46½ x 47½ in. https://www.studiointernational.com/index.php/kennedy-browne-artist-duo-gareth-sarah-interview https://www.studiointernational.com/images/articles/k/kennedy-browne-2014/002.jpg Kennedy Browne. How Capital Moves - BitterEnema, 2010 (film still). Two channel HD video installation, 26 min. Courtesy the artists. https://www.studiointernational.com/images/articles/k/kennedy-browne-2014/004.jpg Kennedy Browne. The Myth of the Many in the One, 2012 (film still). Single channel video, 19 min. Courtesy the artists. https://www.studiointernational.com/images/articles/k/kennedy-browne-2014/005.jpg Kennedy Browne. The Myth of the Many in the One, 2012 (film still 2). Single channel video, 19 min. Courtesy the artists. https://www.studiointernational.com/images/articles/k/kennedy-browne-2014/006.jpg Kennedy Browne. The Wonder Years - Bill Gates Rockinghorse, 2013. 1950s era child's rocking horse. Courtesy the artists. https://www.studiointernational.com/images/articles/k/kennedy-browne-2014/007.jpg Kennedy Browne. The Wonder Years - Jeff Bezos Crib, 2013. 1960s era infants crib. Courtesy the artists. https://www.studiointernational.com/images/articles/k/kennedy-browne-2014/008.jpg Kennedy Browne. Ireland is good for you*, 2012. Poster design, dimensions variable. Courtesy the artists. https://www.studiointernational.com/images/articles/k/kennedy-browne-2014/009.jpg Kennedy Browne. The Special Relationship - Learjet 36, N54PA, Phoenix Air LLC, photographed at Shannon airport, 2013. Still from video slideshow. Courtesy the of Freightdog. https://www.studiointernational.com/images/articles/k/kennedy-browne-2014/010.jpg Kennedy Browne. Research image from Japanese edition of Free to Choose, Milton Friedman, 2002. https://www.studiointernational.com/images/articles/k/kennedy-browne-2014/003.jpg Kennedy Browne. How Capital Moves - all five characters, 2010. Composite film still. Two channel video installation, 26 min. Courtesy the artists. https://www.studiointernational.com/index.php/brian-bress-art-basel-miami-beach-2014-interview-video-painting-performance https://www.studiointernational.com/images/articles/b/bress-brian-2014/BB_Blue_Flower.jpg Brian Bress. Blue Flower, 2014. High definition single-channel video (colour), high definition monitor and player, wall mount, framed, 37.75 x 22.5 x 4 in (95.89 x 57.15 x 10.16 cm), 21 min 11 sec loop. Courtesy Cherry and Martin, Los Angeles, CA. https://www.studiointernational.com/images/articles/b/bress-brian-2014/BB_Doctor_Patient_2.jpg Brian Bress. Doctor/Patient #2 (on orange and yellow grids), 2014. High definition dual-channel video (colour), high definition monitors and players, wall mounts, framed, 2-part, 37.75 x 48 x 4 in (95.89 x 121.92 x 10.16 cm) installed. 18 min 07 sec loop. Courtesy Cherry and Martin, Los Angeles, CA. https://www.studiointernational.com/images/articles/b/bress-brian-2014/BB_Firemen_2.jpg Brian Bress. Firemen #2 (on blue, green and purple lines), 2014. High definition three-channel video (colour), high definition monitors and players, wall mounts, framed, 3-part, 37.75 x 73.5 x 4 in (95.89 x 186.69 x 10.16 cm) installed. 16 min 22 sec loop. Courtesy Cherry and Martin, Los Angeles, CA https://www.studiointernational.com/images/articles/b/bress-brian-2014/BB_Kelly_Drawing_Britt_2.jpg Brian Bress. Kelly Drawing Britt #2, 2014. High definition single-channel video (colour), high definition monitor and player, wall mount, framed, 37.75 x 22.5 x 4 in (95.89 x 57.15 x 10.16 cm), 44 min 15 sec loop. Courtesy Cherry and Martin, Los Angeles, CA. https://www.studiointernational.com/images/articles/b/bress-brian-2014/BB_Yellow_Blue_Green_Face.jpg Brian Bress. Yellow Green Blue Face, 2014. High definition single-channel video (colour), high definition monitor and player, wall mount, framed, 37.75 x 22.5 x 4 in (95.89 x 57.15 x 10.16 cm), 20 min 01 sec loop. Courtesy Cherry and Martin, Los Angeles, CA. https://www.studiointernational.com/images/articles/b/bress-brian-2014/CAN_YOU_SEE_ME_STILL.jpg Brian Bress. Still from Can You See Me?, 2006. TRT 3 min 2 sec. Courtesy Cherry and Martin, Los Angeles, CA. https://www.studiointernational.com/images/articles/b/bress-brian-2014/rock_cowboy_still_2.jpg Brian Bress. Still from Rock Cowboy, 2006. TRT 5 min 53 sec. Courtesy Cherry and Martin, Los Angeles, CA. https://www.studiointernational.com/index.php/reiner-ruthenbeck-review-overturned-furniture-is-it-art-serpentine-gallery https://www.studiointernational.com/images/articles/r/ruthenbeck-reiner-2014/_BF22375-2.jpg Reiner Ruthenbeck. Ash Heap IV (Over Tangled Wire Rope). Ash, tangled wire, 200 cm diameter, Lehmbruck Museum, Duisburg. Image © READS 2014. https://www.studiointernational.com/images/articles/r/ruthenbeck-reiner-2014/_BF22442.jpg Reiner Ruthenbeck. Ash Heap V (with Metal Sheets). Ash, galvanised metal sheets, 200 cm diameter. Vehbi Koç Foundation Contemporary Art Collection, Istanbul. Image © READS 2014. https://www.studiointernational.com/images/articles/r/ruthenbeck-reiner-2014/DSC_2420.jpg Reiner Ruthenbeck. Overturned Chair. Black and white photograph, 31.6 x 40 cm. Stiftung Kunstfonds/Courtesy Maison de la Culture d'Amiens and Hubert Besacier. Image © READS 2014. https://www.studiointernational.com/images/articles/r/ruthenbeck-reiner-2014/DSC_2452-(2).jpg Reiner Ruthenbeck. White Paper Heap. 600 sheets of paper, 300 cm diameter. Courtesy Stiftung Kunstfonds for Reiner Ruthenbeck. Image © READS 2014. https://www.studiointernational.com/images/articles/r/ruthenbeck-reiner-2014/DSC_2498.jpg Reiner Ruthenbeck. Overturned Furniture. Two tables, four chairs, chair with armrest, chaise longue. MMK Museum für Moderne Kunst Frankfurt am Main. Image © READS 2014. https://www.studiointernational.com/images/articles/r/ruthenbeck-reiner-2014/DSC_2599.jpg Reiner Ruthenbeck. Red Oblique Diamond Ribbon. Red ribbon, pins, 35 x 410 x 4 cm. Stiftung Kunstfonds. Image © READS 2014. https://www.studiointernational.com/images/articles/r/ruthenbeck-reiner-2014/DSC_2611.jpg Reiner Ruthenbeck. Double Ladder. Painted wood, 253.5 x 39 x 39 cm. MMK Museum für Moderne Kunst Frankfurt am Main. Image © READS 2014. https://www.studiointernational.com/images/articles/r/ruthenbeck-reiner-2014/DSC_2680.jpg Reiner Ruthenbeck. Installation view, Serpentine Gallery (25 November 2014 – 15 Februrary 2015). Image © READS 2014 https://www.studiointernational.com/images/articles/r/ruthenbeck-reiner-2014/_BF22463.jpg Reiner Ruthenbeck. Lighting Attempt. Black paint on wall, five spotlights, dimensions variable. Collection of the artist. Image © READS 2014. https://www.studiointernational.com/index.php/refraction-image-of-sense-peter-amdam-bill-viola https://www.studiointernational.com/images/articles/r/refraction-2014/Bill-Viola-Information-1973.jpg Bill Viola. Information, 1973. Videotape, colour, mono sound; 29:35 min. Image courtesy of the artist and Blain|Southern. Photograph: Kira Perov. © the artist. https://www.studiointernational.com/images/articles/r/refraction-2014/Elias-Hansen,-Love-really-had-a-way-of-letting-us-lose-ourselves.jpg Elias Hansen. Love really had a way of letting us lose ourselves, 2014. Found objects, glass, light bulbs, naked lady cards, photograph, steel, wire, and wood, approx 270 x 410 x 40 cm (106¼ x 161⅜ x 15¾ in). Image courtesy of the artist and Blain|Southern. Photograph: Peter Mallet. © the artist. https://www.studiointernational.com/images/articles/r/refraction-2014/Ida-Ekblad,-Being-Sinks-Into-Mere-Stuff,-2014-.jpg Ida Ekblad. Being Sinks Into Mere Stuff, 2014. Molotow spray-paint, airbrushed ink and acrylic, puffy ink, Plastisol, and acrylic on gesso primed linen, 300 x 200 cm (118⅛ x 78¾ in). Image courtesy the artist and Herald Street, London. Photograph: Todd White. © the artist. https://www.studiointernational.com/images/articles/r/refraction-2014/Magali-Reus-Lukes-Dinosaurs-2014.jpg Magali Reus. Lukes (Dinosaurs), 2014. Folded and riveted powder-coated steel, iron-phosphated powder coated, folded and riveted clear zinc coated steel, plastazote foam, charred wood, aluminium, polyester resin, pigment, each unit: 190 x 64 x 58 cm (74¾ x 25¼ x 22⅞ in). Image courtesy of Kestnergesellschaft, Hannover and The Approach, London. Photograph: Raimund Zakowski. © the artist. https://www.studiointernational.com/images/articles/r/refraction-2014/Peter-J.jpg Peter J Amdam, 2014. Photograph: Matias Faldbakken. https://www.studiointernational.com/images/articles/r/refraction-2014/Installation-Image-1-.jpg Installation view (1). Image courtesy of the artist and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/r/refraction-2014/Installation-Image-2-.jpg Installation view (2). Image courtesy of the artist and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/r/refraction-2014/Installation-Image-3-.jpg Installation view (3). Image courtesy of the artist and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/r/refraction-2014/Installation-Image-4.jpg Installation view (4). Image courtesy of the artist and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/index.php/jim-campbell-indirect-imaging-review-led-technology-light-installations https://www.studiointernational.com/images/articles/c/campbell-jim-2014/JC__005.jpg Jim Campbell. Tilted Plane, 2011 and Exploded View (Commuters), 2011. Installation view at Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/c/campbell-jim-2014/JC__011.jpg Jim Campbell. Home Movies 1040-3, 2011. Installation view at Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/c/campbell-jim-2014/JC__012.jpg Jim Campbell. A Fire, A Freeway and A Walk, 1999-2000. Installation view at Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/c/campbell-jim-2014/JC__016.jpg Jim Campbell. Exploded View (Commuters), 2011. Installation view at Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/c/campbell-jim-2014/JC__020.jpg Jim Campbell. Tilted Plane, 2011. Installation view (2) at Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/index.php/art-basel-miami-beach-nova-2014-review-laure-provost-turner-prize https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/RitaPoncedeLeonNov2014c.jpg Rita Ponce de León. Sea-mind scenes, 2014. Ink on paper, 40 x 40 cm. Courtesy of the artist and 80M2 Livia Benavides Gallery. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/DSC08570.jpg Tania Candiani. Telar/Máquina, 2012 (2). Punched cards, wooden mechanism, optical tone generator, speakers, drawings, single channel video and embroidered strips. 2.40 x 2.00 x 1.10 m. Courtesy of the artist and Instituto de Visión. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/WG141027-side.jpg Wang Guangle. 141027, 2014. Acrylic on canvas. 114 x 116 cm. Courtesy of the artist and Beijing Commune https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/HX_woodturn-side.jpg Hu Xiaoyuan. Wood/ Turn/ No.1 (side view), 2014. Wood, Chinese ink, raw silk, white paint, 225 x 2 cm. Courtesy of the artist and Beijing Commune https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/Sean_Raspet-at-fritz.jpg Sean Raspet. Nc1c(C(OC)=O)cccc1, 2014. Eight IBC containers filled with methyl anthranilate (methyl 2-aminobenzoate), dimensions variable, 8,000 litres (approx. 9.344 metric tons). Courtesy of the artist and Société, Berlin. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/LP_How To Make Money Religiously_02.jpg Laure Prouvost. How To Make Money Religiously, 2014. HD video, 8:44 min. Courtesy of the artist and MOT International London & Brussels. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/Tania-Candiani-3.jpg Tania Candiani. Telar/Máquina, 2012 (1). Punched cards, wooden mechanism, optical tone generator, speakers, drawings, single channel video and embroidered strips, 2.40 x 2.00 x 1.10 m. Courtesy of the artist and Instituto de Visión. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/DSC08390.jpg Tania Candiani. Telar/Máquina, 2012 (3). Punched cards, wooden mechanism, optical tone generator, speakers, drawings, single channel video and embroidered strips. 2.40 x 2.00 x 1.10 m. Courtesy of the artist and Instituto de Visión. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/DSC05368_fotoTelares.jpg Tania Candiani. Telar/Máquina, 2012 (4). Punched cards, wooden mechanism, optical tone generator, speakers, drawings, single channel video and embroidered strips. 2.40 x 2.00 x 1.10 m. Courtesy of the artist and Instituto de Visión. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/RitaPoncedeLeonNov2014b.jpg Rita Ponce de León. Sea-mind scenes, 2014. Ink on paper, 40 x 40 cm. Courtesy of the artist and 80M2 Livia Benavides Gallery. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/RitaPoncedeLeonNov2014d.jpg Rita Ponce de León. Sea-mind scenes, 2014. Ink on paper, 40 x 40 cm. Courtesy of the artist and 80M2 Livia Benavides Gallery. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/LP_How To Make Money Religiously_01.jpg Laure Prouvost. How To Make Money Religiously, 2014. HD video, 8:44 min. Courtesy of the artist and MOT International London & Brussels. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/LP_How To Make Money Religiously_05.jpg Laure Prouvost. How To Make Money Religiously, 2014. HD video, 8:44 min. Courtesy of the artist and MOT International London & Brussels. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/LP_How To Make Money Religiously_06.jpg Laure Prouvost. How To Make Money Religiously, 2014. HD video, 8:44 min. Courtesy of the artist and MOT International London & Brussels. https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/WG141026-front.jpg Wang Guangle. 141026, 2014. Acrylic on canvas. 114 x 116 cm. Courtesy of the artist and Beijing Commune https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/HX_WoodThe Vortex beneath the Vortex No.6.jpg Hu Xiaoyuan. Wood/The Vortex beneath the Vortex No.6, 2014. Wood, Chinese ink, raw silk, white paint, 396 x 38 x 8 cm. Courtesy of the artist and Beijing Commune https://www.studiointernational.com/images/articles/a/art-basel-miami-nova-2014/HX_Wood-Thing No.2.jpg Hu Xiaoyuan. Wood Thing No. 2, 2012. Wood, Chinese ink, raw silk, white paint, 104 x 48 x 20 cm. Courtesy of the artist and Beijing Commune https://www.studiointernational.com/index.php/transfigurations-modern-masters-wexner-collection-pablo-picasso-jean-dubuffet-alberto-giacometti-edgar-degas https://www.studiointernational.com/images/articles/t/transfigurations-2014/Degas_Little Dancer_4740._96A2609.jpg Edgar Degas. Petite danseuse de quatorze ans (Little dancer aged fourteen), cast 1922 from a mixed-media sculpture c1879-81. Bronze with brown patina, muslin skirt, satin hair ribbon, and wooden base. 38 1/2 x 16 1/2 x 19 3/4 in (97.8 x 41.9 x 50.2 cm). Wexner Family Collection. https://www.studiointernational.com/images/articles/t/transfigurations-2014/Giacometti_Femme de Venise IV_740._96A0445.jpg Alberto Giacometti. Femme de Venise IV (Woman of Venice IV), 1956. Bronze with dark brown and green patina and hand painted by the artist. 45 1/2 x 6 1/8 x 13 1/2 in (115.6 x 15.6 x 34.3 cm). Edition 2 of 6. Wexner Family Collection; Art © 2014 Alberto Giacometti Estate/Licensed by VAGA and ARS, New York, NY. https://www.studiointernational.com/images/articles/t/transfigurations-2014/Giacometti_Le chien_4740._96A2546.jpg Alberto Giacometti. Le chien (Dog), 1951 (cast 1959). Bronze, 17 1/2 x 40 x 6 1/4 in (44.5 x 101.6 x 15.9 cm). Edition 8 of 8. Wexner Family Collection; Art © 2014 Alberto Giacometti Estate/Licensed by VAGA and ARS, New York, NY. https://www.studiointernational.com/images/articles/t/transfigurations-2014/Picasso_PortraitFemmeDoraMaar1942.jpg Pablo Picasso. Portrait de femme (Dora Maar), 1942. Oil on panel, 39 1/8 x 31 3/4 in (99.3 x 80.6 cm). Wexner Family Collection © 2014 Estate of Pablo Picasso / Artists Rights Society. (ARS), New York. https://www.studiointernational.com/images/articles/t/transfigurations-2014/Picasso_DSC3623.jpg Transfigurations (installation view). Picasso's painting Nu au fauteuil noir and sculptures Le bras, Le centaure and Le Fou. Courtesy of the Wexner Center. https://www.studiointernational.com/images/articles/t/transfigurations-2014/Dubuffet_Aubergine-et-lie-de-vin_4740._96A2317.jpg Jean Dubuffet. Aubergine et lie de vin (Eggplant and wine dregs), 1950. Oil on canvas, 51 1/4 x 38 1/4 in (130.2 x 97.2 cm). Wexner Family Collection © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/t/transfigurations-2014/Dubuffet_La-maree-LHourloupe.jpg Jean Dubuffet. La mare L'Hourloupe (The Hourloupe tide), 1963. Oil on canvas, 86 1/2 x 118 in (219.7 x 299.7 cm). Wexner Family Collection © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/t/transfigurations-2014/de-kooning-pink-lady.jpg Willem de Kooning. Pink Lady, c1944. Oil and charcoal on panel, 48 1/4 x 35 1/4 in (122.6 x 89.5 cm). Wexner Family Collection © 2014 The Willem de Kooning Foundation / Artists. Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/t/transfigurations-2014/Picasso-nu-au-fauteuil-noir.jpg Pablo Picasso. Nu au fauteuil noir (Nude in a black armchair), 1932. Oil on canvas, 63 1/2 x 51 in (161.3 x 129.5 cm). Wexner Family Collection © 2014 Estate of Pablo Picasso / Artists Rights Society. https://www.studiointernational.com/images/articles/t/transfigurations-2014/Dubuffet_Dhotel_4740._96A2301.jpg Jean Dubuffet. D'hotel, 1947. Oil and sand on canvas, 46 1/2 x 35 1/8 in (118.1 x 89.2 cm). Wexner Family Collection © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/index.php/caragh-thuring-review-paintings-dutch-houses-churches-city-london https://www.studiointernational.com/images/articles/t/thuring-caragh-2014/Caragh-Thuring-at-Chisenhale-Gallery_01.jpg Caragh Thuring, exhibition view (1), Chisenhale Gallery, 2014. All works 2014. Commissioned by Chisenhale Gallery. Courtesy the artist and Thomas Dane Gallery. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/t/thuring-caragh-2014/Caragh-Thuring-at-Chisenhale-Gallery_02-b.jpg Caragh Thuring, exhibition view (2), Chisenhale Gallery, 2014. All works 2014. Commissioned by Chisenhale Gallery. Courtesy the artist and Thomas Dane Gallery. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/t/thuring-caragh-2014/Caragh-Thuring-at-Chisenhale-Gallery_11.jpg Caragh Thuring, exhibition view (3), Chisenhale Gallery, 2014. All works 2014. Commissioned by Chisenhale Gallery. Courtesy the artist and Thomas Dane Gallery. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/t/thuring-caragh-2014/Caragh-Thuring-at-Chisenhale-Gallery_11-b.jpg Caragh Thuring, exhibition view (4), Chisenhale Gallery, 2014. All works 2014. Commissioned by Chisenhale Gallery. Courtesy the artist and Thomas Dane Gallery. Photograph: Andy Keate. https://www.studiointernational.com/index.php/maggi-hambling-walls-of-water-review-interview-national-gallery-scallop https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-X8800.jpg Maggi Hambling. Wall of water XIII, war, 2012. Oil on canvas, 78 x 89 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-X8800_DETAIL.jpg Maggi Hambling. Wall of water XIII, war, 2012 (detail). Oil on canvas, 78 x 89 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-X8801.jpg Maggi Hambling. Wall of water XI, 2012. Oil on canvas, 78 x 89 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-X8802.jpg Maggi Hambling. Wall of water XII, 2012. Oil on canvas, 78 x 89 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-X8803.jpg Maggi Hambling. Wall of Water, Amy Winehouse, 2011. Oil on canvas, 36 x 48 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-X8804.jpg Maggi Hambling. Wall of water I, 2010. Oil on canvas, 78 x 89 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-X8806.jpg Maggi Hambling. Wall of water V, 2011. Oil on canvas, 78 x 89 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-X8807.jpg Maggi Hambling. Wall of water VI, 2011. Oil on canvas, 78 x 89 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-X8808.jpg Maggi Hambling. Wall of water II, 2011. Oil on canvas, 78 x 89 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-Aftermath-Victim-II.jpg Maggi Hambling. Aftermath (Victim II). Bronze primed and hand coloured, 18 x 25 x 24 cm. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-Victim-30-2014.jpg Maggi Hambling. Victim 30, 2014. Oil on canvas, 12 x 10 in. © Maggi Hambling. Photograph: Douglas Atfield. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-Monotype-I-2011.jpg Maggi Hambling. Monotype I, 2011, 75.3 x 106.5 cm. © Maggi Hambling, courtesy of Marlborough Fine Art. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-Monotype-VIII-2014.jpg Maggi Hambling. Monotype VIII, 2014, 56.8 x 69.4 cm. © Maggi Hambling, courtesy of Marlborough Fine Art. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-Monotype-X-2014.jpg Maggi Hambling, Monotype X, 2014, 56.8 x 69.4 cm. © Maggi Hambling, courtesy of Marlborough Fine Art. https://www.studiointernational.com/images/articles/h/hambling-maggie-2014/Maggi-Hambling-Monotype-XX-2014.jpg Maggi Hambling, Monotype XX, 2014, 64.7 x 75.3 cm. © Maggi Hambling, courtesy of Marlborough Fine Art. https://www.studiointernational.com/index.php/dan-coombs-interview-jerwood-encounters-suspicion https://www.studiointernational.com/images/articles/c/coombs-daniel-2014/DSC_0412.jpg Daniel Coombs. La Plage, 2014. Oil on canvas, 120 x 90 cm. © the artist. https://www.studiointernational.com/images/articles/c/coombs-daniel-2014/DSC_0421.jpg Daniel Coombs. The Beach, 2013. Oil on canvas, 100 x 75 cm. © the artist. https://www.studiointernational.com/images/articles/c/coombs-daniel-2014/DSC_0483.jpg Daniel Coombs. Nude, 2014. Oil on canvas, 60 x 45 cm. © the artist. https://www.studiointernational.com/images/articles/c/coombs-daniel-2014/DSC_0408.jpg Daniel Coombs. Le Jardin, 2014. Oil on canvas, 120 x 90 cm. © the artist. https://www.studiointernational.com/images/articles/c/coombs-daniel-2014/DSC_0413.jpg Daniel Coombs. Le Picnic, 2014. Oil on canvas, 120 x 90 cm. © the artist. https://www.studiointernational.com/images/articles/c/coombs-daniel-2014/DSC_0461.jpg Daniel Coombs. Nude, 2014. Oil on canvas, 60 x 45 cm. © the artist. https://www.studiointernational.com/images/articles/c/coombs-daniel-2014/_IJB4867.jpg Daniel Coombs. The Bathers, 2012. Oil on canvas, 60 x 45 cm. © the artist. https://www.studiointernational.com/images/articles/c/coombs-daniel-2014/_IJB4885-1.jpg Daniel Coombs. Nude, 2012. Oil on canvas, 60 x 45 cm. © the artist. https://www.studiointernational.com/index.php/sam-belinfante-interview-curator-listening-hayward-touring-exhibition https://www.studiointernational.com/images/articles/b/belinfante-sam-2014/06-haenyeo-singing.jpg Mikhail Karikis. SeaWomen, 2012. Courtesy the artist. https://www.studiointernational.com/images/articles/b/belinfante-sam-2014/Song-view-2.jpg Ragnar Kjartansson. Song, 2011. HD Video, duration 6 hours. © Ragnar Kjartansson; Courtesy of the artist and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/b/belinfante-sam-2014/Christian-Marclay-Sound-Holes-2007-(high-res).jpg Christian Marclay. Sound Holes, 2007 (detail). Suite of 21 photogravures in clam shell box. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/belinfante-sam-2014/Christian-Marclay-Sound-Holes-2007-(high-res)-22.jpg Christian Marclay. Sound Holes, 2007. Suite of 21 photogravures in clam shell box. Courtesy White Cube. Photograph: ©Todd-White Art Photography. https://www.studiointernational.com/images/articles/b/belinfante-sam-2014/acr-22.jpg Anri Sala. Air Cushioned Ride, 2006. Video, stereo sound, 6 min 04 sec. Courtesy Hauser & Wirth Zürich London; Marian Goodman, New York; Johnen/Schöttle, Berlin, Cologne, Munich; Galerie Chantal Crousel, Paris. https://www.studiointernational.com/images/articles/b/belinfante-sam-2014/_MG_1183.jpg Imogen Stidworthy. Sacha, 2011-12. 2 x video projections on specially constructed floor-based screens, one containing loudspeakers. Courtesy the artist, Matt's Gallery, London and AKINCI, Amsterdam. https://www.studiointernational.com/index.php/world-to-win-posters-protest-revolution-review-mcmanus-dundee-v-a https://www.studiointernational.com/images/articles/w/world-to-win-2015/E1111-2004-Mihaly-Biro.jpg Wählt Sozialdemokratisch (Vote Social Democratic). Mihály Biró, Vienna, About 1919–20, Vienna. Lithograph. ©Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/w/world-to-win-2015/E644-1972-Suffragette_edit.jpg Polling Station. Unknown Artist, 1909-1913, London. © Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/concentric-circles-wojciech-fangor-peter-sedgely-op-art https://www.studiointernational.com/images/articles/c/concentric-circles-1966/Concentric-Circles-1.jpg Image top left: Wojciech Fangor, E17, 1965. Oil on canvas, 50 x 100 in. Grabowski Gallery. Image top right: Peter Sedgley, Tilt, 1965. Emulsion on canvas, hexagon, each side 30.5 in. McRoberts & Tunnard Gallery. Image © Studio International, Vol 171 No 878, June 1966. https://www.studiointernational.com/index.php/samara-scott-harvest-review-consumption-waste-edible-chemical https://www.studiointernational.com/images/articles/s/scott-samara-2015/0-Harvest-installation-view.jpg Samara Scott. Harvest installation view, The Sunday Painter. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/1-Harvest-installation-view.jpg Samara Scott. Harvest installation view (2), The Sunday Painter. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/2-Harvest-installation-view.jpg Samara Scott. Harvest installation view (3), The Sunday Painter. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/7-Samara-Scott-Plebs,-2014.jpg Samara Scott. Plebs, 2014. Insulation foam, water, watercolour, spaghetti, noodles, nail varnish, beads, beans, nuts. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/8-Samara-Scott-Plebs,-2014-detail.jpg Samara Scott. Plebs, 2014 (detail). Insulation foam, water, watercolour, spaghetti, noodles, nail varnish, beads, beans, nuts. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/13-Samara-Scott-Cabbage-and-clogs-2014.jpg Samara Scott. Cabbage and clogs, 2014. Baking tray, tights, Sprite, cocktail glass, nail polish, food colouring, decorative sand. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/18-Samara-Scott,-Autumn-flats,-2014.jpg Samara Scott. Autumn flats, 2014. Insulation foam, water, food colouring. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/28-Samara-Scott-Sorrow-cottages-2014-.jpg Samara Scott. Sorrow cottages, 2014 (detail). Insulation foam, water, spaghetti, incense sticks, electrical wiring, nail varnish, nuts, snow spray. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/29-Samara-Scott-Sorrow-cottages,-2014-2.jpg Samara Scott. Sorrow cottages, 2014. Insulation foam, water, spaghetti, incense sticks, electrical wiring, nail varnish, nuts, snow spray. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/38-Samara-Scott-Landscape,-2014.jpg Samara Scott. Landscape, 2014. Toothpaste, magazines. Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/images/articles/s/scott-samara-2015/35-Samara-Scott-Landscape,-2014-detail.jpg Samara Scott. Landscape, 2014. Toothpaste, magazines (detail). Courtesy of The Sunday Painter and the artist. https://www.studiointernational.com/index.php/refiguring-the-50s-ben-uri-joan-eardley-sheila-fell-josef-herman-ls-lowry https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/Joan-Eardley-Boys-Head.jpg Joan Eardley. Boy’s Head. Oil on board. Government Art Collection. © Estate of the Artist. Image: Crown Copyright, UK Government Art Collection. © Estate of Joan Eardley. All Rights Reserved, DACS 2014. https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/Joan-Eardley-Brother-and-Sister.jpg Joan Eardley. Brother and Sister, 1955. Oil on canvas. © Aberdeen Art Gallery & Museums Collections. © Estate of Joan Eardley. All Rights Reserved, DACS 2014. https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/Sheila-Fell-Woman-in-Snow.jpg Sheila Fell. Woman in the Snow, 1955. Oil on canvas. Arts Council Collection, Southbank Centre, London © Estate of the Artist. https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/Sheila-Fell-Dorothy-Hodgkin.jpg Sheila Fell. Dorothy Hodgkin (1910-94), Fellow and Member of Council (1936), Professorial Fellow, Nobel Prize, OM, 1962. Oil on canvas, On loan from Somerville College, Oxford with permission of the Principal and Fellows. © Estate of the Artist. https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/Josef-Herman-In-the-Canteen.jpg Josef Herman. In the Canteen, 1954. Oil on canvas. © Aberdeen Art Gallery & Museums Collections. © Estate of Josef Herman. All rights reserved. https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/Josef-Herman-Miners-Southampton.jpg Josef Herman. Miners. Oil on board. Southampton City Art Gallery. © Estate of Josef Herman. All rights reserved. https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/L-S-Lowry-City-Gentlemen.jpg LS Lowry. City Gentlemen, 1963. Oil on board. Mason Owen Collection. © editionsltd. © Martin Bloom https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/LS-Lowry-Figures-in-a-Street.jpg LS Lowry. Figures in a Street, 1960. Oil on board. Royal Academy of Arts, London. Photograph: ©Royal Academy of Arts, London. © The Estate of LS Lowry. All rights reserved, DACS 2014. https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/WestIndianWaitresses_026-055-.jpg Eva Frankfurther. West Indian Waitresses, c1955. Oil on paper. Private collection. © The Estate of Eva Frankfurther. Photograph © Miki Slingsby. https://www.studiointernational.com/images/articles/r/refiguring-the-50s-2015/Woman-with-Two-Children_062-028-.jpg Eva Frankfurther. Woman with Two Children. Oil on paper. Private collection. © The Estate of Eva Frankfurther. Photograph © Miki Slingsby. https://www.studiointernational.com/index.php/nina-lola-bachhuber-bankett-berlin-creative-process-like-virus https://www.studiointernational.com/images/articles/b/bachhuber-nina-2015/bankett_installation-7.jpg Nina Lola Bachhuber. Bankett, 2013. Fabric, hair, wood, paint, mirrors, tights, feathers, fur, coil springs, 355 x 50 x 172cm. https://www.studiointernational.com/images/articles/b/bachhuber-nina-2015/Untitled-cabeza.jpg Nina Lola Bachhuber. Untitled, 2008. Coil springs, tights, hair, fox tail, mirrors, necklaces, 71 x 76.2 x 88 cm. https://www.studiointernational.com/images/articles/b/bachhuber-nina-2015/2-Wall.jpg Nina Lola Bachhuber. Installation view. https://www.studiointernational.com/images/articles/b/bachhuber-nina-2015/BACH33-2014.jpg Nina Lola Bachhuber. Untitled, 2014. Ink on paper, 24 x 32 cm. https://www.studiointernational.com/images/articles/b/bachhuber-nina-2015/BACH47_2014.jpg Nina Lola Bachhuber. Untitled, 2014. Ink on paper, 24 x 32 cm. https://www.studiointernational.com/images/articles/b/bachhuber-nina-2015/BACH55-2014.jpg Nina Lola Bachhuber. Untitled, 2014. Ink on paper, 24 x 32 cm. https://www.studiointernational.com/images/articles/b/bachhuber-nina-2015/OS-29.jpg Nina Lola Bachhuber. Untitled, 2014. Ink on paper, 24 x 32 cm. https://www.studiointernational.com/images/articles/b/bachhuber-nina-2015/OS-93.jpg Nina Lola Bachhuber. Untitled, 2014. Ink on paper, 24 x 32 cm. https://www.studiointernational.com/images/articles/b/bachhuber-nina-2015/bankett_installation-5.jpg Nina Lola Bachhuber. Bankett, 2013 (installation view). https://www.studiointernational.com/index.php/jessica-stockholder-art-basel-miami-angled-tangle-installation-painting-situation https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/Angled-Tangle-1.jpg Jessica Stockholder. Installation view: Angled Tangle. Art Basel Miami Beach, 2014. Steel, aluminium, auto paint, light fixtures, plastic bollards, gravel. Site-specific installation. Photograph: Joseph Rynkiewicz. Courtesy of the artist, Kavi Gupta Gallery, and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/Angled-Tangle-2.jpg Jessica Stockholder. Installation view (2): Angled Tangle. Art Basel Miami Beach, 2014. Steel, aluminium, auto paint, light fixtures, plastic bollards, gravel. Site-specific installation. Photograph: Joseph Rynkiewicz. Courtesy of the artist, Kavi Gupta Gallery, and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/Angled-Tangle-Night-03.jpg Jessica Stockholder. Installation view (3): Angled Tangle. Art Basel Miami Beach, 2014. Steel, aluminium, auto paint, light fixtures, plastic bollards, gravel. Site-specific installation. Photograph: Joseph Rynkiewicz. Courtesy of the artist, Kavi Gupta Gallery, and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/IMG_3062.jpg Jessica Stockholder. Installation view: Lay of the Land [JS 609]. Contemporary Art and Design, Pianello, Italy 2014. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/IMG_3007.jpg Jessica Stockholder. Installation view (2): Lay of the Land [JS 609]. Contemporary Art and Design, Pianello, Italy 2014. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/IMG_3060.jpg Jessica Stockholder. Installation view (3): Lay of the Land [JS 609]. Contemporary Art and Design, Pianello, Italy 2014. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/Stockholder-Italy.jpg Jessica Stockholder. Installation view: Erstwhile & Notwithstanding. First edition of C.Ar.D: Contemporary Art and Design. 2014. Pianello, Italy. Photograph: Barney Kulok. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/IMG_2833.jpg Jessica Stockholder. From the Strip Drawing Series, 2012-14. Ink, pencil, coloured pencil on paper. 34 inches wide. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/IMG_2842.jpg Jessica Stockholder. From the Strip Drawing Series, 2012-14. Ink, pencil, coloured pencil on paper. 34 inches wide. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/IMG_2847.jpg Jessica Stockholder. From the Strip Drawing Series, 2012-14. Ink, pencil, coloured pencil on paper. 34 inches wide. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/IMG_2855.jpg Jessica Stockholder. From the Strip Drawing Series, 2012-14. Ink, pencil, coloured pencil on paper. 34 inches wide. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/IMG_2873.jpg Jessica Stockholder. From the Strip Drawing Series, 2012-14. Ink, pencil, coloured pencil on paper. 34 inches wide. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/TheJewelThief_Installation-view_02.jpg Jessica Stockholder. Installation view: The Jewel Thief. Tang Museum, Saratoga Springs, NY 2010. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/TheJewelThief_Installation-view_05.jpg Jessica Stockholder. Installation view (2): The Jewel Thief. Tang Museum, Saratoga Springs, NY 2010. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/TheJewelThief_Installation-view_10.jpg Jessica Stockholder. Installation view (3): The Jewel Thief. Tang Museum, Saratoga Springs, NY 2010. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/TheJewelThief_Installation-view_14.jpg Jessica Stockholder. Installation view (4): The Jewel Thief. Tang Museum, Saratoga Springs, NY 2010. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/s/stockholder-jessica-2015/TheJewelThief_Installation-view_18.jpg Jessica Stockholder. Installation view (5): The Jewel Thief. Tang Museum, Saratoga Springs, NY 2010. Courtesy of the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/index.php/william-s-burroughs-can-you-all-hear-me-centenary https://www.studiointernational.com/images/articles/b/burroughs-william-2015/Genesis-Breyer-P-Orridge-Burns-Forever-Thee-Light-1986.jpg Genesis Breyer P-Orridge. Burns Forever Thee Light, 1986. Mixed media painting, 51 x 64 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/b/burroughs-william-2015/Genesis-Breyer-P-Orridge-Yearning-Flesh-1993.jpg Genesis Breyer P-Orridge. Yearning Flesh, 1993. Mixed media, 56 x 51 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/b/burroughs-william-2015/Liliane-Lijn-Way-Out-Is-Way-In-2009-2.jpg Liliane Lijn. Way Out Is Way In, 2009. Painted steel solvent drums, 3 phase motor, inverter and programmed speed and direction control chip, halogen lighting, 300 x 60 cm. Photograph © the artist. https://www.studiointernational.com/images/articles/b/burroughs-william-2015/Liliane-Lijn-Way-Out-Is-Way-In-2009.jpg Liliane Lijn. Way Out Is Way In, 2009 (view 2). Painted steel solvent drums, 3 phase motor, inverter and programmed speed and direction control chip, halogen lighting, 300 x 60 cm. Photograph © the artist. https://www.studiointernational.com/images/articles/b/burroughs-william-2015/Shezad-Dawood-Caribemba-2012.jpg Shezad Dawood. Caribemba, 2012. Acrylic on vintage textile, 175 x 126 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/b/burroughs-william-2015/Shezad-Dawood-Come-Sweet-Death-2012.jpg Shezad Dawood. Come, Sweet Death, with Madness Marked and end the Sceneless Revelry, 2012. Acrylic on vintage textile, 145 x 175 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/b/burroughs-william-2015/William-S-Burroughs-Angel-of-Death-spreads-his-wings-1993.jpg William S Burroughs. Angel of Death spreads his wings, 1993. Acrylic and spraypaint on canvas, 63 x 76 cm. Photograph: Jonathan Greet. © Estate of William S Burroughs. https://www.studiointernational.com/images/articles/b/burroughs-william-2015/William-S-Burroughs-Blue-Eyed-Lemur-1992.jpg William S Burroughs. Blue Eyed Lemur, 1992. Ink, crayon, photograph and cutout, 58 x 44 cm. Photograph: Jonathan Greet. © Estate of William S Burroughs. https://www.studiointernational.com/images/articles/b/burroughs-william-2015/William-S-Burroughs-Buddha-from-exploded-can-1989.jpg William S Burroughs. Buddha from exploded can, 1989. Tin can, paint, shotgun and five-dollar bill, 24 x 18 cm. Photograph: Jonathan Greet. © Estate of William Burroughs. https://www.studiointernational.com/images/articles/b/burroughs-william-2015/William-S-Burroughs-Unworkable-Machine-1993.jpg William S Burroughs. Unworkable Machine, 1993. Acrylic and spraypaint on canvas, 183 x 122 cm. © Estate of William S Burroughs. Photograph: Jonathan Greet. Courtesy October Gallery, London. https://www.studiointernational.com/index.php/valerie-hird-interview-stereotypes-west-middle-east-women https://www.studiointernational.com/images/articles/h/hird-valerie-2015/Hird-Nomadic-Landscape-II.jpg Valerie Hird. Nomadic Landscape II, 1993. Oil on gessoed paper, 26 1/8 x 19 1/8 in (66.2 x 48.3 cm). Courtesy of the artist and Nohra Haime Gallery. https://www.studiointernational.com/images/articles/h/hird-valerie-2015/Hird-Steppe-Kilim-II.jpg Valerie Hird. Steppe Kilim II, 1994. Oil on paper, 36 3/4 x 49 in (94.3 x 124.5 cm). Courtesy of the artist and Nohra Haime Gallery. https://www.studiointernational.com/images/articles/h/hird-valerie-2015/Iran-Diary.jpg Valerie Hird. Iran Diary, July and October entries (Maiden Voyages Project), 2009. Graphite, watercolour, asphaltum, ink, and coloured pencil on arches paper, 18.5 x 31.5 cm and 18.5 x 42 cm. https://www.studiointernational.com/images/articles/h/hird-valerie-2015/Hird-Illuminated-Cycles-of-Christianity.jpg Valerie Hird. Illuminated Cycles of Christianity, 2005. Gouache, watercolour, asphaltum, gilding, and gesso on BFK paper, 11 1/2 x 8 1/2 in (29.2 x 21.6 cm). Courtesy of the artist and Nohra Haime Gallery. https://www.studiointernational.com/images/articles/h/hird-valerie-2015/Hird-ORIGINATION-I.jpg Valerie Hird. Origination I, 2014. Oil on canvas, 96 x 120 in (243.8 x 304.8 cm). Courtesy of the artist and Nohra Haime Gallery. https://www.studiointernational.com/images/articles/h/hird-valerie-2015/Hird-Akvo-Water.jpg Valerie Hird. Akvo: Water, 2013. Oil on linen, 36 x 48 in (91.4 x 122 cm). Courtesy of the artist and Nohra Haime Gallery. https://www.studiointernational.com/images/articles/h/hird-valerie-2015/Central-Asia-Landscape-II.jpg Valerie Hird. Central Asia Landscape II (with hats), 2000. Watercolour on paper, 10 1/4 x 34 3/4 in (26 x 88.3 cm). Courtesy of the artist and Nohra Haime Gallery. https://www.studiointernational.com/index.php/gail-pickering-interview-mirror-speech-baltic-gallery https://www.studiointernational.com/images/articles/p/pickering-gail-2014/PICK_SHE-WAS-A-VISITOR_472.jpg Gail Pickering. She was a Visitor, 2014. Installation view (2). Architectural installation incorporating cyclorama wall, red lights. Courtesy of the artist and BALTIC. © Gail Pickering. Photograph: John McKenzie. https://www.studiointernational.com/images/articles/p/pickering-gail-2014/PICK_KARAOKE_402.jpg Gail Pickering. Karaoke, 2013-14. Installation view. Two-channel standard definition video, 4.3 monitors, black & white, sound, infinite loop, baffles, mixed media. Courtesy of the artist and BALTIC. © Gail Pickering. Photograph: John McKenzie. https://www.studiointernational.com/images/articles/p/pickering-gail-2014/PICK_NEAR_REAL_TIME_014.jpg Gail Pickering. Near Real Time, 2014. Installation view. Three-channel video installation, sync sound, colour and black & white, infinite loop. Courtesy of the artist and BALTIC. © Gail Pickering. Photograph: John McKenzie. https://www.studiointernational.com/images/articles/p/pickering-gail-2014/PICK_NEAR_REAL_TIME_323.jpg Gail Pickering. Near Real Time, 2014. Installation view (2). Three-channel video installation, sync sound, colour and black & white, infinite loop. Courtesy of the artist and BALTIC. © Gail Pickering. Photograph: John McKenzie. https://www.studiointernational.com/images/articles/p/pickering-gail-2014/PICK_NEAR_REAL_TIME_345.jpg Gail Pickering. Near Real Time, 2014. Installation view (3). Three-channel video installation, sync sound, colour and black & white, infinite loop. Courtesy of the artist and BALTIC. © Gail Pickering. Photograph: John McKenzie. https://www.studiointernational.com/images/articles/p/pickering-gail-2014/PICK_NEAR_REAL_TIME_STILL02.jpg Gail Pickering. Near Real Time, 2014. Video still. Courtesy of the artist. © Gail Pickering. https://www.studiointernational.com/images/articles/p/pickering-gail-2014/PICK_NEAR_REAL_TIME_STILL03.jpg Gail Pickering. Near Real Time, 2014. Video still (2). Courtesy of the artist. © Gail Pickering. https://www.studiointernational.com/index.php/thomas-allen-interview-contemporary-cave-painting https://www.studiointernational.com/images/articles/a/allen-thomas-2015/Thomas-Allen-Contemporary-Cave-Painting-Fabrica.jpg Thomas Allen. Contemporary Cave Painting - Fabrica, Brighton, January 2014. Charcoal, sanguine and graphite, 380 x 150 cm. https://www.studiointernational.com/images/articles/a/allen-thomas-2015/9-Finishing-touches.jpg Thomas Allen applying finishing touches on the cave project at Fabrica, Brighton, 2014. https://www.studiointernational.com/images/articles/a/allen-thomas-2015/Drawn-Out-by-the-Flow.jpg Thomas Allen. Drawn Out by the Flow. Charcoal, sanguine, chalk and graphite, 120 x 180 cm. https://www.studiointernational.com/images/articles/a/allen-thomas-2015/One-Two.jpg Thomas Allen. One Two. Charcoal, sanguine, chalk and graphite, 60 x 120 cm. https://www.studiointernational.com/images/articles/a/allen-thomas-2015/Two-One.jpg Thomas Allen. Two One. Charcoal, sanguine, chalk and graphite, 60 x 120 cm. https://www.studiointernational.com/images/articles/a/allen-thomas-2015/What-is-Planted.jpg Thomas Allen. Drawn Out by the Flow. Charcoal, sanguine, chalk and graphite, 120 x 180 cm. https://www.studiointernational.com/index.php/serge-poliakoff-silent-paintings-russian-modernist https://www.studiointernational.com/images/articles/p/poliakoff-serge-2015/Poliakoff-T009874.jpg Serge Poliakoff. Composition abstraite, 1967. Oil on canvas, 45 5/8 x 35 in (116 x 89 cm). © Poliakoff Estate. Courtesy Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/p/poliakoff-serge-2015/poliakoff-T009872.jpg Serge Poliakoff. Orange juane et vert, 1963. Oil on canvas, 63 3/4 x 51 1/8 in (162 x 130 cm). © Poliakoff Estate. Courtesy Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/p/poliakoff-serge-2015/Poliakoff-T009879.jpg Serge Poliakoff. Composition abstraite, 1968. Oil on canvas, 63 2/3 x 51 1/4 in (162 x 130 cm). © Poliakoff Estate. Courtesy Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/p/poliakoff-serge-2015/Poliakoff-T009878.jpg Serge Poliakoff. Composition abstraite, 1968. Tempera on canvas, 63 2/3 x 51 1/4 in (162 x 130 cm). © Poliakoff Estate. Courtesy Timothy Taylor Gallery, London. https://www.studiointernational.com/images/articles/p/poliakoff-serge-2015/Poliakoff-2015-2.jpg Serge Poliakoff: Silent Paintings. Installation view (1), 14 January – 21 February, Timothy Taylor Gallery. https://www.studiointernational.com/images/articles/p/poliakoff-serge-2015/Poliakoff-2015-5.jpg Serge Poliakoff: Silent Paintings. Installation view (2), 14 January – 21 February, Timothy Taylor Gallery. https://www.studiointernational.com/index.php/lynn-hershman-leeson-interview-civic-radar-tilda-swinton-bio-engineering https://www.studiointernational.com/images/articles/l/leeson-lynn-hershman-2015/_MG_2479.jpg Lynn Hershman Leeson. Exhibition view of the series Phantom Limbs, 1986. Photograph: Daniel Fidelis Fuchs. © ZKM Centre for art and media. https://www.studiointernational.com/images/articles/l/leeson-lynn-hershman-2015/_MG_2509.jpg Lynn Hershman Leeson. Exhibition view, Civic Radar, in the foreground Peter Weibel, Board of Directors of ZKM. https://www.studiointernational.com/index.php/lynn-hershman-leeson-civic-radar-review https://www.studiointernational.com/images/articles/l/leeson-lynn-hershman-2015/_MG_2609.jpg Lynn Hershman Leeson. America's Finest, 1994. Photograph: Daniel Fidelis Fuchs. © ZKM | Centre for art and media. https://www.studiointernational.com/images/articles/l/leeson-lynn-hershman-2015/_MG_2604.jpg Lynn Hershman Leeson. Props from the film Teknolust (2002), 2014. Photograph: Daniel Fidelis Fuchs. © ZKM | Centre for art and media. https://www.studiointernational.com/images/articles/l/leeson-lynn-hershman-2015/_MG_2334.jpg Lynn Hershman Leeson. From the series Roberta Breitmore (1973-79). Photograph: Daniel Fidelis Fuchs. © ZKM | Centre for art and media. https://www.studiointernational.com/images/articles/l/leeson-lynn-hershman-2015/_MG_2340.jpg Lynn Hershman Leeson. From the series Roberta Breitmore (1973-79). Photograph: Daniel Fidelis Fuchs. © ZKM | Centre for art and media. https://www.studiointernational.com/images/articles/l/leeson-lynn-hershman-2015/_MG_2347.jpg Lynn Hershman Leeson. The Infinity Engine, 2014. Photograph: Daniel Fidelis Fuchs. © ZKM | Centre for art and media. https://www.studiointernational.com/images/articles/l/leeson-lynn-hershman-2015/_MG_2350.jpg Lynn Hershman Leeson. The Infinity Engine, 2014. Photograph: Daniel Fidelis Fuchs. © ZKM | Centre for art and media. https://www.studiointernational.com/images/articles/l/leeson-lynn-hershman-2015/_MG_2360.jpg Lynn Hershman Leeson. Exhibition view, Civic Radar. Photograph: Daniel Fidelis Fuchs. © ZKM | Centre for art and media. https://www.studiointernational.com/index.php/saba-qizilbash-interview-pakistan-born-artist https://www.studiointernational.com/images/articles/q/qizilbash-saba-2015/Qizilbash-Circle-2013.jpg Saba Qizilbash. Circle, 2013. Acrylic on canvas, 80 x 80 cm. https://www.studiointernational.com/images/articles/q/qizilbash-saba-2015/Qizilbash-Equal-Strength-Heroes-2-2013.jpg Saba Qizilbash. Equal Strength Heroes 2, 2013. Acrylic on canvas, 80 x 120 cm. https://www.studiointernational.com/images/articles/q/qizilbash-saba-2015/Qizilbash-Equal-Strength-Heroes-2013.jpg Saba Qizilbash. Equal Strength Heroes, diptych, 2013. Acrylic on canvas, 80 x 240 cm. https://www.studiointernational.com/images/articles/q/qizilbash-saba-2015/Qizilbash-Not-For-the-Faint-of-Heart-2009.jpg Saba Qizilbash. Not For the Faint of Heart, 2009. Acrylic on paper, 127 x 101.6 cm. https://www.studiointernational.com/images/articles/q/qizilbash-saba-2015/Qizilbash-Not-For-the-Faint-of-Heart-II.jpg Saba Qizilbash. Not For the Faint of Heart II, 2010. Acrylic on paper, 127 x 101.6 cm. https://www.studiointernational.com/images/articles/q/qizilbash-saba-2015/Qizilbash-Puzzled-in-the-Muzzle-2012.jpg Saba Qizilbash. Puzzled in the Muzzle, 2012. Acrylic on canvas, 150 x 100 cm. https://www.studiointernational.com/images/articles/q/qizilbash-saba-2015/Qizilbash-Weight-2012.jpg Saba Qizilbash. Weight, 2012. Acrylic on canvas, 150 x 100 cm. https://www.studiointernational.com/index.php/adventures-of-the-black-square-abstract-art-society-whitechapel-kazimir-malevich https://www.studiointernational.com/images/articles/b/black-square-2015/Dan-Flavin-Monument-for-V.jpg Dan Flavin. Monument for V. Tatlin, 1966-69. Fluorescent tubes and metal, 305.4 x 58.4 x 8.9 cm. Tate. https://www.studiointernational.com/images/articles/b/black-square-2015/Gustav-Klutsis-Design-for-Loudspeaker-Number-5-1922.jpg Gustav Klutsis. Design for Loudspeaker No. 5, 1922. Coloured ink and pencil on paper, 26.6 x 14.7 cm. Greek State Museum of Contemporary Art - Costakis Collection, Thessaloniki. https://www.studiointernational.com/images/articles/b/black-square-2015/Jenny-Holzer-TOP-SECRET-32.jpg Jenny Holzer. TOP SECRET 32, 2010. Oil on linen, 147.3 x 111.8 x 3.8 cm. Sprüth Magers Berlin London. https://www.studiointernational.com/images/articles/b/black-square-2015/Kazimir-Malevich-Black-Quadrilateral-c.jpg Kazimir Malevich. Black Quadrilateral (no date). Oil on canvas, 17 x 24 cm. Greek State Museum of Contemporary Art - Costakis Collection, Thessaloniki. https://www.studiointernational.com/images/articles/b/black-square-2015/Theo-Van-Doesburg-Colour-Design.jpg Theo van Doesburg. Colour design for ceiling and three walls, small bathroom, conversion of Café Aubetter interior Strasbourg, 1926-27. Gouache on paperboard, 43.7 x 74.5 cm. Courtesy Galerie Gmurzynska AG. https://www.studiointernational.com/index.php/ron-mueck-australian-sculptor-fondation-cartier-pinacoteca-sao-paulo-brazil https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_02-Mask-II.jpg Ron Mueck. Mask II, 2002. Mixed media, 77 x 118 x 85 cm. Anthony d’Offay, London. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_Mask-II-detail.jpg Ron Mueck. Mask II, 2002 (detail). Mixed media, 77 x 118 x 85 cm. Anthony d’Offay, London. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_09-Young-Couple.jpg Ron Mueck. Young Couple, 2013. Mixed media, 89 x 43 x 23 cm. Private collection. Courtesy: Hauser & Wirth. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_11-Young-Couple-detail.jpg Ron Mueck. Young Couple, 2013 (detail). Mixed media, 89 x 43 x 23 cm. Private collection. Courtesy: Hauser & Wirth. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_13-Woman-with-Shopping.jpg Ron Mueck. Woman with Shopping, 2013. Mixed media, 113 x 46 x 30 cm. Collection: Fondation Cartier pour l’art Contemporain, Paris. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_15-Woman-with-Shopping-detail.jpg Ron Mueck. Woman with Shopping, 2013 (detail). Mixed media, 113 x 46 x 30 cm. Collection: Fondation Cartier pour l’art Contemporain, Paris. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_20-Youth.jpg Ron Mueck. Youth, 2009. Mixed media, 65 x 28 x 16 cm. Private collection. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_25-Woman-with-Sticks.jpg Ron Mueck. Woman with Sticks, 2009. Mixed media, 170 x 183 x 120 cm. Collection: Fondation Cartier pour l’art Contemporain, Paris. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_26-Woman-with-Sticks-detail.jpg Ron Mueck. Woman with Sticks, 2009 (detail). Mixed media, 170 x 183 x 120 cm. Collection: Fondation Cartier pour l’art Contemporain, Paris. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_28-Man-in-a-Boat.jpg Ron Mueck. Man in a Boat, 2002. Mixed media, 159 x 138 x 425.5 cm. Anthony d’Offay, London. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_31-Man-in-a-Boat-installation-view.jpg Ron Mueck. Man in a Boat, 2002 (installation view). Mixed media, 159 x 138 x 425.5 cm. Anthony d’Offay, London. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_32-Couple-Under-an-Umbrella.jpg Ron Mueck. Couple Under an Umbrella, 2013. Mixed media, 300 x 400 x 350 cm. Collection Caldic, Wassenaar. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_33-Couple-Under-an-Umbrella-detail.jpg Ron Mueck. Couple Under an Umbrella, 2013 (detail). Mixed media, 300 x 400 x 350 cm. Collection Caldic, Wassenaar. Photograph: Isabella Matheus. https://www.studiointernational.com/images/articles/m/mueck-ron-2015/Mueck_07-Drift.jpg Ron Mueck. Drift, 2009. Mixed media, 118 x 96 x 21 cm. Private collection. Photograph: Isabella Matheus. https://www.studiointernational.com/index.php/david-altmejd-interview-faces-modern-art-heads-sculpture https://www.studiointernational.com/images/articles/a/altmejd-david-2015/David-Altmejd-00099.jpg David Altmejd. Young Mother, 2015. Polyurethane foam, epoxy clay, epoxy gel, acrylic paint, quartz, resin, synthetic hair, synthetic lashes, glass eyes, steel, marble, 66 x 18 x 25 cm (26 x 7 1/8 x 9 7/8 in). https://www.studiointernational.com/images/articles/a/altmejd-david-2015/David-Altmejd-00100.jpg David Altmejd. Juliette's Self Portrait, 2015. Polyurethane foam, epoxy gel, epoxy clay, resin, acrylic paint, bronze, synthetic hair, synthetic lashes, glass eyes, cavansite, steel, marble, 75 x 19.5 x 23 cm (29 1/2 x 7 5/8 x 9 1/8 in). https://www.studiointernational.com/images/articles/a/altmejd-david-2015/David-Altmejd-00101.jpg David Altmejd. Matter, 2015. Polyurethane foam, acrylic paint, epoxy gel, epoxy clay, resin, glass eyes, synthetic hair, chicken feathers, metallic pigment, bronze, steel, 87 x 21.5 x 25 cm (34 1/4 x 8 1/2 x 9 7/8 in). https://www.studiointernational.com/images/articles/a/altmejd-david-2015/David-Altmejd-00104.jpg David Altmejd. To the Other, 2015. Polyurethane foam, epoxy gel, epoxy clay, resin, acrylic paint, glass eyes, glass, steel, marble, 88 x 21 x 29 cm (34 5/8 x 8 1/4 x 11 3/8 in). https://www.studiointernational.com/images/articles/a/altmejd-david-2015/David-Altmejd-00107-2.jpg David Altmejd. Eye, 2015. Polyurethane foam, epoxy clay, epoxy gel, acrylic paint, synthetic hair, resin, glass stain, quartz, pyrite, celestite, amethyst, fluorite, steel, marble, 60 x 15.5 x 14 cm (23 5/8 x 6 1/8 x 5 1/2 in). https://www.studiointernational.com/images/articles/a/altmejd-david-2015/David-Altmejd-00107.jpg David Altmejd. Eye, 2015 (view 2). Polyurethane foam, epoxy clay, epoxy gel, acrylic paint, synthetic hair, resin, glass stain, quartz, pyrite, celestite, amethyst, fluorite, steel, marble, 60 x 15.5 x 14 cm (23 5/8 x 6 1/8 x 5 1/2 in). https://www.studiointernational.com/images/articles/a/altmejd-david-2015/David-Altmejd-00109.jpg David Altmejd. Anand, 2015. Polyurethane foam, epoxy clay, epoxy gel, acrylic paint, resin, quartz, synthetic hair, glitter, 20 x 28 x 32 cm (7 7/8 x 11 1/8 x 12 5/8 in). https://www.studiointernational.com/images/articles/a/altmejd-david-2015/David-Altmejd-00112.jpg David Altmejd. Regret, 2015. Polyurethane foam, epoxy gel, glass eyes, acrylic paint, synthetic hair, bronze, 108 x 19 x 28 cm (42 1/2 x 7 1/2 x 11 1/8 in). https://www.studiointernational.com/images/articles/a/altmejd-david-2015/David-Altmejd-00114.jpg David Altmejd. Work, 2015. Plaster, 60 x 30 x 32 cm (23 5/8 x 11 3/4 x 12 5/8 in). Plinth insert sculpture: 9 x 60 x 20 cm (3 1/2 x 23 5/8 x 7 7/8 in). https://www.studiointernational.com/index.php/frederick-wiseman-national-gallery-film-zipporah https://www.studiointernational.com/images/articles/w/wiseman-frederick-2015/An-Allegory-with-Venus-and-Cupid-BRONZINI.jpg Bronzini. An Allegory with Venus and Cupid, c1545. National Gallery film still, courtesy of Zipporah Films Inc. https://www.studiointernational.com/images/articles/w/wiseman-frederick-2015/Bacchus-and-Ariadne-TITIAN.jpg Titian. Bacchus and Ariadne, 1520-3. National Gallery film still, courtesy of Zipporah Films Inc. https://www.studiointernational.com/images/articles/w/wiseman-frederick-2015/Ballet-Dancer-Leann_Benjamin-performing-at-the-National-Gallery-300dpi.jpg Ballet Dancer Leann Benjamin performing at the National Gallery. National Gallery film still, courtesy of Zipporah Films Inc. https://www.studiointernational.com/images/articles/w/wiseman-frederick-2015/Portrait-of-Frederick-Rihel-on-Horseback-REMBRANDT.jpg Rembrandt. Portrait of Frederick Rihel on Horseback, c1663. National Gallery film still, courtesy of Zipporah Films Inc. https://www.studiointernational.com/images/articles/w/wiseman-frederick-2015/RESTORATION.jpg Restoration. National Gallery film still, courtesy of Zipporah Films Inc. https://www.studiointernational.com/images/articles/w/wiseman-frederick-2015/The-Decline-of-the-Carthaginian-Empir3.jpg JMW Turner. The Decline of the Carthaginian Empire, exhibited 1817 (lecture). National Gallery film still, courtesy of Zipporah Films Inc. https://www.studiointernational.com/index.php/unseen-courtauld-gallery-review-gilbert-and-ildiko-butler-gallery https://www.studiointernational.com/images/articles/u/unseen-2015/George-Romney.jpg George Romney (1734-1802). Sketch of Lady Hamilton. Pen and ink on paper. The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/u/unseen-2015/Johann-Heinrich-Fuseli.jpg Johann Heinrich Fuseli (1741-1825). Back view of a full-length female figure, 1796-1800. Graphite and watercolour (grey, blue and grey-brown) and bodycolour and ink (Indian) on paper. The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/u/unseen-2015/Joshua-Reynolds.jpg Joshua Reynolds (1723-1792). Dancing female figure. Pen and ink (brown) on paper. The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/u/unseen-2015/Luca-Cambiaso.jpg Luca Cambiaso (1527-1585). Dante and Virgil passing over the Sea of Traitors. https://www.studiointernational.com/images/articles/u/unseen-2015/Michel-the-Younger-Corn.jpg Michel, the Younger Corneille (1642-1708). Study of heads. Graphite and chalk (white, black and red) on paper. The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/u/unseen-2015/Peter-Paul-Rubens.jpg Peter Paul Rubens (1577-1640). Female nude. Chalk (red and black and white) on paper (pale brown). The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/u/unseen-2015/Valentin-Klotz.jpg Valentijn Klotz (op.1669-1697). View of Grave on the Mass after a siege, 1675. Pen and ink (brown) and watercolour (grey) on paper The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/index.php/toyin-odutola-interview-drawing-and-you-emerged-curved-and-new https://www.studiointernational.com/images/articles/o/odutola-toyin_2015/2_Hold It In Your Mouth A Little Longer.jpg Toyin Odutola. Hold It In Your Mouth A Little Longer, 2013. Charcoal, pastel, and graphite on paper, 40 x 30 in (101.6 x 76.2 cm). © Toyin Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/o/odutola-toyin_2015/3_The Last One.jpg Toyin Odutola. The Last One, 2014. Charcoal, pastel, marker and graphite on paper, 40 x 30 in (101.6 x 76.2 cm). © Toyin Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/o/odutola-toyin_2015/4_Evidence.jpg Toyin Odutola. Evidence , 2014. Charcoal, pastel and graphite on paper, 14 x 17 in (35.5 x 43.2 cm). © Toyin Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/o/odutola-toyin_2015/5_And Nothing Happened (all three).jpg Toyin Odutola. And Nothing Happened, 2014. Charcoal, pastel, marker and graphite on paper, 14 x 17 in (35.5 x 43.2 cm) each. © Toyin Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/o/odutola-toyin_2015/6_He Just Was (framed).jpg Toyin Odutola. He Just Was, 2014. Charcoal, pastel, marker and graphite on paper, 30 x 40 in (76.2 x 101.6 cm) each image. © Toyin Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/o/odutola-toyin_2015/7_What You Think You See.jpg Toyin Odutola. What You Think You See, 2014. Charcoal, pastel, marker and graphite on paper. 29 1/2 x 30 in (74.9 x 76.2 cm). © Toyin Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/o/odutola-toyin_2015/8_An Island of Selfdom.jpg Toyin Odutola. The Island of Selfdom, 2014. Charcoal, pastel, acrylic ink and graphite on paper, 40 x 30 in (101.6 x 76.2 cm). © Toyin Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/o/odutola-toyin_2015/9_Old Myth New Residence.jpg Toyin Odutola. Old Myth, New Residence, 2014. Mixed media on paper, 40 x 30 in (101.6 x 76.2 cm). © Toyin Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/index.php/david-birkin-mouths-at-the-invisible-event-review https://www.studiointernational.com/images/articles/b/birkin-david-2015/Pieta-2012_David-Birkin.jpg David Birkin. Pietà, 2012. AP wire-photograph overlaid with Afghan lapis lazuli, 7 x 8 in. https://www.studiointernational.com/images/articles/b/birkin-david-2015/Severe-Clear_2014_David-Birkin.jpg David Birkin. Severe Clear: Existence or Nonexistence, 2014. Skywriting over New York City, Memorial Day weekend, May 2014. https://www.studiointernational.com/images/articles/b/birkin-david-2015/The-Shadow-of-a--Doubt_2014_-David-Birkin_.jpg David Birkin. The Shadow of a Doubt, 2014. Aerial performance over New York Harbor, Veterans Day, 11/11. https://www.studiointernational.com/index.php/haris-epaminonda-chapters-video-installation https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/2.jpg Haris Epaminonda. Untitled 009c/g, 2007. Paper collage, 17.5 x 11.7 cm. Courtesy the artist and Rodeo Istanbul/London. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/416.jpg Haris Epaminonda. Untitled #416, 2008/09. Polaroid, 10.3 x 10.2 cm. Courtesy the artist and Galleria Massimo Minini, Brescia. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/HarisEpaminonda_14.jpg Haris Epaminonda. Untitled #02 t/c, 2010. Two found framed images (diptych), 31.2 x 24.9 cm and 31.2 x 25.5 cm. Courtesy the artist and Rodeo Istanbul/London. Photograph: Tate photography © 2010. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/_STY9630.jpg Haris Epaminonda. Untitled #07 l/g, 2009. Mixed media, dimensions variable. Courtesy the artist and Rodeo Istanbul/London. Photograph: Serkan Taycan, 2009. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/Samsa_0078xxxxxxxxx.jpg Haris Epaminonda. 'Untitled #06 m/g (waterfall II)’, 2009. Standing book page, glass, plinth, dimensions variable. Courtesy the artist and Rodeo Istanbul/London. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/ANDREA_0283.jpg Haris Epaminonda. Untitled #20 t/f, 2014. Framed found image, 31.6 x 24.8 cm; iron plate, 75 x 54 cm; wooden plate with gold leaf and black pastellone, 27 x 20cm; wooden pyramid with gold leaf 30 x 15 x 15 cm. Courtesy the artist and Galleria Massimo Minini, Brescia. Photograph: Andrea Gilberti. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/Projects96_6.jpg Haris Epaminonda. Installation view of Projects 96: Haris Epaminonda, The Museum of Modern Art, New York. Photograph: Jonathan Muzikar. © 2011 The Museum of Modern Art, New York. Courtesy: the artist and Rodeo Istanbul/London. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/U19.jpg Haris Epaminonda. Untitled #19 o/g. Wall, wooden plinth, wooden table, old small Chinese black vase, dimensions variable. Photograph: Henrik Stromberg © 2012 dOCUMENTA(13), Kassel. Courtesy the artist and Rodeo Istanbul/London. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/01.jpg Haris Epaminonda. Chapters, 2013, 16mm film transferred to digital, four-channel video installation, duration: approx. 4 hrs, sound by: ‘Part Wild Horses Mane On Both Sides'. Commissioned by Kunsthaus Zürich/Modern Art Oxford/Point Centre for Contemporary Art, Nicosia/Fondazione Querini Stampalia, Venice. Courtesy the artist, Rodeo Istanbul/London and Galleria Massimo Minini, Brescia. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/20.jpg Haris Epaminonda. Chapters, 2013, 16mm film transferred to digital, four-channel video installation, duration: approx. 4 hrs, sound by: ‘Part Wild Horses Mane On Both Sides'. Commissioned by Kunsthaus Zürich/Modern Art Oxford/Point Centre for Contemporary Art, Nicosia/Fondazione Querini Stampalia, Venice. Courtesy: the artist, Rodeo Istanbul/London and Galleria Massimo Minini, Brescia. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/24.jpg Haris Epaminonda. Chapters, 2013, 16mm film transferred to digital, four-channel video installation, duration: approx. 4 hrs, sound by: ‘Part Wild Horses Mane On Both Sides'. Commissioned by Kunsthaus Zürich/Modern Art Oxford/Point Centre for Contemporary Art, Nicosia/Fondazione Querini Stampalia, Venice. Courtesy: the artist, Rodeo Istanbul/London and Galleria Massimo Minini, Brescia. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/4.jpg Haris Epaminonda. Installation view from When Things Cast No Shadow at Neue Nationalegalerie, Berlin, 5th Berlin Biennale, 2008. Courtesy the artist and Rodeo Istanbul/London. Photograph: Uwe Walter, 2008 © Berlin Biennale for Contemporary Art. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/Chronicles.jpg Haris Epaminonda. Chronicles V, 2010. Super-8 film digitalised, colour, silent, duration 10:19’ (loop). Courtesy the artist and Rodeo Istanbul/London. https://www.studiointernational.com/images/articles/e/epaminonda-haris-2015/v_close-4.jpg Haris Epaminonda. Chronicles I-V, 2010. Installation view at Site Gallery, Sheffield, UK. Courtesy the artist and Rodeo Istanbul/London. Photograph: Victor Simao © Site Gallery, Sheffield. https://www.studiointernational.com/index.php/fernanda-chieco-gone-ghost-towns-art-residency https://www.studiointernational.com/images/articles/c/chieco-fernanda-2015/Expo-Fernanda-Chieco-O-galo-as-janelas.jpg Fernanda Chieco. O galo, as janelas, o carrinho, os bêbados (The rooster, the windows, the wheelbarrow, the drunks), Gone Series, 2014. Watercolour on paper in three parts, (windows) 37.5 x 35 cm, (rooster) 76 x 57,2 cm, (wheelbarrow) 70.5 x 113 cm. Photograph: Pedro Victor Brandão. https://www.studiointernational.com/images/articles/c/chieco-fernanda-2015/Fernanda-Chieco-O-cachorro.jpg Fernanda Chieco. O cachorro, o correio, o casal, o dorminhoco (The dog, the post office, the couple and the sleeper), Gone Series, 2014. Watercolour on paper in three parts, (dog) 58 x 134.5 cm, (couple) 113.7 x 134.5 cm (sleeper) 68 x 114 cm. Photograph: Pedro Victor Brandão. https://www.studiointernational.com/images/articles/c/chieco-fernanda-2015/Fernanda-Chieco-O-cao-o-presunto.jpg Fernanda Chieco. O cão, o presunto, a casinha, as passantes (The dog, the ham, the little house and the bystanders), Gone Series, 2014. Watercolour on paper in four parts, (ham) 49.5 x 20.5 cm, (house) 70 x 70 cm, (bystanders) 103.2 x 67.5 cm, (dog) 63.4 x 99.7 cm. Photograph: Pedro Victor Brandão. https://www.studiointernational.com/images/articles/c/chieco-fernanda-2015/Fernanda-Chieco-O-peru-a-torre.jpg Fernanda Chieco. O peru, a torre, o rei, a rainha (The turkey, the tower, the king, the queen), Gone Series, 2014. Watercolour on paper in two parts, (turkey) 36.7 x 58 cm, (king and queen) 318 x 70.5 cm. Photograph: Pedro Victor Brandão. https://www.studiointernational.com/images/articles/c/chieco-fernanda-2015/Fernanda-Chieco-O-urso-a-porteira.jpg Fernanda Chieco. O urso, a porteira, os espectadores (The bear, the gate, the spectators), Gone Series, 2014. Watercolour on paper in three parts, (bear) 103.4 x 50.4 cm, (two spectators) 124.7 x 67.5 cm, (spectator) 124,7 x 53 cm. Photograph: Pedro Victor Brandão. https://www.studiointernational.com/images/articles/c/chieco-fernanda-2015/monsterfish.jpg Fernanda Chieco. Monster Fish, Fisherman’s Throne Series, 2012/2013. Colour pencil drawing on Hanji paper, 136 x 200 cm. https://www.studiointernational.com/images/articles/c/chieco-fernanda-2015/Fernanda-Chieco-install.jpg Fernanda Chieco. Gone, installation view. Photograph: Pedro Victor Brandão. https://www.studiointernational.com/index.php/mira-schendel-monotypes-review-brazilian-artist https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM60936-(3).jpg Mira Schendel. Variantes II, 1965. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM63735.jpg Mira Schendel. Untitled (from the series Religious writings/Escritas cheias religiosas), 1965. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM63736.jpg Mira Schendel. Untitled (from the series Religious writings/Escritas cheias religiosas), 1965. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM63738.jpg Mira Schendel. Untitled (from the series Religious writings/Escritas cheias religiosas), 1965. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM64179.jpg Mira Schendel. Untitled (from the series Crosses and Vertices/Cruzes e Vértices), c1964–65. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM64183.jpg Mira Schendel. Untitled (from the series Crosses and Vertices/Cruzes e Vértices), c1964–65. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM64188.jpg Mira Schendel. Untitled (from the series Crosses and Vertices/Cruzes e Vértices), c1964–65. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM64198.jpg Mira Schendel. Untitled (from the series Crosses and Vertices/Cruzes e Vértices), c1964–65. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM64210.jpg Mira Schendel. Untitled (from the series Crosses and Vertices/Cruzes e Vértices), c1964–65. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM64217.jpg Mira Schendel. Untitled (from the series Crosses and Vertices/Cruzes e Vértices), c1964–65. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. Photograph: Genevieve Hanson. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM65415.jpg Mira Schendel. Droguinha, 1960s. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/schendel-mira-2015/Mira-Schendel-SCHEM65047-(1).jpg Mira Schendel. Trenzinho (Little Train), c1965. © Mira Schendel Estate. Courtesy Mira Schendel Estate and Hauser & Wirth. https://www.studiointernational.com/index.php/david-weiss-review-swiss-institute-new-york-pop https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001962.jpg David Weiss. Grosse Zeichnungen: Quiet Nights (Farben der Nacht), undated. Ink on paper, 72 x 99.5 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_000392.jpg Davis Weiss. Aquarelle (Watercolours), 1978. Watercolour, ink and pen on paper, 23.5 x 16.5 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001360.jpg David Weiss. Landschaften (Landscapes), undated. Ink on paper, 23.8 x 34 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001567.jpg David Weiss. Offene Zeichnungen (Open drawings), undated. Ink on paper, 9.3 x 9.2 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001876.jpg David Weiss. Mittelgrosse Zeichnungen: Abstracts (Medium-sized drawings: abstracts), undated. Ink on paper, 50 x 70 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001892.jpg David Weiss. Grosse Zeichnungen: Netze (Large drawings: networks), undated. Ink on paper, 107.7 x 150 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001901.jpg David Weiss. Grosse Zeichnungen: Abstracts (Large drawings: abstracts), undated. Gouache on paper, 102.5 x 144.5 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001903.jpg David Weiss. Grosse Zeichnungen: Abstracts (Large drawings: abstracts), undated. Ink on paper, 108 x 149.5 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001908.jpg David Weiss. Grosse Zeichnungen: Netze (Large drawings: networks), undated. Gouache and ink on paper, 102.5 x 144.5 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001941.jpg David Weiss. Grosse Zeichnungen: Blumen (Large drawings: flowers), 1979. Gouache and ink on paper, 93 x 134 cm. https://www.studiointernational.com/images/articles/w/weiss-david-2015/WEIS_001977.jpg David Weiss. Grosse Zeichnungen: Morgengrauen (Large drawings: Dawn), undated. Ink on paper, 127 x 254 cm. https://www.studiointernational.com/index.php/janet-biggs-interview-echo-of-the-unknown-alzheimers-disease-science https://www.studiointernational.com/images/articles/b/biggs-janet-2015/Cant-Find-My-Way-Home-5.jpg Janet Biggs. Can't Find My Way Home, 2015 (video still 2). 4-channel, high definition video installation with sound 8:23 minutes, looped. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/biggs-janet-2015/Cant-Find-My-Way-Home-9.jpg Janet Biggs. Can't Find My Way Home, 2015 (video still 3). 4-channel, high definition video installation with sound 8:23 minutes, looped. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/biggs-janet-2015/CFMWH-installation-view1.jpg Janet Biggs. Can't Find My Way Home, 2015. Installation view at Blaffer Art Museum. Courtesy of the artist, Connersmith, and Galerie Analix Forever. Photograph: Janet Biggs https://www.studiointernational.com/images/articles/b/biggs-janet-2015/CFMWH-installation-view5.jpg Janet Biggs. Can't Find My Way Home, 2015. Installation view (2) at Blaffer Art Museum. Courtesy of the artist, Connersmith, and Galerie Analix Forever. Photograph: Janet Biggs. https://www.studiointernational.com/images/articles/b/biggs-janet-2015/f-Breathing17.jpg Janet Biggs. Breathing Without Air, 2015. Single channel high definition video with sound, 5:51 minutes, looped. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/biggs-janet-2015/f-Breathing30.jpg Janet Biggs. Breathing Without Air, 2015. Single channel high definition video with sound, 5:51 minutes, looped. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/biggs-janet-2015/Breathing-Without-Air-installation-view.jpg Janet Biggs. Breathing Without Air, 2015. Installation view at Blaffer Art Museum. Courtesy of the artist, Connersmith, and Galerie Analix Forever. Photograph: Janet Biggs. https://www.studiointernational.com/images/articles/b/biggs-janet-2015/f-Hope2.jpg Janet Biggs. The Persistence of Hope, 2015. 2-channel high definition video installation with sound, 7:24 minutes, looped. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/biggs-janet-2015/f-Hope24.jpg Janet Biggs. The Persistence of Hope, 2015 (video still 2). 2-channel high definition video installation with sound, 7:24 minutes, looped. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/biggs-janet-2015/f-Hope33.jpg Janet Biggs. The Persistence of Hope, 2015 (video still 3). 2-channel high definition video installation with sound, 7:24 minutes, looped. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/biggs-janet-2015/The-Persistance-of-Hope-Installation-view.jpg Janet Biggs. The Persistence of Hope, 2015. Installation view at Blaffer Art Museum. Courtesy of the artist, Connersmith, and Galerie Analix Forever. Photograph: Janet Biggs. https://www.studiointernational.com/index.php/sonia-delaunay-les-couleurs-de-l-abstraction-review https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/01.jpg Sonia Delaunay. Nu Jaune, 1908. Musée des Beaux-arts de Nantes. © Pracusa 2013057. https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/02.jpg Sonia Delaunay. Couverture de Berceau, 1911. MNAM. © Pracusa 2013057. https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/03.jpg Sonia Delaunay. Prismes électriques, 1913-1914. © Pracusa 2013057. © Davis Museum at Wellesley College, Wellesley, MA. https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/04.jpg Sonia Delaunay. Couverture du catalogue de l'exposition de Stockholm, Autoportrait, 1916. © Pracusa 2013057. © BNF https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/05.jpg Sonia Delaunay. Manteau pour Gloria Swanson, c1924. Broderie de laine. Collection particulière. © Pracusa 2013057. https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/06.jpg Studio REP. Modèles devant voiture simultanée, 1925. © Pracusa 2013057. © BNF. Robert Mallet-Stevens © Adagp, Paris 2014. Jacques Heim © DR. https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/07.jpg Sonia Delaunay. Hélice, décoration pour le Palais de l’Air, Exposition Internationale des Arts et Techniques, Paris 1937. © Pracusa 2013057. © Skissernas Museum, Lund, Sweden/Emma Krantz. https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/09.jpg Sonia Delaunay. Rythme Couleur, 1964. © Pracusa 2013057. © Musée d'Art Moderne de la Ville de Paris/Roger-Viollet. https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/8.jpg Sonia Delaunay. Composition pour jazz, 2e série, No F 344 https://www.studiointernational.com/images/articles/d/delauney-sonia-2015/10.jpg Portrait, cliché André Villers 1971. © Pracusa 2013057. © BNF. André Villers © Adagp, Paris 2014. https://www.studiointernational.com/index.php/morehshin-allahyari-interview-digital-media-3d-printing-internet-iran https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/In-Mere-Spaces-All-Things-Are-Side-By-Sides.jpg Morehshin Allahyari. In Mere Spaces All Things Are Side By Side, 2014. 3D Animation. https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/Mere-Spaces-1.jpg Morehshin Allahyari. In Mere Spaces All Things Are Side By Side, 2014. 3D Animation (2). https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/Mere-Spaces-3.jpg Morehshin Allahyari. In Mere Spaces All Things Are Side By Side, 2014. 3D Animation (3). https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/Mere-Spaces-5.jpg Morehshin Allahyari. In Mere Spaces All Things Are Side By Side, 2014. 3D Animation (4). https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/In-Mere-Spaces-All-Things-Are-Side-By-Sides-2.jpg Morehshin Allahyari. In Mere Spaces All Things Are Side By Side, 2014. 3D Animation (5). https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/Like-pearls-1.jpg Morehshin Allahyari. Like Pearls, Net Art, www.likepearls.com, 2014. https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/Like-Pearls-2.jpg Morehshin Allahyari. Like Pearls, Net Art, www.likepearls.com, 2014 (2). https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/Like-Pearls-3.jpg Morehshin Allahyari. Like Pearls, Net Art, www.likepearls.com, 2014 (3). https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/The-Romantic-Self-Exiles-4.jpg Morehshin Allahyari. The Romantic Self-Exiles II, 2012. Plexiglass + video projection. https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/plexi.jpg Morehshin Allahyari. The Romantic Self-Exiles II, 2012. Plexiglass + video projection (2). https://www.studiointernational.com/images/articles/a/allahyari-morehshin-2015/The-Romantic-Self-Exiles-5.jpg Morehshin Allahyari. The Romantic Self-Exiles II, 2012. Plexiglass + video projection (3). https://www.studiointernational.com/index.php/motoi-yamamoto-return-to-origin-review-salt-installation-tokyo https://www.studiointernational.com/images/articles/y/yamamoto-motoi-2015/IMG_2636.jpg Motoi Yamamoto. Floating Garden, 2015. Salt installation. Pola Museum Annex, Ginza, Tokyo. Photograph: Kanae Hasegawa. https://www.studiointernational.com/images/articles/y/yamamoto-motoi-2015/IMG_2632.jpg Motoi Yamamoto. Floating Garden, 2015. Salt installation. Pola Museum Annex, Ginza, Tokyo. Photograph: Kanae Hasegawa. https://www.studiointernational.com/images/articles/y/yamamoto-motoi-2015/IMG_2634.jpg Motoi Yamamoto. Floating Garden, 2015. Salt installation. Pola Museum Annex, Ginza, Tokyo. Photograph: Kanae Hasegawa. https://www.studiointernational.com/images/articles/y/yamamoto-motoi-2015/IMG_2635.jpg Motoi Yamamoto. Floating Garden, 2015. Salt installation. Pola Museum Annex, Ginza, Tokyo. Photograph: Kanae Hasegawa. https://www.studiointernational.com/images/articles/y/yamamoto-motoi-2015/IMG_2637.jpg Motoi Yamamoto. Floating Garden, 2015. Salt installation. Pola Museum Annex, Ginza, Tokyo. Photograph: Kanae Hasegawa. https://www.studiointernational.com/index.php/danh-vo-homosapiens-review-denmark-venice-biennale https://www.studiointernational.com/images/articles/v/vo-dahn-2015/DV_2-2-1861.jpg Danh Vō. 2.2.1861, 2009‐. Ink on A4 paper, 29.6 x 21 cm. Last letter by St. Jean Théophane Vénard to his father before he was decapitated, copied by Danh Vo’s father, Phung Vo. Title and number of existing copies remains undefined until the death of Phung Vo. Each handwritten text arrives in an envelope mailed by the artist’s father directly to the buyer. Courtesy the Artist and Marian Goodman Gallery. Copyright Danh Vō. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/DV_Install_view_02.jpg Danh Vō, Homosapiens, installation view (2), Marian Goodman Gallery. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/DV_Install_view_03.jpg Danh Vō, Homosapiens, installation view (3), Marian Goodman Gallery. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/16575_DV_Untitled-2015-Nico-Afraid-1970.jpg Danh Vō. Untitled, 2015. Graphite, writing by Phung Vo, dimensions variable; Nico, Afraid, 1970. Courtesy the Artist and Marian Goodman Gallery. Copyright Danh Vō. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/16574_DV_Untitled-2015.jpg Danh Vō. Untitled, 2015. Fluted marble column, Roman workshop, 1st-­2nd century AD; straps 79.5 x 110 x 91 cm. Courtesy the Artist and Marian Goodman Gallery. Copyright Danh Vō. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/16576_DV_Your-mother-sucks-cocks-in-Hell-2015.jpg Danh Vō. Your mother sucks cocks in Hell, 2015. Marble fragment of a child, Roman workshop, 1st-­2nd century AD; oak and polychrome Madonna and child, French Early Gothic; plywood 53.3 x 39.6 x 35.1 cm. Courtesy the Artist and Marian Goodman Gallery. Copyright Danh Vō. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/16577_DV_Lick-me-lick-me_2015.jpg Danh Vō. Lick me, lick me, 2015. Marble torso of Apollo, Roman workshop, 1st-­2nd century AD; wood; nails 21 x 32.1 x 48.5 cm. Courtesy the Artist and Marian Goodman Gallery. Copyright Danh Vō. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/16579_DV_Dimmy,-why-you-do-this-to-me--2015(9).jpg Danh Vō. Dimmy, why you do this to me? 2015. Oak and polychrome Madonna and child, French Early Gothic; marble torso of a satyr, Roman workshop, 1st-­2nd century AD; steel 146.2 x 50 x 50 cm. Courtesy the Artist and Marian Goodman Gallery. Copyright Danh Vō. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/16580_DV_Untitled-2015_6.jpg Danh Vō. Untitled, 2015. 17th-century oak and polychrome cherub’s head; wood, nails 28.5 x 26.6 x 34.2 cm. Courtesy the Artist and Marian Goodman Gallery. Copyright Danh Vō. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/DV_18-01-1860.jpg Danh Vō. 18.01.1860, 2015. Photogravure on paper, framed 51.5 x 40.1 x 2.5 cm. Courtesy the Artist and Marian Goodman Gallery. Copyright Danh Vō. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/DV_Install_view_01.jpg Danh Vō, Homosapiens, installation view (1), Marian Goodman Gallery. https://www.studiointernational.com/images/articles/v/vo-dahn-2015/DV_Install_view_04.jpg Danh Vō, Homosapiens, installation view (4), Marian Goodman Gallery. https://www.studiointernational.com/index.php/faces-then-renaissance-portraits-from-low-countries-now-european-portrait-photography https://www.studiointernational.com/images/articles/f/faces-then-now-2015/7_Mor_a.jpg Anthonis Mor. Self portrait, 1558. Oil on panel, 113 x 84 cm. Galleria degli Uffizi. © Serge Domingie, Florence. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/7_Mor_b.jpg Anthonis Mor. Portrait of Jan van Scorel, 1560. Oil on panel, 58 x 57.5 cm. Society of Antiquaries, London. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/8_Key_c.jpg Adriaen Thomaz Key, Portrait of a Man, c1580. Oil on panel, 79 x 61.5 cm. Groeningemuseum, Brugge. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/org_14251_img1.jpg Anonymous master. Portrait of a Man, c1575. Art Institute of Chicago. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile263995_activity14251.jpg Michel Sittow. Portrait of a Gentleman, c1520. Oil on panel. Private collection, courtesy of Het Noordbrabants Museum, 's-Hertogenbosch (The Netherlands). https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile263996_activity14251.jpg Ambrosius Benson. Portrait of a Man, c1530. Oil on panel. Private collection. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile263997_activity14251.jpg Frans Floris de Vriendt. Portrait of an old lady, 1558. Oil on panel. Musèe des Beaux-Arts de Caen. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile263998_activity14251.jpg Marteen van Heemskerck. Portrait of Reinerus Frisius Gemma, c1540-45. Oil on panel. Museum Boijmans van Beuningen. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile263999_activity14251.jpg Marteen van Heemskerck. Portrait of an elderly woman, c1530. Oil on panel. Private collection. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile264000_activity14251.jpg Simon Bening. Self portrait aged 75, 1558. Watercolour on vellum laid down on card. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile264001_activity14251.jpg Attributed to Adriaen Thomasz. Key portrait of Johan II de Mauregnault, 2nd half of 16th century. Oil on panel. Museum Mayer van der Bergh, Antwerpen. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile264002_activity14251.jpg Joos van Cleve. Self portrait c1519. Oil on panel. Museo Thyssen-Bornemisza, Madrid. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile264003_activity14251.jpg Antonius Mor. Portrait of Jan van Scorel 1559-60. Oil on panel. Society of Antiquaries of London. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile264004_activity14251.jpg Quinten Metsys. Portrait of a Man with Rosary c1515-20. Oil on panel. Private collection. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/org_14252_img1.jpg Thomas Ruff. Portrait (A. Kachold), 1987. © Thomas Ruff / SABAM. https://www.studiointernational.com/images/articles/f/faces-then-now-2015/pfile264038_activity14252.jpg Juergen Teller, Alex Paton, London, 21st December 1998, from the series Go-See, 1995-98. 10 x 12 cm. Courtesy the artist. https://www.studiointernational.com/index.php/luc-tuymans-the-shore-review-henry-raeburn-japanese-cannibal-issei-sagawa https://www.studiointernational.com/images/articles/t/tuymans-luc-2015/TUYLU0835_IsseiSagawa_2014.jpg Luc Tuymans. Issei Sagawa, 2014. Oil on canvas, 29 1/2 x 32 1/4 in (74.3 x 81.9 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/t/tuymans-luc-2015/TUYLU0837_Fireplace_2014.jpg Luc Tuymans. Fireplace, 2014. Oil on canvas, 59 1/8 x 77 in (150.1 x 195.4 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/t/tuymans-luc-2015/Trees_1775x253cmcrop.jpg Luc Tuymans. Wallpaper, 2014. Oil on canvas, 99 5/8 x 69 7/8 in (253 x 177.5 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/t/tuymans-luc-2015/TUYLU0836_TheShore_2014.jpg Luc Tuymans. The Shore, 2014. Oil on canvas, 76 1/2 x 141 1/8 in (194.2 x 358.4 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/t/tuymans-luc-2015/TUYLU0831_JohnRobinson_2014.jpg Luc Tuymans. John Robinson, 2014. Oil on canvas, 20 1/2 x 15 1/2 in (52 x 39.4 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/t/tuymans-luc-2015/TUYLU0832_JohnPlayfair_2014.jpg Luc Tuymans. John Playfair, 2014. Oil on canvas, 20 1/2 x 15 1/2 in (52 x 39.4 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/t/tuymans-luc-2015/TUYLU0838_Diorama_2014.jpg Luc Tuymans. Diorama, 2014. Oil on canvas, 71 5/8 x 52 3/8 in (182 x 133.1 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/t/tuymans-luc-2015/TUYLU0839_Bedroom_2014.jpg Luc Tuymans, Bedroom, 2014. Oil on canvas, 62 7/8 x 82 1/4 in (159.6 x 208.9 cm). Courtesy David Zwirner, New York/London. https://www.studiointernational.com/index.php/drawing-contemporary-printmaking-uk-arthur-watson-paul-coldwell-grayson-perry https://www.studiointernational.com/images/articles/d/Drawing-as-the-catalyst-2015/le-brun-Fifty-Etchings-10-2005.jpg Christopher Le Brun. Fifty Etchings, 2005 #10. https://www.studiointernational.com/images/articles/d/Drawing-as-the-catalyst-2015/le-brun-Fifty-Etchings-17-2005.jpg Christopher Le Brun. Fifty Etchings, 2005 #17. https://www.studiointernational.com/images/articles/d/Drawing-as-the-catalyst-2015/le-brun-Fifty-Etchings-47-2005.jpg Christopher Le Brun. Fifty Etchings, 2005 #47. https://www.studiointernational.com/images/articles/d/Drawing-as-the-catalyst-2015/le-brun-Fifty-Etchings-9-2005.jpg Christopher Le Brun. Fifty Etchings, 2005 #9. https://www.studiointernational.com/index.php/thomas-hart-benton-america-today-mural-review-met-new-york https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/1.jpg Museum visitors viewing panels of America Today (left to right): City Activities with Dance Hall, City Building, and Steel. Each: distemper and egg tempera on gessoed linen with oil glaze. https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/2.jpg Museum visitors viewing panels of America Today (left to right): Midwest, Deep South, City Activities with Subway, and Outreaching Hands. Each: distemper and egg tempera on gessoed linen with oil glaze. https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/3.jpg Museum visitors viewing panels of America Today (left to right): Outreaching Hands, City Activities with Dance Hall, City Building, and Steel. Each: distemper and egg tempera on gessoed linen with oil glaze. https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/4.jpg Struggle in the Occident: Carrillo Puerto and Lenin and the Bolshevik Revolution (detail), one of five frescoes by José Clemente Orozco commissioned by Alvin Johnson and installed in 1931 in the New School for Social Research (Room 712). https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/5.jpg Jackson Pollock, Pasiphae, 1943, oil on canvas (left) and John Steuart Curry, John Brown, 1939, oil on canvas (right). https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/6.jpg Study for City Activities with Subway, 1930, oil on masonite, 15 x 21 1/16 in. https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/7.jpg Worker evidently modelled by Jackson Pollock, Steel (detail). https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/8.jpg Female straphanger modelled by Elizabeth Pollock, City Activities with Subway (detail). https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/10.jpg Anteroom for both the Frank Lloyd Wright period room (left) and the special Benton exhibition, with visitors watching museum video projected on wall introducing America Today (right). https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/11.jpg Auditorium designed by Joseph Urban in 1931 for the New School for Social Research. https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/12.jpg Midwest, 1931, distemper and egg tempera on gessoed linen with oil glaze, 92 x 117 in. https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/13.jpg Angled aluminium-leaf moulding overlaying City Activities with Subway (detail), with Benton’s painted rectilinear extensions further separating mural subjects. https://www.studiointernational.com/images/articles/b/benton-thomas-hart-2015/14.jpg Recreation of the New School for Social Research boardroom, with museum visitors seated and viewing simulated windows adjacent Instruments of Power (detail). https://www.studiointernational.com/index.php/kehinde-wiley-interview-a-new-republic-brooklyn-museum-african-american https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-13.jpg Kehinde Wiley. Femme piquèe par un serpent, 2008. Oil on canvas, 102 x 300 in (259.1 x 762 cm). Courtesy of Sean Kelly, New York. © Kehinde Wiley. https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-18.jpg Kehinde Wiley. Willem van Heythuysen, 2005. Oil and enamel on canvas, 96 x 72 in (243.8 x 182.9 cm). Virginia Museum of Fine Arts, Richmond; Arthur and Margaret Glasgow Fund, 2006.14. © Kehinde Wiley. (Photograph: Katherine Wetzel. © Virginia Museum of Fine Arts). https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-31.jpg Kehinde Wiley. Leviathan Zodiac, 2011. Oil and gold enamel on canvas, 95 x 71 in (243.2 x 182.2 cm). Collection of Blake Byrne, Los Angeles. © Kehinde Wiley. (Photograph: Robert Wedemeyer, courtesy of Roberts & Tilton, Culver City, California). https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-33.jpg Kehinde Wiley. The Two Sisters, 2012. Oil on linen, 96 x 72 in (243.8 x 182.9 cm). Collection of Pamela K. and William A. Royall, Jr. © Kehinde Wiley. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-39.jpg Kehinde Wiley. Shantavia Beale II, 2012. Oil on canvas, 60 x 48 in (152.4 x 121.9 cm). Collection of Ana and Lenny Gravier. © Kehinde Wiley. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/2012.51.jpg Kehinde Wiley. Houdon Paul-Louis, 2011. Bronze with polished stone base, 34 x 26 x 19 in (86.4 x 66 x 48.3 cm). Brooklyn Museum; Frank L. Babbott Fund and A. Augustus Healy Fund, 2012.51. © Kehinde Wiley. (Photograph: Sarah DeSantis, Brooklyn Museum). https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-43.jpg Kehinde Wiley. Anthony of Padua, 2013. Oil on canvas, 72 x 60 in (182.9 x 152.4 cm). Seattle Art Museum; Gift of the Contemporary Collectors Forum, 2013.8. © Kehinde Wiley. (Photograph: Max Yawney, courtesy of Roberts & Tilton, Culver City, California). https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-53.jpg Kehinde Wiley. Arms of Nicolas Ruterius, Bishop of Arras, 2014. Stained glass, 54 x 36 in (137.2 x 92.7 cm). Courtesy of Galerie Daniel Templon, Paris. © Kehinde Wiley. https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-55.jpg Kehinde Wiley. Saint Remi, 2014. Stained glass, 96 x 43 in (243.8 x 110.5 cm). Courtesy of Galerie Daniel Templon, Paris. © Kehinde Wiley. https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-63.jpg Kehinde Wiley. The Sisters Zènaôde and Charlotte Bonaparte, 2014. Oil on linen, 83 x 63 in (212 x 160 cm). Collection of Nathan Serphos and Glenn Guevarra, New York. © Kehinde Wiley. (Photograph: Robert Wedemeyer, courtesy of Roberts & Tilton, Culver City, California). https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/EL137-71.jpg Kehinde Wiley. Two Heroic Sisters of the Grassland, 2011. Oil on canvas, 96 x 84 in (243.8 x 213.4 cm). Hort Family Collection. © Kehinde Wiley. Photograph: Max Yawney. https://www.studiointernational.com/images/articles/w/wiley-kehinde-2015/L2005-6.jpg Kehinde Wiley. Napoleon Leading the Army over the Alps, 2005. Oil on canvas, 108 x 108 in (274.3 x 274.3 cm). Collection of Suzi and Andrew B. Cohen. © Kehinde Wiley. Photograph: Sarah DiSantis, Brooklyn Museum. https://www.studiointernational.com/index.php/helen-flockhart-interview-painter-glasgow-school-of-art https://www.studiointernational.com/images/articles/f/flockhart-helen-2015/Flockhart-Flourish.jpg Helen Flockhart. Flourish, 2013. Oil on panel, 33 cm diameter. © Helen Flockhart. https://www.studiointernational.com/images/articles/f/flockhart-helen-2015/Flockhart-Woman-with-textile.jpg Helen Flockhart. Woman with Textile, 2013. Oil on board, 58.5 x 40.5 cm. © Helen Flockhart. https://www.studiointernational.com/images/articles/f/flockhart-helen-2015/Black-Swan-White-Swan.jpg Helen Flockhart. Black Swan, White Swan, 2014. Oil on linen, 90 x 105 cm. © Helen Flockhart. https://www.studiointernational.com/images/articles/f/flockhart-helen-2015/Flockhart-Seven-lions.jpg Helen Flockhart. Heracles, 2010. Oil on panel, 49 x 74cm. © Helen Flockhart. https://www.studiointernational.com/images/articles/f/flockhart-helen-2015/Flockhart-Magnolia-Grandiflora.jpg Helen Flockhart. Magnolia Grandiflora, 2010. Oil on canvas, 79 x 100 cm. © Helen Flockhart. https://www.studiointernational.com/images/articles/f/flockhart-helen-2015/Flockhart-Clearing.jpg Helen Flockhart. Clearing, 2014. Oil on linen, 50 x 80 cm. © Helen Flockhart. https://www.studiointernational.com/images/articles/f/flockhart-helen-2015/Flockhart-sketchbook-1.jpg Helen Flockhart. Pages from an A6 sketchbook. Pen and pencil on cartridge paper, 2014. © Helen Flockhart. https://www.studiointernational.com/images/articles/f/flockhart-helen-2015/Flockhart-sketchbook-3.jpg Helen Flockhart. Pages from an A6 sketchbook (2). Pen and pencil on cartridge paper, 2014. © Helen Flockhart. https://www.studiointernational.com/images/articles/f/flockhart-helen-2015/Flockhart-Yellow-Flowered-Dress.jpg Helen Flockhart. Yellow Flowered Dress, 2014. Oil on linen, 71 x 45 cm. © Helen Flockhart. https://www.studiointernational.com/index.php/john-singer-sargent-portraits-of-artists-and-friends-review-national-portrait-gallery https://www.studiointernational.com/images/articles/s/sargent-2015/NPG_920_1362_RobertLouisSte.jpg Robert Louis Stevenson by John Singer Sargent, 1887. Copyright: Courtesy of the Taft Museum of Art, Cincinnati, Ohio. https://www.studiointernational.com/images/articles/s/sargent-2015/NPG_920_1365_douardandMarie.jpg Édouard and Marie-Louise Pailleron by John Singer Sargent, 1881. Copyright: Des Moines Art Center, Des Moines, Iowa. https://www.studiointernational.com/images/articles/s/sargent-2015/NPG_920_1366_GroupwithParas.jpg Group with Parasols by John Singer Sargent, c1904-5. Copyright: Private collection. https://www.studiointernational.com/images/articles/s/sargent-2015/NPG_920_1363_DameEthelSmyth.jpg Dame Ethel Smyth by John Singer Sargent, 1901. Copyright: National Portrait Gallery, London. https://www.studiointernational.com/images/articles/s/sargent-2015/NPG_920_1364_CarolusDuranby.jpg Carolus-Duran by John Singer Sargent, 1879. Copyright: Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA. Photograph: Michael Agee. https://www.studiointernational.com/index.php/ken-kiff-obituary https://www.studiointernational.com/images/articles/k/kiff-ken-2015/kiff_0021gmb.jpg Ken Kiff. Walking Past Rocks and Flowers, 1996. Drypoint and aquatint, 31.0 x 35.0 cm. Edition of 35. https://www.studiointernational.com/index.php/marlene-dumas-image-as-burden-review-tate-modern https://www.studiointernational.com/images/articles/d/dumas-marlene-2015/marlene-dumas-amy.jpg Marlene Dumas. Amy - Blue, 2011. National Portrait Gallery, London. © Marlene Dumas. Photograph: Peter Cox. https://www.studiointernational.com/images/articles/d/dumas-marlene-2015/evil_is_banal.jpg Marlene Dumas. Evil is Banal, 1984. Collection Van Abbemuseum, Eindhoven, The Netherlands. © Marlene Dumas. Photograph: Peter Cox, Eindhoven, The Netherlands. https://www.studiointernational.com/images/articles/d/dumas-marlene-2015/md2013_02b.jpg Marlene Dumas. The Widow, 2013. Private collection. © Marlene Dumas. https://www.studiointernational.com/images/articles/d/dumas-marlene-2015/helenas_dream_2008_original.jpg Marlene Dumas. Helena’s Dream, 2008. Kunsthalle Bielefeld. © Marlene Dumas. Photograph: Peter Cox. https://www.studiointernational.com/images/articles/d/dumas-marlene-2015/the_image_as_burden_1993.jpg Marlene Dumas. The Image as Burden, 1993. Private collection, Belgium. © Marlene Dumas. Photograph: Peter Cox. https://www.studiointernational.com/index.php/good-figures-review-female-form-contemporary-artists-joyce-cairns https://www.studiointernational.com/images/articles/g/good-figures-2015/Day-to-Night-by-Eileen-Cooper-2014.jpg Eileen Cooper. Day to Night, 2014. Oil on canvas, 122 x 92 cm. https://www.studiointernational.com/images/articles/g/good-figures-2015/Hodes-Silhouette-in-Grey.jpg Charlotte Hodes. Silhouette in Grey. Paper cut, 112 x 142 cm. https://www.studiointernational.com/images/articles/g/good-figures-2015/Joyce-Cairns.jpg Joyce Cairns. The Magic Gate and Other Stories. Oil on board, 195 x 256 cm. https://www.studiointernational.com/images/articles/g/good-figures-2015/Lees-Visual-invisibility.jpg Irene Lees. Visual Invisibility, 2014. Ink on chalkboard, 156 x 80 cm. https://www.studiointernational.com/images/articles/g/good-figures-2015/Paper-Doll-by-Eileen-Cooper-2014.jpg Eileen Cooper. Paper Doll, 2014. Oil on canvas, 122 x 92 cm. https://www.studiointernational.com/images/articles/g/good-figures-2015/Promenade-papercut-1F430F.jpg Charlotte Hodes. Promenade. Paper cut, 109 x 112 cm. https://www.studiointernational.com/images/articles/g/good-figures-2015/lees-Anonymity-II.jpg Irene Lees. Anonymity, 2014. Ink on chalkboard, 76 x 56.5 cm. https://www.studiointernational.com/index.php/ilana-halperin-interview-geological-phenomena-volcanoes-drawing-photography-gallstones https://www.studiointernational.com/images/articles/h/halperin-ilana-2015/image1.jpg Physical Geology (cave cast/slow time). Limestone sculptures formed over the course of nine months in the Fontaines Pétrifiantes de Saint Nectaire, 2008-9. Photograph: Ruth Clark. Courtesy of Patricia Fleming Projects. https://www.studiointernational.com/images/articles/h/halperin-ilana-2015/image2.jpg Physical Geology (cave cast/slow time), detail view. Limestone sculptures formed over the course of nine months in the Fontaines Pétrifiantes de Saint Nectaire, 2008-9. Photograph: Ruth Clark. Courtesy of Patricia Fleming Projects. https://www.studiointernational.com/images/articles/h/halperin-ilana-2015/image3.jpg The Mineral Body. Wood encrusted in limestone. Part of the solo exhibition The Library at National Museum of Scotland, 2013. Photograph: Neil McLean, National Museums Scotland. Courtesy of Patricia Fleming Projects. https://www.studiointernational.com/images/articles/h/halperin-ilana-2015/image4.jpg Ilana Halperin. Towards Heilprin Land (near ittoqqortoormiit). Hard ground copperplate etching, 2007. © Ilana Halperin. Courtesy of Patricia Fleming Projects. https://www.studiointernational.com/images/articles/h/halperin-ilana-2015/image5.jpg Ilana Halperin. Physical Geology (a field guide to new landmass). Etching on Fabriano Artistico paper, 2013. Photograph: Dundee Contemporary Arts Print Studio. Courtesy of Patricia Fleming Projects. https://www.studiointernational.com/images/articles/h/halperin-ilana-2015/image6.jpg Ilana Halperin. We Form Geology. Wood with natural mineral deposit. Formed in the Blue Lagoon, Iceland, 2012-13. Photograph: Neil McLean, National Museums Scotland. Courtesy of Patricia Fleming Projects. https://www.studiointernational.com/images/articles/h/halperin-ilana-2015/image7.jpg Ilana Halperin. Physical Geology (new landmass 1). Watercolour and graphite on Fabriano paper, 2011. Photograph: Ruth Clark. Courtesy of Patricia Fleming Projects. https://www.studiointernational.com/images/articles/h/halperin-ilana-2015/image8.jpg Ilana Halperin. Physical Geology (new landmass 2), detail view. Watercolour and graphite on Fabriano paper, 2011. Photograph: Ruth Clark. Courtesy of Patricia Fleming Projects. https://www.studiointernational.com/index.php/on-kawara-silence-review-date-paintings-guggenheim https://www.studiointernational.com/images/articles/k/kawara-on-2015/IGOTUP_APR1.jpg On Kawara. APR - 1 1969. From I Got Up, 1968-79. Stamped ink on postcard, 6 x 9 in (15.2 x 23 cm). MTM Collection, Japan. https://www.studiointernational.com/images/articles/k/kawara-on-2015/IGOTUP_JUN10.jpg On Kawara. JUN 10 1975. From I Got Up, 1968–79. Stamped ink on postcard, 3 1/2 x 5 1/2 in (8.9 x 4 cm). Collection of Keiji and Sawako Usami. https://www.studiointernational.com/images/articles/k/kawara-on-2015/On Kawara Silence-exh_ph046.jpg On Kawara. On Kawara—Silence, Solomon R. Guggenheim Museum, New York, February 6 to May 3, 2015. Installation view. Photograph: David Heald © Solomon R. Guggenheim Foundation. https://www.studiointernational.com/images/articles/k/kawara-on-2015/On Kawara Silence-exh_ph078.jpg On Kawara. On Kawara—Silence, Solomon R. Guggenheim Museum, New York, February 6 to May 3, 2015. Installation view (2). Photograph: David Heald © Solomon R. Guggenheim Foundation. https://www.studiointernational.com/images/articles/k/kawara-on-2015/OnKawara_DEC29.jpg On Kawara. DEC. 29, 1977. 'Thursday'. New York. From Today, 1966-2013. Acrylic on canvas, 8 x 10 in (20.3 x 25.4 cm). Pictured with artist-made cardboard storage boxes, 10 1/2 x 10 3/4 x 2 in (26.8 x 27.2 x 5 cm). Private collection. Photograph: Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/k/kawara-on-2015/OnKawara_JAN4.jpg On Kawara. JAN. 4, 1966. 'New York's traffic strike'. New York. From Today, 1966-2013. Acrylic on canvas, 8 x 10 in (20.3 x 25.4 cm). Private collection. Photograph: Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/k/kawara-on-2015/OnKawara_May20.jpg On Kawara. MAY 20, 1981. 'Wednesday.' New York. From Today, 1966-2013. Acrylic on canvas, 18 x 24 in (45.7 x 61 cm). Pictured with artist-made cardboard storage boxes, 24 5/8 x 18 5/8 x 2 in (62.5 x 47.3 x 5 cm). Private collection. Photograph: Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/k/kawara-on-2015/OnKawara_SolLeWittTelegram.jpg On Kawara. Telegram to Sol LeWitt, February 5, 1970. From I Am Still Alive, 1970-2000. Telegram, 5 3/4 x 8 in (14.6 x 20.3 cm). LeWitt Collection, Chester, Connecticut. https://www.studiointernational.com/images/articles/k/kawara-on-2015/OnKawara_Title1965.jpg On Kawara. Title, 1965. Acrylic on canvas, triptych. Left panel: 46 3/8 x 61 3/8 in (117.8 x 155.9 cm); centre panel: 51 1/4 x 62 3/4 in (130.2 x 159.4 cm); right panel: 46 1/4 x 61 3/8 in (117.5 x 155.9 cm). National Gallery of Art, Washington D.C., Patronsí Permanent Fund. https://www.studiointernational.com/images/articles/k/kawara-on-2015/OnKawara_ParisNY.jpg On Kawara. Paris–New York Drawing no. 144, 1964. Graphite and coloured pencil on paper, perforated top edge, 4 9/16 x 18 1/16 in (37 x 46 cm). Collection of the artist. Photograph: Courtesy David Zwirner, New York/London. https://www.studiointernational.com/index.php/birds-of-metal-in-flight-evening-poetry-phoenix-xu-bing-cathedral-st-john-divine-new-york https://www.studiointernational.com/images/articles/x/xu-bing-2014/Phoenix_Cathedral_1.jpg Xu Bing. Phoenix Project, 2008-2010. Installation view of Phoenix: Xu Bing at the Cathedral, The Cathedral Church of Saint John the Divine, New York, 2013. 28 metres in length, 8 metres in width, 5 metres in height. Courtesy Xu Bing Studio and The Cathedral Church of Saint John the Divine. https://www.studiointernational.com/index.php/armory-week-2015-review-new-york https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08208.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08263.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08250.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08373.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08260.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08354.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08326.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08360.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08202.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08193.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/SF_2014_Untitled-Link-04.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08185.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08225.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08424.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08406.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/1-DSC01161.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08397.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08227.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08182.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/Tom-Stodgdon-Jill.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08177.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08339.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08211.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/Daniel-Buren.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08281.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08270.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08383.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08246.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/Stogdon.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08215.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08363.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2015/DSC08329.jpg New York Art Week https://www.studiointernational.com/images/articles/a/armory-show-2015/gilles-barbier.jpg Gilles Barbier. A Very Old Thing, 2015. Mixed media, 70 7/8 x 70 7/8 x 45 1/4 in. 1/3 (Edition of 3 + 1 AP). Courtesy galerie Georges-Philippe & Nathalie Vallois, Paris. Photograph: JC Lett. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08346.jpg Chantal Joffe. Woman in a Blue Coat on Green, 2014. Oil on board on aluminum frame. 244 x 182.5 x 6 cm. Victoria Miro. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08143.jpg Berta Fischer. Toylim, 2014. Plexiglass. 210 x 240 x 260 cm (82 5/8 x 94 1/2 x 100 2/8 inches). Unique. James Fuentes. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08200.jpg William J. O’Brien. Untitled, 2014. Marianne Boesky Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08274.jpg Michael Müller. Installation view. Galerie Thomas Schulte. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08190.jpg Lucio Fontana. Concetto spaziale, attese, 1967. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08268.jpg Jon Rafman. Manifold XV, 2015. Photopolymer, resin, pigment. 25 x 15 1/2 x 9 in. Zach Feuer Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08364.jpg Karl Benjamin. #12, 1983; #7, 1974; #20, 1982. Oil on canvas. Louis Stern Fine Arts. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC07882.jpg Allen Jones. Hatstand, 1969. Mixed Media. 71.7 x 42.5 x 11 in. Edition AP 1/1. Wetterling Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2015/Donald-Judd.jpg Donald Judd. Untitled (S.#261-270), 1992-93. Suite of 10 colour woodcuts on Japanese paper. 23 x 30 3/4 in. Edition of 30. Courtesy of John Berggruen Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2015/Jim-Dine-Self-Portrait.jpg Jim Dine. Self Portrait (Stencil), 1970. 12 colour stencil collaged onto Hodkinson Mould Made paper. Paper and image 153 x 101.5 cm. Courtesy of Jim Dine and Alan Cristea Gallery, London. https://www.studiointernational.com/images/articles/a/armory-show-2015/Frank-Stella-Double-Concentric.jpg Frank Stella. Double Concentric Squares 1973. Acrylic on canvas. 81 by 161 in. Courtesy Simon Capstick-Dale Fine Art. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08385.jpg Michelangelo Pistoletto. Ciak Azzurro (Blue Clapperboard), 1962-2007. Silkscreen on polished super mirror stainless steel. 98 3/4 x 49 1/4 in. Luhring Augustine. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08390.jpg Still Life, 1989. Glass top iron table, painted plaster. 7 ft 7 3/4 in x 13 ft 6 in x 30 in. Ronald Feldman Fine Arts. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08399.jpg Christo. Wrapped Mirror, 1963. Partially gilded, wooden, Victorian frame and glass mirror, polyethylene, twine and rope. 28 1/2 x 24 1/2 in. Pavel Zoubok. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08402.jpg Charles McGill. Horse Run Afoul, 2015. Reconfigured gold bag parts. 34 x 30 x 26 in. Pavel Zoubok. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08410.jpg Alice Aycock. The Riddle of the Flying Saucer #1, 2015. Aluminium. 24 x 23 x 24 on 24 in square base. Fredric Snitzer. https://www.studiointernational.com/images/articles/a/armory-show-2015/SF_2014_Untitled-Link-03.jpg Florian Schmidt. Untitled(Link)03, 2015. Acryl, lacquer, vinyl, cardboard, wood. 150 x 120 cm (appr. 5' x 4'). Courtesy Philipp von Rosen Galerie. https://www.studiointernational.com/images/articles/a/armory-show-2015/Tom-Stodgdon-work-Jill.jpg Tom Stogdon. Changing Landscape, 2014. Slate, steel and found objects. 77 in (195.7 cm) long. Courtesy Crane Kalman Gallery. https://www.studiointernational.com/images/articles/a/armory-show-2015/DSC08413.jpg Nam June Paik. Self-Portrait, 1989. 1950s Philco Predicta TV cabinet containing bronze mask of the artist, videotape, antigue TV tubes, circuit board. eggs, painted globe, watch, suspenders, pewter Buddha, magnet, painted toy piano, I-Ching page, silk flower, 1 pair of eye glasses. Edition of 12. 24 x 27 x 16 in. Carl Solway Gallery. https://www.studiointernational.com/index.php/marc-chagall-retrospective-review-museum-fine-arts-brussels https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Composition-with-Circles-and-Goat.jpg Marc Chagall. Composition with Circles and Goat - Jewish Theatre, 1920, oil on cardboard mounted on particle board (model), Private Collection © Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Costume-for-Zemphira.jpg Marc Chagall. Costume for a Clown (Aleko scene II), 1942. Jersey of painted cotton, cotton gabardine, with appliqué, blouse in silk taffeta, belt in cotton gabardine and tights in cotton jersey with appliqué. Private Collection ©Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Couple-above-Saint-Paul.jpg Marc Chagall. Couple above Saint-Paul, 1968. Oil, tempera and sawdust on canvas. Private collection © Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Cow-with-Parasol.jpg Marc Chagall. Cow with Parasol, 1946. Oil on canvas. The Metropolitan Museum of Art, New York, Bequest of Richard S. Zeisler, 2007. ©The Metropolitan Museum of Art, New York/Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Definitive-Study-Ceiling-Opera-Garnier.jpg Marc Chagall. Definitive Study for the Ceiling of the Opéra Garnier, Paris, 1963. Gouache on paper, glued on canvas. Private collection © Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_I-Marc-Chagall.jpg Marc Chagall. I, Marc Chagall. Self-Portrait with Tefillin, 1928. Watercolour, pastel and gouache on paper glued on cardboard. Brussels, Royal Museums of Fine Arts Belgium © RMFAB, Brussels/Chagall ® SABAM Belgium 2015. Photograph: J Geleyns/Ro scan. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_I-and-the-Village.jpg Marc Chagall. I and the Village, 1912. Pencil, watercolour and gouache on paper. Brussels, Royal Museums of Fine Arts Belgium © RMFAB/Chagall ® SABAM Belgium 2015. Photograph: J Geleyns/Ro scan. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Ma-Vie_Pokrowskaja-in-Vitebsk.jpg Marc Chagall. Plate from Mein Leben (My Life): The Pokrovskaja-Street in Vitebsk, 1922. Etching and dry point on Japanese paper. Paul Cassirer, Berlin, 1923. Private collection © Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Ma-Vie_Self-portrait.jpg Marc Chagall. Plate from Mein Leben (My life); Self-portrait. 1922. Etching and dry point on Japanese paper. Paul Cassirer, Berlin, 1923. Private collection © Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Man-with-his-Head-Thrown-Back.jpg Marc Chagall. Man with his Head Thrown back, 1919. Oil on cardboard mounted on panel. Private collection © Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Monster-with-Violet-Mask.jpg Marc Chagall. Set Design for the costumes for The Firebird by Igor Stravinsky: Monster with Violet Mask, 1945. Gouache, Indian ink and pencil on paper. Private collection © Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Red-and-Black-World.jpg Marc Chagall. Red and Black World, 1951. Gouache, watercolour, pastel on paper, glued on canvas. Private collection © Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Temptation.jpg Marc Chagall, Temptation, 1912. Oil on canvas, Gift of Morton D May, Saint Louis Art Museum © Saint Louis Art Museum/Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_The-Birthday.jpg Marc Chagall, The Birthday, 1915. Oil on cardboard. New York, Museum of Modern Art. Acquired through the Lillie P. Bliss, 1949 © The Museum of Modern Art, New York. ® SABAM, Belgium 2015. Photograph: Scala, Firenze https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_The-Eiffel-Tower.jpg Marc Chagall. The Eiffel Tower, 1927. Watercolour, gouache and oil on paper. Brussels, Royal Museums of Fine Arts of Belgium © RMFAB Brussels/Chagall ® SABAM Belgium 2015. Photograph: Photo d’art Speltdoorn & Fils. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_The-Frog-and-the-Ox.jpg Marc Chagall. The Frog and the Ox, 1927. Gouache on paper. Brussels, Royal Museums of Fine Arts of Belgium © RMFAB, Brussels/Chagall ® SABAM Belgium 2015. Photograph: Guy Cussac. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_The-Poet--Reclining.jpg Marc Chagall. The Poet Reclining, 1915. Oil on cardboard. Tate, purchased in 1942, © Tate/Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_The-Red-Nude.jpg .Marc Chagall. Red Nude, 1909. Oil on canvas. Private collection © Chagall ® SABAM Belgium 2015 https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_The-Triumph-of-Music.jpg Marc Chagall. The Triumph of Music. Preparatory drawing for the Metropolitan Opera Mural, Lincoln Art Centre, New York, 1966. Tempera, gouache and collage on paper. Private collection © Chagall ® SABAM Belgium 2015. https://www.studiointernational.com/images/articles/c/chagall-2015/CHAGALL_Yellow-Crucifixion.jpg Marc Chagall. The Yellow Crucifixion, 1942. Oil on linen. Paris, Centre Pompidou, Musée national d’Art moderne/ Centre de Création industrielle, in lieu of payment, 1988 © Chagall ® SABAM Belgium 2015. Photograph: RMN –Grand Palais – Philippe Migeat. https://www.studiointernational.com/index.php/sultans-world-ottoman-orient-in-renaissance-art-bozar https://www.studiointernational.com/images/articles/s/sultan-2015/org_11618_img1.jpg Paolo Veronese (and workshop), Sultan Bajezid I © Collection Bayerische Staatsgemäldesammlungen, München. https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265112_activity11618.jpg Attributed to Botticelli. Portrait of Montefeltro and Landino © Biblioteca Apostolica Vaticana. https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265113_activity11618.jpg Titian (Studio), La Sultana Rossa. The John and Mable Ringling Museum of Art, the State Arte Museum of Florida, Florida State University, Sarasota, Florida. https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265114_activity11618.jpg History of Sultan Sulayman, Fall of Szigetvar Bound manuscript, 1579 © Trustees of the Cester Beatty Library. https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265116_activity11618.jpg Armour of Stephan Báthory, King of Poland (1533-86), c1560. © Kunsthistorisches Museum Vienna. https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265117_activity11618.jpg Anonymous. Sultan Sulayman the Magnificent wearing the jewel-studded helmet c1532 © The Metropolitan Museum of Art/Art Resource/Scala, Florence. https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265118_activity11618.jpg Attributed to: Venetian, Sultan Suleiman II c1530 © Kunsthistorisches Museum Vienna. https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265119_activity11618.jpg Automatenuhr mit reitendem Pascha c1580 © HMB-historical Museum Basel https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265120_activity11618.jpg Albrecht Dürer. Oriental Rider, c1495 © Albertina, Wien. https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265123_activity11618.jpg Gentile Bellini (attributed to). Portrait of Sultan Mehmet II, 1480. Canvas © The National Gallery, London. https://www.studiointernational.com/images/articles/s/sultan-2015/pfile265124_activity11618.jpg Conrad Gessner. Historia plantarum, Drawing © Erlangen, University Library. https://www.studiointernational.com/index.php/goya-the-witches-and-old-women-album-review-courtauld-gallery https://www.studiointernational.com/images/articles/g/goya-2015/He-can-no-longer-at-the.jpg Francisco Goya. No puede ya con los 98 anos (Just can't go on at the age of 98). 'Witches and Old Women' Album (D), page 23, c1819-23. Brush, black and grey ink , 23.3 x 14.4 cm. Los Angeles, The J. Paul Getty Museum. https://www.studiointernational.com/images/articles/g/goya-2015/Dream-of-a-good-witch.jpg Francisco Goya. Sueno de buena echizera (Dream of a good witch), 'Witches and Old Women' Album (D), page 15, c1819-23. Brush, black and grey ink, 23.4 x 14.4 cm. Berlin, Staatliche Museen zu Berlin Preussischer, Kulturbesitz, Kupferstichkabinett. https://www.studiointernational.com/images/articles/g/goya-2015/Nightmare1.jpg Francisco Goya. Pesadilla (Nightmare), 'Black Border' Album (E), page 20, c1816-20. Brush, black ink with wash and scraping 36.4 x 18.1 cm. New York, The Morgan Library & Museum. https://www.studiointernational.com/images/articles/g/goya-2015/Regozijo-Mirth.jpg Francisco Goya. Regozijo (Mirth), 'Witches and Old Women' Album (D), page 4, c1819-23. Brush, black and grey ink with traces of red chalk and scraping, 23.7 x 14.8 cm. New York, The Hispanic Society of America. https://www.studiointernational.com/images/articles/g/goya-2015/Showing-off-Remember-your.jpg Francisco Goya. Valentias? Quenta con los anos (Showing off? Remember your age), 'Black Border' Album (E), page 7, c1816-20. Brush and black ink with wash and scraping, 26.6 x 18.6 cm. Berlin, Staatliche Museen zu Berlin Preussischer, Kulturbesitz, Kupferstichkabinett. https://www.studiointernational.com/images/articles/g/goya-2015/monsters.jpg Francisco Goya. El sueno de la razon produce monstruos (The sleep of reason produces monsters), 'Los Caprichos' 43, in the Cean Bermudez trial (first edition) set, 1799, c1797-98. Etching, aquatint, drypoint and burin, 21.7 x 15.3 cm. London, The British Museum. https://www.studiointernational.com/index.php/marisa-williamson-interview-sally-hemings-slave-mistress-thomas-jefferson https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/MarisaWilliamson02.jpg Marisa Williamson. Brochure Side II. Paper, 8.5 x 11 in. https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/MarisaWilliamson3.jpg Marisa Williamson. Digital image from Hemings in Paris film project. https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/MarisaWilliamson04.jpg Marisa Williamson. Self Portrait, Sally Hemings, 2013. Acrylic on board, frame, 40 x 28 in. https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/MarisaWilliamson05.jpg Marisa Williamson. Auction, 2013. Image (1) of performance, July 21st. https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/MarisaWilliamson06.jpg Marisa Williamson. Auction, 2013. Image (2) of performance, July 21st. https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/MarisaWilliamson07.jpg Marisa Williamson. Auction, 2013. Image (3) of performance, July 21st. https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/MarisaWilliamson08.jpg Marisa Williamson. Auction, 2013. Image (4) of performance, July 21st. https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/MarisaWilliamson09.jpg Marisa Williamson. Stocking (from Auction), 2013. Linen, thread, 20 x 9 in. https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/MarisaWilliamson10.jpg Marisa Williamson. Letter (from Auction), 2013. Ink on paper, 8.5 x 11 in. https://www.studiointernational.com/images/articles/w/williamson-marisa-2015/auction-script.jpg Marisa Williamson. Excerpt from the script for the performance of Auction, 21 July 2013, Pioneer Works, Brooklyn, New York. https://www.studiointernational.com/index.php/ken-kiff-the-hill-of-dreams-review-marlborough-fine-art https://www.studiointernational.com/images/articles/k/kiff-ken-2015/ken-kiff_0003fl.jpg Ken Kiff. Woman in Sky, 1999. Acrylic on board, 80 x 78.5 cm. https://www.studiointernational.com/images/articles/k/kiff-ken-2015/ken-kiff_0138fl.jpg Ken Kiff. Woman Watching a Murder, 1996. Acrylic on board, 76.2 x 63.5 cm. https://www.studiointernational.com/images/articles/k/kiff-ken-2015/Ken-Kiff_f_afterpatenier_spanishversion_1992_.jpg Ken Kiff. After Patenier I, 1992-3. Charcoal and pastel on paper, 69 x 84 cm. https://www.studiointernational.com/images/articles/k/kiff-ken-2015/ken-kiff_0029fl.jpg Ken Kiff. Coloured Lines, Torrent and Boat, 1999. Oil pastel and acrylic on board, 102 x 75 cm. https://www.studiointernational.com/index.php/new-museum-2015-triennial-surround-audience-review-li-liao-njideka-akunyili-crosby-ed-atkins https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7647.jpg 2015 Triennial: Surround Audience. Gallery view (1). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7373.jpg 2015 Triennial: Surround Audience. Gallery view (2). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7348.jpg 2015 Triennial: Surround Audience. Gallery view (3). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7302.jpg 2015 Triennial: Surround Audience. Luke Willis's Performance. Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7002.jpg 2015 Triennial: Surround Audience. Gallery view (4). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7015.jpg 2015 Triennial: Surround Audience. Gallery view (5). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7026.jpg 2015 Triennial: Surround Audience. Gallery view (6). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7105.jpg 2015 Triennial: Surround Audience. Gallery view (7). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7423.jpg 2015 Triennial: Surround Audience. Gallery view (8). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7455.jpg 2015 Triennial: Surround Audience. Gallery view (9). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7494.jpg 2015 Triennial: Surround Audience. Gallery view (10). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7590.jpg 2015 Triennial: Surround Audience. Gallery view (11). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_8220.jpg 2015 Triennial: Surround Audience. Gallery view (12). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7847.jpg 2015 Triennial: Surround Audience. Gallery view (13). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7773b.jpg 2015 Triennial: Surround Audience. Gallery view (14). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7912.jpg 2015 Triennial: Surround Audience. Gallery view (15). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7475.jpg 2015 Triennial: Surround Audience. Gallery view (16). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7657.jpg 2015 Triennial: Surround Audience. Gallery view (17). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7945.jpg 2015 Triennial: Surround Audience. Gallery view (18). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/images/articles/n/new-museum-triennial-2015/New Museum_Triennial_2015_Benoit Pailley_7562.jpg 2015 Triennial: Surround Audience. Gallery view (19). Courtesy New Museum, New York. Photograph: Benoit Pailley https://www.studiointernational.com/index.php/staging-the-ukrainian-avant-garde-1910s-1920s-theatre-design-new-york https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/002_Img_03.jpg Alexandra Exter. Innokentii Annensky, Famira Kifared, Chamber Theatre, Moscow, Dir. O. Tairov, 1916. Costume sketch, Bacchante, gouache on paper, 17 x 14⅜ in (45 x 36.5 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/006_Img_04.jpg Alexandra Exter. William Shakespeare, Romeo and Juliet, Chamber Theatre, Moscow, Dir. O. Tairov, 1921. Costume sketch, gouache and bronze paint on cardboard, 19⅝ x 13 in (50 x 35 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/007_IMG_0772.jpg Marko Epshtein, Sholem Aleichem. Aristocrats. First all-Ukrainian State Jewish Theatre, Kharkiv, Dir. M. Norvyd, 1927–28. Costume sketch, Rikl, watercolour on paper, 10⅝ x 5⅞ in (27 x 15 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/014_IMG_0963.jpg Kost (Kostiantyn) Yeleva, Ivan Haliun. The Rapids Pound, Ivan Franko Theatre, Kyiv, Dir. Ye. Kokhanenko, 1927. Sketches of costumes, applique and oil on cardboard, 16 x 13 in (42 x 33 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/020_IMG_0780.jpg Borys Kosarev, Ivan Kocherha. Marko in Hell, State Red Factory Theatre, Kharkiv, Dir. V. Vasylko, 1928. Costume sketches, Two Devils, gouache on paper, 15 x 12 in (39.5 x 31 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/038_IMG_0969_01.jpg Vadym Meller, Masks (music by Frederic Chopin), Bronislava Nijinska’s School of Movement, Kyiv, 1919. Sketch for choreographic movement, watercolour on cardboard, 23⅝ x 16⅞ in (60 x 43 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/040_IMG_0970.jpg Vadym Meller, Assyrian Dances, Bronislava Nijinska’s School of Movement, Kyiv, 1919. Sketch for choreographic movement, watercolour and gouache on paper, 24 x 12⅝ in (61 x 32 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/042_IMG_0948.jpg Vadym Meller, Mephisto (music by Franz Liszt), Bronislava Nijinska’s School of Movement, Kyiv, 1920. Costume sketch for choreographic movement, gouache and pencil on paper, 22 x 15 in (56 x 40 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/043_IMG_0918.jpg Vadym Meller, Juliusz Słowacki. Mazepa, First Taras Shevchenko State Theatre, Kyiv, Dir. K. Berezhnoi, 1920. Costume sketch, woman, gouache on paper, 19 x 9 in (49.5 x 23.5 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/046_IMG_0940.jpg Vadym Meller, Juliusz Słowacki. Mazepa, First Taras Shevchenko State Theatre, Kyiv, Dir. K. Berezhnoi, 1920. Costume sketch, Friar, gouache on paper, 18 x 12⅝ in (47.5 x 32 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/048_IMG_0791.jpg Vadym Meller, Georg Kaiser. Gas, Berezil Artistic Association, Kyiv, Dir. L. Kurbas, 1923. Costume sketch, Female Worker, watercolour on paper, 17⅜ x 8⅝ in (44 x 22 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/050_IMG_0793.jpg Vadym Meller, Georg Kaiser. Gas, Berezil Artistic Association, Kyiv, Dir. L. Kurbas, 1923. Costume sketch, Officer, gouache, watercolour and India ink on cardboard, 17⅛ x 9 in (43.5 x 23 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/065_IMG_0750.jpg Vadym Meller, W Somerset Maugham, John Colton. Sadie Berezil Theatre, Kharkiv, Dir. V. Inkijinoff, 1926. Costume sketch, Native Woman, watercolour and paper on cardboard, 18⅛ x 7⅛ in (46 x 18 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/086_IMG_0763.jpg Anatol Petrytsky, House of Interludes, Theatre dir. M. Bonch-Tomashevsky, 1917. Interior decor sketch, Harlequinade, gouache and bronze paint on cardboard, 16 x 35⅞ in (42 x 91 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/087_IMG_0827.jpg Anatol Petrytsky, Cry of the Captives, 1920. Kozelets theatre interior decor sketch, gouache on paper 15⅜ x 27 in (39 x 68.5 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/093_IMG_0813.jpg Anatol Petrytsky, Eccentric Dances, Kasian Goleizovsky, Choreographer, Moscow Chamber Ballet, 1922. Dance costume sketches, gouache and India ink on paper, 24⅜ x 19⅝ in (62 x 50 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/094_IMG_0941.jpg Anatol Petrytsky, Ostap Vyshnia Viі, adapted from Mykola Hohol (Nikolai Gogol), Ivan Franko Theatre, Kharkiv, Dir. H. Yura, 1925. Costume sketches, Traders, gouache, watercolour and applique on paper, 19⅝ x 14⅛ in (50 x 36 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/127_IMG_0761.jpg Oleksandr Khvostenko-Khvostov, Sergei Prokofiev, A Love for Three Oranges. Adapted from Carlo Gozzi’s comedy, unrealised production, 1926. Costume sketch, Tchelio (the Magician), gouache and applique on paper, 16⅛ x 13 in (41 x 35 cm). https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/037_photo_img646.jpg Favst Lopatynsky, Ernst Toller, The Machine Wreckers. Berezil Artistic Association, Kyiv, Dir. F. Lopatynsky, 1924. Production scene of catastrophe. Berezil photo-laboratory. https://www.studiointernational.com/images/articles/u/ukrainian-avant-garde-2015/056_photo_img675.jpg Vadym Meller, Georg Kaiser. Gas, Berezil Artistic Association, Kyiv, Dir. L. Kurbas, 1923. Production scene, Berezil photo-laboratory. https://www.studiointernational.com/index.php/david-best-interview-people-temple-burning-man-derry-londonderry https://www.studiointernational.com/images/articles/b/best-david-2015/Portrait-of-artist-David-Best.jpg David Best with finished Temple, produced by Artichoke in Derry~Londonderry, March 2015. Photograph: Brian Morrison. https://www.studiointernational.com/images/articles/b/best-david-2015/Temple-by-David-Best-2-2015.jpg David Best. Temple, 2015. Produced by Artichoke in Derry~Londonderry. Photograph: Brian Morrison. https://www.studiointernational.com/images/articles/b/best-david-2015/Temple-by-David-Best-2015-3.jpg David Best. Temple, 2015. Interior view. Produced by Artichoke in Derry~Londonderry. Photograph: Brian Morrison. https://www.studiointernational.com/images/articles/b/best-david-2015/Temple-by-David-Best-2015.jpg David Best. Temple, 2015. Under construction. Produced by Artichoke in Derry~Londonderry. Photograph: Brian Morrison. https://www.studiointernational.com/images/articles/b/best-david-2015/David-Best-sketch-1.jpg David Best. Sketch for a temple, drawn during the interview. @ Anna McNay. https://www.studiointernational.com/images/articles/b/best-david-2015/David-Best-sketch-2.jpg David Best. Sketch (2) for a temple, drawn during the interview. @ Anna McNay. https://www.studiointernational.com/images/articles/b/best-david-2015/Temple-of-Grace-by-David-Best.jpg David Best. Temple of Grace, 2014. Burning Man, Black Rock Desert, Nevada, USA. Photograph: Luke Szczepanski. https://www.studiointernational.com/images/articles/b/best-david-2015/Temple-of-Grace,-by-David-Best-2.jpg David Best. Temple of Grace, 2014. Burning Man, Black Rock Desert, Nevada, USA. Photograph: Zipporah Lomax. https://www.studiointernational.com/images/articles/b/best-david-2015/Temple-of-Grace,-by-David-Best-4.jpg David Best. Temple of Grace, 2014 (detail). Burning Man, Black Rock Desert, Nevada, USA. Photograph: Zipporah Lomax. https://www.studiointernational.com/images/articles/b/best-david-2015/Temple-of-Grace-David-Best-burning.jpg David Best. Temple of Grace, 2014. Burning Man, Black Rock Desert, Nevada, USA. On fire. Photograph: Zipporah Lomax. https://www.studiointernational.com/index.php/jason-rhoades-four-roads-review-bizarre-gleefully-vulgar https://www.studiointernational.com/images/articles/r/rhoades-jason-2015/Jason-Rhoades-Fucking-Picabia-Cars.jpg Jason Rhoades. Fucking Picabia Cars / Picabia Car with Ejection Seat, 1997/2000. Installation view at BALTIC. Photograph: Colin Davison. https://www.studiointernational.com/images/articles/r/rhoades-jason-2015/Jason-Rhoades-Garage-Renovation.jpg Jason Rhoades. Garage Renovation New York (Cherry Makita), 1993. Installation view at BALTIC. Photograph: Colin Davison. https://www.studiointernational.com/images/articles/r/rhoades-jason-2015/Jason-Rhoades-Iwans-Rack.jpg Jason Rhoades. Iwan's Rack, 2003/4. Installation view at BALTIC. Photograph: Colin Davison. https://www.studiointernational.com/images/articles/r/rhoades-jason-2015/Jason-Rhoades-The-Grand-Machine-1.jpg Jason Rhoades. The Grand Machine/THEAREOLA, 2002. Installation view at BALTIC. Photograph: Colin Davison. https://www.studiointernational.com/images/articles/r/rhoades-jason-2015/Jason-Rhoades-The-Grand-Machine.jpg Jason Rhoades. The Grand Machine/THEAREOLA (detail), 2002. Installation view at BALTIC. Photograph: Colin Davison. https://www.studiointernational.com/images/articles/r/rhoades-jason-2015/RhoadesInstall0608_Creation-Myth-ICA.jpg Jason Rhoades. The Creation Myth, 1998. Installation view. Galerie Hauser & Wirth, Zurich. https://www.studiointernational.com/images/articles/r/rhoades-jason-2015/RhoadesInstall0642-ICA.jpg Jason Rhoades. The Creation Myth, 1998. Installation view (2). Galerie Hauser & Wirth, Zurich. https://www.studiointernational.com/images/articles/r/rhoades-jason-2015/RhoadesInstall_CreationMyth-ICA.jpg Jason Rhoades. The Creation Myth, 1998. Installation view (3). Galerie Hauser & Wirth, Zurich. https://www.studiointernational.com/index.php/florian-and-michael-quistrebert-visions-of-void-review https://www.studiointernational.com/images/articles/q/quistrebert-2015/FMQ__001.jpg Florian and Michael Quistrebert. Visions of Void, 2015. Installation view (1). Photograph: Ruth Clark. Courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/q/quistrebert-2015/FMQ__005.jpg Florian and Michael Quistrebert. Visions of Void, 2015. Installation view (2). Photograph: Ruth Clark. Courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/q/quistrebert-2015/FMQ__007.jpg Florian and Michael Quistrebert. Visions of Void, 2015. Installation view (3). Photograph: Ruth Clark. Courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/q/quistrebert-2015/FMQ__011.jpg Florian and Michael Quistrebert. Visions of Void, 2015. Installation view (4). Photograph: Ruth Clark. Courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/q/quistrebert-2015/FMQ__021.jpg Florian and Michael Quistrebert. Visions of Void, 2015. Installation view (5). Photograph: Ruth Clark. Courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/q/quistrebert-2015/FMQ__026.jpg Florian and Michael Quistrebert. Visions of Void, 2015. Installation view (6). Photograph: Ruth Clark. Courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/index.php/hadieh-shafie-surfaced-interview-leila-heller-new-york-persian-art-performance https://www.studiointernational.com/images/articles/s/shafie-hadieh-2015/Hadieh-Shafie_Grid-and-Cut-2.jpg Hadieh Shafie. Grid/Cut 2, 2014. Ink and acrylic on mat board, 48 x 96 in (121.9 x 243.8 cm). Courtesy of the artist and Leila Heller Gallery, New York. Photograph: Jason Fagan. https://www.studiointernational.com/images/articles/s/shafie-hadieh-2015/Hadieh-Shafie_Grid-and-Cut-2-Detail.jpg Hadieh Shafie. Grid/Cut 2, 2014 (detail). Ink and acrylic on mat board, 48 x 96 in (121.9 x 243.8 cm). Courtesy of the artist and Leila Heller Gallery, New York. Photograph: Jason Fagan. https://www.studiointernational.com/index.php/inventing-impressionism-paul-durand-ruel-modern-art-market-review https://www.studiointernational.com/images/articles/i/impressionism-2015/Impressionism-X8452.jpg Pierre-Auguste Renoir. Dance at Bougival, 1883. Oil on canvas, 181.9 x 98.1 cm. Museum of Fine Arts, Boston. © 2014 Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/i/impressionism-2015/Impressionism-S003.jpg Photograph of Paul Durand-Ruel in his gallery, taken by Dornac, c1910. Archives Durand-Ruel © Durand-Ruel & Cie. https://www.studiointernational.com/images/articles/i/impressionism-2015/Impressionism-X8545.jpg Pierre-Auguste Renoir. Paul Durand-Ruel, 1910. Oil on canvas, 65 x 54 cm. Private collection. Archives Durand-Ruel © Durand-Ruel & Cie. https://www.studiointernational.com/images/articles/i/impressionism-2015/Impressionism-X8551.jpg Edouard Manet. Moonlight at the Port of Boulogne, 1868. Oil on canvas, 81.5 x 101 cm. Paris, Musée d'Orsay, bequeathed by Count Isaac de Camondo, 1911. © RMN-Grand Palais (musée d'Orsay)/Hervé Lewandowski. https://www.studiointernational.com/images/articles/i/impressionism-2015/Impressionism-X8559.jpg Pierre-Auguste Renoir. Dance in the City, 1883. Oil on canvas, 180 x 90 cm. Paris, Musée d'Orsay. © RMN-Grand Palais (musée d'Orsay)/Hervé Lewandowski. https://www.studiointernational.com/images/articles/i/impressionism-2015/S004.jpg The grand salon at Rue de Rome with Dance in the City by Renoir. Photograph Archives Durand-Ruel. Archives Durand-Ruel © Durand-Ruel & Cie. https://www.studiointernational.com/index.php/alexander-mcqueen-savage-beauty-retrospective-british-fashion-v-a https://www.studiointernational.com/images/articles/m/mcqueen-2015/1_Portrait_of_Alexander_McQueen_1997_1.jpg Portrait of Alexander McQueen, 1997. Photograph: Marc Hom. © Marc Hom/Trunk Archive. https://www.studiointernational.com/images/articles/m/mcqueen-2015/2_Butterfly_headdress_of_hand-painted_turkey_feathers_Philip_Treacy_for_Alexander_McQueen_La_Dame_Bleu_Spring_Summer_2008_copyright_Anthea_Sims_1.jpg Butterfly headdress of hand-painted turkey feathers. Philip Treacy for Alexander McQueen. La Dame Bleue, S/S 2008. Model: Alana Zimmer © Anthea Simms. https://www.studiointernational.com/images/articles/m/mcqueen-2015/2_Installation_view_of_Savage_Mind_gallery_Alexander_McQueen_Savage_Beauty_at_the_VA_c_Victoria_and_Albert_Museum_London.jpg Alexander McQueen: Savage Beauty at the V&A, 2015. Installation view of Savage Mind gallery. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/mcqueen-2015/3_Spray_painted_dress_No_13_SS_1999_Model_-_Shalom_Harlow_represented_by_dna_model_management_New_York_Image_-_Catwalking.jpg Spray painted dress. Alexander McQueen. No 13, S/S 1999. Model: Shalom Harlow represented by dna model management New York. Image: Catwalking. https://www.studiointernational.com/images/articles/m/mcqueen-2015/4_Tahitian_pearl_neckpiece_Shaun_Leane_for_Alexander_McQueen_Voss_Spring_Summer_2001_copyright_Anthea_Sims_1.jpg Tahitian pearl and silver neckpiece. Shaun Leane for Alexander McQueen. Voss, S/S 2001. Model: Karen Elson © Anthea Simms. https://www.studiointernational.com/images/articles/m/mcqueen-2015/5_Tulle_and_lace_dress_with_veil_and_antlers_Widows_of_Culloden_AW_2006-07._Model_Raquel_Zimmermann_Viva_London.jpg Alexander McQueen. Tulle and lace dress with veil and antlers, Widows of Culloden, A/W 2006–07. Model: Raquel Zimmermann, Viva London, Image: firstVIEW. https://www.studiointernational.com/images/articles/m/mcqueen-2015/8_Jellyfish_ensemble_and_Armadillo_shoes_Platos_Atlantis_SS_2010._Model_Polina_Kasina.jpg Alexander McQueen. Jellyfish ensemble and Armadillo shoes. Plato’s Atlantis, S/S 2010. Model: Polina Kasina © Lauren Greenfield/INSTITUTE. https://www.studiointernational.com/images/articles/m/mcqueen-2015/9_Duck_feather_dress_The_Horn_of_Plenty_AW_2009-10._Model_-_Magdalena_Frackowiak_represented_by_dna_model_management_New_York.jpg Alexander McQueen. Duck feather dress. The Horn of Plenty, A/W 2009-10. Model: Magdalena Frackowiak represented by dna model management New York. Image: firstVIEW. https://www.studiointernational.com/images/articles/m/mcqueen-2015/10_Jacket_Its_a_Jungle_out_there_AW_1997-8.jpg Alexander McQueen. Jacket. It's a Jungle out there, A/W 1997-8. Image: firstVIEW. https://www.studiointernational.com/images/articles/m/mcqueen-2015/10_Installation_view_of__Platos_Atlantis_gallery_Alexander_McQueen_Savage_Beauty_at_the_VA_c_Victoria_and_Albert_Museum_London.jpg Installation view of Platos Atlantis gallery. Alexander McQueen Savage Beauty at the V&A, 2015. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/mcqueen-2015/3_Installation_view_of_Romantic_Gothic_gallery_Alexander_McQueen_Savage_Beauty_at_the_VA_c_Victoria_and_Albert_Museum_London.jpg Installation view of Romantic Gothic gallery. Alexander McQueen Savage Beauty at the V&A, 2015. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/mcqueen-2015/4_Installation_view_of_Romantic_Primitivism_gallery_Alexander_McQueen_Savage_Beauty_at_the_VA_c_Victoria_and_Albert_Museum_London.jpg Installation view of Romantic Primitivism gallery. Alexander McQueen Savage Beauty at the V&A, 2015. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/mcqueen-2015/5_Installation_view_of_Romantic_Nationalism_gallery_Alexander_McQueen_Savage_Beauty_at_the_VA_c_Victoria_and_Albert_Museum_London.jpg Installation view of Romantic Nationalism gallery. Alexander McQueen Savage Beauty at the V&A, 2015. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/mcqueen-2015/6_Installation_view_of__Cabinet_of_Curiosities_gallery_Alexander_McQueen_Savage_Beauty_at_the_VA_c_Victoria_and_Albert_Museum_London.jpg Installation view of Cabinet of Curiosities gallery. Alexander McQueen Savage Beauty at the V&A, 2015. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/mcqueen-2015/7_Installation_view_of_Romantic_Exoticism_gallery_Alexander_McQueen_Savage_Beauty_at_the_VA_c_Victoria_and_Albert_Museum_London.jpg Installation view of Romantic Exoticism gallery. Alexander McQueen Savage Beauty at the V&A, 2015. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/mcqueen-2015/8_Installation_view_of_Voss_Alexander_McQueen_Savage_Beauty_at_the_VA_c_Victoria_and_Albert_Museum_London.jpg Installation view of Voss. Alexander McQueen Savage Beauty at the V&A, 2015. Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/paul-chan-interview-nonprojections-for-new-lovers-hugo-boss-prize-2015-guggenheim-museum https://www.studiointernational.com/images/articles/c/chan-paul-2015/NL4.jpg Paul Chan. Promotional image for New Lovers. Pictured: Jasper Briggs and Alexandra Marzella. Courtesy of Badlands Unlimited. https://www.studiointernational.com/images/articles/c/chan-paul-2015/NL3.jpg Paul Chan. Promotional image for New Lovers. Pictured: Lynda Sheldon. Courtesy of Badlands Unlimited. https://www.studiointernational.com/images/articles/c/chan-paul-2015/PaulChan-NewLovers.jpg Paul Chan. Lilith Wes, We Love Lucy; Wednesday Black, How To Train Your Virgin; and Andrea McGinty, God, I Don't Even Know Your Name, 2015. From the series New Lovers (New York: Badlands Unlimited). Three books, available as paperback and e-book. Photograph: Badlands Unlimited (2015) https://www.studiointernational.com/images/articles/c/chan-paul-2015/PaulChan-PlowHighness.jpg Paul Chan. Plow Highness, 2013. Cords and video projector with digital colour video, silent, 15.2 x 436.9 x 297.2 cm overall. Courtesy the artist and Greene Naftali, New York. © Paul Chan. Photograph: Tom Bisig, Basel. https://www.studiointernational.com/images/articles/c/chan-paul-2015/Chan_gugg_05.jpg Paul Chan. 3D exhibition plan_2015, 2015. Digital animation. © Paul Chan. Courtesy the artist, Badlands Unlimited, and Green Naftali, New York. https://www.studiointernational.com/images/articles/c/chan-paul-2015/PaulChan-SockNTease-copy.jpg Paul Chan. Sock N Tease, 2013. Concrete, cord, shoes, and video projectors, with digital colour video, silent, 10.2 x 358.1 x 229.9 cm overall. Courtesy the artist and Greene Naftali, New York. © Paul Chan. Photograph: Tom Bisig, Basel. https://www.studiointernational.com/index.php/daniel-zolli-interview-sculpture-in-the-age-of-donatello-museum-biblical-art https://www.studiointernational.com/images/articles/d/donatello-2015/dAmbrogio-Angel-detail.jpg Attributed to Giovanni d’Ambrogio. Archangel Gabriel of the Annunciation (detail), late 14th century. Marble, 144 × 44 × 30 cm (56¾ × 17¼ × 117⁄8 in). Opera di Santa Maria del Fiore. © Opera di Santa Maria del Fiore / Antonio Quattrone. https://www.studiointernational.com/images/articles/d/donatello-2015/di-Banco-St.jpg Nanni di Banco. St. Luke the Evangelist, 1408–13. Marble, 207 × 91 × 63 cm (81½ × 357⁄8 × 247⁄8 in). Opera di Santa Maria del Fiore. © Opera di Santa Maria del Fiore / Antonio Quattrone. https://www.studiointernational.com/images/articles/d/donatello-2015/Donatello-St.jpg Donatello. St. John the Evangelist, 1408–15. Marble, 212 × 91 × 62 cm (83½ × 35¾ × 24½ in). Opera di Santa Maria del Fiore. © Opera di Santa Maria del Fiore / Antonio Quattrone. https://www.studiointernational.com/images/articles/d/donatello-2015/Saint-John-the-Evangelist-profile.jpg Donatello. St. John the Evangelist (detail), 1408–15. Marble, 212 × 91 × 62 cm (83½ × 35¾ × 24½ in). Opera di Santa Maria del Fiore. © Opera di Santa Maria del Fiore / Antonio Quattrone. https://www.studiointernational.com/images/articles/d/donatello-2015/Donatello-Zuccone.jpg Donatello. Prophet (possibly Habbakuk), known as the Zuccone, 1435–36. Marble, 195 × 54 × 38 cm (763⁄4 × 211⁄4 × 15 in). Opera di Santa Maria del Fiore. © Opera di Santa Maria del Fiore / Antonio Quattrone. https://www.studiointernational.com/images/articles/d/donatello-2015/Donatello-Zuccone-detail.jpg Donatello. Prophet (possibly Habbakuk), known as the Zuccone (detail), 1435–36. Marble, 195 × 54 × 38 cm (763⁄4 × 211⁄4 × 15 in). Opera di Santa Maria del Fiore. © Opera di Santa Maria del Fiore / Antonio Quattrone. https://www.studiointernational.com/images/articles/d/donatello-2015/Donatello-Head.jpg Donatello and workshop. Head, c1439. Bronze with traces of gilding, 45 × 35 × 30 cm (17¾ × 13¾ × 11¾ in). Opera di Santa Maria del Fiore. © Opera di Santa Maria del Fiore / Antonio Quattrone. https://www.studiointernational.com/images/articles/d/donatello-2015/della-Robbia-Dialectic.jpg Luca della Robbia. Dialectic (Plato and Aristotle?), 1437–39. Marble, 83.5 × 69 × 13 cm (327⁄8 × 271⁄8 × 5 in). Opera di Santa Maria del Fiore. © Opera di Santa Maria del Fiore / Antonio Quattrone. https://www.studiointernational.com/images/articles/d/donatello-2015/Brunelleschi-wood-model-of-dome.jpg Attributed to Filippo Brunelleschi. Model for the Dome of Santa Maria del Fiore, c1420–52. Wood, dome: 100 × 70 cm (393⁄8 × 27½ in); apses: 55 × 63 × 35 cm (215⁄8 × 24¾ × 13¾ in) each. Opera di Santa Maria del Fiore. © Opera di Santa Maria del Fiore / Antonio Quattrone. https://www.studiointernational.com/index.php/iman-issa-lexicon-review-rodeo-gallery https://www.studiointernational.com/images/articles/i/issa-iman-2015/Installation-view3.jpg Installation view, Lexicon, Rodeo, London, 2015. https://www.studiointernational.com/images/articles/i/issa-iman-2015/Monologist.jpg Iman Issa. Monologist (study for 2014). Anodized aluminium on metal tripod, text panel under glass, 139.5 x 71.5 x Ø30 cm. https://www.studiointernational.com/images/articles/i/issa-iman-2015/Surrealism-III.jpg Iman Issa. Surrealism III (study for 2014). Mahogany sculpture, text panel under glass and two white plinths. Sculpture 79.6 x 75 x 5 cm; small plinth 45 x 25 x 25 cm; large plinth 93.3 x 25 x 25 cm, 2014. https://www.studiointernational.com/images/articles/i/issa-iman-2015/Prayer.jpg Iman Issa. Prayer (study for 2014). Metal sculpture with LED light, text panel under glass. Sculpture 61 x 63.8 cm; plinth 95 x 20 x 20 cm. https://www.studiointernational.com/index.php/piotr-uklanski-interview-i-think-of-death-all-the-time https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Untitled (Best of Blood), 2013_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Untitled (Best of Blood), 2013. Watercolour and gesso on board. Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Untitled (Bloody Soul), 2012_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Untitled (Bloody Soul), 2012. Watercolour and gesso on board. Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Untitled (Black Plague), 2013_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Untitled (Black Plague), 2013. Ink and gesso on canvas. Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Untitled (Blood Cell), 2014_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Untitled (Blood Cell), 2014. Ink and gesso on canvas. Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Untitled (Blood Money), 2012_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Untitled (Blood Money), 2012. Watercolour and gesso on board. Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Untitled (Blood and Bone), 2011_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Untitled (Blood and Bone), 2011. Ink and gesso on canvas. Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Untitled (Bloody Urine), 2014_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Untitled (Bloody Urine), 2014. Watercolour and gesso on canvas. Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Untitled-(Warsaw-Uprising-44-Wola)-2008.jpg Piotr Uklański. Untitled (Warsaw Uprising ‘44-Wola), 2008. Ink and gesso on canvas. Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Install 1_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Installation view (1). Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Install 2_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Installation view (2). Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Install 3_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Installation view (3). Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Install 5_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Installation view (4). Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Install 6_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Installation view (5). Courtesy of Dallas Contemporary. https://www.studiointernational.com/images/articles/u/uklanski-piotr-2014/Piotr Ulanski_Install 7_Courtesy of Dallas Contemporary.jpg Piotr Uklański. Installation view (6). Courtesy of Dallas Contemporary. https://www.studiointernational.com/index.php/selective-memories-review-students-ecole-des-beaux-arts-paris-griffin-gallery https://www.studiointernational.com/images/articles/s/selective-memories-2015/NathanaelleHerbelin_Tippy.jpg Nathanaelle Herbelin. 
Tippy, 2014. 
Oil on canvas, 146 x 114 cm. https://www.studiointernational.com/images/articles/s/selective-memories-2015/Francois-Mark2.jpg François Mark. 
STUDIO N°2, 2013. Mixed media on canvas
, 170 x 140 cm. https://www.studiointernational.com/images/articles/s/selective-memories-2015/Guillaume-Valenti2.jpg Guillaume Valenti
. Untitled, 2014. 
Oil on canvas, 50 x 150 cm. https://www.studiointernational.com/images/articles/s/selective-memories-2015/Laura-Garcia-Karras1.jpg Laura Garcia-Karras. 
Cactus, 2014. 
Oil on canvas, 30 x 40 cm. https://www.studiointernational.com/images/articles/s/selective-memories-2015/Lise-Stoufflet_Cache1.jpg Lise Stoufflet
. Caché, 2014. 
Oil on wood, 40 x 30 cm. https://www.studiointernational.com/images/articles/s/selective-memories-2015/Ulysse-Bordarias-Mobile.jpg Ulysse Bordarias. 
Mobile No. 1, 2014. Plywood, laminate, charcoal and metal, 
130 x 50 x 4 cm. https://www.studiointernational.com/index.php/allora-calzadilla-interview-intervals-film-conceptual-art https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-&-Calzadilla-Intervals_8Floor_MG_2102c.jpg Allora & Calzadilla. Intervals (installation view 1), 2014. Re-configured acrylic lecterns and dinosaur bones. Dimensions variable. Courtesy of the artists. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Carlos Avendaño. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-&-Calzadilla-Intervals_8Floor_MG_2139c.jpg Allora & Calzadilla. Intervals (installation view 2), 2014. Re-configured acrylic lecterns and dinosaur bones. Dimensions variable. Courtesy of the artists. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Carlos Avendaño. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_8Floor_MG_2153.jpg Allora & Calzadilla. Intervals (installation view 3), 2014. Re-configured acrylic lecterns and dinosaur bones. Dimensions variable. Courtesy of the artists. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Carlos Avendaño. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_8Floor_MG_2156.jpg Allora & Calzadilla. Intervals (installation view 4), 2014. Re-configured acrylic lecterns and dinosaur bones. Dimensions variable. Courtesy of the artists. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Carlos Avendaño. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_8Floor_MG_2273c.jpg Allora & Calzadilla. Intervals (installation view 5), 2014. Re-configured acrylic lecterns and dinosaur bones. Dimensions variable. Courtesy of the artists. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Carlos Avendaño. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_GREAT-SILENCE_MG_2759.jpg Allora & Calzadilla. The Great Silence, 2014. 3-channel HD video installation, 16:22 minutes. Courtesy of the artists. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Carlos Avendaño. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_GREAT-SILENCE_MG_2775.jpg Allora & Calzadilla. The Great Silence, 2014. 3-channel HD video installation (2), 16:22 minutes. Courtesy of the artists. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Carlos Avendaño. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_GREAT-SILENCE_MG_2791.jpg Allora & Calzadilla. The Great Silence, 2014. 3-channel HD video installation (3), 16:22 minutes. Courtesy of the artists. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Carlos Avendaño. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla_Lifespan_1Floor2014_MG_6490.jpg Allora & Calzadilla. Lifespan, 2014. Hadean period rock sample and 3 vocalists. Performed by The Crossing, composition by David Lang, approximately 15 minutes. Courtesy of the artists. In collaboration with The Fabric Workshop and Museum, Philadelphia. Photograph: Carlos Avendaño. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_Raptors-Rapture_22_CC.jpg Allora & Calzadilla. Raptor’s Rapture (still), 2012. HD video. Colour, sound. 23:30 minutes. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_Raptors-Rapture_12_CC.jpg Allora & Calzadilla. Raptor’s Rapture (still 2), 2012. HD video. Colour, sound. 23:30 minutes. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_Raptors-Rapture_2_CC.jpg Allora & Calzadilla. Raptor’s Rapture (still 3), 2012. HD video. Colour, sound. 23:30 minutes. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_LR0003-006.jpg Allora & Calzadilla. Apotomē (still), 2013. Super 16mm film transferred to HD video. Colour, sound. 23:09 minutes. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_LR0005-41.jpg Allora & Calzadilla. Apotomē (still 2), 2013. Super 16mm film transferred to HD video. Colour, sound. 23:09 minutes. Courtesy of the artists. https://www.studiointernational.com/images/articles/a/allora-calzadilla-2015/Allora-Calzadilla-Intervals_SP_8_RT.jpg Allora & Calzadilla. Untitled (Technofossil Venus), 2014. Fossilized spark plug, 3 1⁄2 x 1 1⁄2 x 1 1⁄8 in (9 x 4 x 3 cm). Courtesy of the artists. https://www.studiointernational.com/index.php/diana-thater-interview-life-is-a-time-based-medium-video-installation-monkeys-galtaji-temple https://www.studiointernational.com/images/articles/t/thater-diana-2015/Thater-Life-is-a-time-based-medium.jpg Diana Thater. Life is a Time-Based Medium. Installation view (1). Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/thater-diana-2015/Thater-Life-is-a-time-based-medium-09.jpg Diana Thater. Life is a Time-Based Medium. Installation view (2). Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/thater-diana-2015/Thater-Life-is-a-time-based-medium-11.jpg Diana Thater. Life is a Time-Based Medium. Installation view (3). Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/thater-diana-2015/Thater-Life-is-a-time-based-medium-15.jpg Diana Thater. Life is a Time-Based Medium. Installation view (4). Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/thater-diana-2015/THATER_Press_IMG_4546.jpg Diana Thater. Production still (2), 2014. Photograph: Tarun Chopra for Diana Thater. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/thater-diana-2015/THATER_Press_MonkeyPics-3208.jpg Diana Thater. Production still (3), 2014. Photograph: Tarun Chopra for Diana Thater. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/thater-diana-2015/Thater-DSC_3385.jpg Diana Thater. Production still (4), 2014. Photograph: Tarun Chopra for Diana Thater. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/thater-diana-2015/Thater-DSC_7818.jpg Diana Thater. Production still (5), 2014. Photograph: Tarun Chopra for Diana Thater. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/index.php/anita-witek-interview-how-to-work-live-better https://www.studiointernational.com/images/articles/w/witek-anita-2015/01.jpg Anita Witek. How to work live better. Gallery view (1), l’étrangère Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/witek-anita-2015/02.jpg Anita Witek. How to work live better. Gallery view (2), l’étrangère Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/witek-anita-2015/03.jpg Anita Witek. How to work live better. Gallery view (3), l’étrangère Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/witek-anita-2015/04.jpg Anita Witek. How to work live better. Gallery view (4), l’étrangère Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/witek-anita-2015/05.jpg Anita Witek. How to work live better. Gallery view (5), l’étrangère Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/witek-anita-2015/06.jpg Anita Witek. How to work live better. Gallery view (6), l’étrangère Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/witek-anita-2015/07.jpg Anita Witek. How to work live better. Gallery view (7), l’étrangère Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/witek-anita-2015/08.jpg Anita Witek. How to work live better. Gallery view (8), l’étrangère Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/witek-anita-2015/09.jpg Anita Witek. How to work live better. Gallery view (9), l’étrangère Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/index.php/plains-indians-artists-of-earth-and-sky-metropolitan-museum-art https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/82-Drawing.jpg Drawing. Black Hawk (1832?-c1889?), Sans Arc Lakota (Teton Sioux), South Dakota. Dream or Vision or Himself Changed to a Destroyer or Riding a Bufalo Eagle, 1880–81. Paper, ink, graphite, 10 x 16 in (25.4 x 40.6 cm). Cooperstown (New York), Fenimore Art Museum, The Thaw Collection, gift of Eugene V. and Clare E. Thaw. Photograph: New York State Historical Association, Fenimore Art Museum/John Bigelow Taylor. (Cat.85). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/92-Gauntlets.jpg Gauntlets, c1890. Sioux-Métis artist, North or South Dakota. Native tanned leather, glass and brass beads, cotton cloth. 14 ½ x 8 in (36.8 x 20.3 cm). United States, Hirschfield Family Collection, Courtesy of Berte and Alan Hirschfield. Photograph: Hirschfield Family Collection, courtesy of Berte and Alan Hirschfield/ W. Garth Dowling. (Cat.94). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/14-Horned-Headdress.jpg Horned Headdress, c1780. Eastern Plains artists, Lower Missouri River Region. Split bison horns, sinew, horsehair, deer hair, porcupine quills, glass beads, wood, metal cones, cotton cloth, awhide, birch bark (?), silk ribbon, pigment. 12 x 10 7/8 in x 16 ½ in (30.5 x 27.6 x 41.9 cm). Paris (France), musée du quai Branly. Photograph: Musée du quai Branly/Patrick Gries, Bruno Descoings. (Cat.16). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/105-Horse-Mask-ca-1900.jpg Horse Mask, c1900. Lakota (Teton Sioux) artist, North or South Dakota. Native tanned leather, glass beads, 28 ½ x 35 in (72.4 x 88.9 cm). Cooperstown (New York), Fenimore Art Museum, The Thaw Collection, gift of Eugene V. and Clare E. Thaw. Photograph: New York State Historical Association, Fenimore Art Museum, The Thaw Collection. (Cat.107). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/1-Human-Effigy-Pipe.jpg Human Effigy Pipe, 100 BC – AD 100. Adena or Hopewell artist, Adena Mound, Ross County (Ohio) Pipestone. 7 7/8 in (20 cm). Columbus (Ohio), Ohio Historical Society. Photograph: Ohio Historical Society. (Cat.1). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/69-Mans-Shirt.jpg Man’s Shirt, 1865. Oglala Lakota (Teton Sioux) artists, South Dakota. Native tanned leather, pigment, human hair, horsehair, glass beads, porcupine quills, 58 x 42 ½ in (147.3 x 108 cm). Cody (Wyoming), Buffalo Bill Center of the West, Collection Adolf Spohr, gift of Larry Sheerin. Photograph: Buffalo Bill Center of the West. (Cat.72). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/140-Rattle-1.jpg Rattle, 2003. Dana Claxton (1959-), Hunkpapa Lakota (Sioux), Saskatchewan, Canada. 4-channel video. Size variable to some extent based on projection. Dana Claxton and Winsor Gallery. Photograph: Courtesy of The Metropolitan Museum of Art. https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/52-Shield-ca-1850.jpg Shield, c1850. Arikara artist, North Dakota. Buffalo rawhide, native tanned leather, pigment, 20 in (50.8 cm) diameter. Kansas City (Missouri), The Nelson-Atkins Museum of Art, Purchase: the Donald D. Jones Fund for American Indian Art. Photograph: The Nelson-Atkins Museum of Art/Jamison Miller. (Cat.55). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/128-Calling-on-Wakan-Tanka.jpg Calling on Wakan Tanka, 1962. Oscar Howe, Mazuha Hokshina, Trader Boy (1915-83), Yanktonai, South Dakota. Paper, casein, 22 3/8 x 31 ¼ in (56.8 x 79.4 cm). Vermillion (South Dakota), The University of South Dakota, donation from the artist. Photograph: The University of South Dakota/John Lamberton. (Cat.124). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/141-Womans-Dress-and-Accessories-Back.jpg Woman’s Dress and Accessories, 2005. Jodi Gillette (1959-), Hunkpapa Lakota (Teton Sioux), North Dakota. Native tanned and commercial leather, glass and metal beads, cotton cloth, silk, dentalium shell, metal cones, horsehair, plastic, hair pipes, brass bells, porcupine quills, brass tacks, brass and metal studs, silver cones. 54 × 60 in (137.2 × 152.4 cm). United States, Courtesy of Jodi Gillette. Photograph: Joshua Ferdinand, courtesy of Jodi Gillette. (Cat.134). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/107-Womans-Dress.jpg Woman’s Dress, c1900. Dakota (Eastern Sioux), Yanktonai or Lakota (Teton Sioux) artist, Fort Peck Reservation (Montana) Native tanned leather, glass, brass and steel-cut beads, metal cones, horsehair. 48 x 39 in (121.9 x 99.1 cm). Washington (District of Columbia), Smithsonian Institution, National Museum of Natural History, Department of Anthropology. Photograph: National Museum of Natural History, Smithsonian Institution, Department of Anthropology. (Cat.109). https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/22-Robe-c-1800–1830.jpg Robe, c1800-30. Central Plains Artists. Native tanned leather, pigment, porcupine quills. 58 3/8 x 88 ¼ in (148.3 x 224.2 cm). Paris (France), musée du quai Branly, gift of Chaplain-Duparc 71.1886.17.1. Photograph: Musée du quai Branly/Patrick Gries, Valérie Torre. https://www.studiointernational.com/images/articles/t/the-plains-indians-2015/138-Wounded-Knee-III-2001.jpg Wounded Knee #III, 2001. Arthur Amiotte (1942-), Oglala Lakota (Teton Sioux), South Dakota. Canvas, paper, ink. 36 × 48 in (91.4 × 121.9 cm). Chicago (Illinois), The University of Chicago, lent by the David and Alfred Smart Museum of Art, gift of Robert and Miranda Donnelley. Photograph: The David and Alfred Smart Museum of Art, The University of Chicago. https://www.studiointernational.com/index.php/painting-now-by-suzanne-hudson-book-review https://www.studiointernational.com/images/articles/p/painting-now-2015/painting-now-cover.jpg Painting Now by Suzanne Hudson. Published by Thames and Hudson, March 2015. https://www.studiointernational.com/images/articles/p/painting-now-2015/c-le-brun.jpg Christopher le Brun. Photograph: Nick Howard. https://www.studiointernational.com/images/articles/p/painting-now-2015/S-Farthing-portrait.jpg Stephen Farthing. Photograph: Nick Howard. https://www.studiointernational.com/images/articles/p/painting-now-2015/Anita-1-sml.jpg Anita Taylor. Photograph: Nick Howard. https://www.studiointernational.com/images/articles/p/painting-now-2015/00067842.jpg Franz Ackermann. Photograph: Nick Howard. https://www.studiointernational.com/images/articles/p/painting-now-2015/00067853.jpg Mat Collishaw. Photograph: Nick Howard. https://www.studiointernational.com/index.php/penny-slinger-interview-being-different-is-just-who-you-are-tantra-nik-douglas https://www.studiointernational.com/images/articles/s/slinger-penny-2015/5.jpg Penny Slinger. Still from film Lilford Hall, 1969, featuring Penny Slinger, Susanka Fraey. Camera Peter Whitehead. 16mm film. Courtesy Blum and Poe Gallery. © Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/8.jpg Penny Slinger. Abreast of the Situation (Mouthpieces), 1973. Photo collage, 7 x 9.5 in. Courtesy Riflemaker Gallery. © Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/9.jpg Penny Slinger. I Speak What I See (Mouthpieces), 1973. Photo collage, 10 x 7.75 in. Courtesy Riflemaker Gallery. © Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/11.jpg Penny Slinger. Pandora's Box (Opening exhibit), 1973. Fibreglass and wax life casts and mixed media, 24 x 20 x 36 in. Courtesy and copyright Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/13.jpg Penny Slinger. Vagina Dentata (An Exorcism), 1977. Photo collage, 20 x 13.5 in. Courtesy and copyright Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/15.jpg Penny Slinger. Something Borrowed, Something Blue (An Exorcism), 1977. Photo collage, 20 x 13 in. Courtesy Broadway 1602 Gallery. © Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/16.jpg Penny Slinger. Hang Up (An Exorcism), 1977. Photo collage, 50 x 35 cm. Courtesy Riflemaker gallery. © Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/17,-An-Exorcism_Last-Resort.jpg Penny Slinger. Last Resort (An Exorcism), 1977. Photo collage, 12.5 x 19 in. Courtesy Broadway 1602 Gallery. © Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/19.jpg Penny Slinger. Silver Cascade (Mountain Ecstasy), 1978. Photo collage, 20.5 x 29.5 in. Courtesy Blum and Poe Gallery. © Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/21.jpg Penny Slinger. The Empress (Mountain Ecstasy), 1978. Photo collage, 22.5 x 17 in. Courtesy and copyright Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/23.jpg Penny Slinger. Kali (The artist as Kali) (Sexual Secrets), 1979. Pencil on paper, 10.75 x 9.5 in. Courtesy Blum and Poe Gallery. © Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/25.jpg Penny Slinger. Mahakala and consort (Sexual Secrets), 1979. Pencil on paper, 14.5 x 12 in. Courtesy Blum and Poe Gallery. © Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/26.jpg Penny Slinger. Anacaona (Arawak Art), 1989. Acrylic, gold leaf, feathers on canvas, 29.5 x 25.5 in. Courtesy and copyright Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/28.jpg Penny Slinger. Cohoba Idol-Bird (Arawak Art), 1990. Pencil and crayon on paper, 11 x 14 in. Courtesy and copyright Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/30.jpg Penny Slinger. The Conversation (Arawak Art), 1988. Pastel on paper, 28 x 22 in. Courtesy and copyright Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/31.jpg Penny Slinger. Sirius - The Next World Calls (Arawak Art), 1988. Pastel on paper, 31.5 x 22.5 in. Courtesy and copyright Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/35.jpg Penny Slinger. Secret Geisha (64 Dakini Oracle), 2010. Digital photo collage, 30 x 20 in. Courtesy and copyright Penny Slinger. https://www.studiointernational.com/images/articles/s/slinger-penny-2015/36.jpg Penny Slinger. Crone Llamo (64 Dakini Oracle), 2010. Digital photo collage, 30 x 20 in. Courtesy and copyright Penny Slinger. https://www.studiointernational.com/index.php/ns-harsha-interview-upward-movement-ascent-india https://www.studiointernational.com/images/articles/h/harsha-ns-2015/NSH75_Raaha-Dikhanaywalay-Thay-Hai-Rahaengay_2013-b.jpg NS Harsha. Raha Dikhanaywalay Thay Hai Rahengay (hindi) (Path showers were/are/will be there) (detail), 2013. Acrylic on canvas, 190 x 150 cm (74 3/4 x 59 1/8 in). Courtesy the Artist and Victoria Miro, London. © NS Harsha. https://www.studiointernational.com/images/articles/h/harsha-ns-2015/NSH76_Only-way-is-through-Milky-Way_2014-a.jpg NS Harsha. Only way is through Milky Way, 2014. Acrylic on canvas, 190 x 150 cm (74 3/4 x 59 1/8 in). Courtesy the Artist and Victoria Miro, London. © NS Harsha. https://www.studiointernational.com/images/articles/h/harsha-ns-2015/NSH76_Only-way-is-through-Milky-Way_2014-d.jpg NS Harsha. Only way is through Milky Way, 2014. Acrylic on canvas, 190 x 150 cm (74 3/4 x 59 1/8 in) (detail). Courtesy the Artist and Victoria Miro, London. © NS Harsha. https://www.studiointernational.com/images/articles/h/harsha-ns-2015/NSH77_Mooing-here-and-now_2014-a.jpg NS Harsha. Mooing here and now, 2014. Acrylic on canvas, 190 x 150 cm (74 3/4 x 59 1/8 in). Courtesy the Artist and Victoria Miro, London. © NS Harsha. https://www.studiointernational.com/images/articles/h/harsha-ns-2015/NSH77_Mooing-here-and-now_2014-d.jpg NS Harsha. Mooing here and now, 2014. Acrylic on canvas, 190 x 150 cm (74 3/4 x 59 1/8 in) (detail). Courtesy the Artist and Victoria Miro, London. © NS Harsha. https://www.studiointernational.com/images/articles/h/harsha-ns-2015/NSH77_Mooing-here-and-now_2014-f.jpg NS Harsha. Mooing here and now, 2014. Acrylic on canvas, 190 x 150 cm (74 3/4 x 59 1/8 in) (detail). Courtesy the Artist and Victoria Miro, London. © NS Harsha. https://www.studiointernational.com/images/articles/h/harsha-ns-2015/NSH78_Why_2014-a.jpg NS Harsha. Why, 2014. Acrylic on canvas, 61 x 86 cm (24 1/8 x 33 7/8 in). Courtesy the Artist and Victoria Miro, London. © NS Harsha. https://www.studiointernational.com/images/articles/h/harsha-ns-2015/NSH78_Why_2014-b.jpg NS Harsha. Why, 2014. Acrylic on canvas, 61 x 86 cm (24 1/8 x 33 7/8 in) (detail). Courtesy the Artist and Victoria Miro, London. © NS Harsha. https://www.studiointernational.com/images/articles/h/harsha-ns-2015/NSH78_Why_2014-c.jpg NS Harsha. Why, 2014. Acrylic on canvas, 61 x 86 cm (24 1/8 x 33 7/8 in) (detail). Courtesy the Artist and Victoria Miro, London. © NS Harsha. https://www.studiointernational.com/index.php/frances-walker-interview-scottish-painter-outer-hebrides-antarctica https://www.studiointernational.com/images/articles/w/walker-frances-2015/Frances-Walker--Black-stanes.jpg Frances Walker. Black Stanes. Pen & Wash, 15 x 22 cm. Courtesy of Tatha Gallery, Newport on Tay. Copyright Frances Walker. https://www.studiointernational.com/images/articles/w/walker-frances-2015/Storm-Beach-Boreray.jpg Frances Walker. Storm Beach Boreray, 2001. Etching plus ink on plate and watercolour tint, 23 x 103 cm. Courtesy of Tatha Gallery, Newport on Tay. Copyright Frances Walker. https://www.studiointernational.com/images/articles/w/walker-frances-2015/Storm-Beach-Fank-North-Uist.jpg Frances Walker. Storm Beach Fank, North Uist, 2001. Etching plus ink on plate & watercolour tint, 31 x 119 cm. Courtesy of Tatha Gallery, Newport on Tay. Copyright Frances Walker. https://www.studiointernational.com/images/articles/w/walker-frances-2015/Summer-Day-in-the-Dunes.jpg Frances Walker. Summer Day in the Dunes (tiree), 1994. Oil on canvas, 178 x 193 cm. Courtesy of Tatha Gallery, Newport on Tay. Copyright Frances Walker. https://www.studiointernational.com/images/articles/w/walker-frances-2015/The-Dun-Burn.jpg Frances Walker. The Dun Burn, 1994. Drawing pencil and watercolour, 37.5 x 145 cm. Courtesy of Tatha Gallery, Newport on Tay. Copyright Frances Walker. https://www.studiointernational.com/images/articles/w/walker-frances-2015/Winter-in-Achnasoul-wood.jpg Frances Walker. Winter in Achnasoul Wood, 2007. Collograph and watercolour, 73.5 x 48 cm. Courtesy of Tatha Gallery, Newport on Tay. Copyright Frances Walker. https://www.studiointernational.com/index.php/defining-beauty-the-body-in-ancient-greek-art-review-british-museum https://www.studiointernational.com/images/articles/d/defining-beauty-2015/0065581D.jpg Belvedere Torso, 1st century BC. Vatican, Museo, Pio-Clementino. Height 220cm x width 92cm. © 2015. Photo Scala, Florence. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/00154403_001.jpg Marble relief (Block XLVII) from the North frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena. Designed by Phidias, Athens, Greece, 438BC-432BC. Height 101cm x width 164cm. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/00197095.jpg Ilissos. Marble statue of a river god from the West pediment of the Parthenon. Designed by Phidias, Athens, Greece, 438BC-432BC. Height 81cm x 189cm. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/00200159_001.jpg Studies of a reclining male nude: Adam in the fresco The Creation of Man on the vault of the Sistine Chapel, c1511. Dark red chalk over some stylus underdrawing (left calf and elsewhere). Michelangelo. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/00496944_001.jpg Pottery: black-figured amphora: the death of Priam. Greek, 550BC-540BC (circa). Vulci, Lazio, Italy. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/00502930_001.jpg Marble statuette of Socrates. A Hellenistic original of the 2nd century BC, or a Roman copy, Alexandria, Egypt. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/00503159_001.jpg Bronze statuette of Ajax. Greece, 720BC-700BC. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/00506485_001.jpg Bronze vessel in the form of the head of a young African woman. Hellenistic, 2nd century BC-1st century BC. Funded by The Art Fund. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/01161960_001.jpg Marble statue of a naked Aphrodite crouching at her bath, also known as Lely’s Venus. Roman copy of a Greek original, 2nd century AD. Height 120cm. Royal Collection Trust. © Her Majesty Queen Elizabeth II 2015. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/Lelys-Venus-full-view-of-face.jpg Marble statue of a naked Aphrodite crouching at her bath, also known as Lely’s Venus (detail). Roman copy of a Greek original, 2nd century AD. Height 120cm. Royal Collection Trust. © Her Majesty Queen Elizabeth II 2015. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/01272284_001.jpg A figure of a naked man, possibly Dionysos. Marble statue from the east pediment of the Parthenon. Designed by Phidias, Athens, Greece, 438BC-432BC. Height 127cm x 174cm. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/Discobolus.jpg Marble statue of a discus-thrower (discobolus) by Myron. Roman copy of a bronze Greek original of the 5th century BC. Height 173cm x width 100cm. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/IMG_8922.jpg Apoxyomenos. Bronze, Hellenistic or Roman replica after a bronze original from the second quarter or the end of the 4th century BC. © Tourism Board of Mali Losinj. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/Apoxyomenos-detail-of-head.jpg Detail of head of Apoxyomenos. Bronze, Hellenistic or Roman replica after a bronze original from the second quarter or the end of the 4th century BC. © Tourism Board of Mali Losinj. https://www.studiointernational.com/images/articles/d/defining-beauty-2015/DB9_TIF.jpg Defining Beauty: the body in ancient Greek art. © Trustees of the British Museum. https://www.studiointernational.com/index.php/jonn-herschend-interview-artist-film-maker-publisher-discussion-questions-the-thing-quarterly https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/herschend_2.jpg Jonn Herschend. Installation detail, The Book You Said I Never Returned, “Forest Office Proposal, Painting,” 2011. Oil on canvas, 48 x 48 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_3.jpg Jonn Herschend. Discussion Questions, Film Still, 2014. PowerPoint presentation, 6 min TRT. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_4.jpg Jonn Herschend. Stories From the Evacuation, Production Still, Office, 2013. HD Video, 20 min TRT, commissioned by SFMOMA. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_5.jpg Jonn Herschend. Stories From the Evacuation, Production Still, Crane Day, 2013. HD Video, 20 min TRT, commissioned by SFMOMA. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_6.jpg Jonn Herschend. Stories From the Evacuation, Production Still, Library, 2013. HD Video, 20 min TRT, commissioned by SFMOMA. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/herschend_7.jpg Jonn Herschend. Stories From the Evacuation, Production Still, Conference, 2013. HD Video, 20 min TRT, commissioned by SFMOMA. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_8.jpg Jonn Herschend. Stories From the Evacuation, Production Still, Jennifer Stuckart, 2013. HD Video, 20 min TRT, commissioned by SFMOMA. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_9.jpg Jonn Herschend. More Real, Production Still No. 1, 2012. HD Video, 10 min TRT. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_10.jpg Jonn Herschend. More Real, Production Still No. 2, 2012. HD Video, 10 min TRT. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/herschend_11.jpg Jonn Herschend. Pastoral no. 5, Production Still, 2011. HD Video, 5 min TRT. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_12.jpg Jonn Herschend. Installation detail, The Book You Said I Never Returned, “Pastorals 2-3,” 2011. Self running PowerPoint presentation, collapsible screen, painting, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/herschend_13.jpg Jonn Herschend. Installation View, The Book You Said I Never Returned, 2011. Dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_15.jpg Jonn Herschend. Nothing Happens for Long, Production Still, Torrey’s story, 2011. HD Video, 2.28 TRT. Commissioned by the Oakland Museum of California. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_16.jpg Jonn Herschend. We are not having any trouble in our department despite what you’ve heard, Production Still, 2011. HD Video, 5 min. TRT. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_17.jpg Jonn Herschend. Embrace of the Irrational, Production Still no. 1, 2010. HD Video, 18 min TRT, Commissioned by Southern Exposure. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herschend-jonn-2015/Herschend_18.jpg Jonn Herschend. Embrace of the Irrational, Production Still no. 2, 2010. HD Video, 18 min TRT, Commissioned by Southern Exposure. Courtesy of the artist. https://www.studiointernational.com/index.php/lydia-gifford-interview-to-for-with-exhibition https://www.studiointernational.com/images/articles/g/gifford-lydia-2015/LG255_Reverse_Press1.jpg Lydia Gifford. Reverse, 2015. Wood, canvas, oil paint, 34 x 32 x 3 cm. Courtesy Laura Bartlett Gallery, London. https://www.studiointernational.com/images/articles/g/gifford-lydia-2015/LG271_Clacked_Press.jpg Lydia Gifford. Clacked, 2015. Wood, hessian, oil paint, 53 x 46 x 7 cm. Courtesy Laura Bartlett Gallery, London. https://www.studiointernational.com/images/articles/g/gifford-lydia-2015/LG253_Press.jpg Lydia Gifford. Clip, 2015. Chipboard, gesso, ink, 104 x 70 x 4 cm. Courtesy Laura Bartlett Gallery, London. https://www.studiointernational.com/images/articles/g/gifford-lydia-2015/01_Press.jpg Lydia Gifford. To. For. With, Installation view (1), Laura Bartlett Gallery, London, 2015. https://www.studiointernational.com/images/articles/g/gifford-lydia-2015/13_b_Press.jpg Lydia Gifford. To. For. With, Installation view (2), Laura Bartlett Gallery, London, 2015. https://www.studiointernational.com/images/articles/g/gifford-lydia-2015/17_b_Press.jpg Lydia Gifford. To. For. With, Installation view (3), Laura Bartlett Gallery, London, 2015. https://www.studiointernational.com/images/articles/g/gifford-lydia-2015/19_Press.jpg Lydia Gifford. To. For. With, Installation view (4), Laura Bartlett Gallery, London, 2015. https://www.studiointernational.com/index.php/reni-gower-and-jorge-benitez-interview-geometric-aljamia-cultural-transliteration https://www.studiointernational.com/images/articles/g/gower-benitez-2015/2-Gower-Papercuts-White-Emerald.jpg Reni Gower. Papercuts: White/emerald, 2013. Acrylic on hand-cut paper, 81 x 56 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/3-Gower-Papercuts-White-Emerald-Detail-(1).jpg Reni Gower: Papercuts: White/emerald-Detail, 2013. Acrylic on hand-cut paper, 81 x 56 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/4-Benitez-Azulejos.jpg Jorge Benitez. Azulejos, 2014. Graphite/ink on architectural vellum, 24 x 36 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/5-Benitez-Courtyard.jpg Jorge Benitez. Courtyard, 2013. Graphite on Arches paper, 11 x 15 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/6-Townsend-Untitled-Detail.jpg Julia Townsend. Untitled (detail), 2013. Hand-cut paper and wall tracing, 72 x 48 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/7-Amin-Untitled.jpg Mohammed Saleh Amin. Untitled, 2013. Hand-cut paper, 37 x 40 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/8-Sahebzada--Islamic-Design-Detail.jpg Tamim Sahebzada. Islamic Design (detail), 2013. Hand-cut paper, 62 x 13 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/9-Gower-Fragments-Entwined.jpg Reni Gower. Fragments: Entwined, 2013. Mixed media, 63 x 62 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/10-Gower-Fragments-CC.jpg Reni Gower. Fragments: CC, 2009. Mixed media, 59 x 65 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/11-Benitez-Untitled-1.jpg Jorge Benitez. Untitled 1, 2012. Oil on panel, 12 x 12 in. https://www.studiointernational.com/images/articles/g/gower-benitez-2015/12-Benitez-Untitled-2.jpg Jorge Benitez. Untitled 2, 2012. Oil on panel, 12 x 12 in. https://www.studiointernational.com/index.php/lee-ufan-exhibition-review-lisson-gallery-japan-mono-ha-group https://www.studiointernational.com/images/articles/u/ufan-lee-2015/UFAN_INSTA_1.jpg Lee Ufan. Relatum - Rest, 2013. Gravel, glass, steel, stone. Glass 250 x 250 x 2 cm; Steel 250 x 250 x 2 cm; Stone 70 x 70 x 70cm. © the artist. Courtesy of Lisson Gallery, London. Photograph: Jack Hems. https://www.studiointernational.com/images/articles/u/ufan-lee-2015/UFAN_INSTA_15.jpg Lee Ufan at Lisson Gallery, London. Installation view featuring the works titled Dialogue. Courtesy the artist and Lisson Gallery. Photograph: Jack Hems. https://www.studiointernational.com/images/articles/u/ufan-lee-2015/UFAN_INSTA_12.jpg Lee Ufan at Lisson Gallery, London. Installation view featuring the works titled Dialogue. Courtesy the artist and Lisson Gallery. Photograph: Jack Hems. https://www.studiointernational.com/images/articles/u/ufan-lee-2015/UFAN_INSTA_8.jpg Lee Ufan at Lisson Gallery, London. Installation view featuring the works titled Dialogue. Courtesy the artist and Lisson Gallery. Photograph: Jack Hems. https://www.studiointernational.com/images/articles/u/ufan-lee-2015/UFAN140010_1.jpg Lee Ufan. Dialogue - Silence, 2013. Virgin canvas, stone. Canvas 227 x 182 x 6cm; Stone 70 x 70 x 70cm. Courtesy the artist and Lisson Gallery. Photograph: Jack Hems. https://www.studiointernational.com/index.php/maripol-clare-stephenson-zoe-williams-spring-summer-2015-review-dundee-polaroid-artist-madonna https://www.studiointernational.com/images/articles/m/maripol-2015/Debbie-Harry-in-the-Loft,-1980.jpg Maripol. Debbie Harry in the Loft, 1980. Polaroid. © Maripol, all rights reserved. https://www.studiointernational.com/images/articles/m/maripol-2015/Maripol-self-portrait-with-Pantone-markers,-1980-Polaroid-by-Maripol,-all-rights-reserved.jpg Maripol. Self portrait with Pantone markers, 1980. Polaroid. © Maripol, all rights reserved. https://www.studiointernational.com/images/articles/m/maripol-2015/Christiana-and-Caspian.jpg Maripol. Christiana and Caspian, 2015. Polaroid. https://www.studiointernational.com/images/articles/m/maripol-2015/Zoe-Williams,-Still-taken-from-Drench,-HD-video,-5-minutes,-2012.jpg Zoe Williams. Still taken from Drench, 2012. HD video, 5 minutes. https://www.studiointernational.com/images/articles/m/maripol-2015/Zoe-Williams,-Still-taken-from-Drench-2.jpg Zoe Williams. Still (2) taken from Drench, 2012. HD video, 5 minutes. https://www.studiointernational.com/images/articles/m/maripol-2015/Spring-Summer-2015,-installation-view.jpg Spring Summer 2015, installation view. Photograph: Ruth Clark, courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/m/maripol-2015/Spring-Summer-2015,-installation-view-(2).jpg Spring Summer 2015, installation view (2). Photograph: Ruth Clark, courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/m/maripol-2015/Spring-Summer-2015,-installation-view-(3).jpg Spring Summer 2015, installation view (3). Photograph: Ruth Clark, courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/m/maripol-2015/Spring-Summer-2015,-installation-view-(4).jpg Spring Summer 2015, installation view (4). Photograph: Ruth Clark, courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/m/maripol-2015/Spring-Summer-2015,-installation-view-(6).jpg Spring Summer 2015, installation view (5). Photograph: Ruth Clark, courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/index.php/sarah-jane-moon-inside-portraits-mall-galleries-bulldog-bursary https://www.studiointernational.com/images/articles/m/moon-sarah-jane-2015/sarah-jane-moon-1000px.jpg Sarah Jane Moon at the Mall Galleries, London, April 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/life-of-cats-selections-from-hiraki-ukiyo-e-collection-review-japan https://www.studiointernational.com/images/articles/l/life-of-cats-2015/LifeofCats_03_RichardPGoodbody.jpg Life of Cats: Selections from the Hiraki Ukiyo-e Collection, Japan Society Gallery. Installation view. https://www.studiointernational.com/images/articles/l/life-of-cats-2015/Kokei_Dragon-and-Tiger.jpg Yoshimura Kōkei (1770–1836), Dragon and Tiger, 1895. Hanging scroll, ink, colour and gold on silk; 90 x 43 1/2 in. Courtesy Joan B. Mirviss, Ltd., New York. https://www.studiointernational.com/index.php/martin-ramirez-forever-review-mexican-art-ricco-maresca-gallery https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/ArchesandTunnel.jpg Martín Ramírez. Untitled (Church with Arches and Tunnels), 1950-55. Graphite, tempera and crayon on paper, 48 x 36 1/2 in (121.9 x 92.7 cm). https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/CourtyardwithManandAnimals.jpg Martín Ramírez. Untitled (Courtyard with Man and Animals), 1950-55. Graphite, tempera and crayon on paper, 47 1/2 x 36 in (120.7 x 91.4 cm). https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/Galleon on Water _hires.jpg Martín Ramírez. Untitled (Galleon on Water), c1960-63. Gouache, coloured pencil and graphite on pieced paper, 33 x 24 in (84 x 61 cm). Private Collection. https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/HorseandRider.jpg Martín Ramírez. Untitled (Abstracted Landscape with Horse and Rider), 1960-63. Gouache and graphite on pieced paper, 24 x 19 in (61 x 48 cm). https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/MR 2.jpg Martín Ramírez. Untitled (Horse and Rider), c1950. Coloured pencil, crayon and collage on paper, 37 x 18 5/8 in (93.98 x 47.31 cm) https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/Stag.jpg Martín Ramírez. Untitled, (Stag on mound with fireworks), c1952-53. Graphite, tempera and crayon on paper, 32 x 19 1/2 in (81.3 x 49.5 cm). https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/TrainandTunnel.jpg Martín Ramírez. Untitled (Train and Tunnel), c1950. Pencil, coloured pencil, crayon, watercolour and collage on paper, 35 13/16 x 24 in (90.96 x 60.96 cm). Private Collection. https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/Installation photo (2).jpg Martín Ramírez: Forever. Installation view (1). https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/Installation photo (3).jpg Martín Ramírez: Forever. Installation view (2). https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/Installation photo (5).jpg Martín Ramírez: Forever. Installation view (3). https://www.studiointernational.com/images/articles/r/ramirez-martin-2015/Installation photo (6).jpg Martín Ramírez: Forever. Installation view (4). https://www.studiointernational.com/index.php/cubism-2-0-postcubism-in-europe-review-picasso-robert-bereny-bill-parker https://www.studiointernational.com/images/articles/c/cubism2-2015/Beaudin-GlaieulMauve.jpg André Beaudin (1895-1979). Le Glaïeul Mauve, 1948. Oil on canvas, 81 x 54 cm (32 x 21 1/4 in), signed and dated lower left. https://www.studiointernational.com/images/articles/c/cubism2-2015/Beothy-Femme.jpg Étienne Béothy (1897-1961). Opus 17 - Femme 1. Bronze relief, 41 x 20 x 3.5 cm (16 x 8 x 1 1/4 in), 1 of 8, with ‘Clementi, Meudon. Cire Perdue’ foundry mark conceived in 1925. https://www.studiointernational.com/images/articles/c/cubism2-2015/Bereny-NM.jpg Róbert Bérény (1887-1953). Nature Morte. Oil on canvas, 88 x 65 cm (34 ½ x 25½ in), signed upper left, painted c1928. https://www.studiointernational.com/images/articles/c/cubism2-2015/Chapoval-NMCafetiere.jpg Youla (Jules) Chapoval (1919-51). Nature Morte avec Cafetière. Oil on canvas, 50 x 65 cm (19¾ x 25½ in), signed and dated lower right, “IV 1946”. https://www.studiointernational.com/images/articles/c/cubism2-2015/Charchoune-CompMusicaliste.jpg Serge Charchoune (1888-1975). Petite Composition Musicaliste. Oil on canvas laid on wood, 14 x 19 cm (5 1/2 x 17 ½ in), signed and dated lower right, 1945. https://www.studiointernational.com/images/articles/c/cubism2-2015/Gischia-FigureGuitare.jpg Léon Gischia (1903-1991). Figure et Guitare. Oil on canvas, 81 x 100 cm (32 x 39 ½ in), signed and dated lower right, 1954. https://www.studiointernational.com/images/articles/c/cubism2-2015/Lhote-LaTerrasse.jpg André Lhote (1885-1962). Sur la Terrasse. Oil on canvas, 61 x 46 cm (24 x 18 in), signed lower left, also signed on the stretcher, painted c1945. https://www.studiointernational.com/images/articles/c/cubism2-2015/Parker-LaPlage.jpg Bill Parker (b1922). La Plage. Oil on canvas, 60 x 73 cm (23 ½ x 28 ¾ in), initialled and dated upper left “BP, 56”. https://www.studiointernational.com/images/articles/c/cubism2-2015/Venard-FemmeCoupeFruits.jpg Claude Venard (1913-1999). Femme avec coupe de fruits. Oil on canvas, 114 x 146cm (44¾ x 57½ in), signed lower left, painted c1959. https://www.studiointernational.com/index.php/mathieu-lehanneur-interview-industrial-designer-andrea-air-purifier-huawei https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/andrea-1.jpg Andrea. Living air filter that absorbs undesirable effects of contaminated air by the profusion of manufactured goods. It takes in the air from the room and absorbs its toxic compounds. © Photograph: Véronique Huyghe. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/andrea-2.jpg Andrea uses plants selected for their filtering ability. (gerbera, philodendron, spathiphyllum, pothos and the chlorophytum are among the plants found to be most effective.) © Photograph: Véronique Huyghe. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/wi-fi-1.jpg Wi-Fi station on the Rond Point des Champs-Elysées, a connected oasis in the heart of Paris, February 2012. Free Wi-Fi access to tourists and Parisians. Tactile big screen offering the services of the city of Paris. © Mathieu Lehanneur/JCDecaux. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/wi-fi-4.jpg Wi-Fi station on the Rond Point des Champs-Elysées, a connected oasis in the heart of Paris, February 2012. Free Wi-Fi access to tourists and Parisians. Tactile big screen offering the services of the city of Paris. © Mathieu Lehanneur/JCDecaux. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/wi-fi-2.jpg Wi-Fi station on the Rond Point des Champs-Elysées, a connected oasis in the heart of Paris, February 2012 (detail). Free Wi-Fi access to tourists and Parisians. Tactile big screen offering the services of the city of Paris. © Mathieu Lehanneur/JCDecaux. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/wi-fi-3.jpg Wi-Fi station on the Rond Point des Champs-Elysées, a connected oasis in the heart of Paris, February 2012 (detail 2). Free Wi-Fi access to tourists and Parisians. Tactile big screen offering the services of the city of Paris. © Mathieu Lehanneur/JCDecaux. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/Lehanneur-Lab-Cambridge.jpg The Café ArtScience in Cambridge, Massachusetts. © Mathieu Lehanneur. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/Lehanneur-Lab-Facade-Gallery.jpg The Café ArtScience in Cambridge, Massachusetts. Gallery. © Mathieu Lehanneur. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/Lehanneur-Lab-Facade-recad.jpg The Café ArtScience in Cambridge, Massachusetts. Facade. © Mathieu Lehanneur. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/LAge-du-Monde-03.jpg The Age of the World. Glossy black enamelled ceramic, 2009. Client: Issey Miyake. Manufacturer: Claude Aiello, Vallauris. Dimensions: H 70 cm, radius 60 cm. Courtesy of Perimeter Art&Design © Photograph: Alexandre Balhaiche. https://www.studiointernational.com/images/articles/l/lehanneur-mathieu-2015/LAge-du-Monde-04.jpg The Age of the World, 2009. Client: Issey Miyake. Manufacturer: Claude Aiello, Vallauris. Courtesy of Perimeter Art&Design © Photograph: Alexandre Balhaiche. https://www.studiointernational.com/index.php/jacob-lawrences-migration-series-and-other-works-review-moma https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/jacoblawrence_migrationseries_panel1.jpg Jacob Lawrence. The Migration Series. 1940-41. Panel 1: During the World War there was a great migration North by Southern Negroes. Casein tempera on hardboard, 18 x 12 in (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C. https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/jacoblawrence_migrationseries_panel388.jpg Jacob Lawrence. The Migration Series. 1940-41. Panel 3: In every town Negroes were leaving by the hundreds to go North and enter into Northern industry. Casein tempera on hardboard, 18 x 12 in (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C. https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/jacoblawrence_migrationseries_panel14.jpg Jacob Lawrence. The Migration Series. 1940-41. Panel 14: Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts. Casein tempera on hardboard, 18 x 12 in (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/jacoblawrence_migrationseries_panel48.jpg Jacob Lawrence. The Migration Series. 1940-41. Panel 48: Housing for the Negroes was a very difficult problem. Casein tempera on hardboard, 18 x 12 in (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/jacoblawrence_migrationseries_panel52.jpg Jacob Lawrence. The Migration Series. 1940-41. Panel 52: One of the largest race riots occurred in East St. Louis. 1941. Casein tempera on hardboard, 18 x 12 in (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/jacoblawrence_migrationseries_panel58.jpg Jacob Lawrence. The Migration Series. 1940-41. Panel 58: In the North the Negro had better educational facilities. Casein tempera on hardboard, 18 x 12 in (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/jacoblawrencebus1941.jpg Jacob Lawrence. Bus, 1941. Gouache on paper, 18 5/16 x 21 7/8 in (47.8 x 55.6 cm). Collection of George Wein, Courtesy of Michael Rosenfeld Gallery LLC, New York, NY. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/langstonhughesspreadfromonewayticketwithwoodcutbyjacoblawrence1949.jpg Spread from Langston Hughes, with woodcut by Jacob Lawrence. One Way Ticket. New York: A. A. Knopf, 1949. Collection Leon F. Litwack. Photograph courtesy Manuscript, Archives, and Rare Book Library, Emory University. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Additional rights by permission of the Estate of Langston Hughes in care of Harold Ober Associates Incorporated https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/coverfromrichardwright.jpg Cover of 12 Million Black Voices, by Richard Wright. Photo-direction by Edwin Rosskam. New York: Viking Press, 1941. Collection of Leon F. Litwack. Photograph courtesy Manuscript, Archives, and Rare Book Library, Emory University. https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/in2318_03_press.jpg Installation view of One-Way Ticket: Jacob Lawrence’s Migration Series and Other Visions of the Great Movement North, The Museum of Modern Art, April 3–September 7, 2015. © 2015 The Museum of Modern Art. Photograph: Jonathan Muzikar. https://www.studiointernational.com/images/articles/l/lawrence-jacob-2015/in2318_16_press.jpg Installation view (2) of One-Way Ticket: Jacob Lawrence’s Migration Series and Other Visions of the Great Movement North, The Museum of Modern Art, April 3–September 7, 2015. © 2015 The Museum of Modern Art. Photograph: Jonathan Muzikar. https://www.studiointernational.com/index.php/shirin-neshat-interview-home-of-my-eyes-yarat-baku-azerbaijan-photography https://www.studiointernational.com/images/articles/n/neshat-shirin-2015/Shirin-Neshat,-Soliloquy,-1999,-Production-still.jpg Shirin Neshat. Soliloquy, 1999, Production still. Copyright Shirin Neshat. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/n/neshat-shirin-2015/Shirin-Neshat,-Soliloquy,-1999,-Production-still-2.jpg Shirin Neshat. Soliloquy, 1999, Production still (2). Copyright Shirin Neshat. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/n/neshat-shirin-2015/Shirin-Neshat,-Soliloquy,-1999,-Production-still-3.jpg Shirin Neshat. Soliloquy, 1999, Production still (3). Copyright Shirin Neshat. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/n/neshat-shirin-2015/Shirin-Neshat,-Passage,-2001,-Production-still.jpg Shirin Neshat. Passage, 2001, Production still. Copyright Shirin Neshat. Courtesy Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/n/neshat-shirin-2015/YARAT-Contemporary-Art-Centre,-Baku.jpg Yarat Contemporary Art Centre, Baku, Azerbaijan. Image courtesy of Yarat. Photograph: Fakhriyya Mammadova. https://www.studiointernational.com/index.php/fb55-francis-bacon-archival-display-review-ica https://www.studiointernational.com/images/articles/f/fb55-2015/FB-55-Reading-Room-ICA-0005.jpg FB55 installation view, Fox Reading Room, ICA, London, 2015. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/f/fb55-2015/FB-55-Reading-Room-ICA-0004.jpg FB55 installation view (2), Fox Reading Room, ICA, London, 2015. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/f/fb55-2015/FB-55-Reading-Room-ICA-0006.jpg FB55 installation view (3), Fox Reading Room, ICA, London, 2015. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/f/fb55-2015/FB-55-Reading-Room-ICA-0011.jpg FB55 installation view (4), Fox Reading Room, ICA, London, 2015. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/f/fb55-2015/FB-55-Reading-Room-ICA-0013.jpg FB55 installation view (5), Fox Reading Room, ICA, London, 2015. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/f/fb55-2015/FB-55-Reading-Room-ICA-0015.jpg FB55 installation view (6), Fox Reading Room, ICA, London, 2015. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/f/fb55-2015/FB-55-Reading-Room-ICA-0019.jpg FB55 installation view (7), Fox Reading Room, ICA, London, 2015. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/f/fb55-2015/FB-55-Reading-Room-ICA-0022.jpg FB55 installation view (8), Fox Reading Room, ICA, London, 2015. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/f/fb55-2015/FB-55-Reading-Room-ICA-0023.jpg FB55 installation view (9), Fox Reading Room, ICA, London, 2015. Photograph: Mark Blower. https://www.studiointernational.com/index.php/michel-francois-a-frozen-eagle-melting-on-the-theatre-of-operations-review-sculpture https://www.studiointernational.com/images/articles/f/francois-michel-2015/Installation-View-1.jpg Michel François, installation view (1), Thomas Dane Gallery, London, April 2015. https://www.studiointernational.com/images/articles/f/francois-michel-2015/Installation View 3.jpg Michel François, installation view (2), Thomas Dane Gallery, London, April 2015. https://www.studiointernational.com/images/articles/f/francois-michel-2015/Installation View 7.jpg Michel François, installation view (3), Thomas Dane Gallery, London, April 2015. https://www.studiointernational.com/index.php/bryan-kneale-video-interview-five-decades-sculpture https://www.studiointernational.com/images/articles/k/kneale-bryan-2015/kneale-home-image.jpg Bryan Kneale at Pangolin London, 10 April 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/marcin-maciejowski-interview-unsettled-matters-polish-portrait-painter-youtube https://www.studiointernational.com/images/articles/m/maciejowski-2015/WG-MMAC-00167-300.jpg Marcin Maciejowski. Buste de Femme (1910), 2015. Oil on canvas, 190 x 140 cm. https://www.studiointernational.com/images/articles/m/maciejowski-2015/WG-MMAC-00168-300.jpg Marcin Maciejowski. Save Me, Rescue Me, Protect Me, 2015. Oil on canvas, 190 x 130 cm. https://www.studiointernational.com/images/articles/m/maciejowski-2015/WG-MMAC-00169-300.jpg Marcin Maciejowski. Unsettled Matters, 2014. Oil on canvas, 130 x 120 cm. https://www.studiointernational.com/images/articles/m/maciejowski-2015/WG-MMAC-00172-300.jpg Marcin Maciejowski. Lato ’76 (Artur Rojek’s song), 2015. Oil on canvas, 70 x 50 cm. https://www.studiointernational.com/images/articles/m/maciejowski-2015/WG-MMAC-00173-300.jpg Marcin Maciejowski. L’Aubade (1942), 2015. Oil on canvas, 190 x 150 cm. https://www.studiointernational.com/images/articles/m/maciejowski-2015/WG-MMAC-00174-300.jpg Marcin Maciejowski. Please Stay, 2015. Oil on canvas, 40 x 60 cm. https://www.studiointernational.com/images/articles/m/maciejowski-2015/WG-MMAC-00175-300.jpg Marcin Maciejowski. I’ve already told you the times are not for us, 2015. Oil on canvas, 130 x 170 cm. https://www.studiointernational.com/images/articles/m/maciejowski-2015/WG-MMAC-00176-072-temp.jpg Marcin Maciejowski. You’re playing a hard game, 2015. Oil on canvas, 60 x 70 cm. https://www.studiointernational.com/index.php/sp-arte-the-sao-paulo-international-art-fair-2015-review https://www.studiointernational.com/images/articles/s/sparte-2015/_MG_0041_menor.jpg Reenacting of James Lee Byars’ Breathe (Two in a Hat), 1968. Part of the Open Plan section. © Faculdade de Belas Artes de São Paulo. https://www.studiointernational.com/images/articles/s/sparte-2015/_MG_0056_menor.jpg Anna Leite. Diálogos Silenciosos (Silent Dialogues), 2015. Performance enacted in the Performa section. © Faculdade de Belas Artes de São Paulo. https://www.studiointernational.com/images/articles/s/sparte-2015/_MG_0148_maior.jpg Leonardo Akio. Parábola, 2015. Performance enacted in the Performa section. © Faculdade de Belas Artes de São Paulo. https://www.studiointernational.com/images/articles/s/sparte-2015/geral1stfloor.jpg Overview of the Ciccillo Matarazzo pavilion’s ground floor, home to the São Paulo Biennial and SP Arte 2015. Detail: Solo section stands. © German Alfonso Nunez. https://www.studiointernational.com/images/articles/s/sparte-2015/geral2ndfloor.jpg Overview of the Ciccillo Matarazzo pavilion’s second and first floor, home to the São Paulo Biennial and SP Arte 2015. © German Alfonso Nunez. https://www.studiointernational.com/images/articles/s/sparte-2015/geral3floor.jpg Overview of the Ciccillo Matarazzo pavilion’s third and second floor, home to the São Paulo Biennial and SP Arte 2015. Detail: Rochelle Costi’s Stairs (2010/2015). © German Alfonso Nunez. https://www.studiointernational.com/index.php/whitney-museum-america-is-hard-to-see-review-renzo-piano https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08902.jpg Whitney Museum. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08886.jpg Whitney Museum, Viewed from Gansevoort Street. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-2015/IMG_1091-building-details-EastView.jpg Whitney Museum, East view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/w/whitney-2015/Building-details-outside-East-view.jpg Whitney Museum, East view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08733.jpg Cityscape, NYC including the Freedom Tower. Viewed from the Whitney Museum. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08740.jpg Cityscape, NYC including the Empire State Building. Viewed from the Whitney Museum. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-2015/IMG_1094-building-details.jpg Whitney Museum. Renzo Piano's columns. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/w/whitney-2015/IMG_1266-Elsie-Driggs-Pittsburgh-1927.jpg Elsie Driggs. Pittsburgh (detail), 1927. Oil on canvas, 34 1/4 × 40 1/4 in (87 × 102.2 cm). Whitney Museum of American Art, New York; Gift of Gertrude Vanderbilt Whitney. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08720.jpg Whitney Museum. Installation view. Back: Chuck Close. Phil, 1969. Acrylic and graphite pencil on canvas, 108 1/4 × 84 in (275 × 213.4 cm). Whitney Museum of American Art, New York; Purchase, with funds from Mrs. Robert M. Benjamin. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08750.jpg Whitney Museum. Exhibition view, including a Calder work. Photograph: Miguel Benavides https://www.studiointernational.com/images/articles/w/whitney-2015/FullSizeRender-4.jpg Installation view. Including Ben Shahn's The Passion of Sacco and Vanzetti, 1931-32. Tempera and gouache on canvas mounted on composition board. 84 × 48 in (213.4 × 121.9 cm). Whitney Museum of American Art, New York; Gift of Edith and Milton Lowenthal in memory of Juliana Force. © Estate of Ben Shahn / Licensed by VAGA, New York, NY. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/w/whitney-2015/IMG_1061-AlexKatz.jpg Whitney Museum. Installation view, including The Red Smile, 1963 by Alex Katz and Giant Fagends, 1967 by Claes Oldenburg. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/w/whitney-2015/John-Chamberlain.jpg Exhibition view. John Chamberlain. Velvet White, 1962. Painted and chromium-plated steel, 79 1/2 × 52 3/4 × 58 1/4 in (201.9 × 134 × 148 cm). Whitney Museum of American Art, New York; Gift of the Albert A. List Family. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08770.jpg Exhibition view, including Mark di Suvero. Hankchampion, 1960. Wood, steel hardware and chains, 77 1/2 × 152 × 109 3/16 in. (196.9 × 386.1 × 277.3 cm). Whitney Museum of American Art, New York; Gift of Mr. and Mrs. Robert C. Scull. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-2015/IMG_1055-Stairwell-Gonzalez-Torres.jpg Stairwell, featuring Felix Gonzalez-Torres. Untitled (America), 1994. Light bulbs, waterproof rubber light sockets and waterproof extension cords. Dimensions variable. Purchase with funds from the Contemporary Paintings and Sculpture Committee, Whitney Museum. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/w/whitney-2015/IMG_1049-America-securityguard2.jpg Glenn Ligon. Rückenfigur, 2009. Neon and paint, 24 × 145 1/2 × 5 in (61 × 369.6 × 12.7 cm). AP 1/2, Edition of 3. Whitney Museum of American Art, New York; Purchase, with funds from the Painting and Sculpture Committee. Courtesy of the artist and Regen Projects, Los Angeles. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08800.jpg Eva Hesse. Eva Hesse, 1969-70. Latex, rope, string, and wire, dimensions variable. Whitney Museum of American Art, New York; Purchase, with funds from Eli and Edythe L. Broad, the Mrs. Percy Uris Purchase Fund, and the Painting and Sculpture Committee. © The Estate of Eva Hesse. Hauser & Wirth. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08834.jpg Earl Reiback. Thrust, 1969. Three Experiments within the TV Tube. Modified television set, 19 3/4 × 28 5/16 × 20 1/2 in (50.2 × 71.9 × 52.1 cm). Whitney Museum of American Art, New York; Purchase, with funds from David Bermant and Barbara Wise. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-2015/IMG_1088-Mary-Heilmann-chairs.jpg Mary Heilmann. Monochrome Chairs, 2015. Plywood, polyurethane paint and rubber. Whitney Museum. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/w/whitney-2015/DSC08670.jpg Architect Renzo Piano and Director Adam D. Weinberg. Whitney Museum. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/kate-downie-susan-winton-interview-scotland-landscape-painting https://www.studiointernational.com/images/articles/d/downie-winton-2015/Kate-Downie-by-Nick-Howard.jpg Kate Downie. Photograph: Nick Howard. https://www.studiointernational.com/images/articles/d/downie-winton-2015/Kate-Downie-Estuary-Life.jpg Kate Downie. Estuary Life (Parramatta, Jakaranda, Frangipani), 2014-15. Oil on wood, 92 x 192 cm. Copyright the artist. Photograph: Michael Wolchover. https://www.studiointernational.com/images/articles/d/downie-winton-2015/Kate-Downie-Metal-Fatigue.jpg Kate Downie. Metal Fatigue, 2012-13. Ink on Xuan Paper, 240 x 120 cm. Copyright the artist. Photograph: Michael Wolchover. https://www.studiointernational.com/images/articles/d/downie-winton-2015/kate-downie-Feijiacun-Walk-I.jpg Kate Downie. Feijiacun Walk I ( Student Teacher), 2013. Ink and Chinese watercolour on Xuan paper, 70 x 138 cm. Copyright the artist. Photograph: Michael Wolchover. https://www.studiointernational.com/images/articles/d/downie-winton-2015/Susan-Winton-II.jpg Susan Winton. https://www.studiointernational.com/images/articles/d/downie-winton-2015/susan-winton-Canyon-In-The-Desert,-Almeria.jpg Susan Winton. Canyon In The Desert, Almeria, 2015. Acrylic and ink on paper, 56.5 x 38.5 cm. © Susan Winton. https://www.studiointernational.com/images/articles/d/downie-winton-2015/susan-winton-Caught-With-Ourselves-In-The-Net-Of-TIme-And-LIfe.jpg Susan Winton. Caught With Ourselves In The Net Of Time And Life, 2014. Mixed media on board, 105 x 105 cm. © Susan Winton. https://www.studiointernational.com/images/articles/d/downie-winton-2015/susan-winton-They-Are-Other-Nations-II.jpg Susan Winton. They Are Other Nations II, 2014. Mixed media on board, 59 x 71 cm. © Susan Winton. https://www.studiointernational.com/images/articles/d/downie-winton-2015/susan-winton-Transection.jpg Susan Winton. Transection, 2014. Plaster, wax and wire sculpture, 14 x 6 x 21.5 cm. © Susan Winton. https://www.studiointernational.com/images/articles/d/downie-winton-2015/susan-winton-Waves.jpg Susan Winton. Waves, 2014. Mixed media on board, 30 x 20 cm. © Susan Winton. https://www.studiointernational.com/index.php/sanya-kantarovsky-apricot-juice-mikhail-bulgakovthe-master-and-margarita https://www.studiointernational.com/images/articles/k/kantarovsky-sanya-2015/S.jpg Sanya Kantarovsky. The Flight: Margarita floated out of the window, where she turned and hit the glass a gentle blow with her hammer. It shattered and cascaded in smithereens down the marble facade on to the street below. Margarita flew on to the next window, 2015. Oil, pastel, watercolour and oilstick on canvas, 180 x 280 cm. Commissioned by Studio Voltaire for How to work together a shared project with Chisenhale Gallery and The Showroom. Courtesy of the artist and Casey Kaplan, New York. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/k/kantarovsky-sanya-2015/R.jpg Sanya Kantarovsky. The Master is Released: Behemoth cut himself a slice of pineapple, salted and peppered it, ate it and chased it down with a second glass of spirit with a flourish that earned a round of applause, 2015. Oil, pastel, watercolour and oilstick on canvas, 180 x 280 cm. Commissioned by Studio Voltaire for How to work together a shared project with Chisenhale Gallery and The Showroom. Courtesy of the artist and Stuart Shave/Modern Art, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/k/kantarovsky-sanya-2015/T.jpg Sanya Kantarovsky. Pontius Pilate: You cannot even think and you can only long for your dog, who is clearly the only creature for whom you have any affection. But the pain will stop soon and your headache will go, 2015. Oil, pastel, watercolour and oilstick on canvas, 180 x 280 cm. Commissioned by Studio Voltaire for How to work together a shared project with Chisenhale Gallery and The Showroom. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/k/kantarovsky-sanya-2015/U.jpg Sanya Kantarovsky. Hail to the Rooster!:... the wretched victim of her own rashness and vanity, cheated by the sinister Faggot, could do nothing but hope to be swallowed up by the ground, 2015. Watercolour and bleach, 180 x 280 cm. Commissioned by Studio Voltaire for How to work together a shared project with Chisenhale Gallery and The Showroom. Courtesy of the artist and Stuart Shave/Modern Art, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/k/kantarovsky-sanya-2015/V.jpg Sanya Kantarovsky. Never Talk to Strangers: At the very moment when Mikhail Alexandrovich was telling the poet how the Aztecs used to model figurines of Vitzli-Putzli out of dough - the first man appeared in the avenue, 2015. Oil, pastel, watercolour and oilstick on canvas, 180 x 280 cm. Commissioned by Studio Voltaire for How to work together a shared project with Chisenhale Gallery and The Showroom. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate https://www.studiointernational.com/images/articles/k/kantarovsky-sanya-2015/Sanya-Kantarovsky-and-Ieva-Miseviciute-Studio-Voltaire,-London-9.jpg Ieva Misevičiūtė. Apricot Juice Performance, Saturday 18 April 2015, Studio Voltaire London. 22 mins. Commissioned by Studio Voltaire for How to work together a shared project with Chisenhale Gallery and The Showroom. Courtesy of the artist and Studio Voltaire, London. Photograph: Devron System Films. https://www.studiointernational.com/index.php/modigliani-a-unique-artistic-voice-review https://www.studiointernational.com/images/articles/m/modigliani-2015/Blue-Caryatid.jpg Amedeo Modigliani. Kneeling Blue Caryatid, c1911. Blue crayon, 43 x 26.5 cm. Courtesy: Richard Nathanson, London. https://www.studiointernational.com/images/articles/m/modigliani-2015/Blue-Male-Head.jpg Amedeo Modigliani. Male Head and Shoulders, c1911. Blue crayon, 42.8 x 26.7 cm. Courtesy: Richard Nathanson, London. https://www.studiointernational.com/images/articles/m/modigliani-2015/Columbine-with-Tutu.jpg Amedeo Modigliani. Columbine with Fan and wearing a Tutu, 1908. Black crayon, 31 x 24.3 cm. Courtesy: Richard Nathanson, London. https://www.studiointernational.com/images/articles/m/modigliani-2015/Dr-Brabander.jpg Amedeo Modigliani. Dr François Brabander, 1918. Oil on canvas, 46 x 38 cm. Courtesy: Estorick Collection. https://www.studiointernational.com/images/articles/m/modigliani-2015/L-Amazone.jpg Amedeo Modigliani. L'Amazone, 1909. Black crayon, 30.8 x 23.2 cm. Courtesy: Richard Nathanson, London. https://www.studiointernational.com/images/articles/m/modigliani-2015/Maud-Abrantes-1908.jpg Amedeo Modigliani. Portrait of Maud Abrantès, 1908. Watercolour with traces of black crayon, 41 x 32 cm. Courtesy: Richard Nathanson, London. https://www.studiointernational.com/images/articles/m/modigliani-2015/Modigliani-Nude-with-Cup.jpg Amedeo Modigliani. Nude with Cup, c1916. Watercolour, Indian ink and pencil, 64.5 x 50 cm. Courtesy: Estorick Collection. https://www.studiointernational.com/images/articles/m/modigliani-2015/Modigliani-standing-nude.jpg Amedeo Modigliani. Standing Nude, 1908. Black crayon, 43 x 26.7 cm. Courtesy: Richard Nathanson, London. https://www.studiointernational.com/images/articles/m/modigliani-2015/Seated-Caryatid.jpg Amedeo Modigliani. Caryatid Seated on Plinth with Lighted Candles, n.d. Black crayon, 42.7 x 26 cm. Courtesy: Richard Nathanson, London. https://www.studiointernational.com/index.php/gordon-shrigley-interview https://www.studiointernational.com/images/articles/s/shrigley-gordon-2015/shrigley3-home-image.jpg Gordon Shrigley, practising artist and electoral candidate for his Campaign party in Hackney South and Shoreditch, April 2015. https://www.studiointernational.com/index.php/roxana-halls-interview-unknown-women https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Back-IV.jpg Roxana Halls. Back IV, 2010. Oil on linen, 70 x 45 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Back-V.jpg Roxana Halls. Back V, 2010. Oil on linen, 70 x 45 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Beauty-Queen.jpg Roxana Halls. Beauty Queen, 2014. Oil on linen, 90 x 90 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Carvery.jpg Roxana Halls. Carvery, 2013. Oil on linen, 120 x 130 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Laughing-While-Eating-Salad.jpg Roxana Halls. Laughing While Eating Salad, 2013. Oil on linen, 70 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Midnight-Snacks.jpg Roxana Halls. Midnight Snacks, 2014. Oil on linen, 80 x 110 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Sushi.jpg Roxana Halls. Sushi, 2014. Oil on linen, 75 x 75 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Nest-I.jpg Roxana Halls. Nest I, 2015. Oil on linen, 65 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Nest-II.jpg Roxana Halls. Nest II, 2015. Oil on linen, 65 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/A-Little-Light-Reading-l.jpg Roxana Halls. A Little Light Reading, 2012. Oil on linen, 140 x 80 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/A-Mad-Tea-Party-The-Queens-Croquet-Ground.jpg Roxana Halls. A Mad Tea Party & The Queen's Croquet-Ground, 2013. Oil on linen, 95 x 120 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/A-Teaser-for-the-Able-Milliner.jpg Roxana Halls. A Teaser for the Able Milliner, 2011. Oil on Linen. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Spinning.jpg Roxana Halls. Spinning, 2015. Oil on linen, 120 x 110 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Sleepwalking.jpg Roxana Halls. Sleepwalking, 2010. Oil on linen, 122 x 122 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/In-The-Trees.jpg Roxana Halls. In the Trees, 2010. Oil on linen, 61 x 77 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/Terina-and-Inferna-lrg.jpg Roxana Halls. Terina the Paper Tearer & Inferna the Human Torch, 2009. Oil on linen, 183 x 183 cm. © the artist. https://www.studiointernational.com/images/articles/h/halls-roxana-2015/The-Goose-a-Prisoner.jpg Roxana Halls. The Goose a Prisoner, 2015. Oil on linen, 87 x 77 cm. © the artist. https://www.studiointernational.com/index.php/theaster-gates-freedom-of-assembly-white-cube-review-interview https://www.studiointernational.com/images/articles/g/gates-theaster-2015/Theaster-Gates-Clearing-2014.jpg Theaster Gates. Clearing, 2014. Wood, rubber and tar, 72 1/4 x 144 1/2 x 5 13/16 in (183.5 x 367 x 14.7 cm). © Theaster Gates. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/g/gates-theaster-2015/Theaster-Gates-Diagonal-bitumen-2014.jpg Theaster Gates. Diagonal bitumen, 2014. Wood, rubber and tar, 96 7/8 x 120 7/8 x 5 1/2 in (246 x 307 x 14 cm). © Theaster Gates. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/g/gates-theaster-2015/Theaster-Gates-Mountain-monument-2014.jpg Theaster Gates. Mountain monument, 2014. Wood, tar paper, tar and paint, 120 1/4 x 96 1/4 x 5 3/8 in (305.5 x 244.5 x 13.7 cm). © Theaster Gates. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/g/gates-theaster-2015/Theaster-Gates-Gees-removed-2014.jpg Theaster Gates. Gees removed, 2014. Wood, roofing substrate and tar, 72 7/16 x 144 1/8 x 5 11/16 in (184 x 366 x 14.5 cm). © Theaster Gates. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/g/gates-theaster-2015/Theaster-Gates-Tarred-vessel-2015.jpg Theaster Gates. Tarred vessel, 2015. Cotton, metal, glazed clay, plastic and tar; Vessel: 31 1/8 x Ø 20 1/16 in (79 x Ø 51 cm); Pedestal: 21 x 24 x 23 1/4 in (53.3 x 61 x 59 cm). © Theaster Gates. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/g/gates-theaster-2015/Theaster-Gates-Freedom-of-Assembly.jpg Theaster Gates. Freedom of Assembly, installation view. © Theaster Gates. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/g/gates-theaster-2015/Theaster-Gates-Freedom-of-Assembly-2.jpg Theaster Gates. Freedom of Assembly, installation view 2. © Theaster Gates. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/g/gates-theaster-2015/Theaster-Gates-Freedom-of-Assembly-3.jpg Theaster Gates. Freedom of Assembly, installation view 3. © Theaster Gates. Photograph © White Cube (George Darrell). https://www.studiointernational.com/index.php/michal-rovner-interview-panorama-moving-image-video-news https://www.studiointernational.com/images/articles/r/rovner-michal-2015/Frozen-Fields-High-Res.jpg Michal Rovner. Untitled 11 (Panorama), 2015. LCD screen and video, 108 x 190 x 13.6 cm. Edition 1 of 3. https://www.studiointernational.com/images/articles/r/rovner-michal-2015/Trails.jpg Michal Rovner. Untitled 4 (Panorama), 2015. Eight LCD screens, paper and video, 207.5 x 236.5 x 9.5 cm. Edition 1 of 3. https://www.studiointernational.com/images/articles/r/rovner-michal-2015/render313.jpg Michal Rovner. Untitled 1 (Cypress), 2015. Eight LCD screens, paper and video, 207.5 x 236.5 x 9.5 cm. Edition 1 of 3. https://www.studiointernational.com/images/articles/r/rovner-michal-2015/render1501.jpg Michal Rovner. Untitled 9 (Panorama), 2015. LCD screen and video, 108 x 190 x 13.6 cm. Edition 1 of 3. https://www.studiointernational.com/index.php/ahmet-ogut-happy-together-collaborators-collaborating-review https://www.studiointernational.com/images/articles/o/ogut-ahmet-2015/Ahmet_Ogut_02.jpg Ahmet Ögüt, On The Path of Vooruit Universe, 2012. Performance. Commissioned by S.M.A.K. for TRACK. Courtesy the artist. https://www.studiointernational.com/images/articles/o/ogut-ahmet-2015/Ahmet_Ogut_04.jpg Ahmet Ögüt, Another Perfect Day, 2006. Performance, Pist, Istanbul. Courtesy the artist. Photograph: Osman Bozkurt. https://www.studiointernational.com/images/articles/o/ogut-ahmet-2015/Ahmet_Ogut_05.jpg Ahmet Ögüt, Let it be known to all persons here gathered, 2012. Performance between Liverpool, St Helens, Heywood and Manchester. Commisioned by the Liverpool Biennial. Courtesy the artist. https://www.studiointernational.com/images/articles/o/ogut-ahmet-2015/Ahmet_Ogut_03.jpg Ahmet Ögüt. Punch This Painting, 2010. Oil on canvas, 90 x 60 cm. Courtesy of Untitled Collection, Istanbul, The painting is auctioned by Auctioneer Benthe Tupker from Christie’s Amsterdam at Stedelijk Museum Bureau Amsterdam (SMBA) on 21th of August 2010. Courtesy the artist. https://www.studiointernational.com/images/articles/o/ogut-ahmet-2015/Ahmet_Ogut_06.jpg Ahmet Ögüt. Intern VIP Lounge, 2013. Intern VIP lounge is an exclusive space for all the unpaid interns. Commissioned by Art Dubai Projects. Courtesy the artist. https://www.studiointernational.com/index.php/im-here-but-youve-gone-review-scent-perfume-olfactory-art-copyright-law https://www.studiointernational.com/images/articles/f/fiorucci-2015/fiorucci.jpg I’m Here But You’ve Gone, Fiorucci Art Trust, London, 23 April – 9 May 2015. Website screenshot. https://www.studiointernational.com/index.php/christopher-williams-the-production-line-of-happiness-review https://www.studiointernational.com/images/articles/w/williams-christopher-2015/Image-1-K-Line-Pan-2014.jpg Christopher Williams. K-Line, Matt Dulling Spray, CFC Free … Studio Rhein Verlag, Düsseldorf, August 24, 2014. Private Collection, Germany. Image courtesy Galerie Gisela Capitain, Cologne and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/w/williams-christopher-2015/Image-2-Meiko-laughing-2005.jpg Christopher Williams. Kodak Three Point Reflection Guide, ©1968 Eastman Kodak Company, 1968, (Meiko laughing), Vancouver, BC, April 6, 2005. Ringier Collection, Switzerland. Image courtesy Galerie Gisela Capitain, Cologne and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/w/williams-christopher-2015/Image-3-Standard-Pose-(Rooster)-2014.jpg Christopher Williams. Standardpose [Standard Pose], 1,0 Zwerg---Brabanter, silber, Düsseldorf 2013 (Vera Spix, Elsdorf), Ring number: EE-D13 13--901, green. Studio Rhein Verlag, Düsseldorf, November 21, 2013, 2014. Private Collection, London. Image courtesy Galerie Gisela Capitain, Cologne and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/w/williams-christopher-2015/Image-4-Bouquet,-for-1991.jpg Christopher Williams. Bouquet, for Bas Jan Ader and Christopher D'Arcangelo, 1991. Tate. Image courtesy Galerie Gisela Capitain, Cologne and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/w/williams-christopher-2015/Image-5-(Apples)-2010.jpg Christopher Williams. Bergische Bauernscheune, Junkersholz, Leichlingen, September 29, 2009. 2010. Private Collection, Belgium. Image courtesy Galerie Gisela Capitain, Cologne and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/w/williams-christopher-2015/Image-6-Mustafa-Kinte-2008.jpg Christopher Williams. Mustafa Kinte (Gambia), Camera: Makina 67 506347 … Dirk Schaper Studio, Berlin, July 20, 2007. 2008. Private Collection, London. Image courtesy Galerie Gisela Capitain, Cologne and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/w/williams-christopher-2015/Image-7-Cutaway-model-Leica-2014.jpg Christopher Williams. Cutaway model Leica Leitz Wetzlar Tele-Elmar 135/4.0, Studio Rhein Verlag, Düsseldorf, March 14, 2013. 2014. Jay Smith and Laura Rapp Collection, Toronto. Image courtesy Galerie Gisela Capitain, Cologne and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/w/williams-christopher-2015/Image-8-Citroen-car-2013.jpg Christopher Williams. Untitled (Study in Gray), 1967 Citroen DS, Serial number: DS851360a, Colour code: AC 118, Colour name: gris etna, Colour year: 1966, Studio Rhein Verlag, Düsseldorf, November 11, 2013. 2014. Image courtesy Galerie Gisela Capitain, Cologne; and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/w/williams-christopher-2015/Image-9-EXAKTA_Fig-2-2012.jpg Christopher Williams. Fig. 2: Loading the film (ORWO NP15 135-35 ASA 25, Manufactured by VEB Filmfabrik Wolfen, Wolfen, German Democratic Republic). Model: Christoph Boland, Studio Thomas Borho, Oberkasseler Str. 39, Düsseldorf, Germany, June 25, 2012. 2012. Friedrich Christian Flick Collection. Image courtesy Galerie Gisela Capitain, Cologne; and David Zwirner, New York/London. https://www.studiointernational.com/index.php/shannon-yee-interview-reassembled-slightly-askew-life-threatening-brain-infacton https://www.studiointernational.com/images/articles/y/yee-shannon-2015/2-nurses.jpg Shannon Yee. Reassembled, Slightly Askew. Photograph: Ryan O’Hare. https://www.studiointernational.com/images/articles/y/yee-shannon-2015/Nurse-at-laptop.jpg Shannon Yee. Reassembled, Slightly Askew. Photograph: Ryan O’Hare. https://www.studiointernational.com/images/articles/y/yee-shannon-2015/Nurse-putting-on-headphones.jpg Shannon Yee. Reassembled, Slightly Askew. Photograph: Ryan O’Hare. https://www.studiointernational.com/index.php/fiona-tan-inventory-ghost-dwellings-review-frith-street-gallery https://www.studiointernational.com/images/articles/t/tan-fiona-2015/Fiona-Tan-Ghost-Dwellings-2.jpg Fiona Tan. Ghost Dwellings, 2013-14. HD video, colour, stereo, room installation. Installation view, Frith Street Gallery, Soho Square. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/t/tan-fiona-2015/Fiona-Tan-Ghost-Dwellings-I.jpg Fiona Tan. Ghost Dwellings, 2013-14. HD video, colour, stereo, room installation. Installation view 2, Frith Street Gallery, Soho Square. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/t/tan-fiona-2015/Fiona-Tan-Ghost-Dwellings-III.jpg Fiona Tan. Ghost Dwellings, 2013-14. HD video, colour, stereo, room installation. Installation view 3, Frith Street Gallery, Soho Square. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/t/tan-fiona-2015/Fiona-Tan-Ghost-Dwellings-IV.jpg Fiona Tan. Ghost Dwellings, 2013-14. HD video, colour, stereo, room installation. Installation view 4, Frith Street Gallery, Soho Square. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/t/tan-fiona-2015/Fiona-Tan-Ghost-Dwellings-V.jpg Fiona Tan. Ghost Dwellings, 2013-14. HD video, colour, stereo, room installation. Installation view 5, Frith Street Gallery, Soho Square. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/t/tan-fiona-2015/Fiona-Tan-Ghost-Dwellings-VI.jpg Fiona Tan. Ghost Dwellings, 2013-14. HD video, colour, stereo, room installation. Installation view 6, Frith Street Gallery, Soho Square. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/t/tan-fiona-2015/Fiona-Tan-Inventory-02.jpg Fiona Tan. Inventory, 2012. HD video installation, six screens. Installation view, Frith Street Gallery, Golden Square. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/t/tan-fiona-2015/Fiona-Tan-Inventory-06.jpg Fiona Tan. Inventory, 2012. HD video installation, six screens. Installation view 2, Frith Street Gallery, Golden Square. Photograph: Alex Delfanne. https://www.studiointernational.com/index.php/watch-this-revelations-in-media-art-review-smithsonian-american-art-museum-nam-june-paik https://www.studiointernational.com/images/articles/m/media-art-2015/Breder_Quanta.jpg Hans Breder. Quanta, 1967. Single-channel video, (colour, silent); 03:46 minutes, Smithsonian American Art Museum, Gift of the artist. © 1967 Hans Breder. https://www.studiointernational.com/images/articles/m/media-art-2015/Viola_The Fall Into Paradise.jpg Bill Viola. The Fall into Paradise, 2005. Single-channel video installation, (high-definition, color, sound); 09:58 minutes, Performers: John Hay, Sarah Steben, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. © 2005 Bill Viola. https://www.studiointernational.com/images/articles/m/media-art-2015/Grant_Contrathemis.jpg Dwinell Grant. Contrathemis, 1941. 16mm film, (colour, silent); 08:12 minutes, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost. © 1941 Jean O’Hart Grant. https://www.studiointernational.com/images/articles/m/media-art-2015/Murata_Monster_Movie_1.jpg Takeshi Murata. Monster Movie, 2005. Single-channel video, (colour, sound); 04:19 minutes, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. © 2005 Takeshi Murata. https://www.studiointernational.com/images/articles/m/media-art-2015/Murata_Monster_Movie_2.jpg Takeshi Murata. Monster Movie, 2005. Single-channel video, (colour, sound); 04:19 minutes, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. © 2005 Takeshi Murata. https://www.studiointernational.com/images/articles/m/media-art-2015/Ortiz_Golf1.jpg Raphael Montañez Ortiz. Golf, 1957. 16 mm film, (black and white, sound); 01:59 minutes, Smithsonian American Art Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. © 1957 Raphael Montañez Ortiz. https://www.studiointernational.com/images/articles/m/media-art-2015/Paik_9.23.69_Experiment.1.jpg Nam June Paik. 9/23/69: Experiment with David Atwood, 1969. Single-channel video, (colour, sound); 80:46 minutes, Smithsonian American Art Museum, Nam June Paik Archive; Gift to the Nam June Paik Archive from the Nam June Paik Estate. © 1999 Nam June Paik Estate. https://www.studiointernational.com/images/articles/m/media-art-2015/Paik_TV_Clock.jpg Nam June Paik. T.V. Clock, 1965-1979. 12 Channel TV installation, Smithsonian American Art Museum. © Nam June Paik Estate. https://www.studiointernational.com/images/articles/m/media-art-2015/Sussman_whiteonwhite.jpg Eve Sussman. whiteonwhite:algorithmicnoir, 2010-2011. Two-channel digital cinema installation, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. © 2011 Eve Sussman / Rufus Corporation. https://www.studiointernational.com/images/articles/m/media-art-2015/Utterback_Achituv_Text_Rain.jpg Camille Utterback and Romy Achituv. Text Rain, 1999. Single channel interactive projection, Museum purchase made possible by the American Art Forum Smithsonian American Art Museum. © 1999 Camille Utterback and Romy Achituv. https://www.studiointernational.com/images/articles/m/media-art-2015/Watts_Behrman_Diamond_CloudMusic.jpg Robert Watts, David Behrman and Bob Diamond. Cloud Music, 1974-1979. Hybrid sound/video installation with custom electronics, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. © 1979 Robert Watts Estate, David Behrman, and Bob Diamond. https://www.studiointernational.com/index.php/frieze-new-york-2015-art-miami-review https://www.studiointernational.com/images/articles/f/frieze-ny-2015/slideshow/DSC08906.JPG Frieze New York 2015 https://www.studiointernational.com/images/articles/f/frieze-ny-2015/slideshow/DSC08830.JPG Frieze New York 2015 https://www.studiointernational.com/images/articles/f/frieze-ny-2015/slideshow/Abstract Painting2.jpg Frieze New York 2015 https://www.studiointernational.com/images/articles/f/frieze-ny-2015/slideshow/DSC08855.JPG Frieze New York 2015 https://www.studiointernational.com/images/articles/f/frieze-ny-2015/slideshow/DSC08971.JPG Frieze New York 2015 https://www.studiointernational.com/images/articles/f/frieze-ny-2015/slideshow/DSC09073.JPG Frieze New York 2015 https://www.studiointernational.com/images/articles/f/frieze-ny-2015/slideshow/Butterfield.jpg Frieze New York 2015 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https://www.studiointernational.com/images/articles/f/frieze-ny-2015/DSC09098.jpg Frieze New York 2015. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/McCracken-Rhythm.jpg John McCracken. Rhythm. 106 x 96 x 13 in. David Zwirner Gallery. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/DSC08855-Josef-Strau.jpg Installation by Josef Strau at Greene Naftali. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/DSC08808-Ian-Cheng.jpg Ian Cheng ----- (Emissary in the Squat of Gods, 2015). https://www.studiointernational.com/images/articles/f/frieze-ny-2015/Aki-Sasamato-maze-frieze.jpg Aki Sasamoto. Frieze Projects 2015. A maze-like structure, a three-dimensional version of a personality test and multiple-choice questionnaire. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/DSC08904-Giuseppe-Penone.jpg Giuseppe Penone works at Marian Goodman Gallery. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/Bloomberg-Bass.jpg Michael Bloomberg and Mercedes Bass. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/Ella Fontanals-Cisneros.jpg Ella Fontanals-Cisneros. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/Frieze-John Beech.jpg John Beech. Rolling Platform (Silver), 2015. Oil enamel, aluminium enamel, pencil, wood glue, plywood, casters. 43 1/4 x 48 x 48 in (109.9 x 121.9 x 121.9 cm). Peter Blum Gallery. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/DSC09024-Untitled-Chair.jpg Nicole Wermers. Untitled Chair - FXI-1. 65 cm x 85 cm x 60 cm. Herald St London. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/Otobong-Nkanga-2.jpg Otobong Nkanga. Contained Measures of Tangible Memories, 2009-2011. Bois, métal, céramique, Mica, Savon noir, Cassia Fistula, Teinture Indigo, Mica, Savon noir, Cassia fistula, Indigo dye (Le bleu magique) et pierre d ' Alum, écran vidéo et film (8 min 37). Dimensions variables. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/DSC08922-Lehmann-Maupin.jpg Installation view. Works by Tony Oursler, Kader Attia and Teresita Fernández. Lehmann Maupin Gallery. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/Paula-Pivi.jpg Paola Pavi, “That’s right you better believe it”, 2015. Urethane foam, plastic, feathers. 70 x 66 x 44 in. Galerie Perrotin. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/Satoshi-Ohno.jpg Satoshi Ohno. 樹海でデート。 Dating in Ocean of Trees, 2015. Oil, acrylic, spray on canvas mounted on panel. 48 1/5 × 95 7/10 in. 122.5 × 243 cm. Photo by Kenji Takahashi © Satoshi Ohno, Courtesy of Tomio Koyama Gallery. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/ArtMiami-NewYork.jpg Art Miami - New York 2015. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/WetterlingGallery-art-miami.jpg Artists Anonymous. Wetterling Gallery. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/Banksy-installation.jpg Banksy. Installation view. Keszler Gallery. https://www.studiointernational.com/images/articles/f/frieze-ny-2015/Linder.jpg Linder. It's The Buzz, Cock!, 2015. Stuart Shave/Modern Art London. https://www.studiointernational.com/index.php/the-two-roberts-robert-colquhoun-and-macbryde-review-scottish-national-gallery-modern-art https://www.studiointernational.com/images/articles/t/two-roberts-2015/Robert-Colquhoun-Portrait-of-Robert-MacBryde,-1939.jpg Robert Colquhoun. Portrait of Robert MacBryde, 1939. Pen and sepia on paper, 28.5 x 22.5 cm. Scottish National Portrait Gallery, Edinburgh. https://www.studiointernational.com/images/articles/t/two-roberts-2015/MacBryde,-Still-Life,-1947.jpg Robert MacBryde. Still Life, 1947. Oil on canvas, 41.5 x 87 cm. Collection: Scottish National Gallery of Modern Art, Edinburgh. https://www.studiointernational.com/images/articles/t/two-roberts-2015/Colquhoun-Bitch-and-Pup.jpg Robert Colquhoun. Bitch and Pup, 1958. Oil on canvas, 116.8 x 91.5 cm. Collection: City Art Centre, Edinburgh Museums and Galleries. https://www.studiointernational.com/images/articles/t/two-roberts-2015/MacBryde,-Woman-with-Cantaloupe.jpg Robert MacBryde. Woman with Cantaloupe, 1946. Oil on canvas, c1945-6. Manchester City Galleries. https://www.studiointernational.com/images/articles/t/two-roberts-2015/Colquhoun-Grieving-Women.jpg Robert Colquhoun. Grieving Women, 1944. Oil on canvas, 91 x 76 cm. Private collection. https://www.studiointernational.com/images/articles/t/two-roberts-2015/Colquhoun-Seated-Woman-and-Cat.jpg Robert Colquhoun. Seated Woman and Cat, 1946. Oil on canvas, 97 x 76 cm. Arts Council Collection. https://www.studiointernational.com/images/articles/t/two-roberts-2015/MacBryde-Still-Life-With-Basket-1948.jpg Robert MacBryde. Still Life with Basket, 1948. Oil on canvas, 49.5 x 60.5 cm. British Council Collection. https://www.studiointernational.com/images/articles/t/two-roberts-2015/Colquhoun-Figures-in-a-Farmyard.jpg Robert Colquhoun. Figures in a Farmyard, 1953. Oil on canvas, 185.4 x 143.5 cm. Collection: Scottish National Gallery of Modern Art. https://www.studiointernational.com/images/articles/t/two-roberts-2015/MacBryde-The-Woman-and-the-Trictrac-Game.jpg Robert MacBryde. The Woman and the Trictrac Game, c1945-6. Oil on canvas, 106.7 x 76.2 cm. Collection: Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council. https://www.studiointernational.com/images/articles/t/two-roberts-2015/MacBryde-Woman-with-Paper-Flowers-1944.jpg Robert MacBryde. Woman with Paper Flowers, 1944. Oil on canvas, 53.3 cm x 70.5 cm. Collection: Tate. https://www.studiointernational.com/images/articles/t/two-roberts-2015/Colquhoun-Two-Irish-Women-1946.jpg Robert Colquhoun. Two Irish Women, 1946. Colour monotype on paper, 52 x 42 cm. Private collection https://www.studiointernational.com/index.php/sleepless-the-bed-in-history-and-contemporary-art-review-tracey-emin https://www.studiointernational.com/images/articles/s/sleepless-2015/1_juergen-teller--young-pink-kate--london-1991.jpg Juergen Teller. Young Pink Kate, London, 1998. C-Print, framed, 45 x 55.5 cm. © Juergen Teller and Christine König Galerie. https://www.studiointernational.com/images/articles/s/sleepless-2015/2_clarck_untitled_1971_presse.jpg Larry Clark. Untitled, 1971. B/W photograph, 27.94 x 35.56 cm. © Larry Clark, Simon Lee Gallery, London & Hong Kong and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/s/sleepless-2015/4_32_rheims_madonna-laughing_presse.jpg Bettina Rheims. Madonna laughing and holding her breasts, New York, September, 1994. C-Print, 134 x 134 cm. Courtesy Jérôme de Noirmont, Paris, © Bettina Rheims, Jérôme de Noirmont – Art & Confrontation. https://www.studiointernational.com/images/articles/s/sleepless-2015/5_13_pistoletto_presse.jpg Michelangelo Pistoletto. Hunger, 1988. Wood, foam rubber, canvas, 200 x 47 x 85 cm. Museum moderner kunst stiftung ludwig wien, on loan from the Austrian Ludwig Stiftung Foundation since 1995 / © Bildrecht, Vienna, 2015. https://www.studiointernational.com/images/articles/s/sleepless-2015/7_27_meister-der-divisia-apostolorum_presse.jpg Master of the Divisio Apostolorum. The Nativity of the Virgin, c1490/95. Painting on spruce, 78 x 73.5 cm. © Belvedere, Vienna. https://www.studiointernational.com/images/articles/s/sleepless-2015/8_24_juergenssen_matratzenschuhe_presse.jpg Birgit Jürgenssen. Matratzenschuhe (Mattress Shoes), 1973. Leather, cork and fabrics, 25 x 12 x 8 cm each. © Estate of Birgit Jürgenssen / © Bildrecht, Vienna, 2015. https://www.studiointernational.com/images/articles/s/sleepless-2015/9_30_klimt_presse.jpg Gustav Klimt. Old Man on Death Bed, 1899. Oil on millboard, 30.4 x 44.8 cm. © Belvedere, Vienna. https://www.studiointernational.com/images/articles/s/sleepless-2015/10_51b_ruscha_premium_presse.jpg Ed Ruscha. Premium (film still), 1971. 16mm film, colour on DVD, 24 min. © Ed Ruscha and Gagosian Gallery. https://www.studiointernational.com/images/articles/s/sleepless-2015/11_29_baptist-reiter_presse.jpg Johann Baptist Reiter. Slumbering Woman, 1849. Oil on canvas, 55 x 68 cm. © Belvedere, Vienna. https://www.studiointernational.com/images/articles/s/sleepless-2015/12_53_hatoum_1_presse.jpg Mona Hatoum, Dormiente, 2008. Steel
, 27 x 230 x 100 cm. Sammlung Forin, Bassano; Courtesy Galleria Continua, San Gimignano/Beijing/Les Moulins, © Galleria Continua / © Bildrecht, Vienna, 2015, Photograph: © Ela Bialkowska. https://www.studiointernational.com/images/articles/s/sleepless-2015/13_58_polidori-salle-de-bain-marie-antoinette-r.d.c.jpg Robert Polidori. Salle de Bain, Marie-Antoinette, R.D.C. Cord Central, Versailles, 2006. Fujicolour-Crystal-Archive-Print, 127 x 168 cm. Courtesy Flowers Gallery, © Robert Polidori. https://www.studiointernational.com/images/articles/s/sleepless-2015/14_57_bonnard_presse.jpg Pierre Bonnard. Nude Lying on a White and Blue Checked Background, c1909. Oil on canvas, 60 x 65 cm. Städel Museum, Frankfurt am Main, © U. Edelmann - Städel Museum - ARTOTHEK / © Bildrecht, Vienna, 2015. https://www.studiointernational.com/images/articles/s/sleepless-2015/15_59_devlin_colorado_lethalinjectionchamber_m3771_presse.jpg Lucinda Devlin. Lethal Injection Chamber, Territorial Correctional Facility, Canon City, Colorado (from the series Omega Suites), 1991. C-Print, 49.5 x 49.5 cm. © Lucinda Devlin and Galerie m Bochum. https://www.studiointernational.com/images/articles/s/sleepless-2015/58415.jpg Installation view of Sleepless. Photograph: Gregor Titze, © Belvedere, Vienna. https://www.studiointernational.com/images/articles/s/sleepless-2015/58417.jpg Installation view of Sleepless (2). Photograph: Gregor Titze, © Belvedere, Vienna. https://www.studiointernational.com/images/articles/s/sleepless-2015/58419.jpg Installation view of Sleepless (3). Photograph: Gregor Titze, © Belvedere, Vienna. https://www.studiointernational.com/images/articles/s/sleepless-2015/58426.jpg Installation view of Sleepless (4). Photograph: Gregor Titze, © Belvedere, Vienna. https://www.studiointernational.com/index.php/klaus-staudt-interview-mayor-gallery-london-concrete-constructivist-art https://www.studiointernational.com/images/articles/s/staudt-klaus-2015/staudt-home-image.jpg Klaus Staudt at his exhibition Light and Transcendence, the Mayor Gallery, London, April 2015. https://www.studiointernational.com/index.php/56th-venice-biennale-2015-review-all-the-worlds-futures-okwui-enwezor https://www.studiointernational.com/images/articles/v/venice-biennale-2015/Canadissimo-gutters.jpg Canada. Canadassimo. BGL art collective: Jasmin Bilodeau, Sébastien Giguère, Nicolas Laverdière. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Alessandra Chemollo. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/AC_8857M_id.jpg Pavilion Of Indonesia. Heri Dono. Voyage - Trokomod, 2015. Photograph © Fendi Siregar / Courtesy Bumi Purnati Indonesia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/SS_7012M_jp.jpg Japan. Chiharu Shiota. The Key in the Hand. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Sara Sagui. Courtesy by la Biennale di Venezia https://www.studiointernational.com/images/articles/v/venice-biennale-2015/SS_8236_kr.jpg Korea. Moon Kyungwon and Jeon Joonho. The Ways of Folding Space and Flying, 2015. HD film installation, 10 min 30 sec, dimensions variable © Moon Kyungwon and Jeon Joonho. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Sara Sagui. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/SS_8445M_pl.jpg Poland. CT Jasper, Joanna Malinowska. Halka/Haiti. 18°48’05”N 72°23’01”W. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Sara Sagui. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/SS_8571M_ru.jpg Russia. Irina Nakhova. The Green Pavilion. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Sara Sagui. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/SS_6655M_uy.jpg Uruguay. Marco Maggi. Global Myopia II (Pencil and paper). 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Sara Sagui. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/MR_44A8502_gb.jpg USA. Joan Jonas. They Come to Us Without a Word. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Moira Ricci. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/BREY_Black-Box2009.jpg Ricardo Brey. Black box, 2009. Metallic paint, paper, glass teardrops, glass, mica, metal, black sand, rope, wire, keys, bells, one leporello book, one notebook, untitled leporello book, notebook nineteenth-century metaphysical treatise, dimensions variable. Courtesy the Artist; Galerie Nathalie Obadia, Paris/Brussels. Photo Dirk Pauwels, Ghent. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Alessandra Chemollo. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/AC_8698_chernysheva.jpg Olga Chernysheva. Untitled (Captured), 2015. Charcoal on paper. 42 × 60 cm. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Alessandra Chemollo. Courtesy by la Biennale di Venezia https://www.studiointernational.com/images/articles/v/venice-biennale-2015/AC_8279_gallagher.jpg Ellen Gallagher. Dr. Blowfins, 2014. Ink, graphite and paper on canvas, 188.2 × 202.9 cm. Private collection. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Alessandra Chemollo. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/AC_0648_haacke.jpg Hans Haacke. Blue Sail, 1964-65. Chiffon, oscillating fan, fishing weights and threat. Edition 1 of 3. Courtesy of the artist and Paula Cooper Gallery, New York. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Alessandra Chemollo. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/E K_Earth-Creation.jpg Emily Kame Kngwarreye. Earth’s Creation, 1994. Synthetic polymer paint on linen, 4 panels, each 275 x 160 cm. Courtesy Mbantua Gallery & Dacou Gallery; Cultural Museum. Photograph: Mbantua Gallery. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/Mauri-Wailing-Wall.jpg Fabio Mauri. Il Muro Occidentale o del Pianto (Mauri Wailing Wall), 1993. Suitcases, bags, trunks, leather casings, canvas, wood, 400 x 400 x 60 cm. La Cartaia, Vaiano, 1998. Photograph: Claudio Abate. https://www.studiointernational.com/images/articles/v/venice-biennale-2015/NoNoseKnows_Rottenberg.jpg Mika Rottenberg. NoNoseKnows, 2015. Mixed media installation, video, colour, sound. Circa 22’. Dimensions variable. Time and a Half, 2003. Video, monochromatic colours. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Alessandra Chemollo. Courtesy by la Biennale di Venezia. https://www.studiointernational.com/index.php/listening-to-the-lines-review-ginza-maison-hermes-tokyo-akiko-masako-takada https://www.studiointernational.com/images/articles/l/listening-lines-2015/Agate-section.jpg Section of agate from the stone collection of Roger Caillois in National Museum of Natural History, France. https://www.studiointernational.com/images/articles/l/listening-lines-2015/Asako-Tokitsu-Line-art.jpg Asako Tokitsu. 32 Lines, drawing on wall © Nacása & Partners Inc. Courtesy of Fondation d’enterprise Hermès. https://www.studiointernational.com/images/articles/l/listening-lines-2015/Ignacio-Uriarte.jpg Rubber Band Circle, Ignacio Uriarte. https://www.studiointernational.com/images/articles/l/listening-lines-2015/Le-Lagoon-Roger-Caillois-collection.jpg Le Lagoon, agate. From the stone collection of Roger Caillois. © Muséum national d’Histoire naturelle François Farges. https://www.studiointernational.com/images/articles/l/listening-lines-2015/Manga-Pod-and-Grid-Index.jpg Manga Pod “Giant” by Atelier Bow-Wow and Grid Index drawings by Carsten Nicolai. https://www.studiointernational.com/images/articles/l/listening-lines-2015/Manga-Pod-and-Tsukamoto.jpg Yoshiharu Tsukamoto reading in Manga Pod. https://www.studiointernational.com/images/articles/l/listening-lines-2015/Mount-Fuji_Akiko-and-Masako-Takada.jpg Akiko & Masako Takada. Mt. Fuji. Photograph: Hideto Nagatsuka. https://www.studiointernational.com/images/articles/l/listening-lines-2015/Pan-view-of-Roger-Caillois-collection.jpg View of various minerals from the stone collection of Roger Caillois in National Museum of Natural History, France. © Nacása & Partners Inc. Courtesy of Fondation d’enterprise Hermès. https://www.studiointernational.com/index.php/brown-and-son-art-that-makes-itself-review-paul-daniel-digital-computer https://www.studiointernational.com/images/articles/b/brown-and-son-2015/paul-brown-watermans-gallery-2015.jpg Paul Brown talking to Studio International at the opening of Brown & Son: Art That Makes Itself, Watermans Art Centre, London, April 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/brown-and-son-2015/brown-and-son-studio-international-2015.jpg Paul and Daniel Brown talking to Harriet Thorpe, London, April 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/shirazeh-houshiary-smell-of-first-snow-review-lisson-gallery https://www.studiointernational.com/images/articles/h/houshiary-2015/HOUS150003_4.jpg Shirazeh Houshiary. Allegory of Sight, 2015. Cast painted stainless steel, 43 x 120 x 43 cm. © the artist. Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/h/houshiary-2015/HOUS140002_1.jpg Shirazeh Houshiary. Zero, 2014. Pencil and pigment on white aquacryl on canvas and aluminium, 190 x 190 cm. © the artist. Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/h/houshiary-2015/HOUS150006_2.jpg Shirazeh Houshiary. Dying Light, 2014. Pencil and pigment on black aquacryl on canvas and aluminium, 190 x 190 cm. © the artist. Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/h/houshiary-2015/HOUS140003.jpg Shirazeh Houshiary. Seed, 2014. Pencil and pigment on white aquacryl on canvas and aluminium, 190 x 190 cm. © the artist. Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/h/houshiary-2015/HOUS150005_1.jpg Shirazeh Houshiary. A Deluge, 2015. Pencil and pigment on white aquacryl on canvas and aluminium, 190 x 540 cm (190 x 270 cm each). © the artist. Courtesy Lisson Gallery, London. https://www.studiointernational.com/index.php/yoko-ono-one-woman-show-museum-of-modern-art-moma https://www.studiointernational.com/images/articles/y/yoko-ono-2015/1_yokoono &Lachaise_momagarden_c.19606186.jpg Yoko Ono with Standing Woman (1932) by Gaston Lachaise, The Museum of Modern Art Sculpture Garden, New York, c1960–61. Photograph: Minoru Niizuma. © Minoru Niizuma. Courtesy Lenono Photo Archive, New York. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/2_yokoono_aggallery_1961 ptg to see in the dark.jpg Painting to See in the Dark (Version 1), 1961. Installation view with the artist, Paintings & Drawings by Yoko Ono, AG Gallery, New York, July 17–30, 1961. Photograph: George Maciunas. The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. © 2014 George Maciunas. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/3_yokoono_aggallery_1961 ptg to be stepped on.jpg Painting to Be Stepped On, 1960/1961. Installation view, Paintings & Drawings by Yoko Ono, AG Gallery, New York, July 17–30, 1961. Photograph : George Maciunas. The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. © 2014 George Maciunas. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/4_yokoono_carnegierecitalhall poster.jpg Works by Yoko Ono, poster, Carnegie Recital Hall, New York, November 24, 1961. Photograph: George Maciunas. The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. © 2014 George Maciunas. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/5_yokoono_touchpoem5_c.1960.jpg Yoko Ono. Touch Poem #5. c1960. Hair, ink on paper, 9 7/8 × 13 7/16 in (25 x 34.1 cm). Private collection. © Yoko Ono 2014. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/6_yokoono_grapefruit_1964.jpg Yoko Ono. Grapefruit, 1964. Artist’s book, offset, 5 7/16 x 5 7/16 x 1 1/4 in (13.8 x 13.8 x 3.2 cm) (overall, closed). Publisher: Wunternaum Press (the artist), Tokyo. Edition: 500. The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. © Yoko Ono 2014. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/7_yokoono_cutpiece_1965.jpg Cut Piece (1964) performed by Yoko Ono in New Works of Yoko Ono, Carnegie Recital Hall, New York, March 21, 1965. Photograph: Minoru Niizuma. © Minoru Niizuma. Courtesy Lenono Photo Archive, New York. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/8_yokoono_bagpiece_1965.jpg Bag Piece (1964) performed by Yoko Ono in Perpetual Fluxfest, Cinematheque, New York, June 27, 1965. Photograph: George Maciunas. The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. © 2014 George Maciunas. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/9_yokoono_skymachine_1966.jpg Yoko Ono. Sky Machine, 1961/1966. Stainless steel dispenser, metal pedestal and handwritten cards. Dispenser: 51 3/16 x 16 1/8 x 16 1/8 in (130 x 41 x 41 cm); card (each): 1 x 1 3/4 in (2.5 x 4.5 cm). The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. © Yoko Ono 2014. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/10_yokoono_apple_1966.jpg Yoko Ono. Apple, 1966. Plexiglas pedestal, brass plaque, apple, 45 × 6 11/16 × 6 15/16 in (114.3 × 17 × 17.6 cm). Private collection. © Yoko Ono 2014. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/11_yokoono_halfaroom_1967.jpg Yoko Ono. Half-A-Room, 1967. Various objects cut in half, most painted white. Installation dimensions variable. Private collection. © Yoko Ono 2014. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/12_yokoono_detail_1967.jpg Yoko Ono. Half-A-Room (detail), 1967. Various objects cut in half, most painted white. Installation dimensions variable. Private collection. © Yoko Ono 2014. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/13_yokoono_warisover_c.1972.jpg Yoko Ono and John Lennon. WAR IS OVER! if you want it. 1969. Offset, 29 15/16 x 20 in (76 x 50.8 cm). The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. © Yoko Ono 2014. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/14_yokoono_momfart_1971.jpg Yoko Ono. Museum of Modern [F]art, 1971. Exhibition catalogue, offset, 11 13/16 x 11 13/16 x 3/8 in (30 x 30 x 1 cm). The Museum of Modern Art Library, New York. © Yoko Ono 2014. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/moma_yokoono_mg_0859.jpg Installation view of Yoko Ono: One Woman Show, 1960-1971, The Museum of Modern Art, New York, 17 May–7 September 2015. © 2015 The Museum of Modern Art. Photograph: Thomas Griesel. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/moma_yokoono_mg_0491.jpg Installation view of Yoko Ono: One Woman Show, 1960-1971, The Museum of Modern Art, New York, 17 May–7 September 2015. © 2015 The Museum of Modern Art. Photograph: Thomas Griesel. https://www.studiointernational.com/images/articles/y/yoko-ono-2015/moma_yokoono_mg_0977.jpg Installation view of Yoko Ono: One Woman Show, 1960-1971, The Museum of Modern Art, New York, 17 May–7 September 2015. © 2015 The Museum of Modern Art. Photograph: Thomas Griesel. https://www.studiointernational.com/index.php/max-mara-art-prize-for-women-corin-sworn-silent-sticks-review https://www.studiointernational.com/images/articles/s/sworn-corin-2015/1-Corin-Sworn-Production-still.jpg Corin Sworn. Max Mara Art Prize for Women. Production still. Photograph: Margaret Salmon. https://www.studiointernational.com/images/articles/s/sworn-corin-2015/2-Corin-Sworn,-Production-still.jpg Corin Sworn. Max Mara Art Prize for Women. Production still (2). Photograph: Margaret Salmon. https://www.studiointernational.com/images/articles/s/sworn-corin-2015/3-Corin-Sworn.jpg Corin Sworn. Max Mara Art Prize for Women. Installation view (2) at Whitechapel Gallery, London, May 2015. Photograph: Stephen White. Courtesy Whitechapel Gallery https://www.studiointernational.com/images/articles/s/sworn-corin-2015/5-Corin-Sworn.jpg Corin Sworn. Max Mara Art Prize for Women. Installation view (3) at Whitechapel Gallery, London, May 2015. Photograph: Stephen White. Courtesy Whitechapel Gallery https://www.studiointernational.com/images/articles/s/sworn-corin-2015/6-Corin-Sworn.jpg Corin Sworn. Max Mara Art Prize for Women. Installation view (5) at Whitechapel Gallery, London, May 2015. Photograph: Stephen White. Courtesy Whitechapel Gallery https://www.studiointernational.com/images/articles/s/sworn-corin-2015/7-Masks-and-Characters.jpg Masks and Characters of the Commedia dell’Arte (detail) Chromolithograph, 19th century. © Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/bgl-jasmin-bilodeau-sebastie-giguere-nicolas-laverdiere-interview-venice-biennale https://www.studiointernational.com/images/articles/b/bgl-2015/2. BGL_paint cans_Canadassimo 2015 © Ivan Binet. (2).jpg BGL. Canadassimo, 2015. Work in progress for the Canada Pavilion for the 56th International Art Exhibition – la Biennale di Venezia, 2014. Photograph © Ivan Binet. Courtesy of BGL, Parisian Laundry, Montreal, and Diaz Contemporary, Toronto https://www.studiointernational.com/images/articles/b/bgl-2015/3. BGL_ Canadassimo 2015 © Ivan Binet (2).jpg BGL. Canadassimo, 2015. Work in progress for the Canada Pavilion for the 56th International Art Exhibition – la Biennale di Venezia, 2014. Photograph © Ivan Binet. Courtesy of BGL, Parisian Laundry, Montreal, and Diaz Contemporary, Toronto https://www.studiointernational.com/images/articles/b/bgl-2015/4. BGL_ Canadassimo 2015 © Ivan Binet (2).jpg BGL. Canadassimo, 2015. Work in progress for the Canada Pavilion for the 56th International Art Exhibition – la Biennale di Venezia, 2014. Photograph © Ivan Binet. Courtesy of BGL, Parisian Laundry, Montreal, and Diaz Contemporary, Toronto https://www.studiointernational.com/images/articles/b/bgl-2015/5. BGL, 2008 © Richard-Max Tremblay (2).jpg BGL, 2008. Photograph © Richard-Max Tremblay. Courtesy of BGL https://www.studiointernational.com/images/articles/b/bgl-2015/6. Marie Fraser © David Naylor (2).jpg Marie Fraser, guest curator for the Canada Pavilion for the 56th International Art Exhibition – la Biennale di Venezia, 2015. Photograph © David Naylor https://www.studiointernational.com/images/articles/b/bgl-2015/BGL-Canadissimo-NK-(9).jpg BGL. Canadassimo (Installation view), 2015. Canada Pavilion at the 56th International Art Exhibition – la Biennale di Venezia, 2015. Photograph: Natasha Kurchanova https://www.studiointernational.com/images/articles/b/bgl-2015/BGL-Canadissimo-NK-(3).jpg BGL. Canadassimo (Installation view), 2015. Canada Pavilion at the 56th International Art Exhibition – la Biennale di Venezia, 2015. Photograph: Natasha Kurchanova https://www.studiointernational.com/images/articles/b/bgl-2015/BGL-Canadissimo-NK-(2).jpg BGL. Canadassimo (Installation view), 2015. Canada Pavilion at the 56th International Art Exhibition – la Biennale di Venezia, 2015. Photograph: Natasha Kurchanova https://www.studiointernational.com/images/articles/b/bgl-2015/BGL-Canadissimo-NK-(15).jpg BGL. Canadassimo, 2015. Canada Pavilion at the 56th International Art Exhibition – la Biennale di Venezia, 2015. Photograph: Natasha Kurchanova https://www.studiointernational.com/index.php/rachel-maclean-interview-video-lolcats-britney-spears-scottishness-internet https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Over-The-Rainbow1.jpg Rachel Maclean, Still from Over The Rainbow, 2013, Digital Video, 45mins, Commissioned by The Banff Centre and Collective Gallery, Funded by Creative Scotland https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Over-The-Rainbow7.jpg Rachel Maclean, Still from Over The Rainbow, 2013, Digital Video, 45mins, Commissioned by The Banff Centre and Collective Gallery, Funded by Creative Scotland https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/AWNW Still_2.jpg Rachel Maclean, Still from A Whole New World, 2014, Digital Video, 30mins, Commissioned for the Margaret Tait Award 2013 in conjunction with Glasgow Film Festival, Creative Scotland and LUX https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/AWNW-Stills-1.jpg Rachel Maclean, Still from A Whole New World, 2014, Digital Video, 30mins, Commissioned for the Margaret Tait Award 2013 in conjunction with Glasgow Film Festival, Creative Scotland and LUX https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/AWNW-Stills-20.jpg Rachel Maclean, Still from A Whole New World, 2014, Digital Video, 30mins, Commissioned for the Margaret Tait Award 2013 in conjunction with Glasgow Film Festival, Creative Scotland and LUX https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Germs.jpg Rachel Maclean, Still from Germs, 2013, Digital Video, 3mins, Commission by Bold Yin for Channel 4 Random Acts https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Germs2.jpg Rachel Maclean, Still from Germs, 2013, Digital Video, 3mins, Commission by Bold Yin for Channel 4 Random Acts https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Lolcats-Sequence-1-01012706.jpg Rachel Maclean, Still from Lolcats, 2012, Digital Video, 13mins, Commissioned by VERL, Dundee https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Lolcats-Sequence-1-01104907.jpg Rachel Maclean, Still from Lolcats, 2012, Digital Video, 13mins, Commissioned by VERL, Dundee https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Lolcats-Sequence-1-01111610.jpg Rachel Maclean, Still from Lolcats, 2012, Digital Video, 13mins, Commissioned by VERL, Dundee https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Please-Sir-Still1.jpg Rachel Maclean, Still from Please, Sir..., 2014, Split Screen Digital Video, 25mins, Commissioned by CCA, Glasgow https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Please-Sir-Still16.jpg Rachel Maclean, Still from Please, Sir..., 2014, Split Screen Digital Video, 25mins, Commissioned by CCA, Glasgow https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Please-Sir-Still34.jpg Rachel Maclean, Still from Please, Sir..., 2014, Split Screen Digital Video, 25mins, Commissioned by CCA, Glasgow https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Lion-and-Unicorn.jpg Rachel Maclean, Still from The Lion and The Unicorn, 2012, Digital Video, 12mins, Commissioned by Edinburgh Printmakers for Year of Creative Scotland https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/Lion-and-Unicorn1.jpg Rachel Maclean, Still from The Lion and The Unicorn, 2012, Digital Video, 12mins, Commissioned by Edinburgh Printmakers for Year of Creative Scotland https://www.studiointernational.com/images/articles/m/maclean-rachel-2015/LionUnicornGraded027251.jpg Rachel Maclean, Still from The Lion and The Unicorn, 2012, Digital Video, 12mins, Commissioned by Edinburgh Printmakers for Year of Creative Scotland https://www.studiointernational.com/index.php/rafael-rozendaal-interview-dutch-brazilian-visual-artist-websites-internet-haiku-new-york https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/oozemove.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/hybridmoment.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/beefchickenpork.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/pleaselike.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/openthiswindow.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/openthatwindow.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/onlynothing.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/nekromisantrop.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/flamingcursor.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/blackgreyblack.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/roomwarp.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/electricboogiewoogie.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/softslow.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/pinkyellowblue.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/slowempty.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/muchbetterthanthis.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/fromthedarkpast.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/movenowthinklater.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/ifnoyes.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/25minutes.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/nosquito.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/silentsilence.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/likethisforever.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/ifeelstrange.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/innerdoubts.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/misternicehands.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/allicandois.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/letmesleep.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/mechanicalwater.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/hexattack.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/mirrormouse.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/nevernowhere.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/yesnoif.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/onmylevel.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/intotime-org.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/fataltotheflesh.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/coldvoid.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/sadforjapan.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/deepsadness.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/maybewhat2.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/theendofreason.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/flyingfrying.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/sinkslow.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/leduchamp.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/brokenself.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/futureisuncertain.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/yesforsure.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/popcornpainting.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/remotelydistant.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/stagnationmeansdecline.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/freedomfromfearandworry.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/colorflip.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/papertoilet.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/homagetothe.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/unliketherest.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/neogeocity.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/randomfear.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/lovegameset.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/pleasetouchme.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/lookingatsomething.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/tryintrying.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/biglongnow.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/wewillattack.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/intotime-us.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/whitetrash.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/hotdoom.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/thisthatnow.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/fillthisup.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/everythingalwayseverywhere.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/violentpower.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/whywashesad.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/onandoff.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/ifyesno.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/goodbyefarewell.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/everythingyouseeisinthepast.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/closedshut.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/moredarkness.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/tossingturning.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/tothewater.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/onahorse.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/futurephysics.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/deepblackhole.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/nothingeverhappens.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/towardsandbeyond.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/innerinterior.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/slickquick.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/iamveryverysorry.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/fallingfalling.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/seethrough.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/almostcalm.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/noifyes.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/abstractbrowsing.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/outinthewind.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/vaiavanti.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/jellotime.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/burningmytime.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/aestheticecho.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/intotime.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/itwillnever.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/websites/thepersistenceofsadness.jpg Rafaël Rozendaal. Websites, 2003-14. Dimensions Variable, Duration Infinite. All Rights Reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/2007-rafael-selfportrait-tattoo.jpg Rafaël Rozendaal. Self Portrait With Tattoo, 2006. In Los Angeles. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/2013-rafael-japan-shirt.jpg Rafaël Rozendaal. Photograph: Christina Latina, 2013, Tokyo Japan. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/lenticulars/into time 14 04 01b.jpg Rafaël Rozendaal. Into Time 14 04 01, 2014. Lenticular Painting, 35 x 47 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/lenticulars/into time 14 04 06d.jpg Rafaël Rozendaal. Into Time 14 04 06, 2014. Lenticular Painting, 47 x 63 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/lenticulars/into time 14 05 19b.jpg Rafaël Rozendaal. Into Time 14 04 19, 2014. Lenticular Painting, 47 x 63 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/lenticulars/into time 14 07 09b.jpg Rafaël Rozendaal. Into Time 14 07 09, 2014. Lenticular Painting, 35 x 47 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/shows/2006_stedelijk_01.jpg Rafaël Rozendaal. Much Better Than This .com At Stedelijk/11, 2006. Photography by Marc Kniphorst. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/shows/2009_reallyreallybig_01.jpg Rafaël Rozendaal. Really Really Big, Solo Show At Np3 Groningen, 2009. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/shows/2012-nova-saopaolo-01.jpg Rafaël Rozendaal. Nova, Museo Image E Son, Sao Paulo, 2012. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/shows/2012-RR-seoulsquare-flower.jpg Rafaël Rozendaal. Seoul Square, Seoul, Korea, 2012. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/shows/2012-without-hesitation-ck-tokyo-003.jpg Rafaël Rozendaal. Without Hesitation, Tokyo, Japan, 2012. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/shows/2015-MU-01.jpg Rafaël Rozendaal. Soft Focus, MU foundation, The Netherlands, 2015. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/rozendaal-rafael-2015/shows/2015-timessquare-02.jpg Rafaël Rozendaal. Times Square, Midnight Moment, NYC. 2015. Photography by Michael Wells. Courtesy of the artist. https://www.studiointernational.com/index.php/jake-chapman-interview-show-me-a-hitler-and-ill-draw-on-it-sturm-und-drang-ekebergparken-sculpture-park-oslo https://www.studiointernational.com/images/articles/c/chapman-jake-2015/jake-chapman-sturm-and-drang-2.jpg Jake Chapman. Sturm und Drang, 2014. Painted bronze, 246 × 244 × 125 cm. https://www.studiointernational.com/images/articles/c/chapman-jake-2015/jake-chapman-sturm-and-drang-detail.jpg Jake Chapman. Sturm und Drang, 2014 (detail). Painted bronze, 246 × 244 × 125 cm. https://www.studiointernational.com/index.php/tracey-emin-egon-schiele-ndash-where-i-want-to-go-review-leopold-museum-vienna https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2717_Foto_Tracey_Emin.jpg Tracey Emin at the Leopold Museum in front of Egon Schieles painting Seated Male Nude. Photograph: Leopold Museum, Wien/A. Ludwig. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2715_So_moechte_ich_nicht_sterben.jpg Tracey Emin. It’s Not the Way I Want to Die, 2005. Reclaimed metal and timber, 310 × 860 × 405 cm. Courtesy Tracey Emin and White Cube. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2823_Einsamer_Sessel.jpg Tracey Emin. Lonely Chair drawing II, 2012. Gouache on paper, 101.5 × 137 cm. Courtesy the artist and Lehmann Maupin, New York and Hong Kong. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2838_Mehr_Einsamkeit.jpg Tracey Emin. More Solitude, 2014. Neon, c100 cm. Courtesy Tracey Emin Studio. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2825_Vorher.jpg Tracey Emin. Before, 2013. Acrylic on canvas, 20.5 × 20.5 cm. Courtesy the artist and Lehmann Maupin, New York and Hong Kong. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2845_Stehender_Maennerakt.jpg Egon Schiele. Standing Male Nude, 1910. Gouache and charcoal on paper, 44.8 × 31.7 cm. Leopold, Private collection. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2824_Eng.jpg Tracey Emin. Tight, 2013. Acrylic on board, 15.4 × 20.6 cm. Courtesy the artist and Lehmann Maupin, New York and Hong Kong. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2846_Stehender_Juengling.jpg Egon Schiele. Standing Youth, Head Inclined, 1910. Watercolour and pencil on paper, 45.6 × 32 cm. Leopold, Private collection. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2839_Wie_ich_sass.jpg Tracey Emin. How I sat, 2014. Gouache on paper, 35.4 × 25.3 cm. Private collection, London. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2847_Selbstbildnis_als_Akt.jpg Egon Schiele. Nude Self-Portrait (study for the Sema portfolio), 1912. India ink and brush on paper, 46 × 29.1 cm. Leopold Museum, Vienna,. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2840_Wie_du_es_sahst.jpg Tracey Emin. The Way you Saw it, 2015. Embroidered calico, 147 × 205 cm. Courtesy Tracey Emin Studio. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2848_Liegende_.jpg Egon Schiele. Laying (Falling) Woman with Long Hair, 1917. Charcoal on paper, 45.7 × 29.5 cm. Leopold, Private Collection. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2841_Diejenigen_die_Liebe_erleiden.jpg Tracey Emin. Those who suffer love, 2009. Filmstill. Courtesy Tracey Emin Studio. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2849_Maennlicher_sitzender_Akt_nach_links_gewandt.jpg Egon Schiele. Sitting Nude Men turned to the right, 1918. Black crayon on paper, 46.1 × 29.4 cm. Leopold, Private collection. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2842_Gedemuetigt.jpg Tracey Emin. Humiliated, 2013. Bronze with white patina, 21.6 × 31.8 × 19.1 cm. Courtesy the artist and Lehmann Maupin, New York and Hong Kong. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2843_Nichts_bleibt_uebrig_ausser_dir.jpg Tracey Emin. There is nothing left but you, 2013. Bronze with white patina, 22.9 × 40.6 × 15.2 cm. Courtesy the artist and Lehmann Maupin, New York and Hong Kong. © Bildrecht, Vienna 2015. https://www.studiointernational.com/images/articles/e/emin-schiele-2015/2853_Bild_Emin.jpg Tracey Emin. Every part of me feels you, 2014. Bronze, 27.9 × 43.2 × 91.4 cm. Courtesy Tracey Emin und White Cube. © Bildrecht, Vienna 2015. https://www.studiointernational.com/index.php/art15-londons-global-fair-olympia-review-kate-bryan https://www.studiointernational.com/images/articles/a/art15/anita-glesta-spin.jpg Anita Glesta. Spin, 2014. Multi-channel video. https://www.studiointernational.com/images/articles/a/art15/anita-glesta-spin-2.jpg Anita Glesta. Spin, 2014 (video still 2). Multi-channel video. https://www.studiointernational.com/images/articles/a/art15/anita-glesta-spin-3.jpg Anita Glesta. Spin, 2014 (video still 3). Multi-channel video. https://www.studiointernational.com/images/articles/a/art15/Atsuko-Tanakas-01-1-A.jpg Atsuko Tanaka. 01.1.A, 2001. Enamel on canvas, 145.3 x 89 cm. https://www.studiointernational.com/images/articles/a/art15/Kate-Shaw-Somniloquy-2015.jpg Kate Shaw. Somniloquy, 2015. Acrylic and resin on board, 120 cm diameter. https://www.studiointernational.com/images/articles/a/art15/kate-shaw-circadian.jpg Kate Shaw. Circadian, 2015. Acrylic and resin on board, 120 x 120 x 120 cm. https://www.studiointernational.com/images/articles/a/art15/Chang-Similater-the-Right-Place-of-Performing-Thigh-Dance.jpg Teng Yuan Chang. Similater - the Right Place of Performing Thigh Dance, 2015. Acrylic on canvas, 45 x 37 cm. https://www.studiointernational.com/images/articles/a/art15/Human-skull-in-2051.jpg Teng Yuan Chang. Human skull in 2051, 2015. Acrylic on canvas, 45 x 37 cm. https://www.studiointernational.com/index.php/reflections-on-the-self-from-duerer-to-struth-christies-london https://www.studiointernational.com/images/articles/c/christies-2015/Albrecht-Durer--The-Bath-house.jpg Albrecht Dürer. The Bathhouse, c1496-97. Woodcut on laid paper with an Imperial Orb watermark. Block and sheet: 39 x 28.1 cm. https://www.studiointernational.com/images/articles/c/christies-2015/Helmut-Newton--Self-portrait-with-Wife-and-Models.jpg Helmut Newton. Self-Portrait with Wife and Models, Paris, Vogue Hommes, 1981. Gelatin silver contact sheet enlargement, 64 x 49 in (163 x 125cm). Private collection https://www.studiointernational.com/images/articles/c/christies-2015/Jean-Etienne-Liotard--The-large-self-portrait.jpg Jean-Étienne Liotard. The large Self-Portrait, c1780. Mezzotint with engraving and roulette on laid paper, plate: 48 x 38.5 cm; sheet: 50.3 x 41 cm. Fondation Custodia, Paris. https://www.studiointernational.com/images/articles/c/christies-2015/Leon-Kossof--Head-of-Man-(self-portrait).jpg Leon Kossoff. Head of a Young Man, 1964. Oil on board, 11 x 9 1/2 in (28 x 24.2 cm). Private collection. https://www.studiointernational.com/images/articles/c/christies-2015/Lucien-Freud--Self-Portrait,-Reflection.jpg Lucian Freud. Self-Portrait: Reflection, 1996. Etching on wove paper, plate: 59.5 x 43 cm; sheet: 88.3 x 70.4 cm. Private collection https://www.studiointernational.com/images/articles/c/christies-2015/Marc-Chagall--Self-Portrait-with-Grimace.jpg Marc Chagall. Self-Portrait with Grimace, 1925. Etching and aquatint with gouache and wash on wove paper, plate: 37.5 x 27.5 cm; sheet: 57.5 x 45 cm. https://www.studiointernational.com/images/articles/c/christies-2015/Rembrandt-van-Rijn--Group-of-Four-Self-portraits-(iv).jpg Rembrandt Harmensz. van Rijn. Self-Portrait in a cap, wide-eyed and open-mouthed, 1630. Etching on laid paper without watermark, plate: 51 x 45 mm; sheet: 80 x 71 mm. Neil Kaplan collection. https://www.studiointernational.com/images/articles/c/christies-2015/Richard-Hamilton--Mirror-Image.jpg Richard Hamilton. Mirror Image, 1974. Collotype in colours on Schoeller Elfenbein-Karton paper, image: 62.6 x 47.9 cm; sheet: 67 x 51.8 cm. Private collection https://www.studiointernational.com/index.php/sarah-lucas-i-scream-daddio-british-pavilion-venice-biennale-curator-richard-riley https://www.studiointernational.com/images/articles/b/british-pavilion-venice-2015/sarah-lucas-venice-biennale-2015-photo-martin-kennedy-4.jpg Sarah Lucas: I SCREAM DADDIO, installation view at the British Pavilion, Giardini di Castello, Venice, 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/british-pavilion-venice-2015/sarah-lucas-venice-biennale-2015-photo-martin-kennedy-2.jpg Sarah Lucas: I SCREAM DADDIO, installation view at the British Pavilion, Giardini di Castello, Venice, 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/british-pavilion-venice-2015/sarah-lucas-venice-biennale-2015-photo-martin-kennedy-3.jpg Sarah Lucas: I SCREAM DADDIO, installation view at the British Pavilion, Giardini di Castello, Venice, 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/british-pavilion-venice-2015/sarah-lucas-venice-biennale-2015-photo-martin-kennedy.jpg Sarah Lucas: I SCREAM DADDIO, installation view at the British Pavilion, Giardini di Castello, Venice, 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/british-pavilion-venice-2015/richard-riley-venice-biennale-2015-photo-martin-kennedy.jpg Curator Richard Riley talking to Studio International about Sarah Lucas: I SCREAM DADDIO at the British Pavilion, Giardini di Castello, Venice, 2015. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/cecily-brown-interview-the-english-garden-maccarone-new-york https://www.studiointernational.com/images/articles/b/brown-cecily-2015/CBr-07-001-copy.jpg Cecily Brown. Rainy Day Women, 2007. Oil on linen, 12.5 x 17 in. https://www.studiointernational.com/images/articles/b/brown-cecily-2015/CBr-09-001 copy.jpg Cecily Brown. Untitled, 2009. Oil on linen, 15 x 12.5 in. https://www.studiointernational.com/images/articles/b/brown-cecily-2015/CBr-14-001.jpg Cecily Brown. Oh I do like to be beside the seaside, 2014. Oil on linen, 12.5 x 17 in. https://www.studiointernational.com/images/articles/b/brown-cecily-2015/CBr-14-004-copy.jpg Cecily Brown. All Souls' Eve, 2014. Oil on linen, 12.5 x 17 in. https://www.studiointernational.com/index.php/roni-horn-butterfly-doubt-review-hauser-and-wirth-london https://www.studiointernational.com/images/articles/h/horn-roni-2015/HORN-68977.jpg Roni Horn. Hack Wit - water star, 2014. Watercolour, pen and ink, gum arabic on watercolour paper, cellophane tape, 69.5 x 41.9 cm (27 3/8 x 16 1/2 in). https://www.studiointernational.com/images/articles/h/horn-roni-2015/HORN-68974.jpg Roni Horn. Hack Wit - aching cheap, 2014. Watercolour, pen and ink, gum arabic on watercolour paper, cellophane tape, 61.6 x 39.4 cm (24 1/4 x 15 1/2 in). https://www.studiointernational.com/images/articles/h/horn-roni-2015/HORN-68970.jpg Roni Horn. Hack Wit - chasing blue out, 2014. Watercolour, pen and ink, gum arabic on watercolour paper, cellophane tape, 73.7 x 40.6 cm (29 x 16 in). https://www.studiointernational.com/images/articles/h/horn-roni-2015/HORN-62639.jpg Roni Horn. Or 1, 2014. Powdered pigment, graphite, charcoal, coloured pencil and varnish on paper, 234.3 x 248.9 cm (92 1/4 x 98 in). https://www.studiointernational.com/images/articles/h/horn-roni-2015/HORN-60585-Part8of9-GH.jpg Roni Horn. Remembered Words - (Drive-in) (detail), 2013. Gouache, watercolour, graphite, Japan colour and gum arabic on paper, 38.1 x 27.9 cm (15 x 11 in) each, 9 parts. https://www.studiointernational.com/images/articles/h/horn-roni-2015/HORN-60585-Part9of9-GH.jpg Roni Horn. Remembered Words - (Drive-in) (detail), 2013. Gouache, watercolour, graphite, Japan colour and gum arabic on paper, 38.1 x 27.9 cm (15 x 11 in) each, 9 parts. https://www.studiointernational.com/images/articles/h/horn-roni-2015/HORN-60583.jpg Roni Horn. Remembered Words - (Fat) (detail), 2013. Gouache, watercolour, graphite, Japan colour and gum arabic on paper, 38.1 x 27.9 cm (15 x 11 in) each, 9 parts. https://www.studiointernational.com/images/articles/h/horn-roni-2015/HORN-60582-Part3of9-GH.jpg Roni Horn. Remembered Words – (Sourpuss) (detail), 2013. Gouache, watercolour, graphite, Japan colour and gum arabic on paper, 38.1 x 27.9 cm (15 x 11 in) each, 9 parts. https://www.studiointernational.com/images/articles/h/horn-roni-2015/Butterfly-Doubt---South---20---A3.jpg Roni Horn: Butterfly Doubt, installation view (1), Hauser & Wirth, London, 2015. https://www.studiointernational.com/images/articles/h/horn-roni-2015/Butterfly-Doubt---South---03---A3.jpg Roni Horn: Butterfly Doubt, installation view (2), Hauser & Wirth, London, 2015. https://www.studiointernational.com/images/articles/h/horn-roni-2015/Butterfly-Doubt---North---06---A4.jpg Roni Horn: Butterfly Doubt, installation view (3), Hauser & Wirth, London, 2015. https://www.studiointernational.com/index.php/alighiero-boetti-order-and-disorder-review https://www.studiointernational.com/images/articles/b/boetti-2015/Alighiero-Boetti-AELLEIGIACCAIEERREOBIOETITII-1973.jpg Alighiero Boetti. AELLEIGIACCAIEERREOBIOETITII, 1973. Ballpoint pen on paper, 70 x 100 cm, Courtesy Mazzoleni London. https://www.studiointernational.com/images/articles/b/boetti-2015/Alighiero-Boetti-De-Bouche-a-Oreille-1993.jpg Alighiero Boetti. De Bouche a Oreille, 1993. Embroidery on fabric, each 18 x 18 cm. Courtesy Mazzoleni London. https://www.studiointernational.com/images/articles/b/boetti-2015/Alighiero-Boetti-Mappa-1979.jpg Alighiero Boetti. Mappa, 1979. Embroidery, 90 x 130.5 cm. Courtesy Mazzoleni London. https://www.studiointernational.com/images/articles/b/boetti-2015/Alighiero-Boetti-Per-nuovi-desideri-1977.jpg Alighiero Boetti. Per nuovi desideri, 1977. Embroidery on fabric, 29.5 x 30.5 cm. Courtesy Mazzoleni London. https://www.studiointernational.com/images/articles/b/boetti-2015/Alighiero-Boetti-Piegare-e-Spiegare-1990.jpg Alighiero Boetti. Piegare e Spiegare, 1990. Embroidery on fabric, 16.5 x 17.5 cm. Courtesy Mazzoleni London. https://www.studiointernational.com/index.php/lynette-yiadom-boakye-interview-verses-after-dusk-serpentine-gallery-london https://www.studiointernational.com/images/articles/y/Yiadom-Boakye-2015/dsc4024.jpg Lynette Yiadom-Boakye. Interstellar, 2012. Oil on canvas, 200 x 180 cm. Private collection. Courtesy of Corv-Mora, London and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/y/Yiadom-Boakye-2015/dsc4070.jpg Lynette Yiadom-Boakye. Peach Tree, 2015. Oil on canvas. Courtesy of the artist, Corv-Mora, London and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/y/Yiadom-Boakye-2015/dsc4142.jpg Lynette Yiadom-Boakye. Coterie of Questions, 2015. Oil on canvas. Courtesy of the artist, Corv-Mora, London and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/y/Yiadom-Boakye-2015/dsc4156.jpg Lynette Yiadom-Boakye. 4am Friday, 2015. Oil on canvas. Courtesy of the artist, Corv-Mora, London and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/y/Yiadom-Boakye-2015/dsc4177.jpg Lynette Yiadom-Boakye. The Matches, 2015. Oil on canvas. Courtesy of the artist, Corv-Mora, London and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/y/Yiadom-Boakye-2015/lyb10.jpg Lynette Yiadom-Boakye. 9am Jerez de la Frontera, 2010. Oil on canvas, 203.83 x 133.98 cm. Collection of Noel Kirnon and Michael Paley. Courtesy Corv-Mora, London and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/y/Yiadom-Boakye-2015/lyb13-40_300.jpg Lynette Yiadom-Boakye. Some Distance From Now, 2013. Oil on canvas, 140 x 120 cm. Collection of Valerie and Gregorio Napoleone, London. Courtesy Corv-Mora, London and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/y/Yiadom-Boakye-2015/yb01044.jpg Lynette Yiadom-Boakye. Highriser, 2009. Oil on canvas, 250 x 150 cm. Collection of Michael and Catherina Roets, New York. Courtesy Corv-Mora, London and Jack Shainman Gallery, New York. https://www.studiointernational.com/index.php/agnes-martin-retrospective-review-tate-modern-london https://www.studiointernational.com/images/articles/m/martin-agnes-2015/Agnes-Martin,-Friendship-1963.jpg Agnes Martin. Friendship, 1963. Museum of Modern Art, New York. © 2015 Agnes Martin / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/martin-agnes-2015/Agnes-Martin,-On-a-Clear-Day-1973.jpg Agnes Martin. On a Clear Day, 1973. Parasol Press, Ltd. © 2015 Agnes Martin / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/martin-agnes-2015/Agnes-Martin,-Untitled-1-2003.jpg Agnes Martin. Untitled #1, 2003. Fondation Louis Vuitton, Paris. © 2015 Agnes Martin / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/martin-agnes-2015/Agnes-Martin,-Untitled-1977.jpg Agnes Martin, Untitled 1977. Watercolour and graphite on paper 9 x 9 in (22.9 x 22.9 cm). Private collection. Photograph courtesy of Pace Gallery. © 2015 Agnes Martin / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/martin-agnes-2015/Agnes-Martin,-Untitled-3-1974.jpg Agnes Martin. Untitled #3, 1974. Des Moines Art Center, Iowa, USA. © 2015 Agnes Martin / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/martin-agnes-2015/Agnes-Martin-Happy-Holiday-1999.jpg Agnes Martin. Happy Holiday, 1999. Tate / National Galleries of Scotland. © estate of Agnes Martin. https://www.studiointernational.com/index.php/chloe-dewe-mathews-congregation-interview-bosse-and-baum-london https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_Congregation_B&B_002_1.jpg Chloe Dewe Mathews: Congregation. Installation view (2), Bosse & Baum, London, 2015. https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_Congregation_B&B_003_1.jpg Chloe Dewe Mathews: Congregation. Installation view (3), Bosse & Baum, London, 2015. https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_Congregation_B&B_004_1.jpg Chloe Dewe Mathews: Congregation. Installation view (4), Bosse & Baum, London, 2015. https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_Congregation_B&B_005_1.jpg Chloe Dewe Mathews: Congregation. Installation view (5), Bosse & Baum, London, 2015. https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_SS_001.jpg Chloe Dewe Mathews. St Mary’s Church of Christ, 2014. https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_SS_002.jpg Chloe Dewe Mathews. Liberty Christian Fellowship (Interior 1), 2013. https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_SS_003.jpg Chloe Dewe Mathews. New Covenant Church, 2014. https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_SS_006.jpg Chloe Dewe Mathews. Winner’s Temple, 2014. https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_SS_008.jpg Chloe Dewe Mathews. Christ’s Gospel Evangelistic Ministries (Interior), 2014. https://www.studiointernational.com/images/articles/m/mathews-dewe-chloe-2015/CDM_SS_010.jpg Chloe Dewe Mathews. Christ Apostolic Church (Revival Centre). https://www.studiointernational.com/index.php/conrad-shawcross-dappled-light-of-the-sun-review-royal-academy-london-inverted-spires-descendent-folds https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/Conrad-Shawcross-in-front-of-The-Dappled-Light-of-the-Sun-2015.jpg Conrad Shawcross stands in front of The Dappled Light of the Sun in the RA’s Annenberg Courtyard, 2015 © Royal Academy of Arts, Benedict Johnson. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/Shawcross-RA-b.jpg Conrad Shawcross. The Dappled Light of the Sun, 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/Shawcross-RA-c.jpg The statue of the RA’s first president, Sir Joshua Reynolds, looks upon Conrad Shawcross' The Dappled Light of the Sun, 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/Shawcross-RA-a.jpg Conrad Shawcross. The Dappled Light of the Sun, 2015 (view 2). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/Shawcross-RA-d.jpg Conrad Shawcross. The Dappled Light of the Sun, 2015 (view 3). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/VMG_CS_Inverted-Spires-and-Descendent-Folds_2015-h.jpg Conrad Shawcross. Inverted Spires and Descending Folds. Installation view. Courtesy the artist and Victoria Miro, London. © Conrad Shawcross. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/CS295_Paradigm-Study-(Structural)_2014-a.jpg Conrad Shawcross. Paradigm Study (Structural), 2014. Corten steel. Height without plinth: 124 cm (48 7/8 in); Square base: 41 x 41 cm (16 1/8 x 16 1/8 in). Edition of 3 plus 2 artist's proofs. Courtesy the artist and Victoria Miro, London. © Conrad Shawcross. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/CS295_Paradigm-Study-(Structural)_2014-i.jpg Conrad Shawcross. Paradigm Study (Structural), 2014 (detail). Courtesy the artist and Victoria Miro, London. © Conrad Shawcross. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/CS296_Paradigm-Study-(Solid)_2014-i.jpg Conrad Shawcross. Paradigm Study (Solid), 2014. Corten steel. Height without plinth: 124 cm (48 7/8 in); Square base: 41 x 41 cm (16 1/8 x 16 1/8 in). Edition of 3 plus 2 artist's proofs. Courtesy the artist and Victoria Miro, London. © Conrad Shawcross. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/CS313_Manifold-Study_5_4_2015-e.jpg Conrad Shawcross. Manifold 5:4, 2015. Bronze, height 120 cm (47 1/4 in). Edition of 3 plus 2 APs. Courtesy the artist and Victoria Miro, London. © Conrad Shawcross. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2015/VMG_CS_Inverted-Spires-and-Descendent-Folds_2015-l.jpg Conrad Shawcross. Inverted Spires and Descending Folds. Installation view 2. Courtesy the artist and Victoria Miro, London. © Conrad Shawcross. https://www.studiointernational.com/index.php/julian-opie-2012-2015-interview-alan-cristea-gallery https://www.studiointernational.com/images/articles/o/opie-julian-2015/Julian.jpg Julian Opie. Julian, 2013. Archival inkjet laminated to glass. Edition of 35. Courtesy Julian Opie and Alan Cristea Gallery. https://www.studiointernational.com/images/articles/o/opie-julian-2015/Jet-Stream.jpg Julian Opie. Jet stream. Daisies. From French landscapes, 2013. Four lenticular acrylic panels. Edition of 35. Courtesy Julian Opie and Alan Cristea Gallery. https://www.studiointernational.com/images/articles/o/opie-julian-2015/Mechanic.jpg Julian Opie. Mechanic. Academic. From Walking in London 2, 2014. A series of five lenticular acrylics. Edition of 50. Courtesy Julian Opie and Alan Cristea Gallery. https://www.studiointernational.com/images/articles/o/opie-julian-2015/Galloping-Horse-1.jpg Julian Opie. Galloping horse 1, 2013. Inlaid and overlaid acrylic panels. Edition of 25. Courtesy Julian Opie and Alan Cristea Gallery. https://www.studiointernational.com/images/articles/o/opie-julian-2015/Galloping-Horse-2.jpg Julian Opie. Galloping horse 2, 2013. Inlaid and overlaid acrylic panels. Edition of 25. Courtesy Julian Opie and Alan Cristea Gallery. https://www.studiointernational.com/images/articles/o/opie-julian-2015/City-walkers-2.jpg Julian Opie. City walkers 2, 2014. 1.5mm stainless steel laser cut silhouettes. Edition of 50. Courtesy Julian Opie and Alan Cristea Gallery. https://www.studiointernational.com/images/articles/o/opie-julian-2015/Julian-Opie-Editions-2012-2015-at-Alan-Cristea-Gallery-installation-shot_Photo-Peter-White-12.jpg Julian Opie Editions 2012 - 2015. Gallery view, Alan Cristea Gallery. Photograph: Peter White. https://www.studiointernational.com/images/articles/o/opie-julian-2015/Julian-Opie-Editions-2012-2015-at-Alan-Cristea-Gallery-installation-shot_Photo-Peter-White-5.jpg Julian Opie Editions 2012 - 2015. Gallery view (2), Alan Cristea Gallery. Photograph: Peter White. https://www.studiointernational.com/images/articles/o/opie-julian-2015/Julian-Opie-Editions-2012-2015-at-Alan-Cristea-Gallery-installation-shot_Photo-Peter-White-3.jpg Julian Opie Editions 2012 - 2015. Gallery view (3), Alan Cristea Gallery. Photograph: Peter White. https://www.studiointernational.com/index.php/eileen-cooper-interview-royal-academy-summer-show-2015 https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/2011-narrative.jpg Eileen Cooper. Narrative, 2011. Pencil on paper, 70.5 x 50 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/2011-ad-astra.jpg Eileen Cooper. Ad Astra, 2011. Oil on canvas, 106.5 x 137 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/2009-whisper.jpg Eileen Cooper. Whisper, 2009. Woodcut on Japanese paper, 22.5 x 15 cm (35 x 25.5 cm), Edition: 40. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/2008-challenge.jpg Eileen Cooper. Challenge, 2008. Charcoal and pastel on paper, 76 x 122 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/2003-september-laid-to-rest.jpg Eileen Cooper. September: Laid to Rest, 2003, Charcoal, pastel and watercolour on paper, 122 x 153 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/2002-3-studio-with-tiger.jpg Eileen Cooper. Studio with Tiger, 2002-03. Oil on canvas, 123 x 137 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/2001-red-sun.jpg Eileen Cooper. Red Sun, 2001. Conté, ink and pastel on natural Japanese paper, 53 x 43 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/2001-kick.jpg Eileen Cooper. Kick, 2001. Conté, ink and pastel on white Japanese paper, 53.5 x 40 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1991-woma-rebuilding-herself-iv.jpg Eileen Cooper. Woman Rebuilding Herself IV, 1991. Charcoal on paper, 66 x 48.2 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1991-boys-and-tiger.jpg Eileen Cooper. Boys and Tiger, 1989-91. Oil on canvas, 137 x 122 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1990-treehouse-i.jpg Eileen Cooper. Treehouse, 1989-90. Charcoal and Conté on paper, 300 x 240 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1989-90-woman-examining-her-shadow.jpg Eileen Cooper. Woman Examining Her Shadow, 1989-90. Oil on canvas, 152.5 x 167.5 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1988-the-new-baby.jpg Eileen Cooper. The New Baby, 1988. Charcoal on paper, 76 x 56 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1988-loves-lost.jpg Eileen Cooper. Love’s Lost, 1982. Gravure, 42 x 28 cm (68.5 x 51.5 cm), Edition: 60. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1987-the-gardener.jpg Eileen Cooper. The Gardener, 1987. Oil on canvas, 122 x 91.5 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1985-gift.jpg Eileen Cooper. Gift, 1985. Oil on canvas, 167.6 x 198 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1983-the-sad-tree.jpg Eileen Cooper. The Sad Tree, 1983. Conté, charcoal and pastel on paper, 63.5 x 47 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/1977-8-climbing-the-ladder-.jpg Eileen Cooper. Climbing the Ladder, 1977-78. Charcoal on paper, 136 x 100 cm. https://www.studiointernational.com/images/articles/c/cooper-eileen-2015/eileen-cooper-portrait.jpg Eileen Cooper. Photograph: Anne Purkiss. https://www.studiointernational.com/index.php/richard-tuttle-separation-review-modern-art-london-sculpture https://www.studiointernational.com/images/articles/t/tuttle-richard-2015/1-TUTTR-00209-I6-300.jpg Richard Tuttle, Separation, Stuart Shave/Modern Art, London, 5 - 27 June 2015, exhibition view. https://www.studiointernational.com/images/articles/t/tuttle-richard-2015/4-TUTTR-00204-D1-300.jpg Richard Tuttle. Separation (Group 4, Number 1), 2015. Canvas, acrylic, pushpins, screws, birch panel, pine 1x2’s, graphite, synthetic textiles, 177.8 x 61.9 x 96.5 cm (70 x 24 3/8 x 38 in). https://www.studiointernational.com/images/articles/t/tuttle-richard-2015/5-TUTTR-00205-300.jpg Richard Tuttle. Separation (Group 4, Number 2), 2015. Canvas, acrylic, pushpins, cotton, satin, birch panel, pine 1x2’s graphite, 212.7 x 183.5 x 56.5 cm (83 3/4 x 72 1/4 x 22 1/4 in). https://www.studiointernational.com/images/articles/t/tuttle-richard-2015/6-TUTTR-00206-D1-300.jpg Richard Tuttle. Separation (Group 4, Number 3), 2015. Canvas, pushpins, marker, acrylic, sharpie, graphite, nails, wool yarn, plastic box, nails, pine 1x2’s, 207.6 x 183.5 x 46.4 cm (81 3/4 x 72 1/4 x 18 1/4 in). https://www.studiointernational.com/images/articles/t/tuttle-richard-2015/7-TUTTR-00207-D1-300.jpg Richard Tuttle. Separation (Group 4, Number 4), 2015. Canvas, acrylic, pushpins, sisal rope, pine 1x2’s, cotton, synthetic textiles, wire mesh, paper, wire, birch ply, 246.4 x 183.5 x 187.3 cm (97 1/8 x 72 1/4 x 73 3/4 in). https://www.studiointernational.com/images/articles/t/tuttle-richard-2015/8-TUTTR-00208-D1-300.jpg Richard Tuttle. Separation (Group 4, Number 5), 2015. Canvas acrylic, pushpins, nail, birch panel, pine 1x2’s, birch panel, steering wheel cover, synthetic fabric, 213.4 x 86.4 x 130.2 cm (84 x 34 x 51 1/4 in). https://www.studiointernational.com/images/articles/t/tuttle-richard-2015/10-TUTTR-00198-I1-300.jpg Richard Tuttle. Separation (Group 3, Number 1), 2015. Styrofoam board, pine molding, bamboo skewers, synthetic fibre, cotton, thread, wire, transparent tape, 58.4 x 50.8 cm (23 x 20 in). https://www.studiointernational.com/images/articles/t/tuttle-richard-2015/11-TUTTR-00200-300.jpg Richard Tuttle. Separation (Group 3, Number 3), 2015. Styrofoam board, pine molding, towel, acrylic paint, wood glue, bamboo skewers, wire, synthetic fibre, synthetic batting, transparent tape, 58.4 x 50.8 cm (23 x 20 in). https://www.studiointernational.com/images/articles/t/tuttle-richard-2015/12-TUTTR-00176-300.jpg Richard Tuttle. True Values in Korea, 2014. Plywood, paint, pencil, staples, plastic film, coloured cotton fabric, nails 5 elements: each 17.5 x 12 x 2 cm (6 7/8 x 4 3/4 x 3/4 in). https://www.studiointernational.com/index.php/carsten-holler-decision-review-hayward-gallery-london https://www.studiointernational.com/images/articles/h/holler-carsten-2015/01-Carsten-Holler-Decision-Corridors-2015.jpg Carsten Höller. Decision Corridors, 2015. Installation view © Carsten Höller. Courtesy of the artist, Photograph: © Linda Nylind. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/01-Carsten-Holler-Isomeric-Slides.jpg Carsten Holler. Isomeric Slides, during installation at Hayward Gallery, London. Photograph: David Levene. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/01-Carsten-Holler-Two-Flying-Machines-2015.jpg Carsten Höller. Two Flying Machines, 2015. Installation view. Photograph: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/05-Carsten-Holler-Two-Flying-Machines-2015.jpg Carsten Höller. Two Flying Machines, 2015. Installation view 2. Photograph: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/Carsten-Holler-Dice-2014.jpg Carsten Höller. Dice, 2014 and Reflections On Her Eyes, Reflections On My Eyes, 1996, 2015. Installation view © Carsten Höller. Courtesy of the artist. Photograph: © Linda Nylind. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/Carsten-Holler-Flying-Mushrooms-2015.jpg Carsten Höller. Flying Mushrooms, 2015. Installation view. © Carsten Höller. Courtesy of the artist, Photograph: © Linda Nylind. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/Carsten-Holler-Flying-Mushrooms-2-2015.jpg Carsten Höller. Flying Mushrooms, 2015. Installation view 2. © Carsten Höller. Courtesy of the artist, Photograph: © Linda Nylind. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/Carsten-Holler-Half-Mirror-Room-2008-and-snake.jpg Carsten Höller. Half Mirror Room, 2008, 2015 and Snake, 2014. Installation view © Carsten Höller. Courtesy of the artist. Photograph: © Linda Nylind. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/Carsten-Holler-Isomeric-Slides-2015.jpg Carsten Höller. Isomeric Slides, 2015. Installation view © Carsten Höller. Courtesy of the artist and LUMA Foundation. Photograph: © Linda Nylind. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/Carsten-Holler-Pill-Clock-2011.jpg Carsten Höller. Pill Clock 2011, 2015. Installation view © Carsten Höller. Courtesy of the artist, Photograph: © Linda Nylind. https://www.studiointernational.com/images/articles/h/holler-carsten-2015/Carsten-Holler-Twins-2005.jpg Carsten Höller. Twins 2005 - 2015. Installation view © Carsten Höller. Courtesy of the artist and Gagosian Gallery. Photograph: © Linda Nylind. https://www.studiointernational.com/index.php/sophia-narrett-interview-this-meant-nothing-arts-leisure-new-york https://www.studiointernational.com/images/articles/n/narrett-sophia-2015/02-Stars-Align,-Sophia-Narrett,-2014-15,-Embroidery-Thread-and-Fabric,-33-x-48-in.jpg Sophia Narrett. Stars Align, 2014-15. Embroidery thread and fabric, 33 x 48 in. https://www.studiointernational.com/images/articles/n/narrett-sophia-2015/02-Stars-Align-detail-1.jpg Sophia Narrett. Stars Align, 2014-15 (detail 1). Embroidery thread and fabric, 33 x 48 in. https://www.studiointernational.com/images/articles/n/narrett-sophia-2015/02-Stars-Align-detail-3.jpg Sophia Narrett. Stars Align, 2014-15 (detail 2). Embroidery thread and fabric, 33 x 48 in. https://www.studiointernational.com/images/articles/n/narrett-sophia-2015/02-Stars-Align-detail-4.jpg Sophia Narrett. Stars Align, 2014-15 (detail 2). Embroidery thread and fabric, 33 x 48 in. https://www.studiointernational.com/images/articles/n/narrett-sophia-2015/03-Something-Went-Wrong-detail-1.jpg Sophia Narrett. Something Went Wrong, 2014 (detail 1). Embroidery thread and fabric, 59 × 35 in (149.9 × 88.9 cm). https://www.studiointernational.com/images/articles/n/narrett-sophia-2015/03-Something-Went-Wrong-detail-4.jpg Sophia Narrett. Something Went Wrong, 2014 (detail 2). Embroidery thread and fabric, 59 × 35 in (149.9 × 88.9 cm). https://www.studiointernational.com/index.php/pulitzer-arts-foundation-alexander-calder-lightness-fred-sandback-64-three-part-pieces-richard-tuttle-wire-review https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Pulitzer-building.jpg Pulitzer Building: Pulitzer Arts Foundation. Photograph: Robert Pettus. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Pulitzer-Front-entrance.jpg Pulitzer Building, front entrance: Pulitzer Arts Foundation. Photograph: Robert Pettus. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Pulitzer-Roof-garden.jpg Pulitzer Building, roof garden: Pulitzer Arts Foundation. Photograph: Robert Pettus. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Pulitzer-Watercourt.jpg Pulitzer Building, watercourt: Pulitzer Arts Foundation. Photograph: Robert Pettus. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Richard-Serra-Joe.jpg Richard Serra. Joe, 1999. Pulitzer Arts Foundation. Photograph: Robert Pettus. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Pulitzer-Gallery-E.jpg Gallery E, Pulitzer Arts Foundation. Photograph: Alise O’Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Pulitzer-Gallery-F.jpg Gallery F, Pulitzer Arts Foundation. Photograph: Alise O’Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Pulitzer-Watercourt-Entry.jpg Watercourt entry, Pulitzer Arts Foundation. Photograph: Alise O’Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Calder-The-Y-(1).jpg Alexander Calder. The Y, 1960. The Menil Collection, Houston. © 2015 Calder Foundation/Artists Rights Society (ARS), New York. Photograph © 2015 Alise O'Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Calder-black,-white,-and-ten-red.jpg Alexander Calder. Black, White, and Ten Red, 1957. National Gallery of Art, Washington. © 2015 Calder Foundation/Artists Rights Society (ARS), New York. Photograph © 2015 Alise O'Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Calder-snowflurry-and-sphere-pierced-by-cylinder.jpg Installation view from the Water Court, Calder Lightness. Pulitzer Arts Foundation. Artwork © 2015 Calder Foundation/Artists Rights Society (ARS), New York. Photograph © 2015 Alise O’Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Calder-twenty-leaves-and-an-apple.jpg Alexander Calder. Twenty Leaves and an Apple, 1946. Cincinnati Art Museum. © 2015 Calder Foundation/Artists Rights Society (ARS), New York. Photograph © 2015 Alise O'Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/calder-main-gallery.jpg Installation view of the Main Gallery, Calder Lightness. Pulitzer Arts Foundation. Artwork © 2015 Calder Foundation/Artists Rights Society (ARS), New York. Photograph © 2015 Alise O’Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Sandback-Study-for-Kunstraum-Munich.jpg Fred Sandback. Untitled (Study for Kunstraum Munich), c1975. Felt tip pen, marker and pencil on isometric paper, 8 1/2 x 11 in (21.6 x 37.9 cm). Estate of Fred Sandback, Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Sandback-64-Three-Part-Pieces.jpg Fred Sandback. Untitled (64 Three-Part Pieces), 1975. Installation view, Pulitzer Arts Foundation. Estate of Fred Sandback, Courtesy David Zwirner, New York/London. © 2015 Fred Sandback Archive. Photograph © 2015 Alise O'Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/tuttle-installation-view.jpg Installation view of Richard Tuttle Wire Pieces, Pulitzer Arts Foundation, 2015. Artwork from the collection of the artist © Richard Tuttle, courtesy Pace Gallery. Photograph © 2015 Alise O'Brien Photography. https://www.studiointernational.com/images/articles/p/pulitzer-arts-foundation-2015/Tuttle_2.jpg Richard Tuttle. 31st Wire Piece, 1972. Florist wire, nails, and graphite, dimensions variable. Artwork from the collection of the artist © 2015 Richard Tuttle, courtesy Pace Gallery. Photograph © 2015 Alise O'Brien Photography. https://www.studiointernational.com/index.php/fighting-history-review-tate-britain-steve-mcqueen-dexter-dalwood-jmw-turner https://www.studiointernational.com/images/articles/f/fighting-history-2015/dexter_dalwoodthe_poll_tax_riots_2005_3.jpg Dexter Dalwood. The Poll Tax Riots, 2005. Private collection. © The Artist and Simon Lee Gallery, London & Hong Kong. https://www.studiointernational.com/images/articles/f/fighting-history-2015/n00733.jpg John Singleton Copley. The Death of Major Peirson, 6 January 1781, 1783. © Tate. https://www.studiointernational.com/images/articles/f/fighting-history-2015/n05691.jpg Richard Eurich. The Landing at Dieppe, 19th August 1942, 1942-3. Oil paint on wood, 121.9 x 175.3 cm. Tate. https://www.studiointernational.com/images/articles/f/fighting-history-2015/t03365.jpg Gavin Hamilton. Agrippina Landing at Brindisium with the Ashes of Germanicus, 1765-72. Oil paint on canvas, 182.5 x 256 cm. Tate. https://www.studiointernational.com/images/articles/f/fighting-history-2015/t03980.jpg Richard Hamilton. The citizen, 1981-3. Oil paint on two canvases, 206.7 x 210.2 x 3.2 cm. Tate. © The estate of Richard Hamilton. https://www.studiointernational.com/images/articles/f/fighting-history-2015/t05532.jpg Winifred Knights. The Deluge, 1920. Oil paint on canvas, 152.9 x 183.5 cm. Tate. © The estate of Winifred Knights. https://www.studiointernational.com/index.php/carol-bove-carlo-scarpa-review-henry-moore-institute-leeds-sculpture https://www.studiointernational.com/images/articles/b/bove-scarpa-2015/1.jpg Carlo Scarpa. Vitrine (1956) with Twenty Laboratory Tests for the Brion Tomb (1969-78). Wood, glass, metal (vitrine), Muntz metal (laboratory tests), 202 x 190 x 62 cm (vitrine), dimensions variable (laboratory tests). Museo di Castelvecchio, Archivio Carlo Scarpa, Verona/Museo delle Rarità Carlo Scarpa, Castello di Monselice. Installation view, Carol Bove/Carlo Scarpa, Museion, Bolzano. © Museion. Photograph: Augustin Ochsenreiter. https://www.studiointernational.com/images/articles/b/bove-scarpa-2015/2.jpg Carol Bove. Heraclitus (detail), 2014. Seashell, feather, found objects, steel, concrete, 182.9 x 45.7 x 31.8 cm. Courtesy the artist, Maccarone, New York and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/b/bove-scarpa-2015/3.jpg Carol Bove. For Asta, 2014. Steel, dimensions variable. Courtesy the artist, Maccarone, New York and David Zwirner, New York/London. Installation view, Carol Bove/Carlo Scarpa, Museion, Bolzano. © Museion. Photograph: Augustin Ochsenreiter. https://www.studiointernational.com/images/articles/b/bove-scarpa-2015/4.jpg Carol Bove. New setting for Ambiente, 2014. Courtesy the artist, Maccarone, New York and David Zwirner, New York/London. Installation view, Carol Bove/Carlo Scarpa, Museion, Bolzano. © Museion. Photograph: Augustin Ochsenreiter. https://www.studiointernational.com/images/articles/b/bove-scarpa-2015/5.jpg Carol Bove. Hysteron Proteron, 2014. Brass, concrete, 210.8 x 59.7 x 59.7 cm. Courtesy the artist, Maccarone, New York and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/b/bove-scarpa-2015/1-install.jpg Installation view of Gallery 1. Foreground: Carol Bove, Untitled (Driftwood Bench), 2004. Found wood, steel. Carol Bove works courtesy of the artist and Maccarone, New York and David Zwirner, New York/London. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/b/bove-scarpa-2015/4-install.jpg Installation view of Gallery 2. Carol Bove works courtesy of the artist and Maccarone, New York and David Zwirner, New York/London. Carlo Scarpa works courtesy Museo delle Rarità Carlo Scarpa - Castello di Monselice. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/b/bove-scarpa-2015/5-install.jpg Installation view of Gallery 2 (2). Carol Bove works courtesy of the Artist and Maccarone, New York and David Zwirner, New York/London. Carlo Scarpa works courtesy Museo delle Rarità Carlo Scarpa - Castello di Monselice. Photograph: Jerry Hardman-Jones. https://www.studiointernational.com/index.php/michael-borremans-black-mould-review-david-zwirner-london https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-Disaster-2015.jpg Michaël Borremans. Black Mould / Disaster, 2015. Oil on canvas, 32 3/4 x 28 in (83 x 71 cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-Fiery-Limbs-2015.jpg Michaël Borremans. Black Mould / Fiery Limbs, 2015. Oil on cardboard, 9 1/8 x 11 1/2 in (23 x 29.2 cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-The-Badgers-Song-2015.jpg Michaël Borremans. Black Mould / The Badger’s Song, 2015. Oil on wood, 8 7/8 x 12 1/4 in (22.5 x 31.1cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-The-Dance-2015.jpg Michaël Borremans. Black Mould / The Dance, 2015. Oil on wood, 11 x 15 1/4 in (28 x 38.8 cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-The-Badgers-Song-II-2015.jpg Michaël Borremans. Black Mould / The Badger’s Song II, 2015. Oil on canvas, 20 1/2 x 15 in (52 x 38 cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-Pogo-2015.jpg Michaël Borremans. Black Mould / Pogo, 2015. Oil on cardboard, 12 3/4 x 9 1/8 in (32.4 x 23 cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-Pogo-2015_1.jpg Michaël Borremans. Black Mould / Pogo, 2015. Oil on wood, 11 3/4 x 9 in (29.8 x 22.9 cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-Pogo-2015_2.jpg Michaël Borremans. Black Mould / Pogo, 2015. Oil on wood, 11 7/16 x 9 in (29 x 22.7 cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-Pogo-2015_3.jpg Michaël Borremans. Black Mould / Pogo, 2015. Oil on wood, 14 3/8 x 10 1/4 in (36.5 x 26 cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-Pogo-2015_4.jpg Michaël Borremans. Black Mould / Pogo, 2015. Oil on cardboard, 9 1/2 x 6 5/8 in (24.2 x 16.6 cm). Courtesy David Zwirner, New York/London and Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-Installaton-view-07-300.jpg Installation view from the 2015 solo exhibition Michaël Borremans: Black Mould at David Zwirner, London. Courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/b/borremans-michael-2015/Black-Mould-Installaton-view-22-300.jpg Installation view (2) from the 2015 solo exhibition Michaël Borremans: Black Mould at David Zwirner, London. Courtesy David Zwirner, New York/London. https://www.studiointernational.com/index.php/cy-twombly-fifty-years-of-work-on-paper-review-drawings-tokyo https://www.studiointernational.com/images/articles/t/twombly-cy-2015/Cy-Twombly-A1_L.jpg Cy Twombly. Untitled, 1953. Monotype in paint on paper, 48 x 64 cm. © Cy Twombly Foundation / Courtesy Cy Twombly Foundation. https://www.studiointernational.com/images/articles/t/twombly-cy-2015/Cy-Twombly-B2_L.jpg Cy Twombly. Untitled, 1961/63. Pencil, colour pencil, ballpoint pen on paper, 50 x 71 cm. © Cy Twombly Foundation / Courtesy Cy Twombly Foundation. https://www.studiointernational.com/images/articles/t/twombly-cy-2015/Cy-Twombly-C3_M.jpg Cy Twombly. Untitled, 1970. Wax crayon, house paint on paper, 70.5 x 100 cm. © Cy Twombly Foundation / Courtesy Cy Twombly Foundation. https://www.studiointernational.com/images/articles/t/twombly-cy-2015/Cy-Twombly-D4_M.jpg Cy Twombly. Proteus, 1984. Acrylic paint, color pencil, pencil on paper, 76 x 56.5 cm. © Cy Twombly Foundation / Courtesy Cy Twombly Foundation. https://www.studiointernational.com/images/articles/t/twombly-cy-2015/Cy-Twombly-E5_L.jpg Cy Twombly. Petals of Fire, 1989. Acrylic paint, oil stick, pencil, colour pencil on paper, 144 x 128 cm. © Cy Twombly Foundation / Courtesy Cy Twombly Foundation. https://www.studiointernational.com/images/articles/t/twombly-cy-2015/Cy-Twombly-F6_L.jpg Cy Twombly. Untitled, 2001. Acrylic paint, wax crayon, pencil, collage on paper, 124 x 99 cm. © Cy Twombly Foundation / Courtesy Cy Twombly Foundation. https://www.studiointernational.com/index.php/mark-fairnington-interview-a-london-assembly-wellcome-collection-natural-history https://www.studiointernational.com/images/articles/f/fairnington-mark-2015/Prophet-2014.jpg Mark Fairnington. Prophet, 2014. Oil on wooden panel, 9 x 14 cm. © the artist. https://www.studiointernational.com/images/articles/f/fairnington-mark-2015/Shelf-2014.jpg Mark Fairnington. Shelf, 2014. Oil on wooden panel, 18 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/f/fairnington-mark-2015/Specimen-7.jpg Mark Fairnington. Specimen (7), 2000. Oil on canvas, 214 x 189 cm. © the artist. https://www.studiointernational.com/images/articles/f/fairnington-mark-2015/The-Forgettory-2014.jpg Mark Fairnington. The Forgettory, 2014. Oil on wooden panel, 16 x 12 cm. © the artist. https://www.studiointernational.com/index.php/unfinished-works-from-the-courtauld-gallery-review-london https://www.studiointernational.com/images/articles/u/unfinished-2015/Holy-Family-with-Saint-John-the-Baptist.jpg Perino del Vaga (1501-47). Holy Family with Saint John the Baptist, 1528-37, Oil on panel, 139.8 x 111.2 cm. https://www.studiointernational.com/images/articles/u/unfinished-2015/Artist-drawing-from-the-model-unfinished-Rembrandt-Harmensz-van-Rijn.jpg Rembrandt Harmensz van Rijn. Artist drawing from the model (unfinished), 23.3 x 18.3 cm. https://www.studiointernational.com/images/articles/u/unfinished-2015/Au-Bal-Marguerite-de-Conflans-en-Toilette-de-Bal.jpg Edouard Manet. Au Bal - Marguerite de Conflans en Toilette de Bal, 1870-80. Oil on canvas, 62.5 x 42.5 cm. https://www.studiointernational.com/images/articles/u/unfinished-2015/Lady-with-a-Parasol.jpg Edgar Degas. Lady with a Parasol, 1870-72. Oil on canvas, 89.7 x 100 cm. https://www.studiointernational.com/images/articles/u/unfinished-2015/Turning-Road-Route-Tournante.jpg Paul Cézanne. Turning Road (Route Tournante), c1905. Oil on canvas, 92 x 112 cm. https://www.studiointernational.com/images/articles/u/unfinished-2015/Vase-of-Flowers.jpg Claude Monet. Vase of Flowers, 1881-2. Oil on canvas, 121.7 x 102.7 cm. https://www.studiointernational.com/index.php/susan-cianciolo-interview-if-god-comes-to-visit-you-tapestry-fashion-design https://www.studiointernational.com/images/articles/c/cianciolo-susan-2015/SC006a_HarryHughes.jpg Susan Cianciolo. Treasure Box Kit with Outfit, 2000-15. Collage, tapestry, dress, archive belt, necklace, wallets on 2015 quilt, wooden horse, stickers, ziplock bags, wool, wooden butterfly, cardboard, index cards, stationary, duct tape, marker and pen on paper, wood blocks, waxed thread, 11 x 30.5 x 26 in (27.94 x 77.47 x 66.04 cm). Unique. Photograph: Harry Hughes. https://www.studiointernational.com/images/articles/c/cianciolo-susan-2015/SC014.jpg Susan Cianciolo. Science Experiment Box Kit, Science Box, Box of God Kit, 2003-15. Cardboard, glitter, glue, sketchbook (2014-2015), collage (2003), 6 x 14.5 x 19 in (15.24 x 36.83 x 48.26 cm). Unique. Photograph: Harry Hughes. https://www.studiointernational.com/images/articles/c/cianciolo-susan-2015/SC023g_HarryHughes.jpg Susan Cianciolo. Prayer Box #5, 1999-2015. Ink and pencil on paper, shoes, shamanic traveling stick with feathers, watercolour and ink on paper, tape, labels, Run 8 necklace, purse on quilt by Coulter Fussell, 11 x 31 x 20.5 in (27.94 x 78.74 x 52.07 cm). Unique. Photograph: Harry Hughes. https://www.studiointernational.com/images/articles/c/cianciolo-susan-2015/SC023m_HarryHughes.jpg Susan Cianciolo. Prayer Box #5, 1999-2015 (detail). Ink and pencil on paper, shoes, shamanic traveling stick with feathers, watercolour and ink on paper, tape, labels, Run 8 necklace, purse on quilt by Coulter Fussell, 11 x 31 x 20.5 in (27.94 x 78.74 x 52.07 cm). Unique. Photograph: Harry Hughes. https://www.studiointernational.com/images/articles/c/cianciolo-susan-2015/SC025g_HarryHughes.jpg Susan Cianciolo. The Source Box Kit, 2005-15. Cloth stars, watercolour on cardboard, Cone Denim book pages, embroidery thread, paper mobiles, tape on quilt by Coulter Fussell, on watercolour, on book page, on floorboards, 61 x 27.5 x 22 in (154.94 x 69.85 x 55.88 cm). Unique. Photograph: Harry Hughes. https://www.studiointernational.com/images/articles/c/cianciolo-susan-2015/SC028p_HarryHughes.jpg Susan Cianciolo. Swimsuit Kit, 1998-2015. Run 7 Swimsuit Kit: canvas, crochet cotton bikini and elastic on 2003 collage, pouch with ribbons and snaps, paper, tape, 2 x 20 x 27.5 in (5.08 x 50.80 x 69.85 cm). Unique. Photograph: Harry Hughes. https://www.studiointernational.com/images/articles/c/cianciolo-susan-2015/sc029.jpg Susan Cianciolo. Mini Me, 2008-15. Steel box, coloured wood, paintings on panel, torn paper, penny, fabric, on vintage 1970s embroidery with textile by Mike Mills, 7 x 7 x 18 in (17.78 x 17.78 x 45.72 cm). Unique. Photograph: Harry Hughes. https://www.studiointernational.com/images/articles/c/cianciolo-susan-2015/install_74A2605.jpg Susan Cianciolo: if God COMes to visit You, HOW will you know? (the great tetrahedral kite). Installation view (2) at Bridget Donahue, New York. Photograph: Marc Brems Tatti. https://www.studiointernational.com/index.php/jeanne-masoero-interview-mayan-journey https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Ersilea-acrylic-on-canvas.jpg Jeanne Masoero. Ersilea, 1987 (from the series Figures and Light). Acrylic on canvas, 35 x 38 in. https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Esmeralda-1989-from-the-series-Figures-and-Light.jpg Jeanne Masoero. Esmeralda, 1989 (from the series Figures and Light). Acrylic on canvas, 38 x 36 in. https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Filament-II-2007.jpg Jeanne Masoero. Filament II, 2007 (from the series Infinite Complex of Surfaces). Acrylic on canvas, 168 x 107 cm. https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Folded-Relief-(from-the-series-Basis-for-Light).jpg Jeanne Masoero. Folded Relief (from the series Basis for Light). https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Horizon-1980-(from-the-series-Roads,-Sky).jpg Jeanne Masoero. Horizon, 1980 (from the series Roads, Sky). Acrylic on canvas, 84 x 255 cm. https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Magnetic-Field-IX-(diptych)-2011.jpg Jeanne Masoero. Magnetic Field IX (diptych), 2011 (from the series Infinite Complex of Surfaces). Acrylic on canvas, 81 x 61 cm. https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Octavia-1988-(from-the-series-Figures-and-Light).jpg Jeanne Masoero. Octavia, 1988 (from the series Figures and Light). Acrylic on canvas, 36 x 36 in. https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Untitled-I-1989-(from-the-series-Figures-and-Light).jpg Jeanne Masoero. Untitled I, 1989 (from the series Figures and Light). Acrylic on canvas, 24 x 24 in. https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Untitled-II-1989-(from-the-series-Figures-and-Light).jpg Jeanne Masoero. Untitled II, 1989 (from the series Figures and Light). Acrylic on canvas, 24 x 24 in. https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/Zora-1986-(from-the-series-Figures-and-Light).jpg Jeanne Masoero. Zora, 1986 (from the series Figures and Light). Acrylic on canvas, 16 x 14 in. https://www.studiointernational.com/images/articles/m/masoero-jeanne-2015/detail-from-the-series-Figures-and-Light,-1984-1998.jpg Jeanne Masoero. Detail from the series Figures and Light, 1984-98. https://www.studiointernational.com/index.php/thomas-hirschhorn-in-between-review-art-installation-creting-destruction-is-difficult https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2015/Mark-Blower-000101-Thomas-Hischhorn-SLG-0004.jpg Thomas Hirschhorn, In-Between, installation view (1) at the South London Gallery, 2015. Courtesy Thomas Hirschhorn. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2015/Mark-Blower-000101-Thomas-Hischhorn-SLG-0008.jpg Thomas Hirschhorn, In-Between, installation view (2) at the South London Gallery, 2015. Courtesy Thomas Hirschhorn. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2015/Mark-Blower-000101-Thomas-Hischhorn-SLG-0019.jpg Thomas Hirschhorn, In-Between, installation view (3) at the South London Gallery, 2015. Courtesy Thomas Hirschhorn. Photograph: Mark Blower. https://www.studiointernational.com/index.php/mirrors-to-windows-the-artist-as-woman-film-review-susan-steinberg https://www.studiointernational.com/images/articles/m/mirror-to-windows-2015/HelaineBlumenfeld.jpg Left to right: Helaine Blumenfeld, Susan Steinberg and David Chilton filming at Helaine's exhibition at Bowman Sculpture Gallery. Photographer: Raphaella Fearns, 2013. https://www.studiointernational.com/images/articles/m/mirror-to-windows-2015/JodieCarey_1b.jpg Susan Steinberg shooting with Jodie Carey at her studio in London. Photographer: Raphaella Fearns, 2012. https://www.studiointernational.com/images/articles/m/mirror-to-windows-2015/RoseWylie_Berlin_2.jpg Susan Steinberg and film crew shooting Rose Wylie at her show at Städtische Galerie, Wolfsburg. Photographer: Sojo Yang, 2014. https://www.studiointernational.com/images/articles/m/mirror-to-windows-2015/SarahLederman_2b.jpg Susan Steinberg filming with Sarah Lederman at her London studio. Photographer: Adam Fletcher, 2011. https://www.studiointernational.com/images/articles/m/mirror-to-windows-2015/SusanShooting.jpg Susan Steinberg filming at Rose Wylie's exhibition at Städtische Galerie, Wolfsburg. Photographer: Sojo Yang. https://www.studiointernational.com/index.php/nathan-cash-davidson-interview-i-am-two-different-artists-in-one-person-artist-rapper https://www.studiointernational.com/images/articles/d/davidson-nathan-cash-2015/Richard-II,-2011-12.jpg Nathan Cash Davidson. Richard II, 2011-12. Oil on board, 152 x 122 cm. © the artist. https://www.studiointernational.com/images/articles/d/davidson-nathan-cash-2015/Until-We-Meet-Again,-2015.jpg Nathan Cash Davidson. Until We Meet Again, 2015. Oil on board, 40.5 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/d/davidson-nathan-cash-2015/Your-Flee-Not-Fear-Cauldron-Stirring-Wounds,-2015.jpg Nathan Cash Davidson. Your Flee Not Fear Cauldron Stirring Wounds, 2015. Oil on canvas, 214 x 153 cm. © the artist. https://www.studiointernational.com/images/articles/d/davidson-nathan-cash-2015/Your-Sorrows-Have-A-Name,-2012.jpg Nathan Cash Davidson. Your Sorrows Have A Name, 2012. Oil on canvas, 122 x 91 cm. © the artist. https://www.studiointernational.com/images/articles/d/davidson-nathan-cash-2015/H-Nathan-Cash-Davidson-thou-annointest-my-head-with-oil-installation-view-(2).jpg Nathan Cash Davidson: Thou annointest my head with oil, Hannah Barry Gallery, London, 18 June – 27 July 2015. Installation view. https://www.studiointernational.com/images/articles/d/davidson-nathan-cash-2015/H-Nathan-Cash-Davidson-thou-annointest-my-head-with-oil-installation-view.jpg Nathan Cash Davidson: Thou annointest my head with oil, Hannah Barry Gallery, London, 18 June – 27 July 2015. Installation view (2). https://www.studiointernational.com/index.php/joseph-cornell-wanderlust-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/c/cornell-joseph-2015/Key-20.jpg Joseph Cornell. Object (Soap Bubble Set), 1941. Box construction, 46.4 x 31.4 x 9.5 cm. The Robert Lehrman Art Trust, Courtesy of Aimee and Robert Lehrman . © The Joseph and Robert Cornell Memorial Foundation/VAGA, NY/DACS, London 2015. Photograph: Quicksilver Photographers, LLC. https://www.studiointernational.com/images/articles/c/cornell-joseph-2015/Key-31.jpg Joseph Cornell. Naples, 1942. Box construction, 28.6 x 17.1 x 12.1 cm. The Robert Lehrman Art Trust, Courtesy of Aimee and Robert Lehrman . © The Joseph and Robert Cornell Memorial Foundation/VAGA, NY/DACS, London 2015. Photograph: Quicksilver Photographers, LLC. https://www.studiointernational.com/images/articles/c/cornell-joseph-2015/Key-40.jpg Joseph Cornell. Palace, 1943. Box construction: Glass-paned, stained wood box with photomechanical reproduction, mirror, spray-painted twigs, wood and shaved bark, 26.7 x 50.5 x 13 cm. The Menil Collection, Houston. Photograph: The Menil Collection, Houston. Photography: Hickey-Robertson. © The Joseph and Robert Cornell Memorial Foundation/VAGA, NY/DACS, London 2015. https://www.studiointernational.com/images/articles/c/cornell-joseph-2015/Key-8-NEW.jpg Joseph Cornell. Habitat Group for a Shooting Gallery, 1943. Mixed media, 39.4 x 28.3 x 10.8 cm. Purchased with funds from the Coffin Fine Arts Trust; Nathan Emory Coffin Collection of the Des Moines Art Center. Photo Collection of the Des Moines Art Center. © The Joseph and Robert Cornell Memorial Foundation/VAGA, NY/DACS, London 2015. https://www.studiointernational.com/images/articles/c/cornell-joseph-2015/key-51.jpg Joseph Cornell. Untitled (Tilly Losch), c1935-38. Box Construction, 25.4 x 23.5 x 5.4 cm. Collection of Robert Lehrman, courtesy of Aimee and Robert Lehrman. Photograph: The Robert Lehrman Art Trust, courtesy of Aimee and Robert Lehrman. Photography: Quicksilver Photographers, LLC. © The Joseph and Robert Cornell Memorial Foundation/VAGA, NY/DACS, London 2015. https://www.studiointernational.com/index.php/barbara-hepworth-sculpture-for-a-modern-world-review-tate-britain https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/hepworth_full_length3.jpg Hepworth in the Mall Studio, London, 1933. Photograph: Paul Laib. The Barbara Hepworth Photograph Collection. © The de Laszlo Collection of Paul Laib Negatives, Witt Library, The Courtauld Institute of Art, London. https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/belum.jpg Barbara Hepworth. Curved Form (Delphi), 1955. © Bowness https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/hep1.jpg Barbara Hepworth. Squares with Two Circles, 1963. Tate. © Bowness. https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/id_009.jpg Barbara Hepworth. Doves (Group), 1927. Sculpture; Parian marble. Manchester Art Gallery. © Bowness. https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/id_089.jpg Barbara Hepworth. Sculpture with Colour (Deep Blue and Red) (6), 1943. © Bowness. https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/id_122.jpg Barbara Hepworth. Oval Form (Trezion),1961-63. Bronze, 940 x 1440 x 870 mm. Aberdeen Art Gallery and Museums Collections. Photograph courtesy The Kröller-Müller, Otterlo, The Netherlands. Photograph: Mary Ann Sullivan, Blufton University. © Bowness. https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/id_91_red_in_tension.jpg Barbara Hepworth. Red in Tension, 1941. Drawing; Pencil and gouache on paper, 254 x 355 mm. Private collection. © Bowness https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/infant.jpg Barbara Hepworth. Infant, 1929. Sculpture; wood, 438 x 273 x 254 mm, Tate © Bowness. https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/large_and_small_form.jpg Barbara Hepworth. Large and Small Form, 1934. Sculpture; White alabaster, 250 x 450 x 240 mm. The Pier Arts Centre Collection, Orkney. © Bowness. https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/moma_0146019d.jpg Barbara Hepworth. Discs in Echelon, 1935. Sculpture; Padouk wood, 311 x 491 x 225 mm. Museum of Modern Art, New York. © Bowness. https://www.studiointernational.com/images/articles/h/hepworth-barbara-2015/t00699.jpg Barbara Hepworth. Pelagos, 1946. Sculpture; Elm and strings on oak, 430 x 460 x 385 mm. Tate. © Bowness. https://www.studiointernational.com/index.php/bruges-triennial-2015-review-global-urbanisation-megacity-outdoor-installations https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/ET_SONGDONG_01.jpg Song Dong. Doing Nothing Nothing Doing. © Eva Tahon. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/Triennale-Brugge_Fibeke-Jensen-9_photo-Peter-De-Bruyne.jpg Vibeke Jensen. 1:1 Connect: Diamondscope. © Peter De Bruyne. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/triennale_7920.jpg Nathan Coley. Palace. © Piet Goethals. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/triennale_6381.jpg HeHe. Undercurrent, with the artist couple in the foreground. © Piet Goethals. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/triennale_7580.jpg Vibeke Jensen. 1:1 Connect: Diamondscope. © Piet Goethals. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/triennale_7583.jpg Studio Mumbai. A bridge by the canal. © Piet Goethals. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/_MG_6229.jpg Tadashi Kawamata. Tree Huts in Bruges. © Tim Theo Deceuninck. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/_MG_6207.jpg HeHe. Undercurrent. © Tim Theo Deceuninck. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/V_Zwemmoment79.jpg Atelier Bow-Wow. Canal Swimmer's Club. © Stef Declerck. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/triennale_7001.jpg Daniël Dewaele. The Passenger Room. © Piet Goethals. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/Triennale-Brugge_Rainer-Ganahl1_photo-Peter-De-Bruyne-300dpi.jpg Rainer Ganahl. Uber Capitalism. © Peter De Bruyne. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/Triennale-Brugge_Atelier-Bow-Wow-6_photo-Peter-De-Bruyne-300dpi.jpg Atelier Bow-Wow. Canal Swimmer's Club. © Peter De Bruyne. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/DSCN4877.jpg Nathan Coley. A Place Beyond Belief. © Sarah Bauwens. https://www.studiointernational.com/images/articles/b/bruges-triennial-2015/SB_Triennale_20mei_107.jpg Song Dong. Doing Nothing Nothing Doing. © Sarah Bauwens. https://www.studiointernational.com/index.php/codigos-primordiais-computer-art-paul-brown-frieder-nake-harold-cohen-ernest-edmonds-rio-de-janeiro https://www.studiointernational.com/images/articles/p/primarycodes/IMG_4995_alta.jpg Primary Codes. Panoramic view of the first floor. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5010_alta.jpg Primary Codes. Video interviews wall. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5026_alta.jpg Primary Codes. First floor, detail of Brown’s Builder/Eater (1977, Remade in 2014). Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5040_alta.jpg Primary Codes. Ground floor, detail of Nake’s Homage to Oi Futuro, 2015. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5069_alta.jpg Primary Codes. Panoramic view of the 2nd floor. At the centre, Edmonds’ Shaping Form series, 2007-15. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5111_alta.jpg Primary Codes. Harold Cohen, “Copse#18” 060518P, 2006. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5113_alta.jpg Primary Codes. Second floor, detail of Cohen’s “Rincon#3” 061010, 2006. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5183_alta.jpg Primary Codes. Paul Brown’s 4^15, 2006. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5344_alta.jpg Primary Codes. Ernest Edmonds, Shaping Space, 2012. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5368_alta.jpg Primary Codes. Edmonds’ Nineteen, 1968-69. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5384_alta.jpg Primary Codes. Ernest Edmonds, Black and white drawing, 1976/77. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5390_alta.jpg Primary Codes. Early works by Frieder Nake. Photograph: Thales Leite. https://www.studiointernational.com/images/articles/p/primarycodes/IMG_5419_alta.jpg Primary Codes. Builder/Eater, 1977 (Remade in 2014). Photograph: Thales Leite. https://www.studiointernational.com/index.php/nicholas-mangan-ancient-lights-review-sun-video https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_01.jpg Nicholas Mangan, Ancient Lights (2015). Installation view, Chisenhale Gallery, 2015. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_02.jpg Nicholas Mangan, Ancient Lights (2015). Installation view (2), Chisenhale Gallery, 2015. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_03.jpg Nicholas Mangan, Ancient Lights (2015). Video still. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_04.jpg Nicholas Mangan, Ancient Lights (2015). Video still (2). Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_05.jpg Nicholas Mangan, Ancient Lights (2015). Installation view (3), Chisenhale Gallery, 2015. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_06.jpg Nicholas Mangan, Ancient Lights (2015). Installation view (4), Chisenhale Gallery, 2015. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_07.jpg Nicholas Mangan, Ancient Lights (2015). Installation view (6), Chisenhale Gallery, 2015. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_08.jpg Nicholas Mangan, Ancient Lights (2015). Installation view (7), Chisenhale Gallery, 2015. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_09.jpg Nicholas Mangan, Ancient Lights (2015). Video still (3). Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_10.jpg Nicholas Mangan, Ancient Lights (2015). Installation view (8), Chisenhale Gallery, 2015. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_11.jpg Nicholas Mangan, Ancient Lights (2015). Installation view (9), Chisenhale Gallery, 2015. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/m/mangan-nicholas-2015/Nicholas-Mangan-at-Chisenhale-Gallery_13.jpg Nicholas Mangan, Ancient Lights (2015). Installation view (10), Chisenhale Gallery, 2015. Co-commissioned by Chisenhale Gallery, London and Artspace, Sydney. Courtesy the artist; Labor Mexico; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland. Photograph: Andy Keate. https://www.studiointernational.com/index.php/hayato-kiyuna-no-aloha-exhibition-review-tokyo https://www.studiointernational.com/images/articles/k/kiyuna-hayato-2015/HAYATO-7.jpg Hayato Kiyuna. No Aloha, 2015. Installation view (1) at the Wish Less gallery, Tokyo. https://www.studiointernational.com/images/articles/k/kiyuna-hayato-2015/HAYATO-1.jpg Hayato Kiyuna. No Aloha, 2015. Installation view (2) at the Wish Less gallery, Tokyo. https://www.studiointernational.com/images/articles/k/kiyuna-hayato-2015/HAYATO-3.jpg Hayato Kiyuna. No Aloha, 2015. Installation view (3) at the Wish Less gallery, Tokyo. https://www.studiointernational.com/images/articles/k/kiyuna-hayato-2015/HAYATO-4.jpg Hayato Kiyuna. No Aloha, 2015. Installation view (4) at the Wish Less gallery, Tokyo. https://www.studiointernational.com/images/articles/k/kiyuna-hayato-2015/HAYATO-5.jpg Hayato Kiyuna. No Aloha, 2015. Installation view (5) at the Wish Less gallery, Tokyo. https://www.studiointernational.com/images/articles/k/kiyuna-hayato-2015/HAYATO-6.jpg Hayato Kiyuna. No Aloha, 2015. Installation view (6) at the Wish Less gallery, Tokyo. https://www.studiointernational.com/index.php/shoes-pleasure-and-pain-review-exhibition-victoria-and-albert-museum-london https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/1_Roger_Vivier_190798_for_Christian_Dior.jpg Roger Vivier (1907–98) for Christian Dior (1905–1957). Evening shoe, beaded silk and leather, France, 1958-60. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/2_One_sandal_gilded_and_incised_leather_and_papyrus_Egypt_c30.jpg One sandal, gilded and incised leather and papyrus, Egypt, c30 BCE-300 CE. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/3_Caroline_Groves_b.jpg Parakeet shoes. Caroline Groves, England, 2014. Photograph: Dan Lowe. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/4_Freed_of_London_founded_in_1929_red_ballet_shoes_made_for_Victoria_Page.jpg Freed of London (founded in 1929). Red ballet shoes made for Victoria Page (Moira Shearer) in The Red Shoes (1948). Silk satin, braid and leather, England, 1948. Photograph reproduced with the kind permission of Northampton Museums and Art Gallery. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/7_Wedding_toe-knob_paduka.jpg Wedding toe-knob paduka, silver and gold over wood, India, 1800s. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/8_Chopines_Punched_kid_leather_c.jpg Chopines, Punched kid leather over carved pine, Venice, Italy, c1600s. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/9_InvisibleNakedVersion_Andreia_Chaves_2011.jpg Andreia Chaves. InvisibleNakedVersion, 2011. Photograph: Andrew Bradley. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/10_Mens_shoes_gilded_and_marbled_leather.jpg Mens’ shoes, gilded and marbled leather, Northamptonshire, England, 1925. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/Clarks_Desert_boots_light_brown_suede_1994.jpg Clarks. Desert boots, light brown suede, 1994. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/HN_Nadja_Fashion_Dolce__Gabbana.jpg Dolce & Gabbana suit, Summer 1995. High & Mighty shoot, American Vogue (model: Nadja Auermann), February 1995. © Estate of Helmut Newton / Maconochie Photography. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/image.jpg NOVA. Zaha Hadid for United Nude. © Image courtesty of United Nude. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/9_Installation_view_of_Shoes_Pleasure_and_Pain_13.jpg Christian Louboutin 'Pigalle' pump. Installation view of Shoes: Pleasure and Pain. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/s/shoes-vanda-2015/6_Installation_view_of_Shoes_Pleasure_and_Pain.jpg Installation view of Shoes: Pleasure and Pain. © Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/lee-miller-and-picasso-review-exhibition-scottish-national-portrait-gallery-edinburgh https://www.studiointernational.com/images/articles/m/miller-lee-picasso-2015/Lee-Miller-and-Picasso.jpg Lee Miller. Pablo Picasso and Lee Miller after the liberation of Paris, Rue de Grand Augustins, Paris, France, 1944. Photograph: Lee Miller. © Lee Miller Archives, England 2015. All rights reserved. ©Succession Picasso/DACS, London 2015. https://www.studiointernational.com/images/articles/m/miller-lee-picasso-2015/pablo-picasso-lee-miller.jpg Pablo Picasso. Lee Miller, 1937. Oil on canvas, 81 x 60 cm. Private collection © Succession Picasso/DACS, London 2015. https://www.studiointernational.com/images/articles/m/miller-lee-picasso-2015/Pablo-Picasso-Homme-et-femme.jpg Pablo Picasso. Homme et femme (Man and Woman), 1967. Drawing (pastel, coloured pencil and wash on paper), 55.60 x 75.20 cm. Scottish National Gallery of Modern Art. © Succession Picasso/DACS, London 2015. https://www.studiointernational.com/images/articles/m/miller-lee-picasso-2015/Picasso-and-Claude-Picasso-Golfe-Juan-France-1949.jpg Lee Miller. Picasso and his son Claude, Golfe Juan, France, 1949. Photograph: Lee Miller. © Lee Miller Archives, England. All rights reserved. ©Succession Picasso/DACS, London 2015. https://www.studiointernational.com/images/articles/m/miller-lee-picasso-2015/Picasso-with-La-Coiffure-1956.jpg Lee Miller. Picasso with La Coiffure, Villa La Californie, France, 1956. Photograph: Lee Miller. © Lee Miller Archives, England 2015. All rights reserved. ©Succession Picasso/DACS, London 2015. https://www.studiointernational.com/index.php/jackson-pollock-blind-spots-review-tate-liverpool https://www.studiointernational.com/images/articles/p/pollock-jackson-2015/jackson_pollock_number_5_1952_1.jpg Jackson Pollock. Number 5, 1952. © The Pollock-Krasner Foundation ARS, NY and DACS, London 2015. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015/jackson_pollock_portrait_and_a_dream_1953.jpg Jackson Pollock. Portrait and a Dream, 1953. © The Pollock-Krasner Foundation ARS, NY and DACS, London 2015. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015/jackson_pollock_yellow_islands_1952_1.jpg Jackson Pollock. Yellow Islands, 1952. © The Pollock-Krasner Foundation ARS, NY and DACS, London 2015. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015/jackson_pollock_number_34_1949.jpg Jackson Pollock, Number 34, 1949. © The Pollock-Krasner Foundation ARS, NY and DACS, London 2015. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015/jackson_pollock_number_7_1952_1.jpg Jackson Pollock. Number 7, 1952. © The Pollock-Krasner Foundation ARS, NY and DACS, London 2015. https://www.studiointernational.com/index.php/alinka-echeverria-interview-mexican-british-artist-photographer-south-searching https://www.studiointernational.com/images/articles/e/echeverria-alinka-2015/M-THEORY-I.jpg Alinka Echeverria. M-Theory I, 2015. Platinum-Palladium Prints, floated on museum board and framed in hardwood stained frames. © Alinka Echeverría, courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/e/echeverria-alinka-2015/M-THEORY-III.jpg Alinka Echeverria. M-Theory III, 2015. Platinum-Palladium Prints, floated on museum board and framed in hardwood stained frames. © Alinka Echeverría, courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/e/echeverria-alinka-2015/M-THEORY-IV.jpg Alinka Echeverria. M-Theory IV, 2015. Platinum-Palladium Prints, floated on museum board and framed in hardwood stained frames. © Alinka Echeverría, courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/e/echeverria-alinka-2015/Alinka-Echeverria-South-Searching-3.jpg Alinka Echeverría: South Searching installation view. © Alinka Echeverría, Courtesy Gazelli Art House. Photograph: Benjamin Westoby. https://www.studiointernational.com/images/articles/e/echeverria-alinka-2015/Alinka-Echeverria-South-Searching-7.jpg Alinka Echeverría: South Searching installation view (2). © Alinka Echeverría, Courtesy Gazelli Art House. Photograph: Benjamin Westoby. https://www.studiointernational.com/index.php/hannah-collins-interview-camden-arts-centre-noah-purifoy https://www.studiointernational.com/images/articles/c/collins-hannah-2015/Mark-Blower-150706-Hannah-Collins-Camden-Arts-Centre-0005.jpg Hannah Collins. Installation view (1), Camden Arts Centre, London. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/c/collins-hannah-2015/Mark-Blower-150706-Hannah-Collins-Camden-Arts-Centre-0012.jpg Hannah Collins. Installation view (2), Camden Arts Centre, London. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/c/collins-hannah-2015/Mark-Blower-150706-Hannah-Collins-Camden-Arts-Centre-0015.jpg Hannah Collins. Installation view (3), Camden Arts Centre, London. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/c/collins-hannah-2015/Mark-Blower-150706-Hannah-Collins-Camden-Arts-Centre-0058.jpg Hannah Collins. Installation view (4), Camden Arts Centre, London. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/c/collins-hannah-2015/Mark-Blower-150706-Hannah-Collins-Camden-Arts-Centre-0060.jpg Hannah Collins. Installation view (5), Camden Arts Centre, London. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/c/collins-hannah-2015/Mark-Blower-150706-Hannah-Collins-Camden-Arts-Centre-0066.jpg Hannah Collins. Installation view (6), Camden Arts Centre, London. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/c/collins-hannah-2015/Mark-Blower-150706-Hannah-Collins-Camden-Arts-Centre-0026.jpg Hannah Collins. Installation view (7), Camden Arts Centre, London. Photograph: Mark Blower. https://www.studiointernational.com/index.php/anthony-caro-in-yorkshire-review-hepworth-wakefield-sculpture-park https://www.studiointernational.com/images/articles/c/caro-2015/POW_150716_0764.jpg Anthony Caro. Double Shot, 1987/93. Installation view of Caro in Yorkshire at Yorkshire Sculpture Park. Photograph: Jonathan Pow. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/POW_150716_0634.jpg Anthony Caro. Forum, 1992-94. Installation view of Caro in Yorkshire at Yorkshire Sculpture Park. Photograph: Jonathan Pow. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/POW_150716_1200.jpg Anthony Caro. Child’s Tower Room, 1983/84. Installation view of Caro in Yorkshire at Yorkshire Sculpture Park. Photograph: Jonathan Pow. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro-Double-Flats-1974-courtesy-Barford-Sculptures-Limited.jpg Anthony Caro. Double Flats, 1974. Photograph: Jonty Wilde. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro-Forum-1992_94-courtesy-Barford-Sculptures-Limited-2.jpg Anthony Caro. Forum, 1992-94. Photograph: Jonty Wilde. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro-Forum-1992_94-courtesy-Barford-Sculptures-Limited.jpg Anthony Caro. Forum, 1992-94. Photograph: Jonty Wilde. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro,-Month-of-May,-1963.jpg Anthony Caro. Month of May, 1963. Photograph: John Riddy. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro,-Autumn-Rhapsody,-2011-12.jpg Anthony Caro. Autumn Rhapsody, 2011/12. Photograph: John Hammond. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro,-Paris-Green,-1966.jpg Anthony Caro. Paris Green, 1966. Photograph: John Riddy. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro,-End-of-Time,-2013.jpg Anthony Caro. End of Time, 2013. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Caro_First-National-1964_Jonty-Wilde.jpg Anthony Caro. First National, 1964. Photograph: Jonty Wilde. Installation view of Caro in Yorkshire at Yorkshire Sculpture Park. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro,-Palanquin,-1987-91-courtesy-Barford-Sculptures-Limited.jpg Anthony Caro. Palanquin, 1987-91. Photograph: Jonty Wilde. Installation view of Caro in Yorkshire at The Hepworth Wakefield. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro_Aurora-(2000-03)_LAG-(3).jpg Anthony Caro. Aurora, 2000-03. Installation view outside Leeds Art Gallery and the Henry Moore Institute. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-2015/Anthony-Caro_Aurora-(2000-03)_LAG.jpg Anthony Caro. Aurora, 2000-03. Installation view outside Leeds Art Gallery and the Henry Moore Institute. Image courtesy of Barford Sculptures Ltd. https://www.studiointernational.com/index.php/royal-scottish-academy-metzstein-architecture-discourse-glenn-murcutt-review https://www.studiointernational.com/images/articles/m/murcutt-glenn-2015/Murcutt-Portrait-at-Mosman.jpg Glenn Murcutt. https://www.studiointernational.com/images/articles/m/murcutt-glenn-2015/DSC_1555.jpg Installation view (1). Glenn Murcutt: Architecture for Place and ISLAND: Eight Houses for the Isle of Harris. Photograph courtesy of The Lighthouse, Scotland’s Centre for Design and Architecture. https://www.studiointernational.com/images/articles/m/murcutt-glenn-2015/DSC_1562.jpg Installation view (2). Glenn Murcutt: Architecture for Place and ISLAND: Eight Houses for the Isle of Harris. Photograph courtesy of The Lighthouse, Scotland’s Centre for Design and Architecture. https://www.studiointernational.com/images/articles/m/murcutt-glenn-2015/DSC_1694.jpg Installation view (3). Glenn Murcutt: Architecture for Place and ISLAND: Eight Houses for the Isle of Harris. Photograph courtesy of The Lighthouse, Scotland’s Centre for Design and Architecture. https://www.studiointernational.com/images/articles/m/murcutt-glenn-2015/DSC_1704.jpg Installation view (4). Glenn Murcutt: Architecture for Place and ISLAND: Eight Houses for the Isle of Harris. Photograph courtesy of The Lighthouse, Scotland’s Centre for Design and Architecture. https://www.studiointernational.com/images/articles/m/murcutt-glenn-2015/DSC_1530.jpg Installation view (5). Glenn Murcutt: Architecture for Place and ISLAND: Eight Houses for the Isle of Harris. Photograph courtesy of The Lighthouse, Scotland’s Centre for Design and Architecture. https://www.studiointernational.com/index.php/yto-barrada-interview-faux-guide-pace-gallery-whole-project-started-with-a-dinosaur https://www.studiointernational.com/images/articles/b/barrada-yto-2015/1.jpg Yto Barrada. Museum Vitrine, collection of fakes and shapes, 2015 various contents, including Faux Guide posters, 112 x 242 x 144cm (variable), unique. Photograph: © Yto Barrada, Courtesy Pace London. https://www.studiointernational.com/images/articles/b/barrada-yto-2015/2.jpg Yto Barrada. Plumber Assemblage, 2015, mixed media, unique. Photograph: © Yto Barrada, Courtesy Pace London. https://www.studiointernational.com/images/articles/b/barrada-yto-2015/3.jpg Yto Barrada. Plumber Assemblage, 2015, mixed media, unique. Photograph: © Yto Barrada, Courtesy Pace London. https://www.studiointernational.com/images/articles/b/barrada-yto-2015/4.jpg Yto Barrada. Plumber Assemblage, 2015, mixed media, unique. Photograph: © Yto Barrada, Courtesy Pace London. https://www.studiointernational.com/images/articles/b/barrada-yto-2015/5.jpg Yto Barrada. Untitled (mobile of Tazoudasaurus Naimi, bone fragments from the Late Early Jurassic Period, Morocco), 2015 plaster, wire, unique. Photograph: © Yto Barrada, Courtesy Pace London. https://www.studiointernational.com/images/articles/b/barrada-yto-2015/Yto-Barrada,-False-Start-Film-Still,-2015.jpg Yto Barrada. Faux départ (False start), 2015. 16mm, and digital video, colour, sound, 22 min 43 sec, edition 2 from an edition of 2 + 1 AP. Camera: Javier Ruiz Gomez; Production: Simo Mohamed; Sound Engineer: Ruy Garcia; Editor: Kate Abernathy; © Yto Barrada 2015. Commissioned by The Abraaj Group Art Prize 2015. https://www.studiointernational.com/images/articles/b/barrada-yto-2015/Yto-Barrada,-Faux-Guide,-Pace-Gallery-London,-2015,-Installation-shot-1-.jpg Yto Barrada. Faux Guide at Pace Gallery London. Installation view (1). Photograph: © Yto Barrada, Courtesy Pace London. https://www.studiointernational.com/images/articles/b/barrada-yto-2015/Yto-Barrada,-Faux-Guide,-Pace-Gallery-London,-2015,-Installation-shot-2.jpg Yto Barrada. Faux Guide at Pace Gallery London. Installation view (2). Photograph: © Yto Barrada, Courtesy Pace London. https://www.studiointernational.com/images/articles/b/barrada-yto-2015/Yto-Barrada,-Faux-Guide,-Pace-Gallery-London,-2015,-Installation-shot-3.jpg Yto Barrada. Faux Guide at Pace Gallery London. Installation view (3). Photograph: © Yto Barrada, Courtesy Pace London. https://www.studiointernational.com/images/articles/b/barrada-yto-2015/YTO-BARRADA-PORTRAIT.jpg Yto Barrada. Photograph: © Yto Barrada, Courtesy Pace London. https://www.studiointernational.com/index.php/the-amazing-world-of-mc-escher-review-scottish-national-gallery-modern-art https://www.studiointernational.com/images/articles/e/escher-2015/Waterfall-1961.jpg MC Escher. Waterfall, 1961. Lithograph, 38 x 30 cm. Collection Gemeentemuseum Den Haag, The Hague, The Netherlands. © 2015 The MC Escher Company – Baarn, The Netherlands. All rights reserved. www.mcescher.com https://www.studiointernational.com/images/articles/e/escher-2015/Still-Life-With-Spherical-Mirror-1934.jpg MC Escher. Still Life With Spherical Mirror, 1934. Lithograph, 28.6 x 32.6 cm. Collection Gemeentemuseum Den Haag, The Hague, The Netherlands. © 2015 The MC Escher Company – Baarn, The Netherlands. All rights reserved. www.mcescher.com https://www.studiointernational.com/images/articles/e/escher-2015/Three-Spheres-II-1946.jpg MC Escher. Three Spheres II, 1946. Lithograph, 26.9 x 46.3 cm. Collection Gemeentemuseum Den Haag, The Hague, The Netherlands. © 2015 The MC Escher Company – Baarn, The Netherlands. All rights reserved. www.mcescher.com https://www.studiointernational.com/images/articles/e/escher-2015/Circle-Limit-III-1959.jpg MC Escher. Circle Limit III, 1959. Woodcut, diameter 41.5 cm. Collection Gemeentemuseum Den Haag, The Hague, The Netherlands. © 2015 The MC Escher Company – Baarn, The Netherlands. All rights reserved. www.mcescher.com https://www.studiointernational.com/images/articles/e/escher-2015/Belvedere-1958.jpg MC Escher. Belvedere, 1958. Lithograph, 58.9 x 41.2 cm. Collection Gemeentemuseum Den Haag, The Hague, The Netherlands. © 2015 The MC Escher Company – Baarn, The Netherlands. All rights reserved. www.mcescher.com https://www.studiointernational.com/images/articles/e/escher-2015/Hand-with-a-Reflecting-Sphere.jpg MC Escher. Hand with a Reflecting Sphere, 1935. Lithograph, 31.8 x 21.34 cm. Collection Gemeentemuseum Den Haag, The Hague, The Netherlands. © 2015 The MC Escher Company – Baarn, The Netherlands. All rights reserved. www.mcescher.com https://www.studiointernational.com/index.php/raed-yassin-kissing-amnesia-review-leighton-house-museum-london https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-01_RaedYassin.jpg Raed Yassin. Another Birthday (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 80 x 100 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-02_RaedYassin.jpg Raed Yassin. By The Sea (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 60 x 90 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-03_RaedYassin.jpg Raed Yassin. Christmas Eve (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 70 x 90 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-05_RaedYassin.jpg Raed Yassin. Dad Smoking (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 100 x 80 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-06_RaedYassin.jpg Raed Yassin. Dancing (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 85 x 85 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-07_RaedYassin.jpg Raed Yassin. Family Portrait With Peacock (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 90 x 110 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-08_RaedYassin.jpg Raed Yassin. Gentleman Raed (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 80 x 60 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-09_RaedYassin.jpg Raed Yassin. In Baalbek (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 110 x 85 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-10a_RaedYassin.jpg Raed Yassin. Kissing (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 70 x 100 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-10b_RaedYassin.jpg Raed Yassin. Kissing 2 (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 70 x 100 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-11_RaedYassin.jpg Raed Yassin. Mama Mira And The Doll (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 105 x 95 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-12_RaedYassin.jpg Raed Yassin. Mama With Balloons (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 100 x 100 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries , Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-13_RaedYassin.jpg Raed Yassin. Naked With Doll And Teddy Bear (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 80 x 80 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-14_RaedYassin.jpg Raed Yassin. Paper Bag Mask (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 90 x 110 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-15_RaedYassin.jpg Raed Yassin. Raed Smoking (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 90 x 70 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-17_RaedYassin.jpg Raed Yassin. Reading Letters From Saudi Arabia (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 85 x 105 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/RYDSK14A-19_RaedYassin.jpg Raed Yassin. The Flying Kid (Dancing Smoking Kissing Series), 2013. Silk thread embroidery on embroidered silk cloth, 85 x 75 cm. Kalfayan Galleries. Photograph courtesy of Kalfayan Galleries, Athens, Thessaloniki. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/LHM Kissing Amnesia Raed Yassin-20.jpg Raed Yassin. Kissing Amnesia © Kevin Moran. https://www.studiointernational.com/images/articles/y/yassin-raed-2015/LHM-Kissing-Amnesia-Raed-Yassin-68.jpg Raed Yassin. Kissing Amnesia © Kevin Moran. https://www.studiointernational.com/index.php/eloise-hawser-interview-video-lives-on-wire-ica-london-cinema-organ https://www.studiointernational.com/images/articles/h/hawser-eloise-2015/hawser-image.jpg Eloise Hawser talking to Studio International at the ICA, London, 14 July 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/toni-scott-video-interview-dna-bloodlines-and-the-family-of-mankind-dame-jillian-sackler-international-artists-exhibition-program-beijing https://www.studiointernational.com/images/articles/s/scott-toni-2015/toni-scott-working-on-slave-ship.jpg Toni Scott working on Slave Ship (Remembering the Forgotten), part of DNA – Bloodlines and the Family of Mankind, Arthur M Sackler Museum of Art and Archaeology at Peking University, 6 July 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/scott-toni-2015/toni-scott-symbolic-great-house-2015-photo-martin-kennedy.jpg Toni Scott, Symbolic Great House (A Tribute to All Native American Nations), part of DNA – Bloodlines and the Family of Mankind, Arthur M Sackler Museum of Art and Archaeology at Peking University, 6 July 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/scott-toni-2015/toni-scott-dna-bloodlines-installation-detail.jpg Toni Scott. DNA – Bloodlines and the Family of Mankind (detail), Arthur M Sackler Museum of Art and Archaeology at Peking University, 6 July 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/scott-toni-2015/toni-scott-portrait-beijing-2015-photo-martin-kennedy.jpg Toni Scott talking to Studio International at the opening of DNA – Bloodlines and the Family of Mankind, Arthur M Sackler Museum of Art and Archaeology at Peking University, 6 July 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/scott-toni-2015/toni-scott-working.jpg Toni Scott working on Slave Ship (Remembering the Forgotten), part of DNA – Bloodlines and the Family of Mankind, Arthur M Sackler Museum of Art and Archaeology at Peking University, 6 July 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/scott-toni-2015/toni-scott-dna-bloodlines-installation-detail-2.jpg Toni Scott. DNA – Bloodlines and the Family of Mankind (detail), Arthur M Sackler Museum of Art and Archaeology at Peking University, 6 July 2015. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/art-in-dialogue-duccio-anthony-caro-review-national-gallery-london https://www.studiointernational.com/images/articles/c/caro-duccio-2015/Anthony-Caro,-Duccio,-National-Gallery.jpg Sir Anthony Caro looking at Duccio’s Annunciation at the National Gallery in 2000. © Courtesy the Caro family. https://www.studiointernational.com/images/articles/c/caro-duccio-2015/N-1139-00-000048-pp.jpg Duccio. The Annunciation, 1307/8-11. Egg tempera on wood, 44.5 x 45.8 cm. The National Gallery, London. © The National Gallery, London. https://www.studiointernational.com/images/articles/c/caro-duccio-2015/L-1180-00-000001-pr.jpg Sir Anthony Caro. Duccio Variations No. 3, 1999–2000. Walnut. H180 x W162 x D120 cm. On loan with permission from the Caro family. © Barford Sculptures Ltd. https://www.studiointernational.com/images/articles/c/caro-duccio-2015/L-1180-00-000002-pr.jpg Sir Anthony Caro. Duccio Variations No. 3, 1999–2000. Walnut. H180 x W162 x D120 cm. On loan with permission from the Caro family. © Barford Sculptures Ltd. https://www.studiointernational.com/index.php/yoshihito-mizuuchi-interview-mrs-triangle-open-gate https://www.studiointernational.com/images/articles/y/yoshihito-2015/zwei-danke-kassenbon(1).jpg Yoshihito Mizuuchi. Zwei Danke Kassenbon, 2012 (installation view 1). 500 garbage bags, blower, dimensions 30 cubic metres approx. https://www.studiointernational.com/images/articles/y/yoshihito-2015/zwei-danke-kassenbon(2).jpg Yoshihito Mizuuchi. Zwei Danke Kassenbon, 2012 (installation view 2). 500 garbage bags, blower, dimensions 30 cubic metres approx. https://www.studiointernational.com/images/articles/y/yoshihito-2015/zwei-danke-kassenbon(3).jpg Yoshihito Mizuuchi. Zwei Danke Kassenbon, 2012 (installation view 3). 500 garbage bags, blower, dimensions 30 cubic metres approx. https://www.studiointernational.com/images/articles/y/yoshihito-2015/zwei-danke-kassenbon(6).jpg Yoshihito Mizuuchi. Zwei Danke Kassenbon, 2012 (installation view 4). 500 garbage bags, blower, dimensions 30 cubic metres approx. https://www.studiointernational.com/images/articles/y/yoshihito-2015/zwei-danke-kassenbon(8).jpg Yoshihito Mizuuchi. Zwei Danke Kassenbon, 2012 (installation view 5). 500 garbage bags, blower, dimensions 30 cubic metres approx. https://www.studiointernational.com/images/articles/y/yoshihito-2015/before-after(1).jpg Yoshihito Mizuuchi. Before after, 2011. Headphones, tv, dvd, tissue, 100 x 100 x 100 cm. https://www.studiointernational.com/images/articles/y/yoshihito-2015/before-after-(2).jpg Yoshihito Mizuuchi. Before after, 2011. Headphones, tv, dvd, tissue, 100 x 100 x 100 cm. https://www.studiointernational.com/images/articles/y/yoshihito-2015/before-after-(3).jpg Yoshihito Mizuuchi. Before after, 2011. Headphones, tv, dvd, tissue, 100 x 100 x 100 cm. https://www.studiointernational.com/images/articles/y/yoshihito-2015/leeks-race(1).jpg Yoshihito Mizuuchi. Leeks race, 2012. Leeks, toy car, thread, 100 x 100 cm. https://www.studiointernational.com/images/articles/y/yoshihito-2015/leeks-race-(3).jpg Yoshihito Mizuuchi. Leeks race, 2012. Leeks, toy car, thread, 100 x 100 cm. https://www.studiointernational.com/images/articles/y/yoshihito-2015/oils-of-croquette(1).jpg Yoshihito Mizuuchi. Oils of croquette, 2007. Oils of croquette, paper, 200 x 100 cm. https://www.studiointernational.com/images/articles/y/yoshihito-2015/oils-of-croquette(2).jpg Yoshihito Mizuuchi. Oils of croquette, 2007. Oils of croquette, paper, 200 x 100 cm. https://www.studiointernational.com/images/articles/y/yoshihito-2015/oils-of-croquette(3).jpg Yoshihito Mizuuchi. Oils of croquette, 2007. Oils of croquette, paper, 200 x 100 cm. https://www.studiointernational.com/index.php/the-boys-girls-and-political-review-lisson-gallery-london-jesper-list-thomsen https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/CAME150001_1.jpg Elaine Cameron-Weir. Found that the effect of manures, drugs, and poisons could be determined within minutes, providing plant control with a new precision. He repeated his tests on metals, administering poisons to tin, zinc, platinum, and obtained astonishing response which, when plotted on a graph, appeared precisely like those of poisoned, 2015. Brass, alabaster. Stone dimensions 31.8 x 31.8 x 27.9 cm, overall height 231.1 cm, others variable. © the artist; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/CAME150004_2.jpg Elaine Cameron-Weir. A terrestrial sediment melted by hypervelocity impacts from outserspace, most fell on Bohemia, molten, forming strange shapes and solidifying bottle green like the eyes of a gorgon, 2014. Stainless steel, sterling silver, laboratory clamps, carved molodovite. © the artist; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/CAME150004_4.jpg Elaine Cameron-Weir. A terrestrial sediment melted by hypervelocity impacts from outserspace, most fell on Bohemia, molten, forming strange shapes and solidifying bottle green like the eyes of a gorgon, 2014 (detail). Stainless steel, sterling silver, laboratory clamps, carved molodovite. © the artist; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/LIST150006.jpg Jesper List Thomsen. The boys the girls the political_CFORCONTEMPORARYCRAVINGS, 2015. Wooden stretcher, clear PVC, all surface primer, permanent marker, electrical tape, traces of oil paint, acrylic, emulsion, 101.6 x 152.4 cm. © the artist; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/LOGH150008_2.jpg George Henry Longly. Trophic Cascade, 2015. Water jet cut marble, steel, aluminium, rubber; Shot blasted steel; mirror polished alumiunium tube; sardine tins; Regain, crushed whipped cream charger; steel chain; bright steel frame fixing, 160 x 110 x 10 cm. © the artist; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/SCHB150004.jpg Ben Schumacher. Decline of the night club, 2015. Oil and inkjet on canvas, 111.8 x 144.8 cm. © the artist; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/THEO150001_1.jpg Alice Theobold. And The Wanderers Wandering at the Wonders of Themselves, 2015. 3 x channel HD 16:9 video on 3 screens. Scene One: 10 min 11 sec; Scene Two: 10 min 12 sec; Scene Three: 10 min 44 sec. Ed. 1 of 3+2ap. © the artist; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/INSTA_1.jpg The boys the girls the political, Installation view (1), Lisson Gallery, London. Courtesy Lisson Gallery. Photograph: Jack Hems. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/INSTA_11.jpg The boys the girls the political, Installation view (2), Lisson Gallery, London. Courtesy Lisson Gallery. Photograph: Jack Hems. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/INSTA_23.jpg The boys the girls the political, Installation view (3), Lisson Gallery, London. Courtesy Lisson Gallery. Photograph: Jack Hems. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/INSTA_24.jpg The boys the girls the political, Installation view (4), Lisson Gallery, London. Courtesy Lisson Gallery. Photograph: Jack Hems. https://www.studiointernational.com/images/articles/t/the-boys-the-girls-2015/INSTA_8.jpg The boys the girls the political, Installation view (5), Lisson Gallery, London. Courtesy Lisson Gallery. Photograph: Jack Hems. https://www.studiointernational.com/index.php/lee-ufan-solo-exhibition-review-pace-gallery-new-york https://www.studiointernational.com/images/articles/u/ufan-lee-2-2015/LEE_UFAN_inst_2015_v01.jpg Lee Ufan. Foreground: Relatum – the cane of titan, 2015. Steel and stone, 34 x 36 x 36 in (86.4 x 91.4 x 91.4 cm), stone 9' 10 1/8 https://www.studiointernational.com/images/articles/u/ufan-lee-2-2015/LEE_UFAN_inst_2015_v03.jpg Lee Ufan. Foreground: Relatum – the cane of titan, 2015. Installation view. https://www.studiointernational.com/images/articles/u/ufan-lee-2-2015/LEE_UFAN_inst_2015_v04.jpg Lee Ufan. Centre: Relatum – dialogue, 2015. Steel and stones, 23 x 25 x 23 in (58.4 x 63.5 x 58.4 cm), stone 19 x 26 x 23 in (48.3 x 66 x 58.4 cm), stone 8' 2 7/16 x 5' 10 7/8 x 13/16 in (250 cm x 180 cm x 2 cm), two steel plates, each. https://www.studiointernational.com/images/articles/u/ufan-lee-2-2015/LEE_UFAN_inst_2015_v06.jpg Lee Ufan. Installation view (3), Pace, New York. https://www.studiointernational.com/images/articles/u/ufan-lee-2-2015/LEE_UFAN_inst_2015_v08.jpg Lee Ufan. Installation view (4), Pace, New York. https://www.studiointernational.com/images/articles/u/ufan-lee-2-2015/LEE_UFAN_inst_2015_v09.jpg Lee Ufan. Installation view (5), Pace, New York. https://www.studiointernational.com/index.php/charles-gaines-interview-i-am-dealing-in-the-area-of-how-meaning-is-formed https://www.studiointernational.com/images/articles/g/gaines-charles-2015/1975-2012_WalnutTreeOrchardSet2_hires.jpg Charles Gaines. Walnut Tree Orchard, Set 2, 1975-2012. Mechanical pen on paper, photo. Triptych, 29 x 23 in each. Image courtesy of the Artist and Susanne Vielmetter Los Angeles Projects. https://www.studiointernational.com/images/articles/g/gaines-charles-2015/1975-2012_WalnutTreeOrchardSet3_hires.jpg Charles Gaines. Walnut Tree Orchard, Set 3, 1975-2012. Mechanical pen on paper, photo. Triptych, 29 x 23 in each. Image courtesy of the Artist and Susanne Vielmetter Los Angeles Projects. https://www.studiointernational.com/images/articles/g/gaines-charles-2015/1975-2012_WalnutTreeOrchardSet4_hires.jpg Charles Gaines. Walnut Tree Orchard, Set 4, 1975-2012. Mechanical pen on paper, photo. Triptych, 29 x 23 in each. Image courtesy of the Artist and Susanne Vielmetter Los Angeles Projects. https://www.studiointernational.com/images/articles/g/gaines-charles-2015/2013_Manifestos2.jpg Charles Gaines. Manifestos 2, installation view, 2013. Paula Cooper Gallery, September 2013. Image courtesy of the Artist and Paula Cooper Gallery. https://www.studiointernational.com/images/articles/g/gaines-charles-2015/2013_Manifestos2_Indocumentalismo.jpg Charles Gaines. Manifestos 2: Indocumentalismo, (2010), 2013. Graphite on Rising Barrier paper, 89.75 x 48 in. Image courtesy of the Artist and Paula Cooper Gallery. https://www.studiointernational.com/images/articles/g/gaines-charles-2015/2013_Manifestos2_MalcolmXSpeechatFordAuditorium-detail.jpg Charles Gaines. Manifestos 2: Indocumentalismo, (2010), 2013 (detail). Graphite on Rising Barrier paper, 89.75 x 48 in. Image courtesy of the Artist and Paula Cooper Gallery. https://www.studiointernational.com/images/articles/g/gaines-charles-2015/2013_Manifestos2_MalcolmXSpeechatFordAuditorium.jpg Charles Gaines. Manifestos 2: Malcolm X Speech at Ford Auditorium, (1965) 2013. Graphite on Rising Barrier paper, 73.50 x 48 in. Image courtesy of the Artist and Paula Cooper Gallery. https://www.studiointernational.com/images/articles/g/gaines-charles-2015/2013_NotesonSocialJustice_DeysAllPutOnDeBlue.jpg Charles Gaines. Notes on Social Justice: Dey’s All Put on De Blue, (1880) 2013. Ink on Strathmore Bristol, Four Drawings, 29 x 23 in. each. Image courtesy on the Artist and Susanne Vielmetter Los Angeles Projects. https://www.studiointernational.com/images/articles/g/gaines-charles-2015/2013_NotesonSocialJustice_HurrahForGroverCleveland.jpg Charles Gaines. Notes on Social Justice: Hurrah For Grover Cleveland, 2013. Ink on Stonehenge paper, 76.25 x 46.25 in. Image courtesy on the Artist and Susanne Vielmetter Los Angeles Projects. https://www.studiointernational.com/images/articles/g/gaines-charles-2015/2013_NotesonSocialJustice_WaitTillNextNovember.jpg Charles Gaines. Notes on Social Justice: Wait Till Next November, (1892) 2013. Ink on Stonehenge paper, 75 x 40 in. Image courtesy of the Artist and Paula Cooper Gallery. https://www.studiointernational.com/index.php/echigo-tsumari-art-triennale-2015-review-japan https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/pan-view-of-Kiss-Goodbye.jpg Jimmy Liao. Kiss & Goodbye, 2015 (exterior view). Mixed media. https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Inside-of-Kiss-Goodbye.jpg Jimmy Liao. Kiss & Goodbye, 2015 (interior view). Mixed media https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Gogasho.jpg Fiona Wong. Gogasha, 2015 (exterior view). https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Inside-of-Gogasho.jpg Fiona Wong. Gogasha, 2015 (interior view). Porcelain plaque, plaster. https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Porcelain-plaque-fixed-to-Gogasho.jpg Fiona Wong. Porcelain plaque fixed in the window of Gogasha, 2015. Photograph: Lai Ching. https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Seizo-Tajima-photo-Gentaro-Ishizuka.jpg Seizo Tashima. Museum of Picture Book Art. Coloured driftwood. Photograph: Gentaro Ishizuka. https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Seizo-Tajima.jpg Seizo Tashima. Museum of Picture Book Art. Coloured driftwood. Photograph: Gentaro Ishizuka. https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Anette-Messager-photo-Gentaro-Ishizuka.jpg Annette Messager. Les spectres de la maison Tsunné, 2015. Soft sculpture. Photograph: Gentaro Ishizuka. https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Doctors-House-photo-Gentaro-Ishizuka.jpg Lee Bul. Doctor’s House, 2015 (exterior view). Photograph: Gentaro Ishizuka. https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Inside-Doctors-House-photo-Gentaro-Ishizuka.jpg Lee Bul. Doctor’s House, 2015 (interior view). Photograph: Gentaro Ishizuka. https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Lee-Bul-Doctors-House-1.jpg Lee Bul. Doctor’s House, 2015 (detail). Mirror, doctor’s syringes, medical appliances. Photograph: Gentaro Ishizuka. https://www.studiointernational.com/images/articles/e/echigo-triennale-2015/Lee-Bul-Doctors-House.jpg Lee Bul. Doctor’s House, 2015 (detail). Mirror, doctor’s syringes, medical appliances. Photograph: Gentaro Ishizuka. https://www.studiointernational.com/index.php/hehe-helen-evans-heiko-hansen-interview-bruges-triennial https://www.studiointernational.com/images/articles/h/hehe-2015/TE_02.jpg HeHe. Toy Emissions (My friends all drive Porsches), 2007. Video. https://www.studiointernational.com/images/articles/h/hehe-2015/DWH_MG_3816.jpg HeHe. Is there a Horizon in the Deepwater, 2011. Performance installation commissioned by Invisible Dust. https://www.studiointernational.com/images/articles/h/hehe-2015/flyrony_MG_0704.jpg HeHe. Flyrony, 2009. Installation. https://www.studiointernational.com/images/articles/h/hehe-2015/Fleur-de-Lys-01-2009-photo-credit-Laurence-Godard.jpg HeHe. Fleur de Lys, 2009. Photograph: Laurence Godard. https://www.studiointernational.com/images/articles/h/hehe-2015/Lorry-landscape.jpg HeHe. Roduin (Red Dune), 2012. Commissioned by SKOR for the Port of Rotterdam. https://www.studiointernational.com/images/articles/h/hehe-2015/TapisVolant01.jpg HeHe. Tapis Volant, 2005. Performance in Istanbul. https://www.studiointernational.com/images/articles/h/hehe-2015/IMG_5682.jpg HeHe. Metronome, 2012. A transportation service for the Petite Ceinture in Paris. https://www.studiointernational.com/images/articles/h/hehe-2015/L_002169.jpg HeHe. Fleur de Lys, 2009. Photograph courtesy Aeroplastics Gallery, Brussels. https://www.studiointernational.com/images/articles/h/hehe-2015/NV_helsinki66.jpg HeHe. Nuage Vert (Green Cloud), Helsinki, 2008. https://www.studiointernational.com/images/articles/h/hehe-2015/NV_stouen_66.jpg HeHe. Nuage Vert (Green Cloud), Saint Ouen, Seine-Saint-Denis, France, 2009. https://www.studiointernational.com/images/articles/h/hehe-2015/triennale_6381.jpg HeHe. Undercurrent, with the artist couple in the foreground. © Piet Goethals. https://www.studiointernational.com/index.php/memu-meadows-experiment-in-environmentally-friendly-housing-japan-kengo-kuma-architect https://www.studiointernational.com/images/articles/m/memu-2015/Barn-House.jpg Barn House, 2012. Designed by students of Professor Darko Radović laboratory, Keio University, Tokyo. https://www.studiointernational.com/images/articles/m/memu-2015/Horizon-House-view-from-the-loft-level.jpg Horizon House, 2013. View from the loft level. Designed by students of Professor Mark Mulligan laboratory, Harvard University. https://www.studiointernational.com/images/articles/m/memu-2015/Horizon-House_photo-by-Erieta-Attali.jpg “Horizon House”, 2013. Interior view. Designed by students of Professor Mark Mulligan laboratory, Harvard University. Photograph: Erieta Attali. https://www.studiointernational.com/images/articles/m/memu-2015/Memu-and-Barn-House_photo-by-Erieta-Attali.jpg Memu and Barn House. Photograph: Erieta Attali. https://www.studiointernational.com/images/articles/m/memu-2015/Memu-lit-from-the-wall.jpg Memu (interior view), 2011. Designed by Kengo Kuma and Associates. https://www.studiointernational.com/images/articles/m/memu-2015/Memu_around-hearth.jpg Memu (interior view 2), 2011. Designed by Kengo Kuma and Associates. https://www.studiointernational.com/images/articles/m/memu-2015/Memu_inside-of-wall.jpg Memu (detail - pipe running through the two membrane walls), 2011. Designed by Kengo Kuma and Associates. https://www.studiointernational.com/images/articles/m/memu-2015/Memu_living-room.jpg Memu (interior view 3), 2011. Designed by Kengo Kuma and Associates. https://www.studiointernational.com/images/articles/m/memu-2015/Pan-view-of-Memu.jpg Memu, 2011. Designed by Kengo Kuma and Associates. https://www.studiointernational.com/images/articles/m/memu-2015/outerview-of-conference-center-using-original-barn.jpg Conference centre (originally a barn). https://www.studiointernational.com/images/articles/m/memu-2015/inside-of-conference-center-converted-into-dormitory.jpg Conference centre (originally a barn). Interior view. https://www.studiointernational.com/index.php/nathan-coley-interview-bruges-triennial-im-the-travelling-storyteller https://www.studiointernational.com/images/articles/c/coley-nathan-2015/Nathan-Coley-(portrait)-2.jpg Nathan Coley (portrait) © studio Nathan Coley. https://www.studiointernational.com/images/articles/c/coley-nathan-2015/A-Place-Beyond-Belief-(Freiburg)-2013.jpg Nathan Coley. A Place Beyond Belief (Freiburg), 2013. https://www.studiointernational.com/images/articles/c/coley-nathan-2015/Nathan-Coley,-A-Place-Beyond-Belief,-2012.jpg Nathan Coley. A Place Beyond Belief, 2012. Illuminated text on scaffolding, 6 × 6 × 3 m. Installation, National Gallery of Kosovo, Pristina. https://www.studiointernational.com/images/articles/c/coley-nathan-2015/Nathan-Coley,-Palace,-Bruges-Triennial-2015.jpg Nathan Coley. Palace, Bruges Triennial 2015 © Piet Goethals. https://www.studiointernational.com/images/articles/c/coley-nathan-2015/Nathan-Coley-A-place-beyond-Belief-Burg.jpg Nathan Coley. A place beyond Belief, Burg © Peter De Bruyne. https://www.studiointernational.com/images/articles/c/coley-nathan-2015/Nathan-Coley-The-Lamp-of-Sacrifice-286-Places-of-Worship,-Edinburgh-2004.jpg Nathan Coley. The Lamp of Sacrifice, 286 Places of Worship, Edinburgh, 2004. https://www.studiointernational.com/images/articles/c/coley-nathan-2015/Nathan-Coley-_-Palace-.jpg Nathan Coley. Palace © Peter de Bruyne. https://www.studiointernational.com/index.php/larry-bell-interview-2d-3d-vd-glass-vapor-white-cube-london https://www.studiointernational.com/images/articles/b/bell-larry-2015/Larry-Bell-Gone-but-not-Forgotten-1969.jpg Larry Bell. Gone but not Forgotten, 1969. Glass shelves coated with inconel, four shelves, each: 110 x 2 x 3/8 in (279.4 x 5.1 x 0.6 cm). © Larry Bell. Courtesy White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/b/bell-larry-2015/Larry-Bell-NVD23-2004.jpg Larry Bell. NVD#23, 2004. Black Arches Paper coated with aluminium and silicon monoxide, 57 x 41 in (144.8 x 104.1 cm) (unframed), © Larry Bell. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/b/bell-larry-2015/Larry-Bell-NVD26-2004.jpg Larry Bell. NVD#26, 2004. Black Arches Paper coated with aluminium and silicon monoxide, 57 x 41 in (144.8 x 104.1 cm). © Larry Bell. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/b/bell-larry-2015/Larry-Bell-NVD28-2004.jpg Larry Bell. NVD#28, 2004. Black Arches Paper coated with aluminium and silicon monoxide, 57 x 41 in (144.8 x 104.1 cm). © Larry Bell. Photograph © White Cube (George Darrell). https://www.studiointernational.com/index.php/facing-history-contemporary-portraiture-victoria-and-albert-museum https://www.studiointernational.com/images/articles/f/facing-history-2015/Woman_Reading_a_Possession_Order_Persons_Unknown_Tom_Hunter_1997.jpg Tom Hunter. Woman Reading a Possession Order; Persons Unknown, 1997. © Tom Hunter and Purdy Hicks Gallery, London. https://www.studiointernational.com/images/articles/f/facing-history-2015/Untitled_Stella_from_The_Library_of_Human_Hard_Copy_Jeremy_Gardiner_1984.jpg Jeremy Gardiner. Untitled (Stella) from The Library of Human Hard Copy, 1984. © Jeremy Gardiner. https://www.studiointernational.com/images/articles/f/facing-history-2015/Portrait_of_Something_that_Ill_Never_Really_See_Gavin_Turk_1997.jpg Gavin Turk. Portrait of Something that I'll Never Really See, 1997. © Gavin Turk, Anthony Oliver. https://www.studiointernational.com/images/articles/f/facing-history-2015/Man_with_Eyes_Closed_Walter.jpg Brian D. Cohen. Man with Eyes Closed (Walter White), 2014. © Brian D Cohen. https://www.studiointernational.com/images/articles/f/facing-history-2015/Made_up_Love_Song_Part_2_.jpg Made up Love Song, Part 2. Photograph by Bettina Von Zwehl from the series Made up Love Song. https://www.studiointernational.com/images/articles/f/facing-history-2015/Luc_and_Ludivine_get_married_No.jpg Julian Opie. Luc and Ludivine get married, No. 7, 2007. © Julian Opie and Alan Cristea Gallery. https://www.studiointernational.com/images/articles/f/facing-history-2015/ID-Intensively_Displaced_Bath_Cecilia_Mandrile_2002-04.jpg Cecilia Mandrile. ID-Intensively Displaced (Bath), 2002-04. © Cecilia Mandrile. https://www.studiointernational.com/images/articles/f/facing-history-2015/Grayson_Perry_Mr__Mrs_Perry_2005.jpg Grayson Perry. Mr & Mrs Perry, 2005. Courtesy the Artist, Victoria & Albert Museum and Victoria Miro, London. © Grayson Perry. https://www.studiointernational.com/images/articles/f/facing-history-2015/Grayson_Perry_Mr__Mrs_Perry_2005-2.jpg Grayson Perry. Mr & Mrs Perry, 2005. Courtesy the Artist, Victoria & Albert Museum and Victoria Miro, London. © Grayson Perry. https://www.studiointernational.com/images/articles/f/facing-history-2015/Forty_Fridas_Shannon_as_Frida.jpg Ellen Heck. Forty Fridas; Shannon as Frida. © Ellen Heck. https://www.studiointernational.com/images/articles/f/facing-history-2015/Forty_Fridas_Tomoko_as_Frida.jpg Ellen Heck. Forty Fridas; Tomoko as Frida. © Ellen Heck. https://www.studiointernational.com/images/articles/f/facing-history-2015/Elsy_Portraits_Patients_and_Psychiatrists_Gemma_Anderson_2010.jpg Gemma Anderson. Elsy, Portraits, Patients and Psychiatrists, 2010. © Gemma Anderson. https://www.studiointernational.com/index.php/oswaldo-vigas-q-a-antologica-1943-2013 https://www.studiointernational.com/images/articles/v/vigas-oswaldo-2015/Aparecido-azul-1976.jpg Oswaldo Vigas. Aparecido Azul, 1976. Oil on canvas, 150 x 120 cm (59 x 47.2 in). https://www.studiointernational.com/images/articles/v/vigas-oswaldo-2015/Composicion-IV-1943.jpg Oswaldo Vigas. Composición IV, 1943. Oil on cardboard, 32 x 32 cm (12.6 x 12.6 in). https://www.studiointernational.com/images/articles/v/vigas-oswaldo-2015/Duende-Rojo-1979.jpg Oswaldo Vigas. Duende Rojo, 1979. Gouache on cardboard glued on wood, 75.5 x 56.2 cm (29.7 x 22.1 in). https://www.studiointernational.com/images/articles/v/vigas-oswaldo-2015/Festejantes-XVIII-2010.jpg Oswaldo Vigas. Festejantes XVIII, 2010, Oil on canvas, 100 x 80 cm (39 x 31.2 in). https://www.studiointernational.com/images/articles/v/vigas-oswaldo-2015/Gesticulante-1976.jpg Oswaldo Vigas. Gesticulante, 1976. Oil on canvas, 150 x 120 cm (58.9 x 47.2 in). https://www.studiointernational.com/images/articles/v/vigas-oswaldo-2015/Gran-Bruja-1952.jpg Oswaldo Vigas. La Gran Bruja, 1951. Oil on canvas, 100 x 70 cm (39 x 27.5 in). https://www.studiointernational.com/index.php/thomas-ruff-nature-morte-reiew-gagosian-gallery-london-photography-negatives https://www.studiointernational.com/images/articles/r/ruff-thomas-2015/Thomas-Ruff_-negxstil_02.jpg Thomas Ruff. neg◊stil_02, 2015 C-Print, 9 3/16 x 10 13/16 in (23.4 x 27.4 cm). Edition 1 of 8. © Thomas Ruff. Image courtesy of the artist and Gagosian Gallery. https://www.studiointernational.com/images/articles/r/ruff-thomas-2015/Thomas-Ruff_negstil_04.jpg Thomas Ruff. neg◊stil_04, 2015. C-Print, 11 3/16 x 8 13/16 in (28.4 x 22.4 cm). Edition 1 of 8. © Thomas Ruff. Image courtesy of the artist and Gagosian Gallery. https://www.studiointernational.com/images/articles/r/ruff-thomas-2015/Thomas-Ruff_negxstil_06.jpg Thomas Ruff. neg◊stil_06, 2015. C-Print, 11 9/16 x 8 13/16 in (29.4 x 22.4 cm). Edition 1 of 8. © Thomas Ruff. Image courtesy of the artist and Gagosian Gallery. https://www.studiointernational.com/images/articles/r/ruff-thomas-2015/Thomas-Ruff_negxstil_07.jpg Thomas Ruff. neg◊stil_07, 2015. C-Print, 11 9/16 x 8 13/16 in (29.4 x 22.4 cm). Edition 1 of 8. © Thomas Ruff. Image courtesy of the artist and Gagosian Gallery. https://www.studiointernational.com/index.php/my-dear-bb-letters-bernard-berenson-kenneth-clark-1925-1959-book-review https://www.studiointernational.com/images/articles/b/bb-book-2015/BB-book-cover.jpg My Dear BB … The Letters of Bernard Berenson and Kenneth Clark, 1925-1959. https://www.studiointernational.com/index.php/derek-michael-besant-interview-in-other-words-edinburgh-printmakers-festival https://www.studiointernational.com/images/articles/b/besant-derek-2015/10-catalogue-Under-My-Skin.jpg Derek Besant. Under My Skin, 2015, UV thermal ink transfer onto synthetic paper. https://www.studiointernational.com/images/articles/b/besant-derek-2015/15-catalogue-Moon-Rises.jpg Derek Besant. Moon Rises, 2015, UV thermal ink transfer onto synthetic paper. https://www.studiointernational.com/images/articles/b/besant-derek-2015/7-catalogue-Falling-Asleep.jpg Derek Besant. Falling Asleep, 2015, UV thermal ink transfer onto synthetic paper. https://www.studiointernational.com/images/articles/b/besant-derek-2015/6-catalogue-Four-Minutes.jpg Derek Besant. Four Minutes, 2015, UV thermal ink transfer onto synthetic paper. https://www.studiointernational.com/images/articles/b/besant-derek-2015/20-catalogue-Distracted.jpg Derek Besant. Distracted, 2015, UV thermal ink transfer onto synthetic paper. https://www.studiointernational.com/images/articles/b/besant-derek-2015/22-catalogue-Things-To-Be.jpg Derek Besant. Things To Be, 2015, UV thermal ink transfer onto synthetic paper. https://www.studiointernational.com/index.php/construction-industry-contemporary-assemblage-relief-review-art-in-perpetuity-trust-london https://www.studiointernational.com/images/articles/c/construction-2015/John-Gibbons-Panel-V_Before-Time.jpg John Gibbons. Panel V/Before Time, 2013. © A.P.T Gallery. https://www.studiointernational.com/images/articles/c/construction-2015/John-McLean-Traffic-Yellow.jpg John McLean. Traffic Yellow, 2009. Steel, powder coated steel and powder coated aluminium. 266 x 140 x 85 cm. © A.P.T Gallery. https://www.studiointernational.com/images/articles/c/construction-2015/Lee-Tribe-The-Rocker.jpg Lee Tribe. The Rocker, 1980. © A.P.T Gallery. https://www.studiointernational.com/images/articles/c/construction-2015/Willard-Boepple-Irish-Corners.jpg Willard Boepple. Irish Corners, 2007. Aluminium, 63.5 x 63.5 x 48.3 cm © A.P.T Gallery. https://www.studiointernational.com/images/articles/c/construction-2015/Willard-Boepple-Gearless.jpg Willard Boepple. Gearless, 2002. Resin, 11 x 9 x 14 in. © A.P.T Gallery. https://www.studiointernational.com/index.php/anna-dumitriu-interview-microbiology-bacteria-imagery-faecal-transplants https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/Confronting-the-Bacterial-Sublime-Yersinia-Pestis-Anna-Dumitriu.jpg Anna Dumitriu. Confronting the Bacterial Sublime (Yersinia Pestis). Photograph: John Paul. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/Dont-Try-This-At-Home-2015-Anna-Dumitriu.jpg Anna Dumitriu. Don't Try This At Home, 2015. Photograph: Anna Dumitriu. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/Infective-Textiles-BLAST-Anna-Dumitriu.jpg Anna Dumitriu. Infective Textiles BLAST (Bournemouth Laboratory for Art, Science and Technology) Workshop. Photograph: Paul Smith and Vicky Isley (AKA boredomresearch). https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/MRSA-Quilt-Anna-Dumitriu.jpg Anna Dumitriu. MRSA Quilt Installation view at Art Laboratory Berlin. Photograph: Tim Deussen. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/Pneumothorax-Machine-and-Where-Theres-Dust-Theres-Danger.jpg Anna Dumitriu. Pneumothorax Machine and Where There's Dust There's Danger as part of The Romantic Disease. An Artistic Investigation of Tuberculosis. Installation view at Watermans, London, 2014. Photograph: Alex May. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/Rest-Rest-Rest-Installation-view-at-Watermans-London-2014-Anna-Dumitriu.jpg Anna Dumitriu. Rest, Rest, Rest! Installation view at Watermans London, 2014. Photograph: Alex May. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/Super-organism-workshop-2014-Anna-Dumitriu.jpg Anna Dumitriu. Super-organism workshop at Cinekid Amsterdam, 2014. Photograph: Anna Dumitriu. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/The-Human-Super-organism-2015.jpg Anna Dumitriu. The Human Super-organism, 2015. Installation view as part of Invisible You. The Human Microbiome at Eden Project. Photograph: Anna Dumitriu. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/The-Romantic-Disease.jpg Anna Dumitriu. The Romantic Disease. An Artistic Investigation of Tuberculosis. Installation view in The Theatrum Anatomicum, 2014, Waag Society Amsterdam. Photograph: Annabel Slater. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/The-Romantic-Disease-Dress-2014-Anna-Dumitriu.jpg Anna Dumitriu. The Romantic Disease Dress. Installation view in The Theatrum Anatomicum, 2014, Waag Society Amsterdam. Photograph: Anna Dumitriu. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/The-VRSA-Dress-2013-Anna-Dumitriu.jpg Anna Dumitriu. The VRSA Dress, 2013. Installation view at Kapelica Gallery, Ljubljana. Photograph: Anna Dumitriu. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/Where-Theres-Dust-Theres-Danger-2014-Anna-Dumitriu.jpg Anna Dumitriu. Where There's Dust There's Danger, 2014. Photograph: Anna Dumitriu. https://www.studiointernational.com/images/articles/d/dumitriu-anna-2015/Where-Theres-Dust-Theres-Danger-detail-2014-Anna-Dumitriu.jpg Anna Dumitriu. Where There's Dust There's Danger, 2014 (detail). Photograph: Anna Dumitriu. https://www.studiointernational.com/index.php/tadeusz-kantor-water-hen-demarco-inbetween-structures-edinburgh-festival-2015 https://www.studiointernational.com/images/articles/k/kantor-2015/KANTOR-The-Water-Hen-copyright-Demarco-archive.jpg The Water Hen, Cricot 2 Theatre, Edinburgh Festival, 1972. Photograph: © Richard Demarco. https://www.studiointernational.com/images/articles/k/kantor-2015/Hidden-Door-performance-Cichosz.jpg Jedzrej Cichosz. Crazy Locomotive (still), Hidden Door, Edinburgh, 2015. Photograph: Douglas McCaffrey. https://www.studiointernational.com/images/articles/k/kantor-2015/T_Kantor_001.jpg This photograph of Tadeusz Kantor was taken in 1980 on the Marques as part of the Demarco Gallery's experimental university Edinburgh Arts. Photograph: © Richard Demarco. https://www.studiointernational.com/images/articles/k/kantor-2015/Beuys-05165.jpg This photograph of Joseph Beuys was taken in the Demarco Gallery's Festival Performance space in the Forresthill Poorhouse, Edinburgh in the act of performing his Three Pot Action, 1974. Photograph: © Richard Demarco. https://www.studiointernational.com/index.php/roman-signer-installations-review-dundee-contemporary-arts-scotland https://www.studiointernational.com/images/articles/s/signer-roman-2015/1-Roman-Signer,-Installations,-installation-view.jpg Roman Signer. Bar, 2007 (exhibition copy 2015) and Whisky boat, 2015. Photograph: Ruth Clark, courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/s/signer-roman-2015/2-Roman-Signer,-Installations,-installation-view.-Photograph-by-Ruth-Clark,-courtesy-of-Dundee-Contemporary-Arts.jpg Roman Signer. Installation with wooden beams, 2015. Photograph: Ruth Clark, courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/s/signer-roman-2015/3-Roman-Signer,-Installations,-installation-view.-Photograph-by-Ruth-Clark,-courtesy-of-Dundee-Contemporary-Arts.jpg Roman Signer. Ladder, 1995 (exhibition copy 2015), and Kayak with rubber, 2015. Photograph: Ruth Clark, courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/images/articles/s/signer-roman-2015/4-Roman-Signer,-Installations,-installation-view.-Photograph-by-Ruth-Clark,-courtesy-of-Dundee-Contemporary-Arts.jpg Roman Signer. Football, cannon with tent, 2014. Photograph: Ruth Clark, courtesy of Dundee Contemporary Arts. https://www.studiointernational.com/index.php/hank-willis-thomas-interview-primary-sources-the-truth-i-see-is-you https://www.studiointernational.com/images/articles/t/thomas-hank-willis/HWT08.034-Winter-in-America-film-still.jpg Hank Willis Thomas. Winter in America, 2006. 4:59 min video. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/t/thomas-hank-willis/HWT11.012-A-Common-Misunderstanding.jpg Hank Willis Thomas. A Common Misunderstanding, 2011. Animation on DVD. 1 min 30 sec. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/t/thomas-hank-willis/HWT14.002-Amandla.jpg Hank Willis Thomas. Amandla, 2014. Silicone, fibreglass and metal finish. 51.18 x 29.92 in (130 x 76 cm). Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/t/thomas-hank-willis/HWT14.056-Tip-Off.jpg Hank Willis Thomas. Tip Off, 2014. Polyester resin (fibreglass). 43 x 13 x 11 in. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/t/thomas-hank-willis/HWT15.105-Opportunity.jpg Hank Willis Thomas. Opportunity, 2015. Fiberglass, chameleon auto paint finish. 90 3/4 x 15 3/4 x 14 3/8 in installed. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/t/thomas-hank-willis/HWT15.1120-Liberty.jpg Hank Willis Thomas. Liberty, 2015. Fibreglass and automotive paint, 35 x 10 x 10 in. On view in Image Objects at City Hall Park, NY, July 30 – November 20, 2015. Exhibition presented by Public Art Fund. Courtesy Jack Shainman Gallery, New York. Photograph: Liz Ligon, Courtesy Public Art Fund, NY. https://www.studiointernational.com/images/articles/t/thomas-hank-willis/HWT-Ruth.jpg Hank Willis Thomas. Ruth, 2015. Painted steel. Courtesy the artist and Jack Shainman Gallery. Photograph: James Ewing, Courtesy Public Art Fund, NY. https://www.studiointernational.com/images/articles/t/thomas-hank-willis/HWT-TheTruth-is-I-Love-You.jpg Hank Willis Thomas. The Truth is I Love You, 2015. Painted steel. Courtesy the artist and Jack Shainman Gallery. Photograph: James Ewing, Courtesy Public Art Fund, NY. https://www.studiointernational.com/images/articles/t/thomas-hank-willis/HWT-The-Truth-Is.jpg Hank Willis Thomas. The Truth Is…, 2015. Painted steel. Courtesy the artist and Jack Shainman Gallery. Photograph: James Ewing, Courtesy Public Art Fund, NY. https://www.studiointernational.com/index.php/wilmer-wilson-iv-interview-keef-wulf-my-paper-bag-colored-heart https://www.studiointernational.com/images/articles/w/wilson-wilmer/03_WilsonIVStudioInternational.jpg Wilmer Wilson IV. Black Mask, 2012. Single channel digital video, 6 min. Courtesy the artist and CONNERSMITH. https://www.studiointernational.com/images/articles/w/wilson-wilmer/05_WilsonIVStudioInternational.jpg Wilmer Wilson IV. From My Paper Bag Colored Heart (detail), 2012. Performance, dimensions variable. Courtesy the artist and CONNERSMITH. https://www.studiointernational.com/images/articles/w/wilson-wilmer/08_WilsonIVStudioInternational.jpg Wilmer Wilson IV. Priestess Faust Walk (detail), 2015. Performance, dimensions variable. Courtesy the artist and CONNERSMITH. https://www.studiointernational.com/images/articles/w/wilson-wilmer/09_WilsonIVStudioInternational.jpg Wilmer Wilson IV. Priestess Faust Walk (detail), 2015. Performance, dimensions variable. Courtesy the artist and CONNERSMITH. https://www.studiointernational.com/images/articles/w/wilson-wilmer/10_WilsonIVStudioInternational.jpg Wilmer Wilson IV. Liberty Walk (detail), 2015. Performance, dimensions variable. Courtesy the artist and CONNERSMITH. https://www.studiointernational.com/images/articles/w/wilson-wilmer/11_WilsonIVStudioInternational.jpg Wilmer Wilson IV. Quilt, 2015. Lottery tickets, safety pins. 60 x 84 in. Courtesy the artist and CONNERSMITH. https://www.studiointernational.com/images/articles/w/wilson-wilmer/12_WilsonIVStudioInternational.jpg Wilmer Wilson IV. Shed Skin (1c, 2c, 5c), 2012. Postage stamps, dimensions variable. Courtesy the artist and CONNERSMITH. https://www.studiointernational.com/index.php/jennifer-campbell-chloe-manasseh-interview-grounded-transition-gallery-london https://www.studiointernational.com/images/articles/c/campbell-manesseh-2015/Campbell-image3.jpg Jennifer Campbell. Foreground: Cat Nap, 2015. Acrylic on plastic and foam-board with mixed media, 23 x 102 x 19cm. Background: Grandmars, 2015. Acrylic on plastic and mixed media, 240 x 230 x 7cm. https://www.studiointernational.com/images/articles/c/campbell-manesseh-2015/Campbell-image4.jpg Jennifer Campbell. Grandmars (detail), 2015. Acrylic on plastic and mixed media, 240 x 230 x 7 cm. https://www.studiointernational.com/images/articles/c/campbell-manesseh-2015/Campbell-image5.jpg Jennifer Campbell. 30 Minutes, 2015. Acrylic on foam-board with mixed media, 185 x 60 x 26 cm. https://www.studiointernational.com/images/articles/c/campbell-manesseh-2015/Campbell-image6.jpg Jennifer Campbell. Teenager, 2015. Acrylic on foam-board, 55 x 50 x 8 cm. https://www.studiointernational.com/images/articles/c/campbell-manesseh-2015/Campbell-image8.jpg Jennifer Campbell. Cat Nap, 2015. Acrylic on plastic and foam-board with mixed media, 23 x 102 x 91 cm. https://www.studiointernational.com/images/articles/c/campbell-manesseh-2015/manasseh-1.jpg Chloë Manasseh. A tree falls the way it leans. Be careful which way you lean, 2015. Oil on canvas, 168 x 137 cm (66 x 54 in); Chloë Manasseh. I headbutted a Yukka, 2015. Oil on canvas, 132 x 97 cm (52 x 38 in); floor piece, Jennifer Campbell, Pool. Acrylic on mixed media. https://www.studiointernational.com/images/articles/c/campbell-manesseh-2015/manasseh-3.jpg Chloë Manasseh. A tree falls the way it leans. Be careful which way you lean, 2015. Oil on canvas, 168 x 137 cm (66 x 54 in); floor piece, Jennifer Campbell, Pool. Acrylic on mixed media. https://www.studiointernational.com/images/articles/c/campbell-manesseh-2015/manasseh-4.jpg Chloe Manasseh, In a world of one colour, 2015. Oil on canvas, 150 x 185 cm (59 x 73 in). https://www.studiointernational.com/index.php/jonas-mekas-interview-365-day-project-microscope-gallery-brooklyn https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/Jonas-Mekas-768-sildes.jpg Jonas Mekas. In an instant it all came back to me. 768 slides. Burger King - Venice. Courtesy Galerie EXPERIMENTAL. Photograph: Giulio Favotto - Otium. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/Jonas-Mekas-768-sildes-exterior.jpg Jonas Mekas. In an instant it all came back to me. 768 slides. Burger King - Venice. Courtesy Galerie EXPERIMENTAL. Photograph: Giulio Favotto - Otium. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/00_365-day.jpg Jonas Mekas. 365 day project, 2007-2015. Video 93, 47 min. Burger King - Venice. Courtesy Galerie EXPERIMENTAL. Photograph: Giulio Favotto - Otium. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/000-internet_saga.jpg Jonas Mekas. The Internet Saga. Exhibition view. Burger King - Venice. Photograph: Giulio Favotto - Otium. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/internet_saga.jpg Jonas Mekas. The Internet Saga. Burger King Opening. Photograph: Giulio Favotto - Otium. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/internet_saga_Jonas-Mekas.jpg Jonas Mekas. The Internet Saga. Burger King Opening. Photograph: Giulio Favotto - Otium. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/Jonas-Mekas-train-station.jpg Jonas Mekas in front of the train station. Photograph: Marco Secchi and François Leturcq. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/00-JonasMekas_SR.jpg Jonas Mekas. BIRTH OF A NATION, 1997. 4-sreen projection. 20min. Spazio Ridotto. Photograph: Marco Secchi and François Leturcq. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/Jonas-Mekas-SLEEPLESS-NIGHT.jpg Jonas Mekas. SLEEPLESS NIGHT @ Spazio Ridotto. Photography: Marco Secchi and François Leturcq https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/Jonas-Mekas-SLEEPLESS-NIGHT-2.jpg Jonas Mekas. SLEEPLESS NIGHT @ Spazio Ridotto. Photograph: Marco Secchi and François Leturcq - autometrique.com https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/DAY60_MARCH 1ST_Madonna_Still.jpg Jonas Mekas. Still from March 1 from the 365 Day Project, 2007. Digital video, colour, sound, 4 min 20 sec. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/DAY153_June 2_richardserra.jpg Jonas Mekas. Still from June 2 from the 365 Day Project, 2007. Digital video, colour, sound, 9 min 3 sec. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/DAY208_JULY 27TH_Paik_Still.jpg Jonas Mekas. Still from July 27 from the 365 Day Project, 2007. Digital video, colour, sound, 6 min. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/DAY333_NOV 29TH_DancingLoft.jpg Jonas Mekas. Still from November 29 from the 365 Day Project, 2007. Digital video, colour, sound, 3 min 31 sec. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/DAY339_DEC 5TH_trainhudson.jpg Jonas Mekas. Still from December 5 from the 365 Day Project, 2007. Digital video, colour, sound, 4 min 32 sec. https://www.studiointernational.com/images/articles/m/mekas-jonas-2015/DAY361_DEC 27TH_Warhol.jpg Jonas Mekas. Still from December 27 from the 365 Day Project, 2007. Digital video, colour, sound, 6 min, 11 sec. https://www.studiointernational.com/index.php/judy-chicago-interview-world-goes-pop-tate-modern https://www.studiointernational.com/images/articles/c/chicago-judy-2015/Judy-Chicago-The-Dinner-Party-Installation-Overview-at-Brooklyn-Museum.jpg Judy Chicago. The Dinner Party. Installation overview at Brooklyn Museum. https://www.studiointernational.com/images/articles/c/chicago-judy-2015/10303_Star_Cunts_2.jpg Judy Chicago. Star Cunts #2, 1968. Prismacolor on paper, 15.25 in. x 15.25 in (38.74 cm x 38.74 cm) https://www.studiointernational.com/images/articles/c/chicago-judy-2015/10305_Green_Blue_Starcunts.jpg Judy Chicago. Green-Blue Starcunts, 1969. Sprayed acrylic lacquer on acrylic, 27.5 x 27.5 in. https://www.studiointernational.com/images/articles/c/chicago-judy-2015/10313_Optical_Shapes_4.jpg Judy Chicago. Optical Shapes #4, 1969. Acrylic on mat board, 11 x 11 in. https://www.studiointernational.com/images/articles/c/chicago-judy-2015/10304_Click_Cunts.jpg Judy Chicago. Click Cunts #1-5, 1969. Prismacolor on muslin, 15.25 x 76.25 in. Five individually framed pieces shown as one work. https://www.studiointernational.com/images/articles/c/chicago-judy-2015/11486_Study_for_Bigamy_Hood.jpg Judy Chicago. Study for Bigamy Hood, 2011. Acrylic on rag paper, 22 x 30 in. https://www.studiointernational.com/images/articles/c/chicago-judy-2015/10083-Goddess-3.jpg Judy Chicago. Ceramic Goddess #3, 1977. Glazed porcelain, 5 x 2.25 x 1.25 in. https://www.studiointernational.com/images/articles/c/chicago-judy-2015/10086-Goddess-6.jpg Judy Chicago. Ceramic Goddess #6, 1977. Bisque clay, 4.25 x 2.25 x 1 in. https://www.studiointernational.com/index.php/jackson-pollocks-mural-energy-made-visible-review https://www.studiointernational.com/images/articles/p/pollock-jackson-mural-2015/1_Pollock_Murale.jpg Jackson Pollock. Mural, 1943. Oil and casein on canvas, 242.9 x 603.9 cm. Gift of Peggy Guggenheim, 1959. University of Iowa Museum of Art. Reproduced with permission from The University of Iowa. https://www.studiointernational.com/images/articles/p/pollock-jackson-mural-2015/2_Morgan.jpg Barbara Morgan. Pure Energy and Neurotic Man, 1940. Gelatin silver on paper mounted on board. Mark Ranney Memorial Fund. The Morgan Archives. https://www.studiointernational.com/images/articles/p/pollock-jackson-mural-2015/3_Morgan.jpg Barbara Morgan. Untitled (Humphrey Weidman Group, Lynchtown), 1938. Gelatin silver on paper. Mark Ranney Memorial Fund. The Morgan Archives. https://www.studiointernational.com/images/articles/p/pollock-jackson-mural-2015/4_Siskind.jpg Aaron Siskind. Chicago 8, 1948. Photograph. Mark Ranney Memorial Fund. Aaron Siskind Foundation, courtesy Bruce Silverstein Gallery. https://www.studiointernational.com/images/articles/p/pollock-jackson-mural-2015/5_Pollock__donna_luna.jpg Jackson Pollock. The Moon Woman, 1942. Oil on canvas, 175.2 x 109.3 cm. Peggy Guggenheim Collection, Venice. © Jackson Pollock, by SIAE 2015. https://www.studiointernational.com/images/articles/p/pollock-jackson-mural-2015/6_Peggy_Pollock.jpg Peggy Guggenheim and Jackson Pollock in front of the Mural, 1943. © Photograph: George Kargar https://www.studiointernational.com/images/articles/p/pollock-jackson-mural-2015/01-install.jpg Jackson Pollock’s Mural: Energy Made Visible. Installation view, Peggy Guggenheim Collection, Venice. Photograph: Matteo De Fina. https://www.studiointernational.com/index.php/dineo-seshee-bopape-slow-co-ruption-review-southbank-centre-london https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/01.jpg Dineo Seshee Bopape. Video still from why do you call me when you know i can’t answer the phone, 2012. Digital video, colour, sound, duration: 10 min 42 sec. Photograph: © Dineo Seshee Bopape. Courtesy of Stevenson Cape Town, Johannesburg. https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/02.jpg Dineo Seshee Bopape. Video still from why do you call me when you know i can’t answer the phone, 2012. Digital video, colour, sound, duration: 10 min 42 sec. Photograph: © Dineo Seshee Bopape. Courtesy of Stevenson Cape Town, Johannesburg. https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/03.jpg Dineo Seshee Bopape. Video still from is i am sky, 2013. Digital video, colour, sound, duration: 17 min 48 sec. Photograph: © Dineo Seshee Bopape. Courtesy of Stevenson Cape Town, Johannesburg. https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/04.jpg Dineo Seshee Bopape. Video still from is i am sky, 2013. Digital video, colour, sound, duration: 17 min 48 sec. Photograph: © Dineo Seshee Bopape. Courtesy of Stevenson Cape Town, Johannesburg. https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/05.jpg Dineo Seshee Bopape. Video still from is i am sky, 2013. Digital video, colour, sound, duration: 17 min 48 sec. Photograph: © Dineo Seshee Bopape. Courtesy of Stevenson Cape Town, Johannesburg. https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/06.jpg Dineo Seshee Bopape. Video still from Grass Green, 2008. SD digital video, sound, duration: 6 min 52 sec. Photograph: © Dineo Seshee Bopape. Courtesy of Stevenson Cape Town, Johannesburg. https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/07.jpg Dineo Seshee Bopape. Video still from Grass Green, 2008. SD digital video, sound, duration: 6 min 52 sec. Photograph: © Dineo Seshee Bopape. Courtesy of Stevenson Cape Town, Johannesburg. https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/08.jpg Dineo Seshee Bopape. queen of necklace sketch II, 2010, Mixed media, Stevenson Cape Town. Photograph: © Dineo Seshee Bopape. Courtesy of Stevenson Cape Town, Johannesburg. https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/09.jpg Dineo Seshee Bopape. queen of necklace sketch III, part 1, 2012. Installation, mixed media. About Menocchio, we know many things, Bétonsalon Centre, d’art et de recherche, Paris. Photograph: © Dineo Seshee Bopape. Courtesy of Bétonsalon Centre, d’art et de recherche, Paris https://www.studiointernational.com/images/articles/b/bopape-dineo-2015/10.jpg Dineo Seshee Bopape. but that is not the important part of the story, 2013. Mixed media. Meanwhile… Suddenly, and Then, 12th Biennale of Lyon, France. Photograph:© Dineo Seshee Bopape. Courtesy of Stevenson Cape Town, Johannesburg. https://www.studiointernational.com/index.php/liberties-review-day-women-artists-sex-discrimination https://www.studiointernational.com/images/articles/l/liberties-2015/Eleanor_Moreton_Nina_(Absent-Friends)Photo-credit--Anna-Arca-and-Ceri-Hand-Gallery.jpg Eleanor Moreton. Nina (Absent Friends). Oil and pastel on birch panel. Photograph: Anna Arca and Ceri Hand Gallery. https://www.studiointernational.com/images/articles/l/liberties-2015/Frances-Kearney-Like-Mother-Like-Daughter-III.jpg Frances Kearney. Like Mother Like Daughter, III, 2000. C Type photograph. https://www.studiointernational.com/images/articles/l/liberties-2015/Hayley_Newman_Bubblegum-coloured-cloth.jpg Hayley Newman. Bubblegum coloured cloth with embroidered mouth, eyes and nose from the series Domestique, 2010-12, 42 cm x 37 cm. https://www.studiointernational.com/index.php/zakkir-hussain-translating-the-silence-rakhi-peswani-in-continuum-review-india https://www.studiointernational.com/images/articles/h/hussain-zakkir-2015/ZH_-_Reflections.jpg Zakkir Hussain. Reflections, 2014. Pencil, ink, watercolour, acrylic and soft pastel, 29.5 x 21 in. Courtesy Vadhera Art Gallery. https://www.studiointernational.com/images/articles/h/hussain-zakkir-2015/ZH_-_Man_Balancing_On_A_Broken_Public_Telephone.jpg Zakkir Hussain. Man Balancing On A Broken Public Telephone, 2014. Watercolour, pastel and pencil on paper, 40 x 60 in (each). Courtesy Vadhera Art Gallery. https://www.studiointernational.com/images/articles/h/hussain-zakkir-2015/ZH_-_Figures__Guns__Rising_Suns___Two_Bodies.jpg Zakkir Hussain. Figures, Guns, Rising Suns & Two Bodies, 2013. Charcoal, soft pastel, pencil, watercolour and acrylic on paper, 85 x 106 in. Courtesy Vadhera Art Gallery. https://www.studiointernational.com/images/articles/h/hussain-zakkir-2015/RP_-_Re-enacting_the_Fool_-_Subverting_the_Action.jpg Rakhi Peswani. Re-enacting the Fool (Subverting the Action), 2015. Hand embroidery on cotton calico fabric, mounted on the floor, under glass/plexiglass, 72 x 58 in. Courtesy Vadhera Art Gallery. https://www.studiointernational.com/images/articles/h/hussain-zakkir-2015/RP_-_Envisioning_the_Seer_-_5_Studies_on_seeing.jpg Rakhi Peswani. Envisioning the Seer (5 Studies on seeing), 2015. Hand embroidery and mirrors on calico cotton, 8 x 11 in. Courtesy Vadhera Art Gallery. https://www.studiointernational.com/images/articles/h/hussain-zakkir-2015/RP_-_Sensation_Samplers.jpg Rakhi Peswani. Sensation Samplers, 2015. Hand embroidered handloom fabric, various tools and accessories, mounted on light box. 21.5 x 21.5 in. Courtesy Vadhera Art Gallery. https://www.studiointernational.com/index.php/jerusalem-season-of-culture-2015-under-the-mountain https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/UTM2015_Hed_Mayner_at_the_Store_of_Bilal_Abu-Khalaf_photo_by_Snir_Kazir.jpg Hed Mayner. Le Dernier Cri, 2015. Store of Bilal Abu-Khalaf. Photograph: Snir Kazir. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/UTM2015_Ice_Happening_1980-2015_photo_by_Danielle_Shitrit_1.jpg Allan Kaprow. Ice Happening, 1980-2015. Photograph: Danielle Shitrit. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/UTM2015_Santiago_Sierra_Veteran_of_the_Wars_of_Israel_photo_by_Danielle_Shitrit.jpg Santiago Sierra. Veterans of the Wars of Israel, 2015. Photograph: Danielle Shitrit. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/UTM2015_Santiago_Sierra_Veteran_of_the_Wars_of_Israel_photo_by_Danielle_Shitrit_1.jpg Santiago Sierra. Veterans of the Wars of Israel, 2015. Photograph: Danielle Shitrit. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/UTM2015_Santiago_Sierra_Veteran_of_the_Wars_of_Israel_photo_by_Danielle_Shitrit_3.jpg Santiago Sierra. Veterans of the Wars of Israel, 2015. Photograph: Danielle Shitrit. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/UTM2015_Yael_Bartana_Simone_the_Hermetic_photo_by_Snir_Kazir_2.jpg Yael Bartana. Simone the Hermetic, 2015, Sound and light installation. Photograph: Snir Kazir. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/UTM2015_Yael_Bartana_Simone_the_Hermetic_photo_by_Snir_Kazir_1.jpg Yael Bartana. Simone the Hermetic, 2015, Sound and light installation. Photograph: Snir Kazir. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/Old City of Jerusalem, Main Security Station, 2015.jpg Old City of Jerusalem, Main Security Station, 2015. Photograph: Lilly Wei. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/photo 1.jpg View of western wall and Temple Mount from Police Base company C. Photograph: Lilly Wei. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/photo 2.jpg View of western wall and Temple Mount from Police Base company C. Photograph: Lilly Wei. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/photo.jpg Palestinian Heritage Museum West Jerusalem. Photograph: Lilly Wei. https://www.studiointernational.com/images/articles/j/jerusalem-culture-2015/UTM_2015_El_Haram_El_Sherif_photo_by_Dr_Ali_Qleibo_2.jpg El Haram El Sherif. Photograph: Dr Ali Qleibo. https://www.studiointernational.com/index.php/julie-sass-be-bop-your-visual-acts-shared-space-review https://www.studiointernational.com/images/articles/s/sass-julie-2015/UNTITLED-1-2014.jpg Julie Sass. Untitled #1, 2014. 170 x 110 cm. Photograph: Miriam Nielsen. https://www.studiointernational.com/images/articles/s/sass-julie-2015/Untitled-(PAINTING-AS-CONTAINER)-NO-19-2015.jpg Julie Sass. Untitled (painting as container) No.19, 2015. 50 x 40 cm. Photograph: Miriam Nielsen. https://www.studiointernational.com/images/articles/s/sass-julie-2015/Untitled-(Painting-as-Container)-23-2015.jpg Julie Sass. Untitled (painting as container) #23, 2015. Photograph: Miriam Nielsen. https://www.studiointernational.com/images/articles/s/sass-julie-2015/Untitled-S-2015.jpg Julie Sass. Untitled S, 2015. Photograph: Miriam Nielsen. https://www.studiointernational.com/images/articles/s/sass-julie-2015/Untitled-T-2015.jpg Julie Sass. Untitled T, 2015. Photograph: Miriam Nielsen. https://www.studiointernational.com/images/articles/s/sass-julie-2015/Untitled-U-2015.jpg Julie Sass. Untitled U, 2015. Photograph: Miriam Nielsen. https://www.studiointernational.com/index.php/lowry-by-the-sea-review-jerwood-gallery-hastings https://www.studiointernational.com/images/articles/l/lowry-2015/July-the-Seaside-Arts-Council-Collection.jpg LS Lowry. July, The Seaside, 1943. 66.7 x 92.7 cm. Arts Council Collection. © The Estate of LS Lowry. https://www.studiointernational.com/images/articles/l/lowry-2015/LS-Lowry,-Yachts,-1959.jpg LS Lowry. Yachts, 1959. The Lowry Collection, Salford. © The Estate of LS Lowry. https://www.studiointernational.com/images/articles/l/lowry-2015/Seascape-Arts-Council-Collection-1965.jpg LS Lowry. Seascape, 1965. 26.7 x 77.8 cm. Arts Council Collection. © The Estate of LS Lowry. https://www.studiointernational.com/images/articles/l/lowry-2015/F9-1981-146-A-Ship-c1965-MP.jpg LS Lowry. A Ship, c1965. Oil on board, 11.5 x 19 cm. The Lowry Collection, Salford. © The Estate of LS Lowry. https://www.studiointernational.com/images/articles/l/lowry-2015/LOL028.jpg LS Lowry. Spittal Sands, Berwick, 1960. Oil on panel, 38.4 x 43.5 cm. The Lowry Collection, Salford. © The Estate of LS Lowry. https://www.studiointernational.com/images/articles/l/lowry-2015/LOL087-Self-Portrait-as-Pillar-in-the-Sea-1966-MP.jpg LS Lowry. Self Portrait as a Pillar in the Sea, 1966. Oil on panel, 38.8 x 15.3 cm. The Lowry Collection, Salford, Private Collection. © The Estate of LS Lowry. https://www.studiointernational.com/index.php/petra-cortright-interview-women-in-a-digital-landscape https://www.studiointernational.com/images/articles/c/cortright-petra-2015/1_Installview_pc_ily_2015.jpg Petra Cortright. Installation view of ILY at Foxy Production, NYC, 2015. Medium variable, dimensions variable. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/3_Installview_pc_ily_2015.jpg Petra Cortright. Installation view (2) of ILY at Foxy Production, NYC, 2015. Medium variable, dimensions variable. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/7_ice_tea_recipe_Incubus_male_whore_copy.jpg Petra Cortright. 7 ice tea recipe Incubus, male whore, 2014. Digital painting on aluminium, 59 x 78.5 in. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/friends 3z sound files.jpg Petra Cortright. friends 3z sound files friend poetry frits + phillips bang, 2014. Digital painting on aluminium, 59 x 78.5 in. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/icqboylovesboysboys.jpg Petra Cortright. icqboylovesboysboys, 2014. Digital painting on aluminium, 48 x 64 in. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/womenBig women artbig.jpg Petra Cortright. womenBig women artbig women, 2014. Digital painting on aluminium, 64 x 48 in. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/MINIMAL22.jpg Petra Cortright. CALL https://www.studiointernational.com/images/articles/c/cortright-petra-2015/bridal_shower_sn.jpg Petra Cortright. Still from Bridal Shower, 2013. Webcam video, 2 minutes. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/dotwarpwithdoor_still.jpg Petra Cortright. Still from Dot Warp With Door (for Stella McCartney), 2014. Webcam video, 2 minutes. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/banksiponytaelpaintbrush.jpg Petra Cortright. Still from banksi unbrush ponitaeyel, 2015. Webcam video, 1 min 8 sec. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/ifeelu.jpg Petra Cortright. Still from I feel u, 2015. Webcam video, 1 min 46 sec. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/dreamy_stella.jpg Petra Cortright. Still from DREAMY (for Stella McCartney), 2015. Webcam video, 2 min 36 sec. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/stella_confetti.jpg Petra Cortright. Still from Confetti (for Stella McCartney), 2014. Webcam video, 35 sec. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/Depart-Installs-2015-07-13-010.jpg Petra Cortright. Installation view of NIKI LUCY LOLA VIOLA at DEPART Foundation, Los Angeles, 2015. Medium variable, dimensions variable. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/Depart-Installs-2015-07-13-011.jpg Petra Cortright. Installation view (2) of NIKI LUCY LOLA VIOLA at DEPART Foundation, Los Angeles, 2015. Medium variable, dimensions variable. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/Depart-Installs-2015-07-13-013.jpg Petra Cortright. Installation view (3) of NIKI LUCY LOLA VIOLA at DEPART Foundation, Los Angeles, 2015. Medium variable, dimensions variable. https://www.studiointernational.com/images/articles/c/cortright-petra-2015/Depart-Installs-2015-07-13-016.jpg Petra Cortright. Installation view (4) of NIKI LUCY LOLA VIOLA at DEPART Foundation, Los Angeles, 2015. Medium variable, dimensions variable. https://www.studiointernational.com/index.php/bridget-riley-learning-from-seurat-review-courtauld-gallery-london https://www.studiointernational.com/images/articles/r/riley-bridget-2015/Bridget-Riley-Pink-Landscape.jpg Bridget Riley. Pink Landscape, 1960. Acrylic on linen, 101.5 x 101.5 cm. Private collection. https://www.studiointernational.com/images/articles/r/riley-bridget-2015/Georges-Seurat-Bridge.jpg Georges Seurat. Bridge at Courbevoie, 1886-87. Oil on canvas, 46.4 x 55.3 cm. The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/r/riley-bridget-2015/Bridget-Riley-Copy-after-Seurats-Bridge-at-Courbevoie.jpg Bridget Riley. 
Copy after Seurat's Bridge at Courbevoie, 1959. Acrylic on linen, 71.1 x 91.4 cm. Private collection. https://www.studiointernational.com/images/articles/r/riley-bridget-2015/Bridget-Riley-Burn.jpg Bridget Riley.
 Burn, 1964. Acrylic on linen, 56 x 56 cm. Private collection. https://www.studiointernational.com/images/articles/r/riley-bridget-2015/Bridget-Riley-Late-Morning-I.jpg Bridget Riley. 
Late Morning I, 1967. Acrylic on linen, 227.3 x 227.3 cm. Private collection. https://www.studiointernational.com/images/articles/r/riley-bridget-2015/Bridget-Riley-Vapour.jpg Bridget Riley. Vapour, 1970. Acrylic on linen, 96 x 90 cm. Private collection. https://www.studiointernational.com/images/articles/r/riley-bridget-2015/Bridget-Riley.jpg Bridget Riley. https://www.studiointernational.com/index.php/going-public-international-art-collectors-in-sheffield https://www.studiointernational.com/images/articles/s/sheffield-2015/_MG_1707.jpg Jake and Dinos Chapman. Cyber Iconic Man, 1996. Mixed media. Sandretto Re Rebaudengo Collection. Photograph: Andy Brown. https://www.studiointernational.com/images/articles/s/sheffield-2015/_MG_1713.jpg Jake and Dinos Chapman. Cyber Iconic Man, 1996 (detail). Mixed media. Sandretto Re Rebaudengo Collection. Photograph: Andy Brown. https://www.studiointernational.com/images/articles/s/sheffield-2015/Fiona-Tan,-Saint-Sebastian-(still),-2001.jpg Fiona Tan. Saint Sebastian, 2001. Film still, 2 channel video installation. Sandretto Re Rebaudengo Collection. https://www.studiointernational.com/images/articles/s/sheffield-2015/Dan-Flavin-monument-for-V-Tatlin-1969-70.jpg Dan Flavin. Monument for V. Tatlin, 1969-70. Fluorescent tubes and metal. © the artist and DACS, London. Courtesy Cattelain Collection. https://www.studiointernational.com/images/articles/s/sheffield-2015/Do-Ho-Suh,-Wielandstr-18,-12159-Berlin.jpg Do Ho Suh. Wielandstr. 18, 12159 Berlin. © the artist and Cattelain Collection. Photograph: Nils Clauss. https://www.studiointernational.com/images/articles/s/sheffield-2015/Marcel-Duchamp,-La-Boite-en-valise,-Serie-B.jpg Marcel Duchamp. La Boite-en-valise, Serie B © Succession Marcel Duchamp ADAGP, Paris and DACS London, 2015. Courtesy Marzona Collection. Photograph: Marcus Schneid. https://www.studiointernational.com/images/articles/s/sheffield-2015/Kurt-Schwitters,-Vollmilch,-1928.jpg Kurt Schwitters. Vollmich (Whole milk), 1928. Collage on paper. Marzona Collection. https://www.studiointernational.com/images/articles/s/sheffield-2015/Jiang-Zhi-(4).jpg Jiang Zhi. Onward! Onward! Onward!, 2006. Three-channel video projection, 12 min loop. Courtesy dslcollection. https://www.studiointernational.com/images/articles/s/sheffield-2015/Liang-Juhui,-One-Hour-of-Pleasure.jpg Liang Juhui. One Hour of Pleasure, 1996. Video, 1 hour © the artist. https://www.studiointernational.com/images/articles/s/sheffield-2015/Cao-Fei,-RMB-City.jpg Cao Fei. RMB City, 2008. Multi-media installation with video projection. Courtesy dslcollection. © the artist https://www.studiointernational.com/index.php/anita-glesta-watershed-video-interview-national-theatre-totally-thames-festival-2015-london https://www.studiointernational.com/images/articles/g/glesta-anita-2015/watershed-02.jpg Anita Glesta: Watershed, Lyttelton Flytower, National Theatre, London, 22-27 September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/glesta-anita-2015/anita-glesta-watershed-national-theatre-london-2015.jpg Anita Glesta talking to Studio International at the National Theatre, London, 24 September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/glesta-anita-2015/watershed-01.jpg Anita Glesta: Watershed (film still), Lyttelton Flytower, National Theatre, London, 22-27 September 2015. https://www.studiointernational.com/index.php/the-gap-selected-abstract-art-from-belgium-curated-by-luc-tuymans-review-parasol-london https://www.studiointernational.com/images/articles/t/the-gap-2015/Boy-Erik-Stappaerts_Polarisation-painting_2015.jpg Boy & Erik Stappaerts. Polarisation painting, 2015. Varish on laquer on aluminium panel, 181 x 107 x 1.5 cm (71¼ x 42 x ½ in). Collection Stéphane Verbeeck. Photograph: viktorbentley studio. https://www.studiointernational.com/images/articles/t/the-gap-2015/Francis-Alys_Untitled_2013.jpg Francis Alÿs. Untitled, 2013. Oil on canvas on wood, 18 x 13 x 1.4 cm. Courtesy of the artist and Francis Alÿs' studio. https://www.studiointernational.com/images/articles/t/the-gap-2015/Gert-Robijns_Jeun_homme_2012_courtesy-of-Tommy-Simoens_studio-Luc-Tuymans.jpg Gert Robijns. Jeun’homme, 2012. Overcoat and metal beams, 120 x 80 x 20 cm (47¼ x 31½ x 8 in). Courtesy of Tommy Simoens, Antwerp. Studio Luc Tuymans. https://www.studiointernational.com/images/articles/t/the-gap-2015/Guy-Mees_Untitled_1965.jpg Guy Mees. Untitled, 1965. Lace and neon, 120 cm diameter. Courtesy Galerie Micheline Szwajcer. https://www.studiointernational.com/images/articles/t/the-gap-2015/Raoul-De-Keyser_Zevende-Linnen-Doos_1971.jpg Raoul De Keyser. Zevende Linnen Doos, 1971. Acrylic and dispersion paint on canvas on wooden framework, 115 x 150 x 25 cm. Collection de Bruin-Heijn. Photographer: Peter Cox. Courtesy Zeno X Gallery, Antwerp. https://www.studiointernational.com/images/articles/t/the-gap-2015/THE-GAP_5_installation-view_photo-Jack-Hems.jpg Carla Arocha & Stéphane Schraenen. Column, 2015. Acrylic, stainless steel and Plexiglas, 300 x 130 x 130 cm. Courtesy of the artists. Installation view photograph: Jack Hems. https://www.studiointernational.com/images/articles/t/the-gap-2015/THE-GAP_2_installation-view_photo-Jack-Hems.jpg The Gap: Selected Abstract Art from Belgium. Installation view photograph: Jack Hems. https://www.studiointernational.com/images/articles/t/the-gap-2015/THE-GAP_3_installation-view_photo-Jack-Hems.jpg The Gap: Selected Abstract Art from Belgium. Installation view photograph: Jack Hems. https://www.studiointernational.com/index.php/tamar-ettun-interview-alula-in-blue-fridman-gallery https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14316.jpg Tamar Ettun. Hand with a Blue Ball, 2015. Plaster, cardboard, paint, 10 x 8 x 5 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14321.jpg Tamar Ettun. Hand with Funnels, 2015. Plaster, plastic, paint, 24 x 8 x 8 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14323.jpg Tamar Ettun. Hand with Twisted Fingers and Hand with a Brush, 2015. Plaster, plastic, wood, 12 x 12 x 8 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14325.jpg Tamar Ettun. Two Gloves with a Banana, 2015. Plaster, glass, paint, 9 x 9 x 5 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14329.jpg Tamar Ettun. Screwed Hand on Yellow, 2015. Plaster, metal, paint, 12 x 17 x 18 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14333.jpg Tamar Ettun. Mask with Blue Wire, 2015. Glazed clay with wire, 17 x 7 x 5 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14334.jpg Tamar Ettun. Blue Glove with Yellow-Green Glove with a Ball, 2015. Plaster, paint, cardboard, 12 x 9 x 6 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14339.jpg Tamar Ettun. Vertical Piano, 2014. Wood, metal, 74 x 39 x 39 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14340.jpg Tamar Ettun. Woman with Tina's Hip, 2015. Mixed media, 50 x 17 x 17 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14343.jpg Tamar Ettun. Totem with a Green Brush, 2015. Mixed media, 120 x 11 x 11 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14348.jpg Tamar Ettun. Blue Bubble, 2015. Parachute nylon fabric, industrial fan, velcro, 240 x 180 x 60 in. https://www.studiointernational.com/images/articles/e/ettun-tamar-2015/Ettun_14351.jpg Tamar Ettun. Blue Bubble, 2015. Parachute nylon fabric, industrial fan, velcro, 240 x 180 x 60 in. https://www.studiointernational.com/index.php/jennifer-rubell-not-alone-review-stephen-friedman-gallery-london https://www.studiointernational.com/images/articles/r/rubell-jennifer-2015/RUBELL-50-Posing.jpg Jennifer Rubell. Posing (film still), 2015. High definition digital film, running time 3 hrs 37 mins continuous loop. Copyright the artist. Courtesy the artist and Stephen Friedman Gallery, London. https://www.studiointernational.com/images/articles/r/rubell-jennifer-2015/RUB-49-Us_2.jpg Jennifer Rubell. Us, 2015. Glass, 18 x 49 x 19 cm (7 1/8 x 19 1/4 x 7 1/2 in). Copyright the artist. Courtesy the artist and Stephen Friedman Gallery, London. https://www.studiointernational.com/index.php/anj-smith-interview-hauser-and-wirth-london https://www.studiointernational.com/images/articles/s/smith-anj-2015/anj-smith-photo-martin-kennedy.jpg Anj Smith at Hauser & Wirth London, 18 Spetember 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/celts-art-and-identity-review-british-museum https://www.studiointernational.com/images/articles/c/celts-2015/Chad005.jpg St Chad gospels. Vellum, AD 700–800. Used by permission of the Chapter of Lichfield Cathedral. https://www.studiointernational.com/images/articles/c/celts-2015/Chad220.jpg St Chad gospels. Vellum, AD 700–800. Used by permission of the Chapter of Lichfield Cathedral. https://www.studiointernational.com/images/articles/c/celts-2015/Gundestrup-Cauldron--Cauldron-Detail-2.jpg Gundestrup Cauldron (detail). Silver. Gundestrup, northern Denmark, 100 BC–AD 1. © The National Museum of Denmark. https://www.studiointernational.com/images/articles/c/celts-2015/Gundestrup_Whole-Image.jpg Gundestrup Cauldron. Silver. Gundestrup, northern Denmark, 100 BC–AD 1. © The National Museum of Denmark. https://www.studiointernational.com/images/articles/c/celts-2015/pots.jpg Painted pots from Clermont-Ferrand. Ceramic. Clermont-Ferrand, central France, 150–100 BC. © Bibracte/Antoine Maillier. https://www.studiointernational.com/images/articles/c/celts-2015/Riders-of-Sidhe.jpg The Riders of the Sidhe. Tempera on canvas. John Duncan, 1911. © Dundee City Council (Dundee's Art Galleries and Museums). https://www.studiointernational.com/images/articles/c/celts-2015/Torrs-Pony-Cap.jpg Iron Age pony cap. Bronze. Torrs, southwest Scotland, 300–100 BC. © National Museums Scotland. https://www.studiointernational.com/images/articles/c/celts-2015/Hunterston-front.jpg Hunterston brooch (front). Silver, gold and amber. Hunterston, southwest Scotland, AD 700–800. © National Museums Scotland. https://www.studiointernational.com/images/articles/c/celts-2015/Hunterston-back.jpg Hunterston brooch (back). Silver, gold and amber. Hunterston, southwest Scotland, AD 700–800. © National Museums Scotland. https://www.studiointernational.com/images/articles/c/celts-2015/Desborough.jpg Desborough Mirror. Bronze. Desborough, Northamptonshire, England, 50 BC – AD 50. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/celts-2015/NMI_TullyCross_01.jpg Tully Lough Cross. Wood, bronze. Tully Lough, northwest Ireland, AD 700–900. © National Museum of Ireland. https://www.studiointernational.com/images/articles/c/celts-2015/H-mirror-2.jpg Holcombe Mirror. Bronze. Devon, England, 50 BC – AD 70. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/celts-2015/Balmaclellan-2.jpg Balmaclellan mirror. Bronze. Balmaclellan, southwest Scotland, AD 80–250. © National Museums Scotland. https://www.studiointernational.com/images/articles/c/celts-2015/Horned-helmet.jpg Horned helmet. Bronze. From the River Thames at Waterloo Bridge, London, England, 200-50 BC. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/celts-2015/Detail-Tully-Cross.jpg Tully Lough Cross (detail). Wood, bronze. Tully Lough, northwest Ireland, AD 700–900. © National Museum of Ireland. https://www.studiointernational.com/index.php/the-broad-los-angeles-eli-and-edythe-art-museum-elizabeth-diller-starchitect-building https://www.studiointernational.com/images/articles/b/broad-museum-2015/the_broad_photo_by_benny_chan_45569dsr.jpg The Broad museum on Grand Avenue in downtown Los Angeles. Photograph: Benny Chan, courtesy of The Broad and DIller Scofidio + Renfro. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-Broad-Atrium-Entryway.jpg The Broad museum https://www.studiointernational.com/images/articles/b/broad-museum-2015/3-Broad-Escalator.jpg The Broad museum https://www.studiointernational.com/images/articles/b/broad-museum-2015/4-Broad-Tent-built-for-the-two-opening-night-dinners.jpg Tent built for the two opening night dinners. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/2-Broad-Cylindrical-elevator.jpg The Broad museum. Cylindrical elevators. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/the_broad_photo_by_iwan_baan_4854.jpg Installation view of works by Barbara Kruger, Cindy Sherman, Richard Prince and Sherrie Levine in The Broad https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/Christopher-Wool-in-background.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/Thomas-Struth.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/Lieder-and-Beuys.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/The-El-Anatsui--Red-Block.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/Kara-walker-2.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/Concatenation-of-Koons.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/The-Ed-Ruscha-room.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/Damien-Hirst-2.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/Jasper-Johns-photo.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/Goshka-Macuda.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/1-broad-slideshow/Chris-Burden.jpg The Broad museum, Los Angeles. https://www.studiointernational.com/images/articles/b/broad-museum-2015/Barbara-Kruger-Your-Body-is-a-Battleground-1989.jpg Barbara Kruger. Untitled (Your body is a battleground), 1989. Photographic silkscreen on vinyl, 112 x 112 in. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/johns_flag67_echelon.jpg Jasper Johns. Flag, 1967. Encaustic and collage on canvas (three panels), 33 1/2 x 56 1/4 in. Art © Jasper Johns/Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/b/broad-museum-2015/Sherrie-Levine-Fountain-(Buddha)-1996.jpg Sherrie Levine. Fountain (Buddha), 1996. Cast bronze, 12 x 15 7/8 x 18 in. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/Koons.jpg Jeff Koons. New Hoover Deluxe Shampoo Polishers, New Shelton Wet/Dry 5-Gallon Displaced Quadradecker, 1981-87. Six shampoo polishers, vacuum cleaner, acrylic and flourescent lights. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/Damien-Hirst.jpg Damian Hirst. Something Solid Beneath the Surface of All Creatures Great and Small, 2001. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/Peter-Halley.jpg Peter Halley. Freudian Painting, 1981. Acrylic and Roll-A-Tex on unprimed canvas. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/Ruscha.jpg Edward Ruscha. Heavy Industry, 1962. Oil and pencil on canvas. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/Robert-Longo.jpg Robert Longo. Untitled (White Riot), 1982. Charcoal, graphite and ink on two paper panels. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/Larii-Pittman.jpg Lari Pittman. Like You, 1995. Oil and enamel on five mahogany panels. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/broad-museum-2015/Terrien-2.jpg Robert Therrien. Under The Table, 1994. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/antony-donaldson-interview-of-memory-and-oblivion https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/Round-Midnight-copy.jpg Antony Donaldson. ‘Round midnight, 2015. Acrylic on board, 53.5 x 53.5 cm (21 x 21 in). https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/Where-the-light-is-strong.jpg Antony Donaldson. Where the light is strong, 2014. Acrylic on laser cut paper, 78 x 78 cm (30 3/4 x 30 3/4 in). https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/Between-the-lines.jpg Antony Donaldson. Between the lines, 2015. Acrylic on canvas, 121 x 121 cm (47 5/8 x 47 5/8 in). https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/Master-of-Suspense-12.jpg Antony Donaldson. Corten steel head of Alfred Hitchcock, approximately 4m in height and 7m from front to back, 18 tonnes, on the former site of Gainsborough Studios in north London. https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/For-Jim-Clark.jpg Antony Donaldson. For Jim Clark, 1963. Oil on canvas, 152.3 x 152.3 cm (60 x 60 in). https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/Orange-Square.jpg Antony Donaldson. Orange-Square. Acrylic on canvas, 172 x 172 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/Spotted-Dog.jpg Antony Donaldson. Tourist Painting, Spotted Dog, 2012. Acrylic on board, 43 x 47 cm (16.93 x 18.5 in). Courtesy of the artist. https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/Take-Five.jpg Antony Donaldson. Take 5, 1962. Oil paint and alkyd paint on canvas, 152.8 x 153.3 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/19-alex-glendale.jpg Antony Donaldson. Alex Glendale, 1967. Liquitex on cotton duck, 256 x 210 cm. https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/Its-a-relief-to-get-away-from-the-surface.jpg Antony Donaldson. It's a relief to get away from the surface, 1966. Acrylic on canvas, 171 x 171 cm. https://www.studiointernational.com/images/articles/d/donaldson-anthony-2015/Taking-the-Plunge.jpg Antony Donaldson. Taking the plunge, 1962-63. Oil on board, 63 x 63 cm. Private collection, London. https://www.studiointernational.com/index.php/shona-illingworth-interview-lesions-in-the-landscape-fact-liverpool https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_1.jpg Shona Illingworth. Lesions in the Landscape, 2015. Installation view, FACT. Photograph: Jon Barraclough. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_11SI.jpg Shona Illingworth. Lesions in the Landscape, 2015. Installation view (2), FACT. Photograph: Jon Barraclough. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_13.jpg Shona Illingworth. Lesion and Lesion 1:1, The Amnesia Museum, 2015. Installation view, FACT. Photograph: Jon Barraclough. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_13-DETAIL.jpg Shona Illingworth. Lesion and Lesion 1:1, The Amnesia Museum, 2015. Installation view (2), FACT. Photograph: Jon Barraclough. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_14.jpg Shona Illingworth. Lesions in the Landscape, 2015. Installation view (2), FACT. Photograph: Jon Barraclough. With thanks to ESA. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_17SI.jpg Shona Illingworth. Lesions in the Landscape, 2015. Installation view (2), FACT. Photograph: Jon Barraclough. With thanks to the Scottish Screen Archive. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_18SI.jpg Shona Illingworth. The Amnesia Museum, 2015. Installation view. Photograph: Jon Barraclough. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_4-copySI.jpg Shona Illingworth. (2.16); (2.44); (2.56); (2.57); (3.09); (3.13); (3.14); (3.16); (3.22); (3.31); (3.42); (3.44); (4.08); (4.14); (4.42); (4.45); (4.52), 2015. Installation at FACT. Photograph: Jon Barraclough. With thanks to the Scottish Screen Archive. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_4SI.jpg Shona Illingworth. The Amnesia Museum, 2015. Installation view (2). Photograph: Jon Barraclough. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_6SI.jpg Shona Illingworth. Lesions in the Landscape, 2015. Installation view (3), FACT. Photograph: Jon Barraclough. https://www.studiointernational.com/images/articles/i/illingworth-shona-2015/NEW-Shona-Illingworth-tiffs_7SI.jpg Shona Illingworth. Lesions in the Landscape, 2015. Installation view (3), FACT. Photograph: Jon Barraclough. With thanks to the Scottish Screen Archive. https://www.studiointernational.com/index.php/power-of-pictures-early-soviet-photography-film-jewish-museum-new-york https://www.studiointernational.com/images/articles/s/soviet-photography-2015/TJM_657-PowerOfPictures_F150-Rodchenko.jpg Alexander Rodchenko. Soviet Photo, no. 10, 1927. Mikhail Koltsov and V Mikulin, editors. New York Public Library, New York. https://www.studiointernational.com/images/articles/s/soviet-photography-2015/TJM_657-PowerOfPictures_F166alt-SaltForSvanetia.jpg Still from the film Salt for Svanetia, directed by Mikhail Kalatozovn, 1930. USSR, 55 minutes. https://www.studiointernational.com/images/articles/s/soviet-photography-2015/TJM_657-PowerOfPictures_F170-Poster.jpg Anatoly Belsky. Poster for Five Minutes, directed by Alexander Balagin and Georgy Zelondzhev-Shipov, 1929. Lithograph. Merrill C. Berman Collection, New York. https://www.studiointernational.com/images/articles/s/soviet-photography-2015/TJM_657-PowerOfPictures_F171-Turksib.jpg Semyon Semyonov-Menes. Poster for Turksib, directed by Viktor Turin, 1929. Lithograph. Merrill C. Berman Collection, New York. https://www.studiointernational.com/images/articles/s/soviet-photography-2015/TJM_657-PowerOfPictures_F172-Poster.jpg Anton Lavinsky. Poster for Battleship Potemkin, directed by Sergei Eisenstein, 1925. Lithograph. Merrill C. Berman Collection, New York. https://www.studiointernational.com/images/articles/s/soviet-photography-2015/TJM_657-PowerOfPictures_F001-VertovEye.jpg Still from Man with a Movie Camera, directed by Dziga Vertov, 1929. USSR, 68 minutes. https://www.studiointernational.com/index.php/yayoi-kusama-in-infinity-review https://www.studiointernational.com/images/articles/k/kusama-yayoi-2015/press_k_57-61_006.jpg Yayoi Kusama with net painting and skyline in New York, c1961. https://www.studiointernational.com/images/articles/k/kusama-yayoi-2015/MirrorRoom_Pumpkin_Inside.jpg Yayoi Kusama. Mirror Room (Pumpkin), 1991. Mixed media, variable dimensions. Hara Museum of Contemporary Art . https://www.studiointernational.com/images/articles/k/kusama-yayoi-2015/002__KIM9712.jpg Yayoi Kusama: In Infinity. Installation view. Louisiana Museum of Modern Art; Humlebaek, Denmark. Photograph: Kim Hansen. https://www.studiointernational.com/images/articles/k/kusama-yayoi-2015/005__KIM9734.jpg Yayoi Kusama: In Infinity. Installation view (2). Louisiana Museum of Modern Art; Humlebaek, Denmark. Photograph: Kim Hansen. https://www.studiointernational.com/images/articles/k/kusama-yayoi-2015/1998.jpg Yayoi Kusama. Dot Obsession, 1998. Mirror glass, balloons, paint, dots. Installation shot from Les Abattoirs, Toulouse, France. https://www.studiointernational.com/images/articles/k/kusama-yayoi-2015/self_obliteration_c1966.jpg Yayoi Kusama. Self Obliteration (Net Obsession Series), c1966. Photo collage, 20.3 x 25.4 cm. Collection of the Artist. https://www.studiointernational.com/images/articles/k/kusama-yayoi-2015/kusama-ladder.jpg Yayoi Kusama. Traveling Life, 1964. Sewn stuffed fabric, shoes, ladder, paint. The National Museum of Modern Art Kyoto. https://www.studiointernational.com/images/articles/k/kusama-yayoi-2015/flower_1952.jpg Yayoi Kusama. Flower, 1952. Drawing on paper, 26.4 x 187 cm. Collection of the artist. https://www.studiointernational.com/index.php/phyllida-barlow-set-review-fruitmarket-gallery-edinburgh https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__007.jpg Phyllida Barlow. Installation view: set, The Fruitmarket Gallery, Edinburgh, 2015. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__008.jpg Phyllida Barlow. Untitled: caro, 2015. Timber, plywood, filler, paint, 360 x 480 x 270 cm. Installation view. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__009.jpg Phyllida Barlow. Set, installation view. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__016.jpg Phyllida Barlow. Untitled: boxes, 2015. Timber, plywood, paint, cardboard, paper, plastic, bonding plaster, sand, PVA, 380 x 410 x 260 cm. Installation view. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__022.jpg Phyllida Barlow. Untitled: contraption, 2015. Timber, plywood, scrim, cement, sand, paint, cardboard tube, upholstery foam, felt, fabric, rubber, 360 x 350 x 280 cm. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__030.jpg Phyllida Barlow. Untitled: stack, 2015. Plywood, timber, wire mesh, scrim, cement, sand, polyurethane foam, PVA, paint, 360 x 360 x 290 cm. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__035.jpg Phyllida Barlow. Untitled: blockade, 2015. Timber, polystyrene, paint, scrim, cement, plaster, bonding plaster, plywood, foam board, cardboard, pinboard, approximately 430 x 1240 x 1800 cm.. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__038.jpg Phyllida Barlow. Untitled: blockade, 2015. Timber, polystyrene, paint, scrim, cement, plaster, bonding plaster, plywood, foam board, cardboard, pinboard, approx. 430 x 1240 x 1800 cm. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__057.jpg Phyllida Barlow. Set, installation view. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/b/barlow-phyllida-2015/PB__059.jpg Phyllida Barlow. Set, installation view (2). Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark. https://www.studiointernational.com/index.php/liz-cooper-video-interview-what-do-i-need-to-do-to-make-it-ok https://www.studiointernational.com/images/articles/c/cooper-liz-2015/liz-cooper-portrait.jpg Liz Cooper talking to Studio International at the Pump House Gallery, Battersea Park, London, 11 September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/the-world-goes-pop-review-tate-modern-london https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Zielinski.jpg Jerzy Ryszard (Jurry) Zielinski. Bez Buntu (Without Rebellion), 1970. Private collection, courtesy Luxembourg & Dayan. © the Estate of the artist. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Axell.jpg Evelyne Axell. Valentine, 1966. Collection of Philippe Axell. Photograph: Paul Louis. © Evelyne Axell/DACS 2015. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Brudascu.jpg Cornel Brudascu. Guitarist, 1970. Oil on canvas, 130 x 96 cm. Museum of Visual Arts Galati, Romania. Photograph: Szabolcs Feleky © Cornel Brudascu. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Burga.jpg Teresa Burga. Cubes, 1968. Private collection. Photograph: Courtesy the artist and Galerie Barbara Thumm. © Teresa Burga. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Cancela.jpg Delia Cancela. Corazón destrozado, 1964. Private collection. © Delia Cancela. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Chicago.jpg Judy Chicago. Birth Hood, 1965-2011. Sprayed automotive lacquer on car hood. Courtesy of Judy Chicago / Riflemaker London. Photograph: © Donald Woodman. © Judy Chicago/DACS 2015. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Cronica.jpg Equipo Crónica. El realism socialista y el Pop Art en el campo de batalla, 1969. Acrylic on canvas , 200 x 200 cm. Museo Nacional Centro de Arte Reina Sofia, Madrid. Depósito Temporal Colección de Manolo Valdés, 2010. Photographic Archives Museo Nacional Centro de Arte Reina Sofia. © Equipo Cronica (Manolo Valdés and Rafael Solbes), courtesy Marlborough Gallery, New York. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Cueco.jpg Henri Cueco. Les Hommes Rouges, 1968-9. © Henri Cueco/ADAGP 2014. Photograph: David Cueco. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Erro.jpg Erró. American Interior #1, 1968. Mumok - Museum moderner Kunst Stiftung Ludwig Wien, Vienna. Photograph: mumok. © Erró/Bildrecht Wien. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Kogelnik.jpg Kiki Kogelnik. Bombs in Love, 1962. Kevin Ryan/Kiki Kogelnik Foundation Vienna/New York. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Rabascall.jpg Joan Rabascall. Atomic Kiss, 1968. Acrylic on canvas, 162 x 97 cm. MACBA Collection. Barcelona City Council Fund. Photograph: Tony Coll. © ADAGP, Paris and DACS, London 2015. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Rancillac.jpg Bernard Rancillac. Pilules capsules conciliabules, 1966. Vinyl on canvas, 146 x 228 cm. Collection of the artist. Photograph: Nathalie Rancillac. © Bernard Rancillac/DACS 2015. https://www.studiointernational.com/images/articles/w/world-goes-pop-2015/Shinohara.jpg Ushio Shinohara. Doll Festival, 1966. Fluorescent paint, oil, plastic board on plywood. Hyogo Prefectural Museum of Art (Yamamura Collection). © Ushio and Noriko Shinohara. https://www.studiointernational.com/index.php/the-fabric-of-india-review-victoria-and-albert-museum-london https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/01_Houndstooth_sari_by_Abraham_and_Thakore_double_ikat_silk_Hyderabad_2011.jpg Houndstooth sari by Abraham & Thakore, double ikat silk, Hyderabad, 2011. Photograph courtesy of Abraham & Thakore. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/02_Rabari_childs_jacket_cotton_embroidered_with_silk_Kutch_20th_century.jpg Rabari child’s jacket, cotton embroidered with silk, 20th century. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/03_Wall_hanging_detail_cotton_applique_Gujarat_20th_century.jpg Wall hanging (detail), cotton appliqué, Gujarat, 20th century. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/04_Map_shawl_woollen_embroidery_Kashmir_19th_century.jpg Map shawl, woollen embroidery, Kashmir, 19th century. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/05_Muslin_border_embroidered_with_beetle_wings_probably_Hyderabad_19th_century.jpg Muslin border embroidered with beetle wings, probably Hyderabad, 19th century. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/06_Wall_hanging_detail_cotton_applique_Gujarat_for_the_Western_market_c1700.jpg Wall hanging (detail), cotton appliqué, Gujarat for the western market, c1700. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/07_A_Muslim_lady_holding_a_flower_watercolour_and_gold_on_paper_Mughal_late_17th_century.jpg A Muslim lady holding a flower, watercolour and gold on paper, Mughal, late 17th century. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/09_Ceremonial_cloth_woven_silk_and_gold-wrapped_thread_Gujarat_for_the_Thai_market_19th_century.jpg Ceremonial cloth, woven silk and gold-wrapped thread, Gujarat for the Thai market, 19th century. Victoria and Albert Museum, London https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/10_Floorspread_painted_and_dyed_cotton_Coromandel_Coast_c1630.jpg Floorspread, painted and dyed cotton, Coromandel Coast, c1630. Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/Installation_view_of_The_Fabric_of_India_at_the_VA_c_Victoria_and_Albert_Museum_London_5.jpg Installation view of The Fabric of India at the V&A. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/Installation_view_of_The_Fabric_of_India_at_the_VA_c_Victoria_and_Albert_Museum_London_6.jpg Installation view (2) of The Fabric of India at the V&A. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/fabric-of-india-2015/Tipus_Tent_c_National_Trust_Images.jpg Tipu's Tent, 1725-50. National Trust Images. https://www.studiointernational.com/index.php/sculpture-in-the-city-2015-stella-ioannou-video-interview https://www.studiointernational.com/images/articles/i/ioannou-stella-2015/ioannou-500-image.jpg Stella Ioannou, co-director, Sculpture in the City, London, September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/john-hoyland-power-stations-paintings-1964-1982-review https://www.studiointernational.com/images/articles/h/hoyland-john-2015/John-Hoyland_17-5.jpg John Hoyland. 17.5.64. Acrylic on canvas, 213 x 274 cm. © The John Hoyland Estate. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/John-Hoyland_18_4_79.jpg John Hoyland. Longspeak 18.4.79. Acrylic on canvas, 243.8 x 213.4 cm. © The John Hoyland Estate. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/John-Hoyland_28_2_71.jpg John Hoyland. 28.2.71. Acrylic on cotton duck, 213.4 x 365.8 cm. © The John Hoyland Estate. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/John-Hoyland_28_6_67.jpg John Hoyland. 28.6.67. Oil on canvas, 300 x 183 cm. © The John Hoyland Estate. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/John-Hoyland_Advance-Town-29_3_80.jpg John Hoyland. Advance Town 29.3.80. Acrylic on cotton duck, 213.4 x 198.1 cm. © The John Hoyland Estate. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/NPSG-facade.jpg Newport Street Gallery, London. Facade. © Kioyar Ltd, Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/NPSG-facade-and-tracks.jpg Newport Street Gallery, London. Facade and railway tracks. © Kioyar Ltd, Photograph: Yuki Shima. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/Gallery-1.jpg John Hoyland: Power Stations: Paintings 1964-1982, installation view, Gallery 1, Newport Street Gallery, London © Kioyar Ltd, Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/Gallery-2.jpg John Hoyland: Power Stations: Paintings 1964-1982, installation view, Gallery 2, Newport Street Gallery, London © Kioyar Ltd, Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/Gallery-4.jpg John Hoyland: Power Stations: Paintings 1964-1982, installation view, Gallery 4, Newport Street Gallery, London © Kioyar Ltd, Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/h/hoyland-john-2015/Gallery-6.jpg John Hoyland: Power Stations: Paintings 1964-1982, installation view, Gallery 6, Newport Street Gallery, London © Kioyar Ltd, Photograph: Prudence Cuming Associates. https://www.studiointernational.com/index.php/drawing-in-silver-and-gold-leonardo-to-jasper-johns-review-british-museum-london https://www.studiointernational.com/images/articles/s/silver-and-gold-2015/1-Durer-Dog-resting.jpg Albrecht Dürer. Dog resting, c1520. Silverpoint over charcoal on pale pink prepared paper, 12.8 x 18 cm. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/silver-and-gold-2015/2-Hendrik-Goltzius.jpg Hendrik Goltzius. Self-portrait holding a copper-plate, c1589. Silverpoint on yellow-prepared vellum with grey and blue-grey wash, 14.6 x 10.4 cm © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/silver-and-gold-2015/3-Hans-Holbein-the-Elder.jpg Hans Holbein the Elder. Portrait of the artist’s brother Sigmund, 1512. Silverpoint, with black and red chalk, heightened with white bodycolour on white prepared paper, 12.9 x 9.6 cm. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/silver-and-gold-2015/4-Leonardo-da-Vinci-Bust-of-a-warrior,.jpg Leonardo da Vinci. Bust of a warrior, c1475. Silverpoint on cream prepared paper, 28.7 x 21.1 cm. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/silver-and-gold-2015/5-Lucas-van-Leyden,-Two-nude.jpg Lucas van Leyden. Two nude allegorical figures seated back-to-back on a sphere, c1516. Silverpoint on prepared paper, 27.7 x 20.5 cm © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/silver-and-gold-2015/8-Susan-Schwalb.jpg Susan Schwalb. Strata no. 407, 2005. Silverpoint, 229 x 227mm. © Reproduced by permission of the artist. https://www.studiointernational.com/images/articles/s/silver-and-gold-2015/9-Rogier-van-der-Weyden,-Portrait.jpg Rogier van der Weyden. Portrait of an unknown young woman, c1435. Silverpoint on cream prepared paper, 16.6 x 11.6 cm. © The Trustees of the British Museum. https://www.studiointernational.com/index.php/goya-the-portraits-review-national-portrait-gallery-london https://www.studiointernational.com/images/articles/g/goya-2015/Goya-Portraits-X7164_pr.jpg Francisco de Goya. The Count of Altamira, 1787. Oil on canvas, 177 x 108 cm. © Colección Banco de España. https://www.studiointernational.com/images/articles/g/goya-2015/Goya-X4134.jpg Francisco de Goya. The Family of the Infante Don Luis de Borbón, 1783-4. Oil on canvas, 248 x 328 cm. © Fondazione Magnani Rocca, Parma, Italy. https://www.studiointernational.com/images/articles/g/goya-2015/Goya-X6881.jpg Francisco de Goya. The Count of Floridablanca, 1783. Oil on canvas, 260 x 166 cm. © Colección Banco de España. https://www.studiointernational.com/images/articles/g/goya-2015/Goya-X6891.jpg Francisco de Goya. Manuel Osorio Manrique de Zuñiga, 1788. Oil on canvas, 127 x 101.6 cm. Lent by The Metropolitan Museum of Art, The Jules Bache Collection, 1949. © The Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/g/goya-2015/Goya-X7168-pr.jpg Francisco de Goya. The Count of Altamira, 1787. Oil on canvas, 177 x 108 cm. © Colección Banco de España. https://www.studiointernational.com/images/articles/g/goya-2015/Goya-X7213.jpg Francisco de Goya. Self Portrait, 1815. Oil on canvas, 45.8 × 35.6 cm. © Museo Nacional del Prado. Madrid. https://www.studiointernational.com/images/articles/g/goya-2015/Goya-X8784.jpg Francisco de Goya. Charles III in Hunting Dress, 1786-8. Oil on canvas, 210 x 127 cm. Courtesy of Duquesa del Arco. https://www.studiointernational.com/index.php/jordan-casteel-interview-brothers-black-man-in-our-times https://www.studiointernational.com/images/articles/c/casteel-jordan-2015/Crockett-Brothers.jpg Jordan Casteel. Crockett Brothers, 2015. Oil on canvas, 54 x 72 in. https://www.studiointernational.com/images/articles/c/casteel-jordan-2015/Hamilton-Cousins.jpg Jordan Casteel. Hamilton Cousins, 2015. Oil on canvas, 54 x 72 in. https://www.studiointernational.com/images/articles/c/casteel-jordan-2015/Miles-and-Jojo.jpg Jordan Casteel. Miles and Jojo, 2015. Oil on canvas, 54 x 72 in. https://www.studiointernational.com/images/articles/c/casteel-jordan-2015/Barbershop.jpg Jordan Casteel. Barbershop, 2015. Oil on canvas, 72 x 54 in. https://www.studiointernational.com/images/articles/c/casteel-jordan-2015/Marcus-and-Jace.jpg Jordan Casteel. Marcus and Jace, 2015. Oil on canvas, 72 x 54 in. https://www.studiointernational.com/images/articles/c/casteel-jordan-2015/Ron-and-Jordan.jpg Jordan Casteel. Ron and Jordan, 2015. Oil on canvas, 72 x 54 in. https://www.studiointernational.com/images/articles/c/casteel-jordan-2015/Three-Lions.jpg Jordan Casteel. Three Lions, 2015. Oil on canvas, 54 x 72 in. https://www.studiointernational.com/index.php/eileen-hogan-interview-edges-and-enclosures-drawing-painting-little-sparta https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/2.jpg Eileen Hogan. Beehives at Little Sparta, 2013. Oil paint, charcoal and oil pastel on paper, 102 x 106 cm. https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/Sketchbook-with-map-Eileen-Hogan.jpg Eileen Hogan. Sketchbook with map of Little Sparta. https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/5-Bryanston-Square.jpg Eileen Hogan. Bryanston Square, 2010. Oil paint and charcoal on paper, 102 x 106 cm. https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/6-Sketchbook-Little-Sparta-.jpg Eileen Hogan. Sketchbooks of Little Sparta. https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/7-Sketchbook-Little-Sparta.jpg Eileen Hogan. Sketchbooks of Little Sparta. https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/8-Sketchbook-Little-Sparta.jpg Eileen Hogan. Sketchbooks of Little Sparta. https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/9-Sketchbook-Little-Sparta.jpg Eileen Hogan. Sketchbooks of Little Sparta. https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/11-Self-portrait-thru-wardrobe.jpg Eileen Hogan. Self-portrait through wardrobe, 2015. oil and wax on paper, 60 x 66 cm. https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/12-Bountiful.jpg Eileen Hogan. Bountiful UL238, 2013. Ol paint on paper, 32 x 18 cm. https://www.studiointernational.com/images/articles/h/hogan-eileen-2015/13-Sweet-Promise.jpg Eileen Hogan. Sweet Promise FH172, 2013. Oil paint on paper, 32 x 18 cm. https://www.studiointernational.com/index.php/frieze-art-fair-2015-review-london https://www.studiointernational.com/images/articles/f/frieze-london-2015/Cerith-Wyn-Evans.jpg Cerith Wyn Evans. Look at that picture, how does it seem to you now… Does it seem to be persisting? White Cube, Frieze London 2015. Photograph: Celia White. https://www.studiointernational.com/images/articles/f/frieze-london-2015/Ken-Kagami_L5-Live.jpg Ken Kagami. L5 Live. Misako & Rosen Gallery, Tokyo. Frieze London 2015. Photograph: Celia White. https://www.studiointernational.com/images/articles/f/frieze-london-2015/Siamiese-Hair-Twins.jpg Tunga. Siamese Hair Twins. Frieze London 2015. Photograph: Celia White. https://www.studiointernational.com/images/articles/f/frieze-london-2015/21519710813_5972950083_o.jpg Winner of the 2015 Stand Prize, Stuart Shave/Modern Art, Frieze London 2015. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/f/frieze-london-2015/21952645560_7ff9cde14e_o.jpg PPOW, Frieze London 2015. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/f/frieze-london-2015/21983153689_cfe0e4b152_o.jpg Galerie Eigen + Art, Frieze London 2015. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/images/articles/f/frieze-london-2015/22157451762_e0c6661af0_o.jpg The Breeder, Frieze London 2015. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze. https://www.studiointernational.com/index.php/ryan-gander-interview-fieldwork-lisson-gallery https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150020_1.jpg Ryan Gander. Fieldwork 2015, 2015. Variable. 32 objects with plinths presented on a moving conveyor belt. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150020_2.jpg Ryan Gander. Fieldwork 2015, 2015. Variable. 32 objects with plinths presented on a moving conveyor belt. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150020_5.jpg Ryan Gander. Fieldwork 2015, 2015. Variable. 32 objects with plinths presented on a moving conveyor belt. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150020_4.jpg Ryan Gander. Fieldwork 2015, 2015. Variable. 32 objects with plinths presented on a moving conveyor belt. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150020_6.jpg Ryan Gander. Fieldwork 2015, 2015. Variable. 32 objects with plinths presented on a moving conveyor belt. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150020_9.jpg Ryan Gander. Fieldwork 2015, 2015. Variable. 32 objects with plinths presented on a moving conveyor belt. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150027_3.jpg Ryan Gander. Two Hundred and Sixty Five Degrees Below Every Kind of Zero 2015. Fibreglass. 36 x 26 cm. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150040_1.jpg Ryan Gander. As is... (Statuette of Socrates, 200 BC, Anon.) 2015. Marble, Marble resin and Vitrine. 57.5 x 26.5 x 24 cm. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150041_1.jpg Ryan Gander. Please be patient you two - Homeless guy cycling down Commercial Street, head down, fighting the wind and sleet, with only one shoe, its untied lace trailing through the puddles on the stree and in danger of becoming entangled in the bicycle's chainset,.. 2015. Acrylic on glass. 66.3 x 40 x 2.5 cm. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150043_1.jpg Ryan Gander. Two Way Associative Sequel #7 (Thematic or no Thematic a Pattern Shall Emerge) 2015. Mounted Print. 125 x 125 x 5 cm. ed. 1 of 1 + 1 AP. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150022_1.jpg Ryan Gander. I Be...(II) 2015. Marble, Marble resin and Mirror. 166 x 142.5 x 18 cm. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150025_1.jpg Ryan Gander. Preparation is Everything (There Will Come a Slowness and We Should Prepare for That Also) 2015. Mirror and Paint. 180 x 180 x 3.5 cm. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150023_1.jpg Ryan Gander. Never Enough, 2015. Pebbles. Dimensions variable. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/images/articles/g/gander-ryan-2015/GAND150026_1.jpg Ryan Gander. Preparation is Everything (There Will Come a Slowness and We Should Prepare for That Also) 2015. Mirror and Paint. 180 x 180 x 3.5 cm. © Ryan Gander; Courtesy Lisson Gallery, London. https://www.studiointernational.com/index.php/marie-kaus-interview-points-of-contact-adeline-de-monseignat-cob-gallery-london https://www.studiointernational.com/images/articles/k/kaus-maria-2015/Adeline-de-Monseignat-In-The-Flesh-II-2015.jpg Adeline de Monseignat. In The Flesh II, 2015. Marble (Cividale), 42 cm diameter. https://www.studiointernational.com/index.php/alberto-burri-the-trauma-of-painting-review-guggenheim-museum https://www.studiointernational.com/images/articles/b/burri-alberto-2015/ALBERTO_BURRI.jpg Alberto Burri in his studio in Case Nove di Morra, Città di Castello, Italy, 1982. Photograph: Aurelio Amendola © Aurelio Amendola, Pistoia, Italy. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Combustione_legno.jpg Alberto Burri. Combustione legno (Wood Combustion), 1957. Wood veneer, paper, combustion, acrylic, and Vinavil on canvas, 149.5 x 99 cm. Private collection, courtesy Galleria dello Scudo, Verona. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artist Rights Society (ARS), New York/SIAE, Rome. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Grande_Bianco_Plastica.jpg Alberto Burri. Grande bianco plastica (Large White Plastic), 1964. Plastic (PVC) and combustion on aluminum framework, 191.8 x 292.1 cm. Glenstone. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artists Rights Society (ARS), New York/SIAE, Rome. Photograph: Tim Nighswander/IMAGING4ART, courtesy Glenstone. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Grande_Bianco_1952.jpg Alberto Burri. Grande bianco (Large White), 1952. Oil, tempera, fabric, burlap, thread, and Vinavil on canvas, 151.5 x 251.5 cm. Fondazione Palazzo Albizzini Collezione Burri, Città di Castello, Italy. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artists Rights Society (ARS), New York/SIAE, Rome. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Grande_Cretto_Nero_1977.jpg Alberto Burri. Grande cretto nero (Large Black Cretto), 1977. Acrylic and PVA on Celotex, 149.5 x 249.5 cm. Centre Pompidou, Paris, Musée national d’art moderne/Centre de création industrielle, Gift of the artist, 1978. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artists Rights Society (ARS), New York/SIAE, Rome. Photograph: © CNAC/MNAM/Dist. RMN-Grand Palais/Art Resource, New York. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Grande_ferro_M4.jpg Alberto Burri. Grande ferro M 4 (Large Iron M 4), 1959. Welded iron sheet metal and tacks on wood framework, 199.8 x 189.9 cm. Solomon R. Guggenheim Museum, New York 60.1572. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artist Rights Society (ARS), New York/SIAE, Rome. Photograph: Kristopher McKay © Solomon R. Guggenheim Foundation, New York. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Legno_e_bianco_I_1956.jpg Alberto Burri. Legno e bianco I (Wood and White I), 1956. Wood veneer, combustion, acrylic and Vinavil on canvas, 87.7 x 159 cm. Solomon R. Guggenheim Museum, New York 57.1463. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artists Rights Society (ARS), New York/SIAE, Rome. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Lo_strappo.jpg Alberto Burri. Lo strappo (The Rip), 1952. Oil, fabric, thread, pumice and Vinavil, 87 x 58 cm. Collezione Beatrice Monti della Corte. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artist Rights Society (ARS), New York/SIAE, Rome. Photograph: © Christie’s Image Ltd. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Nero_bianco_e_sacco.jpg Alberto Burri. Nero bianco e sacco (Black White and Sack), c1954. Oil, fabric, burlap, pumice and PVA on canvas, 125 x 107 cm. Courtesy Galleria Tega, Milan. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artist Rights Society (ARS), New York/SIAE, Rome. Photograph: Paolo Vandrasch and Romina Bottega. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Rosso_plastica.jpg Alberto Burri. Rosso plastica (Red Plastic), 1961. Plastic (PVC), acrylic and combustion on plastic (PE) and black fabric, 142 x 153 cm. Modern Art Foundation. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artist Rights Society (ARS), New York/SIAE, Rome. Photograph: Massimo Napoli, Rome, courtesy Modern Art Foundation. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Sacco_e_Rosso.jpg Alberto Burri. Sacco e rosso (Sack and Red), c1959. Burlap, thread, acrylic and PVA on black fabric, 150 x 130 cm. Private collection, London © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015. Artist Rights Society (ARS), New York/SIAE, Rome Photograph: Lucy Dawkins, London. https://www.studiointernational.com/images/articles/b/burri-alberto-2015/Sacco_e_oro.jpg Alberto Burri. Sacco e oro (Sack and Gold), 1953. Burlap, thread, acrylic, gold leaf and PVA on black fabric, 102.9 x 89.4 cm. Private collection, courtesy Galleria dello Scudo, Verona © Fondazione Palazzo Albizzini, Collezione Burri, Città di Castello/2015 Artist Rights Society (ARS), New York/SIAE, Rome. https://www.studiointernational.com/index.php/miranda-donovan-metaphors-for-mankind-review-cnb-gallery-london https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/No-Expectations.jpg Miranda Donovan. No Expectations, 2013-14. Acrylic, resin and Swarvosky crystals on birch ply panel, 198 x 366 x 7 cm (6.5 x 12 ft). https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Flick-the-Swith,-Acrlic,-Auto-Paints-&-Mixed-Media-on-Cardboard,-43-x-63-cm,-Diary-of-My-Other-Self,-Nov-2014.jpg Miranda Donovan. Flick the Switch, Diary of My Other Self, Nov 2014. Acrylic, auto paints and mixed media on cardboard, 43 x 63 cm. https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Fractious.jpg Miranda Donovan. Fractious, July 2015. Acrylic, auto paints and mixed media on cardboard, 43 x 63.5 cm (inc. Frame), https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Diary-of-My-Other-Self,-Oct-2nd-ii,-2014.jpg Miranda Donovan. Diary of My Other Self, Oct 2nd (ii), 2014. Acrylic and mixed media on cardboard, 24 x 24 cm (inc frame). https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Diary-of-My-Other-Self,-9th-Oct-2014.jpg Miranda Donovan. Diary of My Other Self, 9th Oct 2014. Acrylic and mixed media on cardboard, 24 x 24 cm (inc frame). https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Diary-of-My-Other-Self,-Oct-6th-7th,-2014.jpg Miranda Donovan. Diary of My Other Self, Oct 6th & 7th, 2014. Acrylic and mixed media on cardboard, 24 x 24 cm (inc frame). https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Diary-of-My-Other-Self,-Oct-7th-2014.jpg Miranda Donovan. Diary of My Other Self, Oct 7th 2014. Acrylic and mixed media on cardboard, 24.5 x 24 cm (inc frame). https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Diary-of-My-Other-Self,-Oct-12th-2014.jpg Miranda Donovan. Diary of My Other Self, Oct 12th 2014. Acrylic and mixed media on cardboard, 24 x 23.5 cm (inc frame). https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Diary-of-My-Other-Self,-Oct-21st-2014.jpg Miranda Donovan. Diary of My Other Self, Oct 21st 2014. Acrylic and mixed media on cardboard, 23.5 x 14.5 cm (inc frame). https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Diary-of-My-Other-Self,-Oct-23rd-2014.jpg Miranda Donovan. Diary of My Other Self, Oct 23rd 2014. Acrylic and mixed media on cardboard, 39 x 18 cm (inc frame). https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Diary-of-My-Other-Self,-Oct-25th-2014.jpg Miranda Donovan. Diary of My Other Self, Oct 25th 2014. Acrylic and mixed media on cardboard, 23.5 x 24cm (inc frame). https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Nothing-To-Fear-2015.jpg Miranda Donovan. Nothing To Fear, 2015. Acrylic, auto paints and mixed media on birch ply panel, 122 x 140 cm. https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Voyeur.jpg Miranda Donovan. Voyeur, 2014. Acrylic, crystals and resin on birch ply panel, 105.5 x 150 x 5.5 cm. https://www.studiointernational.com/images/articles/d/donovan-miranda-2015/Dare-to-Tread,-2014.jpg Miranda Donovan. Dare to Tread, 2014. Acrylic, resin and Swarovski crystals on birch ply panel, 122 x 140 x 5cm. https://www.studiointernational.com/index.php/laure-prouvost-british-art-show-8 https://www.studiointernational.com/images/articles/p/prouvost-laure-2015/laure-provoust-image.jpg Laure Prouvost talking to Studio International at the British Art Show 8, Leeds Art Gallery, October 2015. https://www.studiointernational.com/index.php/g-r-iranna-interview-contemporary-indian-art https://www.studiointernational.com/images/articles/i/iranna-gr-2015/Silencer.jpg G R Iranna. Silencer, 2005. Mixed Media installation. 72 x 84 x 34 inches. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/Wounded-tools.jpg G R Iranna. Wounded tools, 2007. Mixed Media Installation. 4.5 x 6 x 2 feet. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/Dragged-Boat.jpg G R Iranna. Dragged Boat, 2008. Mixed Media Installation. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/Tapasya.jpg G R Iranna. Tapasya, 2012. Wood and Metal. 6 x 11 x 4 inches. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/streched-objec.jpg G R Iranna. Stretched Object. Electric Wire and Wood. 5 x 70 x 10.5 inches. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/Panic-garden.jpg G R Iranna. Panic Garden, 2014. Wood, 10 x 28 feet. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/busted-baloon.jpg G R Iranna. Busted Baloon, 2015. Acrylic on Tarpaulin, 66 x 144 inches. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/houses-mail.jpg G R Iranna. Untitled. Acrylic on Tarpaulin. 4 x 11 feet. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/in-progress.jpg G R Iranna. Untitled (work in progress), 2015. 5.5 x 12 feet. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/paper-work-mail.jpg G R Iranna. Stretched carpet, 2015. Charcoal on paper, 58 x 84 inches. Courtesy of the artist. https://www.studiointernational.com/images/articles/i/iranna-gr-2015/yelow-carpet-mail-2015.jpg G R Iranna. Yellow carpet, 2015. Acrylic on canvas. 4 x 5 feet. Courtesy of the artist. https://www.studiointernational.com/index.php/jim-shaw-the-end-is-here-review-new-museum-new-york https://www.studiointernational.com/images/articles/s/shaw-jim-2015/jim-shaw-labyrinth-2009.jpg Jim Shaw, Labyrinth: I Dreamt I was Taller than Jonathan Borofsky, 2009. Installation; acrylic on muslin canvas stretched over plywood panels, dimensions variable. Collection Eric Decelle, Brussels. Image courtesy the artist and Galerie Praz-Delavallade, Paris. Photograph © F. Deval, CAPC Musée d’art contemporain de Bordeaux https://www.studiointernational.com/images/articles/s/shaw-jim-2015/JSH193.jpg Jim Shaw, Seven Deadly Sins, 2013. Acrylic on muslin, triptych; left panel: 96 x 48 in (243.8 x 121.9 cm); centre panel: 96 x 96 in (243.8 x 243.8 cm); right panel: 96 x 48 in (243.8 x 121.9 cm). Marciano Art Collection https://www.studiointernational.com/images/articles/s/shaw-jim-2015/JS13.05.jpg Jim Shaw, The Jefferson Memorial, 2013. Acrylic on muslin with acrylic on muslin cut-out, hot glue, and fishing line, 144 x 264 in (365.8 x 670.6 cm). Courtesy Metro Pictures, New York, and Simon Lee Gallery, London. Photograph: Lotte Stekelenburg https://www.studiointernational.com/images/articles/s/shaw-jim-2015/JS12.14.jpg Jim Shaw, Gretchen Spinning, 2013. Airbrush and pencil on paper, 72 ¼ x 49 ¾ in (183.5 x 126.4 cm). Courtesy the artist and Blum & Poe, Los Angeles https://www.studiointernational.com/images/articles/s/shaw-jim-2015/JSH30.jpg Jim Shaw, Dream Drawing (On the TV movie bio of Frank Sinatra...), 1996. Pencil on paper, 12 x 9 in (30.5 x 22.9 cm). Courtesy the artist and Blum & Poe, Los Angeles https://www.studiointernational.com/images/articles/s/shaw-jim-2015/World-Of-Pain-1991.jpg Jim Shaw, World of Pain (Silver Version), 1991. Photostat on Mylar with cardboard back, 17 x 14 in (43.2 x 35.6 cm). Exhibition copy. Collection the artist https://www.studiointernational.com/images/articles/s/shaw-jim-2015/jim-shaw-untitled-1985.jpg Jim Shaw, Untitled (Distorted Faces series), 1985. Graphite, airbrush, and Prismacolor on paper, 14 x 11 in (35.6 x 27.9 cm). Collection the artist https://www.studiointernational.com/images/articles/s/shaw-jim-2015/jim-shaw-untitled-1979.jpg Jim Shaw, Untitled (Distorted Faces series), 1979. Graphite, airbrush, and Prismacolor on paper, 14 x 11 in (35.6 x 27.9 cm). Collection the artist https://www.studiointernational.com/images/articles/s/shaw-jim-2015/The-Apple-Of-His-Eyes-1988.jpg Jim Shaw, The Apple of His Eye, 1988. Gouache on board, 17 x 14 in (43.2 x 35.6 cm). Courtesy Marc Jancou Contemporary, New York & Geneva https://www.studiointernational.com/images/articles/s/shaw-jim-2015/Protest-Poster-1986.jpg Jim Shaw, Protest Poster, 1986. Acrylic on board, 17 ¼ x 14 ¼ in (43.8 x 36.2 cm). Ringier Collection, Switzerland https://www.studiointernational.com/images/articles/s/shaw-jim-2015/The-Golden-Book-of-Knowledge-1989.jpg Jim Shaw, The Golden Book of Knowledge, 1989. Gouache on board, 17 x 14 in (43.2 x 35.6 cm). The Eileen Harris Norton Collection https://www.studiointernational.com/images/articles/s/shaw-jim-2015/Billys-Self-Portrait-I-1986.jpg Jim Shaw, Billy’s Self-portrait #1 (Famous Monsters Cover), 1986. Gouache on board, 17 1/4 x 14 1/4 in (43.8 x 36.2 cm), framed. Los Angeles County Museum of Art. Partial gift of Judy and Stuart Spence and purchased with funds provided by the Robert H. Halff Endowment and the Contemporary Art Deaccession Fund. Photograph © Museum Associates/ LACMA https://www.studiointernational.com/images/articles/s/shaw-jim-2015/INSTALL-VIEW-1.jpg Jim Shaw: The End is Here, 2015–16. Courtesy New Museum, New York. Photograph: Maris Hutchinson / EPW Studio https://www.studiointernational.com/images/articles/s/shaw-jim-2015/INSTALL-VIEW-2.jpg Jim Shaw: The End is Here, 2015–16. Courtesy New Museum, New York. Photograph: Maris Hutchinson / EPW Studio https://www.studiointernational.com/images/articles/s/shaw-jim-2015/INSTALL-VIEW-3.jpg Jim Shaw: The End is Here, 2015–16. Courtesy New Museum, New York. Photograph: Maris Hutchinson / EPW Studio https://www.studiointernational.com/images/articles/s/shaw-jim-2015/INSTALL-VIEW-12.jpg Jim Shaw: The End is Here, 2015–16. Courtesy New Museum, New York. Photograph: Maris Hutchinson / EPW Studio https://www.studiointernational.com/images/articles/s/shaw-jim-2015/JIM-SHAW_INSTALL-VIEW-5.jpg Jim Shaw: The End is Here, 2015–16. Courtesy New Museum, New York. Photograph: Maris Hutchinson / EPW Studio https://www.studiointernational.com/images/articles/s/shaw-jim-2015/JIM-SHAW_INSTALL-VIEW-11.jpg Jim Shaw: The End is Here, 2015–16. Courtesy New Museum, New York. Photograph: Maris Hutchinson / EPW Studio https://www.studiointernational.com/images/articles/s/shaw-jim-2015/JIM-SHAW_INSTALL-VIEW-2.jpg Jim Shaw: The End is Here, 2015–16. Courtesy New Museum, New York. Photograph: Maris Hutchinson / EPW Studio https://www.studiointernational.com/images/articles/s/shaw-jim-2015/VIEW-1_SCALE.jpg Jim Shaw: The End is Here, 2015–16. Courtesy New Museum, New York. Photograph: Maris Hutchinson / EPW Studio https://www.studiointernational.com/index.php/bob-and-roberta-smith-interview-art-is-your-human-right-william-morris-gallery https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/All-Schools-Should-be-Art-Schools-2015.jpg Bob and Roberta Smith. All Schools Should Be Art Schools, 2015. Courtesy Bob and Roberta Smith. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/Art-Is-Your-Human-Right-2015.jpg Bob and Roberta Smith. Art Is Your Human Right, 2015. Courtesy Bob and Roberta Smith. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/Art-Makes-People-Powerful-2015.jpg Bob and Roberta Smith. Art Makes People Powerful, 2015. Courtesy Bob and Roberta Smith. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/Dear-Mayoral-Candidate.jpg Bob and Roberta Smith. ‘Dear Mayoral Candidate…’, 2015. Courtesy Bob and Roberta Smith. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/Hands-Off-the-BBC-2009.jpg Bob and Roberta Smith. Hands Off the BBC, 2009. Courtesy Bob and Roberta Smith. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/Letter-to-Michael-Gove-MP-25-July-2015.jpg Bob and Roberta Smith. Letter to Michael Gove MP, 25 July 2011. Courtesy Bob and Roberta Smith. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/This-Campaign-Is-An-Art-Work-2015.jpg Bob and Roberta Smith. This Campaign Is An Art Work, 2015. Courtesy Bob and Roberta Smith. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/Young-people-visiting-Bobs-studio-in-Ramsgate-August-2015.jpg Bob and Roberta Smith. Young people from William Morris Gallery visiting Bob and Roberta’s studio, Ramsgate, August 2015. Photograph courtesy William Morris Gallery, London Borough of Waltham Forest. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/install-B09C0392.jpg Bob and Roberta Smith. Art Is Your Human Right: The Artistic Campaigns of Bob and Roberta Smith, 16 October 2015 – 31 January 2016. Installation view (1). Courtesy Bob and Roberta Smith. Photograph: Nicola Tree. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/install-B09C0417.jpg Bob and Roberta Smith. Art Is Your Human Right: The Artistic Campaigns of Bob and Roberta Smith, 16 October 2015 – 31 January 2016. Installation view (2). Courtesy Bob and Roberta Smith. Photograph: Nicola Tree. https://www.studiointernational.com/images/articles/s/smith-bob-roberta-2015/install-B09C0459.jpg Bob and Roberta Smith. Art Is Your Human Right: The Artistic Campaigns of Bob and Roberta Smith, 16 October 2015 – 31 January 2016. Installation view (3). Courtesy Bob and Roberta Smith. Photograph: Nicola Tree. https://www.studiointernational.com/index.php/ayakamay-japanese-american-artist-street-performer-red-gallery https://www.studiointernational.com/images/articles/a/ayakamay-2015/idol01-e1443499703852.jpg Ayakamay. IDOL WORSHIP, 2014. Digital video. Framed digital performance (limited edition), dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/ayakamay-2015/idol05.jpg Ayakamay. IDOL WORSHIP, 2014. Digital performance installation. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/ayakamay-2015/UE01mini1.jpg Ayakamay. Unconscious Education #006, 2015.「我々は無意識な教育に則り、背の順に列びます」Obeying our unconscious education, we line up according to our height. Fine art inkjet on silver rag fibre paper, 30.5 x 41.5 x 2 in, edition of 7. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/ayakamay-2015/UE04-707x472.jpg Ayakamay. Unconscious Education #001, 2014.「我々は無意識な教育に則り、正々堂々と戦うことを誓います」Following our unconscious education, we vow to fight fair and square. Mixed media on silver rag fibre paper, 16 x 24 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/ayakamay-2015/IMG_3319.jpg Ayakamay. Mimikaki, 2014. Performance at Le 116 Center for Contemporary Art, East Paris, France. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/ayakamay-2015/DSC00977.jpg Ayakamay. Mimikaki, 2013. Street performance in Shinjyuku, Tokyo, Japan. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/ayakamay-2015/IMG_6727.jpg Ayakamay. Mimikaki mural with Core246 & Kaes, 2015. Red Gallery, Shoreditch, London, UK. Courtesy of the artist. https://www.studiointernational.com/index.php/grant-clifford-interview-i-still-feel-fear-starting-a-painting https://www.studiointernational.com/images/articles/c/clifford-grant-2015/IMG_1650.jpg Grant Clifford. Eros and Thanatos, 2012. Oil on canvas, 1,520 x 1,220 cm. Property of the artist. https://www.studiointernational.com/images/articles/c/clifford-grant-2015/IMG_1656.jpg Grant Clifford. Frieda and the Swallows, 2010. Oil on canvas, 1,810 x 1,520 cm. Property of the artist. https://www.studiointernational.com/images/articles/c/clifford-grant-2015/IMG_1658.jpg Grant Clifford. Emerging Self-dance, 2013. Oil on canvas, 1,810 x 1,520 cm. Property of the artist. https://www.studiointernational.com/index.php/zhan-wang-video-interview-sculptor-scholar-rocks-beijing-china https://www.studiointernational.com/images/articles/z/zhan-wang-2015/zhan-wang-portrait.jpg Zhan Wang talking to Studio International at his Beijing studio, 3 July 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/alberto-giacometti-pure-presence-review-national-portrait-gallery https://www.studiointernational.com/images/articles/g/giacometti-2015/004-Self-Portrait-1921-Giacometti_2012.jpg Small Self-portrait by Alberto Giacometti, 1921. Kunsthaus Zurich, Legat Bruno Giacometti © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris) 2015. https://www.studiointernational.com/images/articles/g/giacometti-2015/016-Head-of-Isabel,-1936-1994-0343-JPL20090602-6.jpg Alberto Giacometti. Head of Isabel, 1936. Collection Fondation Giacometti, Paris © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris) 2015. https://www.studiointernational.com/images/articles/g/giacometti-2015/017-Head-of-Isabel-c.jpg Alberto Giacometti. Head of Isabel, c1938-9. Collection Fondation Giacometti, Paris © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris) 2015. https://www.studiointernational.com/images/articles/g/giacometti-2015/027-The-Artists-Mother-1950.jpg Alberto Giacometti. The Artist’s Mother, 1950. The Museum of Modern Art, New York © 2015. Digital image The Museum of Modern Art, New York/Scala, Florence © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris) 2015. https://www.studiointernational.com/images/articles/g/giacometti-2015/028-Bust-of-Annette-1954-2.jpg Alberto Giacometti. Bust of Annette, 1954. Private Collection © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris) 2015 https://www.studiointernational.com/images/articles/g/giacometti-2015/057-Jean-Genet-1954-55.jpg Jean Genet by Alberto Giacometti, 1954-5. Tate London 2015 © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris) 2015. https://www.studiointernational.com/images/articles/g/giacometti-2015/061-Caroline-1961.jpg Alberto Giacometti. Caroline, 1961. Fondation Beyeler, Riehen / Basel, Beyeler Collection © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris) 2015; Photograph: Robert Bayer, Basel. https://www.studiointernational.com/images/articles/g/giacometti-2015/067-Woman-of-Venice_GS.jpg Woman of Venice VIII by Alberto Giacometti, 1956. Kunsthaus Zurich, Alberto Giacometti-Stiftung © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris) 2015. https://www.studiointernational.com/index.php/frank-stella-a-retrospective-review-whitney-museum-of-american-art-new-york https://www.studiointernational.com/images/articles/s/stella-frank-2015/Frank-Stella-and-adam-weinberg.jpg Frank Stella with Whitney Director Adam Weinberg. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/Das-Erdbeben.jpg Frank Stella. Das Erdbeben in Chili (The Earthquake in Chile), No 3, 1999. Acrylic on canvas, 12 x 40.5 ft. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/Showing-juxtaposition-of-aluminum-to-Irregular-Polygon.jpg Frank Stella. A Retrospective. Gallery view showing juxtaposition of aluminium to Irregular Polygon. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/Maquette-for-Gobbo.jpg Maquette for Gobba, zoppa e collotorto, 1983. Ink on foamcore. Private collection. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/The-blanket.jpg Frank Stella. The Blanket (IRS-8, 1.875X), 1988. Mixed media on cast magnesium and aluminium. UBS Art Collection. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/Suite-of-individual-works-to-show-their-juxtaposition-or-clash-with-ceiling.jpg Distressingly, Stella’s monumental steel tubing rising to meet Renzo Piano’s cantilevered steel ceiling presents like a clash of the titans and, given its breadth, the architecture wins out. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/Creeds.jpg Frank Stella. Creede I and II, 1961. Copper oil paint on canvas. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/The-4-square-circus-series.jpg Frank Stella. Installation view of Circus of Pure Feeling for Malevich, 4 Square Circus, 16 parts, 2009. Stainless steel tubing, wire, and Protogen RPT. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/IMG_1977.jpg Frank Stella. Damascus Gate (Stretch Variation III), 1970. Alkyd on canvas, 120 × 600 in (304.8 × 1524 cm). The Museum of Fine Arts, Houston. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/General-juxtaposition.jpg Frank Stella. A Retrospective. Gallery view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/IMG_1917.jpg Frank Stella. Raft of Medusa, Part I, 1990. Oil and enamel on etched honeycomb aluminium with steel pipes, beams and other metal elements, 167 1/2 × 163 × 159 in (425.5 × 414 × 403.9 cm). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/063_FS.jpg Frank Stella. The Fountain, 1992. Woodcut, etching, aquatint, relief, drypoint, collage and airbrush, 91 x 275 3/4 in (231.1 x 700.4 cm). Whitney Museum of American Art © 2015 Frank Stella/Artists Rights Society (ARS), New York. Photograph: Steven Sloman. https://www.studiointernational.com/images/articles/s/stella-frank-2015/IMG_1981.jpg Frank Stella. Gran Cairo, 1962. Alkyd on canvas, 85 1/2 x 85 1/2 in (217.17 x 217.17 cm). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/stella-frank-2015/026_FS.jpg Frank Stella. Chocorua IV, 1966. Fluorescent alkyd and epoxy paint on canvas, 120 x 128 x 4 in (304.8 x 325.1 x 10.2 cm). Hood Museum of Art, Dartmouth College, Hanover, NH. © 2015 Frank Stella/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/stella-frank-2015/032_FS.jpg Frank Stella. Harran II, 1967. Polymer and fluorescent polymer paint on canvas. 120 x 240 in (304.8 x 609.6 cm). Solomon R. Guggenheim Museum, New York. © 2015 Frank Stella/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/stella-frank-2015/IMG_1967.jpg Frank Stella. St. Michael's Counterguard, 1984. Mixed media on aluminium and fibreglass honeycomb, 156 x 135 x 108 in (396.24 x 342.9 x 274.32 cm). Photograph: Jill Spalding. https://www.studiointernational.com/index.php/jon-rafman-review-zabludowicz-collection-london-stick-drama https://www.studiointernational.com/images/articles/r/rafman-jon-2015/01.jpg Jon Rafman. Installation view at Zabludowicz Collection, London, 2015. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/r/rafman-jon-2015/03.jpg Jon Rafman. Installation view (2) at Zabludowicz Collection, London, 2015. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/r/rafman-jon-2015/04.jpg Jon Rafman. Installation view (3) at Zabludowicz Collection, London, 2015. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/r/rafman-jon-2015/06.jpg Jon Rafman. Installation view (4) at Zabludowicz Collection, London, 2015. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/r/rafman-jon-2015/09.jpg Jon Rafman. Installation view (5) at Zabludowicz Collection, London, 2015. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/r/rafman-jon-2015/11.jpg Jon Rafman. Installation view (6) at Zabludowicz Collection, London, 2015. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/r/rafman-jon-2015/35.jpg Jon Rafman. Installation view (7) at Zabludowicz Collection, London, 2015. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/r/rafman-jon-2015/44.jpg Jon Rafman. Installation view (8) at Zabludowicz Collection, London, 2015. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/r/rafman-jon-2015/40.jpg Jon Rafman. Installation view (9) at Zabludowicz Collection, London, 2015. Photograph: Thierry Bal. https://www.studiointernational.com/index.php/hideyuki-katsumata-uso-de-hontou-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/k/katsumata-hideyuki-2015/HK__008.jpg Hideyuki Katsumata, USO de HONTOU, installation view (1). Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/k/katsumata-hideyuki-2015/HK__002.jpg Hideyuki Katsumata, USO de HONTOU, installation view (2). Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/k/katsumata-hideyuki-2015/HK__002-2.jpg Hideyuki Katsumata, USO de HONTOU, installation view (3). Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/k/katsumata-hideyuki-2015/HK__023.jpg Hideyuki Katsumata, USO de HONTOU, installation view (4). Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/k/katsumata-hideyuki-2015/HK__038.jpg Hideyuki Katsumata, USO de HONTOU, installation view (5). Photograph: Ruth Clark. https://www.studiointernational.com/index.php/bill-viola-interview-moving-stillness-mt-rainier-blain-southern-yorkshire-sculpture-park https://www.studiointernational.com/images/articles/v/viola-bill-2015/Bill-Viola,-Fire-Woman,-2005.jpg Bill Viola. Fire Woman, 2005. Colour High-Definition video projection. Performer Robin Bonaccorsi © Kira Perov, courtesy Bill Viola Studio. https://www.studiointernational.com/images/articles/v/viola-bill-2015/Bill-Viola,-Fire-Woman,-2005-4.jpg Bill Viola. Fire Woman, 2005. Colour High-Definition video projection. Performer Robin Bonaccorsi © Kira Perov, courtesy Bill Viola Studio. https://www.studiointernational.com/images/articles/v/viola-bill-2015/Bill-Viola,-Fire-Woman,-2005-3.jpg Bill Viola. Fire Woman, 2005. Colour High-Definition video projection. Performer Robin Bonaccorsi © Kira Perov, courtesy Bill Viola Studio. https://www.studiointernational.com/images/articles/v/viola-bill-2015/Bill-Viola,-Fire-Woman,-2005-2.jpg Bill Viola. Fire Woman, 2005. Colour High-Definition video projection. Performer Robin Bonaccorsi © Kira Perov, courtesy Bill Viola Studio. https://www.studiointernational.com/images/articles/v/viola-bill-2015/Bill-Viola,-The-Trial,-2015-(C)-Kira-P-erov,-courtesy-Bill-Viola-Studio-.jpg Bill Viola. The Trial, 2015. Colour High-Definition video diptych on flat panel displays mounted vertically on wall, 63 1/4 x 36 3/4 x 3 1/2 in (160.4 x 186.2 x 89 cm), 8.00 minutes (approximately). Performers Jana Kolarikova, Peter Moffatt. © Kira Perov, courtesy Bill Viola Studio. https://www.studiointernational.com/images/articles/v/viola-bill-2015/Bill-Viola,-The-Trial,-2015-(C)-Kira-Pe-rov,-courtesy-Bill-Viola-Studio-2-.jpg Bill Viola. The Trial, 2015. Colour High-Definition video diptych on flat panel displays mounted vertically on wall, 63 1/4 x 36 3/4 x 3 1/2 in (160.4 x 186.2 x 89 cm), 8.00 minutes (approximately). Performers Jana Kolarikova, Peter Moffatt. © Kira Perov, courtesy Bill Viola Studio. https://www.studiointernational.com/images/articles/v/viola-bill-2015/Bill-Viola,-The-Trial,-2015-(C)-Kira-Pe-rov,-courtesy-Bill-Viola-Studio-3-.jpg Bill Viola. The Trial, 2015. Colour High-Definition video diptych on flat panel displays mounted vertically on wall, 63 1/4 x 36 3/4 x 3 1/2 in (160.4 x 186.2 x 89 cm), 8.00 minutes (approximately). Performers Jana Kolarikova, Peter Moffatt. © Kira Perov, courtesy Bill Viola Studio. https://www.studiointernational.com/images/articles/v/viola-bill-2015/Bill-Viola,-The-Trial,-2015-(C)-Kira-Pe-rov,-courtesy-Bill-Viola-Studio-4-.jpg Bill Viola. The Trial, 2015. Colour High-Definition video diptych on flat panel displays mounted vertically on wall, 63 1/4 x 36 3/4 x 3 1/2 in (160.4 x 186.2 x 89 cm), 8.00 minutes (approximately). Performers Jana Kolarikova, Peter Moffatt. © Kira Perov, courtesy Bill Viola Studio. https://www.studiointernational.com/images/articles/v/viola-bill-2015/Bill-Viola,-Fire-Woman,-2005-Courtesy-Bill-Vi-ola-Studio-and-YSP.jpg Bill Viola. Fire Woman, 2005. Courtesy Bill Viola Studio and YSP. Photograph © Jonty Wilde. https://www.studiointernational.com/index.php/soaring-flight-peter-lanyons-gliding-paintings-review-courtauld-gallery-london https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Calm-Air.jpg Peter Lanyon. Calm Air, 1961. Oil on canvas, 60 x 48 in. Private collection. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Coast-Soaring.jpg Peter Lanyon. Coast Soaring, 1958. Oil on canvas, 62½ x 26 x 4½ in. Private collection. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Drift.jpg Peter Lanyon. Drift, 1961. Oil on canvas, 60 x 42 in. Private collection. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/High-Wind.jpg Peter Lanyon. High Wind, 1958. Oil on board, 72 x 48 in. Private collection. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Ironairscape.jpg Peter Lanyon. Iron Airscape, 1961. Oil on board with glass, stained glass, glue and ceramic tile, 9 x 14 ¾ x 8 in. Private collection. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Long-shore.jpg Peter Lanyon. Long Shore, 1962. Oil on canvas, 72 x 48 in. Private collection. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Near-Cloud.jpg Peter Lanyon. Near Cloud, 1964. Oil on canvas, 48 x 60 in. Private collection. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/North-East.jpg Peter Lanyon. North East, 1963. Oil on canvas, 72 x 48 in. Courtesy of Beaux Arts Gallery, London. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Peter-Lanyon-Glide-Path-1964.jpg Peter Lanyon. Glide Path, 1964. Oil and plastic on canvas, 60 x 48 in. Courtesy of The Whitworth Art Gallery, University of Manchester. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Peter-Lanyon-Soaring-Flight-1960.jpg Peter Lanyon. Soaring Flight, 1960. Oil on canvas, 60 x 60 in. Courtesy of Arts Council Collection, Southbank Centre. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Peter-Lanyon-Solo-Flight,-1960.jpg Peter Lanyon. Solo Flight, 1960. Oil on board, 48 x 72 in. Courtesy of Scottish National Gallery of Modern Art, Edinburgh. https://www.studiointernational.com/images/articles/l/lanyon-peter-2015/Peter-Lanyon-Thermal,-1960.jpg Peter Lanyon. Thermal, 1960. Oil on canvas, 72 x 60 in. Courtesy of The Tate Gallery. https://www.studiointernational.com/index.php/jefford-horrigan-the-threshold-own-worst-enemy-for-the-collective-review https://www.studiointernational.com/images/articles/t/the-collective-2015/1-Jefford-Horrigan-The-Passenger-19-September-at-Barge-Ideall-part-of-the-suite-Own-Worst-Enemy-commissioned-by-Rose-Lejeune-for-the-Collective-2015.jpg Jefford Horrigan. The Passenger, with William Blake, 19 September 2015 at Barge Ideal. Part of the suite Own Worst Enemy commissioned by Rose Lejeune for The Collective, 2015. https://www.studiointernational.com/images/articles/t/the-collective-2015/2-Jefford-Horrigan-The-Passenger-with-William-Blake-19-September-at-Barge-Ideall-part-of-the-suite-Own-Worst-Enemy-commissioned-by-Rose-Lejeune-for-the-Collective-2015.jpg Jefford Horrigan. The Passenger, with William Blake, 19 September 2015 at Barge Ideal. Part of the suite Own Worst Enemy commissioned by Rose Lejeune for The Collective, 2015. https://www.studiointernational.com/images/articles/t/the-collective-2015/3-Jefford-Horrigan-The-Threshold.jpg Jefford Horrigan. The Threshold, with Georgina Corrie, 26 September 2015 at Adys Road. Part of the suite Own Worst Enemy commissioned by Rose Lejeune for The Collective, 2015. https://www.studiointernational.com/images/articles/t/the-collective-2015/4-Jefford-Horrigan-The-Threshold.jpg Jefford Horrigan. The Threshold, with Georgina Corrie, 26 September 2015 at Adys Road. Part of the suite Own Worst Enemy commissioned by Rose Lejeune for The Collective, 2015. https://www.studiointernational.com/images/articles/t/the-collective-2015/5-Jefford-Horrigan-Own-Worst-Enemy.jpg Jefford Horrigan. Own Worst Enemy, with Yong Min Cho, 3 October 2015 at Lightfoot Road. Part of the suite Own Worst Enemy commissioned by Rose Lejeune for The Collective, 2015. https://www.studiointernational.com/images/articles/t/the-collective-2015/6-Jefford-Horrigan-Own-Worst-Enemy.jpg Jefford Horrigan. Own Worst Enemy, with Yong Min Cho, 3 October 2015 at Lightfoot Road. Part of the suite Own Worst Enemy commissioned by Rose Lejeune for The Collective, 2015. https://www.studiointernational.com/index.php/chelsea-knight-interview-video-performance https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/TREAD-ON-ME-FULL_2.jpg Chelsea Knight. Don't Tread on Me (still 2), 2011. 2 channel video installation. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/TREAD-ON-ME-FULL_3.jpg Chelsea Knight. Don't Tread on Me (still 3), 2011. 2 channel video installation. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/TREAD-ON-ME-FULL_4.jpg Chelsea Knight. Don't Tread on Me (still 4), 2011. 2 channel video installation. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/TREAD-ON-ME-FULL_5.jpg Chelsea Knight. Don't Tread on Me (still 5), 2011. 2 channel video installation. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-6.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-3.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 2), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-4.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 3), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-5.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 4), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-7.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 5), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-8.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 6), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-9.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 7), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-10.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 8), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-13.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 9), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-14.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 10), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-17.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 11), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-20.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 12), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-25.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 13), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-26.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 14), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/images/articles/k/knight-chelsea-2015/Still-28.jpg Chelsea Knight. Fall to Earth: Chapter 3 — Resistance (still 15), 2015. Single channel video. Courtesy the artist and Aspect / Ratio Projects, Chicago, IL. https://www.studiointernational.com/index.php/dutch-design-week-2015-review-eindhoven-the-netherlands https://www.studiointernational.com/images/articles/d/dutch-design-week-2015/Age-of-Wonderland.jpg Arie Syarifuddin pictured at the Age of Wonderland at Baltan Laboratories in the Natlab building in Eindhoven. Photograph: Patrick Meis. https://www.studiointernational.com/images/articles/d/dutch-design-week-2015/Exchanged-Citizenship-1.jpg A conceptual passport for the Universal Unconditional citizenship-exchange platform, proposed by Stefania Vulpi, a graduate of the Design Academy Eindhoven. https://www.studiointernational.com/images/articles/d/dutch-design-week-2015/Exchanged-Citizenship-2.jpg A conceptual passport for the Universal Unconditional citizenship-exchange platform, proposed by Stefania Vulpi, a graduate of the Design Academy Eindhoven. https://www.studiointernational.com/images/articles/d/dutch-design-week-2015/superlocal_holy_crap_Dutch_Design_week_2015_02.jpg Holy Crap, a system for recycling, at the Graduation Show of the Design Academy Eindhoven. Photograph: Pim van Baarsen / Studio Super Local. https://www.studiointernational.com/images/articles/d/dutch-design-week-2015/superlocal_holy_crap_Dutch_Design_week_2015_08.jpg Pim van Baarsen pictured at the Design Academy Eindhoven. Photograph: Pim van Baarsen / Studio Super Local. https://www.studiointernational.com/images/articles/d/dutch-design-week-2015/marketing-strategy.jpg Eindhoven365’s Virtual Design Agency strategy for the visual identity of the city. https://www.studiointernational.com/index.php/xavier-cha-interview https://www.studiointernational.com/images/articles/c/cha-xavier-2015/Body-Drama__.jpg Xavier Cha. Body Drama, 2011. Installation view (2), Whitney Museum of American Art, New York. Performance with actor and body-mounted video camera; and video, colour, silent; time variable, looped. Photograph: Sheldan C. Collins. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/Body-Drama___.jpg Xavier Cha. Body Drama, 2011. Installation view (3), Whitney Museum of American Art, New York. Performance with actor and body-mounted video camera; and video, colour, silent; time variable, looped. Photograph: Sheldan C. Collins. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/clowngala01.jpg Xavier Cha. Clown Gala, 2007. Two-way mirrors, professional clowns. Men and women transform from pedestrian dress to fully fledged clowns in front of two-way mirrors during the Sculpture Center Winter Gala honouring Jenny Holzer. Art event becomes voyeuristic clown factory. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/clowngala02.jpg Xavier Cha. Clown Gala, 2007. Two-way mirrors, professional clowns. Men and women transform from pedestrian dress to fully fledged clowns in front of two-way mirrors during the Sculpture Center Winter Gala honouring Jenny Holzer. Art event becomes voyeuristic clown factory. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/clowngala03.jpg Xavier Cha. Clown Gala, 2007. Two-way mirrors, professional clowns. Men and women transform from pedestrian dress to fully fledged clowns in front of two-way mirrors during the Sculpture Center Winter Gala honouring Jenny Holzer. Art event becomes voyeuristic clown factory. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/clowngala05.jpg Xavier Cha. Clown Gala, 2007. Two-way mirrors, professional clowns. Men and women transform from pedestrian dress to fully fledged clowns in front of two-way mirrors during the Sculpture Center Winter Gala honouring Jenny Holzer. Art event becomes voyeuristic clown factory. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/de-la-Cruz-shoot.jpg Xavier Cha. de la Cruz Shoot, 2011. Lights, dolly, track, DP, grip,actors. Film shoot as installation open to public view at the de la Cruz Collection. Lighting and tracks were set up to capture two familiar cinematic shots. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/de-la-Cruz-shoot_.jpg Xavier Cha. de la Cruz Shoot, 2011. Lights, dolly, track, DP, grip,actors. Film shoot as installation open to public view at the de la Cruz Collection. Lighting and tracks were set up to capture two familiar cinematic shots. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/Fruit-Machine-1.jpg Xavier Cha. Fruit Machine 1, 2012. Four actors play four set roles, two passive and two hyperbolic determined by the chance roll of a slot machine-like app. The app spins every minute randomly resetting the performers for a duration of 32 minutes. Sound design by Jonathan Coward. App design by Samuel Cormier. ICA Philadelphia; Mount Tremper Arts. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/FM2.jpg Xavier Cha. Fruit Machine 2, 2013. A line of text is delivered by alternating emcees in American Sign Language or spoken English. Seven contestants (two blind, two deaf, each paired with an ASL interpreter, one hearing) each assigned a fruit, are chosen at random by the Fruit Machine app then transmit language across different sensory registers, subjectivities and modes of communication. App development and design: Samuel Cormier. Sound design: Aaron David Ross. Emcees: King David, Douglas Ridloff. Performance at the New Museum. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/FM2_1.jpg Xavier Cha. Fruit Machine 2, 2013. A line of text is delivered by alternating emcees in American Sign Language or spoken English. Seven contestants (two blind, two deaf, each paired with an ASL interpreter, one hearing) each assigned a fruit, are chosen at random by the Fruit Machine app then transmit language across different sensory registers, subjectivities and modes of communication. App development and design: Samuel Cormier. Sound design: Aaron David Ross. Emcees: King David, Douglas Ridloff. Performance at the New Museum. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/FM2_7.jpg Xavier Cha. Fruit Machine 2, 2013. A line of text is delivered by alternating emcees in American Sign Language or spoken English. Seven contestants (two blind, two deaf, each paired with an ASL interpreter, one hearing) each assigned a fruit, are chosen at random by the Fruit Machine app then transmit language across different sensory registers, subjectivities and modes of communication. App development and design: Samuel Cormier. Sound design: Aaron David Ross. Emcees: King David, Douglas Ridloff. Performance at the New Museum https://www.studiointernational.com/images/articles/c/cha-xavier-2015/Portal.jpg Xavier Cha. Portal, 2010. Dancer, steadicam operator. A steadicam operator documents the choreographed movement of a dancer. The cyborg-like steadicam generates an alternate perception of time and space within the live performance. In collaboration with Danny Johnston https://www.studiointernational.com/images/articles/c/cha-xavier-2015/Ring.jpg Xavier Cha. Ring. 2010. Courtesy of The Kitchen's Archive. A formation of photographers mechanically move through The Kitchen gallery intently focusing and shooting an absent subject. https://www.studiointernational.com/images/articles/c/cha-xavier-2015/Surveil-INOVA_1.jpg Xavier Cha. Surveil, 2014. Choreography developed based on spyware surveillance of consenting users' online behaviour. Each movement represents sites visited and is effected (ie speed, direction, jumps) by the users navigation habits such as scrolling, clicking, switching between and opening new tabs. Performers Rashaun Mitchell and Silas Riener. https://www.studiointernational.com/index.php/ian-cheng-interview-emissary-forks-at-perfection-pilar-corrias-gallery-london https://www.studiointernational.com/images/articles/c/cheng-ian-2015/2_efap_install01_hi-res.jpg Ian Cheng, Emissary Forks at Perfection, 2015. Installation view. https://www.studiointernational.com/images/articles/c/cheng-ian-2015/4_efap_install03_hi-res.jpg Ian Cheng, Emissary Forks at Perfection, 2015. Installation view (2). https://www.studiointernational.com/images/articles/c/cheng-ian-2015/5_efap_install04_hi-res.jpg Ian Cheng, Emissary Forks at Perfection, 2015. Installation view (3). https://www.studiointernational.com/images/articles/c/cheng-ian-2015/emissary_forks_at_perfection_10.jpg Ian Cheng. Emissary Forks at Perfection, 2015. Live simulation, infinite duration, dimensions variable. Edition of 7 plus 3 artist’s proofs. https://www.studiointernational.com/images/articles/c/cheng-ian-2015/emissary_forks_at_perfection_2.jpg Ian Cheng. Emissary Forks at Perfection, 2015. Live simulation, infinite duration, dimensions variable. Edition of 7 plus 3 artist’s proofs. https://www.studiointernational.com/images/articles/c/cheng-ian-2015/emissary_forks_at_perfection_3.jpg Ian Cheng. Emissary Forks at Perfection, 2015. Live simulation, infinite duration, dimensions variable. Edition of 7 plus 3 artist’s proofs. https://www.studiointernational.com/images/articles/c/cheng-ian-2015/emissary_forks_at_perfection_6.jpg Ian Cheng. Emissary Forks at Perfection, 2015. Live simulation, infinite duration, dimensions variable. Edition of 7 plus 3 artist’s proofs. https://www.studiointernational.com/images/articles/c/cheng-ian-2015/emissary_forks_at_perfection_7.jpg Ian Cheng. Emissary Forks at Perfection, 2015. Live simulation, infinite duration, dimensions variable. Edition of 7 plus 3 artist’s proofs. https://www.studiointernational.com/images/articles/c/cheng-ian-2015/0_efap_diagram_detail_hi-res.jpg Ian Cheng. Emissary Forks at Perfection Map, 2015. Vector drawing on vinyl, 130 x 150 cm. https://www.studiointernational.com/index.php/thomas-heatherwick-interview-my-passion-is-to-work-on-projects-with-a-public-dimension https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/791_N2101_large.jpg Heatherwick Studio. UK Pavilion, Shanghai Expo 2010. The Seed Cathedral is a box, 15 metres high and 10 metres tall. From every surface protrude silvery hairs, consisting of 60,000 identical rods of clear acrylic, 7.5 metres long, which extend through the walls of the box and lift it into the air. Inside the pavilion, the geometry of the rods forms a space described by a curvaceous undulating surface. There are 250,000 seeds cast into the glassy tips of all the hairs. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/791_N7_large.jpg Heatherwick Studio. UK Pavilion, Shanghai Expo 2010. The Seed Cathedral, interior view. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/143_N3993_large.jpg Heatherwick Studio. Rolling Bridge. Pedestrian bridge spanning an inlet of the Grand Union Canal at Paddington Basin, London. Photograph: Steve Speller. https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/142_N39_large.jpg Heatherwick Studio. Bleigiessen. 142,000 glass spheres suspended on 27,000 high-tensile steel wires, 15 tonnes of glass and just under a million metres of wire, height 30 metres. Commissioned by the Wellcome Trust, London. Photograph: Steve Speller. https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/112_N564_large.jpg Heatherwick Studio. Paternoster Vents, Paternoster Square, London. Photograph: David Balhuizen. https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/124_N440_medium.jpg Heatherwick Studio. Temple, Kagoshima, Japan. Photograph: Steve Speller. https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/441_N43_large.jpg Heatherwick Studio. Teesside Power Station, Stockton-On-Tees, Teesside, UK https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/441_N43_large-2.jpg Heatherwick Studio. Teesside Power Station, Stockton-On-Tees, Teesside, UK https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/551_01_HR_Al-Fayah-Park-Fractured-Desert_CREDIT_Heatherwick-Studio.jpg Heatherwick Studio. Fractured Desert, Al Fayah Park, Abu Dhabi. https://www.studiointernational.com/images/articles/h/heatherwick-thomas-2015/551_01_HR_Al-Fayah-Park-Fractured-Desert_CREDIT_Heatherwick-Studio-2.jpg Heatherwick Studio. Fractured Desert (detail), Al Fayah Park, Abu Dhabi. https://www.studiointernational.com/index.php/valera-natasha-cherkashin-interview-1990-the-last-november-harriman-institute-columbia-university https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/1_German-Atlantis.jpg Valera & Natasha Cherkashin. German Atlantis, 1996. Underwater installation, Olympia swimming pool, Berlin. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/2_Goodbye.jpg Valera & Natasha Cherkashin. Goodbye Favorite European Portraits - Hello Euro, 1999. Underwater installation, World Bank Headquarters, Washington DC. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/3_Moscow-Red-Square-Santa-Fe.jpg Valera & Natasha Cherkashin. Moscow's Red Square in Santa Fe, 1994. Installation. The line of people to the Lenin’s Tomb, Figure of Steve Yates as Lenin. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/4_Moscow-Red-Square.jpg Valera & Natasha Cherkashin. Poster of Lenin from Moscow's Red Square in Santa Fe, 1994. Manipulated photograph, 75 x 85 cm. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/5_Moscow-Red-Square.jpg Valera & Natasha Cherkashin. Soviet people in the Red Square from Moscow's Red Square in Santa Fe, 1994. Manipulated photograph, 75 x 85 cm. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/6_NewYork-Sybway.jpg Valera & Natasha Cherkashin. New York Subway, from the series Global Underground, 2005. Photomontage. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/7_People-love-Art.jpg Valera & Natasha Cherkashin. People’s Love – Love for People, 1991. Manipulated photograph from the performance at Moscow's metro station Revolutionary Square. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/8_Portrait.jpg Valera & Natasha Cherkashin. Portrait of a statue in Moscow's metro station Revolutionary Square, 1994. Manipulated photograph, 70 x 80 cm. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/9_Portrait.jpg Valera & Natasha Cherkashin. Portrait of a statue in Moscow's metro station, Revolutionary Square, 1994. Manipulated photograph. 70 x 80 cm. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/10_The-arch-of-History.jpg Valera & Natasha Cherkashin. The Arch of History, 1991. Installation at the Library of Foreign Literature, Moscow. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/11_The-Road-of-Truth.jpg Valera & Natasha Cherkashin. The Road of Truth, 1991. Installation at the Library of Foreign Literature, Moscow. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/12_The-sand-clocks.jpg Valera & Natasha Cherkashin. The Clock of History, 1991. Installation at the Library of Foreign Literature, Moscow. https://www.studiointernational.com/images/articles/c/cherkashin-valere-batasha-2015/13_The-Underground-Wedding.jpg Valera & Natasha Cherkashin. The Underground Wedding, 1993. Performance at the subway station, Revolutionary Square, Moscow. https://www.studiointernational.com/index.php/cayce-zavaglia-interview-about-face-lyons-wier-gallery-new-york https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/Zavaglia_3.jpg Cayce Zavaglia. Raphaella In Her Winter Coat (After Alex), verso, 2015. Hand embroidery, Crewel wool on Belgian linen with acrylic paint. 14.5 x 30.5 in (36.8 x 77.5 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/Zavaglia_8.jpg Cayce Zavaglia. Martina, 2015. Hand embroidery. Crewel wool on Belgian linen with acrylic paint, 13.5 x 10 in (34.3 x 25.4 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/Zavaglia_7.jpg Cayce Zavaglia. Martina (verso), 2015. Hand embroidery. Crewel wool on Belgian linen with acrylic paint, 13.5 x 10 in (34.3 x 25.4 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/Zavaglia-028_5.jpg Cayce Zavaglia. Sophie, 2015. Hand embroidery. One ply cotton, silk and wool thread on Belgian linen with acrylic, 8.25 x 13.75 in (21 x 34.9 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/Zavaglia-028_7.jpg Cayce Zavaglia. Sophie (verso), 2015. Hand embroidery. One ply cotton, silk and wool thread on Belgian linen with acrylic, 8.25 x 13.75 in (21 x 34.9 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/1441567079820.jpg Cayce Zavaglia. Ray (A Portrait of My Father), 2015. Hand embroidery. One ply cotton, silk and wool thread on Belgian linen with acrylic, 7.5 x 7.5 in (19.1 x 19.1 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/Zavaglia_12.jpg Cayce Zavaglia. Uncle Stevie, 2015. Hand embroidery. One ply cotton, silk and wool thread on Belgian linen with acrylic, 9 x 7 in (22.9 x 17.8 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/Zavaglia_11.jpg Cayce Zavaglia. Uncle Stevie (verso), 2015. Hand embroidery. One ply cotton, silk and wool thread on Belgian linen with acrylic 9 x 7 in (22.9 x 17.8 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/Zavaglia_13.jpg Cayce Zavaglia. Uncle Angelo, 2015. Hand embroidery. One ply cotton, silk and wool thread on Belgian linen with acrylic, 8.75 x 7.75 in (22.2 x 19.7 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/Zavaglia_14.jpg Cayce Zavaglia. Uncle Angelo (verso), 2015. Hand embroidery. One ply cotton, silk and wool thread on Belgian linen with acrylic, 8.75 x 7.75 in (22.2 x 19.7 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/IMG_1877.jpg Cayce Zavaglia. Teo Verso, 2014. Gouache on Arches, 18.5 x 16.5 in (46 x 42 cm) framed. https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/IMG_1612.jpg Cayce Zavaglia. Aunt Lin Verso, 2013. Gouache on Arches. 19.5 x 16.5 in (50 x 42 cm) framed. https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/IMG_1488.jpg Cayce Zavaglia. Elly Verso, 2013. Gouache on Arches. 18 x 18 in (46 x 46 cm) framed. https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/2015-ZAVAGLIA-GregSr.jpg Cayce Zavaglia. Greg Sr. (verso). 2015. Acrylic on Belgian linen over panel, 93 x 75.5 in (236.2 x 191.8 cm). https://www.studiointernational.com/images/articles/z/zabaglia-cayce-2015/IMG_9878.jpg Cayce Zavaglia. Installation view. Rocco (verso), 2015. Acrylic on Belgian linen over panel, 89 x 74 in (226.1 x 188 cm). https://www.studiointernational.com/index.php/danny-fox-interview-as-he-bowed-his-head-to-drink-redfern-gallery https://www.studiointernational.com/images/articles/f/fox-danny-2015/Danny-Fox-as-he-bowed-his-head-to-drink--330x285cm.jpg Danny Fox. As He Bowed His Head to Drink, 2015. Oil on canvas, 330 x 285 cm. https://www.studiointernational.com/images/articles/f/fox-danny-2015/Danny-Fox-fatal-decision.jpg Danny Fox. Fatal Decision, 2015. Oil on canvas, 240 x 285 cm. https://www.studiointernational.com/images/articles/f/fox-danny-2015/Danny-Fox-jumbos-clown-room.jpg Danny Fox. Jumbos Clown Room, 2015. Oil on canvas, 155 x 182 cm. https://www.studiointernational.com/images/articles/f/fox-danny-2015/Danny-Fox-return-from-exhile.jpg Danny Fox. Return From Exile, 2015. Oil on canvas, 285 x 240 cm. https://www.studiointernational.com/images/articles/f/fox-danny-2015/10.jpg Danny Fox painting at Tim Noble and Sue Webster's studio in London, 2015. Photograph: Jack Whitefield. https://www.studiointernational.com/images/articles/f/fox-danny-2015/Danny-Fox-i-should-of-killed-you-when-i-had-the-chance.jpg Danny Fox. I Should of Killed You When I Had The Chance, 2015. Oil on canvas, 160 x 180 cm. https://www.studiointernational.com/images/articles/f/fox-danny-2015/img718.jpg Danny Fox in Patrick Heron's studio, Cornwall, 2015. Photograph: Jack Whitefield. https://www.studiointernational.com/images/articles/f/fox-danny-2015/Danny-Fox,-Yellow-Haired-Woman-Brings-Nothing-But-Pain,-2015.jpg Danny Fox. Yellow Haired Woman Brings Nothing But Pain, 2015. Oil on canvas, 155 x 155 cm. https://www.studiointernational.com/images/articles/f/fox-danny-2015/11.jpg Danny Fox. 11:11, 2014. Oil and acrylic on canvas, 210 x 210 cm. https://www.studiointernational.com/images/articles/f/fox-danny-2015/forgetthebirds.jpg Danny Fox. Forget About The Birds (They're Someone Else's Problem Now), 2015. Oil and acrylic on canvas, 210 x 240 cm. https://www.studiointernational.com/images/articles/f/fox-danny-2015/Untitled.jpg Danny Fox. Untitled, 2015. Acrylic on board, 42 x 60 cm. https://www.studiointernational.com/index.php/kapwani-kiwanga-interview-continental-shift-galerie-jerome-poggi-paris https://www.studiointernational.com/images/articles/k/kiwanga-kapwani-2015/Koki-Dore.jpg Kapwani Kiwanga. Koki Doré, 2014. Blue sequins, cord, salt, shell, dimensions variable. Courtesy Galerie Jérôme Poggi, Paris. https://www.studiointernational.com/images/articles/k/kiwanga-kapwani-2015/Petrograph.jpg Kapwani Kiwanga. Petrograph, 2015. Ink on fabric, 350 x 220 cm. Courtesy Galerie Jérôme Poggi, Paris. https://www.studiointernational.com/images/articles/k/kiwanga-kapwani-2015/installation-view.jpg Kapwani Kiwanga: Continental Shift, installation view, 2015. https://www.studiointernational.com/index.php/ben-johnson-the-making-of-patio-de-los-arrayanes https://www.studiointernational.com/images/articles/j/johnson-ben-2015/ben-johnson-working-in-studio-photo-martin-kennedy-2.jpg Ben Johnson working on Patio de los Arrayanes in his west London studio, September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/johnson-ben-2015/ben-johnson-working-in-studio-photo-martin-kennedy-8.jpg Ben Johnson working on Patio de los Arrayanes in his west London studio, September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/johnson-ben-2015/ben-johnson-working-in-studio-photo-martin-kennedy-6.jpg Ben Johnson working on Patio de los Arrayanes in his west London studio, September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/johnson-ben-2015/ben-johnson-working-in-studio-photo-martin-kennedy.jpg Ben Johnson working on Patio de los Arrayanes in his west London studio, September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/johnson-ben-2015/ben-johnson-working-in-studio-photo-martin-kennedy-5.jpg Ben Johnson with his painting Patio de los Arrayanes, September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/johnson-ben-2015/ben-johnson-working-in-studio-photo-martin-kennedy-7.jpg Ben Johnson signing the back of his painting Patio de los Arrayanes, September 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/clifford-ross-interview-landscape-seen-and-imagined-massachusetts-museum-of-contemporary-art https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_2.jpg Clifford Ross. Central Exhibition Area (Mountain Redux I and three-panel Harmonium Mountain video). MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_3.jpg Clifford Ross. Tall Gallery (Sopris Wall I). MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_4.jpg Clifford Ross. Central Exhibition Area (Harmonium display). MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_5.jpg Clifford Ross. Digital Waves, Wave Cathedral. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_6.jpg Clifford Ross. Digital Waves, Wave Cathedral. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_7.jpg Clifford Ross. Digital Waves, Wave Cathedral. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_8.jpg Clifford Ross. Digital Waves, Wave Cathedral. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_9.jpg Clifford Ross. Digital Waves, Wave Cathedral. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_10.jpg Clifford Ross. Hurricane Waves (installation). MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_11.jpg Clifford Ross. Hurricane Waves (installation). MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_12.jpg Clifford Ross. Daytime view of immersive Harmonium Mountain video screens. Courtyard D. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_13.jpg Clifford Ross. Nighttime view of immersive Harmonium Mountain video. Courtyard D. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_14.jpg Clifford Ross. Nighttime view of immersive Harmonium Mountain video. Courtyard D. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_15.jpg Clifford Ross. Nighttime view of immersive Harmonium Mountain video. Courtyard D. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_16.jpg Clifford Ross. Nighttime view of immersive Harmonium Mountain video. Courtyard D. MASS MoCA. https://www.studiointernational.com/images/articles/r/ross-clifford-2015/MASSMoCA_17.jpg Clifford Ross. Nighttime view of immersive Harmonium Mountain video. Courtyard D. MASS MoCA. https://www.studiointernational.com/index.php/emily-jacir-europa-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-1-Lydda-Airport.jpg Emily Jacir. Lydda Airport, 2009. Installation with single channel animation film and sculpture dimensions variable. Photograph: Jason Mandella © Emily Jacir, courtesy Alexander and Bonin, New York. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-2-Material-for-a-Film_Wael-Zuaiters-1001-Nights.jpg Emily Jacir. Material for a film (detail) (Wael Zuaiter's 1001 Nights), 2004. Multimedia installation, 3 sound pieces, 1 video, texts, photographs, archival material devised in part with the support of La Biennale di Venezia © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-3-Material-for-a-Film_Telegram.jpg Emily Jacir. Material for a film (detail) (Telegram: 18/10/1972), 2004. Multimedia installation, 3 sound pieces, 1 video, texts, photographs, archival material devised in part with the support of La Biennale di Venezia © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-4-Material-for-a-Film_Guggenheim.jpg Emily Jacir. Material for a film, 2004. Multimedia installation, 3 sound pieces, 1 video, texts, photographs, archival material devised in part with the support of La Biennale di Venezia. Installation: The Hugo Boss Prize 2008: Emily Jacir. Solomon R. Guggenheim Museum, New York. Photograph: David Heald © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-5-stazione_Arsenale.jpg Emily Jacir. Stazione, 2008 – 2009. Public intervention on Line 1 vaporetto stops (Arsenale). Commissioned for Palestine c/o Venice, Collateral event of the 53rd International Art Exhibition La Biennale di Veneza. © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-6-stazione_Zaccaria.jpg Emily Jacir. Stazione, 2008 – 2009. Public intervention on Line 1 vaporetto stops (Arsenale). Commissioned for Palestine c/o Venice, Collateral event of the 53rd International Art Exhibition La Biennale di Veneza. © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-7-ENTRY-DENIED.jpg Emily Jacir. ENTRY DENIED (a concert in Jerusalem), 2003. Single-channel video (105 mins), sound, and free-standing wall. Commissioned by O.K Centrum für Gegenwartskunst, Linz. Photograph: Joerg Lohse © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-8-AP-3852-from-ex-libris_Alexander-and-Bonin.jpg Emily Jacir. AP 3852 from ex lib's. Translation and painted mural, 25 x 50 ft. Alexander and Bonin, New York, 2014. Photograph: Joerg Lohse. © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-10-AP-237-from-ex-libris_Darat-al-Funun.jpg Emily Jacir. AP 237 from ex lib's. Translation and painted mural Darat al Funun, Amman, 2014. © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-11-AP-4988-from-ex-libris_documenta.jpg Emily Jacir. AP 4988 from ex lib's. Translation and mural, Hauptbahnhof Kassel, dOCUMENTA (13), 2012. Photograph: the artist © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-12-ex-libris-billboard_documenta.jpg Emily Jacir. ex libris, 2010-2012. Installation, public project and book. Commissioned and produced by dOCUMENTA (13) with the support of Alexander and Bonin, New York and Alberto Peola Arte Contemporanea, Torino. Photograph: Roman März © Emily Jacir. https://www.studiointernational.com/images/articles/j/jacir-emily-2015/Image-13-ex-libris_documenta_1.jpg Emily Jacir. ex libris, 2010-2012. Installation, public project and book. Commissioned and produced by dOCUMENTA (13) with the support of Alexander and Bonin, New York and Alberto Peola Arte Contemporanea, Torino. Photograph: Roman März. https://www.studiointernational.com/index.php/francisco-vidal-interview-workshop-maianga-mutamba-tiwani-contemporary-london https://www.studiointernational.com/images/articles/v/vidal-francisco-2015/Francisco-Vidal,-Workshop-Maian.jpg Francisco Vidal. Workshop Maianga Mutamba, Tiwani Contemporary, 2015. Photograph © Sylvain Deleu. https://www.studiointernational.com/images/articles/v/vidal-francisco-2015/Francisco-Vidal,-Workshop-Maianga-Mutamba,-Tiwani-Contemporary,-2015-2.jpg Francisco Vidal. Workshop Maianga Mutamba, Tiwani Contemporary, 2015. Photograph © Sylvain Deleu. https://www.studiointernational.com/images/articles/v/vidal-francisco-2015/Francisco-Vidal,-Workshop-Maianga-Mutamba,-Tiwani-Contemporary,-2015-3.jpg Francisco Vidal. Workshop Maianga Mutamba, Tiwani Contemporary, 2015. Photograph © Sylvain Deleu. https://www.studiointernational.com/images/articles/v/vidal-francisco-2015/Francisco-Vidal,-Workshop-Maianga-Mutamba,-Tiwani-Contemporary,-2015-4.jpg Francisco Vidal. Workshop Maianga Mutamba, Tiwani Contemporary, 2015. Photograph © Sylvain Deleu. https://www.studiointernational.com/images/articles/v/vidal-francisco-2015/Francisco-Vidal,-Workshop-Maianga-Mutamba,-Tiwani-Contemporary,-2015-5.jpg Francisco Vidal. Workshop Maianga Mutamba, Tiwani Contemporary, 2015. Photograph © Sylvain Deleu. https://www.studiointernational.com/images/articles/v/vidal-francisco-2015/Francisco-Vidal,-Workshop-Maianga-Mutamba,-Tiwani-Contemporary,-2015-6.jpg Francisco Vidal. Workshop Maianga Mutamba, Tiwani Contemporary, 2015. Photograph © Sylvain Deleu. https://www.studiointernational.com/images/articles/v/vidal-francisco-2015/Francisco-Vidal,-Workshop-Maianga-Mutamba,-Tiwani-Contemporary,-2015-7.jpg Francisco Vidal. Workshop Maianga Mutamba, Tiwani Contemporary, 2015. Photograph © Sylvain Deleu. https://www.studiointernational.com/images/articles/v/vidal-francisco-2015/Francisco-Vidal,-Workshop-Maianga-Mutamba,-Tiwani-Contemporary,-2015.jpg Francisco Vidal. Workshop Maianga Mutamba, Tiwani Contemporary, 2015. Photograph © Sylvain Deleu. https://www.studiointernational.com/index.php/balthus-retrospective-review-balthasar-klossowski-de-role-scuderie-del-quirinale-rome https://www.studiointernational.com/images/articles/b/balthus-2015/01-La-Patience.jpg Balthus. La patience (solitaire), 1943. Oil on canvas, 161.3 x 165.1 cm. The Art Institute of Chicago, Joseph Winterbotham Collection © Balthus © MONDADORI PORTFOLIO/Akg Images. https://www.studiointernational.com/images/articles/b/balthus-2015/02-La-chambre-turque.jpg Balthus. La Chambre turque, 1963-1966. Casein and tempera on canvas, 180 x 210 cm. Paris, Centre Pompidou Musée national d’Art modérne. © Balthus © MONDADORI PORTFOLIO/Leemage/Photograph: Josse. https://www.studiointernational.com/images/articles/b/balthus-2015/03-Le-Roi-des-Chats.jpg Balthus. Le roi des chats, 1935. Oil on canvas, 71 x 48 cm. Private collection © Balthus © MONDADORI PORTFOLIO/Bridgeman Images. https://www.studiointernational.com/images/articles/b/balthus-2015/04-La-Chambre.jpg Balthus. La Chambre, 1952-1954. Oil on canvas, 270.5 x 335 cm. Private collection © Balthus © MONDADORI PORTFOLIO/Bridgeman Images. https://www.studiointernational.com/images/articles/b/balthus-2015/05-La-toilette-de-Cathy.jpg Balthus. La Toilette de Cathy, 1933. Oil on canvas, 165 x 150 cm. Centre Pompidou Musée national d’Art modérne © Balthus © MONDADORI PORTFOLIO/AKG Images. https://www.studiointernational.com/images/articles/b/balthus-2015/06-Les-enfantes-Blanchard.jpg Balthus. Les Enfants Blanchard, 1937. Oil on canvas, 125 x 130 cm. Musée national Picasso, © Balthus © MONDADORI PORTFOLIO/Leemage/Paris, Musée Picasso/Photograph: Josse. https://www.studiointernational.com/index.php/kathy-hinde-interview-tipping-point-im-really-interested-in-combining-visual-art-and-music https://www.studiointernational.com/images/articles/h/hinde-kathy-2015/TippingPoint_NNfest_8.jpg Kathy Hinde. Tipping Point, a Cryptic Commission for Sonica shown at Norfolk and Norwich Festival, May 2014. Photograph: Kathy Hinde. https://www.studiointernational.com/images/articles/h/hinde-kathy-2015/Kathy-HInde,-PIANO-MIGRATIONS,-Sonica-2012.jpg Kathy Hinde. Piano Migrations at Almost Cinema Festival, Ghent, Belgium, October 2011. Photograph: Kathy Hinde. https://www.studiointernational.com/images/articles/h/hinde-kathy-2015/PianoMig2.jpg Kathy Hinde. Piano Migrations at Almost Cinema Festival, Ghent, Belgium, October 2011. Photograph: Kathy Hinde. https://www.studiointernational.com/images/articles/h/hinde-kathy-2015/Kathy-Hinde,-Submerge,-Sonica-2015.jpg Kathy Hinde. Submerge, a Cryptic Commission for Sonica 2015 shown at the Lighthouse, Glasgow. Photograph: Kathy Hinde. https://www.studiointernational.com/images/articles/h/hinde-kathy-2015/Submerge_recording1.jpg Taking underwater recordings around Glasgow for Submerge, a Cryptic Commission for Sonica 2015 shown at the Lighthouse, Glasgow. Photograph: Kathy Hinde. https://www.studiointernational.com/images/articles/h/hinde-kathy-2015/Submerge_recording2.jpg Taking underwater recordings around Glasgow for Submerge, a Cryptic Commission for Sonica 2015 shown at the Lighthouse, Glasgow. Photograph: Kathy Hinde. https://www.studiointernational.com/images/articles/h/hinde-kathy-2015/LumBirds02.jpg Kathy Hinde. Luminous Birds. Commission for Kidderminster Arts Festival, August 2015. Photograph: Kathy Hinde. https://www.studiointernational.com/images/articles/h/hinde-kathy-2015/LumBirds06.jpg Kathy Hinde. Luminous Birds. Commission for Kidderminster Arts Festival, August 2015. Photograph: Kathy Hinde. https://www.studiointernational.com/images/articles/h/hinde-kathy-2015/MusicBoxMigrations10.jpg Kathy Hinde. Music Box Migrations. Photograph: Kathy Hinde. https://www.studiointernational.com/index.php/the-body-as-language-women-and-performance-review-richard-saltoun https://www.studiointernational.com/images/articles/b/body-as-language-2015/cab005.jpg Claudio Abate. Yvonne Rainer and Philip Glass, Lives of Performers at Music and Dance USA L'Attico, Rome, 1972. Vintage black and white photograph. Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/cab017.jpg Claudio Abate. Joan Jonas's performance on the Tiber, festival Music and Dance USA, 1972. Vintage black and white photograph. Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/cab010.jpg Claudio Abate. Simone Forti with Fabio Sargentini Piano Inclinato/Slant Board, L'Attico, Rome, 1972/2015. Vintage black and white photograph. Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/SIG002a.jpg Silvia Giambrone. Teatro anatomico [Anatomical Theatre], 2012. Performance, 5min 11sec (video). Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/SIG002b.jpg Silvia Giambrone. Teatro anatomico [Anatomical Theatre], 2012. Performance, 5min 11sec (video). Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/SIG002c.jpg Silvia Giambrone. Teatro anatomico [Anatomical Theatre], 2012. Performance, 5min 11sec (video). Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/GPN001.jpg Gina Pane. Psyche, 1974. Colour photograph, 30 x 25 cm. Copyright the estate of the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/GPN030.jpg Gina Pane. Azione Sentimentale, 1974. Colour photograph, 20 x 30 cm. Copyright the estate of the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/KELR002.jpg Ketty La Rocca. Hands, 1975. Pen and India ink over photograph, 22 x 15.5 cm. Copyright the estate of the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/ssa006.jpg Suzanne Santoro. Roman Statue with Sacra Miniatura, 1972. Two photographs mounted on wood with polyester, 16 x 24 cm. Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/body-as-language-2015/ASC001.jpg Alice Schivardi. Coccinelle (Ladybugs), 2010. 32 pieces: embroidery and pencil on vellum, curved glass, resin frames on vellum, 100 x 300 cm (installation). Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/index.php/ocean-of-images-new-photography-2015-review-museum-of-modern-art-new-york https://www.studiointernational.com/images/articles/o/ocean-of-images-2015/moma__newphoto2015_ooi_dis_v01tl.jpg DIS (United States, founded 2010). Positive Ambiguity (beard, lectern, teleprompter, wind machine, confidence), 2015. Video (colour, sound), 2:46 min. Production: Julia Hoffer. Postproduction: Capture This. Music: Ville Haimala. Colourist: Kazu Okuda. Commissioned by The Museum of Modern Art, New York. Courtesy the artist and Project Native Informant, London. https://www.studiointernational.com/images/articles/o/ocean-of-images-2015/moma_newphoto2015_baladran_diderotsdream_3-(1).jpg Zbynek Baladrán. Diderot's Dream, 2014. Video (colour, sound), 13:29 min. Courtesy Hunt Kastner, Prague. https://www.studiointernational.com/images/articles/o/ocean-of-images-2015/moma_newphoto2015_baladran_diderotsdream_4.jpg Zbynek Baladrán. Diderot's Dream, 2014. Video (colour, sound), 13:29 min. Courtesy Hunt Kastner, Prague. https://www.studiointernational.com/images/articles/o/ocean-of-images-2015/moma_newphoto2015_saveri_newsstand_1.jpg Lele Saveri. The Newsstand, 2013–2014. Mixed-medium installation, dimensions variable. Produced in collaboration with Alldayeveryday. Courtesy the artist. https://www.studiointernational.com/index.php/mark-leckey-dream-english-kid-1964-1999ad-review-cabinet-gallery-london https://www.studiointernational.com/images/articles/l/leckey-mark-2015/Dream-English-Kid-Mark-Leckey-0018.jpg Mark Leckey. Dream English Kid 1964-1999AD, 2015. Installation view (2). Photograph: Mark Blower. https://www.studiointernational.com/images/articles/l/leckey-mark-2015/2.jpg Mark Leckey. Dream English Kid 1964-1999AD, 2015. https://www.studiointernational.com/images/articles/l/leckey-mark-2015/Dream-English-Kid-Mark-Leckey-0014.jpg Mark Leckey. Dream English Kid 1964-1999AD, 2015. Installation view (1). Photograph: Mark Blower. https://www.studiointernational.com/images/articles/l/leckey-mark-2015/9.jpg Mark Leckey. Dream English Kid 1964-1999AD, 2015. https://www.studiointernational.com/images/articles/l/leckey-mark-2015/15.jpg Mark Leckey. Dream English Kid 1964-1999AD, 2015. https://www.studiointernational.com/images/articles/l/leckey-mark-2015/3.jpg Mark Leckey. Dream English Kid 1964-1999AD, 2015. https://www.studiointernational.com/images/articles/l/leckey-mark-2015/6.jpg Mark Leckey. Dream English Kid 1964-1999AD, 2015. https://www.studiointernational.com/images/articles/l/leckey-mark-2015/8.jpg Mark Leckey. Dream English Kid 1964-1999AD, 2015. https://www.studiointernational.com/images/articles/l/leckey-mark-2015/Dream-English-Kid-Mark-Leckey-0032.jpg Mark Leckey. Dream English Kid 1964-1999AD, 2015. Installation view (3). Photograph: Mark Blower. https://www.studiointernational.com/index.php/vibha-galhotra-interview-absur-city-pity-dity-jack-shainman-gallery-new-york https://www.studiointernational.com/images/articles/g/galhotra-vibha-2015/Absur-city-pity-dity-install-view-2.jpg Vibha Galhotra. Absur-City-Pity-Dity, 2015. Installation view, Jack Shaman Gallery, New York. https://www.studiointernational.com/images/articles/g/galhotra-vibha-2015/Altering-2015.jpg Vibha Galhotra. Majnu Ka Tila, 2015. Nickel coated ghungroos, fabric, wood, polyurethane coat, 52 x 178 x 2 in. https://www.studiointernational.com/images/articles/g/galhotra-vibha-2015/Consumed-Contamination-2012-(installed-set).jpg Vibha Galhotra. Consumed Contamination, 2012. Installation view. https://www.studiointernational.com/images/articles/g/galhotra-vibha-2015/Consumed-Contamination-.jpg Vibha Galhotra. Consumed Contamination, 2012. Organic matter embedded in resin, 15 5/8 x 7 1/2 x 2 in. https://www.studiointernational.com/images/articles/g/galhotra-vibha-2015/Consumed-Contamination-2012.jpg Vibha Galhotra. Consumed Contamination, 2012. Organic matter embedded in resin, 15 3/8 x 7 7/8 x 4 7/8 in. https://www.studiointernational.com/images/articles/g/galhotra-vibha-2015/Flow-2015.jpg Vibha Galhotra. Flow, 2015. Nickel coated ghungroos, fabric, polyurethane coat, 129 x 93 1/4 x 112 1/2 in. https://www.studiointernational.com/images/articles/g/galhotra-vibha-2015/Untitled-from-the-Flow-series-2013.jpg Vibha Galhotra. Untitled (from the Flow series), 2013. Metal ghungroos on fabric stretched over wood panel, 95 x 87 x 3 in. https://www.studiointernational.com/images/articles/g/galhotra-vibha-2015/map.jpg Vibha Galhotra. Map, 2014. Glass and bugle beads, cable, silver wire, 89 x 94 x 12 in. https://www.studiointernational.com/index.php/mat-collishaw-interview-i-think-human-beings-are-always-drawn-to-the-slightly-illicit https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-All-Things-Fall,-2014.jpg Mat Collishaw. All Things Fall, 2014. Steel, aluminium, plaster, resin, LED lights, motor, 200 x 200 x 200 cm. Courtesy of the artist and Blain|Southern. Photograph: Todd Whit. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-Auto-Immolation,-2010.jpg Mat Collishaw. Auto-Immolation, 2010. Hard drive, LCD screen, steel, surveillance mirror, wood, 300 x 114 x 52 cm. Courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-Catching-Fairies-4,-1996.jpg Mat Collishaw. Catching Fairies 4, 1996. C-type photograph, 45cm x 65cm. Courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-Deliverance-installation,-2008.jpg Mat Collishaw. Deliverance installation, 2008. Courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-In-Camera.jpg Mat Collishaw. In Camera, 2015. Mixed media, dimensions variable. Courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-Insecticide-13,-2009.jpg Mat Collishaw. Insecticide 13, 2009. C-type photograph, 182 x 182 cm. Courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-Insecticide-18,-2009.jpg Mat Collishaw. Insecticide 18, 2009. C-type photograph, 182 x 182 cm. Courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-Last-Meal-on-Death-Row,-Texas-(Bernard-Amos),-2011.jpg Mat Collishaw. Last Meal on Death Row, Texas (Bernard Amos), 2011. C-type photograph, 64.8 x 47.5 cm. Courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-Single-Nights,-Annabelle,-2007.jpg Mat Collishaw. Single Nights, Annabelle, 2007. C-type photograph, 183cm x 140cm. Courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Collishaw,-Single-Nights,-Stephanie,-2007.jpg Mat Collishaw. Single Nights, Stephanie, 2007. C-type photograph, 183cm x 140cm. Courtesy of the artist and Blain|Southern. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/IMG_4061.jpg Mat Collishaw, The New Art Gallery, Walsall. Installation view. Image courtesy the artist and Blain|Southern. Photograph: Jonathan Shaw. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/IMG_3979.jpg Mat Collishaw, The New Art Gallery, Walsall. Installation view. Image courtesy the artist and Blain|Southern. Photograph: Jonathan Shaw. https://www.studiointernational.com/images/articles/c/collishaw-mat-2015/Mat-Colllishaw,-2015,-Photo-David-Brow.jpg Mat Colllishaw, 2015, Photograph: David Brow. https://www.studiointernational.com/index.php/lorck-schive-art-prize-2015-vanessa-baird-review https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/vanessabaird_001_web.jpg Vanessa Baird. I don’t want to be anywhere, but here I am, 2015. Installation view. Photograph: TKM/Anders Solberg. https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/vanessabaird_003.jpg Vanessa Baird. I don’t want to be anywhere, but here I am, 2015. Installation view (2). Photograph: TKM/Anders Solberg. https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/Vanessa-Baird-I-dont-want-to-be-anywhere-but-here-I-am-2015-Detail.jpg Vanessa Baird. I don’t want to be anywhere, but here I am, 2015. Detail (1). Pastels on paper, dimensions variable. Photograph: TKM/Anders Solberg. https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/Vanessa-Baird,-I-dont-want-to-be-anywhere-but-here-I-am-2015-2.jpg Vanessa Baird. I don’t want to be anywhere, but here I am, 2015. Detail (2). Pastels on paper, dimensions variable. Photograph: TKM/Anders Solberg. https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/Vanessa-Baird,-I-dont-want-to-be-anywhere-but-here-I-am-2015-3.jpg Vanessa Baird. I don’t want to be anywhere, but here I am, 2015. Detail (3). Pastels on paper, dimensions variable. Photograph: TKM/Anders Solberg. https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/anehjortguttu_001.jpg Ane Hjort Guttu. Time Passes, 2015. HD video 16:9, 47 min. https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/janawinderen_003_web.jpg Jana Winderen. The Wanderer, 2015. 16-channel immersive sound installation and a USB stick release on Ash International. https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/janawinderen_005.jpg Jana Winderen. The Wanderer, 2015. 16-channel immersive sound installation and a USB stick release on Ash International. https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/snorreytterstad_004.jpg Snorre Ytterstad. The Inherent Comedy in Objects, 2015. Photograph: TKM/Anders Solberg. https://www.studiointernational.com/images/articles/l/lorck-shrive-prize-2015/snorreytterstad_006.jpg Snorre Ytterstad. Wires and Strings, 2015. Wires, hand winches. Photograph: TKM/Anders Solberg. https://www.studiointernational.com/index.php/the-turner-prize-2015-review-nominees-assemble-bonnie-camplin-janice-kerbel-nicole-wermers https://www.studiointernational.com/images/articles/t/turner-prize-2015/TurnerPrizeAssemble.jpg Assemble. A Showroom for Granby Workshop, 2015. Photograph: Keith Hunter. https://www.studiointernational.com/images/articles/t/turner-prize-2015/AssembleConcreteSamplesPicVSimpson.jpg Assemble. A Showroom for Granby Workshop, 2015. Detail: concrete samples. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/turner-prize-2015/AssembleSawdustFiredCeramicLightPullsPicVSimpson.jpg Assemble. A Showroom for Granby Workshop, 2015. Detail: sawdust fired ceramic light pulls. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/turner-prize-2015/TurnerBonnieCamplinPhotoBenQuinton.jpg Bonnie Camplin. Turner Prize 2015. Photograph: Ben Quinton. https://www.studiointernational.com/images/articles/t/turner-prize-2015/TurnerJaniceKerbelPhotoBenQuinton.jpg Janice Kerbel DOUG, 2014. Photograph: Keith Hunter https://www.studiointernational.com/index.php/unorthodox-review-jens-hoffmann-interview-jewish-museum-new-york https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F03-Auste.jpg Austé. A Mistaken Style of Life, 1987. Acrylic on canvas, 96 x 60 in. Private collection, Los Angeles. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F08-Rogers.jpg Bunny Rogers. Self-Portrait as Clone of Jeanne d'Arc, 2014. Print, artist frame, 14 x 12 x 1.2 in. Collection of Eleanor and Bobby Carye, New York. © Bunny Rogers, image provided by Société Berlin, Germany. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F09-Schawinsky.jpg Xanti Schawinsky. The Aviator, from the series Faces of War, 1942. Mixed media, watercoloor and ink, 28 ⅞ x 21 in. Courtesy of the Xanti Schawinsky Estate, Switzerland, and Broadway 1602, New York. © Xanti Schawinsky, image provided by Broadway 1602, New York. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F120-Goodfellow.jpg Stephen Goodfellow. Vandals, 1983. Acrylic on canvas, 48 x 72 in. Susan and Alan Lichtenstein Collection. © Stephen Goodfellow, image courtesy of the artist. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F121-Rosenstein.jpg Erna Rosenstein. Untitled, n.d. Mixed media, 6¾ x 5⅛ x 2¾ in. Adam Sandauer and Foksal Gallery Foundation, Warsaw, Poland. © Adam Sandauer, image courtesy of Adam Sandauer and Foksal Gallery Foundation, Warsaw, Poland. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F126-Simpson.jpg Diane Simpson. Peplum IV, 2015. Aluminium, galvanized steel, rivets and enamel, 48 x 29 x 18 in. Courtesy of the artist; Corbett vs. Dempsey, Chicago; and JTT Gallery, New York. © Diane Simpson. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F15-Bailey.jpg Clayton Bailey. Milker Robot, 1985. Repurposed scrap aluminium, chrome, stainless steel, glass, light bulbs, 67 x 20 x 17 in. Courtesy of the artist. © Clayton Bailey. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F18-Harrison.jpg Margaret Harrison. What’s That Long Red Limp Wrinkly Thing You’re Pulling On?, 2009. Watercolour and coloured pencil on paper, 23 ⅞ x 18 ⅞ in. Ronald Feldman Fine Arts Inc. New York. © Margaret Harrison, photograph by Casey Dorobek. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F42-Sweet-Friday.jpg Keiichi Tanaami. Sweet Friday, 1975. 16 mm film animation, 3 min 21 sec. © Keiichi Tanaami, courtesy of the artist and NANZUKA, Tokyo, Japan. https://www.studiointernational.com/images/articles/u/unorthodox-2015/Jens-Hoffmann-2012.jpg Jens Hoffmann, 2012. Photograph: Robert Adler. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F49-Sorayama.jpg Hajime Sorayama. Untitled, 1990. Acrylic on illustration board, 20¼ x 14¼ in. Nanzuka Gallery, Tokyo. © Hajime Sorayama, image courtesy of Nanzuka Gallery, Tokyo. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F52-Karamustafa.jpg Gülsün Karamustafa. First of May (Woman Constantly Sewing Red Flags with Her Sewing Machine), 1977. Mixed media on paper, 32¼ x 24½ in. Courtesy of the artist and Rampa Gallery, Istanbul. © Gülsün Karamustafa, image provided by the artist. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F54-Tot.jpg Endre Tót. My Rain-Your Rain, 1971-78. Typewriting on postcard, 3 ⅞ x 5 ⅞ in. Courtesy of acb Gallery, Budapest. © Endre Tót, image courtesy of acb Gallery, Budapest. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F55A-Vollmann.jpg William T. Vollman. Tree of Heaven, 2015. Oil on panel, 22 x 16 in. Courtesy of the artist. © William Vollman, image courtesy of the artist. https://www.studiointernational.com/images/articles/u/unorthodox-2015/TJM_659-Unorthodox_F68-Kovanda.jpg Jirí Kovanda. Hanging Sleeves, Hiding Hands, made in collaboration with Eva Koèátková, 2013. Performance and object, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/index.php/whos-afraid-of-women-photographers-1839-1945-review-musee-d-orsay-paris https://www.studiointernational.com/images/articles/w/women-photographers-2015/03-Cameron_Mrs-Herbert-Duckwort-12-avril-1867.jpg Julia Margaret Cameron. Mrs Herbert Duckworth, 12 April 1867. Test on albumen paper from a glass Collodion negative. Paris, BnF, Estampes et photographies. © Paris, Bibliothèque nationale de France. https://www.studiointernational.com/images/articles/w/women-photographers-2015/09-Broom_Young-Suffragettes.jpg Christina Broom. Young suffragettes promoting the Women’s Exhibition in Knightsbridge, London, May 1909. Photomechanical (postcard). London, Museum of London © Christina Broom/Museum of London. https://www.studiointernational.com/images/articles/w/women-photographers-2015/02-Tina-Modotti_Woman-with-Flag.jpg Tina Modotti. Woman with Flag, 1928. Tirage argentique, tirage 1976 par Richard Benson, 24.9 x 19.7 cm. Museum of Modern Art (MoMA), New York. Courtesy of Isabel Carbajal Bolandi © 2014. Digital image, The museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/images/articles/w/women-photographers-2015/12-Kanaga_Annie-mae.jpg Consuelo Kanaga. Annie Mae Merriweather, 1936. Tirage argentique, 20 x 15.1 cm. New York, International Center of Photography © Collection International Center of Photography. https://www.studiointernational.com/images/articles/w/women-photographers-2015/11-Levitt_New-York.jpg Helen Levitt. New York, vers 1940. Tirage argentique, 9 x 14.7 cm. Washington, National Gallery of Art © Estate of Helen Levitt. © Photograph courtesy of the National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/w/women-photographers-2015/11-Murdoch_bishareen-children.jpg Helen Messenger Murdoch. Enfants de Bishareen, Assouan, Egypte, 1914. Autochrome (sous forme de projection). Bradford, National Media Museum. © Royal Photographic Society / National Media Museum Science & Society Picture library. https://www.studiointernational.com/images/articles/w/women-photographers-2015/15-beals.jpg Jessie Tarbox Beals. Le Président des Etats-Unis Theodore Roosevelt, Edith Roosevelt et David Rowland à l’Exposition universelles de Saint-Louis, Missouri, 1904. Epreuve au gélatino-bromure d’argent, 18.4 x 19 cm. Washington, National Portrait Gallery, Smithsonian Institution. Digital image © National Portrait Gallery, Smithsonian Institution. https://www.studiointernational.com/images/articles/w/women-photographers-2015/09-Relang_R-Beim-Rennen-in-Longchamp.jpg Regina Relang. Beim Rennen in Longchamp, 1936. Tirage argentique, 50 x 40 cm. Munchner Stadtmuseum, Munich Allemagne © Münchner Stadtmuseum, Sammlung Fotografie, Archiv Relang. https://www.studiointernational.com/index.php/vagrich-bakhchanyan-accidental-absurdity-review-zimmerli-art-museum-rutgers-university-new-jersey https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan-D00306.jpg Vagrich Bakhchanyan. Untitled, 1972-73. MQ; Colour pencil and collage. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photograph: Alexei Zagdansky/AZFilm. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan-D00312.jpg Vagrich Bakhchanyan. Untitled, 1973-74. Transfer process, coloured pencil. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photograph: Jack Abraham. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan-D07430.jpg Vagrich Bakhchanyan. Untitled, 1973-74. Transfer process, coloured pencil. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan-D15490.jpg Vagrich Bakhchanyan. Untitled, 1964. Transfer process, ink. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photograph: Alexei Zagdansky/AZFilms. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan-D15516.jpg Vagrich Bakhchanyan. Untitled, 1975-1976. Collage. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photograph: Jack Abraham. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan-2013-016.jpg Vagrich Bakhchanyan. Untitled, 1969. Transfer process on paper. Zimmerli Art Museum at Rutgers. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photograph: Alexei Zagdansky/AZFilms. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan-D15489-3.jpg Vagrich Bakhchanyan. Attention!, 1972–73. Transfer process, colour pencil and ink on paper. Zimmerli Art Museum at Rutgers. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photograph: Alexei Zagdansky/AZFilms https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan-D15492-2.jpg Vagrich Bakhchanyan. Untitled, 1974–75. Transfer process on paper. Zimmerli Art Museum at Rutgers. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photograph: Alexei Zagdansky/AZFilms. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan-D19553.jpg Vagrich Bakhchanyan. Untitled, 1972. Transfer process and ink on paper. Zimmerli Art Museum at Rutgers. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photograph: Alexei Zagdansky/AZFilms. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan_AccidentalAbsurdity_Installation1.jpg Vagrich Bakhchanyan: Accidental Absurdity. Installation view (1), Zimmerli Art Museum at Rutgers, 17 October 2015 - 6 March 2016. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan_AccidentalAbsurdity_Installation2.jpg Vagrich Bakhchanyan: Accidental Absurdity. Installation view (2), Zimmerli Art Museum at Rutgers, 17 October 2015 - 6 March 2016. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/b/bakhchanyan-vagrich-2015/Bakhchanyan_AccidentalAbsurdity_Installation3.jpg Vagrich Bakhchanyan: Accidental Absurdity. Installation view (3), Zimmerli Art Museum at Rutgers, 17 October 2015 - 6 March 2016. Photograph: Peter Jacobs. https://www.studiointernational.com/index.php/artist-rooms-roy-lichtenstein-review-scottish-national-gallery-of-modern-art https://www.studiointernational.com/images/articles/l/lichtenstein-2015/Lichtenstein-In-the-Car.jpg Roy Lichtenstein. In the Car, 1963. Oil and magna on canvas, 172 x 203.5 cm. Scottish National Gallery of Modern Art © The Roy Lichtenstein Foundation 2014. https://www.studiointernational.com/index.php/jackson-pollock-collection-survey-1934-1954-museum-of-modern-art-new-york https://www.studiointernational.com/images/articles/p/pollock-jackson-2015-2/One-Number-31,-1950.jpg Jackson Pollock. One: Number 31, 1950. 1950. Oil and enamel paint on canvas, 8 ft 10 in x 17 ft 5 5/8 in (269.5 x 530.8 cm). The Museum of Modern Art, New York. Sidney and Harriet Janis Collection Fund (by exchange), 1968. © 2015 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015-2/Untitled-c-1950.jpg Jackson Pollock. Untitled. c1950. Ink on paper, 17 1/2 x 22 ¼ in (44.5 x 56.6 cm). Museum of Modern Art, New York. © 2015 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015-2/The-She-Wolf-1943.jpg Jackson Pollock. The She-Wolf, 1943. Oil, gouache and plaster on canvas, 41 7/8 x 67 in (106.4 x 170.2 cm). The Museum of Modern Art, New York. © 2015 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015-2/Untitled-Animals-and-Figures-1942.jpg Jackson Pollock. Untitled (Animals and Figures), 1942. Gouache and ink on paper, 22 ½ x 29 7/8 in (57.1 x 76 cm). The Museum of Modern Art, New York. © 2015 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015-2/Untitled-1945.jpg Jackson Pollock. Untitled. 1945. Pastel, gouache and ink on paper, 30 5/8 x 22 3/8 in (77.7 x 56.9 cm). The Museum of Modern Art, New York. Blanchette Hooker Rockefeller Fund, 1958 © 2015 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015-2/Number-1A-1948-1948.jpg Jackson Pollock. Number 1A, 1948, 1948. Oil and enamel paint on canvas, 68 in x 8 ft 8 in (172.7 x 264.2 cm). The Museum of Modern Art, New York. © 2015 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015-2/Full-Fathom-Five-1947.jpg Jackson Pollock. Full Fathom Five, 1947. Oil on canvas with nails, tacks, buttons, key, coins, cigarettes, matches, etc, 50 7/8 x 30 1/8 in (129.2 x 76.5 cm). The Museum of Modern Art, New York. © 2015 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015-2/Easter-and-the-Totem-1953.jpg Jackson Pollock. Easter and the Totem. 1953. Oil on canvas, 6 ft 10 1/8 in x 58 in (208.6 x 147.3 cm). The Museum of Modern Art, New York. © 2015 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/pollock-jackson-2015-2/The-Flame-c-1934-38.jpg Jackson Pollock. The Flame, c1934-38. Oil on canvas, mounted on fibreboard, 20 1/2 x 30 in (51.1 x 76.2 cm). The Museum of Modern Art, New York. © 2015 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/noah-davis-imitation-of-wealth-review https://www.studiointernational.com/images/articles/d/davis-noah-2015/noah_davis-9.jpg Noah Davis. Installation view of storefront: Imitation of Wealth, August 29, 2015–February 22, 2016 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art, Los Angeles. Photograph: Cameron Crone and Carter Seddon. © Noah Davis. https://www.studiointernational.com/images/articles/d/davis-noah-2015/noah_davis-36.jpg Noah Davis. Installation view of storefront: Imitation of Wealth, August 29, 2015–February 22, 2016 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art, Los Angeles. Photograph: Cameron Crone and Carter Seddon. © Noah Davis. https://www.studiointernational.com/images/articles/d/davis-noah-2015/noah_davis-54.jpg Noah Davis. Installation view of storefront: Imitation of Wealth, August 29, 2015–February 22, 2016 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art, Los Angeles. Photograph: Cameron Crone and Carter Seddon. © Noah Davis. https://www.studiointernational.com/images/articles/d/davis-noah-2015/20150908_MOCA_Davis_062.jpg Noah Davis. Installation view of storefront: Imitation of Wealth, August 29, 2015–February 22, 2016 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art, Los Angeles. Photograph: Fredrik Nilsen. © Noah Davis. https://www.studiointernational.com/images/articles/d/davis-noah-2015/20150908_MOCA_Davis_068.jpg Noah Davis. Installation view of storefront: Imitation of Wealth, August 29, 2015–February 22, 2016 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art, Los Angeles. Photograph: Fredrik Nilsen. © Noah Davis. https://www.studiointernational.com/images/articles/d/davis-noah-2015/20150908_MOCA_Davis_071.jpg Noah Davis. Installation view of storefront: Imitation of Wealth, August 29, 2015–February 22, 2016 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art, Los Angeles. Photograph: Fredrik Nilsen. © Noah Davis. https://www.studiointernational.com/images/articles/d/davis-noah-2015/20150908_MOCA_Davis_081.jpg Noah Davis. Installation view of storefront: Imitation of Wealth, August 29, 2015–February 22, 2016 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art, Los Angeles. Photograph: Fredrik Nilsen. © Noah Davis. https://www.studiointernational.com/index.php/courtney-j-martin-interview-robert-ryman-dia-chelsea-new-york https://www.studiointernational.com/images/articles/r/ryman-robert-2015/59-084.jpg Robert Ryman. Untitled, 1959. Photograph: Bill Jacobson, courtesy The Greenwich Collection, Ltd., © Robert Ryman /Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/r/ryman-robert-2015/60-0681.jpg Robert Ryman. Untitled #1003, 1960–61. Photograph: Bill Jacobson, courtesy The Greenwich Collection, Ltd., © Robert Ryman /Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/r/ryman-robert-2015/82-528.jpg Robert Ryman. Bond, 1982. Photograph: Bill Jacobson, courtesy The Greenwich Collection, Ltd., © Robert Ryman /Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/matthew-barney-river-of-fundament-review-geffen-museum-contemporary-art-los-angeles https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_04.jpg Matthew Barney. Boat of Ra (detail), 2014. Wood, cast bronze, resin-bonded sand, steel, and gold plating, 132 × 600 × 288 in. Installation view, courtesy Laurenz Foundation, Schaulager, Basel. Photograph: Maximilian Geuter. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_05.jpg Matthew Barney. Boat of Ra, 2014. Wood, cast bronze, resin-bonded sand, steel, and gold plating, 132 × 600 × 288 in. Installation view, courtesy Laurenz Foundation, Schaulager, Basel. Photograph: Maximilian Geuter. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_08.jpg Matthew Barney. Crown Victoria, 2013. Cast zinc, 60 × 80 × 200 in. Courtesy Laurenz Foundation, Schaulager, Basel, installation view of Matthew Barney: Crown Zinc at Sadie Coles HQ, London, 2014, courtesy of Sadie Coles HQ, London. Photograph: Prudence Cuming, London. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_09.jpg Matthew Barney. Crown Zinc, 2013. Cast zinc and gold plating, 16 1/2 × 57 × 28 in, courtesy Laurenz Foundation, Schaulager, Basel, installation view of Matthew Barney: RIVER OF FUNDAMENT at Haus der Kunst, 2014. Photograph: Maximilian Geuter. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_11.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production still, courtesy of Gladstone Gallery, New York and Brussels, © Matthew Barney. Photograph: Hugo Glendinning. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_12.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014, production still, courtesy of Gladstone Gallery, New York and Brussels © Matthew Barney. Photograph: David Regen. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_14.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production still, courtesy of Gladstone Gallery, New York and Brussels, © Matthew Barney. Photograph: Hugo Glendinning. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_15.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production still, courtesy of Gladstone Gallery, New York and Brussels, © Matthew Barney. Photograph: Hugo Glendinning. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_17.jpg Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production still, courtesy of Gladstone Gallery, New York and Brussels, © Matthew Barney. Photograph: Hugo Glendinning. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_19.jpg Matthew Barney. Shaduf (detail), 2014. Cast brass, 144 x 120 x 180 in. Courtesy of the artist and Gladstone Gallery, New York and Brussels, installation view of Matthew Barney: RIVER OF FUNDAMENT at Haus der Kunst, 2014. Photograph: Maximilian Geuter. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_20.jpg Matthew Barney. Trans America, 2014. Cast sulfur, epoxy resin, and wood, 36 × 120 × 170 in, courtesy Laurenz Foundation, Schaulager, Basel, installation view of Matthew Barney: RIVER OF FUNDAMENT at Haus der Kunst, 2014. Photograph: Maximilian Geuter. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_21.jpg Matthew Barney. Trans America, 2014. Cast sulfur, epoxy resin, and wood, 36 × 120 × 170 in, courtesy Laurenz Foundation, Schaulager, Basel, installation view of Matthew Barney: RIVER OF FUNDAMENT at Haus der Kunst, 2014. Photograph: Maximilian Geuter. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_22.jpg Matthew Barney. Rouge Battery, 2014. Cast copper and iron, 28 x 90 x 179 in. Courtesy of the artist and Gladstone Gallery, New York and Brussels. Photograph: David Regen. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_23.jpg Matthew Barney. Rouge Battery, 2014. Cast copper and iron, 28 x 90 x 179 in. Courtesy of the artist and Gladstone Gallery, New York and Brussels, installation view of Matthew Barney: RIVER OF FUNDAMENT at Museum of Old and New Art (MONA), 2014-15. Photograph: Rémi Chauvin/MONA. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_24.jpg Matthew Barney. Shaduf, 2014. Cast brass, 144 x 120 x 180 in. Courtesy of the artist and Gladstone Gallery, New York and Brussels, installation view of Matthew Barney: RIVER OF FUNDAMENT at Museum of Old and New Art (MONA), 2014-15. Photograph: Rémi Chauvin/MONA. https://www.studiointernational.com/images/articles/b/barney-matthew-2015/Barney_PressImage_25.jpg Matthew Barney. Was, 2014. Cast sterling silver and sulfur in bronze vitrine, 42 × 72 × 30 in. Courtesy of the artist and Gladstone Gallery, New York and Brussels, installation view of Matthew Barney: Crown Zinc at Sadie Coles HQ, London, 2014, courtesy of Sadie Coles HQ, London. Photograph: Prudence Cuming, London. https://www.studiointernational.com/index.php/jompet-kuswidananto-interview-order-and-after-sonica-2015 https://www.studiointernational.com/images/articles/j/jompet-2015/Grand-Parade-15,-Discover-Indonesia,-Glasgow-2015_Credit-Louise-Mather.jpg Jompet Kuswidananto. Grand Parade, Discover Indonesia, Glasgow, 2015. Photograph: Louise Mather. https://www.studiointernational.com/images/articles/j/jompet-2015/Javas-Machine_Credit-Jompet-Kuswidananto.jpg Jompet Kuswidananto. Java's Machine. Photograph: Jompet Kuswidananto. https://www.studiointernational.com/images/articles/j/jompet-2015/Java,-War-of-Ghosts_Credit-Jompet-Kuswidananto.jpg Jompet Kuswidananto. Java, War of Ghosts. Photograph: Jompet Kuswidananto. https://www.studiointernational.com/images/articles/j/jompet-2015/Jompet-Kuswidananto,-with-Grand-Parade,-Discover-Indonesia,-Glasgow-2015_Credit-Louise-Mather.jpg Jompet Kuswidananto, with Grand Parade, Discover Indonesia, Glasgow, 2015. Photograph: Louise Mather. https://www.studiointernational.com/images/articles/j/jompet-2015/Order-and-After,-Jompet-Kuswidananto,-Sonica-2015,-Photo-Louise-Mather-.jpg Jompet Kuswidananto. Order and After, Sonica, 2015. Photograph: Louise Mather. https://www.studiointernational.com/images/articles/j/jompet-2015/Order-and-After,-Jompet-Kuswidananto,-Sonica-2015,-Photo-Louise-Mather-1.jpg Jompet Kuswidananto. Order and After, Sonica, 2015. Photograph: Louise Mather. https://www.studiointernational.com/images/articles/j/jompet-2015/Poem-for-Voice_Credit-Indoartnow.jpg Jompet Kuswidananto. Poem for Voice. Photograph: Indoartnow https://www.studiointernational.com/images/articles/j/jompet-2015/Staging-Collectivism-3_Credit-Jompet-Kuswidananto.jpg Jompet Kuswidananto. Staging Collectivism. Photograph: Jompet Kuswidananto. https://www.studiointernational.com/images/articles/j/jompet-2015/The-Commoners-1_Credit-Jompet-Kuswidananto.jpg Jompet Kuswidananto. Staging Collectivism. Photograph: Jompet Kuswidananto. https://www.studiointernational.com/images/articles/j/jompet-2015/The-Commoners-2_Credit-Jompet-Kuswidananto.jpg Jompet Kuswidananto. The Commoners. Photograph: Jompet Kuswidananto. https://www.studiointernational.com/images/articles/j/jompet-2015/Jompet-pic2.jpg Jompet Kuswidananto. https://www.studiointernational.com/index.php/crossing-the-line-3-global-drawing-cad-5-florence https://www.studiointernational.com/images/articles/c/cad-2015/1-A-WIlsonlandscape-improvisation.jpg Anne Scott-Wilson. Landscape Improvisation, 2015. Photograph. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/cad-2015/Bilu-.jpg Asher Bilu. Forming. Enamel on paper. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/cad-2015/Done.jpg Ken Done. A letter from the Beach. Oil crayon on card. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/cad-2015/Duyshart.jpg Sarah Duyshart. Achitectural Reading. Graphite on paper. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/cad-2015/Hunter.jpg Philip Hunter. When it gets really windy – I just write. Pencil. Courtesy of the artist, Sophie Gannon Gallery and Tim Olsen Gallery. https://www.studiointernational.com/images/articles/c/cad-2015/Irene-BARBERIS,-Psychochoreography,-concentric-wall-drawing-2014Mediumshadow-and-pencil.jpg Irene Barberis. Psychochoreography; concentric wall drawing, 2014. Shadow and pencil. Courtesy of the artist and Langford 120. https://www.studiointernational.com/images/articles/c/cad-2015/Mazjner.jpg Victor Majzner. I will be the breath. Watercolour and pencil. Courtesy of the artist. https://www.studiointernational.com/index.php/ruth-root-interview-old-odd-and-oval-aldrich-contemporary-museum-of-art-us https://www.studiointernational.com/images/articles/r/root-ruth-2015/RR_ALDRICH_0003.jpg Ruth Root. Untitled, 2015. Fabric, Plexiglas, enamel paint, and spray paint, 116 x 63 1/2 in (289.6 x 160 cm). Courtesy of the artist and Andrew Kreps Gallery, New York. Photograph: Chad Kleitsch. https://www.studiointernational.com/images/articles/r/root-ruth-2015/RR_ALDRICH_0004.jpg Ruth Root. Untitled, 2015. Fabric, Plexiglas, enamel paint, and spray paint, 105 3/4 x 72 in (268.6 x 182.9 cm). Courtesy of the artist and Andrew Kreps Gallery, New York. Photograph: Chad Kleitsch. https://www.studiointernational.com/images/articles/r/root-ruth-2015/RR_ALDRICH_0005.jpg Ruth Root. Old, Odd, and Oval, installation view at The Aldrich Contemporary Art Museum. Courtesy of the artist and Andrew Kreps Gallery, New York. Photograph: Chad Kleitsch. https://www.studiointernational.com/images/articles/r/root-ruth-2015/RR_ALDRICH_0006.jpg Ruth Root. Old, Odd, and Oval, installation view at The Aldrich Contemporary Art Museum. Courtesy of the artist and Andrew Kreps Gallery, New York. Photograph: Chad Kleitsch. https://www.studiointernational.com/images/articles/r/root-ruth-2015/RR_ALDRICH_0007.jpg Ruth Root. Untitled, 2015. Fabric, Plexiglas, enamel paint, and spray paint, 116 x 61 in (294.6 x 154.9 cm). Courtesy of the artist and Andrew Kreps Gallery, New York. Photograph: Chad Kleitsch. https://www.studiointernational.com/images/articles/r/root-ruth-2015/RR_ALDRICH_0008.jpg Ruth Root. Old, Odd, and Oval, installation view at The Aldrich Contemporary Art Museum. Courtesy of the artist and Andrew Kreps Gallery, New York. Photograph: Chad Kleitsch. https://www.studiointernational.com/images/articles/r/root-ruth-2015/RR_ALDRICH_001.jpg Ruth Root. Old, Odd, and Oval, installation view at The Aldrich Contemporary Art Museum. Courtesy of the artist and Andrew Kreps Gallery, New York. Photograph: Chad Kleitsch. https://www.studiointernational.com/index.php/making-africa-a-continent-of-contemporary-design-review-guggenheim-bilbao-petra-joos https://www.studiointernational.com/images/articles/m/making-africa-2015/Pierre-Christophe-Gam-TaaliM-2012.jpg Pierre-Christophe Gam. Taali M, 2012. Website. © Pierre-Christophe Gam. https://www.studiointernational.com/images/articles/m/making-africa-2015/AntonKannemeyer-SuperRichMan-2011.jpg Anton Kannemeyer. Super Rich Man, 2011. Lithograph, 50.5 × 50.5 cm © Anton Kannemeyer and Stevenson, Cape Town and Johannesburg. https://www.studiointernational.com/images/articles/m/making-africa-2015/BodysIsekKingelez.jpg Bodys Isek Kingelez. Etoile Rouge Congolese, 1990. Paper, cardboard, styrofoam, plastic and other found materials, 85 x 92 x 50 cm. Courtesy of CAAC – The Pigozzi Collection, Geneva © Bodys Isek Kingelez. https://www.studiointernational.com/images/articles/m/making-africa-2015/CheickDialloSansa-armchair.jpg Cheick Diallo. Sansa, 2010. Metal, nylon and cord, 80 x 80 x 90 cm. Courtesy of Pascale Revert, London. https://www.studiointernational.com/images/articles/m/making-africa-2015/Cyrus-Kabiru-African-Sun-2012.jpg Cyrus Kabiru. C-Stunners, 2012. Caribbean Sun. Photograph, variable dimensions © Cyrus Kabiru, Photograph: Miguel Luciano. https://www.studiointernational.com/images/articles/m/making-africa-2015/DavidAdjayesModel.jpg David Adjaye. Model of First Post-Apartheid Station for Johnnesburg. https://www.studiointernational.com/images/articles/m/making-africa-2015/ElAnatsuisTextile.jpg El Anatsui. Textile Name. Bottle tops and sweetie wrappers. Galerías Making Africa. https://www.studiointernational.com/images/articles/m/making-africa-2015/MakingAfricaWangechiMutu.jpg Wangechi Mutu. The End of Eating Everything, 2010. Animated film, 8 min 10 sec, edition of 6. Courtesy of Victoria Miro Gallery, London © Wangechi Mutu. https://www.studiointernational.com/images/articles/m/making-africa-2015/Omar-Victor-Diop-Mame-2013.jpg Omar Victor Diop. The Studio of Vanities, 2014. Mame. Pigment inkjet image on HahnemüHle Harman paper, 90 × 90 cm. Courtesy of Galerie Magnin-A, Paris © Omar Victor Diop. https://www.studiointernational.com/images/articles/m/making-africa-2015/KilouanjiKiaHendaIcarus13.jpg Kilouanji Kia Henda. Icarus13. The First Journey to the Sun. Eight photographs on aluminium, 80 × 120 cm each. MODEL, 100 X 50 cm. Wall text. Courtesy of Galleria Fonti Napoli © 2007 Kiluanji Kia Henda. https://www.studiointernational.com/index.php/eva-langret-interview-african-artists-tiwani-contemporary-london https://www.studiointernational.com/images/articles/l/langret-eva-2015/Robel_Temesgen-Adbar-2015.jpg Robel Temesgen. Adbar IV, 2015. Mixed media on paper, 500 x 214 cm. https://www.studiointernational.com/images/articles/l/langret-eva-2015/Francisco-Vidal-Workshop-Maianga-Mutamba-Tiwani-Contemporary-2015.jpg Francisco Vidal. Workshop Maianga Mutamba, Tiwani Contemporary, 2015. Photograph: © Sylvain Deleu. https://www.studiointernational.com/images/articles/l/langret-eva-2015/Gareth-Nyandoro-Rijksacademie-Open-2014.jpg Gareth Nyandoro. Rijks Academy Open, 2014. Installation view. https://www.studiointernational.com/images/articles/l/langret-eva-2015/Delio-Jasse-Terreno-Ocupado.jpg Delio Jasse, Terreno Ocupado, 2014. 56 x 76 cm. https://www.studiointernational.com/index.php/art-basel-miami-beach-2015 https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/27.jpg Martha Friedman, Pore featuring collaborative performance with Silas Riener, 2015. Installation view at Locust Projects, Miami. Photograph: Christian Hernandez. https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2045-Unrealism.jpg Zeng Fanzhi. Mr. Lenin, 2005. Oil on canvas, 39 x 39 in (99.1 x 99.1 cm). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2047.jpg Jenny Saville. Olympia, 2013 - 2014. Charcoal and oil on canvas, 85 7/16 x 114 3/16 in (217 x 290 cm). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2049-Unrealism.jpg Jonathan Gardner. Studio Life, 2014. Oil on linen, 50 x 50 in (137.2 x 127 cm). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2051-Unrealism-Dana-shuts.jpg Dana Schultz. Set Up, 2007. Oil on canvas, 72 x 90 in (182.9 x 228.6 cm). Photograph: Jill Spalding https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2058.jpg Kiki Smith. Seer (Alice I), 2005. White auto body paint on bronze, 62 1/2 x 55 1/2 x 49 in. Edition 3 of 3 + 1 AP. Timothy Taylor Gallery. https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/image1.jpg Annie Morris. Stack, 2015. Plaster, sand, polystyrene, raw pigment, steel and concrete base. Various sizes. Winston Wächter Fine Art. https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2060.jpg Jimmie Durham. Still Life With Title and Spirit, 2007. Car, volcanic stone, acrylic paint. 82 x 175 x 96 inches (208.3 x 444.5 x 243.8 cm). PF3706. Peter Freeman, Inc. New York / Paris. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2072.jpg Damien Hirst. Schizophrenogenesis Installation. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2208.jpg Chuck Close. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2229.jpg Egan Frantz. Diagram Painting, 2015. Michael Jon Gallery. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2315.jpg Francis Trombly. Yellow Rayon with Canvas, 2015. Hand dyed,handwoven rayon and cotton. 98 x 33.5 x 3 inches. Emerson Borsch. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/a/art-basel-miami-2015/IMG_2329.jpg Installation by Target. Photograph: Jill Spalding https://www.studiointernational.com/index.php/niamh-mcmann-interview-just-left-of-copernicus https://www.studiointernational.com/images/articles/m/mccann-niamh-2015/2.jpg Niamh McCann. Bay Arch 1 -Test 3, 2015. (part trial assembly of structure for VISUAL Carlow). Photograph: Niamh McCann. https://www.studiointernational.com/images/articles/m/mccann-niamh-2015/3.jpg Niamh McCann. Untitled (working model), 2015. Photograph: Niamh McCann. https://www.studiointernational.com/images/articles/m/mccann-niamh-2015/4.jpg Niamh McCann. Copernicus for Now. Installation view of exhibition, VISUAL Carlow, September 2015. Photograph: Niamh McCann. https://www.studiointernational.com/images/articles/m/mccann-niamh-2015/5.jpg Niamh McCann. Just Left of Copernicus. Installation view of exhibition, VISUAL Carlow, September 2015. Cardboard, plywood. Photograph: Aisling McCoy. https://www.studiointernational.com/images/articles/m/mccann-niamh-2015/6.jpg Niamh McCann. Just Left of Copernicus. Installation view (2) of exhibition, VISUAL Carlow, September 2015. Cardboard, plywood. Photograph: Aisling McCoy. https://www.studiointernational.com/index.php/ic-98-drawn-into-tomorrow-review-dundee-contemporary-arts-centre https://www.studiointernational.com/images/articles/i/ic-98-2015/IC-98,-1.jpg IC-98. A View From the Other Side, 2011. Installation view. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/i/ic-98-2015/IC-98,-2.jpg IC-98. Abendland (Hours, Years, Aeons), 2015. Installation view. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/i/ic-98-2015/IC-98,-3.jpg IC-98. Arkhipelagos (Ebb), 2013. Installation view. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/i/ic-98-2015/IC-98,-4.jpg IC-98. Arkhipelagos (Navigating the Tides of Time), 2013. Installation view. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/i/ic-98-2015/IC-98,-Drawn-Into-Tomorrow.jpg IC-98, Drawn Into Tomorrow, installation view. Photograph: Ruth Clark. https://www.studiointernational.com/index.php/rose-blake-interview-easier-to-express-thought-through-picture-rather-than-words https://www.studiointernational.com/images/articles/b/blake-rose-2015/Rose-Blake,-Selfie-Garden-II,-2015.jpg Rose Blake. Selfie Garden II, 2015. Monotype, 113 x 158 cm (44 1/2 x 62 1/4 in). © the artist. https://www.studiointernational.com/images/articles/b/blake-rose-2015/Rose-Blake,-Works-On-Paper,-2015.jpg Rose Blake. Works On Paper, 2015. Monotype, 88 x 78 cm (33 7/8 x 29 7/8 in). © the artist. https://www.studiointernational.com/images/articles/b/blake-rose-2015/Rose-Blake-PV.jpg Rose Blake. P.V., 2015. Monotype, 200 x 153 cm (79 1/2 x 59 78 in). © the artist. https://www.studiointernational.com/index.php/future-queer-perfect-station-independent-projects-yevgeniy-fiks-olga-kopenkina https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/photo credit by Andrew WIngler1.jpg Cary Cronenwett. Maggots and Men, 2009 (film still). Film, 16mm/Super8, 56 min. Courtesy: the artist. Photograph: Andrew Wingler. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/photo credit by Andrew Wingler3.jpg Cary Cronenwett. Maggots and Men, 2009 (film still). Film, 16mm/Super8, 56 min. Courtesy: the artist. Photograph: Andrew Wingler. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/photo credit by Daniel Nicoletta.jpg Cary Cronenwett. Maggots and Men, 2009 (film still). Film, 16mm/Super8, 56 min. Courtesy: the artist. Photograph: Daniel Nicoletta. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/postcard front-1.jpg Film still from School of Theory and Activism, Bishkek (STAB)/est 2012, Bishkek, Kyrgyzstan. Queer in Space: Kollontai Commune in Frunze of the 1970s, (detail) 2014-15. Video, timeline. Courtesy: the artists. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/postcaed back-1.jpg Film still from School of Theory and Activism, Bishkek (STAB)/est 2012, Bishkek, Kyrgyzstan. Queer in Space: Kollontai Commune in Frunze of the 1970s, (detail) 2014-15. Video, timeline. Courtesy: the artists. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/postcard front-2.jpg Film still from School of Theory and Activism, Bishkek (STAB)/est 2012, Bishkek, Kyrgyzstan. Queer in Space: Kollontai Commune in Frunze of the 1970s, (detail) 2014-15. Video, timeline. Courtesy: the artists. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/postcard back-2.jpg Film still from School of Theory and Activism, Bishkek (STAB)/est 2012, Bishkek, Kyrgyzstan. Queer in Space: Kollontai Commune in Frunze of the 1970s, (detail) 2014-15. Video, timeline. Courtesy: the artists. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/dorogu kosmicheskomu erosu_pic2.jpg Film still from School of Theory and Activism, Bishkek (STAB)/est 2012, Bishkek, Kyrgyzstan. Queer in Space: Kollontai Commune in Frunze of the 1970s, (detail) 2014-15. Video, timeline. Courtesy: the artists. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/Architecture_Fragment (1) (1).jpg Film still from School of Theory and Activism, Bishkek (STAB)/est 2012, Bishkek, Kyrgyzstan. Queer in Space: Kollontai Commune in Frunze of the 1970s, (detail) 2014-15. Video, timeline. Courtesy: the artists. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/Architecture_Fragment.jpg Film still from School of Theory and Activism, Bishkek (STAB)/est 2012, Bishkek, Kyrgyzstan. Queer in Space: Kollontai Commune in Frunze of the 1970s, (detail) 2014-15. Video, timeline. Courtesy: the artists. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/Lecture Text.jpg Film still from School of Theory and Activism, Bishkek (STAB)/est 2012, Bishkek, Kyrgyzstan. Queer in Space: Kollontai Commune in Frunze of the 1970s, (detail) 2014-15. Video, timeline. Courtesy: the artists. https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/141227EFrossard_YFiks_wood_0288.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), #1, 2013. Wood, 40.64 x 50.8 cm (16 x 20 in). https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/141227EFrossard_YFiks_wood_0289.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), #2, 2013. Wood, 40.64 x 50.8 cm (16 x 20 in). https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/141227EFrossard_YFiks_wood_0290.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), #3, 2013. Wood, 40.64 x 50.8 cm (16 x 20 in). https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/141227EFrossard_YFiks_wood_0291.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), #4, 2013. Wood, 40.64 x 50.8 cm (16 x 20 in). https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/141227EFrossard_YFiks_wood_0292.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), #5, 2013. Wood, 40.64 x 50.8 cm (16 x 20 in). https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/141227EFrossard_YFiks_wood_0293.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), #6, 2013. Wood, 40.64 x 50.8 cm (16 x 20 in). https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/141227EFrossard_YFiks_wood_0294.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), #7, 2013. Wood, 40.64 x 50.8 cm (16 x 20 in). https://www.studiointernational.com/images/articles/f/future-queer-perfect-2015/141227EFrossard_YFiks_wood_0296.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), #8, 2013. Wood, 40.64 x 50.8 cm (16 x 20 in). https://www.studiointernational.com/index.php/risk-review-turner-contemporary-margate-bas-jan-ader-ai-weiwei-lucy-wood https://www.studiointernational.com/images/articles/r/risk-2015/Simon-Faithful-EZY1899-Reenactment-for-a-Future-Scenario-2012---Courtesy-of-the-artist-and-Galerie-Polaris-Paris.jpg Simon Faithfull. EZY1899: Reenactment for a Future Scenario, 2012. Courtesy of the artist and Galerie Polaris Paris. https://www.studiointernational.com/images/articles/r/risk-2015/JMW-Turner-Study-for-Rokeby-1822---Tate-London.jpg JMW Turner Study for Rokeby, 1822. Watercolour on paper © Tate, London 2014. https://www.studiointernational.com/images/articles/r/risk-2015/Marina-Abramovic.jpg Marina Abramović and Ulay. Rest Energy, 1980. Based on the performance, 4 minutes, ROSC' 80, Dublin. © Marina Abramović and Ulay Courtesy of the Marina Abramovic Archives. https://www.studiointernational.com/images/articles/r/risk-2015/Ai-Weiwei.jpg Ai Weiwei. Surveillance Camera, 2010. Courtesy the artist and Lisson Gallery. Photograph: Ken Adlard. https://www.studiointernational.com/images/articles/r/risk-2015/Eva-Hesse.jpg Eva Hesse. One More Than One, 1967. Photograph: Horst Kolberg. Collection of Dorothee & Konrad Fischer, Düsseldorf. https://www.studiointernational.com/images/articles/r/risk-2015/Yoko-Ono.jpg Yoko Ono. Cut Piece, 1964. Performed by the artist, 21 March 1965. Carnegie Recital Hall, New York City. Film still from Maysles Brothers. © Yoko Ono. https://www.studiointernational.com/images/articles/r/risk-2015/2015-10-0996536.jpg Risk, installation view (1) at Turner Contemporary. Photograph: Stephen White. https://www.studiointernational.com/images/articles/r/risk-2015/2015-10-0996573.jpg Risk, installation view (2) at Turner Contemporary. Photograph: Stephen White. https://www.studiointernational.com/images/articles/r/risk-2015/2015-10-0996561-copy.jpg Risk, installation view (3) at Turner Contemporary. Photograph: Stephen White. https://www.studiointernational.com/images/articles/r/risk-2015/2015-10-0996660-copy.jpg Risk, installation view (4) at Turner Contemporary. Photograph: Stephen White. https://www.studiointernational.com/images/articles/r/risk-2015/CF096527.jpg Risk, installation view (5) at Turner Contemporary. Photograph: Stephen White. https://www.studiointernational.com/images/articles/r/risk-2015/CF096587.jpg Risk, installation view (6) at Turner Contemporary. Photograph: Stephen White. https://www.studiointernational.com/index.php/ilya-and-emilia-kabakov-interview-new-paintings-pace-gallery https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/802.jpg Ilya & Emilia Kabakov. Two Times Nr. 3, 2015. Oil on canvas, 284.5 x 190.5 cm. https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/805.jpg Ilya & Emilia Kabakov. Two Times Nr. 6, 2015. Oil on canvas, 190.5 x 284.5 cm. https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/806.jpg Ilya & Emilia Kabakov. Two Times Nr. 7, 2015. Oil on canvas, 190.5 x 284.5 cm. https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/808.jpg Ilya & Emilia Kabakov. Two Times Nr. 9, 2015. Oil on canvas, 75 x 112 in (190.5 x 284.5 cm). https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/PrintWithDots2.jpg Ilya & Emilia Kabakov. Print With Dots #2, 2012. Woodcut, 47 ¾ x 68 ¼ in (121.5 x 173 cm). Edition of 12. https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/815.jpg Ilya & Emilia Kabakov. The Six Paintings about the Temporary Loss of Eyesight (In the Room), 2015. Oil on canvas, 44 x 77 in (111.8 x 195.6 cm). https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/816.jpg Ilya & Emilia Kabakov. The Six Paintings about the Temporary Loss of Eyesight (The Scene at the Square), 2015. Oil on canvas, 44 x 77 in (111.8 x 195.6 cm). https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/SHIP-PRINTSHARIAH-TOLERANCE.jpg Ilya & Emilia Kabakov. The Ship of Tolerance, Shariah, 2011. Photograph: Emilia Kabakov. https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/SHIP-SHARJAH-CHILDREN-2011.jpg Children Making Drawings for The Ship of Tolerance, Shariah, 2011. Courtesy of Shariah Art Foundation. https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/809.jpg Ilya & Emilia Kabakov. Two Times Nr. 10, 2015. Oil on canvas, 190.5 x 284.5 cm. https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/814.jpg Ilya & Emilia Kabakov. The Six Paintings about the Temporary Loss of Eyesight (They Are Painting the Boat), 2015. Oil on canvas, 44 x 77 in (111.8 x 195.6 cm). https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/811.jpg Ilya & Emilia Kabakov. The Six Paintings about the Temporary Loss of Eyesight (At the Outskirts of the Forest), 2015. Oil on canvas, 44 x 77 in (111.8 x 195.6 cm). https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/PrintWithDots1.jpg Ilya & Emilia Kabakov. Print With Dots #1, 2012. Woodcut, 47 ¾ x 68 ¼ in (121.5 x 173 cm). Edition of 12. https://www.studiointernational.com/images/articles/k/kabakov-ilya-emilia-2015/PrintWithDots3.jpg Ilya & Emilia Kabakov. Print With Dots #3, 2012. Woodcut, 47 ¾ x 68 ¼ in (121.5 x 173 cm). Edition of 12. https://www.studiointernational.com/index.php/munch-van-gogh-review-parallels-in-lives-works-amsterdam https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/self-portrait-Munch.jpg Edvard Munch. Self-Portrait with Palette, 1926. Private collection. https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/self-portrait-Van-Gogh.jpg Vincent van Gogh. Self-Portrait as a Painter, 1887-88. Van Gogh Museum, Amsterdam. (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/Munch-fertility.jpg Edvard Munch. Fertility, 1899-1900. Canica Art Collection, Oslo. https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/Van-Gogh-fertility.jpg Vincent van Gogh. The Sower, 1888. Van Gogh Museum, Amsterdam. (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/bridge-Munch.jpg Edvard Munch. The Scream, 1893. Munch Museum, Oslo. https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/bridge-Van-Gogh.jpg Vincent van Gogh. The Bridge at Trinquetaille, 1888. Private collection. https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/forest-Munch.jpg Edvard Munch. Spring in the Elm Forest, c1923. Munch Museum, Oslo. https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/forest-Van-Gogh.jpg Vincent van Gogh. Undergrowth, 1889. Van Gogh Museum, Amsterdam. (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/starry-night-Munch.jpg Edvard Munch. Starry Night, 1922. Munch Museum, Oslo. https://www.studiointernational.com/images/articles/m/munch-van-gogh-2015/starry-night-Van-Gogh.jpg Vincent van Gogh. Starry Night over the Rhône, 1888. Musée d’Orsay, Paris. https://www.studiointernational.com/index.php/margaret-harrison-interview-accumulations-middlesbrough-institute-of-modern-art https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Harrison-Beautiful-Ugly-Kettle-2004.jpg Margaret Harrison. Beautiful Ugly Kettle, 2004. Watercolour on paper, 8 1/2 x 11 in. Photograph: Casey Dorobek, courtesy of Ronald Feldman Fine Arts, New York. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Harrison-Beautiful-Ugly-Violence-2004.jpg Margaret Harrison. Beautiful Ugly Violence, 2004. 24 watercolours on paper, 8 1/2 x 11 in each. Photograph: Casey Dorobek, courtesy of Ronald Feldman Fine Arts, New York. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Harrison-Common-Land-Greenham-red.jpg Margaret Harrison. Common Land Greenham, 1989. Installation view at The New Museum, New York. Photograph: D. James Dee, courtesy Ronald Feldman Fine Arts, New York. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Harrison-Ejaculator-2007.jpg Margaret Harrison. Ejaculator, 2007. Watercolour, colored pencil and graphite on paper, 18 1/2 x 12 1/2 in. Photograph: Casey Dorobek, courtesy of Ronald Feldman Fine Arts, New York. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Harrison-Ellens-Dress-1998.jpg Margaret Harrison. Ellen’s Dress, 1998. Oil on canvas, 60 x 148 in. Photograph: Casey Dorobek, courtesy of Ronald Feldman Fine Arts, New York. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Harrison-Whats-the-Long-Red-Limp-Wrinkly-Thing.jpg Margaret Harrison. What’s That Long Red Limp Wrinkly Thing You’re Pulling On?, 2009. Coloured pencil and watercolour on paper., 23 7/8 x 18 7/8 in. Photograph: Casey Dorobek, courtesy of Ronald Feldman Fine Arts, New York. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Margaret-Harrison-The-Last-Gaze.jpg Margaret Harrison. The Last Gaze. Oil on canvas. Installed at the Northern Art Prize Exhibition, Leeds Art Gallery, 2013. Photograph: Simon Warner, courtesy of the artist. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Harrison-You-Looking-at.jpg Margaret Harrison. You Looking at Me?, 2013. Watercolour on paper, 28 x 19 1/4 in each. Photograph: Casey Dorobek, courtesy of Ronald Feldman Fine Arts, New York. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/fenwickgirl.jpg Margaret Harrison. Fenwicks, London (2), 1993, from the series Scents of Identity. Watercolour on paper, 6 x 7 ¼ in. Photograph: Casey Dorobek, courtesy of Ronald Feldman Fine Arts, New York. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Margaret-Harrison-Common-Reflections.jpg Margaret Harrison. Common Reflections. Installation view of exhibition We Are Them, They Are Us, Golden Thread Gallery, Belfast, 2015. Photograph: Conrad Atkinson. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/Harrison-Allen-Jones-and-The-P.jpg Margaret Harrison. Allen Jones & The P.T.A. (Dolly Parton/Allen Jones’ Table Sculpture), 2010. Watercolour and graphite on paper. 11 x 15 1/8 in. Photograph: Casey Dorobek, courtesy of Ronald Feldman Fine Arts, New York. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/installation-view-1.jpg Installation view (1) of Margaret Harrison: Accumulations, Middlesbrough Institute of Modern Art, 23 October 2015 - 24 January 2016. Photograph: Jason Hynes, courtesy of Middlesbrough Institute of Modern Art. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/installation-view-2.jpg Installation view (2) of Margaret Harrison: Accumulations, Middlesbrough Institute of Modern Art, 23 October 2015 - 24 January 2016. Photograph: Jason Hynes, courtesy of Middlesbrough Institute of Modern Art. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/installation-view-3.jpg Installation view (3) of Margaret Harrison: Accumulations, Middlesbrough Institute of Modern Art, 23 October 2015 - 24 January 2016. Photograph: Jason Hynes, courtesy of Middlesbrough Institute of Modern Art. https://www.studiointernational.com/images/articles/h/harrison-margaret-2015/installation-view-4.jpg Installation view (4) of Margaret Harrison: Accumulations, Middlesbrough Institute of Modern Art, 23 October 2015 - 24 January 2016. Photograph: Jason Hynes, courtesy of Middlesbrough Institute of Modern Art. https://www.studiointernational.com/index.php/francesca-woodman-on-being-an-angel-review-foam-amsterdam https://www.studiointernational.com/images/articles/w/woodman-francesca-2015/About-Being-My-Model-Providence-Rhode-Island-1976.jpg Francesca Woodman. About Being My Model, Providence, Rhode Island, 1976. © George and Betty Woodman. https://www.studiointernational.com/images/articles/w/woodman-francesca-2015/Francesca-Woodman-From-Space2-providence-Rhode-Island-1976.jpg Francesca Woodman. From Space 2, Providence, Rhode Island, 1976. © George and Betty Woodman. https://www.studiointernational.com/images/articles/w/woodman-francesca-2015/Francesca-Woodman-On-Being-an-Angel-1-Providence-Rhode-Island-1977.jpg Francesca Woodman. On Being an Angel #1, Providence, Rhode Island, 1977. © George and Betty Woodman. https://www.studiointernational.com/images/articles/w/woodman-francesca-2015/Francesca-Woodman-Self-deceit-1-Rome-Italy-1978.jpg Francesca Woodman. Self-deceit #1, Rome, Italy, 1978. © George and Betty Woodman. https://www.studiointernational.com/images/articles/w/woodman-francesca-2015/Francesca-Woodman-Self-portrait-talking-to-Vince-Providence-Rhode-Island-1977.jpg Francesca Woodman. Self-portrait talking to Vince, Providence, Rhode Island, 1977. © George and Betty Woodman. https://www.studiointernational.com/images/articles/w/woodman-francesca-2015/Francesca-Woodman-Untitled-MacDowell-Colony-Peterborough-New-Hampshire-1980.jpg Francesca Woodman. Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980. © George and Betty Woodman. https://www.studiointernational.com/images/articles/w/woodman-francesca-2015/Francesca-Woodman-Untitled-New-York-1979.jpg Francesca Woodman. Untitled, New York, 1979. © George and Betty Woodman. https://www.studiointernational.com/images/articles/w/woodman-francesca-2015/Francesca-Woodman-Untitled-Rome-Italy-1977-78.jpg Francesca Woodman. Untitled, Rome, Italy, 1977-78. © George and Betty Woodman. https://www.studiointernational.com/index.php/anthony-pearson-interview-marianne-boesky-gallery-new-york https://www.studiointernational.com/images/articles/p/pearson-anthony-2015/AP10869.jpg Anthony Pearson. Untitled (Etched Plaster), 2015. Medium coated pigmented hydrocal in walnut frame, 104.1 x 77.5 x 6.4 cm (41 x 30 1/2 x 2 1/2 in). Courtesy of the artist and Marianne Boesky Gallery, New York. © Anthony Pearson. Photograph: Lee Thompson. https://www.studiointernational.com/images/articles/p/pearson-anthony-2015/AP11325.jpg Anthony Pearson. Untitled (Four Part Etched Plaster), 2015. Pigmented hydrocal and medium coated pigmented hydrocal in walnut frames, each: 31.8 x 24.1 x 4.4 cm (12 1/2 x 9 1/2 x 1 3/4 in). Courtesy of the artist and Marianne Boesky Gallery, New York. © Anthony Pearson. Photograph: Lee Thompson. https://www.studiointernational.com/images/articles/p/pearson-anthony-2015/AP11363.jpg Anthony Pearson. Untitled (Plaster Positive), 2015. Pigmented hydrocal in walnut frame, 73 x 55.2 x 8.3 cm (28 3/4 x 21 3/4 x 3 1/4 in). Courtesy of the artist and Marianne Boesky Gallery, New York. © Anthony Pearson. Photograph: Lee Thompson. https://www.studiointernational.com/images/articles/p/pearson-anthony-2015/Pearson2015_Maris-Bren_3.jpg Anthony Pearson. Gallery view. Courtesy of the artist and Marianne Boesky Gallery, New York. © Anthony Pearson. Photograph: Maris Bren https://www.studiointernational.com/index.php/ivan-sotnikov-painting-twentieth-twenty-first-century-review-new-museum-st-petersburg-russia https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/1.jpg Ivan Sotnikov. Vyritsa, 2010. Oil on canvas, 40 х 50 cm. Collection of Vladimir Egorov. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/2.jpg Ivan Sotnikov. Fir Trees, 1987. Oil on upholstery, 90 x 120 cm. Collection of Vladimir Dobrovolsky. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/3.jpg Ivan Sotnikov. Winter Landscape, 1986. Oil on wood board, 122 x 154 cm. The Russian Museum, St Petersburg. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/4.jpg Ivan Sotnikov. Concert, 1983. Oil on wood board, 121 x 143 cm. The Russian Museum, St Petersburg. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/5.jpg Ivan Sotnikov. Car, second half of the 1980-х. Oil on synthetic board, 45 х 107 cm. Collection of Ekaterina Andreeva and Gennadi Pliskin. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/6.jpg Ivan Sotnikov. Still Life, 1981-82. Oil on canvas, 100 х 100 cm. Collection of Evgenii Volkovysokii. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/7.jpg Ivan Sotnikov. The Pokrov Square, 2006. Oil on cardboard, 50 x 60 cm. Collection of Yakov Kal’mens. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/Installation-photograph-1.jpg Ivan Sotnikov: Painting of the 20th – 21st Century, The New Museum, St Petersburg, installation view. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/Installation-photograph-2.jpg Ivan Sotnikov: Painting of the 20th – 21st Century, The New Museum, St Petersburg, installation view (2). Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/_DSC0050.jpg Ivan Sotnikov: Painting of the 20th – 21st Century, The New Museum, St Petersburg, installation view (3). Photograph: Nikita Mikhailov. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/_DSC0156.jpg Ivan Sotnikov: Painting of the 20th – 21st Century, The New Museum, St Petersburg, installation view (4). Photograph: Nikita Mikhailov. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/_DSC0211.jpg Ivan Sotnikov: Painting of the 20th – 21st Century, The New Museum, St Petersburg, installation view (5). Photograph: Nikita Mikhailov. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/_DSC0266.jpg Ivan Sotnikov: Painting of the 20th – 21st Century, The New Museum, St Petersburg, installation view (6). Photograph: Nikita Mikhailov. https://www.studiointernational.com/images/articles/s/sotnikov-ivan-2016/_DSC0312.jpg Ivan Sotnikov: Painting of the 20th – 21st Century, The New Museum, St Petersburg, installation view (7). Photograph: Nikita Mikhailov. https://www.studiointernational.com/index.php/carole-robb-interview https://www.studiointernational.com/images/articles/r/robb-carole-2016/RH5D9556-copy.jpg Carole Robb. Homage to Sunset Boulevard, 2015. Watercolour on paper, 76 x 112 cm (30 x 44 in). © the artist. https://www.studiointernational.com/images/articles/r/robb-carole-2016/RH5D9558-copy.jpg Carole Robb. Tango at the Forum, 2015. Watercolour on paper, 76 x 112 cm (30 x 44 in). © the artist. https://www.studiointernational.com/images/articles/r/robb-carole-2016/RH5D9563-copy.jpg Carole Robb. A Farewell to Smoking, 2015. Watercolour on paper, 76 x 112 cm (30 x 44 in). © the artist. https://www.studiointernational.com/images/articles/r/robb-carole-2016/RH5D6495-2.jpg Carole Robb. Passionate Collisions, 2014. Oil on canvas, 102 x 153 cm (40 x 60 in). © the artist. https://www.studiointernational.com/images/articles/r/robb-carole-2016/RM0B3213.jpg Carole Robb. Lovers are enemies too, 2014. Oil on canvas, 153 x 102 cm (60 x 40 in). © the artist. https://www.studiointernational.com/images/articles/r/robb-carole-2016/RH5D8212.jpg Carole Robb. Let slip the dogs of War, 2014. Oil on canvas, 102 x 153 cm (40 x 60 in). © the artist. https://www.studiointernational.com/index.php/liz-magic-laser-interview-im-interested-in-throwing-a-well-rehearsed-script-into-precarious-scenario https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/02.jpg Liz Magic Laser. Kiss and Cry, 2015. Single-channel 4K video, 13 min 30 sec, video still (2). Featuring figure skaters Anna MacKenzie and Axel MacKenzie and coach Marie Jonsson MacKenzie. Commissioned and produced by Mercer Union. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/03.jpg Liz Magic Laser. Kiss and Cry, 2015. Single-channel 4K video, 13 min 30 sec, video still (3). Featuring figure skaters Anna MacKenzie and Axel MacKenzie and coach Marie Jonsson MacKenzie. Commissioned and produced by Mercer Union. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/04.jpg Liz Magic Laser. Kiss and Cry, 2015. Single-channel 4K video, 13 min 30 sec, video still (4). Featuring figure skaters Anna MacKenzie and Axel MacKenzie and coach Marie Jonsson MacKenzie. Commissioned and produced by Mercer Union. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/05.jpg Liz Magic Laser. Kiss and Cry, 2015. Single-channel 4K video, 13 min 30 sec, video still (5). Featuring figure skaters Anna MacKenzie and Axel MacKenzie and coach Marie Jonsson MacKenzie. Commissioned and produced by Mercer Union. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/06.jpg Liz Magic Laser, My Mind is My Own, 2015, single-channel video, 8 min, video still. Featuring actor Ella Maré. Script written by Liz Magic Laser in collaboration with Kate Wilson and Ella Maré. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/07.jpg Liz Magic Laser, The Thought Leader, 2015, single-channel video, 9 min, video still. Featuring actor Alex Ammerman. Script written by Liz Magic Laser based on Notes From the Underground (1864) by Fyodor Dostoyevsky. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/08.jpg Liz Magic Laser, The Thought Leader, 2015, single-channel video, 9 min, video still. Featuring actor Alex Ammerman. Script written by Liz Magic Laser based on Notes From the Underground (1864) by Fyodor Dostoyevsky. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/09.jpg Liz Magic Laser, Absolute Event, 2013, performance and video installation, 45 min, video still, Paula Cooper Gallery, New York. Featuring actors and former congressional staffers Daniel Abse and Gary Lee Mahmoud. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/10.jpg Liz Magic Laser, Absolute Event, 2013, performance and video installation, 45 min, production still, Paula Cooper Gallery, New York. Featuring actors and former congressional staffers Daniel Abse and Gary Lee Mahmoud. Photograph: Steven Probert. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/11.jpg Liz Magic Laser, Absolute Event, 2013, performance and video installation, 45 min, production still, Paula Cooper Gallery, New York. Featuring actors and former congressional staffers Daniel Abse and Gary Lee Mahmoud. Photograph: Steven Probert https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/12.jpg Liz Magic Laser, Absolute Event, 2013, performance and video installation, 45 min, production still, Paula Cooper Gallery, New York. Featuring actors and former congressional staffers Daniel Abse and Gary Lee Mahmoud. Photograph: Steven Probert https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/13.jpg Liz Magic Laser, Stand Behind Me, 2013, performance and two-channel video, 10 min, production still, Lisson Gallery, London. Featuring dancer Ariel Freedman. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/14.jpg Liz Magic Laser, Stand Behind Me, 2013, performance and two-channel video, 10 min, video still, Lisson Gallery, London. Featuring dancer Ariel Freedman. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/15.jpg Liz Magic Laser, The Digital Face, 2012, performance and two-channel video, 10 minutes. Featuring dancers Alan Good and Cori Kresge as former President George H. W. Bush and President Barack Obama. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/16.jpg Liz Magic Laser, The Digital Face, 2012, performance and two-channel video, 10 minutes, production still, MoMA PS1, New York. Featuring dancers Alan Good and Cori Kresge as former President George H. W. Bush and President Barack Obama. Photograph: Loren Wohl. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/17.jpg Liz Magic Laser, The Digital Face, 2012, performance and two-channel video, 10 minutes, production still, MoMA PS1, New York. Featuring dancers Alan Good and Cori Kresge as former President George H. W. Bush and President Barack Obama. Photograph: Loren Wohl. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/18.jpg Liz Magic Laser, I Feel Your Pain, 2011, a Performa Commission, performance and single-channel video, 80 min, Performa 11, SVA Silas Theatre, New York. Featuring actors Lynn Berg, Audrey Crabtree, Ray Field, Annie Fox, Kathryn Grody, Rafael Jordan, Liz Micek, and Ryan Shams. Photograph: Yola Monakhov. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/19.jpg Liz Magic Laser, I Feel Your Pain, 2011, a Performa Commission, performance and single-channel video, 80 min, Performa 11, SVA Silas Theatre, New York. Featuring actors Lynn Berg, Audrey Crabtree, Ray Field, Annie Fox, Kathryn Grody, Rafael Jordan, Liz Micek, and Ryan Shams. Photograph: Yola Monakhov. https://www.studiointernational.com/images/articles/l/laser-liz-magic-2015/20.jpg Liz Magic Laser, Flight, 2010-2011, performance and single-channel video, 30 minutes, MoMA PS1, April 2010 and Times Square (NY), May 2011. Featuring actors Nic Grelli, Elizabeth Hodur, Liz Micek, Michael Wiener, Lia Woertendyke and Max Woertendyke. https://www.studiointernational.com/index.php/when-silence-falls-review-art-gallery-new-south-wales-australia-judy-watson-ben-quilty https://www.studiointernational.com/images/articles/w/when-silence-falls-2016/13-2001M.jpg Rusty Peters. Chinaman's Garden massacre, 2000. AGNSW, Purchased with funds provided by the JS Watkins Memorial Fund 2001. © Rusty Peters. Warmun Art Centre. Licensed by Viscopy, Sydney. https://www.studiointernational.com/images/articles/w/when-silence-falls-2016/116-2015-a-kM.jpg Tony Albert, Alair Pambegan. Frontier wars (Flying Fox Story Place), 2014. AGNSW, Purchased with funds provided by the Aboriginal Collection Benefactors' Group 2015. © Tony Albert and Alair Pambegan. https://www.studiointernational.com/images/articles/w/when-silence-falls-2016/117-2015M.jpg Richard Bell, Emory Douglas. We can be heroes, 2014. AGNSW, Purchased with funds from the Wendy Barron Bequest Fund 2015. © Richard Bell and Emory Douglas, courtesy Milani Gallery, Brisbane. https://www.studiointernational.com/images/articles/w/when-silence-falls-2016/360-2012-a-hM.jpg Ben Quilty. Fairy Bower Rorschach, 2012. AGNSW, Purchased with funds provided by the Patrick White Bequest 2012. © Ben Quilty. https://www.studiointernational.com/images/articles/w/when-silence-falls-2016/372-1997-a-odetail01M.jpg Doris Salcedo. Atrabiliarios, 1992–97 (detail). AGNSW, Mervyn Horton Bequest Fund 1997. © Doris Salcedo. https://www.studiointernational.com/index.php/champagne-life-review-female-artists-saatchi-gallery-london https://www.studiointernational.com/images/articles/c/champagne-life-2016/IMG_2601.jpg Virgile Ittah. Echoué au seuil de la raison, 2014. Mixed wax, marble dust, pair of unique cast iron beds, dimensions variable. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/champagne-life-2016/IMG_2608.jpg Soheila Sokhanvari. Moje Sabz, 2011. Taxidermy, fibreglass, Jesmonite blob, automobile paint, 170 x 230 x 140 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/champagne-life-2016/IMG_2624.jpg Mia Feuer. Jerusalem Donkey, 2015. Papier-mâché, pigments, rope, 177.8 x 101.6 x 30.48 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/champagne-life-2016/Quayle-Cows-Angle.jpg Stephanie Quayle. Two Cows, 2013. Air-hardening clay, chicken wire, steel, 230 x 340 x 170 cm. Photograph © Stephen White, 2015. Courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/c/champagne-life-2016/IMG_2615.jpg Stephanie Quayle. Lion Man, 2013. Air-hardening clay, chicken wire, steel, 90 x 80 x 165 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/champagne-life-2016/IMG_2612.jpg Jelena Bulajic. Alise Lange, 2014. Acrylic polymer emulsion, marble dust, ground granite, ground limestone, kaolin, graphite, charcoal, 320 x 237 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/champagne-life-2016/Alice-Andersons-with-Arthur.jpg Alice Anderson. Left: Bound, 2011. Bobbin made of wood and copper thread, 345 x 248 x 248 cm. Right: 181 Kilometers, 2015. Sculpture made after performances, copper thread 200 cm (diameter). Photograph © Steve White, 2015. Courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/c/champagne-life-2016/IMG_2661.jpg Seung Ah Paik. Autolandscape, 2012-13. Pigment, charcoal and rabbit skin glue on canvas, 400 x 180 cm (each). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/champagne-life-2016/Mequitta-Ahuja.jpg Mequitta Ahuja. Rhyme Sequence: Wiggle Waggle, 2012. Oil, paper and acrylic on canvas, 213 x 203 cm. © Mequitta Ahuja, 2012. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/c/champagne-life-2016/IMG_2604.jpg Sigrid Holmwood. Old Woman Hugging A Goat, 2008. Fluorescent lemon yellow, fluorescent flame red, lead white, cochineal, ultramarine, green earth, Spanish red ochre in egg tempera and oils on board, 122 x 153 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/champagne-life-2016/IMG_2606.jpg Maha Malluh. Untitled (Food for Thought series), 2015. 233 burnt pots, 4.40 x 10 m. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/pat-sachs-interview-collage-the-small-intimate-scale-has-felt-ideally-suited-for-my-visual-language https://www.studiointernational.com/images/articles/s/sachs-pat-2016/Palazzo-Corsini-From-Our-Abandoned-Lot.jpg Pat Sachs. Palazzo Corsini From Our Abandoned Lot, 2014. Collage, 70 x 60 mm (2¾ x 2⅜ in). https://www.studiointernational.com/images/articles/s/sachs-pat-2016/Pat-SachsThe-Perfect-Storm.jpg Pat Sachs. The Perfect Storm, 2014. Collage, 82 x 76 mm (3¼ x 3 in). https://www.studiointernational.com/images/articles/s/sachs-pat-2016/Portal.jpg Pat Sachs. Portal, 2014. Collage, 60 x 51 mm (2⅜ x 2 in). https://www.studiointernational.com/images/articles/s/sachs-pat-2016/Storage-Room.jpg Pat Sachs. Storage Room, 2014. Collage, 86 x 70 mm (3⅜ x 2¾ in). https://www.studiointernational.com/images/articles/s/sachs-pat-2016/Summer-Home-in-Collageville.jpg Pat Sachs. Summer Home in Collageville, 2014. Collage, 73 x 51 mm (2⅞ x 2 in). https://www.studiointernational.com/index.php/aura-satz-interview-the-trembling-line-women-computers-technology https://www.studiointernational.com/images/articles/s/satz-aura-2016/unspecified-1.jpg Aura Satz. Onomatopoeic Alphabet, 2010. Film still, courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/unspecified-3.jpg Aura Satz. Oramics: Atlantis Anew, 2011, Film still, courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/unspecified-4.jpg Aura Satz. Oramics: Atlantis Anew, 2011, Film still (2), courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/unspecified-5.jpg Aura Satz. Theremin, 2010. Film still, courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/unspecified-7.jpg Aura Satz. Ventriloqua performed at Cabinet in New York, 2012, with Dorit Chrysler. https://www.studiointernational.com/images/articles/s/satz-aura-2016/unspecified-8.jpg Aura Satz. Vocal Flame, 2012. Film still, courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/more-ballistics2.jpg Aura Satz. Between the Bullet and the Hole, 2015. Film still, courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/more-ballistics4.jpg Aura Satz. Between the Bullet and the Hole, 2015. Film still (2), courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/more-ballistics8.jpg Aura Satz. Between the Bullet and the Hole, 2015. Film still (3), courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/Doorway-for-NK3.jpg Aura Satz. Doorway for Natalie Kalmus, 2013. Film still, courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/Doorway-for-NK2.jpg Aura Satz. Doorway for Natalie Kalmus, 2013. Film still (2), courtesy Aura Satz. https://www.studiointernational.com/images/articles/s/satz-aura-2016/_DSC3740.jpg Aura Satz. The Trembling Line, installation view, John Hansard Gallery, 2015. © John Hansard Gallery. Photograph: Steve Shrimpton. https://www.studiointernational.com/images/articles/s/satz-aura-2016/_DSC3749.jpg Aura Satz. The Trembling Line, installation view, John Hansard Gallery, 2015. © John Hansard Gallery. Photograph: Steve Shrimpton. https://www.studiointernational.com/index.php/virgile-ittah-interview-wax-models-champagne-life-ittah-yoda https://www.studiointernational.com/images/articles/c/champagne-life-2016/IMG_2601.jpg Virgile Ittah. Echoué au seuil de la raison, 2014. Mixed wax, marble dust, pair of unique cast iron beds, dimensions variable. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/i/ittah-virgile-2016/3.jpg Virgile Ittah in collaboration with Kai Yoda. Joanna/Shiro (detail), date? Mixed wax, marble dust, earth pigment, latex, paint, gel, silicone, silk, dimensions variable. https://www.studiointernational.com/images/articles/i/ittah-virgile-2016/4.jpg Virgile Ittah. Here’s looking at you, 2014. Collaborative exhibition with Kai Yoda. Mixed wax, marble dust, earth pigment, latex, paint, gel, silicone, silk, dimensions variable. https://www.studiointernational.com/images/articles/i/ittah-virgile-2016/7.jpg Virgile Ittah. Dreams are guilty, absolute and silent by fire, 2014. Mixed wax, marble dust, antique industrial stools, dimensions variable. https://www.studiointernational.com/images/articles/i/ittah-virgile-2016/8.jpg Virgile Ittah. Dreams are guilty, absolute and silent by fire, 2014 (detail). Mixed wax, marble dust, antique industrial stools, dimensions variable. https://www.studiointernational.com/images/articles/i/ittah-virgile-2016/9.jpg Virgile Ittah. Regarding the pain of the other, 2013. Mixed wax, marble dust, antique church chair, 450 x 260 x 380 cm. https://www.studiointernational.com/images/articles/i/ittah-virgile-2016/10.jpg Virgile Ittah. Regarding the pain of the other, 2013. Installation view. https://www.studiointernational.com/images/articles/i/ittah-virgile-2016/12.jpg Virgile Ittah. Untitled, (For man would remember each murmur), 2013. Installation view. Mixed wax, marble dust and fabric, 1200 x 180 x 365 cm. https://www.studiointernational.com/images/articles/i/ittah-virgile-2016/14.jpg Virgile Ittah. Untitled, (For man would remember each murmur), 2013. Installation view (2). Mixed wax, marble dust and fabric, 1200 x 180 x 365 cm. https://www.studiointernational.com/index.php/line-review-lisson-gallery-drawing-sol-lewitt-monika-grzymala-ceal-floyer https://www.studiointernational.com/images/articles/l/line-2016/Athanasios-Argianas-Song-Machine-19.jpg Athanasios Argianas. Song Machine 19 (the length of a strand of your hair of the width of your arms, unfolded), 2011. Photo-etched brass strip, mild steel, black patina, 200 x 400 x 200 cm. https://www.studiointernational.com/images/articles/l/line-2016/Ceal-Floyer-Taking-a-Line-for-a-Walk.jpg Ceal Floyer. Taking a Line for a Walk Line, 2008. Making machine and water-based marking paint on floor, width of line 12 cm, length variable. https://www.studiointernational.com/images/articles/l/line-2016/Lisson-K.jpg Installation view. K Yoland. https://www.studiointernational.com/images/articles/l/line-2016/Monika-Grzymala,-Raumzeichnung-outside_inside-2016.jpg Monika Grzymala. Raumzeichnung (outside/inside), 2016. 3.7 km black paper tape and clear PP tape, ephemeral site specific installation. https://www.studiointernational.com/images/articles/l/line-2016/Richard-Long-A-Four-Day-Walk.jpg Richard Long. A Four Day Walk, 1980. Vinyl text on wall, in situ dimensions variable. https://www.studiointernational.com/images/articles/l/line-2016/Sol-LeWitt-Wall-Drawing-157.jpg Sol LeWitt. Wall Drawing 157, 1973. Red and black crayon, 8 x 8 ft. https://www.studiointernational.com/images/articles/l/line-2016/Tom-Marioni-One-Second-Sculpture.jpg Tom Marioni. One Second Sculpture, 1969. Black and white photograph, dimensions variable. https://www.studiointernational.com/index.php/robel-temesgen-interview-being-an-ethiopian-in-norway-was-a-really-interesting-inversion https://www.studiointernational.com/images/articles/t/temesgen-robel-2016/Robel-Temesgen-and-Hans-Ulrich-Obrist-2016.jpg Robel Temesgen and Hans Ulrich Obrist at Tiwani Contemporary, 8 January 2016. https://www.studiointernational.com/images/articles/t/temesgen-robel-2016/Robel-Temesgen-Adbar-I-2015.jpg Robel Temesgen. Adbar I, 2015. Mixed media on paper, 81 x 29.5cm. Courtesy of the artist and Tiwani Contemporary. https://www.studiointernational.com/images/articles/t/temesgen-robel-2016/Robel-Temesgen-Adbar-III-2015.jpg Robel Temesgen. Adbar III, 2015. Mixed media on paper, 150 x 100 cm. Courtesy of the artist and Tiwani Contemporary. https://www.studiointernational.com/images/articles/t/temesgen-robel-2016/Robel-Temesgen,-Adbar-IV,-2015.jpg Robel Temesgen. Adbar IV, 2015. Mixed media on paper, 500 x 214 cm. Courtesy of the artist and Tiwani Contemporary. https://www.studiointernational.com/images/articles/t/temesgen-robel-2016/Robel-Temesgen,-Adbar-V,-2015.jpg Robel Temesgen. Adbar V, 2015. Mixed media on paper, 500 x 214 cm. Courtesy of the artist and Tiwani Contemporary. https://www.studiointernational.com/images/articles/t/temesgen-robel-2016/Robel-Temesgen,-Adbar-VI,-2015.jpg Robel Temesgen. Adbar VI, 2015. Courtesy of the artist and Tiwani Contemporary. https://www.studiointernational.com/images/articles/t/temesgen-robel-2016/Robel-Temesgen,-Adbar-XII,-2015.jpg Robel Temesgen. Adbar XII, 2015. Courtesy of the artist and Tiwani Contemporary. https://www.studiointernational.com/images/articles/t/temesgen-robel-2016/Robel-Temesgen,-Adbar-XIX,-2015.jpg Robel Temesgen. Adbar XIX, 2015. Courtesy of the artist and Tiwani Contemporary. https://www.studiointernational.com/index.php/koen-vanmechelen-interview-cosmopolitan-chicken-project https://www.studiointernational.com/images/articles/v/vanmechelen-k-2016/Drone_JanGoossens.jpg Bouwsite La Biomista – Studio Koen Vanmechelen, 2015. Photograph: Jan Goossens. https://www.studiointernational.com/images/articles/v/vanmechelen-k-2016/Koen-Vanmechelen_rudiEurlings.jpg Koen Vanmechelen, Hasselt (BE), 2014. Photograph: Rudi Eurlings. © Koen Vanmechelen https://www.studiointernational.com/images/articles/v/vanmechelen-k-2016/La-Biomista-Magali-Merzougui_web_4.jpg Bouwsite La Biomista – Studio Koen Vanmechelen, 2015. Photograph: Magali Merzougui. https://www.studiointernational.com/images/articles/v/vanmechelen-k-2016/LaBiomista_KVM.jpg La Biomista, Genk (BE) by Mario Botta and Buro B, 2015. https://www.studiointernational.com/images/articles/v/vanmechelen-k-2016/OpUnDi_studioMeeuwen_PHVG.jpg Hennery – C.C.P. – Open University of Diversity, Studio Koen Vanmechelen, Meeuwen (BE), 2013. Photograph:Philippe van Gelooven. https://www.studiointernational.com/images/articles/v/vanmechelen-k-2016/StudioMeeuwen-2.jpg Hennery – C.C.P. – Open University of Diversity, Studio Koen Vanmechelen, Meeuwen (BE), 2013. Photograph: Alice Kerkhofs. https://www.studiointernational.com/images/articles/v/vanmechelen-k-2016/StudioMeeuwen-3.jpg Hennery – C.C.P. – Open University of Diversity, Studio Koen Vanmechelen, Meeuwen (BE), 2013. Photograph: Alice Kerkhofs. https://www.studiointernational.com/images/articles/v/vanmechelen-k-2016/Villa.jpg Directors villa. © Stad Genk. https://www.studiointernational.com/images/articles/v/vanmechelen-k-2016/studioKoenVanmechelen.jpg Open University of Diversity, Studio Koen Vanmechelen, Hasselt (BE). Photograph: Stoffel Hias © Koen Vanmechelen. https://www.studiointernational.com/index.php/painting-the-modern-garden-monet-to-matisse-william-robinson-podcast-interview-royal-academy-london https://www.studiointernational.com/images/articles/p/painting-the-modern-garden-2016/Key-110.jpg Claude Monet. Lady in the Garden, 1867. Oil on canvas, 80 x 99 cm. The State Hermitage Museum, St. Petersburg. Photograph © The State Hermitage Museum. Photograph: Vladimir Terebenin. https://www.studiointernational.com/images/articles/p/painting-the-modern-garden-2016/Key-123.jpg Joaquin Sorolla. Louis Comfort Tiffany, 1911. Oil on canvas, 150 x 225.5 cm. On loan from the Hispanic Society of America, New York, NY. Photograph © Courtesy of The Hispanic Society of America, New York. https://www.studiointernational.com/images/articles/p/painting-the-modern-garden-2016/Key-225.jpg Pierre Bonnard. Resting in the Garden (Sieste au jardin), 1914. The National Museum of Art, Architecture and Design, Oslo. Photograph © Nasjonalmuseet for kunst, arkitektur og design/The National Museum of Art, Architecture and Design / © ADAGP, Paris and DACS, London 2015. https://www.studiointernational.com/images/articles/p/painting-the-modern-garden-2016/Key-36.jpg Auguste Renoir. Monet Painting in His Garden at Argenteuil, 1873. Oil on canvas, 46.7 x 59.7 cm. Wadsworth Atheneum Museum of Art, Hartford, CT. Photograph © Wadsworth Atheneum Museum of Art, Hartford, CT. https://www.studiointernational.com/images/articles/p/painting-the-modern-garden-2016/Key-64-new.jpg Henri Matisse. The Rose Marble Table, Issy-les-Moulineaux, spring-summer 1917. Oil on canvas, 146 x 97 cm. The Museum of Modern Art, New York. Photograph © 2015. Digital image, The Museum of Modern Art, New York/Scala, Florence / © Succession H. Matisse/ DACS 2015. https://www.studiointernational.com/images/articles/p/painting-the-modern-garden-2016/Key-87.jpg Claude Monet. Nympheas (Waterlilies), 1914-15. Oil on canvas, 160.7 x 180.3 cm. Portland Art Museum, Oregon. Photograph © Portland Art Museum, Portland, Oregon. https://www.studiointernational.com/index.php/odili-donald-odita-interview-velocity-of-change-jack-shainman-gallery-new-york https://www.studiointernational.com/images/articles/o/odita-odili-donald-2016/OD15-008-Other-World.jpg Odili Donald Odita. Other World, 2015. Acrylic on canvas, 90 x 70 in. https://www.studiointernational.com/images/articles/o/odita-odili-donald-2016/OD15-009-fissure.jpg Odili Donald Odita. Fissure, 2015. Acrylic on canvas, 72 x 90 in. https://www.studiointernational.com/images/articles/o/odita-odili-donald-2016/OD15-010.jpg Odili Donald Odita. The Door to Revolution, 2015. Acrylic on canvas, 90 x 80 in. https://www.studiointernational.com/images/articles/o/odita-odili-donald-2016/OD15-011.jpg Odili Donald Odita. Chasm, 2015. Acrylic on canvas, 60 x 120 in. https://www.studiointernational.com/images/articles/o/odita-odili-donald-2016/OD15-012.jpg Odili Donald Odita. Chasm, 2015. Acrylic on canvas, 60 x 120 in. https://www.studiointernational.com/images/articles/o/odita-odili-donald-2016/OD15-013.jpg Odili Donald Odita. Distant Relative, 2015. Acrylic latex on panel, 96 x 48 in. https://www.studiointernational.com/images/articles/o/odita-odili-donald-2016/OD15-014.jpg Odili Donald Odita. First Light, 2015. Acrylic latex on panel, 96 x 48 in. https://www.studiointernational.com/index.php/maud-sulter-syrcas-review-autograph-abp-london https://www.studiointernational.com/images/articles/s/sulter-maud-2016/Image-2.jpg Maud Sulter. Noir et Blanc: Deux (Black and White: Two), 1993. Original photomontages, 15.1 x 19.3 cm. From the series Syrcas, 1993. Courtesy of The Maud Sulter Estate. © The Maud Sulter Estate. https://www.studiointernational.com/images/articles/s/sulter-maud-2016/Image-7.jpg Maud Sulter. Duval et Dumas: Dumas, 1993. Original photomontages, 15.2 x 19.3 cm. From the series Syrcas, 1993. Courtesy of The Maud Sulter Estate. © The Maud Sulter Estate. https://www.studiointernational.com/images/articles/s/sulter-maud-2016/Image-8.jpg Maud Sulter. Hélas l’héroine: Mme Laura est chez elle (Alas the heroine: Madame Laura is at home), 1993. Original photomontages, 15.0 x 19.1 cm. From the series Syrcas, 1993. Courtesy of The Maud Sulter Estate. © The Maud Sulter Estate. https://www.studiointernational.com/index.php/alice-anderson-interview-i-dont-refuse-this-world-champagne-life-saatchi-gallery-london https://www.studiointernational.com/images/articles/a/anderson-alice-2016/Alice-Andersons-with-Arthur.jpg Alice Anderson. Left: Bound, 2011. Bobbin made of wood and copper thread, 345 x 248 x 248 cm. Right: 181 Kilometers, 2015. Sculpture made after performances, copper thread 200 cm (diameter). Photograph © Steve White, 2015. Courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/FORD-MUSTANG.jpg Alice Anderson. Ford Mustang (1968) in progress, 2105. Copper wire, 4.56 x 1.78 m. Wellcome Collection. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/BOAT-0.jpg Alice Anderson. Travelling Studio, Canoe, 2013. Copper wire, 550 x 90 x 60 cm. Photograph © Matt Holyoke. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/5-Ropes-detail-2013.jpg Alice Anderson. Travelling Studio, Ropes, 2013-15 (ongoing). Copper wire, 250 m of paper ropes. Photograph © Matt Holyoke. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/20-LADDERS-2014.jpg Alice Anderson. Ladders, 2014. Copper wire, 300 x 30 cm. Photograph © Matt Holyoke. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/20-LADDERS-2014-2.jpg Alice Anderson. Ladders, 2014 (detail). Copper wire, 300 x 30 cm. Photograph © Matt Holyoke. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/11-BIKE-1.jpg Alice Anderson. Bike, 2012-13. Copper wire, 1.68 x 60 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/13-COKE-BOTTLE-20.jpg Alice Anderson. Coke Bottle, 2013. Copper wire, 20.5 x 6 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/17-HOOVER-FAX-MACHINE.jpg Alice Anderson. Hoover, Fax Machine, Vinyls, 2013. Copper wire, 1.40 x 28 cm. Photograph © Matt Holyoke. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/4-Weaving-Crystal-Time-Units.jpg Alice Anderson. Travelling Studio; Performing Crystal Time Units at the 55th Venice Biennale, 2013. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/anderson-alice-2016/22-OIL-COLOURS-2011.jpg Alice Anderson. Oil Colours, 2011. Copper wire, variable dimensions. Courtesy of the artist. https://www.studiointernational.com/index.php/art-into-society-seven-german-artists-review-institute-of-contemporary-arts-ica-london https://www.studiointernational.com/images/articles/a/art-into-society-2016/10-art-into-society.jpg Exhibition poster, ICA, 1974. Photography © Tate, London. 2015 https://www.studiointernational.com/images/articles/a/art-into-society-2016/1-art-into-society.jpg Exhibition curators and artists (back row, left to right: Klaus Staeck, Dieter Hacker, Gerhard Steidl, Christos Joachimedes, Video Cameraman, Siegrid Hacker, Martin Scutt. Front row left to right: KP Brehmer, Caroline Tisdall, Joseph Beuys, Michael Ruetz, Norman Rosenthal), taken in front of Dieter Hacker’s Produktiongalerie after the Colloquium, Berlin, 1974. https://www.studiointernational.com/images/articles/a/art-into-society-2016/2-art-into-society.jpg Colloquium held at Dieter Hacker’s Studio (left to right: Gerhard Steidl, Dieter Hacker, Klaus Staeck, Caroline Tisdall, Joseph Beuys, Christos Joachimides, Norman Rosenthal, KP Brehmer), Berlin, 26-27 April 1974 https://www.studiointernational.com/images/articles/a/art-into-society-2016/3-art-into-society.jpg Exhibition installation, Dieter Hacker, ICA, 1974. Photography © Gerald Incandela. https://www.studiointernational.com/images/articles/a/art-into-society-2016/4-art-into-society.jpg Exhibition installation (left to right: Hans Haacke, Christos Joachimides, KP Brehmer), ICA, 1974. Photography © Gerald Incandela. https://www.studiointernational.com/images/articles/a/art-into-society-2016/5-art-into-society.jpg Exhibition installation (KP Brehmer), ICA, 1974. Photography © Gerald Incandela. https://www.studiointernational.com/images/articles/a/art-into-society-2016/6-art-into-society.jpg Exhibition installation (Joseph Beuys), ICA, 1974. https://www.studiointernational.com/images/articles/a/art-into-society-2016/7-art-into-society.jpg Exhibition installation (KP Brehmer), ICA, 1974 https://www.studiointernational.com/images/articles/a/art-into-society-2016/8-art-into-society.jpg Joseph Beuys and Albrecht D. performance, ICA, 1 November 1974. Photography © Martin Scutt. https://www.studiointernational.com/images/articles/a/art-into-society-2016/9_Joseph_Beuys_coat_ICA,_1974.jpg Joseph Beuys' coat, ICA, 1974. Photography © Martin Scutt. https://www.studiointernational.com/images/articles/a/art-into-society-2016/studio-international-cover.jpg Studio International, Art & Social Purpose, cover, March/April 1976. © Studio International. https://www.studiointernational.com/images/articles/a/art-into-society-2016/Studio-International-1975.jpg Lynda Morris, Review of Art into Society – Society into Art, Studio International, Jan/Feb 1975. © Studio International. https://www.studiointernational.com/images/articles/a/art-into-society-2016/Mark-Blower-160118-Reading-Room-January-ICA-0009.jpg Installation view of Art into Society - Society into Art. Institute of Contemporary Arts London (ICA). Photograph: Mark Blower. https://www.studiointernational.com/images/articles/a/art-into-society-2016/Mark-Blower-160118-Reading-Room-January-ICA-0010.jpg Installation view of Art into Society - Society into Art. Institute of Contemporary Arts London (ICA). Photograph: Mark Blower. https://www.studiointernational.com/images/articles/a/art-into-society-2016/Mark-Blower-160118-Reading-Room-January-ICA-0013.jpg Installation view of Art into Society - Society into Art. Institute of Contemporary Arts London (ICA). Photograph: Mark Blower. https://www.studiointernational.com/index.php/simon-fujiwara-white-day-review-tokyo-opera-city-art-gallery https://www.studiointernational.com/images/articles/f/fujiwara-simon-2016/image2.jpg Simon Fujiwara. White Gift, 2016. Tokyo Opera City Art Gallery. https://www.studiointernational.com/images/articles/f/fujiwara-simon-2016/image3.jpg Simon Fujiwara. Untitled (Plum Tree), 2016. Tokyo Opera City Art Gallery. https://www.studiointernational.com/images/articles/f/fujiwara-simon-2016/image4.jpg Simon Fujiwara. Fan, 1945. Tokyo Opera City Art Gallery. https://www.studiointernational.com/images/articles/f/fujiwara-simon-2016/image6.jpg Simon Fujiwara. Fabulous Beasts (detail, inner side of fur coat), 2016. Tokyo Opera City Art Gallery. https://www.studiointernational.com/images/articles/f/fujiwara-simon-2016/image7.jpg Simon Fujiwara. Fabulous Beasts (detail, pattern inside the fur coat), 2016. Tokyo Opera City Art Gallery. https://www.studiointernational.com/images/articles/f/fujiwara-simon-2016/image8.jpg Simon Fujiwara. Fabulous Beasts (detail, pattern inside the fur coat), 2016. Tokyo Opera City Art Gallery. https://www.studiointernational.com/images/articles/f/fujiwara-simon-2016/image9.jpg Simon Fujiwara. Fabulous Beasts (on-site fur coat production factory), 2016. Tokyo Opera City Art Gallery. https://www.studiointernational.com/images/articles/f/fujiwara-simon-2016/image5.jpg Simon Fujiwara. White Day exhibition view (arranged like a computer monitor). Tokyo Opera City Art Gallery. https://www.studiointernational.com/images/articles/f/fujiwara-simon-2016/image10.jpg Simon Fujiwara. White Day exhibition view. Tokyo Opera City Art Gallery. https://www.studiointernational.com/index.php/andy-warhol-works-from-the-hall-collection-video-review-ashmolean-museum-oxford https://www.studiointernational.com/images/articles/w/warhol-ashmolean-2016/norman-rosenthal-studio-international-photo-martin-kennedy.jpg Norman Rosenthal talking to Studio International at the opening of Andy Warhol: Works from the Hall Collection, Ashmolean Museum, Oxford. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/w/warhol-ashmolean-2016/warhol-ashmolean-hall-collection-2016-06.jpg Andy Warhol: Works from the Hall Collection, installation view, Ashmolean Museum, Oxford, 2016. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/w/warhol-ashmolean-2016/warhol-ashmolean-hall-collection-2016-03.jpg Andy Warhol: Works from the Hall Collection, installation view, Ashmolean Museum, Oxford, 2016. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/w/warhol-ashmolean-2016/warhol-ashmolean-hall-collection-2016-01.jpg Andy Warhol: Works from the Hall Collection, installation view, Ashmolean Museum, Oxford, 2016. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/w/warhol-ashmolean-2016/warhol-ashmolean-hall-collection-2016-04.jpg Andy Warhol: Works from the Hall Collection, installation view, Ashmolean Museum, Oxford, 2016. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/w/warhol-ashmolean-2016/warhol-ashmolean-hall-collection-2016-02.jpg Andy Warhol: Works from the Hall Collection, installation view, Ashmolean Museum, Oxford, 2016. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/superflex-rasmus-nielsen-interview-common-property-jerwood-visual-arts-london https://www.studiointernational.com/images/articles/s/superflex-2016/kwassadump02.jpg Superflex. Kwassa Kwassa, 2015. Film still. https://www.studiointernational.com/images/articles/s/superflex-2016/kwassadump01.jpg Superflex. Kwassa Kwassa, 2015. Film still. https://www.studiointernational.com/images/articles/s/superflex-2016/kwassadump04.jpg Superflex. Kwassa Kwassa, 2015. Film still. https://www.studiointernational.com/images/articles/s/superflex-2016/copy_right_superflex_2007.jpg Superflex. Copy Right, 2006. White wooden chair, sawdust, wood cut-outs, white painted wooden platform, installation manual, 85 x 90 x 90 cm. Photograph: Egon Gade. https://www.studiointernational.com/images/articles/s/superflex-2016/moma-06.jpg Superflex. Copy Light/Factory, 2008. Installation view of workshop as part of Print/Out, The Museum of Modern Art, New York, 19 February – 14 May 2012. Photograph: Thomas Griesel. https://www.studiointernational.com/images/articles/s/superflex-2016/in2186_21_cc_crop.jpg Superflex. Copy Light/Factory, 2008. Installation view of workshop as part of Print/Out, The Museum of Modern Art, New York, 19 February – 14 May 2012. Photograph: Thomas Griesel. https://www.studiointernational.com/images/articles/s/superflex-2016/in2186_22_cc_crop.jpg Superflex. Copy Light/Factory, 2008. Installation view of workshop as part of Print/Out, The Museum of Modern Art, New York, 19 February – 14 May 2012. Photograph: Thomas Griesel. https://www.studiointernational.com/images/articles/s/superflex-2016/flooded_mcdonalds_press_total.jpg Superflex. Flooded McDonald’s, 2008. Film. Film still (1): Superflex. https://www.studiointernational.com/images/articles/s/superflex-2016/mcflood_still_detail_1.jpg Superflex. Flooded McDonald’s, 2008. Film. Film still (2): Superflex. https://www.studiointernational.com/images/articles/s/superflex-2016/mcflood_still_detail_4.jpg Superflex. Flooded McDonald’s, 2008. Film. Film still (3): Superflex. https://www.studiointernational.com/images/articles/s/superflex-2016/mcflooded_production_1.jpg Superflex. Flooded McDonald’s, 2008. Film. Film still (4): Superflex. https://www.studiointernational.com/images/articles/s/superflex-2016/free_sollewitt_peter_cox.jpg Superflex. Supercopy Free Sol Lewitt, 2010. Photograph: Peter Cox. https://www.studiointernational.com/images/articles/s/superflex-2016/superflex_2015-0779.jpg Superflex. Non Alcoholic Vodka, 2006. 
Photograph: Superflex. https://www.studiointernational.com/index.php/hector-mcdonnell-interview-my-paintings-have-always-been-about-personal-experiences https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/Chatsworth-Sunlight-in-the-Private-Dining-Room.jpg Hector McDonnell. Chatsworth – Sunlight in the Private Dining Room. Oil on canvas, 122 x 91.5 cm (48 x 36 in). https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/Chatsworth-The-Drawing-Room.jpg Hector McDonnell. Chatsworth – The Drawing Room, 2015. Oil on canvas, 122 x 91.5 cm (48 x 36 in). https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/Chatsworth-The-State-Rooms.jpg Hector McDonnell. Chatsworth – The State Rooms, 2015. Oil on canvas, 102 x 76 cm (40 x 30 in). https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/Entrance-Hall-at-Castle-Ward.jpg Hector McDonnell. Entrance Hall at Castle Ward, 2015. Oil on canvas, 102 x 76 cm (40 x 30 in). https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/Reesys-Front-Door,-Garrison,-New-York.jpg Hector McDonnell. Reesy's Front Door, Garrison New York, 2015. Oil on canvas, 102 x 76 cm (40 x 30 in). https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/Temple-of-the-Winds,-Mount-Stewart.jpg Hector McDonnell. Temple of the Winds, Mount Stewart, 2015. Oil on canvas 76 x 51 cm (30 x 20 in). https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/Interior-of-Billingsgate-Market-Hector-McDonnell.jpg Hector McDonnell. The Interior of Billingsgate Market. Reproduced with the kind permission of the Fishmongers' Company. https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/Hector-McDonnell-Looking-towards-the-Sitting-Room-in-Risis-House-2016.jpg Hector McDonnell. Looking towards the Sitting Room in Risi's House, 2016. Oil on canvas, 40 x 30 in. https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/Hector-McDonnell-Seascape-1971.jpg Hector McDonnell. Seascape, 1971. Oil on canvas, 20 x 24 in. https://www.studiointernational.com/images/articles/m/mcdonnell-hector-2016/HectorMcDonnell-Chatsworth-Chapel.jpg HectorMcDonnell. Chatsworth Chapel, Oil on canvas, 40 x 30 ins. https://www.studiointernational.com/index.php/jerwood-encounters-common-property-review-copyright-infringement https://www.studiointernational.com/images/articles/c/common-property-2016/SUPERFLEX-Copy-Right.jpg Superflex. Copy Right, 2006. Photograph: Hydar Dewachi. https://www.studiointernational.com/images/articles/c/common-property-2016/Antonio-Roberts-with-his-installation.jpg Antonio Roberts. Digital interpretations of songs by Metallica, Robin Thicke, George Harrison and Vanilla Ice, 2015. Photograph: Hydar Dewachi. https://www.studiointernational.com/images/articles/c/common-property-2016/Edwin-Burdis-detail.jpg Edwin Burdis. Detail from POLYTUNNEL-BANGERZ series, 2015. Photograph: Hydar Dewachi. https://www.studiointernational.com/images/articles/c/common-property-2016/Hannah-Knox-Reproduction-2015.jpg Hannah Knox. Reproduction, 2015. Photograph: Hydar Dewachi. https://www.studiointernational.com/images/articles/c/common-property-2016/Owen-Parry-Larry-Monument-2016.jpg Owen Parry. Larry!Monument, 2016. Photograph: Hydar Dewachi. https://www.studiointernational.com/index.php/betty-woodman-theatre-of-the-domestic-review-ica-institute-of-contemporary-arts-london https://www.studiointernational.com/images/articles/w/woodman-betty-2016/Portrait-Betty-in-her-studio-Italy-2012.jpg Betty Woodman in her studio, Italy 2012. Image courtesy the artist. Photograph: Stefano Porcinai. https://www.studiointernational.com/images/articles/w/woodman-betty-2016/BW_Aztec-Vase-and-Carpet-2-vA.jpg Betty Woodman. Aztec Vase and Carpet #2, 2012. Glazed earthenware, epoxy resin, lacquer, paint, canvas, 151 x 124 x 86 cm approx. Photograph: Bruno Bruchi. https://www.studiointernational.com/images/articles/w/woodman-betty-2016/BW_Country-Dining-Room.jpg Betty Woodman. Country Dining Room, 2015. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, wood, 164 x 244 x 30 cm. Photograph: Bruno Bruchi. https://www.studiointernational.com/images/articles/w/woodman-betty-2016/BW_Diana-vC.jpg Betty Woodman. Vase Upon Vase: Diana, 2009. Glazed earthenware, epoxy resin, lacquer, acrylic paint, wood, 169 x 58 x 43 cm. Photograph: Bruno Bruchi. https://www.studiointernational.com/images/articles/w/woodman-betty-2016/BW_Kimono-Ladies-1-6-vA.jpg Betty Woodman. Kimono Ladies #1-6, 2015. Glazed earthenware, epoxy resin, lacquer, acrylic paint, fabric. Photograph: Jeff Elstone. https://www.studiointernational.com/images/articles/w/woodman-betty-2016/BW_Posing-with-Vases-at-the-Beach-vA.jpg Betty Woodman. Posing with Vases at the Beach, 2008. Glazed earthenware, epoxy resin, lacquer, acrylic paint, 84 x 206 x 17 cm. Photograph: Bruno Bruchi. https://www.studiointernational.com/images/articles/w/woodman-betty-2016/BW_Window-Vase-2-and-Carpet.jpg Betty Woodman. Window Vase #2 and Carpet, 2013. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, 159 x 93 x 81 cm. Photograph: Bruno Bruch. https://www.studiointernational.com/images/articles/w/woodman-betty-2016/BW_fra-angelicos-room.jpg Betty Woodman. Fra Angelico’s Room, 2012. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, 240 x 228.6 x 33 cm. Photograph: Hiroki Kobayashi. https://www.studiointernational.com/images/articles/w/woodman-betty-2016/BW_red-white-blue-vA.jpg Betty Woodman. Red, White and Blue Vases, 2013. Glazed earthenware, epoxy resin, lacquer, acrylic paint, 72 x 126 x 14 cm. Photograph: Bruno Bruchi https://www.studiointernational.com/images/articles/w/woodman-betty-2016/Betty-Woodman-Marino-Marini-09.jpg Betty Woodman. Installation view at Museo Marino Marini, Florence, Italy, 2015. https://www.studiointernational.com/images/articles/w/woodman-betty-2016/Mark-Blower-Betty-Woodman-ICA-0024.jpg Betty Woodman. Theatre of the Domestic at the Institute of Contemporary Arts, London, 2016. Photograph: Mark Blower https://www.studiointernational.com/images/articles/w/woodman-betty-2016/Mark-Blower-Betty-Woodman-ICA-0036.jpg Betty Woodman. Theatre of the Domestic at the Institute of Contemporary Arts, London, 2016. Photograph: Mark Blower https://www.studiointernational.com/images/articles/w/woodman-betty-2016/Mark-Blower-Betty-Woodman-ICA-0043.jpg Betty Woodman. Theatre of the Domestic at the Institute of Contemporary Arts, London, 2016. Photograph: Mark Blower https://www.studiointernational.com/index.php/kaleidoscope-the-indivisible-present-review-modern-art-oxford-pierre-huyghe-yoko-ono-douglas-gordon https://www.studiointernational.com/images/articles/k/Kaleidoscope-2016/douglas-gordon-640.jpg Douglas Gordon, 24 Hour Psycho, 1993. Video Installation. Dimensions variable. From Psycho, 1960, USA, directed and produced by Alfred Hitchcock. Distributed by Paramount Pictures. © Universal City Studios. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/k/Kaleidoscope-2016/P-Huyghe-2.jpg Pierre Huyghe. De-extinction, 2014. Film, colour, stereo, sound, 12 min 35 sec. Courtesy the artist, Hauser & Wirth, London and Anna Lena Films, Paris. https://www.studiointernational.com/images/articles/k/Kaleidoscope-2016/P-Huyghe-3.jpg Pierre Huyghe. De-extinction, 2014. Film, colour, stereo, sound, 12 min 35 sec. Courtesy the artist, Hauser & Wirth, London and Anna Lena Films, Paris. https://www.studiointernational.com/images/articles/k/Kaleidoscope-2016/Yoko-Ono-Viola-Yesiltac-Installation-View.jpg Yoko Ono. Eyeblink, 1966. Performed by Yoko Ono. Installation view. © Yoko Ono. https://www.studiointernational.com/images/articles/k/Kaleidoscope-2016/Y-Ono.jpg Yoko Ono. Eyeblink, 1966. Performed by Yoko Ono. Film still. © Yoko Ono. https://www.studiointernational.com/images/articles/k/Kaleidoscope-2016/J-Latham-Drawer-w-Charred-Material.jpg John Latham. Drawer with Charred Material, 1960. Drawer filled with books, plaster and vinyl, 55.9 x 55.9 x 27 cm. Collection of Nicholas Logsdail. https://www.studiointernational.com/images/articles/k/Kaleidoscope-2016/J-Latham-Moral-High-Ground.jpg John Latham. Moral High Ground, 1988. Books, light bulb, glass, 83 x 25.5 x 33 cm. Courtesy John Latham Estate. https://www.studiointernational.com/images/articles/k/Kaleidoscope-2016/Elizabeth-Price-Installation-View.jpg Elizabeth Price. SLEEP, 2014. Video still. Courtesy of the artist and MOT International London and Brussels. © Ben Westoby, Modern Art Oxford 2016. https://www.studiointernational.com/images/articles/k/Kaleidoscope-2016/Middle-Gallery-2-Installation-View.jpg Kaleidoscope: The Indivisible Present. Installation view, Modern Art Oxford, 2016. © Ben Westoby. https://www.studiointernational.com/index.php/maha-malluh-interview-champagne-life-saatchi-gallery-london-saudi-arabia https://www.studiointernational.com/images/articles/m/malluh-maha-2016/IMG_7671.jpg Maha Malluh. Food for Thought Al muallaqat 4, 2016. 478 burnt pots, 4.40 x 10 m. Image courtesy the artist. https://www.studiointernational.com/images/articles/m/malluh-maha-2016/IMG_7671-detail.jpg Maha Malluh. Food for Thought Al muallaqat 4, 2016 (detail). 478 burnt pots, 4.40 x 10 m. Image courtesy the artist. https://www.studiointernational.com/images/articles/m/malluh-maha-2016/Trade-Routes_HWLiv2013ADF_14-A3.jpg Maha Malluh. Food for Thought 11000, 2013. Cassete tapes in nine baking trays, each size 57 x 107 x 6 cm. Trade Routes exhibition courtesy of Hauser & Wirth and Selma Feriani Gallery, London. https://www.studiointernational.com/images/articles/m/malluh-maha-2016/Trade-Routes.jpg Maha Malluh. Food for Thought 11000, 2013. Cassete tapes in nine baking trays, each size 57 x 107 x 6 cm. Trade Routes exhibition courtesy of Hauser & Wirth and Selma Feriani Gallery, London. https://www.studiointernational.com/index.php/nikolai-astrup-painting-norway-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Key-19-Parsonage-BKMdep_363_07.jpg Nikolai Astrup. The Parsonage. Oil on canvas, 101 x 88 cm. The Savings Bank Foundation DNB/The Astrup Collection/KODE Art Museums of Bergen. Photograph © Dag Fosse/KODE. https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Key-6-A-Clear-Night-in-June.jpg Nikolai Astrup. A Clear Night in June, 1905-07. Oil on canvas, 148 x 152 cm. The Savings Bank Foundation DNB/The Astrup Collection/KODE Art Museums of Bergen. Photograph © Dag Fosse/KODE. https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Foxgloves-Astrup.jpg Nikolai Astrup. Foxgloves, 1927. Colour woodcut on paper, 70 x 78 cm. The Savings Bank Foundation DNB/The Astrup Collection/KODE Art Museums of Bergen. Photograph © Anders Bergersen. https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Key-3-Funeral-Day-BKMdep_354_07_b.jpg Nikolai Astrup. Funeral Day in Jølster, before 1908. Oil on canvas, 68 x 73 cm. The Savings Bank Foundation DNB/The Astrup Collection/KODE Art Museums of Bergen. Photograph © Dag Fosse/KODE. https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Key-43-Spring-Night-and-Willow-BKMdep_477_07.jpg Nikolai Astrup. Spring Night and Willow, 1917/after 1920. Colour woodcut on paper, 35.1 x 27.7 cm. The Savings Bank Foundation DNB/The Astrup Collection/KODE Art Museums of Bergen. https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Key-24-March-Atmosphere.jpg Nikolai Astrup. March Atmosphere at Jølstravatnet, Before 1908. Oil on canvas, 75 x 57 cm. Private collection, Oslo. Photograph © Anders Bergersen. https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Key-89-Midsummer-Eve-Bonfire.jpg Nikolai Astrup. Midsummer Eve Bonfire, After 1917. Black and white woodcut on paper, 34.5 x 34 cm approx. Private collection. https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Key-22-Rhubarb-BKMdep_360_07.jpg Nikolai Astrup. Rhubarb, 1911. Oil on canvas, 93 x 110 cm. The Savings Bank Foundation DNB/The Astrup Collection/KODE Art Museums of Bergen. Photograph © Dag Fosse/KODE. https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Key-92-Midsummer-(Before-1915).jpg Nikolai Astrup. Midsummer Eve Bonfire, Before 1915. Oil on canvas, 136 x 196 cm. The Savings Bank Foundation DNB/The Astrup Collection/KODE Art Museums of Bergen. https://www.studiointernational.com/images/articles/a/astrup-nikolai-2016/Key-81-Midsummer-After-c.jpg Nikolai Astrup. Midsummer Eve Bonfire, After c1917. Oil on canvas, 60 x 66 cm. The Savings Bank Foundation DNB/The Astrup Collection/KODE Art Museums of Bergen. https://www.studiointernational.com/index.php/julien-previeux-rachel-cook-interview-what-shall-we-do-next-diverseworks-houston https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_AtelierBac02.jpg Julien Prévieux, Atelier de dessin - B.A.C. du 14e arrondissement de Paris [Drawing workshop - B.A.C. of 14th district of Paris], 2011-2015. Airbrush on paper, variable dimensions. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_AtelierBac03.jpg ulien Prévieux, Atelier de dessin - B.A.C. du 14e arrondissement de Paris [Drawing workshop - B.A.C. of 14th district of Paris], 2011-2015. Airbrush on paper, variable dimensions. Courtesy Galerie Jousse Entreprise, Paris. Photograph © Julien Prévieux. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_PatternsOfLife01.jpg Julien Prévieux. Patterns of Life, 2015. Video HD / 2K, 16 min. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_PatternsOfLife02.jpg Julien Prévieux. Patterns of Life, 2015. Video HD / 2K, 16 min. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_PatternsOfLife03.jpg Julien Prévieux. Patterns of Life, 2015. Video HD / 2K, 16 min. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_PatternsOfLife06.jpg Julien Prévieux. Patterns of Life, 2015. Video HD / 2K, 16 min. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_PostPostProd01.jpg Julien Précieux. Post-Post-Production, 2004. Video SD, 120 min. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_PostPostProd02.jpg Julien Précieux. Post-Post-Production, 2004. Video SD, 120 min. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_StillWSWDN_HD_01.jpg Julien Précieux. What Shall We Do Next? (Séquence #2), 2014. Video HD, 16 min 47 sec. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_StillWSWDN_HD_03.jpg Julien Précieux. What Shall We Do Next? (Séquence #2), 2014. Video HD, 16 min 47 sec. Courtesy Galerie Jousse Entreprise, Paris https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_TodayIsGreat01.jpg Julien Prévieux. Today is Great, 2014. Indian ink on paper, 15.75 x 22 in. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_TodayIsGreat02.jpg Julien Prévieux. Today is Great, 2014. Indian ink on paper, 15.75 x 22 in. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_TodayIsGreat03.jpg Julien Prévieux. Today is Great, 2014. Indian ink on paper, 15.75 x 22 in. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_TodayIsGreat04.jpg Julien Prévieux. Today is Great, 2014. Indian ink on paper, 15.75 x 22 in. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_TodayIsGreat05.jpg Julien Prévieux. Today is Great, 2014. Indian ink on paper, 15.75 x 22 in. Courtesy Galerie Jousse Entreprise, Paris. Photograph © Julien Prévieux. https://www.studiointernational.com/images/articles/p/previeux-julien-2016/Previeux_TodayIsGreat06.jpg Julien Prévieux. Today is Great, 2014. Indian ink on paper, 15.75 x 22 in. Courtesy Galerie Jousse Entreprise, Paris. https://www.studiointernational.com/index.php/anri-sala-answer-me-review-new-museum-new-york https://www.studiointernational.com/images/articles/s/sala-anri-2016/TlatelolcoClash_2011_1.jpg Anri Sala. Tlatelolco Clash, 2011 (still). Single-channel HD video, 5.0 surround sound, colour; 11:49 min. © Anri Sala. Courtesy kurimanzutto, Mexico City; Marian Goodman Gallery; Hauser & Wirth; Galerie Chantal Crousel, Paris; and Kaikai Kiki, Tokyo. https://www.studiointernational.com/images/articles/s/sala-anri-2016/TlatelolcoClash_2011_2.jpg Anri Sala. Tlatelolco Clash, 2011 (still). Single-channel HD video, 5.0 surround sound, colour; 11:49 min. © Anri Sala. Courtesy kurimanzutto, Mexico City; Marian Goodman Gallery; Hauser & Wirth; Galerie Chantal Crousel, Paris; and Kaikai Kiki, Tokyo. https://www.studiointernational.com/images/articles/s/sala-anri-2016/TlatelolcoClash_2011_3.jpg Anri Sala. Tlatelolco Clash, 2011 (still). Single-channel HD video, 5.0 surround sound, colour; 11:49 min. © Anri Sala. Courtesy kurimanzutto, Mexico City; Marian Goodman Gallery; Hauser & Wirth; Galerie Chantal Crousel, Paris; and Kaikai Kiki, Tokyo. https://www.studiointernational.com/images/articles/s/sala-anri-2016/16034The_Present_Moment_D_Still_6.jpg Anri Sala. The Present Moment (in D), 2014 (still). Single-channel HD video and 19-channel sound installation, colour; 21:30 min. © Anri Sala. Courtesy Galerie Chantal Crousel, Paris; Marian Goodman Gallery, New York; and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/sala-anri-2016/14268UNRAVEL_4.jpg Anri Sala. Unravel, 2013 (still). Single-channel HD video in colour and discrete 4.0 surround sound installation; 20:45 min. © Anri Sala. Courtesy Galerie Chantal Crousel, Paris; Marian Goodman Gallery; Hauser & Wirth; and kurimanzutto, Mexico City. https://www.studiointernational.com/images/articles/s/sala-anri-2016/14268UNRAVEL_6.jpg Anri Sala. Unravel, 2013 (still). Single-channel HD video in colour and discrete 4.0 surround sound installation; 20:45 min. © Anri Sala. Courtesy Galerie Chantal Crousel, Paris; Marian Goodman Gallery; Hauser & Wirth; and kurimanzutto, Mexico City. https://www.studiointernational.com/images/articles/s/sala-anri-2016/DammiiColori_2003_1.jpg Anri Sala. Dammi i Colori, 2003 (still). Single-channel video, stereo sound, colour; 15:25 min. © Anri Sala. Courtesy Marian Goodman Gallery; Galerie Chantal Crousel, Paris; Hauser & Wirth; Johnen Galerie, Berlin; and Galerie Rüdiger Schöttle, Munich. https://www.studiointernational.com/images/articles/s/sala-anri-2016/TitleSuspended_2008_1.jpg Anri Sala. Title Suspended (Sky Blue), 2008. Resin, nitrile rubber gloves, and electric motor, 7 7/8 x 31 1/2 x 7 7/8 in (20 x 80 x 20 cm). © Anri Sala. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/s/sala-anri-2016/MothBFlat_2015_1.jpg Anri Sala. Moth in B-flat, 2015. Altered snare drum, drumsticks, altered snare stand, loudspeaker parts, and mono sound, 29 1/2 x 22 x 16 1/8 in (75 x 56 x 41 cm); 7:18 min. © Anri Sala. Courtesy Marian Goodman Gallery. https://www.studiointernational.com/images/articles/s/sala-anri-2016/LongSorrow_2005_3.jpg Anri Sala. Long Sorrow, 2005 (still). Super 16mm film transferred to single-channel HD video, stereo sound, colour; 12:57 min. Produced by Fondazione Nicola Trussardi, Milan. © Anri Sala. Courtesy Marian Goodman Gallery; Hauser & Wirth; Galerie Chantal Crousel, Paris; Johnen Galerie, Berlin; and Galerie Rüdiger Schöttle, Munich. https://www.studiointernational.com/images/articles/s/sala-anri-2016/LongSorrow_2005_4.jpg Anri Sala. Long Sorrow, 2005 (still). Super 16mm film transferred to single-channel HD video, stereo sound, colour; 12:57 min. Produced by Fondazione Nicola Trussardi, Milan. © Anri Sala. Courtesy Marian Goodman Gallery; Hauser & Wirth; Galerie Chantal Crousel, Paris; Johnen Galerie, Berlin; and Galerie Rüdiger Schöttle, Munich. https://www.studiointernational.com/images/articles/s/sala-anri-2016/INSTALL-VIEW-1_B_PEOPLE-2.jpg Unravel, 2013. Installation view: Anri Sala: Answer Me, New Museum. Courtesy Galerie Chantal Crousel, Paris; Marian Goodman Gallery; Hauser & Wirth; and kurimanzutto, Mexico City. Photograph: Maris Hutchinson/EPW Studio. https://www.studiointernational.com/images/articles/s/sala-anri-2016/INSTALL-VIEW-3_A_PEOPLE.jpg Answer Me, 2008. Installation view: Anri Sala: Answer Me, New Museum. Courtesy Marian Goodman Gallery; Hauser & Wirth; Johnen Galerie, Berlin; Galerie Rüdiger Schöttle, Munich; and Galerie Chantal Crousel, Paris. Photo: Maris Hutchinson/EPW Studio. https://www.studiointernational.com/images/articles/s/sala-anri-2016/INSTALL-VIEW-6_A_SCALE.jpg Le Clash, 2010. Installation view: Anri Sala: Answer Me, New Museum. Courtesy Galerie Chantal Crousel, Paris; Marian Goodman Gallery; Hauser & Wirth; Johnen Galerie, Berlin; and kurimanzutto, Mexico City. Photo: Maris Hutchinson/EPW Studio. https://www.studiointernational.com/images/articles/s/sala-anri-2016/INSTALL-VIEW-2_B_PEOPLE.jpg Ravel Ravel, 2013. Installation view: Anri Sala: Answer Me, New Museum. Courtesy Galerie Chantal Crousel, Paris; Marian Goodman Gallery; and Hauser & Wirth. Photo: Maris Hutchinson/EPW Studio. https://www.studiointernational.com/index.php/joe-graham-interview-anchor https://www.studiointernational.com/images/articles/g/graham-joe-2016/2.jpg ANCHOR, pages 14 & 15, 21 x 29.7cm, copyright Gemma Anderson/Steven Dickie, 2015. https://www.studiointernational.com/images/articles/g/graham-joe-2016/3.jpg ANCHOR, pages 20 & 21, 21 x 29.7cm, copyright Kelly Chorpening/Joe Graham, 2015. https://www.studiointernational.com/images/articles/g/graham-joe-2016/4.jpg ANCHOR, pages 36 & 37, 21 x 29.7cm, copyright Paul McDevitt/Claude Heath, 2015. https://www.studiointernational.com/images/articles/g/graham-joe-2016/5.jpg ANCHOR, pages 54 & 56, 21 x 29.7cm, copyright Phil Sawdon/Kelly Chorpening, 2015. https://www.studiointernational.com/images/articles/g/graham-joe-2016/6.jpg ANCHOR, pages 62 & 63, 21 x 29.7cm, copyright Kelly Chorpening/Chantal Faust, 2015. https://www.studiointernational.com/images/articles/g/graham-joe-2016/7.jpg ANCHOR, pages 90 & 91, 21 x 29.7cm, copyright Steven Dickie/Deborah Harty, 2015. https://www.studiointernational.com/images/articles/g/graham-joe-2016/8.jpg ANCHOR, pages 106 & 107, 21 x 29.7cm, copyright Tom Morton, 2015. https://www.studiointernational.com/images/articles/g/graham-joe-2016/9.jpg ANCHOR, pages 118 & 119, 21 x 29.7cm, copyright Virginia Verran/Thomas Falstad, 2015. https://www.studiointernational.com/images/articles/g/graham-joe-2016/10.jpg ANCHOR, page 46 & 47, 21 x 29.7cm, copyright Gordon Shrigley/Chantal Faust, 2015. https://www.studiointernational.com/images/articles/g/graham-joe-2016/11.jpg ANCHOR, page 56 & 57, 21 x 29.7cm, copyright Gordon Shrigley/Joe Graham, 2015. https://www.studiointernational.com/index.php/conrad-shawcross-video-interview-paradigm-francis-crick-institute-kings-cross https://www.studiointernational.com/images/articles/s/shawcross-conrad-2016/shawcross-watching-installation.jpg Conrad Shawcross at the installation of Paradigm outside the Francis Crick Institute, near King’s Cross, London. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2016/shawcross-in-paradigm.jpg Conrad Shawcross climbs inside Paradigm at the fabricators. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2016/paradigm-at-fabricators.jpg Paradigm being constructed at the fabricator Benson and Sedgwick. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2016/paradigm-crane-install-2.jpg Installation of Paradigm outside the Francis Crick Institute, near King’s Cross, London. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2016/conrad-shawcross-640.jpg Conrad Shawcross talking to Studio International in his London studio, 17 February 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2016/visualisation.jpg Conrad Shawcross, render of Paradigm, 2016. Courtesy of the artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/s/shawcross-conrad-2016/paradigm-crane-install.jpg A crane begins the lifting of Paradigm into position outside the Francis Crick Institute, near King’s Cross, London. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/chantal-joffe-interview-victoria-miro-london-i-want-to-make-the-painting-feel-like-the-person https://www.studiointernational.com/images/articles/j/joffe-chantal-2016/CJ1048_Esme-in-the-Garden_2015.jpg Chantal Joffe. Esme in the Garden, 2015. Oil on board, 30.5 x 40.6 cm (12 1/8 x 16 in). Courtesy the artist and Victoria Miro, London. © Chantal Joffe. https://www.studiointernational.com/images/articles/j/joffe-chantal-2016/CJ1054_Blonde-in-a-Black-Sweater_2015.jpg Chantal Joffe. Blonde in a Black Sweater, 2015. Oil on board, 61 x 45.8 cm (24 1/8 x 18 1/8 in). Courtesy the artist and Victoria Miro, London. © Chantal Joffe. https://www.studiointernational.com/images/articles/j/joffe-chantal-2016/CJ1073_Untitled_2015.jpg Chantal Joffe. Yellow Ballgown, 2015. Oil on canvas, 45.8 x 35.5 cm (18 1/8 x 14 in). Courtesy the artist and Victoria Miro, London. © Chantal Joffe. https://www.studiointernational.com/images/articles/j/joffe-chantal-2016/CJ1082_Esme-in-St-Leonards_2015.jpg Chantal Joffe. Esme in St Leonards, 2015. Pastel on paper board, 30 x 40 cm (11 3/4 x 15 3/4 in). Courtesy the artist and Victoria Miro, London. © Chantal Joffe. https://www.studiointernational.com/images/articles/j/joffe-chantal-2016/CJ1084_Esme-in-the-Beach-Hut_2015.jpg Chantal Joffe. Esme in the Beach Hut, 2015. Pastel on paper board, 40 x 30 cm (15 3/4 x 11 3/4 in). Courtesy the artist and Victoria Miro, London. © Chantal Joffe. https://www.studiointernational.com/images/articles/j/joffe-chantal-2016/CJ_VMG-Mayfair_2016-c.jpg Chantal Joffe. Installation view (1), Victoria Miro Mayfair, London. https://www.studiointernational.com/images/articles/j/joffe-chantal-2016/CJ_VMG-Mayfair_2016-f.jpg Chantal Joffe. Installation view (2), Victoria Miro Mayfair, London. https://www.studiointernational.com/images/articles/j/joffe-chantal-2016/CJ_VMG-Mayfair_2016-x.jpg Chantal Joffe. Installation view (3), Victoria Miro Mayfair, London. https://www.studiointernational.com/index.php/eduardo-chillida-rhythm-time-silence-review-sculpture-ordovas-london https://www.studiointernational.com/images/articles/c/chillida-2016/02.jpg Eduardo Chillida. Elogio del vacío VI, 2000. Chillida Belzunce Family Collection © Zabalaga-Leku, DACS, London, 2016. https://www.studiointernational.com/images/articles/c/chillida-2016/01.jpg Eduardo Chillida. Peine del viento XIX, 1999. Chillida Belzunce Family Collection © Zabalaga-Leku, DACS, London, 2016. https://www.studiointernational.com/images/articles/c/chillida-2016/03.jpg Eduardo Chillida. Lo profundo es el aire XVIII, 1998. Chillida Belzunce Family Collection © Zabalaga-Leku, DACS, London, 2016. https://www.studiointernational.com/images/articles/c/chillida-2016/Chillida-RTS-Installation-shot-1.jpg Chillida: Rhythm-Time-Silence installation view (1). Photograph: Mike Bruce, Chillida Belzunce Family Collection © Zabalaga-Leku, DACS, London, 2016. https://www.studiointernational.com/images/articles/c/chillida-2016/Chillida-RTS-Pilar-walking.jpg Chillida: Rhythm-Time-Silence installation view (2). Photograph: Mike Bruce, Chillida Belzunce Family Collection © Zabalaga-Leku, DACS, London, 2016. https://www.studiointernational.com/images/articles/c/chillida-2016/Chillida-RTS-Installation-shot-4.jpg Chillida: Rhythm-Time-Silence installation view (3). Photograph: Mike Bruce, Chillida Belzunce Family Collection © Zabalaga-Leku, DACS, London, 2016. https://www.studiointernational.com/index.php/botticelli-and-treasures-from-the-hamilton-collection-ernst-vegelin-van-claerbergen-podcast-interview-courtauld-gallery-london https://www.studiointernational.com/images/articles/b/botticelli-sandro-2016/Beatrice-and-Dante-ascending-to-the-Heaven-of-fire.jpg Sandro Botticelli. Beatrice and Dante ascending to the heaven of fire (Divine Comedy, Paradiso II), c1481-1495. Pen and brown ink over metal pen on parchment, 32.4 x 47.6 cm. © Staatliche Museen zu Berlin, Kupferstichkabinett/Philipp Allard. https://www.studiointernational.com/images/articles/b/botticelli-sandro-2016/Beatrice-explains-the-order-of-the-cosmos.jpg Sandro Botticelli. Beatrice explains to Dante the order of the cosmos (Divine Comedy, Paradiso II), c1481-1495. Pen and brown ink over metal pen on parchment, 32.4 x 47.4 cm. © Staatliche Museen zu Berlin, Kupferstichkabinett/Philipp Allard. https://www.studiointernational.com/images/articles/b/botticelli-sandro-2016/Centre-of-Hell-lucifer.jpg Sandro Botticelli. Centre of Hell. The full figure of Lucifer (Divine Comedy, Inferno XXXIV,2), c1481-1495, Pen and brown ink over metal pen on parchment, 63.2 x 46.3 cm. © Staatliche Museen zu Berlin, Kupferstichkabinett/Philipp Allard. https://www.studiointernational.com/images/articles/b/botticelli-sandro-2016/Punishment-of-the-Corrupt.jpg Sandro Botticelli. Punishment of the corrupt in the eighth circle (Divine Comedy, Inferno XXII), c1481-1495. Pen and brown ink over metal pen on parchment, 32.9 x 47.1 cm. © Staatliche Museen zu Berlin, Kupferstichkabinett/Philipp Allard. https://www.studiointernational.com/index.php/andrea-ponsi-interview-i-draw-therefore-i-am-architect-florence https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/2.jpg Andrea Ponsi. Tiburon House, San Francisco, 2008. Photograph: Richard Barnes. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/3.jpg Andrea Ponsi. Tiburon House, San Francisco, 2008. Photograph: Richard Barnes. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/4.jpg Andrea Ponsi. Maremma House, 2016. Photograph: Mario Ciampi. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/5.jpg Andrea Ponsi. Maremma House, 2016. Photograph: Mario Ciampi. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/6.jpg Andrea Ponsi. Sabi Chaise Longue, 1988. Copper, wood, 300 x 85 x 95(h) cm. Photograph: Arrigo Coppitz. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/7.jpg Andrea Ponsi. Sky lamp, 1987. Copper, fabric, 140 x 30 x 30 cm. Photograph: Carlo Fei. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/8.jpg Andrea Ponsi. Notations, 2014-15. Watercolour and graphite on paper, 70 x 100 cm. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/9.jpg Andrea Ponsi. Notations, 2014-15. Watercolour and graphite on paper, 70 x 100 cm. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/10.jpg Andrea Ponsi. Notations, 2014-15. Watercolour and graphite on paper, 70 x 100 cm. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/11.jpg Andrea Ponsi. Florence, 2008. Watercolour on paper, 25 x 35 cm. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/12.jpg Andrea Ponsi. Florence, 1993. Watercolour on paper, 25 x 35 cm. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/13.jpg Andrea Ponsi. Florence, 2010. Watercolour on paper, 25 x 35 cm. https://www.studiointernational.com/images/articles/p/ponsi-andrea-2016/14.jpg Andrea Ponsi. Photograph: Francesca Anichini. https://www.studiointernational.com/index.php/joachim-koester-the-other-side-of-the-sky-review-turner-contemporary-margate https://www.studiointernational.com/images/articles/k/koester-joachim-2016/2016-02-03100596-1.jpg Joachim Koester. The Other Side of the Sky, 2015, installation view (1), Turner Contemporary, Margate. https://www.studiointernational.com/images/articles/k/koester-joachim-2016/koester-install-turner-contemporary-4.jpg Joachim Koester. The Other Side of the Sky, 2015, installation view (2), Turner Contemporary, Margate. https://www.studiointernational.com/images/articles/k/koester-joachim-2016/koester-install-turner-contemporary-3.jpg Joachim Koester. The Other Side of the Sky, 2015, installation view (3), Turner Contemporary, Margate. https://www.studiointernational.com/images/articles/k/koester-joachim-2016/Koester-The-Other-Side-of-the-Sky-2015.jpg Joachim Koester. The Other Side of the Sky, 2015. 16mm film, 4 min, film still. Courtesy the artist and Galleri Nicolai Wallner, Denmark. https://www.studiointernational.com/images/articles/k/koester-joachim-2016/Koester-The-Other-Side-of-the-Sky-2015-2.jpg Joachim Koester. The Other Side of the Sky, 2015. 16mm film, 4 min, film still (2). Courtesy the artist and Galleri Nicolai Wallner, Denmark. https://www.studiointernational.com/images/articles/k/koester-joachim-2016/Joachim-Koester-Tarantism.jpg Joachim Koester. Tarantism, 2007. 16mm film, black and white, silent 6 min 30 sec, film still. Courtesy the artist and Jan Mot, Brussels. https://www.studiointernational.com/images/articles/k/koester-joachim-2016/Joachim-Koester-My-Frontier-is-an-Endless-Wall-of-Points.jpg Joachim Koester. My Frontier is an Endless Wall of Points (after the mescaline drawings of Henri Michaux), 2007. 16mm film, black and white, silent 10 min 24 sec, film still. Courtesy the artist and Jan Mot, Brussels. https://www.studiointernational.com/images/articles/k/koester-joachim-2016/koester-body-electric-2014.jpg Joachim Koester. Body Electric, 2014. 16mm film, black and white, silent 3 min 6 sec, film still. Courtesy the artist and Galleri Nicolai Wallner, Denmark. https://www.studiointernational.com/images/articles/k/koester-joachim-2016/Koester-The-Hashish-Club-2009.jpg Joachim Koester. The Hashish Club, 2009. 16mm film, animation, black and white, silent 6 min 6 sec, film still. Courtesy the artist and Galleri Nicolai Wallner, Denmark. https://www.studiointernational.com/images/articles/k/koester-joachim-2016/Koester-Variations-of-Incomplete-open-cubes-2011.jpg Joachim Koester. Variations of Incomplete Open Cubes, 2011. 16mm film, black and white, silent 10 min 24 sec, film still. Courtesy the artist and Jan Mot, Brussels. https://www.studiointernational.com/index.php/eugene-delacroix-and-the-rise-of-modern-art-review-national-gallery-london https://www.studiointernational.com/images/articles/d/delacroix-2016/Delacroix-X8086.jpg Eugène Delacroix. Self Portrait, c1837. Oil on canvas, 65 x 54.5 cm. Musée du Louvre, Paris. © RMN-Grand Palais (musée du Louvre) / Jean-Gilles Berizzi. https://www.studiointernational.com/images/articles/d/delacroix-2016/Delacroix-X7606.jpg Eugène Delacroix. The Death of Sardanapalus (reduced replica), 1846. Oil on canvas, 73.7 x 82.4 cm. © Philadelphia Museum of Art, Pennsylvania. The Henry P. McIlhenny Collection in memory of Frances P. McIlhenny, 1986. https://www.studiointernational.com/images/articles/d/delacroix-2016/Delacroix-X5513.jpg Vincent van Gogh. Pietà (after Delacroix), 1889. Oil on canvas, 73 x 60.5 cm. © Van Gogh Museum (Vincent Van Gogh Foundation), Amsterdam . https://www.studiointernational.com/images/articles/d/delacroix-2016/Delacroix-X8091.jpg Edouard Manet. The Barque of Dante (after Delacroix), about 1854. Oil on canvas, 37.5 x 45 cm. Musée des Beaux Arts de Lyon. © Lyon MBA. Photograph: Alain Basset. https://www.studiointernational.com/images/articles/d/delacroix-2016/Delacroix-X8092.jpg Pierre-Auguste Renoir. The Jewish Wedding in Morocco (after Delacroix), about 1875. Oil on canvas, 108.7 x 144.9 cm. © Worcester Art Museum, Worcester, Massachusetts. https://www.studiointernational.com/images/articles/d/delacroix-2016/Delacroix-X8099.jpg Paul Gauguin. Still Life with a Sketch after Delacroix, 1887. Oil on canvas, 40 x 30 cm. Musée d'Art moderne et contemporain de Strasbourg. © Photograph: Musées de Strasbourg, M. Bertola. https://www.studiointernational.com/images/articles/d/delacroix-2016/Delacroix-X8108.jpg Paul Cézanne. The Battle of Love, c1880. Oil on canvas, 38.1 x 45.7 cm. National Gallery of Art, Washington, DC. Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman. Image courtesy of the Board of Trustees, National Gallery of Art, Washington, DC. https://www.studiointernational.com/images/articles/d/delacroix-2016/Delacroix-X8294.jpg Jean Metzinger. Field of Flowers in Bloom, near Caen, 1904. Oil on canvas, 44.1 x 59.7 cm. The Minneapolis Institute of Art. Gift of Anne Dalrymple Hull. © ADAGP, Paris and DACS, London 2015. Photograph: © The Minneapolis Institute of Art. https://www.studiointernational.com/images/articles/d/delacroix-2016/Delacroix-X8649.jpg Vassily Kandinsky. Study for Improvisation V, 1910. Oil on pulp board, 70.2 x 69.9 cm. © The Minneapolis Institute of Art. Gift of Bruce B. Dayton. https://www.studiointernational.com/index.php/sergio-caballero-interview-im-interested-in-the-creative-process-could-not-care-less-about-final-work https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/2.jpg Los Rinos. Dianaización, 1981. From left to right: Marcel.lí Antunez, Sergio Caballero, Pau Nubiola. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/3.jpg Los Rinos. Rinosacrifici, 1989. Performance/Video art. Pau Nubiola. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/4.jpg Los Rinos. Conferencia Rinolaxia, 1991. Performance. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/5.jpg Sergio Caballero. El Clamor de la Humanidad me Oprime por su Tumulto me Veo Privado del Sueño, 1993. Mixed media installation. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/6.jpg Sergio Caballero. El Clamor de la Humanidad me Oprime por su Tumulto me Veo Privado del Sueño, 1993. Mixed media installation. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/7.jpg Sergio Caballero. El Clamor de la Humanidad me Oprime por su Tumulto me Veo Privado del Sueño, 1993. Mixed media installation. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/8.jpg Sergio Caballero. Stills from Finisterrae, 2010. Feature film. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/9.jpg Sergio Caballero. Stills from Finisterrae, 2010. Feature film. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/10.jpg Sergio Caballero. Stills from La Distancia, 2012. Feature film. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/11.jpg Sergio Caballero. Stills from La Distancia, 2012. Feature film. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/12.jpg Sergio Caballero. Stills from La Distancia, 2012. Feature film. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/13.jpg Sergio Caballero. Stills from La Distancia, 2012. Feature film. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/14.jpg Sergio Caballero. Stills from Ancha es Castilla, 2014. Mixed media animation. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/15.jpg Sergio Caballero. Stills from Ancha es Castilla, 2014. Mixed media animation. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/16.jpg Sergio Caballero. Levitating twins in the SonarImage campaign of 2000. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/17.jpg Sergio Caballero. Twins and twin puppets in the SonarImage campaign for 2015. https://www.studiointernational.com/images/articles/c/caballero-sergio-2016/18.jpg Sergio Caballero. A priest and two boys lurk in the background of the SonarImage campaign in 2004. https://www.studiointernational.com/index.php/kiki-kogelnik-works-from-1962-68-review-konig-galerie-berlin https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/23_KK_PH-339.jpg Kiki Kogelnik in her studio, New York, 1965. Courtesy of Kiki Kogelnik Foundation. Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/24_KK_with-Space-Ship_1962_63.jpg Kiki Kogelnik with Space Ship, c1962-63. Courtesy of Kiki Kogelnik Foundation. Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/KKO_Ich-Kogelnik-Moechte-Gern,-1963_photo-Roman-Maerz.jpg Kiki Kogelnik. Ich Kogelnik möchte gern ..., 1963. Acrylic, enamel, India ink, ink and foil on paper, 35.5 x 55.5 cm (14 x 21 3/4 in). Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/Kiki-Kogelnik_-M_1964.jpg Kiki Kogelnik. M, c1964. Oil and acrylic on canvas, 203 x 142.7 cm (80 x 56 1/4 in). Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/KKO_Maschinenhaende,-1965.jpg Kiki Kogelnik. Maschinenhände, 1965. Enamel and India ink on paper, 56 x 38 cm (22 x 15 in). Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/Kiki-Kogelnik_Portrait-of-an-Attractive-Man_1964.jpg Kiki Kogelnik. Portrait of an Attractive Man, 1964. Oil and acrylic on canvas, 245 x 198 cm (96 1/2 x 78 in). Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/KKO_Untitled-Pump-for-Heart,-1965.jpg Kiki Kogelnik. Untitled (Pump for heart), 1965. India ink and acrylic on paper, 35.2 x 27.7 cm (13 3/4 x 11 in). Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/KKO_Siempre-Por-Tio,-1964.jpg Kiki Kogelnik. Siempre Por Tio, 1964. Oil and acrylic on canvas, 139 x 137 cm (76 x 64 in). Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/Kiki-Kogelnik_Untitled-(Small-Hanging)_1968.jpg Kiki Kogelnik. Untitled (Small Hanging), 1968. Mixed media with sheet vinyl and metal wire on painted wood, Plexiglas 42 x 25 x 31 cm (16 1/2 x 9 3/4 x 12 1/4 in). Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/Kiki-kogelnik_Installation-view-at-Koenig-Galerie,-2016-2.jpg Kiki Kogelnik, installation view, König Galerie. Photographer: Roman März. Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/images/articles/k/kogelnik-kiki-2016/Kiki-kogelnik_Installation-view-at-Koenig-Galerie,-2016.jpg Kiki Kogelnik, installation view (2), König Galerie. Photographer: Roman März. Image courtesy of Kiki Kogelnik Foundation and König Galerie. https://www.studiointernational.com/index.php/andy-warhol-ai-weiwei-review-national-gallery-of-victoria-australia https://www.studiointernational.com/images/articles/w/warhol-ai-2016/EXHI031928.jpg Ai Weiwei, 2012. Image courtesy Ai Weiwei Studio. https://www.studiointernational.com/images/articles/w/warhol-ai-2016/EXHI037610.jpg Andy Warhol. Mao, 1972. Acrylic and silkscreen ink on linen, 208.3 x 154.9 cm. The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution Dia Center for the Arts. © The Andy Warhol Foundation for the Visual Arts, Inc./ARS, New York. Licensed by Viscopy, Sydney. https://www.studiointernational.com/images/articles/w/warhol-ai-2016/EXHI037631.jpg Ai Weiwei. Mao (Facing Forward), 1986. Oil on canvas, 233.6 x 193.0 cm. Private collection. Image courtesy Ai Weiwei Studio. © Ai Weiwei. https://www.studiointernational.com/images/articles/w/warhol-ai-2016/EXHI031927.jpg Christopher Makos. Andy Warhol in Tiananmen Square, 1982. © Christopher Makos 1982, makostudio.com. https://www.studiointernational.com/images/articles/w/warhol-ai-2016/EXHI037472.jpg Ai Weiwei. Williamsburg, Brooklyn 1983, from the New York Photographs series 1983‒93. Silver gelatin photograph. Ai Weiwei Studio. © Ai Weiwei. https://www.studiointernational.com/images/articles/w/warhol-ai-2016/EXHI037703.jpg Ai Weiwei. At the Museum of Modern Art, 1987, from the New York Photographs series 1983–93. Silver gelatin photograph. Collection of Ai Weiwei. © Ai Weiwei. https://www.studiointernational.com/images/articles/w/warhol-ai-2016/EXHI037604.jpg Andy Warhol. Debbie Harry, 1980. Acrylic and silkscreen ink on linen, 106.7 x 106.7 cm. The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © The Andy Warhol Foundation for the Visual Arts, Inc./ARS, New York. Licensed by Viscopy, Sydney. https://www.studiointernational.com/images/articles/w/warhol-ai-2016/EXHI037475.jpg Ai Weiwei. Forever Bicycles, 2011. Installation view at Taipei Fine Arts Museum. Image courtesy Ai Weiwei Studio. © Ai Weiwei. https://www.studiointernational.com/images/articles/w/warhol-ai-2016/Ai-Weiwei-Blossom-2015_BCH9125.jpg Installation view of the Andy Warhol | Ai Weiwei exhibition (foreground: Ai Weiwei, Blossom, 2015) at the National Gallery of Victoria, 11 December 2015 – 24 April 2016. Andy Warhol artwork © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./ARS, New York. Administered by Viscopy, Sydney; Ai Weiwei artwork © Ai Weiwei. Photograph: Brooke Holm. https://www.studiointernational.com/images/articles/w/warhol-ai-2016/Ai-Weiwei-Blossom-2015-detail.jpg Ai Weiwei. Blossom, 2015 (detail). © Ai Weiwei. Photograph: Brooke Holm. https://www.studiointernational.com/index.php/eighth-asia-pacific-triennial-of-contemporary-art-review-queensland-australia https://www.studiointernational.com/images/articles/a/apt8-2016/SHOULDERjustinBHENJIRA_001.jpg Justin Shoulder and Bhenji Ra. Ex Nilalang (Balud, Dyesebel, Lolo ex Machina) 2015. Single-channel HD digital video, 16:9, colour, sound. Courtesy the artists. https://www.studiointernational.com/images/articles/a/apt8-2016/Lav-Diaz_From-What-is-Before.jpg Production still from From What Is Before, 2014. Director: Lav Diaz. Image courtesy of the artist and Sine Olivia Filipinas, Manila. https://www.studiointernational.com/images/articles/a/apt8-2016/Lav-Diaz_Norte-The-End-of-History.jpg Production still from Norte, the End of History, 2013. Director: Lav Diaz. Image courtesy of the artist and Moira Lang, Manila. https://www.studiointernational.com/images/articles/a/apt8-2016/Vrishka-QAG_APT8_installationview.jpg Kalpa Vriksha. Installation view, APT8, Queensland Art Gallery | Gallery of Modern Art, Brisbane. https://www.studiointernational.com/images/articles/a/apt8-2016/QAG_APT8_installationview_20151117_nharth_001.jpg Kalpa Vriksha. Installation view (2), APT8, Queensland Art Gallery | Gallery of Modern Art, Brisbane. https://www.studiointernational.com/images/articles/a/apt8-2016/WONGming_AkuAkanBertahan_IWillSurvive_productionstill_006.jpg Ming Wong. Production still from Aku Akan Bertahan: I Will Survive, 2015. Image courtesy of the artist and Vitamin Creative Space, Guangzhou and carlier/gebauer, Berlin. https://www.studiointernational.com/images/articles/a/apt8-2016/WONGming_AkuAkanBertahan_IWillSurvive_productionstill_005.jpg Ming Wong. Production still (2) from Aku Akan Bertahan: I Will Survive, 2015. Image courtesy of the artist and Vitamin Creative Space, Guangzhou and carlier/gebauer, Berlin. https://www.studiointernational.com/images/articles/a/apt8-2016/QAG_APT8_20151001_ccallistemon_014.jpg Brook Andrew. Wiradjuri people, Intervening time, 2015. Museum intervention including TIME 2012, wall painting, and works from the Queensland Art Gallery Collection. Courtesy: The artist and Tolarno Galleries, Melbourne. Collection: Queensland Art Gallery. https://www.studiointernational.com/images/articles/a/apt8-2016/QAG_APT8_20151001_ccallistemon_021.jpg Brook Andrew. Wiradjuri people, Intervening time, 2015. Museum intervention including TIME 2012, wall painting, and works from the Queensland Art Gallery Collection. Courtesy: The artist and Tolarno Galleries, Melbourne. Collection: Queensland Art Gallery. https://www.studiointernational.com/images/articles/a/apt8-2016/APT8_OpeningWeekend_AnidaYoeuAliPerformance_1.jpg Anida Yoeu Ali. The Buddhist Bug, 2015. Orange lycra, wire, tube, thread, glue and two live bodies. Performance for The 8th Asia Pacific Triennial of Contemporary Art, Gallery of Modern Art, Brisbane, 21–22 November 2015. Courtesy: The artist. https://www.studiointernational.com/images/articles/a/apt8-2016/APT8_installation-view_Nge-Lay_The-sick-classroom.jpg NGE Lay. The sick classroom, 2013. 27 wooden sculptures, timber walls, eight desks, 26 student accessories, one table, one chair; 15 photographs. Installation view, The 8th Asia Pacific Triennial of Contemporary Art, 2015. Collection: Queensland Art Gallery. https://www.studiointernational.com/images/articles/a/apt8-2016/KASMALIEVAgulnara_DJUMALIEVmuratbek_TheNewSilk-Road_Racing_5_still.jpg Gulnara Kasmalieva, Muratbek Djumaliev. A New Silk Road: Algorithm of Survival and Hope, 2006. Five-channel video installation, 4:3, 9:43 min, colour, sound, ed. 2/5. Courtesy: The artists. https://www.studiointernational.com/images/articles/a/apt8-2016/APT8_installation-view_Po-Po-The-VIP-Project_1.jpg Po Po. VIP Project (Yangon/Dhaka), 2010–15. Mixed media installation. Installed dimensions variable. VIP Project (Dhaka) commissioned and produced by the Samdani Art Foundation for Dhaka Art Summit 2016. Courtesy: The artist. https://www.studiointernational.com/images/articles/a/apt8-2016/Melati-Suryodarmo-Im-a-Ghost-in-My-Own-House-2012-1.jpg Melati Suryodarmo. I'm a Ghost in My Own House, 2012. 12 hour performance, mixed media installation and single-channel video. Documentation of performance staged at Lawangwangi Creative Space, Lawangwangi Foundation, Bandung, Indonesia, 2012. Image courtesy: The artist. https://www.studiointernational.com/images/articles/a/apt8-2016/Melati-Suryodarmo-Im-a-Ghost-in-My-Own-House-2012-2.jpg Melati Suryodarmo. I'm a Ghost in My Own House, 2012. 12 hour performance, mixed media installation and single-channel video. Documentation of performance staged at Lawangwangi Creative Space, Lawangwangi Foundation, Bandung, Indonesia, 2012. Image courtesy: The artist. https://www.studiointernational.com/index.php/armory-show-2016-review-new-york https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04078.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/IMG_2525-BarkleyHendricks.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/IMG_2605-AlexMajoli.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04126.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/Claude-Lalanne.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. 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https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/UpsideDownNo71992.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04131.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04086.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04174.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04146.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04093.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04144.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04230.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04201.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04097.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/IMG_2578-NickBrandt.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/MickaleneThomas.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/IMG_2585-SpencerFinch.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04128.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04049.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04101.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04137.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04075.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04091.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04119.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/Douglas-Couland-bag.JPG Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/IMG_2596viewers.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04095.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/IMG_2610-At Volta.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-slideshow-2016/DSC04188.jpg Armory Week 2016, Piers 92 & 94, New York City, 3-6 March 2016. https://www.studiointernational.com/images/articles/a/armory-show-2016/IMG_2561-Metamorphism.jpg Julian Charriere. Metamorphism, 2015. Dittrich & Schlechtriem. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2016/VicMuniz-Obama.jpg Vic Muniz. Obama, 2012. Photo collage. Ben Brown Fine Arts. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2016/IMG_2546-TonyCragg.jpg Tony Cragg. Red Square, 2007. Bronze, 70 x 80x 66 cm. Galerie Thaddaeus Ropac. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2016/NathalieBoutte.jpg Nathalie Boutté. Kalulu, 2015. Ink and Japanese paper, 105 x 70 cm. Copyright Nathalie Boutté/ADAGP. Courtesy of the artist and Magnin-A, Paris. https://www.studiointernational.com/images/articles/a/armory-show-2016/DSC04035.jpg Joan Miro. Miro studio. Mayoral Gallery, Barcelona. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2016/DSC04164-Nunzio.jpg Nunzio. Sarai D'Ombra, 2013. Combustion on wood. 290 x 300 cm (114 1/7 x 119 1/8 in). Mazzoleni. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2016/BTom079-BettyTompkins.jpg Betty Tompkins. Sex Painting #4, 2013. Acrylic on canvas, 213.4 x 152.4 cm (84 x 60 in) (BTom079). Courtesy Rodolphe Janssen. https://www.studiointernational.com/images/articles/a/armory-show-2016/UpsideDownNo1-1992.jpg John Coplans. Self Portrait, Upside Down, No 1, 1992. Gelatin Silver Print, 213.5 x 107 cm (84 x 42 in). 6/6. JC/PH 145. Courtesy Galerie Nordenhake GmbH. https://www.studiointernational.com/images/articles/a/armory-show-2016/IMG_2563-Novellis.jpg Romina de Novellis. Nude in a cage with roses, 2015. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2016/DSC04237.jpg Kapwani Kiwanga, Drying field, 2016. Painted wood, cotton string, sisal fibre, approx 250 x 180 cm. Galerie Jerome Poggi / Galerie Tanja Wagner, Paris/Berlin. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2016/DSC04245.jpg Dan Halter. Whatiftheworld, Cape Town. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2016/DSC04069.jpg Cyrus Kabiru. Njia Ya Maisha, Macho Nne: Brazilian Mask, 2016. Pigment Ink on HP Premium Satin Photographic Paper, 150 x 120 cm. SMAC Galley, Cape Town, Stellenbosch. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2016/DSC04073.jpg Eddy Kamuanga Llunga. No Identity, No Evolution, 2015. Acrylic and oil on canvas, 200 x 200 cm. October Gallery. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2016/IMG_2441-EmanuelTegeni.jpg Emanuel Tegeni. Hypocrite I and Hypocrisy I, 2015. Acrylic on canvas, 120 x 150 cm. Addis Fine Art. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2016/Emporium.jpg Kudzanai Chiurai. Emporium installation. Goodman Gallery. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2016/DSC04071.jpg El Anatsui. Blood Of Sweat, 2015. Aluminium and copper wire, 330 x 280 cm. Vigo Gallery. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2016/DSC04206.jpg Nick Cave. Soundsuit, 2012. Mixed media, 80 x 36 x 24 in; Kay Hassan. Untitled, 2001-03. Paper construction 268 1/2 x 132 in. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2016/DSC04236.jpg Njideka Akunyili Crosby. Untitled, 2016. Victoria Miro. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2016/IMG_2553-MarioPfeifer2.jpg Mario Pfeifer. Flatbush ZOMBiES- Blacktivist, 2015. 4K video, colour, stereo. KOW Gallery. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/peter-fischli-david-weiss-how-to-work-better-guggenheim-museum https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig1.jpg Peter Fischli David Weiss. Selections from Suddenly This Overview, 1981. Series of approx 600 sculptures in unfired clay, various dimensions, between 6 x 7 x 5 cm and 82 x 83 x 5 cm © Peter Fischli and David Weiss. Installation view: Peter Fischli & David Weiss: Flowers & Questions: A Retrospective, Kunsthaus Zürich, June 8–Sept. 9, 2007 Photograph: Courtesy Fischli Weiss Archive, Zürich. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig2.jpg Peter Fischli David Weiss. Suddenly this Overview, 1981-present. Selection from the series of approximately 600 sculptures, undated individual works. Unfired clay, various dimensions from 6 x 7 x 5 cm to 82 x 83 x 5 cm. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig3.jpg Peter Fischli David Weiss. Suddenly this Overview, 1981-present. Selection from the series of approximately 600 sculptures, undated individual works. Unfired clay, various dimensions from 6 x 7 x 5 cm to 82 x 83 x 5 cm. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig4.jpg Peter Fischli David Weiss. Suddenly this Overview, 1981-present. Selection from the series of approximately 600 sculptures, undated individual works. Unfired clay, various dimensions from 6 x 7 x 5 cm to 82 x 83 x 5 cm. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig5.jpg Peter Fischli David Weiss. Suddenly this Overview, 1981-present. Selection from the series of approximately 600 sculptures, undated individual works. Unfired clay, various dimensions from 6 x 7 x 5 cm to 82 x 83 x 5 cm. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig6.jpg Peter Fischli David Weiss. Illustrations for Order and Cleanliness, 1981. Two pages from booklet. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig7.jpg Peter Fischli David Weiss. Illustrations for Order and Cleanliness, 1981. Two pages from booklet. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig9.jpg Peter Fischli David Weiss. Untitled, 1994–2013 (detail). Painted polyurethane, 164 parts, overall dimensions vary with installation. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Collections Council and through prior gifts of an anonymous donor, Mr. and Mrs. Nathan L. Halpern, and the Andrew Powie Fuller and Geraldine Spreckels Fuller Bequest 2014.115 © Peter Fischli and David Weiss Photograph: Jason Klimatsas. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig10.jpg Peter Fischli David Weiss. The Least Resistance, 1980–81. Colour video, transferred from Super 8 film, with sound, 29 min. Courtesy the artists © Peter Fischli and David Weiss. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig12.jpg Peter Fischli David Weiss. Animal, 1986 (from Grey Sculptures, 1984–86/2006–08). Polyurethane, paint and cloth, 45 x 50 x 85 cm. Private collection © Peter Fischli and David Weiss Photograph: Courtesy Fischli Weiss Archive, Zürich. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig13.jpg Installation view: Peter Fischli David Weiss: How to Work Better, February 5–April 27, 2016, Solomon R. Guggenheim Museum. Photograph: David Heald © Solomon R. Guggenheim Foundation. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig14.jpg Installation view: Peter Fischli David Weiss: How to Work Better, February 5–April 27, 2016, Solomon R. Guggenheim Museum. Photograph: David Heald © Solomon R. Guggenheim Foundation. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig15.jpg Installation view: Peter Fischli David Weiss: How to Work Better, February 5–April 27, 2016, Solomon R. Guggenheim Museum. Photograph: David Heald © Solomon R. Guggenheim Foundation. https://www.studiointernational.com/images/articles/f/fischli-weiss-2016/Fig16.jpg Installation view: Peter Fischli David Weiss: How to Work Better, February 5–April 27, 2016, Solomon R. Guggenheim Museum. Photograph: David Heald © Solomon R. Guggenheim Foundation. https://www.studiointernational.com/index.php/das-institut-kerston-bratsch-adele-roder-review-serpentine-sackler-gallery-london https://www.studiointernational.com/images/articles/d/das-institut-2016/das_institut_0145.jpg DAS INSTITUT. Installation view, Serpentine Sackler Gallery, London. Photograph © Uli Holz. https://www.studiointernational.com/images/articles/d/das-institut-2016/das_institut_0036.jpg DAS INSTITUT. Installation view (2), Serpentine Sackler Gallery, London. Photograph © Uli Holz. https://www.studiointernational.com/images/articles/d/das-institut-2016/das_institut_0179.jpg DAS INSTITUT. Installation view (3), Serpentine Sackler Gallery, London. Photograph © Uli Holz. https://www.studiointernational.com/images/articles/d/das-institut-2016/das_institut_0197.jpg DAS INSTITUT. Installation view (4), Serpentine Sackler Gallery, London. Photograph © Uli Holz. https://www.studiointernational.com/images/articles/d/das-institut-2016/das_institut_0460.jpg DAS INSTITUT. Installation view (5), Serpentine Sackler Gallery, London. Photograph © Uli Holz. https://www.studiointernational.com/images/articles/d/das-institut-2016/das_institut_0469.jpg DAS INSTITUT. Installation view (6), Serpentine Sackler Gallery, London. Photograph © Uli Holz. https://www.studiointernational.com/images/articles/d/das-institut-2016/2_am_sonntag.jpg Am Sonntag (from When You See Me Again It Wont Be Me series), DAS INSTITUT with Kathrin Sonntag, 2015. Medium format slide projection, size variable. Photgraph: Kathrin Sonntag. https://www.studiointernational.com/images/articles/d/das-institut-2016/3_am_sonntag_2.jpg Am Sonntag (from When You See Me Again It Wont Be Me series), DAS INSTITUT with Kathrin Sonntag, 2015. Medium format slide projection, size variable. Photgraph: Kathrin Sonntag. https://www.studiointernational.com/index.php/veronica-losantos-screen-memories-review-co-berlin https://www.studiointernational.com/images/articles/l/losantos-veronica-2016/screen_memories_final_01.jpg Verónica Losantos. From the series Screen Memories, 2013–15. © Verónica Losantos. https://www.studiointernational.com/images/articles/l/losantos-veronica-2016/screen_memories_final_02.jpg Verónica Losantos. From the series Screen Memories, 2013–15. © Verónica Losantos. https://www.studiointernational.com/images/articles/l/losantos-veronica-2016/screen_memories_final_03.jpg Verónica Losantos. From the series Screen Memories, 2013–15. © Verónica Losantos. https://www.studiointernational.com/images/articles/l/losantos-veronica-2016/screen_memories_final_04.jpg Verónica Losantos. From the series Screen Memories, 2013–15. © Verónica Losantos. https://www.studiointernational.com/images/articles/l/losantos-veronica-2016/screen_memories_final_05.jpg Verónica Losantos. From the series Screen Memories, 2013–15. © Verónica Losantos. https://www.studiointernational.com/images/articles/l/losantos-veronica-2016/screen_memories_final_06.jpg Verónica Losantos. From the series Screen Memories, 2013–15. © Verónica Losantos. https://www.studiointernational.com/images/articles/l/losantos-veronica-2016/screen_memories_final_07.jpg Verónica Losantos. From the series Screen Memories, 2013–15. © Verónica Losantos. https://www.studiointernational.com/images/articles/l/losantos-veronica-2016/screen_memories_final_08.jpg Verónica Losantos. From the series Screen Memories, 2013–15. © Verónica Losantos. https://www.studiointernational.com/index.php/barry-flanagan-animal-vegetable-mineral https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Barry-Flanagan-4-rahsb-2-67-1967.jpg Barry Flanagan. 4 rahsb 2 ’67, 1967. Hessian, sand, resin (4 parts), 36 x 48 x 48 in (91.4 x 121.9 x 121.9 cm) © The Estate of Barry Flanagan, 2015. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Barry-Flanagan-Collage-I-1968.jpg Barry Flanagan. Collage I 1968, 1968. Blue pen and ink, organ and green paper on paper, 10 1/4 x 7 7/8 in (26 x 20 cm). © The Estate of Barry Flanagan, 2015. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Barry-Flanagan-Collage-II-1968.jpg Barry Flanagan. Collage II 1968, 1968. Red, yellow and blue paper on paper, 10 1/4 x 7 7/8 in (26 x 20 cm). © The Estate of Barry Flanagan, 2015. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Barry-Flanagan-Untitled.jpg Barry Flanagan. Untitled (carving no. 1 /83), 1983. Travertine (Tuscany), 28 1/4 x 59 1/2 x 30 3/4 in (71.8 x 151.1 x 78 cm). © The Estate of Barry Flanagan, 2015. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Barry-Flanagan-easter-bag-67-1967.jpg Barry Flanagan. Easter bag ’67, 1967, Holywell Beach, Cornwall. Canvas, sand (approx 10 ft high / 3 tonnes) as recorded in the artist’s logbook © The Estate of Barry Flanagan, 2015. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Barry-Flanagan-heap-3-67-1967.jpg Barry Flanagan. Heap 3 '67/68, 1967. Hessian, sand, 18 x 30 x 30 in (45.7 x 76.2 x 76.2 cm). © The Estate of Barry Flanagan, 2015. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Barry-Flanagan-metal-2-64-1964.jpg Barry Flanagan. Metal 2 ’64, 1964. Mild painted steel, 36 x 168 x 30 in (91.4 x 426.7 x 76.2 cm), installation image from Group H, 4–28 October, 1966, Drian Gallery, London © The Estate of Barry Flanagan, 2015. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Barry-Flanagan-ring-line-and-easter-bag-67.jpg Barry Flanagan. Ring, line and easter bag ’67, 1967, Holywell Beach, Cornwall, as documented in Gerry Schum (Ed), LAND ART, Hartwig Popp, Hanover, 1970 © The Estate of Barry Flanagan, 2015. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Barry-Flanagan-sand-girl-1970.jpg Barry Flanagan. Sand girl, 1970. Digital still from VHS version of original super 8 film (16:58 mins) © The Estate of Barry Flanagan, 2015. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Installation-view,-Barry-Flanagan-2.jpg Installation view, Barry Flanagan, Animal, Vegetable, Mineral, 4 March - 14 May 2016, Image courtesy of Waddington Custot Galleries, London. https://www.studiointernational.com/images/articles/f/flanagan-barry-2016/Installation-view,-Barry-Flanagan-6.jpg Installation view, Barry Flanagan, Animal, Vegetable, Mineral, 4 March - 14 May 2016, Image courtesy of Waddington Custot Galleries, London. https://www.studiointernational.com/index.php/takashi-murakami-superflat-collection-shohaku-rosanjin-anselm-kiefer-review-japan https://www.studiointernational.com/images/articles/m/murakami-takashi-2016/Takashi-Murakami-and-his-Superflat-Collection.jpg Takashi Murakami and his Superflat Collection. Photograph: Kentaro Hirao. https://www.studiointernational.com/images/articles/m/murakami-takashi-2016/Sculpture-court-view.jpg Anselm Kiefer. Merkaba, 2010; Zhang Huan. Hero No. 1, 2008. Sculpture court gallery view. https://www.studiointernational.com/images/articles/m/murakami-takashi-2016/Hideyoshi-Toyotomi,-Calligraphy-by-Hideyoshi-ToyoyomiA-Handwritten-Letter-by-Hideyoshi-Toyotomi-Azuchi-Momoyama-Period.jpg Hideyoshi Toyotomi. Calligraphy by Hideyoshi Toyoyomi, a handwritten letter by Hideyoshi Toyotomi, Azuchi-Momoyama period. https://www.studiointernational.com/images/articles/m/murakami-takashi-2016/HakuinEikaku.jpg Hakuin, Ekaku, Darumazu (Portrait of Daruma/Bodhidharma), middle of Edo period. https://www.studiointernational.com/images/articles/m/murakami-takashi-2016/Yoshitomo-Nara,-California-Orange-Covered-Wagon-2008.jpg Yoshitomo Nara. California Orange Covered Wagon, 2008. https://www.studiointernational.com/images/articles/m/murakami-takashi-2016/Zhang-Huan-Hero-No-1-2008.jpg Zhang Huan. Hero No. 1, 2008. https://www.studiointernational.com/images/articles/m/murakami-takashi-2016/Contemporary-art-gallery-with-Friedrich-Kunath-Starlite-Walker-2011.jpg Friedrich Kunath. Starlite Walker, 2011. https://www.studiointernational.com/images/articles/m/murakami-takashi-2016/Lee-U-fan-Relatum-Excavation-2014-detail.jpg Lee Ufan. Relatum-Excavation, 2014, (detail). https://www.studiointernational.com/images/articles/m/murakami-takashi-2016/Contemporary-art-gallery-view.jpg Takashi Murakami and his Superflat Collection. Gallery view. https://www.studiointernational.com/index.php/michelle-stuart-theatre-of-memory-photographic-works-the-bronx-museum-of-the-arts-new-york https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/1-Michelle-STUART-1981-2014-Sacred-Solstice-Alignment-HR.jpg Michelle Stuart. Sacred Solstice Alignment, 1981-2014. Archival inkjet photographs from analog black and white, approx 36.25 x 69.75 in. Photographs taken in 1981. Photograph: Bill Orcutt. Courtesy the artist and Leslie Tonkonow Artworks + Projects. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/2-Michelle-STUART-2013-Carousel.jpg Michelle Stuart. The Carousel, and now the china elephant comes ‘round, 2013. Archival inkjet photographs, approx 26 x 35 in. Photograph: Michelle Stuart. Courtesy the artist and Leslie Tonkonow Artworks + Projects. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/3-Michelle-STUART-2013-Night-Over-Alice-SpringsHR.jpg Michelle Stuart. Night Over Alice Springs, 2013. Archival inkjet photographs, approx 38 x 59 in. Photograph: Bill Orcutt. Courtesy the artist and Leslie Tonkonow Artworks + Projects. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/4-Michelle-STUART-2015-Love-Bond.jpg Michelle Stuart. Love Bond, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/5-Michelle-STUART-2015-Maroc-Shoes.jpg Michelle Stuart. Maroc Shoes, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/6-Michelle-STUART-2015-Moby.jpg Michelle Stuart. Moby, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/7-Michelle-STUART-2015-Moth.jpg Michelle Stuart. Moth, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/8-Michelle-STUART-2015-Mushroom-Diptych.jpg Michelle Stuart. Mushroom Diptych, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/9-Michelle-STUART-2015-Nest.jpg Michelle Stuart. Nest, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/10-Michelle-STUART-2015-Santa-Catalina.jpg Michelle Stuart. Santa Catalina, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/11-Michelle-STUART-2015-Space.jpg Michelle Stuart. Space, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/12-Michelle-STUART-2015-Time-Shift.jpg Michelle Stuart. Time Shift, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/images/articles/s/stuart-michelle-2016/13-Michelle-STUART-2015-Touching.jpg Michelle Stuart. Touching, 2015. Archival inkjet photograph on Hahnemühle paper, 12 x 18 in. Photograph: Michelle Stuart. Courtesy Michelle Stuart. https://www.studiointernational.com/index.php/nico-vascellari-interview-im-not-interested-in-the-rules-or-breaking-them https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/Nico-Vascellari-portrait-1,-courtsey-of-the-artist.jpg Nico Vascellari portrait 1, courtsey of the artist. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/Nico-Vascellari.jpg Installation view, Nico Vascellari, Bus de la Lumat (hole of light), Whitworth, 2016. Photograph: Michael Pollard. Courtesy of the Whitworth. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/WAG-160223-003326repro.jpg Installation view, Nico Vascellari, Bus de la Lumat (hole of light), Whitworth, 2016. Photograph: Michael Pollard. Courtesy of the Whitworth. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/WAG-160223-003337repro.jpg Installation view, Nico Vascellari, Bus de la Lumat (hole of light), Whitworth, 2016. Photograph: Michael Pollard. Courtesy of the Whitworth. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/NicoVascellariGall2bpixMichaelPollard.jpg Nico Vascellari. Whitworth, 2016. Photograph: Michael Pollard. Courtesy of the Whitworth. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/vascellari_bus-de-la-lum-painting.jpg Nico Vascellari. Bus de la lum, 2014. Magazines, oil, wooden frame, 184 x 124 cm each. Courtesy Galerie Bugada & Cargnel. Photograph: Martin Argyroglo. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/vascellari_exhibition-view_galerie-bugada-&-cargnel-1.jpg Nico Vascellari. Untitled, 2012. Installation view, Galerie Bugada & Cargnel. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/vascellari_exhibition-view_galerie-bugada-&-cargnel-4.jpg Nico Vascellari. I Hear a Shadow, 2009-11. Bronze, iron, acids, three slide projections (160 slides), sound system, variable dimensions (monolith 430 x 210 x 117 cm). Installation view, Galerie Bugada & Cargnel. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/vascellari_hunted-diptych.jpg Nico Vascellari. Hunted, 2015. Ink on ceramic, iron, 140 x 80 cm each. Courtesy Galerie Bugada & Cargnel. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/vascellari_through-a-hole-2.jpg Nico Vascellari. Through a Hole, 2015 (detail). Clay coated in wax, iron, 190 x 85 cm. Courtesy Galerie Bugada & Cargnel. https://www.studiointernational.com/images/articles/v/vascellari-nico-2016/vascellari_through-a-hole.jpg Nico Vascellari. Through a Hole, 2015. Clay coated in wax, iron, 190 x 85 cm. Courtesy Galerie Bugada & Cargnel. https://www.studiointernational.com/index.php/mark-wallinger-interview-id-hauser-and-wirth-london https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/02_WALLI71308.jpg Mark Wallinger. id Painting 7, 2015. Acrylic on canvas, 360 x 180 cm (141 3/4 x 70 7/8 in). Photograph: Alex Delfanne. © Mark Wallinger. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/02_WALLI71313.jpg Mark Wallinger. id Painting 12, 2015. Acrylic on canvas, 360 x 180 cm (141 3/4 x 70 7/8 in). Photograph: Alex Delfanne. © Mark Wallinger. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/02_WALLI73467.jpg Mark Wallinger. id Painting 15, 2015. Acrylic on canvas, 360 x 180 cm (141 3/4 x 70 7/8 in). Photograph: Alex Delfanne. © Mark Wallinger. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/02_WALLI73490.jpg Mark Wallinger. id Painting 18, 2015. Acrylic on canvas, 360 x 180 cm (141 3/4 x 70 7/8 in). Photograph: Alex Delfanne. © Mark Wallinger. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/03_Superego.jpg Mark Wallinger. Superego, 2016. Stainless steel, glass mirror, motor, 350 x 160 x 160 cm (137 3/4 x 63 x 63 in). Photograph: Alex Delfanne. © Mark Wallinger. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/03b_Superego.jpg Mark Wallinger. Superego, 2016. Stainless steel, glass mirror, motor, 350 x 160 x 160 cm (137 3/4 x 63 x 63 in). Photograph: Alex Delfanne. © Mark Wallinger. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/04_Shadow-Walker.jpg Mark Wallinger. Shadow Walker (film still), 2011. Video installation for monitor, sound, 3 min 39 sec. © Mark Wallinger. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/05_Ever-Since.jpg Mark Wallinger. Ever Since (film still), 2012. Projected video installation, no sound, 2 seconds looped. © Mark Wallinger. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/06_Orrery.jpg Mark Wallinger. Orrery (film stills), 2016. 4-channel video installation, sound, 4 min 37 sec, looped. © Mark Wallinger. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/06_MAW51.jpg Installation view, Mark Wallinger, ID, Hauser & Wirth London, 2016. Photograph: Ken Adlard. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/02_MAW35.jpg Installation view, Mark Wallinger, ID, Hauser & Wirth London, 2016. Photograph: Ken Adlard. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/10_MAW24.jpg Installation view, Mark Wallinger, ID, Hauser & Wirth London, 2016. Photograph: Ken Adlard. https://www.studiointernational.com/images/articles/w/wallinger-mark-2016/11_MAW29.jpg Installation view, Mark Wallinger, ID, Hauser & Wirth London, 2016. Photograph: Ken Adlard. https://www.studiointernational.com/index.php/becky-beasley-lake-erie-from-the-northwest-review-laura-bartlett-gallery-london https://www.studiointernational.com/images/articles/b/beasley-becky-2016/BB269_Camera_I_Press.jpg Becky Beasley. Camera I, 2014. Walnut, black lacquer, 17.5 x 10.7 x 10 cm. Courtesy: Laura Bartlett Gallery, London. https://www.studiointernational.com/images/articles/b/beasley-becky-2016/BB270_Camera_II_Press.jpg Becky Beasley. Camera II, 2014. Walnut, black lacquer, 17.5 x 12 x 10 cm. Courtesy: Laura Bartlett Gallery, London. https://www.studiointernational.com/images/articles/b/beasley-becky-2016/BB273_Camera_V_Press.jpg Becky Beasley. Camera V, 2014. Walnut, black lacquer, 17.5 x 12 x 10 cm. Courtesy: Laura Bartlett Gallery, London. https://www.studiointernational.com/images/articles/b/beasley-becky-2016/BB280_Given_Press.jpg Becky Beasley. Given (Cock & Clam), 2015. Pearwood, MDF, paint, steel, motor, 185 x 60 x 30 cm. Courtesy: Laura Bartlett Gallery, London. https://www.studiointernational.com/images/articles/b/beasley-becky-2016/BB280_detail2_Press.jpg Becky Beasley. Given (Cock & Clam), 2015 (detail). Pearwood. Courtesy: Laura Bartlett Gallery, London. https://www.studiointernational.com/images/articles/b/beasley-becky-2016/BB282_Lake-Erie-from-the-Northwest_Insta-View-21_Press.jpg Becky Beasley. Lake Erie from the Northwest, installation view, Laura Bartlett Gallery, 2016. Courtesy: Laura Bartlett Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/beasley-becky-2016/BB_Lake-Erie-from-the-Northwest_Insta-view-10_Press.jpg Becky Beasley. Lake Erie from the Northwest, installation view, Laura Bartlett Gallery, 2016. Courtesy: Laura Bartlett Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/index.php/stephen-shore-retrospective-review-co-berlin-foundation https://www.studiointernational.com/images/articles/s/shore-stephen-2016/9_ginger_shore_causeway-392.jpg Stephen Shore. Ginger Shore, Causeway Inn, Tampa, Florida, Nov. 17, 1977. From the series Uncommon Places. © Stephen Shore. Courtesy 303 Gallery, New York & Sprüth Magers. https://www.studiointernational.com/images/articles/s/shore-stephen-2016/3_carretera_federal_89_arizona_junio_de_1972._de_la_serie_american_surfaces.jpg Stephen Shore. Federal Highway 89, Arizona, June 1972. From the series American Surfaces. © Stephen Shore. Courtesy 303 Gallery, New York & Sprüth Magers. https://www.studiointernational.com/images/articles/s/shore-stephen-2016/4_beverly_boulevard_y_la_brea_avenue_los_angeles_california_21_de_junio_de_1975.jpg Stephen Shore. Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975. From the series Uncommon Places. © Stephen Shore. Courtesy 303 Gallery, New York & Sprüth Magers. https://www.studiointernational.com/images/articles/s/shore-stephen-2016/5_puzzle_en_cabina_8_beach_motel_ashland_wisconsin_9_de_julio_de_1973.jpg Stephen Shore. Jig-Saw Puzzle in Cabin #8, Beach Motel, July 9, 1973. From the series Uncommon Places. © Stephen Shore. Courtesy 303 Gallery, New York & Sprüth Magers. https://www.studiointernational.com/images/articles/s/shore-stephen-2016/6-habitacion_125_westbank_motel_idaho_falls_idaho_18_de_julio_de_1973.jpg Stephen Shore. Room 125, Westbank Motel, Idaho Falls, Idaho, July 18, 1973. From the series Uncommon Places. © Stephen Shore. Courtesy 303 Gallery, New York & Sprüth Magers. https://www.studiointernational.com/images/articles/s/shore-stephen-2016/7_carretera_federal_97_al_sur_de_klamath_falls_oregon_21_de_julio_de_1973.jpg Stephen Shore. South of Klamath Falls, U.S. 97, Oregon, July 21, 1973. From the series Uncommon Places. © Stephen Shore. Courtesy 303 Gallery, New York & Sprüth Magers. https://www.studiointernational.com/images/articles/s/shore-stephen-2016/8-trails_end_restaurant_kanab_utah_10_de_agosto_de_1973.jpg Stephen Shore. Trail‘s End Restaurant, Kanab, Utah, August 10, 1973. From the series Uncommon Places. © Stephen Shore. Courtesy 303 Gallery, New York & Sprüth Magers. https://www.studiointernational.com/index.php/the-met-breuer-unfinished-thoughts-left-visible-nasreen-mohamedi-review-metropolitan-museum-of-art-new-york https://www.studiointernational.com/images/articles/m/met-breuer-2016/2-The-Met-Breuer--front_photograph-by-Ed-Lederman.jpg The Met Breuer, New York. Photograph: Ed Lederman. https://www.studiointernational.com/images/articles/m/met-breuer-2016/1-Van-Eyck_Saint-Barbara.jpg Jan van Eyck. Saint Barbara, 1437. Metalpoint, brush drawing, and oil on wood, 16 3⁄8 × 11 × 2 3⁄8 in (41.5 × 27.8 × 6 cm). Koninklijk Museum voor Schone Kunsten, Antwerp. https://www.studiointernational.com/images/articles/m/met-breuer-2016/13-Neel_James-Hunter-Black-Draftee.jpg Alice Neel. James Hunter Black Draftee, 1965. Oil on canvas, 60 × 40 in (152.4 × 101.6 cm). COMMA Foundation, Belgium. © The Estate of Alice Neel. https://www.studiointernational.com/images/articles/m/met-breuer-2016/14-Warhol_Do-It-Yourself-(Violin).jpg Andy Warhol. Do It Yourself (Violin), 1962. Synthetic polymer paint and Prestype on canvas, 54 × 72 in (137.2 × 182.9 cm). Private collection. © 2015 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/met-breuer-2016/16-Bourgeois_Untitled-(no.jpg Louise Bourgeois. Untitled (No. 2), 1996. Pink marble on steel base, 26 × 31 × 25 in (66 × 78.7 × 63.5 cm). Courtesy Cheim & Read and Hauser & Wirth. © The Easton Foundation/Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/m/met-breuer-2016/3-Titian_The-Flaying-of-Marsyas.jpg Titian (Tiziano Vecellio), The Flaying of Marsyas, probably 1570s. Oil on canvas, 86 5⁄8 × 80 1⁄4 in (220 × 204 cm). Archdiocese Olomouc, Archiepiscopal Palace, Picture Gallery, Kromĕříž. https://www.studiointernational.com/images/articles/m/met-breuer-2016/4-Bassano_Baptism-of-Christ.jpg Jacopo Bassano (Jacopo da Ponte), The Baptism of Christ, c1590. Oil on canvas, 75 1/2 x 63 1/8 in (191.8 x 160.3 cm). The Metropolitan Museum of Art, New York, Partial and Promised Gift of Mr. and Mrs. Mark Fisch, 2012. https://www.studiointernational.com/images/articles/m/met-breuer-2016/9-Menzel_Altar-in-a-Baroque-Church.jpg Adolph Menzel. Altar in a Baroque Church, c1880–90. Oil and blue pencil on oak, 19 5/8 × 24 in (50 × 61 cm). Staatliche Museen zu Berlin, Nationalgalerie. https://www.studiointernational.com/images/articles/m/met-breuer-2016/1-Untitled,-ca.jpg Nasreen Mohamedi. Untitled, c1980. Ink and graphite on paper, 10 1/2 × 13 1/2 in (26.7 × 34.3 cm). Collection of Dossal Family (Mariam Panjwani, Zeenat Sadikot, Laila Khalid). https://www.studiointernational.com/images/articles/m/met-breuer-2016/2-Untitled,-ca.jpg Nasreen Mohamedi. Untitled, c1975. Ink and graphite on paper, 20 × 28 in (50.8 × 71.1 cm). Sikander and Hydari Collection. https://www.studiointernational.com/images/articles/m/met-breuer-2016/3-Untitled,-1969.jpg Nasreen Mohamedi. Untitled, 1969. Collage and watercolour on paper, 13 3/4 × 20 in (34.9 × 50.8 cm). Collection of Gayatri and Priyam Jhaveri. https://www.studiointernational.com/images/articles/m/met-breuer-2016/4-Untitled,-ca.jpg Nasreen Mohamedi. Untitled, c1975. Ink and gouache on paper, 19 × 24 in (48.3 × 61 cm). Jayshree and Sanjay Lalbhai. https://www.studiointernational.com/index.php/secret-surface-where-meaning-materialises-review-kw-institute-for-contemporary-art-berlin https://www.studiointernational.com/images/articles/s/secret-surface-2016/kw_secret-surface_alex-israel_03.jpg Alex Israel. Self Portrait (Wetsuit), 2015 Acrylic on aluminium, 
202 x 71 x 56 cm
. Courtesy the artist. With special thanks to Peres Projects, Berlin, for their support. https://www.studiointernational.com/images/articles/s/secret-surface-2016/kw_secret-surface_Anna-Barham1.jpg Anna Barham. -52nthjt3k8, 2015. Manipulated found video, steel tubes, clamps, 01:00 min, loop
. Courtesy the artist and Arcade, London. https://www.studiointernational.com/images/articles/s/secret-surface-2016/kw_secret-surface_katharina-sieverding.jpg Katharina Sieverding. Die Sonne Um Mitternacht Schauen (Red), 2011-12, Sdo/Nasa. Digital film projection, 
500 x 500 cm, 
100:00 min, Loop
. Courtesy the artist and studio 111a. https://www.studiointernational.com/images/articles/s/secret-surface-2016/kw_secret-surface_lawrence-lek.jpg Lawrence Lek. Berlin Mirror (2042 Retrospective), 2016. HD video simulation, 10:00 min. Courtesy the artist. https://www.studiointernational.com/images/articles/s/secret-surface-2016/kw_secret-surface_marc-leckey.jpg Mark Leckey. Bursting Forth, 2015
. Video, without sound, 
03:20 min
. Courtesy the artist and Galerie Buchholz, Berlin/Cologne. https://www.studiointernational.com/images/articles/s/secret-surface-2016/kw_secret-surface_philipp-lachenmann.jpg Philipp Lachenmann. Grey Study (Surfer) Xl 02_09 Grey Study (Surfer) Xl 04_14 Grey Study (Surfer) X 01_12, 2003. Lightjet Print
, 180 x 240 cm. Courtesy the artist. https://www.studiointernational.com/images/articles/s/secret-surface-2016/kw_secret_surface_photo_timo_ohler_11.jpg Eduardo Basualdo. The End of Ending, 2012. Black aluminium, 
600 x 600 x 350 cm. 
Courtesy the artist and PSM Gallery, Berlin. https://www.studiointernational.com/images/articles/s/secret-surface-2016/kw_secret_surface_photo_timo_ohler_28.jpg Philipp Timischl. Installation view, KW Institute for Contemporary Art. Courtesy the artist. Photograph: Timo Ohler. https://www.studiointernational.com/index.php/heidi-kilpelainen-interview https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/09.jpg Heidi Kilpelainen. Excess / HK119 Debut Album, One Little Indian Records, 2006. Still from video. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/08.jpg Heidi Kilpelainen. In Valid / HK119 Debut Album, One Little Indian Records, 2006. Still from video. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/07.jpg Heidi Kilpelainen. Imaginature, One Little Indian Records, 2013. Photograph: Mark Lebon. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/11-hk-hox-bar-13.jpg Heidi Kilpelainen. HK119 live, Hoxton Bar & Grill, London 2013. Photograph: Antigoni Pasidi. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/12-Artis-Mask-&-Stick-07.jpg Heidi Kilpelainen. Installation and performance, Double A Side Artis Den Bosch, Hertogenbosch, 2007. Photograph: Peter Bulla. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/13-bodyblue7492.jpg Heidi Kilpelainen. HK119 Live, ICA London, 2005. Photograph: Rachael Warner. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/14-hkdebutcrowed.jpg Heidi Kilpelainen. HK119 Live, Zigfrid, London, 2005. Photograph: Rachael Warner. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/15-v-a0032.jpg Heidi Kilpelainen. HK119 Live, Shhh, Victoria and Albert Museum, London 2004. Photograph: Leelu Morris. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/06-Implicated--2nd-rhythm-16.jpg Heidi Kilpelainen. Implicated, 2016. Still from video. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/05-Emilia-suit-full16.jpg Heidi Kilpelainen. Fed / Up Suit from Fed / Up Collection, 2015. Photograph: Jari Flinck. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/04-PSC-16-gag.jpg Heidi Kilpelainen. Protest Song Competition Performance, Beaconsfield Gallery, 2016. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/03-TTKaarlenk15.jpg Heidi Kilpelainen. Tango Therapy Performance, Refugee Centre, Helsinki, 2016. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/02-20140827_HK-26.jpg Heidi Kilpelainen. Ancestor (Ceramic, CDs and Tape), 2014. Photograph: Vicki Churchill. https://www.studiointernational.com/images/articles/k/kilpelainen-heidi-2016/01-20140827_HK-7-8.jpg Heidi Kilpelainen. Family (Ceramic, Iron, CDs and Tape), 2014. Photograph: Vicki Churchill. https://www.studiointernational.com/index.php/in-the-age-of-giorgione-review-royal-academy-london https://www.studiointernational.com/images/articles/g/giorgione-2016/Key-20.jpg Giovanni Cariani, Portrait of a Young Woman . Oil on panel, 52.5 x 42.8 cm. Museum of Fine Arts, Budapest. Photograph © Museum of Fine Arts, Budapest. https://www.studiointernational.com/images/articles/g/giorgione-2016/Key-33.jpg Giorgione. Il Tramonto (The Sunset). Oil on canvas, 73.3 x 91.4 cm. The National Gallery, London. Photograph © The National Gallery, London. https://www.studiointernational.com/images/articles/g/giorgione-2016/Key-42.jpg Titian. Two Arcadian Musicians in a Landscape. Pen and brown ink over black chalk on paper, 22.4 x 22.6 cm. On loan from the British Museum, London. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/g/giorgione-2016/Key-72.jpg Attributed to Sebastiano del Piombo. Portrait of Francesco Maria della Rovere. Oil on panel (transferred to canvas), 73 x 64 cm. Kunsthistorisches Museum, Vienna. Photograph © KHM-Museumsverband. https://www.studiointernational.com/images/articles/g/giorgione-2016/key-50.jpg Titian. Christ and the Adulteress. Oil on canvas, 139.2 x 181.7 cm. Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council. Archibald McLellan Collection, purchased 1856. Photograph © CSG CIC Glasgow Museum Collections. https://www.studiointernational.com/images/articles/g/giorgione-2016/key-7.jpg Giorgione. Portrait of a Young Man (Giustiniani Portrait). Oil on canvas, 57.5 x 45.5 cm. Gemaldegalerie, Staatliche Museen zu Berlin, Preubischer Kulturbesitz. Photograph © Jorg P Anders. https://www.studiointernational.com/images/articles/g/giorgione-2016/key-71.jpg Giovanni Bellini. Virgin and Child with Saint Peter, Saint Mark and a Donor. Oil on panel, 91.4 x 81.3 cm. Birmingham Museum and Art Gallery. Photograph © Birmingham Museums. https://www.studiointernational.com/index.php/russia-and-the-arts-the-age-of-tolstoy-and-tchaikovsky-podcast-review-national-portrait-gallery-london https://www.studiointernational.com/images/articles/r/russian-art-2016/npg-1425.jpg Valentin Serov. Ivan Morozov, 1910. State Tretyakov Gallery, Moscow. https://www.studiointernational.com/images/articles/r/russian-art-2016/npg-1427.jpg Ilia Repin. Modest Mussorgsky, 1881. State Tretyakov Gallery, Moscow. https://www.studiointernational.com/images/articles/r/russian-art-2016/npg-1428.jpg Olga Della-Vos-Kardovskaia. Anna Akhmatova, 1914. State Tretyakov Gallery, Moscow. https://www.studiointernational.com/index.php/three-generations-a-family-exhibition-anthony-jane-eyton-video-interview-heatherleys-london https://www.studiointernational.com/images/articles/e/eyton-anthony-2016/Anthony-Eyton-and-daughter-Jane-2016.jpg Anthony Eyton RA and his sculptor daughter Jane talking to Studio International, London, 17 March 2016. Photograph: William Kennedy. https://www.studiointernational.com/index.php/kelly-chorpening-interview-camberwell-college-of-arts-london https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-01.jpg Kelly Chorpening. Proving Futile II, 2016. Pencil and pastel on paper mounted to steel, 75 x 64 x 32 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-01a.jpg Kelly Chorpening. Proving Futile II, 2016. Pencil and pastel on paper mounted to steel, 75 x 64 x 32 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-02.jpg Kelly Chorpening. Proving Futile I, 2016. Pencil and pastel on paper mounted to steel, 197 x 102 x 22 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-02a.jpg Kelly Chorpening. Proving Futile I, 2016. Pencil and pastel on paper mounted to steel, 197 x 102 x 22 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-03.jpg Kelly Chorpening. Folly for the Future, 2016. Pencil and pastel on paper mounted to steel, 197 x 102 x 22 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-04.jpg Kelly Chorpening. Correspondences: no. 10, no. 4, no. 6 and no. 8, 2014. Pencil and marker on paper, 21 x 17 cm (each). https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-04i.jpg Kelly Chorpening. Correspondences: no. 10, 2014. Pencil and marker on paper, 21 x 17 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-04ii.jpg Kelly Chorpening. Correspondences: no. 4, 2014. Pencil and marker on paper, 21 x 17 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-04iii.jpg Kelly Chorpening. Correspondences: no. 6, 2014. Pencil and marker on paper, 21 x 17 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-04iiii.jpg Kelly Chorpening. Correspondences: no. 8, 2014. Pencil and marker on paper, 21 x 17 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/DSC_0170.jpg Kelly Chorpening. 267 in Pink, 2016. Pencil and pastel on paper mounted to steel with oak batten, 15 x 23 x 18 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-0DSC_0168.jpg Kelly Chorpening. Underbelly (altar piece), 2015. Pencil and pastel on paper mounted to steel with oak batten, 45 x 39 x 37 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-0DSC_0179.jpg Kelly Chorpening. Tried and Found Wanting, 2016. Pencil and pastel on paper mounted to steel with oak batten, 58 x 67 x 34 cm. https://www.studiointernational.com/images/articles/c/chorpening-kelly-2016/chorpening-0DSC_0186.jpg Kelly Chorpening. Ghost, 2016. Pencil and marker on paper, 56 x 76 cm. https://www.studiointernational.com/index.php/picasso-the-great-war-experimentation-and-change-review-barnes-foundation-philadelphia https://www.studiointernational.com/images/articles/p/picasso-2016/cma_Picasso-StillLifeWithCompote_cropped.jpg Pablo Picasso. Still Life with Compote and Glass, 1914–15. Oil on canvas, 25 x 31 in. Columbus Museum of Art, Columbus, OH. © 2016 Estate of Pablo Picasso / Artists Rights Society (ARS), New York | Gift of Ferdinand Howald. https://www.studiointernational.com/images/articles/p/picasso-2016/faba_OlgaPicassoSeated_cropped.jpg Pablo Picasso. Seated, autumn 1918. Pencil on paper, 14 3/8 × 10 13/16 in (36.5 × 27.5 cm). Private collection Courtesy, Fundación Almine y Bernard Ruiz-Picasso para el Arte. Photograph: Marc Domage © FABA © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/picasso-2016/museepicassoparis_etudes1920-ART352828-2.jpg Pablo Picasso. Studies, 1920. Oil on canvas, 39 3/8 x 31 7/8 in (100 x 81 cm). MP65. Musée Picasso, Paris, France. © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. Photograph: RMN-Grand Palais / Art Resource, NY / René-Gabriel Ojéda. https://www.studiointernational.com/images/articles/p/picasso-2016/picasso_pierrot.jpg Pablo Picasso. Pierrot, Paris, 1918. Oil on canvas, 36 1/2 × 28 3/4 in (92.7 × 73 cm). The Museum of Modern Art, New York Sam A. Lewisohn Bequest. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/picasso-2016/picasso_seated_woman.jpg Pablo Picasso. Seated Woman, 1920. Oil on canvas, 36 1/4 × 25 9/16 in (92 × 65 cm). Musée Picasso, Paris, MP67. Photograph: J.G. Berizzi. © RMN-Grand Palais / Art Resource, NY. © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/picasso-2016/picasso_self_portrait.jpg Pablo Picasso. Self-portrait, 1918–20. Pencil on paper, 12 5/8 × 8 7/16 in (32 × 21.5 cm). Private collection. Courtesy Fundación Almine y Bernard Ruiz-Picasso para el Arte. Photograph: Marc Domage © FABA. © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/picasso-2016/DSC_9550-edited_2000.jpg Installation view of Picasso: The Great War, Experimentation and Change, 2016. Image © 2016 The Barnes Foundation. https://www.studiointernational.com/index.php/richard-sides-invisible-world-review-carlos-ishikawa-london https://www.studiointernational.com/images/articles/s/sides-richard-2016/party-politics-install-shot-1.jpg Richard Sides. Party politics, 2016. Installation view (1). https://www.studiointernational.com/images/articles/s/sides-richard-2016/richard-sides_MG_9869.jpg Richard Sides. Party politics, 2016. Acrylic on canvas with mixed media, 74.5 x 60 x 2 cm. https://www.studiointernational.com/images/articles/s/sides-richard-2016/richard-sides_MG_9872.jpg Richard Sides. Party politics, 2016. Acrylic on canvas with mixed media, 79.5 x 69.5 x 2 cm. https://www.studiointernational.com/images/articles/s/sides-richard-2016/richard-sides_MG_9901.jpg Richard Sides. Time hands, 2016. Acrylic on canvas, 59.5 x 80 x 2 cm. https://www.studiointernational.com/images/articles/s/sides-richard-2016/richard-sides_MG_9889.jpg Richard Sides. Spiral staircase, 2016. Acrylic on canvas, 99.5 x 89.5 x 2 cm. https://www.studiointernational.com/images/articles/s/sides-richard-2016/richard-sides_MG_0105.jpg Richard Sides. Invisible World, 2016. Video installation, 22:57 min. https://www.studiointernational.com/images/articles/s/sides-richard-2016/emergency-exit-door.jpg Richard Sides. Emergency exit door, 2016. Acrylic on canvas, 208.5 x 79.5 x 2 cm. https://www.studiointernational.com/images/articles/s/sides-richard-2016/richard-sides_MG_9878.jpg Richard Sides. Party politics, 2016. Acrylic on canvas with mixed media, 89.5 x 79.5 x 2 cm. https://www.studiointernational.com/images/articles/s/sides-richard-2016/richard-sides_MG_0062.jpg Richard Sides. Party politics, 2016. Installation view (3). https://www.studiointernational.com/index.php/commix-creatrix-100-women-making-comics-review-interview-sarah-lightman-nicola-streeten https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Sarah-Lightman-The-Book-of-Sarah.jpg Sarah Lightman. Drawing from The Book of Sarah, 2014. (to be published by Myriad Editions in 2018). Pencil on paper, 29.7 x 21 cm. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Sarah-Lightman,-The-Book-of-Sarah-2.jpg Sarah Lightman. Drawing from The Book of Sarah, 2014. (to be published by Myriad Editions in 2018). Pencil on paper, 29.7 x 21 cm. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Sarah-Lightman,-The-Book-of-Sarah-3.jpg Sarah Lightman. Drawing from The Book of Sarah, 2014. (to be published by Myriad Editions in 2018). Pencil on paper, 29.7 x 21 cm. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/nicola-streeten-crematorium-page-bmy.jpg Nicola Streeten. Crematorium. Original artwork for Billy, Me & You, 2011, Myriad Editions. 210 x 148 mm. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/nicola-streeten-time-page-bmy.jpg Nicola Streeten. Time. Original artwork for Billy, Me & You, 2011, Myriad Editions. 210 x 148 mm. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Alison-Sampson-Genesis-1.jpg Alison Sampson. Genesis 1. © Alison Sampson. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Alison-Sampson-Genesis-3.jpg Alison Sampson. Genesis 3. © Alison Sampson. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Dogweena-Donya-Todd.jpg Donya Todd. Dogweena. © Donya Todd. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Emma-Vieceli-Avalon-Chronicles-1.jpg Emma Vieceli. Chronicles 1. © Emma Vieceli. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Emma-Vieceli-Avalon-Chronicles-2.jpg Emma Vieceli. Chronicles 2. © Emma Vieceli. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Tillie-Walden,-The-End-of-Summer-1.jpg Tillie Walden. The End of Summer. © Tillie Walden. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Marion-Fayolle-The-Collector-1.jpg Marion Fayolle. The Collector. © Marion Fayolle. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/comix-creatrix-2016/Una-Becoming-Unbecoming-1.jpg Una Becoming. Unbecoming. © Una Becoming. Courtesy of the artist. https://www.studiointernational.com/index.php/philip-pearlstein-interview-i-wanted-to-paint-what-was-in-front-of-me https://www.studiointernational.com/images/articles/p/pearlstein-philip-2016/PP11256.jpg Philip Pearlstein. Standing Male, Sitting Female Nudes, 1969. Oil on canvas, 188 x 157.5 com (74 x 62 in). https://www.studiointernational.com/images/articles/p/pearlstein-philip-2016/PP14914.jpg Philip Pearlstein. Two Models in Masks with African Chair, 2015. Oil on canvas, 152.5 x 121.9 cm (60 x 48 in). https://www.studiointernational.com/images/articles/p/pearlstein-philip-2016/PP15510.jpg Philip Pearlstein. Two Models and Reflections, 1985. Oil on canvas, 152.5 x 243.8 cm (60 x 96 in). https://www.studiointernational.com/images/articles/p/pearlstein-philip-2016/PP15522.jpg Philip Pearlstein. Palatine, 1961. Oil on canvas, 66 x 55.8 cm (26 x 22 in). https://www.studiointernational.com/images/articles/p/pearlstein-philip-2016/superman_janet.jpg Philip Pearlstein. Superman, 1952. Oil on canvas, 102.9 x 91 cm (40.5 x 35 7/8). Collection Museum of Modern Art, New York; Gift of Betsy Wittenborn Miller and Robert Miller. https://www.studiointernational.com/images/articles/p/pearlstein-philip-2016/PP15184.jpg Philip Pearlstein. Soliders (Monte Cassino, Italy), 1944. Ink on paper, 12 x 15.7 cm (4 3/4 x 6 1/8 in). https://www.studiointernational.com/index.php/arnaldo-pomodoro-interview-sculpture-is-the-appropriation-of-ones-own-space https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/02-foto-Carlo-Orsi.jpg Arnaldo Pomodoro. Asta cielare, XX, 1980-85. Bronze, 310 cm section 25 x 25 x 25 cm. Photograph: Carlo Orsi. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/01-foto-Jerry-L-Thompson.jpg Arnaldo Pomodoro. The Pietrarubbia Group: il fondamento, l'uso, il rapporto, 1975-76. Bronze, iron, fibreglass and marble, 280 x 530 x 360 cm. Storm King Art Center, Mountainville, NY. Photograph: Jerry L. Thompson. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/04-foto-Ugo-Mulas.jpg Arnaldo Pomodoro. La Colonna del viaggiatore, 1962, I, 1962. Iron, 560 x ø 60 cm. Sculture nella città exhibition, Spoleto, 1962. Photograph: Ugo Mulas. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/05-foto-Archivio-Arnaldo-Pomodoro.jpg Arnaldo Pomodoro. Grande tavola dei segni, 1961/62, 1961-62. Bronze, 220 x 119 x 28 cm. Photograph: Archivio Arnaldo Pomodoro. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/06-foto-Giorgio-Boschetti.jpg Arnaldo Pomodoro. Radar n. 1, 1962. Bronze, 200 x 80 x 100 cm. Photograph: Giorgio Boschetti. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/07-foto-Antonia-Mulas.jpg Arnaldo Pomodoro. Le forme del mito: La macchina (Egisto), 1983. Bronze, 280 x 200 x 100 cm; Il potere (Agamennone), 1983. Bronze, 280 x 260 x 260 cm; L'ambizione (Clitennestra), 1983. Bronze, 280 x ø 250 cm. Exhibition at Forte di Belvedere di Firenze, 1984. Photograph: Antonia Mulas. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/08-foto-Gianfranco-Gorgoni.jpg Arnaldo Pomodoro. Pillari per Amaliehaven, 1982-83. Bronze, 900 x 80 x 80 cm e 700 x 80 x 80 cm. The Amalie Garden, Copenaghen. Photograph: Gianfranco Gorgoni. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/09-foto-Giorgio-Boschetti.jpg Arnaldo Pomodoro. Porta dei Re del Duomo di Cefalù, studio, 1997-98. Bronze and iron, 106 x 100 x 80 cm. Photograph: Giorgio Boschetti. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/10-foto-Enzo-Rando.jpg Arnaldo Pomodoro. Scettro, I, II, III, IV, V, 1987-1988. Aluminium, height from 550 to 600 cm. Exhibition at Torre Guevara, Ischia, 2003. Photograph: Enzo Rando. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/11-foto-Paolo-Mussat-Sartor.jpg Arnaldo Pomodoro. Papyrus, 1984. Bronze, 86 x 225 x 28 cm. Photograph: Paolo Mussat Sartor. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/12-foto-Vaclav-Sedy.jpg Arnaldo Pomodoro. Armour room, 1998-2000. Poldi Pezzoli Museum, Milan. Vault treated with copper; sculptural elements in fibreglass covered in lead laminate, 14 x 4 m. Photograph: Vaclav Sedy. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/13-foto-Alberto-Piovano.jpg Arnaldo Pomodoro. Corona radiante, 2001. Wood, fibreglass and copper, ø 400 cm. Bronze crucifix by Giuseppe Maraniello, 240 x 240 cm. Cathedral of St John the Evangelist, Milwaukee. Photograph: Alberto Piovano. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/14-foto-Gianfranco-Gorgoni.jpg Arnaldo Pomodoro. Colonna a grandi fogli, 1972-75. Bronze and steel, 13 x 2.2 x 2.2 m. Headquarters of Arnoldo Mondadori publishing house, Segrate. Photograph: Gianfranco Gorgoni. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/15a-foto-Antonia-Mulas.jpg Arnaldo Pomodoro. Project for the new cemetery of Urbino, 1973. Patinated bronze, 20 x 152 x 177 cm. Photograph: Antonia Mulas. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/15b-foto-Giorgio-Boschettti.jpg Arnaldo Pomodoro. Project for the new cemetery of Urbino, 1973 (perspective view). Coloured pencils on paper, 50 x 70 cm. Photograph: Giorgio Boschetti. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/17-foto-Giorgio-Boschettti.jpg Arnaldo Pomodoro. Piramide della Mente, 1986. Bronze, 55 x 90 x 90 cm. Photograph: Giorgio Boschetti. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/18-foto-Dario-Tettamanzi-1.jpg Arnaldo Pomodoro. Carapace, 2005-12. Tenuta Castelbuono wine cellar, Bevagna. Cupola in plywood covered with copper sheets, ø 30 m and fibreglass red dart, 18 m. Photograph: Dario Tettamanzi. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/19-foto-Vaclav-Sedy.jpg Arnaldo Pomodoro. Stele, I, II, III, IV, 1997-2000. Fibreglass with iron filings, 700 x 70 x 40 cm each. Exhibition in the Fortress of San Leo, 1997-98. Photograph: Vaclav Sedy. https://www.studiointernational.com/images/articles/p/pomodoro-arnaldo-2016/21-foto-Carlo-Orsi.jpg Arnaldo Pomodoro. Sfera con sfera, 1989-90. Bronze, ø 400 cm. Vatican Museums, Cortile della Pigna, Vatican City. Photograph: Carlo Orsi. https://www.studiointernational.com/index.php/todd-oldham-i-wasn-t-very-fashionable https://www.studiointernational.com/images/articles/o/oldham-todd-2016/FIVE.jpg Todd Oldham runway show, Ringmaster Ensemble, Spring 1993. Photograph: Dan Lecca. Courtesy of the Todd Oldham Studio. https://www.studiointernational.com/images/articles/o/oldham-todd-2016/EIGHT.jpg Todd Oldham runway show, Fluttering Flower Ensemble (coat), Spring 1997. Photograph: Dan Lecca. Courtesy of the Todd Oldham Studio. https://www.studiointernational.com/images/articles/o/oldham-todd-2016/NINE.jpg Todd Oldham runway show, Persian Carpet Dress, Fall 1997. Photograph: Dan Lecca. Courtesy of the Todd Oldham Studio. https://www.studiointernational.com/images/articles/o/oldham-todd-2016/INSTALL_0065.jpg Installation view (1) of All of Everything: Todd Oldham Fashion, 8 April – 11 September 2016. Courtesy of the RISD Museum, Providence, RI. https://www.studiointernational.com/images/articles/o/oldham-todd-2016/INSTALL_0053.jpg Installation view (2) of All of Everything: Todd Oldham Fashion, 8 April – 11 September 2016. Courtesy of the RISD Museum, Providence, RI. https://www.studiointernational.com/images/articles/o/oldham-todd-2016/INSTALL_0047.jpg Installation view (3) of All of Everything: Todd Oldham Fashion, 8 April – 11 September 2016. Courtesy of the RISD Museum, Providence, RI. https://www.studiointernational.com/images/articles/o/oldham-todd-2016/INSTALL_0044.jpg Installation view (4) of All of Everything: Todd Oldham Fashion, 8 April – 11 September 2016. Courtesy of the RISD Museum, Providence, RI. https://www.studiointernational.com/images/articles/o/oldham-todd-2016/INSTALL_0041.jpg Installation view (5) of All of Everything: Todd Oldham Fashion, 8 April – 11 September 2016. Courtesy of the RISD Museum, Providence, RI. https://www.studiointernational.com/images/articles/o/oldham-todd-2016/INSTALL_0001.jpg Installation view (6) of All of Everything: Todd Oldham Fashion, 8 April – 11 September 2016. Courtesy of the RISD Museum, Providence, RI. https://www.studiointernational.com/index.php/michael-dean-sic-glyphs-review-south-london-gallery https://www.studiointernational.com/images/articles/d/dean-michael-2016/03.jpg Michael Dean. Sic Glyphs. Installation view at the South London Gallery, 2016. Courtesy the artist, Herald St, London, Mendes Wood DM, Sao Paulo, Supportico Lopez, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/d/dean-michael-2016/04.jpg Michael Dean. Sic Glyphs. Installation view (2) at the South London Gallery, 2016. Courtesy the artist, Herald St, London, Mendes Wood DM, Sao Paulo, Supportico Lopez, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/d/dean-michael-2016/06.jpg Michael Dean. Sic Glyphs. Installation view (3) at the South London Gallery, 2016. Courtesy the artist, Herald St, London, Mendes Wood DM, Sao Paulo, Supportico Lopez, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/d/dean-michael-2016/07.jpg Michael Dean. Sic Glyphs. Installation view (4) at the South London Gallery, 2016. Courtesy the artist, Herald St, London, Mendes Wood DM, Sao Paulo, Supportico Lopez, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/d/dean-michael-2016/13.jpg Michael Dean. Sic Glyphs. Installation view (5) at the South London Gallery, 2016. Courtesy the artist, Herald St, London, Mendes Wood DM, Sao Paulo, Supportico Lopez, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/d/dean-michael-2016/21.jpg Michael Dean. Sic Glyphs. Installation view (6) at the South London Gallery, 2016. Courtesy the artist, Herald St, London, Mendes Wood DM, Sao Paulo, Supportico Lopez, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/d/dean-michael-2016/24_edited.jpg Michael Dean. Sic Glyphs. Installation view (7) at the South London Gallery, 2016. Courtesy the artist, Herald St, London, Mendes Wood DM, Sao Paulo, Supportico Lopez, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/index.php/carambolages-review-grand-palais-paris https://www.studiointernational.com/images/articles/c/carambolages-2016/Diptyque.jpg Anonymous, Flemish. Satirical Diptych, 1520-30. Oil on wood, 58.8 x 44.2 x 6 cm. Université de Liège - Collections artistiques (galerie Wittert) © Collections artistiques de l’Université de Liège. https://www.studiointernational.com/images/articles/c/carambolages-2016/Diptyque-a.jpg Anonymous, Flemish. Satirical Diptych, 1520-30 (detail). (Leave this panel closed, otherwise you will be angry with me.) https://www.studiointernational.com/images/articles/c/carambolages-2016/Diptyque-b.jpg Anonymous, Flemish. Satirical Diptych, 1520-30 (detail). (It is not my fault because I warned you.) https://www.studiointernational.com/images/articles/c/carambolages-2016/Diptyque-c.jpg Anonymous, Flemish. Satirical Diptych, 1520-30 (detail). (And we want to give you warning, or you'll want to jump out the window.) https://www.studiointernational.com/images/articles/c/carambolages-2016/Durer_Cerf.jpg Albrecht Dürer. Deer's head pierced with an arrow, 1504. Drawing and watercolour on paper, 25.2 x 39.2 cm. Paris, Bibliothèque nationale de France, département des Estampes et de la Photographie. Photograph © BnF, Dist. RMN-Grand Palais / image BnF. https://www.studiointernational.com/images/articles/c/carambolages-2016/Embleme-Ejagham.jpg Emblem Ejagham of the spirit of Leopard society, Nkpa, State of Cross River, Nigeria. 19th century, wood, animal skulls, bamboo, iron, drum, 115 x 97 x 23 cm. Paris, collection Liliane et Michel Durand-Dess © Photograph: François Doury. https://www.studiointernational.com/images/articles/c/carambolages-2016/Fleischer_Reve.jpg Alain Fleischer. Plis et replis du rêve, 2015. Video. Collection of the artist. © Fleischer © Adagp, Paris 2016. https://www.studiointernational.com/images/articles/c/carambolages-2016/Fontana_Concetto-spaziale.jpg Lucio Fontana. Concetto spaziale Attese (T.104). Concept spatial, attentes, 1958. Acrylic paint on canvas, incisions, 125 x 100 cm. Paris, Centre Pompidou, musée national d’Art moderne / Centre de création industrielle, don de Mme Teresita Fontana en 1979 Photo © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Jacques Faujour © Fondation Lucio Fontana, Milano/ by SIAE/ © Adagp, Paris 2016. https://www.studiointernational.com/images/articles/c/carambolages-2016/Messager_Gants-tete.jpg Annette Messager. Gants-tête, 1999. Gloves, colored pencils, 178 x 133 x 10 cm. AM and M Ramos collection © Galerie Marianne Goodmann © Adagp, Paris 2016. Collection AM and M Robelin. © Galerie Marianne Goodmann. © Adagp, Paris 2016. https://www.studiointernational.com/images/articles/c/carambolages-2016/Oeil_Tabatiere.jpg French school. Un oeil qui regarde (An eye that looks), 18th century. Miniature on tortoiseshell snuff bottle, handwritten note inside the snuff bottle, with pen and ink, 10 x 6 cm. Musée du Louvre, Paris, département des Arts graphiques. Photograph © Musée du Louvre, Dist. RMN-Grand. Palais / Martine Beck-Coppola. https://www.studiointernational.com/images/articles/c/carambolages-2016/Reliquaire-canton-Argovie.jpg Reliquary cabinet, cloister of Gnadenthal, Aargau township, Switzerland, second half of the 17th century. Wax, wood, silver, silk, glass, gold thread, 36.5 x 41.7 x 20 cm. Marseille, musée des Civilisations de l’Europe et de la Méditerranée. Photograph: © MuCEM, Dist. RMN-Grand Palais / Yves Inchierman. https://www.studiointernational.com/images/articles/c/carambolages-2016/Spoerri_Variations-on-a-meal.jpg Daniel Spoerri. Variations on a Meal, 1964. Assembly of objects on wood panel, 54.5 x 64.5 x 16.6 cm. Courtoisie galerie G.-P. et N. Vallois, Paris © Courtesy GP & N Vallois, Paris, Photograph: André Morin. © Adagp, Paris 2016. https://www.studiointernational.com/images/articles/c/carambolages-2016/install_3.jpg Gallery view (1). © Rmn-Grand Palace. Photograph: Didier Plowy. https://www.studiointernational.com/images/articles/c/carambolages-2016/install_6.jpg Gallery view (2). © Rmn-Grand Palace. Photograph: Didier Plowy. https://www.studiointernational.com/images/articles/c/carambolages-2016/install_7.jpg Gallery view (3). © Rmn-Grand Palace. Photograph: Didier Plowy. https://www.studiointernational.com/images/articles/c/carambolages-2016/install_8.jpg Gallery view (4). © Rmn-Grand Palace. Photograph: Didier Plowy. https://www.studiointernational.com/index.php/lucy-jones-interview-the-cycle-of-life https://www.studiointernational.com/images/articles/j/jones-lucy-2016/Lucy-Jones,-Autumn.jpg Lucy Jones, Autumn Colour, 2015. Oil on canvas, 120 x 150 cm. © Lucy Jones, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/j/jones-lucy-2016/Lucy-Jones,-Husband,-2016.jpg Lucy Jones. Husband, 2016. Oil and acrylic on canvas, 120 x 100 cm. © Lucy Jones, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/j/jones-lucy-2016/Lucy-Jones,-Infinite.jpg Lucy Jones. Infinite, 2015. Oil on canvas, 120 x 150 cm. © Lucy Jones, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/j/jones-lucy-2016/Lucy-Jones,-Reflections.jpg Lucy Jones. Reflections, 2015. Oil on canvas, 80 x 100 cm. © Lucy Jones, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/j/jones-lucy-2016/Lucy-Jones,-Roger-Partridge,-2015.jpg Lucy Jones. Roger Partridge, 2015. Oil on canvas, 120 x 100 cm. © Lucy Jones, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/j/jones-lucy-2016/Lucy-Jones,-Tree.jpg Lucy Jones. Tree, 2015. Oil on canvas, 91 x 122 cm. © Lucy Jones, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/index.php/spencer-finch-the-opposite-of-blindness-review https://www.studiointernational.com/images/articles/f/finch-spencer-2016/16-39.jpg Spencer Finch. Sunflower (Bee’s View), 2016. Pastel and pencil on paper, 76 x 76 cm. © Spencer Finch. Courtesy of Lisson Gallery https://www.studiointernational.com/images/articles/f/finch-spencer-2016/16-29.jpg Spencer Finch. Meadow #2 (following a bee), 2016. Pastel and pencil on paper, 127 x 193 cm. © Spencer Finch. Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/f/finch-spencer-2016/16-32.jpg Spencer Finch. Fog (Lake Wononscopomac), 2016. Pastel and pencil on paper, 56.5 x 76 cm. © Spencer Finch. Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/f/finch-spencer-2016/16-33.jpg Spencer Finch. Fog (Lake Wononscopomac), 2016. Pastel and pencil on paper, 56.5 x 76 cm. © Spencer Finch. Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/f/finch-spencer-2016/16-34.jpg Spencer Finch. Fog (Lake Wononscopomac), 2016. Pastel and pencil on paper, 56.5 x 76 cm. © Spencer Finch. Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/f/finch-spencer-2016/16-41_morning.jpg Spencer Finch. Still Life (Tulips) morning, 2016. Watercolour on paper, 43 x 56 cm. © Spencer Finch. Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/f/finch-spencer-2016/16-41_noon.jpg Spencer Finch. Still Life (Tulips) noon, 2016. Watercolour on paper, 43 x 56 cm. © Spencer Finch. Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/f/finch-spencer-2016/16-41_afternoon.jpg Spencer Finch. Still Life (Tulips) afternoon, 2016. Watercolour on paper, 43 x 56 cm. © Spencer Finch. Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/f/finch-spencer-2016/16-41_evening.jpg Spencer Finch. Still Life (Tulips) evening effect, 2016. Watercolour on paper, 43 x 56 cm. © Spencer Finch. Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/f/finch-spencer-2016/FINC_INSTA_2.jpg Spencer Finch: The Opposite of Blindness. Installation view, Lisson Gallery, London, 2016. https://www.studiointernational.com/images/articles/f/finch-spencer-2016/FINC_INSTA_4.jpg Spencer Finch: The Opposite of Blindness. Installation view (2), Lisson Gallery, London, 2016. https://www.studiointernational.com/index.php/random-international-hannes-koch-video-interview-collective-power https://www.studiointernational.com/images/articles/r/random-international-2016/hannes-koch.jpg Hannes Koch of Random International talks about the collective’s latest project. Random International's studio, west London, 14 April 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/random-international-2016/150-milliseconds.jpg Random International. 150 Milliseconds, 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/glasgow-international-2016-review-seventh-biennial-sarah-mccrory https://www.studiointernational.com/images/articles/g/glasgow-international-2016/Lawrence-Lek.jpg Lawrence Lek. QE3, 2016. https://www.studiointernational.com/images/articles/g/glasgow-international-2016/Alexandra-Bircken.jpg Alexandra Bircken. Installation view, 2016. https://www.studiointernational.com/images/articles/g/glasgow-international-2016/Claire-Barclay.jpg Claire Barclay. Installation view, 2016. https://www.studiointernational.com/images/articles/g/glasgow-international-2016/Cosima-von-Bonin.jpg Cosima von Bonin. Installation view, 2010. https://www.studiointernational.com/images/articles/g/glasgow-international-2016/Derrick-Alexis-Coard.jpg Derrick Alexis Coard. Untitled, 2016. https://www.studiointernational.com/images/articles/g/glasgow-international-2016/Mika-Rottenberg.jpg Mika Rottenberg. NoNoseKnows, 2015. https://www.studiointernational.com/images/articles/g/glasgow-international-2016/Sheila-Hicks.jpg Sheila Hicks. Bas-relief panels for architectural projects, 2014-15. https://www.studiointernational.com/images/articles/g/glasgow-international-2016/Tamara-Henderson.jpg Tamara Henderson. Installation view, 2016. https://www.studiointernational.com/index.php/channa-horwitz-review-raven-row-london-sonakinatography https://www.studiointernational.com/images/articles/h/horwitz-channa-2016/Channa_Horwitz_1_HR.jpg Channa Horwitz. Time Structure Composition III, Sonakinatography I, 1970. Casein paint on graph paper. Courtesy Estate of Channa Horowitz. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/h/horwitz-channa-2016/Channa_Horwitz_2_HR.jpg Channa Horwitz. Canon 6 Variation II, 1982. Ink on mylar. Courtesy Collection Oehmen, Germany. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/h/horwitz-channa-2016/Channa_Horwitz_3_HR.jpg Channa Horwitz. Sonakinatography Composition XVII, 1987-2004. Casein paint on mylar. Courtesy Estate of Channa Horwitz. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/h/horwitz-channa-2016/Channa_Horwitz_4_HR.jpg Channa Horwitz. Composition III: Poem Opera for Eight People, 1968, Ink on paper. Courtesy Collection Bergmeier. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/h/horwitz-channa-2016/Channa-Horwitz-15.jpg Channa Horwitz. Dome Inside Square, 1968. Acrylic on wood. At the Tone the Time Will Be, 1969. Performance at Orlando Gallery, Encino, California. 16 mm film, digitised. Film by Marlene Matlow. Courtesy Estate of Channa Horowitz. Photograph: Marcus J. Leith. https://www.studiointernational.com/images/articles/h/horwitz-channa-2016/Channa-Horwitz-19.jpg Channa Horowitz. Exhibition view, Raven Row, 2016. Photograph: Marcus J. Leith. https://www.studiointernational.com/images/articles/h/horwitz-channa-2016/Channa-Horwitz-23.jpg Channa Horwitz. Language Series II, 1964–2004. Casein paint on graph paper. Courtesy Collection Oehmen, Germany. Photograph: Marcus J. Leith. https://www.studiointernational.com/images/articles/h/horwitz-channa-2016/Channa-Horwitz-37.jpg Channa Horwitz. 8 Expanded, Variation I and 8 Expanded, Variation II, 1981. Ink on graph mylar. Courtesy the Estate of Channa Horwitz. Photograph: Marcus J. Leith. https://www.studiointernational.com/images/articles/h/horwitz-channa-2016/Channa-Horwitz-02.jpg Foreground: Mark Fell. Interpretation of Sonakinatography, Composition III, 2016. Multi-speaker installation. Courtesy the artist; Background: Channa Horowitz. Round in Three Parts, 1977. Ink on paper. Courtesy the Estate of Channa Horowitz. https://www.studiointernational.com/index.php/francois-morellet-interview-art-is-frivolous-even-when-it-takes-itself-seriously https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-0-110-1575,-1972.jpg François Morellet. 0° - 110° - 157°5, 1972. Silkscreen ink on vinyl paint on paper on MDF, two parts, 30 x 30 cm. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-Du-vert-a-l-orange.jpg François Morellet. Du vert à l’orange (5 passes de carrés réguliers pivotées sur le côté), 1971. Silkscreen ink on wood, 80 x 80 cm. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-3-Trames-de-carres-reguliers-pivotes-sur-le-cote,-1970.jpg François Morellet. 3 Trames de carrés réguliers pivotés sur le côté, 1970. Silkscreen on wood, 23 5/8 x 23 5/8 in. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-0-45-70,-1972.jpg François Morellet. 0° - 45° - 70°, 1972. Silkscreen ink on vinyl paint on paper on MDF, two parts, 30 x 30 cm. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-2-trames-inegales-avec-5-interferences,-1974.jpg François Morellet. 2 trames inégales avec 5 interférences, 1974. Acrylic on wooden panel, 80 x 80 cm. Courtesy The Mayor Gallery, London https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-3-Trames-0-22-5-22-5,-1971.jpg François Morellet. 3 Trames 0° - 22°5 + 22°5, 1971. Grillage on wood, 60 x 60 cm. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-3-trames-de-carres-1-trame-de-tirets,-1975.jpg François Morellet. 3 trames de carrés 1 trame de tirets, 1975. Silkscreen and acrylic on board, 80 x 80cm. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-4-double-trames-0,-22,-45-1960.jpg François Morellet. 4 double trames 0°, 22°5, 45°, 67°5, 1960. Ripolin and oil on board, 80 x 80 cm. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-4-trames-de-tirets-du-bleu-au-vert,-1971.jpg François Morellet. 4 trames de tirets du bleu au vert pivotées sur un côté, 1971. Silkscreen on wood, 23 5/8 x 23 5/8 in. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-5-trames-85,-87-5,-90,-92-5,-95,-1959-69.jpg François Morellet. 5 trames 85°, 87°5, 90°, 92°5, 95°, 1959–69. Serigraphic ink on wood, 80 x 80 cm, edition 9 of 9. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet,-Tous-les-2-3-4-5-en-diagonale,-1974.jpg François Morellet. Tous les 2-3-4-5 en diagonale, 1974. Silkscreen on wood, 80 x 80cm. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/morellet-2016/Morellet-Orange-et-Rouge,-1969.jpg François Morellet. 5 Impressions Decalées Bleu, Vert, Jaune, Orange et Rouge, 1969. Silkscreen on wood, 23 5/8 x 23 5/8 in. Courtesy The Mayor Gallery, London. https://www.studiointernational.com/index.php/art-sheffield-2016-martin-clark-curator-artists-interviews https://www.studiointernational.com/images/articles/a/art-sheffield-2016/art-sheffield-artists.jpg Clockwise from top left: Martin Clark, Beatrice Gibson, Mark Fell and Steven Claydon. Art Sheffield, 2016. Photographs: Martin Kennedy. https://www.studiointernational.com/index.php/martin-clark-interview-art-sheffield https://www.studiointernational.com/images/articles/a/art-sheffield-2016/martin-clark-sheffield-2016-photo-martin-kennedy.jpg Martin Clark, curator, Art Sheffield 2016, talking to Studio International. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/mark-fell-interview-art-sheffield https://www.studiointernational.com/images/articles/a/art-sheffield-2016/mark-fell-sheffiled-2016-photo-martin-kennedy.jpg Mark Fell outside The Link Pub, Park Hill estate, Art Sheffield 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/beatrice-gibson-interview-art-sheffield-2016 https://www.studiointernational.com/images/articles/a/art-sheffield-2016/beatrice-gibson-sheffield-2016-photo-martin-kennedy.jpg Beatrice Gibson talking to Studio International at Art Sheffield 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/steven-claydon-interview-art-sheffield-2016 https://www.studiointernational.com/images/articles/a/art-sheffield-2016/steven-claydon-sheffield-2016-photo-martin-kennedy.jpg Steven Claydon, Art Sheffield 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/asya-dodina-slava-polishchuk-interview-what-remains-narthex-gallery-new-york https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/2_BIRD,2016.jpg Asya Dodina and Slava Polishchuk, Bird, 2016. Mixed media on paper, 42 x 96 in. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/3_Dodina-Polishchuk-Narthex-Gallery.jpg Asya Dodina and Slava Polishchuk, What Remains. Installation photograph: Narthex Gallery. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/4_Dodina_Polishchuk--What-Remains-2,-2013.jpg Asya Dodina and Slava Polishchuk, What Remains 2, 2013. Mixed media on canvas, 80 x 54 in. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/5_Dodina_Polishchuk--What-Remains-I,-2013.jpg Asya Dodina and Slava Polishchuk, What Remains I, 2013. Mixed media on canvas, 80 x 54 in. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/6_FRAGMENT-from-BIRD,-2016.jpg Asya Dodina and Slava Polishchuk. Fragment from Bird, 2016. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/7_FRAGMENT-from-WHAT-REMAINS-XXIV,-2015.jpg Asya Dodina and Slava Polishchuk. Fragment from What Remains XXIV, 2015. Mixed media on canvas. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/8_FRAGMENT-from-WHAT-REMAINS-XXIV,-2015.jpg Asya Dodina and Slava Polishchuk. Fragment from What Remains XXIV, 2015. Mixed media on canvas. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/9_What-Remains-XII.jpg Asya Dodina and Slava Polishchuk. What Remains XII, 2015. Mixed media on paper, 40 x 30 in. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/10_What-Remains-VI.jpg Asya Dodina and Slava Polishchuk. What Remains VI, 2014. Mixed media on canvas, 54 x 120 in. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/12_What-Remains-XVIII.jpg Asya Dodina and Slava Polishchuk. What Remains XVIII, 2015. Mixed media on paper, 40 x30 in. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/11_What-Remains-XI.jpg Asya Dodina and Slava Polishchuk. What Remains XI, 2015. Mixed media on paper, 40 x 30 in. https://www.studiointernational.com/images/articles/d/dodina-polishchuk-2016/13_What-Remains-XXII.jpg Asya Dodina and Slava Polishchuk. What Remains XXII, 2015. Mixed media on paper, 40 x 30 in. https://www.studiointernational.com/index.php/michael-benson-interview-otherworlds-natural-history-museum https://www.studiointernational.com/images/articles/b/benson-michael-2016/Dark-Side-of-the-RingsSMALL.jpg Dark side of the rings. This spectacular view looks down on Saturn’s northern regions, with its pole still in the darkness of the northern hemisphere winter. The rings cast a band of shadow across the gas giant world. Mosaic composite photograph. Cassini, 20 January 2007. NASA/JPL/Michael Benson, Kinetikon Pictures. Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/b/benson-michael-2016/Earth-with-Hurricane-and-Saharasmall.jpg Earth, with Hurricane and Sahara Dust. This near-full Earth view, taken shortly before the northern hemisphere summer solstice, shows an extraordinary variety of phenomena. A vast wall of airborne sand sweeps across the Atlantic from the Sahara Desert, ice retreats from Canada’s Hudson Bay and the perfect spiral of Hurricane Carlos pirouettes off southern Mexico’s Pacific coast. Composite photograph. Goes East, June 13, 2015. NOAA-NASA-GOES Project/ Michael Benson, Kinetikon Pictures. Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/b/benson-michael-2016/Enceladus-Geysers-Water-into-SpaceSMALL.jpg Enceladus vents water into space. Enceladus, Saturn’s sixth largest moon, erupts a vast spray of water into space from its southern polar region. The water immediately freezes. The moon is lit by the Sun on the left, and backlit by the reflecting surface of its parent planet to the right (not in this photograph). Mosaic composite photograph. Cassini, 25 December 2009. NASA/JPL/Caltech/Michael Benson, Kinetikon Pictures. Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/b/benson-michael-2016/Phobos-High-Above-Herchel-Impact-BasinSMALL-2.jpg Phobos high above Herschel Impact Basin. The larger of the two tiny Martian moons, Phobos (the grey object to the right) is only 11 kilometres wide. Herschel, the large crater in the centre, is more than 300 kilometres across. Phobos is one of the darkest objects in the solar system because its mineralogy makes it very unreflective. South is to the right. Mosaic composite photograph. Viking Orbiter 1, 26 September 1977. NASA/JPL/Dr Paul Geissler/Michael Benson, Kinetikon Pictures. Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/b/benson-michael-2016/Sunset-on-MarsSMALL.jpg Sunset on Mars. Sunset colours on Mars in far cooler tones than those typically seen on Earth. The central blue glow is caused by sunlight scattering in the Martian atmosphere, the same phenomenon that makes Earth’s sky blue. Dust suspended in the atmosphere gives the rest of the sky a copper colour. Composite photograph. Spirit Rover, 19 May 2005. NASA/JPL/Michael Benson, Kinetikon Pictures. Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/b/benson-michael-2016/Tusholi-CoronaSMALL.jpg Tusholi Corona. The oval-shaped feature in the upper left is the Tusholi Corona, caused by magmatic upwellings within the planet’s mantle – the layer between the surface crust and the core. It overlaps La Fayette impact crater in Venus’ Tethus region. Radar image. Magellan, 15 September 1990 – 14 September 1992. NASA/JPL/USGS/Michael Benson, Kinetikon Pictures. Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/b/benson-michael-2016/Volcanic-Io-with-Two-Eruptions-VisibleSMALL.jpg Volcanic Io with two eruptions visible. The closest of Jupiter’s large moons, Io is the most volcanic object in the solar system. The gravitational pull of Jupiter combined with a regular counter-pull by its sizeable sister moons, squeezes the moon, heating its interior and forcing lava to the surface in eruptions from more than 400 active volcanoes. Mosaic composite photograph. Galileo, 3 July 1999. TK © Michael Benson, Kinetikon Pictures. Courtesy of Flowers Gallery. https://www.studiointernational.com/index.php/jules-de-balincourt-interview-stumbling-pioneers-post-9-11 https://www.studiointernational.com/images/articles/b/balincourt-jules-2016/JDB41_Truck-Stop-Blues_2016.jpg Jules de Balincourt. Truck Stop Blues, 2016. Oil on panel, 61 x 50.8 cm (24 x 20 in). Courtesy of the artist and Victoria Miro, London. © Jules de Balincourt. https://www.studiointernational.com/images/articles/b/balincourt-jules-2016/JDB43_What-Divides-the-City-People-and-the-Country-People_2016.jpg Jules de Balincourt. What Divides the City People and the Country People, 2016. Oil on panel, 61 x 50.8 cm (24 x 20 in). Courtesy of the artist and Victoria Miro, London. © Jules de Balincourt. https://www.studiointernational.com/images/articles/b/balincourt-jules-2016/JDB70_Canyon-Kids_2016.jpg Jules de Balincourt. Canyon Kids, 2016. Oil on panel, 177.8 x 152.4 cm (70 x 60 in). Courtesy of the artist and Victoria Miro, London. © Jules de Balincourt. https://www.studiointernational.com/images/articles/b/balincourt-jules-2016/JDB-at-VMG_2016-e.jpg Jules de Balincourt. Installation view, Stumbling Pioneers, Victoria Miro, London. Courtesy the artist and Victoria Miro, London. © Jules de Balincourt. https://www.studiointernational.com/images/articles/b/balincourt-jules-2016/JDB-at-VMG_2016-g.jpg Jules de Balincourt. Installation view (2), Stumbling Pioneers, Victoria Miro, London. Courtesy the artist and Victoria Miro, London. © Jules de Balincourt. https://www.studiointernational.com/index.php/from-the-collection-1960-1969-review-moma-new-york https://www.studiointernational.com/images/articles/m/moma-2016/10-and-14.jpg Sir William Lyons, Malcolm Sayer, William M. Heynes. E-Type Roadster, 1961. Jaguar Ltd, Coventry, England. Steel body, 48 x 66 x 176 in (121.9 x 167.6 x 447 cm). Gift of Jaguar Cars. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/m/moma-2016/moma_johns_diver.jpg Jasper Johns. Diver, 1962-63. Charcoal, pastel and paint on paper mounted on canvas, two panels, 86 1/2 x 71 3/4 in (219.7 x 182.2 cm). The Museum of Modern Art, New York. Partial gift of Kate Ganz and Tony Ganz in memory of their parents, Victor and Sally Ganz, and in memory of Kirk Varnedoe; Mrs. John Hay Whitney Bequest Fund; gift of Edgar Kaufmann, Jr., gift of Philip L. Goodwin, bequest of Richard S. Zeisler, and anonymous gift (all by exchange). Acquired by the Trustees of The Museum of Modern Art in memory of Kirk Varnedoe. © 2016 Jasper Johns / Licensed by VAGA, New York. https://www.studiointernational.com/images/articles/m/moma-2016/7.jpg Louis Khan. Sher-e-Bangla Nagar, capital of Bangladesh, Dhaka, 1962-83. Study for National Assembly Building. Cardboard. Gift of the architect, 1966. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/m/moma-2016/8.jpg Claes Oldenburg. Floor Cone, 1962. Synthetic polymer paint on canvas filled with foam, rubber and cardboard boxes. Gift of Philip Johnson, 1981. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/m/moma-2016/9.jpg John Chamberlain. Essex, 1960. Automobile parts and other metal. Gift of Mr. and Mrs. Robert C. Scull and purchase, 1961. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/m/moma-2016/2.jpg Richard Serra. Cutting Device: Base Plate Measure, 1969. Lead, wood, stone and steel. Gift of Philip Johnson, 1979. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/m/moma-2016/Nam-June-Paik-by-Jill-Spalding.jpg Nam June Paik. Zen for TV, 1963. Altered television set, overall: 22 13/16 x 16 15/16 x 14 3/16 in (58 x 43 x 36 cm). The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift. © 2016 Nam June Paik. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/m/moma-2016/moma_kusama_accumulationno.jpg Yayoi Kusama. Accumulation No. 1, 1962. Sewn stuffed fabric, paint and chair fringe, 37 x 39 x 43 in (94 x 99.1 x 109.2 cm). The Museum of Modern Art, New York. Purchase. © 2016 Yayoi Kusama. https://www.studiointernational.com/images/articles/m/moma-2016/moma_lichtenstein_backedpotato.jpg Roy Lichtenstein. Baked Potato, 1962. Ink and synthetic polymer paint on paper, 22 1/4 x 30 1/8 in (56.6 x 76.5 cm). The Museum of Modern Art, New York. Gift of Abby Aldrich Rockefeller (by exchange). https://www.studiointernational.com/images/articles/m/moma-2016/rosenquist_f111_detail.jpg James Rosenquist. F-111 (detail), 1964-65. Oil on canvas with aluminium, 23 sections 10 x 86 ft (304.8 x 2621.3 cm). Gift of Mr. and Mrs. Alex L. Hillman and Lillie P. Bliss Bequest (both by exchange) © 2016 James Rosenquist/Licensed by VAGA, New York, NY. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/m/moma-2016/31.jpg Richard Serra. Verb List. 1967–68. Graphite on paper, 2 sheets, each 10 x 8 in ( 25.4 x 20.3 cm). Gift of the artist in honour of Wynn Kramarsky, 2011. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/m/moma-2016/26.jpg Installation view of From the Collection: 1960–1969. © 2016 The Museum of Modern Art. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/gillian-wearing-interview-a-room-with-your-views-brighton-festival-2016 https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/Anita-Hammadache,-Reghaia,-Algeria.jpg Gillian Wearing. Your Views (Anita Hammadache, Reghaia, Algeria), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/Chris-Jehle,-San-Francisco,-USA.jpg Gillian Wearing. Your Views (Chris Jehle, San Francisco, USA), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/Hana-Sackler,-Palermo,-Sicily.jpg Gillian Wearing. Your Views (Hana Sackler, Palermo, Sicily), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/Ibrahim-Mammadov,-Baku,-Azerbaijan.jpg Gillian Wearing. Your Views (Ibrahim Mammadov, Baku, Azerbaijan), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/Ilia-Diakatou-Nottingham,-UK-.jpg Gillian Wearing. Your Views (Ilia Diakatou, Nottingham, UK), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/John-O-Donnell,-Manhattan,-USA.jpg Gillian Wearing. Your Views (John O'Donnell, Manhattan, USA), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/Paula-Jakobsson,-Kusamo,-Finland.jpg Gillian Wearing. Your Views (Paula Jakobsson, Kusamo, Finland), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/Sayyed-Fadel,-Manama,-Bahrain.jpg Gillian Wearing. Your Views (Sayyed Fadel, Manama, Bahrain), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/W-Lance-Dann,-Burlington,-Canada.jpg Gillian Wearing. Your Views (W Lance Dann, Burlington, Canada), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/charles-Cather,-Novi-Sad,-Serbia.jpg Gillian Wearing. Your Views (Charles Cather, Novi Sad, Serbia), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-gillian-2016/jinane-Saad,-Bekaa-Valley,-Lebanon.jpg Gillian Wearing. Your Views (Jinane Saad, Bekaa Valley, Lebanon), 2016. © Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/index.php/william-heath-robinsons-life-of-line-review-royal-academy-london https://www.studiointernational.com/images/articles/r/robinson-heath-2016/PL012747-detail.jpg William Heath Robinson. Playing on Pipes of Corn and versing Love, 1914 (detail). Photograph: © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/r/robinson-heath-2016/PL012747.jpg William Heath Robinson. Playing on Pipes of Corn and versing Love, 1914. Photolithograph after a drawing by William Heath Robinson for Shakespeare’s Comedy of a Midsummer Night’s Dream, published in London by Constable & Co. Ltd. 1914 (p.79), 21.40 x 15.20 cm. Photograph: © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/r/robinson-heath-2016/PL012748.jpg William Heath Robinson. There are Land-Babies – then why not Water-Babies? Offset lithograph after a design by William Heath Robinson for The Water-Babies: a Fairy Tale for a Land-Baby by Charles Kingsley; with illustrations by William Heath Robinson, published in London by Constable & Co., 1915 (4°). Facing p.66, 14.40 x 11.10 cm. Photograph: © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/r/robinson-heath-2016/PL012749.jpg William Heath Robinson. Professor Ptthmllnsprts. Offset lithograph after a design by William Heath Robinson for The Water-Babies: a Fairy Tale for a Land-Baby, by Charles Kingsley; with illustrations by William Heath Robinson published in London by Constable & Co., 1915 (4°). P.136, 13.20 x 10.50 cm. Photograph: © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/r/robinson-heath-2016/PL012750.jpg William Heath Robinson. The First Thing which Tom saw was the Black Cedars. Photolithograph after a design by William Heath Robinson for The Water-Babies: a Fairy Tale for a Land-Baby by Charles Kingsley; with illustrations by William Heath Robinson –published in London by Constable & Co., 1915 (4°), p.313, 15.0 x 10.0 cm. Photograph: © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/r/robinson-heath-2016/PL012751.jpg William Heath Robinson. Uncle Lubin charming the snake. Photolithograph from The Adventures of Uncle Lubin, published in London by Grant, 1902, 15 x 12 cm. Photograph: © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/r/robinson-heath-2016/_KE_2461.jpg Installation view, © Royal Academy of Arts, London. Photograph: Liz Dewar. https://www.studiointernational.com/index.php/frieze-new-york-2016-review https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3160.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3194.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3127.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3140.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3094.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3179.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3134.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3167.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3173.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3151.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3189.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3119.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3120.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3091.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3200.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3177.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3157.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3166.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3098.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3181.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3182.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3197.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3093.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3186.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3163.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3199.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3192.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3114.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3124.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3168.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3083.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3105.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3108.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3097.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3128.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3162.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3102.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3136.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3153.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3193.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3121.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3188.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3100.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3112.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3171.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3144.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3141.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3142.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3131.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3132.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3130.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3103.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/frieze-ny-2016-slideshow/IMG_3202.JPG Frieze New York, 2016. Photographs: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/Yayoi-Kusama-The-Moment-of-Regeneration-2.jpg Yayoi Kusama’s The Moment of Regeneration, 2004. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/Eva-and-Adele.jpg Eva and Adele, photographed from behind because from the front you have to pay them. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/Faig-Ahmed-Osho-2015.jpg Faig Ahmed. Osho, 2015. Handmade woollen carpet. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/Damien-Hirst-pickled-sheep.jpg Damien Hirst’s Pickled Sheep at Gagosian. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2016/Heather-Phillipson-100percent-Other-Fibres..jpg Heather Phillipson’s 100% Other Fibres. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/martine-syms-interview-fact-trouble-ica https://www.studiointernational.com/images/articles/s/syms-martine-2016/Martine-Syms-ICA-0010.jpg Martine Syms: Fact & Trouble. Installation view, Institute of Contemporary Arts London (ICA). Photograph: Mark Blower. https://www.studiointernational.com/images/articles/s/syms-martine-2016/Martine-Syms-ICA-0023.jpg Martine Syms: Fact & Trouble. Installation view (2), Institute of Contemporary Arts London (ICA). Photograph: Mark Blower. https://www.studiointernational.com/images/articles/s/syms-martine-2016/Martine-Syms-ICA-0028.jpg Martine Syms: Fact & Trouble. Installation view (3), Institute of Contemporary Arts London (ICA). Photograph: Mark Blower. https://www.studiointernational.com/images/articles/s/syms-martine-2016/Martine-Syms-ICA-0032.jpg Martine Syms: Fact & Trouble. Installation view (4), Institute of Contemporary Arts London (ICA). Photograph: Mark Blower. https://www.studiointernational.com/images/articles/s/syms-martine-2016/Martine-Syms-ICA-0041.jpg Martine Syms: Fact & Trouble. Installation view (5), Institute of Contemporary Arts London (ICA). Photograph: Mark Blower. https://www.studiointernational.com/index.php/georg-baselitz-wir-fahren-aus-we-re-off-review https://www.studiointernational.com/images/articles/b/baselitz-georg-2016/Georg-Baselitz-A-poor-future-Eine-schlechte-Zukunft-2015.jpg Georg Baselitz. A poor future (Eine schlechte Zukunft), 2015. Oil on canvas, 118 1/8 x 114 3/16 in (300 x 290 cm). © Georg Baselitz. Photograph © Jochen Littkemann. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/baselitz-georg-2016/Georg-Baselitz-Hotplate-fa-caldo-Ofenplatte-fa-caldo-2015.jpg Georg Baselitz. Hotplate fa caldo (Ofenplatte fa caldo), 2015. Oil on canvas, 119 5/16 x 114 3/16 in (303 x 290 cm). © Georg Baselitz. Photograph © Jochen Littkemann. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/baselitz-georg-2016/Georg-Baselitz-Oh-god-ma-tutto-occupato-Ach-herrje-ma-tutto-occupato-2016.jpg Georg Baselitz. Oh god, ma tutto occupato (Ach herrje, ma tutto occupato), 2016. Oil on canvas, 157 1/2 x 236 1/4 in (400 x 600 cm). © Georg Baselitz. Photograph © Jochen Littkemann. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/baselitz-georg-2016/Georg-Baselitz-Oh-rosy-oh-rosy-Ach-rosa-ach-rosa-2015.jpg Georg Baselitz. Oh, rosy, oh rosy (Ach, rosa, ach rosa), 2015. Oil on canvas, 118 1/8 x 114 3/16 in (300 x 290 cm). © Georg Baselitz. Photograph © Jochen Littkemann. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/baselitz-georg-2016/Georg-Baselitz-Winter-sleep-Winterschlaf-2014.jpg Georg Baselitz. Winter sleep (Winterschlaf), 2014. Patinated bronze, 62 5/8 x 149 x 55 1/8 in (159 x 378.5 x 140 cm). © Georg Baselitz. Photograph © Jochen Littkemann. Courtesy White Cube. https://www.studiointernational.com/images/articles/b/baselitz-georg-2016/Georg-Baselitz-Wir-fahren-aus-Were-off-5.jpg Georg Baselitz, Wir fahren aus – We're off, White Cube Bermondsey, London. © Georg Baselitz. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/index.php/ryan-sullivan-exhibition-review-sadie-coles-london https://www.studiointernational.com/images/articles/s/sullivan-ryan-2016/HQ19-RS11966P-Untitled.jpg Ryan Sullivan. Untitled, 2016. Urethane plastic and pigment, 182.5 x 212.5 x 5 cm (71 ¾ x 83 ⅝ x 2 in). Courtesy Sadie Coles HQ. https://www.studiointernational.com/images/articles/s/sullivan-ryan-2016/HQ19-RS11963P-Untitled.jpg Ryan Sullivan. Untitled, 2016. Urethane plastic and pigment, 243 x 121.5 x 5 cm (95 ½ x 47 ½ x 2 in). Courtesy Sadie Coles HQ. https://www.studiointernational.com/images/articles/s/sullivan-ryan-2016/HQ19-RS11962P-Untitled.jpg Ryan Sullivan. Untitled, 2016. Urethane plastic and pigment, 248 x 122.5 x 9 cm (97 ⅝ x 48 ¼ x 3 ½ in). Courtesy Sadie Coles HQ. https://www.studiointernational.com/images/articles/s/sullivan-ryan-2016/HQ19-RS11968P-Untitled.jpg Ryan Sullivan. Untitled, 2016. Urethane plastic and pigment, 212.5 x 182.5 x 5 cm (83 ⅝ x 71 ¾ x 2 in). Courtesy Sadie Coles HQ. https://www.studiointernational.com/index.php/david-claerbout-interview https://www.studiointernational.com/images/articles/c/claerbout-david-2016/CLAERBOUT-KING-STILL.jpg David Claerbout. KING (after Alfred Wertheimer's 1956 picture of a young man named Elvis Presley), 2015-16. Single channel video projection, HD animation, black & white, silent, 10 min. Edition of 7 with 1 AP and 1 AC. © David Claerbout. Courtesy of the artist and Sean Kelly. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-17-Olympia-stadion-Cold-winter-day,-2014.jpg David Claerbout. Olympia Stadion (Cold winter day), 2014. Washed ink, collage and crayon on paper, 24 x 18 1/8 in (61 x 46 cm). © David Claerbout. Courtesy of the artist and Sean Kelly. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-Olympia-Still-001.jpg David Claerbout. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years) (horizontal), 2016. Single channel video installation, colour, silent, HD animation, 1,000 years. Edition of 7 with 2 APs and 1 AC. © David Claerbout. Courtesy of the artist and Sean Kelly. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-35-Olympia-Stadion-drawing-2PM-summer-2014.jpg David Claerbout. Olympia Stadion (2PM Summer), 2014. Washed ink, felt pen and pencil on paper, 24 x 36 1/4 in (61 x 92 cm). © David Claerbout. Courtesy of the artist and Sean Kelly. © David Claerbout. Courtesy of the artist and Sean Kelly. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-oil-workers-still-2.jpg David Claerbout. Oil workers (from the Shell company of Nigeria) returning home from work, caught in torrential rain, 2013. Single channel video projection, HD animation, colour, silent, endless. Edition of 7 with 1 AP and 1 AC. © David Claerbout. Courtesy of the artist and Sean Kelly. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-Travel-Still-022b.jpg David Claerbout. Travel, 1996-2013. Single channel video, HD animation, colour, stereo sound, 12 mins. Edition of 7 with 1 AP and 1 AC. © David Claerbout. Courtesy of the artist and Sean Kelly. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-Breathing-Bird-still.jpg David Claerbout. Breathing Bird, 2012. Two channel video on flatscreens (19 in), colour, silent. Edition of 5 with 1 AP and 1 AC. © David Claerbout. Courtesy of the artist and Sean Kelly. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-42-Breathing-Bird-2012-Tel-Aviv-Museum-Helena-Rubinstein-Pavilion-14.jpg Installation view of Breathing Bird at the Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv, Israel, 2012. Photograph: Elad Sarig. Courtesy of the artist and Sean Kelly, New York. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-2016-LIGHT-WORK-Install-at-SKNY-31.jpg David Claerbout. Installation view of LIGHT/WORK at Sean Kelly, New York, 19 March – 30 April 2016. Photograph: Jason Wyche. Courtesy of Sean Kelly, New York. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-2016-LIGHT-WORK-Install-at-SKNY-35.jpg David Claerbout. Installation view (2) of LIGHT/WORK at Sean Kelly, New York, 19 March – 30 April 2016. Photograph: Jason Wyche. Courtesy of Sean Kelly, New York. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-2016-LIGHT-WORK-Install-at-SKNY-3.jpg David Claerbout. Installation view (3) of LIGHT/WORK at Sean Kelly, New York, 19 March – 30 April 2016. Photograph: Jason Wyche. Courtesy of Sean Kelly, New York. https://www.studiointernational.com/images/articles/c/claerbout-david-2016/DC-2016-LIGHT-WORK-Install-at-SKNY-9.jpg David Claerbout. Installation view (4) of LIGHT/WORK at Sean Kelly, New York, 19 March – 30 April 2016. Photograph: Jason Wyche. Courtesy of Sean Kelly, New York. https://www.studiointernational.com/index.php/ettore-spalletti-every-dawn-is-first-ogni-alba-e-la-prima-review https://www.studiointernational.com/images/articles/s/spalletti-ettore-2016/Spalletti-presenza-stanza-1978-2016.jpg Ettore Spalletti. Presenza stanza, 1978/2016. Colour impasto on board, 200 x 200 x 4 cm. https://www.studiointernational.com/images/articles/s/spalletti-ettore-2016/Spalletti-bacile-1993.jpg Ettore Spalletti. Bacile, 1993. Colour impasto on black marble from Belgium, 125 cm diameter x 7 cm high. https://www.studiointernational.com/images/articles/s/spalletti-ettore-2016/Spalletti-dentro-l-acqua-2011.jpg Ettore Spalletti. Dentro l’acqua, Napoli, 2011. Colour impasto on board, golden-silver paste, 280 x 280 x 4 cm overall, 280 x 140 x 4 cm each. https://www.studiointernational.com/images/articles/s/spalletti-ettore-2016/Spalletti-lago-2016.jpg Ettore Spalletti. Lago, 2016. Site-specific installation; alabaster, colour on wood, 52 x 34.5 cm. https://www.studiointernational.com/images/articles/s/spalletti-ettore-2016/Spalletti-orrizonte-dorato-2011.jpg Ettore Spalletti. Orizzonte dorato, 2011. Colour impasto on board, gold leaf, 240 x 300 x 4 cm overall; 120 x 300 x 4 cm each. https://www.studiointernational.com/images/articles/s/spalletti-ettore-2016/spalletti-anfora-1982.jpg Ettore Spalletti. Anfora, 1982. Colour impasto on wood, 200 x 41.5 x 62 cm. https://www.studiointernational.com/index.php/stephen-prina-interview-galesburg-illinois https://www.studiointernational.com/images/articles/p/prina-stephen-2016/SP-16_xxx12.jpg Stephen Prina, galesburg illinois+ (installation view 2), Petzel Gallery, 2016. Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/p/prina-stephen-2016/SP-16_xxx13L.jpg Stephen Prina, galesburg illinois+ (installation view 3), Petzel Gallery, 2016. Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/p/prina-stephen-2016/SP-16_xxx14.jpg Stephen Prina, galesburg illinois+ (installation view 4), Petzel Gallery, 2016. Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/p/prina-stephen-2016/SP-16_xxx15L.jpg Stephen Prina, galesburg illinois+ (installation view 5), Petzel Gallery, 2016. Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/p/prina-stephen-2016/SP-16_xxx5L.jpg Stephen Prina, galesburg illinois+ (installation view 6), Petzel Gallery, 2016. Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/index.php/elizabeth-price-video-interview-a-restoration-ashmolean https://www.studiointernational.com/images/articles/p/price-elizabeth-2016/elizabeth-price-portrait-640.jpg Elizabeth Price talking to Studio International at her south-east London studio, 4 May 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/robert-irwin-all-the-rules-will-change-review-hirshhorn https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin_131-2-18_Hirshhorn.jpg Robert Irwin in the studio working on an early line painting, 1962. © Marvin Silver/Courtesy of Marvin Silver and Craig Krull Gallery. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin-Bed-of-Roses.jpg Robert Irwin. Bed of Roses, 1962. Oil on canvas, 66 x 65 in (167.6 x 165.1 cm). Private collection. © 2016 Robert Irwin/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin-Ocean-Park.jpg Robert Irwin. Ocean Park, 1960–61. Oil on canvas, 65 1/2 x 65 1/8 in (166.4 x 165.4 cm). Collection of Betsy and Bud Knapp. © 2016 Robert Irwin/Artists Rights Society (ARS), New York. Photograph © 2015 Philipp Scholz Rittermann. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin-Untitled-1959.jpg Robert Irwin. Untitled, 1959–60. Oil on canvas in artist’s frame, 21 x 21 x 1 3/4 in (53.3 x 53.3 x 4.4 cm). Collection of Adele and Robert Irwin. © 2016 Robert Irwin/Artists Rights Society (ARS), New York. Photograph © 2007 Philipp Scholz Rittermann. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin-Untitled-1962.jpg Robert Irwin. Untitled, 1962–63. Oil on canvas, 83 x 84 in (210.8 x 213.4 cm). Collection of the Albright-Knox Art Gallery, Buffalo. Gift of Seymour H. Knox, Jr., 1964. © 2016 Robert Irwin/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Robert-Irwin_131-2-3_Hirshhorn.jpg Robert Irwin in the studio working on an early line painting, 1962. © Marvin Silver/Courtesy of Marvin Silver and Craig Krull Gallery. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin-Untitled-1966.jpg Robert Irwin. Untitled, 1963–65. Acrylic paint on canvas on panel, 82 1/2 × 84 1/2 × 6 3/4 in (209.7 x 214.7 x 17.2 cm). Hirshhorn Museum and Sculpture Garden, Washington, DC. Joseph H. Hirshhorn Purchase Fund, 2007; The Panza Collection
. © 2016 Robert Irwin/Artists Rights Society (ARS), New York. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin-Untitled-1969.jpg Robert Irwin. Untitled, 1969. Acrylic paint on shaped acrylic 53 1/4 in (135.3 cm) dia. Hirshhorn Museum and Sculpture Garden, Washington, DC. Joseph H. Hirshhorn Purchase Fund, 1986. © 2016 Robert Irwin/Artists Rights Society (ARS), New York. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Robert_Irwin_0001.jpg Robert Irwin. Photograph © 2012 Philipp Scholz Rittermann. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin-Untitled-1970.jpg Robert Irwin. Untitled, 1970–71. Acrylic, 145 5/8 x 9 3/8 x 3 ½ in (369.9 x 23.5 x 8.9 cm). Hirshhorn Museum and Sculpture Garden, Washington, DC. Joseph H. Hirshhorn Purchase Fund, 2007; The Panza Collection. © 2016 Robert Irwin/Artists Rights Society (ARS), New York. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Robert_Irwin_Venice_Studio.jpg Robert Irwin in his studio, 1970. © 1970 Steve Kahn/Artwork. © 2016 Robert Irwin/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin-Install-1cc.jpg Robert Irwin. Installation view of Untitled, 1969, in Robert Irwin: All the Rules Will Change at the Hirshhorn Museum and Sculpture Garden, 2016. Artwork © 2016 Robert Irwin/Artists Rights Society (ARS), New York. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/i/irwin-robert-2016/Irwin-Install-10cc.jpg Robert Irwin. Installation view of Band in Boston, 1962; Bed of Roses (partial), 1962; and Untitled (partial), 1962, in Robert Irwin: All the Rules Will Change at the Hirshhorn Museum and Sculpture Garden, 2016. Artworks © 2016 Robert Irwin/Artists Rights Society (ARS), New York. Photograph: Cathy Carver. https://www.studiointernational.com/index.php/katie-paterson-interview-as-a-child-i-used-to-practice-daydreaming https://www.studiointernational.com/images/articles/p/paterson-katie-2016/Katie-Paterson-and-Zeller-and-Moye_Hollow_2016-11.jpg Katie Paterson and Zeller & Moye. Hollow, 2016. Courtesy of University of Bristol and Situations. Photograph: Max McClure. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/Katie-Paterson-and-Zeller-and-Moye_Hollow_2016-15.jpg Katie Paterson and Zeller & Moye. Hollow, 2016. Courtesy of University of Bristol and Situations. Photograph: Max McClure. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/Katie-Paterson-and-Zeller-and-Moye_Hollow.jpg Katie Paterson and Zeller & Moye. Hollow, 2016. Courtesy of University of Bristol and Situations. Photograph: Max McClure. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/Katie-Paterson-and-Zeller-and-Moye_Hollow_2016-10.jpg Katie Paterson and Zeller & Moye. Hollow, 2016. Courtesy of University of Bristol and Situations. Photograph: Max McClure. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/Katie-Paterson-and-Zeller-and-Moye_Hollow_2016-5.jpg Katie Paterson and Zeller & Moye. Hollow, 2016. Courtesy of University of Bristol and Situations. Photograph: Max McClure. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/Katie-Paterson-and-Zeller-and-Moye_Hollow_2016-4.jpg Katie Paterson and Zeller & Moye. Hollow, 2016. Courtesy of University of Bristol and Situations. Photograph: Max McClure. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/katie-paterson-earthmoonearth-2007.jpg Katie Paterson. Earth–Moon–Earth (Moonlight Sonata Reflected from the Surface of the Moon), 2007. Disklavier grand piano. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/katie-paterson-earthmoonearth-2007-2.jpg Katie Paterson. Earth–Moon–Earth (Moonlight Sonata Reflected from the Surface of the Moon), 2007. Morse code, ink on paper. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/katie-paterson-all-the-dead-stars-2009.jpg Katie Paterson. All the Dead Stars, 2009. Laser-etched anodised aluminium, 200 x 300 cm. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/katie-paterson-future-library-certificates-2014-2114.jpg Katie Paterson. Future Library Certificates, 2014-2114. Photograph: Blaise Adilon. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/katie-paterson-vatnajkull-the-sound-of-2007-.jpg Katie Paterson. Vatnajökull (the sound of), 2007. Hydrophone, mobile phone, amplifier, neon. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/katie-paterson-timepieces-solar-system-2014.jpg Katie Paterson. Timepieces (Solar System), 2014. Adapted clocks. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/katie-paterson-campo-del-cielo-field-of-the-sky-2012.jpg Katie Paterson. Campo del Cielo, Field of the Sky, 2012. A meteorite, cast, melted, and re-cast back into a new version of itself. https://www.studiointernational.com/images/articles/p/paterson-katie-2016/katie-paterson-100-billion-suns-2011.jpg Katie Paterson. 100 Billion Suns, 2011. Confetti cannon, 3,216 pieces of paper. https://www.studiointernational.com/index.php/marvin-gaye-chetwynd-but-is-it-art-i-don-t-even-care https://www.studiointernational.com/images/articles/c/chetwynd-marvin-gaye-2015/marvin-gaye-chetwyn-photo-m-kennedy-2015.jpg Marvin Gaye Chetwynd talking to Studio International at The Idol, Abbey Leisure Centre, Barking, east London, March 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/fox-talbot-dawn-of-the-photograph-review https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/Talbot-and-Nicolaas-Henneman-at-the-Reading-establishment,-1846.jpg William Henry Fox Talbot. William Henry Fox Talbot and Nicolaas Henneman at the Reading establishment, 1846. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/The-Reading-establishment,-1846,-WHFTalbot.jpg William Henry Fox Talbot. William Henry Fox Talbot and Nicolaas Henneman at the Reading establishment, 1846. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/The-Open-Door,-late-April-1844,-William-Henry-Fox-Talbot.jpg William Henry Fox Talbot. The Open Door, late April 1844. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/Folded-Piece-of-Muslin,-c.jpg William Henry Fox Talbot. Folded Piece of Muslin, c1852. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/Front-cover-of-The-Pencil-of-Nature,-Part-5,-1844.jpg Front cover of The Pencil of Nature, Part 5, 1844. © National Media Museum, Bradford / Science & Society Picture Library https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/Garden-of-the-Benedictine-Monastery,-1846,-Rev-GWBridges.jpg Rev G W Bridges. Garden of the Benedictine Monastery of San Nicolò l'Arena, Catania, 1846. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/Horatia-Fielding,-Talbots-half-sister,-at-her-harp,-1843,-WHFTalbot.jpg William Henry Fox Talbot. Horatia Fielding, Talbot's half sister, at her harp, 1843. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/Part-of-Queens-College,-Oxford.jpg William Henry Fox Talbot. Part of Queen's College, Oxford, 4 September 1843. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/Study-of-a-hand,-c.jpg William Henry Fox Talbot. Study of a hand, c1841. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/The-Bridge-of-Orleans,-14-June-1843,-WHFTalbot.jpg William Henry Fox Talbot. The Bridge of Orleans, 14 June 1843. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/The-Colosseum,-Rome,-second-view,-1846,-Rev-CRJones.jpg Rev C R Jones. The Colosseum, Rome, second view, 1846. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/The-Haystack,-late-April-1844Fox-Talbot.jpg William Henry Fox Talbot. The Haystack, late April 1844. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/The-Ladder,-April-1844,-Fox-Talbot.jpg William Henry Fox Talbot. The Ladder, April 1844. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/images/articles/f/fox-talbot-william-2016/The-Latticed-Window-(with-the-Camera-Obscura),-August-1835-WHFTalbot.jpg William Henry Fox Talbot. The Latticed Window (with the Camera Obscura), August 1835. © National Media Museum, Bradford / Science & Society Picture Library. https://www.studiointernational.com/index.php/gyoergy-kovasznai-a-cold-war-artist-review-somerset-house https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_1.jpg György Kovásznai. Large Yellow Composition (detail), 1982. Oil on canvas, 150 x 300 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_2.jpg György Kovásznai. Wedding scene for the film Bubble Bath, 1980. Oil on canvas, 70 x 100 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_3.jpg György Kovásznai. Figures against a Brown Background, 1979-81. Oil on canvas, 60 x 100 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_4.jpg György Kovásznai. Figure with a Raised Forefinger, 1979-81. Oil on canvas, 70 x 100 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_5.jpg György Kovásznai. 1968 - cell for the animated TV series This is just Fashion, 1975. Celluloid, paint, 26 x 34 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_6.jpg György Kovásznai. Girl with Che - cell for the animated TV series This is just Fashion, 1975. Celluloid, paint, 26 x 34 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_7.jpg György Kovásznai. Smoker(s) - cell for the animated short Blossoming No 6699, 1971. Paper, paint, 36 x 51 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_8.jpg György Kovásznai. Tu sei Romantica, 1969. Graphite, paper, 21 x 30 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_9.jpg György Kovásznai. Miner - drawing for the animated documentary Joy of Light, 1965. Paper, graphite, paint, 22 x 31 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_10.jpg György Kovásznai. Café series, 1967. Colour pencil, paper, 24 x 32 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_11.jpg György Kovásznai. Drawing for the animated short Hamlet, 1970. Colour pencil, paper, 24 x 32 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_12.jpg György Kovásznai. St Just - painting for the animated short Ca Ira - the Song of the French Revolution, 1973. Oil on canvas, 43 x 62 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/images/articles/k/kovasznai-gyorgy-2016/Gyorgy_Kovasznai_13.jpg György Kovásznai. Talking Heads - drawing for the animated documentary Reportrait, 1982. Oil on canvas, 25 x 37 cm. Photograph: Kovásznai Research Workshop. https://www.studiointernational.com/index.php/sunken-cities-egypts-lost-worlds-review-british-museum https://www.studiointernational.com/images/articles/s/sunken-cities-2016/Thonis-stela-2.jpg Stele of Thonis-Heracleion, Thonis-Heracleion, Aboukir Bay, Egypt (SCA 277). © Franck Goddio/Hilti Foundation. Photograph: Christoph Gerigk. https://www.studiointernational.com/images/articles/s/sunken-cities-2016/Thonis-stela.jpg Stele of Thonis-Heracleion, Thonis-Heracleion, Aboukir Bay, Egypt (SCA 277). The intact stele (1.90 m) is inscribed with the decree of Saϊs and was discovered on the site of Thonis-Heracleion. It was commissioned by Nectanebos I (378-362 BC) and is almost identical to the Stele of Naukratis in the Egyptian Museum in Cairo. The place where it was to be situated is clearly named: Thonis-Heracleion. © Franck Goddio/Hilti Foundation. Photograph: Christoph Gerigk. https://www.studiointernational.com/images/articles/s/sunken-cities-2016/_OSI6211b.jpg Statue of Arsinoe, Canopus, Aboukir Bay, Egypt (SCA 208). Cut in hard, dark stone, this feminine body has a startlingly sculptural quality. Complete, it must have been slightly larger than life-size. The statue is certainly one of the queens of the Ptolemaic dynasty (likely Arsinoe II) dressed as the goddess Isis, as confirmed by the knot that joins the ends of the shawl the woman wears, which was representative of the queens during this time period. The statue was found at the site of Canopus. © Franck Goddio/Hilti Foundation. Photograph: Christoph Gerigk. https://www.studiointernational.com/images/articles/s/sunken-cities-2016/_OSI1845_to_scale.jpg Pectoral in gold, lapis lazuli and glass paste, found in Tanis in the royal tomb of the Pharaoh Sheshonk II (~ 890 BC), Egyptian Museum, Cairo JE 72171. © Franck Goddio/Hilti Foundation. Photograph: Christoph Gerigk. https://www.studiointernational.com/images/articles/s/sunken-cities-2016/HERACG_115.jpg Colossal statue of Hapy. Pink granite. H. 540 cm. IVth century BC. Thonis- Heracleion. Maritime Museum, Alexandria (SCA 281). An expression of great tranquility radiates from the idealized face of this corpulent man with protruding breasts. His headdress bears the bushel of papyrus emblematic for Lower Egypt, particularly associated with Hapy, the divine personification of the Inundation of the Nile. © Franck Goddio/Hilti Foundation. Photograph: Christoph Gerigk. https://www.studiointernational.com/images/articles/s/sunken-cities-2016/_H154067b2.jpg Apis Bull, Greco-Roman Museum, Alexandria (GRM 351). Magnificent statue of the bull god Apis presented naturalistically (190 cm high),dating back to Emperor Hadrian’s reign, had been discovered at the entrance to the underground galleries of the Serapeion of Alexandria. © Franck Goddio/Hilti Foundation. Photograph: Christoph Gerigk. https://www.studiointernational.com/images/articles/s/sunken-cities-2016/_H154314b.jpg Apis Bull (detail), Greco-Roman Museum, Alexandria (GRM 351). Magnificent statue of the bull god Apis presented naturalistically (190 cm high),dating back to Emperor Hadrian’s reign, had been discovered at the entrance to the underground galleries of the Serapeion of Alexandria. © Franck Goddio/Hilti Foundation. Photograph: Christoph Gerigk. https://www.studiointernational.com/images/articles/s/sunken-cities-2016/CG_ABOU-M.jpg An archaeologist diver using a brush to clear remnants of fauna including a bovid jaw discovered under 2.5 cm of sand on the site of Canopus in Aboukir Bay. © Franck Goddio/Hilti Foundation. Photograph: Christoph Gerigk. https://www.studiointernational.com/index.php/cory-arcangel-video-interview https://www.studiointernational.com/images/articles/a/arcangel-cory-2016/cory-arcangel-660x565.jpg Cory Arcangel, Lisson Gallery, London, 19 May 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/tess-jaray-dark-and-light-review-megan-piper-london https://www.studiointernational.com/images/articles/j/jaray-tess-2016/Tess-Jaray-First-City-Light-Dark.jpg Tess Jaray. First City, Light and Dark, 2015. Work on panel, 90 x 50 cm (x3). Photograph: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/jaray-tess-2016/Tess-Jaray-Light-Triptych.jpg Tess Jaray. Light Triptych, Blue with Dark, 2015. Work on panel, 51 x 48 cm (x3). Photograph: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/jaray-tess-2016/tess-jaray-From-Borromini-Blue.jpg Tess Jaray. From Borromini, 2015. Work on panel, 90 x 50 cm (x3). Photograph: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/jaray-tess-2016/tess-jaray-Thorns-5-2014.jpg Tess Jaray. Thorns 5, 2014. Work on panel, 24 x 46 cm. Photograph: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/jaray-tess-2016/tess-jaray-Thorns-Purple-and-Green-2014.jpg Tess Jaray. Thorns, Purple and Green, 2014. Work on panel, 29 x 24 cm. Photograph: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/jaray-tess-2016/Gallery-3.jpg Tess Jaray: Dark & Light, gallery view, 67 Jermyn Street. https://www.studiointernational.com/images/articles/j/jaray-tess-2016/Gallery-7.jpg Tess Jaray: Dark & Light, gallery view (2), 67 Jermyn Street. https://www.studiointernational.com/index.php/maria-lassnig-review-tate-liverpool https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria Lassnig in her studio in New York 1972.jpg Maria Lassnig in her studio in New York, 1972. © Maria Lassnig Foundation. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Double-Self-portrait-with-Camera-1974.jpg Maria Lassnig. Double Self-Portrait with Camera, 1974. Oil paint on canvas, 180 x 180 cm. © Maria Lassnig Foundation © Artothek of the Republic of Austria, permanent loan, Belvedere Vienna. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Expressive-Self-portrait-1945.jpg Maria Lassnig. Expressive Self-Portrait, 1945. Oil paint and charcoal on fibreboard, 60 x 48 cm. © Maria Lassnig Foundation. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Hospital-2005.jpg Maria Lassnig. Hospital, 2005. Oil paint on canvas, 150 x 200 cm. Private Collection. Courtesy Hauser & Wirth. © Maria Lassnig Foundation. Photograph: Archive Hauser & Wirth. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Inside-and-Outside-the-Canvas-IV-1984-5.jpg Maria Lassnig. Inside and Outside the Canvas IV, 1984–5. Oil paint on canvas, 80 x 100 cm. © Maria Lassnig Foundation. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Kitchen-Bride-1988.jpg Maria Lassnig. Kitchen Bride, 1988. Oil paint on canvas, 125 x 100 cm. © Maria Lassnig Foundation. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Lady-with-Brain-c.jpg Maria Lassnig. Lady with Brain, c1990. Oil paint on canvas, 125 x 100 cm. © Maria Lassnig Foundation. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Napolean-and-Brigitte-Bardot-1961.jpg Maria Lassnig. Napoleon and Brigitte Bardot, 1961. Oil paint on canvas, 190 x 200 cm. © Maria Lassnig Foundation. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Self-Portrait-with-Stick-1971.jpg Maria Lassnig. Self-Portrait with Stick, 1971. Oil paint and charcoal on canvas, 193 x 129 cm. © Maria Lassnig Foundation. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Self-portrait-with-Saucepan-1995.jpg Maria Lassnig. Self-Portrait with Saucepan, 1995. Oil paint on canvas, 125 x 100 cm. © Maria Lassnig Foundation. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-Two-Ways-of-Being-(Double-Self-Portrait)-2000.jpg Maria Lassnig. Two Ways of Being (Double Self-portrait), 2000. Oil paint on canvas, 100 x 125 cm. © Maria Lassnig Foundation. https://www.studiointernational.com/images/articles/l/lassnig-maria-2016/Maria-Lassnig,-c.jpg Maria Lassnig c2000. © Maria Lassnig Foundation. https://www.studiointernational.com/index.php/cuba-libre-con-permiso-art-artists-havana https://www.studiointernational.com/images/articles/c/cuba-libre-2016/Alberto-Korda-Miliciana-1962.jpg Alberto Korda. Miliciana, La Habana, c1962. 150 x 100 cm. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/Duniesky-Martin-pastel-c1960.jpg Raúl Corrales. Sombreritos, La Habana, c1960. Pastel, 100 x 150 cm. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/front-view-and-one-dome-of-ISA.jpg Instituto Superior de Arte (ISA) (The National Art Schools of Cuba). Designed by Cuban architect Ricardo Porro, and Italian architects Vittorio Garatti and Roberto Gottardi. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/ISA-by-Cuban-architect.jpg Instituto Superior de Arte (ISA) (The National Art Schools of Cuba). https://www.studiointernational.com/images/articles/c/cuba-libre-2016/open-studio-1-copia.jpg Inside one of the walkup studio apartments, 2016. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/open-studio-2-copia.jpg Inside one of the walkup studio apartments, 2016. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/open-studio-3-copia.jpg Inside one of the walkup studio apartments, 2016. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/open-studio-4-copia.jpg Inside one of the walkup studio apartments, 2016. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/IMG_3170.jpg The storeroom of Galeria Habana Enviando, Cuba. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/Jose-Yaques-tornado.jpg Jose Yaque. Tornado, 2016. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/loris-cecchini-the-golden-hut-2016.jpg Loris Cecchini. The Golden Hut, 2016. Photograph: Yeni Sanchez. Courtesy Galleria Continua. https://www.studiointernational.com/images/articles/c/cuba-libre-2016/Nido_Alejandro-Campins_2015.jpg Nido Alejandro. Campins, 2015. Courtsey the artist and Galleria Continua. https://www.studiointernational.com/index.php/francis-bacon-invisible-rooms-review-tate-liverpool https://www.studiointernational.com/images/articles/b/bacon-francis-2016/Francis-Bacon-in-his-studio-in-London-in-1974.jpg Francis Bacon in his studio in London in 1974. Photograph: Michael Holtz/Photo12. https://www.studiointernational.com/images/articles/b/bacon-francis-2016/Francis-Bacon,-After-Muybridge-Woman-Emptying-a-Bowl-of-Water-and-Paralytic-Child-on-All-Fours-1965.jpg Francis Bacon. After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965. Oil paint on canvas, 198.5 x 147.5 cm. Collection Stedelijk Museum Amsterdam. © The Estate of Francis Bacon. All rights reserved. DACS 2016. https://www.studiointernational.com/images/articles/b/bacon-francis-2016/Francis-Bacon,-Crucifixion-1933.jpg Francis Bacon. Crucifixion, 1933. Oil paint on canvas, 60.5 x 47 cm. © The Estate of Francis Bacon. All rights reserved, DACS 2016. Image courtesy Murderme Collection. Photograph: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/b/bacon-francis-2016/Francis-Bacon,-Seated-Figure-1961.jpg Francis Bacon. Seated Figure, 1961. Oil paint on canvas, 165.1 x 142.2 cm. © The Estate of Francis Bacon. Image courtesy Tate. https://www.studiointernational.com/images/articles/b/bacon-francis-2016/Francis-Bacon,-Study-for-a-Portrait-1952.jpg Francis Bacon. Study for a Portrait, 1952. Oil paint and sand on canvas, 66.1 x 56.1 x 1.8 cm. © Estate of Francis Bacon. All Rights Reserved, DACS 2016. https://www.studiointernational.com/images/articles/b/bacon-francis-2016/Francis-Bacon,-Three-Figures-and-Portrait-1975.jpg Francis Bacon. Three Figures and Portrait, 1975. Oil paint and pastel on canvas, 198.1 x 147.3 cm. © The Estate of Francis Bacon. All rights reserved. DACS 2016. Image courtesy Tate. https://www.studiointernational.com/images/articles/b/bacon-francis-2016/Francis-Bacon,-Three-Studies-for-Figures-at-the-Base-of-a-Crucifixion-c.jpg Francis Bacon. Three Studies for Figures at the Base of a Crucifixion, c1944. Oil paint on three boards, each: 94 x 73.7 cm. © Tate. https://www.studiointernational.com/images/articles/b/bacon-francis-2016/Francis-Bacon,-Triptych-1967.jpg Francis Bacon. Triptych, 1967. Oil on canvas, each: 198 x 147.5 cm. Hirshhorn Museum and Sculpture Garden. Smithsonian Institution Gift of the Joseph H. Hirshhorn Foundation, 1972. © The Estate of Francis Bacon. All Rights Reserved. DACS 2016. Courtesy of Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Photograph: Lee Stalsworth https://www.studiointernational.com/images/articles/b/bacon-francis-2016/Franics-Bacon,-Sand-Dune-1983.jpg Francis Bacon. Sand Dune, 1983. Oil and pastel on canvas, 198.5 x 148.5 cm. Fondation Beyeler, Riehen/Basel, Beyeler Collection. © The Estate of Francis Bacon. All rights reserved. DACS 2016. Photograph: Peter Schibli, Basel. https://www.studiointernational.com/index.php/guillermo-kuitca-review-hauser-and-wirth-london https://www.studiointernational.com/images/articles/k/kuitca-guillermo-2016/KUITC71806.jpg Guillermo Kuitca. Untitled, 2003 – 2015. Oil on canvas, 196.5 x 196.3 cm (77 3/8 x 77 1/4 in). Image © Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/k/kuitca-guillermo-2016/KUITC71791.jpg Guillermo Kuitca. Untitled, 2015. Oil on wooden panel, 40 x 120 cm (15 3/4 x 47 1/4 in). Image © Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/k/kuitca-guillermo-2016/KUITC71793.jpg Guillermo Kuitca. Untitled, 2014. Oil on wooden panel, 230 x 106 x 4 cm (90 1/2 x 41 3/4 x 1 5/8 in). Image © Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/k/kuitca-guillermo-2016/KUITC71794.jpg Guillermo Kuitca. Untitled, 2015. Oil on canvas, 40.5 x 60.5 cm (16 x 23 7/8 in). Image © Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/k/kuitca-guillermo-2016/KUITC71796.jpg Guillermo Kuitca. Untitled, 2011. Oil on canvas, 40 x 30 cm (15 3/4 x 11 3/4 in). Image © Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/k/kuitca-guillermo-2016/KUITC71801.jpg Guillermo Kuitca. Untitled, 2014. Oil on canvas mounted on board, 30.2 x 40.3 cm (11 7/8 x 15 7/8 in). Image © Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/k/kuitca-guillermo-2016/KUITC71803.jpg Guillermo Kuitca. Untitled (yo mujer), 2015. Oil on wooden panel, 50 x 200 cm (19 5/8 x 78 3/4 in). Image © Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/k/kuitca-guillermo-2016/KUITC71790.jpg Guillermo Kuitca. Untitled (Exodus), 2015. Oil on canvas, 200 x 630 cm (78 3/4 x 248 in). Image © Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/k/kuitca-guillermo-2016/KUITC71825.jpg Guillermo Kuitca. Untitled, 2003 – 2015. Oil on canvas, 196.5 x 196.3 cm (77 3/8 x 77 1/4 in). Image © Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/index.php/anthony-mccall-interview-solid-light-performance-and-public-works https://www.studiointernational.com/images/articles/m/mccall-anthony-2016/Face-to-Face-III.jpg Anthony McCall. Face to Face III, 2013/2014. Installation view, Santiago de Compostela, Spain. https://www.studiointernational.com/images/articles/m/mccall-anthony-2016/Face-to-Face.jpg Anthony McCall. Face to Face, 2013. Installation view, Sean Kelly Gallery, New York. https://www.studiointernational.com/images/articles/m/mccall-anthony-2016/Five-Minute-Drawing.jpg Anthony McCall. Five Minute Drawing, 1974/2007. Musée de Rochechouart, 2007. https://www.studiointernational.com/images/articles/m/mccall-anthony-2016/Five-Minutes-of-Pure-Sculpture.jpg Anthony McCall, Five Minutes of Pure Sculpture, 2012, Installation view, Nationalgalerie im Hamburger Bahnhof, Berlin. https://www.studiointernational.com/images/articles/m/mccall-anthony-2016/In-Circuit.jpg Anthony McCall. In Circuit, 1974. Camera schema, pencil, coloured pencil and red ink on paper, 55.9 x 76.2 cm. https://www.studiointernational.com/index.php/ella-kruglyanskaya-tate-liverpool-review https://www.studiointernational.com/images/articles/k/kruglyanskaya-ella-2016/Ella-Kruglyanskaya,-Bathers-2006.jpg Ella Kruglyanskaya. Bathers, 2006. Egg tempera on board, 50.8 x 76.2 cm. Courtesy the artist, and Gavin Brown’s enterprise New York/Rome. https://www.studiointernational.com/images/articles/k/kruglyanskaya-ella-2016/Ella-Kruglyanskaya,-Fruit-Picnic-2011.jpg Ella Kruglyanskaya. Fruit Picnic, 2011. Oil paint on linen, 198.1 x 142.2 cm. Courtesy the artist, and Gavin Brown’s enterprise New York/Rome. https://www.studiointernational.com/images/articles/k/kruglyanskaya-ella-2016/Ella-Kruglyanskaya,-Girl-with-Sunglasses-2008.jpg Ella Kruglyanskaya. Girl with Sunglasses, 2008. Egg tempera on panel, 35.6 x 45.7 cm. Courtesy the artist, and Gavin Brown’s enterprise New York/Rome. https://www.studiointernational.com/images/articles/k/kruglyanskaya-ella-2016/Ella-Kruglyanskaya,-Gossip-Girls-2010.jpg Ella Kruglyanskaya. Gossip Girls, 2010. Oil paint on canvas, 76.2 x 81.3 cm. Courtesy the artist, and Gavin Brown’s enterprise New York/Rome. https://www.studiointernational.com/images/articles/k/kruglyanskaya-ella-2016/Ella-Kruglyanskaya,-Primary-Colors-I-2006.jpg Ella Kruglyanskaya. Primary Colors I, 2006. Egg tempera on panel, 22.9 x 30.5 cm. Courtesy the artist, and Gavin Brown’s enterprise New York/Rome. https://www.studiointernational.com/images/articles/k/kruglyanskaya-ella-2016/Ella-Kruglyanskaya,-Primary-Colors-II-2006.jpg Ella Kruglyanskaya. Primary Colors II, 2006. Egg tempera on panel, 22.9 x 30.5 cm. Courtesy the artist, and Gavin Brown’s enterprise New York/Rome. https://www.studiointernational.com/images/articles/k/kruglyanskaya-ella-2016/Ella-Kruglyanskaya,-Untitled-(Miami-II)-2013.jpg Ella Kruglyanskaya. Untitled (Miami II), 2013. Oil paint and oil bar on canvas, 71.1 x 55.9 cm. Courtesy the artist, and Gavin Brown’s enterprise New York/Rome. https://www.studiointernational.com/index.php/bhupen-khakhar-you-cant-please-all-tate-modern https://www.studiointernational.com/images/articles/k/khakhar-bhupen-2016/T07200.jpg Bhupen Khakhar. You Can’t Please All, 1981. Oil paint on canvas, 175.6 x 175.6 cm. Tate © Bhupen Khakhar. https://www.studiointernational.com/images/articles/k/khakhar-bhupen-2016/ID_18.jpg Bhupen Khakhar. Hathyogi, 1978. Courtesy of the Estate of Bhupen Khakhar/National Gallery of Modern Art (NGMA), New Delhi. © Estate of Bhupen Khakhar. https://www.studiointernational.com/images/articles/k/khakhar-bhupen-2016/ID_25.jpg Bhupen Khakhar. Injured Head of Raju, 2001. Courtesy of Estate of Bhupen Khakhar/National Gallery of Modern Art (NGMA), New Delhi. © Estate of Bhupen Khakhar. https://www.studiointernational.com/images/articles/k/khakhar-bhupen-2016/ID_40.jpg Bhupen Khakhar. Night, 2002. Oil paint on canvas. Courtesy of Kiran Nadar Museum of Art (New Delhi, India). © Estate of Bhupen Khakhar. https://www.studiointernational.com/images/articles/k/khakhar-bhupen-2016/ID_66.jpg Bhupen Khakhar. Janata Watch Repairing, 1972. Vivan Sundaram and Geeta Kapur. © Estate of Bhupen Khakhar. https://www.studiointernational.com/images/articles/k/khakhar-bhupen-2016/ID_67-TC.jpg Bhupen Khakhar. Man Leaving (Going Abroad), 1970. Courtesy of Tapi Collection, India. © Estate of Bhupen Khakhar. https://www.studiointernational.com/images/articles/k/khakhar-bhupen-2016/ID_74.jpg Bhupen Khakhar. Death in the Family, 1977. Oil paint on canvas. Victoria and Albert Museum. © The Estate of Bhupen Khakhar. https://www.studiointernational.com/index.php/almuth-tebbenhoff-interview-im-wrestling-with-ideas https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/3-Molecubes-2004.jpg Almuth Tebbenhoff. 3 Molecubes, 2004-5. Earthstone clay. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Almuth-Tebbenhoff,-Deep-Pocket-Universe,-2011.jpg Almuth Tebbenhoff. Deep Pocket Universe, 2011. 29 x 15.5 x 5 cm, (including marble stand). Photograph: Steve Russell. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Almuth-Tebbenhoff,-Empty-Spheres-1,-2003.jpg Almuth Tebbenhoff. Empty Spheres 1, 2003. Bronze, 23(h) cm, 27(dia) cm. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Almuth-Tebbenhoff,-Empty-Spheres-2,-2003.jpg Almuth Tebbenhoff. Empty Spheres 2, 2003. Bronze, 11(h) cm x 13(dia) cm. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Box-for-Green-Birdthoughts,-2015.jpg Almuth Tebbenhoff. Box for Green Birdthoughts, 2015. Fabricated steel, paint, 65 x 34 x 22 cm. Photograph: Steve Russell. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Clay-model-for-Lightbox,-2014.jpg Almuth Tebbenhoff. Clay model for Lightbox, 2014. Clay. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Giocoliere.jpg Almuth Tebbenhoff. Giocoliere, 2012. Statuario marble, 39 x 42 x 40 cm. Photographer: Steve Russell. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/In-100-Lightyears-Turn-Left,-2013-5.jpg Almuth Tebbenhoff. In 100 Lightyears Turn Left, 2013-5. Carrara Bianco Marble, 60(dia) x 15 cm deep. Photograph: Keara McMartin. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Indensity,-2014.jpg Almuth Tebbenhoff. Indensity, 2014. Portuguese pink marble, 80 x 60 x 40 cm. Photograph: Keara McMartin. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Lightbox,-2015.jpg Almuth Tebbenhoff. Lightbox, 2015. Portuguese pink marble, 40 x 40 x 40 cm. Photohraph: Keara McMartin. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Red-from-Steel-Garden,-1996.jpg Almuth Tebbenhoff. Red (from Steel Garden), 1996. Fabricated steel, painted, 145 x 189 x 20 cm. Photograph: Steve Russell. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Sunset-in-Holland-Park,-2014.jpg Almuth Tebbenhoff. Sunset (in Holland Park), 2014. Fabricated steel, painted, 300 x 120 x 100 cm. Photograph: Steve Russell. https://www.studiointernational.com/images/articles/t/tebbenhoff-almuth-2016/Yellow-from-Steel-Garden,-1997.jpg 'Yellow' from Steel Garden, 1997, fabricated steel, painted, 195 x 145 x 20 cm Photograph Steve Russell. https://www.studiointernational.com/index.php/dora-maurer-interview-6-out-of-5-white-cube-london https://www.studiointernational.com/images/articles/m/maurer-dora-2016/Dora-Maurer-Hidden-Structures-1-6-1977.jpg Dóra Maurer. Hidden Structures 1-6, 1977-80. Frottage on paper, six parts, each: 19 11/16 x 25 9/16 in (50 x 65 cm). Installed: 23 1/16 x 193 5/16 x 11/16 in (58.5 x 491 x 1.8 cm). © the artist. Photograph © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/maurer-dora-2016/Dora-Maurer-IXEK-6-2011.jpg Dóra Maurer. IXEK 6, 2011. Acrylic on canvas and wood, 49 7/16 x 81 7/8 in (125.5 x 208 cm). © the artist. Photograph © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/maurer-dora-2016/Dora-Maurer-Overlappings-1-1999-2.jpg Dóra Maurer. Overlappings 1, 1999. Acrylic on canvas and wood, 86 1/4 x 52 3/8 in (219 x 133 cm). © the artist. Photograph © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/maurer-dora-2016/Dora-Maurer-Overlappings-1-1999.jpg Dóra Maurer. Overlappings 1, 1999 (detail). © the artist. Photograph © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/maurer-dora-2016/Dora-Maurer-Quod-Libet-39-1999.jpg Dóra Maurer. Quod Libet 39, 1999. Acrylic on canvas and wood, overall: 94 1/2 x 181 7/8 in (240 x 462 cm). © the artist. Photograph © White Cube (Todd-White Art Photography). https://www.studiointernational.com/index.php/harland-miller-interview-tonight-we-make-history https://www.studiointernational.com/images/articles/m/miller-harland-2016/Harland-Miller,-Better-Than-Life,-2016.jpg Harland Miller. Better Than Life, 2016, Oil on canvas, 300 x 202 cm. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/m/miller-harland-2016/Harland-Miller,-Happiness-The-Case-Against,-2016.jpg Harland Miller. Happiness The Case Against, 2016, Oil on canvas, 300 x 203 cm. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/m/miller-harland-2016/Harland-Miller,-Hates-Outta-Date,-2016.jpg Harland Miller. Hate's Outta Date, 2016. Oil on canvas, 250 x 149 cm. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/m/miller-harland-2016/Harland-Miller,-Hell-Its-Only-For-Ever,-2016.jpg Harland Miller, Hell Its Only For Ever, 2016. Oil on canvas, 223.5 x 155 cm. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/m/miller-harland-2016/Harland-Miller,-High-On-Hope,-2016.jpg Harland Miller, High On Hope, 2016. Oil on canvas, 235 x 155.5 cm. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/m/miller-harland-2016/Harland-Miller,-I-Need-A-Hole-Not-A-Donut,-2016.jpg Harland Miller, I Need A Hole Not A Donut, 2016. Oil on canvas, 250 x 148 cm. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/m/miller-harland-2016/Harland-Miller,-Overcoming-Optimism,-2016.jpg Harland Miller, Overcoming Optimism, 2016. Oil on canvas, 276 x 183.5 cm. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/m/miller-harland-2016/Harland-Miller,-Tonight-We-Make-History.jpg Harland Miller, Tonight We Make History (P.S. I Can't Be There), 2016. Oil on canvas, 235 x 156 cm. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/index.php/wolfgang-tillmans-review-maureen-paley-london https://www.studiointernational.com/images/articles/t/tillmans-wolfgang-2016/04.jpg Wolfgang Tillmans. Exhibition view, Maureen Paley, London, 2016. © Wolfgang Tillmans, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/t/tillmans-wolfgang-2016/06.jpg Wolfgang Tillmans. Exhibition view (2), Maureen Paley, London, 2016. © Wolfgang Tillmans, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/t/tillmans-wolfgang-2016/11-b.jpg Wolfgang Tillmans. Exhibition view (3), Maureen Paley, London, 2016. © Wolfgang Tillmans, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/t/tillmans-wolfgang-2016/34.jpg Wolfgang Tillmans. I refuse to be your enemy, 2, 2016. Wood, paper. Exhibition view, Maureen Paley, London. © Wolfgang Tillmans, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/t/tillmans-wolfgang-2016/40.jpg Wolfgang Tillmans. I refuse to be your enemy, 2, 2016. Wood, paper. Exhibition view (2), Maureen Paley, London. © Wolfgang Tillmans, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/t/tillmans-wolfgang-2016/19.jpg Wolfgang Tillmans. Exhibition view (4), Maureen Paley, London, 2016. © Wolfgang Tillmans, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/t/tillmans-wolfgang-2016/21.jpg Wolfgang Tillmans. Exhibition view (5), Maureen Paley, London, 2016. © Wolfgang Tillmans, courtesy Maureen Paley, London. https://www.studiointernational.com/index.php/li-jin-being-review-ink-studio-beijing https://www.studiointernational.com/images/articles/l/li-jin-2016/stare-of-death-392.jpg Li Jin 李津. Stare of Death 死不瞑目, 2015. Ink on paper 纸本水墨, 38 5/8 x 70 7/8 in (98 x 180 cm). https://www.studiointernational.com/images/articles/l/li-jin-2016/unease.jpg Li Jin 李津. Unease 不安, 2015. Ink on paper 纸本水墨, 70 7/8 x 38 5/8 in (180 x 98 cm). https://www.studiointernational.com/images/articles/l/li-jin-2016/beings-in-ink.jpg Li Jin 李津. Beings in Ink 自在墨法, 2016. Ink on paper 纸本水墨, 86 3/4 x 66 7/8 in (220.5 x 170 cm) x 3 pieces. https://www.studiointernational.com/images/articles/l/li-jin-2016/unsettled-heart.jpg Li Jin 李津. Unsettled Heart 不定的心, 2015. Ink on paper 纸本水墨, 70 7/8 x 38 5/8 in (180 x 98 cm). https://www.studiointernational.com/images/articles/l/li-jin-2016/vegetable-2.jpg Li Jin 李津. Vegetable #2 素2号, 2015. Ink on paper 纸本水墨, 70 7/8 x 38 5/8 in (180 x 98 cm). https://www.studiointernational.com/images/articles/l/li-jin-2016/ink-adepts.jpg Li Jin 李津. Ink Adepts 墨道组画, 2016. Ink on paper 纸本水墨, 92 1/2 x 20 7/8 in (235 x 53 cm) x 8 pieces. https://www.studiointernational.com/images/articles/l/li-jin-2016/mask.jpg Li Jin 李津. Mask 面具, 2015. Ink on paper 纸本水墨, 70 7/8 x 38 5/8 in (180 x 98 cm). https://www.studiointernational.com/images/articles/l/li-jin-2016/meat-6.jpg Li Jin 李津. Meat #6 红肉6号, 2015. Ink on paper 纸本水墨, 70 7/8 x 38 5/8 in (180 x 98 cm). https://www.studiointernational.com/images/articles/l/li-jin-2016/li-jin.jpg Li Jing. Video. https://www.studiointernational.com/images/articles/l/li-jin-2016/install-view-1.jpg Li Jing: Being 李津：自在. Installation view. https://www.studiointernational.com/images/articles/l/li-jin-2016/install-view-2.jpg Li Jing: Being 李津：自在. Installation view. https://www.studiointernational.com/index.php/manolo-valdes-interview-i-only-like-apples-if-they-look-like-cezannes https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Blue-Ferns-II,-2016.jpg Manolo Valdés. Blue Ferns II, 2016. Painted steel, 21 x 17 x 13 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Butterflies,-2016.jpg Manolo Valdés. Butterflies, 2016. Wood and steel, 34 x 32 x 14 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Cranach-como-Pretexto,-2016.jpg Manolo Valdés. Cranach como Pretexto, 2016. Oil on burlap, 59 x 90 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Dama,-2016.jpg Manolo Valdés. Dama, 2016. Oil on burlap, 65 x 65 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Dama-con-Sombrero-II,-2016.jpg Manolo Valdés. Dama con Sombrero II, 2016. Oil on burlap, 80 x 60 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-El-dibujo-como-pretexto-II,-2016.jpg Manolo Valdés. El dibujo como pretexto II, 2016. Iron, 39 x 31 x 36 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Ferns-III,-2016.jpg Manolo Valdés. Ferns III, 2016. Alabaster and iron, 28 x 42 x 8 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Head,-2016,-1.jpg Manolo Valdés. Head, 2016. Wood, 37 x 41 x 70 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Head-2016.jpg Manolo Valdés. Head (side view), 2016. Wood, 37 x 41 x 70 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Ivy,-2016.jpg Manolo Valdés. Ivy, 2016. Alabaster and brass, 33 x 34 x 25 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Odalisca,-2016.jpg Manolo Valdés. Odalisca, 2016. Oil on burlap, 65 x 65 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Odalisca-II,-2016.jpg Manolo Valdés. Odalisca II, 2016. Oil on burlap, 64 x 64 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Retrato-Con-Marco-I,-2016.jpg Manolo Valdés. Retrato Con Marco I, 2016. Oil on burlap, 65 x 65 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes,-Retrato-Con-Marco-II,-2016.jpg Manolo Valdés. Retrato Con Marco II, 2016. Oil on burlap, 65 x 65 in. Copyright Manolo Valdés, courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/v/valdes-manolo-2016/Manolo-Valdes-painting.jpg Manolo Valdes painting. © Eric Guttelewitz, courtesy Marlborough Gallery, New York and Marlborough Fine Art, London. https://www.studiointernational.com/index.php/jeff-koons-now-review-damien-hirst-newport-street-gallery https://www.studiointernational.com/images/articles/k/koons-jeff-2016/koons-Titi,-2004-2009.jpg Jeff Koons. Titi, 2004-2009. Mirror-polished stainless steel with transparent colour coating, 37 7/8 x 23 13/16 x 14 7/8 in (96.2 x 60.5 x 37.8 cm). © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2016/koons-Three-Ball-50-50-Tank-(Spalding).jpg Jeff Koons. Three Ball 50-50 Tank (Spalding Dr. JK Silver Series), 1985. Glass, steel, distilled water, three basketballs, 60 1/2 x 48 3/4 x 13 1/4 in (153.7 x 123.8 x 33.7 cm). Edition of 2. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2016/koons-New-Hoover-Quik-Broom,-New-Hoover-Celebrity-IV,-1980.jpg Jeff Koons. New Hoover Quik Broom, New Hoover Celebrity IV, 1980. Two vacuum cleaners, acrylic, fluorescent lights, 56 x 22 x 19 1/4 in (142.2 x 55.9 x 48.9 cm). © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2016/koons-Jim-Beam.jpg Jeff Koons. Jim Beam - J.B. Turner Engine, 1986. Stainless steel, bourbon, 11 x 17 x 6 1/2 in (27.9 x 43.2 x 16.5 cm). Edition of 3 plus AP. © Jeff Koons. https://www.studiointernational.com/images/articles/k/koons-jeff-2016/Koons-Bowl-with-Eggs-(Pink),-1994-2009.jpg Jeff Koons. Bowl with Eggs (Pink), 1994-2009. Polyethylene, 67 x 126 3/4 x 126 3/4 in (170.2 x 321.9 x 321.9 cm), five unique versions (Blue, Pink, Yellow, Orange, Green). © Jeff Koons. https://www.studiointernational.com/index.php/yun-fei-ji-interview https://www.studiointernational.com/images/articles/y/yun-fei-ji-2016/JI_Ghost-Market_2012_JCG6073_01-overall_adjusted.jpg Yun-Fei Ji. Ghost Market, 2012. Watercolour on Xuan paper, 72 x 51 ¾ in (182.9 x 131.3 cm). The Norton Museum of Art. https://www.studiointernational.com/images/articles/y/yun-fei-ji-2016/JI_The-Village-and-its-Ghosts_2014_JCG7680_Scroll-02.jpg Yun-Fei Ji. The Village and Its Ghosts, 2014 Ink and watercolour on Xuan paper, image: 13 ½ in x 59 ft 6 ¼ in (34.3 cm x 18.1 m); sheet: 16 1/8 in x 59 ft 11 ¼ in (41 cm x 18.3 m). Courtesy of the artist and James Cohan, New York. https://www.studiointernational.com/images/articles/y/yun-fei-ji-2016/The-End-of-Year_JY2015_10.jpg Yun-Fei Ji. The End of Year, 2015. Ink and watercolour on Xuan paper, mounted on silk, 42 7/8 x 32 1/8 in (108.9 x 81.4 cm). Collection of the Ruth and Elmer Wellin Museum of Art. https://www.studiointernational.com/images/articles/y/yun-fei-ji-2016/Wellin_After-the-First-Seveth-Day-detail_Bentham_IMG_9340.jpg Yun-Fei Ji. After the First Seventh Day, 2016. Ink and watercolour on Xuan paper. Suite of three scrolls: two measuring 17 in x 10 ft (43.2 cm x 3 m); one measuring 17 in x 15 ft (44.5 cm x 4.6 m). Courtesy of the artist and James Cohan, New York. https://www.studiointernational.com/images/articles/y/yun-fei-ji-2016/Copy-of-Wellin_Bentham_IMG_7512.jpg Yun-Fei Ji: The Intimate Universe. Exhibition view. Photograph: © John Bentham. https://www.studiointernational.com/images/articles/y/yun-fei-ji-2016/Wellin_Bentham_IMG_7100.jpg Yun-Fei Ji: The Intimate Universe. Exhibition view. Photograph: © John Bentham. https://www.studiointernational.com/index.php/susie-hamilton-in-atoms-review https://www.studiointernational.com/images/articles/h/hamilton-susie-2016/Weeping-Agin-the-king-my-fathers-wrack_2-(Ferdinand).jpg Susie Hamilton. Weeping Agin the king my fathers wrack / 2 (Ferdinand), 2011. Acrylic on canvas, 30.5 x 25.5 cm. © the artist. Courtesy of Paul Stolper, London. https://www.studiointernational.com/images/articles/h/hamilton-susie-2016/City.jpg Susie Hamilton. City, 2004. Acrylic on canvas, 25 x 30 cm. © the artist. Courtesy of Paul Stolper, London. https://www.studiointernational.com/images/articles/h/hamilton-susie-2016/Marigot_6.jpg Susie Hamilton. Marigot/6, 2014. Oil on canvas, 20 x 20 cm. © the artist. Courtesy of Paul Stolper, London. https://www.studiointernational.com/images/articles/h/hamilton-susie-2016/Through-the-thin-Frost.jpg Susie Hamilton. Through the thin Frost, 2001. Acrylic on wood, 22.5 x 19.5 cm. © the artist. Courtesy of Paul Stolper, London. https://www.studiointernational.com/images/articles/h/hamilton-susie-2016/Flamboyant-Jungle-4,-2008.jpg Susie Hamilton. Flamboyant Jungle 4, 2008. Acrylic on canvas, 182 x 182 cm. © the artist. Courtesy of Paul Stolper, London. https://www.studiointernational.com/images/articles/h/hamilton-susie-2016/Gallery-Wall-2,-in-atoms.jpg Susie Hamilton. In Atoms, gallery view. Courtesy of Paul Stolper, London. https://www.studiointernational.com/images/articles/h/hamilton-susie-2016/detail-of-gallery-wall,-in-atoms-2.jpg Susie Hamilton. In Atoms, gallery view (detail). Courtesy of Paul Stolper, London. https://www.studiointernational.com/images/articles/h/hamilton-susie-2016/detail-of-gallery-wall,-in-atoms.jpg Susie Hamilton. In Atoms, gallery view (detail). Courtesy of Paul Stolper, London. https://www.studiointernational.com/images/articles/h/hamilton-susie-2016/Beautiful-Fruit-Dove,-2013.jpg Susie Hamilton. Beautiful Fruit Dove, 2013. Acrylic on board, 40 x 30 cm. © the artist. Courtesy of Paul Stolper, London. https://www.studiointernational.com/index.php/moholy-nagy-future-present-review-guggenheim-museum https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/MN-ConstructionAL6.jpg László Moholy-Nagy. Construction AL6 (Konstruktion AL6), 1933-34. Oil and incised lines on aluminium, 60 x 50 cm. IVAM, lnstitut Valencia d'Art Modern, Generalitat. © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/Moholy-Nagy-A11-43-900_p.jpg László Moholy-Nagy. A II (Construction A 10, 1924. Oil and graphite on canvas, 115.8 x 136.5 cm. Solomon R. Guggenheim Museum, New York. © 2016 Hattula Moholy-NagyjVG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/Moholy-Nagy-B10-Space-Modulator-47.jpg László Moholy-Nagy. B-10 Space Modulator. 1942. Oil and incised lines on Plexiglas, in original frame. Plexiglas: 42.9 x 29.2 cm; frame: 82.9 x 67.6 cm. Solomon R. Guggenheim Museum. New York. © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/Moholy-Nagy-ChBeataI-48.jpg László Moholy-Nagy. CH BEATA I, 1939. Oil and graphite on canvas, 118.9 x 119.8 cm. Solomon R. Guggenheim Museum, New York. © 2016 Hattula Moholy-Nagy jVG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/Moholy-Nagy-Papmac-X2013.jpg László Moholy-Nagy. Papmac, 1943. Oil and incised lines on Plexiglas, in original frame. Plexiglas: 58.4 × 70.5 cm; frame: 91.1 × 101.9 cm. Private collection. © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. Photograph: Kristopher McKay © Solomon R. Guggenheim Foundation, New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/Moholy-Nagy-Space-Modulator-47.jpg László Moholy-Nagy. Space Modulator, 1939-45. Oil and incised lines on Plexiglas, in original frame. Plexiglas: 63.2 x 66.7 cm; frame: 88.6 x 93 cm. Solomon R. Guggenheim Museum, New York. © 2016 Hattula Moholy-NagyjVG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/gen-press-moholy-nagy-dual-forms-chromium-rods.jpg László Moholy-Nagy. Dual Form with Chromium Rods, 1946. Plexiglas and chrome-plated brass, 92.7 × 121.6 × 55.9 cm. Solomon R. Guggenheim Museum, New York. © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. Photograph: Kristopher McKay © Solomon R. Guggenheim Foundation, New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/moholy-nagy-A19.jpg László Moholy-Nagy. A 19, 1927. Oil and graphite on canvas, 80 x 95.5 cm. Hattula Moholy-Nagy, Ann Arbor, MI © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/moholy-nagy-Photogram-1926.jpg László Moholy-Nagy. Photogram, 1926. Gelatin silver photogram , 23.8 x 17.8 cm. Los Angeles County Museum of Art © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. Photograph © 2015 Museum Associates/LACMA. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/moholy-nagy-photogram-1941.jpg László Moholy-Nagy. Photogram, 1941. Gelatin silver photogram, 28 x 36 cm. The Art Institute of Chicago. © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/moholy-nagy-room-of-the-present.jpg László Moholy-Nagy. Room of the Present (Raum der Gegenwart), constructed in 2009 from plans and other documentation, dated 1930. Installation view: Play Van Abbe – Part 2: Time Machines, Van Abbemuseum, Eindhoven, 10 April – 12 September 2010. Mixed media, outer dimensions: 442 × 586.8 × 842.8 cm; inner dimensions: 350 × 556 × 812 cm. Van Abbemuseum, Eindhoven. © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. Photograph: Peter Cox, courtesy Art Resource, New York. https://www.studiointernational.com/images/articles/m/moholy-nagy-2016/moholy-nagy-vision.jpg László Moholy-Nagy. Cover and design for Vision in Motion (Paul Theobald, 1947). Bound volume, 28.6 x 22.9 cm. The Hilla von Rebay Foundation Archive. © 2016 Hattula Moholy-Nagy jVG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/the-beautiful-book-art-publishing-today https://www.studiointernational.com/images/articles/b/book-publishing-2016/Matisse-in-the-Barnes-Foundation-640.jpg Matisse in the Barnes Foundation. Edited by Yve-Alain Bois. Published by Thames & Hudson (18 December, 2016). Courtesy of Thames & Hudson. https://www.studiointernational.com/images/articles/b/book-publishing-2016/The-Drawn-Word-Cover.jpg The Drawn Word. Editors: Professor Stephen Farthing RA and Dr Janet McKenzie. Published by Studio International and the Studio Trust, New York and London, 2014. https://www.studiointernational.com/index.php/georgiana-houghton-audio-review-spirit-drawings-courtauld-gallery-london https://www.studiointernational.com/images/articles/h/houghton-georgina-2016/Portrait-of-Georgiana-Houghton.jpg Portrait of Georgiana Houghton (1814-1884), courtesy of the College of Psychic Studies, London. https://www.studiointernational.com/images/articles/h/houghton-georgina-2016/XGH-002.jpg Georgiana Houghton. The Flower and Fruit of Henry Lenny, August 28th 1861. Watercolour on paper, 51 x 42 cm. Victorian Spiritualists' Union, Melbourne, Australia. https://www.studiointernational.com/images/articles/h/houghton-georgina-2016/XGH-004.jpg Georgiana Houghton. The Flower of William Harman Butler, October 23rd 1861. Watercolour on paper, 51 x 42 cm. Victorian Spiritualists' Union, Melbourne, Australia. https://www.studiointernational.com/images/articles/h/houghton-georgina-2016/XGH-008.jpg Georgiana Houghton. The Eye of God, c1862. Watercolour on paper, 54 x 44 cm. Victorian Spiritualists' Union, Melbourne, Australia. https://www.studiointernational.com/images/articles/h/houghton-georgina-2016/XGH-009.jpg Georgiana Houghton. The Portrait of the Lord Jesus Christ (reverse), December 8th 1862. Victorian Spiritualists' Union, Melbourne, Australia. https://www.studiointernational.com/images/articles/h/houghton-georgina-2016/XGH-010_v.jpg Georgiana Houghton. The Eye of the Lord (reverse), c1864. Victorian Spiritualists' Union Melbourne, Australia. https://www.studiointernational.com/images/articles/h/houghton-georgina-2016/XGH-010.jpg Georgiana Houghton. The Eye of the Lord, c1864. Watercolour on paper, 54 x 44 cm. Victorian Spiritualists' Union, Melbourne, Australia. https://www.studiointernational.com/images/articles/h/houghton-georgina-2016/XGH.jpg Georgiana Houghton. Glory be to God, c1868. Watercolour on paper, 49 x 55 cm. Victorian Spiritualists' Union, Melbourne, Australia. https://www.studiointernational.com/index.php/painters-paintings-from-freud-to-van-dyck-review-national-gallery-london https://www.studiointernational.com/images/articles/p/painters-paintings-2016/Painters-Painting-X8945.jpg Sir Thomas Lawrence. Sir Francis Baring, 1st Baronet, John Baring, and Charles Wall, 1806-1807. Oil on canvas, 156 × 226 cm. Private collection. © Photograph courtesy of the owner. https://www.studiointernational.com/images/articles/p/painters-paintings-2016/N-0156-00-000023.jpg Style of Anthony van Dyck. The Horses of Achilles, 1635-45. Oil on canvas, 105.5 x 91.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/p/painters-paintings-2016/N-4865-00-000034.jpg Hilaire Germain Edgar Degas. Combing the Hair (La Coiffure), c1896. Oil on canvas, 114.3 x 146.7 cm. The National Gallery, London. https://www.studiointernational.com/images/articles/p/painters-paintings-2016/N-6620-00-000002.jpg Jean-Baptiste-Camille Corot. Italian Woman, or Woman with Yellow Sleeve (L'Italienne), c1870. Oil on canvas, 73 x 59 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/p/painters-paintings-2016/Painters-Painting-X8925.jpg John Constable. Portrait of Laura Moubray, 1808. Oil on canvas, 44.5 × 35.5 cm. Scottish National Gallery. © National Galleries of Scotland. https://www.studiointernational.com/images/articles/p/painters-paintings-2016/Painters-Painting-X8928.jpg Hilaire-Germain-Edgar Degas. Portrait of a Woman: Head Resting on One Hand, after 1918. Bronze. Leeds Museums and Galleries (Leeds Art Gallery). © Leeds Museums and Galleries / Bridgeman Images. https://www.studiointernational.com/images/articles/p/painters-paintings-2016/Painters-Painting-X8984.jpg Frank Auerbach. Birthday card from Frank Auerbach to Lucian Freud. The Syndics of the Fitzwilliam Museum, University of Cambridge. © Frank Auerbach, courtesy Marlborough Fine Art. Photograph: Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/index.php/rana-begum-video-interview-the-space-between-parasol-unit https://www.studiointernational.com/images/articles/b/begum-rana-2016/rana-begum_660x565.jpg Rana Begum at her north-east London studio, 16 March 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/philip-hunter-interview-never-motivated-by-simply-finding-picturesque-view https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Geobloom-no4.jpg Philip Hunter. Geobloom no.4, 2016. Oil on linen, 122 x 107 cm. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Shallow-Aquifer-1000px.jpg Philip Hunter. Shallow Aquifer, 2016. Oil on linen, 122 x 213 cm. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Geosphere-no3.jpg Philip Hunter. Geosphere no.3, 2015. Oil on linen, 153 x 122.5 cm. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Geosphere-no4.jpg Philip Hunter. Geosphere no.4, 2015. Oil on linen, 153 x 122.5 cm. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Geosphere-no5.jpg Philip Hunter. Geosphere no.5, 2015. Oil on linen, 153 x 122.5 cm. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Geosphere-no6.jpg Philip Hunter. Geosphere no.6, 2015. Oil on linen, 153 x 122.5 cm. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Cloud-Cluster-3.jpg Philip Hunter. Cloud Cluster no. 3, 2016. Hand coloured linocut, sheet size: 55.5 x 38 cm. Edition: 10. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Philip-Hunter-Cassidys-Track-Grampians-Victoria.jpg Philip Hunter. Cassidy’s Track – Southern Grampians (detail), 2015. Pencil. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Geophone_SM-24.jpg Geophone. Image: Wikipedia, 800px-Geophone_SM-24. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Geophonic-no1.jpg Philip Hunter. Geophonic no. 1, 2014–16, oil on linen, 71 x 56 cm. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Geophonic-no2.jpg Philip Hunter. Geophonic no. 2, 2014–16, oil on linen, 71 x 56 cm. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/images/articles/h/hunter-philip-2016/Geophonic-no3.jpg Philip Hunter. Geophonic no. 3, 2014–16, oil on linen, 71 x 56 cm. Copyright the artist. Courtesy Sophie Gannon Gallery. https://www.studiointernational.com/index.php/david-hockney-ra-82-portraits-and-1-still-life-review-royal-academy-ra-london https://www.studiointernational.com/images/articles/h/hockney-david-2016/David-Hockney-3-(c)-David-Parry.jpg David Hockney at the Royal Academy of Arts, London, 2016. © David Parry/Royal Academy of Arts. https://www.studiointernational.com/images/articles/h/hockney-david-2016/Hockney-Celia-Birtwell.jpg David Hockney. Celia Birtwell, 31st August, 1st, 2nd September 2015. Acrylic on canvas, 121.9 x 91.4 cm. © David Hockney. Photograph: Richard Schmidt. https://www.studiointernational.com/images/articles/h/hockney-david-2016/Hockney-Lord-Jacob-Rothschild.jpg David Hockney. Jacob Rothschild, 5th, 6th February 2014. Acrylic on canvas, 121.9 x 91.4 cm. © David Hockney. Photograph: Richard Schmidt. https://www.studiointernational.com/images/articles/h/hockney-david-2016/Hockney-Rita-Pynoos.jpg David Hockney. Rita Pynoos, 1st, 2nd March 2014. Acrylic on canvas, 121.9 x 91.4 cm. © David Hockney. Photograph: Richard Schmidt. https://www.studiointernational.com/images/articles/h/hockney-david-2016/Hockney-Rufus-Hale.jpg David Hockney. Rufus Hale, 23rd, 24th, 25th November 2015. Acrylic on canvas, 121.9 x 91.4 cm. © David Hockney. Photograph: Richard Schmidt. https://www.studiointernational.com/images/articles/h/hockney-david-2016/Hockney-Barry-Humphries.jpg David Hockney. Barry Humphries, 26th, 27th, 28th March 2015. Acrylic on canvas, 121.9 x 91.4 cm. © David Hockney. Photograph: Richard Schmidt. https://www.studiointernational.com/images/articles/h/hockney-david-2016/Hockney-John-Baldessari.jpg David Hockney. John Baldessari, 13th, 16th December 2013. Acrylic on canvas, 121.9 x 91.4 cm. © David Hockney. Photograph: Richard Schmidt. https://www.studiointernational.com/images/articles/h/hockney-david-2016/Hockney-1.jpg Installation view of David Hockney RA: 82 Portraits and 1 Still-life. © David Parry/Royal Academy of Arts. https://www.studiointernational.com/images/articles/h/hockney-david-2016/Hockney-2.jpg Installation view of David Hockney RA: 82 Portraits and 1 Still-life. © David Parry/Royal Academy of Arts. https://www.studiointernational.com/index.php/jennifer-wen-ma-interview-cass-sculpture-foundation https://www.studiointernational.com/images/articles/m/ma-wen-jennifer-2016/wen-ma-660x565.jpg Jennifer Wen Ma at the opening of A Beautiful Disorder, Cass Sculpture Foundation, 1 July 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/geoffrey-rigden-1943-2016-review https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_The-Man-Who-Build-Pyramids_2002-04.jpg Geoffrey Rigden. The Man Who Built The Pyramids, 2002–04. Acrylic on canvas, 75 x 90 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_Zinger_2000.jpg Geoffrey Rigden. Zinger, 2000. Acrylic on canvas, 58 x 63 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_Fayhim_1999.jpg Geoffrey Rigden. Fayhim, 1999. Mixed media, 19 x 42 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_Bop_1978.jpg Geoffrey Rigden. Bop, 1978. Acrylic on canvas, 90 x 21 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_Fenetre_1989.jpg Geoffrey Rigden. Fenêtre, 1989. Acrylic on canvas, 133 x 130 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_Firat_1990.jpg Geoffrey Rigden. Firat, 1990. Acrylic on canvas, 129 x 134 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_Nata_2007.jpg Geoffrey Rigden. Nata, 2007. Mixed media, 54 x 47 x 11 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_Return_2005.jpg Geoffrey Rigden. Return, 2005. Acrylic on canvas, 31 x 40 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_Untitled-construction_1993_2014.jpg Geoffrey Rigden. Untitled, 1993 – 2014. Mixed media 45 x 14 x 46.5 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_untitled-construction_2006.jpg Geoffrey Rigden. Untitled, 2006. Mixed media, 17 x 30 x 11 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_untitled-construction_2010.jpg Geoffrey Rigden. Untitled, 2010. Mixed media, 18 x 30 x 10 cm. Photograph: © APT Gallery. https://www.studiointernational.com/images/articles/r/ridgen-geoffrey-2016/GR_Goofus_1982-83.jpg Geoffrey Rigden. Goofus, 1982–83. Acrylic on canvas, 141 x 48 cm. Photograph: © APT Gallery. https://www.studiointernational.com/index.php/marie-yates-interview-in-my-view-everything-is-textual https://www.studiointernational.com/images/articles/y/yates-marie-2016/MAY007.jpg Marie Yates. Field Working Paper 7. – 26th April 1972 – Porthmeor Beach, St Ives, Cornwall, 1972. Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/y/yates-marie-2016/MAY003.jpg Marie Yates. Durgan Field Working Series 2 (from Signals 1974-78), 1976. Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/y/yates-marie-2016/MAY004.jpg Marie Yates. Oppositional Frameworks 1 (from Signals 1974-78), 1976. Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/y/yates-marie-2016/MAY006.jpg Marie Yates. Image/woman/text, 1979. Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/y/yates-marie-2016/MAY006_detail-1.jpg Marie Yates. Image/woman/text, 1979 (detail). Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/y/yates-marie-2016/MAY006_detail-2.jpg Marie Yates. Image/woman/text, 1979 (detail). Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/y/yates-marie-2016/MAY010.jpg Marie Yates. The Missing Woman, 1982-84. Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/y/yates-marie-2016/MAY010_detail.jpg Marie Yates. The Missing Woman, 1982-84 (detail). Copyright the artist. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/y/yates-marie-2016/Marie-Yates-On-Not-Going-Home.jpg Marie Yates. On Not Going Home, 2014-16 (movie still). Unfinished project. Copyright the artist. https://www.studiointernational.com/index.php/francesca-pasquali-video-interview-metamorphoses-spiderwall https://www.studiointernational.com/images/articles/p/pasquali-francesca-2016/francesca-pasquali-660x565v2.jpg Francesca Pasquali at Tornabuoni Art, London, 24 June 2016. https://www.studiointernational.com/index.php/mariko-mori-interview-ring-one-with-nature-olympic-games-2016 https://www.studiointernational.com/images/articles/m/mori-mariko-2016/MarikoMori_RingOnewithNature_Rendering1.jpg Mariko Mori. Ring: One with Nature, 2016 (rendering). Presented by the Faou Foundation. Courtesy Faou Foundation. https://www.studiointernational.com/images/articles/m/mori-mariko-2016/MarikoMori_RingOnewithNature_Rendering2.jpg Mariko Mori. Ring: One with Nature, 2016 (rendering). Presented by the Faou Foundation. Courtesy Faou Foundation. https://www.studiointernational.com/images/articles/m/mori-mariko-2016/MarikoMori_RingOnewithNature_Rendering3.jpg Mariko Mori. Ring: One with Nature, 2016 (rendering). Presented by the Faou Foundation. Courtesy Faou Foundation. https://www.studiointernational.com/images/articles/m/mori-mariko-2016/MarikoMori_RingOnewithNature_Rendering4.jpg Mariko Mori. Ring: One with Nature, 2016 (rendering). Presented by the Faou Foundation. Courtesy Faou Foundation. https://www.studiointernational.com/images/articles/m/mori-mariko-2016/Ring-2012.jpg Mariko Mori. Ring, 2012. Lucite, stainless steel cables. 49.5 (diameter) x 3 in. https://www.studiointernational.com/images/articles/m/mori-mariko-2016/Mariko-Mori-Sun-Pillar-2011-.jpg Mariko Mori. Sun Pillar, 2011. Layered acrylic, 4 m. © Faou Foundation, New York. https://www.studiointernational.com/index.php/tim-slade-interview-the-destruction-of-memory https://www.studiointernational.com/images/articles/s/slade-tim-2016/ISIS_Image_Palmyra_25Aug2015_NotOwnedByVast.jpg The bombing of the ancient monuments at Palmyra has been used by extremists as part of their 'shock and awe' campaign of internet-facilitated intimidation. https://www.studiointernational.com/images/articles/s/slade-tim-2016/Mostar_TheDestructionofMemory.jpg The Mostar Bridge, built by the Ottomans in the 16th century, was considered one of the world's most significant Islamic artefacts. It was bombed during the Bosnian Wars (1992-1995) by the anti Muslim Croat militia, along with many other religious, educational and cultural buildings. https://www.studiointernational.com/images/articles/s/slade-tim-2016/Mostar2_TheDestructionofMemory.jpg The reconstruction of the Mostar Bridge, 2004, was largely funded by the countries whose peacekeeping troops were stationed in the area after the Bosnian War. https://www.studiointernational.com/images/articles/s/slade-tim-2016/TDOM_Still16_MaarraMuseum2_protectingmosaics_courtesyShakerAlShbib.jpg Syrian heritage professionals have been trained to protect and preserve those treasured relics that still remain in Mosul. https://www.studiointernational.com/images/articles/s/slade-tim-2016/AndrasRiedlmayer_TDoM.jpg Andras Riedlmayer, Harvard Librarian and UN war crimes court expert witness, was nine when his family fled Hungary during its 1956 revolution: ‘I remember refugee camps. I knew what it was like to find yourself in a different country where nobody speaks your language and where nobody has your memories. I knew at that age what it was to be homesick.’ https://www.studiointernational.com/images/articles/s/slade-tim-2016/FatouBensouda_TDoM.jpg ICC Prosecutor Fatou Bensouda: 'Of course the killing of people is very grave, but what complements it is where they are coming from, and what they had. We should attach equal importance to that identity.’ https://www.studiointernational.com/images/articles/s/slade-tim-2016/TDoM_Still6_DresdenDomeAngel.jpg The dome of Dresden's Frauenkirche, a key building in Dresden's skyline, which was bombed by the British and left derelict under East German rule for 45 years. It was rebuilt as an almost exact replica, and reopened in 2004. https://www.studiointernational.com/images/articles/s/slade-tim-2016/TDoM_Still10_Srebrenicagraffiti.jpg Graffiti from the Bosnian War (1992-5) has been left to bear witness in Srebrenica. https://www.studiointernational.com/images/articles/s/slade-tim-2016/TDOM_Still18_MaliSoldier_VAST-Productions.jpg A Malian soldier patrols the reconstructed tombs of Timbuktu, destroyed by extremists in 2012. https://www.studiointernational.com/images/articles/s/slade-tim-2016/TDOM_Still19_NewSynagogueDresden.jpg The New Synagogue in Dresden, by architects Wandel Hoefer Lorch + Hirsch. https://www.studiointernational.com/images/articles/s/slade-tim-2016/RobertBevan_TheDestructionofMemory.jpg ‘People are people within their place. Their history, their identity, how they draw meaning about who they are, happens in a place. And What happens to that place matters… Those buildings are part of who they are.’ Robert Bevan, author of The Destruction of Memory. https://www.studiointernational.com/index.php/stuart-davis-in-full-swing-review https://www.studiointernational.com/images/articles/d/davis-stuart-2016/01-Davis_Fin.jpg Stuart Davis. Fin, 1962–64. Casein and masking tape on canvas, 53 7/8 x 39 3/4 in (136.8 x 101 cm). Private collection. © Estate of Stuart Davis / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/d/davis-stuart-2016/02-Odol_1924_MoMA.jpg Stuart Davis. Odol, 1924. Oil on cardboard, 24 x 18 in (60.9 x 45.6 cm). The Museum of Modern Art, New York; Mary Sisler Bequest (by exchange) and purchase, 1997. © Estate of Stuart Davis / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/d/davis-stuart-2016/03-New-York-Mural_1932_Norton.jpg Stuart Davis. New York Mural, 1932. Oil on canvas, 84 x 48 in (213.4 x 122 cm). Norton Museum of Art, West Palm Beach, Florida; purchase, R. H. Norton Trust. © Estate of Stuart Davis / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/d/davis-stuart-2016/Davis_ColonialCubism.jpg Stuart Davis. Colonial Cubism, 1954. Oil on canvas, 45 1/8 x 60 1/4 in (114.6 x 153 cm). Walker Art Center, Minneapolis; gift of the T. B. Walker Foundation, 1955. © Estate of Stuart Davis / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/d/davis-stuart-2016/Davis_Owh!InSaoPao.jpg Stuart Davis. Owh! in San Pao, 1951. Oil on canvas, 52 3/16 × 42 in (132.6 × 106.7 cm). Whitney Museum of American Art, New York; purchase 52.2. © Estate of Stuart Davis / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/d/davis-stuart-2016/Davis_SwingLandscape.jpg Stuart Davis. Swing Landscape, 1938. Oil on canvas, 86 3/4 x 173 1/8 in (220.3 x 400 cm). Indiana University Art Museum; allocated by the US Government, commissioned through the New Deal Art Projects. © Estate of Stuart Davis/Licensed by VAGA, New York. https://www.studiointernational.com/images/articles/d/davis-stuart-2016/Davis_TheParisBit.jpg Stuart Davis. The Paris Bit, 1959. Oil on canvas, 46 1/8 × 60 1/16 in (117.2 × 152.6 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 59.38. © Estate of Stuart Davis / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/d/davis-stuart-2016/Egg-Beater-No.jpg Stuart Davis. Egg Beater No. 2, 1928. Oil on canvas, 29 1/4 x 36 1/4 in (74.3 x 92.1 cm). Amon Carter Museum of American Art, Fort Worth. © Estate of Stuart Davis / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/d/davis-stuart-2016/Lucky-Strike_1921.jpg Stuart Davis. Lucky Strike, 1921. Oil on canvas, 33 1/4 x 18 in (84.5 x 45.7 cm). The Museum of Modern Art, New York; gift of the American Tobacco Company, Inc., 1951. © Estate of Stuart Davis / Licensed by VAGA, New York, NY. https://www.studiointernational.com/index.php/ragnar-kjartansson-barbican-review https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/1.jpg Ragnar Kjartansson. Barbican Art Gallery. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/19.jpg Ragnar Kjartansson. Second Movement. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/21.jpg Ragnar Kjartansson. Scandinavian Pain. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/14.jpg Ragnar Kjartansson. Exhibition installation view, Barbican Art Gallery, 2016. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/10.jpg Ragnar Kjartansson. Exhibition installation view, Barbican Art Gallery, 2016. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/16.jpg Ragnar Kjartansson. Exhibition installation view, Barbican Art Gallery, 2016. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/9.jpg Ragnar Kjartansson. Exhibition installation view, Barbican Art Gallery, 2016. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/6.jpg Ragnar Kjartansson. Exhibition installation view, Barbican Art Gallery, 2016. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/12.jpg Ragnar Kjartansson. Exhibition installation view, Barbican Art Gallery, 2016. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/8.jpg Ragnar Kjartansson. Exhibition installation view, Barbican Art Gallery, 2016. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/images/articles/k/kjartansson-ragnar-2016/5.jpg Ragnar Kjartansson. Exhibition installation view, Barbican Art Gallery, 2016. © Tristan Fewings/Getty Images. Courtesy of the artist, Luhring Augustine New York and i8 gallery Reykjavik. https://www.studiointernational.com/index.php/diane-arbus-in-the-beginning-met-breuer-review https://www.studiointernational.com/images/articles/a/arbus-diane-2016/2-Jack-Dracula-at-a-bar,-New-London.jpg Diane Arbus. Jack Dracula at a bar, New London, Conn. 1961. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/1-The-Backwards-Man-in-his-hotel-room.jpg Diane Arbus. The Backwards Man in his hotel room, N.Y.C. 1961. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/3-Lady-on-a-bus.jpg Diane Arbus. Lady on a bus, N.Y.C. 1957. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/4-Female-impersonator.jpg Diane Arbus. Female impersonator holding long gloves, Hempstead, L.I. 1959. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/5-Man-in-hat,-trunks,-socks-and-shoes.jpg Diane Arbus. Man in hat, trunks, socks and shoes, Coney Island, N.Y. 1960. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/6-Taxicab-driver-at-the-wheel-with-two-passengers.jpg Diane Arbus. Taxicab driver at the wheel with two passengers, N.Y.C. 1956. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/7-Kid-in-a-hooded-jacket-aiming-a-gun.jpg Diane Arbus. Kid in a hooded jacket aiming a gun, N.Y.C. 1957. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/8-Elderly-woman-whispering-to-her-dinner-partner.jpg Diane Arbus. Elderly woman whispering to her dinner partner, Grand Opera Ball, N.Y.C. 1959. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/10-Woman-with-white-gloves.jpg Diane Arbus. Woman with white gloves and a pocket book, N.Y.C. 1956. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/11-Stripper-with-bare-breasts.jpg Diane Arbus. Stripper with bare breasts sitting in her dressing room, Atlantic City, N.J. 1961. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/images/articles/a/arbus-diane-2016/12-Fire-Eater-at-a-carnival-1957.jpg Diane Arbus. Fire Eater at a carnival, Palisades Park, N.J. 1957. © The Estate of Diane Arbus, LLC. All Rights Reserved. https://www.studiointernational.com/index.php/this-is-a-voice-wellcome-collection-audio-interview https://www.studiointernational.com/images/articles/t/this-is-a-voice-2016/this-is-a-voice_660x565.jpg Marcus Coates. Dawn Chorus, 2007. Multi-screen film installation, gallery view, Wellcome Collection, London, 2016. https://www.studiointernational.com/index.php/peter-howson-a-survey-of-prints-flowers-gallery-review https://www.studiointernational.com/images/articles/h/howson-peter-2016/Peter-Howson-Martin-1988.jpg Peter Howson. Martin, 1988. Etching, 56 x 38 cm (22 x 15 in), edition of 30. © Peter Howson, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/h/howson-peter-2016/Peter-Howson-noble-dosser.jpg Peter Howson. The Noble Dosser, 1988. Two part woodcut, 183 x 121 cm (72 x 47 3/4 in), edition of 30. © Peter Howson, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/h/howson-peter-2016/Peter-Howson-Sloane-Square-1998.jpg Peter Howson. Sloane Square, 1998. Etching, 50 x 45 cm (19 3/4 x 17 3/4 in), edition of 25. © Peter Howson, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/h/howson-peter-2016/Peter-Howson-Stratford-1998.jpg Peter Howson. Stratford, 1998. Etching, 50 x 45 cm (19 3/4 x 17 3/4 in), edition of 25. © Peter Howson, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/h/howson-peter-2016/Peter-Howson-Al-1988.jpg Peter Howson. Al, 1988. Etching, 56 x 38 cm (22 x 15 in), edition of 30. © Peter Howson, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/index.php/watteaus-soldiers-scenes-of-military-life-in-eighteenth-century-france-review https://www.studiointernational.com/images/articles/w/watteau-2016/1_York_line-of_March.jpg Jean-Antoine Watteau. The Line of March, c1710. Oil on canvas, 15 3/8 x 19 5/6 in. York Museums Trust (York Art Gallery), York. https://www.studiointernational.com/images/articles/w/watteau-2016/2_Frick_Valenciennes.jpg Jean-Antoine Watteau. The Portal of Valenciennes, c1710–11. Oil on canvas, 12 3/4 x 16 in. The Frick Collection. Photograph: Michael Bodycomb. https://www.studiointernational.com/images/articles/w/watteau-2016/3_Madrid_The_Halt.jpg Jean-Antoine Watteau. The Halt, c1710. Oil on canvas, 12 5/8 x 16 ¾ in. Museo Thyssen-Bornemisza, Madrid. Photograph: Museo Thyssen-Bornemisza, Madrid. https://www.studiointernational.com/images/articles/w/watteau-2016/4_The_Supply_Train.jpg Jean-Antoine Watteau. The Supply Train, c1715. Oil on panel, 11 1/8 x 12 3/8 in. Collection Lionel and Ariane Sauvage. https://www.studiointernational.com/images/articles/w/watteau-2016/9_Ecole_Three_studies_Resting_Soldiers_800.jpg Jean-Antoine Watteau. Three Studies of Resting Soldiers (recto), c1713–14. Red chalk 6 7/8 × 8 ½ in. École nationale supérieure des Beaux-Arts, Paris (1608). Photograph: © Beaux-Arts de Paris, Dist. RMN-Grand Palais / Art Resource, NY. https://www.studiointernational.com/images/articles/w/watteau-2016/10_Louvre_Three_Views_of_Soldiers_One_From_Behind_800.jpg Jean-Antoine Watteau. Three Views of a Soldier, One from Behind, c1713–15. Red chalk, with black ink framing 6 ¾ × 8 5/8 in. Musée du Louvre, Paris. Photograph: © RMN-Grand Palais / Art Resource, NY. https://www.studiointernational.com/images/articles/w/watteau-2016/11_Three_Studies_Soldiers_Holding_Muskets_Wearing_Capes.jpg Jean-Antoine Watteau. Three Studies of Soldiers Holding Muskets and Wearing Capes, c1710. Red chalk and stump on cream paper, 5 ¾ × 8 in. The Courtauld Institute Galleries, London. Photograph: The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/index.php/tate-modern-switch-house-opening-review https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/TMBoilerHouseSwitchHouseandRogersTowerBlocks.jpg View across the River Thames to Tate Modern Boiler House and Switch House, with adjacent Rogers Stirk Harbour + Partners-designed apartments, Neo Bankside. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/switch-house-entrance-ramp.jpg Tate Modern Turbine Hall ramp entrance and Switch House. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/brick-detail-3.jpg Tate Modern Switch House, exterior brick detail. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/brick-detail-view.jpg Tate Modern Switch House, interior view of brick 'veil'. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/TMSwitchHouseLevel0Stair.jpg Tate Modern Switch House, interior view of concrete spiral staircase, level 0. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/TMSwitchHouseMarwanRechmaouiBeiruitCaoutchouc.jpg Tate Modern Switch House, gallery view. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/TMSwitchHouseLouiseBourgeois.jpg Tate Modern Switch House. Artists Rooms: Louise Bourgeois. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/Ricardo-Basbaum.jpg Ricardo Basbaum. Capsules (NBP x me-you), 2000. Four steel capsules, fabric, polystyrene foam, vinyl wall texts, booklets and audio. Dimensions each: 80 x 181 x 264 cm. Overall display dimensions variable. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/anna-lupas-the-solemn-process.jpg Ana Lupas. The Solemn Process 1964-2008 (1964-74/76; 1980-5; 1985-2008). Wheat, straw, hemp, metal, clay, insultants, wood and vinyl. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/circular-seating-area.jpg Tate Modern Switch House. Circular seating area. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/upper-levels-staircase.jpg Tate Modern Switch House. Upper level staircase. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/switch-house-level-2-bucket2.jpg Due to the sudden torrential downpours that afflicted London in June, drip buckets were visible on almost every floor (23 June 2016). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/abramovic.jpg Marina Abramović. Rhythm 0, 1974. Installation view, Tate Modern Switch House, 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/view-1.jpg Tate Modern Switch House viewing terrace. View across the River Thames to St Paul’s Cathedral. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/tank.jpg Multiscreen installation in its own subterranean space, dedicated to Thai film-maker Apichatpong Weerasethakul. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/switch-house-toilets.jpg Tate Modern Switch House, interior view (toilets). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/tate-switch-house-2016/interior-view.jpg The inclined planes of the surrounding walls and the crazily canted balconies overhead. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/alfredo-jaar-a-logo-for-america-piccadilly-circus-london https://www.studiointernational.com/images/articles/j/jaar-alfredo-2016/jaar-alfredo-london-2016.jpg Alfredo Jaar. A Logo for America, at London’s Piccadilly Circus, July 2016. https://www.studiointernational.com/index.php/niki-de-saint-phalle-je-suis-une-vache-suisse-review https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-Je-suis-une-vache-suisse,-1991.jpg Niki de Saint Phalle. Je suis une Vache Suisse, 1991. Oil, pencil and mirror on wood, 92 x 96.9 x 20.4 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-Anneau.jpg Niki de Saint Phalle. Anneau (Last Night I Had a Dream), 1968. Painted polyester, 168 x 110 x 15 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-Arbre-de-la-Liberte,-1975.jpg Niki de Saint Phalle. Arbre de la Liberté, 1975. Silkscreen on metal, painted and gold-leafed resin, 68 x 37 x 130 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-Buddha,-2000.jpg Niki de Saint Phalle. Buddha, 2000. Ceramic, glass and pebbles on polyurethane-foam and resin around a steel stand, 317.5 x 218.4 x 172.7 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-Femme-couchee,-1967.jpg Niki de Saint Phalle. Femme Couchée, 1967. Acrylic on plaster, 28 x 44.4 x 14 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-Gorilla.jpg Niki de Saint Phalle. Gorilla, undated. Silver paper and painted plaster, prototype for the Rosenthal house, height 34 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-Happy-Easter,-1979.jpg Niki de Saint Phalle. Happy Easter, 1979. Mixed technique on paper, 21.7 x 28 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-All-Over,-1959-60.jpg Niki de Saint Phalle. All Over, 1959-60. Objects in plaster on wood panel, 46 x 61 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-La-question,-1984.jpg Niki de Saint Phalle. La Question, 1984. Painted cast polyester resin relief, 33 x 47 x 2.5 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-Le-repas-du-Lion.jpg Niki de Saint Phalle. Le Repas du Lion, undated. Polyester resin and acrylic paint on mirror base, 20 x 33 x 33 cm. https://www.studiointernational.com/images/articles/p/phalle-niki-de-saint-2016/Niki-de-Saint-Phalle-Obelisque-aux-coeurs-1987.jpg Niki de Saint Phalle. Obélisque aux Coeurs (Obelisk with Hearts), 1987. Painted synthetic polyester, height 28 cm. https://www.studiointernational.com/index.php/lamia-joreige-interview-artes-mundi-lebanon-beirut https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/A-journey-_-still-2.jpg Lamia Joreige. Still from A Journey, 2006. Video, 41 min © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/A-journey-still-1.jpg Lamia Joreige. Still from A Journey, 2006. Video, 41 min. © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/Here-and-Perhaps-Elsewhere.jpg Lamia Joreige. Still from Here and Perhaps Elsewhere, 2003. Video, 54 min. © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/Here-and-Perhaps-Elsewhere1.jpg Lamia Joreige. Still from Here and Perhaps Elsewhere, 2003. Video, 54 min. © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/and-the-living-is-easy-1.jpg Lamia Joreige. Still from And the living is easy, 2014. Video, 75 min. © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/and-the-living-is-easy-13.jpg Lamia Joreige. Still from And the living is easy, 2014. Video, 75 min. © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/ONOS-view-at-TGG.jpg Lamia Joreige. One Night of Sleep, 2013. Photograms,180 x 95 cm. View of the exhibition at Taymour Grahne Gallery, NYC © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/Objects-of-War-view-5-at-Tate-Modern.jpg Lamia Joreige. Objects of War, 1999 – Ongoing. Multimedia installation. View of exhibition at Tate Modern, 2011-2012 (Permanent collection) © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/Objects-of-War-view-2-at-Tate-Modern.jpg Lamia Joreige. Objects of War, 1999 – Ongoing. Multimedia installation. View of exhibition at Tate Modern, 2011-2012 (Permanent collection) © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/OW-Nicephore-Niepce-museum-1.jpg Lamia Joreige. Objects of War, 1999 – Ongoing. Multimedia. View of the installation at Nicéphore Niépce Museum, France © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/OW-Nicephore-Niepce-museum-2.jpg Lamia Joreige. Objects of War, 1999 – Ongoing. Multimedia. View of the installation at Nicéphore Niépce Museum, France © Lamia Joreige. https://www.studiointernational.com/images/articles/j/joreige-lamia-2016/The-River.jpg Lamia Joreige. Still from The River, 2013. Video, 4 min. © Lamia Joreige. https://www.studiointernational.com/index.php/william-egglestone-portraits-national-portrait-gallery-review https://www.studiointernational.com/images/articles/e/eggleston-william-2016/npg-1030-1485-3.jpg William Eggleston. Untitled, c1970 (Devoe Money in Jackson, Mississippi). © Eggleston Artistic Trust. https://www.studiointernational.com/images/articles/e/eggleston-william-2016/npg-1030-1486-3.jpg William Eggleston. Untitled, 1965 (Memphis Tennessee). Wilson Centre for Photography. © Eggleston Artistic Trust. https://www.studiointernational.com/images/articles/e/eggleston-william-2016/npg-1030-1483-3.jpg William Eggleston. Untitled, 1974 (Karen Chatham, left, with the artist https://www.studiointernational.com/images/articles/e/eggleston-william-2016/npg-1030-1484-3.jpg William Eggleston. Untitled, c1975 (Marcia Hare in Memphis Tennessee). © Eggleston Artistic Trust. https://www.studiointernational.com/index.php/architecture-biennale-2016-reporting-from-the-front-review https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/labiennale-venice-poster.jpg Poster advertising the Venice Architecture Biennale 2016. Courtesy of la Biennale di Venezia. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/01-Nordic-In-Therapy.jpg Nordic Pavilion, In Therapy: a look at buildings as expressions of Abraham Maslow’s ‘hierarchy of needs’, set within Sverre Fehn’s sublime 1959 monument to modernism. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/02-Denmark-Biennale.jpg Denmark Pavilion, ‘Art of Many: The Right to Space’, promoting Danish landscape and guru Jan Gehl’s ideas about the uses and abuses of public space, along with models of socially, ecologically and culturally sustainable Danish projects. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/03-Spain.jpg Spain Pavilion. ‘Unfinished’, focuses on schemes that deploy existing structures and minimal resources to develop a ‘radical’ new approach to rebuilding. Winner of the Biennale’s Golden Lion. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/04-australia.jpg Australia Pavilion, designed by Aileen Sage Architects, features a shallow but inviting swimming pool to explore how public watering holes and pools have become a vital part of the nation’s cultural identity. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/05-UK.jpg UK Pavilion’s Home Economics invited five different architects, artists and designers to produce immersive full scale environments which explore the dimensions, commodities and typologies of home. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/06-Turkey.jpg Turkey Pavilion. Darzanà: Two Arsenals, One Vessel. A 30 metre long vessel built from scrap reclaimed from a Turkish shipyard is intended to evoke the historic conflicts and competition between the Ottoman and Venetian empires and provoke discussions on thresholds and consensus. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/07-Germany-Making-Heimat.jpg Germany Pavilion. Arrival Country. Curated by the Deutsches Architekturmuseum (DAM), Making Heimat explores the ways in which housing, education and public space could make a more positive contribution to welcoming refugees. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/08-Swiss2.jpg Switzerland Pavilion. Incidental Space by Christian Kerez wants his inhabitable structure to offer ‘a pure encounter with architecture.’ https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/09-Ireland.jpg Ireland Pavilion. ‘Losing Myself’ is a collaboration between architects Niall McLaughlin and Yeoryia Manolopoulou which tries to conjure the spatial confusions typically suffered by those with dementia when experiencing an actual building, McLaughlin’s Alzheimer’s Centre in Dublin. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/09A-Giardini_Gabinete_GoldenLionWinner.jpg Winner of the Golden Lion for the Best Participant in the 15th International Exhibition. Paraguayan architects Gabinete de Arquitectura, led by Solano Benítez, created a brick and timber arch, Breaking the Siege https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/10-Chipperfiled_1586.jpg David Chipperfield’s ongoing Naqa Site Museum project in Sudan. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/11-Foster-Droneport.jpg Foster + Partners. Droneport, a full-scale prototype made from a new type of sustainable mud brick/compressed earth block, called Durabric, developed by the LafargeHolcim Foundation, together with researchers at the Block Research Group (from ETH Zurich) and MecoConcept in Toulouse. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/12-ETH-Block-Research-Group.jpg ETH Zürich researchers’ elegant canopy using 399 slabs of limestone and no glue. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/14-Arsenale-38-Rahul-Mehrotra-and-Felipe-Vera.jpg Ephemeral Urbanism: Cities in Constant Flux, by architects and urbanists Felipe Vera and Rahul Mehrotra. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/15-Assemble-The-Voice-Of-Children.jpg UK practice Assemble provided some light relief and rest among all the text panels: their installation, titled The Voice of Children, was styled like a playground. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/16-NLE_FLoatingSchool.jpg Makoko Floating School by Nigerian practice NLÉ (a deserving Silver Lion winner). https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/17-Chile-Biennale.jpg Chile Pavilion, Against the Tide, curated by Juan Román and José Luis Uribe, presents 15 architecture projects that aim to transform the daily life of rural people in Chile. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/18-china.jpg China Pavilion: Back to the Ignored Front, explores valuable traditional building materials, techniques and typologies that have been swept aside in the rush to modernization. https://www.studiointernational.com/images/articles/v/venice-architecture-biennale-2016/19-poland.jpg The Poland Pavilion focuses on the plight of construction workers, posing the question – through short documentaries and graphic text panels – whether such a thing as ‘fair building’ is possible. https://www.studiointernational.com/index.php/winifred-knights-dulwich-picture-gallery-audio-interview https://www.studiointernational.com/images/articles/k/knights-winifred-2016/Thomas-Monnington,-Portrait-of-Winifred-Knights,-1934.jpg Thomas Monnington. Portrait of Winifred Knights, 1934. Pencil on paper, 23.8 x 30 cm. Collection of Catherine Monnington. © The Artist's Estate. https://www.studiointernational.com/images/articles/k/knights-winifred-2016/Winifred-Knights,-Portrait-of-Millicent-Murby,-September-1917.jpg Winifred Knights. Portrait of Millicent Murby, September 1917. Pencil on paper, 16.5 x 11 cm. Collection of Martin Palmer. © The Estate of Winifred Knights. https://www.studiointernational.com/images/articles/k/knights-winifred-2016/Winifred-Knights,-Study-of-a-sleeping-woman-for-The-Santissima-Trinity.jpg Winifred Knights. Study of a sleeping woman for The Santissima Trinita, c1924. Pencil on paper, 19.7 x 25.7 cm © Trustees of the British Museum. © The Estate of Winifred Knights. https://www.studiointernational.com/images/articles/k/knights-winifred-2016/Winifred-Knights,-The-Marriage-at-Cana,-1923.jpg Winifred Knights. The Marriage at Cana, 1923. Oil on canvas, 184 x 200 cm. Collection of the Museum of New Zealand Te Papa Tongarewa. Gift of the British School at Rome, London, 1957. © The Estate of Winifred Knights. https://www.studiointernational.com/images/articles/k/knights-winifred-2016/Winifred-Knights,-The-Santissima-Trinita.jpg Winifred Knights. The Santissima Trinita, 1924-30. Oil on canvas, 102 x 112 cm. Private collection. © The Estate of Winifred Knights. https://www.studiointernational.com/images/articles/k/knights-winifred-2016/9-3-photo_W_Knights.jpg David Evans. Winifred Knights at the British School at Rome, 1925. https://www.studiointernational.com/index.php/carlo-carra-metaphysical-spaces-blain-southern-review https://www.studiointernational.com/images/articles/c/carra-carlo-2016/Carlo-Carra,-Gentiluomo-Ubriaco,-1916.jpg Carlo Carrà. Gentiluomo ubriaco, 1916. Oil on canvas, 60 x 45 cm. Private collection. https://www.studiointernational.com/images/articles/c/carra-carlo-2016/Carlo-Carra,-Il-Pino-sul-Mare,-1921.jpg Carlo Carrà. Il pino sul mare, 1921. Oil on canvas, 68 x 52.5 cm. Private collection. https://www.studiointernational.com/images/articles/c/carra-carlo-2016/Carlo-Carra,-Il-figlio-del-costruttore-1918-1921.jpg Carlo Carrà. Il figlio del costruttore, 1918–1921. Oil on canvas, 121 x 95 cm. Private collection. https://www.studiointernational.com/images/articles/c/carra-carlo-2016/Carlo-Carra,-La-casa-dell-amore,-1922.jpg Carlo Carrà. La casa dell'amore, 1922. Oil on canvas, 90 x 70 cm. Pinacoteca di Brera, Milan. https://www.studiointernational.com/images/articles/c/carra-carlo-2016/Carlo-Carra,-Manichino,-1917.jpg Carlo Carrà. Manichino, 1917. Ink and watercolour on paper, 39.9 x 24.7 cm. Private collection. https://www.studiointernational.com/images/articles/c/carra-carlo-2016/Carlo-Carra,-Mio-Figlio,-1916.jpg Carlo Carrà. Mio figlio, 1916. Oil on canvas, 90 x 70 cm. Private collection. https://www.studiointernational.com/images/articles/c/carra-carlo-2016/Carlo-Carra,-Penelope,-1917.jpg Carlo Carrà. Penelope, 1917. Oil on canvas, 94.5 x 54.5 cm. Private collection. https://www.studiointernational.com/index.php/cui-xiuwen-interview-light-dame-jillian-sackler-international-artists-exhibition-program-beijing https://www.studiointernational.com/images/articles/c/cui-xiuwen-2016/cui-xiuwen_660x565.jpg Cui Xiuwen at the Arthur M Sackler Museum of Art and Archaeology at Peking University in Beijing, 27 May 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/co-thinkers-garage-museum-of-contemporary-art-review-moscow https://www.studiointernational.com/images/articles/c/co-thinkers-2016/1-Cattelan.jpg Maurizio Cattelan. Ostrich, 1997. Taxidermied ostrich, 124.5 x 145 x 53 cm. Private collection, Moscow. Installation view of Co–thinkers, Garage Museum of Contemporary Art, Moscow, 2016 Courtesy Garage Museum of Contemporary Art. https://www.studiointernational.com/images/articles/c/co-thinkers-2016/2-Pruitt.jpg Rob Pruitt. Signature Series Autograph Collection – Group 1, 2009. Marker on canvas, selection of 35 canvases, 45.7 x 106.7 cm each. Private collection, Moscow. Courtesy Garage Museum of Contemporary Art. https://www.studiointernational.com/images/articles/c/co-thinkers-2016/3-Miller.jpg John Miller. A Bridge of Tradition (Group 1), 2009. Imitation gold leaf, assorted objects, fibreglass, 90 x 70 x 80 cm, 152 x 85 x 120 cm, 77 x 61 x 31 cm, 95 x 92 x 199 cm, 77 x 61 x 31 cm, 100 x 98 x 157 cm. Private collection, Moscow. Courtesy Gallery Gary Tatinsian, Moscow. https://www.studiointernational.com/images/articles/c/co-thinkers-2016/4-Gormly.jpg Antony Gormley. Lever, 2008. Cast iron, 213 x 55 x 33 cm. Private collection, Moscow. Courtesy Garage Museum of Contemporary Art. https://www.studiointernational.com/images/articles/c/co-thinkers-2016/5-Brown.jpg Cecily Brown. Suddenly Last Summer, 1999. Oil on canvas, 254 x 280 cm. Private collection, Moscow. Courtesy Garage Museum of Contemporary Art. https://www.studiointernational.com/images/articles/c/co-thinkers-2016/6-Rhoades.jpg Jason Rhodes. Untitled (From the body of work: My Madinah: In pursuit of my ermitage...), 2004. 96 neon phrases, 96 coloured Plexiglas panels, 96 transformers, 96 metal hooks, wire, cable, rubber end caps, and power strips. Private collection, Moscow. Courtesy the Estate of Jason Rhoades, David Zwirner, New York and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/co-thinkers-2016/7-Turrell.jpg James Turrell. As Imagined, 2006. Wood, glass volume, and computerized neon setting, 158 x 118 cm. Private collection, Moscow. Courtesy Garage Museum of Contemporary Art. https://www.studiointernational.com/images/articles/c/co-thinkers-2016/8-Sturtevant.jpg Elaine Sturtevant. Study for Flowers, 1964-65. Silkscreen on canvas, 55.9 x 55.9 cm. Private collection, Moscow. Courtesy Garage Museum of Contemporary Art. https://www.studiointernational.com/images/articles/c/co-thinkers-2016/9-Ruscha-installation-shot.jpg Ed Ruscha. Here and Now, 1997. Acrylic on canvas, 183 x 183 cm. Private collection, Moscow. Courtesy Regina Gallery, Moscow. https://www.studiointernational.com/images/articles/c/co-thinkers-2016/10-Rauch.jpg Neo Rauch. Stellwerk, 1999. Oil on canvas, 200 x 300.4 cm. Private collection, Moscow. Courtesy Garage Museum of Contemporary Art. https://www.studiointernational.com/index.php/pierre-lassonde-pavilion-quebec-opening-review-canada https://www.studiointernational.com/images/articles/l/lassonde-pavilion-2016/015_MNBAQ-Grand-Alle-Cantilever.jpg Pierre Lassonde Pavilion, Musée National des Beaux-Arts du Québec. Photograph: Bruce Damonte. © OMA. https://www.studiointernational.com/images/articles/l/lassonde-pavilion-2016/000_MNBAQ-Aerial.jpg Pierre Lassonde Pavilion, Musée National des Beaux-Arts du Québec. Aerial view. Photograph: Bruce Damonte. © OMA. https://www.studiointernational.com/images/articles/l/lassonde-pavilion-2016/006_MNBAQ-Aerial.jpg Pierre Lassonde Pavilion, Musée National des Beaux-Arts du Québec. Aerial view (2). Photograph: Bruce Damonte. © OMA. https://www.studiointernational.com/images/articles/l/lassonde-pavilion-2016/030_MNBAQ_Cascade.jpg Pierre Lassonde Pavilion, Musée National des Beaux-Arts du Québec. View showing the protruding staircase. Photograph: Bruce Damonte. © OMA. https://www.studiointernational.com/images/articles/l/lassonde-pavilion-2016/035_MNBAQ-Pop-Out-Stair.jpg Pierre Lassonde Pavilion, Musée National des Beaux-Arts du Québec. Interior view of the 'pop out' staircase. Photograph: Bruce Damonte. © OMA. https://www.studiointernational.com/images/articles/l/lassonde-pavilion-2016/047_MNBAQ-Lobby.jpg Pierre Lassonde Pavilion, Musée National des Beaux-Arts du Québec. Interior view of the lobby. Photograph: Bruce Damonte. © OMA. https://www.studiointernational.com/images/articles/l/lassonde-pavilion-2016/050_MNBAQ-Lobby.jpg Pierre Lassonde Pavilion, Musée National des Beaux-Arts du Québec. Interior view of the lobby. Photograph: Bruce Damonte. © OMA. https://www.studiointernational.com/images/articles/l/lassonde-pavilion-2016/063_MNBAQ-Grand-Spiral-Stair.jpg Pierre Lassonde Pavilion, Musée National des Beaux-Arts du Québec. 'The star of the Grand Hall is a glamorous white staircase.' Photograph: Bruce Damonte. © OMA. https://www.studiointernational.com/images/articles/l/lassonde-pavilion-2016/Shohei-Shigematsu-Portrait.jpg Shohei Shigematsu. Photograph: Geordie Wood. https://www.studiointernational.com/index.php/performance-audience-mirror-lisson-gallery-london-review https://www.studiointernational.com/images/articles/p/performance-2016/ABRA750001_3.jpg Marina Abramović. Art must be beautiful/Artist must be beautiful, 1975. Black and white video with sound, 13 min 51 sec. © Marina Abramović; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/performance-2016/DandB160006_Still004.jpg Nathalie Djurberg & Hans Berg. Worship, 2016. Clay animation, digital video, stereo audio, dimensions variable, 8:26 minutes. © Djurberg and Berg; Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/p/performance-2016/DandB160006_Still002.jpg Nathalie Djurberg & Hans Berg. Worship, 2016. Clay animation, digital video, stereo audio, dimensions variable, 8:26 minutes. © Djurberg and Berg; Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/p/performance-2016/GAND080019.jpg Ryan Gander. As it presents itself - somewhere vague, 2008. HD DVD, dimensions variable. © Ryan Gander; Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/p/performance-2016/GRAR970001_vexation_island_06.jpg Rodney Graham. Vexation Island, 1997. 35 mm film transferred to DVD, 9 min projected on continuous loop. © Rodney Graham; Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/p/performance-2016/GRAR970001_vexation_island_09.jpg Rodney Graham. Vexation Island, 1997. 35 mm film transferred to DVD, 9 min projected on continuous loop. © Rodney Graham; Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/p/performance-2016/GRAD770001_Second-Performance-at-PS1-NY,-1977.jpg Dan Graham. Performer/Audience/Mirror, 1975. © Dan Graham. Courtesy: The artist. https://www.studiointernational.com/images/articles/p/performance-2016/GRAR970001.jpg Installation view of Rodney Graham's Vexation Island, 1997. © Rodney Graham; Courtesy of Lisson Gallery. Photograph: Ken Allard. https://www.studiointernational.com/images/articles/p/performance-2016/JANK920003.jpg Installation view of Christian Jankowski's The Hunt, 1992. © Christian Jankowski; Courtesy of Lisson Gallery. Photograph: Ken Allard. https://www.studiointernational.com/images/articles/p/performance-2016/BYRN140004_B.jpg Gerard Byrne. He searches for the contrary of saved, 2014. Single channel black and white hd video with sound, indefinite loop (20 mins approx, looped). © Gerard Byrne; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/performance-2016/AKOM140001_3.jpg John Akomfrah. The Silence, 2014. Single channel HD colour video, 5.1 sound, 16 min 4 sec. © Smoking Dogs Films; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/performance-2016/GAND080019-1.jpg Installation view of Ryan Gander's As it presents itself - somewhere vague, 2008. © Ryan Gander; Courtesy of Lisson Gallery. Photograph: Ken Allard. https://www.studiointernational.com/index.php/alice-channer-interview-early-man-burial-rockfall https://www.studiointernational.com/images/articles/c/channer-alice-2016/AC-15-009HI22.jpg Alice Channer. R o c k f a l l, 2015 (detail). Cast aluminium; cast COR-TEN steel; cast concrete, H55 x W305 x D1730 cm. Installed at Aspen Art Museum, Colorado, US. Work courtesy: Aïshti Foundation, Beirut, LB. Image courtesy: Tony Prikryl. https://www.studiointernational.com/images/articles/c/channer-alice-2016/AC-15-009HI68.jpg Alice Channer. R o c k f a l l, 2015. Cast aluminium; cast COR-TEN steel; cast concrete, H55 x W305 x D1730 cm. Installed at City Hall Park, New York, US. Work courtesy: Aïshti Foundation, Beirut, LB. Image courtesy: Public Art Fund, NY. https://www.studiointernational.com/images/articles/c/channer-alice-2016/AC-16-001HI22.jpg Alice Channer. Burial, 2016 (detail). Cast aluminium bronze; cast concrete; cast COR-TEN steel; polystyrene regrind. Installed Museum Kurhaus Kleve, DE. Work courtesy: the artist and Konrad Fischer Galerie, DE. Image courtesy: Henning Krause. https://www.studiointernational.com/images/articles/c/channer-alice-2016/AC-16-001HI34.jpg Alice Channer. Burial, 2016 (detail). Cast aluminium bronze; cast concrete; cast COR-TEN steel; polystyrene regrind. Installed Museum Kurhaus Kleve, DE. Work courtesy: the artist and Konrad Fischer Galerie, DE. Image courtesy: Henning Krause. https://www.studiointernational.com/images/articles/c/channer-alice-2016/AC-16-010DetailHI.jpg Alice Channer. Filters, 2016 (detail). 2 x framed silk cut cigarette ash; polyethylene microspheres and gouache in and on paper. Work courtesy: the artist and Konrad Fischer Galerie, DE. Image courtesy: Thierry Bal. https://www.studiointernational.com/images/articles/c/channer-alice-2016/AC-16-010HI2.jpg Alice Channer. Filters, 2016. 2 x framed silk cut cigarette ash; polyethylene microspheres and gouache in and on paper, H84 x W59.4 cm each. Installed at Konrad Fischer Galerie, Berlin, DE. Work courtesy: the artist and Konrad Fischer Galerie, DE. Image courtesy: Roman März. https://www.studiointernational.com/images/articles/c/channer-alice-2016/AC-1604_Early-manInstallHI22.jpg Alice Channer. Installation view of Early Man, 2016, Konrad Fischer Galerie, Berlin, DE. Image courtesy: Roman März. https://www.studiointernational.com/images/articles/c/channer-alice-2016/AC-1604_Early-manInstallHI23.jpg Alice Channer. Installation view of Early Man, 2016, Konrad Fischer Galerie, Berlin, DE. Image courtesy: Roman März. https://www.studiointernational.com/index.php/kate-whiteford-interview-false-perspectives https://www.studiointernational.com/images/articles/w/whiteford-kate-2016/Katewhiteford_circularartwork.jpg Kate Whiteford. Punctuation Series, (After Capability Brown) Full stop, 2016. Acrylic on canvas over panel, 122 cm diameter. https://www.studiointernational.com/images/articles/w/whiteford-kate-2016/KateWhitefordwatercolour2.jpg Kate Whiteford. Apres Chippendale 3, 2000, (Rose velvet sofa, 1775). Liquid watercolour on parchment paper. https://www.studiointernational.com/index.php/georgia-o-keeffe-tate-modern-london-review https://www.studiointernational.com/images/articles/o/o-keeffe-georgia-2016/Black-Mesa-Landscape.jpg Georgia O’Keeffe. Black Mesa Landscape, New Mexico / Out Back of Marie https://www.studiointernational.com/images/articles/o/o-keeffe-georgia-2016/Ranchos-Church-New-Mexico.jpg Georgia O’Keeffe. Ranchos Church, New Mexico, 1930-31. Oil paint on canvas, 62.2 x 91.4 cm. Amon Carter Museum of American Art, Fort Worth, Texas. © 2016 Georgia O https://www.studiointernational.com/images/articles/o/o-keeffe-georgia-2016/Music-Pink-and-Blue.jpg Georgia O’Keeffe. Music – Pink and Blue No. 1, 1918. Oil paint on canvas, 88.9 x 73.7 cm. Collection of Barney A. Ebsworth. Partial and Promised gift to Seattle Art Museum. © 2016 Georgia O https://www.studiointernational.com/images/articles/o/o-keeffe-georgia-2016/Black-Cross-with-Stars-and-Blue.jpg Georgia O’Keeffe. Black Cross with Stars and Blue, 1929. Oil paint on canvas, 101.6 x 76.2 cm. Private collection. © 2016 Georgia O'Keeffe Museum/ DACS, London. https://www.studiointernational.com/index.php/9th-berlin-biennale-for-contemporary-art-review https://www.studiointernational.com/images/articles/b/berlin-biennale-2016/BB9_atelier_de_balto_02.jpg Atelier le Balto. Passage, 2016. Installation view. Mixed media. Courtesy Atelier le Balto. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/b/berlin-biennale-2016/BB9_cecile-b-evans_what-the-heart-wants_courtesy-the-artist_still_1.jpg Cécile B. Evans. What the Heart Wants, 2016. Video still. Courtesy Cécile B. Evans; Barbara Seiler, Zurich; Galerie Emanuel Layr, Vienna. https://www.studiointernational.com/images/articles/b/berlin-biennale-2016/BB9_cecile-b-evans_what-the-heart-wants_courtesy-the-artist_still_2.jpg Cécile B. Evans. What the Heart Wants, 2016. Video still. Courtesy Cécile B. Evans; Barbara Seiler, Zurich; Galerie Emanuel Layr, Vienna. https://www.studiointernational.com/images/articles/b/berlin-biennale-2016/BB9_Alexa_Karolinski_Ingo_Nierman_01.jpg Alexa Karolinski/Ingo Niermann. Army of Love, 2016. HD-Film, Farbe, Ton HD film, colour, sound. Costumes Hood by Air. Courtesy Alexa Karolinski/Ingo Niermann © VG Bild-Kunst, Bonn 2016. https://www.studiointernational.com/images/articles/b/berlin-biennale-2016/BB9_Christopher_Kulendran_Thomas_01.jpg Christopher Kulendran Thomas. New Eelam, 2016. Mixed media. Installation view. Courtesy Christopher Kulendran Thomas; New Galerie, Paris. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/b/berlin-biennale-2016/BB9_Simon_Denny_03.jpg Simon Denny with Linda Kantchev. Blockchain Visionaries, 2016. Mixed media. Installation view. Courtesy Simon Denny; Galerie Buchholz, Cologne/Berlin/New York. Commissioned and co-produced by Berlin Biennale for Contemporary Art. With the support of Galerie Buchholz, Cologne/Berlin/New York; Creative New Zealand. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/b/berlin-biennale-2016/BB9_Josephine_Pryde_02.jpg Installation view of The New Media Express, 2014 and Hands 'Für mich', 2014–16. Courtesy Josephine Pryde; Galerie Neu, Berlin. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/b/berlin-biennale-2016/BB9_GCC_installation_view_01.jpg GCC. رﺭوﻭبﺏاﺍٕیﻳجابﯿﻴة /Positive Pathways (+), 2016. Installation view. Mixed media. Courtesy GCC; Kraupa-Tuskany Zeidler, Berlin; Project Native Informant, London; Mitchell-Innes & Nash, NY. Photograph: Timo Ohler. https://www.studiointernational.com/index.php/michael-joo-interview https://www.studiointernational.com/images/articles/j/joo-michael-2016/Michael-Joo,-Prologue--(Montclair-Danby-Vein-Cut),-2014-2015,-Courtesy-the-artist-and-BlainSouthern.jpg Michael Joo. Prologue (Montclair Danby Vein Cut), 2014-15. Danby Quarry marble, silver nitrate, steel, 304.8 x 302.9 x 63.5 cm (120 x 119¼ x 25 in). Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/j/joo-michael-2016/Michael-Joo,-Prologue-(Montclair-Danby-Vein-Cut)-detail,-2014-2015,-Courtesy-the-artist-and-BlainSouthern.jpg Michael Joo. Prologue (Montclair Danby Vein Cut), 2014-15 (detail). Danby Quarry marble, silver nitrate, steel, 304.8 x 302.9 x 63.5 cm (120 x 119¼ x 25 in). Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/j/joo-michael-2016/Michael-Joo,-Untitled,-To-(Drive),-2015-2016,-Silver-nitrate-and-epoxy-ink-on-canvas,-Courtesy-the-artist-and-BlainSouthern.jpg Michael Joo. Untitled, To (Drive), 2015-16. Silver nitrate and epoxy ink on canvas, 91.4 x 71.1 cm (36 x 28 in). Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/j/joo-michael-2016/Michael-Joo,-Untitled-(Radiohalo-1),-2016,-Courtesy-the-artist-and-BlainSouthern,-Photo-Peter-Mallet.jpg Michael Joo. Untitled (Radiohalo 1), 2016. Silver nitrate and epoxy ink on canvas, 313 x 242 cm (123¼ x 95¼ in). Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/j/joo-michael-2016/Michael-Joo,-Untitled-(Take),-2016,-Silver-nitrate-and-epoxy-ink-on-canvas,-Courtesy-the-artist-and-BlainSouthern.jpg Michael Joo. Untitled (Take), 2016. Silver nitrate and epoxy ink on canvas, 233.7 x 182.9 cm (92 x 72 in). Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/j/joo-michael-2016/Michael-Joo,-Radiohalo-installation-view,-2016,-Courtesy-the-artist-and-BlainSouthern,-Photo-Peter-Mallet.jpg Michael Joo. Radiohalo installation view, 2016. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/j/joo-michael-2016/Michael-Joo,-Untitled-(Radiohalo-1),-Untitled-(Radiohalo-2),-Untitled-(Radiohalo-3),-installation-view,-2016,-Courtesy-the-artist-and-BlainSouthern,-Photo-Peter-Mallet.jpg Michael Joo. Untitled (Radiohalo 1), Untitled (Radiohalo 2), Untitled (Radiohalo 3), installation view, 2016. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/j/joo-michael-2016/Michael-Joo,-DRWN,-Carunculatus-(28),-2015,-Courtesy-the-artist-and-BlainSouthern,-Photo-Peter-Mallet.jpg Michael Joo. DRWN, Carunculatus (28), 2015. Graphite impregnated urethane, dimensions variable. Courtesy the artist and Blain Southern. Photograph: Peter Mallet. https://www.studiointernational.com/index.php/the-new-blockheads-moscow-museum-of-modern-art-review https://www.studiointernational.com/images/articles/n/new-blockheads-2016/1-Alphabet-of-Art-2.jpg Alphabet of Art. 4th St. Petersburg International Biennial Spatia Nova. Arts Square, St. Petersburg, 4 October 1996. Participants: Vladimir Kozin, Igor Panin, Sergei Spirikhin, Vadim Fliagin. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/2-Alphabet-of-art-6.jpg Alphabet of Art. 4th St. Petersburg International Biennial Spatia Nova. Arts Square, St. Petersburg, 4 October 1996. Participants: Vladimir Kozin, Igor Panin, Sergei Spirikhin, Vadim Fliagin. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/3-Blockheaded-life-begets-blockheaded-gaze.jpg Blockheaded Life Begets Blockheaded Gaze. Slogan by Vadim Fliagin. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/4-I-am-tsar-I-am-slave-I-am-vermin-I-am-god.jpg I am Tsar – I am Slave – I am Vermin – I am God! Central Russian Elevated Blockheadedness project performance as part of the exhibition Inqvisitio (religious themes in contemporary art). Borey Gallery, St. Petersburg, 17 February 2002. Participants: Vladimir Kozin, Igor Mazheritsky, Oleg Khvostov, Vadim Fliagin. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/5-Learn-to-see-for-yourself.jpg Learn to See for Yourselves. Performance with reading by artists of Borey Gallery, St. Petersburg: 'I come to you naked and handsome,' 1 May 1996. Initiator: Larissa Nazentseva. Participants: Igor’ Panin, Sergei Spirikhin, Vadim Fliagin. Installation view at MMoMA @ Natasha Kurchanova. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/6-Installation-shot-Big-Wash-2.jpg Big Wash. Performance in three parts, 19 July 1996. Participants: Vadim Kozin, Igor Panin, Sergei Spirikhin, Vadim Fliagin. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/7-Installation-shot-Big-Wash-3.jpg Big Wash. Performance in three parts, 19 July 1996. Participants: Vadim Kozin, Igor Panin, Sergei Spirikhin, Vadim Fliagin. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/8-Installation-shot-drawings-2.jpg Oleg Khvostov, Meetings of The New Blockheads, 2000. Installation view at MMoMA @ Natasha Kurchanova. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/9-Installation-shot-Pocket-Contents.jpg Pocket Contents. Performance and installation in the Borey Gallery courtyard, Liteinyi 58, St. Petersburg, 20 June 1996. Sergei Spirikhin. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/10-Slavic-Bazaar.jpg Slavic Bazaar. Central Russian Elevated Blockheadedness project performance as part of Anatomy of Contemporary Art in St. Petersburg No. 2 Festival. Art-Kollegiya Gallery, St. Petersburg, 25-27 March 1999. Performed by Igor Panin. Installation view at MMoMA @ Natasha Kurchanova. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/11-Slavic-Bazaar-and-Clear-Easter-Sunday.jpg Table from Slavic Bazaar, photographs of performances I am Tsar – I am Slave – I am Vermin – I am God! (17 February, 2002) and Blessed Easter Sunday (11 April, 1999). Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/12-Table.jpg Inga Nagel, Red Gothic. Part of the exhibition Concervative Realism: For Conscience, Truth, and Realism in Art. Borey Gallery, St. Petersburg, 5-13 November 1996. Participants: Vladimir Kozin, Inga Nagel, Igor Panin, Dmitry Pilikin, Sergei Spirikhin, Vadim Fliagin. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/13-Timeline.jpg Timeline for The New Blockheads activity. Installation view at installation at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/14-Installation-shot-Moving-of-a-Tea-Table-toward-Sunset.jpg On Liteinyi, performance by Igor Panin 29 June 1996 and Movement of Tea Table toward Sunset, a Seven-Day Journey, performance 25 August 1996 by Igor Panin, Sergei Spirikhin, Vadim Fliagin, Alexander Liashko. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/images/articles/n/new-blockheads-2016/15-Discovery-of-a-landscape.jpg The Inevitability of a Masterpiece, Conference-Dinner, performance 23 March 1997. Participants: Vladimir Kozin, Inga Nagel, Sergei Spirikhin, Igor Panin, Vadim Fliagin. Discovering the Landscape, Central Russian Elevated Blockheadedness project landscape action, 29 August, 1998. Participants: Klavdia Alekseeva, Vladimir Kozin, Inga Nagel, Elena Neverdovskaia (moderator), Igor Panin, Maksim Raiskin, Sergei Spirikhin, Vadim Fliagin, Oleg Khvostov. Installation view at MMoMA © Mikhail Grigoriev. https://www.studiointernational.com/index.php/dana-schutz-interview-i-think-of-the-viewer-as-the-painter https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_008L.jpg Dana Schutz. Horsey Situation, 2015. Oil on canvas, 66 x 47.25 in (167.6 x 120 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_009L.jpg Dana Schutz. Fight in an Elevator, 2015. Oil on canvas, 96 x 90 in (243.8 x 228.6 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_010L.jpg Dana Schutz. Slow Motion Shower, 2015. Oil on canvas, 78 x 72 in (198.1 x 182.9 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_011L.jpg Dana Schutz. Lion Eating Its Tamer, 2015. Oil on canvas, 83.5 x 89 in (212.1 x 226.1 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_012L.jpg Dana Schutz. Big Parts Small Parts, 2015. Oil on canvas, 73.5 x 56.25 in (186.7 x 142.9 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_013L.jpg Dana Schutz. Glider, 2015. Oil on canvas, 84 x 62 in (213.4 x 157.5 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_014L.jpg Dana Schutz. Swiss Family Traveling, 2015. Oil on canvas, 84 x 88 in (213.4 x 223.5 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_015L.jpg Dana Schutz. Fight in an Elevator 2, 2015. Oil on canvas, 96 x 90 in (243.8 x 228.6 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_016L.jpg Dana Schutz. Sleepwalker, 2015. Oil on canvas, 66 x 47.25 in (167.6 x 120 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_017L.jpg Dana Schutz. As Normal as Possible, 2015. Oil on canvas, 40 x 36 in (101.6 x 91.4 cm). https://www.studiointernational.com/images/articles/s/schutz-dana-2016/SCH-15_018L.jpg Dana Schutz. Shaking Out the Bed, 2015. Oil on canvas, 114 x 213.75 in (289.6 x 542.9 cm). https://www.studiointernational.com/index.php/the-world-is-yours-as-well-as-ours-white-cube-review https://www.studiointernational.com/images/articles/w/world-is-yours-2016/Jiang-Zhi-diplay-24-2015-16.jpg Jiang Zhi. The world is yours, as well as ours - Display 24, 2015-2016. Oil on canvas, 86 5/8 x 153 9/16 in (220 x 390 cm). © the artist Courtesy White Cube. https://www.studiointernational.com/images/articles/w/world-is-yours-2016/Liang-Quan-Lotus-Pond-II-2016.jpg Liang Quan. Lotus Pond II, 2016. Ink, colour and paper collage on canvas, 48 1/16 x 63 in (122 x 160 cm). © the artist. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/w/world-is-yours-2016/Liu-Wentao-Untitled-2015.jpg Liu Wentao. Untitled, 2015. Graphite on canvas, 78 3/4 x 78 3/4 in (200 x 200 cm). © the artist. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/w/world-is-yours-2016/Qian-Jiahua-Afterglow-2016.jpg Qian Jiahua. Afterglow, 2016. Acrylic on canvas, 78 3/4 x 63 in (200 x 160 cm). © the artist, courtesy White Cube. https://www.studiointernational.com/images/articles/w/world-is-yours-2016/Qian-Jiahua-Blue-Space-2016.jpg Qian Jiahua. Blue Space, 2016. Acrylic on canvas, 78 3/4 x 63 in (200 x 160 cm). © the artist, courtesy White Cube. https://www.studiointernational.com/images/articles/w/world-is-yours-2016/Qin-Yifeng,-Line-Field-562.jpg Qin Yifeng. Line Field 562, 2015. Acrylic on linen, 70 7/8 x 59 1/16 in (180 x 150 cm). © the artist, courtesy White Cube. https://www.studiointernational.com/images/articles/w/world-is-yours-2016/Yu-Youhan-Abstract-2007121-2007.jpg Yu Youhan. Abstract 2007.12.1, 2007. Acrylic on canvas, 43 5/16 x 43 5/16 in (110 x 110 cm). © the artist, courtesy White Cube. https://www.studiointernational.com/images/articles/w/world-is-yours-2016/Zhou-Li-Enjoyment-of-Water-No5-2016.jpg Zhou Li. Enjoyment of Water No.5, 2016. Mixed media on canvas, 63 x 51 3/16 in (160 x 130 cm). © the artist, courtesy White Cube. https://www.studiointernational.com/images/articles/w/world-is-yours-2016/Zhou-Li-Traces-2015.jpg Zhou Li. Traces, 2015. Mixed media on canvas, 51 3/16 x 43 5/16 in (130 x 110 cm). © the artist, courtesy White Cube. https://www.studiointernational.com/index.php/daniel-sinsel-sadie-coles-london-review https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12175P-Untitled_002.jpg Daniel Sinsel. Untitled, 2016. Oil on linen, 132 x 107.5 x 9.5 cm (52 x 42 ¼ x 3 ⅝ in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12030P-Untitled.jpg Daniel Sinsel. Untitled, 2016. Deer parchment, bistre ink, 62 x 45 x 5 cm (24 ⅜ x 17 ⅝ x 2 in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12174P-Untitled_crop.jpg Daniel Sinsel. Untitled, 2016. Oil on linen, pink coral, 150 x 130 x 12 cm (59 x 51 ⅜ x 4 ⅝ in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12186S-Untitled.jpg Daniel Sinsel. Untitled, 2016. Almandine garnets and brass, 
approx. 40 x 30 x 15 cm (15 ⅝ x 11 ¾ x 5 ⅞ in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12184D-Untitled.jpg Daniel Sinsel. Untitled, 2013. Hazelnut shells, linen and paper, 76.5 x 57 cm (30 x 22 ⅜ in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12182P-Untitled.jpg Daniel Sinsel. Untitled, 2016. Oil on linen and antique whale tooth, 150 x 130 x 12 cm (59 x 51 ⅛ x 4 ⅝ in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12180P-Untitled.jpg Daniel Sinsel. Untitled, 2016. Bistre ink on deer vellum, 
42.6 x 33.1 x 5.2 cm (16 ¾ x 13 x 2 in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12181P-Untitled.jpg Daniel Sinsel. Untitled, 2016. Calf parchment and lead crystal glass, 
64 x 45.2 x 5.5 cm (25 ⅛ x 17 ¾ x 2 ⅛ in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12185D-Untitled_crop.jpg Daniel Sinsel. Untitled, 2016. Watercolour on paper, 75 x 56.5 cm (29 ½ x 22 ⅛ in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/s/sinsel-daniel-2016/HQ19-DS12179P-Untitled.jpg Daniel Sinsel. Untitled, 2016. Oil on linen, 32 x 29 x 3.5 cm (12 ½ x 11 ⅜ x 1 ⅜ in). Copyright the artist, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/index.php/paula-modersohn-becker-an-intensely-artistic-eye-review https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/10-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Autoportrait au sixième anniversaire de mariage (Self-portrait on the sixth wedding anniversary), 25 mai 1906, Tempera on cardboard, 101.8 x 70.2 cm. Museen Böttcherstrasse, Paula Modersohn-Becker Museum, Brême. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/01-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Lune au-dessus d’un paysage, c1900. Tempera on cardboard, 42 x 55.5 cm. Paula-Modersohn-Becker-Stiftung, Brême. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/02-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Jeune fille au poids d’horloge, 1900. Tempera on cardboard, 73,4 x 51.5 cm. Staatsgalerie Stuttgart. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/03-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Jeune fille tenant des fleurs jaunes dans un verre 1902. Tempera on cardboard, 52 x 53 cm. Kunsthalle Bremen-Der Kunstverein in Bremen, Brême. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/04-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Chat tenu par un enfant, c1903. Tempera on canvas, 32.5 x 25.6 cm. Kunsthalle Bremen-Der Kunstverein in Bremen, Brême. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/05-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Tête d’une jeune fille blonde coiffée d’un chapeau de paille (Head of a young blonde girl wearing a straw hat), c1904. Tempera on canvas, 27 x 33.5 cm. Kunst- und Museumsverein, Wuppertal. © Medienzentrum, Antje Zeis-Loi / Kunst-und Museumsverein, Wuppertal. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/06-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Autoportrait sur fond vert avec des iris bleus, c1905. Tempera on canvas, 40.7 x 34.5 cm. Kunsthalle Bremen-Der Kunstverein in Bremen, Brême. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/07-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Portrait de jeune fille, les doigts écartés devant la poitrine, c1905. Tempera on canvas, 41 x 33 cm. Von der Heydt-Museum, Wuppertal. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/08-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Jeune fille jouant de la flûte dans la forêt de bouleaux (ou Jeune fille au chalumeau), 1905. Tempera on canvas on wood, 110.4 x 90.2 cm. Museen Böttcherstrasse, Paula Modersohn-Becker Museum, Brême. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/09-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Buste d’une femme en noir au mouchoir, Spring 1906. Tempera on canvas, 51 x 50.5 cm. Private collection. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/11-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Portrait de Werner Sombart, Spring 1906. Tempera on canvas, 50 x 46 cm. Kunsthalle Bremen-Der Kunstverein in Bremen, Brême. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/12-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Nature morte au bocal de poissons rouges, May-June 1906. Tempera on cardboard, 50.5 x 74 cm. Von der Heydt-Museum, Wuppertal. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/13-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Mère nue en buste, avec un enfant sur son bras II, Autumn 1906. Tempera on canvas, 80 x 59 cm. Museum Ostwall im Dortmunder U, Dortmund. © Museum Ostwall im Dortmunder U, Dortmund. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/14-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Autoportrait à la branche de camélia, 1906-1907. Tempera on cardboard, 61.5 x 30.5 cm. Museum Folkwang, Essen. © Paula-Modersohn-Becker-Stiftung, Brême. https://www.studiointernational.com/images/articles/m/modersohn-becker-paula-2016/15-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Jeune fille nue assise, avec des vases de fleurs, 1906-1907. Tempera on canvas, 89 x 109 cm. Von der Heydt-Museum, Wuppertal. © Von der Heydt-Museum, Wuppertal. https://www.studiointernational.com/index.php/raqib-shaw-i-really-dont-give-a-fuck-about-the-so-called-contemporary-art-world-interview https://www.studiointernational.com/images/articles/s/shaw-raqib-2016/Raqib-Shaw-Centaur-Duo-2016.jpg Raqib Shaw. Centaur Duo, 2016. Bronze with Renaissance patina, 43 5/16 x 27 9/16 x 33 7/16 in (110 x 70 x 85 cm). © Raqib Shaw. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/s/shaw-raqib-2016/Raqib-Shaw-Centaur-Duo-2016-(detail).jpg Raqib Shaw. Centaur Duo, 2016 (detail). Bronze with Renaissance patina, 43 5/16 x 27 9/16 x 33 7/16 in (110 x 70 x 85 cm). © Raqib Shaw. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/s/shaw-raqib-2016/Raqib-Shaw-Self-Portrait-in-the-Studio-at-Peckham-(After-Steenwyck-the-Younger)-II-2014-15.jpg Raqib Shaw. Self Portrait in the Studio at Peckham (After Steenwyck the Younger) II, 2014-2015. Acrylic, enamel and rhinestones on birch wood, 84 x 59 15/16 in (213.4 x 152.3 cm). © Raqib Shaw. Photograph © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/s/shaw-raqib-2016/Raqib-Shaw-Self-Portrait-in-the-Study-at-Peckham-(A-Reverie-after-Antonello-de-Messinas-Saint-Jerome)-II-2013-2014.jpg Raqib Shaw. Self Portrait in the Study at Peckham (A Reverie after Antonello de Messina’s Saint Jerome) II, 2013-2014. Acrylic, enamel and rhinestones on birch wood, 75 9/16 x 59 13/16 in (192 x 152 cm). © Raqib Shaw. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/s/shaw-raqib-2016/Raqib-Shaw-Self-Portrait-in-the-Study-at-Peckham-after-Vincenzo-Catena-(Kashmir-version).jpg Raqib Shaw. Self Portrait in the Study at Peckham (After Vincenzo Catena) Kashmir Version, 2015-2016. Acrylic liner and enamel on birch wood, 47 15/16 x 71 15/16 in (121.8 x 182.8 cm). Photograph: Raqib Shaw (Prudence Cuming Associates Ltd). https://www.studiointernational.com/images/articles/s/shaw-raqib-2016/Raqib-Shaw-White-Cube-at-Glyndebourne-5.jpg Raqib Shaw. White Cube at Glyndebourne, East Sussex, 21 May - 28 August 2016. © Raqib Shaw. Photograph: © White Cube (George Darrell). https://www.studiointernational.com/images/articles/s/shaw-raqib-2016/Raqib-Shaw-White-Cube-at-Glyndebourne-East-Sussex.jpg Raqib Shaw. Installation view, White Cube at Glyndebourne, East Sussex, 21 May - 28 August 2016. © Raqib Shaw. Photograph: © White Cube (George Darrell). https://www.studiointernational.com/images/articles/s/shaw-raqib-2016/Raqib-Shaw-White-Cube-at-Glyndebourne-4.jpg Raqib Shaw. Installation view (2), White Cube at Glyndebourne, East Sussex, 21 May - 28 August 2016. © Raqib Shaw. Photograph: © White Cube (George Darrell). https://www.studiointernational.com/index.php/the-neo-naturists-review-christine-jennifer-binnie-wilma-johnson https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Andrew-Logans-Alternative-Miss-World-at-Olympia,-1981.jpg Neo Naturists, Andrew Logan's Alternative Miss World at Olympia, 1981. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Black-Rapport-Day-Thames-Beach-Wapping,-17-July-1982.jpg Neo Naturists, Black Rapport Day, Thames Beach Wapping, 17 July 1982 (Jennifer Binnie, Wilma Johnson, Nico Holah and Bruce Lacey). Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Body-Painted-Cheerleaders,-with-Michael-Clark,-Taboo,-London,-1985.jpg Neo Naturists, Body Painted Cheerleaders, with Michael Clark, Taboo, London, 1985. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Christine-Binnie-body-painted-at-Central-St-Martins,-London-1-April-1980.jpg Neo Naturists, Christine Binnie body painted at Central St Martins, London 1 April 1980. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Easter-Chicks-Performance,-Andrew-Logans-Easter-Party,-1-April-1988.jpg Neo Naturists, Easter Chicks Performance, Andrew Logans Easter Party, 1 April 1988. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Many-Breasted-Godess,-Sacred-Red-Ochre-sow,-Criminal-Justice-Bill-March,-Hyde-Park,-24-July-1994-2.jpg Neo Naturists, Many Breasted Godess, Sacred Red Ochre sow, Criminal Justice Bill March, Hyde Park, London 24 July 1994. Courtesy of the Neo Naturist Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Many-Breasted-Godess,-Sacred-Red-Ochre-sow,-Criminal-Justice-Bill-March,-Hyde-Park,-24-July-1994.jpg Neo Naturists, Many Breasted Godess, Sacred Red Ochre sow, Criminal Justice Bill March, Hyde Park, London 24 July 1994. Courtesy of the Neo Naturist Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Opening-a-shopping-centre-in-the-Kings-Road-with-Andrew-Logan,-London,-1988.jpg Neo Naturists, Opening a shopping centre in the Kings Road with Andrew Logan, London, 1988. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Paper-Dress-at-the-Embassy-Club-with-George-O-Dowd-as-Brittania,-The-Coffee-Spoon-Embassy-Club,-London,-5-Sep-1980.jpg Neo Naturists, Paper Dress at the Embassy Club with George O'Dowd as Brittania, The Coffee Spoon Embassy Club, London, 5 Sep 1980. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Swimming-and-Walking-Experiment,-Centre-Point-Fountains,-Tottenham-Court-Rd,-London,-Aug-1984.jpg Neo Naturists, Swimming and Walking Experiment, Centre Point Fountains, Tottenham Court Rd, London, August 1984. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Neo-Naturists,-Pink-Punk-Yoga-Performance,-Fridge,-Brixton,-10-June-1982-Grayson-Perry.jpg Neo Naturists, Pink Punk Yoga Performance, Fridge, Brixton, 10 June 1982 (Grayson Perry). Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Sellotape-dresses-with-Marilyn,-Crowndale-Road,-1984.jpg Neo Naturists, Sellotape dresses with Marilyn, Crowndale Road, London 1984. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/The-Neo-Naturists,-2016.-Installation-View,-Studio-Voltaire,-London-2.jpg The Neo Naturists, 2016. Installation view, Studio Voltaire, London. Courtesy of the Neo Naturists Archive. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/The-Neo-Naturists,-2016.-Installation-View,-Studio-Voltaire,-London-3.jpg The Neo Naturists, 2016. Installation view, Studio Voltaire, London. Courtesy of the Neo Naturists Archive. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/The-Neo-Naturists,-2016.-Installation-View,-Studio-Voltaire,-London-4.jpg The Neo Naturists, 2016. Installation view, Studio Voltaire, London. Courtesy of the Neo Naturists Archive. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/The-Neo-Naturists,-2016.-Installation-View,-Studio-Voltaire,-London-5.jpg The Neo Naturists, 2016. Installation view, Studio Voltaire, London. Courtesy of the Neo Naturists Archive. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/The-Neo-Naturists,-2016.-Installation-View,-Studio-Voltaire,-London.jpg The Neo Naturists, 2016. Installation view, Studio Voltaire, London. Courtesy of the Neo Naturists Archive. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Vicky-Johnson-and-Wilma-Johnson-as-Mermaids,-Lyme-Regis,-1981.jpg Neo Naturists, Vicky Johnson and Wilma Johnson as Mermaids, Lyme Regis, 1981. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/images/articles/n/neo-naturists-2016/Wilmas-Private-View-Performanace,-Central-St-Martins,-London,-1982.jpg Neo Naturists, Wilma's Private View Performanace (Nudity), Central St Martins, London, 1982. Courtesy of the Neo Naturists Archive. https://www.studiointernational.com/index.php/kienholz-five-car-stud-review-edward-fondazione-prada-milan https://www.studiointernational.com/images/articles/k/kienholz-2016/Kienholz-3.jpg Edward & Nancy Reddin Kienholz. The Bear Chair, 1991. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/kienholz-2016/Kienholz-8-a.jpg Edward & Nancy Reddin Kienholz. Bout Round Eleven, 1982. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/kienholz-2016/Kienholz-11.jpg Edward & Nancy Reddin Kienholz. The Pool Hall, 1993 (left); Jody, Jody, Jody, 1993–94 (right). Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/kienholz-2016/Kienholz-12.jpg Edward & Nancy Reddin Kienholz. The Rhinestone Beaver Peep Show Triptych, 1980. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/keinholz-2016/Kienholz-13.jpg Edward & Nancy Reddin Kienholz. The Pool Hall, 1993. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/keinholz-2016/Kienholz-14.jpg Edward & Nancy Reddin Kienholz. Jody, Jody, Jody, 1993–94. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/keinholz-2016/Kienholz-15.jpg Edward & Nancy Reddin Kienholz. The Merry-Go-World or Begat By Chance and the Wonder Horse Trigger, 1991-94. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/kienholz-2016/Kienholz-16.jpg Edward & Nancy Reddin Kienholz. The Merry-Go-World or Begat By Chance and the Wonder Horse Trigger, 1991-94. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/kienholz-2016/Kienholz-17-a.jpg Edward & Nancy Reddin Kienholz. 76 J.C.s Led the Big Charade, 1993–94. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/keinholz-2016/Kienholz-17-c.jpg Edward & Nancy Reddin Kienholz. 76 J.C.s Led the Big Charade, 1993–94 (detail). Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/kienholz-2016/Kienholz-18-b.jpg Edward Kienholz. Five Car Stud, 1969–72. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/keinholz-2016/Kienholz-18-c.jpg Edward Kienholz. Five Car Stud, 1969–72. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/kienholz-2016/Kienholz-18-h.jpg Edward Kienholz. Five Car Stud, 1969–72. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/keinholz-2016/Kienholz-19-a.jpg Edward & Nancy Reddin Kienholz. The Caddy Court, 1986–87. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/keinholz-2016/Kienholz-19-b.jpg Edward & Nancy Reddin Kienholz. The Caddy Court, 1986–87. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/k/kienholz-2016/Kienholz-19-c.jpg Edward & Nancy Reddin Kienholz. The Caddy Court, 1986–87. Installation view, Fondazione Prada, Milano. Photograph: Delfino Sisto Legnani Studio. Courtesy Fondazione Prada. https://www.studiointernational.com/index.php/setouchi-triennale-2016-shodoshima-japan-review https://www.studiointernational.com/images/articles/s/setouchi-triennale-2016/IMG_3970.jpg Satoshi Murakami. Komame-tei, a small hut, less than eight square metres in area, where he lived and slept during the spring session. https://www.studiointernational.com/images/articles/s/setouchi-triennale-2016/IMG_3969.jpg Satoshi Murakami. Every day, Murakami cooked food in his hut and invited curious local people to enter and participate in his daily ritual of eating. https://www.studiointernational.com/images/articles/s/setouchi-triennale-2016/IMG_3972.jpg Sarnath Banerjee's graphic novel Haragei. https://www.studiointernational.com/images/articles/s/setouchi-triennale-2016/IMG_3986.jpg What are we? Sosa Joseph with Noboru Tsubaki. https://www.studiointernational.com/images/articles/s/setouchi-triennale-2016/IMG_2490.jpg Japanese art trio, Me. Maze Town - Phantasmagoric Alleys. https://www.studiointernational.com/index.php/xu-yong-video-interview-negatives-china https://www.studiointernational.com/images/articles/x/xu-yong-2016/xu-yong-studio-beijing-2016-2.jpg Xu Yong, Negatives, studio view, May 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/x/xu-yong-2016/xu-yong-studio-beijing-2016-4.jpg Xu Yong, Negatives, studio view, May 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/x/xu-yong-2016/xu-yong-in-his-beijing-studio-2016.jpg Xu Yong in his Beijing studio, May 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/x/xu-yong-2016/xu-yong-studio-beijing-2016-3.jpg Xu Yong, Negatives, studio view, May 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/san-francisco-museum-of-modern-art-new-extension-sf-moma-review https://www.studiointernational.com/images/articles/s/sfmoma-2016/02.jpg Snøhetta expansion of the new SFMOMA, 2016. Photograph: © Henrik Kam, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/03.jpg Snøhetta expansion of the new SFMOMA, 2016. Photograph: © Henrik Kam, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/04.jpg The new SFMOMA, view from Yerba Buena Gardens. Photograph: Jon McNeal, © Snøhetta. https://www.studiointernational.com/images/articles/s/sfmoma-2016/07.jpg Helen and Charles Schwab Hall featuring Sol LeWitt’s Wall Drawing 895: Loopy Doopy (white and blue), 1999. Photograph: © Henrik Kam, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/09.jpg Roberts Family Gallery featuring Richard Serra’s Sequence, 2006. Photograph: © Henrik Kam, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/08.jpg Alexander Calder: Motion Lab: The Fisher Collection exhibition. Photograph: © Iwan Baan, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/06.jpg Alexander Calder’s Untitled (1963) on view in the Evelyn and Walter Haas, Jr. Atrium at the new SFMOMA. Photograph: © Iwan Baan, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/12.jpg Approaching American Abstraction: The Fisher Collection exhibition. Photograph: © Iwan Baan, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/film-as-place.jpg Film as Place exhibition. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/sfmoma-2016/film-as-place-2.jpg Film as Place exhibition. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/s/sfmoma-2016/15.jpg Pop, Minimal, and Figurative Art: The Fisher Collection exhibition. Photograph: © Iwan Baan, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/23.jpg Pat and Bill Wilson Sculpture Terrace featuring Alexander Calder’s sculpture Maquette for Trois Disques (Three Disks), formerly Man (1967) and the living wall, designed by Habitat Horticulture. Photograph: © Henrik Kam, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/Bradford.jpg Mark Bradford. Killing the Goodbye, 2015. Mixed media on canvas, 120 x 120 in (304.8 x 304.8 cm). San Francisco Museum of Modern Art, purchase through a gift of Komal Shah and Gaurav Garg. © Mark Bradford. Photograph: Katherine Du Tiel. https://www.studiointernational.com/images/articles/s/sfmoma-2016/24-SFMOMA-facade.jpg SFMOMA façade of Snøhetta expansion. Photograph: © Henrik Kam, courtesy SFMOMA. https://www.studiointernational.com/images/articles/s/sfmoma-2016/stairway.jpg Stairway view, SFMOMA. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/katie-schwab-interview-furniture-craft https://www.studiointernational.com/images/articles/s/schwab-katie-2016/2-GSS.jpg Ed Emery and Katie Schwab, House, Glasgow Sculpture Studios, 2016. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/s/schwab-katie-2016/3-GSS.jpg Florence Dwyer, Katie Schwab, Simon Worthington, Making the Bed, Laying the Table, Glasgow Sculpture Studios, 2016. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/s/schwab-katie-2016/4-Collective.jpg Katie Schwab, Sampler, 2016. Hessian, Grandma’s wool, cotton thread, pine, sapele. Commissioned by Collective, with support from Creative Scotland. Photograph: Tom Nolan. https://www.studiointernational.com/images/articles/s/schwab-katie-2016/5-Collective.jpg Katie Schwab, Sampler, 2016. Hessian, Grandma’s wool, cotton thread, pine, sapele. Commissioned by Collective, with support from Creative Scotland. Photograph: Tom Nolan. https://www.studiointernational.com/index.php/noble-prospects-capability-brown-and-yorkshire-landscape-review https://www.studiointernational.com/images/articles/c/capability-brown-2016/JSM_3277.jpg Noble Prospects: Capability Brown and the Yorkshire Landscape, gallery view (1), Mercer Art Gallery, Harrogate, 2016. https://www.studiointernational.com/images/articles/c/capability-brown-2016/JSM_3279.jpg Noble Prospects: Capability Brown and the Yorkshire Landscape, gallery view (2), Mercer Art Gallery, Harrogate, 2016. https://www.studiointernational.com/images/articles/c/capability-brown-2016/JSM_3305.jpg Noble Prospects: Capability Brown and the Yorkshire Landscape, gallery view (3), Mercer Art Gallery, Harrogate, 2016. https://www.studiointernational.com/index.php/regine-bartsch-interview-im-drawn-to-places-where-many-people-have-lived-before https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-C4rd-2-All-Walls-Have-Doors.jpg Regine Bartsch. All Walls Have Doors and Windows 1, 2013. Paper, thread, ink, charcoal, graphite, plastic and acrylic, 380 x 220 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-C4RD-3-All-Walls-Have-Doors-.jpg Regine Bartsch. All Walls Have Doors and Windows 3, 2013. Paper, thread, plastic, ink, graphite and acrylic, 190 x 210 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-Sailing-past-Valentia-2014.jpg Regine Bartsch. Sailing Past Valentia Island 1, 2013. Gesso, acrylic, pastel and charcoal on canvas, 140 x 100 cm. Photograph: Con Kelleher. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-Through-Thinkihg-or-Not-2015.jpg Regine Bartsch. Through Thinking Or Not, 2015. Ink on Wenzhou rice paper with waxed string, 183 x 200 x 95 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-Through-Thinking-or-Not-2015.jpg Regine Bartsch. Through Thinking Or Not, 2015. Ink on Wenzhou rice paper with waxed string, 183 x 200 x 95 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-Night-1-2015.jpg Regine Bartsch. At Night 1, 2015. Mixed media on sugar sack paper, 30 x 30 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-Night-2-2015.jpg Regine Bartsch. At Night 1, 2015. Mixed media on sugar sack paper, 30 x 30 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-David-Parr-House-1-2016-Tongues-in-Trees.jpg Regine Bartsch. David Parr House 1 - Tongues in Trees, 2016. Ink, pigment, graphite, collage on canvas, 120 x 140 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-David-Parr-House-2-2016.jpg Regine Bartsch. David Parr House 2 - See and Learn, 2016. Mixed media on sugar sack paper, 30 x 30 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-David-Parr-House-3-2016.jpg Regine Bartsch. David Parr House 3 - For the Love, 2016. Mixed media on sugar sack paper, 30 x 30 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-Suffolk-Landscape-2015.jpg Regine Bartsch. Aldeburgh Beach, 2013. Ink, graphite, charcoal and pastel on linen, 39 x 30 cm. Photograph: Alan Landers. https://www.studiointernational.com/images/articles/b/bartsch-regine-2016/RB-in-studio-2016.jpg Regine Bartsch in her studio, 2016. Photograph: Alan Landers. https://www.studiointernational.com/index.php/judith-wechsler-interview-film-invites-inclusivity-of-media https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Warburg-w-Hopi.jpg Judith Wechsler. Aby Warburg: Metamorphosis and Memory, 2016 (film still). Warburg in the American Southwest with Hopi in 1895. https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Aby-Warburg-4.jpg Judith Wechsler. Aby Warburg: Metamorphosis and Memory, 2016 (film still). 60 min. https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Walter-Benjamin.jpg Judith Wechsler. The Passages of Walter Benjamin, 2014 (film still). 55 min. https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Walter-Benjamin-3.jpg Judith Wechsler. The Passages of Walter Benjamin, 2014 (film still). 55 min. https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Walter-Benjamin-4.jpg Judith Wechsler. The Passages of Walter Benjamin, 2014 (film still). 55 min. https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Walter-Benjamin-2.jpg Judith Wechsler. The Passages of Walter Benjamin, 2014 (film still). 55 min. https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Japser-johns-5.jpg Hans Namuth and Judith Wechsler. Jasper Johns: Take an Object, 1990 (film still). 26 mins. https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Japser-johns-3.jpg Hans Namuth and Judith Wechsler. Jasper Johns: Take an Object, 1990 (film still). 26 mins. https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Japser-johns-2.jpg Hans Namuth and Judith Wechsler. Jasper Johns: Take an Object, 1990 (film still). 26 mins. https://www.studiointernational.com/images/articles/w/wechsler-judith-2016/Japser-johns-7.jpg Hans Namuth and Judith Wechsler. Jasper Johns: Take an Object, 1990 (film still). 26 mins. https://www.studiointernational.com/index.php/ars-electronica-festival-2016-radical-atoms-and-the-alchemists-of-our-time https://www.studiointernational.com/images/articles/a/ars-electronica-2016/6_Homo-Restis.jpg Homo Restis. Costume-sound-performance by Sarah Leimcke and Jens Vetter. Courtesy: Jens Vetter. https://www.studiointernational.com/images/articles/a/ars-electronica-2016/2_Sculpture-Factory-Quayola.jpg Davide Quayola. Sculpture Factory. Courtesy: Quayola. https://www.studiointernational.com/images/articles/a/ars-electronica-2016/3_Packet-Chutes_Honzik.jpg Martin Honzik, head of the Ars Electronica Festival with the packet chutes at PostCity. Photograph: Vanessa Graf. https://www.studiointernational.com/images/articles/a/ars-electronica-2016/5_SandScape.jpg SandScape by Tangible Media Group and MIT Media Lab Courtesy: Tangible Media/MIT Media Lab. https://www.studiointernational.com/images/articles/a/ars-electronica-2016/7_Garden-of-Unearthly-Delights.jpg Mat Collishaw. The Garden of Unearthly Delights, 2009. Aluminium, LED lights, motor, plaster, resin and steel, 179 x 200 x 200 cm. Private collection. https://www.studiointernational.com/images/articles/a/ars-electronica-2016/8_Spirit-Wandering-in-the-Dark.jpg Spirit Wandering in the Dark by Wang Zhigang, Ruan Jianan, Zhang Jieye, Chen Xiaoyu, Tang Muyuan. Courtesy: Tsinghua University. https://www.studiointernational.com/images/articles/a/ars-electronica-2016/9_forensic_fantasies.jpg Forensic Fantasies by Linda Kronman and Andreas Zingerle. A series of three artworks dealing with data breaches of private information. Photograph: Andreas Zingele. https://www.studiointernational.com/images/articles/a/ars-electronica-2016/1_Drone-100.jpg Drone 100 / Intel Performance by Ars Electronica Futurelab digital artists and Intel Corp. 100 illuminated drones ascending skyward. Photograph: Intel Corporation. https://www.studiointernational.com/images/articles/a/ars-electronica-2016/10_Cybernetic-Serendipity-SI-cover.jpg Front cover of Studio International publication accompanying Cybernetic Serendipity exhibition, ICA, London, 1968, curated by Jasia Reichardt. https://www.studiointernational.com/index.php/megan-rooney-interview-my-mother-taught-me-how-to-be-a-maker https://www.studiointernational.com/images/articles/r/rooney-megan-2016/003.jpg Megan Rooney. Moons and salads (Installation view), Animals on the bed, Seventeen, 2016. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/004.jpg Megan Rooney. Food bread salt and a nurse, Piggy Piggy, Croy Nielsen, 2016. Photograph: Joachim Schulz. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/005.jpg Megan Rooney. Untitled (snake), Piggy Piggy, Croy Nielsen, 2016. Photograph: Joachim Schulz. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/009.jpg Megan Rooney. A petit maison, Till the stars to cold, Glasgow Sculpture Studio, 2015. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/007.jpg Megan Rooney. f on your tongue, Project1049, 2016. Commissioned by LUMA. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/008.jpg Megan Rooney. f on your tongue, Project1049, 2016. Commissioned by LUMA. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/001.jpg Megan Rooney. Papier-mâché head of a goddess, Animals on the bed, Seventeen, 2016. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/002.jpg Megan Rooney. Papier-mâché head of a goddess, Animals on the bed, Seventeen, 2016. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/006.jpg Megan Rooney. f on your tongue, Project1049, 2016. Commissioned by LUMA. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/0010.jpg Megan Rooney's mother, Moira, in her Rio garden. https://www.studiointernational.com/images/articles/r/rooney-megan-2016/0011.jpg Megan Rooney. Your final and best wave goodbye (detail), Grand Gestures, Freymond-Guth, 2016. https://www.studiointernational.com/index.php/li-huasheng-interview-a-line-is-nothing https://www.studiointernational.com/images/articles/l/li-huasheng-2016/0546.jpg Li Huasheng. 0546, 2005. Ink on paper, 38 x 70 ½ in (96.5 x 179 cm). Image courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/l/li-huasheng-2016/103.jpg Li Huasheng. 103, 2010. Ink on paper, 30 ¼ x 58 ¼ in (77 x 148 cm). Image courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/l/li-huasheng-2016/1256.jpg Li Huasheng. 1256, 2012. Ink on paper, 27 ½ x 54 ½ in (138.5 x 70 cm). Image courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/l/li-huasheng-2016/1363.jpg Li Huasheng. 1363. 2013. Ink on paper, 27 1/8 x 53 ¾ in (69 x 136.5 cm). Image courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/l/li-huasheng-2016/1364.jpg Li Huasheng. 1364. 2013. Ink on paper, 27 1/8 x 53 ¾ in (69 x 136.5 cm). Image courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/l/li-huasheng-2016/1391.jpg Li Huasheng. 1391. 2013. Ink on paper, 54 ½ x 27 ½ in (138.5 x 70 cm). Image courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/l/li-huasheng-2016/1401.jpg Li Huasheng. 1401. 2014. Ink on paper, 27 x 54 ¾ in (70 x 139 cm). Image courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/l/li-huasheng-2016/1532.jpg Li Huasheng. 1532. 2015. Ink on paper, 29 1/8 x 141 ¾ in (74 x 366 cm). Image courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/l/li-huasheng-2016/Li_Huasheng_in_studio.jpg Li Huasheng in his studio. Image courtesy Mayor Gallery. https://www.studiointernational.com/index.php/paul-carter-video-interview-municipal-cpg-london https://www.studiointernational.com/images/articles/c/carter-paul-2016/paul-carter-6-sep-2016-1000px.jpg Paul Carter at CPG London, Southwark Park, 6 September 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/marten-lange-interview-chicxulub-photobook https://www.studiointernational.com/images/articles/l/lange-marten-2016/Marten-Lange,-Citizen-12,-2015.jpg Marten Lange. Citizen 12, 2015. https://www.studiointernational.com/images/articles/l/lange-marten-2016/Marten-Lange,-Hotel,-from-Chicxulub,-2016.jpg Marten Lange. Hotel, from Chicxulub, 2016. https://www.studiointernational.com/images/articles/l/lange-marten-2016/Marten-Lange,-Lizard,-from-Chicxulub,-2016.jpg Marten Lange. Lizard, from Chicxulub, 2016. https://www.studiointernational.com/images/articles/l/lange-marten-2016/Marten-Lange,-Machina-1,-2007.jpg Marten Lange. Machina 1, 2007. https://www.studiointernational.com/images/articles/l/lange-marten-2016/Marten-Lange,-Machina-27,-2007.jpg Marten Lange. Machina 27, 2007. https://www.studiointernational.com/images/articles/l/lange-marten-2016/Marten-Lange,-Pyramid,-from-Chicxulub,-2016.jpg Marten Lange. Pyramid, from Chicxulub, 2016. https://www.studiointernational.com/images/articles/l/lange-marten-2016/Marten-Lange,-Smoke,-from-Chicxulub,-2016.jpg Marten Lange. Smoke, from Chicxulub, 2016. https://www.studiointernational.com/images/articles/l/lange-marten-2016/Marten-Lange,-Supernova,-from-Another-Language,-2012.jpg Marten Lange. Supernova, from Another Language, 2012. https://www.studiointernational.com/images/articles/l/lange-marten-2016/Marten-Lange,-Whirlpool,-from-Another-Language,-2012.jpg Marten Lange. Whirlpool, from Another Language, 2012. https://www.studiointernational.com/index.php/jeffrey-gibson-interview-tradition-is-evolving https://www.studiointernational.com/images/articles/g/gibson-jeffrey-2016/WHAT-WE-WANT-WHAT-WE-NEED-FULL.jpg Jeffrey Gibson. WHAT WE WANT, WHAT WE NEED, 2014. Repurposed wool army blanket, glass beads, tin jingles, nylon fringe, acrylic yarn, artificial sinew, copper-coated wire, copper cones, turquoise, amethyst, quartz crystals, plastic sequins, amber, wicker beads, glass seed beads, plastic beads, cowrie shell, horn, druzy quartz bead, dentalyum, malachite, stone arrowheads, nickel seed, 68 1/2 x 128 1/2 x 8 in. Image courtesy of Jeffrey Gibson Studio. Photograph: Peter Mauney. https://www.studiointernational.com/images/articles/g/gibson-jeffrey-2016/From_A_Whisper_To_A_Scream_JGibson_02-09-15_MG_9034.jpg Jeffrey Gibson. FROM A WHISPER TO A SCREAM, 2015. Found canvas punching bag, repurposed wool army blanket, glass beads, steel studs, artificial sinew, nylon fringe, copper jingles, steel chain, 79 1/2 x 18 x 18. Image courtesy of Jeffrey Gibson Studio. Photograph: Peter Mauney. https://www.studiointernational.com/images/articles/g/gibson-jeffrey-2016/Aint-Got-No_JGibson_02-09-15_MG_9064.jpg Jeffrey Gibson. AIN'T GOT NO, I GOT LIFE, 2014. Found canvas punching bag, repurposed wool army blanket, glass beads, plastic beads, steel studs, artificial sinew, nylon fringe, tin cones, quartz crystals, steel chain, 55 x 15 x 15 in. Image courtesy of Jeffrey Gibson Studio. Photograph: Peter Mauney. https://www.studiointernational.com/images/articles/g/gibson-jeffrey-2016/This_Is_Our_House_JGibson_05-26-14_MG_8963.jpg Jeffrey Gibson. This Is Our House, 2014. Found vinyl punching bag, glass and plastic beads, artificial sinew, brass and steel studs, wool military blanket, acrylic yarn, steel chain, 42 x 14 x 14 in. Image courtesy of Jeffrey Gibson Studio. Photograph: Peter Mauney. https://www.studiointernational.com/images/articles/g/gibson-jeffrey-2016/Jeffrey-Gibson---Thinking-Of-You.jpg Jeffrey Gibson. Thinking Of You, 2015. Graphite and acrylic on rawhide over wood panel, 16 x 33 in. Image courtesy of Jeffrey Gibson Studio. Photograph: Peter Mauney. https://www.studiointernational.com/images/articles/g/gibson-jeffrey-2016/Jeffrey-Gibson-ALL-FOR-ONE.jpg Jeffrey Gibson. ALL FOR ONE, ONE FOR ALL, 2015. Driftwood, hardware, wool, canvas, glass beads, artificial sinew, metal jingles, nylon fringe, ribbon, steel studs, high fire glazed ceramics, 60 x 72 x 74 in. Image courtesy of Jeffrey Gibson Studio. Photograph: Peter Mauney. https://www.studiointernational.com/images/articles/g/gibson-jeffrey-2016/Rewind.jpg Jeffrey Gibson. Rewind, 2015. Graphite and acrylic paint on deer hide over wood panel, 16 x 16 x 2 1/2 in. Image courtesy of Jeffrey Gibson Studio. Photograph: Peter Mauney. https://www.studiointernational.com/images/articles/g/gibson-jeffrey-2016/Jeffrey-Gibson-The-Only-Way-Out-Is-Through.jpg Jeffrey Gibson. THE ONLY WAY OUT IS THROUGH, 2015. Glass beads, wool, canvas, artificial sinew, steel studs, over wood panel, 40 x 30 in. Image courtesy of Jeffrey Gibson Studio. Photograph: Peter Mauney. https://www.studiointernational.com/images/articles/g/gibson-jeffrey-2016/Raven_JGibson_05-24-16_MG_7365.jpg Jeffrey Gibson. Raven, 2016. Acrylic on canvas, 84 x 108 x 1.5 in. Image courtesy of Jeffrey Gibson Studio. Photograph: Peter Mauney. https://www.studiointernational.com/index.php/history-machines-by-donovan-and-siegel-review-interview-edinburgh-printmakers https://www.studiointernational.com/images/articles/d/donovan-and-siegel-2016/1_Self_Printing_Book.jpg Matt Donovan & Hallie Siegel. Self-Printing Book, 2004. Brass, 27.9 x 22.7 x 10.2 cm (11 x 9 x 4 in). Photograph: Matt Donovan & Hallie Siegel. https://www.studiointernational.com/images/articles/d/donovan-and-siegel-2016/Self-Printing-Book.jpg Matt Donovan & Hallie Siegel. Self-Printing Book, 2004. Brass, 27.9 x 22.7 x 10.2 cm (11 x 9 x 4 in). Photograph: Matt Donovan & Hallie Siegel. https://www.studiointernational.com/images/articles/d/donovan-and-siegel-2016/Haikube.jpg Matt Donovan & Hallie Siegel. Haikube, 2005. Hardware, ebony, 7.6 x 7.6 x 7.6 cm (3 x 3 x 3 in). Photograph: Matt Donovan & Hallie Siegel. https://www.studiointernational.com/images/articles/d/donovan-and-siegel-2016/Cuble-with-background.jpg Matt Donovan & Hallie Siegel. Haikube, 2005. Hardware, ebony, 7.6 x 7.6 x 7.6 cm (3 x 3 x 3 in). Photograph: Patricia Farrelly https://www.studiointernational.com/images/articles/d/donovan-and-siegel-2016/small-room-final-shot.jpg Donovan & Siegel. History Machines, installation view, Edinburgh Printmakers. https://www.studiointernational.com/images/articles/d/donovan-and-siegel-2016/Impressions.jpg Matt Donovan & Hallie Siegel. Impressions, 2005. Magnesium plate, 17.8 x 0.6 x 22.9 cm (7 x ¼ x 9 in) each plate. Photograph: Matt Donovan & Hallie Siegel. https://www.studiointernational.com/index.php/forest-of-expression-art-as-a-communal-act-review-japan https://www.studiointernational.com/images/articles/f/forest-of-expression-2016/Nankitsu-Danchi_2_Photo_KIGURE-Shinya.jpg To the Forest! The Forest’s information center. Yuta Nakajima & Nankitsu Danchi. https://www.studiointernational.com/images/articles/f/forest-of-expression-2016/Nankitsu-Danchi_1_Photo_KIGURE-Shinya.jpg To the Forest! The Forest’s information center. Yuta Nakajima & Nankitsu Danchi. https://www.studiointernational.com/images/articles/f/forest-of-expression-2016/Akatsuki-No-Mura_1.jpg School in the Forest. Gathering and learning, here and now. Port B & Akatsuki No Mura (Akatsuki Village) https://www.studiointernational.com/images/articles/f/forest-of-expression-2016/Nozomi-No-Ie_HIROSE-Satoshi_Sky-Project-Your-Sky,-My-Sky.jpg Nozomi-no-ie ( House for Hope) by Satoshi Hirose, Tomomi Goto. https://www.studiointernational.com/images/articles/f/forest-of-expression-2016/Nozomi-No-Ie_Photo_GOTO-Tomomi.jpg Nozomi-no-ie ( House for Hope) by Satoshi Hirose, Tomomi Goto. https://www.studiointernational.com/images/articles/f/forest-of-expression-2016/remnants-of-pencil-sharpening.jpg Remnants of pencil sharpening, Forest Museum: Finding the Seeds of Expression at Tanpopo-no-ye. https://www.studiointernational.com/images/articles/f/forest-of-expression-2016/timetable-created-by-a-patient-Nakagawa.jpg Timetable, Forest Museum: Finding the Seeds of Expression at Tanpopo-no-ye. https://www.studiointernational.com/images/articles/f/forest-of-expression-2016/containers-of-medicinal-pills.jpg Container of medicinal pills, Forest Museum: Finding the Seeds of Expression at Tanpopo-no-ye. https://www.studiointernational.com/index.php/cyril-de-commarque-video-interview-fluxland-totally-thames-london https://www.studiointernational.com/images/articles/f/fluxland-2016/cyril-de-commarque-8-Sept-2016.jpg Cyril de Commarque onboard Fluxland at Imperial Wharf, London, 8 September 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/clare-jarrett-interview https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_002.jpg Clare Jarrett. Drip, 2016. Hanging, clothing, stuffing and wire, 200 x 60 cm. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_003.jpg Clare Jarrett. Push-me-pull-you, 2016. Clothing, stuffing, buttons and wire, 120 x 140 cm. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_004.jpg Clare Jarrett. Sketchbook page, 2016. A4. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_005.jpg Clare Jarrett. Sketchbook page, 2016. A4. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_006.jpg Clare Jarrett. Plantation Garden installation, Norwich, 2014, 27 sari lengths. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_001.jpg Clare Jarrett. Barber Shop residency, installation view, January 2016. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_008.jpg Clare Jarrett. Untitled, 2016. Tinted cotton duck, stuffing and stitching 60 x 24 x 45 cm (selected for Marmite Prize V, 2016). https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_009.jpg Clare Jarrett. Everyone is here, 2015. Clothing, cable ties and stuffing, 200 x 35 cm. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_010.jpg Clare Jarrett. Cat’s pyjamas, 2015. Clothing, cable ties and stuffing, 20 x 30 cm. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_011.jpg Clare Jarrett. From Thought Cupboard, 2015. Found objects and wire, 15 x 15 cm. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_012.jpg Clare Jarrett. Writing (blue), 2016. Wire, 10 x 10 cm. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_013.jpg Clare Jarrett. From Thought Cupboard, 2015. Found objects and wire. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_014.jpg Clare Jarrett. Dress, 2016. Installation, St Margaret’s Church, Cley, Norfolk, polyvoile, stitching, 600 x 700 cm. https://www.studiointernational.com/images/articles/j/jarrett-clare-2016/Clare_Jarrett_015.jpg Clare Jarrett. Rolling in it, 2016. Wood and nails, 30 x 60 cm. https://www.studiointernational.com/index.php/jess-johnson-interview-eclectrc-panoptic-virtual-reality-simon-ward https://www.studiointernational.com/images/articles/j/johnson-jess-2016/2016-Flesh-Dozer.jpg Jess Johnson. Flesh Dozer, 2016. Pen, fibre tipped markers and gouache on paper, 38.5 x 28 cm. Courtesy the artist. https://www.studiointernational.com/images/articles/j/johnson-jess-2016/2016-Vegetable-Television.jpg Jess Johnson. Vegetable Television, 2016. Pen, fibre tipped markers and gouache on paper, 76 x 56 cm. Courtesy the artist. https://www.studiointernational.com/images/articles/j/johnson-jess-2016/2016-We-Dream-Of-Networks.jpg Jess Johnson. We Dream Of Networks, 2016. Pen, fibre tipped markers and gouache on paper, 76 x 56 cm. Courtesy the artist. https://www.studiointernational.com/images/articles/j/johnson-jess-2016/Ixian-Still_Feed-Room.jpg Jess Johnson & Simon Ward. Ixian Gate (stills), 2015. Virtual Reality animation with audio, 5:35. https://www.studiointernational.com/images/articles/j/johnson-jess-2016/Ixian-Still_landscape.jpg Jess Johnson & Simon Ward. Ixian Gate (stills), 2015. Virtual Reality animation with audio, 5:35. https://www.studiointernational.com/images/articles/j/johnson-jess-2016/Jess-Johnson-19.jpg Jess Johnson, Eclectrc Panoptic, Talbot Rice Gallery, 29 July - 8 October 2016. Installation view. Photograph: Chris Park. https://www.studiointernational.com/images/articles/j/johnson-jess-2016/Jess-Johnson-20.jpg Jess Johnson, Eclectrc Panoptic, Talbot Rice Gallery, 29 July - 8 October 2016. Installation view. Photograph: Chris Park. https://www.studiointernational.com/images/articles/j/johnson-jess-2016/Jess-Johnson-12.jpg Jess Johnson, Eclectrc Panoptic, Talbot Rice Gallery, 29 July - 8 October 2016. Installation view. Photograph: Chris Park. https://www.studiointernational.com/index.php/conrad-shawcross-interview-optic-cloak-greenwich-peninsula https://www.studiointernational.com/images/articles/o/optic-cloak-2016/conrad-shawcross-feb-2016.jpg Conrad Shawcross in his London studio with the maquette for the Optic Cloak, February 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/sean-scully-interview-the-stripe-corresponds-to-everything-around-us https://www.studiointernational.com/images/articles/s/scully-sean-2016/Scully_By-Night-and-by-Day_1983.jpg Sean Scully. By Night and By Day, 1983. Oil on canvas, 97 x 141 1/4 in (247.7 x 360.7 cm). Image courtesy Mnuchin Gallery, New York. © Sean Scully. Photograph: Rob Carter. https://www.studiointernational.com/images/articles/s/scully-sean-2016/Scully_Stranger_1987.jpg Sean Scully. Stranger, 1987. Oil on linen, 96 x 124 in (243.8 x 315 cm). Image courtesy Mnuchin Gallery, New York. © Sean Scully. Photograph: Foto Gasull. https://www.studiointernational.com/images/articles/s/scully-sean-2016/Scully_Summer_1987.jpg Sean Scully. Summer, 1987. Oil on linen, 60 x 96 in (152.4 x 243.8 cm). Image courtesy Mnuchin Gallery, New York. © Sean Scully. Photograph: Foto Gasull. https://www.studiointernational.com/images/articles/s/scully-sean-2016/Scully_White-Light_1988.jpg Sean Scully. White Light, 1988. Oil on linen, 72 x 72 in (182.9 x 182.9 cm) Image courtesy Mnuchin Gallery, New York. © Sean Scully. Photograph: Foto Gasull. https://www.studiointernational.com/index.php/amy-franceschini-interview-futurefarmers-seed-journey https://www.studiointernational.com/images/articles/f/franceschini-amy-2016/02A-Franceschini.jpg Flatbread Society Boat Oven 2, 2013. Photograph: Max McClure. https://www.studiointernational.com/images/articles/f/franceschini-amy-2016/03A-Franceschini.jpg Flatbread Society Bakehouse, 2013. Photograph: Max McClure. https://www.studiointernational.com/images/articles/f/franceschini-amy-2016/04A-Franceschini.jpg Flatbread Society Soil Procession, 2015. Photograph: Svein Kjøde. https://www.studiointernational.com/images/articles/f/franceschini-amy-2016/05A-Franceschini.jpg Consortium Instabile (Treehouse/Radio Station), 2014. Photograph: Futurefarmers. https://www.studiointernational.com/images/articles/f/franceschini-amy-2016/06A-Franceschini.jpg Consortium Instabile (Radio Instabile), 2015. Photograph: Daniela d’Arielli. https://www.studiointernational.com/images/articles/f/franceschini-amy-2016/07A-Franceschini.jpg This is Not a Trojan Horse (in transit), 2010. Photograph: Daniela d’Arielli. https://www.studiointernational.com/images/articles/f/franceschini-amy-2016/08A-Franceschini.jpg This is Not a Trojan Horse (in action), 2010. Photograph: Daniela d’Arielli. https://www.studiointernational.com/images/articles/f/franceschini-amy-2016/09A-Franceschini.jpg Erratum (Video Stills), 2013. Photograph: Jeff Warrin. https://www.studiointernational.com/images/articles/f/franceschini-amy-2016/10A-Franceschini.jpg Erratum (brick mold, porcelain brick, book), 2013. Photograph: Michael Bartalos. https://www.studiointernational.com/index.php/peter-cain-review-matthew-marks-gallery-new-york https://www.studiointernational.com/images/articles/c/cain-peter-2016/Cain_Prelude-3.jpg Peter Cain. Prelude #3, 1990. Oil on canvas, 85 x 48 in (216 x 122 cm). © Peter Cain, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/c/cain-peter-2016/Cain_Satellite.jpg Peter Cain. Satellite, 1988. Oil on linen, 90 x 34 in (229 x 86 cm). © Peter Cain, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/c/cain-peter-2016/Cain_Glider.jpg Peter Cain. Glider, 1995. Oil on linen, 51 1/2 x 67 in (131 x 170 cm). © Peter Cain, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/c/cain-peter-2016/Cain_Z.jpg Peter Cain. Z, 1990. Graphite on paper, 16 1/2 x 20 1/2 in (42 x 52 cm). © Peter Cain, courtesy Matthew Marks Gallery. https://www.studiointernational.com/index.php/guan-xiao-i-am-learning-about-humour https://www.studiointernational.com/images/articles/g/guan-xiao-2016/Amazon-Gold,-2016.jpg Guan Xiao. Amazon Gold, 2016. Fibreglass, resin, plaster, acrylic, speaker, C-stand and mesh fabric. Presented by ICA London in association with K11 Art Foundation, Artwork courtesy of the artist, Kraupa-Tuskany Zeidler, Berlin and Antenna Space, Shanghai. https://www.studiointernational.com/images/articles/g/guan-xiao-2016/From-Unit-3-to-Unit-7,-2016.jpg Guan Xiao. From Unit 3 to Unit 7, 2016. Resin, stainless steel, MDF, acrylic, speaker, C-stand and mesh fabric. Presented by ICA London in association with K11 Art Foundation, Artwork courtesy of the artist, Kraupa-Tuskany Zeidler, Berlin and Antenna Space, Shanghai. https://www.studiointernational.com/images/articles/g/guan-xiao-2016/Installation-view-of-Flattened-Metal-at-ICA-London.jpg Guan Xiao. Installation view of Flattened Metal at ICA London. https://www.studiointernational.com/images/articles/g/guan-xiao-2016/Guan-Xiao,-Weather-Forecast,-2016-(still-2).jpg Guan Xiao. Weather Forecast, 2016 (stills). Three-channel video, colour, sound, 12.48 min, edition of 5 (+1AP). Courtesy the artist and Kraupa-Tuskany Zeidler, Berlin. https://www.studiointernational.com/images/articles/g/guan-xiao-2016/Guan-Xiao,-Weather-Forecast,-2016-(stills),Three-channel-video,-color,-sound,-12.jpg Guan Xiao. Weather Forecast, 2016 (stills). Three-channel video, colour, sound, 12.48 min, edition of 5 (+1AP). Courtesy the artist and Kraupa-Tuskany Zeidler, Berlin. https://www.studiointernational.com/images/articles/g/guan-xiao-2016/Public-Chair,-2016,-Resin,-artificial-plants,-acrylic,-speaker,-C-stand-and-mesh-fabric.jpg Public Chair, 2016, Resin, artificial plants, acrylic, speaker, C-stand and mesh fabric. Presented by ICA London in association with K11 Art Foundation, Artwork courtesy of the artist, Kraupa-Tuskany Zeidler, Berlin and Antenna Space, Shanghai. https://www.studiointernational.com/index.php/douglas-kotwall-interview-k11-art-foundation-chinese-contemporary-art https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Audience-enjoying-the-installation-by-Tianzhuo.jpg Installation by Tianzhuo Chen at Palais de Tokyo, Paris, 24 June 2015 - 13 September 2015. https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Installation-view-of-My-Epidemic-(Small-Modest-Bad-Blood-Opera)-by-artist-Lili-Reynaud-Dewar-at-the-chi-K11-art-museum.jpg Installation view of My Epidemic (Small Modest Bad Blood Opera) by artist Lili Reynaud-Dewar at the chi K11 art museum. https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Installation-view-of-Ten-Thousand-Waves-by-artist-Isaac-Julien-at-the-chi-K11-art-museum-(2).jpg Installation view of Ten Thousand Waves by artist Isaac Julien at the chi K11 art museum. https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Installation-view-of-Tianzhuo-Chens.jpg Installation view of Tianzhuo Chen’s solo exhibition at Palais de Tokyo, Paris, 24 June 2015 - 13 September 2015. https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Installation-view-of-WE-exhibition-at-the-chi-K11-art-museum,-Shanghai,-2016-(1).jpg Installation view of WE exhibition at the chi K11 art museum, Shanghai, 2016. https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Installation-view-of-WE-exhibition-at-the-chi-K11-art-museum,-Shanghai,-2016-(2).jpg Installation view (2) of WE exhibition at the chi K11 art museum, Shanghai, 2016. https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Installation-view-of-WE-exhibition-at-the-chi-K11-art-museum,-Shanghai,-2016.jpg Installation view (3) of WE exhibition at the chi K11 art museum, Shanghai, 2016. https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Performance-conducted-by-artist-Tianzhuo-Chen-2.jpg Performance conducted by artist Tianzhuo Chen at Palais de Tokyo, Paris, 24 June 2015 - 13 September 2015. https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Performance-conducted-by-artist-Tianzhuo-Chen.jpg Performance conducted by artist Tianzhuo Chen at Palais de Tokyo, Paris, 24 June 2015 - 13 September 2015. https://www.studiointernational.com/images/articles/k/kotwall-douglas-2016/Portrait-of-Adrian-Cheng.jpg Portrait of Adrian Cheng, courtesy of K11 Art Foundation. https://www.studiointernational.com/index.php/wifredo-lam-the-ey-exhibition-review-tate-modern-london https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/55-Lam-Biographie.jpg Wifredo Lam working on the cental figure for Collective Cuba – The Mural on the eve of the opening of the Salón de Mayo on 30th July. Wifredo Lam Archives © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/1963-1-Portrait-de-lartiste-a-Albissola.jpg Portrait of the artist Wifredo Lam in Albissola, 1963. Wifredo Lam Archives. © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/49-Lam-Biographie.jpg Wifredo Lam in his studio in Albissola in 1964. In the centre is The Soulless Children, 1964. Wifredo Lam Archives. © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/Belial,-Emperor-of-the-Flies,1948.jpg Wifredo Lam. Bélial, Emperor of the Flies, 1948. Oil on canvas, 216 x 200 cm. Private collection. © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/DarkMalemboCC.jpg Wifredo Lam. Dark Malembo, God of the Crossroads, 1943. The Rudman Trust. © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/Horse-headed-Woman,-1950.jpg Wifredo Lam. Horse-Headed Woman, 1950. The Rudman Trust. © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/Lumiere-de-la-foret-1942.jpg Wifredo Lam. Light of the Forest, 1942. Centre Pompidou, Musée National d’Art Moderne, MNAM-CCI. © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/Self-Portrait,-II-1938.jpg Wifredo Lam. Self-Portrait, II, 1938. The Rudman Trust. © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/Self-Portrait,-III.jpg Wifredo Lam. Self-Portrait, III, 1938. Private collection, Paris. © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/The-Window-I-1935.jpg Wifredo Lam. The Window I, 1935. Pérez Art Museum Miami. © SDO Wifredo Lam. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/Umbral-TC.jpg Wifredo Lam. Umbral (Seuil), 1950. Photograph: Georges Meguerditchian/Centre Pompidou, MNAM-CCI/Dist. RMN-GP. © Adagp, Paris. https://www.studiointernational.com/images/articles/l/lam-wifredo-2016/Untitled,1939.jpg Wifredo Lam. Untitled, 1939. The Rudman Trust. © SDO Wifredo Lam. https://www.studiointernational.com/index.php/ed-moses-painting-as-process-review https://www.studiointernational.com/images/articles/m/moses-ed-2016/Black-and-Red-Grid-No-1-1975-77.jpg Ed Moses. Untitled, 1975-77. Acrylic and masking tape on Strathmore Board, 61 x 41 1/2 in (framed) (154.9 x 105.4 cm). Image courtesy Albertz Benda. https://www.studiointernational.com/images/articles/m/moses-ed-2016/Moses_Exercise_in_Density_1.jpg Ed Moses. Exercise in Density #1, 1975-76. Watercolour on paper, 31 x 22 in (78.7 x 56 cm). Image courtesy Albertz Benda. https://www.studiointernational.com/images/articles/m/moses-ed-2016/Moses_Glady_McBean_1953.jpg Ed Moses. Glady McBean, 1953. Crayon, graphite, collage and casein on heavy watercolour paper, 12 x 20 1/4 in (30.5 x 51.4 cm). Image courtesy Albertz Benda. https://www.studiointernational.com/images/articles/m/moses-ed-2016/Moses_Glow-10_1998.jpg Ed Moses. Glow #10, 1998. Acrylic on mylar, 28 5/8 x 23 1/4 in (72.7 x 59 cm) (framed). Image courtesy Albertz Benda. https://www.studiointernational.com/images/articles/m/moses-ed-2016/Moses_Rojo_de_Walden_aka_Too_Structur_1979.jpg Ed Moses. Rojo de Walden aka Too Structur, 1979. Acrylic on canvas, 60 x 60 in (152.4 x 152.4 cm). Image courtesy Albertz Benda. https://www.studiointernational.com/images/articles/m/moses-ed-2016/Moses_Rose_6.jpg Ed Moses. Rose #6, 1963. Graphite and acrylic on chip board, 60 x 40 in (152.4 x 101.6 cm). Image courtesy Albertz Benda. https://www.studiointernational.com/images/articles/m/moses-ed-2016/Painting-Exhibition-(3)_v2.jpg Ed Moses: Painting as Process, installation view. Albertz Benda, New York, NY, September 8 - October 15, 2016. https://www.studiointernational.com/images/articles/m/moses-ed-2016/Drawing-Exhibition-(4).jpg Ed Moses: Painting as Process, installation view. Albertz Benda, New York, NY, September 8 - October 15, 2016. https://www.studiointernational.com/index.php/william-kentridge-thick-time-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/k/kentridge-william-2016/01-William-Kentridge-The-Refusal-of-Time.jpg William Kentridge. The Refusal of Time, with collaboration of Philip Miller, Catherine Meyburgh and Peter Galison. Film still, 2012, 5-channel video projection, colour, sound, megaphones, breathing machine, 30 min. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/02-William-Kentridge-The-Refusal-of-Time.jpg William Kentridge. The Refusal of Time, with collaboration of Philip Miller, Catherine Meyburgh and Peter Galison. Film still, 2012, 5-channel video projection, colour, sound, megaphones, breathing machine, 30 min. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/03-William-Kentridge-The-Refusal-of-Time.jpg William Kentridge. The Refusal of Time, with collaboration of Philip Miller, Catherine Meyburgh and Peter Galison. Film still, 2012, 5-channel video projection, colour, sound, megaphones, breathing machine, 30 min. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/04-William-Kentridge-The-Refusal-of-Time.jpg William Kentridge. The Refusal of Time, with collaboration of Philip Miller, Catherine Meyburgh and Peter Galison. Film still, 2012, 5-channel video projection, colour, sound, megaphones, breathing machine, 30 min. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/05-William-Kentridge-The-Refusal-of-Time.jpg William Kentridge. The Refusal of Time, with collaboration of Philip Miller, Catherine Meyburgh and Peter Galison. Film still, 2012, 5-channel video projection, colour, sound, megaphones, breathing machine, 30 min. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/06-William-Kentridge-The-Refusal-of-Time.jpg William Kentridge. The Refusal of Time, with collaboration of Philip Miller, Catherine Meyburgh and Peter Galison. Film still, 2012, 5-channel video projection, colour, sound, megaphones, breathing machine, 30 min. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/07-William-Kentridge-The-Nose.jpg William Kentridge. The Nose (with Strawberries), 2012. Tapestry weave with embroidery. Warp: polyester; Weft and embroidery: mohair, acrylic and polyester, 340 x 230 cm. Woven by the Stephens Tapestry Studio. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/08-William-Kentridge-Streets-of-the-City.jpg William Kentridge. Streets of the City, 2009. Tapestry weave with embroidery. Warp: polyester; Weft and embroidery: mohair, acrylic and polyester, 440 x 443 cm. Woven by the Stephens Tapestry Studio. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/09-William-Kentridge-Second-Hand-Reading.jpg William Kentridge. Second Hand Reading, 2013. Flipbook film from drawings on single pages of the Shorter Oxford English Dictionary, HD video, colour, sound. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/10-William-Kentridge-Second-Hand-Reading.jpg William Kentridge. Second Hand Reading, 2013. Flipbook film from drawings on single pages of the Shorter Oxford English Dictionary, HD video, colour, sound. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/11-Installation-view-of-Right-Into-Her-Arms.jpg William Kentridge. Installation view of Right Into Her Arms, 2016. Miniature model theatre with projected images, drawings and props. Wood, steel, cardboard, found paper and found objects, 300 x 244 x 125 cm. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/12-William-Kentridge-O-Sentimental-Machine.jpg William Kentridge. O Sentimental Machine, 2015. 5-channel video installation with four megaphones, HD video, sound, 9:55 min. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/13-William-Kentridge-O-Sentimental-Machine.jpg William Kentridge. O Sentimental Machine, 2015. 5-channel video installation with four megaphones, HD video, sound, 9:55 min. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/14-William-Kentridge-7-Fragments-for-....jpg William Kentridge. 7 Fragments for Georges Méliès, Day for Night and Journey to the Moon, 2003. 9-channel video installation with sound, 16 mm and 35 mm film based on live-action, video and animated drawing, transferred to video, colour. Courtesy William Kentridge, Marian Goodman Gallery, Goodman Gallery and Lia Rumma Gallery. https://www.studiointernational.com/images/articles/k/kentridge-william-2016/WilliamKentridge_Install-View_photo-by-Doug-Peters-1.jpg William Kentridge: Thick Time. Installation view. Photograph: Doug Peters. https://www.studiointernational.com/index.php/michael-buthe-review-haus-der-kunst-munich https://www.studiointernational.com/images/articles/b/buthe-michael-2016/8_Michael-Buthe__Landschaft_1985.jpg Michael Buthe. Landscape (Spanish Energy), 1985. Mixed media, wood, brocade, acrylic on canvas, 218.5 x 165 x 33 cm. Private collection, courtesy Alexander and Bonin, New York. Photograph: Jörg Lohse © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/images/articles/b/buthe-michael-2016/10_Michael_Buthe__MuseduEchnaton_1976-s.jpg Michael Buthe. Musée du Echnaton, Sonnenraum, Atelier Gilbachstraße, Cologne, 1976. Photograph: Friedrich Rosenstiel, Köln © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/images/articles/b/buthe-michael-2016/12_Michael_Buthe__Ohne_Titel_1979_01.jpg Michael Buthe. Untitled, 1979. Persian horse blanket with small wax picture, 237 x 90 cm. Private collection. Photograph: Friedrich Rosenstiel, Köln © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/images/articles/b/buthe-michael-2016/14_Buthe_DieheiligeNachtderJungfraulichkeit_1992_2.jpg Michael Buthe. Holy Night of Virginity, 1992. 14 copper panels and one candelabra crowned with golden ovoids, 400 cm, copper panels 260 x 120 cm each. Kolumba, Cologne, installation view, Kunstmuseum Luzern, 2015. Photograph: Haus der Kunst © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/images/articles/b/buthe-michael-2016/1_Michael_Buthe_My_Love_to_Etienne_1969.jpg Michael Buthe. My Love to Etienne, 1969. Cloth over canvas stretcher, 162 x 291 x 15 cm. Kunstmuseum Luzern, Photograph: Andri Stadler, Luzern © Pro Litteris, Zürich © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/images/articles/b/buthe-michael-2016/IMG_2755.jpg Michael Buthe. Installation view, Haus der Kunst. Photograph: Maximilian Geuter. © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/images/articles/b/buthe-michael-2016/IMG_2760.jpg Michael Buthe. Installation view, Haus der Kunst. Photograph: Maximilian Geuter. © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/images/articles/b/buthe-michael-2016/IMG_2767.jpg Michael Buthe. Installation view, Haus der Kunst. Photograph: Maximilian Geuter. © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/images/articles/b/buthe-michael-2016/IMG_2783.jpg Michael Buthe. Baptistery with Mom and Dad, 1984. Installation shot Haus der Kunst (detail). Photograph: Maximilian Geuter © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/images/articles/b/buthe-michael-2016/IMG_2808.jpg Michael Buthe. Holy Night of Virginity, 1992. Installation view, Haus der Kunst (detail). Photograph: Maximilian Geuter. © VG Bild-Kunst, Bonn, 2016. https://www.studiointernational.com/index.php/dialogue-with-trees-five-stories-of-rebirth-and-renewal-review https://www.studiointernational.com/images/articles/d/dialogue-with-trees-2016/Tabby-2015.jpg Yoshimasa Tsuchiya. Tabby, 2015. Camphor wood, borosilicate glass, polychrome. https://www.studiointernational.com/images/articles/d/dialogue-with-trees-2016/Puppy-2011.jpg Yoshimasa Tsuchiya. Puppy, 2011. Camphor wood, crystal, polychrome. https://www.studiointernational.com/images/articles/d/dialogue-with-trees-2016/Argo-1983.jpg Kyoji Takubo. Argo, 1983. Wood, iron, plaster, gold, beeswax. https://www.studiointernational.com/images/articles/d/dialogue-with-trees-2016/Sensory-Cells-2016-Gingko.jpg Kyoji Takubo. Sensory Cells, 2016. Gingko, cast iron . https://www.studiointernational.com/images/articles/d/dialogue-with-trees-2016/CHI-VA-PIANO-VA-LONTANO-2016.jpg Takamasa Kuniyasu. CHI VA PIANO VA LONTANO, 2016. Ceramic blocks, logs. https://www.studiointernational.com/images/articles/d/dialogue-with-trees-2016/funakoshi.jpg Katsura Funakoshi. Hands Can Reach the Sea, 2016. Camphor wood, marble, miscellaneous wood and polychrome. https://www.studiointernational.com/images/articles/d/dialogue-with-trees-2016/Weed-2016.jpg Yoshihiro Suda. Weed, 2016, Wood and polychrome. https://www.studiointernational.com/images/articles/d/dialogue-with-trees-2016/suda.jpg Yoshihiro Suda. Lily, 2016. Wood and polychrome. https://www.studiointernational.com/index.php/karen-guthrie-interview-the-closer-we-get https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/KarenAndFatherIan.jpg The Closer We Get, 2015. Karen Guthrie and her father, Ian. Photograph: Nina Pope. https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/KarenAndNinaPopeAtEdinburghFF.jpg Nina Pope and Karen Guthrie at Edinburgh International Film Festival. Photograph: Lindsay Perth. https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/KarenAndSiblingsAsKids.jpg Karen Guthrie and her siblings as children. https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/KarenFeedingMumAtHome.jpg The Closer We Get, 2015. Karen feeding her mother at home. Photograph: Nina Pope. https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/KarenFilmingHerParents.jpg The Closer We Get, 2015. Karen filming her parents. Photograph: Nina Pope. https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/KarenGivesMumFacial.jpg The Closer We Get, 2015. Karen gives her mother, and herself, a facial. Photograph: Nina Pope. https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/KarenMumAnnInGarden.jpg The Closer We Get, 2015. Karen's mother, Ann. Photograph: Karen Guthrie. https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/KarensMumAndCat.jpg The Closer We Get, 2015. Ann and the cat. Photograph: Karen Guthrie. https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/MarkWithAnn.jpg The Closer We Get, 2015. Mark with Ann. Photograph: Karen Guthrie. https://www.studiointernational.com/images/articles/g/guthrie-karen-2016/HotDocsBestInternationalFeatureTrophy.jpg Karen Guthrie with her Hot Docs Best International Feature 2015 award. https://www.studiointernational.com/index.php/london-design-festival-biennale-review https://www.studiointernational.com/images/articles/l/london-design-festival-2016/LDF16_GreenRoom_Glithero_Panerai-01.jpg The Green Room, Victoria & Albert Museum. Glithero, British designer Tim Simpson and Dutch designer Sarah van Gameren. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/LDF16_GreenRoom_Glithero_Panerai-04.jpg The Green Room, Victoria & Albert Museum. Glithero, British designer Tim Simpson and Dutch designer Sarah van Gameren. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/LDF16_LiquidMarble_MathieuLehanneur-02.jpg Liquid Marble by the multidisciplinary French designer Mathieu Lehanneur, in the historic setting of the V&A’s Norfolk House Music Room. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/LDF16_LiquidMarble_MathieuLehanneur-09.jpg Liquid Marble by the multidisciplinary French designer Mathieu Lehanneur, in the historic setting of the V&A’s Norfolk House Music Room. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/mini-living-forests-installation-by-Asif-Khan-2.jpg Living “forests” by Asif Khan in Shoreditch, east London. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/mini-living-forests-installation-by-Asif-Khan.jpg Living “forests” by Asif Khan in Shoreditch, east London. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/LDB-UK-Image-2.jpg Forecast, a kinetic installation at Somerset House, London, by east London-based design duo Edward Barber and Jay Osgerby. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/LDB-UK-Image-1.jpg Forecast, a kinetic installation at Somerset House, London, by east London-based design duo Edward Barber and Jay Osgerby. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/LDB-Australia-Image-1.jpg Australian designer Brodie Neill’s installation, entitled Plastic Effects, including a version of an Enlightenment specimen table. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/LDB-France-Image-1-.jpg France’s biennale contribution, Le Bruit des Bonbons – The Astounding Eyes of Syria, by designer and curator Benjamin Loyauté. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/09.jpg The Astounding Eyes of Syria, 2016 HD film, 1,85:1, colour, surround sound, 17 min 54 sec. © studio benjamin loyauté. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/dyslexic-design-2.jpg Dyslexic Design exhibition, curated by industrial designer Jim Rokos, in support of the charity the British Dyslexia Association. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/dyslexic-design-3.jpg Dyslexic Design exhibition, curated by industrial designer Jim Rokos, in support of the charity the British Dyslexia Association. https://www.studiointernational.com/images/articles/l/london-design-festival-2016/03_VR-Room_FINAL-(1).jpg Spain’s virtual reality installation, which was modelled on the city of Santander in northern Spain. https://www.studiointernational.com/index.php/james-richards-requests-and-antisongs-review-ica-london https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0021.jpg James Richards. Radio at Night, 2015. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0027.jpg James Richards. Radio at Night, 2015. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0029.jpg James Richards. Radio at Night, 2015. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0077.jpg James Richards. Rushes Minotaur, 2016. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0009.jpg James Richards. Crumb Mahogany, 2016. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/index.php/robert-mapplethorpe-objects-review https://www.studiointernational.com/images/articles/m/mapplethorpe-2016/RMP_1430.jpg Robert Mapplethorpe. Untitled (Hearts), 1969. Charcoal and colour pencil, gold foil, magazine cut-out, metal screen, tape, 76.2 x 55.9 cm. Courtesy Galerie Thaddeus Ropac, Paris/Salzburg. © Robert Mapplethorpe Foundation. Used by permission. Photograph: Ulrich Ghezzi. https://www.studiointernational.com/images/articles/m/mapplethorpe-2016/RMP_1434.jpg Robert Mapplethorpe. Untitled (2-Part Wood Collage), 1970. Wood, metal, plaster, found objects mounted on wood, 91.4 x 58.4 cm. Courtesy Galerie Thaddeus Ropac, Paris/Salzburg. © Robert Mapplethorpe Foundation. Used by permission. Photograph: Ulrich Ghezzi. https://www.studiointernational.com/images/articles/m/mapplethorpe-2016/RMP_1435.jpg Robert Mapplethorpe. Untitled, 1983, Mixed media, 94 x 104 cm. Courtesy Galerie Thaddeus Ropac, Paris/Salzburg. © Robert Mapplethorpe Foundation. Used by permission. https://www.studiointernational.com/images/articles/m/mapplethorpe-2016/RMP_1436.jpg Robert Mapplethorpe. Untitled / Madonna Medallion, 1968. Colour pencil, paint, found object, sticker on paper, 27.9 x 34.3 cm. Courtesy Galerie Thaddeus Ropac, Paris/Salzburg. © Robert Mapplethorpe Foundation. Used by permission. Photograph: Ulrich Ghezzi. https://www.studiointernational.com/images/articles/m/mapplethorpe-2016/RMP_exhibition_Salzburg_16_1.jpg Installation view, Robert Mapplethorpe Objects, Salzburg 2016. Courtesy Galerie Thaddeus Ropac, Paris/Salzburg. © Robert Mapplethorpe Foundation. Used by permission. Photograph: Ulrich Ghezzi. https://www.studiointernational.com/index.php/shezad-dawood-kalimpong-review-virtual-reality https://www.studiointernational.com/images/articles/d/dawood-shezad-2016/VR2.jpg Shezad Dawood. Kalimpong (still), 2016. VR environment, duration variable © Shezad Dawood, courtesy Timothy Taylor. https://www.studiointernational.com/images/articles/d/dawood-shezad-2016/VR3.jpg Shezad Dawood. Kalimpong (still), 2016. VR environment, duration variable © Shezad Dawood, courtesy Timothy Taylor. https://www.studiointernational.com/images/articles/d/dawood-shezad-2016/VR.jpg Shezad Dawood. Kalimpong (still), 2016. VR environment, duration variable © Shezad Dawood, courtesy Timothy Taylor. https://www.studiointernational.com/images/articles/d/dawood-shezad-2016/TE003920.jpg Shezad Dawood. Ekai Kawaguchi, 2016. Bronze and concrete, 160 x 32 x 33 cm. © Shezad Dawood, courtesy Timothy Taylor. https://www.studiointernational.com/index.php/elpida-hadzi-vasileva-interview https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Beauty-Exposed-I-2016.jpg Elpida Hadzi-Vasileva. Beauty Exposed I, 2016. Sheep stomach, pig intestine and turned wood. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Beauty-Exposed-III-2016.jpg Elpida Hadzi-Vasileva. Beauty Exposed III, 2016. Sheep stomach, pig intestine and turned wood. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Elpida-Hadzi-Vasileva,-Ladies-Purse-1-2011.jpg Elpida Hadzi-Vasileva. Ladies Purse 1, 2011. Photograph: Nick Dunmur, courtesy Elpida Hadzi-Vasileva and Djanogly Gallery. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Elpida-Hadzi-Vasileva,-Ladies-Purse-4-2011.jpg Elpida Hadzi-Vasileva. Ladies Purse 4, 2011. Photograph: Nick Dunmur, courtesy Elpida Hadzi-Vasileva and Djanogly Gallery. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Elpida-Hadzi-Vasileva,-Making-Beauty-Sculpture-2016.jpg Elpida Hadzi-Vasileva. Making Beauty Sculpture, 2016. Photograph: Nick Dunmur, courtesy Elpida Hadzi-Vasileva and Djanogly Gallery. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Elpida-Hadzi-Vasileva,-Making-Beauty-Sculpture-2016_2.jpg Elpida Hadzi-Vasileva. Making Beauty Sculpture, 2016. Photograph: Nick Dunmur, courtesy Elpida Hadzi-Vasileva and Djanogly Gallery. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Elpida-Hadzi-Vasileva,-Skate-Wings,-2011.jpg Elpida Hadzi-Vasileva. Skate Wings, 2011. Photograph: Nick Dunmur, courtesy Elpida Hadzi-Vasileva and Djanogly Gallery. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Inquisition-of-Beauty-2016.jpg Elpida Hadzi-Vasileva. Inquisition of Beauty, 2016. Pig stomachs, LED lights, fibre-glass tube. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Installation-view,-Haruspex,-2015-(detail)-Elpida-Hadzi-Vasileva,-4.jpg Elpida Hadzi-Vasileva. Haruspex, 2015 (detail). Installation view, Djanogly Gallery. Photograph: Nick Dunmur. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Installation-view,-Haruspex,-2015-(detail)-Elpida-Hadzi-Vasileva-3.jpg Elpida Hadzi-Vasileva. Haruspex, 2015 (detail). Installation view, Djanogly Gallery. Photograph: Nick Dunmur. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Installation-view-of-Copper-Wire-Drawing-2016.jpg Elpida Hadzi-Vasileva. Copper Wire Drawing, 2016. Photograph: Nick Dunmur, courtesy of Elpida Hadzi-Vasileva and Djanogly Gallery. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Installation-view-of-Fragility-2015_5.jpg Elpida Hadzi-Vasileva. Fragility, 2015. Installation view. Photograph: Nick Dunmur, courtesy of Elpida Hadzi-Vasileva and Djanogly Gallery. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Installation-view,-Elpida-Hadzi-Vasileva,-Making-Beauty-2.jpg Installation view, Elpida Hadzi-Vasileva, Making Beauty, Djanogly Gallery, Photograph: Nick Dunmur. https://www.studiointernational.com/images/articles/h/hadzi-vasileva-elpida-2016/Installation-view,-Elpida-Hadzi-Vasileva,-Making-Beauty.jpg Installation view, Elpida Hadzi-Vasileva, Making Beauty, Djanogly Gallery, Photograph: Nick Dunmur. https://www.studiointernational.com/index.php/rashid-johnson-fly-away-review-hauser-and-wirth-new-york https://www.studiointernational.com/images/articles/j/johnson-rashid-2016/JOHNR73386.jpg Rashid Johnson. Falling Man, 2015. Mirrored tile, white ceramic tile,spray enamel, vinyl, black soap, wax, 245.7 x 184.8 x 5.4 cm (96 3/4 x 72 3/4 x 2 1/8 in). https://www.studiointernational.com/images/articles/j/johnson-rashid-2016/JOHNR75576.jpg Rashid Johnson. Untitled Escape Collage, 2016. Ceramic tile, black soap, wax, vinyl, spray enamel, 237.5 x 360 x 7.6 cm (93 1/2 x 141 3/4 x 3 in). https://www.studiointernational.com/images/articles/j/johnson-rashid-2016/JOHNR75577.jpg Rashid Johnson. Untitled Anxious Audience, 2016. White ceramic tile, black soap, wax, 240 x 403.2 x 7 cm (94 1/2 x 158 3/4 x 2 3/4 in). https://www.studiointernational.com/images/articles/j/johnson-rashid-2016/JOHNR75580.jpg Rashid Johnson. Untitled Anxious Audience, 2016. White ceramic tile, black soap, wax, 239.4 x 403.9 x 8.3 cm (94 1/4 x 159 x 3 1/4 in). https://www.studiointernational.com/images/articles/j/johnson-rashid-2016/JOHNR75658-(3).jpg Rashid Johnson. Antoine's Organ, 2016. Black steel, grow lights, plants, wood, shea butter, books, monitors, rugs, piano, 480.1 x 858.5 x 321.9 cm (189 x 338 x 126 3/4 in). https://www.studiointernational.com/images/articles/j/johnson-rashid-2016/JOHNR75658-(1).jpg Rashid Johnson. Antoine's Organ, 2016. Black steel, grow lights, plants, wood, shea butter, books, monitors, rugs, piano, 480.1 x 858.5 x 321.9 cm (189 x 338 x 126 3/4 in). https://www.studiointernational.com/images/articles/j/johnson-rashid-2016/JOHNR75658-(2).jpg Rashid Johnson. Antoine's Organ, 2016. Black steel, grow lights, plants, wood, shea butter, books, monitors, rugs, piano, 480.1 x 858.5 x 321.9 cm (189 x 338 x 126 3/4 in). https://www.studiointernational.com/images/articles/j/johnson-rashid-2016/JOHNR75798.jpg Rashid Johnson. Untitled (shea butter table), 2016. Shea butter, Persian rug, branded walnut, 139.7 x 517.5 x 184.2 cm (55 x 203 3/4 x 72 1/2 in). https://www.studiointernational.com/images/articles/j/johnson-rashid-2016/JOHNR75798-(1).jpg Rashid Johnson. Untitled (shea butter table), 2016 (detail). Shea butter, Persian rug, branded walnut, 139.7 x 517.5 x 184.2 cm (55 x 203 3/4 x 72 1/2 in). https://www.studiointernational.com/index.php/zhao-zhao-video-interview https://www.studiointernational.com/images/articles/z/zhao-zhao-2016/zhao-zhao-beijing-may-2015-1000px.jpg Zhao Zhao in his Beijing studio, May 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/karin-schneider-situational-diagram-review-new-york https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider-E_HM_N_B_III-I-Extraction-neoprene-2016_2.jpg Karin Schneider. E (HM/NB III-I) (Extraction), 2016. Neoprene, 33 x 22 in (83.8 x 55.9 cm). https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider-E_HM_N_B_III-I-Extraction-neoprene-2016_6.jpg Karin Schneider. E (HM/NB III-I) (Extraction), 2016. Neoprene, 33 x 22 in (83.8 x 55.9 cm). https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider-E_HM_N_B_III-I-Extraction-neoprene-2016.jpg Karin Schneider. E (HM/NB III-I) (Extraction), 2016. Neoprene, 33 x 22 in (83.8 x 55.9 cm). https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider_A-(AR-BP-+-C-ME-(F))-(She-Is-Difficult)_2015.jpg Karin Schneider. A (AR (BP+ C)/ ME (F)) (She Is Difficult), 2015. Oil on canvas, 60 x 60 in (152.4 x 152.4 cm). https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider_E-TA-AP_Extraction_steel_2016_2.jpg Karin Schneider. E (TA/AP) (Extraction), 2016. Painted stainless steel, 34 x 12 x 9 in (86.4 x 30.5 x 22.9 cm). https://www.studiointernational.com/images/articles/s/schneider-karin-2016/KS-exhibition-rendering-10.jpg Karin Schneider, Situational Diagram. Exhibition rendering, 2016. Courtesy of the artist and Tomaz Capobianco. https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider-Installation-view-2.jpg Karin Schneider. Installation view, (O) paintings on trisected structure. https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider-Installation-view-3.jpg Karin Schneider. Installation view. Clockwise from left: Index 2, 2016, AR (BP) + TA (AP) (Cancellation), 2016, E (TA/AP), 2016. https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider-Installation-view-5.jpg Karin Schneider. Installation view. Clockwise from left: S (BN/SOC8) (Split), 2016, F (FN/WTP) (Floating), 2016, S (BN/ONMI) (Split), 2016, V (MR/RC#1473) (Void), 2016. https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider-Installation-view-6.jpg Karin Schneider. Installation view. Situation, 2016. Suite of Naming paintings and E (@) (Extraction). https://www.studiointernational.com/images/articles/s/schneider-karin-2016/Karin-Schneider-Installation-view-7.jpg Karin Schneider. Situation, 2016, E (@) (Extraction). https://www.studiointernational.com/index.php/inside-artists-and-writers-in-reading-prison-review https://www.studiointernational.com/images/articles/r/reading-prison-2016/Dumas-Inside-Installation-1000px.jpg Installation view of Marlene Dumas's works in Reading Prison. Photograph: © James Lingwood. Courtesy of Artangel. https://www.studiointernational.com/images/articles/r/reading-prison-2016/Dumas-passolini-026.jpg Marlene Dumas. Pasolini, 2012. Photograph: © Marcus J Leith. Courtesy of Artangel. https://www.studiointernational.com/images/articles/r/reading-prison-2016/Dumas-Wilde-Inside-Installation-019.jpg Marlene Dumas. Oscar Wilde, 2016. Installation view. Photograph: © Marcus J Leith. Courtesy of Artangel. https://www.studiointernational.com/images/articles/r/reading-prison-2016/Ben-Whishaw-reading-De-Profundis-in-Reading-Prison-Courtesy-of-Artangel.jpg Ben Whishaw reading De Profundis in Reading Prison. Courtesy of Artangel. https://www.studiointernational.com/images/articles/r/reading-prison-2016/Inside-Installation-011.jpg Inside: Artists and Writers in Reading Prison. Photograph: © Marcus J Leith. Courtesy of Artangel. https://www.studiointernational.com/images/articles/r/reading-prison-2016/Tillmans-Inside-Installation-049.jpg Wolfgang Tillmans. Separate Systems: Reading Prison (Mirror). Photograph: © Marcus J Leith. Courtesy of Artangel. https://www.studiointernational.com/images/articles/r/reading-prison-2016/Steve-McQueen-c-Marcus-J-Leith.jpg Steve McQueen, The Weight, 2016. Gold-plated mosquito net draped over a prison-issue bunkbed. Photograph: © Marcus J. Leith. Courtesy of Artangel. https://www.studiointernational.com/images/articles/r/reading-prison-2016/Nan-Goldin-Boy-c-James-Lingwood.jpg Nan Goldin. The Boy (detail). Photograph: © James Lingwood. Courtesy of Artangel. https://www.studiointernational.com/images/articles/r/reading-prison-2016/exterior-Installation-150.jpg Exterior view of Reading Prison, 2016. Photograph: © Marcus J Leith. Courtesy of Artangel https://www.studiointernational.com/index.php/surreal-encounters-collecting-the-marvellous https://www.studiointernational.com/images/articles/s/surreal-encounter-2016/Rene-Magritte.jpg René Magritte. Le Modèle rouge III (The Red Model III), 1937. Oil on canvas, 206 x 158 x 5cm. 
Collection: Museum Boijmans Van Beuningen, Rotterdam. © ADAGP, Paris and DACS, London 2015 © DACS & The Estate of René Magritte. https://www.studiointernational.com/images/articles/s/surreal-encounter-2016/39_Masson-Andre_Massacre-1931.jpg André Masson. Massacre, 1931.
Oil on canvas. Collection: Hamburger Kunsthalle, Hamburg/ Pietzsche Collection. © Succession André Masson / ADAGP, Paris and DACS, London 2016. https://www.studiointernational.com/images/articles/s/surreal-encounter-2016/Max-Ernst,-La-joie-de-vivre,-1936.jpg Max Ernst. La Joie de vivre (The Joy of Life), 1936. Oil on canvas, 73.5 x 92.5 cm. Collection: National Galleries of Scotland. © ADAGP, Paris and DACS, London 2016. https://www.studiointernational.com/images/articles/s/surreal-encounter-2016/Salvador-Dali.jpg Salvador Dalí. Impressions d'Afrique (Impressions of Africa), 1938. Oil on canvas, 91.5 x 117.5cm. Collection: Museum Boijmans Van Beuningen. © Salvador Dali, Fundació Gala-Salvador Dalí, DACS, 2015. https://www.studiointernational.com/images/articles/s/surreal-encounter-2016/mae-west-lips-sofa.jpg Salvador Dalí. Mae West Lips Sofa, 1938. Museum Boijmans Van Beuningen, Rotterdam. © ADAGP, Paris and DACS, London 2016. https://www.studiointernational.com/index.php/sofia-borges-interview https://www.studiointernational.com/images/articles/b/borges-sofia-2016/five-universes-2015.jpg Sofia Borges. Five Universes, Some Galaxies and Hidden Eggs, 2015. 150 x 260 cm. The Swamp (MACK, 2016). https://www.studiointernational.com/images/articles/b/borges-sofia-2016/head-of-a-horse-2013.jpg Sofia Borges. The Head of a Horse, 2013. 230 x 150 cm. The Swamp (MACK, 2016). https://www.studiointernational.com/images/articles/b/borges-sofia-2016/the-analogy-2013.jpg Sofia Borges. The Analogy, 2013. Dyptich, 150 x 450 cm. The Swamp (MACK, 2016). https://www.studiointernational.com/images/articles/b/borges-sofia-2016/the-philosophers-stone-2012.jpg Sofia Borges. The Philosopher’s Stone, 2012. 50 x 70 cm. The Swamp (MACK, 2016). https://www.studiointernational.com/images/articles/b/borges-sofia-2016/theatre-or-cave-2014.jpg Sofia Borges. Theatre, or Cave, 2014. 150 x 230 cm. The Swamp (MACK, 2016). https://www.studiointernational.com/images/articles/b/borges-sofia-2016/sofia-borges-no-sound-5-2.jpg Sofia Borges. But He Can’t See Me, 2014. 150 x 230 cm. NO SOUND, Galleria Millan, Sao Paulo, 2015. https://www.studiointernational.com/images/articles/b/borges-sofia-2016/sofia-borges-no-sound-28.jpg Sofia Borges. NO SOUND, Galleria Millan, Sao Paulo, 2015. https://www.studiointernational.com/index.php/abstract-expressionism-review-royal-academy-london https://www.studiointernational.com/images/articles/a/abstract-expression-2016/key-12.jpg Franz Kline. Vawdavitch, 1955. Oil on canvas, 158.1 x 204.9 cm. Museum of Contemporary Art Chicago, © ARS, NY and DACS, London 2016. Photograph: Joe Ziolkowski. https://www.studiointernational.com/images/articles/a/abstract-expression-2016/key-119.jpg Clyfford Still, PH-950, 1950. Oil on canvas, 233.7 x 177.8 cm. Clyfford Still Museum, Denver © City and County of Denver / DACS 2016. Photograph courtesy the Clyfford Still Museum, Denver, CO. https://www.studiointernational.com/images/articles/a/abstract-expression-2016/key-183.jpg Willem De Kooning. Woman II, 1952. Oil, enamel and charcoal on canvas, 149.9 x 109.3 cm. The Museum of Modern Art, New York. © 2016 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York and DACS, London 2016. Digital image © 2016. The Museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/images/articles/a/abstract-expression-2016/key-305.jpg Arshile Gorky. Water of the Flowery Mill, 1944 . Oil on canvas, 107.3 x 123.8 cm. The Metropolitan Museum of Art, New York. © ARS, NY and DACS, London 2016. Digital image © 2016. The Metropolitan Museum of Art/Art Resource/Scala, Florence. https://www.studiointernational.com/images/articles/a/abstract-expression-2016/key-34_Jackson-Pollock,-Blue-poles,-1952.jpg Jackson Pollock, Blue poles, 1952. Oil, enamel and aluminium paint with glass on canvas, 212.1 x 488.9 cm. National Gallery of Australia, Canberra. © The Pollock-Krasner Foundation ARS, NY and DACS, London 2016. https://www.studiointernational.com/images/articles/a/abstract-expression-2016/key-97.jpg Lee Krasner. The Eye is the First Circle, 1960. Oil on canvas, 235.6 x 487.4 cm. Private collection, courtesy Robert Miller Gallery, New York. © ARS, NY and DACS, London 2016. https://www.studiointernational.com/images/articles/a/abstract-expression-2016/key-76.jpg David Smith. Star Cage, 1950. Painted and brushed steel, 114 x 130.2 x 65.4 cm. Lent by the Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis. The John Rood Sculpture Collection. © Estate of David Smith/DACS, London/VAGA, New York 2016. https://www.studiointernational.com/images/articles/a/abstract-expression-2016/key-128.jpg Mark Rothko. No. 15, 1957. Oil on canvas, 261.6 x 295.9 cm. Private collection, New York. © 1998 Kate Rothko Prizel & Christopher Rothko ARS, NY and DACS, London. https://www.studiointernational.com/index.php/simon-lewty-interview https://www.studiointernational.com/images/articles/l/lewty-simon-2016/Lewty---Abstract-Script-II_1.jpg Simon Lewty. Abstract Script II, 2015. Ink and crayon on paper, 43.75 x 48 cm. https://www.studiointernational.com/images/articles/l/lewty-simon-2016/Innocence-speaks-of-Light-in-Ways_1.jpg Simon Lewty. Innocence Speaks of Light in Ways, 2012. Ink and acrylic on paper, 92.5 x 63 cm. https://www.studiointernational.com/images/articles/l/lewty-simon-2016/Lewty---Mythe_1.jpg Simon Lewty. Mythe, 2006. Acrylic on tissue paper, 98.5 x 99 cm. https://www.studiointernational.com/images/articles/l/lewty-simon-2016/Letter-to-a-dismissed-servant_1.jpg Simon Lewty. Letter to a Dismissed Servant, 2011. Inscribed ribbon – acrylic, ink on cotton, length 19 metres. https://www.studiointernational.com/images/articles/l/lewty-simon-2016/Lewty-lspa-install1_1.jpg Installation view of SIMON LEWTY - The SIGNificance of Writing at Leamington Spa Art Gallery & Museum, April-July 2016. https://www.studiointernational.com/images/articles/l/lewty-simon-2016/Lewty-lspa-install4_1.jpg Installation view of SIMON LEWTY - The SIGNificance of Writing at Leamington Spa Art Gallery & Museum, April-July 2016. https://www.studiointernational.com/index.php/tacita-dean-la-exuberance-review-frith-street-london https://www.studiointernational.com/images/articles/d/dean-tacita-2016/dean-tacita-02.jpg Tacita Dean. Event for a Stage, 2015. 16mm colour film, optical sound, 50 min. Courtesy Frith Street Gallery, London. Photograph: Stephen White. https://www.studiointernational.com/images/articles/d/dean-tacita-2016/dean-tacita-01.jpg Tacita Dean. Portraits, 2016. 16 mm colour film, optical sound, 16 min. Courtesy Frith Street Gallery, London. Photograph: Stephen White. https://www.studiointernational.com/index.php/oscar-murillo-through-patches-of-corn-wheat-mud-review https://www.studiointernational.com/images/articles/m/murillo-oscar-2016/out-of-many,-one-people,-2015-2016.jpg Oscar Murillo. out of many, one people, 2015-2016. Oil, oil stick, and graphite on canvas and linen, each canvas 78 3/4 x 78 3/4 in (200 x 200 cm). Courtesy the artist and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/m/murillo-oscar-2016/Installation-view.jpg Installation view of Oscar Murillo through patches of corn, wheat and mud at David Zwirner, New York 2016. https://www.studiointernational.com/images/articles/m/murillo-oscar-2016/through-patches-of-corn,-wheat-and-mud,-2016.jpg Oscar Murillo. through patches of corn, wheat and mud, 2016. Latex on linen with steel and scale, 174 x 268 x 30 1/2 in (442 x 680.7 x 77.5 cm). Courtesy the artist and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/m/murillo-oscar-2016/SQ-317-(38,500-ft),-2015-16.jpg Oscar Murillo. SQ 317 (38,500 ft), 2015-2016. Oil, oil stick, and graphite on canvas and linen, 80 1/2 x 86 1/2 in (204.5 x 219.7 cm). Courtesy the artist and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/m/murillo-oscar-2016/all-the-worlds-futures,-2016.jpg Oscar Murillo. all the world’s futures, 2016. Oil, oil stick, and graphite on canvas and linen, 80 7/8 x 94 1/2 x 1 1/2 in (205.4 x 240 x 3.8 cm). Courtesy the artist and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/m/murillo-oscar-2016/pig,-raining-clouds,-HK,-2016.jpg Oscar Murillo. pig, raining clouds, HK, 2016. Oil, oil stick, and graphite on canvas and linen, 84 1/2 x 98 3/8 in (214.6 x 249.9 cm). Courtesy the artist and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/m/murillo-oscar-2016/a-futile-mercantile-disposition,-2016.jpg Oscar Murillo. a futile mercantile disposition, 2016. Oil and oil stick on canvas and linen, stainless steel, vinyl, latex, copper, PVC tubing, self-hardening clay with ground corn, and single channel video, dimensions vary with installation. Courtesy the artist and David Zwirner, New York/London. https://www.studiointernational.com/index.php/stuart-kestenbaum-susan-webster-interview https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Sing.jpg Susan Webster (monotype), Stuart Kestenbaum (letter stamps), Sing, 2016. 43 x 51 cm (17 x 20 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Grieving-over-loved-ones.jpg Stuart Kestenbaum. Grieving over loved ones. Found black text blacked out with marker and hand stamped text, 10 x 13 cm (4 x 5 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Eternity.jpg Susan Webster (image), Stuart Kestenbaum (text), Eternity, 2016. Monotype, ink drawing, letter stamps, on paper, 56 x 76 cm (22 x 30 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Alive-O.jpg Susan Webster (image), Stuart Kestenbaum (text), Alive-O, 2016. Monotype, ink drawing, letter stamps, on paper, 56 x 76 cm (22 x 30 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Once-in-a-Lifetime-SK-and-SW.jpg Susan Webster (image), Stuart Kestenbaum (text), Once in a Lifetime, 2016. Monotype, letter stamps, on paper, 15 x 36 cm (6 x 14 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Thoreaus-Dream.jpg Stuart Kestenbaum. Thoreau’s Dream. Found black text blacked out with marker and hand stamped text, 10 x 13 cm (4 x 5 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Same-Old-Story-.jpg Stuart Kestenbaum. Same old Story. Found black text blacked out with marker and hand stamped text, 10 x 13 cm (4 x 5 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/_Meander_-Webster_Kestenbaum.jpg Susan Webster (monotype, ink drawing), Stuart Kestenbaum (letter stamped text). Meander, 2015. 15 x 30 cm (6 x 12 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Desire.jpg Susan Webster (monotype), Stuart Kestenbaum (stamped letters), Desire, 2016. 30 x 30 cm (12 x 12 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Some-things-great-and-small-.jpg Susan Webster. Some Things Great and Small #1, 2012. Monotype with ink drawing, 56 x 56 cm (22 x 22 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Untitled-1-of-2.jpg Stuart Kestenbaum. Untitled 1 of 2, 2012. Marker pen on found linen, 13 x 13 cm (5 x 5 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Untitled-2-of-2.jpg Stuart Kestenbaum. Untitled 2 of 2, 2012. Marker pen on found linen, 13 x 13 cm (5 x 5 in). © the artists. https://www.studiointernational.com/images/articles/k/kestenbaum-webster-2016/Your-Stillness-SK-and-SW.jpg Susan Webster (image), Stuart Kestenbaum (text), Your Stillness, 2016. Monotype, ink drawing, letter stamps, on paper, 38 x 38 cm (15 ½ x 15 ½ in). © the artists. https://www.studiointernational.com/index.php/visual-wit-and-social-critique-satire-from-goya-to-grosz-review-salzburg https://www.studiointernational.com/images/articles/s/satire-2016/Honore-Daumier_Le-bourgeois-au-salon_1842.jpg Honoré Daumier. Le bourgeois au salon (The Bourgeois at the Salon), 1842. From: La Caricature, 17th April 1842. Colour Lithograph, 36.2 x 25.3 cm. © Museum der Moderne Salzburg. Photograph: Bettina Salomon. https://www.studiointernational.com/images/articles/s/satire-2016/Honore-Daumier_Les-illusions-d-artistes_1842.jpg Honoré Daumier. Les illusions d'artistes - Les grands prix (The Illusions of Artists – Grand Prizes), 1842. From: La Caricature, 17th July 1842. Colour Lithograph. © Museum der Moderne Salzburg. Photograph: Bettina Salomon. https://www.studiointernational.com/images/articles/s/satire-2016/Honore-Daumier_Un-interieur-parisien_1842.jpg Honoré Daumier. Un intérieur parisien (Inside a Parisian Apartment), 1842. From: La Caricature, 15th May 1842. Colour Lithograph. © Museum der Moderne Salzburg. Photograph: Bettina Salomon . https://www.studiointernational.com/images/articles/s/satire-2016/Francisco-de-Goya-disparate-femenino.jpg Francisco de Goya. Disparate volante (Feminine Folly), 1815-1824. Series: Los Proverbios (The Follies). Etching and Aquatint. © Museum der Moderne Salzburg. Photograph: Rainer Iglar. https://www.studiointernational.com/images/articles/s/satire-2016/Francisco-de-Goya-disparate-volante.jpg Francisco de Goya. Disparate volante (Flying Folly), 1815-1824. Series: Los Proverbios (The Follies). Etching and Aquatint. © Museum der Moderne Salzburg. Photograph: Rainer Iglar. https://www.studiointernational.com/images/articles/s/satire-2016/Francisco-de-Goya-el-caballo-raptor.jpg Francisco de Goya. El caballo raptor (The Horse Abductor), 1815-1824. Series: Los Proverbios (The Follies). Etching and Aquatint. © Museum der Moderne Salzburg. Photograph: Rainer Iglar. https://www.studiointernational.com/images/articles/s/satire-2016/Karl-Arnold_Kulturschwitzer_1922.jpg Karl Arnold. Kulturschwätzer (Babbling about Culture), 1922. Collage and opaque white on cardboard. © Museum der Moderne Salzburg. © Bildrecht Wien. Photograph: Bettina Salomon. https://www.studiointernational.com/images/articles/s/satire-2016/Ludwig-Gruber_Am-Ende-der-Pressefreiheit_oJ.jpg Ludwig Gruber. Am Ende der Pressefreiheit (At the End of Press Freedom), (not dated). Chalk on paper. © Museum der Moderne Salzburg. Photograph: Bettina Salomon. https://www.studiointernational.com/images/articles/s/satire-2016/Thomas-Rowlandson_The-Mirror-of-Fashion_o.-J.jpg Thomas Rowlandson. The Mirror of Fashion, (not dated). Ink and watercolour on paper. © Museum der Moderne Salzburg. Photograph: Bettina Salomon. https://www.studiointernational.com/images/articles/s/satire-2016/Wilhelm-Thiny_Sommermode-1938_1938.jpg Wilhelm Thöny. Sommermode 1938 (Summer Fashion 1938), 1938. Ink and watercolour on paper. © Museum der Moderne Salzburg. Photograph: Bettina Salomon. https://www.studiointernational.com/images/articles/s/satire-2016/Dan-Perjovschi-(foto-Pirje-Mykkanen).jpg Dan Perjovschi. Drawing at the Kiasma, Helsinki, 2013. Photograph: Pirje Mykkanen. Courtesy Kiasma and the artist. https://www.studiointernational.com/index.php/michelangelo-pistoletto-video-interview-blenheim-palace-mirror-paintings-arte-povera https://www.studiointernational.com/images/articles/p/pistoletto-michelangelo-2016/pistoletto-2016.jpg Michelangelo Pistoletto speaking to Studio International at Blenheim Palace, 14 September 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/tom-ellis-interview-the-middle-wallace-collection-london https://www.studiointernational.com/images/articles/e/ellis-tom-2016/The-Middle--Tom-Ellis-(37).jpg Tom Ellis. Lawn Sculpture No.1, 2016. Bronze, steel and paint, 117 x 101 x 50 cm. Courtesy of the Wallace Collection, copyright Rob Murray. https://www.studiointernational.com/images/articles/e/ellis-tom-2016/The-Middle-Tom-Ellis-(22).jpg Tom Ellis. The shoemaker Number 4, 'The Col', 2016. Acrylic on canvas, 211 x 149.5 cm. Courtesy of the Wallace Collection, copyright Rob Murray. https://www.studiointernational.com/images/articles/e/ellis-tom-2016/The-Middle-Tom-Ellis-(23).jpg Tom Ellis. Chair-Table no.5, 2016. Cedar, steel, paint and fabric, 157.5 x 55 cm. Courtesy of the Wallace Collection, copyright Rob Murray. https://www.studiointernational.com/images/articles/e/ellis-tom-2016/The-Middle-Tom-Ellis-(25).jpg Tom Ellis, The Middle, installation view of the Lower Ground Exhibition Galleries. Courtesy of the Wallace Collection, copyright Rob Murray. https://www.studiointernational.com/images/articles/e/ellis-tom-2016/The-Middle-Tom-Ellis.jpg Tom Ellis, The Middle, installation view of the Front State Room. Courtesy of the Wallace Collection, copyright Rob Murray. https://www.studiointernational.com/images/articles/e/ellis-tom-2016/Tom-Ellis-at-the-Wallace-Collection.jpg Tom Ellis. Courtesy of the Wallace Collection, copyright Rob Murray. https://www.studiointernational.com/index.php/peter-liversidge-interview-twofold-sean-kelly-gallery-new-york https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/I-02-Days-End.jpg Peter Liversidge. Day's End, 2013. Powder coated aluminum, bulbs, 32 3/4 x 236 1/4 in (83.2 x 600 cm). © Peter Liversidge. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/I-03-Before-After.jpg Peter Liversidge. BEFORE/AFTER, 2012. Powder coated steel, bulbs, electronic timer switch 14 x 162 3/8 x 6 in (35 x 412.5 x 15 cm). © Peter Liversidge. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/I-04-New-York-Tree-Shadow.jpg Peter Liversidge. New York Tree Shadow, 2015. Pair of unique Fuji FP-100C photographs, image: 2 7/8 x 3 3/4 in (7.3 x 9.5 cm) each; Fuji: 3 3/8 x 4 1/4 in (8.5 x 10.8 cm) each. © Peter Liversidge. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/I-05-Afternoon-Sunlight.jpg Peter Liversidge. Afternoon Sunlight, 2014. Pair of unique Fuji FP-100C photographs, image: 2 7/8 x 3 3/4 in (7.3 x 9.5 cm) each; Fuji: 3 3/8 x 4 1/4 in (8.5 x 10.8 cm) each. © Peter Liversidge. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/I-06-Proposal-for-the-Aldrich-Museum.jpg Peter Liversidge. Proposal for The Aldrich Museum No. 6: Re-enactment in the South Gallery of The Aldrich Museum of the Action that Caused a Cannonball to be Lodged in the North Façade of the Keeler Tavern, 2016. Three-pound lead cannonball, drywall, plywood, 2 1/2 x 2 1/2 x 3 1/2 in. © Peter Liversidge. Photograph: Tom Powel Imaging. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/I-07-Oxidized-paintings.jpg Peter Liversidge. Oxidized paintings, 2014. Oxidizing paint on canvas, 11 3/4 x 8 1/4 in (29.8 x 21 cm) each. © Peter Liversidge. Photograph: Jason Wyche, New York. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/I-08-Sean-Kelly-Wall-Drawing.jpg Peter Liversidge. Sean Kelly Wall Drawing, 2016. Coloured pencil, drawing instruments made of wood indigenous to the location of the drawing, size variable. © Peter Liversidge. Photograph: Jason Wyche, New York. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/I-09-Proposals-for-the-Sean-Kelly-Gallery.jpg Peter Liversidge. Proposals for the Sean Kelly Gallery, 2016. A unique set of twelve framed typewritten proposals, paper: 11 3/4 x 8 1/4 in (29.8 x 21 cm) each; overall: 26 1/2 x 67 in (67.3 x 170.2 cm). © Peter Liversidge. Photograph: Jason Wyche, New York. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/I-10-Not-so-much-a-yes.jpg Peter Liversidge. Not so much a yes / As much not a no, 2016. White neon mounted directly to the wall, 33 x 70 3/4 in (83.8 x 179.7 cm). © Peter Liversidge. Photograph: Jason Wyche, New York. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/II-01-Proposal-for-the-Aldrich-Museum-no-60.jpg Peter Liversidge. Proposal for The Aldrich Museum No. 60. Text piece for The Aldrich AT THIS POINT AND NO OTHER, 2016. https://www.studiointernational.com/images/articles/l/liversidge-peter-2016/II-02-Proposal-for-the-Aldrich-Museum-no-20.jpg Peter Liversidge. Proposal for The Aldrich Museum No. 20. Wooden Objects Posted to The Aldrich Museum from London. Installed on a Shelf in the Gallery, 2016. https://www.studiointernational.com/index.php/simon-starling-interview-at-twilight-japan-society-new-york https://www.studiointernational.com/images/articles/s/starling-simon-2016/Hawk-Dance-2.jpg Simon Starling, Still from At Twilight / The Hawk's Dance (Choreographed by Javier De Frutos in association with Scottish Ballet), 2016. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/Hawk-Dance-3.jpg Simon Starling, Still from At Twilight / The Hawk's Dance (Choreographed by Javier De Frutos in association with Scottish Ballet), 2016. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/Hawk-Dance-4.jpg Simon Starling, Still from At Twilight / The Hawk's Dance (Choreographed by Javier De Frutos in association with Scottish Ballet), 2016. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/esra_pound_small.jpg Simon Starling, At Twilight / Mask of Ezra Pound (After Henri Gaudier-Brzeska), 2016. Mask by Yasuo Miichi. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/michio_ito_small.jpg Simon Starling, At Twilight / Mask of Michio Ito (After Isamu Noguchi), 2016. Mask by Yasuo Miichi. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/nancy_cunard_small.jpg Simon Starling, At Twilight / Mask of Nancy Cunard (After Constantin Brancusi), 2016. Mask by Yasuo Miichi. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/rockdrill_small.jpg Simon Starling, At Twilight / Mask of Rock Drill (After Joseph Epstein), 2016. Mask by Yasuo Miichi. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/IMG_0573.jpg Simon Starling, At the Hawk's Well (Grayscale), 2014. Masks by Yasuo Miichi. Costumes by Kumi Sakurai/Atelier Hinode. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/IMG_0585.jpg Simon Starling, At the Hawk's Well (Grayscale), 2014. Masks by Yasuo Miichi. Costumes by Kumi Sakurai/Atelier Hinode. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/IMG_0575.jpg Simon Starling, At the Hawk's Well (Grayscale), 2014. Masks by Yasuo Miichi. Costumes by Kumi Sakurai/Atelier Hinode. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/images/articles/s/starling-simon-2016/IMG_0576.jpg Simon Starling, At the Hawk's Well (Grayscale), 2014. Masks by Yasuo Miichi. Costumes by Kumi Sakurai/Atelier Hinode. Courtesy of Simon Starling & The Modern Institute. https://www.studiointernational.com/index.php/joey-holder-video-interview-ophiux-science https://www.studiointernational.com/images/articles/h/holder-joey-2016/joey-holder-portrait-2016-photo-m-kennedy.jpg Joey Holder in her immersive installation, Ophiux, at Wysing Arts Centre, Cambridge, 8 October 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/celia-paul-desdemona-for-hilton-review-london https://www.studiointernational.com/images/articles/p/paul-celia-2016/2.jpg Celia Paul. Self Portrait, April 2016. Oil on canvas, 91.6 x 61 x 3.6 cm. Courtesy the artist and Victoria Miro, London. © Celia Paul. https://www.studiointernational.com/images/articles/p/paul-celia-2016/1.jpg Celia Paul. Entering the Sea, 2015-16. Oil on canvas, 127 x 127 cm. Courtesy the artist and Victoria Miro, London. © Celia Paul. https://www.studiointernational.com/images/articles/p/paul-celia-2016/3.jpg Celia Paul. Last Light on the Sea, 2016. Oil on canvas, 41 x 56.2 x 3.6 cm. Courtesy the artist and Victoria Miro, London. © Celia Paul. https://www.studiointernational.com/images/articles/p/paul-celia-2016/4.jpg Installation view of Celia Paul - Desdemona for Hilton by Celia at Victoria Miro Mayfair, London. Courtesy the artist and Victoria Miro, London. © Celia Paul. https://www.studiointernational.com/images/articles/p/paul-celia-2016/5.jpg Installation view of Celia Paul - Desdemona for Hilton by Celia at Victoria Miro Mayfair, London. Courtesy the artist and Victoria Miro, London. © Celia Paul. https://www.studiointernational.com/images/articles/p/paul-celia-2016/6.jpg Installation view of Celia Paul - Desdemona for Hilton by Celia at Victoria Miro Mayfair, London. Courtesy the artist and Victoria Miro, London. © Celia Paul. https://www.studiointernational.com/images/articles/p/paul-celia-2016/7.jpg Installation view of Celia Paul - Desdemona for Hilton by Celia at Victoria Miro Mayfair, London. Courtesy the artist and Victoria Miro, London. © Celia Paul. https://www.studiointernational.com/index.php/image-music-text-andrew-gillespie-andrew-lacon-joanne-masding https://www.studiointernational.com/images/articles/i/imt-2016/20161004_125614.jpg Andrew Gillespie, AKA, 2016. Collage, 86 x 61.5 cm. https://www.studiointernational.com/images/articles/i/imt-2016/AG-1.jpg Andrew Gillespie. Doors, 2016. Collage, 86 x 61.5 cm. https://www.studiointernational.com/images/articles/i/imt-2016/AL-.jpg Andrew Lacon. Formations 02 (after Mexico), 2016. Concrete, pigment, ply, 46 x 125 x 24.5 cm. https://www.studiointernational.com/images/articles/i/imt-2016/Andrew-Lacon-Fragments-02.jpg Andrew Lacon. Fragments 02, 2016. Plaster, Pigment, Marble, 33 x 17.5 x 0.18 cm. https://www.studiointernational.com/images/articles/i/imt-2016/JM-A.jpg Joanne Masding. New Rehang (series 3) #1, 2015. Pages from book The British Museum, sparkling laser hologram clear rhino skin car wrap vinyl, plaster, series of 29, 8 x 8 cm. https://www.studiointernational.com/images/articles/i/imt-2016/JM-B.jpg Joanne Masding. New Rehang (series 3) #3, 2015. Pages from book The British Museum, sparkling laser hologram clear rhino skin car wrap vinyl, series of 29, 7 x 8 cm. https://www.studiointernational.com/images/articles/i/imt-2016/JM-8.jpg Andrew Gillespie. Pavement 5, 2016. Acrylic polymer, t-shirts, 22 x 27 cm. https://www.studiointernational.com/images/articles/i/imt-2016/new-rehang-series-1-3-web.jpg Joanne Masding. New Rehang (series 1) #1, 2015. Pages from book The British Museum, hand erased using a rubber. Mahogany, 37.5 x 49.5 cm. https://www.studiointernational.com/images/articles/i/imt-2016/IMT-Installation-Shot-01.jpg Image Music Text: Andrew Gillespie, Andrew Lacon, Joanne Masding. Installation view, IMT Gallery, London, 2016. https://www.studiointernational.com/images/articles/i/imt-2016/IMT-Installation-Shot.jpg Image Music Text: Andrew Gillespie, Andrew Lacon, Joanne Masding. Installation view, IMT Gallery, London, 2016. https://www.studiointernational.com/images/articles/i/imt-2016/install-new-01.jpg Image Music Text: Andrew Gillespie, Andrew Lacon, Joanne Masding. Installation view, IMT Gallery, London, 2016. https://www.studiointernational.com/index.php/giuseppe-fui-saro-non-sono-review-marian-goodman-london https://www.studiointernational.com/images/articles/p/penone-giuseppe-2016/Giuseppe-Penone_MGG_1.jpg Left and centre: Gisueppe Penone, Five works from Indistinti confine, 2012-13. Marble, bronze, dimensions variable. Right: Giuseppe Penone, Dafne, 2015. Bronze, 287 x 116 x 100 cm. Courtesy of Marian Goodman Gallery. https://www.studiointernational.com/images/articles/p/penone-giuseppe-2016/Giuseppe-Penone_MGG_4.jpg Foreground: Giuseppe Penone, Ombra di terra, 1999. Three parts; bronze and terracotta, 283 x 176 x 104 cm. Background: Giuseppe Penone, Three from Corteccia, 1976. Terracotta, green enamel, 27 x 25 x 22 cm. Courtesy of Marian Goodman Gallery. https://www.studiointernational.com/images/articles/p/penone-giuseppe-2016/Giuseppe-Penone_MGG_6.jpg Left: Giuseppe Penone, Three works from Terra su terra, 2014-15. Bronze, terracotta, dimensions variable. Wall: Giuseppe Penone, Spine d’acacia – contatto, marzo 2005, 2005. 12 elements; canvas, acrylic, sand and acacia thorns, 300 x 480 cm. Courtesy of Marian Goodman Gallery. https://www.studiointernational.com/images/articles/p/penone-giuseppe-2016/Giuseppe-Penone_MGG_7.jpg Foreground: Giuseppe Penone, Terra su terra – Volto, 2014. Bronze, terracotta, 240 x 100 x 60 cm. Background: Giuseppe Penone, Respirare l’ombra, 2008. Metallic wire, laurel leaves, bronze, variable elements, dimensions variable. Courtesy of Marian Goodman Gallery. https://www.studiointernational.com/images/articles/p/penone-giuseppe-2016/Giuseppe-Penone_MGG_9.jpg Giuseppe Penone, Trattenere 6, 8, 12 anni di crescita (Continuerà a crescere tranne che in quel punto), 2004-2016. Three elements; bronze, each 350 x 60 x 60 cm. Courtesy of Marian Goodman Gallery. https://www.studiointernational.com/index.php/louise-bourgeois-turning-inwards-review-london https://www.studiointernational.com/images/articles/b/bourgeois-louise-2016/BOURG44717.jpg Louise Bourgeois. I Go to Pieces: My Inner Life (#6), 2010. Etching, watercolour, gouache, ink, pencil and coloured pencil on paper with fabric relief and embroidered fabric on panel, 156.5 x 226 cm (61 5/8 x 89 in). © The Easton Foundation/VAGA, New York/DACS, London 2016. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2016/B9A.jpg Installation view, Louise Bourgeois.Turning Inwards, Hauser & Wirth Somerset, 2016. Louise Bourgeois © The Easton Foundation/VAGA, New York/DACS, London 2016. Courtesy Hauser & Wirth. Photograph: Ken Adlard. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2016/BOURG66170.jpg Louise Bourgeois. Untitled, 2005. Fabric, thread, rubber, stainless steel, wood and glass, 241.9 x 204.5 x 109.2 cm (95 ¼ x 80 x ½ x 43 in). Photograph: Christopher Burke. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2016/WS10.jpg Installation view, Louise Bourgeois.Turning Inwards, Hauser & Wirth Somerset, 2016. Louise Bourgeois © The Easton Foundation/VAGA, New York/DACS, London 2016. Courtesy Hauser & Wirth. Photograph: Ken Adlard. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2016/BOURG70930.jpg Louise Bourgeois. Love and Kisses, 2007. Etching on paper, 153 x 91.8 cm (60 ¼ x 36 1/8 in). © The Easton Foundation/VAGA, New York/DACS, London 2016. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2016/BOURG70954.jpg Louise Bourgeois. The Unfolding, 2007. Etching on paper, 151.1 x 95.6 cm (59 ¾ x 37 5/8 in). © The Easton Foundation/VAGA, New York/DACS, London 2016. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2016/BOURG76670.jpg Louise Bourgeois. My Blue Sky, 1989–2003. Gouache, watercolour, ink, pencil, coloured pencil and paper mounted into a wood and glass window frame, 71.1 x 58.4 x 15.9 cm (28 x 23 x 6 1/4 in). © The Easton Foundation/VAGA, New York/DACS, London 2016. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2016/BOURGpress16-A.jpg Installation view, Louise Bourgeois.Turning Inwards, Hauser & Wirth Somerset, 2016. Louise Bourgeois © The Easton Foundation/VAGA, New York/DACS, London 2016. Courtesy Hauser & Wirth. Photograph: Ken Adlard. https://www.studiointernational.com/images/articles/b/bourgeois-louise-2016/BOURG70939.jpg Louise Bourgeois. Swaying, 2006. Etching and graphite on paper, 151.1 x 28.6 cm (59 1/2 x 11 1/4 in). © The Easton Foundation/VAGA, New York/DACS, London 2016. Courtesy Hauser & Wirth. https://www.studiointernational.com/index.php/toby-ziegler-video-interview-post-human-paradise https://www.studiointernational.com/images/articles/z/ziegler-toby-2016/toby-ziegler-portrait-6-Oct-2016-1000px.jpg Toby Ziegler talking to Studio International at Simon Lee Gallery, London, 6 October 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/picasso-portraits-review-national-portrait-gallery-london https://www.studiointernational.com/images/articles/p/picasso-portraits-2016/npg-1002-1456.jpg Pablo Picasso. Woman in a Hat (Olga), 1935. Centre Pompidou, Paris. Musée national d’art moderne. Copyright: Succession Picasso/DACS London, 2016. Photograph: Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais/Rights reserved. https://www.studiointernational.com/images/articles/p/picasso-portraits-2016/npg-1002-1454.jpg Pablo Picasso. Portrait of Olga Picasso, 1923. Private collection. Copyright: Succession Picasso/DACS London, 2016. https://www.studiointernational.com/images/articles/p/picasso-portraits-2016/npg-1002-1455.jpg Pablo Picasso. Daniel-Henry Kahnweiler, autumn 1910, 1910. Art Institute of Chicago. Copyright: Succession Picasso/DACS London, 2016; 2015 Estate of Pablo Picasso/Artists Rights Society (ARS) New York. https://www.studiointernational.com/images/articles/p/picasso-portraits-2016/npg-1051-1508.jpg Pablo Picasso. Self-portrait, 1896. Museu Picasso, Barcelona. Copyright: Succession Picasso/DACS London, 2016. https://www.studiointernational.com/images/articles/p/picasso-portraits-2016/npg-1051-1509.jpg Pablo Picasso. Self-Portrait with Palette, 1906. Philadelphia Museum of Art: A. E. Gallatin Collection, 1950. Copyright: Succession Picasso/DACS, London 2016; Photograph and Digital Image Philadelphia Museum of Art © Estate of Pablo Picasso/Artists Rights Society (ARS) New York. https://www.studiointernational.com/index.php/arthur-watson-interview-double-diablerie https://www.studiointernational.com/images/articles/w/watson-arthur-2016/ide-IMG_1145.jpg Sotaro Ide (copper, foreground) and Hisashi Kurachi book covers, installation view. https://www.studiointernational.com/images/articles/w/watson-arthur-2016/ide-P1040987.jpg Sotaro Ide book page. Copper-plate etching, 90 x 60 cm. https://www.studiointernational.com/images/articles/w/watson-arthur-2016/ide-P1050325.jpg Sotaro Ide book pages, installation view. Copper-plate etching, each page 90 x 60 cm. https://www.studiointernational.com/images/articles/w/watson-arthur-2016/ide-P1050295.jpg Sotaro Ide book pages, installation view. Copper-plate etching, each page 90 x 60 cm. https://www.studiointernational.com/images/articles/w/watson-arthur-2016/kurachi-P1040905.jpg Hisashi Kurachi book page. Lithograph, 90 x 60 cm. https://www.studiointernational.com/images/articles/w/watson-arthur-2016/kurachi-P1040919.jpg Hisashi Kurachi book page. Lithograph, 90 x 60 cm. https://www.studiointernational.com/images/articles/w/watson-arthur-2016/kurachi-P1040934.jpg Hisashi Kurachi book page. Lithograph, 90 x 60 cm. https://www.studiointernational.com/images/articles/w/watson-arthur-2016/kurachi-P1050355.jpg Hisashi Kurachi book page. Lithograph, 90 x 60 cm. https://www.studiointernational.com/index.php/wendy-stavrianos-interview-silent-rooms-and-portals-to-uncertain-shores https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Bridge-1-Disjunction.jpg Wendy Stavrianos. Bridge 1 Disjunction, 2016. Acrylic on canvas, 180 x 195 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Bridge-2-Relic.jpg Wendy Stavrianos. Bridge 2 Relic, 2016. Acrylic on canvas, 180 x 195 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Dissolving-Elements.jpg Wendy Stavrianos. Dissolving Elements, 2016. Acrylic on canvas, 147 x 177 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Emerging-into-Focus.jpg Wendy Stavrianos. Emerging into Focus, 2016. Acrylic on canvas, 147 x 177 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Entrance.jpg Wendy Stavrianos. Entrance, 2016. Acrylic on canvas, 187 x 267 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Fallen-Remnants.jpg Wendy Stavrianos. Fallen Remnants, 2016. Acrylic on canvas, 92 x 92 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Lost-Room-1.jpg Wendy Stavrianos. Lost Room 1, 2016. Acrylic on canvas, 61 x 71 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Lost-Room-2.jpg Wendy Stavrianos. Lost Room 2, 2016. Acrylic on canvas, 61 x 71 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Portal-1.jpg Wendy Stavrianos. Portal 1, 2016. Acrylic on paper, 56 x 76 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Portal-5.jpg Wendy Stavrianos. Portal 5, 2016. Acrylic on paper, 56 x 76 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Portal-to-Uncertain-Shores.jpg Wendy Stavrianos. Portal to Uncertain Shores, 2016. Acrylic on canvas, 180 x 195 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Portal4.jpg Wendy Stavrianos. Portal 4, 2016. Acrylic on paper, 56 x 76 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Threads-of-Night-and-Light.jpg Wendy Stavrianos. Threads of Night and Light, 2016. Acrylic on canvas, 122 x 122 cm. https://www.studiointernational.com/images/articles/s/stavrianos-wendy-2016/Portal12.jpg Wendy Stavrianos. Portal 12, 2016. Acrylic on paper, 56 x 76 cm. https://www.studiointernational.com/index.php/bedwyr-williams-the-gulch-barbican-london-review https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/4-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/8-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Ben Pruchnie/Getty Images. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/6-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Ben Pruchnie/Getty Images. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/12-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/16-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/22-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams in The Gulch, The Curve, Barbican Centre. Photograph: Ben Pruchnie/Getty Images. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/27-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/10-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/1-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/2-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/5-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/11-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Ben Pruchnie/Getty Images. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/14-Bedwyr-Williams,-The-Gulch,-The-Curve.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Ben Pruchnie/Getty Images. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/19-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/20-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams: The Gulch, The Curve, Barbican Centre, London. Photograph: Max Colson. https://www.studiointernational.com/images/articles/w/williams-bedwyr-2016/28-Bedwyr-Williams,-The-Gulch.jpg Bedwyr Williams in The Gulch, The Curve, Barbican Centre. Photograph: Ben Pruchnie/Getty Images. https://www.studiointernational.com/index.php/lucia-nogueira-review-annely-juda-fine-art-london https://www.studiointernational.com/images/articles/n/nogueira-2016/Nogueira-show-2016_0436.jpg Lucia Nogueira, gallery view © The Estate of Lucia Nogueira, courtesy Annely Juda Fine Art and Anthony Reynolds Gallery, London. https://www.studiointernational.com/images/articles/n/nogueira-2016/Nogueira-show-2016_0439.jpg Lucia Nogueira, gallery view © The Estate of Lucia Nogueira, courtesy Annely Juda Fine Art and Anthony Reynolds Gallery, London. https://www.studiointernational.com/images/articles/n/nogueira-2016/Nogueira-show-2016_0470.jpg Lucia Nogueira, gallery view © The Estate of Lucia Nogueira, courtesy Annely Juda Fine Art and Anthony Reynolds Gallery, London. https://www.studiointernational.com/images/articles/n/nogueira-2016/Nogueira-show-2016_0478.jpg Lucia Nogueira, gallery view © The Estate of Lucia Nogueira, courtesy Annely Juda Fine Art and Anthony Reynolds Gallery, London. https://www.studiointernational.com/index.php/james-richards-interview-requests-antisongs-ica-venice-biennale-wales https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0013.jpg James Richards. Crumb Mahogany, 2016. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0095.jpg James Richards. Radio at Night, 2015. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0021.jpg James Richards. Radio at Night, 2015. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0027.jpg James Richards. Radio at Night, 2015. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0029.jpg James Richards. Radio at Night, 2015. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richardson-james-2016/James-Richards-ICA-0077.jpg James Richards. Rushes Minotaur, 2016. Installation view, Requests and Antisongs, 2016. Courtesy Institute of Contemporary Arts. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/richards-james-2016/Film-still,-Radio-at-Night,-2015-1.jpg Radio at Night, 2015 (film still). Courtesy James Richards and the ICA. https://www.studiointernational.com/images/articles/r/richards-james-2016/Film-still,-Radio-at-Night,-2015-2.jpg Radio at Night, 2015 (film still). Courtesy James Richards and the ICA. https://www.studiointernational.com/images/articles/r/richards-james-2016/Film-still,-Radio-at-Night,-2015-3.jpg Radio at Night, 2015 (film still). Courtesy James Richards and the ICA. https://www.studiointernational.com/images/articles/r/richards-james-2016/Film-still,-Rushes-Minotaur,-2016,-2.jpg Rushes Minotaur, 2016 (film still). Courtesy James Richards and the ICA. https://www.studiointernational.com/images/articles/r/richards-james-2016/Film-still,-Rushes-Minotaur,-2016,-4.jpg Rushes Minotaur, 2016 (film still). Courtesy James Richards and the ICA. https://www.studiointernational.com/images/articles/r/richards-james-2016/Film-still,-Rushes-Minotaur,-2016,-5.jpg Rushes Minotaur, 2016 (film still). Courtesy James Richards and the ICA. https://www.studiointernational.com/images/articles/r/richards-james-2016/Film-still,-Rushes-Minotaur,-2016-1.jpg Rushes Minotaur, 2016 (film still). Courtesy James Richards and the ICA. https://www.studiointernational.com/index.php/jamian-juliano-villani-review-studio-voltaire-london https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/01.jpg Jamian Juliano-Villani. The World's Greatest Planet on Earth, 2016, Installation view, Studio Voltaire, London. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/03.jpg Jamian Juliano-Villani. The World's Greatest Planet on Earth, 2016, Installation view, Studio Voltaire, London. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/04.jpg Jamian Juliano-Villani. Drive Thru Arlington National Cemetery, 2016. Acrylic on canvas, 274.32 x 182.88 cm. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/05.jpg Jamian Juliano-Villani. Stick Drawing for Help, 2016. Acrylic on canvas, 274.32 x 182.88 cm. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/06.jpg Jamian Juliano-Villani. 5-10 min walk, 2016. Wood, stainless steel, 25 x 21.5 x 3 cm. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/10.jpg Jamian Juliano-Villani. The World's Greatest Planet on Earth, 2016, Installation view, Studio Voltaire, London. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/12.jpg Jamian Juliano-Villani. Same Time Next Year, 2016 (Part One). Customised jukebox, audio, 88.5 x 148.5 x 65.5 cm. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/14.jpg Jamian Juliano-Villani. The Sirens, 2016. Acrylic on canvas, 274.32 x 182.88 cm. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/19.jpg Jamian Juliano-Villani. Law Talk, 2016 (Part Two). Acrylic on canvas, 274.32 x 182.88 cm. Studio Voltaire, London. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/22.jpg Jamian Juliano-Villani. Law Talk, 2016 (Part Two). Acrylic on canvas, 274.32 x 182.88 cm. Studio Voltaire, London. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/23.jpg Jamian Juliano-Villani. My Memories Projected in the Hallways of the Titanic, 2016. Acrylic on canvas, 182.88 x 274.32 cm. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/24.jpg Jamian Juliano-Villani. Blue Marina, 2016. Acrylic on canvas, 182.88 x 274.32 cm. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/28.jpg Jamian Juliano-Villani. Possession (Airbnb Poltergeist), 2016. Wicker chairs, teak table, emulsion, tennis balls, 179 x 269 x 122 cm. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/j/juliano-villani-jamian-2016/29.jpg Jamian Juliano-Villani. Alex Ito, Night Assistant, 2016. Acrylic on canvas, 61.5 x 75.6 cm. Courtesy of the artist and Tanya Leighton Gallery, Berlin. Photograph: Andy Keate. https://www.studiointernational.com/index.php/lumen-prize-awards-review https://www.studiointernational.com/images/articles/l/lumens-prize-2016/17-Hyperplanes-of-simultaneity---metromorphosys,-oil-on-canvas-120x180cm.jpg Lumen Prize Gold Award 2016. Fabio Giampietro and Alessio de Vecchi, Hyperplanes of Simultaneity, 2015. Samsung Gear VR Unity. https://www.studiointernational.com/images/articles/l/lumens-prize-2016/5-afterglowSEIR_02.jpg Moving Image Award 2016. boredomresearch (Vicky Isley and Paul Smith), AfterGlow, 2015. Mini PC Game System and custom built software in Blender Game Engine. https://www.studiointernational.com/images/articles/l/lumens-prize-2016/10-CarlaGSelfieDrawings02.jpg Founder’s Prize 201. Carla Gannis, The Selfie Drawings Book, 2015. Blippar augmented reality, Adobe creative suite, DAZ3D and 123D Catch. https://www.studiointernational.com/images/articles/l/lumens-prize-2016/11-CarlaGSelfieDrawings03.jpg Founder’s Prize. Carla Gannis, The Selfie Drawings Book, 2015. Blippar augmented reality, Adobe creative suite, DAZ3D and 123D Catch. https://www.studiointernational.com/images/articles/l/lumens-prize-2016/13-esso0.jpg Still Image Award. Jon McCormack, Fifty Sisters (Esso), 2012. Custom software written in C++. https://www.studiointernational.com/images/articles/l/lumens-prize-2016/15-FiftySisters.jpg Still Image Award. Jon McCormack, Fifty Sisters (Esso), 2012. Custom software written in C++. https://www.studiointernational.com/images/articles/l/lumens-prize-2016/16-FLOWN_POSTCARD.jpg 3D / Sculpture Award. Esther Rolinson and Sean Clark, Flown, 2015. Hand-folded acrylic, Photon Internet-connected microcontroller, custom lighting rig and bespoke programming. https://www.studiointernational.com/images/articles/l/lumens-prize-2016/19-the_tree_Eduardo-Nava.jpg Eduardo Nava, The Tree, 2016. GIMP Apophisys 7x Photoscape. https://www.studiointernational.com/images/articles/l/lumens-prize-2016/2-PortraitCarlaRapoport.jpg Carla Rapoport, Director and Founder of The Lumen Prize, presenting at the 2016 Winners’ Gala, Hackney House, London. https://www.studiointernational.com/index.php/carla-rapoport-interview-lumen-prize-digital-art https://www.studiointernational.com/images/articles/l/lumens-prize-2016/CarlaRapoport-1000px.jpg Carla Rapoport, Director and Founder of The Lumen Prize, presenting at the 2016 Winners’ Gala, Hackney House, London, 29 September 2016. https://www.studiointernational.com/index.php/cecilia-brunson-interview-willys-de-castro https://www.studiointernational.com/images/articles/b/brunson-cecilia-2016/Willys-de-Castro_Objeto-Ativo_1961.jpg Willys de Castro. Objeto Ativo, 1961. Oil on canvas over wood, 2.2 x 22.9 x 6.7 cm. Courtesy Cecilia Brunson Projects. https://www.studiointernational.com/images/articles/b/brunson-cecilia-2016/Willys-de-Castro_Pierrot_1953.jpg Willys de Castro. Pierrot, 1953. Oil on canvas, 33 x 22 cm. Courtesy Cecilia Brunson Projects. https://www.studiointernational.com/images/articles/b/brunson-cecilia-2016/Willys-de-Castro_Untitled_1950s.jpg Willys de Castro. Untitled, 1950s. Graph paper cut and folded, 9 x 13 cm. Courtesy Cecilia Brunson Projects. https://www.studiointernational.com/images/articles/b/brunson-cecilia-2016/Willys-de-Castro_Objeto-ativo_1961-2.jpg Willys de Castro. Objeto ativo, 1961. Canvas over wood, 70 x 11 x 2 cm. Courtesy Cecilia Brunson Projects. https://www.studiointernational.com/index.php/nicolas-herrera-interview https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne2.jpg Nicolás Herrera standing in front of El Jardín de las Mujeres, 2016. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne3.jpg Nicolás Herrera. El Jardín de las Mujeres, 2016. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne4.jpg La Casa de la Provincia, Cuenca, Ecuador. Restored by architect Salvador Astudillo. Photograph: Miguel Benavides https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne5.jpg La Casa de la Provincia, Cuenca Ecuador. Restored by architect Salvador Astudillo. Photograph: Miguel Benavides https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne6.jpg Nicolás Herrera. En Contra Pared, 2008. Oil on canvas. 150 x 150 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne7.jpg Nicolás Herrera. El Grito, 2008. Oil on canvas. 150 x 170 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne8.jpg Nicolás Herrera. Trasvida, 2008. Oil on canvas. 130 x 130 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne9.jpg Nicolás Herrera. Signos, 2012. Acrylic on canvas. 230 x 270 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne10.jpg Nicolás Herrera. Orquídea, 2012. Oil on canvas. 130 x 130 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne11.jpg Nicolás Herrera. Mujer, 2012. Oil on canvas. 130 x 97 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne12.jpg Nicolás Herrera. El Gran Abrazo, 2007. Oil on canvas. 150 x 150 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne13.jpg Nicolás Herrera. Encanto Natural, 2007. Oil on canvas. 130 x 196 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne14.jpg Nicolás Herrera. Habitante del Bosque, 2012. Oil on canvas. 130 x 130 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne15.jpg Museum Nicolás Herrera (installation view), Ibarra, Ecuador. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne16.jpg Museum Nicolás Herrera, Ibarra, Ecuador. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2016/ne17.jpg Museum Nicolás Herrera, Ibarra, Ecuador. Courtesy of the artist. https://www.studiointernational.com/index.php/paul-feiler-review-jessica-carlisle-gallery-park-crescent https://www.studiointernational.com/images/articles/f/feiler-paul-2016/Adytum-II_1970_Paul-Feiler-2.jpg Paul Feiler. Adytum II, 1970. Oil on canvas, 36 x 36 in. © Redfern Gallery and the Estate of Paul Feiler. https://www.studiointernational.com/images/articles/f/feiler-paul-2016/Aduton-CI_Paul-Feiler.jpg Paul Feiler. Aduton CI, 1991. Oil on canvas laid on board, 60 x 60 in. © Redfern Gallery and the Estate of Paul Feiler. https://www.studiointernational.com/images/articles/f/feiler-paul-2016/Feiler-Square-Relief-LIII.jpg Paul Feiler. Square Relief LIII, 2011. Silver and gold leaf, aluminium, perspex, 16 x 16 in. © Redfern Gallery and the Estate of Paul Feiler. https://www.studiointernational.com/images/articles/f/feiler-paul-2016/Feiler-Zenytum-X.jpg Paul Feiler. Zenytum X, 2012. Oil and silver leaf on canvas, 20 x 20 in. © Redfern Gallery and the Estate of Paul Feiler. https://www.studiointernational.com/images/articles/f/feiler-paul-2016/Feiler_Janicon-XCV.jpg Paul Feiler. Janicon XCIX, 2005. Silver and gold leaf, gesso, canvas on board, 24 x 24 in. © Redfern Gallery and the Estate of Paul Feiler. https://www.studiointernational.com/images/articles/f/feiler-paul-2016/07-Paul-Feiler-Jessica-Carlisle-Gallery.jpg Paul Feiler. Installation view at Jessica Carlisle Gallery, London. https://www.studiointernational.com/images/articles/f/feiler-paul-2016/Paul-Feiler-Jessica-Carlise-002.jpg Paul Feiler. Installation view at Jessica Carlisle Gallery, London. https://www.studiointernational.com/images/articles/f/feiler-paul-2016/06-Paul-Feiler-Jessica-Carlisle-Gallery.jpg Paul Feiler. Installation view at Jessica Carlisle Gallery, London. https://www.studiointernational.com/index.php/daubigny-monet-van-gogh-impressions-of-a-landscape-review https://www.studiointernational.com/images/articles/d/daubigny-2016/Charles-Franaois-Daubigny-Le-bateau-atelier.jpg Charles François Daubigny. Le bateau-atelier, 1827–78. Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/d/daubigny-2016/Charles-Francois-Daubigny-Appelbloesems.jpg Charles François Daubigny. Apple Blossoms, 1873. The Metropolitan Museum of Art, New York, Bequest of Collis P. Huntington, 1900 © The Metropolitan Museum of Art/Art Resource/Scala, Florence. https://www.studiointernational.com/images/articles/d/daubigny-2016/Charles-Francois-Daubigny-Velden-in-juni.jpg Charles François Daubigny. Fields in the month of June, 1874. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, gift of Louis V. Keeler, Class of 1911, and Mrs Keeler. https://www.studiointernational.com/images/articles/d/daubigny-2016/Charles-Francois-Daubigny-Villerville-sur-Mer.jpg Charles François Daubigny. Cliffs at Villerville-sur-Mer, 1864. Salon, completed 1872, The Mesdag Collection, The Hague. https://www.studiointernational.com/images/articles/d/daubigny-2016/Daubigny-De-oogsters.jpg Charles François Daubigny. The harvesters, 1875. Collection Museum Gouda, Gouda. Photographer: Tom Haartsen. https://www.studiointernational.com/images/articles/d/daubigny-2016/Claude-Monet-Champ-de-coquelicots.jpg Claude Monet. Field with poppies, 1881. Oil on canvas, 58 x 79 cm. Museum Boijmans van Beuningen, Rotterdam. https://www.studiointernational.com/images/articles/d/daubigny-2016/Claude-Monet-De-schildersboot.jpg Claude Monet. Monet's studio-boat, 1874. Coll. Kröller-Müller Museum, Otterlo. https://www.studiointernational.com/images/articles/d/daubigny-2016/Claude-Monet-Lente-Fruitbomen-in-bloei.jpg Claude Monet. Spring (Fruit Trees in Bloom), 1873. The Metropolitan Museum of Art, New York, Bequest of Mary Livingston Willard, 1926 © The Metropolitan Museum of Art/Art Resource/Scala, Florence. https://www.studiointernational.com/images/articles/d/daubigny-2016/Vincent-van-Gogh-De-tuin-van-Daubigny.jpg Vincent van Gogh. Daubigny’s Garden, 1890. Basel, Collection R. Staechelin. https://www.studiointernational.com/images/articles/d/daubigny-2016/Vincent-van-Gogh-De-witte-boomgaard.jpg Vincent van Gogh. The white orchard, 1888. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/d/daubigny-2016/Vincent-van-Gogh-Papaverveld.jpg Vincent van Gogh. Poppy field, Auvers-sur-Oise, 1890. Collection Gemeentemuseum Den Haag, loan Cultural Heritage Agency of the Netherlands. https://www.studiointernational.com/images/articles/d/daubigny-2016/Monet-Soleil-couchant-sur-la-Seine.jpg Claude Monet. Sunset on the River Seine at Lavacourt, Winter Effect, 1880. Oil on canvas, 100 x 150 cm. Petit Palais, Paris, © Petit Palais/Roger-Viollet. https://www.studiointernational.com/images/articles/d/daubigny-2016/Ondergaande-zon-bij-Villerville,-1874.jpg Charles-François Daubigny. Sunset near Villerville, 1874. The Mesdag Collection, The Hague. https://www.studiointernational.com/index.php/amalia-ulman-interview-privilege-labour-dance https://www.studiointernational.com/images/articles/u/ulman-amalia-2016/Amalia-Ulman,-Excellences-Perfections-(Instagram-Update-8th-July-2014-(itsjustdifferent-2015.jpg Amalia Ulman, Excellences & Perfections (Instagram Update, 8th July 2014), (#itsjustdifferent), 2015. Image courtesy of the artist and Arcadia Missa. https://www.studiointernational.com/images/articles/u/ulman-amalia-2016/Amalia-Ulman,-Privilege.jpg Amalia Ulman, Privilege. Image courtesy @amaliaulman Instagram. https://www.studiointernational.com/images/articles/u/ulman-amalia-2016/Amalia-Ulman-and-Bob-the-Pigeon.jpg Amalia Ulman and Bob the Pigeon. Image courtesy @amaliaulman Instagram. https://www.studiointernational.com/images/articles/u/ulman-amalia-2016/Installation-Views-of-Labour-Dance-by-Amalia-Ulman-at-Arcadia-Missa.jpg Amalia Ulman. Labour Dance. Installation views at Arcadia Missa. Image courtesy of the artist and Arcadia Missa. https://www.studiointernational.com/images/articles/u/ulman-amalia-2016/Installation-Views-2-of-Labour-Dance-by-Amalia-Ulman-at-Arcadia-Missa.jpg Amalia Ulman. Labour Dance. Installation views at Arcadia Missa. Image courtesy of the artist and Arcadia Missa. https://www.studiointernational.com/index.php/olga-chernysheva-vague-accent-review https://www.studiointernational.com/images/articles/c/chernysheva-olga-2016/Untitled-A-Play.jpg Olga Chernysheva. Untitled [A Play…], 2016. Charcoal and collage on paper, 21 1/4 x 33 in (54 x 84 cm). Courtesy Gallery DIEHL, Berlin; Foxy Production, New York; and Pace London. Image © Olga Chernysheva. https://www.studiointernational.com/images/articles/c/chernysheva-olga-2016/Untitled-Drawing.jpg Olga Chernysheva. Untitled [Drawing…], 2016. Charcoal and collage on paper, 23 1/2 x 25 1/2 in (60.5 x 64.5 cm). Courtesy Gallery DIEHL, Berlin; Foxy Production, New York; and Pace London. Image © Olga Chernysheva. https://www.studiointernational.com/images/articles/c/chernysheva-olga-2016/Untitled-Empty.jpg Olga Chernysheva. Untitled [Empty…], 2016. Charcoal and collage on paper, 33 x 20 1/2 inches (84 x 52 cm). Courtesy Gallery DIEHL, Berlin; Foxy Production, New York; and Pace London. Image © Olga Chernysheva. https://www.studiointernational.com/images/articles/c/chernysheva-olga-2016/Untitled-First.jpg Olga Chernysheva. Untitled [First…], 2016. Charcoal and collage on paper, 33 x 23 3/4 in (84 x 60.5 cm). Courtesy Gallery DIEHL, Berlin; Foxy Production, New York; and Pace London. Image © Olga Chernysheva. https://www.studiointernational.com/images/articles/c/chernysheva-olga-2016/Untitled-Roads.jpg Olga Chernysheva. Untitled [Roads…], 2016. Charcoal and collage on paper, 23 3/4 x 33 in (60.5 x 84 cm). Courtesy Gallery DIEHL, Berlin; Foxy Production, New York; and Pace London. Image © Olga Chernysheva. https://www.studiointernational.com/images/articles/c/chernysheva-olga-2016/Untitled-White.jpg Olga Chernysheva. Untitled [White…], 2016. Charcoal and collage on paper, 23 3/4 x 23 3/4 in (60.5 x 60.5 cm). Courtesy Gallery DIEHL, Berlin; Foxy Production, New York; and Pace London. Image © Olga Chernysheva. https://www.studiointernational.com/images/articles/c/chernysheva-olga-2016/_MG_0642.jpg Olga Chernysheva: Vague Accent, Installation at The Drawing Center, New York, 2016. Photograph: Martin Parsekian. https://www.studiointernational.com/images/articles/c/chernysheva-olga-2016/_MG_0644.jpg Olga Chernysheva: Vague Accent, Installation at The Drawing Center, New York, 2016. Photograph: Martin Parsekian. https://www.studiointernational.com/images/articles/c/chernysheva-olga-2016/_MG_0647.jpg Olga Chernysheva: Vague Accent, Installation at The Drawing Center, New York, 2016. Photograph: Martin Parsekian. https://www.studiointernational.com/index.php/john-akomfrah-video-interview https://www.studiointernational.com/images/articles/a/akomfrah-john-2016/john-akomfrah-2016-1000px.jpg John Akomfrah at the opening of Artes Mundi 7, National Museum Cardiff, 20 October 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/beyond-caravaggio-review-national-gallery-london https://www.studiointernational.com/images/articles/c/caravaggio-2016/Beyond-Caravaggio-X8829.jpg Rutilio Manetti. Victorious Earthly Love, about 1625. Oil on canvas, 178 × 122 cm. © The National Gallery of Ireland, Dublin. https://www.studiointernational.com/images/articles/c/caravaggio-2016/Beyond-Caravaggio-X8831.jpg Artemisia Gentileschi. Susannah and the Elders, 1622. Oil on canvas, 161.5 × 123 cm. © The Burghley House Collection. https://www.studiointernational.com/images/articles/c/caravaggio-2016/Beyond-Caravaggio-X8835.jpg Nicolas Régnier. Saint Sebastian tended by the Holy Irene and her Servant, about 1626-30. Oil on canvas, 171.5 × 219.4 cm. © Ferens Art Gallery, Hull Museums. https://www.studiointernational.com/images/articles/c/caravaggio-2016/Beyond-Caravaggio-X8855.jpg Orazio Gentileschi. David and Goliath, about 1605-8. Oil on canvas, 185.5 × 136 cm. © The National Gallery of Ireland, Dublin. https://www.studiointernational.com/images/articles/c/caravaggio-2016/Beyond-Caravaggio-X8969.jpg Michelangelo Merisi da Caravaggio. Saint John the Baptist in the Wilderness, about 1603-4. Oil on canvas, 172.7 × 132.1 cm. The Nelson - Atkins Museum of Art, Kansas City, Missouri Photograph: Jamison Miller © The Nelson - Atkins Museum of Art, Kansas City, Missouri. https://www.studiointernational.com/images/articles/c/caravaggio-2016/Beyond-Caravaggio-X917.jpg Michelangelo Merisi da Caravaggio. The Taking of Christ, 1602, Oil on canvas, 133.5 x 169.5 cm. On indefinite loan to the National Gallery of Ireland from the Jesuit Community, Leeson St., Dublin who acknowledge the kind generosity of the late Dr Marie Lea-Wilson. Photograph © The National Gallery of Ireland, Dublin. https://www.studiointernational.com/index.php/james-wilkes-interview-hubbub-wellcome-collection-hub-award https://www.studiointernational.com/images/articles/w/wilkes-james-2016/Cartographies-of-Rest,-Josh-Berson-and-LUSTlab,-2016.jpg Josh Berson and LUSTlab. Cartographies of Rest, 2016. Dimensions variable. Installation photograph: Peter Kidd. https://www.studiointernational.com/images/articles/w/wilkes-james-2016/Protest-Wall,-Lynne-Friedli,-2016.jpg Lynne Friedli. Protest Wall, 2016. Dimensions variable. Installation photograph: Peter Kidd. https://www.studiointernational.com/images/articles/w/wilkes-james-2016/Resting-on-the-Rest-Test-Results,-Claudia-Hammond-and-LUST,-2016.jpg Claudia Hammond and LUST. Resting on the Rest Test Results, 2016. Dimensions variable. Installation photograph: Peter Kidd. https://www.studiointernational.com/images/articles/w/wilkes-james-2016/Static,-Joceline-Howe,-2016.jpg Jocelyn Howe. Static, 2016. Dimensions variable. Installation photograph: Peter Kidd. https://www.studiointernational.com/images/articles/w/wilkes-james-2016/The-Floating-Thirty-Nine,-Patrick-Coyle,-2016.jpg Patrick Coyle. The Floating Thirty-Nine, 2016. Dimensions variable. Installation photograph: Peter Kidd. https://www.studiointernational.com/images/articles/w/wilkes-james-2016/The-Lathe-Had-Melted-(detail),-James-Wilkes,-2016.jpg James Wilkes. The Lathe Had Melted (detail), 2016. Dimensions variable. Installation photograph: Peter Kidd. https://www.studiointernational.com/images/articles/w/wilkes-james-2016/Sleep-Studies-I-V,-Tamarin-Norwood,-2016.jpg Tamarin Norwood. Sleep Studies I-V, 2016. Dimensions variable. Installation photograph: Peter Kidd. https://www.studiointernational.com/images/articles/w/wilkes-james-2016/Descriptive-Experience-Sampling-vitrine,-2016.jpg Descriptive Experience Sampling vitrine, 2016. Dimensions variable. Installation photograph: Peter Kidd. https://www.studiointernational.com/index.php/jean-tinguely-machine-spectacle-review https://www.studiointernational.com/images/articles/t/tinguely-2016/1.jpg Jean Tinguely and Niki de Saint Phalle. Le Cyclop - La Tête, 1970. Collection Museum Tinguely Basel - a cultural commitment of Roche, donation Niki de Saint Phalle. Photograph: Christian Baur, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/2.jpg Jean Tinguely with Méta-Matic No. 17 in front of the Eiffel Tower, 1959. Photograph: John R. Van Rolleghem, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/3.jpg Jean Tinguely. Méta-Matic No. 10, 1959. Collection Stedelijk Museum Amsterdam, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/4.jpg Jean Tinguely. Elément Détaché III, 1954. Collection Stedelijk Museum Amsterdam, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/5.jpg Jean Tinguely. Meta-mechanical sculpture untitled, 1954. Private Collection Potsdam. Photograph: Christian Baur, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/6.jpg Jean Tinguely, Gismo. 1960. Photograph: Gert Jan van Rooij. Collection Stedelijk Museum Amsterdam, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/9.jpg Jean Tinguely. Ballet des pauvres, 1961. Collection Museum Tinguely Basel - a cultural commitment of Roche. Photograph: Christian Baur, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/10.jpg Drawing produced by a Méta-Matic, signed by Jean Tinguely, September 2, 1967. Collection Museum Tinguely Basel - a cultural commitment of Roche, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/14.jpg Jean Tinguely. Mengele-Totentanz (Hoch-Altar) with the four acolytes Bischof, Gemütlichkeit, Schnapsflasche and Television, 1986. Collection Museum Tinguely Basel - a cultural commitment of Roche. Photograph: Christian Baur, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/15.jpg Jean Tinguely. Page from the portfolio La Vittoria of Sergio Tosi (59/100), 1970 – 1972. Collection Stedelijk Museum Amsterdam, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/17.jpg Jean Tinguely. Page from the portfolio La Vittoria of Sergio Tosi (59/100), 1970 – 1972. Collection Stedelijk Museum Amsterdam, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/18.jpg Exhibition Rörelse i konsten in the Moderna Museet, Stockholm, 1961, with Jean Tinguely’s Le Cyclograveur (1960). Photograph: Lennart Olson, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/20.jpg Jean Tinguely. Baluba bleu, 1962. Collection Stedelijk Museum Amsterdam, c/o Pictoright Amsterdam, 2016. https://www.studiointernational.com/images/articles/t/tinguely-2016/23.jpg Jean Tinguely with Moulin, 1963. © Museum Tinguely, Basel. Photograph: Monique Jacot. https://www.studiointernational.com/images/articles/t/tinguely-2016/24.jpg Jean Tinguely and Niki de Saint Phalle, Paris, 1966. © Museum Tinguely, Basel. Photograph: Monique Jacot. https://www.studiointernational.com/index.php/tim-benson-video-interview-faces-of-ebola-sierra-leone https://www.studiointernational.com/images/articles/b/benson-tim-2016/IMG_2522.jpg Tim Benson. Mohammed, laboratory technician, Macauley Street Clinic, Ebola survivor, 2016. Oil on canvas, 152.5 x 122 cm (60 x 48 in). © Tim Benson. https://www.studiointernational.com/images/articles/b/benson-tim-2016/IMG_2526.jpg Tim Benson. Sister Cecilia, Accident & Emergency, Connaught Hospital, 2016. Oil on board, 30.5 x 25.4 cm (12 x 10 in). © Tim Benson. https://www.studiointernational.com/images/articles/b/benson-tim-2016/IMG_2532.jpg Tim Benson. Abdulai, security officer, Isolation Unit, Connaught Hospital, 2016. Oil on canvas, 152.5 x 122 cm (60 x 48 in). © Tim Benson. https://www.studiointernational.com/images/articles/b/benson-tim-2016/IMG_2535.jpg Tim Benson. James, grave digger, King Tom Cemetary, 2016. Oil on board, 30.5 x 25.4 cm (12 x 10 in). © Tim Benson. https://www.studiointernational.com/images/articles/b/benson-tim-2016/IMG_2542.jpg Tim Benson. Alfred, security officer, Isolation Unit, Connaught Hospital, Ebola survivor, 2016. Oil on board, 30.5 x 25.4 cm (12 x 10 in). © Tim Benson. https://www.studiointernational.com/index.php/athena-papadopoulos-interview-art-is-a-kind-of-alchemy-turning-shit-into-gold https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/01_Slither-(detail-2).jpg Athena Papadopoulos. Slither Me Timbers! A Septic Twist on the Rocks, 2016 (detail). Hair dye, lipstick, nail polish, bleach, image transfers, thread and pins on bed sheet over canvas, 200 x 230 cm. Photograph: Mariell Lind Hansen. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/01_Slither-(detail).jpg Athena Papadopoulos. Slither Me Timbers! A Septic Twist on the Rocks, 2016 (detail). Hair dye, lipstick, nail polish, bleach, image transfers, thread and pins on bed sheet over canvas, 200 x 230 cm. Photograph: Mariell Lind Hansen. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/02_Hose-Beasts.jpg Athena Papadopoulos. Thong Throngs and Hose Beasts, 2016. Hair dye, lipstick, nail polish, bleach, image transfers, thread and pins on bed sheet over canvas, 210 x 200 cm. Photograph: Mariell Lind Hansen. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/02_Hose-Beasts-(detail).jpg Athena Papadopoulos. Thong Throngs and Hose Beasts, 2016 (detail). Hair dye, lipstick, nail polish, bleach, image transfers, thread and pins on bed sheet over canvas, 210 x 200 cm. Photograph: Mariell Lind Hansen. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/02_Hose-Beasts-(detail2).jpg Athena Papadopoulos. Thong Throngs and Hose Beasts, 2016 (detail). Hair dye, lipstick, nail polish, bleach, image transfers, thread and pins on bed sheet over canvas, 210 x 200 cm. Photograph: Mariell Lind Hansen. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/03_Slumpin-&-Bumping-II.jpg Athena Papadopoulos. Slumpin' & Bumping' II, 2016. Hair dye, lipstick, nail polish, bleach, image transfers on fabric and thread on foam wadding, henna on suede, leather, reinforcement bar and polyfill stuffing, 135 x 40 x 30 cm. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/06_return-of-The-Thoia.jpg Athena Papadopoulos. Return of the Thoia Thoing Pigeons, (Saturnalia Homecoming Feast), 2015. Pepto-Bismol, red wine, Crazy Colours hair dye, henna, lipstick, nail polish, self-tanner, Gaviscon, Sally Hansen Airbrush Legs, image transfers, bleach, pins, thread and fixative on bed sheet over canvas, 215 x 190 cm. Photograph: Nick Ash. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/SOWI-183.jpg Athena Papadopoulos. Installation view from the group show Streams of Warm Impermanence curated by Vincent Honoré, David Roberts Art Foundation, London, 2016. Courtesy David Roberts Art Foundation, the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/SOWI-42.jpg Athena Papadopoulos. Installation view from the group show Streams of Warm Impermanence curated by Vincent Honoré, David Roberts Art Foundation, London, 2016. Courtesy David Roberts Art Foundation, the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/_82V3170.jpg Athena Papadopoulos. The Great Revel of Hairy Harry Who Who: Orgy at the Onion Cellar. Installation view from the group exhibition Natural Instincts curated by Samuel Leuenberger at Les Urbaines, Lausanne, 2015. Photograph: Gina Folly. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/_82V3175.jpg Athena Papadopoulos. The Great Revel of Hairy Harry Who Who: Orgy at the Onion Cellar. Installation view from the group exhibition Natural Instincts curated by Samuel Leuenberger at Les Urbaines, Lausanne, 2015. Photograph: Gina Folly. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/images/articles/p/papadopoulos-athena-2016/_82V3181.jpg Athena Papadopoulos. The Great Revel of Hairy Harry Who Who: Orgy at the Onion Cellar. Installation view from the group exhibition Natural Instincts curated by Samuel Leuenberger at Les Urbaines, Lausanne, 2015. Photograph: Gina Folly. Courtesy the artist and Supportico Lopez. https://www.studiointernational.com/index.php/leah-raintree-another-land-after-noguchi-review https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_AL_Emanation.jpg Leah Raintree. Another Land: Emanation, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_Another-Land_Euripides_2016.jpg Leah Raintree. Another Land: Euripides, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_Another-Land_Gift_2016.jpg Leah Raintree, Another Land: Gift, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/KNIGHT-LeahRaintree-9682.jpg Another Land: After Noguchi, installation view. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_Another-Land_Lunar-Table_2016.jpg Leah Raintree. Another Land: Lunar Table, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_Another-Land_Martha-Graham-Dance-Theater_2016.jpg Leah Raintree. Another Land: Martha Graham Dance Theatre, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/KNIGHT-LeahRaintree-9711.jpg Another Land: After Noguchi, installation view. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_Another-Land_Miharu_2016.jpg Leah Raintree. Another Land: Miharu, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_Another-Land_Spin-Off_2016.jpg Leah Raintree. Another Land: Spin-Off, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_Another-Land_Sun-at-Noon_2016.jpg Leah Raintree. Another Land: Sun at Noon, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_Another-Land_The-Roar_2016.jpg Leah Raintree. Another Land: The Roar, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/KNIGHT-LeahRaintree-9713.jpg Another Land: After Noguchi, installation view. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/images/articles/r/raintree-leah-2016/Leah-Raintree_Another-Land_This-Earth-This-Passage_2016.jpg Leah Raintree. Another Land: This Earth This Passage, 2016. Colour photograph, 24 x 36 in. Courtesy The Isamu Noguchi Foundation and Garden Museum, New York. https://www.studiointernational.com/index.php/ai-weiwei-video-its-all-about-humanity https://www.studiointernational.com/images/articles/a/ai-weiwei-2016/ai-weiwei-lisson-ny_DSC4836.jpg Ai Weiwei: 2016 Roots and Branches. Installation view, Lisson Gallery, New York City. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/ai-weiwei-2016/ai-weiwei-lisson-ny_DSC4837.jpg Ai Weiwei: 2016 Roots and Branches. Installation view, Lisson Gallery, New York City. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/ai-weiwei-2016/ai-weiwei-lisson-ny_DSC4838.jpg Ai Weiwei: 2016 Roots and Branches. Installation view, Lisson Gallery, New York City. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/ai-weiwei-2016/ai-weiwei-lisson-ny_DSC4840.jpg Ai Weiwei: 2016 Roots and Branches. Installation view, Lisson Gallery, New York City. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/ai-weiwei-2016/ai-weiwei-lisson-ny_DSC4843.jpg Ai Weiwei: 2016 Roots and Branches. Installation view, Lisson Gallery, New York City. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/ai-weiwei-2016/ai-weiwei-lisson-ny_DSC4851.jpg Ai Weiwei: 2016 Roots and Branches. Installation view, Lisson Gallery, New York City. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/ai-weiwei-2016/ai-weiwei-lisson-ny_DSC4852.jpg Ai Weiwei: 2016 Roots and Branches. Installation view, Lisson Gallery, New York City. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/ai-weiwei-2016/ai-weiwei-lisson-ny_DSC4853.jpg Ai Weiwei: 2016 Roots and Branches. Installation view, Lisson Gallery, New York City. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/joel-shapiro-interview-as-an-artist-you-are-synthesising-stuff-around-you https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/1-Joel-Shapiro,-Moderna-Museet,-Stockholm,-1980.jpg Joel Shapiro, Moderna Museet, Stockholm, 1980. © Joel Shapiro. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/2-Shapiro_Untitled_1978.jpg Joel Shapiro. Untitled, 1978. Wood and pencil, 5 7/8 x 3 1/2 x 4 1/8 in (14.9 x 9 x 10.5 cm). © 2016 Joel Shapiro / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/3-Shapiro_Untitled_1978.jpg Joel Shapiro. Untitled, 1978. Wood and gouache, 4 x 4 1/4 x 4 in (10.2 x 10.8 x 10.2 cm). © 2016 Joel Shapiro / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/4-Shapiro_Untitled_1979.jpg Joel Shapiro. Untitled, 1979. Painted Wood, 5 1/2 x 5 1/4 x 3 in (14 x 13.3 x 7.6 cm). © 2016 Joel Shapiro / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/5-Shapiro_Untitled_1980.jpg Joel Shapiro. Untitled, 1980. Wood and casein, 10 3/4 x 7 3/8 x 1 1/2 in (27.3 x 18.7 x 3.8 cm). © 2016 Joel Shapiro / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/6-Shapiro_Untitled_1978.jpg Joel Shapiro. Untitled, 1978. Painted wood, 5 1/4 x 5 1/4 x 3 in (13.3 x 13.3 x 7.6 cm). © 2016 Joel Shapiro / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/7-Shapiro_Untitled-1978-1980.jpg Joel Shapiro. Untitled, c1978-1980. Wood and paint, 11 3/4 x 1 1/16 x 2 1/2 in (29.8 x 2.7 x 6.4 cm). © 2016 Joel Shapiro / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/1-Shapiro_Untitled_1980.jpg Joel Shapiro. Untitled, 1980. Wood and oil paint, 8 1/2 x 17 x 3 5/8 in (21.6 x 43.2 x 9.2 cm). © 2016 Joel Shapiro / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/Joel-Shapiro-Installation-View-10.jpg Joel Shapiro, installation view, Dominque Lévy, New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/Joel-Shapiro-Installation-View-11.jpg Joel Shapiro, installation view, Dominque Lévy, New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/Joel-Shapiro-Installation-View-4.jpg Joel Shapiro, installation view, Dominque Lévy, New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/Joel-Shapiro-Installation-View-5.jpg Joel Shapiro, installation view, Dominque Lévy, New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/Joel-Shapiro-Installation-View-6.jpg Joel Shapiro, installation view, Dominque Lévy, New York. https://www.studiointernational.com/images/articles/s/shapiro-joel-2016/Joel-Shapiro-Installation-View-9.jpg Joel Shapiro, installation view, Dominque Lévy, New York. https://www.studiointernational.com/index.php/helaine-blumenfeld-interview-beauty-has-no-real-meaning-any-more https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/Angel-1-(2011)-HH.jpg Helaine Blumenfeld. Angel I, 2011. Marble, 110 x 82 x 17 cm. Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/CRESCENDO_bronze_2016_HH.jpg Helaine Blumenfeld. Crescendo, 2016. Bronze, 37.5 x 25 x 19 cm. Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/CRESCENDO_marble_2015_HH.jpg Helaine Blumenfeld. Crescendo, 2015. Marble, 60 cm (h). Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/Creation(1999).jpg Helaine Blumenfeld. Creation, 1999. Marble, 75 x 62 x 62 cm. Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/Esprit2013_inprog_HB_SalvatoreAnselmo.jpg Helaine Blumenfeld. Esprit, 2013. Marble in progress, 200 cm (h). Photograph: Salvatore Anselmo. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/HARMONIA_2016_HH.jpg Helaine Blumenfeld. Harmonia, 2016. Marble, 70 cm (h). Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/MEMORIES_OF_LOVE_2016_HH.jpg Helaine Blumenfeld. Memories of love, 2016. Marble, 60 cm (h). Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/MERIDIANA_HollandPark_HH_2016.jpg Helaine Blumenfeld. Meridiana, 2016. Bronze, 220(h) x 140 x 140 cm. Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/Messenger-of-the-Spirit-4.jpg Helaine Blumenfeld. Messenger of the Spirit, 2006. Crystal clear. Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/Mysteries-2011-at-Berkeley-Sq_HH.jpg Helaine Blumenfeld. Mysteries, 2011. Marble, 260 cm (h). Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/RONDO-marble-2014.jpg Helaine Blumenfeld. Rondo, 2014. Marble, 72 cm (h). Photograph: Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/Sinfonia-ERIO_FORLI_2014.jpg Helaine Blumenfeld. Sinfonia, 2014. Bronze, 72 cm (h). Photograph: Erio Forli. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/Spirit-of-Life-II-(2007).jpg Helaine Blumenfeld. Spirit of Life II, 2007. Marble, 400 (h) x 200 x 150 cm. Photograph: Julian Jans. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/Struggle-2010_ERIO-FORLI.jpg Helaine Blumenfeld. Struggle, 2010. Marble, 67 x 50.5 x 37 cm. Photograph: Erio Forli. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/The-Space-Within-(2010).jpg Helaine Blumenfeld. The Space Within, 2010. Marble, three parts, variable heights, maximum 260 cm. Photograph: Philip Moore. https://www.studiointernational.com/images/articles/b/blumenfeld-helaine-2016/Seascape-(1983).jpg Helaine Blumenfeld. Seascape, 1983. Travertine, variable heights, maximum 54 cm, length 75 cm approximately. https://www.studiointernational.com/index.php/piotr-lakomy-room-temperature-review-the-sunday-painter-london https://www.studiointernational.com/images/articles/l/lakomy-piotr-2016/Installation-View-3.jpg Piotr Lakomy: Room Temperature, installation view, The Sunday Painter, London. https://www.studiointernational.com/images/articles/l/lakomy-piotr-2016/Untitled-(Nest),-2016.jpg Piotr Lakomy. Untitled (Nest), 2016. Aluminium on honeycomb, fabric (T-shirts), beeswax, 240 x 60 x 30 cm. https://www.studiointernational.com/images/articles/l/lakomy-piotr-2016/Untitled-(Nest),-2016-(detail).jpg Piotr Lakomy. Untitled (Nest), 2016 (detail). Aluminium on honeycomb, fabric (T-shirts), beeswax, 240 x 60 x 30 cm. https://www.studiointernational.com/images/articles/l/lakomy-piotr-2016/Untitled-(Tailbone)-or-(Coccyx),--2015.jpg Piotr Lakomy. Untitled (Tailbone) or (Coccyx), 2015. Aluminium on honeycomb, insulation foam, fabric, 183 x 8 cm. https://www.studiointernational.com/images/articles/l/lakomy-piotr-2016/Installation-View-4.jpg Piotr Lakomy: Room Temperature, installation view, The Sunday Painter, London. https://www.studiointernational.com/images/articles/l/lakomy-piotr-2016/Untitled,-2016.jpg Piotr Lakomy. Untitled, 2016. Body bag, insulation foam, beeswax, 183 x 100 cm. https://www.studiointernational.com/images/articles/l/lakomy-piotr-2016/Untitled,-2016-(3).jpg Piotr Lakomy. Untitled, 2016. Bamboo, aluminium honeycomb, beeswax, 183 x 8 cm. https://www.studiointernational.com/images/articles/l/lakomy-piotr-2016/Untitled-(Airhouse)-or-(Windhouse),-2016.jpg Piotr Lakomy. Untitled (Airhouse) or (Windhouse), 2016. Body bag, ostrich eggs, 250 x 150 cm. https://www.studiointernational.com/index.php/thinking-pictures-moscow-conceptual-art-in-the-dodge-collection-review-zimmerli-art-museum https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/3-Bulatov-2000.jpg Erik Bulatov. Danger, 1972-1973. Oil on canvas. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers. © 2016 Artists Rights Society (ARS), New York / ADAGP, Paris. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/1-Albert-2005.jpg Yurii Albert. Visual Culture Number 2: There is nothing to see in my works but my love for art, 1989. Enamel and wood on fiberboard. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers. Photograph: Jack Abraham. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/2-Albert-I-have-so-much-to-say-with-my-art-Installation.jpg Yurii Albert. I Have So Much To Say With My Art!, 1989. Photograph. Installation View: Thinking Pictures: Moscow Conceptual Art at the Dodge Collection at the Zimmerli Art Museum at Rutgers. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/4-Collective-Actions-Installation.jpg Collective Actions Group. Action 33: Russian World, March 15, 1985, 1985. Photographs documenting a performance. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/5-Gerlovina-Cube-Poems.jpg Rimma Gerlovina. Selection from the series Cube-Poems, mid-1970s. Sculpture. Installation View: Thinking Pictures: Moscow Conceptual Art at the Dodge Collection at the Zimmerli Art Museum at Rutgers. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/6-Kabakov-The-Great-Axis-Intallation.jpg Ilya Kabakov. The Great Axis, 1984. Installation. Installation View: Thinking Pictures: Moscow Conceptual Art at the Dodge Collection at the Zimmerli Art Museum at Rutgers. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/7-Kabakov-The-Short-Man-(The-Bookbinder)-Installation.jpg Ilya Kabakov. The Short Man (The Bookbinder) from Ten Characters, 1980-1987. Installation. Installation View: Thinking Pictures: Moscow Conceptual Art at the Dodge Collection at the Zimmerli Art Museum at Rutgers. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/8-Komar-Melamid-Apelles-Ziablov-Installation.jpg Vitaly Komar and Alexander Melamid, Apelles Ziablov from the Legends Series, 1973. Installation including oil on canvas, handmade book, and photographs. Installation View: Thinking Pictures: Moscow Conceptual Art at the Dodge Collection at the Zimmerli Art Museum at Rutgers. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/9-Komar-and-Melamid-1999-0716.jpg Vitaly Komar and Alexander Melamid, Apelles Ziablov, Untitled, 1797 from the Legends Series, 1973. Oil on canvas. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/10-Komar-and-Melamid-2001.jpg Vitaly Komar and Alexander Melamid. The Origins of Socialist Realism from the series Nostalgic Socialist Realism, 1982-1983. Oil on canvas. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/11-Lamm-1997.jpg Leonid Lamm. I am, I am, I am, I am, 1964. Gouache and tempera on paper. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers. Photograph: Jack Abraham. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/12-Makarevich-1996.jpg Igor Makarevich. Stratigraphic Structures - Changes, 1976. Photomontage on paper. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/13-Medical-Hermeneutics-Roiter-Installation.jpg Installation View: Thinking Pictures: Moscow Conceptual Art at the Dodge Collection at the Zimmerli Art Museum at Rutgers. Includes: Inspection Medical Hermeneutics, Untitled Collages, 1980s and Andrei Roiter, Monologue, undated painting. Photograph: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/15-Nakhova-1000px.jpg Irina Nakhova. Installation of Room No. 3 (reconstruction), 1985-2016. Paper, paint, desk, easel, doors and windows, 160 x 160 x 103 in (406 x 406 x 262 cm). Collection of the Artist. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/16-Pivovarov-Project-for-a-Lonely-Man-Installation.jpg Viktor Pivovarov, Series: Projects for a Lonely Man, 1975. Enamel on fiberboard. Installation View: Thinking Pictures: Moscow Conceptual Art at the Dodge Collection at the Zimmerli Art Museum at Rutgers. Photo Credit: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/17-Prigov-D10189.jpg Dmitrii Prigov, Stop Ahead, 1982. Painted wood and paper collage on plywood. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers. Photo Credit: Jack Abraham. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/18-Prigov-Sipovskaia-Installation.jpg Installation View: Thinking Pictures: Moscow Conceptual Art at the Dodge Collection at the Zimmerli Art Museum at Rutgers. Includes: Works by Nadia Sipovskaia, Dmitrii Prigov and others. Photo Credit: Peter Jacobs. https://www.studiointernational.com/images/articles/t/thinking-pictures-2016/19-Skersis-Chairs-Installation.jpg Installation View: Thinking Pictures: Moscow Conceptual Art at the Dodge Collection at the Zimmerli Art Museum at Rutgers. Includes: Viktor Skersis’ One and Three Chairs (Reconstruction), 1979/2016, Constantin Latyshev’s painting Gorbachev’s Brothers, 1988, and others. Photo Credit: Peter Jacobs. https://www.studiointernational.com/index.php/south-africa-the-art-of-a-nation-review-british-museum-london https://www.studiointernational.com/images/articles/s/south-africa-2016/Creation-of-the-sun.jpg Jeni Couzyn (artistic director), Sandra Sweers (lead artist), The Creation of the Sun, a collaborative piece from Bethesda Arts Centre, textile, 2015. © The Bethesda Foundation Limited (2015). https://www.studiointernational.com/images/articles/s/south-africa-2016/Gold-rhino-copyright-UP-Mapungubwe-Museum.jpg Gold rhino. From Mapungubwe, capital of the first kingdom in southern Africa, c. AD 1220–1290. Department of Arts © University of Pretoria. https://www.studiointernational.com/images/articles/s/south-africa-2016/Coldstream-stone.jpg Coldstream Stone, ochre, stone, c. 7000 BC, © Iziko Museums of South Africa, Social History Collections, Cape Town. https://www.studiointernational.com/images/articles/s/south-africa-2016/Nel-Potent-Fields.jpg Karel Nel. Potent Fields, red and white ochre, 2002. © the artist, photograph © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/south-africa-2016/Ox-horns.jpg Zulu carved ox horns, South Africa, late 19th century. Photograph © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/south-africa-2016/Transition-Willie-Bester.jpg Willie Bester. Transition, painting mixed media, 1994. Private collection. © the artist. https://www.studiointernational.com/images/articles/s/south-africa-2016/Waistcoat.jpg Zulu beaded waistcoat, glass and wool, South Africa, made before 1987. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/south-africa-2016/Xhosa-snuffbox.jpg Xhosa Snuffbox in the shape of an ox, South Africa, late 19th century. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/south-africa-2016/gun-cartridge-dolls.jpg Pair of Sotho Gun Cartridge Dolls. Glass, brass and leather, South Africa, late 19th century. © The Trustees of the British Museum. https://www.studiointernational.com/index.php/peter-wachtler-interview-far-out-chisenhale-gallery-london https://www.studiointernational.com/images/articles/w/wachtler-peter-2016/Peter-Wachtler_02.jpg Peter Wächtler. Far Out (2016). Installation view, Chisenhale Gallery, 2016. Commissioned and produced by Chisenhale Gallery. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wachtler-peter-2016/Peter-Wachtler_03.jpg Peter Wächtler. Far Out (2016). Installation view, Chisenhale Gallery, 2016. Commissioned and produced by Chisenhale Gallery. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wachtler-peter-2016/Peter-Wachtler_06.jpg Peter Wächtler. Far Out (2016). Installation view, Chisenhale Gallery, 2016. Commissioned and produced by Chisenhale Gallery. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wachtler-peter-2016/Peter-Wachtler_04.jpg Peter Wächtler. Far Out (2016). Installation view, Chisenhale Gallery, 2016. Commissioned and produced by Chisenhale Gallery. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/index.php/maureen-gallace-interview https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-GALLM-00055-B-300.jpg Maureen Gallace. Pink Flowers / Ocean, 2016. Oil on panel, 25.4 x 25.4 cm (10 x 10 in). © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-GALLM-00056-A-300.jpg Maureen Gallace. Summer Plant / August 14th, 2016. Oil on panel, 25.4 x 25.4 cm (10 x 10 in). © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-GALLM-00057-B-300.jpg Maureen Gallace. Beach Wave October, 2016. Oil on panel, 27.9 x 35.6 cm (11 x 14 in). © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-GALLM-00060-B-300.jpg Maureen Gallace. June 24th, 2016. Oil on panel, 22.9 x 30.5 cm (9 x 12 in). © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-GALLM-00061-B-300.jpg Maureen Gallace. Winter Storm Connecticut, Oil on panel, 22.9 x 30.5 cm (9 x 12 in). © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-GALLM-00064-B-300.jpg Maureen Gallace. Summer Shack (Door), 2016. Oil on panel, 22.9 x 30.5 cm (9 1/8 x 12 1/8 in). © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-GALLM-00066-B-300.jpg Maureen Gallace. Surf Road, 2016. Oil on panel, 22.9 x 30.5 cm (9 1/8 x 12 1/8 in). © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-GALLM-00065-B-300.jpg Maureen Gallace. Early September, 2016. Oil on panel, 22.9 x 30.5 cm. © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-2016-A-300.jpg Maureen Gallace, exhibition view, Maureen Paley, London, 2016. © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/g/gallace-maureen-2016/MP-2016-B-300.jpg Maureen Gallace, exhibition view, Maureen Paley, London, 2016. © Maureen Gallace, courtesy Maureen Paley, London. https://www.studiointernational.com/index.php/donna-huanca-interview-scar-cymbals-zabludowicz-collection-london https://www.studiointernational.com/images/articles/h/huanca-donna-2016/18.jpg Donna Huanca. SCAR CYMBALS, 2016. Performance view. Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/huanca-donna-2016/01.jpg Donna Huanca. MELANOCYTES/ETHERIC TEMPLATE, 2016 (detail). Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/huanca-donna-2016/02.jpg Donna Huanca. SCAR CYMBALS, 2016. Installation view. Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/huanca-donna-2016/04.jpg Donna Huanca. VEINS/PHYSICAL BODY (Scrawls), 2016 (detail). Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/huanca-donna-2016/05.jpg Donna Huanca. SCAR CYMBALS, 2016. Installation view. Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/huanca-donna-2016/06.jpg Donna Huanca. SWEAT DUCT/MENTAL LAYER, 2016 (detail). Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/huanca-donna-2016/10.jpg Donna Huanca. SCAR CYMBALS, 2016. Performance view. Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/huanca-donna-2016/12.jpg Donna Huanca. SCAR CYMBALS, 2016. Performance view. Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/huanca-donna-2016/14.jpg Donna Huanca. SCAR CYMBALS, 2016. Performance view. Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/huanca-donna-2016/21.jpg Donna Huanca. SENSORY NEURON/CELESTIAL LAYER (Foot Sensory), 2016. Performance view. Commissioned by Zabludowicz Collection. Courtesy the artist and Peres Projects. Photograph: Thierry Bal. https://www.studiointernational.com/index.php/gyorgy-jovanovics-video-interview-reliefs-hungarian-neo-avant-garde https://www.studiointernational.com/images/articles/j/jovanovics-gyorgy-2016/jovanovics-1000px.jpg György Jovánovics talking to Studio International at The Mayor Gallery, London, 5 October 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/century-100-modern-british-artists-review-jerwood-gallery https://www.studiointernational.com/images/articles/c/century-2016/Euan-Uglow.jpg Euan Uglow. The Blue Towel, 1982-83. Oil on canvas laid on plywood. Jerwood Collection. © The Estate of the Artist. https://www.studiointernational.com/images/articles/c/century-2016/Barbara-Hepworth.jpg Dame Barbara Hepworth. Study for Lisa (Hands to Face), 1949. Pencil and oil on board. Jerwood Collection. © Bowness https://www.studiointernational.com/images/articles/c/century-2016/Mark-Gertler.jpg Mark Gertler. The Doll, 1914. Oil on canvas. Ingram Collection. https://www.studiointernational.com/images/articles/c/century-2016/Walter-Sickert.jpg Walter Richard Sickert ARA. Portrait of an Afghan Gentleman, circa 1895. Oil on canvas laid on board. Jerwood Collection. https://www.studiointernational.com/images/articles/c/century-2016/William-Roberts-R.jpg William Roberts RA. News, 1941. Gouache on paper. Ingram Collection. © Estate of John Roberts https://www.studiointernational.com/index.php/cheng-ran-diary-of-a-madman-review-new-museum-new-york https://www.studiointernational.com/images/articles/r/ran-cheng-2016/THE-BRIDGE.jpg Cheng Ran. Diary of a Madman (The Bridge), 2016. HD video, stereo sound, colour, 4:25 min. Courtesy the artist, K11 Art Foundation, and Galerie Urs Meile, Beijing and Lucerne. https://www.studiointernational.com/images/articles/r/ran-cheng-2016/Circadian-Rhythm_filmstill_1.jpg Cheng Ran. Diary of a Madman (Circadian Rhythm), 2016. HD video, silent, colour, 3:16 min. Courtesy the artist, K11 Art Foundation, and Galerie Urs Meile, Beijing and Lucerne. https://www.studiointernational.com/images/articles/r/ran-cheng-2016/DEAD-HORSE-BAY.jpg Cheng Ran. Diary of a Madman (Dead Horse Bay), 2016. HD video, stereo sound, colour, 5:07 min. Courtesy the artist, K11 Art Foundation, and Galerie Urs Meile, Beijing and Lucerne. https://www.studiointernational.com/images/articles/r/ran-cheng-2016/THE-WATER-TOWEI.jpg Cheng Ran. Diary of a Madman (The Water Tower), 2016. HD video, stereo sound, colour, 5:54 min. Courtesy the artist, K11 Art Foundation, and Galerie Urs Meile, Beijing and Lucerne. https://www.studiointernational.com/images/articles/r/ran-cheng-2016/THE-WRECK_1.jpg Cheng Ran. Diary of a Madman (The Wreck), 2016. HD video, stereo sound, colour, 3:45 min. Courtesy the artist, K11 Art Foundation, and Galerie Urs Meile, Beijing and Lucerne. https://www.studiointernational.com/images/articles/r/ran-cheng-2016/THE-WRECK_2.jpg Cheng Ran. Diary of a Madman (The Wreck), 2016. HD video, stereo sound, colour, 3:45 min. Courtesy the artist, K11 Art Foundation, and Galerie Urs Meile, Beijing and Lucerne. https://www.studiointernational.com/images/articles/r/ran-cheng-2016/WHILE-WE-STILL-HAVE-BODIES_1.jpg Cheng Ran. Diary of a Madman (While We Still Have Bodies), 2016. HD video, stereo sound, colour, 85 min. Courtesy the artist, K11 Art Foundation, and Galerie Urs Meile, Beijing and Lucerne. https://www.studiointernational.com/index.php/anthea-hamilton-interview-turner-prize-nominee-2016 https://www.studiointernational.com/images/articles/h/hamilton-anthea-2016/FENT__1473855600_Anthea_Hamilton_Sept-005.jpg Anthea Hamilton poses in front of her work Vulcano Table, 2014. Photograph © Darren O’Brien/Guzelian. Courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/h/hamilton-anthea-2016/FENT__1470304361_AH_VULCANO_TABLE_02.jpg Anthea Hamilton. Vulcano table, 2014. Blown glass, Ferrari red pigment, limestone tiles, powder coated metal. Photograph: Aurelien Mole. with thanks to Glass Fabrik. https://www.studiointernational.com/images/articles/h/hamilton-anthea-2016/FENT__1470304424_AH_ALABASTER_LEG.jpg Anthea Hamilton. Alabaster Leg, 2015. Alabaster, brass, Lucite, steel fixings 100 x 84 x 84 cm. Courtesy the artist and Loewe Foundation. Photograph: Lewis Ronald. https://www.studiointernational.com/images/articles/h/hamilton-anthea-2016/FENT__1470304504_AH_WAVY_WALNUT_BOOT003.jpg Anthea Hamilton. Wavy Walnut Boot, 2015. Walnut wood with burr walnut veneer. Photograph: Sven Laurent. https://www.studiointernational.com/images/articles/h/hamilton-anthea-2016/FENT__1470304788_AH_LEG_CHAIR_(SUSHI_NORI).jpg Anthea Hamilton, Leg Chair (SUSHI NORI), 2012. Acrylic, brass, plaster, wax, sushi nori, rice cakes. Courtesy the artist and Firstsite. Photograph: Doug Atfield. https://www.studiointernational.com/images/articles/h/hamilton-anthea-2016/FENT__1473855344_Anthea_Hamilton_Sept-004.jpg Anthea Hamilton. Handwoven grass mat, 2016. Photograph © Darren O’Brien/Guzelian. Courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/h/hamilton-anthea-2016/FENT__1473855427_Anthea_Hamilton_Sept-007.jpg Anthea Hamilton. Spiral stair case, 2016. Photograph © Darren O’Brien/Guzelian. Courtesy The Hepworth Wakefield. https://www.studiointernational.com/index.php/in-focus-stanley-spencer-a-panorama-of-life-review https://www.studiointernational.com/images/articles/s/spencer-stanley-2016/Neighbours,-Sir-Stanley-Spencer-1936.jpg Stanley Spencer. Neighbours, 1936. © the artist's estate / Bridgeman Images. Courtesy Stanley Spencer Gallery, Cookham. https://www.studiointernational.com/images/articles/s/spencer-stanley-2016/Jerwood_221016-029.jpg In Focus: Stanley Spencer – A Panorama of Life. Installation view. © Pete Jones. Courtesy Jerwood Gallery. https://www.studiointernational.com/images/articles/s/spencer-stanley-2016/Jerwood_221016-040.jpg In Focus: Stanley Spencer – A Panorama of Life. Installation view. © Pete Jones. Courtesy Jerwood Gallery. https://www.studiointernational.com/images/articles/s/spencer-stanley-2016/Jerwood_221016-042.jpg In Focus: Stanley Spencer – A Panorama of Life. Installation view. © Pete Jones. Courtesy Jerwood Gallery. https://www.studiointernational.com/images/articles/s/spencer-stanley-2016/Jerwood_221016-050.jpg In Focus: Stanley Spencer – A Panorama of Life. Installation view. © Pete Jones. Courtesy Jerwood Gallery. https://www.studiointernational.com/index.php/monica-bonvicini-interview https://www.studiointernational.com/images/articles/b/bonvicini-monica-2016/Light-Me-Black_2009_1.jpg Monica Bonvicini. Light Me Black, 2009. © VG Bild-Kunst. Photograph: The Art Institute of Chicago. https://www.studiointernational.com/images/articles/b/bonvicini-monica-2016/Light-Me-Black_2009_2.jpg Monica Bonvicini. Light Me Black, 2009. © VG Bild-Kunst. Photograph: The Art Institute of Chicago. https://www.studiointernational.com/images/articles/b/bonvicini-monica-2016/Diener.jpg Monica Bonvicini. Diener, 2016. © Monica Bonvicini and VG-Bild Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/b/bonvicini-monica-2016/MB310816_006_detail.jpg Monica Bonvicini. Diener, 2016 (detail). © Monica Bonvicini and VG-Bild Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/b/bonvicini-monica-2016/Mississippi-2014.jpg Monica Bonvicini. Mississippi 2014, 2016. Courtesy of the artist, VG-Bild Kunst and König Galerie, Berlin. Photograph: Roman Maerz. https://www.studiointernational.com/images/articles/b/bonvicini-monica-2016/Scale-of-Things-(to-come)-2010.jpg Monica Bonvicini. Scale of Things (to come), 2010. Galvanized steel pipes, galvanized plates and chains, clamps, 393 x 192 x 485 cm approx. © Monica Bonvicini. https://www.studiointernational.com/images/articles/b/bonvicini-monica-2016/monica-bonvicini_MG_8003.jpg Monica Bonvicini. Portrait. Photograph: Andreas Lux. Courtesy the artist. https://www.studiointernational.com/index.php/wael-shawky-interview-when-you-invert-language-you-make-it-even-stronger https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Installation-View-Wael-Shawky,-Al-Araba-Al-Madfuna,-Fondazione-Merz.jpg Installation view, Wael Shawky: Al Araba Al Madfuna, Fondazione Merz Photograph: Andrea Guermani, Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Installation-View.-Wael-Shawky,-Al-Araba-Al-Madfuna,-Fondazione-Merz.jpg Installation view, Wael Shawky: Al Araba Al Madfuna, Fondazione Merz Photograph: Andrea Guermani, Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Installation-view-of-Wael-Shawky,-2.jpg Installation view of Wael Shawky, Castello di Rivoli, November 3, 2016 – February 5, 2017. Photograph: Renato Ghiazza. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Installation-view-of-Wael-Shawky,-Castello-di-Rivoli-3.jpg Installation view of Wael Shawky, Castello di Rivoli, November 3, 2016 – February 5, 2017. Photograph: Renato Ghiazza. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Installation-view-of-Wael-Shawky,-Castello-di-Rivoli.jpg Installation view of Wael Shawky, Castello di Rivoli, November 3, 2016 – February 5, 2017. Photograph: Renato Ghiazza. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Wael-Shawky,-Al-Araba-Al-Madfuna-I,-2011,-courtesy-the-artist-and-Sharjah-Art-Foundation-(01).jpg Wale Shawky. Al Araba Al Madfuna I, 2011. Film Still, HD video, b/w, sound, 21 min. Co-produced by Sharjah Art Foundation & Wiener Festwochen. Courtesy the artist & Sharjah Art Foundation. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Wael-Shawky,-Al-Araba-Al-Madfuna-I,-2011,-courtesy-the-artist-and-Sharjah-Art-Foundation-(03).jpg Wale Shawky. Al Araba Al Madfuna I, 2011. Film Still, HD video, b/w, sound, 21 min. Co-produced by Sharjah Art Foundation & Wiener Festwochen. Courtesy the artist & Sharjah Art Foundation. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Wael-Shawky,-Al-Araba-Al-Madfuna-II,-2013,-courtesy-the-artist-and-Sharjah-Art-Foundation-(01).jpg Wale Shawky. Al Araba Al Madfuna II, 2013. Film still, HD video, b/w, sound 33 min. Co-produced by Sharjah Art Foundation & Wiener Festwochen. Courtesy the artist & Sharjah Art Foundation. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Wael-Shawky,-Al-Araba-al-Madfuna-III,-2015-16-(10).jpg Wael Shawky. Al Araba al Madfuna III, 2015-16. Film still, 4k video, 25 min. Commissioned by Mathaf: Arab Museum of Modern Art in Doha. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Wael-Shawky,-Al-Araba-al-Madfuna-III,-2015-16-(26).jpg Wael Shawky. Al Araba al Madfuna III, 2015-16. Film still, 4k video, 25 min. Commissioned by Mathaf: Arab Museum of Modern Art in Doha. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Wael-Shawky,-Al-Araba-al-Madfuna-III,-2015-16-(27).jpg Wael Shawky. Al Araba al Madfuna III, 2015-16. Film still, 4k video, 25 min. Commissioned by Mathaf: Arab Museum of Modern Art in Doha. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Wael-Shawky,-Cabaret-Crusades,-The-Secrets-of-Karbalaa,-Marionette,-2014.jpg Wale Shawky. Cabaret Crusades: The Secrets of Karbala, CC III-M64. Murano glass, enamel, wire. 58,4 x 20,3 x 12,7 cm. © Wael Shawky. Courtesy Sfeir-Semler Gallery, Beirut & Amburgo and Lisson Gallery, London. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Wael-Shawky,-Cabaret-Crusades,-The-Path-to-Cairo,-2012,-film-still-(2).jpg Wale Shawky. Cabaret Crusades: The Path to Cairo, 2012. Film still. © Wael Shawky. Courtesy Lisson Gallery, London and Sfeir-Semler Gallery, Beirut & Embargo. https://www.studiointernational.com/images/articles/s/shawky-wael-2016/Wael-Shawky,-Cabaret-Crusades,-The-Secrets-of-Karbala,-2015,-Film-still-(02).jpg Wael Shawky. Cabaret Crusades: The Secrets of Karbala, 2015. Film still. Fondazione per l’Arte Moderna e Contemporanea - CRT. On loan to Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino and GAM-Galleria. Civica d’Arte Moderna e Contemporanea, Torino. © Wael Shawky. Courtesy Sfeir-Semler Gallery, Beirut & Amburgo and Lisson Gallery, London. https://www.studiointernational.com/index.php/magnus-plessen-interview-first-world-war https://www.studiointernational.com/images/articles/p/plessen-magnus-2016/Magnus-Plessen-Untitled-(24)-2016.jpg Magnus Plessen. Untitled (24), 2016. Oil and charcoal on canvas, 87 3/8 x 55 7/8 in (222 x 142 cm). Photograph: Jochen Littkemann. https://www.studiointernational.com/images/articles/p/plessen-magnus-2016/Magnus-Plessen-The-Skin-of-Volume-White-Cube-Masons-Yard-4-November-2016---14-January-2017-(medium-res).jpg Magnus Plessen. The Skin of Volume, installation view, White Cube Mason's Yard, London, 4 November 2016 - 14 January 2017. © Magnus Plessen. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/p/plessen-magnus-2016/Magnus-Plessen-Untitled-(30)-2016.jpg Magnus Plessen. Untitled (30), 2016. Oil and charcoal on canvas, 96 7/16 x 78 3/4 in (245 x 200 cm). Photograph: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/p/plessen-magnus-2016/Magnus-Plessen-The-Skin-of-Volume-White-Cube-Masons-Yard-4-November-2016---14-January-2017-(medium-res)-4.jpg Magnus Plessen. The Skin of Volume, installation view, White Cube Mason's Yard, London, 4 November 2016 - 14 January 2017. © Magnus Plessen. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/p/plessen-magnus-2016/Magnus-Plessen-The-Skin-of-Volume-White-Cube-Masons-Yard-4-November-2016---14-January-2017-(medium-res)-2.jpg Magnus Plessen. The Skin of Volume, installation view, White Cube Mason's Yard, London, 4 November 2016 - 14 January 2017. © Magnus Plessen. Photograph © White Cube (George Darrell). https://www.studiointernational.com/index.php/ronan-and-erwan-bouroullec-reveries-urbaines https://www.studiointernational.com/images/articles/b/bouroullec-2016/12_Installation_view_Raveries_Urbaines_Vitra_Design_Museum_c_Studio_-Bouroullec.jpg Ronan & Erwan Bouroullec: Rêveries Urbaines, 2016. Installation view, Vitra Design Museum. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/15_Installation_view_Raveries_Urbaines_Vitra_Design_Museum_c_Studio_-Bouroullec.jpg Ronan & Erwan Bouroullec: Rêveries Urbaines, 2016. Installation view, Vitra Design Museum. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/18_Installation_view_Raveries_Urbaines_Vitra_Design_Museum_c_Studio_-Bouroullec.jpg Ronan & Erwan Bouroullec: Rêveries Urbaines, 2016. Installation view, Vitra Design Museum. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/01_Reveries_Urbaines_c_Studio_Bouroullec.jpg Ronan & Erwan Bouroullec. Rêveries Urbaines, 2016. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/02_VinesReveries_Urbaines_c_Studio_Bouroullec.jpg Ronan & Erwan Bouroullec. Vines, Rêveries Urbaines, 2016. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/03_WaterfallReveries_Urbaines_c_Studio_Bouroullec.jpg Ronan & Erwan Bouroullec. Waterfall, Rêveries Urbaines, 2016. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/05_Reveries_Urbaines_c_Studio_Bouroullec.jpg Ronan & Erwan Bouroullec. Rêveries Urbaines, 2016. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/06_Reveries_Urbaines_c_Studio_Bouroullec.jpg Ronan & Erwan Bouroullec. Rêveries Urbaines, 2016. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/08_Hanging-Forest-reveries_urbaines_c_Studio_Bouroullec.jpg Ronan & Erwan Bouroullec. Hanging Forest, Rêveries Urbaines, 2016. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/09_Cloud-reveries_urbaines_c_Studio_Bouroullec.jpg Ronan & Erwan Bouroullec. Cloud, Rêveries Urbaines, 2016. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/10_Reveries_Urbaines_c_Studio_Bouroullec.jpg Ronan & Erwan Bouroullec. Hanging Forest, Rêveries Urbaines, 2016. © Studio Bouroullec. https://www.studiointernational.com/images/articles/b/bouroullec-2016/11_Reveries_Urbaines_Fire-_Station_c_Studio_Bouroullec.jpg Zaha Hadid’s Fire Station, Vitra Campus. © Studio Bouroullec. https://www.studiointernational.com/index.php/intrigue-james-ensor-by-luc-tuymans-review https://www.studiointernational.com/images/articles/e/ensor-james-2016/key-36.jpg James Ensor. Self-portrait with Flowered Hat, 1883. Oil on canvas, 76.5 x 61.5 cm. Mu.ZEE, Oostende. Photograph: MuZee © www.lukasweb.be - Art in Flanders vzw. Photograph: Hugo Maertens / © DACS 2016. https://www.studiointernational.com/images/articles/e/ensor-james-2016/CH33.jpg Maurice Antony. James Ensor surrounded by his paintings, 22 June 1937. Mu.ZEE, Ostend. Photograph © www.lukasweb.be - Art in Flanders vzw / © DACS, 2016. https://www.studiointernational.com/images/articles/e/ensor-james-2016/key-107.jpg James Ensor. Plague here, Plague there, Plague Everywhere, 1888. Black, blue and red chalk and graphite on paper, 22.5 x 30 cm. Koninklijk Museum voor Schone Kunsten, Antwerp. Photograph: KMSKA © www.lukasweb.be - Art in Flanders vzw. Photograph: Hugo Maertens / © DACS 2016. https://www.studiointernational.com/images/articles/e/ensor-james-2016/key-48.jpg Luc Tuymans. Gilles de Binche, 2004. Oil on canvas, 191.5 x 76.5 cm. Private Collection. Photograph courtesy of David Zwirner, New York/London and Zeno X Gallery, Antwerp / © Courtesy Studio Luc Tuymans. https://www.studiointernational.com/images/articles/e/ensor-james-2016/key-59.jpg James Ensor. The Skate, 1892. Oil on panel, 80 x 100 cm. Royal Museums of Fine Arts of Belgium, Brussels / Photograph: J. Geleyns - Ro scan © DACS 2016. https://www.studiointernational.com/images/articles/e/ensor-james-2016/key-5.jpg James Ensor. The Intrigue, 1890. Oil on canvas, 90 x 149 cm. Antwerp, Koninklijk Museum voor Schone Kunsten. Photograph: KMSKA © www.lukasweb.be - Art in Flanders vzw. Photograph: Hugo Maertens / © DACS 2016. https://www.studiointernational.com/index.php/laura-owens-review-sadie-coles-london https://www.studiointernational.com/images/articles/o/owens-laura-2016/Laura-Owen-install-view-01.jpg Installation view, Laura Owens, Sadie Coles HQ, London, October 5 – December 16, 2016. Courtesy the artist / Gavin Brown’s enterprise, New York / Rome; Sadie Coles HQ, London; and Galerie Gisela Capitain, Cologne. https://www.studiointernational.com/images/articles/o/owens-laura-2016/Laura-Owen-install-view-02.jpg Installation view, Laura Owens, Sadie Coles HQ, London, October 5 – December 16, 2016. Courtesy the artist / Gavin Brown’s enterprise, New York / Rome; Sadie Coles HQ, London; and Galerie Gisela Capitain, Cologne. https://www.studiointernational.com/images/articles/o/owens-laura-2016/Screen-Shot-2016-11-18-painting-002a.jpg Laura Owens. Screenshot of the website why11.com. Each painting comes with a short audio clip. https://www.studiointernational.com/images/articles/o/owens-laura-2016/003.jpg Laura Owens. Painting 003. Screenshot of the website why11.com. https://www.studiointernational.com/images/articles/o/owens-laura-2016/013.jpg Laura Owens. Painting 013. Screenshot of the website why11.com. https://www.studiointernational.com/images/articles/o/owens-laura-2016/031.jpg Laura Owens. Painting 031. Screenshot of the website why11.com. https://www.studiointernational.com/images/articles/o/owens-laura-2016/053.jpg Laura Owens. Painting 053. Screenshot of the website why11.com. https://www.studiointernational.com/images/articles/o/owens-laura-2016/Screen-Shot-2016-11-18-painting-061.jpg Laura Owens. Painting 061. Screenshot of the website why11.com. https://www.studiointernational.com/index.php/jiang-dahai-interview-diffusion-mayor-gallery-london https://www.studiointernational.com/images/articles/j/jiang-dahai-2016/1.jpg Jiang Dahai: Diffusion, gallery view, The Mayor Gallery, London. Photograph courtesy of The Mayor Gallery. https://www.studiointernational.com/images/articles/j/jiang-dahai-2016/Jiang-Dahai_Cloud_Space.jpg Jiang Dahai. Cloud Space, 2016. Acrylic on canvas, 100 x 150 cm. Photograph: Richard Valencia. https://www.studiointernational.com/images/articles/j/jiang-dahai-2016/Jiang_Dahai_Clouds_in_the_Wind.jpg Jiang Dahai. Clouds in the Wind, 2016. Acrylic on canvas, 120 x 160 cm. Photograph: Richard Valencia. https://www.studiointernational.com/images/articles/j/jiang-dahai-2016/7.jpg Jiang Dahai: Diffusion, gallery view, The Mayor Gallery, London. Photograph courtesy of The Mayor Gallery. https://www.studiointernational.com/images/articles/j/jiang-dahai-2016/Jiang_Dahai_Harmony.jpg Jiang Dahai. Harmony, 2016. Acrylic on canvas, 100 x 150 cm. Photograph: Richard Valencia. https://www.studiointernational.com/images/articles/j/jiang-dahai-2016/Jiang_Dahai_Vast.jpg Jiang Dahai. Vst, 2016. Acrylic on canvas, 130 x 160 cm. Photograph: Richard Valencia. https://www.studiointernational.com/index.php/emma-elliott-interview-being-human-is-the-most-important-thing https://www.studiointernational.com/images/articles/e/elliott-emma-2016/Blackout-2016.jpg Emma Elliott. Blackout, 2016. Print, dimensions variable. © the artist. https://www.studiointernational.com/images/articles/e/elliott-emma-2016/Spin-Head-2015.jpg Emma Elliott. Spin-Head, 2015. Bronze, 155 x 25 x 20 cm. © the artist. https://www.studiointernational.com/images/articles/e/elliott-emma-2016/St-Endellion-2011.jpg Emma Elliott. St Endellion, 2011. Oil on canvas, 40 x 30 cm. © the artist. https://www.studiointernational.com/images/articles/e/elliott-emma-2016/Blood-Is-Not-Wet-2016--.jpg Emma Elliott. Blood Is Not Wet, 2016. Print, dimensions variable. © the artist. https://www.studiointernational.com/index.php/pat-steir-review-dominique-levy-gallery-london https://www.studiointernational.com/images/articles/s/steir-pat-2016/Steir-Dragon-Tooth-Waterfall-1990.jpg Pat Steir. Dragon Tooth Waterfall, 1990. Oil on canvas, 92 x 132 1/2 in (233.7 x 336.6 cm). © Pat Steir, 2016. Courtesy Dominique Lévy, New York / London. https://www.studiointernational.com/images/articles/s/steir-pat-2016/Steir-Elephant-Waterfall-1990.jpg Pat Steir. Elephant Waterfall, 1990. Oil on canvas, 144 x 122 in (365.8 x 309.9 cm). © Pat Steir, 2016. Courtesy Dominique Lévy, New York / London. https://www.studiointernational.com/images/articles/s/steir-pat-2016/Pat-Steir-Installation-view-6.jpg Installation view of Pat Steir at Dominique Lévy, London (9 November 2016 – 28 January 2017). Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/s/steir-pat-2016/Steir-Vibrating-Blue-and-Red-Waterfall-1993.jpg Pat Steir. Vibrating Blue and Red Waterfall, 1993. Oil on canvas, 48 x 48 in (121.9 x 121.9 cm). © Pat Steir, 2016. Courtesy Dominique Lévy, New York / London. https://www.studiointernational.com/images/articles/s/steir-pat-2016/Steir-Wind-and-Water-1995.jpg Pat Steir. Wind and Water, 1995. Oil on canvas, 108 x 108 in (274.3 x 274.3 cm). © Pat Steir, 2016. Courtesy Dominique Lévy, New York / London. https://www.studiointernational.com/images/articles/s/steir-pat-2016/Steir_New-Graphic-Waterfall-on-Dark-Blue-Background_2007.jpg Pat Steir. New Graphic Waterfall on Dark Blue Background, 2007. Oil on canvas, 72 x 72 in (182.9 x 182.9 cm). © Pat Steir, 2016. Courtesy Dominique Lévy, New York / London. https://www.studiointernational.com/images/articles/s/steir-pat-2016/Pat-Steir-Installation-view-2.jpg Installation view of Pat Steir at Dominique Lévy, London (9 November 2016 – 28 January 2017). Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/s/steir-pat-2016/Steir_Wind-Water-and-Stone-6am_1997.jpg Pat Steir. Wind, Water and Stone: 6 AM, 1997. Oil on canvas, 108 x 108 in (274.3 x 274.3 cm). © Pat Steir, 2016. Courtesy Dominique Lévy, New York / London. https://www.studiointernational.com/images/articles/s/steir-pat-2016/Pat-Steir-Installation-view-3.jpg Installation view of Pat Steir at Dominique Lévy, London (9 November 2016 – 28 January 2017). Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/s/steir-pat-2016/Pat-Steir-Studio-2016.jpg Pat Steir. Studio view. © Pat Steir, 2016. https://www.studiointernational.com/index.php/david-kohn-interview-architects https://www.studiointernational.com/images/articles/k/kohn-david-2016/DKA_152-CH_09_New-iPad.jpg David Kohn. A Room for London, Royal Festival Hall, London, 2012. © Charles Hosea. https://www.studiointernational.com/images/articles/k/kohn-david-2016/DKA_152-CH_13_New-iPad.jpg David Kohn. A Room for London, Royal Festival Hall, London, 2012. © Charles Hosea. https://www.studiointernational.com/images/articles/k/kohn-david-2016/DKA_152-CH_15_New-iPad.jpg David Kohn. A Room for London, Royal Festival Hall, London, 2012. © Charles Hosea. https://www.studiointernational.com/images/articles/k/kohn-david-2016/114_ModernArt_06-IM.jpg David Kohn. Modern Art, Fitzrovia, London, 2008. © Ioana Marinescu. https://www.studiointernational.com/images/articles/k/kohn-david-2016/114_003_IM.jpg David Kohn. Modern Art, Fitzrovia, London, 2008. © Ioana Marinescu. https://www.studiointernational.com/images/articles/k/kohn-david-2016/114_ModernArt_012-IM.jpg David Kohn. Modern Art, Fitzrovia, London, 2008. © Ioana Marinescu. https://www.studiointernational.com/images/articles/k/kohn-david-2016/DKA_114_IM-WillPryce_09_small.jpg David Kohn. Stable Acre, Norfolk, 2010. © Will Pryce. https://www.studiointernational.com/images/articles/k/kohn-david-2016/DKA_114_IM-WillPryce_05.jpg David Kohn. Stable Acre, Norfolk, 2010. © Will Pryce. https://www.studiointernational.com/images/articles/k/kohn-david-2016/183_004_IM.jpg David Kohn. Sotheby’s S|2, 2014. © Ioana Marinescu. https://www.studiointernational.com/images/articles/k/kohn-david-2016/183_008_IM.jpg David Kohn. Sotheby’s S|2, 2014. © Ioana Marinescu. https://www.studiointernational.com/images/articles/k/kohn-david-2016/183_011_IM.jpg David Kohn. Sotheby’s S|2, 2014. © Ioana Marinescu. https://www.studiointernational.com/images/articles/k/kohn-david-2016/new-college.jpg David Kohn. New College, Oxford, 2015 – ongoing. Visuals © David Kohn Architects. https://www.studiointernational.com/images/articles/k/kohn-david-2016/DKA_overall-picture.jpg David Kohn. New College, Oxford, 2015 – ongoing. Model photograph © David Kohn Architects. https://www.studiointernational.com/images/articles/k/kohn-david-2016/DKA_New-College_room.jpg David Kohn. New College, Oxford, 2015 – ongoing. Visuals © David Kohn Architects. https://www.studiointernational.com/images/articles/k/kohn-david-2016/DKA_169_Mercers-Rd_Will-Pryce_02e.jpg David Kohn. Sanderson House, Tufnell Park, London, 2014. © Will Pryce. https://www.studiointernational.com/images/articles/k/kohn-david-2016/DKA_169_Mercers-Rd_Will-Pryce_06.jpg David Kohn. Sanderson House, Tufnell Park, London, 2014 (interior). © Will Pryce. https://www.studiointernational.com/images/articles/k/kohn-david-2016/SF1_IM.jpg David Kohn. Stephen Friedman Gallery, 2012. © Ioana Marinescu. https://www.studiointernational.com/images/articles/k/kohn-david-2016/SF2_IM.jpg David Kohn. Stephen Friedman Gallery, 2012. © Ioana Marinescu. https://www.studiointernational.com/images/articles/k/kohn-david-2016/005_DKA-Barcelona-Portrait.jpg Studio group portrait photographed in Carrer Avinyó, Barcelona, 2012. © José Hevia Blach. https://www.studiointernational.com/index.php/franciszka-themerson-lines-and-thoughts-review https://www.studiointernational.com/images/articles/t/themerson-2016/D60-2-calligramme-II-plus.jpg Franciszka Themerson. Calligramme II (‘plus’), 1960. Red emulsion and black enamel paint on paper, 52 x 63 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D60-4,-calligramme-IV-serpentine.jpg Franciszka Themerson. Calligramme IV (serpentine’), 1960. Emulsion paint on paper, 63.5 x 50.5 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D60-6-Calligramme-VI-(h).jpg Franciszka Themerson. Calligramme VI (‘H’), 1960. Black, red, and cream enamel paint on paper, 63.5 x 52 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D55-18,-In-transit-Gloria-copy.jpg Franciszka Themerson. In Transit Gloria, c1955. Pen and ink on paper, 21.5 x 15 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D55-46-Double-flute-[III]-copy.jpg Franciszka Themerson. Double-flute (third version), c1955. Pen and ink on paper, 15 x 11.5 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D61-18-Attraction-c-1961-copy.jpg Franciszka Themerson. Attraction c1961. Pen and ink on paper, 30.5 x 20 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D63-11-party-games-1st-march-1963-copy.jpg Franciszka Themerson. Party Games, 1963. Pen and ink on paper, 23.5 x 35.5 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D72-22-man-with-feet-copy.jpg Franciszka Themerson. Man With Spare Feet, c1972. Ink on paper, 52 x 33 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D73-14-(Two-heads)-copy.jpg Franciszka Themerson. Two Heads, 1973. Ink on paper, 50 x 62 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D73-8-breast-copy.jpg Franciszka Themerson. Drawing (breast), 1973. Ink, coloured crayons on paper, 50 x 62 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/D74-2-nude-woman,-arms-raised-copy.jpg Franciszka Themerson. Nude Woman, Arms Raised, 1974. Ink on paper, 46 x 26 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/P72-10-a-person-I-know-copy.jpg Franciszka Themerson. A Person I Know, 1972. Oil on canvas, 75 x 63 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/P72-4-pietons-apocalypse-copy.jpg Franciszka Themerson. Piétons Apocalypse, 1972. Oil on canvas, 102 x 86 cm. https://www.studiointernational.com/images/articles/t/themerson-2016/P72-6-Coil-Totem,-1972-copy.jpg Franciszka Themerson. Coil Totem, c1972. Oil on canvas, 101.5 x 152 cm. https://www.studiointernational.com/index.php/karen-russo-interview-ive-always-liked-the-idea-making-films-outside-of-time https://www.studiointernational.com/images/articles/r/russo-karen-2016/1.jpg Karen Russo. Haus Atlantis, 2016. 16mm film transferred to digital, 9:38 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/2.jpg Karen Russo. Haus Atlantis, 2016. 16mm film transferred to digital, 9:38 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/3.jpg Karen Russo. Haus Atlantis, 2016. 16mm film transferred to digital, 9:38 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/4.jpg Karen Russo. Haus Atlantis, 2016. 16mm film transferred to digital, 9:38 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/6.jpg Karen Russo. Haus Atlantis, 2016. 16mm film transferred to digital, 9:38 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/7.jpg Karen Russo. Haus Atlantis, 2016. 16mm film transferred to digital, 9:38 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/8.jpg Karen Russo. Haus Atlantis, 2016. 16mm film transferred to digital, 9:38 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/Morlocks-Temple-with-Barlach-Head_2014.jpg Karen Russo. Morlocks Temple with Barlach Head, 2015. Charcoal on paper, 121 x 86 cm. https://www.studiointernational.com/images/articles/r/russo-karen-2016/Untitled_2015.jpg Karen Russo. Untitled, 2015. Charcoal on paper, 78 x 105 cm. https://www.studiointernational.com/images/articles/r/russo-karen-2016/Franziska-von-den-Driesch_Karen-Russo_Worpswede_034.jpg Haus Atlantis, installation view, Große Kunstschau Worpswede. Photograph: Franziska von den Driesch. https://www.studiointernational.com/images/articles/r/russo-karen-2016/Franziska-von-den-Driesch_Karen-Russo.jpg Haus Atlantis, installation view, Große Kunstschau Worpswede. Photograph: Franziska von den Driesch. https://www.studiointernational.com/images/articles/r/russo-karen-2016/TET-Stadt-film-still-1.jpg Karen Russo. TET-Stadt, 2016. 16mm film, 5:42 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/TET-Stadt-film-still-2.jpg Karen Russo. TET-Stadt, 2016. 16mm film, 5:42 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/TET-Stadt-film-still-3.jpg Karen Russo. TET-Stadt, 2016. 16mm film, 5:42 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/TET-Stadt-film-still-4.jpg Karen Russo. TET-Stadt, 2016. 16mm film, 5:42 min. https://www.studiointernational.com/images/articles/r/russo-karen-2016/TET-Stadt-film-still-5.jpg Karen Russo. TET-Stadt, 2016. 16mm film, 5:42 min. https://www.studiointernational.com/index.php/anselm-kiefer-walhalla-review-white-cube-london https://www.studiointernational.com/images/articles/k/kiefer-anselm-2016/Anselm-Kiefer-Philemon-in-stasis-2016.jpg Anselm Kiefer. Philemon in stasis, 2016. Lead, water, glass and mixed media, dimensions variable. © Anselm Kiefer. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/k/kiefer-anselm-2016/Anselm-Kiefer-San-Loreto-2016.jpg Anselm Kiefer. San Loreto, 2016. Lead and mixed media, dimensions variable. © Anselm Kiefer. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/k/kiefer-anselm-2016/Anselm-Kiefer-Bose-Blumen-2016.jpg Anselm Kiefer. Böse Blumen, 2016. Oil, acrylic, emulsion, shellac and clay on canvas, 185 1/16 x 299 3/16 in (470 x 760 cm) (six panels). © Anselm Kiefer. Photograph © White Cube (Charles Duprat). https://www.studiointernational.com/images/articles/k/kiefer-anselm-2016/Anselm-Kiefer-Walhalla-2016.jpg Anselm Kiefer. Walhalla, 2016. Oil, acrylic, emulsion, shellac and clay on canvas, three panels, each: 149 5/8 x 74 13/16 in (380 x 190 cm). Overall dimensions: 149 5/8 x 224 7/16 in (380 x 570 cm). © Anselm Kiefer. Photograph © White Cube (Charles Duprat). https://www.studiointernational.com/images/articles/k/kiefer-anselm-2016/Anselm-Kiefer-Walhalla-2.jpg Anselm Kiefer: Walhalla, White Cube Bermondsey, London, installation views. © Anselm Kiefer. Photograph © White Cube (George Darrell). https://www.studiointernational.com/images/articles/k/kiefer-anselm-2016/Anselm-Kiefer-Walhalla-4.jpg Anselm Kiefer: Walhalla, White Cube Bermondsey, London, installation views. © Anselm Kiefer. Photograph © White Cube (George Darrell). https://www.studiointernational.com/index.php/city-sculpture-projects-1972-henry-moore-institute-leeds https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/studio-international-cover-july-august-1972.jpg Nicholas Monro’s King Kong on the cover of Studio International, July/August 1972. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/3.jpg Nicholas Monro. Fibreglass maquette of King Kong with outstretched arms and red eyes, 1971. Courtesy the artist and Wolverhampton Arts and Museums. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/2.jpg Nicholas Monro. ‘King Kong’, 1972. Work for Manzoni Gardens, Birmingham. Reinforced coloured fibreglass, height: 5.5 metres. Arnolfini Archive at Bristol Record Office. Photographer unknown. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/15.jpg Nicholas Monro. ‘King Kong’, 1972. Work for Manzoni Gardens, Birmingham. Reinforced coloured fibreglass, height: 5.5 metres. Arnolfini Archive at Bristol Record Office. Photographer unknown. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/1.jpg Exhibition poster for new British sculpture, Bristol, 1968. Photograph: Derek Balmer. Arnolfini Archive at Bristol Record Office. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/4.jpg William Turnbull. Angle, 1972. Work for Bluecoat Chambers, Liverpool. Brushed stainless steel, six units, length: 8 x 8 metres. Arnolfini Archive at Bristol Record Office. Photographer unknown. © William Turnbull. All Rights Reserved, DACS 2016. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/5.jpg Garth Evans. Work for The Hayes, Cardiff. Painted mild steel, length: 12 metres. Arnolfini Archive at Bristol Record Office. Photographer unknown. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/6.jpg Kenneth Martin. Work for Arundel Gate, Sheffield. Column built with nineteen identically shaped boxes and nineteen identical horizontal planes, height: 5.9 metres. Arnolfini Archive at Bristol Record Office. Photographer unknown. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/7.jpg Liliane Lijn. White Koan, 1971. Work for Armada Way, Plymouth. Painted mild steel, neon tube, electric motor, height: 6.1 metres, base diameter: 3.6 metres. Arnolfini Archive at Bristol Record Office. Photographer unknown. © Liliane Lijn. All Rights Reserved, DACS 2016. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/9.jpg Peter Hide. Work for Guildhall Square, Southampton. Concrete, cast iron, height: 4 metres. Arnolfini Archive at Bristol Record Office. Photographer unknown. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/16.jpg L. Brower Hatcher. Model for City Sculpture Project sculpture, 1971–2 / 2016. Metal on board, height: 25.4cm on 70 x 40.6cm board. Collection of the artist. Photograph: the artist. https://www.studiointernational.com/images/articles/c/city-sculpture-project-2016/King-Kong-statue-Leeds-photo-Derek-Horton.jpg Nicholas Monro’s King Kong outside the Henry Moore Institute, Leeds, 2016. Photograph: Derek Horton. https://www.studiointernational.com/index.php/sophie-jung-interview-i-dont-trust-language https://www.studiointernational.com/images/articles/j/jung-sophie-2016/2e.jpg Sophie Jung. Leader Abend (from Facts and Fingers), 2016. Performance / mixed media installation. Photograph: Kunst Halle Sankt Gallen, Anna Beck-Wörner. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/3.jpg Sophie Jung. Facts and Fingers, 2016. Performance / mixed media installation. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/4a.jpg Sophie Jung. The Emperor's New Graph (detail), 2016. Performance / mixed media prop-sculpture (copper, mirror sticker, varnish, ink, tar paint, photograph faded magenta, photograph faded yellow, cling film, perspex, photocopy of DVD, leather, paper clips, papier maché, aluminium wire, clay). Photograph: Sophie Jung. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/6.jpg Sophie Jung. Double Stroke Roll, 2016. Performance / mixed media prop-sculpture (papier maché cat heads, turmeric, drum sticks, clay, Pearl-Ex, varnish, photocopy, mousepad, drum pad, sticker, velvet, oil paint on wood, drawing pin, perspex). Photograph: Sophie Jung. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/8.jpg Sophie Jung. OMG Un_Fucking_Canny, 2015. Performance, mixed media installation, text. (youtube video, clay, crazy aaron's super scarab putty, cling film, photocopy, super scarab turban, life drawing). Photograph: Sophie Jung. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/9b.jpg Sophie Jung. I wuz born this way...WHAT'S YOUR EXCUSE? (A miss spell to free yourself from the bonds of patriarchal undermining in the workplace), 2016. Performance, mixed media installation. (copper, leggins, t-shirt, wax, tar paint, magnets, window paint, oxidising paint, venus shells, fossilized worm poo, starbucks cup, swizzle sticks, paper clips, perspex, paint medium, photocopy). Photograph: Peter Burleigh. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/10_.jpg Sophie Jung. (Toucan play this game, but only one can win, I aint Lion) Cool Story Bro, Tell It Again, 2015. Performance, mixed media installation. (ceramic, concrete, varnish, stickers, glass, poster, hard gloss, Pearl-Ex, Lillipitty earrings, lion slippers, Apiatti tiles, Perspex, charcoal, cheap slogan t-shirt courtesy Jesse Darling, performance). Photograph: Galerie Tatjana Pieters. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/11a.jpg Sophie Jung. Eh, Co–? Nah, Cis. Us!, 2015. Performance. Photograph: The Artist. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/12a.jpg Sophie Jung. Operation Earnest Voice, 2015. Performance (as part of a mixed media installation inside Ballroom Marfa). Photograph: Ballroom Marfa, Alex Marks. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/15.jpg Sophie Jung. (Moleskine does not have an official pronunciation. The company claims it is) A Brand With Undefined National Identity (from Driving The Point Home), 2015. Performance, mixed media prop-sculpture (Bruce Springsteen album cover, silk ribbon, cartwheel hat, white drawig paper, mini klippan couch, pink drawing pins, varnish, barricades). Photograph: Sophie Jung. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/17_.jpg Sophie Jung. Cry me a River, Phoenix, 2016. Mixed media prop-sculpture, performance (drawing of chicken, Elvive shampoo stickers, paint medium, aluminium wire, chicken wire, zink plated steel, silk ribbon, wood, stone, Pearl-Ex, badge, tiling spacers). Photograph: Sophie Jung. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/18.jpg Sophie Jung. Cos of the Grand Change, 2014. Mixed media installation, performance (youtube video oceana roll, necklace, charcoal, perspex, photograph, finger puppet, COS jeggins, paint lid, New Balance shoes, glow-in-the-dark FIMO, blue tac, architect's sand, tar paint, oxidising paint, garfield cartoon, video, magnetic paint). Photograph: Sophie Jung. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/20_.jpg Sophie Jung. Deep Impact II*, 2014. Performance, text (broken iMac box, drip painting by Germaine Hoffmann on table cloth, dungarees x2, Thompson and Thomson on google image search, British Heart Foundation post-it, Queen Innuendo on external disk drive, zebra puzzle, steel, CD covers x3, garfield cartoon, used nail varnish remover pads, youtube video). Photograph: Abri De Swardt. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/22.jpg Sophie Jung. Tuned to the A*, 2015. Photograph. Photograph: Sophie Jung. https://www.studiointernational.com/images/articles/j/jung-sophie-2016/19.jpg Sophie Jung. Nothing, It Just Waves (from Learning About Heraldry), 2013. Mixed media installation (spiral hat, copper, He Hells He Hells video on iPad, Lonely Rivers Flow video on iPhone, saw dust, wood, rosetta stone sticker, perspex). Photograph: Ceri Hand Gallery, Anna Arca. https://www.studiointernational.com/index.php/jasper-johns-and-edvard-munch-love-loss-the-cycle-of-life-review https://www.studiointernational.com/images/articles/j/johns-munch-2016/G194-113.jpg Edvard Munch. Madonna, 1895/1902. Lithograph. Munch Museum. https://www.studiointernational.com/images/articles/j/johns-munch-2016/Johns_fig_118_Winter.jpg Jasper Johns. Winter, 1986. Encaustic on canvas, 75 x 50 in (190.5 x 127 cm). Private collection. Art © Jasper Johns / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/j/johns-munch-2016/Munch-Museum_The-Scream.jpg Edvard Munch. The Scream, 1895. Lithograph. Munch Museum. https://www.studiointernational.com/images/articles/j/johns-munch-2016/Johns_fig_20.jpg Jasper John, Savarin, 1977. Lithograph, 45 x 35 in. (114.3 x 88.9 cm). Collection of Brian Goldston and Peter Balis. Art © Jasper Johns and ULAE/Licensed by VAGA, New Yok, NY. Published by Universal Limited Art Editions https://www.studiointernational.com/images/articles/j/johns-munch-2016/Munch_fig_46.jpg Edvard Munch. Self-Portrait, 1895. Lithograph, 17 7/8 x 12 3/8 in (45.5 x 31.5 cm). Munch Museum. https://www.studiointernational.com/images/articles/j/johns-munch-2016/Johns_fig_47.jpg Jasper Johns. Savarin, 1981. Lithograph, 50 x 38 in (127 x 96.5 cm). Private collection. Art © Jasper Johns and ULAE/Licensed by VAGA, New Yok, NY. Published by Universal Limited Art Editions. https://www.studiointernational.com/images/articles/j/johns-munch-2016/Munch_fig_66.jpg Edvard Munch. The Dance of Life, 1925. Oil on canvas, 56 1⁄4 x 81 7⁄8 in (143 x 208 cm). Munch Museum. https://www.studiointernational.com/images/articles/j/johns-munch-2016/Johns_fig_71.jpg Jasper Johns. Between the Clock and the Bed, 1981. Encaustic on canvas (three panels), 72 1/8 x 126 3/8 in (183.2 x 321 cm). The Museum of Modern Art, New York, Gift of Agnes Gund, Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. Art © Jasper Johns / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/j/johns-munch-2016/Munch_fig_75.jpg Edvard Munch. Self-Portrait between the Clock and the Bed, 1940–43. Oil on canvas, 58 7⁄8 x 47 1⁄2 in. (149.5 x 120.5 cm). Munch Museum. https://www.studiointernational.com/images/articles/j/johns-munch-2016/Johns_fig_73.jpg Jasper Johns. Between the Clock and the Bed, 1982-83. Encaustic on canvas (three panels), 72 x 126¼ in (182.9 x 320.7 cm). Virginia Museum of Fine Arts, Richmond, Gift of the Sydney and Frances Lewis Foundation. Art © Jasper Johns / Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/j/johns-munch-2016/Munch_fig_81_Bedsheet.jpg Edvard Munch’s bedspread, probably early 20th century. Cotton applique on linen, 59 x 112 1⁄2 in (150 x 286 cm), irregular edge. Munch Museum, donated by The Friends of the Munch Museum, 1997. https://www.studiointernational.com/index.php/jason-martin-review-lisson-gallery-london https://www.studiointernational.com/images/articles/m/martin-jason-2106/Jason-Martin.jpg Portrait of Jason Martin. Photograph: Calvin Sit. © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160015_1.jpg Jason Martin. Ag II, 2016. Silver, 44 x 33 x 5 cm (17 3/8 x 13 x 2 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160016_3.jpg Jason Martin. Ag III, 2016. Silver, 44 x 33 x 5 cm (17 3/8 x 13 x 2 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160022_1.jpg Jason Martin. Untitled, 2016. Oil on aluminium, 176 x 142 cm (69 1/4 x 55 7/8 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160026_1.jpg Jason Martin. Untitled (Davy’s Grey / Titanium White / Raw Umber), 2016. Oil on aluminium, 220 x 178 cm (86 5/8 x 70 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160027_1.jpg Jason Martin. Untitled (Davy’s Grey / Ivory Black), 2016. Oil on aluminium, 220 x 178 cm (86 5/8 x 70 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160027_2.jpg Jason Martin. Untitled (Davy’s Grey / Ivory Black), 2016 (detail). Oil on aluminium, 220 x 178 cm (86 5/8 x 70 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160029_1.jpg Jason Martin. Untitled (Dry White), 2016. Oil on aluminium, 176 x 142 cm (69 ¼ x 55 7/8 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160032_1.jpg Jason Martin. Untitled (Davy’s Grey / Payne’s Grey), 2016. Oil on aluminium, 242 x 199 cm (95 ¼ x 78 3/8 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160032_2.jpg Jason Martin. Untitled (Davy’s Grey / Payne’s Grey), 2016 (detail). Oil on aluminium, 242 x 199 cm (95 ¼ x 78 3/8 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160036_1.jpg Jason Martin. Untitled (Coral Orange / Vermilion), 2016. Oil on panel 47.5 x 33.5 cm (18 5/8 x 13 ¼ in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/m/martin-jason-2106/MART160037_1.jpg Jason Martin. Untitled (Ivory Black / Indian Yellow), 2016. Oil on aluminium, 47 x 33 cm (18 ½ x 13 in). © Jason Martin; Courtesy Lisson Gallery. https://www.studiointernational.com/index.php/roger-hiorns-video-interview-seizure-artangel-bodies-ikon-gallery https://www.studiointernational.com/images/articles/h/hiorns-roger-2016/bristol-3.jpg Roger Hiorns. The retrospective view of the pathway, 2016. Artist impression, courtesy of Witherford Watson Mann architects. Two seven-metre-tall black granite furnaces on Bristol’s Temple Quay Central, part of an Art and the Public Realm Bristol commission. https://www.studiointernational.com/images/articles/h/hiorns-roger-2016/roger-hiorns-ikon-gallery-2016-4.jpg Roger Horns. Exhibition view, Ikon Gallery, Birmingham, 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/hiorns-roger-2016/bristol-21.jpg Roger Hiorns. The retrospective view of the pathway, 2016. Installation view, Temple Quay Central, Bristol. https://www.studiointernational.com/images/articles/h/hiorns-roger-2016/bristol-27.jpg Roger Hiorns. The retrospective view of the pathway, 2016. View of the furnace. Temple Quay Central, Bristol. https://www.studiointernational.com/images/articles/h/hiorns-roger-2016/bristol-26.jpg Roger Hiorns. The retrospective view of the pathway, 2016. Installation view, Temple Quay Central, Bristol. https://www.studiointernational.com/images/articles/h/hiorns-roger-2016/roger-hiorns-ikon-gallery-2016.jpg Roger Horns. Exhibition view, Ikon Gallery, Birmingham, 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/hiorns-roger-2016/roger-hiorns-ikon-gallery-2016-3.jpg Roger Horns. Exhibition view, Ikon Gallery, Birmingham, 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/hiorns-roger-2016/roger-hiorns-ikon-gallery-2016-2.jpg Roger Horns. Exhibition view, Ikon Gallery, Birmingham, 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/hiorns-roger-2016/roger-hiorns-ikon-gallery-2016-5.jpg Roger Horns. Exhibition view, Ikon Gallery, Birmingham, 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/fabienne-verdier-interview-i-am-an-intrepid-woman-bit-of-a-rebel https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-in-her-studio,-2016-(3).jpg Fabienne Verdier in her studio, 2016, courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-in-her-studio,-2016-(5).jpg Fabienne Verdier in her studio, 2016, courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier,-Cadence,-2016.jpg Fabienne Verdier. Cadence, 2016. Acrylic and mixed media on canvas, 183 x 407 cm. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-studio,-2016-6.jpg Fabienne Verdier studio, 2016. Photograph: John Short. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier,-Fractale-scapes-I,-2016.jpg Fabienne Verdier. Fractale-scapes I, 2016. Acrylic and mixed media on canvas, 135 x 113 cm. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Diagram-of-Fabienne-Verdier-homemade-brushes.jpg Diagram of Fabienne Verdier https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-studio,-2016-5.jpg Fabienne Verdier studio, 2016. Photograph: John Short. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-studio,-2016-9.jpg Fabienne Verdier studio, 2016. Photograph: John Short. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-studio,-2016-3.jpg Fabienne Verdier studio, 2016. Photograph: Robert Short. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-in-her-studio,-2016-(6).jpg Fabienne Verdier in her studio, 2016, courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier,-Flow,-2016.jpg Fabienne Verdier. Flow, 2016. Acrylic and mixed media on canvas, 150 x 125 cm. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier,-Fractale-scapes-II,-2016.jpg Fabienne Verdier. Fractale-scapes II, 2016. Acrylic and mixed media on canvas, 135 x 113 cm. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier,-Instability-I,-2016.jpg Fabienne Verdier. Instability I, 2016. Acrylic and mixed media on canvas, 226 x 150 cm. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-studio,-2016-2.jpg Fabienne Verdier studio, 2016. Photograph: Robert Short. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-studio,-2016-4.jpg Fabienne Verdier studio, 2016. Photograph: Robert Short. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-studio,-2016-7.jpg Fabienne Verdier studio, 2016. Photograph: John Short. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-studio,-2016-8.jpg Fabienne Verdier studio, 2016. Photograph: John Short. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/verdier-fabienne-2016/Fabienne-Verdier-studio,-2016.jpg Fabienne Verdier studio, 2016. Photograph: Robert Short. Courtesy Waddington Custot. https://www.studiointernational.com/index.php/art-basel-in-miami-beach-2016 https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/IMG_3975.jpg Tom McKinley. Morington Gardens House, 2016. Oil on panel, 43 x 77 in. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/1.jpg Brancusi and Krasner. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/2.jpg Picasso at Helly Nahmad Gallery. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/3.jpg Wong Ping. Jungle of Desire, 2015. Video. Edouard Malingue Gallery. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/5.jpg Simon Denny at the Marian Goodman Gallery. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/6.jpg Georg Baselitz. Untitled, 2016. Watercolour and ink on paper, 19 ¾ x 26 in. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/7.jpg Tracey Emin. If I did it would be OK, 2016. Acrylic on canvas, 59.92 x 71.81 in. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/8.jpg Francis Picabia. Untitled, 1941. Oil on canvas. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/10.jpg Hayden Dunham. TOR, 2016. Mixed media. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/11.jpg Jeff Koons. The Balloon Dog. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/12.jpg Atelier Biogetti. #NOSEXinMIAMI. Patricio Findley Gallery. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/15.jpg Ed Ruscha, Desire, 2013. © Ed Ruscha. Photograph: Benjamin Lee Ritchie Handler, courtesy of Gagosian. https://www.studiointernational.com/images/articles/a/art-2016-basel-miami/16.jpg Jeffrey Deitch on cellphone as seen through the Lichtenstein. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/john-currin-review-sadie-coles-gallery-london https://www.studiointernational.com/images/articles/c/currin-john-2016/3.jpg John Currin. Red Shoe, 2016. Oil on canvas, 188 x 111.8 x 3.4 cm. Copyright the Artist, Courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/c/currin-john-2016/1.jpg John Currin. Pistachio, 2016. Oil on canvas, 127.3 x 101.8 x 3.4 cm. Copyright the Artist, Courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/c/currin-john-2016/2.jpg John Currin. Newspaper Couple, 2016. Oil on canvas, 173 x 112 x 4 cm. Copyright the Artist, Courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/c/currin-john-2016/4.jpg John Currin. Happy House Painters, 2016. Oil on canvas, 178 x 132.4 x 3.4 cm. Copyright the Artist, Courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/c/currin-john-2016/5.jpg John Currie. Boot And Candle, 2016. Oil on canvas, 55.9 x 45.7 x 2.9 cm. Copyright the Artist, Courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/c/currin-john-2016/6.jpg Installation view, John Currin, Sadie Coles HQ, 23 November 2016 – 21 January 2017. Copyright the Artist, Courtesy Sadie Coles HQ, London. https://www.studiointernational.com/index.php/roman-ondak-the-source-of-art-is-in-the-life-of-a-people-south-london-gallery https://www.studiointernational.com/images/articles/o/ondak-roman-2016/03_SLG01.jpg Roman Ondak, The Source of Art is in the Life of a People, installation view at the South London Gallery, 2016. Courtesy the artist, kurimanzutto. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/ondak-roman-2016/04_SLG02.jpg Roman Ondak, The Source of Art is in the Life of a People, installation view at the South London Gallery, 2016. Courtesy the artist, kurimanzutto. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/ondak-roman-2016/10_SLG05.jpg Roman Ondak, The Source of Art is in the Life of a People, installation view at the South London Gallery, 2016. Courtesy the artist, kurimanzutto. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/ondak-roman-2016/20_SLG06.jpg Roman Ondak, The Source of Art is in the Life of a People, installation view at the South London Gallery, 2016. Courtesy the artist, kurimanzutto. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/ondak-roman-2016/22_SLG03.jpg Roman Ondak, The Source of Art is in the Life of a People, installation view at the South London Gallery, 2016. Courtesy the artist, kurimanzutto. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/ondak-roman-2016/29_SLG04.jpg Roman Ondak, The Source of Art is in the Life of a People, installation view at the South London Gallery, 2016. Courtesy the artist, kurimanzutto. Photograph: Andy Keate. https://www.studiointernational.com/index.php/robert-rauschenberg-review-tate-modern-london https://www.studiointernational.com/images/articles/r/rauschenberg-robert-2016/02.jpg Robert Rauschenberg. Untitled (Scenario), 2006. Inkjet pigment transfer on polylaminate, 217.2 x 306.1 x 5.1 cm. Robert Rauschenberg Foundation. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/rauschenberg-robert-2016/03.jpg Robert Rauschenberg. Glut Data, 1986. Riveted metal parts, 108 x 231.1 x 45.7 cm. Robert Rauschenberg Foundation, New York. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/rauschenberg-robert-2016/12.jpg Robert Rauschenberg. Left: Tracer, 1963. Oil paint and silkscreen ink on canvas 213.7 x 152.4 x 5.1 cm. The Nelson-Atkins Museum of Art, Kansas City, Missouri. Right: Retroactive II, 1964. Oil paint and silkscreen ink of canvas, 213.4 x 152.4 cm. Collection Museum of Contemporary Art Chicago. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/rauschenberg-robert-2016/06.jpg Robert Rauschenberg. Oracle, 1962-5. Five-part found-metal assemblage with five concealed radios: ventilation duct, automobile door on typewriter table, with crushed metal; ventilation duct in washtub and water, with wire basket; constructed staircase control unit housing batteries and alect 236 x 450 x 400 cm. Musée national d’art modern, Centre George Pompidou. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/rauschenberg-robert-2016/13.jpg Robert Rauschenberg. Crocus, 1962. Oil paint and silkscreen ink on canvas 152.4 x 91.4 cm. Private collection. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/rauschenberg-robert-2016/15.jpg Robert Rauschenberg. Mud Muse, 1968-71. Bentonite mixed with water in aluminium and glass vat, with sound activated compressed-air system and control console, 121.9 x 274.3 x 365.8 cm. Moderna Musset, Stockholm. Donation 1973 (New York Collection). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/rauschenberg-robert-2016/11.jpg Robert Rauschenberg. Untitled (Jammer), 1975. Sewn fabric with rattan pole, twine, and tine cans, 254 x 91.5 x 68.6 cm. Private Collection, Darkness. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/rauschenberg-robert-2016/05.jpg Robert Rauschenberg. National Spinning / Red / Spring (Cardboard), 1971. Cardboard, wood, string and steel, 254 x 250.2 x 21.6 cm. The Menil Collection, Houston. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/rauschenberg-robert-2016/bed.jpg Robert Rauschenberg. Bed, 1955. Combine painting: oil, pencil, toothpaste, and red fingernail polish on pillow, quilt (previously owned by the artist Dorothea Rockburne), and bedsheet mounted on wood supports, 191.1 x 80 x 20.3 cm. The Museum of Modern Art, New York. © Robert Rauschenberg Foundation, New York. Image: The Museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/index.php/bloomberg-new-contemporaries-2016-video-interview https://www.studiointernational.com/images/articles/b/bloomberg-new-contemp-2016/bnc-2016_660x565.jpg Bloomberg New Contemporaries 2016, Institute of Contemporary Arts, London, 23 November 2016 - 22 January 2017. https://www.studiointernational.com/index.php/kate-fahey-bloomberg-new-contemporaries-2016 https://www.studiointernational.com/images/articles/b/bloomberg-new-contemp-2016/kate-fahey.jpg Kate Fahey talking to Studio International at the opening of Bloomberg New Contemporaries 2016, Institute of Contemporary Arts, London, London, November 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/george-ridgway-interview-bloomberg-new-contemporaries-2016 https://www.studiointernational.com/images/articles/b/bloomberg-new-contemp-2016/george-ridgway.jpg George Ridgway talking to Studio International at the opening of Bloomberg New Contemporaries 2016, Institute of Contemporary Arts, London, London, November 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/seungjo-jeong-interview-bloomberg-new-contemporaries-2016 https://www.studiointernational.com/images/articles/b/bloomberg-new-contemp-2016/Seungjo-Jeong.jpg Seungjo Jeong talks to Studio International at the opening of Bloomberg New Contemporaries 2016, Institute of Contemporary Arts, London, November 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/peggy-franck-with-no-hands-like-a-sea-review https://www.studiointernational.com/images/articles/f/franck-peggy-2016/01.jpg Peggy Franck: With no hands. Like a sea, 2016. Installation view, Arcade, London. https://www.studiointernational.com/images/articles/f/franck-peggy-2016/05.jpg Peggy Franck: With no hands. Like a sea, 2016. Installation view, Arcade, London. https://www.studiointernational.com/images/articles/f/franck-peggy-2016/07.jpg Peggy Franck: With no hands. Like a sea, 2016. Installation view, Arcade, London. https://www.studiointernational.com/images/articles/f/franck-peggy-2016/14.jpg Peggy Franck: With no hands. Like a sea, 2016. Installation view, Arcade, London. https://www.studiointernational.com/images/articles/f/franck-peggy-2016/15.jpg Peggy Franck: With no hands. Like a sea, 2016. Installation view, Arcade, London. https://www.studiointernational.com/images/articles/f/franck-peggy-2016/PF3340InFreeFall.jpg Peggy Franck. In free-fall, 2014. Printed Carpet, 343 x 220 cm. https://www.studiointernational.com/index.php/paul-de-monchaux-ten-columns-review https://www.studiointernational.com/images/articles/m/monchaux-paul-de-2016/Paul-de-Monchaux,-Volute-IV-(2013).jpg Paul de Monchaux. Volute IV, 2016. Bronze, 68 x 72 x 72 cm (26.7 x 28.3 x 28.3 in), edition of seven. https://www.studiointernational.com/images/articles/m/monchaux-paul-de-2016/Paul-de-Monchaux,-Volute-V-(2016).jpg Paul de Monchaux. Volute V, 2013. Bronze, 68 x 53 x 53 cm (26.7 x 20.8 x 20.8 in), edition of seven. https://www.studiointernational.com/images/articles/m/monchaux-paul-de-2016/Paul-de-Monchaux,-Eight-Studies-for-Male-&-Female-Columns.jpg Paul de Monchaux. Eight Studies for Male & Female Columns, 2016. Bronze, 26 x 19 x 4.5 cm each (10.2 x 7.4 x 1.7 in each), edition of seven. https://www.studiointernational.com/images/articles/m/monchaux-paul-de-2016/Install-view.jpg Paul de Monchaux: Ten Columns, installation view, Megan Piper Gallery, London. https://www.studiointernational.com/images/articles/m/monchaux-paul-de-2016/Install-view-(Volute-IV-and-Volute-V).jpg Paul de Monchaux: Ten Columns, installation view, Megan Piper Gallery, London. https://www.studiointernational.com/index.php/frank-stella-the-kenneth-tyler-print-collection-review-nga-australia https://www.studiointernational.com/images/articles/s/stella-frank-2016/121699_apm.jpg Frank Stella. Feneralia, 1995. From the Imaginary places series 1994‑97. Colour stencil, lithograph, etching, aquatint, relief, collagraph. National Gallery of Australia, Canberra. Gift of Kenneth Tyler, 2002. https://www.studiointernational.com/images/articles/s/stella-frank-2016/80694_pm.jpg Frank Stella. Die Fahne Hoch!, 1967. From Black series I. Lithograph in black ink. National Gallery of Australia, Canberra. Purchased 1973. https://www.studiointernational.com/images/articles/s/stella-frank-2016/instal-1.jpg Frank Stella: The Kenneth Tyler Print Collection, installation view, National Gallery of Australia, Canberra, 2016. https://www.studiointernational.com/images/articles/s/stella-frank-2016/instal-2.jpg Frank Stella: The Kenneth Tyler Print Collection, installation view, National Gallery of Australia, Canberra, 2016. https://www.studiointernational.com/images/articles/s/stella-frank-2016/instal-3.jpg Frank Stella: The Kenneth Tyler Print Collection, installation view, National Gallery of Australia, Canberra, 2016. https://www.studiointernational.com/images/articles/s/stella-frank-2016/instal-4.jpg Frank Stella: The Kenneth Tyler Print Collection, installation view, National Gallery of Australia, Canberra, 2016. https://www.studiointernational.com/index.php/kong-ning-video-interview-artist-activist https://www.studiointernational.com/images/articles/k/kong-ning-2016/kong-ning-1000px.jpg Kong Ning talking to Studio International in her Beijing studio, May 2016. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/painters-painters-review-saatchi-gallery-london https://www.studiointernational.com/images/articles/p/painters-painters-2016/Aldrich-Richard-Future-Portrait-(49).jpg Richard Aldrich. Future Portrait #49, 2003. Acrylic on panel ,30.5 x 30.5 cm. © Richard Aldrich, 2003. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/painters-painters-2016/Brian-Smith-David-Great-Expectations---A-Windy-Day.jpg David Brian Smith. Brian Smith, David - Great Expectations - A Windy Day, 2015. Oil on linen, 220 x 270 cm. © David Brian Smith, 2015. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/painters-painters-2016/Dalwood-Dexter-Kurt-Cobains-Greenhouse.jpg Dexter Dalwood. Kurt Cobain's Greenhouse, 2000. Oil on canvas, 214 x 258 cm. © Dexter Dalwood, 2000. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/painters-painters-2016/Kalenderian-Raffi-Spirit-Guides-and-Sunflowers.jpg Raffi Kalenderian. Spirit Guides and Sunflowers, 2008. Oil on canvas, 152.4 x 248.9 cm. © Raffi Kalenderian, 2008. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/painters-painters-2016/Mosley-Ryan-Piano-Tuners.jpg Ryan Mosley. Piano Tuners, 2011. Oil on canvas, 220 x 190 cm. © Ryan Mosley, 2011. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/painters-painters-2016/2016-11-25112614.jpg Installation view, Dexter Dalwood. © Stephen White, 2016. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/images/articles/p/painters-painters-2016/2016-11-25112636-1.jpg Installation view, Ryan Mosley and Bjarne Melgaard. © Stephen White, 2016. Image courtesy of the Saatchi Gallery, London. https://www.studiointernational.com/index.php/kerry-james-marshall-review-met-breuer-new-york https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/16-Untitled-(Painter).jpg Kerry James Marshall. Untitled (Painter), 2009. Acrylic on PVC panel, 44 5/8 × 43 1/8 × 3 7/8 in (113.3 × 109.5 × 9.8 cm). Collection Museum of Contemporary Art Chicago. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/2-Voyager.jpg Kerry James Marshall. Voyager, 1992. Acrylic, collage, and glitter on canvas, 91 7/8 × 91 3/4 in (233.4 × 233 cm). National Gallery of Art, Washington, Corcoran Collection. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/3-Slow-Dance.jpg Kerry James Marshall. Slow Dance, 1992-93. Acrylic and collage on canvas, 75 1/4 × 74 1/4 in (191.1 × 188.6 cm). The David and Alfred Smart Museum of Art, University of Chicago. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/6-Bang.jpg Kerry James Marshall. Bang, 1994. Acrylic and collage on canvas, 103 × 114 in (261.6 × 289.6 cm). The Progressive Corporation. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/7-Better-Homes,-Better-Gardens.jpg Kerry James Marshall. Better Homes, Better Gardens, 1994. Acrylic and collage on canvas, 100 × 142 in (254 × 360.7 cm). Denver Art Museum. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/untitled-vignette-2012.jpg Kerry James Marshall. Untitled (Vignette), 2012. Acrylic and glitter on PVC panel, 72 × 60 in (182.9 × 152.4 cm). Collection of Martin Nesbitt and Dr. Anita Blanchard. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/1-A-Portrait-of-the-Artist-as-a-Shadow-of-His-Former-Self.jpg Kerry James Marshall. A Portrait of the Artist as a Shadow of His Former Self, 1980. Egg tempera on paper, 8 × 6 1/2 in (20.3 × 16.5 cm). Steven and Deborah Lebowitz. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/4-De-Style.jpg Kerry James Marshall. De Style, 1993. Acrylic and collage on canvas, 104 × 122 in (264.2 × 309.9 cm). Los Angeles County Museum of Art. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/glitter-signature.jpg Kerry James Marshall. Untitled (Vignette), 2012. Detail of signature. Collection of Martin Nesbitt and Dr. Anita Blanchard. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/untitled-beach-towel.jpg Kerry James Marshall. Untitled (Beach Towel), 2014. Acrylic on PVC panel, 60 7/8 × 72 5/8 × 2 3/4 in (154.6 × 184.5 × 7 cm). Private collection; courtesy David Zwirner, New York/London. https://www.studiointernational.com/images/articles/m/marshall/love_b.jpg Kerry James Marshall. Could This Be Love, 1992. Acrylic and collage on canvas, 103 × 114 in (261.6 × 289.6 cm). Private collection; courtesy Segalot, New York. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/could-this-be-love-detail.jpg Kerry James Marshall. Could This Be Love, 1992 (detail). Acrylic and collage on canvas, 103 × 114 in (261.6 × 289.6 cm). Private collection; courtesy Segalot, New York. https://www.studiointernational.com/images/articles/m/marshall-kerry-james-2016/1-Kerry-in-Studio.jpg Kerry James Marshall in his studio. Photograph: Kendall Karmanian. https://www.studiointernational.com/index.php/mette-edvardson-interview-if-forgetting-is-important-so-is-remembering https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/Edvardsen,-Mette_time-has-fallen-asleep-in-the-afternoon-sunshine_2016_(17)_DP_sm.jpg Mette Edvardsen. Time has fallen asleep in the afternoon sunshine, 2016. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/MetteEdvardsenTimeHasFallenAsleepinTheAfternoonSunshine.jpg Mette Edvardsen. Time has fallen asleep in the afternoon sunshine, 2016. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/MetteEdvardsenLibrary2.jpg Mette Edvardsen. Time has fallen asleep in the afternoon sunshine, 2016. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/MetteEdvardsenLibrary.jpg Mette Edvardsen. Time has fallen asleep in the afternoon sunshine, 2016. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/Mette-Edvardsen_far-festival-des-arts-vivants-Nyon.jpg Mette Edvardsen performing No Title at Far Festival Nyon, 2014. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/MetteEdvardsenNoTitleMadrid2.jpg Mette Edvardsen performing No Title in Madrid, 2016. Photograph: Maria Eugenia Serrano Diez. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/NoTitleMadrid13.jpg Mette Edvardsen performing No Title in Madrid, 2016. Photograph: Maria Eugenia Serrano Diez. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/NoTitleBolognaMassimilianoDonati_sm.jpg Mette Edvardsen performing No Title at Live Arts Week III, Xing (Bologna), 2014. Photograph: Massimiliano Donati. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/MetteEdvardsenBlackMadrid1.jpg Mette Edvardsen performing Black in Madrid, 2016. Photograph: Maria Eugenia Serrano Diez. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/MetteEdvardsenPortrait(BlackMadrid).jpg Mette Edvardsen performing Black in Madrid, 2016. Photograph: Maria Eugenia Serrano Diez. https://www.studiointernational.com/images/articles/e/edvardsen-mette-2016/foto-Edvardsen-Black-IMG_0976.jpg Mette Edvardsen. Black. Still life. Photograph: Gaetano Cammarota https://www.studiointernational.com/index.php/australias-impressionists-review-national-gallery-london https://www.studiointernational.com/images/articles/a/australia-impressionists-2016/Australia-X9334.jpg Tom Roberts. A Break Away!, 1891. Oil on canvas, 137.3 x 167.8 cm. Art Gallery of South Australia, Adelaide. Elder Bequest Fund 1899. © Art Gallery of South Australia, Adelaide. https://www.studiointernational.com/images/articles/a/australia-impressionists-2016/Australia-X9137.jpg Tom Roberts. Allegro con brio, Bourke Street West, about 1885-6, reworked 1890. Oil on canvas mounted on composition board, 51.2 × 76.7 cm. National Gallery of Australia, Canberra and the National Library of Australia, Canberra. Purchased 1920 by the Parliamentary Library Committee. © National Gallery of Australia, Canberra and the National Library of Australia, Canberra. https://www.studiointernational.com/images/articles/a/australia-impressionists-2016/Australia-X9151.jpg Tom Roberts. Trafalgar Square, 1904. Oil on cardboard, 14 × 28 cm. Art Gallery of South Australia, Adelaide. South Australian Government Grant 1988. © Art Gallery of South Australia, Adelaide. https://www.studiointernational.com/images/articles/a/australia-impressionists-2016/Australia-X9171.jpg Arthur Streeton. Fire’s On, 1891. Oil on canvas, 183.8 × 122.5 cm. Art Gallery of New South Wales, Sydney. Purchased 1893. © AGNSW. https://www.studiointernational.com/images/articles/a/australia-impressionists-2016/Australia-X9330.jpg Arthur Streeton. Ariadne, 1895. Oil on wood panel, 12.7 x 35.4 cm. National Gallery of Australia, Canberra. Members Acquisition Fund 2016. © National Gallery of Australia, Canberra. https://www.studiointernational.com/images/articles/a/australia-impressionists-2016/Australia-X9333.jpg Charles Conder. A Holiday at Mentone, 1888. Oil on canvas, 46.2 x 60.8 cm. Art Gallery of South Australia, Adelaide. South Australian Government Grant with the assistance of Bond Corporation Holdings Limited through the Art Gallery of South Australia Foundation to mark the Gallery's Centenary 1981. © Art Gallery of South Australia, Adelaide. https://www.studiointernational.com/images/articles/a/australia-impressionists-2016/Australia-X9338.jpg John Russell. Rough Sea, Belle-Île, 1900. Oil on canvas, 63.2 × 63.1 cm. National Gallery of Victoria, Melbourne The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor, 2004. https://www.studiointernational.com/images/articles/a/australia-impressionists-2016/Australia-X9341.jpg John Russell. Les Terrasses de Monte Cassino about 1889. Oil on canvas, 65 × 81 cm. Private Collection courtesy of Nevill Keating Pictures. https://www.studiointernational.com/index.php/caragh-thuring-interview https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Between-McAlpine-and-Polaris,-2016.jpg Caragh Thuring. Between McAlpine and Polaris, 2016. Oil, bitumen, spray paint, graphite powder, pigment on cotton and linen, 222.1 x 164.7 cm (87 1/2 x 64 7/8 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Coming-Ashore,-2016.jpg Caragh Thuring. Coming Ashore, 2016. Gesso, oil, pigment on cotton and linen, 221.8 x 199.8 cm (87 3/8 x 78 5/8 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Enlisted-Wives-Club,-2016.jpg Caragh Thuring. Enlisted Wives Club, 2016. Oil, gesso, acrylic on cotton and linen, 213.8 x 152.2 cm (84 1/8 x 59 7/8 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Hamburger-Helper,-2016.jpg Caragh Thuring. Hamburger Helper, 2016. Cotton, linen, 222.6 x 165 cm (87 5/8 x 65 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Jolly-Roger,-2016.jpg Caragh Thuring. Jolly Roger, 2016. Oil, pigment, charcoal on cotton and Trevira CS, 190.5 x 248 cm (75 x 97 5/8 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Mothership,-2016.jpg Caragh Thuring. Mothership, 2016. Oil, charcoal on Trevira CS, 183.2 x 243.8 cm (72 1/8 x 96 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Pavement,-2016.jpg Caragh Thuring. Pavement, 2016. Oil on cotton and linen, 152.5 x 213.3 cm (60 1/8 x 84 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Polaris,-2016.jpg Caragh Thuriung. Polaris, 2016. Oil, oil stick on linen, 165.1 x 137.2 cm (65 x 54 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Site-One,-2016.jpg Caragh Thuring. Site One, 2016. Oil on dyed linen, 30.6 x 40.6 cm (12 1/8 x 16 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-The-Silent-Service,-2016.jpg Caragh Thuring. The Silent Service, 2016. Oil, graphite powder on linen, 213 x 274 cm (83 7/8 x 107 7/8 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring,-Ardyne-Point,-2016.jpg Caragh Thuring. Ardyne Point, 2016. Bitumen, graphite, oil, gold leaf on cotton and linen, 243.7 x 182.7 cm (96 x 71 7/8 in). https://www.studiointernational.com/images/articles/t/thuring-caragh-2016/Caragh-Thuring-Portrait-by-Alison-Goldfrapp.jpg Caragh Thuring. Photograph: Alison Goldfrapp. https://www.studiointernational.com/index.php/carl-andre-sculpture-as-place-1958-2010-review https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-1037.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-0888.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-0897.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-0908.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-0926.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-0938.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-0950.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-0951.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-0963.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-0997.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/carl-andre-1041.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/CARL-ANDRE_MAMVP-0875.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/CARL-ANDRE_MAMVP-0882.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/CARL-ANDRE_MAMVP-0886.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/images/articles/a/andre-carl-2016/CARL-ANDRE_MAMVP-1005.jpg Carl Andre: Sculpture as Place, 1958–2010, exhibition view, Musée d’Art moderne de la Ville de Paris. © Pierre Antoine. https://www.studiointernational.com/index.php/hugo-mccloud-interview-veiled-sean-gallery-new-york https://www.studiointernational.com/images/articles/m/mccloud-hugo-2016/dubbed-illusion.jpg Hugo McCloud. dubbed illusion, 2016. Aluminum foil, oil paint mounted on wood panel, 84 1/4 x 76 1/2 in (214 x 194.3 cm). © Hugo McCloud, courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mccloud-hugo-2016/pedros-rice.jpg Hugo McCloud. pedro's rice, 2016. Used polyethylene sacks mounted to panel, 76 1/2 x 83 3/4 in (194.3 x 212.7 cm). © Hugo McCloud, courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mccloud-hugo-2016/red-line-to-Bataan.jpg Hugo McCloud. red line to Bataan, 2016. Used polyethylene sacks mounted to panel, 86 x 78 in (218.4 x 198.1 cm). © Hugo McCloud, courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mccloud-hugo-2016/reflected-sighs.jpg Hugo McCloud. reflected sighs, 2016. Aluminum foil, oil paint mounted on wood panel, 84 1/4 x 76 1/2 in (214 x 194.3 cm). © Hugo McCloud, courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mccloud-hugo-2016/the-DJ-filled-in.jpg Hugo McCloud. the DJ filled in, 2016. Used polyethylene sacks mounted to panel, 86 x 78 in (218.4 x 198.1 cm). © Hugo McCloud, courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mccloud-hugo-2016/HM-2016_Installation-view-at-SKNY_VEILED_Photo-Jason-Wyche_10_web.jpg Installation view of Hugo McCloud: Veiled at Sean Kelly, New York, 10 December 2016 – 21 January 2017. Photograph: Jason Wyche, New York. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mccloud-hugo-2016/HM-2016_Installation-view-at-SKNY_VEILED_Photo-Jason-Wyche_20_web.jpg Installation view of Hugo McCloud: Veiled at Sean Kelly, New York, 10 December 2016 – 21 January 2017. Photograph: Jason Wyche, New York. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mccloud-hugo-2016/HM-2016_Installation-view-at-SKNY_VEILED_Photo-Jason-Wyche_24_web.jpg Installation view of Hugo McCloud: Veiled at Sean Kelly, New York, 10 December 2016 – 21 January 2017. Photograph: Jason Wyche, New York. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/images/articles/m/mccloud-hugo-2016/HM-2016_Installation-view-at-SKNY_VEILED_Photo-Jason-Wyche_12_web.jpg Installation view of Hugo McCloud: Veiled at Sean Kelly, New York, 10 December 2016 – 21 January 2017. Photograph: Jason Wyche, New York. Courtesy: Sean Kelly, New York. https://www.studiointernational.com/index.php/susannah-stark-interview-north-east-wis-dom https://www.studiointernational.com/images/articles/s/stark-susannah-2016/The-Wheel_Jaws_SusannahStark.jpg Susannah Stark. Still from Inside Out, 2016. HD Video. https://www.studiointernational.com/images/articles/s/stark-susannah-2016/prole2.jpg Susannah Stark. Still from Inside Out, 2016. HD Video. https://www.studiointernational.com/images/articles/s/stark-susannah-2016/manuscript.jpg Susannah Stark. Corrupted Physiologus in Icelandic, 2016. Digital Render. https://www.studiointernational.com/images/articles/s/stark-susannah-2016/Spam_Stark_2016.jpg Susannah Stark. Spam, 2016. 3D Model. https://www.studiointernational.com/index.php/gerasimos-floratos-big-town-review https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/FLOR-2016013-TS-Post-Up.jpg Gerasimos Floratos. TS Post-Up, 2016. Oil and acrylic on canvas, 172.7 x 243.8 cm (68 x 96 in). Photograph: Martin Parsekian. Courtesy: the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/FLOR-2016006-International-Taxi-Boy.jpg Gerasimos Floratos. International Taxi Boy, 2016. Oil and acrylic on canvas, 213.6 x 152.4 (84 x 60 in). Photograph: Martin Parsekian. Courtesy: the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/FLOR-2016008-Triborough-force-field.jpg Gerasimos Floratos. Triborough force field, 2016. Oil on canvas, 167.6 x 259 cm (66 x 102 in). Photograph: Martin Parsekian. Courtesy: the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/FLOR-2016009-Little-Taxi-Boy.jpg Gerasimos Floratos. Little taxi boy, 2016. Oil on canvas, 221 x 167.6 cm (87 1/8 x 66 in). Photograph: Martin Parsekian. Courtesy: the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/FLOR-2016010-TS-Minion-Alignment.jpg Gerasimos Floratos. TS Minion Alignment, 2016. Oil and acrylic on canvas, 162.6 x 198.1 cm (64 1/8 x 78 in). Photograph: Martin Parsekian. Courtesy: the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/FLOR-2016016-1ove.jpg Gerasimos Floratos. 1ove, 2016, Oil on canvas, 223.5 x 167.6 cm (88 x 66 in). Photograph: Martin Parsekian. Courtesy: the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/_DSC4383HR.jpg Gerasimos Floratos: Big Town. Installation view. Photograph: Damian Griffiths. Courtesy the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/_DSC4384HR.jpg Gerasimos Floratos: Big Town. Installation view. Photograph: Damian Griffiths. Courtesy the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/_DSC4420HR.jpg Gerasimos Floratos: Big Town. Installation view. Photograph: Damian Griffiths. Courtesy the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/f/floratos-gerasimos-2016/installation-view.jpg Gerasimos Floratos: Big Town. Installation view. Photograph: Damian Griffiths. Courtesy the artist and Pilar Corrias Gallery, London. https://www.studiointernational.com/index.php/hedy-ritterman-interview-henry-a-man-of-his-time https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5414.jpg Hedy Ritterman. One man in his time, exhibition entrance, Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5423.jpg Hedy Ritterman. One man in his time, exhibition entrance, Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5468.jpg Hedy Ritterman. Touching Stones, 2016 and Henry’s Mother, 2015, presented at the Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5471.jpg Hedy Ritterman. Everyday Counts, Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5473.jpg Hedy Ritterman. The Memory of Dancing, Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5489.jpg Hedy Ritterman. The Memory of Dancing (detail), Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5460.jpg Hedy Ritterman. One man in his time (detail), Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5432.jpg Hedy Ritterman. One man in his time, exhibition view, Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5433.jpg Hedy Ritterman. One man in his time, exhibition view, Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5441.jpg Hedy Ritterman. One man in his time, exhibition view, Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/DSC_5453.jpg Hedy Ritterman. One man in his time, exhibition view, Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/images/articles/r/ritterman-hedy-2016/Hedy-Ritterman.jpg Hedy Ritterman speaking at the exhibition opening for One man in his time, Jewish Museum of Australia 2016-2017. https://www.studiointernational.com/index.php/manifesto-julian-rosefeldt-cate-blanchett-review https://www.studiointernational.com/images/articles/m/manifesto-2016/PAA_Manifesto_JamesEwing-7524.jpg Julian Rosefeldt. Manifesto at Park Avenue Armory, New York City. Installation view. Photograph: James Ewing. https://www.studiointernational.com/images/articles/m/manifesto-2016/PAA_Manifesto_JamesEwing-7503.jpg Julian Rosefeldt. Manifesto at Park Avenue Armory, New York City. Installation view. Photograph: James Ewing. https://www.studiointernational.com/images/articles/m/manifesto-2016/PAA_Manifesto_JamesEwing-7376.jpg Julian Rosefeldt. Manifesto at Park Avenue Armory, New York City. Installation view. Photograph: James Ewing. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_01_All-Portraits_CP.jpg Julian Rosefeldt. Manifesto, 2015. Portraits. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_02_Portrait_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_03_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_07_Portrait_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_08_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_09_Portrait_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_10_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_11_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_13_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_14_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_15_Portrait_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/Manifesto-JulianRosefeldt_2015_16_CP.jpg Julian Rosefeldt. Manifesto, 2015. Film still. © Julian Rosefeldt and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/manifesto-2016/JulianRosefeldt-Renate-Brandt-2011_CP.jpg Julian Rosefeldt. © Renate Brandt 2011. https://www.studiointernational.com/index.php/maria-nepomuceno-interview https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/MNT41_Untitled_2016-a.jpg Maria Nepomuceno. Untitled, 2016. Ceramic, ropes, beads, cabaça, fibreglass and resine, 70 x 50 x 30 cm (27 1/2 x 19 3/4 x 11 3/4 in). Courtesy the Artist and Victoria Miro, London. © Maria Nepomuceno. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/MNT38_Untitled_2016-d.jpg Maria Nepomuceno. Untitled, 2016 (detail). Ropes, beads, ceramic and braided straw, 200 x 100 x 90 cm (78 3/4 x 39 3/8 x 35 3/8 in). Courtesy the Artist and Victoria Miro, London. © Maria Nepomuceno. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/MNT42_Untitled_2016-b.jpg Maria Nepomuceno. Untitled, 2016. Ropes, ceramic, beads, fibreglass and resine, 67 x 59 x 30 cm (26 3/8 x 23 1/4 x 11 3/4 in). Courtesy the Artist and Victoria Miro, London. © Maria Nepomuceno. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/MNT46_Untitled_2016.jpg Maria Nepomuceno. Untitled, 2016. Ceramic, ropes, cabaça, fibreglass and resine, 40 x 30 x 25 cm (15 3/4 x 11 3/4 x 9 7/8 in). Courtesy the Artist and Victoria Miro, London. © Maria Nepomuceno. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/MNT_Tempo-para-respirar_2012-f.jpg Maria Nepomuceno, Tempo para Respair (Breathing Time), 14 September 2012 – 17 March 2013, Turner Contemporary, Margate. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/MNT47_Untitled_2016.jpg Maria Nepomuceno. Untitled, 2016. Beads and cabaça, 90 x 45 x 20 cm (35 3/8 x 17 3/4 x 7 7/8 in). Courtesy the Artist and Victoria Miro, London. © Maria Nepomuceno. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/7N8A4639.jpg Maria Nepomuceno. Tempo para Respair (Breathing Time), 6 July – 8 September 2013, MAM, Rio de Janeiro. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/MNT16_The-Force_2011_a.jpg Maria Nepomuceno, The Force, 12 October – 12 November 2011, Victoria Miro, London. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/Schirn_Brasiliana_Nepomuceno_Magmatic_2013_d.jpg Maria Nepomuceno, Magmatic, 2013, installation view, Schirn Kunsthalle Frankfurt. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/MNT_Trans_2014-e.jpg Maria Nepomuceno, Trans, 13 March – 17 April 2014, Victoria Miro, London. https://www.studiointernational.com/images/articles/n/nepomuceno-maria-2016/Barbican_Nepomuceno_23-05.jpg Maria Nepomuceno, Cosmic Teta, 24 May – 29 August 2016, Barbican Centre, London. https://www.studiointernational.com/index.php/aki-sasamoto-interview https://www.studiointernational.com/images/articles/a/aki-2016/Aki-2924.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/images/articles/a/aki-2016/Aki-2953.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/images/articles/a/aki-2016/Aki-2960.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/images/articles/a/aki-2016/Aki-3397.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/images/articles/a/aki-2016/Aki-2877.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/images/articles/a/aki-2016/Aki-3410.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/images/articles/a/aki-2016/Aki-3416.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/images/articles/a/aki-2016/Aki-3430.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/images/articles/a/aki-2016/Aki-3448.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/images/articles/a/aki-2016/Aki-3471.jpg Aki Sasamoto. Random memo random, 2016. Installation with performance and video documentation, dimensions variable. On display at the Kochi-Muziris Biennale 2016. Photograph: Sheena Dabholkar. https://www.studiointernational.com/index.php/titus-kaphar-interview-shifting-skies https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-015-Destiny-2-HR-copy.jpg Titus Kaphar. Destiny II, 2016. Oil on canvas, 60 x 48 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-014-Destiny-3-HR-copy.jpg Titus Kaphar. Destiny III, 2016. Oil on canvas, 60 x 48 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-013-Destiny-4-HR-copy.jpg Titus Kaphar. Destiny IV, 2016. Oil on canvas, 60 x 48 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-011-Destiny-5-HR-copy.jpg Titus Kaphar. Destiny V, 2016. Oil on canvas, 40 x 30 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/2016-JSG20-TIK-Shifting-Skies-install-view-HR-10-copy.jpg Titus Kaphar. Free Trade, 2016. Wood, blown glass, steel, seven blown glass components, charred wood sculpture, steel frame, 99 1/4 x 88 3/4 x 32 in, floor installation of six blown glass components, various dimensions. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-009-HR-copy.jpg Titus Kaphar. Shifting Skies, 2016. Oil on canvas, diptych: 74 x 53 in (each panel). © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-010-HR.jpg Titus Kaphar. To Be Titled, 2016. Tar and oil on canvas, 60 x 48 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-012-Reginald-Dwayne-Betts-HR-copy.jpg Titus Kaphar. Reginald Dwayne Betts, 2016. Oil on canvas, 16 x 16 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-017-HR-copy.jpg Titus Kaphar. To Be Titled, 2016. Oil and rusted nails on canvas, 108 x 84 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-019-HR-copy.jpg Titus Kaphar. To Be Titled (part of tar portrait series), 2016. Tar and oil on canvas, 60 x 48 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-020-HR-copy.jpg Titus Kaphar. To Be Titled, 2016. Oil, canvas and rusted nails on canvas, 60 x 48 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-025-Asha-Bandele-HR-copy.jpg Titus Kaphar. Asha Bandele, 2016. Oil on canvas, 16 x 16 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-026-El-Sawyer-HR-copy.jpg Titus Kaphar. El Sawyer, 2016. Oil on canvas, 16 x 16 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-027-2016-1963-HR-copy.jpg Titus Kaphar. 2016/1963, 2016. Oil on canvas, diptych: 30 x 24 in (each panel). © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-005-Monumental-Inversions--Washington-(installed-JSG20)-HR.jpg Titus Kaphar. Monumental Inversions: Washington, 2016. blown glass, hand stained and varnished wood, 32 x 24 x 10 1/2 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-033-HR.jpg Titus Kaphar. Cast in Doubt, 2016. Blown glass, 27(h) x 21 in dia. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-035-HR.jpg Titus Kaphar. Cast in Doubt, 2016. Blown glass, 12 x 26 x 15 1/2 in; wood base, 4 x 30 x 18 in. © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/TIK16-030-HR-copy.jpg Titus Kaphar. Glass Blackened, Green Molding Mold, 2016. Photograph (TBD), 30 1/2 x 29 3/8 x 2 in (framed). © Titus Kaphar. Courtesy of the artist and Jack Shainman Gallery. https://www.studiointernational.com/images/articles/k/kaphar-titus-2016/2016-JSG24-TIK-Shifting-Skies-install-view-HR-7-copy.jpg Installation view. Titus Kaphar: Shifting Skies. Jack Shainman Gallery, New York. December 16, 2016 - January 28, 2017. Courtesy of Jack Shainman Gallery, New York. https://www.studiointernational.com/index.php/the-founding-of-the-studio https://www.studiointernational.com/images/articles/s/studio-the-founding-of-2017/the-studio-vol-1-no-1-1893.jpg The Studio, Volume 1, Number 1, April 1893. Cover illustration by Aubrey Beardsley. https://www.studiointernational.com/images/articles/s/studio-the-founding-of-2017/The-Studio-cover-15-June-1898.jpg Cover of The Studio, 15 June 1898. © Studio International. https://www.studiointernational.com/images/articles/s/studio-the-founding-of-2017/studio-international-vol-201-no-1021-1023-1993-cover.jpg Cover of Studio International Special Centenary Number, Vol 201 No 1022/1023, High Art and Low Life: The Studio and the fin de siécle, incorporating the catalogue to the exhibition High Art and Low Life: The Studio and the Arts of the 1890s, Victoria and Albert Museum, 23 June – 31 October 1993. © Studio International. https://www.studiointernational.com/images/articles/s/studio-the-founding-of-2017/f-brangwyn-poster-for-the-studio.jpg Poster for The Studio by Sir Frank Brangwyn (1867-1947). Lithograph in colour, 79.3 x 54.1 cm. Page 4 of Studio International Special Centenary Number, Vol 201 No 1022/1023, High Art and Low Life: The Studio and the fin de siécle. © Studio International. https://www.studiointernational.com/index.php/pierre-bonnard-en-toute-intimite-review https://www.studiointernational.com/images/articles/b/bonnard-2016/PB-Les-Chapeaux-rouges.jpg Pierre Bonnard. Les chapeaux rouges (The red hats), 1894. Oil on canvas, 28 x 33 cm. Private collection. © Adagp, Paris 2016. © Claude Almodovar. https://www.studiointernational.com/images/articles/b/bonnard-2016/Le-Pressoir.jpg Pierre Bonnard. Le Pressoir au Grand-Lemps (The wine press), 1893. Oil on canvas. Long term loan from a private collection. © Adagp, Paris 2016. https://www.studiointernational.com/images/articles/b/bonnard-2016/La-Famille-a-la-campagne.jpg Pierre Bonnard. La Famille à la campagne, personnages et enfants (The family in the countryside, people and children), c1899. Oil on cardboard, 20 x 50 cm. Long term loan from a private collection. © Adagp, Paris 2016. © Claude Almodovar. https://www.studiointernational.com/images/articles/b/bonnard-2016/soleilcouchant.jpg Pierre Bonnard. Paysage, soleil couchant (Landscape at sunset), c1923. Oil on canvas, 59 x 72.5 cm. Musée Bonnard, Le Cannet, gift from the Fondation Meyer pour le développement culturel et artistique, permanent loan from the musée d’Orsay, Paris. © Adagp, Paris 2016. © RMN-Grand Palais (musée d'Orsay) / Hervé Lewandowski. https://www.studiointernational.com/images/articles/b/bonnard-2016/baigneurs.jpg Pierre Bonnard. Baigneurs à la fin du jour (Bathers at the end of the day), c1945. Oil on canvas, 48 x 69 cm. Musée Bonnard, Le Cannet. © Adagp, Paris 2016, © Yves Inchierman. https://www.studiointernational.com/images/articles/b/bonnard-2016/Affiche-pour-France-Champagne.jpg Pierre Bonnard. Affiche France-Champagne E. Debray (France-Champagne poster), 1891. Lithograph on paper, 79 x 59.5 cm. Musée Bonnard, Le Cannet. © Adagp, Paris 2016. © Yves Inchierman. https://www.studiointernational.com/images/articles/b/bonnard-2016/Enfants-solfiant.jpg Pierre Bonnard. Enfants solfiant, Charles et Jean Terrasse (Children at the Solfège, Charles and Jean Terrasse), c1900. Oil on cardboard mounted on panel. Musée Bonnard, Le Cannet. Long term loan from a private collection, 2015. © Adagp, Paris 2016. © Michel Bury. https://www.studiointernational.com/images/articles/b/bonnard-2016/Femme-dans-un-interieur-dit-La-valise-HD.jpg Pierre Bonnard. Femme debout dans un intérieur, dit La Valise, (Women in an interior or The suitcase), no date. Oil on canvas, 61 x 28 cm. Musée Bonnard, Le Cannet. Long term loan from a private collection. © Adagp, Paris 2016. © Yves Inchierman. https://www.studiointernational.com/images/articles/b/bonnard-2016/Portrait-de-femme-rene-Monchaty.jpg Pierre Bonnard. Portrait de femme (Renée Monchaty) (Portrait of a woman - Renée Montchaty), c1920. Oil on canvas, 67 x 122 cm. Musée Bonnard, Le Cannet. Long term loan from a private collection. © Adagp, Paris 2016. © Michel Bury. https://www.studiointernational.com/images/articles/b/bonnard-2016/PB_Paysage_du_Cannet_par_temps_de_Mistral_1922.jpg Pierre Bonnard. Paysage du Cannet par temps de Mistral (Landscape with the Mistral Wind), 1922. Oil on canvas, 49 x 62 cm. Acquired with the support of the FRAM. Musée Bonnard, Le Cannet. © Adagp, Paris 2014. https://www.studiointernational.com/images/articles/b/bonnard-2016/PB_La_Promenade_des_nourrices.jpg Pierre Bonnard. La Promenade des nourrices. Frise de fiacres (Nannies' promenade. Frieze of carriages), 1897. Oil on carboard, 144 x 191 cm. Musée Bonnard, Le Cannet. Acquired with the support of the FRAM with the support of the Ministry of Culture and Communication. © Adagp, Paris 2014. © Yves Inchierman. https://www.studiointernational.com/images/articles/b/bonnard-2016/PAYSAGE-DU-CANNETOK.jpg Pierre Bonnard. Vue du Cannet (View of Le Cannet), 1927. Oil on canvas, 233.6 x 233.6 cm. Musée Bonnard, Le Cannet. Gift from the Fondation Meyer pour le développement culturel et artistique, permanent loan from the musée d’Orsay, Paris. © Adagp, Paris 2016. © RMN/ Patrice Schmidt. https://www.studiointernational.com/images/articles/b/bonnard-2016/La-salle-a-manger-au-cannet.jpg Pierre Bonnard. La Salle à manger au Cannet (The dining room at Le Cannet), 1932. Oil on canvas, 96.5 x 101 cm. Musée Bonnard, Le Cannet. Permanent loan from the Musée d’Orsay Paris. © musée d’Orsay, dist. RMN / P. Schmidt. © Adagp, Paris 2016. https://www.studiointernational.com/index.php/yves-klein-review-tate-liverpool https://www.studiointernational.com/images/articles/k/klein-yves-2017/7-Yves-Klein-The-Dream-of-Fire-c.jpg Harry Shunk and János Kender, photograph of Yves Klein, The Dream of Fire, c1961. Artistic action by Yves Klein © Yves Klein, ADAGP, Paris / DACS, London, 2017. Collaboration Harry Shunk and János Kender. Photograph: Shunk-Kender © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2014.R.20) https://www.studiointernational.com/images/articles/k/klein-yves-2017/4-Yves-Klein-Untitled-blue-monochrome-IKB-79-1959.jpg Yves Klein. Untitled blue monochrome (IKB 79), 1959. Paint on canvas on plywood, 139.7 x 119.7 x 3.2 cm. © Yves Klein, ADAGP, Paris/DACS, London, 2017. https://www.studiointernational.com/images/articles/k/klein-yves-2017/1-Harry-Shunk-and-Janos-Kender-Yves-Kleins-Leap-Into-the-Void-Fontenay-aux-Roses-France-1960-October-23.jpg Harry Shunk and János Kender, photograph of Yves Klein, Leap Into The Void, 1960. Artistic action by Yves Klein © Yves Klein, ADAGP, Paris and DACS, London 2017. Collaboration Harry Shunk and János Kender © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2014.R.20). https://www.studiointernational.com/images/articles/k/klein-yves-2017/2-Yves-Klein-Untitled-Anthropometry-ANT-52-1960.jpg Yves Klein. Untitled Anthropometry (ANT 52), 1960. Dry pigment and synthetic resin on paper mounted on canvas, 159.5 x 78.5 cm. © Yves Klein, ADAGP, Paris/DACS, London, 2017. https://www.studiointernational.com/images/articles/k/klein-yves-2017/3-Yves-Klein-Untitled-Anthropometry-ANT-84-1960.jpg Yves Klein. Untitled Anthropometry (ANT 84), 1959. Dry pigment and synthetic resin on paper mounted on canvas, 155 x 359 cm. © Yves Klein, ADAGP, Paris/DACS, London, 2017. https://www.studiointernational.com/images/articles/k/klein-yves-2017/5-Yves-Klein-Untitled-Fire-painting-F-101-1961.jpg Yves Klein. Untitled Fire painting (F 101), 1961. Burned paper mounted on cardboard, 62.5 x 52 cm. © Yves Klein, ADAGP, Paris/DACS, London, 2017. Photograph © Museum moderner Kunst Stiftung Ludwig Wien. https://www.studiointernational.com/images/articles/k/klein-yves-2017/6-Yves-Klein-Untitled-Pink-Sponge-relief-RE-44-c.jpg Yves Klein. Untitled Pink Sponge-relief (RE 44), c1960. Dry pigment and synthetic resin, pebbles, natural sponges on panel, 65 x 32 cm. © Yves Klein, ADAGP, Paris/DACS, London, 2017. Carré d'Art-Musée d'art contemporain de Nîmes. Photograph: David Huguenin. https://www.studiointernational.com/images/articles/k/klein-yves-2017/8-Yves-Klein-Untitled-pink-Sponge-Sculpture-SE-207-1959.jpg Yves Klein. Untitled pink Sponge-Sculpture (SE 207), 1959. Dry pigment and synthetic resin, natural sponge, stone, 45 x 28 cm. © Yves Klein, ADAGP, Paris/DACS, London, 2017. https://www.studiointernational.com/index.php/sergei-eisenstein-drawings-1931-1948-review-alexander-gray-associates-new-york https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE072.jpg Sergei Eisenstein. Untitled, c1931. Coloured pencil on paper, 10.67 x 8.27 in (27.1 x 21 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE021.jpg Sergei Eisenstein. Untitled, undated. Coloured pencil on paper, 14.65 x 10.63 in (37.2 x 27 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE041_1943.jpg Sergei Eisenstein. Untitled, 1943. Coloured pencil on paper, 12.68 x 8.27 in (32.2 x 21 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE070.jpg Sergei Eisenstein. Untitled, c1931. Graphite on paper, 9.2 x 6.18 in (23.39 x 15.7 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE071.jpg Sergei Eisenstein. Untitled, undated. Coloured pencil on paper, 10.67 x 8.27 in (27.1 x 21 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE089_1942.jpg Sergei Eisenstein. Untitled, 1942. Coloured pencil on paper, 12.68 x 8.66 in (32.2 x 22 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE116_1942.jpg Sergei Eisenstein. Untitled, 1942. Coloured pencil on paper, 12.8 x 8.66 in (32.5 x 22 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE128_1942.jpg Sergei Eisenstein. Untitled, 1942. Coloured pencil on paper, 12.8 x 8.66 in (32.5 x 22 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE131_1942.jpg Sergei Eisenstein. Untitled, 1942. Coloured pencil on paper, 15 x 8.54 in (38.1 x 21.7 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE147.jpg Sergei Eisenstein. Untitled, c1931. Graphite on paper, 10.67 x 8.31 in (27.1 x 21.1 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE148.jpg Sergei Eisenstein. Untitled, undated. Coloured pencil on paper, 10.67 x 8.27 in (27.1 x 21 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE151_1942.jpg Sergei Eisenstein. Untitled, 1942. Coloured pencil on paper, 12.83 x 8.5 in (32.59 x 21.59 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE188_1931.jpg Sergei Eisenstein. Untitled, 1931. Coloured pencil on paper, 14.69 x 10.63 in (37.31 x 27 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE194_1943.jpg Sergei Eisenstein. Untitled, 1943. Coloured pencil on paper, 9.88 x 6.65 in (25.1 x 16.89 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/images/articles/e/eisenstein-sergei-2017/Eisenstein_Untitled_SE248_1943.jpg Sergei Eisenstein. Untitled, 1943. Coloured pencil on paper, 11.57 x 8.62 in (29.39 x 21.89 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London. https://www.studiointernational.com/index.php/strange-worlds-visions-of-angela-carter https://www.studiointernational.com/images/articles/c/carter-angela-2016/Wendy-Elia-MaximeB4mg.jpg Wendy Elia. Maxime, 2010. Oil on canvas, 166 x 91 cm. Courtesy East Contemporary Art Collection, University of Sussex. Photograph: Mac Campeanu https://www.studiointernational.com/images/articles/c/carter-angela-2016/Nicola-Bealing-RWAThe-Misfits-oil-on-canva-151-x-151-cms.jpg Nicola Bealing RWA. Misfits, 2014. Oil on linen, 152 x 152 cm. Courtesy the artist. Photograph: Steve Tanner. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Eileen-Cooper-RA-The-Tail-of-the-Tiger.jpg Eileen Cooper RA. Tail of the Tiger, 2002. Oil on canvas, 168 x 91 cm. Courtesy the artist. Photograph: Justin Piperger. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Juli-Haas1Womans-Place.jpg Juli Haas. Womens’ Place, 1994. Artists’ book, drypoint and watercolour, 28.5 x 47 cm. Four sides, with cut windows. Courtesy Off-Centre Gallery Bristol. Photograph: Peter Ford. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Marcelle-Hanselaard-red-ridinghood-2.jpg Marcelle Hanselaar. Red Riding Hood 2, 2010. Oil on canvas, 90 x 120 cm. Courtesy the artist. Photograph: Irene Rhoden. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Wendy-Mayer-Not-waving-but-drowning.jpg Wendy Mayer RCA. Not Waving but Drowning, 2014. Painted vinyl, doll parts, mohair, wooden box, doll's dress, 18 x 26 x 47 cm. Courtesy of Hélène Guerin. Photograph: Paul Mayer. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Heather-Nevay-The-Murder-012.jpg Heather Nevay. The Murder, 2014. Oil on canvas, 50 x 40 cm. Courtesy of Mr Lachlan. Photograph: Deadly Digital. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Katarina-Rose-Shipwrecked-bride.jpg Katarina Rose. The Shipwrecked Bride, 2016. Mixed media, 20 x 40 x 30 cm. Courtesy the artist. Photograph: Tim Macpherson. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Ana-Maria-Pacheco,-The-Banquet.jpg Ana Maria Pacheco. The Banquet, 1985. 183 x 400 x 250 cm (dimensions vary). Photograph: Colin M. Harvey, reproduced courtesy of Pratt Contemporary. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Sarah-Woodfine-Boy-detail.jpg Sarah Woodfine. Boy, 2008. Pencil on paper, wood and Perspex, 47 x 60 x 30 cm. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Sarah-Woodfine-castle.jpg Sarah Woodfine. Castle, 2005. Pencil on paper in snow dome, 38 x 38 cm. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/images/articles/c/carter-angela-2016/Lisa-Wright-RWA-After-The-Masked-Visitor-2015.jpg Lisa Wright RWA. After The Masked Visitor, 2015. Oil on canvas, 180 x 150 cm. Courtesy the artist. Photograph: Steve Tanner. https://www.studiointernational.com/index.php/rezi-van-lankfeld-interview https://www.studiointernational.com/images/articles/l/lankveld-rezi-van-2017/RvL-16_001.jpg Rezi van Lankveld. Schelper, 2016. Oil on canvas, 66 x 58 cm (25.98 x 22.83 in). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/l/lankveld-rezi-van-2017/RvL-16_002.jpg Rezi van Lankveld. Electricity, 2016. Oil on linen, 55 x 48 cm (21.65 x 18.9 in). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/l/lankveld-rezi-van-2017/RvL-16_003.jpg Rezi van Lankveld. Half Moon, 2016. Oil on canvas, 60 x 50 cm (23.62 x 19.69 in). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/l/lankveld-rezi-van-2017/RvL-16_004.jpg Rezi van Lankveld. Body and Soul, 2016. Oil on canvas, 58 x 52 cm (22.83 x 20.47 in). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/l/lankveld-rezi-van-2017/RvL-16_005.jpg Rezi van Lankveld. For Waqas, 2016. Oil on canvas, 60 x 50 cm (23.62 x 19.69 in). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/l/lankveld-rezi-van-2017/RvL-16_006.jpg Rezi van Lankveld. Blue, 2016. Oil on canvas, 55 x 48 cm (21.65 x 18.9 in). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/l/lankveld-rezi-van-2017/RvL-16_007.jpg Rezi van Lankveld. Today/Tomorrow, 2016. Oil on canvas, 66 x 60 cm (25.98 x 23.62 in). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/index.php/the-studio-and-the-arts-and-crafts-movement https://www.studiointernational.com/images/articles/s/studio-the-founding-of-2017/Studio-Int-1993-Vol210-No1022-1023-page-10.jpg Studio International Special Centenary Number, Vol 201 No 1022/1023, page 10. Top: Henry Wilson (1864-1934), Design for a belt, 19.1 x 23.5 cm. Bottom: Charles Francis Annesley Voysey (1857-1941), Seagull No 49. Textile design. © Studio International. https://www.studiointernational.com/images/articles/s/studio-the-founding-of-2017/Studio-Int-1993-Vol210-No1022-1023-page-14.jpg Studio International Special Centenary Number, Vol 201 No 1022/1023, page 14. Walter Crane (1845-1915), A Floral Fantasy in an Old English Garden, 1899. Design for a book jacket. Watercolour, 25.2 x 36.8 cm. © Studio International. https://www.studiointernational.com/images/articles/s/studio-the-founding-of-2017/Studio-Int-1993-Vol210-No1022-1023-page-16.jpg Studio International Special Centenary Number, Vol 201 No 1022/1023, page 16. Walter Crane (1845-1915), The Workers' Maypole, 1894. Process engraving, 31.5 x 18.8 cm. © Studio International. https://www.studiointernational.com/images/articles/s/studio-the-founding-of-2017/studio-international-vol-201-no-1021-1023-1993-cover.jpg Cover of Studio International Special Centenary Number, Vol 201 No 1022/1023, High Art and Low Life: The Studio and the fin de siécle, incorporating the catalogue to the exhibition High Art and Low Life: The Studio and the Arts of the 1890s, Victoria and Albert Museum, 23 June – 31 October 1993. © Studio International. https://www.studiointernational.com/index.php/ed-webb-ingall-interview https://www.studiointernational.com/images/articles/w/webb-ingall-ed-2017/Picture-5.jpg Ed Webb-Ingall. Raising Hell, 2010. https://www.studiointernational.com/images/articles/w/webb-ingall-ed-2017/Screen-shot-2013-03-06-at-15.36.jpg Ed Webb-Ingall. Reframed Youth, 2013. https://www.studiointernational.com/images/articles/w/webb-ingall-ed-2017/IMG_9296.jpg Ed Webb-Ingall. We Have Rather Been Invaded, 2016. Video still. https://www.studiointernational.com/images/articles/w/webb-ingall-ed-2017/Screen-Shot-2016-01-30-at-08.50.jpg Ed Webb-Ingall. News Invasion, BBC1 Nine O'Clock News, 1988. https://www.studiointernational.com/images/articles/w/webb-ingall-ed-2017/family.jpg Ed Webb-Ingall. Raising Hell, 2010. https://www.studiointernational.com/images/articles/w/webb-ingall-ed-2017/prejudice.jpg Ed Webb-Ingall. Raising Hell, 2010. https://www.studiointernational.com/images/articles/w/webb-ingall-ed-2017/IMG_0011.jpg Ed Webb-Ingall. We Have Rather Been Invaded, 2016. Video still. https://www.studiointernational.com/index.php/terrains-of-the-body-photography-from-the-national-museum-of-women-in-the-arts-review https://www.studiointernational.com/images/articles/t/terrains-of-the-body-2017/Hellen-van-Meene-Untitled-79-2000.jpg Hellen van Meene. Untitled (79), 2000. Chromogenic Print, 41 x 41 cm. National Museum of Women in the Arts, Gift of Heather and Tony Podesta Collection, Washington, DC. © Hellen van Meene and Yancey Richardson Gallery. Photograph: Lee Stalsworth. https://www.studiointernational.com/images/articles/t/terrains-of-the-body-2017/Daniela-Rossell-Medusa-1999.jpg Daniela Rossell. Medusa, from the Ricas y famosas series, 1999. Chromogenic Print, 152 x 127 cm. National Museum of Women in the Arts, Gift of Heather and Tony Podesta Collection, Washington, DC. © Daniela Rossell, Courtesy of the artist and Greene Naftali, New York. Photograph: Lee Stalsworth. https://www.studiointernational.com/images/articles/t/terrains-of-the-body-2017/Marina-Abramovic-The-Hero-2001.jpg Marina Abramović. The Hero, 2001. Chromogenic Print, 126 x 126 cm. National Museum of Women in the Arts, Gift of Heather and Tony Podesta Collection, Washington, DC. © Marina Abramovic Archives. Photograph: Lee Stalsworth. https://www.studiointernational.com/images/articles/t/terrains-of-the-body-2017/Nan-Goldin-Self-Portrait-in-Kimono-with-Brian-NYC-1983.jpg Nan Goldin. Self-Portrait in Kimono with Brian, NYC, 1983. Chromogenic Print, 73 x 104 cm. National Museum of Women in the Arts, Promised Gift of Steven Scott, Baltimore, in honour of the Tenth Anniversary of the National Museum of Women in the Art. © Nan Goldin, Courtesy Matthew Marks Gallery. Photograph: Lee Stalsworth. https://www.studiointernational.com/images/articles/t/terrains-of-the-body-2017/Nikki-S-Lee-The-Hip-Hop-Project-1-2001.jpg Nikki S. Lee. The Hip Hop Project (1), 2001. Fujiflex Print, 79 x 104 cm. National Museum of Women in the Arts, Gift of Heather and Tony Podesta Collection, Washington, DC. © Nikki S. Lee. Photograph: Lee Stalsworth. https://www.studiointernational.com/index.php/sheida-soleimani-interview-iranian-american-artist-human-rights-abuses-iran https://www.studiointernational.com/images/articles/s/soleimani-sheida-2017/install-029.jpg Sheida Soleimana: To Oblivion, installation view, Edel Assanti Gallery, London, 2016. https://www.studiointernational.com/images/articles/s/soleimani-sheida-2017/install-030.jpg Sheida Soleimana: To Oblivion, installation view, Edel Assanti Gallery, London, 2016. https://www.studiointernational.com/images/articles/s/soleimani-sheida-2017/install-032.jpg Sheida Soleimana: To Oblivion, installation view, Edel Assanti Gallery, London, 2016. https://www.studiointernational.com/index.php/one-and-other-review-gillian-wearing-zabludowicz-collection-london https://www.studiointernational.com/images/articles/o/one-and-other-2017/2.jpg One and Other, installation view, Zabludowicz Collection, London, 2016. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/3.jpg Ed Atkins. No one is more WORK than me, 2014. HD film, colour, sound, 8 hour loop. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/5.jpg Gillian Wearing. Sleeping Mask, 2004. Installation view. Wax, paint. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/11.jpg Gillian Wearing. Sleeping Mask, 2004. Wax, paint. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/6.jpg Ulla Von Brandenburg. Untitled, 2007. Six works on paper, found image, wood. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/9.jpg Tim Noble and Sue Webster. Ghastly Arrangements, 2002. Silk and plastic flowers, ceramic vase, water pump, wood, resin light projector. Photograph: Tim Bowditch . https://www.studiointernational.com/images/articles/o/one-and-other-2017/15.jpg One and Other, installation view, Zabludowicz Collection, London, 2016. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/17.jpg Left: Leo Gabin. Girls Room Dance, 2012. Digital video, 4:15 min. Centre: Leo Gabin. Hair Long, 2013. Digital video, 1:53 min. Right: Leo Gabin. Stackin, 2012. Digital video, 2:38 min. Photograph: Tim Bowditch . https://www.studiointernational.com/images/articles/o/one-and-other-2017/19.jpg Amalia Ulman. Excellences & Perfections - Do You Follow? (ICA Offsite), 2014. Digital video, 11:25 min. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/20.jpg Cecile B. Evans. The Brightness, 2013. Stereoscopic 3D digital video, 4:48 min. Photograph: Tim Bowditch . https://www.studiointernational.com/images/articles/o/one-and-other-2017/54.jpg One and Other, installation view, Zabludowicz Collection, London, 2016. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/76.jpg Ferhat Özgür. Metamorphosis Chat, 2009. Digital video, 9:25 min. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/58.jpg One and Other, installation view, Zabludowicz Collection, London, 2016. Photograph: Tim Bowditch. https://www.studiointernational.com/images/articles/o/one-and-other-2017/55.jpg Isa Gengken. Untitled, 2012. Mixed media. Courtesy Hauser & Wirth and Galerie Daniel Buchholz. Photograph: Tim Bowditch. https://www.studiointernational.com/index.php/david-brian-smith-interview https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/AntHillBlueBird.jpg David Brian Smith. Ant Hill - Blue Bird, 2016. Oil, gold and silver leaf on herringbone linen, 180 x 150 cm. https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/AntHillWednesday.jpg David Brian Smith. Ant Hill-Wednesday, 2012. Oil and gold leaf on herringbone linen, 180 x 150 cm. https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/GreatExpectationsHope.jpg David Brian Smith. Great Expectations - Hope, 2016. Oil on herringbone linen, 210 x 150 cm. https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/GreatExpectationsWindyDay.jpg David Brian Smith. Great Expectations - A Windy Day, 2015. Oil on linen, 220 x 270 cm. https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/GreatExpectationsWittyMan.jpg David Brian Smith. Great Expectations - Witty man, 2012. Oil, gold and silver leaf on herringbone linen, 180 x 150 cm. https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/ImInADancingMood.jpg David Brian Smith. I'm In A Dancing Mood, 2012. Oil on herringbone linen, 180 × 150 cm. https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/InThisTogether.jpg David Brian Smith. In this Together, 2016. Oil, gold and silver leaf on herringbone linen, 140 x 175 cm. https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/Still.jpg David Brian Smith. Still, 2016. Oil on herringbone linen, 140 x 175.5 cm. https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/david-brian-smith.jpg David Brian Smith on a friend's farm in Shropshire, 2012. Photograph: Daniel Graves. https://www.studiointernational.com/images/articles/s/smith-david-brian-2017/Brecon.jpg David Brian Smith. Brecon, 2015. Oil on herringbone linen, 150 x 180 cm. https://www.studiointernational.com/index.php/linda-stupart-interview https://www.studiointernational.com/images/articles/s/stupart-linda-2017/A-spell-to-bind-Male-Artists-from-Murdering-You.jpg Linda Stupart. A Spell to Bind Male Artists from Murdering You, 2016. Performance (with salt circle, projection, remote controlled candles, air-drying clay, grave dirt, moss, smokey quartz). Arcadia Missa. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/A-Spell-to-bind-Male-artists-fromMurdering-you.jpg Linda Stupart. A Spell to Bind Male Artists from Murdering You, 2016. Performance (with salt circle, projection, remote controlled candles, air-drying clay, grave dirt, moss, smokey quartz). Arcadia Missa. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/A-Spell-to-Bind-Straight-Cis-White-Artists-from-Profitting-off-of-Appropriating--Queer-Aesthetics-and-Feminine-Abjection-2.jpg Linda Stupart. A Spell to Bind Straight Cis White Artists from Profiting off of Appropriating Queer Aesthetics and Feminine Abjection, 2016. Performance (kareoke, salt circle, fire). Transmission, 2016. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/Charm-Bag-Workshop,-workshop-.jpg Linda Stupart and Katrina Zaat. Charm Bag Workshop, 2016. Workshop (including assorted crystals, herbs, meditation, essences, knots). Transmission Gallery. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/Mirror-Magic-(detail)-2.jpg Linda Stupart. Mirror Magic (detail), 2016. Mirror, tennis ball, chicken wire, clear quarts, black tourmaline, approx 20 x 5 x 5 cm (one of six). https://www.studiointernational.com/images/articles/s/stupart-linda-2017/Mirror-Magic-(detail).jpg Linda Stupart. Mirror Magic (detail), 2016. Mirror, tennis ball, chicken wire, clear quarts, black tourmaline, approx 20 x 5 x 5 cm (one of six). https://www.studiointernational.com/images/articles/s/stupart-linda-2017/Suprematism-still.jpg Linda Stupart. Suprematism, 2014. Video, 15 min. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/Virus,-novella,-ARCADIA_MISSA,-2016.jpg Linda Stupart. Virus, novella, 2016. 1st Edition signed and edition of 100 copies. Published by Arcadia Missa, Second edition published April 2016. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/Whos-Abject-Now-Bitch.jpg Linda Stupart. Who's Abject Now, Bitch?, 2010. Installation (11 litres of fake blood, red thread, microphone stands). https://www.studiointernational.com/images/articles/s/stupart-linda-2017/You_Do_it_to_Yourself-2.jpg Linda Stupart. You do it to yourself (and that's what really hurts), 2009. Installation. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/found-image-lesion.jpg Linda Stupart. Work in progress, 2017. Found image; lesion. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/work-in-progress-jasper.jpg Linda Stupart. Work in progress, 2017. Jasper, glitter. Photograph © Meg Lavender. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/work-in-progress-jasper-detail.jpg Linda Stupart. Work in progress (detail), 2017. Jasper, glitter. Photograph © Meg Lavender. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/work-in-progress-drawing.jpg Linda Stupart. Work in progress, 2017. Found image, drawing, approx 200 x 100 cm. Photograph © Meg Lavender. https://www.studiointernational.com/images/articles/s/stupart-linda-2017/work-in-progress-drwaing-detail.jpg Linda Stupart. Work in progress (detail), 2017. Found image, drawing, approx 200 x 100 cm. Photograph © Meg Lavender. https://www.studiointernational.com/index.php/jamie-crewe-female-executioner-review-transfeminine https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/Jamie_Crewe_Adulteress_Still_028.jpg Jamie Crewe. Adulteress 2017. Video, excerpt of chapter 16 of Monsieur Venus: a Materialist Novel by Rachilde (1884), 22 min. Commissioned by Gasworks, courtesy the artist. https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/Jamie_Crewe-Adulteress_2017_still_01.jpg Jamie Crewe. Adulteress 2017. Video, excerpt of chapter 16 of Monsieur Venus: a Materialist Novel by Rachilde (1884), 22 min. Commissioned by Gasworks, courtesy the artist. https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/Jamie_Crewe-Adulteress_2017_still_05.jpg Jamie Crewe. Adulteress 2017. Video, excerpt of chapter 16 of Monsieur Venus: a Materialist Novel by Rachilde (1884), 22 min. Commissioned by Gasworks, courtesy the artist. https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/Jamie_Crewe-Adulteress_2017_still_07.jpg Jamie Crewe. Adulteress 2017. Video, excerpt of chapter 16 of Monsieur Venus: a Materialist Novel by Rachilde (1884), 22 min. Commissioned by Gasworks, courtesy the artist. https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/Jamie_Crewe_Adulteress_Still026.jpg Jamie Crewe. Adulteress 2017. Video, excerpt of chapter 16 of Monsieur Venus: a Materialist Novel by Rachilde (1884), 22 min. Commissioned by Gasworks, courtesy the artist. https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/0.jpg Jamie Crewe. Adulteress 2017. Installation view. Commissioned by Gasworks, courtesy the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/3.jpg Jamie Crewe. Inert Being, 2017. 28 soy wax tablets, rotated daily, Unicol pole. Commissioned by Gasworks through the Freelands Artist Programme. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/20.jpg Jamie Crewe. Inert Being, 2017. 28 soy wax tablets, rotated daily, Unicol pole. Commissioned by Gasworks. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/32.jpg Jamie Crewe. Wax Figure, 2017. Burnt Latex, gallery ephemera. Commissioned by Gasworks. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/c/crewe-jamie-2017/Jamie_Crewe.jpg Jamie Crewe, Cover design for Monsieur Venus, drawn with a knife, 2016. https://www.studiointernational.com/index.php/mai-thu-perret-interview-i-had-this-urge-to-portray-female-warriors https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/Mai-Thu-Perret-Zone_15.jpg Mai-Thu Perret. Zone. Installation view, Simon Lee Gallery, London, 2017. https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/Mai-Thu-Perret-Zone-5.jpg Mai-Thu Perret. Zone. Installation view, Simon Lee Gallery, London, 2017. https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/Mai-Thu-Perret-Zone-14.jpg Mai-Thu Perret. Zone. Installation view, Simon Lee Gallery, London, 2017. https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/mai-thu-perret_portrait.jpg Mai-Thu Perret. https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/Mai-Thu-Perret-Zone_1.jpg Mai-Thu Perret. Zone. Installation view, Simon Lee Gallery, London, 2017. https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/Mai-Thu-Perret-Zone_2.jpg Mai-Thu Perret. Zone. Installation view, Simon Lee Gallery, London, 2017. https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/Mai-Thu-Perret-Zone_3.jpg Mai-Thu Perret. Zone. Installation view, Simon Lee Gallery, London, 2017. https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/Mai-Thu-Perret-Zone_4.jpg Mai-Thu Perret. Zone. Installation view, Simon Lee Gallery, London, 2017. https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/Mai-Thu-Perret-Zone_8.jpg Mai-Thu Perret. Zone. Installation view, Simon Lee Gallery, London, 2017. https://www.studiointernational.com/images/articles/p/perret-mai-thu-2017/Mai-Thu-Perret-Zone_9.jpg Mai-Thu Perret. Zone. Installation view, Simon Lee Gallery, London, 2017. https://www.studiointernational.com/index.php/teamlab-transcending-boundaries-review https://www.studiointernational.com/images/articles/t/teamlab-2017/5.jpg TeamLab. Universe of Water Particles, Transcending Boundaries. Photograph courtesy teamLab © 2016 teamLab, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/t/teamlab-2017/4.jpg TeamLab. Universe of Water Particles, Transcending Boundaries. Photograph courtesy teamLab © 2016 teamLab, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/t/teamlab-2017/1.jpg TeamLab. Flutter of Butterflies Beyond Borders, Ephemeral Life, 2016. Photograph courtesy teamLab © 2016. https://www.studiointernational.com/images/articles/t/teamlab-2017/2.jpg TeamLab. Impermanent Life. Photograph courtesy teamLab © 2016. https://www.studiointernational.com/images/articles/t/teamlab-2017/3.jpg TeamLab. Enso. Photograph courtesy teamLab © 2016. https://www.studiointernational.com/images/articles/t/teamlab-2017/6-Darkwaves.jpg TeamLab. Dark Waves. Photograph courtesy teamLab © 2016. https://www.studiointernational.com/index.php/john-baldessari-miro-and-life-in-general-review https://www.studiointernational.com/images/articles/b/baldessari-2017/7.jpg John Baldessari: Miró and Life in General, installation view, Marian Goodman Gallery, London, 2016. © John Baldessari, courtesy of the artist and Marian Goodman Gallery. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/b/baldessari-2017/8.jpg John Baldessari: Miró and Life in General, installation view, Marian Goodman Gallery, London, 2016. © John Baldessari, courtesy of the artist and Marian Goodman Gallery. Photograph: Thierry Bal. https://www.studiointernational.com/index.php/richard-wilson-stealing-space-review https://www.studiointernational.com/images/articles/w/wilson-richard-2017/Block-of-Dering_1.jpg Richard Wilson. Block of Dering, 2017. Wood, 353 x 250 x 268 cm. Photograph: Miayko Narita. © Richard Wilson. Courtesy Annely Juda Fine Art. https://www.studiointernational.com/images/articles/w/wilson-richard-2017/Block-of-Dering_2.jpg Richard Wilson. Block of Dering, 2017. Wood, 353 x 250 x 268 cm. Photograph: Miayko Narita. © Richard Wilson. Courtesy Annely Juda Fine Art. https://www.studiointernational.com/images/articles/w/wilson-richard-2017/Blocka-Flats.jpg Richard Wilson. Blocka Flats, 2017. Reconfigured Furniture, 77 x 123 x 48.5 cm. © Richard Wilson. Courtesy Annely Juda Fine Art. https://www.studiointernational.com/images/articles/w/wilson-richard-2017/Space-Between.jpg Richard Wilson. Space Between the Landing and the Gallery, 2017. Plywood on wood and metal, 310 x 740 x 101 cm. Photograph: Miayko Narita. © Richard Wilson. Courtesy Annely Juda Fine Art. https://www.studiointernational.com/images/articles/w/wilson-richard-2017/City-Block.jpg Richard Wilson. City Block, 2016. Wood and plastic, 71 x 72 x 72 cm. © Richard Wilson. Courtesy Annely Juda Fine Art. https://www.studiointernational.com/images/articles/w/wilson-richard-2017/Slice-of-Reality.jpg Richard Wilson. Slice of Reality, 1999-2016. Wood, metal, plastic and cotton 80 x 32 x 21.5 cm. © Richard Wilson. Courtesy Annely Juda Fine Art. https://www.studiointernational.com/index.php/laura-oldfield-ford-interview-i-map-ruptures-london-riots https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Crysanthemum,-urns-and-shells-2.jpg Laura Oldfield Ford. Crysanthemums, Urns, Shells, 2014. Oil on mdf. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/savage13.jpg Laura Oldfield Ford. Savage Messiah, Elephant and Castle issue, 2005. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/savage14.jpg Laura Oldfield Ford. Savage Messiah, River Fleet issue, 2006. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/savage15.jpg Laura Oldfield Ford. Savage Messiah, Elephant and Castle issue, 2005. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/savage17.jpg Laura Oldfield Ford. Savage Messiah, Leyton issue, 2006. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-01.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-02.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-03.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-04.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-06.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-07.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-10.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-11.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-12.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/images/articles/f/ford-laura-oldfield-2017/Laura-Oldfield-Ford,-AlphaIsisEden-13.jpg Laura Oldfield Ford. Alpha/Isis/Eden, installation detail, The Showroom, London, 2017. Photograph: Daniel Brooke. https://www.studiointernational.com/index.php/candida-powell-williams-video-interview https://www.studiointernational.com/images/articles/p/powell-williams-candida-2017/candida-homepage-660x565.jpg Candida Powell-Williams talks to Studio International about her installation The Vernacular History of the Golden Rhubarb at Bosse & Baum, London, January 2017. https://www.studiointernational.com/images/articles/p/powell-williams-candida-2017/Installation-view-2.jpg Candida Powell-Williams: The Vernacular History of the Golden Rhubarb, 2017. Installation view. Courtesy of Bosse & Baum and the artist. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/p/powell-williams-candida-2017/Installation-view-3.jpg Candida Powell-Williams: The Vernacular History of the Golden Rhubarb, 2017. Installation view. Courtesy of Bosse & Baum and the artist. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/p/powell-williams-candida-2017/Installation-view.jpg Candida Powell-Williams: The Vernacular History of the Golden Rhubarb, 2017. Installation view. Courtesy of Bosse & Baum and the artist. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/p/powell-williams-candida-2017/The-Mouth-of-Truth-(formally-The-Moon).jpg Candida Powell-Williams. The Mouth of Truth (formally The Moon), installation view, 2017. Courtesy of Bosse & Baum and the artist. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/p/powell-williams-candida-2017/Your-Ancestors-Death-Masks.jpg Candida Powell-Williams. Your Ancestor's Death Masks, installation view, 2017. Courtesy of Bosse & Baum and the artist. Photograph: Damian Griffiths. https://www.studiointernational.com/index.php/sussex-modernism-retreat-and-rebellion-review-bloomsbury-eric-gill https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/John-Piper,-Beach-and-Star-Fish,-Seven-Sisters-Cliff,-Eastbourne,-1933-34.jpg John Piper. Beach and Star Fish, Seven Sister's Cliff, Eastbourne, 1933-34. Gouache, pen and ink with collage of paper and fabric, 38.4 x 49.8 cm. Jerwood Collection. © The Piper Estate / DACS 2016. Image courtesy of Jerwood Gallery. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/David-Jones,-Madonna-and-Child-in-a-Landscape,-c.jpg David Jones. Madonna and Child in a Landscape, 1924. Oil on canvas, 61 x 61 cm. Ditchling Museum of Art + Craft. © Trustees of the David Jones estate. Image courtesy of Ditchling Museum of Art + Craft. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/Lee-Miller,-Steinberg-added-the-finishing-touches-to-the-Long-Man-of-Wilmington.jpg Lee Miller. Steinberg adding the finishing touches to the Long Man of Wilmington, East Sussex, England, 1952. Photograph, Lee Miller Archives. © Lee Miller Archives England 2016. All Rights Reserved. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/Edward-Wadsworth_Light-Selections_1940.jpg Edward Wadsworth. Light Selections, 1940. Tempera on panel, 63.4 x 75.6 cm. Royal Pavilion & Museums. © The Estate of Edward Wadsworth / DACS 2016. Image courtesy of Royal Pavilion & Museums, Brighton & Hove. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/Edward-James_Salvador-Dali,-Mae-West-lips-sofa,-1938.jpg Edward James/Salvador Dali. Mae West lips sofa, 1938. Felt and wood, 92 x 213 x 80 cm. Royal Pavilion & Museums, Brighton & Hove. © Salvador Dalí, Fundació Gala-Salvador Dalí, DACS 2017 and with kind permission from West Dean College – The Edward James Foundation. Image courtesy of Royal Pavilion & Museums, Brighton & Hove. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/John-Piper,-View-of-Chichester-Cathedral-from-the-Deanery,-1975.jpg John Piper. View of Chichester Cathedral from the Deanery, 1975. Ink, watercolour and crayon on paper, 46.1 x 63.8 cm. Pallant House Gallery (Hussey Bequest, Chichester District Council, 1985). © The Piper Estate / DACS 2016. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/Duncan-Grant_Bathers-by-the-Pond,-c1920.jpg Duncan Grant. Bathers by the Pond, c1920-21. Oil on canvas, 49 x 90 cm. Pallant House Gallery (Hussey Bequest, Chichester District Council. © 1978 Estate of Duncan Grant, courtesy Henrietta Garnett / DACS 2016. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/Eric-Gill,-Torso-Woman,-1913.jpg Eric Gill. Torso - Woman, 1913. Bath stone, on a slate base, 57.8 x 18 x 11.5 cm excluding base. Ingram Collection. Courtesy of the Ingram Collection of Modern British Art / Image credit © JP Bland. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/Duncan-Grant,-Venus-and-Adonis,-c.jpg Duncan Grant. Venus and Adonis, c1919. Oil paint on canvas, 63.5 x 94 cm. Tate. © Tate, London 2015 / DACS 2016. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/Eric-Gill,-Divine-Lovers,-1923.jpg Eric Gill. Icon (for Divine Lovers), 1923. Pewter, 12.5 x 6.5 x 3.8 cm. Ditchling Museum of Art + Craft. Courtesy of the Ditchling Museum of Art + Craft. https://www.studiointernational.com/images/articles/s/sussex-modernism-2017/David-Jones,-The-Garden-Enclosed,-1924.jpg David Jones. The Garden Enclosed, 1924. Oil paint on canvas, 35.6 x 29.8 cm. Tate. © Tate, London 2015. https://www.studiointernational.com/index.php/taryn-simon-hanne-darboven-charlotte-posenenske-ian-wilson-conceptual-art https://www.studiointernational.com/images/articles/c/conceptual-art-2017/Konrad-Fischer-show-17A6599745.jpg Hanne Darboven and Charlotte Posenenske, installation view, Konrad Fischer Galerie, Berlin, 2017. https://www.studiointernational.com/images/articles/c/conceptual-art-2017/Konrad-Fischer-show-17A6599762.jpg Hanne Darboven and Charlotte Posenenske, installation view, Konrad Fischer Galerie, Berlin, 2017. https://www.studiointernational.com/images/articles/c/conceptual-art-2017/Konrad-Fischer-show-A6599740.jpg Hanne Darboven and Charlotte Posenenske, installation view, Konrad Fischer Galerie, Berlin, 2017. https://www.studiointernational.com/images/articles/c/conceptual-art-2017/Konrad-Fischer-show-17A6599771.jpg Hanne Darboven and Charlotte Posenenske, installation view, Konrad Fischer Galerie, Berlin, 2017. https://www.studiointernational.com/images/articles/c/conceptual-art-2017/Ian-Wilson.jpg Ian Wilson, Circle on the floor (Chalk Circle), 1968, unlimited edition, Courtesy the artist and Jan Mot, Brussels; Ian Wilson, The Pure Awareness of the Absolute / A Discussion, 2014, Courtesy the artist and Jan Mot, Brussels, On loan from Jan Mot, Brussels, Untitled (Disc), 1967, Courtesy the artist; Installation view KW Institute for Contemporary Art, 2017; Photograph: Frank Sperling. https://www.studiointernational.com/images/articles/c/conceptual-art-2017/taryn_simon_ausstellung_MG_2490_davidpinzer_1610.jpg Taryn Simon. A Soldier is Taught to Bayonet the Enemy and not Some Undefined Abstraction. Installation view, Staatliche Kunstsammlungen Dresden. https://www.studiointernational.com/index.php/revolutionary-impulse-the-rise-of-the-russian-avant-garde-review-moma https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/Goncharova-gonchorova.jpg Natalia Goncharova. Rayonism, Blue-Green Forest, 1913. Oil on canvas, 21 1/2 x 19 1/2 in (54.6 x 49.5 cm). The Museum of Modern Art, New York. The Riklis Collection of McCrory Corporation. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/Lissitzky-proun1d.jpg El Lissitzky. Proun 1 D. 1920. One from a portfolio of eleven lithographs, composition: 8 7/16 x 10 9/16 in (21.5 x 26.9 cm); sheet: 13 1/2 x 17 5/8″ (34.3 x 44.7 cm). The Museum of Modern Art, New York. © 2016 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/Puni-flightofforms.jpg Jean Pougny (Ivan Puni). Flight of Forms, 1919. Gouache and pencil on paper, 51 1/8 x 51 1/2 in (129.7 x 130.8 cm). The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund. © 2016 Artists Rights Society (ARS), New York / ADAGP, Paris. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/Rodchenko-LEF-1928.jpg Aleksandr Rodchenko. Cover design for Novyi LEF: Journal of the Left Front of the Arts, no. 1. 1928. Letterpress, page: 9 1/16 x 6 in (23 x 15.2 cm). The Museum of Modern Art, New York. Gift of The Judith Rothschild Foundation. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/klucis-memorialtofallenleaders.jpg Gustav Klutsis. Memorial to Fallen Leaders, 1927. Cover with lithographed photomontage illustrations on front and back, 13 1/2 x 10 1/4 in (34.3 x 26 cm). The Museum of Modern Art, New York. Gift of The Judith Rothschild Foundation. © 2016 / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/malevich-suprematistcompositionairplanesflying.jpg Kazimir Malevich. Suprematist Composition: Airplane Flying, 1915. Oil on canvas. 22 7/8 x 19 in (58.1 x 48.3 cm). The Museum of Modern Art, New York. Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange). https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/popova-untitled.jpg Lyubov Popova. Untitled, c1916-17. Gouache on board, 19 1/2 x 15 1/2 in (49.5 x 39.5 cm). The Museum of Modern Art, New York. The Riklis Collection of McCrory Corporation. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/stenberg-symphonyofabigcity.jpg Vladimir Stenberg and Georgii Stenberg. Symphony of a Big City, 1928. Lithograph, 41 x 27 1/4 in (104 x 69 cm).The Museum of Modern Art, New York. Marshall Cogan Purchase Fund. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/Suetin.jpg Nikolai Suetin. Teapot, c1923. Porcelain with overglaze painted decoration, 5 1/2 x 4 1/2 in (14 x 11.4 cm). The Museum of Modern Art, New York. Estée and Joseph Lauder Design Fund. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/Proun19D.jpg El Lissitzky. Proud 19D, 1920 or 1921. Gesso, oil, varnish, crayon, coloured papers, sandpaper, graph paper, cardboard, metallic paint, and metal foil on plywood 38 3/8 x 38 1/4 in (97.5 x 97.2 cm). The Museum of Modern Art, New York. Katherine S. Dreier Bequest. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/Vertov.jpg Dziga Vertov. The Man with the Movie Camera, 1929. 35mm film (black and white, silent). Acquired on exchange with Gosfilmofund. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/Rozanova.jpg Olga Rozanova. The Factory and the Bridge, 1913. Oil on canvas, 32 3/4 x 24 1/4 in (83.2 x 61.6 cm). The Museum of Modern Art, New York. The Riklis Collection of McCrory Corporation. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/RUSSANTAVANTGUARD_07.jpg A Revolutionary Impulse: The Rise of the Russian Avant-Garde. Installation view, The Museum of Modern Art, New York, 3 December 2016 - 12 March 2017. © 2016 The Museum of Modern Art. Photograph: Robert Gerhardt. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/RUSSANTAVANTGUARD_06.jpg A Revolutionary Impulse: The Rise of the Russian Avant-Garde. Installation view, The Museum of Modern Art, New York, 3 December 2016 - 12 March 2017. © 2016 The Museum of Modern Art. Photograph: Robert Gerhardt. https://www.studiointernational.com/images/articles/r/revolutionary-impulse-2017/RUSSANTAVANTGUARD_03.jpg A Revolutionary Impulse: The Rise of the Russian Avant-Garde. Installation view, The Museum of Modern Art, New York, 3 December 2016 - 12 March 2017. © 2016 The Museum of Modern Art. Photograph: Robert Gerhardt. https://www.studiointernational.com/index.php/thomas-hirschhorn-interview-the-gramsci-monument-is-made-for-eternity https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/GM_GT_01.jpg Thomas Hirschhorn. Gramsci Monument, 2013. Gramsci Theater, Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photograph: Romain Lopez. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/GM_GV_02.jpg Thomas Hirschhorn. Gramsci Monument, 2013. Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photograph: Romain Lopez. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/thomas-hirschhorn-2014.jpg Thomas Hirschhorn, 2014. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/GM_GV_04.jpg Thomas Hirschhorn. Gramsci Monument, 2013. Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photograph: Romain Lopez. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/GM_PS_03.jpg Thomas Hirschhorn. Gramsci Monument, 2013. Poetry Session : Edwin Torres. Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photograph: Romain Lopez. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/BAT02.jpg Thomas Hirschhorn. Bataille Monument, 2002 (Imbus). Documenta 11, Kassel, 2002. Photograph: Werner Maschmann. Courtesy Gladstone Gallery, New York. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/BAT03.jpg Thomas Hirschhorn. Bataille Monument, 2002 (Bibliothek). Documenta 11, Kassel, 2002. Photograph: Werner Naschmann. Courtesy Gladstone Gallery, New York. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/BAT05.jpg Thomas Hirschhorn. Bataille Monument, 2002 (Sculpture). Documenta 11, Kassel, 2002. Photograph: Werner Naschmann. Courtesy Gladstone Gallery, New York. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/DEL01.jpg Thomas Hirschhorn. Delouse Monument, La Beauté, Avignon, 2000. Courtesy DRAC Provence-Alpes-Côte d'Azur, Aix-en-Provence. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/DEL02.jpg Thomas Hirschhorn. Delouse Monument, La Beauté, Avignon, 2000. Courtesy DRAC Provence-Alpes-Côte d'Azur, Aix-en-Provence. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/DEL03.jpg Thomas Hirschhorn. Delouse Monument, La Beauté, Avignon, 2000. Courtesy DRAC Provence-Alpes-Côte d'Azur, Aix-en-Provence. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/FE_02.jpg Thomas Hirschhorn. Flamme éternelle, 2014 (Lecture). Palais de Tokyo, Paris, 2014. Courtesy the artist and Palais de Tokyo. Photograph: Eva Hazard. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/FE_04.jpg Thomas Hirschhorn. Flamme éternelle, 2014 (Bar). Palais de Tokyo, Paris, 2014. Courtesy the artist and Palais de Tokyo. Photograph: Eva Hazard. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/FE_05.jpg Thomas Hirschhorn. Flamme éternelle, 2014 (Workshop). Palais de Tokyo, Paris, 2014. Courtesy the artist and Palais de Tokyo. Photograph: Anna Kowalski. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/S_M02.jpg Thomas Hirschhorn. Spinoza Monument, 1999. Midnight Walkers City Sleepers, W 139, Amsterdam, 1999. Courtesy the artist. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/Sperr_01.jpg Thomas Hirschhorn. SPERR, 2016. Biennale Wiesbaden 25 August - 4 September 2016. Courtesy the artist. Photograph: Jeva Griskjane. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/TBSF_04.jpg Thomas Hirschhorn. The Bijlmer Spinoza-Festival, 2009 (Running Events: Anton de Kom-debat). Open Source, commissioned by Streets of Sculptures, Amsterdam, 2009. Photograph: Vittoria Martini. Courtesy the artist. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/TBSF_05.jpg Thomas Hirschhorn. The Bijlmer Spinoza-Festival, 2009 (Lectures/Seminars: Toni Negri). Open Source, commissioned by Streets of Sculptures, Amsterdam, 2009. Photograph: Vittoria Martini. Courtesy the artist. https://www.studiointernational.com/images/articles/h/hirschhorn-thomas-2017/TBSF_06.jpg Thomas Hirschhorn. The Bijlmer Spinoza-Festival, 2009 (Child’s Play). Open Source, commissioned by Streets of Sculptures, Amsterdam, 2009. Photograph: Vittoria Martini. Courtesy the artist. https://www.studiointernational.com/index.php/bouchra-khalili-review-lisson-gallery-london-migration https://www.studiointernational.com/images/articles/k/khalili-bouchra-2017/Bouchra-Khalili,-Installation-view,-3.jpg Bouchra Khalili. Installation view, Lisson Gallery London, January 2017. Photograph: Jack Hems. © Bouchra Khalili; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/k/khalili-bouchra-2017/Bouchra-Khalili,-The-Constellations-Series,-Fig-1.jpg Bouchra Khalili. The Constellations Series, Fig. 1, 2011. © Bouchra Khalili; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/k/khalili-bouchra-2017/Bouchra-Khalili,-The-Constellations-Series,-Fig-3.jpg Bouchra Khalili. The Constellations Series, Fig. 3, 2011. © Bouchra Khalili; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/k/khalili-bouchra-2017/Bouchra-Khalili,-The-Constellations-Series,-Fig-7-2011.jpg Bouchra Khalili. The Constellations Series, Fig. 7, 2011. © Bouchra Khalili; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/k/khalili-bouchra-2017/Bouchra-Khalili,-The-Mapping-Journey-Project,-2008-(still)-8.jpg Bouchra Khalili. The Mapping Journey Project, 2008 (still). Eight video installations, dimensions variable. © Bouchra Khalili; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/k/khalili-bouchra-2017/Bouchra-Khalili,-Installation-view.jpg Bouchra Khalili. Installation view, Lisson Gallery London, January 2017. Photograph: Jack Hems. © Bouchra Khalili; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/k/khalili-bouchra-2017/Bouchra-Khalili,-Installation-view-2.jpg Bouchra Khalili. Installation view, Lisson Gallery London, January 2017. Photograph: Jack Hems. © Bouchra Khalili; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/k/khalili-bouchra-2017/Bouchra-Khalili,-Installation-view-mapping.jpg Bouchra Khalili. Installation view, Lisson Gallery London, January 2017. Photograph: Jack Hems. © Bouchra Khalili; Courtesy Lisson Gallery. https://www.studiointernational.com/index.php/vera-moller-interview-great-barrier-reef https://www.studiointernational.com/images/articles/m/moller-vera-2017/1-Vera-Moller-studio-view-with-slow-indigo-2015.jpg Vera Möller. Studio view with Slow Indigo triptych, 2015. 456 cm (each panel 183 x 152 cm). https://www.studiointernational.com/images/articles/m/moller-vera-2017/2-Vera-Moller-studio-view-2017.jpg Vera Möller. Studio view, 2017. https://www.studiointernational.com/images/articles/m/moller-vera-2017/3-Vera-Moller-coockooland-2003.jpg Vera Möller. Coockooland, 2003. Mixed media . National Gallery of Victoria Melbourne. Photograph: John Gollings. https://www.studiointernational.com/images/articles/m/moller-vera-2017/4-Vera-Moller-darkrooming-installation-view-2006.jpg Vera Möller. Darkrooming, 2006. Installation view, Heide Museum of Modern Art. Photograph: John Brash. https://www.studiointernational.com/images/articles/m/moller-vera-2017/8-Vera-Moller-lab-land-no5-2005.jpg Vera Möller. Lab land no.5, 2005. Photograph. https://www.studiointernational.com/images/articles/m/moller-vera-2017/9-Vera-Moller-Neugemuse-(detail)2003-08.jpg Vera Möller. Neugemüse (detail), 2003-08. Mixed media. https://www.studiointernational.com/images/articles/m/moller-vera-2017/10-Vera-Moller-prototopia-2007.jpg Vera Möller. Prototopia, 2007. Mixed media, 66 x 68 x 68 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/11-Vera-Moller-eloisette-2012.jpg Vera Möller. Eloisette, 2012. Mixed media, 60 x 46 x 46 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/12-Vera-Moller-pardalotte-2012.jpg Vera Möller. Pardalotte, 2012. Mixed media, 60 x 51 x 61 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/13-Vera-Moller-salaphora-2015.jpg Vera Möller. Salaphora, 2015. Mixed media, 61 x 34 x 46 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/14-Vera-Moller-collingwoodia-study-2003.jpg Vera Möller. Collingwoodia study, 2003. Oil on canvas, 76 x 50 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/15-Vera-Moller-longong-2012.jpg Vera Möller. Longong, 2012. Oil on linen, 165 x 135 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/16-Vera-Moller-amberelle-2013.jpg Vera Möller. Amberelle, 2013. Oil on linen, 184 x 153 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/18-Vera-Moller-vaflumentine-2015.jpg Vera Möller. Vaflumentine, 2015. Oil on linen, 92 x 76 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/19-Vera-Moller-indigana-2015.jpg Vera Möller. Indigana, 2015. Oil on linen, 92 x79 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/20-Vera-Moller-liquilumber-2015.jpg Vera Möller. Liquilumber, 2015. Oil on linen, 200 x 168 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/21-Vera-Moller-vermiliora-2015.jpg Vera Möller. Vermiliora, 2015. Oil on linen, 184 x 153 cm. https://www.studiointernational.com/images/articles/m/moller-vera-2017/22-Vera-Moller-greeninger-from-the-Fictional-2009.jpg Vera Möller. Greeninger from the Fictional Hybrids Cycle, 2009. Photograph. https://www.studiointernational.com/images/articles/m/moller-vera-2017/24-Vera-Moller-pale-wingnuts-2009.jpg Vera Möller. Pale wingnuts from the Fictional Hybrids Cycle, 2009. Photograph. https://www.studiointernational.com/index.php/yuko-mohri-video-interview https://www.studiointernational.com/images/articles/m/mohri-yuko-2017/yuko-mohri-home-660x565.jpg Yuko Mohri talking to Studio International before the opening of her exhibition Moré Moré [Leaky] at White Rainbow gallery, London, February 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/vanessa-bell-1879-1961-review-dulwich-picture-library https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-13-Self-Portrait.jpg Vanessa Bell. Self–Portrait, c1915. Oil on canvas laid on panel, 63.8 x 45.9 cm. Yale Center for British Art, Paul Mellon Fund. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Bell-photo.jpg Vanessa Bell at Durbins, 1911, Unknown. Presented by Angelica Garnett, 1981 and 1988-92. Part of the Vanessa Bell Collection. ©Tate Archive, London 2016. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-104-Street-Corner-Conversation.jpg Vanessa Bell. Street Corner Conversation, c1913. Oil on board, 69 x 52 cm. Private Collection. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-121-Nude-with-Poppies.jpg Vanessa Bell. Nude with Poppies, 1916. Oil on canvas, board, 23.4 x 42.24 cm. Swindon Museum and Art Gallery. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-144-The-Other-Room.jpg Vanessa Bell. The Other Room, late 1930s. 161 x 174 cm. Private Collection. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-156-Tents-and-Figures.jpg Vanessa Bell. Tents and Figures, 1913. Folding screen, distemper on paper mounted on canvas, painted softwood frame, 200 x 67 x 58 cm. Victoria & Albert Museum. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-17-The-Haystack.jpg Vanessa Bell. Landscape with Haystack, Asheham, 1912. Oil on canvas, board, 60.32 x 65.72 cm. Smith College Museum of Art, Northampton, Massachusetts. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-18-Asheham-House.jpg Vanessa Bell. Asheham House, 1912. Oil on board, 47 x 53.5 cm. Private collection. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-21-On-the-Steps-of-Santa-Maria-Salute,-Venice.jpg Vanessa Bell. On the Steps of Santa Maria Salute, Venice, 1948. Oil on canvas, 49 x 36.5 cm. Private collection, UK. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-35-Wallflowers.jpg Vanessa Bell. Wallflowers, undated. Oil on canvas, 35.6 x 25.4 cm. Private collection. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-9-Virginia-Woolf.jpg Virginia Woolf, by Vanessa Bell (née Stephen), 1912. Oil on board, 40 x 34 cm. © National Portrait Gallery, London https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Key-93-Design-for-Omega-Workshops-Fabric.jpg Vanessa Bell. Design for Omega Workshops Fabric, 1913. Watercolour, gouache and graphite, sheet: 66.1 × 53.3 cm, image: 53.3 × 40.7 cm, image: 2.7 × 25.4 cm. Yale Center for British Art, Paul Mellon Fund. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. https://www.studiointernational.com/images/articles/b/bell-vanessa-2017/Studland-Beach.jpg Vanessa Bell, Studland Beach, c1912, Tate: Purchased 1976. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett Photograph ©Tate, London 2016. https://www.studiointernational.com/index.php/david-hockney-review-tate-britain https://www.studiointernational.com/images/articles/h/hockney-david-2017/Peter-Getting-Out-of-Nicks-Pool.jpg David Hockney. Peter Getting Out of Nick's Pool, 1966. Acrylic paint on canvas, 152 x 152 cm. National Museums Liverpool, Walker Art Gallery. Presented by Sir John Moores 1968. © David Hockney. Photograph: Richard Schmidt. https://www.studiointernational.com/images/articles/h/hockney-david-2017/Billy-and-Audrey-Wilder.jpg David Hockney. Billy + Audrey Wilder Los Angeles April 1982, 1982. Composite Polaroid, 111.7 x 116.8 cm. David Hockney Inc. (Los Angeles, USA). © David Hockney. Photograph: Richard Schmidt. https://www.studiointernational.com/images/articles/h/hockney-david-2017/Christopher-Isherwood-and-Don-Bachardy-1968.jpg David Hockney. Christopher Isherwood and Don Bachardy, 1968. Acrylic paint on canvas, 212 x 303.5 cm. Private collection. © David Hockney. https://www.studiointernational.com/images/articles/h/hockney-david-2017/Garden-with-Blue-Terrace-2015.jpg David Hockney. Garden with Blue Terrace, 2015. Acrylic paint on canvas, 121.9 x 182.8 cm. Private collection. © David Hockney. https://www.studiointernational.com/images/articles/h/hockney-david-2017/Going-Up-Garrowby-Hill-2000.jpg David Hockney. Going Up Garrowby Hill, 2000. Oil paint on canvas, 213.4 x 152.4 cm. Private collection, Topanga, California. © David Hockney. https://www.studiointernational.com/images/articles/h/hockney-david-2017/Model-with-Unfinished-Self-Portrait-1977.jpg David Hockney. Model with Unfinished Self Portrait, 1977. Oil paint on canvas, 152.4 x 152.4 cm. Private collection c/o Eykyn Maclean. © David Hockney. https://www.studiointernational.com/index.php/the-place-is-here-review-black-british-artists https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/BAFC,-John-Akomfrah-Handsworth-Songs,-1986,-Smoking-Dogs-Films.jpg Black Audio Film Collective (BAFC)/John Akomfrah. Handsworth Songs, 1986. © Smoking Dog Films. Courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Sonia-Boyce,-Lay-Back,-Keep-Quiet-and-Think-of-What-Made-Britain-So-Great,-1986.jpg Sonia Boyce. Lay Back, Keep Quiet and Think of What Made Britain So Great, 1986. Arts Council Collection, Southbank Centre, London © Sonia Boyce. All Rights Reserved. DACS 2015. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/SutapaBiswas.jpg Sutapa Biswas. Pied Piper of Hamlyn – Put Your Money where your mouth is, 1987. Sutapa Biswas' work is featured courtesy of the artist and Arts Council Collection. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Gavin-Jantjes,-A-South-African-Colouring-Book,-1989.jpg Gavin Jantjes. A South African Colouring Book, 1989. Arts Council Collection, Southbank Centre, London © Gavin Jantjes. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Eddie-Chambers,-Destruction-of-the-National-Front,-1979-80.jpg Eddie Chambers. Destruction of the National Front, 1979-80. © Tate, London 2015. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Sonia-Boyce,-From-Tarzan-to-Rambo,-English-Born-Native-Considers-her-Relationship-to-the-Constructed,-Self-Image-and-her-Roots-in-Reconstruction.jpg Sonia Boyce. From Tarzan to Rambo: English Born ‘Native’ Considers her Relationship to the Constructed/Self Image and her roots in Reconstruction, 1987. © Tate, London 2015. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Lubaina-Himid,-A-Fashionable-Marriage,-1986-3.jpg Lubaina Himid. A Fashionable Marriage, 1986. Courtesy of Matthew Birchall and Tao Lashley-Burnley. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Lubaina-Himid,-A-Fashionable-Marriage,-1986.-Courtesy-the-artist-and-Hollybush-Gardens,-Photo-M.jpg Lubaina Himid. A Fashionable Marriage, 1986 (detail). Courtesy of Matthew Birchall and Tao Lashley-Burnley. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Lubaina-Himid,-A-Fashionable-Marriage,-1986-2.jpg Lubaina Himid. A Fashionable Marriage, 1986. Courtesy of Matthew Birchall and Tao Lashley-Burnley. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Mona-Hatoum,-Measures-of-Distance,-1988.jpg Mona Hatoum. Measures of Distance, 1988. Image courtesy of the artist. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Mona-Hatoum,-Roadworks,-1985.jpg Mona Hatoum. Roadworks, 1985. Image courtesy of the artist. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Expeditions-1-Signs-of-an-Empire,-1982-84,-Smoking-Dogs-Films_-Courtesy-Lisson-Gallery.jpg Black Audio Film Collective. Expeditions one: Signs of an Empire, 1982-84. Smoking Dogs Films. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/t/the-place-is-here-2017/Chila-Kumari-Burman,-1982.jpg Chila Kumari Burman, 1982. Image courtesy of the artist. https://www.studiointernational.com/index.php/house-work-review-victoria-miro-alice-neel-herman-bas https://www.studiointernational.com/images/articles/h/house-work-2017/AN27_Belmar-New-Jersey_1935.jpg Alice Neel. Belmar, New Jersey, 1935. Oil on Masonite, 50.8 x 71.1 cm (20 x 28 in). © Alice Neel. Courtesy the artist and Victoria Miro, London. Photograph: Stephen White. https://www.studiointernational.com/images/articles/h/house-work-2017/CP204_My-First-Home_2016-b.jpg Celia Paul. My First Home, 2016. Oil on canvas, 55.9 x 50.8 cm (22 x 20 in). © Celia Paul Courtesy the artist and Victoria Miro, London. Photograph: Stephen White. https://www.studiointernational.com/images/articles/h/house-work-2017/KK-2119-image.jpg Karen Kilimnik. The summer house of Apollo in the French countryside outside of Paris, 2016. Water soluble oil colour on canvas, 35.6 x 55.9 cm (14 1/8 x 22 1/8 in). © Karen Kilimnik. Image courtesy 303 Gallery, New York. https://www.studiointernational.com/images/articles/h/house-work-2017/MA-02-image.jpg Mamma Andersson. Pigeon House, 2010. Acrylic and oil on panel, 85 x 122 cm (33 ½ x 48 1/8 in). Courtesy the artist and David Zwirner, New York/London. https://www.studiointernational.com/images/articles/h/house-work-2017/PD416_Untitled-(Kricket)_1999.jpg Peter Doig. Untitled (Kricket), 1999. Oil on paper, 42 x 59.5 cm (16 ½ x 23 3/8 in). © Peter Doig. Courtesy Victoria Miro, London. Photograph: Peter Hauck. https://www.studiointernational.com/index.php/tara-donovan-interview-compositions-cards https://www.studiointernational.com/images/articles/d/donovan-tara-2017/64656_DONOVAN.jpg Tara Donovan. Composition (Cards), 2017. Styrene cards and glue, 99.7 x 99.7 x 10.2 cm (39-1/4 x 39-1/4 x 4 in). © Tara Donovan. Photograph: Kerry Ryan McFate, courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/d/donovan-tara-2017/64656_DONOVAN_Detail.jpg Tara Donovan. Composition (Cards), 2017 (detail). Styrene cards and glue, 99.7 x 99.7 x 10.2 cm (39-1/4 x 39-1/4 x 4 in). © Tara Donovan. Photograph: Kerry Ryan McFate, courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/d/donovan-tara-2017/64659_DONOVAN.jpg Tara Donovan. Composition (Cards), 2017. Styrene cards and glue, 99.7 x 99.7 x 10.2 cm (39-1/4 x 39-1/4 x 4 in). © Tara Donovan. Photograph: Kerry Ryan McFate, courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/d/donovan-tara-2017/64660_DONOVAN_Detail.jpg Tara Donovan. Detail of Composition (Cards), 2017. Styrene cards and glue, 99.7 x 99.7 x 10.2 cm (39-1/4 x 39-1/4 x 4 in). © Tara Donovan. Photograph: Kerry Ryan McFate, courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/d/donovan-tara-2017/64661_DONOVAN.jpg Tara Donovan. Composition (Cards), 2017. Styrene cards and glue, 99.7 x 99.7 x 10.2 cm (39-1/4 x 39-1/4 x 4 in). © Tara Donovan. Photograph: Kerry Ryan McFate, courtesy of Pace Gallery. https://www.studiointernational.com/index.php/amie-siegel-strata-review-south-london-gallery https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Quarry_B0A1021-1.jpg Amie Siegel. Quarry, 2015. HD video, colour/sound. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Quarry_B0A1016-2.jpg Amie Siegel. Quarry, 2015. HD video, colour/sound. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Quarry_B0A1035-1-.jpg Amie Siegel. Quarry, 2015. HD video, colour/sound. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Quarry_B0A1010-2.jpg Amie Siegel. Quarry, 2015. HD video, colour/sound. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Fetish_B0A1118-1.jpg Amie Siegel. Fetish, 2016. HD video, colour/sound. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Fetish_B0A1120-1.jpg Amie Siegel. Fetish, 2016. HD video, colour/sound. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Fetish_B0A1129-1.jpg Amie Siegel. Fetish, 2016. HD video, colour/sound. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Dynasty_B0A1053-1.jpg Amie Siegel. Dynasty, 2017. Mixed media including marble fragment from Trump Tower, dimensions variable. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Dynasty_B0A1073-1.jpg Amie Siegel. Dynasty, 2017. Mixed media including marble fragment from Trump Tower, dimensions variable. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/s/siegel-amie-2017/Dynasty_B0A1081-1.jpg Amie Siegel. Dynasty, 2017. Mixed media including marble fragment from Trump Tower, dimensions variable. Exhibition view, South London Gallery, 2017. Courtesy the artist and Simon Preston Gallery, New York. Photograph: Andy Stagg. https://www.studiointernational.com/index.php/gluck-modern-british-women-review-fine-art-society-london https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Medallion-(YouWe),-1937.jpg Gluck. Medallion (YouWe) with frame, 1936. Oil on canvas, 30.5 x 35.6 cm. Ömer M. Koç Collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Baldock-vs-bell-at-royal-albert-hall-1927.jpg Gluck. Baldock vs. Bell at the Royal Albert Hall, 1927. Oil on canvas, 26.7 x 21 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Bank-Holiday-Monday,-c.jpg Gluck. Bank Holiday Monday, 1937. Oil on canvas, 24.3 x 19.3 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Before-the-races,-St-Buryan,-Cornwall,-1924.jpg Gluck. Before the races, St Buryan, Cornwall. 1924. Oil on canvas, 23.2 x 24.2 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Cottages-below-the-Downs,-1968.jpg Gluck. Cottages Below the Downs, 1968. Oil on Board, 26 x 36 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Credo-(Rage-Rage-Against-the-Dying-of-the-Light),-1970-3.jpg Gluck. Credo (Rage, Rage Against the Dying of the Light), 1970/3. Oil on canvas, 37 x 5 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Edith-Craig-in-Uniform,-1949.jpg Gluck. Edith Craig in Uniform, 1949, Oil on canvas, 13 x 17.8 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Lords-and-Ladies,-c.jpg Gluck. Lords and Ladies, 1936. Oil on canvas, 30 x 30 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Nesta-Obermer,-1966.jpg Gluck. Nesta Obermer, 1966. Pencil and crayon on paper, 13 x 17 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Orchestra,-1967.jpg Gluck. Orchestra, 1967, Oil on canvas, 25.5 x 20 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Portrait-of-Miss-Watts,-1932.jpg Gluck. Portrait of Miss Margaret Watts, 1932. Oil on canvas, 61 x 51 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/gluck-Spiritual-(Study-of-a-Negro-Head),-1927.jpg Gluck, Spiritual, 1927. Oil on canvas, 40 x 40 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/Dora-Carrington,-Annie.jpg Dora Carrington. Annie, 1924. 48 x 37 cm. Noel Carrington; Joanna Carrington; Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/Elizabeth-Frink-Reclining-Horse-Tapestry.jpg Elizabeth Frink. Reclining Horse, 1975. Hand knotted tapestry, 178 x 251 cm. Commissioned from the artist; Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/Muriel-Wheeler,-Self-and-Family,-1933.jpg Muriel Wheeler. Self and Family, 1933. Oil on panel, 55.3 x 70.8 cm. Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/images/articles/g/gluck-2017/Vanessa-Bell,-Portrait-of-Faith-Henderson-(c.jpg Vanessa Bell. Portrait of Faith Henderson, 1917. Oil on Canvas, 56 x 45 cm. The Artist’s estate, Private collection. Image courtesy of The Fine Art Society. https://www.studiointernational.com/index.php/toshiyuki-inoko-teamlab-interview-transcending-boundaries https://www.studiointernational.com/images/articles/t/teamlab-2017/1.jpg TeamLab. Flutter of Butterflies Beyond Borders, Ephemeral Life, 2016. Photograph courtesy teamLab © 2016. https://www.studiointernational.com/images/articles/t/teamlab-2017/2.jpg TeamLab. Impermanent Life. Photograph courtesy teamLab © 2016. https://www.studiointernational.com/images/articles/t/teamlab-2017/3.jpg TeamLab. Enso. Photograph courtesy teamLab © 2016. https://www.studiointernational.com/images/articles/t/teamlab-2017/4.jpg TeamLab. Universe of Water Particles, Transcending Boundaries. Photograph courtesy teamLab © 2016 teamLab, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/t/teamlab-2017/6-Darkwaves.jpg TeamLab. Dark Waves. Photograph courtesy teamLab © 2016. https://www.studiointernational.com/index.php/revolution-russian-art-1917-1932-review-royal-academy-london https://www.studiointernational.com/images/articles/r/revolution-2017/Key-20.jpg Boris Mikailovich Kustodiev. Bolshevik, 1920. Oil on canvas, 101 x 140.5 cm. State Tretyakov Gallery. Photograph: © State Tretyakov Gallery. https://www.studiointernational.com/images/articles/r/revolution-2017/Key-105.jpg Kuzma Petrov-Vodkin. Fantasy, 1925. Oil on canvas, 50 x 64.5 cm. State Russian Museum, St. Petersburg. Photograph: © 2016, State Russian Museum, St. Petersburg. https://www.studiointernational.com/images/articles/r/revolution-2017/Key-149.jpg Isaak Brodsky. V.I.Lenin and Manifestation, 1919. Oil on canvas, 90 x 135 cm. The State Historical Museum. Photograph: © Provided with assistance from the State Museum and Exhibition Center ROSIZO. https://www.studiointernational.com/images/articles/r/revolution-2017/Key-53.jpg Marc Chagall. Promenade, 1917-18. Oil on canvas, 175.2 x 168.4 cm. State Russian Museum, St. Petersburg. Photograph: © 2016, State Russian Museum, St. Petersburg. © DACS 2016. https://www.studiointernational.com/images/articles/r/revolution-2017/Key-55.jpg Alexander Deineka. Textile Workers, 1927. Oil on canvas, 161.5 x 185 cm. State Russian Museum, St. Petersburg. Photograph: © 2016, State Russian Museum, St. Petersburg. © DACS 2016. https://www.studiointernational.com/images/articles/r/revolution-2017/Key-70.jpg Wassily Kandinsky. Blue Crest, 1917. Oil on canvas, 133 x 104 cm. State Russian Museum, St. Petersburg. Photograph: © 2016, State Russian Museum, St. Petersburg. https://www.studiointernational.com/images/articles/r/revolution-2017/Key-85.jpg Kazimir Malevich. Peasants, c1930. Oil on canvas, 53 x 70 cm. State Russian Museum, St. Petersburg. Photograph: © 2016, State Russian Museum, St. Petersburg. https://www.studiointernational.com/index.php/michael-andrews-earth-air-water-review https://www.studiointernational.com/images/articles/a/andrews-michael-2017/3.jpg Michael Andrews. Lights VII: A Shadow, 1974. Acrylic on canvas, 182.9 x 182.9 cm (72 × 72 in). © The Estate of Michael Andrews, courtesy James Hyman Gallery, London. https://www.studiointernational.com/images/articles/a/andrews-michael-2017/1.jpg Michael Andrews. The Colony Room Landscape, c1959. Oil on canvas, 263 x 377 cm (103 5/8 × 148 1/2 in). © The Estate of Michael Andrews, courtesy James Hyman Gallery, London. Photograph: Lucy Dawkins/Gagosian. https://www.studiointernational.com/images/articles/a/andrews-michael-2017/2.jpg Michael Andrews. The Colony Room I, 1962. Oil on board, 121.9 x 182.8 cm (48 × 71 15/16 in). Collection of Pallant House Gallery. © The Estate of Michael Andrews, courtesy James Hyman Gallery, London. Photograph: Mike Bruce/Gagosian. https://www.studiointernational.com/images/articles/a/andrews-michael-2017/4.jpg Michael Andrews. School I, 1977. Acrylic on canvas, 152.5 x 213 cm (60 1/16 × 83 7/8 in). © The Estate of Michael Andrews, courtesy James Hyman Gallery, London. https://www.studiointernational.com/images/articles/a/andrews-michael-2017/5.jpg Michael Andrews. School IV: Barracuda under Skipjack Tuna, 1978. Acrylic on canvas, 175.2 x 175.2 cm (69 × 69 in). © The Estate of Michael Andrews, courtesy James Hyman Gallery, London. https://www.studiointernational.com/images/articles/a/andrews-michael-2017/6.jpg Michael Andrews. SAX A.D. 832 - First Painting, 1982. Oil on acrylic on canvas, 152.5 x 152.5 cm (60 × 60 in). © The Estate of Michael Andrews, courtesy James Hyman Gallery, London. Photograph: Lucy Dawkins/Gagosian. https://www.studiointernational.com/images/articles/a/andrews-michael-2017/7.jpg Michael Andrews. Permanent Water Mutidjula, by the Kunia Massif (Maggie Spring, Ayers Rock), 1985 – 1986. Acrylic on canvas, 213.4 x 259.1 cm (84 × 102 in). © The Estate of Michael Andrews, courtesy James Hyman Gallery, London. https://www.studiointernational.com/images/articles/a/andrews-michael-2017/8.jpg Michael Andrews. Thames Painting: The Estuary, 1994 – 1995. Oil and mixed media on canvas, 219.8 x 189.1 cm (86 9/16 × 74 7/16 in). Collection of Pallant House Gallery. © The Estate of Michael Andrews, courtesy James Hyman Gallery, London. Photograph: Mike Bruce/Gagosian https://www.studiointernational.com/index.php/do-ho-suh-passages-review-victoria-miro https://www.studiointernational.com/images/articles/d/do-ho-suh-2017/DHS_Passages_VMG_2017-05.jpg Do Ho Suh. Passage/s, installation view, 2017, Victoria Miro Gallery II, London. Courtesy the artist, Lehmann Maupin, New York and Hong Kong, and Victoria Miro, London. Photograph: Thierry Bal. © Do Ho Suh. https://www.studiointernational.com/images/articles/d/do-ho-suh-2017/Do-Ho-Suh-Passages-Thierry-Bal-1_No_Lights.jpg Do Ho Suh. Passage/s, installation view, 2017, Victoria Miro Gallery II, London. Courtesy the artist, Lehmann Maupin, New York and Hong Kong, and Victoria Miro, London. Photograph: Thierry Bal. © Do Ho Suh. https://www.studiointernational.com/images/articles/d/do-ho-suh-2017/DHS_Installation-view,-Passages_VMG_2017-14.jpg Do Ho Suh. Left: Staircase, Ground Floor, 348 West 22nd Street, New York, NY 10011, USA, 2016. Right: Main Entrance, 348 West 22nd Street, New York, NY 10011, USA, 2016. Installation view, Passage/s, 2017, Victoria Miro Gallery II, London. Courtesy the artist, STPI – Creative Workshop & Gallery, Singapore, and Victoria Miro, London. Photograph: Thierry Bal. © Do Ho Suh. https://www.studiointernational.com/images/articles/d/do-ho-suh-2017/DHS_Installation-view,-Passages_VMG_2017-17.jpg Do Ho Suh, Passage/s: The Pram Project, 2014-2016. Installation view, Do Ho Suh: Passage/s, Victoria Miro Gallery I, London. Courtesy the artist, Lehmann Maupin, New York and Hong Kong, and Victoria Miro. Photograph: Thierry Bal. © Do Ho Suh. https://www.studiointernational.com/images/articles/d/do-ho-suh-2017/DHS_Passages_VMG_2017-10.jpg Do Ho Suh. Passage/s, installation view, 2017, Victoria Miro Gallery II, London. Courtesy the artist, Lehmann Maupin, New York and Hong Kong, and Victoria Miro, London. Photograph: Thierry Bal. © Do Ho Suh. https://www.studiointernational.com/images/articles/d/do-ho-suh-2017/DHS_Passages_VMG_2017-03.jpg Do Ho Suh. Passage/s, installation view, 2017, Victoria Miro Gallery II, London. Courtesy the artist, Lehmann Maupin, New York and Hong Kong, and Victoria Miro, London. Photograph: Thierry Bal. © Do Ho Suh. https://www.studiointernational.com/images/articles/d/do-ho-suh-2017/DHS_Installation-view,-Passages_VMG_2017-15.jpg Do Ho Suh. Left to right: Entrance, Ground Floor, 348 22nd Street, New York, 10011, USA, 2015; Entrance, Unit 2, 348 West 22nd Street, New York, NY 10011, USA, 2016; Entrance, Unit G5, Union Wharf, 23 Wenlock road, London, N1 7SB, UK, 2016. Installation view, Do Ho Suh: Passage/s, 2017, Victoria Miro Gallery I, London. Courtesy the Artist, STPI – Creative Workshop & Gallery, Singapore, and Victoria Miro, London. Photograph: Thierry Bal. © Do Ho Suh. https://www.studiointernational.com/index.php/alexei-jawlensky-neue-galerie-review-new-york https://www.studiointernational.com/images/articles/j/jawlensky-2017/1-Self-Portrait-with-Top-Hat,-1904.jpg Alexei Jawlensky. Self-Portrait with Top Hat, 1904. Oil on canvas. Private collection. © 2016 Artists Rights Society (ARS), New York for Alexei Jawlensky. https://www.studiointernational.com/images/articles/j/jawlensky-2017/2-Murnau,-ca.jpg Alexei Jawlensky. Murnau, c1910. Oil on cardboard. National Gallery of Art, Washington D.C., Gift of Mr. and Mrs. Ralph F. Colin © 2016 Artists Rights Society (ARS), New York for Alexei Jawlensky. https://www.studiointernational.com/images/articles/j/jawlensky-2017/3-Woman-with-Green-Fan,-1912.jpg Alexei Jawlensky. Woman with Green Fan,1912. Oil on cardboard. Private collection, Courtesy Artvera’s Art Gallery. © 2016 Artists Rights Society (ARS), New York for Alexei Jawlensky. https://www.studiointernational.com/images/articles/j/jawlensky-2017/4-Oberstdorf-Mountains,-1912.jpg Alexei Jawlensky. Oberstdorf – Mountains, 1912. Oil on cardboard. Petr Aven Collection. © 2016 Artists Rights Society (ARS), New York for Alexei Jawlensky. https://www.studiointernational.com/images/articles/j/jawlensky-2017/5-Byzantine-Woman,-1913.jpg Alexei Jawlensky. Byzantine Woman, 1913. Oil on cardboard. Centre Pompidou, Paris. Musée national d’art moderne/Centre de création industrielle. © 2016 Artists Rights Society (ARS), New York for Alexei Jawlensky. https://www.studiointernational.com/images/articles/j/jawlensky-2017/6-Abstract-Head,-Late-Summer-(Cescent-Moon),-1928.jpg Alexei Jawlensky. Abstract Head: Late Summer (Crescent Moon), 1928. Oil on cardboard. Collection of the Long Beach Museum of Art. The Milton Wichner Collection. © 2016 Artists Rights Society (ARS), New York for Alexei Jawlensky. https://www.studiointernational.com/images/articles/j/jawlensky-2017/7-Meditation-My-Spirit-Will-Live-On,-1935.jpg Alexei Jawlensky. Meditation: My Spirit Will Live On,1935. Oil on cardboard. Museum Wiesbaden. © 2016 Artists Rights Society (ARS), New York for Alexei Jawlensky. https://www.studiointernational.com/images/articles/j/jawlensky-2017/Jawlensky-LM-A-Star-is-Still-Shining.jpg Alexei Jawlensky. Large Meditation: A Star is Still Shining, May 1936. Oil on paper mounted on board. Private collection. © 2017 Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/jawlensky-2017/Jawlensky-LM-Night-When-the-Wolves-are-Howling.jpg Alexei Jawlensky. Large Meditation: Night When the Wolves are Howling, January 1936. Oil on paper mounted on board. Private collection. © 2017 Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/jawlensky-2017/Jawlensky-LM-From-the-Gospel.jpg Alexei Jawlensky. Large Meditation: From the Gospel, January 1937. Oil on paper mounted on board. Private collection. © 2017. Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/photographic-works-of-kishin-shinoyama-picture-power-review-japan https://www.studiointernational.com/images/articles/k/kishin-2017/kishin-john-and-yoko-1980.jpg Kishin Shinoyama. John Lennon, Yoko Ono, 1980. © Kishin Shinoyama. https://www.studiointernational.com/images/articles/k/kishin-2017/Kabuki-actors.jpg Kishin Shinoyama. Kabuki actors. Gallery view, Yokohama Museum of Art, Japan, 2017. https://www.studiointernational.com/images/articles/k/kishin-2017/Pan-view-of-Accidents-section.jpg Kishin Shinoyama. Gallery view, ACCIDENTS (Disaster 11 March 2011―Portraits of the victims of the Great East Japan Earthquake) Yokohama Museum of Art, Japan, 2017. https://www.studiointernational.com/images/articles/k/kishin-2017/Portrait-of-famous-deceased.jpg Kishin Shinoyama. Gallery view, GOD (The deceased). Yokohama Museum of Art, Japan, 2017. https://www.studiointernational.com/images/articles/k/kishin-2017/Pan-view-of-the-exhibition.jpg Kishin Shinoyama. Gallery view. Yokohama Museum of Art, Japan, 2017. https://www.studiointernational.com/images/articles/k/kishin-2017/Shinoyama-Kishin.jpg Kishin Shinoyama. Yokohama Museum of Art, Japan, 2017. https://www.studiointernational.com/images/articles/k/kishin-2017/Vladimir-Malakhov,-1998.jpg Kishin Shinoyama. Vladimir Malakhov, 1998. Gallery view. Yokohama Museum of Art, Japan, 2017. https://www.studiointernational.com/index.php/america-after-the-fall-painting-in-the-1930s-royal-academy-london https://www.studiointernational.com/images/articles/a/america-after-the-fall-2017/key-122.jpg Thomas Hart Benton. Cotton Pickers, 1945. Oil on canvas, 81.3 x 121.9 cm. Prior bequest of Alexander Stewart; Centennial Major Acquisitions Income and Wesley M. Dixon Jr. funds; Roger and J. Peter McCormick Endowments; prior acquisition of the George F. Harding. © Benton Testamentary Trusts/UMB Bank Trustee/VAGA, NY/DACS, London 2016. https://www.studiointernational.com/images/articles/a/america-after-the-fall-2017/key-62.jpg Grant Wood. American Gothic, 1930. Oil on beaver board, 78 x 65.3 cm. Friends of American Art Collection 1930.934, The Art Institute of Chicago. https://www.studiointernational.com/images/articles/a/america-after-the-fall-2017/key-107.jpg Edward Hopper, Gas, 1940. Oil on canvas, 66.7 x 102.2 cm. Collection of Museum of Modern Art , New York. Mrs. Simon Guggenheim Fund, 1943. Photograph © 2016. Digital image, The Museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/images/articles/a/america-after-the-fall-2017/key-6.jpg Georgia O'Keeffe, Cow's Skull with Calico Roses, 1931. Oil on canvas, 91.5 x 61 cm. The Art Institute of Chicago, Alfred Stieglitz Collection, Gift of Georgia O'Keeffe, 1947.712. Photograph Alfred Stieglitz Collection, gift of Georgia O'Keeffe, 1947.712, The Art Institute of Chicago / © Georgia O'Keeffe Museum / DACS 2016. https://www.studiointernational.com/images/articles/a/america-after-the-fall-2017/key-31.jpg Charles Sheeler, American Landscape, 1930. Oil on canvas, 61 x 78.7 cm. The Museum of Modern Art, New York, Gift of Abby Aldrick Rockefeller, 1934. Photograph © 2016. Digital image, The Museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/images/articles/a/america-after-the-fall-2017/key-106.jpg Philip Guston. Bombardment, 1937. Oil on masonite, 106.7 cm. Philadelphia Museum of Art: Gift of Musa and Tom Mayer, 2011. © The Estate of Philip Guston. https://www.studiointernational.com/images/articles/a/america-after-the-fall-2017/key-111.jpg Alice Neel. Pat Whalen, 1935. Oil, ink and newspaper on canvas, 68.6 x 58.4 cm. Collection of Whitney Museum of American Art , New York, Gift of Dr. Hartley Neel. © The Estate of Alice Neel. https://www.studiointernational.com/images/articles/a/america-after-the-fall-2017/key-101.jpg Jackson Pollock. Untitled, c1938-41. Oil on linen, 56.5 x 127.5 cm. The Art Institute of Chicago, Major Acquisitions Centennial Fund; estate of Florene May Schoenborn; through prior acquisitions of Mr and Mrs Carter H Harrison, Marguerita S Ritman, Mr and Mrs Bruce Borland, and Mary L and Leigh B Block, 1998.522. © The Pollock-Krasner Foundation ARS, NY and DACS, London 2016. https://www.studiointernational.com/index.php/mahmoud-bakhshi-interview-iran-revolution-coup https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi-in-his-studio.jpg Mahmoud Bakhshi in his studio. © Pooyan Jalilvand, courtesy of the artist and Pooyan Jalilvand. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Film-still-from-The-Deers-(Gavazn-haa).jpg Film still from The Deers (Gavazn-haa) by Masoud Kimiai, 1974. Courtesy narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-The-Unity-of-Time-and-Place,-2017-(detail)-4.jpg Mahmoud Bakhshi. The Unity of Time and Place, 2017 (detail). Copyright the artist, courtesy of the artist and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-The-Unity-of-Time-and-Place,-2017-(detail).jpg Mahmoud Bakhshi. The Unity of Time and Place, 2017 (detail). Copyright the artist, courtesy of the artist and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-Bah-Man,-Bahman-Cinema,-2010-(4).jpg Mahmoud Bakhshi. Bah-Man, Bahman Cinema, 2010. © Mahmoud Bakhshi, courtesy of the artist and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-The-Unity-of-Time-and-Place,-2017-(detail)-3.jpg Mahmoud Bakhshi. The Unity of Time and Place, 2017 (detail). Copyright the artist, courtesy of the artist and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-The-Unity-of-Time-and-Place,-2017-(detail)-6.jpg Mahmoud Bakhshi. The Unity of Time and Place, 2017 (detail). Copyright the artist, courtesy of the artist and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-Endless-Celebration,-2016-(1).jpg Mahmoud Bakhshi. Endless Celebration, 2016. © Valeriy Miloserdov, Izolyastsia, courtesy of Izolyatsia, Kiev and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-Endless-Celebration,-2016-(3).jpg Mahmoud Bakhshi. Endless Celebration, 2016. © Valeriy Miloserdov, Izolyastsia, courtesy of Izolyatsia, Kiev and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-Endless-Celebration,-2016-(5).jpg Mahmoud Bakhshi. Endless Celebration, 2016. © Valeriy Miloserdov, Izolyastsia, courtesy of Izolyatsia, Kiev and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-Air-Pollution-of-Iran,-2004.jpg Mahmoud Bakhshi. Air Pollution of Iran, 2004. Installation view, eight synthetic fabric flags, each 235 x 139 x 5.5 cm © Mahmoud Bakhshi, courtesy of the artist and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-Recycle,-2012.jpg Mahmoud Bakhshi. Recycle, 2012. Mixed media, 72 x 70 x 15 cm. © Mahmoud Bakhshi, courtesy of the artist and narrative projects, London. https://www.studiointernational.com/images/articles/b/bakhshi-mahmoud-2017/Mahmoud-Bakhshi,-Tulips-Rise-from-the-Blood-of-the-Nation-Youth,-Industrial-Revolution-Series,-2008-(2).jpg Mahmoud Bakhshi. Tulips Rise from the Blood of the Nation Youth, Industrial Revolution Series, 2008. Neon, tinplate, wood, plastic, electric engine, 135 x 35 x 30 cm each sculpture. © Mahmoud Bakhshi. https://www.studiointernational.com/index.php/all-watched-over-by-machines-of-loving-grace-review-palais-de-tokyo https://www.studiointernational.com/images/articles/a/all-watched-over-2017/RichardBrautiganPoem.jpg Richard Brautigan. Poem: All Watched Over by Machines of Loving Grace, 1960s. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/AQO-Mika-Tajima-Negative-Entropy-2.jpg Mika Tajima. Negative Entropy. Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/MikaTajimaMeridian(2015).jpg Mika Tajima. Meridian, 2015. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/AWO-Stills-by-Marie-Lund-(wall)-Attitudes.jpg Stills, 2013-17 by Marie Lund (wall) and Attitudes, 2014 (concrete) and Vase, 2017 (copper). Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/AWO-Marie-Lund-Attitudes.jpg Marie Lund. Attitudes, 2014 (concrete legs) and Vase, 2017 (copper). Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/AWO-Pedro-Barateiro-Rumor-Workers.jpg Pedro Barateiro. Rumor (Workers), 2015. 11 large wooden sculptures covered with a thin layer of cement. Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/PedroBarateiroRoom.jpg Pedro Barateiro. Rumor (Workers), 2015. Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/AWO-Michael-E-Smith-Room-Installation-with-Untitled-Video-Trouve.jpg Michael E Smith. Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/Michael-E-Smith-detail-Untitled-2017.jpg Michael E Smith. Untitled, 2017 (detail). Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/MichaelESmithChaussures.jpg Michael E Smith. Chaussures. Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/AWO-ISabelle-Cornaro-Celebration.jpg Isabelle Cornaro. Celebration, 2013. Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/AWO-Lee-Kit-UnfortunatelyItsQuiet.jpg Lee Kit. Unfortunately, it's quiet, 2017. Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Aurélien Mole. https://www.studiointernational.com/images/articles/a/all-watched-over-2017/Lee-Kit-Unfortunately-its-quiet.jpg Lee Kit. Unfortunately, it's quiet, 2017. Exhibition view, Palais de Tokyo, Paris, 2017. Photograph: Aurélien Mole. https://www.studiointernational.com/index.php/chto-delat-interview-on-the-possibility-of-light-dmitry-vilensky-olga-egorova https://www.studiointernational.com/images/articles/d/delat-chto-2017/It-Hasnt-Happened-To-Us-Yet-Safe-Haven_CHTO_DELAT_2016_002.jpg Chto Delat. It Hasn't Happened To Us Yet. Safe Haven, 2016. Two-channel HD video installation, 16:9, colour, sound, 49:06 min. Courtesy of Chto Delat and KOW, Berlin. https://www.studiointernational.com/images/articles/d/delat-chto-2017/It-Hasnt-Happened-To-Us-Yet-Safe-Haven_CHTO_DELAT_2016_003.jpg Chto Delat. It Hasn't Happened To Us Yet. Safe Haven, 2016. Two-channel HD video installation, 16:9, colour, sound, 49:06 min. Courtesy of Chto Delat and KOW, Berlin. https://www.studiointernational.com/images/articles/d/delat-chto-2017/It-Hasnt-Happened-To-Us-Yet-Safe-Haven_CHTO_DELAT_2016_Installation_view_001.jpg Chto Delat. It Hasn't Happened To Us Yet. Safe Haven, 2016. Installation view On The Possibility Of Light, KOW, Berlin, 2017. Photograph: Ladislav Zajac. Courtesy of Chto Delat and KOW, Berlin. https://www.studiointernational.com/images/articles/d/delat-chto-2017/It-Hasnt-Happened-To-Us-Yet-Safe-Haven_CHTO_DELAT_2016_Installation_view_002.jpg Chto Delat. It Hasn't Happened To Us Yet. Safe Haven, 2016. Installation view On The Possibility Of Light, KOW, Berlin, 2017. Photograph: Ladislav Zajac. Courtesy of Chto Delat and KOW, Berlin. https://www.studiointernational.com/images/articles/d/delat-chto-2017/It-Hasnt-Happened-To-Us-Yet-Safe-Haven_CHTO_DELAT_2016_Installation_view_003.jpg Chto Delat. It Hasn't Happened To Us Yet. Safe Haven, 2016. Installation view On The Possibility Of Light, KOW, Berlin, 2017. Photograph: Ladislav Zajac. Courtesy of Chto Delat and KOW, Berlin. https://www.studiointernational.com/images/articles/d/delat-chto-2017/Lighthouse-(It-Is-Getting-Darker)_CHTO_DELAT_2017_002.jpg Chto Delat. Lighthouse (It Is Getting Darker), 2017. Mixed media, dimensions variable. Installation view On The Possibility Of Light, KOW, Berlin, 2017. Photograph: Ladislav Zajac. Courtesy of Chto Delat and KOW, Berlin. https://www.studiointernational.com/images/articles/d/delat-chto-2017/Lighthouse-(It-Is-Getting-Darker)_CHTO_DELAT_2017_003.jpg Chto Delat. Lighthouse (It Is Getting Darker), 2017. Mixed media, dimensions variable. Installation view On The Possibility Of Light, KOW, Berlin, 2017. Photograph: Ladislav Zajac. Courtesy of Chto Delat and KOW, Berlin. https://www.studiointernational.com/images/articles/d/delat-chto-2017/Lighthouse-(It-Is-Getting-Darker)_CHTO_DELAT_2017_004.jpg Chto Delat. Lighthouse (It Is Getting Darker), 2017. Mixed media, dimensions variable. Installation view On The Possibility Of Light, KOW, Berlin, 2017. Photograph: Ladislav Zajac. Courtesy of Chto Delat and KOW, Berlin. https://www.studiointernational.com/images/articles/d/delat-chto-2017/The-Memorials-For-Weak-Light_CHTO_DELAT_2017_001.jpg Chto Delat. The Memorials For Weak Light, 2017. Mixed media, dimensions variable. Installation view On The Possibility Of Light, KOW, Berlin, 2017. Photograph: Ladislav Zajac. Courtesy of Chto Delat and KOW, Berlin. https://www.studiointernational.com/index.php/armory-show-2017-review-new-york https://www.studiointernational.com/images/articles/a/armory-show-2017/armory_660x565.jpg Top left: Jeffrey Deitch – recreation of Florine Stettheimer Collapsed Time Salon show. Top right: Sadaharu Horio's Art Vending Machine. Bottom: Cerith Wyn Evans. ... later on they are in a garden..., 2007. Photographs. Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/4.jpg Ivan Navarro. Revolution III, 2017. Neon, drums, mirror,.., electric energy. 115 3/8 x 36 ¼ x 17 ¾ in. Unique. Galerie Daniel Templon. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/2.jpg Cerith Wyn Evans. Mantra, 2016. Chandelier (Galliano Derro), dimmer unit and two control tracks. 133 7/8 x 90 9/16 x 31 ½ (First chandelier: 98 7/16 x 31 ½ in; Second chandelier: 86 5/8 x 31 ½ in). White Cube, London. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/1.jpg Cerith Wyn Evans. ... later on they are in a garden..., 2007. Neon. 90 9/16 x 192 15/16 in. White Cube, London. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/6.jpg Mary Corse. Untitled. Kayne Griffin Corcoran Gallery. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/17.jpg Tayeba Begum Lipi. The Stolen Dream. 2013. Stainless steel, 70 x 51 x 94 cm. Edition of 3. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/16.jpg Daniel Joseph Martinez. Riot Shield (Butter) 2012; Riot Shield (Cherry Blossom) 2012. 58.5 x 35 x 5 in. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/9.jpg Jeffrey Deitch – recreation of Florine Stettheimer Collapsed Time Salon show. Photograph. Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/15.jpg Douglas Coupland. Towers, 2014. Daniel Faria Gallery. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/3.jpg Tony Oursler. <*ng 2017. Aluminum, acrylic paint, 34 ¼ x 54 ¾ in. Lisson Gallery. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/a/armory-show-2017/7.jpg James Turrell. Small Glass, 2012. L.E.D. light, etched glass and shallow space, 31 ¼ x 47 in. Kayne Griffin Corcoran Gallery. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/a/armory-show-2017/11.jpg Yayoi Kusama. Guidepost to the New World, 2016. Presented by Victoria Miro. (PLATFORM). Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/a/armory-show-2017/12.jpg Sadaharu Horio's Art Vending Machine, 2015. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/1dollarpainting.jpg Sadaharu Horio. 1$ painting. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/18.jpg Titus Kaphar. The Cost of Removal, 2017. Oil, canvas and rusted nails on canvas, 108 x 84 in. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/8.jpg Hew Locke. Happy Queen, 2003. Cut cardboard, lead with paint and ink, 88 5/8 x 63 in. Hales London. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/10.jpg Fiete Stolte. Eye, 2017. Presented by Albertz Benda. (PLATFORM). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/22.jpg Aida Makoto. Jumble of 100 Flowers, 2012-17. Acrylic on canvas, 79 x 689 in. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/23.jpg Atsuko Tanaka. 1986a. Vinyl paint on canvas, 45.5 x 38.0 cm. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/armory-show-2017/24.jpg Laurent Grasso. Studies into the Past. Oil on wood, 8 ¼ x 9 7/16 x 2 3/8 in. https://www.studiointernational.com/index.php/deimantas-narkevicius-20-july-2015-review-maureen-paley https://www.studiointernational.com/images/articles/n/narkevicius-deimantus-2017/MP-NARKD-00003-A-300.jpg Deimantas Narkevičius. 20 July 2015, 2016. Stereoscopic video projection (video still), colour, sound (Lithuanian and Russian spoken), English subtitles, 15 min 8 sec. © Deimantas Narkevicius, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/n/narkevicius-deimantus-2017/MP-NARKD-00003-B-300.jpg Deimantas Narkevičius. 20 July 2015, 2016. Stereoscopic video projection (video still), colour, sound (Lithuanian and Russian spoken), English subtitles, 15 min 8 sec. © Deimantas Narkevicius, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/n/narkevicius-deimantus-2017/MP-NARKD-00003-C-300.jpg Deimantas Narkevičius. 20 July 2015, 2016. Stereoscopic video projection (video still), colour, sound (Lithuanian and Russian spoken), English subtitles, 15 min 8 sec. © Deimantas Narkevicius, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/n/narkevicius-deimantus-2017/MP-NARKD-00003-D-300.jpg Deimantas Narkevičius. 20 July 2015, 2016. Stereoscopic video projection (video still), colour, sound (Lithuanian and Russian spoken), English subtitles, 15 min 8 sec. © Deimantas Narkevicius, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/n/narkevicius-deimantus-2017/MP-NARKD-00004-A-300.jpg Deimantas Narkevičius. Once in the XX Century, 2004. Exhibition view, Maureen Paley, London, 2017. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/n/narkevicius-deimantus-2017/MP-NARKD-00004-B-300.jpg Deimantas Narkevičius. Once in the XX Century, 2004. Exhibition view, Maureen Paley, London, 2017. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/n/narkevicius-deimantus-2017/MP-NARKD-00003-I-300.jpg Deimantas Narkevičius. 20 July 2015, 2016. Exhibition view, Maureen Paley, London, 2017. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/n/narkevicius-deimantus-2017/MP-NARKD-00003-K-300.jpg Deimantas Narkevičius. 20 July 2015, 2016. Exhibition view, Maureen Paley, London, 2017. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/n/narkevicius-deimantus-2017/MP-NARKD-00003-F-300.jpg Deimantas Narkevičius. 20 July 2015, 2016. Exhibition view, Maureen Paley, London, 2017. Courtesy Maureen Paley, London. https://www.studiointernational.com/index.php/robert-devereux-when-the-heavens-meet-the-earth-video-interview https://www.studiointernational.com/images/articles/h/heong-gallery-2017/Lynette-Yiadom-Boakye,-High-Power,-2008.jpg Lynette Yiadom-Boakye. High Power, 2008. Oil on linen, 200 x 120 cm. Image copyright the artist, courtesy The Heong Gallery. https://www.studiointernational.com/images/articles/h/heong-gallery-2017/El-Anatsui,-Oga.jpg El Anatsui. Oga, 2003. Wood, acrylic, kente cloth and found objects, 100 x 113 x 10 cm. Image courtesy the artist, courtesy The Heong Gallery. https://www.studiointernational.com/images/articles/h/heong-gallery-2017/Nnenna-Okore-When-the-Heavens-meet-the-Earth-2011.jpg Nnenna Okore. When the Heavens meet the Earth, 2011. Yarn, dimensions variable. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/heong-gallery-2017/robert-devereux-feb-2017.jpg Robert Devereux at the opening of When the Heavens Meet the Earth at the Heong Gallery, Downing College, Cambridge, 24 February 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/edward-krasinski-review-tate-liverpool https://www.studiointernational.com/images/articles/k/krasinski-edward-2017/1.jpg Edward Krasiński, Krzysztofory Gallery, Krakow, 1965, exhibition view. Photograph: Eustachy Kossakowski. © Hanna Ptaszkowska and archive of Museum of Modern Art Warsaw, courtesy Paulina Krasinska and Foksal Gallery Foundation, Warsaw. https://www.studiointernational.com/images/articles/k/krasinski-edward-2017/2.jpg Edward Krasiński. Composition in Space VIII, 1963. Acrylic paint, wood, wire, 51 x 29 x 20.5 cm. Courtesy Paulina Krasinska and Foksal Gallery Foundation, Warsaw. https://www.studiointernational.com/images/articles/k/krasinski-edward-2017/3.jpg Edward Krasiński. Spear, Zalesie, c1964. Photograph: Eustachy Kossakowski. © Hanna Ptaszkowska and archive of Museum of Modern Art Warsaw, courtesy Paulina Krasinska and Foksal Gallery Foundation, Warsaw. https://www.studiointernational.com/images/articles/k/krasinski-edward-2017/4.jpg Edward Krasiński. N… (Intervention 4, Zig-Zag), c1970. Photograph: Eustachy Kossakowski. © Hanna Ptaszkowska and archive of Museum of Modern Art Warsaw, courtesy Paulina Krasinska and Foksal Gallery Foundation, Warsaw. https://www.studiointernational.com/images/articles/k/krasinski-edward-2017/5.jpg Edward Krasinski. Intervention 3, 1975. Acrylic paint and adhesive tape on hardboard, 70 x 50 x 4 cm. © Grażyna Kulczyk Collection. https://www.studiointernational.com/images/articles/k/krasinski-edward-2017/6.jpg Edward Krasiński. Intervention 15, 1975. Tape and paint on hardboard, 69.9 x 50 x 3.3 cm. © The estate of Edward Krasiński, courtesy Foksal Gallery Foundation, Warsaw. https://www.studiointernational.com/images/articles/k/krasinski-edward-2017/7.jpg Edward Krasiński. The Studio, 2004. Photograph: Aneta Grzeszykowska and Jan Smaga. Courtesy Paulina Krasinska and Foksal Gallery Foundation, Warsaw. https://www.studiointernational.com/index.php/hello-robot-design-between-human-and-machine-review https://www.studiointernational.com/images/articles/h/hello-robot-2017/04_Stephan-Bogner_Philipp-Schmitt_Jonas-Voigt_Raising-Robotic-Natives.jpg Stephan Bogner, Philipp Schmitt and Jonas Voigt. Raising Robotic Natives, 2016 © Jonas Voigt. https://www.studiointernational.com/images/articles/h/hello-robot-2017/ExhibitionExteriorVSimpson.jpg Vitra Design Museum, Weil am Rhein, Germany. Exhibition entrance. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/h/hello-robot-2017/01_Christoph-Niemann_Robot-Morph.jpg Christoph Niemann. Robot Morph, 2016, © Christoph Niemann. https://www.studiointernational.com/images/articles/h/hello-robot-2017/05_Shawn-Maximo_Going-Green.jpg Shawn Maximo. Going Green, 2016. Solar-powered robots in a production hall with no humans. https://www.studiointernational.com/images/articles/h/hello-robot-2017/07_Dunne-and-Raby_Robot-4.jpg Dunne & Raby, Robot 4: Needy One, from Technological Dream Series: No. 1, Robots, 2007. © 2016 Dunne & Raby. Photograph: Per Tingleff. https://www.studiointernational.com/images/articles/h/hello-robot-2017/08_Anouk-Wipprecht_Spider-Dress.jpg Anouk Wipprecht. Spider Dress 2.0, 2015. https://www.studiointernational.com/images/articles/h/hello-robot-2017/09_ABB_YuMi.jpg ABB. YuMi, 2015. https://www.studiointernational.com/images/articles/h/hello-robot-2017/10_TRNDlabs_SKEYE-Nano-2-FPV-Drone.jpg TRNDlabs. SKEYE Nano 2 FPV Drone. https://www.studiointernational.com/images/articles/h/hello-robot-2017/11_Yves-Gellie_Human-Version-2_07_Nexi.jpg Yves Gellie. Human Version 2.07 Nexi, 2009. Photograph: Yves Gellie. https://www.studiointernational.com/images/articles/h/hello-robot-2017/12_Robotlab_Manifest.jpg Robotlab. Manifest, 2008. https://www.studiointernational.com/images/articles/h/hello-robot-2017/13_AKA_Musio-k.jpg AKA. Musio k. Artificially intelligent robot. https://www.studiointernational.com/images/articles/h/hello-robot-2017/14_Yonezawa_Directional-Robot.jpg Yonezawa. Directional Robot. https://www.studiointernational.com/images/articles/h/hello-robot-2017/15_Hajime-Sorayama_Aibo.jpg Hajime Sorayama, Sony Corporation, company design. Aibo entertainment robot (ERS-110), 1999. https://www.studiointernational.com/images/articles/h/hello-robot-2017/17_Vincent-Fournier_Reem-B-5.jpg Vincent Fournier, Reem B #5 (Pal), Barcelona, Spain, from The Man Machine, 2010. © Vincent Fournier. https://www.studiointernational.com/images/articles/h/hello-robot-2017/16_Historische-Spielzeugroboter.jpg Vintage Toy Robots, 1956 – 1980. Various manufacturers. Courtesy private collection. Photograph: Andreas Sütterlin, 2016. https://www.studiointernational.com/images/articles/h/hello-robot-2017/04_MarkNiedermann.jpg Hello, Robot: Design Between Human and Machine, exhibition view. Photograph: Mark Niedermann. https://www.studiointernational.com/images/articles/h/hello-robot-2017/09_MarkNiedermann.jpg Hello, Robot: Design Between Human and Machine, exhibition view. Photograph: Mark Niedermann. https://www.studiointernational.com/images/articles/h/hello-robot-2017/21_MarkNiedermann.jpg Hello, Robot: Design Between Human and Machine, exhibition view. Photograph: Mark Niedermann. https://www.studiointernational.com/index.php/anna-freeman-bentley-interview https://www.studiointernational.com/images/articles/b/bentley-anna-freeman-2017/AFB-Get-Ground.jpg Anna Freeman Bentley. Get Ground, 2015. Oil on four boards 200 x 240 cm. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/b/bentley-anna-freeman-2017/AFB-Intersection.jpg Anna Freeman Bentley. Intersection, 2016. Oil on board 122 x 80 cm. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/b/bentley-anna-freeman-2017/AFB-Pitch.jpg Anna Freeman Bentley. Pitch, 2015. Oil on board 120 x 181 cm. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/b/bentley-anna-freeman-2017/Lodge-high-res.jpg Anna Freeman Bentley. Lodge, 2015. Oil on board 171 x 120 cm. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/b/bentley-anna-freeman-2017/LunchMeeting.jpg Anna Freeman Bentley. Lunch Meeting, 2017. Oil on board 40.5 x 50.7 cm. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/b/bentley-anna-freeman-2017/SharedObjects.jpg Anna Freeman Bentley. Shared objects, 2017. Oil on board 35.5 x 28 cm. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/b/bentley-anna-freeman-2017/Unique.jpg Anna Freeman Bentley. Unique, 2017. Oil on board 50.5 x 61 cm. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/b/bentley-anna-freeman-2017/AFB-portrait.jpg Anna Freeman Bentley. Photograph: Sara Ekholm. https://www.studiointernational.com/index.php/moa-museum-of-art-grand-reopening-exhibition-review-hiroshi-sugimoto-design-japan https://www.studiointernational.com/images/articles/m/moa-museum-2017/IMG_4678.jpg Bathhouse girls, early 17th century. Ink and colour on paper. https://www.studiointernational.com/images/articles/m/moa-museum-2017/IMG_4682.jpg Screen panel Scenes of European Ways of Life, Momoyama period, 16th century. Ink and colour on paper. https://www.studiointernational.com/images/articles/m/moa-museum-2017/IMG_4673.jpg Hanging scrolls, Sboku-ga display. https://www.studiointernational.com/images/articles/m/moa-museum-2017/IMG_4676.jpg Ogata Kōrin. Red and white plum blossoms, Edo period, 18th century. Screen panel, ink and colour on gold leaf on paper. https://www.studiointernational.com/index.php/the-american-dream-pop-to-the-present-review-british-museum https://www.studiointernational.com/images/articles/a/american-dreams-2017/Cole.jpg Willie Cole. Stowage, 1997. Woodcut on Japanese paper. © Willie Cole. Reproduced by permission of the artist courtesy of Alexander and Bonin Publishing, New York https://www.studiointernational.com/images/articles/a/american-dreams-2017/Gumball-Machine.jpg Wayne Thiebaud. Gumball Machine, 1970. Colour linocut. © Wayne Thiebaud/DACS, London/VAGA, New York 2016. https://www.studiointernational.com/images/articles/a/american-dreams-2017/Kara-Walker.jpg Kara Walker. no world from An Unpeopled Land in Uncharted Waters, 2010. Aquatint. © Kara Walker. Reproduced by permission of the artist. https://www.studiointernational.com/images/articles/a/american-dreams-2017/Made-in-California.jpg Edward Ruscha. Made in California, 1971. Colour lithograph. © Ed Ruscha. Reproduced by permission of the artist. https://www.studiointernational.com/index.php/serge-attukwei-clottey-interview-ghana-my-body-is-part-of-my-works-mystery https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei--Clottey-and-GoLokal,-Chale-Wote-2016.jpg Serge Attukwei Clottey and GoLokal, Chale Wote 2016 performance. Courtesy the artist and Gallery 1957. Photograph: Shafic Hijazi. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey-and-GoLokal-(14).jpg Serge Attukwei Clottey and GoLokal. My Mother's Wardrobe, performance at Gallery 1957, 6 March 2016. Courtesy the artist and Gallery 1957. Photograph: Nii Odzenma. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey-and-GoLokal-(15).jpg Serge Attukwei Clottey and GoLokal. My Mother's Wardrobe, performance at Gallery 1957, 6 March 2016. Courtesy the artist and Gallery 1957. Photograph: Nii Odzenma. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey-and-GoLokal-(19).jpg Serge Attukwei Clottey and Serge Attukwei Clottey and GoLokal. My Mother's Wardrobe, performance at Gallery 1957, 6 March 2016. Courtesy the artist and Gallery 1957. Photograph: Nii Odzenma. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey-and-GoLokal-(21).jpg Serge Attukwei Clottey and Serge Attukwei Clottey and GoLokal. My Mother's Wardrobe, performance at Gallery 1957, 6 March 2016. Courtesy the artist and Gallery 1957. Photograph: Nii Odzenma. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey-and-GoLokal,-My-Mothers-Wardrobe,-performance-at-Gallery-1957,-6-March-2016.jpg Serge Attukwei Clottey and Serge Attukwei Clottey and GoLokal. My Mother's Wardrobe, performance at Gallery 1957, 6 March 2016. Courtesy the artist and Gallery 1957. Photograph: Nii Odzenma. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey,-Everywhere-is-Cool,-2016.jpg Serge Attukwei Clottey. Everywhere is Cool, 2016. Plastics, wire and oil paint, 42 x 24 in. © the artist, courtesy Gallery 1957, Accra. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey,-Promise-Me,-2017.jpg Serge Attukwei Clottey. Promise Me, 2017. Courtesy the artist and Gallery 1957, Accra. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey,-Soul-Food,-2016.jpg Serge Attukwei Clottey. Soul Food, 2016. Courtesy the artist and Gallery 1957, Accra. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey,-The-Independence-Arch,-2016.jpg Serge Attukwei Clottey. The Independence Arch, 2016. Plastics, wire and oil paint, 95 x 89 in, © the artist, courtesy Gallery 1957, Accra. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey,-Vibe,-2017.jpg Serge Attukwei Clottey. Vibe, 2017. Courtesy the artist and Gallery 1957, Accra. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey,-charcoal-drawing,-2017-(2).jpg Serge Attukwei Clottey. Charcoal drawing, 2017. Courtesy the artist and Gallery 1957, Accra. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey,-charcoal-drawing,-2017-(3).jpg Serge Attukwei Clottey. Charcoal drawing, 2017. Courtesy the artist and Gallery 1957, Accra. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey,-charcoal-drawing,-2017.jpg Serge Attukwei Clottey. Charcoal drawing, 2017. Courtesy the artist and Gallery 1957, Accra. https://www.studiointernational.com/images/articles/c/clottey-serge-attukwei-2017/Serge-Attukwei-Clottey-at-1-54-photo-by-Luke-Walker.jpg Serge Attukwei Clottey at 1-54 Contemporary African Art Fair, courtesy of the artist and Gallery 1957. Photograph: Luke Walker. https://www.studiointernational.com/index.php/i-ata-dogruel-interview https://www.studiointernational.com/images/articles/d/dogruel-i-ata-2017/_MG_8714.jpg I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Courtesy of Performistanbul. https://www.studiointernational.com/images/articles/d/dogruel-i-ata-2017/_MG_8164.jpg I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Courtesy of Performistanbul. https://www.studiointernational.com/images/articles/d/dogruel-i-ata-2017/_MG_8325.jpg I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Courtesy of Performistanbul. https://www.studiointernational.com/images/articles/d/dogruel-i-ata-2017/_MG_8678.jpg I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Courtesy of Performistanbul. https://www.studiointernational.com/images/articles/d/dogruel-i-ata-2017/AMcNay_0184.jpg I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Photograph: Anna McNay. https://www.studiointernational.com/images/articles/d/dogruel-i-ata-2017/AMcNay_0185.jpg I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Photograph: Anna McNay. https://www.studiointernational.com/images/articles/d/dogruel-i-ata-2017/AMcNay_0208.jpg I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Photograph: Anna McNay. https://www.studiointernational.com/images/articles/d/dogruel-i-ata-2017/AMcNay_0214.jpg I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Photograph: Anna McNay. https://www.studiointernational.com/images/articles/d/dogruel-i-ata-2017/AMcNay_0222.jpg I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Photograph: Anna McNay. https://www.studiointernational.com/index.php/colour-is-review-waddington-custot-london https://www.studiointernational.com/images/articles/c/colour-is-2017/Joe-Tilson,-Zikkurat-1,-Spectrum,-1967.jpg Joe Tilson. Zikkurat 1, Spectrum, 1967. Oil and acrylic on board (relief), 217 x 217 cm (85.5 x 85.5 in). Courtesy of Waddington Custot. https://www.studiointernational.com/images/articles/c/colour-is-2017/Helio-Oiticica,-V6-Spatial-Relief,-Red,-1959-1991.jpg Hélio Oiticica. V6 Spatial Relief, Red, (V6 Relevo especial, vermêlho), 1959-1991. Painted wood, 98.4 x 78.1 x 10.2 cm (38.75 x 30.75 x 4 in). Courtesy of Waddington Custot. https://www.studiointernational.com/images/articles/c/colour-is-2017/Josef-Albers,-Variant-Adobe-JAAF-1976-1-1166,-1956.jpg Josef Albers. Variant Adobe (JAAF 1976.1.1166), 1956. Oil on masonite, (45 x 64.5 cm) 17.75 x 25.4 in. Courtesy of Waddington Custot. https://www.studiointernational.com/images/articles/c/colour-is-2017/Paul-Feeley,-Dubhe,-1965.jpg Paul Feeley. Dubhe, 1965. Painted wood, 91 x 91.3 x 91.3 cm (35.75 x 36 x 36 in). Courtesy of Waddington Custot. https://www.studiointernational.com/images/articles/c/colour-is-2017/Peter-Halley,-Blue-Cell-PHP-99-38s,-1999.jpg Peter Halley. Blue Cell PHP 99-38s, 1999. Acrylic, pearlescent and metallic acrylic and Roll-a-Tex on canvas, (111.8 x 101.6 cm) 44 x 40 in. Courtesy of Waddington Custot. https://www.studiointernational.com/index.php/tuneu-heacordo-review-galeria-raquel-arnaud-brazil https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/TuneuHexacordoInstalshot3.jpg Tuneu. Hexacordo, gallery view, Galeria Raquel Arnaud, São Paulo, Brazil, 2017. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/TuneuHexacordoInstalshot2.jpg Tuneu. Hexacordo, gallery view, Galeria Raquel Arnaud, São Paulo, Brazil, 2017. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13552.jpg Tuneu. Untitled, 2015. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13911.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13912.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13913.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13914.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13915.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13916.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13960.jpg Tuneu. Untitled, 2016. Acrylic on canvas, 139 x 160 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13961.jpg Tuneu. Untitled, 2016. Painted Corten steel, 52 x 117 x 30.5 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13967.jpg Tuneu. Untitled, 2016. Painted Corten steel, wood and acrylic, 38 x 75 x 60 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13968.jpg Tuneu. Untitled, 2016. Painted Corten steel, 91 x 100 x 60 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13969.jpg Tuneu. Untitled, 2016. Painted Corten steel and wood, 72 x 133 x 90 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13917.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13918.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13919.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/images/articles/h/hexacordo-tuneu-2017/13923.jpg Tuneu. Untitled, 2016. Acrylic on paper, 106 x 72 cm. Photograph: Riã Duprat. https://www.studiointernational.com/index.php/adrienne-elise-tarver-interview https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/AET_Install_1.jpg Adrienne Elise Tarver. Secrets of Leaves, 2017. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/AET_Install_13.jpg Adrienne Elise Tarver. Secrets of Leaves, 2017. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/AET_Install_4.jpg Adrienne Elise Tarver. Secrets of Leaves, 2017. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/AET_Install_5.jpg Adrienne Elise Tarver. Secrets of Leaves, 2017. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/AET_Install_7.jpg Adrienne Elise Tarver. Secrets of Leaves, 2017. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/AET_Protrait.jpg Adrienne Elise Tarver. Secrets of Leaves, 2017. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/ATarver-Eavesdropping-1.jpg Adrienne Elise Tarver. Stories of Shadows, 2016. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/ATarver-Eavesdropping-2.jpg Adrienne Elise Tarver. Stories of Shadows, 2016. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/ATarver-Eavesdropping-4.jpg Adrienne Elise Tarver. Stories of Shadows, 2016. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/ATarver-Eavesdropping-5.jpg Adrienne Elise Tarver. Stories of Shadows, 2016. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/ATarver-Eavesdropping-6.jpg Adrienne Elise Tarver. Stories of Shadows, 2016. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/ATarver-Eavesdropping-7.jpg Adrienne Elise Tarver. Stories of Shadows, 2016. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/images/articles/t/tarver-adrienne-elise-2017/ATarver-Eavesdropping-8.jpg Adrienne Elise Tarver. Stories of Shadows, 2016. Courtesy of the artist and Victori + Mo. https://www.studiointernational.com/index.php/imponderable-tony-oursler-review-moma https://www.studiointernational.com/images/articles/o/oursler-tony-2017/imponderable_103.jpg Tony Oursler. Imponderable. 2015-16. 5-D multimedia installation (colour, sound), 90 min. The Museum of Modern Art, New York. © 2016 Tony Oursler. Photograph: Jonathan Muzikar. Digital image © The Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/imponderable_113.jpg Tony Oursler. Imponderable. 2015-16. 5-D multimedia installation (colour, sound), 90 min. The Museum of Modern Art, New York. © 2016 Tony Oursler. Photograph: Jonathan Muzikar. Digital image © The Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/imponderable_116.jpg Tony Oursler. Imponderable. 2015-16. 5-D multimedia installation (colour, sound), 90 min. The Museum of Modern Art, New York. © 2016 Tony Oursler. Photograph: Jonathan Muzikar. Digital image © The Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/imponderable_118.jpg Tony Oursler. Imponderable. 2015-16. 5-D multimedia installation (colour, sound), 90 min. The Museum of Modern Art, New York. © 2016 Tony Oursler. Photograph: Jonathan Muzikar. Digital image © The Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/imponderable_144.jpg Tony Oursler. Imponderable. 2015-16. 5-D multimedia installation (colour, sound), 90 min. The Museum of Modern Art, New York. © 2016 Tony Oursler. Photograph: Jonathan Muzikar. Digital image © The Museum of Modern Art, New York https://www.studiointernational.com/images/articles/o/oursler-tony-2017/imponderable_16.jpg Tony Oursler. Imponderable. 2015-16. 5-D multimedia installation (colour, sound), 90 min. The Museum of Modern Art, New York. © 2016 Tony Oursler. Photograph: Jonathan Muzikar. Digital image © The Museum of Modern Art, New York https://www.studiointernational.com/images/articles/o/oursler-tony-2017/imponderable_96.jpg Tony Oursler. Imponderable. 2015-16. 5-D multimedia installation (colour, sound), 90 min. The Museum of Modern Art, New York. © 2016 Tony Oursler. Photograph: Jonathan Muzikar. Digital image © The Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/moma_oursler_in2357_05.jpg Tony Oursler. Imponderable. 2015-16. 5-D multimedia installation (colour, sound), 90 min. The Museum of Modern Art, New York. © 2016 Tony Oursler. Photograph: Jonathan Muzikar. Digital image © The Museum of Modern Art, New York https://www.studiointernational.com/images/articles/o/oursler-tony-2017/moma_oursler_in2357_09.jpg Tony Oursler. Imponderable. 2015-16. 5-D multimedia installation (colour, sound), 90 min. The Museum of Modern Art, New York. © 2016 Tony Oursler. Photograph: Jonathan Muzikar. Digital image © The Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/IMG_4453.jpg Silver loving cup presented to Margery Crandon by Arthur Conan Doyle on behalf of the British Psychic College. Robe worn by Crandon during séances. Séance chair belonging to Crandon. All objects are from the early 20th century. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/IMG_4455.jpg Tony Oursler. Imponderable. Installation view, Museum of Modern Art, New York, 2017. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/IMG_4452.jpg Tony Oursler. Imponderable. Installation view, Museum of Modern Art, New York, 2017. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/IMG_4306.jpg Theatre curtain for the stage at the Oursler house near Falmouth, Massachusetts, c1930s. Photograph: Natasha Kurchanova. https://www.studiointernational.com/images/articles/o/oursler-tony-2017/IMG_4456.jpg Bust of Edgar Allan Poe that belonged to Fulton Oursler. Photograph: Natasha Kurchanova. https://www.studiointernational.com/index.php/michelangelo-and-sebastiano-review-national-gallery-london https://www.studiointernational.com/images/articles/m/michelangelo-sebastiano-2017/N-0001.jpg Sebastiano del Piombo, incorporating designs by Michelangelo. The Raising of Lazarus, 1517-19. Oil on synthetic panel, transferred from wood, 381 x 289.6 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/m/michelangelo-sebastiano-2017/Michelangelo-Sebastiano-X8972.jpg Michelangelo. The Risen Christ, about 1532-3. Black chalk on paper, 37.2 × 22.1 cm. Royal Collection Trust. © Her Majesty Queen Elizabeth II 2017. https://www.studiointernational.com/images/articles/m/michelangelo-sebastiano-2017/Michelangelo-Sebastiano-X9006.jpg Michelangelo. Lazarus with his right arm held across his chest, draped in a shroud; the upper part of Lazarus's body (upside down), probably 1518. Red chalk on paper, 25 × 18.3 cm. The British Museum, London. © The Trustees of The British Museum. https://www.studiointernational.com/images/articles/m/michelangelo-sebastiano-2017/Michelangelo-Sebastiano-X9063r.jpg Letter from Sebastiano del Piombo in Rome to Michelangelo in Florence, 12 April 1520. © Casa Buonarroti, Florence. https://www.studiointernational.com/images/articles/m/michelangelo-sebastiano-2017/Michelangelo-Sebastiano-X9174.jpg After Michelangelo. The Risen Christ, c1897-8 (copy after the Risen Christ, 1519-21, Santa Maria sopra Minerva, Rome). Plaster cast from approximately eight piece moulds consisting of approximately 81 individual pieces, 251 × 74 × 82.5 cm. Statens Museum for Kunst, Copenhagen. © SMK. Photograph: Jakob Skou-Hansen. https://www.studiointernational.com/images/articles/m/michelangelo-sebastiano-2017/N-0790-00-000119-pr.jpg Michelangelo. The Entombment (or Christ being carried to his Tomb), c1500-1. Oil on poplar, 161.7 x 149.9 cm. © The National Gallery, London. https://www.studiointernational.com/index.php/helen-johnson-interview-ica-australia-britain-colonialism https://www.studiointernational.com/images/articles/j/johnson-helen-2017/1c.jpg Helen Johnson. Bad debt, 2016 (detail). Acrylic on canvas, wood, 380 x 320 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/1e.jpg Helen Johnson. Bad debt, 2016 (detail). Acrylic on canvas, wood, 380 x 320 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/2c.jpg Helen Johnson. The sack, 2016. Acrylic on canvas, wood, 380 x 220 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/2b.jpg Helen Johnson. The sack, 2016. Acrylic on canvas, wood, 380 x 220 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/3a.jpg Helen Johnson. Worst comes to the worst, 2016. Acrylic on canvas, 380 x 214 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/3b.jpg Helen Johnson. Worst comes to the worst, 2016 (detail). Acrylic on canvas, 380 x 214 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/4a.jpg Helen Johnson. Impotent observer, 2016. Acrylic on canvas, 380 x 240 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/4b.jpg Helen Johnson. Impotent observer, 2016 (detail). Acrylic on canvas, 380 x 240 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/5a.jpg Helen Johnson. Seat of power, 2016. Acrylic on canvas, 380 x 320 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/5b.jpg Helen Johnson. Seat of power, 2016 (detail). Acrylic on canvas, 380 x 320 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/6a.jpg Helen Johnson. A feast of reason and a flow of soul, 2016. Acrylic on canvas, 380 x 320 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/6b.jpg Helen Johnson. A feast of reason and a flow of soul, 2016 (detail). Acrylic on canvas, 380 x 320 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/j/johnson-helen-2017/Helen-Johnson.jpg Helen Johnson. Image courtesy of the artist. https://www.studiointernational.com/index.php/prabhavathi-meppayil-review https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/1.jpg Prabhavathi Meppayil. d fifty five, 2016. Thinnam on gesso panel, a set of five works, 30 x 30 x 3 cm, 29 x 29 x 3 cm, 29 x 39 x 3 cm, 29 x 29 x 3 cm and 30.5 x 38.5 cm x 3cm. https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-five-detail-(2).jpg Prabhavathi Meppayil. d fifty five, 2016 (detail). Panel 4 of 5. https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-five-detail-(3).jpg Prabhavathi Meppayil. d fifty five, 2016 (detail). Panel 5 of 5 https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-five-detail-(4).jpg Prabhavathi Meppayil. d fifty five, 2016 (detail). Panel 2 of 5 https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-five-detail-(5).jpg Prabhavathi Meppayil. d fifty five, 2016 (detail). Panel 1 of 5. https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-five-detail.jpg Prabhavathi Meppayil. d fifty five, 2016 (detail). Panel 3 of 5 https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-six-(detail).jpg Prabhavathi Meppayil. d fifty six, 2016 (detail). https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-seven.jpg Prabhavathi Meppayil. d fifty seven, 2016. https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-seven-(detail).jpg Prabhavathi Meppayil. d fifty seven, 2016 (detail). https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-eight.jpg Prabhavathi Meppayil. d fifty eight, 2016. https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-fifty-eight-(detail).jpg Prabhavathi Meppayil. d fifty eight, 2016 (detail). https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-sixty.jpg Prabhavathi Meppayil. d sixty, 2016. https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-sixty-(detail).jpg Prabhavathi Meppayil. d sixty, 2016 (detail). https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-sixty-one.jpg Prabhavathi Meppayil. d sixty one, 2016. https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-sixty-one-(detail).jpg Prabhavathi Meppayil. d sixty one, 2016 (detail). https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-sixty-two.jpg Prabhavathi Meppayil. d sixty two, 2016. https://www.studiointernational.com/images/articles/m/meppayil-prabhavathi-2017/d-sixty-two-(detail).jpg Prabhavathi Meppayil. d sixty two, 2016 (detail). https://www.studiointernational.com/index.php/whitney-biennial-2017-review https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/1A-Cauleen-Smith.jpg Cauleen Smith. In the Wake, 2017. Satin, poly-satin, quilted pleather, upholstery, wool felt, wool velvet, indigo-dyed silk-rayon velvet, indigo-dyed silk satin, embroidery floss, metallic thread, acrylic fabric paint, acrylic hair beads, acrylic barrettes, satin cord, polyester fringe, poly-silk tassels, plastic-coated paper, and sequins. Collection of the artist. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/20-b-IrenaHaiduk.jpg Irena Haiduk. SERVERS FOR .YU and Frauenbank, 2017. WiFi network, .YU domain, router hardware, mirror-and-metal housing, blockchain, and objects from former-Yugoslav infrastructures privatized by foreign corporations. Produced for Yugoexport by Kavi Gupta Gallery, Chicago. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/3-CelesteDupuy.jpg Celeste Dupuy-Spencer. Veterans Day, 2016. Oil on linen. Collection of the artist. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/4-HenryTylor.jpg Henry Tylor. Ancestors of Ghenghis Khan with Black Man on horse, 2015-2017. Acrylic on canvas. Collection of the artist. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/5-OttoGillen.jpg Oto Gillen. New York, 2015-. High-definition video, colour, silent. Approximately 107 min. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/7-WilliamPopeL.jpg William Pope.L. Claim (Whitney Version), 2017. Acrylic, paint, graphite pencil, pushpins, wood, framed document, fortified wine, and bologna with black-and-white photocopy portraits. Collection of the artist. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/9-SharaHughes.jpg Shara Hughes. Reaching My Plateau, 2016. Oil, acrylic spray paint, and dye on canvas. Collection of the artist. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/10-AlizaNisenbaum.jpg Aliza Nisenbaum. La Talaverita, Sunday Morning NY Times, 2016. Oil on linen. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/11-JoBaer.jpg Jo Baer. Dusk (Bands and End-Points), 2012. Oil on canvas. Collection of the artist. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/12-b-JessiReaves.jpg Jessi Reaves. Installation view. (Lamp for Rancid Tree House, Watertight Shelf with Zippers, Modified Wall Shelf with Racing Purse, Body Sized Shelf with Zippers, and Herman’s Dress, all 2017). Found Stick, wood, driftwood, caning, basket, sawdust, wood glue, metal, silk, electric wiring, light bulbs, nylon, hardware, etc, etc,. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/12-c-JessiReaves.jpg Jessi Reaves. Installation view. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/13-CarrieMoyer.jpg Carrie Moyer. Candy Cap, 2016. Acrylic, glitter, and vinyl paint on canvas. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/14-KaariUpson.jpg Kaari Upson. Installation view. In search of the Perfect Double I, II, 2016. Urethane, pigment, and aluminum. Collection of the artist. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/18-Debtfair.jpg Occupy Museums (Arthur Polendo, Imani Jacqueline Brown, Kenneth Pietrobono, Noah Fischer, and Tal Beery). Debtfair, 2017. Thirty artworks and interactive website. Occupy Museums was founded in 2011. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/20-RauldeNieves.jpg Raul de Nieves. Beginning & the end neither & the otherwise betwixt & between the ends is the beginning & the end, 2016. Paper, wood, glue, acetate, tape, and beads. Collection of the artist. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/22-d-AjayKurian.jpg Ajay Kurian. Installation view of Childermass, 2017. Whitney’s stairwell. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/23-AsadRaza.jpg Asad Raza. Root sequence. Mother tongue, 2017. Twenty-six trees. UV lighting, customized scents by Alia Raza, carpet, and cabinet with possessions of caretakers. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/w/whitney-biennial-2017/25-LarryBell.jpg Larry Bell. Pacific Red II, 2017. Laminated glass. Collection of the artist. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/oliver-beer-video-interview https://www.studiointernational.com/images/articles/b/beer-oliver-2017/oliver-beer-making-tristan.jpg Oliver Beer. Making Tristan (for London), 2016. Live installation, including Greek alabastron from 6th century BC, a Roman-Palestinian cooking pot from 1st century BC, artist’s grandfather’s ceramic pig and grandmother’s chamber pot; microphones, mixer and speakers. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/beer-oliver-2017/oliver-beer-alpha-omega.jpg Oliver Beer. A- Ω (Alpha to Omega), 2017. Organ pipes tuned to 20Hz and 20,000Hz. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/beer-oliver-2017/oliver-beer-2017.jpg Oliver Beer talking to Studio International at his London studio, 7 March 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/beer-oliver-2017/oliver-beer-i-wanna-be-like-you.jpg Oliver Beer. Reanimation (I Wan’na Be Like You), 2017. Installation view. Film made from drawings by 2,500 children. Produced by Ikon Gallery, Birmingham. Digitised animation. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/beer-oliver-2017/oliver-beer-shotgun.jpg Oliver Beer. Soviet Shotgun, 2017. Soviet shotgun halved, resin, gesso. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/beer-oliver-2017/oliver-beer-camera.jpg Oliver Beer. Autoportrait 50mm (legside), 2017. Halved camera, resin, gesso. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/the-japanese-house-architecture-and-life-after-1945-review-barbican-art-gallery-london https://www.studiointernational.com/images/articles/j/japanese-house-2017/1.jpg Office of Ryue Nishizawa, Moriyama House, 2005. © Takeshi Homma. https://www.studiointernational.com/images/articles/j/japanese-house-2017/2.jpg Toyo Ito, White U, 1976. Photograph: Koji Taki. https://www.studiointernational.com/images/articles/j/japanese-house-2017/3.jpg Sou Fujimoto Architects, House NA, Tokyo, Japan 2011. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/j/japanese-house-2017/4.jpg Antonin Raymond, Raymond House and Studio in Azabu, 1951. Courtesy of Raymond Architectural Design Office Inc. https://www.studiointernational.com/images/articles/j/japanese-house-2017/5.jpg Takemitsu Azuma, Tower House, 1996. Photograph: Mehrdad Hadighi. https://www.studiointernational.com/images/articles/j/japanese-house-2017/6.jpg Atelier Bow-Wow, Split Machiya. Courtesy of Atelier Bow-Wow. https://www.studiointernational.com/images/articles/j/japanese-house-2017/7.jpg The Japanese House, installation view, MAXXI, Rome. © MAXXI. https://www.studiointernational.com/images/articles/j/japanese-house-2017/8.jpg The Japanese House, installation view, MAXXI, Rome. © MAXXI. https://www.studiointernational.com/images/articles/j/japanese-house-2017/9.jpg The Japanese House, installation view, MAXXI, Rome. © MAXXI. https://www.studiointernational.com/index.php/a-painters-doubt-review-cezanne-salzburger-kunstverein https://www.studiointernational.com/images/articles/p/painters-doubt-2017/1_Anna_Bjerger.jpg Anna Berger. Off Piste, 2016. Oil on aluminium, 70 x 60 cm. Courtesy of Kevin Kavanagh Gallery. https://www.studiointernational.com/images/articles/p/painters-doubt-2017/2_Vivian_Greven.jpg Vivian Greven. Theresa VI (Bernini), 2016. Oil on canvas, 35 x 45 cm. Courtesy of Dirk Kessler. https://www.studiointernational.com/images/articles/p/painters-doubt-2017/3_Flora_Hauser.jpg Flora Hauser. O’Hara über die Alpen schreitend, 2016. Pencil on canvas, 50 x 30 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/p/painters-doubt-2017/5_APD.jpg Mired O’hEocha. Tulips Reinagle 1, 2016. Oil on board, 68 x 50 cm. Courtesy of the artist and mother’s tankstation limited. https://www.studiointernational.com/images/articles/p/painters-doubt-2017/6_APD.jpg Daniel Pitin. Adela, 2013. Oil, acrylic and glued paper on canvas, 65 x 80 cm. Photograph: Jan Freiburg, courtesy of the artist. https://www.studiointernational.com/images/articles/p/painters-doubt-2017/7_APD.jpg Daniel Pitin. Wave, 2016. Oil, acrylic and glued paper on canvas, 230 x 180 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/p/painters-doubt-2017/14_A_Painters_Doubt.jpg A Painter’s Doubt, Salzburger Kunstverein 2017, exhibition view. Photograph: Andrew Phelps, © Salzburger Kunstverein. https://www.studiointernational.com/images/articles/p/painters-doubt-2017/18_A_Painters_Doubt.jpg A Painter’s Doubt, Salzburger Kunstverein 2017, exhibition view. Photograph: Andrew Phelps, © Salzburger Kunstverein. https://www.studiointernational.com/images/articles/p/painters-doubt-2017/9_A_Painters_Doubt.jpg A Painter’s Doubt, Salzburger Kunstverein 2017, exhibition view. Photograph: Andrew Phelps, © Salzburger Kunstverein. https://www.studiointernational.com/index.php/saad-qureshi-video-interview https://www.studiointernational.com/images/articles/q/qureshi-saad-2017/qureshi-640.jpg Saad Qureshi talking to Studio International at Gazelli Art House, London, 3 March 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/q/qureshi-saad-2017/install-001-srgb.jpg Saad Qureshi: time | memory | landscape, installation view, Gazelli Art House, London, 2017. Photograph: Peter Mallet. Courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/q/qureshi-saad-2017/install-002-srgb.jpg Saad Qureshi: time | memory | landscape, installation view, Gazelli Art House, London, 2017. Photograph: Peter Mallet. Courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/q/qureshi-saad-2017/install-009-srgb.jpg Saad Qureshi: time | memory | landscape, installation view, Gazelli Art House, London, 2017. Photograph: Peter Mallet. Courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/q/qureshi-saad-2017/places-for-nova-2017.jpg Saad Qureshi, Places For Nova, installation view, Victoria, London, 2017. Photograph: Peter Mallet. Courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/q/qureshi-saad-2017/places-for-nova-2-2017.jpg Saad Qureshi, Places For Nova, installation view (detail), Victoria, London, 2017. Photograph: Peter Mallet. Courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/q/qureshi-saad-2017/places-for-nova-3-2017.jpg Saad Qureshi, Places For Nova, installation view (detail), Victoria, London, 2017. Photograph: Peter Mallet. Courtesy Gazelli Art House. https://www.studiointernational.com/index.php/architecture-as-mataphor-review-griffin-gallery-london https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Phyllida-Barlow,-untitled-stackboxtube-2015.jpg Phyllida Barlow. Untitled: stackboxtube2015, 2015, Cardboard, plywood, scrim, cement, plaster, tape, paint, spray paint, PVA, 174 x 80 x 105 cm. Photograph: Alex Delfanne. Courtesy of the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Arturo-Di-Stefano_Florentine-Window-2015.jpg Arturo Di Stefano. Florentine Window, 2015, Oil on linen, 182.9 x 167.6 cm. Courtesy of Purdy Hicks Gallery. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Fabian-Peake-Ferment,-2004.jpg Fabian Peake. Ferment, 2004. Pen and ink, 56 x 76 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Gary-Stevens---Screen-Shot-2016-02-28-at-16.40.jpg Gary Stevens. Containment, 2012. Video installation (detail), dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Jemima-Burrell_Cleaner.jpg Jemima Burrill. Cleaner, 2004. Video, dimensions variable. Courtesy of Galerie Houg. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Lucy-Gunning_Intermediate.jpg Lucy Gunning. Intermediate II, 2001. Digital video shot on mini DV, 22 mins approx, dimensions variable. Lucy Gunning © the artist and Matt's Gallery. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Maurizio-Anzeri-Heavenly-Sounds-Pink-&-Yellow.jpg Maurizio Anzeri. Heavenly sounds, 2016. Embroidery on photograph, 85 x 120 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Rachel-Whiteread-Herringbone_.jpg Rachel Whiteread. Herringbone Floor, 2001. Laser-cut relief in 0.8mm Finnish birch, 51 x 44 cm. Private collection. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Steve-Johnson,-Academic-Angst,-2017.jpg Steve Johnson. Academic Angst, 2017. Wood, brass, enamel paint, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Richard-Wentworth-Seen-Unseens.jpg Richard Wentworth. The Loops, 1999. Book, assorted plastics and metals on glass, 70 x 25 cm. Copyright Richard Wentworth, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Stephen-Robson_Port.jpg Stephen Robson. Port, 2013. Oil on canvas, 50 x 50 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Susanne-Rosin-Einkaufspassagen-im-Erfurter-Hauptbahnhof-2016.jpg Susanne Rosin. Einkaufspassagen im Erfurter Hauptbahnhof, am Donnerstag um 16:20, Vorfrühling, 2016. Stop-motion film, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/Ulrich-Jansen_SCHULSTRASSE.jpg Ulrich Jansen. Schulstraße, 1998. Oil on canvas, 30 x 40 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/a/architecture-as-metaphor-2017/evy-jokhova-puddle.jpg Evy Jokhova. Puddle, 2011. HD film, 11 min loop, dimensions variable. Courtesy of the artist. https://www.studiointernational.com/index.php/after-industry-review-wasserman-projects https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_9.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_29.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_27.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_25.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_23.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_2.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_19.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_18.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_16.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_15.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_13.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_11.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/images/articles/a/after-industry-2017/After-Industry_10.jpg After Industry, installation view, Wasserman Projects, 2017. Detroit. Photograph: PD Rearick. Courtesy of Wasserman Projects. https://www.studiointernational.com/index.php/jean-painleve-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Jean-Painleve-in-Roscoff-Brittany,-circa-1960.jpg Jean Painlevé in Roscoff Brittany, circa 1960 © Archives Jean Painlevé, Paris. Image courtesy of Archives Jean Painlevé, Paris. https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Jean-Painleve-with-Debrie-camera-in-waterproof-box,-1935.jpg Jean Painlevé with Debrie camera in waterproof box, 1935. © Archives Jean Painlevé, Paris. Image courtesy of Archives Jean Painlevé, Paris. https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Jean-Painleve,-Crab-Claw,-1928.jpg Jean Painlevé. Crab Claw, 1928. © Archives Jean Painlevé, Paris. Image courtesy of Archives Jean Painlevé, Paris. https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Jean-Painleve,-Lobster-Claw,-1929.jpg Jean Painlevé. Lobster Claw, 1929. © Archives Jean Painlevé, Paris. Image courtesy of Archives Jean Painlevé, Paris. https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Jean-Painleve,-Shrimp-Tail-greatly-enlarged,-1929.jpg Jean Painlevé. Shrimp Tail greatly enlarged, 1929. © Archives Jean Painlevé, Paris. Image courtesy of Archives Jean Painlevé, Paris. https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Jean-Painleve,-film-still-from-The-Seahorse,-1934.jpg Jean Painlevé. Film still from The Seahorse, 1934. © Archives Jean Painlevé, Paris. Image courtesy of Archives Jean Painlevé, Paris. https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Jean-Painleve,-film-stills-from-The-Seahorse,-1931.jpg Jean Painlevé. Film stills from The Seahorse, 1931. © Archives Jean Painlevé, Paris. Image courtesy of Archives Jean Painlevé, Paris. https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Jean-Painleve-Rostre-sur-le-nez-de-la-crevette,-1929.jpg Jean Painlevé. Rostre sur le nez de la crevette, 1929. © Archives Jean Painlevé, Paris. Image courtesy of Archives Jean Painlevé, Paris. https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Jean-Painleve-Sea-Horse-Wallpaper,-Installation,-Ikon-Gallery,-2017.jpg Jean Painlevé. Sea Horse Wallpaper, Installation, Ikon Gallery, 2017. Photograph: Handover Agency. Courtesy Ikon. https://www.studiointernational.com/images/articles/p/painleve-jean-2017/Promotional-photograph-for-Jean-Painleves-seahorse-jewellery,-1936.jpg Promotional photograph for Jean Painleve's seahorse jewellery, 1936. Photograph: Philippe Halsman, © Archives Jean Painlevé, Paris. Halsman Archive. https://www.studiointernational.com/index.php/marsden-hartleys-maine-review-met-breuer https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/02-The-Ice-Hole,-Maine.jpg Marsden Hartley. The Ice Hole, Maine, 1908-9. Oil on canvas, 34 x 34 in (86.4 x 86.4 cm). New Orleans Museum of Art, Museum Purchase through the Ella West Freeman. Foundation Matching Fund. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/03-Self-Portrait-as-a-Draughtsman.jpg Marsden Hartley. Self-Portrait as a Draftsman, 1908. Lithographic crayon on paper, 12 x 9 in (30.5 x 22.9 cm). Allen Memorial Art Museum, Oberlin, Gift of the Oberlin Class of 1945. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/04-Untitled-(Maine-Landscape).jpg Marsden Hartley. Untitled (Maine Landscape), 1910. Oil on board, 12 1/8 x 12 in (30.8 x 30.5 cm). Collection of Jan T. and Marica Vilcek, Promised Gift to The Vilcek Foundation. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/05-Desertion.jpg Marsden Hartley. Desertion, 1910. Oil on commercially prepared paperboard (academy board), 14 1⁄4 x 22 1/8 in (36.2 x 56.2 cm). Colby College Museum of Art, Waterville, Gift of the Alex Katz Foundation. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/06-Three-Flowers-in-a-Vase.jpg Marsden Hartley. Three Flowers in a Vase, 1917. Oil and metal leaf on glass, 13 1/8 x 7 5/8 in (33.3 x 19.4 cm). Private collection. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/07-Smelt-Brook-Falls.jpg Marsden Hartley. Smelt Brook Falls, 1937. Oil on commercially prepared paperboard (academy board), 28 x 22 7/8 in (71.1 x 58.1 cm). Saint Louis Art Museum, Eliza McMillan Trust. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/08-City-Point-Vinalhaven.jpg Marsden Hartley. City Point, Vinalhaven, 1937–38. Oil on commercially prepared paperboard (academy board), 181/4 x 243/8 in (46.4 x 61.9 cm). Colby College Museum of Art, Waterville, Gift of the Alex Katz Foundation. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/09-Church-at-Head-Tide,-Maine.jpg Marsden Hartley. Church at Head Tide, Maine, 1938. Oil on commercially prepared paperboard (academy board), 281/8 x 221/8 (71.4 x 56.2 cm). Colby College Museum of Art, Waterville, Bequest of Adelaide Moise. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/10-Knotting-Rope.jpg Marsden Hartley. Knotting Rope, 1939–40. Oil on board, 28 x 22 in (71.1 x 55.9 cm). Private collection, New York. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/11-Lobster-Fishermen.jpg Marsden Hartley. Lobster Fishermen, 1940–41. Oil on hardboard (masonite), 29 3/4 x 40 7/8 in (75.6 x 103.8 cm). The Metropolitan Museum of Art, Arthur Hoppock Hearn Fund. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/12-Mt.jpg Marsden Hartley. Mt. Katahdin (Maine), Autumn #2, 1939–40. Oil on canvas, 30 1⁄4 x 40 1⁄4 in (76.8 x 102.2 cm). The Metropolitan Museum of Art, Edith and Milton Lowenthal Collection, Bequest of Edith Abrahamson Lowenthal, 1991. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/13-The-Lighthouse.jpg Marsden Hartley. The Lighthouse, 1940–41. Oil on masonite-type hardboard, 30 x 40 1/8 in (76.2 x 101.9 cm). Collection of Pitt and Barbara Hyde. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/14-Storm-Down-Pine-Point-Way,-Old-Orchard,-Maine.jpg Marsden Hartley. Storm Down Pine Point Way, Old Orchard, Maine, 1941–43. Oil on hardboard (masonite), 22 x 28 in (55.9 x 71.1 cm). Crystal Bridges Museum of American Art, Bentonville, Arkansas. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/15-Log-Jam,-Penobscot-Bay.jpg Marsden Hartley. Log Jam, Penobscot Bay, 1940–41. Oil on masonite, 30 x 40 7/8 in (76.2 x 103.8 cm). The Detroit Institute of Arts, Gift of Robert H. Tannahill. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/16-The-Wave.jpg Marsden Hartley. The Wave, 1940. Oil on masonite-type hardboard, 30 1⁄4 x 40 7/8 in (76.8 x 103.8 cm). Worcester Art Museum. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/17-Lobster-on-Black-Background.jpg Marsden Hartley. Lobster on Black Background, 1940–41. Oil on hardboard (masonite), 22 x 28 in (55.9 x 71.1 cm). Smithsonian American Art Museum, Washington D.C. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/19-Canuck-Yankee-Lumberjack-at-Old-Orchard-Beach,-Maine.jpg Marsden Hartley. Canuck Yankee Lumberjack at Old Orchard Beach, Maine, 1940–41. Oil on Masonite-type hardboard, 40 1/8 x 30 in (101.9 x 76.2 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. https://www.studiointernational.com/images/articles/h/hartley-marsden-2017/20-Summer,-Sea,-Window,-Red-Curtain.jpg Marsden Hartley. Summer, Sea, Window, Red Curtain, 1942. Oil on masonite, 40 1/8 x 30 1/2 in (101.9 x 77.5 cm). Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, Museum Purchase. https://www.studiointernational.com/index.php/drawing-biennial-2017-review-drawing-room-london https://www.studiointernational.com/images/articles/d/drawing-biennial-2017/Drawing_Room_Biennial_2017_web-1.jpg Drawing Biennial 2017, The Drawing Room, London, installation view. https://www.studiointernational.com/images/articles/d/drawing-biennial-2017/Drawing_Room_Biennial_2017_web-5.jpg Drawing Biennial 2017, The Drawing Room, London, installation view. https://www.studiointernational.com/images/articles/d/drawing-biennial-2017/Drawing_Room_Biennial_2017_web-7.jpg Drawing Biennial 2017, The Drawing Room, London, installation view. https://www.studiointernational.com/images/articles/d/drawing-biennial-2017/Drawing_Room_Biennial_2017_web-8.jpg Drawing Biennial 2017, The Drawing Room, London, installation view. https://www.studiointernational.com/images/articles/d/drawing-biennial-2017/Gorlizki-Alexander-lr-DB2017.jpg Alexander Gorlizki. Intermission, 2015. Pigment on paper, 26.5 x 22.5 cm. https://www.studiointernational.com/images/articles/d/drawing-biennial-2017/Achaintre-Caroline-lr-DRB2017.jpg Caroline Achaintre. Glitter-Bert, 2017. Ink on paper, 30 x 21 cm. https://www.studiointernational.com/images/articles/d/drawing-biennial-2017/2017_02_08-07a-Selmani.jpg Massinissa Selmani. Not Far, 2017. Graphite on paper, 22.3 x 29.9 cm. https://www.studiointernational.com/images/articles/d/drawing-biennial-2017/2017_02_08-11-Musgrave.jpg David Musgrave. Sticker, 2017. Graphite on paper, 21 x 27.8 cm. https://www.studiointernational.com/index.php/amelie-von-wulffen-the-misjudged-bimpfi-review https://www.studiointernational.com/images/articles/w/wullfen-amelie-von-2017/06.jpg Amelie von Wulffen, The misjudged Bimpfi, Installation view, Studio Voltaire 2017. Courtesy of the artist and Studio Voltaire. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wullfen-amelie-von-2017/03.jpg Amelie von Wulffen, The misjudged Bimpfi, Installation view, Studio Voltaire 2017. Courtesy of the artist and Studio Voltaire. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wullfen-amelie-von-2017/09.jpg Amelie von Wulffen, The misjudged Bimpfi, Installation view, Studio Voltaire 2017. Courtesy of the artist and Studio Voltaire. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wullfen-amelie-von-2017/10.jpg Amelie von Wulffen, The misjudged Bimpfi, Installation view, Studio Voltaire 2017. Courtesy of the artist and Studio Voltaire. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wullfen-amelie-von-2017/11.jpg Amelie von Wulffen, The misjudged Bimpfi, Installation view, Studio Voltaire 2017. Courtesy of the artist and Studio Voltaire. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wullfen-amelie-von-2017/12.jpg Amelie von Wulffen, The misjudged Bimpfi, Installation view, Studio Voltaire 2017. Courtesy of the artist and Studio Voltaire. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wullfen-amelie-von-2017/13.jpg Amelie von Wulffen, The misjudged Bimpfi, Installation view, Studio Voltaire 2017. Courtesy of the artist and Studio Voltaire. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/w/wullfen-amelie-von-2017/16.jpg Amelie von Wulffen, The misjudged Bimpfi, Installation view, Studio Voltaire 2017. Courtesy of the artist and Studio Voltaire. Photograph: Andy Keate. https://www.studiointernational.com/index.php/norman-hyams-video-interview-ethos-hannah-barry-gallery-london https://www.studiointernational.com/images/articles/h/hyams-norman-2017/hyams_640.jpg Norman Hyams talking to Studio International before the opening of his solo show Ethos at Hannah Barry Gallery, London, March 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/hyams-norman-2017/Lovers-2017-Oil-on-linen-25-x-30-cm.jpg Norman Hyams. Lovers, 2017. Oil on linen, 25 x 30 cm. Image courtesy Hannah Barry Gallery, London. https://www.studiointernational.com/images/articles/h/hyams-norman-2017/The-Butcher-2017-Oil-on-linen-20-x-20-cm.jpg Norman Hyams. The Butcher, 2017. Oil on linen, 20 x 20 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/hyams-norman-2017/The-Party-(Green)-2017-Oil-on-linen-25-x-30-cm.jpg Norman Hyams. The Party (Green), 2017. Oil on linen, 25 x 30 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/hyams-norman-2017/Winter-(Breakfast)-2017-Oil-on-linen-30-x-25-cm.jpg Norman Hyams. Winter (Breakfast), 2017. Oil on linen, 30 x 25 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/gillian-wearing-and-claude-cahun-behind-the-mask-review-national-portrait-gallery https://www.studiointernational.com/images/articles/w/wearing-cahun-2017/npg-1049-1531.jpg Gillian Wearing. Me as Cahun holding a mask of my face by Gillian Wearing, 2012. Courtesy the artist and Tanya Bonakdar Gallery, New York and Maureen Paley, London. Copyright: Gillian Wearing, courtesy Maureen Paley. https://www.studiointernational.com/images/articles/w/wearing-cahun-2017/npg-1049-1532.jpg I am in training don't kiss me by Claude Cahun c1927. Jersey Heritage Collections. Copyright: Jersey Heritage. https://www.studiointernational.com/images/articles/w/wearing-cahun-2017/npg-1049-1533.jpg Gillian Wearing. Self-Portrait of Me Now in a Mask by Gillian Wearing, 2011. Collection of Mario Testing . Copyright: Gillian Wearing, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/w/wearing-cahun-2017/npg-1049-1534.jpg Self-portrait (with Nazi badge between her teeth) by Claude Cahun, 1945. Jersey Heritage Collection. Copyright: Jersey Heritage. https://www.studiointernational.com/images/articles/w/wearing-cahun-2017/npg-1082-1544.jpg Gillian Wearing. Rock 'n’ Roll 70 (wallpaper), 2015. Copyright: Gillian Wearing, courtesy Maureen Paley, London, Regen Projects, Los Angeles and Tanya Bonakdar Gallery, New York. https://www.studiointernational.com/images/articles/w/wearing-cahun-2017/npg-1082-1545.jpg My exquisite corpse by Gillian Wearing with Gary Hume (head), Michael Landy (torso) and Gillian Wearing (legs), 2016. Copyright: © Gary Hume © Michael Landy © Gillian Wearing, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/w/wearing-cahun-2017/npg-1082-1546.jpg Gillian Wearing. At Claude Cahun's grave, 2015; Courtesy the artist. Copyright: Gillian Wearing, courtesy Maureen Paley, London, Regen Projects, Los Angeles and Tanya Bonakdar Gallery, New York. https://www.studiointernational.com/index.php/naeem-mohaiemen-it-is-not-necessary-to-understand-everything https://www.studiointernational.com/images/articles/m/mohaiemen-naeem-2017/1a-Mohaiemen_United-RedArmy.jpg Naeem Mohaiemen. United Red Army, 2011, 70 mins. https://www.studiointernational.com/images/articles/m/mohaiemen-naeem-2017/1b-Mohaiemen_UnitedRedArmy.jpg Naeem Mohaiemen, United Red Army (The Young Man Was), 2011. https://www.studiointernational.com/images/articles/m/mohaiemen-naeem-2017/_C7A7735-HDR.jpg Installation view, Naeem Mohaiemen, United Red Army, Tensta Konsthall, Stockholm. Photograph: Jean-Baptiste Berager. https://www.studiointernational.com/index.php/caroline-walker-interview-women-feminism-nail-bars https://www.studiointernational.com/images/articles/w/walker-caroline-2017/Afters,-2016.jpg Caroline Walker. Afters, 2016. Oil on linen, 180 x 270 cm. © the artist. https://www.studiointernational.com/images/articles/w/walker-caroline-2017/Illuminations_2012.jpg Caroline Walker. Illuminations, 2012. Oil on linen, 240 x 305 cm. © the artist. https://www.studiointernational.com/images/articles/w/walker-caroline-2017/In-Every-Dream-Home.jpg Caroline Walker. In Every Dream Home, 2013. Oil on linen, 200 x 290 cm. © the artist. https://www.studiointernational.com/images/articles/w/walker-caroline-2017/Pampered-Pedis_2016.jpg Caroline Walker. Pampered Pedis, 2016. Oil on linen, 145 x 200 cm. © the artist. https://www.studiointernational.com/images/articles/w/walker-caroline-2017/SRGB_The-Architecture-of-Leisure_2016.jpg Caroline Walker. The Architecture of Leisure, 2016. Oil on linen, 165 x 215 cm. © the artist. https://www.studiointernational.com/images/articles/w/walker-caroline-2017/Ward-Round-II_2012.jpg Caroline Walker. Ward Round II, 2012. Oil on linen, 210 x 230 cm. © the artist. https://www.studiointernational.com/images/articles/w/walker-caroline-2017/Ward-Round-I_2012.jpg Caroline Walker. Ward Round I, 2012. Oil on linen, 210 x 230 cm. © the artist. https://www.studiointernational.com/images/articles/w/walker-caroline-2017/A-Scattering-2011.jpg Caroline Walker. A Scattering, 2011. Oil on canvas. © the artist. https://www.studiointernational.com/index.php/maeve-brennan-the-drift-review https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/00_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/01_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/02_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/03_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/04_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/05_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/07_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/08_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/09_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/11_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/12_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/brennan-maeve-2017/13_Maeve-Brennan-The-Drift_2017.jpg Maeve Brennan. The Drift, 2017. Produced by Chisenhale Gallery, London and Spike Island, Bristol. Commissioned by Chisenhale Gallery; Spike Island; The Whitworth, The University of Manchester; and Lismore Castle Arts, Lismore. Courtesy of the artist. https://www.studiointernational.com/index.php/sam-cornish-interview-kaleidoscope-colour-sequence-1960s-british-art https://www.studiointernational.com/images/articles/k/kaleidoscope-2017/sam-cornish.jpg Co-curator Sam Cornish explains the thought process behind Kaleidoscope: Colour and Sequence in 1960s British Art. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/k/kaleidoscope-2017/_JJW4789.jpg Kaleidoscope: Colour and Sequence in 1960s British Art, installation views at Longside Gallery, Yorkshire Sculpture Park. © artists and estates. Photograph: Jonty Wilde. https://www.studiointernational.com/images/articles/k/kaleidoscope-2017/_JJW4811.jpg Kaleidoscope: Colour and Sequence in 1960s British Art, installation views at Longside Gallery, Yorkshire Sculpture Park. © artists and estates. Photograph: Jonty Wilde. https://www.studiointernational.com/images/articles/k/kaleidoscope-2017/_JJW4827.jpg Kaleidoscope: Colour and Sequence in 1960s British Art, installation views at Longside Gallery, Yorkshire Sculpture Park. © artists and estates. Photograph: Jonty Wilde. https://www.studiointernational.com/images/articles/k/kaleidoscope-2017/_JJW4854.jpg Kaleidoscope: Colour and Sequence in 1960s British Art, installation views at Longside Gallery, Yorkshire Sculpture Park. © artists and estates. Photograph: Jonty Wilde. https://www.studiointernational.com/images/articles/k/kaleidoscope-2017/_JJW4857.jpg Kaleidoscope: Colour and Sequence in 1960s British Art, installation views at Longside Gallery, Yorkshire Sculpture Park. © artists and estates. Photograph: Jonty Wilde. https://www.studiointernational.com/index.php/from-selfie-to-self-expression-review-saatchi-gallery-london https://www.studiointernational.com/images/articles/s/selfie-to-self-2017/Rembrandt-Self-Portrait-with-Two-Circles.jpg Rembrandt van Rijn. Self-Portrait with Two Circles, c1665-69. Oil on canvas, 114.3 cm × 94 cm. Courtesy Kenwood House, Iveagh Bequest/English Heritage. https://www.studiointernational.com/images/articles/s/selfie-to-self-2017/Benedict-Cumberbatch-Selfie.jpg Actor Benedict Cumberbatch jumps behind U2 at the 86th Academy Awards in Hollywood, California. Courtesy Mike Blake / Reuters. https://www.studiointernational.com/images/articles/s/selfie-to-self-2017/13667-(Harrison-Family).jpg George Harrison, Taj Mahal Self-Portrait, 1966. © Harrison Family. https://www.studiointernational.com/images/articles/s/selfie-to-self-2017/Obama-Selfie.jpg Helle Thorning-Schmidt, the Danish prime minister, took a selfie of herself with President Barack Obama and UK prime minister David Cameron at the Nelson Mandela memorial, December 2013. Courtesy ROBERTO SCHMIDT/AFP/Getty Images. https://www.studiointernational.com/index.php/james-capper-the-making-of-six-step-video https://www.studiointernational.com/images/articles/c/capper-james-2017/james-capper-drawing-of-six-step.jpg James Capper. Six Step, drawing, 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/capper-james-2017/six-step-(detail3)-venice-2015.jpg James Capper. Six Step, 2015. Powder coated steel, aluminium belly, hydraulic system with six step-type teeth, 200 x 200 x 200 cm. Installation view (2), Venice Biennale, 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/capper-james-2017/james-capper-working-in-studio-2015.jpg James Capper working on Six Step in his London studio, March 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/capper-james-2017/james-capper-studio-2015-2.jpg James Capper in his London studio, March 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/capper-james-2017/six-step-installation-venice-2015.jpg James Capper. Six Step, 2015. Powder coated steel, aluminium belly, hydraulic system with six step-type teeth, 200 x 200 x 200 cm. Installation view, Venice Biennale, 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/capper-james-2017/six-step-(detail)-venice-2015.jpg James Capper. Six Step, 2015 (detail). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/capper-james-2017/six-step-(detail2)-venice-2015.jpg James Capper. Six Step, 2015 (detail). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/capper-james-2017/james-capper-studio-2015.jpg James Capper in his London studio, March 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/capper-james-2017/six-step-installation2-venice-2015.jpg James Capper. Six Step, 2015. Installation view (3), Venice Biennale, 2015. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/deanna-petherbridge-interview-drawing-is-a-critical-practice https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Boeing-Factory-1989-IWM.jpg Deanna Petherbridge. Boeing Assembly Plant, 1989. Pen and ink on paper, 150 x 108 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Cellar-&-Attic1989.jpg Deanna Petherbridge. The Cellar and the Attic (from Oneiric Houses), 1989. Pen and ink on paper, 150 x 110 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Darlinghurst-by-the-South-China-Sea-2012.jpg Deanna Petherbridge. Darlinghurst by the South China Sea (Sydney), 2012. Pen and ink on paper, 100 x 66 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Destruction-Homs-2016-triptych.jpg Deanna Petherbridge. The Destruction of the City of Homs, 2016. Triptych, pen and ink on paper, 106 x 228 cm (each panel 106x76cm). https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Fragility-of-the-Aegean-1981.jpg Deanna Petherbridge. Fragility of the Aegean, 1981. Pen and ink on paper, 71 x 100 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Pink-Warehouse-(Manchester-Suite)-1982.jpg Deanna Petherbridge. Pink Warehouse (from Manchester Suite), 1982. Pen and ink on paper, 78 x 68 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Plan-and-Projection-2014.jpg Deanna Petherbridge. Plan and Projection, 2014. Pen and ink on paper, 106 x 76 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Rhetoric-of-War-2013.jpg Deanna Petherbridge. Rhetoric of War, 2013. Pen and ink on paper, 56 x 76 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Snapshots-of-Family-Life-1988.jpg Deanna Petherbridge. Snapshots of Family Life, 1988. Pen and ink on paper, 150 x 110 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Star-Projection-1977-ll.jpg Deanna Petherbridge. Star Projection, 1977. Pen and ink on paper, 70 x 50 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/The-Fourteen-Stations-of-the-Tiber-I-2011.jpg Deanna Petherbridge. The Fourteen Stations of the Tiber I, 2011. Pen and ink on paper, 36 x 47 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/The-Fourteen-Stations-of-the-Tiber-IV-2011.jpg Deanna Petherbridge. The Fourteen Stations of the Tiber IV, 2011. Pen and ink on paper, 36 x 47 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Umbria-rurale-2010.jpg Deanna Petherbridge. Umbria Rurale III, 2010. Pen and ink on paper, 70 x 84 cm. https://www.studiointernational.com/images/articles/p/petherbridge-deanna-2017/Backcloth-for-Bloodlines-ballet-1990.jpg Deanna Petherbridge. Backcloth for Bloodlines ballet, 1990. Pen and ink on paper. https://www.studiointernational.com/index.php/constable-and-brighton-review https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/A-Windmill-near-Brighton_-1824_-John-Constable-_1776-1837_-c.jpg John Constable. A windmill near Brighton, 1824. Oil on canvas. Lent by Tate: Bequeathed by George Salting, 1910. https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/Chain-Pier_-Brighton_-1826-7_-John-Constable-_1776-1837_-c.jpg John Constable. The Chain Pier, Brighton, 1826-7. Oil on canvas. Lent by Tate: Purchased 1950. https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/Hove-Beach-c.jpg John Constable. Hove Beach, undated. Oil on canvas laid on panel. Lent by The Syndics of the Fitzwilliam Museum, University of Cambridge. https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/JConstable-Brighton-Beach-w-fishing-boat-and-crew-c-1824-28-c.jpg John Constable. Brighton Beach with Fishing Boat and Crew, c1824-28. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/JConstable-Brighton-Beach-with-colliers-1824-c.jpg John Constable. Brighton Beach With Colliers,1824. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/JConstable-Hove-Beach-c-1824-28-c.jpg John Constable. Hove Beach, c1824-28. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/JConstable-Study-of-the-Trunk-of-an-Elm-Tree-c-1821-28-c.jpg John Constable. Study of the Trunk of an Elm Tree, c1821-28. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/JConstable_-Rainstorm-over-the-sea-1824-28_-c.jpg John Constable. Rainstorm over the Sea, c1824-28. Oil on paper laid on canvas, 23.50 x 32.60 cm. Given by Isabel Constable, 1888. Photograph © Royal Academy of Arts, London; Photograph: John Hammond. https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/JConstable_-Seascape-Study_-Boat-and-Stormy-Sky-1824-28_-c.jpg John Constable. Seascape Study: Boat and Stormy Sky, c1824-28. Oil on paper laid on board, 18.50 x 15.50 cm. Given by Isabel Constable, 1888. Photograph © Royal Academy of Arts, London; Photograph: John Hammond. https://www.studiointernational.com/images/articles/c/constable-in-brighton-2017/Shoreham-Bay_-near-Brighton-_1824_-c.-Fitzwilliam-Museum_-Cambridge.jpg John Constable. Shoreham Bay, near Brighton, 1824. Oil on paper laid down on canvas, 14.9 x 24.9 cm. © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/index.php/alexey-titarenko-interview-the-city-is-a-novel https://www.studiointernational.com/images/articles/t/titarenko-2017/Titarenko-2.jpg Alexey Titarenko. From the series Nomenclature of Signs (Meat, Fish), 1986-1991. Unique gelatin silver photomontage, 13 ½ x 14 in (34.3 x 35.6 cm). https://www.studiointernational.com/images/articles/t/titarenko-2017/Titarenko-3.jpg Alexey Titarenko. From the series Nomenclature of Signs (statue with numbers), 1986-1991. Unique gelatin silver photomontage, 13 ¼ x 13 ½ in (33.7 x 34.3 cm). https://www.studiointernational.com/index.php/brook-andrew-interview-melbourne https://www.studiointernational.com/images/articles/a/andrew-brook-2017/Installation-view-12-Brook-Andrew-SPIN_cropped.jpg Brook Andrew, SPIN, installation view, Tolarno Gallery, Melbourne, 6 April - 20 May 2017. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/Installation-view-6-Brook-Andrew-SPIN_cropped.jpg Brook Andrew, SPIN, installation view, Tolarno Gallery, Melbourne, 6 April - 20 May 2017. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/Installation-view-8-Brook-Andrew-SPIN_cropped.jpg Brook Andrew, SPIN, installation view, Tolarno Gallery, Melbourne, 6 April - 20 May 2017. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/_DMS9011.jpg Brook Andrew, The Right to Offend is Sacred, 2017. Installation view, The Ian Potter Centre, The National Gallery of Victoria, Melbourne. Photograph: Dianna Snape. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/_DMS9075.jpg Brook Andrew, The Right to Offend is Sacred, 2017. Installation view, The Ian Potter Centre, The National Gallery of Victoria, Melbourne. Photograph: Dianna Snape. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/_DMS9100.jpg Brook Andrew, The Right to Offend is Sacred, 2017. Installation view, The Ian Potter Centre, The National Gallery of Victoria, Melbourne. Photograph: Dianna Snape. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/_DMS9118.jpg Brook Andrew, The Right to Offend is Sacred, 2017. Installation view, The Ian Potter Centre, The National Gallery of Victoria, Melbourne. Photograph: Dianna Snape. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/_DMS9175.jpg Brook Andrew, The Right to Offend is Sacred, 2017. Installation view, The Ian Potter Centre, The National Gallery of Victoria, Melbourne. Photograph: Dianna Snape. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/_DMS9214.jpg Brook Andrew, The Right to Offend is Sacred, 2017. Installation view, The Ian Potter Centre, The National Gallery of Victoria, Melbourne. Photograph: Dianna Snape. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/_DMS9219.jpg Brook Andrew, The Right to Offend is Sacred, 2017. Installation view, The Ian Potter Centre, The National Gallery of Victoria, Melbourne. Photograph: Dianna Snape. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/_DMS9279.jpg Brook Andrew, The Right to Offend is Sacred, 2017. Installation view, The Ian Potter Centre, The National Gallery of Victoria, Melbourne. Photograph: Dianna Snape. https://www.studiointernational.com/images/articles/a/andrew-brook-2017/_DMS9286.jpg Brook Andrew, The Right to Offend is Sacred, 2017. Installation view, The Ian Potter Centre, The National Gallery of Victoria, Melbourne. Photograph: Dianna Snape. https://www.studiointernational.com/index.php/the-computer-and-music-coordinate-expansion https://www.studiointernational.com/images/articles/c/cybernetic-serendipity/pg017-1200.jpg Cybernetic Serendipity, 1968, page 17. Poster for The Schillinger System of Musical Composition (1946). New York Skyline was composed as a piano piece by Heitor Villa-Lobos. The System was also used by many other composers, notably by George Gershwin in writing Porgy and Bess. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity/pg017-poster.jpg Cybernetic Serendipity, 1968, page 17. Poster for The Schillinger System of Musical Composition (1946). New York Skyline was composed as a piano piece by Heitor Villa-Lobos. The System was also used by many other composers, notably by George Gershwin in writing Porgy and Bess. https://www.studiointernational.com/index.php/ipek-duben-video-interview-they-onlar https://www.studiointernational.com/images/articles/d/duben-ipek-2017/ipek-duben-2-april-2017.jpg Ipek Duben talking to Studio International at the opening of her exhibition, THEY/ONLAR, Fabrica, Brighton, 7 April 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/d/duben-ipek-2017/they-onlar-01.jpg Ipek Duben, THEY/ONLAR, multi-screen video installation, Fabrica, Brighton, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/d/duben-ipek-2017/they-onlar-02.jpg Ipek Duben, THEY/ONLAR, multi-screen video installation, Fabrica, Brighton, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/d/duben-ipek-2017/they-onlar-03.jpg Ipek Duben, THEY/ONLAR, multi-screen video installation, Fabrica, Brighton, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/d/duben-ipek-2017/they-onlar-04.jpg Ipek Duben, THEY/ONLAR, multi-screen video installation, Fabrica, Brighton, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/david-hepher-grain-of-concrete-review-flowers-gallery-london https://www.studiointernational.com/images/articles/h/hepher-david-2017/Arrangement-in-Greys-and-Silvers,-1995.jpg David Hepher. Arrangement in Greys and Silvers, 1995. Concrete, acrylic, oil and spray paint on canvas, 214 x 270 cm (84 ¼ x 106 ¼ in). © David Hepher, Courtesy of Flowers Gallery https://www.studiointernational.com/images/articles/h/hepher-david-2017/A-Triptych-for-Mark,-1991-92,-Oil,-acrylic,-plaster-and-PVA-on-canvas,-(c)-David-Hepher.jpg David Hepher. A Triptych for Mark, 1991-92. Oil, acrylic, plaster and PVA on canvas, 252 x 571 cm (99 ¼ x 224 ½ in). © David Hepher, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/h/hepher-david-2017/David-Hepher,-Camberwell-Flats-by-Night,-1983-(c)-David-Hepher.jpg David Hepher. Camberwell Flats by Night, 1983. Oil on canvas, 199 x 260 cm (78 ½ x 102 ½ in). © David Hepher, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/h/hepher-david-2017/David-Hepher,-No-19,-1974,-Oil-on-Canvas-(c)-David-Hepher.jpg David Hepher. No 19, 1974. Oil on canvas, 193 x 243.5 cm (76 x 96 in). © David Hepher, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/h/hepher-david-2017/From-Peckham-to-Athos,-1998,-Acrylic,-bituminous,-spray-paint,-photographic-vinyl-and-concrete-on-canvas,-(c)-David-Hepher.jpg David Hepher. From Peckham to Athos, 1998. Acrylic, bituminous, spray paint, photographic vinyl and concrete on canvas, 232 x 305 cm (91 x 120 in). © David Hepher, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/h/hepher-david-2017/Moon-Face,-1999,-Concrete,-acrylic,-oil-&-Perspex-on-canvas-(c)-David-Hepher.jpg David Hepher. Moon Face, 1999. Concrete, acrylic, oil and Perspex on canvas, 97 x 130 cm (38 ¼ x 51 ¼ in). © David Hepher, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/h/hepher-david-2017/Art-4-All-(Triptych),-2016,-Concrete,-acrylic,-oil-&-spray-paint-on-canvas-(c)-David-Hepher.jpg David Hepher. Art 4 All (Triptych), 2016, Concrete, acrylic, oil and spray paint on canvas, 215 x 755 cm (84 ⅝ x 297 ¼ in). © David Hepher, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/h/hepher-david-2017/Art-4-All-(Triptych),-2016_-left-hand-panel,-Concrete,-acrylic,-oil-&-spray-paint-on-canvas-(c)-David-Hepher.jpg David Hepher. Art 4 All (Triptych), 2016, left-hand panel. Concrete, acrylic, oil and spray paint on canvas © David Hepher, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/h/hepher-david-2017/Art-4-All-(Triptych),-2016-central-panel,-Concrete,-acrylic,-oil-&-spray-paint-on-canvas-(c)-David-Hepher.jpg David Hepher. Art 4 All (Triptych), 2016, centre panel. Concrete, acrylic, oil and spray paint on canvas © David Hepher, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/h/hepher-david-2017/Art-4-All-(Triptych),-2016-right-hand-panel,-Concrete,-acrylic,-oil-&-spray-paint-on-canvas-(c)-David-Hepher.jpg David Hepher. Art 4 All (Triptych), 2016, right-hand panel. Concrete, acrylic, oil and spray paint on canvas © David Hepher, Courtesy of Flowers Gallery. https://www.studiointernational.com/index.php/heywood-and-condie-head-land-review-jerwood-gallery-hastings https://www.studiointernational.com/images/articles/h/heywood-and-condie-2017/IMG_4451-(1).jpg Tony Heywood and Alison Condie. Head Land in situ at Jerwood Gallery, Hastings, 2017. Photograph: Emily Spicer. https://www.studiointernational.com/images/articles/h/heywood-and-condie-2017/IMG_4452.jpg Tony Heywood and Alison Condie. Head Land in situ at Jerwood Gallery, Hastings, 2017. Photograph: Emily Spicer. https://www.studiointernational.com/images/articles/h/heywood-and-condie-2017/Head-Land-in-situ-at-Jerwood-Gallery.jpg Tony Heywood and Alison Condie. Head Land in situ at Jerwood Gallery, Hastings. © Tony Heywood. Courtesy Vigo Gallery https://www.studiointernational.com/index.php/enrique-martinez-celaya-interview https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/celaya-the-other-shore.jpg Enrique Martinez Celaya. The Other Shore, 2017. Oil and wax on canvas, 92 x 118 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/celaya-the-little-paradise.jpg Enrique Martinez Celaya. The Little Paradise, 2016. Oil and wax on canvas, 100 x 84 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/Celaya-The-Angel-of-Frost.jpg Enrique Martinez Celaya. The Angel of Frost, 2017. Oil and wax on canvas, 78 x 100 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/celaya-the-lantern.jpg Enrique Martinez Celaya. The Lantern, 2017. Oil and wax on canvas, 78 x 100 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/untitled-stairs.jpg Enrique Martínez Celaya. Untitled (Stairs), 2016. Oil and wax on canvas, 72 x 155 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/untitled-two-figures-on-ice.jpg Enrique Martínez Celaya. Untitled (Two Figures on Ice), 2017. Oil and wax on canvas, 78 x 60 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/Enrique-Martinez-Celaya_Head-Shot.jpg Enrique Martínez Celaya. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/EMC17.jpg Enrique Martínez Celaya. Untitled (Boy and Goose), 2017. Oil and wax on canvas, 92 x 118 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/snow-globe.jpg Enrique Martínez Celaya. Untitled (Snow Globe), 2017. Oil and wax on canvas, 72 x 60 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/untitled-boy-with-deer.jpg Enrique Martínez Celaya. Untitled (Boy with Deer), 2016. Oil and wax on canvas, 72 x 120 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/c/celaya-martinez-enrique-2017/untitled-house.jpg Enrique Martínez Celaya. Untitled (House), 2017. Oil and wax on canvas, 78 x 100 in. © Enrique Martinez Celaya. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/index.php/secundino-hernandez-interview-paso-victoria-miro-london https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe113_Entrance_2017.jpg Secundino Hernández. Entrance, 2017. Acrylic, alkyd and oil on linen, 84.5 x 63.4 cm (33 1/4 x 25 in). Courtesy the Artist and Victoria Miro, London. © Secundino Hernández. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe114_Untitled_2017.jpg Secundino Hernández. Untitled, 2017. Acrylic and oil on linen, 55.5 x 37.3 cm (21 7/8 x 14 3/4 in). Courtesy the Artist and Victoria Miro, London. © Secundino Hernández. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe118_Untitled_2017.jpg Secundino Hernández. Untitled, 2017. Acrylic and oil on linen, 100.2 x 68.2 cm (39 1/2 x 26 7/8 in). Courtesy the Artist and Victoria Miro, London. © Secundino Hernández. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe128_Rojo_2017.jpg Secundino Hernández. Rojo, 2017. Acrylic, alkyd, oil and lacquer on linen, 310.5 x 287 cm (122 1/4 x 113 in). Courtesy the Artist and Victoria Miro, London. © Secundino Hernández. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe96_Untitled_2017.jpg Secundino Hernández. Untitled, 2017. Acrylic, oil, alkyd and lacquer on linen, 201 x 181 x 25 cm (79 1/8 x 71 1/4 x 9 7/8 in). Courtesy the Artist and Victoria Miro, London. © Secundino Hernández. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe97_Untitled_2017.jpg Secundino Hernández. Untitled, 2017. Acrylic, rabbit skin glue, chalk, calcium carbonate and titanium white on linen, 311 x 261 x 15 cm (122 1/2 x 102 3/4 x 5 7/8 in). Courtesy the Artist and Victoria Miro, London. © Secundino Hernández. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe99_Untitled_2017.jpg Secundino Hernández. Untitled, 2017. Acrylic, rabbit skin glue, chalk, calcium carbonate and titanium white on linen, 311 x 261 x 10 cm (122 1/2 x 102 3/4 x 4 in). Courtesy the Artist and Victoria Miro, London. © Secundino Hernández. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/Secundino-Hernandez.jpg Secundino Hernández. Untitled, 2017. Acrylic, alkyd, oil and lacquer on linen, 312 x 551 x 25 cm (122 7/8 x 216 7/8 x 9 7/8 in). Courtesy the Artist and Victoria Miro, London. © Secundino Hernández. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe_Paso_VMG-Wharf-Road-(Thierry-Bal)-a.jpg Secundino Hernández: Paso, installation view, Victoria Miro Gallery, Wharf Road, London. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe_Paso_VMG-Wharf-Road-(Thierry-Bal)-c.jpg Secundino Hernández: Paso, installation view, Victoria Miro Gallery, Wharf Road, London. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe_Paso_VMG-Mayfair-(Jack-Hems)-d.jpg Secundino Hernández: Paso, installation view, Victoria Miro Gallery, Mayfair, London. Photograph: Jack Hems. https://www.studiointernational.com/images/articles/h/100-hernandez-secundino-2017/SHe_Paso_VMG-Mayfair-(Jack-Hems)-f.jpg Secundino Hernández: Paso, installation view, Victoria Miro Gallery, Mayfair, London. Photograph: Jack Hems. https://www.studiointernational.com/index.php/queer-british-art-1861-1967-review-tate-britain https://www.studiointernational.com/images/articles/q/100-queer-british-art-2017/Gluck.jpg Hannah Gluckstein. Gluck, 1942. Oil on canvas, 30.6 x 25.4 cm. © National Portrait Gallery. https://www.studiointernational.com/images/articles/q/100-queer-british-art-2017/CDN_LBC_303.jpg John Craxton. Head of a Greek Sailor, 1940. Oil on board, 33 x 30.5 cm. London Borough of Camden. © Estate of John Craxton. All rights reserved, DACS 2016. Photograph: London Borough of Camden. https://www.studiointernational.com/images/articles/q/100-queer-british-art-2017/Hockney.jpg David Hockney. Life Painting for a Diploma, 1962. Yageo Foundation. © Yageo Foundation. https://www.studiointernational.com/images/articles/q/100-queer-british-art-2017/ID-19.jpg Henry Scott Tuke. The Critics, 1927. Oil on board, 41.2 x 51.4 cm. Warwick District Council (Leamington Spa, UK). https://www.studiointernational.com/images/articles/q/100-queer-british-art-2017/Out.jpg Keith Vaughan. Drawing of two men kissing, 1958–73. Graphite on paper, 28 x 20.5 cm. Tate Archive, © DACS, The Estate of Keith Vaughan. https://www.studiointernational.com/images/articles/q/100-queer-british-art-2017/Sappho-and-Erinna-in-a-Garden-at-Mytilene.jpg Solomon, Simeon. Sappho and Erinna in a Garden at Mytilene, 1864. Watercolour on paper, 33 x 38.1 cm. Tate. Purchased 1980. https://www.studiointernational.com/images/articles/q/100-queer-british-art-2017/Self-Portrait-and-Nude-1913-NPG--15.jpg Laura Knight. Self-Portrait, 1913. Oil on canvas, 152.4 x 127.6 cm. National Portrait Gallery (London, UK). https://www.studiointernational.com/images/articles/q/100-queer-british-art-2017/ID-74-TC.jpg Duncan Grant. Bathing, 1911. Oil paint on canvas, 228.6 x 306.1 cm. © Tate https://www.studiointernational.com/index.php/ruth-maclennan-interview-climate-change-from-time-to-time-at-sea https://www.studiointernational.com/images/articles/m/100-maclennan-ruth-2017/CallofNorth_photohand_still-copy.jpg Ruth Maclennan. Call of North, 2013-15. HD video, with sound, 22'. Language: Russian with English subtitles. https://www.studiointernational.com/images/articles/m/100-maclennan-ruth-2017/CallofNorth_profileimage_2.jpg Ruth Maclennan. Call of North, 2013-15. HD video, with sound, 22'. Language: Russian with English subtitles. https://www.studiointernational.com/images/articles/m/100-maclennan-ruth-2017/CallofNorth_IMG_1692_CoN_3.jpg Ruth Maclennan. Call of North, 2013-15. HD video, with sound, 22'. Language: Russian with English subtitles. https://www.studiointernational.com/index.php/lygia-pape-a-multitude-of-forms-met-breuer https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/1-Pintura-(Painting)-LP-0012.jpg Lygia Pape. Pintura (Painting), 1953. Oil on canvas. Photograph: Paula Pape. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/3-Relevo-(Relief).jpg Lygia Pape. Relevo (Relief), 1954–56. Gouache and tempera on fibreboard on wood. Photograph: Paula Pape. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/4-Tarugo.jpg Lygia Pape. Tarugo, 1954–56. Industrial paint, oil, and gouache on wood. Photograph: Paula Pape. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/5-Tecelar-LP-0049.jpg Lygia Pape. Tecelar, 1959. Woodcut on Japanese paper. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/8-Desenho-(Drawing)-LP-0086.jpg Lygia Pape. Desenho (Drawing), 1961. Ink on Japanese paper. Photograph: Paula Pape. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/10-Ballet-neoconcreto-I-(Neoconcrete-Ballet-I).jpg Lygia Pape. Ballet neoconcreto I (Neoconcrete Ballet I), 1958. Performance at Fundação de Serralves—Museu de Arte, Contemporânea, Porto, Portugal, 2000. Single-channel digital video, colour, sound, 19 min., 35 sec. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/12-Vem-(Come).jpg Lygia Pape. Vem (Come), Poema-objeto (Poem-Object) series, 1957. Tempera on cardboard. Photograph: Paula Pape. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/14-Livro-da-arquitetura-(Book-of-Architecture).jpg Lygia Pape. Livro da arquitetura (Book of Architecture), 1959–60. Tempera on cardboard; 12 parts. Photograph: Paula Pape. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/15-Livro-do-tempo-(Book-of-Time).jpg Lygia Pape. Livro do tempo (Book of Time), 1961–63. Tempera and acrylic on wood, 365 parts. Photograph: Paula Pape. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/17-Caixa-das-baratas-(Box-of-Cockroaches).jpg Lygia Pape. Caixa das baratas (Box of Cockroaches), 1967. Acrylic, mirror, and mummified cockroaches. Photograph: Filipe Braga. © Fundação de Serralves, Porto, Portugal. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/21-Roda-dos-prazeres-(Wheel-of-Pleasures).jpg Lygia Pape. Roda dos prazeres (Wheel of Pleasures), 1967. Porcelain vessels, droppers, distilled water, flavorings and food colouring. Photograph: Paula Pape. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/24-Carnival-in-Rio.jpg Lygia Pape. Carnival in Rio, 1974. Single-channel digital video, transferred from Super 8 film, colour, sound, 9 min 20 sec. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/25-Our-Parents-Fossilis.jpg Lygia Pape. Our Parents Fossilis, 1974. Single-channel digital video, transferred from Super 8 film, colour, sound, 10 min. © Projeto Lygia Pape. https://www.studiointernational.com/images/articles/p/100-pape-lygia-2017/27-Catiti-Catiti.jpg Lygia Pape. Catiti-Catiti, 1978. Single-channel digital video, transferred from 16mm film, black-and-white, sound, 10 min. © Projeto Lygia Pape. https://www.studiointernational.com/index.php/linda-kitson-interview-drawings-and-projects-house-of-illustration-london https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/02-BBC-Bush-House-Boffin-at-the-BBC-in-1972.jpg Linda Kitson. Bush House Boffin at the BBC in 1972. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/03-BBC-Camera-Rehearsal-for-BBC-War-and-Peace-in-1972.jpg Linda Kitson. Camera rehearsal for BBC production of War and Peace in 1972. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/04-BBC-Frank-Middlemass-as-Mickhail-Kutuzov-for-BBC-War-and-Peace-in-1972.jpg Linda Kitson. Actor Frank Middlemass as Mickhail Kutuzov in the BBC production of War and Peace in 1972. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/05-Argentinian-pucaras-at-Stanley-airstrip-in-1982.jpg Linda Kitson. Argentinian Pucarás at Stanley airstrip in 1982. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/06-Royal-Marines-42-Commando-Command-Post-at-Blue-Beach-in-1982.jpg Linda Kitson. Royal Marines 42 Commando Command Post at Blue Beach in 1982. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/07-Sir-Galahad-in-flames-at-Fiztroy-Waters-in-1982.jpg Linda Kitson. Sir Galahad in flames at Fiztroy Waters in 1982. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/08-The-Times-in-1982.jpg Linda Kitson. The Times in 1982. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/09-Art-Department-on-the-Killing-Field.jpg Linda Kitson. Art Department on the Killing Fields set in 1983. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/10-Folio-Illustration-for-The-Plague.jpg Linda Kitson. Illustration for The Plague by Albert Camus published by The Folio Society in1987. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/11-Gorges-du-Tarn-Aveyron-1988-credit-Linda-Kitson-mid-size.jpg Linda Kitson. Gorges du Tarn Aveyron 1988. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/12-Plateaux-de-Sault-1994-credit-Linda-Kitson.jpg Linda Kitson. Plateaux de Sault 1994. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/13-The-Gherkin-2016-credit-Linda-Kitson.jpg Linda Kitson. The Gherkin 2016. © Linda Kitson. https://www.studiointernational.com/images/articles/k/100-kitson-linda-2017/01-Illustration-for-Touching-People-by-Jerome-Liss-published-in-The-Spectator-on-17-October-1970-credit-Linda-Kitson.jpg Linda Kitson. Illustration for Touching People by Jerome Liss. Published in the Spectator magazine, 17 October 1970. © Linda Kitson. https://www.studiointernational.com/index.php/john-latham-world-view-speak-tania-bruguera-review-serpentine-galleries-london https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/John-Latham-Painting-with-Tennis-Ball-Marks,-1970.jpg John Latham. Painting with Tennis Ball Marks, 1970. Installation view, Serpentine Gallery, London (1 March 2017 – 21 May 2017). Photograph © Luke Hayes. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/John-Latham-Time-Base-Roller,-1972.jpg John Latham; Time Base Roller, 1972. Installation view, Serpentine Gallery, London (1 March 2017 – 21 May 2017); Photograph © Luke Hayes. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/John-Latham-Big-Breather,-1973.jpg John Latham. Big Breather, 1973, Book Plumbing, 1967, Stock Exchange, 1967, Ants and Locusts, 1970. Installation view, Serpentine Gallery, London (1 March 2017 – 21 May 2017); Photograph © Luke Hayes https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/John-Latham-Derelixt-Land-Art--Five-Sisters,-1976.jpg John Latham. Derelixt Land Art: Five Sisters, 1976. Installation view, Serpentine Gallery, London (1 March 2017 – 21 May 2017). Photograph © Luke Hayes. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/John-Latham-Presumed-Level-of-Abstraction,-1974.jpg John Latham. Presumed Level of Abstraction, 1974. Installation view, Serpentine Gallery, London (1 March 2017 – 21 May 2017). Photograph © Luke Hayes. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/John-Latham-The-Story-of-the-RIO,-1983.jpg John Latham. The Story of the RIO, 1983. Installation view, Serpentine Gallery, London (1 March 2017 – 21 May 2017). Photograph © Luke Hayes. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/John-Latham-Speak,-1962.jpg John Latham; Speak, 1962. Installation view, Serpentine Gallery, London (1 March 2017 – 21 May 2017). Photograph © Luke Hayes. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/John-Latham-even-tstructu-re,-1966-67.jpg John Latham. even tstructu re, 1966-67. Installation view, Serpentine Gallery, London (1 March 2017 – 21 May 2017). Photograph © Luke Hayes. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/Cally-Spooner,-Bed-Time-Beats,-2016.jpg Cally Spooner. Bed Time Beats, 2016. Installation view, Serpentine Sackler Gallery, London (1 March 2017 – 21 May 2017). Photograph © Max Cisotti/Getty. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/Cally-Spooner,-Warm-Up,-2016.jpg Cally Spooner. Warm Up, 2016. Installation view, Serpentine Sackler Gallery, London (1 March 2017 – 21 May 2017). Photograph © Mike Din. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/Douglas-Gordon,-Deep-Frieze-for-JL-incorporating-PPP,-2017.jpg Douglas Gordon. Deep Frieze for J.L.., incorporating P.P.P., 2017. Installation view, Serpentine Sackler Gallery, London (1 March 2017 – 21 May 2017). Photograph © Mike Din. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/Douglas-Gordon-Installation-view.jpg Douglas Gordon. Installation view, Serpentine Sackler Gallery, London (1 March 2017 – 21 May 2017). Photograph © Mike Din. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/Laure-Prouvost,-We-Will-Multiply,-2017.jpg Laure Prouvost. We Will Multiply, 2017. Installation view, Serpentine Sackler Gallery, London (1 March 2017 – 21 May 2017). Photograph © Mike Din. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/Laure-Prouvost,-end-her-Is-story,-2017.jpg Laure Prouvost. end her Is story, 2017. Installation view, Serpentine Sackler Gallery, London (1 March 2017 – 21 May 2017). Photograph © Mike Din. https://www.studiointernational.com/images/articles/l/099-latham-speak-2017/Tania-Bruguera,-Transforma-tus-ideas-en-acciones-civica-Transform-your-ideas-into-civic-actions,-2017.jpg Tania Bruguera. Transforma tus ideas en acciones cívica / Transform your ideas into civic actions, 2017. Installation view, Serpentine Sackler Gallery, London (1 March 2017 – 21 May 2017). Photograph © Mike Din. https://www.studiointernational.com/index.php/eddie-martinez-interview-cowboy-town-timothy-taylor-london https://www.studiointernational.com/images/articles/m/099-martinez-eddie-2017/eddie-martinez-kate-tiernan-2.jpg Eddie Martinez talking to Studio International at the opening of Cowboy Town at Timothy Taylor Gallery, London, April 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/m/099-martinez-eddie-2017/Eddie-Martinez,-Cowboy-Town,-2017.jpg Eddie Martinez. Cowboy Town, 2017. Silkscreen ink, oil paint, spray paint and enamel on canvas, 243.8 x 198.1 cm. © Eddie Martinez. Courtesy Timothy Taylor. https://www.studiointernational.com/images/articles/m/099-martinez-eddie-2017/Eddie-Martinez,-When-We-Were-In-Good-Hands,-2016-17.jpg Eddie Martinez. When We Were In Good Hands, 2016. Oil paint, spray paint, enamel, collaged canvas and silkscreen ink on canvas, 182.9 x 274.3 cm. © Eddie Martinez. Courtesy Timothy Taylor. https://www.studiointernational.com/images/articles/m/099-martinez-eddie-2017/T0010953_300dpi.jpg Eddie Martinez. Mandala #4 (Open Night), 2016. Silkscreen ink, oil paint, spray paint, enamel and plastic collage on canvas, 243.8 x 213.4 cm. © Eddie Martinez. Courtesy Timothy Taylor. https://www.studiointernational.com/images/articles/m/099-martinez-eddie-2017/T0010955_300dpi.jpg Eddie Martinez. Beach Young, 2016. Silkscreen ink, oil paint, spray paint, enamel and graphite on canvas, 182.9 x 274.3 cm. © Eddie Martinez. Courtesy Timothy Taylor. https://www.studiointernational.com/index.php/nicky-hirst-real-size-review-domobaal-gallery-london https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/01-into-the-woods.jpg Nicky Hirst. Into The Woods, 2010-2017. An assortment of placards, found objects on sticks, left to right: Translation (2010), Nocturne (2010), Flail (2011), Spindles (2017), Standard (2010), Halo (2011), Aperture (2016), Frill (2015). Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/02-new-world.jpg Nicky Hirst. New World, 2017. Laminated wood top of child’s table, metal grille from New World cooker, 50 x 50 cm. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/03-new-world.jpg Nicky Hirst. New World, 2017. Installation view. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/04-drawing-for-sculpture.jpg Nicky Hirst. Drawing for a Sculpture, 2017. Found objects (shelf, wooden stick) coated in graphite. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/05-drawing-for-sculpture.jpg Nicky Hirst. Drawing for a Sculpture, 2017. Installation view. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/07-trophy.jpg Nicky Hirst. ‘Trophy’ is a grouping of Trophy 1, Trophy II and Trophy III (2015), rejected rugby balls dissected to expose their fragile, petal-like interiors. Placed on unpainted particle-board shelf masquerading as mantelpiece, 45 × 45 cm. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/09-nicky-hirst-real-size-domobaal.jpg Nicky Hirst. Real Size, installation view. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/10-elemental.jpg Nicky Hirst. Elemental 109, 2015. Pairing (from an ongoing series) of National Geographic Magazine pages, 25 × 36 cm. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/13.jpg Nicky Hirst. The world and all that is in it, 2017. Installation view, dimensions variable. (For this show an additional component is included: a dress, inserted into a secret cupboard within the gallery wall, with the letters from the same title cut out and attached to the dress’s back panel). Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/12.jpg Nicky Hirst. The world and all that is in it, 2017 (detail). National Geographic Magazine pages and pins, each piece: 25.5 × 17 cm. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/15.jpg Nicky Hirst. Sehensucht, 2013. Leatherette, 170 × 17 cm. (The German word Sehensucht [longing] is sculpted in longhand lettering cut from a leatherette remnant). Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/16.jpg Nicky Hirst. All at Sea, 2017. Found linoleum on linen board, with wood, six pieces, each 40 × 91 cm. Semaphor flags spell out the letters WTF. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/18-real-size.jpg Nicky Hirst. Lorum Ipsum, 2017. Found section of a rejected advertising poster forms a glossy backdrop for the meaningless Latin usually used in temporary magazine or book layouts (Lorum Ipsum); the letter ‘O’ has come adrift. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/8-end-game.jpg Nicky Hirst. Endgame, 2017. Found wooden shelving unit, assorted endpapers, 85 × 98 × 20 cm. Courtesy the artist and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/19-TitleWordplayMain.jpg Hirst created the show title - Nicky Hirst Real Size - in magnetic letters, to allow for mischievous rearrangements. Photograph: Nicky Hirst. https://www.studiointernational.com/images/articles/h/099-hirst-nicky-2017/20-TitleWordplay2.jpg Another Fawlty Towers-style anagram from the title Nicky Hirst Real Size, in magnetic letters. Photograph: Nicky Hirst. https://www.studiointernational.com/index.php/art-brussels-2017-review https://www.studiointernational.com/images/articles/b/100-brussels-art-2017/art-brussels-2017.jpg Art Brussels, 21–23 April 2017, Tour and Taxis. Photograph: David Plas. https://www.studiointernational.com/images/articles/b/100-brussels-art-2017/Caroline-Delieutraz.jpg Caroline Delieutraz. The Pandinus Dictator series, 2016, installation view. Photograph: Emily Spicer. https://www.studiointernational.com/images/articles/b/100-brussels-art-2017/Leander-Schonweger.jpg Leander Schönweger. The Inner Human III, 2017. Photograph: Emily Spicer. https://www.studiointernational.com/images/articles/b/100-brussels-art-2017/Waseem-Ahmed.jpg Waseem Ahmed. Installation shot courtesy of the artist and Gowen Contemporary. © Renato Ghiazza. https://www.studiointernational.com/images/articles/b/100-brussels-art-2017/Manuel-Matthieu-head-shot.jpg Manuel Mathieu at Art Brussels 2017. Photograph: Emily Spicer. https://www.studiointernational.com/images/articles/b/100-brussels-art-2017/Manuel-Matthieu.jpg Manuel Mathieu. Pavlov/Human Figures, 2017, installation view. Mixed media on canvas, 228 x 190 cm. Photograph: Emily Spicer. https://www.studiointernational.com/images/articles/b/100-brussels-art-2017/Manal-AlDowayan.jpg Manal Al Dowayan. The Boys, 2015. Painting and serigraphy on canvas and copper, 140 x 101 cm. Photograph: Emily Spicer. https://www.studiointernational.com/index.php/lascaux-iv-international-centre-for-cave-art-review https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/01a-LascauxIVLandscaping(PrimordialSoup).jpg Despite its scale and contemporary concrete exterior, Lascaux IV is sympathetic to its context. Photograph: Veronica Simpson https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/04-LascauxIVPoolsattheEntrance.jpg Two pools reflect the façade and the Dordogne sky. Photograph: Veronica Simpson https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/05-LascauxIVLobbyShopBeyond.jpg The LascauxIV lobby. Here visitors wait to be met by their guide and taken in small groups up in the lift. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/22-AGroupWithGuideOnBelvederePlatform.jpg Viewed from the rooftop walkway, a tour group arrives on the Belvedere platform. Photograph: Veronica Simpson https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/08-LascauxIVCaveWalkwayNoPeople.jpg The scale and materials of the cave walkway create a respectful, reflective atmosphere. Photograph: Veronica Simpson https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/09-LascauxIVInsideTheCaveofPrehistoricArt.jpg Inside the cave: despite being simulations, the experience of the architecture and paintings is breathtaking. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/10-LascauxIVCaveGarden.jpg After the dark and intensity of the cave experience, a Cave Garden provides a moment of calm and contemplation. Photograph: Veronica Simpson https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/02-LascauxIVEntranceDusk.jpg The glazed façade of Lascaux IV at dusk. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/12-AtelierDeLascaux1.jpg The Atelier de Lascaux provides equally sophisticated replicas of the cave structure and art, dissected for closer examination. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/13-AtelierDeLascaux2.jpg The Atelier de Lascaux: benches invite you to sit and marvel at the 20,000 year old art. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/14-AtelierDeLascaux3.jpg The Atelier de Lascaux: the calcite stalagtites of the original cave are evoked here in the exhibits’ structural supports. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/15-AtelierDeLascaux4.jpg Atelier de Lascaux: lighting and the sculptural forms create a drama almost as intense as the original cave. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/16-AtelierDeLascauxModelOfCave.jpg Atelier de Lascaux: a 3D digital model of the cave structure is provided, with interactive links to show which paintings are where. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/17-KjetilThorsen(centre).jpg Kjetil Thorsen, co-founder of Snohetta, in the central hallway. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/19-CentralHallShadows.jpg Central hallway: The simplicity of forms, daylighting and scale conjure the atmosphere of a temple. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/11-GalleryOfTheImagination2.jpg A Gallery of the Imagination invites visitors to see how ancient symbols have inspired contemporary artists. Photograph: Casson Mann. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/23-LascauxIVFacadeLookingDownTowardsCafe.jpg LascauxIV’s undulating roofline draws the eye off into the distance. https://www.studiointernational.com/images/articles/l/100-Lascaux-2017/20-LascauxIVFromRooftopWalkway.jpg Up on the rooftop walkway, you can see the way the building nestles into the hill, opening out onto the town. https://www.studiointernational.com/index.php/nathalie-djurberg-hans-berg-who-am-i-to-judge-or-it-must-be-something-delicious https://www.studiointernational.com/images/articles/d/100-djurberg-and-berg-2017/Nathalie-Djurberg-Hans-Berg,-Delights-of-an-Undirected-Mind,-2016-(still).jpg Nathalie Djurberg & Hans Berg. Delights of an Undirected Mind, 2016 (still). © Nathalie Djurberg & Hans Berg. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/d/100-djurberg-and-berg-2017/Nathalie-Djurberg-Hans-Berg,-Delights-of-an-Undirected-Mind,-2016-(still2).jpg Nathalie Djurberg & Hans Berg. Delights of an Undirected Mind, 2016 (still). © Nathalie Djurberg & Hans Berg. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/d/100-djurberg-and-berg-2017/Nathalie-Djurberg-Hans-Berg,-Delights-of-an-Undirected-Mind,-2016-(still3).jpg Nathalie Djurberg & Hans Berg. Delights of an Undirected Mind, 2016 (still). © Nathalie Djurberg & Hans Berg. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/d/100-djurberg-and-berg-2017/Nathalie-Djurberg-Hans-Berg,-Delights-of-an-Undirected-Mind,-2016-(still4).jpg Nathalie Djurberg & Hans Berg. Delights of an Undirected Mind, 2016 (still). © Nathalie Djurberg & Hans Berg. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/d/100-djurberg-and-berg-2017/Nathalie-Djurberg-Hans-Berg,-Installation-view,-Who-am-I-to-Judge,-Lisson-Gallery-London,-March-(3).jpg Nathalie Djurberg & Hans Berg. Who am I to Judge, or, It Must be Something Delicious, 2017. Installation view, Lisson Gallery, London. https://www.studiointernational.com/images/articles/d/100-djurberg-and-berg-2017/Nathalie-Djurberg-Hans-Berg,-Passing-Comfort,-2016.jpg Nathalie Djurberg & Hans Berg. Passing Comfort, 2016. © Nathalie Djurberg & Hans Berg. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/d/100-djurberg-and-berg-2017/Nathalie-Djurberg-Hans-Berg,-Shame-Guilt,-2016.jpg Nathalie Djurberg & Hans Berg. Shame & Guilt, 2016. © Nathalie Djurberg & Hans Berg. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/d/100-djurberg-and-berg-2017/Nathalie-Djurberg-Hans-Berg,Worship,-2016-(still).jpg Nathalie Djurberg & Hans Berg. Worship, 2016 (still). © Nathalie Djurberg & Hans Berg. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/d/100-djurberg-and-berg-2017/Nathalie-Djurberg-Hans-Berg,Worship,-2016-(still2).jpg Nathalie Djurberg & Hans Berg. Worship, 2016 (still). © Nathalie Djurberg & Hans Berg. Courtesy Lisson Gallery. https://www.studiointernational.com/index.php/james-bridle-interview-technology-self-driving-cars https://www.studiointernational.com/images/articles/b/099-bridle-james-2017/BRIDLE_FAILING-5673.jpg James Bridle. Failing to Distinguish Between a Tractor Trailer and the Bright White Sky, installation view, Nome Gallery, Berlin, 2017. https://www.studiointernational.com/images/articles/b/099-bridle-james-2017/BRIDLE_FAILING-5682.jpg James Bridle. Failing to Distinguish Between a Tractor Trailer and the Bright White Sky, installation view, Nome Gallery, Berlin, 2017. https://www.studiointernational.com/images/articles/b/099-bridle-james-2017/BRIDLE_FAILING-5697.jpg James Bridle. Failing to Distinguish Between a Tractor Trailer and the Bright White Sky, installation view, Nome Gallery, Berlin, 2017. https://www.studiointernational.com/images/articles/b/099-bridle-james-2017/BRIDLE_FAILING-5700.jpg James Bridle. Failing to Distinguish Between a Tractor Trailer and the Bright White Sky, installation view, Nome Gallery, Berlin, 2017. https://www.studiointernational.com/index.php/joan-eardley-a-sense-of-place-review-national-galleries-scotland https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/Joan-Eardley-at-easel,-looking-downwards-and-holding-paintbrushes.jpg Audrey Walker. Joan Eardley at easel, looking downwards and holding paintbrushes. Photograph: John McKenzie. © Jane Walker. https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/Boats-on-the-Shore.jpg Joan Eardley. Boats on the Shore, about 1963. Oil on hardboard, 101.6 x 115.6 cm. Collection: National Galleries of Scotland. © Estate of Joan Eardley. All Rights Reserved, DACS 2016. https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/Children-and-Chalked-Wall-3,-1962-1963.jpg Joan Eardley. Children and Chalked Wall 3, 1962-63. Oil, newspaper and metal foil on canvas, 61.00 x 68.60 cm. Collection: National Galleries of Scotland, purchased 1963. © Estate of Joan Eardley. All Rights Reserved, DACS 2016. Photograph: Antonio Reeve. https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/Eardley,-Joan,-Catterline-in-Winter,-c1963,-SNGMA.jpg Joan Eardley. Catterline in Winter, 1963. Oil on board, 120.7 x 130.8 cm. Collection: Scottish National Gallery of Modern Art, purchased 1964. © Estate of Joan Eardley. All Rights Reserved, DACS 2016. https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/Fields-Under-Snow,-1958.jpg Joan EARDLEY. Fields Under Snow, 1958. Oil on canvas, 68 x 73 cm. Private collection. © Estate of Joan Eardley. All Rights Reserved, DACS 2016. https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/Seeded-Grasses-and-Daisies,-1960-by-Joan-Eardley.jpg Joan Eardley. Seeded Grasses and Daisies,1960. Oil on board, incorporating grass stalks and seedheads, 121.9 x 133.3 cm. Collection: Scottish National Gallery of Modern Art. © Estate of Joan Eardley. All Rights Reserved, DACS 2016. https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/Street-Kids,-c.jpg Joan Eardley. Street Kids, c1950. Oil on canvas, laid on board, 102.90 x 73.70 cm. Collection: Scottish National Gallery of Modern Art. Purchased with funds given by an anonymous donor 1964. © Estate of Joan Eardley. All Rights Reserved, DACS 2016. https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/The-Wave,-1961.jpg Joan Eardley. The Wave, 1961. Oil and grit on hardboard, 121.9 x 188 cm. Collection: Scottish National Gallery of Modern Art, purchased (Gulbenkian UK Trust Fund) 1962. © Estate of Joan Eardley. All Rights Reserved, DACS 2016. Photograph: Antonio Reeve. https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/Winter-Day,-Catterline.jpg Joan Easdley. Winter Day, Catterline, c1957–60. Oil on calico on board, 30 x 69 cm. Private collection. © Estate of Joan Eardley. All Rights Reserved, DACS 2016. https://www.studiointernational.com/images/articles/e/098-eardley-joan-2017/Winter-Sea-V-1958.jpg Joan Eardley. Winter Sea V, 1958. Oil on canvas, 43.5 x 51 cm. Private collection. © Estate of Joan Eardley. All Rights Reserved, DACS 2016. https://www.studiointernational.com/index.php/oliver-griffin-interview-the-very-act-of-photography-makes-something-interesting https://www.studiointernational.com/images/articles/g/100-griffin-oliver-2017/oliver-griffin-portrait.jpg Oliver Griffin. https://www.studiointernational.com/index.php/cornelia-parker-review-frith-street-gallery-london https://www.studiointernational.com/images/articles/p/099-parker-cornelia-2017/3.jpg Cornelia Parker. News at Seven (Chilling), 2017. News headlines drawn by 7-year-olds, blackboard, 116.5 x 156.5 x 6 cm (framed). Courtesy of Frith Street Gallery. https://www.studiointernational.com/images/articles/p/099-parker-cornelia-2017/4.jpg Cornelia Parker. War Machine, 2015. Video projection, 9 min 25 sec. Courtesy of Frith Street Gallery. https://www.studiointernational.com/images/articles/p/099-parker-cornelia-2017/5.jpg Cornelia Parker. Bullet Drawing (Crosshairs), 2017. Lead from bullets, melted down and drawn into wire, threaded through paper, 69 x 58.5 x 4.5 cm (framed). Courtesy of Frith Street Gallery. https://www.studiointernational.com/images/articles/p/099-parker-cornelia-2017/1.jpg Cornelia Parker. American Gothic, 2017. Four channel video projection, looped. Courtesy of Frith Street Gallery. https://www.studiointernational.com/images/articles/p/099-parker-cornelia-2017/2.jpg Cornelia Parker. American Gothic, 2017. Four channel video projection, looped. Courtesy of Frith Street Gallery. https://www.studiointernational.com/index.php/tracey-emin-and-william-blake-in-focus-review-tate-liverpool https://www.studiointernational.com/images/articles/e/100-emin-blake-2017/tracey_emin_my_bed_1998_2.jpg Tracey Emin. My Bed, 1998. Box frame, mattress, linens, pillows and various objects, overall display dimensions variable. Lent by The Duerckheim Collection 2015. © Tracey Emin. All rights reserved, DACS 2016. https://www.studiointernational.com/images/articles/e/100-emin-blake-2017/william_blake_the_crucifixion_behold_thy_mother_c.jpg William Blake. The Crucifixion: ‘Behold Thy Mother’, c1805. Ink and watercolour on paper, 41.3 x 30 cm. Tate. Presented by the executors of W. Graham Robertson through the Art Fund 1949. Photograph © Tate 2016. https://www.studiointernational.com/index.php/berlin-gallery-weekend-2017-review https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/anthony-mccall_0763_HQ.jpg Anthony McCall. Line Describing a Cone, 1973. Courtesy Julia Stoschek Foundation e. V. and Sprüth Magers. Installation view at KW Institute for Contemporary Art, 2017. Photograph: Frank Sperling. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/anthony-mccall_0768-Bearbeitet_HQ.jpg Anthony McCall. Line Describing a Cone, 1973. Courtesy Julia Stoschek Foundation e. V. and Sprüth Magers. Installation view at KW Institute for Contemporary Art, 2017. Photograph: Frank Sperling. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/anthony-mccall_0776_HQ.jpg Anthony McCall. Line Describing a Cone, 1973. Courtesy Julia Stoschek Foundation e. V. and Sprüth Magers. Installation view at KW Institute for Contemporary Art, 2017. Photograph: Frank Sperling. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/Fernanda-Fragateiro_demo_installationview_02.jpg Fernanda Fragateiro, Demo, installation view. Courtesy of Artist and Arratia Beer. Photograph: Torben Höke. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/Fernanda-Fragateiro_demo_installationview_03.jpg Fernanda Fragateiro, Demo, installation view. Courtesy of Artist and Arratia Beer. Photograph: Torben Höke. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/Fernanda-Fragateiro_demo_installationview_04.jpg Fernanda Fragateiro, Demo, installation view. Courtesy of Artist and Arratia Beer. Photograph: Torben Höke. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/Stanley-Whitney-Untitled,-2016.jpg Stanley Whitney. Untitled, 2016. Monotype, 152 x 183 cm (framed). Copyright all images: The artist & BORCH Editions. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/PRO_Install_She_Has_No_Mouth_SMB_2017-01.jpg Pamela Rosenkranz. Installation view, She Has No Mouth, Sprüth Magers, Berlin, April 29 - June 17, 2017. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/PRO_Install_She_Has_No_Mouth_SMB_2017.jpg Pamela Rosenkranz. Installation view, She Has No Mouth, Sprüth Magers, Berlin, April 29 - June 17, 2017. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/PRO_Install_She_Has_No_Mouth_SMB_2017-3.jpg Pamela Rosenkranz. Installation view, She Has No Mouth, Sprüth Magers, Berlin, April 29 - June 17, 2017. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/b/099-berlin-weekender-2017/PRO_Install_She_Has_No_Mouth_SMB_2017-2.jpg Pamela Rosenkranz. Installation view, She Has No Mouth, Sprüth Magers, Berlin, April 29 - June 17, 2017. Photograph: Timo Ohler. https://www.studiointernational.com/index.php/peter-dreher-interview-in-my-pictures-i-underline-the-act-of-seeing https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/install.jpg Peter Dreher: Day by Day, Good Day, installation view, Mayor Gallery, London, 2017. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/PDreher_TagUmTagGuterTag_Nr1229.jpg Peter Dreher. Tag um Tag guter Tag (Day by Day good Day) Nr. 1229 (Day), 1997. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/PDreher_TagUmTagGuterTag_Nr1334.jpg Peter Dreher. Tag um Tag guter Tag (Day by Day good Day) Nr. 1334 (Day), 1997. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/PDreher_TagUmTagGuterTag_Nr1491.jpg Peter Dreher. Tag um Tag guter Tag (Day by Day good Day) Nr. 1491 (Day), 1997. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/PDreher_TagUmTagGuterTag_Nr1637.jpg Peter Dreher. Tag um Tag guter Tag (Day by Day good Day) Nr. 1637 (Day), 1997. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/PDreher_TagUmTagGuterTag_Nr1654.jpg Peter Dreher. Tag um Tag guter Tag (Day by Day good Day) Nr. 1654 (Day), 1997. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/PDreher_TagUmTagGuterTag_Nr1699.jpg Peter Dreher. Tag um Tag guter Tag (Day by Day good Day) Nr. 1699 (Day), 1997. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/PDreher_TagUmTagGuterTag_Nr2084.jpg Peter Dreher. Tag um Tag guter Tag (Day by Day good Day) Nr. 2084 (Day), 1997. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/PDreher_TagUmTagGuterTag_Nr2639.jpg Peter Dreher. Tag um Tag guter Tag (Day by Day good Day) Nr. 2639 (Day), 1997. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/Totenkopf_04.jpg Peter Dreher. Skull, 2015. Oil on canvas, 25 x 20 cm. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/Skull_12.jpg Peter Dreher. Skull, 2005. Gouache on paper, 25 x 20 cm. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/Totenkopfe-gross_02.jpg Peter Dreher. Skull, 2005. Gouache on paper, 150 x 300 cm. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/IMG_4338.jpg Peter Dreher. Skull, 2016. Oil on canvas, 20 x 25 cm. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/Fenster-2.jpg Peter Dreher. New Yorker Fenster, 1980. Oil on canvas. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/Interieur-Mercystrasse.jpg Peter Dreher. Freiburger Zimmer, 1985. Oil on canvas. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/New-York-2.jpg Peter Dreher. New York, 1980. Oil on canvas. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/Bild_Bilder.jpg Peter Dreher. Bild. Bilder. Oil on masonite, each 25 x 20 cm. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/Der-Himmel-uber-dem-Hochschwarzwald-im-September-1976.jpg Peter Dreher. Der Himmel über dem Hochschwarzwald, 1976. Oil on painting cardboard, each 22 x 27 cm. https://www.studiointernational.com/images/articles/d/100-dreher-peter-2017/IMG_4330.jpg Peter Dreher. Doll, 1980. Oil on canvas. https://www.studiointernational.com/index.php/frieze-new-york-2017-art-review https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC07972.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08049.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08170.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08069.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08286.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08250.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08248.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08209.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08137.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08260.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08075.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08122.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08231.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08141.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08252.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08164.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08237.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08133.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08079.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08289.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08305.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08291.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08197.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08222.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08274.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08201.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08301.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08113.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08084.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08189.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08098.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08279.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08277.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08147.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08087.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08160.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08111.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08203.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08194.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08229.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08181.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08077.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08107.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08258.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08152.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08174.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08017.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08020.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08283.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08310.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08128.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08207.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08183.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08264.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08172.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08254.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08102.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08268.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08227.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08224.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08081.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08177.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08124.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08206.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08094.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08157.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08216.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08299.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08266.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08256.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08149.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08243.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08211.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08014.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08241.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08096.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08109.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08281.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08270.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08139.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08153.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08092.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08262.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08001.JPG Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08073.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08090.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08246.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08144.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08235.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08162.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08071.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08055.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08117.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08272.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08218.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08233.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/slideshow/DSC08239.jpg Frieze New York 2017. Photographs by Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC07990.jpg Frieze New York 2017. Photograph: DJS. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/1_Jannis-Kounellis-s.jpg Janis Kounellis. Untitled, 1996. Steel, lead and rags, 78¾ x 70 7/8 in (200 x 180 cm.). White Cube. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/2_Sadie-Benning.jpg Sadie Benning’s installation at Susanne Vielmetter Los Angeles Projects. Courtesy Frieze New York. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/5_Kapoor-Mirror-Glow.jpg Anish Kapoor, Mirror Glow (Oriental Blue), 2015. Stainless steel and lacquer, 71 x 71 in. (180 x 180 cm.) Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/6_kate-werble-focus-frieze-new-york-Enright.jpg Brock Enright installation and Michael Berryhill paintings at Kate Werble Gallery. Courtesy of Frieze New York. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC08109.jpg Alfred Leslie, Americans, Youngstown, Ohio, 1977-1978. Oil on canvas on three panels, 108 x 288 in. / 9 x 24 ft./2.7 x 7.3 m. Bruce Silverstein Gallery. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/8_.jpg Aliza Nisenbaum, Eva, Juan Carlos, Yael, Christian and Samantha, 2014. Oil on linen, 129.5 x 83.8 cm / 51 x 33 in Courtesy the artist, Mary Mary, and Frieze New York. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/9_Teresa-Burga.jpg Teresa Burga. Untitled (Bar), 1966. Mixed media, collage, and acrylic on Masonite. Framed 122.5 x 91.5 x 5 cm. Galerie Barbara Thumm. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/10_Paci.jpg Adrian Paci. At Sea, 2017. Oil on canvas, 80 x 100 cm. (31 ½ x 39 3/8 in.). Peter Kilchmann Gallery, Frieze New York. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC08098.jpg Barbara Chase- Riboud, Matisse’s Back in Twins, 1967/1994. Polished bronze and silk on painted steel base. 75 ¼ x 39 x 18 in. Michael Rosenfeld Gallery. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/IMG_4884-Barbara-Chase-Riboud.jpg Barbara Chase- Riboud (b. 1939) with her work. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC08014.jpg Dave Muller. Starry Eyes (J, P, G, R), 2012. Acrylic on paper. Four Parts; 58 x 38 in. each. 59 7/8 x 39 7/8 in. framed each. BLUM & POE Gallery. Photograph: DJS. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC08189.jpg James Metcalf. Ceanunos, 1962. Hammered and welded brass. 106 x 42 x 35 in. Photograph: Miguel Benavides https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC08211.jpg Yayoi Kasuma. Solitude of the Earth, 1994. Mixed Media, table, two chairs and cabinet. 2x chairs: 102 x 45 x 52 cm, Table: 100 x 75 x 77 cm., Cabinet: 177.5 x 82 x 44 cm. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC08277.jpg Amilcar de Castro. 90’s, 140 Sculptures in corten steel, 23 x 23 cm. each, Galeria Silvia Cintra + Box 4. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC08289.jpg Karl Homqvist. Untitled 2016. Marker on canvas. 70 7/8 x 70 7/8 in. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC08301.jpg John Wesley, Untitled, 2011. Acrylic on canvas. 44 x 66 in. Fredericks & Freiser Gallery. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/f/frieze-ny-2017/DSC08305.jpg Tala Madani, David Kordansky Gallery. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/frances-stark-interview-i-am-desperately-trying-to-connect-outside-of-the-art-world https://www.studiointernational.com/images/articles/s/100-stark-frances-2017/frances-stark-making-of-still-01.jpg Frances Stark. Still image from The making of The Magic Flute, 2017. https://www.studiointernational.com/images/articles/s/100-stark-frances-2017/Frances-Stark,-still-from-The-Magic-Flute-2017-Frances-Stark-(1).jpg Frances Stark. Still image from The Magic Flute, 2017. https://www.studiointernational.com/images/articles/s/100-stark-frances-2017/Frances-Stark,-still-from-The-Magic-Flute-2017-Frances-Stark-(2).jpg Frances Stark. Still image from The Magic Flute, 2017. https://www.studiointernational.com/images/articles/s/100-stark-frances-2017/Frances-Stark,-The-Magic-Flute,-LACMA.jpg Frances Stark. The Magic Flute, LACMA, 2017. https://www.studiointernational.com/images/articles/s/100-stark-frances-2017/HB-Barnum-Frances-Stark-Danko-Drusko-Greg-Ellis.jpg H.B. Barnum, Frances Stark, Danko Drusko and Greg Ellis. https://www.studiointernational.com/images/articles/s/100-stark-frances-2017/frances-stark.jpg Frances Stark. Still image from The making of The Magic Flute, 2017. https://www.studiointernational.com/index.php/ns-harsha-charming-journey-review-mori-art-museum-tokyo https://www.studiointernational.com/images/articles/h/098-harshna-NS-2017/Nectars-of-Life.jpg NS Harsha. Running Around the Nectars of Time, 1999. Acrylic, gold leaf, varnish on silk. https://www.studiointernational.com/images/articles/h/098-harshna-NS-2017/Conversing-Cleansers.jpg NS Harsha. Conversing Cleansers, 2007. Acrylic on canvas. https://www.studiointernational.com/images/articles/h/098-harshna-NS-2017/Siamese-Twins.jpg NS Harsha. Siamese Twins, 2007/2017. Acrylic on wall. https://www.studiointernational.com/images/articles/h/098-harshna-NS-2017/We-Come-We-Eat.jpg NS Harsha. We Come, We Eat, We Sleep, 1999-2001. Synthetic polymer paint on canvas. https://www.studiointernational.com/images/articles/h/098-harshna-NS-2017/Harsha-portrait.jpg NS Harsha, portrait. https://www.studiointernational.com/index.php/zoe-paul-la-perma-perla-kraal-emporium-review-the-breeder-gallery-athens https://www.studiointernational.com/images/articles/p/100-paul-zoe-2017/_MG_8101.jpg Zoë Paul, The Perma Perla Kraal Emporium, 2017, installation view at The Breeder, Athens. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/p/100-paul-zoe-2017/_MG_8147.jpg Zoë Paul, The Perma Perla Kraal Emporium, 2017, installation view at The Breeder, Athens. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/p/100-paul-zoe-2017/_MG_8159.jpg Zoë Paul, The Perma Perla Kraal Emporium, 2017, installation view at The Breeder, Athens. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/p/100-paul-zoe-2017/_MG_8204.jpg Zoë Paul, The Perma Perla Kraal Emporium, 2017, installation view at The Breeder, Athens. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/p/100-paul-zoe-2017/_MG_8254.jpg Zoë Paul, The Perma Perla Kraal Emporium, 2017, installation view at The Breeder, Athens. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/p/100-paul-zoe-2017/_MG_8273.jpg Zoë Paul, The Perma Perla Kraal Emporium, 2017, installation view at The Breeder, Athens. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/p/100-paul-zoe-2017/_MG_8302-copy.jpg Zoë Paul, The Perma Perla Kraal Emporium, 2017, installation view at The Breeder, Athens. Courtesy The Breeder, Athens. https://www.studiointernational.com/index.php/rachel-maclean-video-interview-spite-your-face-venice-biennale-2017 https://www.studiointernational.com/images/articles/m/098-maclean-rachel-venice-2017/rachel-maclean-640.jpg Rachel Maclean talks to Studio International about representing Scotland at the Venice Biennale with her new film, a dark fairytale titled Spite Your Face. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/m/098-maclean-rachel-venice-2017/spite-your-face-installation-2017-5.jpg Chiesa di Santa Catarina, Cannaregio, Venice. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/m/098-maclean-rachel-venice-2017/spite-your-face-installation-2017-4.jpg Rachel Maclean: Spite Your Face, Scotland + Venice, 2017. Installation view at Chiesa di Santa Catarina, Cannaregio, Venice. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/m/098-maclean-rachel-venice-2017/spite-your-face-installation-2017-2.jpg Rachel Maclean: Spite Your Face, Scotland + Venice, 2017. Installation view at Chiesa di Santa Catarina, Cannaregio, Venice. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/m/098-maclean-rachel-venice-2017/spite-your-face-installation-2017.jpg Rachel Maclean: Spite Your Face, Scotland + Venice, 2017. Installation view at Chiesa di Santa Catarina, Cannaregio, Venice. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/m/098-maclean-rachel-venice-2017/spite-your-face-installation-2017-3.jpg Rachel Maclean: Spite Your Face, Scotland + Venice, 2017. Installation view at Chiesa di Santa Catarina, Cannaregio, Venice. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/becky-suss-interview-homemaker https://www.studiointernational.com/images/articles/s/099-suss-becky-2017/002-Erin-Go-Bragh.jpg Becky Suss. Erin Go Bragh, 2017. Oil on canvas, 24 x 20 in. Courtesy Jack Shainman Gallery. https://www.studiointernational.com/images/articles/s/099-suss-becky-2017/003-Bedroom-with-Peacock-Feathers-(installed).jpg Becky Suss. Bedroom with Peacock Feathers, 2017. Oil on canvas, 72 x 84 in. Courtesy Jack Shainman Gallery. https://www.studiointernational.com/images/articles/s/099-suss-becky-2017/004-Victory-Cookbook.jpg Becky Suss. Victory Cookbook, 2017. Oil on canvas, 14 x 11 in. Courtesy Jack Shainman Gallery. https://www.studiointernational.com/images/articles/s/099-suss-becky-2017/005-Blue-Apartment-(installed).jpg Becky Suss. Blue Apartment, 2016. Oil on canvas, 84 x 60 x 1 3/8 in. Courtesy Jack Shainman Gallery. https://www.studiointernational.com/images/articles/s/099-suss-becky-2017/006-August-2.jpg Becky Suss. August, 2016. Oil on canvas, 96 x 132 in. Courtesy Jack Shainman Gallery. https://www.studiointernational.com/images/articles/s/099-suss-becky-2017/007-Red-Apartment.jpg Becky Suss. Red Apartment, 2016. Oil on canvas, 84 x 60 x 1 3/8 in. Courtesy Jack Shainman Gallery. https://www.studiointernational.com/images/articles/s/099-suss-becky-2017/008-Home-Office.jpg Becky Suss. Home Office, 2016. Oil on canvas, 84 1/4 x 59 3/4 in. Courtesy Jack Shainman Gallery. https://www.studiointernational.com/images/articles/s/099-suss-becky-2017/010-Stars-and-Stripes-For-Ever.jpg Becky Suss. Stars and Stripes For-Ever, 2016. Oil on canvas, 24 x 20 in. Courtesy Jack Shainman Gallery. https://www.studiointernational.com/images/articles/s/099-suss-becky-2017/014-How-The-World-Got-Its-Color.jpg Becky Suss. How The World Got Its Color, 2016. Oil on canvas, 14 x 18 in. Courtesy Jack Shainman Gallery. https://www.studiointernational.com/index.php/art-in-art-review-museum-of-contemporary-art-in-krakow-poland-mocak https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/leo_caillard_hipster_in_stone-I.jpg Léo Caillard, from the series Hipsters in Stone, 2013. Photograph courtesy Sebastien Adrien Gallery – Paris. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/leo_caillard_hipster_in_stone-XII.jpg Léo Caillard, from the series Hipsters in Stone, 2013. Photograph, 120 × 180 cm. Courtesy of Sebastien Adrien Gallery – Paris. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/Anne-van-Cleve.jpg Dorothee Golz. Anne of Cleves (Anna von Kleve), from the series Digital Paintings (Digitale Gemalde), 2007. Photograph. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/Belle-Ferronniere.jpg Dorothee Golz. La Belle Ferronniere from the series Digital Paintings (Digitale Gemalde), 2007. Photograph. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/Golz_2.jpg Art in Art, exhibition view, MOCAK. Photograph: R Sosin. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/Magarethe_jpg.jpg Dorothee Golz. Margarethe (Margarete) from the series Digital Paintings (Digitale Gemalde), 2006. Photograph. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/The-Pearl-Earring.jpg Dorothee Golz. The Pearl Earring (Der Perlenohrring) from the series Digital Paintings (Digitale Gemalde), 2009. Photograph. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/gauguin.jpg Anka Leśniak. Top Models, 2009. Photograph, 120 x 180 cm. Courtesy of A. Leśniak. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/maja.jpg Anka Leśniak. Top Models, 2009. Photograph, 120 x 180 cm. Courtesy of A. Leśniak. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/wenus_z_lustrem.jpg Anka Leśniak. Top Models, 2009. Photograph, 120 x 180 cm. Courtesy of A. Leśniak. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/urbino.jpg Anka Leśniak. Top Models, 2009. Photograph, 120 x 180 cm. Courtesy of A. Leśniak. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/Caillard_1.jpg Art in Art, exhibition view, MOCAK. Photograph: R Sosin. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/IMG_0921.jpg Art in Art, exhibition view, MOCAK. Photograph: R Sosin. https://www.studiointernational.com/images/articles/a/100-art-in-art-2017/Lesniak_3.jpg Art in Art, exhibition view, MOCAK. Photograph: R Sosin. https://www.studiointernational.com/index.php/georgia-horgan-interview-all-whores-are-jacobites https://www.studiointernational.com/images/articles/h/097-horgan-2017/OH_200d-12.jpg Georgia Horgan. All Whores are Jacobites, CAD embroidered cotton velvet, lecture chair, linenmix trim, dimensions variable, 2017. Photograph: Ollie Hammick. https://www.studiointernational.com/images/articles/h/097-horgan-2017/OH_200d-30.jpg Georgia Horgan. All Whores are Jacobites, CAD embroidered cotton velvet, lecture chair, linenmix trim, dimensions variable, 2017 (detail). Photograph: Ollie Hammick. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still1.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still11.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still12.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still13.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still2.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still3.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still4.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still5.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still6.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GeorgiaHorgan_still8.jpg Georgia Horgan. All Whores are Jacobites, 2017. HD video, colour, sound, 21 min 30 sec, video still. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GI-GeorgiaHorgan-ErikaStevenson-2016-300dpi-0116.jpg Georgia Horgan. Saturday, 2016. Performance lecture and HD video, colour, sound, 34 min 41 sec. Photograph: Erika Stevenson. https://www.studiointernational.com/images/articles/h/097-horgan-2017/GI-GeorgiaHorgan-ErikaStevenson-2016-300dpi-0138.jpg Georgia Horgan. Saturday, 2016. Performance lecture and HD video, colour, sound, 34 min 41 sec. Photograph: Erika Stevenson. https://www.studiointernational.com/images/articles/h/097-horgan-2017/georgia-horgan.jpg Georgia Horgan. The Recording Demon, reading and HD video, colour, sound, 9 min 8 sec. Performed at the Institute of Contemporary Arts (ICA), London as part of Witchy Methodologies, 13 January 2017. https://www.studiointernational.com/index.php/mithu-sen-interview-i-constantly-change-my-mediums-so-the-market-will-not-be-able-to-trap-me https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Half-Full-2.jpg Mithu Sen. 1. Perhaps u 1; 2. Mercy Killing 1, 2007. Half Full Series. Mixed media drawing on handmade paper, 84 x 42 in (each). https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Half-Full-3.jpg Mithu Sen. Half Full, Part I, 2007. Installation view, Bose Pacia, New York. Courtesy Bose Pacia, New York. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/(Left-Untold)-(2).jpg Mithu Sen. (Left Untold), 2016. Site specific/interactive installation. Conceiving Space, Colombo Art Biennale, Sri Lanka. Courtesy Mithu Sen. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Ahh-Taj-(1).jpg Mithu Sen. AHH TAJ!! 2011. Installation view, site specific installation, Zacheta Museum, Warsaw, Poland. Courtesy Zacheta Museum, Warsaw, Poland. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Ahh-Taj-(2).jpg Mithu Sen. AHH TAJ!! 2011 (detail). Installation view, site specific installation, Zacheta Museum, Warsaw, Poland. Courtesy Zacheta Museum, Warsaw, Poland. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Black-candy-(2).jpg Mithu Sen. Black Candy (iforgotmypenisathome), 2010. Installation view, Chemould Prescott Road, Mumbai. Courtesy Chemould Prescott Road, Mumbai. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Black-candy-(4).jpg Mithu Sen. Black Candy (iforgotmypenisathome), 2010. Installation view, Chemould Prescott Road, Mumbai. Courtesy Chemould Prescott Road, Mumbai. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Black-Candy-(8).jpg Mithu Sen. Black Candy (iforgotmypenisathome), 2009/2010. You Owe Me! Mixed media on handmade paper, diptych, 84 x 8 in. 2009. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Border-unseen-3.jpg Mithu Sen. Border Unseen, 2014. Installation view, Eli and Edythe Broad Art Museum, USA. False teeth and dental polymer sculpture suspended from the ceiling to the gallery floor, 84 feet. Courtesy Eli and Edythe Broad Art Museum, USA. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Border-unseen-(8).jpg Mithu Sen. Border Unseen, 2014. Installation in progress, Eli and Edythe Broad Art Museum, USA. False teeth and dental polymer sculpture suspended from the ceiling to the gallery floor, 84 feet. Courtesy Eli and Edythe Broad Art Museum, USA. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Border-unseen-(5).jpg Mithu Sen. Border Unseen, 2014. Installation view (detail), Eli and Edythe Broad Art Museum, USA. False teeth and dental polymer sculpture suspended from the ceiling to the gallery floor, 84 feet. Courtesy Eli and Edythe Broad Art Museum, USA. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Border-Unseen-2.jpg Mithu Sen. Border Unseen, 2014. Installation view, Eli and Edythe Broad Art Museum, USA. False teeth and dental polymer sculpture suspended from the ceiling to the gallery floor, 84 feet. Courtesy Eli and Edythe Broad Art Museum, USA. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Border-Unseen-1.jpg Mithu Sen. Border Unseen, 2014. Installation view, Eli and Edythe Broad Art Museum, USA. False teeth and dental polymer sculpture suspended from the ceiling to the gallery floor, 84 feet. Courtesy Eli and Edythe Broad Art Museum, USA. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Same-River-Twice--2.jpg Mithu Sen. Same River Twice, 2013 (detail). Programmed lighting and shadow drawing on engraved acrylic glasses, mixed media watercolour on paper, 10.5 x 12.5 in (each). Courtesy Chemould Prescott Road, Mumbai. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Same-River-Twice-1.jpg Mithu Sen. Same River Twice, 2013 (detail). Programmed lighting and shadow drawing on engraved acrylic glasses, mixed media watercolour on paper, 10.5 x 12.5 in (each). Courtesy Chemould Prescott Road, Mumbai. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Same-River-Twice-3.jpg Mithu Sen. Same River Twice, 2013 (detail). Programmed lighting and shadow drawing on engraved acrylic glasses, mixed media watercolour on paper, 10.5 x 12.5 in (each). Courtesy Chemould Prescott Road, Mumbai. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/aphasia-(17).jpg Mithu Sen. Aphasia, 2016. Performance, FIELD MEETING Take 4: Thinking Practice, Solomon R. Guggenheim Museum & Asia Society Museum, New York. Courtesy Leeza Ahmady. https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/Half-Full-1.jpg Mithu Sen. Working Class Hero, Perhaps U. Half Full Series. Mixed media photo collage on archival paper, 24 x 17 in (each). https://www.studiointernational.com/images/articles/s/100-sen-mithu-2017/MS-self-portrait.jpg Mithu Sen. https://www.studiointernational.com/index.php/giacometti-review-tate-modern-london https://www.studiointernational.com/images/articles/g/099-giacometti-2017/Bust-of-Diego,-1956.jpg Alberto Giacometti. Bust of Diego, c1956. Plaster, 37.3 x 21.5 x 13 cm. Collection Fondation Alberto and Annette Giacometti, Paris. © Alberto Giacometti Estate, ACS/DACS, 2017. https://www.studiointernational.com/images/articles/g/099-giacometti-2017/Diego-Seated,-1948.jpg Alberto Giacometti. Diego Seated, 1948. Oil paint on canvas, 80.5 x 65 cm. Sainsbury Centre for the Visual Arts, Norwich. © Alberto Giacometti Estate, ACS/DACS, 2017. https://www.studiointernational.com/images/articles/g/099-giacometti-2017/Head-of-Woman,-1926.jpg Alberto Giacometti. Head of Woman [Flora Mayo], 1926. Painted plaster, 31.2 x 23.2 x 8.4 cm. Collection Fondation Alberto and Annette Giacometti, Paris. © Alberto Giacometti Estate, ACS/DACS, 2017. https://www.studiointernational.com/images/articles/g/099-giacometti-2017/Man-Pointing,-1947.jpg Alberto Giacometti. Man Pointing, 1947. Bronze, 178 x 95 x 52 cm. Tate, Purchased 1949. © Alberto Giacometti Estate, ACS/DACS, 2017. https://www.studiointernational.com/images/articles/g/099-giacometti-2017/Spoon-Woman,-1927.jpg Alberto Giacometti. Spoon Woman, 1927. Plaster, 146.5 x 51.6 x 21.5 cm. Collection Fondation Alberto and Annette Giacometti, Paris. © Alberto Giacometti Estate, ACS/DACS, 2017. https://www.studiointernational.com/images/articles/g/099-giacometti-2017/Suspended-Ball,-1930-1931.jpg Alberto Giacometti. Suspended Ball, 1930-31. Plaster and metal, 60.6 x 35.6 x 36.1 cm. Collection Fondation Alberto and Annette Giacometti, Paris. © Alberto Giacometti Estate, ACS/DACS, 2017. https://www.studiointernational.com/images/articles/g/099-giacometti-2017/The-Hand,-1947.jpg Alberto Giacometti. The Hand, 1947. Bronze (cast 1947-49), 57 x 72 x 3.5 cm. Kunsthaus Zürich, Alberto Giacometti Stiftung. © Alberto Giacometti Estate, ACS/DACS, 2017. https://www.studiointernational.com/images/articles/g/099-giacometti-2017/Very-Small-Figurine,-1937-1939.jpg Alberto Giacometti. Very Small Figurine, c1937-39. Plaster, traces of colour, 4.5 x 3 x 3.8 cm. Collection Fondation Alberto and Annette Giacometti, Paris. © Alberto Giacometti Estate, ACS/DACS, 2017. https://www.studiointernational.com/index.php/documenta-14-learning-from-athens-review-adam-szymczyk https://www.studiointernational.com/images/articles/d/099-documenta-athens-2017/001.jpg Rebecca Belmore. Biinjiya'iing Onji (From inside), 2017. Marble, Filopappou Hill, Athens, documenta 14. Photograph: Fanis Vlastaras. https://www.studiointernational.com/images/articles/d/099-documenta-athens-2017/002.jpg Hiwa K. Pre-Image (Blind as the Mother Tongue), 2017. Digital video, installation view, Athens Conservatoire (Odeion), documenta 14. Photograph: Mathias Völzke. https://www.studiointernational.com/images/articles/d/099-documenta-athens-2017/003.jpg Naeem Mohaiemen. Tripoli Cancelled, 2017. Digital video, installation view, EMST—National Museum of Contemporary Art, Athens, documenta 14. Photograph: Mathias Völzke. https://www.studiointernational.com/images/articles/d/099-documenta-athens-2017/004.jpg Nikhil Chopra. Drawing a Line through Landscape, 2017. Performance, Archimidous 15, Athens, documenta 14. Photograph: Mathias Völzke. https://www.studiointernational.com/images/articles/d/099-documenta-athens-2017/005.jpg Pope.L, Whispering Campaign, 2016–17, various locations, installation view, Cantina Social, Athens, documenta 14. Photograph: Freddie F. https://www.studiointernational.com/images/articles/d/099-documenta-athens-2017/006.jpg Vivian Suter. Nisyros, 2016. 17 canvases, installation view, Filopappou Hill, Pikionis Paths and Pavilion, Athens, documenta 14. Photograph: Stathis Mamalakis. https://www.studiointernational.com/images/articles/d/099-documenta-athens-2017/007.jpg Elisabeth Wild. Fantasias, 2016–17. Collages, Athens Conservatoire (Odeion), documenta 14. Photograph: Mathias Völzke. https://www.studiointernational.com/images/articles/d/099-documenta-athens-2017/008.jpg Emeka Ogboh, The Way Earthly Things Are Going, 2017. Multichannel sound installation and real-time LED display of world stock indexes, installation view, Athens Conservatoire (Odeion), documenta 14. Photograph: Mathias Völzke. https://www.studiointernational.com/index.php/elger-esser-interview-beauty-is-not-important https://www.studiointernational.com/images/articles/e/097-esser-elger-2017/7_EE_portrait-shot_credit-Nicolas-Cattelain_17-May-2017.jpg Elger Esser, May 2017. Photograph: Nicolas Cattelain. https://www.studiointernational.com/index.php/greg-campbell-interview-chris-hondros-film-tribeca-festival-2017 https://www.studiointernational.com/images/articles/h/096-hondros-2017/Greg_Campbell_HONDROS.jpg Greg Campbell. Photograph: Kirsten Leah Bitzer https://www.studiointernational.com/images/articles/h/096-hondros-2017/joseph-duochris-by-chris-hondros.jpg Chris Hondros. Photograph of Joseph Duo (2003), the commander of a band of child soldiers in the army of the then Liberian president, Charles Taylor. Courtesy Sunshine Sachs/Getty Images. https://www.studiointernational.com/images/articles/h/096-hondros-2017/hondros-film-website.jpg Screenshot of Hondros film website, 2017. www.chrishondrosfilm.com https://www.studiointernational.com/index.php/geta-bratescu-the-studio-a-tireless-ongoing-space-review https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/01_Lady-Oliver-in-her-travelling-costume.jpg Geta Brătescu. Doamna Oliver în costum de călătorie (Lady Oliver in her travelling costume), 1980–2012. Black and white photograph. Courtesy Galerie Barbara Weiss, Berlin. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/02_Alterity.jpg Geta Brătescu. Alteritate (Alterity), 2002/11. Black and white photographs, nine parts. Courtesy Barbara Weiss, Berlin. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/03_Towards-white.jpg Geta Brătescu. Către alb (Towards White), 1975. Black and white photographs. Collection of the National Museum of Contemporary Art, Bucharest. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/04_Medea.jpg Geta Brătescu. Medeea –10 ipostaze (Medea's 10 Hypostases), 1980. Coloured drawing with a sewing machine on textile. Courtesy collection of Adam and Mariana Clayton, London. Photograph: Stefan Sava. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/06_Himere.jpg Geta Brătescu. Himere (Chimeras), 2005. Drawing on paper. Courtesy Ivan Gallery, Bucharest and Galerie Barbara Weiss, Berlin. Photograph: Stefan Sava. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/07_Le-Theatre-des-Formes.jpg Geta Brătescu. Le Theatre des Formes (The Theatre of Forms), 2011. Collage on paper, six parts. Courtesy Ivan Gallery, Bucharest and Galerie Barbara Weiss, Berlin. Photograph: Stefan Sava. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/08_The-Rule-of-the-Circle.jpg Geta Brătescu. Regula cercului, regula jocului (The Rule of the Circle, The Rule of the Game), 1985. Collage, tempera colour, gouache, pencil on paper, seven works. Courtesy Galerie Barbara Weiss, Berlin and Ovidiu Șandor Collection, Timișoara, Romania. Photograph: Stefan Sava. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/09_The-Rule-of-the-Circle_2.jpg Geta Brătescu. Regula cercului, regula jocului (The Rule of the Circle, The Rule of the Game), 1985. Collage, tempera colour, gouache, pencil on paper, seven works. Courtesy Galerie Barbara Weiss, Berlin and Ovidiu Șandor Collection, Timișoara, Romania. Photograph: Stefan Sava. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/10_Vestiges.jpg Geta Brătescu. Vestigii (Vestiges), 1978. Textile collage on paper, six pieces. Courtesy Luisa Malzoni Strina Collection. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/11_GetaBratescu_StefanSava.jpg Geta Brătescu in her studio. Photograph: Stefan Sava. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/install-2.jpg Installation view of Geta Brătescu: The Studio: A Tireless, Ongoing Space at Camden Arts Centre, 2017. Photograph: Damian Griffiths. Courtesy Camden Arts Centre. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/install-3.jpg Installation view of Geta Brătescu: The Studio: A Tireless, Ongoing Space at Camden Arts Centre, 2017. Photograph: Damian Griffiths. Courtesy Camden Arts Centre. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/install-4.jpg Installation view of Geta Brătescu: The Studio: A Tireless, Ongoing Space at Camden Arts Centre, 2017. Photograph: Damian Griffiths. Courtesy Camden Arts Centre. https://www.studiointernational.com/images/articles/b/098-bratescu-geta-2017/install-1.jpg Installation view of Geta Brătescu: The Studio: A Tireless, Ongoing Space at Camden Arts Centre, 2017. Photograph: Damian Griffiths. Courtesy Camden Arts Centre. https://www.studiointernational.com/index.php/joyce-pensato-forgettabout-it-review-lisson-gallery-london https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,-Homer-in-the-Hood,-2017.jpg Joyce Pensato. Homer in the Hood, 2017. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,-Big-Mickey,-2017.jpg Joyce Pensato. Big Mickey, 2017. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,-FORGETABOUTITBATMAN,-2017.jpg Joyce Pensato. FORGETABOUTITBATMAN, 2017. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,-Heres-Mickey,-2017.jpg Joyce Pensato. Here's Mickey, 2017. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,-Landscape-Mickey,-2017.jpg Joyce Pensato. Landscape Mickey, 2017. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,-Rhumba-Mickey,-2017.jpg Joyce Pensato. Rhumba Mickey, 2017. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,-The-Erased-Batman,-2017.jpg Joyce Pensato. The Erased Batman, 2017. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,--Installation-view-1.jpg Joyce Pensato. Installation view of FORGETTABOUT IT. Lisson Gallery London, May 2017. Photograph: Jack Hems. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,--Installation-view-2.jpg Joyce Pensato. Installation view of FORGETTABOUT IT. Lisson Gallery London, May 2017. Photograph: Jack Hems. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,--Installation-view-3.jpg Joyce Pensato. Installation view of FORGETTABOUT IT. Lisson Gallery London, May 2017. Photograph: Jack Hems. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,--Installation-view-4.jpg Joyce Pensato. Installation view of FORGETTABOUT IT. Lisson Gallery London, May 2017. Photograph: Jack Hems. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,--Installation-view-5.jpg Joyce Pensato. Installation view of FORGETTABOUT IT. Lisson Gallery London, May 2017. Photograph: Jack Hems. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/p/098-pensato-joyce-2017/Joyce-Pensato,--Installation-view-6.jpg Joyce Pensato. Installation view of FORGETTABOUT IT. Lisson Gallery London, May 2017. Photograph: Jack Hems. © Joyce Pensato; Courtesy Lisson Gallery. https://www.studiointernational.com/index.php/nathaniel-mellors-erkka-nissinen-the-aalto-natives-video-interview-venice-biennale https://www.studiointernational.com/images/articles/f/100-finland-venice-2017/finland-640.jpg Nathaniel Mellors and Erkka Nissinen’s talk to Studio International about their film The Aalto Natives for the Pavilion of Finland, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/100-finland-venice-2017/finland-install-4.jpg Nathaniel Mellors and Erkka Nissinen, The Aalto Natives, 2017. Installation view, Pavilion of Finland, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/100-finland-venice-2017/finland-install-3.jpg Nathaniel Mellors and Erkka Nissinen, The Aalto Natives, 2017. Installation view, Pavilion of Finland, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/100-finland-venice-2017/finland-install-2.jpg Nathaniel Mellors and Erkka Nissinen, The Aalto Natives, 2017. Installation view, Pavilion of Finland, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/100-finland-venice-2017/finland-install-1.jpg Nathaniel Mellors and Erkka Nissinen, The Aalto Natives, 2017. Installation view, Pavilion of Finland, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/lee-lozano-c1962-review-hauser-and-wirth-london https://www.studiointernational.com/images/articles/l/098-lozano-lee-2017/1.jpg Lee Lozano. No title, c1962. Oil on board, 7 x 8.3 cm. © The Estate of Lee Lozano. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/l/098-lozano-lee-2017/2.jpg Lee Lozano. No title, c1962. Oil on canvas on wood, 6.3 x 16.5 cm. © The Estate of Lee Lozano. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/l/098-lozano-lee-2017/3.jpg Lee Lozano. No title, c1962. Oil on canvas on wood, 6.6 x 15.2 cm. © The Estate of Lee Lozano. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/l/098-lozano-lee-2017/4.jpg Lee Lozano. No title, c1962. Oil on plywood panel, 15.3 x 8.2 x 0.6 cm. © The Estate of Lee Lozano. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/l/098-lozano-lee-2017/5.jpg Lee Lozano. No title, c1962. Oil on canvas, 20.3 x 26.6 cm. © The Estate of Lee Lozano. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/l/098-lozano-lee-2017/6.jpg Lee Lozano. No title, c1962. Oil on canvas over wood, 17.1 x 12.8 x 4.4 cm. © The Estate of Lee Lozano. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/l/098-lozano-lee-2017/7.jpg Lee Lozano. No title, c1962. Oil on canvas, 30.8 x 36.2 cm. © The Estate of Lee Lozano. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/l/098-lozano-lee-2017/8.jpg Lee Lozano. No title, c1962. Oil on wood, 8.3 x 7 cm. © The Estate of Lee Lozano. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/index.php/florian-hecker-synopsis-review-tramway-glasgow https://www.studiointernational.com/images/articles/h/095-hecker-florian-2017/TFH-0517-0076.jpg Florian Hecker: Synopsis, installation view, Tramway, Glasgow, 2017. Courtesy Tramway, Glasgow. https://www.studiointernational.com/images/articles/h/095-hecker-florian-2017/florian-hecker-tramway-install-640.jpg Florian Hecker: Synopsis, installation view, Tramway, Glasgow, 2017. Courtesy Tramway, Glasgow. https://www.studiointernational.com/index.php/jenny-crompton-interview-sea-country-spirits https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/seaweed_flower2.jpg Jenny Crompton. Seaweed flower, 2012. Seaweed and binder on canvas. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/sea-beings2b.jpg Jenny Crompton. Coastal being, 2015. Ink and acrylic on canvas. Koorie Heritage Trust Collection. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/jenny-crompton_coastal-paraphernalia.jpg Jenny Crompton. Coastal Paraphernalia. Watercolour and ink on paper. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/jenny-crompton_coastal-paraphernalia-2.jpg Jenny Crompton. Coastal Paraphernalia (detail). Watercolour and ink on paper. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/jenny-crompton-wattleseedpods.jpg Jenny Crompton. Wattle seed pods, 2011. Ink and paper. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/jenny-crompton-shell2.jpg Jenny Crompton. Shell, 2010. Ink on paper. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/jenny-crompton-seaweed_holder.jpg Jenny Crompton. Seaweed holders, 2011. Ink on paper. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/jenny-crompton-seacountryspirits2.jpg Jenny Crompton. Sea Country Spirits (detail), 2016. Recycled copper wire, shells, feathers, roo bones, grass tree fronds and paint. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/jenny-crompton-seacountryspirits6.jpg Jenny Crompton. Sea Country Spirits, 2016. Lorne Sculpture Biennale. Recycled copper wire, shells, feathers, roo bones, grass tree fronds and paint. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/jenny-crompton-dillybags_b3.jpg Jenny Crompton. Dilly bags, 2011. Seaweed and binder on paper. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/crompton_j_coolamon-with-beaked-mussel-and-barnacle_1.jpg Jenny Crompton. Coolamon with beaked mussels and barnacles, 2015. Kelp, acrylic, cotton. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/crompton_j_gathering-at-godocut_front.jpg Jenny Crompton. Gathering at Godocut, 2014. Seawead and binder. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/Sea-Country-Spirits-ngv.jpg Jenny Crompton. Sea Country Spirits, 2016. Recycled copper wire, shells, feathers, roo bones, grass tree fronds and paint. https://www.studiointernational.com/images/articles/c/100-crompton-jenny-2017/Min-murrup-2016-recycled-copper-wire,-shells,-feathers,-roo-bones.jpg Jenny Crompton. Min murrup, 2016. Recycled copper wire, shells, feathers, roo bones. https://www.studiointernational.com/index.php/frank-quitely-the-art-of-comics-review-kelvingrove-gallery-glasgow https://www.studiointernational.com/images/articles/q/099-quitely-frank-2017/quitely.jpg Frank Quitely, 2017. https://www.studiointernational.com/images/articles/q/099-quitely-frank-2017/Batman-incorporated_digital.jpg Batman Incorporated cover. DC Entertainment. Artwork by Frank Quitely. https://www.studiointernational.com/images/articles/q/099-quitely-frank-2017/JCv2cover01-sml.jpg Jupiter’s Legacy cover, Vol 2, Issue 1. Artwork by Frank Quitely. https://www.studiointernational.com/images/articles/q/099-quitely-frank-2017/gorbalsvampireKG600-sml.jpg Gorbals Vampire. Artwork by Frank Quitely. https://www.studiointernational.com/images/articles/q/099-quitely-frank-2017/ABSO.jpg Absolute All Star Superman. DC Entertainment. Artwork by Frank Quitely. https://www.studiointernational.com/index.php/joseph-kosuth-interview-i-was-always-interested-in-the-limits-of-language https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/02.jpg Joseph Kosuth. ‘Titled (A.A.I.A.I.)’ [red] (Eng.-Latin), 1968. Mounted photograph, 122 x 122 cm. © Joseph Kosuth. Courtesy of the artist and Sprüth Magers. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/03.jpg Lucio Fontana. Concetto Spaziale, Attesa, 1965. Waterpaint on canvas, red, 55 x 46 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/04.jpg Enrico Castellani. Superficie Rossa, 2007. Acrylic on canvas, 70 x 50 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/05.jpg Joseph Kosuth. 'Titled (A.A.I.A.I.)' [violet] (Eng.-Latin), 1968. Mounted photograph, 122 x 122 cm. © Joseph Kosuth. Courtesy of the artist and Sprüth Magers. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/06.jpg Enrico Castellani. Superficie Viola, 2004. Acrylic on canvas, 60 x 80 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/07.jpg Joseph Kosuth. 'Titled (A.A.I.A.I.)' [green] (Eng.-Latin), 1968. Mounted photograph, 122 x 122 cm. © Joseph Kosuth. Courtesy of the artist and Sprüth Magers. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/08.jpg Lucio Fontana. Concetto Spaziale, Attese, 1967. Waterpaint on green canvas, 61 x 50 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/L12638-Mazzoleni-Art-Ltd6216.jpg Installation view of Colour in Contextual Play at Mazzoleni. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/L12638-Mazzoleni-Art-Ltd6218.jpg Installation view of Colour in Contextual Play at Mazzoleni. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/L12638-Mazzoleni-Art-Ltd6224.jpg Installation view of Colour in Contextual Play at Mazzoleni. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/L12638-Mazzoleni-Art-Ltd6226-1.jpg Installation view of Colour in Contextual Play at Mazzoleni. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/15-1965_One-and-three-Chairs.jpg Joseph Kosuth. One and Three Chairs, 1965. Collection of The Museum of Modern Art, New York (Larry Aldrich Fund). © Joseph Kosuth - Courtesy of the Artist and Sean Kelly Gallery, 2017. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/14-1967_Fifteen-People-Present.jpg Fifteen People Present Their Favorite Book, Lannis Gallery, New York, NY, USA (artists included: Robert Morris, Ad Reinhardt, Sol LeWitt, Robert Mangold, Dan Graham, Robert Smithson, Carl André, Robert Ryman, and others, 1967. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/10-The-Play-of-the-Unsayable-1989.jpg The Play of the Unsayable: Ludwig Wittgenstein and the Art of the 20th Century, Wiener. Secession, Vienna, Austria (travelled to Palais des Beaux-Arts, Brussels, Belgium), 1989. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/11-The-Play-of-the-Unmentionable-1990.jpg Joseph Kosuth. The Play Of The Unmentionable, 1990. The Brooklyn Museum, Brooklyn, NY, USA, Photo: Ken Schles, © The New Press https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/09-Isabella-Stewart-Gardner-Show2_2002_Boston.jpg Artist, Curator, Collector: James McNeil Whistler, Bernard Berenson and Isabella Stewart. Gardner–Three Locations in the Creative Process: A Centennial Project by Joseph Kosuth, 2003. Isabella Stewart Gardner Museum, Boston, MA, USA. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/12-21er-haussigmund-freud-2014-03.jpg Sigmund Freud and the Play on the Burden of Representation, An installation by Joseph Kosuth, 2014. 21er Haus, Vienna, Austria Sigmung Freud Private Collection © Belvedere, Wien - Courtesy of the Artist. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/13-21er-haussigmund-freud-2014-01.jpg Sigmund Freud and the Play on the Burden of Representation, An installation by Joseph Kosuth, 2014. 21er Haus, Vienna, Austria Sigmung Freud Private Collection © Belvedere, Wien - Courtesy of the Artist. https://www.studiointernational.com/images/articles/k/099-kosuth-joseph-2017/16-2016_RenE-Magritte_Centre-Pompidou.jpg La signification, L’emplacement du mots dans un champs grammatical, René Magritte: La trahison des images, Centre Pompidou, Paris. Photograph: Tim Mason © Joseph Kosuth - Courtesy of the Artist and Almine Rech Gallery, 2017. https://www.studiointernational.com/index.php/tom-phillips-video-interview-connected-works-flowers-gallery-london https://www.studiointernational.com/images/articles/p/099-phillips-tom-2017/Phillips-640.jpg Tom Phillips talking to Studio International before the opening of Connected Works at Flowers Gallery, Kingsland Road, London, 25 May 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/p/099-phillips-tom-2017/Tom-Phillips,-After-Beckett,-2017,-Collage,-(c)-Tom-Phillips.jpg Tom Phillips. After Beckett, 2017. Collage, 38 x 27 cm. © Tom Phillips. Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/p/099-phillips-tom-2017/Tom-Phillips,-Alas,-1998,-Plaster,-(c)-Tom-Phillips.jpg Tom Phillips. Alas, 1998. Plaster, 15 x 13 x 20 cm. © Tom Phillips. Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/p/099-phillips-tom-2017/Tom-Phillips,-After-Henry-James,-2009,-Wire,--(c)-Tom-Phillips.jpg Tom Phillips. After Henry James, 2009. Wire, 46.5 x 61.5 x 5 cm. © Tom Phillips. Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/p/099-phillips-tom-2017/Tom-Phillips,-The-Game-of-Silence-II,-1995,-Bronze-pieces-on-painted-board-(c)-Tom-Phillips.jpg Tom Phillips. The Game of Silence II, 1995. Mixed media construction, 71 x 101.5 x 11 cm. © Tom Phillips. Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/p/099-phillips-tom-2017/Tom-Phillips,-The-Artist-Encounters-his-Younger-Self,-1997,-Plaster,-mud-and-hair,-(c)-Tom-Phillips.jpg Tom Phillips. The Artist Encounters his Younger Self, 1997. Plaster, mud and hair, each skull 15 x 20 x 30 cm. © Tom Phillips. Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/index.php/abou-farman-interview-icaros-a-vision-film-leonor-caraballo https://www.studiointernational.com/images/articles/f/099-farman-abou-2017/On-the-set-of-Icaros-A-Vision-with-Matteo-Norzi,-Leonor-Caraballo-and-Abou-Farman.jpg Matteo Norzi, Leonor Caraballo and Abou Farman on the set of Icaros – A Vision. Photograph: Conibo Productions. https://www.studiointernational.com/images/articles/f/099-farman-abou-2017/1-ICAROSSTILLS.jpg Arturo Izquierdo as Arturo in Icaros: A Vision, courtesy Conibo Productions © 2016. https://www.studiointernational.com/images/articles/f/099-farman-abou-2017/3-ICAROSSTILLS.jpg Ana Cecilia Stieglitz as Pasajera Angelina in Icaros: A Vision, courtesy Conibo Productions © 2016. https://www.studiointernational.com/images/articles/f/099-farman-abou-2017/4-ICAROSSTILLS.jpg Lurdes Valles Vargas as mother with the plant or the plant with the mother in Icaros: A Vision, courtesy Conibo Productions © 2016. https://www.studiointernational.com/images/articles/f/099-farman-abou-2017/5-ICAROSSTILLS.jpg Ana Cecilia Stieglitz and Lizeth Izquierdo Lopez in Icaros: A Vision, courtesy Conibo Productions © 2016. https://www.studiointernational.com/images/articles/f/099-farman-abou-2017/0-ICAROSaVISIONposter.jpg Official world premiere poster, courtesy Conibo Productions © 2016. https://www.studiointernational.com/index.php/akram-zaatari-against-photography-an-annotated-history-of-the-arab-image-foundation https://www.studiointernational.com/images/articles/z/100-zaatari-akram-2017/0012.jpg Akram Zaatari. Against photography. An annotated history of the Arab Image Foundation, 2017. Exhibition view. Photograph: Miquel Coll. https://www.studiointernational.com/images/articles/z/100-zaatari-akram-2017/0016.jpg Akram Zaatari. Against photography. An annotated history of the Arab Image Foundation, 2017. Exhibition view. Photograph: Miquel Coll. https://www.studiointernational.com/index.php/into-the-unknown-a-journey-throgh-science-fiction-review-barbican-centre-london https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/1.jpg Star Wars, Episode IV: A New Hope (US 1977). Film still. Courtesy the Roger Grant Archive. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/2.jpg 2001: A Space Odyssey, 1968. Film still. Courtesy the Roger Grant Archive. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/3.jpg 20,000 Leagues Under the Sea (US 1954). Film still. Courtesy the Roger Grant Archive. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/4.jpg Magazine cover, Amazing Stories (April 1926) #1, Agence Martienne, Courtesy coll. Maison d'Ailleurs / Agence Martienne. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/6.jpg Afronauts, Frances Bodomo, 2014. Film still. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/8.jpg Pumzi, Wanuri Kahiu, 2010. Film still. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/9.jpg In the Future They Ate from the Finest Porcelain, Larissa Sansour/Soren Lind, 2015. Film still. Courtesy of the artist and Sabrina Amrani. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/10.jpg On the first Lunar cosmodrome, Andrey Sokolov and Aleksey Leonov, 1968. Postcard. Moscow Design Museum. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/11.jpg An electronic brain of a distant world Andrey Sokolov, 1968. Postcard. Moscow Design Museum. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/13.jpg Soda_Jerk, Astro Black, New Forms Festival, Vancouver, 2014. Photograph: Robin Selk. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/14.jpg Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978-9. Video, sound, 5:50 min, Courtesy of the artist and Electronic Arts Intermix. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/Film-Still,-Jurassic-Park.jpg Jurassic Park, Ronald Grant Archive, 1993. Film still. https://www.studiointernational.com/images/articles/i/100-into-the-unknown-2017/The-Original-Science-Fiction-Stories.jpg The Original Science Fiction Stories (November 1958) #1, Agence Martienne, Courtesy coll. Maison d'Ailleurs / Agence Martienne. https://www.studiointernational.com/index.php/hokusai-beyond-the-great-wave-review-british-museum https://www.studiointernational.com/images/articles/h/094-hokusai-2017/2.jpg Under the wave off Kanagawa (The Great Wave) from Thirty-six views of Mt Fuji. Colour woodblock, 1831. Acquisition supported by the Art Fund. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/h/094-hokusai-2017/3.jpg Clear day with a southern breeze (‘Red Fuji’) from Thirty-six Views of Mt Fuji. Colour woodblock, 1831. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/h/094-hokusai-2017/4.jpg Poppies from Large Flowers. Colour woodblock, 1831-1832. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/h/094-hokusai-2017/5.jpg The waterfall where Yoshitsune washed his horse in Yoshino, Yamato province from Tour of Waterfalls in Various Provinces. Colour woodblock, 1833. Bequeathed by Charles Shannon RA. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/h/094-hokusai-2017/7.jpg Self-portrait, aged eighty-three. Drawing in a letter, ink on paper, 1842. Nationaal Museum van Wereldculturen, Leiden. https://www.studiointernational.com/images/articles/h/094-hokusai-2017/10.jpg Dragon in rain clouds. Hanging scroll, ink and colour on paper, 1849. Musée national des arts asiatiques Guimet, Paris, given by Nobert Lagane. https://www.studiointernational.com/index.php/jay-heikes-interview-ive-always-loved-the-reminder-that-the-naural-world-has-the-upper-hand https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH3876.jpg Jay Heikes. Heartless Ascension, 2010. Iron, bronze and rust, 99 1/2 x 200 x 67 in (252.7 x 508 x 170.2 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH4635.jpg Jay Heikes. Ickly, 2010. Dyed porcupine quills and wood, 57 x 14 x 15 in (144.8 x 35.6 x 38.1 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH4630.jpg Jay Heikes. Negative Approach, 2010. Enamel on steel, 52 x 41 in (132.1 x 104.1 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH4639.jpg Jay Heikes. Outside World, 2010. Enamel on wood, 29 1/8 x 18 3/4 x 3 1/2 in (74 x 47.6 x 8.9 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH4640.jpg Jay Heikes. Molting, 2010. Gelatin and pigment, dimensions vary. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH12096.jpg Jay Heikes. The Next Kurt Cobain, 2015. Pencil, dye and ink on paper, framed 50 1/4 x 85 3/4 in (127.6 x 217.8 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH13051.jpg Jay Heikes. Death Spiral, 2017. Copper, wax, aluminium foil, steel, steel slag, 216 x 168 x 120 in (548.6 x 426.7 x 304.8 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH13052.jpg Jay Heikes. Couper l'oeil, 2017. Copper, wax, aluminium foil, steel, steel slag, cast bronze, iron, 216 x 216 x 96 in (548.6 x 548.6 x 243.8 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH13065.jpg Jay Heikes. Zs, 2017. Paper, ink, glue, copper wire, salt, aluminium wire, steel wire, wood, 51 x 38 x 2 in (129.5 x 96.5 x 5.1 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH13070.jpg Jay Heikes. Zs, 2016. Salt, steel wire, ink, canvas, foam, wood, 22 x 17 x 2 in (55.9 x 43.2 x 5.1 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH13071.jpg Jay Heikes. Zs, 2017. Paper, dry pigment, oil paint, paper, glue, wood, 65 x 46 x 2 in (165.1 x 116.8 x 5.1 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH13132.jpg Jay Heikes. Minor Planets, 2017. Group of six orbs; steel slag, glue, gladstone orb, cast bronze, lignum vitae, cast bismuth, aluminium, copper, dimensions variable. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jason Wyche. https://www.studiointernational.com/images/articles/h/096-heikes-jay-2017/JH0012.jpg Jay Heikes. The Family Tree, 2003. Driftwood, jackets and hardware, 11 x 9 x 12 ft. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photograph: Jen Murphy. https://www.studiointernational.com/index.php/calder-hypermobility-review-whitney-museum-of-american-art https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/Arches.jpg Alexander Calder. The Arches, 1959. Sheet metal and paint. 106 × 107 1/2 × 87 in (269.2 × 273.1 × 221 cm). Whitney Museum of American Art, New York; gift of Howard and Jean Lipman. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/07_calder_parasite_s.jpg Alexander Calder. Parasite, 1947. Sheet metal, rod, wire, and paint, 41 × 68 × 28 in (104.1 × 172.7 × 71.1 cm). © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/untitled.jpg Alexander Calder. Untitled, 1942. Wood, wire, glass, and string, 52 3/4 × 26 × 12 in (134 × 66 × 30 cm). © 2017 Calder Foundation. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/14_calder_dancersandsphere_s.jpg Alexander Calder. Dancers and Sphere (maquette for 1939 New York World’s Fair) set in motion in Calder’s small shop New York City storefront studio, 1938. © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph: Herbert Matter, courtesy Calder Foundation, New York. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/snake.jpg Alexander Calder. Whip Snake (Snake on the Post), 1944. Bronze, 24 1/4 × 24 1/2 × 24 7/8 in (61.6 × 62.2 × 63.2 cm). Whitney Museum of American Art, New York; purchase with funds from the Howard and Jean Lipman Foundation, Inc. 70.3a–b. © 2017 Calder Foundation. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/Calder_Aluminum_Leaves_motion_s.jpg Alexander Calder. Aluminium Leaves, Red Post, 1941. Painted sheet metal, 60 3/4 × 40 3/4 × 42 1/2 in (154.3 × 103.5 × 108 cm). The Lipman Family Foundation; long-term loan to the Whitney Museum of American Art, New York T.1996.7. © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph: Brian Kelley https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/Hanging_Spider_Sequence_011_s.jpg Alexander Calder. Hanging Spider, c1940. Painted sheet metal and wire, 49 1/2 × 35 1/2 in (125.7 × 90.2 cm). Whitney Museum of American Art, New York; Mrs. John B. Putnam Bequest 84.41. © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph: Brian Kelley. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/water-lily.jpg Alexander Calder. The Water Lily, c. 1945. Sheet metal, wire, and paint, 54 × 91 in (137.2 × 231.1 cm). Philadelphia Museum of Art; gift of Frances and Bayard Storey in memory of Anne d’Harnoncourt, 2013. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/quarter-circle.jpg Alexander Calder. Half-circle, Quarter-circle, and Sphere, 1932. Sheet metal, wood, and paint, with motor, 76 5/8 × 35 1/2 × 25 in (194.6 × 90.2 × 63.5 cm). Whitney Museum of American Art, New York; purchase with funds from the Howard and Jean Lipman Foundation, Inc. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/myrtle-burl.jpg Alexander Calder. Myrtle Burl, 1941. Wood, sheet metal, wire, and paint. 24 1/2 × 20 × 16 in (62.2 × 50.8 × 40.6 cm). Calder Foundation, New York; Mary Calder Rower Bequest, 2011. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/red-white.jpg Alexander Calder. Red, White, Black and Brass, 1934. Sheet metal, rod, wire, brass, and paint, 113 × 68 × 53 in (287 × 172.7 × 134.6 cm). Calder Foundation, New York; promised gift of Alexander S. C. Rower. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/square.jpg Alexander Calder. Square, c1934. Plywood, sheet metal, rod, wood, and paint, with motor. 48 × 48 × 21 3/4 in (121.9 × 121.9 × 55.2 cm). Calder Foundation, New York; promised gift of Holton Rower. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/calder-hypermobility-2017/12_Calder_with-frame_s.jpg Alexander Calder with the frame for Snake and the Cross (1936) in his New York City storefront studio, winter 1936. © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph: Herbert Matter, courtesy Calder Foundation, New York. https://www.studiointernational.com/index.php/samson-young-songs-for-disaster-relief-video-interview-hong-kong-venice-biennale-2017 https://www.studiointernational.com/images/articles/h/097-hong-kong-venice-2017/samson-young-640.jpg Samson Young talks to Studio International at the opening of his show, Songs for Disaster Relief, a collateral event for Hong Kong at the Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/097-hong-kong-venice-2017/hong-kong-install-1a.jpg Samson Young: Songs for Disaster Relief, installation view, collateral event for Hong Kong at the Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/097-hong-kong-venice-2017/hong-kong-install-1.jpg Samson Young: Songs for Disaster Relief, installation view, collateral event for Hong Kong at the Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/097-hong-kong-venice-2017/hong-kong-install-2.jpg Samson Young: Songs for Disaster Relief, installation view, collateral event for Hong Kong at the Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/097-hong-kong-venice-2017/hong-kong-install-3.jpg Samson Young: Songs for Disaster Relief, installation view, collateral event for Hong Kong at the Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/097-hong-kong-venice-2017/hong-kong-install-4.jpg Samson Young: Songs for Disaster Relief, installation view, collateral event for Hong Kong at the Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/097-hong-kong-venice-2017/hong-kong-install-5.jpg Samson Young: Songs for Disaster Relief, installation view, collateral event for Hong Kong at the Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/wayne-thiebaud-1962-2017-review-white-cube-london https://www.studiointernational.com/images/articles/t/100-thiebaud-wayne-2017/Wayne-Thiebaud-Bakery-Case-1996.jpg Wayne Thiebaud. Bakery Case, 1996. Oil on canvas, 60 x 72 in (152.4 x 182.9 cm). © Wayne Thiebaud/DACS, London/VAGA, New York 2017. https://www.studiointernational.com/images/articles/t/100-thiebaud-wayne-2017/Wayne-Thiebaud-Clown-Cones-2000.jpg Wayne Thiebaud. Clown Cones, 2000. Acrylic and gouache on paper, 10 1/4 x 14 1/4 in (26 x 36.2 cm). © Wayne Thiebaud/DACS, London/VAGA, New York 2017. https://www.studiointernational.com/images/articles/t/100-thiebaud-wayne-2017/Wayne-Thiebaud-Two-Wedding-Cakes-2015.jpg Wayne Thiebaud. Two Wedding Cakes, 2015. Oil on wood panel, 36 x 48 in (91.4 x 121.9 cm). © Wayne Thiebaud/DACS, London/VAGA, New York 2017. https://www.studiointernational.com/images/articles/t/100-thiebaud-wayne-2017/Wayne-Thiebaud-Green-Dress-19662017.jpg Wayne Thiebaud. Green Dress, 1966/2017. Oil on canvas, 72 x 60 in (182.9 x 152.4 cm). © Wayne Thiebaud/DACS, London/VAGA, New York 2017. https://www.studiointernational.com/images/articles/t/100-thiebaud-wayne-2017/thiebaud_660x565.jpg Wayne Thiebaud. Cherry Pie, 2016. Oil on paper mounted on board, 8 1/2 x 10 in (21.6 x 25.4 cm). © Wayne Thiebaud/DACS, London/VAGA, New York 2017. https://www.studiointernational.com/images/articles/t/100-thiebaud-wayne-2017/Wayne-Thiebaud-Fall-Fields-2017.jpg Wayne Thiebaud. Fall Fields, 2017. Oil and acrylic on canvas, 30 x 24 in (76.2 x 61 cm). © Wayne Thiebaud/DACS, London/VAGA, New York 2017. https://www.studiointernational.com/images/articles/t/100-thiebaud-wayne-2017/Wayne-Thiebaud-Two-Paint-Cans-1987.jpg Wayne Thiebaud. Two Paint Cans, 1987. Oil on canvas, 13 3/4 x 19 7/8 in (34.9 x 50.5 cm). © Wayne Thiebaud/DACS, London/VAGA, New York 2017. https://www.studiointernational.com/index.php/tadaaki-kuwayama-radical-neutrality-video-interview https://www.studiointernational.com/images/articles/k/098-kuwayama-tadaaki-2017/tadaaki-640.jpg Tadaaki Kuwayama talking to Studio International at the opening of Radical Neutrality at the Mayor Gallery, London, 6 June 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/k/098-kuwayama-tadaaki-2017/IMG_1508.jpg Tadaaki Kuwayama: Radical Neutrality, installation view, The Mayor Gallery, London, 7 June – 28 July 2017. https://www.studiointernational.com/images/articles/k/098-kuwayama-tadaaki-2017/2_Kuwayama_TK6035-1_2-69_Yellow_4Panel.jpg Tadaaki Kuwayama. Untitled (TK6035-1/2-69), 1969. Acrylic on canvas, 90 × 90 cm (35 2/5 × 35 2/5 in). Photograph courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/k/098-kuwayama-tadaaki-2017/3_Kuwayama_TK6835-1_2-69_Gray_4Panel.jpg Tadaaki Kuwayama. Untitled (TK6835-1/2-69), 1969. Acrylic on canvas, 90 × 90 cm (35 2/5 × 35 2/5 in). Photograph courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/k/098-kuwayama-tadaaki-2017/4_Kuwayama_TK6935-1_2-69_Red_4Panel.jpg Tadaaki Kuwayama. Untitled (TK6935-1/2-69), 1969. Acrylic on canvas, 90 × 90 cm (35 2/5 × 35 2/5 in). Photograph courtesy The Mayor Gallery, London. https://www.studiointernational.com/index.php/la-seine-musicale-paris-shigeru-ban-review https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/01-LA-SEINE-MUSICALE-119.jpg Shigeru Ban’s design for La Seine Musical kept costs down with the same creamy concrete exterior and interior, but there is one extravagance: the acoustic Auditorium with its moveable sail. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/02-LA-SEINE-MUSICALE-158.jpg The acoustic auditorium is a latticework dome of glass, aluminium and wood, with a PV sail that follows the sun. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/03-LA-SEINE-MUSICALE-LEDScreen.jpg A huge LED screen (surface area: 810 sqm) on the northern façade will broadcast the concerts being performed inside for free. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/04-LA-SEINE-MUSICALE-Bi-folding-door.jpg The bi-folding door at the main, south-facing entrance, is 12m wide and 10m high. It is intended to be open all day and evening, enticing visitors into the building even during performances. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/05-LA-SEINE-MUSICALEPublicStreet.jpg A public street runs the entire 230-metre length of the building’s interior, giving all day access to shops and bars both inside and from without. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/06-LA-SEINE-MUSICALE-196.jpg The staircase up into the acoustic auditorium reveals the timber structure, which carries the whole glass façade of the auditorium on a surface of 5,600 sqm. The structure was designed in collaboration with Hermann Blumer. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/07-LA-SEINE-MUSICALE-203.jpg Bespoke iridescent Bisazza tiles coat the shell of the acoustic auditorium, glimmering either red or green, according to the light conditions. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/08-LA-SEINE-MUSICALEAuditorium.jpg Shigeru Ban’s trademark cardboard tubes appear, upholstered and set into the wooden seat-frames and also in the ceiling: here, a honeycomb of 916 wood hexagons filled with 28,000 fireproofed paper tubes casting shadows across the space as the light changes. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/09-LA-SEINE-MUSICALE-122.jpg Lit up at night, the auditorium and sail glow, flagging up this new cultural quarter. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/10-The-Public-Street-gives-great-vistas-onto-the-life-of-the-building.jpg The public street gives vistas onto the life of the building. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/11-LA-SEINE-MUSICALE-207.jpg The pillars under the domed auditorium give away the massive underpinnings required to minimize movement and creaking in the auditorium as the sail rotates. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/12-The-Insula-Orchestra-at-the-Inaugural-performance-in-the-Auditorium.jpg The Insula Orchestra gives the inaugural performance in the auditorium. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/13-LA-SEINE-MUSICALE-211.jpg A wide concrete staircase invites the public up and over the building towards the roof garden. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/14-LA-SEINE-MUSICALE-156.jpg Jean Nouvel’s masterplan for this former Renault factory site placed shops, cafes and parks around the perimeter. Shigeru Ban’s design has woven them into the building itself. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/15-LA-SEINE-MUSICALE-095.jpg The public piazza at the south end is intended for the public enjoyment of performances on the Big Screen. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/16-LA-SEINE-MUSICALE-178.jpg Visitors can walk up to the roof and watch the sail make its slow trajectory east to west, from the roof garden. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/17-LA-SEINE-MUSICALE-171.jpg The architecture maximises light into the building and celebrates the drama of the engineering for both sail and auditorium. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/18-ShigeruBanSeineMusicale.jpg Shigeru Ban looks out onto the sculpture garden, which sits at the building’s north end, still awaiting its final pieces. Photograph: Didier Boy de la Tour. https://www.studiointernational.com/images/articles/s/099-seine-musicale-2017/19-LaSeineMusicalePhotoVSimpson.jpg The Grand Seine auditorium seats 4,000 and can accommodate up to 6,000 people, for almost any kind of amplified music performance – including Holiday on Ice. Photograph: Veronica Simpson. https://www.studiointernational.com/index.php/grayson-perry-the-most-popular-art-exhibition-ever-serpentine-gallery-london https://www.studiointernational.com/images/articles/p/098-perry-grayson-2017/pre-press_gp584_death_of_a_working_hero_2016.jpg Grayson Perry. Death of a Working Hero, 2016. Tapestry. Courtesy the artist, Paragon Press and Victoria Miro, London, Photograph Stephen White © Grayson Perry. https://www.studiointernational.com/images/articles/p/098-perry-grayson-2017/gp624_puff_piece_2016_a.jpg Grayson Perry. Puff Piece, 2016. Glazed ceramic. Courtesy the artist and Victoria Miro, London Photograph: Stephen White © Grayson Perry. https://www.studiointernational.com/images/articles/p/098-perry-grayson-2017/gp624_puff_piece_2016_a-detail.jpg Grayson Perry. Puff Piece, 2016 (detail). Glazed ceramic. Courtesy the artist and Victoria Miro, London Photograph: Stephen White © Grayson Perry. https://www.studiointernational.com/images/articles/p/098-perry-grayson-2017/gp563_king_of_nowhere_2015_a.jpg Grayson Perry. King of Nowhere, 2015. Cast iron and mixed media. Photograph: Stephen White © Grayson Perry. https://www.studiointernational.com/images/articles/p/098-perry-grayson-2017/gp583_the_digmoor_tapestry_2016.jpg Grayson Perry. The Digmoor Tapestry, 2016. Tapestry. Photograph: Stephen White © Grayson Perry. https://www.studiointernational.com/images/articles/p/098-perry-grayson-2017/gp641_matching_pair_2017_a.jpg Grayson Perry. Matching Pair, 2017. Glazed ceramic diptych, each 105 x 51 cm. Courtesy the artist and Victoria Miro, London. Photograph: Robert Glowacki © Grayson Perry. https://www.studiointernational.com/images/articles/p/098-perry-grayson-2017/sg-gp_0617_001.jpg Grayson Perry, The Most Popular Art Exhibition Ever! installation view, Serpentine Gallery, London, 8 June – 10 September 2017. Image © 2017 Robert Glowacki. https://www.studiointernational.com/images/articles/p/098-perry-grayson-2017/sg-gp_0617_002.jpg Grayson Perry, The Most Popular Art Exhibition Ever! installation view, Serpentine Gallery, London, 8 June – 10 September 2017. Image © 2017 Robert Glowacki. https://www.studiointernational.com/images/articles/p/098-perry-grayson-2017/sg-gp_0617_003.jpg Grayson Perry, The Most Popular Art Exhibition Ever! installation view, Serpentine Gallery, London, 8 June – 10 September 2017. Image © 2017 Robert Glowacki. https://www.studiointernational.com/index.php/balenciaga-shaping-fashion-review-victoria-and-albert-museum-london https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Cristobal_Balenciaga_at_work_Paris_1968.jpg Cristóbal Balenciaga at work, Paris, 1968. Photograph by Henri Cartier-Bresson © Henri Cartier-Bresson, Magnum Photos. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Dovima_with_Sacha_cloche_and_suit_by_Balenciaga_Cafe_des_Deux_Magots_Paris_1955.jpg Dovima with Sacha, cloche and suit by Balenciaga, Café des Deux Magots, Paris, 1955. Photograph by Richard Avedon © The Richard Avedon Foundation. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Elise_Daniels_with_street_performers_suit_by_Balenciaga_Le_Marais_Paris_1948.jpg Elise Daniels with street performers, suit by Balenciaga, Le Marais, Paris, 1948. Photograph by Richard Avedon © The Richard Avedon Foundation. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Evening_dress_Cristobal_Balenciaga_Paris_1962.jpg Evening dress, Cristóbal Balenciaga, Paris, 1962. Photograph by Cecil Beaton, 1971 © Cecil Beaton Studio Archive at Sotheby's. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Evening_dress_silk_taffeta_Cristobal_Balenciaga_Paris_1955.jpg Evening dress, silk taffeta, Cristóbal Balenciaga, Paris, 1955. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Evening_dress_wild_silk_with_embroidery_by_Lesage_Cristobal_Balenciaga_Paris_1960-1962_detail.jpg Evening dress, wild silk with embroidery by Lesage, Cristóbal Balenciaga, Paris, 1960-1962. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Evening_gown_and_cape_ziberline_Cristobal_Balenciaga_Paris_1967.jpg Evening gown and cape, ziberline, Cristóbal Balenciaga, Paris, 1967. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Evening_mini-dress_metal_wire_and_plastic_pailettes_Paco_Rabanne_Paris_1967.jpg Evening mini-dress, metal wire and plastic pailettes, Paco Rabanne, Paris, 1967. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Flamenco-style_evening_dress_Cristobal_Balenciaga_Paris_1961.jpg Flamenco-style evening dress, Cristóbal Balenciaga, Paris, 1961. Photograph by Cecil Beaton, 1971 © Cecil Beaton Studio Archive at Sotheby's. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/La_Tulipe_evening_dress_gazar_Balenciaga_for_EISA_Spain_1965.jpg La Tulipe evening dress, gazar, Balenciaga for EISA, Spain, 1965 © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Lisa_Fonssagrives-Penn_wearing_coat_by_Cristobal_Balenciaga_Paris_1950.jpg Lisa Fonssagrives-Penn wearing coat by Cristóbal Balenciaga, Paris, 1950. Photograph by Irving Penn © Condé Nast, Irving Penn Foundation. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Model_wearing_Balenciaga_orange_coat_as_I._Magnin_buyers_inspect_a_dinner_outfit_in_the_background_Paris_France_1954.jpg Model wearing Balenciaga orange coat as I. Magnin buyers inspect a dinner outfit in the background, Paris, France, 1954 © Mark Shaw, mptvimages.com https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Oscar_de_la_Renta_Spring_Summer_2015.jpg Oscar de la Renta, Spring Summer 2015 ready-to-wear, look 37 © Catwalking. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Skirt_suit_wool_and_silk_Demna_Gvasalia_for_Balenciaga_Paris_Autumn_Winter_2016.jpg Skirt suit, wool and silk, Demna Gvasalia for Balenciaga, Paris, Autumn Winter 2016 ready-to-wear, look 1 © Catwalking. https://www.studiointernational.com/images/articles/b/097-balenciaga-2017/Spiral_hat_silk_Balenciaga_for_Eisa_Spain_1962.jpg Spiral hat, silk, Balenciaga for Eisa, Spain, 1962 © Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/31-women-review-peggy-guggenheim-breese-little-london https://www.studiointernational.com/images/articles/w/100-women-31-2017/Cornelia-Baltes,-Twiste-wo-ich-swinge-I,-2015.jpg Cornelia Baltes. Twiste wo ich swinge I, 2015. Acrylic and router on black MDF, powder coated aluminium frame, 69 x 55 cm. Courtesy the artist and Galleri Nicolai Wallner - Breese Little. https://www.studiointernational.com/images/articles/w/100-women-31-2017/Angela-de-la-Cruz,-Ripped.jpg Angela de la Cruz. Ripped. Canvas, paint, wood, 60 x 60 x 3 cm. © Angela de la Cruz, Courtesy Lisson Gallery - Breese Little. https://www.studiointernational.com/images/articles/w/100-women-31-2017/Bridget-Riley,-Towards-Little-Diamond,-1972.jpg Bridget Riley. Towards 'Little Diamond', 1972. Gouache on paper, 71 x 84.7 cm. Courtesy Austin Desmond, London - Breese Little. https://www.studiointernational.com/images/articles/w/100-women-31-2017/Eileen-Agar,-Fighter-Pilot,-1940.jpg Eileen Agar. Fighter Pilot, 1940. Collage on plywood, 22.8 x 17.1 cm. Courtesy Austin Desmond, London - Breese Little. https://www.studiointernational.com/images/articles/w/100-women-31-2017/Ella-Kruglyanskaya,-Drawing-of-Lounging-Woman-in-Straw-Hat,-2015.jpg Ella Kruglyanskaya. Drawing of Lounging Woman in Straw Hat, 2015. Oil on linen, 53.3 x 58.4 cm. Courtesy Thomas Dane - Breese Little. https://www.studiointernational.com/images/articles/w/100-women-31-2017/Katie-Schwab,-Leftovers-6,-2017.jpg Katie Schwab. Leftovers 6, 2017. Glazed stoneware, black clay, terracotta, household paint, birch plywood, American white ash, 26.8 x 26.8 x 4 cm. Courtesy the artist - Breese Little. https://www.studiointernational.com/images/articles/w/100-women-31-2017/Mary-Ramsden,-Because-You-Can-Have-It-All,-2017.jpg Mary Ramsden. Because You Can Have It All, 2017. Oil on canvas, triptych, large panel, 140 x 200 cm, two small panels 46 x 36 cm. Courtesy the artist and Pilar Corrias - Breese Little. https://www.studiointernational.com/images/articles/w/100-women-31-2017/Rose-Wylie,-Blackberry-(Minimal),-2015.jpg Rose Wylie. Blackberry (Minimal), 2015. Watercolour on paper, 84 x 60 cm. Courtesy Union Gallery, Breese Little. https://www.studiointernational.com/images/articles/w/100-women-31-2017/31-Women,-Installation-View-1,-June-2017.jpg 31 Women, Installation view, June 2017, Breese Little, London. https://www.studiointernational.com/images/articles/w/100-women-31-2017/31-Women,-Installation-View-11,-June-2017.jpg 31 Women, Installation view, June 2017, Breese Little, London. https://www.studiointernational.com/images/articles/w/100-women-31-2017/31-Women,-Installation-View-3,-June-2017.jpg 31 Women, Installation view, June 2017, Breese Little, London. https://www.studiointernational.com/images/articles/w/100-women-31-2017/31-Women,-Installation-View-7,-June-2017.jpg 31 Women, Installation view, June 2017, Breese Little, London. https://www.studiointernational.com/images/articles/w/100-women-31-2017/31-Women,-Installation-View-9,-June-2017.jpg 31 Women, Installation view, June 2017, Breese Little, London. https://www.studiointernational.com/index.php/richard-smith-work-of-five-decades-review-flowers-gallery-london https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Untitled,-2002.jpg Richard Smith. Untitled, 2002. Oil on canvas, 263 x 218 cm. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Double-Box,-2010.jpg Richard Smith. Double Box, 2010. Acrylic on canvas, 91.5 x 193.04 cm. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Madama,-c.jpg Richard Smith. Madama, c1980. Acrylic on canvas, 172.7 x 94 x 30.5 cm. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Maryland,-1972.jpg Richard Smith. Maryland, 1972. Acrylic on canvas, 215 x 200 x 37 cm. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Red-Valise,-1995.jpg Richard Smith. Red Valise, 1995. Acrylic on canvas, 193 x 203.2 cm. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Richard-Smith,-Lee-I,-1961.jpg Richard Smith. Lee I, 1961. Oil on canvas, 48.5 x 48.5 cm. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Richard-Smith,-Red-Label,-1958.jpg Richard Smith. Red Label, 1958. Oil on board, 56 x 56 cm. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Round-Flight,-c.jpg Richard Smith. Round Flight, c1985. Acrylic on canvas, 302.3 x 241.3 cm. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Installation-View,-upper-gallery,-Richard-Smith_Work-of-Five-Decades_Flowers-Gallery.jpg Richard Smith. Snakes & Windows, 1993. Acrylic on canvas, aluminium supports, dimensions variable. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Installation-View,-upper-gallery.jpg Richard Smith. Snakes & Windows, 1993. Acrylic on canvas, aluminium supports, dimensions variable. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/s/098-smith-richard-2017/Installation-View,-Richard-Smith_Work-of-Five-Decades_Flowers-Gallery.jpg Richard Smith: Work of Five Decades. Installation view. © Richard Smith Foundation, courtesy Flowers Gallery London and New York. https://www.studiointernational.com/index.php/ailbhe-ni-bhriains-reports-to-an-academy-review-domobaal-london https://www.studiointernational.com/images/articles/b/096-bhriain-ailbhe-ni-2017/1.jpg Ailbhe Ní Bhriain: Reports to an Academy, installation view. Courtesy Ailbhe Ní Bhriain and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/096-bhriain-ailbhe-ni-2017/2.jpg Ailbhe Ní Bhriain: Reports to an Academy, installation view. Courtesy Ailbhe Ní Bhriain and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/096-bhriain-ailbhe-ni-2017/3.jpg Ailbhe Ní Bhriain: Reports to an Academy, installation view. Courtesy Ailbhe Ní Bhriain and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/096-bhriain-ailbhe-ni-2017/4.jpg Ailbhe Ní Bhriain: Reports to an Academy, installation view. Courtesy Ailbhe Ní Bhriain and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/096-bhriain-ailbhe-ni-2017/5.jpg Ailbhe Ní Bhriain: Reports to an Academy, installation view. Courtesy Ailbhe Ní Bhriain and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/096-bhriain-ailbhe-ni-2017/6.jpg Ailbhe Ní Bhriain: Reports to an Academy, installation view. Courtesy Ailbhe Ní Bhriain and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/096-bhriain-ailbhe-ni-2017/8.jpg Ailbhe Ní Bhriain: Reports to an Academy, installation view. Courtesy Ailbhe Ní Bhriain and Domobaal. Photograph: Andy Keate. https://www.studiointernational.com/index.php/fahrelnissa-zeid-review-tate-modern-london https://www.studiointernational.com/images/articles/z/099-zeid-2017/Zeid029.jpg Fahrelnissa Zeid in her studio, Paris, c1950s. Unknown photographer. Raad Zeid Al-Hussein Collection. © Raad Zeid Al-Hussein. https://www.studiointernational.com/images/articles/z/099-zeid-2017/Fahrelnissa-Zeid-Resolved-Problems.jpg Fahrelnissa Zeid. Resolved Problems, 1948. Oil paint on canvas, 130 x 97 cm. Istanbul Museum of Modern Art Collection, Eczacıbaşı Group Donation (Istanbul, Turkey). © Raad Zeid Al-Hussein © Istanbul Museum of Modern Art. https://www.studiointernational.com/images/articles/z/099-zeid-2017/Fahrelnissa-Zeid-Triton-Octopus.jpg Fahrelnissa Zeid. Triton Octopus, 1953. Oil paint on canvas, 181 x 270 cm. Istanbul Museum of Modern Art Collection, Eczacıbaşı Group Donation (Istanbul, Turkey). © Raad Zeid Al-Hussein © Istanbul Museum of Modern Art. https://www.studiointernational.com/images/articles/z/099-zeid-2017/ID_021.jpg Fahrelnissa Zeid. Fight against Abstraction, 1947. Oil paint on canvas, 101 x 151 cm. Istanbul Modern Collection/Eczacibaşi Group Donation. © Raad Zeid Al-Hussein © Istanbul Museum of Modern Art. https://www.studiointernational.com/images/articles/z/099-zeid-2017/IMG_8893.jpg Fahrelnissa Zeid. Third Class Passengers, 1943. Oil paint on plywood, 130 x 100 cm. Istanbul Museum of Modern Art Collection, Eczacıbaşı Group Donation (Istanbul, Turkey). © Raad Zeid Al-Hussein © Istanbul Museum of Modern Art. https://www.studiointernational.com/images/articles/z/099-zeid-2017/T14415.jpg Fahrelnissa Zeid. Untitled, c1950s. Oil paint on canvas. Tate. Presented by Raad Zeid Al-Hussein 2015. © Raad Zeid Al-Hussein. https://www.studiointernational.com/index.php/gregory-crewdson-interview-cathedral-of-the-pines-photographers-gallery-london https://www.studiointernational.com/images/articles/c/099-crewdson-gregory-2017/crewdson-portrait.jpg Gregory Crewdson. Photograph: Isabel Magowan. Courtesy Gagosian Gallery. https://www.studiointernational.com/index.php/skulptur-projekte-munster-2017-review-germany https://www.studiointernational.com/images/articles/s/097-skulptur-project-2017/1.jpg Pierre Hughe. After ALife Ahead, installation view, Münster, 2017. © Skulptur Projekte 2017. Photograph: Henning Rogge. https://www.studiointernational.com/images/articles/s/097-skulptur-project-2017/2.jpg Michael Dean. Tender Tender, installation view, Münster, 2017. © Skulptur Projekte 2017. Photograph. Henning Rogge. https://www.studiointernational.com/images/articles/s/097-skulptur-project-2017/3.jpg Oscar Tuazon. Burn the Formwork, installation view, Münster, 2017. © Skulptur Projekte 2017. Photograph: Henning Rogge. https://www.studiointernational.com/images/articles/s/097-skulptur-project-2017/4.jpg Ei Artkawa. Harsh Citation, Harsh Pastoral, Harsh Münster, installation view, Münster, 2017. © Skulptur Projekte 2017. Photograph: Henning Rogge. https://www.studiointernational.com/images/articles/s/097-skulptur-project-2017/5.jpg Hit Steyerl. HellYeahWeFuckDie, installation view, Münster, 2017. © Skulptur Projekte 2017. Photograph. Henning Rogge. https://www.studiointernational.com/images/articles/s/097-skulptur-project-2017/6.jpg Alexandra Pirici. Leaking Territories, performance, Münster, 2017. © Skulptur Projekte 2017. Photograph. Henning Rogge. https://www.studiointernational.com/images/articles/s/097-skulptur-project-2017/7.jpg Bárbara Wagner and Benjamin de Burda. Bye Bye Deutschland! Eine Lebensmelodie, installation view, Münster, 2017. © Skulptur Projekte 2017. Photograph: Henning Rogge. https://www.studiointernational.com/images/articles/s/097-skulptur-project-2017/8.jpg Gerald Bryne. In Our Time, installation view, Münster, 2017. © Sckulptur Projekte 2017. Photograph: Henning Rogge. https://www.studiointernational.com/images/articles/s/097-skulptur-project-2017/9.jpg Hervé Doumbi. Les masques célèstes, installation view, Münster, 2017. © Sculptur Projekte 2017. Photograph: Henning Rogge. https://www.studiointernational.com/index.php/jodie-carey-video-interview-earthcasts-edel-assanti-london https://www.studiointernational.com/images/articles/c/098-carey-jodie-2017/carey-660x565.jpg Jodie Carey talks to Studio International in her London studio, 6 May 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/098-carey-jodie-2017/Earthcasts-1.jpg Jodie Carey: Earthcasts, installation view, Edel Assanti, London, 2017. https://www.studiointernational.com/images/articles/c/098-carey-jodie-2017/Earthcasts-4.jpg Jodie Carey: Earthcasts, installation view, Edel Assanti, London, 2017. https://www.studiointernational.com/images/articles/c/098-carey-jodie-2017/earthcast-detail-1.jpg Jodie Carey: Earthcasts (detail), installation view, Edel Assanti, London, 2017. https://www.studiointernational.com/images/articles/c/098-carey-jodie-2017/earthcast-detail-2.jpg Jodie Carey: Earthcasts (detail), studio view, London, 2017. https://www.studiointernational.com/images/articles/c/098-carey-jodie-2017/Earthcasts-7.jpg Jodie Carey: Earthcasts, installation view, Edel Assanti, London, 2017. https://www.studiointernational.com/index.php/serendipity-symposium-review-society-for-study-of-artificial-intelligence https://www.studiointernational.com/images/articles/s/098-serendipity-symposium-2017/IMG_20170615_152100.jpg Strawberry Hill House, built by the historian Horace Walpole in the 18th century. Photograph: © Christian Guckelsberger. https://www.studiointernational.com/images/articles/s/098-serendipity-symposium-2017/jasia-reichardt.jpg Jasia Reichardt, the curator of the original Cybernetic Serendipity show at the ICA London, one of two keynote speakers. Photograph: © Christian Guckelsberger. https://www.studiointernational.com/images/articles/s/098-serendipity-symposium-2017/IMG_20170615_134101.jpg Nobel prize-winning 'professor of serendipity' Pek van Andel, one of two keynote speakers. Photograph: © Christian Guckelsberger. https://www.studiointernational.com/images/articles/s/098-serendipity-symposium-2017/StairsUpToDrawingRoomStrawberryHillHouse.jpg Stairs leading up to the Drawing Room, Strawberry Hill House. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/098-serendipity-symposium-2017/IMG_20170615_160114.jpg Interior view, Strawberry Hill House. Photograph: © Christian Guckelsberger. https://www.studiointernational.com/images/articles/s/098-serendipity-symposium-2017/CyberneticSerendipity_si_1968.jpg Cybernetic Serendipity: the computer and the arts. Edited by Jasia Reichardt. Published by Studio International (special issue), 1968. https://www.studiointernational.com/index.php/alice-neel-uptown-review-victoria-miro-london https://www.studiointernational.com/images/articles/n/100-neel-alice-2017/AN42_AbdulRahman_1964.jpg Alice Neel. Abdul Rahman, 1964. Oil on canvas, 50.8 x 40.6 cm (20 x 16 in). Private collection. © The Estate of Alice Neel. Courtesy David Zwirner, New York/London and Victoria Miro, London. https://www.studiointernational.com/images/articles/n/100-neel-alice-2017/AN124_Ed-Sun_1971.jpg Alice Neel. Ed Sun, 1971. Oil on canvas, 106.7 x 76.2 cm (42 x 30 in). © The Estate of Alice Neel. Courtesy David Zwirner, New York/London and Victoria Miro, London. https://www.studiointernational.com/images/articles/n/100-neel-alice-2017/AN115_Building-in-Harlem_1945.jpg Alice Neel. Building in Harlem, 1945. Oil on canvas, 105.7 x 80.3 x 3.8 cm (41 5/8 x 31 5/8 x 1 1/2 in). © The Estate of Alice Neel. Courtesy David Zwirner, New York/London and Victoria Miro, London. https://www.studiointernational.com/images/articles/n/100-neel-alice-2017/AN110_Pregnant-Maria_1964.jpg Alice Neel. Pregnant Maria, 1964. Oil on canvas, 32 x 47 cm (12 5/8 x 18 1/2 in). Private collection. © The Estate of Alice Neel. Courtesy David Zwirner, New York/London and Victoria Miro, London. https://www.studiointernational.com/images/articles/n/100-neel-alice-2017/AN127_Benjamin_1976.jpg Alice Neel. Benjamin, 1976. Acrylic on board, 83.5 x 58.1 x 3.8 cm (32 7/8 x 22 7/8 x 1 1/2 in). Private collection. © The Estate of Alice Neel. Courtesy David Zwirner, New York/London and Victoria Miro, London. https://www.studiointernational.com/images/articles/n/100-neel-alice-2017/AN113_Julie-and-the-doll_1943-a-cropped.jpg Alice Neel. Julie and the doll, 1943. Oil on canvas, 71.4 x 51.4cm (28 1/8 x 20 1/4 in). © The Estate of Alice Neel. Courtesy David Zwirner, New York/London and Victoria Miro, London. https://www.studiointernational.com/images/articles/n/100-neel-alice-2017/AN118_Harold-Cruse_1950-a-cropped.jpg Alice Neel. Harold Cruse, c1950. Oil on canvas, 94 x 55.9 cm (37 x 22 in). Private collection. © The Estate of Alice Neel. Courtesy David Zwirner, New York/London and Victoria Miro, London. https://www.studiointernational.com/images/articles/n/100-neel-alice-2017/AN129_Alice-Childress_1950.jpg Alice Neel. Alice Childress, 1950. Oil on canvas, 75.9 x 50.8 cm (75 7/8 x 20 in). Collection of Art Berliner. © The Estate of Alice Neel. Courtesy David Zwirner, New York/London and Victoria Miro, London. https://www.studiointernational.com/images/articles/n/100-neel-alice-2017/AN133_Ron-Kajiwara_1971.jpg Alice Neel. Ron Kajiwara, 1971. Oil on canvas, 172.4 x 89.2 cm (67 7/8 x 35 1/8 in). © The Estate of Alice Neel. Courtesy David Zwirner, New York/London and Victoria Miro, London. https://www.studiointernational.com/index.php/henri-scars-struck-interview-we-know-you-ve-got-soul https://www.studiointernational.com/images/articles/s/096-scars-struck-henri-2017/henri-scars-struck.jpg Henri Scars Struck. https://www.studiointernational.com/images/articles/s/096-scars-struck-henri-2017/IMG_9563.jpg Installation view, Crow Collection of Asian Art in Dallas. https://www.studiointernational.com/images/articles/s/096-scars-struck-henri-2017/IMG_9457.jpg Struck’s work occupied the galleries of the Crow Collection of Asian Art, responding to an exhibition of paintings and drawings by Arnold Chang and Michael Cherney. https://www.studiointernational.com/images/articles/s/096-scars-struck-henri-2017/IMG_9465.jpg Installation view, Crow Collection of Asian Art in Dallas. https://www.studiointernational.com/images/articles/s/096-scars-struck-henri-2017/IMG_9578.jpg Installation view, Crow Collection of Asian Art in Dallas. https://www.studiointernational.com/index.php/masterpiece-fair-2017-royal-hospital-chelsea-review-london https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/navarro-PKE-22486.jpg Iván Navarro. Impenetrable Room, 2016. Neon, aluminium, mirror, one-way mirror and electric energy, 72 × 72 × 30 in (182.9 × 182.9 × 76.2 cm). Image courtesy of the artist and Paul Kasmin Gallery. Photograph: Christopher Stach. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/navarro-PKE-22486-detail1.jpg Iván Navarro. Impenetrable Room, 2016 (detail). Neon, aluminium, mirror, one-way mirror and electric energy, 72 × 72 × 30 in (182.9 × 182.9 × 76.2 cm). Image courtesy of the artist and Paul Kasmin Gallery. Photograph: Christopher Stach. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/VBDG0001-image.jpg Famous Women Dinner Service made by Vanessa Bell and Duncan Grant in 1932. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/VBDG0001-image-detail.jpg Famous Women Dinner Service made by Vanessa Bell and Duncan Grant in 1932 (detail). https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/Sutherland-2-mining-subjects-CK230.jpg Graham Sutherland. Tin Mine: Two Studies, 1942. Ink, gouache and chalk, 10¾ x 8 in (27.5 x 20 cm). Courtesy Christopher Kingzett Fine Art, London. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/Sutherland-Iron-and-container,Cardiff-1942-CK234.jpg Graham Sutherland. Mouth of Hot Metal Container, Cardiff, 1942. Pen and ink, chalk and wash, 8¾ x 7¾ in (22 x 19.5 cm). Courtesy Christopher Kingzett Fine Art, London. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/Sutherland-Press-for-making-Shells,Woolwich-CK231.jpg Graham Sutherland. Press for making Shells, Woolwich Arsenal, 1944. Coloured chalks and pencil, 11 x 8¼ in (27.8 x 21 cm). Courtesy Christopher Kingzett Fine Art, London. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/Sutherland-Tree-Forms-CK144.jpg Graham Sutherland. Study for Tree Form, 1941. Pen and Indian ink, 10 x 7.4 in (25 x 18.5 cm). Courtesy Christopher Kingzett Fine Art, London. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/GRicht_M_2-004.jpg Gerhard Richter. Grün - Blau - Rot 789-76, 1993. Oil on canvas, 30 x 40 cm (11 3/4 x 15 3/4 in). Courtesy Galerie Ludorff, Düsseldorf. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/GRicht_M_42-004.jpg Gerhard Richter. War Cut II, 2004. Oil on book cover, 25.5 x 21.8 cm (10 x 8 2/3 in). Courtesy Galerie Ludorff, Düsseldorf. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/GRicht_P_24-012.jpg Gerhard Richter. Eis (1973/1981), 1981. Lacquer on card used as jacket for Richter's artists book 'Eis', 20 x 43.5 cm (7 3/4 x 17 in). Courtesy Galerie Ludorff, Düsseldorf. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/GRicht_P_27-005.jpg Gerhard Richter. Ohne Titel (17.4.89), 1989. Oil on cardboard, 29.5 x 42 cm (11 2/3 x 16 1/2 in). Courtesy Galerie Ludorff, Düsseldorf. https://www.studiointernational.com/images/articles/m/097-masterpiece-fair-2017/DUFY-Fleurs-des-champs.jpg Raoul Dufy. Fleurs des champs, 1941. Watercolour and gouache on paper, 50 x 65.2 cm (19 ¾ x 25 11/16 in). Photograph: Prudence Cuming Associates. © Stoppenbach & Delestre Ltd, London. https://www.studiointernational.com/index.php/royal-academy-summer-exhibition-2017-review-london https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Tracey-Emin_And-I-Said-I-Love-You.jpg Tracey Emin. And I Said I Love You! Neon, 57 x 160 x 10 cm. © The artist. Courtesy Lehmann Maupin. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Abe-Odedina_Deep-Cut.jpg Abe Odedina. Deep Cut. Acrylic on plywood. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/CaroleRobb.jpg Carole Robb. Showers with Heroes – Byron. Oil on canvas, 152 x 147 cm. Courtesy Acme Artist Studios. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Christopher-Le-Brun_SL2-P67.jpg Christopher Le Brun. SL2 P67. Unique woodcut, 80 x 60 cm. © The artist. Photograph: Joseph Goody. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Cuming.jpg Frederick Cuming. Hastings Beach, Snow and Bonfire. Oil on canvas, 64 x 73 cm. Photo © Royal Academy of Arts. Photograph: John Bodkin, DawkinsColour https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/David-Mach-3.jpg David Mach. Blizzred. Collage on board, 52 x 52 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Donald-Sultan_Aqua-Button-Flower-June-30-2015.jpg Donald Sultan. Aqua Button Flower June 30 2015. Enamel on Masonite, 244 x 244 cm. © Donald Sultan, Courtesy of Galerie Andres Thalmann and Waqas Wajahat, New York. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Eileen-Cooper_Till-the-Morning-Comes.jpg Eileen Cooper. Till the Morning Comes. Oil on canvas, 122.5 x 153 cm. © Eileen Cooper. Photograph: Justin Piperger. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Fiona-Rae_Many-Coloured-Messenger-Seeks-Her-Fortune.jpg Fiona Rae. Many-Coloured Messenger Seeks Her Fortune. Oil on canvas, 183 x 129.5 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Hassan-Hajjaj_Henna-Bikers.jpg Hassan Hajjaj. Henna Bikers. Metallic lambda, 168.4 x 238.3 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Michael-Craig-Martin_Untitled-(Yellow-Laptop-Fragment).jpg Michael Craig-Martin. Untitled (Yellow Laptop Fragment). Acrylic on aluminium. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Naomi-Wanjiku-Gakunga_M-gogo-The-Crossing.jpg Naomi Wanjiku Gakunga. Mūgogo – The Crossing. Recycled cans, stainless steel wire, galvanised steel wire and paper. Image copyright Jonathan Greet. Courtesy October Gallery. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Parker.jpg Cornelia Parker. Coffee Pot Hit with a Monkey Wrench. Polymer photogravure etching, 74 x 62 cm. Photograph courtesy of the artist and Alan Cristea Gallery. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Sean-Scully_Full-House_2015.jpg Sean Scully. Full House. Oil and acrylic spray on aluminium, 279.4 x 676.9 cm. © Sean Scully. Courtesy Timothy Taylor, London. Photograph: Robert Bean. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Tucker.jpg William Tucker. Maia II. Charcoal on paper, 121 x 110 cm. Photograph © Royal Academy of Arts. Photography: John Bodkin, DawkinsColour. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/Zak-Ove_DP29.jpg Zak Ové. DP29. Sacking crochet doilies. https://www.studiointernational.com/images/articles/r/100-ra-summer-exhibition-2017/wragg.jpg John Wragg. Man with strange creature. Acrylic, 80 x 80 cm. Photograph courtesy of the artist. https://www.studiointernational.com/index.php/howard-hodgkin-painting-india-review-hepworth-wakefield https://www.studiointernational.com/images/articles/h/093-hodgkin-howard-2017/HODGKIN-1967-1971-Mrs-Acton-in-Delhi_Gagosian.jpg Howard Hodgkin. Mrs Acton in Delhi, 1967–71. Oil on canvas, 122 x 148 cm. © Howard Hodgkin. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/h/093-hodgkin-howard-2017/HODGKIN-1972-1973-Bombay-Sunset_Gagosian.jpg Howard Hodgkin. Bombay Sunset, 1972–73. Oil on wood, 44.5 x 98 cm. © Howard Hodgkin. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/h/093-hodgkin-howard-2017/HODGKIN-1978-1982-In-the-Garden-of-the-Bombay-Museum_Gagosian.jpg Howard Hodgkin. In the garden of the Bombay Museum, 1978–82. Oil on wood, 122 x 143 cm. © Howard Hodgkin. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/h/093-hodgkin-howard-2017/HODGKIN-2012-2014-Letters-from-Bombay_Gagosian.jpg Howard Hodgkin. Letters from Bombay, 2012–14. Oil on wood, 40 x 54.9 cm. © Howard Hodgkin. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/h/093-hodgkin-howard-2017/HODGKIN-2013-2014-Arriving_Gagosian.jpg Howard Hodgkin. Arriving, 2013–14. Oil on wood, 118.7 x 192.8 cm. © Howard Hodgkin. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/h/093-hodgkin-howard-2017/HODGKIN-over-to-you.jpg Howard Hodgkin. Over to You, 2015–17. Oil on wood, 24.8 x 31.4 cm. © Howard Hodgkin. Courtesy the artist and Gagosian. https://www.studiointernational.com/index.php/george-drivas-laboratory-of-dilemmas-video-interview-greece-venice-biennale-2017-charlotte-rampling https://www.studiointernational.com/images/articles/g/099-greek-pavilion-venice-2017/george-drivas-640.jpg George Drivas talking to Studio International at the opening of Laboratory of Dilemmas, Greek Pavilion, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/099-greek-pavilion-venice-2017/greece-install-b.jpg George Drivas: Laboratory of Dilemmas, installation view of the labyrinth, Greek Pavilion, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/099-greek-pavilion-venice-2017/greece-install-a.jpg George Drivas: Laboratory of Dilemmas, installation view, Greek Pavilion, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/099-greek-pavilion-venice-2017/greece-install-c.jpg George Drivas: Laboratory of Dilemmas, (with a cast including actor Charlotte Rampling), installation view, Greek Pavilion, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/099-greek-pavilion-venice-2017/greece-install-e.jpg George Drivas: Laboratory of Dilemmas, installation view, Greek Pavilion, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/099-greek-pavilion-venice-2017/greece-install-d.jpg George Drivas: Laboratory of Dilemmas, installation view, Greek Pavilion, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/a-handful-of-dust-photography-after-man-ray-marcel-duchamp-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/h/092-handful-of-dust-2017/2-Rut-Blees-Luxemburg.jpg Rut Blees Luxemburg. NACH INNEN/IN DEEPER, 1999. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/092-handful-of-dust-2017/3-Jeff-Mermelstein.jpg Jeff Mermelstein. Statue (Double Check by Seward Johnson), New York, 11 September 2001, 2001. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/092-handful-of-dust-2017/4-A-Handful-of-Dust.jpg A Handful of Dust, installation view, 2017. Photograph courtesy of Stephen White. https://www.studiointernational.com/images/articles/h/092-handful-of-dust-2017/5-A-Handful-of-Dust.jpg A Handful of Dust, installation view, 2017. Photograph courtesy of Stephen White. https://www.studiointernational.com/images/articles/h/092-handful-of-dust-2017/6-A-Handful-of-Dust.jpg A Handful of Dust, installation view, 2017. Photograph courtesy of Stephen White. https://www.studiointernational.com/index.php/documenta-14-learning-from-athens-part-two-kassel-review https://www.studiointernational.com/images/articles/d/097-documenta-14-2017/5.jpg Ahlam Shibli. Heimat, Nordhessen, Germany, 2016–17. Series of 53 photographs, installation view, Neue Neue Galerie (Neue Hauptpost), Kassel, documenta 14. Photograph: Michael Nast. https://www.studiointernational.com/images/articles/d/097-documenta-14-2017/2.jpg Marta Minujín. The Parthenon of Books, 2017. Steel, books and plastic sheeting, Friedrichsplatz, Kassel, documenta 14. Photograph: Roman März. https://www.studiointernational.com/images/articles/d/097-documenta-14-2017/1.jpg Daniel Knorr. Expiration Movement, 2017. Smoke and manifesto, Zwehrenturm, Kassel, documenta 14. © Daniel Knorr/VG Bild-Kunst, Bonn 2017. Photograph: Bernd Borchardt. https://www.studiointernational.com/images/articles/d/097-documenta-14-2017/3.jpg Angela Melitopoulos. Crossings, 2017. Video and sound installation, installation view, Giesshaus (University of Kassel), Kassel. © Angela Melitopoulos/VG Bild-Kunst, Bonn 2017, documenta 14. Photograph: Nils Klinger. https://www.studiointernational.com/images/articles/d/097-documenta-14-2017/4.jpg Naeem Mohaiemen. Two Meetings and a Funeral, 2017. Three-channel digital video installation, Hessisches Landesmuseum, Kassel, documenta 14. Photograph: Michael Nast. https://www.studiointernational.com/images/articles/d/097-documenta-14-2017/6.jpg Máret Ánne Sara. Pile o’ Sápmi, 2017. Various materials, installation view, Neue Neue Galerie (Neue Hauptpost), Kassel, documenta 14. Photograph: Mathias Völzke. https://www.studiointernational.com/images/articles/d/097-documenta-14-2017/7.jpg Mounira Al Solh. Works from I Strongly Believe in Our Right to Be Frivolous, 2012–17. Graphite on paper, installation view, Glass Pavilions on Kurt-Schumacher-Strasse, Kassel, documenta 14. Photograph: Fred Dott. https://www.studiointernational.com/images/articles/d/097-documenta-14-2017/8.jpg Maria Eichhorn. Unlawfully acquired books from Jewish ownership. Installation view, Neue Galerie, Kassel, documenta 14. Copyright: Maria Eichhorn/VG Bild-Kunst, Bonn 2017. Photograph: Mathias Völzke. https://www.studiointernational.com/index.php/willow-hai-interview-director-china-institute-new-york-dreams-of-the-kings-treasures-han-dynasty https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/burial-suit-MB.jpg Jade burial suit with gold thread, Western Han (206 BCE – 8 CE), L 176 cm (69 5/16 in), W (shoulder) 68 cm (26 13/16 in); 4,248 pieces of jade, 1,576 g (about 55.6 oz) of gold thread, excavated in 1994–95 from the King of Chu’s tomb at Shizishan. Collection of the Xuzhou Museum. 金缕玉衣，西汉，长176、肩宽68厘米，玉片4248片、金缕1576克，1994–1995年狮子山楚王墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Earthenware-Feiji-Cavalryman-Figurine.jpg Earthenware tomb figurine of cavalryman inscribed 'feiji'. Western Han (206 BCE – 8 CE), H 59 cm (23 1/4 in), L 65 cm (25 5/8 in), excavated in 1982 from the pits of the earthenware warriors at Shizishan. Collection of the Xuzhou Museum. 陶“飞骑”俑，西汉，通高59、长65厘米，1982年狮子山兵马俑坑出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Painted.jpg Painted earthenware tomb figurine with hands cupped in salutation, Western Han (206 BCE – 8 CE), H 54 cm (21 5/16 in), W 14 cm (5 9/16 in), excavated in 1986 from the King of Chu’s tomb at Beidongshan. Collection of the Xuzhou Museum. 彩绘陶拱手俑，西汉，高54、宽14厘米，1986年北洞山楚王墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Earthenware-dancing-figurine.jpg Earthenware tomb figurine of dancer, Western Han (206 BCE – 8 CE), H 45 cm (17 3/4 in), W 42 cm (16 9/16 in), excavated in 2000 from the King of Chu’s tomb at Tuolanshan. Collection of the Xuzhou Museum. 陶绕襟衣舞俑，西汉，高45、宽42厘米，2000年驮篮山楚王墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Stone-weight-in-the-shape-of-a-leopard.jpg Stone weight in the shape of a leopard, Western Han (206 BCE – 8 CE), H 14.5 cm (5 3/4 in), W 23.2 cm (9 3/16 in), D 13 cm (5 1/8 in), excavated in 1994–1995 from the King of Chu’s tomb at Shizishan. Collection of the Xuzhou Museum. 豹形石镇，西汉，长23.2、宽13、高14.5厘米，1994–1995年狮子山楚王墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Jade-Pendant-with-S-shaped-Dragon-S.jpg S-shaped dragon jade pendant, Western Han (206 BCE – 8 CE), H 17.1 cm (6 3/4 in), W. 10.8 cm (4 1/4 in), T. 0.6 cm (1/4 in), Excavated in 1994–95 from the King of Chu’s tomb at Shizishan. Collection of the Xuzhou Museum. S形龙玉佩，西汉，高17.1、宽10.8、厚0.6厘米，1994–1995年狮子山楚王墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/gold-belt-buckle-(detail).jpg Gold belt buckle (with prong), detail, Western Han (206 BCE – 8 CE), Buckle plates: L 13.3 cm (5 1/4 in) each, W. 6 cm (2 3/8 in) each, Wt 273.2 g (9.64 oz.) and 277 g (9.77 oz.); Buckle prong: L 3.3 cm (1 5/16 in), W 0.5 cm (3/16 in), Wt.5.8 g (0.20 oz), excavated in 1995 from the King of Chu’s tomb at Shizishan. Collection of the Xuzhou Museum. 金带扣（附扣舌），局部，西汉，带板：长13.3、宽6厘米，两板分别重273.2、277克；扣舌：长3.3、宽0.5厘米，重5.8克，1995年狮子山楚王墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Bronze-mirror.jpg Bronze mirror with portrayals of people, Western Han (206 BCE – 8 CE), Diameter 18.6 cm (7 3/8 in), T (at edge) 0.9 cm (3/8 in), excavated in 1994 from the Marquis of Wanqu’s tomb at Bojishan. Collection of the Xuzhou Museum. 人物画像铜镜，西汉，直径18.6、缘厚0.9厘米，1994年簸箕山宛朐侯墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/gilt-bronze-fang.jpg Gilt bronze fang (square wine container), Western Han (206 BCE – 8 CE), H 58.8 cm (23 3/16 in), Max W (belly) 28.3 cm (11 3/16 in), W (top) 23 cm (9 1/16 in), W (base) 20 cm (7 7/8 in), excavated in 1995 from the King of Chu’s tomb at Shizishan. Collection of the Xuzhou Museum. 鎏金铜钫，西汉，高58.8、腹径28.3、顶径23、足径20厘米，1995年狮子山楚王墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Iron-lamellar-armor.jpg Iron lamellar armour, Western Han (206 BCE – 8 CE), H 72 cm (28 3/8 in), W 68 cm (26 13/16 in), D 28 cm (11 1/16 in), excavated in 1995 from the King of Chu’s tomb at Shizishan. Collection of the Xuzhou Museum. 铁札甲，西汉，高72、宽68、厚28厘米，1995年狮子山楚王墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Jade-cup.jpg Jade chalice, Western Han (206 BCE – 8 CE), H 10.8 cm (4 1/4 in), Diameter (at mouth) 4.5 cm (1 13/16 in), excavated in 1995 from the King of Chu’s tomb at Shizishan. Collection of the Xuzhou Museum. 玉高足杯，西汉，高10.8、口径4.5厘米，1995年狮子山楚王墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Jade-Huang.jpg Ornamented jade heng with phoenix motifs and dragon heads, Western Han (206 BCE – 8 CE), L 13.1 cm (5 3/16 in), W. 5.5 cm (2 3/16 in), T 0.45 cm (3/16 in.), excavated in 2002 from the Han tomb at Taojiashan. Collection of the Xuzhou Museum. 出廓凤纹龙首玉珩，西汉，长13.1、宽5.5、厚0.45厘米，2002年陶家山汉墓出土，徐州博物馆藏 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Section-1.jpg Dreams of the Kings (installation view). The King's Guards 王的卫士 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Section-2.jpg Dreams of the Kings (installation view). Dreams of Eternity 永生之梦 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Exterior-view-of-the-King-of-Chus-tomb-at-Shizishan-during-excavation.jpg Exterior view of the King of Chu's tomb at Shizisha…王墓发掘外景 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/A-Structural-perspective-of-Shizishan-Chu-Kings-tomb.jpg A Structural perspective of Shizishan Chu King's tom…筑构造透视图 https://www.studiointernational.com/images/articles/d/098-dreams-of-the-kings-2017/Exhibition-curator-Li-Yinde,-Director,-Xuzhou-Museum,-and-Willow-Weilan-Hai,-Director,-China-Institute-Gallery.jpg Exhibition curator Li Yinde, Director, Xuzhou Museum and Willow Weilan Hai, Director, China Institute Gallery https://www.studiointernational.com/index.php/afruz-amighi-interview-no-more-disguise-i-wanted-to-make-characters-embodied-good-and-bad https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-032217-63957_s.jpg Afruz Amighi. Emperor’s Headdress (drawing), 2017. Graphite on graph paper, 24 x 16 in (61 x 41 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-0505117-66771_s.jpg Afruz Amighi. Emperor’s Headdress, 2017. Steel, fibreglass mesh, chain, light, 50 x 39 x 14 in (127 x 99 x 36 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-032217-63944-1_s.jpg Afruz Amighi. Headdress for an Empress (drawing), 2017. Graphite on graph paper, 24 x 16 in (61 x 41 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-0505117-66758_s.jpg Afruz Amighi. Headdress for an Empress, 2017. Steel, fibreglass mesh, chain, light, 46 x 28 x 14 in (117 x 71 x 36 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-032217-63963-1_s.jpg Afruz Amighi. Warrior’s Headdress (drawing), 2017. Graphite on graph paper, 18 x 24 in (46 x 61 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-0505117-66735_s.jpg Afruz Amighi. Warrior’s Headdress, 2017. Steel, fibreglass mesh, chain, light, 38 x 44 x 14 in (97 x 112 x 36 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/afruz-amighi-portrait-640.jpg Afruz Amighi. Photograph: Matteo Leonardi. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-032217-63952-1_s.jpg Afruz Amighi. Headdress for the Unborn (drawing), 2017. Graphite on graph paper, 24 x 16 in (61 x 41 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-0505117-66744_s.jpg Afruz Amighi. Headdress for the Unborn, 2017. Steel, fibreglass mesh, chain, light, 46 x 28 x 14 in (117 x 71 x 36 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-0505117-66785_s.jpg Afruz Amighi. Fool’s Headdress (drawing), 2017. Graphite on graph paper, 24 x 18 in (61 x 46 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-0505117-66721_s.jpg Afruz Amighi. Fool’s Headdress, 2017. Steel, fibreglass mesh, chain, light, 48 x 35 x 14 in (122 x 89 x 36 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-032217-63955-1_s.jpg Afruz Amighi. Headdress for the Beheaded, 2017. Graphite on graph paper, 24 x 16 in (61 x 41 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/images/articles/a/Afruz-Amighi-2017/Afruz-032217-64001_s.jpg Afruz Amighi. Headdress for the Beheaded, 2017. Steel, fibreglass mesh, chain, light, 45 x 36 x 14 in (114 x 91 x 36 cm). Photograph: Studio Suarez. Copyright 2017. Courtesy of Leila Heller Gallery. https://www.studiointernational.com/index.php/ida-applebroog-mercy-hospital-review-depression-1969-hauser-wirth https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE74791.jpg Ida Applebroog. Mercy Hospital, 1969. Ink and watercolour on paper, 35.6 x 27.9 cm (14 x 11 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE74828.jpg Ida Applebroog. Mercy Hospital, 1969. Watercolour, ink and pencil on paper, 27.9 x 38.1 cm (11 x 15 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE75272.jpg Ida Applebroog. Mercy Hospital, 1969. Ink on paper, 35.6 x 27.9 cm (14 x 11 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE75288.jpg Ida Applebroog. Mercy Hospital, 1969 – 1970. Pantone marker on paper, 34.6 x 26.7 cm (13 5/8 x 10 1/2 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE74790.jpg Ida Applebroog. Mercy Hospital, 1969. Ink and watercolour on paper, 35.6 x 27.9 cm (14 x 11 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE74780.jpg Ida Applebroog. Mercy Hospital, 1969. Ink and watercolour on paper, 61 x 48.3 cm (24 x 19 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE74800.jpg Ida Applebroog. Mercy Hospital, 1969. Pastel and pencil on paper, 35.6 x 27.9 cm (14 x 11 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE74806.jpg Ida Applebroog. Mercy Hospital, 1969. Pastel and pencil on paper, 35.6 x 27.9 cm (14 x 11 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE75263.jpg Ida Applebroog. Mercy Hospital, 1969. Ink and pencil on paper, 45.7 x 30.8 cm (18 x 12 1/8 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE75277.jpg Ida Applebroog. Mercy Hospital, 1969. Watercolour and ink on paper, 38.1 x 27.9 cm (15 x 11 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/images/articles/a/099-applebroog-ida-2017/APPLE75295.jpg Ida Applebroog. Mercy Hospital, 1969 – 1970. Watercolour and ink on paper, 50.8 x 38.1 cm (20 x 15 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. https://www.studiointernational.com/index.php/esther-rolinson-interview-gravitate-light-has-an-immediacy-we-are-literally-woken-up-by-it https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/machine-for-living1_s.jpg Esther Rolinson. Machine for Living (Toured 2001-3). Installation for dance performance. In collaboration with Carol Brown Dances, 10 x 10 m performance space. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/shelf_life1_s.jpg Esther Rolinson. Shelf Life (Toured 1998 - 2000). Installation for dance performance. In collaboration with Carol Brown Dances, approximate space 2.5 x 7 m. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/attraction_s.jpg Ester Rolinson. Attraction, 2016. Drawing. Pencil crayon on inked paper, 110 x 110 cm. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/turning_s.jpg Esther Rolinson. Turning, 2015. Drawing. Oil pastel on inked paper, 150 x 66 cm. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/Align_s.jpg Esther Rolinson. Align, 2006. Public artwork. Animated LED channels, approximate space 4 x 6 m. Lewes Library. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/Trace-Elements_Electric-Wharf1_s.jpg Esther Rolinson. Trace Elements, 2004. Public artwork,. Animated LED channels. Electric Wharf, Coventry. Approximate space 14 x 9 m. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/Esther-Rolinson-portrait-with-Gravitate-title_s.jpg Ester Rolinson: Gravitate. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/connection_s.jpg Esther Rolinson. Connected, 2015. Drawing. Pencil on paper, 230 x 150 cm. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/expansion_s.jpg Esther Rolinson. Expansion, 2016. Drawing. Pencil and graphite on paper, 110 x 110 cm. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/Flown_gravitate_comp_s.jpg Esther Rolinson. Flown, 2015. Light installation. Hand folded acrylic, programmed LEDs. In collaboration with Sean Clark. Dimensions variable, shown at Watermans; 5 x 2.5 m. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/Esther-Rolinson-portrait-with-Flown_s.jpg Esther Rolinson. Flown, 2015. Light installation. Hand folded acrylic, programmed LEDs. In collaboration with Sean Clark. Dimensions variable, shown at Watermans; 5 x 2.5 m. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/gravitate_s.jpg Esther Rolinson. Gravitate, 2016. Drawing. Pencil and graphite on paper, 110 x 110 cm. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/shelf_life2_s.jpg Esther Rolinson. Shelf Life (Toured 1998 - 2000). Installation for dance performance. In collaboration with Carol Brown Dances, approximate space 2.5 x 7 m. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/Signal_black1_gravitate_s.jpg Esther Rolinson. Signal Series, Brass No.1, 2016. Wall-based light works. Hand chiselled brass sheet, programmed LEDs, 35 x 35 cm. In collaboration with Sean Clark. https://www.studiointernational.com/images/articles/r/099-rolinson-esther-2017/Trace-Elements_Electric-Wharf-2_s.jpg Esther Rolinson. Trace Elements, 2004. Public artwork,. Animated LED channels. Electric Wharf, Coventry. Approximate space 14 x 9 m. https://www.studiointernational.com/index.php/evgenia-arbugaeva-interview-weatherman-arctic-believing-in-magic https://www.studiointernational.com/images/articles/a/098-evgenia-arbugaeva-2017/Amani_1.jpg Evgenia Arbugaeva. From the Amanni series, 2015. https://www.studiointernational.com/images/articles/a/098-evgenia-arbugaeva-2017/Tiksi_1.jpg Evgenia Arbugaeva. From the Tiksi series, 2012. https://www.studiointernational.com/images/articles/a/098-evgenia-arbugaeva-2017/WM_1.jpg Evgenia Arbugaeva. From Weather Man series, 2014. https://www.studiointernational.com/images/articles/a/098-evgenia-arbugaeva-2017/EVGENIA_ARBUGAEVA_by_theodora_richter.jpg Evgenia Arbugaeva. Photograph: Theodora Richter. https://www.studiointernational.com/images/articles/a/098-evgenia-arbugaeva-2017/Amani_2.jpg Evgenia Arbugaeva. From the Amanni series, 2015. https://www.studiointernational.com/images/articles/a/098-evgenia-arbugaeva-2017/Tiksi_2.jpg Evgenia Arbugaeva. From the Tiksi series, 2012. https://www.studiointernational.com/images/articles/a/098-evgenia-arbugaeva-2017/WM_2.jpg Evgenia Arbugaeva. From Weather Man series, 2014. https://www.studiointernational.com/index.php/raqib-shaw-review-whitworth-manchester-maria-balshaw https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/10.jpg Raqib Shaw. Detail of Self-portrait in the Studio at Peckham (this is how Shaw depicts himself, part clown, part skeleton), 2014-15. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/01.jpg Raqib Shaw, installation view, the Whitworth Manchester, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/02.jpg Raqib Shaw, installation view, the Whitworth Manchester, 2017. Foreground: Self-portrait in the Studio at Peckham (After Steenwyck the Younger) II, 2014-15. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/11.jpg Raqib Shaw. Self-portrait in the Studio at Peckham, 2014-15 (corner detail). Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/03.jpg Raqib Shaw. Kashmir Danae (detail). Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/04.jpg Utogawa (Ando) Hiroshige (1779-1858). Moon Pine, Uneo 1857. Woodcut on paper. From Manchester Art Gallery collection. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/05.jpg Walter Crane (1845-1915). Peacock Panel, c1885. Hand embroidery on Damask. From The Whitworth collection. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/06.jpg Raqib Shaw. The Adoration (After Jan Goassaert) 2015-16. Courtesy Raqib Shaw and White Cube. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/07.jpg Jan Van Os (1744-1808). Still Life: Flowers and Fruit (c1764). Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/08.jpg Uchikake Kimono and Obi (from artist’s photoshoot for Kashmir Danae). Circa 1870, silk and metal wrapped threads. Kimono is the artist's own. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/13.jpg John Frederick Lewis (1804-1878). Indoor Gossip, Cairo, 1873. Courtesy of The Whitworth, The University of Manchester. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/14.jpg Raqib Shaw. Centaur Trio, 2016. Bronze with Renaissance patina. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/15.jpg Renaissance Revival hand-carved Curule Throne circa 1870 (cushion from Neuschwanstein gift shop embroidered with Ludwig II of Bavaria’s swan motif). From Raqib Shaw’s private collection. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/16.jpg Nonet sculpture (Raqib Shaw) with The Adoration in the background. Installation view, the Whitworth Manchester, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/17.jpg Raqib Shaw (left) talks with critic and Diana Campbell Betancourt, at the Whitworth Manchester. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/18.jpg Raqib Shaw, installation view, the Whitworth Manchester, 2017. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/19.jpg Raqib Shaw, installation view, the Whitworth Manchester, 2017. https://www.studiointernational.com/images/articles/s/096-shaw-raqib-2017/20-TheLastFireflyCatcherBackground.jpg Raqib Shaw, installation view, the Whitworth Manchester, 2017. Background: Raqib Shaw. The Last Firefly Catcher, 2011. Acrylic liner, glitter, oil, enamel and rhinestones on birchwood. Painting loaned courtesy of Ariane Dandois and Ondine de Rothschild. https://www.studiointernational.com/index.php/alexandra-dementieva-interview-10-installations-moscow-museum-of-contemporary-art https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/01-Dementieva-Mirrors-Memory.jpg Alexandra Dementieva. Mirror’s Memory, 2003. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/04-Dementieva-Drama-House.jpg Alexandra Dementieva. Drama House, 2009. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/02-Dementieva-Sleeper-2.jpg Alexandra Dementieva. Sleeper, 2015-2016. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/05-Dementieva-Unbearable-Lightness.jpg Alexandra Dementieva. Unbearable Lightness, 2009. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/06-Dementieva-Breathless.jpg Alexandra Dementieva. Breathless, 2012. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/07-Dementieva-Alien-Space.jpg Alexandra Dementieva. Alien Space, 2008. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/08-Dementieva-Monolith.jpg Alexandra Dementieva. Monolith, 2010. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/12-Dementieva-Stalker-Brain-Scanner.jpg Alexandra Dementieva. Stalker/Brain Scanner, 2006. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/13-Dementieva-640.jpg Alexandra Dementieva. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/03-Dementieva-Sleeper.jpg Alexandra Dementieva. Sleeper, 2015-2016. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/09-Dementieva-Cycloramadrome.jpg Alexandra Dementieva. Cycloramadrome, 2014. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/images/articles/d/096-dementieva-alexandra-2017/11-Dementieva-Limited-Spaces.jpg Alexandra Dementieva. Limited Spaces – 2, 2005. Installation at MMoMA, Moscow, Russia. Photograph: Evgeny Gurko. https://www.studiointernational.com/index.php/portraying-a-nation-germany-1919-1933-otto-dix-august-sander-review-tate-liverpool https://www.studiointernational.com/images/articles/p/097-portraying-a-nation-2017/Otto-Dix,-Self-Portrait-with-Easel-1926.jpg Otto Dix. Self-Portrait with Easel 1926 (Selbstbildnis mit Staffelei), 1926. 80 x 55 cm. © DACS 2017. Leopold-Hoesch-Museum & Papiermuseum Düren. Photograph: Peter Hinschläger. https://www.studiointernational.com/images/articles/p/097-portraying-a-nation-2017/Otto-Dix,-Reclining-Woman-on-a-Leopard-Skin-1927-(Liegende-auf-Leopardenfell)-1927.jpg Otto Dix. Reclining Woman on a Leopard Skin, 1927. (Liegende auf Leopardenfell), 1927. Oil paint on panel, 68 x 98 cm. © DACS 2017. Collection of the Herbert F. Johnson Museum of Art, Cornell University. https://www.studiointernational.com/images/articles/p/097-portraying-a-nation-2017/Otto-Dix,-Hugo-Erfurth-with-Dog-1926.jpg Otto Dix. Hugo Erfurth with Dog, 1926 (Bildnis des Fotografen Hugo Erfurth mit Hund), 1926. Tempera and oil paint on panel, 80 x 100 cm. Museo Thyssen-Bornemisza, Madrid. © DACS 2017. Museo Thyssen-Bornemisza, Madrid. https://www.studiointernational.com/index.php/jesse-jones-tremble-tremble-venice-biennale-2017-video-interview-ireland https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-08.jpg Jesse Jones: Tremble Tremble, installation view, featuring actress Olwen Fouéré, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-01a.jpg Jesse Jones: Tremble Tremble, installation view, featuring actress Olwen Fouéré, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-04.jpg Jesse Jones: Tremble Tremble, installation view, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-03.jpg Jesse Jones: Tremble Tremble, installation view, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-640.jpg Jesse Jones talking to Studio International at the opening of Tremble Tremble, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-02.jpg Jesse Jones: Tremble Tremble, installation view, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-07.jpg Jesse Jones: Tremble Tremble, installation view, featuring actress Olwen Fouéré, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-05.jpg Jesse Jones: Tremble Tremble, installation view, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-06.jpg Jesse Jones: Tremble Tremble, installation view, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/j/099-jones-jesse-2017/jesse-jones-01.jpg Jesse Jones: Tremble Tremble, installation view, featuring actress Olwen Fouéré, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/maggies-centre-for-cancer-care-oldham-drmm-de-rijke-marsh-morgan https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/02.jpg View from the entrance, Maggie’s Centre for cancer care, Oldham. Photograph: Jasmin Sohi. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/05.jpg View out over the town and the Penines, Maggie’s Centre for cancer care, Oldham. Photograph: Jasmin Sohi. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/07.jpg Interior view with poured resin floor of sunshine yellow, Maggie’s Centre for cancer care, Oldham. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/10-QuietcalmCounsellingRoom.jpg Counselling room, Maggie’s Centre for cancer care, Oldham. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/09.jpg View through the void, Maggie’s Centre for cancer care, Oldham. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/08.jpg American walnut breakfast bar, Maggie’s Centre for cancer care, Oldham. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/01.jpg Maggie’s Centre for cancer care, Oldham. Photograph: Alex de Rijke. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/03.jpg The birch tree In the void, Maggie’s Centre for cancer care, Oldham. Photograph: Alex de Rijke. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/04.jpg Kitchen table, Maggie’s Centre for cancer care, Oldham. Photograph: Jasmin Sohi. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/11-WoodenDoorHandlesAreHand-TurnedOak.jpg Hand-turned oak door handles, Maggie’s Centre for cancer care, Oldham. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/12.jpg Toilets are bright and cheerful. Maggie’s Centre for cancer care, Oldham. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/13.jpg View of the terrace, Maggie’s Centre for cancer care, Oldham. Photograph: Alex de Rijke. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/14.jpg The garden includes a greenhouse for gardening therapy, Maggie’s Centre for cancer care, Oldham. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/15.jpg Rainwater drips into this water tank when it rains, Maggie’s Centre for cancer care, Oldham. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/16.jpg The underside of the building, Maggie’s Centre for cancer care, Oldham. Photograph: Tony Barwell. https://www.studiointernational.com/images/articles/m/097-maggies-centre-oldham-2017/17.jpg Exterior view, Maggie’s Centre for cancer care, Oldham. Photograph: Alex de Rijke. https://www.studiointernational.com/index.php/soul-of-a-nation-art-in-the-age-of-black-power-tate-modern-london-review https://www.studiointernational.com/images/articles/s/095-soul-of-a-nation-2017/Faith-Ringgold.jpg Faith Ringgold. American People Series #20: Die, 1967. Oil on canvas, 182.8 x 365.7 cm. The Museum of Modern Art, New York. Purchase; and gift of the Modern Women https://www.studiointernational.com/images/articles/s/095-soul-of-a-nation-2017/Barkley-Hendricks.jpg Barkley L. Hendricks. Icon for My Man Superman (Superman Never Saved any Black People--Bobby Seale), 1969. Oil, acrylic and aluminium leaf on linen canvas, 151.1 x 121. 9 cm. Collection of Liz and Eric Lefkofsky. © Barkley L. Hendricks. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/s/095-soul-of-a-nation-2017/Benny-Andrews.jpg Benny Andrews. Did the Bear Sit Under a Tree?, 1969. Oil on canvas with painted fabric collage and zipper, 127 x 156.8 x 5.7 cm. Emanuel Collection. © Estate of Benny Andrews /DACS, London IVAGA, NY 2017. https://www.studiointernational.com/images/articles/s/095-soul-of-a-nation-2017/Emory-Douglas.jpg Emory Douglas. 21 August 1971, 'We Shall Survive wihtout a doubt', 1971. Newspaper, 44.5 x 58 cm. Center for the Study of Political Graphics !Culver City, USA). © Emory Douglas I ARS NY. Photograph: Courtesy of Emory Douglas/ Art Resource, NY. https://www.studiointernational.com/images/articles/s/095-soul-of-a-nation-2017/Frank-Bowling.jpg Frank Bowling. Texas Louise, 1971. Acrylic on canvas, 282 x 665 cm. Courtesy of the Rennie Collection, Vancouver. © Frank Bowling. https://www.studiointernational.com/index.php/dreamers-awake-white-cube-bermondsey-london-surrealism-women-review https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/04-Julie-Curtiss-Venus-2016.jpg Julie Curtiss. Venus, 2016. Acrylic and oil on canvas, 147 x 81 cm (58 x 32 in). © Julie Curtiss. Courtesy the artist. https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/11-Linder-Its-The-Buzz-Cock-2015.jpg Linder. It https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/01-Jo-Ann-Callis-Untitled-from-Early-Color-Portfolio.jpg Jo Ann Collis. Untitled, from Early Color Portfolio, c1976. © JoAnn Collis. Courtesy of the artist and ROSEGALLERY. https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/10-Hayv-Kahraman-T25-and-T26-2017.jpg Hayv Kahraman. T25 and T26, 2017. Oil on linen, 203.2 x 152.4 cm (80 x 60 in). © Hayv Kahraman. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/05-Grace-Pailthorpe-May-16th-1941-1941.jpg Grace Pailthorpe. tvfay 16th, 1941, 1941. Oil on canvas board, 30 x 40 cm. © Artist's estate. Courtesy of Redfern Gallery, London. https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/06-Kelly-Akashi-Well(-)-Hung,-2017.jpg Kelly Akashi. Well(-) Hung, 2017. Bronze, rope and silicone, dimensions variable. © The artist. Courtesy the artist and Ghebaly Gallery, Los Angeles. Photograph: Jeff Mclane. https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/07-Carina-Brandes-Untitled-(CB-096)-2012.jpg Carina Brandes. Untitled (CB 096), 2012. B/W photograph on baryta, 34.9 x 23.3 cm (13.7 X 9.2 in). @ Carina Brandes. Courtesy BQ, Berlin. Photograph: Roman Marz. https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/08-Leonora-Carrington-Title-Unknown-1963.jpg Leonora Carrington. [Title unknown], 1963. Oil and gouache on board, 60 x 71 cm (23 5/8 x 2715/16 in). © Estate of Leonora Carrington. Courtesy Private Collection, London. https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/09-Kiki-Smith-Seer-(Alice-I)-2005.jpg Kiki Smith. Seer (Alice I), 2005. White auto body paint on bronze, 158.8 x 141 x 124.5 cm (62 1/2 x 55 1/2 x 49 in). © The artist. Courtesy Private Collection, London. https://www.studiointernational.com/images/articles/d/096-dreamers-awake-2017/12-Siobhan-Hapaska-Touch-2016.jpg Siobhan Hapaska. Touch, 2016. Concrete cloth, oak, synthetic fur, aluminium, steel, two- pack acrylic paint and lacquer, 230 x 95 x 140 cm (90.6 x 37.4 x 55.1 in). © Siobhan Hapaska. Courtesy of the artist and Kerlin Gallery. Photograph: Denis Mortell. https://www.studiointernational.com/index.php/vic-mcewan-cad-factory-new-south-wales-harmonic-oscillator-tate-liverpool-interview https://www.studiointernational.com/images/articles/m/096-mcewan-vic-2017/Vic-and-Sarah.jpg Vic and Sarah – Image: Barbara Bartos and Vic McEwan - Cad Factory Artist Director Vic McEwan with Creative Producer Sarah McEwan in front of traditional burning techniques being trialled by Graham Strong, 2006. https://www.studiointernational.com/images/articles/m/096-mcewan-vic-2017/OCG-Mary-the-moon-and-the-River-Hang.jpg OCG Mary, the Moon and the River Hang – Image James Farley - On Common Ground – Haunting by Vic McEwan with George Main and Vanishing Point: Swan Hoppers Legacy by Julie Montgarrett with Clytie Smith and Vic McEwan. 2015 https://www.studiointernational.com/images/articles/m/096-mcewan-vic-2017/Vic-in-Oil-Tank.jpg Vic in Oil Tank – North of Inverness, deep inside the Inchindown Oil Tank, searching for the worlds longest reverb. https://www.studiointernational.com/images/articles/m/096-mcewan-vic-2017/Vic-and-PS-Enterprise.jpg Vic and PS Enterprise – Vic McEwan playing the PS Enterprise on the banks of Lake Burley Griffin, Canberra ACT, 2005. Photograph: Sarah McEwan. https://www.studiointernational.com/images/articles/m/096-mcewan-vic-2017/Kangaroo-Embryo.jpg Vic McEwan. Kangaroo Embryo from National Museum of Australia Specimen Collection projected onto the banks of the Murrumbidgee River in Narrandera NSW, 2015. Image courtesy Vic McEwan. https://www.studiointernational.com/images/articles/m/096-mcewan-vic-2017/Vic-Artlands-Playing-Pivot-Irrigator.jpg Vic McEwan on top of a 40-metre-long Pivot Irrigator, playing it like a giant cello, 2006. Artlands Regional Arts Conference and Festival, Dubbo NSW opening Ceremony. Image courtesy Vic McEwan. https://www.studiointernational.com/index.php/laura-youngson-coll-the-real-catharsis-was-in-the-making-process-interview https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Angiogenesis,-2017.jpg Laura Youngson Coll. Angiogenesis, 2017. Vellum, Supernatural vellum, dyed vellum. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Angiogenesis(detail),-2017-3.jpg Laura Youngson Coll. Angiogenesis, 2017 (detail). Vellum, Supernatural vellum, dyed vellum. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Haeckel-I,-2015.jpg Laura Youngson Coll. Haeckel I, 2015. Vellum, Supernatural vellum, hair, sheep leather, armature, approx. 25 cm in diameter. Photograph: Laura Youngson Coll. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Haeckel-I(detail),-2014.jpg Laura Youngson Coll. Haeckel I, 2015 (detail). Vellum, Supernatural vellum, hair, sheep leather, armature, approximately 25 cm diameter. Photograph: Laura Youngson Coll. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Regimen,-2017.jpg Laura Youngson Coll. Regimen, 2017. Vellum, dyed vellum, Supernatural vellum, medical card, birch bark, platinum leaf. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Regimen-work-in-progress,-2017.jpg Laura Youngson Coll. Regimen (work in progress), 2017. Vellum, dyed vellum, Supernatural vellum, medical card, birch bark, platinum leaf. Photograph: Laura Youngson Coll. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Laura-Youngson-Coll-640.jpg Laura Youngson Coll. © Hydar Dewachi. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Angiogenesis(detail),2017-2.jpg Laura Youngson Coll. Angiogenesis, 2017 (detail). Vellum, Supernatural vellum, dyed vellum. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Angiogenesis(detail)2017.jpg Laura Youngson Coll. Angiogenesis, 2017 (detail). Vellum, Supernatural vellum, dyed vellum. Photograph: Anna Arca. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Haeckel-II,-2015.jpg Laura Youngson Coll. Haeckel II, 2015. Vellum, dyed vellum, armature, approximately 35 cm diameter. Photograph: Laura Youngson Coll. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Pathogenesis,-2016.jpg Laura Youngson Coll. Pathogenesis, 2016. Vellum, Supernatural vellum, dyed vellum, armature. Photograph: Laura Youngson Coll. https://www.studiointernational.com/images/articles/c/097-coll-laura-youngson-2017/Pathogenesis(detail)-2016.jpg Laura Youngson Coll. Pathogenesis, 2016 (detail). Vellum, Supernatural vellum, dyed vellum. Photograph: Anna Arca. https://www.studiointernational.com/index.php/andrew-rogers-i-am-energy-expo-2017-astana-kazakhstan https://www.studiointernational.com/images/articles/r/098-rogers-andrew-2017/Andrew-Rogers-and-Prime-Minister-Sagintayev-Bakytzhan_vmJ4A4303.jpg Andrew Rogers with Bakytzhan Sagintayev, The Prime Minister of Kazakhstan, in front of I AM–ENERGY. https://www.studiointernational.com/images/articles/r/098-rogers-andrew-2017/I-Am-Energy_Kazakhstan-2017_DSCF0170.jpg Andrew Rogers. I AM–ENERGY, installation view in front of Nur Alem, nicknamed The Sphere, the Expo’s hub, housing the Kazakhstan National Pavilion and Museum of Future Energy. https://www.studiointernational.com/images/articles/r/098-rogers-andrew-2017/I-Am-Energy_Kazakhstan-2017_vmJ4A5457.jpg Andrew Rogers. I AM–ENERGY, installation view, Future Energy, Expo 2017, Astana, Kazakhstan. https://www.studiointernational.com/index.php/marlie-mul-nothing-was-possible-this-exhibition-is-cancelled-glasgow-gallery-of-modern-art https://www.studiointernational.com/images/articles/m/095-mul-marlie-2017/marlie-mul-01.jpg Marlie Mul: This exhibition is cancelled, Glasgow Gallery of Modern Art until 29 October 2017. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/m/095-mul-marlie-2017/marlie-mul-07.jpg Marlie Mul: This exhibition is cancelled, gallery view, Glasgow Gallery of Modern Art 2017. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/m/095-mul-marlie-2017/marlie-mul-03.jpg Marlie Mul: This exhibition is cancelled, gallery view, Glasgow Gallery of Modern Art 2017. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/m/095-mul-marlie-2017/marlie-mul-02.jpg Marlie Mul: This exhibition is cancelled, gallery view, Glasgow Gallery of Modern Art 2017. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/m/095-mul-marlie-2017/marlie-mul-08.jpg Marlie Mul: This exhibition is cancelled, gallery view, Glasgow Gallery of Modern Art 2017. Photograph: Max Slaven. https://www.studiointernational.com/index.php/stephen-chambers-the-court-of-redonda-venice-biennale-2017-video-interview https://www.studiointernational.com/images/articles/c/100-chambers-stephen-2017/CoR.jpg Stephen Chambers: The Court of Redonda. Installation view, Venice Biennale 2017. Photograph: Farah Syed. https://www.studiointernational.com/images/articles/c/100-chambers-stephen-2017/Baron-H.jpg Stephen Chambers. Baron H. el Coyote. Oil on panel, 48 x 39 cm. Photograph: Farah Syed. © Stephen Chambers. https://www.studiointernational.com/images/articles/c/100-chambers-stephen-2017/State-of-the-Nation-(1).jpg Stephen Chambers. State of the Nation, 2017. Oil on linen, 160 x 210 cm. Photograph: Farah Syed. © Stephen Chambers. https://www.studiointernational.com/images/articles/c/100-chambers-stephen-2017/chambers-640.jpg Stephen Chambers talking to Studio International at the opening of The Court of Redonda, Venice, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/100-chambers-stephen-2017/CoRCaDandolo_Int10.jpg Stephen Chambers: The Court of Redonda. Installation view, Venice Biennale 2017. Photograph: Farah Syed. https://www.studiointernational.com/images/articles/c/100-chambers-stephen-2017/Keeper-of-the-Dresscode.jpg Stephen Chambers. Keeper of the Dresscode. Oil on panel, 39 x 48 cm. Photograph: Farah Syed. © Stephen Chambers. https://www.studiointernational.com/images/articles/c/100-chambers-stephen-2017/Steaming-Agnes-(Lest-She-Wander).jpg Stephen Chambers. Steaming Agnes (Less she Wander). Oil on panel, 48 x 39 cm. Photograph: Farah Syed. © Stephen Chambers. https://www.studiointernational.com/index.php/lluis-lleo-interview-it-was-important-that-sandstone-came-from-spain https://www.studiointernational.com/images/articles/l/097-lluis-lloes-2017/Emporda-NY-13-photo-Corrado-Serra.jpg Lluís Lleó. Photograph: Corrado Serra. https://www.studiointernational.com/images/articles/l/097-lluis-lloes-2017/Morphos-Nest-in-the-Cadmium-House-03.jpg Lluís Lleó. Morpho’s Nest in the Cadmium House. Five fresco-like paintings on sandstone, installation view, Park Avenue malls in New York, 2017. Photograph: Corrado Serra. https://www.studiointernational.com/images/articles/l/097-lluis-lloes-2017/Morphos-Nest-in-the-Cadmium-House-04.jpg Lluís Lleó. Morpho’s Nest in the Cadmium House. Five fresco-like paintings on sandstone, installation view, Park Avenue malls in New York, 2017. Photograph: Corrado Serra. https://www.studiointernational.com/images/articles/l/097-lluis-lloes-2017/Morphos-Nest-in-the-Cadmium-House-05.jpg Lluís Lleó. Morpho’s Nest in the Cadmium House. Five fresco-like paintings on sandstone, installation view, Park Avenue malls in New York, 2017. Photograph: Corrado Serra. https://www.studiointernational.com/images/articles/l/097-lluis-lloes-2017/Morphos-Nest-in-the-Cadmium-House-02.jpg Lluís Lleó. Morpho’s Nest in the Cadmium House. Five fresco-like paintings on sandstone, installation view, Park Avenue malls in New York, 2017. Photograph: Corrado Serra. https://www.studiointernational.com/images/articles/l/097-lluis-lloes-2017/Morphos-Nest-in-the-Cadmium-House-09.jpg Lluís Lleó. Morpho’s Nest in the Cadmium House. Five fresco-like paintings on sandstone, installation view, Park Avenue malls in New York, 2017. Photograph: Corrado Serra. https://www.studiointernational.com/images/articles/l/097-lluis-lloes-2017/Morphos-Nest-in-the-Cadmium-House.jpg Lluís Lleó. Morpho’s Nest in the Cadmium House. Five fresco-like paintings on sandstone, installation view, Park Avenue malls in New York, 2017. Photograph: Corrado Serra. https://www.studiointernational.com/images/articles/l/097-lluis-lloes-2017/Private-Collection-Paris-17-photo-Corrado-Serra.jpg Lluís Lleó. Private collection, Paris. Photograph: Corrado Serra. https://www.studiointernational.com/index.php/bill-viola-retrospective-review-guggenheim-bilbao https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/Slowly_Turning_Gary_McKinnis.jpg Bill Viola. Slowly Turning Narrative, 1992. Video/sound installation. Central rotating screen, mirrored on one side; two channels of video projections at opposite ends of space, one colour, one black and white, in large, dark room; amplified mono sound, one speaker; amplified mono sound, five speakers, projected image size: 9 x 12 ft (2.75 x 3.65 m); room dimensions: 14 x 20 x 41 ft (4.3 x 6.1 x 12.5 m). Continuously running. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/The_Greeting_3.jpg Bill Viola. The Greeting, 1995. Video/sound installation. Colour video projection on large vertical screen mounted on wall in darkened space; amplified stereo sound, projected image size: 9 ft 3 in. x 7 ft 11 in (2.8 x 2.4 m); room dimensions: 14 x 22 x 25 ft (4.3 x 6.7 x 7.6 m), 10:22 minutes. Performers: Angela Black, Suzanne Peters, Bonnie Snyder. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/Tristans-Ascension-43-kp-ur.jpg Bill Viola. Tristan’s Ascension (The Sound of a Mountain Under a Waterfall), 2005. Video/sound installation. Colour high-definition video projection; four channels of sound with subwoofer (4.1), projected image size: 19 ft x 10 ft 8 in (5.8 x 3.25 m), 10:16 minutes. Performer: John Hay. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/Inverted_Birth_09483kpcc1.jpg Bill Viola. Inverted Birth, 2014. Video/sound installation. Colour high-definition video projection on screen mounted vertically and anchored to floor in dark room; stereo sound with subwoofer, projected image size: 16 ft 5 in x 9 ft 3 in (5 x 2.82 m), 8:22 minutes. Performer: Norman Scott. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/Chott-el-Djerid_silde-scan2-kp-ur.jpg Bill Viola. Chott el-Djerid (A Portrait in Light and Heat), 1979. Videotape, colour, mono sound, 28 minutes. Produced at WNET/Thirteen Television Laboratory, New York. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/Veiling--Roman-Mensing-ur.jpg Bill Viola. The Veiling, 1995. Video/sound installation. Two channels of colour video projections from opposite sides of a large dark gallery through nine large scrims suspended from ceiling; two channels of amplified mono sound, four speakers, scrim size: 8 ft 2 in x 10 ft 10 in (2.4 x 3.3 m) each; room dimensions: 11 ft 6 in x 24 ft 4 in x 37 ft 10 in. (3.5 x 7.4 x 11.5 m), 30:00 minutes. Performers: Lora Stone, Gary Murphy. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/Catherines-Room-kp-ur.jpg Bill Viola. Catherine’s Room, 2001. Colour video polyptych on five LCD flat panel displays mounted on wall, 15 x 97 x 2 1/4 in (38 x 246 x 5.7 cm), 18:39 minutes. Performer: Weba Garretson. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/Surrender-1.jpg Bill Viola. Surrender, 2001. Colour video diptych on two flat panel displays mounted vertically on wall, 80 3/8 x 24 x 3 1/2 in (204.2 x 61 x 8.9 cm), 18:00 minutes. Performers: John Fleck, Weba Garretson. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/FireWomanBillViola.jpg Bill Viola. Fire Woman, 2005. Video/sound installation. Colour high-definition video projection; four channels of sound with subwoofer (4.1), projected image size: 19 ft x 10 ft 8 in (5.8 x 3.25 m), 11:12 minutes. Performer: Robin Bonaccorsi. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/Frustrated_Actions_Composite1.jpg Bill Viola. Chapel of Frustrated Actions and Futile Gestures, 2013. Video/sound Installation. Nine channels of colour high-definition video on a 3 x 3 grid of flat panel displays; nine channels mono sound, 72 x 120 1/2 x 3 1/2 in (183 x 306 x 9 cm). Continuously running. Performers: Tomas Arceo, John Brunold, Cathy Chang, John Fleck, Joanne Lindquist, Tim Ottman, Kira Perov, Valerie Spencer, Ivan Villa, Bill Viola, Blake Viola. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/The-Dreamers-RGB-300-04Madison01(Kp).jpg Bill Viola. The Dreamers, 2013. Video/sound installation. Seven channels of colour high-definition video on seven flat panel displays mounted vertically on wall in darkened room; four channels of stereo sound, screen size: 61 1/4 x 36 3/8 x 5 in (155.5 x 92.5 x 12.7 cm) each; room dimensions: 11 ft 6 in x 21 ft 4 in x 21 ft 4 in (3.5 x 6.5 x 6.5 m). Continuously running. Performers: Gleb Kaminer, Rebekah Rife, Mark Ofugi, Madison Corn, Sharon Ferguson, Christian Vincent, Katherine Mckalip. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/The-Dreamers-RGB-300-02Rebecca01(Kp).jpg Bill Viola. The Dreamers, 2013. Video/sound installation. Seven channels of colour high-definition video on seven flat panel displays mounted vertically on wall in darkened room; four channels of stereo sound, screen size: 61 1/4 x 36 3/8 x 5 in (155.5 x 92.5 x 12.7 cm) each; room dimensions: 11 ft 6 in x 21 ft 4 in x 21 ft 4 in (3.5 x 6.5 x 6.5 m). Continuously running. Performers: Gleb Kaminer, Rebekah Rife, Mark Ofugi, Madison Corn, Sharon Ferguson, Christian Vincent, Katherine Mckalip. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/The-Dreamers-RGB-300-06Christian01(Kp).jpg Bill Viola. The Dreamers, 2013. Video/sound installation. Seven channels of colour high-definition video on seven flat panel displays mounted vertically on wall in darkened room; four channels of stereo sound, screen size: 61 1/4 x 36 3/8 x 5 in (155.5 x 92.5 x 12.7 cm) each; room dimensions: 11 ft 6 in x 21 ft 4 in x 21 ft 4 in (3.5 x 6.5 x 6.5 m). Continuously running. Performers: Gleb Kaminer, Rebekah Rife, Mark Ofugi, Madison Corn, Sharon Ferguson, Christian Vincent, Katherine Mckalip. https://www.studiointernational.com/images/articles/v/100-viola-bill-2017/GFBD-installation-photo-by-Mathias-Schormann.jpg Bill Viola. Going Forth By Day, 2002. Installation view. Photograph: Mathias Schormann. https://www.studiointernational.com/index.php/victim-of-geography-dundee-contemporary-arts-review https://www.studiointernational.com/images/articles/w/100-woods-clare-2017/Clare-Woods-She-Town-2016.jpg Clare Woods. She Town, 2016. Oil on aluminium, 3m x 2m (118 x 78in). Courtesy the artist and Simon Lee Gallery London & Hong Kong. https://www.studiointernational.com/images/articles/w/100-woods-clare-2017/Clare-Woods-Uncle-Denver-2016.jpg Clare Woods. Uncle Denver, 2016. Oil on aluminium, 3m x 2m (118 x 78in). Courtesy the artist and Simon Lee Gallery London & Hong Kong. https://www.studiointernational.com/images/articles/w/100-woods-clare-2017/Clare-Woods-Strike-2017.jpg Clare Woods. Strike, 2017. Oil on aluminium. 3m x 2m (118 x 78in). Courtesy the artist and Simon Lee Gallery London & Hong Kong. https://www.studiointernational.com/images/articles/w/100-woods-clare-2017/Clare-Woods-Comfort-Monitor-2016.jpg Clare Woods. Comfort Monitor, 2016. Oil on aluminium, 3m x 2m (118 x 78in). Courtesy the artist and Simon Lee Gallery London & Hong Kong. https://www.studiointernational.com/images/articles/w/100-woods-clare-2017/Clare-Woods-Installation-View-1.jpg Clare Woods. Installation view (1), Victim of Geography exhibition at Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/w/100-woods-clare-2017/Clare-Woods-Installation-View-2.jpg Clare Woods. Installation view (2), Victim of Geography exhibition at Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/w/100-woods-clare-2017/Clare-Woods-Installation-View-3.jpg Clare Woods. Installation view (3), Victim of Geography exhibition at Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/w/100-woods-clare-2017/Clare-Woods-Installation-View-4.jpg Clare Woods. Installation view (4), Victim of Geography exhibition at Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/index.php/on-purpose-an-enquiry-into-the-possible-roles-of-the-computer-in-art https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/January1974-cover.jpg Cover: Specially designed for this issue by Harold Cohen. Studio International, Vol 187, No 962, January 1974. https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/pg9.jpg On Purpose: An enquiry into the possible roles of the computer in art. Studio International, Vol 187, No 962, January 1974, page 9. https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/pg10.jpg On Purpose: An enquiry into the possible roles of the computer in art. Studio International, Vol 187, No 962, January 1974, page 10. https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/pg11.jpg On Purpose: An enquiry into the possible roles of the computer in art. Studio International, Vol 187, No 962, January 1974, page 11. https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/pg12.jpg On Purpose: An enquiry into the possible roles of the computer in art. Studio International, Vol 187, No 962, January 1974, page 12. https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/pg13.jpg On Purpose: An enquiry into the possible roles of the computer in art. Studio International, Vol 187, No 962, January 1974, page 13. https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/pg14.jpg On Purpose: An enquiry into the possible roles of the computer in art. Studio International, Vol 187, No 962, January 1974, page 14. https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/pg15.jpg On Purpose: An enquiry into the possible roles of the computer in art. Studio International, Vol 187, No 962, January 1974, page 15. https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/pg16.jpg On Purpose: An enquiry into the possible roles of the computer in art. Studio International, Vol 187, No 962, January 1974, page 16. https://www.studiointernational.com/index.php/hanne-darboven-korrespondenzen-review-hamburger-bahnof https://www.studiointernational.com/images/articles/d/095-darboven-hanne-2017/01_HD_Presse_Menschen_und_Landschaften.jpg Installation view, Hanne Darboven, Menshen und Landschaften, 1985. Pencil and felt pen on cardboard, historical postcards and Ubiquist cards, 169 parts, each 50 x 70cm. Staatliche Museum zu Berlin, Nationalgalerie. Copyright: Hanne Darboven Foundation. Photograph: Jan Windszus. https://www.studiointernational.com/images/articles/d/095-darboven-hanne-2017/05_HD_Presse_Brief_an_Sol_LeWitt.jpg Hanne Darboven. Letter to Sol LeWitt, 15.09.1970. Copyright: Hanne Darboven Foundation. Courtesy Christians Verlag, Hamburg. https://www.studiointernational.com/images/articles/d/095-darboven-hanne-2017/04_HD_Presse_Im-Haus-Brief.jpg Hanne Darboven. In-House Letter to Mother at Burgberg, 24.12.1974. Copyright: Hanne Darboven Foundation. Courtesy Christians Verlag, Hamburg. https://www.studiointernational.com/images/articles/d/095-darboven-hanne-2017/02_HD_Presse_Konstruktion.jpg Installation view, Hanne Darboven, Konstruktion, 1966-67. Pencil and coloured pencil on graph paper, each 179.5 x 180.5cm. Staatliche Museum zu Berlin, Nationalgalerie. Copyright: Hanne Darboven Foundation. Photograph: Jan Windszus. https://www.studiointernational.com/images/articles/d/095-darboven-hanne-2017/06_HD_Presse_Portrait_1968.jpg Portrait of Hanne Darboven, 1968. Copyright: Angelika Platen. https://www.studiointernational.com/index.php/an-interview-with-marcel-duchamp https://www.studiointernational.com/images/articles/d/094-duchamp-1966/SI-June1966-p244.jpg An interview with Marcel Duchamp by Dore Ashton. First published in Studio International, Vol 171, No 878, June 1966, page 244. © Studio International Foundation. Marcel Duchamp. Photo: John D. Schiff; Portrait of the artist’s father, seated 1910. Oil on canvas, 36 3/8 x 28 7/8 in; Right: The passage from the virgin to the bride, 1912. Oil on canvas, 23 3/8 x 21 1/4 in. Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/d/094-duchamp-1966/SI-June1966-p245.jpg An interview with Marcel Duchamp by Dore Ashton. First published in Studio International, Vol 171, No 878, June 1966, page 245. © Studio International Foundation. Portrait of chess players, 1911. Oil on canvas, 39 3/4 x 39 3/4 in. Philadelphia Museum of Art, (Arensberg Collection); The king and queen traversed by swift nudes, 1912. Pencil, 10 x 15 in. Philadelphia Museum of Art, (Arensberg Collection). https://www.studiointernational.com/images/articles/d/094-duchamp-1966/SI-June1966-p246.jpg An interview with Marcel Duchamp by Dore Ashton. First published in Studio International, Vol 171, No 878, June 1966, page 246. © Studio International Foundation. Right: Ready-made, Girl with bedstead (Apolinère enameled), 1916-17. Painted tin advertisement for Sapolin Enamel, altered and added to by the artist, 9 1/4 x 13 1/4 in. Philadelphia Museum of Art, (Arensberg Collection); Above left: Ready-made, Ball of twine 1916 Ball of twine in brass frame ‘assisted’ by the artist, height 5 in. Philadelphia Museum of Art (Arensberg Collection); Above right: Pocket chessboard c. 1943. Assisted Ready-made; leather and celluloid, 6 1/2 x 4 1/4 in. The Mary Sisler Collection. https://www.studiointernational.com/images/articles/d/094-duchamp-1966/SI-June1966-p247.jpg An interview with Marcel Duchamp by Dore Ashton. First published in Studio International, Vol 171, No 878, June 1966, page 247. © Studio International Foundation. Left: Nude descending a staircase, no. 1, 1911. Oil on cardboard, 37 3/4 x 23 1/2 in. Philadelphia Museum of Art (Arensberg Collection); Right: Bride, 1912. Oil on canvas, 35 1/2 x 21 3/4 in. Philadelphia Museum of Art (Arensberg Collection); Female fig leaf, 1951. Sculpture (galvanized plaster) 4 3/4 x 3 1/4 in. The Mary Sisler Collection; Object-dart, 1951. Sculpture (galvanized plaster), 3+ x 8 x 1 in. The Mary Sisler Collection. https://www.studiointernational.com/index.php/venice-biennale-choosing-the-artists https://www.studiointernational.com/images/articles/v/venice-biennale-1966/SI-Jan1966-p230.jpg Venice Biennale: choosing the artists. Studio International, Vol 171, No 878, June 1966, pages 230-32. https://www.studiointernational.com/images/articles/v/venice-biennale-1966/SI-Jan1966-p231.jpg Venice Biennale: choosing the artists. Studio International, Vol 171, No 878, June 1966, pages 230-32. https://www.studiointernational.com/images/articles/v/venice-biennale-1966/SI-Jan1966-p232.jpg Venice Biennale: choosing the artists. Studio International, Vol 171, No 878, June 1966, pages 230-32. https://www.studiointernational.com/index.php/venice-biennale-the-british-five https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p232.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 232. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p233.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 233. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p234.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 234. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p235.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 235. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p236.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 236. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p237.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 237. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p238.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 238. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p239.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 239. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p240.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 240. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p241.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 241. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p242.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 242. © Studio International. https://www.studiointernational.com/images/articles/b/094-the-british-five-1966/SI-Jan1966-p243.jpg Venice Biennale: the British five by David Thompson, Studio International, Vol 171, No 878, June 1966, page 243. © Studio International. https://www.studiointernational.com/index.php/delving-into-coding-the-art-of-harold-cohen-aaron-computer-generated https://www.studiointernational.com/images/articles/c/064-cohen-harold-1974/January1974-cover.jpg Cover, specially designed for Studio International, Vol 187, No 962, January 1974, by Harold Cohen. https://www.studiointernational.com/images/articles/c/095-cohen-harold-2017/1966_caro_denny_and_cohen.jpg Detail of the British Pavilion at the 1966 Venice Biennial, showing Cohen’s painting on the right. Courtesy Harold Cohen’s archive. https://www.studiointernational.com/images/articles/c/095-cohen-harold-2017/0600-Slide364B-Turtle-full-view-Stedelijk-1977.jpg Harold Cohen’s Drawing Machine at the Stedelijk Museum, in Amsterdam, in 1977. Courtesy Harold Cohen’s archive. https://www.studiointernational.com/images/articles/c/095-cohen-harold-2017/0750-Slide394d-SFMMA-1979.jpg Harold Cohen holding a Turtle Robot at the San Francisco Museum of Modern Art, 1979 with a computer-generated, enlarged and hand-coloured temporary mural in the background. Courtesy Harold Cohen’s archive. https://www.studiointernational.com/images/articles/c/095-cohen-harold-2017/141126.jpg Harold Cohen. 141126.6, 2014. Pigment ink on canvas, computer generated image, 120 x 200 cm. Courtesy Harold Cohen’s archive. https://www.studiointernational.com/images/articles/c/095-cohen-harold-2017/150302-wakl.jpg Harold Cohen. Wakl in Rio, 2015. Pigment ink on canvas, computer generated image, 120 x 120 cm. Courtesy Harold Cohen’s archive. https://www.studiointernational.com/images/articles/c/095-cohen-harold-2017/IMG_2353.jpg Harold Cohen in his studio in the US, 2015. Photograph: Caroline Menezes. https://www.studiointernational.com/images/articles/c/095-cohen-harold-2017/0500-Slide387-Turtle-Working.jpg Harold Cohen’s Drawing Machine in 1979. Courtesy Harold Cohen’s archive. https://www.studiointernational.com/images/articles/c/095-cohen-harold-2017/1966_bernard_and_harold_cohen.jpg Harold Cohen and his brother Bernard Cohen in 1966. Courtesy Harold Cohen’s archive. https://www.studiointernational.com/images/articles/c/095-cohen-harold-2017/IMG_2342.jpg Harold Cohen in his studio in the US, 2015. Photograph: Caroline Menezes. https://www.studiointernational.com/index.php/damien-hirst-treasures-from-the-wreck-of-the-unbelievable-review-venice https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_6c.jpg Damien Hirst. Demon with Bowl (Exhibition Enlargement). Painted resin, 18.22 x 7.39 x 11.44 m. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_5e.jpg Damien Hirst. Andromeda and the Sea Monster. Bronze, 391 x 593.1 x 369.7cm. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_87.jpg Damien Hirst, The Warrior and the Bear. Bronze, 713 x 260 x 203 cm. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst-03.jpg Damien Hirst, Best Friends. Bronze. 72.5 x 136.7 x 82cm. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_69.jpg Damien Hirst, Quetzalcoatl. Gold and silver, 50.5 x 23.9 x 23.5cm. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_68.jpg Damien Hirst, Fate of a Banished Man (Standing). Carrera marble, 387 x 399 x 176 cm. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_8d.jpg Damien Hirst. The Collector with Friend. Bronze, 185.5 x 123.5 x 73 cm. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_52.jpg Damien Hirst. Demon with Bowl (Exhibition Enlargement). Painted resin, 1822 x 739 x 1144 cm. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_7c.jpg Damien Hirst. Kali and Hydra. Bronze, 539 x 612 x 244 cm. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst-04.jpg Damien Hirst. Goofy. Bronze, 126 x 56.7 x 58.7cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_65.jpg Damien Hirst. The Minotaur. Black granite, 120.7 x 173.4 x 111.1 cm. Photograph: Joe Lloyd. https://www.studiointernational.com/images/articles/h/093-hirst-damien-2017/hirst_83.jpg Damien Hirst, The Severed Head of Medusa. Gold and silver, 32 x 39.7 x 39.7 cm. Photograph: Joe Lloyd. https://www.studiointernational.com/index.php/guy-yanai-interview-speak-america-vladimir-nabokov-david-hockney https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Guy-Yanai_Paris-(-Rue-de-Normandie-)_2017.jpg Guy Yanai. Paris (Rue de Normandie), 2017. Oil on linen, 150 x 180 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Guy-Yanai_Worcester_2017.jpg Guy Yanai. Worcester, 2017. Oil on linen, 140 x 180 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Guy-Yanai_Worcester_DETAIL_2017.jpg Guy Yanai. Worcester (detail), 2017. Oil on linen, 140 x 180 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Guy-Yanai_Fox-Hill-Road_2017.jpg Guy Yanai. Fox Hill Road, 2017. Oil on linen, 140 x 180 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Guy-Yanai_Kitchen-II_2016.jpg Guy Yanai. Kitchen II, 2016. Oil on linen, 152 x 183 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Guy-Yanai_Los-Angeles_2017.jpg Guy Yanai. Los Angeles, 2017. Oil on linen, 150 x 180 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/1982-Calm-European_2017.jpg Guy Yanai. 1982 / Calm European, 2017. Oil on linen, 150 x 180 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Interior-With-Yellow-Hula-Hoop-_-Calm-European-2017.jpg Guy Yanai. Interior With Yellow Hula Hoop / Calm European, 2017. Oil on linen, 150 x 180 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/The-Piano-Lesson_2017.jpg Guy Yanai. The Piano Lesson, 2017. Oil on linen, 183 x 152 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/The-Piano-Lesson_DETAIL_2017.jpg Guy Yanai. The Piano Lesson (detail), 2017. Oil on linen, 183 x 152 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Club-Med-Serre-Chevalier_2017.jpg Guy Yanai. Club Med Serre Chevalier, 2017. Oil on linen, 150 x 180 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Club-Med-Serre-Chevalier_DETAIL_2017.jpg Guy Yanai. Club Med Serre Chevalier (detail), 2017. Oil on linen, 150 x 180 cm. https://www.studiointernational.com/images/articles/y/100-yanai-guy-2017/Guy-Yanai_Kitchen-II_DETAIL_2016.jpg Guy Yanai. Kitchen II (detail), 2016. Oil on linen, 152 x 183 cm. https://www.studiointernational.com/index.php/helio-oiticica-to-organize-delirium-review-whitney-museum-of-american-art https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/03_prisoner_of_second_avenue_500.jpg Hélio Oiticica in front of a poster for Neil Simon’s play  The Prisoner of Second Avenue, in Midtown Manhattan, 1972. © César and Claudio Oiticica. https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/04_p31_parangol_cape_24_escrerbuto_558.jpg Hélio Oiticica,  P31 Parangolé Cape 24, Escrerbuto (P31 Parangolé Capa 24, Escrerbuto) worn by Omar Salomão, 1972. Nylon mesh fabric and plastic vinyl, 38 ½ x 33 in. (97.79 × 84.58 cm). Courtesy of the Ortiz Family. © César and Claudio Oiticica. https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/14_whitney_20170711-1057_800.jpg Hélio Oiticica. Installation view.  Tropicália, 1966-67. Plants, sand, birds, poems by Roberta Camila Salgado on bricks, tiles and vinyl squares. Collection of César and Claudio Oiticica. Photograph by Matt Casarella https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/19_wmaa_helio_oiticica_07_800.jpg Installation view of  Hélio Oiticica: To Organise Delirium  (Whitney Museum of American Art, New York, July 14–October 1, 2017). From left to right, top to bottom:  Metaesquema 362, 1958;  P58 Spatial Relief, Red (P58 Relevo espacial, vermêlho), 1960;  P52 Spatial Relief (P52 Relevo espacial), 1960;  Metaesquema, c. 1956;  Metaesquema, 1957;  Metaesquema, 1959;  Metaesquema, c. 1956;  Sêco 10, 1956;  Metaesquema, c. 1956;  Grupo Frente, ca. 1955;  Grupo Frente 136, 1956;  Grupo Frente 73, 1955-56;  Grupo Frente, ca. 1955. Photograph: Ron Amstutz https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/12_oiticica_whitney-3_800.jpg Hélio Oiticica. Installation view.  CC5 Hendrix-War, 1973. Thirty-three 35mm colour slides transferred to digital slideshow, sound, and hammocks. Site Specific Collections of César and Claudio Oiticica and Neville D’Almeida. Whitney Museum of American Art, New York, N.Y. Photograph by Oto Gillen. https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/01_view_of_eden_800.jpg Hélio Oiticica (1937–1980), installation view of Eden (1969) at Whitechapel Gallery, London, 1969. Sand, crushed bricks, dry leaves, water, cushions, foam flakes, books, magazines, Dzpulp fiction, dz straw, matting, and incense, 68 ft. 10 3/4 in. × 49 ft. 2 1/2 in. × 11 ft. 5 3/4 in. (21 × 15 × 3.5 m). Collection of César and Claudio Oiticica. © César and Claudio Oiticica. https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/02_view_of_eden_at_whitechapel_800.jpg Hélio Oiticica,  Eden, 1969 (installation view, Whitechapel Gallery, London, 1969). Sand, crushed bricks, dry leaves, water, cushions, foam flakes, books, magazines, “pulp fiction”, straw, matting, and incense, 68.9 × 49.21 × 11.48 in. (21 × 15 × 3.5 cm). Courtesy of César and Claudio Oiticica, Rio de Janeiro. © César and Claudio Oiticica. https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/05_metaesquema_malekledrian_579.jpg Hélio Oiticica,  Metaesquema, Malekledrian, 1958. Gouache on cardboard, 9 3/4 × 6 1/4 in. (24.76 × 15.88 cm). The Ortiz Family. Photograph by Joseph Hu. https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/06_Metaesquema-362.jpg Hélio Oiticica, Metaesquema 362, 1958. Gouache on paper, 19 1/2 x 26 1/4 in. (49.53 x 66.67 cm). Carnegie Museum of Art, Pittsburgh; Edward N. Haskell Family Acquisition Fund and A. W. Mellon Acquisition Endowment Fund https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/07_metaesquema_4066-cr_800.jpg Hélio Oiticica, Metaesquema 4066, 1958. Gouache on cardboard, 21 × 22 7/8 in. (53.3 × 58.1 cm). Museum of Modern Art, New York; Gift of the Oiticica family. © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/08_b11_box_b_lide_9_800.jpg Hélio Oiticica,  B11 Box Bólide 9 (B11 Bólide caixa 9 ) at Rua Engenheiro Alfredo Duarte, Rio de Janeiro, 1964. Oil with polyvinyl acetate emulsion on wood and glass, pigment, 19 5/8 × 19 11/16 × 13 3/8 in. (49.8 × 50 × 34 cm). Tate, London; purchased with assistance from the American Fund for the Tate Gallery, Tate Members and the Art Fund, 1970. Photograph by Desdémone https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/09_p15_parangol_cape_11_555.jpg Hélio Oiticica,  P15 Parangolé Cape 11, I Embody Revolt (P15 Parangolé Capa 11, Eu Incorporo a Revolta)  worn by Nildo of Mangueira, 1967. Courtesy of César and Claudio Oiticica, Rio de Janeiro. © César and Claudio Oiticica. Photograph by Claudio Oiticica https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/10_parangole_800.jpg Parangolé Cape 30 in the New York City Subway, 1972. Digital projection, dimensions variable. Courtesy of César and Claudio Oiticica, Rio de Janeiro https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/11_branco_babylonests_800.jpg Miguel Rio Branco,  Babylonests, 1971. Digital projection, dimensions variable.  Courtesy of César and Claudio Oiticica, Rio de Janeiro. https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/15_wmaa_helio_oiticica_01_800.jpg Hélio Oiticica. Installation view.  Appropriation—Snooker Room, after Van Gogh’s Night Café (Apropriação—Mesa de bilhar, d’aprés O Café Noturno de Van Gogh), 1966. Installation with billard table, wall rack and accessories. Exhibition copy from the César and Claudio Oiticica Collection, Rio de Janeiro. Photograph by Ron Amstutz https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/17_wmaa_helio_oiticica_03_800.jpg Installation view of  Hélio Oiticica: To Organise Delirium  (Whitney Museum of American Art, New York, July 14–October 1, 2017). From left to right: PN1 Penetrable (PN1 Penetrável), 1960; P34 White Painting (P34 Série branca), 1959; Untitled, ca. 1960; NC1 Small Nucleus 1 (NC1 Núcleo pequeno 1), 1960. Photograph by Ron Amstutz https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/18_wmaa_helio_oiticica_06_800.jpg Installation view of  Hélio Oiticica: To Organise Delirium  (Whitney Museum of American Art, New York, July 14–October 1, 2017). From left to right, top to bottom:  P41 Bilateral, Teman (P41 Bilateral, Teman), 1959;  P52 Spatial Relief (P52 Relevo espacial), 1960;  Grupo Frente, ca. 1955;  Grupo Frente, ca. 1955;  Grupo Frente 136, 1956;  Grupo Frente 73, 1955-56;  Grupo Frente, ca. 1955  P31 Parangolé Cape 24, Escrerbuto, 1972;  B16 Box Bólide 12, Archaeological (B16 Bólide caixa 12, Arqueológico), 1964-65;  P20 Parangolé Cape 16, Guevarcália (P20 Parangolé capa 16, Guevarcália), 1968;  B33 Box Bólide 18, Homage to Cara de Cavalo (B33 Bólide caixa 18 Homenagem á Cara de Cavalo), 1965-66;  NC6 Medium Nucleus 3 (NC6 Núcleo médio 3), 1961-63;  P34 White Painting (P34 Série branca), 1959. Photograph by Ron Amstutz https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/20_wmaa_helio_oiticica_09_800.jpg Installation view of  Hélio Oiticica: To Organise Delirium  (Whitney Museum of American Art, New York, July 14–October 1, 2017). From left to right, top to bottom: P11 Parangolé Cape 7, Sex and Violence, That’s What I Like (P11 Parangolé capa 7, sexo e violência, é isso que me agrada), 1966;  B16 Box Bólide 12, Archaeological (B16 Bólide caixa 12, Arqueológico), 1964-65;  P31 Parangolé Cape 24, Escrerbuto, 1972; P20 Parangolé Cape 16, Guevarcália (P20 Parangolé capa 16, Guevarcália), 1968;  B33 Box Bólide 18, Homage to Cara de Cavalo (B33 Bólide caixa 18 Homenagem á Cara de Cavalo), 1965-66; P2 Parangolé Flag 1 (P2 Parangolé bandeira 1), 1964. Photograph by Ron Amstutz https://www.studiointernational.com/images/articles/o/100-oiticica-helio-2017/21_wmaa_helio_oiticica_10_800.jpg Installation view of  Hélio Oiticica: To Organise Delirium  (Whitney Museum of American Art, New York, July 14–October 1, 2017). From left to right: Parangolés, 1972;  Mario Montez during takes of Agripina E Roma-Manhattan, 1972;  Mario Montez & Antonio Dias, Still of Agripina E Roma-Manhattan, 1972;  During Takes of Agripina E Roma-Manhattan, Cristiny, Mario Montez, Antonio Dias, 1972;  Mario Montez with Crisiny during takes of Agripina E Roma-Manhattan, 1972; Agrippina é Roma-Manhattan (Agrippina is Rome-Manhattan), 1972;  Nests, 1969-74. Photograph by Ron Amstutz https://www.studiointernational.com/index.php/harold-cohen-video-interview-2015 https://www.studiointernational.com/images/articles/c/094-cohen-harold-video-2017/cohen-640.jpg Harold Cohen talking to Studio International in his home studio, Encinitas, California, May 2015. https://www.studiointernational.com/index.php/matisse-in-the-studio-royal-academy-london-review https://www.studiointernational.com/images/articles/m/094-matisse-in-the-studio-2017/Key-68.jpg Haiti, North Africa, late 19th-early 20th century. Cotton plainweave cut and appliquéd to bast fibre cloth, 217 x 212 cm. Former collection of Henri Matisse. Private collection, on loan to Musée Matisse, Nice. Photograph © François Fernadez, Nice. https://www.studiointernational.com/images/articles/m/094-matisse-in-the-studio-2017/Key-3.jpg Cafetière en argent, France, beginning of the 19th century, chocolatière, argent, poignée en bois teinté, 14 x 10.9 (25 with handle) cm, Musée Matisse, Nice, ancienne collection Henri Matisse, legacy Madame Henri Matisse, 1960. https://www.studiointernational.com/images/articles/m/094-matisse-in-the-studio-2017/Key-10.jpg Henri Matisse. Still Life with Shell, 1940. Gouache, coloured pencil, and charcoal on cut paper, and string, pinned to canvas, 83.5 x 115 cm. Private collection. Photograph © Private collection. © Succession H. Matisse/DACS 2017. https://www.studiointernational.com/images/articles/m/094-matisse-in-the-studio-2017/Key-194.jpg Henri Matisse. Safrano Roses at the Window, 1925. Oil on canvas, 80 x 65 cm. Private collection. Photograph © Private collection. © Succession H. Matisse/DACS 2017. https://www.studiointernational.com/images/articles/m/094-matisse-in-the-studio-2017/Key-2.jpg Vase, Andalusia, Spain, early 20th century. Blown glass, 28.5 x 21 cm. Former collection of Henri Matisse. Musée Matisse, Nice. Bequest of Madame Henri Matisse, 1960. Photograph © François Fernadez, Nice. https://www.studiointernational.com/images/articles/m/094-matisse-in-the-studio-2017/Key-70.jpg Henri Matisse. The Moorish Screen, 1921. Oil on canvas, 91 x 74 cm. Philadelphia Museum of Art. Bequest of Lisa Norris Elkins, 1950. Photograph © Philadelphia Museum of Art/Art Resource, NY. https://www.studiointernational.com/images/articles/m/094-matisse-in-the-studio-2017/key-40.jpg Muyombo mask, Pende region, Democratic Republic of the Congo, 19th-early 20th century. Wood, fibre and pigment, 49 x 19.3 cm. Former collection of Henri Matisse. Private collection. Photograph: Jean-Louis Losi. https://www.studiointernational.com/index.php/hans-hansen-still-life-review-co-berlin https://www.studiointernational.com/images/articles/h/091-hansen-hans-2017/hansen-04.jpg Hans Hansen. Untitled (Noh-Mask), 2009, Museum Folkwang Collection. © Hans Hansen. https://www.studiointernational.com/images/articles/h/091-hansen-hans-2017/hansen-05.jpg Hans Hansen. Untitled (Noh-Mask), 2009, Museum Folkwang Collection. © Hans Hansen. https://www.studiointernational.com/images/articles/h/091-hansen-hans-2017/hansen-02.jpg Hans Hansen. Untitled (Plant models), 2007. © Hans Hansen. https://www.studiointernational.com/images/articles/h/091-hansen-hans-2017/hansen-03.jpg Hans Hansen. Untitled (Noh-Mask), 2009, Museum Folkwang Collection. © Hans Hansen. https://www.studiointernational.com/images/articles/h/091-hansen-hans-2017/hansen-01.jpg Hans Hansen. Untitled (Nikon lenses), 1984, Hildmann Simon Rempen & Schmitz. © Hans Hansen. https://www.studiointernational.com/index.php/julian-lethbridge-inside-out-review-contemporary-fine-arts-berlin https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/first-choice.jpg Julian Lethbridge. First Choice, 2016-17. Oil, pigment stick, on linen, 244 x 203 cm (96 x 80 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/battery-1.jpg Julian Lethbridge. Battery 1, 2016-17. Oil, pigment stick, in medium, on linen, 58.5 x 40.5 cm (23 x 16 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/Argos.jpg Julian Lethbridge. Argos, 2016. Oil, pigment stick, on linen, 203 x 244 cm (80 x 96 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/lacquer-workshop.jpg Julian Lethbridge. Lacquer Workshop, 2014. Oil, pigment stick, on linen, 183 x 152.5 cm (72 x 60 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/boreas.jpg Julian Lethbridge. Boreas, 2017. Oil, pigment stick, on linen, 132 x 106.5 cm (52 x 42 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/battery.jpg Julian Lethbridge. Battery, 2015-17. Oil, pigment stick, in medium on linen, 76 x 94 cm (30 x 37 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/stucco.jpg Julian Lethbridge. Stucco, 2016. Oil, pigment stick, on linen, 132 x 106.5 cm (52 x 42 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/untitled.jpg Julian Lethbridge. Untitled, 2016-17. Oil, pigment stick, on linen, 244 x 203 cm (96 x 80 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/leaf.jpg Julian Lethbridge. Leaf, 2016. Oil, pigment stick, on linen, 132 x 106.5 cm (52 x 42 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/images/articles/l/096-lethbridge-julian-2017/trial.jpg Julian Lethbridge. Trial, 2016-17. Oil, pigment stick, in medium on linen, 152.5 x 198.5 cm (60 x 78 1/4 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. https://www.studiointernational.com/index.php/simon-patterson-video-interview-safari-an-exhibition-as-expedition https://www.studiointernational.com/images/articles/p/097-patterson-simon-2017/patterson-640.jpg Simon Patterson talking to Studio International at De La Warr Pavilion, 18 July 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/p/097-patterson-simon-2017/1-Simon-Patterson,-rehearsal-of-Seascape,-2017,-with-Bexhill-Sailing-Club.-Photo-by-Sin-Bozkurt.jpg Simon Patterson. Rehearsal of Seascape, 2017, with Bexhill Sailing Club. Photograph: Sin Bozkurt. Courtesy De La Warr Pavilion. https://www.studiointernational.com/images/articles/p/097-patterson-simon-2017/2-Simon-Patterson,-rehearsal-of-Seascape,-2017,-with-Bexhill-Sailing-Club.-Photo-by-Sin-Bozkurt.jpg Simon Patterson. Rehearsal of Seascape, 2017, with Bexhill Sailing Club. Photograph: Sin Bozkurt. Courtesy De La Warr Pavilion. https://www.studiointernational.com/images/articles/p/097-patterson-simon-2017/5-Installation-shot-of-Simon-Patterson--Safari--an-exhibition-as-expedition.-Photo--Nigel-Green.jpg Simon Patterson. Safari: an exhibition as expedition. Installation view. Photograph: Nigel Green. Courtesy De La Warr Pavilion. https://www.studiointernational.com/images/articles/p/097-patterson-simon-2017/3-Installation-shot-of-Simon-Patterson--Safari--an-exhibition-as-expedition.-Photo--Nigel-Green.jpg Simon Patterson. Safari: an exhibition as expedition. Installation view. Photograph: Nigel Green. Courtesy De La Warr Pavilion. https://www.studiointernational.com/images/articles/p/097-patterson-simon-2017/9-Installation-shot-of-Simon-Patterson--Safari--an-exhibition-as-expedition-featuring-Monkey-Business,-1993.-Photo--Nigel-Green.-Courtesy-of-De-la-Warr-Pavilion-.jpg Simon Patterson. Safari: an exhibition as expedition. Installation view. Photograph: Nigel Green. Courtesy De La Warr Pavilion. https://www.studiointernational.com/index.php/julian-zugazagoitia-director-nelson-atkins-museum-of-art-kansas-city-interview https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/drone005.jpg Aerial view of the The Nelson-Atkins Museum of Art. Courtesy The Nelson-Atkins Museum of Art. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/th_88462.jpg The Nelson-Atkins Museum of Art in Kansas City, Missouri. Photograph: Tim Hursley. Courtesy The Nelson-Atkins Museum of Art. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/ART437832.jpg Pablo Picasso. Male Bust (study for Les Demoiselles d’Avignon), 1907. Oil on canvas, 22 1/16 x 18 5/16 in. Musée national Picasso Paris, MP14. © 2017 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. Image © RMN Grand Palais / Art Resource, NY. Photograph: René Gabriel Ojéda. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/musee-du-quai-Branly-Jacques-Chirac.jpg Ritual Mask, Ammassalik, Greenland, Inuit culture, 1930-1934. Wood, 12 9/16 x 7 1/16 x 4 3/4 in. Musée du quai Branly-Jacques Chirac, Paris. Image © musée du quai Branly-Jacques Chirac. Photograph: Thierry Ollivier, Michael Urtado. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Degas-DancerMakingPoints.jpg Edgar Degas. Dancer Making Points, 1879-1880. Pastel and gouache on paper mounted on board, 19 x 14 1/2 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Redon-GreenVase_front.jpg Odilon Redon. The Green Vase, c1900. Oil on canvas, 28 3/4 x 21 1/4 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Manet-CroquetParty_front.jpg Édouard Manet. The Croquet Party, 1871. Oil on canvas, 18 x 28 ¾ in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Julian-photo-by-John-Lamberton.jpg Director and CEO Julián Zugazagoitia. Photograph: John Lamberton. Courtesy The Nelson-Atkins Museum of Art. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Caillebotte-BoatMooredOnTheSeineAtArgenteuil_front.jpg Gustave Caillebotte. Boat Moored on the Seine at Argenteuil, c1884. Oil on canvas, 25 ¾ x 21 3/8 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Cezanne-ManWithAPipe_front.jpg Paul Cézanne. Man with a Pipe, 1890-1892. Oil on canvas, 17 x 13 1/2 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Cezanne-Quarry.jpg Paul Cézanne. Quarry at Bibémus, 1898-1900. Oil on canvas, 25 3/4 x 21 1/2 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Gauguin-WillowTree_front.jpg Paul Gauguin. The Willow Tree, 1889. Oil on canvas, 36 1/4 x 28 7/8 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Manet-WhiteLilacs.jpg Édouard Manet. White Lilacs in a Crystal Vase, 1882 or 1883. Oil on canvas, 22 1/8 x 13 3/4 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Pissarro-RueSaintHonore_front.jpg Camille Pissarro. Rue Saint-Honoré, Sun Effect, Afternoon, 1898. Oil on canvas, 25 3/4 x 21 1/2 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Renior-FloweredHat.jpg Pierre-Auguste Renoir. The Flowered Hat, 1890-1895. Pastel on paper, 25 5/8 x 20 1/8 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Renior-WomanLeaning.jpg Pierre-Auguste Renoir. Woman Leaning on Her Elbows, 1875-1885. Oil on canvas, 5 1/2 x 9 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Toulouse-Lautrec_JaneAvrilLookingAtAProof_recto.jpg Henri de Toulouse-Lautrec. Jane Avril Looking at a Proof, 1893. Oil and crayon on paper, 20 1/4 x 12 3/4 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/vanGogh-RestaurantRispal.jpg Vincent van Gogh. Restaurant Rispal at Asnières, 1887. Oil on canvas, 28 7/8 x 23 5/8 in. Gift of Henry W. and Marion H. Bloch, 2015. https://www.studiointernational.com/images/articles/z/099-zuzagagoitia-julian-2017/Marion-and-Henry-Bloch-Portrait-1994-Strauss-Peyton.jpg Marion H. and Henry W. Bloch. Courtesy The Nelson-Atkins Museum of Art. https://www.studiointernational.com/index.php/rosie-hastings-hannah-quinlan-interview-uk-gay-bar-directory-sexuality-gender https://www.studiointernational.com/images/articles/h/092-hastings-rosie-2017/pulse.jpg Hannah Quinlan and Rosie Hastings. UK Gay Bar Directory, 2016, film still. © the artists. https://www.studiointernational.com/images/articles/h/092-hastings-rosie-2017/Screen-Shot-2016-05-16.jpg Hannah Quinlan and Rosie Hastings. UK Gay Bar Directory, 2016, film still. © the artists. https://www.studiointernational.com/images/articles/h/092-hastings-rosie-2017/rosiehastings-0-1.jpg Hannah Quinlan and Rosie Hastings. © the artists. https://www.studiointernational.com/images/articles/h/092-hastings-rosie-2017/Screen-Shot-2016-05-16-at-17-02.jpg Hannah Quinlan and Rosie Hastings. UK Gay Bar Directory, 2016, film still. © the artists. https://www.studiointernational.com/index.php/santiago-sierra-impenetrable-structure-review-lisson-gallery-london https://www.studiointernational.com/images/articles/s/094-sierra-santiago-2017/Santiago-Sierra,-Impenetrable-Structure-(2017).-Installation-view,-Lisson-Gallery-London,-July-2017..jpg Santiago Sierra. Impenetrable Structure, 2017. Installation view, Lisson Gallery London, July 2017. Photograph: Jack Hems. © Santiago Sierra; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/s/094-sierra-santiago-2017/Santiago-Sierra,-Space-closed-off-by-corrugated-metal-(Lisson-Gallery,-London,-UK,-2002)-Santiago-Sierra-.jpg Santiago Sierra. Space closed off by corrugated metal (Lisson Gallery, London, UK, 2002). © Santiago Sierra; Courtesy Lisson Gallery https://www.studiointernational.com/images/articles/s/094-sierra-santiago-2017/Santiago-Sierra,-Impenetrable-Structure-(2017)-Installation-view,-Lisson-Gallery-London,-July-2017.jpg Santiago Sierra. Impenetrable Structure, 2017. Installation view, Lisson Gallery London, July 2017. Photograph: Jack Hems. © Santiago Sierra; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/s/094-sierra-santiago-2017/Santiago-Sierra,-Impenetrable-Structure-(2017).-Installation-view-3,-Lisson-Gallery-London,-July-2017.jpg Santiago Sierra. Impenetrable Structure, 2017. Installation view, Lisson Gallery London, July 2017. Photograph: Jack Hems. © Santiago Sierra; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/s/094-sierra-santiago-2017/Protected-building-(Helmhaus,-Manifesta-11-2.jpg Santiago Sierra. Protected building (Helmhaus, Manifesta 11. Zurich, Switzerland, 2016). https://www.studiointernational.com/images/articles/s/094-sierra-santiago-2017/Protected-building-(Helmhaus,-Manifesta-11-3.jpg Santiago Sierra. Protected building (Helmhaus, Manifesta 11. Zurich, Switzerland, 2016). https://www.studiointernational.com/images/articles/s/094-sierra-santiago-2017/Protected-building-(Helmhaus,-Manifesta-11.jpg Santiago Sierra. Protected building (Helmhaus, Manifesta 11. Zurich, Switzerland, 2016). https://www.studiointernational.com/index.php/sol-calero-interview-agencia-viajes-paraison-casa-anacaona-folkestone https://www.studiointernational.com/images/articles/c/093-calero-sol-2017/Casa-Anacaona-at-WOMAD-music-festival_Sol-Calero,-2017_photo-credit,-Jamie-Woodley_3_low-1.jpg Sol Calero. Casa Anacaona at WOMAD music festival, 2017. Photograph: Jamie Woodley. https://www.studiointernational.com/images/articles/c/093-calero-sol-2017/Casa-Anacaona-at-WOMAD-music-festival_Sol-Calero,-2017_photo-credit,-Jamie-Woodley_5_low-1.jpg Sol Calero. Casa Anacaona at WOMAD music festival, 2017. Photograph: Jamie Woodley. https://www.studiointernational.com/images/articles/c/093-calero-sol-2017/Casa-Anacaona-at-WOMAD-music-festival_Sol-Calero,-2017_photo-credit,-Jamie-Woodley_6_low-1.jpg Sol Calero. Casa Anacaona at WOMAD music festival, 2017. Photograph: Jamie Woodley. https://www.studiointernational.com/images/articles/c/093-calero-sol-2017/Casa-Anacaona-at-WOMAD-music-festival_Sol-Calero,-2017_photo-credit,-Jamie-Woodley_4_low-1.jpg Sol Calero. Casa Anacaona at WOMAD music festival, 2017. Photograph: Jamie Woodley. https://www.studiointernational.com/images/articles/c/093-calero-sol-2017/Casa-Anacaona-at-WOMAD-music-festival_Sol-Calero,-2017_photo-credit,-Jamie-Woodley_2_low-1.jpg Sol Calero. Casa Anacaona at WOMAD music festival, 2017. Photograph: Jamie Woodley. https://www.studiointernational.com/images/articles/c/093-calero-sol-2017/Casa-Anacaona-at-WOMAD-music-festival_Sol-Calero,-2017_photo-credit,-Jamie-Woodley_7_low-1.jpg Sol Calero. Casa Anacaona at WOMAD music festival, 2017. Photograph: Jamie Woodley. https://www.studiointernational.com/images/articles/c/093-calero-sol-2017/Casa-Anacaona-at-WOMAD-music-festival_Sol-Calero,-2017_photo-credit,-Jamie-Woodley_low-1.jpg Sol Calero. Casa Anacaona at WOMAD music festival, 2017. Photograph: Jamie Woodley. https://www.studiointernational.com/images/articles/c/093-calero-sol-2017/Sol-Calero-portrait.jpg Sol Calero. https://www.studiointernational.com/index.php/alma-tadema-at-home-in-antiquity https://www.studiointernational.com/images/articles/a/099-Alma-Tadema-2017/1.jpg Sir Lawrence Alma-Tadema. The Finding of Moses, 1904. Oil on canvas, 137.7 x 213.4 cm. © Private Collection. https://www.studiointernational.com/images/articles/a/099-Alma-Tadema-2017/4.jpg Sir Lawrence Alma-Tadema. Coign of Vantage, 1895. Oil on canvas, 58.8 x 44.4 cm. © Ann and Gordon Getty. https://www.studiointernational.com/images/articles/a/099-Alma-Tadema-2017/3.jpg Sir Lawrence Alma-Tadema. A Kiss, 1891. Oil on panel, 45.7 x 62.7 cm. © Private Collection of Martin Beisly. https://www.studiointernational.com/images/articles/a/099-Alma-Tadema-2017/6.jpg Sir Lawrence Alma-Tadema. A Pyrrhic Dance, 1869. Oil on panel, 40.6 x 81.3 cm. © Guidhall Art Gallery, City of London. https://www.studiointernational.com/images/articles/a/099-Alma-Tadema-2017/2.jpg Sir Lawrence Alma-Tadema. The Roses of Heliogabalus, 1888. Oil on canvas, 132.7 x 214.4 cm. © Perez Simon Collection. https://www.studiointernational.com/images/articles/a/099-Alma-Tadema-2017/5.jpg Sir Lawrence Alma-Tadema. Woman and Flowers, 1868. Oil on panel, 49.8 x 37.2 cm. © Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/a/099-Alma-Tadema-2017/7.jpg Sir Lawrence Alma-Tadema. Portrait of Leopold Lowenstam, the etcher, 1883. 52.1 x 64.7 cm. © Private Collection, England. https://www.studiointernational.com/images/articles/a/099-Alma-Tadema-2017/8.jpg Sir Lawrence Alma-Tadema. Self-Portrait of Lourens Alma-Tadema, 1952. Oil on canvas, 58.5 x 48.5 cm. © Fries Museum, Collection Royal Frisian Society https://www.studiointernational.com/images/articles/a/099-Alma-Tadema-2017/9.jpg Sir Lawrence Alma-Tadema. Self-portrait of Lawrence Alma-Tadema, 1896. Oil on canvas, 66.5 x 53.9 cm. © Gallerie degli Uffizi, Florence. https://www.studiointernational.com/index.php/maryam-najd-non-existence-flag-project-video-interview https://www.studiointernational.com/images/articles/n/099-najd-maryam-2017/maryam-640.jpg Maryam Najd talking to Studio International in her Antwerp studio, 6 July 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/n/099-najd-maryam-2017/flag-project-01.jpg Maryam Najd. Fragment of Non Existence Flag Project. Installation view at Kunstlerhaus Bethanien 2012. Acrylic and oil on canvas, 193 canvases, each 80 x 60 cm. Image courtesy Maryam Najd. https://www.studiointernational.com/images/articles/n/099-najd-maryam-2017/flag-cards.jpg Maryam Najd. National mottos, Non Existence Flag Project. Installation view at Kunstlerhaus Bethanien 2012. Image courtesy Maryam Najd. https://www.studiointernational.com/images/articles/n/099-najd-maryam-2017/5-Composite-Last-version-II.jpg Maryam Najd. Grand Bouquet, 2010-12. Image courtesy Maryam Najd. https://www.studiointernational.com/index.php/vermeer-and-the-masters-of-genre-painting-inspiration-and-rivalry-review https://www.studiointernational.com/images/articles/v/099-vermeer-2017/3799-008.jpg Johannes Vermeer. Woman with a Pearl Necklace, c1662-65. Oil on canvas, 51.2 x 45.1 cm (20 3/16 x 17 3/4 in). Staatliche Museen zu Berlin, Gemäldegalerie. https://www.studiointernational.com/images/articles/v/099-vermeer-2017/3799-020.jpg Gerard ter Borch. Young Woman at her Toilet with a Maid, c1650-51. Oil on wood, 47.6 x 34.6 cm (18 3/4 x 13 5/8 in). Lent by The Metropolitan Museum of Art, Gift of J. Pierpont Morgan, 1917 (17.190.10). https://www.studiointernational.com/images/articles/v/099-vermeer-2017/3799-004.jpg Johannes Vermeer. Woman Holding a Balance, c1664. Oil on canvas, 39.7 x 35.5 cm (15 5/8 x 14 in). National Gallery of Art, Washington, Widener Collection. https://www.studiointernational.com/images/articles/v/099-vermeer-2017/3799-006.jpg Johannes Vermeer. The Astronomer, 1668. Oil on canvas, 50 x 45 cm (19 11/16 x 17 11/16 in). Musée du Louvre, Paris, Département des Peintures, Acquired by https://www.studiointernational.com/images/articles/v/099-vermeer-2017/3799-056.jpg Pieter de Hooch. Woman Weighing Coins, c1664. Oil on canvas, 61 × 53 cm (24 × 20 7/8 in). Gemäldegalerie Staatliche Museen zu Berlin Preußischer Kulturbesitz, Property of Kaiser Friedrich Museumsverein, Photograph: Jörg P. Anders. https://www.studiointernational.com/index.php/scythians-warriors-of-ancient-siberia-british-museum-review-st-john-simpson https://www.studiointernational.com/images/articles/s/093-scythians-2017/Horse-head-gear.jpg Horse head gear. Horse headdress made of felt, leather and wood; Pazyryk 2; Late 4th – early 3rd century BC. © The State Hermitage Museum, St Petersburg, 2017. Photograph: V Terebenin. https://www.studiointernational.com/images/articles/s/093-scythians-2017/Tattoo.jpg Tattoo. Part of human skin with a tattoo. From the left side of the breast and back of a man; Pazyryk 2, Late 4th - early 3rd century BC. © The State Hermitage Museum, St Petersburg, 2017. Photograph: V Terebenin. https://www.studiointernational.com/images/articles/s/093-scythians-2017/Scythian-rider.jpg Scythian rider. A gold plaque depicting a Scythian rider with a spear in his right hand. Gold. Second half of the fourth century BC; Kul’ Oba. © The State Hermitage Museum, St Petersburg, 2017. Photograph: V Terebenin. https://www.studiointernational.com/images/articles/s/093-scythians-2017/Horse-and-man.jpg Horse and man. Drawing. Reconstruction of Scythian horseman based on the excavated finds from Olon-Kurin-Gol 10, Altai mountains, Mongolia. By D. V. Pozdnjakov, Institute for Archaeology and Ethnography of the Siberian Department of the Russian Academy of Sciences. https://www.studiointernational.com/images/articles/s/093-scythians-2017/Applique-archers.jpg Applique archers. Gold applique showing two archers back to back, Kul Oba, 400BC - 350BC. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/s/093-scythians-2017/Scythians---Cultural-map.jpg Scythians cultural map. A map of Eurasia showing the extent of the Achaemenid empire (in red) and the Eurasian steppe and mixed woodland largely occupied by the Scythians (in Green). Map produced by Paul Goodhead. https://www.studiointernational.com/images/articles/s/093-scythians-2017/Table.jpg Table. Collapsible table with lathe-turned legs, Pazyryk 2, Late 4th - early 3rd century BC. © State Hermitage Museum, St Petersburg. Photograph: V Terebenin. https://www.studiointernational.com/index.php/breathing-colour-by-hella-jongerius-review-design-museum-london https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170627-Design-Museum-Helen-Jongerius-Luke-Hayes18.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170627-Design-Museum-Helen-Jongerius240Luke-Hayes.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/Coloured-Vases-(series-3),-2010,-Hella-Jongerius.jpg Hella Jongerius. Coloured Vases (series 3), 2010. Photograph: Gerrit Schreurs. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170627-Design-Museum-Helen-Jongerius242Luke-Hayes.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170628-Design-Museum-Hella-jongerius27.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170627-Design-Museum-Helen-Jongerius-Luke-Hayes19.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/Daylight-Wheel,-2011.jpg Hella Jongerius. Daylight Wheel, 2011. Photograph: Roel van Tour. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170627-Design-Museum-Helen-Jongerius-Luke-Hayes20.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170627-Design-Museum-Helen-Jongerius-Luke-Hayes21.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170627-Design-Museum-Helen-Jongerius-Luke-Hayes26.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170627-Design-Museum-Helen-Jongerius-Luke-Hayes30.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/170627-Design-Museum-Helen-Jongerius-Luke-Hayes39.jpg Breathing Colour by Hella Jongerius, Design Museum, London 2017. Installation view. Photograph: Luke Hayes. https://www.studiointernational.com/images/articles/j/098-jongerius-hella-2017/Hella-Jongerius-Markus-Jans.jpg Hella Jongerius. Photograph: Markus Jans. https://www.studiointernational.com/index.php/godwin-bradbeer-interview-work-must-have-physical-presence-and-enigmatic-residual-beauty https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/Godwin-teaching-3.jpg Godwin Bradbeer teaching, 2014. Photograph: Emmy Mavroidis https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/empirical-triptych.jpg Godwin Bradbeer. Empirical Triptych, 1983. Chinagraph, silver oxide, charcoal and pastel on paper. Also included are Cosmetic Profile 1 and 2, 1984. Enamel paintings on linen. Installation at Shepparton Gallery. Photograph: David Senior. https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/Man-of-paper-V11.jpg Godwin Bradbeer. Man of Paper V11, 1995-98. Chinagraph, silver oxide and pastel. Collection: Art Gallery of NSW. https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/Studio-2017.jpg Studio photograph, 2017. From left: The Lodger, 2014; Oath, 2011; Breathing Man, 1980; One Man, 2016. Photograph: the artist. https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/Fall-in-studio.jpg Godwin Bradbeer. Fall, 1981, in studio 2016. Chinagraph, silver oxide, pastel and charcoal. Collection of the artist. Photograph: Julian di Stefano. https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/Studio-Exile-copy.jpg Studio photograph of the artist with Profile in Exile Version 2, 2003. Chinagraph, silver oxide and pastel. Collection of the artist. Photograph: Julian Di Stefano. https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/APOLOGIA-1000-TEARS.jpg Godwin Bradbeer. Apologia with 1000 Tears, 2000–16. Chinagraph, silver oxide, pastel and synthetic polymer on paper. Collection the artist. Photographer: Tim Gresham. https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/Empirical-Triptych-in-studio.jpg Studio shot 2008 of Empirical Triptych, 1983, formerly titled Thirty Third Birthday Portrait. Chinagraph, silver oxide, charcoal and pastel on paper. Collection of the artist. https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/STUDIO-2016.jpg Godwin Bradbeer's studio, 2016. Photograph: Godwin Bradbeer. https://www.studiointernational.com/images/articles/b/094-bradbeer-godwin-2017/GODWIN-STUDIOcopy.jpg Godwin Bradbeer in his studio (2016) with The Lodger, 2015. Chinagraph, silver oxide and pastel on paper. https://www.studiointernational.com/index.php/chris-alton-curator-interview-youre-surrounded-by-me-turf-projects-croydon https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-1.jpg You’re Surrounded By Me, 2017. Installation view at Turf Projects, Croydon. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-14.jpg Liam Geary Baulch. Sea Squad, 2017. Acrylic paint on plywood, 230 x 120 cm. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-18.jpg Chris Alton. After The Revolution They Built An Art School Over The Golf Course, 2017. Textiles, 215 x 105 cm, 225 x 220 cm, 215 x 105 cm. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-17.jpg Jasleen Kaur. A thing that was a thing that was a thing, 2017. Porcelain kaolin rock, digital kaolin image, artificial grass. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-30.jpg Katherine Midgley. Yesterday you are four pizzas, 2017. Video with sound, 11 min 30 sec. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-13.jpg Liam Geary Baulch. Lucky Shirt, Sports shirt, 2016. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-16.jpg Liam Geary Baulch. I am the sea. You're surrounded by me., 2017. Photocopy, 30 x 21 cm. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-19.jpg You’re Surrounded By Me, 2017. Installation view at Turf Projects, Croydon. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-23.jpg Liam Geary Baulch. Cheerleading Against Climate Change, 2017. Video with sound, 1 min 16 sec. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-40.jpg You’re Surrounded By Me, 2017. Installation view at Turf Projects, Croydon. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-7.jpg You’re Surrounded By Me, 2017. Installation view at Turf Projects, Croydon. Image courtesy of Tim Bowditch. https://www.studiointernational.com/images/articles/a/097-alton-chris-2017/YSBM-8.jpg Jasleen Kaur. A thing that was a thing that was a thing, 2017. Porcelain kaolin rock, digital kaolin image, artificial grass. Image courtesy of Tim Bowditch. https://www.studiointernational.com/index.php/daniel-richter-lonely-old-slogans-review-camden-arts-centre-london https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/3.jpg Installation view of Daniel Richter: Lonely Old Slogans at Camden Arts Centre, London, 2017. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/Tuanus-2000.jpg Daniel Richter. Tuanus, 2000. Oil on canvas, 252 x 368 cm. Deichtorhallen Hamburg / Falckenberg Collection. https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/Halber-Akt-2013.jpg Daniel Richter. Halber Akt (Half Nude), 2013. Oil on canvas, 100 x 70 cm. Private collection, Germany. https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/A-Flower-in-Flames-2012.jpg Daniel Richter. A Flower in Flames, 2012. Oil on canvas, 200 x 300 cm. Private collection. https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/Amsterdam-2001.jpg Daniel Richter. Amsterdam, 2001. Oil on canvas, 225 x 147 cm. Private collection, Lütjenburg. https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/Francis-the-Cheerful-2015.jpg Daniel Richter. Francis, der Fröhliche (Francis, the Cheerful), 2015. Oil on canvas, 200 x 170 cm. Private collection, Lütjenburg. https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/Havanna-1997.jpg Daniel Richter. Havanna, 1997. Oil, laquer on canvas, 195 x 160 cm. Dr. Hans Jochen Waitz, Christoph Graf von Hardenberg. https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/Lonely-Old-Slogan-2006.jpg Daniel Richter. Lonely Old Slogan, 2006. Oil on canvas, 250 x 280.1 cm. Deichtorhallen Hamburg / Falckenberg Collection. https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/Tarifa-2001.jpg Daniel Richter. Tarifa (Tariff/Fare), 2001. Oil on canvas, 350 x 280 cm. Collection Helen and Ken Rowe, London. https://www.studiointernational.com/images/articles/r/097-richter-daniel-2017/12.jpg Installation view of Daniel Richter: Lonely Old Slogans at Camden Arts Centre, London, 2017. Photograph: Mark Blower. https://www.studiointernational.com/index.php/gerfried-stocker-interview-ars-electronica-festival-2017 https://www.studiointernational.com/images/articles/s/092-stocker-gerfried-2017/3VRLab.jpg The VRLab in the Ars Electronica Centre’s Main Gallery showcases the latest VR, AR and MR technologies. In addition to applications by filmmakers and animators as well as artistic approaches, the VRLab relates the history of virtual and augmented reality’s development. Photograph: Ars Electronica / Martin Hieslmair. https://www.studiointernational.com/images/articles/s/092-stocker-gerfried-2017/5The-Wandering-Artist-.jpg Sarah Petkus. The Wandering Artist is a meditation that took place at the European Space Agency on the role that creativity and human expression play in the context of space exploration. A robotic entity was equipped to interact with its environment in personally expressive ways as a catalyst to encourage reflection from scientists and engineers about the purpose and identity of space-faring technology. This project is presented in the framework of the European Digital Art and Science Network and co-funded by the Creative Europe program of the European Union. Photograph: Sarah Petkus https://www.studiointernational.com/images/articles/s/092-stocker-gerfried-2017/Ars-Electronica-2017-Logo.jpg Poster for the 2017 Ars Electronica Festival, Linz, Austria, 7–11 September 2017. Photograph: Ramiro Joly-Mascheroni and Aline Sardin-Dalmasso. https://www.studiointernational.com/images/articles/s/092-stocker-gerfried-2017/4-Star-Storm-.jpg Aoife van Linden Tol. Star Storm. Star Storm is a site-specific explosive performance inspired by the processes of the stars. Using research from the European Space Agency on the composition, life cycle, magnetic behaviour and light production within stars, including our sun, Aoife van Linden Tol has designed a powerful and beautifully poetic experience.This project is presented in the framework of the European Digital Art and Science Network and co-funded by the Creative Europe program of the European Union. It was realised in cooperation with ESA and Ars Electronica Futurelab. Photograph: Aoife van Linden Tol. https://www.studiointernational.com/images/articles/s/092-stocker-gerfried-2017/6-Kissenger.jpg Adrian David Cheok, Emma Yann Zhang. Kissenger is a haptic device for mobile phones designed for people to better express intimacy and emotion over the Internet through kissing. The device measures and reproduces the lip pressure of kissing using an array of pressure sensors and actuators, allowing users to send a kiss to their loved ones while having a video chat on their mobile phone. It is part of the Artificial Intimacy exhibition. Photograph: Imagineering Institute https://www.studiointernational.com/images/articles/s/092-stocker-gerfried-2017/7-cellF.jpg Guy Ben-Ary. cellF is Guy Ben-Ary’s self-portrait but also the world’s first neural synthesizer. cellF’s 'brain' is made of living neural networks that grows in a Petri dish and controls in real time analogue synthesizers that work in synergy with the neural network. Photograph: Rafaela Pandolfini. https://www.studiointernational.com/images/articles/s/092-stocker-gerfried-2017/9-Singularity.jpg Uwe Rieger and Carol Brown. Singularity blends data, dance, music and architecture in an immersive performance that transports audiences into spaces of awe and delight. Large 3D holographic constructions appear interactively in space. The set-up combines a live-render program with motion-tracking cameras and triangulated projectors illuminating haze particles. The outcome is a 360-degree haptic-digital space, accurately defined in all dimensions, interactive and inhabitable. https://www.studiointernational.com/images/articles/s/092-stocker-gerfried-2017/Sopro.jpg Sopro by Carolina Peres, Cleber Gazana, Daniel Malva, Fábio Oliveira Nunes, Fernando Fogliano, Milton Sogabe, Miriam Steinberg, Rodrigo Dorta Marques and Soraya Braz. Sopro is energized by the audience through the force of them blowing into a propeller which creates electrical energy that is again turned into the movement of tiny motors on water. The artwork is based on the use of a simple technological system: the poetics of the act of blowing and the use of primary scientific principles. This system in progress is conceived parallel to energy and sustainability issues, placing them in post-digital thinking. Photograph: Edilson Ferri. https://www.studiointernational.com/images/articles/s/092-stocker-gerfried-2017/hatredApparatus.jpg Hatred Apparatus by [+zero] Fabrizio Poltronieri, Nicolau Centola and German Alfonso Nunez. The Hatred Apparatus, once connected over the Internet, automatically captures the comments of news websites’ users. Those comments, stored over a database, are automatically posted on Facebook and Twitter in a randomised fashion. Every one hour a new commentary is shown by the apparatus. This play reveals that the large majority of commentaries on those websites are messages that contain, in different levels, traces of pure hatred. Hence, the play discusses the question of anonymity in these largely vile comments since, we believe, its vile nature would not be publically shown if it was not for anonymity itself. The intention of our play is not to condemn the commentaries themselves but, instead, to demonstrate these to the public in a setting detached from its original and usual context - the daily stories posted by those websites. Photograph: Fabrizio Poltronieri. https://www.studiointernational.com/index.php/klimt-and-antiquity-erotic-encounters-review https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/14.jpg Klimt and Antiquity. Erotic Encounters. Exhibition view. Photograph: Johannes Stoll © Belvedere, Vienna. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/03.jpg Gustav Klimt. Portrait of Josef Pembaur the Elder, 1890. Tiroler Landesmuseum Ferdinandeum, Innsbruck, © Tiroler Landesmuseen. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/11.jpg Gustav Klimt. The Hostile Powers (Detail of the Beethoven Frieze), 1901/02. Belvedere, Vienna, © Belvedere, Vienna. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/09.jpg Gustav Klimt. Die Poesie (Detail Beethovenfries), 1901/02. © Belvedere Vienna. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/06.jpg Gustav Klimt. Sitzender weiblicher Halbakt, 1904. Leopold Museum, Vienna. Reproduced in: Die Hetärengespräche des Lukian. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/01.jpg Gustav Klimt. Girlfriends (Water Serpents I), 1905/06, with last revisions in 1907. Belvedere, Vienna, © Belvedere, Vienna. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/02.jpg Die Hetärengespräche des Lukian, Edition A, 1907. Private Collection, © Belvedere, Vienna. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/04.jpg Musensarkophag, 180–200 A.C. Kunsthistorisches Museum, Vienna, Collection of Antiquities, © KHM-Museumsverband, Middle Imperial Era. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/05.jpg Halsamphore of the Providence-Painter, around 480 BC. Kunsthistorisches Museum, Vienna, Collection of Antiquities, © KHM-Museumsverband. Attic, red figured. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/07.jpg Kalathos of the Brygos painter, around 470 BC. State Collections of Antiquities and Glyptothek Munich, © State Collections of Antiquities and Glyptothek Munich/Renate Kühling. Attic, red figured. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/08.jpg Tray of the Tarquinia Painter, around 470-460 BC. Antikenmuseum Basel and Sammlung Ludwig, © Antikenmuseum Basel and Sammlung Ludwig. Attic, red figured. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/10.jpg Amphora of the Phrynos Painter, around 550/540 BC. © Antikensammlung Basel and Sammlung Ludwig. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/15.jpg Klimt and Antiquity. Erotic Encounters. Exhibition view. Photograph: Johannes Stoll © Belvedere, Vienna. https://www.studiointernational.com/images/articles/k/097-klimt-and-antiquity-2017/13.jpg Klimt and Antiquity. Erotic Encounters. Exhibition view. Photograph: Johannes Stoll © Belvedere, Vienna. https://www.studiointernational.com/index.php/emily-peasgood-halfway-to-heaven-folkestone-triennial https://www.studiointernational.com/images/articles/f/098-folkestone-2017/peasgood-640.jpg Emily Peasgood talking to Studio International at the Folkestone Triennial 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/Thierry-Bal---Emily-Peasgood-1.jpg Emily Peasgood: Halfway to Heaven, Folkestone Triennial 2017. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/Thierry-Bal-Emily-Peasgood-7.jpg Emily Peasgood: Halfway to Heaven, Folkestone Triennial 2017. Photograph: Thierry Bal. https://www.studiointernational.com/index.php/jonathan-wright-fleet-on-foot-folkestone-triennial-2017 https://www.studiointernational.com/images/articles/f/098-folkestone-2017/wright-640.jpg Jonathan Wright talking to Studio International at the Folkestone Triennial 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/fleet-on-foot.jpg Jonathan Wright: Fleet on Foot, Folkestone Triennial 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/studio-ben-allen-the-clearing-folkestone-triennial-2017 https://www.studiointernational.com/images/articles/f/098-folkestone-2017/ben-allen-640.jpg Ben Allen talking to Studio International at the Folkestone Triennial 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/ben-allen-clearing-1.jpg Studio Ben Allen, The Clearing, Folkestone’s Quarterhouse, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/Ben-Allen-Thierry-Bal-S-4.jpg Studio Ben Allen, The Clearing, Folkestone’s Quarterhouse, 2017. Photograph: Thierry Bal. https://www.studiointernational.com/index.php/folkestone-triennial-2017-double-edge-lewis-biggs https://www.studiointernational.com/images/articles/f/098-folkestone-2017/richard-woods-01.jpg Richard Woods. Holiday Home, Folkestone Triennial, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/bob-roberta-smith.jpg Bob and Roberta Smith, FOLKESTONE IS AN ART SCHOOL, Folkestone Triennial, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/hoycheong-wong.jpg Hoycheong Wong. Minaret, Folkestone Triennial, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/Alex-Hartley-2017-Thierry-Bal-1.jpg Alex Hartley, Wall, Folkestone Triennial, 2017. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/craig-martin.jpg Michael Craig-Martin. Folkestone Lightbulb, Folkestone Triennial, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/lubaina-himid.jpg Lubaina Himid. Jelly Mould Pavilions Project, Folkestone Triennial, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/Thierry-Bal-Emily-Peasgood-7.jpg Emily Peasgood. Halfway to Heaven, Folkestone Triennial, 2017. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/ben-allen-clearing-1.jpg Studio Ben Allen. The Clearing, Folkestone Triennial, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/fleet-on-foot.jpg Jonathan Wright. Fleet on Foot, Folkestone Triennial, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/richard-woods-02.jpg Richard Woods. Holiday Home, Folkestone Triennial, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/f/098-folkestone-2017/rigo-23.jpg Rigo 23. Earth’s Oldest Satellite, Folkestone Triennial, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/shilpa-gupta-i-am-always-playing-with-the-idea-of-the-location-in-the-work https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/004.jpg Shilpa Gupta. Blame, 2002–04. Interactive installation with Blame bottles that contain simulated blood, posters, stickers, video, interactive performance, 1 min 49 sec loop. Installation 300 x 130 x 340 cm (118 x 51 x 134 in). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0013.jpg Shilpa Gupta. Threat, 2008-09 (detail). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0014.jpg Shilpa Gupta. 100 hand-drawn maps of my country, 2008–ongoing. Carbon tracings on paper, 76 x 56 cm (30 x 22 in). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/002.jpg Shilpa Gupta. Untitled, 2001. Instruction manual in vitrine, cloth pieces stained with menstrual blood, two videos on monitors. Video I: A hand stitching a cloth stained with blood onto a pyjama, 8:48 mins loop. https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/001.jpg Shilpa Gupta. Untitled, 1995–96. Process based mail work. 300 ink drawings, serially numbered, were sent via post within Bombay. 'Please dispose after use' was stamped on the reverse side, 12.7 x 12.7 cm (5 x 5 in). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/005.jpg Shilpa Gupta. Untitled (There is No Border Here), 2005–06. Wall drawing with self adhesive tapes, 300 x 300 cm (118 x 118 in). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/006.jpg Shilpa Gupta. Untitled (Wives of the disappeared), 2006. Architectural video projection and installation, 9 min 47 sec video loop. https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/007.jpg Shilpa Gupta. Untitled, 2006. Video projection with sound and drawing on floor, 8 min loop. https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/008.jpg Shilpa Gupta. Untitled, 2006. Video projection with sound and drawing on floor, 8 min loop. https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/009.jpg Shilpa Gupta. National highway No 1 – 6 mins 28 seconds en route Srinagar to a picnic in Gulmarg, Kashmir, 2005–06. Single channel video with audio, 6 min 28 sec loop. https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0011.jpg Shilpa Gupta. Untitled, 2008-09. Motion Flapboard, 20 min loop. 180 x 21.8 x 25 cm (70.9 x 8.3 x 10 in). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0012.jpg Shilpa Gupta. Threat, 2008-09. Bathing soaps, each 15 x 6.2 x 4 cm (5.9 x 2.5 x 1.6 in). Stack of 4,500 soaps, 72 x 229 x 107 cm (28.5 x 90 x 42 in). Visitors were invited to take a soap each. https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0015.jpg Shilpa Gupta. Speaking Wall, 2009–10. Interactive sensor-based sound installation, LCD screen, bricks, headphone, 8 min interaction loop, 300 x 300 x 300 cm (118 x 118 x 118 in). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0016.jpg Shilpa Gupta. I live under your sky too, 2013. Animated light installation, 975 x 487 cm (384 x 192 in). Carter Road, Bandra and HSP, Lower Parel. https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0017.jpg Shilpa Gupta. My East is Your West, 2014. LED-based animated light installation, 977 x 97 x 14 cm (392.5 x 38 x 5.5 in). National Museum of Modern and Contemporary Art, Seoul. https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0018.jpg Shilpa Gupta. Untitled, 2013. Engraving on stone, 54.75 x 68.5 x 10.25 cm (21.5 x 27 x 4 in). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0019.jpg Shilpa Gupta. Map Tracing#2-BE, 2017. Copper pipe, 74 x 250 x 135 cm (30 x 98 x 53 in). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0022.jpg Shilpa Gupta. Song of the Ground, 2017. Mechanical installation, borderland river stones, 79 x 22 x 18 cm (31 x 8 x 13 in). https://www.studiointernational.com/images/articles/g/098-gupta-shilpa-2017/0023.jpg Shilpa Gupta. 'Will it be alright if we win', 2013. Single channel video projection with audio, 6 min loop. https://www.studiointernational.com/index.php/cathy-peter-halstead-tippet-rise-art-center-interview https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/01-01-The-Inverted-Portal-by-Ensamble-Studio-Photo-by-Iwan-Baan.jpg The Inverted Portal (2016) by Ensamble Studio (Antón García-Abril and Débora Mesa) at Tippet Rise. Image courtesy of Tippet Rise Art Center/Iwan Baan. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/07-35-Two-Discs-by-Alexander-Calder-Photo-by-Erik-Peterson.jpg Alexander Calder, Two Discs, 1965, installed at Tippet Rise. On loan from the Hirshhorn Museum and Sculpture Garden. Image courtesy of Tippet Rise Art Center. Photograph: Erik Peterson. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/02-04-The-Domo-by-Ensamble-Studio-Photo-by-Iwan-Baan.jpg The Domo (2016) by Ensamble Studio (Antón García-Abril and Débora Mesa) at Tippet Rise. Image courtesy of Tippet Rise Art Center/Iwan Baan. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/04-06-Proverb-by-Mark-di-Suvero-Photo-by-Iwan-Baan.jpg Mark di Suvero, Proverb, 2002. Painted Cor-ten steel, 60 ft. x 17 11/16 ft. x 31 1/2 ft. Image courtesy of Tippet Rise Art Center/Iwan Baan. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/05-07-Daydreams-by-Patrick-Dougherty-Photo-by-Djuna-Zupancic.jpg Patrick Dougherty, Daydreams, 2015. Locally sourced willow saplings and sticks. (School house in collaboration with JXM & Associates LLC and CTA architects.) Image courtesy of Tippet Rise Art Center/Djuna Zupancic. Photograph: Djuna Zupancic. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/06-08-Tippet-Rise-Satellite-No.jpg Stephen Talasnik, Satellite No. 5: Pioneer, 2016. Image courtesy of Tippet Rise Art Center/Iwan Baan. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/09-11-The-Olivier-Barn-(foreground)-and-Two-Discs-by-Alexander-Calder-(background)-Photo-by-Iwan-Baan.jpg The Olivier Barn at Tippet Rise. Image courtesy of Tippet Rise Art Center/Iwan Baan. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/03-31-Concert-at-the-Domo-Photo-by-Erik-Peterson.jpg Concert beneath the Domo by Ensamble Studio. Image courtesy of Tippet Rise Art Center. Photograph: Erik Peterson. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/08-10-The-Tiara-Photo-by-Alban-Bassuet.jpg The Tiara at Tippet Rise, design by Alban Bassuet and Willem Boning, with Arup Engineers. Lead Architect: Gunnstock Timber Frames. Image courtesy of Tippet Rise Art Center. Photograph: Alban Bassuet. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/10-12-The-Olivier-Music-Barn-Photo-by-Iwan-Baan.jpg The interior of the Olivier Barn at Tippet Rise. Image courtesy of Tippet Rise Art Center/Iwan Baan. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/t/100-tippets-rise-2017/Cathy-and-Peter-Halstead_By-Djuna-Zupancic.jpg Cathy and Peter Halstead. Photograph: Djuna Zupancic. https://www.studiointernational.com/index.php/bethlem-gallery-its-how-well-you-bounce-review-grayson-perry-mental-health-royal-hospital https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/Sara_Haq_BUG_HER.gif Sara Haq. Stills from video work Bug Her, 2017. © Sara Haq. https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/3-Xavier-White,-Cohedia-A-Mind-Expanding-Cityscape,-2003.jpg Xavier White. Cohedia A Mind Expanding Cityscape, 2003 – ongoing. Mixed media on canvas. © the artist, Courtesy Bethlem Gallery. https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/6-John-Mc,-Journey-to-Recovery,-video-still,-2016.jpg John Mc. Journey to recovery, 2016. Video still (2). © the artist, Courtesy Bethlem Gallery. https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/2-Maureen-Scott,-Unemployed,-1972.jpg Maureen Scott. Unemployed, 1972. Oil on canvas. © the artist, Courtesy Bethlem Gallery. https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/4-Esther-Maxwell-Orumbie,-Cameleon-ability,-2017.jpg Esther Maxwell. Chameleon ability, 2017. Photograph from digital slideshow series. © the artist, Courtesy Bethlem Gallery. https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/Bethlem-Gallery,-Mr-X,-1-September-2017.jpg Bethlem Gallery, with cardboard sculpture by Mr X in the foreground, 1 September 2017. Photograph: Ed Watts, courtesy Bethlem Gallery. https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/5-John-Mc,-Journey-to-Recovery,-video-still,-2016.jpg John Mc. Journey to recovery, 2016. Video still. © the artist, Courtesy Bethlem Gallery. https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/7-Find-Your-Way,-2017.jpg Find Your Way, 2017, a collaboration between Corali Dance Company, Hydar Dewachi and Jan Arden. Film, performance and workshop. Photograph © Hydar Dewachi, courtesy Bethlem Gallery. https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/8-Martin-Wade,-Paper-Aeroplanes,-2017.jpg Martin Wade. Paper Aeroplanes, 2017. Acrylic on canvas, 76 x 101 cm. © the artist, Courtesy Bethlem Gallery. https://www.studiointernational.com/images/articles/b/093-bethlem-museum-2017/1-Grayson-Perry,-Map-of-an-Englishman,-2004-Published-by-Paragon.jpg Grayson Perry. Map of an Englishman, 2004. Etching from four plates, 112 x 150 cm (44 1/8 x 59 1/8 in). Published by Paragon. Courtesy the artist, Paragon | Contemporary https://www.studiointernational.com/index.php/jose-pedro-croft-video-interview-uncertain-measure-venice-biennale-2017 https://www.studiointernational.com/images/articles/c/092-croft-jose-pedro-2017/croft-install-01.jpg José Pedro Croft: Uncertain Measure, installation view, Villa Hériot, Giudecca, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/092-croft-jose-pedro-2017/croft-640.jpg José Pedro Croft talking to Studio International at the opening of Uncertain Measure at the Portuguese Pavilion, Villa Hériot, Giudecca, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/092-croft-jose-pedro-2017/croft-install-03.jpg José Pedro Croft: Uncertain Measure, installation view, Villa Hériot, Giudecca, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/092-croft-jose-pedro-2017/croft-install-06.jpg José Pedro Croft: Uncertain Measure, installation view, Villa Hériot, Giudecca, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/092-croft-jose-pedro-2017/croft-install-05.jpg Model of Campo di Marte, the social housing project by Portuguese architect Álvaro Siza. Installation view at José Pedro Croft: Uncertain Measure, Villa Hériot, Giudecca, Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/lucas-arruda-interview-the-only-reason-to-call-my-works-landscapes-is-cultural https://www.studiointernational.com/images/articles/a/098-arruda-lucas-2017/ARRLU0008.jpg Lucas Arruda. Sem título (Untitled), 2017. Oil on canvas, 30.5 x 30.5 cm (12 x 12 in). © Lucas Arruda. Courtesy Mendes Wood DM, São Paulo/Brussels and David Zwirner, London. Photograph: Everton Ballardin, https://www.studiointernational.com/images/articles/a/098-arruda-lucas-2017/ARRLU0013.jpg Lucas Arruda. Sem título (Untitled), 2017. Oil on canvas, 26 x 30 cm (10 1/4 x 11 7/8 in). © Lucas Arruda. Courtesy Mendes Wood DM, São Paulo/Brussels and David Zwirner, London. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/a/098-arruda-lucas-2017/ARRLU0029.jpg Lucas Arruda. Sem título (Untitled), 2017. Oil on canvas, 24 x 30 cm (9 1/2 x 11 7/8 in). © Lucas Arruda. Courtesy Mendes Wood DM, São Paulo/Brussels and David Zwirner, London. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/a/098-arruda-lucas-2017/ARRLU0030.jpg Lucas Arruda. Sem título (Untitled), 2017. Oil on canvas, 24 x 30 cm (9 1/2 x 11 7/8 in. © Lucas Arruda. Courtesy Mendes Wood DM, São Paulo/Brussels and David Zwirner, London. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/a/098-arruda-lucas-2017/ARRLU0034.jpg Lucas Arruda. Sem título (Untitled), 2017. Oil on canvas, 130 x 30 cm (1 7/8 x 11 7/8 in). © Lucas Arruda. Courtesy Mendes Wood DM, São Paulo/Brussels and David Zwirner, London. Photograph: Everton Ballardin. https://www.studiointernational.com/images/articles/a/098-arruda-lucas-2017/lucas-arruda_photoNataliaIvanov-1.jpg Portrait of Lucas Arruda. Courtesy Mendes Wood DM, São Paulo/Brussels and David Zwirner, London. https://www.studiointernational.com/index.php/ross-birrell-interview-the-athens-kassel-ride-transit-of-hermes-criollo https://www.studiointernational.com/images/articles/b/092-birrell-ross-2017/10-RIDE-OSMO-STILLS-5-pp.jpg Ross Birrell. Athens-Kassel Ride: The Transit of Hermes, documenta 14, 2017. Image credit: Samuel Devereux. Courtesy the artist and Ellen de Bruijne Projects. https://www.studiointernational.com/images/articles/b/092-birrell-ross-2017/02-Ahi-Buenos-Aires-San-Martin.jpg Ross Birrell. Criollo, Argentine Criollo, Ahi Veremos Resero, General José de San Martín Memorial, Plaza San Martin, Buenos Aires, 29 January 2017. Image Credit: Alejandro Reynoso. Courtesy the artist and Ellen de Bruijne Projects. https://www.studiointernational.com/images/articles/b/092-birrell-ross-2017/06-Ahi-at-San-Martin-NYC.jpg Ross Birrell. Criollo, Argentine Criollo, Ahi Veremos Resero, General José de San Martín Memorial, Central Park, New York, 20 March 2017. Image Credit: Ross Birrell. Courtesy the artist and Ellen de Bruijne Projects. https://www.studiointernational.com/images/articles/b/092-birrell-ross-2017/20-Riders-in-Serbia-pp.jpg Ross Birrell. Athens-Kassel Ride: The Transit of Hermes, documenta 14, 2017. Image credit: Ross Birrell. Courtesy the artist and Ellen de Bruijne Projects. https://www.studiointernational.com/images/articles/b/092-birrell-ross-2017/01-Criollo,-film-still.jpg Ross Birrell. Criollo, 2017. Film still. Image credit: John Engstrom. Courtesy the artist and Ellen de Bruijne Projects. https://www.studiointernational.com/index.php/suspended-animation-review-les-abattoirs-toulouse-digital-future https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Agnieszka-Polska-I-Am-the-Mouth-Installation-2-with-viewers.jpg Agnieszka Polska. I Am the Mouth, 2014. HD video, colour, sound, duration: 5:45 mins. Courtesy of Zak, Branicka, Berlin. Exhibition view at Hirshhorn Museum and Sculpture Garden. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Kate-Cooper-Rigged-still-from-film_3_HiRes.jpg Kate Cooper. Rigged, 2015. Film still. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Josh-Kline-Hope-and-Change-1-with-viewers.jpg Josh Kline. Hope and Change, 2015. HD video, colour, sound, 17:10 mins. Private collection, Courtesy of 47 Canal, New York. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Jon-Rafman,-A-MAN-DIGGING,-Zabludowicz-Collection,-2015.jpg Jon Rafman. A Man Digging, 2015. Exhibition view, Zabludowicz Collection, London. Courtesy Future Gallery (Berlin), Galerie Antoine Ertaskiran (Montreal), Seventeen Gallery (London). https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Helen-Marten-Orchids,-or-a-Hemispherical-Bottom-still-2.jpg Helen Marten. Orchids, or a hemispherical bottom, 2013. Film still. Courtesy of the artist; Sadie Coles HQ, London; Greene Naftali, New York; Johann Koenig, Berlin, and T293, Rome/Naples. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Ed-Atkins-Warm,-warm-Spring-Mouths-installation-3.jpg Ed Atkins. Warm, Warm, Warm Spring Mouths, 2013. HD film, 12:50 minutes. Courtesy of the artist; Cabinet, London; Gavin Brown’s enterprise, New York; Isabella Bortolozzi Galerie, Berlin. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Bonniers_KateCooper_A_HiRes_Press.jpg Kate Cooper. Rigged, 2015, light boxes, wallpaper, videos. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Antoine-Catala-The-Pleasure-of-Being-Sad-1.jpg Antoine Catala. The Pleasure of Being Sad, 2016. Breathing screen, video projection and sculpture, Courtesy of 47 Canal, New York, USA. Exhibition view at Hirshhorn Museum and Sculpture Garden, Washington. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Antoine-Catala-The-Pleasure-of-Being-Sad-Installation-3.jpg Antoine Catala. The Pleasure of Being Sad, 2016. Breathing screen, video projection and sculpture, Courtesy of 47 Canal, New York, USA. Exhibition view at Hirshhorn Museum and Sculpture Garden, Washington. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Avery-Singer-2.jpg Avery Singer. Installation view. Courtesy of Kraupa Tuskany-Zeidler, Berlin; Gavin Brown’s Enterprise, New York. Photograph: Thomas Mueller. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Ed-Atkins-Warm,-warm-Spring-Mouths-still-2.jpg Ed Atkins. Warm, Warm, Warm Spring Mouths, 2013. HD film, 12:50 minutes. Courtesy of the artist; Cabinet, London; Gavin Brown’s enterprise, New York; Isabella Bortolozzi Galerie, Berlin. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Helen-Marten-Orchids,-or-a-Hemispherical-Bottom-Installation-2.jpg Helen Marten. Orchids, or a hemispherical bottom, 2013. Video, colour, sound, duration: 19:24 mins. Courtesy of the artist; Sadie Coles HQ, London; Greene Naftali, New York; Johann Koenig, Berlin, and T293, Rome/Naples. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Ian-Cheng-Emissary-in-the-Squat-of-Gods-installation-3-with-viewers.jpg Ian Cheng. Emissary in the Squat of Gods, 2015. Simulation programme, colour, sound, infinite duration. Courtesy of the artist; Pilar Corrias, London; Standard, Oslo. Exhibition view at Hirshhorn Museum and Sculpture Garden, Washington. https://www.studiointernational.com/images/articles/s/091-suspended-animation-2017/Josh-Kline-Hope-and-Change-detail-5.jpg Josh Kline. Hope and Change, 2015. HD video, colour, sound, 17:10 mins. Private collection, Courtesy of 47 Canal, New York. https://www.studiointernational.com/index.php/robert-longo-interview-im-making-artworks-out-of-dust https://www.studiointernational.com/images/articles/l/096-longo-robert-2017/Robert-Longo,-Untitled-(Election-Day-2016),-2017.jpg Robert Longo. Untitled (Election Day 2016), 2017. Charcoal on mounted paper, 152.4 x 109.9 cm. Courtesy Galerie Thaddaeus Ropac London · Paris · Salzburg. Photograph: Artist Studio. https://www.studiointernational.com/images/articles/l/096-longo-robert-2017/Robert-Longo,-Untitled-(The-Real-Elvis),-2017.jpg Robert Longo. Untitled (The Real Elvis), 2017. Charcoal on mounted paper, 139.7 x 139.7 cm. Courtesy Galerie Thaddaeus Ropac London · Paris · Salzburg. Photograph: Artist Studio. https://www.studiointernational.com/images/articles/l/096-longo-robert-2017/Robert-Longo,-Untitled-(Where-the-Outside-Meets-the-Inside),-2017.jpg Robert Longo. Untitled (Where the Outside Meets the Inside), 2017. Charcoal on mounted paper, 118.1 x 147.3 cm. Courtesy Galerie Thaddaeus Ropac London · Paris · Salzburg. Photograph: Artist Studio. https://www.studiointernational.com/images/articles/l/096-longo-robert-2017/Untitled-(Guernica-Redacted,-After-Picassos-Guernica,-1937).jpg Robert Longo. Untitled (Guernica Redacted, After Picasso’s Guernica, 1937), 2014. Courtesy Galerie Thaddaeus Ropac London · Paris · Salzburg. Photograph: Artist Studio. https://www.studiointernational.com/images/articles/l/096-longo-robert-2017/Robert-Longo,-Untitled-(Osage-Headdress,-American-Tragedy),-2017.jpg Robert Longo. Untitled (Osage Headdress, American Tragedy), 2017. Charcoal on mounted paper, 152.4 x 116.2 cm. Courtesy Galerie Thaddaeus Ropac London · Paris · Salzburg. Photograph: Artist Studio. https://www.studiointernational.com/images/articles/l/096-longo-robert-2017/Robert-Longo,-Untitled-(Philosophy-In-The-Bedroom),-2017.jpg Robert Longo. Untitled (Philosophy In The Bedroom), 2017. Charcoal on mounted paper, 243.8 x 355.6 cm. Courtesy Galerie Thaddaeus Ropac London · Paris · Salzburg. Photograph: Artist Studio. https://www.studiointernational.com/images/articles/l/096-longo-robert-2017/Robert-Longo,-Untitled-(X-Ray-of-A-Bar-at-the-Folies-Bergere,-1882-after-Manet),-2017.jpg Robert Longo. Untitled (X-Ray of A Bar at the Folies-Bergère, 1882 after Manet), 2017. Charcoal on mounted paper, 243.8 x 330.8 cm. Courtesy Galerie Thaddaeus Ropac London · Paris · Salzburg. Photograph: Artist Studio. https://www.studiointernational.com/index.php/sara-barker-the-faces-of-older-images-review https://www.studiointernational.com/images/articles/b/091-barker-sara-2017/MMG-BARKS-00194-(3).jpg Sara Barker. Forecasts a handful of blots and clouds and shapes, 2017. Automotive paint, folded aluminium, stainless steel rod, perspex, 203.2 x 239.7 x 38 cm (53 x 94 x 15 in). Image courtesy the artist; Mary Mary, Glasgow. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/b/091-barker-sara-2017/MMG-BARKS-00195-(5).jpg Sara Barker. Down their carved names the rain drop ploughs, 2017. Automotive paint, folded aluminium, stainless steel rod, perspex, 186.6 x 238 x 28 cm (73.5 x 94 x 11.1 in). Image courtesy the artist; Mary Mary, Glasgow. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/b/091-barker-sara-2017/MMG-BARKS-00193-(4).jpg Sara Barker. Double son of rubble, 2017. Automotive paint, folded aluminium, stainless steel and brass rod, perspex, 203.2 x 297.2 x 57.1 cm (80 x 117.5 x 22.5 in). Image courtesy the artist; Mary Mary, Glasgow. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/b/091-barker-sara-2017/Installation-view-1.jpg Installation view, Sara Barker, The faces of older images, Mary Mary, Glasgow. Image courtesy the artist; Mary Mary, Glasgow. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/b/091-barker-sara-2017/MMG-BARKS-00185-(4).jpg Sara Barker. Camp coffee and communication errors, 2016. Aluminium sheet, aluminium rod, automotive paint, perspex, 213 x 130 x 35 cm (83 7/8 x 51 1/8 x 13 3/4 in). Image courtesy the artist; Mary Mary, Glasgow. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/b/091-barker-sara-2017/MMG-BARKS-00195-(3).jpg Sara Barker. Down their carved names the rain drop ploughs, 2017 (detail). Automotive paint, folded aluminium, stainless steel rod, perspex, 186.6 x 238 x 28 cm (73.5 x 94 x 11.1 in). Image courtesy the artist; Mary Mary, Glasgow. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/b/091-barker-sara-2017/MMG-BARKS-00196-(6).jpg Sara Barker. 3 fabric figures on the Heath changes the sky, 2017. Automotive paint, folded aluminium, stainless steel rod, perspex, 175 x 243.8 x 38 cm (68.9 x 96 x 15 in). Image courtesy the artist; Mary Mary, Glasgow. Photograph: Max Slaven. https://www.studiointernational.com/images/articles/b/091-barker-sara-2017/Installation-view-5.jpg Installation view, Sara Barker, The faces of older images, Mary Mary, Glasgow. Image courtesy the artist; Mary Mary, Glasgow. Photograph: Max Slaven. https://www.studiointernational.com/index.php/basquiat-boom-for-real-review-barbican-london https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/6.jpg Jean-Michel Basquiat. Self Portrait, 1984. Acrylic and oilstick on paper mounted on canvas, 100 x 70 cm. Private collection. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/4.jpg Jean-Michel Basquiat. A Panel of Experts, 1982. Acrylic, oil paintstick and paper collage on canvas with exposed wood supports and twine, 152.5 x 152 x 4.5 cm. Courtesy The Montreal Museum of Fine Arts. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photograph: MFA, Douglas M Parker. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/2.jpg Jean-Michel Basquiat. Hollywood Africans, 1983. Acrylic and oilstick on canvas, 213.5 x 213.4 cm. Courtesy Whitney Museum of American Art, New York. © The Estate of Jean-Michel Basquiat/ Artists Rights Society (ARS), New York/ ADAGP, Paris. Licensed by Artestar, New York. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/self-portrait-1981-detail-mk.jpg Jean-Michel Basquiat. Self-Portrait, 1981 (detail). Installation view, Basquiat: Boom for Real, Barbican Art Gallery, London, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/8.jpg LIKE AN IGNORANT EASTER SUIT, Jean-Michel Basquiat on the set of Downtown 81. © New York Beat Film LLC. By permission of The Estate of Jean-Michel Basquiat. Photograph: Edo Bertoglio. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/1.jpg Jean-Michel Basquiat. Untitled, 1982. Acrylic and oil on linen, 193 x 239 cm. Courtesy Museum Boijmans Van Beuningen, Rotterdam. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photograph: Studio Tromp, Rotterdam . https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/3.jpg Jean-Michel Basquiat. Untitled, 1980. Courtesy Whitney Museum of American Art, New York. Enamel, spray paint, and oil stick on enameled metal, 243.8 x 122.1 cm. © The Estate of Jean-Michel Basquiat/ Artists Rights Society (ARS), New York/ ADAGP, Paris. Licensed by Artestar, New York. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/5.jpg Jean-Michel Basquiat. Untitled (Pablo Picasso), 1984. Oil, acrylic and coloured oilsticks on metal, 90.5 x 90.5 cm. Private collection, Italy. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/7.jpg Jean-Michel Basquiat. King Zulu, 1986. Acrylic, wax and felt-tip pen on canvas, 202.5 x 255 cm. Courtesy Museu d’Art Contemporani de Barcelona. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photograph: Gasull Fotografia. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/self-portrait-1981-mk.jpg Jean-Michel Basquiat. Self-Portrait, 1981. Installation view, Basquiat: Boom for Real, Barbican Art Gallery, London, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/fridge-mk.jpg Jean-Michel Basquiat with Fab 5 Freddy, Futura 2000, Keith Haring, Eric Haze, LA2, Tseng Kwong Chi, Kenny Scharf and others. Untitled (Fun Fridge), 1982. Installation view, Basquiat: Boom for Real, Barbican Art Gallery, London, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/warhol-basquiat-video-mk.jpg Outtakes from Basquiat segment of Andy Warhol’s TV, season 2, episode 9, 1983. Installation view, Basquiat: Boom for Real, Barbican Art Gallery, London, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/090-basquiat-jean-michel-2017/warhol-basquiat-mk.jpg Jean-Michel Basquiat. Dos Cabezas (Two Heads), 1982. Installation view, Basquiat: Boom for Real, Barbican Art Gallery, London, 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/james-richards-video-interview-music-for-the-gift-venice-biennale-2017 https://www.studiointernational.com/images/articles/r/096-richards-james-2017/james-richards-wales-in-venice.jpg James Richards: Music for the gift – Wales in Venice, 2017. The chapel of Santa Maria Ausiliatrice. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/096-richards-james-2017/richards-640.jpg James Richards talking to Studio International at Music for the gift, Wales in Venice 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/096-richards-james-2017/Study-For-A-Portrait-6.jpg James Richards, Music for the gift, 2017, production still. Archive image courtesy The Schwules Museum*, Berlin. https://www.studiointernational.com/images/articles/r/096-richards-james-2017/02-James-Richards-and-Steve-Reinke,-What-weakens-the-flesh-is-the-flesh-itself,-digital-video-with-sound-(still),-2017.--Copyright-James-Richards-and-Steve-Reinke.jpg James Richards and Steve Reinke, What weakens the flesh is the flesh itself, digital video with sound (still), 2017. James Richards and Steve Reinke; courtesy Wales in Venice. https://www.studiointernational.com/index.php/john-hoyland-stain-paintings-1964-1966-pace-gallery-new-york https://www.studiointernational.com/images/articles/h/090-hoyland-john-2017/66863_HOYLAND.jpg John Hoyland. 29.6.65, 1965. Acrylic on canvas, 85 x 96 in (215.9 cm x 243.8 cm). © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph: Colin Mills, courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/h/090-hoyland-john-2017/67596_HOYLAND.jpg John Hoyland. 7.11.66, 1966. Acrylic on canvas, 84 x 120 in (213.4 cm x 304.8 cm). © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph: Colin Mills, courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/h/090-hoyland-john-2017/HOYLAND_inst_2017_v02.jpg Installation view of John Hoyland: Stain Paintings 1964–1966, 32 East 57th Street, New York, September 15 – October 21, 2017. © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph: Tom Barratt, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/h/090-hoyland-john-2017/62039_HOYLAND.jpg John Hoyland. 20.4.66, 1966. Acrylic on canvas, 229.5 cm x 304.8 cm (90 3/8 x 120 in). © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph: Colin Mills, courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/h/090-hoyland-john-2017/62098_HOYLAND.jpg John Hoyland. 11.10.64, 1964. Acrylic on canvas, 78 x 132 in (198.1 cm x 335.3 cm). © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph: Colin Mills, courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/h/090-hoyland-john-2017/HOYLAND_inst_2017_v08.jpg Installation view of John Hoyland: Stain Paintings 1964–1966, 32 East 57th Street, New York, September 15 – October 21, 2017. © The John Hoyland Estate. All rights reserved, DACS 2017. Photograph: Tom Barratt, courtesy Pace Gallery. https://www.studiointernational.com/index.php/portrait-of-the-artist-kathe-kollwitz-review-ikon-gallery https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Mother-with-Child-in-Her-Arms,-(1910).jpg Käthe Kollwitz. Mother with Child in Her Arms, 1910. Etching. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Sturm-(Riot).jpg Käthe Kollwitz. Sturm (Riot), Plate 5, 1893-7. Etching with stippling. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-Unemployment,-(1909).jpg Käthe Kollwitz. Unemployment, 1909. Etching and engraving. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Self-Portrait,-(1924).jpg Käthe Kollwitz. Self Portrait, 1924. Woodcut. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Die-Carmagnole,-(1901).jpg Käthe Kollwitz. Die Carmagnole, 1901. Etching and drypoint. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Not-(Want).jpg Käthe Kollwitz. Not (Want), Plate 1, 1893-7. Lithograph. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Self-Portrait,-(1904).jpg Käthe Kollwitz. Self Portrait, 1904. Lithograph. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Self-Portrait,-(1912).jpg Käthe Kollwitz. Self Portrait, 1912. Etching, drypoint and soft ground. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Self-Portrait,-(1924)-2.jpg Käthe Kollwitz. Self Portrait, 1924. Lithograph. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Self-Portrait-looking-left,-(1901).jpg Käthe Kollwitz. Self Portrait looking left, 1901. Lithograph and Etching. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Tod-und-Frau-(Death-and-Woman),-(1910).jpg Käthe Kollwitz. Tod und Frau (Death and Woman), 1910. Etching proof. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-(1867-1945)-Unemployment,-(1909).jpg Käthe Kollwitz. Unemployment, 1909. Etching and engraving. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-Half-length-of-working-woman-in-blue-shawl,-(1903).jpg Käthe Kollwitz. Half-length of working woman in blue shawl, 1903. Lithograph. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/k/096-kollwitz-kathe-2017/Kathe-Kollwitz-Inspiration,-(1904-5).jpg Käthe Kollwitz. Inspiration, 1904-5, (first version of plate 3). Etching and engraving touched with white heightening. © The Trustees of the British Museum. https://www.studiointernational.com/index.php/thomas-schutte-review-frith-street-gallery-london https://www.studiointernational.com/images/articles/s/090-schutte-thomas-2017/2.jpg Thomas Schütte. Großer Doppelkopf Nr. 8, 2017. Glazed ceramic, steel, 81 x 76 x 78 cm (head), 129 x 80 x 120 cm (plinth). Courtesy the artist and Frith Street Gallery, London. Photograph: Steve White. https://www.studiointernational.com/images/articles/s/090-schutte-thomas-2017/3.jpg Thomas Schütte. Glaskopf A Nr. 2, 2013. Murano glass, burnished steel 41 x 31 x 23 cm (head), 120 x 45 x 45 cm (plinth). Courtesy the artist and Frith Street Gallery, London. Photograph: Steve White. https://www.studiointernational.com/images/articles/s/090-schutte-thomas-2017/installation2.jpg Installation view of Thomas Schütte at Frith Street Gallery, London, 2017. Courtesy the artist and Frith Street Gallery. Photograph: Steve White. https://www.studiointernational.com/images/articles/s/090-schutte-thomas-2017/4.jpg Thomas Schütte. Berengo Heads Nr. 11, 2011. Murano glass, steel, 42 x 37 x 36 cm, 48 x 36 x 32 cm (heads), 130 x 50 x 50 cm (each plinth). Courtesy the artist and Frith Street Gallery, London. Photograph: Steve White. https://www.studiointernational.com/images/articles/s/090-schutte-thomas-2017/installation1.jpg Installation view of Thomas Schütte at Frith Street Gallery, London, 2017. Courtesy the artist and Frith Street Gallery. Photograph: Steve White. https://www.studiointernational.com/images/articles/s/090-schutte-thomas-2017/1.jpg Thomas Schütte. Glasgeister, 2011. Six Murano glass figures, 45 x 25 x 16 cm (each). Courtesy the artist and Frith Street Gallery, London. Photograph: Steve White. https://www.studiointernational.com/images/articles/s/090-schutte-thomas-2017/5.jpg Thomas Schütte. Blumenoval, 2014. Glazed ceramic, 72 x 55 x 4 cm. Courtesy the artist and Frith Street Gallery, London. Photograph: Steve White. https://www.studiointernational.com/images/articles/s/090-schutte-thomas-2017/6.jpg Thomas Schütte. Please Please Me [From the Deprinotes series], 2007. Watercolour, ink and crayon on paper, 59.4 x 48.5 x 1.8 cm (framed). Courtesy the artist and Frith Street Gallery, London. Photograph: Steve White. https://www.studiointernational.com/index.php/katriona-beales-interview-are-we-all-addicts-now https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/02-Entering-the-Machine-Zone-(2017)-KBeales.jpg Katriona Beales. Entering the Machine Zone, 2017. Interactive 3D moving image with motion sensor, audio, and suspended seat made from suicide prevention netting. Photograph: Pau Ros. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/03-Network-Bed-(2017)-KBeales.jpg Katriona Beales. Network Bed, 2017. Sunken bed structure with foam and velvet, solid glass sculpture with embedded Raspberry Pi screen, and steel support. Photograph: Pau Ros. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/04-Resist-Stress-the-mother-of-all-emotions-(2017)-KBeales.jpg Katriona Beales. Resist Stress the mother of all emotions, 2017. Photograph: Pau Ros. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/11-Mycorrhizhal-Meditation-(2017)-Fiona-MacDonald.jpg Fiona MacDonald : Feral Practice. Mycorrhizal Meditation, 2017. Sound work, duration 17:27 min, available as Mp3 download. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/Entering-the-machine-zone-(2017)-KBeales.jpg Katriona Beales. Entering the Machine Zone, 2017. Preparatory image included in Are we all addicts now? book published by Liverpool University Press. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/12-Working-Together-(2017).jpg Katriona Beales, Working Together, 2017. Animation, Raspberry Pi, 5 inch display, duration: 0:41. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/05-Working-Table-IV-(2017)-KBeales.jpg Katriona Beales. Working Table IV, 2017. Trapezoid table with glass top 240 x 800 x 77 cm and embedded flatscreen. Table top: assorted sculptures including solid glass with embedded Raspberry Pi screen and small fountain. Dimensions variable. Flatscreen: Organic control, 2017, moving image with archive footage from the B.F. Skinner Foundation duration: 06:11. Photograph: Pau Ros. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/06-detail-of-Working-Table-IV-(2017)-KBeales.jpg Katriona Beales. Working Table IV, 2017 (detail). Photograph: Pau Ros. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/07-detail-of-Working-Table-IV-(2017)-KBeales.jpg Katriona Beales. Working Table IV, 2017 (detail). Photograph: Pau Ros. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/08-detail-of-Working-Table-IV-(2017)-KBeales.jpg Katriona Beales. Working Table IV, 2017 (detail). Photograph: Pau Ros. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/09-All-we-all-addicts-now-book-cover-(2017).jpg Are We All Addicts Now? Edited by Vanessa Bartlett and Henrietta Bowden Jones, published by Liverpool University Press. Designed by Stefan Schafer. Photograph: Pau Ros. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/10-user-(2017)-KBeales.jpg Katriona Beales. USER, 2017. External LED display screen with animations and scrolling text drawn from comments sections on internet addiction discussion forums, 128 x 32 x 8 cm. Photograph: Pau Ros. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/13-Organic-Control-(2017)-KBeales.jpg Katriona Beales. Organic control, 2017. Moving image with archive footage from the B.F. Skinner Foundation duration: 06:11. https://www.studiointernational.com/images/articles/b/089-beales-katriona-2017/14-Update-from-wasteland-I-(2017)-KBeales-HD-moving-image-6m39-still.jpg Katriona Beales. Update From the Wasteland I, 2017. Moving image in glass sculpture, with audio, looping, duration: 06:39. https://www.studiointernational.com/index.php/delirious-art-at-the-limits-of-reason-1950-1980-metropolitan-museum-of-art-new-york https://www.studiointernational.com/images/articles/d/095-delirious-2017/Dean-Fleming-Snap-Roll.jpg Dean Fleming. Snap Roll, 1965. Acrylic on canvas, 66 x 99 in. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Sol-Lewitt-13-3.jpg Sol LeWitt. 13/3, 1981. Painted balsa wood, 31 3/8 × 31 3/8 × 31 3/8 in (79.7 × 79.7 × 79.7 cm). Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Larry-Bell---Untitled-1962.jpg Larry Bell, Untitled 1962, 1962. Mirrored glass, acrylic on canvas. 53 × 66 × 3 in. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Yayoi-Kusama-Ladder.jpg Yayoi Kusama. Ladder, 1963. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Mel-Bochner-Portrait-of-Eva-Hesse.jpg Mel Bochner. Portrait of Robert Smithson, 1966. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Leon-Ferrari-Letter-to-a-General.jpg León Ferrari. Letter to a general, 1963. Ink on paper, 45 x 30 cm. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Dara-Birnbaum-Chaired-Anxieties---Skewed.jpg Dara Birnbaum. Chaired Anxieties: Slewed, 1975. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/signature-Met-Breur-window.jpg Signature Met Breuer window. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/jacques-Mahe-de-la-Villegle-torn-poster.jpg Jacques Mahé de la Villeglé. Jazzmen, 1961. Torn papers mounted on canvas, 217 x 177 cm. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Ana-Maria-Maiolino--In-Out-Anthropophagy.jpg Anna Maria Maiolino. In-Out Antropofagia, 1973. Video; 8 min 14 sec. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Edna-Andrade-Color-Motion-464-2.jpg Edna Andrade. Color Motion 4-64, 1964. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Lee-Lizano-No-Title.jpg Lee Lozano. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/d/095-delirious-2017/Richard-serra-Boomerang.jpg Richard Serra. Boomerang, 1974. Video (color, sound), 10 min. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/martin-puryear-review-parasol-unit-foundation-for-contemporary-art-london https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MP_Night-Watch_2011.jpg Martin Puryear. Night Watch, 2011. Maple, willow, OSB board, 295 x 310 x 122 cm (116 x 122 x 48 in). Glenstone Museum, Potomac, MD. Photograph: Christian David Erroi. © Martin Puryear, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MP_Le-Prix_2005.jpg Martin Puryear. Le Prix, 2005. Painted yellow pine, Alaskan yellow cedar, 310 x 228.6 x 33 cm (122 x 90 x 13 in). Collection of Gretchen and John Berggruen, San Francisco. Photograph courtesy the artist https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MP_Brunhilde_1998-2000.jpg Martin Puryear. Brunhilde, 1998-2000. Cedar, rattan, 244 x 285 x 188 cm (96 x 112¼ x 74 in). Collection of the artist Photograph: Richard Goodbody. © Martin Puryear, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MP_The-Load_2012.jpg Martin Puryear. The Load, 2012. Wood, steel, glass, 231.1 x 470 x 188 cm (91 x 185 x 74 in). Glenstone Museum, Potomac, MD. Photograph: Christian David Erroi. © Martin Puryear, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MP_Shackled_2014.jpg Martin Puryear. Shackled, 2014. Iron, 70 x 78 x 21.3 cm (27½ x 30⅝ × 8⅜ in). Collection of the artist. Photograph: Ron Amstutz.© Martin Puryear, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MP_Big-Phrygian_2010-14.jpg Martin Puryear. Big Phrygian, 2010-2014. Painted red cedar, 147.3 x 101.6 x 193 cm (58 x 40 x 76 in). Glenstone Museum, Potomac, MD. Photograph: Ron Amstutz.© Martin Puryear, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MP_Believer_1977-82.jpg Martin Puryear. Believer, 1977-1982. Tulip poplar, pine, 59.1 x 59.4 x 44.1 cm (23¼ x23⅜ x 17⅜ in). Collection of the artist Photograph: Michael Tropea © Martin Puryear, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MPuryearBrunhildeLeft,UntitledRightVSimpson.jpg Martin Puryear. Brunhilde, 1998-2000. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MPuryearBrunhildedetailPicViSimpson.jpg Martin Puryear. Brunhilde, 1998-2000 (detail). Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/MP_Untitled_1978.jpg Martin Puryear. Untitled, 1978. African blackwood, vine, 11.5 x 41.3 x 9.5 cm (4½ x 16¼ x 3¾ in). Collection of the artist. Photograph: Sarah Wells. © Martin Puryear, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/Martin-Puryear-(20).jpg Martin Puryear. Question, 2013-2014. Bronze, 222.2 x 272 x 87 cm (87½ x 107 x 34¼ in). Collection of the artist. Photograph: Ron Amstutz. © Martin Puryear, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/Martin-Puryear-(28).jpg Martin Puryear, installation view at Parasol unit, London, 2017. Photograph: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/Martin-Puryear-(29).jpg Martin Puryear, installation view at Parasol unit, London, 2017. Photograph: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/Martin-Puryear-(31).jpg Martin Puryear, installation view at Parasol unit, London, 2017. Photograph: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/p/095-puryear-martin-2017/Martin-Puryear-(5).jpg Martin Puryear, installation view at Parasol unit, London, 2017. Photograph: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/index.php/from-the-vapor-of-gasoline-review-white-cube-masons-yard-london https://www.studiointernational.com/images/articles/g/098-gasoline-2017/Jean-Michel-Basquiat,-2-for-a-dollar,-1983.jpg Jean-Michel Basquiat. 2 for a dollar, 1983. Oil on two attached canvases, 91.4 x 121.9 cm (35.98 x 48 in). © The Estate of Jean- Michel Basquiat. https://www.studiointernational.com/images/articles/g/098-gasoline-2017/Christopher-Wool,-Head,-1992.jpg Christopher Wool. Head, 1992. Enamel on aluminium, 274 x 183 cm (107.8 x 72 in). Courtesy Astrup Fearnley Collection, Oslo, Norway. https://www.studiointernational.com/index.php/zach-blas-contra-internet-review-jubilee-2033-gasworks-london https://www.studiointernational.com/images/articles/b/088-blas-zach-2017/gasworks_jubilee2033_nootropix_still_01_300dpi.jpg Zach Blas. Jubilee 2033, film still, 2017. Commissioned by Gasworks; Art in General, New York; and MU, Eindhoven. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/088-blas-zach-2017/05_Zach_Blas_-_Gasworks.jpg Zach Blas. Totality Study #1: Internet, a definition, 2015. Photoluminescent vinyl. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/088-blas-zach-2017/03_Zach_Blas_-_Gasworks.jpg Zach Blas, Contra-Internet, 2017. Installation view. Commissioned by Gasworks; Art in General, New York; and MU, Eindhoven. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/088-blas-zach-2017/02_Zach_Blas_-_Gasworks.jpg Zach Blas, Contra-Internet, 2017. Installation view. Commissioned by Gasworks; Art in General, New York; and MU, Eindhoven. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/088-blas-zach-2017/01_Zach_Blas-Gasworks.jpg Zach Blas, Contra-Internet, 2017. Installation view. Commissioned by Gasworks; Art in General, New York; and MU, Eindhoven. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/b/088-blas-zach-2017/08_Zach_Blas_-_Gasworks.jpg Zach Blas, Contra-Internet, 2017. Installation view. Commissioned by Gasworks; Art in General, New York; and MU, Eindhoven. Courtesy of the artist. Photograph: Andy Keate. https://www.studiointernational.com/index.php/jake-and-dinos-chapman-the-disasters-of-everyday-life-review-blain-southern-london https://www.studiointernational.com/images/articles/c/093-chapman-jake-dinos-2017/Jake-and-Dinos-Chapman,-The-Disasters-of-Everyday-Life,-2017,-Installation-view,-Courtesy-the-artists-and-BlainSouthern,-Photo-Peter-Mallet-(15).jpg Jake and Dinos Chapman. Life and Death Vests; The Disasters of Everyday Life, 2017. Installation view, courtesy the artists and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/c/093-chapman-jake-dinos-2017/Jake-Dinos-Chapman,-The-Disasters-of-Yoga,-2017,-Courtesy-the-artists-and-BlainSouthern,-Photo-Scott-Massey-(5).jpg Jake & Dinos Chapman. The Disasters of Yoga, 2017. Courtesy the artists and Blain|Southern. Photograph: Scott Massey. https://www.studiointernational.com/images/articles/c/093-chapman-jake-dinos-2017/Jake-and-Dinos-Chapman,-The-Disasters-of-Yoga,-2017,-Courtesy-the-artists-and-BlainSouthern,-Photo-Peter-Mallet-(6).jpg Jake and Dinos Chapman. The Disasters of Everyday Life, 2017. Installation view, courtesy the artists and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/images/articles/c/093-chapman-jake-dinos-2017/Jake--Dinos-Chapman,-The-Disasters-of-War-on-Terror,-2017,-Courtesy-the-artists-and-BlainSouthern,-Photo-Prudence-Cuming-Associates-(5).jpg Jake & Dinos Chapman. The Disasters of War on Terror, 2017. Courtesy the artists and Blain|Southern. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/c/093-chapman-jake-dinos-2017/Jake-Dinos-Chapman,-The-Disasters-of-Everyday-Life,-2017,-Courtesy-the-artists-and-BlainSouthern,-Photo-Prudence-Cuming-Associates-(5).jpg Jake & Dinos Chapman. The Disasters of Everyday Life, 2017. Courtesy the artists and Blain|Southern. Photograph: Prudence Cuming Associates https://www.studiointernational.com/images/articles/c/093-chapman-jake-dinos-2017/Jake-and-Dinos-Chapman,-The-Disasters-of-Everyday-Life,-2017,-Installation-view,-Courtesy-the-artists-and-BlainSouthern,-Photo-Peter-Mallet.jpg Jake and Dinos Chapman. The Disasters of Everyday Life, 2017. Installation view, courtesy the artists and Blain|Southern. Photograph: Peter Mallet. https://www.studiointernational.com/index.php/jenny-holzer-softer-review-blenheim-palace-oxford https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/EH_Jenny-Holzer-still-life_great-hall-benches_010.jpg Jenny Holzer. Exhibition view: Texts on benches from Building The Barricade by Anna Świrszczyńska, translated by Piotr Florczyk. Translation copyright © 2016. Published by Tavern Books. Used by permission of Ludmila Adamska-Orłowska and the translator. SOFTER: Jenny Holzer at Blenheim Palace, Blenheim Palace, Woodstock, UK, 2017 © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Edd Horder. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/JHolzer_Blenheim_LED_Hall002.jpg Jenny Holzer. Statement, 2015. Text: Interview conducted by Human Rights Watch 2011-2012 with former detainees, including women and children, and defectors from the Syrian Military and intelligence agencies. All names have been changed to protect identities. Torture Archipelago: Arbitrary Arrests, Torture, and Enforced Disappearances in Syria https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/EH_Jenny-Holzer-still-life_233.jpg Jenny Holzer. Great Table, 2017. © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Edd Horder. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/JHolzer_BlenheimProjections_Colour006.jpg Jenny Holzer. On War, 2017. Text: Untitled 4, (unpublished) by Omid Shams, © 2017 by the author. Used with permission of the author. © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Samuel Keyte. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/JHolzer_BlenheimProjections_B-W002.jpg Jenny Holzer. On War, 2017. Text: A Scream From Underground, from Building The Barricade by Anna Swirszczynska, translated by Piotr Florczyk. Translation copyright © 2016. Published by Tavern Books. Used by permission of Ludmila Adamska-Orłowska and the translator. © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Samuel Keyte. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/JHolzer_Blenheim_LED_Library002.jpg Jenny Holzer. For Blenheim, 2017. Text provided by The Not Forgotten Association. © 2017 by The Not Forgotten Association. Used with permission. © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Samuel Keyte. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/JHolzer_Blenheim_LED_Library001.jpg Jenny Holzer. For Blenheim, 2017. Text provided by The Not Forgotten Association. © 2017 by The Not Forgotten Association. Used with permission. © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Samuel Keyte. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/EH_Jenny-Holzer-still-life_pots-courtyard_012.jpg Jenny Holzer. Black Pots, 2017. SOFTER: Jenny Holzer at Blenheim Palace, Blenheim Palace, Woodstock, UK, 2017 © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Edd Horder. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/EH_Jenny-Holzer-still-life_176.jpg Jenny Holzer. Black Pots, 2017. SOFTER: Jenny Holzer at Blenheim Palace, Blenheim Palace, Woodstock, UK, 2017 © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Edd Horder. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/EH_Jenny-Holzer-still-life_053.jpg Jenny Holzer. in (JIHAD) time, 2014. Text: U.S. government document SOFTER: Jenny Holzer at Blenheim Palace , Blenheim Palace, Woodstock, UK, 2017 © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Edd Horder. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/EH_Jenny-Holzer-still-life_065.jpg Jenny Holzer. Attention grasp, 2017. Text: U.S. government document SOFTER: Jenny Holzer at Blenheim Palace , Blenheim Palace, Woodstock, UK, 2017 © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Edd Horder. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/EH_Jenny-Holzer-still-life_102.jpg Jenny Holzer. Enclosure, 2017. Text: U.S. government document SOFTER: Jenny Holzer at Blenheim Palace , Blenheim Palace, Woodstock, UK, 2017 © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Edd Horder. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/EH_Jenny-Holzer-still-life_115.jpg Jenny Holzer. 8, 2012. Text: U.S. government document SOFTER: Jenny Holzer at Blenheim Palace , Blenheim Palace, Woodstock, UK, 2017 © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Edd Horder. https://www.studiointernational.com/images/articles/h/091-holzer-jenny-2017/EH_Jenny-Holzer-still-life_235.jpg Jenny Holzer. Great Table, 2017 (detail). © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Edd Horder. https://www.studiointernational.com/index.php/louise-bourgeois-an-unfolding-portrait-review-museum-of-modern-art-new-york-moma https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/from-series-The-Fragile.jpg Louise Bourgeois. From the series The Fragile, 2007. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/femme2.jpg Louise Bourgeois. Femme, 2006. Drypoint, with hand additions, on fabric. Sheet: 10 1/4 × 6 1/4 in (26 × 15.9 cm). The Museum of Modern Art, New York. Gift of The Easton Foundation. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/archofhysteria-sequence.jpg Louise Bourgeois. Arch of Hysteria, 1993. Bronze, polished patina, 33 x 40 x 23 in (83.8 x 101.6 x 58.4 cm). Collection The Easton Foundation. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/alinfini-08.jpg Louise Bourgeois. No. 8 of 14 from the installation set À l’Infini. 2008. Soft ground etching, with gouache, watercolour, pencil, and coloured pencil additions. Sheet: 40 × 60 in (101.6 × 152.4 cm). The Museum of Modern Art, New York. Purchased with funds provided by Agnes Gund, Marie-Josée and Henry R. Kravis, Marlene Hess and James D. Zirin, Maja Oeri and Hans Bodenmann, and Katherine Farley and Jerry Speyer, and Richard S. Zeisler Bequest (by exchange). © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/eccentric-growth.jpg Louise Bourgeois. Eccentric Growth I, 2006. Soft ground etchings, with hand additions. Sheet: 58 1/2 × 38 1/8 in (148.6 × 96.8 cm). Collection Louise Bourgeois Trust and Osiris, New York. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/moma_lbaupinstallationview_020.jpg Installation view of Louise Bourgeois: An Unfolding Portrait. The Museum of Modern Art, New York, September 24, 2017–January 28, 2018. Photograph:Martin Seck for the Museum of Modern Art © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/3odealoubli73.jpg Louise Bourgeois. No. 4 of 34 from the fabric illustrated book Ode à l’Oubli. 2002. Page approx: 10 3/4 × 12 1/16 in (27.3 × 30.7 cm). The Museum of Modern Art, New York. Gift of the artist. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/2odeamamere21.jpg Louise Bourgeois. Plate 8 of 9 from the illustrated book Ode à Ma Mère. 1995. Drypoint. Page: 11 13/16 x 11 13/16″ (30 x 30 cm). The Museum of Modern Art, New York. Gift of the artist. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/alinfini-05.jpg Louise Bourgeois. No. 5 of 14 from the installation set À l’Infini. 2008. Soft ground etching, with selective wiping, watercolor, gouache, pencil, coloured pencil, and watercolour wash additions. Sheet: 40 × 60 in (101.6 × 152.4 cm). The Museum of Modern Art, New York. Purchased with funds provided by Agnes Gund, Marie-Josée and Henry R. Kravis, Marlene Hess and James D. Zirin, Maja Oeri and Hans Bodenmann, and Katherine Farley and Jerry Speyer, and Richard S. Zeisler Bequest (by exchange). © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/tryptich-for-the-red-room.jpg Louise Bourgeois. Triptych for the Red Room, 1994. Aquatint, drypoint, and engraving. Sheet (a): 27 13/16 x 32 5/16 in (70.6 x 82.1 cm); sheet (b): 27 13/16 x 42 1/16 in (70.7 x 106.8 cm); sheet (c): 27 7/8 x 37 5/8 in (70.8 x 95.5 cm). The Museum of Modern Art, New York. Gift of the artist. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/untitled-bronze.jpg Louise Bourgeois. Untitled, 1953. Bronze. 59 1/4 × 8 1/2 × 8 1/2 in (150.5 × 21.6 × 21.6 cm). Collection The Easton Foundation. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/the-skys-the-limit.jpg Louise Bourgeois. The Sky’s the Limit, 1989–2003. Etching, with hand additions. Mount: 41 1/2 × 8 1/4 in (105.4 × 21 cm). The Museum of Modern Art, New York. Gift of The Easton Foundation. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/spiderwoman.jpg Louise Bourgeois. Spider Woman, 2004. Drypoint on fabric. Sheet: 13 1/2 × 13 5/8 in (34.3 × 34.6 cm). The Museum of Modern Art, New York. Gift of The Easton Foundation. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/self-portrait.jpg Louise Bourgeois. Self Portrait, 1990. Drypoint. Sheet: 26 3/8 x 20 1/16 in (67 x 51 cm). The Museum of Modern Art, New York. Gift of the artist. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/1thepuritan12.jpg Louise Bourgeois. Plate 8 of 8 from the illustrated book the puritan, 1990. Engraving, with hand additions. Page: 26 x 19 7/8 in (66 x 50.5 cm). The Museum of Modern Art, New York. Gift of the artist. © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/moma_lbaupinstallationview_011.jpg Installation view of Louise Bourgeois: An Unfolding Portrait. The Museum of Modern Art, New York, September 24, 2017–January 28, 2018. Photograph:Martin Seck for the Museum of Modern Art © 2017 The Easton Foundation/Licensed by VAGA, NY. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/from-series-The-Fragile-2.jpg Louise Bourgeois. From the series The Fragile, 2007. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/La-Maladie-dAmour.jpg Louise Bourgeois. La Maladie de l'Amour, 2008. Photograph: Jill Spalding https://www.studiointernational.com/images/articles/b/092-bourgeois-louise-2017/LB-from-Ode-A-L-Oublie.jpg Louise Bourgeois. Ode à l’oubli. 2002. Fabric illustrated book with 35 compositions. Photograph: Jill Spalding https://www.studiointernational.com/index.php/expo-chicago-2017-review https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/wang-du.jpg Wang Du. Psychiatrie et Cardiologie, 2016. Installation view, EXPO Chicago, 2017. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/08-Wilmer-Wilson-IV,-installation-view-at-Connersmith,-EXPO-Chicago-2017.jpg Wilmer Wilson IV, installation view at Connersmith, EXPO Chicago 2017. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/09-Wilmer-Wilson-IV,-detail-of-Boston-Fabric,-2015-2017,-at-Connersmith,-EXPO-Chicago-2017.jpg Wilmer Wilson IV, detail of Boston Fabric, 2015-2017, at Connersmith, EXPO Chicago 2017. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/07-Meleko-Mokgosi,-installation-view-at-Honor-Fraser,-EXPO-Chicago-2017-02.jpg Meleko Mokgosi, installation view at Honor Fraser, EXPO Chicago 2017. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/10-John-Seal,-installation-view-at-Konig-Galerie,-EXPO-Chicago-2017.jpg John Seal, installation view at Konig Galerie, EXPO Chicago 2017. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/05-Ken-Lum,-installation-at-Royale-Projects,-EXPO-Chicago-2017.jpg Ken Lum, installation at Royale Projects, EXPO Profile section, EXPO Chicago 2017. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/01-Rashayla-Marie-Brown,-installation-view-at-Artadia,-EXPO-Chicago-2017.jpg Rashayla Marie Brown, installation view at Artadia, EXPO Chicago 2017. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/02-The-Broad-at-Michigan-State-University.jpg The Broad at Michigan State University collaboration with French duo The Bells Angels and Chicago’s Sputnik Press, EXPO Chicago 2017. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/04-Installation-view,-Andrew-Rafacz-showing-artists-J-Michael-Ford,-Samantha-Bittman,-Daniel-Shea-and-Wendy-White,-at-EXPO-Chicago-2017.jpg Installation view, Andrew Rafacz, showing artists J Michael Ford, Samantha Bittman, Daniel Shea and Wendy White, at EXPO Chicago 2017. Photograph: Harriet Thorpe. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/wang-du-2.jpg Wang Du. Psychiatrie et Cardiologie, 2016. Installation view, EXPO Chicago, 2017. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/Wilmer-Wilson-GIRLSNIGHTOUT.jpg Wilmer Wilson IV. Girls Night Out, 2016. Mixed media on wood, 72 x 48 in. © Wilmer Wilson IV, Courtesy of Connersmith, Washington DC. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/Wilmer-Wilson-THEWESTERNUNION.jpg Wilmer Wilson IV. The Western Union, 2016. Mixed media on wood, 72 x 48 in. © Wilmer Wilson IV, Courtesy of CONNERSMITH, Washington DC. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/expo-view-1.jpg EXPO Chicago, 2017. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/expo-view-2.jpg EXPO Chicago, 2017. https://www.studiointernational.com/images/articles/e/096-expo-chicago-2017/03-Patrick-Martinez-at-Charlie-James-Gallery,-EXPO-Chicago-2017.jpg Patrick Martinez at Charlie James Gallery, EXPO Chicago 2017. Photograph: Harriet Thorpe. https://www.studiointernational.com/index.php/nathalie-du-pasquier-i-did-not-belong-to-the-design-world-nor-to-the-art-world https://www.studiointernational.com/images/articles/p/094-pasquier-2017/Almost-Abstract-2013.jpg Nathalie Du Pasquier. Almost Abstract, 2013. Oil on canvas. Courtesy of the artist and the Institute of Contemporary Art at the University of Pennsylvania. https://www.studiointernational.com/images/articles/p/094-pasquier-2017/Arizona-1983.jpg Nathalie Du Pasquier. Arizona, 1983. Wool. Courtesy Keith Johnson + Celia Morrissette (NYC) and the Institute of Contemporary Art at the University of Pennsylvania. Photograph: Studio Azzurro. https://www.studiointernational.com/images/articles/p/094-pasquier-2017/Emerald-1985.jpg Nathalie Du Pasquier. Emerald, 1985. Sideboard in wood, plastic laminate and mirror. Courtesy Keith Johnson + Celia Morrissette (NYC) and the Institute of Contemporary Art at the University of Pennsylvania. Photograph: Roberto Gennari. https://www.studiointernational.com/images/articles/p/094-pasquier-2017/NDP10-2003.jpg Nathalie Du Pasquier. NDP10, 2003. Wool carpet. Courtesy of Postdesign and the Institute of Contemporary Art at the University of Pennsylvania. https://www.studiointernational.com/images/articles/p/094-pasquier-2017/Nature-morte-n13-CRAFT.jpg Nathalie Du Pasquier. Nature morte n°13, C.R.A.F.T. Limoges, 2002. Porcelain on wooden base, 70 x 25 x 60 cm. Courtesy of Kunsthalle Wien and the Institute of Contemporary Art at the University of Pennsylvania. https://www.studiointernational.com/images/articles/p/094-pasquier-2017/Still-life-on-my-bicycle-2005.jpg Nathalie Du Pasquier. Still life on my bicycle, 2005. Oil on canvas, 100 x 150 cm. Courtesy of Kunsthalle Wien and the Institute of Contemporary Art at the University of Pennsylvania. https://www.studiointernational.com/images/articles/p/094-pasquier-2017/Untitled-2015.jpg Nathalie Du Pasquier. Untitled, 2015. Oil on paper. Courtesy of the artist and the Institute of Contemporary Art at the University of Pennsylvania. https://www.studiointernational.com/images/articles/p/094-pasquier-2017/Uomo-Colombo-1988.jpg Nathalie Du Pasquier. Uomo Colombo, 1988. Oil on canvas. Courtesy of the artist and the Institute of Contemporary Art at the University of Pennsylvania. https://www.studiointernational.com/images/articles/p/094-pasquier-2017/Con-la-foglia-di-magnolia,-2005-2006.jpg Nathalie Du Pasquier. Con la foglia di magnolia, 2005-2006. Oil on canvas, 200 x 250 cm. Courtesy of Kunsthalle Wien and the Institute of Contemporary Art at the University of Pennsylvania. https://www.studiointernational.com/index.php/idris-khan-absorbing-light-review-victoria-miro-gallery https://www.studiointernational.com/images/articles/k/095-khan-idris-2017/Idris-Khan--Absorbing-Light_VMG-Wharf-Road_2017-g.jpg Idris Khan. Installation view, Idris Khan: Absorbing Light, Victoria Miro Gallery II, London, 2017. © Idris Khan. Courtesy the artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/k/095-khan-idris-2017/Idris-Khan--Absorbing-Light_VMG-Wharf-Road_2017-j.jpg Idris Khan. Installation view, Idris Khan: Absorbing Light, Victoria Miro Gallery II, London, 2017. © Idris Khan. Courtesy the artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/k/095-khan-idris-2017/Idris-Khan--Absorbing-Light_VMG-Wharf-Road_2017-k.jpg Idris Khan. Installation view, Idris Khan: Absorbing Light, Victoria Miro Gallery II, London, 2017. © Idris Khan. Courtesy the artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/k/095-khan-idris-2017/Idris-Khan--Absorbing-Light_VMG-Wharf-Road_2017-l.jpg Idris Khan. Installation view, Idris Khan: Absorbing Light, Victoria Miro Gallery II, London, 2017. © Idris Khan. Courtesy the artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/k/095-khan-idris-2017/IK202_The-Pain-of-Others-(No2)-2017-a.jpg Idris Khan. The Pain of Others (No.2), 2017. Diabond panel, aluminium sub frame, acrylic, black ink, 185 x 263.5 x 3.5 cm (72 7/8 x 103 3/4 x 1 3/8 in). © Idris Khan. Courtesy the artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/k/095-khan-idris-2017/IK202_The-Pain-of-Others-(No20)-2017.jpg Idris Khan. The Pain of Others (No.2), 2017. Diabond panel, aluminium sub frame, acrylic, black ink, 185 x 263.5 x 3.5 cm (72 7/8 x 103 3/4 x 1 3/8 in). © Idris Khan. Courtesy the artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/k/095-khan-idris-2017/Idris-Khan--Absorbing-Light_VMG-Wharf-Road_2017-a.jpg Idris Khan. Installation view, Idris Khan: Absorbing Light, Victoria Miro Gallery II, London, 2017. © Idris Khan. Courtesy the artist and Victoria Miro, London. https://www.studiointernational.com/index.php/rachel-whiteread-retrospective-review-tate-britain-london https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/ID_119-Untitled-(Pink-Torso).jpg Rachel Whiteread. Untitled (Pink Torso), 1995. Pink dental plaster, 10 x 17.5 x 27.5 cm. Courtesy the artist and Gagosian. © Rachel Whiteread. Photograph: © Tate (Seraphina Neville and Mark Heathcote). https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/Untitled-(Amber-Bed)---1991.jpg Rachel Whiteread. Untitled (Amber Bed), 1991. Rubber, 51 x 36 x 40 cm. Carré d https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/RWhitereadUntitledWhiteSlab1994-2017VS.jpg Rachel Whiteread. Untitled (white slab), 1994/2017, installation view, Tate Britain, London, 2017. Rubber, dimensions, 206 x 80 x 14 cm. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/Untitled-(Room-101),-2005-(1).jpg Rachel Whiteread. Untitled (Room 101), 2003. Plaster, wood and metal, 300 x 643 x 500 cm. National d’Art Moderne, Centre Pompidou, Paris, France. Purchased with the support of the Friends of the National Museum of Modern Art and the Clarence Westbury Foundation 2009. © Rachel Whiteread. Photograph: © Tate. https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/RWhitereadUntitledStairs2001.jpg Rachel Whiteread. Untitled (stairs), 2001, installation view, Tate Britain, London, 2017. Plaster, fibreglass and wood, 375 x 220 x 580 cm Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/RWhitereadBoxesVS.jpg Rachel Whiteread Retrospective, installation view, Tate Britain, London, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/Due-Porte-2016.jpg Rachel Whiteread. Due Porte, 2016. Resin, 247 x 124 x 8 cm. Galleria Lorcan O https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/RWhitereadWall-(Apex)VS.jpg Rachel Whiteread. Wall (Apex), 2017. Cast from pulped paper, detritus from Whiteread’s studio. Installation view, Tate Britain, London, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/Stairs-1995.jpg Rachel Whiteread. Stairs, 1995. Correction fluid on black paper, 66.2 x 51.3 x 38 cm. Courtesy the artist and Gagosian. © Rachel Whiteread. https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/Untitled-(One-Hundred-Spaces),-1995-(3).jpg Rachel Whiteread. Untitled (One Hundred Spaces), 1995. Resin, various dimensions . Pinault collection. © Rachel Whiteread. Photograph: © Tate (Seraphina Neville and Andrew Dunkley). https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/ID_077a-Chicken-shed-(2).jpg Rachel Whiteread. Chicken Shed, 2017. Concrete, 216 x 229 x 278 cm. Courtesy the artist. © Rachel Whiteread. Photograph: © Tate. https://www.studiointernational.com/images/articles/w/099-whiteread-rachel-2017/ID_052-Line-up.jpg Rachel Whiteread. Line Up, 2007-8. Plaster, pigment, resin, wood and metal (18 units, one shelf), 28.5 x 40 x 25 cm. Private collection. © Rachel Whiteread. Photograph: Courtesy of the artist and Mike Bruce. https://www.studiointernational.com/index.php/cai-guo-qiang-fireflies-review-philadelphia https://www.studiointernational.com/images/articles/c/091-cai-guo-qiang-2017/DSC04426.jpg Cai Guo-Qiang. Photograph: Jeff Fusco Photography courtesy Association for Public Art. https://www.studiointernational.com/images/articles/c/091-cai-guo-qiang-2017/DSC04679.jpg Cai Guo-Qiang. Photograph: Jeff Fusco Photography courtesy Association for Public Art. https://www.studiointernational.com/images/articles/c/091-cai-guo-qiang-2017/DSC04449.jpg Cai Guo-Qiang. Photograph: Jeff Fusco Photography courtesy Association for Public Art. https://www.studiointernational.com/images/articles/c/091-cai-guo-qiang-2017/066A6217.jpg Cai Guo-Qiang. Photograph: Jeff Fusco Photography courtesy Association for Public Art. https://www.studiointernational.com/images/articles/c/091-cai-guo-qiang-2017/DSC04569.jpg Cai Guo-Qiang. Photograph: Jeff Fusco Photography courtesy Association for Public Art. https://www.studiointernational.com/index.php/monica-bonvicini-3612-54-m3-vs-0-05-m3-review-berlin https://www.studiointernational.com/images/articles/b/087-bonvicini-monica-2017/Passing.jpg Monica Bonvicini. Passing, 2017. Site specific installation. Courtesy the artist and König Galerie, Berlin; Galerie Peter Kilchmann, Zürich; Galleria Raffaella Cortese, Mailand/Milan. © Monica Bonvicini and VG Bild-Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/b/087-bonvicini-monica-2017/Breathing_2017_Foto_JensZiehe_2.jpg Monica Bonvicini. Breathing, 2017. Courtesy the artist and König Galerie, Berlin; Galerie Peter Kilchmann, Zürich; Galleria Raffaella Cortese, Mailand/Milan. © Monica Bonvicini and VG Bild-Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/b/087-bonvicini-monica-2017/Breathing_2017_Foto_JensZiehe.jpg Monica Bonvicini. Breathing, 2017 (detail). Courtesy the artist and König Galerie, Berlin; Galerie Peter Kilchmann, Zürich; Galleria Raffaella Cortese, Mailand/Milan. © Monica Bonvicini and VG Bild-Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/b/087-bonvicini-monica-2017/Belts-Ball-(double-ball).jpg Monica Bonvicini. Belts Ball (double ball), 2017. Courtesy the artist and Gerhardsen Gerner, Oslo. © Monica Bonvicini and VG Bild-Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/b/087-bonvicini-monica-2017/links_Waiting-1_hinten_Passing.jpg Monica Bonvicini. Waiting #1, 2017. Courtesy the artist and König Galerie, Berlin; Galerie Peter Kilchmann, Zürich; Galleria Raffaella Cortese, Mailand/Milan. © Monica Bonvicini and VG Bild-Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/b/087-bonvicini-monica-2017/Waiting-1(detail).jpg Monica Bonvicini. Waiting #1, 2017 (detail). Courtesy the artist and König Galerie, Berlin; Galerie Peter Kilchmann, Zürich; Galleria Raffaella Cortese, Mailand/Milan. © Monica Bonvicini and VG Bild-Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/b/087-bonvicini-monica-2017/Passing_(detail).jpg Monica Bonvicini. Passing, 2017 (detail). Site specific installation. Courtesy the artist and König Galerie, Berlin; Galerie Peter Kilchmann, Zürich; Galleria Raffaella Cortese, Mailand/Milan. © Monica Bonvicini and VG Bild-Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/b/087-bonvicini-monica-2017/Waiting-1(detail2).jpg Monica Bonvicini. Waiting #1, 2017 (detail). Courtesy the artist and König Galerie, Berlin; Galerie Peter Kilchmann, Zürich; Galleria Raffaella Cortese, Mailand/Milan. © Monica Bonvicini and VG Bild-Kunst. Photograph: Jens Ziehe. https://www.studiointernational.com/index.php/pavel-braila-interview-art-encounters-biennial-romania-moldova https://www.studiointernational.com/images/articles/b/086-braila-pavel-2017/Pavel-Braila-New-Years-Dissections,-2017.jpg Pavel Brăila. New Year’s Dissections, 2017. Installation view. Courtesy of Eastwards Prospectus. Photograph: Miluță Flueraș. © artist and photographer. https://www.studiointernational.com/images/articles/b/086-braila-pavel-2017/OPTIMA.jpg Pavel Braila. Optima, 2017. Installation, dimensions variable. https://www.studiointernational.com/images/articles/b/086-braila-pavel-2017/FOAIA-DE-CONTROL---video-still.jpg Pavel Braila. Foaia De Control, 2017. HD video and sound, 35 min 56 sec. https://www.studiointernational.com/index.php/alex-katz-interview-content-is-not-important-the-style-is https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/1211_Katz_Man-with-Newspaper-on-the-Subway.jpg Alex Katz. Man with Newspaper on the Subway, c1940s. Black ink, 4 7/8 x 7 7/8 in. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34. https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/1940s-Subway-Scene-Couple.jpg Alex Katz. Subway Scene Couple, c1940s. Black ink, 4 7/8 x 8 in. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34. https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/DEPARTURE-(CUT-OUT),-2017.jpg Alex Katz. Departure (cut-out), 2017. Archival inks on shaped powder-coated aluminium on white bronze base, 56 x 22 x 6 cm. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34. https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/1940s-Two-Men.jpg Alex Katz. Two Men, c1940s. Black ink, 8 x 5 in. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34. https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/ADA,-2017.jpg Alex Katz. ADA, 2017. Polished stainless steel, absolute granite base, 11 ft. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34. https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/TWO-TREES,-2015.jpg Alex Katz. Two Trees, 2015, Oil on linen, 120 x 96 in. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34. https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/1940s-Crowd-on-Subway.jpg Alex Katz. Crowd on Subway, c1940s. Pen, 4 7/8 x 7 7/8 in. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34. https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/1209_Katz_Man-with-Hat-Leaning-on-Balcony.jpg Alex Katz. Man with Hat Leaning on Balcony, c1940s. Black ink, 6 1/4 x 4 1/2 in. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34. https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/1940s-Woman-Three-Men-on-the-Subway-(recto).jpg Alex Katz. Three Men on the Subway, c1940s. Black ink, 8 x 5 in. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34. https://www.studiointernational.com/images/articles/k/094-katz-alex-2017/Alex-Katz-2004-(Black-Suit).jpg Alex Katz, 2004. https://www.studiointernational.com/index.php/russian-revolution-a-contested-legacy-review-new-york https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/14-new-cases-wall-web_crop-(002).jpg Installation view. Courtesy International Print Center, New York. https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/2-Senkin.jpg Sergei Sen’kin (Russian 1894–1963), Gustav Klucis (Latvian 1895–1938). Pervoe Maia – Den’ Mezhdunarodnoi Proletarskoi Solidarnosti (First of May - Day of the International Proletarian Solidarity), 1930. Lithograph, 41 1/4 x 29 1/4 in. Published by Gosizdat, Moscow. Edition: 20,000. The Museum of Modern Art, New York. Purchase Fund, Jan Tschichold Collection, 1937. https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/4a-Fiks-Harry-Hay.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), 2013 (detail). Five from a set of eight incised woodblocks, each 24 x 18 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/7-Krasnaya-Niva-1927.jpg Yurii Pimenov. Krasnaia Niva (Red Field), no. 37 for 1927. Cover with lithograph, 11 3/4 x 9 in. Published by Izvestiia, Moscow. Edition: 110,000. Private collection, New York. https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/6-Klutsis-Coal-Debt-Large-Productive-Arts.jpg Gustav Klucis (Latvian 1895–1938). Vernem Ugol’nyi Dolg Strane (Let’s Repay our Coal Debt to the Country), 1931. Lithograph, 41 x 29 3/16 in. Published by Izogiz, Moscow. Edition: 20,000. Courtesy of Productive Arts, Bratenahl, Ohio. https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/3-Lissitzky-book-cover-for-chad-gadya-1919.jpg El Lissitzky (Russian 1890–1941). Chad Gadya by El Lissitzky, 1922. Letterpress cover, 8 1/4 x 10 in. Published by Tairbut, Warsaw. Edition: unknown. The Museum of Modern Art, New York. Jan Tschichold Collection, Gift of Philip Johnson, 1977. https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/4-Fiks-harry-hays-web-copy.jpg Yevgeniy Fiks. Toward a Portfolio of Woodcuts (Harry Hay), 2013. Five from a set of eight incised woodblocks, each 24 x 18 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/5-Klinch.jpg Boris Klinch (Russian 1892–1946), Vladimir Kozlinskii (Russian 1891–1967). Trudiashchiaiasia Zhenshchina Na Bor’bu za Sotsializm na Bor’bu s Religiei (Working Woman to the Battle for Socialism, to the Battle Against Religion), 1931. Lithograph, 40 9/18 x 28 1/2 in. Published by Izogiz, Moscow. Edition: 20,000. Private collection, New York. https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/7a-Krasnaya-Niva-1928.jpg Yurii Pimenov. Krasnaia Niva (Red Field), no. 18 for 1928. Cover with lithograph, 11 3/4 x 9 in. Published by Izvestiia, Moscow. Edition: 110,000. Private collection, New York. https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/8-From-Wayland-Rudd-Colelction-Pages-from-Barto-Bratiki.jpg Wayland Rudd Collection (2014) detail (cover of Agnia Barto’s book Little Brothers illustrated by Kesh [Innokentii Proskuriatnikov; 1901-1960]; 1934). https://www.studiointernational.com/images/articles/r/095-russian-revolution-2017/9-Altman-RAG-FILM-001-Jewish-Luck-recto-1-1.jpg Natan Al’tman (Russian 1889–1971). Evreiskoe shchast’e (Jewish Luck), 1926. Film programme with lithographed cover and letterpress text and illustrations. Page: 11 7/8 x 8 15/16 in. Published by Kinopechat’, Moscow. Edition: 100,000. The Museum of Modern Art, New York. Gift of The Judith Rothschild Foundation, 2001; Private collection, New York. https://www.studiointernational.com/index.php/jasper-johns-something-resembling-truth-review-royal-academy-of-art-london https://www.studiointernational.com/images/articles/j/097-johns-jasper-2017/key-50.jpg Jasper Johns, Fool’s House, 1961–62. Oil on canvas with broom, sculptural towel, stretcher and cup, 182.9 x 92.5 x 11.4 cm. Private collection © Jasper Johns / VAGA, New York / DACS, London 2017. https://www.studiointernational.com/images/articles/j/097-johns-jasper-2017/key-37-image-sheet.jpg Jasper Johns. Painting with Two Balls, 1960. Encaustic and collage on canvas with objects (three panels), 165.1 x 137.5 cm. Collection of the artist © Jasper Johns / VAGA, New York / DACS, London 2017. Photograph: Jamie Stukenberg © The Wildenstein Plattner Institute, 2017. https://www.studiointernational.com/images/articles/j/097-johns-jasper-2017/key-233.jpg Jasper Johns. Flag, 1958. Encaustic on canvas, 105.1 x 154.9 cm. Private collection © Jasper Johns / VAGA, New York / DACS, London 2017. Photograph: Jamie Stukenberg © The Wildenstein Plattner Institute, 2017. https://www.studiointernational.com/images/articles/j/097-johns-jasper-2017/key-207.jpg Jasper Johns. Summer, 1985. Encaustic on canvas, 190.5 x 127 cm. Museum of Modern Art, New York © Jasper Johns / VAGA, New York / DACS, London 2017. © 2017. Digital image, The Museum of Modern Art, New York / Scala, Florence https://www.studiointernational.com/images/articles/j/097-johns-jasper-2017/key-89.jpg Jasper Johns. Untitled, 1992-4. Encaustic on canvas, 199.4 x 300.7 cm. The Eli and Edythe L. Broad Collection © Jasper Johns / VAGA, New York / DACS, London 2017. https://www.studiointernational.com/images/articles/j/097-johns-jasper-2017/key-10.jpg Jasper Johns. Target, 1961. Encaustic and collage on canvas, 167.6 x 167.6 cm. The Art Institute of Chicago c Jasper Johns / VAGA, New York / DACS, London. Photograph: c 2017. The Art Institute of Chicago / Art Resource, NY / Scala, Florence. https://www.studiointernational.com/images/articles/j/097-johns-jasper-2017/key-117.jpg Jasper Johns. 0 Through 9, 1960. Charcoal on paper, 73 x 58cm. Collection of the artist © Jasper Johns / VAGA, New York / DACS, London 2017. Photograph: Jamie Stukenberg / Professional Graphics Inc., Rockford, IL. https://www.studiointernational.com/images/articles/j/097-johns-jasper-2017/key-24.jpg Jasper Johns. 0 through 9, 1961. Oil on canvas, 137.2 x 104.8 cm. Tate, London 2016. © Jasper Johns / VAGA, New York / DACS, London 2016. https://www.studiointernational.com/images/articles/j/097-johns-jasper-2017/key-73.jpg Jasper Johns. Between the Clock and the Bed, 1981. Oil on canvas, 182.9 x 320.7 cm. Collection of the artist © Jasper Johns / VAGA, New York / DACS, London 2017. Photograph: Jamie Stukenberg © The Wildenstein Plattner Institute, 2017. https://www.studiointernational.com/index.php/matthias-dorfelt-interview-computer-programs-bitcoin https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/WeinerTrumpTwitterBot-detail.jpg Matthias Dörfelt. Wiener Trump, 2017 (detail). A twitter bot (@WienerTrump) that started drawing self-portraits on Inauguration day, January 20th 2017 and will continue to do so every day for one year. Tweets that accompany the drawings are random loud noises that sometimes incorporate a popular hashtag of the day. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/BlockBillsComplete.jpg Matthias Dörfelt. Block Bills, 2017. A series of 64 banknotes generated from the Bitcoin Blockchain. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/BlockBills3.jpg Matthias Dörfelt. Block Bills, 2017 (detail). A series of 64 banknotes generated from the Bitcoin Blockchain. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/WeinerTrumpTwitterBot.jpg Matthias Dörfelt. Wiener Trump, 2017. A twitter bot (@WienerTrump) that started drawing self-portraits on Inauguration day, January 20th 2017 and will continue to do so every day for one year. Tweets that accompany the drawings are random loud noises that sometimes incorporate a popular hashtag of the day. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/DailyDonut.jpg Matthias Dörfelt. Daily Donut, 2015. Dörfelt’s contribution to an online group show he initiated, called It’s Doing It, where computer generated images autonomously updated on a daily basis for 45 days. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/MatthiasDorfeltPortrait.jpg Matthias Dörfelt. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/ClubSandwich.jpg Matthias Dörfelt. Club Sandwich, 2017. Pencil and acrylic on canvas. A series of man-machine collaborations; the initial compositions are computer generated and then painted over. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/Disassembly.jpg Matthias Dörfelt. Disassembly, 2016. A series of drawings loosely based on weapons which are dismantled into their component parts by a computer programme. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/HeadsInTheDesert.jpg Matthias Dörfelt. Heads in the Desert, 2016. Code, computer, projector. A fast-paced, computer-generated animation of abstract head drawings that quickly morph into each other, but never repeat the same configuration. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/HeadsInTheDesert2.jpg Matthias Dörfelt. Heads in the Desert, 2016. Code, computer, projector. A fast-paced, computer-generated animation of abstract head drawings that quickly morph into each other, but never repeat the same configuration. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/MarcelsFountains.jpg Matthias Dörfelt. Marcel’s Fountain, 2017. a series of computer generated drawings inspired by Marcel Duchamp’s Fountain. © the artist. https://www.studiointernational.com/images/articles/d/094-dorfelt-matthias-2017/MarcelsFountains2.jpg Matthias Dörfelt. Marcel’s Fountain, 2017 (2). a series of computer generated drawings inspired by Marcel Duchamp’s Fountain. © the artist. https://www.studiointernational.com/index.php/art-and-china-after-1989-theater-of-the-world-review-guggenheim https://www.studiointernational.com/images/articles/c/090-china-now-2017/guggenheim-art-and-china-wang-xingwei-newbeijing.jpg Wang Xingwei. New Beijing, 2001. Oil on canvas, 200 x 300 cm. M+ Sigg Collection, Hong Kong, By donation. Photograph: courtesy M+, Hong Kong. https://www.studiointernational.com/images/articles/c/090-china-now-2017/IMG_7547.jpg Huang Yong Ping’s excoriated vivarium, Theater of the World. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/huang-yong-ping-IMG_7579.jpg Huang Yong Ping, The History of Chinese Painting and the History of Modern Western Art Washed in the Washing Machine for Two Minutes, 1987. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/jiang-zhi-IMG_7722.jpg Jiang Zhi. Object in Drawer, 1997. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/guggenheim-Art-and-China_QiuZhijie_Map-2.jpg Qiu Zhijie. Map of Art and China after 1989: Theater of the World, 2017 (detail). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/zhao-bandi-IMG_7620.jpg Zhao Bandi. Young Zhang, 1992. Oil on canvas, 214 x 140 cm. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/Continous-Present-Tense.jpg Qiu Zhijie. The Present Continuous Tense, 1996 (reconstructed 2017). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/zhang-peili-IMG_7693.jpg Zhang Peili. Uncertain Pleasure ll, 1996. Six-channel, 12-part stream. Installation view: Art and China after 1989: Theater of the World. Solomon R. Guggenheim Museum, New York, October 6, 2017—January 7, 2018. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/song-dong-throwing-a-stone.jpg Song Dong. Throwing a Stone - Documentation, 1994. Ink on stone, 15 parts. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/there-came-andrew-solomon-IMG_7732.jpg Zhou Tiehai. There Came a Mr. Solomon to China, 1994 (detail). 230 x 350 cm. Gouache, oil stick, charcoal and paper collage on packing paper. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/ai-weiwei-exh_ph09.jpg Ai Weiwei. Dropping a Han Dynasty Urn. Installation view: Art and China after 1989: Theater of the World. Solomon R. Guggenheim Museum, New York, October 6, 2017—January 7, 2018. Photograph: David Heald https://www.studiointernational.com/images/articles/c/090-china-now-2017/gu-dexin-IMG_7853.jpg Gu Dexin. Installation view: Art and China after 1989: Theater of the World. Solomon R. Guggenheim Museum, New York, October 6, 2017—January 7, 2018. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/general-view-IMG_7577.jpg Installation view: Art and China after 1989: Theater of the World. Solomon R. Guggenheim Museum, New York, October 6, 2017—January 7, 2018. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/guggenheim-art-and-china-exh_ph03.jpg Installation view: Art and China after 1989: Theater of the World. Solomon R. Guggenheim Museum, New York, October 6, 2017—January 7, 2018. Photograph: David Heald. © Solomon R. Guggenheim Foundation, 2017. https://www.studiointernational.com/images/articles/c/090-china-now-2017/guggenheim-Art-and-China_QiuZhijie_Map.jpg Qiu Zhijie. Map of Art and China after 1989: Theater of the World, 2017. Ink on paper, mounted to silk, six panels, 240 x 720 cm overall. Solomon R. Guggenheim Museum, New York, Photograph courtesy the artist. https://www.studiointernational.com/images/articles/c/090-china-now-2017/ANC_ChenZhen_Fu-Dao-Fu-Dao.jpg Chen Zhen. Fu Dao/Fu Dao, Upside-Down Buddha/Arrival at Good Fortune, 1997. Steel, bamboo, resin Buddha statues, washing machine, computer monitor, tires, bicycle, fan, chair, household appliances, other found objects, and string, approximately 350 x 800 x 550 cm overall. Courtesy Galleria Continua, San Gimignano/Beijing/Les Moulins/Havana. https://www.studiointernational.com/images/articles/c/090-china-now-2017/ANC_ZhangPeili_30x30.jpg Zhang Peili. 30 x 30, 1988. Colour video, with sound, 32 min 9 sec. Guggenheim Abu Dhabi. https://www.studiointernational.com/images/articles/c/090-china-now-2017/liu-xiaodong-IMG_7762.jpg Liu Xiaodong. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/c/090-china-now-2017/guggenheim-art-and-china-exh_ph10.jpg Chen Zhen. Precipitous Parturition, 1999. 50-foot-long inner-tube dragon. Installation view: Art and China after 1989: Theater of the World. Solomon R. Guggenheim Museum, New York, October 6, 2017—January 7, 2018. Photograph: David Heald https://www.studiointernational.com/index.php/anni-albers-touching-vision-guggenheim-bilbao https://www.studiointernational.com/images/articles/a/096-albers-anni-2017/1994-10-1.jpg Anni Albers. Study for Unexecuted Wallhanging, 1926. Gouache with pencil on photo offset paper, 31.1 x 24.7 cm. The Josef and Anni Albers Foundation, Bethany CT. Photograph: Tim Nighswander/Imaging4Art © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017. https://www.studiointernational.com/images/articles/a/096-albers-anni-2017/1994-40-17-27-5-on-weaving-plate.jpg Anni Albers. Diagram showing method of weaving draft notation (plain weav e), Plate 10 from On Weaving, 1965. Ink on pencil on gridded paper, 27.8 x 21.6 cm. The Josef and Anni Albers Foundation, Bethany CT Photo: Tim Nighswander/Imaging4Art. © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017. https://www.studiointernational.com/images/articles/a/096-albers-anni-2017/1994-10-3.jpg Anni Albers. Knot, 1947. Gouache on paper, 43.2 × 51 cm. The Josef and Anni Albers Foundation, Bethany CT. Photograph: Tim Nighswander/Imaging4Art. © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017. https://www.studiointernational.com/images/articles/a/096-albers-anni-2017/1994-14-16.jpg Anni Albers. Necklace, c1940. Drain strainer and paper clips, Length: 40.6 cm, strainer: 7.6 cm. The Josef and Anni Albers Foundation, Bethany CT. Photograph: Tim Nighswander/Imaging4Art. © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017. https://www.studiointernational.com/images/articles/a/096-albers-anni-2017/1994-12-1.jpg Anni Albers. Wallhanging, 1924. Cotton and silk, 168.3 x 100.3 cm. The Josef and Anni Albers Foundation, Bethany CT. Photograph: Tim Nighswander/Imaging4Art. © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017. https://www.studiointernational.com/images/articles/a/096-albers-anni-2017/City-1949.jpg Anni Albers. City, 1949. Linen and cotton, 44.4 × 67.3 cm. The Josef and Anni Albers Foundation, Bethany CT. Photograph: Tim Nighswander/Imaging4Art. © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017. https://www.studiointernational.com/images/articles/a/096-albers-anni-2017/Helen-M-Post-AA-at-BMC.jpg Anni Albers in her weaving studio at Black Mountain College, 1937. Photograph: Helen M. Post. © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017. https://www.studiointernational.com/images/articles/a/096-albers-anni-2017/1994-10-104.jpg Anni Albers. Design (multicolours), c1980. Marker on paper, 45.7 x 28.6 cm. The Josef and Anni Albers Foundation, Bethany CT. Photograph: Tim Nighswander/Imaging4Art. © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017. https://www.studiointernational.com/images/articles/a/096-albers-anni-2017/Red-and-blue-1954.jpg Anni Albers. Red and Blue Layers, 1954. Cotton, 61.6 x 37.8 cm. The Josef and Anni Albers Foundation, Bethany CT. Photograph: Tim Nighswander/Imaging4Art. © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017. https://www.studiointernational.com/index.php/soutines-portraits-cooks-waiters-and-bellboys-review-courtauld-gallery-london https://www.studiointernational.com/images/articles/s/091-soutine-2017/Le-valet-de-chambre,-c1927.jpg Chaïm Soutine. Le valet de chambre, c1927, 71 x 49 cm. Private collection. https://www.studiointernational.com/images/articles/s/091-soutine-2017/Pastry-Cook-of-Cagnes.jpg Chaïm Soutine. Pastry Cook of Cagnes (Le patissier de Cagnes _ Der Konditor von Cagnes), 1922. 64.8 x 50 cm. Private collection. https://www.studiointernational.com/images/articles/s/091-soutine-2017/Waiting-Maid-c1933.jpg Chaïm Soutine. Waiting Maid (La soubrette), c1933, 46.5 x 40.5 cm. Ben Uri Gallery and Museum. https://www.studiointernational.com/images/articles/s/091-soutine-2017/The-Pastry-Cook-1925.jpg Chaïm Soutine. The Pastry Cook (Le petit pâtissier), 1925, 76.2 cm. The Lewis Collection. https://www.studiointernational.com/images/articles/s/091-soutine-2017/Bellboy,-c1925.jpg Chaïm Soutine. Bellboy, c1925. Oil on canvas, 98 x 80.5 cm. Centre Georges Pompidou, Paris, Musee national dart moderne Centre de creation industrielle. https://www.studiointernational.com/images/articles/s/091-soutine-2017/Valet-c1927.jpg Chaïm Soutine. Valet, c1927, 72.4 x 42.5 cm. Private collection. https://www.studiointernational.com/images/articles/s/091-soutine-2017/Butcher-Boy,-c1919-1920.jpg Chaïm Soutine. Butcher Boy, c1919-20, 65 x 54 cm. Private collection. https://www.studiointernational.com/index.php/david-hartt-in-the-forest-review-graham-foundation-chicago https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/Graham_Foundation_David_Hartt_intheforest_1.jpg David Hartt. Still from In the forest, 2017. 4K Digital Video File, colour, sound; 20 min. Courtesy of Corbett vs Dempsey and commissioned by the Graham Foundation for Advanced Studies in the Fine Arts. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/Graham_Foundation_David_Hartt_intheforest7.jpg David Hartt. Still from In the forest, 2017. 4K Digital Video File, colour, sound; 20 min. Courtesy of Corbett vs Dempsey and commissioned by the Graham Foundation for Advanced Studies in the Fine Arts. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/Graham_Foundation_David_Hartt_intheforest10.jpg David Hartt. Still from In the forest, 2017. 4K Digital Video File, colour, sound; 20 min. Courtesy of Corbett vs Dempsey and commissioned by the Graham Foundation for Advanced Studies in the Fine Arts. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/Habitat_PR_-_terraces_b_w.jpg Habitat Puerto Rico. Model showing terraces and view from walkway system, 1968. Courtesy Sadie Architects. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/Habitat_PR_site_model.jpg Habitat Puerto Rico. Site model photo montage, 1968. Courtesy Sadie Architects. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/habitat_pr_section_BW.jpg Habitat Puerto Rico. Section through the hillside housing indicating access system generated by shape of the module (also covered parking), 1968. Courtesy Sadie Architects. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/GF_RCH_intheforest_091317_GF_005.jpg David Hartt: in the forest, 2017, installation view, Graham Foundation, Chicago. Photograph: RCH. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/GF_RCH_intheforest_091317_GF_007.jpg David Hartt: in the forest, 2017, installation view, Graham Foundation, Chicago. Photograph: RCH. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/GF_RCH_intheforest_091317_GF_008.jpg David Hartt: in the forest, 2017, installation view, Graham Foundation, Chicago. Photograph: RCH. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/Graham_Foundation_David_Hartt_intheforest_2.jpg David Hartt. Still from In the forest, 2017. 4K Digital Video File, colour, sound; 20 min. Courtesy of Corbett vs Dempsey and commissioned by the Graham Foundation for Advanced Studies in the Fine Arts. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/Graham_Foundation_David_Hartt_intheforest6.jpg David Hartt. Still from In the forest, 2017. 4K Digital Video File, colour, sound; 20 min. Courtesy of Corbett vs Dempsey and commissioned by the Graham Foundation for Advanced Studies in the Fine Arts. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/Graham_Foundation_David_Hartt_intheforest5.jpg David Hartt. Still from In the forest, 2017. 4K Digital Video File, colour, sound; 20 min. Courtesy of Corbett vs Dempsey and commissioned by the Graham Foundation for Advanced Studies in the Fine Arts. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/GF_RCH_intheforest_091317_GF_002.jpg David Hartt: in the forest, 2017, installation view, Graham Foundation, Chicago. Photograph: RCH. https://www.studiointernational.com/images/articles/h/090-hartt-david-2017/Habitat_PR_C5.jpg Habitat Puerto Rico. Prefabricated module, 1968. Courtesy Safdie Architects. https://www.studiointernational.com/index.php/julie-montgarrett-interview-indigenous-australians-colonialism https://www.studiointernational.com/images/articles/m/096-montgarrett-julie-2017/Jacobs-Sketchbook-1.jpg Julie Montgarrett. Jacob’s Book, 2013. © the artist. https://www.studiointernational.com/images/articles/m/096-montgarrett-julie-2017/Jacobs-Sketchbook-4.jpg Julie Montgarrett. Jacob’s Book, 2013. © the artist. https://www.studiointernational.com/images/articles/m/096-montgarrett-julie-2017/Jacobs-sketchbook-2.jpg Julie Montgarrett. Jacob’s Book, 2013. © the artist. https://www.studiointernational.com/images/articles/m/096-montgarrett-julie-2017/Bridgets-sketchbook-1.jpg Julie Montgarrett. Bridget’s Book, 2013. © the artist. https://www.studiointernational.com/images/articles/m/096-montgarrett-julie-2017/Bridgets-sketchbook.jpg Julie Montgarrett. Bridget’s Book, 2013. © the artist. https://www.studiointernational.com/images/articles/m/096-montgarrett-julie-2017/Jacobs-sketchbook-3.jpg Julie Montgarrett. Jacob’s Book, 2013. © the artist. https://www.studiointernational.com/index.php/yuri-pattison-context-collapse-review-work-leisure-technology-mothers-tankstation-london https://www.studiointernational.com/images/articles/p/093-pattison-yuri-2017/2.jpg Yuri Pattison. context, collapse, sheltered (burning man edition), 2017. Vitra Alcove Cabin, Networked Digital Signage monitors & media players, colour temperature adjustable LED panels, mineral oil, scale models, found footage, live news feed data, text processing algorithm, 137 x 230 x 154 cm. Unistrut support structure dimensions variable. Courtesy the artist and mother’s tankstation limited, Dublin & London. https://www.studiointernational.com/images/articles/p/093-pattison-yuri-2017/3.jpg Yuri Pattison. context, collapse, sheltered (burning man edition), 2017. Vitra Alcove Cabin, Networked Digital Signage monitors & media players, colour temperature adjustable LED panels, mineral oil, scale models, found footage, live news feed data, text processing algorithm, 137 x 230 x 154 cm. Unistrut support structure dimensions variable. Courtesy the artist and mother’s tankstation limited, Dublin & London. https://www.studiointernational.com/images/articles/p/093-pattison-yuri-2017/4.jpg Yuri Pattison. peace mode (off) – context, collapse, 2017. Customised WebGL crowd simulator, Dell PowerEdge R610, NVIDIA GeForce GT 710 graphics card, TFT monitor, plexiglas, scale models, 120 x 100 x 90 cm. Courtesy the artist and mother’s tankstation limited, Dublin & London. https://www.studiointernational.com/images/articles/p/093-pattison-yuri-2017/5.jpg Yuri Pattison. context, collapse. Installation view, 2017. Courtesy the artist and mother’s tankstation limited, Dublin & London. https://www.studiointernational.com/images/articles/p/093-pattison-yuri-2017/6.jpg Yuri Pattison. peace mode (on) – context, collapse, 2017. Customised WebGL crowd simulator, mini PC, TFT monitor, plexiglas, scale models, dimensions variable. Courtesy the artist and mother’s tankstation limited, Dublin & London. https://www.studiointernational.com/images/articles/p/093-pattison-yuri-2017/1.jpg Yuri Pattison. context, collapse. Installation view, 2017. Courtesy the artist and mother’s tankstation limited, Dublin & London. https://www.studiointernational.com/images/articles/p/093-pattison-yuri-2017/7.jpg Yuri Pattison. peace mode (on) – context, collapse, 2017. Customised WebGL crowd simulator, mini PC, TFT monitor, plexiglas, scale models, dimensions variable. Courtesy the artist and mother’s tankstation limited, Dublin & London. https://www.studiointernational.com/index.php/reflections-van-eyck-and-the-pre-raphaelites-review-national-gallery-london https://www.studiointernational.com/images/articles/r/094-reflections-2017/N-0186-00-000118-pp-(4).jpg Jan van Eyck. Portrait of Giovanni di Nicolao Arnolfini and his Wife – The Arnolfini Portrait, 1434. Oil on oak, 82.2 x 60 cm. National Gallery, London. © The National Gallery, London. https://www.studiointernational.com/images/articles/r/094-reflections-2017/Van-Eyck-X3176.jpg William Holman Hunt. The Lady of Shalott, c1886-1905. Oil on wood, 44.4 x 34.1 cm. Manchester Art Gallery. © Manchester City Galleries/Bridgeman Images. https://www.studiointernational.com/images/articles/r/094-reflections-2017/Van-Eyck-X8889.jpg John Phillip. Partial copy of Las Meninas, 1862. Oil on canvas, 185 × 148 cm. © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/r/094-reflections-2017/Van-Eyck-X8890.jpg John Everett Millais. Mariana, 1851. Oil on mahogany, 59.7 × 49.5 cm. © Tate, London. https://www.studiointernational.com/images/articles/r/094-reflections-2017/Van-Eyck-X8901.jpg Simeon Solomon. A Youth Relating Tales to Ladies, 1870. Oil on canvas, 35.5 × 53.4 cm. © Tate, London. https://www.studiointernational.com/index.php/kelly-richardson-the-weather-makers-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/r/095-richardson-kelly-2017/Leviathan-(Ruth-Clark).jpg Kelly Richardson. Leviathan, 2011. 3-channel HD video installation with audio. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/r/095-richardson-kelly-2017/Marnier-9-(Ruth-Clark).jpg Kelly Richardson. Mariner 9, 2012. 3-channel HD video installation with audio. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/r/095-richardson-kelly-2017/Orion-Tide-(Ruth-Clark).jpg Kelly Richardson. Orion Tide, 2013-14. Dual channel HD video installation with audio. Photograph: Ruth Clark. https://www.studiointernational.com/index.php/nicolas-herrera-enchanted-nature-deforestation-and-the-environment-review-beijing https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/Sweet-Dreams-2017.jpg Nicolás Herrera. Sweet Dreams (Chimborazo and Everest), 2017. Oil on canvas, 200 x 200 cm. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/The-Prayer-2017.jpg Nicolás Herrera. The Prayer, 2017. Oil on canvas, 200 x 200 cm. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/Deep-Forest-2017.jpg Nicolás Herrera. Deep Forest, 2017. Oil on canvas, 200 x 200 cm. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00018mb.jpg Nicolás Herrera. The Garden, 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/Enchanted-Light-2017.jpg Nicolás Herrera. Enchanted Light, 2017. Oil on canvas, 200 x 200 cm. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/Wedding-Rites-2017.jpg Nicolás Herrera. Wedding Rites, 2017. Oil on canvas, 200 x 200 cm. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/nicolas-herrera-portrait.jpg Nicolás Herrera talking to Studio International at the Arthur M. Sackler Museum of Art and Archaeology at Peking University, September 2017. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/Angelus-2017.jpg Nicolás Herrera. Angelus, 2017. Oil on canvas, 200 x 200 cm. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/Chirping-2017.jpg Nicolás Herrera. Chirping, 2017. Oil on canvas, 200 x 200 cm. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/The-Scream-2017.jpg Nicolás Herrera. The Scream, 2017. Oil on canvas, 200 x 200 cm. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00012mb2.jpg Nicolás Herrera. Embrace, 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00071mb_new.jpg Nicolás Herrera. The Nest, 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00019mb.jpg Nicolás Herrera. Andean Forest, 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00037mb-done.jpg Nicolás Herrera. Untitled (Oil Field), 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00036mb-done.jpg Nicolás Herrera. Untitled, 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00048mb_new.jpg Nicolás Herrera. Untitled, 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00033mb-done.jpg Nicolás Herrera. Untitled, 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00064mb_new.jpg Nicolás Herrera. Untitled, 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/images/articles/h/herrera-nicolas-2017/tp00057mb_new.jpg Nicolás Herrera. Untitled, 2017. Ink on paper. © Arthur M. Sackler Museum of Art and Archaeology at Peking University. All Rights Reserved. https://www.studiointernational.com/index.php/zarah-hussain-video-interview-i-dont-think-something-thats-spiritual-precludes-the-use-of-technology https://www.studiointernational.com/images/articles/h/089-hussain-zarah-2017/Numina_GIF_HighRes-SEVEN_1336.jpg Zarah Hussain. Installation view of Numina at Barbican Centre, London, 1 October 2016 - 25 January 2017. https://www.studiointernational.com/images/articles/h/089-hussain-zarah-2017/Installationview4.jpg Zarah Hussain, Symmetry in Sculpture, Birmingham Museum and Art Gallery, May - November 2014. Installation view. https://www.studiointernational.com/images/articles/h/089-hussain-zarah-2017/Garden-Party-2135.jpg Zarah Hussain, Magic Carpet II, Walthamstow Garden Party, 2015. https://www.studiointernational.com/images/articles/h/089-hussain-zarah-2017/hussain-640.jpg Zarah Hussain talking to Studio International, London, 17 October 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/089-hussain-zarah-2017/Zarah-Lumen-award.jpg Zarah Hussain, winner of the People’s Choice Award at the Lumen Digital Art Awards in London in September 2017. Image courtesy of Lumen Digital Art Awards. https://www.studiointernational.com/images/articles/h/089-hussain-zarah-2017/Numina_GIF_HighRes-1483.jpg Zarah Hussain. Numina, Barbican Centre, London, 1 October 2016 - 25 January 2017. Installation view. https://www.studiointernational.com/index.php/juno-calypso-interview https://www.studiointernational.com/images/articles/c/089-calypso-juno-2017/Juno-Calypso-A-Dream-In-Green-2015.jpg Juno Calypso. A Dream In Green, 2015. © the artist. https://www.studiointernational.com/images/articles/c/089-calypso-juno-2017/Juno-Calypso-Slendertone-II-2015.jpg Juno Calypso. Slendertone II, 2015. © the artist. https://www.studiointernational.com/images/articles/c/089-calypso-juno-2017/Juno-Calypso-Twelve-Reasons-Youre-Tired-All-The-Time-2013.jpg Juno Calypso. Twelve Reasons You https://www.studiointernational.com/images/articles/c/089-calypso-juno-2017/Juno-Calypso-The-First-Night-2015.jpg Juno Calypso. The First Night, 2015. © the artist. https://www.studiointernational.com/images/articles/c/089-calypso-juno-2017/Untitled-Bath-2016.jpg Juno Calypso. Untitled Bath, 2016. © the artist. https://www.studiointernational.com/images/articles/c/089-calypso-juno-2017/Juno-Calypso-A-Solitary-Love-Affair-2016.jpg Juno Calypso. A Solitary Love Affair, 2016. © the artist. https://www.studiointernational.com/images/articles/c/089-calypso-juno-2017/Juno-Calypso-Eternal-Beauty-2016.jpg Juno Calypso. Eternal Beauty, 2016. © the artist. https://www.studiointernational.com/index.php/paula-rego-the-boy-who-loved-the-sea-and-other-stories-review-jerwood-hastings https://www.studiointernational.com/images/articles/r/093-rego-paula-2017/Rowing-from-Ericeira,-2014,-Paula-Rego,-(c)-the-artist.jpg Paula Rego. Rowing from Ericeira, 2014. Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/093-rego-paula-2017/Comfort,-Paula-Rego,-2017-(c)-the-artist.jpg Paula Rego. Comfort, 2017. Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/093-rego-paula-2017/Five,The-Depression-Series,-Paula-Rego,-2007-(c)-the-artist.jpg Paula Rego. Five, The Depression Series, 2007. Courtesy Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/r/093-rego-paula-2017/Get-out-of-here-you-and-your-filth,-Paula-Rego,-2013-(c)-the-artist.jpg Paula Rego. Get Out of Here You and Your Filth, 2013. Pastel on paper. Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/093-rego-paula-2017/The-Sky-was-Blue-the-Sea-was-Blue-and-the-Boy-was-Blue_2017-(c)-the-artist.jpg Paula Rego. The Sky Was Blue the Sea was Blue and the Boy Was Blue, 2017. Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/093-rego-paula-2017/Self-Portrait-III,-2007,-Paula-Rego(c)-the-artist.jpg Paula Rego. Self Portrait III, 2007. Pastel on paper. Marlborough Fine Art, London. https://www.studiointernational.com/images/articles/r/093-rego-paula-2017/Across-the-Forest,-Paula-Rego,-2017-(c)-the-artist.jpg Paula Rego. Across the Forest, 2017. Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/093-rego-paula-2017/Paula-and-The-flying-Mermaids.jpg Paula and The Flying Mermaids. Image courtesy of Nick Willing. https://www.studiointernational.com/index.php/ilya-and-emilia-kabakov-not-everyone-will-be-taken-into-the-future-review-tate-modern https://www.studiointernational.com/images/articles/k/093-kabakovs-2017/02.jpg Ilya Kabakov. Self-Portrait, 1959. Oil paint on canvas, 60.5 x 60.5 cm. Private collection. © Ilya & Emilia Kabakov. https://www.studiointernational.com/images/articles/k/093-kabakovs-2017/05.jpg 
Ilya Kabakov and Emilia Kabakov. Inscriptions on the Wall (Reichstag), model, date unknown. Paint on wood, 91.5 x 106.7 x 55.9 cm. Private collection. © Ilya & Emilia Kabakov. https://www.studiointernational.com/images/articles/k/093-kabakovs-2017/06.jpg Ilya Kabakov and Emilia Kabakov. The Appearance of the Collage #10, 2012. Oil paint on canvas, 203 x 272 cm. Private collection. © Ilya & Emilia Kabakov. Photograph: Kerry Ryan McFate, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/k/093-kabakovs-2017/07.jpg Ilya Kabakov and Emilia Kabakov. The Six Paintings about the Temporary Loss of Eyesight (They are Painting the Boat), 2015. Oil paint on canvas, 112 x 196 cm. Private collection. © Ilya & Emilia Kabakov. Photograph courtesy the artists and Pace Gallery. https://www.studiointernational.com/images/articles/k/093-kabakovs-2017/01.jpg Ilya Kabakov. The Man Who Flew Into Space From His Apartment, 1985. Six poster panels with collage. Centre Georges Pompidou, Paris. © Ilya & Emilia Kabakov. https://www.studiointernational.com/images/articles/k/093-kabakovs-2017/03.jpg Ilya Kabakov and Emilia Kabakov. Not Everyone Will Be Taken into The Future, 2001. Wooden construction, railway car fragment, running-text display and paintings. MAK collection. © Ilya & Emilia Kabakov. https://www.studiointernational.com/index.php/grace-weir-interview-i-often-think-through-the-camera-unfolded https://www.studiointernational.com/images/articles/w/098-weir-grace-2017/09.jpg Grace Weir. Credit Unfolded, Laure Genillard, 2017. Installation view. https://www.studiointernational.com/images/articles/w/098-weir-grace-2017/01.jpg Grace Weir. A reflection on light (still), 2015, HDV, 21 min. https://www.studiointernational.com/images/articles/w/098-weir-grace-2017/06.jpg Grace Weir. Darkroom (still), 2015. Two simultaneous films, 7 min 30 sec duration. https://www.studiointernational.com/images/articles/w/098-weir-grace-2017/05.jpg Grace Weir. Darkroom (still), 2015. Two simultaneous films, 7 min 30 sec duration. https://www.studiointernational.com/images/articles/w/098-weir-grace-2017/04.jpg Grace Weir. A reflection on light (still), 2015, HDV, 21 min. https://www.studiointernational.com/images/articles/w/098-weir-grace-2017/03.jpg Grace Weir. A reflection on light (still), 2015, HDV, 21 min. https://www.studiointernational.com/images/articles/w/098-weir-grace-2017/08.jpg Grace Weir. Credit Unfolded, Laure Genillard, 2017. Installation view. https://www.studiointernational.com/images/articles/w/098-weir-grace-2017/10.jpg Grace Weir. Credit Unfolded, Laure Genillard, 2017. Performance view. https://www.studiointernational.com/images/articles/w/098-weir-grace-2017/02.jpg Grace Weir. A reflection on light (still), 2015, HDV, 21 min. https://www.studiointernational.com/index.php/alina-szapocznikow-human-landscapes-review-hepworth-wakefield https://www.studiointernational.com/images/articles/s/089-szapocznikow-alina-2017/02.jpg Alina Szapocznikow. Monstrum II (Monster II), 1957. Lead and metal construction. © ADAGP, Paris 2017. Courtesy of the Estate of Alina Szapocznikow, Piotr Stanislawski and Galerie Loevenbruck, Paris. Photograph: Fabrice Gousset. https://www.studiointernational.com/images/articles/s/089-szapocznikow-alina-2017/04.jpg Alina Szapocznikow. Lampe-Bouche (Illuminated Lips), 1966. Coloured polyester resin, electrical wiring and metal. © ADAGP, Paris 2017. Courtesy of the Estate of Alina Szapocznikow, Piotr Stanislawski and Galerie Loevenbruck, Paris. Photograph: Fabrice Gousset. https://www.studiointernational.com/images/articles/s/089-szapocznikow-alina-2017/01.jpg Alina Szapocznikow. Hand, Monument to the Heroes of the Warsaw Ghetto II, 1957. Patinated plaster and iron filings, 144.5 x 73 x 42 cm. Courtesy of the Estate of Alina Szapocznikow, Piotr Stanislawski and Galerie Loevenbruck, Paris. https://www.studiointernational.com/images/articles/s/089-szapocznikow-alina-2017/07.jpg Alina Szapocznikow. Self-portrait - Herbarium, 1971. Polyester and polychrome wood. Grażyna Kulczyk Collection. Courtesy of the Estate of Alina Szapocznikow, Piotr Stanislawski and Galerie Loevenbruck, Paris. Photograph: Bartek Buśko. https://www.studiointernational.com/images/articles/s/089-szapocznikow-alina-2017/06.jpg Alina Szapocznikow. Tumours Personified, 1971. Polyester, glass wool, paper, gauze, 14 elements. Courtesy of Zachęta – National Gallery of Art, Warsaw. https://www.studiointernational.com/images/articles/s/089-szapocznikow-alina-2017/03.jpg Alina Szapocznikow. Ceramika II (Ceramic II), Ceramika I (Ceramic I) and Ceramika III (Ceramic III),1965. Terracotta, 17 x 20 x 15 cm; 14.5 x 10 x 17 cm; 14 x 23 x 17 cm. Courtesy of the Estate of Alina Szapocznikow, Piotr Stanislawski and Galerie Loevenbruck, Paris. https://www.studiointernational.com/images/articles/s/089-szapocznikow-alina-2017/09.jpg Alina Szapocznikow with her work Naga (Naked), 1961. © ADAGP, Paris 2017 Courtesy of the Alina Szapocznikow Archive, Piotr Stanislawski and the National Museum in Krakow. Photograph: Marek Holzman, courtesy of the Museum of Modern Art, Warsaw. https://www.studiointernational.com/images/articles/s/089-szapocznikow-alina-2017/05.jpg Alina Szapocznikow. Bouquet II, 1966. Plaster, plastic foil, coloured polyester resin, metal. Courtesy of Muzeum Sztuki, Łódź. © ADAGP, Paris 2017. Courtesy of the Estate of Alina Szapocznikow, Piotr Stanislawski and Galerie Loevenbruck, Paris. https://www.studiointernational.com/images/articles/s/089-szapocznikow-alina-2017/08.jpg Alina Szapocznikow. Cendrier de Célibataire I (The Bachelor’s Ashtray I), 1972. Coloured polyester resin and cigarette butts. Private collection. © ADAGP, Paris 2017. Courtesy of the Estate of Alina Szapocznikow, Piotr Stanislawski and Galerie Loevenbruck, Paris. Photograph: Fabrice Gousset. https://www.studiointernational.com/index.php/jean-prouve-architecte-des-jours-meilleurs-review https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/04-AerialViewLumaCampusPicVictorPicon.jpg Luma Campus, aerial view. Photograph: Victor Picon. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/16-MaisonDemontableBCC1941.jpg Maison Démontable, BCC, 1941. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/07-InsideMaisonDemontableBCCVICTOR-PICON_MAISONS-PROUVE--32.jpg Inside Maison Démontable, BCC. Photograph: Victor Picon. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/03-AerialViewEcoleDeBouqueval.jpg École de Bouqueval, aerial view. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/02-AccompanyingExhibitionPicVictorPicon.jpg Accompanying exhibition. Photograph: Victor Picon. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/13-jeanprouvemaxevillephoto-victor-picon45.jpg Jean Prouvé, Maxéville. Photograph: Victor Picon. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/12-jeanprouvemaxevillephoto-victor-picon34.jpg Jean Prouvé, Maxéville. Photograph: Victor Picon. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/10-InteriorEcoleDeVillejuifphoto-victor-picon3.jpg École de Villejuif. Interior. Photograph: Victor Picon. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/11-jeanprouveEcoleDeVillejuifphoto-victor-picon103.jpg Jean Prouvé, École de Villejuif. Photograph: Victor Picon. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/17-MaisonDemontableBCC1941InsideLaGrandeHalle.jpg Maison Démontable, BCC, 1941. Inside La Grande Halle. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/01-AccompanyingDrawings-and-Plans2PhotoVictorPicon.jpg Accompanying drawings and plans. Photograph: Victor Picon. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/05-AluminiumCladdingRightEcoleDeBouquevalLeftMaisonMetropole--52.jpg Aluminium cladding. Right; École de Bouqueval. Left; Maison Metropole. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/06-EcoleDeBouqueval1949.jpg École de Bouqueval, 1949. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/08-InsideTheMaisonMetropole1949.jpg The Maison Metropole, 1949. Interior. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/09-InteriorEcoleDeBouqueval.jpg École de Bouqueval. Interior. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/14-LongViewofEcoleDeBouqueval.jpg École de Bouqueval. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/15-MaisonDemontable8x81945.jpg Maison Démontable, 8x8, 1945. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/18-MaisonMetropoleRight,MaisonDemontable8x8Left.jpg Maison Metropole (right), Maison Démontable, 8x8 (left). https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/19-MaisonsDemontable6x6left,MDesJoursMeilleursCentre,BCCright1944-46Right,.jpg Maisons Demontable 6x6 (left), M Des Jours Meilleurs Centre, BCC (right), 1944-46. https://www.studiointernational.com/images/articles/p/092-prouve-jean-2017/21-MasionFerembal1948AtNight.jpg Maison Ferembal at night, 1948. https://www.studiointernational.com/index.php/tove-jansson-1914-2001-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Studio-(c)-Per-Olov-Jansson.jpg Tove Jansson in her studio. © Per Olov Jansson. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Mysterious-Landscape,-c.jpg Tove Jansson. Mysterious Landscape, c1930. Oil on plywood, 61 x 152.5 cm. Ateneum Art Museum. Photograph: Finnish National Gallery / Hannu Aaltonen. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Abstract-Sea,-1963.jpg Tove Jansson. Abstract Sea, 1963. Oil, 73 x 100cm. Private collection. Photograph: Finnish National Gallery / Hannu Aaltonen. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/BCA_Framed1_Moomin_on_the-_Riviera_02.jpg Tove Jansson. Comic strip Moomin on the Riviera, 1955. British Cartoon Archive, University of Kent. Photograph: Finnish National Gallery / Jenni Nurminen. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Lynx-Boa-(Self-Portrait),-1942.jpg Tove Jansson. Lynx Boa (Self-Portrait), 1974. Oil, 73 x 60.5 cm. Private collection. Photograph: Finnish National Gallery / Yehia Eweis. © The Estate of Tove Jansson. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/The-Smoking-Girl.jpg Tove Jansson. Smoking Girl (Self-Portrait), 1940. Private collection. Photograph: Finnish National Gallery / Yehia Eweis. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Family,-1942.jpg Tove Jansson. Family, 1942. Oil, 89 x 116 cm. Private collection. Photograph: Finnish National Gallery / Hannu Aaltonen. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Garm_Moomin-cover.jpg Tove Jansson. Cover illustration for the magazine Garm, 1944. Tampere Art Museum Moominvalley. Photograph: Finnish National Gallery / Yehia Eweis. © Moomin Characters. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Illustration-for-the-book-Comet-in-Moominland.jpg Tove Jansson. Illustration for the book Comet in Moominland, 1946. Wash and indian ink, 15.8 x 15.8 cm, Moomin Museum, Tampere Art Museum Moominvalley Collection. Photograph: Finnish National Gallery / Hannu Aaltonen. © Moomin Characters TM. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Self-Portrait,-1975.jpg Tove Jansson. Self-Portrait, 1975. Oil, 65 x 47 cm. Private collection. Photograph: Finnish National Gallery / Yehia Eweis. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Garm-No-10,-14-10-1938.jpg Tove Jansson. Garm No 10, 1938. Private collection. Photograph: Finnish National Gallery / Jenni Nurminen. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Sleeping-in-the-Roots,-1930s.jpg Tove Jansson. Sleeping in the Roots, 1930s. Gouache and Indian ink on paper, 22.1 x 26.7 cm. Moomin Museum, Tampere Art Museum Moominvalley Collection. Photograph: Finnish National Gallery / Yehia Eweis. https://www.studiointernational.com/images/articles/j/096-jansson-tove-2017/Tove-Jansson-(c)-Per-Olov-Jansson.jpg Tove Jansson swimming. © Per Olov Jansson. https://www.studiointernational.com/index.php/stan-douglas-interview-a-reenactment-is-an-event-that-becomes-processed-in-memory https://www.studiointernational.com/images/articles/d/093-douglas-stan-2017/5.jpg Installation view of Stan Douglas, 26 October – 20 December 2017, Victoria Miro Mayfair, London. © Stan Douglas. Courtesy the artist and Victoria Miro, London. https://www.studiointernational.com/index.php/abstract-expressionism-looking-east-from-the-far-west-review-honolulu-museum-of-art https://www.studiointernational.com/images/articles/i/100-impressionists-honolulu/Kline-Corinthian-II.jpg Franz Kline (American, 1910‒1962). Corinthian II, 1961. Oil on canvas. The Museum of Fine Arts, Houston, Bequest of Caroline Wiess Law. © 2017 The Franz Kline Estate / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/i/100-impressionists-honolulu/6902.jpg Satoru Abe (American, born 1926). The Idol, 1958. Welded copper and bronze. Honolulu Museum of Art, Gift of the Hawaii Community Foundation, Keiji Kawakami Art Foundation Fund, 1992. © 2017 Satoru Abe. https://www.studiointernational.com/images/articles/i/100-impressionists-honolulu/TCM_1997_1_Motherwell_0003_nc.jpg Robert Motherwell (American, 1915‒1991). Untitled, 1963. Oil on canvas. Honolulu Museum of Art, Gift of The Contemporary Museum, Honolulu, 2011, and purchased with funds given by Persis Corporation and gift of the Dedalus Foundation. Art © Dedalus Foundation/Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/i/100-impressionists-honolulu/De-Kooning-Woman-as-Landscape.jpg Willem de Kooning (American, 1904‒1997). Woman as Landscape, 1954‒5. Oil on canvas. Collection of Barney Ebsworth. © 2017 The Willem de Kooning Foundation/ Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/i/100-impressionists-honolulu/Asawa-Untitled.jpg Ruth Asawa (American, 1926‒2013). Untitled (S.540, Hanging, Seven-Lobed, Interlocking Continuous Form within a Form), c1958. Brass and copper wire. The Shidler Family Collection. Artwork © Estate of Ruth Asawa. https://www.studiointernational.com/images/articles/i/100-impressionists-honolulu/HoMA-AbX-install-photo-037.jpg View of Abstract Expressionism: Looking East from the Far West exhibition at Honolulu Museum of Art, Honolulu, Hawaii. Photo by Shuzo Uemoto courtesy of Honolulu Museum of Art. Left to right: Tadashi Sato (American, 1923‒2005). Surf and Water Reflections, 1969‒70. Oil on canvas. Honolulu Museum of Art, Gift of The Contemporary Museum, Honolulu, 2011, and gift of the Honolulu Advertiser Collection at Persis Corporation, 1974. Reproduced by permission of Jan Shimamura. Tadashi Sato (American, 1923‒2005). Falling Leaf, 1966. Oil on linen. Honolulu Museum of Art, Gift of The Contemporary Museum, Honolulu, 2011, and gift of Grant R. Jones, 2003. Reproduced by permission of Jan Shimamura. Bumpei Akaji (American, 1921‒2002). Untitled, 1980. Copper and brass. Honolulu Museum of Art, Gift of The Contemporary Museum, Honolulu, 2011, and gift of the artist, 1981. Reproduced by permission of Esta Akaji Nerney, Ada Akaji and Fiore Fujimoto. Paul Horiuchi (American, 1906‒1999). Abstract Screen, 1961. Paper collage with gouache on six-panel screen. Collection of Nathaniel and Fay Hauberg Page. Artwork by permission of Vincent Horiuchi & Horiuchi Estate. https://www.studiointernational.com/index.php/impressionists-in-london-review-tate-britain https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/Houses-of-Parliament,-Fog-Effect.jpg Claude Monet. Houses of Parliament, Fog Effect, 1903-04. Oil paint on canvas, 81.3 x 92.4 cm. Metropolitan Museum of Art. https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/Houses-of-Parliament-1903-Chicago.jpg Claude Monet. Houses of Parliament, c1900. Oil paint on canvas, 81.2 x 92.8 cm. Art Institute of Chicago. https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/Houses-of-Parliament-1903.jpg Claude Monet. Claude Monet. Houses of Parliament, 1903. Oil paint on canvas, 81 x 92 cm. Musée Malraux. https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/ID_124-(1).jpg Camille Pissarro. Charing Cross Bridge, 1890. Oil paint on canvas, 60 x 92.4 cm. National Gallery of Art (Washington, USA). https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/ID_036TC.jpg Alfred Sisley. Molesey Weir, Hampton Court, Morning, 1874. Oil paint on canvas, 51.1 x 68.8 cm. National Galleries of Scotland (Edinburgh UK). https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/N04892.jpg James Tissot. The Ball on Shipboard, c1874. Oil paint on canvas, 101.2 x 147.6 x 11.5 cm. Tate. Presented by the Trustees of the Chantrey Bequest 1937. https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/ID_116TC.jpg Camille Pissarro. Saint Anne’s Church at Kew, London, 1892. Oil paint on canvas, 54.8 x 46 cm. Private collection. https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/Houses-of-Parliament,-Sunlight-Effect.jpg Claude Monet. Houses of Parliament, Sunlight Effect, 1903. Oil paint on canvas, 104.8 x 115.6 cm. Brooklyn Museum of Art. https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/Londres-le-Parlement-Troulee-de-soleil-dans-le-brouillard.jpg Claude Monet. Londres, le Parlement. Trouée de soleil dans le brouillard, 1904. Oil paint on canvas, 81.5 x 92.5 cm. Musée d’Orsay. https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/ID_109TC.jpg Claude Monet. Leicester Square, 1901. Oil paint on canvas, 80.5 x 64.8 cm. Coll. Fondation Jean et Suzanne Planque (in deposit at Musée Granet, Aix-en-Provence). Photograph: © Luc Chessex. https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/ID_115TC.jpg Camille Pissarro. Kew Green, 1892. Oil paint on canvas, 46 x 55 cm. Musee d’Orsay (Paris, France). https://www.studiointernational.com/images/articles/i/099-impressionists-in-london-2017/Houses-of-Parliament,-Sunset.jpg Claude Monet. Houses of Parliament, Sunset, 1904. Oil paint on canvas, 81 x 92 cm. Kaiser Wilhelm Museum. https://www.studiointernational.com/index.php/dan-colen-sweet-liberty-review-newport-gallery https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-The-Big-Kahuna.jpg Dan Colen. The Big Kahuna, 2010-17. Concrete, steel flagpole, paint, American flag, aluminum, plastic beads, steel cable, dimensions variable. Photograph: Prudence Cumings Associates. Copyright by Dan Colen and Victor Mara Ltd. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Improv.jpg Dan Colen. Improv, 2014-17. Ash, white oak, cherry, hickory, and maple woods, stainless steel and brass hardware, rushing and caning and hand blown glass, dimensions variable. Photograph: Prudence Cumings Associates. Copyright by Dan Colen and Victor Mara Ltd. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Marbles-in-My-Mouth.jpg Dan Colen. Marbles in My Mouth, 2015. Chewing gum on canvas, 110 x 207 in (279.4 x 525.8 cm). Photographed: Prudence Cuming Associates. Copyright Dan Colen. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-All-Mops-and-Brooms.jpg Dan Colen. All Mops and Brooms, 2015. Chewing gum on canvas, 110 x 207 in (279.4 x 525.8 cm). Photographed: Prudence Cuming Associates. Copyright Dan Colen. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Oh-Madonna.jpg Dan Colen. Oh Madonna, 2016. Trash and oil on canvas, 130 x 163 x 29 in (330.2 x 414 x 73.7 cm). Photographed: Prudence Cuming Associates. Copyright Dan Colen. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Haiku.jpg Dan Colen. Haiku, 2015-17. Aluminium, foam, plastic, spandex, modacrylic hair, paint, stainless steel cable and electronic motors, dimensions variable. Photograph: Prudence Cumings Associates. Copyright by Dan Colen and Victor Mara Ltd. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Sweet-Liberty-Gallery-6.jpg Dan Colen, Sweet Liberty Gallery 6. Photograph: Prudence Cumings Associates. Copyright by Dan Colen and Victor Mara Ltd. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Sweet-Liberty-Gallery-2.jpg Dan Colen, Sweet Liberty Gallery 2. Photograph: Prudence Cumings Associates. Copyright by Dan Colen and Victor Mara Ltd. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-A-Little-Wooden-Ship.jpg Dan Colen. A Little Wooden Ship, 2015. Steel studs on canvas, 106 x 200 in (269.2 x 508 cm). Photographed: Prudence Cuming Associates. Copyright Dan Colen. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Viscera.jpg Dan Colen. Viscera, 2017-17. Oil on canvas, 112 1/2 x 202 1/2 in (285.8 x 514.4 cm). Photograph: Christopher Burke. Copyright Dan Colen. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Sweet-Liberty-Gallery-1.jpg Dan Colen, Sweet Liberty Gallery 1. Photograph: Prudence Cumings Associates. Copyright by Dan Colen and Victor Mara Ltd. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Sweet-Liberty-Gallery-3.jpg Dan Colen, Sweet Liberty Gallery 3. Photograph: Prudence Cumings Associates. Copyright by Dan Colen and Victor Mara Ltd. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Sweet-Liberty-Gallery-4-2.jpg Dan Colen, Sweet Liberty Gallery 4. Photograph: Prudence Cumings Associates. Copyright by Dan Colen and Victor Mara Ltd. https://www.studiointernational.com/images/articles/c/088-colen-dan-2017/Dan-Colen-Sweet-Liberty-Gallery-5-3.jpg Dan Colen, Sweet Liberty Gallery 5. Photograph: Prudence Cumings Associates. Copyright by Dan Colen and Victor Mara Ltd. https://www.studiointernational.com/index.php/50-years-of-gilbert-and-george https://www.studiointernational.com/images/articles/g/097-gilbert-and-george-2017/George-the-cunt-and-Gilbert-the-shit.jpg Gilbert & George, Magazine Sculpture, published in Studio International, May 1970, Vol 179 No 922, pp 220-221. https://www.studiointernational.com/images/articles/g/097-gilbert-and-george-2017/page218.jpg Gilbert & George, Magazine Sculpture, published in Studio International, May 1970, Vol 179 No 922, p 218. https://www.studiointernational.com/images/articles/g/097-gilbert-and-george-2017/Gilbert-and-George-There-were-two-men.jpg Gilbert & George, There were two young men who did laugh. Magazine Sculpture, published in Studio International, May 1971, Vol 181 No 933. https://www.studiointernational.com/images/articles/g/097-gilbert-and-george-2017/gilbert-and-george-640.jpg George the Cunt and Gilbert the Shit, Magazine Sculpture, 1969. © Gilbert & George. https://www.studiointernational.com/images/articles/g/097-gilbert-and-george-2017/underneath-the-arches.jpg Gilbert & George, Magazine Sculpture, published in Studio International, May 1970, Vol 179 No 922, pp 218-219. https://www.studiointernational.com/images/articles/g/097-gilbert-and-george-2017/pg20170523_0300.jpg Gilbert and George by Michael Moynihan. Published in Studio International, May 1970, Vol 179 No 922, page 196. © Studio International Foundation. https://www.studiointernational.com/images/articles/g/097-gilbert-and-george-2017/pg20170523_0301.jpg Gilbert and George by Michael Moynihan. Published in Studio International, May 1970, Vol 179 No 922, page 197. © Studio International Foundation. https://www.studiointernational.com/images/articles/g/097-gilbert-and-george-2017/page219.jpg Gilbert & George, Magazine Sculpture, published in Studio International, May 1970, Vol 179 No 922, p 219. https://www.studiointernational.com/index.php/future-shock-review-site-santa-fe-new-mexico https://www.studiointernational.com/images/articles/f/097-future-shock-2017/Andrea-Zittel_06.jpg Andrea Zittel. Linear Sequence (A-Z West), 2016. Powder-coated steel and aluminium, tung oiled Birdseye Maple Plywood, brass, three cushions. Photograph: Andrea Zittel. © Andrea Zittel. Courtesy Andrea Rosen Gallery, New York. https://www.studiointernational.com/images/articles/f/097-future-shock-2017/silveira-mundus_brasilia1.jpg Regina Silveira. Mundus Admirabilis, 2007. Adhesive vinyl, 70 x 200 x 200 cm. Centro Cultural Banco do Brasil, Brasilia, Brazil. Photograph: Regina Silveira. https://www.studiointernational.com/images/articles/f/097-future-shock-2017/hemmer-zoom_pavilion_mexico_2015.jpg Rafael Lozano-Hemmer, Zoom Pavillion, 2015. Installation view, Pseudomatismos, MUAC Museum, Mexico City, Mexico. Collaboration with Krzysztof Wodiczko. Photograph: Antimodular Research. https://www.studiointernational.com/images/articles/f/097-future-shock-2017/Aitken-IMAGE-4.jpg Doug Aitken. Migration (empire), 2008. Video installation with one channel of video (colour, sound), one projection, steel and PVC screen billboard sculpture, 24:28 minutes/loop. Courtesy of the artist; 303 Gallery, New York; Galerie Eva Presenhuber, Zürich; Victoria Miro Gallery, London; and Regen Projects, Los Angeles. Photograph: Joshua White. https://www.studiointernational.com/images/articles/f/097-future-shock-2017/Leeson-CivicRadar-9.jpg Lynn Hershman Leeson. The Infinity Engine, 2014–17. Installation view, Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Arts, San Francisco, 2017. Courtesy Yerba Buena Center for the Arts. Photo by Charlie Villyard. https://www.studiointernational.com/images/articles/f/097-future-shock-2017/Aitken-315-migration-(empire)_2008.jpg Doug Aitken. Migration (empire), 2008. Video installation with one channel of video (colour, sound), one projection, steel and PVC screen billboard sculpture, 24:28 minutes/loop, dimensions variable. Production still. Courtesy of the artist; 303 Gallery, New York; Galerie Eva Presenhuber, Zürich; Victoria Miro Gallery, London; and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/f/097-future-shock-2017/AlexisRockmanCoyote2017.jpg Alexis Rockman. Coyote, New Mexico Field Drawings, 2017. Organic material, acrylic polymer on paper,
 76 drawings, dimensions variable. Courtesy of the artist and Sperone Westwater, New York, SITE Santa Fe commission. https://www.studiointernational.com/images/articles/f/097-future-shock-2017/ezawa-MunchTheft.jpg Kota Ezawa. Munch Theft, 2017. Duratrans transparency and LED light box, 40 x 50 in. Courtesy of the artist, Christopher Grimes Gallery, Santa Monica and Haines Gallery, San Francisco . https://www.studiointernational.com/index.php/maria-alyokhina-video-interview-pussy-riot-post-soviet-actionism-saatchi-gallery https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/maria-Alyokhina-performance-saatchi-gallery-london-2.jpg Maria Alyokhina, live performance at the Saatchi Gallery, London, 15 November 2017. Photograph: Emily Spicer. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/maria-Alyokhina-performance-saatchi-gallery-install-view-3.jpg Art Riot: Post Soviet Actionism, Saatchi Gallery, London, 16 November – 31 December 2017, gallery view. Photograph: William Kennedy. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/maria-Alyokhina-performance-saatchi-gallery-install-view-2.jpg Art Riot: Post Soviet Actionism, Saatchi Gallery, London, 16 November – 31 December 2017, gallery view. Photograph: William Kennedy. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/Art-Riot-Post-Soviet-Actionism-install-view-5.jpg Art Riot: Post Soviet Actionism, Saatchi Gallery, London, 16 November – 31 December 2017, gallery view. Photograph: William Kennedy. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/Art-Riot-Post-Soviet-Actionism-install-view-1.jpg Art Riot: Post Soviet Actionism, Saatchi Gallery, London, 16 November – 31 December 2017, gallery view. Photograph: William Kennedy. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/maria-alyokhina-portrait-640.jpg Maria Alyokhina, a member of the activist art collective Pussy Riot, talks to Studio International about Art Riot at the Saatchi Gallery, London, 15 November 2017. Photograph: William Kennedy. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/maria-Alyokhina-performance-saatchi-gallery-london.jpg Maria Alyokhina, live performance at the Saatchi Gallery, London, 15 November 2017. Photograph: Emily Spicer. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/maria-Alyokhina-performance-saatchi-gallery-install-view-1.jpg Art Riot: Post Soviet Actionism, Saatchi Gallery, London, 16 November – 31 December 2017, gallery view. Photograph: William Kennedy. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/Art-Riot-Post-Soviet-Actionism-install-view-4.jpg Art Riot: Post Soviet Actionism, Saatchi Gallery, London, 16 November – 31 December 2017, gallery view. Photograph: William Kennedy. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/Art-Riot-Post-Soviet-Actionism-install-view-3.jpg Art Riot: Post Soviet Actionism, Saatchi Gallery, London, 16 November – 31 December 2017, gallery view. Photograph: William Kennedy. https://www.studiointernational.com/images/articles/p/094-pussy-riot-2017/Art-Riot-Post-Soviet-Actionism-install-view-2.jpg Art Riot: Post Soviet Actionism, Saatchi Gallery, London, 16 November – 31 December 2017, gallery view. Photograph: William Kennedy. https://www.studiointernational.com/index.php/pamela-schilderman-interview-casket-wanted-people-to-think-about-what-makes-portrait https://www.studiointernational.com/images/articles/s/090-schilderman-pamela-2017/Casket_008-(2)Image-courtesy-of-Leicester-City-Council.jpg Pamela Schilderman. Casket, mixed media, 2017. Installation view. Image courtesy of Leicester City Council. https://www.studiointernational.com/images/articles/s/090-schilderman-pamela-2017/hairgoldp-schilderman.jpg Pamela Schilderman. Casket, hair: gold, tanzanite and hair, 2017. https://www.studiointernational.com/images/articles/s/090-schilderman-pamela-2017/Casket_004-(2)Kerem-Cetindamar.jpg Pamela Schilderman. Casket, teeth, copper, 2017. Photograph: Kerem Cetindamar. https://www.studiointernational.com/images/articles/s/090-schilderman-pamela-2017/Casket_005-(2)Kerem-Cetindamar.jpg Pamela Schilderman. Casket, scroll: carbon, diamonds, watercolour, biro, pencil on paper, 2017. Photograph: Kerem Cetindamar. https://www.studiointernational.com/images/articles/s/090-schilderman-pamela-2017/The-Harold-Thomas-Collection-p.jpg The Harold Thomas Collection, watercolours and salt crystals, 2009–2014. https://www.studiointernational.com/images/articles/s/090-schilderman-pamela-2017/working-2.jpg Pamela Schilderman at work. https://www.studiointernational.com/images/articles/s/090-schilderman-pamela-2017/Bula-Matari-ps-studio-visit.jpg Pamela Schilderman. Bula Matari, 2007. Salt crystals and glass. https://www.studiointernational.com/images/articles/s/090-schilderman-pamela-2017/P-Schilderman,-Punctum.jpg Pamela Schilderman. Punctum, 2004. Paper, punched holes and invisible thread, 2004. https://www.studiointernational.com/images/articles/s/090-schilderman-pamela-2017/Portrait-shot1.jpg Pamela Schilderman. https://www.studiointernational.com/index.php/light-in-motion-balla-dorazio-zappettini-review-20th-century-italian-art-mazzoleni https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/DOR018-Dorazio,-Under-a-Name,-1965.jpg Piero Dorazio (1927-2005). Under a Name, 1965. Oil on canvas, 56 x 46.5 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/L12741_stitch.jpg Installation view, Light in Motion: Balla, Dorazio, Zappettini. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/BAL003-Balla,-Linee-forza-di-mare-(mattino).jpg Giacomo Balla (1871-1958). Linee forza di mare (mattino), c1919. Oil on panel, 29 x 60.5 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/DOR039-Dorazio,-Arc-en-Ciel,-1965-A.jpg Piero Dorazio (1927-2005). Arc en Ciel, 1965. Oil on canvas, 180 x 140 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/ZAP084-Zappettini,-Strutture-in-BX-37_67,-1967.jpg Gianfranco Zappettini. Strutture in BX 15_67, 1967. Acrylic on canvas and plastic material, 100 x 80 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/ZAP152-Zappettini,-Senza-titolo-(Tav.jpg Gianfranco Zappetttini. Senza titolo (Tav. B 34), 1965. Acrylic on canvas, 50 x 50 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/BAL012-Balla,-Tick-Tack-N-40,-1925.jpg Giacomo Balla (1871-1958). Tick Tack N. 40, c1929. Oil on canvas, 77 x 77 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/DOR052-Dorazio,-Jeu-Flamand-Aussi,-1964.jpg Piero Dorazio (1927-2005). Jeu Flamand Aussi, 1964. Oil on canvas, 145 x 89 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/DOR036-Dorazio,-Jeu-de-Distance-1,-1964.jpg Piero Dorazio (1927-2005). Jeu de Distance 1, 1964. Oil on canvas, 41 x 31 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/DOR034-Dorazio,-Senza-titolo,-1965.jpg Piero Dorazio (1927-2005). Untitled, 1965. Oil on jute canvas, 146 x 86 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/ZAP083-Zappettini,-Strutture-in-BX-024_67,-1967.jpg Gianfranco Zappettini. Strutture in BX 024 67, 1967. Acrylic on canvas and plastic material, 80 x 80 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/ZAP194-Zappettini,-Strutture-in-bx-in-due-tempi,-1966.jpg Gianfranco Zappettini. Strutture in BX in due tempi, 1966. Acrylic on canvas, 100 x 200 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/BAL001-Balla-Figure-e-paesaggio-nella-luce.jpg Giacomo Balla (1871-1958). Figure e paesaggio nella luce, 1923-30. Oil on canvas, 65 x 100 cm. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/L12741_V17.jpg Installation view, Light in Motion: Balla, Dorazio, Zappettini. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/L12741_V6.jpg Installation view, Light in Motion: Balla, Dorazio, Zappettini. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/l/095-light-in-motion-2017/L12741_V9.jpg Installation view, Light in Motion: Balla, Dorazio, Zappettini. Courtesy Mazzoleni. https://www.studiointernational.com/index.php/vanessa-baird-you-are-something-else-review-refugees-oslo https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/GrandHotelOslo3.jpg Vanessa Baird. Mural, Grand Hotel, Oslo. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/GrandHotelOslo1.jpg Vanessa Baird. Mural, Grand Hotel, Oslo. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdDetailScandiWomanBoxesRefugeesSentralenOslo.jpg Vanessa Baird. Mural (detail), Scandinavian woman with boxes and refugees, Sentralen, Oslo. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/Sentralen_Detail-Foto-av-Lars-Petter-Pettersen.jpg Vanessa Baird. Mural (detail), Sentralen arts space, Oslo. Photograph: Lars Petter Pettersen. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdKunstnernesHusMyMothersMother.jpg Vanessa Baird. Kunstnernes Hus, My Mother https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/Sentralen_MuralLandscape-Foto-av-Lars-Petter-Pettersen.jpg Vanessa Baird. Mural, Sentralen arts space, Oslo. Photograph: Lars Petter Pettersen. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdChildrenMobilePhonesDetailSentralenOsloVSimpson.jpg Vanessa Baird. Mural (detail), children with mobile phones (detail), Sentralen, Oslo. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdAudenPoemSentralenOsloVSimpson.jpg Vanessa Baird. Mural (detail), Auden poem, Sentralen, Oslo. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdWithGrandHotelMuralOsloVSimpson.jpg Vanessa Baird with Grand Hotel mural, Oslo. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/GrandHotelOslo2.jpg Vanessa Baird. Mural, Grand Hotel, Oslo. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/Sentralen_Landscape2-av-Lars-Petter-Pettersen.jpg Vanessa Baird. Mural, Sentralen arts space, Oslo. Photograph: Lars Petter Pettersen. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdPrimeMinisterDetailSentralenOsloVSimpson.jpg Vanessa Baird. Mural (detail), Prime Minister, Sentralen, Oslo. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdKunstnernesHusGnome.jpg Vanessa Baird. Kunstnernes Hus, Gnome. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdKunstnernesHusLandscape.jpg Vanessa Baird. Kunstnernes Hus, Landscape. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdKunstnernesHusYouAreSomethingElse1.jpg Vanessa Baird. Kunstnernes Hus, You Are Something Else. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/085-baird-vanessa-2017/VBairdKunstnernesHusYouAreSomethingElse3.jpg Vanessa Baird. Kunstnernes Hus, You Are Something Else. Photograph: Veronica Simpson. https://www.studiointernational.com/index.php/antony-gormley-interview-looking-back-at-paths-you-have-taken-is-important-exercise https://www.studiointernational.com/images/articles/g/096-gormley-antony-2017/Image-11_se_malmo_1993_001.jpg Antony Gormley. TESTING A WORLD VIEW, 1993. Installation view, Konsthall Malmö, Sweden, 1993. Photograph: Jan Uvelius. © the artist. https://www.studiointernational.com/images/articles/g/096-gormley-antony-2017/Image-1_12b_0425_drawn_2000_002.jpg Antony Gormley. DRAWN, 2000. Cast iron, 154 x 133 x 187 cm (8 elements). Installation view, White Cube, London, 2000. Photograph: Stephen White, London. © the artist. https://www.studiointernational.com/images/articles/g/096-gormley-antony-2017/Image-7_au_vienna_criticalmass_1995_001.jpg Antony Gormley. CRITICAL MASS II, 1995. 60 life-size elements, cast iron, dimensions variable. Installation view, StadtRaum Remise, Vienna, 1995. Photograph: Stephen White, London. © the artist. https://www.studiointernational.com/images/articles/g/096-gormley-antony-2017/Antony-Gormley-Monograph-Cover.jpg Antony Gormley, written by Martin Caiger-Smith, is published by Rizzoli. https://www.studiointernational.com/images/articles/g/096-gormley-antony-2017/Image-6_0316_criticalmass_plastermaking_001_steidlscan.jpg Antony Gormley. Work in progress for Critical Mass II, 1995. Photograph: Elfi Tripamer. © the artist. https://www.studiointernational.com/images/articles/g/096-gormley-antony-2017/Image-2_8_1982_0077_landseaandair_ii_1982_001.jpg Antony Gormley. LAND SEA AND AIR II, 1982.Lead and fibreglass. Land (crouching), 45 x 103 x 50 cm; Sea (standing), 191 x 50 x 32 cm; Air (kneeling), 118 x 69 x 52 cm. © the artist. https://www.studiointernational.com/index.php/from-mile-end-to-mayfair-the-working-artist-east-london-group-review-southampton-city-gallery-nunnery https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/John-Cooper,-Appledore.jpg John Cooper. Appledore, 1935. Oil on canvas, 51 x 61 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Henry-Silk-Snow-early-1929.jpg Henry Silk. Snow, 1929. Watercolour, 14 x 23 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Elwin-Hawthorne-Demolition-of-Bow-Brewery.jpg Elwin Hawthorne. Demolition of Bow Brewery, 1931. Oil on canvas, 44.5 x 60 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Phyllis-Bray,-Braunton-Lighthouse.jpg Phyllis Bray. Braunton Lighthouse, 1935. Oil on canvas, 46 x 61 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Harold-Steggles-Warner-Street-1935.jpg Harold Steggles. Warner Street, 1935. Oil on board, 23.5 x 31.5 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Walter-Steggles-Bow-Bridge-Undated.jpg Walter Steggles. Bow Bridge, undated. Oil on canvas, 44 x 60 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Harold-Steggles,-St-Marks-Church,-Victoria-Park-1934.jpg Harold Steggles. St Mark’s Church, Victoria Park, 1934. Oil on board, 61 x 55 cm. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Phyllis-Bray-By-the-Lake.jpg Phyllis Bray. By the Lake, 1931. Oil on canvas, 30 x 41 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Turpin_Hackney-Empire.jpg Albert Turpin (1900–1964). Hackney Empire, date unknown. Courtesy the artist’s family © A.E.Turpin Estate, 2017. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Turpin_The-Sebright-Arms.jpg Albert Turpin (1900–1964). Sebright Arms, 1958. Courtesy the artist’s family © A.E.Turpin Estate, 2017. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Walter-Steggles-Stratford-1938.jpg Walter Steggles. Stratford, 1938. Oil on canvas, 42 x 54 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Grace-Oscroft,-Old-Houses,-Bow,-1934.jpg Grace Oscroft. Old Houses, Bow, 1934. Oil on canvas, 35.5 x 46 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/George-Board-N-E-Bethnal-Green.jpg George Board. N E Bethnal Green, 1928. Oil on canvas, 27.5 x 38 cm. Private collection, © the artist’s estate. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Turpin_Day-Passage,-Stepney.jpg Albert Turpin (1900–1964). Day Passage, 1958. Courtesy the artist’s family © A.E.Turpin Estate, 2017. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/Turpin_TheArchesCambridgeHeathRoad_WEB.jpg Albert Turpin (1900–1964). The Arches, Cambridge Heath Road, date unknown. Courtesy the artist’s family © A.E.Turpin Estate, 2017. https://www.studiointernational.com/images/articles/e/095-east-end-to-mayfair-2017/TURPIN_Portrait.jpg Albert Turpin (1900–1964). Courtesy the artist’s family © A.E.Turpin Estate, 2017. https://www.studiointernational.com/index.php/zoe-buckman-interview-role-feminism-to-reframe-how-we-construct-masculinity https://www.studiointernational.com/images/articles/b/084-buckman-zoe-2017/Ode-On-3.jpg Zoe Buckman. Ode On, 2016. Chain, boxing gloves and embroidery on vintage wedding dresses, 41 x 16 x 17 in. Courtesy the artist and 21c Museum. https://www.studiointernational.com/images/articles/b/084-buckman-zoe-2017/ZB_Champ-4_HR.jpg Zoe Buckman. Champ, 2016. Neon, glass, leather, 30 x 18 x 10 in. Courtesy the artist and 21c Museum. https://www.studiointernational.com/images/articles/b/084-buckman-zoe-2017/Zoe-Buckman_Champ.jpg Zoe Buckman. Champ, 2016. Neon, glass, leather, 30 x 18 x 10 in. Courtesy the artist and 21c Museum. https://www.studiointernational.com/images/articles/b/084-buckman-zoe-2017/PK-23620-image.jpg Zoe Buckman. Ode On, 2016. Chain, boxing gloves and embroidery on vintage wedding dresses, 41 x 16 x 17 in. Courtesy the artist and 21c Museum. https://www.studiointernational.com/images/articles/b/084-buckman-zoe-2017/Ode-On_1.jpg Zoe Buckman. Ode On, 2016. Chain, boxing gloves and embroidery on vintage wedding dresses, 41 x 16 x 17 in. Courtesy the artist and 21c Museum. https://www.studiointernational.com/images/articles/b/084-buckman-zoe-2017/Let-Her-Rave.jpg Zoe Buckman. let her rave, 2016. Neon, wedding veils. Courtesy the artist. https://www.studiointernational.com/index.php/gianfranco-baruchello-incidents-of-lesser-account https://www.studiointernational.com/images/articles/b/083-baruchello-gianfranco-2017/Gianfranco-Baruchello_2_72dpi.jpg Gianfranco Baruchello. La piena dei sentimenti sembra indicare la prossima fine dei sentimenti in piena (The flood of emotion seems to indicate the approaching end of emotion in flood), 1972. Mixed media on aluminium, 41 x 41 cm. Courtesy Fondazione Baruchello, Rome. https://www.studiointernational.com/images/articles/b/083-baruchello-gianfranco-2017/Gianfranco-Baruchello_4_72dpi.jpg Gianfranco Baruchello. Impudique Venus (Shameless Venus), 1979. Mixed media on plexiglass, 40.5 x 40.5 x 6.5 cm. Private collection, Rome. https://www.studiointernational.com/images/articles/b/083-baruchello-gianfranco-2017/Gianfranco-Baruchello_5_72dpi.jpg Gianfranco Baruchello. Diego Kid al servizio di sua maestà (Diego Kid on His Majesty’s Service), 1974. Mixed media on aluminium, 100.5 x 100.5 cm. Private collection, Italy. https://www.studiointernational.com/images/articles/b/083-baruchello-gianfranco-2017/Gianfranco-Baruchello_6_72dpi.jpg Gianfranco Baruchello. Ne spuntano di nuovi con gambi grassi e bianchi (New ones pop up with fat white stems), 1967. Mixed media on aluminium, 51 x 51 cm. Courtesy Galleria Milano, Milan. https://www.studiointernational.com/images/articles/b/083-baruchello-gianfranco-2017/Gianfranco-Baruchello_7_72dpi.jpg Gianfranco Baruchello. Zwei Frauen, am Steuer des Formel 2 (Two women driving a Formula 2), 1968. Mixed media on aluminium, 51 x 51 cm. Courtesy Galleria Milano, Milan. https://www.studiointernational.com/images/articles/b/083-baruchello-gianfranco-2017/Gianfranco-Baruchello_3_72dpi.jpg Gianfranco Baruchello. Déserteur da la Légion (Deserter from the Legion), 1974. Mixed media, wood, glass, 50 x 70 x 16 cm. Courtesy Fondazione Baruchello, Rome. https://www.studiointernational.com/images/articles/b/083-baruchello-gianfranco-2017/Gianfranco-Baruchello_1_72dpi.jpg Gianfranco Baruchello. Il Kodardo Para-Quore (The Offal Koward), 1966. Mixed media on canvas, 50 x 36 cm. Courtesy Fondazione Baruchello, Rome. https://www.studiointernational.com/index.php/neha-choksi-interview https://www.studiointernational.com/images/articles/c/089-choksi-neha-2017/1-Choksi-ICEBOAT-version-2-00071807-BU.jpg Neha Choksi. ICEBOAT (video still), 2013. HD, colour, widescreen, sound, 13 min 17 sec. Video still courtesy the artist. https://www.studiointernational.com/images/articles/c/089-choksi-neha-2017/1-Choksi_2017_FIF_Proliferating_00025_LR_009.jpg Neha Choksi. Video still from Faith in friction, 2017. 7-channel 4K video installation transferred to HD, each channel with stereo sound, 36 min loop. Courtesy the artist and Project 88. https://www.studiointernational.com/images/articles/c/089-choksi-neha-2017/1-Choksi-Leaf_Fall-4_stills-2008.jpg Neha Choksi. LEAF FALL (video stills), 2008. HDV, colour, widescreen, sound, subtitles 14 min 15 sec. Video still courtesy the artist. https://www.studiointernational.com/images/articles/c/089-choksi-neha-2017/1-Choksi_2017_FiF_install_IMG_8797-LR-04.jpg Neha Choksi. Faith in friction, 2017. 7-channel 4K video installation transferred to HD, each channel with stereo sound, 36 min loop. As installed at the Manchester Art Gallery. Photograph: Neha Choksi. Courtesy the artist and Project 88. https://www.studiointernational.com/images/articles/c/089-choksi-neha-2017/1-Choksi_2017_FIF_Proliferating_00039_LR_010.jpg Neha Choksi. Video still from Faith in friction, 2017. 7-channel 4K video installation transferred to HD, each channel with stereo sound, 36 min loop. Courtesy the artist and Project 88. https://www.studiointernational.com/images/articles/c/089-choksi-neha-2017/1-Choksi_2017_FiF_install_IMG_8832-LR-11.jpg Neha Choksi. Faith in friction, 2017. 7-channel 4K video installation transferred to HD, each channel with stereo sound, 36 min loop. As installed at the Manchester Art Gallery. Photograph: Neha Choksi. Courtesy the artist and Project 88. https://www.studiointernational.com/images/articles/c/089-choksi-neha-2017/1-Choksi_2017_FIF_LayersOfTouch_00028_LR_001.jpg Neha Choksi. Video still from Faith in friction, 2017. 7-channel 4K video installation transferred to HD, each channel with stereo sound, 36 min loop. Courtesy the artist and Project 88. https://www.studiointernational.com/images/articles/c/089-choksi-neha-2017/1-2017-Choksi-Rojany-Swing-01-photo-NC.jpg Neha Choksi and Rachelle Rojany Swing for friends (used in Faith in friction), 2017. Silicon rubber and stainless steel. Unique prop. Photograph: Choksi. https://www.studiointernational.com/index.php/arthur-watson-interview-ages-of-wonder-scotlands-art-1540-to-now-scottish-national-gallery https://www.studiointernational.com/images/articles/a/095-age-of-wonder-2017/Gallery-I_Life-Drawing-Room.jpg Ages of Wonder – Scotland https://www.studiointernational.com/images/articles/a/095-age-of-wonder-2017/Gallery-VII_Portraiture(2).jpg Ages of Wonder – Scotland https://www.studiointernational.com/images/articles/a/095-age-of-wonder-2017/RSA-Wunderkammer-(1).jpg Wunderkammer (Cabinet of Wonder), Ages of Wonder – Scotland https://www.studiointernational.com/images/articles/a/095-age-of-wonder-2017/Sculpture-Court-(east)_Bust-Display.jpg Ages of Wonder – Scotland https://www.studiointernational.com/images/articles/a/095-age-of-wonder-2017/Gallery-III_Salon-Hang.jpg Ages of Wonder – Scotland's Art 1540 to Now, installation view, Gallery III, salon hang. https://www.studiointernational.com/images/articles/a/095-age-of-wonder-2017/Gallery-VII_Portraiture.jpg Ages of Wonder – Scotland's Art 1540 to Now, installation view, Gallery VII, Portraiture. https://www.studiointernational.com/images/articles/a/095-age-of-wonder-2017/Sculpture-Court-(west)_Keith-Rand-studio-gift.jpg Ages of Wonder – Scotland's Art 1540 to now, installation view, Sculpture Court (west), Keith Rand studio gift. https://www.studiointernational.com/index.php/veronica-ryan-interview https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/Salvage,-Veronica-Ryan,-2017-Courtesy-of-The-Art-House.jpg Veronica Ryan. Salvage, 2017. Courtesy of The Art House. Photo, Jules Lister. Photograph: Jules Lister. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/Grey-Matter,-Veronica-Ryan,-2017-Courtesy-of-The-Art-House.jpg Veronica Ryan. Grey Matter, 2017. Courtesy of The Art House. Photograph: Jules Lister. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/Layered,-Strata-(Detail),-Veronica-Ryan,-2017.jpg Veronica Ryan. Layered, Strata (Detail), 2017. Courtesy of The Art House. Photograph: Jules Lister. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/Particle,-Veronica-Ryan,-2017.jpg Veronica Ryan. Particle, 2017. Photograph: Jerry Hardman Jones. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/VeronicaRyanGreyMatter(2017)VSimpson.jpg Veronica Ryan. Grey Matter, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/Protectors,-Veronica-Ryan,-2017.jpg Veronica Ryan. Protectors, 2017. Courtesy of The Art House. Photograph: Jules Lister. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/VeronicaRyanProtectorsDetailofStainsandStitchescreditVSimpson.jpg Veronica Ryan. Protectors (Detail of stains and stitches. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/VeronicaRyan-Layered,Strata-(2017)VSimpson.jpg Veronica Ryan. Layered, Strata, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/VeronicaRyanArmour,ArmatureDetail-(2017)VSimpson.jpg Veronica Ryan. Armour, (Armature detail), 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/Veronica-Ryan-in-residence-at-The-Art-House,-2017.jpg Veronica Ryan in residence at The Art House, 2017. Photograph: Axisweb. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/Particle-(detail),-Veronica-Ryan,-2017.jpg Veronica Ryan. Particle (detail), 2017. Photograph: Jerry Hardman Jones. https://www.studiointernational.com/images/articles/r/092-ryan-veronica-2017/VeronicaRyan-(foreground)-Territorial-(1986).jpg Veronica Ryan. Territorial, 1986 (foreground). Nottingham Contemporary, 2017, The Place is Here. https://www.studiointernational.com/index.php/louisa-fairclough-a-song-cycle-for-the-ruins-of-a-psychiatric-unit-review https://www.studiointernational.com/images/articles/f/096-fairclough-louisa-2017/Louisa-Fairclough-FEAR-LIFE-DEATH-HOPE-2017--Installation-view-by-Oskar-Proctor-(4).jpg Louisa Fairclough. FEAR LIFE DEATH HOPE, 2017. 4 x 16mm projectors, 4 x film loops with optical sound suspended from meat hooks. Installation view: A Song cycle for the Ruins of a Psychiatric Unit, Danielle Arnaud Gallery, 2017. Photograph: Oskar Proctor. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/images/articles/f/096-fairclough-louisa-2017/Louisa-Fairclough-FEAR-LIFE-DEATH-HOPE-2017.jpg Louisa Fairclough. FEAR LIFE DEATH HOPE, 2017. 4 x 16mm projectors, 4 x film loops with optical sound suspended from meat hooks. Installation view: A Song cycle for the Ruins of a Psychiatric Unit, Danielle Arnaud Gallery, 2017. Photograph: Oskar Proctor. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/images/articles/f/096-fairclough-louisa-2017/Louisa-Fairclough-A-Rose-2017.jpg Louisa Fairclough, A Rose, 2017, 1 x 16mm film looped (colour, silent, 9 minutes) projected onto a suspended acrylic screen, 1 x performance for a field recording pressed onto dubplate vinyl (20 minutes). Installation view: A Song cycle for the Ruins of a Psychiatric Unit, Danielle Arnaud Gallery, 2017. Photograph by Oskar Proctor. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/images/articles/f/096-fairclough-louisa-2017/Louisa-Fairclough-A-Rose-2017-(7).jpg Louisa Fairclough, A Rose, 2017, 1 x 16mm film looped (colour, silent, 9 minutes) projected onto a suspended acrylic screen, 1 x performance for a field recording pressed onto dubplate vinyl (20 minutes). Installation view: A Song cycle for the Ruins of a Psychiatric Unit, Danielle Arnaud Gallery, 2017. Photograph by Oskar Proctor. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/images/articles/f/096-fairclough-louisa-2017/Louisa-Fairclough-A-Rose-2017-(4).jpg Louisa Fairclough. A Rose, 2017. 1 x 16mm film looped (colour, silent, 9 min) projected onto a suspended acrylic screen, 1 x performance for a field recording pressed onto dubplate vinyl (20 min). Installation view: A Song cycle for the Ruins of a Psychiatric Unit, Danielle Arnaud Gallery, 2017. Photograph: Oskar Proctor. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/images/articles/f/096-fairclough-louisa-2017/Louisa-Fairclough-A-Rose-2017-(8).jpg Louisa Fairclough, A Rose, 2017, 1 x 16mm film looped (colour, silent, 9 minutes) projected onto a suspended acrylic screen, 1 x performance for a field recording pressed onto dubplate vinyl (20 minutes). Installation view: A Song cycle for the Ruins of a Psychiatric Unit, Danielle Arnaud Gallery, 2017. Photograph by Oskar Proctor. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/images/articles/f/096-fairclough-louisa-2017/Louisa-Fairclough-A-Rose-2017-2.jpg Louisa Fairclough, A Rose, 2017, 1 x 16mm film looped (colour, silent, 9 minutes) projected onto a suspended acrylic screen, 1 x performance for a field recording pressed onto dubplate vinyl (20 minutes). Installation view: A Song cycle for the Ruins of a Psychiatric Unit, Danielle Arnaud Gallery, 2017. Photograph by Oskar Proctor. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/images/articles/f/096-fairclough-louisa-2017/Louisa-Fairclough-FEAR-LIFE-DEATH-HOPE-2017-2.jpg Louisa Fairclough. FEAR LIFE DEATH HOPE, 2017. 4 x 16mm projectors, 4 x film loops with optical sound suspended from meat hooks. Installation view: A Song cycle for the Ruins of a Psychiatric Unit, Danielle Arnaud Gallery, 2017. Photograph: Oskar Proctor. Courtesy the artist and Danielle Arnaud. https://www.studiointernational.com/index.php/carmen-herrera-review-lisson-gallery-london https://www.studiointernational.com/images/articles/h/088-herrera-carmen-2017/LEfttoRight3REdTriangles_Nocturne_Sereno.jpg Carmen Herrera, installation view, Lisson Gallery, London, 24 November – 13 January 2018. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-herrera-carmen-2017/CarmenHerrera-Mountain-Drawing-(2017),-Courtesy-Lisson-Gallery.jpg Carmen Herrera. Mountain Drawing, 2017. Acrylic on canvas, 182.9 x 243.8 cm (72 x 96 in). © Carmen Herrera; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-herrera-carmen-2017/PavanneWithSereno(centre)andNocturne(left).jpg Carmen Herrera. Right: Pavanne, 1967/2017. 274.3 x 274.3 x 182.9 cm (108 x 108 x 72 in). Installation view, Lisson Gallery, London, 24 November – 13 January 2018. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-herrera-carmen-2017/CarmenHerreraCaminoRojo-(2017)-Courtesy-Lisson-Gallery.jpg Carmen Herrera. Camino Rojo, 2017. Acrylic on canvas, 152.4 x 152.4 cm (60 x 60 in). © Carmen Herrera; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-herrera-carmen-2017/Carmen-Herrera,-Nocturne-(2016)-Acrylic-on-canvas.jpg Carmen Herrera. Nocturne, 2016. Acrylic on canvas. © Carmen Herrera; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-herrera-carmen-2017/CarmeHerrera3RedTriangles(2016)Courtesy-Lisson-Gallery.jpg Carmen Herrera. 3 Red Triangles, 2016. Acrylic on canvas, 182.9 x 121.9 cm (72 x 48 in). © Carmen Herrera; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-herrera-carmen-2017/Drawing-for-Pavanne-(1967-2017).jpg Carmen Herrera. Drawing for Pavanne, 1967-2017. © Carmen Herrera; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-herrera-carmen-2017/HerreraPavanneAndPerson(scale).jpg Carmen Herrera. Pavanne, 1967/2017. 274.3 x 274.3 x 182.9 cm (108 x 108 x 72 in). © Carmen Herrera; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-herrera-carmen-2017/HerreraRightToLeft_MountainDrawing_Pavanne_Sereno_Nocturne.jpg Carmen Herrera, installation view, Lisson Gallery, London, 24 November – 13 January 2018. Courtesy Lisson Gallery. https://www.studiointernational.com/index.php/william-kentridge-interview-ursonate-performa-kurt-schwitters-dada-sigmund-freud-psychoanalysis https://www.studiointernational.com/images/articles/k/092-kentridge-william-2017/IMG_0824_William-Kentridge-Ursonate-Performa17-Photo-Paula-20Court_preview.jpg William Kentridge, Ursonate, 2017. St Thomas the Apostle Church, Harlem, New York. Courtesy of Performa. Photograph © Paula Court. https://www.studiointernational.com/images/articles/k/092-kentridge-william-2017/Kentridge-Ursonate-Photo-by-Adele-Eiseinstein-(1).jpg William Kentridge. Ursonate, 2017. St Thomas the Apostle Church, Harlem, New York. Photograph courtesy Adele Eisenstein. https://www.studiointernational.com/images/articles/k/092-kentridge-william-2017/Kentridge-Ursonate-Photo-by-Adele-Eiseinstein-(3).jpg William Kentridge. Ursonate, 2017. St Thomas the Apostle Church, Harlem, New York. Photograph courtesy Adele Eisenstein. https://www.studiointernational.com/images/articles/k/092-kentridge-william-2017/Kentridge-Ursonate-Photo-by-Adele-Eiseinstein-(4).jpg William Kentridge. Ursonate, 2017. St Thomas the Apostle Church, Harlem, New York. Photograph courtesy Adele Eisenstein. https://www.studiointernational.com/images/articles/k/092-kentridge-william-2017/IMG_1229_William-Kentridge-Ursonate-Performa17.jpg William Kentridge, Ursonate, 2017. St Thomas the Apostle Church, Harlem, New York. Courtesy of Performa. Photograph © Paula Court. https://www.studiointernational.com/images/articles/k/092-kentridge-william-2017/Kentridge-Ursonate-Photo-by-Adele-Eiseinstein-(2).jpg William Kentridge. Ursonate, 2017. St Thomas the Apostle Church, Harlem, New York. Photograph courtesy Adele Eisenstein. https://www.studiointernational.com/images/articles/k/092-kentridge-william-2017/Kentridge-Ursonate-Photo-by-Adele-Eiseinstein-(5).jpg William Kentridge. Ursonate, 2017. St Thomas the Apostle Church, Harlem, New York. Photograph courtesy Adele Eisenstein. https://www.studiointernational.com/index.php/nnenna-okore-interview-my-work-seeks-to-highlight-earths-vulnerability https://www.studiointernational.com/images/articles/o/099-okore-nnenna-2017/Nnenna-Okore,-Deeply-Rooted,-2017.jpg Nnenna Okore. Deeply Rooted, 2017. Cheesecloth, jute strings, dye and wire, 92 x 92 x 23 cm. Photograph: Jonathan Greet. Courtesy October Gallery, London. https://www.studiointernational.com/images/articles/o/099-okore-nnenna-2017/Nnenna-Okore,-Ethereal-Beauty,-2017.jpg Nnenna Okore. Ethereal Beauty, 2017. Cheesecloth, jute string, lace, dye and wire, 99 x 107 x 31 cm. Photograph: Jonathan Greet. Courtesy October Gallery, London. https://www.studiointernational.com/images/articles/o/099-okore-nnenna-2017/Nnenna-Okore,-Here-and-Now-2017.jpg Nnenna Okore. Here and Now. 2017. Cheesecloth, jute string, dye and wire, 209 x 203 x 33 cm. Photograph: Jonathan Greet. Courtesy October Gallery, London. https://www.studiointernational.com/images/articles/o/099-okore-nnenna-2017/Nnenna-Okore,-Hide,-2014.jpg Nnenna Okore. Hide, 2014. Ceramic and burlap, 216 x 280 x 31 cm. Courtesy October Gallery London. https://www.studiointernational.com/images/articles/o/099-okore-nnenna-2017/Nnenna-Okore,-Ihe-Di-Ife,-2017.jpg Nnenna Okore. Ihe Di Ife, 2017. Cheesecloth, burlap. jute strings. dye and wire, 127 x 173 x 23 cm. Photograph: Jonathan Greet. Courtesy October Gallery, London. https://www.studiointernational.com/images/articles/o/099-okore-nnenna-2017/Nnenna-Okore,-On-the-Long-Run,-2017.jpg Nnenna Okore. On the Long Run, 2017. Cheesecloth, burlap, jute strings, dye and wire, 127 x 117 x 38 cm. Photograph: Jonathan Greet. Courtesy October Gallery, London. https://www.studiointernational.com/images/articles/o/099-okore-nnenna-2017/Nnenna-Okore,-Unleashed,-2017.-Newspaper,-acrylic-paint-and-wire,-266-x-457-x-69-cm.-Photo-Jonthan-Greet.jpg Nnenna Okore. Unleashed, 2017. Newspaper, acrylic paint and wire, 266 x 457 x 69 cm. Photograph: Jonathan Greet. Courtesy October Gallery, London. https://www.studiointernational.com/images/articles/o/099-okore-nnenna-2017/Nnenna-Okore-photo-Jonathan-Greet.jpg Nnenna Okore. Photograph: Jonathan Greet. https://www.studiointernational.com/index.php/modigliani-review-tate-modern-london https://www.studiointernational.com/images/articles/m/095-modigliani-2017/ID153-Portrait-of-a-Young-Woman,-1918.jpg Amedeo Modigliani. Portrait of a Young Woman, 1918. Oil paint on canvas, 45.7 x 28 cm. Yale University Art Gallery. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/Juan-Gris,-1915.jpg Amedeo Modigliani. Juan Gris, 1915. Oil paint on canvas, 54.9 x 38.1 cm. The Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/ID147-Self-Portrait-as-Pierrot,-1915.jpg Amedeo Modigliani. Self-Portrait as Pierrot, 1915. Oil paint on cardboard, 43 x 27 cm. Statens Museum for Kunst, Copenhagen. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/ID26_Nude-1917.jpg Amedeo Modigliani. Nude, 1917. Oil paint on canvas, 89 x 146 cm. Private collection. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/Reclining-Nude,-1919.jpg Amedeo Modigliani. Reclining Nude, 1919. Oil on canvas, 72.4 x 116.5 cm. Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/Seated-Nude,-1917.jpg Amedeo Modigliani. Seated Nude, 1917. Oil paint on canvas, 114 x 74 cm. Royal Museum of Fine Arts Antwerp, Lukasart in Flanders Photograph: Hugo Maertens. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/ID29-Womans-Head-(With-Chignon),-1911-12.jpg Amedeo Modigliani. Woman https://www.studiointernational.com/images/articles/m/095-modigliani-2017/Jeanne-Hebuterne,-1919.jpg Amedeo Modigliani. Jeanne Hébuterne, 1919. Oil paint on canvas, 91.4 x 73 cm. The Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/Modigliani-in-his-studio.jpg Modigliani in his studio, photograph by Paul Guillaume, c1915. © RMN-Grand Palais (musée de l’Orangerie) I Archives Alain Bouret, image Dominique Couto. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/Amedeo-Modigliani-and-Nanic-Osterlind.jpg Amedeo Modigliani, Léopold Zborowski, Anders Osterlind and Nanic Osterlind, Haut-de-Cagnes 1919. Association Anders Osterlind. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/Beatrice-Hastings,-1915.jpg Amedeo Modigliani. Beatrice Hastings, 1915. Oil on paper, 40 x 28.5 cm. Private collection. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/Head,-c.jpg Amedeo Modigliani. Head, c1911. Medium Stone, 39.4 x 31.1 x 18.7 cm. Harvard Art Museums/Fogg Museum, Gift of Lois Orswell. © President and Fellows of Harvard College. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/ID102-Marie-1919.jpg Amedeo Modigliani. Marie (Marie, fille du peuple), 1918. Oil paint on canvas, 61.2 x 49.8 cm. Kunstmuseum Basel, Bequest Dr. Walther Hanhart, Riehen, 1975. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/ID112-Portrait-of-Paul-Guillaume,-Novo-Pilota,-1915.jpg Amedeo Modigliani. Portrait of Paul Guillaume, Novo Pilota, 1915. Oil paint on card mounted on cradled plywood, 123.5 x 92.5 x 10 cm. Musée de l’Orangerie, Paris. Collection Jean Walter and Paul Guillaume. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/ID36-Cagnes-Landscape,-1919.jpg Amedeo Modigliani. Cagnes Landscape, 1919. Oil paint on canvas, 46 x 29 cm. Private collection. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/ID90_Boy-in-Short-Pants-c.jpg Amedeo Modigliani. Boy in Short Pants, c1918. Oil paint on canvas, 99.7 x 64.8 cm. Dallas Museum of Art, gift of the Leland Fikes Foundation, Inc. 1977. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/Jacques-and-Berthe-Lipchitz,-1916.jpg Amedeo Modigliani. Jacques and Berthe Lipchitz, 1916. Oil on canvas, 81.3 x 54.3 cm. The Art Institute of Chicago. https://www.studiointernational.com/images/articles/m/095-modigliani-2017/The-Little-Peasant,-c.jpg Amedeo Modigliani. The Little Peasant, c1918. Oil paint on canvas, 100 x 64.5 cm. Tate, presented by Miss Jenny Blaker in memory of Hugh Blaker 1941. https://www.studiointernational.com/index.php/yayoi-kusama-museum-tokyo-opens-review https://www.studiointernational.com/images/articles/k/091-kusama-yayoi-2017/1F-Museum-Exterior.jpg Yayoi Kusama Museum, Bentencho, Shinjuku-ku. Exterior view, ground level. © Yayoi Kusama. https://www.studiointernational.com/images/articles/k/091-kusama-yayoi-2017/IMG_5411.jpg Yayoi Kusama. Midnight Sleep, Opessa, 2005 (detail). Silkscreen on canvas. © Yayoi Kusama. https://www.studiointernational.com/images/articles/k/091-kusama-yayoi-2017/3F-Gallery-Installation-View.jpg Yayoi Kusama Museum, 3rd floor gallery, installation view. © Yayoi Kusama. https://www.studiointernational.com/images/articles/k/091-kusama-yayoi-2017/IMG_5410.jpg Yayoi Kusama Museum, 2nd floor gallery, installation view. © Yayoi Kusama. https://www.studiointernational.com/images/articles/k/091-kusama-yayoi-2017/IMG_5416.jpg Yayoi Kusama Museum, 3rd floor gallery view, seen from the staircase. © Yayoi Kusama. https://www.studiointernational.com/images/articles/k/091-kusama-yayoi-2017/IMG_5409.jpg Yayoi Kusama Museum, 2nd floor gallery, installation view. © Yayoi Kusama. https://www.studiointernational.com/images/articles/k/091-kusama-yayoi-2017/IMG_5419.jpg Yayoi Kusama. Lovely Night, ABCTW, 2005 (detail). Silkscreen on canvas. © Yayoi Kusama. https://www.studiointernational.com/images/articles/k/091-kusama-yayoi-2017/Museum-exterior2-large.jpg Yayoi Kusama Museum. Exterior view. Photograph: Masahiro Tsuchido. © Yayoi Kusama. https://www.studiointernational.com/index.php/impulse-review-pace-gallery-london https://www.studiointernational.com/images/articles/i/098-impulse-2017/MorrisLouis-01.jpg Morris Louis. Plenitude, 1958. Acrylic resin (magna) on canvas 230.5 x 355.6 cm. Private collection, Norfolk. https://www.studiointernational.com/images/articles/i/098-impulse-2017/KennethNoland-01.jpg Kenneth Noland. Indo, 1977. Acrylic on canvas, 193.7 x 240 cm. https://www.studiointernational.com/images/articles/i/098-impulse-2017/Frank-Bowling-01.jpg Frank Bowling. Lenoraseas, 1976. Acrylic on canvas, 223 x 118 cm. The Sander Collection. https://www.studiointernational.com/images/articles/i/098-impulse-2017/EdClark-02.jpg Ed Clark. Chablis Blue #7, 1989. Acrylic on canvas, 139 x 178.3 x 3 cm. https://www.studiointernational.com/images/articles/i/098-impulse-2017/SamGilliam02.jpg Sam Gilliam. May III, 1972. Acrylic on canvas on bevelled stretcher, 137 x 279 cm. Private collection. https://www.studiointernational.com/images/articles/i/098-impulse-2017/SamGilliam-01.jpg Sam Gilliam. After Micro W #2, 1982. Acrylic on polyester, 114.3 x 172 x 22.9 cm. Private collection, Europe. https://www.studiointernational.com/images/articles/i/098-impulse-2017/SamGilliam.jpg Sam Gilliam, installation view, Impulse, Pace Gallery, London, 2017. https://www.studiointernational.com/images/articles/i/098-impulse-2017/EdClark.jpg Ed Clark, installation view, Impulse, Pace Gallery, London, 2017. https://www.studiointernational.com/images/articles/i/098-impulse-2017/EdClark-01.jpg Ed Clark. Untitled — Yucatan Series, 1977. Acrylic on canvas, 114.3 x 160 cm. https://www.studiointernational.com/images/articles/i/098-impulse-2017/Frank-Bowling.jpg Frank Bowling, installation view, Impulse, Pace Gallery, London, 2017. https://www.studiointernational.com/images/articles/i/098-impulse-2017/Frank-Bowling-02.jpg Frank Bowling. Curtain, 1974. Acrylic on canvas 93.9 x 119.3 cm. https://www.studiointernational.com/images/articles/i/098-impulse-2017/KennethNoland.jpg Kenneth Noland, installation view, Impulse, Pace Gallery, London, 2017. https://www.studiointernational.com/images/articles/i/098-impulse-2017/KennethNoland-02.jpg Kenneth Noland. Egyptian Cryptic, 1978. Acrylic on canvas, 251.5 x 111.8 cm. https://www.studiointernational.com/index.php/jeanne-mammen-the-observer-retrospective-1910-75-review-berlin https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Museum-Berlin_Jeanne-Mammen_Retrospektive_Kaschemme_1930.jpg Jeanne Mammen. Carnival in Berlin, NIII, c1930. Watercolour and pencil on paper, 44 x 33.5 cm. Museum of Modern Art, New York, © VG Bild-Kunst, Bonn 2017 / ARS New York, 2017, Repro: © The Museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Cafe-Reimann_um_1931.jpg Jeanne Mammen. Café Reimann, c1931. Watercolour and pencil on paper, 45.7 x 36.2 cm. The Morgan Library & Museum, New York. Bequest of Fred Ebb. © VG Bild-Kunst, Bonn 2017 / ARS New York, 2017, Repro: © The Morgan Library, New York. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Museum-Berlin_Jeanne-Mammen_Retrospektive_Zwei_Frauen_tanzend_um_1928.jpg Jeanne Mammen. Two Women, Dancing, c1928. Watercolour and pencil on paper, 48 x 36 cm. Private Collection, Berlin. © VG Bild-Kunst, Bonn 2017, Repro: © Volker-H. Schneider, Berlin. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Museum-Berlin_Jeanne-Mammen_Retrospektive_Sie_reprasentiert_um_1928.jpg Jeanne Mammen. She Represents (Carnival Scene), c1928. Watercolour and pencil on paper, 42 x 30.4 cm. Private collection. © VG Bild-Kunst, Bonn 2017, Repro: © Mathias Schormann. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Frau_mit_Pelzkragen_um_1931_reduced.jpg Jeanne Mammen. Woman with Fur Collar, c1931. Pencil on paper, 47 x 32 cm. Private Collection, Berlin, © VG Bild-Kunst, Bonn 2017, Repro: © Anja Elisabeth Witte. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/K-L-Haenchen_Jeanne-Mammen-mit-Plastiken_um-1946-47.jpg KL Haenchen. Jeanne Mammen in her studio in Berlin, c1946-1947. © Jeanne-Mammen-Foundation, Berlin. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Museum-Berlin_Jeanne-Mammen_Retrospektive_Kirche_auf_dem_Winterfeldtplatz_1939-43.jpg Jeanne Mammen. Church on Winterfeldtplatz, 1935-1940. Oil, embroidery canvas, paper and cakelace on cardboard, 101 x 72 cm. Berlinische Galerie, acquired from the Senator for Education, Berlin, © VG Bild-Kunst, Bonn 2017, Repro: © Kai-Annett Becker. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Museum-Berlin_Jeanne-Mammen_Retrospektive_Ostende_am_Strand_um_1926.jpg Jeanne Mammen. The Beach at Ostende, c1926. Watercolour and pencil on paper, 48.4 x 36.3 cm. Harvard Art Museums/Busch-Reisinger Museum, Gift of Mr and Mrs Edward Ruppert. © VG Bild-Kunst, Bonn 2017 / ARS New York, 2017, Repro: © President and Fellows of Harvard College/Imaging Department. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Museum-Berlin_Jeanne-Mammen_Retrospektive_Photogene_Monarchen_um_1967.jpg Jeanne Mammen. Photogenic Monarchs, c1967. Oil and tinfoil on cardboard, 148 x 99 cm. Loan from the Max Delbrück Center for Molecular Medicine in the Helmholtz Association in Berlin-Buch. © VG Bild-Kunst, Bonn 2017, Repro: © Jeanne-Mammen-Foundation, Berlin. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Museum-Berlin_Jeanne-Mammen_Retrospektive_Madchen_mit_Katze.jpg Jeanne Mammen. Girl with Cat, 1943. Tempera on cardboard, 100 x 70 cm. Private Collection, © VG Bild-Kunst, Bonn 2017, Repro: © Fotostudio Bartsch, Karen Bartsch, Berlin. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Jeanne_Mammen_Selbstbildnis_Jeanne_Mammen_um_1926.jpg Jeanne Mammen. Self-Portrait, c1926. Watercolour on paper, 32 x 22.8 cm. Jeanne-Mammen-Foundation, © VG Bild-Kunst, Bonn 2017, Repro: © Mathias Schormann. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Jeanne-Mammen-in-Berlin_um-1930_Fotograf-unbekannt.jpg Jeanne Mammen in Berlin, c1930. Unknown photographer. © Jeanne-Mammen-Foundation, Berlin. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Museum-Berlin_Jeanne-Mammen_Retrospektive_Die_Rothaarige_um_1928_BG.jpg Jeanne Mammen. The Red-Headed Woman (Thoughts at the Hairdresser’s), c1928. Watercolour and pencil on paper, 34.7 x 31 cm. Berlinische Galerie, © VG Bild-Kunst, Bonn 2017, Repro: © Kai-Anett Becker. https://www.studiointernational.com/images/articles/m/093-mammen-jeanne-2017/Museum-Berlin_Jeanne-Mammen_Retrospektive_Grobstadt_um_1927_oR.jpg Jeanne Mammen. The City, c1927. Watercolour and pencil on paper, 27.5 x 21 cm. © VG Bild-Kunst, Bonn 2017, Repro: © Kai-Annett Becker. https://www.studiointernational.com/index.php/bass-museum-of-art-miami-beach-reopening https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/TheBass_exterior-Photo-by-RobinHill-(c)_1.jpg The Bass in Miami Beach. Photograph: Robin Hill / Courtesy of The Bass. https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Web_15-Photo-by-Zachary-Balber.jpg View of the The Bass https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Bass-5_Print-Photo-by-Zachary-Balber.jpg View of the new courtyard at The Bass. Photograph: Zachary Balber. Courtesy of The Bass, Miami Beach. https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Bass-4_Web-Photo-by-Zachary-Balber.jpg View of the new lobby and Pascale Marthine Tayou https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Web_05-Photo-by-Zachary-Balber.jpg View of the new Waterview Classroom at The Bass Creativity Center. Photograph: Zachary Balber. Courtesy of The Bass, Miami Beach. https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Bass-16_Web-Photo-by-Zachary-Balber.jpg Installation view of Pascale Marthine Tayou https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Bass1-Photo-by-Zachary-Balber.jpg Installation view of Ugo Rondinone https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Bass5-Photo-by-Zachary-Balber.jpg Installation view of Ugo Rondinone https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Bass-1_Web-Photo-by-Zachary-Balber.jpg The Bass, Miami Beach. View of the historic 1930s structure designed by Russell Pancoast. Image courtesy of The Bass, Miami Beach. Photograph © Robin Hill. https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Bass-15_Web-Photo-by-Zachary-Balber.jpg Installation view of Pascale Marthine Tayou's exhibition Beautiful. Photograph: Zachary Balber. Courtesy of The Bass, Miami Beach. https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Bass3-Photo-by-Zachary-Balber.jpg Installation view of Ugo Rondinone's exhibition Good Evening Beautiful Blue. Photograph: Zachary Balber. Courtesy of the artist and The Bass, Miami Beach. https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Web_27-Photo-by-Zachary-Balber.jpg View of the new Rotunda Classroom at The Bass Creativity Center. Photograph: Zachary Balber. Courtesy of The Bass, Miami Beach. https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Bass-7_Web-Photo-by-Zachary-Balber.jpg View of recent acquisitions on view at The Bass. Photograph: Zachary Balber. Courtesy of The Bass, Miami Beach. https://www.studiointernational.com/images/articles/b/083-bass-museum-2017/Silvia-Staircase-Portriat-1.jpg Silvia Karman Cubiñá, Executive Director and Chief Curator, The Bass. Photograph: Zachary Balber. https://www.studiointernational.com/index.php/john-stezaker-interview-i-was-trying-to-create-a-sort-of-photographic-cubism https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_008.jpg John Stezaker. Enter... (Exit)... The 3rd Person... V, 1977. Collage, 6.97 x 11.32 in (17.7 x 28.75 cm). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_015.jpg John Stezaker. https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_020.jpg John Stezaker. Kiss II (Photoroman), 1978. Collage, 4.96 x 8.5 in (12.6 x 21.6 cm). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_025.jpg John Stezaker. Enter... (Exit)... The 3rd Person... VI, 1977. Collage, 6.65 x 8.58 in (16.9 x 21.8 cm). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_036.jpg John Stezaker. End II (Photoroman), 1978. Collage, 6.22 x 10.31 in (15.8 x 26.2 cm). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_038.jpg John Stezaker. Untitled (Photoroman), c1979. Collage, 8.43 x 16.06 in (21.4 x 40.8 cm). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_003.jpg John Stezaker. Untitled (Photoroman), 1977. Collage. Diptych paper: (left) 9 x 9in (22.8cm x 23.2 cm); (right) 10.75 x 9.75 in (27.2cm x 24.7cm). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_006.jpg John Stezaker. Kiss I (Photoroman), 1976. Collage, 5.71 x 5.16 in (14.5 x 13.1 cm). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_029.jpg John Stezaker. The Word Made Flesh IV (Photoroman), 1977-78. Collage, 3.66 x 3.07 in (9.3 x 7.8 cm). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/images/articles/s/088-stezaker-john-2017/JST-17_002.jpg John Stezaker. The Voyeur I (Photoroman), 1976. Collage, 5.94 x 3.7 in (15.1 x 9.4 cm). Courtesy of the artist and Petzel, New York. https://www.studiointernational.com/index.php/carolee-schneemann-kinetic-painting-review-moma https://www.studiointernational.com/images/articles/s/087-schneeman-carolee-2017/7_Carolee-Schneemann_Up-to-and-Including-Her-Limits_1996-1997.jpg Carolee Schneemann. Up to and Including Her Limits, 1996-97. Exhibition view. The New Museum of Contemporary Art, New York, US, 1996-97. © 2017 Carolee Schneemann. https://www.studiointernational.com/images/articles/s/087-schneeman-carolee-2017/4_Carolee-Schneemann_Up-to-and-Including-Her-Limits_1973.jpg Carolee Schneemann. Up to and Including Her Limits. 1973-76. Crayon on paper, rope, harness, Super 8mm film projector, video (colour, sound; 29 min.), and six monitors. Dimensions variable. The Museum of Modern Art, New York, Committee on Drawings Funds and Committee on Media and Performance Art Funds, 2012. © 2017 Carolee Schneemann. Courtesy the artist, P.P.O.W, and Galerie Lelong, New York. https://www.studiointernational.com/images/articles/s/087-schneeman-carolee-2017/9_Carolee-Schneemann_Flange-6rmp_2011-2013.jpg Carolee Schneemann. Flange 6rpm, 2011-13. Seven foundry-poured aluminium sculptures, motors (6 rpm), and video (colour, silent). Dimensions variable. © 2017 Carolee Schneemann. Courtesy the artist, P.P.O.W, and Galerie Lelong, New York. https://www.studiointernational.com/images/articles/s/087-schneeman-carolee-2017/11_Carolee-Schneemann_Native-Beauties_1962-1964.jpg Carolee Schneemann. Native Beauties, 1962-64. Wooden box, photographs, Limoges cup, bones, dead bird, oil paint, glass shards, twig, paper, and wood, 26 x 41 x 5 ½ in (66 x 104.1 x 20 cm). © 2017 Carolee Schneemann. Courtesy the artist, P.P.O.W, and Galerie Lelong, New York. https://www.studiointernational.com/images/articles/s/087-schneeman-carolee-2017/3_0E9A2398.jpg Installation view of Carolee Schneemann: Kinetic Painting, MoMA PS1, New York, October 22, 2017 to March 11, 2018. Image courtesy MoMA PS1. Photograph: Pablo Enriquez. https://www.studiointernational.com/images/articles/s/087-schneeman-carolee-2017/7_0E9A3118.jpg Installation view of Carolee Schneemann: Kinetic Painting, MoMA PS1, New York, October 22, 2017 to March 11, 2018. Image courtesy MoMA PS1. Photograph: Pablo Enriquez. https://www.studiointernational.com/index.php/shirazeh-houshiary-interview-the-only-real-border-is-our-skin https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/Shirazeh-Houshiary-installation-view-1.jpg Installation view of Shirazeh Houshiary: Nothing is deeper than the skin at Lisson Gallery New York. © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/HOUS170010.jpg Shirazeh Houshiary. The Ebb, 2017. Glass and mirror-polished stainless steel, 53 1/8 x 46 1/2 x 46 1/2 in (135 x 118 x 118 cm). © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/HOUS160012.jpg Shirazeh Houshiary. Genesis, 2016. Pigment and pencil on black aquacryl on aluminium, 74 3/4 x 212 5/8 in (190 x 540 cm). © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/HOUS160011.jpg Shirazeh Houshiary. Phase, 2016. Pigment and pencil on white aquacryl on aluminium, 74 3/4 x 106 1/4 in (190 x 270 cm). © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/Shirazeh-Houshiary-installation-view-4.jpg Installation view of Shirazeh Houshiary: Nothing is deeper than the skin at Lisson Gallery New York. © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/HOUS160017.jpg Shirazeh Houshiary. Exuviae, 2016-2017. Glass and mirror-polished stainless steel, 112 1/4 x 14 5/8 x 15 in (285 x 37 x 28 cm). © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/HOUS170007.jpg Shirazeh Houshiary. Flit, 2017. Pencil and pigment on white Aquacryl on canvas and aluminium 74 3/4 x 318 7/8 in (190 x 810 cm). © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/Shirazeh-Houshiary_Portrait-by-Dave-Morgan.jpg Shirazeh Houshiary. Photograph: Dave Morgan. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/HOUS160012_Detail-2.jpg Shirazeh Houshiary. Genesis, 2016 (detail). Pigment and pencil on black aquacryl on aluminium, 74 3/4 x 212 5/8 in (190 x 540 cm). © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/HOUS170007_Detail-2.jpg Shirazeh Houshiary. Flit, 2017 (detail). Pencil and pigment on white Aquacryl on canvas and aluminium 74 3/4 x 318 7/8 in (190 x 810 cm). © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/HOUS170010_3.jpg Shirazeh Houshiary. The Ebb, 2017. Glass and mirror-polished stainless steel, 53 1/8 x 46 1/2 x 46 1/2 in (135 x 118 x 118 cm). © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/Shirazeh-Houshiary-installation-view-6.jpg Installation view of Shirazeh Houshiary: Nothing is deeper than the skin at Lisson Gallery New York. © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/h/088-houshiary-shirazeh-2017/Shirazeh-Houshiary-installation-view-3.jpg Installation view of Shirazeh Houshiary: Nothing is deeper than the skin at Lisson Gallery New York. © Shirazeh Houshiary; Courtesy Lisson Gallery. https://www.studiointernational.com/index.php/non-games-jasia-reichardt https://www.studiointernational.com/images/articles/n/non-games-03-1968/SI1968-March-cover.jpg Studio International, Vol 175, No 898, March 1968 https://www.studiointernational.com/images/articles/n/non-games-03-1968/SI-March1968-pg110.jpg Non-games by Jasia Reichardt. Studio International, Vol 175, No 898, March 1968, p. 110. https://www.studiointernational.com/images/articles/n/non-games-03-1968/SI-March1968-pg111.jpg Non-games by Jasia Reichardt. Studio International, Vol 175, No 898, March 1968, p. 111. https://www.studiointernational.com/images/articles/n/non-games-03-1968/SI-March1968-pg110-fig1.jpg Endpaper from Herman de Vries' Wit (Weiss). Non-games by Jasia Reichardt. Studio International, Vol 175, No 898, March 1968, p. 110. https://www.studiointernational.com/images/articles/n/non-games-03-1968/SI-March1968-pg111-fig2.jpg Card from a set of 52 by George Brecht, published by 'Fluxus'. Studio International, Vol 175, No 898, March 1968, p. 111. https://www.studiointernational.com/images/articles/n/non-games-03-1968/SI-March1968-pg111-fig3.jpg Card from a set of 52 by George Brecht, published by 'Fluxus'. Studio International, Vol 175, No 898, March 1968, p. 111. https://www.studiointernational.com/index.php/no-tension-in-machines-dore-ashton https://www.studiointernational.com/images/articles/n/no-tensions-in-machines-10-1964/studio-oct1964-cover.jpg Studio International, Vol 168, No. 858, October, 1964. https://www.studiointernational.com/images/articles/n/no-tensions-in-machines-10-1964/studio-oct1964-p182.jpg No tension in machines. New York Commentary by Dore Ashton. Studio International, Vol 168, No. 858, October, 1964, p 182. https://www.studiointernational.com/images/articles/n/no-tensions-in-machines-10-1964/studio-oct1964-p183.jpg No tension in machines. New York Commentary by Dore Ashton. Studio International, Vol 168, No. 858, October, 1964, p 183. https://www.studiointernational.com/index.php/computer-art-jasia-reichardt https://www.studiointernational.com/images/articles/c/computer-art-05-1967/SI1967-May-cover.jpg Studio International, Vol. 173, No. 889, May 1967, pp 222-223 https://www.studiointernational.com/images/articles/c/computer-art-05-1967/pg20170504_0321.jpg Computer art. Comment by Jasia Reichardt. Studio International, Vol. 173, No. 889, May 1967, pp 222. https://www.studiointernational.com/images/articles/c/computer-art-05-1967/pg20170504_0322.jpg Computer art. Comment by Jasia Reichardt. Studio International, Vol. 173, No. 889, May 1967, page 223. https://www.studiointernational.com/images/articles/c/computer-art-05-1967/pg20170504_0322-fig1.jpg Computer graphic by Frieder Nake, Stuttgart, the prize winning entry of the annual computer art contest organized by Computers and Automation in 1966. Computer art. Comment by Jasia Reichardt. Studio International, Vol. 173, No. 889, May 1967, page 223. https://www.studiointernational.com/images/articles/c/computer-art-05-1967/pg20170504_0322-fig2.jpg Ellipse by L. W. Barnum, made on CalComp 565. This elliptical figure was made by accident with a computer-driven graphic plotter during a study of digitally-generated Lissajous figures. Computer art. Comment by Jasia Reichardt. Studio International, Vol. 173, No. 889, May 1967, page 223. https://www.studiointernational.com/index.php/on-art-and-technology-monique-fong https://www.studiointernational.com/images/articles/o/on-art-and-technology-01-1969/JAN1969-pg20170522_0003.jpg Studio International, Vol 177, No 907, January 1969 https://www.studiointernational.com/images/articles/o/on-art-and-technology-01-1969/pg5-20170522_0019.jpg Studio International, Vol 177, No 907, January 1969. p5. https://www.studiointernational.com/images/articles/o/on-art-and-technology-01-1969/pg6-20170522_0020.jpg Studio International, Vol 177, No 907, January 1969, p6. https://www.studiointernational.com/index.php/art-basel-miami-beach-2017-review https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/Ebony.JPG Ebony G. Patterson. Wi oh so clean. From the Family Series, Mixed media photo tapestry, with flowers. Installed at Untitled. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/AmySherald-portrait.jpg Amy Sherald. Portrait of a young girl. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/jonathan-meese.jpg Jonathan Meese. Dr. Loch Nessie Lebt Auf Dem Mond, 2017. Oil, acrylic, acrylic modelling paste, Caparol-dispersion binder, acrylic gel, acrylic paste and mixed media on canvas, 106 7/16 x 71 x 1 5/16 in. David Nolan, New York. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/ceramic-works-2.jpg Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/TonyGum-Milk-the-Bok.jpg Tony Gum. Milk the Bok. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/garbage-wall-640.jpg Gordon Matta-Clark. Garbage Wall (installation at David Zwirner Gallery), 1970/1999. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/los-carpinteros-2.jpg Los Carpinteros. Huracán (Hurricane), 2017. Bronze, 210 x 160 x 40 cm. Galerie Peter Kilchmann, Zurich. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/mary-corse.jpg Mary Corse. Untitled, 2017. Acrylic squares and glass microspheres in acrylic on canvas, 72 x 114 in. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/Lee-Krasner-27Sun-Woman-12c-1957.jpg Lee Krasner. Sun Woman 1 (detail), 1957. Oil on canvas. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/sean-scully.jpg Sean Scully. Landline That Pink, 2017. Oil on aluminium, 216 x 190.5 x 5 cm. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/Wiley-and-Shonibare.jpg Kehinde Wiley and Yinke Shonibare. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/tom-wesselmann.jpg Tom Wesselmann. Handsome Eddy (A25), 1997. Oil on canvas, 177.8 x 177.8 x 20.3 cm. Galerie Hans Mayer. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/a/094-art-basel-miami-2017/IMG_9501.jpg Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/rose-wylie-quack-quack-review-serpentine-sackler-gallery-london https://www.studiointernational.com/images/articles/w/097-wylie-rose-2017/1.jpg Rose Wylie, Rosemount (Coloured), 1999. Oil on canvas, 186 × 378 cm. Courtesy of REGINA Gallery, Moscow. https://www.studiointernational.com/images/articles/w/097-wylie-rose-2017/2.jpg Rose Wylie, Park Dogs & Air Raid, 2017. Oil on canvas, 393 × 331 cm. Courtesy of the artist and David Zwirner, London. https://www.studiointernational.com/images/articles/w/097-wylie-rose-2017/8.jpg Rose Wylie, Yellow Strip. 2006. Installation view. Oil and chalk on canvas, 183 × 777 cm. Courtesy of the artist. © Mike Din. https://www.studiointernational.com/images/articles/w/097-wylie-rose-2017/5.jpg Rose Wylie, Kill Bill (Film Notes), 2007. Installation view. Oil on canvas, 180 × 308 cm. Courtesy of Private Collection. © Mike Din. https://www.studiointernational.com/images/articles/w/097-wylie-rose-2017/7.jpg Rose Wylie, Black Strap (Eyelashes), 2014. Oil on canvas, 184 × 326 cm, and NK (Syracuse Line-up), 2014. Oil on canvas, 185 x 333. Installation view. Both courtesy of Private Collection. © Mike Din. https://www.studiointernational.com/images/articles/w/097-wylie-rose-2017/6.jpg Rose Wylie, Jack Goes Swimming (Jack), 2013 (detail). Oil on canvas, 207 x 168 cm. Courtesy of Private Collection. https://www.studiointernational.com/images/articles/w/097-wylie-rose-2017/3.jpg Rose Wylie, ER & ET, 2011. Oil on canvas, 182 × 344 cm. Courtesy of Morten Viskum Collection. https://www.studiointernational.com/images/articles/w/097-wylie-rose-2017/4.jpg Rose Wylie, Red Twink and Ivy, 2002. Oil on canvas, 183 × 504 cm. Courtesy of the artist. https://www.studiointernational.com/index.php/cybernetic-serendipity-correspondence https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-10-1968/Oct1968-pg20170522_0169.jpg Studio International, Volume 176, Number 904, October 1968. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-10-1968/pg127-20170522_0194.jpg Studio International, Volume 176, Number 904, October 1968. p. 127 https://www.studiointernational.com/index.php/cybernetic-serendipity-getting-rid-of-preconceptions-jasia-reichardt https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-11-1968/Nov1968-g20170522_0241.jpg Studio International, Vol 176, No 905, November 1968. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-11-1968/pg20170522_0258.jpg Studio International, Vol 176, No 905, November 1968, p. 176. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-11-1968/pg20170522_0259.jpg Studio International, Vol 176, No 905, November 1968, p. 177. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-11-1968/fig1.jpg Installation shots of the Cybernetic Serendipity exhibition at the Institute of Contemporary Arts. 'Cybernetic Serendipity'—Getting rid of preconceptions. Studio International, Vol 176, No 905, November 1968, p. 176. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-11-1968/fig2.jpg Installation shots of the Cybernetic Serendipity exhibition at the Institute of Contemporary Arts. 'Cybernetic Serendipity'—Getting rid of preconceptions. Studio International, Vol 176, No 905, November 1968, p. 177. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-11-1968/fig3.jpg Installation shots of the Cybernetic Serendipity exhibition at the Institute of Contemporary Arts. 'Cybernetic Serendipity'—Getting rid of preconceptions. Studio International, Vol 176, No 905, November 1968, p. 177. https://www.studiointernational.com/index.php/technology-and-art https://www.studiointernational.com/images/articles/t/technology-and-art-03-1969/pg20170522_0139MB.jpg Studio International, Vol 177, No 909, March 1969. https://www.studiointernational.com/images/articles/t/technology-and-art-03-1969/News-and-comment-Technology-and-art_2.jpg Studio International, Vol 177, No 909, March 1969, p. 112. https://www.studiointernational.com/index.php/the-cybernetic-sculpture-of-tsai-wen-ying https://www.studiointernational.com/images/articles/c/cybernetic-sculpture-tsai-03-1969/March1969-pg20170522_0139MB.jpg Studio International, Vol 177, No 909, March 1969. https://www.studiointernational.com/images/articles/c/cybernetic-sculpture-tsai-03-1969/pg20170522_0182.jpg The cybernetic sculpture of Tsai Wen-ying. Studio International, Vol 177, No 909, March 1969. p. 126. https://www.studiointernational.com/images/articles/c/cybernetic-sculpture-tsai-03-1969/pg20170522_0183.jpg The cybernetic sculpture of Tsai Wen-ying. Studio International, Vol 177, No 909, March 1969. p. 127. https://www.studiointernational.com/images/articles/c/cybernetic-sculpture-tsai-03-1969/pg20170522_0184.jpg The cybernetic sculpture of Tsai Wen-ying. Studio International, Vol 177, No 909, March 1969. p. 128. https://www.studiointernational.com/images/articles/c/cybernetic-sculpture-tsai-03-1969/pg20170522_0185.jpg The cybernetic sculpture of Tsai Wen-ying. Studio International, Vol 177, No 909, March 1969. p. 129. https://www.studiointernational.com/index.php/music-from-the-balconies-ed-ruscha-and-los-angeles https://www.studiointernational.com/images/articles/r/091-ruscha-ed-2017/Pool-no1,-1968-1997.jpg Ed Ruscha. Pool #1, 1968 / 1997. Colour photograph, 39.4 x 39.4 cm. Collection: Scottish National Gallery of Modern Art. Artist Rooms National Galleries of Scotland and Tate. Lent by the Artist Rooms Foundation 2011. © Ed Ruscha. https://www.studiointernational.com/images/articles/r/091-ruscha-ed-2017/Pool-no2,-1968-1997.jpg Ed Ruscha. Pool #2, 1968 / 1997. Colour photograph, 39.4 x 39.4 cm. Collection: Scottish National Gallery of Modern Art. Artist Rooms National Galleries of Scotland and Tate. Lent by the Artist Rooms Foundation 2011. © Ed Ruscha. https://www.studiointernational.com/images/articles/r/091-ruscha-ed-2017/Pool-no8,-1968-1997.jpg Ed Ruscha. Pool #8, 1968 / 1997. Colour photograph, 39.4 x 39.4 cm. Collection: Scottish National Gallery of Modern Art. Artist Rooms National Galleries of Scotland and Tate. Lent by the Artist Rooms Foundation 2011. © Ed Ruscha. https://www.studiointernational.com/images/articles/r/091-ruscha-ed-2017/Radio,-1962.jpg Ed Ruscha. Radio, 1962. Drawing, pencil and acrylic on paper, 24 x 27.2 cm. Collection: Scottish National Gallery of Modern Art, presented by the artist through the Art Fund, 2005. © Ed Ruscha. https://www.studiointernational.com/images/articles/r/091-ruscha-ed-2017/HONK,-1962.jpg Ed Ruscha. HONK, 1962. Drawing, acrylic paint on paper, 27.9 x 35.2 cm. Collection: Scottish National Gallery of Modern Art. Artist Rooms National Galleries of Scotland and Tate. Acquired jointly through The d https://www.studiointernational.com/images/articles/r/091-ruscha-ed-2017/The-Music-from-the-Balconies,-1984.jpg Ed Ruscha. The Music from the Balconies, 1984. Oil paint on canvas, 251.5 x 205.7 cm. Collection: Scottish National Gallery of Modern Art. Artist Rooms National Galleries of Scotland and Tate. Presented by the artist 2009. © Ed Ruscha. https://www.studiointernational.com/images/articles/r/091-ruscha-ed-2017/DAILY-PLANET,-2003.jpg Ed Ruscha. DAILY PLANET, 2003. Painting, acrylic paint on canvas, 152.9 x 152.9 X 4 cm. Collection: Scottish National Gallery of Modern Art. Artist Rooms National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008. © Ed Ruscha. https://www.studiointernational.com/images/articles/r/091-ruscha-ed-2017/Standard-Study-3,-1963.jpg Ed Ruscha. Standard Study #3, 1963. Drawing, tempera and ink on paper, 27.9 x 45.7 cm. Collection: Scottish National Gallery of Modern Art. Artist Rooms National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008. © Ed Ruscha. https://www.studiointernational.com/index.php/koken-ergun-interview-i-soldier https://www.studiointernational.com/images/articles/e/094-ergun-koken-2017/I-Soldier-film-still-01.jpg Köken Ergun. I, Soldier (Ben Askerim), 2005 (video still). Two-channel-video. © Köken Ergun. https://www.studiointernational.com/images/articles/e/094-ergun-koken-2017/I-Soldier-film-still-02.jpg Köken Ergun. I, Soldier (Ben Askerim), 2005 (video still). Two-channel-video. © Köken Ergun. https://www.studiointernational.com/images/articles/e/094-ergun-koken-2017/I-Soldier-film-still-03.jpg Köken Ergun. I, Soldier (Ben Askerim), 2005 (video still). Two-channel-video. © Köken Ergun. https://www.studiointernational.com/images/articles/e/094-ergun-koken-2017/I-Soldier-film-still-05.jpg Köken Ergun. I, Soldier (Ben Askerim), 2005 (video still). Two-channel-video. © Köken Ergun. https://www.studiointernational.com/images/articles/e/094-ergun-koken-2017/Photo-by-A-Donnikov-Garage-Museum-of-Contemporary-Art-Moscow.jpg Köken Ergun. Photograph: A Donnikov © Garage Museum of Contemporary Art, Moscow. https://www.studiointernational.com/index.php/revoliutsiia-demonstratsiia-soviet-art-put-to-the-test-review-art-institute-of-chicago https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Installation-4.jpg Revolutsiia! Demonstratsiia!, 2017. Courtesy of the Art Institute of Chicago. https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Fig-2-Stenberg.jpg Vladimir Stenberg and Georgii Stenberg. The Mirror of Soviet Society, cover for Red Field, no. 19 (May 1928). Ne boltai! Collection. Art © Estate of Vladimir and Georgii Stenberg/RAO, Moscow/VAGA, New York. https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Fig-4-Danko.jpg Natal’ia Dan’ko. Policewoman, 1920s. Collection of Vladimir Tsarenkov. https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Fig-5-Shaikhet.jpg Arkadii Shaikhet. Lenin’s Light Bulb, 1925. The Art Institute of Chicago, restricted gift of Joyce Chelberg. © Arkadii Shaikhet Estate, courtesy of Nailya Alexander Gallery, New York. https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Fig-3-Lissitzky.jpg El Lissitzky. Beat the Whites with the Red Wedge, 1920. Ne boltai! Collection. https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Installation-1.jpg Revolutsiia! Demonstratsiia!, 2017. Courtesy of the Art Institute of Chicago. https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Installation-3.jpg Revolutsiia! Demonstratsiia!, 2017. Courtesy of the Art Institute of Chicago. https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Installation-2.jpg Revolutsiia! Demonstratsiia!, 2017. Courtesy of the Art Institute of Chicago. https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Fig-1-Malevich.jpg Kazimir Malevich. Painterly Realism of a Football Player—Color Masses in the 4th Dimension, 1915. The Art Institute of Chicago, through prior gifts of Charles H. and Mary F. S. Worcester Collection; Mrs. Albert D. Lasker in memory of her husband, Albert D. Lasker; and Mr. and Mrs. Lewis Larned Coburn Memorial Collection. https://www.studiointernational.com/images/articles/r/090-Revoliutsiia-2017/Fig-6-Lissitzky.jpg El Lissitzky. Photomontage for the International Hygiene Exhibition, Dresden, 1930. Alex Lachmann collection. https://www.studiointernational.com/index.php/cybernetic-serendipity-50th-anniversary https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/CS1968-frontcover-1200wide.jpg Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968. Cover design by Franciszka Themerson. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0042.jpg Five-year guaranty (featuring Nam June Paik) by Norman Bauman. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 42. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/SacklerColloquium_Poster_1200pixwide.jpg Creativity and Collaboration: Revisiting Cybernetic Serendipity. Arthur M. Sackler Colloquia of the National Academy of Sciences, Washington DC. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0003.jpg Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, contents page. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0004.jpg Jasia Reichardt. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 4. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0008.jpg Cartoon by Norman Toynton. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 8. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0013.jpg Highlights of the history and technology of computers from 1890 to the present. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 13. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0024.jpg Extract from ‘A year from monday’ by John Cage. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 24. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0033.jpg Computer Dance: Computer-programmed choreography. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 33. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0034.jpg Machines and environments: The colloquy of mobiles by Gordon Pask. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 34. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0038.jpg Sound-activated mobile & On the human predicament. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 38. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0044.jpg Cybernetic light tower. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 44. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0050.jpg The Henry drawing computer by D.P. Henry. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 50. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0053.jpg Computer poems an texts by Marc Adrian. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 53. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0063.jpg Computer paintings - Computer paintings of Lowell Nesbitt by Henry Martin. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 63. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0068.jpg Computer-animated movies by Kenneth C. Knowlton. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 68. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0074.jpg A subjective comparison of Piet Mondrian’s ‘Composition with lines’ 1917 by A. Michael Noll. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 74. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0079.jpg Programming stochastic computer graphics by Georg Need. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 79. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0080.jpg Bugs and patterns by Donald K. Robbins and Leigh Hendricks. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 80. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0089.jpg Boeing computer graphics. Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, 1968, page 89. https://www.studiointernational.com/index.php/museum-gift-of-the-year-the-tibetan-buddhist-shrine https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9660-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9632-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9625-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9617-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9673-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9657-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9664-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9668-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9670-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/DSC09059-s.jpg Dr. Alice Kandell and Dame Jillian Sackler inside the Kandell Tibetan Shrine Room at the Arthur M. Sackler Gallery. Photograph by Miguel Benavides. https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9622-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph by Miguel Benavides https://www.studiointernational.com/index.php/technology-and-art-8-the-prehistory-of-the-visible https://www.studiointernational.com/images/articles/t/technology-and-art-8-11-1969/Nov1969-pg20170523_0218MB.jpg Studio International, Vol 177, No 911, November 1969. https://www.studiointernational.com/images/articles/t/technology-and-art-8-11-1969/Technology-and-art-8-1200.jpg Technology and Art. Studio International, Vol 177, No 911, November 1969, p. 212 https://www.studiointernational.com/index.php/technology-and-art-4-symbiotic-art https://www.studiointernational.com/images/articles/t/technology-and-art-4-06-1969/June1969-pg20170523_0079MB1200.jpg Studio International, Vol 177, No 912, June 1969. https://www.studiointernational.com/images/articles/t/technology-and-art-4-06-1969/Technology-and-art-4-1200.jpg Technology and art 4: SYMBIOTIC ART. Studio International, Vol 177, No 912, June 1969, p. 260 https://www.studiointernational.com/index.php/louvre-abu-dhabi-by-jean-nouvel https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/1-Louvre-Abu-Dhabi-Germination-by-Giuseppe-Penone-Louvre-Abu-Dhabi-Photography-Roland-Halbe-(1).jpg Louvre Abu Dhabi, Germination by Giuseppe Penone. © Louvre Abu Dhabi, Photograph: Roland Halbe. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/3-Louvre-Abu-Dhabi-Ottoman-mosaic-pavement-Louvre-Abu-Dhabi-Photography-Roland-Halbe.jpg Louvre Abu Dhabi, Ottoman mosaic pavement. © Louvre Abu Dhabi, Photograph: Roland Halbe. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/3-Louvre-Abu-Dhabi.jpg Louvre Abu Dhabi’s plaza. © Louvre Abu Dhabi, Photograph: Mohamed Somji. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/4-Louvre-Abu-Dhabi.jpg Louvre Abu Dhabi. View overlooking the sea. © Louvre Abu Dhabi, Photograph: Mohamed Somji. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/7-Louvre-Abu-Dhabi-Rain-of-light-Louvre-Abu-Dhabi-Photography-Roland-Halbe.jpg Louvre Abu Dhabi, Rain of light. © Louvre Abu Dhabi. Photograph: Roland Halbe. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/11-Louvre-Abu-Dhabi-Challenging-Modernity-Louvre-Abu-Dhabi-Photo-Marc-Domage.jpg Louvre Abu Dhabi, Challenging Modernity. © Louvre Abu Dhabi, Photograph: Marc Domage. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/1-Louvre-Abu-Dhabi-The-Great-Vestibule-Louvre-Abu-Dhabi.jpg Louvre Abu Dhabi, The Great Vestibule. © Louvre Abu Dhabi, Photograph: Marc Domage. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/9-Louvre-Abu-Dhabi-The-World-in-Perspective-Louvre-Abu-Dhabi.jpg Louvre Abu Dhabi, The World in Perspective. © Louvre Abu Dhabi. Photograph: Marc Domage. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/13-Jenny-Holzer.jpg Jenny Holzer. For Louvre Abu Dhabi, 2017. © Louvre Abu Dhabi. Photograph: Marc Domage. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/12-Louvre-Abu-Dhabi-Ai-Weiwei,-Fountain-of-Light-(2016)-Louvre-Abu-Dhabi-Photo-Marc-Domage.jpg Ai Weiwei, Fountain of Light, 2016. © Louvre Abu Dhabi. Photograph: Marc Domage. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/10-Louvre-Abu-Dhabi-Leonardo-da-Vinci,-La-Belle-Ferroniere,-musee-du-Louvre.jpg Leonardo da Vinci, La Belle Ferroniere, musée du Louvre. © Louvre Abu Dhabi, MD. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/2-Louvre-Abu-Dhabi-Exterior-view-Louvre-Abu-Dhabi-Photography-Roland-Halbe.jpg Louvre Abu Dhabi, Exterior view © Louvre Abu Dhabi. Photograph: Roland Halbe. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/4-Louvre-Abu-Dhabi-The-First-Villages,-Bactrian-Princess-Louvre-Abu-Dhabi.jpg Louvre Abu Dhabi, The First Villages, Bactrian Princess. © Louvre Abu Dhabi. Photograph: Marc Domage. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/5-The-First-Great-Powers,-Sarcophagus-of-Princess-Henuttawy-Louvre-Abu-Dhabi.jpg The First Great Powers, Sarcophagus of Princess Henuttawy. © Louvre Abu Dhabi. Photograph: Marc Domage. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/7-Louvre-Abu-Dhabi-Civilisations-and-Empires-Louvre-Abu-Dhabi.jpg Louvre Abu Dhabi, Civilisations and Empires. © Louvre Abu Dhabi. Photograph: Marc Domage. https://www.studiointernational.com/images/articles/l/094-louvre-abu-dhabi-2017/8-Louvre-Abu-Dhabi-A-modern-world-Louvre-Abu-Dhabi.jpg Louvre Abu Dhabi, A modern world. © Louvre Abu Dhabi. Photograph: Marc Domage. https://www.studiointernational.com/index.php/technology-and-art-5 https://www.studiointernational.com/images/articles/t/technology-and-art-5-07-1969/July-Aug-cover1200.jpg Studio International, Vol 178, No 913, November 1969. https://www.studiointernational.com/images/articles/t/technology-and-art-5-07-1969/Technology-and-art-5-1200.jpg Technology and Art 5 Studio International, Vol 178, No 913, November 1969, p 8. https://www.studiointernational.com/index.php/from-ear-to-ear-to-eye-review-nottingham-contemporary https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/jumana-manna.jpg Jumana Manna, A Magical Substance Flows Into Me, 2015. Courtesy the artist and CRG Art inc, New York. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/jumana-manna-pots.jpg Jumana Manna, A Stage For Any Sort of Any Revolutionary Play, 2016. Courtesy artist and CRG Art Inc, New York. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/hamdam.jpg Lawrence Abu Hamden, Earshot, 2016. Courtesy Maureen Paley, London. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/haig-aivazian-2.jpg Haig Aivazian, Hastayim Yasiyorum (I Am Sick But I Am Alive), 2016. Courtesy the artist and Sfeir-Selmer Gallery, Beirut/Hamburg. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/haig-aivazian-3.jpg Haig Aivazian, Hastayim Yasiyorum (I Am Sick But I Am Alive), 2016. Courtesy the artist and Sfeir-Selmer Gallery, Beirut/Hamburg. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/dabrowska.jpg Ania Dabrowska, A Lebanese Archive (with the collection of Diab Alkarssifi c1890-1992), 2013-ongoing. Courtesy of the artist. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/Yassin.jpg Raed Yassin, Ruins in Space, 2014. Courtesy artist and Kalfayan Galleries, Athens – Thessalonki. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/haig-aivazian.jpg Haig Aivazian, Hastayim Yasiyorum (I Am Sick But I Am Alive), 2016. Courtesy the artist and Sfeir-Selmer Gallery, Beirut/Hamburg. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/dabrowska-3.jpg Ania Dabrowska, A Lebanese Archive (with the collection of Diab Alkarssifi c1890-1992), 2013-ongoing. Courtesy of the artist. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/images/articles/e/093-ear-ear-eye-2017/dabrowska-2.jpg Ania Dabrowska, A Lebanese Archive (with the collection of Diab Alkarssifi c1890-1992), 2013-ongoing. Courtesy of the artist. Installation view, From Ear to Ear to Eye, Nottingham Contemporary, Dec 2017- Mar 2018. Photograph: Stuart Whipps. https://www.studiointernational.com/index.php/linguistics-and-play-orbit-at-the-ica-technology-and-art-10 https://www.studiointernational.com/images/articles/t/technology-and-art-10-01-1970/Jan1970-pg20170523_0003MB-1200.jpg Studio International, Vol 179, No 918, January 1970. https://www.studiointernational.com/images/articles/t/technology-and-art-10-01-1970/Technology-and-Art-10_Page_1-1200.jpg Technology and Art: Linguistics and Toys at the ICA. Studio International, Vol 179, No 918, January 1970, page 7. https://www.studiointernational.com/images/articles/t/technology-and-art-10-01-1970/Technology-and-Art-10_Page_2-1200.jpg Technology and Art: Linguistics and Toys at the ICA. Studio International, Vol 179, No 918, January 1970, page 8. https://www.studiointernational.com/index.php/technology-and-art-15-computer-graphics-at-brunel https://www.studiointernational.com/images/articles/t/technology-and-art-15-06-1970/June1970-pg20170523_0347MB.jpg Studio International, Vol 179, No 923, June 1970, page 247. https://www.studiointernational.com/images/articles/t/technology-and-art-15-06-1970/Technology-and-art-15-Computer-graphics-at-Brunel_Page_1-1200.jpg Technology and art 15: Computer graphics at Brunel. Studio International, Vol 179, No 923, June 1970, page 247. https://www.studiointernational.com/images/articles/t/technology-and-art-15-06-1970/Technology-and-art-15-Computer-graphics-at-Brunel_Page_2-1200.jpg Technology and art 15: Computer graphics at Brunel. Studio International, Vol 179, No 923, June 1970, page 248. https://www.studiointernational.com/index.php/ania-dabrowska-video-interview https://www.studiointernational.com/images/articles/d/093-dabrowska-ania-2017/ania-dabrowska-640.jpg Ania Dabrowski talking to Studio International about her installation A Lebanese Archive at the opening of the group show From Ear to Ear to Eye at Nottingham Contemporary, 15 December 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/d/093-dabrowska-ania-2017/Nott_EEE_097.jpg Asia Dabrowski, installation view, A Lebanese Archive, From Ear to Ear to Eye at Nottingham Contemporary, 2017. Photograph courtesy Nottingham Contemporary. https://www.studiointernational.com/images/articles/d/093-dabrowska-ania-2017/Nott_EEE_008.jpg Asia Dabrowski, installation view, A Lebanese Archive, From Ear to Ear to Eye at Nottingham Contemporary, 2017. Photograph courtesy Nottingham Contemporary. https://www.studiointernational.com/images/articles/d/093-dabrowska-ania-2017/Nott_EEE_003.jpg Asia Dabrowski, installation view, A Lebanese Archive, From Ear to Ear to Eye at Nottingham Contemporary, 2017. Photograph courtesy Nottingham Contemporary. https://www.studiointernational.com/index.php/technology-and-art-20 https://www.studiointernational.com/images/articles/t/technology-and-art-20-12-1970/Dec1970-pg20170523_0319MB.jpg Studio International, Vol 180, No 928, December 1970, pages 229-230. https://www.studiointernational.com/images/articles/t/technology-and-art-20-12-1970/Technology-and-Art-20_Page_1-1200.jpg Technology and Art 20. Studio International, Vol 180, No 928, December 1970, p. 229. https://www.studiointernational.com/images/articles/t/technology-and-art-20-12-1970/Technology-and-Art-20_Page_2-1200.jpg Technology and Art 20. Studio International, Vol 180, No 928, December 1970, p. 230. https://www.studiointernational.com/index.php/art-and-technology-on-bbc https://www.studiointernational.com/images/articles/a/art-and-technology-on-BBC-02-1971/Figure-1.jpg Figure 1. Studio International, Vol 181, No 930, February 1971, p. 47. https://www.studiointernational.com/images/articles/a/art-and-technology-on-BBC-02-1971/Feb1971-pg20170523_0055MB.jpg Studio International, Vol 181, No 930, February 1971. https://www.studiointernational.com/images/articles/a/art-and-technology-on-BBC-02-1971/Art-and-Technology-on-the-BBC_Page_1-1200.jpg `Art & Technology' on BBC. Studio International, Vol 181, No 930, February 1971, p. 46. https://www.studiointernational.com/images/articles/a/art-and-technology-on-BBC-02-1971/Art-and-Technology-on-the-BBC_Page_2-1200.jpg `Art & Technology' on BBC. Studio International, Vol 181, No 930, February 1971, p. 47. https://www.studiointernational.com/index.php/the-sociology-of-knowledge https://www.studiointernational.com/images/articles/t/technology-and-art-22-02-1971/Figure-2.jpg The sociology of knowledge: Art and technology 22. Studio International, Vol 181, No 930, February 1971, p. 48. https://www.studiointernational.com/images/articles/t/technology-and-art-22-02-1971/Feb1971-pg20170523_0055MB.jpg Studio International, Vol 181, No 930, February 1971. https://www.studiointernational.com/images/articles/t/technology-and-art-22-02-1971/The-sociology-of-Knowledge_Page_1-1200.jpg The sociology of knowledge: Art and technology 22. Studio International, Vol 181, No 930, February 1971, p. 47. https://www.studiointernational.com/images/articles/t/technology-and-art-22-02-1971/The-sociology-of-Knowledge_Page_2-1200.jpg The sociology of knowledge: Art and technology 22. Studio International, Vol 181, No 930, February 1971, p. 48. https://www.studiointernational.com/index.php/from-life-review-antony-gormley-jeremy-deller-iggy-pop-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/f/095-from-life-2017/key-73.jpg Richard Harraden, after Thomas Rowlandson and Augustus Charles Pugin. Drawing from Life at the Royal Academy (Somerset House), 1808. Etching, aquatint and watercolour, published in Ackermann’s ‘Microcosm of London’ 1 January 1808, 19.7 x 26 cm. Photograph © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/f/095-from-life-2017/Yinka-Shonibare,-VR,-Happy-Finish-(3).jpg Yinka Shonibare, Venus Presenting Helen to Paris (with Townley Venus), detail, 2017. Virtual Reality Presentation. © Courtesy of the artist and Happy Finish London. Image courtesy: Happy Finish London. https://www.studiointernational.com/images/articles/f/095-from-life-2017/Otoy-Head-(chess)-med.jpg Jonathan Yeo. The Preserving Machine, 2017. © Jonathan Yeo studio. https://www.studiointernational.com/images/articles/f/095-from-life-2017/key-71-(2).jpg Gillian Wearing. Rock https://www.studiointernational.com/images/articles/f/095-from-life-2017/key-81.jpg Chantal Joffe. Self-Portrait with Hand on Hip, 2016. Oil on board, 201.6 x 90 x 6 cm. © Chantal Joffe, courtesy the artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/f/095-from-life-2017/key-4.jpg Male torso, 19th century. Plaster cast, 140 x 67 x 60 cm. Photograph: © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/f/095-from-life-2017/Iggy_Pop_Life_Class_20160212_CUR_107_Elena_Olivo_photo_1038.jpg Iggy Pop life class by Jeremy Deller. New York, February 21, 2016. Organised by the Brooklyn Museum: Photograph: Elena Olivo. © Brooklyn Museum. https://www.studiointernational.com/images/articles/f/095-from-life-2017/key-97.jpg Jenny Saville. Entry, 2004–5. Oil on canvas, 240 x 191 cm. © Jenny Saville. Courtesy the artist and Gagosian. https://www.studiointernational.com/index.php/sofia-stevi-turning-forty-winks-into-a-decade-review-baltic-centre https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/SofiaSteviAreWeEverReallyInControl-(2017).jpg Sofia Stevi. Are We Ever Really In Control?, 2017, installation view, turning forty winks into a decade, Baltic Centre for Contemporary Art, 2017. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/SofiaSteviGraphicMotifwall.jpg Sofia Stevi. graphic motifs on collaged paintings, installation view, turning forty winks into a decade, Baltic Centre for Contemporary Art, 2017. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/Sofia-Stevi,-dinner-in-vienna-I,-2016.jpg Sofia Stevi. dinner in vienna I, 2016. Ink, acrylic, gouache on cotton, 200 x 140 cm. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/Sofia-Stevi,-the-lake,-2017.jpg Sofia Stevi. the lake, 2017. Ink, acrylic, gouache on untreated cotton, 200 x 140 cm. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/Sofia-Stevi-Just-like-Honey-2016.jpg Sofia Stevi. just like honey, 2016. Ink, acrylic, gouache on cotton, 200 x 140 cm. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/SofiaSteviTurning40WinksIntoADecade(2017).jpg Sofia Stevi. turning forty winks into a decade, 2017. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/SofiaSteviArchiveRoom1.jpg Sofia Stevi. Archive Room, installation view, turning forty winks into a decade, Baltic Centre for Contemporary Art, 2017. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/SofiaSteviCollagedWorksAndObjects.jpg Sofia Stevi. Collaged works and objects, installation view. Top row first, from left to right: a burning sensation (2015); proud male figure (2016); history is not kind (2016); don’t go (before I go first) (2016); my non-purity as a white flag (2016); Athens weather report (2016); hormonal (2016); floating tits (2016). https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/Sofia-Stevi-lizzie-and-laura-2017.jpg Sofia Stevi. lizzie & laura, 2017. Ink, acrylic, gouache on cotton, 200 x 140 cm. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/Sofia-Stevi-set-for-play-ii-2017.jpg Sofia Stevi. set for play, 2017. Ink, acrylic, gouache on cotton, 200 x 140 cm. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/Sofia-Stevi-marys-pink-2017.jpg Sofia Stevi. mary's pink, 2017. Ink, acrylic, gouache on cotton, 200 x 140 cm. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/SofiaSteviArchiveEntrance.jpg Sofia Stevi. Archive Room entrance, installation view, turning forty winks into a decade, Baltic Centre for Contemporary Art, 2017. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/SofiaSteviCushionInArchive.jpg Sofia Stevi. Installation view, turning forty winks into a decade, Baltic Centre for Contemporary Art, 2017. https://www.studiointernational.com/images/articles/s/085-stevi-sofia-2018/SofiaSteviJustLikeHoney(left)andLake(right).jpg Sofia Stevi. Installation view, turning forty winks into a decade, Baltic Centre for Contemporary Art, 2017. https://www.studiointernational.com/index.php/peter-doig-review-werner-gallery-london https://www.studiointernational.com/images/articles/d/092-doig-peter-2018/3.jpg Peter Doig, Chopped Hand, 2017. Oil on canvas, 27 x 35 cm. Courtesy Michael Werner Gallery New York and London. https://www.studiointernational.com/images/articles/d/092-doig-peter-2018/4.jpg Peter Doig, City Block, 2017. Distemper on stretched kraft paper, 61.5 x 73.5 cm. Courtesy Michael Werner Gallery New York and London. https://www.studiointernational.com/images/articles/d/092-doig-peter-2018/6.jpg Peter Doig, Street Scene, 2017. Oil on linen, 30 x 47.5 cm. Courtesy Michael Werner Gallery New York and London. https://www.studiointernational.com/images/articles/d/092-doig-peter-2018/1.jpg Peter Doig, Two Trees, 2017. Oil on linen, 240 x 355 cm. Courtesy Michael Werner Gallery New York and London. https://www.studiointernational.com/images/articles/d/092-doig-peter-2018/7.jpg Peter Doig, Figures at Night, 2017. Oil on stretched kraft paper, 73.5 X 61.5 cm. Courtesy Michael Werner Gallery New York and London. https://www.studiointernational.com/images/articles/d/092-doig-peter-2018/9.jpg Peter Doig, Red Man, 2017. Oil on paper on vellum and board, 117 x 74 cm. Courtesy Michael Werner Gallery New York and London. https://www.studiointernational.com/images/articles/d/092-doig-peter-2018/2.jpg Peter Doig, Untitled (Head of Man), 2017. Oil on linen, 51 x 38 cm. Courtesy Michael Werner Gallery New York and London. https://www.studiointernational.com/images/articles/d/092-doig-peter-2018/5.jpg Peter Doig, Red Man (Sings Calypso), 2017. Oil on linen, 295 x 195 cm. Courtesy Michael Werner Gallery New York and London. https://www.studiointernational.com/images/articles/d/092-doig-peter-2018/8.jpg Peter Doig, Untitled, 2015. Pastel and charcoal on paper, 39.7 x 57.2 cm. Courtesy Michael Werner Gallery New York and London. https://www.studiointernational.com/index.php/solidary-and-solitary-the-joyner-giuffrida-collection-review-ogden-museum-new-orleans https://www.studiointernational.com/images/articles/s/084-solidary-solitary-2018/AW4K_AIC_00149736-01_HighRes.jpg Norman Lewis. Afternoon, 1969. Oil on canvas, 72 x 88 in (182.9 x 223.5 cm). © Estate of Norman W. Lewis; Courtesy of Michael Rosenfeld Gallery LLC, New York, NY. https://www.studiointernational.com/images/articles/s/084-solidary-solitary-2018/AW4K_Drew_52S_2015_Diaz_VIEW2_.jpg Leonardo Drew. Number 52S, 2015. Wood, 96 x 96 x 14 in (243.9 x 243.9 x 35.6 cm). © Leonardo Drew. Photograph: John Berens. https://www.studiointernational.com/images/articles/s/084-solidary-solitary-2018/AW4K_Bradford_No-Time-To-Expand-The-Sea_2014_HauserWirthV1_.jpg Mark Bradford. No Time to Expand the Sea, 2014. Mixed media on canvas, 8 ft 6 in x 12 ft (259.1 x 365.8 cm). Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/084-solidary-solitary-2018/AW4K_Gilliam_AfterGlow_1972_Reeves_.jpg Sam Gilliam. After Glow, 1972. Acrylic and dye pigments on canvas, 6 ft 2 1/4 in x 8 ft 4 1/4 in x 2 in (188.6 x 254.6 x 5.1 cm). © Sam Gilliam. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/084-solidary-solitary-2018/AW4K_KB2015-021_silo.jpg Kevin Beasley. Bronx Fitted, 2015. New Era® fitted Yankees caps, bandanas, resin, television mount; diameter 70 in (177.8 cm), depth 16 in (40.6 cm). © Courtesy of the artist and Casey Kaplan, New York. Photograph: Jean Vong. https://www.studiointernational.com/images/articles/s/084-solidary-solitary-2018/AW4K_Edwards_Central_Ave_LA_1991_2.jpg Melvin Edwards. Central Ave. LA, 1991. Welded steel, 14 x 11¾ x 9½ in (35.6 x 29.8 x 24.1 cm). © 2017 Melvin Edwards / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/084-solidary-solitary-2018/AW4K_Gaines_353_Numbers-and-Trees_Central-Park-Series-I_Tree-9_2016_GainesStudio.jpg Charles Gaines. Numbers and Trees, Central Park, Series I, Tree #9, 2016. Black-and-white photograph, acrylic on plexiglass (3 panels), each 96 x 42 in (243.9 x 106.7 cm), overall approx. 8 ft x 10 ft 6 in (243.9 x 320 cm). © Charles Gaines. Courtesy Paula Cooper Gallery, New York. https://www.studiointernational.com/images/articles/s/084-solidary-solitary-2018/AW4K_JGC_512.jpg Sam Gilliam. Stand, 1973. Mixed media on canvas, 7 ft 1½ in x 9 ft 101⁄8 in (217.2 x 300 cm). © Sam Gilliam. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/084-solidary-solitary-2018/AW4K_Ligon_One_Black_Day_2012_Dark.jpg Glenn Ligon. One Black Day, 2012. Neon, 5 x 24½ in (12.7 x 62.2 cm). © Glenn Ligon; Courtesy of the artist, Luhring Augustine, New York, Regen Projects, Los Angeles, and Thomas Dane Gallery, London. https://www.studiointernational.com/index.php/peter-hill-interview https://www.studiointernational.com/images/articles/h/087-hill-peter-2018/Peter-Hill-and-Michael-Vale.jpg Peter Hill, The Hermann Nitsch Shower Curtain, 1988 - ongoing. With pop-up Performance by Michael Vale as The Smoking Dog, at Margaret Lawrence Gallery (VCA) Melbourne during opening night of Peter Hill’s 25 year retrospective Desire Paths to a Fictional World, March, 2012. https://www.studiointernational.com/images/articles/h/087-hill-peter-2018/Plato-27s-Cave-in-Basement-of-MoCI.jpg Peter Hill, Plato https://www.studiointernational.com/images/articles/h/087-hill-peter-2018/Peter-Hill-The-Art-Fair-Murders.jpg Peter Hill, The Art Fair Murders, 1994 on-going. Detail of installation, 2012, dimensions variable. https://www.studiointernational.com/images/articles/h/087-hill-peter-2018/peter-hill-herb-sherman.jpg Peter Hill working as the fictitious painters Herb Sherman and Hal Jones from his Superfiction The Art Fair Murders, Aesthetic Vandalism, 2014, 200 x 100 cm. https://www.studiointernational.com/images/articles/h/087-hill-peter-2018/Museum-of-Doubt.jpg Peter Hill, The Museum of Doubt, 2015. Zeppelin Projects, Brunswick, 2015. Installation, dimensions variable. https://www.studiointernational.com/images/articles/h/087-hill-peter-2018/IMG_5920.jpg Peter Hill at the opening of Geelong Art Prize 2016, with his painting In Advance of the Concept Painting, 2016, a tribute to Duchamp’s In Advance of the Broken Arm. 100 x 100 cm. https://www.studiointernational.com/images/articles/h/087-hill-peter-2018/studio-int-cover-october-1974.jpg Cover of the October 1974 Belgian issue of Studio International, commissioned by Broodthaers. https://www.studiointernational.com/index.php/bharti-kher-interview https://www.studiointernational.com/images/articles/k/090-kher-bharti-2018/Background-Bharti-Kher,-Father,-2016-Foreground-Bharti-Kher,-2016,-Mother.jpg Bharti Kher. Background: Father, 2016. Wax, plaster of Paris, wood, PVC, metal, 148 x 70 x 94 cm; Foreground: Mother, 2016. Plaster of Paris, wood, metal, 140 x 63 x 96 cm. Courtesy the artist and Hauser & Wirth. Photograph: Alex Delfanne. https://www.studiointernational.com/images/articles/k/090-kher-bharti-2018/Bharti-Kher,-The-Chimera-(1),-2016.jpg Bharti Kher. The Chimera (1), 2016 (detail). Wax, concrete, plaster, hessian fibre, brass, 124.5 x 29 x 29 cm. Courtesy the artist and Hauser & Wirth. Photograph: Jeetin Jagdish. https://www.studiointernational.com/images/articles/k/090-kher-bharti-2018/Bharti-Kher,-Links-in-a-chain-1,-2016-detail.jpg Bharti Kher. Links in a chain 1, 2016 (detail). Mixed media, 182 x 72.5 x 25 cm. Courtesy the artist and Hauser & Wirth, Photograph: Jeetin Jagdish. https://www.studiointernational.com/images/articles/k/090-kher-bharti-2018/Bharti-Kher,-Portrait-from-memory-I,-2012-13.jpg Bharti Kher. Portrait from memory I, 2012-13. Sari, resin, cement, 109 x 30 x 44 cm. Courtesy the artist, Photograph: Shankar Natarajan. https://www.studiointernational.com/images/articles/k/090-kher-bharti-2018/Bharti-Kher,-The-intermediaries-(1),-2016.jpg Bharti Kher. The intermediaries (1), 2016. Wood, clay, 50 3/8 x 14 9/6 x 14 9/6 in. Courtesy the artist and Galerie Perrotin. Photograph: Bharti Kher Studio. https://www.studiointernational.com/images/articles/k/090-kher-bharti-2018/Bharti-Kher,-The-skin-speaks-a-language-not-its-own,-2006.jpg Bharti Kher. The skin speaks a language not its own, 2006. Bindis on fibreglass, 300 x 173 x 116 cm. Courtesy the artist. Photograph: Pablo Bartholomew. https://www.studiointernational.com/images/articles/k/090-kher-bharti-2018/Bharti-Kher,-Links-in-a-chain-1,-2016.jpg Bharti Kher. Links in a chain 1, 2016. Mixed media, 182 x 72.5 x 25 cm. Courtesy the artist and Hauser & Wirth, Photograph: Jeetin Jagdish. https://www.studiointernational.com/images/articles/k/090-kher-bharti-2018/Bharti-Kher,-The-Chimera-(1),-2016-2.jpg Bharti Kher. The Chimera (1), 2016. Wax, concrete, plaster, hessian fibre, brass, 124.5 x 29 x 29 cm. Courtesy the artist and Hauser & Wirth. Photograph: Jeetin Jagdish. https://www.studiointernational.com/index.php/sriwhana-spong-a-hook-but-no-fish-review https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/A-Sriwhana-Spong,-a-hook-but-no-fish,-2017.jpg Sriwhana Spong, a hook but no fish, 2017. Courtesy the artist, Michael Lett, Pump House Gallery. Photograph: Damian Griffith. https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/B-A-hook-but-no-fish,-2017.jpg Sriwhana Spong, a hook but no fish, 2017. 16mm transferred to HD and HD video, 24 https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/D-A-hook-but-no-fish,-2017-(4).jpg Sriwhana Spong, a hook but no fish, 2017. 16mm transferred to HD and HD video, 24 https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/E-A-hook-but-no-fish,-2017.jpg Sriwhana Spong, a hook but no fish, 2017. 16mm transferred to HD and HD video, 24 https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/F-Sriwhana-Spong,-Instrument-C-(Claire),-2017.jpg Sriwhana Spong, Instrument C (Claire), 2017. Courtesy the artist, Michael Lett, Pump House Gallery. Produced by Matt Nolan. Photograph: Damian Griffith. https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/G-Sriwhana-Spong,-Cum-vox-sanguinis,-2017.jpg Sriwhana Spong, Cum vox sanguinis, 2017. Courtesy the artist, Michael Lett, Pump House Gallery. Photograph: Damian Griffith. https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/H-Sriwhana-Spong,-a-hook-but-no-fish-installation-view,-2017.jpg Sriwhana Spong, a hook but no fish, installation view, 2017. Courtesy the artist, Michael Lett, Pump House Gallery. Photograph: Damian Griffith. https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/J-Sriwhana-Spong,-Oirclamisil,-2017.jpg J Sriwhana Spong, Oirclamisil, 2017. Courtesy the artist, Michael Lett, Pump House Gallery. Photograph: Damian Griffith. https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/I-Sriwhana-Spong,-Sigil-(Rothschild-mynah)-8-12,-2017.jpg Sriwhana Spong, Sigil (Rothschild mynah) #8-12, 2017. Courtesy the artist, Michael Lett, Pump House Gallery. Photograph: Damian Griffith. https://www.studiointernational.com/images/articles/s/082-spong-sriwhana-2018/C-A-hook-but-no-fish,-2017-(3).jpg Sriwhana Spong, a hook but no fish, 2017. 16mm transferred to HD and HD video, 24'50. Courtesy the artist, Michael Lett, Pump House Gallery. https://www.studiointernational.com/index.php/john-piper-review-tate-liverpool https://www.studiointernational.com/images/articles/p/091-piper-john-2018/John-Piper,-Abstract-I-1935.jpg John Piper. Abstract I, 1935. Oil paint on canvas on plywood, 91.7 x 106.5 x 5 cm. Tate. Purchased 1954. © The Piper Estate / DACS 2017. © National Museum of Wales. https://www.studiointernational.com/images/articles/p/091-piper-john-2018/John-Piper,-Black-Ground-(Screen-for-the-Sea)-1938.jpg John Piper. Black Ground (Screen for the Sea), 1938. Oil on canvas, 121.6 x 182.8 cm. Collection: National Galleries of Scotland, purchased 1978. © The Piper Estate / DACS 2017. Photograph: Antonia Reeve. https://www.studiointernational.com/images/articles/p/091-piper-john-2018/John-Piper,-Harbour-Scene,-Newhaven-1936-1937.jpg John Piper. Harbour Scene, Newhaven, 1936-1937. Ink, gouache and collage on paper, 60.9 x 81.3 cm. © The Piper Estate / DACS 2017. Image courtesy: Private collection. https://www.studiointernational.com/images/articles/p/091-piper-john-2018/John-Piper,-Painting-1935.jpg John Piper. Painting, 1935. Oil on canvas on board, 40.7 x 30.2 cm. National Museums & Galleries of Wales, Cardiff. © The Piper Estate / DACS 2017. © National Museum of Wales. https://www.studiointernational.com/images/articles/p/091-piper-john-2018/John-Piper,-Construction-1934,-1967.jpg John Piper. Construction, 1934, reconstructed 1967. Oil paint, zinc, wood, glass and dowelling on canvas on plywood, 100.6 x 115.9 cm. Tate. Purchased 1968. © The Piper Estate. https://www.studiointernational.com/index.php/torbjorn-rodland-back-in-touch-review https://www.studiointernational.com/images/articles/r/089-rodland-torbjorn-2018/image2.jpg Torbjørn Rødland. Stockings, Jeans and Carpeted Stairs, 2013-2017. Courtesy Private Collection. https://www.studiointernational.com/images/articles/r/089-rodland-torbjorn-2018/image1.jpg Torbjørn Rødland. Trichotillomania, 2010. Courtesy MAI 36 Galerie, Zürich. https://www.studiointernational.com/images/articles/r/089-rodland-torbjorn-2018/image3.jpg Torbjørn Rødland. Wordless No. 03, 2010, Courtesy the artist and Nils Staerk Gallery. https://www.studiointernational.com/index.php/bi-city-biennale-urbanism-architecture-uabb-shenzhen-hong-kong-review https://www.studiointernational.com/images/articles/u/100-uabb-2018/Chang-Yung-Ho-Info-centre.jpg Chang Yun Ho. Information centre. https://www.studiointernational.com/images/articles/u/100-uabb-2018/Yona-Freidman.jpg Yona Friedman with Street Museum, an interactive, collaborative work located in the park at the entrance to Nantou’s main gate. https://www.studiointernational.com/images/articles/u/100-uabb-2018/yin-xiuzhen-3.jpg Beijing-based artist Yin Xiuzhen’s Arena, 2017. https://www.studiointernational.com/images/articles/u/100-uabb-2018/Atelier-Bow-Wow.jpg Atelier Bow-Wow. A series of gigantic metallic hoods suspended over giant industrial fire pits. https://www.studiointernational.com/images/articles/u/100-uabb-2018/Wego.jpg Wego by MVRDV – The Why Factory, from Rotterdam. https://www.studiointernational.com/images/articles/u/100-uabb-2018/nishi.jpg Japanese artist Tatzu Nishi’s continue forever. https://www.studiointernational.com/images/articles/u/100-uabb-2018/linyilin-xxxxxxxx-2.jpg Performance by New York-based Chinese artist Lin Yilin. Photograph © the artist. https://www.studiointernational.com/images/articles/u/100-uabb-2018/linyilin-xxxxxxxx-1.jpg Performance by New York-based Chinese artist Lin Yilin. Photograph © the artist. https://www.studiointernational.com/images/articles/u/100-uabb-2018/time-discrepancy-mural-2017-photo-lilly-wei.jpg Time Discrepancy mural by French-Chinese artist Hu Jiamin and his wife, Marine Brossard, a French citizen, 2017. https://www.studiointernational.com/images/articles/u/100-uabb-2018/Boa-Mistura.jpg Madrid collective Boa Mistura, best known for brightly coloured giant murals that billboard entire buildings in painted images and text. https://www.studiointernational.com/images/articles/u/100-uabb-2018/UABB-Curator-Meng-Yan-at-the-press-conference.jpg Meng Yan, one of the principal curators for the Bi-City Biennale of Urbanism/Architecture (UABB) 2017. https://www.studiointernational.com/images/articles/u/100-uabb-2018/UABB-Curator-Hou-Hanru-at-the-press-conference.jpg Hou Hanru, Artistic Director, Bi-City Biennale of Urbanism/Architecture (UABB) 2017. https://www.studiointernational.com/images/articles/u/100-uabb-2018/UABB-Curator-Liu-Xiaodu-at-the-press-conference.jpg Lead curator Liu Xiaodu of Urbanus Architecture & Design, Bi-City Biennale of Urbanism/Architecture (UABB) 2017. https://www.studiointernational.com/index.php/charles-2-art-and-power-queens-gallery-london https://www.studiointernational.com/images/articles/c/087-charles-2-2018/1.jpg John Michael Wright, Charles II, c1676. Oil on canvas, 281.9 x 239.2 cm. Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/12.jpg Leonardo da Vinci, Oak (Quercus robur) and dyer https://www.studiointernational.com/images/articles/c/087-charles-2-2018/5.jpg Johann Hass, The Exeter Salt, c1630. Silver gilt, enamel, mounted with almandine garnets, turquoises, sapphires, emeralds, rubies, amethysts, 45. 7 x 30.2 x 30.2 cm. Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/6.jpg Abraham Blooteling, Carolus II Dei Gratia Anglia Scotia Francia Et Hibernia Ibernia Rex,
 c1680–90. Mezzotint, 68.3 x 51.5 cm (sheet). Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/2.jpg Wenceslaus Hollar, The Coronation of King Charles the II in Westminster Abbey the 23 of April 1661, 1662. Etching, 36 x 48 cm (sheet). Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/7.jpg Francis Place, after Robert Thacker, Prospectus Intra Cameram Stellatam, 1676, showing astronomers at work in the Royal Observatory. Etching, 22.2 x 30.2 cm (plate mark); 25.4 x 35.1 cm (sheet). Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/10.jpg Lorenzo Lotto, Andrea Odoni, 1527. 104.3 x 116.8 cm. Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/3.jpg Sir Peter Lely, Barbara Villiers, Duchess of Cleveland, c1665. Oil on canvas, 124.5 x 101. 4 cm. Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/4.jpg Antonio Verrio, The Sea Triumph of Charles II, c1674. Oil on canvas, 224.5 x 231 cm. Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/9.jpg Pieter Brughel the Elder, The Massacre of the Innocents, c1565–67. Oil on panel, 109.2 x 158.1 cm. Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/8.jpg Maarten van Heemskerck, The Four Last Things, 1565. Oil on panel, 68.5 x 155 cm. Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/images/articles/c/087-charles-2-2018/11.jpg Paolo Veronese, The Mystic Marriage of St Catherine of Alexandria, c1562–69. Oil on canvas, 148 x 199.5 cm. Royal Collection Trust © Her Majesty Queen Elizabeth II. https://www.studiointernational.com/index.php/anne-de-boer-and-ecksensis-net-system-attempt-contact-review-london https://www.studiointernational.com/images/articles/s/083-system-attempt-contact-2018/System-Attempt-Contact_Anne-de-Boer_ecksenis-(9).jpg Anne de Boer & ecksenis.net. System Attempt Contact. Photograph: Banner Repeater, 2017. https://www.studiointernational.com/images/articles/s/083-system-attempt-contact-2018/System-Attempt-Contact_Anne-de-Boer_ecksenis-(5).jpg Anne de Boer & ecksenis.net. System Attempt Contact. Photograph: Banner Repeater, 2017. https://www.studiointernational.com/images/articles/s/083-system-attempt-contact-2018/System-Attempt-Contact_Anne-de-Boer_ecksenis-(18).jpg Anne de Boer & ecksenis.net. System Attempt Contact. Photograph: Banner Repeater, 2017. https://www.studiointernational.com/index.php/philip-pearlstein-paintings-1920-2017-review-saatchi-gallery https://www.studiointernational.com/images/articles/p/090-pearlstein-philip-2018/PP10883.jpg Philip Pearlstein. Models with Godzilla, etc., 1990. Oil on canvas, 96 x 60 in (243.84 x 152.4 cm). © the artist. https://www.studiointernational.com/images/articles/p/090-pearlstein-philip-2018/PP10884.jpg Philip Pearlstein. Models and Blimp, 1991. Oil on canvas, 84 x 84 in (213.4 x 213.4 cm). © the artist. https://www.studiointernational.com/images/articles/p/090-pearlstein-philip-2018/PP13332.jpg Philip Pearlstein. Model in Japanese Robe with African Carvings, 2009. Oil on canvas, 48 x 60 in (121.92 x 152.4 cm). © the artist. https://www.studiointernational.com/images/articles/p/090-pearlstein-philip-2018/PP13453.jpg Philip Pearlstein. Two Nudes with Four Goose Decoys, 1994. Oil on canvas, 60 x 72 in (152.4 x 182.88 cm). © the artist. https://www.studiointernational.com/images/articles/p/090-pearlstein-philip-2018/PP15980.jpg Philip Pearlstein. Two Models, Polished Steel Chair and Swan Decoy, 2016. Oil on canvas, 48 x 60 in (121.92 x 152.4 cm). © the artist. https://www.studiointernational.com/images/articles/p/090-pearlstein-philip-2018/PP15981.jpg Philip Pearlstein. Two Models with Giraffe and Bird Masks, Chrome Chair and Book Shelves, 2016. Oil on canvas, 72 x 48 in (182.88 x 121.92 cm). © the artist. https://www.studiointernational.com/images/articles/p/090-pearlstein-philip-2018/PP16191.jpg Philip Pearlstein. Two Models, Rooster Weathervane, Luna Park Lion and Blow-up Dinosaur, 2016. Oil on canvas, 60 x 48 in (152.4 x 121.92 cm). © the artist. https://www.studiointernational.com/images/articles/p/090-pearlstein-philip-2018/PP13330.jpg Philip Pearlstein. Model with Speedboat and Kiddie Car Harness Racer, 2010. Oil on canvas, 72 x 48 in (182.88 x 121.92 cm). © the artist. https://www.studiointernational.com/index.php/tabita-rezaire-interview https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/Seneb2.jpg Tabita Rezaire. Film still from Seneb, 2016. HD Video, 7 min 31 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/HoetepBlessings3.jpg Tabita Rezaire. Film still from Hoetep Blessings, 2016. Installation and HD video, 12 min 30 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/AP_170410_022.jpg Tabita Rezaire. Sugar Walls Tearoom, 2016. Gynaecological chair, mechanical arm, HD video, 21:30 min. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/AP_150522_113-2.jpg Tabita Rezaire / NTU. Nervousconditioner.life.001.ntu, 2015. Mixed media installation. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/Sugarwallsteardom2.jpg Tabita Rezaire. Film still from Sugar Walls Teardom, 2016. Installation with HD video, 21 min 30 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/Sugarwallsteardom3.jpg Tabita Rezaire. Film still from Sugar Walls Teardom, 2016. Installation with HD video, 21 min 30 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/Seneb4.jpg Tabita Rezaire. Film still from Seneb, 2016. HD Video, 7 min 31 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/Guide.jpg Tabita Rezaire in collaboration with Fannie Sosa. A White Institution’s Guide For Welcoming People of Color, 2016. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/HoetepBlessings2.jpg Tabita Rezaire. Film still from Hoetep Blessings, 2016. Installation and HD video, 12 min 30 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/HoetepBlessings4.jpg Tabita Rezaire. Film still from Hoetep Blessings, 2016. Installation and HD video, 12 min 30 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/HoetepBlessings5.jpg Tabita Rezaire. Film still from Hoetep Blessings, 2016. Installation and HD video, 12 min 30 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/Seneb3.jpg Tabita Rezaire. Film still from Seneb, 2016. HD Video, 7 min 31 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/Sugarwallsteardom1.jpg Tabita Rezaire. Film still from Sugar Walls Teardom, 2016. Installation with HD video, 21 min 30 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/Sugarwallsteardom4.jpg Tabita Rezaire. Film still from Sugar Walls Teardom, 2016. Installation with HD video, 21 min 30 sec. © the artist. https://www.studiointernational.com/images/articles/r/090-rezaire-tabita-2018/AP_170410_042.jpg Tabita Rezaire. Hoetep Blessings installation view, 2016. Installation and HD video, 12 min 30 sec. © the artist. https://www.studiointernational.com/index.php/edmund-clark-video-interview-intervention-control-censorship-part-of-what-i-do https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/Edmund-Clark,-In-Place-of-Hate,-Ikon-Gallery,-2017-(2).jpg Edmund Clark, In Place of Hate, HMP Grendon, 2017. Installation view. Courtesy of the artist, Ikon and Flowers Gallery. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/Edmund-Clark,-In-Place-of-Hate,-Ikon-Gallery,-2017-(3).jpg Edmund Clark, In Place of Hate, HMP Grendon, 2017. Installation view. Courtesy of the artist, Ikon and Flowers Gallery. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/Edmund-Clark,-The-Mountains-of-Majeed-1,-2014-(c)-Edmund-Clark.jpg Edmund Clark. The Mountains of Majeed 1, 2014. © Edmund Clark, Courtesy of Flowers Gallery, London and New York. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/edmund-clarke-640.jpg Edmund Clarke talking to Studio International about his recent residency at the UK’s only wholly therapeutic prison, HMP Grendon. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/Edmund-Clark,-In-Place-of-Hate,-HMP-Grendon,-2017,---courtesy-of-the-artist,-Ikon-and-Flowers-Gallery.jpg Edmund Clark, In Place of Hate, HMP Grendon, 2017. Courtesy of the artist, Ikon and Flowers Gallery. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/Edmund-Clark,-In-Place-of-Hate,-HMP-Grendon,-2017,-courtesy-of-the-artist,-Ikon-and-Flowers-Gallery.jpg Edmund Clark, In Place of Hate, HMP Grendon, 2017. Courtesy of the artist, Ikon and Flowers Gallery. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/Edmund-Clark,-In-Place-of-Hate,-HMP-Grendon,-2017,--courtesy-of-the-artist,-Ikon-and-Flowers-Gallery.jpg Edmund Clark, In Place of Hate, HMP Grendon, 2017. Courtesy of the artist, Ikon and Flowers Gallery. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/Edmund-Clark,-In-Place-of-Hate,-Ikon-Gallery,-2017.jpg Edmund Clark, In Place of Hate, HMP Grendon, 2017. Installation view. Courtesy of the artist, Ikon and Flowers Gallery. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/Edmund-Clark,-The-Mountains-of-Majeed-6,-2014-(c)-Edmund-Clark.jpg Edmund Clark. The Mountains of Majeed 6, 2014. © Edmund Clark, Courtesy of Flowers Gallery, London and New York. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/EClark1.jpg Edmund Clark, Redacted image of a complex of buildings where a pilot identified as having flown rendition flights lives, from Negative Publicity: Artefacts of Extraordinary Rendition, 2015, by Crofton Black and Edmund Clark. https://www.studiointernational.com/images/articles/c/094-clarke-edmund-2017/EClark14.jpg Edmund Clark, Original, hand-censored letter to a detainee from his daughter, from the series Guantanamo: If the Light Goes Out, 2009. © Edmund Clark. https://www.studiointernational.com/index.php/what-absence-is-made-of-hirshhorn-review https://www.studiointernational.com/images/articles/w/097-what-absence-is-made-of-2018/Beuys.jpg Joseph Beuys. F.I.U. Blackboards, 1977-1979. Blackboards, chalk, pail, water and rags, each blackboard 63 x 47 1/2 x 5/8 in; bucket 12 1/2(h) x 11 1/4 dia. Gift of Frayda and Ronald Feldman in Honor of James T. Demetrion, 2002. Courtesy Hirshhorn Museum and Sculpture Garden. https://www.studiointernational.com/images/articles/w/097-what-absence-is-made-of-2018/Kosuth.jpg Joseph Kosuth. Titled (Art as Idea as Idea) [idea], 1966. Ink on paper mounted on cardboard in wood frame, 57 x 57 x 2 3/8 in. Joseph H. Hirshhorn Purchase Fund, 2007. The Panza Collection. Courtesy Hirshhorn Museum and Sculpture Garden. Photograph: Lee Stalsworth. https://www.studiointernational.com/images/articles/w/097-what-absence-is-made-of-2018/Haacke.jpg Hans Haacke. Condensation Cube, 1963 (fabricated 2008). Plastic and water, 30 x 30 x 30 in. Museum Purchase, 2008. Courtesy Hirshhorn Museum and Sculpture Garden. Photograph: Lee Stalsworth. https://www.studiointernational.com/images/articles/w/097-what-absence-is-made-of-2018/Atkins.jpg Ed Atkins. Safe Conduct, 2016. Three channel installation with 5.1 surround sound. Courtesy Hirshhorn Museum and Sculpture Garden. https://www.studiointernational.com/images/articles/w/097-what-absence-is-made-of-2018/Anselmo.jpg Giovanni Anselmo. Invisible, 1971. Slide (projector); dimensions variable. Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 2003. Courtesy Hirshhorn Museum and Sculpture Garden. Photograph: Lee Stalsworth. https://www.studiointernational.com/images/articles/w/097-what-absence-is-made-of-2018/Boltanski.jpg Christian Boltanski. Monument, 1989. Photographs, tin, lightbulbs, sockets, and transformer, 104 x 90 in. Joseph H. Hirshhorn Bequest Fund, 2002. Courtesy Hirshhorn Museum and Sculpture Garden. Photograph: Lee Stalsworth. https://www.studiointernational.com/images/articles/w/097-what-absence-is-made-of-2018/Moskowitz.jpg Robert Moskowitz. Giacometti Piece (For Bob Holman), 1984. Pastel on paper, 108 x 41 5/8 in. Museum Purchase, 1990. Courtesy Hirshhorn Museum and Sculpture Garden. Photograph: Lee Stalsworth. https://www.studiointernational.com/images/articles/w/097-what-absence-is-made-of-2018/Salcedo.jpg Doris Salcedo. Untitled, 1995. Wood, cement, cloth, and steel, 77 1/8 x 74 7/8 x 49 5/8 in. Joseph H. Hirshhorn Purchase Fund, 1995. Courtesy Hirshhorn Museum and Sculpture Garden. Photograph: Lee Stalsworth. https://www.studiointernational.com/index.php/a-history-of-drawing-review-camberwell-space-london https://www.studiointernational.com/images/articles/h/086-history-of-drawing-2018/9.jpg Kelly Chorpening, Making Use of Space, 2017. Pastel and pencil on paper mounted to steel. Courtesy the artist. https://www.studiointernational.com/images/articles/h/086-history-of-drawing-2018/6.jpg Jennifer N. R. Smith. Flow Study II, 2017. Collage, hand marbled paper, grid paper, charcoal and ink. Courtesy the artist. https://www.studiointernational.com/images/articles/h/086-history-of-drawing-2018/3.jpg Brigitte Mierau. Preliminary Notes to Self for the Making of The Brexit Tapestry, 2018. Cotton fabric, polyester thread, safety pins, staples, felt, acrylic paint, wood. Courtesy the artist. https://www.studiointernational.com/images/articles/h/086-history-of-drawing-2018/8.jpg Tim Ellis. Eraser, 2017. Brass, steel, ply wood, plastic, aluminium, glass, paper and graphite. Courtesy the artist. https://www.studiointernational.com/images/articles/h/086-history-of-drawing-2018/1.jpg Matthew Ritchie. The Temptation of the Diagram (detail), 2017. Courtesy the artist. https://www.studiointernational.com/images/articles/h/086-history-of-drawing-2018/2.jpg Alejandra Lopez Martinez. A Girl Smoking, 2016. Coloured pencil on paper. Courtesy the artist. https://www.studiointernational.com/images/articles/h/086-history-of-drawing-2018/4.jpg Adam Farah. C ruis[IN] Portal (Dreamlover) II, 2015. Medical red rubber latex, wood frame, paint marker pens, brass hooks. Courtesy the artist. https://www.studiointernational.com/images/articles/h/086-history-of-drawing-2018/5.jpg Victoria Sin. She must be used to it, she is so goddamn beautiful, 2017. Sleek Creme to Powder, Ben Nye Clown White, Rimmel London Magnif'Eyes Mono Eyeshadow, Makeup Revolution Vivid Baked Highlighter, MUA Undress Your Skin, Sleek I - Divine Eyeshadow Palette, Laval Dip Eyeliner, Sleek Face Contour Kit, Sleek Brow Kit, Rimmel London Scandal eyes Waterproof Kohl Kajal Eye Liner, Max Factor Excess Shimmer, Maybelline Lash Sensational Mascara on facial wipe. Courtesy the artist. https://www.studiointernational.com/images/articles/h/086-history-of-drawing-2018/7.jpg Egle Pilkauskaite. Repetitive Labour Routine, 2017. Mixed media (steel, tar, wax, artificial velvet, oak). Courtesy the artist. https://www.studiointernational.com/index.php/cezanne-portraits-national-portrait-gallery-london-review https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/046_R781-Woman-with-a-Cafetiere.jpg Paul Cézanne. Woman with a Cafetière. c1895 Musée d https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/005_R111-Uncle-Dominique-in-Profile.jpg Paul Cézanne. Uncle Dominique in Profile, 1866-7. Lent by the Syndics of The Fitzwilliam Museum, Cambridge © The Provost and Scholars of King https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/012_R101-The-Artists-Father,-Reading-L-Evenement.jpg Paul Cézanne. The Artist https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/011_R151-Paul-Alexis-Reading-a-Manuscript-to-Zola.jpg Paul Cézanne. Paul Alexis Reading a Manuscript to Emile Zola, 1869-70. Gift Congresso Nacional, 1952. Museu de Arte de São Paulo Assis Chateaubriand. https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/043_R659-Boy-in-a-Red-Waistcoat.jpg Paul Cézanne. Boy in a Red Waistcoat, 1888-90. National Gallery of Art, Washington DC. Collection of Mr and Mrs Paul Mellon, in Honour of the 50th Anniversary of the National Gallery of Art. https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/029_R585-Self-Portrait-with-Bowler-Hat.jpg Paul Cézanne. Self-Portrait with Bowler Hat, 1885-6. Private collection. https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/019_R324-Madame-Cezanne-in-a-Red-Armchair.jpg Paul Cézanne. Madame Cézanne in a Red Armchair, c1877. Museum of Fine Arts, Boston. Bequest of Robert Treat Paine, 2nd. Photograph © 2017 Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/The-Gardener-Vallier.jpg Paul Cézanne. The Gardener Vallier, 1905-06. Tate, London, bequeathed by C Frank Stoop 1933 © Tate, London 2017. https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/025_R465-The-Artists-Son.jpg Paul Cézanne. The Artist's Son, 1881-2. Musée de l'Orangerie, Paris. Photograph © RMN-Grand Palais (Musée de l'Orangerie) / Franck Raux. https://www.studiointernational.com/images/articles/c/086-cezanne-portrait-2018/064_R949-The-Gardener-Vallier.jpg Paul Cézanne. The Gardener Vallier, 1902-06. National Gallery of Art, Washington DC. Gift of Eugene and Agnes E Meyer. https://www.studiointernational.com/index.php/lumiere-london-2018-review https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/The-Umbrella-Project-by-Cirque-Bijou-1.jpg Cirque Bijou: The Umbrella Project. Image courtesy Lumiere London 2018. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/Nightlife-by-the-Lantern-Company-with-Jo-Pocock.jpg Lantern Company with Jo Pocock: Nightlife. Lumiere London 2018. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/Nightlife-by-the-Lantern-Company-with-Jo-Pocock-2.jpg Lantern Company with Jo Pocock: Nightlife. Lumiere London 2018. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/LampounetteByTILTonKingsBoulevardPhotoVeronicaSimpson.jpg TILT: Lampounette. Lumiere London 2018. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/Voyage-by-Camille-Gross-and-Leslie-Epzstein-(France),-Hotel-Cafe-Royal.jpg Camille Gross and Leslie Epsztein: Voyage. Image courtesy Lumiere London 2018. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/chevalier-oxford-circus-london-2018-(4).jpg Miguel Chevalier. Origin of the World Bubble 2018. Installation view, Oxford Circus, Lumiere London 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/WaterlichtByDaanRoosegaarde-in-GranarySquare.jpg Daan Roosegaarde: Waterlicht. Lumiere London 2018. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/Spectral.jpg Katarzyna Malejka and Joachim Sługocki: Spectral. Image courtesy Lumiere London 2018. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/EntreLesRangs3PhotoAliceMalik-4.jpg Rami Bebawi / KANVA: Entre les rangs. Lumiere London 2018. Photograph: Alice Malik. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/TheRosebyMickStephensonwithElectricPedals-power.jpg Mick Stephenson with Electric Pedals: The Rose. Lumiere London 2018. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/chevalier-oxford-circus-london-2018-(3).jpg Miguel Chevalier. Origin of the World Bubble 2018. Installation view, Oxford Circus, Lumiere London 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/TheRoseClose-upByMickStephenson.jpg Mick Stephenson with Electric Pedals: The Rose. Lumiere London 2018. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/l/093-lumiere-london-2018/Reflektor-by-Studio-Roso.jpg Studio Roso: Reflektor. Lumiere London 2018. Photograph: Veronica Simpson. https://www.studiointernational.com/index.php/the-land-we-live-in-land-we-left-behind-review https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/HOLLER-2015.jpg Carsten Höller. Giant Triple Mushroom, 2015. Photograph © Carsten Höller. Courtesy of Gagosian. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/ThreshinbBarnwithMushrooms.jpg Threshing barn with mushrooms. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/BreadOven.jpg Hayatsu Architects and students from Central Saint Martins. Community Bread Oven, 2017. Image © Motoko Fujita 2017. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/MarcusCoatesTurdsinShowcasePicVeronicaSimpson.jpg Showcase with Marcus Coates’s cast bronze goat droppings. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/ChristianCountryMusicAlbumCoversPicByVeronicaSimpson.jpg Christian country music album sleeves. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/dragonjar.jpg Unknown Artist. Dragon Jar, c1500–1600. Stoneware, glaze. © Manchester Art Gallery / Bridgeman Images. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/Kinkade,Schwitters,LilliputLaneTripVeronicaSimpson.jpg Thomas Kinkade. Bambi, 2015 (top); Kurt Schwitters painting of an apple store (below); Lilliput Lane model of an apple store. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/HouseOfFermentKarenGuthrieForegroundH&W.jpg Karen Guthrie and Front Designs. House of Ferment, 2016. Courtesy of Hauser & Wirth. Photograph: Ken Adlard. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/HaystacksSimonFairlieH-W.jpg Simon Fairlie. Haystacks, 2018. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/PaulMcCarthyTheBavarianDeer.jpg Paul McCarthy. The Bavarian Deer, 1987/1999. © Paul McCarthy. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/HonestyShopH&W.jpg The honesty shop. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/AppleServiceProvider_MarcusCoates6413.jpg Marcus Coates. Apple Service Provider, 2017. Photograph: Andy Gott. © Marcus Coates. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/JohnMartinSadakInSearchOfTheWatesOblivion.jpg John Martin. Sadak in Search of the Waters of Oblivion, 1812. Oil on canvas. Courtesy of Southampton City Art Gallery, Hampshire, UK / Bridgeman Images. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/MarkWallingerStatelyHome.jpg Mark Wallinger. Stately Home, 1985. © Mark Wallinger. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/HULSDONCK-VP4586-Still-life.jpg Jacob Van Hulsdonck. A Still Life of a laid Table, with Plates of Meat and Fish and a Basket of Fruit and Vegetables, c1615. On panel, the reverse prepared with gesso. Courtesy of Johnny Van Haeften Ltd, London. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/MarcusCoatesBritish-Mammal-Shits_all.jpg Marcus Coates. British Mammal Shits, 2012. Cast bronze. © Marcus Coates. Courtesy of the artist and Kate MacGarry. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/GoatPavilionByHayatsuArchiectsFernandoGarciaDory.jpg Fernando García-Dory and Hayatsu Architects. Goat Pavilion, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/OrdinaryArchitecture(2017)byFoundationMythsPicVSimpson.jpg Ordinary Architecture. Foundation Myths, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/t/099-the-land-we-live-in-2018/FilmOurDailyBreadH-W.jpg Background: Nikolaus Geyrhalter’s Our Daily Bread, 2005; Foreground: Table with amalgamation of many artists’ work, including that of Ryan Gander, Rob Kesseler, Laure Prouvost, Williams and Aaron Angell. Courtesy of Hauser & Wirth. Photograph: Ken Adlard. https://www.studiointernational.com/index.php/threesome-3x3-review-new-art-projects-london https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/roxanna-halls-ursula-martinez.jpg Roxana Halls. Ursula Martinez, 2018. Oil on linen, 80 x 110cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/sarah-jane-moon-Ursula-Martinez.jpg Sarah Jane Moon. Ursula Martinez, 2018. Oil on canvas, 124 x 154 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/Sadie-Lee.jpg Sarah Jane Moon. Sadie Lee, 2018. Oil on canvas, 124 x 154 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/roxanna-halls-threesome-III-sm.jpg Roxana Halls. Threesome III, 2018. Oil on linen, 110 x 140 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/Roxana-Halls-by-Sadie-Lee-Hi-Res.jpg Sadie Lee. Roxanna Halls, 2018. Oil on canvas, 121 x 91 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/The-Venus-Effect-Portrait-of-Ursula-Martinez-by-Sadie-Lee-JIG.jpg Sadie Lee. The Venus Effect - Portrait of Ursula Martinez, 2018. Oil on canvas, 91.5 x 122 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/rachel-house.jpg Rachael House. Self Portrait with Badges, after Peter Blake, 2011. Photograph, 83 x 59 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/The-Naked-Artist-Suzie-Pindar,-Naked,-2015.jpg The Naked Artist - Suzie Pindar. Naked, 2015. Photography/mixed media, 54.1 x 84.1 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/Marta-Kochanek,-SELF,-2015.jpg Marta Kochanek. SELF, 2015. Digital photograph, 60 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/Self-Portrait-by-Sadie-Lee-Hi-Res.jpg Sadie Lee. Self Portrait, 2018. Oil on canvas, 121 x 91 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/roxanna-halls-threesome-I-sm.jpg Roxana Halls. Threesome I, 2018. Oil on linen, 110 x 140 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/roxanna-halls-threesome-II-sm.jpg Roxana Halls. Threesome II, 2018. Oil on linen, 110 x 140 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/Roxana-Halls.jpg Sarah Jane Moon. Roxana Halls, 2018. Oil on canvas, 124 x 154 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/Sarah-Jane-Moon-.jpg Sarah Jane Moon. Sarah Jane Moon, 2018. Oil on canvas, 124 x 154 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/Imogen-Crew,-Living-Room,-2017.jpg Imogen Crew. Living Room, 2017. Photograph, 29.7 x 42 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/Sarah-Jane-Moon-by-Sadie-Lee-Hi-Res.jpg Sadie Lee. Sarah Jane Moon, 2018. Oil on canvas, 121 x 91 cm. © the artist. https://www.studiointernational.com/images/articles/w/096-women-3x3-2018/Liz-Helman,-Untitled.jpg Liz Helman. Untitled. Belonging, 2017. Canvas, 55 x 46 cm. © the artist. https://www.studiointernational.com/index.php/marguerite-humeau-echoes-review-tate-britain https://www.studiointernational.com/images/articles/h/085-humeau-marguerite-2018/Humeau_Echoes_Art_Now_04.jpg Marguerite Humeau, Echoes, 2018. Installation view. Photograph: © Tate, Joe Humphrys. https://www.studiointernational.com/images/articles/h/085-humeau-marguerite-2018/Humeau_Echoes_Art_Now_09.jpg Marguerite Humeau, Echoes, 2018. Installation view. Photograph: © Tate, Joe Humphrys. https://www.studiointernational.com/images/articles/h/085-humeau-marguerite-2018/Humeau_Echoes_Art_Now_12.jpg Marguerite Humeau, Echoes, 2018. Installation view. Photograph: © Tate, Joe Humphrys. https://www.studiointernational.com/images/articles/h/085-humeau-marguerite-2018/Humeau_Echoes_Art_Now_07.jpg Marguerite Humeau, Echoes, 2018. Installation view. Photograph: © Tate, Joe Humphrys. https://www.studiointernational.com/images/articles/h/085-humeau-marguerite-2018/Humeau_Echoes_Art_Now_01.jpg Marguerite Humeau, Echoes, 2018. Installation view. Photograph: © Tate, Joe Humphrys. https://www.studiointernational.com/images/articles/h/085-humeau-marguerite-2018/Humeau_Echoes_Art_Now_06.jpg Marguerite Humeau, Echoes, 2018. Installation view. Photograph: © Tate, Joe Humphrys. https://www.studiointernational.com/images/articles/h/085-humeau-marguerite-2018/Humeau_Echoes_Art_Now_08.jpg Marguerite Humeau, Echoes, 2018. Installation view. Photograph: © Tate, Joe Humphrys. https://www.studiointernational.com/images/articles/h/085-humeau-marguerite-2018/Humeau_Echoes_Art_Now_15.jpg Marguerite Humeau, Echoes, 2018. Installation view. Photograph: © Tate, Joe Humphrys. https://www.studiointernational.com/index.php/a-new-era-scottish-modern-art-1900-1950-national-gallery-edinburgh https://www.studiointernational.com/images/articles/n/098-new-era-2018/Etude-de-Rhythme,-1910.jpg John Duncan Fergusson. Étude de Rhythme, 1910. Oil on board, 60.9 x 49.9 cm. The Fergusson Gallery, Perth & Kinross Council: Presented by the J. D. Fergusson Art Foundation 1991. © The Fergusson Gallery, Perth & Kinross Council, Scotland. https://www.studiointernational.com/images/articles/n/098-new-era-2018/Unidentified-Aircraft-(over-Montrose),-1942.jpg Edward Baird. Unidentified Aircraft (over Montrose), 1942. Oil on canvas, 71.1 x 91.4 cm. Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council: Purchased 1943. © Graham Stephen. https://www.studiointernational.com/images/articles/n/098-new-era-2018/Tulips-and-Fruit,-c1912.jpg Samuel John Peploe. Tulips and Fruit, c1912. Oil on canvas, 46 x 56 cm. Private collection, courtesy Christie’s. https://www.studiointernational.com/images/articles/n/098-new-era-2018/Aquarium,-1949.jpg William Turnbull. Aquarium, 1949. Bronze, 28 x 38 x 50.8 cm. National Galleries of Scotland. Purchased from the Henry and Sula Walton Fund with help from Art Fund 2014 + logo. © Estate of William Turnbull. All rights reserved, DACS 2017. https://www.studiointernational.com/images/articles/n/098-new-era-2018/Upper-Glacier,-1950.jpg Wilhelmina Barns-Graham. Upper Glacier, 1950. Oil on canvas, 39.4 x 62.9 cm. British Council collection. Purchased from the artist 1950. © The Barns-Graham Charitable Trust. https://www.studiointernational.com/images/articles/n/098-new-era-2018/The-Sensation-of-Crossing-the-Street-1913.jpg Stanley Cursiter. The Sensation of Crossing the Street – West End, Edinburgh, 1913. Oil on canvas, 51 x 61 cm. Private collection, courtesy Susannah Pollen Ltd. © Estate of Stanley Cursiter. All Rights Reserved, DACS 2017. https://www.studiointernational.com/index.php/charles-king-and-collector-review-royal-academy-london https://www.studiointernational.com/images/articles/c/085-charles-1-2018/charles-I.jpg Anthony van Dyck (1599–1641. Charles I in the Hunting Field, c1636. Oil on canvas, 266 x 207 cm. Musée du Louvre, Paris, Department of Paintings. Photograph © RMN-Grand Palais (musée du Louvre) / Christian Jean. https://www.studiointernational.com/images/articles/c/085-charles-1-2018/Key-67.jpg Anthony van Dyck. Queen Henrietta Maria with Sir Jeffrey Hudson, 1633. Oil on canvas, 219.1 x 134.8 cm. National Gallery of Art, Washington. Samuel H. Kress Collection. Photograph © Courtesy National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/c/085-charles-1-2018/Key-140.jpg Hans Holbein the Younger. Anne Cresacre, c1527. Black and coloured chalks on paper, 37.2 x 26.6 cm. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017. https://www.studiointernational.com/images/articles/c/085-charles-1-2018/Key-18.jpg Titian. The Supper at Emmaus, c1530. Oil on canvas, 169 x 244 cm. Paris, Louvre Museum, Department of Paintings. Photograph © RMN-Grand Palais (musée du Louvre) / Stéphane Maréchalle . https://www.studiointernational.com/images/articles/c/085-charles-1-2018/Key-29.jpg Andrea Mantegna. Triumph of Caesar: The Vase Bearers, c1484-92. Tempera on canvas, 269.5 x 280 cm. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017. https://www.studiointernational.com/images/articles/c/085-charles-1-2018/Key-125.jpg Correggio. Venus with Mercury and Cupid (The School of Love), c1525. Oil on canvas, 155.6 x 91.4 cm. The National Gallery, London. Bought, 1834. Photograph © The National Gallery, London. https://www.studiointernational.com/images/articles/c/085-charles-1-2018/Key-132-ALT-2.jpg Roman. Aphrodite (The Crouching Venus), second century. Marble, 119 cm. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017. https://www.studiointernational.com/images/articles/c/085-charles-1-2018/Key-64.jpg Anthony van Dyck. Charles I, 1635-6. Oil on canvas, 84.4 x 99.4 cm. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017. https://www.studiointernational.com/index.php/jason-brooks-interview-im-interested-in-airbrushing-in-detail https://www.studiointernational.com/images/articles/b/082-brooks-jason-2018/Brooks_Don_2017-18.jpg Jason Brooks. Don, 2017-18. Acrylic on giant watercolour paper, 122 x 152.6 cm. https://www.studiointernational.com/images/articles/b/082-brooks-jason-2018/jason-brooks-excelsior-super-x-2017-18-(3).jpg Jason Brooks. Excelsior Super X, 2017-18. Zinc, steel and paint, 280 x 120 x 80 cm. https://www.studiointernational.com/images/articles/b/082-brooks-jason-2018/Jason-Brooks-Gloucestershire-portrait-martin-kennedy.jpg Jason Brooks at his Gloucestershire studio, January 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/b/082-brooks-jason-2018/Brooks_Sue_2017-18.jpg Jason Brooks. Sue, 2017-18. Acrylic on giant watercolour paper, 122 x 152.6 cm. https://www.studiointernational.com/images/articles/b/082-brooks-jason-2018/Brooks_Will_2017-18.jpg Jason Brooks. Will, 2017-18. Acrylic on giant watercolour paper, 122 x 152.6 cm. https://www.studiointernational.com/images/articles/b/082-brooks-jason-2018/Jason-Brooks,-To-Napolean,-2017.jpg Jason Brooks. To Napoleon, 2016-17. Acrylic, airbrush and oil on canvas, double stretched over polyester cloth, 180.5 x 137 cm. https://www.studiointernational.com/images/articles/b/082-brooks-jason-2018/Jason-Brooks.-Now-is-Past,-2017.jpg Jason Brooks. Now is Past, 2016-18. Acrylic, airbrush and oil on canvas, double stretched over polyester cloth, 90.5 x 110.2 cm. https://www.studiointernational.com/images/articles/b/082-brooks-jason-2018/jason-brooks-super-meteor-2017-photo-martin-kennedy.jpg Jason Brooks. Super Meteor, 2017. Acrylic and airbrush on canvas, double stretched over polyester cloth, 50 x 38 cm. https://www.studiointernational.com/index.php/sophie-herxheimer-video-interview-im-after-precision-in-poetry https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/Velkom-to-Inklandt-cover.jpg Sophie Herxheimer. Velkom to Inklandt cover. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/sophie-herxheimer-640.jpg Studio International visited Sophie Herxheimer at her house and studio in Brixton to talk about the ideas and inspirations that inform her work, January 2018. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/A-House,-Held.jpg Sophie Herxheimer. A House, Held. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/Dedication-page-in-The-Listening-Forest.jpg Sophie Herxheimer. Dedication page in The Listening Forest. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/Emily-Buttercups.jpg Sophie Herxheimer. Emily Buttercups. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/Emily-walking-with-dog.jpg Sophie Herxheimer. Emily walking with dog. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/Grandmothers-Chair.jpg Sophie Herxheimer. Grandmothers Chair. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/Hurrican-Butter-Back-cover.jpg Sophie Herxheimer. Hurrican Butter, back cover. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/In-her-small-bureau-of-tears.jpg Sophie Herxheimer. In her small bureau of tears. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/London.jpg Sophie Herxheimer. London. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/Midnight-on-the-summer-solstice.jpg Sophie Herxheimer. Midnight on the summer solstice. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/Velkom-to-Inkland-detail.jpg Sophie Herxheimer. Velkom to Inklandt (detail). © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/What-a-carry-on.jpg Sophie Herxheimer. What a carry on. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/You-cant-choose-your-parents-.jpg Sophie Herxheimer. You can't choose your parents. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/page-in-THE-LISTENING-FOREST.jpg Sophie Herxheimer. Page in The Listening Forest. © the artist. https://www.studiointernational.com/images/articles/h/084-herxheimer-sophie-2018/we-were-out-in-the-woods.jpg Sophie Herxheimer. We were out in the woods. © the artist. https://www.studiointernational.com/index.php/andreas-gursky-review-hayward-gallery-london-german-photographer https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/Installation-images-_-Andreas-Gursky-at-Hayward-Gallery-25-January---22-April-2018-_-credit-Ralph-Goertz.jpg Andreas Gursky at Hayward Gallery 25 January – 22 April 2018. Installation view. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/Gursky_PY_VII.jpg Andreas Gursky. Pyongyang VII 2007/2017. C-Print, Diasec, 307 x 223 x 6.2 cm. © Andreas Gursky/DACS, 2017. Courtesy: Sprüth Magers. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/docks.jpg Andreas Gursky at Hayward Gallery 25 January – 22 April 2018. Installation view, Salerno I, 1990. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/Installation-images-_-Andreas-Gursky-at-Hayward-Gallery-25-January---22-April-2018-_-credit-Mark-Blower.jpg Andreas Gursky at Hayward Gallery 25 January – 22 April 2018. Installation view. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/paris-apartments.jpg Andreas Gursky at Hayward Gallery 25 January – 22 April 2018. Installation view, Paris, Montparnasse, 1993. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/99-cent-gursky-image.jpg Andreas Gursky at Hayward Gallery 25 January – 22 April 2018. Installation view, 99 Cent, 1999 ( remastered 2009). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/Gursky_Amazon.jpg Andreas Gursky. Amazon, 2016. Inkjet-Print, 207 x 407 x 6.2 cm. © Andreas Gursky/DACS, 2017. Courtesy: Sprüth Magers. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/Kodak.jpg Andreas Gursky. Kodak, 1995. Inkjet-Print, 91.7 x 107.5 x 4.2 cm. © Andreas Gursky/DACS, 2017. Courtesy: Sprüth Magers. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/Gursky_Les_Mees.jpg Andreas Gursky. Les Mées, 2016. Print, 220.9 x 367.2 x 6.2 cm. © Andreas Gursky/DACS, 2017. Courtesy: Sprüth Magers. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/gursky_660x565.jpg Andreas Gursky at Hayward Gallery 25 January – 22 April 2018. Installation view. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/Installation-images-_-Andreas-Gursky-at-Hayward-Gallery-25-January---22-April-2018-_-credit-Mark-Blower-2.jpg Andreas Gursky at Hayward Gallery 25 January – 22 April 2018. Installation view. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/095-gursky-andreas-2018/hayward-exterior-view-with-gursky-image.jpg Andreas Gursky at Hayward Gallery 25 January – 22 April 2018. Exterior view. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/debra-diamond-interview-encountering-the-buddha-arthur-m-sackler-gallery-smithsonian https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/tibetan-shrine-660x565.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9617-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/e/092-encountering-the-buddha-2018/_87A5274.jpg Encountering the Buddha: Art and Practice Across Asia. Gallery view, Arthur M. Sackler Gallery at the Smithsonian Institution, Washington DC. Image courtesy of Freer | Sackler staff. https://www.studiointernational.com/images/articles/e/092-encountering-the-buddha-2018/A017C010_161213PG.jpg Film still. The Texture of Practice: Sri Lanka’s Great Stupa. Filmmaker Stanley J. Staniski. https://www.studiointernational.com/images/articles/e/092-encountering-the-buddha-2018/Screen-Shot-2017-04-19-at-8.33.jpg Film still. The Texture of Practice: Sri Lanka’s Great Stupa. Filmmaker Stanley J. Staniski. https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9632-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/e/092-encountering-the-buddha-2018/590A3909.jpg Encountering the Buddha: Art and Practice Across Asia. Gallery view, Arthur M. Sackler Gallery at the Smithsonian Institution, Washington DC. Image courtesy of Freer | Sackler staff. https://www.studiointernational.com/images/articles/e/092-encountering-the-buddha-2018/F1911.jpg Future Buddha Maitreya (Mile), China, Hebei Province, Quyang, Northern Qi dynasty, 550–77. Marble with traces of pigment. Gift of Charles Lang Freer, Freer Gallery of Art. https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9622-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/e/092-encountering-the-buddha-2018/S2014.jpg Padmasambhava. Central Tibet, c1700–1750. Gilt copper alloy, pearl and turquoise, traces of pigments on hair and face. The Alice S. Kandell Collection, Arthur M. Sackler Gallery. https://www.studiointernational.com/images/articles/e/092-encountering-the-buddha-2018/A021C006_161215DD.jpg Film still. The Texture of Practice: Sri Lanka’s Great Stupa. Filmmaker Stanley J. Staniski. https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9625-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9668-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/e/092-encountering-the-buddha-2018/_87A5245.jpg Encountering the Buddha: Art and Practice Across Asia. Gallery view, Arthur M. Sackler Gallery at the Smithsonian Institution, Washington DC. Image courtesy of Freer | Sackler staff. https://www.studiointernational.com/images/articles/s/086-sackler-gallery-tibetan-shrine-2017/_DSC9673-s.jpg The Tibetan Buddhist Shrine Room from the Alice S. Kandell Collection. Gifts and promised gifts from the Alice S. Kandell Collection to the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/after-white-michaela-zimmer-peter-welz-review-fold-gallery-london https://www.studiointernational.com/images/articles/a/091-after-white-2018/photo-Deborah-Jaffe.jpg Miguel Altunaga, a member of the dance company Rambert, performing on the opening night. Photograph: deborahjaffe.co.uk https://www.studiointernational.com/images/articles/a/091-after-white-2018/MZimmer_afterwhite_install_05.jpg Peter Welz. Architectural Device for a Passage | Spacial Division, 2018. Steel and bolts, 260 x 645 x 350 cm. Installation view. https://www.studiointernational.com/images/articles/a/091-after-white-2018/MZimmer180102_185x130cm.jpg Michaela Zimmer. 180102, 2018. Acrylic, lacquer, PE film, polymesh on canvas, 185 x 130 cm, https://www.studiointernational.com/images/articles/a/091-after-white-2018/MZimmer180105_185x130cm.jpg Michaela Zimmer. 180105, 2018. Acrylic, lacquer, PE film on canvas, 185 x 130 cm. https://www.studiointernational.com/images/articles/a/091-after-white-2018/MZimmer180101_200x155cm.jpg Michaela Zimmer. 180101, 2018. Acrylic, lacquer, PE film, lacktex oilcloth, on canvas, 200 x 155 cm. https://www.studiointernational.com/images/articles/a/091-after-white-2018/MZimmer_afterwhite_install_01.jpg Peter Welz. Architectural Device for a Passage | Spacial Division, 2018. Steel and bolts, 260 x 645 x 350 cm. Installation view. https://www.studiointernational.com/images/articles/a/091-after-white-2018/MZimmer180103_185x130cm.jpg Michaela Zimmer. 180103, 2018. Acrylic, lacquer, polymesh on canvas, 185 x 130 cm. https://www.studiointernational.com/images/articles/a/091-after-white-2018/MZimmer_afterwhite_install_07.jpg Peter Welz. Architectural Device for a Passage | Spacial Division, 2018. Steel and bolts, 260 x 645 x 350 cm, with Michaela Zimmer's 180106, 2018. Acrylic, lacquer on canvas, 160 x 120 cm. Installation view. https://www.studiointernational.com/images/articles/a/091-after-white-2018/MZimmer180106_160x120cm.jpg Michaela Zimmer. 180106, 2018. Acrylic, lacquer on canvas, 160 x 120 cm. https://www.studiointernational.com/images/articles/a/091-after-white-2018/DSC_8963_1.jpg Miguel Altunaga, a member of the dance company Rambert, performing on the opening night. Photograph: deborahjaffe.co.uk https://www.studiointernational.com/index.php/michael-armitage-interview-the-chapel https://www.studiointernational.com/images/articles/a/090-armitage-michael-2018/Michael-Armitage-The-Chapel,-Installation-View.jpg Michael Armitage, The Chapel, installation view at the South London Gallery, 2017. Photograph: Andy Stagg. https://www.studiointernational.com/images/articles/a/090-armitage-michael-2018/Michael-Armitage-Conjestina-2017-(high-res)_low.jpg Michael Armitage. Conjestina, 2017. © Michael Armitage. Photograph © White Cube (Ben Westoby). Courtesy of the Artist and White Cube. https://www.studiointernational.com/images/articles/a/090-armitage-michael-2018/Michael-Armitage-Nyayo-2017-(high-res2).jpg Michael Armitage. Nyayo, 2017. © Michael Armitage. Photograph: © White Cube (George Darrell). Courtesy of the Artist and White Cube. https://www.studiointernational.com/images/articles/a/090-armitage-michael-2018/Michael-Armitage-hope-2017-(high-res).jpg Michael Armitage. Hope, 2017. © Michael Armitage. Photograph: © White Cube (George Darrell). Courtesy of the Artist and White Cube. https://www.studiointernational.com/images/articles/a/090-armitage-michael-2018/MA-Exorcism-1-EDIT-2_low.jpg Michael Armitage. Exorcism, 2017, © Michael Armitage. Photograph © White Cube (Ben Westoby). Courtesy of the Artist and the Harry and Lana David Collection. https://www.studiointernational.com/images/articles/a/090-armitage-michael-2018/MA-The-Flaying-of-Marsayas-EDIT2_low.jpg Michael Armitage. The Flaying of Marsyas, 2017. © Michael Armitage. Photo © White Cube (Ben Westoby). Courtesy of the Artist and White Cube. https://www.studiointernational.com/images/articles/a/090-armitage-michael-2018/Michael-Armitage-Lacuna-2017-(high-res).jpg Michael Armitage. Lacuna, 2017. © Michael Armitage. Photograph: © White Cube (George Darrell). Courtesy of the Artist and White Cube. https://www.studiointernational.com/images/articles/a/090-armitage-michael-2018/Michael-Armitage-The-Chapel,-Installation-View-2.jpg Michael Armitage, The Chapel, installation view at the South London Gallery, 2017. Photograph: Andy Stagg. https://www.studiointernational.com/index.php/camille-claudel-review-musee-d-orsay-sculpture https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/14.jpg Camille Claudel. Installation view, Musée d https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/12.jpg Camille Claudel. Buste de Paul Claudel à trente-sept ans (Bust of Paul Claudel aged 37, study), 1905. Plaster, 39.5(h) x 30.5(w) x 25(d) cm. Poitiers, Musée Sainte-Croix. Acquired with the support of the French National Heritage Fund, the Nouvelle-Aquitaine regional acquisition fund (FRAM), Jean-Paul and Isabelle Brasier, Sylvie and Jean-Marc Juric, two anonymous individuals and an anonymous company, the Mutuelle de Poitiers Assurances and the Société des Amis des Musées de Poitiers © Artcurial / DR. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/07.jpg Camille Claudel. Diane, c1881. Plaster, 18(h) x 10.5(w) x 7(d) cm. Villeneuve-sur-Fère, Maison Camille et Paul Claudel. Acquired with the support of the Communauté d https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/16.jpg Camille Claudel. Left: Sakountala, study, c1886. Terracotta 15.5(h) x 11.5(w) x 12.5(d) cm. Paris, Musée Rodin, © Artcurial / DR. Right: Study II for Shâkountalâ, c1886. Terracotta, 21.50(h) x 18.50(w) x 11(d) cm. Paris, Musée d https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/15.jpg Camille Claudel. L’Homme penché (Man Leaning), c1886. Plaster, 43.2(h) x 16.5(w) x 28(d) cm. Roubaix, La Piscine-musée d https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/09.jpg Camille Claudel. Tête de vieille femme (Old Woman’s Head), c1890. Plaster, 11(h) x 9(w) x 11(d) cm. Paris, Musée d https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/05.jpg Camille Claudel. L’Âge mur (The Age of Maturity), 1887. Bronze, 114(h) x 163(w) x 72(d) cm. © RMN-Grand Palais (Musée d https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/02.jpg Camille Claudel. 2. Femme à sa toilette ou Femme lisant une lettre (Woman at her Toilette or Woman Reading a Letter), c1895-97. Plaster, 39(h) x 40.5(w) x 29(d) cm. Poitiers, Musée Sainte-Croix. Acquired with the support of the French National Heritage Fund, the Nouvelle-Aquitaine regional acquisition fund (FRAM), Jean-Paul and Isabelle Brasier, Sylvie and Jean-Marc Juric, two anonymous individuals and an anonymous company, the Mutuelle de Poitiers Assurances and the Société des Amis des Musées de Poitiers, © Artcurial / DR. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/04.jpg Camille Claudel. Torse de Clotho (Torso of Clotho), c1893. Plaster, 44.5 × 25 × 14 cm. © RMN-Grand Palais (Musée d'Orsay). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/01.jpg Camille Claudel. L’Âge mur (The Age of Maturity), 1887 (detail). © RMN-Grand Palais (Musée d'Orsay). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/03.jpg Camille Claudel. L’Âge mur (The Age of Maturity), 1887 (detail). © RMN-Grand Palais (Musée d'Orsay). Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/11.jpg Camille Claudel. Camille Claudel. 2. Femme à sa toilette ou Femme lisant une lettre (Woman at her Toilette or Woman Reading a Letter), c1895-97 (detail). © Artcurial / DR. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/10.jpg Camille Claudel. La vieille Hélène or Buste de vieille femme (Old Hélène or Bust of an Old Woman), c1882-85, model; between 1906-26, cast. Bronze, sand casting by Fumière et Cie, 28(h) cm. Poitiers, Musée Sainte-Croix. Acquired with the support of the French National Heritage Fund, the Nouvelle-Aquitaine regional acquisition fund (FRAM), Jean-Paul and Isabelle Brasier, Sylvie and Jean-Marc Juric, two anonymous individualsand an anonymous company, the Mutuelle de Poitiers Assurances and the Société des Amis des Musées de Poitiers, © Artcurial / DR. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/13.jpg Camille Claudel. Mon frère/Jeune Romain/Buste de Paul Claudel (My Brother/Young Roman/Bust of Paul Claudel), c1882-1883. Patinated plaster, 50(h) x 45(w) x 26(d) cm. Aube Department, on long term loan to the Musée Camille Claudel, Nogent-sur-Marne. © Artcurial / DR. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/06.jpg Camille Claudel. Installation view, Musée d'Orsay, Paris. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/084-claudel-camille-2018/08.jpg Camille Claudel. Installation view, Musée d'Orsay, Paris. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/andrew-lacon-fragments-kate-v-robertson-this-mess-is-kept-afloat-review https://www.studiointernational.com/images/articles/l/092-lacon-and-robertson-2018/Andrew-Lacon-Fragments-(credit-Ruth-Clark).jpg Andrew Lacon. Fragments, 2017. Installation view, Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/l/092-lacon-and-robertson-2018/Andrew-Lacon2-(credit-Ruth-Clark).jpg Andrew Lacon. Fragments, 2017. Installation view, Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/l/092-lacon-and-robertson-2018/Kate-V-Robertson-(credit-Ruth-Clark).jpg Kate V Robertson: This Mess Is Kept Afloat, 2017. Installation view, Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/l/092-lacon-and-robertson-2018/Kate-V-Robertson2-(credit-Ruth-Clark)-.jpg Kate V Robertson. This Mess Is Kept Afloat, 2017. Installation view, Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/l/092-lacon-and-robertson-2018/Kate-V-Robertson4-(credit-Ruth-Clark).jpg Kate V Robertson. This Mess Is Kept Afloat, 2017. Installation view, Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/l/092-lacon-and-robertson-2018/Andrew-Lacon-3-(credit-Ruth-Clark).jpg Andrew Lacon. Fragments, 2017. Installation view, Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/l/092-lacon-and-robertson-2018/Kate-V-Robertson3-(credit-Ruth-Clark).jpg Kate V Robertson. This Mess Is Kept Afloat, 2017 (detail). Installation view, Dundee Contemporary Arts. Photograph: Ruth Clark. https://www.studiointernational.com/index.php/glenn-brown-come-to-dust-review-gagosian-grosvenor-hill-london https://www.studiointernational.com/images/articles/b/081-brown-glenn-2018/1.jpg Glenn Brown. They Slipped the Surly Bounds of Earth and Touched the Face of God, 2017. Oil on panel, 128.5 x 82.5 x 2.2 cm. © Glenn Brown. Courtesy of the artist and Gagosian. Photograph: Lucy Dawkins. https://www.studiointernational.com/images/articles/b/081-brown-glenn-2018/5.jpg Glenn Brown. Drawing 16 (after Van Noordt), 2017. Indian ink and acrylic paint on film, and frame, 32.1 x 22.6 cm. © Glenn Brown. Courtesy of the artist and Gagosian. Photograph: Edgar Laguinia. https://www.studiointernational.com/images/articles/b/081-brown-glenn-2018/3.jpg Glenn Brown. Let’s Make Love and Listen to Death from Above, 2017. Oil on panel, 231 x 192 cm. © Glenn Brown. Courtesy of the artist and Gagosian. Photograph: Mike Bruce. https://www.studiointernational.com/images/articles/b/081-brown-glenn-2018/2.jpg Glenn Brown. The Music of the Mountains, 2016. Indian ink and acrylic on panel, 135 x 95 x 3 cm. © Glenn Brown. Courtesy of the artist and Gagosian. Photograph: Mike Bruce. https://www.studiointernational.com/images/articles/b/081-brown-glenn-2018/4.jpg Glenn Brown. Come to Dust, 2017. Oil on panel, 115 x 71 cm. © Glenn Brown. Courtesy of the artist and Gagosian. Photograph: Lucy Dawkins. https://www.studiointernational.com/images/articles/b/081-brown-glenn-2018/6.jpg Glenn Brown. Let me ferry you out to sea To see who you could have been When time comes to row back in You’ll be in the place you should have been, 2017. Oil paint on bronze, 84 x 74 x 66cm. © Glenn Brown. Courtesy of the artist and Gagosian. Photograph: Mike Bruce. https://www.studiointernational.com/index.php/tarsila-do-amaral-inventing-modern-art-in-brazil-review-museum-of-modern-art-moma-new-york https://www.studiointernational.com/images/articles/t/098-tarsila-2018/05-anegra.jpg Tarsila do Amaral. A Negra, 1923. Oil on canvas, 39 3/8 x 32 in (100 x 81.3 cm). Museo de Arte Contemporânea de Universidade de São Paulo. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/images/articles/t/098-tarsila-2018/06-acuca.jpg Tarsila do Amaral. A Cuca, 1924. Oil on canvas, 23 13/16 × 28 9/16 in (60.5 × 72.5 cm). Centre National des Arts Plastiques, Paris, France FNAC 9459. Photography © Cnap / Ville de Grenoble / Musée de Grenoble – J.L. Lacroix. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/images/articles/t/098-tarsila-2018/04-study.jpg Tarsila do Amaral. Study for Composition (Lonely figure) III [Estudo de Composição (Figura só) III], 1930. Ink on paper, 8 11/16 x 13 in (22 x 33 cm). The Museum of Modern Art, New York. Gift of Max Perlingeiro through the Latin American and Caribbean Fund. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/images/articles/t/098-tarsila-2018/08-carnival.jpg Tarsila do Amaral. Carnival in Madureira (Carnaval em Madureira), 1924. Oil on canvas, 29 15/16 x 25 in (76 x 63.5 cm). Acervo da Fundação José e Paulina Nemirovsky, em comodato com a Pinacoteca do Estado de São Paulo. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/images/articles/t/098-tarsila-2018/01-tarsila_abaporu91.jpg Tarsila do Amaral. Abaporu, 1928. Oil on canvas, 33 7/16 x 28 3/4 in (85 x 73 cm). Collection MALBA, Museo de Arte Latinoamericano de Buenos Aires. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/images/articles/t/098-tarsila-2018/03-antropofagia.jpg Tarsila do Amaral. Anthropophagy (Antropofagia), 1929. Oil on canvas, 49 5/8 x 55 15/16 in (126 x 142 cm). Acervo da Fundação Jose e Paulina Nemirovsky, em comodato com a Pinacoteca do Estado de São Paulo. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/images/articles/t/098-tarsila-2018/10-cartaopostal.jpg Tarsila do Amaral. Postcard (Cartão-postal), 1929. Oil on canvas, 50 3/16 x 56 1/8 in (127.5 x 142.5 cm). Private collection, Rio de Janeiro. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/images/articles/t/098-tarsila-2018/07-arua.jpg Tarsila do Amaral. City (The Street), 1929. Oil on canvas, 31 7/8 × 21 1/4 in (81 × 54 cm). Collection of Bolsa de Arte. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/images/articles/t/098-tarsila-2018/02-urutu.jpg Tarsila do Amaral. Urutu Viper (Urutu), 1928. Oil on canvas, 23 5/8 x 28 3/8 in (60 x 72 cm). Coleção Gilberto Chateaubriand, Museu de Arte Moderna, Rio de Janeiro. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/images/articles/t/098-tarsila-2018/09-solpoente.jpg Tarsila do Amaral. Setting Sun (Sol poente), 1929. Oil on canvas, 21 1/4 x 25 9/16 in (54 x 65 cm). Private collection, Rio de Janeiro. © Tarsila do Amaral Licenciamentos. https://www.studiointernational.com/index.php/kettles-yard-cambridge-reopening-2018-jamie-fobert-architects https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/03-KettlesYardCottagesMirowithCutCrystalAndCiderPressVS.jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/08-BalconyLeslieMartinExtensionwithRooflight_030.jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/14-RestoredBrickworkLinksNewWith.jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/11-NewGalleryOpensOntoCastleStreet_013.jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/09-ReplacedBrickExteriorCasteStreet_022.jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/02-KYardUpTheBrickPathToCottages(top).jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/10-NewBasementEducationSpace_029.jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/06-SteelStairStructure_020.jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/19-Nathan-Coley-commission-in-churchyard-KettlesYardGeneralEdit01.jpg The Same for Everyone, Nathan Coley https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/04-NewFoyer-004.jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/12-MainGalleryN.jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/13-NiceGraduatedThresholdsFrom-BrickToConcreteNewFoyer-(1).jpg Kettle https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/17-KettlesYardCorneliaParkerVSimpson.jpg Cornelia Parker. Marks in chalk from the White Cliffs of Dover. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/18-KettlesYardRanaBegumInChapel-(1).jpg Baskets by Rana Begum, inside St Peter’s Church. https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/01-NewEntrance_018.jpg Kettle's Yard, Cambridge. New entrance. Fobert Architects © Hufton+Crow. https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/05-StairsNewWing_023.jpg Kettle's Yard, Cambridge. Stairs, new wing. Fobert Architects © Hufton+Crow. https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/07-NewwindowSeatStairTop_031.jpg Kettle's Yard, Cambridge. New window seat at the top of the stairs. Fobert Architects © Hufton+Crow. https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/15-RooflightsEchoMartinsInMainGalleryNewWing.jpg Kettle's Yard, Cambridge. Rooflights in main gallery. Fobert Architects © Hufton+Crow. https://www.studiointernational.com/images/articles/k/089-kettles-yard-2018/16--KettlesYardPebbleVSimpson.jpg Ian Hamilton Finlay. England is the Louvre of The Pebble, 1995. Inscribed stone, 97 x 145 x 14 mm. Photograph: Veronica Simpson. https://www.studiointernational.com/index.php/maija-luutonen-interview-kiasma-commission-by-kordelin https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/installation-view-0932.jpg Maija Luutonen. Patch, 2018. Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/IMG_8237.jpg Maija Luutonen in her studio, 2018. Photograph: Kristian Vistrup Madsen. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/4519-mg-0922.jpg Maija Luutonen. Patch, 2018. Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/installation-view-0854.jpg Maija Luutonen. Patch, 2018. Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/4426-mg-0673.jpg Maija Luutonen. Patch, 2018. Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/4427-mg-0677.jpg Maija Luutonen. Patch, 2018. Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/4530-mg-0987.jpg Maija Luutonen. Patch, 2018 (detail). Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/4528-mg-0982.jpg Maija Luutonen. Patch, 2018 (detail). Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/IMG_8241.jpg Maija Luutonen, studio view, 2018. Photograph: Kristian Vistrup Madsen. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/4433-2612018-0139.jpg Maija Luutonen. Patch, 2018 (detail). Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/4432-2612018-0138-1.jpg Maija Luutonen. Patch, 2018 (detail). Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/4434-2612018-0140.jpg Maija Luutonen. Patch, 2018 (detail). Installation view. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/images/articles/l/091-luutonen-maija-2018/4559-mg-1099.jpg Maija Luutonen. Photograph: Finnish National Gallery / Petri Virtane. https://www.studiointernational.com/index.php/virtual-normality-women-net-artists-2-0-review https://www.studiointernational.com/images/articles/v/100-virtual-normality-2018/signepierce_josephwolfgangohlert.jpg Signe Pierce. Joseph Wolfgang Ohlert. https://www.studiointernational.com/images/articles/v/100-virtual-normality-2018/Refrakt,-Nicole-Ruggiero,-Molly-Soda,-Slide-to-Expose,-Installation,-2017-copyright-The-Artists.jpg Refrakt, Nicole Ruggiero, Molly Soda, Slide to Expose, Installation, 2017 © The Artists. https://www.studiointernational.com/images/articles/v/100-virtual-normality-2018/signepierce_big_sisters_liar_corneliawoerster.jpg Signe Pierce. Big sister https://www.studiointernational.com/images/articles/v/100-virtual-normality-2018/Stephanie-Sarley,-Grapefruit,-2017-copyright-The-Artist-(1).jpg Stephanie Sarley. Grapefruit, 2017. © The Artist. https://www.studiointernational.com/images/articles/v/100-virtual-normality-2018/Stephanie-Sarley,-When-He-Cheats,-2016-copyright-The-Artist_preview.jpg Stephanie Sarley. When He Cheats, 2016. © The Artist. https://www.studiointernational.com/images/articles/v/100-virtual-normality-2018/Leah-Schrager,-Infinity-Selfie,-SFSM-(Safe-for-Social-Media)-IIII,-2016-copyright-The-Artist.jpg Leah Schrager. Infinity Selfie, SFSM (Safe for Social Media) IIII, 2016 © The Artist. https://www.studiointernational.com/index.php/lydia-ourahmane-interview-chisenhale-gallery-london https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/Lydia-Ourahmane-at-Chisenhale-Gallery_12.jpg Lydia Ourahmane. In the Absence of our Mothers, 2018. Commissioned and produced by Chisenhale Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/Lydia-Ourahmane-blood-right-2018-07.jpg Lydia Ourahmane. Droit de Sand (Blood Right), 2018. Commissioned and produced by Chisenhale Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/Lydia-Ourahmane-at-Chisenhale-Gallery_13.jpg Lydia Ourahmane. The you in us, 2018. Installation view, Chisenhale Gallery, 2018. Commissioned and produced by Chisenhale Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/Doors-(2018)-Lydia-Ourahmane-at-Chisenhale-Gallery_01.jpg Lydia Ourahmane. Doors, 2018. Commissioned and produced by Chisenhale Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/03_LydiaOurahmane.jpg Lydia Ourahmane. p.H 8.7, 2015. Fertile soil smuggled from Medea, Algeria. Installation view Ellis King, Dublin, 2015. Courtesy the artist. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/Lydia-Ourahmane-at-Chisenhale-Gallery_08.jpg Lydia Ourahmane. In the Absence of our Mothers, 2018. Commissioned and produced by Chisenhale Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/Lydia-Ourahmane-at-Chisenhale-Gallery_15.jpg Lydia Ourahmane. Notes on the wait, 2018. Limited edition. Commissioned and produced by Chisenhale Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/04_LydiaOurahmane.jpg Lydia Ourahmane. The Third Choir, 2014-15. 20 x Naftal Oil Barrels imported from Algeria, CZ-5HE Radio Transmitter, 20 x Samsung E2121B Phones. Installation view Ellis King, Dublin, 2015. Courtesy the artist. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/Lydia-Ourahmane-at-Chisenhale-Gallery_11.jpg Lydia Ourahmane. In the Absence of our Mothers, 2018. Commissioned and produced by Chisenhale Gallery, London. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/01_LydiaOurahmane.jpg Lydia Ourahmane. Production still, 2017. Courtesy the artist. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/02_LydiaOurahmane.jpg Lydia Ourahmane. Production still, 2017. Courtesy the artist. https://www.studiointernational.com/images/articles/o/098-ourahmane-lydia-2018/05_LydiaOurahmane.jpg Lydia Ourahmane. All the way up to the Heavens and down to the depths of Hell, 2017. Installation view, 15th Istanbul Biennial, 2017. Courtesy of the artist. Photograph: Sahir Ugur Eren. https://www.studiointernational.com/index.php/yto-barrada-interview-agadir-the-curve-barbican https://www.studiointernational.com/images/articles/b/080-barrada-yto-2018/2.jpg Yto Barrada, Agadir. Installation view, The Curve, Barbican Centre, 2018. Photograph: Tristan Fewings/Getty Images. https://www.studiointernational.com/images/articles/b/080-barrada-yto-2018/3.jpg Yto Barrada, Agadir, featuring performers Nick Armfield, Rory Francis, Tallulah Bond and Jonny Lavelle. Installation view, The Curve, Barbican Centre, 2018. Photograph: Tristan Fewings/Getty Images. https://www.studiointernational.com/images/articles/b/080-barrada-yto-2018/4.jpg Yto Barrada, Agadir. Installation view, The Curve, Barbican Centre, 2018. Photograph: Tristan Fewings/Getty Images. https://www.studiointernational.com/images/articles/b/080-barrada-yto-2018/5.jpg Yto Barrada, Agadir. Installation view, The Curve, Barbican Centre, 2018. Photograph: Tristan Fewings/Getty Images. https://www.studiointernational.com/images/articles/b/080-barrada-yto-2018/6.jpg Yto Barrada, Agadir. Installation view, The Curve, Barbican Centre, 2018. Photograph: Tristan Fewings/Getty Images. https://www.studiointernational.com/images/articles/b/080-barrada-yto-2018/7.jpg Yto Barrada, Agadir. Installation view, The Curve, Barbican Centre, 2018. Photograph: Tristan Fewings/Getty Images. https://www.studiointernational.com/images/articles/b/080-barrada-yto-2018/1.jpg Portrait of Yto Barrada. © Benoît Peverelli. https://www.studiointernational.com/index.php/zhang-enli-interview-gardens-hauser-and-wirth-shanghai https://www.studiointernational.com/images/articles/z/098-zhang-enli-2018/13-ZHANG83749-ZHANG83751-hires.jpg Zhang Enli. The Garden, installation view, Hauser & Wirth New York, 22nd Street, 2018. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/z/098-zhang-enli-2018/ZHANG83746-hires.jpg Zhang Enli. The Garden, 2017. Oil on canvas, 250 x 300 cm (98 3/8 x 118 1/8 in). © Zhang Enli. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/z/098-zhang-enli-2018/ZHANG83748-hires.jpg Zhang Enli. The Gold Arowana, 2017. Oil on canvas, 250 x 250 cm (98 3/8 x 98 3/8 in). © Zhang Enli. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/z/098-zhang-enli-2018/ZHANG83749-hires.jpg Zhang Enli. The Parrot’s Wings, 2017. Oil on canvas, 200 x 180 cm (78 3/4 x 70 7/8 in). © Zhang Enli. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/z/098-zhang-enli-2018/ZHANG83753-hires.jpg Zhang Enli. Grey Parrot, 2017. Oil on canvas, 250 x 200 cm (98 3/8 x 78 3/4 in). © Zhang Enli. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/z/098-zhang-enli-2018/ZHANG83741-hires.jpg Zhang Enli. The Broken Sofa, 2017. Oil on canvas, 220 x 180 cm (86 5/8 x 70 7/8 in). © Zhang Enli. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/z/098-zhang-enli-2018/10-Hauser-&-Wirth-New-York,-22nd-Street-hires-(6).jpg Zhang Enli. The Garden, installation view, Hauser & Wirth New York, 22nd Street, 2018. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/z/098-zhang-enli-2018/2-ZHANG83746-ZHANG83751-ZHANG83743-hires-(1).jpg Zhang Enli. The Garden, installation view, Hauser & Wirth New York, 22nd Street, 2018. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/z/098-zhang-enli-2018/3-ZHANG83747-ZHANG83748-ZHANG83743-hires.jpg Zhang Enli. The Garden, installation view, Hauser & Wirth New York, 22nd Street, 2018. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/index.php/giorgio-griffa-a-continuous-becoming-review-camden-arts-centre-london https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/GiorgioGriffaPaper-(1968)-Photo-VSimpson.jpg Giorgio Griffa. Paper, 1968. White tempera on paper, 60.5 x 45.5 cm. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/08-Paulo-e-Piero,-1982-(left)-Pic-credit-Mark-Blower--Griffa-Camden.jpg Giorgio Griffa. Paulo e Piero, 1982 (left); Tempera e Pastello, 2001 (right). Installation view, gallery 2. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/05-Canone-Aureo-498-and-868,-Pic-creditMark-Blower-Giorgio-Griffa-Camden.jpg Giorgio Griffa. Canone Aureo 498 (Alighiero Boetti), 2015 (left); Canone Aureo 868, 2014. Installation view, gallery 2. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/GG1969-004_Spugne_1969-(1).jpg Giorgio Griffa. Spugne, 1969. Acrylic on canvas, 145 x 145 cm. Courtesy Archivio Giorgio Griffa and Casey Kaplan, New York. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/GG-Obliquo,-1979.jpg Giorgio Griffa. Obliquo, 1979. Acrylic on canvas, 281 x 241cm. Courtesy Archivio Giorgio Griffa and Casey Kaplan, New York. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/GG2015-014-Canone-aureo-286-(Philip-Glass).jpg Giorgio Griffa. Canone aureo 286 (Philip Glass), 2015. Acrylic on canvas, 300 x 220 cm. Courtesy Archivio Giorgio Griffa and Casey Kaplan, New York. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/06-Gallery-2-Pic-credit-Mark-Blower.jpg Giorgio Griffa. Wall of assorted Canone Aureo works (2016-17). Acrylic on canvas. Installation view, gallery 2. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/03-Lavagna-Beuys,-1982.jpg Giorgio Griffa. Lavagna Beuys, 1982. Acrylic on canvas. Installation view, gallery 3. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/01-Mark-Blower-180129-Giorgio-Griffa-Camden-Arts-Centre-0001-Edit.jpg Giorgio Griffa. Frammenti, 1980. 60 fragments of acrylic on canvas. Installation view, gallery 3. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/GG2014-Canone-Aureo-868,-2014.jpg Giorgio Griffa. Canone aureo 868 (Alighiero Boetti), 2015. Acrylic on canvas, 300 x 286 cm. Courtesy Archivio Giorgio Griffa and Casey Kaplan, New York. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/GG1998-002_Tre-colori_1998.jpg Giorgio Griffa. Tre colori, 1998. Acrylic on canvas, 86 x 109 cm. Courtesy Archivio Giorgio Griffa and Casey Kaplan, New York. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/02-Frammenti-(1980,-detail)Mark-Blower-180129-Giorgio-Griffa-Camden-Arts-Centre-0004.jpg Giorgio Griffa. Frammenti, 1980 (detail). Installation view, gallery 3. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/04.jpg Giorgio Griffa. Canone Aureo 286 (Philip Glass), 2015 (left); Canone Aureo 458, 2012. Installation view, gallery 2. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/07-Canone-Aureo-175-Pic-credit-Mark-Blower-Griffa-Camden.jpg Giorgio Griffa. Canone Aureo 175. Acrylic on canvas. Installation view, gallery 2. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/09-DallAlto-(left)-and-Tratteggiato-(right)-Pic-Mark-Blower-Camden.jpg Giorgio Griffa. Dall’Alto, 1968 (left); Trattegiato, 1972 (right). Installation view, gallery 1. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/10-Canone-Aureo-874-(Agnes-Martin)Mark-Blower-Griffa-Camden.jpg Giorgio Griffa. In the Reading Room, Canone Aureo 874 (Agnes Martin), 2016. Installation view. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/GG1969-LineseOblique,-1969.jpg Giorgio Griffa. Linee oblique, 1969 Acrylic on canvas, 102 x 154 cm. Courtesy Archivio Giorgio Griffa and Casey Kaplan, New York. https://www.studiointernational.com/images/articles/g/094-griffa-giorgio-2018/GiorgioGriffaDallAlto-(1968).jpg Giorgio Griffa. Dall’alto, 1968. Acrylic on canvas, 107 x 160 cm. Courtesy Casey Kaplan. https://www.studiointernational.com/index.php/thinking-machines-art-and-design-in-the-computer-age-review-moma https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/15---in2390_003_cccrfulljpeg.jpg Installation view of Thinking Machines: Art and Design in the Computer Age, 1959-1989. The Museum of Modern Art, New York, November 13, 2017–April 8, 2018. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/04---vs1967001poemfieldno.jpg Stan VanDerBeek. Poemfield No. 1, 1967. 16mm film transferred to video (color, silent). 4:45 min. Realized with Ken Knowlton. Courtesy Estate of Stan VanDerBeek and Andrea Rosen Gallery, New York. Photograph: Lance Brewer. © 2017 Estate of Stan VanDerBeek. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/03---programma101.jpg Mario Bellini. Programma 101 Electronic Desktop Computer. 1965. Die-cast aluminum casing. Manufactured by Ing. C. Olivetti & C. S.p.A., Ivrea, Italy. The Museum of Modern Art, New York. Gift of the manufacturer. © 2017 Mario Bellini. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/05---molnar_img_3731plotter.jpg Vera Molnár. A la Recherche de Paul Klee (Searching for Paul Klee) (detail), 1970. Ink on paper, plotter drawing. The Anne and Michael Spalter Digital Art Collection. © 2017 Vera Molnár. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/07---korot_full.jpg Installation view of Thinking Machines: Art and Design in the Computer Age, 1959-1989. The Museum of Modern Art, New York, November 13, 2017–April 8, 2018. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/11---in2390_008_cccrfulljpeg-(2).jpg Installation view of Thinking Machines: Art and Design in the Computer Age, 1959-1989. The Museum of Modern Art, New York, November 13, 2017–April 8, 2018. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/Diab-DS-101-Computer-designed-by-Richard-Hamilton.jpg Diab DS-101 Computer, designed by Richard Hamilton for Ohio Scientific in 1985-1989. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/01---cm2supercomputer.jpg Thinking Machines Corporation, Waltham, Massachusetts. Danny Hillis, Tamiko Thiel, Gordon Bruce, Allen Hawthorne, and Ted Bilodeau. CM-2 Supercomputer. 1987. Steel, plexiglass, and electronics. The Museum of Modern Art, New York. Gift of Midori Kono Thiel, Mary Austin in honor of Tamiko Thiel, The Aaron and Betty Lee Stern Foundation, and anonymous. Photograph: Stephen F. Grohe. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/02---korot_detail1.jpg Beryl Korot. Text and Commentary. 1976-77. Five-channel video (black and white, sound; 30 min.), weavings, and pictographic video notations (detail). The Museum of Modern Art, New York. Committee on Media and Performance Art Funds. © 2017 Beryl Korot. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/08---in2390_1press84.jpg Installation view of Thinking Machines: Art and Design in the Computer Age, 1959-1989. The Museum of Modern Art, New York, November 13, 2017–April 8, 2018. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/09---in2390_5press13.jpg Installation view of Thinking Machines: Art and Design in the Computer Age, 1959-1989. The Museum of Modern Art, New York, November 13, 2017–April 8, 2018. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/10--in2390_004_cccrfulljpeg.jpg Installation view of Thinking Machines: Art and Design in the Computer Age, 1959-1989. The Museum of Modern Art, New York, November 13, 2017–April 8, 2018. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/12---in2390_008_cccrfulljpeg-(3).jpg Installation view of Thinking Machines: Art and Design in the Computer Age, 1959-1989. The Museum of Modern Art, New York, November 13, 2017–April 8, 2018. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/13---in2390_008_cccrfulljpeg-(4).jpg Installation view of Thinking Machines: Art and Design in the Computer Age, 1959-1989. The Museum of Modern Art, New York, November 13, 2017–April 8, 2018. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/images/articles/t/097-thinking-machines-2018/14---in2390_008_cccrfulljpeg-(5).jpg Installation view of Thinking Machines: Art and Design in the Computer Age, 1959-1989. The Museum of Modern Art, New York, November 13, 2017–April 8, 2018. © 2017 The Museum of Modern Art. Photograph: Peter Butler. https://www.studiointernational.com/index.php/the-enchanted-room-modern-works-from-pinacoteca-di-brera-review-estorick-london https://www.studiointernational.com/images/articles/e/091-enchanted-garden-2018/Amedeo-Modigliani-Ritratto-di-giovane-donna.jpg Amedeo Modigliani. Head of a Young Woman, 1915. Oil on canvas, 46 x 38 cm. Courtesy: Pinacoteca di Brera, Milan. https://www.studiointernational.com/images/articles/e/091-enchanted-garden-2018/Carlo-Carra-La-camera-incantata.jpg Carlo Carrà. The Enchanted Room, 1917. Oil on canvas, 68 x 52 cm. Courtesy: Pinacoteca di Brera, Milan. https://www.studiointernational.com/images/articles/e/091-enchanted-garden-2018/Gino-Severini-Le-nord-sud.jpg Gino Severini. Le Nord-Sud, 1912. Oil on panel, 49 x 64 cm. Courtesy: Pinacoteca di Brera, Milan. https://www.studiointernational.com/images/articles/e/091-enchanted-garden-2018/Carlo-Carra-La-musa-metafisica.jpg Carlo Carrà. The Metaphysical Muse, 1917. Oil on canvas, 90 x 66 cm. Courtesy: Pinacoteca di Brera, Milan. https://www.studiointernational.com/images/articles/e/091-enchanted-garden-2018/Mario-Sironi-Paesaggio-urbano-con-ciminiera.jpg Mario Sironi. Urban Landscape with Chimney, 1930. Oil on canvas, 49 x 67 cm. Courtesy: Pinacoteca di Brera, Milan. https://www.studiointernational.com/images/articles/e/091-enchanted-garden-2018/Ardengo-Soffici-Cocomero-e-liquori.jpg Ardent Soffici. Watermelon and Liqueurs, 1914. Mixed media and collage on card, 64.6 x 54 cm. Courtesy: Pinacoteca di Brera, Milan. https://www.studiointernational.com/images/articles/e/091-enchanted-garden-2018/Giorgio-Morandi-Natura-morta-1926.jpg Giorgio Morandi. Still Life, 1929. Oil on canvas, 50 x 60 cm. Courtesy: Pinacoteca di Brera, Milan. https://www.studiointernational.com/images/articles/e/091-enchanted-garden-2018/Giorgio-Morandi-Natura-morta-1929.jpg Giorgio Morandi. Still Life, 1929. Oil on canvas, 55 x 58 cm. Courtesy: Pinacoteca di Brera, Milan. https://www.studiointernational.com/images/articles/e/091-enchanted-garden-2018/Osvaldo-Licini-Il-bilico.jpg Osvaldo Licini. Equilibrium, 1934. Oil on canvas, 90 x 67.2 cm. Courtesy: Pinacoteca di Brera, Milan. https://www.studiointernational.com/index.php/andy-holden-interview-peter-holden-bowerbird-giza-towner-gallery https://www.studiointernational.com/images/articles/h/084-holden-andy-2018/Natural-Selection-by-Andy-Holden-and-Peter-Holden,-Towner-installation-view_photo-Pete-Jones,-2018_3.jpg Andy Holden and Peter Holden. Natural Selection. Installation view, Towner Gallery, 2018. Photograph: Pete Jones. https://www.studiointernational.com/images/articles/h/084-holden-andy-2018/Natural-Selection-by-Andy-Holden-and-Peter-Holden,-Towner-installation-view_photo-Pete-Jones,-2018_4.jpg Andy Holden and Peter Holden. Natural Selection. Installation view, Towner Gallery, 2018. Photograph: Pete Jones. https://www.studiointernational.com/images/articles/h/084-holden-andy-2018/Natural-Selection-by-Andy-Holden-and-Peter-Holden,-Towner-installation-view_photo-Pete-Jones,-2018_2.jpg Andy Holden and Peter Holden. Natural Selection. Installation view, Towner Gallery, 2018. Photograph: Pete Jones. https://www.studiointernational.com/images/articles/h/084-holden-andy-2018/Natural-Selection-by-Andy-Holden-and-Peter-Holden,-Towner-installation-view_photo-Pete-Jones,-2018.jpg Andy Holden and Peter Holden. Natural Selection. Installation view, Towner Gallery, 2018. Photograph: Pete Jones. https://www.studiointernational.com/images/articles/h/084-holden-andy-2018/Natural-Selection-by-Andy-Holden-and-Peter-Holden,-Towner-installation-view_photo-Pete-Jones,-2018_6.jpg Andy Holden and Peter Holden. Natural Selection. Installation view, Towner Gallery, 2018. Photograph: Pete Jones. https://www.studiointernational.com/images/articles/h/084-holden-andy-2018/Natural-Selection-by-Andy-Holden-and-Peter-Holden,-Towner-installation-view_photo-Pete-Jones,-2018_5.jpg Andy Holden and Peter Holden. Natural Selection. Installation view, Towner Gallery, 2018. Photograph: Pete Jones. https://www.studiointernational.com/index.php/art-and-technology-week-national-academy-of-sciences-washington-dc https://www.studiointernational.com/images/articles/a/089-art-and-technology-week-2018/SacklerColloquium_Poster.jpg Creativity and Collaboration: Revisiting Cybernetic Serendipity symposium at the National Academy of Sciences Sackler Colloquium, Washington D.C., 2018. https://www.studiointernational.com/index.php/david-milne-modern-painting-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Columbus-Monument.jpg David Milne. Columbus Monument, 1912. Milne Family Collection. Photograph: Michael Cullen, Toronto Canada. © The Estate of David Milne. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Red.jpg David Milne. Red, 1914. Milne Family Collection. Photograph: Michael Cullen, Toronto Canada. © The Estate of David Milne. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Bishops-Pond.jpg David Milne. Bishop https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Reflected-Forms.jpg David Milne. Reflected Forms, 1917. Art Gallery of Greater Victoria. Women https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Photos_7.jpg David Milne at Six Mile Lake. Photograph: Douglas Duncan. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/montreal-crater.jpg David Milne. Montreal Crater, Vimy Ridge, 1919. National Gallery of Canada, Ottawa. Transfer from the Canadian War Memorials, 1921. Photo: NGC. © The Estate of David Milne https://www.studiointernational.com/images/articles/m/096-milne-david-2018/White-the-Waterfall-(The-White-Waterfall).jpg David Milne. White the Waterfall (The White Waterfall), 1921. National Gallery of Canada, Ottawa. Photo: NGC. © The Estate of David Milne. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Blue-Lake.jpg David Milne. Blue Lake, 1935. Art Gallery of Ontario. Gift from the J.S. McLean Collection, by Canada Packers Inc., Toronto, 1990. © The Estate of David Milne. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/David-Milne,-Self-portrait,-Black-Lake,-Quebec,-1918.jpg David Milne, Self-portrait, Black Lake, Quebec, 1918. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Pink-Reflections,-Bishops-Pond.jpg David Milne. Pink Reflections, Bishop’s Pond, 1920. National Gallery of Canada, Ottawa, Gift from the Douglas M. Duncan Collection, 1970. Photograph: NGC. © The Estate of David Milne. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Ripon-High-Street.jpg David Milne. Ripon: High Street, 1919. Art Gallery of Ontario. Bequest of Mrs. J.P. Barwick (from the Douglas M. Duncan Collection), 1985. © The Estate of David Milne. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Sparkle-of-Glass-(2).jpg David Milne. Sparkle of Glass, 1926 or 1927. National Gallery of Canada, Ottawa. Vincent Massey Bequest, 1968. Photograph: NGC. © The Estate of David Milne. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Summer-Colours-(2).jpg David Milne. Summer Colours, 1936. Purchase 1993, McMichael Canadian Art Collection, 1993.4.2. © The Estate of David Milne. https://www.studiointernational.com/images/articles/m/096-milne-david-2018/Tent-in-Temagami.jpg David Milne. Tent in Temagami, 1929. Collection of the Tom Thomson Art Gallery, Owen Sound, Ontario, bequest from the Douglas M. Duncan Collection, 1970. © The Estate of David Milne. https://www.studiointernational.com/index.php/evelyn-hankins-interview-mark-bradford-picketts-charge-hirshhorn https://www.studiointernational.com/images/articles/b/081-bradford-mark-2018/HMSG_MBPC_PickettsCharge_2017_001.jpg Installation view of Mark Bradford: Pickett’s Charge at the Hirshhorn Museum and Sculpture Garden, 2017. Courtesy of the artist and Hauser & Wirth. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/b/081-bradford-mark-2018/HMSG_MBPC_PickettsCharge_2017_006.jpg Installation view of Mark Bradford: Pickett’s Charge at the Hirshhorn Museum and Sculpture Garden, 2017 (detail). Courtesy of the artist and Hauser & Wirth. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/b/081-bradford-mark-2018/HMSG_MBPC_PickettsCharge_2017_007.jpg Installation view of Mark Bradford: Pickett’s Charge at the Hirshhorn Museum and Sculpture Garden, 2017. Courtesy of the artist and Hauser & Wirth. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/b/081-bradford-mark-2018/HMSG_MBPC_PickettsCharge_2017_008.jpg Installation view of Mark Bradford: Pickett’s Charge at the Hirshhorn Museum and Sculpture Garden, 2017 (detail). Courtesy of the artist and Hauser & Wirth. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/b/081-bradford-mark-2018/Photo-Joshua_White-jwpictures-3.jpg Mark Bradford, Pickett’s Charge (The Thunderous Cannonade) (installed in the artist’s studio), 2016-2017. Mixed media. Courtesy of the artist and Hauser & Wirth. Photograph: Joshua White. https://www.studiointernational.com/images/articles/b/081-bradford-mark-2018/Photo-Joshua_White-jwpictures-4.jpg Mark Bradford, Pickett’s Charge (The Thunderous Cannonade) (installed in the artist’s studio), 2016-2017 (detail). Mixed media. Courtesy of the artist and Hauser & Wirth. Photograph: Joshua White. https://www.studiointernational.com/images/articles/b/081-bradford-mark-2018/Photo-Joshua_White-jwpictures-6.jpg Mark Bradford, Pickett’s Charge (Two Men) (detail), 2016-2017. Mixed media. Courtesy of the artist and Hauser & Wirth. Photograph: Joshua White. https://www.studiointernational.com/images/articles/b/081-bradford-mark-2018/MarkBradford2.jpg Mark Bradford at the Hirshhorn Museum and Sculpture Garden with details of Pickett’s Charge, 2017. Courtesy of the artist and Hauser & Wirth. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/b/081-bradford-mark-2018/Photo-Joshua_White-jwpictures.jpg Mark Bradford, Pickett’s Charge (The Copse of Trees) (detail), 2016-2017. Mixed media. Courtesy of the artist and Hauser & Wirth. Photograph: Joshua White. https://www.studiointernational.com/index.php/claudia-wieser-interview-chapter-marianne-boesky-gallery-new-york https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW_2018_mbg_objectstudies_15.jpg Claudia Wieser: Chapter. Installation view. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Jens Wiehe. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW_2018_mbg_objectstudies_2.jpg Claudia Wieser: Chapter. Installation view. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Jens Wiehe. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW_2018_mbg_objectstudies_6.jpg Claudia Wieser: Chapter. Installation view. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Jens Wiehe. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW_2018_mbg_objectstudies_9.jpg Claudia Wieser: Chapter. Installation view. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Jens Wiehe. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-13878.jpg Claudia Wieser. Untitled, 2017. Mirror-polished stainless steel on MDF, 39 7/8 x 39 7/8 x 1 1/8 in (101.3 x 101.3 x 2.9 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Hans Georg Gaul. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-13885.jpg Claudia Wieser. Untitled, 2017. Copper, ceramic, and stainless steel on MDF, 38 1/8 x 97 x 55 1/8 in (96.8 x 246.4 x 140 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Object Studies. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW_2018_mbg_objectstudies_4.jpg Claudia Wieser: Chapter. Installation view. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Jens Wiehe. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/180208_Wieser_001a.jpg Claudia Wieser. Untitled, 2017. Acrylic, ink, and gold leaf on wood. Eight works, tallest: 23 3/4 in (60.3 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph:Jens Ziehe. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/180208_Wieser_005.jpg Claudia Wieser. Untitled, 2017. Acrylic, ink, and gold leaf on wood. Four works; each: 23 5/8 x 4 3/4 x 4 3/4 in (60 x 12.1 x 12.1 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Jens Ziehe. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-13870.jpg Claudia Wieser. Untitled, 2017. Gold leaf and pencil on handmade paper, framed: 22 3/4 x 19 1/8 in (57.6 x 48.6 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Hans Georg Gaul. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-13872.jpg Claudia Wieser. Untitled, 2017. Gold leaf and colored pencil on handmade paper, framed: 36 1/8 x 23 5/8 in (91.8 x 59.9 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Hans Georg Gaul. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-13874.jpg Claudia Wieser. Untitled, 2017. Gold leaf and colored pencil on handmade paper, framed: 36 1/8 x 23 5/8 in (91.8 x 59.9 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Hans Georg Gaul. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-13875.jpg Claudia Wieser. Untitled, 2017. Gold leaf and colored pencil on handmade paper, framed: 36 1/8 x 23 5/8 in (91.8 x 59.9 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Hans Georg Gaul. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-13881.jpg Claudia Wieser. Untitled, 2017. Copper, mirror-polished stainless steel, and ceramic on MDF, 29 3/4 x 18 1/8 x 1 1/8 in (75.6 x 46 x 2.9 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Object Studies. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-13882.jpg Claudia Wieser. Untitled, 2017. Copper and ceramic on MDF, 27 3/4 x 12 1/8 x 1 1/8 in (70.5 x 30.8 x 2.9 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Object Studies. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-13886.jpg Claudia Wieser. Untitled, 2017. Mirror-polished stainless steel and ceramic on MDF, 60 3/4 x 60 1/2 x 60 1/2 in (154.3 x 153.7 x 153.7 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Object Studies. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-14078_side-1.jpg Claudia Wieser. Untitled, 2017. Acrylic, ink, and gold leaf on wood, four works, tallest: 27 3/4 in (70.5 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Object Studies. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW-14087_side-1.jpg Claudia Wieser. Untitled, 2017. Acrylic, ink, and gold leaf on wood, three works, tallest: 27 1/2 in (69.9 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Object Studies. https://www.studiointernational.com/images/articles/w/095-wieser-claudia-2018/CLW_2018_mbg_objectstudies_13.jpg Claudia Wieser. Untitled, 2017. Gold leaf on wood, ceramic, and mirror-polished stainless steel on MDF, 7 1/8 x 48 1/2 x 18 1/8 in (18.1 x 123.2 x 46 cm) Plinth: 7 7/8 x 17 3/4 x 48 1/2 in (20 x 45 x 123 cm). Three sculptures, tallest: 18 in (45.7 cm). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Claudia Wieser. Photograph: Object Studies. https://www.studiointernational.com/index.php/cybernetic-serendipity-history-and-lasting-legacy https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Vera-Molnar.jpg Vera Molnár. Structure de Quadrilatères (Square Structures), 1987. Computer drawing with white ink on salmon-coloured paper, 11 3/4 x 16 1/2 in. Courtesy Senior & Shopmaker Gallery, New York. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/FNake-12-7-65Nr2col.jpg Frieder Nake. Bundles of straight lines, 1965. © the artist. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Example-of-NEW-PICTURES-software.jpg Example of NEW PICTURES computer graphics language for artists at Lanchester Polytechnic, Coventry School of Art by R Johnson, 1979. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Roy-Ascott-change-painting-1968.jpg Roy Ascott. Change Painting, c1960s. © the artist. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Edward-Ihnatowicz-SAM,-installation-view-at-CS-1968.jpg Edward Ihnatowicz. SAM, installation view at Cybernetic Serendipity 1968. © estate of the artist. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Manfred-Mohr-P1650_1186.jpg Manfred Mohr. P1650_1186, 2014. Pigment-ink on paper, 40 x 50 cm. © the artist. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/William-Fetter.jpg William Fetter. Human Figures, Boeing Computer Graphics 1968. Given by the Computer Arts Society, supported by System Simulation Ltd, London. © Victoria & Albert Museum London. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Event-One,-1969-installation-view-Photographer-Peter-Hunot.jpg Event One, 1969. Installation view. Photograph: Peter Hunot, Courtesy of the Computer Arts Society. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Kelly-Richardson-Leviathan-2011.jpg Kelly Richardson, Leviathan, 2011, 3 channel HD video, commissioned by Artpace San Antonio. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Mat-CollishawThresholds-(VR-view)-at-Somerset-House-2017.jpg Mat Collishaw. Thresholds (VR view), 2017. 8.5 x 6 x 2.5 m. Courtesy Mat Collishaw. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Jonathan-Yeo-studio-view-VR-composite-2017.jpg The making of Jonathan Yeo’s virtual self-portrait, in legendary sculptor Eduoardo Paolozzi’s former studio © Jonathan Yeo Studio 2017. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/CS1968-frontcover.jpg Cybernetic Serendipity: the computer and the arts. Edited by Jasia Reichardt. Published by Studio International (special issue), 1968. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Molnar1968_69InterruptionHD.jpg Vera Molnár. Interruptions, 1968/69. Plotter drawing, ink on paper, 28 x 28 cm. © Vera Molnár. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/Mat-Collishaws-Thresholds,-Somerset-House-2017.jpg Mat Collishaw. Thresholds, 2017. 8.5 x 6 x 2.5 m. Courtesy Mat Collishaw. Photograph: Graham Carlowe. https://www.studiointernational.com/images/articles/m/092-mason-catherine-2018/nake-walk-through-raster.jpg Frieder Nake. Walk through Raster with Markov, 2005. © the artist. https://www.studiointernational.com/index.php/sam-stewart-interview-cryptid-exhibition-fort-gansevoort-new-york https://www.studiointernational.com/images/articles/s/083-stewart-sam-2018/Sam-Stewart-18272.jpg Sam Stewart: Cryptic. Installation view, courtesy of the artist and Fort Gansevoort, New York. Photograph: Lauren Coleman. https://www.studiointernational.com/images/articles/s/083-stewart-sam-2018/Sam-Stewart-19816.jpg Sam Stewart: Cryptic. Installation view, courtesy of the artist and Fort Gansevoort, New York. Photograph: Lauren Coleman. https://www.studiointernational.com/images/articles/s/083-stewart-sam-2018/Sam-Stewart_Fort-Gansevoort.jpg Sam Stewart: Cryptic. Installation view, courtesy of the artist and Fort Gansevoort, New York. Photograph: Lauren Coleman. https://www.studiointernational.com/images/articles/s/083-stewart-sam-2018/Sam-Stewart_install_hr1.jpg Sam Stewart: Cryptic. Installation view, courtesy of the artist and Fort Gansevoort, New York. Photograph: Lauren Coleman. https://www.studiointernational.com/images/articles/s/083-stewart-sam-2018/Sam-Stewart-18152.jpg Sam Stewart: Cryptic. Installation view, courtesy of the artist and Fort Gansevoort, New York. Photograph: Lauren Coleman. https://www.studiointernational.com/index.php/anthony-mccall-solid-light-works-hepworth-wakefield-interview https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/02.jpg Anthony McCall. Doubling Back, 2003. Installation view, LAC, Lugano, 2015. Photograph: Stefania Beretta. https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/04.jpg Anthony McCall. Leaving (with Two-Minute Silence), 2006/8. Pair of working drawings in a set of 24. Pencil on paper, each 28 x 35 cm. https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/06.jpg Anthony McCall. Landscape for Fire II, 1972. 16mm lm still. https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/03.jpg Anthony McCall. Face to Face II, 2013. Installation view, Eye Film Museum, Amsterdam 2014. Photograph: Hans Wilschut. https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/09.jpg Installation view of Anthony McCall: Solid Light Works at Hepworth Wakefield. Photograph: Guzelian. https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/05.jpg Anthony McCall. Face to Face II, 2013. Installation maquette. The Eye Museum, Amsterdam, 2014. https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/10.jpg Installation view of Anthony McCall: Solid Light Works at Hepworth Wakefield. Photograph: Guzelian. https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/11.jpg Installation view of Anthony McCall: Solid Light Works at Hepworth Wakefield. Photograph: Guzelian. https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/01.jpg Portrait of Anthony McCall at Hepworth Wakefield. Photograph: Guzelian. https://www.studiointernational.com/images/articles/m/091-mccall-anthony-2018/07.jpg Anthony McCall. Five Minute Drawing, 1974/2007. Installation view at the Musée de Rochechouart, 2007. Photograph: Bruno Barlier. https://www.studiointernational.com/index.php/alge-julija-kavaliauskaite-interview-glass-blowing https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/02-Alejandro-Jodorowsky.jpg Alge Julija Kavaliauskaite. Alejandro Jodorowsky. To paint a fence is a privilege, 2016. Offset lithography, 68 x 99 cm. https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/ALEJANDRO-JODOROWSKY-TO-PAINT-A-FENCE-IS-A-BIG-PRIVILEGE5.jpg Alge Julija Kavaliauskaite. Alejandro Jodorowsky. To paint a fence is a privilege, 2016 (detail). Offset lithography, 68 x 99 cm. https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/04-Salvador-Dali.jpg Alge Julija Kavaliauskaite. Salvador Dali. Black gives way to blue, 2016. Offset lithography, 68 x 99 cm. https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/SALVADOR-DALI-BLACK-GIVES-WAY-TO-BLUE.jpg Alge Julija Kavaliauskaite. Salvador Dali. Black gives way to blue, 2016 (detail). Offset lithography, 68 x 99 cm. https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/10-Frida-Kahlo.jpg Alge Julija Kavaliauskaite. Frida Kahlo. Iron heart, 2016. Offset lithography, 68 x 99 cm. https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/Frida-Kahlo-Iron-heart-detail.jpg Alge Julija Kavaliauskaite. Frida Kahlo. Iron heart, 2016 (detail). Offset lithography, 68 x 99 cm. https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/8-Yayoi-Kusama.jpg Alge Julija Kavaliauskaite. Yayoi Kusama. Not in rivers but in drops, 2016. Offset lithography, 68 x 99 cm. https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/Yayoi-Kusama-Not-in-rivers7.jpg Alge Julija Kavaliauskaite. Yayoi Kusama. Not in rivers but in drops, 2016 (detail). Offset lithography, 68 x 99 cm. https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/Alge-2.jpg Alge Julija Kavaliauskaite. Photograph: Finnish National Gallery, Petri Virtanen. https://www.studiointernational.com/images/articles/a/088-alge-julija-kavaliauskaite-2018/Photo-Finnish-National-Gallery.jpg Alge Julija Kavaliauskaite. Evening Breakfast, 2016. Installation view. Photograph: Finnish National Gallery, Petri Virtanen. https://www.studiointernational.com/index.php/all-too-human-bacon-freud-and-a-century-of-painting-life-review-tate-britain https://www.studiointernational.com/images/articles/a/087-all-too-human-2018/Francis-Bacon-Study-for-Portrait-of-Lucian-Freud-1964.jpg Francis Bacon. Study for Portrait of Lucian Freud, 1964. Oil paint on canvas, 198 x 147.6 cm. The Lewis Collection. © The Estate of Francis Bacon. All rights reserved. DACS, London. Photograph: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/a/087-all-too-human-2018/Walter-Sickert-Nuit-d-ete-c.jpg Walter Richard Sickert. Nuit d https://www.studiointernational.com/images/articles/a/087-all-too-human-2018/Euan-Uglow-Georgia-1973.jpg Euan Uglow. Georgia, 1973. Oil paint on canvas, 83.8 x 111.8 cm. British Council Collection. © The Estate of Euan Uglow. https://www.studiointernational.com/images/articles/a/087-all-too-human-2018/Michael-Andrews-Melanie-and-Me-Swimming-1978-9.jpg Michael Andrews. Melanie and Me Swimming, 1978-9. Acrylic paint on canvas, 195.5 x 195.9 x 7.7 cm. Tate. © The estate of Michael Andrews. https://www.studiointernational.com/images/articles/a/087-all-too-human-2018/Paula-Rego-The-Family-1988-.jpg Paula Rego. The Family, 1988. Acrylic paint on canvas backed paper, 213.4 x 213.4 cm. Marlborough International Fine Art. © Paula Rego. https://www.studiointernational.com/images/articles/a/087-all-too-human-2018/Stanley-Spencer-Patricia-Preece-1933.jpg Stanley Spencer. Patricia Preece, 1933. Oil paint on canvas, 83.9 x 73.6 cm. Southampton City Art Gallery, Hampshire. © The Estate of Stanley Spencer/Bridgeman Images. https://www.studiointernational.com/index.php/cary-leibowitz-interview-candyass-museum-show-ica-philadelphia https://www.studiointernational.com/images/articles/l/090-leibowitz-cary-2018/Cary-Leibowitz,-If-U-Try-Really-Hard-and-Still-Fail-U-Deserve-All-the-Sympathy-U-Can-Get.jpg Cary Leibowitz. If U Try Really Hard and Still Fail U Deserve All the Sympathy U Can Get, 1995. Latex paint on wood panel, 24 x 48 in. Courtesy of the artist, INVISIBLE-EXPORTS, and the Institute of Contemporary Art at the University of Pennsylvania. https://www.studiointernational.com/images/articles/l/090-leibowitz-cary-2018/Cary-Leibowitz-Museum-show-at-ICA-in-Philadelphia,-credit-Constance-Mensh-(5).jpg Cary Leibowitz: Museum Show. Installation view at ICA Philadelphia. Photograph: Constance Mensh. https://www.studiointernational.com/images/articles/l/090-leibowitz-cary-2018/Cary-Leibowitz-Museum-show-at-ICA-in-Philadelphia,-credit-Constance-Mensh-(3).jpg Cary Leibowitz: Museum Show. Installation view at ICA Philadelphia. Photograph: Constance Mensh. https://www.studiointernational.com/images/articles/l/090-leibowitz-cary-2018/CaryLeibowitz-SelfEsteem5Cents.jpg Cary Leibowitz. Self-Esteem 5¢, 1995. Latex paint on wood panel, 29.5 x 24.5 in. Courtesy of the artist and INVISIBLE-EXPORTS. https://www.studiointernational.com/images/articles/l/090-leibowitz-cary-2018/CaryLeibowitz-SadtoBored.jpg Cary Leibowitz. Sad to Bored, 1997. Marker on plastic sign, 12 x 8 in. Courtesy of the artist and INVISIBLE-EXPORTS. https://www.studiointernational.com/images/articles/l/090-leibowitz-cary-2018/Cary-Leibowitz-Applaud-Appalled-1990-91.jpg Cary Leibowitz. Applaud Appalled, 1990-91. Two panels, latex paint on wood, 10 x 27.5 and 8.75 x 25 in. Courtesy of the artist, INVISIBLE-EXPORTS, and the Institute of Contemporary Art at the University of Pennsylvania. https://www.studiointernational.com/images/articles/l/090-leibowitz-cary-2018/large_W18_Upstairs_Compilation-16.jpg Cary Leibowitz: Museum Show. Installation view at ICA Philadelphia. Photograph: Constance Mensh. https://www.studiointernational.com/images/articles/l/090-leibowitz-cary-2018/CaryLeibowitz-PleaseDontTell.jpg Cary Leibowitz. Please Don't Tell Anyone You Saw Me, 2016. Latex paint on wood panel, 32 x 38 in. Courtesy of the artist and INVISIBLE-EXPORTS. https://www.studiointernational.com/index.php/source-and-stimulus-sigmar-polke-roy-lichtenstein-gerald-laing-review https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Lichtenstein_Little-Aloha.jpg Roy Lichtenstein. Little Aloha, 1962. Oil on canvas, 44 x 42 in (111.8 x 106.7 cm). The Sonnabend Collection Foundation. © Estate of Roy Lichtenstein/DACS 2018. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Lichtenstein_VIIP_1962.jpg Roy Lichtenstein. VIIP!, 1962. Oil on canvas, 8 x 12 in (20 x 30.5 cm). Private collection, Switzerland. © Estate of Roy Lichtenstein/DACS 2018. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Lichtenstein_Frightened-Girl_1964.jpg Roy Lichtenstein. Frightened Girl, 1964. Oil and Magna on canvas 48 x 48 in (121.9 x 121.9 cm). Private collection. © The Estate of Roy Lichtenstein. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Laing_Rain-Check_1965.jpg Gerald Laing. Rain Check, 1965. Oil on canvas, 48 x 28 in (122 x 71 cm). The Collection of Lucy Lerner and Jane Lerner. © The Estate of Gerald Laing. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Polke,-Freundinnen.jpg Sigmar Polke. Freundinnen (Girlfriends), 1965/1966. Dispersion paint on canvas, 59 x 74 3/4 in (150 x 190 cm) Froehlich Collection, Stuttgart. © Estate of Sigmar Polke / DACS, London / VG Bild-Kunst, Bonn, Germany. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Lichtenstein_Bread-and-Jam_1963-framed.jpg Roy Lichtenstein. Bread and Jam, 1963. Graphite pencil and touch on paper, 16 x 21 1/2 in (40.6 x 54.6 cm). The Sonnabend Collection Foundation and Antonio Homem. © Estate of Roy Lichtenstein/DACS 2018. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Polke_Tennisspieler-(Tennis-Player)_1964.jpg Sigmar Polke. Tennisspieler (Tennis Player), 1964. Dispersion paint on canvas, 78 3/4 x 59 in (200 x 150 cm). Private collection. © Estate of Sigmar Polke / DACS, London / VG Bild-Kunst, Bonn, Germany. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Polke_Puppe-(Doll)_1965.jpg Sigmar Polke. Puppe (Doll), 1965, Acrylic and poster paint on canvas, 49 1/4 x 63 in (125 x 160 cm). Zabludowicz Collection. © Estate of Sigmar Polke / DACS, London / VG Bild-Kunst, Bonn, Germany. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Laing_Shout_1965.jpg Gerald Laing. Shout, 1965. Oil on canvas, 58 x 48 in (147 x 122 cm). Private collection, Minnesota. © The Estate of Gerald Laing. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/Laing_Lincoln-Convertible_1964.jpg Gerald Laing. Lincoln Convertible, 1964. Oil on shaped canvas, 73 x 111 in (185.4 x 282 cm). The Estate of Gerald Laing. © The Estate of Gerald Laing. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/source-stimulus-install-1.jpg Source and Stimulus: Polke, Lichtenstein, Laing. Installation view, Lévy Gorvy, London, 6 March – 21 April 2018. Photograph: Stephen White. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/source-stimulus-install-2.jpg Source and Stimulus: Polke, Lichtenstein, Laing. Installation view, Lévy Gorvy, London, 6 March – 21 April 2018. Photograph: Stephen White. https://www.studiointernational.com/images/articles/s/082-source-and-stimulus-2018/source-stimulus-install-3.jpg Source and Stimulus: Polke, Lichtenstein, Laing. Installation view, Lévy Gorvy, London, 6 March – 21 April 2018. Photograph: Stephen White. https://www.studiointernational.com/index.php/cinthia-marcelle-the-family-in-disorder-truth-or-dare-modern-art-oxford https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/The-Family-in-Disorder-(3).jpg The Family in Disorder / A Família em Desordem, 2018. Shoelaces, matchboxes, smoke grenades, cotton bolts, black plastic sheeting, brown paper, bricks, masking tape, hook and loop fastener tape, chalk, stones, metal barrels, topsoil, gaffer tape, hemp rope, notebooks, chicken feathers, poplar wood batten, carpet. Cinthia Marcelle with the participation of Aline Tima, Aaron Head, Chris Jackson, Kamila Janska, Andy Owen and Sebastian Thomas. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/The-Family-in-Disorder-(60)-(1).jpg The Family in Disorder / A Família em Desordem, 2018. Shoelaces, matchboxes, smoke grenades, cotton bolts, black plastic sheeting, brown paper, bricks, masking tape, hook and loop fastener tape, chalk, stones, metal barrels, topsoil, gaffer tape, hemp rope, notebooks, chicken feathers, poplar wood batten, carpet. Cinthia Marcelle with the participation of Aline Tima, Aaron Head, Chris Jackson, Kamila Janska, Andy Owen and Sebastian Thomas. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/The-Family-in-Disorder-(34).jpg The Family in Disorder / A Família em Desordem, 2018 (detail). Cinthia Marcelle with the participation of Aline Tima, Aaron Head, Chris Jackson, Kamila Janska, Andy Owen and Sebastian Thomas. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/The-Family-in-Disorder-(58).jpg Cynthia Marcelle. Truth or Dare / Verdade ou Desafio, 2018. Six minutes, looped, single channel video, colour, sound. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/The-Family-in-Disorder-(56).jpg Cynthia Marcelle. No title, 2017–18. Six drawings, pencil on paper. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/The-Family-in-Disorder-(30).jpg The Family in Disorder / A Família em Desordem, 2018 (detail). Cinthia Marcelle with the participation of Aline Tima, Aaron Head, Chris Jackson, Kamila Janska, Andy Owen and Sebastian Thomas. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/The-Family-in-Disorder-(65).jpg The Family in Disorder / A Família em Desordem, 2018 (detail). Cinthia Marcelle with the participation of Aline Tima, Aaron Head, Chris Jackson, Kamila Janska, Andy Owen and Sebastian Thomas. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/1_IMG_0561.jpg Cynthia Marcelle. Truth or Dare / Verdade ou Desafio, 2018. Six minutes, looped, single channel video, colour, sound. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/4_IMG_0563.jpg Cynthia Marcelle. Truth or Dare / Verdade ou Desafio, 2018. Six minutes, looped, single channel video, colour, sound. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/The-Family-in-Disorder-(14).jpg The Family in Disorder / A Família em Desordem, 2018. Shoelaces, matchboxes, smoke grenades, cotton bolts, black plastic sheeting, brown paper, bricks, masking tape, hook and loop fastener tape, chalk, stones, metal barrels, topsoil, gaffer tape, hemp rope, notebooks, chicken feathers, poplar wood batten, carpet. Cinthia Marcelle with the participation of Aline Tima, Aaron Head, Chris Jackson, Kamila Janska, Andy Owen and Sebastian Thomas. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/images/articles/m/091-marcelle-cinthia-2018/The-Family-in-Disorder-(69).jpg The Family in Disorder / A Família em Desordem, 2018 (detail). Cinthia Marcelle with the participation of Aline Tima, Aaron Head, Chris Jackson, Kamila Janska, Andy Owen and Sebastian Thomas. Courtesy the artist, Galeria Vermelho, Silvia Cintra + Box4 and Sprovieri Gallery. https://www.studiointernational.com/index.php/home-strike-alexandra-kokoli-basia-sliwinska-malgorzata-markiewicz-su-richardson-video-interview https://www.studiointernational.com/images/articles/h/083-home-strike-2018/22.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/06.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/45.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/curators-640.jpg Curators Alexandra Kokoli (right) and Basia Śliwińska talk to Studio International about the exhibition Home Strike at I’étrangère in London, 8 March 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/02.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/20.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/21.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/pot.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/42.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/Home-Strike-group-photo.jpg Curators Alexandra Kokoli and Basia Śliwińska and artists Su Richardson and Małgorzata Markiewicz at I’étrangère in London, March 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/malgorzata-markiewicz-interview-the-resistance-kitchen-home-strike-letrangere-london https://www.studiointernational.com/images/articles/h/083-home-strike-2018/malgorzata-640.jpg Małgorzata Markiewicz talks to Studio International about her video The Resistance Kitchen (2017), part of the exhibition Home Strike at I’étrangère in London, March 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/su-richardson-interview-burnt-breakfast-home-strike-letrangere https://www.studiointernational.com/images/articles/h/083-home-strike-2018/su-richardson-640.jpg Su Richardson talks about her work in the exhibition Home Strike at I’étrangère, London, March 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/45.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/body-in-chair.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/pot.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/h/083-home-strike-2018/42.jpg Home Strike, installation view, I’étrangère, London, 2018. Photograph: Andy Keate. https://www.studiointernational.com/index.php/robert-irwin-site-determined-review-spruth-magers-los-angeles https://www.studiointernational.com/images/articles/i/099-irwin-robert-2018/02_RIR_APPROVED_install_Sprueth_Magers_LA_22.jpg Robert Irwin. Installation view, Sprüth Magers, Los Angeles, January 23 - April 21, 2018. Courtesy the artist and Sprüth Magers. Photograph: Robert Wedemeyer. https://www.studiointernational.com/images/articles/i/099-irwin-robert-2018/08_RIR_APPROVED_install_Sprueth_Magers_LA_04.jpg Robert Irwin. Installation view, Sprüth Magers, Los Angeles, January 23 - April 21, 2018. Courtesy the artist and Sprüth Magers. Photograph: Robert Wedemeyer. https://www.studiointernational.com/images/articles/i/099-irwin-robert-2018/03_RIR_APPROVED_install_Sprueth_Magers_LA_24.jpg Robert Irwin. Installation view, Sprüth Magers, Los Angeles, January 23 - April 21, 2018. Courtesy the artist and Sprüth Magers. Photograph: Robert Wedemeyer. https://www.studiointernational.com/images/articles/i/099-irwin-robert-2018/10_RIR_APPROVED_install_Sprueth_Magers_LA_13.jpg Robert Irwin. Installation view, Sprüth Magers, Los Angeles, January 23 - April 21, 2018. Courtesy the artist and Sprüth Magers. Photograph: Robert Wedemeyer. https://www.studiointernational.com/images/articles/i/099-irwin-robert-2018/05_RIR_APPROVED_install_Sprueth_Magers_LA_07.jpg Robert Irwin. Installation view, Sprüth Magers, Los Angeles, January 23 - April 21, 2018. Courtesy the artist and Sprüth Magers. Photograph: Robert Wedemeyer. https://www.studiointernational.com/images/articles/i/099-irwin-robert-2018/07_RIR_APPROVED_install_Sprueth_Magers_LA_45.jpg Robert Irwin. Installation view, Sprüth Magers, Los Angeles, January 23 - April 21, 2018. Courtesy the artist and Sprüth Magers. Photograph: Robert Wedemeyer. https://www.studiointernational.com/images/articles/i/099-irwin-robert-2018/06_RIR_APPROVED_install_Sprueth_Magers_LA_02.jpg Robert Irwin. Installation view, Sprüth Magers, Los Angeles, January 23 - April 21, 2018. Courtesy the artist and Sprüth Magers. Photograph: Robert Wedemeyer. https://www.studiointernational.com/images/articles/i/099-irwin-robert-2018/01_RIR_APPROVED_install_Sprueth_Magers_LA_50.jpg Robert Irwin. Installation view, Sprüth Magers, Los Angeles, January 23 - April 21, 2018. Courtesy the artist and Sprüth Magers. Photograph: Robert Wedemeyer. https://www.studiointernational.com/images/articles/i/099-irwin-robert-2018/04_RIR_APPROVED_install_Sprueth_Magers_LA_26.jpg Robert Irwin. Installation view, Sprüth Magers, Los Angeles, January 23 - April 21, 2018. Courtesy the artist and Sprüth Magers. Photograph: Robert Wedemeyer. https://www.studiointernational.com/index.php/the-armory-show-2018-art-fair-new-york-city https://www.studiointernational.com/images/articles/a/086-armory-show-2018/02-wilson_measures-not-men-1_connersmith-1200x800.jpg Wilmer Wilson IV, Measures not Men, 2017. Photograph courtesy of the artist and Connersmith. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/03-SchwederShelley-My-Turn.jpg Alex Schweder and Ward Shelley, My Turn, 2018. Installation. Photograph courtesy of Sina Basila Hickey & Edward Cella Art & Architecture. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/04-Nelson-Shoe-Painting_Double.jpg Dona Nelson, Shoe Painting, 2011. Acrylic and mixed media on canvas (double-sided), 59 x 56 in. Photograph courtesy of the artist and Thomas Erben Gallery. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/05-Vasulka-Light-Revisited.jpg Woody Vasulka, Light Revisited, 2001. Photograph courtesy of the artist and Milos Strnad. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/06-_tishanhsu_virtualflow_cc_preview.jpg TIshan Hsu, Virtual Flow, 1990–2017. Ceramic tile, glass, wood, plastic. Photograph courtesy Tishan Hsu & Empty Gallery. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/07-Gallery-Hyundai-Park-Hyunki-Untitled-1978.jpg Park Hyunki, Untitled, 1978. Installation. Photograph courtesy Gallery Hyundai. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/09.jpg Shahpour Pouyan, Incarnation of the Body Politic, 2018. Wood sculpture. Photograph courtesy of the artist and Lawrie Shabibi. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/10-rashid-rana.jpg Rashid Rana, War Within XII, 2017-2018. C Print + DAISC. Image courtesy of the artist. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/12_Thiebaud_SeatedNude63.jpg Wayne Thiebaud, Nude (Seated Nude), 1963. Oil on canvas 60 x 36 in (152.4 x 91.4 cm). Courtesy Allan Stone Projects, New York © Wayne Thiebaud/Licensed by VAGA, New York, NY. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/13-GRicht_M_2-004.jpg Gerhard Richter, Grün - Blau - Rot 789-76, 1993. Oil on canvas, 30 x 40 cm (11 3/4 x 15 3/4 in). Photograph courtesy Galerie Ludorff. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/14-Kusama-1.jpg Yayoi Kusama, The Sea, 1980. Collage, pastel and ink on paper. Photograph courtesy Omer Tiroche Gallery. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/15-Paik-cropped.jpg Nam June Paik, Lion, 2005. Three-channel video (colour, silent) with two plasma monitors and 26 CRT monitors and wood lion with acrylic and permanent oil marker additions, 133 x 109 x 65 in (337.8 x 276.9 x 165.1 cm). © Nam June Paik Estate. Photograph Robert McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/16-BIG-CWG_The-Armory-Show_Nacho-Carbonell_Booth-Views_02.jpg Nacho Carbonell’s works at the Carpenters Workshop booth at the Armory Show 2018. Photograph courtesy Carpenters Workshop. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/17b-Proposed-Model-of-Francois-Benga-(1906-1957).jpg Athi-Patra Ruga. The Proposed Model of Francois Benga (1906-1957), 2018. Sculpture: High-density foam, artificial flowers and jewels; plinth: Wood, perspex and light bulbs, approx 280 x 180 x 100 cm. Multiple of 3. Image courtesy of Athi-Patra Ruga and WHATIFTHEWORLD. https://www.studiointernational.com/images/articles/a/086-armory-show-2018/01-Armory-show-JR.jpg JR, So Close, installation. Presented by Artsy and Jeffrey Deitch. Photograph courtesy the Armory Show Press Service. https://www.studiointernational.com/index.php/langlands-and-bell-interview-internet-giants-masters-of-the-universe https://www.studiointernational.com/images/articles/l/093-langlands-and-bell-2018/install-06.jpg Langlands & Bell: Internet Giants – Masters of the Universe, installation view, Ikon, Birmingham. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/l/093-langlands-and-bell-2018/install-05.jpg Langlands & Bell: Internet Giants – Masters of the Universe, installation view, Ikon, Birmingham. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/l/093-langlands-and-bell-2018/install-03.jpg Langlands & Bell: Internet Giants – Masters of the Universe, installation view, Ikon, Birmingham. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/l/093-langlands-and-bell-2018/Langlands-and-bell-640.jpg Langlands & Bell talking to Studio International about their upcoming exhibition, Internet Giants – Masters of the Universe, at Ikon, Birmingham. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/l/093-langlands-and-bell-2018/install-04.jpg Langlands & Bell: Internet Giants – Masters of the Universe, installation view, Ikon, Birmingham. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/l/093-langlands-and-bell-2018/install-07.jpg Langlands & Bell: Internet Giants – Masters of the Universe, installation view, Ikon, Birmingham. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/jedd-novatt-interview https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/Jedd-Novatt,-Monotypes,-SCAD-Museum-of-Art.jpg Jedd Novatt. Monotypes, Savannah College of Art and Design (SCAD) Museum of Art. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/Jedd-Novatt,-Chaos-Meteoro,-2012---Bronze---Chatsworth-House-Trust,-Derbyshire,-UK-(2).jpg Jedd Novatt. Chaos Meteoro, 2012. Bronze, 530 x 427 x 307 cm. Chatsworth House Trust, Derbyshire, UK. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/NewChaossculpturesAtBilbaoFoundry.jpg Jedd Novatt. New Chaos sculptures at Bilbao Foundry. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/ChaosNervionBilbaoWithPellibuildingleftandMoneoRight.jpg Jedd Novatt. Chaos Nervión, 2012, Bilbao, with the César Pelli Iberdrola Tower (left) and Rafael Moneo library (right). Bronze, 7.4 m. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/Jedd-Novatt,-Chaos-Concepcion,-SCAD-Museum-of-Art,-Savannah-Georgia.jpg Jedd Novatt. Chaos Concepción, 2017, Savannah College of Art and Design (SCAD) Museum of Art, Savannah, Georgia, Stainless steel. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/Jedd-Novatt,-Chaos-Pamplona,-Yountville-Napa-Valley,-California.jpg Jedd Novatt. Chaos Pamplona, 2011. Bronze, permanent installation, Yountville Napa Valley, California. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/Jedd-Novatt,-Chaos-Nervion,-Bilbao.jpg Jedd Novatt. Chaos Nervión, 2012. Bronze, 7.4 m. Bilbao. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/Jedd-Novatt,-Chaos-SAS,-2013.jpg Jedd Novatt, Chaos SAS, 2013. Stainless steel, 440 x 420 x 265 cm. Permanent installation at Pérez Art Museum, Miami. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/Jedd-Novatt,-Chaos-Mundaka,-SCAD-Atlanta,-Atlanta-Georgia.jpg Jedd Novatt. Chaos Mundaka, 2009. Bronze. SCAD-Atlanta, Atlanta, Georgia. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/Jedd-Novatt,-Chaos-XAXIS,-2012---Bronze---Middlebury-Museum-of-Art-2015.jpg Jedd Novatt. Chaos XAXIS, 2012. Bronze, 2012, 457 x 427 x 285 cm. Middlebury Museum of Art, 2015. https://www.studiointernational.com/images/articles/n/097-novatt-jedd-2018/Jedd-Novatt-portrait---CHAOS-SAS-at-PAMM.jpg Jedd Novatt with Chaos SAS, 2013. Stainless steel, 440 x 420 x 265 cm. Permanent installation at Pérez Art Museum, Miami. https://www.studiointernational.com/index.php/picasso-1932-love-fame-tragedy-review-tate-modern-london https://www.studiointernational.com/images/articles/p/089-picasso-2018/The-Rescue.jpg Pablo Picasso. The Rescue (Le sauvetage), 1932. Oil paint on canvas, 144.5 x 112.2 x 7.7 cm. Fondation Beyeler, Riehen/Basel, Sammlung Beyeler. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/Nude-Woman-in-a-Red-Armchair.jpg Pablo Picasso. Nude Woman in a Red Armchair (Femme nue dans un fauteuil rouge), 1932. Oil paint on canvas, 129.9 x 97.2 cm. Tate. Purchased 1953. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/The-Dream.jpg Pablo Picasso. Le Rêve (The Dream), 1932. Private collection. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/Girl-Before-A-Mirror.jpg Pablo Picasso. Girl before a Mirror (Jeune fille devant un miroir), 1932. Oil paint on canvas 162.3 x 130.2 cm. The Museum of Modern Art, New York. Gift of Mrs Simon Guggenheim 1937. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/The-Mirror.jpg Pablo Picasso. The Mirror (Le miroir), 1932. Oil paint on canvas, 130 x 90 cm. Private collection. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/Portrait-of-Olga-in-an-Armchair.jpg Pablo Picasso. Portrait of Olga in an Armchair, 1918. Oil paint on canvas, 130 x 88.8 cm. Musée National Picasso. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/Reclining-Nude---Private-Collection.jpg Pablo Picasso. Reclining Nude (Femme nue couchée), 1932. Oil paint on canvas, 130 x 161 cm. Private collection. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/Pablo-Picasso,-1932-by-Cecil-Beaton.jpg Cecil Beaton. Pablo Picasso, rue La Boétie, 1933, Paris. © The Cecil Beaton Studio Archive at Sotheby’s https://www.studiointernational.com/images/articles/p/089-picasso-2018/Bust-of-a-Woman.jpg Pablo Picasso. Bust of a Woman (Buste de femme), 1931. Cement, 78 x 44.5 x 50 cm. Musée National Picasso. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/Nude,-Green-Leaves-and-Bust.jpg Pablo Picasso. Nude, Green Leaves and Bust (Femme nue, feuilles et buste), 1932. Oil paint on canvas, 162 x 130 cm. Private collection. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/Nude-in-a-Black-Armchair.jpg Pablo Picasso. Nude in a Black Armchair (Nu au fauteuil noir), 1932. Oil paint on canvas, 161.3 x 129.5 cm. Private collection, USA. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/The-Crucifixion.jpg Pablo Picasso. The Crucifixion (La crucifixion), 1932. Ink on paper, 34.5 x 50.5 cm. Musée National Picasso. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/images/articles/p/089-picasso-2018/Woman-on-the-Beach.jpg Pablo Picasso. Woman on the Beach (Nu sur la plage), 1932. Oil paint on canvas, 33 x 40 cm. The Penrose Collection. © Succession Picasso/DACS London, 2017. https://www.studiointernational.com/index.php/murillo-the-self-portraits-review-national-gallery-london https://www.studiointernational.com/images/articles/m/090-murillo-2018/Murillo-X9905.jpg Bartolomé Esteban Murillo. Self-Portrait, about 1650-5. Oil on canvas, 107 x 77.5 cm. The Frick Collection, New York, Gift of Dr. and Mrs. Henry Clay Frick II, 2014. © The Frick Collection, New York. https://www.studiointernational.com/images/articles/m/090-murillo-2018/N-0074-00-000030-pp.jpg Bartolomé Esteban Murillo. A Peasant Boy leaning on a Sill, about 1675. Oil on canvas, 52 x 38.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/m/090-murillo-2018/N-6153-00-000025-pp.jpg Bartolomé Esteban Murillo. Self Portrait, about 1670. Oil on canvas, 122 x 107 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/m/090-murillo-2018/Murillo-X10037-A5.jpg Bartolomé Esteban Murillo. Count Diego Ortiz de Zúñiga (1633–1680), about 1665. Oil on canvas, 113 × 94 cm. Private collection in the UK. © Photograph courtesy Sotheby https://www.studiointernational.com/images/articles/m/090-murillo-2018/Murillo-X9909.jpg Bartolomé Esteban Murillo. Two Women at a Window, 1655-1660. Oil on canvas, 125.1 × 104.5 cm. National Gallery of Art, Washington, DC. Image courtesy of the Board of Trustees, National Gallery of Art, Washington, DC. https://www.studiointernational.com/index.php/ingela-ihrman-we-thrive-review-cooper-gallery-dundee https://www.studiointernational.com/images/articles/i/097-ihrman-ingela-2018/Ingela_Ihrman_WeThrive_InstallationView_CooperGallery_DJCAD_Courtesy_StudioRoRo_2045.jpg Ingela Ihrman, The Toad, 2013 (still). Courtesy: the artist. https://www.studiointernational.com/images/articles/i/097-ihrman-ingela-2018/Ingela_Ihrman_WeThrive_InstallationView_CooperGallery_DJCAD_2018_4.jpg Ingela Ihrman. Installation view. Courtesy Cooper Gallery, DJCAD and Ingela Ihrman. https://www.studiointernational.com/images/articles/i/097-ihrman-ingela-2018/Ingela_Ihrman_WeThrive_InstallationView_CooperGallery_DJCAD_2018_6.jpg Ingela Ihrman. Installation view, (right: Intestines, 2017). Textile, rubber, cotton fibre, thread. Courtesy Cooper Gallery, DJCAD and Ingela Ihrman. https://www.studiointernational.com/images/articles/i/097-ihrman-ingela-2018/Ingela_Ihrman_WeThrive_InstallationView_CooperGallery_DJCAD_Courtesy_StudioRoRo_1930.jpg Ingela Ihrman. Installation view, courtesy Cooper Gallery, DJCAD and Ingela Ihrman. https://www.studiointernational.com/images/articles/i/097-ihrman-ingela-2018/Ingela_Ihrman_WeThrive_InstallationView_CooperGallery_DJCAD_2018_5.jpg Ingela Ihrman. The Giant Hogweed, 2016. Paper, reed, glue, textile, spray paint, plastic, nylon string, ratchet strap. Courtesy Cooper Gallery, DJCAD and Ingela Ihrman. https://www.studiointernational.com/index.php/grayson-perry-the-vanity-of-small-differences https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry_expulsion-from-number-8-eden-close_2012-b.jpg Grayson Perry. Expulsion from Number 8 Eden Close, 2012. Wool, cotton, acrylic, polyester and silk tapestry, 200 x 400 cm (78 3/4 x 157 1/2 in), edition of 6 plus 2 artist https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry_the-agony-in-the-car-park_2012-detail-b.jpg Below: Grayson Perry. The Agony in the Car Park, 2012 (detail). Courtesy the Artist and Victoria Miro Gallery, London. https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry_the-upper-class-at-bay_2012-detail-b.jpg Grayson Perry. The Upper Class at Bay, 2012 (detail). Wool, cotton, acrylic, polyester and silk tapestry, 200 x 400 cm (78 3/4 x 157 1/2 in), edition of 6 plus 2 artist https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry_the-adoration-of-the-cage-fighters_2012-full-b.jpg Grayson Perry. The Adoration of the Cage Fighters, 2012. Wool, cotton, acrylic, polyester and silk tapestry, 200 x 400 cm (78 3/4 x 157 1/2 in), edition of 6 plus 2 artist https://www.studiointernational.com/images/articles/g/grayson-perry-2012/grayson-perry-the-annunciation-of-the-virgin-deal_2012-detail-b.jpg Grayson Perry. The Annunciation of the Virgin Deal, 2012 (detail). https://www.studiointernational.com/index.php/panorama-punjab-review-sarah-singh-international-arts-festival https://www.studiointernational.com/images/articles/p/088-punjab-rising-2018/sarah-singh-in-the-qila-mubarak-fort-5.jpg Sarah Singh in the Qila Mubarak palace-fort. https://www.studiointernational.com/images/articles/p/088-punjab-rising-2018/sarah-singh-in-front-of-Qila-Mubarak-(the-Fort).jpg Sarah Singh in front of the Qila Mubarak palace-fort. https://www.studiointernational.com/images/articles/p/088-punjab-rising-2018/JJ-Valaya-being-interviewed-2.jpg Fashion designer JJ Valaya being interviewed by Jill Spalding. Photograph: Patrick Sison. https://www.studiointernational.com/images/articles/p/088-punjab-rising-2018/still-from-sarah-singh-video-1.jpg Sarah Singh. Secret Ships Series 1-4, 2013-15, video still. https://www.studiointernational.com/images/articles/p/088-punjab-rising-2018/debora-hirsch-film-still.jpg Debora Hirsch. FRAMED, 2009, video still. https://www.studiointernational.com/images/articles/p/088-punjab-rising-2018/sarah-singh-in-the-qila-mubarak-fort-2.jpg Japanese dancer Masako Ono of Odissi dance form. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/p/088-punjab-rising-2018/still-from-sarah-singh-video-2.jpg Sarah Singh. Secret Ships Series 1-4, 2013-15, video still. https://www.studiointernational.com/index.php/virginia-woolf-an-exhibition-inspired-by-her-writings-review-tate-st-ives https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/02.jpg Ethel Sands. The Chintz Couch, c1910-1. Oil paint on board, 46.5 x 38.5 cm. © The estate of Ethel Sands. https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/04.jpg Vanessa Bell. Interior with a Table, 1921. Oil paint on canvas, 54 x 64.1 cm. © Tate. https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/05.jpg Dora Carrington. Spanish Landscape with Mountains, c1924. Oil paint on canvas, 55.9 x 66.7 x 2.1 cm. Tate. https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/01.jpg Gwen John. Self-Portrait, 1902. Oil on canvas, 44.8 x 34.9 cm. Tate. https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/03.jpg Laura Knight. Cactus, c1939. Oil on canvas, 50.8 x 40.7 cm. Private collection. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2018. All Rights Reserved. https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/08.jpg Wilhelmina Barns-Graham. Rocks, St Mary https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/07.jpg Paule Vézelay. Five Forms, 1935. Plaster, 28 x 38 x 25 cm. Tate © The estate of Paule Vézelay. https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/09.jpg Margaret Mellis. Blue Anemone, 1957. Oil on board, 33.3 x 35.2 cm. Tate. © The estate of Margaret Mellis. https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/11.jpg Mary Kelly. How to use the shelter as a table, 2012. Compressed lint on card, 38.1 x 58.4 cm. Collection: Audrey Wallrock, UK. Courtesy the artist and Pippy Houldsworth Gallery, London. https://www.studiointernational.com/images/articles/w/094-woolf-virginia-2018/12.jpg France-Lise McGurn. Collapsing New People, 2017. Acrylic, pearls and semi-precious stones. Courtesy the artist. https://www.studiointernational.com/index.php/lilah-fowler-nth-nature-review-assembly-point-london https://www.studiointernational.com/images/articles/f/099-fowler-lilah-2018/nth_nature_artworks_assembly_point_004.jpg Lilah Fowler. nth nature, 2018. Installation view. Image courtesy of Lilah Fowler and Assembly Point. https://www.studiointernational.com/images/articles/f/099-fowler-lilah-2018/nth_nature_artworks_assembly_point_005.jpg Lilah Fowler. nth nature, 2018. Installation view. Image courtesy of Lilah Fowler and Assembly Point. https://www.studiointernational.com/images/articles/f/099-fowler-lilah-2018/nth_nature_artworks_assembly_point_003.jpg Lilah Fowler. nth nature, 2018. Installation view. Image courtesy of Lilah Fowler and Assembly Point. https://www.studiointernational.com/images/articles/f/099-fowler-lilah-2018/nth_nature_artworks_assembly_point_006.jpg Lilah Fowler. nth nature, 2018. Installation view. Image courtesy of Lilah Fowler and Assembly Point. https://www.studiointernational.com/images/articles/f/099-fowler-lilah-2018/nth_nature_artworks_assembly_point_007.jpg Lilah Fowler. nth nature, 2018. Installation view. Image courtesy of Lilah Fowler and Assembly Point. https://www.studiointernational.com/images/articles/f/099-fowler-lilah-2018/nth_nature_artworks_assembly_point_002.jpg Lilah Fowler. nth nature, 2018. Installation view. Image courtesy of Lilah Fowler and Assembly Point. https://www.studiointernational.com/images/articles/f/099-fowler-lilah-2018/nth_nature_artworks_assembly_point_008.jpg Lilah Fowler. nth nature, 2018. Installation view. Image courtesy of Lilah Fowler and Assembly Point. https://www.studiointernational.com/index.php/superstructures-the-new-architecture-1960-1990-review-sainsbsury-centre-for-visual-arts-east-anglia https://www.studiointernational.com/images/articles/s/081-superstructures-2018/2_Construction-of-Sainsbury-Centre-1975-78.jpg Sainsbury Centre construction, 1975-1978. Photograph: © The Art History Photographic Collection, University of East Anglia, Michael Brandon-Jones. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/20180324_SCVASuperstructures_0282.jpg Installation view, Superstructures: The New Architecture 1960–1990 at the Sainsbury Centre for Visual Arts, Norwich, 24 March – 2 September 2018. Photograph: Andy Crouch. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/38_Crystal-Palace-details-of-bracing-between-columns.jpg Crystal Palace: details of bracing between columns. Photograph: © Royal Commission for the Exhibition of 1851. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/35_Prouve-House,-France.jpg Jean Prouvé House, France. Photograph: © Galerie Patrick Seguin and Rogers Stirk Harbour + Partners. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/32_ZipUp-House.jpg ZipUp House. Detail colour presentation competition model, scale 1:20. Photo: © Rogers Stirk Harbour + Partners, Eamonn O https://www.studiointernational.com/images/articles/s/081-superstructures-2018/CedricPriceFunPalaceModel.jpg Cedric Price. Fun Palace Model, 1964. Wood, metal, glass, plastic, paint. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/31_Centre-Pompidou_Harbour.jpg Centre Pompidou. Context model, competition stage, illustrating the double layered facade, scale 1:50. Photograph: © Rogers Stirk Harbour + Partners. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/PompidouCentre-Section-with-colour-coded-key-of-parts-and-functions-(1975).-Black-ink-and-colour-letratone-on-paper.jpg Pompidou Centre Section with colour-coded key of parts and functions (1975). Black ink and colour letratone on paper. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/44_Fosters-Renault-Factory-Ben-Johnson1986.jpg Ben Johnson. East Mast with Gridline Beam and Outriggers, 1986. Acrylic on canvas © Ben Johnson. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/30_Architectural-model-of-the-International-Terminal-Waterloo.jpg Architectural model of the International Terminal Waterloo, London. Photograph: © Grimshaw. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/InternationalTerminalWaterlooGrimshawArchitects.jpg Wooden and metal moulds for International Terminal Waterloo. Grimshaw Architects. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/25_Crescent-Wing,-Foster.jpg Sainsbury Centre Crescent Wing. Photograph: © Richard Davies. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/17_Sainsbury-CentrePhoto.jpg Current day Sainsbury Centre, 2009. Photograph: © Sainsbury Centre, Pete Huggins. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/10_Sainsbury-Centre-construction_1975-1978.jpg Sainsbury Centre construction, 1975-1978. Photograph: © Foster + Partners, Alan Howard. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/34_Prouve-House-Model.jpg Jean Prouvé House box, comprising 1:30 scale model and 3D contents. Photograph: © Rogers Stirk Harbour + Partners. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/26_Hongkong-&-Shanghai-Bank.jpg Hongkong and Shanghai Bank. Photograph: © Foster + Partners, Ian Lambot. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/28_Century-Tower,-Japan.jpg Century Tower, Japan. Photograph: © Foster + Partners, Ian Lambot. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/20180324_SCVASuperstructures_0265.jpg Installation view, Superstructures: The New Architecture 1960–1990 at the Sainsbury Centre for Visual Arts, Norwich, 24 March – 2 September 2018. Photograph: Andy Crouch. https://www.studiointernational.com/images/articles/s/081-superstructures-2018/SainsburysCentreCafePicVSimpson.jpg Sainsbury's Centre Cafe. Photograph: Veronica Simpson. https://www.studiointernational.com/index.php/michele-oka-doner-video-interview-bringing-the-fire-david-gill-gallery-london https://www.studiointernational.com/images/articles/d/091-doner-michele-oka-2018/altar-II-2.jpg Michele Oka Doner. Altar II, 2003. Patinated bronze, 175.2 × 299.7 × 180.3 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/d/091-doner-michele-oka-2018/altar-II.jpg Michele Oka Doner. Altar II, 2003. Patinated bronze, 175.2 × 299.7 × 180.3 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/d/091-doner-michele-oka-2018/3-MOD-2018-Installation.jpg Michele Oka Doner: Bringing the Fire, installation view, David Gill Gallery, London, March 2018. Image courtesy of David Gill Gallery. Photograph: READS. https://www.studiointernational.com/images/articles/d/091-doner-michele-oka-2018/michele-oka-doner-640.jpg Michele Oka Doner talking to Studio International at the opening of Bringing the Fire, David Gill Gallery, London, 21 March 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/d/091-doner-michele-oka-2018/1-MOD-2018-Installation.jpg Michele Oka Doner: Bringing the Fire, installation view, David Gill Gallery, London, March 2018. Image courtesy of David Gill Gallery. Photograph: READS. https://www.studiointernational.com/images/articles/d/091-doner-michele-oka-2018/2-MOD-2018-Installation.jpg Michele Oka Doner: Bringing the Fire, installation view, David Gill Gallery, London, March 2018. Image courtesy of David Gill Gallery. Photograph: READS. https://www.studiointernational.com/index.php/marino-marini-visual-passions-review-peggy-guggenheim-collection-venice https://www.studiointernational.com/images/articles/m/089-marini-2018/Marino_Marini_Angel-of-the-city.jpg Marino Marini. Angel of The City, 1948. Bronze, 175 x 176 x 106 cm. Collection Peggy Guggenheim, Venice. © Marino Marini, by SIAE 2018. https://www.studiointernational.com/images/articles/m/089-marini-2018/Ph_MatteodeFina-(2).jpg Marino Marini, installation view. Photograph: Matteo de Fina. https://www.studiointernational.com/images/articles/m/089-marini-2018/Marino_Marini_Popolo.jpg Marino Marini. Popolo, 1929. Terracotta, 66 x 109 x 47 cm. Museo del Novecento-Coll. Marino Marini, Milan. © Comune di Milano – all rights reserved. Photograph: Luca Postini. © Marino Marini, by SIAE 2018. https://www.studiointernational.com/images/articles/m/089-marini-2018/Ph_MatteodeFina-(10).jpg Marino Marini, installation view. Photograph: Matteo de Fina. https://www.studiointernational.com/images/articles/m/089-marini-2018/Marino_Marini-(6).jpg Marino Marini working on Miracle, 1955. Fondazione Marini Marini. https://www.studiointernational.com/images/articles/m/089-marini-2018/Ph_MatteodeFina-(6).jpg Marino Marini, installation view. Photograph: Matteo de Fina. https://www.studiointernational.com/images/articles/m/089-marini-2018/Marino_Marini_Giocoliere.jpg Marino Marini. Juggler, 1944. Bronze, 88.4 x 37.8 x 67.2 cm. Museo Marino Marini, Firenze. © Marino Marini, by SIAE 2018. https://www.studiointernational.com/images/articles/m/089-marini-2018/Henry_Moore_3_figure.jpg Henry Moore. Three Standing Figures, 1953. Bronze, 73.2 x 68 x 29 cm. Collection Peggy Guggenheim, Venice. Courtesy Henry Moore Foundation. https://www.studiointernational.com/images/articles/m/089-marini-2018/Marino_Marini-(4).jpg Marino Marini. Fondazione Marini Marini. https://www.studiointernational.com/images/articles/m/089-marini-2018/Ph_MatteodeFina-(1).jpg Marino Marini, installation view. Photograph: Matteo de Fina. https://www.studiointernational.com/images/articles/m/089-marini-2018/Ph_MatteodeFina-(9).jpg Marino Marini, installation view. Photograph: Matteo de Fina. https://www.studiointernational.com/index.php/chiharu-shiota-beyond-time-review-yorkshire-sculpture-park https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/Chiharu-Shiota,-Beyond-Time,-2018-2.jpg Chiharu Shiota. Beyond Time, 2018. White thread, metal piano, musical notes. Copyright VG Bild-Kunst, Bonn, 2018 and the artist. Courtesy Yorkshire Sculpture Park. Photograph © Jonty Wilde. https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/ChiharuShiotaBeyondTimeWebbingInSunlightWinterTreesBeyondVSimpson.jpg Chiharu Shiota. Beyond Time, 2018. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/ChiharuShiotaBeyondTimeSunAndShadeYSPVSimpson.jpg Chiharu Shiota. Beyond Time, 2018. Installation view, sun and shade. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/Chiharu-Shiota,-Beyond-Time,-2018.jpg Chiharu Shiota. Beyond Time, 2018. White thread, metal piano, musical notes. Copyright VG Bild-Kunst, Bonn, 2018 and the artist. Courtesy Yorkshire Sculpture Park. Photograph © Jonty Wilde. https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/ChiharuShiotaDrawingsTop.jpg Top: Chiharu Shiota, Dancing, 2018. Oil pastel and thread on paper. 42 x 56 cm. Bottom: Red Coat, 2018. Oil pastel and thread on paper. 42 x 56 cm. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/Chiharu-Shiota,-Belonging,-2017.jpg Chiharu Shiota. Belonging, 2017. Bronze, 10 x 24 x 31 cm. Copyright VG Bild-Kunst, Bonn, 2018 and the artist. https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/ChiharuShiotaStillFromWall(2010)InstallationatYSPVSimpson.jpg Chiharu Shiota. Wall, 2010. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/ChiharuShiotaBeyondTime.jpg Chiharu Shiota. Beyond Time, 2018. White thread, metal piano, musical notes. Copyright VG Bild-Kunst, Bonn, 2018 and the artist. Courtesy Yorkshire Sculpture Park. Photograph © Jonty Wilde. https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/ChiahruShiotaArtistInTheChapelYSPBeyondTimeVSimpson.jpg Chiahru Shiota in the chapel at Yorkshire Sculpture Park. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/080-shiota-chiharu-2018/ExteriorOfChapel,WithTreeByAiWeiWeiYSPVSimpson.jpg Exterior of chapel at Yorkshire Sculpture Park, with tree by Ai Weiwei. Photograph: Veronica Simpson. https://www.studiointernational.com/index.php/under-cover-a-secret-history-of-cross-dressing-review-photographers-gallery-london https://www.studiointernational.com/images/articles/u/099-under-cover-2018/1-female-cross-dresser,-first-room-detail.jpg Under Cover: A Secret History of Cross-Dressers, © Sébastien Lifshitz Collection. Courtesy of Sébastien Lifshitz and The Photographers’ Gallery. Photograph: © Lisa Moravec. https://www.studiointernational.com/images/articles/u/099-under-cover-2018/1-female-cross-dresser,-first-room.jpg Under Cover: A Secret History of Cross-Dressers, © Sébastien Lifshitz Collection. Courtesy of Sébastien Lifshitz and The Photographers’ Gallery. Photograph: © Lisa Moravec. https://www.studiointernational.com/images/articles/u/099-under-cover-2018/5-new-women.jpg Under Cover: A Secret History of Cross-Dressers, © Sébastien Lifshitz Collection. Courtesy of Sébastien Lifshitz and The Photographers’ Gallery. Photograph: © Lisa Moravec. https://www.studiointernational.com/images/articles/u/099-under-cover-2018/3-bambi.jpg Under Cover: A Secret History of Cross-Dressers, © Sébastien Lifshitz Collection. Courtesy of Sébastien Lifshitz and The Photographers’ Gallery. Photograph: © Lisa Moravec. https://www.studiointernational.com/images/articles/u/099-under-cover-2018/4-mock-wedding.jpg Under Cover: A Secret History of Cross-Dressers, © Sébastien Lifshitz Collection. Courtesy of Sébastien Lifshitz and The Photographers’ Gallery. Photograph: © Lisa Moravec. https://www.studiointernational.com/images/articles/u/099-under-cover-2018/01_Press-Images-l-Under-Cover-l-Man-in-makeup,-1920-.jpg Man in makeup wearing ring. Photograph from a photo booth, with highlights of colour. United States, c1920. © Sébastien Lifshitz Collection. Courtesy of Sébastien Lifshitz and The Photographers’ Gallery. https://www.studiointernational.com/index.php/being-new-photograph-2018-review-moma-new-york https://www.studiointernational.com/images/articles/n/096-new-photography-2018/yazan-khalili-hidingourfaceslikeadancingwind.2016.video.duration730.courtesylawrieshabibiandtheartist13.jpg Yazan Khalili. Hiding our faces like a dancing wind, 2016 (still). Video (colour, no sound), 7 min, 30 sec. Courtesy the artist and Lawrie Shabibi, Dubai. © 2018 Yazan Khalili. https://www.studiointernational.com/images/articles/n/096-new-photography-2018/Winant-in2396_018_cccr.jpg Carmen Winant. My Birth (detail), 2018. Site-specific installation of found images, tape. The Museum of Modern Art, New York. Photograph: Martin Seck. © 2018 Carmen Winant. https://www.studiointernational.com/index.php/dawn-mellor-interview-activism-and-resentments-due-to-economics-class-racism-and-gender https://www.studiointernational.com/images/articles/m/090-mellor-dawn-2018/Detective-Superintendent-Stella-Gibson-(Gillian-Anderson).jpg Dawn Mellor. Detective Superintendent Stella Gibson (Gillian Anderson), 2016. Oil on canvas, 30 x 24 in. © the artist. https://www.studiointernational.com/images/articles/m/090-mellor-dawn-2018/Police-Constable-Jamilla-Blake-(Lolita-Chakrabarti).jpg Dawn Mellor. Police Constable Jamilla Blake (Lolita Chakrabarti), 2016. Oil on canvas, 30 x 24 in. © the artist. https://www.studiointernational.com/images/articles/m/090-mellor-dawn-2018/Police-Constable-Yvonne-Hemingway-(Michele-Austin).jpg Dawn Mellor. Police Constable Yvonne Hemmingway (Michele Austin), 2016. Oil on canvas, 30 x 24 in. © the artist. https://www.studiointernational.com/images/articles/m/090-mellor-dawn-2018/Police-Constable-Di-Worrell-(Jane-Wall).jpg Dawn Mellor. Police Constable Di Worrell (Jane Wall), 2016. Oil on canvas, 30 x 24 in. © the artist. https://www.studiointernational.com/images/articles/m/090-mellor-dawn-2018/Police-Constable-Ruby-Buxton-(Nicola-Alexis).jpg Dawn Mellor. Police Constable Ruby Buxton (Nicola Alexis), 2016. Oil on canvas, 30 x 24 in. © the artist. https://www.studiointernational.com/images/articles/m/090-mellor-dawn-2018/Police-Constable-Sally-Armstrong-(Alexandra-Louise-Bastian).jpg Dawn Mellor. Police Constable Sally Armstrong (Alexandra Louise Bastian), 2016. Oil on canvas, 30 x 24 in. © the artist. https://www.studiointernational.com/images/articles/m/090-mellor-dawn-2018/Sergeant-Catherine-Cawood-(Sarah-Lancashire).jpg Dawn Mellor. Sergeant Catherine Cawood (Sarah Lancashire), 2016. Oil on canvas, 30 x 24 in. © the artist. https://www.studiointernational.com/images/articles/m/090-mellor-dawn-2018/Detective-Superintendent-Ellie-Miller-(Olivia-Colman).jpg Dawn Mellor. Detective Superintendent Ellie Miller (Olivia Colman), 2016. Oil on canvas, 30 x 24 in. © the artist. https://www.studiointernational.com/images/articles/m/090-mellor-dawn-2018/Assistant-Commissioner-Sharon-Franklin-(Nicola-Walker).jpg Dawn Mellor. Assistant Commissioner Sharon Franklin (Nicola Walker), 2016. Oil on canvas, 30 x 24 in. © the artist. https://www.studiointernational.com/index.php/paul-brown-process-chance-serendipity-art-that-makes-itself-review-national-academy-sciences-washington https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/KAP_NAS_Brown_Exhibit_2018_04_05_003-.jpg Paul Brown: Process, Chance and Serendipity: Art That Makes Itself. Installation view, National Academy of Sciences, Washington DC, 20 February – 15 July 2018. Photograph courtesy Cultural Programs of the NAS © 2018 Kevin Allen Photo. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/KAP_NAS_Brown_Exhibit-(detail).jpg Paul Brown: Process, Chance and Serendipity: Art That Makes Itself. Installation view, National Academy of Sciences, Washington DC, 20 February – 15 July 2018. Photograph courtesy Cultural Programs of the NAS © 2018 Kevin Allen Photo. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/03-Untitled-Gouach-1968.jpg Paul Brown. Untitled Gouache, 1968. 7 x 4.8 in. Original lost, recreated as a Giclée Print in 2016. © the artist. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/05-Canvas-recon-1977-2.jpg Paul Brown. Reconfigurable Painting, 1977. 18.29 x 84 in. Original lost, recreated as a Giclée Print in 2015. © the artist. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/13-swimming-pool-1996.jpg Paul Brown. Swimming Pool, 1996. Giclée Print, 29.53 x 19.69 in. © the artist. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/KAP_NAS_Brown_Exhibit_2018_04_05_006-.jpg Paul Brown. Dragon, 2012. Kinetic painting: HD real-time computational and generative artwork, size variable. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/KAP_NAS_Brown_Exhibit_2018_04_05_002-.jpg Paul Brown: Process, Chance and Serendipity: Art That Makes Itself. Installation view, National Academy of Sciences, Washington DC, 20 February – 15 July 2018. Photograph courtesy Cultural Programs of the NAS © 2018 Kevin Allen Photo. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/05-Canvas-recon-1977.jpg Paul Brown. Reconfigurable Painting, 1977. 18.29 x 84 in. Original lost, recreated as a Giclée Print in 2015. © the artist. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/10-ceiling-1996.jpg Paul Brown. Ceiling Detail from The House of Signs, 1996. Giclée Print, 19.68 x 19.69 in. © the artist. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/11-Wrapping-Paper-2017.jpg Paul Brown. Wrapping Paper, 2017. Giclée Print, 31.21 x 84 in. © the artist. https://www.studiointernational.com/images/articles/b/080-brown-paul-2018/KAP_NAS_Brown_Exhibit_2018_04_05_004-.jpg Paul Brown: Process, Chance and Serendipity: Art That Makes Itself. Installation view, National Academy of Sciences, Washington DC, 20 February – 15 July 2018. Photograph courtesy Cultural Programs of the NAS © 2018 Kevin Allen Photo. https://www.studiointernational.com/index.php/william-crozier-the-edge-of-landscape-review-irish-museum-of-modern-art-dublin https://www.studiointernational.com/images/articles/c/083-crozier-william-2018/1961-(Untitled)-Figure-1961.jpg William Crozier. (Untitled) Figure, 1961, Oil on paper, 61 x 50 cm. Courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/c/083-crozier-william-2018/1960-Untitled-(c-1960).jpg William Crozier. 1960 Untitled, c1960. Oil on baord, 120 x 90 cm. Private collection courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/c/083-crozier-william-2018/1961-(Untitled)-Landscape,-(c1961).jpg William Crozier. (Untitled) Landscape, c1961. Oil on paper, 61 x 50 cm. Private collection courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/c/083-crozier-william-2018/1962-()-Fallen-Figure.jpg William Crozier. Fallen Figure, 1962. Oil on canvas, 152 x 152 cm. Private collection courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/c/083-crozier-william-2018/1975-The-Ladies-of-Charlotte-Street.jpg William Crozier. The Ladies of Charlotte Street, 1975. Oil on canvas, 214 x 228 cm. © The Artist https://www.studiointernational.com/images/articles/c/083-crozier-william-2018/1977-The-Watermeadows.jpg William Crozier. The Watermeadows, 1977. Oil on canvas, 167 x 251 cm. © The Artist https://www.studiointernational.com/images/articles/c/083-crozier-william-2018/1958-(Untitled)-Landscape.jpg William Crozier. (Untitled) Landscape, 1958. Oil on board, 97 x 71.5 cm. Private collection courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/c/083-crozier-william-2018/1982-The-Rowan-Tree.jpg William Crozier. The Rowan Tree, 1982. Oil on canvas, 198 x 231 cm. William Crozier Estate courtesy Flowers Gallery, London. https://www.studiointernational.com/index.php/lee-lozano-slip-slide-splice-review-fruitmarket-edinburgh https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/LOZAN30629.jpg Lee Lozano. Piece, 1969. © The Estate of Lee Lozano. Courtesy Hauser & Wirth https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/LOZAN31145.jpg Lee Lozano. No title, 1961. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/LOZAN31243_PRESS.jpg Lee Lozano. Cram, 1965. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/LOZAN78423-05.jpg Page from Lee Lozano’s notes and ephemera, undated. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/Lee-Lozano,-c-1962.jpg Lee Lozano. No title, c 1962. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/LOZAN30588.jpg Lee Lozano. No title, 1964. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/LOZAN30559_PRESS.jpg Lee Lozano. No title, c 1962. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/Lee-Lozano-Slip-Slide-Splice,-installation-view-2.jpg Installation view, Lee Lozano, c1962, Hauser & Wirth London 2017. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/Hauser-and-Wirth-London.jpg Installation view, Lee Lozano, c1962, Hauser & Wirth London 2017. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/l/089-lozano-lee-2018/Lee-Lozano-Slip-Slide-Splice,-installation-view.jpg Installation view, Lee Lozano, c1962, Hauser & Wirth London 2017. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. https://www.studiointernational.com/index.php/rie-nakajima-video-interview-cyclic-ikon-gallery https://www.studiointernational.com/images/articles/n/096-nakajima-rie-2018/rie-nakajima-installation-ikon-gallery-2018-1.jpg Rie Nakajima, Cyclic, installation view, Ikon, Birmingham, 21 March – 3 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/n/096-nakajima-rie-2018/rie-nakajima-installation-ikon-gallery-2018-5.jpg Rie Nakajima, Cyclic, installation view, Ikon, Birmingham, 21 March – 3 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/n/096-nakajima-rie-2018/rie-nakajima-installation-ikon-gallery-2018-2.jpg Rie Nakajima, Cyclic, installation view, Ikon, Birmingham, 21 March – 3 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/n/096-nakajima-rie-2018/rie-nakajima-installation-ikon-gallery-2018-4.jpg Rie Nakajima, Cyclic, installation view, Ikon, Birmingham, 21 March – 3 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/n/096-nakajima-rie-2018/rie-nakajima-installing-cyclic-ikon-gallery-2018.jpg Rie Nakajima installing Cyclic, Ikon, Birmingham, 20 March 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/n/096-nakajima-rie-2018/Rie-Nakajima-portrait-20March2018.jpg Rie Nakajima before the opening of her exhibition Cyclic at Ikon, Birmingham, 20 March 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/n/096-nakajima-rie-2018/rie-nakajima-installation-ikon-gallery-2018-3.jpg Rie Nakajima, Cyclic, installation view, Ikon, Birmingham, 21 March – 3 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/andrzej-wroblewski-review-david-zwirner-london https://www.studiointernational.com/images/articles/w/093-wroblewski-andrzej-2018/7.jpg Andrzej Wróblewski. (Head of a Girl), [Head of a Girl no. 1025], undated. Watercolour on paper, 29.7 x 21 cm. Private collection. © Andrzej Wróblewski Foundation. https://www.studiointernational.com/images/articles/w/093-wroblewski-andrzej-2018/6.jpg Andrzej Wróblewski. [Group Scene no. 607], 1954. Ink on paper, 29.7 x 42 cm. Private collection. © Andrzej Wróblewski Foundation. https://www.studiointernational.com/images/articles/w/093-wroblewski-andrzej-2018/2.jpg Andrzej Wróblewski. Chauffeur, 1956. Oil and pencil on canvas, 132 x 200.5 cm. Private collection. © Andrzej Wróblewski Foundation. https://www.studiointernational.com/images/articles/w/093-wroblewski-andrzej-2018/4.jpg Andrzej Wróblewski. [Group Scene no. 238], undated. Watercolour and gouache on paper, 15 x 21 cm. Private collection. © Andrzej Wróblewski Foundation. https://www.studiointernational.com/images/articles/w/093-wroblewski-andrzej-2018/3.jpg Andrzej Wróblewski. Mother with Dead Child, 1949. Oil on canvas, 120 x 90 cm. Collection of Grażyna Kulczyk. © Andrzej Wróblewski Foundation. https://www.studiointernational.com/images/articles/w/093-wroblewski-andrzej-2018/1.jpg Andrzej Wróblewski. (Self-Portrait in Red), undated. Watercolour and gouache on paper, 29.5 x 41.7 cm. Private Collection. © Andrzej Wróblewski Foundation. https://www.studiointernational.com/images/articles/w/093-wroblewski-andrzej-2018/5.jpg Andrzej Wróblewski. (Profile), [Profile no. 1011], undated. Watercolour and gouache on paper, 27.3 x 25 cm. Private collection. © Andrzej Wróblewski Foundation. https://www.studiointernational.com/images/articles/w/093-wroblewski-andrzej-2018/8.jpg Andrzej Wróblewski. (Zampano I), undated. Gouache on paper, 42 x 29.4 cm. Private collection. © Andrzej Wróblewski Foundation. https://www.studiointernational.com/images/articles/w/093-wroblewski-andrzej-2018/9.jpg Andrzej Wróblewski, [Self-Portrait with Glass Reflection], undated. Black and white photograph, 5.2 x 8.4 cm. Archive of the Artist’s Heirs. © Andrzej Wróblewski Foundation. https://www.studiointernational.com/index.php/cecile-b-evans-amos-world-episode-one-review-mumok-vienna https://www.studiointernational.com/images/articles/e/091-evans-cecile-2018/08_evans_amos_world_2017.jpg Cécile B. Evans. Amos’ World, 2017. Video still: Amos’ World: Episode One. Courtesy of the artist and Galerie Emanuel Layr, Vienna/Rome. https://www.studiointernational.com/images/articles/e/091-evans-cecile-2018/06_evans_ausstellungsansicht.jpg Cécile B. Evans. Amos’ World, 2017: Episode One. Exhibition view, mumok, 2018. © mumok. Photograph: Klaus Pichler. https://www.studiointernational.com/images/articles/e/091-evans-cecile-2018/20180402_104236.jpg Cécile B. Evans. Amos’ World, 2017. Video still: Amos’ World: Episode One. Courtesy of the artist and Galerie Emanuel Layr, Vienna/Rome. https://www.studiointernational.com/images/articles/e/091-evans-cecile-2018/08_evans_ausstellungsansicht.jpg Cécile B. Evans. Amos’ World, 2017: Episode One. Exhibition view, mumok, 2018. © mumok. Photograph: Klaus Pichler. https://www.studiointernational.com/images/articles/e/091-evans-cecile-2018/11_evans_ausstellungsansicht.jpg Cécile B. Evans. Amos’ World, 2017: Episode One. Exhibition view, mumok, 2018. © mumok. Photograph: Klaus Pichler. https://www.studiointernational.com/index.php/miguel-chevalier-video-interview-meta-cities-virtual-reality https://www.studiointernational.com/images/articles/c/082-chevalier-miguel-2018/wilmotte-installation-2018-1.jpg Miguel Chevalier: Ubiquity 2, 2018. Installation view, Wilmotte Gallery, London, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/082-chevalier-miguel-2018/chevalier-mayor-gallery-2018-2.jpg Miguel Chevalier: Ubiquity 1, 2018. Installation view, Mayor Gallery, London, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/082-chevalier-miguel-2018/miguel-chevalier-2018-1000px.jpg Miguel Chevalier: Ubiquity 2, 2018. Installation view, Wilmotte Gallery, London, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/082-chevalier-miguel-2018/chevalier-mayor-gallery-2018-3.jpg Miguel Chevalier: Ubiquity 1, 2018. Installation view, Mayor Gallery, London, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/082-chevalier-miguel-2018/miguel-chevalier-portrait-Feb-2018-640.jpg Miguel Chevalier talking to Studio International in his Paris studio, February 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/082-chevalier-miguel-2018/chevalier-mayor-gallery-2018.jpg Miguel Chevalier: Ubiquity 1, 2018. Installation view, Mayor Gallery, London, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/c/082-chevalier-miguel-2018/chevalier-paris-studio-view-3Feb2018.jpg Miguel Chevalier's Paris studio, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/shonky-the-aesthetics-of-awkwardness-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/s/079-shonky-2018/Andrew-Logan-Divine-Shrine.jpg Andrew Logan. Divine Shrine. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/s/079-shonky-2018/Plastique-Fantastique.jpg Plastique Fantastique, installation view, Shonky: The Aesthetics of Awkwardness. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/s/079-shonky-2018/Benedict-Drew-A-Dyspraxic-Techno,-2017.jpg Benedict Drew. A Dyspraxic Techno, 2017. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/s/079-shonky-2018/Andrew-Logan-Fenella-Fielding.jpg Andrew Logan. Fenella Fielding. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/s/079-shonky-2018/Gallery-view-Niki-de-Saint-Phalle-(1).jpg Niki de Saint Phalle, installation view, Shonky: The Aesthetics of Awkwardness. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/s/079-shonky-2018/Huntertwasser-and-Kate-Lepper.jpg Friedensreich Hundertwasser and Kate Lepper, installation view, Shonky: The Aesthetics of Awkwardness. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/s/079-shonky-2018/Gallery-view-Duggie-Fields.jpg Duggie Fields, installation view, Shonky: The Aesthetics of Awkwardness. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/s/079-shonky-2018/John-Walter-The-Shonky-Bar.jpg John Walter. The Shonky Bar. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/s/079-shonky-2018/Gallery-view-Niki-de-Saint-Phalle.jpg Niki de Saint Phalle, installation view, Shonky: The Aesthetics of Awkwardness. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/s/079-shonky-2018/Louise-Fishman-Le-Nuits-D-Ete,-2016.jpg Louise Fishman. Le Nuits D'Ete, 2016. Photograph: Ruth Clark. https://www.studiointernational.com/index.php/americas-cool-modernism-okeeffe-to-hopper-review-ashmolean-museum-oxford https://www.studiointernational.com/images/articles/a/089-america-cool-modernism-2018/Which-Way-(c)-Terra-Foundation,-Chicago.jpg Martin Lewis. Which Way? 1932. Aquatint on pale blue paper, 26.2 x 40.3 cm. © Terra Foundation for American Art, Daniel J. Terra Collection, Chicago / artist’s estate. https://www.studiointernational.com/images/articles/a/089-america-cool-modernism-2018/East-River-(c)-2017-Artists-Rights-Society-(ARS),-New-York.jpg Georgia O’Keeffe. East River from the Shelton Hotel, 1928. Oil on canvas, 30.5 x 81.3 cm. Metropolitan Museum of Art, New York. © 2017 Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/a/089-america-cool-modernism-2018/Dawn-in-Pennsylvania-(c)-Heirs-of-Josephine-N.jpg Edward Hopper. Dawn in Pennsylvania, 1942. Oil on canvas, 61.9 x 112.4 cm. Terra Foundation for American Art, Daniel J. Terra Collection, Chicago. © Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art. https://www.studiointernational.com/images/articles/a/089-america-cool-modernism-2018/Figure-5-(c)-Metropolitan-Museum-of-Art,-New-York.jpg Charles Demuth. I Saw the Figure 5 in Gold, 1928. Oil, graphite, ink and gold leaf on paperboard, 90.2 x 76.2 cm. © Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/a/089-america-cool-modernism-2018/Americana-(c)-Estate-of-Charles-Sheeler.jpg Charles Sheeler. Americana, 1931. Oil on canvas, 121.9 x 91.4 cm. Metropolitan Museum of Art, New York. © Estate of Charles Sheeler. https://www.studiointernational.com/images/articles/a/089-america-cool-modernism-2018/Sound-(c)-The-Estate-of-E.E.jpg E.E.Cummings. Sound, 1919. Oil on canvas, 89.2 x 88.9 cm. Metropolitan Museum of Art, New York. © The Estate of E.E.Cummings. https://www.studiointernational.com/images/articles/a/089-america-cool-modernism-2018/Mans-Canyon-(c)-Estate-of-the-artist.jpg Samuel Margolies. Man’s Canyon, 1936. Etching and aquatint on cream laid paper, 40.5 x 32.9 cm. Terra Foundation for American Art. © Estate of the artist. https://www.studiointernational.com/images/articles/a/089-america-cool-modernism-2018/Manhattan-Bridge-Loop-(c)-Heirs-of-Josephine-N.jpg Edward Hopper. Manhattan Bridge Loop, 1928. Oil on canvas, 88.9 x 152.4 cm. Addison Gallery of American Art, Phillips Academy, Andover MA. © Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art. https://www.studiointernational.com/images/articles/a/089-america-cool-modernism-2018/Migration-31-(c)-2016-The-Jacob-and-Gwendolyn-Knight-Lawrence-Foundation,-Seattle---ARS,-New-York.jpg Jacob Lawrence. The Migration Series, panel no. 31: The migrants found improved housing when they arrived north. 1940–41. Casein tempera on hardboard, 30.48 x 45.72 cm. The Phillips Collection, Washington DC. © 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/wasp-andrea-arnold-review-hannah-barry-london https://www.studiointernational.com/images/articles/w/092-wasp-2018/H-Wasp-installation-view-17.jpg Wasp, installation view, Hannah Barry Gallery, London, 2018. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/w/092-wasp-2018/H-Wasp-installation-view-22.jpg Andrea Arnold. Wasp, 2003. Short film, 26 min. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/w/092-wasp-2018/H-Wasp-installation-view-detail-11.jpg Momtaza Mehri’s poem Razzle Dazzle, installation view (detail), Hannah Barry Gallery, London, 2018. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/w/092-wasp-2018/marie-jacotey-Love-is-a-war.jpg Marie Jacotey. Love is a war, 2014. Coloured pencil on paper, 29.5 x 19.5 cm. Courtesy Hannah Barry Gallery. https://www.studiointernational.com/images/articles/w/092-wasp-2018/Emma-Cousin-Pleats-2016.jpg Emma Cousin. PLEATS, 2016. Oil on canvas, 39.5 x 50 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/w/092-wasp-2018/H-Wasp-installation-view-25.jpg Wasp, installation view, Hannah Barry Gallery, London, 2018. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/w/092-wasp-2018/H-Wasp-installation-view-12.jpg Stevie Dix. Girls who get ready, 2016. Oil, oil stick, enamel, emulsion and charcoal on canvas, 124 x 124 cm. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/w/092-wasp-2018/H-Wasp-installation-view-20.jpg Wasp, installation view, Hannah Barry Gallery, London, 2018. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/w/092-wasp-2018/marie-jacotey-take-a-good-look-2016-7.jpg Marie Jacotey. Take a good look at his torso to remember in years to come how young we were, how soft his ribcage is under my palm, 2016-17. Dry pastel on Japanese paper, 29 x 22.5 cm. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/w/092-wasp-2018/H-Wasp-installation-view-11.jpg Wasp, installation view, Hannah Barry Gallery, London, 2018. Photograph: Damian Griffiths. https://www.studiointernational.com/images/articles/w/092-wasp-2018/emma-cousin-1.jpg Emma Cousin. WOMAN HOLDING WARM EGGS, 2017. Oil on canvas on board, 42 x 31.5 cm. Photograph: Damian Griffiths. https://www.studiointernational.com/index.php/role-play-collaborative-creativity-creative-collaborations-cybernetic-serendipity-review https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/CS1968-frontcover.jpg Cybernetic Serendipity: the computer and the arts. Edited by Jasia Reichardt. Published by Studio International (special issue), 1968. https://www.studiointernational.com/images/articles/n/095-nas-washington-2018/Role-Play-02-Ben-Schneiderman.jpg Student Fellows Symposium, National Academy of Sciences, Washington DC, 12 March 2018. Photograph: Ben Shneiderman. https://www.studiointernational.com/images/articles/n/095-nas-washington-2018/William-Wiebe-NAS-2018-2.jpg William Wiebe speaking at the Student Fellows Symposium, NAS, Washington DC, 12 March 2018. https://www.studiointernational.com/images/articles/n/095-nas-washington-2018/Colloquium-02.jpg Jonathan Corum, science graphics editor at the New York Times. Photograph: Ben Shneiderman. https://www.studiointernational.com/images/articles/a/089-art-and-technology-week-2018/SacklerColloquium_Poster.jpg Creativity and Collaboration: Revisiting Cybernetic Serendipity, National Academy of Sciences, Washington DC, 2018. https://www.studiointernational.com/images/articles/n/095-nas-washington-2018/satellite.jpg William Wiebe. Sights Unseen: Computer Vision, Human Memory. © William Wiebe. https://www.studiointernational.com/images/articles/n/095-nas-washington-2018/jasia-reichardt-nas-2018.jpg Jasia Reichardt (centre) with Dame Jill Sackler and Ben Shneiderman, National Academy of Sciences, Washington DC, 13 March 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/n/095-nas-washington-2018/Role-Play-03-Ben-Schneiderman.jpg Student Fellows Symposium, National Academy of Sciences, Washington DC, 12 March 2018. Photograph: Ben Shneiderman. https://www.studiointernational.com/images/articles/n/095-nas-washington-2018/Colloquium-03.jpg Creativity and Collaboration: Revisiting Cybernetic Serendipity colloquium, National Academy of Sciences, Washington DC, 13-14 March 2018. Photograph: Ben Shneiderman. https://www.studiointernational.com/index.php/jose-parla-interview-amistad-america-it-challenges-me-to-work-against-the-grain-of-the-status-quo https://www.studiointernational.com/images/articles/p/087-parla-jose-2018/Final-3_Photo-by-Paul-Bardagjy.jpg José Parlá. Amistad América (detail), 2018. Photograph: Paul Bardagjy. https://www.studiointernational.com/images/articles/p/087-parla-jose-2018/Jose-Parla_WIP_Photo-by-Rey-Parla.jpg José Parlá in residence at Landmarks, the public art programme of The University of Texas at Austin, 2017. Photograph: Rey Parlá. https://www.studiointernational.com/images/articles/p/087-parla-jose-2018/Detail-of-AA_photo-by-Jose-Parla,-2017(2).jpg José Parlá. Amistad América (detail), 2018. Photograph: Paul Bardagjy. https://www.studiointernational.com/images/articles/p/087-parla-jose-2018/Detail-of-Amistad-America-WIP_Photo-by-Jose-Parla,-2017-(3).jpg José Parlá. Amistad América (detail), 2018. Photograph: Paul Bardagjy. https://www.studiointernational.com/images/articles/p/087-parla-jose-2018/Final-1_Photo-by-Paul-Bardagjy.jpg José Parlá. Amistad América, 2018. Photograph: Paul Bardagjy. https://www.studiointernational.com/images/articles/p/087-parla-jose-2018/02_Parla_Headshot_PhotoByReyParla_IMG_7299_edit.jpg José Parlá, 2017. Photograph: Rey Parlá. https://www.studiointernational.com/index.php/phillip-k-smith-iii-interview-open-sky-milan-design-week https://www.studiointernational.com/images/articles/s/078-smith-phillip-K-III-2018/3.jpg Philip K Smith III, Open Sky, Installation view, Palazzo Isimbardi, Milan. Photograph: Lance Gerber. Courtesy of the artist and Cos. https://www.studiointernational.com/images/articles/s/078-smith-phillip-K-III-2018/1.jpg Philip K Smith III, Open Sky, Installation view, Palazzo Isimbardi, Milan. Photograph: Lance Gerber. Courtesy of the artist and Cos. https://www.studiointernational.com/images/articles/s/078-smith-phillip-K-III-2018/4.jpg Philip K Smith III, Open Sky, Installation view, Palazzo Isimbardi, Milan. Photograph: Lance Gerber. Courtesy of the artist and Cos. https://www.studiointernational.com/images/articles/s/078-smith-phillip-K-III-2018/5.jpg Philip K Smith III, Open Sky, Installation view, Palazzo Isimbardi, Milan. Photograph: Lance Gerber. Courtesy of the artist and Cos. https://www.studiointernational.com/images/articles/s/078-smith-phillip-K-III-2018/2.jpg Philip K Smith III, Open Sky, Installation view, Palazzo Isimbardi, Milan. Photograph: Lance Gerber. Courtesy of the artist and Cos. https://www.studiointernational.com/index.php/helen-and-kate-storey-neurogenesis-from-neuron-birth-to-all-that-we-are-review https://www.studiointernational.com/images/articles/n/094-neurogenesis-2018/Helen-and-Kate-Storey-install-erikastevenson2018-2.jpg Kate and Helen Storey, Centrespace, Dundee Contemporary Arts Centre. Photograph: Erika Stevenson. https://www.studiointernational.com/images/articles/n/094-neurogenesis-2018/ezgif.gif Helen and Kate Storey: Neurogenesis: from neuron birth to all that we are, 2018, installation view. https://www.studiointernational.com/images/articles/n/094-neurogenesis-2018/AAA_8953.jpg Helen and Kate Storey: Neurogenesis: from neuron birth to all that we are, 2018, installation view. Photograph: Erika Stevenson. https://www.studiointernational.com/images/articles/n/094-neurogenesis-2018/Helen-and-Kate-Storey-install-erikastevenson2018-28.jpg Helen and Kate Storey: Neurogenesis: from neuron birth to all that we are, 2018, installation view. Photograph: Erika Stevenson. https://www.studiointernational.com/images/articles/n/094-neurogenesis-2018/AAA_8734.jpg Helen and Kate Storey: Neurogenesis: from neuron birth to all that we are, 2018, installation view. Photograph: Erika Stevenson. https://www.studiointernational.com/index.php/david-hockney-review-something-new-in-painting-photography-printing https://www.studiointernational.com/images/articles/h/082-hockney-2018/Hockney_inst_2018_vF.jpg Installation view of David Hockney: Something New in Painting (and Photography) [and even Printing], 510 West 25th Street, New York, NY, April 5 – May 12, 2018. Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/hockney-signing-book.jpg David Hockney, pen in one hand, cigarette in the other, 2018. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/h/082-hockney-2018/Hockney_inst_2018_vH.jpg Installation view of David Hockney: Something New in Painting (and Photography) [and even Printing], 510 West 25th Street, New York, NY, April 5 – May 12, 2018. Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/IMG_0577.jpg David Hockney. A Bigger Interior with Blue Terrace and Garden, 2017. Acrylic on canvas, 48 x 96 in (121.9 cm x 243.8 cm). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/h/082-hockney-2018/17A19.jpg David Hockney. Grand Canyon II, 2017. Acrylic on canvas, 48 x 96 in (121.9 cm x 243.8 cm). Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/17A07.jpg David Hockney. Still Life, 2017. Acrylic on canvas, 48 x 96 in (121.9 cm x 243.8 cm). Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/17A09.jpg David Hockney. A Picture of a Lion, 2017. Acrylic on canvas, 48 x 96 in (121.9 cm x 243.8 cm). Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/17A20.jpg David Hockney. Walk Around the Alcazar, 2017. Acrylic on canvas, 36 x 72 in (91.4 cm x 182.9 cm). Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/IMG-0559.jpg David Hockney. Annunciation II, after Fra Angelico from The Brass Tacks Triptych, 2017. Acrylic on canvas 48 x 96 in (121.9 cm x 243.8 cm). Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/Hockney_inst_2018_vE.jpg David Hockney. Hither and Dither, 2017. Acrylic on canvas, 48 x 96 in (121.9 cm x 243.8 cm). Installation view. Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/Maurice-Payne.jpg David Hockney’s long-time friend Maurice Payne (left), subject of many portraits, in front of Hither and Dither. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/h/082-hockney-2018/Hockney_inst_2018_vD.jpg David Hockney. Tall Dutch Trees After Hobbema (Useful Knowledge), 2017. Acrylic on six canvases (two canvases: 36 x 36 in, four joined canvases: 24 x 48 in) overall installation dimensions 64 x 144 in (162.6 cm x 365.8 cm). Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/17A21.jpg David Hockney. Walk Around Hotel Acatlan, 2017. Acrylic on canvas, 36 x 72 in (91.4 cm x 182.9 cm). Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/images/articles/h/082-hockney-2018/Hockney_inst_2018_vA.jpg Installation view of David Hockney: Something New in Painting (and Photography) [and even Printing], 510 West 25th Street, New York, NY, April 5 – May 12, 2018. Photograph courtesy Pace Gallery. © 2018 David Hockney. https://www.studiointernational.com/index.php/women-cant-paint-review-turps-gallery-london https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Jean-Cooke-Portrait-of-John-Bratby-Seated.jpg Jean Cooke. Portrait of John Bratby Seated. Oil on canvas, 121.9 x 121.9 cm. © The Estate of Jean Cooke, courtesy of Piano Nobile, Robert Travers (Works of Art) Ltd. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Hannah-Murgatroyd-Curiosity.jpg Hannah Murgatroyd. Curiosity. Oil on canvas, 150 x 120 cm. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Stevie-Dix-Ne-Me-Quitte-Pas.jpg Stevie Dix. Ne Me Quitte Pas, 2017. Oil, spraypaint and charcoal on canvas, 101.6 x 162.6 cm. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Rose-Wylie-Olive-Oil-Label.jpg Rose Wylie. Olive Oil Label, 2000. Oil on canvas, 183 x 183 cm. © Jari Lager Gallery, London. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Roberta-Booth-Oasis.jpg Roberta Booth. Oasis. Oil on canvas, 152 x 122 cm. © The Estate of Roberta Booth. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Geraldine-Swayne-Buttastic.jpg Geraldine Swayne. Buttastic, 2015. Enamel on copper, 10 x 7 cm. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Cherry-Pickles-Self-Portrait-as-William-Burroughs.jpg Cherry Pickles. Self-Portrait as William S Burroughs, 2014. Oil on canvas, 100 x 80 cm. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Anne-Ryan-Untitled.jpg Anne Ryan. Untitled. Oil on canvas, 35.5 x 35.5 cm. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Clare-Price-s-b-p.jpg Clare Price. s.b.p. Oil and acrylic on canvas, 153 x 178 cm. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Emma-Roche-Pucker-Slave.jpg Emma Roche. Pucker Slave. Knitted acrylic paint on board, 48 x 45 cm. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Josephone-Wood-Turf-War.jpg Josephine Wood. Turf War. Acrylic on canvas, 165 x 185 cm. https://www.studiointernational.com/images/articles/w/093-women-cant-paint-2018/Mali-Morris-Wilbury-Four.jpg Mali Morris. Wilbury Four. Acrylic on canvas, 120 x 150 cm. https://www.studiointernational.com/index.php/emil-nolde-review-national-gallery-of-ireland https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde--Rain-over-a-Marsh,-NGI.jpg Emil Nolde. Rain over a Marsh. Watercolour on rice paper, 42.1 x 53.7 cm. © Nolde Stiftung Seebüll. Photograph © National Gallery of Ireland https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Aboriginal-man-swimming-1914.jpg Emil Nolde. Aboriginal man swimming, 1914. Watercolour on paper, 38.3 x 50 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Prophet,-1912.jpg Emil Nolde. Prophet, 1912. Woodcut on paper, 29.8 x 22.1 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Paradise-Lost,-1921.jpg Emil Nolde. Paradise Lost, 1921. Oil on sackcloth, 106.5 x 157 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Candle-Dancers,-1912.jpg Emil Nolde. Candle Dancers, 1912. Oil on canvas, 100.5 x 86.5 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Exotic-Figures-II,-1911.jpg Emil Nolde. Exotic Figures II, 1911. Oil on canvas, 65.5 x 78 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Junks-(red),-1913.jpg Emil Nolde. Junks (red), 1913. Watercolour on paper, 24 x 33.2 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Women-in-the-Garden,-1915.jpg Emil Nolde. Women in the Garden, 1915. Oil on canvas, 73 x 88 cm. © Nolde Stiftung Seebüll. Photograph © National Gallery of Ireland. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Large-Poppies-(Red,-Red,-Red)-1942.jpg Emil Nolde. Large Poppies (Red, Red, Red), 1942. Oil on canvas, 73.5 x 89.5 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Self-portrait,-1917.jpg Emil Nolde. Self-portrait, 1917. Selbstbild, 1917. Oil on plywood, 83.5 x 65 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Singer-(in-a-green-dress),-1910-11.jpg Emil Nolde. Singer (in a green dress), 1910-11. Watercolour on paper, 32.6 x 28 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-Young-Couple,-1913.jpg Emil Nolde. Young Couple, 1913. Colour lithograph (four stones) on paper, in grey-violet, red and black, 62 x 50.5 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/images/articles/n/093-nolde-emil-2018/Emil-Nolde-skater.jpg Emil Nolde. Skater. Watercolour on paper, 25.8 x 18 cm. © Nolde Stiftung Seebüll. https://www.studiointernational.com/index.php/nancy-fouts-interview-flowers-gallery-london https://www.studiointernational.com/images/articles/f/094-fouts-nancy-2018/Electric-Rocking-Chair,-2012,-Mechanised-rocking-chair,-oak,-leather-and-metal-(c)-Nancy-Fouts.jpg Nancy Fouts. Electric Rocking Chair, 2012. Mechanised rocking chair, oak, leather and metal, 113 x 128 x 66 cm. © Nancy Fouts, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/f/094-fouts-nancy-2018/Nancy-Fouts,-Purse-With-Teeth,-2010-(c)-Nancy-Fouts,-Courtesy-of-Flowers-Gallery.jpg Nancy Fouts. Purse With Teeth, 2010. Purse with prosthetic teeth, 7 x 6 cm. © Nancy Fouts, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/f/094-fouts-nancy-2018/Shrunken-Glove,-Shrunken-suede-gloves,-cast-resin-bones,-(c)-Nancy-Fouts,-Courtesy-of-Flowers-Gallery.jpg Nancy Fouts. Shrunken Glove. Shrunken suede gloves, cast resin bones, 33 x 9 x 6 cm. © Nancy Fouts, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/f/094-fouts-nancy-2018/Nancy-Fouts,-Lovebird-with-Grenade,-2012-(c)-Nancy-Fouts,-Courtesy-of-Flowers-Gallery.jpg Nancy Fouts. Lovebird with Grenade, 2012. Taxidermy lovebird, cast resin hand grenade, 27 x 24 x 24 cm. © Nancy Fouts, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/f/094-fouts-nancy-2018/Installation-view,-Nancy-Fouts,-Cork-Street,-2018.jpg Nancy Fouts. Exit Jesus, 2014. Installation view, Flowers Gallery, London. https://www.studiointernational.com/images/articles/f/094-fouts-nancy-2018/Nancy-Fouts,-Exit-Jesus-2014,-(c)-Nancy-Fouts,-Courtesy-of-Flowers-Gallery.jpg Nancy Fouts. Exit Jesus, 2014. Photography in Lightbox 25 x 40 cm. © Nancy Fouts, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/f/094-fouts-nancy-2018/Foosball-Madonna-Table,-2016,-Wood-and-oil-paint,-(c)-Nancy-Fouts,-detail.jpg Nancy Fouts. Foosball Madonna Table, 2016 (detail). Wood and oil paint, 71 x 90 x 48 cm. © Nancy Fouts, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/f/094-fouts-nancy-2018/Foosball-Madonna-Table,-2016,-Wood-and-oil-paint,-(c)-Nancy-Fouts,-Courtesy-of-Flowers-Gallery-.jpg Nancy Fouts. Foosball Madonna Table, 2016. Wood and oil paint, 71 x 90 x 48 cm. © Nancy Fouts, Courtesy of Flowers Gallery. https://www.studiointernational.com/index.php/mariele-neudecker-interview-climate-change-cern https://www.studiointernational.com/images/articles/n/092-neudecker-mariele-2018/Mariele-Neudecker-22.jpg Mariele Neudecker. There is Always Something More Important, 2012. Fibreglass, spray, plywood, 2-channel video, two 10.2 inches monitors, 207 x 65 x 440 cm. © Bruno Lopes. https://www.studiointernational.com/images/articles/n/092-neudecker-mariele-2018/Mariele-Neudecker-27.jpg Mariele Neudecker. There is Always Something More Important, 2012. Fibreglass, spray, plywood, 2-channel video, two 10.2 inches monitors, 207 x 65 x 440 cm. © Bruno Lopes. https://www.studiointernational.com/images/articles/n/092-neudecker-mariele-2018/Mariele-Neudecker_Vista-5.jpg Mariele Neudecker. Faintly Falling Upon All the Living and the Dead, 2009. Mixed media, fibreglass altura, 314 cm | base 100 x 110 x 90 cm. © Bruno Lopes. https://www.studiointernational.com/images/articles/n/092-neudecker-mariele-2018/Mariele-Neudecker-8.jpg Mariele Neudecker. The Touch of Earthly Years, 2018. Mixed media including water, acrylic medium, salt, fibreglass 159.2 x 57 x 63 cm. © Bruno Lopes. https://www.studiointernational.com/images/articles/n/092-neudecker-mariele-2018/Mariele-Neudecker-17.jpg Mariele Neudecker. Less Far and Further, 2018. Mixed media including water, food dye, salt, fibreglass, 141.5 x 43 x 32 cm. © Bruno Lopes. https://www.studiointernational.com/images/articles/n/092-neudecker-mariele-2018/Mariele-Neudecker-14.jpg Mariele Neudecker. Less Far and Further, 2018 (detail). Mixed media including water, food dye, salt, fibreglass, 141.5 x 43 x 32 cm. © Bruno Lopes. https://www.studiointernational.com/images/articles/n/092-neudecker-mariele-2018/Mariele-Neudecker-7.jpg Mariele Neudecker. The Touch of Earthly Years, 2018. Mixed media including water, acrylic medium, salt, fibreglass, 159.2 x 57 x 63 cm. © Bruno Lopes. https://www.studiointernational.com/images/articles/n/092-neudecker-mariele-2018/Mariele-Neudecker-15.jpg Mariele Neudecker. Less Far and Further, 2018. Mixed media including water, food dye, salt, fibreglass, 141.5 x 43 x 32 cm. © Bruno Lopes. https://www.studiointernational.com/index.php/david-shrigley-video-interview-life-model-ii-fabrica-brighton-festival-2018 https://www.studiointernational.com/images/articles/s/081-shrigley-david-2018/david-shrigley-life-model-II-2018-4.jpg David Shrigley, Life Model II, installation view at Fabrica, Brighton, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/081-shrigley-david-2018/david-shrigley-drawing-at-Fabrica.jpg David Shrigley, Life Model II (detail), installation view at Fabrica, Brighton, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/081-shrigley-david-2018/LifeModel2Preview-13-04-18-14.jpg David Shrigley, Life Model II, preview at Fabrica, Brighton, 2018. Photograph: Summer Dean. https://www.studiointernational.com/images/articles/s/081-shrigley-david-2018/David-Shrigley-portrait-Fabrica-2018-Martin-Kennedy.jpg David Shrigley at the opening of Life Model II, Fabrica, Brighton, 13 April 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/081-shrigley-david-2018/david-shrigley-at-fabrica-2018.jpg David Shrigley talking to Studio International at the opening of Life Model II, Fabrica, Brighton, 13 April 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/081-shrigley-david-2018/david-shrigley-life-model-II-2018.jpg David Shrigley, Life Model II, installation view at Fabrica, Brighton, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/081-shrigley-david-2018/david-shrigley-life-model-II-2018-3.jpg David Shrigley, Life Model II (detail), installation view at Fabrica, Brighton, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/081-shrigley-david-2018/david-shrigley-life-model-II-2018-2.jpg David Shrigley, Life Model II, installation view at Fabrica, Brighton, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/s/081-shrigley-david-2018/LifeModel2Preview-13-04-18-12.jpg David Shrigley, Life Model II, preview at Fabrica, Brighton, 2018. Photograph: Summer Dean. https://www.studiointernational.com/index.php/fashioned-from-nature-review-victoria-and-albert-museum-london https://www.studiointernational.com/images/articles/f/093-fashion-from-nature-2018/6_Tkixga6.jpg Cape of curled cockerel feathers, Auguste Champot, France, c1895. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/093-fashion-from-nature-2018/2_8OIlOUy.jpg Pine Marten fur hat, Caroline Beboux, 1895. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/f/093-fashion-from-nature-2018/11_haE2baK.jpg Grape dress made with Vagea, a leather alternative made from grape waste © Vegea. https://www.studiointernational.com/images/articles/f/093-fashion-from-nature-2018/10_XzKlZak.jpg Earrings made from heads of Red Legged Honeycreeper birds, c1875. © Victorian and Albert Museum, London. https://www.studiointernational.com/images/articles/f/093-fashion-from-nature-2018/15_reRPvRZ.jpg Greenpeace Detox Catwalk in Bandung. © Greenpeace/Hati Kecil Visuals. https://www.studiointernational.com/images/articles/f/093-fashion-from-nature-2018/4_W8vZG7C.jpg Man’s silk waistcoat embroidered in silk with a pattern of macaque monkeys, 1780-89. © Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/inti-guerrero-interview-irish-biennial-2018-38th-eva-international https://www.studiointernational.com/images/articles/i/096-irish-biennale-2018/Rita-Duffy,-SIege-II-(1989).jpg Rita Duffy. Siege II, 1989. Oil on gesso panel, 122.25 × 122 cm. Courtesy of The Model Home of the Niland Collection/ Graeve Collection. https://www.studiointernational.com/images/articles/i/096-irish-biennale-2018/John-Duncan,-Glenbryn-Park,-Belfast-2004-(2008).-Photograph,-100-x-120-cm.-Courtesy-the-artist-and-EVA-International.jpg John Duncan. Glenbryn Park, Belfast 2004 (2008). Photograph, 100 x 120 cm. Courtesy the artist and EVA International. https://www.studiointernational.com/images/articles/i/096-irish-biennale-2018/Mainie-Jellett,-Installation-view-at-the-38th-EVA-International-2018,-Photo-Deirdre-Power,-courtesy-of-the-artist,-EVA-International-2018,-and-University-of-Limerick.jpg Mainie Jellett. Installation view at the 38th EVA International 2018. Photograph: Deirdre Power, courtesy of the artist, EVA International 2018, and University of Limerick. https://www.studiointernational.com/images/articles/i/096-irish-biennale-2018/Steven-Cohen,-Chandelier-(2001)-3.jpg Steven Cohen. Chandelier, 2001. Courtesy of the artist and Stevenson. https://www.studiointernational.com/images/articles/i/096-irish-biennale-2018/Cleeves-Condensed-Milk-Factory,-Image-Deirdre-Power,-Courtesy-EVA-International.jpg Cleeves Condensed Milk Factory. Photograph: Deirdre Power, Courtesy EVA International. https://www.studiointernational.com/images/articles/i/096-irish-biennale-2018/Cleeves-Condensed-Milk-Factory-Image-Deirdre-Power,-Courtesy-EVA-International.jpg Cleeves Condensed Milk Factory. Photograph: Deirdre Power, Courtesy EVA International. https://www.studiointernational.com/images/articles/i/096-irish-biennale-2018/John-Duncan,-Beacon-(2008).jpg John Duncan. Beacon, 2008). Photograph, 100 × 120 cm, courtesy of the artist. https://www.studiointernational.com/images/articles/i/096-irish-biennale-2018/Lee-Bul,-State-of-Reflection,-2016.jpg Lee Bul. State of Reflection, 2016. Installation view at the 38th EVA International 2018. Photograph: Deirdre Power, courtesy of the artist, EVA International 2018, and Galeries Thaddeus Ropac. https://www.studiointernational.com/images/articles/i/096-irish-biennale-2018/Steven-Cohen,-Chandelier-(2001)-2.jpg Steven Cohen. Chandelier, 2001. Courtesy of the artist and Stevenson. https://www.studiointernational.com/index.php/glasgow-international-festival-2018-review https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/02-Ciara-Philips-Show-Me-Your-Glow-P1130975.jpg Ciara Phillips, Show Me Your Glow, installation view, Glasgow Print Studio, Trongate 103. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/03-Nnena-Kalu-P1130967.jpg Nnena Kalu, installation view, Project Ability, Trongate 103. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/04-James-Pfaff-P1140008.jpg James Pfaff, Ever been changed by someone?, installation view, Street Level Photoworks, Trongate 103. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/05-Duggie-Fields--IMG_2940.jpg Duggie Fields, installation view, The Modern Institute, Osborne Street. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/06-Corin-Sworn-P1140028.jpg Corin Sworn, Work House, installation view at Koppe Astner, Dixon Street. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/07-Torsten-Lauschmann-P1140179.jpg Torsten Lauschmann, War of the Corners, installation view at the Glasgow School of Art, Renfrew Street. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/08-Ross-Birrell-P1140266.jpg Ross Birrell, The Transit of Hermes, installation view at the Centre for Contemporary Arts, Sauchiehall Street. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/09-Tim-Head--P1130937.jpg Tim Head, Black Light, installation view at The Garment Factory. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/10-E-Jane-IMG_2773.jpg E Jane, Lavendra, installation view at Kelvin Hall. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/11-Ulrike-Ottinger-IMG_3122.jpg Still Moving: The Films and Photographs of Ulrike Ottinger, installation view at The Hunterian Art Gallery at the University of Glasgow. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/12-Katinka-Bock-IMG_2820.jpg Katinka Bock, Radio Piombino, installation view at The Common Guild, Woodlands Terrace. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/13-Douglas-Morland-IMG_3039.jpg For Matthew by Douglas Morland, Stirling Room, Mitchell Library, North Street. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/14-Richard-Wentworth-and-Victoria-Miguel--IMG_3067.jpg Richard Wentworth and Victoria Miguel, A Roomful of Lovers (Glasgow), installation view at SWG3, Eastvale Place. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/15-Rosie-O-Grady-IMG_3033.jpg Rosie O’Grady’s May Day installation, House for an Art Lover, Bellahouston Park. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/16-Tine-Bek-and-Paul-Deslandes-IMG_3005.jpg Paul Deslandes and Tine Bek’s As We Fall We Walk, installation view, House for an Art Lover, Bellahouston Park. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/17-Jasper-Coppes-IMG_2970.jpg Jasper Coppes, Cabinet Interventions at Pollok House. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/18-Mark-Leckey-P1140076.jpg Mark Leckey, Nobodaddy, installation view at The Tramway, Albert Drive. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/19-Augustas-Serapinas-IMG_2905.jpg Augustas Serapinas, Blue Pen, installation view at the David Dale Gallery, Broad Street. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/20-Aniara-Omann-IMG_2915.jpg Aniara Omann, The Market Gallery, Duke Street. Photograph: David Gibson. https://www.studiointernational.com/images/articles/g/093-glasgow-international-2018/01-John-Russell-Telepath-2018-P1140052.jpg John Russell. Telepath, 2018. Installation view, The Gallery of Modern Art at Royal Exchange Square. Photograph: David Gibson. https://www.studiointernational.com/index.php/joan-jonas-interview-tate-modern https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/Jonas_press_03.jpg Joan Jonas, Tate Modern, installation view. © Tate Photograph: Seraphina Neville. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/Lines-in-the-Sand.jpg Joan Jonas. Lines in the Sand, 2002. Installation Video (Lines in the Sand 2002/2005. Colour, sound, 47:45 min), projection, blackboard, wooden structure, paint, video (Pillow Talk, 2002, colour, sound), monitor with performance video, green wooden couch, sand and relief box, plaster, photographs, paintings), dimensions variable. Museu d https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/11-Joan-Jonas,-My-New-Theater-III---In-the-Shadow-a-Shadow,-1999,-installation-at-Pat-Hearn-Gallery,-New-York,-N.jpg Joan Jonas. My New Theater III, In the Shadow a Shadow, 1999. Installation view: Pat Hearn Gallery, New York, NY, 1999. © 2018 Joan Jonas : Artists Rights Society (ARS), New York : DACS, London. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/02-Joan-Jonas,-Reanimation.jpg Joan Jonas. Reanimation Installation 2010, 2012, 2014. Private collection. Photograph: Thomas Müller. Courtesy the Artist and Gavin Brown https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/Jonas_press_50.jpg Joan Jonas, Tate Modern, installation view. © Tate Photograph: Seraphina Neville. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/00-Joan-Jonas,-Wolf-Lights,-2005,-video-still.jpg Joan Jonas. Wolf Lights, The Shape, the Scent, The Feel of Things, 2005. Video still © 2018 Joan Jonas : Artists Rights Society (ARS), New York : DACS, London. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/04-Joan-Jonas,-The-Juniper-Tree,-1976_1994,.jpg Joan Jonas. The Juniper Tree, 1976/1994. Installation - 24 works on silk, acrylic paint, wooden structure, string of 29 wooden balls, ladder, kimono, mirror, glass jars, 78 slides, box and other materials, overall display dimensions variable. Tate, purchased 2008. Wilkinson Gallery, London, 2008. Photograph courtesy Wilkinson Gallery, London. Photograph: Peter White. © 2018 Joan Jonas : Artists Rights Society (ARS), New York : DACS, London. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/Jonas_press_07.jpg Joan Jonas, Tate Modern, installation view. © Tate Photograph: Seraphina Neville. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/Jonas_press_28.jpg Joan Jonas, Tate Modern, installation view. © Tate Photograph: Seraphina Neville. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/Jonas_press_31.jpg Joan Jonas, Tate Modern, installation view. © Tate Photograph: Seraphina Neville. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/Jonas_press_32.jpg Joan Jonas, Tate Modern, installation view. © Tate Photograph: Seraphina Neville. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/Jonas_press_47.jpg Joan Jonas, Tate Modern, installation view. © Tate Photograph: Seraphina Neville. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/Jonas_press_49.jpg Joan Jonas, Tate Modern, installation view. © Tate Photograph: Seraphina Neville. https://www.studiointernational.com/images/articles/j/095-jonas-joan-2018/03-Joan-Jonas,-They-Come-to-Us-without-a-Word-II,-2015,-performance-at-Teatro-Piccolo-Arsenale,-Venice,-Italy,-2015.jpg Joan Jonas. They Come to Us without a Word II, 2015. Performance at Teatro Piccolo Arsenale, Venice, Italy, 2015. Photo by Moira Ricci. © 2018 Joan Jonas : Artists Rights Society (ARS), New York : DACS, London. https://www.studiointernational.com/index.php/zuzanna-czebatul-interview-carpet-art-cologne https://www.studiointernational.com/images/articles/c/081-czebatul-zuzanna-2018/art_18_007_062.jpg Zuzanna Czebatul. Higher Than the Sun, 2018. Installation view, Koelnmesse trade centre, Art Cologne. https://www.studiointernational.com/images/articles/c/081-czebatul-zuzanna-2018/art_18_003_002.jpg Zuzanna Czebatul. Higher Than the Sun, 2018 (detail). https://www.studiointernational.com/images/articles/c/081-czebatul-zuzanna-2018/zuzanna-czebatol-portrait-2.jpg Zuzanna Czebatul. Higher Than the Sun, 2018. Installation view, Koelnmesse trade centre, Art Cologne. https://www.studiointernational.com/index.php/neil-gall-interview-the-studio-cover-versions-henry-moore-institute https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-gall-the-studio-cover-versions-henry-moore-institute-installation-photo.jpg Neil Gall. The Studio cover versions. installation view, Henry Moore Institute. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-gall-the-studio-grinling--2017-collage.jpg Neil Gall. The Studio, Grinling, 2017. Collage. © the artist. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-hall-the-studio-spoleto-2017-collage.jpg Neil Gall. The Studio, Spoleto, 2017. Collage. © the artist. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-gall-crafty-2016-oil-on-canvas-112x70cm.jpg Neil Gall. Crafty, 2016. Oil on canvas, 112 x 70 cm. © the artist. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-gall-studio-london-wip-april-2018.jpg Neil Gall. Studio view, London, April 2018. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-gall-sketching-in-black-or-white-2017.jpg Neil Gall. Sketching in black or white, 2017. © the artist. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-gall-the-studio-pin-up-2017-collage.jpg Neil Gall. The Studio, Pin-up, 2017. Collage. © the artist. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neill-gall-against-nature-2017.jpg Neil Gall. Against Nature, 2017. © the artist. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-gall-in-another-world--2017.jpg Neil Gall. In another world, 2017. © the artist. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-gall-portal-oil-on-canvas-130x76cm-2016-.jpg Neil Gall. Portal, 2016. Oil on canvas, 130 x 76 cm. © the artist. https://www.studiointernational.com/images/articles/g/092-gall-neil-2018/neil-gall-ventriloquism-2016-oil-on-canvas-112x68.jpg Neil Gall. Ventriloquism, 2016. Oil on canvas, 112 x 68.5 cm. © the artist. https://www.studiointernational.com/index.php/paul-maheke-interview-michael-jackson-is-the-reason-i-dance https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/LeoAndCarrieInCharacterPaul-Maheke-at-Chisenhale-Gallery_12.jpg Layo (Titilayo Adebayo) and Carrie Topley performing, Paul Maheke, A fire circle for a public hearing, 2018, Chisenhale Gallery, 2018. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/LeoAsGogoDancerPaul-Maheke-at-Chisenhale-Gallery_15.jpg Layo (Titilayo Adebayo) performing as go-go dancer, Paul Maheke, A fire circle for a public hearing, 2018, Chisenhale Gallery, 2018. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/Jupiter-Painting-by-Paul-Maheke-at-Chisenhale-Gallery_01.jpg Paul Maheke, Jupiter painting, A fire circle for a public hearing, 2018, installation view, Chisenhale Gallery, 2018. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/ScreenShowingPaul-MahekeDancing-at-Chisenhale-Gallery_06.jpg Screen showing Paul Maheke dancing, installation view, Chisenhale Gallery, 2018. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/01_PM.jpg Paul Maheke. The River Asked for a Kiss, 2017. Diaspora Pavilion, Venice Biennale 2017. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/LeoChannelsMichaelJacksonAtChisenhaleGallery.jpg Layo (Titilayo Adebayo) channeling Michael Jackson, Paul Maheke, A fire circle for a public hearing, 2018, Chisenhale Gallery, 2018. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/HeatherAgyepongAsOraclePaul-Maheke-at-Chisenhale-Gallery_09.jpg Heather Agyepong performing as Oracle, Paul Maheke, A fire circle for a public hearing, 2018, Chisenhale Gallery, 2018. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/07_PM.jpg Paul Maheke. Mbu, 2017. Performance, BMW Tate Live Exhibition: Ten Days Six Nights, Tate Modern, London, 2017. Photograph © Tate 2017 (Photographer: Brotherton-Lock). Courtesy of the artist. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/08_PM.jpg Paul Maheke. What Flows Through and Across, 2017. Assembly Point, London, 2017. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/CarrieTopleyPerformingPaul-Maheke-at-Chisenhale-Gallery_08.jpg Carrie Topley performing, Paul Maheke, A fire circle for a public hearing, 2018, Chisenhale Gallery, 2018. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/Paul-Maheke-at-Chisenhale-Gallery_04.jpg Paul Maheke, A fire circle for a public hearing, 2018. Installation view, Chisenhale Gallery, 2018. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/PeformanceReady--Paul-Maheke-at-Chisenhale-Gallery_02.jpg Paul Maheke, A fire circle for a public hearing, 2018. Installation view, Chisenhale Gallery, 2018. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/WindowGrillesPaul-Maheke-at-Chisenhale-Gallery_07.jpg Paul Maheke, window grille, A fire circle for a public hearing, 2018, installation view, Chisenhale Gallery, 2018. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/02_PM.jpg Paul Maheke, In the Watery Core of those Stories, 2017. Diaspora Pavilion, Venice Biennale 2017. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/04_PM.jpg Paula Maheke. Acqua Alta, 2017. Installation view, Galerie Sultana, Paris, 2017. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/05_PM.jpg Paul Maheke. In Me Everything is Already Flowing, 2016-17. Installation view, Center, Berlin, 2017. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/06_PM.jpg Paul Maheke. Mutual Survival, Lorde’s Manifesto, 2015. Installation view, The Approach, London, 2017. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/088-maheke-paul-2018/09_PM.jpg Paul Maheke. Seeking After the Fully Grown Dancer *deep within* (video still), 2016. Courtesy of the artist and Life Long Burning. https://www.studiointernational.com/index.php/cedric-morris-review-gainsborough-rsquo-s-house-garden-museum-philip-mould https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/Cafe-Rotonde,-Paris,-1924.jpg Cedric Morris. Café Rotonde, Paris, 1924. Oil on canvas, 103.5 x 78.5 cm. © Gainsborough’s House, Sudbury. https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/Arabs-in-a-Cafe,-Algiers,-1922.jpg Cedric Morris. Arabs in a Café, Algiers, 1922. Pencil on paper, 35 x 24.7 cm. © Gainsborough’s House, Sudbury. https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/The-Orange-Chair,-1944,-Sir-Cedric-Morris.jpg Cedric Morris. The Orange Chair, 1944. Oil on canvas. © Philip Mould & Company. Courtesy the Cedric Morris Estate. https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/May-Flowering-Irises-No2,-1935,-Sir-Cedric-Morris.jpg Cedric Morris. May Flowering Irises No. 2, 1935. Oil on canvas. © Philip Mould & Company. Courtesy the Cedric Morris Estate. https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/Poppies,-1926,-Sir-Cedric-Morris.jpg Cedric Morris. Poppies, 1926. Oil on canvas. © Philip Mould & Company. Courtesy the Cedric Morris Estate. https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/Ena-Douglas,-1926.jpg Cedric Morris. Ena Douglas, 1926. Oil on hardboard, 56.5 x 47.2 cm. © Gainsborough’s House, Sudbury. https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/Americans-in-Paris,-1921.jpg Cedric Morris. Americans in Paris, 1921. Pencil on paper, 35 x 24.6 cm. © Gainsborough’s House, Sudbury. https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/Cedric-Morris,by-Sir-Cedric-Morris,-c.jpg Cedric Morris, c1930 by Sir Cedric Morris. Oil on canvas. © National Portrait Gallery, London. Courtesy the Cedric Morris Estate. https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/Angus-Wilson,-1940.jpg Cedric Morris. Angus Wilson, 1940. Oil on canvas, 69 x 62.5 cm. © Gainsborough’s House, Sudbury. https://www.studiointernational.com/images/articles/m/087-morris-cedric-2018/Cotyledon-and-Eggs,1944,-Sir-Cedric-Morris.jpg Cedric Morris. Cotyledon and Eggs, 1944. Oil on canvas. © Colchester Art Society. Courtesy the Cedric Morris Estate. https://www.studiointernational.com/index.php/rodin-and-the-art-of-ancient-greece-review-british-museum-london https://www.studiointernational.com/images/articles/r/088-rodin-2018/Mrs-Russell.jpg Auguste Rodin. Pallas (Athena) with the Parthenon, 1896. Marble and plaster. © Musée Rodin. https://www.studiointernational.com/images/articles/r/088-rodin-2018/The-Kiss-Jpeg.jpg Auguste Rodin. The Kiss, large version, after 1898. Plaster, cast from first marble version, of 1888–98. © Musée Rodin. https://www.studiointernational.com/images/articles/r/088-rodin-2018/North-frieze-cavalcade.jpg Unmounted youths preparing for the cavalcade, block from the north frieze of the Parthenon, about 438–432 BC, Marble. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/r/088-rodin-2018/The-Age-of-Bronze-copy.jpg Auguste Rodin. The Age of Bronze, 1877. Bronze, H180.5 x W68.5 x D54.5 cm. Sandcast before 1916 © Musée Rodin. https://www.studiointernational.com/images/articles/r/088-rodin-2018/Goddesses.jpg Goddesses in diaphanous drapery, figures L and M from the east pediment of the Parthenon, about 438–432 BC, Marble. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/r/088-rodin-2018/Rising-Goddess.jpg Rising goddess, figure K from the east pediment of the Parthenon, about 438–432 BC, Marble. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/r/088-rodin-2018/museum-of-antiquities.jpg Rodin in his Museum of Antiquities at Meudon on the outskirts of Paris, about 1910. Photograph: Albert Harlingue. Image © Musée Rodin. https://www.studiointernational.com/index.php/dallas-art-fair-review-usa https://www.studiointernational.com/images/articles/d/090-dallas-art-fair-2018/Sunny-by-Brian-Calvin-on-display-at-The-Joule,-Dallas.jpg SUNNY by Brian Calvin on display at The Joule, Dallas. https://www.studiointernational.com/images/articles/d/090-dallas-art-fair-2018/Virginia-Jaramillo-Untitled,-1974.jpg Virginia Jaramillo. Untitled, 1974. Oil on canvas, 152.4 x 152.4 cm (60 x 60 in). Courtesy of the artist and Hales Gallery. https://www.studiointernational.com/images/articles/d/090-dallas-art-fair-2018/Eye-Flower-by-Richard-Phillips-on-display-at-The-Joule,-Dallas.jpg Eye Flower by Richard Phillips on display at The Joule, Dallas. https://www.studiointernational.com/images/articles/d/090-dallas-art-fair-2018/Adam-Gordon-The-Grey-Room-2018--Installation-view--All-images-Courtesy-of-The-Power-Station,-Dallas-and-Adam-Gordon.jpg Adam Gordon. The Grey Room, 2018. Installation view. Image courtesy of The Power Station, Dallas and Adam Gordon. Photograph: Kevin Todora. https://www.studiointernational.com/images/articles/d/090-dallas-art-fair-2018/Casey-Kaplans-booth-at-the-Dallas-Art-Fair-which-featured-works-by-Giorgio-Griffa-and-Matthew-Ronay--photo-credit---Daniel-Driensky.jpg Casey Kaplan's booth at the Dallas Art Fair which featured works by Giorgio Griffa and Matthew Ronay. Photograph: Daniel Driensky. https://www.studiointernational.com/index.php/art-brussels-2018-review https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/02.jpg Installation view of the exhibition Mystic Properties, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/03.jpg Touch Wood!, the timber-themed booth of Sorry We’re Closed, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/10.jpg Frog King (Kwok Mang Ho) at 10 Chancery Lane, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/04.jpg Nicolas Party’s award-winning solo presentation for Xavier Hufkens, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/05.jpg Detail of Sofie Muller’s studio at Geukens & De Vil’s booth, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/06.jpg Works by George Segal and Kehinde Wiley at the Galerie Templon booth, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/07.jpg Alice Anderson’s performance at La Patinoire Royale-Galerie Valérie Bach, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/08.jpg Przemek Pyszczek at Galerie Derouillon, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/09.jpg Jacques Verduyn at Galerie Antoine Laurentin, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/images/articles/a/085-brussels-art-fair-2018/01.jpg Henk Visch’s sculpture Das Kino, part of the public programme, Art Brussels 2018. Photograph: David Plas. https://www.studiointernational.com/index.php/frieze-new-york-tefaf-spring-2018-review https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/Tal-R-A-ship-called-New-York.jpg Tal R. A ship called New York, 2017. Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/03-IMG_0857.jpg Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/01-Untitled-by-Maria-Nepomuceno-under-Alice-Neel.jpg Untitled by Maria Nepomuceno under painting by Alice Neel. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/05-Bharti-kher-work.jpg Bharti Kher. Kali, 2018. Sari, resin, metal, fibreglass. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/06-Paula-Pivi.jpg Paula Pivi. It was my choice, 2017, rubber, cast iron, engine, anser anser feathers (left); I am adopted, 2017, cast iron, engine, pavo cristatus feathers (right). Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/04-Minouk-Lim.jpg Minouk Lim. L https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/07-IMG_0853.jpg Tom Friedman. Bowl of water displaying a live goldfish. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/08-louise-bourgioise-2.jpg Louise Bourgeois. Couple, 2004. Fabric and stainless steel. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/09-Joan-Semmel.jpg Joan Semmel. Horizons, 1981. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/10-Egytian-piece.jpg Egyptian fragmentary statue of high priest, late Dynastic Period, 26th Dynasty. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/11-plaster-glopped-work-at-Art-NY.jpg Installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/12-wifredo-lam.jpg Wifredo Lam. Birds (Pájaros), c1950. Oil on canvas. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/13-senanayake.jpg Senaka Senanayake. Lotus Butterfiles, 2018. Oil on canvas. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/Azumi.jpg Marck. Azumi, 2015. Video sculpture. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/15-pomodoro.jpg Arnaldo Pomodoro. Colonna Spaccata, 1967-8. Bronze. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/vuillard.jpg Joan Miro. Mural I, Mural II, Mural III, 1933. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/locket-image.jpg Gold locket, installation view. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/14-D-Face-Love-Struck.jpg D*Face. Love Struck. Enamel and pigment-based paint on canvas. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/f/092-frieze-ny-2018/02-neon-word-and-mirror.jpg Joseph Kosuth. Self-Described Twice, 1966, installation view. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/berlin-gallery-weekend-2018-review https://www.studiointernational.com/images/articles/b/078-berlin-weekend-2018/monika-baer.jpg Monika Baer. Barely titled (day), 2017/2018. Metal pigment, mineral pigments, acrylic, rigid foam on canvas, 230 x 190 cm (90 1/2 x 74 3/4 in). Courtesy the artist and Galerie Barbara Weiss, Berlin. Photograph: Gunther Lepkowski. https://www.studiointernational.com/images/articles/b/078-berlin-weekend-2018/whitney-2.jpg Stanley Whitney. Red, 2017. Oil on linen, 244 x 244 cm. Courtesy the artist and Galerie Nordenhake Berlin / Stockholm. Photograph: Gerhard Kassner. https://www.studiointernational.com/images/articles/b/078-berlin-weekend-2018/Peter_Wachtler_Lars_Friedrich_Photo_Timo_Ohler.jpg Peter Wächtler. Thunderdome has fallen, 2018. Exhibition view. Courtesy of the artist and Lars Friedrich, Berlin. Photograph: Timo Ohler. https://www.studiointernational.com/images/articles/b/078-berlin-weekend-2018/Peter_Wachtler_Lars_Friedrich_Photo_Timo_Ohler_2018_01.jpg Peter Wächtler. Untitled (cloud), 2018. HD-Video, 10:36 min. Installation view. Courtesy of the artist and Lars Friedrich, Berlin. https://www.studiointernational.com/images/articles/b/078-berlin-weekend-2018/Goldberg.jpg Rochelle Goldberg. Installation view. Photograph: Kristian Vistrup Madsen. https://www.studiointernational.com/images/articles/b/078-berlin-weekend-2018/whitney-install.jpg Stanley Whitney: Paintings. Installation view, Galerie Nordenhake, 2018. Courtesy the artist and Galerie Nordenhake Berlin / Stockholm. Photograph: Gerhard Kassner. https://www.studiointernational.com/images/articles/b/078-berlin-weekend-2018/whitney-1.jpg Stanley Whitney. Coney Island Baby, 2018. Oil on linen, 153 x 153 cm (60 1/4 x 60 1/4 in). Courtesy the artist and Galerie Nordenhake Berlin / Stockholm. Photograph: Gerhard Kassner. https://www.studiointernational.com/index.php/shape-of-light-100-years-of-photography-and-abstract-art-review-tate-modern-london https://www.studiointernational.com/images/articles/s/077-shape-of-light-2018/ID_046-Luo-Bonian-Untitled.jpg Luo Bonian. Untitled, 1930s. Courtesy The Three Shadows Photography Art Centre, Beijing. © Luo Bonian. https://www.studiointernational.com/images/articles/s/077-shape-of-light-2018/ID_207-Maya-Rochat-A-Rock-is-a-River-(META-LOVE)-2017.jpg Maya Rochat. A Rock is a River (META RIVER), 2017. Courtesy Lily Robert. © Maya Rochat. https://www.studiointernational.com/images/articles/s/077-shape-of-light-2018/Man-Ray,-Unconcerned-Photograph,-1959.jpg Man Ray. Unconcerned Photograph, 1959. Museum of Modern Art, New York. © Man Ray Trust/ADAGP, Paris and DACS, London 2018. https://www.studiointernational.com/index.php/chila-kumari-burman-interview https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/01-Chila-KumAri-Burman-at-Science-Museum-copyright-science-museum.jpg Chila Kumari Burman. India Illuminated installation, commissioned by the Science Museum, London, in response to 5,000 years of India’s scientific inventions, October 2017 – April 2018. 29 mixed media works. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/14-My-Tuk-tuk-on-loan-to-the-Science-Museum-3.jpg Chila Kumari Burman. My Valiant Queen Tuk Tuk, 2017-18. Mirror glass, plastic eyelashes, fabric, rhinestones, Swarovski gems, washi tape, rakhis, bindis, Columbo gems, wrapping paper, gold spray paint, stickers, fake gems, fairy lights, Christmas decorations, feather flamingo, wood, plastic, stickers, satin tassels, paper flowers. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/18-Soul-n-Love-mixed-media-2018.jpg Chila Kumari Burman. Best Love Elephant in Town, 2018. Rhinestones, glitter, embroidery on Dibond. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/03-glass-boobies.jpg Chila Kumari Burman. My Breasts, 2012. Glass. Larger than life-size. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/09-inside-my-space-studio.jpg Installation view of Inside My Space Studio, Deborah House , Hackney, London, 2001–15. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/07-Cornets-and-screwballs-go-Vegas,-Chila-Burman,-Biscuit-Pla.jpg Chila Kumari Burman. Cornets and Screwballs Go Vegas, 2012. Biscuit, plastic, glitter, spray mount, cornets and screwballs, 200 x 100 cm. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/02-punjabi-rocker.jpg Chila Kumari Burman. Punjabi Rocker, 2018. Design for suffragette handkerchief for the London College of Fashion exhibition Motive / Motif, to mark Women’s Suffrage and the passing of the 1918 Representation of the People Act. Here East, Queen Elizabeth Olympic Park, London, 22 July 2018. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/04-Band-of-gold-mixed-media.jpg Chila Kumari Burman. Where Did All The Money Go, 2013. Vajazzling, bindis, rhinestones, Swarovski gems, gold leaf, inkjet, body stickers, erotic fridge magnets, glitter, Letraset, on canvas, 34 x 47 in. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/19-Still-of-film-Dada-and-the-Punjabi-Princess-2017.jpg Chila Kumari Burman. Dada and Punjabi Princess, 2017. Moving image, 10 mins duration. Screened at FACT Liverpool for Lightnight Liverpool Festival 2017. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/Chila-Burman-portrait.jpg Chila Kumari Burman. Photograph: David George. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/06-Capitalism-spinning-out-of-control-mixed-media-on-canvas-2016,-24-x-28-in.jpg Chila Kumari Burman. Capitalism Spinning Out of Control, 2016. Oil paint, acrylic, glitter on canvas, 22 x 27 in. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/13-Love-Glove-etching.jpg Chila Kumari Burman. Bra and Glove, 2016. Etching embellished with rhinestones, 18 x 25 in. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/05-Bodies-of-resistance,-mixed-media-on-Somerset-velvet,-201.jpg Chila Kumari Burman. Black Panther Raising the Roof, 2014. Inkjet on canvas, rhinestones, fake gems, body stickers, bindis, plastic, glitter, Swarovski, fake gems, 34 x 47 in. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/16-Outrageous-Women.jpg Chila Kumari Burman. Outrageous Women, 1988. Watercolour, 12 x 17 in. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/17-Self-portrait-in-pigtails-mixed-media-2017.jpg Chila Kumari Burman. Self-portrait in Pigtails, 2017. Photo-collage on Somerset Velvet, rhinestones and washi tape, 23 x 33 in. https://www.studiointernational.com/images/articles/b/079-burman-chila-2018/12-jhansi-ki-rani-prophets-of-rage-etching.jpg Chila Kumari Burman. Rebel Without a Pause, Jhansi Ki Rani and Public Enemy, 1991. Etching on Somerset Velvet, 18 x 25 in. https://www.studiointernational.com/index.php/adapt-to-survive-notes-from-the-future-review-hayward-gallery-london https://www.studiointernational.com/images/articles/a/084-adapt-to-survive-2018/02-_SP_6455-Edit-large.jpg Marguerite Humeau. HARRY II (BODY), 2017. Polystyrene, resin, fibreglass, white paint, acrylic parts, sprayed metal stand, water tanks, *raptors* – sourced on an anti-climbing security systems website – cast in artificial human skin, rubber, glass artificial Blood-sucking organ, artificial human blood, sound. Photograph: Stan Narten, JSP. Courtesy the artist and C L E A R I N G New York / Brussels. https://www.studiointernational.com/images/articles/a/084-adapt-to-survive-2018/03-Walking-Museum04-A-2308-HI.jpg Andreas Angelidakis. The Walking Building, 2004-06. Video animation, colour, sound duration 5mins. © Andreas Angelidakis. Courtesy The Breeder, Athens. https://www.studiointernational.com/images/articles/a/084-adapt-to-survive-2018/04-TimeMachine_AnnLislegaard1.jpg Ann Lislegaard. Time Machine, 2011. 3D animation, still. © the artist. https://www.studiointernational.com/images/articles/a/084-adapt-to-survive-2018/05-JC-S85MetamorphismXLIX.jpg Julian Charrière. Metamorphism XLIX, 2016 (detail). © Julian Charrière, VG Bild-kunst, Bonn, Courtesy Dittrich & Schlechtriem, Berlin. Photograph: Hans-Georg Gaul. https://www.studiointernational.com/images/articles/a/084-adapt-to-survive-2018/06-JC-S85MetamorphismXLIX-2016_c.jpg Julian Charrière. Metamorphism XLIX, 2016 (detail). © Julian Charrière, VG Bild-kunst, Bonn, Courtesy Dittrich & Schlechtriem, Berlin. Photograph: Hans-Georg Gaul. https://www.studiointernational.com/images/articles/a/084-adapt-to-survive-2018/01-tyrrau_mawr_1.jpg Bedwyr Williams. Tyrrau Mawr, 2016. © Bedwyr Williams. Courtesy of the artist. https://www.studiointernational.com/index.php/ettore-spalletti-interview https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/_DSC2483-web.jpg Installation view, Ettore Spalletti, Ce qu’il y a de plus profond dans l’homme c’est la peau, Galerie Marian Goodman Paris, 2018. Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/20902Spalletti-web.jpg Ettore Spalletti. Azzurro e oro, paesaggio, 2018. Colour impasto and gold leaf on board, 78 3/4 x 118 1/8 x 1 5/8 in (200 x 300 x 4 cm). Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/20903Spalletti-web.jpg Ettore Spalletti. Grigio e oro, paesaggio, 2018. Colour impasto and gold leaf on board, 78 3/4 x 118 1/8 x 1 5/8 in (200 x 300 x 4 cm). Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/20903Spalletti-web2.jpg Ettore Spalletti. Grigio e oro, paesaggio, 2018 (detail). Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/20904Spalletti-web.jpg Ettore Spalletti. Porpora, 2016. Colour impasto on board, gold leaf, two elements: 110 1/4 x 55 1/8 x 1 5/8 in (280 x 140 x 4 cm) each. Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/_DSC2327.jpg Ettore Spalletti. Così com https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/_DSC2346.jpg Ettore Spalletti. Senza parole, 2018. Colour impasto on wood, gold leaf, 35 3/8 x 35 3/8 x 35 3/8 in (90 x 90 x 90 cm). Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/foto-spalletti.jpg Ettore Spalletti. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/20905Spalletti-web.jpg Ettore Spalletti. Sfumato, grigio, 2018. Colour impasto on board, 78 3/4 x 78 3/4 x 1 5/8 in (200 x 200 x 4 cm). Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/20908Spalletti-install-web.jpg Ettore Spalletti. Il cielo entra in me come se io fossi trasparente, 1997 Colour impasto on board, gold leaf, 59 1/8 x 59 1/8 x 1 5/8 in (150 x 150 x 4 cm); 47 1/4 x 47 1/4 x 1 5/8 in (120 x 120 x 4 cm). Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/20910Spalletti-web.jpg Ettore Spalletti. L'altro per l'una, 2018. Colour impasto on board, two elements: 23 5/8 x 23 5/8 x 1 5/8 in (60 x 60 x 4 cm) each. Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/_DSC2605.jpg Ettore Spalletti. Monti della Laga, 2016. Pastel powder on paper, 55 1/8 x 77 1/2 in (140 x 197 cm). Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/_DSC2606.jpg Ettore Spalletti. Sirente-Velino, 2016. Pastel powder on paper, 55 1/8 x 77 1/2 in (140 x 197 cm). Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/_DSC2691.jpg Ettore Spalletti. Caro Rietveld, 2007. Wooden chair and ream of tissue paper. Chair: 29 1/8 x 14 5/8 x 16 7/8 in (74 x 37 x 43 cm); Paper: 1 5/8 x 11 3/4 x 18 7/8 in (4 x 30 x 48 cm). Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/web_DSC2487.jpg Installation view, Ettore Spalletti, Ce qu’il y a de plus profond dans l’homme c’est la peau, Galerie Marian Goodman Paris, 2018. Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/images/articles/s/076-spalletti-etorre-2018/_DSC2676.jpg Installation view, Ettore Spalletti, Ce qu’il y a de plus profond dans l’homme c’est la peau, Galerie Marian Goodman Paris, 2018. Photograph: Rebecca Fanuele. Courtesy of the artist and Galerie Marian Goodman Paris. https://www.studiointernational.com/index.php/the-ol-switcheroo-rebecca-lennon-sarah-duffy-sophie-jung-review https://www.studiointernational.com/images/articles/s/075-switcheroo-2018/Performance_Rebecca-Lennon.jpg The Ol https://www.studiointernational.com/images/articles/s/075-switcheroo-2018/9-Sophie-Jung.jpg Sophie Jung, Here’s How The Comedy Ends, 2018. Photograph: Corey Bartle-Sanderson. Courtesy of the artist and Jupiter Woods. https://www.studiointernational.com/images/articles/s/075-switcheroo-2018/14-Sophie-Jung.jpg Sophie Jung, Here’s How The Comedy Ends, 2018. Photograph: Corey Bartle-Sanderson. Courtesy of the artist and Jupiter Woods. https://www.studiointernational.com/images/articles/s/075-switcheroo-2018/3-Installation-view.jpg The Ol’ Switcheroo, installation view. Photograph: Corey Bartle-Sanderson. Courtesy of the artists and Jupiter Woods. https://www.studiointernational.com/images/articles/s/075-switcheroo-2018/29-Rebecca-Lennon_LR.jpg Rebecca Lennon, HELL MOUTH, CATS PAW, LANDLORD, 2018. Photograph: Rebecca Lennon. Courtesy of the artists and Jupiter Woods https://www.studiointernational.com/images/articles/s/075-switcheroo-2018/Performance_1.jpg The Ol' Switcheroo, Performance, 2018, Sophie Jung (centre), Sarah Duffy (right), Rebecca Lennon (far right). Courtesy of the artists and Jupiter Woods. https://www.studiointernational.com/images/articles/s/075-switcheroo-2018/Performance_Sophie-Jung.jpg The Ol' Switcheroo, Performance, 2018, Sophie Jung (left), Sarah Duffy (right), Rebecca Lennon (far right). Courtesy of the artists and Jupiter Woods. https://www.studiointernational.com/index.php/harriet-middleton-baker-interview https://www.studiointernational.com/images/articles/m/085-middleton-baker-harriet-2018/Cell-Project-Space-The-War-Room-Low-Res-18.jpg Performance of War Room, an Opera!, 2018, at Cell Project Space, London. Photograph: Robert Harris / Cell Project Space. https://www.studiointernational.com/images/articles/m/085-middleton-baker-harriet-2018/Cell-Project-Space-The-War-Room-Low-Res-24.jpg Performance of War Room, an Opera!, 2018, at Cell Project Space, London. Photograph: Robert Harris / Cell Project Space. https://www.studiointernational.com/images/articles/m/085-middleton-baker-harriet-2018/Cell-Project-Space-The-War-Room-Low-Res-32.jpg Performance of War Room, an Opera!, 2018, at Cell Project Space, London. Photograph: Robert Harris / Cell Project Space. https://www.studiointernational.com/images/articles/m/085-middleton-baker-harriet-2018/Cell-Project-Space-The-War-Room-Low-Res-50.jpg Performance of War Room, an Opera!, 2018, at Cell Project Space, London. Photograph: Robert Harris / Cell Project Space. https://www.studiointernational.com/images/articles/m/085-middleton-baker-harriet-2018/Cell-Project-Space-The-War-Room-Low-Res-59.jpg Performance of War Room, an Opera!, 2018, at Cell Project Space, London. Photograph: Robert Harris / Cell Project Space. https://www.studiointernational.com/images/articles/m/085-middleton-baker-harriet-2018/Cell-Project-Space-The-War-Room-Low-Res-60.jpg Performance of War Room, an Opera!, 2018, at Cell Project Space, London. Photograph: Robert Harris / Cell Project Space. https://www.studiointernational.com/images/articles/m/085-middleton-baker-harriet-2018/Portrait_HMB-4.jpg Harriet Middleton-Baker. Photograph: Naomi Shimada. https://www.studiointernational.com/images/articles/m/085-middleton-baker-harriet-2018/Cell-Project-Space-The-War-Room-Low-Res-2.jpg War Room, an Opera!, 2018, at Cell Project Space, London. Installation view. Photograph: Robert Harris / Cell Project Space. https://www.studiointernational.com/images/articles/m/085-middleton-baker-harriet-2018/Cell-Project-Space-The-War-Room-Low-Res-62.jpg Performance of War Room, an Opera!, 2018, at Cell Project Space, London. Photograph: Robert Harris / Cell Project Space. https://www.studiointernational.com/index.php/fergus-mccaffrey-gallery-opens-in-japan-tokyo https://www.studiointernational.com/images/articles/m/086-mccaffrey-fergus-2018/Fergus-McCaffrey-gallery-interior(1).jpg Fergus McCaffrey Gallery, interior view, Minato-ku, Tokyo, with works by American artist Robert Ryman. https://www.studiointernational.com/images/articles/m/086-mccaffrey-fergus-2018/Fergus-McCaffrey-gallery-interior(2).jpg Fergus McCaffrey Gallery, interior view, Minato-ku, Tokyo, with works by American artist Robert Ryman. https://www.studiointernational.com/images/articles/m/086-mccaffrey-fergus-2018/Fergus-McCaffrey.jpg Fergus McCaffrey. https://www.studiointernational.com/images/articles/m/086-mccaffrey-fergus-2018/Fergus-McCaffrey-gallery-exterior.jpg Fergus McCaffrey Gallery, exterior view, Minato-ku, Tokyo. https://www.studiointernational.com/images/articles/m/086-mccaffrey-fergus-2018/Fergus-McCaffrey-gallery-interior(3).jpg Fergus McCaffrey Gallery, interior view. The design of the gallery space is a collaboration between American designer Bill Katz, MTKA Architects, Tokyo and Nakamura Sotoji, Kyoto. https://www.studiointernational.com/images/articles/m/086-mccaffrey-fergus-2018/Fergus-McCaffrey-gallery-interior(4).jpg Fergus McCaffrey Gallery, interior view. The design of the gallery space is a collaboration between American designer Bill Katz, MTKA Architects, Tokyo and Nakamura Sotoji, Kyoto. https://www.studiointernational.com/index.php/jane-irish-interview-i-really-think-of-my-work-as-history-painting-anti-war-movement https://www.studiointernational.com/images/articles/i/095-irish-jane-2018/JaneIrish_Antipodes_PhiladelphiaContemporary2018_Web---2-(1).jpg Installation view, Jane Irish: Antipodes, courtesy of the artist, Lemon Hill and Philadelphia Contemporary. https://www.studiointernational.com/images/articles/i/095-irish-jane-2018/JaneIrish_Antipodes_PhiladelphiaContemporary2018_Web---25-(1).jpg Installation view, Jane Irish: Antipodes, courtesy of the artist, Lemon Hill and Philadelphia Contemporary. https://www.studiointernational.com/images/articles/i/095-irish-jane-2018/JaneIrish_Antipodes_PhiladelphiaContemporary2018_Web---17-(1).jpg Installation view, Jane Irish: Antipodes, courtesy of the artist, Lemon Hill and Philadelphia Contemporary. https://www.studiointernational.com/images/articles/i/095-irish-jane-2018/JaneIrish_Antipodes_PhiladelphiaContemporary2018_Web---11-(1).jpg Installation view, Jane Irish: Antipodes, courtesy of the artist, Lemon Hill and Philadelphia Contemporary. https://www.studiointernational.com/images/articles/i/095-irish-jane-2018/JaneIrish_Antipodes_PhiladelphiaContemporary2018_Web---4-(1).jpg Installation view, Jane Irish: Antipodes, courtesy of the artist, Lemon Hill and Philadelphia Contemporary. https://www.studiointernational.com/images/articles/i/095-irish-jane-2018/JaneIrish_Antipodes_PhiladelphiaContemporary2018_Web---27-(1).jpg Installation view, Jane Irish: Antipodes, courtesy of the artist, Lemon Hill and Philadelphia Contemporary. https://www.studiointernational.com/index.php/celia-pym-interview https://www.studiointernational.com/images/articles/p/086-pym-celia-2018/IMG_0394.jpg Celia Pym. Work in progress - Where Holes Happen, 2018. Photograph: Janet McKenzie. https://www.studiointernational.com/images/articles/p/086-pym-celia-2018/cp_cp001_007.jpg Celia Pym. Hope https://www.studiointernational.com/images/articles/p/086-pym-celia-2018/cp005_019.jpg Celia Pym. You can https://www.studiointernational.com/images/articles/p/086-pym-celia-2018/8-first-ones-the-best.jpg Celia Pym. First one https://www.studiointernational.com/images/articles/p/086-pym-celia-2018/IMG_0403.jpg Roly https://www.studiointernational.com/images/articles/p/086-pym-celia-2018/cp007_022.jpg Celia Pym. Flying Gold Cape (detail), 2016-18. Photograph: Michele Panzeri. https://www.studiointernational.com/images/articles/p/086-pym-celia-2018/IMG_0393.jpg Celia Pym in her studio, 2018. Photograph: Janet McKenzie. https://www.studiointernational.com/index.php/eugene-delacroix-1798-1863-review-the-louvre https://www.studiointernational.com/images/articles/d/089-delacroix-2018/1.jpg Eugène Delacroix. The Barque of Dante. 1822. Oil on canvas, 189 x 246 cm. Musée du Louvre, Paris © RMN-Grand Palais (musée du Louvre), Franck Raux. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/02.jpg Eugène Delacroix. Massacres at Chios, 1824. Oil on canvas, 419 × 354 cm. Musée du Louvre, Paris © RMN-Grand Palais (musée du Louvre), Stéphane Maréchalle / Adrien Didierjean. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/04.jpg Eugène Delacroix, July 28, 1830: Liberty Leading the People, 1830. Oil on canvas, 260 x 325 cm. Musée du Louvre, Paris © RMN-Grand Palais (musée du Louvre), Michel Urtado. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/03.jpg Eugène Delacroix. The Death of Sardanapalus, 1827. Oil on canvas, 392 x 496 cm. Musée du Louvre, Paris © Musée du Louvre, dist. RMN - Grand Palais / Angèle Dequier. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/06.jpg Eugène Delacroix. Still Life with a Lobster, Oil on canvas, 80 x 106.5 cm. Musée du Louvre, Paris © RMN-Grand Palais (musée du Louvre) / Stéphane Maréchalle. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/12.jpg Eugène Delacroix. Women of Algiers in Their Apartment, 1833-1834. Oil on canvas, 180 x 229 cm. Musée du Louvre, Paris © RMN-Grand Palais (musée du Louvre), Franck Raux. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/07.jpg Eugène Delacroix. Young Tiger Playing with Its Mother, 1830. Oil on canvas, 130 x 195 cm. Musée du Louvre, Paris © RMN-Grand Palais (musée du Louvre), Franck Raux. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/08.jpg Eugène Delacroix. Young Orphan Girl in the Cemetery, 1824. Oil on canvas, 65.5 x 54.3 cm. Musée du Louvre, Paris © RMN-Grand Palais (musée du Louvre), Mathieu Rabeau. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/09.jpg Eugène Delacroix. Lion Hunt, 1854-1855. Oil on canvas, 173 x 361 cm. Musée des Beaux-Arts, Bordeaux © Musée des Beaux-Arts, Bordeaux. Cliché L. Gauthier, F. Deval. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/10.jpg Eugène Delacroix. Greece on the Ruins of Missolonghi, 1826. Oil on canvas, 209 x 147 cm. Musée des Beaux-Arts, Bordeaux © Musée des Beaux-Arts, ville de Bordeaux. Cliché L . Gauthier, F . Deval.13 https://www.studiointernational.com/images/articles/d/089-delacroix-2018/05.jpg Eugène Delacroix. Portrait of Baron Louis-Auguste Schwiter, 1826. Oil on canvas. 217 x 143 cm. National Gallery, London © The National Gallery, London. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/11.jpg Eugène Delacroix. Medea About to Murder Her Children, 1838. Oil on canvas, 206 x 165 cm. Palais des Beaux- Arts, Lille © RMN-Grand Palais, Stéphane Maréchalle. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/13.jpg Eugène Delacroix. Christ in the Garden of Olives, 1824-1827. Oil on canvas, 294 x 362 cm. Church of Saint-Paul-Saint-Louis, COARC, Paris © COARC, Roger-Viollet. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/14.jpg Eugène Delacroix. The Sea from the Heights of Dieppe, c1852. Oil on panel, 35 x 51 cm. Musée du Louvre, Paris © RMN-Grand Palais (musée du Louvre), Philippe Fuzeau. https://www.studiointernational.com/images/articles/d/089-delacroix-2018/15.jpg Eugène Delacroix. Self-Portrait with Green Vest, c1837. Oil on canvas, 65 x 54 cm. Musée du Louvre, Paris © RMN-Grand Palais (musée du Louvre), Michel Urtado. https://www.studiointernational.com/index.php/nigel-shafran-work-books-1984-2018-review-sion-and-moore-gallery https://www.studiointernational.com/images/articles/s/074-shafran-nigel-2018/2.jpg Nigel Shafran. Filofax 1984. From Works Books 1984 – 2018. © the artist, courtesy of Sion and Moore. https://www.studiointernational.com/images/articles/s/074-shafran-nigel-2018/3.jpg Nigel Shafran. 2012. From Works Books 1984 – 2018. © the artist, courtesy of Sion and Moore. https://www.studiointernational.com/images/articles/s/074-shafran-nigel-2018/4.jpg Nigel Shafran. Athens 2012. From Works Books 1984 – 2018. © the artist, courtesy of Sion and Moore. https://www.studiointernational.com/images/articles/s/074-shafran-nigel-2018/5.jpg Nigel Shafran. Chicken pox self portrait diary page 1991. From Works Books 1984 – 2018. © the artist, courtesy of Sion and Moore. https://www.studiointernational.com/images/articles/s/074-shafran-nigel-2018/6.jpg Nigel Shafran. NYC/1985. From Works Books 1984 – 2018. © the artist, courtesy of Sion and Moore. https://www.studiointernational.com/images/articles/s/074-shafran-nigel-2018/7.jpg Nigel Shafran. Derbyshire 2012. From Works Books 1984 – 2018. © the artist, courtesy of Sion and Moore. https://www.studiointernational.com/images/articles/s/074-shafran-nigel-2018/8.jpg Nigel Shafran. Paris 1989. From Works Books 1984 – 2018. © the artist, courtesy of Sion and Moore. https://www.studiointernational.com/images/articles/s/074-shafran-nigel-2018/1.jpg Nigel Shafran. London 1994. From Works Books 1984 – 2018. © the artist, courtesy of Sion and Moore. https://www.studiointernational.com/images/articles/s/074-shafran-nigel-2018/9.jpg Nigel Shafran. London 2013. From Works Books 1984 – 2018. © the artist, courtesy of Sion and Moore. https://www.studiointernational.com/index.php/contemporary-chinese-works-on-paper-a-review-ipswich-art-gallery https://www.studiointernational.com/images/articles/c/081-china-on-paper-2018/REN-ZHAO.jpg Ren Zhao. Peas in the pod-2, 2016. Chinese ink, acrylic, 68 x 46 cm. https://www.studiointernational.com/images/articles/c/081-china-on-paper-2018/SHANG-YUAN.jpg Shang Yuan. The impression of a plateau-2, 2016. Rice paper, chinese ink, 180 x 48 cm. https://www.studiointernational.com/images/articles/c/081-china-on-paper-2018/LIAO-ZONGRONG.jpg Liao Zongrong. Reading, 2017. Watercolour on paper, 37 x 27 cm. https://www.studiointernational.com/images/articles/c/081-china-on-paper-2018/ZHANG-MINJIE.jpg Zhang Minjie. Stage Series No3, 2013-16. Lithograph, 95 x 65 cm. https://www.studiointernational.com/index.php/callum-innes-byzantine-blue-delft-paris-review-ingleby-gallery-edinburgh https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/Callum-Innes-2.jpg Callum Innes. Installation view. Delft Blue, Oriental Blue, Paris Blue, each 2018, oil on linen, 235 x 230 cm. Photograph: Tom Nolan. Courtesy of Callum Innes and Ingleby Gallery. https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/Callum-Innes---Ingleby-Gallery.jpg Callum Innes. Installation view. Exposed Painting Oriental Blue, 2018. Oil on linen, 235 x 230 cm. Photograph: Tom Nolan. Courtesy of Callum Innes and Ingleby Gallery. https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/Callum-Innes-ParisBlue.jpg Callum Innes. Installation view. Exposed Painting Paris Blue, 2018. Oil on linen, 235 x 230 cm. Photograph: Tom Nolan. Courtesy of Callum Innes and Ingleby Gallery. https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/Callum-InnesOriental(leftwall)-Ingleby-Gallery-2018-9.jpg Callum Innes. Installation view. Exposed Painting Oriental Blue, 2018. Oil on linen, 235 x 230 cm. Photograph: Tom Nolan. Courtesy of Callum Innes and Ingleby Gallery. https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/CallumInnesOrientalBlue(opposite)WithRooflight.jpg Callum Innes. Installation view. Exposed Painting Oriental Blue, 2018. Oil on linen, 235 x 230 cm. Photograph: Tom Nolan. Courtesy of Callum Innes and Ingleby Gallery. https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/InglebyFeastingTablewithAndrewMillerMaybellandSmallerCallumInnes.jpg Installation view. Ingleby Feasting Table with Andrew Miller https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/InglebyGalleryStairs-withKevinHarman.jpg Ingleby Gallery staircase with Kevin Harman, New Distant View Transmission, 2018. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/CallumInnesWithDelft.jpg Callum Innes with Delft. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/AndrewMiller-Maybelle-(2018)inFeastingRoom.jpg Andrew Miller. Maybelle, 2018, in Feasting Room. Photograph: Tom Nolan. Courtesy of Callum Innes and Ingleby Gallery. https://www.studiointernational.com/images/articles/i/094-innes-callum-2018/InglebyGalleryRooflight.jpg Ingleby Gallery rooflight. Photograph: Tom Nolan. Courtesy of Callum Innes and Ingleby Gallery. https://www.studiointernational.com/index.php/joana-vasconcelos-gateway-review-jupiter-artland https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/06-Gouincho-(2014).jpg Joana Vasoncelos. Guincho, 2014. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/13-Te-Danzante-(PA)-(2018).jpg Joana Vasoncelos. Té Danzante (PA), 2018. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/15-Valkyrie-3-(2004).jpg Joana Vasoncelos. Valkyrie #3, 2004. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/16-Volupta-(2014).jpg Joana Vasoncelos. Volupta, 2014. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/10-Longroiva-(2016).jpg Joana Vasoncelos. Longroiva, 2016. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/07-Hand-Made-(2018).jpg Joana Vasoncelos. Hand-Made, 2018. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/03-Coracao-Independente-Vermelho-(Red-Independent-Heart)-(2005).jpg Joana Vasoncelos. Coração Independente Vermelho (Red Independent Heart), 2005. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/Portrait_JoanaVasoncelos-(2018)2.jpg Joan Vasoncelos, 2018. Photograph: Anna Kunst, courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/11-Mestre-de-Avis-(2014).jpg Joana Vasoncelos. Mestre de Avis, 2014. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/08-Hand-Made-(2018).jpg Joana Vasoncelos. Hand-Made, 2018. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/12-Tarantula-(2013).jpg Joana Vasoncelos. Tarântula, 2013. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/v/098-vasoncelos-joana-2018/01-Adalinda-(2017).jpg Joana Vasoncelos. Adalinda, 2017. Photograph: Ruth Clark. Courtesy Jupiter Artland. https://www.studiointernational.com/index.php/phyllida-barlow-interview-first-time-ive-experienced-making-something-not-within-my-control https://www.studiointernational.com/images/articles/b/079-barlow-phyllida-2018/PhyllidaBarlowQuarry1VSimpson.jpg Phyllida Barlow, Quarry, 2018, installation view, Jupiter Artland. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/079-barlow-phyllida-2018/PhyllidaBarlowQuarryTreescapeVSimpson.jpg Phyllida Barlow, Quarry, 2018, installation view, Jupiter Artland. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/079-barlow-phyllida-2018/PhyllidaBarlowQuarry2VSimpson.jpg Phyllida Barlow, Quarry, 2018, installation view, Jupiter Artland. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/079-barlow-phyllida-2018/PhyllidaBarlowQuarryDetail2VSimpson.jpg Phyllida Barlow, Quarry, 2018, installation view, Jupiter Artland. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/079-barlow-phyllida-2018/PhyllidaBarlowQuarryEmbracesTreeVSimpson.jpg Phyllida Barlow, Quarry, 2018, installation view, Jupiter Artland. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/079-barlow-phyllida-2018/quarry_PhyllidaBarlow-(2018)7.jpg Phyllida Barlow, Quarry, 2018. Photograph: Anna Kunst, courtesy Jupiter Artland. https://www.studiointernational.com/images/articles/b/079-barlow-phyllida-2018/PhyllidaBarlowQuarrySky2VSimpson.jpg Phyllida Barlow, Quarry, 2018, installation view, Jupiter Artland. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/b/079-barlow-phyllida-2018/quarry_PhyllidaBarlow-(2018)5.jpg Phyllida Barlow, Quarry, 2018. Photograph: Anna Kunst, courtesy Jupiter Artland. https://www.studiointernational.com/index.php/kerstin-bratsch-ruine-kaya-kovo-review-fondazione-memmo-rome https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/_MG_4387.jpg Kerstin Brätsch, Unstable Talismanic Rendering Psychopompo (with gratitude to master marbler Dirk Lange), detail, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/IMG_0078.jpg Kerstin Brätsch. Psychic Fossil _Stucco Marmo, 2018. Plaster, pigments, glue, 64 x 58 x 4.5 cm. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/IMG_0055.jpg Kerstin Brätsch. Psychic Fossil _Stucco Marmo, 2018. Plaster, pigments, glue, 66.5 x 56 x 4.5 cm. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/_MG_3371.jpg Kerstin Brätsch. _Ruine, installation view at Fondazione Memmo, Rome, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/_MG_3439.jpg Kerstin Brätsch. _Ruine, installation view at Fondazione Memmo, Rome, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/073_(2899).jpg KAYA (Kerstin Brätsch and Debo Eilers), work in progress. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/065_(2878).jpg KAYA (Kerstin Brätsch and Debo Eilers), work in progress. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/_MG_3596.jpg KAYA (Kerstin Brätsch and Debo Eilers), Portrait, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/004_(2733).jpg Kerstin Brätsch. _Ruine, work in progress at Fondazione Memmo, Rome, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/_MG_3390.jpg Kerstin Brätsch. _Ruine, installation view at Fondazione Memmo, Rome, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/_MG_4179.jpg Kerstin Brätsch. _Ruine, installation view at Fondazione Memmo, Rome, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/_MG_4247.jpg Kerstin Brätsch. _Ruine, installation view at Fondazione Memmo, Rome, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/_MG_4279.jpg Kerstin Brätsch. _Ruine, installation view at Fondazione Memmo, Rome, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/images/articles/b/077-bratsch-kerstin-2018/_MG_4353.jpg Kerstin Brätsch. _Ruine, installation view at Fondazione Memmo, Rome, 2018. Photograph: Daniele Molajoli. https://www.studiointernational.com/index.php/david-cross-interview-university-of-the-arts-london https://www.studiointernational.com/images/articles/c/080-cross-david-2018/01-Raven-Row-event.jpg Education: Not Knowing, for ‘The Individual and the Organization: Artist Placement Group 1966–79’, Raven Row Gallery, London, 2012. Photograph: Neil Cummings. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/02-Divest-UAL-Die-In.jpg Divest UAL ‘Die-in’, Central Saint Martins College, London, 2015. Photograph: Georgia Brown. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/03-Master-of-the-Universe.jpg David Cross. Master of the Universe, 2015. Academic robe, theatrical makeup. Photograph: Karel Doing. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/04-Black-Narcissus-(detail).jpg Cornford & Cross. Black Narcissus, 2014. Artificial mountain landscape generated from financial graphs. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/05-The-Master-and-His-Emissary.jpg David Cross. Study for The Master and His Emissary, 2018. Pencil and ink on A4 paper. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/06-Droits-De-LHomme.jpg David Cross. Study for Les Droits De L’Homme et Du Citoyen, 2018. Airline postcards. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/07-Solar-Furnace,-Odeillo,-France.jpg Félix Trombe Solar Furnace, Odeillo, France, 2010. Photograph: David Cross. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/08-Bonjour-Tristesse-(detail).jpg David Cross. Study for opening sequence of Bonjour Tristesse. Video camera destroyed in solar furnace. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/10-South-Western-Pyrenees.jpg David Cross. South-Western Pyrenees, France, 1993. Medium format transparency. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/11-Deepwater-Horizon.jpg The British Petroleum Deepwater Horizon Oil Rig (April 2010). Photograph provided to The New York Times by a worker who asked not to be identified. https://www.studiointernational.com/images/articles/c/080-cross-david-2018/12-No-Gods-No-Masters.jpg David Cross. Study for No Gods! No Masters! Digital photograph. https://www.studiointernational.com/index.php/vera-molnar-interview-computer-art-paris-mayor-gallery https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/Molnar_1_5_Series_55x36cm.jpg Vera Molnár. Trapèzes inscrits 1/5, 1974. Computer drawing, 55 x 36 cm (21¾ x 14¼ in). Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/Molnar_Computer_Drawing_5_30x30cm.jpg Vera Molnár. Untitled, 1972. Computer drawing, 30 x 30 cm (11¾ x 11¾ in). Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/mayor-install-4.jpg Writing New Codes: Cordeiro / Mallary / Molnár, installation view, The Mayor Gallery, London, 6 June - 27 July 2018. https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/vera-molnar-640.jpg Vera Molnár talking to Studio International in her Paris studio, 11 July 2017. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/Molnar_Computer_Drawing_11_42.jpg Vera Molnár. Untitled, 1971. Computer drawing, 51.5 x 36 cm (20¼ x 14¼ in). Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/Molnar_Computer_Drawing_13_51.jpg Vera Molnár. Untitled, 1974. Computer drawing, 51.5 x 36 cm (20¼ x 14¼ in). Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/Molnar_Computer_Drawing_15_50x36cm.jpg Vera Molnár. Untitled, 1977. Computer drawing, 50 x 36 cm (19¾ x 14¼ in). Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/Molnar_Computer_Drawing_8_46.jpg Vera Molnár. Untitled, 1972. Computer drawing, 46.5 x 36 cm (18¼ x 14¼ in). Courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/mayor-install-1.jpg Writing New Codes: Cordeiro / Mallary / Molnár, installation view, The Mayor Gallery, London, 6 June - 27 July 2018. https://www.studiointernational.com/images/articles/m/084-molnar-vera-2018/mayor-install-6.jpg Writing New Codes: Cordeiro / Mallary / Molnár, installation view, The Mayor Gallery, London, 6 June - 27 July 2018. https://www.studiointernational.com/index.php/eleanor-pinfield-interview-london-underground-deserves-best-artists-in-world https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/youinmybedroom_MarieJacotey_BenedictJohnson_2018-(5).jpg Marie Jacotey. You in my bedroom, 2018. Photograph: Benedict Johnson.2018. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/CindyShermanGloucesterRoad3PhotoStephenWhite.jpg Cindy Sherman, for Art on the Underground, Gloucester Road station, London, 3 June – 8 September 2003. Photograph: Stephen White. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/TrevorPaglenAnEnglishLandscape2014PhotoThierryBal.jpg Trevor Paglen. An English Landscape (American Surveillance Base near Harrogate, Yorkshire), for Art on the Underground, Gloucester Road station, London, 15 June 2014 – 13 July 2016. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/MarkWallingerLabyrinth.jpg Mark Wallinger, Labyrinth (one of the 270 individual artworks). Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/Assemble-and-Matthew-Raw,-Clay-Station,-for-Art-on-the-Underground,-2017-2.jpg Assemble and Matthew Raw, Clay Station, for Art on the Underground, London, 2017. Photograph: Benedict Johnson. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/Assemble-and-Matthew-Raw,-Clay-Station,-for-Art-on-the-Underground,-2017-3.jpg Assemble and Matthew Raw, Clay Station, for Art on the Underground, London, 2017. Photograph: Benedict Johnson. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/SarahMorrisBigBen2012PhotoThierryBal.jpg Sarah Morris. Big Ben [2012], for Art on the Underground, Gloucester Road station, London, 11 June 2012 – 1 September 2013. Photograph: Thierry Bal. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/BrianGriffithsLifeIsALaugh2008(2)AndyKeate.jpg Brian Griffiths. Life is a Laugh, for Art on the Underground, London, 1 July – 31 December 2007. Photograph: Andy Keate. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/Heather-Phillipson_GR_7.jpg Heather Phillipson, my name is lettie eggsyrub, video still from forthcoming Gloucester Road installation, 2018, commissioned by Art on the Underground. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/gameofforms_GetaBratescu_Map_BenedictJohnson_2018-(21).jpg Geta Brătescu. Game of Forms, 2018. Photograph: Benedict Johnson. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/EleanorPinfieldPhotobyBenedictJohnston.jpg Eleanor Pinfield. Photograph: Benedict Johnston. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/Assemble-and-Matthew-Raw,-Clay-Station,-for-Art-on-the-Underground,-2017.jpg Assemble and Matthew Raw, Clay Station, for Art on the Underground, London, 2017. Photograph: Benedict Johnson. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/Heather-Phillipson_GR_12.jpg Heather Phillipson, my name is lettie eggsyrub, video still from forthcoming Gloucester Road installation, 2018, commissioned by Art on the Underground. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/Heather-Phillipson_GR_4.jpg Heather Phillipson, my name is lettie eggsyrub, video still from forthcoming Gloucester Road installation, 2018, commissioned by Art on the Underground. https://www.studiointernational.com/images/articles/a/083-art-on-underground-2018/Heather-Phillipson_GR_9.jpg Heather Phillipson, my name is lettie eggsyrub, video still from forthcoming Gloucester Road installation, 2018, commissioned by Art on the Underground. https://www.studiointernational.com/index.php/august-sander-men-without-masks-review-hauser-and-wirth https://www.studiointernational.com/images/articles/s/073-sander-august-2018/Hauser-Wirth-London-hires-14.jpg August Sander: Men Without Masks, gallery view, Hauser & Wirth, London, 18 May – 28 July 2018. https://www.studiointernational.com/images/articles/s/073-sander-august-2018/Hauser-Wirth-London-hires-5.jpg August Sander: Men Without Masks, gallery view, Hauser & Wirth, London, 18 May – 28 July 2018. https://www.studiointernational.com/images/articles/s/073-sander-august-2018/Hauser-Wirth-London-hires-9.jpg August Sander: Men Without Masks, gallery view, Hauser & Wirth, London, 18 May – 28 July 2018. https://www.studiointernational.com/index.php/junya-ishigami-freeing-architecture-review-fondation-cartier-paris https://www.studiointernational.com/images/articles/i/093-ishigami-junya-2018/3.jpg Junya Ishigami, House of Peace, Copenhagen, Denmark, 2014-. © junya.ishigami+associates. https://www.studiointernational.com/images/articles/i/093-ishigami-junya-2018/4.jpg Junya Ishigami, Home for the Elderly, Tokoku, Japan, 2012-. © junya.ishigami+associates. https://www.studiointernational.com/images/articles/i/093-ishigami-junya-2018/6.jpg Junya Ishigami, House and Restaurant, Yamaguchi, Japan, 2013-. © junya.ishigami+associates. https://www.studiointernational.com/images/articles/i/093-ishigami-junya-2018/5.jpg Junya Ishigami, Kanawaga Institute of Technology (KAT) Workshop, Kanawaga, Japan, 2004-08. © junya.ishigami+associates. https://www.studiointernational.com/images/articles/i/093-ishigami-junya-2018/8.jpg Junya Ishigami, Botanical Farm Garden Art Biotop / Water Garden, Tochigi, Japan, 2013-18. © junya.ishigami+associates. https://www.studiointernational.com/images/articles/i/093-ishigami-junya-2018/1.jpg Junya Ishigami, Park Groot Vijversburg Visitor Centre, Tytsjerk, the Netherlands, 2012-17. © junya.ishigami+associates. https://www.studiointernational.com/images/articles/i/093-ishigami-junya-2018/9.jpg Junya Ishigami at the exhibition Junya Ishigami, Fondation Cartier pour l’art contemporain. Photograph © Renaud Monfourny. https://www.studiointernational.com/images/articles/i/093-ishigami-junya-2018/2.jpg Junya Ishigami, Chapel of Valley, Shandong, China, 2016-. © junya.ishigami+associates. https://www.studiointernational.com/images/articles/i/093-ishigami-junya-2018/7.jpg Junya Ishigami, House with Plants, East Japan, 2010-12. © junya.ishigami+associates. https://www.studiointernational.com/index.php/james-edgar-sam-walker-video-interview-we-think-of-assembly-point-as-part-of-our-collaborative-practice https://www.studiointernational.com/images/articles/a/082-assembly-point-2018/assembly-point-exterior-view-2018.jpg Assembly Point, London, exterior view, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/a/082-assembly-point-2018/edgar-walker-640.jpg James Edgar and Sam Walker talking to Studio International about Assembly Point, London, 25 April 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/a/082-assembly-point-2018/assembly-point-studio-entrance.jpg Assembly Point, London, exterior view, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/a/082-assembly-point-2018/Copy-of-A_FEAR_OF_GETTING_LOST-Edgar_Walker.jpg Edgar—Walker, A Fear of Getting Lost, installation view, Assembly Point, London, 15 Mar — 22 Apr 2017. https://www.studiointernational.com/index.php/manuel-mathieu-interview-life-experience-sometimes-forces-you-to-see-things https://www.studiointernational.com/images/articles/m/083-mathieu-manuel-2018/MMathieu_Rempart_80x90inches_Mixed-Media_2018.jpg Manuel Mathieu. Rempart, 2018. Mixed media, 80 x 90 in. https://www.studiointernational.com/images/articles/m/083-mathieu-manuel-2018/MMathieu_Riviere-froide3_68x72inches_Mixed-Media_2018.jpg Manuel Mathieu. Rivière Froide 3, 2018. Mixed media, 68 x 72 in. https://www.studiointernational.com/images/articles/m/083-mathieu-manuel-2018/Numa.jpg Manuel Mathieu. Numa, 2017. Mixed media, 61 x 49 in. Photograph: Guy L https://www.studiointernational.com/images/articles/m/083-mathieu-manuel-2018/MMathieu_Solitude_75x80inches_Mixed-Media_2018.jpg Manuel Mathieu. Solitude, 2018. Mixed media, 75 x 80 in. https://www.studiointernational.com/images/articles/m/083-mathieu-manuel-2018/Eternal-Flowers.jpg Manuel Mathieu. Eternal Flower, 2017. Mixed media, diptych 36 x 28 in. Photograph: Guy L https://www.studiointernational.com/images/articles/m/083-mathieu-manuel-2018/MMathieu_Autoportrait_70x80inches_2017.jpg Manuel Mathieu. Auto Portrait, 2017. Mixed media, 70 x 80 in. Photograph: Guy L https://www.studiointernational.com/images/articles/m/083-mathieu-manuel-2018/MMathieu_Selfish-Thinking_90x75inches_2017.jpg Manuel Mathieu. Selfish Thinking, 2017. Mixed media, 90 x 75 in. Photograph: Guy L https://www.studiointernational.com/images/articles/m/083-mathieu-manuel-2018/Loyalty_70x80inches(2017).jpg Manuel Mathieu. Loyalty, 2017. Mixed media, 70 x 80 in. Photograph: Guy L’ heureux. https://www.studiointernational.com/index.php/katharina-grosse-prototypes-of-imagination-review-gagosian-london https://www.studiointernational.com/images/articles/g/091-grosse-katharina-2018/GROSSE-2018-Prototypes-of-Imagination-Installation-view-1.jpg Katharina Grosse: Prototypes of imagination, installation view, Gagosian, London, 2018. https://www.studiointernational.com/images/articles/g/091-grosse-katharina-2018/GROSSE-2018-Prototypes-of-Imagination-Installation-view-8.jpg Katharina Grosse: Prototypes of imagination, installation view, Gagosian, London, 2018. https://www.studiointernational.com/images/articles/g/091-grosse-katharina-2018/GROSSE-2018-Prototypes-of-Imagination-Installation-view-12.jpg Katharina Grosse: Prototypes of imagination, installation view, Gagosian, London, 2018. https://www.studiointernational.com/images/articles/g/091-grosse-katharina-2018/GROSSE-2018-detail.jpg Katharina Grosse: Prototypes of imagination, installation view, Gagosian, London, 2018. https://www.studiointernational.com/images/articles/g/091-grosse-katharina-2018/GROSSE-2018-Prototypes-of-Imagination-Installation-view-21.jpg Katharina Grosse: Prototypes of imagination, installation view, Gagosian, London, 2018. https://www.studiointernational.com/images/articles/g/091-grosse-katharina-2018/GROSSE-2018-Prototypes-of-Imagination-Installation-view-6.jpg Katharina Grosse: Prototypes of imagination, installation view, Gagosian, London, 2018. https://www.studiointernational.com/images/articles/g/091-grosse-katharina-2018/Studio-of-Katharina-Grosse,-Berlin,-2018.jpg Studio of Katharina Grosse, Berlin, 2018. https://www.studiointernational.com/images/articles/g/091-grosse-katharina-2018/GROSSE-2018-Prototypes-of-Imagination-Installation-view-7.jpg Katharina Grosse: Prototypes of imagination, installation view, Gagosian, London, 2018. https://www.studiointernational.com/index.php/eve-fowler-interview-gertrude-steins-work-really-affected-me https://www.studiointernational.com/images/articles/f/091-fowler-eve-2018/DCA-EVE-FOWLER-erikastevenson-08-06-18-11.jpg Eve Fowler: What a slight, what a sound, what a universal shudder. Installation view, Dundee Contemporary Arts, 2018. Photograph: Erika Stevenson. https://www.studiointernational.com/images/articles/f/091-fowler-eve-2018/0618_EF_23.jpg Eve Fowler: What a slight, what a sound, what a universal shudder. Installation view, Dundee Contemporary Arts, 2018. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/f/091-fowler-eve-2018/0618_EF_26.jpg Eve Fowler: What a slight, what a sound, what a universal shudder. Installation view, Dundee Contemporary Arts, 2018. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/f/091-fowler-eve-2018/0618_EF_08.jpg Eve Fowler: What a slight, what a sound, what a universal shudder. Installation view, Dundee Contemporary Arts, 2018. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/f/091-fowler-eve-2018/0618_EF_14.jpg Eve Fowler: What a slight, what a sound, what a universal shudder. Installation view, Dundee Contemporary Arts, 2018. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/f/091-fowler-eve-2018/0618_EF_18.jpg Eve Fowler: What a slight, what a sound, what a universal shudder. Installation view, Dundee Contemporary Arts, 2018. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/f/091-fowler-eve-2018/0618_EF_30.jpg Eve Fowler: What a slight, what a sound, what a universal shudder. Installation view, Dundee Contemporary Arts, 2018. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/f/091-fowler-eve-2018/Eve-Fowler-headshot-Photograph-by-Steven-Perilloux.jpg Eve Fowler. Photograph: Steven Perilloux. https://www.studiointernational.com/images/articles/f/091-fowler-eve-2018/DCA-EVE-FOWLER-erikastevenson-08-06-18-125.jpg Eve Fowler: What a slight, what a sound, what a universal shudder. Installation view, Dundee Contemporary Arts, 2018. Photograph: Erika Stevenson. https://www.studiointernational.com/index.php/catherine-parsonage-interview-i-wanted-to-break-things-apart https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/_DSC0096HR.jpg Catherine Parsonage. Convivium, installation view, Bosse and Baum, London, 2017. Image courtesy Bosse and Baum. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/Alice.jpg Catherine Parsonage. Alice, 2017. Acrylic on canvas, 183 x 122 cm. © the artist. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/Myrtle.jpg Catherine Parsonage. Myrtle, 2017. Acrylic on canvas, 25 x 35 cm. © the artist. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/Emma.jpg Catherine Parsonage. Emma, 2017. Acrylic on canvas, 25 x 35 cm. © the artist. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/04-APA3967-copia.jpg Catherine Parsonage. The mad sensitivity of skin, 2017. Watercolour, pastel on fabriano paper in perspex frame, 66 x 111 cm. Installation view, Full for It, Tomaso De Luca & Catherine Parsonage, Garbo’s, Rome, 2017. Photograph: Roberto Apa. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/_DSC0104HR.jpg Catherine Parsonage. Suddenly Every Wednesday, 2017. Acrylic on canvas, 122 x 183 cm. © the artist. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/01-APA3922-copia.jpg Installation view, Full for It, Tomaso De Luca & Catherine Parsonage, Garbo’s, Rome, 2017. Photograph: Roberto Apa. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/02-APA3932-copia.jpg Installation view, Full for It, Tomaso De Luca & Catherine Parsonage, Garbo’s, Rome, 2017. Photograph: Roberto Apa. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/05-APA3975-copia.jpg Catherine Parsonage. Carry me from Garbo https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/03-APA3960-copia.jpg Catherine Parsonage. Campari Spring, 2017. Coloured pencil, pastel, watercolour on fabriano paper in perspex frame, 66 x 111 cm. Installation view, Full for It, Tomaso De Luca & Catherine Parsonage, Garbo’s, Rome, 2017. Photograph: Roberto Apa. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/decant-me.jpg Catherine Parsonage. Decant me (foot fetish), 2017. Acrylic on canvas, 50 x 70 cm. © the artist. https://www.studiointernational.com/images/articles/p/085-parsonage-catherine-2018/_DSC0101HR.jpg Catherine Parsonage. Convivium, installation view, Bosse and Baum, London, 2017. Image courtesy Bosse and Baum. https://www.studiointernational.com/index.php/whitstable-biennale-2018-review-surreal-witty-full-of-surprises https://www.studiointernational.com/images/articles/w/091-whitstable-biennale-2018/Therese-Henningsen,-Slow-Delay,-2018.jpg Therese Henningsen. Slow Delay, 2018. Film, 17 mins. https://www.studiointernational.com/images/articles/w/091-whitstable-biennale-2018/Salma-Ashraf-Chalta-Hi-Gaya-production-still-2017.jpg Salma Ashraf. Chalta Hi Gaya, 2017. Two-screen film installation, approx 14 mins, loop. https://www.studiointernational.com/images/articles/w/091-whitstable-biennale-2018/Patrick-Cole-Restaurant-image-courtesy-Whitstable-Biennale.jpg Patrick Cole. Restaurant, 2018. Live performance, 30 mins. https://www.studiointernational.com/images/articles/w/091-whitstable-biennale-2018/Phoebe-Cunningham-I-am-one-with-the-people.jpg Phoebe Cunningham. I am One With the People, 2018. Video installation, approx 10 mins, loop. https://www.studiointernational.com/index.php/thomas-cole-eden-to-empire-review-national-gallery-london https://www.studiointernational.com/images/articles/c/079-cole-thomas-2018/Thomas-Cole-X9221-A5.jpg Thomas Cole. The Course of Empire: Desolation, 1836. Oil on canvas, 99.7 × 160.7 cm. Courtesy of the New-York Historical Society. © Collection of The New-York Historical Society, New York / Digital image created by Oppenheimer Editions. https://www.studiointernational.com/images/articles/c/079-cole-thomas-2018/Thomas-Cole-X9300-A5.jpg Frederic Edwin Church. Above the Clouds at Sunrise, 1849. Oil on canvas, 69.2 x 102.2 cm. Private collection. https://www.studiointernational.com/images/articles/c/079-cole-thomas-2018/Thomas-Cole-X9217-A5.jpg Thomas Cole. The Course of Empire: The Savage State, c1834. Oil on canvas, 99.7 × 160.6 cm. Courtesy of the New-York Historical Society. © Collection of The New-York Historical Society, New York / Digital image created by Oppenheimer Editions. https://www.studiointernational.com/images/articles/c/079-cole-thomas-2018/Thomas-Cole-X9219-A5.jpg Thomas Cole. The Course of Empire: The Consummation of Empire, 1835–6. Oil on canvas, 130.2 × 193 cm. Courtesy of the New-York Historical Society. © Collection of The New-York Historical Society, New York / Digital image created by Oppenheimer Editions. https://www.studiointernational.com/images/articles/c/079-cole-thomas-2018/Thomas-Cole-X9220-A5.jpg Thomas Cole. The Course of Empire: Destruction, 1836. Oil on canvas, 99.7 × 161.3 cm. Courtesy of the New-York Historical Society. © Collection of The New-York Historical Society, New York / Digital image created by Oppenheimer Editions. https://www.studiointernational.com/images/articles/c/079-cole-thomas-2018/Thomas-Cole-X9822-A5.jpg Thomas Cole. View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm - The Oxbow, 1836. Oil on canvas, 130.8 × 193 cm. The Metropolitan Museum of Art, New York, Gift of Mrs. Russell Sage, 1908. © The Metropolitan Museum of Art. Photograph: Juan Trujillo. https://www.studiointernational.com/images/articles/c/079-cole-thomas-2018/Thomas-Cole-X9301-A5.jpg Asher Brown Durand. Progress (The Advance of Civilization), 1853. Oil on canvas, 121.9 × 182.7 cm. Private collection. https://www.studiointernational.com/images/articles/c/079-cole-thomas-2018/Thomas-Cole-X9218-A5.jpg Thomas Cole. The Course of Empire: The Pastoral or Arcadian State, c1834. Oil on canvas, 99.7 × 160.6 cm. Courtesy of the New-York Historical Society. © Collection of The New-York Historical Society, New York / Digital image created by Oppenheimer Editions. https://www.studiointernational.com/index.php/true-colours-video-interview-newport-street-gallery-london-sadie-laska-helen-beard-boo-saville https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Helen-Beard_Cyssan_2017.jpg Helen Beard. Cyssan, 2017. Oil on canvas, 240 x 200 cm. ® Helen Beard. Courtesy Newport Street Gallery. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Sadie-Laska_Untitled_2017.jpg Sadie Laska. Untitled, 2017. Acrylic on canvas, 177.8 x 137.1 cm. © Sadie Laska. Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Boo-Saville_Perseus-(The-Hero)_2018.jpg Boo Saville. Perseus (The Hero), 2018. Oil on canvas, 335 x 274.3 cm. © Boo Saville. Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/true-colours-640.jpg Helen Beard, Sadie Laska and Boo Saville talking to Studio International at their exhibition True Colours at Newport Street Gallery, London, 12 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Installation-view_V8_True-Colours-helen-beard.jpg True Colours, Helen Beard. Installation view. © Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Installation-view_V10_True-Colours.jpg True Colours, Sadie Laska. Installation view. © Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Installation-view_V9_True-Colours-boo-Saville.jpg True Colours, Boo Saville. Installation view. © Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/index.php/true-colours-helen-beard-video-interview-newport-street-gallery https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Helen-Beard_Cyssan_2017.jpg Helen Beard. Cyssan, 2017. Oil on canvas, 240 x 200 cm. ® Helen Beard. Courtesy Newport Street Gallery. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/helen-beard-640.jpg Helen Beard talking to Studio International at Newport Street Gallery, London, 12 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Installation-view_V8_True-Colours-helen-beard.jpg True Colours, Helen Beard. Installation view. © Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/index.php/sadie-laska-video-interview-true-colours-newport-street-gallery https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Sadie-Laska_Untitled_2017.jpg Sadie Laska. Untitled, 2017. Acrylic on canvas, 177.8 x 137.1 cm. © Sadie Laska. Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/sadie-laska-640.jpg Sadie Laska talking to Studio International at Newport Street Gallery, London, 12 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Installation-view_V10_True-Colours.jpg True Colours, Sadie Laska. Installation view. © Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/index.php/boo-saville-video-interview-true-colours-newport-street-gallery https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Boo-Saville_Perseus-(The-Hero)_2018.jpg Boo Saville. Perseus (The Hero), 2018. Oil on canvas, 335 x 274.3 cm. © Boo Saville. Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/boo-saville-640.jpg Boo Saville talking to Studio International at Newport Street Gallery, London, 12 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/t/096-true-colours-2018/Installation-view_V9_True-Colours-boo-Saville.jpg True Colours, Boo Saville. Installation view. © Courtesy Newport Street Gallery. Photograph: Prudence Cuming Associates. https://www.studiointernational.com/index.php/philip-baldwin-and-monica-guggisberg-interview-under-an-equal-sky-canterbury-cathedral https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/Baldwin-Guggisberg,-Boat-of-Remembrance,-2018-copyright-Christoph-Lehmann-0787.jpg Baldwin & Guggisberg. Boat of Remembrance, 2018 (location: the Nave). Mould-blown glass and steel, blown at Hergiswil, Switzerland. © Christoph Lehmann. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/Baldwin-Guggisberg,-Boat-of-Remembrance,-2018-detail-copyright-Christoph-Lehmann---0784.jpg Baldwin & Guggisberg. Boat of Remembrance, 2018, detail (location: the Nave). Mould-blown glass and steel, blown at Hergiswil, Switzerland. © Christoph Lehmann. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/Baldwin-Guggisberg,-The-Four-Assassins,-2018-copyright-Christoph-Lehmann-2.jpg Baldwin & Guggisberg. The Four Assassins, 2018 (location: The Martyrdom). Mould-blown glass, blown at Venini, Murano, Italy. © Christoph Lehmann. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/Baldwin-Guggisberg,-The-Four-Assassins,-2018-copyright-Christoph-Lehmann,-detail-2.jpg Baldwin & Guggisberg. The Four Assassins, 2018 (location: The Martyrdom). Mould-blown glass, blown at Venini, Murano, Italy. © Christoph Lehmann. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/Baldwin-Guggisberg,-Unity,-Diversity,-Equality,-2018-copyright-Christoph-Lehmann-0740.jpg Baldwin & Guggisberg. Unité, Diversité, Egalité, 2018 (location: The Corona). Painted steel. © Christoph Lehmann. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/KEM_Baldwin_Guggisberg_15-copy.jpg Baldwin & Guggisberg studio view. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/B&GWorkshopTriallingCanterburyinstallations.jpg Baldwin & Guggisberg workshop trialling Canterbury installations. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/B&GWorkshopGlasspreparedforCanterbury2.jpg Baldwin & Guggisberg, glass prepared for Canterbury. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/Baldwin-Guggisberg,-Pilgrims-Boat,-2018-copyright-Christoph-Lehmann.jpg Baldwin & Guggisberg. Pilgrims’ Boat, 2018 (location: Trinity Chapel). Free-blown and cold-worked glass, steel and sand. © Christoph Lehmann. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/Baldwin-Guggisberg,-The-Stone-Boat,-2018-copyright-Christoph-Lehmann-0411.jpg Baldwin & Guggisberg. The Stone Boat, 2018 (location: St Anselm’s Chapel). Kiln-formed glass, steel, used ammunition and related statistics on paper. © Christoph Lehmann. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/Baldwin-Guggisberg,-You,-Me-and-the-Rest-of-Us,-2018-copyright-Christoph-Lehmann.jpg Baldwin & Guggisberg. You, Me and the Rest of Us, 2018 (location: North Aisle). Free-blown and cold-worked glass, gold leaf and steel. © Christoph Lehmann. https://www.studiointernational.com/images/articles/b/076-baldwin-guggisberg-2018/PhilipBaldwinMonicoGuggisbergPortraitKEM_42-copy.jpg Philip Baldwin and Monica Guggisberg. https://www.studiointernational.com/index.php/royal-academy-of-arts-250th-summer-exhibition-review-grayson-perry https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/grayson-perry-ra-summer-show-2018.jpg Grayson Perry speaking to the press at the opening of the Royal Academy of Arts 250th Summer Exhibition. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/GraysonPerrysGalleryIIIHangPicDavidParry.jpg Grayson Perry https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/Banksy.jpg Banksy. Vote To Love. Spray paint on UKIP placard, 117 x 116 cm. © Royal Academy of Arts. Photography: David Parry. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/RA-pink-panther.jpg Gallery view with the Pink Panther (Olga Lomaka’s sculpture, Infinity) and portrait of Nigel Farage by David Griffiths. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/the-bear-ra-summer-show-2018.jpg Debbie Lawson. Red Bear. Carpet and mixed media, 230 x 160 x 45 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/JoanaVasconcelosRoyalValkyriePicDavidParry.jpg Joana Vasconcelos. Royal Valkyrie. Handmade woollen crochet, felt appliqués, ornaments, fabrics, inflatable, power supply unit and steel cables, 625 x 600 x 900 cm. © Royal Academy of Arts. Photography: David Parry. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/ElAnatsuiChangeInFortuneVSimpson.jpg El Anatsui. Change in Fortune. Aluminium and copper, 294 x 290 cm. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/GuardWith-Tony-Cragg-VSimpson.jpg Tony Cragg. Lost in Thoughts. Wood, 240 x 80 x 130 cm. Installation view with member of RA staff. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/AnselmKiefer-on-fleshy-pinkVSimpson.jpg Anselm Kiefer. Gehäutete Landschaft. Emulsion, oil, shellac, lead, metal, clay and gold leaf on canvas on wood, 190 x 280 x 37 cm. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/SamanthaParkhouseFortitude(top)VSimpson.jpg Samantha Parkhouse. Fortitude. Oil, 220 x 190 cm. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/CarlGodfreyUnaffordableHousingVSimpson.jpg Carl Godfrey. Unaffordable Housing. Aluminium dibond and vinyl, 25 x 120 cm. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/anish-kapoor-ra-summer-show-2018.jpg Anish Kapoor. Symphony For A Beloved Daughter, 2018. Metal, fabric, 10,000 x 10,000 x 10,000 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/Gallery-VII-Landscape.jpg Gallery view of the 250th Summer Exhibition, Royal Academy of Arts, London (12 June — 19 August 2018). © Royal Academy of Arts. Photography: David Parry. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/PaulaRegoHumanCargo-(tryptich)-VSimpson.jpg Paula Rego. Human Cargo (Triptych). Conté pencil, conté and ink wash on paper, 171 x 395 cm. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/r/087-ra-summer-show-2018/rana-begum-ra-summer-show-2018.jpg Rana Begum. No. 755 2017. Paint on powder coated aluminium, 100 x 108 x 8 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/alex-mirutziu-interview-error-misunderstanding-correction-iris-murdoch-alzheimers https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Between-too-soon-and-too-late,-2018-Photo-Tim-Bowditch-3.jpg Alex Mirutziu, Between too soon and too late, 2018. Installation view, Delfina Foundation, London. Photograph: Tim Bowditch. Courtesy Delfina Foundation and European ArtEast Foundation. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Let-him-be-Caesar,-2018.jpg Alex Mirutziu. Let him be Caesar, 2018. Iron, 130 x 37 cm. Courtesy the artist. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Between-too-soon-and-too-late,-2018-Photo-Tim-Bowditch-2.jpg Alex Mirutziu, Between too soon and too late, 2018. Installation view, Delfina Foundation, London. Photograph: Tim Bowditch. Courtesy Delfina Foundation and European ArtEast Foundation. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Between-too-soon-and-too-late,-2018-Photo-Tim-Bowditch-10.jpg Alex Mirutziu, Between too soon and too late, 2018. Installation view, Delfina Foundation, London. Photograph: Tim Bowditch. Courtesy Delfina Foundation and European ArtEast Foundation. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Between-too-soon-and-too-late,-2018-Photo-Tim-Bowditch-11.jpg Alex Mirutziu, Between too soon and too late, 2018. Installation view, Delfina Foundation, London. Photograph: Tim Bowditch. Courtesy Delfina Foundation and European ArtEast Foundation. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Between-too-soon-and-too-late,-2018-Photo-Tim-Bowditch-5.jpg Alex Mirutziu, Prepared Poem # 3, 2018. Installation view, Delfina Foundation, London. Photograph: Tim Bowditch. Courtesy Delfina Foundation and European ArtEast Foundation. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Between-too-soon-and-too-late,-2018-Photo-Tim-Bowditch-4.jpg Alex Mirutziu, Between too soon and too late, 2018. Installation view, Delfina Foundation, London. Photograph: Tim Bowditch. Courtesy Delfina Foundation and European ArtEast Foundation. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Gestalt-me-out,-2018.jpg Alex Mirutziu. Gestalt me out, 2018. Courtesy the artist. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu-Photo-Tim-Bowditch.jpg Alex Mirutziu. Photograph: Tim Bowditch. Courtesy Delfina Foundation and European ArtEast Foundation. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Doing-Sub-Thinking,-Royal-Academy-of-Arts,-2018.jpg Alex Mirutziu. Doing Sub Thinking, Royal Academy of Arts, London, 2018. Commissioned by Block Universe in partnership with Delfina Foundation and European ArtEast Foundation. Photograph © Manuela Barczewski. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Doing-Sub-Thinking,-Royal-Academy-of-Arts,-2018-5.jpg Alex Mirutziu. Doing Sub Thinking, Royal Academy of Arts, London, 2018. Commissioned by Block Universe in partnership with Delfina Foundation and European ArtEast Foundation. Photograph © Manuela Barczewski. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Doing-Sub-Thinking,-Royal-Academy-of-Arts,-2018-2.jpg Alex Mirutziu. Doing Sub Thinking, Royal Academy of Arts, London, 2018. Commissioned by Block Universe in partnership with Delfina Foundation and European ArtEast Foundation. Photograph © Manuela Barczewski. https://www.studiointernational.com/images/articles/m/082-mirutziu-alex-2018/Alex-Mirutziu,-Doing-Sub-Thinking,-Royal-Academy-of-Arts,-2018-4.jpg Alex Mirutziu. Doing Sub Thinking, Royal Academy of Arts, London, 2018. Commissioned by Block Universe in partnership with Delfina Foundation and European ArtEast Foundation. Photograph © Manuela Barczewski. https://www.studiointernational.com/index.php/forensic-architecture-samaneh-moafi-interview https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/From-ICA-exhibitionRafah_1.jpg The Bombing of Rafah, Gaza, Palestine, 1 August 2014. Forensic Architecture located photographs and videos within a 3D model to tell the story of one of the heaviest days of bombardment in the 2014 Israel-Gaza war. The Image-Complex, Rafah: Black Friday, Forensic Architecture, 2015. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/From-ICA-show-Rafah_2.jpg The Bombing of Rafah, Gaza, Palestine, 1 August 2014. The Image-Complex. The story of Rafah, Gaza on 1 August 2014 lies somewhere between hundreds of images and video clips existing in disparate locations, on the smartphones of activists, press clippings, and social media posts.  3D models provided an optical device and a means of composing the relation between multiple images and videos in space and time. This evidence-assemblage is what allowed for a narrative of events to emerge. Image: Forensic Architecture, 2015. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Saydnaya_6.jpg Torture in Saydnaya Prison, Saydnaya, Syria, 2011 - ongoing. A detainee works with Forensic Architecture researchers to recreate elements of the prison in April 2016. Image: Forensic Architecture, 2016 https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Group-Photo3.jpg Forensic Architecture, group photograph. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/documenta14_Forensic_Architecture_Die_Gesellschaft_der_Freund_innen_von_Halit.jpg Documenta 14, Forensic Architecture. ©_Mathias Voelzke https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Miranshah_6.jpg Drone Strike in Miranshah, North Waziristan, Pakistan, 30 March 2012. The delayed fuse missile was designed to penetrate through roofs, floors and walls before detonating deep within the building. Image: Forensic Architecture, 2016. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/a-world-of-fragile-parts-v-a-victoria-albert-pavilion-exhibition-venice-architecture-biennale-2016_dezeen_1568_11.jpg A World of Fragile Parts, Victoria and Albert Museum exhibition, Venice Architecture Biennale, 2016. Photograph courtesy Dezeen. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Miranshah_1.jpg Drone Strike in Miranshah, North Waziristan, Pakistan, 30 March 2012. A composite image merges news footage of a home destroyed in a drone strike on Miranshah, North Waziristan, Pakistan together with Forensic Architecture’s 3D modelling. Shadow analysis was used to corroborate the approximate time (15:00) the video was shot. Image: Forensic Architecture, 2016. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Miranshah_5.jpg Drone Strike in Miranshah, North Waziristan, Pakistan, 30 March 2012. Colour-coded diagram showing the distance from the blast point to where shrapnel marked the wall. By analysing the directionality of the shrapnel marks, Forensic Architecture determined the location where the missile detonated in the room. Image: Forensic Architecture, 2016. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Ayotzinapa_2.jpg The Enforced Disappearance of the 43 Ayotzinapa Students Iguala, Mexico, 26-27 September 2014. Through 3D modelling, Forensic Architecture reconstructed the attack at the Iguala Palacio de Justicia. Two buses transporting the students were attacked multiple times by different state security forces. Image: Forensic Architecture, 2017. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Ayotzinapa_1b.jpg The Enforced Disappearance of the 43 Ayotzinapa Students Iguala, Mexico, 26-27 September 2014. The Ayotzinapa Platform enables users to explore the relationship between thousands of events and hundreds of actors from the night of 26-27 September 2014. Image: Forensic Architecture, 2017. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Ayotzinapa_4.jpg The Enforced Disappearance of the 43 Ayotzinapa Students Iguala, Mexico, 26-27 September 2014. At the Palacio de Justicia, between 12 and 14 students (red) were beaten up and loaded into the back of multiple police vehicles (turquoise). Image: Forensic Architecture, 2017. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Laureates-Forensic-Architecture-Director-Eyal-Weizman-and-Deputy-Director-Christina-Varvia.jpg Forensic Architecture’s Director Eyal Weizman and Deputy Director Christina Varvia. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/Ayotzinapa_Mural.jpg The Enforced Disappearance of the 43 Ayotzinapa Students Iguala, Mexico, 26-27 September 2014. This mural plots the narrative trajectories of different participants, both victims and perpetrators, in the forced disappearance of the 43 students. The simplified narrative presented by the Federal Attorney General and announced as the 'historical truth' (drawn in thick black line) is contrasted with the complex version derived from the testimonies of the surviving students and those provided by the Independent Group of Experts (GIEI). Image: Forensic Architecture, 2017. https://www.studiointernational.com/images/articles/f/090-forensic-architecture-2018/From-ICA-show-Rafah_3.jpg The Bombing of Rafah, Gaza, Palestine, 1 August 2014. Video still showing two bombs in mid-air fractions of a second before impact in the Al Tannur neighbourhood in Rafah, Gaza on 1 August 2014. Image: Forensic Architecture, 2015. https://www.studiointernational.com/index.php/beyond-ophelia-celebration-of-lizzie-siddal-artist-poet-wightwick-manor-wolverhampton-national-trust https://www.studiointernational.com/images/articles/s/072-siddal-lizzie-2018/Lovers-Listening-to-Music,-pencil,-pen-and-ink,-c1854.jpg Lizzie Siddal. Lovers Listening to Music, c1854. Pencil, pen and ink. https://www.studiointernational.com/images/articles/s/072-siddal-lizzie-2018/Sir-Galahad,-pencil.jpg Lizzie Siddal. Sir Galahad, c1850s. Pencil. https://www.studiointernational.com/images/articles/s/072-siddal-lizzie-2018/St-Cecilia.jpg Lizzie Siddal. St Cecilia, c1850s. Pencil, pen and brown ink. https://www.studiointernational.com/images/articles/s/072-siddal-lizzie-2018/The-Haunted-Wood-1856.jpg Lizzie Siddal. The Haunted Wood, 1856. Gouache on paper. https://www.studiointernational.com/images/articles/s/072-siddal-lizzie-2018/St-Agnes-Eve,-c1850.jpg Lizzie Siddal. St Agnes https://www.studiointernational.com/images/articles/s/072-siddal-lizzie-2018/Sister-Helen.jpg Lizzie Siddal. Sister Helen, c1860. Pencil, pen and brown ink. https://www.studiointernational.com/index.php/giacometti-review-solomon-r-guggenheim-museum-new-york https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1159.jpg Alberto Giacometti. Woman with Her Throat Cut, 1932 (cast 1949). Bronze, 8 11/16 x 29 1/2 x 22 13/16 in (22 x 75 x 58 cm). The Museum of Modern Art, New York. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1164.jpg Alberto Giacometti. Spoon Woman, 1927. Plaster, 57 11/16 x 20 5/16 x 8 7/16 in (146.5 x 51.6 x 21.5 cm). Fondation Giacometti, Paris. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1121.jpg Filmmaker Ernst Scheidegger. Alberto Giacometti, 1966. 28 min, excerpt: 16 min, 5 sec. © Stiftung Ernst Scheidegger-Archiv, Zurich, and Künstler-Videodokumentation Peter Münger, Zurich. Film edit courtesy Tate, London. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1132.jpg Alberto Giacometti. The Leg, 1958. Plaster, 87 13/16 x 11 15/16 x 18 1/8 in (223 x 30.3 x 46.1 cm). Fondation Giacometti, Paris. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1147.jpg Alberto Giacometti. The Chariot, 1950. Bronze, 65 3/4 x 27 3/16 x 27 3/16 in (167 x 69 x 69 cm). Denise and Andrew Saul. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/giacometti-IMG_1130.jpg Alberto Giacometti. Monumental Head, 1960. Plaster, 39 9/16 x 12 1/2 x 16 15/16 inches (100.5 x 31.7 x 43.1 cm). Fondation Giacometti, Paris. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1118.jpg Filmmaker Ernst Scheidegger. Alberto Giacometti, 1966. 28 min, excerpt: 16 min, 5 sec. © Stiftung Ernst Scheidegger-Archiv, Zurich, and Künstler-Videodokumentation Peter Münger, Zurich. Film edit courtesy Tate, London. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1148.jpg Alberto Giacometti. The Nose, 1949 (cast 1964). Bronze, wire, rope, and steel, edition 5/6, 31 7/8 x 28 1/8 x 15 1/2 in (81 x 71.4 x 39.4 cm). Solomon R. Guggenheim Museum, New York. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1167.jpg Alberto Giacometti. Walking Man I, 1960 (cast 1982). Bronze, 71 1/16 x 10 5/8 x 38 3/16 in (180.5 x 27 x 97 cm). Fondation Giacometti, Paris. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1151.jpg Alberto Giacometti. Three Men Walking (Small Square), 1948 (cast 2007). Bronze, 28 3/8 x 12 7/8 x 13 7/16 in (72 x 32.7 x 34.1 cm). Fondation Giacometti, Paris. Photograph: Jill Spalding. https://www.studiointernational.com/images/articles/g/090-giacometti-2018/IMG_1163.jpg Alberto Giacometti. Spoon Woman, 1926-27 (cast 1954). Bronze, edition 3/6, 56 5/8 x 20 1/4 x 8 1/2 in (143.8 x 51.4 x 21.6 cm). Solomon R. Guggenheim Museum, New York. Photograph: Jill Spalding. https://www.studiointernational.com/index.php/lee-bul-review-hayward-gallery-london-south-korea https://www.studiointernational.com/images/articles/l/092-lee-bul-2018/2.jpg Lee Bul. Monster: Pink, 1998/2011. Installation view at Hayward Gallery, London 2018 © Lee Bul 2018. Photograph: Linda Nylind. https://www.studiointernational.com/images/articles/l/092-lee-bul-2018/1.jpg Lee Bul. Monster: Black, 2011 and Civitas Solis II, 2014. Installation view at Hayward Gallery, London 2018. © Lee Bul 2018. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/l/092-lee-bul-2018/4.jpg Lee Bul. Mon grand récit_ Weep into stones, 2005. Installation view at Hayward Gallery, London 2018. © Lee Bul. Photo: Linda Nylind. https://www.studiointernational.com/images/articles/l/092-lee-bul-2018/3.jpg Lee Bul. Via Negativa II, 2014. Installation view at Hayward Gallery, London 2018 (interior detail) © Lee Bul 2018. Photograph: Mark Blower. https://www.studiointernational.com/images/articles/l/092-lee-bul-2018/5.jpg Lee Bul. Willing To Be Vulnerable - Metalized Balloon, 2015-2016. Installation view at Hayward Gallery, London 2018 © Lee Bul 2018. Photograph: Linda Nylind. https://www.studiointernational.com/index.php/theaster-gates-black-madonna-review-kunstmuseum-basel https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/TwoTheMadonnasAndACrossBetweenFinance.jpg Theaster Gates. Black Madonna, installation view. Courtesy Kunstmuseum Basel. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/MaertenVanHeemskerckMadonna.jpg Maerten van Heemskerck. Virgin with Child in front of a Landscape, 1530. Courtesy Kunstmuseum Basel. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/MonetaSleet_1965_449_F.jpg Theaster Gates. From the archives of the Johnson Publishing Company. Photograph: Moneta Sleet, courtesy of Theaster Gates. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/FacsimileCabinet2.jpg Theaster Gates. Facsimile Cabinet of Women Origin Stories, 2018. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/BlackTemple.jpg Theaster Gates. Black Temple: Shirley Temple Goes Black, 2016. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/BlackTemple2.jpg Theaster Gates. Black Temple: Shirley Temple Goes Black, 2016. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/TarBabyIIIWithRubberComponents.jpg Theaster Gates. Tar Baby III with Rubber Components, 2016. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/ACrossBetweenFinanceAndPastoralCare.jpg Theaster Gates. A Cross Between Finance and Pastoral Care, 2017. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/WalkingPrayerMadonnaForeground.jpg Theaster Gates. Walking Prayer, 2018, with Madonna in foreground. Courtesy Kunstmuseum Basel. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/WalkingPrayerDetail1.jpg Theaster Gates. Walking Prayer, 2018 (detail). Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/HeidelbergPressAtKunstmuseum.jpg Theaster Gates. Heidelberg press. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/AllNightILookedForHer.jpg Theaster Gates. All Night I Looked for Her, I Looked for You, I Looked for Myself; Black Madonna Stripes With Afro Model, 2018. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/DoYouHearMeCalling.jpg Theaster Gates. Do You Hear Me Calling: Ma Ma Madonna or What is Black Power, 2018. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/BathroomBeliever2.jpg Theaster Gates. Bathroom Believer, 2018. Installation view. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/01_TG_portrait.jpg Theaster Gates. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/CorinneBaileyRaeInDoYouHearMeCalling.jpg Theaster Gates. Corinne Bailey Rae, 2018. Photograph. David Sampson, courtesy of Theaster Gates. https://www.studiointernational.com/images/articles/g/089-gates-theaster-2018/Ave-Maria,-an-Exercise-in-Reproduction.jpg Theaster Gates. Ave Maria, an Exercise in Reproduction, 2018. Installation video clip: Veronica Simpson. https://www.studiointernational.com/index.php/katharina-sieverding-interview-i-also-make-fake-news-manifesta-12-palermo https://www.studiointernational.com/images/articles/s/071-sieverding-katharina-2018/2018_Katharina-Sieverding_Manifesta-12_Palermo_KM_09.jpg Katharina Sieverding. Installation view, Sieverding Palermo, Manifesta 12, Haus der Kunst, Palermo, 2018. © Katharina Sieverding. Photograph: © Klaus Mettig. https://www.studiointernational.com/images/articles/s/071-sieverding-katharina-2018/2018_Katharina-Sieverding_Manifesta-12_Palermo_KM_11.jpg Katharina Sieverding. Installation view, Sieverding Palermo, Manifesta 12, Haus der Kunst, Palermo, 2018. © Katharina Sieverding. Photograph: © Klaus Mettig. https://www.studiointernational.com/images/articles/s/071-sieverding-katharina-2018/2018_Katharina-Sieverding_Manifesta-12_Palermo_KM_13.jpg Katharina Sieverding. Installation view, Sieverding Palermo, Manifesta 12, Haus der Kunst, Palermo, 2018. © Katharina Sieverding. Photograph: © Klaus Mettig. https://www.studiointernational.com/images/articles/s/071-sieverding-katharina-2018/2018_Katharina-Sieverding_Manifesta-12_Palermo_KM_15.jpg Katharina Sieverding. Installation view, Sieverding Palermo, Manifesta 12, Haus der Kunst, Palermo, 2018. © Katharina Sieverding. Photograph: © Klaus Mettig. https://www.studiointernational.com/images/articles/s/071-sieverding-katharina-2018/2018_Katharina-Sieverding_Manifesta-12_Palermo_KM_10.jpg Katharina Sieverding. Installation view, Sieverding Palermo, Manifesta 12, Haus der Kunst, Palermo, 2018. © Katharina Sieverding. Photograph: © Klaus Mettig. https://www.studiointernational.com/images/articles/s/071-sieverding-katharina-2018/2018_Katharina-Sieverding_Manifesta-12_Palermo_KM_03.jpg Katharina Sieverding. Installation view, Sieverding Palermo, Manifesta 12, Haus der Kunst, Palermo, 2018. © Katharina Sieverding. Photograph: © Klaus Mettig. https://www.studiointernational.com/images/articles/s/071-sieverding-katharina-2018/Sieverding-portrait-square.jpg Katharina Sieverding. Photograph: Kristian Vistrup Madsen. https://www.studiointernational.com/index.php/dorothea-lange-politics-of-seeing-review-barbican-london https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/04-Dorothea-Lange,-Drought-Refugees,-ca.jpg Dorothea Lange. Drought Refugees, c1935. © The Dorothea Lange Collection, the Oakland Museum of California. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/13-Dorothea-Lange-Cars-on-the-Road,-August-1936.-Library-of-Congress.jpg Dorothea Lange. Family walking on highway - five children. Started from Idabel, Oklahoma, bound for Krebs, Oklahoma, June 1938. Library of Congress. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/01-Dorothea-Lange,-Migrant-Mother,-Nipomo,-California,-1936,-the-Oakland-Museum-of-California.jpg Dorothea Lange. Migrant Mother, Nipomo, California, 1936. © The Dorothea Lange Collection, the Oakland Museum of California. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/07-Dorothea-Lange-San-Francisco,-California.jpg Dorothea Lange. San Francisco, California. Flag of allegiance pledge at Raphael Weill Public School, Geary and Buchanan Streets. Children in families of Japanese ancestry were evacuated with their parents and will be housed for the duration in War Relocation Authority centres where facilities will be provided for them to continue their education, 1942. Courtesy National Archives. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/08-Dorothea-Lange-Centerville,-California.jpg Dorothea Lange. Centerville, California. This evacuee stands by her baggage as she waits for evacuation bus. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration, 1942. Courtesy National Archives. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/09-Dorothea-Lange-Sacramento,-California.jpg Dorothea Lange. Sacramento, California. College students of Japanese ancestry who have been evacuated from Sacramento to the Assembly Center, 1942. Courtesy National Archives. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/02-Dorothea-Lange,-White-Angel-Breadline,.jpg Dorothea Lange. White Angel Breadline, San Francisco, 1933. © The Dorothea Lange Collection, the Oakland Museum of California. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/03-Dorothea-Lange,-Migratory-Cotton-Picker.jpg Dorothea Lange. Migratory Cotton Picker, Eloy, Arizona, 1940. © The Dorothea Lange Collection, the Oakland Museum of California. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/06-Dorothea-Lange-in-Texas-on-the-Plains,-ca.jpg Paul S. Taylor. Dorothea Lange in Texas on the Plains, c1935. © The Dorothea Lange Collection, the Oakland Museum of California. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/05-Dorothea-Lange,-Manzanar-Relocation-Center.jpg Dorothea Lange. Manzanar Relocation Center, Manzanar, California, July 3, 1942. © The Dorothea Lange Collection, the Oakland Museum of California. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/10-Dorothea-Lange-Manzanar-Relocation-Center,-Manzanar,-California.jpg Dorothea Lange. Manzanar Relocation Center, Manzanar, California. An evacuee is shown in the lath house sorting seedlings for transplanting. These plants are year-old seedlings from the Salinas Experiment Station, 1942. Courtesy National Archives https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/11-Dorothea-Lange-Dust-Bowl,-Grain-Elevator,-Everett,-Texas,-June-1938.jpg Dorothea Lange. Dust Bowl, Grain Elevator, Everett, Texas, June 1938. Library of Congress. https://www.studiointernational.com/images/articles/l/088-lange-dorothea-2018/12-Dorothea-Lange-Family-walking-on-highway---five-children.-Started-from-Idabel,-Oklahoma,-bound-for-Krebs,-Oklahoma,-June-1938.-Library-of-Congress.jpg Dorothea Lange. Cars on the Road, August 1936. Library of Congress. https://www.studiointernational.com/index.php/at-altitude-review-towner-gallery-eastbourne https://www.studiointernational.com/images/articles/a/081-at-altitude-2018/12_Charles-and-Ray-Eames_Powers-of-Ten_1977.jpg Charles and Ray Eames. Powers of Ten, 1977. © 2018 Eames Office LLC. https://www.studiointernational.com/images/articles/a/081-at-altitude-2018/At-Altitude-Installation-View-2.jpg Installation view, At Altitude, 2018, Towner Art Gallery, Eastbourne. Photograph: Rob Harris. https://www.studiointernational.com/images/articles/a/081-at-altitude-2018/At-Altitude-Installation-View-4.jpg Installation view, At Altitude, 2018, Towner Art Gallery, Eastbourne. Photograph: Rob Harris. https://www.studiointernational.com/images/articles/a/081-at-altitude-2018/file.jpg Mishka Henner. Unknown Site, Noordwijk aan Zee, South Holland, 2011. Arts Council Collection, Southbank Centre, London. © Mishka Henner. https://www.studiointernational.com/images/articles/a/081-at-altitude-2018/BAIRD,-Ken-ACP1219.jpg Ken Baird. New Mexico Landscape - Aerial series II, 1979. Arts Council Collection, Southbank Centre, London © the artist. https://www.studiointernational.com/images/articles/a/081-at-altitude-2018/Tacita-Dean,-A-Bag-of-Air-(1995).jpg Tacita Dean. A Bag of Air, 1995. Installation view, At Altitude, 2018, Towner Art Gallery, Eastbourne. Photograph: Rob Harris. https://www.studiointernational.com/index.php/starting-from-the-desert-ecologies-on-the-edge-second-yinchuan-biennale-review-china https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/01.jpg Nikhil Chopra performing Fire Water (six hour performance piece commissioned for the biennale). Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/17.jpg Yinchuan Biennale, 2018, installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/02-detail.jpg Mao Tongqiuang. Leasehold, 2009-18 (detail). Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/03.jpg Yinchuan Biennale, 2018, installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/04.jpg Yinchuan Biennale, 2018, installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/05.jpg Massimo Bartolini. Desert Dance, 2003. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/07.jpg Yinchuan Biennale, 2018, installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/08.jpg Kimsooja. A Laundry Woman, 2000. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/06.jpg Justin Ponmany's performance, Anthroprocenium, 2018. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/02.jpg Mao Tongqiuang. Leasehold, 2009-18. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/09.jpg Enkhold Togmidshiirev. My Ger, 2017-18. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/10.jpg Yinchuan Biennale, 2018, installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/11.jpg Ravi Agarwal. Installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/12.jpg Marjetica Ptrc. Rural House no.1, 2018. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/13.jpg Yinchuan Biennale, 2018, installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/15.jpg Yinchuan Biennale, 2018, installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/16.jpg Yinchuan Biennale, 2018, installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/18.jpg Yinchuan Biennale, 2018, installation view. Image courtesy Yinchuan Biennale. https://www.studiointernational.com/images/articles/y/099-yinchuan-biennale-2018/14.jpg Yinchuan Biennale, 2018. https://www.studiointernational.com/index.php/bruges-triennial-2018-liquid-city-review https://www.studiointernational.com/images/articles/b/075-bruges-2018/TRIBRU18_NLe_MINNE-FLOATING-SCHOOL.jpg Nlé Kunlé Adeyimi, MFS III Minne Floating School, 2018. © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/b/075-bruges-2018/Peter-Van-Driessche-.jpg Peter Van Driessche – Atelier4, Infiniti23, 2018. Photograph © Anna McNay. https://www.studiointernational.com/images/articles/b/075-bruges-2018/Wesley-Meuris,-UrbanModel,-2018.jpg Wesley Meuris, UrbanModel, 2018. Photograph © Anna McNay. https://www.studiointernational.com/images/articles/b/075-bruges-2018/TRIBRU18_RUIMTEVELDWERK_GOD.jpg Ruimteveldwerk, G.O.D., 2018. © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/b/075-bruges-2018/TRIBRU18_SELGASCANO_PAVILION.jpg SelgasCano, SelgasCano pavilion, 2018. © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/b/075-bruges-2018/TRIBRU18_OBBA_THE-FLOATING-ISLAND.jpg OBBA, The Floating Island, 2018. © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/b/075-bruges-2018/TRIBRU18_JOHN-POWERS_LANCHALS.jpg John Powers, Lanchals, 2018. © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/b/075-bruges-2018/Jaroslaw-Kozakiewicz,-Brug,-2018--5.jpg Jaroslaw Kozakiewicz, Brug, 2018. Photograph © Anna McNay. https://www.studiointernational.com/images/articles/b/075-bruges-2018/TRIBRU18_STUDIO-KCA_SKYSCRAPER_THE-BRUGES-WHALE_2.jpg StudioKCA, Skyscraper (the Bruges Whale), 2018. © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/b/075-bruges-2018/Installation-view-of-exhibition-in-the-Poortersloge-(showing-work-by-John-Powers),-2018.jpg Installation view of exhibition in the Poortersloge (showing work by John Powers), 2018. Photograph © Anna McNay. https://www.studiointernational.com/images/articles/b/075-bruges-2018/Installation-view-of-exhibition-in-the-Poortersloge-(showing-work-by-Jaroslaw-Kozakiewicz),-2018.jpg Installation view of exhibition in the Poortersloge (showing work by Jaroslaw Kozakiewicz), 2018. Photograph © Anna McNay. https://www.studiointernational.com/images/articles/b/075-bruges-2018/TRIBRU18_STUDIO-KCA_SKYSCRAPER_THE-BRUGES-WHALE.jpg StudioKCA, Skyscraper (the Bruges Whale), 2018. © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/b/075-bruges-2018/TRIBRU18_PETER-VAN-DRIES.jpg Peter Van Driessche – Atelier4, Infiniti23, 2018. © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/b/075-bruges-2018/Installation-view-of-exhibition-in-the-Poortersloge-(showing-work-by-Peter-Van-Driessche),-2018.jpg Installation view of exhibition in the Poortersloge (showing work by Peter Van Driessche), 2018. Photograph © Anna McNay. https://www.studiointernational.com/index.php/john-powers-interview-lanchals-bruges-triennial-abstraction-an-ethos https://www.studiointernational.com/images/articles/p/084-powers-john-2018/TRIBRU18_JOHN-POWERS_LANCHALS_2.jpg John Powers. Lanchals, 2018. Steel, 1500 cm high. Photograph © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/p/084-powers-john-2018/IMG_8977.jpg John Powers. Lanchals, construction view. Image courtesy John Powers. https://www.studiointernational.com/images/articles/p/084-powers-john-2018/IMG_8980.jpg John Powers. Lanchals, construction view. Image courtesy John Powers. https://www.studiointernational.com/images/articles/p/084-powers-john-2018/The-very-first-model-for-Lanchals.jpg The very first model for Lanchals. Image courtesy John Powers. https://www.studiointernational.com/images/articles/p/084-powers-john-2018/Installation-view-of-exhibition-in-the-Poortersloge-(showing-work-by-John-Powers),-2018.jpg John Powers. Maquettes in the Poortersloge, Bruges Triennial © VisitBruges | Jan D’hondt. https://www.studiointernational.com/images/articles/p/084-powers-john-2018/stack-of-modules-for-Lanchals,-each-individual-joint-drilled-and-doweled-using-bamboo-skewers-and-toothpicks.jpg Stack of modules for Lanchals, each individual joint drilled and dowelled using bamboo skewers and toothpicks. Image courtesy John Powers. https://www.studiointernational.com/images/articles/p/084-powers-john-2018/basswood-maquette-for-Lanchals.jpg Basswood maquette for Lanchals, cradled horizontally on its jig, built in John Powers https://www.studiointernational.com/images/articles/p/084-powers-john-2018/steel-maquette-built-on-the-first-day-of-production-in-Bruges.jpg John Powers. Steel maquette built on the first day of production in Bruges. Image courtesy John Powers. https://www.studiointernational.com/images/articles/p/084-powers-john-2018/Terminal.jpg John Powers. Terminal, 2004. Polystyrene blocks, 244 x 244 x 244 cm (8 x 8 x 8 ft). Image courtesy John Powers. https://www.studiointernational.com/images/articles/p/084-powers-john-2018/Rampart-Division,-2002.jpg John Powers. Rampart Division, 2002. polystyrene blocks, 122 x 244 x 914.5 cm (4 x 8 x 30 ft). Image courtesy John Powers. https://www.studiointernational.com/images/articles/p/084-powers-john-2018/John-Powers-with-his-grandmother-in-front-of-Terminal,-2004-.jpg John Powers with his grandmother in front of Terminal, 2004. Image courtesy John Powers. https://www.studiointernational.com/index.php/joana-vasconcelos-video-interview-guggenheim-bilbao-im-your-mirror https://www.studiointernational.com/images/articles/v/097-vasconcelos-joana-2018/036Galerias_Vasconcelos.jpg Joana Vasconcelos. The Bride (A Noiva), 2001- 2005. OB tampons, stainless steel, cotton thread, steel cables, 600 x 300(dia) cm. Museu de Arte Contemporanea de Elvas -Colecao Antonio Cachola. Work produced and restored with the support of Johnson & Johnson, Lda. © Joana Vasconcelos, VEGAP, Bilbao, 2018. https://www.studiointernational.com/images/articles/v/097-vasconcelos-joana-2018/022Galerias_Vasconcelos.jpg Joana Vasconcelos. Red Independent Heart (Coracao Independente Vermelho), 2005. Translucent plastic cutlery, painted Iron, metal chain, power supply unit, motor, sound Installation, 371 x 220 x 75 cm. Museu Coleccao Berardo. © Joana Vasconcelos, VEGAP, Bilbao, 2018. https://www.studiointernational.com/images/articles/v/097-vasconcelos-joana-2018/040Galerias_Vasconcelos.jpg Joana Vasconcelos. Call Center, 2014-16. Analogue telephones, metallized and thermo-lacquered mild steel, sound system, oscillators driven by microcontroller, 210 x 80 x 299 cm. Music: Call Center: Electroacoustic Symphony for 168 Telephones, composed by Jonas Runa, 20 https://www.studiointernational.com/images/articles/v/097-vasconcelos-joana-2018/Joana-Vasconcelos,-I-am-Your-Mirror.jpg Joana Vasconcelos. I https://www.studiointernational.com/images/articles/v/097-vasconcelos-joana-2018/Joana-Vasconcelos,-Courtesy-Guggenheim-Bilbao.jpg Joana Vasconcelos. Egeria, 2018. Handmade cotton crochet, fabrics, ornaments, LED, inflatable, microcontrollers, power supply units, and steel cables, 3,000 x 3,630 x 4,496 cm. Photograph: Luis Vasconcelos/ Cortesia Unidade lnfinita Projectos. Collection of the artist. © Joana Vasconcelos, VEGAP, Bilbao, 2018. https://www.studiointernational.com/images/articles/v/097-vasconcelos-joana-2018/joana-vasconcelos-640.jpg Joana Vasconcelos speaking to Studio International at the opening of I’m Your Mirror, Guggenheim Bilbao, 28 June 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/v/097-vasconcelos-joana-2018/011Galerias_Vasconcelos.jpg Joana Vasconcelos. Marilyn (AP), 2011. Stainless steel pans and lids, concrete, 297 X 155 X 410 cm each. Collection of the artist. Work produced with the support of Silampos, SA. © Joana Vasconcelos, VEGAP, Bilbao, 2018. https://www.studiointernational.com/images/articles/v/097-vasconcelos-joana-2018/NiTeTengoNiTeOlvido2017_AJV_F_01.jpg Joana Vasconcelos. Ni Te Tengo, Ni Te Olvido, 2017. Ceramic urinals, handmade cotton crochet, 40 x 58 x 30 cm. Collection of the artist. © Unidade lnfinita Projectos. ©Joana Vasconcelos, VEGAP, Bilbao, 2018. https://www.studiointernational.com/images/articles/v/097-vasconcelos-joana-2018/Vasconcelos_PopGalo_1.jpg Joana Vasconcelos. Pop Rooster (Pop Galo), 2016. Viuva Lamego hand painted tiles, LED, fibreglass, iron, power supply units, controllers, sound system, 900 x 372 x 682 cm. Sound and light by Jonas Runa. Collection of the artist Work produced with the support of Gallo Worldwide. © Joana Vasooncelos, VEGAP, Bilbao, 2018. https://www.studiointernational.com/index.php/jene-highstein-space-and-place-review-jean-paul-najar-foundation-museum-dubai https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/Copy-of-JPNF-4487.jpg Jene Highstein. Multiple Distortions, 1978. Black cement on steel armature; Untitled, 1976. Black bone pigment and graphite on paper. Copyright 2018, JPNF. Photograph: Musthafa Aboobacker. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/JPNF-4523_V2.jpg Jene Highstein. Black walnut, wood, 1981. Copyright 2018, JPNF. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/Copy-of-JPNF-4473.jpg Jene Highstein: Space and Place, installation view, March 2018. Copyright 2018, JPNF. Photograph: Musthafa Aboobacker. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/Copy-of-JPNF-4519.jpg Jene Highstein. Black Sphere in Private Garden at Versailles, photograph by Jean-Paul Najar, 1978; The Making of Black Sphere, video, by Jean-Paul Najar, 1978, JPNF Collection; Untitled (Roman Tomb), Graphite on paper, 1989, on loan from the Jene Highstein Estate; Untitled, Chinese ink on rice paper, 2006, JPNF Collection; Untitled, Chinese ink on rice paper, 2006, JPNF Collection. Copyright 2018, JPNF. Photograph: Musthafa Aboobacker. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/DSC_0015.jpg Jene Highstein. Untitled, Chinese ink on rice paper, 2006, JPNF Collection. Copyright 2018, JPNF. Photograph: Lilly Wei. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/Jene-Foundry-Photo-1.jpg Jene Highstein at foundry, St. Etienne, 1978. Photograph: Jean-Paul Najar. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/15-The-Sphere-Jene-Highstein-Bords-de-Seine.jpg Black Sphere, cement on steel armature, Les Bords de Seine, Paris. Photograph: Andrea Sarti. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/Copy-of-JPNF-4533.jpg Jene Highstein: Space and Place, installation view, March 2018. Copyright 2018, JPNF. Photograph: Musthafa Aboobacker. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/Copy-of-JPNF-4469.jpg Jene Highstein: Space and Place, installation view, March 2018. Copyright 2018, JPNF. Photograph: Musthafa Aboobacker. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/Copy-of-JPNF-4484.jpg Jene Highstein: Space and Place, installation view, March 2018. Copyright 2018, JPNF. Photograph: Musthafa Aboobacker. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/Copy-of-JPNF-4491.jpg Jene Highstein. Lump of clay, forged steel, 1978; Untitled, black bone pigment and graphite on paper, 1975. Copyright 2018, JPNF. Photograph: Musthafa Aboobacker. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/Copy-of-JPNF-4514.jpg Jene Highstein. From left to right (works on paper): Untitled, charcoal on paper, 1975; Untitled, charcoal on paper, 1975; Untitled, charcoal on paper, 1975; Untitled, graphite on paper, 1983. Sculpture: Black walnut, wood, 1981. Copyright 2018, JPNF. Photograph: Musthafa Aboobacker. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/DSC_0015-2.jpg Jene Highstein. Untitled, Chinese ink on rice paper, 2006, JPNF Collection. Photograph: Lilly Wei. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/LW-IMG_5448.jpg Jene Highstein: Space and Place, installation view, March 2018. Copyright 2018, JPNF. Photograph: Lilly Wei. https://www.studiointernational.com/images/articles/h/081-highstein-jene-2018/LW-IMG_5443.jpg Jene Highstein: Space and Place, installation view, March 2018. Copyright 2018, JPNF. Photograph: Lilly Wei. https://www.studiointernational.com/index.php/leonid-lamm-nevermore-selected-works-zimmerli-art-museum https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/1.-Lamm-Dynamics_of_Diagonal_Decline_55_s.jpg Leonid Lamm. Dynamic Diagonal Decline, 1955. Watercolour and coloured pencil on paper, 44.5 x 32.3 cm. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers University. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/3.-Lamm-Energy-_of_Space_6_s.jpg Leonid Lamm. Energy of Space, 1964. Oil and oil pastel on cardboard, 54 x 84 cm. On loan from Innessa Levkova-Lamm and Olga Lamm. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/4.-Lamm_MOTHER_DARKNESS_65_s.jpg Leonid Lamm. Mat’ Mat’ Mat’ (Mother/Darkness), 1965. Tempera and watercolour on paper, 63.4 x 86.7 cm. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers University. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/5-.Lamm_Sphere_65_s.jpg Leonid Lamm. Sphere, 1965. Oil on fibreboard, 154 x 108 x 8 cm. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers University. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/7.-.Lamm_I_YOU_HE_SHE_71_s.jpg Leonid Lamm. I, You, He, She, 1971. Oil on canvas, 65 x 129 cm. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers University. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/11.-Lamm_READ_MY_LIPS_2_90_s.jpg Leonid Lamm. Untitled (Read My Lips II), 1990. Oil on canvas, 182.9 x 182.9 cm. On loan from Innessa Levkova-Lamm and Olga Lamm. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/2.-Lamm-.Beat-The-Flat-Red-Squares-with-Cylinders_s.jpg Leonid Lamm. Beat the Flat Red Squares with Cylinders (Dynamics of Perspective), 1955-56. Oil on canvas, 61 x 76.5 cm. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers University. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/6.--Lamm_Venuse_65_s.jpg Leonid Lamm. Venus, 1965. Mixed media assemblage, 61 x 123 x 48 cm. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers University. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/8.-Lamm-PYRAMID_9_PANELS_86_88_s.jpg Leonid Lamm. Pyramid, 1986-88. Mixed media. Nine panels, 242.6 x 381 cm. On loan from Innessa Levkova-Lamm and Olga Lamm. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/9.-.Lamm_EXODUS_76_s.jpg Leonid Lamm. Exodus (Tryptych), 1976. Tempera on illustration board, 68 x 150 cm overall. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers University. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/10.-Lamm_ADAMS_TOWER_73_77_s.jpg Leonid Lamm. Adam’s Tower, 1973-77. Oil on canvas, 318 x 170 x 15 cm. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum at Rutgers University. Gift of Roman Tabakman. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/12.-Lamm_TOKEN_91_s.jpg Leonid Lamm. Token, 1991. Gold enamel and acrylic on canvas, 182.9 x 182.9 cm. On loan from Innessa Levkova-Lamm and Olga Lamm. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/13.-Lamm_Tower_of_Equality_93_proj_s.jpg Leonid Lamm. Tower of Equality, 1993. Graphite, watercolour, and ink on paper, 27.9 x 40.6 cm. On loan from Innessa Levkova-Lamm and Olga Lamm. https://www.studiointernational.com/images/articles/l/087-lamm-leonid-2018/14.Lamm_DOLLAR_90_93_s.jpg Leonid Lamm. 'Dollar' from the early 1990s. Claude and Nina Gruen Collection of Contemporary Russian Art. https://www.studiointernational.com/index.php/ruimteveldwerk-interview-bruges-triennial-2018 https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/2018_TRIBRU_situation-on-20180608.jpg Ruimteveldwerk. G.O.D. Installation view on 8 June 2018. © VisitBruges/Jan D’hondt. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/2018_TRIBRU_20180518_adding-pictograms-visitors-.jpg Ruimteveldwerk. G.O.D. Ruimteveldwerk adding pictograms. © VisitBruges/Jan D’hondt. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/2018_TRIBRU_20180518_adding-pictograms-command-signs_visitors-.jpg Ruimteveldwerk. G.O.D. Command signs for visitors. © VisitBruges/Jan D’hondt. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/2018_TRIBRU_20180518_new-sign-from-a-resident-addedJPG.jpg Ruimteveldwerk. G.O.D. A new sign added by a resident. © VisitBruges/Jan D’hondt. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/2018_TRIBRU_20180510_new-boundaries-private-public-by-residents3.jpg Ruimteveldwerk. G.O.D. Residents adding new boundaries, private / public. © VisitBruges/Jan D’hondt. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/2018_TRIBRU_20180616_adding-extra-public-bench.jpg Ruimteveldwerk. G.O.D. Installation view showing addition of a public bench. © VisitBruges/Jan D’hondt. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/GOD-VisitBruges-Jan-D-hondt.jpg Ruimteveldwerk. G.O.D. Installation view. © VisitBruges/Jan D’hondt. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/Ruimteveldwerk,-Modes-of-Movement,-Oslo-Architecture-Triennale,-2016-2.jpg Ruimteveldwerk, Modes of Movement, Oslo Architecture Triennale, 2016. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/Ruimteveldwerk.jpg Ruimteveldwerk: twin brothers Brecht and Sander van Duppen, Pieter Brosens and Pieter Cloeckaert. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/2018_TRIBRU_20180510_adding-new-boundaries-private-public-by-residents2.jpg Ruimteveldwerk. G.O.D. Residents adding new boundaries, private / public. © VisitBruges/Jan D’hondt. https://www.studiointernational.com/images/articles/r/086-Ruimteveldwerk-2018/Ruimteveldwerk,-Modes-of-Movement,-Oslo-Architecture-Triennale,-2016.jpg Ruimteveldwerk, Modes of Movement, Oslo Architecture Triennale, 2016. https://www.studiointernational.com/index.php/bodys-isek-kingelez-city-dreams-review-museum-of-modern-art-new-york-moma https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/kingelezcitydreams_01.jpg Installation view of Bodys Isek Kingelez: City Dreams, The Museum of Modern Art, New York, May 26, 2018–January 1, 2019. © 2018 The Museum of Modern Art. Photograph: Denis Doorly. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/2005_nippontower40.jpg Bodys Isek Kingelez. Nippon Tower, 2005. Paper, paperboard, plastic, and other various materials, 26 3/8in × 13 3/8in × 8 11/16in (67 × 34 × 22 cm), irreg. Courtesy Aeroplastics Contemporary, Brussels. Vincent Everarts Photography Brussels. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/1997_sportsinternationaux99.jpg Bodys Isek Kingelez. Sports Internationaux, 1997. Paper, plastic, and other various materials, 35 7/16in × 33 7/16in × 9 13/16in (90 × 85 × 25 cm), irreg. Purchased 2013 with funds from Tim Fairfax, AM, through the Queensland Art Gallery | Gallery of Modern Art Foundation. Collection Queensland Art Gallery, Brisbane. © QAGOMA, Natasha Harth. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/1997_sportsinternationaux99-detail.jpg Bodys Isek Kingelez. Sports Internationaux, 1997 (detail). Paper, plastic, and other various materials, 35 7/16in × 33 7/16in × 9 13/16in (90 × 85 × 25 cm), irreg. Purchased 2013 with funds from Tim Fairfax, AM, through the Queensland Art Gallery | Gallery of Modern Art Foundation. Collection Queensland Art Gallery, Brisbane. © QAGOMA, Natasha Harth. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/1996_villefantome.jpg Bodys Isek Kingelez. Ville Fantôme, 1996. Paper, paperboard, plastic and other various materials, 47 1/4in × 8ft 8 7⁄16in × 7ft 10 1⁄2in (120 × 570 × 240 cm). CAAC – The Pigozzi Collection, Geneva. © Bodys Isek Kingelez. Photograph: Maurice Aeschimann. Courtesy CAAC – The Pigozzi Collection. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/1996_villefantomedetail.jpg Bodys Isek Kingelez. Ville Fantôme, 1996 (detail). Paper, paperboard, plastic and other various materials, 47 1/4in × 8ft 8 7⁄16in × 7ft 10 1⁄2in (120 × 570 × 240 cm). CAAC – The Pigozzi Collection, Geneva. © Bodys Isek Kingelez. Photograph: Maurice Aeschimann. Courtesy CAAC – The Pigozzi Collection. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/2000_villedesete3009.jpg Bodys Isek Kingelez. Ville de Sète 3009, 2000. Paper, paperboard, plastic, and other various materials, 31 1/2in × 9ft 10 1⁄8in × 6ft 10 11⁄16in (80 × 300 × 210 cm). Collection Musée International des Arts Modestes (MIAM), Sète, France. © Pierre Schwartz ADAGP; courtesy Musée International des Arts Modestes (MIAM), Sète, France. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/2000_villedesete3009detail.jpg Bodys Isek Kingelez. Ville de Sète 3009, 2000 (detail). Paper, paperboard, plastic, and other various materials, 31 1/2in × 9ft 10 1⁄8in × 6ft 10 11⁄16in (80 × 300 × 210 cm). Collection Musée International des Arts Modestes (MIAM), Sète, France. © Pierre Schwartz ADAGP; courtesy Musée International des Arts Modestes (MIAM), Sète, France. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/Bodys-Isek-Kingelez-outside-his-home-in-Kinshasa.jpg Bodys Isek Kingelez outside his home in Kinshasa, 2014. Courtesy André Magnin, Paris. Photograph: Fredi Casco. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/1980_untitled14.jpg Bodys Isek Kingelez. Untitled, c1980. Paper, paperboard and other various materials, 32 15/16 × 14 7/8 × 9 5/8 in (83.6 × 37.8 × 24.5 cm). Private collection, Paris. Photograph: Kleinefenn. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/1980_untitleddetail40.jpg Bodys Isek Kingelez. Untitled, c1980 (detail). Paper, paperboard and other various materials, 32 15/16 × 14 7/8 × 9 5/8 in (83.6 × 37.8 × 24.5 cm). Private collection, Paris. Photograph: Kleinefenn. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/2005_nippontower40-detail.jpg Bodys Isek Kingelez. Nippon Tower, 2005 (detail). Paper, paperboard, plastic, and other various materials, 26 3/8in × 13 3/8in × 8 11/16in (67 × 34 × 22 cm), irreg. Courtesy Aeroplastics Contemporary, Brussels. Vincent Everarts Photography Brussels. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/kingelezcitydreams_07.jpg Installation view of Bodys Isek Kingelez: City Dreams, The Museum of Modern Art, New York, May 26, 2018–January 1, 2019. © 2018 The Museum of Modern Art. Photograph: Denis Doorly. https://www.studiointernational.com/images/articles/c/078-city-dreams-2018/kingelez_villefantome_vr3.jpg Screen capture of Bodys Isek Kingelez’s Ville Fantôme: Virtual Reality Tour. Image courtesy of Third Pillar VR and Plastic Demo. https://www.studiointernational.com/index.php/patrick-heron-review-tate-st-ives https://www.studiointernational.com/images/articles/h/080-heron-patrick-2018/c1968_Portrait_Patrick_Heron_photo(C)_trompeteler.jpg Patrick Heron in his studio at Eagles Nest c1969. Photograph: Mark Trompeteler. Courtesy the estate of Patrick Heron 2018. https://www.studiointernational.com/images/articles/h/080-heron-patrick-2018/Tate_St_Ives_Patrick_Heron_--Interior_with_Garden_Window_Private_collection_(C)_estate.jpg Patrick Heron. Interior with Garden Window : 1955, 1955. Oil paint on canvas, 121.92 x 152.4 cm. Private collection. © Estate of Patrick Heron. All Rights Reserved, DACS 2018. https://www.studiointernational.com/images/articles/h/080-heron-patrick-2018/Tate_St_Ives_Sydney_Garden_Painting-_December_1989--II-Dated-1989.jpg Patrick Heron. Sydney Garden Painting : December 1989 : II, 1989. Oil paint on canvas. Private collection. © Estate of Patrick Heron. All Rights Reserved, DACS 2018. https://www.studiointernational.com/images/articles/h/080-heron-patrick-2018/Tate_St_Ives_Patrick_Heron_The_Piano_1943_Private_collection_(C)_estate.jpg Patrick Heron. The Piano : 1943, 1943. Oil paint on paper. © Estate of Patrick Heron. All Rights Reserved, DACS 2018. https://www.studiointernational.com/images/articles/h/080-heron-patrick-2018/Tate_St_Ives_Patrick_Heron_Square_Green_with_Orange_Violet_and_Lemon_1969_Private_collection_(C)_estate.jpg Patrick Heron. Square Green with Orange, Violet and Lemon : 1969, 1969. Oil paint on canvas, 152.4 x 152.4 cm. Private collection. © Estate of Patrick Heron. All Rights Reserved, DACS 2018. https://www.studiointernational.com/images/articles/h/080-heron-patrick-2018/Tate_St_Ives_Patrick_Heron_Five_Discs_private_collection_(C)_estate.jpg Patrick Heron. Five Discs : 1963, 1963. Oil paint on canvas, Private collection. © Estate of Patrick Heron. All Rights Reserved, DACS 2018. https://www.studiointernational.com/images/articles/h/080-heron-patrick-2018/Tate_St_Ives_Patrick_Heron_Big_Complex_Diagonal_Private_collection_(C)_estate.jpg Patrick Heron. Big Complex Diagonal with Emerald and Reds : March 1972 - September 1974, 1974. Oil paint on canvas. © Estate of Patrick Heron. All Rights Reserved, DACS 2018. https://www.studiointernational.com/images/articles/h/080-heron-patrick-2018/Tate_St_Ives_Patrick_Heron_Green_and_mauve_Horizontals_Private_collection_(C)_estate.jpg Patrick Heron. Green and Mauve Horizontals : January 1958, 1958. Oil paint on canvas, © Estate of Patrick Heron. All Rights Reserved, DACS 2018. https://www.studiointernational.com/images/articles/h/080-heron-patrick-2018/Tate_St_Ives_Patrick_Heron_Red_garden_painting_(C)_estate.jpg Patrick Heron. Red Garden Painting : June 3 - June 5 : 1985, 1985. Oil paint on canvas. © Estate of Patrick Heron. All Rights Reserved, DACS 2018. https://www.studiointernational.com/index.php/michael-sorgatz-shelley-himmelstein-randall-harris-interview-figureworks-gallery-brooklyn https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Gallery-Installation-11.jpg Shelley Himmelstein: Soccerscapes – FIFA World Cup Series. Installation view. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Gallery-Installation-8.jpg Michael Sorgatz: Kaleidoscope Dreams. Installation view. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Himmelstein,-World-Cup-2014,-Brazil-vs-Korea.jpg Shelley Himmelstein. World Cup 2010, Brazil vs Korea. Prismacolor, 15 x 20 in. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Himmelstein,-World-Cup-2014,-France-vs-Germany.jpg Shelley Himmelstein. World Cup 2014, France vs Germany. Watercolour, 12 x 18 in. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Himmelstein-World-Cup-2014,-Spain-vs-Netherlands.jpg Shelley Himmelstein. World Cup 2014, Spain vs Netherlands. Watercolour, 12 x 18 cm. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/himmelstein-desktop-with-TV.jpg Shelley Himmelstein. Desktop with TV. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Sorgatz-Kaleidoscope-Dreams-2017.jpg Michael Sorgatz. Kaleidoscope Dreams, 2017. Acrylic on board, 36 x 48 in. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Sorgatz-Summer-Dragon.jpg Sorgatz Summer Dragon, 2018. Acrylic on board, 24 x 48 in. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Sorgatz,-Yo-Taxi.jpg Michael Sorgatz. Yo Taxi, 2018. Acrylic on board, 36 x 48 in. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Gallery-Installation-10.jpg Shelley Himmelstein: Soccerscapes – FIFA World Cup Series; Michael Sorgatz: Kaleidoscope Dreams. Installation view. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Gallery-Installation-5.jpg Shelley Himmelstein: Soccerscapes – FIFA World Cup Series. Installation view. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/images/articles/f/089-figureworks-2018/Gallery-Installation-1.jpg Shelley Himmelstein: Soccerscapes – FIFA World Cup Series; Michael Sorgatz: Kaleidoscope Dreams. . Installation view. Photograph courtesy of Figureworks Gallery. https://www.studiointernational.com/index.php/etel-adnan-review-zentrum-paul-klee-bern https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/BILD_1_Etel_Adnan.jpg Etel Adnan. Untitled, 1960s. Oil on canvas, 45.8 x 38.3 cm. Courtesy the artist and Sfeir-Semler Gallery, Hamburg / Beirut. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/BILD_2_Etel_Adnan.jpg Etel Adnan. Untitled, 1970s. Oil on canvas, 46.4 x 38 cm. Courtesy the artist and Sfeir-Semler Gallery, Hamburg / Beirut. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/Etel_Adnan_Portrait_1955.jpg Etel Adnan in her student room at the University of California, Berkeley, c1955. Copyright Etel Adnan. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/BILD_3_Etel_Adnan.jpg Etel Adnan. Untitled, 2010. Oil on canvas, 24 x 30 cm. Courtesy the artist and Sfeir-Semler Gallery, Hamburg / Beirut. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/PaulKleeHandPuppet.jpg Paul Klee hand puppet. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/Untitled-2014,-2016,-2012.jpg Etel Adnan. Untitled, 2014; Untitled 2016; and Untitled, 2012. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/ScreenShowsIsmyrne.jpg Etel Adnan. Installation view of Ismyrne, 2016 by artists Joana Hadjithomas and Khalil Joreige. Film HD, colour, sound, subtitles in English, 50 min. Photo: Rolf Siegenthaler. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/MoreTapestries.jpg Etel Adnan. Tapestries, installation view. Photo: Rolf Siegenthaler. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/Etel_Adnan_Portrait.jpg Etel Adnan. Copyright Etel Adnan, courtesy Galerie Lelong & Co. Paris. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/BILD_4_Etel_Adnan.jpg Etel Adnan. Untitled, 2012. Oil on canvas, 32 x 41 cm. Private collection, Hamburg; courtesy Sfeir-Semler Gallery, Hamburg / Beirut. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/BILD_5_Etel_Adnan.jpg Etel Adnan. Untitled, 2014. Oil on canvas, 32 x 41 cm. Collection Claude & France Lemand, Paris, copyright Etel Adnan. Courtesy Galerie Claude Lemand, Paris. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/BILD_6_Etel_Adnan.jpg Etel Adnan. Untitled, 1970–1973. Ink on paper, 20.9 x 14.6 cm. Courtesy the artist and Sfeir-Semler Gallery, Hamburg / Beirut. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/BILD_7_Etel_Adnan.jpg Etel Adnan. Wendell Berry, 1963. Folded leporello book, 29.8 x 532.8 cm. Courtesy the artist and Sfeir-Semler Gallery, Hamburg / Beirut. Photo: Volker Renner, Hamburg. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/BILD_8_Etel_Adnan.jpg Etel Adnan. Untitled, 1965. Folded leporello book, 21.2 x 243.2 cm. Courtesy the artist and Sfeir-Semler Gallery, Hamburg / Beirut. Photo: Volker Renner, Hamburg. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/BILD_9_Etel_Adnan.jpg Etel Adnan. Journey to Mount Tamalpaïs, 2008. Leporello, watercolour and Indian ink on Japan paper. Poem by Etel Adnan, translated into Arabic, 54 pages, 30 x 567 cm. Collection Claude & France Lemand, Paris, copyright Etel Adnan. Courtesy Galerie Claude Lemand, Paris. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/EtelAdnanFourSeasons(2018).jpg Etel Adnan. Four Seasons, 2018. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/MountTamalpaisPaintings.jpg Etel Adnan. Installation view of Mount Tamalpais works. Photo: Rolf Siegenthaler. https://www.studiointernational.com/images/articles/a/080-adnan-etel-2018/zpk_etel_adnan_039.jpg Etel Adnan. Installation view. Photo: Rolf Siegenthaler. https://www.studiointernational.com/index.php/teresa-lawton-video-interview-dorset-paintings https://www.studiointernational.com/images/articles/l/091-lawton-teresa-2018/tipping-the-balance.jpg Teresa Lawton. Tipping the Balance, 2018. Oil on canvas, 106 x 76 cm. © the artist. https://www.studiointernational.com/images/articles/l/091-lawton-teresa-2018/dare.jpg Teresa Lawton. Dare, 2017. Oil on canvas, 91 x 81 cm. © the artist. https://www.studiointernational.com/images/articles/l/091-lawton-teresa-2018/teresa-lawton-640.jpg Teresa Lawton talking to Studio International at the opening of Tipping the Balance, 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/l/091-lawton-teresa-2018/blue-canoe.jpg Teresa Lawton. Blue Canoe, 2018. Oil on canvas, 50 x 70 cm. © the artist. https://www.studiointernational.com/images/articles/l/091-lawton-teresa-2018/dorset-hills.jpg Teresa Lawton. Dorset Hills, 2018. Oil on canvas, 70 x 80 cm. © the artist. https://www.studiointernational.com/index.php/alicia-kopf-interview-my-idea-is-to-appropriate-polar-history-to-a-present-day-story-of-survival https://www.studiointernational.com/images/articles/k/097-kopf-alicia-2018/Alicia-Kopf-after-the-shipwreck.jpg Alicia Kopf. After the Shipwreck, an illustration from Brother in Ice, English edition, 2018. https://www.studiointernational.com/images/articles/k/097-kopf-alicia-2018/An-illustration-from-Brother-in-Ice,-Spanish-edition,-2017.jpg An illustration from Brother in Ice, Spanish edition, 2017. https://www.studiointernational.com/images/articles/k/097-kopf-alicia-2018/Alicia-Kopf.jpg Alicia Kopf. Installation view, Diary of Conquests, La Capella, Barcelona, 2014. https://www.studiointernational.com/images/articles/k/097-kopf-alicia-2018/Alicia-Kopf-wunderatlas.jpg Alicia Kopf. Die Weltmeere Wunderatlas, 2013. https://www.studiointernational.com/images/articles/k/097-kopf-alicia-2018/Portrait-of-Alicia-Kopf-by-Laia-Guitierrez,-2015.jpg Portrait of Alicia Kopf by Laia Guitierrez, 2015. https://www.studiointernational.com/index.php/david-chipperfield-interview-no-reason-for-architecture-to-exist-as-an-independent-thing https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/HepworthWakefieldExterior.jpg The Hepworth Wakefield, West Yorkshire, 2003-2011. Image courtesy David Chipperfield Architects London. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/789_10_SM_110800_N5_high.jpg Turner Contemporary, Margate. Image courtesy David Chipperfield Architects London. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/1054_10_KS_170500_N3.jpg Inagawa Cemetery chapel and visitor centre, Japan, 2013-2017. Image courtesy David Chipperfield Architects London. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/07-The-Wohl-Entrance-Hall-c.jpg The Wohl Entrance Hall, Royal Academy of Arts, London, 2018. Photograph: James Harris https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/13-The-Vaults-c.jpg The Vaults, Royal Academy of Arts, London, 2018. Photograph: Simon Menges. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/03-The-Benjamin-West-Lecture-Theatre-2_c.jpg The Benjamin West Lecture Theatre, Royal Academy of Arts, London. Photograph: Simon Menges. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/04-Weston-Bridge_c.jpg Weston Bridge, Royal Academy of Arts, London, 2018. Photograph: Simon Menges. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/01-Weston-Bridge-and-The-Lovelace-Courtyard-c.jpg Weston Bridge and The Lovelace Courtyard, Royal Academy of Arts, London, 2018. Photograph: Simon Menges. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/17-RA-Collection-Gallery-c.jpg Royal Academy of Arts, London, Collection Gallery, 2018. Photograph: Rory Mulvey. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/789_10_SM_110800_N2_high.jpg Turner Contemporary, Margate. Image courtesy David Chipperfield Architects London. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/HepworthWakefieldInterior.jpg The Hepworth Wakefield, West Yorkshire, 2003-2011. Image courtesy David Chipperfield Architects London. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/789_10_SM_110504_N7_high.jpg Turner Contemporary, Margate. Image courtesy David Chipperfield Architects London. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/20180501-Royal-Academy-David-Chipperfield-043-1-SE-LO-RGB.jpg David Chipperfield. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/1054_10_KS_170500_N2.jpg Inagawa Cemetery chapel and visitor centre, Japan, 2013-2017. Image courtesy David Chipperfield Architects London. https://www.studiointernational.com/images/articles/c/077-chipperfield-david-2018/1054_10_KS_170500_N1.jpg Inagawa Cemetery chapel and visitor centre, Japan, 2013-2017. Image courtesy David Chipperfield Architects London. https://www.studiointernational.com/index.php/manifesta-12-review-palermo-italy https://www.studiointernational.com/images/articles/m/081-manifesta-2018/08.jpg Cristina Lucas, Uneneding Lighting, 2015 - ongoing., video installation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/09.jpg Patricia Kaersenhout, The Soul of Salt, 2016. Installation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/18.jpg Nora Turato, I’m happy to own my implicit biases (malo mrkva, malo batina), 2018. Performance, mixed media. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/13.jpg Masbedo, Protocol no. 90/6, 2018. Video installation. Photograph: Francesco Bellina. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/17.jpg Richard Vijgen, Connected by Air, 2018. Data visualisation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/02.jpg Tania Brugera, Article 11, 2018. Mixed media. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/03.jpg Roberto Collovà, Giardino di giardini. Azioni sulla Costa Sud, 2018. Mixed media. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/15.jpg Jordi Colomer, New Palermo Felicissima, 2018. Performance, video installation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/04.jpg Fallen Fruit, Theatre of the Sun, 2018. Mixed media. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/06.jpg Leone Contini, Foreign Farmers, 2018. Installation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/16.jpg Alberto Baraya, New Herbs from Palermo and Surroundings. A Sicilian Expedition, 2018. Mixed media. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/01.jpg Michael Wang, The Drowned World, 2018. Environmental installation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/19.jpg Rotor, Da quassù è tutta un’altra cosa, 2018. Environmental installation. Photograph: Cave Studio. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/10.jpg John Gerrard, Untitled (near Parndorf, Austria), 2018. Video installation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/05.jpg Matilde Cassani, Tutto, 2018. Mixed media, performance. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/07.jpg Maria Theresa Alves, A Proposal of Sycretisim (This Time Without Genocide), 2018. Installation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/images/articles/m/081-manifesta-2018/11.jpg Marinella Senatore, Palermo Procession, 2018. Multimedia installation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo. https://www.studiointernational.com/index.php/chance-and-control-art-in-the-age-of-computers-review-victoria-albert-museum https://www.studiointernational.com/images/articles/c/076-chance-and-control-2018/chance-and-control-installation-view-3.jpg Gallery view, Chance and Control: Art in the Age of Computers, V&A, London 2018. Photograph: Catherine Mason. https://www.studiointernational.com/images/articles/c/076-chance-and-control-2018/2014GY7592.jpg Frieder Nake. Quadrate Werden Rot. plotter drawing, Germany, 1966. Purchased with Art Fund support. © Victoria and Albert Museum London/The artist. https://www.studiointernational.com/images/articles/c/076-chance-and-control-2018/chance-and-control-installation-view-1.jpg Gallery view, Chance and Control: Art in the Age of Computers, V&A, London 2018. Photograph: Catherine Mason. https://www.studiointernational.com/images/articles/c/076-chance-and-control-2018/chance-and-control-installation-view-2.jpg Two drawings by Harold Cohen (1928-2016). Gallery view, Chance and Control: Art in the Age of Computers, V&A, London 2018. Photograph: Catherine Mason. https://www.studiointernational.com/images/articles/c/076-chance-and-control-2018/Miguel-A-Vidal.jpg Miguel Ángel Vidal (1928-2009). Generative Structure, Argentina, 1969. Given by the Computer Arts Society, supported by System Simulation Ltd London, V&A E.193-2008 © Victoria & Albert Museum. https://www.studiointernational.com/images/articles/c/076-chance-and-control-2018/2009CD9482.jpg Desmond Paul Henry. Untitled. Mechanical pen and ink drawing, Britain, 1964. Given by Elaine O’Hanrahan. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/c/076-chance-and-control-2018/harold-cohen-1969.jpg Drawing by Harold Cohen (1928-2016). Gallery view, Chance and Control: Art in the Age of Computers, V&A, London 2018. Photograph: Catherine Mason. https://www.studiointernational.com/index.php/mark-wallinger-interview-i-am-reversing-what-happens-at-madame-tussauds https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/The-Human-Figure-in-Space_Donald-Young-installation.jpg Mark Wallinger. The Human Figure in Space, 2007. Approx 4,800 m (3 miles) of kite string, mirrors, stencilled numbers, nails, wood, dimensions variable. Installation view at Aargauer Kunsthaus, Aarau, 2008. Photographer Tom Van Eynde. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/Birdman-3.jpg Mark Wallinger. Birdman, 2018. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/The-Human-Figure-in-Space_Aarau-installation-01.jpg Mark Wallinger. The Human Figure in Space, 2007. Approx 4,800 m (3 miles) of kite string, mirrors, stencilled numbers, nails, wood, dimensions variable. Installation view at Aargauer Kunsthaus, Aarau, 2008. Photographer Tom Van Eynde. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/The-Human-Figure-in-Space.jpg Mark Wallinger. The Human Figure in Space, 2007. Approx 4,800 m (3 miles) of kite string, mirrors, stencilled numbers, nails, wood, dimensions variable. Installation view at Aargauer Kunsthaus, Aarau, 2008. Photographer Tom Van Eynde. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/Inverted-Parachute.jpg Mark Wallinger. Landscape with the Fall of Icarus, 2007. Five monitor video installation, silent, continuous loop, dimensions variable. Video still. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/Kite-Man.jpg Mark Wallinger. Landscape with the Fall of Icarus, 2007. Five monitor video installation, silent, continuous loop, dimensions variable. Video still. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/Birdman-2.jpg Mark Wallinger. Birdman, 2018. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/Birdman-4.jpg Mark Wallinger. Birdman, 2018. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/wallinger-640.jpg Mark Wallinger talking to Studio International at the Jerwood Gallery in Hastings, 2018. Photograph: Tom Hastings. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/Abseiling.jpg Mark Wallinger. Landscape with the Fall of Icarus, 2007. Five monitor video installation, silent, continuous loop, dimensions variable. Video still. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/Man-with-2-Ropes.jpg Mark Wallinger. Landscape with the Fall of Icarus, 2007. Five monitor video installation, silent, continuous loop, dimensions variable. Video still. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/Powerline-Parachute.jpg Mark Wallinger. Landscape with the Fall of Icarus, 2007. Five monitor video installation, silent, continuous loop, dimensions variable. Video still. https://www.studiointernational.com/images/articles/w/092-wallinger-mark-2018/Birdman-1.jpg Mark Wallinger. Birdman, 2018. https://www.studiointernational.com/index.php/venice-architecture-biennale-2018-freespace-16th-review https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-FloresandPratsWorkshop.jpg Flores & Prats. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/FG_A_56_ELEMENTAL_4341.jpg Elemental. The Value of What’s Not Built. Photograph courtesy: La Biennale di Venezia. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/FG_A_56_ELEMENTAL_4327.jpg Elemental. The Value of What’s Not Built (detail). Photograph courtesy: La Biennale di Venezia. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/AVZ_A-81_Peter-Rich-Architects-1540.jpg Peter Rich. Photograph courtesy: La Biennale di Venezia. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-Weiss_Manfredi.jpg Weiss/Manfredi. Lines of Movement. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-DNABambooTheatre.jpg DnA. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-TranscaucasianTrailGumuchdjianArchitects.jpg Gumuchdjian Architects. Tread Lightly. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-DorteMandrupGreenlandProjectModel.jpg Dorte Mandrup. Conditions. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-BambooStalagtiteVTNArchitects2.jpg VTN Architects. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/IR_FRANCE_1072.jpg France. Photograph courtesy: La Biennale di Venezia. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/IR_BIG---BJARKE-INGELS-GROUP_0425.jpg Bjarke Ingels Group. Photograph courtesy: La Biennale di Venezia. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-SeanGodsellExterior.jpg Sean Godsell. Exterior. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-SeanGodsellTowerInterior.jpg Sean Godsell. Tower interior. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-TerunobuFujimoriExterior.jpg Teronobu Fujimori. Exterior. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-TerunobuFujimoriInterior.jpg Teronobu Fujimori. Interior. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/VS-BambooStalagtiteVTNArchitects1.jpg VTN Architects. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/v/096-venice-architecture-biennale-2018/AVZ_A-81_Peter-Rich-Architects-1539-detail.jpg Peter Rich (detail). Photograph courtesy: La Biennale di Venezia. https://www.studiointernational.com/index.php/henry-skerritt-margo-smith-interview-kluge-ruhe-aboriginal-art-collection https://www.studiointernational.com/images/articles/s/072-skerritt-and-smith-2018/Beyond-Dreamings-exhibition-2.jpg Beyond Dreamings, exhibition view, Kluge-Ruhe Aboriginal Art Collection. https://www.studiointernational.com/images/articles/s/072-skerritt-and-smith-2018/Ngunguni-exhibition.jpg Ngunguni, exhibition view, Kluge-Ruhe Aboriginal Art Collection. https://www.studiointernational.com/images/articles/s/072-skerritt-and-smith-2018/Exterior-Kluge-Ruhe.jpg Kluge-Ruhe Aboriginal Art Collection. Exterior view. https://www.studiointernational.com/images/articles/s/072-skerritt-and-smith-2018/Beyond-Dreamings-exhibition-3.jpg Beyond Dreamings, exhibition view, Kluge-Ruhe Aboriginal Art Collection. https://www.studiointernational.com/images/articles/s/072-skerritt-and-smith-2018/Majata-Bunduk.jpg Majata Bunduk (Murrinh-patha, c1920s – c1990s). A Wader Catching Fish, before 1966. Natural pigments on bark, 32 ¾ x 16 ¾ in. Courtesy of the Kluge-Ruhe Aboriginal Art Collection. © the artist licensed by Aboriginal Artists Agency Ltd. https://www.studiointernational.com/images/articles/s/072-skerritt-and-smith-2018/Yinimala-Gumana-and-Henry-Skerritt-researching-the-collection.jpg Yinimala Gumana and Henry Skerritt researching the collection. Image courtesy Kluge-Ruhe Aboriginal Art Collection. https://www.studiointernational.com/images/articles/s/072-skerritt-and-smith-2018/Kluge-Ruhe-storage-tour.jpg Kluge-Ruhe storage tour. https://www.studiointernational.com/images/articles/s/072-skerritt-and-smith-2018/Curator-Henry-Skerritt-and-Director-Margo-Smith-AM.jpg Curator Henry Skerritt and Director Margo Smith. https://www.studiointernational.com/images/articles/s/072-skerritt-and-smith-2018/Beyond-Dreamings-exhibition.jpg Beyond Dreamings, exhibition view, Kluge-Ruhe Aboriginal Art Collection. https://www.studiointernational.com/index.php/http-studiointernational-com-administrator-index-php-option-com-cck-view-form-return-o-content-type-article-id-3807 https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/3.jpg Installation view of Leonor Antunes: a thousand realities from an original mark, Marian Goodman Gallery, London, 24 May - 20 July 2018. Photograph: Nick Ash. Copyright: Leonor Antunes. Courtesy of the artist and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/5.jpg Leonor Antunes. Alterated climbing form (I, II), 2017. Painted brass, dimensions variable. Photograph: Nick Ash. Copyright: Leonor Antunes. Courtesy of the artist and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/7.jpg Installation view of Leonor Antunes: the frisson of the togetherness, Whitechapel Gallery, London, 3 October 2017 - 8 April 2018. Photograph: Nick Ash. Courtesy of the artist and Whitechapel Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/8.jpg Installation view of Leonor Antunes: the frisson of the togetherness, Whitechapel Gallery, London, 3 October 2017 - 8 April 2018. Photograph: Nick Ash. Courtesy of the artist and Whitechapel Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/9.jpg Installation view of Leonor Antunes: the frisson of the togetherness, Whitechapel Gallery, London, 3 October 2017 - 8 April 2018. Photograph: Nick Ash. Courtesy of the artist and Whitechapel Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/11.jpg Installation view Leonor Antunes: discrepancies with C.P., Museo Tamayo, Mexico City, 8 June - 2 September 2018. Courtesy of the artist and Museo Tamayo. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/12.jpg Installation view Leonor Antunes: discrepancies with C.P., Museo Tamayo, Mexico City, 8 June - 2 September 2018. Courtesy of the artist and Museo Tamayo. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/2.jpg Installation view of Leonor Antunes: a thousand realities from an original mark, Marian Goodman Gallery, London, 24 May - 20 July 2018. Photograph: Nick Ash. Copyright: Leonor Antunes. Courtesy of the artist and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/4.jpg Leonor Antunes. Alterated climbing form (III), 2017. Painted brass, dimensions variable; Leonor Antunes, knot with double impression, 2018. Brass and glass, electrical cable bulb, dimensions variable. Photograph: Nick Ash. Copyright: Leonor Antunes. Courtesy of the artist and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/10.jpg Installation view Leonor Antunes: discrepancies with C.P., Museo Tamayo, Mexico City, 8 June - 2 September 2018. Courtesy of the artist and Museo Tamayo. https://www.studiointernational.com/index.php/leonor-antunes-interview-i-am-interested-in-ancient-ways-of-doing-things https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/3.jpg Installation view of Leonor Antunes: a thousand realities from an original mark, Marian Goodman Gallery, London, 24 May - 20 July 2018. Photograph: Nick Ash. Copyright: Leonor Antunes. Courtesy of the artist and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/5.jpg Leonor Antunes. Alterated climbing form (I, II), 2017. Painted brass, dimensions variable. Photograph: Nick Ash. Copyright: Leonor Antunes. Courtesy of the artist and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/7.jpg Installation view of Leonor Antunes: the frisson of the togetherness, Whitechapel Gallery, London, 3 October 2017 - 8 April 2018. Photograph: Nick Ash. Courtesy of the artist and Whitechapel Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/8.jpg Installation view of Leonor Antunes: the frisson of the togetherness, Whitechapel Gallery, London, 3 October 2017 - 8 April 2018. Photograph: Nick Ash. Courtesy of the artist and Whitechapel Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/9.jpg Installation view of Leonor Antunes: the frisson of the togetherness, Whitechapel Gallery, London, 3 October 2017 - 8 April 2018. Photograph: Nick Ash. Courtesy of the artist and Whitechapel Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/11.jpg Installation view Leonor Antunes: discrepancies with C.P., Museo Tamayo, Mexico City, 8 June - 2 September 2018. Courtesy of the artist and Museo Tamayo. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/12.jpg Installation view Leonor Antunes: discrepancies with C.P., Museo Tamayo, Mexico City, 8 June - 2 September 2018. Courtesy of the artist and Museo Tamayo. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/2.jpg Installation view of Leonor Antunes: a thousand realities from an original mark, Marian Goodman Gallery, London, 24 May - 20 July 2018. Photograph: Nick Ash. Copyright: Leonor Antunes. Courtesy of the artist and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/4.jpg Leonor Antunes. Alterated climbing form (III), 2017. Painted brass, dimensions variable; Leonor Antunes, knot with double impression, 2018. Brass and glass, electrical cable bulb, dimensions variable. Photograph: Nick Ash. Copyright: Leonor Antunes. Courtesy of the artist and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/a/079-antunes-leonor-2018/10.jpg Installation view Leonor Antunes: discrepancies with C.P., Museo Tamayo, Mexico City, 8 June - 2 September 2018. Courtesy of the artist and Museo Tamayo. https://www.studiointernational.com/index.php/edward-bawden-review-dulwich-picture-gallery https://www.studiointernational.com/images/articles/b/074-bawden-edward-2018/Brighton-Pier.jpg Edward Bawden. Brighton Pier, 1958. Linocut on paper. Trustees of the Cecil Higgins Art Gallery (The Higgins Bedford), © Estate of Edward Bawden. https://www.studiointernational.com/images/articles/b/074-bawden-edward-2018/Hors-d-Oeuvres-and-Savouries.jpg Edward Bawden. Hors d’Oeuvres and Savouries, 1936. Brochure, Collection of Fortnum & Mason, © Estate of Edward Bawden. https://www.studiointernational.com/images/articles/b/074-bawden-edward-2018/Key-126_London-Back-Garden.jpg Edward Bawden. London Back Garden, 1927. Copperplate engraving. Private collection, Photograph: Mark Heathcote, © Estate of Edward Bawden. https://www.studiointernational.com/images/articles/b/074-bawden-edward-2018/Key-33_Sahara.jpg Edward Bawden. Sahara, 1928. Wallpaper design, Trustees of the Cecil Higgins Art Gallery (The Higgins Bedford), © Estate of Edward Bawden. https://www.studiointernational.com/images/articles/b/074-bawden-edward-2018/Untitled-watercolour-(Landscape-with-Sunset).jpg Edward Bawden. Untitled landscape with sunset, 1927. Watercolour on paper, Private collection, Photo: Mark Heathcote, © Estate of Edward Bawden. https://www.studiointernational.com/images/articles/b/074-bawden-edward-2018/Aesops-Fables-Gnat-and-Lion.jpg Edward Bawden. [Aesop’s Fables] Gnat and Lion, 1970. Colour linocut on paper. Trustees of the Cecil Higgins Art Gallery (The Higgins Bedford), © Estate of Edward Bawden. https://www.studiointernational.com/index.php/ardan-ozmenoglu-post-it-emmanuel-fremin-gallery-interview-new-york https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/09-Installation-view.jpg Ardan Özmenoğlu. Installation view of Post-It, 14 June – 28 July 2018. Photograph courtesy Emmanuel Fremin Gallery. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/10-Installation-view.jpg Ardan Özmenoğlu. Installation view of Post-It, 14 June – 28 July 2018. Photograph courtesy Emmanuel Fremin Gallery. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/12-Installation-view.jpg Ardan Özmenoğlu. Installation view of Post-It, 14 June – 28 July 2018. Photograph courtesy Emmanuel Fremin Gallery. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/06-sexkebabartbasel.jpg Ardan Özmenoğlu. Sex, Kebab, and Art Basel, 2013. Neon tubing, 60 x 80 cm. Photograph courtesy of the artist. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/08-You-Like-My-Work.jpg Ardan Özmenoğlu. You Like My Work, Ha? 2013. Neon tubing on post-it notes, 80 x 110 cm. Photograph courtesy of the artist. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/04-Laundromat-1.jpg Ardan Özmenoğlu, Laundromat, 2012. Mixed media on post-it notes, dimensions variable. Photograph courtesy of the artist. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/03-getintomycar.jpg Ardan Özmenoğlu. Get into my Car (Ataturk’s Car), 2016. Mixed technique on post-it notes, 94 x 94 sm. Photograph courtesy Emmanuel Fremin Gallery. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/11-Installation-view.jpg Ardan Özmenoğlu. Installation view of Post-It, 14 June – 28 July 2018. Photograph courtesy Emmanuel Fremin Gallery. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/07-vangoghvsardan.jpg Ardan Özmenoğlu. Vincent vs Ardan, 2016. Mixed technique on post-it notes, 153 x 122 cm. Photograph courtesy Emmanuel Fremin Gallery. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/13-Post-It-Book.jpg Ardan Özmenoğlu. Post-It Works, 2005-2017 (Istanbul: MASA, 2017). https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/02-davidbowie.jpg Ardan Özmenoğlu. Davidbowiebowiedavid, 2015. Mixed technique on post-it notes, 110 x 167 cm. Photograph courtesy Emmanuel Fremin Gallery. https://www.studiointernational.com/images/articles/o/097-ozmenoglu-ardan-2018/05-Dream-of-a-Man-1.jpg Ardan Özmenoğlu. A Dream of a Man, 2009. Ceramic, dimensions variable. Photograph courtesy of the artist. https://www.studiointernational.com/index.php/jacob-hashimoto-interview-the-eclipse-never-comes-tomorrow https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Hashimoto-The-Eclipse-2018_05_30-DSC_3402.jpg Jacob Hashimoto. The Eclipse, 2017-18, St Cornelius Chapel, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Hashimoto-The-Eclipse-2018_05_30-DSC_3304.jpg Jacob Hashimoto. The Eclipse, 2017-18, St Cornelius Chapel, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Hashimoto-The-Eclipse-2018_05_30-DSC_3251.jpg Jacob Hashimoto. The Eclipse, 2017-18, St Cornelius Chapel, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Jacob-Hashimoto-Never-Comes-Tomorrow-2018_05_30-DSC_2452.jpg Jacob Hashimoto. Never Comes Tomorrow, 2015-18, Liggett Hall, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Jacob-Hashimoto-Never-Comes-Tomorrow-2018_05_30-DSC_2888.jpg Jacob Hashimoto. Never Comes Tomorrow, 2015-18, Liggett Hall, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Jacob-Hashimoto-Never-Comes-Tomorrow-2018_05_30-DSC_2920.jpg Jacob Hashimoto. Never Comes Tomorrow, 2018, Liggett Hall, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Jacob-Hashimoto-Never-Comes-Tomorrow-2018_05_30-DSC_3025.jpg Jacob Hashimoto. Never Comes Tomorrow, 2015-18, Liggett Hall, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Hashimoto-The-Eclipse-2018_05_30-DSC_3238.jpg Jacob Hashimoto. The Eclipse, 2017-18, St Cornelius Chapel, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Jacob-Hashimoto-Never-Comes-Tomorrow-2018_05_30-DSC_2611.jpg Jacob Hashimoto. Never Comes Tomorrow, 2015-18, Liggett Hall, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/images/articles/h/079-hashimoto-jacob-2018/Schenck-Governors-Island-Hashimoto-The-Eclipse-2018_05_30-DSC_3519.jpg Jacob Hashimoto. The Eclipse, 2017-18, St Cornelius Chapel, Governors Island. Photograph: Timothy Schenck. https://www.studiointernational.com/index.php/cybernetic-serendipity-the-computer-and-the-arts https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/CS1968-cover-NEW.jpg Cybernetic Serendipity: the computer and the arts. Edited by Jasia Reichardt. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0004.jpg Cybernetic Serendipity: the computer and the arts. Page 4. Clockwise from top left: Jasia Reichardt, Peter Schmidt, Mark Dowson, Franciszka Themerson. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0008.jpg Cybernetic Serendipity: the computer and the arts. Page 8. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0009.jpg Cybernetic Serendipity: the computer and the arts. Norbert Weiner on cybernetics, Page 9. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170306_0011.jpg Cybernetic Serendipity: the computer and the arts. Page 11. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0073.jpg Cybernetic Serendipity: the computer and the arts. Page 73. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0075.jpg Cybernetic Serendipity: the computer and the arts. Page 75. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0080.jpg Cybernetic Serendipity: the computer and the arts. Page 80. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0089.jpg Cybernetic Serendipity: the computer and the arts. Page 89. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/pg20170307_0091.jpg Cybernetic Serendipity: the computer and the arts. Page 91. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/images/articles/c/cybernetic-serendipity-50th-2018/CS1968-backcover-NEW.jpg Cybernetic Serendipity: the computer and the arts. Back cover. Published by Studio International (special issue), 1968. © Studio International Foundation. https://www.studiointernational.com/index.php/tacita-dean-woman-with-a-red-hat-review-fruitmarket-gallery-edinburgh-art-festival https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/Tacita-Dean,-Event-for-a-Stage,-2015.-Courtesy-the-artist,-Frith-Street-Gallery,-London-and-Marian-Goodman-Gallery,-New-York_Paris.jpg Tacita Dean. Event for a Stage, 2015. 16mm colour film, optical sound, 50 minutes. Installation view, Frith Street Gallery, London, 2016. Courtesy the artist; Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. Photograph: Cathy Carver. https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/Tacita-Dean,-Event-for-a-Stage-Location-photograph--Event-for-a-Stage,-2015.-Courtesy-the-artist,-Frith-Street-Gallery,-London-and-Marian-Goodman-Gallery,-New-York_Paris.jpg Tacita Dean. Event for a Stage, 2015. 16mm colour film, optical sound, 50 minutes. Installation view, Frith Street Gallery, London, 2016. Courtesy the artist; Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/Tacita-Dean,-When-First-I-Raised-a-Tempest,-installation-view-The-Frutimarket-Galley-2018.jpg Tacita Dean. When first I raised the Tempest, 2016. Chalk on blackboard, 244 x 976 cm. Photograph: Fredrik Nilsen. Courtesy the artist; Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/His-Picture-in-Little,-2017.jpg Tacita Dean. His Picture in Little, 2017 (film stills). 35mm colour anamorphic film, silent, reduced to spherical 16mm for exhibition as a miniature, 15 ½ minutes, continuous loop. Film still. Courtesy the artist; Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/Foley-Artist-Video-still.jpg Tacita Dean. Foley Artist, 1996. Laserdisc and monitor, eight speakers, Akai DD8 playback machine, 1996. Video still. Courtesy the artist; Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/Tacita-Dean-Portrait-by-Jim-McHugh.jpg Tacita Dean Portrait © Jim McHugh. https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/A-Muse,-2017_04-MR.jpg Tacita Dean. A Muse, 2017. 35mm colour anamorphic film, optical sound, reduced to spherical 16mm for exhibition, 2 ½ minutes. Film still. Courtesy the artist; Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/Providence,-2017.jpg Tacita Dean. Providence, 2017. 35mm colour anamorphic film, silent, reduced to spherical 16mm for exhibition, 5 ½ minutes, continuous loop. Film still. Courtesy the artist; Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/Tacita-Dean,-When-first-I-raised-the-Tempest,-2016-640.jpg Tacita Dean. When first I raised the Tempest, 2016. Chalk on blackboard, 244 x 976 cm. Photograph: Fredrik Nilsen. Courtesy the artist; Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. https://www.studiointernational.com/images/articles/d/088-dean-tacita-2018/Tacita-Dean,-Event-for-a-stage,-installation-view-The-Fruitmarket-Gallery-2018.jpg Tacita Dean. Event for a Stage, 2015. 16mm colour film, optical sound, 50 minutes. Installation view, Frith Street Gallery, London, 2016. Courtesy the artist; Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. Photograph: Zan Wimberley. https://www.studiointernational.com/index.php/cui-xiuwen-1970-2018 https://www.studiointernational.com/images/articles/c/075-cui-xiuwen-2018/cui-xiuwen-2016-sackler-gallery-beijing.jpg Cui Xiuwen at the opening of her exhibition Light, at the Arthur M Sackler Museum of Art and Archaeology at Peking University in Beijing. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/intersection-international-art-and-culture-review-beijing-sackler https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/toni-scott-2.jpg Toni Scott. Circle and Cycle of Life, 2018. Sisal hair/braid, dimensions variable. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/Nicolas-Herrera.jpg Nicolas Herrera. We Are One, 2018. Resin, fibreglass, iron, lacquer paints, 180 x 100 x 120 cm. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/Anindita-Dutta-Flight.jpg Anindita Dutta. Flight, 2017. From a wet clay performance. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/xu-bing-front-view.jpg Xu Bing. Background Stories, 2018. Installation, 411 x 172 cm. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/xu-bing-rear-view.jpg Xu Bing. Background Stories, 2018. Installation, rear view, 411 x 172 cm. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/zhan-wang.jpg Zhan Wang. Artificial Rock No. 175, 2007-16. Stainless steel sculpture, 277 x 151 97 cm. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/cui-xuiwen-Untitled-No1.jpg Cui Xiuwen. Untitled, No.1 of 4, 2017. Acrylic on canvas, 150 x 93 cm. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/anita-glesta.jpg Anita Glesta. Pulse, 2018. Multimedia installation, dimensions variable. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/anita-glesta-3.jpg Anita Glesta. Pulse, 2018 (detail). Multimedia installation, dimensions variable. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/Patricia-Guzman.jpg Patricia Guzman. Meditations, 2018. Oil on canvas, 100 x 150 cm. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/bao-pei-time-and-space.jpg Bao Pei. Space and Time, 2016. Mixed media on paper, 204 x 132 cm. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/EV-Day-beijing-earth.jpg E.V. Day. Mossball - A Meditation on the Overview Effect, 2018. Mixed media installation of four components. Globe: inkjet on sintra, 84 in dia.; Sputnik: brass and resin; Raggio: gilded wood, resin and mirror; Ray: brass and monofilament, length variable. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/mark-fox.jpg Mark Fox. Offering, 2018. Cut-out texts, variable dimensions. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/Maryam-Najd.jpg Maryam Najd. Imprisoned Illusion, 2018. Oil on canvas, 255 x 120 cm. Photograph: Miguel Benavides. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/freider-nake-computer-drawing.jpg Frieder Nake. 12/7/65 No. 2, 1965. ‘Random bundles of straight lines’, computer-generated automatic drawing, 72 x 59 cm. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/Tai-Xiangzhou.jpg Tai Xiangzhou. Celestial - Placeless Timeless, 2017. Ink on silk, 240 x 300 cm. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/cui-xiuwen-obituary https://www.studiointernational.com/images/articles/c/075-cui-xiuwen-2018/cui-xiuwen-mono_660x565.jpg Cui Xiuwen (1967–2018). Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/tania-kovats-kimathi-donkor-interview-drawing-practice-and-education https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/KD-Wife_of_moses_7681_sm.jpg Kimathi Donkor. For Moses Had Married An Ethiopian Woman (Numbers 12-1), 2015. Oil and acrylic paints on canvas, 165 x 210 cm. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/TK-Kovats_Sea-Mark-(Prussian-Blue-IV)_2017.jpg Tania Kovats. Sea Mark (Prussian Blue IV), 2017. Watercolour on paper, framed, 100 x 150 cm (39.4 x 59.1 in). Courtesy the artist and Pippy Houldsworth Gallery, London. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/KM-09-0021_MadonnaMet4.jpg Kimathi Donkor. Madonna Metropolitan - The Death of Cynthia Jarrett, 2005. Oil on linen, 152 x 152cm. Collection of Wolverhampton Art Gallery. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/TK-Kovats_Rivers_2012,-Courtesy-Jupiter-Artland_-Photo-Keith-Hunter-(1)_72dpi.jpg Tania Kovats. Rivers, 2012. River water, glass, rubber, boathouse. Permanent commission, Jupiter Artland, Edinburgh. Courtesy the artist and Pippy Houldsworth Gallery, London. Photograph: Keith Hunter. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/KM-Arise_1295.jpg Kimathi Donkor. Arise, Sir John Hawkins, 2007. Mixed media assemblage, 230 x 142 cm. Collection of the International Slavery Museum. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/TK-Kovats_Fruitmarket_2014_23_72dpi.jpg Tania Kovats. All the Sea, 2012-14. Seawater, glass, cork, oak (365 bottles), 600 x 278.5 x 40 cm (236.2 x 109.6 x 15.7 in). Installation view, Oceans, solo exhibition, The Fruitmarket Gallery, Edinburgh 2014. Courtesy the artist and Pippy Houldsworth Gallery, London. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/KM-Notebook-X_2870.jpg Kimathi Donkor. Notebook X, 2014. Watercolour, ink and graphite on paper, 31 x 23 cm. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/TK-Kovats_All-the-Islands-of-all-the-Seas_2016_H7804_300dpi.jpg Tania Kovats. All the Islands of all the Seas, 2016. Ink on layered matte acetate, 196 drawings, 32 parts, framed, 42 x 30 cm (16.5 x 11.8 in) each. Installation view, The New Art Gallery Walsall. Courtesy the artist and Pippy Houldsworth Gallery, London. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/TK-KOVATS_Tree_2009_2_H6975_72dpi.jpg Tania Kovats. Tree, 2009. Wood, 70 m long. Installation view, Natural History Museum, London. Permanent commission. Courtesy the artist and Pippy Houldsworth Gallery, London. Copyright Natural History Museum, London. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/You_will_not_always_have_me_7631_sm.jpg Kimathi Donkor. You Will Not Always Have Me, 2015. Oil and acrylic paints on canvas, 90 x 120cm. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/TK-Kovats_Evaporation-Black-22_2014_H7017_300dpi.jpg Tania Kovats. Evaporation (Black) 22, 2014. Ink, salt, water on blotting paper, framed, 42 x 30 cm (16.5 x 11.8 in). Courtesy the artist and Pippy Houldsworth Gallery, London. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/TK-tania-kovats-portrait-photograph-copyright-Robin-Mills.jpg Tania Kovats. Photograph © Robin Mills. https://www.studiointernational.com/images/articles/d/087-donkor-and-kovats-2018/KM-Kimathi_de_menezes_gardner_4458.jpg Kimathi Donkor with his painting Jean Charles De Menezes Borne Aloft By Joy Gardner And Stephen Lawrence, 2010, oil on linen, 190 x 160 cm. Photograph © Kimathi Donkor. https://www.studiointernational.com/index.php/alex-prager-silver-lake-drive-review-photographers-gallery-london https://www.studiointernational.com/images/articles/p/083-prager-alex-2018/02_Press-Image-l-Aex-Prager,-Orchestra-East,-Section-B,-2016.jpg Alex Prager. Orchestra East, Section B, 2016. © Alex Prager Studio and Lehmann Maupin, New York and Hong Kong. Courtesy Alex Prager Studio, Lehmann Maupin, New York and Hong Kong. https://www.studiointernational.com/images/articles/p/083-prager-alex-2018/06_Press-Image-l-Alex-Prager,-Anaheim,-2017.jpg Alex Prager. Anaheim, 2017. © Alex Prager Studio and Lehmann Maupin, New York and Hong Kong. Courtesy Alex Prager Studio, Lehmann Maupin, New York and Hong Kong. https://www.studiointernational.com/images/articles/p/083-prager-alex-2018/03_Press-Image-l-Alex-Prager,-The-Big-Valley,-Eve,-2008.jpg Alex Prager. The Big Valley: Eve, 2008. © Alex Prager Studio and Lehmann Maupin, New York and Hong Kong. Courtesy Alex Prager Studio, Lehmann Maupin, New York and Hong Kong. https://www.studiointernational.com/images/articles/p/083-prager-alex-2018/05_Press-Image-l-The-Big-Valley,-Susie-and-Friends,-2008-.jpg Alex Prager. The Big Valley: Susie and Friends, 2008. © Alex Prager Studio and Lehmann Maupin, New York and Hong Kong. Courtesy Alex Prager Studio, Lehmann Maupin, New York and Hong Kong. https://www.studiointernational.com/images/articles/p/083-prager-alex-2018/04_Press-Image-l-Alex-Prager,-The-Big-Valley,-Desiree,-2008.jpg Alex Prager. The Big Valley: Desiree, 2008. © Alex Prager Studio and Lehmann Maupin, New York and Hong Kong. Courtesy Alex Prager Studio, Lehmann Maupin, New York and Hong Kong. https://www.studiointernational.com/images/articles/p/083-prager-alex-2018/01_Press-Image-l-Alex-Prager,-Crowd-3-(Pelican-Beach),-.jpg Alex Prager. Crowd #3 (Pelican Beach), 2013. © Alex Prager Studio and Lehmann Maupin, New York and Hong Kong. Courtesy Alex Prager Studio, Lehmann Maupin, New York and Hong Kong. https://www.studiointernational.com/index.php/thomas-bayrle-playtime-review-new-museum-new-york https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/BAYRLE2_Glucksklee-Dose.jpg Thomas Bayrle. Glücksklee Can, 1969/1996. Evaporated milk cans, 70 7/8 x 70 7/8 x 70 7/8 in (180 x 180 x 180 cm). Photograph: Rolf Abraham. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/4TH-FLOOR_VIEW-1_SCALE.jpg Thomas Bayrle: Playtime, 2018. Exhibition view, New Museum, New York. Photograph: Maris Hutchinson/EPW Studio. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/133_E.jpg Models wearing coats designed by Lukowski + Ohanian with textile pattern by Thomas Bayrle, Galleria Apollinaire, Milan, 1967–68. Photograph: Christian Roeder. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/BAYRLE1_Ajax.jpg Thomas Bayrle. Ajax, 1966. Oil on wood construction and engine, 88 5/8 x 41 3/8 x 4 3/4 in (225 x 105 x 12 cm). Photograph: Colin Davison. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/BAYRLE6_-Madonna.jpg Thomas Bayrle. Golden Madonna, 1988. Photocopy collage and gold leaf on wood, 78 x 57 1/2 in (198 x 146 cm). Photograph: Wolfgang Günzel. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/BAYRLE7_Monstranz-a.jpg Thomas Bayrle. Monstrance, 2010. Radial engine, electric drive, and sound; sound collage: Rosary (German) and radial engine, 9 x 43 1/4 x 47 1/4 in (150 x 110 x 120 cm). Photograph: Nikolaus Schletterer. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/BAYRLE8_-Flugzeug-[Airplane]-c.jpg Thomas Bayrle. Airplane, 1982–83. Photo-collage on paper, 315 x 527 1/2 in (800 x 1340 cm). Installation view: dOCUMENTA 13, Kassel, 2012. Photograph: Nikolaus Schletterer. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/3RD-FLOOR_VIEW-12.jpg Thomas Bayrle: Playtime, 2018. Exhibition view, New Museum, New York. Photograph: Maris Hutchinson/EPW Studio. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/BAYRLE1_-Ludwig-Erhard.jpg Thomas Bayrle. Erhard Gargantua, 1966. Oil on wood construction and engine, 36 x 42 3/4 x 8 1/4 in (91.5 x 108.5 x 21 cm). Photograph: Brauchitsch. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/BAYRLE1_Mao-a.jpg Thomas Bayrle. Mao, 1966. Oil on wood construction and engine, 57 x 58 1/4 x 12 5/8 in (145 x 148 x 32 cm). Photograph: Axel Schneider https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/3RD-FLOOR_VIEW-18.jpg Thomas Bayrle: Playtime, 2018. Exhibition view, New Museum, New York. Photograph: Maris Hutchinson/EPW Studio. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/4TH-FLOOR_VIEW-3.jpg Thomas Bayrle: Playtime, 2018. Exhibition view, New Museum, New York. Photograph: Maris Hutchinson/EPW Studio. https://www.studiointernational.com/images/articles/b/073-bayrle-thomas-2018/BAYRLE4_Chairman.jpg Thomas Bayrle. Chairman, 1972. Acrylic on canvas, 55 1/8 x 45 1/4 in (140 x 115 cm). Photograph: Wolfgang Günzel. https://www.studiointernational.com/index.php/thierry-oussou-i-would-like-to-make-people-think-differently https://www.studiointernational.com/images/articles/o/096-oussou-thierry-2018/TO-08-(1).jpg Thierry Oussou. Le temps sacrifié, 2018. Mixed media on paper, 152 x 200 cm (59 7/8 x 78 3/4 in). https://www.studiointernational.com/images/articles/o/096-oussou-thierry-2018/TO-09-(1).jpg Thierry Oussou. Le temps de la vérité, 2018. Mixed media on paper, 198 x 152 cm (78 x 59 7/8 in). https://www.studiointernational.com/images/articles/o/096-oussou-thierry-2018/TO-10-(1).jpg Thierry Oussou. To live, and the pipes, 2018. Mixed media on paper, 248 x 152 cm (97 5/8 x 59 7/8 in). https://www.studiointernational.com/images/articles/o/096-oussou-thierry-2018/TO-11.jpg Thierry Oussou. Un sac pour tous, 2018. Mixed media on paper, 152 x 177 cm (59 7/8 x 69 3/4 in). https://www.studiointernational.com/images/articles/o/096-oussou-thierry-2018/TO-13.jpg Thierry Oussou. Le train en marche, 2018. Mixed media on paper, 152 x 202 cm (59 7/8 x 79 1/2 in). https://www.studiointernational.com/images/articles/o/096-oussou-thierry-2018/TO-16.jpg Thierry Oussou. Adja, 2018. Mixed media on paper, 152 x 194 cm (59 7/8 x 76 3/8 in). https://www.studiointernational.com/images/articles/o/096-oussou-thierry-2018/TO-07.jpg Thierry Oussou. Trompe d’éléphant, 2018. Mixed media on paper, 150 x 152 cm (59 1/8 x 59 7/8 in). https://www.studiointernational.com/images/articles/o/096-oussou-thierry-2018/TO-15.jpg Thierry Oussou. The bird's fly, 2018. Mixed media on paper, 152 x 42 cm (59 7/8 x 16 1/2 in). https://www.studiointernational.com/index.php/ev-day-interview-peking-university-beijing https://www.studiointernational.com/images/articles/d/088-day-ev-2018/ev-day-640.jpg E.V. Day talking to Studio International at the opening of Intersection: International Art and Culture, Arthur M Sackler Museum of Art and Archaeology at Peking University, Beijing, 27 May 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/mark-fox-interview-intersection-beijing https://www.studiointernational.com/images/articles/f/089-fox-mark-2108/mark-fox-640.jpg Mark Fox talking to Studio International at the opening of Intersection: International Art and Culture, Arthur M Sackler Museum of Art and Archaeology at Peking University, Beijing, 27 May 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/ana-mendieta-covered-in-time-and-history-films-review https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/09.jpg Installation view of Covered in Time and History: The Films of Anna Mendieta at Gropius Bau, Berlin. Copyright The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co. https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/07.jpg Ana Mendieta. Silueta de Arena, 1978. Super 8 film, colour, silent. Photograph: The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co.. https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/04.jpg Ana Mendieta. Anima, Silueta de Cohetes (Firework Piece), 1976. Super 8 film, colour, silent. Photograph: The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co. https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/10.jpg Installation view of Covered in Time and History: The Films of Anna Mendieta at Gropius Bau, Berlin. Copyright The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co. https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/01.jpg Ana Mendieta. Creek, 1974. Super 8 film, colour, silent. Photograph: The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co. https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/03.jpg Ana Mendieta. Blood Writing, 1974. Super 8 film, colour, silent. Photograph: The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co. https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/05.jpg Ana Mendieta. Untitled: Silueta Series, 1978. Super 8 film, colour, silent. Photograph: The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co.4 https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/06.jpg Ana Mendieta. Untitled: Silueta Series, 1978. Super 8 film, colour, silent. Photograph: The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co.4 https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/02.jpg Ana Mendieta. Sweating Blood, 1973. Super 8 film, colour, silent. Photograph: The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co. https://www.studiointernational.com/images/articles/m/080-mendieta-ana-2018/08.jpg Ana Mendieta. Esculturas Rupestres (Rupestrian Sculptures), 1981. Super 8 film, colour, silent. Photograph: The Estate of Ana Mendieta Collection, LLC. Courtesy of Galerie Lelong & Co. https://www.studiointernational.com/index.php/frieder-nake-interview-intersections-peking-university-beijing https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/freider-nake-computer-drawing.jpg Frieder Nake. 12/7/65 No. 2, 1965. ‘Random bundles of straight lines’, computer-generated automatic drawing, 72 x 59 cm. https://www.studiointernational.com/images/articles/n/091-nake-frieder-2018/frieder-nake-640.jpg Frieda Nake talking to Studio International at the opening of Intersection: International Art and Culture, Arthur M Sackler Museum of Art and Archaeology at Peking University, Beijing, 27 May 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/obsession-nudes-by-klimt-schiele-picasso-review-met-breuer https://www.studiointernational.com/images/articles/o/095-obsession-2018/01-Egon-Schiele,-Standing-Nude-with-Orange-Drapery,-1914.jpg Egon Schiele. Standing Nude with Orange Drapery, 1914. Watercolour, gouache and graphite on paper, 18 1/4 x 12 in (46.4 x 30.5 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. https://www.studiointernational.com/images/articles/o/095-obsession-2018/02-Gustav-Klimt,-Reclining-Nude,-1913.jpg Gustav Klimt. Reclining Nude, c1913. Graphite, 14 7/8 x 22 1/2 in (37.8 x 57.2 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. https://www.studiointernational.com/images/articles/o/095-obsession-2018/06-Egon-Schiele-Reclining-Model-in-Chemise-and-Stockings,-1917.jpg Egon Schiele. Reclining Model in Chemise and Stockings, 1917. Charcoal on paper, 18 1/4 x 11 3/4 in (46.4 x 29.8 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. https://www.studiointernational.com/images/articles/o/095-obsession-2018/05-Egon-Schiele-Two-Reclining-Nudes,-1911.jpg Egon Schiele. Two Reclining Nudes, 1911. Watercolour and graphite on paper, 22 1/4 x 14 1/2 in (56.5 x 36.8 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. https://www.studiointernational.com/images/articles/o/095-obsession-2018/08-Egon-Schiele-The-Kiss,-1911.jpg Egon Schiele. The Kiss, 1911. Graphite on paper, 22 x 14 3/4 in (55.9 x 37.5 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. https://www.studiointernational.com/images/articles/o/095-obsession-2018/12-Pablo-Picasso-Seated-Nude,-1908.jpg Pablo Picasso. Seated Nude, 1908. Charcoal and graphite on paper, 24 7/8 x 18 7/8 in (63.2 x 47.9 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/o/095-obsession-2018/10-Gustav-Klimt-Reclining-Nude-with-Drapery.jpg Gustav Klimt. Reclining Nude with Drapery, Back View, 1917–1918. Graphite, 14 5/8 x 22 3/8 in (37.1 x 56.8 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. https://www.studiointernational.com/images/articles/o/095-obsession-2018/09-Gustav-Klimt-Two-Studies-for-a-Crouching-Woman.jpg Gustav Klimt. Two Studies for a Crouching Woman, 1914–15. Graphite on paper. Sheet: 21 1/2 × 13 7/8 in (54.6 × 35.2 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. https://www.studiointernational.com/images/articles/o/095-obsession-2018/14-Pablo-Picasso-Three-Bathers-by-the-Shore,-1920.jpg Pablo Picasso. Three Bathers by the Shore, 1920. Graphite on paper, 19 3/8 x 25 1/4 in (49.2 x 64.1 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/o/095-obsession-2018/11-Pablo-Picasso-Youth-in-an-Archway,-1906-.jpg Pablo Picasso. Youth in an Archway, 1906. Conté crayon on paper, 23 1/4 x 16 3/4 in (59.1 x 42.5 cm). The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982. © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/patricia-guzman-video-interview-intersection-peking-university-beijing https://www.studiointernational.com/images/articles/g/088-guzman-patricia-2018/patricia-guzman-640.jpg Patricia Guzman talking to Studio International at the opening of Intersection: International Art and Culture, Arthur M Sackler Museum of Art and Archaeology at Peking University, Beijing, 27 May 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/Patricia-Guzman.jpg Patricia Guzman. Meditations, 2018. Oil on canvas, 100 x 150 cm. © the artist. https://www.studiointernational.com/index.php/tai-xiangzhou-video-interview-intersection-peking-university-beijing https://www.studiointernational.com/images/articles/t/095-tai-xiangzhou-2018/tai-xiangzhou-640.jpg Tai Xiangzhou talking to Studio International at the opening of Intersection: International Art and Culture, Arthur M Sackler Museum of Art and Archaeology at Peking University, Beijing, 27 May 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/Tai-Xiangzhou.jpg Tai Xiangzhou. Celestial - Placeless Timeless, 2017. Ink on silk, 240 x 300 cm. © the artist. Photograph: Miguel Benavides. https://www.studiointernational.com/index.php/bao-pei-video-interview-intersection-peking-university-beijing https://www.studiointernational.com/images/articles/b/072-bao-pei-2018/bao-pei-640.jpg Bro Pei talking to Studio International at the opening of Intersection: International Art and Culture, Arthur M Sackler Museum of Art and Archaeology at Peking University, Beijing, 27 May 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/i/092-intersections-beijing-2018/bao-pei-time-and-space.jpg Bao Pei. Space and Time, 2016. Mixed media on paper, 204 x 132 cm. © the artist. https://www.studiointernational.com/index.php/tamara-henderson-interview-you-could-say-the-maquettes-were-the-hypnotherapy-i-did-at-gatwick-airport https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/henderson-install-2.jpg Tamara Henderson. Seasons End: Out of Body, 2016. Installation view at REDCAT, Los Angeles. Courtesy of the artist and Rodeo, London. Photograph: Brica Wilcox. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/Screenshot-2018-07-13-06-46.jpg Tamara Henderson. Stills from Womb Life, 2018. 16mm colour film. Courtesy the Artist and Rodeo, Athens/London. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/Tamara-Henderson,-Vision-3_-Flowering-Transition-(2018).jpg Tamara Henderson. Vision 3, Flowering Transition, 2018. Durational performance at New Covent Garden Market, London. Curated by Hayward Gallery for Art Night 2018. Photograph: Christa Holka. Image courtesy of the artist and Art Night. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/Tamara-Henderson,-Vision-3_-Flowering-Transition-2018-3.jpg Tamara Henderson. Vision 3, Flowering Transition, 2018. Durational performance at New Covent Garden Market, London. Curated by Hayward Gallery for Art Night 2018. Photograph: Christa Holka. Image courtesy of the artist and Art Night. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/Tamara-Henderson,-Vision-3_-Flowering-Transition-(2018)-2.jpg Tamara Henderson. Vision 3, Flowering Transition, 2018. Durational performance at New Covent Garden Market, London. Curated by Hayward Gallery for Art Night 2018. Photograph: Christa Holka. Image courtesy of the artist and Art Night. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/henderson-install-4.jpg Tamara Henderson. Seasons End: Out of Body, 2017. Installation view at Serpentine Park Nights, London. Courtesy of the artist and Rodeo, London. Photograph. Hugo Glendinning. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/henderson-install-5.jpg Tamara Henderson. Seasons End: Panting Healer, 2016. Installation view at Rodeo, London. Courtesy of the artist and Rodeo, London. Photograph: Plastiques. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/henderson-install-3.jpg Tamara Henderson. Seasons End: Panting Healer, 2016. Installation view at Oakville Galleries at Centennial Square. Courtesy of the artist and Rodeo, London. Photograph: Toni Hafkenscheid. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/henderson-install-6.jpg Tamara Henderson. Seasons End: More Than Suitcases, 2018. Installation view at The Douglas Hyde Gallery, Dublin. Courtesy of the artist and Rodeo, London. Photograph: Denis Mortell. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/unnamed.jpg Tamara Henderson. Seasons End, 2016. Installation view at The Mitchell Library. Commissioned by Glasgow International 2016. Courtesy of the artist and Rodeo, London. Photograph: Ruth Clark. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/Screenshot-2018-07-13-06-48.jpg Tamara Henderson. Stills from Womb Life, 2018. 16mm colour film. Courtesy the Artist and Rodeo, Athens/London. https://www.studiointernational.com/images/articles/h/078-henderson-tamara-2018/Screenshot-2018-07-13-07-01.jpg Tamara Henderson. Stills from Womb Life, 2018. 16mm colour film. Courtesy the Artist and Rodeo, Athens/London. https://www.studiointernational.com/index.php/christopher-williams-normative-models-review-kestner-gesellschaft-hanover https://www.studiointernational.com/images/articles/w/090-williams-christopher-2018/Christopher-Williams-Portrait_-Dusseldorf-2009.jpg Christopher Williams, Portrait. Courtesy Galerie Gisela Capitain, Cologne and David Zwirner New York/London/Hong Kong. © Albrecht Fuchs. https://www.studiointernational.com/index.php/alison-wilding-and-florence-peake-interview https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Alison-Wilding-Red-Skies-1992.jpg Alison Wilding. Red Skies, 1992. Patinated steel, acrylic, brass, bronze wire, brass, and wire. Courtesy of the artist and Karsten Schubert Gallery, London. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Alison-Wilding-Riptide_2018.jpg Alison Wilding. Riptide, 2018. Courtesy the artist and Karsten Schubert London. Photograph: Rob Harris. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Alison-Wilding-Dark-Horse-1993.jpg Alison Wilding. Dark Horse 1, 1983. Portland roach and neoprene. Courtesy of the artist and Karsten Schubert Gallery, London. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Florence-Peake-RITE-Selection-High-Res-5.jpg Florence Peake. RITE: On this pliant body we slip our WOW! 2018. Photograph: Rob Harris. Image courtesy De La Warr Pavilion. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Florence-Peake-RITE-Selection-High-Res-11.jpg Florence Peake. RITE: On this pliant body we slip our WOW! 2018. Photograph: Rob Harris. Image courtesy De La Warr Pavilion. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Florence-Peake-RITE-Selection-High-Res-3.jpg Florence Peake. RITE: On this pliant body we slip our WOW! 2018. Photograph: Rob Harris. Image courtesy De La Warr Pavilion. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Florence-Peake-RITE-Selection-High-Res-13.jpg Florence Peake. RITE: On this pliant body we slip our WOW! 2018. Photograph: Rob Harris. Image courtesy De La Warr Pavilion. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Alison-Wilding-Floodlight-install-view.jpg Alison Wilding. Floodlight, 2001. Cast acrylic. Courtesy of the artist and Karsten Schubert Gallery, London. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Florence-Peake-RITE-Selection-High-Res-10.jpg Florence Peake. RITE: On this pliant body we slip our WOW! 2018. Photograph: Rob Harris. Image courtesy De La Warr Pavilion. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Alison-Wilding-Cuckoo-2-2015.jpg Alison Wilding. Cuckoo 2, 2015. Galvanised steel, cast fibreglass balloon and sand. Courtesy of the artist and Karsten Schubert Gallery, London. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Alison-Wilding_Docking-2018.jpg Alison Wilding. Docking, 2018. Courtesy the artist and Karsten Schubert London. Photograph: Rob Harris. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Wilding-Nudge.jpg Alison Wilding. Nudge, 2009. Glass, bronze, and silicone rubber. Courtesy of the artist and Karsten Schubert Gallery, London. https://www.studiointernational.com/images/articles/w/091-wilding-peake-2018/Alison-Wilding-5.jpg Alison Wilding. https://www.studiointernational.com/index.php/rajyashri-goody-interview-eat-with-great-delight-dalit-caste-system https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/RG-EatWithGreatDelight1.jpg Rajyashri Goody. Untitled, part of the series Eat With Great Delight, 2018. © the artist. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/IMG_2103.jpg Rajyashri Goody. Eat With Great Delight, installation view, Clark House Initiative, Mumbai, 2018. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/IMG_2111.jpg Rajyashri Goody. Eat With Great Delight, installation view, Clark House Initiative, Mumbai, 2018. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/RG-Manu-Laddoos.jpg Rajyashri Goody. Manu Laddoos, 2018. © the artist. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/RG-Skyscape.jpg Rajyashri Goody. Skyscape, 2015. © the artist. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/RG-Bhaakar.jpg Rajyashri Goody. Bhaakar, 2017. © the artist. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/Manu-(paper2).jpg Rajyashri Goody. Manu, 2017. © the artist. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/IMG_2117.jpg Rajyashri Goody. Eat With Great Delight, installation view, Clark House Initiative, Mumbai, 2018. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/IMG_2130.jpg Rajyashri Goody. Eat With Great Delight, installation view, Clark House Initiative, Mumbai, 2018. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/Rajyashri-Goody-portrait.jpg Rajyashri Goody. https://www.studiointernational.com/images/articles/g/088-rajyashri-goody-2018/RG-EatWithGreatDelight2.jpg Rajyashri Goody. Untitled, part of the series Eat With Great Delight, 2018. © the artist. https://www.studiointernational.com/index.php/simon-english-interview-my-hand-is-not-responsible-for-illustrating-things-i-already-know https://www.studiointernational.com/images/articles/e/090-english-simon-2018/simon-english-install-1.jpg Simon English. Smile Please, 2018, installation view, Peer Gallery, London. Photograph: Jackson White. https://www.studiointernational.com/images/articles/e/090-english-simon-2018/simon-english-install-2.jpg Simon English. Smile Please, 2018, installation view, Peer Gallery, London. Photograph: Jackson White. https://www.studiointernational.com/images/articles/e/090-english-simon-2018/simon-english-install-3.jpg Simon English. Smile Please, 2018, installation view, Peer Gallery, London. Photograph: Jackson White. https://www.studiointernational.com/images/articles/e/090-english-simon-2018/simon-english-install-5.jpg Simon English. Smile Please, 2018, installation view, Peer Gallery, London. Photograph: Jackson White. https://www.studiointernational.com/images/articles/e/090-english-simon-2018/simon-english-detail.jpg Simon English. Smile Please, 2018 (detail), installation view, Peer Gallery, London. Photograph: Emily Spicer. https://www.studiointernational.com/images/articles/e/090-english-simon-2018/simon-english-by-jenny-lewis.jpg Simon English. Photograph: Jenny Lewis. https://www.studiointernational.com/index.php/magic-realism-art-in-weimar-germany-1919-33-review-tate-modern https://www.studiointernational.com/images/articles/m/079-magic-realism-2018/Otto-Dix-Lust-Murder.jpg Otto Dix. Lust Murder, 1922. Watercolour, ink and graphite on paper, 48.5 x 36.5 cm. The George Economou Collection. © Estate of Otto Dix 2018. https://www.studiointernational.com/images/articles/m/079-magic-realism-2018/Otto-Dix-Lust-Murderer-1920.jpg Otto Dix. Lust Murderer, 1920. Etching on paper, 49 x 34.1 cm. The George Economou Collection. © Estate of Otto Dix 2018. https://www.studiointernational.com/images/articles/m/079-magic-realism-2018/Otto-Rudolf-Schatz-Moon-Women-1930.jpg Otto Rudolf Schatz. Moon Women, 1930. Oil paint on canvas, 191.5 x 111 cm. The George Economou Collection. © ADAGP, Paris, 2018. https://www.studiointernational.com/images/articles/m/079-magic-realism-2018/Hans-Grundig-Girl-with-Pink-Hat-1925.jpg Hans Grundig. Girl with Pink Hat, 1925. Oil paint on cardboard, 70.4 x 50 cm. The George Economou Collection. © DACS, 2018. https://www.studiointernational.com/images/articles/m/079-magic-realism-2018/Jeanne-Mammen-Bruderstrasse-(Free-Room)-1930.jpg Jeanne Mammen. Brüderstrasse (Free Room), 1930. Watercolour, ink and graphite on vellum, 47.5 x 34.5 cm. The George Economou Collection. © DACS, 2018. https://www.studiointernational.com/images/articles/m/079-magic-realism-2018/Conrad-Felixmuller-The-Beggar-of-Prachatice-1924.jpg Conrad Felixmüller. The Beggar of Prachatice, 1924. Watercolour, gouache and graphite on paper, 50 x 64.5 cm. The George Economou Collection. © DACS, 2018. https://www.studiointernational.com/images/articles/m/079-magic-realism-2018/Albert-Birkle-The-Acrobat-Schulz-V-1921.jpg Albert Birkle. The Acrobat Schulz V, 1921. Oil paint on canvas, 92 x 60.7 cm. The George Economou Collection. © DACS, London 2018. https://www.studiointernational.com/index.php/line-and-color-nature-of-ellsworth-kelly-review-norton-simon-museum https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Camellia-II.jpg Ellsworth Kelly. Camellia II, 1964–65. Transfer lithograph on Rives BFK paper, 35 5/8 x 24 1/4 in (90.5 x 61.6 cm). Norton Simon Museum, Gift of the Artist, 1969, P.1969.044. © Ellsworth Kelly Foundation and Maeght Éditeur. https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Black-with-White.jpg Ellsworth Kelly. Black with White (Noir avec Blanc), 1964–65. Lithograph on Rives BFK paper, 35 1/4 x 23 5/8 in (89.5 x 60 cm). Norton Simon Museum, Gift of the Artist, 1969, P.1969.012. © Ellsworth Kelly Foundation and Maeght Éditeur. https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Blue-Over-Orange.jpg Ellsworth Kelly. Blue Over Orange (Bleu sur Orange), 1964–65. Lithograph on Rives BFK paper, 35 3/8 x 23 5/8 in (89.9 x 60 cm). Norton Simon Museum, Gift of the Artist, 1969, P.1969.024. © Ellsworth Kelly Foundation and Maeght Éditeur. https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Cyclamen-IV.jpg Ellsworth Kelly. Cyclamen IV, 1964–65. Transfer lithograph on Rives BFK paper, 35 1/4 x 24 1/8 in (89.5 x 61.3 cm). Norton Simon Museum, Gift of the Artist, 1969, P.1969.041. © Ellsworth Kelly Foundation and Maeght Éditeur. https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Red-Orange-White-Green-Blue.jpg Ellsworth Kelly. Red Orange White Green Blue, 1968. Oil on canvas, 120 x 120 3/8 in (304.8 x 305.7 cm); each panel: 120 x 24 in (304.8 x 61 cm). Norton Simon Museum, Museum Purchase, Fellows Acquisition Fund, P.1968.14a-e. © Ellsworth Kelly Foundation. https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Tangerine.jpg Ellsworth Kelly. Tangerine (Mandarine), 1964–65. Transfer lithograph on Rives BFK paper, 35 3/8 x 24 1/4 in (89.9 x 61.6 cm). Norton Simon Museum, Gift of the Artist, 1969, P.1969.036. © Ellsworth Kelly Foundation and Maeght Éditeur. https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Black-Over-Yellow.jpg Ellsworth Kelly. Black Over Yellow (Noir sur Jaune), 1964–65. Lithograph on Rives BFK paper, 351/4 x 23 1/2 in (89.5 x 59.7 cm). Norton Simon Museum, Gift of the Artist, 1969, P.1969.027. © Ellsworth Kelly Foundation and Maeght Éditeur. https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Blue-Over-Green.jpg Ellsworth Kelly. Blue Over Green (Bleu sur Vert), 1964–65. Lithograph on Rives BFK paper, 35 1/4 x 23 5/8 in (89.5 x 60 cm). Norton Simon Museum, Gift of the Artist, 1969, P.1969.029. © Ellsworth Kelly Foundation and Maeght Éditeur. https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Blue-and-Orange-and-Green.jpg Ellsworth Kelly. Blue and Orange and Green (Bleu et Orange et Vert), 1964–65. Lithograph on Rives BFK paper, 35 3/8 x 23 7/8 in (89.9 x 60.6 cm). Norton Simon Museum, Gift of the Artist, P.1969.019. © Ellsworth Kelly Foundation and Maeght Éditeur. https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Orange-and-Blue-Over-Yellow.jpg Ellsworth Kelly. Orange and Blue Over Yellow (Orange et Bleu sur Jaune), 1964–65. Lithograph on Rives BFK paper, 23 5/8 x 35 3/8 in (60 x 89.9 cm). Norton Simon Museum, Gift of the Artist, 1969, P.1969.033. © Ellsworth Kelly Foundation and Maeght Éditeur https://www.studiointernational.com/images/articles/k/087-kelly-ellsworth-2018/Kelly_Lemon-Branch.jpg Ellsworth Kelly. Lemon Branch (Branche de Citron), 1965–66. Transfer lithograph on Rives BFK paper, 35 3/8 x 24 1/8 in (89.9 x 61.3 cm). Norton Simon Museum, Gift of the Artist, 1969, P.1969.059. © Ellsworth Kelly Foundation and Maeght Éditeur. https://www.studiointernational.com/index.php/panic-attack-art-in-the-punk-years https://www.studiointernational.com/images/articles/p/punk/006_b.jpg Derek Jarman. Jordan https://www.studiointernational.com/images/articles/p/punk/009_b.jpg Keith Haring. Untitled, 1983. Vinyl paint of vinyl tarp. Courtesy of Max Lang, New York. © The estate of Keith Haring. https://www.studiointernational.com/images/articles/p/punk/003_b.jpg Linder. Untitled, 1977. Photomontage on card. Courtesy of Stuart Shave/Modern Art, London. https://www.studiointernational.com/index.php/william-eggleston-review-hayward-gallery-london https://www.studiointernational.com/images/articles/e/eggleston/eggleston3b.jpg William Eggleston. Untitled (Sumner, Mississippi, Cassidy Bayou in background), 1971. © Eggleston Artistic Trust. https://www.studiointernational.com/images/articles/e/eggleston/eggleston1b.jpg William Eggleston. Untitled, (Morton, Mississippi), c1972. © Eggleston Artistic Trust. https://www.studiointernational.com/index.php/tamsyn-challenger-interview-free-the-pussy-riot https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/FreeThePussy_13WEB.jpg Free The Pussy, installation view. Photograph: Cat Thomson. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/What-Is-Feminist-Art-Judy-Chicago-1977.jpg Judy Chicago. What is Feminist Art? 1977. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/02-Tamsyn-Challenger-400-Women-2010.jpg Tamsyn Challenger, 400 Women, 2010. Portraits by various artists. Installation view, Shoreditch Town Hall Basement, London, 2010. Central image by Swoon. Photograph: Paul Tucker. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/3-400-women-2010-3.jpg Tamsyn Challenger, 400 Women, 2010. Portraits by various artists. Installation view, Canongate Venture, Edinburgh Art Festival, 2011. Photograph: Albie Clark. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/Tamsyn-Challenger,-Monoculture.jpg Tamsyn Challenger. Monoculture, 2014. Pine planter, soil, OSR, blue led grow lights. Installation view, Summerhall/EAF. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/Tamsyn-Challenger,-Monoculture-2013-Polytunnel.jpg Tamsyn Challenger. Monoculture, 2013. Polytunnel, soil, OSR, blue led grow lights, zentai suits, embroidery silks. Installation view, Beaconsfield, Vauxhall. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/Jamie-Reid,-Free-Pussy-Riot-poster-2012-2018.jpg Jamie Reid. Free Pussy Riot poster 2012, adapted for Putin Trampoline external building sign, 2018. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/Free-The-Pussy-Riot-Jamie-Reid-2012.jpg Jamie Reid. Free Pussy Riot, 2012. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/Putin-Fear-No-Art-Layla-Sailor-2012.jpg Layla Sailor. Putin Fear No Art, 2012. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/FreeThePussy_03WEB.jpg Free The Pussy, installation view. Photograph: Cat Thomson. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/FreeThePussy_07PRINT.jpg Free The Pussy, installation view. Photograph: Cat Thomson. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/FreeThePussy_30PRINT.jpg Miss Pokeno. Riot Slut Chairs, 2013. Free The Pussy, installation view. Photograph: Cat Thomson. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/Tamsyn-Challenger-Selfie-Brank-2-Twitter-2013.jpg Tamsyn Challenger. Selfie Brank 2 (Twitter), 2013. Fabricated steel, household and polyurethane paint. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/Tamsyn-Challenger,-The-Royal-Pussy-2018.jpg Tamsyn Challenger. The Royal Pussy, 2018. Fabricated metal overlay sign, ply, spray paint. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/ducking-stool-challenger.jpg Tamsyn Challenger. Ducking Stool, 2012. Photograph: Cat Thomson. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/Tamsyn_Challenger-portrait.jpg Tamsyn Challenger. Photograph: Albie Clark. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/Free-The-Pussy-Billy-Chyldish-2012.jpg Billy Chyldish. Free The Pussy, 2012. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/6-400-women-2010-2.jpg Tamsyn Challenger, 400 Women, 2010. Portraits by various artists. Installation view, Shoreditch Town Hall Basement, London, 2010. Central image by Swoon. Photograph: Paul Tucker. https://www.studiointernational.com/images/articles/c/074-challenger-tamsyn-2018/11c-Selfie-Booth.jpg Tamsyn Challenger. Selfie Booth, 2014. Repurposed desk and chair, enamel paint. Installation view, Summerhall/EAF. https://www.studiointernational.com/index.php/bonalumi-1958-2013-review-palazzo-reale-milan https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Installation-(2).jpg Agostino Bonalumi. Installation view, Palazzo Reale, Milan. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/CENTRE-Rosso-(Red)-1968.jpg Agostino Bonalumi. Centre: Rosso (Red), 1968. Shaped cire, 210 x 210 cm. Koelliker Collection Courtesy Robilant+Voena. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/White-Modular-Structure-1970.jpg Agostino Bonalumi. Struttura modulare bianca (White Modular Structure), 1970. Fibreglass and nitro, dimensions variable. One module = 80 x 100 x 70 cm. Private collection. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/CENTRE-Arancione-(Orange)-1968.jpg Agostino Bonalumi. Centre: Arancione (Orange), 1968. Shaped cire, 200 x 180 cm. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Bianco-(White)-1967.jpg Agostino Bonalumi. Bianco (White), 1967. Shaped canvas and vinyl tempera, 228 x 251 cm. Private collection. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Rosso-e-nero-(Red-and-Black)-1968.jpg Agostino Bonalumi. Right: Rosso e nero (Red and Black), 1968; Left: Arancione e celeste (Orange and Light Blue), 1968. Shaped cire, 15 x 120 cm. Private collection. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Rosso-(red)-1973.jpg Agostino Bonalumi. Rosso (red), 1973. Shaped canvas and water enamel, 121 x 151 cm. Private collection. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Blue-abitabile-(opera-ambiente)-2.jpg Agostino Bonalumi. Blue abitabile (opera ambiente) [Inhabitable Blue (environmental artwork], 1967. Shaped canvas and vinyl tempera, 300 x 340 cm. Private collection. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Azzurro-(Light-Blue)-1988-2.jpg Agostino Bonalumi. Azzurro (Light Blue), 1988. Shaped canvas and vinyl tempera, 130 x 162 cm. Private collection. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Azzurro-(Light-Blue)-1989.jpg Agostino Bonalumi. Left: Azzurro (Light Blue), 1989. Shaped canvas and vinyl tempera, 114 x 146 cm; Right: Azzurro (Light Blue), 1988. Shaped canvas and vinyl tempera, 130 x 162 cm; Centre: Verde (Green), 1988. Private collection. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Bianco-(White)-1974.jpg Agostino Bonalumi. Right: Bianco (White), 1974; Left: Bianco (White), 1969. Fibreglass and enamel 180 x 180 x 90 cm. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Giallo-(Yellow)-1996.jpg Agostino Bonalumi. Centre: Giallo (Yellow), 1996. Shaped canvas and vinyl tempera, 200 x 200 cm. Mazzoleni, London-Turin. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Installation.jpg Agostino Bonalumi. Installation view, Palazzo Reale, Milan. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Rapporti-(Relationships)-1978.jpg Agostino Bonalumi. Rapporti (Relationships), 1978. Fibreglass, crystal and marble, 99 x 86 x 52 cm. Private collection. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/images/articles/b/072-bonalumi-2018/Rosso-(Red)-1981.jpg Agostino Bonalumi. Rosso (Red), 1981. Shaped canvas and vinyl tempera, 200 x 300 cm. Mazzoleni, London-Turin. © ALTO//PIANO – Agostino Osio photography. https://www.studiointernational.com/index.php/mary-kuper-interview-language-shift-endangered-poetry https://www.studiointernational.com/images/articles/k/088-kuper-mary-2018/body-as-metaphor-dissecting-nature.jpg Mary Kuper. The body as metaphor: Dissecting nature, 2017. Ink and watercolour, 56 x76 cm. @ the artist, in collaboration with the Endangered Languages Documentation Project, with support from Arts Council England and University of the Arts CCW Graduate Research Fund. https://www.studiointernational.com/images/articles/k/088-kuper-mary-2018/brodsky_poster.jpg Mary Kuper. Poetry is a Dame, 2012. Letterpress and engraving, 56 x 76 cm. @ the artist, in collaboration with the National Poetry Library, London. https://www.studiointernational.com/images/articles/k/088-kuper-mary-2018/endangered-poetry-shetlandi.jpg Mary Kuper. Endangered Poetry: Shetlandic, 2018. Graphite, typewriters, 50 x 52 cm. @ the artist, in collaboration with The National Poetry Library, London. https://www.studiointernational.com/images/articles/k/088-kuper-mary-2018/poetry-is-a-dame-barnacle-whale.jpg Mary Kuper. Barnacle’s Love song to Humpbacked Whale, Ruth Padel, 2012. Engraving and digital, 44 x 29 cm. @ the artist, in collaboration with The National Poetry Library, London. https://www.studiointernational.com/images/articles/k/088-kuper-mary-2018/poetry-is-a-dame-barnacle.jpg Mary Kuper. Poetry is a Dame: barnacle, 2012. Engraving and digital, 56 x 78 cm. @ the artist, in collaboration with The National Poetry Library, London. https://www.studiointernational.com/images/articles/k/088-kuper-mary-2018/v.jpg Mary Kuper. An Etymological Alphabet : V, 2002. Acrylic ink and digital, 14.8 x 21.0 cm. @ the artist, Clarion Press and Fine Book Association Award. https://www.studiointernational.com/images/articles/k/088-kuper-mary-2018/Mary-Kuper-at-her-exhibition-Language-Shift-640.jpg Mary Kuper at her exhibition Language Shift. https://www.studiointernational.com/index.php/egon-schiele-jubilee-show-gustav-klimt-artist-of-century-review https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/4333_EX_32472.jpg Gustav Klimt. Portrait of a Woman, c1893. Oil on canvas, 155 × 75 cm. Belvedere, Vienna, 2013, Permanent loan from private collection. Photo: Belvedere, Vienna/Johannes Stoll. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/4356_DL_00695_PZ.jpg Gustav Klimt. Klara Klimt, c1880. Oil on canvas, 30.3 × 21.3 cm. ARGE Collection Gustav Klimt/Permanent loan, Leopold Museum, Vienna. Photo: Leopold Museum, Vienna/Manfred Thumberger. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/death-and-life.jpg Gustav Klimt. Death and Life, reworked in 1915/16. Oil on canvas, 180.8 × 200.6 cm. Leopold Museum, Vienna. Photo: Leopold Museum, Vienna/Manfred Thumberger. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/GUSTAV-KLIMT,-Bust-Portrait-of-a-Young-Lady-with-Hat-and-Cape-in-Profile-from-the-Left,-1897_98.jpg Gustav Klimt. Bust Portrait of a Young Lady with hat and cape in profile from the left. Charcoal, black chalk on brown paper, 42.3 × 22.6 cm. Leopold Museum, Vienna. Photo: Leopold Museum, Vienna/Manfred Thumberger. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/Egon-Schiele,-Liegende-Frau,-1917-(c)-Leopold-Museum,-Wien,-Inv-626.jpg Egon Schiele. Liegende Frau, 1917. © Leopold Museum, Vienna. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/Egon-Schiele,-Cardinal-and-Nun-(Caress),-1912-(c)-Leopold-Museum,-Vienna,-Inv-455.jpg Egon Schiele. Cardinal and Nun (Caress), 1912. © Leopold Museum, Vienna. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/Egon-Schiele,-Mother-and-Daughter,-1913-(c)-Leopold-Museum,-Vienna,-Inv-1436.jpg Egon Schiele. Mother and Daughter, 1913. © Leopold Museum, Vienna. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/Egon-Schiele,-Two-Squatting-Women,-1918-(unfinished)-(c)-Leopold-Museum,-Vienna.jpg Egon Schiele. Two Squatting Women, 1918 (unfinished). © Leopold Museum, Vienna. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/Egon-Schiele,-Self-Portrait-with-Chinese-Lantern-Plant,-1912.jpg Egon Schiele. Self-Portrait with Chinese Lantern Plant, 1912. © Leopold Museum, Vienna. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/Portrait-of-Egon-Schiele,-1914.jpg Portrait of Egon Schiele, 1914. © Imagno / Austrian Archives. Photograph: Anton Josef Trčka. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/Egon-Schiele,-Crescent-of-Houses-ll.jpg Egon Schiele. Crescent of Houses ll (Island Town). © Leopold Museum, Vienna. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/2933_Freundinnen_Schwestern.jpg Gustav Klimt. Friends I (Sisters), 1907. Oil on canvas, 125 × 42 cm. Klimt-Foundation, Vienna. Photo: Klimt-Foundation, Vienna. https://www.studiointernational.com/images/articles/k/096-klimt-schiele-2018/897_DLSTPW_001_CMYK_Repro-Klimt_mit_Katze.jpg Gustav Klimt with cat. Photograph, 27.9 × 21.8 cm. Klimt-Foundation, Vienna. Photo: Klimt-Foundation, Vienna. https://www.studiointernational.com/index.php/make-me-look-beautiful-madame-dora-kallmus-review-leopold-museum-vienna https://www.studiointernational.com/images/articles/m/078-madame-d-ora-2018/4378_FEX_34026_1.jpg Dora Kallmus. Archduke Karl and Archduchess Zita with their children Otto and Adelheid. Photo: Austrian Archives/ IMAGNO/ picturedesk.com https://www.studiointernational.com/images/articles/m/078-madame-d-ora-2018/4391_Madame_d_Ora_1159.jpg Make Me Look Beautiful, Madame D'Ora, exhibition view, Leopold Museum, Vienna. Photo: Lisa Rastl. https://www.studiointernational.com/images/articles/m/078-madame-d-ora-2018/4393_Madame_d_Ora_1140.jpg Make Me Look Beautiful, Madame D'Ora, exhibition view, Leopold Museum, Vienna. Photo: Lisa Rastl. https://www.studiointernational.com/index.php/frida-escobedo-serpentine-pavilion-2018-review https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/EscobedoPavilionSitsQuietlyInSettingVS.jpg Frida Escobedo’s Serpentine Pavilion 2018 sits quietly in its surroundings. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/serpentine_2018_5Photo-Iwan-Baan.jpg Frida Escobedo’s Serpentine Pavilion 2018, interior view. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/EscobedoPavilionExteriorDetailWithGalleryVS.jpg Frida Escobedo’s Serpentine Pavilion 2018. Exterior detail with Serpentine Gallery in the background. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/EscobedoPavilionUnderCanopyVS.jpg Frida Escobedo’s Serpentine Pavilion 2018, interior view showing the reflective ceiling of the canopy. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/serpentine_2018_6Photo-Iwan-Baan.jpg Frida Escobedo’s Serpentine Pavilion 2018, interior view. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/serpentine_2018_3Photo-Iwan-Baan.jpg Frida Escobedo’s Serpentine Pavilion 2018, detail. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/EscobedoPavilionDisappearsIntoLandscapeVS.jpg Frida Escobedo’s Serpentine Pavilion 2018 disappearing into the landscape. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/serpentine_2018Photo-IwanBaan.jpg Frida Escobedo’s Serpentine Pavilion 2018. Photograph: Iwan Baan. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/EscobedoPavilionReflectiveRoofVS.jpg Frida Escobedo’s Serpentine Pavilion 2018. Interior detail with reflective roof. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/EscobedoPavilionViewsLargerVS.jpg Frida Escobedo’s Serpentine Pavilion 2018, wall detail. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/frida_escobedo_by_ana_hop.jpg Frida Escobedo. Photograph: Ana Hop. https://www.studiointernational.com/images/articles/s/071-serpentine-pavilion-2018/ExteriorSideViewWithGalleryVS.jpg Frida Escobedo’s Serpentine Pavilion 2018, exterior view. Photograph: Veronica Simpson. https://www.studiointernational.com/index.php/liverpool-biennial-2018-beautiful-world-where-are-you-review https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/1-.jpg George Osodi, Nigerian Monarchs (HRM Princess Adetutu Adesida Regent of Akure Kingdom), 2014. Image courtesy the artist & TAFETA. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/2.jpg Abbas Akhavan, Variations on Ghost, 2017/2018. Installation view at Bluecoat, Liverpool Biennial 2018. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/3.jpg Rehana Zaman, How Does an Invisible Boy Disappear? (film still), 2018. Image courtesy the artist. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/5.jpg Mohamed Bourouissa, Resilience Garden, 2018. Granby Gardening Club, April 2018. Photo: Pete Carr. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/6.jpg Francis Alÿs, Age Piece (Age 29, Age 30, Age 32), 1982–present. Installation view at Victoria Gallery & Museum, Liverpool Biennial 2018. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/7.jpg Taus Makhacheva, Tightrope (film still), 2015. Image courtesy the artist. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/9.jpg Aslan Gaisumov, Keicheyuhea (film still), 2017. Image courtesy the artist. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/8.jpg Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Installation view at St George’s Hall, Liverpool Biennial 2018. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/10.jpg Brian Jungen, Warrior 1, 2017, Warrior 3, 2017 and Warrior 4, 2017. Installation view at Tate Liverpool, Liverpool Biennial 2018. Courtesy the artist and Casey Kaplan, New York. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/11.jpg Annie Pootoogook, Man Abusing His Partner, 2002. Collection of John and Joyce Price. Image courtesy Feheley Fine Arts. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/12.jpg The List of 34,361 documented deaths of asylum seekers, refugees and migrants who have lost their lives within or on the borders of Europe since 1993. Documentation as of 5 May 2018 by UNITED for Intercultural Action. Facilitated by Banu Cennetoğlu. Presented at Great George Street, Liverpool Biennial 2018. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/l/086-liverpool-biennial-2018/4.jpg Ryan Gander with Jamie Clark, Phoebe Edwards, Tianna Mehta and Maisie Williams. Liverpool Metropolitan Cathedral. Photo: Pete Carr. https://www.studiointernational.com/index.php/marie-foulston-curator-videogames-design-play-disrupt-interview-victoria-and-albert-museum https://www.studiointernational.com/images/articles/v/096-video-games-2018/Le-Blanc-Seing,-1965-by-Rene-Magritte.jpg Le Blanc Seing, 1965 by Rene Magritte. Courtesy of the National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/v/096-video-games-2018/Character-sketch,-The-Last-of-Us-2013.jpg Character sketch, The Last of Us™ © 2013, 2014 Sony Interactive Entertainment LLC. The Last of Us is a trademark of Sony Interactive Entertainment LLC. Created and developed by Naughty Dog LLC. https://www.studiointernational.com/images/articles/v/096-video-games-2018/Kentucky-Route-Zero.jpg Kentucky Route Zero. Courtesy of Cardboard Computer. https://www.studiointernational.com/images/articles/v/096-video-games-2018/No-Mans-Sky-(c)-2016.jpg No Man https://www.studiointernational.com/images/articles/v/096-video-games-2018/Splatoon-(c)-2015-Nintendo.jpg Splatoon © 2015 Nintendo. https://www.studiointernational.com/images/articles/v/096-video-games-2018/Winterfell,-Westeroscraft-(c)-Minecraft.jpg Winterfell, Westeroscraft - © Minecraft. https://www.studiointernational.com/images/articles/v/096-video-games-2018/Blue-Sky-Concept,-The-Last-of-Us-2013.jpg Blue Sky Concept, The Last of Us™ © 2013, 2014 Sony Interactive Entertainment LLC. The Last of Us is a trademark of Sony Interactive Entertainment LLC. Created and developed by Naughty Dog LLC. https://www.studiointernational.com/index.php/aaditi-joshi-interview-plastic-sculpture-painting https://www.studiointernational.com/images/articles/j/094-joshi-aaditi-2018/01-TARQ-Aaditi-Joshi-Untitled.jpg Aaditi Joshi. Untitled, 2018. Site-specific installation, fused plastic bags, acrylic colour, wood armature, 216 x 48 x 40 in. Photo: Ashish Chandra. Courtesy TARQ and the artist. https://www.studiointernational.com/images/articles/j/094-joshi-aaditi-2018/02-TARQ-Aaditi-Joshi-Top-view-,Untitled.jpg Aaditi Joshi. Untitled, 2018. Site-specific installation, fused plastic bags, acrylic colour, wood armature, 216 x 48 x 40 in. Photo: Ashish Chandra. Courtesy TARQ and the artist. https://www.studiointernational.com/images/articles/j/094-joshi-aaditi-2018/06-Megacities-Asia-Untitled.jpg Aaditi Joshi. Untitled, 2016. Site-specific installation, fused plastic bags, acrylic paint, LED lights, wood armature, 288 x 78 x 108 in. Courtesy Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/j/094-joshi-aaditi-2018/07-Megcities-Asia-Untitled.jpg Aaditi Joshi. Untitled, 2016. Site-specific installation, fused plastic bags, acrylic paint, LED lights, wood armature, 288 x 78 x 108 in. Courtesy Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/j/094-joshi-aaditi-2018/09-Megacities-Asia-Untitled-I-(detail).jpg Aaditi Joshi. Untitled, 2016 (detail). Site-specific installation, fused plastic bags, acrylic paint, LED lights, wood armature, 288 x 78 x 108 in. Photo: Smita Jacob /Hogger & Co. https://www.studiointernational.com/images/articles/j/094-joshi-aaditi-2018/10-New-Works-Gallery-Maskara-.jpg Aaditi Joshi. Untitled VII, 2011. Site-specific installation, fused plastic bags, acrylic paint, LED lights, wood armature, 432 x 94 x 110 in. Photo: David Desouza. Courtesy Gallery Maskara, Mumbai. https://www.studiointernational.com/images/articles/j/094-joshi-aaditi-2018/11-New-Works-Gallery-Maskara-.jpg Aaditi Joshi. Untitled VII, 2011. Site-specific installation, fused plastic bags, acrylic paint, LED lights, wood armature, 432 x 94 x 110 in. Photo: David Desouza. Courtesy Gallery Maskara, Mumbai. https://www.studiointernational.com/images/articles/j/094-joshi-aaditi-2018/aaditi-joshi-portrait.jpg Aaditi Joshi. https://www.studiointernational.com/images/articles/j/094-joshi-aaditi-2018/12-New-Works-Gallery-Maskara-.jpg Aaditi Joshi. Untitled VII, 2011. Site-specific installation, fused plastic bags, acrylic paint, LED lights, wood armature, 432 x 94 x 110 in. Photo: David Desouza. Courtesy Gallery Maskara, Mumbai. https://www.studiointernational.com/index.php/frida-kahlo-making-herself-up-review-victoria-and-albert-museum-london https://www.studiointernational.com/images/articles/k/086-kahlo-frida-2018/FK051.jpg Frida Kahlo, c1926. Museo Frida Kahlo. © Diego Riviera and Frida Kahlo Archives, Banco de México, Fiduciary of the Trust of the Diego Riviera and Frida Kahlo Museums. https://www.studiointernational.com/images/articles/k/086-kahlo-frida-2018/Frida-Kahlo-on-a-bench.jpg Frida on the bench, 1939, photograph by Nickolas Muray. © Nickolas Muray Photo Archives. https://www.studiointernational.com/images/articles/k/086-kahlo-frida-2018/VAFKJH_0056.jpg Necklace of silver, enamel, turquoise and coral with hinged compartment, made by Matilde Poulat, Mexico City, c1950. Museo Frida Kahlo. Photo: Javier Hinojosa. © Diego Riviera and Frida Kahlo Archives, Banco de México, Fiduciary of the Trust of the Diego Riviera and Frida Kahlo Museums. https://www.studiointernational.com/images/articles/k/086-kahlo-frida-2018/VAFKJH_0258.jpg Revlon compact and powderpuff with blusher in Clear Red and Revlon lipstick in Everything’s Rosy; emery boards and eyebrow pencil in Ebony. Before 1954. Photo: Javier Hinojosa. © Diego Riviera and Frida Kahlo Archives, Banco de México, Fiduciary of the Trust of the Diego Riviera and Frida Kahlo Museums. https://www.studiointernational.com/images/articles/k/086-kahlo-frida-2018/VAFKJH_0027.jpg Prosthetic leg with leather boot. Appliquéd silk with embroidered Chinese motifs. Photo: Javier Hinojosa. Museo Frida Kahlo. © Diego Riviera and Frida Kahlo Archives, Banco de México, Fiduciary of the Trust of the Diego Riviera and Frida Kahlo Museums. https://www.studiointernational.com/images/articles/k/086-kahlo-frida-2018/Guatemalan-cotton-coat.jpg Guatemalan cotton coat worn with Mazatec huipil and plain floor-length skirt. Museo Frida Kahlo. © Diego Rivera and Frida Kahlo Archives, Banco de México, Fiduciary of the Trust of the Diego Riviera and Frida Kahlo Museums. https://www.studiointernational.com/images/articles/k/086-kahlo-frida-2018/Frida-Kahlo-and-Idol.jpg Frida Kahlo with Olmec figurine, 1939, photograph by Nickolas Muray. © Nickolas Muray Photo Archives. https://www.studiointernational.com/index.php/lily-lanfermeijer-sculptor-interview-fotopub-festival-novo-mesto-slovenia-photography https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/03.jpg Lily Lanfermeijer, Lost in depiction 2018. Installation view, Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/07.jpg Lily Lanfermeijer, Lost in depiction 2018 (detail). Pine wood, pen. Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/13.jpg Lily & Mila Lanfermeijer, FauxSyrupAngel, 2018. Installation view, Punt WG Amsterdam. Photo: Kyle Tryhorn. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/15.jpg Lily Lanfermeijer, FauxSyrupAngel, 2018. Table Act #1. Multiplex, pine wood, ceramics, 42,5 x 280 x 70 cm. Punt WG Amsterdam. Photo: Kyle Tryhorn. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/04.jpg Lily Lanfermeijer, Lost in depiction 2018, Turmeric Traces. Egg tempera, plaster, jute, 85 x 122 cm. Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/05.jpg Lily Lanfermeijer, Lost in depiction 2018, Table Act #2 (detail). Wood, ceramics, rope, cotton. Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/06.jpg Lily Lanfermeijer, Lost in depiction 2018, Table Act #2 (detail). Wood, ceramics, rope, cotton. Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/12.jpg Lily Lanfermeijer, Lost in depiction 2018, Baked Basketry (detail). Ceramics, rope, 150 x 7 cm. Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/08.jpg Lily Lanfermeijer, Lost in depiction 2018, Table Act #5 (detail). Pine wood, pen. Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/19.jpg Lily Lanfermeijer, FauxSyrupAngel 2018, Rope and Rigging. Ceramics, wood, robe, 42 x 132 x 70 cm. Punt WG Amsterdam. Photo: Kyle Tryhorn. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/14.jpg Lily & Mila Lanfermeijer, FauxSyrupAngel, 2018. Installation view, Punt WG Amsterdam. Photo: Kyle Tryhorn. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/02.jpg Lily Lanfermeijer, Lost in depiction 2018. Installation view, Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/09.jpg Lily Lanfermeijer, Lost in depiction 2018, Clastic Mug (detail). Ceramics, pigmented cotton. Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/10.jpg Lily Lanfermeijer, Lost in depiction 2018, Rope and Rigging #2 (detail). Pine wood, pigmented cotton, rope, ceramics. Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/11.jpg Lily Lanfermeijer, Lost in depiction 2018, Rope and Rigging #2 (detail). Pine wood, pigmented cotton, rope, ceramics. Fotopub, Novo Mesto. Photo: Eva Hoonhout. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/16.jpg Lily Lanfermeijer, Barches, 2018 (detail). Ceramics, robe. Punt WG Amsterdam. Photo: Kyle Tryhorn. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/17.jpg 17) Lily Lanfermeijer, Zo╠êpf 2018 (detail). Ceramics, robe, 280 x 20 cm. Punt WG Amsterdam. Photo: Kyle Tryhorn. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/18.jpg Lily & Mila Lanfermeijer, FauxSyrupAngel, 2018. Installation view, Punt WG Amsterdam. Photo: Kyle Tryhorn. https://www.studiointernational.com/images/articles/l/090-lanfermeijer-lily-2018/20.jpg Lily Lanfermeijer, FauxSyrupAngel 2018, Rope and Rigging (detail). Ceramics, wood, robe, 42 x 132 x 70 cm. Punt WG Amsterdam. Photo: Kyle Tryhorn. https://www.studiointernational.com/index.php/in-pursuit-of-elusive-horizons-parafin-gallery-london https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-elusive-horizons-paterson-02.jpg Katie Paterson. Ara, 2016 (detail). Festoon lights, dimensions variable. © Katie Paterson 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-elusive-horizons-partridge-01.jpg Rebecca Partridge. 30 Day Sky Studies, 2017-18. Oil on birch ply, 30 parts, overall dimensions variable. © Rebecca Partridge 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-elusive-horizons-paterson-01.jpg Katie Paterson. Ara, 2016. Festoon lights, dimensions variable. © Katie Paterson 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-elusive-horizons-walker-01.jpg Richard T Walker. A paradox in distance (inverted) #1, 2014. Chromogenic transparency in lightbox, Casiotone MT-68 keyboard, tripod. Overall dimensions variable. © Richard T Walker 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-faithfull-03.jpg Simon Faithfull. Going Nowhere 1.5 (video still), 2016. Single channel HD video (silent), dimensions variable. © Simon Faithfull 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-faithfull-05.jpg Simon Faithfull. Going Nowhere 1.5 (video still), 2016. Single channel HD video (silent), dimensions variable. © Simon Faithfull 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-faithfull-04.jpg Simon Faithfull. Going Nowhere 1.5 (video still), 2016. Single channel HD video (silent), dimensions variable. © Simon Faithfull 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-elusive-horizons-partridge-02.jpg Rebecca Partridge. 30 Day Sky Studies (detail), 2017-18. Oil on birch ply, 30 parts, overall dimensions variable. © Rebecca Partridge 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-elusive-horizons-partridge-03.jpg Rebecca Partridge. 30 Day Sky Studies (detail), 2017-18. Oil on birch ply, 30 parts, overall dimensions variable. © Rebecca Partridge 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-elusive-horizons-partridge-06.jpg Rebecca Partridge. 30 Day Sky Studies (detail), 2017-18. Oil on birch ply, 30 parts, overall dimensions variable. © Rebecca Partridge 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-elusive-horizons-paterson-03.jpg Katie Paterson. Ara, 2016 (detail). Festoon lights, dimensions variable. © Katie Paterson 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-faithfull-01.jpg Simon Faithfull. Going Nowhere 1.5 (video still), 2016. Single channel HD video (silent), dimensions variable. © Simon Faithfull 2018. Courtesy Parafin, London. https://www.studiointernational.com/images/articles/p/089-parafin-gallery-2018/pfn-faithfull-02.jpg Simon Faithfull. Going Nowhere 1.5 (video still), 2016. Single channel HD video (silent), dimensions variable. © Simon Faithfull 2018. Courtesy Parafin, London. https://www.studiointernational.com/index.php/jutta-koether-tour-de-madame-review-museum-brandhorst-munich https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/2018-1374_01.jpg Installation view, Jutta Koether – Tour de Madame, Museum Brandhorst. Photo: Johannes Haslinger, Bayerische Staatsgemäldesammlungen. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/JK_M_2018_07.jpg Jutta Koether. Tour de Madame 10, 2018. Oil on canvas, 86 2/3 x 67 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/JK_M_2018_12.jpg Jutta Koether. Tour de Madame 2, 2018. Acrylic on canvas, 67 x 86 2/3 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/JK_M_2018_14.jpg Jutta Koether. Tour de Madame 1, 2018. Acrylic on canvas, 63 x 86 2/3 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/JK_M_2018_15.jpg Jutta Koether. Tour de Madame 9, 2018. Acrylic, gels and metallic ink on canvas, 31 1/2 x 31 1/2 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/JK_M_Emma_1984.jpg Jutta Koether. Emma, 1984. Oil on canvas, 11 3/4 x 9 1/2 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/Jutta-Koether_Coronal-Holes-and-The-Sunny-Ages-of-Women_1999.jpg Jutta Koether. Coronal Holes & the Sunny Ages of Women, 1999. Oil on canvas, 71 2/3 x 52 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/JK_M_1987_48.jpg Jutta Koether. Untitled, 1987. Oil on canvas board, 7 x 9 1/2 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/Jutta-Koether_Mede_1992.jpg Jutta Koether. Mède, 1992. Oil on canvas, 98 1/2 x 78 3/4 in. Photo: John Berens. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/Jutta-Koether_Souveraine-Nr.jpg Jutta Koether. Souveraine Nr. 5 (after Peaches), 2009. Acrylic on canvas, 88 x 65 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/Jutta-Koether_Unganzheitssymbole-K-(Hommage-an-Kenneth-Anger)_2004.jpg Jutta Koether. Unganzheitssymbole: K (Hommage an Kenneth Anger), 2004. Oil on canvas, 19 2/3 x 15 3/4 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/images/articles/k/085-koether-jutta-2018/2018-1374_02.jpg Installation view, Jutta Koether – Tour de Madame, Museum Brandhorst. Photo: Johannes Haslinger, Bayerische Staatsgemäldesammlungen. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York. https://www.studiointernational.com/index.php/loie-holloway-interview-dominant-recessive-pace-gallery-london https://www.studiointernational.com/images/articles/h/077-hollowell-loie-2018/A-Gentle-Meeting-of-Tips.jpg Loie Hollowell. A Gentle Meeting of Tips, 2018.
 Oil paint, acrylic medium, sawdust, and high-density foam on linen mounted on panel, 121.9 × 91.4 × 8.9 cm. © Loie Hollowell, Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/h/077-hollowell-loie-2018/Something-Acidic.jpg Loie Hollowell. Something Acidic, 2018. Oil paint, acrylic medium, sawdust and high-density foam on linen mounted on panel, 121.9 × 91.4 × 8.9 cm. © Loie Hollowell, Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/h/077-hollowell-loie-2018/Dead-End.jpg Loie Hollowell. Dead End, 2018. 
Oil paint, acrylic medium, sawdust and high-density foam on linen mounted on panel, 121.9 × 91.4 × 8.3 cm. © Loie Hollowell, Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/h/077-hollowell-loie-2018/Low-Hanging-Fruit.jpg Loie Hollowell. Low Hanging Fruit, 2018.
 Oil paint, acrylic medium, sawdust, and high-density foam on linen mounted on panel, 
121.9 × 91.4 × 7.6 cm. © Loie Hollowell, Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/h/077-hollowell-loie-2018/HOLLOWELL_INST_PGL_2018_v30.jpg Loie Hollowell: Dominant/Recessive, installation view. Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/h/077-hollowell-loie-2018/Dominant_Recessive,.jpg Loie Hollowell. Dominant/Recessive, 2018.
 Oil paint, acrylic medium, sawdust and high-density foam on linen mounted on panel, 
121.9 × 91.4 × 8.9 cm © Loie Hollowell, Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/h/077-hollowell-loie-2018/HOLLOWELL_portrait_03.jpg Loie Hollowell. Courtesy Pace Gallery. https://www.studiointernational.com/index.php/banu-cennetoglu-interview-howbeit-exhibition-chisenhale-gallery-london-liverpool-biennial-the-list https://www.studiointernational.com/images/articles/c/074-cennetoglu-banu-2018/03_Banu-Cennetoglu-at-Chisenhale-Gallery.jpg Banu Cennetoğlu. 1 January 1970 – 21 March 2018 · H O W B E I T · Guilty feet have got no rhythm · Keçiboynuzu · AS IS · MurMur · I measure every grief I meet · Taq u Raq · A piercing Comfort it affords · Stitch · Made in Fall · Yes. But. We had a golden heart. · One day soon I’m gonna tell the moon about the crying game (2018). Installation view, Chisenhale Gallery, 2018. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/c/074-cennetoglu-banu-2018/04_Banu-Cennetoglu-at-Chisenhale-Gallery.jpg Banu Cennetoğlu. 1 January 1970 – 21 March 2018 · H O W B E I T · Guilty feet have got no rhythm · Keçiboynuzu · AS IS · MurMur · I measure every grief I meet · Taq u Raq · A piercing Comfort it affords · Stitch · Made in Fall · Yes. But. We had a golden heart. · One day soon I’m gonna tell the moon about the crying game (2018). Installation view, Chisenhale Gallery, 2018. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/c/074-cennetoglu-banu-2018/07_Banu-Cennetoglu-at-Chisenhale-Gallery.jpg Banu Cennetoğlu. 1 January 1970 – 21 March 2018 · H O W B E I T · Guilty feet have got no rhythm · Keçiboynuzu · AS IS · MurMur · I measure every grief I meet · Taq u Raq · A piercing Comfort it affords · Stitch · Made in Fall · Yes. But. We had a golden heart. · One day soon I’m gonna tell the moon about the crying game (2018). 599 paper pages, 297 x 420 mm. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/c/074-cennetoglu-banu-2018/06_Banu-Cennetoglu-at-Chisenhale-Gallery.jpg Banu Cennetoğlu. 1 January 1970 – 21 March 2018 · H O W B E I T · Guilty feet have got no rhythm · Keçiboynuzu · AS IS · MurMur · I measure every grief I meet · Taq u Raq · A piercing Comfort it affords · Stitch · Made in Fall · Yes. But. We had a golden heart. · One day soon I’m gonna tell the moon about the crying game (2018). Installation view, Chisenhale Gallery, 2018. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/c/074-cennetoglu-banu-2018/01_Banu-Cennetoglu-at-Chisenhale-Gallery.jpg Banu Cennetoğlu. 1 January 1970 – 21 March 2018 · H O W B E I T · Guilty feet have got no rhythm · Keçiboynuzu · AS IS · MurMur · I measure every grief I meet · Taq u Raq · A piercing Comfort it affords · Stitch · Made in Fall · Yes. But. We had a golden heart. · One day soon I’m gonna tell the moon about the crying game (2018). Installation view, Chisenhale Gallery, 2018. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/index.php/spellbound-magic-ritual-and-witchcraft-review-ashmolean-museum https://www.studiointernational.com/images/articles/s/070-spellbound-2018/The-Planet-Man,-from-a-Flemish-Book-of-Hours,-after-1488.jpg The Planet Man, from a Flemish Book of Hours, after 1488. Ink on parchment. The Bodleian Library, University of Oxford (MS Douce 311). https://www.studiointernational.com/images/articles/s/070-spellbound-2018/Witch-bottle-(c)-Pitt-Rivers-Museum,-University-of-Oxford.jpg A witch trapped in a bottle, England, c1850. Glass, silver, cork and wax, 110 cm. © Pitt Rivers Museum, University of Oxford. https://www.studiointernational.com/images/articles/s/070-spellbound-2018/Bulls-heart-(c)-Pitt-Rivers-Museum,-University-of-Oxford.jpg Bull’s heart pierced with iron nails and thorns. Found in a chimney at Shutes Hill Farm, Somerset, date unknown, 13 x 9 cm. © Pitt Rivers Museum, University of Oxford. https://www.studiointernational.com/images/articles/s/070-spellbound-2018/Barn-door.jpg Oak calf-shed door marked with magical symbols to protect livestock. From Laxfield, Suffolk, 19th century, 183 x 94 cm. Private collection. https://www.studiointernational.com/images/articles/s/070-spellbound-2018/Salvator-Rosa-(c)-National-Gallery,-London.jpg Salvator Rosa (1615–73). Witches at their Incantations, c1646. Oil on canvas, 72 x 132 cm. © National Gallery, London. https://www.studiointernational.com/images/articles/s/070-spellbound-2018/Helen-Duncan.jpg Helen Duncan emerging from curtains with ‘ectoplasm’ – her hands holding those of others at the séance, Edinburgh, 1933. Photograph © Senate House Library, University of London. https://www.studiointernational.com/index.php/birgitta-hosea-interview-erasure-hanmi-gallery-seoul https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/Erasure_exhibition_Seoul2018-03.jpg Birgitta Hosea, Erasure, installation view, Hanmi Gallery, Seoul, 2018. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/Erasure_film_still01_2017.jpg Birgitta Hosea, Erasure, film still, 2017. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/RosaryDrawing12_remnant_2018.jpg Birgitta Hosea. Rosary Drawing XII, 2015. Paper, 29.7 x 21cm. Remnant left behind after performance. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/Erasure_exhibition_Seoul2018-04.jpg Birgitta Hosea, Erasure, installation view, Hanmi Gallery, Seoul, 2018. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/OutThereintheDark_LethabyGallery-2008.jpg Birgitta Hosea, Out There in the Dark, 2008. Performance with projected animation , dimension variable, looped duration varies. From the first performance in the Lethaby Gallery, Central Saint Martins, London, 2008. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/Erasure_exhibition_Seoul2018.jpg Birgitta Hosea, Erasure, installation view, Hanmi Gallery, Seoul, 2018. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/RosaryDrawing12_Performance-51.jpg Birgitta Hosea. Rosary Drawing XII, 2015. Photograph, 29.7 x 21cm. Documentation of performance at 51% Remember Her exhibition, Tower Gallery, London, 2017. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/RosaryDrawing12_HandsAction.jpg Birgitta Hosea. Rosary Drawing XII, 2015. Photograph, 29.7 x 21cm. Documentation of performance at 51% Remember Her exhibition, Tower Gallery, London, 2017. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/RosaryDrawing12_Hands.jpg Birgitta Hosea. Rosary Drawing XII, 2015. Photograph, 29.7 x 21cm. Documentation of performance at 51% Remember Her exhibition, Tower Gallery, London, 2017. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/Erasure_film_still02_2017.jpg Birgitta Hosea, Erasure, film still, 2017. Window cleaner, bleach, fullers earth, ink, stop motion and digital animation, 3 min. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/Erasure_film_still03_2017.jpg Birgitta Hosea, Erasure, film still, 2017. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/ScrubbedClean_installation_2018.jpg Birgitta Hosea. Scrubbed Clean, 2018. Bleach, Cif, bicarbonate of soda and flour on paper with projected animation, 260 x 470 cm. Installation view. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/ScrubbedClean_detail_2018.jpg Birgitta Hosea. Scrubbed Clean, 2018 (detail). Bleach, Cif, bicarbonate of soda and flour on paper with projected animation, 260 x 470 cm. Installation view. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/BHbyCarolineKerslake.jpg Birgitta Hosea, 2017. Photo: Caroline Kerslake. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/Erasure_exhibition_Seoul2018-05.jpg Birgitta Hosea, Erasure, installation view, Hanmi Gallery, Seoul, 2018. https://www.studiointernational.com/images/articles/h/076-hosea-birgitta-2018/HanmiGallerySeoul.jpg Hanmi Gallery Seoul. https://www.studiointernational.com/index.php/victoria-and-albert-museum-dundee-review-kengo-kengo-kuma https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/V_Awith-DiscoveryAdjacent-HuftonCrow_064.jpg V&A Dundee alongside the RSS Discovery. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/FoyerLookingBackToEntranceV_A-Dundee_Scotland_HuftonCrow_111.jpg V&A Dundee, Scotland. Foyer, looking back towards the entrance. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/CafeAndGlassLiftV_A-Dundee_Scotland_HuftonCrow_123.jpg V&A Dundee, Scotland. Cafe and glass elevator. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/WideStaircaseWithSeatingAreasV_A-Dundee_Scotland-087.jpg V&A Dundee, Scotland. Wide staircase with seating areas. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/ViewFromFirstStoreyBalconyV_A-Dundee_Scotland_082.jpg V&A Dundee, Scotland. View from the first-floor balcony. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/DuskExteriorV_A-Dundee_Scotland_HuftonCrow_061.jpg V&A Dundee, Scotland. Exterior view at dusk. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/StairsWithViewThroughToRestaurantV_A-Dundee_Scotland_HuftonCrow_101.jpg V&A Dundee, Scotland. Stairs with view through to restaurant. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/NightViewV_A-Dundee_Scotland_HuftonCrow_122.jpg V&A Dundee, Scotland. Exterior view at night. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/PublicRealmRiverfront.jpg V&A Dundee, Scotland. Public access to river frontage. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/TwoTwistingPyramidsFormAGatewayV_A-Dundee_Scotland_HuftonCrow_105.jpg V&A Dundee, Scotland. Two twisting pyramids form a gateway. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/GatewayBetweenBuildingsAtDuskV_A-Dundee_Scotland_HuftonCrow_118.jpg V&A Dundee, Scotland. Gateway between buildings. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/ScottishDesignGalleriesV_A-Dundee_Scotland_HuftonCrow_096.jpg V&A Dundee, Scotland. Scottish design galleries. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/CRMackintoshOakRoomV_A-Dundee_Scotland_HuftonCrow_063.jpg V&A Dundee, Scotland. Mackintosh Oak Room. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/ViewFromTheRiverTayV_A-Dundee_Scotland-074.jpg V&A Dundee, Scotland. View from the River Tay. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/TempExhibitionSpaceFirstFloorV_A-Dundee_Scotland_HuftonCrow_115.jpg V&A Dundee, Scotland. First floor temporary exhibition space. © HuftonCrow. https://www.studiointernational.com/images/articles/v/095-vanda-dundee-2018/V_A-Dundee_EntranceFoyer-HuftonCrow_067.jpg V&A Dundee, Scotland. Entrance foyer. © HuftonCrow. https://www.studiointernational.com/index.php/vanessa-brazeau-interview https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/Art-Spin-Aug2017-77.jpg Vanessa Brazeau. The Solution Mat. Image: Priam Thomas for Art Spin, Toronto, CA, 2017. https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/Solution_Training.jpg Vanessa Brazeau. Solution Training. Image: Jan-Willem van Rijberk and SEA Foundation, Tilburg, NL, 2017. https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/IMG_3236.jpg Vanessa Brazeau. The Solution Mat. Image: Iva Kirova and Kunstfest Weimar, Weimar, DE, 2016. https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/IMG_3424.jpg Vanessa Brazeau. The Solution Mat. Image: Iva Kirova and Kunstfest Weimar, Weimar, DE, 2016. https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/IMG_0013.jpg Vanessa Brazeau. Flex with DAX. Image: Daphna Westerman for the Forecast Forum at the House of World Cultures, Berlin DE, 2018. https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/Vanessa_Brazeau_Portrait_2018_09.jpg Vanessa Brazeau, portrait. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/brazeau-vanessa-1.jpg Vanessa Brazeau. Ideogging Workshop. Images: Hilde Speet for the Showroom MAMA exhibition Condition, Rotterdam, NL, 2016. https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/brazeau-vanessa-3.jpg Vanessa Brazeau. Ideogging Workshop. Images: Hilde Speet for the Showroom MAMA exhibition Condition, Rotterdam, NL, 2016. https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/brazeau-vanessa-4.jpg Vanessa Brazeau. Ideogging Workshop. Images: Hilde Speet for the Showroom MAMA exhibition Condition, Rotterdam, NL, 2016. https://www.studiointernational.com/images/articles/b/071-brazeau-vanessa-2018/brazeau-vanessa-2.jpg Vanessa Brazeau. Skin-fade disconnected slick-back. Image: Janez Klenovsek for the Fotopub exhibition at Simulaker Gallery, Novo Mesto, SI, 2018. https://www.studiointernational.com/index.php/glenstone-museum-125-million-dollar-extension-mitchell-emily-rales-thomas-phifer https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-Aerial-2.jpg Aerial view of the Pavilions and the Gallery. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-Aerial_Iwan-Baan.jpg The Pavilions with Richard Serra’s Contour 290, 2004, and Tony Smith’s Smug, 1973/2005. Photo: Iwan Baan. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-Approach-to-the-Pavilions_Iwan-Baan.jpg Approach to the Pavilions. Photo: Iwan Baan. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-Jeff-Koons-Split-Rocker_Iwan-Baan.jpg Jeff Koons’ Split-Rocker, 2000, is the first outdoor sculpture visitors see at Glenstone Museum. Photo: Iwan Baan. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-Felix-Gonzalez-Torres-Untitled_Jerry-L.jpg Felix Gonzalez-Torres, Untitled, 1992-1995. © The Felix Gonzalez-Torres Foundation. Photo: Jerry L. Thompson. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-Approach-to-the-Gallery_Iwan-Baan.jpg Approach to the Gallery. Photo: Iwan Baan. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-Pavilions-Passage_Iwan-Baan.jpg The passage in the Pavilions. Photo: Iwan Baan. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-Tony-Smith-Smug_Iwan-Baan.jpg Tony Smith, Smug, 1973/2005. One of the outdoor sculptures installed at Glenstone Museum. Photo: Iwan Baan. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-Water-Court_Iwan-Baan.jpg Water Court at the Pavilions, Glenstone Museum. Photo: Iwan Baan. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/g/087-glenstone-2018/Glenstone-The-Gallery_Scott-Frances.jpg The Gallery. Photo: Scott Frances. Courtesy: Glenstone Museum. https://www.studiointernational.com/index.php/orlando-at-the-present-time-charleston-house-review-virginia-woolf-vanessa-bell-duncan-grant https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/New-gallery-courtyard-1.jpg New gallery courtyard. Photo: Axel Hesslenberg. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/5_Orlando_Dust-Jacket.jpg Original dust jacket for Orlando: A Biography. Courtesy The Charleston Trust. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/2_Matt-Smith_Pink_-(c)-Matt-Smith.jpg Matt Smith. Pink, 2017. Wool. © Matt Smith, courtesy Matt Smith. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/Senny-Mzolo,-Obserbatory,-Cape-Town,-2012.jpg Zanele Muholi. Senny Mzolo, Observatory, Cape Town, 2012. © Zanele Muholi. Courtesy of Stevenson, Cape Town/Johannesburg and Yancey Richardson, New York. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/Zanele-Muholi-Axel-Hesslenberg.jpg Zanele Muholi, gallery view. Photo: Axel Hesslenberg. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/01_Vanessa-Bell-and-Duncan-Grant-Famous-Women-dinner-service-all-plates.jpg Vanessa Bell and Duncan Grant. Famous Women Dinner Service, 1932. Courtesy PIANO NOBILE, Robert Travers (Works of Art) Ltd. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/08_Vanessa-Bell.jpg Vanessa Bell and Duncan Grant. Vanessa Bell, 1932. Courtesy PIANO NOBILE, Robert Travers (Works of Art) Ltd. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/09_Virginia-Woolf.jpg Vanessa Bell and Duncan Grant. Virginia Woolf, 1932. Courtesy PIANO NOBILE, Robert Travers (Works of Art) Ltd. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/6_Kaye-Donachie_our-tears-for-smiles_(c)-Kaye-Donachie.jpg Kaye Donachie. Our tears for smiles, 2018. Oil on linen. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/3_Vanessa-Bell_Angelica-as-the-Russian-Princess_(c)-Estate-of-Vanessa-Bell-courtesy-of-Henrietta-Garnett.jpg Vanessa Bell. Angelica as the Russian Princess, photographed in the south of France, 1928. Photograph. © Estate of Vanessa Bell courtesy of Henrietta Garnett. Courtesy The Charleston Trust. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/4_Virginia-Woolf.jpg Artist unknown. Virginia Woolf, c1934. Photograph. Courtesy The Charleston Trust. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/7_Somnyama-Ngonyama-II,-Oslo,-2015_1081OP.jpg Zanele Muholi. Somnyama Ngonyama II, Oslo, 2015. Photograph. © Zanele Muholi. Courtesy of Stevenson, Cape Town/Johannesburg and Yancey Richardson, New York. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/01_miss-1933.jpg Vanessa Bell and Duncan Grant. Famous Women Dinner Service, 1932 (detail, Miss 1933). Courtesy PIANO NOBILE, Robert Travers (Works of Art) Ltd. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/03_Charlotte-Bronte.jpg Vanessa Bell and Duncan Grant. Charlotte Bronte, 1932. Courtesy PIANO NOBILE, Robert Travers (Works of Art) Ltd. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/05_Greta-Garbo.jpg Vanessa Bell and Duncan Grant. Greta Garbo, 1932. Courtesy PIANO NOBILE, Robert Travers (Works of Art) Ltd. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/07_Duncan-Grant.jpg Vanessa Bell and Duncan Grant. Duncan Grant, 1932. Courtesy PIANO NOBILE, Robert Travers (Works of Art) Ltd. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/Ricki-Kgositau,-Gaborone,-Botswana,-2014.jpg Zanele Muholi. Ricki Kgositau, Melville, Johannesburg, 2013. © Zanele Muholi. Courtesy of Stevenson, Cape Town/Johannesburg and Yancey Richardson, New York. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/House-Exterior,-Photo-credit-Grace-Towner.jpg Charleston House, exterior view. Photo: Grace Towner. https://www.studiointernational.com/images/articles/c/073-charleston-house-2018/Charleston-galleries-(2).jpg Charleston galleries. Photo: Axel Hesslenberg. https://www.studiointernational.com/index.php/renzo-piano-the-art-of-making-buildings-review-royal-academy-of-arts https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/RenzoPianoPortrait.jpg Italian architect Renzo Piano poses at his workshop in Paris, 2015. Photo © Francois Mori/AP/REX/Shutterstock. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/CentroBotinSantander.jpg Renzo Piano Building Workshop, Centro Botín, Santander, 2017. Photo © Enrico Cano. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/WhitneyMuseumOfAmericanArtNewYork.jpg Renzo Piano Building Workshop, Whitney Museum of American Art, New York, 2015. Photo © Nic Lehoux. © RPBW. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/RARoomShotWithFloatingComponents.jpg Installation view with floating components, Renzo Piano: The Art of Making Buildings, Royal Academy of Arts, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/RenzoPianoInterviewFilm.jpg Film of interview with Renzo Piano, installation view, Renzo Piano: The Art of Making Buildings, Royal Academy of Arts, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/IBM-Pavilion-Component-And-Model.jpg IBM Pavilion, Component and model. Installation view, Renzo Piano: The Art of Making Buildings, Royal Academy of Arts, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/Jean-Marie-Tjibaou-Cultural-CentrePavilion.jpg Renzo Piano Building Workshop, Jean-Marie Tjibaou Cultural Centre, Nouméa, 1998. Photo © Sergio Grazia. © ADCK - centre culturel Tjibaou/RPBW. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/ModelJean-MarieTjibaou-CulturalCentre.jpg Jean-Marie Tjibaou Cultural Centre (1991-98), model. Installation view, Renzo Piano: The Art of Making Buildings, Royal Academy of Arts, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/TheShardLondon.jpg The Shard, London 2000-12. Photograph: © Chris Martin. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/ShardInModel.jpg The Shard, model, installation view, Renzo Piano: The Art of Making Buildings, Royal Academy of Arts, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/ShardSketch.jpg Renzo Piano, The Shard: A View from St Thomas Street, 2018. © RPBW. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/JeromeSeydouxPatheFoundationParis.jpg Renzo Piano Building Workshop, Jérôme Seydoux Pathé Foundation, Paris, 2014. Photo © Michel Denancé. © RPBW. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/JeromeSeydouxPatheFoundationModel.jpg Jerome Seydoux Pathé Foundation, model. Installation view, Renzo Piano: The Art of Making Buildings, Royal Academy of Arts, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/ModelJean-MarieTjibaouCCInLandscape.jpg Jean-Marie Tjibaou Cultural Centre (1991-98), model of landscape. Installation view, Renzo Piano: The Art of Making Buildings, Royal Academy of Arts, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/RPianoShowVisitorsImmersedInContent.jpg Visitors immersed in content. Installation view, Renzo Piano: The Art of Making Buildings, Royal Academy of Arts, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/082-piano-renzo-2018/SectionOfGreenRoofCaliforniaAcademyOfSciences.jpg Section of green roof, California Academy of Sciences, installation view, Renzo Piano: The Art of Making Buildings, Royal Academy of Arts, London. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/3d-festival-dundee-v-and-a-opening-review-primal-scream-jim-lambie https://www.studiointernational.com/images/articles/d/086-dundee-3d-festival-2018/Primal-Scream.jpg Primal Scream performing at the 3D Festival, V&A Dundee opening, with screen visuals by artist Jim Lambie. Photo: Christiana Spens. https://www.studiointernational.com/images/articles/d/086-dundee-3d-festival-2018/Hello-World-2.jpg 3D Festival, V&A Dundee opening with light, sound and graphics show by Biome Collective and Agency of None. https://www.studiointernational.com/images/articles/d/086-dundee-3d-festival-2018/Hello-World.jpg 3D Festival, V&A Dundee opening with light, sound and graphics show by Biome Collective and Agency of None. https://www.studiointernational.com/images/articles/d/086-dundee-3d-festival-2018/VADUNDEE_RossFraserMcLean.jpg 3D Festival, V&A Dundee opening. Photo: Ross Fraser McLean. https://www.studiointernational.com/index.php/heidi-bucher-parasol-unit-foundation-for-contemporary-art https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/HB_Borg_1976_close-up.jpg Heidi Bucher. Borg, 1976. Textile, latex, mother-of-pearl pigments, bamboo, approx 230 x 350 x 100 cm (90½ x 137¾ x 39¼ in). Estate of Heidi Bucher. Photo: Mayo Bucher. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/HB_Heute-fliesst-das-Wasser-aus-dem-Krug-(The-water-flows-out-of-the-pitcher-today)_1986.jpg Heidi Bucher. Heute fliesst das Wasser aus dem Krug (The water flows out of the pitcher today), 1986. Textile, latex, wood, glue, colour and mother-of-pearl pigments, approx 100 x 117 x 123 cm (39¼ x 46 x 48½ in). Estate of Heidi Bucher. Photo: Daniele Kehr. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/Heidi-Bucher-installation-(18).jpg Heidi Bucher, installation view at Parasol unit, London, September 2018. Photo: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/HB_Anna-Mannheimer-mit-Zielscheibe-(Anna-Mannheimer-with-Target)_1975.jpg Heidi Bucher. Anna Mannheimer mit Zielscheibe (Anna Mannheimer with Target), 1975. Latex, cotton, mother-of-pearl pigment, 213 x 200 x 2 cm (83¾ x 78¾ x ¾ in). Estate of Heidi Bucher. Photo: Daniele Kehr. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/HB_Kleines-Glasportal-Bellevue-Kreuzlingen_1988.jpg Heidi Bucher. Kleines Glasportal, Bellevue Kreuzlingen (Small glass portal, Bellevue Kreuzlingen), 1988. Textile, latex, approx 340 x 465 cm (133¾ x 183 in) . Estate of Heidi Bucher. Installation views at Art Basel Unlimited, 2016. Photo: Robert Glowacki, courtesy The Approach, London. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/Heidi-Bucher-installation-(25).jpg Heidi Bucher, installation view at Parasol unit, London, September 2018. Photo: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/HB_Dragonfly_costume-object_c-1976.jpg Heidi Bucher. Libellenkleid (Dragonfly costume object), 1976. Textile, latex and mother-of-pearl pigments, approx 246 x 295 x 15 cm (96¾ x 116¼ x 6 in). Estate of Heidi Bucher. Photo: Daniele Kehr. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/Heidi-Bucher-installation-(26).jpg Heidi Bucher, installation view at Parasol unit, London, September 2018. Photo: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/Heidi-Bucher-installation-(13).jpg Heidi Bucher, installation view at Parasol unit, London, September 2018. Photo: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/Heidi-Bucher-installation-(3).jpg Heidi Bucher, installation view at Parasol unit, London, September 2018. Photo: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/b/070-bucher-heidi-2018/Heidi-Bucher-installation-(5).jpg Heidi Bucher, installation view at Parasol unit, London, September 2018. Photo: Benjamin Westoby. Courtesy of Parasol unit foundation for contemporary art. https://www.studiointernational.com/index.php/ian-davenport-video-interview-colourscapes-waddington-custot-horizons-dallas-contemporary https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/B44164_4.jpg Ian Davenport. Mirrored Place, 2017. Acrylic on stainless steel mounted onto aluminium panel (with additional floor section), 118 1/8 x 157 1/2 in (300 x 400 cm). Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/B44684-7.jpg Ian Davenport. La Cra, Harvest (After Van Gogh), 2018. Acrylic on aluminium mounted onto aluminium panel (with additional floor section), 114 1/4 x 78 3/4 in (290 x 200 cm). Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/B44796_0.jpg Ian Davenport. Blossom, 2018. Acrylic on paper, 60 x 48 in (152.4 x 121.9 cm). Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/ian-davenport-video-interview.jpg Ian Davenport talking to Studio International about his exhibition Colourscapes, at Waddington Custot Gallery, London, 18 September 2018. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/B44164_7.jpg Ian Davenport. Mirrored Place, 2017 (detail). Acrylic on stainless steel mounted onto aluminium panel (with additional floor section), 118 1/8 x 157 1/2 in (300 x 400 cm). Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/B44683-1.jpg Ian Davenport. Olympia, 2018. Acrylic on aluminium mounted onto aluminium panel (with additional floor section), 114 1/4 x 78 3/4 in (290 x 200 cm). Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/B44756_0.jpg Ian Davenport. Flow 2, 2018. Acrylic on aluminium mounted onto aluminium panel, 20 x 20 in (50.8 x 50.8 cm). Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/B44833_0.jpg Ian Davenport. Delta, 2018. Acrylic on aluminium mounted onto aluminium panel, 31 1/2 x 31 1/2 in (79.8 x 79.8 cm). Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/Davenport-View-02.jpg Ian Davenport: Colourscapes, gallery view, Waddington Custot, London, 20 September – 8 November 2018. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/Davenport-View-05.jpg Ian Davenport: Colourscapes, gallery view, Waddington Custot, London, 20 September – 8 November 2018. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/Davenport-View-06.jpg Ian Davenport: Colourscapes, gallery view, Waddington Custot, London, 20 September – 8 November 2018. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/Davenport-View-08.jpg Ian Davenport: Colourscapes, gallery view, Waddington Custot, London, 20 September – 8 November 2018. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/d/085-davenport-ian-2018/ian-davenport-waddington-custot-exterior-view.jpg Ian Davenport: Colourscapes, street view, Waddington Custot, London, 20 September – 8 November 2018. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/knock-knock-humour-in-contemporary-art-review-south-london-gallery https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Ugo-Rondinone1.jpg Ugo Rondinone. If There Were Anywhere But Desert, Friday, 2002. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Matthew-Higgs-Portrait-(landscape)-2006.jpg Matthew Higgs. No Oil Painting (Portrait (landscape), 2006. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Martin-Creed-Work-No.jpg Martin Creed. Work No 603, 2008. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Lichtenstein,-Knock-Knock.jpg Roy Lichtenstein. Knock, Knock Poster, 1975. Line-cut, in black, on Arches paper, 65.4 x 47.6 cm. © Estate of Roy Lichtenstein/DACS/Artimage 2018. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Sarah-Lucas-Yves.jpg Sarah Lucas. Yves, 2018. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Pilvi-Takala,-Real-Snow-White.jpg Pilvi Takala. Real Snow White, 2009. 9:15 min video. Courtesy the artist, Carlos/Ishikawa London. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Eleanor-Antin-From-100-Boots.jpg Eleanor Antin. 100 Boots, 1971-3 (detail). Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Hardeep-Pandhal.jpg Hardeep Pandhal. Konfessions of a Klabautermann, 2017. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Joyce-Pensato-(right)-Martin-Creed-(background).jpg Joyce Pensato, installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Bedwyr-Williams.jpg Bedwyr Williams. Fucking Inbred Welsh Sheepshagger, 2018. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Ugo-Rondinone2.jpg Ugo Rondinone. If There Were Anywhere But Desert, Friday, 2002. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Tom-Friedman-Untitled-(silver-foil-guitarist).jpg Tom Friedman. Untitled (silver-foil guitarist). Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Martin-Creed-(Work-No798).jpg Martin Creed. Work No 798. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/084-knock-knock-2018/Basim-Magdy-Good-Things-Happen-When-You-Least-Expect-Them-(2010).jpg Basim Magdy. Good Things Happen When You Least Expect Them, 2010. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/oceania-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/o/094-oceania-2018/Lisa-II.jpg Lisa Reihana, in front of in Pursuit of Venus (infected), 2015-17, Oceania exhibition, Royal Academy of Arts, London, 29 September – 10 December 2018 © Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2014. Additional support from Creative New Zealand and NZ at Venice Patrons and Partners © courtesy of the artist and ARTPROJECTS. Photo: David Parry. https://www.studiointernational.com/images/articles/o/094-oceania-2018/key-325.jpg Ahu ula (feather cloak) belonging to Liholoho, Kamehameha II., early 19th century. Feathers, fibre, painted barkcloth (on reverse), 207 cm. Museum of Archaeology and Anthropology, University of Cambridge . https://www.studiointernational.com/images/articles/o/094-oceania-2018/key-79.jpg Feather god image (akua hulu manu), late 18th century, Hawaiian Islands. Fibre, feathers, human hair, pearl shell, seed, dog teeth, 62 x 30 cm. Photo: © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/o/094-oceania-2018/Key-84.jpg Female tattooed figure, 18th or early 19th century, Aitutaki, Cook Islands. Wood, pigment, height 58 cm. © Five Continents Museum, Munich. Photo: Marianne Franke. https://www.studiointernational.com/images/articles/o/094-oceania-2018/Fiona.jpg Fiona Pardington, in front of Portrait of a life-cast of Matoua Tawai (The Pressure of Sunlight Falling series), 2010, in the Memory and Commemoration room, Oceania exhibition, Royal Academy of Arts, London, 29 September – 10 December 2018. © courtesy of the artist and Starkwhite, New Zealand. Photo: David Parry. https://www.studiointernational.com/images/articles/o/094-oceania-2018/key-56.jpg Canoe prow figure nguzunguzu. Wood, pigments, resin, shell, 16.5 x 9 x 15.5 cm. Marovo Lagoon, New Georgia Archipelago, Solomon Islands, collection Eugen Paravicini 1929, © Vb 7525; Museum der Kulturen Basel. Photo: Derek Li Wan Po, 2013, all rights reserved. https://www.studiointernational.com/index.php/the-old-stile-press-frances-nicolas-mcdowall-video-interview https://www.studiointernational.com/images/articles/o/093-old-stile-press-2018/blue-book-cover.jpg Philip Sutton RA, his family & his friends (book cover). Woodcuts by Philip Sutton 1950s-1970s. 43 x 44 cm. Published in 1998 by The Old Stile Press. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/o/093-old-stile-press-2018/hunts-bay-old-stile-press.jpg Hunt’s Bay by Vernon Watkins, images by Nicolas McDowall. Published in 2018, 40 x 28 cm, The Old Stile Press. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/o/093-old-stile-press-2018/old-stile-press.jpg Nicolas and Frances McDowall talking to Studio International about the Old Stile Press, 11 September 2018. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/o/093-old-stile-press-2018/the-swimmer.jpg The Swimmer by S.J. Butler, images by Steffi Pusch, 32 x 23 cm, The Old Stile Press. Photograph: Martin Kennedy. https://www.studiointernational.com/images/articles/o/093-old-stile-press-2018/hunts-bay-title-page.jpg Hunt’s Bay by Vernon Watkins, images by Nicolas McDowall. Published in 2018, 40 x 28 cm. Photograph: Martin Kennedy. https://www.studiointernational.com/index.php/chagall-lissitzky-malevich-the-russian-avant-garde-in-vitebsk-1918-1922-review-jewish-museum https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/13_Chagall_Over-Vitebsk.jpg Marc Chagall. Over Vitebsk, 1915-20, after a 1914 painting. Oil on canvas, 26 3/8 x 36 ½ in (67 x 92.7 cm). Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/04.jpg Marc Chagall. Anywhere out of the World, 1915-19. Oil on cardboard mounted on canvas, 61 x 47.5 cm. The Museum of Modern Art, Gunma, Japan, extended Loan from the Bureau of Public Utilities, Gunma Prefectural Government. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/03_Chagall_Onward,-Onward.jpg Marc Chagall. Onward, Onward, 1918. Study for the first anniversary of the October Revolution Graphite and gouache on gridlined paper, 9 ¼ x 13 ¼ in (23.4 x 33.7 cm). Centre Pompidou, Musée Nationale d’Art Moderne, Paris. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/09-1986-121g_1-lissitzky.jpg El Lissitzky. Had Gadya Suite: The Fire Came and Burnt the Stick, 1919. Lithograph on paper, 16 × 14 in (40.6 × 35.6 cm). The Jewish Museum, New York. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/17_Ermolaeva_Design-for-Futuristic-Opera.jpg Vera Ermolaeva. Design for Futuristic Opera Victory over the Sun, 1920. Woodcut with watercolour additions, 6 5/8 x 7 15/16 in (16.8 x 20.2 cm). The Museum of Modern Art, New York. Larry Aldrich Fund, 1977. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/11_Yakerson_Suprematist-Composition.jpg David Yakerson. Suprematist Composition (Walking Robot), 1920. Pencil and ink on paper, 13 5/8 x 8 11/16 in (34.5 x 22 cm). Vitebsk Regional Museum of Local History. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/10_Pen_Portrait-of-Marc-Chagall.jpg Yuri (Yehuda) Pen. Portrait of Marc Chagall, 1914. Oil on canvas, 54 x 51 cm. Ministry of Culture of the Republic of Belarus. National Art Museum of the Republic of Belarus, Minsk. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/05_Chagall_Self-Portrait-at-the-Easel.jpg Marc Chagall. Self-Portrait with Easel, 1919. Gouache on paper, 7 5/16 x 8 7/8 in (18.5 x 22.5 cm). Private collection. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/02_Yakerson_Sketch-Panel-with-a-Worker-Figure.jpg David Yakerson. Sketch for the Composition Panel with the Figure of a Worker, 1918. Watercolour and ink on paper, 18 ½ x 13 3/8 in (47 x 34 cm). Vitebsk Regional Museum of Local History. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/06_Chagall_Profile-at-the-Window.jpg Marc Chagall. Profile at the Window, 1918. Graphite, gouache, and ink on cardboard, 22 x 16.8 cm. Centre Pompidou, Musée Nationale d’Art Moderne, Paris. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/07_Chagall_Village-Walkingjpg.jpg Marc Chagall. To What Use Will This Limpid Clarity Be to Me? (Village Walking), illustration for David Hofstein’s Mourning, 1920. Ink on vellum, 32.6 x 29 cm. Centre Pompidou, Musée Nationale d’Art Moderne, Paris. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/08-1986-121a_1-lissitzky.jpg El Lissitzky. Had Gadya Suite: Cover, 1919. Lithograph on paper, 16 × 14 in. (40.6 × 35.6 cm). The Jewish Museum, New York. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/12_Chagall_Cubist-Landscape.jpg Marc Chagall. Cubist Landscape, 1919. Oil, tempera, graphite, and plaster on canvas, 39 3/8 x 23 ¼ in (100 x 59 cm). Centre Pompidou, Musée Nationale d’Art Moderne, Paris, donation of Ida Chagall, 1984. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/14_Khidekel_Vitebsk-Street.jpg Lazar Khidekel. Vitebsk Street, 1920. Dry brush on cardboard, 21.8 x 15.1 cm. Lazar Khidekel Family Archives and Art Collection. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/15_Malevich_Mystic-Suprematism.jpg Kazimir Malevich. Mystic Suprematism (Red Cross on Black Circle), 1920-22. Oil on canvas, 72.5 x 51 cm. Stedelijk Museum Collection, Amsterdam. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/16_Lissitzky_Proun-6.jpg El Lissitzky. Proun 6, 1919-20. Oil on canvas, 31 7/8 x 23 ¼ in (81 x 59 cm ). Kulturstiftung Sachsen-Anhalt, Kunstmuseum Moritzburg Halle (Saale), Germany. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/18_Khidekel_Suprematist-Composition.jpg Lazar Khidekel. Suprematist Composition with Blue Square, 1921. Ink, watercolour, and graphite on paper, 7 ¼ x 7 ¼ in (18.4 x 18.4 cm). Lazar Khidekel Family Archives and Art Collection. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/19_Chashnik_Suprematist-Composition.jpg Ilya Chashnik. Suprematist Composition: Design for a Pictorial Relief, c1921. Pen and ink, graphite, and watercolour on paper, 15.2 x 15.2 cm. Vladimir Tsarenkov Collection, London. https://www.studiointernational.com/images/articles/c/072-chagall-lissitzky-2018/20-1-Malevich_Half-Teacup_back.jpg Kazimir Malevich, Ilya Chashnik. Half Teacup, 1923. Made by the State Porcelain Manufactory (former Imperial Manufactory), Petrograd enameled, glazed and molded porcelain, (h)6 x (w)10.8 x (d)5.2 cm ((h)2 3/8 x (w)4 1/4 x (d)2 1/16 in). Cooper Hewitt, Smithsonian Design Museum, Smithsonian Institution, New York. The Henry and Ludmilla Shapiro Collection; Partial gift and partial purchase through the Decorative Arts Association Acquisition and Smithsonian Collections Acquisition Program Funds. https://www.studiointernational.com/index.php/jusepe-de-ribera-art-of-violence-dulwich-picture-gallery https://www.studiointernational.com/images/articles/r/085-ribera-2018/Ribera-Martyrdom-of-St-Bartholomew-(Catalunya).jpg Jusepe de Ribera, Martyrdom of Saint Bartholomew, 1644. Oil on canvas, 202 x 153 cm. Museu Nacional d’Art de Catalunya, Barcelona. © Museu Nacional d’Art de Catalunya, Barcelona, 2018. Photo: Calveras/Mérida/Sagristà. https://www.studiointernational.com/images/articles/r/085-ribera-2018/Ribera-St-Sebastian-Tended-by-the-Holy-Women.jpg Jusepe de Ribera, Saint Sebastian Tended by the Holy Women, c1620-23. Oil on canvas, 180 x 231 cm. Museo de Bellas Artes de Bilbao. © Bilboko Arte Ederren Museoa-Museo de Bellas Artes de Bilbao. https://www.studiointernational.com/images/articles/r/085-ribera-2018/Ribera-Inquisition-Scene.jpg Jusepe de Ribera, Inquisition Scene, after 1635. Pen and brown ink with wash, 20.6 x 16.5 cm. Museum of Art, Rhode Island School of Design, Providence, Museum Works of Art Fund 56.060. Photo: Erik Gould, courtesy of the Museum of Art, Rhode Island School of Design, Providence. https://www.studiointernational.com/images/articles/r/085-ribera-2018/Ribera-Studies-of-the-Nose-and-Mouth.jpg Jusepe de Ribera, Studies of the Nose and Mouth, c1622. Etching, 14 x 21.6 cm. The British Museum, London. © The Trustees of the British Museum. All rights reserved. https://www.studiointernational.com/images/articles/r/085-ribera-2018/Ribera-Apollo-and-Marsyas.jpg Jusepe de Ribera, Apollo and Marsyas, 1637. Oil on canvas, 182 x 232 cm. Museo e Real Bosco di Capodimonte, Naples. Photo: Museo e Real Bosco di Capodimonte on kind concession from the Ministero dei beni e delle attività culturali e del turismo. https://www.studiointernational.com/images/articles/r/085-ribera-2018/Ribera-Study-of-a-Bat-and-Two-Ears.jpg Jusepe de Ribera, A Bat and Two Ears, early 1620s. Red chalk, brush and red wash, 15.9 x 27.9 cm. The Metropolitan Museum of Art, Rogers Fund, 1972. Photo: © 2018. Image copyright The Metropolitan Museum of Art/Art Resource/ Scala, Florence. https://www.studiointernational.com/index.php/future-knowledge-review-modern-art-oxford https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Eline-McGeorge,-On-Joined-Flight-Lines.jpg Eline McGeorge, On Joined Flight Lines 1, 2018. Courtesy of the artist and Hollybush Gardens. Photo: Andy Keate. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Tania-Kovats,-Evaporation,-Atlantic.jpg Tania Kovats, Atlantic, Indian, Pacific, all 2015. Courtesy the artist and Pippy Houldsworth Gallery, London. Copyright Chris Foster / Museum of Science and Industry, Manchester. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Eve-060.jpg Eve Mutso, loop, 2018. Commissioned by The Fruitmarket Gallery, Edinburgh. Photo: David Grinly. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Rachel-Sussman,-Llareta.jpg Rachel Sussman, Llareta #0308-2B31 (2,000 + years old; Atacama Desert, Chile), 2008. Photo © Rachel Sussman. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Future-Knowledge-(11).jpg Future Knowledge, installation view, Modern Art Oxford, 2018. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Future-Knowledge-(13).jpg Future Knowledge, installation view, Modern Art Oxford, 2018. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Lucy-Kimbell-Air-Pollution-Toile-repeat.jpg Lucy Kimbell, Air Pollution Toile, 2018. Photo © Lucy Kimbell. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Future-Knowledge-(27).jpg Andy Owen. Whole Milk, 2018. Installation view, Future Knowledge, Modern Art Oxford, 2018. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Future-Knowledge-(23).jpg Future Knowledge, installation view, Modern Art Oxford, 2018. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Andy-Owen,-Monument-to-the-Ancients.jpg Andy Owen, Monument to the Ancients – Paphos, 2017. Photo © Andy Owen. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Eline-McGeorge,-On-Joined-Flight-Lines-2.jpg Eline McGeorge, On Joined Flight Lines 2, 2018. Courtesy of the artist and Hollybush Gardens. Photo: Andy Keate. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Future-Knowledge-(4).jpg Future Knowledge, installation view, Modern Art Oxford, 2018. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Lucy-Kimbell-Air-Pollution-Toile-closeup1.jpg Lucy Kimbell, Air Pollution Toile, 2018 (detail). Photo © Lucy Kimbell. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/Tania-Kovats,-All-the-Islands-of-all-the-Seas.jpg Tania Kovats, All the Islands of all the Seas, 2016. Courtesy the artist and Pippy Houldsworth Gallery, London. Copyright Chris Foster / Museum of Science and Industry, Manchester. https://www.studiointernational.com/images/articles/f/088-future-knowledge-2018/image1.jpg Eve Mutso, loop, 2018. Commissioned by The Fruitmarket Gallery, Edinburgh. Photo: Chris Scott. https://www.studiointernational.com/index.php/space-shifters-review-hayward-gallery-london-ann-veronica-janssens-anish-kapoor https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/09-Daniel-Steegmann-Mangrane,-2018.jpg Daniel Steegmann Mangrané, ⊂⊃, 2018. Installation view at Space Shifters © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/10-Yayoi-Kusama-Narcissus-Garden,-1966.jpg Yayoi Kusama, Narcissus Garden, 1966–. Installation view at Space Shifters © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/08-Jeppe-Hein-360-Illusion-V,-2018.jpg Jeppe Hein, 360° Illusion V, 2018. Installation view at Space Shifters © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/13-Larry-Bell-Standing-Walls,-1969-2016.jpg Larry Bell, Standing Walls, 1969_2016. Installation view at Space Shifters © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/15-De-Wain-Valentine-Gray-Column,-1975-76.jpg De Wain Valentine, Gray Column, 1975–76. Installation view at Space Shifters © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/12-Fred-Eversley-Untitled-(Parabolic-Lens),-1971.jpg Fred Eversley, Untitled (Parabolic Lens), 1971. Installation view at Space Shifters © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/16-Monika-Sosnowska-Handrail,-2016-18.jpg Monika Sosnowska, Handrail, 2016-18. Installation view at Space Shifters © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/14-Anish-Kapoor-Sky-Mirror,-Blue,-2016.jpg Anish Kapoor, Sky Mirror, Blue, 2016. Installation view at Space Shifters © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/06-Alicja-Kwade-WeltenLinie,-2017.jpg Alicja Kwade, WeltenLinie, 2017. Installation view at Space Shifters © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/069-space-shifters-2018/01-Richard-Wilson-20-50,-(1987).jpg Richard Wilson, 20:50, 1987. Installation view at Space Shifters. © copyright the artist, courtesy Hayward Gallery 2018. Photo: Mark Blower. https://www.studiointernational.com/index.php/berlinde-de-bruyckere-stages-and-tales-review-hauser-and-wirth-somerset https://www.studiointernational.com/images/articles/b/069-bruyckere-belinde-de-2018/5.jpg Berlinde De Bruyckere, Stages & Tales, installation view, Hauser & Wirth Somerset, 2018. © Berlinde De Bruyckere. Courtesy the artist and Hauser & Wirth. Photo: Mirjam Devriendt. https://www.studiointernational.com/images/articles/b/069-bruyckere-belinde-de-2018/6.jpg Berlinde De Bruyckere, Stages & Tales, installation view, Hauser & Wirth Somerset, 2018. © Berlinde De Bruyckere. Courtesy the artist and Hauser & Wirth. Photo: Mirjam Devriendt. https://www.studiointernational.com/images/articles/b/069-bruyckere-belinde-de-2018/1.jpg Berlinde De Bruyckere, Courtyard Tales, 2017-2018. Blankets, wood, polyurethane, epoxy, 275 x 270 x 42 cm. © Berlinde De Bruyckere. Courtesy of the artist and Hauser & Wirth. Photo: Mirjam Devriendt. https://www.studiointernational.com/images/articles/b/069-bruyckere-belinde-de-2018/3.jpg Berlinde De Bruyckere, Courtyard tales V, 2018. Blankets, wood, polyurethane, epoxy, 350 x 260 x 50 cm. © Berlinde De Bruyckere. Courtesy of the artist and Hauser & Wirth. Photo: Mirjam Devriendt. https://www.studiointernational.com/images/articles/b/069-bruyckere-belinde-de-2018/4.jpg Berlinde De Bruyckere, Anderlecht, 2018. Wax, iron, epoxy, 103 x 163 x 137 cm. © Berlinde De Bruyckere. Courtesy of the artist and Hauser & Wirth. Photo: Mirjam Devriendt. https://www.studiointernational.com/images/articles/b/069-bruyckere-belinde-de-2018/2.jpg Berlinde De Bruyckere, Anderlecht III, 2018. Wax, iron, epoxy, 116 x 146 x 128 cm. © Berlinde De Bruyckere. Courtesy of the artist and Hauser & Wirth. Photo: Mirjam Devriendt. https://www.studiointernational.com/images/articles/b/069-bruyckere-belinde-de-2018/8.jpg Berlinde De Bruyckere, Stages & Tales, installation view, Hauser & Wirth Somerset, 2018. © Berlinde De Bruyckere. Courtesy the artist and Hauser & Wirth. Photo: Mirjam Devriendt. https://www.studiointernational.com/images/articles/b/069-bruyckere-belinde-de-2018/7.jpg Berlinde De Bruyckere, Stages & Tales, installation view, Hauser & Wirth Somerset, 2018. © Berlinde De Bruyckere. Courtesy the artist and Hauser & Wirth. Photo: Mirjam Devriendt. https://www.studiointernational.com/index.php/martin-eder-parasites-review-newport-street-gallery-london https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/Martin-Eder_Lunacy_-2018.jpg Martin Eder, Lunacy, 2018. Oil on canvas, 285 x 380 cm. © Martin Eder, all rights reserved VG Bildkunst Bonn 2018. Courtesy Newport Street Gallery. Photo: Uwe Walter. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/Martin-Eder-Detection-2015.jpg Martin Eder, Detection, 2015-2018. Oil on canvas, 50 x 35 cm. © Martin Eder, all rights reserved. VG Bildkunst Bonn 2018. Courtesy Newport Street Gallery. Photo: Uwe Walter. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/Martin-Eder-Schlangenbiss-Snakebite-2017.jpg Martin Eder, Schlangenbiss (Snakebite), 2017. Oil on canvas, 75 x 50 cm. © Martin Eder, all rights reserved VG Bildkunst Bonn 2018. Courtesy Newport Street Gallery. Photo: Uwe Walter. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/Martin-Eder_The-Inescapable-Untiy-of-Love_2010.jpg Martin Eder, The Inescapable Untiy of Love, 2010-2018. Oil on canvas, 285 x 380 cm. © Martin Eder, all rights reserved VG Bildkunst Bonn 2018. Courtesy Newport Street Gallery. Photo: Uwe Walter. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/Martin-Eder_The-Reaper_2013.jpg Martin Eder, The Reaper, 2013-2018. Oil on canvas, 150 x 110 cm. © Martin Eder, all rights reserved VG Bildkunst Bonn 2018_Courtesy Newport Street Gallery. Photo: Uwe Walter. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/Martin-Eder_Your-God-Is-High-on-Misery_2018_Oil-on-canvas_2850-x-3800_.jpg Martin Eder, Your God Is High on Misery, 2018. Oil on canvas, 285 x 380 cm. © Martin Eder, all rights reserved VG Bildkunst Bonn 2018. Courtesy Newport Street Gallery. Photo: Uwe Walterjpg. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/Installation-view,-Parasites,-Martin-Eder-at-Newport-Street-Gallery.jpg Martin Eder, Parasites at Newport Street Gallery, installation view. Photo by Prudence Cumming Associates. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/Installation-view,-Parasites,-Martin-Eder-at-Newport-Street-Gallery-2.jpg Martin Eder, Parasites at Newport Street Gallery, installation view. Photo by Prudence Cumming Associates. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/Martin-Eder-Portrait,-Parasites.jpg Martin Eder portrait, Parasites, Newport Street Gallery, Prudence Cummings Associates. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/GALLERY-4-V5Installation-view,-Parasites,-Martin-Eder-at-Newport-Street-Gallery-2.jpg Martin Eder, Parasites at Newport Street Gallery, installation view. Photo by Prudence Cumming Associates. https://www.studiointernational.com/images/articles/e/089-eder-martin-2018/GALLERY-4-V5Installation-view,-Parasites,-Martin-Eder-at-Newport-Street-Gallery.jpg Martin Eder, Parasites at Newport Street Gallery, installation view. Photo by Prudence Cumming Associates. https://www.studiointernational.com/index.php/dan-graham-rock-n-roll-video-interview-lisson-gallery-london https://www.studiointernational.com/images/articles/g/086-graham-dan-2018/Dan-Graham-Rock-n-Roll-Photographer-Jack-Hems-2.jpg Dan Graham. Two V https://www.studiointernational.com/images/articles/g/086-graham-dan-2018/Dan-Graham-Rock-n-Roll-Photographer-Jack-Hems.jpg Dan Graham. Play Pen for Play Pals, 2018. Stainless steel, glass and two way mirror, 230 x 233.4 x 308.4 cm (90 1/2 x 91 7/8 x 121 3/8 in). © Dan Graham. Photo: Jack Hems. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/g/086-graham-dan-2018/Dan-Graham-Rock-n-Roll-Photographer-Jack-Hems-3.jpg Dan Graham. Don https://www.studiointernational.com/images/articles/g/086-graham-dan-2018/dan-graham-video-interview.jpg Dan Graham speaking to Studio International at Lisson Gallery, London 2018. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/stephen-farthing-interview-the-miracle-paintings-salisbury-cathedral https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/The-Miracle-of-Song-by-Stephen-Farthing-RA---photo-by-Ash-Mills-(1).jpg Stephen Farthing RA. The Miracle of Song, 2014. Installation view, Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/The-Miracle-of-Thought-(l)-and-The-Miracle-of-The-Deep(r-)-by-Stephen-Farthing-RA---photo-by-Ash-Mills.jpg The Miracle of Thought (left) and The Miracle of The Deep (right) by Stephen Farthing RA. Installation view, Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/The-Miracle-of-our-Earth-by-Stephen-Farthing-RA---photo-by-Ash-Mills.jpg The Miracle of Birth by Stephen Farthing RA. Installation view, Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/Visitors-explore-the-four-works-on-paper---photo-by-Ash-Mills.jpg Visitors explore the four works on paper. The Miracle of Birth by Stephen Farthing RA. Installation view, Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/Stephen-Farthing-RA-The-Miracle-of-the-Deep,-2013credit-Dan-Stevens.jpg Stephen Farthing RA. The Miracle of the Deep, 2013. Oil, acrylic and gesso on canvas, 207 x 173 cm. Photo: Dan Stevens. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/Miracles-revealed---Salisbury-Cathedral-Chaplain-Kayode-Ejibunu-studies-The-Miracle-of-Thought-(l)-and-The-Miracle-of-the-Deep-(r)---photo-by-Ash-Mills.jpg Miracles revealed - Salisbury Cathedral Chaplain. Kayode Ejibunu studies The Miracle of Thought (left) and The Miracle of the Deep (right). Photo: Ash Mills. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/Stephen-Farthing-RA-The-Miracle-of-the-Hand-Made-2012-credit-Dan-Stevens.jpg Stephen Farthing RA. The Miracle of the Hand Made, 2012. Oil, acrylic and gesso on canvas, 207 x 173 cm. Photo: Dan Stevens. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/Stephen-Farthing-RA-The-Miracle-of-Song-2014-credit-Dan-Stevens.jpg Stephen Farthing RA. The Miracle of Song, 2014. Oil, acrylic and gesso on canvas, 207 x 173 cm. Photo: Dan Stevens. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/The-Miracle-of-Birth-by-Stephen-Farthing-RA-at-Salisbury-Cathedral---photo-by-Ash-Mills.jpg The Miracle of Birth by Stephen Farthing RA. Installation view, Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/Stephen_Farthing_Dan_Stevens_photo_6.jpg Stephen Farthing. Photo: Dan Stevens. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/Stephen-Farthing-RA-The-Miracle-of-Geometry,-2011-credit-Dan-Stevens.jpg Stephen Farthing RA. The Miracle of Geometry, 2011. Oil, acrylic and gesso on canvas, 207 x 173 cm. Photo: Dan Stevens. https://www.studiointernational.com/images/articles/f/088-farthing-stephen-2018/The-Miracle-of-Birth-by-Stephen-Farthing-RA-at-Salisbury-Cathedral---photo-by-Ash-Mills-(1).jpg The Miracle of Birth by Stephen Farthing RA. Installation view, Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/index.php/doris-salcedo-review-white-cube-bermondsey-tabula-rasa-palimpsest-shibboleth https://www.studiointernational.com/images/articles/s/070-salcedo-doris-2018/Doris-Salcedo-Palimpsest-White-Cube-Bermondsey-28-September---11-November-2018-(medium-res).jpg Doris Salcedo, Palimpsest, 2013−17 (detail). Installation view, White Cube, Bermondsey, 2018. © the artist. Photo © White Cube. https://www.studiointernational.com/images/articles/s/070-salcedo-doris-2018/Doris-Salcedo-Palimpsest-White-Cube-Bermondsey-28-September---11-November-2018-(medium-res)-1.jpg Doris Salcedo, Tabula Rasa, 2018. Installation view, White Cube, Bermondsey, 2018. © the artist. Photo © White Cube. https://www.studiointernational.com/images/articles/s/070-salcedo-doris-2018/Doris-Salcedo,-Tabula-Rasa-(1).jpg Doris Salcedo, Tabula Rasa, 2018 (detail). Installation view, White Cube, Bermondsey, 2018. © the artist. Photo © White Cube. https://www.studiointernational.com/images/articles/s/070-salcedo-doris-2018/Doris-Salcedo-Tabula-Rasa-V-2018-(medium-res).jpg Doris Salcedo, Tabula Rasa, 2018 (detail). Installation view, White Cube, Bermondsey, 2018. © the artist. Photo © White Cube. https://www.studiointernational.com/images/articles/s/070-salcedo-doris-2018/Doris-Salcedo-Palimpsest-2013---2017-(medium-res).jpg Doris Salcedo, Palimpsest, 2013−17. Installation view, White Cube, Bermondsey, 2018. © the artist. Photo © White Cube. https://www.studiointernational.com/index.php/vienna-design-week-2018-review https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/RooftopGarden-640.jpg Sophienspital rooftop garden art by landscape architects Auböck + Kárász. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/SophienspitalRooftopGardenArtByAubock+Karasz.jpg Sophienspital rooftop garden art by landscape architects Auböck + Kárász. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/Unseen-Edible.jpg Julia Schwarz. Unseen Edibles – Lichens as a source of Nutrition. © Kollektiv Fischka - Philipp Podesser, Vienna Design Week. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/PosterArtbyMariaInesGul.jpg Poster art by Maria Ines Gul. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/Batti-Project-Sophienspital.jpg Batti Project, Sophienspital. © Kollektiv Fischka - Philip Podesser, Vienna Design Week. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/Rituals-for-Boredom.jpg Rituals for Boredom. © Kollektiv Fischka - Philip Podesser, Vienna Design Week. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/M-maurer-workshop.jpg M Maurer workshop with Laurids Gallée’s wall lamp visible. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/LauridsGalleeLamp.jpg Laurids Gallée’s wall lamp. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/HanakamSchullerDisplayAtLobmeyr.jpg Markus Hanakam and Roswitha Schuller display at J&L Lobmeyr. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/PosterArtByMartiszu-in-Sophienspital-Grounds.jpg Poster art by Martiszu in the Sophienspital Grounds. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/KlemensSchillingerDisplayInSophienspital.jpg Klemens Schillinger’s display in Sophienspital. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/094-vienna-design-week-2018/SixGenerationsOfSilversmithsAtJarosinski&Vaugoin.jpg Six generations of silversmiths at Jarosinski & Vaugoin. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/billy-apple-artist-has-to-live-like-everybody-else-1961-2018-interview https://www.studiointernational.com/images/articles/a/078-apple-billy-2018/The-Artist-Has-To-Live-Like-Everybody-Else.jpg Billy Apple, The Artist Has to Live Like Everybody Else, 1985 / 2018. UV impregnated ink on canvas, 100 x 161.8 x 3.5 cm (39 3/8 x 63 3/4 in). Photo courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/a/078-apple-billy-2018/billy-apple-Bartered.jpg Billy Apple, Bartered, 1984 / 2018. UV impregnated ink on canvas, available in sizes A0, A1, A2, A3. Photo courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/a/078-apple-billy-2018/billy-apple-IOU.jpg Billy Apple, Promissory Notes: I.O.U. (red), 1984-2018. UV impregnated ink on canvas, available in sizes A0, A1, A2, A3. Photo courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/a/078-apple-billy-2018/billy-apple-2018.jpg Billy Apple speaking to Studio International at The Mayor Gallery, London 2018. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/078-apple-billy-2018/billy-apple-mayor-gallery-2018-1.jpg Billy Apple, The Artist Has to Live Like Everybody Else, 1962–2018, installation view, The Mayor Gallery, London 2018. https://www.studiointernational.com/images/articles/a/078-apple-billy-2018/billy-apple-mayor-gallery-2018-3.jpg Billy Apple, The Artist Has to Live Like Everybody Else, 1962–2018, installation view, The Mayor Gallery, London 2018. https://www.studiointernational.com/images/articles/a/078-apple-billy-2018/billy-apple-FOR-SALE.jpg Billy Apple, FOR SALE (test strip), 1961. Letterpress on canvas, 21.7 x 74.5 cm (8 1/2 x 29 3/8 in). Photo courtesy The Mayor Gallery, London. https://www.studiointernational.com/images/articles/a/078-apple-billy-2018/billy-apple-PAID-24Oct.jpg Billy Apple, PAID: The Artist Has to Live Like Everybody Else, 4 x British Rail tickets: £219 Kings X London to Berwick on Tweed 18 Oct 2010 Offset lithography on paper, 1987 / 2018. Photo courtesy The Mayor Gallery, London. https://www.studiointernational.com/index.php/franz-west-retrospective-review-pompidou-centre-tate-modern https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0012.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0051.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0005.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0028.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0055.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0068.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0001.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0020.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/15.jpg Franz West, Rrose/Drama, 2001. Aluminium and car-body paint, 210 × 540 × 240 cm. Telenor Art Collection. Photo © DR / All rights reserved . https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0034.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0041.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/01_0053.jpg Franz West retrospective, installation view, Pompidou Centre, Paris. Photo © Philippe Migeat - Centre Pompidou. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/11-die-aluskulptur-2000.jpg Franz West, Plakatentwurf (Die Aluskulptur) [Poster project (The Aluminum sculpture)], 2000. Collage and gouache on paper, 86 × 61.5 cm. Franz West Privatstiftung / Estate Franz West, Vienne. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/18-plakatentwurf-2008.jpg Franz West, Poster project (Passstücke, Gagosian Gallery, New York NY), 2008. Collage on cardboard, 114 × 133 cm . Franz West Privatstiftung / Estate Franz West, Vienna. Photo © Birgit und Peter Kainz, Franz West Privatstiftung. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/2-franz-west-sex-trivial-1972.jpg Franz West, Sex Trivial, 1972. Gouache on paper, 14.3 × 21 cm. Private collection. Courtesy David Zwirner, New York / London / Hong Kong. Photo © Auktionshaus Im Kinsky GmbH. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/3-franz-west-untitled-1974.jpg Franz West, Untitled (drawing from actionist inspiration), c1974. Pen, self-adhesive papers on paper, 21 × 15 cm. Franz West Privatstiftung / Estate Franz West, Vienna. Photo © DR / All rights reserved. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/8-lemurenkopfe-in-franz-wests-studio-1992.jpg Lemur Heads, Franz West’s studio, Vienna, 1992. Plaster, gauze, cardboard, iron, acrylic, foam and rubber, four pieces, 243.8 × 127 × 121.9 cm / 243.8 × 137.2 × 76.2 cm / 218.4 × 124.5 × 53.3 cm / 221 × 109.2 × 73.7 cm. Pinault collection. Photo © Harald Schönfellinger. https://www.studiointernational.com/images/articles/w/089-west-franz-2018/9-plural-franz-west-1995.jpg Franz West, Plural, 1995. Iron, wood, paint, linoleum, 387 × 396 cm. Museum Ludwig, Cologne. Photo © Rheinisches Bildarchiv, Marion Mennicken. https://www.studiointernational.com/index.php/goldsmiths-centre-for-contemporary-art-review-assemble https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/BasementGalleryIvorCutlerExhibition.jpg Ivor Cutler exhibition in the basement gallery. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/Entrance.jpg Goldsmiths Centre For Contemporary Art. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/GoldsmithsCCACafe.jpg Goldsmiths Centre For Contemporary Art, Cafe. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/SkylightOverPoolStudiosOriginal.jpg Skylight over pool studios, Goldsmiths Centre For Contemporary Art. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/SpiralStaircaseAtRear.jpg Spiral staircase, Goldsmiths Centre For Contemporary Art. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/TheTankGallery.jpg Mika Rottenberg, Frying Pans, 2018, Tank gallery, Goldsmiths Centre For Contemporary Art. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/View2FromRoofTerrace.jpg View from the roof terrace, Goldsmiths Centre For Contemporary Art. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/Goldsmiths-CCA_Project-Space_Copyright-Assemble.jpg Goldsmiths Centre For Contemporary Art, project space. Image courtesy of Assemble. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/LeftoverBathsEngineeringElements.jpg Original bathhouse engineering elements, Goldsmiths Centre For Contemporary Art. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/Goldsmiths-CCA_Cafe-2_Copyright-Assemble.jpg Goldsmiths Centre For Contemporary Art, interior view. Image courtesy of Assemble. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/Goldsmiths-CCA_Basement-Gallery-2_Copyright-Assemble.jpg Goldsmiths Centre For Contemporary Art, basement gallery. Image courtesy of Assemble. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/Goldsmiths-CCA_Entrance(Exterior)-5_Copyright-Assemble.jpg Goldsmiths Centre For Contemporary Art, entrance view. Image courtesy of Assemble. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/FirstFloorScreeningRoomNoNoseKnows-(2015).jpg First floor screening room showing Mika Rottenberg’s NoNoseKnows, 2015. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/Goldsmiths-CCA_Lantern-Gallery-2_Copyright-Assemble.jpg Goldsmiths Centre For Contemporary Art, Lantern gallery. Image courtesy of Assemble. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/Goldsmiths-CCA_Stairwell-2_Copyright-Assemble.jpg Goldsmiths Centre For Contemporary Art, stairwell. Image courtesy of Assemble. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/MikaRottenburg-bunnies-and-pearls.jpg Mika Rottenberg. Bags of pearls and rabbits festooned with beads, installation view, Goldsmiths Centre For Contemporary Art. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/NewSpaceInsertedIntoOld(Basement).jpg Basement: new space inserted into old, Goldsmiths Centre For Contemporary Art. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/085-goldsmiths-2018/DryingRacksInCafe.jpg Original metal laundry racks in the cafe, Goldsmiths Centre For Contemporary Art. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/phoebe-unwin-interview-field-collezione-maramotti-reggio-emilia https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/01-Approach.jpg Phoebe Unwin. Approach, 2017. Oil on canvas, 183 x 153 cm. © the artist. Courtesy Amanda Wilkinson Gallery, London. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/04-Headway.jpg Phoebe Unwin. Headway, 2018. Oil on canvas, 51 x 41 cm. © the artist. Courtesy Amanda Wilkinson Gallery, London. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/05-Diverted-Pedestrian.jpg Phoebe Unwin. Diverted Pedestrian, 2018. Oil on canvas, 72 x 50 cm. © the artist. Courtesy Amanda Wilkinson Gallery, London. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/Small-Figure.jpg Phoebe Unwin. Small Figure, 2018. Oil on canvas, 183 x 153 cm. © the artist. Courtesy Amanda Wilkinson Gallery, London. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/06-Untitled.jpg Phoebe Unwin. Untitled, 2018. Charcoal on paper, 59.5 x 42 cm. © the artist. Courtesy Amanda Wilkinson Gallery, London. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/07-Untitled.jpg Phoebe Unwin. Untitled, 2018. Charcoal on paper, 29.5 x 21 cm. © the artist. Courtesy Amanda Wilkinson Gallery, London. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/Nightfall.jpg Phoebe Unwin. Nightfall, 2018. Oil on canvas, 183 x 153 cm. © the artist. Courtesy Amanda Wilkinson Gallery, London. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/Sunstretch.jpg Phoebe Unwin. Sunstretch, 2018. Oil on canvas, 183 x 153 cm. © the artist. Courtesy Amanda Wilkinson Gallery, London. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/02-Field.jpg Phoebe Unwin. Field, 2018. Oil on canvas, 183 x 153 cm. © the artist. Courtesy Amanda Wilkinson Gallery, London. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/09-Exhibition-view-PU.jpg Phoebe Unwin, Field, exhibition view, Collezione Maramotti, 2018. Left to right: Nightfall, 2018; Sun Stretch, 2018; Small Figure, 2018. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/u/098-unwin-phoebe-2018/10-Exhibition-view-PU.jpg Phoebe Unwin, Field, exhibition view, Collezione Maramotti, 2018. Photo: Dario Lasagni. https://www.studiointernational.com/index.php/pierre-le-tan-interview-all-my-paintings-end-up-looking-like-drawings-collection-monsieur-x https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/09.jpg Pierre Le-Tan: The Collection of Monsieur X, installation view at Tristan Hoare Gallery, London. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/04.jpg Pierre Le-Tan, Mr X., 2018. Ink and gouache on paper. © Pierre Le-Tan. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/05.jpg Pierre Le-Tan, The Collector, 2018. Ink and gouache on paper. © Pierre Le-Tan. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/08.jpg Pierre Le-Tan, Untitled, 2017. Ink on painted wood, 16.5 x 8.9 x 6 cm. © Pierre Le-Tan. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/06.jpg Pierre Le-Tan, White Potteries By A Window, 2018. Ink and gouache on paper. © Pierre Le-Tan. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/07.jpg Pierre Le-Tan, 9 Scenes, 2018. Ink and gouache on paper. © Pierre Le-Tan. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/03.jpg Pierre Le-Tan, Architectural Fragment in Giallo Antico, 2018. Ink and gouache on paper. © Pierre Le-Tan. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/01.jpg Pierre Le-Tan: The Collection of Monsieur X, installation view at Tristan Hoare Gallery, London. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/10.jpg Pierre Le-Tan: The Collection of Monsieur X, installation view at Tristan Hoare Gallery, London. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/images/articles/l/085-le-tan-pierre-2018/11.jpg Pierre Le-Tan: The Collection of Monsieur X, installation view at Tristan Hoare Gallery, London. Image courtesy of Tristan Hoare Gallery. https://www.studiointernational.com/index.php/damien-coulthard-interview-songlines-adnyamathanha-yarta-aboriginal-australian-rebecca-hossack-gallery https://www.studiointernational.com/images/articles/c/071-coulthard-damien-2018/DC001-image.jpg Damien Coulthard, Ararru and Mathari, 2018. Ochre and acrylic on canvas, 120 x 95 cm (47 1/4 x 37 3/8 in). Image courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/c/071-coulthard-damien-2018/DC008-image.jpg Damien Coulthard, Akurra in the Night Sky, 2018. Ochre and acrylic on canvas, 90 x 180 cm (35 3/8 x 70 7/8 in). Image courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/c/071-coulthard-damien-2018/DC002-image.jpg Damien Coulthard, Akurra, the Creator and Keeper of the Flinders Ranges, 2018. Ochre and acrylic on canvas, 170 x 110 cm (66 7/8 x 43 1/4 in). Image courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/c/071-coulthard-damien-2018/DC005-image-(1).jpg Damien Coulthard, Ikara Wilpena Pound, 2018. Ochre and acrylic on canvas, 95 x 204 cm (37 3/8 x 80 1/4 in). Image courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/c/071-coulthard-damien-2018/DC007-image.jpg Damien Coulthard, Lake Frome, 2018. Ochre and acrylic on canvas, 200 x 120 cm (78 3/4 x 47 1/4 in). Image courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/c/071-coulthard-damien-2018/DC009-image-(1).jpg Damien Coulthard, Akurra at Lake Frome, 2018. Ochre and acrylic on canvas, 100 x 152cm (39 3/8 x 59 7/8 in). Image courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/c/071-coulthard-damien-2018/DC006-image-(1).jpg Damien Coulthard, Travelling Serpents - The Gammon Ranges and Flinders Ranges, 2018. Ochre and acrylic on canvas, 170 x 110 cm (66 7/8 x 43 1/4 in). Image courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/c/071-coulthard-damien-2018/DC004-image.jpg Damien Coulthard, Yurlu the Kingfisher - One of the Leaders of the (Malkada) Ceremony, 2018. Ochre and acrylic on canvas, 100 x 150 cm (39 3/8 x 59 1/8 in). Image courtesy Rebecca Hossack Gallery. https://www.studiointernational.com/images/articles/c/071-coulthard-damien-2018/Damien-Coulthard.jpg Damien Coulthard. https://www.studiointernational.com/index.php/modern-couples-art-intimacy-avant-garde-review-barbican https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/03-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Romaine Brooks, Portrait of Luisa Casati, 1920. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/04-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Modern Couples: Art, Intimacy and the Avant-garde. Installation view, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/07-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Frida Kahlo, Le Venadita (little deer), 1946. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/08-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Pablo Picasso, Portrait de femme,1938. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/09-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Leonora Carrington, Bird Superior: Portrait of Max Ernst, c1939. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/12-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Winifred Nicholson, Jake and Kate on the Isle of Wight, 1931. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/13-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Jean Arp, Tänzerin (Danseuse), 1925 and Sophie Taeuber-Arp, Triptyque, 1918. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/18-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Modern Couples: Art, Intimacy and the Avant-garde. Installation view, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/19-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Minya Diez-Dührkoop, Tanzmaske ‘Toboggan Frau’ and ‘Toboggan Mann’ by Lavinia Schulz, 1924. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/05-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Tamara de Lempicka, Les deux amies, 1923. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/20-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Eileen Gray and Jean Badovici. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/images/articles/m/077-modern-couples-2018/21-Modern-Couples,-Barbican-Art-Gallery,-John-Phillips,-Getty-Images.jpg Aino Aalto and Alvar Aalto. Installation view, Modern Couples: Art, Intimacy and the Avant-garde, Barbican Art Gallery, 10 October 2018 – 27 January 2019. © John Phillips / Getty Images. https://www.studiointernational.com/index.php/suspension-history-abstract-hanging-sculpture-1918-2018-review-olivier-malingue https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension,-Olivier-Malingue,-London,-Installation-View,-Photo-Luke-A-Walker(5).jpg Suspension: A History of Abstract Hanging Sculpture, 1918-2018, installation view at Olivier Malingue, London. Photo: Luke A Walker. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension-02.jpg François Morellet’s Sphère-Trame (Sphere-Weft), 1962, installation view, Suspension: A History of Abstract Hanging Sculpture, 1918-2018, Palais d’Iéna. Courtesy of Olivier Malingue Ltd. Photo: Benoît Fougeirol. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Marcel-Duchamp,-Sculpture-for-Travelling,-1918.jpg Marcel Duchamp, Sculpture for Travelling, 1918. Latex, dimensions variable. Courtesy of Association Marcel Duchamp ADAGP, Paris ET Dacs, London, 2018. Photo: Yoann Groslambert. https://www.studiointernational.com/images/articles/s/068-suspension-2018/rodchenko.jpg Alexander Rodtchenko, Hanging Spatial Construction No. 9, 1920-1921/1923, with Man Ray’s Obstruction, 1920 in the background. Installation view, Suspension: A History of Abstract Hanging Sculpture, 1918-2018, Palais d’Iéna. Courtesy of Olivier Malingue Ltd. Photo: Benoît Fougeirol. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension-03.jpg Suspension: A History of Abstract Hanging Sculpture, 1918-2018, installation view, Palais d’Iéna. Courtesy of Olivier Malingue Ltd. Photo: Benoît Fougeirol. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension-01.jpg Suspension: A History of Abstract Hanging Sculpture, 1918-2018, installation view, Palais d’Iéna. Courtesy of Olivier Malingue Ltd. Photo: Benoît Fougeirol. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Ruth-Asawa,-Untitled-(s2005,-Forme-ouverte-a-cinq-petals)-c-1966.jpg Asawa, Ruth, Untitled (S.2005, Hanging Open Five Petaled Form) c. 1966. Hanging sculpture, copper wire, 11 1/2 x 18 x 18 in (29.2 x 45.7 x 45.7 cm). © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension-11.jpg Suspension: A History of Abstract Hanging Sculpture, 1918-2018, installation view, Palais d’Iéna. Courtesy of Olivier Malingue Ltd. Photo: Benoît Fougeirol. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension-04.jpg Suspension: A History of Abstract Hanging Sculpture, 1918-2018, installation view, Palais d’Iéna. Courtesy of Olivier Malingue Ltd. Photo: Benoît Fougeirol. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension-08.jpg Suspension: A History of Abstract Hanging Sculpture, 1918-2018, installation view, Palais d’Iéna. Courtesy of Olivier Malingue Ltd. Photo: Benoît Fougeirol. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension-10.jpg Suspension: A History of Abstract Hanging Sculpture, 1918-2018, installation view, Palais d’Iéna. Courtesy of Olivier Malingue Ltd. Photo: Benoît Fougeirol. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension,-Olivier-Malingue,-London,-2018_5.jpg Suspension: A History of Abstract Hanging Sculpture, 1918-2018, installation view at Olivier Malingue, London. Photo: Luke A Walker. https://www.studiointernational.com/images/articles/s/068-suspension-2018/Suspension,-Olivier-Malingue,-London,-Installation-View,-Photo-Luke-A-Walker(4).jpg Suspension: A History of Abstract Hanging Sculpture, 1918-2018, installation view at Olivier Malingue, London. Photo: Luke A Walker. https://www.studiointernational.com/index.php/edward-burtynsky-human-signature-review-flowers-gallery-london https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Carrara-Marble-Quarries,-Cava-di-Canalgrande-2,-Carrara,-Italy-2016.jpg Edward Burtynsky. Carrara Marble Quarries, Cava di Canalgrande #2, Carrara, Italy 2016. © Edward Burtynsky, Courtesy Flowers Gallery, London and Metivier Gallery, Toronto. https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Morenci-Mine-1,-Clifton,-Arizona,-USA-2012.jpg Edward Burtynsky. Morenci Mine #1, Clifton, Arizona, USA 2012. Courtesy Flowers Gallery, London and Metivier Gallery, Toronto. https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Oil-Bunkering-4,-Niger-Delta,-Nigeria-2016.jpg Edward Burtynsky. Oil Bunkering #4, Niger Delta, Nigeria, 2016. Courtesy Flowers Gallery, London and Metivier Gallery, Toronto. https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Phosphor-Tailings-Pond-4,-Near-Lakeland,-Florida-2012.jpg Edward Burtynsky. Phosphor Tailings Pond #4, Near Lakeland, Florida 2012. Courtesy Flowers Gallery, London and Metivier Gallery, Toronto. https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Saw-Mills-3,-Log-Booms,-Lagos,-Nigeria-2016.jpg Edward Burtynsky. Saw Mills #3, Log Booms, Lagos, Nigeria 2016. Courtesy Flowers Gallery, London and Metivier Gallery, Toronto, https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Pengah-Wall-2,-Komodo-National-Park,-Indonesia,-2017.jpg Edward Burtynsky. Pengah Wall #2, Komodo National Park, Indonesia, 2017. Courtesy Flowers Gallery, London and Metivier Gallery, Toronto. https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Uralkali-Potash-Mine-3,-Berezniki,-Russia-2017.jpg Edward Burtynsky. Uralkali Potash Mine #3, Berezniki, Russia 2017. Courtesy Flowers Gallery, London and Metivier Gallery, Toronto https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Uralkali-Potash-Mine-4,-Berezniki,-Russia-2017.jpg Edward Burtynsky. Uralkali Potash Mine #4, Berezniki, Russia 2017. Courtesy Flowers Gallery, London and Metivier Gallery, Toronto https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Dandora-Landfill-3,-Plastics-Recycling,-Nairobi,-Kenya-2016.jpg Edward Burtynsky. Dandora Landfill #3, Plastics Recycling, Nairobi, Kenya 2016. Courtesy Flowers Gallery, London and Metivier Gallery, Toronto. https://www.studiointernational.com/images/articles/b/071-burtynsky-2018/Uralkali-Potash-Mine-6,-Berezniki,-Russia-2017.jpg Edward Burtynsky. Uralkali Potash Mine #6, Berezniki, Russia 2017. Courtesy Flowers Gallery, London and Metivier Gallery, Toronto https://www.studiointernational.com/index.php/henrike-naumann-interview-1990s-neo-nazism-fascism-east-germany-austria https://www.studiointernational.com/images/articles/n/090-naumann-henrike-2018/sh18_Henrike_Naumann_Mathias_Voelzke-001.jpg Henrike Naumann: Anschluss ‘90, 2018. Photo: Mathias Völzke https://www.studiointernational.com/images/articles/n/090-naumann-henrike-2018/sh18_Henrike_Naumann_Mathias_Voelzke-011.jpg Henrike Naumann: Anschluss ‘90, 2018. Photo: Mathias Völzke https://www.studiointernational.com/images/articles/n/090-naumann-henrike-2018/sh18_Henrike_Naumann_Mathias_Voelzke-030.jpg Henrike Naumann: Anschluss ‘90, 2018. Photo: Mathias Völzke https://www.studiointernational.com/images/articles/n/090-naumann-henrike-2018/sh18_Henrike_Naumann_Mathias_Voelzke-038.jpg Henrike Naumann: Anschluss ‘90, 2018. Photo: Mathias Völzke https://www.studiointernational.com/images/articles/n/090-naumann-henrike-2018/sh18_Henrike_Naumann_Mathias_Voelzke-015.jpg Henrike Naumann: Anschluss ‘90, 2018. Photo: Mathias Völzke https://www.studiointernational.com/images/articles/n/090-naumann-henrike-2018/sh18_Henrike_Naumann_Mathias_Voelzke-024.jpg Henrike Naumann: Anschluss ‘90, 2018. Photo: Mathias Völzke https://www.studiointernational.com/images/articles/n/090-naumann-henrike-2018/henrike-naumann-portrait-2.jpg Henrike Naumann. Photo: Inga Selch. https://www.studiointernational.com/index.php/magdalena-abakanowicz-presence-essence-identity-mielnicka-video-interview https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/Magdalena-Abakanowicz-w-pracowni,-archiwum-artystki.jpg Magdalena Abakanowicz. Photo © Magdalena Abakanowicz Studio Archive. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/Installation-view-Magdalena-Abakanowicz,-Presence,-Essence,-Identity-at-Stara-Kopalnia,-Walbrzych,-Poland-5.jpg Magdalena Abakanowicz, Presence, Essence, Identity, installation view at Stara Kopalnia, Wałbrzych, Poland. Photo: Linda Parys. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/Installation-view-Magdalena-Abakanowicz,-Presence,-Essence,-Identity-at-Stara-Kopalnia,-Walbrzych,-Poland.jpg Magdalena Abakanowicz, Presence, Essence, Identity, installation view at Stara Kopalnia, Wałbrzych, Poland. Photo: Linda Parys. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/abakanowicz-in-her-studio.jpg Magdalena Abakanowicz. Photo © Magdalena Abakanowicz Studio Archive. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/Installation-view-Magdalena-Abakanowicz,-Presence,-Essence,-Identity-at-Stara-Kopalnia,-Walbrzych,-Poland-2.jpg Magdalena Abakanowicz, Presence, Essence, Identity, installation view at Stara Kopalnia, Wałbrzych, Poland. Photo: Linda Parys. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/Installation-view-Magdalena-Abakanowicz,-Presence,-Essence,-Identity-at-Stara-Kopalnia,-Walbrzych,-Poland-3.jpg Magdalena Abakanowicz, Presence, Essence, Identity, installation view at Stara Kopalnia, Wałbrzych, Poland. Photo: Linda Parys. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/Installation-view-Magdalena-Abakanowicz,-Presence,-Essence,-Identity-at-Stara-Kopalnia,-Walbrzych,-Poland-4.jpg Magdalena Abakanowicz, Presence, Essence, Identity, installation view at Stara Kopalnia, Wałbrzych, Poland. Photo: Linda Parys. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/Installation-view-Magdalena-Abakanowicz,-Presence,-Essence,-Identity-at-Stara-Kopalnia,-Walbrzych,-Poland-6.jpg Magdalena Abakanowicz, Presence, Essence, Identity, installation view at Stara Kopalnia, Wałbrzych, Poland. Photo: Linda Parys. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/Installation-view-Magdalena-Abakanowicz,-Presence,-Essence,-Identity-at-Stara-Kopalnia,-Walbrzych,-Poland-7.jpg Magdalena Abakanowicz, Presence, Essence, Identity, installation view at Stara Kopalnia, Wałbrzych, Poland. Photo: Linda Parys. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/a020.jpg Magdalena Abakanowicz. Photo © Magdalena Abakanowicz Studio Archive. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/a043.jpg Magdalena Abakanowicz. Photo © Magdalena Abakanowicz Studio Archive. https://www.studiointernational.com/images/articles/a/077-abakanowicz-magdalena-2018/magadalena-mielnicka-2018.jpg Magdalena Mielnicka talking to Studio International at Stara Kopalnia Science and Art Centre, Wałbrzych. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/pieter-bruegel-elder-review-kunsthistorisches-museum-vienna https://www.studiointernational.com/images/articles/b/068-bruegel-2018/01.jpg Pieter Bruegel the Elder, Children’s Games, 1560. Oak panel, 118 × 161 cm. Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/07.jpg Pieter Bruegel the Elder, Dulle Griet, 1563. Panel, 117.4 × 162 cm. Antwerp, Museum Mayer van den Bergh © Museum Mayer van den Bergh. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/08.jpg Pieter Bruegel the Elder. The Tower of Babel, 1563. Oak panel, 114 × 155 cm. Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/09.jpg Pieter Bruegel the Elder, Christ Carrying the Cross, 1564. Oak panel, 124 × 170 cm. Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/04.jpg Pieter van der Heyden after Pieter Bruegel the Elder, Big Fish Eat Little Fish, 1557. Engraving, 230 × 296 mm, first state of four. Vienna, Albertina © Albertina, Wien. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/03.jpg Pieter Bruegel the Elder, The Temptation of Saint Anthony, c1556. Pen and brush and brown and greybrown ink, 215 (right) / 216 (left) × 326 mm. Oxford, The Ashmolean Museum, Bequeathed by Frances Douce, 1834. © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/06.jpg Pieter Bruegel the Elder, The Triumph of Death, probably after 1562. Wood, 117 × 162 cm. Madrid, Museo Nacional del Prado © Museo Nacional del Prado. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/11.jpg Pieter Bruegel the Elder, The Gloomy Day, 1565. Oak panel, 118 × 163 cm. Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/15.jpg Pieter Bruegel the Elder, The Painter and the Buyer, c1566. Pen and brown ink, 203 × 309 mm. Vienna, Albertina © The Albertina Museum Vienna. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/10.jpg Pieter Bruegel the Elder, The Haymaking, 1565. Oak panel, 114 × 158 cm. The Lobkowicz Collections, Lobkowicz Palace, Prague Castle © The Lobkowicz Collections. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/02.jpg Pieter Bruegel the Elder, View of the Ripa Grande in Rome, c1555/56. Pen and red-brown and dark brown ink, 207 × 283 mm. © Devonshire Collection, Chatsworth. Reproduced by permission of Chatsworth Settlement Trustee. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/05.jpg Pieter Bruegel the Elder, The Battle between Carnival and Lent, 1559. Oak panel, 118 × 164,5 cm. Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/12.jpg Pieter Bruegel the Elder, Hunters in the Snow, 1565. Oak panel, 117 × 162 cm. Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/13.jpg Pieter Bruegel the Elder, The Peasant Wedding, c1567. Oak, 114 x 164 cm. Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband. https://www.studiointernational.com/images/articles/b/068-bruegel-2018/14.jpg Pieter Bruegel the Elder, Peasant Dance, c1568. Oak panel, 114 × 164 cm. Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband. https://www.studiointernational.com/index.php/photo-politics-austria-review-mumok-vienna https://www.studiointernational.com/images/articles/m/076-mumok-2018/01_imdianabad_1926.jpg Lothar Rübelt. In Dianabad, 1926. The swimmers are resting before the race. Black-and-white photograph © Lothar Rübelt / ÖNB-Bildarchiv / picturedesk.com. https://www.studiointernational.com/images/articles/m/076-mumok-2018/02_justizpalast_brand_1927.jpg Anonymous. Palace of justice on fire, postcard, July 15, 1927, 14 x 9 cm. © Archiv Gerald Piffl / Imagno / picturedesk.com. https://www.studiointernational.com/images/articles/m/076-mumok-2018/07_ernsthaas_heimkehrer_1945_1949.jpg Ernst Haas. From the series: Homecoming. 75 black-and-white photographs on fibreboard. mumok museum Moderner Kunst Stiftung Ludwig Wien, donation of the artist, 1972. © mumok / Victoria Haas, 2017. https://www.studiointernational.com/images/articles/m/076-mumok-2018/16_seiichifuruya_staatsgrenze_teili_1981_1983.jpg Seiichi Furuya. From the series: State border part 1, 1981–1983. 23 black-and-white photographs, 60 x 49 cm. mumok Museum moderner Kunst Stiftung Ludwig Wien, acquired, 1984. © Seiichi Furuya, 2018. https://www.studiointernational.com/images/articles/m/076-mumok-2018/03_luftschiffgrafzeppelin_1931.jpg Anonymous. Airship Count Zeppelin landing at the Aspern Airfield near Vienna, 1931. Black-and-white photograph, 23 x 17 cm. © Austrian Archives / Imagno / picturedesk.com. https://www.studiointernational.com/images/articles/m/076-mumok-2018/04_friedldicker_fuerchtetdentotnichtverachtetdasgeld_1932_1933.jpg Friedl Dicker. Fürchtet den Tot nicht, verachtet das Geld, 1932–1933. Photograph of a photo collage, 51 x 41 cm. Mumok museum Moderner Kunst Stiftung Ludwig Wien, Schenkung Oswald Oberhuber / donation by Oswald Oberhuber, 1979. © mumok. https://www.studiointernational.com/images/articles/m/076-mumok-2018/05_kanzlerdollfuss_london_1933.jpg Anonymous. Chancellor Dollfuß together with the Austrian ambassador Frankenstein in front of an aeroplane, Croydon Airport, London, June 16, 1933. © Austrian Archives / Imagno / picturedesk.com. https://www.studiointernational.com/images/articles/m/076-mumok-2018/06_anschluss_1938.jpg People with swastika flags and Hitler salute await the arrival of Adolf Hitler in Vienna, March 1938. © Votava / imagno / picturedesk.com. https://www.studiointernational.com/images/articles/m/076-mumok-2018/08_marshallplan_1951.jpg Anonymous. Marshall plan, 1951. Distribution of Balloons at Vienna Spring Fair carried an inscription reading: Marshall plan 1951 – Peace – Freedom – Wellbeing. Vienna, Austria, March 15, 1951. © Votava / imagno / picturedesk.com. https://www.studiointernational.com/index.php/new-spirit-then-new-spirit-now-1981-2018-curated-norman-rosenthal-review https://www.studiointernational.com/images/articles/n/091-new-spirit-2018/Almine-Rech-Gallery,-A-New-Spirit-Then,-A-New-Spirit-Now,-1981-2018-2.jpg Almine Rech Gallery, A New Spirit Then, A New Spirit Now, 1981-2018, installation view. https://www.studiointernational.com/images/articles/n/091-new-spirit-2018/Malcolm-Morley,-St-George-and-the-dragon-2016.jpg Malcolm Morley, St. George and the Dragon, 2016. Oil on linen, 132 x 132 cm (framed). Photo: Robert Vinas, Jr. https://www.studiointernational.com/images/articles/n/091-new-spirit-2018/Francesco-Clemente,-Tower-of-Song,-2017,-Oil-on-canvas,-221-x-181cm,-Courtesy-of-the-Artist-and-Almine-Rech-Gallery.jpg Francesco Clemente, Tower of Song, 2017. Oil on canvas, 221 x 181 cm. Courtesy of the Artist and Almine Rech Gallery. Photo: John Berens. https://www.studiointernational.com/images/articles/n/091-new-spirit-2018/Almine-Rech-Gallery,-A-New-Spirit-Then,-A-New-Spirit-Now,-1981-2018-1.jpg Almine Rech Gallery, A New Spirit Then, A New Spirit Now, 1981-2018, installation view. https://www.studiointernational.com/images/articles/n/091-new-spirit-2018/Susan-Rothenberg,-Pink-Raven,-2012,-Photo-James-Hart.jpg Susan Rothenberg, Pink Raven, 2012. Oil on canvas, 159 x 122 cm. Photo: James Hart. https://www.studiointernational.com/images/articles/n/091-new-spirit-2018/Rainer-Fetting,-Prophet-at-the-Sea-of-Galilee,-2007.jpg Rainer Fetting, Prophet at the Sea of Galilee, 2007. Oil on canvas, 210 x 160 cm. Photo: Kerstin Müller, Ute Oedekoven. https://www.studiointernational.com/images/articles/n/091-new-spirit-2018/Almine-Rech-Gallery,-A-New-Spirit-Then,-A-New-Spirit-Now,-1981-2018-7.jpg Almine Rech Gallery, A New Spirit Then, A New Spirit Now, 1981-2018, installation view. https://www.studiointernational.com/images/articles/n/091-new-spirit-2018/Almine-Rech-Gallery,-A-New-Spirit-Then,-A-New-Spirit-Now,-1981-2018-4.jpg Almine Rech Gallery, A New Spirit Then, A New Spirit Now, 1981-2018, installation view. https://www.studiointernational.com/images/articles/n/091-new-spirit-2018/Almine-Rech-Gallery,-A-New-Spirit-Then,-A-New-Spirit-Now,-1981-2018-6.jpg Almine Rech Gallery, A New Spirit Then, A New Spirit Now, 1981-2018, installation view. https://www.studiointernational.com/index.php/yayoi-kusama-moving-moment-when-i-went-to-universe-review-infinity-mirror-victoria-miro https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/QueueForInfinityMirrorRoom.jpg Queue for Yayoi Kusama https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/KUSA1110_INFINITY-MIRRORED-ROOM---MY-HEART-IS-DANCING-INTO-THE-UNIVERSE_2018-i-(1).jpg Yayoi Kusama. INFINITY MIRRORED ROOM - MY HEART IS DANCING INTO THE UNIVERSE, 2018. Wood and glass mirror room with paper lanterns, 304 x 622.4 x 622.4 cm (119 5/8 x 245 1/8 x 245 1/8 in). © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/yk_0723_3.jpg Yayoi Kunama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. © Yayoi Kusama. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/GARDEN-OF-WOMEN-IN-BLOOMING-YOUTH_2018-From-My-Eternal-Soul-series(Jack-Hems)-b.jpg Yayoi Kusama. GARDEN OF WOMEN IN BLOOMING YOUTH, 2018. Acrylic on canvas, 194 x 194 cm (76 3/8 x 76 3/8 in). © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/Yayoi-Kusama_VMG-Wharf-Rd_Lower-Gallery-(Thierry-Bal)-a-(1).jpg Yayoi Kusama, installation view, THE MOVING MOMENT WHEN I WENT TO THE UNIVERSE, Victoria Miro, Wharf Road, London 3 October - 21 December 2018. © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/KUSA1143_PUMPKIN-[WUTIU]_2018-(Jack-Hems)-b.jpg Yayoi Kusama. PUMPKIN [WUTIU], 2018. Acrylic on canvas, 100 x 100 cm (39 3/8 x 39 3/8 in). © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/Yayoi-Kusama_VMG-Wharf-Rd_Garden-(Thierry-Bal)-b-(1).jpg Yayoi Kusama, installation view, FLOWERS THAT SPEAK ALL ABOUT MY HEART GIVEN TO THE SKY, 2018, Victoria Miro, Wharf Road, London 3 October - 21 December 2018. © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/KUSA1110_INFINITY-MIRRORED-ROOM---MY-HEART-IS-DANCING-INTO-THE-UNIVERSE_2018-(Jack-Hems)-b.jpg Yayoi Kusama. INFINITY MIRRORED ROOM - MY HEART IS DANCING INTO THE UNIVERSE, 2018. Wood and glass mirror room with paper lanterns, 304 x 622.4 x 622.4 cm (119 5/8 x 245 1/8 x 245 1/8 in). © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/KUSA1110_INFINITY-MIRRORED-ROOM---MY-HEART-IS-DANCING-INTO-THE-UNIVERSE_2018-(Jack-Hems)-a.jpg Yayoi Kusama. INFINITY MIRRORED ROOM - MY HEART IS DANCING INTO THE UNIVERSE, 2018. Wood and glass mirror room with paper lanterns, 304 x 622.4 x 622.4 cm (119 5/8 x 245 1/8 x 245 1/8 in). © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/KUSA1117_THE-MOVING-MOMENT-WHEN-I-WENT-TO-THE-UNIVERSE_2017-(Jack-Hems)-b.jpg Yayoi Kusama. THE MOVING MOMENT WHEN I WENT TO THE UNIVERSE, 2017. Acrylic on canvas, 194 x 194 cm (76 3/8 x 76 3/8 in). © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/Yayoi-Kusama_My-Eternal-Soul-close-up-Wharf-Rd_No14-(Jack-Hems)-b-(1).jpg Yayoi Kusama, installation view, THE MOVING MOMENT WHEN I WENT TO THE UNIVERSE, Victoria Miro, Wharf Road, London 3 October - 21 December 2018. © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/Yayoi-Kusama_My-Eternal-Soul-series_No14-(Jack-Hems)-a-(1).jpg Yayoi Kusama, installation view, THE MOVING MOMENT WHEN I WENT TO THE UNIVERSE, Victoria Miro, Wharf Road, London 3 October - 21 December 2018. © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/Yayoi-Kusama_MyEternalSoulSeries2-Wharf-Rd_No14-(Jack-Hems)-c-(1).jpg Yayoi Kusama, installation view, THE MOVING MOMENT WHEN I WENT TO THE UNIVERSE, Victoria Miro, Wharf Road, London 3 October - 21 December 2018. © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/images/articles/k/083-kusama-yayoi-2018/Yayoi-Kusama_VMG-Wharf-Rd_Lower-Gallery-(Thierry-Bal)-b-(1).jpg Yayoi Kusama, installation view, THE MOVING MOMENT WHEN I WENT TO THE UNIVERSE, Victoria Miro, Wharf Road, London 3 October - 21 December 2018. © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice. https://www.studiointernational.com/index.php/santiago-sierra-black-flag-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/s/067-sierra-santiago-2018/SS_DCA__003.jpg Santiago Sierra: Black Flag, installation view, Dundee Contemporary Arts Centre, Dundee. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/067-sierra-santiago-2018/SS_DCA__006.jpg Santiago Sierra: Black Flag, installation view, Dundee Contemporary Arts Centre, Dundee. Photo: Ruth Clark. https://www.studiointernational.com/index.php/artes-mundi-8-review-anna-boghiguian-otobong-nkanga-video-interviews https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/trevor-paglen_ArtesMundi8_049.jpg Trevor Paglen, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/Anna-Boghiguian_ArtesMundi8_041.jpg Anna Boghiguian, A Meteor Fell from the Sky, 2018, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/anna-boghiguian-detail.jpg Anna Boghiguian, A Meteor Fell from the Sky, 2018 (detail), installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/bouchra-khalili-ArtesMundi8.jpg Bouchra Khalili, Twenty-Two Hours, 2018, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/weerasethakul-ArtesMundi8_002.jpg Apichatpong Weerasethakul, Invisibility, 2016, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/artes-mundi-8-logo.jpg Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/Anna-Boghiguian_ArtesMundi8_026.jpg Anna Boghiguian, A Meteor Fell from the Sky, 2018, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/Otobong-Nkanga-ArtesMundi_12.jpg Otobong Nkanga, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/Otobong-Nkanga-ArtesMundi_05.jpg Otobong Nkanga, installation view (detail), Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/bouchra-khalili-ArtesMundi8-2.jpg Bouchra Khalili, Twenty-Two Hours, 2018, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/trevor-paglen_ArtesMundi8_2.jpg Trevor Paglen, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/weerasethakul-ArtesMundi8_004.jpg Apichatpong Weerasethakul, Invisibility, 2016, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/index.php/otobong-nkanga-video-interview-artes-mundi-8 https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/otobong-nkanga-2018-photo-martin-kennedy.jpg Otobong Nkanga talking to Studio International at the opening of Artes Mundi 8, National Museum Cardiff, 25 October 2018. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/Otobong-Nkanga-ArtesMundi_12.jpg Otobong Nkanga, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/Otobong-Nkanga-ArtesMundi_05.jpg Otobong Nkanga, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/index.php/anna-boghiguian-video-interview-artes-mundi-8 https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/artes-mundi-8-install-view.jpg Anna Boghiguian, A Meteor Fell from the Sky, 2018, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/anna-boghiguian-detail.jpg Anna Boghiguian, A Meteor Fell from the Sky, 2018, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Martin Kennedy https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/anna-boghiguian-2018-photo-martin-kennedy.jpg Anna Boghiguian talking to Studio International at the opening of Artes Mundi 8, National Museum Cardiff, 25 October 2018. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/076-artes-mundi-2018/Anna-Boghiguian_ArtesMundi8_026.jpg Anna Boghiguian, A Meteor Fell from the Sky, 2018, installation view, Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas. https://www.studiointernational.com/index.php/edward-burne-jones-review-tate-britain https://www.studiointernational.com/images/articles/b/068-burne-jones-2018/Love-Among-the-Ruins.jpg Edward Burne-Jones. Love among the Ruins, 1870-73. Watercolour, bodycolour and gum arabic on paper, 96 x 152 cm. Private collection. https://www.studiointernational.com/images/articles/b/068-burne-jones-2018/Phyllis-and-Demophoon-X00544.jpg Edward Burne-Jones. Phyllis and Demophoön, 1870. Watercolour on paper, 93 x 47 cm. © Birmingham Museums Trust. https://www.studiointernational.com/images/articles/b/068-burne-jones-2018/The-Doom-Fulfilled.jpg Edward Burne-Jones. The Doom Fulfilled, 1888. Oil on canvas, 155 x 140 cm. Staatsgalerie, Stuttgart. https://www.studiointernational.com/images/articles/b/068-burne-jones-2018/Atlas-Turned-to-Stone.jpg Edward Burne-Jones. Atlas Turned to Stone, c1878. Bodycolour on paper, 150.2 x 190.2 cm. Southampton City Art Gallery. https://www.studiointernational.com/images/articles/b/068-burne-jones-2018/Perseus-and-the-Sea-Nymphs-(The-Arming-of-Perseus).jpg Edward Burne-Jones. Perseus and the Sea Nymphs (The Arming of Perseus), 1877. Bodycolour on paper, 152.8 x 126.4 cm. Southampton City Art Gallery. https://www.studiointernational.com/images/articles/b/068-burne-jones-2018/The-Garden-Court,-1885-1890.jpg Edward Burne-Jones. The Garden Court, 1874-84. Oil on canvas, 125 x 231 cm. The Faringdon Collection Trust. https://www.studiointernational.com/index.php/the-bunker-opening-review-art-as-autobiography-beth-rudin-dewoody https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/the-bunker-gallery-view-03.jpg Gallery view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/the-bunker-gallery-view-02.jpg Luis Flores, Morning Coffee, 2017 (foreground). Installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/the-food-room.jpg The Food Room, installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/the-bunker-gallery-view-01.jpg Gallery view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/kehinde-wiley-davida-2000-photo-jill-spalding.jpg Kehinde Wiley, Davida, 2000. Installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/larry-bell-pacific-red-detail.jpg John Mclaughlin, JMD-3, 1962. Oil on paper; Larry Bell, Pacific Red, 2017 (detail). Red laminated glass, installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/slavs-and-tatars.jpg Slavs and Tatars, Rahle for Richard, 2014. Veneer on MDF, installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/Sylvie-Fleury-Serie-Ella-75_k-(Easy,-Breezy,-Beautiful)-2000.jpg Sylvie Fleury, Serie ELA 75/K (Easy, Breezy, Beautiful) 2000. Gold-plated shopping cart and plexiglas bared aluminium pedestal on turning mirror and aluminium pedestal. Installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/Philip-Guston.jpg Robert Arneson. Homage to Philip Guston, 1913-1980, 1980. Installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/Cheryl-Ekstrom-Eames-Chair-and-Ottoman-1907.jpg Cheryl Ekstrom, Eames Chair and Ottoman, 2007, and Ray Beldner, Gelt Suit, 2004 (after Joseph Beuys’s Felt Suit, 1970). Installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/the-bunker-gallery-view-04.jpg John Waters, Playdate, 2006 (foreground). Silicone sculpture of Michael Jackson and Charles Manson. Installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/larry-bell-pacific-red.jpg Larry Bell, Pacific Red, 2017. Red laminated glass, installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/b/067-bunker-gallery-2018/IMG_9286.jpg Installation view, The Bunker Artspace, West Palm Beach, Florida, including Branches by Roxy Paine, 2011 and Bridge by Chris Burden, 1997. Photo: Jill Spalding. https://www.studiointernational.com/index.php/andreas-lolis-interview-prosaic-origins-athens-greek-sculptor https://www.studiointernational.com/images/articles/l/084-lolis-andreas-2018/9.jpg Andreas Lolis and curator Nayia Yiakoumaki. © PanosKokkinias, Courtesy NEON https://www.studiointernational.com/images/articles/l/084-lolis-andreas-2018/7.jpg Andreas Lolis. Untitled, 2018. © PanosKokkinias, Courtesy NEON. https://www.studiointernational.com/images/articles/l/084-lolis-andreas-2018/6.jpg Andreas Lolis. Untitled, 2018. © PanosKokkinias, Courtesy NEON. https://www.studiointernational.com/images/articles/l/084-lolis-andreas-2018/5.jpg Andreas Lolis. Untitled, 2018. © PanosKokkinias, Courtesy NEON. https://www.studiointernational.com/images/articles/l/084-lolis-andreas-2018/3.jpg Andreas Lolis. Untitled, 2018. © PanosKokkinias, Courtesy NEON. https://www.studiointernational.com/images/articles/l/084-lolis-andreas-2018/2.jpg Andreas Lolis. Untitled, 2018. © PanosKokkinias, Courtesy NEON. https://www.studiointernational.com/images/articles/l/084-lolis-andreas-2018/8.jpg Andreas Lolis. Untitled, 2018. © PanosKokkinias, Courtesy NEON. https://www.studiointernational.com/images/articles/l/084-lolis-andreas-2018/4.jpg Andreas Lolis. Untitled, 2018. © PanosKokkinias, Courtesy NEON. https://www.studiointernational.com/images/articles/l/084-lolis-andreas-2018/1.jpg Andreas Lolis. Untitled, 2018. © PanosKokkinias, Courtesy NEON. https://www.studiointernational.com/index.php/pepe-lopez-crisalida-interview-exile-venezuela https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--1.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--10.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--11.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--3.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--4.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--5.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--7.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--8.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--9.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal--15.jpg Pepe López: Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal-18.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/images/articles/l/083-lopez-pepe-2018/Pepe-Lopez-Crisalida-Thierry-Bal-17.jpg Pepe López: Crisálida, installation view. Photo: Thierry Bal. Courtesy the artist and RUYA MAPS. https://www.studiointernational.com/index.php/julie-greve-interview-photographer-jw-anderson-fashion https://www.studiointernational.com/images/articles/g/084-greve-julie-2018/JW-Anderson-Autumn-Winter-2018-campaign--.jpg JW Anderson Autumn Winter 2018 campaign. Photograph courtesy of Julie Greve. https://www.studiointernational.com/images/articles/g/084-greve-julie-2018/Emma,-2017.jpg Emma, 2017. Photograph courtesy of Julie Greve. https://www.studiointernational.com/images/articles/g/084-greve-julie-2018/Martine,-2017.jpg Martine, 2017. Photograph courtesy of Julie Greve. https://www.studiointernational.com/images/articles/g/084-greve-julie-2018/JW-Anderson-Autumn-Winter-2018-campaign.jpg JW Anderson Autumn Winter 2018 campaign. Photograph courtesy of Julie Greve. https://www.studiointernational.com/index.php/andy-warhol-from-a-to-b-and-back-again-review-whitney-museum-new-york https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-brillo-boxes.jpg Andy Warhol. Brillo Boxes, 1969 (version of 1964 original). Silkscreen ink on wood, fifty parts. Installation view, photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-Self-Portrait-1964.jpg Andy Warhol. Self-Portrait, 1964. Acrylic and silkscreen ink on linen, 20 x 16 in (50.8 x 40.6 cm). The Art Institute of Chicago; gift of Edlis/Neeson Collection, 2015.126 © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-hand-in-pocket.jpg Andy Warhol. Untitled (Hand in Pocket), c1956. Ballpoint pen on paper, 16 3⁄4 × 13 3⁄4 in (42.4 × 34.7 cm). Collection of Mathew Wolf © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-dick-tracy.jpg Andy Warhol. Dick Tracy, c1961. Acrylic and wax crayon on canvas. Installation view, photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-success-is-a-job-in-new-york.jpg Andy Warhol. Drawing to illustrate Success is a job in New York, 1956. Installation view, photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-shoes-installation-view.jpg Andy Warhol. Series of gold shoe collages, c1956 (Top right, Leo Lerman; centre right, Diane Vreeland; bottom centre, Mae West; bottom right, Christine Jorgenson). Installation view, photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-before-and-after.jpg Andy Warhol. Before and After [4], 1962. Acrylic and graphite on linen, 72 1 ⁄8 x 99 3 ⁄4 in (183.2 x 253.4 cm). Whitney Museum of American Art, New York; purchase with funds from Charles Simon, 71.226 © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-big-electric-chair.jpg Andy Warhol. Big Electric Chair, 1967–68. Acrylic and silkscreen ink on linen, 54 1/8 x 73 1/4 in (137.5 x 186.1 cm). The Art Institute of Chicago; gift of Edlis/Neeson Collection, 2015.128 © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/Warhol-Camouflage-Last-supper-detail.jpg Andy Warhol. Camouflage Last Supper, 1986 (detail). Silkscreen ink and acrylic on canvas, 78 × 306 in (198.1 × 777.2 cm). Installation view, photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-Living-room.jpg Andy Warhol. Living Room, c1948. Watercolour on paper. Collection of the Paul Warhola family. Installation view, photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-flowers.jpg Andy Warhol. Flowers, 1964. Fluorescent paint and silkscreen ink on linen, 24 x 24 in (61 x 61 cm). The Art Institute of Chicago; gift of Edlis/Neeson Collection, 2015.123 © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-ethel-scull.jpg Andy Warhol. Ethel Scull 36 Times, 1963. Silkscreen ink and acrylic on linen, thirty-six panels: 80 × 144 in (203.2 × 365.8 cm) overall. Whitney Museum of American Art, New York; jointly owned by the Whitney Museum of American Art and The Metropolitan Museum of Art; gift of Ethel Redner Scull 86.61a‒jj © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-campbell-coke.jpg Andy Warhol. Campbell’s Soup Can over Coke Bottle, 1962. Graphite and watercolor on paper, 23 1⁄2 × 17 3⁄4 in (59.7 × 45.1 cm). The Brant Foundation, Greenwich, CT © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-unidentified-male-1950s.jpg Andy Warhol. Unidentified Male, 1950s. Ballpoint pen on paper. Installation view, photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-129-die-in-jet.jpg Andy Warhol. 129 Die in Jet! 1962. Acrylic and pencil on canvas, 100 x 72 in (254 x 182.9 cm). Installation view, photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-Christine-Jorgenson.jpg Andy Warhol. Christine Jorgenson, 1956. Collaged metal leaf and embossed foil with ink on paper, 13 x 16 in (32.9 x 40.7 cm). Sammlung Froehlich, Leinfelden-Echterdingen, Germany © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-Mao.jpg Andy Warhol. Mao, 1972. Acrylic, silkscreen ink, and graphite on linen, 14 ft. 8 1⁄2 in. x 11 ft. 4 1 ⁄2 in (4.48 x 3.47 m). The Art Institute of Chicago; Mr. and Mrs. Frank G. Logan Purchase Prize and Wilson L. Mead funds, 1974.230 © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-Marilyn-Diptych.jpg Andy Warhol. Marilyn Diptych, 1962. Acrylic, silkscreen ink, and graphite on linen, two panels: 80 7/8 x 114 in (205.4 x 289.6 cm) overall. Tate, London; purchase 1980 © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York. https://www.studiointernational.com/images/articles/w/088-warhol-at-whitney-2018/warhol-Superman.jpg Andy Warhol. Superman, 1961. Casein and wax crayon on cotton, 67 x 52 in (170.2 x 132.1 cm). Private collection. Courtesy of DC Comics. Superman © and ™ DC Comics. All rights reserved. © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York. https://www.studiointernational.com/index.php/i-am-ashurbanipal-king-of-the-world-assyria-review-british-museum https://www.studiointernational.com/images/articles/a/075-assyrians-2018/3-Hunting.jpg Relief detail of Ashurbanipal hunting on horseback. Nineveh, Assyria, 645–635 BC. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/075-assyrians-2018/1-Discovery-of-Nimrud.jpg Discovery of Nimrud, Frederick Charles Cooper, (1810 – 1880), Nimrud, mid-19th century, watercolour on paper © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/075-assyrians-2018/4-eunuch.jpg Fragment of a wall panel showing the head of a eunuch. Khorsabad, Iraq 710 – 705 BC. © the Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/075-assyrians-2018/5-sphinx.jpg Striding sphinx. Fort Shalmaneser, Nimrud, Iraq 900 -700 BC. © the Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/075-assyrians-2018/6-helmet.jpg Votive bronze decorated helmet offered to the god Haidi, by king Arguisti 1st, Copper-alloy, 786 BC – 764 BC. History Museum of Armenia, Yerevan. https://www.studiointernational.com/images/articles/a/075-assyrians-2018/2-Lioness-plaque.jpg Ivory plaque of a lioness mauling a man. Ivory, gold, cornelian, lapis lazuli, Nimrud, 900BC – 700BC. © The Trustees of the British Museum. https://www.studiointernational.com/index.php/paula-becker-and-otto-modersohn-art-life-review https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Schuetzenfest-in-Worpswede_1904_Otto-Modersohn_-Kunstverein-Bremerhaven.jpg Otto Modersohn: Schützenfest with carousel in Worpswede, 1904, Kunstverein Bremerhaven - Kunsthalle Bremerhaven. Photo: © Paula Modersohn-Becker Foundation. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Elsbeth-im-Garten-mit-Glaskugel_1902_Paula-Modersohn-Becker_Privatbesitz_Foto-Paula-Modersohn-Becker-Stiftung.jpg Paula Modersohn-Becker. Elsbeth in the garden with glass ball, c1902. Private collection. Photo: © Paula Modersohn-Becker Foundation. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Paula-Modersohn-Becker-im-Garten-malend_1901_Otto-Modersohn_Foto-Paula-Modersohn-Becker-Stiftung.jpg Otto Modersohn. Paula Modersohn-Becker painting in the garden, 1901. Photo: © Paula Modersohn-Becker Foundation. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Landstrae-mit-Birke_um-1901_Paula-Modersohn-Becker_Foto-Paula-Modersohn-Becker-Stiftung.jpg Paula Modersohn-Becker. Country lane with birches, c1901. Photo: © Paula Modersohn-Becker Foundation. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Schatzenfest-mit-Karussell-II-1904-Paula-Modersohn-Becker.jpg Paula Modersohn-Becker. Schützenfest with carousel II, 1904. Photo: © Museen Böttcherstraße. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Elsbeth-im-Garten-mit-Glaskugel_1903_Otto-Modersohn_Privatbesitz_Foto-Paula-Modersohn-Becker-Stiftung.jpg Otto Modersohn. Elsbeth in the garden with glass ball, c1902. Private collection. Photo: © Paula Modersohn-Becker Foundation. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Paula-Modersohn-Becker,-Selbstbildnis-am-6-Hochzeitstag-25.jpg Paula Modersohn-Becker. Self-portrait on 6th Wedding Anniversary, 1906. Museen Böttcherstraße, Paula Modersohn-Becker Museum, Bremen, Germany. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Herbst-im-Moor_1895_Otto-Modersohn_Kunsthalle-Bremen-Der-Kunstverein-in-Bremen_Foto-Lars-Lohrisch-ARTOTHEK.jpg Otto Modersohn. Autumn on the moor, 1895. Kunsthalle Bremen - Der Kunstverein in Bremen. Photo: © Lars Lohrisch - Artothek. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Otto-und-Paula-Modersohn-im-Garten-auf-der-Bank-sitzend,-um-1904,-Foto-Paula-Modersohn-Becker-Stiftung,-Bremen.jpg Otto and Paula Modersohn sitting in the garden on the bench, c1904. Photo: © Paula Modersohn-Becker Foundation. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Birkenstamm-vor-Moorkanal_1900_Otto-Modersohn_Foto-Paula-Modersohn-Becker-Stiftung.jpg Otto Modersohn. Birch trunk in front of peat canal), 1900. Photo: © Paula Modersohn-Becker Foundation. https://www.studiointernational.com/images/articles/p/081-paula-and-otto-2018/Otto-Modersohn-mit-Pfeife_1907_Paula-Modersohn-Becker_Kunsthalle-Bremen-Der-Kunstverein-in-Bremen_-Foto-Lars-Lohrisch.jpg Paula Modersohn-Becker. Otto Modersohn with pipe, 1907. Kunsthalle Bremen - Der Kunstverein in Bremen. Photo: © Lars Lohrisch - Artothek. https://www.studiointernational.com/index.php/lotte-laserstein-face-to-face-review-stadel-museum-frankfurt https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_foto_an_staffelei_undatiert.jpg Wanda von Debschitz-Kunowski, Untitled (Lotte Laserstein in front of her painting Evening over Potsdam), undated. Berlinische Galerie – Landesmuseum für Moderne Kunst, Fotografie und Architektur. Photo: Anja Elisabeth Witte / Berlinische Galerie. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_liegendes_maedchen_um_1931.jpg Lotte Laserstein. Girl Lying on Blue, c1931. Oil on paper, 69 × 93 cm. Private collection, Courtesy Das Verborgene Museum, Berlin. Photo: Das Verborgene Museum, Berlin. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/st_presse_laserstein_traute_im_gruenen_pullover_um_1931.jpg Lotte Laserstein. Traute in a Green Pullover, c1931. Oil on paper, 76 × 54 cm. Private collection, Sweden. Photo: Matthew Hollow Photography. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_in_meinem_atelier_1928.jpg Lotte Laserstein. In my Studio, 1928. Oil on panel, 46 × 73 cm. Private collection. Photo: Lotte-Laserstein-Archiv / Krausse, Berlin © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_junge_mit_kasperpuppe_1933.jpg Lotte Laserstein. Boy with Kasper Puppet (Wolfgang Karger), 1933. Oil on panel, 46 x 38 cm. Städel Museum, Frankfurt am Main. Photo: Städel Museum – Artothek. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_tennisspielerin_1929.jpg Lotte Laserstein. Tennis Player, 1929. Oil on canvas, 110 × 95.5 cm. Private collection. Photo: Berlinische Galerie. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_abend_ueber_potsdam_1930.jpg Lotte Laserstein. Evening over Potsdam, 1930. Oil on panel, 111 x 205.7 cm. Nationalgalerie – Staatliche Museen zu Berlin. Photo: Staatliche Museen zu Berlin, Nationalgalerie / Roman März © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_russisches_maedchen_mit_puderdose_1928_0.jpg Lotte Laserstein. Russian Girl with Compact, 1928. Oil on panel, 31.7 x 40 cm. Städel Museum, Frankfurt am Main. Photo: Städel Museum – Artothek. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_dame_in_blau_mit_schleierhut_um_1939.jpg Lotte Laserstein. Woman in Blue with Veiled Hat, c1939. Oil tempera on paper, 63.5 × 45.5 cm. Collection of Thilo Herrmann. Photo: Städel Museum © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_mackie_messer_um_1932.jpg Lotte Laserstein. Mackie Messer and Me, c1932. Oil on panel, 53.5 × 43.7 cm. Private collection. Photo: Städel Museum. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_mongole_um_1927_0.jpg Lotte Laserstein. Mongolian, c1927. Oil on panel, 27.1 x 21.8 cm. Private collection. Photo: Lotte-Laserstein-Archiv / Krausse, Berlin. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_morgentoilette_1930.jpg Lotte Laserstein. Morning Toilette, 1930. Oil on panel, 99.7 × 65.1 cm. National Museum of Women in the Arts, Washington, D.C., Gift of the Board of Directors. Photo: Lee Stalsworth. © VG Bild Kunst Bonn, 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_russisches_maedchen_um_1928_0.jpg Lotte Laserstein. Russian Girl, c1928. Oil on panel, 32 × 23 cm. Collection of Linda Sutton and Roger Cooper, London. Photo: Städel Museum. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_selbstportraet_im_atelier_um_1927.jpg Lotte Laserstein. Self-Portrait in the Studio Friedrichsruher Straße, c1927. Oil on canvas, 32 x 42 cm. On loan from a private collection, Berlinische Galerie – Landesmuseum für Moderne Kunst, Fotografie und Architektur. Photo: Kai-Annett Becker / Berlinische Galerie. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/l/082-laserstein-lotte-2018/laserstein_selbstportrait_an_der_staffelei_1938.jpg Lotte Laserstein. Self-Portrait at the Easel, 1938. Oil on panel, 127.6 cm x 47 cm. Stiftung Stadtmuseum, Berlin. Erworben mit Unterstützung der Ernst von Siemens-Kunststiftung und des Vereins der Freunde und Förderer des Stadtmuseums Berlin. Photo: Stiftung Stadtmuseum Berlin / Michael Setzpfandt. © VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/index.php/michelangelo-pistoletto-origins-and-consequences-review-mazzoleni-london https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/PIS017,-Pistoletto,-Luomo-Nero,-1959.jpg Michelangelo Pistoletto. L https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/PIS019,-Pistoletto,-Dono-di-Mercurio-allo-specchio,-1971-copy.jpg Michelangelo Pistoletto. Dono di Mercurio allo Specchio (Mercury’s Gift to the Mirror), 1971. Bronze and glass. Sculpture: 146 x 44 x 56 cm (57 1/2 x 17 3/8 x 22 1/8 in); Mirror: 230 x 130 x 2.5 cm (90 1/2 x 51 x 1/8 x 1 in). Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/MAZ_130918_8.jpg Michelangelo Pistoletto, Figura Che Si Guarda, 1983 (foreground); La porta obliqua, 1980 (background), installation view, Mazzoleni, London, 27 September - 15 December 2018. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/MAZ_130918_8-v2.jpg Scultura di Chamberlain, 1965 (left), installation view with the reflection of La porta obliqua, 1980, Mazzoleni, London, 27 September - 15 December 2018. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/PIS016-Michelangelo-Pistoletto,-Donna-con-lampada,-1974.jpg Michelangelo Pistoletto. Donna con lampada, 1974. Silkscreen on polished stainless steel, 125 x 125 cm (49 1/4 x 49 1/4 in). Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/PIS009,-Pistoletto,-Sacchetto-di-spazzatura,-1973-.jpg Michelangelo Pistoletto. Sacchetto di spazzatura, 1973. Silkscreen on polished stainless steel, 230 x 120 cm (90 1/2 x 47 1/4 in). Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/PIS015,-Pistoletto,-Faretto,-1964_high.jpg Michelangelo Pistoletto. Faretto, 1964. Photograph mounted on polished stainless steel, 120 x 80 cm (47 1/4 x 31 1/2 in). Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/PIS021,-Pistoletto,-Porta-Obliqua,-1933.jpg Michelangelo Pistoletto. La porta obliqua, 1980. Mirror, wood and ceramic, 230 x 160 cm (90 1/2 x 63 in). Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/MAZ_130918_1.jpg Michelangelo Pistoletto: Origins and Consequences, installation view, Mazzoleni, London, 27 September - 15 December 2018. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/MAZ_130918_11.jpg Michelangelo Pistoletto: Origins and Consequences, installation view, Mazzoleni, London, 27 September - 15 December 2018. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/MAZ_130918_13.jpg Michelangelo Pistoletto: Origins and Consequences, installation view, Mazzoleni, London, 27 September - 15 December 2018. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/MAZ_130918_15.jpg Michelangelo Pistoletto: Origins and Consequences, installation view, Mazzoleni, London, 27 September - 15 December 2018. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/MAZ_130918_5.jpg Michelangelo Pistoletto: Origins and Consequences, installation view, Mazzoleni, London, 27 September - 15 December 2018. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/MAZ_130918_7.jpg Michelangelo Pistoletto: Origins and Consequences, installation view, Mazzoleni, London, 27 September - 15 December 2018. Courtesy Mazzoleni. https://www.studiointernational.com/images/articles/p/080-pistoletto-michelangelo-2018/MAZ_130918_9-crop.jpg Michelangelo Pistoletto: Origins and Consequences, installation view, Mazzoleni, London, 27 September - 15 December 2018. Courtesy Mazzoleni. https://www.studiointernational.com/index.php/magical-unicorns-review-musee-de-cluny-paris https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/04.jpg Woman with unicorn, attributed to Giovanni della Robbia or his workshop, 1490-1530. Glazed terracotta. © Métropole Rouen-Normandie, musée des Antiquités. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/05.jpg St Stephen https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/16.jpg The Lady and the Unicorn: sight. Tapestry, circa 1500. © RMN-Grand Palais (musée de Cluny - musée national du Moyen Âge) / M. Urtado https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/08.jpg Wild woman with unicorn, circa 1500-1510. Wool tapestry with silk and gold threads. © Historisches Museum Basel, M. Babey. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/14.jpg Nicolas Buffe. Unicorn skin, 2010-11. Porcelain, wool and silk. Weaving: Atelier Patrick Guillot, Aubusson. Porcelaine: Craft, Limoges. © Cité internationale de la tapisserie. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/02.jpg The Book of Hours said to belong to Yolande of Aragon: The Virgin Mary and the unicorn hunt, circa 1460 – 1470. Illumination on parchment © Bibliothèque Méjanes, Aix-en-Provence. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/12.jpg Miguel Branco. Untitled (Unicorn). Polymer clay, wood and metal wires. Collection Victor Pinto da Fonseca. Courtesy Jeanne Bucher Jaeger, Paris. © Miguel Branco, Fred NS. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/01.jpg Pontifical d’Antoine de Chalon, Maître des prélats bourguignons. Illumination on parchment, 1483-1500. © Bibliothèque municipale d’Autun. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/03.jpg Aquamanile: Unicorn, circa 1400. Copper alloy. © RMN-Grand Palais (musée de Cluny - musée national du Moyen Âge) / G. Blot. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/06.jpg Gradual of Sainte-Rictrude of Marchiennes: David threatened by the lion and the unicorn, 1548. Parchment. Bibliothèque municipale de Douai, © IRHT-CNRS. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/07.jpg Unicorn hunting, late 15th century. Wooden box. © RMN-Grand Palais (musée de Cluny - musée national du Moyen Âge) / J-G. Berizzi. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/10.jpg Hortus sanitatis (Garden of Health), Johannes de Cuba, J Meydenbach, 1491. Print on paper. © BIU santé. https://www.studiointernational.com/images/articles/m/075-magical-unicorns-2018/15.jpg Claude Rutault. The Lady and the Unicorn remembered in oblivion. Tapestry, 2018. © Pierre Bureau, Mobilier national. https://www.studiointernational.com/index.php/funda-gul-ozcan-interview-sculpture-it-happened-as-expected https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Installation-View1.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Installation-View10.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Installation-View11.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Installation-View12.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-face.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Mathias Voelzke. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Installation-View14.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Installation-View5.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Installation-View6.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Installation-View7.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Video_Still1.jpg Funda Gül Özcan. It happened as expected, 2018. Video still. Courtesy Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Video_Still5.jpg Funda Gül Özcan. It happened as expected, 2018. Video still. Courtesy Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/sh18-Funda-Guel-Oezcan-Mathias-Voelzke-005.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Mathias Voelzke. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/sh18-Funda-Guel-Oezcan-Mathias-Voelzke-053.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Mathias Voelzke. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Portrait2-Stephanie-Rumberger.jpg Funda Gül Özcan. Photo: Stephanie Rumberger. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/F-G-Ozcan-Installation-View13.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Funda Gül Özcan. https://www.studiointernational.com/images/articles/o/092-ozcan-funda-gal-2018/sh18-Funda-Guel-Oezcan-Mathias-Voelzke-196.jpg Funda Gül Özcan. It happened as expected, 2018, installation view. Multi-media video installation with sound, sculpture, painted uniforms, plastic flowers, light sources and posters. Work commissioned by Steirischer Herbst ’18. Photo: Mathias Voelzke. https://www.studiointernational.com/index.php/bruce-nauman-disappearing-acts-review-moma https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/01-thelefthalfofmybodytakenatteninchintervals_1966.jpg Bruce Nauman. Neon Templates of the Left Half of My Body Taken at Ten-Inch Intervals, 1966. Neon tubing with clear glass tubing suspension frame, 70 × 9 × 6 in (177.8 × 22.9 × 15.2 cm). Philip Johnson Glass House Collection, National Trust for Historic Preservation. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Andy Romer Photography, courtesy of the Glass House, a site of the National Trust for Historic Preservation. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/21.jpg Bruce Nauman: Disappearing Acts. Installation view at MoMA PS1, New York (October 21, 2018–February 25, 2019, at MoMA and MoMA PS1). © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Digital image © 2018 The Museum of Modern Art, New York. Photo: Martin Seck. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/06-l_nauman_myselfasamarblefountain.jpg Bruce Nauman. Myself as a Marble Fountain, 1967. Ink with wash, 19 × 24 in (48.3 × 61 cm). Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Kunstmuseum Basel, Martin P. Bühler. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/03-nauman_sheetlead90.jpg Bruce Nauman. Sheet Lead, 1966. Pencil, 11 × 8 1/2 in (27.9 × 21.6 cm). Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo courtesy Kunstmuseum Basel, Martin P. Bühler. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/08-l_nauman_corridor_installation_nicolaswilder_1970.jpg Bruce Nauman. Corridor Installation (Nicholas Wilder), 1970. Wooden wallboards, water-based paint, three video cameras, scanner, frame, five monitors, video recorder, video player, and videotape (black and white, silent), dimensions variable (11 × 40 × 30 ft (335.3 × 1,219.2 × 914.4 cm) as installed at Nicholas Wilder Gallery, Los Angeles, in 1970). Friedrich Christian Flick Collection im Hamburger Bahnhof, Berlin. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo courtesy Friedrich Christian Flick Collection im Hamburger Bahnhof, Berlin. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/11-nauman_modelfortrench1977.jpg Bruce Nauman. Model for Trench and Four Buried Passages, 1977. Plaster, fibreglass and wire, 65 × 360 in (165.1 × 914.4 cm) dia outer circle; 192 in (487.7 cm) dia inner circle. Glenstone Museum, Potomac, Maryland. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/13-l_nauman_onehundredliveanddie_1984.jpg Bruce Nauman. One Hundred Live and Die, 1984. Neon tubing with clear glass tubing on metal monolith, 118 × 132 1/4 × 21 in (299.7 × 335.9 × 53.3 cm). Collection of Benesse Holdings, Inc./Benesse House Museum, Naoshima. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Dorothy Zeidman, courtesy the artist and Sperone Westwater, New York. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/22.jpg Bruce Nauman: Disappearing Acts. Installation view at MoMA PS1, New York (October 21, 2018–February 25, 2019, at MoMA and MoMA PS1). © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Digital image © 2018 The Museum of Modern Art, New York. Photo: Martin Seck. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/12-l_nauman_humannature_lifedeath_knowdoesntknow_1983.jpg Bruce Nauman. Human Nature/Life Death/Knows Doesn’t Know, 1983. Neon tubing with clear glass tubing suspension frames, 107 1/2 × 107 × 5 3/4 in (273.1 × 271.8 × 14.6 cm). Los Angeles County Museum of Art, Modern and Contemporary Art Council Fund. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo © Museum Associates/LACMA. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/20.jpg Bruce Nauman: Disappearing Acts. Installation view at MoMA PS1, New York (October 21, 2018–February 25, 2019, at MoMA and MoMA PS1). © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Digital image © 2018 The Museum of Modern Art, New York. Photo: Martin Seck. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/09-l_nauman_payattention_1973.jpg Bruce Nauman. Pay Attention, 1973. Lithograph, edition of 50; each 38 1/4 × 28 1/4 in (97.2 × 71.8 cm). Collection Robin Wright and Ian Reeves. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Pay Attention, © 1973 Bruce Nauman and Gemini G.E.L. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/10-l_nauman_doublesteelcagepiece_1974.jpg Bruce Nauman. Double Steel Cage Piece, 1974. Steel, 84 11⁄16 × 154 5⁄16 × 204 11⁄16 in (216 × 392 × 520 cm). Museum Boijmans van Beuningen, Rotterdam. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Jannes Linders, Rotterdam. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/18-l_nauman_contrappostostudies_i_through_vii_2016_02.jpg Bruce Nauman. Contrapposto Studies, i through vii, 2015/16. Seven-channel video (colour, sound, continuous duration), dimensions variable. The Museum of Modern Art, New York. Jointly owned by The Museum of Modern Art, New York, acquired in part through the generosity of Agnes Gund and Jo Carole and Ronald S. Lauder; and Emanuel Hoffmann Foundation, on permanent loan to Öffentliche Kunstsammlung Basel. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo courtesy the artist and Sperone Westwater, New York. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/16-l_nauman_allthumbs_1996.jpg Bruce Nauman. All Thumbs, 1996. Plaster, component A: 10 × 5 1/2 × 4 in (25.4 × 14 × 10.2 cm); component B: 9 1/2 × 4 × 4 1/4 in (24.1 × 10.2 × 10.8 cm). Private collection, courtesy Sperone Westwater, New York. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo courtesy the artist and Sperone Westwater, New York. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/02-waximpressionsofthekneesoffivefamousartists_196671.jpg Bruce Nauman. Wax Impressions of the Knees of Five Famous Artists, 1966. Fibreglass and polyester resin, 15 5/8 × 85 1/4 × 2 3/4 in (39.7 × 216.5 × 7 cm). Collection SFMOMA. The Agnes E. Meyer and Elise S. Haas Fund and Accessions Committee Fund: gift of Collectors’ Forum, Doris and Donald Fisher, Evelyn Haas, Mimi and Peter Haas, Pamela and Richard Kramlich, Elaine McKeon, Byron R. Meyer, Nancy and Steven Oliver, Helen and Charles Schwab, Norah and Norman Stone, Danielle and Brooks Walker, Jr., and Pat and Bill Wilson. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Ben Blackwell. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/04-l_nauman_lighttrapforhenrymooreno1_196769.jpg Bruce Nauman. Light Trap for Henry Moore, No. 1, 1967. Black-and-white photograph, 62 × 41 5/8 in (157.5 × 105.7 cm). Glenstone Museum, Potomac, Maryland. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Alex Jamison. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/07-l_nauman_h_1974.jpg Bruce Nauman. Henry Moore Bound to Fail, Back View, 1967/1970. Cast iron, 26 15/16 × 23 3/16 × 2 3/8 in (68.5 × 59 × 6 cm). Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Bisig & Bayer, Basel. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/14-l_nauman_greenhorses_1988_02.jpg Bruce Nauman. Still from Green Horses, 1988. Video installation (colour, 59:40 min.) with two colour video monitors, two DVD players, video projector, and chair, dimensions variable. Purchased jointly by the Albright-Knox Art Gallery, with funds from the Bequest of Arthur B. Michael, by exchange; and the Whitney Museum of American Art, New York, with funds from the Director’s Discretionary Fund and the Painting and Sculpture Committee, 2007. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Ron Amstutz. https://www.studiointernational.com/images/articles/n/090-nauman-bruce-2018/17-l_nauman_untitled_heads_2005.jpg Bruce Nauman. Untitled (Heads), 2005. Pencil on paper, 30 1/8 × 44 in (76.5 × 111.8 cm). Private collection. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Jason Mandella. https://www.studiointernational.com/index.php/gainsboroughs-family-album-review-national-portrait-gallery https://www.studiointernational.com/images/articles/g/083-gainsborough-2018/030_Sarah-Dupont,-the-Artists-Sister.jpg Thomas Gainsborough. Sarah Dupont, the Artist’s Sister, c1777–79. Oil on canvas, 77.2 × 64.5 cm (30 3/8 × 25 3/8 in). The Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection; through prior gift of Mr. and Mrs. Denison B. Hull, Mr. and Mrs William Kimball, and Mrs. Charles Mc Culloch, 1987.139. Image © 2018. The Art Institute of Chicago / Art Resource, NY / Scala, Florence. https://www.studiointernational.com/images/articles/g/083-gainsborough-2018/022_Gainsborough-Dupont,-the-Artists-Nephew,-c1770-5.jpg Thomas Gainsborough. Gainsborough Dupont, the Artist’s Nephew, c1770–75. Oil on canvas, 44.5 x 36.2 cm. Tate. https://www.studiointernational.com/images/articles/g/083-gainsborough-2018/002_Mary-and-Margaret-Gainsborough,-the-Artists-Daughters,-Chasing-a-Butterfly.jpg Thomas Gainsborough. Mary and Margaret Gainsborough, the Artist’s Daughters,
 Chasing a Butterfly, 
c1756. Oil on canvas, 113.5 x 105 cm. National Gallery. https://www.studiointernational.com/images/articles/g/083-gainsborough-2018/031-Margaret-and-Mary-Gainsborough,-c1774.jpg Thomas Gainsborough. Margaret and Mary Gainsborough, c 1774. Oil on canvas. Private collection. https://www.studiointernational.com/images/articles/g/083-gainsborough-2018/041-Margaret-Gainsborough-the-Artists-Wife-c1777.jpg Thomas Gainsborough. Margaret Gainsborough, the Artist’s Wife, c1777. Oil on Canvas. The Samuel Courtauld Trust, The Courtauld Gallery. https://www.studiointernational.com/images/articles/g/083-gainsborough-2018/010_Self-Portrait,-c1758-9.jpg Thomas Gainsborough. Self-portrait, c1758–9.
 Oil on canvas, 76.2 x 63.5 cm. National Portrait Gallery, London. https://www.studiointernational.com/images/articles/g/083-gainsborough-2018/032_Mary-and-Margaret-Gainsborough,-the-Artists-Daughters,-at-their-Drawing.jpg Thomas Gainsborough. Mary and Margaret Gainsborough, the Artist’s Daughters, at their Drawing, 1763–64. Oil on canvas. Worcester Art Museum, Massachusetts. https://www.studiointernational.com/images/articles/g/083-gainsborough-2018/003_Mary-and-Margaret-Gainsborough,-the-Artists-Daughters.jpg Thomas Gainsborough. Mary and Margaret Gainsborough, the Artist’s Daughters, c1760–61.
 Oil on canvas, 40.6 x 58.4 cm. Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/oma-bjarke-ingels-new-stockholm-luxury-flats-architecture-oscar-engelbert https://www.studiointernational.com/images/articles/o/091-oma-2018/NorreTornenOnSunnyDay.jpg OMA’s Norre Tornen, Stockholm. Photo © Laurian Ghinitoiu Oscar Oma. https://www.studiointernational.com/images/articles/o/091-oma-2018/oscar_oma-(8-of-10).jpg Norre Tornen (detail), Stockholm. Photo © Laurian Ghinitoiu Oscar Oma. https://www.studiointernational.com/images/articles/o/091-oma-2018/NorreTornenVeryMinecraftVSimpson.jpg Norre Tornen (detail), Stockholm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/091-oma-2018/BushHammeredConcreteDetail.jpg Norre Tornen, bush hammered concrete detail. Photo © Laurian Ghinitoiu Oscar Oma. https://www.studiointernational.com/images/articles/o/091-oma-2018/BedroomWithStockholmViewNorreTornenVSimpson.jpg Norre Tornen (bedroom), Stockholm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/091-oma-2018/ViewOfStockholmNorreTornenVSimpson.jpg Norre Tornen, interior with view of Stockholm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/091-oma-2018/NorreTornenLivingRoom.jpg Norre Tornen, living room. Photo © Laurian Ghinitoiu Oscar Oma. https://www.studiointernational.com/images/articles/o/091-oma-2018/NorreTornenKitchen.jpg Norre Tornen, kitchen. Photo © Laurian Ghinitoiu Oscar Oma. https://www.studiointernational.com/images/articles/o/091-oma-2018/79&ParkFacingSouth.jpg Bjarke Ingels Group (BIG), 79&Park. Photo © Laurian Ghinitoiu. https://www.studiointernational.com/images/articles/o/091-oma-2018/79&ParkSouthFacingFacadeOnaGreyDay.jpg Bjarke Ingels Group (BIG), 79&Park, south-facing facade. Photo © Laurian Ghinitoiu. https://www.studiointernational.com/images/articles/o/091-oma-2018/79&ParkViewOfTheParkFromRoofTerrace.jpg Bjarke Ingels Group (BIG), 79&Park, view of the park from the roof terrace. Photo © Laurian Ghinitoiu. https://www.studiointernational.com/images/articles/o/091-oma-2018/79&ParkCourtyardcopyright_laurianghinitoiu_oscar_big-(4-of-10).jpg Bjarke Ingels Group (BIG), 79&Park, courtyard. Photo © Laurian Ghinitoiu. https://www.studiointernational.com/images/articles/o/091-oma-2018/79&ParkINteriorLivingRoom.jpg Bjarke Ingels Group (BIG), 79&Park, living room. Photo © Laurian Ghinitoiu. https://www.studiointernational.com/images/articles/o/091-oma-2018/79&ParkKitche-.jpg Bjarke Ingels Group (BIG), 79&Park, kitchen. Photo © Laurian Ghinitoiu. https://www.studiointernational.com/images/articles/o/091-oma-2018/oscar_oma-(2-of-10).jpg OMA’s Norre Tornen, Stockholm. Photo © Laurian Ghinitoiu Oscar Oma. https://www.studiointernational.com/images/articles/o/091-oma-2018/ReinierdeGraafWithModelsInFoyerofNorreTornen.jpg OMA partner Reinier de Graaf with models of Norre Tornen. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/091-oma-2018/BjarkeIngelsAt79&Park.jpg Bjarke Ingels at 79&Park. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/renoir-father-and-son-painting-cinema-review-musee-d-orsay-paris https://www.studiointernational.com/images/articles/r/084-renoir-2018/09-Jean-Renoir-chez-lui-rue-Frochot.jpg Jean Renoir in his apartment on Avenue Frochot, Paris, around 1954-1955. Photograph, 23 x 23.5 cm. United States, Bridgeman. Photo © René Saint-Paul / Bridgeman Images. https://www.studiointernational.com/images/articles/r/084-renoir-2018/13-Pierre-Auguste-Renoir_Portrait-de-Jean-Renoir.jpg Pierre-Auguste Renoir. Portrait of Jean Renoir, 1903. Oil on canvas, 41.5 by 33 cm. Private collection. © Photograph courtesy of Sotheby https://www.studiointernational.com/images/articles/r/084-renoir-2018/14-Pierre-Auguste-Renoir_Gabrielle-et-Jean.jpg Pierre-Auguste Renoir. Gabrielle and Jean, 1895-96. Oil on canvas, 65 x 54 cm. Paris, musée de l’Orangerie, inv. RF1960 18. Photo. © RMN-Grand Palais (Musée de l https://www.studiointernational.com/images/articles/r/084-renoir-2018/16-Pierre-Auguste-Renoir_Jean-comme-chasseur.jpg Pierre-Auguste Renoir. Jean en Chasseur (Jean as Hunter), 1910. Oil on canvas, 172.7 × 88.9 cm. Los Angeles County Museum of Art. © Los Angeles County Museum of Art. https://www.studiointernational.com/images/articles/r/084-renoir-2018/01-Eli-Lotar_Une-partie-de-campagne-de-Jean-Renoir.jpg Filming a scene of Une partie de campagne, 1936, a film by Jean Renoir. © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Jean-Pierre Marchand © Eli Lotar. https://www.studiointernational.com/images/articles/r/084-renoir-2018/08-Jean-Renoir_Vase.jpg Jean Renoir. Vase, 1919-22. Earthenware with polychrome decoration over tin-glaze. Philadelphia, The Barnes Foundation © 2018 The Barnes Foundation. https://www.studiointernational.com/images/articles/r/084-renoir-2018/22-Photographe-inconnu_Catherine-Hessling.jpg Catherine Hessling. Photographer unknown. Fashion photograph for the promotion of Jean Renoir’s film Nana. Paris, La Cinémathèque française collection. © La Cinémathèque française. https://www.studiointernational.com/images/articles/r/084-renoir-2018/10-Jean-Renoir_La-Chienne_Les-Films-du-Jeudi.jpg A scene from La Chienne (The Bitch), 1931, directed by Jean Renoir. © Les Films du Jeudi. https://www.studiointernational.com/images/articles/r/084-renoir-2018/07-Pierre-Auguste-Renoir_Les-Baigneuses.jpg Pierre-Auguste Renoir. Les Baigneuses, 1918-19. Oil on canvas, 60 cm × 110 cm. Paris, Musée d https://www.studiointernational.com/images/articles/r/084-renoir-2018/04-Pierre-Auguste-Renoir_Chemin-montant-dans-les-herbes.jpg Pierre-Auguste Renoir. Path Leading through Tall Grass, 1876-77. Oil on canvas, 60 × 74 cm. Paris, Musée d https://www.studiointernational.com/images/articles/r/084-renoir-2018/19-Bonnard_Pierre-Auguste-et-Jean-Renoir.jpg Pierre-Auguste Renoir and Jean Renoir. Photo taken by Pierre Bonnard, c1916. Proof on albumen paper from a gelatin silver bromide soft film negative, 40 x 34 cm. Paris, Musée d'Orsay. Photo © Musée d'Orsay, Dist. RMN-Grand Palais / Patrice Schmidt. https://www.studiointernational.com/images/articles/r/084-renoir-2018/05-Pierre-Auguste-Renoir_La-Promenade.jpg Pierre-Auguste Renoir. La Promenade, 1870. Oil on canvas, 81.3 cm × 65 cm. Los Angeles, The J. Paul Getty Museum. © Digital image courtesy of the Getty's Open Content Program. https://www.studiointernational.com/images/articles/r/084-renoir-2018/25-Affiche-du-film-Nana.jpg Jean Renoir. Nana, starring Jean Angelo, Catherine Hessling and Werner Kraiss. Film poster, 1927. Color lithograph, 124.7 x 165.9 cm. Paris, La Cinémathèque française collection, © La Cinémathèque française. https://www.studiointernational.com/images/articles/r/084-renoir-2018/12-Jean-Renoir_Nana_Studio-Canal.jpg Jean Renoir. Nana, 1926. Film still. © Studio Canal https://www.studiointernational.com/images/articles/r/084-renoir-2018/17-Sanford-Roth-Jean-Renoir.jpg Jean Renoir. Photo: Sanford Roth, c1946-62. Photograph, 23 x 23 cm. Los Angeles County Museum of Art. © Museums Associates / LACMA. https://www.studiointernational.com/index.php/christo-interview-art-is-useless-surrounded-islands-perez-museum-miami https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-1983_Miami_01.jpg Christo and Jeanne-Claude working on the Surrounded Islands project. Miami, May 1983. Photo: Wolfgang Volz. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-SurroundedIslands_1980-83(7).jpg Christo and Jeanne-Claude. Documentary photograph of Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83. Woven polypropylene fabric surrounding 11 islands, Styrofoam, steel cables, and anchoring system, 6.5 million sq ft of fabric overall. Photo: Wolfgang Volz © Christo 1983. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-SurroundedIslands_1980-83(10).jpg Christo and Jeanne-Claude. Documentary photograph of Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83. Woven polypropylene fabric surrounding 11 islands, Styrofoam, steel cables, and anchoring system, 6.5 million sq ft of fabric overall. Photo: Wolfgang Volz © Christo 1983. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-mustaba-london-2016-2.jpg Christo. The London Mastaba, Serpentine Lake, Hyde Park, 2016-18. Temporary floating sculpture, 7,506 horizontally stacked barrels on a floating platform, 20(h) x 30(w)x 40(l) m, 600 metric tonnes. Photo: Miguel Angel. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-the-gates-new-york-drawing.jpg Christo. The Gates. Mixed media, 8.5 x 11 in. Private collection, NY. https://www.studiointernational.com/images/articles/c/070-christo-2018/SurroundedIslands_82_Clg2pts_v.jpg Surrounded Islands (Project for Biscayne Bay, Greater Miami, Florida), 1982. Collage in two parts, pencil, fabric, pastel, charcoal, wax crayon, aerial photograph, and enamel paint. © Christo 1983. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-1983_NewYork_07.jpg Christo in his studio working on a preparatory drawing for Surrounded Islands. New York, 1983. Photo: Wolfgang Volz. https://www.studiointernational.com/images/articles/c/070-christo-2018/The-Mastaba-Christo-at-the-proposed-site-of-The-Mastaba.jpg Christo at the proposed site of The Mastaba, March 2017. Photo: Wolfgang Volz. © 2017 Christo. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-mustaba-london-2016.jpg Christo. The London Mastaba, Serpentine Lake, Hyde Park, 2016-18. Temporary floating sculpture, 7,506 horizontally stacked barrels on a floating platform, 20(h) x 30(w)x 40(l) m, 600 metric tonnes. Photo: Miguel Angel. https://www.studiointernational.com/images/articles/c/070-christo-2018/The-Mastaba-The-proposed-site-for-The-Mastaba.jpg Christo. The proposed site for The Mastaba. Photo: Wolfgang Volz. The proposed site for The Mastaba is in Al Gharbia (Western Region) 100 miles (160 kilometers) south of the city of Abu Dhabi, about 6 miles (10 kilometres) north of Hamim in the Liwa desert. https://www.studiointernational.com/images/articles/c/070-christo-2018/SurroundedIslands_83_14x11_iii_72.jpg Surrounded Islands (Project for Biscayne Bay, Greater Miami, Florida), 1983. Collage, pencil, photograph by Wolfgang Volz, enamel paint, wax crayon, charcoal and tape. © Christo 1983. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo_cover_b.jpg Christo and Jeanne-Claude. The Pont Neuf Wrapped, Paris, 1985. Cover of Studio International, Vol 198 Number 1011, 1985. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-the-gates-new-york.jpg Christo. The Gates: Central Park, New York, 1979-2005, installation view, 2013. Photo: Miguel Angel https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-1983_NewYork_05.jpg Christo in his studio working on a preparatory drawing for Surrounded Islands. New York, 1983. Photo: Wolfgang Volz. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-Surrounded-Island-hoz-4.jpg Christo and Jeanne-Claude. Documentary photograph of Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83. Woven polypropylene fabric surrounding 11 islands, Styrofoam, steel cables, and anchoring system, 6.5 million sq ft of fabric overall. Photo: Wolfgang Volz © Christo 1983. https://www.studiointernational.com/images/articles/c/070-christo-2018/SurroundedIslands_83_LgDw2pts_ref39.jpg Surrounded Islands (Project for Biscayne Bay, Greater Miami, Florida), 1983. Drawing in two parts, pencil, pastel, charcoal, wax crayon, enamel paint, aerial photographs and fabric sample. © Christo 1983. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-the-gates-new-york-4.jpg Christo. The Gates: Central Park, New York, 1979-2005, installation view, 2013. Photo: Miguel Angel https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-the-gates-new-york-5.jpg Christo. The Gates, Time Warner Building / Twin Towers view, installation view, 2013. Photo: Miguel Angel. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-mustaba-2018-photo-martin-kennedy-2.jpg Christo. The London Mastaba, Serpentine Lake, Hyde Park, 2016-18. Temporary floating sculpture, 7,506 horizontally stacked barrels on a floating platform, 20(h) x 30(w)x 40(l) m, 600 metric tonnes. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/the-quick-and-the-dead-review-jerwood-gallery-hastings https://www.studiointernational.com/images/articles/q/098-quick-and-the-dead-2018/6-Maggi-Hambling-Self-portrait-2017.jpg Maggi Hambling. Self Portrait, 2018. Oil on canvas. © Maggi Hambling. https://www.studiointernational.com/images/articles/q/098-quick-and-the-dead-2018/1-DSCF9679-Maggi-2018-CATALOGUE.jpg Julian Simmons. MAGGI, 2018. Graphite and pigment paint on paper. © Julian Simmons. https://www.studiointernational.com/images/articles/q/098-quick-and-the-dead-2018/4-Sarah_SP.jpg Sarah Lucas. In the words of Sexton Ming Just remember when you smile there’s a skull in there, 2018. Brown paper, cigarettes. © Sarah Lucas, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/q/098-quick-and-the-dead-2018/3-Jerwood_221018-122.jpg Sarah Lucas. Magi, 2012. Coat hanger, lightbulbs, steel wire, electric cable, toilet bowl. Photo © Pete Jones. https://www.studiointernational.com/images/articles/q/098-quick-and-the-dead-2018/2-Maggi-Hambling_Portrait-of-the-artist-Sarah-Lucas-2.jpg Maggi Hambling. Sarah Lucas II, 2013. Oil on canvas. © Maggi Hambling. https://www.studiointernational.com/images/articles/q/098-quick-and-the-dead-2018/5-Maggi-Hambling-Sebastian-Horsley-8.jpg Maggi Hambling. Sebastian Horsley VIII, 2011. Oil on canvas. © Maggi Hambling. https://www.studiointernational.com/index.php/robyn-denny-paintings-from-1960s-neil-gall-the-studio-review https://www.studiointernational.com/images/articles/d/084-denny-robyn-2018/Studio-International-March-1973-Robyn-Denny-cover.jpg Robyn Denny in his studio, reflected in one of his Colour Box series, Studio International, March 1973, Volume 185, Number 953. Photo: Rowland Scherman. https://www.studiointernational.com/images/articles/d/084-denny-robyn-2018/Neil-Gall,-Garden-Painting,-2018.jpg Neil Gall. Garden Painting, 2018. Installation view. Copyright the artist, courtesy the New Art Centre, Roche Court Sculpture Park. https://www.studiointernational.com/images/articles/d/084-denny-robyn-2018/Neil-Gall,-Power-Sculpture,-2017.jpg Neil Gall. Power Sculpture, 2017. Installation view. Copyright the artist, courtesy the New Art Centre, Roche Court Sculpture Park. https://www.studiointernational.com/images/articles/d/084-denny-robyn-2018/IMG_1191.jpg Robyn Denny: Paintings from the 1960s, night-time gallery view. Copyright the artist, courtesy the New Art Centre, Roche Court Sculpture Park. https://www.studiointernational.com/images/articles/d/084-denny-robyn-2018/IMG_1196.jpg Robyn Denny: Paintings from the 1960s, night-time gallery view. Copyright the artist, courtesy the New Art Centre, Roche Court Sculpture Park. https://www.studiointernational.com/index.php/gordon-matta-clark-works-1970-1978-review-david-zwirner-gallery https://www.studiointernational.com/images/articles/m/074-matta-clark-gordon-2018/02-matta-clark.jpg Gordon Matta-Clark, c1971. © The Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York. Courtesy The Estate of Gordon Matta-Clark and David Zwirner. https://www.studiointernational.com/images/articles/m/074-matta-clark-gordon-2018/01-matta-clark.jpg Gordon Matta-Clark creating Garbage Wall under the Brooklyn Bridge in 1970. © The Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York. Courtesy The Estate of Gordon Matta-Clark and David Zwirner. https://www.studiointernational.com/index.php/emma-hart-banger-review-fruitmarket-gallery-edinburgh https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__060.jpg Emma Hart, Mamma Mia!, 2017. Installation view, The Fruitmarket Gallery, 2018. Collezione Maramotti, Reggio Emilia, Italy. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__061.jpg Emma Hart, Mamma Mia!, (detail) 2017. Installation view, The Fruitmarket Gallery, 2018. Collezione Maramotti, Reggio Emilia, Italy. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__059.jpg Emma Hart, Mamma Mia!, 2017. Installation view, The Fruitmarket Gallery, 2018. Collezione Maramotti, Reggio Emilia, Italy. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__021.jpg Emma Hart, BANGER. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__057.jpg Emma Hart, Slippery Sloped, 2018. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__032.jpg Emma Hart, Wipe Out, 2018. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__058.jpg Emma Hart, Mamma Mia!, 2017. Installation view, The Fruitmarket Gallery, 2018. Collezione Maramotti, Reggio Emilia, Italy. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__013.jpg Emma Hart, BANGER. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__017.jpg Emma Hart, Give Way, 2018. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__026.jpg Emma Hart, Give Way, 2018. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__036.jpg Emma Hart, Wipe Out, 2018. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__046.jpg Emma Hart, Flats, 2018. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/EH_FM__049.jpg Emma Hart, Wind Down, 2018. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/h/075-hart-emma-2018/emma-hart-banger.jpg Emma Hart, BANGER. Installation view, The Fruitmarket Gallery, 2018. Courtesy the artist and The Sunday Painter, London. Photo: Ruth Clark. https://www.studiointernational.com/index.php/rafael-lozano-hemmer-pulse-review-hirshhorn-museum-washington https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/02-lozano-hemmer-pulse-room.jpg Rafael Lozano-Hemmer, Pulse Room, 2006. Installation view, Rafael Lozano-Hemmer: Pulse at the Hirshhorn Museum and Sculpture Garden, Washington, DC, 2018. Photo: Cathy Carver. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/04-lozano-Hemmer,-Pulse-Index,-2008.jpg Rafael Lozano-Hemmer, Pulse Index, 2008. Installation view, Rafael Lozano-Hemmer: Pulse at the Hirshhorn Museum and Sculpture Garden, Washington, DC, 2018. Photo: Cathy Carver. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/05-Lozano-Hemmer,-Pulse-Tank,-2010.jpg Rafael Lozano-Hemmer, Pulse Tank, 2010. Installation view, Rafael Lozano-Hemmer: Pulse at the Hirshhorn Museum and Sculpture Garden, Washington, DC, 2018. Photo: Cathy Carver. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/04B-Lozano-Hemmer,-Pulse-Index,-2010,-Sydney.jpg Rafael Lozano-Hemmer, Pulse Index, 2010. Installation view, Recorders, Museum of Contemporary Art, Sydney, Australia, 2011. Photo: Antimodular Research. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/03-lozano-Hemmer,-Pulse-Index,-2008.jpg Rafael Lozano-Hemmer, Pulse Index, 2008. Installation view, Rafael Lozano-Hemmer: Pulse at the Hirshhorn Museum and Sculpture Garden, Washington, DC, 2018. Photo: Cathy Carver. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/07-Lozano-Hemmer,-Pulse-Tank,-2008,-Beall-Center.jpg Rafael Lozano-Hemmer, Pulse Tank, 2008. Installation view, Beall Center, University of California, Irvine, California, United States, 2010. Photo: Antimodular Research. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/01-lozano-hemmer-pulse-room.jpg Rafael Lozano-Hemmer, Pulse Room, 2006. Installation view, Rafael Lozano-Hemmer: Pulse at the Hirshhorn Museum and Sculpture Garden, Washington, DC, 2018. Photo: Cathy Carver. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/06-Rafael-Lozano-Hemmer,-Pulse-Tank,-2010.jpg Rafael Lozano-Hemmer, Pulse Tank, 2010. Installation view, Rafael Lozano-Hemmer: Pulse at the Hirshhorn Museum and Sculpture Garden, Washington, DC, 2018. Photo: Cathy Carver. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/08-Lozano-Hemmer,-Pulse-Tank,-2008,-Prospect-1,-New-Orleans.jpg Rafael Lozano-Hemmer, Pulse Tank, 2008. Installation view, Prospect.1, New Orleans Museum of Art, New Orleans, Louisianna, United States. Photo: Scott Saltzman. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/Rafael-Lozano-Hemmer-Photo-courtesy-of-the-artist.jpg Rafael Lozano-Hemmer. Photo courtesy of the artist. https://www.studiointernational.com/images/articles/l/081-lozano-hemmer-2018/pulse-hmsg-1.jpg Rafael Lozano-Hemmer, Pulse Room, 2006. Installation view, Rafael Lozano-Hemmer: Pulse at the Hirshhorn Museum and Sculpture Garden, Washington, DC, 2018. Photo: Cathy Carver. https://www.studiointernational.com/index.php/mariko-mori-oneness-review-arthur-m-sackler-gallery-washington https://www.studiointernational.com/images/articles/m/073-mori-mariko-2018/mariko-mori-oneness-sackler-gallery-2018.jpg Mariko Mori performing Oneness in the Moongate Garden of the Sackler Gallery, Washington DC, 16 November 2018. https://www.studiointernational.com/images/articles/m/073-mori-mariko-2018/mariko-mori-oneness-sackler-gallery-2018-2.jpg Mariko Mori performing Oneness in the Moongate Garden of the Sackler Gallery, Washington DC, 16 November 2018. https://www.studiointernational.com/index.php/fernand-leger-new-times-new-pleasures-review-tate-liverpool https://www.studiointernational.com/images/articles/l/080-leger-2018/Fernand-Leger,-Trois-femmes-sur-fond-rouge-1927.jpg Fernand Léger. Three women on a red background, 1927. Oil on canvas, 138.5 x 95.5 cm. Musée d https://www.studiointernational.com/images/articles/l/080-leger-2018/Fernand-Leger,-The-Disc-(Le-Disque)-1918.jpg Fernand Léger. The Disc, 1918. Oil on canvas, 65 x 54 cm. Museo Nacional Thyssen-Bornemisza, Madrid. © ADAGP, Paris and DACS, London 2018. Provenance: Museo Nacional Thyssen-Bornemisza, Madrid. https://www.studiointernational.com/images/articles/l/080-leger-2018/Fernand-Leger,-Study-for-The-Constructors-The-Team-at-Rest-1950.jpg Fernand Léger. Study for The Constructors: The Team at Rest, 1950. Oil on canvas, 162 x 129.5 cm. Scottish National Gallery of Modern Art, Edinburgh. © ADAGP, Paris and DACS, London 2018. Photo: Antonia Reeve. https://www.studiointernational.com/images/articles/l/080-leger-2018/Fernand-Leger,-Young-Girl-Holding-a-Flower-1954.jpg Fernand Léger. Young Girl Holding a Flower, 1954. Oil on canvas, 55 x 46 cm. The Fitzwilliam Museum, Cambridge. © ADAGP, Paris and DACS, London 2018. © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/l/080-leger-2018/Fernand-Leger,-Leaves-and-Shell-(Feuilles-et-coquillage)-1927.jpg Fernand Léger. Leaves and Shell, 1927. Oil on canvas, 129.5 x 97.2 cm. Tate. © ADAGP, Paris and DACS, London 2018. https://www.studiointernational.com/images/articles/l/080-leger-2018/Fernand-Leger,-George-Antheil-and-Dudley-Murphy,-Mechanical-Ballet-(Le-Ballet-mecanique)-1924.jpg Fernand Léger, George Antheil and Dudley Murphy. Mechanical Ballet, 1923-24. 35 mm film, 13 mins. © ADAGP, Paris and DACS, London 2018. Photo © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / image Centre Pompidou, MNAM-CCI https://www.studiointernational.com/images/articles/l/080-leger-2018/Fernand-Leger,-The-Acrobat-and-his-Partner-1948.jpg Fernand Léger. The Acrobat and his Partner, 1948. Oil on canvas, support: 130.2 x 162.6 cm frame: 140.2 x 172.7 x 7.5 cm. Tate. © ADAGP, Paris and DACS, London 2018. https://www.studiointernational.com/images/articles/l/080-leger-2018/Fernand-Leger,-Two-Women-Holding-Flowers-1954.jpg Fernand Léger. Two Women Holding Flowers, 1954. Oil on canvas, 97.2 x 129.9 cm. Tate. © ADAGP, Paris and DACS, London 2018. https://www.studiointernational.com/images/articles/l/080-leger-2018/Fernand-Leger,-ABC-1927.jpg Fernand Léger. ABC, 1927. Gouache on paper, 19.4 x 27.8 cm. Tate: Presented by Gustav and Elly Kahnweiler 1974, accessioned 1994. © ADAGP, Paris and DACS, London 2018. https://www.studiointernational.com/index.php/martin-creed-toast-review-interview-hauser-and-wirth-london https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/MartinCreedWithTapeRecorderAndChoroegraphyInstructionsVS.jpg Martin Creed with sound recorder and choreography instructions, Hauser & Wirth, London, 2018. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/CREED93535-hires.jpg Martin Creed. Work No. 3113, TREES FLOWERS SEAS PLEASE, 2018. Acrylic, charcoal, graphite and oil on canvas, 152.7 x 122 x 2 cm (60 1/8 x 48 x 3/4 in). © Martin Creed. All Rights Reserved, DACS 2018. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/MartinCreedWorkNo2724.jpg Martin Creed. Work No. 2724. Anouchka Grose Mouth CLOSED, installation view, Hauser & Wirth, London, 2018. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/CREED91331-hires.jpg Martin Creed. Work No. 2965, Self portrait in a hair net with mouth open, 2014-18. Graphite and coloured pencil on paper, 29.7 x 21 cm (11 3/4 x 8 1/4 in). © Martin Creed. All Rights Reserved, DACS 2018. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/MartinCreed-WorkNo2957.jpg Martin Creed. Work No. 2957, An intrusion and a protrusion from a wall, installation view, Hauser & Wirth, London, 2018. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/MartinCreedWorkNo.jpg Martin Creed. Work No. 3088, 2018. Concrete, felt, steel, velcro. Installation view, Hauser & Wirth, London, 2018. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/CREED91336-hires.jpg Martin Creed. Work No. 2971, Bridges under water, 2018. Ink and paper on canvas, 40.6 x 50.8 cm (16 x 20 in). © Martin Creed. All Rights Reserved, DACS 2018. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/CREED91332-hires.jpg Martin Creed. Work No. 2966, 2018. Acrylic, graphite, ink and paper on canvas, 30 x 16.5 cm (11 3/4 x 6 1/2 in). © Martin Creed. All Rights Reserved, DACS 2018. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/CREED91321-hires.jpg Martin Creed. Work No. 2907, 2018. Ink on paper, 21 x 14.8 cm (8 1/4 x 5 7/8 in). © Martin Creed. All Rights Reserved, DACS 2018. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/CREED91359-hires.jpg Martin Creed. Work No. 3009, Tunnel on a bridge on a cloud, 2018. Ink and paper on canvas, 30.5 x 25.4 cm (12 x 10 in). © Martin Creed. All Rights Reserved, DACS 2018. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/CREED91605-hires.jpg Martin Creed. Work No. 3071, Peanut Butter On Toast, 2018. Patinated bronze, gold, 3.8 x 6.5 x 8 cm (1 1/2 x 2 1/2 x 3 1/8 in). © Martin Creed. All Rights Reserved, DACS 2018. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/CREED92208.jpg Martin Creed. Work No. 3093, Difficult Thoughts, 2018. Digital Film (Still). © Martin Creed. All Rights Reserved, DACS 2018. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/WorkNo-2724-AnouchkaGroseMOUTHOPEN.jpg Martin Creed. Work No. 2724. Anouchka Grose Mouth OPEN, installation view, Hauser & Wirth, London, 2018. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/069-creed-martin-2018/MartinCreedWorkNo2978GunUnderBridgeUnderWaterUnderSun.jpg Martin Creed. Work No. 2978, Gun under bridge under water under sun, installation view, Hauser & Wirth, London, 2018. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/london-1938-defending-degenerate-german-art-review-berlin https://www.studiointernational.com/images/articles/l/078-london-1938-2018/JvH_Segelboote-um-1915_Moderna-Museet.jpg Jacoba van Heemskerck. Sailing Picture, c1915. © Moderna Museet, Stockholm. Donation from Nell Walden, 1958. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/ML_Einstein-1925_Royal-Society,-London.jpg Max Liebermann. Professor Albert Einstein, c1925. © The Royal Society, London. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/EH_Badende-1914_KH-Bonn.jpg Erich Heckel. Bathers, 1914. © Kunstmuseum Bonn. Photo: Reni Hansen. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/Paul-Klee_Gift_1932_Zentrum-Paul-Klee.jpg Paul Klee. Poison, 1932. © Zentrum Paul Klee, Bern. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/WB_Tennis-1933_Privatsammlung.jpg Willi Baumeister. Tennis, 1933. Private collection. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/PMB_Armenhauslerin-1906_-Hess.jpg Paula Modersohn-Becker. Workhouse Woman, 1906. © Hessisches Landesmuseum Darmstadt. Photo: Wolfgang Fuhrmannek. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/WK_Unbenannte-Impro-1914_Mus-BoijvanBeuningen.jpg Wassily Kandinsky. Untitled Improvisation II, 1914. © Museum Boijmans Van Beuningen, Rotterdam. Photo: Studio Tromp, Rotterdam. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/OK_Bildnis-eines-entartetenKunstlers-1937_NG-Scotland.jpg Oskar Kokoschka. Self-portrait of a ‘degenerate artist’, 1937. National Galleries of Scotland, Edinburgh – on loan from a private collection. Photo: Antonia Reeve. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/HK_Junger-Mann-mit-buntem-Halstuch-um-1930_KS-Chemnitz.jpg Helmut Kolle. Young Man with a Coloured Scarf, c1930. © Kunstsammlungen Chemnitz - Museum Gunzenhauser, Stiftung Gunzehauser. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/AA_Collage-1913_Moderna-Museet.jpg Alexander Archipenko. Collage, 1913. © Moderna Museet, Stockholm. Donation from Nell Walden, 1958. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/ELK_Stafelelpweg-1918_Privatsammlung.jpg Ernst Ludwig Kirchner. Stafelalp Road, 1918/19. © Private collection. Photo: Raymond Naef. https://www.studiointernational.com/images/articles/l/078-london-1938-2018/MS,-Panther-1931_Privatbesitz.jpg Max Slevogt. The Panther, 1931. © Private collection. Photo: Andy Johnson. https://www.studiointernational.com/index.php/programmed-rules-codes-and-choreographies-in-art-review-whitney-museum https://www.studiointernational.com/images/articles/p/079-programmed-2018/11-WMAA_PROGRAMMED_15.jpg Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965-2018 (Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019). Foreground: Sol LeWitt, Five Towers, 1986. Photograph: Ron Amstutz. https://www.studiointernational.com/images/articles/p/079-programmed-2018/03-LeWitt.jpg Sol LeWitt. Wall Drawing #289, 1976. Wax crayon, graphite pencil, and paint on four walls, dimensions variable. Whitney Museum of American Art, New York; purchase with funds from the Gilman Foundation, Inc. 78.1.1-4. © 2018 Sol LeWitt/Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/p/079-programmed-2018/02-Simon.jpg John F. Simon Jr. Color Panel v1.0, 1999. Software, altered Apple Macintosh Powerbook 280c, and acrylic (plastic), 13 1/2 x 10 1/2 x 3 in. (34.3 x 26.7 x 7.6 cm). Whitney Museum of American Art, New York; purchase with funds from the Painting and Sculpture Committee 99.88a-c. © 1999 John F. Simon Jr. https://www.studiointernational.com/images/articles/p/079-programmed-2018/05-REAS_009200.jpg Casey Reas. {Software} Structures #003 B, August 2004/2016. Java, Adobe Flash Player. Commissioned by the Whitney Museum of American Art for its artport website AP.2004.5. https://www.studiointernational.com/images/articles/p/079-programmed-2018/06-Thiel_UnexpectedGrowth_coralsHealthy.jpg Tamiko Thiel (with /p). Unexpected Growth, 2018. Augmented reality installation, healthy phase. Commissioned by the Whitney Museum of American Art. https://www.studiointernational.com/images/articles/p/079-programmed-2018/07-WMAA_PROGRAMMED_02.jpg Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965-2018 (Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019). From left to right, top to bottom: Josef Albers, Homage to the Square V, 1967; Josef Albers, Homage to the Square IX, 1967; Josef Albers, Homage to the Square XII, 1967; Josef Albers, Homage to the Square X, 1967; Josef Albers, Variant V, 1966; Josef Albers, Variant VI, 1966; Josef Albers, Variant X, 1966; Josef Albers, Variant IV, 1966; Josef Albers, Variant II, 1966; Josef Albers, Variant VII, 1966; John F. Simon Jr., Color Panel v1.0, 1999. Photograph by Ron Amstutz. https://www.studiointernational.com/images/articles/p/079-programmed-2018/13-WMAA_PROGRAMMED_28.jpg Lawrence Weiner. HERE THERE & EVERYWHERE, 1989 (installation view, Programmed: Rules, Codes, and Choreographies in Art, 1965-2018, Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019). Language + the materials referred to, dimensions variable. Whitney Museum of American Art, New York; purchase with funds from the Contemporary Painting and Sculpture Committee 94.136. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photograph: Ron Amstutz. https://www.studiointernational.com/images/articles/p/079-programmed-2018/08-WMAA_PROGRAMMED_04.jpg Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965-2018 (Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019). From left to right: Casey Reas, {Software} Structure #003 A, 2004 and 2016; Casey Reas, {Software} Structure #003 B, 2004 and 2016; Sol LeWitt, 4th Wall: 24 lines from the center, 12 lines from the midpoint of each of the sides, 12 lines from each corner, 1976. Photograph: Ron Amstutz. https://www.studiointernational.com/images/articles/p/079-programmed-2018/09-WMAA_PROGRAMMED_10_PS.jpg Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965-2018 (Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019). Photograph: Ron Amstutz. https://www.studiointernational.com/images/articles/p/079-programmed-2018/10-WMAA_PROGRAMMED_12_PS.jpg Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965-2018 (Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019). From left to right, top to bottom: Charles Csuri, Sine Curve Man, 1967; Joan Truckenbrod, Curvilinear Perspective, 1979; Joan Truckenbrod, Coded Algorithmic Drawing (#9), 1975; Joan Truckenbrod, Coded Algorithmic Drawing (#45), 1975. Photograph: Ron Amstutz. https://www.studiointernational.com/images/articles/p/079-programmed-2018/12-WMAA_PROGRAMMED_16D.jpg Nam June Paik. Fin de Siècle II, 1989 (partially restored, 2018). Seven-channel video installation, 207 televisions, sound, 168 × 480 × 60 in. (426.7 × 1219.2 × 152.4 cm). Installation view, Programmed: Rules, Codes, and Choreographies in Art, 1965-2018, Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019). Whitney Museum of American Art, New York; gift of Laila and Thurston Twigg-Smith 93.139. © Nam June Paik Estate. Photograph: Ron Amstutz. https://www.studiointernational.com/images/articles/p/079-programmed-2018/04-Paley-CodeProfiles2018_StateC.jpg W. Bradford Paley. Code Profiles, September 2002. Java applet. Commissioned by the Whitney Museum of American Art for its artport website AP.2002.11. https://www.studiointernational.com/images/articles/p/079-programmed-2018/01-Albers.jpg Josef Albers. White Line Square VI, 1966. From the portfolio White Line Squares (Series I). Lithographs: sheet, 20 11/16 x 20 11/16 in. (52.5 x 52.5 cm); image, 15 11/16 x 15 11/16 in. (39.9 x 39.9 cm). Whitney Museum of American Art, New York; gift of the artist 67.14.6. © 2018 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/brent-wadden-interview-sympathetic-resonance-pace-london https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v05.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v03.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v17.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v07-2.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v07.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v09.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v11.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v15.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v16.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v25.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/w/087-wadden-brent-2018/WADDEN_INST_2018_v21.jpg Brent Wadden: Sympathetic Resonance, installation view at Pace Gallery, London, 22 November 2018 to 10 January 2019. Copyright Brent Wadden, courtesy Pace Gallery. https://www.studiointernational.com/index.php/gustavo-perez-monzon-interview-rosa-de-cancio https://www.studiointernational.com/images/articles/m/073-monzon-perez-gustav-2018/Gustavo-Perez-Monzon_SOSTENIDO_2.jpg Gustavo Pérez Monzón. SOSTENIDO, 2017. Site specific installation of elastic thread and lead, dimensions variable. Photo: Issac Martínez. © The Artist; Courtesy Richard Saltoun Gallery, London. https://www.studiointernational.com/images/articles/m/073-monzon-perez-gustav-2018/Gustavo-Perez-Monzon_SOSTENIDO-detail.jpg Gustavo Pérez Monzón. SOSTENIDO, 2017 (detail). Site specific installation of elastic thread and lead, dimensions variable. Photo: Issac Martínez. © The Artist; Courtesy Richard Saltoun Gallery, London. https://www.studiointernational.com/images/articles/m/073-monzon-perez-gustav-2018/GPM006.jpg Gustavo Pérez Monzón. Untitled, 2016. Mixed media on paper (aluminium, ink, graphite and pigment), 95 x 70 cm. Photo: Issac Martínez. © The Artist; Courtesy Richard Saltoun Gallery, London. https://www.studiointernational.com/images/articles/m/073-monzon-perez-gustav-2018/GPM001.jpg Gustavo Pérez Monzón. Untitled, 2016. Mixed media on board (aluminium powder, ink, graphite and pigment), 95 x 70 cm. Photo: Issac Martínez. © The Artist; Courtesy Richard Saltoun Gallery, London. https://www.studiointernational.com/images/articles/m/073-monzon-perez-gustav-2018/GPM049.jpg Gustavo Pérez Monzón. Untitled, 2018. Mixed media on board, 100 x 70 cm. © The Artist; Courtesy Richard Saltoun Gallery, London . https://www.studiointernational.com/images/articles/m/073-monzon-perez-gustav-2018/GPM004.jpg Gustavo Pérez Monzón. Untitled, 2017. Mixed media on board (pigment and pencil), 95 x 70 cm. © The Artist; Courtesy Richard Saltoun Gallery, London. https://www.studiointernational.com/images/articles/m/073-monzon-perez-gustav-2018/gustav-perez-monzon-portrait.jpg Gustavo Pérez Monzón. Portrait of the artist. Photo: Gabriel Batiz. © The Artist; Courtesy Richard Saltoun Gallery, London. https://www.studiointernational.com/images/articles/m/073-monzon-perez-gustav-2018/GPM005.jpg Gustavo Pérez Monzón. Untitled, 2016. Mixed media on board (aluminium, ink, graphite and pigment), 95 x 70 cm. © The Artist; Courtesy Richard Saltoun Gallery, London. https://www.studiointernational.com/images/articles/m/073-monzon-perez-gustav-2018/GPM052.jpg Gustavo Pérez Monzón. Untitled, 2018. Mixed media on board, 70 x 100 cm. © The Artist; Courtesy Richard Saltoun Gallery, London. https://www.studiointernational.com/index.php/dale-chihuly-review-groninger-museum-netherlands https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyVenetians4VSimpson.jpg Dale Chihuly. Venetians, 1988-2006. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyPersians(2018)VSimpson.jpg Dale Chihuly. Persians, 2018, installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulySeaform(1980-88)VSimpson.jpg Dale Chihuly. Sea forms, 1980-88. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyFireOrangeBaskets(2002-2013)VSimpsonjpg.jpg Dale Chihuly. Fire Orange Baskets, 2002-13. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyVenetians3VSimpson.jpg Dale Chihuly. Venetians, 1988-2006. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyAmericanIndianBlanketsVSimpson.jpg Dale Chihuly. Native American blankets, installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyPeachCylinders(2016)VSimpson.jpg Dale Chihuly. Peach Cylinders, 2016. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/SapphireNeonTumbleweedsVSimpson.jpg Dale Chihuly. Sapphire Neon Tumbleweeds, 2018. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyMilleFiori(2018)Detail.jpg Dale Chihuly. Mille Fiori, 2018 (detail), installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyFioriBoat(2017)AndFloatBoat(2018)VSimpson.jpg Dale Chihuly. Fiori Boat, 2017 and Float Boat, 2018. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyVenetians1VSimpson.jpg Dale Chihuly. Venetians, 1988-2006. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyVenetians2VSimpson.jpg Dale Chihuly. Venetians, 1988-2006. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyVenetians5VSimpson.jpg Dale Chihuly. Venetians, 1988-2006. Installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyFax2VSimpson.jpg Dale Chihuly. Fax, installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/068-chihuly-dale-2018/DaleChihulyFaxVSimpson.jpg Dale Chihuly. Fax, installation view, Groninger Museum. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/art-basel-miami-beach-2018-review https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/duke-riley-coming-through-a-hole-in-the-paper.jpg Duke Riley. It’s Coming Through a Hole in the Air, 2017 (detail). Ink on paper, 130 x 99 in. Installation view, Art Basel Miami Beach 2018. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/tabita-rezaire.jpg Tabita Rezaire. Premium Connect, 2017. HD Video, 13 min. Installation view, Art Basel Miami Beach 2018. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/rodney-graham-tattooed-man-on-balcony.jpg Rodney Graham. Tattooed Man on Balcony, 2018. Painted aluminium lightbox with transmounted chromogenic transparency, 278.6 x 164.2 x 17.8 cm (each panel). Installation view, Art Basel Miami Beach 2018. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/george-segal-42nd-street-deli-1999.jpg George Segal. 42nd Street Deli, 1999. Plaster, paint, plastic, wood, Lie-Brite pegs, light bulbs and sockets, 244 x 244 x 81.5 cm (96 x 96 x 32 in). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/thomas-schutte-man-in-wind-III.jpg Thomas Schütte. Mann im Wind III, 2018. Cast patinated bronze, 344.8 x 236.2 cm dia (135 ¾ x 93 in dia). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/the-haas-brothers-tequila-sunrise.jpg The Haas Brothers. Tequila Sunrise, 2018. Porcelain, 91.4 x 61 x 61 cm (36 x 24 x 24 in). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/augustin-cardenas.jpg Augustin Cardenas. Siréne antillaisé, 1978. Belgium marble, 50 x 70 x 83 cm (19 5/8 x 27 ½ x 32 5/8 in). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/positive-vibes.jpg Jack Pierson. Positive Vibes, 2018. Plastic and metal, 178.4 x 251.5 x 12.7 cm (70 1/4 x 99 x 5 in). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/dana-shutz.jpg Dana Schutz. Set of 10 etchings, 2018. Etchings with aquatint, 43 1/4 x 30 5/8 in (109.9 x 77.8 cm) each. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/jonathan-meese.jpg Jonathan Meese. Ich Will Immer https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/beatriz-milhazes.jpg Beatriz Milhazes. Pó de arroz, 2017-18. Acrylic on canvas, 280 x 353 cm (110 1/4 x 139 in). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/paul-macarthy.jpg Paul McCarthy. SC Western John Wayne, pink, 2016. Silicone, 60 x 42 x 60 in (152.4 x 106.7 x 152.4 cm). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/660-565.jpg Art Basel Miami Beach 2018, Al Held, B/W XIV, 1968 (left), Lynda Benglis, NAR, 1980 (centre), Sean Scully, Stack Greys, 2018 (right). Installation view, Art Basel Miami Beach 2018. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/074-art-basel-miami-beach-2018/jill-spalding-at-art-basel-miami-2018.jpg Jill Spalding at Art Basel Miami Beach, 2018. Photo: Jill Spalding. https://www.studiointernational.com/index.php/janet-biggs-like-walking-on-mars-review-tenerife https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Weighing2.jpg Janet Biggs, Weighing Life Without a Scale, 2018. Three-channel HD video installation with sound. Installation view at Museo de la Naturaleza y el Hombre. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. Photo: Robert Cmar. https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Spectrum2.jpg Janet Biggs, Spectrum, 2018. Light sculpture, size variable. Installation view at Museo de la Naturaleza y el Hombre. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. Photo: Candace Moeller. https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Weighing-poet.jpg Janet Biggs, Weighing Life Without a Scale, 2018 (detail). Three-channel HD video installation with sound. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Constellations-1.jpg Janet Biggs, Seeing Constellations in the Darkness Between Stars, 2018 (detail). Four-channel, HD video installation with sound. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Constellations2.jpg Janet Biggs, Seeing Constellations in the Darkness Between Stars, 2018 (detail). Four-channel, HD video installation with sound. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Fragility1.jpg Janet Biggs, Space Between Fragility Curves, (installation view at Museo de la Ciencia y el Cosmos) 2018. Two-channel, HD video installation with sound. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. Photo: Robert Cmar. https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Fragility-Curve2.jpg Janet Biggs, Space Between Fragility Curves, 2018 (detail). Two-channel, HD video installation with sound. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Fragility-Curve.jpg Janet Biggs, Space Between Fragility Curves, 2018 (detail). Two-channel, HD video installation with sound. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Constellations5.jpg Janet Biggs, Seeing Constellations in the Darkness Between Stars, 2018. Four-channel, HD video installation with sound. Installation view at Museo de la Ciencia y el Cosmos. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. Photo: Robert Cmar. https://www.studiointernational.com/images/articles/b/066-biggs-janet-2018/Weighing5.jpg Janet Biggs, Weighing Life Without a Scale, 2018. Three-channel HD video installation with sound. Installation view at Museo de la Naturaleza y el Hombre. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC. Photo: Robert Cmar. https://www.studiointernational.com/index.php/christine-ay-tjoe-interview-i-treat-every-medium-as-paper-and-pencil-white-cube-bermondsey https://www.studiointernational.com/images/articles/t/095-tjoe-christine-ay-2018/Christine-Ay-Tjoe-Not-too-far-2018-(high-res)-1.jpg Christine Ay Tjoe. Not too far (detail), 2018. Oil on canvas, 78 3/4 x 70 7/8 in (200 x 180 cm). © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/t/095-tjoe-christine-ay-2018/Christine-Ay-Tjoe-The-Comrade-2018-(high-res)-1.jpg Christine Ay Tjoe. The Comrade, 2018. Oil on canvas, 74 13/16 x 82 11/16 in (190 x 210 cm). © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/t/095-tjoe-christine-ay-2018/Christine-Ay-Tjoe-What-I-believe-since-my-youth-2018-(high-res)-1.jpg Christine Ay Tjoe. What I believe since my youth (detail), 2018. Oil on canvas, diptych, each: 90 9/16 x 78 3/4 in (230 x 200 cm); overall: 90 9/16 x 157 1/2 in (230 x 400 cm). © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/t/095-tjoe-christine-ay-2018/Christine-Ay-Tjoe-Photo-by-Oku-Yuji-(1).jpg Christine Ay Tjoe. © Christine Ay Tjoe. Photo © Oku Yuji. https://www.studiointernational.com/index.php/lorenzo-lotto-portraits-review-national-gallery-london https://www.studiointernational.com/images/articles/l/077-lotto-lorenzo-2018/lotto-N-4256-00-000053-pr.jpg Lorenzo Lotto. Portrait of a Woman inspired by Lucretia, about 1530-3. Oil on canvas, 96.5 x 110.6 cm. The National Gallery, London. Bought with contributions from the Benson family and the Art Fund, 1927. © The National Gallery, London. https://www.studiointernational.com/images/articles/l/077-lotto-lorenzo-2018/Lotto-Portraits-X9430-A5.jpg Lorenzo Lotto. Messer Marsilio Cassotti and his Wife Faustina, 1523. Oil on canvas, 71 x 84 cm. Museo Nacional del Prado. © Museo Nacional del Prado. https://www.studiointernational.com/images/articles/l/077-lotto-lorenzo-2018/Lotto-X9425-A5.jpg Lorenzo Lotto. The Virgin in Glory with Saints Anthony Abbot and Louis of Toulouse, 1506. Oil on panel, 175 × 165 cm. Duomo di Santa Maria Assunta, Asolo (Treviso-Italia). © Ufficio Diocesano per l’Arte Sacra e i Beni Culturali, Diocesi di Treviso. https://www.studiointernational.com/images/articles/l/077-lotto-lorenzo-2018/Lotto-X9431-A5.jpg Lorenzo Lotto. Portrait of a Married Couple, 1523–4. Oil on canvas, 96 × 116 cm. The State Hermitage Museum, St Petersburg. © The State Hermitage Museum, 2017 / Photo: Vladimir Terebenin. https://www.studiointernational.com/images/articles/l/077-lotto-lorenzo-2018/Lotto-Portraits-X9439-A5.jpg Lorenzo Lotto. Portrait of a Man with a Felt Hat, about 1541. Oil on paper, 57.8 × 46.5 cm. National Gallery of Canada, Ottawa. © 2018 National Gallery of Canada. https://www.studiointernational.com/images/articles/l/077-lotto-lorenzo-2018/Lotto-Portraits-X9435-A5.jpg Lorenzo Lotto. Portrait of Andrea Odoni, 1527. Oil on canvas, 104.3 × 116.8 cm. Lent by Her Majesty The Queen Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018. https://www.studiointernational.com/index.php/gabriele-munter-painting-to-the-point-review-museum-ludwig-cologne https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/munter-boating.jpg Gabriele Münter. Boating, 1910. Courtesy of the Milwaukee Art Museum, Gift of Mrs. Harry Lynde Bradley. © VG Bild-Kunst, Bonn 2018. Photo: Efraim Lev-er, © Artists Rights Society (ARS), New York/ADAGP, Paris. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/breakfast-of-the-birds.jpg Gabriele Münter. Breakfast of the Birds, 1934. Courtesy of the National Museum of Women in the Arts, Washington D.C. Gift of Wallace and Wilhelmina Holladay. © VG Bild-Kunst, Bonn 2018. Photo: Lee Stalsworth. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/GM_KleinesMaedchen.jpg Gabriele Münter. Little Girl Standing at the Side of a Street Saint Louis, Missouri, 1900. © Gabriele Münter und Johannes Eichner-Stiftung VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/Werefkin.jpg Gabriele Münter. Portrait of Marianne Werefkin, 1909. Städtische Galerie im Lenbachhaus und Kunstbau München© VG Bild-Kunst, Bonn 2018. Photo: Städtische Galerie im Lenbachhaus und Kunstbau München. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/ImGarten.jpg Gabriele Münter. In the Garden in Murnau, 1911. Neue Galerie New York. This work is part of the collection of Estée Lauder and was made available through the generosity of Estée Lauder. © VG Bild-Kunst, Bonn 2018. Photo: Hulya Kolabas. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/WilliBlab.jpg Gabriele Münter. Head of a Young Boy (Willi Blab), 1908. Gabriele Münter und Johannes Eichner-Stiftung, Munich © VG Bild-Kunst, Bonn 2018. Photo: Simone Gänsheimer, Ernst Jank, Städtische Galerie im Lenbachhaus und Kunstbau München. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/Abstrakt.jpg Gabriele Münter. Abstract, 1914. Gabriele Münter und Johannes Eichner-Stiftung, Munich. © VG Bild-Kunst, Bonn 2018. Photo: Städtische Galerie im Lenbachhaus und Kunstbau München. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/woman-in-thought.jpg Gabriele Münter. Woman in Thought II, 1928. Gabriele Münter- und Johannes Eichner-Stiftung, Munich. © VG Bild-Kunst, Bonn 2018. Photo: Lenbachhaus, Munich. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/landscape-with-yellow-house.jpg Gabriele Münter. Landscape with Yellow House, 1916. Private collection © VG Bild-Kunst, Bonn 2018. Photo: Lenbachhaus, Munich. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/GM_Portraet.jpg Gabriele Münter, around 1935. © Gabriele Münter und Johannes Eichner-Stiftung, Munich. Photographer unknown. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/three-women.jpg Gabriele Münter. Three Women in Their Sunday Best, Marshall, Texas, 1899/1900. © Gabriele Münter und Johannes Eichner-Stiftung, Munich VG Bild-Kunst, Bonn 2018. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/GM_Bagger.jpg Gabriele Münter. The Blue Excavator (Construction Site on Olympiastraße to Garmisch), 1935. Gabriele Münter und Johannes Eichner-Stiftung, Munich. © VG Bild-Kunst, Bonn 2018. Photo: Lenbachhaus, Munich. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/GM_HausinSchwabing.jpg Gabriele Münter. House in Schwabing, 1911. Courtesy of the Milwaukee Art Museum, Gift of Mrs. Harry Lynde Bradley. © VG Bild-Kunst, Bonn 2018. Photo: P. Richard Eells, © Artists Rights Society (ARS), New York/ VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/m/072-munter-gabrielle-2018/GM_Bildnis.jpg Gabriele Münter. Portrait of an Artist (Margret Cohen), 1932. Dreiländermuseum Lörrach. © VG Bild-Kunst, Bonn 2018. Photo: Dreiländermuseum Lörrach. https://www.studiointernational.com/index.php/margaret-salmon-hole-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/s/069-salmon-margaret-2018/MS__001.jpg Margaret Salmon: Hole. Installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/069-salmon-margaret-2018/MS__002.jpg Margaret Salmon: Hole. Installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/069-salmon-margaret-2018/MS__008.jpg Margaret Salmon: Hole. Installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/069-salmon-margaret-2018/MS__008-2.jpg Margaret Salmon: Hole. Installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/069-salmon-margaret-2018/MS__003-2.jpg Margaret Salmon: Hole. Installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/069-salmon-margaret-2018/MS__003.jpg Margaret Salmon: Hole. Installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/069-salmon-margaret-2018/MS__010.jpg Margaret Salmon: Hole. Installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/069-salmon-margaret-2018/MS__006.jpg Margaret Salmon: Hole. Installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/index.php/staging-jackson-pollock-review-whitechapel-gallery https://www.studiointernational.com/images/articles/p/088-pollock-2018/Summertime-Number-9A-,1948.jpg Jackson Pollock. Summertime: Number 9A, 1948. Oil paint, enamel paint and commercial paint on canvas, support: 84.8 x 555 cm; frame: 88.5 x 5590 x 73 cm. © Tate, London 2018. https://www.studiointernational.com/images/articles/p/088-pollock-2018/Jackson-Pollock_4.jpg Jackson Pollock. Installation view of Jackson Pollock exhibition, 1958. © Whitechapel Gallery. https://www.studiointernational.com/images/articles/p/088-pollock-2018/Jackson-Pollock_5.jpg Jackson Pollock. Installation view of Jackson Pollock exhibition, 1958. © Whitechapel Gallery. https://www.studiointernational.com/images/articles/p/088-pollock-2018/Jackson-Pollock_9.jpg Jackson Pollock. Installation view of Jackson Pollock exhibition, 1958. © Whitechapel Gallery. https://www.studiointernational.com/images/articles/p/088-pollock-2018/JacksonPollock1958.jpg Jackson Pollock. Installation view of Jackson Pollock exhibition, 1958. © Whitechapel Gallery. https://www.studiointernational.com/images/articles/p/088-pollock-2018/Pollock-1.jpg Jackson Pollock. Installation view of Jackson Pollock exhibition, 1958. © Whitechapel Gallery. https://www.studiointernational.com/images/articles/p/088-pollock-2018/Summertime-Number-9A-,1948-detail.jpg Jackson Pollock. Summertime: Number 9A, 1948 (detail). Oil paint, enamel paint and commercial paint on canvas © Tate, London 2018. https://www.studiointernational.com/index.php/art-is-part-of-the-equation-review-royal-academy-community-partner-prgrammes-london https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Man-From-Camden-by-Eugene-Little.jpg Man From Camden by Eugene Little. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/A-place-where-we-cannot-return-by-Gasan,-Capital-A.jpg A place where we cannot return by Gasan, Capital A. Photo: Justine Trickett. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/At-the-National-Gallery-by-Paul-Turner,-Portugal-Prints.jpg At the National Gallery by Paul Turner, Portugal Prints. Photo: Justine Trickett. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Untitled-by-Sonja-Matarese.jpg Untitled by Sonja Matarese. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Henry-VIII-History-by-Anonymous.jpg Henry VIII History by Anonymous. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Carer-and-Roseline-Ma.jpg Carer (Backbone of Society) by Roseline Ma. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Nana,-Nana,-Nana-and-Aaron-J-Little.jpg Nana Nana Nana! by Aaron J Little. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Carer-(Backbone-of-Society)-by-Roseline-Ma.jpg Carer (Backbone of Society) by Roseline Ma. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Art-is-Part-of-the-Equation-by-Tony-Allan,-Action-Space.jpg Art is Part of the Equation by Tony Allan, Action Space. Photo: Justine Trickett. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Fashionistas-by-Paul-Wolfe,-Capital-A.jpg Fashionistas by Paul Wolfe, Capital A. Photo: Justine Trickett. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Migrating-Geese-by-Julia-Gubbins,-Leonard-Cheshire.jpg Migrating Geese by Julia Gubbins, Leonard Cheshire. Photo: Justine Trickett. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Migrations-Life-by-E-E,-Red-Cross.jpg Migration's Life by E E, Red Cross. Photo: Justine Trickett. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Primark-by-Thompson-Hall,-Action-Space.jpg Primark by Thompson Hall, Action Space. Photo: Justine Trickett. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/Relationship-with-Self-by-Muru-Pillia,-Portugal-Prints.jpg Relationship with Self by Muru Pillia, Portugal Prints. Photo: Justine Trickett. https://www.studiointernational.com/images/articles/a/073-art-is-part-of-equation-2018/UNTITLED-by-Mary-Vallely,-Capital-A.jpg Untitled by Mary Vallely, Capital A. Photo: Justine Trickett. https://www.studiointernational.com/index.php/nick-wadley-in-gdansk-review-laznia-centre-for-contemporary-art-jasia-reichardt https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/09.jpg Installation view, showing a selection of Nick Wadley and Sylvia Libendinsky’s wordplay cartoons, from Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/08.jpg Installation view, showing a selection of Nick Wadley’s sketchbooks, from Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/03.jpg Nick Wadley, Pills, undated. From Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/04.jpg Nick Wadley, Kafka, Eyes Beneath the Hat, undated. From Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/01.jpg Nick Wadley, Big Man Dancing, 2004. From Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/05.jpg Nick Wadley, The Way That It Is, undated. From Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/06.jpg Installation view, showing the Heads series of graphite, wash and watercolour paintings, 2003, from Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/02.jpg Nick Wadley, Talking to Strangers, 2006. From Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/07.jpg Installation view, showing a collection of items from Nick Wadley’s mantlepiece, from Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/07-detail.jpg Installation view, showing a collection of items from Nick Wadley’s mantlepiece (detail), from Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/w/086-wadley-nick-2018/10.jpg Installation view, showing the Ubu series, from Nick Wadley in Gdansk, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/index.php/susan-swartz-personal-path-breaking-away-2006-2018-review https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Spring-Muse-7_2016_acrylic-on-linen_48x72.jpg Susan Swartz. Spring Muse 7, 2016. Acrylic on linen, 48 x 72 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Nature-Revisited-1_2016_acrylic-on-linen_12x12.jpg Susan Swartz. Nature Revisited 1, 2016. Acrylic on linen, 12 x 12 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Landscape-of-Resonances-001_2013_acrylic-on-linen_72x48.jpg Susan Swartz. Landscape of Resonances 001, 2013. Acrylic on linen, 72 x 48 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Synthesis-10_2018_acrylic-on-linen_12x12.jpg Susan Swartz. Synthesis #10, 2018. Acrylic on linen, 12 x 12 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Landscape-of-Resonances-009_2013_acrylic-on-linen_48x72.jpg Susan Swartz. Landscape of Resonances 009, 2013. Acrylic on linen, 72 x 48 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Nature-Revisited-44_42x84_031918.jpg Susan Swartz. Nature Revisited 44, 2018. Acrylic on linen, 42 x 84 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Spring-Muse-8_2016_acrylic-on-linen_48x72.jpg Susan Swartz. Spring Muse 8, 2016. Acrylic on linen, 48 x 72 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Nature-Revisited-2_2018_acrylic-on-linen_12x12.jpg Susan Swartz. Nature Revisited 2, 2018. Acrylic on linen, 12 x 12 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Synthesis-12_2018_acrylic-on-linen_12x12.jpg Susan Swartz. Synthesis #12, 2018. Acrylic on linen, 12 x 12 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/images/articles/s/068-swartz-susan-2018/Synthesis-7_2018_acrylic-on-linen_12x12.jpg Susan Swartz. Synthesis #7, 2018. Acrylic on linen, 12 x 12 in. Courtesy of Susan Swartz Studios. https://www.studiointernational.com/index.php/jorge-pardo-interview-hotel-l-arlatan-france-i-am-interested-in-yes-and-more https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanRestaurant.jpg Jorge Pardo, hotel L’Arlatan, Arles, restaurant. Photo: Pierre Collet. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/sv2.jpg Jorge Pardo, 4166 Sea View Lane, Los Angeles. Photo courtesy Jorge Pardo. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanHistoricCourtyardVSimpson.jpg Jorge Pardo, hotel L’Arlatan, Arles, historic courtyard. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanGardenPoolPierreCollet.jpg Jorge Pardo, hotel L’Arlatan, Arles, garden pool. Photo: Hervé Hote. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/ARLATAN_Corridorcredit_Pierre_Collet_couloir.jpg Jorge Pardo, hotel L’Arlatan, Arles, corridor. Photo: Pierre Collet. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/ARLATAN_Loungecredit_Pierre_Collet.jpg Jorge Pardo, hotel L’Arlatan, Arles, lounge. Photo: Pierre Collet. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanBedroom22018-photo-hhote-(11).jpg Jorge Pardo, hotel L’Arlatan, Arles, bedroom. Photo: Hervé Hote. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/ASwimmingPoolInGardenLArlatanVSimpson.jpg Jorge Pardo, hotel L’Arlatan, Arles, swimming pool in the garden. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanBathroomPierreCollet.jpg Jorge Pardo, hotel L’Arlatan, Arles, bathroom. Photo: Pierre Collet. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanEntrancePorchVSimpson.jpg Jorge Pardo, hotel L’Arlatan, Arles, entrance porch. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatan-Staircase-Herve-Hote.jpg Jorge Pardo, hotel L’Arlatan, Arles, staircase. Photo: Hervé Hote. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatan-Bedroom-2018-photo-hhote-(10).jpg Jorge Pardo, hotel L’Arlatan, Arles, bedroom. Photo: Hervé Hote. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanBar2.jpg Jorge Pardo, hotel L’Arlatan, Arles, bar. Photo: Hervé Hote. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/ChandelierClose-UpLArlatanVSimpson.jpg Jorge Pardo, hotel L’Arlatan, Arles, chandelier. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/HoffmanAndPardoInterior.jpg Maja Hoffman and Jorge Pardo, hotel L’Arlatan, Arles. Photo: Pierre Collet. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanLobbyPierreCollet.jpg Jorge Pardo, hotel L’Arlatan, Arles, lobby. Photo: Pierre Collet. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanRestaurant2PierreCollet.jpg Jorge Pardo, hotel L’Arlatan, Arles, restaurant. Photo: Pierre Collet. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/LArlatanViewDOWNMainStairPierreCollet.jpg Jorge Pardo, hotel L’Arlatan, Arles, main staircase. Photo: Pierre Collet. https://www.studiointernational.com/images/articles/p/078-pardo-jorge-2018/GARDEN_5.jpg Jorge Pardo, 4166 Sea View Lane, Los Angeles. Photo courtesy Jorge Pardo. https://www.studiointernational.com/index.php/fluorescent-chrysanthemum-remembered-review-gdansk-ica-japanese-avent-garde-jasia-reichardt https://www.studiointernational.com/images/articles/f/087-flourescent-chrysanthemum-2018/1.jpg Installation view, showing kites and paintings by Katsuhiro Yamaguchi, from Fluorescent Chrysanthemum Remembered, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/f/087-flourescent-chrysanthemum-2018/2.jpg Installation view, showing various ephemera from the 1968 exhibition Fluorescent Chrysanthemum, from Fluorescent Chrysanthemum Remembered, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/f/087-flourescent-chrysanthemum-2018/3.jpg Installation view, showing Susumu Shingu’s Rocking Tree, from Fluorescent Chrysanthemum Remembered, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/f/087-flourescent-chrysanthemum-2018/4.jpg Installation view, showing photographs of various artworks featured in Fluorescent Chrysanthemum, from Fluorescent Chrysanthemum Remembered, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/f/087-flourescent-chrysanthemum-2018/5.jpg Installation view, showing LP sleeves and musical diagrams by Kohei Suiguira, from Fluorescent Chrysanthemum Remembered, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/f/087-flourescent-chrysanthemum-2018/6.jpg Installation view, showing a selection of Kohei Suiguira’s calendars, from Fluorescent Chrysanthemum Remembered, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/f/087-flourescent-chrysanthemum-2018/7.jpg Installation view, showing pages from Alphabetum Acrobaticum (1978), a calendar by Jasia Reichardt and Kohei Suiguira, from Fluorescent Chrysanthemum Remembered, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/images/articles/f/087-flourescent-chrysanthemum-2018/8.jpg Installation view, showing Kohei Suiguira’s book designs, from Fluorescent Chrysanthemum Remembered, CCA Laznia, Gdansk, Poland. Photo: Paweł Jozwiak. https://www.studiointernational.com/index.php/shen-fan-works-in-abstraction-1992-2017-review-eli-klein-new-york https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0842.jpg Shen Fan. 93-60-1, 1993. Oil on xuan paper mounted on xuan paper, 46 x 46 in (117 x 117 cm). Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery. https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0864.jpg Shen Fan. River-C-02, 2007. Oil on canvas, 37 3/4 x 37 3/4 in (96 x 96 cm). Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery. https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0716.jpg Shen Fan. ShanShui-C-06, 2009. Oil on canvas, 37 3/4 x 37 3/4 in (96 x 96 cm). Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery. https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0891.jpg Shen Fan. ShanShui-C-31, 2004. Oil on canvas, 54 3/8 x 46 1/2 in (138 x 118 cm). Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery. https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0742.jpg Shen Fan. Punctuation-Landscape-001-3, 2017. Acrylic on newspaper mounted on wood in three parts, overall: 47 1/4 x 141 3/4 in (120 x 360 cm); each: 47 1/4 x 47 1/4 in (120 x 120 cm). Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery. https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0726.jpg Shen Fan. Punctuation-17-001, 2017. Acrylic on newspaper mounted on wood in three parts, overall: 35 3/8 x 70 7/8 in (90 x 180 cm); each: 35 3/8 x 23 5/8 in (90 x 60 cm). Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery. https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0998.jpg Shen Fan: Works in Abstraction 1992-2017, installation view, Eli Klein, New York, 2018. Photo courtesy of Shen Fan, ShanghART Gallery and Eli Klein Gallery. https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0849.jpg Shen Fan. 92-013, 1992, Oil on xuan paper mounted on xuan paper, 55 1/8 x 27 1/2 in (140 x 70 cm). Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery. https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0785.jpg Shen Fan: Works in Abstraction 1992-2017, installation view, Eli Klein, New York, 2018. Photo courtesy of Shen Fan, ShanghART Gallery and Eli Klein Gallery. https://www.studiointernational.com/images/articles/s/066-shen-fan-2019/_Z4A0977.jpg Shen Fan: Works in Abstraction 1992-2017, installation view, Eli Klein, New York, 2018. Photo courtesy of Shen Fan, ShanghART Gallery and Eli Klein Gallery. https://www.studiointernational.com/index.php/klimt-schiele-drawings-from-albertina-museum-vienna-review-royal-academy-london https://www.studiointernational.com/images/articles/k/081-klimt-schiele-2019/key-29-NEW.jpg Gustav Klimt. Standing Lovers, 1907-08. Pencil, red crayon and gold paint on paper, 24.4 x 14 cm. The Albertina Museum, Vienna. The Batliner Collection. Exhibition organised by the Royal Academy of Arts, London and the Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/k/081-klimt-schiele-2019/key-20.jpg Gustav Klimt. Standing Female Nude (Study for the Three Gorgons, Beethoven Frieze), 1901. Black chalk on packing paper, 45.3 x 31 cm. The Albertina Museum, Vienna. Exhibition organised by the Royal Academy of Arts, London and the Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/k/081-klimt-schiele-2019/key-51.jpg Gustav Klimt. Study for The Dancer (Ria Munk II), 1916-17. Pencil on paper, 49.6 x 32.4 cm. The Albertina Museum, Vienna. Exhibition organised by the Royal Academy of Arts, London and the Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/k/081-klimt-schiele-2019/key-60.jpg Egon Schiele. The Cellist, 1910. Black crayon and watercolour on packing paper, 44.7 x 31.2 cm. The Albertina Museum, Vienna. Exhibition organised by the Royal Academy of Arts, London and the Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/k/081-klimt-schiele-2019/key-88-NEW.jpg Egon Schiele. Seated Female Nude, Elbows Resting on Right Knee, 1914. Pencil and gouache on Japan paper, 48 x 32 cm. The Albertina Museum, Vienna. Exhibition organised by the Royal Academy of Arts, London and the Albertina Museum, Vienna. https://www.studiointernational.com/images/articles/k/081-klimt-schiele-2019/key-75-NEW.jpg Egon Schiele. Group of Three Girls, 1911. Pencil, watercolour and gouache with white gouache heightening on packing paper, 44.7 x 30.8 cm. The Albertina Museum, Vienna. Exhibition organised by the Royal Academy of Arts, London and the Albertina Museum, Vienna. https://www.studiointernational.com/index.php/ceal-floyer-interview-lisson-gallery-london https://www.studiointernational.com/images/articles/f/086-floyer-ceal-2019/FLOY_INSTALL_2018_5.jpg Ceal Floyer. Hammer and Nail, 2018. Video projection with audio, dimensions variable. © Ceal Floyer. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/f/086-floyer-ceal-2019/FLOY_INSTALL_2018_4.jpg Ceal Floyer. Hammer and Nail, 2018. Video projection with audio, dimensions variable. © Ceal Floyer. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/f/086-floyer-ceal-2019/FLOY_INSTALL_2018_17.jpg Ceal Floyer. Fallen Star, 2018. 35 mm slide projector, slide mask, mirror, telescopic AV stand, dimensions variable. © Ceal Floyer. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/f/086-floyer-ceal-2019/FLOY180002_4.jpg Ceal Floyer. Fallen Star, 2018. 35 mm slide projector, slide mask, mirror, telescopic AV stand, dimensions variable. © Ceal Floyer. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/f/086-floyer-ceal-2019/FLOY180002_5.jpg Ceal Floyer. Fallen Star, 2018. 35 mm slide projector, slide mask, mirror, telescopic AV stand, dimensions variable. © Ceal Floyer. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/f/086-floyer-ceal-2019/FLOY_INSTALL_2018_15.jpg Ceal Floyer. Untitled (Static), 2018. Parabolic speaker and ready-made sound effect, dimensions variable. © Ceal Floyer. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/f/086-floyer-ceal-2019/FLOY_INSTALL_2018_8.jpg Ceal Floyer. Hammer and Nail, 2018. Video projection with audio, dimensions variable. © Ceal Floyer. Courtesy Lisson Gallery. https://www.studiointernational.com/index.php/pin-ups-toulouse-lautrec-art-of-celebrity-review-royal-scottish-academy-edinburgh https://www.studiointernational.com/images/articles/l/076-lautrec-toulouse-2019/Tournee-du-Chat-Noir-avec-Rodolphe-Salis.jpg Théophile Steinlen. Cabaret du Chat Noir (Poster), 1892. Colour lithograph, 134.5 x 94.7 cm. Collection: Victoria and Albert Museum, London. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/l/076-lautrec-toulouse-2019/Jane-Avril,-1899.jpg Henri de Toulouse-Lautrec. Jane Avril, 1899. Print, lithograph in coloured inks on paper, 56 x 36 cm. Collection: National Galleries of Scotland. https://www.studiointernational.com/images/articles/l/076-lautrec-toulouse-2019/Moulin-Rouge,-La-Goulue.jpg Henri de Toulouse-Lautrec. Moulin Rouge, La Goulue (Poster), 1891. Colour lithograph, 182.8 x 115.5 cm. Collection: Victoria and Albert Museum, London. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/l/076-lautrec-toulouse-2019/Divan-Japonais.jpg Henri de Toulouse-Lautrec. Divan Japonais, 1892. Poster, colour lithograph, 79.8 x 60.5. Collection: Victoria and Albert Museum, London. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/l/076-lautrec-toulouse-2019/La-Loie-Fuller,-1893.jpg Jules Cheret. La Loie Fuller, 1893. Printer: Chaix (Ateilier Cheret), Paris. Lithograph in red, yellow, dark violet, and black ink on paper, 124 x 84 cm. Collection: The Hunterian, University of Glasgow. https://www.studiointernational.com/index.php/betty-yu-interview-wherever-you-are-there-are-folks-fighting-for-their-lives https://www.studiointernational.com/images/articles/w/085-wu-betty-2019/BY1.jpg An archival photo display of Betty Yu https://www.studiointernational.com/images/articles/w/085-wu-betty-2019/BY2.jpg Chinatown Art Brigade. Photo documenting Here to Stay projection, part of Chinatown Not For Sale. 2016. Photo: KahEan Chang. https://www.studiointernational.com/images/articles/w/085-wu-betty-2019/NewPledge.jpg Chinatown Art Brigade, 10-point pledge. https://www.studiointernational.com/images/articles/w/085-wu-betty-2019/BY3.jpg Chinatown Art Brigade. Photo documenting Here to Stay projection, part of Chinatown Not For Sale. 2016. Photo: KahEan Chang. https://www.studiointernational.com/images/articles/w/085-wu-betty-2019/BY4.jpg Chinatown Art Brigade. Photo documenting Here to Stay projection, part of Chinatown Not For Sale. 2016. Photo: Mike Hong. https://www.studiointernational.com/images/articles/w/085-wu-betty-2019/Betty-Bio-Pic-4.jpg Betty Yu. Photo courtesy of the artist. https://www.studiointernational.com/index.php/coming-home-art-and-the-great-hunger-review-derry-ireland-irish-famine https://www.studiointernational.com/images/articles/c/067-coming-home-2019/Davidson_-_Gorta.jpg Lilian Lucy Davidson ARHA (1879–1954). Gorta (previously known as Burying the Child), 1946. Oil on canvas, 27.5 x 35.5 in (69.85 x 90.17 cm). https://www.studiointernational.com/images/articles/c/067-coming-home-2019/IGHM-New-2016-007.jpg James Mahony ARHA (c1810–59). The Consecration of the Roman Catholic Church of St Mary’s, Pope’s Quay, Cork, c1841. Oil on canvas, 37 x 43 in (95.25 x 109.22 cm). https://www.studiointernational.com/images/articles/c/067-coming-home-2019/Black_47__2012_.jpg Micheal Farrell (1940–2000). Black ’47, 1997–98. Hillier’s medium and acrylic on canvas, 118 x 177 in (299.72 x 449.58 cm). https://www.studiointernational.com/images/articles/c/067-coming-home-2019/Anguish_1_5.jpg Glenna Goodacre. Anguish, 2002. Bronze, 17 in (43.18 cm). https://www.studiointernational.com/images/articles/c/067-coming-home-2019/IGHM-New-2016-017.jpg William Crozier (1930–2011). Rainbow’s End, 1970. Oil on canvas, 71.7 x 47.8 in (182 x 121.5 cm). https://www.studiointernational.com/images/articles/c/067-coming-home-2019/Famine_Ship_Behan_2010_scan_2.jpg John Behan. Famine Ship, 2000. Bronze, 26 in (66.04 cm). https://www.studiointernational.com/images/articles/c/067-coming-home-2019/Basking-Shark.jpg Dorothy Cross. Basking Shark Currach, 2013. Basking-shark skin, wooden-currach frame, 36.22 in (92 cm). https://www.studiointernational.com/images/articles/c/067-coming-home-2019/IGHM-Sunset-007.jpg (Henry) Mark Anthony (1817–86). Sunset (also known as Rock of Cashel), c1847. Oil on canvas, 45 x 45 in (114 x 114 cm). https://www.studiointernational.com/index.php/yapci-ramos-show-me-review-tenerife-espacio-de-las-artes https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_RED-HOT.jpg Yapci Ramos. Red-Hot, 2015-18. 18 channel video HD Installation with sound, 12 min 05’’ sec. Installation view at TEA Tenerife Espacio de las Artes, Spain. https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_PERRAS_3.jpg Yapci Ramos. Perras 3, 2012. 80 x 120 cm.
 
Location: Aruba (formerly part of Netherlands Antilles) . https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_PERRAS_2.jpg Yapci Ramos. Perras, 2012. Installation comprising 10 photographs and one video, photos
 80 x 120 cm, video duration: 2 min 08’’ sec. 
Location: Aruba (formerly part of Netherlands Antilles). Installation fragment view at TEA Tenerife Espacio de las Artes, Spain. Photo: Manuel Vias. https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_LOLITA_1.jpg Yapci Ramos. Serie Lolita ...luz de mi vida..., 2005. 147 x 98 cm. Location: Barcelona. https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_BUSHES_INsTALL.jpg Yapci Ramos. Bushes in the Night, 2016-18. Mono-channel HD video installation with sound, video
 duration: 4 min 50 sec. Locations: Newfoundland (Canada, 2016), Själö (Finland, 2016), Tenerife (Spain, 2018).
 Installation fragment view at TEA Tenerife Espacio de las Artes, Spain. Photo: Uve Navarro. https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_BACK-FORTH_INTALL.jpg Yapci Ramos. Back & Forth, 2006-18. Installation comprising 400 x 1000 cm mural vinyl photograph and three-channel HD video installation with sound, duration (videos): 15 min 52 sec. Location: Barcelona, Madrid, New York, Quito, Paris. Installation fragment view at TEA Tenerife Espacio de las Artes, Spain. Photo: Manuel Vias. https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_RED-HOT_STILL.jpg Yapci Ramos. Red-Hot, 2015-18. 18 channel video HD Installation with sound, 12 min 05’’ sec. Video still. https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_MOTHERHOOD_INTAL.jpg Yapci Ramos. Motherhood, 2017-18. Two-channel HD video installation with sound, duration 2 min 02 sec. Sound composition: Richard Garet
. 
Location: Harare (Zimbabwe). Installation fragment view at TEA Tenerife Espacio de las Artes, Spain. Photo: Manuel Vias. https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_MOTHERHOOD_PHOTO.jpg Yapci Ramos. Motherhood, 2017-18. Two-channel HD video installation with sound, duration 2 min 02 sec. Sound composition: Richard Garet
. 
Location: Harare (Zimbabwe). Video still. https://www.studiointernational.com/images/articles/r/083-ramos-yapci-2019/YR_IDONTMIND.jpg Yapci Ramos. I don't Mind, 2018. Six HD video installation with sound, duration: 5 min 58’’ sec. Location: New York. Installation view at TEA Tenerife Espacio de las Artes, Spain. Photo: Jose Roberto Bacallado. https://www.studiointernational.com/index.php/painter-mentor-magician-otto-mueller-and-his-network-in-wroclaw-review https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/07_MMM_Presse_Mueller_Knabe.jpg Otto Mueller. Boy between leaf plants (boy in the reeds), 1912. Woodcut, 33.8 x 42.9 cm. Staatliche Museen zu Berlin, Kupferstichkabinett. © bpk / Staatliche Museen zu Berlin, Kupferstichkabinett. Photo: Dietmar Katz. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/11_MMM_Presse_Nitka_Mann_mit_Hut.jpg Zdzisław Nitka, Mężczyzna w kapeluszu. Otto Mueller (man with hat Otto Mueller), 2003. Chalk and tempera on paper, 43 x 33 cm. Private collection. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/03_MMM_Moll_Liegende.jpg Oskar Moll. Model in Repose, around 1931. Oil on canvas, 46 x 135 cm. Private collection. © Photo: Serge Hasenböhler. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/08_MMM_Mueller_Doppelbildnis_mit_Maske.jpg Otto Mueller. Couple with mask (self portrait with model and Mask), 1921. Lithograph, 38.7 x 29.3 cm. Brücke-Museum. © Photo: Roman March. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/13_MMM_Presse_Strempel_Masken.jpg Horst Strempel. Masks, 1946. Oil tempera on canvas, 72.5 x 95 cm. Private collection. © VG-Bild Kunst, Bonn 2018. Photo: kunst-archive.net. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/01_MMM_Mueller_Selbstbildnis.jpg Otto Mueller. Self Portrait with Pentagram, around 1924. Distemper on hessian, 120 x 75.5 cm. Von der Heydt-Museum Wuppertal. © Von der Heydt-Museum Wuppertal. Photo: Antje Zeis-Loi, Medienzentrum Wuppertal. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/02_MMM_Mueller_Zwei_Maedchen.jpg Otto Mueller. Two Girls, around 1925. Distemper on hessian, 175 x 111 cm. Staatliche Museen zu Berlin, Nationalgalerie. © bpk / Nationalgalerie, SMB. Photo: Jörg P. Anders. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/04_MMM_Schlemmer_Akt_Frau_Kommender.jpg Oskar Schlemmer. Nude, Woman and Coming, 1925. Oil on canvas, 128 x 64.2 cm. Staatliche Museen zu Berlin, Nationalgalerie. © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/05_MMM_Witkacy_Die_letzte_Zigarette.jpg Witkacy. The last Cigarette of the Convict (Self portrait),1924. Oil on cardboard, 72 x 51 cm. Museum of Literature, Warsaw. © Museum of Literature Warsaw. Photo: Anna Kowalska. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/06_MMM_Presse_Schlemmer__Bauhaustreppe.jpg Oskar Schlemmer. Bauhaus staircase, around 1932. Watercolour and ink over pencil on writing paper with linen embossing, 27.7 x 21.9 cm. Private collection. © Photo: Peter McClennan, Frankfurt. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/09_MMM_Molzahn_Parallelen.jpg Johannes Molzahn. Physicomechanical parallels, 1922. Oil on canvas, 48.5 x 37 cm. Johannes-Molzahn-Center for Documentation and Publication. © and work documentation in Johannes-Molzahn-Center for Documentation and Publication in D34131 Kassel. Photo: Stefan Bethke. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/10_MMM_Presse_Schlemmer_Nachtigal.jpg Oskar Schlemmer. The Nightingale: Seven Figurines, 1929. Pencil and watercolour on paper, the figurines individually cut out and mounted on white cardboard, 63.5 x 45 cm. Staatliche Museen zu Berlin, Art Library. © bpk / Staatliche Museen zu Berlin, Art Library. Photo: Dietmar Katz. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/12_MMM_Muche_Kleines_Bild_mit_Gittermotiv.jpg Georg Muche. The small picture with the lattice motif, 1917. Oil on canvas, 61 x 68 cm. Staatliche Museen zu Berlin, Nationalgalerie © bpk / Staatliche Museen zu Berlin, Nationalgalerie. Photo: Jörg P. Anders. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/14_MMM_Kanoldt_Olevano.jpg Alexander Kanoldt. Olevano II, 1925. Oil on canvas, 61.5 x 82.4 cm. Gallery Berinson, Berlin. © Galerie Berinson, Berlin. Photo: Friedhelm Hoffmann, Berlin. https://www.studiointernational.com/images/articles/m/071-mueller-otto-2019/15_MMM_Presse_Adler_Eltern.jpg Jankel Adler. Moi rodzice (My parents), 1921. Oil on wood, 136 x 54 cm. Kunstmuseum Łódź. © Kunstmuseum Łódź. © VG-Bild Kunst, Bonn 2018. https://www.studiointernational.com/index.php/lorna-macintyre-pieces-of-you-are-here-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/m/070-macintyre-lorna-2019/LM__016.jpg Lorna Macintyre: Pieces of You Are Here, installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/m/070-macintyre-lorna-2019/LM__006-2.jpg Lorna Macintyre: Pieces of You Are Here, installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/m/070-macintyre-lorna-2019/LM__013.jpg Lorna Macintyre: Pieces of You Are Here, installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/m/070-macintyre-lorna-2019/LM__003.jpg Lorna Macintyre: Pieces of You Are Here, installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/m/070-macintyre-lorna-2019/LM__008.jpg Lorna Macintyre: Pieces of You Are Here, installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/m/070-macintyre-lorna-2019/LM__003-2.jpg Lorna Macintyre: Pieces of You Are Here, installation view, Dundee Contemporary Arts, 8 December 2018 – 24 February 2019. Photo: Ruth Clark. https://www.studiointernational.com/index.php/turner-in-january-review-scottish-national-gallery https://www.studiointernational.com/images/articles/t/094-turner-in-january-2019/Mount-Snowdon,-Afterglow.jpg JMW Turner (1775-1851). Mount Snowdon, Afterglow, 1798/1799. Watercolour and gouache and pencil, with scraping out on paper 23.2 x 29.9 cm. Collection: Scottish National Gallery, Mrs Peggy Parker Gift 1991. Photo: Antonia Reeve. https://www.studiointernational.com/images/articles/t/094-turner-in-january-2019/Bell-Rock-Lighthouse---Joseph-Mallord-William-Turner.jpg JMW Turner (1775-1851). Bell Rock Lighthouse,1819. Watercolour and gouache with scratching out on paper, 30.60 x 45.50 cm. Collection: National Galleries of Scotland. Purchased by Private Treaty Sale 1989 with the aid of funds from the National Heritage Memorial Fund and the Pilgrim Trust. https://www.studiointernational.com/images/articles/t/094-turner-in-january-2019/Monte-Rosa-(or-the-Mythen,-near-Schwytz).jpg JMW Turner (1775-1851). Monte Rosa (or the Mythen, near Schwytz), about 1836. Watercolour on paper, 24.3 x 33.9 cm. Collection: Scottish National Gallery, Henry Vaughan Bequest 1900. Photo: © National Galleries of Scotland | Antonia Reeve. https://www.studiointernational.com/images/articles/t/094-turner-in-january-2019/Llanberis-Lake-and-Snowdon---Caernarvon,-Wales.jpg JMW Turner (1775-1851). Llanberis Lake and Snowdon - Caernarvon, Wales, about 1836. Watercolour on paper, 24.3 x 33.9 cm. Collection: Scottish National Gallery, Henry Vaughan Bequest 1900. Photo: © National Galleries of Scotland | Antonia Reeve. https://www.studiointernational.com/images/articles/t/094-turner-in-january-2019/Falls-of-the-Rhine-at-Schaffhausen,-Side-View.jpg JMW Turner (1775-1851). Falls of the Rhine at Schaffhausen, Side View, about 1841. Watercolour, bodycolour, pen and ink detail and scraping on paper, 23 x 28.6 cm. Collection: Scottish National Gallery, Henry Vaughan Bequest 1900. Photo: Antonio Reeve. https://www.studiointernational.com/images/articles/t/094-turner-in-january-2019/Schwyz.jpg JMW Turner (1775-1851). Schwyz, about 1843. Watercolour over traces of black chalk with touches of pen and brown ink on paper, 22.6 x 28.8 cm. Collection: Scottish National Gallery, Henry Vaughan Bequest 1900. Photo: © National Galleries of Scotland | Antonia Reeve. https://www.studiointernational.com/index.php/bloomberg-new-contemporaries-2018-review-south-london-gallery https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/Riza_Salt-House_Film-Still-2_PRINT_small.jpg Bella Riza. Salt House, 2017. Video with audio, 12 min 39 sec (film still). © the artist. https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/Green_Summer-97.jpg Madelynn Mae Green. Summer ’97, 2018. Oil on canvas, 76 x 101 cm. Acquired by the Government Art Collection from New Contemporaries. © the artist. https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/Jones_Mid-Day_small.jpg Patrick H Jones. Midday, 2017. Oil on canvas, 150 x 155 cm. © the artist. https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/Sami_Displacement.jpg Mohammed Sami. Displacement, 2017. Acquired by the Government Art Collection from New Contemporaries. © the artist. https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/SLG-BBNC-0001.jpg Installation view: Bloomberg New Contemporaries, South London Gallery, 2018. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/SLG-BBNC-0010.jpg Installation view: Bloomberg New Contemporaries, South London Gallery, 2018. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/SLG-BBNC-0018.jpg Installation view: Bloomberg New Contemporaries, South London Gallery, 2018. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/SLG-BBNC-0023.jpg Installation view: Bloomberg New Contemporaries, South London Gallery, 2018. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/SLG-BBNC-0071-B.jpg Installation view: Bloomberg New Contemporaries, South London Gallery, 2018. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/n/089-new-contemporaries2018-2019/Riza_Salt-House_Film-Still-1_PRINT_small.jpg Bella Riza. Salt House, 2017. Video with audio, 12 min 39 sec (film still). © the artist. https://www.studiointernational.com/index.php/stalking-the-image-margaret-tait-and-her-legacy-gallery-of-modern-art-glasgow https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait,-Where-I-Am-Is-Here,-1968.-Courtesy-of-the-Margaret-Tait-estate-and-LUX.jpg Margaret Tait, Where I Am Is Here, 1968. Film still. Courtesy of the Margaret Tait estate and LUX. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait,-Portrait-of-Ga,-1952-Courtesy-of-the-Margaret-Tait-estate-and-LUX-3.jpg Margaret Tait, Portrait of Ga, 1952. Film still. Courtesy of the Margaret Tait estate and LUX. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait,-Where-I-Am-Is-Here,-1968.-Courtesy-of-the-Margaret-Tait-estate-and-LUX-3.jpg Margaret Tait, Where I Am Is Here, 1968. Film still. Courtesy of the Margaret Tait estate and LUX. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait,-Calypso,-1955-Courtesy-of-the-Margaret-Tait-estate-and-LUX.jpg Margaret Tait, Calypso, 1955. Film still. Courtesy of the Margaret Tait estate and LUX. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait,-Garden-Pieces,-1998.jpg Margaret Tait, Garden Pieces, 1998. Film still. Courtesy of the Margaret Tait estate and LUX. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait,-Tailpiece,-1976.jpg Margaret Tait, Tailpiece, 1976. Film still. Courtesy of the Margaret Tait estate and LUX Scotland. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait,-Calypso,-1955-Courtesy-of-the-Margaret-Tait-estate-and-LUX-4.jpg Margaret Tait, Calypso, 1955. Film still. Courtesy of the Margaret Tait estate and LUX. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait-Calypso-1955.jpg Margaret Tait, Calypso, 1955. Film still. Courtesy of the Margaret Tait estate and LUX. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait,-Portrait-of-Ga,-1952-Courtesy-of-the-Margaret-Tait-estate-and-LUX-2.jpg Margaret Tait, Portrait of Ga, 1952. Film still. Courtesy of the Margaret Tait estate and LUX. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Margaret-Tait,-Portrait-of-Ga,-1952-Courtesy-of-the-Margaret-Tait-estate-and-LUX.jpg Margaret Tait, Portrait of Ga, 1952. Film still. Courtesy of the Margaret Tait estate and LUX. https://www.studiointernational.com/images/articles/t/094-tait-margaret-2019/Tait_s-handmade-programme-notes-for-Tailpiece.jpg Tait’s handmade programme notes for Tailpiece. Courtesy of the Margaret Tait estate and Orkney Library and Archive. https://www.studiointernational.com/index.php/andy-warhol-and-eduardo-paolozzi-i-want-to-be-a-machine-review-scottish-national-gallery-modern-art https://www.studiointernational.com/images/articles/w/084-warhol-paolozzi-2019/Self-Portrait-with-Reddish-Blonde-Wig,-1981.jpg Andy Warhol. Self-Portrait with Reddish Blonde Wig, 1981. Photograph, colour, Polaroid, on paper, 9.5 x 7.3 cm. ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d https://www.studiointernational.com/images/articles/w/084-warhol-paolozzi-2019/Levis-501-Jeans,-1984.jpg Andy Warhol. Levi https://www.studiointernational.com/images/articles/w/084-warhol-paolozzi-2019/Eduardo-Paolozzi,-Real-Gold-1949-Tate.jpg Eduardo Paolozzi. Real Gold, 1949. Printed papers on paper, 28.2 x 41cm. Collection: Tate, presented by the artist 1995. © Trustees of the Paolozzi Foundation, Licensed by DACS 2018. https://www.studiointernational.com/images/articles/w/084-warhol-paolozzi-2019/Take-off,-1950.jpg Eduardo Paolozzi. Take-off, c1952. Collage, 34.2 x 23.6 cm. Collection: National Galleries of Scotland, presented by Sir Eduardo Paolozzi. © Trustees of the Paolozzi Foundation, Licensed by DACS 2018. https://www.studiointernational.com/images/articles/w/084-warhol-paolozzi-2019/I-was-a-rich-mans-plaything,-1947.jpg Eduardo Paolozzi. I was a rich man’s plaything, 1947. Print, 35.9 x 23.8 cm. Collection: National Galleries of Scotland, presented by the artist 1994. © Trustees of the Paolozzi Foundation, Licensed by DACS 2018. https://www.studiointernational.com/images/articles/w/084-warhol-paolozzi-2019/Self-Portrait-in-Dark-Suit,-1986.jpg Andy Warhol. Self-Portrait in Dark Suit, 1986. Photograph, colour, Polaroid, on paper, 9.4 x 7.2 cm. ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. 2018 https://www.studiointernational.com/index.php/daria-martin-interview-most-people-can-relate-to-being-in-exile-tonight-the-world-barbican-curve https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/daria-martin-install-view-7.jpg Daria Martin: Tonight the World, installation view, The Curve, Barbican Centre, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/05.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/07.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/09.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/daria-martin-install-view-6.jpg Daria Martin: Tonight the World, video game, installation view, The Curve, Barbican Centre, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/daria-martin-install-view-3.jpg Daria Martin: Tonight the World, installation view, The Curve, Barbican Centre, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/13.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/15.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/17.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/daria-martin-portrait.jpg Daria Martin © Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/01.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/03.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/11.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/19.jpg Daria Martin. Tonight the World, 2019. Anamorphic 16mm film transferred to HD, 13.5 min. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/21.jpg Daria Martin. Refuge, 2019. HD videogame, still. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/23.jpg Daria Martin. Refuge, 2019. HD videogame, still. © Daria Martin, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/daria-martin-install-view-4.jpg Daria Martin: Tonight the World, installation view, The Curve, Barbican Centre, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/daria-martin-install-view-1.jpg Daria Martin: Tonight the World, installation view, The Curve, Barbican Centre, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/070-martin-daria-2019/daria-martin-install-view-5.jpg Daria Martin: Tonight the World, installation view, The Curve, Barbican Centre, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/beatrice-gibson-crone-music-review-camden-arts-centre-london https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/16.jpg Beatrice Gibson. Crone Music, installation view, Gallery 3, Camden Arts Centre, 2019. Photo: Luke Walker. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/02.jpg Beatrice Gibson. I Hope I’m Loud When I’m Dead, 2018. Film still. Copyright Beatrice Gibson. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/13.jpg Beatrice Gibson. I Hope I’m Loud When I’m Dead, 2018. Short film, 20 mins. Crone Music, installation view, Camden Arts Centre, 2018. Copyright Beatrice Gibson. Photo: Luke Walker. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/05.jpg Beatrice Gibson. I Hope I’m Loud When I’m Dead, 2018. Film still. Copyright Beatrice Gibson. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/03.jpg Beatrice Gibson. I Hope I’m Loud When I’m Dead, 2018. Film still. Copyright Beatrice Gibson. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/10.jpg Beatrice Gibson. Deux Soeurs Qui Ne Sont Pas Soeurs (Two Sisters who Are Not Sisters). Crone Music installation view, Camden Arts Centre, 2019. Copyright Beatrice Gibson. Photo: Luke Walker. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/11.jpg Beatrice Gibson. Deux Soeurs Qui Ne Sont Pas Soeurs (Two Sisters who Are Not Sisters). Crone Music installation view, Camden Arts Centre, 2019. Copyright Beatrice Gibson. Photo: Luke Walker. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/01.jpg Beatrice Gibson. I Hope I’m Loud When I’m Dead, 2018. Film still. Copyright Beatrice Gibson. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/04.jpg Beatrice Gibson. I Hope I’m Loud When I’m Dead, 2018. Film still. Copyright Beatrice Gibson. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/06.jpg Beatrice Gibson. I Hope I’m Loud When I’m Dead, 2018. Film still. Copyright Beatrice Gibson. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/07.jpg Beatrice Gibson. I Hope I’m Loud When I’m Dead, 2018. Film still. Copyright Beatrice Gibson. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/08.jpg Beatrice Gibson. I Hope I’m Loud When I’m Dead, 2018. Film still. Copyright Beatrice Gibson. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/09.jpg Beatrice Gibson. Deux Soeurs Qui Ne Sont Pas Soeurs (Two Sisters who Are Not Sisters). Crone Music installation view, Camden Arts Centre, 2019. Copyright Beatrice Gibson. Photo: Luke Walker. https://www.studiointernational.com/images/articles/g/082-gibson-beatrice-2019/15.jpg Beatrice Gibson. For Eileen, For CA. Installation view, Camden Arts Centre, 2018. Copyright Beatrice Gibson. Photo: Luke Walker. https://www.studiointernational.com/index.php/we-are-the-people-who-are-you-review-edel-assanti-london https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/Im-here-to-learn-so_Zach-Blas-2017.jpg Zach Blas and Jemima Wyman. I’m here to learn so, 2017. HD four-channel video, colour with sound, 27:33 min. © the artist, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/001.jpg We Are the People. Who Are You? Installation view, Edel Assanti, London, 2019. © Studio Will Amlot, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/Political-Extras-still-2_Anna-Jermolaewa.2015.jpg Anna Jermolaewa. Political Extras, 2015. Single-channel video, 23 mins. © the artist, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/VL---Militsia---MRES.jpg Victoria Lomasko. Other Russias, 2008-17. Ink on paper, 21 x 30 cm (8 1/4 x 11 3/4 in). © the artist, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/White-Noise_Emmanuel-van-der-Auwera-2018.jpg Emmanuel van der Auwera. White Noise, 2018. LCD Screen, HD video. © the artist, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/Karl-Haendel---Hillary-Clinton,-2016.jpg Karl Haendel. Hillary, 2016. Pencil on paper, audio recording, 148 x 229.9 x 5.1 cm (diptych). © the artist, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/Karl-Haendel-Hillary-Clinton,-2016(i).jpg We Are the People. Who Are You? Installation view, Edel Assanti, London, 2019. © Studio Will Amlot, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/006.jpg We Are the People. Who Are You? Installation view, Edel Assanti, London, 2019. © Studio Will Amlot, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/009.jpg We Are the People. Who Are You? Installation view, Edel Assanti, London, 2019. © Studio Will Amlot, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/010.jpg We Are the People. Who Are You? Installation view, Edel Assanti, London, 2019. © Studio Will Amlot, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/021.jpg We Are the People. Who Are You? Installation view, Edel Assanti, London, 2019. © Studio Will Amlot, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/031.jpg We Are the People. Who Are You? Installation view, Edel Assanti, London, 2019. © Studio Will Amlot, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/035.jpg We Are the People. Who Are You? Installation view, Edel Assanti, London, 2019. © Studio Will Amlot, courtesy Edel Assanti. https://www.studiointernational.com/images/articles/w/083-we-are-the-people-2019/Political-Extras-still-1_Anna-Jermolaewa.2015.jpg Anna Jermolaewa. Political Extras, 2015. Single-channel video, 23 mins. © the artist, courtesy Edel Assanti. https://www.studiointernational.com/index.php/phil-collins-artist-interview-engels-manchester-ceremony-cooper-gallery-dundee https://www.studiointernational.com/images/articles/c/066-collins-phil-2019/09_1G7A5604_SLP.jpg Phil Collins, Ceremony, 2018. Installation view, Cooper Gallery, Dundee, 2019. Photograph: Sally Jubb. Courtesy Shady Lane Productions. https://www.studiointernational.com/images/articles/c/066-collins-phil-2019/02_1G7A5189_SLP-copy.jpg Phil Collins, Ceremony, 2018. Installation view, Cooper Gallery, Dundee, 2019. Photograph: Sally Jubb. Courtesy Shady Lane Productions. https://www.studiointernational.com/images/articles/c/066-collins-phil-2019/06_1G7A5203_SLP.jpg Phil Collins, Ceremony, 2018. Installation view, Cooper Gallery, Dundee, 2019. Photograph: Sally Jubb. Courtesy Shady Lane Productions. https://www.studiointernational.com/images/articles/c/066-collins-phil-2019/10_1G7A5270_SLP-copy.jpg Phil Collins, Ceremony, 2018. Installation view, Cooper Gallery, Dundee, 2019. Photograph: Sally Jubb. Courtesy Shady Lane Productions. https://www.studiointernational.com/images/articles/c/066-collins-phil-2019/11_1G7A5579_SLP-copy.jpg Phil Collins, Ceremony, 2018. Installation view, Cooper Gallery, Dundee, 2019. Photograph: Sally Jubb. Courtesy Shady Lane Productions. https://www.studiointernational.com/images/articles/c/066-collins-phil-2019/03_1G7A5228_SLP-copy.jpg Phil Collins, Ceremony, 2018. Installation view, Cooper Gallery, Dundee, 2019. Photograph: Sally Jubb. Courtesy Shady Lane Productions. https://www.studiointernational.com/index.php/joseph-hillier-video-interview-messenger-sculpture-plymouth https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/messenger-hillier-plymouth-visualisation.jpg Joseph Hillier. Visualisation of Messenger outside the Theatre Royal, Plymouth. @ the artist. https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/Joseph-Hillier-with-the-sculpture-photo-Andrew-Fox.jpg Joseph Hillier with a partly constructed Messenger at Castle Fine Arts Foundry, Wales. Photo: Andrew Fox. https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/joseph-hillier-messenger-sketch.jpg Joseph Hillier. Sketch of Messenger. @ the artist. https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/Joseph-Hillier-portrait-photo-Martin-Kennedy.jpg Joseph Hillier. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/hillier-and-wax-messenger.jpg Joseph Hillier with the wax model of Messenger at Castle Fine Arts Foundry, Wales. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/wax-messenger.jpg Wax model of Messenger. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/pouring-bronze-into-mould.jpg Pouring bronze into moulds at Castle Fine Arts Foundry, Wales. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/messengers-head.jpg The head of Joseph Hillier's Messenger. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/joseph-hillier-messenger-maquette.jpg Joseph Hillier. Bronze maquette of Messenger. @ the artist. https://www.studiointernational.com/images/articles/h/074-hillier-joseph-2019/joseph-hillier-messenger-capture1.jpg Joseph Hillier. Digital capture of Messenger. @ the artist. https://www.studiointernational.com/index.php/jean-jacques-lequeu-builder-of-fantasy-review-petit-palais-paris https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/02.jpg Jean-Jacques Lequeu. The Island of Love and Fishing Rest, undated. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/04.jpg Jean-Jacques Lequeu. Grove of Aurora, undated. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/08.jpg Jean-Jacques Lequeu. He is free, 1798-99. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/03.jpg Jean-Jacques Lequeu. Design for Salon, Hotel Montholon, 1785-86. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/07.jpg Jean-Jacques Lequeu. Elevation of a Temple to Equality, 1794. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/09.jpg Jean-Jacques Lequeu. The Great Lessor, undated. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/01.jpg Jean-Jacques Lequeu. Frontispiece of New Applied Manual on the Elementary Principles of Drawing, 1972. Image: Department of Prints and Photography, Bibliothèque nationale de France (BnF). https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/05.jpg Jean-Jacques Lequeu. Facade of Fire Pump and the Interior of the Dairy, undated. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/06.jpg Jean-Jacques Lequeu. The Barn and Gate to the Hunting Ground, undated. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/10.jpg Jean-Jacques Lequeu. The Bacchant, undated. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/images/articles/l/075-lequeu-jean-jacques-2019/11.jpg Jean-Jacques Lequeu. Self-Portrait, 1972. Image: Department of Prints and Photography, BnF. https://www.studiointernational.com/index.php/don-mccullin-retrospective-review-tate-britain https://www.studiointernational.com/images/articles/m/069-mccullin-don-2019/The-Guvnors-in-their-Sunday-Suits,-Finsbury-Park,-London-1958.jpg Don McCullin, The Guvnors in Their Sunday Suits, Finsbury Park, London, 1958. © the artist. Courtesy Don McCullin. https://www.studiointernational.com/images/articles/m/069-mccullin-don-2019/The-Battle-for-the-City-of-Hue,-South-Vietnam,-US-Marine-Inside-Civilian-House-1968.jpg Don McCullin, The Battle for the City of Hue, South Vietnam, US Marine Inside Civilian House, 1968. Artist Rooms, Tate and National Galleries of Scotland. © the artist. Courtesy Don McCullin. https://www.studiointernational.com/images/articles/m/069-mccullin-don-2019/Northern-Ireland,-The-Bogside,-Londonderry-1971.jpg Don McCullin, Northern Ireland, The Bogside, Londonderry, 1971. Artist Rooms, Tate and National Galleries of Scotland. © the artist. Courtesy Don McCullin. https://www.studiointernational.com/images/articles/m/069-mccullin-don-2019/McCullin_Install__03.jpg Installation view of Don McCullin, Tate Britain, 5 February – 6 May 2019. Photograph: Tate Photography (Matt Greenwood) https://www.studiointernational.com/images/articles/m/069-mccullin-don-2019/Woods-near-My-House,-Somerset,-c.1991.jpg Don McCullin, Woods Near My House, Somerset, c1991. Tate © the artist. Courtesy Don McCullin. https://www.studiointernational.com/images/articles/m/069-mccullin-don-2019/Don_McCullin_Portrait_02.jpg Don McCullin, Tate Britain, 5 February – 6 May 2019. Photograph: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/m/069-mccullin-don-2019/Local-Boys-in-Bradford-1972.jpg Don McCullin, Local Boys in Bradford 1972. © the artist. Courtesy Don McCullin. https://www.studiointernational.com/images/articles/m/069-mccullin-don-2019/The-theatre-on-the-Roman-city-of-Palmyra,-party-destroyed-by-Islamic-State-fighters-2017.jpg Don McCullin, The theatre on the Roman city of Palmyra, partly destroyed by Islamic State fighters 2017. © the artist. Courtesy Don McCullin. https://www.studiointernational.com/index.php/vivian-maier-the-color-work-review-les-douches-la-galerie-paris https://www.studiointernational.com/images/articles/m/069-maier-vivian-2019/Pano-1-Maier.jpg Vivian Maier: The Color Work, installation view, courtesy Les Douches la Galerie, Paris. https://www.studiointernational.com/images/articles/m/069-maier-vivian-2019/Pano-3-Maier.jpg Vivian Maier: The Color Work, installation view, courtesy Les Douches la Galerie, Paris. https://www.studiointernational.com/index.php/elevation-1049-festival-review-gstaad-switzerland-doug-aitken-mirage https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/Elevation-1049BorrowedSplendour_photo-Torvioll.jpg Zhana Ivanova. Borrowed Splendour, 2019. Photo: Torvioll. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/ElevationNinaBeierphoto-Torvioll.jpg Nina Beier. Automated. Installation view, Hotel Alpina, Gstaad, 2019. Photo: Torvioll. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/Elevation-1049_DominiqueG-Fphoto_Torvioll.jpg Dominique Gonzalez-Foerster performing at the Greengo bar, Gstaad Palace Hotel, 2019. Photo: Torvioll. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/PoolsideParadise1Elevation-1049_136_photo-Torvioll.jpg Isabel Lewis. Poolside Pastoral, performance, 2 February 2019, Vieux Chalet, Gstaad. Photo: Torvioll. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/SuzanneCianiVSimpson.jpg Suzanne Ciani playing Improvisations on Five Sequences, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/LizMagicLazer_Elevation-_photo-Torvioll.jpg Liz Magic Laser. Elevation festival, 2019. Photo: Torvioll. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/MirageGstaad1_DougAitkenPhoto-Stefan-Altenburger.jpg Doug Aitken, Mirage, installation view, Gstaad, 2019. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/TJ_BurnedBridge-1049_1918_photo-Torvioll.jpg Burning Bridges by Marianne Vitale, 2019. Photo: Torvioll. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/MirageGstaadWithSignpostVSimpson.jpg Doug Aitken, Mirage, installation view, Gstaad, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/MirageGstaadPersonalEncounterVSimpson.jpg Doug Aitken, Mirage, exterior view, Gstaad, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/InteriorExteriorMirageGstaad_Doug_Aitken_Stefan-Altenburger.jpg Doug Aitken, Mirage, interior view, Gstaad, 2019. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/PoolsideParadiseWithBottomVSimpson.jpg Isabel Lewis. Poolside Pastoral, performance, 2 February 2019, Vieux Chalet, Gstaad. Photo: Torvioll. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/TJ_Elevation-SuzanneCianiInActionTorvioll.jpg Suzanne Ciani playing Improvisations on Five Sequences, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/LizMagicLaserGuidesMeditation_Elevation-1049_1699_photo-Torvioll.jpg Liz Magic Laser. Elevation festival, 2019. Photo: Torvioll. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/TJ_BurnedBridge2_photo-Torvioll.jpg Burning Bridges by Marianne Vitale, 2019. Photo: Torvioll. https://www.studiointernational.com/images/articles/e/088-elevation-festival-2019/Elevation-1049_BorrowedSplendour2photo-Torvioll.jpg Zhana Ivanova. Borrowed Splendour, 2019. Photo: Torvioll. https://www.studiointernational.com/index.php/jeff-koons-review-ashmolean-museum https://www.studiointernational.com/images/articles/k/080-koons-jeff-2019/08-Balloon-Venus-Magenta-(c)-Jeff-Koons.jpg Jeff Koons. Balloon Venus (Magenta), 2008–12. Mirror-polished stainless steel with transparent colour coating, 259.1 x 121.9 x 127 cm. One of 5 unique versions (Magenta, Red, Violet, Yellow, Orange). The Broad Art Foundation, Los Angeles. © Jeff Koons. Photo: Marc Domage. Courtesy Almine Rech Gallery. https://www.studiointernational.com/images/articles/k/080-koons-jeff-2019/JeffKoonsAshmolean-9.jpg Jeff Koons, gallery view, Ashmoleum Museum, Oxford, 2019. Photo: Henry Tann. https://www.studiointernational.com/images/articles/k/080-koons-jeff-2019/05-Antiquity-2-(Dots)-(c)-Jeff-Koons.jpg Jeff Koons. Antiquity 2 (Dots), 2009–12. Oil on canvas, 259.1 x 350.5 cm. Collection of the artist. © Jeff Koons. https://www.studiointernational.com/images/articles/k/080-koons-jeff-2019/17-Gazing-Ball-Rubens-(c)-Jeff-Koons.jpg Jeff Koons. Gazing Ball (Rubens Tiger Hunt), 2015. Oil on canvas, glass, and aluminium, 163.8 x 211.1 x 37.5 cm. Collection of the artist. © Jeff Koons. Photo: Tom Powel Imaging. Courtesy Gagosian. https://www.studiointernational.com/images/articles/k/080-koons-jeff-2019/10a-Detail-of-Ballerina-(c)-Jeff-Koons.jpg Jeff Koons. Seated Ballerina, 2010–15 (detail). Mirror-polished stainless steel with transparent colour coating, 210.8 x 113.5 x 199.8 cm. Collection of the artist. © Jeff Koons. Photo: Fredrik Nilsen, 2017. Courtesy Gagosian. https://www.studiointernational.com/images/articles/k/080-koons-jeff-2019/02-Rabbit-(c)-Jeff-Koons.jpg Jeff Koons. Rabbit, 1986. Stainless steel, 104.1 x 48.3 x 30.5 cm. The Eli and Edythe L. Broad Collection. © Jeff Koons. https://www.studiointernational.com/images/articles/k/080-koons-jeff-2019/11-Gazing-Ball-(Birdbath)-(c)-Jeff-Koons.jpg Jeff Koons. Gazing Ball (Birdbath), 2013. Plaster and glass, 114.9 x 69.9 x 69.9 cm. Collection of the artist. © Jeff Koons. Photo: Tom Powel Imaging. Courtesy Gagosian. https://www.studiointernational.com/images/articles/k/080-koons-jeff-2019/JeffKoonsAshmolean-13.jpg Jeff Koons, gallery view, Ashmoleum Museum, Oxford, 2019. Photo: Henry Tann. https://www.studiointernational.com/images/articles/k/080-koons-jeff-2019/JeffKoonsAshmolean-14.jpg Jeff Koons, gallery view, Ashmoleum Museum, Oxford, 2019. Photo: Henry Tann. https://www.studiointernational.com/index.php/christine-lindey-interview-british-socially-committed-art-1930s-to-cold-war https://www.studiointernational.com/images/articles/l/074-lindey-christine-2019/Herman,-Miner-in-the-canteen,c1954,o_c,-91.jpg Josef Herman, Miner in the Canteen, c1954. Oil on canvas, 91.4 x 122 cm. Aberdeen Art Gallery and Museums, © The estate of Josef Herman. All Rights Reserved, DACS 2017. https://www.studiointernational.com/images/articles/l/074-lindey-christine-2019/Peri,-Footballers-1949-coloured-concrete-LCC-estate-lambethl.jpg-Nick-W.jpg Peter Perí, Footballers, 1949. Coloured concrete. Wareham House, Fentiman Road, former LCC Estate, Lambeth, London. Photo: Nick Wright. https://www.studiointernational.com/images/articles/l/074-lindey-christine-2019/Frankfurther,-Eva,-West-Indian-waitresses.jpg Eva Frankfurther, Afro-Caribbean Waitresses, c1955. Oil on paper, 76 x 55 cm. Ben Uri Gallery & Museum Ltd (Bridgeman Images). © Mrs B. Planskoy https://www.studiointernational.com/images/articles/l/074-lindey-christine-2019/de-Francia-The-Bombing-of-Sakiet,-from-J-Hyman.jpg Peter de Francia, The Bombing of Sakiet, 1959. Oil on canvas, 190 x 365 cm. © Estate of Peter de Francia, courtesy James Hyman Gallery, London. https://www.studiointernational.com/images/articles/l/074-lindey-christine-2019/Rowe,-Woman-Cleaning-loc...jpg Cliff Rowe, Woman Cleaning a Locomotive in St Pancras Cleaning Yard, 1942. Watercolour with white on board, 23 x 32 cm. National Railway Museum, York. © Anna Sandra Thornberry, daughter. https://www.studiointernational.com/images/articles/l/074-lindey-christine-2019/AfA-cover-051-copy.jpg Art for All. British Socially Committed Art from the 1930s to the Cold War, by Christine Lindey, published by Artery Publications, October 2018 https://www.studiointernational.com/index.php/eva-van-tongeren-interview https://www.studiointernational.com/images/articles/t/093-tongeren-eva-van-2019/Still-from-afar-1.jpg Eva van Tongeren, Still from afar, 2018. Film, 18 mins. © the artist. https://www.studiointernational.com/images/articles/t/093-tongeren-eva-van-2019/Still-from-afar-2.jpg Eva van Tongeren, Still from afar, 2018. Film, 18 mins. © the artist. https://www.studiointernational.com/images/articles/t/093-tongeren-eva-van-2019/Still-from-afar-3.jpg Eva van Tongeren, Still from afar, 2018. Film, 18 mins. © the artist. https://www.studiointernational.com/images/articles/t/093-tongeren-eva-van-2019/short_c09_vid_0015700.jpg Eva van Tongeren, Still from afar, 2018. Film, 18 mins. © the artist. https://www.studiointernational.com/images/articles/t/093-tongeren-eva-van-2019/Eva_van_Tongeren.jpg Eva van Tongeren. © the artist. https://www.studiointernational.com/images/articles/t/093-tongeren-eva-van-2019/short_c09_vid_0018672.jpg Eva van Tongeren, Still from afar, 2018. Film, 18 mins. © the artist. https://www.studiointernational.com/images/articles/t/093-tongeren-eva-van-2019/short_c09_vid_0023464.jpg Eva van Tongeren, Still from afar, 2018. Film, 18 mins. © the artist. https://www.studiointernational.com/index.php/nguyen-trinh-thi-interview-vietnamese-film-maker https://www.studiointernational.com/images/articles/n/088-nguyen-2019/Nguyen16.jpg Nguyen Trinh Thi. Landscape Series No. 1, 2013. Experimental film, 5 mins, video, colour. Image courtesy of the artist. https://www.studiointernational.com/images/articles/n/088-nguyen-2019/love-man-love-woman-princess-(1).jpg Nguyen Trinh Thi. Love Man Love Woman, 2007. Documentary, 52 mins, video, colour. Image courtesy of the artist. https://www.studiointernational.com/images/articles/n/088-nguyen-2019/Letters-old-lady.jpg Nguyen Trinh Thi. Letters from Panduranga, 2015. Single-channel video, 35 mins, HD, colour. Image courtesy of the artist. https://www.studiointernational.com/images/articles/n/088-nguyen-2019/FifTH-CINEMA-2018.jpg Nguyen Trinh Thi. Fifth Cinema (2018). Single-channel video, colour and B&W, sound, 56 mins. Photo: Jamie Maxtone-Graham, courtesy of the artist. https://www.studiointernational.com/images/articles/n/088-nguyen-2019/Nguyen-Trinh-Thi.jpg Nguyen Trinh Thi. © the artist. https://www.studiointernational.com/images/articles/n/088-nguyen-2019/Nguyen04.jpg Nguyen Trinh Thi. Landscape Series No. 1, 2013. Experimental film, 5 mins, video, colour. Image courtesy of the artist. https://www.studiointernational.com/images/articles/n/088-nguyen-2019/Nguyen05.jpg Nguyen Trinh Thi. Landscape Series No. 1, 2013. Experimental film, 5 mins, video, colour. Image courtesy of the artist. https://www.studiointernational.com/index.php/nari-ward-interview-we-the-people-i-wouldn-t-be-artist-am-now-if-hadnt-moved-to-harlem https://www.studiointernational.com/images/articles/w/082-ward-nari-2019/NW-LM13324-Crusader-(Nerman-Museum)-01.jpg Nari Ward. Crusader, 2005. Plastic bags, metal, shopping cart, trophy elements, bitumen, chandelier, and plastic containers, 110 x 51 x 52 in (279.4 x 129.5 x 132.1 cm). Installation view: Nari Ward: Re-Presence, Nerman Museum of Contemporary Art, Overland Park, KS, 2010. Collection Brooklyn Museum; Purchased with funds given by Giulia Borghese. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul. https://www.studiointernational.com/images/articles/w/082-ward-nari-2019/NW-LM15893-Homeland-Sweet-Homeland-01.jpg Nari Ward. Homeland Sweet Homeland, 2012. Cloth, plastic, megaphones, razor wire, feathers, chains, and silver spoons, 96 x 59 3/4 x 10 in (243.8 x 151.8 x 25.4 cm). In collaboration with the Fabric Workshop and Museum, Philadelphia. Collection Pérez Art Museum Miami; museum purchase with funds provided by Jorge M. Pérez, the John S. and James L. Knight Foundation, and the PAMM Ambassadors for African American Art. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul. Photo: Elisabeth Bernstein. https://www.studiointernational.com/images/articles/w/082-ward-nari-2019/NW-LM16117-TP.jpg Nari Ward. T.P. Reign Bow, 2012. Wood, blue tarp, brass grommets, zippers, human hair, and taxidermy fox, 224 x 156 x 270 in (569 x 396.2 x 685.8 cm). Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul. Photo: Elisabeth Bernstein. https://www.studiointernational.com/images/articles/w/082-ward-nari-2019/NW-LM17306-Amazing-Grace-(New-Museum-2013-Inst)-(photo-by-Jesse-Untract-Oakner)-02.jpg Nari Ward. Amazing Grace, 1993. Approximately 300 baby strollers and fire hoses, dimensions variable. Installation view: NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, 2013. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul. Photo: Jesse Untracht-Oakner. https://www.studiointernational.com/images/articles/w/082-ward-nari-2019/NW-LM20195-Iron-Heavens-(Whitney-Biennial-1995-Inst).jpg Nari Ward. Iron Heavens, 1995. Oven pans, ironed sterilized cotton, and burnt wooden bats, 140 x 148 x 48 in (355.6 x 375.9 x 121.9 cm). Installation view: Nari Ward: Sun Splashed, Pérez Art Museum Miami, 2016. Collection Jeffrey Deitch. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul. Photo: Studio LHOOQ. https://www.studiointernational.com/images/articles/w/082-ward-nari-2019/_NW-We-the-People-(Fabric-Workshop-and-Museum-2011)-01.jpg Nari Ward. We the People, 2011. Shoelaces, 96 x 324 in (243.8 × 594.4 cm). In collaboration with the Fabric Workshop and Museum, Philadelphia. Collection Speed Art Museum, Louisville, KY; Gift of the Speed Contemporary, 2016.1. © The Speed Art Museum, Louisville, KY. https://www.studiointernational.com/images/articles/w/082-ward-nari-2019/NW-LM24896-Apollo-Poll-(Socrates-Sculpture-Park--2017)-Inst-10-hr_HI-RES.jpg Nari Ward. Apollo/Poll, 2017. Steel, wood, vinyl, and LED lights, 360 x 144 x 48 in (914.4 x 365.8 x 121.9 cm). Commissioned by Socrates Sculpture Park, New York. Courtesy the artist; Lehmann Maupin, New York, Hong Kong, and Seoul; and Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana. Photo: Nicholas Knight. https://www.studiointernational.com/index.php/harald-sohlberg-painting-norway-review-dulwich-picture-gallery https://www.studiointernational.com/images/articles/s/065-sohlberg-harald-2019/Self-Portrait.jpg Harald Sohlberg, Self-Portrait, 1896. Private collection. https://www.studiointernational.com/images/articles/s/065-sohlberg-harald-2019/The-Mermaid.jpg Harald Sohlberg. The Mermaid, 1896. Private collection. https://www.studiointernational.com/images/articles/s/065-sohlberg-harald-2019/The-Country-Road.jpg Harald Sohlberg. The Country Road, 1905. Private collection. https://www.studiointernational.com/images/articles/s/065-sohlberg-harald-2019/Winter-Night-in-the-Mountains.jpg Harald Sohlberg. Winter Night in the Mountains, 1914. The National Museum of Art, Architecture and Design, Norway. https://www.studiointernational.com/images/articles/s/065-sohlberg-harald-2019/file.jpg Mariele Neucker. And Then The World Changed Colour: Breathing Yellow, 2019. Photo: Emily Spicer https://www.studiointernational.com/images/articles/s/065-sohlberg-harald-2019/Fishermans-Cottage.jpg Harald Sohlberg. Fisherman’s Cottage, 1906. Art Institute of Chicago, Gift of Edward Byron Smith. https://www.studiointernational.com/images/articles/s/065-sohlberg-harald-2019/Night,-Roros-Church.jpg Harald Sohlberg. Night, Røros Church, 1903. The National Museum of Art, Architecture and Design, Norway. https://www.studiointernational.com/index.php/netherlands-bauhaus-pioneers-of-a-new-world-review-rotterdam https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/03-Walter-Gropius,-Wassily-Kandinsky-and-J.J.P.-Oud-during-the-Bauhaus-exhibition-in-Weimar,-1923.jpg Left to right: Walter Gropius, Wassily Kandinsky and J.J.P. Oud during the Bauhaus exhibition in Weimar, 1923. Canadian Centre for Architecture (CCA), Montreal. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/01-Wassily-Kandinsky,-Gelbe-Mitte,-1926.jpg Wassily Kandinsky. Gelbe Mitte, 1926. Oil on canvas, 62 x 54 cm (incl. frame). Museum Boijmans Van Beuningen, Rotterdam. Photo: Studio Tromp. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/06-Piet-Mondrian,-book,-1925.jpg Piet Mondrian, Neue Gestaltung (no. 5 of the Bauhausbücher series), design László Moholy-Nagy, 1925. Private collection, the Netherlands. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/07-Theo-van-Doesburg,-book,-1925.jpg Theo van Doesburg, Grundbegriffe der neuen gestaltenden Kunst (no 6 of the Bauhausbücher series), design Theo van Doesburg, 1925. Private collection, the Netherlands. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/12-Lothar-Schreyer-Tulip-Madonna,-1926.jpg Lothar Schreyer, Tulip-Madonna, 1926. Stained glass, produced by Puhl & Wagner, Gottfried Heinersdorf, Berlin. Chapel of Rudolf Steiner Care, The Hague. Photo: Raphaëlstichting. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/17-Marcel-Breuer,-four-side-tables,-c.jpg Marcel Breuer, four side tables, c1926. Nickel-plated metal, painted wood, 60 x 65 x 40 cm (largest). Private Collection, Germany. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/22-Willem-Hendrik-Gispen,-lamp,-1927.jpg Willem Hendrik Gispen. Giso 22 pendant lamp, 1927. Milk glass, chromium-plated copper, diameter 40 cm, manufactured by Gispen’s Fabriek voor Metaalbewerking, Rotterdam. Museum Boijmans Van Beuningen, Photo: Ad van den Bruinhorst. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/18-Kitty-van-der-Mijll-Dekker,-Bauhaus-Diploma-Piece.jpg Kitty van der Mijll Dekker, Bauhaus Diploma Piece: multi-coloured woven fabric for cotton bedspread (detail), 1932. Hand-woven cotton. TextielMuseum, Tilburg. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/View-of-exhibition-1.jpg Netherlands ⇄ Bauhaus: Pioneers of a New World, exhibition view, Museum Boijmans van Beuningen, Rotterdam, 2019. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/11-Marcel-Breuer-armchair,-1923.jpg Marcel Breuer, ti 1a armchair, 1923. Wood, textile, 94.9 x 56 x 57.5 cm, made in the furniture workshop at the Bauhaus in Weimar. Museum Boijmans Van Beuningen, Rotterdam. Photo: Tom Haartsen. https://www.studiointernational.com/images/articles/b/065-bauhaus-2019/View-of-exhibition-2.jpg Netherlands ⇄ Bauhaus: Pioneers of a New World, exhibition view, Museum Boijmans van Beuningen, Rotterdam, 2019. https://www.studiointernational.com/index.php/htein-lin-interview-a-show-of-hands-sculpture-political-prisoners-myanmar-burma https://www.studiointernational.com/images/articles/l/073-lin-htein-2019/Installation-view-of-A-Show-of-Hands-Image-courtesy-the-artist-.jpg Htein Lin. A Show of Hands, installation view, Albright-Knox Art Gallery, Buffalo, New York, 16 February 2019 – 28 April 2019. Image courtesy the artist. https://www.studiointernational.com/images/articles/l/073-lin-htein-2019/Installation-view-of-A-Show-of-Hands.jpg Htein Lin. A Show of Hands, installation view, Albright-Knox Art Gallery, Buffalo, New York, 16 February 2019 – 28 April 2019. Image courtesy the artist. https://www.studiointernational.com/images/articles/l/073-lin-htein-2019/Detail-from-A-Show-of-Hands-Photo-by-Jennifer-Foley.jpg Htein Lin. A Show of Hands, installation view, Albright-Knox Art Gallery, Buffalo, New York, 16 February 2019 – 28 April 2019. Image courtesy the artist. https://www.studiointernational.com/index.php/makeshift-review-john-michael-kohler-arts-center-wisconsin https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0067.jpg Trenton Doyle Hancock, BEEN, 2018. Mixed media. https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0061.jpg Jessica Jackson Hutchins, SAP, 2012. Paint, fabric, ceramic, and glaze. https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0024-2.jpg Makeshift installation view at the John Michael Kohler Arts Center, 2018. Greg Smith, TINA (There Is No Alternative), 2018, mixed media. Background: Greg Smith, untitled, 2018, graphite and coloured pencil on paper. https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0054.jpg Alison Elizabeth Taylor, multiple works, 2018; watercolour and gouache on paper. Installation view at John Michael Kohler Arts Center. (left to right, from the top row) Arch, Hoodoo, Forest, Tree Trunk, Insect, Peacock, Snake, Spider, Houseplant, Palm Tree, Moon,, Solar System, Dome, Castle, Tudor, 60s House, Abandoned Homestead, Outdoor Cabin, Hidden Cabin, Yurt, Shed, Trees, Branch, Flower, Cactus, Desert Sculpture, Chainlink, Bricks, Picket Fence, New Teeth, Roulette Wheel, Slot Machine, Scorpion, Spray Gun, Cabinet Scraper, Skull, Bear, Wolfdog, Pig, Sunrise, Commuters, Voting Machine, Protest, Gas Mask, Prescription Meds, Bed, Wig, Whig https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0068.jpg Alison Elizabeth Taylor, Shed Bed Chain Link Forest Scorpion Sunrise, 2018. Marquetry hybrid. https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0045-2.jpg Brad Kahlhamer and Cleo Kahlhamer, Super Catcher/Ultra Cruiser. Installation view, Makeshift. https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0049.jpg Makeshift, gallery view, 2018. Foreground: Brad Kahlhamer and Cleo Kahlhamer, Super Catcher/Ultra Cruiser. Background (left to right): Odili Donald Odita, Panic; Alison Elizabeth Taylor, Shed Bed Chain Link Forest Scorpion Sunrise; Greg Smith, TINA (There Is No Alternative). https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0059.jpg Greg Smith, untitled drawings, 2018. Graphite and coloured pencil on paper. https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0063.jpg Jessica Jackson Hutchins, Drawn Onward, 2017. Fabric, clay, and glaze. Courtesy of the artist and Marianne Boesky Gallery, NY. Photo courtesy of John Michael Kohler Arts Center. https://www.studiointernational.com/images/articles/m/068-makeshift-2019/ex-mak-2018-0091.jpg Greg Smith, TINA (There Is No Alternative), 2018 (detail). Mixed media. https://www.studiointernational.com/index.php/erwin-wurm-interview-new-work-exhibition-galerie-thaddaeus-ropac https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/07.jpg Erwin Wurm, Fat Mini, 2018. Mixed media, 138 x 180 x 340 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/03.jpg Erwin Wurm, Untitled (P08), 2018. Polaroid 80 x 56 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/05.jpg Erwin Wurm, Double Navel, 2018. Ceramic, glaze (ceramics), acrystal (pedestal), 140 x 81 x 45 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/08.jpg Erwin Wurm, Selfportrait, 2016 – 2017. Watercolour and crayon on paper, 29.7 x 21 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/04.jpg Erwin Wurm, Inhaler, 2018. Ceramic, glaze 60 x 42 x 24 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/02.jpg Erwin Wurm, Untitled (P14), 2018. Polaroid 80 x 56 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/06.jpg Erwin Wurm, Peace Restrained, 2018. Ceramic, glaze (ceramic), acrystal (pedestal), 80 x 30 x 25 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/09.jpg Erwin Wurm, Untitled, 2017. Crayon on paper, 29.7 x 21 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/10.jpg Erwin Wurm, Blue Glasses, 2016 – 2017. Crayon on paper, 42 x 29.7 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/11.jpg Erwin Wurm, Untitled (P05), 2018. Polaroid, 80 x 56 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/12.jpg Erwin Wurm, Untitled (P56), 2018. Polaroid 80 x 56 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/images/articles/w/081-wurm-erwin-2019/01.jpg Erwin Wurm, Untitled (P29), 2018. Polaroid, 80 x 56 cm. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg. © Erwin Wurm/DACS, 2019. https://www.studiointernational.com/index.php/kader-attia-the-museum-of-emotion-review-hayward-gallery-london https://www.studiointernational.com/images/articles/a/072-attia-kader-2019/01-Installation-view-of-Shifting-Borders,-Kader-Attia_-The-Museum-of-Emotion-at-Hayward-Gallery.-Copyright-the-artist,-courtesy-Hayward-Gallery-2019.jpg Installation view of Shifting Borders, Kader Attia: The Museum of Emotion, Hayward Gallery. Copyright the artist, courtesy Hayward Gallery 2019. Photo: Linda Nylind. https://www.studiointernational.com/images/articles/a/072-attia-kader-2019/07-Installation-view-of-Shifting-Borders,-Kader-Attia_-The-Museum-of-Emotion-at-Hayward-Gallery.-Copyright-the-artist,-courtesy-Hayward-Gallery-2019.jpg Installation view of Shifting Borders, Kader Attia: The Museum of Emotion at Hayward Gallery. Copyright the artist, courtesy Hayward Gallery 2019. Photo: Linda Nylind. https://www.studiointernational.com/images/articles/a/072-attia-kader-2019/04-Installation-view-of-The-Repair-from-Occident-to-Extra-Occidental-Cultures.jpg Installation view of The Repair from Occident to Extra-Occidental Cultures, Kader Attia: The Museum of Emotion at Hayward Gallery. Copyright the artist, courtesy Hayward Gallery 2019. Photo: Linda Nylind. https://www.studiointernational.com/images/articles/a/072-attia-kader-2019/06-Installation-view-of-Shifting-Borders,-Kader-Attia_-The-Museum-of-Emotion-at-Hayward-Gallery.-Copyright-the-artist,-courtesy-Hayward-Gallery-2019.jpg Installation view of Shifting Borders, Kader Attia: The Museum of Emotion at Hayward Gallery. Copyright the artist, courtesy Hayward Gallery 2019. Photo: Linda Nylind. https://www.studiointernational.com/images/articles/a/072-attia-kader-2019/08-Installation-view-of-Kader-Attia_-The-Museum-of-Emotion-at-Hayward-Gallery.jpg Kader Attia: The Museum of Emotion, installation view, Hayward Gallery. Copyright the artist, courtesy Hayward Gallery 2019. https://www.studiointernational.com/images/articles/a/072-attia-kader-2019/02-Installation-view-of-Kader-Attia_-The-Museum-of-Emotion-at-Hayward-Gallery.-Copyright-the-artist,-courtesy-Hayward-Gallery-2019.jpg Kader Attia: The Museum of Emotion, installation view, Hayward Gallery. Copyright the artist, courtesy Hayward Gallery 2019. Photo: Linda Nylind. https://www.studiointernational.com/images/articles/a/072-attia-kader-2019/05-Installation-view-of-Olivia-de-Blida-(Olivia-from-Blida),-Kader-Attia_-The-Museum-of-Emotion-at-Hayward-Gallery.-Copyright-the-artist,-courtesy-Hayward-Gallery-2019.jpg Installation view of Olivia de Blida (Olivia from Blida), Kader Attia: The Museum of Emotion at Hayward Gallery. Copyright the artist, courtesy Hayward Gallery 2019. Photo: Linda Nylind. https://www.studiointernational.com/images/articles/a/072-attia-kader-2019/09-Installation-view-of-Kader-Attia_-The-Museum-of-Emotion-at-Hayward-Gallery.jpg Kader Attia: The Museum of Emotion, installation view, Hayward Gallery. Copyright the artist, courtesy Hayward Gallery 2019. Photo: Linda Nylind. https://www.studiointernational.com/index.php/imre-bak-video-interview-works-mayor-gallery https://www.studiointernational.com/images/articles/b/064-bak-imre-2019/Green-Purple-Black-1968.jpg Imre Bak. Green-Purple-Black, 1968. Acrylic on canvas, 120 x 150 cm (47 1/4 x 59 in). Photo courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/b/064-bak-imre-2019/imre-bak-2019-photo-martin-kennedy.jpg Imre Bak talking to Studio International at the opening of his exhibition at Mayor Gallery, London, February 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/064-bak-imre-2019/Composition-1967.jpg Imre Bak. Composition, 1967. Acrylic on canvas, 120 x 120 cm (47 1/4 x 47 1/4 in). Photo courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/b/064-bak-imre-2019/Circle-cross-triangle-1977.jpg Imre Bak. Circle-Cross-Triangle, 1977. Ink and tempera on paper, 32 x 28 cm (12 5/8 x 11 in). Photo courtesy Mayor Gallery. https://www.studiointernational.com/images/articles/b/064-bak-imre-2019/Labyrinth-1979.jpg Imre Bak. Labyrinth, 1979. Acrylic on canvas, 150 x 150 cm (59 x 59 in). Photo courtesy Mayor Gallery. https://www.studiointernational.com/index.php/julianne-swartz-interview-joy-still-grace-farms-connecticut https://www.studiointernational.com/images/articles/s/064-swartz-julianne-2019/IwanBaan-GraceFarmsFoundation-JulianneSwartz.jpg Exterior view, Grace Farms, New Canaan. Photo: Iwan Baan. https://www.studiointernational.com/images/articles/s/064-swartz-julianne-2019/Eva-Deitch-GraceFarmsFoundation-JulianneSwartz-3.jpg Julianne Swartz. Transfer Objects, 2018. Four multisensory works, Bass wood, optical lens, electronics, composed soundtracks. Commissioned by Grace Farms Foundation, New Canaan. Courtesy of Julianne Swartz Studio, Stone Ridge and Josée Bienvenu Gallery, New York City. Photo: Eva Deitch. https://www.studiointernational.com/images/articles/s/064-swartz-julianne-2019/Eva-Deitch-GraceFarmsFoundation-JulianneSwartz-5.jpg Julianne Swartz. Prelude / Postlude, 2018. Four channels, electronics, composed soundtracks. Commissioned by Grace Farms Foundation, New Canaan. Courtesy of Julianne Swartz Studio, Stone Ridge and Josée Bienvenu Gallery, New York City. Photo: Eva Deitch. https://www.studiointernational.com/images/articles/s/064-swartz-julianne-2019/Eva-Deitch-GraceFarmsFoundation-JulianneSwartz-2.jpg Julianne Swartz. Joy, still, 2018. 21:38 mins, 16 channels, electronics, composed soundtracks. Commissioned by Grace Farms Foundation, New Canaan. Courtesy of Julianne Swartz Studio, Stone Ridge and Josée Bienvenu Gallery, New York City. Photo: Eva Deitch. https://www.studiointernational.com/images/articles/s/064-swartz-julianne-2019/Eva-Deitch-GraceFarmsFoundation-JulianneSwartz-1.jpg Julianne Swartz. Joy, still, 2018. 21:38 mins, 16 channels, electronics, composed soundtracks. Commissioned by Grace Farms Foundation, New Canaan. Courtesy of Julianne Swartz Studio, Stone Ridge and Josée Bienvenu Gallery, New York City. Photo: Eva Deitch. https://www.studiointernational.com/images/articles/s/064-swartz-julianne-2019/Eva-Deitch-GraceFarmsFoundation-JulianneSwartz-4.jpg Julianne Swartz. Transfer Objects, 2018. Four multisensory works, Bass wood, optical lens, electronics, composed soundtracks. Commissioned by Grace Farms Foundation, New Canaan. Courtesy of Julianne Swartz Studio, Stone Ridge and Josée Bienvenu Gallery, New York City. Photo: Eva Deitch. https://www.studiointernational.com/images/articles/s/064-swartz-julianne-2019/Gabe-Guilliams-GraceFarmsFoundation-JulianneSwartz.jpg Exterior view, Grace Farms, New Canaan. Photo: Gabe Guilliams. https://www.studiointernational.com/index.php/ghislaine-leung-constitution-review-chisenhale-gallery-london https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/04-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Kiss Magic Heart, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/09-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, CONSTITUTION, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/05-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Parents (detail), 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/07-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Bosses II, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/01-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, CONSTITUTION, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/00-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Parents, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/02-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, CONSTITUTION, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/06-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Parents (detail), 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/08-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Flags, 2019, and Children, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/10-Ghislaine-Leung-at-Chisenhale-Gallery-.jpg Ghislaine Leung, Loads (2019) and Flags (2019). Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/11-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Loads (detail), 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/12-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Loads (detail), 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/13-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Loads (detail), 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/l/072-leung-ghislaine-2019/14-Ghislaine-Leung-at-Chisenhale-Gallery.jpg Ghislaine Leung, Loads (detail), 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/index.php/phyllida-barlow-cul-de-sac-review-royal-academy-london https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/Untitled-Canvasracks1-Phyllida-Barlow-1.jpg Phyllida Barlow. untitled: canvasracks; 2019. Installation view, cul-de-sac, Royal Academy of Arts. Artwork courtesy the artist and Hauser & Wirth. © Phyllida Barlow. Photo: © Royal Academy of Arts, London. Photo: David Parry. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/Untitled-postshadow-(left),.jpg Phyllida Barlow. untitled: postshadow; 2019. Installation view, cul-de-sac, Royal Academy of Arts. Artwork courtesy the artist and Hauser & Wirth. © Phyllida Barlow. Photo: © Royal Academy of Arts, London. Photo: David Parry. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/PhyllidaBarlow-Untitled-Barrel-(2018-2019).jpg Phyllida Barlow. untitled: barrel; 2018-19. Installation view, cul-de-sac, Royal Academy of Arts. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/Phyllida-Barlow-16.jpg Phyllida Barlow. untitled: lintelshadow, 2018-19 (foreground) and untitled: canvasracks, 2018-19 (background). Installation view, cul-de-sac, Royal Academy of Arts. Artwork courtesy the artist and Hauser & Wirth. © Phyllida Barlow. Photo: © Royal Academy of Arts, London. Photograph: David Parry. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/PhyllidaBarlowUntitled-Shadowplatform-(2018-19)foreground.jpg Phyllida Barlow. untitled: shadow platform, 2019 (foreground). Installation view, cul-de-sac, Royal Academy of Arts. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/Phyllida-Barlow-58.jpg Phyllida Barlow in her exhibition cul-de-sac at the Royal Academy of Arts, London. Artwork: Courtesy the artist and Hauser & Wirth. © Phyllida Barlow. Photo: © Royal Academy of Arts, London. Photograph: David Parry. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/Phyllida-Barlow-45.jpg Phyllida Barlow. untitled: stack; 2019. Installation view, cul-de-sac, Royal Academy of Arts. Artwork courtesy the artist and Hauser & Wirth. © Phyllida Barlow. Photo: © Royal Academy of Arts, London. Photograph: David Parry. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/PhyllidaBarlow-Untitled-Smallholder-(2019).jpg Phyllida Barlow. untitled: smallholder, 2019 (foreground). Installation view, cul-de-sac, Royal Academy of Arts. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/PhyllidaBarlowUntitled-Stack-(2019)VSimpson.jpg Phyllida Barlow. untitled: stack; 2019. Installation view, cul-de-sac, Royal Academy of Arts. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/IMG_7105.jpg Phyllida Barlow. Installation view, cul-de-sac, Royal Academy of Arts. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/063-barlow-phyllida-2019/IMG_7107.jpg Phyllida Barlow. Installation view, cul-de-sac, Royal Academy of Arts. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/all-the-rembrandts-review-rijksmuseum-amsterdam-350th-anniversary-death https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-Zelfportret-als-apostel-paulus.jpg Rembrandt van Rijn, Self-Portrait as the Apostle Paul, 1661. De Bruijn-van der Leeuw Bequest, Muri, Switzerland. https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-Jonge-vrouw-zittend-bij-een-raam,-ca.-1638,-Schenking-van-de-heer-C.jpg Rembrandt van Rijn, Saskia Sitting by a Window, c1638. Gift of C. Hofstede de Groot, The Hague. https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-De-drie-bomen,-1643.jpg Rembrandt van Rijn, The Three Trees, 1643. Rijksmuseum. https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-Schutters-van-wijk-II-onder-leiding-van-kapitein-Frans-Banninck-Cocq,-bekend-als-de-Nachtwacht,-1642.jpg Rembrandt van Rijn, Militia Company of District II under the Command of Captain Frans Banninck Cocq, Known as the Night Watch, 1642. On loan from the City of Amsterdam. https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-De-waardijns-van-het-Amsterdamse-lakenbereidersgilde,-bekend-als-De-Staalmeesters,-1662.jpg Rembrandt van Rijn, The Wardens of the Amsterdam Drapers’ Guild, Known as The Syndics, 1662. On loan from the City of Amsterdam https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-Isaak-en-Rebekka,-bekend-als-Het-Joodse-bruidje,-ca.-1665---ca.jpg Rembrandt van Rijn, Isaac and Rebecca, Known as The Jewish Bride, c1665–69. On loan from the City of Amsterdam (A. van der Hoop Bequest). https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-Zelfportret,-c1628.jpg Rembrandt van Rijnb, Self-portrait with Tousled Hair, c1628–29. De Bruijn-van der Leeuw Bequest, Muri, Switzerland. https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-Zelfportret-met-de-onderarm-leunend-op-een-stenen-dorpel,-1639.jpg Rembrandt van Rijn, Self-portrait with the forearm leaning on a stone threshold, 1639. Rijksmuseum https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-man-in-oosterse-kleding,-1635.jpg Rembrandt van Rijn, Man in Oriental Dress, 1635. Gift of Mr and Mrs Kessler-Hülsmann, Kapelle op den Bosch. https://www.studiointernational.com/images/articles/r/082-rembrandt-2019/Rembrandt-van-Rijn,-Zelfportret-van-Rembrandt-van-Rijn,-ca.-1628---ca.jpg Rembrandt van Rijn, Self-portrait, c1628. Purchased with the support of the Vereniging Rembrandt, the Stichting tot Bevordering van de Belangen van het Rijksmuseum and the ministerie van CRM. https://www.studiointernational.com/index.php/phoebe-boswell-video-interview-the-space-between-things https://www.studiointernational.com/images/articles/b/063-boswell-phoebe-2019/24)-Phoebe-Boswell.jpg Phoebe Boswell - The Space Between Things exhibition at Autograph, London, 14 December 2018 – 30 March 2019.jpg https://www.studiointernational.com/images/articles/b/063-boswell-phoebe-2019/4)-Phoebe-Boswell.jpg Phoebe Boswell, film still from Ythlaf. Single channel video, 2018. Courtesy the artist and Sapar Contemporary, New York. https://www.studiointernational.com/images/articles/b/063-boswell-phoebe-2019/phoebe-boswell-portrait-photo-martin-kennedy.jpg Phoebe Boswell talking to Studio International about her exhibition The Space Between Things at Autograph, London, 25 February 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/063-boswell-phoebe-2019/10)-Phoebe-Boswell.jpg Phoebe Boswell, Untitled 2, from the series She Summons an Army, 2018. Courtesy the artist and Sapar Contemporary, New York. https://www.studiointernational.com/images/articles/b/063-boswell-phoebe-2019/11)-Phoebe-Boswell.jpg Phoebe Boswell, Untitled 4, from the series She Summons an Army, 2018. Courtesy the artist and Sapar Contemporary, New York. https://www.studiointernational.com/images/articles/b/063-boswell-phoebe-2019/20)-Phoebe-Boswell.jpg Phoebe Boswell - The Space Between Things exhibition at Autograph, London, 14 December 2018 – 30 March 2019.jpg https://www.studiointernational.com/index.php/sara-piccinini-interview-collezione-maramotti-interview-italy https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Install-Kintera-room.jpg Kintera room. Krištof Kintera, from the exhibition Postnaturalia, 2017. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Install-Kassay-room.jpg Kassay room. Jacob Kassay, from the exhibition Untitled, 2010. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/max-mara.jpg Stanislao Farri, late 1950s. Photo library of Biblioteca Panizzi, Reggio Emilia - Courtesy Company Archive Max Mara. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/TAU-MA_0020.jpg Tau⁄Ma, conceived by Mario Diacono and Claudio Parmiggiani, was published in seven issues from 1975 and 1981, with the support of Achille Maramotti, who became its publisher. © Collezione Maramotti. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Claudio-Parmigiannis-work-Caspar-David-Freidrich.jpg Caspar David Friedrich, 1989 by Claudio Parmiggiani. Black monochrome canvasses, boat. © Collezione Maramotti. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Install-Perez-room.jpg Perez room. Enoc Perez, from the exhibition Casa Malaparte, 2008. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Install-Scheibitz-room.jpg Scheibitz room. Thomas Scheibitz, from the exhibition Il fiume e le sue fonti, 2011. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Install-Ariatti-room.jpg Ariatti room. Alessandra Ariatti, from the exhibition Legami, 2014. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Jason-Dodge-24-04_2.jpg Jason Dodge. A permanently open window. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Install-Joffe-room.jpg Joffe room. Chantal Joffe, from the exhibition Moll, 2014. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/05.jpg Jason Dodge. Work in progress of the work A permanently open window, February 2013. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Install-Antufiev-room.jpg Antufiev room. Evgeny Antufiev, from the exhibition Twelve, wood, dolphin, knife, bowl, mask, crystal, bones and marble – fusion. Exploring materials, 2013. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Install-Tobias-room.jpg Tobias room. Gert & Uwe Tobias, from the exhibition of 2009. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Install-de-Balincourt-room.jpg de Balincourt room. Jules de Balincourt, from the exhibition Parallel Universe, 2012. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/01.jpg Photographic work from the artist’s book Tavole Zoogeografiche by Claudio Parmiggiani, 1973. Photo: Carlo Vannini. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Archives-2019_0208.jpg Exhibition view Rehang: Archives. Room with Jason Dodge. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/Archives-2019_0221.jpg Exhibition view Rehang: Archives. Rooms with Enzo Cucchi, Vito Acconci, Giulio Paolini. Collezione Maramotti, Reggio Emilia, 2019. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/m/067-maramotti-2019/02.jpg Peter Halley. Colour samples to paint the work Powder, 1995. Acrylic on cardboard. Courtesy Collezione Maramotti, Reggio Emilia. https://www.studiointernational.com/index.php/magdalene-odundo-the-journey-of-things-review-hepworth-wakefield https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/01.jpg Magdalene Odundo, Untitled, 1988. Terracotta. © Magdalene Odundo. Private Collection. Image courtesy of Bonhams. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/11.jpg Magdalene Odundo: The Journey of Things. Installation view, The Hepworth Wakefield, 16 February – 2 June 2019. Photograph © Nick Singleton. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/12.jpg Magdalene Odundo: The Journey of Things. Installation view, The Hepworth Wakefield, 16 February – 2 June 2019. Photograph © Nick Singleton. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/07.jpg Barbara Hepworth, Kneeling Figure, 1932. Rosewood. Hepworth Wakefield Collection, purchased with aid from the Art Fund, V&A Purchase Grant Fund and Wakefield Girls’ High School, 1944 © Bowness. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/10.jpg Magdalene Odundo: The Journey of Things. Installation view, The Hepworth Wakefield, 16 February – 2 June 2019. Photograph © Nick Singleton. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/14.jpg Magdalene Odundo: The Journey of Things. Installation view, The Hepworth Wakefield, 16 February – 2 June 2019. Photograph © Nick Singleton. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/02.jpg Magdalene Odundo, Asymmetrical Reduced Black Piece. 1992. Terracotta. © Magdalene Odundo. Image courtesy of the Crafts Council. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/03.jpg Magdalene Odundo, Untitled, 1989. Terracotta. © Magdalene Odundo. Private collection. Image courtesy of Anthony Slayter-Ralph. Photo: Bill Dewey. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/04.jpg Goulandris Master (attr.), Female figure with folded arms, Cyclades, Greece, c2700-2400 BC. Robert and Lisa Sainsbury Collection (UEA 342), Sainsbury Centre for Visual Arts, University of East Anglia. Photograph: Pete Huggins. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/05.jpg Unknown maker, Clay Neck-Amphora with Ariadne between dancing satyrs, Athens, Greece, 550-450 BC. Clay, 27.2 cm x 25.5 cm. © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/06.jpg Unknown mater, Ritual Doll, Asante, Ghana, Late 19th - Early 20th century. Robert and Lisa Sainsbury Collection (UEA 631), Sainsbury Centre for Visual Arts, University of East Anglia. Photo: James Austin. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/08.jpg Edgar Degas, Little dancer aged fourteen, 1880-81, cast c1922. Bronze and fabric. Robert and Lisa Sainsbury Collection (UEA 2), Sainsbury Centre for Visual Arts, University of East Anglia. Photo: James Austin. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/09.jpg Magdalene Odundo: The Journey of Things. Installation view, The Hepworth Wakefield, 16 February – 2 June 2019. Photograph © Nick Singleton. https://www.studiointernational.com/images/articles/o/091-odundo-magdalene-2019/13.jpg Magdalene Odundo: The Journey of Things. Installation view, The Hepworth Wakefield, 16 February – 2 June 2019. Photograph © Nick Singleton. https://www.studiointernational.com/index.php/m9-museum-mestre-venice-opening-review-sauerbruch-hutton https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9NewPiazzascreatedToEnCourageGatheringInThisNewCulturalQuarter.jpg M9 Museum – new piazzas created to encourage gathering in this new cultural quarter. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9MuseumWithNewConnectingStreetsAcrossTheSite.jpg M9 Museum with new connecting streets across the site. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/TheRefurbishedConventoBuildingHasShopsAndCafesAtGroundLevel.jpg M9 Museum – The refurbished convent building has shops and cafes at ground level. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9MuseumEntranceDeskAndLobbyWithShopToRight.jpg M9 Museum – Entrance desk and lobby with shop (right). Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9AuditoriumWithViewsAtStreetLevel.jpg M9 Auditorium. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9TopFloorGallery.jpg M9 Museum – Top floor gallery. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9EducationSpaceWithHugeWindowOntoMestre.jpg M9 education space with large window onto Mestre. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9StaircaseWithLongWindowRisingUpTheStairs.jpg M9 Museum staircase. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9MuseumBuilding(right)andAdministrativo(left).jpg M9 Museum Building (right) and Administrative (left). Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9TileColoursComplementAndReflectSurroundingBuildings.jpg M9 Museum – Tile colours complement and reflect surrounding buildings. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9TopFloorRoofBeamsAndRoofLights.jpg M9 Museum – Top floor roof beams and roof lights. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9TopFloorViewIntoDaylitGalleryEntrance.jpg M9 Museum – Top floor view into gallery entrance. Photo: Jan Bitter. https://www.studiointernational.com/images/articles/m/068-m9-mestre-2019/M9NewStreetsEncouragesPedestriansThroughTheSite.jpg M9 Museum – New streets encourage pedestrians through the site. Photo: Jan Bitter. https://www.studiointernational.com/index.php/jan-tschichold-and-the-new-typography-review-bard-graduate-center-gallery https://www.studiointernational.com/images/articles/t/093-tschichold-jan-2019/03-Tschich-Neue_Typographie.jpg Jan Tschichold. Title page of Die neue Typographie (The New Typography), 1928. Published by Bildungsverband der deutschen Buchdrucker, Berlin. Bard Graduate Center. Photo: Bruce White. https://www.studiointernational.com/images/articles/t/093-tschichold-jan-2019/04-Lissitzky-2-Squares.jpg El Lissitzky. Pro dva kvadrata (About Two Squares) by El Lissitzky, 1920. Printed by E. Haberland, Leipzig, and published by Skythen, Berlin, 1922. Letterpress. The Museum of Modern Art, New York, Jan Tschichold Collection, Gift of Philip Johnson, 562.1977. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2018 Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/t/093-tschichold-jan-2019/06-Molzahn-Wohnung-und-Werkraum-1929.jpg Johannes Molzahn. Wohnung und Werkraum (Dwelling and Workplace) poster, 1929. Printed by Druckerei Schenkalowsky, A.G., Breslau. Lithograph. The Museum of Modern Art, New York, Purchase Fund, Jan Tschichold Collection, 346.1937. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. https://www.studiointernational.com/images/articles/t/093-tschichold-jan-2019/02-JT-012-ART304917.jpg Jan Tschichold. Die Frau ohne Namen (The Woman Without a Name) poster, 1927. Printed by Gebrüder Obpacher AG, Munich. Photolithograph. The Museum of Modern Art, New York, Peter Stone Poster Fund, 225.1978. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. https://www.studiointernational.com/images/articles/t/093-tschichold-jan-2019/05-Burchartz-Tanzfest-1929.jpg Max Burchartz. Tanzfestspiele zum 2. Deutschen tänzerkongress Essen 1928 (Dance Festival at the Second German Dance Congress) poster, 1928. Printed by F. W. Rohden, Essen. Photolithograph. The Museum of Modern Art, New York, Purchase Fund, Jan Tschichold Collection, 326.1937. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2018 Artist Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/t/093-tschichold-jan-2019/01-Tschichold-Typog-Mitt-1925.jpg Jan Tschichold. Typographische Mitteilungen, Sonderheft: Elementare Typographie (Typographic Studies, Special Issue: Elemental Typography), October 1925. Published by Bildungsverband der deutschen Buchdrucker, Berlin. Letterpress. The Museum of Modern Art, New York, Gift of Suzanne Slesin, 698.2013. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. https://www.studiointernational.com/images/articles/t/093-tschichold-jan-2019/09-Schwitters,-Weise-Sohne-6-Punkte-ad.jpg Kurt Schwitters. 6 Punkte bilden die Vorzüge der Stopfbüchslosen, Rheinhütte Säurepumpen, Weise Söhne, Halle/S (Six points create advantages for … acid pumps, Weise Sons, Halle/Saale) brochure, ca. 1927. Letterpress. The Museum of Modern Art, New York, Jan Tschichold Collection, Gift of Philip Johnson, 925.1999. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2018 Artist Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/t/093-tschichold-jan-2019/10-Bayer-card-1929.jpg Herbert Bayer. Werbe Entwurf und Ausführung (Advertising Design and Realization) advertisement, 1928. Printed by Bauhausdruck, Dessau. Letterpress. The Museum of Modern Art, New York, Jan Tschichold Collection Gift of Philip Johnson, 533.1999. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2018 Artist Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/t/093-tschichold-jan-2019/12-Baumeister-Wohnen-1927.jpg Willi Baumeister. Wie wohnen? Die Wohnung (How should we live? The Dwelling) poster, 1927. Deutscher Werkbund at the Weissenhofsiedlung, Stuttgart. Lithograph. The Museum of Modern Art, Gift of Philip Johnson, 364.1950. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © Artist Rights Society (ARS), New York/ VG Bild-Kunst, Bonn. https://www.studiointernational.com/index.php/kip-gresham-the-art-of-collaboration-review-heong-gallery-downing-college-cambridge https://www.studiointernational.com/images/articles/g/081-gresham-kip-2019/Alan_Davie_Grangemouth_Image_2010.jpg Alan Davie, Grangemouth Image, 2010. © Estate of Alan Davie. All rights reserved, DACS 2019. https://www.studiointernational.com/images/articles/g/081-gresham-kip-2019/James-Hugonin,-Binary-Rhythm-(Indigo),-2012.jpg James Hugonin, Binary Rhythm (Indigo), 2012. Courtesy the artist and Ingleby Gallery, Edinburgh. https://www.studiointernational.com/images/articles/g/081-gresham-kip-2019/Elisabeth_Frink_Dog_1988.jpg Elisabeth Frink, Dog, 1988. © The Executors of the Frink Estate and Archive. All rights reserved, DACS 2019. https://www.studiointernational.com/images/articles/g/081-gresham-kip-2019/Prunella_Clough_Compact_1999.jpg Prunella Clough, Compact, 1999. © Estate of Prunella Clough. Courtesy Flowers Gallery, London. https://www.studiointernational.com/images/articles/g/081-gresham-kip-2019/Kip_Gresham.jpg Kip Gresham. https://www.studiointernational.com/images/articles/g/081-gresham-kip-2019/Eduardo_Paolozzi_1995.jpg Eduardo Paolozzi, Monotype 9 Heads, 1995. © Trustees of the Paolozzi Foundation. Licensed by DACS 2019. https://www.studiointernational.com/images/articles/g/081-gresham-kip-2019/Paula_Rego_Girl_With_Two_mothers.jpg Paula Rego, Girl with two mothers, 2000. © Paula Rego 2019. https://www.studiointernational.com/images/articles/g/081-gresham-kip-2019/Richard_Long_1996.jpg Richard Long, RIVER AVON MUD AND RIO GRANDE DUSTLINES 1995, 1996. © Richard Long 2019. https://www.studiointernational.com/images/articles/g/081-gresham-kip-2019/Wilhelmina_Barns-Graham_1997.jpg Wilhelmina Barns-Graham, Summer (light blue), 1997. © Wilhelmina Barns-Graham Charitable Trust. https://www.studiointernational.com/index.php/protest-and-remembrance-miriam-de-burca-joy-gerrard-mary-griffiths-barbara-walker-video-interviews https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Protest-and-Remembrance_4.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Mary-Griffiths-Protest-and-Remembrance-install-1.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Joy-Gerrard-Protest-and-Remembrance-install-2.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Miriam-de-Burca-Protest-and-Remembrance-install-1.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Miriam-de-Burca-Protest-and-Remembrance-install-2.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Protest-and-Remembrance_install.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Barbara-Walker-Protest-and-Remembrance_5.jpg Barbara Walker, Untitled, 2019. Conte, black chalk and charcoal. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/barbara-walker-I-Was-There-V.jpg Barbara Walker, I Was There V, 2019. Ink and tracing paper on digital media, 48.9 x 38.9 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/joy-gerrard-Protest-Crowd,-London-(Brexit-1,-June-2018).jpg Joy Gerrard, Protest Crowd, London (Brexit 1, June 2018), 2018. Ink on paper mounted on aluminium, 23.0 x 40.0 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/joy-gerrard-Protest-Crowd,-London-(Trump-Protest,-Trafalgar-square,-July-2018).jpg Joy Gerrard, Protest Crowd, London (Trump Protest, Trafalgar Square, July 2018), 2018. Ink on paper mounted on aluminium, 23.0 x 40.0 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/mary-griffiths-Circuit-Gate.jpg Mary Griffiths, Circuit Gate, 2018. Inscribed graphite on gesso on plywood, 21 x 1.8 x 29.7. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/mary-griffiths-Parallel-Elevation.jpg Mary Griffiths, Parallel Elevation, 2018. Inscribed graphite on gesso on plywood, 29.7 x 1.8 x 21 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/miriam-de-burca-Anatomy-of-Chaos-I-What-Remains.jpg Miriam de Búrca, Anatomy of Chaos I: What Remains?, 2018. Ink drawing on man-made vellum, paper and image 50.5 x 65.8 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/miriam-de-burca-Intent-on-Forgetting.jpg Miriam de Búrca, Intent on Forgetting, 2018. Acrylic ink on watercolour paper, paper and image 23.9 x 31.9 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/index.php/miriam-de-burca-protest-and-remembrance-video-interview https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/miriam-de-burca-Anatomy-of-Chaos-I-What-Remains.jpg Miriam de Búrca, Anatomy of Chaos I: What Remains?, 2018. Ink drawing on man-made vellum, paper and image 50.5 x 65.8 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/miriam-de-burca-Intent-on-Forgetting.jpg Miriam de Búrca, Intent on Forgetting, 2018. Acrylic ink on watercolour paper, paper and image 23.9 x 31.9 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/miriam-de-burca-photo-martin-kennedy-2.jpg Miriam de Búrca talking to Studio International at the opening of Protest and Remembrance, Alan Cristea Gallery, London. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Miriam-de-Burca-Protest-and-Remembrance-install-2.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Miriam-de-Burca-Protest-and-Remembrance-install-1.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/miriam-de-burca-Cluster-II,-1961.jpg Miriam de Búrca, Cluster II: 1961, 2018. Ink drawing on man-made vellum, paper and image 25.5 x 32.0 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/miriam-de-burca-Anatomy-of-Chaos-III-Forensics-as-Memorial.jpg Miriam de Búrca, Anatomy of Chaos III: Amnesia Sampled, 2018. Ink drawing on man-made vellum, paper and image 50.5 x 65.8 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/index.php/joy-gerrard-protest-and-remembrance-video-interview https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/joy-gerrard-Protest-Crowd,-London-(Brexit-1,-June-2018).jpg Joy Gerrard, Protest Crowd, London (Brexit 1, June 2018), 2018. Ink on paper mounted on aluminium, 23.0 x 40.0 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Joy-Gerrard-Protest-and-Remembrance-install-1.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/joy-gerrard-photo-martin-kennedy-2.jpg Joy Gerrard talking to Studio International at the opening of Protest and Remembrance, Alan Cristea Gallery, London. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Joy-Gerrard-Protest-and-Remembrance-install-2.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/joy-gerrard-Protest-Crowd,-London-(Trump-Protest,-Trafalgar-square,-July-2018).jpg Joy Gerrard, Protest Crowd, London (Trump Protest, Trafalgar Square, July 2018), 2018. Ink on paper mounted on aluminium, 23.0 x 40.0 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/joy-gerrard-Protest-Crowd,-London-(Brexit-3,-Peoples-Vote,-October-2018).jpg Joy Gerrard, Protest Crowd, London (Brexit 3, People’s Vote, October 2018), 2018. Ink on paper mounted on aluminium, 23 x 40 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/index.php/barbara-walker-protest-and-remembrance-video-interview https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Barbara-Walker-Protest-and-Remembrance_4.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/barbara-walker-Parade-II.jpg Barbara Walker, Parade II, 2018. Graphite on embossed paper, 50.1 x 56.8 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/barbara-walker-photo-martin-kennedy-2.jpg Barbara Walker talked to Studio International before the opening of Protest and Remembrance, Alan Cristea Gallery, London. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/barbara-walker-I-Was-There-V.jpg Barbara Walker, I Was There V, 2019. Ink and tracing paper on digital media, 48.9 x 38.9 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/barbara-walker-All-The-Kings-Men.jpg Barbara Walker, All The Kings Men, 2018. Graphite on embossed paper, 63.1 x 46.4 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/barbara-walker-Flags-II.jpg Barbara Walker, Flags II, 2018. Graphite on embossed paper, 63.1 x 46.4 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/index.php/barby-asante-interview-declaration-of-independence-baltic-centre-for-contemporary-art https://www.studiointernational.com/images/articles/a/071-asante-barby-2019/DSC_5405.jpg Barby Asante. Declaration of Independence, 2019. BALTIC Centre for Contemporary Art, installation view. Photo: Colin Davison © 2019 BALTIC. https://www.studiointernational.com/images/articles/a/071-asante-barby-2019/barby-asante-performance-baltic-2019-3.jpg Barby Asante: Declaration of Independence, 2019. BALTIC Centre for Contemporary Art. © 2019 BALTIC. https://www.studiointernational.com/images/articles/a/071-asante-barby-2019/barby-asante-baltic-2019.jpg Barby Asante: Declaration of Independence, 2019. BALTIC Centre for Contemporary Art. © 2019 BALTIC. https://www.studiointernational.com/index.php/hew-locke-video-interview-heres-the-thing-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/l/071-locke-hew-2019/heres-the-thing-hew-locke-installation-view-2.jpg Hew Locke, Here’s the Thing, installation view, Ikon Gallery, Birmingham, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/l/071-locke-hew-2019/the-jurors-hew-locke-photo-martin-kennedy.jpg Hew Locke, The Jurors, 2015. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/l/071-locke-hew-2019/armada-hew-locke-photo-martin-kennedy.jpg Hew Locke, Armada, installation view, Ikon Gallery, Birmingham, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/l/071-locke-hew-2019/hew-locke-photo-martin-kennedy.jpg Hew Locke talking to Studio International at his London studio, 5 February 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/l/071-locke-hew-2019/armada-2-hew-locke-photo-martin-kennedy.jpg Hew Locke, Armada (detail), installation view, Ikon Gallery, Birmingham, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/l/071-locke-hew-2019/heres-the-thing-hew-locke-installation-view-1.jpg Hew Locke, Here’s the Thing, installation view, Ikon Gallery, Birmingham, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/l/071-locke-hew-2019/Hew-Locke,-Hinterland-(2013).jpg Hew Locke, Hinterland, 2013. Acrylic paint, ink and pen on c-type photograph. Courtesy Hales Gallery, London & New York. Photo: Charles Littlewood. https://www.studiointernational.com/images/articles/l/071-locke-hew-2019/Hew-Locke,-Heres-the-Thing,-2019,-Ikon.jpg Hew Locke, Here’s the Thing, 2019, installation view, Ikon Gallery. Courtesy the artist and Ikon. Photo: Tom Bird. https://www.studiointernational.com/index.php/power-play-review-korean-cultural-centre-delfina-foundation-london https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-14.jpg Notice (2016) by Lantian Xie, installation view, Power Play, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-9.jpg Jeremy Hutchison’s Movables (2017), installation view, Power play, 2019, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-4.jpg Oscar Santillán’s Cuerpo de Agua (2018), installation view, Power play, 2019, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-8.jpg Power play, 2019, installation view, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-10.jpg Power play, 2019, installation view, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-2.jpg Power play, 2019, installation view, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-13.jpg Zuza Golińska’s Run-Up (2015), installation view, Power play, 2019, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-11.jpg Power play, 2019, installation view, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-12.jpg Power play, 2019, installation view, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-3.jpg Power play, 2019, installation view, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-5.jpg Power play, 2019, installation view, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-6.jpg Power play, 2019, installation view, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/images/articles/p/077-power-play-2019/Power-play,-2019-Exhibition-installation-view-7.jpg Power play, 2019, installation view, 25 January - 16 March 2019. Photo: Tim Bowditch. Courtesy Delfina Foundation, Korean Cultural Centre UK, and SongEun ArtSpace. https://www.studiointernational.com/index.php/katie-birkwood-interview-curator-under-the-skin-illustrating-the-human-body https://www.studiointernational.com/images/articles/u/098-under-the-skin-2019/smaller-CN-22208-Tabulae-neurologicae-_Scarpa,-1794,-tab3-Mike-Fear-Oct-2018-054.jpg Illustration of the cardiac nerves of the right side in Tabulae neurologicae ad illustrandam historiam anatomicam cardiacorum nervorum. Dissected and drawn by Antonio Scarpa and engraved by Faustino Anderloni. Published Pavia, 1794. © Royal College of Physicians. Photo: Mike Fear. https://www.studiointernational.com/images/articles/u/098-under-the-skin-2019/CN-23678-Nevrologie_Hirschfeld,-1866-pl68-Mike-Fear-Oct-2018-255---Copy.jpg Illustration of the sympathetic nervous system in Nevrologie. Dissected by Ludwik Hirschfeld, drawn by Jean-Baptiste Léveillé, lithograph prepared by Lemercier. Published Paris, 1853. © Royal College of Physicians. Photo: Mike Fear. https://www.studiointernational.com/images/articles/u/098-under-the-skin-2019/CN-27789-Head-sections_MacEwen,-1893-pl36-Mike-Fear-Oct-2018-139---Copy.jpg Horizontal section of the head in Atlas of head sections. Prepared by William MacEwen, drawings by Miss MacEachran, photogravure by Messrs Annan of Glasgow. Published Edinburgh, 1893. © Royal College of Physicians. Photo: Mike Fear. https://www.studiointernational.com/images/articles/u/098-under-the-skin-2019/MS793-315.jpg Illustration of the torso showing forced inspiration. Drawn by Francis Sibson, c.1840-c.1860. © Royal College of Physicians. https://www.studiointernational.com/images/articles/u/098-under-the-skin-2019/MSTR65_Diva_00004.jpg Illustration of the internal organs and acupuncture points in Shishi bessho zui. Hozumi Koremasa, 1820s. © Royal College of Physicians https://www.studiointernational.com/images/articles/u/098-under-the-skin-2019/CN-17678-Humani-corporis-fabrica_Vesalius,-1543-p187-Mike-Fear-Oct-2018-356-Copy.jpg Illustration of the muscles of the torso in Isagogae breves. Dissected and probably drawn by Jacopo Berengario da Carpi, woodcut artist unknown. Published Bologna, 1523. © Royal College of Physicians. Photo: Mike Fear. https://www.studiointernational.com/images/articles/u/098-under-the-skin-2019/smaller-CN-17272-Isagogae-breves_da-Carpi,-1523,-f7r-Mike-Fear-Oct-2018-124.jpg Illustration of the muscles of the torso in Isagogae breves. Dissected and probably drawn by Jacopo Berengario da Carpi, woodcut artist unknown. Published Bologna, 1523. © Royal College of Physicians. Photo: Mike Fear. https://www.studiointernational.com/index.php/julie-mehretu-drawings-and-monotypes-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/m/067-mehretu-julie-2019/2019-01-21146822-1.jpg Julie Mehretu: Drawings and Monotypes, installation view, Kettle’s Yard, University of Cambridge, 2019. Courtesy the artist, Marian Goodman Gallery, and White Cube. Photo: Stephen White. https://www.studiointernational.com/images/articles/m/067-mehretu-julie-2019/Julie-Mehretu-Untitled-2018-(medium-res)-2.jpg Julie Mehretu. Untitled, 2018. Oil based ink and acrylic on paper, 55.9 x 73.6 cm. © Julie Mehretu. Photo © White Cube (Ollie Hammock). https://www.studiointernational.com/images/articles/m/067-mehretu-julie-2019/Julie-Mehretu-Untitled-2018-(medium-res).jpg Julie Mehretu. Untitled, 2018. Oil based ink and acrylic on paper, 55.9 x 73.6 cm. © Julie Mehretu. Photo © White Cube (Ollie Hammock). https://www.studiointernational.com/images/articles/m/067-mehretu-julie-2019/Julie-Mehretu-Untitled-2018-(medium-res)-1.jpg Julie Mehretu. Untitled, 2018. Oil based ink and acrylic on paper, 55.9 x 73.6 cm. © Julie Mehretu. Photo © White Cube (Ollie Hammock). https://www.studiointernational.com/images/articles/m/067-mehretu-julie-2019/JulieMehretuDuo3.jpg Julie Mehretu: Drawings and Monotypes (detail), installation view, Kettle’s Yard, Cambridge, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/067-mehretu-julie-2019/JulieMehretuDuo5.jpg Julie Mehretu: Drawings and Monotypes (detail), installation view, Kettle’s Yard, Cambridge, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/067-mehretu-julie-2019/2019-01-21146829-1.jpg Julie Mehretu: Drawings and Monotypes, installation view, Kettle’s Yard, University of Cambridge, 2019. Courtesy the artist, Marian Goodman Gallery, and White Cube. Photo: Stephen White. https://www.studiointernational.com/images/articles/m/067-mehretu-julie-2019/2019-01-21146884-1.jpg Julie Mehretu: Drawings and Monotypes, installation view, Kettle’s Yard, University of Cambridge, 2019. Courtesy the artist, Marian Goodman Gallery, and White Cube. Photo: Stephen White. https://www.studiointernational.com/index.php/the-armory-show-2019-art-fair-new-york-city https://www.studiointernational.com/images/articles/a/070-armory-show-2019/2-Dorothea-Tanning-Armory-2019-Installation_s.jpg Dorothea Tanning, Victory. Installation view, Alison Jacques Gallery, Booth 924, Pier 94, The Armory Show, 2019. https://www.studiointernational.com/images/articles/a/070-armory-show-2019/4-Florine-Demosthene,-The-Premonition,-2019,-Courtesy-of-the-Artist-and-Mariane-Ibrahim-Gallery_s.jpg Florine Demosthène, The Premonition, 2019. Collage on paper (ink, mylar, pigment stick, pigment, metal leaf and glitter) 44 x 30 in (111.8 x 76.2 cm). Courtesy of the artist and Mariane Ibrahim Gallery. https://www.studiointernational.com/images/articles/a/070-armory-show-2019/6-Andra-Ursuta_s.jpg Andra Ursuţa, Vanilla Isis (Leaf), 2018. Aqua resin, pigment. Courtesy of the artist and Ramiken Gallery. https://www.studiointernational.com/images/articles/a/070-armory-show-2019/7-Eric-Croes_Sorry-Were-Closed_s.jpg Eric Croes, Totem, Geronimo et Colin, 2018. Glazed ceramic. Photo: Hugard and Vanoverschelde, courtesy of Sorry We Are Closed Gallery, Brussels. https://www.studiointernational.com/images/articles/a/070-armory-show-2019/8-alexgardner_s.jpg Alex Gardner, Law Ambition as Defense Mechanism, 2018. Acrylic on linen. Photo courtesy The Hole, New York. https://www.studiointernational.com/images/articles/a/070-armory-show-2019/9-Gary-Brotmeyer-Irving-Berlins-Nose-002_s.jpg Gary Brotmeyer, Irving Berlin’s Nose, 1988. Photo-based collage with drawing. Copyright Gary Brotmeyer, Courtesy Laurence Miller Gallery. https://www.studiointernational.com/images/articles/a/070-armory-show-2019/10-Krinzinger_Chris-Burden_s.jpg Chris Burden, Deluxe Photo Book, 1971-1973. 53 photos (nine colour photos, 44 b/w photos. All photos with explanatory texts in loose-leaf binder with hand-painted cover, in cardboard storage box). Photo courtesy of the artist and Galerie Krinzinger. https://www.studiointernational.com/images/articles/a/070-armory-show-2019/1-Peter-Campus-barn-at-north-fork-2010_s.jpg Peter Campus, Barn at North Fork, 2010. Videograph. Photo courtesy the artist and Cristin Tierney Gallery, New York. https://www.studiointernational.com/images/articles/a/070-armory-show-2019/16-Pascale-Marthine-Tayou-2.jpg Pascale Marthine Tayou, Plastic Bags, 2019. Presented by Richard Taittinger Gallery, New York, and Galleria Continua, San Gimignano, Beijing, Les Moulins, Havana. Photo @ Mike Vitelli. https://www.studiointernational.com/images/articles/a/070-armory-show-2019/3-Ringgold-Coming-to-Jones-Road-Tanka-No3-Martin-Luther-King_s.jpg Faith Ringgold, Coming to Jones Road Tanka #3 Martin Luther King, 2010. Acrylic on canvas with pieced fabric border, 65 x 43 in. Photo courtesy the artist and ACA Galleries, New York. https://www.studiointernational.com/index.php/martin-parr-interview-only-human-national-portrait-gallery-brexit-britain https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/085-Perry-Family.jpg Martin Parr. The Perry Family - Grayson, Philippa and daughter Florence. 2012. © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/224-5-Sorrento.jpg Martin Parr. Sorrento, Italy, 2014. Picture credit: © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/041-Nice-France.jpg Martin Parr. Nice, France, 2015. © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/149-Stone-Cross.jpg Martin Parr. St George https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/154-5-lobster-pots.jpg Martin Parr. Preparing lobster pots, Newlyn Harbour, Cornwall, England, 2018. © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/053-Mary-L-Myrkel.jpg Martin Parr. Georgia, USA, 2010. © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/069-V-Westwood.jpg Martin Parr. Dame Vivienne Westwood. 2012. © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/023-MP-dating.jpg Online Dating Profile Picture, Hey Saturday, London, England, 2016. Image courtesy Saskia Nelson, Hey Saturday. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/182-3-Porthcurno.jpg Martin Parr. Porthcurno, Cornwall, England, 2017. © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/130-Durban.jpg Martin Parr. Durban July races, South Africa, 2005. © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/048-H-Singh.jpg Martin Parr. Harbhajan Singh, Willenhall Market, Walsall, the Black Country, England, 2011. © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/images/articles/p/076-parr-martin-2019/064-5-Bhangra.jpg Martin Parr. Bhangra dancers, Assembly Rooms, Edinburgh, Scotland, 2017. Commissioned by BBC One. © Martin Parr / Magnum Photos / Rocket Gallery. https://www.studiointernational.com/index.php/devan-shimoyama-interview-i-use-my-body-to-explore-magic-mythology-history-intimacy-joy-pain https://www.studiointernational.com/images/articles/s/067-shimoyama-devan-2018/Baskets-Yet-to-be-Woven.jpg Devon Shimoyama, Baskets Yet to be Woven, 2019. Oil, acrylic, colour pencil, glitter, clothing, carpet, jewellery, Flashe, collage and acrylic on canvas, 84 x 64 in (213.4 x 162.6 cm). Image courtesy De Buck Gallery, New York. https://www.studiointernational.com/images/articles/s/067-shimoyama-devan-2018/Midnight-Rumination.jpg Devon Shimoyama, Midnight Rumination, 2019. Oil, acrylic, colour pencil. jewellery, Flashe, glitter, collage, sequins and fabric on canvas stretched over panel, 72 x 84 in (182.9 x 213.4 cm). Image courtesy De Buck Gallery, New York. https://www.studiointernational.com/images/articles/s/067-shimoyama-devan-2018/eveningreader-1.jpg Devon Shimoyama, Evening Reader, 2019. Oil, acrylic, colour pencil, jewellery, flashe, glitter, collage, clothing and sequins on canvas, 84 x 72 in (213 x 183 cm). Image courtesy De Buck Gallery, New York. https://www.studiointernational.com/images/articles/s/067-shimoyama-devan-2018/A-Man-and-a-Brother.jpg Devon Shimoyama, A Man and a Brother, 2019. Oil, acrylic, colour pencil, jewellery, Flashe, glitter, collage, clothing and sequins on canvas, 84 x 72 in (213.4 x 182.9 cm). Image courtesy De Buck Gallery, New York. https://www.studiointernational.com/images/articles/s/067-shimoyama-devan-2018/2019_03_07_DeBuck_011.jpg Devon Shimoyama, February II, 2019. Silk flowers, rhinestones, jewellery, sequins, and embroidered patch on cotton hoodie with steel armature, coated wire and fishing line, 45 x 72 x 12 in (114.3 x 182.9 x 30.5 cm). Image courtesy De Buck Gallery, New York. https://www.studiointernational.com/images/articles/s/067-shimoyama-devan-2018/Miles.jpg Devon Shimoyama, Miles, 2019. Oil, acrylic, colour pencil. jewellery, Flashe, glitter, collage, sequins and fabric on canvas stretched over panel, 60 x 48 in (152.4 x 121.9 cm). Image courtesy De Buck Gallery, New York. https://www.studiointernational.com/index.php/john-bellany-and-alan-davie-cradle-of-magic-review-newport-street-gallery-london https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/John-Bellany,-The-Crucifixion-1963.jpg John Bellany, The Crucifixion 1963. Photo: Prudence Cuming Associates, The Estate of John Bellany. All rights reserved. Bridgeman Images, 2019. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/Alan-Davie,-Romance-for-Moon-and-Stars,-1964.jpg Alan Davie, Romance for Moon and Stars, 1964. Photo: Prudence Cuming Associates, The Estate of Alan Davie. All rights reserved. DACS 2019. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/Alan-Davie,-Flag-Dream-No1-1957.jpg Alan Davie, Flag Dream No.1 1957. Photo: Prudence Cuming Associates, The Estate of Alan Davie. All rights reserved. DACS 2019. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/Alan-Davie,-Trio-for-Bones-1960.jpg Alan Davie, Trio for Bones, 1960. Photo: Prudence Cuming Associates, The Estate of Alan Davie. All rights reserved. DACS 2019. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/John-Bellany,-The-Gambler,-1983.jpg John Bellany, The Gambler, 1983. Photo: Prudence Cuming Associates, The Estate of John Bellany. All rights reserved. Bridgeman Images, 2019. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/John-Bellany,-Rose-of-Sharon,-1973.jpg John Bellany, Rose of Sharon, 1973. Oil on canvas, 194 x 187 cm (76.4 x 73.6 in). Photo: Prudence Cuming Associates, The Estate of John Bellany. All rights reserved. Bridgeman Images, 2019. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/John-Bellany,-Vesperland,-1981.jpg John Bellany, Vesperland, 1981. Photo: Prudence Cuming Associates, The Estate of John Bellany. All rights reserved. Bridgeman Images, 2019. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/Alan-Davie,-Goddess-of-the-Wheel-1960.jpg Alan Davie, Goddess of the Wheel, 1960. Photo: Prudence Cuming Associates, The Estate of Alan Davie. All rights reserved. DACS 2019. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/IB476U-L.jpg John Bellany and Alan Davie: Cradle of Magic, installation view, Newport Street Gallery, London, 2019. Photo courtesy Newport Street Gallery. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/IJA6WP-8.jpg John Bellany and Alan Davie: Cradle of Magic, installation view, Newport Street Gallery, London, 2019. Photo courtesy Newport Street Gallery. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/IN697R-Z.jpg John Bellany and Alan Davie: Cradle of Magic, installation view, Newport Street Gallery, London, 2019. Photo courtesy Newport Street Gallery. https://www.studiointernational.com/images/articles/c/065-cradle-of-magic-2019/INXIOJ-C.jpg John Bellany and Alan Davie: Cradle of Magic, installation view, Newport Street Gallery, London, 2019. Photo courtesy Newport Street Gallery. https://www.studiointernational.com/index.php/matheus-parizi-interview-rightwing-poliltical-climate-brazil-first-act https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/Paulo-(Lui-Seixas)-carrega-um-piano.-Foto-por-Marcelo-Tomasini.-Paulo-(Lui-Seixas)-carries-a-piano.jpg The Tuner (O Afinador), 2012. Brazil. Fiction, drama. 12 min, HD. © Matheus Parizi, Fernando Camargo, Marcelo Tomasini. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/Paulo-(Lui-Seixas)-afina-piano.jpg The Tuner (O Afinador), 2012. Brazil. Fiction, drama. 12 min, HD. © Matheus Parizi, Fernando Camargo, Marcelo Tomasini. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/01-carro.jpg First Act (Primeiro Ato), 2018. Brazil. Fiction, drama. 19 min, HD. © Matheus Parizi, Paula Pripas. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/03-sala.jpg First Act (Primeiro Ato), 2018. Brazil. Fiction, drama. 19 min, HD. © Matheus Parizi, Paula Pripas. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/04-projecao.jpg First Act (Primeiro Ato), 2018. Brazil. Fiction, drama. 19 min, HD. © Matheus Parizi, Paula Pripas. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/11-anrde-e-gabriel-2.jpg First Act (Primeiro Ato), 2018. Brazil. Fiction, drama. 19 min, HD. © Matheus Parizi, Paula Pripas. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/12-protesto.jpg First Act (Primeiro Ato), 2018. Brazil. Fiction, drama. 19 min, HD. © Matheus Parizi, Paula Pripas. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/13-protesto-2.jpg First Act (Primeiro Ato), 2018. Brazil. Fiction, drama. 19 min, HD. © Matheus Parizi, Paula Pripas. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/Paulo-(Lui-Seixas)-em-cena-Foto-Paulo-(Lui-Seixas)-in-scene.-Foto-por_Still-Photo-by-Marcelo-Tomasini.jpg The Tuner (O Afinador), 2012. Brazil. Fiction, drama. 12 min, HD. © Matheus Parizi, Fernando Camargo, Marcelo Tomasini. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/dir-matheus-parizi-2019_retrato.jpg Brazilian film-maker and theatre producer Matheus Parizi. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/Paulo-(Lui-Seixas)-e-Maria-(Sandra-Corveloni)-no-Teatro-Municipal.-Foto-por-Marcelo-Tomasini.-Paulo-(Lui-Seixas)-e-Maria-(Sandra-Corveloni)-in-the-Opera-House.jpg The Tuner (O Afinador), 2012. Brazil. Fiction, drama. 12 min, HD. © Matheus Parizi, Fernando Camargo, Marcelo Tomasini. https://www.studiointernational.com/images/articles/p/077-parizi-matheus-2019/Paulo-(Lui-Seixas)-plays-the-piano.jpg The Tuner (O Afinador), 2012. Brazil. Fiction, drama. 12 min, HD. © Matheus Parizi, Fernando Camargo, Marcelo Tomasini. https://www.studiointernational.com/index.php/john-ruskin-the-power-of-seeing-review-two-temple-place-london https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/JMW-Turner-Ben-Arthur-1819.jpg JMW Turner. Ben Arthur from Liber Studiourm, 1819. Etching and mezzotint on paper. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/JW-Bunney-facade-of-san-marco-venice.jpg JW Bunney. Façade of San Marco, Venice, 1877-82. Oil on canvas. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/John-Ruskin,-Study-of-Spray-of-Dead-Oak-Leaves,-1879,-Collection-of-Guild-of-St-George,-Museums-Sheffield.jpg John Ruskin. Study of Spray of Dead Oak Leaves, 1879. Watercolour and bodycolour on paper. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/John-Ruskin-after-JMW.jpg John Ruskin after JMW Turner. Detail from the Pass to St Gotthard, 1855. Watercolour on paper. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/John-Ruskin,Study-of-Moss,-Fern-and-Wood--Sorrel,-upon-a-Rocky-River-Bank,-1875-79,-Collection-Guild-of-St-George,-Museums-Sheffield.jpg John Ruskin. Study of Moss, Fern and Wood-Sorrel, upon a Rocky River Bank, 1875-79. Pen, ink, watercolour and bodycolour on paper. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/Benhamin-Creswick,-Portrait-of-Ruskin,-1887,-Collection-Guild-of-St-George,-Museums-Sheffield.jpg Benjamin Creswick. Portrait Bust of Ruskin, 1887. Terracotta. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/JW-Bunney.jpg JW Bunney. South West Corner of the Doge’s Palace, Venice, 1871. Watercolour, pencil and bodycolour on paper. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/John-Ruskin,-Study-of-a-Peacocks-Breast-Feather,-Collection-of-the-Guild-of-St-George-Museums-Sheffield.jpg John Ruskin. Study of a Peacock’s Breast Feather, 1873. Watercolour on paper. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/Minerals,-Collection-Guild-of-St-George,-Museums-Sheffield.jpg Minerals from John Ruskin’s Collection. Various minerals. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/images/articles/r/082-ruskin-john-2019/Opal-Minerals,-Collection-Guild-of-St-George,-Museums-Sheffield.jpg Minerals from John Ruskin’s Collection. Various minerals. © Collection of the Guild of St George / Museums Sheffield. https://www.studiointernational.com/index.php/gerda-scheepers-rooms-review-mary-mary-glasgow https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00110-(f).jpg Gerda Scheepers. Pillow Riley 4, 2019. Fabric on canvas, wood, 78 x 62 cm (30 2/3 x 24 2/5 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00107-(b).jpg Gerda Scheepers. Pillow Riley 1, 2019. Fabric on canvas, wood, 72 x 58 cm (28 1/3 x 22 4/5 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00117-(a).jpg Gerda Scheepers. (Arm) Rest, 2019. Wood, foam, fabric, cardboard, 85 x 60 x 20 cm (33 1/2 x 23 3/5 x 7 4/5 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00116-(a).jpg Gerda Scheepers. Shelve for the past, 2019. Fabric, 170 x 90 x 27 cm (67 x 35 2/5 x 10 3/5 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00111-(a).jpg Gerda Scheepers. The border’s border, 2019. Fabric, rope, wood, 57 x 48 x 3 cm (22 2/5 x 18 4/5 x 1 1/5 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00112-(a).jpg Gerda Scheepers. (Roller) Blind, 2019. Fabric, wood, rope, copper hook, 65 x 184 x 8 cm (25 1/2 x 72 1/2 x 3 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00096.jpg Gerda Scheepers. Shelf for a Symptom (Blue), 2018. Fabric, 76 x 60 x 15 cm (29 7/8 x 23 9/16 x 5 7/8 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00109-(b).jpg Gerda Scheepers. Pillow Riley 3, 2019. Fabric on canvas, wood, 72 x 58 cm (28 1/3 x 22 4/5 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00113-(a).jpg Gerda Scheepers. Issue (green pink blue), 2019. Fabric, steel brackets, 5 x 180 x 16 cm (2 x 70 4/5 x 6 1/5 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/MMG-SCHEG-00117-(b).jpg Gerda Scheepers. (Arm) Rest, 2019. Wood, foam, fabric, cardboard, 85 x 60 x 20 cm (33 1/2 x 23 3/5 x 7 4/5 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/Installation-view-12.jpg Installation view, Gerda Scheepers, Rooms, Mary Mary, 2019. Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/Installation-view-5.jpg Installation view, Gerda Scheepers, Rooms, Mary Mary, 2019. Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/Installation-view-8.jpg Installation view, Gerda Scheepers, Rooms, Mary Mary, 2019. Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/images/articles/s/063-scheepers-gerda-2019/Installation-view-9.jpg Installation view, Gerda Scheepers, Rooms, Mary Mary, 2019. Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane. https://www.studiointernational.com/index.php/equilibrium-an-idea-for-italian-sculpture-review-mazzoleni-london https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/MAZ_060219_13.jpg Equilibrium. An idea for Italian sculpture, installation view, Mazzoleni, London, 8 February – 5 April 2019. Courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/CAT003,-Cattaneo,-Untitled,-2016,photo-by-Lorenzo-Palmieri-.jpg Alice Cattaneo. Untitled, 2016. Iron, clamp, acetate sheet, 35 x 350 x 100 cm (13 3/4 x 137 3/4 x 39 3/8 in). Photo courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/NAG006,-Nagasawa,-Perlato,-2017,-marmo,-156-x-100-x-14-cm(photo-by-Peppino-Sciortino).jpg Hidetoshi Nagasawa. Perlato, 2017. Marble, 156 x 100 x 14 cm (61 3/8 x 39 3/8 x 5 1/2 in). Courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/SALV001,-Salvadori,-Verticale,-1991,-photo-by-Agostino-Osio.jpg Remo Salvadori. Verticale, 1991. Copper, glass and iron, 164 x 111 cm (64 5/8 x 43 3/4 in). Courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/DIM001-Elisabetta-Di-Maggio,-At-still-point-of-turning-world,-2016.jpg Elisabetta Di Maggio. At still point of turning world, 2016. Porcelain, glass, wood, loudspeaker, computer. Base: 150 x 120 x 30 cm (59 1/8 x 47 1/4 x 11 3/4 in). Photo: Agostino Osio, courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/NUN046-Nunzio-Sisma-1990.jpg Nunzio. Sisma, 1990. Pigment and combustion on wood, 250 x 126 x 13 cm (98 3/8 x 49 5/8 x 5 1/8 in). Courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/MAZ_060219_10.jpg Equilibrium. An idea for Italian sculpture, installation view, Mazzoleni, London, 8 February – 5 April 2019. Photo courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/ALV023,-Getulio-Alviani,-Cerchi-Virtuali-1-2-3.jpg Getulio Alviani. Cerchi Virtuali 1.2.3.4, 1967. Steel, 60 x 60 x 10 cm (23 5/8 x 23 5/8 x 4 in). Photo courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/MAZ_060219_8.jpg Equilibrium. An idea for Italian sculpture, installation view, Mazzoleni, London, 8 February – 5 April 2019. Courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/MEL005-Melotti,-Tema-e-Variazioni-IX,-1980-86,-.jpg Fausto Melotti. Tema e Variazioni IX, 1980 (1986). Brass, 94.5 x 114 x 20.5 cm (37 1/4 x 44 7/8 x 8 1/8 in). Courtesy Mazzoleni London Torino. https://www.studiointernational.com/images/articles/e/087-equilibrium-2019/MAZ_060219_14.jpg Equilibrium. An idea for Italian sculpture, installation view, Mazzoleni, London, 8 February – 5 April 2019. Photo courtesy Mazzoleni London Torino. https://www.studiointernational.com/index.php/hockney-van-gogh-the-joy-of-nature-review-van-gogh-museum-amsterdam https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney-watercolours-Midsummer,-East-Yorkshire,-2004.jpg David Hockney, watercolours Midsummer, East Yorkshire, 2004, installation view, Hockney – Van Gogh: The Joy of Nature. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney,-Woldgate-Woods,-6-&-9-November-2006.jpg David Hockney. Woldgate Woods, 6 & 9 November 2006. Oil on six canvases, 36 x 48 in each, 72 x 144 in overall. © David Hockney. Photo: Richard Schmidt. https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/Vincent-Van-Gogh,-Trees,-1887.jpg Vincent Van Gogh. Trees, 1887. Oil on canvas, 46.5 x 38.0 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/Vincent-Van-Gogh,-The-Garden-of-Saint-Pauls-Hospital-(Leaf-Fall)-(1889).jpg Vincent Van Gogh. The Garden of Saint Paul’s Hospital (Leaf-Fall), 1889. Oil on canvas. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney,-Kilham-to-Langtoft-II,-27-July-2005.jpg David Hockney. Kilham to Langtoft II, 27 July 2005. Oil on canvas, 24 x 36 in. © David Hockney. Photo: Richard Schmidt. https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/Vincent-Van-Gogh,-The-Harvest-(1888).jpg Vincent Van Gogh. The Harvest, 1988. Oil on canvas, 73.4 x 91.8 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney,-The-Arrival-of-Spring-in-Woldgate,-East-Yorkshire-in-2011.jpg David Hockney. The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven). Oil on 32 canvases, 36 x 48" each, 144 x 384 in overall. © David Hockney. Photo: Richard Schmidt. Collection Société des Amis du Musée national d https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney-painting-2.jpg David Hockney painting May Blossom on the Roman Road, 2009. © David Hockney. Photo: Jean-Pierre Gonçalves de Lima. https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney,-Woldgate-Vista,-27-July-2005.jpg David Hockney. Woldgate Vista, 27 July 2005. Oil on canvas, 24 x 36 in. © David Hockney. Photo: Richard Schmidt. https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney,-May-Blossom-on-the-Roman-Road,-2009.jpg David Hockney. May Blossom on the Roman Road, 2009. Oil on 8 canvases, 36 x 48 in each, 72 x 192 in overall. © David Hockney. Photo: Richard Schmidt. https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney,-Woldgate-Woods,-26,-27-&-30-July-2006.jpg David Hockney. Woldgate Woods, 26, 27 & 30 July 2006. Oil on six canvases, 36 x 48 in each, 72 x 144 in overall. © David Hockney. Photo: Richard Schmidt. https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney-Early-Oil-landscapes.jpg David Hockney, early oil landscapes, installation view, Hockney – Van Gogh: The Joy of Nature. Photo: Veronica Simspon. https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/David-Hockney-The-Arrival-Of-Spring-in-Woldgate.jpg David Hockney, installation view, Hockney – Van Gogh: The Joy of Nature. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/073-hockney-van-gogh-2019/Vincent-Van-Gogh,-Field-with-Irises-near-Arles-(1888).jpg Vincent Van Gogh. Field with Irises near Arles, 1888. Oil on canvas, 54 x 65 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/index.php/how-chicago-imagists-1960s-and-70s-review-goldsmiths-centre-for-contemporary-art-london https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/How-Chicago-Goldsmiths-CCA-0002-Mark-Blower-190313.jpg How Chicago! Imagists 1960s & 70s, installation view at Goldsmiths Centre for Contemporary Art, University of London, 2019, organised by Hayward Gallery Touring and in collaboration with De La Warr Pavilion, Bexhill-on-Sea. Photo © Mark Blower. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/01-Brown_The-Four-Seasons.jpg Roger Brown, The Four Seasons – A Benefit Painting of the Hyde Park Art Center, 1974. © The School of the Art Institute of Chicago and the Brown Family. Private collection, Courtesy McCormick Gallery, Chicago. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/Nutt_He-Snort.jpg Jim Nutt, He Snort, 1969. © the artist. Courtesy Roger Brown Study Collection, The School of Art Institute of Chicago. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/Flood_First-Nighter.jpg Ed Flood, First Nighter, 1968. © Cheryl Cipriani. Courtesy Corbett vs Dempsey and Cheryl Cipriani. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/02-Falconer_Untitled,-1966-(2).jpg Jim Falconer, Untitled, 1966. © the artist. Collection Gladys Nilsson and Jim Nutt. Photo: William H. Bengtson. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/04-Rocca_Ah!.jpg Suellen Rocca, Ah!, c1968. © Suellen Rocca. Courtesy Matthew Marks Gallery, New York. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/05-Ramberg,-Rossi,-Yoshida_Triple-Tiwns.jpg Christina Ramberg, Barbara Rossi, Ray Yoshida, Triple Twins,1974. © the artists. Collection Barbara and Russell Bowman. Courtesy Corbett vs Dempsey, Chicago. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/Nilsson_A-Cold-Mouth.jpg Gladys Nilsson, A Cold Mouth, 1968. © the artist. Courtesy the artist and Garth Greenan Gallery, New York. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/03-Yoshida_Exploding-Objects.jpg Ray Yoshida, Exploding Objects, 1968. © the Estate of Ray Yoshida. Courtesy Roger Brown Study Collection, The School of Art Institute of Chicago. Photo: James Connolly. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/Canright_Wallpaper-With-View.jpg Sarah Canright, Wallpaper with View, 1968. © the artist. Courtesy the artist and Corbett vs Dempsey. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/Green_Occupational-Hazards.jpg Art Green, Occupational Hazards, 1966. © the artist. Collection Gladys Nilsson and Jim Nutt. Photo: William H. Bengtson. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/Hanson_Shell-Vanity.jpg Philip Hanson, Shell Vanity, 1975–76. © the artist. Collection Museum of Contemporary Art Chicago, gift of Ms Virginia J Wheeler, 1987.9. Photo: Nathan Keay, © MCA Chicago. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/Paschke_Elcina.jpg Ed Paschke, Elcina, 1973. © the Estate of Ed Paschke. Collection Museum of Contemporary Art Chicago, gift of Albert J. Bildner, 1974.5. Photo: Nathan Keay, © MCA Chicago. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/Rossi_Black-Rock-Top.jpg Barbara Rossi, Black Rock Top, 1972. © the artist. Courtesy Floyd Abramson. Photo © Tom Van Ende. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/Wirsum_Ice-Pick-Nick-Fisherman.jpg Karl Wirsum, Ice Pick Nick Fisherman, 1979. © the artist. Courtesy Elmhurst College Art Collection. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/How-Chicago-Goldsmiths-CCA-0021-Mark-Blower-190313.jpg How Chicago! Imagists 1960s & 70s, installation view at Goldsmiths Centre for Contemporary Art, University of London, 2019, organised by Hayward Gallery Touring and in collaboration with De La Warr Pavilion, Bexhill-on-Sea. Photo © Mark Blower. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/How-Chicago-Goldsmiths-CCA-0031-Mark-Blower-190313.jpg How Chicago! Imagists 1960s & 70s, installation view at Goldsmiths Centre for Contemporary Art, University of London, 2019, organised by Hayward Gallery Touring and in collaboration with De La Warr Pavilion, Bexhill-on-Sea. Photo © Mark Blower. https://www.studiointernational.com/images/articles/c/064-chicago-imagists-2019/How-Chicago-Goldsmiths-CCA-0053-Mark-Blower-190313.jpg How Chicago! Imagists 1960s & 70s, installation view at Goldsmiths Centre for Contemporary Art, University of London, 2019, organised by Hayward Gallery Touring and in collaboration with De La Warr Pavilion, Bexhill-on-Sea. Photo © Mark Blower. https://www.studiointernational.com/index.php/leon-kossoff-a-london-life-review-piano-nobile https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/05.jpg Leon Kossoff, Dalston Lane, No. 1, 1974. Charcoal and pastel on paper, 65.2 × 88.3 cm. Private collection, Europe. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/01.jpg Leon Kossoff, Railway Bridge, Morning Crescent, 1954. Oil on board, 101.6 × 127 cm. Private collection, London. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/03.jpg Leon Kossoff, City Building Site, 1961. Oil on board, 123.8 × 159.4 cm. Private collection, Europe. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/06.jpg Leon Kossoff, Fidelma, No. 2, 1978. Charcoal and pastel on paper, 103 × 69.3 cm. Private collection, UK. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/07.jpg Leon Kossoff, School Building, Willesden, Winter, 1981. Oil on board, 137.5 × 175.3 cm. Private collection, Europe. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/10.jpg Leon Kossoff, Christ Church, Spitalfields, 1989. Oil on board, 55.2 × 48.9 cm. Private collection, UK. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/04.jpg Leon Kossoff, Self-Portrait, 1971. Oil on canvas, 27.9 × 22.9 cm. Private collection, Europe. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/02.jpg Leon Kossoff, Head of Seedo, c1958. Oil, pastel and charcoal on paper, 79.1 × 57.5 cm. Private collection, Europe. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/08.jpg Leon Kossoff, School Building, Willesden, No. 4, 1983. Charcoal and chalk on paper, 57 × 80 cm. Private collection, UK. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/09.jpg Leon Kossoff, Portrait of Fidelma, 1986. Oil on board, 124.5 × 80 cm. Private Collection, UK. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/images/articles/k/079-kossoff-leon-2019/11.jpg Leon Kossoff, Cherry Tree, and Tube Train 2007-08. Oil on board, 122.1 × 127 cm. Private collection, Europe. Copyright Leon Kossoff. Image courtesy Piano Nobile, London. https://www.studiointernational.com/index.php/david-austen-interview-underworld-dundee https://www.studiointernational.com/images/articles/a/069-austen-david-2019/DA_UW__018.jpg David Austen: Underworld, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/05.jpg David Austen. The story of my death as told to me by another, 2018. 16mm film. Courtesy the artist and Ingleby Gallery. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/01.jpg David Austen. The light that fell upon us burned, 2016. Gouache on paper, cut and pasted (32 parts). Courtesy the artist and Ingleby Gallery. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/DA_UW__010.jpg David Austen: Underworld, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/03.jpg David Austen. Glass, 2015. Oil on flax canvas. Courtesy the artist and Ingleby Gallery. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/DA_UW__061.jpg David Austen: Underworld, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/DA_UW__018-2.jpg David Austen: Underworld, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/DA_UW__049.jpg David Austen: Underworld, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/DA_UW__051-detail.jpg David Austen: Underworld, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/01-detail.jpg David Austen. The light that fell upon us burned, 2016 (detail). Gouache on paper, cut and pasted (32 parts). Courtesy the artist and Ingleby Gallery. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/02.jpg David Austen. Underworld, 2012. Oil on flax canvas. Courtesy the artist and Ingleby Gallery. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/04.jpg David Austen. Nethergate Stairs, 2018. Black and white photograph. Courtesy the artist and Ingleby Gallery. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/DA_UW__008.jpg David Austen: Underworld, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/a/069-austen-david-2019/DA_UW__012.jpg David Austen: Underworld, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/index.php/elizabeth-price-felt-tip-review-nottingham-contemporary https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/5_FELT_TIP_EP_2018.jpg Elizabeth Price, FELT TIP (still), 2018. Commissioned by the Walker Art Center, Film and Video Umbrella and Nottingham Contemporary, with support from Arts Council England. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/12_FELT_TIP_EP_2018.jpg Elizabeth Price, FELT TIP (still), 2018. Commissioned by the Walker Art Center, Film and Video Umbrella and Nottingham Contemporary, with support from Arts Council England. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/Notts_EP_086.jpg Elizabeth Price: FELT TIP, 2019, installation view, Nottingham Contemporary. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/KOHL_Still_003.jpg Elizabeth Price, KOHL (still), 2018/. Courtesy of the artist. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/KOHL_Still_005.jpg Elizabeth Price, KOHL (still), 2018/. Courtesy of the artist. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/Notts_EP_089.jpg Elizabeth Price: FELT TIP, 2019, installation view, Nottingham Contemporary. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/Notts_EP_080.jpg Elizabeth Price, FELT TIP, 2019, installation view, Nottingham Contemporary. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/2_FELT_TIP_EP_2018.jpg Elizabeth Price, FELT TIP (still), 2018. Commissioned by the Walker Art Center, Film and Video Umbrella and Nottingham Contemporary, with support from Arts Council England. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/4_FELT_TIP_EP_2018.jpg Elizabeth Price, FELT TIP (still), 2018. Commissioned by the Walker Art Center, Film and Video Umbrella and Nottingham Contemporary, with support from Arts Council England. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/KOHL_Still_001.jpg Elizabeth Price, KOHL (still), 2018/. Courtesy of the artist. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/KOHL_Still_002.jpg Elizabeth Price, KOHL (still), 2018/. Courtesy of the artist. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/KOHL_Still_004.jpg Elizabeth Price, KOHL (still), 2018/. Courtesy of the artist. https://www.studiointernational.com/images/articles/p/076-price-elizabeth-2019/Notts_EP_084.jpg Elizabeth Price: FELT TIP, 2019, installation view, Nottingham Contemporary. Photo: Stuart Whipps. https://www.studiointernational.com/index.php/jenny-holzer-thing-indescribable-review-guggenheim-bilbao https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Projection2-Jenny-Holzer-V-Simpson.jpg Jenny Holzer: Thing Indescribable, Guggenheim Bilbao. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Holzer_J_Instalacion-para-Bilbao-(Installation-for-Bilbao)_1997.jpg Jenny Holzer. Installation for the Guggenheim Bilbao, 1997. Electronic LED sign, nine columns. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/_69A2139.jpg Exhibition view, Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Spain, 2019. © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: José Miguel Llano. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Truisms-Badges-and-Wrappers.jpg Truisms: badges and wrappers, exhibition view, Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Spain, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/_69A2285.jpg Memorial Bench I: Always polite to officers..., 1996; Memorial Bench II: Eye cut by flying glass ..., 1996. Text: Erlauf, 1995. Exhibition view, Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Spain, 2019. © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: José Miguel Llano. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Holzer_08.jpg Jenny Holzer. Living: More people will be building hiding places..., 1989. © 1989 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: David Heald. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/_69A2084.jpg THERE WAS A WAR, 2019. Exhibition view, Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Spain, 2019. © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: José Miguel Llano. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/_69A2103.jpg Jenny Holzer. Purple, 2008; I WOKE UP NAKED, 2019. Text: Lustmord, 1993–95. © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: José Miguel Llano. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Redacted-Watercolours.jpg Redacted watercolours, exhibition view, Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Spain, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/KikiSmtih-Untitled,-1999-V-Simpson.jpg Kiki Smith, Untitled, 1999. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Jenny-Holzer-Human-Bones-V-Simpson.jpg Human Bones, exhibition view, Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Spain, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Projection-4-Jenny-Holzer-V-Simpson.jpg Jenny Holzer: Thing Indescribable, Guggenheim Bilbao. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Holzer_10.jpg Jenny Holzer. Living: Affluent college-bound students…, 1998. Graphite on tracing paper, 45.7 x 91.1 cm. Text: Living, 1980–82. Courtesy of the artist © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY/VEGAP. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Jenny-Holzer-Truisms-Condom-Wrapper-2.jpg Installation view, Jenny Holzer: Thing Indescribable, Guggenheim Bilbao, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/_69A2154.jpg Exhibition view, Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Spain, 2019. © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: José Miguel Llano. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/I-Was-Arrested-2013-19,-oil-on-Linen,-Jenny-Holzer-V-Simpson.jpg Jenny Holzer. I was arrested, 2013-19. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Installation-shot-Sworn-Statement-and-Ram-V-Simpson.jpg Exhibition view, Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Spain, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/New-paintings-in-Redacted-series-Jenny-Holzer,-V-Simpson.jpg New paintings in redacted series, exhibition view, Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Spain, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Ram.jpg Jenny Holzer. RAM, 2016. Text: Let Them Count Corpses, from Building the Barricade by Anna Świrszczyńska, English translation by Piotr Florczyk, © 2016. by Tavern Books. Used with permission of Ludmiła Adamska-Orłowska and the translator. © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Amy Silver. https://www.studiointernational.com/images/articles/h/072-holzer-jenny-2019/Holzer_20.jpg Jenny Holzer. Survival, 1989. LED sign with red diodes, 13.3 x 138.6 x 7.6 cm. Text: Survival, 1983–85. Courtesy Sprüth Magers. © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY / VEGAP. Photo: Erik Sumption. https://www.studiointernational.com/index.php/drawn-together-again-review-flag-art-foundation-new-york-dawn-clements-david-shrigley https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Drawn_Together_Again_Flag_Art_02-23-19_04_Photo_Steven_Probert.jpg Installation view of Drawn Together Again at The FLAG Art Foundation, 2019. Photo: Steven Probert. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Drawn_Together_Again_Flag_Art_02-23-19_13_Photo_Steven_Probert.jpg Dawn Clements, Callie and Schuler’s (The Taft School), 2009, installation view, Drawn Together Again at The FLAG Art Foundation, 2019. Photo: Steven Probert. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Drawn_Together_Again_Flag_Art_02-23-19_10_Photo_Steven_Probert.jpg Jenny Saville, Thread, 2017-18, installation view, Drawn Together Again at The FLAG Art Foundation, 2019. Photo: Steven Probert. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/RL-D-1579.jpg Robert Longo, Untitled (Einstein’s Desk, The Day he Died, April 18, 1955), 2016. Ink and charcoal on mounted paper, 67 1/2 x 95 5/8 in. Courtesy the artist and Metro Pictures, NY. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Drawn_Together_Again_Flag_Art_02-23-19_11_Photo_Steven_Probert.jpg Installation view of David Shrigley, Untitled (Trash), 2017 and Jonathan Monk, Untitled III, 2017, Hammon’s Hood, 2018, Warhol Dollar Sign, 2018, installation view, Drawn Together Again at The FLAG Art Foundation, 2019. Photo: Steven Probert. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Semmel_Untitled_JS387_2016_Cropped.jpg Joan Semmel. Untitled, 2016. Oil crayon on paper, 11.63 x 15.63 in. Courtesy the artist and Alexander Gray Associates, New York. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Finette.jpg Natalie Frank, Finette-Cendron VI (From Mdm. D’Aulnoy), 2018-9. Gouache and chalk on pastel paper, 22 x 30 in. Courtesy the artist. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Story-of-O-XII.jpg Natalie Frank, Story of O XII, 2017-18. Gouache and chalk pastel on paper. 22 x 30 in. Courtesy the artist. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Haendel_ET-ET-Elizabeth-Taylor_14845.jpg Karl Haendel, E.T./E.T./Elizabeth Taylor, 2018. Pencil on paper, 52 1/2 x 87 3/4 in. Courtesy the artist and Mitchell-Innes & Nash, NY. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Drawn_Together_Again_Flag_Art_02-23-19_01_Photo_Steven_Probert.jpg Installation view of Drawn Together Again at The FLAG Art Foundation, 2019. Photo: Steven Probert. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Drawn_Together_Again_Flag_Art_02-23-19_06_Photo_Steven_Probert.jpg Installation view of Drawn Together Again at The FLAG Art Foundation, 2019. Photo: Steven Probert. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Drawn_Together_Again_Flag_Art_02-23-19_07_Photo_Steven_Probert.jpg Installation view of Drawn Together Again at The FLAG Art Foundation, 2019. Photo: Steven Probert. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Drawn_Together_Again_Flag_Art_02-23-19_02_Photo_Steven_Probert.jpg Lauren Seiden, Ultimate Shield, 2019. Graphite pencil on paper, 68 x 47 x 9 in. Courtesy the artist. https://www.studiointernational.com/images/articles/d/083-drawn-together-2019/Drawn_Together_Again.jpg Installation view of Jonathan Monk, Untitled III, 2017, Hammon’s Hood, 2018, Warhol Dollar Sign, 2018 in Drawn Together Again at The FLAG Art Foundation, 2019. Photo: Steven Probert. https://www.studiointernational.com/index.php/the-power-of-intention-reinventing-prayer-wheel-review-rubin-museum-new-york https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/10-Prayer-Wheel-Philadelphia-Museum.jpg Prayer wheel, Tibet, 19th century. Copper, paper and wood; 5 x 4 1/8 in (12.7 x 10.5 cm). Philadelphia Museum of Art; gift of Mrs. Margaret Outerbridge in memory of her husband. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/15-Youdhi-3b---Turning-the-Wheel.jpg Youdhisthir Maharjan, Turning the Wheel, 2018. Acrylic and needle piercings on reclaimed paper, 19 x 16.2 in (48.26 x 41.14 cm). Courtesy of the artist. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/13-Youdhi-4a---Committed-to-Becoming.jpg Youdhisthir Maharjan, Committed to Becoming, 2018. Hand-cut text collage on reclaimed book pages, 20 x 16 in (50.8 x 40.64 cm). Courtesy of the artist. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/03-Monica-Bravo-Landscape-of-Belief.jpg Monika Bravo, Landscape of Belief, 2012. Glass, mirror, projector, media player, aluminum, wood, text from Italo Calvino’s Invisible Cities, time-based electronic installation. Courtesy of the artist and Johannes Vogt Gallery. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/02-Metamorphy.jpg Scenocosme: Gregory Lasserre & Anaïs met den Ancxt, Metamorphy; 2014. Interactive installation. Courtesy of the artists. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/06-Avalokiteshvara.jpg Avalokiteshvara, Central Tibet, 14th– 15th century. Pigments on cloth. Courtesy of the Stephen and Sharon Davies Collection. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/04-TSAI-2019-01-Rubin-A_Supplication.jpg Charwei Tsai, A Supplication, 2019. Watercolour and ink on rice paper, 59 x 59 in (150 x 150 cm). Courtesy of the artist. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/07-Pierced-Prayer-Wheel-Newark-Museum.jpg Pierced handheld prayer wheel (mani lag ‘khor), Tibet, before 1927. Copper alloy, steel, glass, ink, paper, bamboo. Newark Museum; Gift of Mrs. J. B. Barlow. Photo © Newark Museum. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/01-AD-1.jpg Alexandra Dementieva, Breathless, 2012. Interactive light object with production by Cyland MediaLab, VGC (Vlaamse Gemeenschapscomissie) (BE), and Adem vzw (BE), support from iMAL asbl/vzw and Flemish Ministry of Culture, programming and engineering by Aleksey Grachev and Sergey Komarov, and breath detector/Interface-Z construction by Peter Maschke; courtesy of the artist. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/05-Charwei_TSAI-2014-Spiral_Mantra-01.jpg Charwei Tsai, Spiral Incense, 2014/2019. Natural herbs/herbal medicine, diameter 39.4 in (100 cm). Courtesy of the artist. Installation view at We Came Whirling from Nothingness, 2014, TKG+, Taipei, Taiwan. Photo: Steve Hung. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/08-Table-top-Prayer-Wheel-Newark-Museum.jpg Table-top prayer wheel (mani ‘khor lo), Tibet, 19th or early 20th century. Gilded copper-alloy, paper, ink. Newark Museum; Newark Museum Bequest of Edward N. Lippincott. Photo © The Newark Museum. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/09-Wind-Powered-Prayer-Wheel.jpg Wind-powered prayer wheel (mani rlung ‘khor), Tibet, before 1920. Metal, ink, paper, bamboo, string. Newark Museum. Photo © Newark Museum. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/11-Mandala-of-Avalokiteshvara-Rubin-Museum.jpg Mandala of Four-Armed Avalokiteshvara, Tibet, 18th century. Pigments on cloth. Rubin Museum of Art; gift of Shelley and Donald Rubin. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/12-Avalokiteshvara-Nyingjei-Lam.jpg Avalokiteshvara, Nepal, Khasa Malla Kingdom, 14th century. Silver and gilt copper. The Nyingjei Lam Collection. https://www.studiointernational.com/images/articles/r/081-rubin-museum-2019/14-Youdhi-2b---Power-of-Thought.jpg Youdhisthir Maharjan, Power of Thought, 2018. Cutout text collage on reclaimed book pages, 22 1/8 x 30 5/8 in (51.2 x 77.8 cm). Courtesy of the artist. https://www.studiointernational.com/index.php/jos-tilson-interview-sculpture-motherhood-is-a-form-of-creativity https://www.studiointernational.com/images/articles/t/092-tilson-joe-2019/panth-1.jpg Jos Tilson. Pantheon, Rome, 1956. Plaster, 61(h) cm. Photo: Jake Tilson. https://www.studiointernational.com/images/articles/t/092-tilson-joe-2019/_JAN5519.jpg Jos Tilson studio. Photo: Nick Howard. https://www.studiointernational.com/images/articles/t/092-tilson-joe-2019/Alan-Tabor-2.jpg Jos Tilson. Carità, Venice, 2007. Terracotta, 18.5 x 20 x 7 cm. Photo: Alan Tabor. https://www.studiointernational.com/images/articles/t/092-tilson-joe-2019/2005-JosStudio6970.jpg Jos Tilson. Italian architecture terracottas, London studio, 2005. Photo: Jake Tilson. https://www.studiointernational.com/images/articles/t/092-tilson-joe-2019/_JAN5493.jpg Jos Tilson, textiles. Photo: Nick Howard. https://www.studiointernational.com/images/articles/t/092-tilson-joe-2019/Alan-Tabor-7.jpg Jos Tilson. Portrait, 2005. Terracotta, 28 x 22 cm; Portrait, 2005. Terracotta, 29 x 23 cm. Photo: Alan Tabor. https://www.studiointernational.com/images/articles/t/092-tilson-joe-2019/Alan-Tabor-1.jpg Jos Tilson. Large Terracotta Oval, 1993. 54 x 37 cm; Large, 1990, 49.5 x 34 cm. Photo: Alan Tabor. https://www.studiointernational.com/images/articles/t/092-tilson-joe-2019/jos-tilson-photo-nick-howard.jpg Jos Tilson. Photo: Nick Howard. https://www.studiointernational.com/index.php/daniel-steegmann-mangrane-the-word-for-world-is-forest-review-nottingham-contemporary https://www.studiointernational.com/images/articles/m/066-mangrane-daniel-2019/dsm-First-installation.jpg Daniel Steegmann Mangrané, The Word for World is Forest, 2019, installation view at Nottingham Contemporary. Photo Stuart Whipps. https://www.studiointernational.com/images/articles/m/066-mangrane-daniel-2019/dsm-First-installation-4.jpg Daniel Steegmann Mangrané, The Word for World is Forest, 2019, (detail), installation view at Nottingham Contemporary. Photo Stuart Whipps. https://www.studiointernational.com/images/articles/m/066-mangrane-daniel-2019/dsm-film-16mm.jpg Daniel Steegmann Mangrané, The Word for World is Forest, 2019, installation view at Nottingham Contemporary. Photo Stuart Whipps. https://www.studiointernational.com/images/articles/m/066-mangrane-daniel-2019/DSM-Canopy-with-VR-headset-below.jpg Daniel Steegmann Mangrané, The Word for World is Forest, 2019, installation view at Nottingham Contemporary. Photo Stuart Whipps. https://www.studiointernational.com/images/articles/m/066-mangrane-daniel-2019/dsm-Canopy-cut-out-2.jpg Daniel Steegmann Mangrané, _C_A_N_O_P_Y_ , 2019, The Word for World is Forest, 2019, canopy cutout, installation view at Nottingham Contemporary. Photo Stuart Whipps. https://www.studiointernational.com/images/articles/m/066-mangrane-daniel-2019/dsm-First-installation-5.jpg Daniel Steegmann Mangrané, The Word for World is Forest, 2019, installation view at Nottingham Contemporary. Photo Stuart Whipps. https://www.studiointernational.com/images/articles/m/066-mangrane-daniel-2019/dsm-First-installation6.jpg Daniel Steegmann Mangrané, The Word for World is Forest, 2019, installation view at Nottingham Contemporary. Photo Stuart Whipps. https://www.studiointernational.com/images/articles/m/066-mangrane-daniel-2019/dsm-VR-headset-with-wearer2.jpg Daniel Steegmann Mangrané, The Word for World is Forest, 2019, installation view at Nottingham Contemporary. Photo Stuart Whipps. https://www.studiointernational.com/index.php/the-shed-hudson-yards-manhattan-opens https://www.studiointernational.com/images/articles/t/091-the-shed-2019/01_The-Shed_Photography-by-Iwan-Baan.jpg Evening view of The Shed from 30th Street, Manhattan. Photo: Iwan Baan. Courtesy of The Shed. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/06_The-Shed_Photography-by-Timothy-Schenck.jpg View of McCourt with black-out shades drawn. Photo: Timothy Schenck. Courtesy of The Shed. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/08_The-Shed_Photography-by-Timothy-Schenck.jpg The Shed, Level 2 Gallery. Reich Richter Pärt installation view. Photo: Timothy Schenck. Courtesy of The Shed. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/190406_TheShed_001_RUSH.jpg Work by Trisha Donnelly, installation view. Photo: Dan Bradica. Courtesy The Shed. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/tower-15-(built-by-diller-scofidio+renfro.jpg Hudson Yards, Manhattan, 88-storey high-rise, #15, with Thomas Heatherwick https://www.studiointernational.com/images/articles/t/091-the-shed-2019/Shed-wheels.jpg The Shed https://www.studiointernational.com/images/articles/t/091-the-shed-2019/the-shed-05.jpg Thomas Heatherwick https://www.studiointernational.com/images/articles/t/091-the-shed-2019/the-shed-04.jpg The Shed, New York, by Diller Scofidio + Renfro, lead architect and Rockwell Group, collaborating architect. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/the-shed-01.jpg Hudson Yards, Manhattan with The Shed by Diller Scofidio + Renfro, lead architect and Rockwell Group, collaborating architect and Thomas Heatherwick's Vessel. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/the-shed-06.jpg The Shed, exterior view. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/07_The-Shed_Photography-by-Timothy-Schenck.jpg Griffin Theater with view towards McCourt. Photo: Timothy Schenck. Courtesy of The Shed. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/05_The-Shed_Photography-by-Timothy-Schenck.jpg View of McCourt from Griffin Theater. Photo: Timothy Schenck. Courtesy of The Shed. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/escalator.jpg The Shed, interior view of escalators. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/the-shed-07.jpg The Shed, exterior view. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/shed-cafe.jpg The Shed, interior view. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/the-vessel-02.jpg Looking into Thomas Heatherwick's Vessel at Hudson Yards, 150 feet high and 150 feet wide at the top. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/elizabeth-diller-and-david-rockwell.jpg Elizabeth Diller and David Rockwell speaking in the small lecture / performance space at the opening of The Shed. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/IMG_2863.jpg Programme announcement by the escalator, The Shed. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/vessel-and-shed.jpg The Shed, exterior view. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/t/091-the-shed-2019/190406_TheShed_002_RUSH.jpg Work by Trisha Donnelly, installation view. Photo: Dan Bradica. Courtesy The Shed. https://www.studiointernational.com/index.php/emma-kunz-visionary-drawings-christodoulos-review-serpentine-gallery-london https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz,-Work-No-003,.jpg Emma Kunz. Work No. 003. Crayon on graph paper with brown lines, 96 × 96 cm. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz,-Work-No-004.jpg Emma Kunz. Work No. 004. Pencil, crayon and oil crayon on graph paper with brown lines, 104 × 104 cm. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz,-Work-No-011.jpg Emma Kunz. Work No. 011. Crayon on graph paper with brown lines, 90 × 90 cm. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz,-Work-No-020.jpg Emma Kunz. Work No. 020. Pencil, crayon and oil crayon on graph paper with brown lines, 79 × 79 cm. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz,-Work-No-117.jpg Emma Kunz. Work No. 117. Pencil and crayon on graph paper with brown lines, 104 × 104 cm. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz-at-her-working-table,-Waldstatt,-1958,-Photo--copyright-Emma-Kunz-Zentrum.jpg Emma Kunz at her working table, Waldstatt, 1958. Photo copyright Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz,-Work-No-012.jpg Emma Kunz. Work No. 012. Crayon and oil crayon on graph paper with blue lines, 110 × 105 cm. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz,-Work-No-013.jpg Emma Kunz. Work No. 013. Crayon and ink on graph paper with brown lines, 99 × 99 cm. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz,-Work-No-307.jpg Emma Kunz. Work No. 307. Crayon and oil crayon on graph paper with brown lines, 109 × 105 cm. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Emma-Kunz,-Work-No-396.jpg Emma Kunz. Work No. 396. Pencil and crayon on graph paper with brown lines, 42 × 42 cm. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/images/articles/k/082-kunz-emma-2019/Marigolds-polarised-by-Emma-Kunz,-1953.jpg Marigolds polarised by Emma Kunz, 1953. Courtesy Emma Kunz Centrum. https://www.studiointernational.com/index.php/anne-imhof-sex-review-tate-modern-london https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Anne-Imhof-performer-on-mattress.jpg Performer on mattress, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Anne-Imhof-props-in-Tate-Tanks.jpg Props, installation view, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Anne-Imhof-Eliza-Douglas-on-platform.jpg Eliza Douglas on platform, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Anne-Imhof-Dark-Room-with-ramp-and-pier.jpg Performance view, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Anne-Imhof-Eliza-Douglas-plays-guitar.jpg Eliza Douglas playing a guitar, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Anne-Imhof-paintings.jpg Installation view, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Anne-Imhof-Nic-Serota-watching-the-performance.jpg Nicholas Serota, former Director of the Tate, watching the performance, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Anne-Imhof-Pile-of-t-shirts.jpg A pile of T-shirts, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Performance-View_5.jpg Performance view of BMW Tate Live Exhibition: Anne Imhof: Sex at Tate Modern 2019, © Tate Photography (Oliver Cowling). https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Performance-View-_1.jpg Eliza Douglas in BMW Tate Live Exhibition: Anne Imhof: Sex at Tate Modern 2019, © Tate Photography (Oliver Cowling). https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Anne-Imhof-audience-examines-props.jpg Installation view, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Performance-View_2.jpg Performance view of BMW Tate Live Exhibition: Anne Imhof: Sex at Tate Modern 2019, © Tate Photography (Oliver Cowling). https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/BMW-Tate-Live-Anne-Imhof,-Tate-Modern-installation-view-5.jpg Installation view, Anne Imhof: Sex at Tate Modern 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/091-imhof-anne-2019/Portrait-of-Anne-Imhof.jpg Anne Imhof. https://www.studiointernational.com/index.php/henry-moore-drawings-the-art-of-seeing-review-studios-and-gardens-hertfordshire https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/20-HM-Drawings_install-3_photo-Matthew-Cheale.jpg Henry Moore Drawings: The Art of Seeing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Matthew Cheale. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/02-HMF-663_SM.jpg Henry Moore, Three-Quarter Figure, 1928. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Sarah Mercer. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/05-HMF-1645_SM.jpg Henry Moore, Study for Mother and Child among Underground Sleepers, 1941. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Sarah Mercer. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/06-HMF-1944_SM.jpg Henry Moore, Miner with Tupping Machine at Flocton Colliery, 1942. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Sarah Mercer. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/07-HMF-2702_MP.jpg Henry Moore, Sculpture in Landscape 1951. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Michael Phipps. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/08-HMF-2862_SM.jpg Henry Moore, Ideas for Wall Reliefs, 1955. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Sarah Mercer. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/09-HMF-3078_SM.jpg Henry Moore, Two Reclining Figures, 1962. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Sarah Mercer. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/10-HMF-77(14)_MM.jpg Henry Moore, Forest Elephants, 1977. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Michel Muller. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/12-HMF-82(359).jpg Henry Moore, Sunset in Hills, 1982. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Menor. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/11-HMF-82(189)_NMoore-Menor_3104.jpg Henry Moore, The Artist’s Hands IV, 1982. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Menor. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/01-HMF-72.jpg Henry Moore, Reclining Male Nude, c1922. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Michel Muller. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/03-HMF-1325_MM.jpg Henry Moore, Drawing for Sculpture, 1937. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Michel Muller. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/04-HMF-1391a_MP1.jpg Henry Moore, Ideas for Sculpture in Landscape, c1938. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Michael Phipps. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/13-biog_1950c_0000629.jpg Moore working on Mother and Child in Rocking Chair, 1950 in the garden of Hoglands, Perry Green. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Felix H. Man. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/14-biog_1976_0010907.jpg Moore with The Artist’s Hands c1974, a page from Red Notebook 1969-77, in Gildmore Graphics Studios, Perry Green, 1976. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Bo Boustedt. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/15-Henry-Moore_The-Arch_Photo-John-Chase.jpg Henry Moore, The Arch, 1963/69. Bronze. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: John Chase. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/16-Henry-Moore_Double-Oval_Photo-John-Chase.jpg Henry Moore, Double Oval, 1966. Bronze. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: John Chase. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/17-Summer-house-interior_photo-Sarah-Mercer.jpg The Summer House, Henry Moore’s drawing studio, in the grounds at Henry Moore Studios & Gardens. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Sarah Mercer. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/18-HM-Drawings_install-1_photo-Matthew-Cheale.jpg Henry Moore Drawings: The Art of Seeing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Matthew Cheale. https://www.studiointernational.com/images/articles/m/066-moore-henry-2019/19-HM-Drawings_install-2_Photo-Matthew-Cheale.jpg Henry Moore Drawings: The Art of Seeing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Matthew Cheale. https://www.studiointernational.com/index.php/laura-buckley-interview-i-enjoy-watching-the-people-in-the-work-as-much-as-the-work-itself https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/Buckley,-Laura-Fata-Morgana-(sculpture-and-video)-1.jpg Laura Buckley. Fata Morgana, 2012. Sculpture: mixed media, mirrored acrylic, plywood, tinder, projection fabric; Film: digital video duration 8:18 min, 480 x 290 x 242 cm. © Laura Buckley, 2012. Image courtesy of Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/Buckley,-Laura-Fata-Morgana-(sculpture-and-video)-10.jpg Laura Buckley. Fata Morgana, 2012. Sculpture: mixed media, mirrored acrylic, plywood, tinder, projection fabric; Film: digital video duration 8:18 min, 480 x 290 x 242 cm. © Laura Buckley, 2012. Image courtesy of Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/LauraBuckleyWaterliliesMothersTankstation2010.jpg Laura Buckley. Waterlilies, 2010, installation view, Mother https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/Buckley,-Laura-Fata-Morgana-(sculpture-and-video)-9.jpg Laura Buckley. Fata Morgana, 2012. Sculpture: mixed media, mirrored acrylic, plywood, tinder, projection fabric; Film: digital video duration 8:18 min, 480 x 290 x 242 cm. © Laura Buckley, 2012. Image courtesy of Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/Laura-Buckley-2.jpg Laura Buckley. Attract/Repel, 2016, installation view Eigen + Art Lab, Berlin. https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/Buckley,-Laura-Fata-Morgana-(sculpture-and-video)-7-(1).jpg Laura Buckley. Fata Morgana, 2012. Sculpture: mixed media, mirrored acrylic, plywood, tinder, projection fabric; Film: digital video duration 8:18 min, 480 x 290 x 242 cm. © Laura Buckley, 2012. Image courtesy of Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/Buckley,-Laura-Fata-Morgana-(sculpture-and-video)-2.jpg Laura Buckley. Fata Morgana, 2012. Sculpture: mixed media, mirrored acrylic, plywood, tinder, projection fabric; Film: digital video duration 8:18 min, 480 x 290 x 242 cm. © Laura Buckley, 2012. Image courtesy of Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/Buckley,-Laura-Fata-Morgana-(sculpture-and-video)-4.jpg Laura Buckley. Fata Morgana, 2012. Sculpture: mixed media, mirrored acrylic, plywood, tinder, projection fabric; Film: digital video duration 8:18 min, 480 x 290 x 242 cm. © Laura Buckley, 2012. Image courtesy of Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/Buckley,-Laura-Fata-Morgana-(sculpture-and-video)-5(1).jpg Laura Buckley. Fata Morgana, 2012. Sculpture: mixed media, mirrored acrylic, plywood, tinder, projection fabric; Film: digital video duration 8:18 min, 480 x 290 x 242 cm. © Laura Buckley, 2012. Image courtesy of Saatchi Gallery, London. https://www.studiointernational.com/images/articles/b/062-buckley-laura-2019/Buckley,-Laura-Fata-Morgana-(sculpture-and-video)-5.jpg Laura Buckley. Fata Morgana, 2012. Sculpture: mixed media, mirrored acrylic, plywood, tinder, projection fabric; Film: digital video duration 8:18 min, 480 x 290 x 242 cm. © Laura Buckley, 2012. Image courtesy of Saatchi Gallery, London. https://www.studiointernational.com/index.php/allan-sekula-photography-a-wonderfully-inadequate-medium-review-marian-goodman-london https://www.studiointernational.com/images/articles/s/061-sekula-allan-2019/07.jpg Allan Sekula, Eyes Closed Assembly Line, 2008/2010. Dye deconstruction / lifochrome transparency in light box. Copyright Allan Sekula. Courtesy the artist and Marian Goodman Gallery New York, Paris and London. https://www.studiointernational.com/images/articles/s/061-sekula-allan-2019/03.jpg Allan Sekula, This Aint China: A Photonovel, 1974. 29 gelatin silver and 10 colour photographs, five text booklets, two chairs. Copyright Allan Sekula. Courtesy the artist and Marian Goodman Gallery New York, Paris and London. https://www.studiointernational.com/images/articles/s/061-sekula-allan-2019/01.jpg Allan Sekula, Black Tide/Marea negra, 2002-03. 20 colour photographs in 10 frames, text. Copyright Allan Sekula. Courtesy the artist and Marian Goodman Gallery New York, Paris and London. https://www.studiointernational.com/images/articles/s/061-sekula-allan-2019/04.jpg Allan Sekula, This Aint China: A Photonovel, 1974. 29 gelatin silver and 10 colour photographs, five text booklets, two chairs. Copyright Allan Sekula. Courtesy the artist and Marian Goodman Gallery New York, Paris and London. https://www.studiointernational.com/images/articles/s/061-sekula-allan-2019/09.jpg Allan Sekula, Long Beach Notes, 1980. Four parts, commercial postcards on cardboard, dymo type. Courtesy the artist and Marian Goodman Gallery New York, Paris and London. https://www.studiointernational.com/index.php/wong-ping-golden-shower-review-kunsthalle-basel https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_04.jpg Wong Ping, installation view, Golden Shower, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_02.jpg Wong Ping, installation view, Golden Shower, view on HD film, Dear, can I give you a hand?, 2018, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist, Edouard Malingue Gallery, Hong Kong / Shanghai, and Solomon R. Guggenheim Museum, New York. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_06.jpg Wong Ping, installation view, Golden Shower, (left to right) Bestiality rider R, Bestiality rider A, Bestiality rider T, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_10.jpg Wong Ping, installation view, Golden Shower, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_12.jpg Wong Ping, installation view, Golden Shower, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_11.jpg Wong Ping, installation view, Golden Shower, view on HD film, Wong Ping’s Fables 2, 2019, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_07.jpg Wong Ping, installation view, Golden Shower, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_01.jpg Wong Ping, installation view, Golden Shower, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_03.jpg Wong Ping, installation view, Golden Shower, view on, The Ha Ha Ha Online Cemetery Limited, 2019, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_05.jpg Wong Ping, Bestiality rider A, 2019, installation view, Golden Shower, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Kunsthalle-Basel_2019_08.jpg Wong Ping, installation view, Golden Shower, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/images/articles/w/080-wong-ping-2019/Wong-Ping_Whos-the-daddy_2017_01.jpg Wong Ping, Who’s the daddy, 2017 (still). Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. https://www.studiointernational.com/index.php/balkrishna-doshi-architecture-for-the-people-review-vitra-design-museum-weil-am-rhein https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/02_VDM_Doshi_Installation-view.jpg Balkrishna Doshi: Architecture for the People, 2019. Installation view. © Vitra Design Museum. Photo: Norbert Miguletz. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/05-Gufa-exterior.jpg Balkrishna Doshi in collaboration with M.F. Husain, Amdavad Ni Gufa art gallery, exterior view, Ahmedabad, 1994. © Iwan Baan 2018. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/06-Gufa-interior.jpg Balkrishna Doshi in collaboration with M.F. Husain, Amdavad Ni Gufa art gallery, interior view, Ahmedabad, 1994. © Iwan Baan 2018. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/24-Kamala-interior.jpg Balkrishna Doshi, Kamala House interior, Ahmedabad, 1963, 1986. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/25-Life-Insurance-Corporation-Housing.jpg Balkrishna Doshi, Housing for the Life Insurance Corporation of India, Ahmedabad, 1973. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/17-Aranya.jpg Balkrishna Doshi, Aranya Low Cost Housing, Indore, 1989. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/02-Sangath-construction-of-office-barrel-vaulted-roof.jpg Balkrishna Doshi, Sangath Architect’s Studio, 1980. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/06_VDM_Doshi_Installation-view.jpg Balkrishna Doshi: Architecture for the People, 2019. Installation view. © Vitra Design Museum. Photo: Norbert Miguletz. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/20-Premabhai-exterior.jpg Balkrishna Doshi, Premabhai Hall, Ahmedabad, 1976. © Vinay Panjwani India. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/26-Ompuri-Temple.jpg Balkrishna Doshi, Ompuri Temple, Matar, 1998. © Vinay Panjwani India. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/01_VDM_Doshi_Installation-view-First-Gallery-Gufa-domes-foreground.jpg Balkrishna Doshi: Architecture for the People, 2019. Installation view. © Vitra Design Museum. Photo: Norbert Miguletz. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/03-Sangath-office-interior.jpg Balkrishna Doshi, Sangath Architect’s Studio, 1980. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/04-Sangath-miniature-painting.jpg Balkrishna Doshi, Sangath Architect’s Studio (Miniature painting), Ahmedabad, 1980. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/19-Aranya-sketch.jpg Balkrishna Doshi, Aranya Low Cost Housing (sketch), Indore, 1989. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/22-Premabhai-.jpg Balkrishna Doshi, Premabhai Hall (Longitudinal section), Ahmedabad, 1976. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/27-Tagore.jpg Balkrishna Doshi, Tagore Memorial Hall, Ahmedabad, 1967. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/03_VDM_Doshi_Installation-view.jpg Balkrishna Doshi: Architecture for the People, 2019. Installation view. © Vitra Design Museum. Photo: Norbert Miguletz. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/04_VDM_Doshi_Installation-view.jpg Balkrishna Doshi: Architecture for the People, 2019. Installation view. © Vitra Design Museum. Photo: Norbert Miguletz. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/05_VDM_Doshi_Installation-view.jpg Balkrishna Doshi: Architecture for the People, 2019. Installation view. © Vitra Design Museum. Photo: Norbert Miguletz. https://www.studiointernational.com/images/articles/d/082-doshi-balkrishna-2019/13-CEPT_sketch-.jpg Balkrishna Doshi, School of Architecture, Centre for Environmental Planning and Technology (sketch), Ahmedabad, 1968. © Vastushilpa Foundation, Ahmedabad. https://www.studiointernational.com/index.php/oscar-murillo-violent-amnesia-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8827.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8863.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8805.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8778.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8798.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8841.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/church-detail.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8832.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/MUROS1179_V1.jpg Oscar Murillo. Catalyst #28, 2018. Oil and graphite on canvas, 260 × 235 cm. Photo: Matthew Hollow. © Oscar Murillo. Courtesy the artist. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8847.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8779.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8790.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8825.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8850.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/5B2A8881.jpg Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/2018_EXPO_DZ_007.jpg Oscar Murillo. Collective conscience, 2018-19. Site-specific installation for IN-SITU, EXPO Chicago 2018 (detail). Photo: Dan Bradica. © Oscar Murillo. Courtesy the artist. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/MUROS1130_V1.jpg Oscar Murillo. Violent amnesia, 2014–18. Graphite, oil, oil stick, grommets and stainless steel on canvas and linen, 300 × 164 ×15 cm. Photo: Matthew Hollow. © Oscar Murillo. Courtesy the artist. https://www.studiointernational.com/images/articles/m/065-murillo-oscar-2019/SURGE-OM0828_1.jpg Oscar Murillo. Surge, 2017–18. Oil and oil stick on linen. Photo: Matthew Hollow. © Oscar Murillo. Courtesy the artist. https://www.studiointernational.com/index.php/tadao-ando-emaki-drawings-review-chateau-la-coste-provence-france https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/WEARECONTENTS-CLC-TADAO-ANDO-DESSINS-EMAKI-DSC09103.jpg Tadao Ando – Emaki Drawings, installation view, Château La Coste, Provence, France. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/WEARECONTENTS-CLC-TADAO-ANDO-DESSINS-EMAKI-DSC08762.jpg Tadao Ando – Emaki Drawings, installation view, Château La Coste, Provence, France. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/TadaoAndoDisplayCaseWithDrawing.jpg Tadao Ando, display case with drawing. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/TadaoAndoFort-Worth-Modern-Art-Museum.jpg Tadao Ando, drawing of Modern Art Museum of Fort Worth. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/TadaoAndoDrawingTheChapelOfTheLight.jpg Tadao Ando, drawing of the Church of the Light, Osaka. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/TadaoAndoPompidou.jpg Tadao Ando, diagrams for his Pompidou retrospective in 2018. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/TadaoAndoSilenceFountainLondon.jpg Tadao Ando, drawings of the elliptical ‘silence’ fountain outside the Connaught hotel in London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/TheStoneHutInsideGlassPavilionLaChapelleAtChateauLC.jpg The stone hut inside glass pavilion La Chapelle at Château La Coste. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/WEARECONTENTS-CLC-TADAO-ANDO-DESSINS-EMAKI-DSC09099.jpg Tadao Ando – Emaki Drawings, installation view, Château La Coste, Provence, France. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/WEARECONTENTS-CLC-TADAO-ANDO-DESSINS-EMAKI-DSC08986.jpg Tadao Ando drawing at the opening of his exhibition Emaki Drawings at Château La Coste, Provence, France. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/WEARECONTENTS-CLC-TADAO-ANDO-DESSINS-EMAKI-DSC09120.jpg Tadao Ando – Emaki Drawings, installation view, Château La Coste, Provence, France. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/WEARECONTENTS-CLC-TADAO-ANDO-DESSINS-EMAKI-DSC09123.jpg Tadao Ando – Emaki Drawings, installation view, Château La Coste, Provence, France. https://www.studiointernational.com/images/articles/a/068-ando-tadao-2019/Tadao-Ando-SteelAndGlassPavilionofLaChapelleChateauLaCoste.jpg The stone hut inside glass pavilion La Chapelle at Château La Coste. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/sea-star-sean-scully-national-gallery-review-london https://www.studiointernational.com/images/articles/s/060-scully-sean-2019/N-1991-00-000020-A5.jpg Joseph Mallord William Turner 1775 – 1851, The Evening Star, about 1830. Oil on canvas, 91.1 x 122.6 cm. Turner Bequest, 1856. © The National Gallery London. https://www.studiointernational.com/images/articles/s/060-scully-sean-2019/Sean-Scully-X10406-A5.jpg Sean Scully. Arles-Abend-Vincent, 2013. Oil on linen, each panel 149.9 × 139.7 cm. Private collection. © Sean Scully. Photo: courtesy the artist. https://www.studiointernational.com/images/articles/s/060-scully-sean-2019/Sean-Scully-X10396-A5.jpg Sean Scully. Landline Star, 2017. Oil on aluminium, 215.9 × 190.5 cm. Private collection. © Sean Scully. Photo: courtesy the artist. https://www.studiointernational.com/images/articles/s/060-scully-sean-2019/Sean-Scully-X10397-A5.jpg Sean Scully. Landline Pool, 2018. Oil on aluminium, 215.9 × 190.5 cm. Private collection. © Sean Scully. Photo: courtesy the artist. https://www.studiointernational.com/images/articles/s/060-scully-sean-2019/Sean-Scully-X10395-A5.jpg Sean Scully. Robe Blue Blue Durrow, 2018. Oil on aluminium, 215.9 × 190.5 cm. Private collection. © Sean Scully. Photo: courtesy the artist. https://www.studiointernational.com/images/articles/s/060-scully-sean-2019/Sean-Scully-X10393-A5.jpg Sean Scully. Landline China 8, 2018. Oil on aluminium, 300 × 190 cm. Private collection. © Sean Scully. Photo: courtesy the artist. https://www.studiointernational.com/images/articles/s/060-scully-sean-2019/Sean-Scully-X10394-A5.jpg Sean Scully. Robe Magdalena, 2017. Oil on aluminium, 215.9 × 190.5 cm. Private collection. © Sean Scully. Photo: courtesy the artist. https://www.studiointernational.com/images/articles/s/060-scully-sean-2019/Sean-Scully-X10405-A5.jpg Sean Scully. Human 3, 2018. Oil on aluminium, each panel 215.9 × 190.5 cm. Private collection. © Sean Scully. Photo: courtesy the artist. https://www.studiointernational.com/images/articles/s/060-scully-sean-2019/Sean-Scully-X10408-A5.jpg Sean Scully. What Makes Us, 2017. Pastel on paper, each panel 152.4 × 101.6 cm. Private collection. © Sean Scully. Photo: courtesy the artist. https://www.studiointernational.com/index.php/perilous-bodies-review-ford-foundation-gallery-new-york https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Barthelemy-Toguo.jpg Barthélémy Toguo, Road to Exile, 2018. Image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Mahwish-Chishty-Hellfire-II.jpg Mahwish Chishty, Hellfire II, installation view, Perilous Bodies, image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Mohamed-Hafez.jpg Mohamed Hafez, Damascene Athan Series, 2017. Image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Dread-Scott.jpg Dread Scott, The Blue Wall of Violence, 1999. Image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Thenmozhi-Soundararajan.jpg Thenmozhi Soundararajan, Ama, Amachi, and Mother. We are still here, 2019. Image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Nona-Faustine.jpg Nona Faustian, Demeter https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Perilous-Bodies-Installation-View.jpg Perilous Bodies, installation view, image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/David-Antonio-Cruz.jpg David Antonio Cruz, inmysleeplesssolitudetonight, portrait of the florida girls, 2019. Oil and enamel on wood, 48 x 72 in. Courtesy of the artist. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Dineo-Seshee-Bopape.jpg Dineo Seshee Bopape, Untitled (Winnie re-enactment) from Untitled (Of Occult Instability) [Feelings], 2016-2018. Image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Hannah-Bronte.jpg Hannah Brontë, Umma’s Tongue–molten at 6000° (film still), 2017. Courtesy of the Ford Foundation Gallery. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Margarita-Cabrera.jpg Margarita Cabrera, Space in Between - Nopal #5, 2007. Image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Installation-View.jpg Perilous Bodies, installation view, image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Mohamed-Hafez(2).jpg Mohamed Hafez, Damascene Athan Series, 2017. Image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/images/articles/p/075-perilous-bodies-2019/Installation-View(2).jpg Perilous Bodies, installation view, image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. https://www.studiointernational.com/index.php/irina-nakhova-interview-retrospective-museum-on-the-edge-zimmerli-art-museum-rutgers-university https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/06-Nakhova-The-Battle-of-the-Invalids-John-Tormey.jpg Installation view with Battle of the Invalids, 2017. Photo: John Tormey © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/07-Nakhova-Installation-shot-John-Tormey.jpg Installation view with Skins, 2010, Queen, 1996, and Battle of the Invalids, 2017. Photo: John Tormey © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/02-Nakhova_Museum-on-the-Edge-2019-(5)-edit.jpg Installation view with Camping (1990) and Seven Masterpieces, 2013. Photo: Peter Jacobs © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/08-Nakhova-Queen-deflated-John-Tormey.jpg Installation view with Queen, 1996. Photo: John Tormey © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/14-Nakhova-Still-from-a-work-in-Gaze.jpg Irina Nakhova, video still from a work in Gaze project (2016-2019). Collection of the artist. © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/13-Nakhova-Vanitas-John-Tormey.jpg Installation view with Vanitas I and II, 2017. Photo: John Tormey © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/12-Nakhova-Kiss.jpg Irina Nakhova, Kiss, 2017. Diptych. Oil on canvas. Collection of the artist. Photo: Natasha Kurchanova © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/Irina-Nakhova-Photocredit-Andrei-Nikolski.jpg Irina Nakhova. Photo: Andrei Nikolski. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/01-Nakhova_Museum-on-the-Edge-2019-(2)-edit.jpg Installation view with Annunciation: Red Angels, 2000. Photo: Peter Jacobs © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/03-Nakhova_Museum-on-the-Edge-2019-(7).jpg Installation view with Torsos from Untitled installation in Phyllis Kind Gallery, 1992. Photo: Peter Jacobs © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/04-Nakhova_Museum-on-the-Edge-2019-(14).jpg Installation view with two panels from Momentum Mortis original installation at Phyllis Kind Gallery, 1990, and a painting Double Vision, 1988. Photo: Peter Jacobs © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/05-Nakhova_Museum-on-the-Edge-2019-(17)-edit.jpg Installation view with Battle of the Invalids, 2017. Photo: Peter Jacobs © 2019 Irina Nakhova. https://www.studiointernational.com/images/articles/n/087-nakhova-irina-2019/11-Nakhova-Scaffolding-D01148.jpg Irina Nakhova, Scaffolding, 1984. Diptych. Oil on canvas. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union, Collection Zimmerli Art Museum. Photo: Peter Jacobs © 2019 Irina Nakhova. https://www.studiointernational.com/index.php/jonathan-monk-exhibit-model-four-plus-invited-guests-review-kindl-berlin https://www.studiointernational.com/images/articles/m/065-monk-jonathan-2019/KINDL_JonathanMonk_03.jpg Jonathan Monk, Exhibit Model Four – plus invited guests. Installation view, Maschinenhaus M1, KINDL – Centre for Contemporary Art. Photo: Jens Ziehe. https://www.studiointernational.com/images/articles/m/065-monk-jonathan-2019/KINDL_JonathanMonk_04.jpg Jonathan Monk, Exhibit Model Four – plus invited guests. Installation view, Maschinenhaus M1, KINDL – Centre for Contemporary Art. Photo: Jens Ziehe. https://www.studiointernational.com/images/articles/m/065-monk-jonathan-2019/KINDL_JonathanMonk_05.jpg Jonathan Monk, Exhibit Model Four – plus invited guests. Installation view, Maschinenhaus M1, KINDL – Centre for Contemporary Art. Photo: Jens Ziehe. https://www.studiointernational.com/images/articles/m/065-monk-jonathan-2019/KINDL_JonathanMonk_01.jpg Jonathan Monk, Exhibit Model Four – plus invited guests. Installation view, Maschinenhaus M1, KINDL – Centre for Contemporary Art. Photo: Jens Ziehe. https://www.studiointernational.com/index.php/jonathan-baldock-facecrime-review-camden-arts-centre-london https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/CAC_080.jpg Installation view of Jonathan Baldock: Facecrime, Camden Arts Centre, 2019. Photo: Luke Walker. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/CAC_042.jpg Installation view of Jonathan Baldock: Facecrime, Camden Arts Centre, 2019. Photo: Luke Walker. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/CAC_031.jpg Installation view of Jonathan Baldock: Facecrime, Camden Arts Centre, 2019. Photo: Luke Walker. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/Jonathan-Baldock,-Mask-VII-2018-2.jpg Jonathan Baldock, Mask VII, 2018. Courtesy the artist and Camden Arts Centre. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/Jonathan-Baldock,-Mask-VII-2018.jpg Jonathan Baldock, Mask XI, 2018. Courtesy the artist and Camden Arts Centre. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/Jonathan-Baldock,-Portrait-of-Jonathan-Baldock-during-Freelands-Lomax-Residency,-2018.jpg Portrait of Jonathan Baldock during Freelands Lomax Residency, 2018. Courtesy the artist and Camden Arts Centre. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/Jonathan-Baldock,-work-in-progress,-Freelands-Lomax-Residency-2018.jpg Jonathan Baldock, work in progress, Freelands Lomax Residency 2018. Courtesy the artist and Camden Arts Centre. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/Jonathan-Baldock,-Mask-LVI,-2018.jpg Jonathan Baldock, Mask LVI, 2018. Courtesy the artist and Camden Arts Centre. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/Jonathan-Baldock,-Mask-XL,-2018.jpg Jonathan Baldock, Mask XL, 2018. Courtesy the artist and Camden Arts Centre. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/Jonathan-Baldock,-work-in-progress,-detail-with-feather,-Freelands-Lomax-Residency-2018.jpg Jonathan Baldock, work in progress, detail with feather, Freelands Lomax Residency 2018. Courtesy the artist and Camden Arts Centre. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/Jonathan-Baldock,-work-in-progress,-detail-with-hand,-Freelands-Lomax-Residency-2018.jpg Jonathan Baldock, work in progress, detail with hand, Freelands Lomax Residency 2018. Courtesy the artist and Camden Arts Centre. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/Jonathan-Baldock,-work-in-progress-detail-with-stitches,-Freelands-Lomax-Residency-2018.-Courtesy-the-artist-and-Camden-Arts-Centre.-Photo-Damien-Griffiths.jpg Jonathan Baldock, work in progress detail with stitches, Freelands Lomax Residency 2018. Courtesy the artist and Camden Arts Centre. Photo Damien Griffiths. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/CAC_078.jpg Installation view of Jonathan Baldock: Facecrime, Camden Arts Centre, 2019. Photo: Luke Walker. https://www.studiointernational.com/images/articles/b/061-baldock-jonathan-2019/CAC_078-detail.jpg Installation view of Jonathan Baldock: Facecrime, Camden Arts Centre, 2019. Photo: Luke Walker. https://www.studiointernational.com/index.php/aliza-nisenbaum-interview-art-on-the-underground-mural-brixton-tube-station-london https://www.studiointernational.com/images/articles/n/089-Nisenbaum-Aliza-2019/Aliza-Nisenbaum,-Camillos-Choreography.jpg Aliza Nisenbaum, Camillo https://www.studiointernational.com/images/articles/n/089-Nisenbaum-Aliza-2019/AlizaNisenbaum-2019-AngusMill-009.jpg Aliza Nisenbaum, London Underground: Brixton Station and Victoria Line Staff, 2019. Commissioned by Art on the Underground. Photo: Angus Mill. https://www.studiointernational.com/images/articles/n/089-Nisenbaum-Aliza-2019/Aliza-Nisenbaum,-Las-Talaveritas.jpg Aliza Nisenbaum, Las Talaveritas, 2015. Oil on linen, 162.6 x 1448 cm (64 x 57 in). Courtesy of the artist and Mary Mary, Glasgow. https://www.studiointernational.com/images/articles/n/089-Nisenbaum-Aliza-2019/Aliza-Nisenbaum,-Morning-Security-Briefing-at-the-Minneapolis-Institute-of-Art.jpg Aliza Nisenbaum, Morning Security Briefing at the Minneapolis Institute of Art, basement door open onto the Guard Lounge Pet Wall, 2017. Oil on linen, 190.5 x 241.3 cm. Courtesy of the artist and Mary Mary, Glasgow. Photo: Dan Dennehy, Minneapolis Institute of Art. https://www.studiointernational.com/index.php/antonello-da-messina-review-palazzo-reale-milan https://www.studiointernational.com/images/articles/a/067-antonello-da-messina-2019/1.jpg Antonello da Messina, Virgin Annunciate, 1475-1476. Tempera and oil on board, 45 x 34.5 cm. Galleria Regionale della Sicilia di Palazzo Abatellis, Palermo. Photo: Giulio Archinà. https://www.studiointernational.com/images/articles/a/067-antonello-da-messina-2019/5.jpg Antonello da Messina, Madonna with Child / Benson Madonna, c1475. Tempera and oil on board, 58.9 x 43.7 cm. National Gallery of Art, Washington, Andrew W. Mellon Collection. Courtesy National Gallery of Art, Washington https://www.studiointernational.com/images/articles/a/067-antonello-da-messina-2019/2.jpg Antonello da Messina, Portrait of a Man / Trivulzio Portrait, 1476. Oil on poplar, 37.4 x 29.5 cm. Museo Civico d https://www.studiointernational.com/images/articles/a/067-antonello-da-messina-2019/7.jpg Antonello da Messina, Portrait of a Young Man, 1474. Oil on walnut, 31.5 x 26.7 cm. Philadelphia Museum of Art, The John G. Johnson Collection. Courtesy of Philadelphia Museum of Art. https://www.studiointernational.com/images/articles/a/067-antonello-da-messina-2019/9.jpg Antonello da Messina, St. Jerome in his Study, c1475. Oil on linden, 45.7 x 36. 2 cm. National Gallery, London. Courtesy of National Gallery, London. https://www.studiointernational.com/images/articles/a/067-antonello-da-messina-2019/3.jpg Antonello da Messina, Portrait of a Young Man, 1478. Oil on walnut, 20.4 x 14.5 cm. Staatliche Museum, Gemäldegalerie, Berlin. © 2018. Photo: Scala, Firenze/bpk. Bildagentur fuer Kunst, Kultur und Geschichte, Berlin. https://www.studiointernational.com/images/articles/a/067-antonello-da-messina-2019/4.jpg Antonello da Messina, Madonna with Child, 1471-1472. Oil on poplar, 114.5 x 54.7 cm. Uffizi, Florence. Photo: Giulio Archinà. Reproduction by permission of the Ministero per i Beni e le Attività Culturali. https://www.studiointernational.com/images/articles/a/067-antonello-da-messina-2019/6.jpg Antonello da Messina, Portrait of a Man, c1470. Oil on walnut, 30.5 x 26.3 cm. Museo della Fondazione Culturale Mandralisca, Cefalù. Photo: Giulio Archinà. https://www.studiointernational.com/images/articles/a/067-antonello-da-messina-2019/8.jpg Antonello da Messina, Portrait of a Man (Michele Vianello?), c. 1475. Tempera and oil on board, 31 x 25.2 cm. Galleria Borghese, Rome. © 2018. Photo: Scala, Firenze. https://www.studiointernational.com/index.php/stanley-kubrick-the-exhibition-review-design-museum-london https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/01.jpg Stanley Kubrick and George C. Scott playing chess in the War Room, in a break during filming of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, directed by Stanley Kubrick (1963-64; GB/United States). Production photo. © Sony/Columbia Pictures Industries Inc. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/06.jpg A Clockwork Orange, directed by Stanley Kubrick (1970-71; GB/United States). Alex DeLarge (Malcolm McDowell) in the Korova Milkbar. © Warner Bros. Entertainment Inc. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/12.jpg Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, directed by Stanley Kubrick (1963-64; GB/United States). Final draft by production designer Ken Adam for the War Room. © Sir Kenneth Adam https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/Clapperboards.jpg Clapperboards, installation view. Photo: Ed Reeve, courtesy of the Design Museum. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/Costume-of-Alex-from-A-Clockwork-Orange-01.jpg Costume worn by Alex DeLarge from A Clockwork Orange, 1970-71. Photo: Ed Reeve, courtesy of the Design Museum. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/Centrifuge-model-from-2001-A-Space-Odyssey-01.jpg Centrifuge model from 2001: A Space Odyssey, directed by Stanley Kubrick. Photo: Ed Reeve, courtesy of the Design Museum. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/Born-to-Kill-helmet-original-prop-from-Full-Metal-Jacket.jpg Born to Kill helmet, original prop from the film Full Metal Jacket. Photo: Ed Reeve, courtesy of the Design Museum. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/10.jpg 2001: A Space Odyssey, directed by Stanley Kubrick (1965–68; GB/United States). Screen photo. © Warner Bros. Entertainment Inc. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/Grady-sisters-costumes-and-Dannys-jamper,-original-costumes-from-The-Shining.jpg Grady sisters' costumes and Danny's jumper, original costumes from The Shining, directed by Stanley Kubrick, 1980. Photo: Ed Reeve, courtesy of the Design Museum. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/Model-of-the-maze-from-The-Shining.jpg Model of the maze from The Shining, 1980. Photo: Ed Reeve, courtesy of the Design Museum. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/Star-Child-from-2001-A-Space-Odyssey.jpg Star Child from 2001: A Space Odyssey, directed by Stanley Kubrick. Photo: Ed Reeve, courtesy of the Design Museum. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/Steenbeck-editing-machine-used-for-Full-Metal-Jacket-01.jpg Steenbeck film editing machine used for Full Metal Jacket. Photo: Ed Reeve, courtesy of the Design Museum. https://www.studiointernational.com/images/articles/k/078-kubrick-stanley-2019/BNC-Mitchell-camera-with-the-Zeiss-lens-used-to-film-Barry-Lyndon.jpg BNC Mitchell camera with the Zeiss lens used to film Barry Lyndon, directed by Stanley Kubrick, 1973-75. Photo: Ed Reeve, courtesy of the Design Museum. https://www.studiointernational.com/index.php/chihuly-at-kew-reflections-on-nature-review-kew-gardens-london https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Clear-Cerulean-Blue-Basket-Set-with-Black-Lip-Wraps,-blown-glass,-1995.jpg Dale Chihuly. Clear Cerulean Blue Basket Set with Black Lip Wraps, blown glass, 1995. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/installation-of-Cylinders,-blown-glass,-various-dates.jpg Dale Chihuly. Installation of Cylinders, blown glass, various dates. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/installation-of-Macchia,-blown-glass,-1995.jpg Dale Chihuly. Macchia, blown glass, 1995, installation view, Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Summer-Sun,-blown-glass,-2010.jpg Dale Chihuly. Summer Sun, blown glass, 2010. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Fiori-Verdi,-blown-glass,-2016-(2).jpg Dale Chihuly. Fiori Verdi, blown glass, 2016 (2). Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Sapphire-Star,-blown-glass,-2010.jpg Dale Chihuly. Sapphire Star, blown glass, 2010. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Neodymium-Reeds-and-Turquoise-Marlins,-blown-glass,-(date-not-specified).jpg Dale Chihuly. Neodymium Reeds and Turquoise Marlins, blown glass, (date not specified). Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/installations-in-the-Temperate-House,-2019.jpg Dale Chihuly. Installations in the Temperate House, Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Black-Cobalt-Soft-Cylinder-with-Goldenrod-Lip-Wrap,-blown-glass,-2006.jpg Dale Chihuly. Black Cobalt Soft Cylinder with Goldenrod Lip Wrap, blown glass, 2006. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Black-Walnut-Basket-Quartet-with-Ivory-Lip-Wraps,-blown-glass,-1981.jpg Dale Chihuly. Black Walnut Basket Quartet with Ivory Lip Wraps, blown glass, 1981. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Ethereal-White-Persian-Pond,-blown-glass,-2018,-installation-in-the-Waterlily-House.jpg Dale Chihuly. Ethereal White Persian Pond, blown glass, 2018, installation in the Waterlily House. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Niijima-Floats,-blown-glass,-1992-2018.jpg Dale Chihuly. Niijima Floats, blown glass, 1992-2018. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Paintbrushes,-blown-glass,-1997.jpg Dale Chihuly. Paintbrushes, blown glass, 1997. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Turquoise-Marlins-and-Floats,-blown-glass,-2015-(2).jpg Dale Chihuly. Turquoise Marlins and Floats, blown glass, 2015. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Yelllow-Herons-and-Reeds,-blown-glass,-2019.jpg Dale Chihuly. Yellow Herons and Reeds, blown glass, 2019. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Chrome-Orange-Venetian-with-Coils,-blown-glass,-1990.jpg Dale Chihuly. Chrome Orange Venetian with Coils, blown glass, 1990. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Oxblood-and-Chartreuse-Persian-Set-with-Orange-Lip-Wraps,-blown-glass,-1998.jpg Dale Chihuly. Oxblood and Chartreuse Persian Set with Orange Lip Wraps, blown glass, 1998. Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Dale-Chihuly-Rose-Quartz-Soft-Cylinder-with-Olive-Lip-Wrap,-2014.jpg Dale Chihuly. Rose Quartz Soft Cylinder with Olive Lip Wrap, 2014.v© Chihuly Studio. https://www.studiointernational.com/images/articles/c/066-chihuly-dale-2019/Dale-Chihuly.-Chrysanthemum-Basket-Set-with-Carbon-Lip-Wraps,-1993.jpg Dale Chihuly. Chrysanthemum Basket Set with Carbon Lip Wraps, 1993. © Chihuly Studio. https://www.studiointernational.com/index.php/angelica-mesiti-interview-assembly-australian-pavilion-venice-biennale-2019-i-want-to-maintain-ambiguity-and-possibility https://www.studiointernational.com/images/articles/m/064-mesiti-angelica-2019/01-Assembly-Production-Still.jpg Angelica Mesiti, ASSEMBLY, 2019 (production still) three-channel video installation in architectural amphitheater. HD video projections, colour, six-channel mono sound, 25 mins, dimensions variable. © Photograph: Bonnie Elliott. Commissioned by the Australia Council for the Arts on the occasion of the 58th International Art Exhibition–La Biennale di Venezia, courtesy of the artist and Anna Schwartz Gallery, Australia and Galerie Allen, Paris. https://www.studiointernational.com/images/articles/m/064-mesiti-angelica-2019/13-Citizens-Band_ANGELICA_MESITI_Citizens-Band_2.jpg Angelica Mesiti, Citizens Band, 2012 (still). Four-channel High Definition video, 16:9, colour, sound, 21 min 25 sec. Courtesy the artist and Anna Schwartz Gallery. https://www.studiointernational.com/images/articles/m/064-mesiti-angelica-2019/06-Relay-League_MESITI_2017_Relay-League_Still-1.jpg Angelica Mesiti, Relay League, 2017 (still). Three-channel High Definition video, 16:9, colour, sound, 9 min 11 sec. Courtesy the artist and Anna Schwartz Gallery. https://www.studiointernational.com/images/articles/m/064-mesiti-angelica-2019/AM_MAX_11.jpg Angelica Mesiti, ASSEMBLY, 2019 (production still) three-channel video installation in architectural amphitheater. HD video projections, colour, six-channel mono sound, 25 mins, dimensions variable. © Photograph: Bonnie Elliott. Commissioned by the Australia Council for the Arts on the occasion of the 58th International Art Exhibition–La Biennale di Venezia, courtesy of the artist and Anna Schwartz Gallery, Australia and Galerie Allen, Paris. https://www.studiointernational.com/images/articles/m/064-mesiti-angelica-2019/AM_MAX_6.jpg Angelica Mesiti, ASSEMBLY, 2019 (production still) three-channel video installation in architectural amphitheater. HD video projections, colour, six-channel mono sound, 25 mins, dimensions variable. © Photograph: Bonnie Elliott. Commissioned by the Australia Council for the Arts on the occasion of the 58th International Art Exhibition–La Biennale di Venezia, courtesy of the artist and Anna Schwartz Gallery, Australia and Galerie Allen, Paris. https://www.studiointernational.com/images/articles/m/064-mesiti-angelica-2019/AngelicaMesitiPhotoCreditZanWimberley.jpg Portrait of Angelica Mesiti in her exhibition ASSEMBLY, 2019. Commissioned by the Australia Council for the Arts on the occasion of the 58th International Art Exhibition – La Biennale di Venezia, courtesy of the artist and Anna Schwartz Gallery, Australia and Galerie Allen, Paris. Photography: Zan Wimberley. https://www.studiointernational.com/images/articles/m/064-mesiti-angelica-2019/01-Mother-Tongue_Aarhus-Selects_Graded_Hi-Res-2002612.jpg Angelica Mesiti, Mother Tongue, 2017 (still). Two-channel high definition colour video installation and surround sound, 17 min 54 sec. Photograph: Bonnie Elliot. Courtesy the artist and Anna Schwartz Gallery. Commissioned by European Capital of Culture Aarhus 2017. https://www.studiointernational.com/images/articles/m/064-mesiti-angelica-2019/02-Mother-Tongue_Aarhus-Selects_Graded_Hi-Res-2003171.jpg Angelica Mesiti, Mother Tongue, 2017 (still). Two-channel high definition colour video installation and surround sound, 17 min 54 sec. Photography: Bonnie Elliot. Courtesy the artist and Anna Schwartz Gallery. Commissioned by European Capital of Culture Aarhus 2017. https://www.studiointernational.com/images/articles/m/064-mesiti-angelica-2019/03-Assembly-Production-Still.jpg Angelica Mesiti, ASSEMBLY, 2019 (production still) three-channel video installation in architectural amphitheater. HD video projections, colour, six-channel mono sound, 25 mins, dimensions variable. © Photograph: Bonnie Elliott. Commissioned by the Australia Council for the Arts on the occasion of the 58th International Art Exhibition–La Biennale di Venezia, courtesy of the artist and Anna Schwartz Gallery, Australia and Galerie Allen, Paris. https://www.studiointernational.com/index.php/weston-visitor-centre-yorkshire-sculpture-park-opens-review https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston_PeterCook_012A.jpg The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Peter Cook. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston2VeronicaSimpson.jpg The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston_PeterCook_0069.jpg The Weston Gallery, inaugural exhibition by Thukral and Tagra: Bread, Circuses & TBD, 30 Mar – 1 Sept 2019 . Photo: Peter Cook. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston_PeterCook_030.jpg The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Peter Cook. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston_PeterCook_048+.jpg The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Peter Cook. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston_PeterCook_020.jpg The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Peter Cook. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWestonVeronicaSimpson.jpg The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston_PeterCook_002A.jpg The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Peter Cook. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston_PeterCook_017+.jpg The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Peter Cook. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston_PeterCook_070.jpg The Weston Gallery, inaugural exhibition by Thukral and Tagra: Bread, Circuses & TBD, 30 Mar – 1 Sept 2019 . Photo: Peter Cook. https://www.studiointernational.com/images/articles/w/079-weston-ysp-2019/TheWeston_PeterCook_033.jpg The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Peter Cook. https://www.studiointernational.com/index.php/artist-rooms-self-evidence-photographs-by-francesca-woodman-diane-arbus-robert-mapplethorpe-review-scottish-national-portrait-gallery https://www.studiointernational.com/images/articles/s/059-self-evidence-2019/gallery-view-2.jpg Artist Rooms: Self Evidence – Photographs by Woodman, Arbus and Mapplethorpe, installation view. Photo courtesy Scottish National Portrait Gallery. https://www.studiointernational.com/images/articles/s/059-self-evidence-2019/gallery-view-3.jpg Artist Rooms: Self Evidence – Photographs by Woodman, Arbus and Mapplethorpe, installation view. Photo courtesy Scottish National Portrait Gallery. https://www.studiointernational.com/index.php/jack-whitten-jacks-review-hamburger-bahnhof-berlin https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/08_HBF_JW_SaintLouise.jpg Jack Whitten. Saint Louise AKA The Tittie Painting for Louise Bourgeois, 2010. Acrylic collage on canvas, 163.2 x 190 cm. Private collection, courtesy Zeno X Gallery. © Jack Whitten, courtesy Zeno X Gallery, Antwerp. Photo: John Berens. https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/04_HBF_JW_KingsWish.jpg Jack Whitten. King‘s Wish (Martin Luther‘s Dream), 1968. Oil on canvas, 172.4 x 131.4 cm. © Courtesy the Jack Whitten Estate and Hauser & Wirth. Photo: John Berens. https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/05_HBF_JW_ZuluTeaParlor.jpg Jack Whitten. Zulu Tea Parlor, 1973. Acrylic on canvas, 181.6 × 152.4 cm. Private collection, courtesy Zeno X Gallery. © Jack Whitten, courtesy Zeno X Gallery, Antwerp. Photo: John Berens. https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/07_HBF_JW_SelfPortrait.jpg Jack Whitten. Self Portrait: Entrainment, 2008. Acrylic collage and sunglasses on canvas, 74 x 54.8 cm. © Courtesy the Jack Whitten Estate and Hauser & Wirth. Photo: Genevieve Hanson. https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/02_HBF_JW_QuantumWall.jpg Jack Whitten. Quantum Wall, VIII (For Arshile Gorky, My First Love in Painting), Detail, 2017. Acrylic on canvas, 122.6 x 122.6 cm. © Courtesy the Jack Whitten Estate and Hauser & Wirth. Photo: Genevieve Hanson. https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/10_HBF_JW_OneHundredNinetyPiecesofColour.jpg Jack Whitten. One Hundred Ninety Pieces of Color: For Ellsworth Kelly #2, 2016. Acrylic on canvas, 122 x 122 cm. Private collection, courtesy Zeno X Gallery. © Jack Whitten, courtesy Zeno X Gallery, Antwerp. Photo: John Berens. https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/01_HBF_JW_Apps_for_Obama.jpg Jack Whitten. Apps for Obama, 2011. Acrylic on hollow core door, 213.4 x 231.1 cm. Private collection, courtesy Zeno X Gallery. © Jack Whitten, courtesy Zeno X Gallery, Antwerp. Photo: John Berens. https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/03_HBF_JW_BlackMonolithX.jpg Jack Whitten. Black Monolith X, Birth of Muhammad Ali, Detail, 2016. Acrylic on canvas, 213 × 160 cm. The Joyner/Giuffrida Collection. © Courtesy the Jack Whitten Estate and Hauser & Wirth. Photo: John Berens. https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/09_HBF_JW_SweetLittleAngle.jpg Jack Whitten. Sweet Little Angel, For B.B. King, 2015. Acrylic on board, 114 x 114 and 6 cm. Private collection, courtesy Zeno X Gallery. © Courtesy the Jack Whitten Estate and Hauser & Wirth. Photo: John Berens. https://www.studiointernational.com/images/articles/w/079-whitten-jack-2019/11_HBF_JW_JackWhitten.jpg Jack Whitten. Portrait. Photo: John Berens. https://www.studiointernational.com/index.php/joanna-piotrowska-all-our-false-devices https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Untitled,-2015.jpg Joanna Piotrowska. Untitled, 2015. Originally commissioned through the Jerwood and Photoworks Awards 2015. Courtesy Southard Reid. https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Untitled__2017__courtesy-of-Dawid-Radziszewki.jpg Joanna Piotrowska. Untitled, 2017. Courtesy Dawid Radziszewski. https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Untitled_2014_courtesy-of-Southard-Reid-and-Dawid-Radziszewski.jpg Joanna Piotrowska. Untitled, 2014. Courtesy Southard Reid and Dawid Radziszewski. https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Untitled,-2015-Originally-commissioned-through-the-Jerwood-and-Photoworks-Awards-2015.jpg Joanna Piotrowska. Untitled, 2015. Originally commissioned through the Jerwood and Photoworks Awards 2015. Courtesy Southard Reid. https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Untitled_2014_-courtesy-of-the-artist-and-Southard-Reid.jpg Joanna Piotrowska. Untitled, 2014. Courtesy Southard Reid. https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Untitled_2016_courtesy-of-Madragoa-and-Southard-Reid-2.jpg Joanna Piotrowska. Untitled, 2016. Courtesy of Madragoa and Southward Reid. https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Untitled_2016_courtesy-of-Madragoa-and-Southard-Reid.jpg Joanna Piotrowska. Untitled, 2016. Courtesy of Madragoa and Southward Reid. https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Untitled_2017__courtesy-of-Dawid-Radziszewki.jpg Joanna Piotrowska. Untitled, 2017. Courtesy Dawid Radziszewski. https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Untitled__2016_courtesy-of-Madragoa-and-Southard-Reid.jpg Joanna Piotrowska. Untitled, 2016. Courtesy of Madragoa and Southward Reid. https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Art_Now_Joanna_Piotrowska_07.jpg Installation view of Art Now: Joanna Piotrowska: All Our False Devices at Tate Britain. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Art_Now_Joanna_Piotrowska_20.jpg Installation view of Art Now: Joanna Piotrowska: All Our False Devices at Tate Britain. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/p/074-piotrowska-joanna-2019/Art_Now_Joanna_Piotrowska_23.jpg Installation view of Art Now: Joanna Piotrowska: All Our False Devices at Tate Britain. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/index.php/nye-thompson-interview-the-bots-are-the-primary-audience-seeker https://www.studiointernational.com/images/articles/t/090-thompson-nye-2019/CKRBThero8-web.jpg Nye Thompson: CKRBT, installation view, Watermans Art Centre, London, 2019. Photo: Geoff Titley. https://www.studiointernational.com/images/articles/t/090-thompson-nye-2019/CKRBThero7-web.jpg Nye Thompson: CKRBT, installation view, Watermans Art Centre, London, 2019. Photo: Geoff Titley. https://www.studiointernational.com/images/articles/t/090-thompson-nye-2019/CKRBThero6-web.jpg Nye Thompson: CKRBT, installation view, Watermans Art Centre, London, 2019. Photo: Geoff Titley. https://www.studiointernational.com/images/articles/t/090-thompson-nye-2019/CKRBThero5-web.jpg Nye Thompson: CKRBT, installation view, Watermans Art Centre, London, 2019. Photo: Geoff Titley. https://www.studiointernational.com/images/articles/t/090-thompson-nye-2019/CKRBThero4-web.jpg Nye Thompson: CKRBT, installation view, Watermans Art Centre, London, 2019. Photo: Geoff Titley. https://www.studiointernational.com/images/articles/t/090-thompson-nye-2019/CKRBThero2-web.jpg Nye Thompson: CKRBT, installation view, Watermans Art Centre, London, 2019. Photo: Geoff Titley. https://www.studiointernational.com/images/articles/t/090-thompson-nye-2019/CKRBThero1-web.jpg Nye Thompson: CKRBT, installation view, Watermans Art Centre, London, 2019. Photo: Geoff Titley. https://www.studiointernational.com/index.php/victor-wong-interview-ai-gemini-far-side-of-the-moon https://www.studiointernational.com/images/articles/w/078-wong-victor-2019/Victor-Wong-FarSideOfTheMoon0001,-AI.jpg Victor Wong. Far Side Of The Moon 0001, A.I, 2019. Ink on paper, 89 x 62 cm. Copyright Victor Wong. https://www.studiointernational.com/images/articles/w/078-wong-victor-2019/Victor-Wong-FarSideOfTheMoon0003,-AI.jpg Victor Wong. Far Side Of The Moon 0003, A.I, 2019. Ink on paper, 89 x 62 cm. Copyright Victor Wong. https://www.studiointernational.com/images/articles/w/078-wong-victor-2019/victor-wong-video-still-1.jpg AI Gemini in action. Copyright Victor Wong. https://www.studiointernational.com/images/articles/w/078-wong-victor-2019/Victor-Wong-FarSideOfTheMoon0006,-AI.jpg Victor Wong. Far Side Of The Moon 0006, A.I, 2019. Ink on paper, 89 x 62 cm. Copyright Victor Wong. https://www.studiointernational.com/images/articles/w/078-wong-victor-2019/Victor-Wong-and-AI-Gemini.jpg Victor Wong and A.I. Gemini. Image courtesy of 3812 London Gallery. https://www.studiointernational.com/images/articles/w/078-wong-victor-2019/victor-wong-video-still-2.jpg AI Gemini in action. Copyright Victor Wong. https://www.studiointernational.com/index.php/lawrence-lek-interview-ai-could-become-the-ultimate-content-creation-mechanism https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/AIDOL-Screenshot_03_LL.jpg Lawrence Lek, AIDOL, 2019. HD CGI Video, 84 min. Courtesy the artist and Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/AIDOL-Screenshot_04_LL.jpg Lawrence Lek, AIDOL, 2019. HD CGI Video, 84 min. Courtesy the artist and Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/AIDOL-Screenshot_05_LL.jpg Lawrence Lek, AIDOL, 2019. HD CGI Video, 84 min. Courtesy the artist and Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/Geomancer_02_1920x1080.jpg Lawrence Lek, Geomancer, 2017. HD CGI video, 48 min. Courtesy the artist and Sadie Coles HQ, London. Commissioned for Jerwood/FVU Awards 2017. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/Geomancer_03_1920x1080.jpg Lawrence Lek, Geomancer, 2017. HD CGI video, 48 min. Courtesy the artist and Sadie Coles HQ, London. Commissioned for Jerwood/FVU Awards 2017. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/AIDOL-Screenshot_06_LL.jpg Lawrence Lek, AIDOL, 2019. HD CGI Video, 84 min. Courtesy the artist and Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/Sinofuturism-1839-2046AD-LawrenceLek-Still04-1920x1080.jpg Lawrence Lek, Sinofuturism (1839-2046 AD), 2016. HD Video, 60 min. Courtesy the artist and Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/Sinofuturism-1839-2046AD-LawrenceLek-Still06-1920x1080.jpg Lawrence Lek, Sinofuturism (1839-2046 AD), 2016. HD Video, 60 min. Courtesy the artist and Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/Geomancer_04_1920x1080.jpg Lawrence Lek, Geomancer, 2017. HD CGI video, 48 min. Courtesy the artist and Sadie Coles HQ, London. Commissioned for Jerwood/FVU Awards 2017. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/Geomancer_10_1920x1080.jpg Lawrence Lek, Geomancer, 2017. HD CGI video, 48 min. Courtesy the artist and Sadie Coles HQ, London. Commissioned for Jerwood/FVU Awards 2017. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/Geomancer_11_1920x1080.jpg Lawrence Lek, Geomancer, 2017. HD CGI video, 48 min. Courtesy the artist and Sadie Coles HQ, London. Commissioned for Jerwood/FVU Awards 2017. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/Sinofuturism-1839-2046AD-LawrenceLek-Still02-1920x1080.jpg Lawrence Lek, Sinofuturism (1839-2046 AD), 2016. HD Video, 60 min. Courtesy the artist and Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/070-lek-lawrence-2019/Sinofuturism-1839-2046AD-LawrenceLek-Still05-1920x1080.jpg Lawrence Lek, Sinofuturism (1839-2046 AD), 2016. HD Video, 60 min. Courtesy the artist and Sadie Coles HQ, London. https://www.studiointernational.com/index.php/michael-takeo-magruder-imaginary-cities-review-british-library-london-maps-data https://www.studiointernational.com/images/articles/i/091-imaginary-cities-2019/05.jpg Installation view of Michael Takeo Magruder, Imaginery Cities at the British Library. Photo: David Steele © Michael Takeo Magruder. https://www.studiointernational.com/images/articles/i/091-imaginary-cities-2019/02.jpg Michael Takeo Magruder, detail of Imaginary Cities — Chicago (11107522893), 2019. Laser-engraved spate hardwood with UV light-reactive inlay. Photo: David Steele © Michael Takeo Magruder. https://www.studiointernational.com/images/articles/i/091-imaginary-cities-2019/06.jpg Installation view of Michael Takeo Magruder, Imaginery Cities at the British Library. Photo: David Steele © Michael Takeo Magruder. https://www.studiointernational.com/images/articles/i/091-imaginary-cities-2019/03.jpg Michael Takeo Magruder with Drew Baker (3D visualisation & programming), Imaginary Cities — NYC (11062471656), 2019. Real-time virtual environment (Unity3D) with soundscape (Flash), infinite duration. Photo: David Steele © Michael Takeo Magruder. https://www.studiointernational.com/images/articles/i/091-imaginary-cities-2019/07.jpg Installation view of Michael Takeo Magruder, Imaginery Cities at the British Library. Photo: David Steele © Michael Takeo Magruder. https://www.studiointernational.com/index.php/frieze-new-york-2019-art-review https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/01-Ancart_David-Zwirner.jpg David Zwirner booth at Frieze New York 2019. Courtesy David Zwirner. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/02-Kusama_Victoria-Miro.jpg Yayoi Kusama, Narcissus Garden, 1966-. Stainless steel spheres, 34 cm diameter each. At Frieze New York 2019. Photo © Natasha Kurchanova. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/03-Sioux_Donald-Ellis-.jpg Pictographic Muslin, Sioux Northern Plains c1890. Ink and coloured ink on muslin, 32 × 82 1/2 in. Courtesy Donald Ellis Gallery. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/40-2019-stand-prize-winner-jenkins-johnson-gallery-jam-section-frieze-new-york.jpg Linda Goode Bryant and Karen Jenkins Johnson. Photograph courtesy Frieze. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/08-Frieze-2019-065.jpg The Doors of Perception, Frieze New York 2019, Installation view with Shinichi Sawada’s ceramics in the foreground. Photo: Olya Vysotskaya. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/09-electric-frieze-1000px.jpg Electric curated by Daniel Birnbaum. Photograph courtesy Frieze. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/10-Dora-Longo-Bahia_Fuga-(segunda-voz-Gekide).jpg Dora Longo Bahia. Fugue (second voice: Gekide), 2019. Acrylic paint on both sides of linen canvas and augmented reality. 230 x 128 cm. Photo: Edouard Fraipont. Courtesy Galeria Vermelho. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/11-TakahikoIimura_FilmInstallation-(002).jpg Takahiko Iimura, film installation, 1974. Frieze New York 2019. Image courtesy Microscope Gallery. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/14-Julia-Toma_Ivan-Gallery.jpg Iulia Toma, Untitled, 2017. Mixed media (drawing with the sewing machine on canvas, carpet), 92 x 50 cm (36 ¼ x 19 2/3 in.) Courtesy the artist and Ivan Gallery, Bucharest. Photo © Catalin Olteanu. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/15-Hefuna-Window,-1999.jpg Susan Hefuna, Window, 1999. Ink on tracing paper, 23 x 18 cm. Image courtesy Pi Artworks, London and Istanbul. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/12-and-now-frame-section.jpg Olivia Erlanger, installation at And Now, Frieze New York 2019. Photograph courtesy Frieze. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/07-Sekulic_Queen-Bajavitovica-2.jpg Sava Sekulić, Queen Bajavitovica, 1974. Oil on canvas, 16.25 x 13.75 in. Cavin-Morris Gallery, New York. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/13-Installation-shot-Ivan-Gallery.jpg Installation photograph, Booth C28 at Frieze New York 2019. Courtesy Ivan Gallery, Bucharest. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/16-Bijan-Saffari-Frieze-NYC.jpg Dastan’s Basement, Booth S5 at Frieze New York 2019, with installation of drawings by Bijan Saffari. Image courtesy Dastan’s Basement. https://www.studiointernational.com/images/articles/f/085-frieze-ny-2019/6-Doors-of-Perception-Installation-Frieze-2019.jpg The Doors of Perception, Frieze New York 2019, installation view. Photo: Olya Vysotskaya. https://www.studiointernational.com/index.php/the-eyes-of-orson-welles-film-simon-braund-portfolio-sketches-drawings-from-estate-review https://www.studiointernational.com/images/articles/w/077-welles-orson-2019/Orson-Welles-Jane-Bown-portrait.jpg Orson Welles photographed by Jane Brown in 1951. © Jane Brown/TopFoto. https://www.studiointernational.com/images/articles/w/077-welles-orson-2019/Welles_Campbell_Playhouse_2.jpg Orson Welles, Campbell Playhouse. Photo: CBS Radio/Photofest. https://www.studiointernational.com/images/articles/w/077-welles-orson-2019/Orson_Still_02_GettyImages-160657961.jpg Orson Welles. Photo: Getty Images. https://www.studiointernational.com/images/articles/w/077-welles-orson-2019/Orson_Welles_1941_2.jpg Orson Welles on the set of Citizen Kane, 1941. Photo: RKO Radio Pictures/Photofest. https://www.studiointernational.com/index.php/casey-reas-interview-computer-art-coding https://www.studiointernational.com/images/articles/r/080-reas-casey-2019/reas_gray.jpg Casey Reas. © the artist. https://www.studiointernational.com/index.php/whitney-biennial-2019-review https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Gala-Porras-Kim.jpg Gala Porras-Kim, La Mojarra Stela incidental conjugations, 2019 (foreground). Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Wangechi-Mutu-Sentinel-I-and-II,-2018.jpg Wangechi Mutu, Sentinel I and Sentinel II, 2018. Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Maia-Ruth-Lee-Bondage.jpg Maia Ruth Lee, Bondage Baggage Prototype 4, 2018. Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Simone-Leigh-Corrugated-Lady-2018.jpg Simone Leigh, Corrugated Lady, 2018. Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Daniel-Lind-Ramos-1797-Vencendor.jpg Daniel Lind-Ramos, 1797 Vencendor (1797: Victorious), 2017-18. Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Pat-Phillips-Untitled-Dont-Tread-on-Me-2018.jpg Pat Phillips, Untitled (Don’t Tread on Me), 2018. Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Walter-Price.jpg Works by Walter Price, installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Kyle-Thurman-Suggested-Occupation-22-2018.jpg Kyle Thurman, Suggested Occupation 22, 2018. Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Ragen-Moss-detail.jpg Works by Ragen Moss (detail), installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Curran-Hatleberg-Untitled-Dominoes-2016.jpg Curran Hatleberg, Untitled (Dominoes), 2016. Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Ragen-Moss.jpg Works by Ragen Moss, installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Kyle-Thurman-Suggested-Occupation-4-2016..jpg Kyle Thurman, Suggested Occupation 4, 2016. Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/w/076-whitney-biennial-2019/Nicole-Eisenman-Procession-2019.jpg Nicole Eisenman, Procession, 2019. Installation view, Whitney Biennial 2019. Photo: Jill Spalding. https://www.studiointernational.com/index.php/sean-edwards-undo-things-done-wales-venice-biennale-2019-video-interview https://www.studiointernational.com/images/articles/e/086-edwards-sean-2019/IMG_9261.jpg Sean Edwards: Undo Things Done, installation view, Wales in Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/086-edwards-sean-2019/IMG_9262.jpg Sean Edwards: Undo Things Done, installation view, Wales in Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/086-edwards-sean-2019/IMG_9268.jpg Sean Edwards: Undo Things Done, installation view, Wales in Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/086-edwards-sean-2019/doms.jpg Sean Edwards: Undo Things Done, installation view, Wales in Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/086-edwards-sean-2019/school-dinners.jpg Sean Edwards: Undo Things Done, installation view, Wales in Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/086-edwards-sean-2019/edwards-sean-portrait.jpg Sean Edwards talking to Studio International at the opening of Undo Things Done at the Venice Biennale 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/086-edwards-sean-2019/IMG_9266.jpg Sean Edwards: Undo Things Done, installation view, Wales in Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/086-edwards-sean-2019/IMG_9269.jpg Sean Edwards: Undo Things Done, installation view, Wales in Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/motions-of-this-kind-review-brunei-gallery-soas-university-london https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Cian-Dayrit,-YUTA-NAGI-PANAAD-(Promised-Land)-(2018).jpg Cian Dayrit, YUTA NAGI PANAAD (Promised Land), 2018. Embroidery on fabric, objects, 183 x 260 cm. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/MOTK_76-copyright-Agnese-Sanvito.jpg Cian Dayrit, Northern Conquests in Oriental Soil and Sea (detail), 2019. Tapestry, archival objects and documents arranged in museum vitrine. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/MOTK_23-copyright-Agnese-Sanvito.jpg Lizza May David & Gabriel Rossell-Santillán, How many seas will you swim? 2019. Wallpaper, 26 ft x 36 in. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Michelle-Dizon,The-Archives-Fold,-Flood-in-Cotabato,-Mindanao,-date-unknown.jpg Michelle Dizon,The Archive’s Fold, Flood in Cotabato, Mindanao, date unknown. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Mark-Salvatus,-Ensayo,-Film-Still,-2019.jpg Mark Salvatus, Ensayo, 2019. Film still. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Yason-Banal-Untitled-Formation,-Concrete-Supernatural.jpg Yason Banal, Untitled Formation, Concrete Supernatural, Pixel Unbound. Video installation, dimensions variable, 2018 YBAVB11. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Eisa-Jocson-Princess-Image-by-Jorg-Baumann.jpg Eisa Jocson. Princess Image by Jörg Baumann. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/MOTK_91-copyright-Agnese-Sanvito.jpg Background: Eisa Jocson, Colouring White, 2018. Framed A4 and A3 coloured copies from Manila and Shanghai. Foreground: Colouring White, 2019. Photocopies for the audience to take and colour. Produced for Cultural Center of the Philippines’ 13 Artists Awards 2018 and Bangkok Art Biennale 2018. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Amy-Lien-and-Enzo-Camacho-2018.jpg Amy Lien and Enzo Camacho. Lecture notes on Alfonso Ossorio https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/MOTK_10-copyright-Agnese-Sanvito.jpg Amy Lien & Enzo Camacho, Notes on The Angry Christ (detail), 2019.
 Charcoal, real/imitation blood, molasses, semen and soil. Dimensions variable. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/michelle-dizon.jpg Michelle Dizon,The Archive’s Fold, Mother in Rio Grande, Cotabato City, c1958. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Amy-Lien-and-Enzo-Camacho.jpg Amy Lien and Enzo Camacho. Lecture notes on Alfonso Ossorio's Angry Christ mural at the Victorias Milling Company Complex in Negros Occidental, Philippines, 1950, 2018 (detail). https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Yason-Banal-Untitled-Formation,-Concrete-Supernatural,-Pixel-Unbound,-Video-installation.jpg Yason Banal, Untitled Formation, Concrete Supernatural, Pixel Unbound. Video installation, dimensions variable, 2018 YBAVB11. https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Eisa-Jocson-Macho-Dancer-Image-by-giannina-urmeneta-ottiker.jpg Eisa Jocson. Macho Dancer. Image by Giannina Urmeneta Ottiker https://www.studiointernational.com/images/articles/m/063-motions-of-this-kind-2019/Mark-Salvatus,-Codes-(series),-2010-Acrylic-and-oil-on-found-maps,-tetraptych-Dimensions-variable.jpg Mark Salvatus, Codes (series), 2010. Acrylic and oil on found maps, tetraptych. Dimensions variable. https://www.studiointernational.com/index.php/jock-mcfadyen-interview-royal-academy-summer-exhibition-doesn-rsquo-t-get-fair-crack-of-the-whip-from-critics https://www.studiointernational.com/images/articles/m/062-mcfadyen-jock-2019/RA-Summer-Exhibition-2019-hang-in-progress-Juliet-Rix-(3).jpg The Royal Academy of Arts Summer Exhibition 2019, hang in progress. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/m/062-mcfadyen-jock-2019/2003_Wim-Wenders_Street-Corner,-Butte-Montana.jpg Wim Wenders. Street Corner, Butte Montana, 2003. Courtesy Wim Wenders Foundation and Blain|Southern. https://www.studiointernational.com/images/articles/m/062-mcfadyen-jock-2019/Jock-McFadyen-at-RA-hang.jpg Jock McFadyen at The Royal Academy of Arts Summer Exhibition 2019 hang. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/m/062-mcfadyen-jock-2019/104_Wim-Wenders.jpg Wim Wenders. Armenian Alphabet, Armenia, 2008. Courtesy Wim Wenders Foundation and Blain|Southern. https://www.studiointernational.com/images/articles/m/062-mcfadyen-jock-2019/Wim-Wenders-2_1.jpg Wim Wenders. Elvis Inn, Jerusalem, 2000, 2015. Courtesy Wim Wenders Foundation and Blain|Southern. https://www.studiointernational.com/index.php/eva-rothschild-the-shrinking-universe-ireland-venice-biennale-2019-video-interview https://www.studiointernational.com/images/articles/r/079-rothschild-eva-2019/eva-rothschild-installation-view-4.jpg Eva Rothschild: The Shrinking Universe, installation view, 
Irish Pavilion, Arsenale, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/079-rothschild-eva-2019/eva-rothschild-installation-view-5.jpg Eva Rothschild: The Shrinking Universe, installation view, 
Irish Pavilion, Arsenale, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/079-rothschild-eva-2019/eva-rothschild-installation-view-6.jpg Eva Rothschild: The Shrinking Universe, installation view, 
Irish Pavilion, Arsenale, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/079-rothschild-eva-2019/eva-rothschild-installation-view-3.jpg Eva Rothschild: The Shrinking Universe, installation view, 
Irish Pavilion, Arsenale, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/079-rothschild-eva-2019/eva-rothschild_portrait.jpg Eva Rothschild talking to Studio International at the opening of The Shrinking Universe, 
Irish Pavilion, Arsenale, Venice Biennale 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/079-rothschild-eva-2019/eva-rothschild-installation-view-1.jpg Eva Rothschild: The Shrinking Universe, installation view, 
Irish Pavilion, Arsenale, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/079-rothschild-eva-2019/eva-rothschild-installation-view-2.jpg Eva Rothschild: The Shrinking Universe, installation view, 
Irish Pavilion, Arsenale, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/milan-triennale-xxii-broken-nature-design-takes-on-human-survival-review https://www.studiointernational.com/images/articles/m/061-milan-2019/04.jpg Installation view of Broken Nature, featuring Nasa, Images of Changes, 2014-17 (foreground) and Accurat, The Room of Change, 2019 (background). Photo: Gianluca Di Ioia. Courtesy of La Triennale di Mliano. https://www.studiointernational.com/images/articles/m/061-milan-2019/02.jpg Anna Citelli and Raoul Bretzel, Capsula Mundi. 2003. Photo: Francesco D’Angelo. Courtesy the designers. https://www.studiointernational.com/images/articles/m/061-milan-2019/08.jpg Thomas Thwaites, Goatman, 2016. Supported by Wellcome Trust. Photo: Tim Bowditch. Courtesy the designer. https://www.studiointernational.com/images/articles/m/061-milan-2019/03.jpg Victor Alge, Alces Alces #3. 2017. Photo: Hinke Tovle. Courtesy the designer. https://www.studiointernational.com/images/articles/m/061-milan-2019/09.jpg Installation view of Broken Nature, featuring Atelier Luma, Algae Lab, 2019. Photo: Gianluca Di Ioia. Courtesy of La Triennale di Mliano. https://www.studiointernational.com/images/articles/m/061-milan-2019/07.jpg Amy Franceschini and Futurefarmers, Seed Procession, 2016. Seed Journey. 2016-ongoing. Photo: Monika Lovdahl. Courtesy Futurefarmers. https://www.studiointernational.com/images/articles/m/061-milan-2019/01.jpg Stephan Bogner, Philipp Schmitt and Jonas Voigt, Raising Robotic Natives. 2016. Photo: Courtesy the designers. https://www.studiointernational.com/images/articles/m/061-milan-2019/06.jpg Students' Educational and Cultural Movement of Ladakh (SECMOL) with Sonam Dorje and Simant Verma, Ice Stupa. 2013-14. Photo: Lobzang Dadul. Courtesy SECMOL. https://www.studiointernational.com/images/articles/m/061-milan-2019/05.jpg Kosuke Araki, Anima. 2018. Photo: © Kosuke Araki. Courtesy the designer. https://www.studiointernational.com/images/articles/m/061-milan-2019/10.jpg Portrait of Paolo Antonelli, 2017. Photo Gianluca Di Ioia. Courtesy of La Triennale di Mliano. https://www.studiointernational.com/index.php/keith-tyson-interview-life-still-hauser-wirth https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON94203-hires.jpg Keith Tyson. New Order (remix), 2018. Oil on canvas (in Artist https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON94206-hires.jpg Keith Tyson. Amnesia, 2018. Oil on canvas, 78.6 x 63.1 cm (31 x 24 7/8 in) (framed). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON94204-hires.jpg Keith Tyson. Still Life with Qianlong Vase, 2018. Oil on canvas, 78.5 x 63 cm (30 7/8 x 24 3/4 in) (framed). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON94205-hires.jpg Keith Tyson. Light, Mass and Acceleration, 2018. Oil on aluminium, 183 x 137 cm (72 x 53 7/8 in). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON94240-hires.jpg Keith Tyson. Still Life with Horse Chestnut Shells, https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON96955-hires.jpg Keith Tyson. These are the Greatest Times of our Lives, 2019. Oil on aluminium, 78.6 x 63.1 cm (31 x 24 7/8 in) (framed). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON96986-hires.jpg Keith Tyson. Spirals, 2018. Oil on canvas, 78.6 x 63.1 cm (31 x 24 7/8 in) (framed). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON94282-hires.jpg Keith Tyson. My Ever Changing Moods, 2019. Oil on canvas, 78.6 x 63.1 cm (31 x 24 7/8 in) (framed). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON96987-hires.jpg Keith Tyson. Seed of Consciousness, 2019. Oil on canvas, 78.6 x 63.1 cm (31 x 24 7/8 in) (framed). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON94199-hires.jpg Keith Tyson. Ikebana - Waterfall Stage (Boss Level), 2018. Oil on aluminium, 247.7 x 171.5 cm (97 1/2 x 67 1/2 in) (framed). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON96993-hires.jpg Keith Tyson. The Missing Piece, 2019. Oil on canvas, 78.6 x 63.1 cm (31 x 24 7/8 in) (framed). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON96994-hires.jpg Keith Tyson. Flowers from the Fields, 2018. Oil on aluminium, 78.6 x 63.1 cm (31 x 24 7/8 in) (framed). © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/090-tyson-keith-2019/TYSON96995-hires.jpg Keith Tyson. Entropy, 2016-19. Oil on aluminium. © Keith Tyson. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/index.php/renate-bertlmann-discordo-ergo-sum-austria-venice-biennale-2019-video-interview https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/austria-install-5.jpg Renate Bertlmann: Discordo Ergo Sum, installation view, Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/austria-install-2.jpg Renate Bertlmann: Discordo Ergo Sum, installation view, Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/austria-install-3.jpg Renate Bertlmann: Discordo Ergo Sum, installation view, Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/austria-install-6.jpg Exterior view, Amo Ergo Sum, Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/bertlmann_portrait-640.jpg Renate Bertlmann talking to Studio International at the opening of Discordo Ergo Sum, Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/IMG_9290.jpg Renate Bertlmann: Discordo Ergo Sum, installation view, Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/IMG_9297.jpg Renate Bertlmann: Discordo Ergo Sum, installation view, Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/IMG_9300.jpg Renate Bertlmann: Discordo Ergo Sum, installation view, Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/IMG_9302.jpg Renate Bertlmann: Discordo Ergo Sum, installation view, Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/062-bertlmann-renate-2019/austria-install-1.jpg Renate Bertlmann: Discordo Ergo Sum, installation view (detail), Pavilion of Austria, Giardini, Venice, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/petra-bauer-interview-crucial-sex-workers-leading-discussions-scot-pep-edinburgh-collective https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/03-Workers_Banner_FionaJardine.jpg Workers!, Petra Bauer & SCOT-PEP, installation view at Collective, Edinburgh, 2019. Photo: Tom Nolan. Courtesy the authors and Collective. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/07-Workers_FilmStill.jpg Workers!, Petra Bauer & SCOT-PEP, film still, 2018. Photo: Caroline Bridges. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/09-Workers_FilmStill.jpg Workers!, Petra Bauer & SCOT-PEP, film still, 2018. Photo: Caroline Bridges. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/10-PetraBauer_Workshop_080316.jpg Workers!, Petra Bauer & SCOT-PEP, workshop, 2016. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/08-Workers_ProductionShot.jpg Workers!, Petra Bauer & SCOT-PEP, production shot, 2018. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/12-Workers-ProductionShot_220418.jpg Workers!, Petra Bauer & SCOT-PEP, production shot, 2018. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/04-Workers_Library.jpg Workers!, Petra Bauer & SCOT-PEP, installation view at Collective, Edinburgh, 2019. Photo: Tom Nolan. Courtesy the authors and Collective. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/05-Workers_Library_Folio.jpg Workers!, Petra Bauer & SCOT-PEP, installation view at Collective, Edinburgh, 2019. Photo: Tom Nolan. Courtesy the authors and Collective. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/11-Workers_ProductionShot.jpg Workers!, Petra Bauer & SCOT-PEP, production shot, 2018. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/01-Workers_Collective_InstallationView.jpg Workers!, Petra Bauer & SCOT-PEP, installation view at Collective, Edinburgh, 2019. Photo: Tom Nolan. Courtesy the authors and Collective. https://www.studiointernational.com/images/articles/b/060-bauer-petra-2019/02-Workers_Collective_InstallationView-.jpg Workers!, Petra Bauer & SCOT-PEP, installation view at Collective, Edinburgh, 2019. Photo: Tom Nolan. Courtesy the authors and Collective. https://www.studiointernational.com/index.php/this-is-what-it-is-to-be-happy-eleaor-johnson-william-kennedy-gabriel-kenny-ryder-paulilles-gallery-review https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/Eleanor-Johnson_Forest-Bathers_2019.jpg Eleanor Johnson, Forest Bathers, 2019. Oil on canvas, 200 x 230 cm. © the artist. https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/will-kennedy-when-its-cold-id-like-to-die-03.jpg William Kennedy, when it https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/Eleanor-Johnson_Detail-from-Lily-of-the-Valley_2019.jpg Eleanor Johnson, Lily of the Valley, 2019 (triptych, detail). Oil on canvas, 550 x 230 cm. © the artist. https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/william-kennedy-installation-view.jpg William Kennedy, when it https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/will-kennedy-when-its-cold-id-like-to-die-01.jpg William Kennedy, when it's cold i'd like to die, 2019. Video installation, three films, single channel, colour, sound, 9 min 16 sec. © the artist. https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/GKR_7997.jpg Eleanor Johnson, Lily of the Valley, 2019 (triptych). Oil on canvas, 550 x 230 cm. Installation view, Paulilles Gallery, London 2019. Photo: Gabriel Kenny-Ryder, © the artist. https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/GKR_8008.jpg This Is What It Is to Be Happy, installation view, Paulilles Gallery, London 2019. Photo: Gabriel Kenny-Ryder. https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/GKR_8014.jpg This Is What It Is to Be Happy, installation view, Paulilles Gallery, London 2019. Photo: Gabriel Kenny-Ryder. https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/GKR_8018.jpg This Is What It Is to Be Happy, installation view, Paulilles Gallery, London 2019. Photo: Gabriel Kenny-Ryder. https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/will-kennedy-when-its-cold-id-like-to-die-02.jpg William Kennedy, when it's cold i'd like to die, 2019. Video installation, three films, single channel, colour, sound, 9 min 16 sec. © the artist. https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/GKR_8007.jpg This Is What It Is to Be Happy, installation view, Paulilles Gallery, London 2019. Photo: Gabriel Kenny-Ryder. https://www.studiointernational.com/images/articles/k/077-kennedy-william-2019/when-its-cold-id-like-to-die-INSTALLATION.jpg William Kennedy, when it's cold i'd like to die, 2019. Video installation, three films, single channel, colour, sound, 9 min 16 sec. Installation view, Paulilles Gallery, London 2019. © the artist.© the artist. https://www.studiointernational.com/index.php/leonor-antunes-a-seam-surface-hinge-or-knot-portugal-venice-biennale-2019-video-interview https://www.studiointernational.com/images/articles/a/066-antunes-leonor-2019/leonor-antunes-venice-2019-installation-view-03.jpg Leonor Antunes: a seam, a surface, a hinge or a knot, installation view, Portugal in Venice 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/066-antunes-leonor-2019/IMG_9326.jpg Leonor Antunes: a seam, a surface, a hinge or a knot, installation view, Portugal in Venice 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/066-antunes-leonor-2019/IMG_9316.jpg Leonor Antunes: a seam, a surface, a hinge or a knot, installation view, Portugal in Venice 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/066-antunes-leonor-2019/leonor-antunes-venice-2019-installation-view-01.jpg Leonor Antunes: a seam, a surface, a hinge or a knot, installation view, Portugal in Venice 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/066-antunes-leonor-2019/Antunes-Leonor_portrait.jpg Leonor Antunes speaking to Studio International at the opening of a seam, a surface, a hinge or a knot, Portugal in Venice 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/066-antunes-leonor-2019/IMG_9339.jpg Leonor Antunes: a seam, a surface, a hinge or a knot, installation view, Portugal in Venice 2019. Lamp by architect Egle Trincanato. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/066-antunes-leonor-2019/IMG_9318.jpg Leonor Antunes: a seam, a surface, a hinge or a knot, installation view, Portugal in Venice 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/066-antunes-leonor-2019/IMG_9321.jpg Leonor Antunes: a seam, a surface, a hinge or a knot, installation view, Portugal in Venice 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/manga-review-british-museum-london-japan https://www.studiointernational.com/images/articles/m/060-manga-2019/07.jpg Hokusai, Kohada Koheiji from One Hundred Ghost Tales, 1833. Colour woodblock. Collection of British Museum. Purchase funded by the Theresia Gerda Buch bequest in memory of her parents Rudolph and Julie Buch. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/m/060-manga-2019/04.jpg The cover of Flower Magazine, showing Hagio Moto (b1949), The Poe Clan, 1972-76. © Shogakukan Inc. https://www.studiointernational.com/images/articles/m/060-manga-2019/08.jpg Hoshino Yukinobu (b1954), Professor Munakata’s British Museum Adventure, 2011. © Yukinobu Hoshino / Shogakukan Inc. https://www.studiointernational.com/images/articles/m/060-manga-2019/02.jpg From Hoshino Yukinobu (b1954), Alice, 1985. © Yukinobu Hoshino / Shogakukan Inc. https://www.studiointernational.com/images/articles/m/060-manga-2019/05.jpg From Konami Kanata (b1958), Chi’s Sweet Home, 2004-15. © Kanata Konami / Kodansha Ltd. https://www.studiointernational.com/images/articles/m/060-manga-2019/03.jpg From Higashimura Akiko (b1975), Princess Jellyfish, 2008-17. © Akiko Higashimura / Kodansha Ltd. https://www.studiointernational.com/images/articles/m/060-manga-2019/01.jpg From Noda Satoru, Golden Kamuy, 2014-. © Satoru Noda / Shueisha. https://www.studiointernational.com/images/articles/m/060-manga-2019/06.jpg Detail of Kawanabe Kyosai (1831-89), Shinotomi theatre curtain showing kabuki actors as monsters and ghosts, 1880. ©Tsubouchi Memorial Theatre Museum, Waseda University. https://www.studiointernational.com/images/articles/m/060-manga-2019/installation-view-1.jpg Manga, installation view, British Museum, London, 2019. https://www.studiointernational.com/images/articles/m/060-manga-2019/installation-view-2.jpg Manga, installation view, British Museum, London, 2019. https://www.studiointernational.com/index.php/edmund-de-waal-psalm-library-of-exile-review-ateneo-veneto-jewish-museum-venice-biennale https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/sean-scully-san-maggiore-2019-photo-martin-kennedy.jpg Sean Scully, Opulent Ascension, 2019. Basilica of San Giorgio Maggiore, Venice. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Entrance-to-Ateneo-Veneto.jpg Edmund de Waal, the library of exile, 2019. Atone Veneto entrance. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Detail-of-Vitrine,-second-floor-.jpg Edmund de Waal: Psalm. Detail of vitrine, second floor. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/A-different-breath-(2018).jpg Edmund de Waal, a different breath, 2018. Jewish Museum, Stairwell. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. Porcelain, platinum, silver, aluminium and glass, 272 x 94 x 12 cm overall. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Installation-view-second-floor-facing-in.jpg Edmund de Waal: Psalm. Installation view of vitrine. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Adonai-(2019).jpg Edmund de Waal, Adonai, 2019. Jewish Museum, stairwell. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. Porcelain, gold, alabaster, aluminium and plexiglass, 21 x 17 x 10 cm. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Tehilim-(2018).jpg Edmund de Waal, tehillim, 2018, Jewish Museum, Canton corridor. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. Porcelain, gold, marble, aluminium and plexiglass, 28 x 1,164 x 10 cm overall. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Sukkah-(2019)-2.jpg Edmund de Waal, sukkah, 2019, Jewish Museum, Sukkah Room. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice Porcelain, gold, steel, aluminium and plexiglass, 184.5 x 126 x 69 cm. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/The-library-of-exile-(2019).jpg Edmund de Waal, the library of exile, 2019. Ateneo Veneto. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/The-library-of-exile-(2019)-2.jpg Edmund de Waal, the library of exile, 2019. Ateneo Veneto. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/The-library-of-exile-(2019)-3.jpg Edmund de Waal, the library of exile, 2019. Ateneo Veneto. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/EdmunddeWaal-and-Ben-Okri-at-opening-talk.jpg Edmund de Waal (left) and Ben Okri (centre) at the opening. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Psalm-I-(2019).jpg Edmund de Waal, Psalm, I, 2019. Ateneo Veneto. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. Porcelain, marble, alabaster, steel, wood, aluminium and plexiglass, 200 x 133 x 20 cm. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/index.php/andrew-marr-interview-stroke-everybody-is-angry-and-upset-paintings-brexit https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Andrew-Marr-Attend-to-the-Details.jpg Andrew Marr, Attend to the Details, 2019. Coloured pencil, sketchbook, 19 x 19 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/IMG_0967.jpg Andrew Marr, The Juggler: Would you abandon me? 2019. Oil on canvas, 100 x 100 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Marr,-In-Bogota-sketchbook-2019.jpg Andrew Marr, In Bogota, 2019. Coloured pencil, sketchbook, 19 x 19 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Rough-Drawing,-Venice,-sketchbook-2019.jpg Andrew Marr, Rough Drawing, 2019. Coloured pencil, sketchbook, 19 x 19 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Marr-If-I-could-write-it,-sketchbook-2019.jpg Andrew Marr, If I could write it, 2019. Coloured pencil, sketchbook, 19 x 19 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/IMG_1007-copy.jpg Andrew Marr, Dancing Around the House, 2019. Oil on canvas, 100 x 100 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Marr,-Tumblers-(After-Tiepolo)-sketchbook,-2019.jpg Andrew Marr, Tumblers (After Tiepolo), 2019. Coloured pencil, sketchbook, 19 x 19 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Marr-The-Venice-Architect,-sketchbook-2019.jpg Andrew Marr, The Venice Architect, 2019. Coloured pencil, sketchbook, 19 x 19 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Marr,-Richards-Biennale,-sketchbook-2019.jpg Andrew Marr, Richard https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Marr-Shaman-sketchbook-2019.jpg Andrew Marr, Shaman, 2019. Coloured pencil, sketchbook, 19 x 19 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Marr-France-is-Coming-2019.jpg Andrew Marr, France is Coming, 2019. Coloured pencil, sketchbook, 19 x 19 cm. Photo: Nick Howard. https://www.studiointernational.com/images/articles/m/060-marr-andrew-2019/Marr-Showman-sketchbook-2019.jpg Andrew Marr, Showman, 2019. Coloured pencil, sketchbook, 19 x 19 cm. Photo: Nick Howard. https://www.studiointernational.com/index.php/ai-more-than-human-review-barbican-centre-london https://www.studiointernational.com/images/articles/m/059-more-than-human-2019/19.jpg Future You, © Universal Everything. Photo: Tristan Fewings/Getty Images. AI: More than Human, Barbican Centre, 16 May – 26 August 2019. https://www.studiointernational.com/images/articles/m/059-more-than-human-2019/AI--More-than-Human-Private-View_381.jpg Golem Souvenir (Prague), Jewish Museum Berlin. © Mark Allan. https://www.studiointernational.com/images/articles/m/059-more-than-human-2019/Painted-plaster-mummy-mask,-Courtesy-Freud-Museum-London.jpg Egyptian painted plaster mummy mask. Courtesy Freud Museum, London. https://www.studiointernational.com/images/articles/m/059-more-than-human-2019/Edward-Ihnatowicz,-The-Senster-installed-at-the-Evoluon,-c.jpg Edward Ihnatowicz, The Senster installed at the Evoluon, c1971. © estate of the artist. https://www.studiointernational.com/images/articles/m/059-more-than-human-2019/1TF14016.jpg AI, Ain’t I A Woman © Joy Buolamwini/ The Algorithmic Justice. Photo: Tristan Fewings/Getty Images. AI: More than Human, Barbican Centre, 16 May – 26 August 2019. https://www.studiointernational.com/images/articles/m/059-more-than-human-2019/teamLab-What-a-Loving-and-Beautiful-World.jpg teamLab, What a Loving and Beautiful World. Photo: Catherine Mason. https://www.studiointernational.com/images/articles/m/059-more-than-human-2019/03.jpg Alter 3 © Hiroshi Ishiguro, Takashi Ikegami and Itsuki Doi. Photo: Tristan Fewings/Getty Images. AI: More than Human, Barbican Centre, 16 May – 26 August 2019. https://www.studiointernational.com/images/articles/m/059-more-than-human-2019/02.jpg What a Loving and Beautiful World, © teamLab. Photo: Tristan Fewings/Getty Images. AI: More than Human, Barbican Centre, 16 May – 26 August 2019. https://www.studiointernational.com/index.php/van-gogh-and-britain-review-tate-london https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Christopher-Wood-Yellow-Chrysanthemums.jpg Christopher Wood, Yellow Chrysanthemums, 1925. Oil paint on canvas, 61 x 51 cm. Mr Benny Higgins & Mrs Sharon Higgins. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/ID_245.jpg Vincent van Gogh exhibition poster, Tate Gallery, 1947. © Tate, 2018 https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Jacob-Epstein-Sunflowers.jpg Jacob Epstein, Sunflowers, 1933. Watercolour and gouache, 55.9 x 43.2 cm. Private collection. © The estate of Sir Jacob Epstein. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Van-Gogh-The-Arlesienne-1890.jpg Vincent van Gogh, L’Arlésienne, 1890. Oil paint on canvas, 65 x 54 cm. Collection MASP (São Paulo Museum of Art) Photo credit: João Musa. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Vincent-van-Gogh-The-Prison-Courtyard-.jpg Vincent van Gogh, The Prison Courtyard, 1890. Oil paint on canvas, 80 x 64 cm. © The Pushkin State Museum of Fine Arts, Moscow. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Vincent-van-Gogh-Starry-Night-1888.jpg Vincent van Gogh, Starry Night, 1888. Oil paint on canvas, 72.5 x 92 cm. Paris, Musée d https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Van-Gogh-Shoes,-Paris,-September-November-1886.jpg Vincent van Gogh, Shoes, 1886. Oil paint on canvas, 38.1 x 45.3 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/William-Nicholson-Miss-Jekylls-Gardening-Boots-1920-Tate.jpg William Nicholson. Miss Jekyll’s Gardening Boots, 1920. Oil paint on wood, 32.4 x 40 cm Tate © Desmond Banks. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Van-Gogh-Self-portrait.jpg Vincent van Gogh, Self-Portrait, 1889. Oil paint on canvas, 57.2 x 43.8 cm. National Gallery of Art, Collection of Mr. and Mrs. John Hay Whitney. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Francis-Bacon-Study-for-Portrait-of-Van-Gogh-IV-1957-(c)-Estate-of-Francis-Bacon.jpg Francis Bacon, Study for Portrait of Van Gogh IV, 1957. Oil paint on canvas, 152.4 x 116.8 cm. Tate © The Estate of Francis Bacon. All rights reserved. DACS, London. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Van-Gogh-Path-in-the-Garden-of-the-Asylum-.jpg Vincent van Gogh, Path in the Garden of the Asylum, 1889. Oil paint on canvas, 61.4 x 50.4 cm. Collection Kröller-Müller Museum, Otterlo. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Frank-Brangwyn-Sunflowers-.jpg Frank Brangwyn. Sunflowers, early 20th century. Oil paint on board, 75.5 x 63.2 cm. Lent by the Royal Academy of Arts, London © The Estate of Frank Brangwyn / Bridgeman Images. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Giuseppe-de-Nittis-The-Victoria-Embankment,-London-1875.jpg Giuseppe de Nittis. The Victoria Embankment, London, 1875. Oil paint on panel, 18.4 x 31.7 cm. Private collection. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Meindert-Hobbema-The-Avenue-at-Middelharnis-1689.jpg Meindert Hobbema. The Avenue at Middelharnis, 1689. Oil paint on canvas, 103.5 x 141 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Van-Gogh-At-Eternitys-Gate.jpg Vincent van Gogh, Sorrowing old man (At Eternity's Gate), 1890. Oil paint on canvas, 81 x 65 cm. Collection Kröller-Müller Museum, Otterlo. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Van-Gogh-Avenue-of-Poplars-in-Autumn,-1884,-Van-Gogh-Museum,-Amsterdam-(Vincent-van-Gogh-Foundation).jpg Vincent van Gogh, Avenue of Poplars in Autumn, 1884. Oil on canvas on panel, 99 x 65.7 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Van-Gogh-Olive-Trees.jpg Vincent van Gogh, Olive Trees, 1889. Oil paint on canvas, 51 x 65.2 cm. National Galleries of Scotland. https://www.studiointernational.com/images/articles/v/093-van-gogh-2019/Vincent-van-Gogh-Self-portrait-1887.jpg Vincent van Gogh, Self-portrait, 1887. Oil paint on canvas, 47 x 35 cm. Paris, Musée d'Orsay © RMN. https://www.studiointernational.com/index.php/raffi-kalenderian-interview-its-like-banging-your-head-against-brick-wall-memento-vivo-vielmetter https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Robert,-Bob,-and-Seymour,-2019.jpg Raffi Kalenderian. Robert, Bob, and Seymour, 2019. Oil on canvas, 84 x 120 x 1.5 in (213.36 x 304.8 x 3.81 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian,-Thomas,-2019.jpg Raffi Kalenderian. Thomas, 2019. Oil, pastel, coloured pencil and acrylic on paper, 50.5 x 36 in (128.27 x 91.44 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian-Hormazd-in-his-London-Studio,-2019.jpg Raffi Kalenderian. Hormazd in his London Studio, 2019. Oil and pencil on paper, 50.5 x 36 in (128.27 x 91.44 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian,-Shanti-Reading,-2019.jpg Raffi Kalenderian. Shanti Reading, 2019. Oil on canvas, 60.25 x 84 x 1.5 in (153.04 x 213.36 x 3.81 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian,-Thed-Jewel,-2019.jpg Raffi Kalenderian. Thed Jewel, 2019. Oil on canvas, 98 x 70 x 1.5 in (248.92 x 177.8 x 3.81 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian,-Erika,-2019.jpg Raffi Kalenderian. Erika, 2019. Oil on paper, 50.5 x 36 in (128.27 x 91.44 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian,-Lauren,-2019.jpg Raffi Kalenderian. Lauren, 2019. Oil on canvas, 70 x 98 x 1.25 in (177.8 x 248.92 x 3.18 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian,-Rochele-and-Nick,-2019.jpg Raffi Kalenderian. Rochele and Nick, 2019. Oil on canvas 70 x 98 x 1.5 in (177.8 x 248.92 x 3.81 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian,-Eric-Palgon-in-the-studio,-2019.jpg Raffi Kalenderian. Eric Palgon in the studio, 2019. Oil on canvas, 48 x 36 x 2 in (121.92 x 91.44 x 5.08 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian,-Stephanie,-2019.jpg Raffi Kalenderian. Stephanie, 2019. Oil on canvas, 36 x 24 in (91.44 x 60.96 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/k/077-kalenderian-raffi-2019/Raffi-Kalenderian,-Bernard,-2019.jpg Raffi Kalenderian. Bernard, 2019. Oil on canvas, 56.25 x 100 x 1.5 in (142.88 x 254 x 3.81 cm). Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer. https://www.studiointernational.com/index.php/luchita-hurtado-i-live-i-die-i-will-be-reborn-review-serpentine-sackler-gallery-london https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/11.jpg Luchita Hurtado: I Live I Die Will Be Reborn. Installation view, Serpentine Galleries, London, 23 May – 20 October 2019. © 2019 Luchita Hurtado. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/10.jpg Luchita Hurtado: I Live I Die Will Be Reborn. Installation view, Serpentine Galleries, London, 23 May – 20 October 2019. © 2019 Luchita Hurtado. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/02.jpg Luchita Hurtado, Untitled, 1970 (detail). Oil on canvas. © 2019 Luchita Hurtado. Photo: Hugo Glendinning https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/05.jpg Luchita Hurtado, Untitled, 1969. © Luchita Hurtado Hammer Museum, Los Angeles. Purchased through the Board of Overseers Acquisition Fund. Image courtesy the artist and Hauser & Wirth. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/09.jpg Luchita Hurtado, The Umbilical Cord of the Earth is the Moon, 1977. Oil on canvas, 101.6 x 58.4 cm. © Luchita Hurtado, Courtesy the artist and Hauser & Wirth. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/07.jpg Luchita Hurtado, Untitled, 1971. Hauser & Wirth Collection, Switzerland. © Luchita Hurtado, Image courtesy the artist and Hauser & Wirth. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/01.jpg Luchita Hurtado, Encounter, 1971 (detail). Oil on canvas, 12 x 243.2 cm. © 2019 Luchita Hurtado. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/03.jpg Luchita Hurtado, Untitled, 1949. Crayon and ink on paper, 73 x 35 cm. © Luchita Hurtado, Private collection. Photo: Genevieve Hanson. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/04.jpg Luchita Hurtado, Untitled, c1951. Crayon and ink on paper, 61 x 45.9 cm. © Luchita Hurtado, Courtesy Los Angeles County Museum of Art, Gift of Janet Dreisen Rappaport and Herb Rappaport through the 2019 Collectors Committee. Photo: Genevieve Hanson. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/06.jpg Luchita Hurtado, Untitled, 1971. Oil on canvas, 127 x 88.6 cm. © Luchita Hurtado, Courtesy the artist and Hauser & Wirth. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/08.jpg Luchita Hurtado, Untitled, 1972. Oil on canvas, 83.5 x 48.9 cm. © Luchita Hurtado, Courtesy the artist and Hauser & Wirth. Photo: Genevieve Hanson. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/12.jpg Luchita Hurtado: I Live I Die Will Be Reborn. Installation view, Serpentine Galleries, London, 23 May – 20 October 2019. © 2019 Luchita Hurtado. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/h/071-hurtado-luchita-2019/13.jpg Luchita Hurtado, 2019. © Luchita Hurtado, Courtesy the artist and Hauser & Wirth. Photo: Oresti Tsonopoulos. https://www.studiointernational.com/index.php/a-backward-glance-giorgio-morandi-and-the-old-masters-review-guggenheim-bilbao https://www.studiointernational.com/images/articles/m/059-morandi-giorgio-2019/0145986g.jpg Giorgio Morandi. Still Life with Fruit (Natura morta con frutta), 1927. Oil on canvas, 27 x 38.5 cm. Fondazione Magnani Rocca, Mamiano di Traversetolo (Parma), Italy. © Giorgio Morandi, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/m/059-morandi-giorgio-2019/G-Mor-NM-bott-gialla-aa.jpg Giorgio Morandi, Still Life (Natura morta), 1931. Oil on canvas, 42 x 42 cm. Fondation Mattioli Rossi, Switzerland. © Giorgio Morandi, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/m/059-morandi-giorgio-2019/MT-PGMorandi180308001.jpg Giorgio Morandi, Still Life (Natura morta), 1931. Oil on canvas, 54 x 64 cm. Fondation Mattioli Rossi, Switzerland. © Giorgio Morandi, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/m/059-morandi-giorgio-2019/0117288g.jpg Giorgio Morandi, Still Life (Natura morta), 1936. Oil on canvas, 33 x 37 cm. Fondazione Magnani Rocca, Mamiano di Traversetolo (Parma), Italy. © Giorgio Morandi, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/m/059-morandi-giorgio-2019/Morandi-NM-1956-V986-RGB-x-web.jpg Giorgio Morandi, Still Life (Natura morta), 1956. Oil on canvas, 40.7 x 36.2 cm. Augusto and Francesca Giovanardi Collection. © Giorgio Morandi, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/m/059-morandi-giorgio-2019/V57.jpg Giorgio Morandi, Still Life (Natura morta), 1920. Oil on canvas, 30.5 x 44.5 cm. Istituzione Bologna Musei/Museo Morandi. © Giorgio Morandi, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/m/059-morandi-giorgio-2019/V788.jpg Giorgio Morandi, Still Life (Natura morta), 1951. Oil on canvas, 36 x 40 cm. Istituzione Bologna Musei/Museo Morandi. © Giorgio Morandi, VEGAP, Bilbao, 2019. https://www.studiointernational.com/index.php/thomas-kilpper-the-politics-of-heritage-review-edinburgh-printmakers https://www.studiointernational.com/images/articles/k/076-kilpper-thomas-2019/jbs-TK-2-1.jpg Thomas Kilpper: The Politics of Heritage vs the Heritage of Politics. Installation view, Edinburgh Printmakers, Edinburgh, 27 April – 13 July 2019. Photo: James Boyer Smith. https://www.studiointernational.com/images/articles/k/076-kilpper-thomas-2019/floor-detail.jpg Thomas Kilpper: The Politics of Heritage vs the Heritage of Politics (floor detail). Installation view, Edinburgh Printmakers, Edinburgh, 27 April – 13 July 2019. Photo: James Boyer Smith. https://www.studiointernational.com/images/articles/k/076-kilpper-thomas-2019/jbs-TK-2-9.jpg Thomas Kilpper: The Politics of Heritage vs the Heritage of Politics (detail). Installation view, Edinburgh Printmakers, Edinburgh, 27 April – 13 July 2019. Photo: James Boyer Smith. https://www.studiointernational.com/images/articles/k/076-kilpper-thomas-2019/jbs-TK-2-9-detail.jpg Thomas Kilpper: The Politics of Heritage vs the Heritage of Politics (detail). Installation view, Edinburgh Printmakers, Edinburgh, 27 April – 13 July 2019. Photo: James Boyer Smith. https://www.studiointernational.com/images/articles/k/076-kilpper-thomas-2019/jbs-TK-2-7.jpg Thomas Kilpper: The Politics of Heritage vs the Heritage of Politics. Installation view, Edinburgh Printmakers, Edinburgh, 27 April – 13 July 2019. Photo: James Boyer Smith. https://www.studiointernational.com/images/articles/k/076-kilpper-thomas-2019/jbs-TK-2-4.jpg Thomas Kilpper: The Politics of Heritage vs the Heritage of Politics. Installation view, Edinburgh Printmakers, Edinburgh, 27 April – 13 July 2019. Photo: James Boyer Smith. https://www.studiointernational.com/index.php/lothar-gotz-interview-abstraction-has-a-political-aspect-towner-art-gallery https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019-Photo-by-Eva-Eastman.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/Brewers-Towner-design-final-2.jpg Lothar Götz, Sketch for Brewers Towner Commission: Dance Diagonal, 2019, courtesy the artist and Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/03-Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/10-Brewers-Towner-Commission-Lothar-Gotz,-Dance-Diagonal-(work-in-progress),-Towner-Art-Gallery,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Work in progress. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/05-Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/04-Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/07-Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/Brewers-Towner-design-final-3.jpg Lothar Götz, Sketch for Brewers Towner Commission: Dance Diagonal, 2019, courtesy the artist and Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/01-Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/lothar-gotz-portrait-2.jpg Lothar Götz. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/Brewers-Towner-design-final-1.jpg Lothar Götz, Sketch for Brewers Towner Commission: Dance Diagonal, 2019, courtesy the artist and Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/11-Brewers-Towner-Commission-Lothar-Gotz,-Dance-Diagonal-(work-in-progress),-Towner-Art-Gallery,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Work in progress. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/02-Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/06-Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/08-Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/images/articles/g/079-gotz-lothar-2019/09-Lothar-Gotz,-Dance-Diagonal,-Brewers-Towner-Commission.-Towner-Eastbourne,-2019.jpg Lothar Götz: Dance Diagonal, 2019. Brewers Towner Commission, Towner Art Gallery, Eastbourne. Photo: Eva Eastman, courtesy Towner Art Gallery. https://www.studiointernational.com/index.php/norman-gilbert-passion-vision-and-spirit-ii-review-tatha-gallery-newport-on-tay-scotland https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/Mother-and-Child,-1969.jpg Norman Gilbert, Mother and Child, 1969. Oil on board, 122 x 76 cm. © Norman Gilbert. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/Children-and-Bridges,-1969.jpg Norman Gilbert, Children and Bridges, 1969. Oil on board, 122 x 79 cm. © Norman Gilbert. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/People-in-a-Kitchen-with-Plants,-1974.jpg Norman Gilbert, People in a Kitchen with Plants, 1974. Oil on board, 76 x 122 cm. © Norman Gilbert. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/Tubs,-Trees-and-Tenaments.jpg Norman Gilbert, Tubs, Trees and Tenaments, 2010. Indian ink on board, 122 x 86 cm. © Norman Gilbert. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/Chair-III,-2018.jpg Norman Gilbert, Chair III, 2018. Oil on board, 122 x 81 cm. © Norman Gilbert. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/Ballad(e),-1970.jpg Norman Gilbert, Ballad(e), 1970. Oil on board, 76 x 122 cm. © Norman Gilbert. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/Holiday-Caravan-1975.jpg Norman Gilbert, Holiday Caravan, 1975. Oil on board, 81 x 122 cm. © Norman Gilbert. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/Norman-Gilbert,-March-18,-2019-5.jpg Norman Gilbert, 18 March 2019. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/Sun-Bathers,-1969.jpg Norman Gilbert, Sun Bathers, 1969. Oil on board, 86 x 122 cm. © Norman Gilbert. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/The-Rowan-Tree.jpg Norman Gilbert, The Rowan Tree, 2011. Indian ink on board, 122 x 76 cm. © Norman Gilbert. https://www.studiointernational.com/images/articles/g/080-gilbert-norman-2019/Two-People,-Patterns-and-Red-Flowers.jpg Norman Gilbert, Two People, Patterns and Red Flowers, 1982. Oil on board, 122 x 76 cm. © Norman Gilbert. https://www.studiointernational.com/index.php/gerhard-richter-seascapes-review-guggenheim-museum-bilbao https://www.studiointernational.com/images/articles/r/080-richter-gerhard-2019/P_194_23.jpg Gerhard Richter. Seascape (Seestück), 1968. Oil on canvas, 40 x 80 cm. Private collection. © Gerhard Richter, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/r/080-richter-gerhard-2019/P_224_16.jpg Gerhard Richter. Seascape (grey) [Seestück (grau)], 1969. Oil on canvas, 70 x 70 cm. Private collection. © Gerhard Richter, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/r/080-richter-gerhard-2019/P_241_1.jpg Gerhard Richter. Seascape (Green-grey, cloudy) [Seestück (grüngrau, bewölkt )], 1969. Oil on canvas, 140 x 140 cm. Private collection, © Gerhard Richter, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/r/080-richter-gerhard-2019/Richter_Seestuck-bewolt.jpg Gerhard Richter. Seascape (with Olive Clouds) [Seestück (oliv bewölkt)], 1969. Oil on canvas, 80 x 100 cm. Private collection, Italy. © Gerhard Richter, VEGAP, Bilbao, 2019. https://www.studiointernational.com/images/articles/r/080-richter-gerhard-2019/4175.jpg Gerhard Richter. Seascape (Seestück), 1998. Oil on canvas, 290 x 290 cm. Guggenheim Bilbao Museo. © Gerhard Richter, VEGAP, Bilbao, 2019. https://www.studiointernational.com/index.php/lee-krasner-living-colour-review-barbican-london https://www.studiointernational.com/images/articles/k/075-krasner-lee-2019/16-Lee-Krasner,-Imperative,-1976-(c)-The-Pollock-Krasner-Foundation-Courtesy-National-Gallery-of-Art,-Washington-DC.jpg Lee Krasner. Imperative, 1976. National Gallery of Art, Washington D.C. © The Pollock-Krasner Foundation. Courtesy National Gallery of Art, Washington D.C. https://www.studiointernational.com/images/articles/k/075-krasner-lee-2019/07-Lee-Krasner-Desert-Moon,-1955,-Los-Angeles-County-Museum-of-Art-(LACMA)-(c)-The-Pollock-Krasner-Foundation-(c)-2018.jpg Lee Krasner. Desert Moon, 1955. Los Angeles County Museum of Art. © The Pollock-Krasner Foundation. © 2018. Digital Image Museum Associates/ LACMA/Art Resource NY/ Scala, Florence. https://www.studiointernational.com/images/articles/k/075-krasner-lee-2019/08-Lee-Krasner,-Prophecy,-1956,-(c)-The-Pollock-Krasner-Foundation.jpg Lee Krasner. Prophecy, 1956. Private collection. © The Pollock-Krasner Foundation. Courtesy Kasmin Gallery, New York. Photo: Christopher Stach. https://www.studiointernational.com/images/articles/k/075-krasner-lee-2019/09-Lee-Krasner,-Polar-Stampede,-1960,-Doris-and-Donald-Fisher-Collection,-San-Francisco-MoMA-(c)-The-Pollock-Krasner-Foundation.jpg Lee Krasner. Polar Stampede, 1960. The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art. © The Pollock-Krasner Foundation. Courtesy Kasmin Gallery, New York. https://www.studiointernational.com/images/articles/k/075-krasner-lee-2019/01-Lee-Krasner,-Self-Portrait,-c.jpg Lee Krasner. Self-Portrait, c1928. The Jewish Museum, New York. © The Pollock-Krasner Foundation. Courtesy the Jewish Museum, New York. https://www.studiointernational.com/images/articles/k/075-krasner-lee-2019/05-Lee-Krasner,-Blue-Level,-1955,-(c)-The-Pollock-Krasner-Foundation.jpg Lee Krasner. Blue Level, 1955. Private collection. © The Pollock-Krasner Foundation. Photo: Diego Flores. https://www.studiointernational.com/images/articles/k/075-krasner-lee-2019/20-Photograph-by-Irving-Penn-Lee-Krasner,-Springs,-NY,-1972-(c)-The-Irving-Penn-Foundation.jpg Photograph by Irving Penn. Lee Krasner, Springs, NY, 1972. © The Irving Penn Foundation. https://www.studiointernational.com/index.php/into-the-mountain-simone-kenyon-review-scottish-sculpture-workshop https://www.studiointernational.com/images/articles/i/090-into-the-mountain-2019/christiana-spens-on-the-mountain.jpg Intrepid Studio International contributor Christiana Spens hiking towards the Into the Mountains performance. Photo courtesy of the author. https://www.studiointernational.com/images/articles/i/090-into-the-mountain-2019/into_the_mountain_19_0936.jpg Simone Kenyon, Into The Mountain, performance, 30 May - 2 June 2019, Cairngorms National Park. Photo: Felicity Crawshaw / Scottish Sculpture Workshop. https://www.studiointernational.com/images/articles/i/090-into-the-mountain-2019/into_the_mountain_19_1852.jpg Simone Kenyon, Into The Mountain, performance, 30 May - 2 June 2019, Cairngorms National Park. Photo: Felicity Crawshaw / Scottish Sculpture Workshop. https://www.studiointernational.com/images/articles/i/090-into-the-mountain-2019/into_the_mountain_19_1025.jpg Simone Kenyon, Into The Mountain, performance, 30 May - 2 June 2019, Cairngorms National Park. Photo: Felicity Crawshaw / Scottish Sculpture Workshop. https://www.studiointernational.com/images/articles/i/090-into-the-mountain-2019/into_the_mountain_19_0981.jpg Simone Kenyon, Into The Mountain, performance, 30 May - 2 June 2019, Cairngorms National Park. Photo: Felicity Crawshaw / Scottish Sculpture Workshop. https://www.studiointernational.com/images/articles/i/090-into-the-mountain-2019/into_the_mountain_19_1551.jpg Simone Kenyon, Into The Mountain, performance, 30 May - 2 June 2019, Cairngorms National Park. Photo: Felicity Crawshaw / Scottish Sculpture Workshop. https://www.studiointernational.com/images/articles/i/090-into-the-mountain-2019/into_the_mountain_19_1658.jpg Simone Kenyon, Into The Mountain, performance, 30 May - 2 June 2019, Cairngorms National Park. Photo: Felicity Crawshaw / Scottish Sculpture Workshop. https://www.studiointernational.com/images/articles/i/090-into-the-mountain-2019/into_the_mountain_19_1902.jpg Simone Kenyon, Into The Mountain, performance, 30 May - 2 June 2019, Cairngorms National Park. Photo: Felicity Crawshaw / Scottish Sculpture Workshop. https://www.studiointernational.com/images/articles/i/090-into-the-mountain-2019/into_the_mountain_19_1345.jpg Simone Kenyon, Into The Mountain, performance, 30 May - 2 June 2019, Cairngorms National Park. Photo: Felicity Crawshaw / Scottish Sculpture Workshop. https://www.studiointernational.com/index.php/frank-bowling-review-tate-britain-london https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Bartica-Born-I-1967.jpg Frank Bowling. Barticaborn I, 1967. Acrylic paint, spray paint and oil wax on canvas, 234 x 122.4 cm. Lowing Family Collection. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Cover-Girl-1966.jpg Frank Bowling. Cover Girl, 1966. Acrylic, oil paint and silkscreened ink on canvas, 144.8 x 101.6 cm. Private collection. © Frank Bowling. All Rights Reserved, DACS 2019. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Installation-View-2,-Frank-Bowling-at-Tate-Britain-(31-May---26-August-2019).jpg Frank Bowling, installation view, Tate Britain, 31 May – 26 August 2019. Photo: Matt Greenwood, Tate Photography. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Installation-View-4,-Frank-Bowling-at-Tate-Britain-(31-May---26-August-2019).jpg Frank Bowling, installation view, Tate Britain, 31 May – 26 August 2019. Photo: Matt Greenwood, Tate Photography. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Ah-Susan-Whoosh-1981.jpg Frank Bowling. Ah Susan Whoosh, 1981. Acrylic paint on canvas, 241.5 x 175 cm. Private collection, London. © Frank Bowling, All Rights Reserved, DACS 2019. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Sacha-Jason-Guyana-Dreams-1989.jpg Frank Bowling. Sacha Jason Guyana Dreams, 1989. Acrylic paint and resin on canvas, 178 x 136 cm. Tate © Frank Bowling, All Rights Reserved, DACS 2019. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Installation-View-3,-Frank-Bowling-at-Tate-Britain-(31-May---26-August-2019).jpg Frank Bowling, installation view, Tate Britain, 31 May – 26 August 2019. Photo: Matt Greenwood, Tate Photography. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Frank-Bowling-at-Tate-Britain-with-his-work-Wafting,-Tate-Photography-2019-Matt-Greenwood.jpg Frank Bowling at Tate Britain with his work Wafting, Tate Photography 2019 Matt Greenwood. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Frank-Bowling_credit-Mathilde-Agius.jpg Frank Bowling, 2019. Photo: Mathilde Agius. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Great-Thames-IV-1988-9.jpg Frank Bowling. Great Thames IV, 1988-9. Acrylic paint on canvas, 181 x 310 cm. Arts Council Collection, Southbank Centre, London. © Frank Bowling, All Rights Reserved, DACS 2019. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Iona-Miriams-Christmas-Visit-To-and-From-Brighton-2017.jpg Frank Bowling. Iona Miriam's Christmas Visit To & From Brighton, 2017. Acrylic paint and plastic objects on collaged canvas, 189 x 122.5 cm. Courtesy Frank Bowling and Hales Gallery, Alexander Gray Associates and Marc Welwyn Fine Art. © Frank Bowling, All Rights Reserved, DACS 2018. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/South-America-Squared-1967.jpg Frank Bowling. South America Squared, 1967. Acrylic and spray paint on canvas, 243 x 274 cm. Rennie Collection, Vancouver. © Frank Bowling, All Rights Reserved, DACS 2019. https://www.studiointernational.com/images/articles/b/061-bowling-frank-2019/Ziff-1974.jpg Frank Bowling. Ziff, 1974. Acrylic paint on canvas, 201 x 146 x 5 cm. Private collection, London, courtesy Jessica McCormack. © Frank Bowling, All Rights Reserved, DACS 2019. https://www.studiointernational.com/index.php/writings-on-the-wall-review-waddington-custot-london https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Cy-Twombly,-Untitled,-1969.jpg Cy Twombly, Untitled, 1969, 58.4 x 78.1 cm. © Cy Twombly. Courtesy Helly Nahmad. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Vlassis-Caniaris,-Hommage-aux-murs-dAthenes,-1959.jpg Vlassis Caniaris, Hommage aux murs d’Athènes, 1959. Oil and mixed media on canvas, 59 7/8 x 52 x 1 15/16 in (152 x 132 x 5 cm) © Vlassis Caniaris. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/WOTW-View-of-early-Dubuffet-with-later-Dubuffet-visible-beyond-06.jpg Writings on the Wall, installation view, Waddington Custot, 2019. View of early Dubuffet with later Dubuffet visible beyond. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Jean-Dubuffet,-Fantasme-bleu-8-mai-1984.jpg Jean Dubuffet, Fantasme bleu 8 mai 1984, 1984. Acrylic on paper mounted on canvas, 30 x 40 in (76.2 x 101.6 cm). © Fondation Dubuffet/ADAGP, Paris and DACS, London, 2019. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Jean-Dubuffet,-La-chasse-au-biscorne-19-aout-1963.jpg Jean Dubuffet, La chasse au biscorne (EG 77) 19 août 1963, 1963, 57.7 x 75.2 cm. Courtesy Waddington Custot. © Fondation Dubuffet/ADAGP, Paris. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Antoni-Tapies,-Duat,-1994.jpg Antoni Tàpies, Duat, 1994. 250 x 600 cm. © Antoni Tàpies. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Brassai,-Graffiti-(Serie-VIII-La-Magie)-c1956.jpg Brassaï, Graffiti (Série VIII, La Magie), c1956, 39.3 x 29.1 cm. © Estate Brassaï Succession. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Brassai,-Graffiti-de-la-serie-VIII.jpg Brassaï, Graffiti de la série VIII, La magie, c1956, 39.3 x 29.1 cm. © Estate Brassaï Succession. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Jean-Dubuffet,-Angle-de-mur-a-loiseau-perche-4-janvier-1945.jpg Jean Dubuffet, Angle de mur à l’oiseau perché 4 janvier 1945, 1945, 38 x 28.5 cm. © Fondation Dubuffet/ADAGP, Paris and DACS, London, 2019. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Jean-Dubuffet,-Pisseur-au-mur,-1945.jpg Jean Dubuffet, Pisseur au mur, 1945, 38 x 28.5 cm. © Fondation Dubuffet/ADAGP, Paris and DACS, London, 2019. https://www.studiointernational.com/images/articles/w/075-writings-on-the-wall-2019/Jean-Dubuffet-in-front-of-a-graffiti-wall,-Vence,-1959-Archives-Fondation-Dubuffet,-Paris-Photo-John-Craven.jpg Jean Dubuffet in front of a graffiti wall, Vence, 1959 © Archives Fondation Dubuffet, Paris. Photo: John Craven. https://www.studiointernational.com/index.php/shu-lea-cheang-3x3x6-taiwan-venice-biennale-2019-video-interview https://www.studiointernational.com/images/articles/c/063-cheang-shu-lea-2019/Shu-Lea-Cheang-install-05.jpg Shu Lea Cheang: 3x3x6, Venice Biennale 2019. Installation view. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/063-cheang-shu-lea-2019/Shu-Lea-Cheang-install-02.jpg Shu Lea Cheang: 3x3x6, Venice Biennale 2019. Installation view. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/063-cheang-shu-lea-2019/Shu-Lea-Cheang-install-06.jpg Shu Lea Cheang: 3x3x6, Venice Biennale 2019. Installation view. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/063-cheang-shu-lea-2019/Shu-Lea-Cheang-venice-2019-photo-martin-kennedy.jpg Shu Lea Cheang speaking to Studio International at the opening of 3x3x6, Taiwan for Venice 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/063-cheang-shu-lea-2019/Shu-Lea-Cheang-install-04.jpg Shu Lea Cheang: 3x3x6, Venice Biennale 2019. Entrance to Palazzo delle Prigioni. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/063-cheang-shu-lea-2019/Shu-Lea-Cheang-install-03.jpg Shu Lea Cheang: 3x3x6, Venice Biennale 2019. Installation view. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/063-cheang-shu-lea-2019/Shu-Lea-Cheang-install-01.jpg Shu Lea Cheang: 3x3x6, Venice Biennale 2019. Installation view (detail). Photo: Martin Kennedy. https://www.studiointernational.com/index.php/royal-academy-of-arts-summer-exhibition-2019-251st-review-london https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/01-houseago-thomas-ra-courtyard-photo-martin-kennedy.jpg Foreground: Thomas Houseago, Large Walking Figure I (Leeds). Bronze, 476 x 201 x 274 cm. Installation view, Royal Academy of Arts courtyard. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/David-Mach-Summer-31.jpg Installation view of David Mach, Easy Tiger – Mach Brothers in Wohl Central Hall. Resin and foil, 115 x 55 x 286 cm. Photo: © David Parry/ Royal Academy of Arts. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Summer-8.jpg Installation view of Wohl Central Hall coordinated by Jock Mcfadden. Photo: © David Parry/ Royal Academy of Arts. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Summer-13.jpg Installation view of Gallery III hung by Jock Mcfadden. Large painting in centre is David Hepher, Hey Wayne on the Meath Estate. Acrylic, oil, spray paint and concrete. Photo: © David Parry/ Royal Academy of Arts. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/08-david-hepher-photo-martin-kennedy.jpg David Hepher, Hey Wayne On The Meath Estate. Acrylic, oil, spray paint and concrete on canvas, 284 x 502 x 2 cm. Installation view, Royal Academy of Arts. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/03-michael-dean-floor-sculpture-photo-martin-kennedy.jpg Michael Dean, (Unfucking Titled) Fucked Dove. Steel, concrete, cable ties, scene tape, cans and paperback publication, 175 x 300 x 150 cm. Installation view, Royal Academy of Arts. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/06-bottlehouse-photo-martin-kennedy.jpg BottleHouse by small. Architectural model, acrylic, 40 x 80 x 120 cm. Installation view, Royal Academy of Arts. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Barbara-Rae-1.jpg Barbara Rae CBE RA. Ice Melt. Etching, 64 x 54 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Summer-42.jpg Installation view, Gallery V, hung by Barbara Rae and Hughie O’Donoghue. Photo: © David Parry/ Royal Academy of Arts. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Summer-28.jpg John Davies, My Ghosts. Mixed media, figures, backcloth and props, 315 x 503 x 122 cm. Installation view, Gallery VI, hung by Timothy Hyman. Photo: © David Parry/ Royal Academy of Arts. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Summer-52.jpg Installation view of Gallery VIII hung by Bob and Robert Smith. Photo: © David Parry/ Royal Academy of Arts. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/02-byrne-benedict-scarred-one-photo-martin-kennedy.jpg Benedict Byrne, The Scarred One, Limestone, 215 x 90 x 65 cm. Installation view, Royal Academy of Arts. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Summer-39.jpg Installation view of Lecture Room hung by Stephen Chambers. Photo: © David Parry/ Royal Academy of Arts. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/04-hew-locke-photo-martin-kennedy.jpg Hew Locke, Gravesend (detail). Wood, fabric, brass and mixed media, 300 x 443 x 266 cm. Installation view, Royal Academy of Arts. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Summer-10.jpg Installation view of Gallery III hung by Jock Mcfadden. Large photo in centre is Wim Wenders, Street Front in Butte, Montana. Photo: © David Parry/ Royal Academy of Arts. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/ra-summer-exhibition-2019.jpg Installation view, Wohl Central Hall, Royal Academy Summer Exhibition 2019. Photo: © David Parry/ Royal Academy of Arts. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Jock-McFadyen-4.jpg Jock Mcfadden, Poor Mother, 2019. Oil on canvas, 151 x 211 cm. Photo: Lucid Plane. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Chantal-Joffe-1.jpg Chantal Joffe RA, Night Self-portrait. Oil on board, 28 x 21.1 cm. © Chantal Joffe. Courtesy the artist and Victoria Miro, London/Venice. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/Cornelia-Parker-1.jpg Cornelia Parker OBE RA, Deception Glass. Polymer photogravure etching, 61.3 x 44.5 cm. Courtesy of Cornelia Parker and Alan Cristea Gallery, London. https://www.studiointernational.com/images/articles/r/078-ra-summer-show-2019/05-hew-locke-photo-martin-kennedy.jpg Hew Locke, Souvenir 3 (Albert Edward Prince of Wales). Mixed media on antique parian ware, 52 x 31 x 21 cm. Courtesy of Hales Gallery, London and the artist. https://www.studiointernational.com/index.php/michael-craig-martin-sculpture-review-gagosian-london https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/CRAIG-2019-Sculpture-Installation-view-5.jpg Michael Craig-Martin: Sculpture, installation view, The Gagosian, Britannia Street, London, 2019. Photo: Lucy Dawkins. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/Michael-Craig-Martin,-with-safety-pin.jpg Michael Craig-Martin at the opening of Sculpture, The Gagosian, Britannia Street, London, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/CRAIG-2019.jpg Michael Craig-Martin. Headphones (magenta), 2019. Powder-coated steel, 107 1/2 x 122 13/16 x 13/16 in (273 x 312 x 2 cm). © Michael Craig-Martin. Photo: Lucy Dawkins. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/Headphone-detail-MCM.jpg Michael Craig-Martin. Headphones (magenta), 2019 (detail). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/MCM_press_03.jpg Michael Craig-Martin. Corkscrew (orange), 2019. Powder-coated steel, 118 1/8 x 102 3/8 x 13/16 in (300 x 260 x 2 cm). © Michael Craig-Martin. Photo: Lucy Dawkins. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/MCM_press_01.jpg Michael Craig-Martin. Safety Pin (blue), 2019. Powder-coated steel, 122 13/16 x 127 15/16 x 1 in (312 x 325 x 2.5 cm). © Michael Craig-Martin. Photo: Lucy Dawkins. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/CRAIG-2019-fountain-pen.jpg Michael Craig-Martin. Fountain Pen (turquoise), 2019. Powder-coated steel, 157 1/2 x 16 9/16 x 13/16 in (400 x 42 x 2 cm). © Michael Craig-Martin. Photo: Lucy Dawkins. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/CRAIG-2011.jpg Michael Craig-Martin. Bulb (red), 2011. Powder-coated steel, 79 1/8 x 131 1/8 x 1 in (201 x 333 x 2.5 cm). © Michael Craig-Martin. Photo: Lucy Dawkins. Courtesy the artist and Gagosian. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/CRAIG-2019-Sculpture-Installation-view-11.jpg Michael Craig-Martin: Sculpture, installation view, The Gagosian, Britannia Street, London, 2019. Photo: Lucy Dawkins. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/CRAIG-2019-Sculpture-Installation-view-3.jpg Michael Craig-Martin: Sculpture, installation view, The Gagosian, Britannia Street, London, 2019. Photo: Lucy Dawkins. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/Fork-detail.jpg Michael Craig-Martin. Fork detail. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/063-craig-martin-michael-2019/LightBulb-and-detail-of-corkscrewMCM.jpg Michael Craig-Martin. Lightbulb and detail of Corkscrew. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/remy-jungerman-iris-kensmil-the-measurement-of-presence-dutch-pavilion-venice-biennale-2019-video-interview https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/The-measurement-of-presence-3.jpg Iris Kensmil, The New Utopia Begins Here #1, 2019. Acrylic paint on wall, oil on canvas, 500 x 1596 cm. Installation view, Dutch Pavilion, Venice Biennale 2019. Photo: Altripiani Photography. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/kensmil-new-utopia-2.jpg Iris Kensmil, The New Utopia Begins Here #2, 2019. Ink and acrylic paint on wall, 580 x 390 cm. Installation view, Dutch Pavilion, Venice Biennale 2019. Photo: Altripiani Photography. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/06.jpg Remy Jungerman. Visiting Deities, 2018-19. Cotton textile, kaolin, dry river clay, water samples, painted wood, 58 table legs (meranti), yarn, mirror and nails, 384 x 138 x 102 in (975 x 350 x 260 cm). Photo: Aatjan Renders. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/REMY9466.jpg Remy Jungerman. Promise IV, 2018-19. Painted wood, cotton textile, kaolin, yarn and nails, 52.7 x 53.5 x 193 in (134 x 136 x 490 cm). Photo: Aatjan Renders. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/remy-jungerman-photo-martin-kennedy.jpg Remy Jungerman speaking to Studio International at the opening of The Measurement of Presence, Dutch Pavilion, Venice Biennale 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/REMY9381.jpg Remy Jungerman. Visiting Deities, 2018-19. Cotton textile, kaolin, dry river clay, water samples, painted wood, 58 table legs (meranti), yarn, mirror and nails, 384 x 138 x 102 in (975 x 350 x 260 cm). Photo: Aatjan Renders. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/The-measurement-of-presence-5.jpg Remy Jungerman and Iris Kensmil: The Measurement of Presence, installation view, Dutch Pavilion, Venice Biennale 2019. Photo: Altripiani Photography. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/15.jpg Remy Jungerman. Visiting Deities, 2018-19 (detail). Cotton textile, kaolin, dry river clay, water samples, painted wood, 58 table legs (meranti), yarn, mirror and nails, 384 x 138 x 102 in (975 x 350 x 260 cm). Photo: Aatjan Renders. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/REMY9496.jpg Remy Jungerman. Promise IV, 2018-19 (detail). Painted wood, cotton textile, kaolin, yarn and nails, 52.7 x 53.5 x 193 in (134 x 136 x 490 cm). Photo: Aatjan Renders. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/The-measurement-of-presence-4-detail.jpg Iris Kensmil, The New Utopia Begins Here #1, 2019 (detail). Acrylic paint on wall, oil on canvas, 500 x 1596 cm. Installation view, Dutch Pavilion, Venice Biennale 2019. Photo: Altripiani Photography. https://www.studiointernational.com/images/articles/j/093-jungerman-remy-2019/The-measurement-of-presence-1-MK-edit.jpg Dutch Pavilion, Giardini, Venice, built by Gerrit Rietveld in 1953. Photo: Altripiani Photography. https://www.studiointernational.com/index.php/julie-cunningham-interview-art-night-2019-london https://www.studiointernational.com/images/articles/c/062-cunningham-julie-2019/01-Julie-Cunningham,-m_e-photo-chris-nash.jpg Julie Cunningham, m/e. Photo: Chris Nash. https://www.studiointernational.com/images/articles/c/062-cunningham-julie-2019/04-Julie-Cunningham,-m_y-(2018)-Dancers-Julie-Cunningham,-Eleanor-Perry,-Hannah-Burfield.jpg Julie Cunningham, m/e. Photo: Chris Nash. https://www.studiointernational.com/images/articles/c/062-cunningham-julie-2019/05-Julie-Cunningham,-To-Be-Me-(2018).jpg Julie Cunningham, To Be Me, 2018. Photo: Stephen Wright. https://www.studiointernational.com/images/articles/c/062-cunningham-julie-2019/03-Julie-Cunningham,-m_y-(2018)-Dancers-Hannah-Burfield,-Sara.jpg Julie Cunningham, m/y, 2018. Dancers Hannah Burfield, Sara. Image courtesy of Julie Cunningham Company https://www.studiointernational.com/images/articles/c/062-cunningham-julie-2019/06-Julie-Cunningham,-m_y-(2018).jpg Julie Cunningham, m/e. Image courtesy of Julie Cunningham Company https://www.studiointernational.com/images/articles/c/062-cunningham-julie-2019/02-Julie-Cunningham,-Head-Shot.jpg Julie Cunningham, portrait. Photo: Rick Guest. https://www.studiointernational.com/index.php/paula-rego-interview-obedience-and-defiance-mk-gallery-milton-keynes https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/Salazar-Vomiting-The-Homeland,-1960.jpg Paula Rego, Salazar Vomiting The Homeland, 1960. Oil on canvas, 94 x 120 cm. © Paula Rego Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/Angel,-1998.jpg Paula Rego, Angel, 1998. Pastel on paper mounted on aluminium, 180 x 130 cm. © Copyright Paula Rego, Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/Centaur,-1964.jpg Paula Rego, Centaur, 1964. Oil, graphite, and paper on canvas, 140 × 139 cm. © 2019 Paula Rego and courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/Dancing-Ostriches-from-Fantasia,-1995---Left.jpg Paula Rego, Dancing Ostriches, 1995. Pastel on paper mounted on aluminium (left panel 162.5 × 155 cm). © Paula Rego. Courtesy of The Artist and Marlborough, New York and London. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/Untitled-No-5-abortion-series-1998.jpg Paula Rego, Untitled No. 5, 1998. Pastel on paper, 110 x 100 cm. © Paula Rego Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/Tryptich,-1997-8.jpg Paula Rego, Triptych, 1997-8. Pastel on paper mounted on aluminium, each panel 110 x 100 cm. © Paula Rego Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/Dancing-Ostriches-from-Fantasia,-1995---Right.jpg Paula Rego, Dancing Ostriches, 1995. Pastel on paper mounted on aluminium (right panel 160 × 120 cm) © Paula Rego. Courtesy of The Artist and Marlborough, New York and London https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/Disgust,-2001.jpg Paula Rego, Disgust, 2001. Pencil on paper, 42 x 29.7 cm. © Paula Rego Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/The-Cake-Woman,-2004.jpg Paula Rego, The Cake Woman, 2004. Pastel and paper mounted on aluminium, 150 x 150 cm. © Paula Rego Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/The-Exile,-1963.jpg Paula Rego, The Exile, 1963. Mixed media on canvas, 152 x 152 cm. © Paula Rego Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/The-Maids,-1987.jpg Paula Rego, The Maids, 1987. Acrylic on paper on canvas, 213 x 244 cm. © Paula Rego. Courtesy of The Artist and Marlborough, New York and London https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/Dog-Woman,-1952.jpg Paula Rego, Dog Woman, 1952. Pencil on paper, 15.5 x 21.5 cm. © Paula Rego Courtesy Marlborough Fine Art. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/War,-2003.jpg Paula Rego, War, 2003. Pastel and paper mounted on aluminium, 160 x 120 cm. © Paula Rego Tate: Presented by the artist (Building the Tate Collection) 2005 Photo: © Tate, London 2019. https://www.studiointernational.com/images/articles/r/078-rego-paula-2019/PAULA_REGO_STUDIO_14_MAY_2019_2019NICK_WILLING1.jpg Paula Rego in her studio © Nick Willing. https://www.studiointernational.com/index.php/shirley-tse-stakeholders-hong-kong-venice-biennale-2019-video-interview https://www.studiointernational.com/images/articles/t/089-tse-shirley-2019/1_playcourt_installation-view.jpg Playcourt, installation view of Shirley Tse: Stakeholders, Hong Kong in Venice, 2019. Courtesy of M+ and the artist. Photo: Ela Bialkowska, OKNOstudio. https://www.studiointernational.com/images/articles/t/089-tse-shirley-2019/hong-kong-venice-2019-05.jpg Play court (detail), installation view of Shirley Tse: Stakeholders, Hong Kong in Venice, 2019. Courtesy of M+ and the artist. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/089-tse-shirley-2019/hong-kong-venice-2019-06.jpg Play court (detail), installation view of Shirley Tse: Stakeholders, Hong Kong in Venice, 2019. Courtesy of M+ and the artist. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/089-tse-shirley-2019/shirley-tse-venice-2019-photo-martin-kennedy-2.jpg Shirley Tse speaking to Studio International at the opening of Stakeholders, Hong Kong in Venice 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/089-tse-shirley-2019/hong-kong-venice-2019-04.jpg Play court (detail), installation view of Shirley Tse: Stakeholders, Hong Kong in Venice, 2019. Courtesy of M+ and the artist. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/089-tse-shirley-2019/hong-kong-venice-2019-03.jpg Play court (detail), installation view of Shirley Tse: Stakeholders, Hong Kong in Venice, 2019. Courtesy of M+ and the artist. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/089-tse-shirley-2019/hong-kong-venice-2019-07.jpg Play court (detail), installation view of Shirley Tse: Stakeholders, Hong Kong in Venice, 2019. Courtesy of M+ and the artist. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/dulwich-pavilion-2019-the-colour-palace-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/DulwichPictureGallery_ColourPalace2019_AdamScott_30.jpg Dulwich Pavilion 2019: The Colour Palace, by artist Yinka Ilori and architects Pricegore. Photo: Adam Scott. https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/DulwichPictureGallery_ColourPalace2019_AdamScott_77.jpg Dulwich Pavilion 2019: The Colour Palace, by artist Yinka Ilori and architects Pricegore. Photo: Adam Scott. https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/DulwichPictureGallery_ColourPalace2019_AdamScott_61.jpg Dulwich Pavilion 2019: The Colour Palace, by artist Yinka Ilori and architects Pricegore. Photo: Adam Scott. https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/DulwichPictureGallery_ColourPalace2019_AdamScott_63.jpg Dulwich Pavilion 2019: The Colour Palace, by artist Yinka Ilori and architects Pricegore. Photo: Adam Scott. https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/DulwichPictureGallery_ColourPalace2019_AdamScott_51.jpg Dulwich Pavilion 2019: The Colour Palace, by artist Yinka Ilori and architects Pricegore. Photo: Adam Scott. https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/DulwichPictureGallery_ColourPalace2019_AdamScott_41.jpg Dulwich Pavilion 2019: The Colour Palace, by artist Yinka Ilori and architects Pricegore. Photo: Adam Scott. https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/DulwichPictureGallery_ColourPalace2019_AdamScott_50.jpg Dulwich Pavilion 2019: The Colour Palace, by artist Yinka Ilori and architects Pricegore. Photo: Adam Scott. https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/DulwichPictureGallery_ColourPalace2019_AdamScott_57.jpg Dulwich Pavilion 2019: The Colour Palace, by artist Yinka Ilori and architects Pricegore. Photo: Adam Scott. https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/DulwichPictureGallery_ColourPalace2019_AdamScott_74.jpg Dulwich Pavilion 2019: The Colour Palace, by artist Yinka Ilori and architects Pricegore. Photo: Adam Scott. https://www.studiointernational.com/images/articles/c/061-colour-palace-dulwich-2019/Pricegore-Yinka_Ilori_photo-James-Lyndsay-(1).jpg Pricegore’s Dingle Price and Alex Gore with artist Yinka Ilori. Photo: James Lyndsay. https://www.studiointernational.com/index.php/lubaina-himid-interview-it-is-my-intention-to-create-artworks-that-examine-ideas-new-rules-by-which-to-live https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/LH_218_Le-Rodeur_The-Lock.jpg Lubaina Himid, Le Rodeur: The Lock, 2016. Acrylic on canvas, 72 x 96 1/8 in (183 x 244 cm). Courtesy the artist and Hollybush Gardens. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/LH_219_Le-Rodeur_The-Exchange.jpg Lubaina Himid, Le Rodeur: The Exchange, 2016. Acrylic on canvas, 72 x 96 1/8 in (183 x 244 cm). Courtesy the artist and Hollybush Gardens. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/LH_224_Le-Rodeur_The-Cabin.jpg Lubaina Himid, Le Rodeur: The Cabin, 2017. Acrylic on canvas, 72 x 96 1/8 in (183 x 244 cm). Courtesy the artist and Hollybush Gardens. Photo: Stephan Baumann. https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/LH_273_The-Captain-and-The-Mate.jpg Lubaina Himid, Le Rodeur: The Captain and the Mate, 2017–18. Acrylic on canvas, 72 x 96 1/8 in (183 x 244 cm). Courtesy the artist and Hollybush Gardens. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/LH_How-Do-You-Spell-Change.jpg Lubaina Himid, How Do You Spell Change?, 2018. Acrylic on paper, 28 3/8 x 40 1/8 in (72 x 102 cm). Courtesy the artist and Hollybush Gardens. Photo: Gavin Renshaw. https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/LH_So-Many-Dreams.jpg Lubaina Himid, So Many Dreams, 2018. Acrylic on paper, 28 3/8 x 40 1/8 in (72 x 102 cm). Courtesy the artist and Hollybush Gardens. Photo: Gavin Renshaw. https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/LH_Tenderness-Only-We-Can-Bear.jpg Lubaina Himid, Tenderness Only We Can Bear, 2018. Acrylic on paper, 28 3/8 x 40 1/8 in (72 x 102 cm). Courtesy the artist and Hollybush Gardens. Photo: Gavin Renshaw. https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/LH_There-Could-Be-An-Endless-Ocean.jpg Lubaina Himid, There Could Be an Endless Ocean, 2018. Acrylic on paper, 28 3/8 x 40 1/8 in (72 x 102 cm). Courtesy the artist and Hollybush Gardens. Photo: Gavin Renshaw. https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/LH_Why-Are-You-Looking.jpg Lubaina Himid, Why Are You Looking…, 2018. Acrylic on paper, 28 3/8 x 40 1/8 in (72 x 102 cm). Courtesy the artist and Hollybush Gardens. Photo: Gavin Renshaw. https://www.studiointernational.com/images/articles/h/070-himid-lubaina-2019/640-Lubaina-Himid-Porthmeor-Studios.jpg Lubaina Himid, Porthmeor Studios. https://www.studiointernational.com/index.php/ibrahim-el-salahi-interview-drawing-for-me-is-a-kind-of-meditation https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/DSC_0022.jpg Ibrahim El-Salahi. Pain Relief Drawing, 2019. 12.5 x 10 cm (4 7/8 x 3 7/8 in). https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/DSC_8224.jpg Ibrahim El-Salahi. Pain Relief Drawing, 2018. Pen and ink on a paper envelope, 28.6 x 20 cm (11 1/4 x 7 7/8 in). https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/Ibrahim-El-Salahi-Pain-Relief-self-portrait,-2019.jpg Ibrahim El-Salahi. Pain Relief, 2019. Unique silkscreen on calendered Belgian linen, 196 x 130 cm (77 1/8 x 51 1/8 in). https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/DSC_4919.jpg Ibrahim El-Salahi. Pain Relief Drawing, 2019. Pen and ink on the back of a medicine packet, 12.5 x 12 cm (4 7/8 x 4 3/4 in). https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/DSC_4929.jpg Ibrahim El-Salahi. Pain Relief Drawing, 2018. Pen and ink on the back of a medicine packet, 11.5 x 15.5 cm (4 1/2 x 6 1/8 in). https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/DSC_2125.jpg Ibrahim El-Salahi. Pain Relief Drawing, 2018. Pen and ink on a paper envelope, 4.3 x 11 cm (1 3/4 x 4 3/8 in). https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/IMG_9701.jpg Ibrahim El-Salahi. https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/IMG_4233.jpg Ibrahim El-Salahi. https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/IMG_4220.jpg Ibrahim El-Salahi. https://www.studiointernational.com/images/articles/e/086-el-salahi-ibrahim-2019/DSC_2129.jpg Ibrahim El-Salahi. Pain Relief Drawing, 2018. Pen and ink on a paper envelope, 9.3 x 6 cm (3 5/8 x 2 3/8 in). https://www.studiointernational.com/index.php/barbara-takenaga-linda-fleming-jaq-chartier-alison-hall-review-robischon-gallery-denver https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/07_Linda-Fleming_Installation-with-Swoop,-Gouache-Wall-Drawings.jpg Linda Fleming: Allusion, installation view, Robischon Gallery 2019. Left to right: Swoop powder-coated steel 64 x 69 x 2 in; Gouache wall drawings. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/09_Linda-Fleming_Evening-Breeze.jpg Linda Fleming. Evening Breeze. Powder-coated steel, 6 x 83 x 2 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/03_Babara-Takenaga_Installation-with-Manifold-5.jpg Barbara Takenaga, Manifold 5, acrylic on linen, 70 x 225 in. Installation view, Manifold, Robischon Gallery 2019. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/04_Barbara-Takenaga_Black-Shape-_-Red-Line,-2019.jpg Barbara Takenaga. Black Shape / Red Line. Acrylic on linen, 36 x 42 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/11_Jaq-Chartier_Installation-with-Suntest-1-(6-Intervals),-27-Formulas,-Small-Study-(July),-22-Tests-and-4-Whites,-Green_Blue-Chart.jpg Jaq Chartier: SunTests, installation view, Robischon Gallery 2019. Left to right: Suntest #1 (6 Intervals), dye sublimation on aluminum, 31 x 65 in; 27 Formulas, acrylic, ink, dyes, stains and spray paint on panel, 12 x 12 in; Small Study (July), acrylic, ink, dyes, stains and spray paint on panel 12 x 12 in; 22 Tests and 4 Whites, acrylic, ink, dyes, stains and spray paint on panel, 12 x 12 in; Green/Blue Chart, acrylic, ink, dyes, stains and spray paint on panel, 40 x 61 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/12_Jaq-Chartier_Suntest-3-(Day-1,-12,-35).jpg Jaq Chartier. Suntest #3 (Day 1, 12, 35). Dye sublimation on aluminium, 70 x 82 in. Installation view, SunTests, Robischon Gallery 2019. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/17_Alison-Hall_Chapel-II-(Lorenzetti).jpg Alison Hall. Chapel II (Lorenzetti). Oil, graphite and plaster on panel, 9 ½ x 7 ½ in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/14_Alison-Hall_Installation-with-Ancestral,-Arena,-Annunciation.jpg Alison Hall. Heirlooms. installation view, Robischon Gallery 2019. Left to right: Ancestral, oil, graphite and plaster on panel, 91 x 71 in; Arena, gouache and graphite on paper, 15 ¾ x 14 in; Annunciation, gouache and graphite on paper, 15 ¾ x 14 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/08_Linda-Fleming_Installation-with-Gossamer.jpg Linda Fleming: Allusion, installation view of Gossamer, Robischon Gallery 2019. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/08-linda-flemming-gossamer.jpg Linda Fleming, Gossamer. Chromed steel, 86 x 71 x 1 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/01_Barbara-Takenaga_Installation-with-Flat-Top,-Black-Shape-_-Red-Line,-Sidelong.jpg Barbara Takenaga: Manifold, installation view, Robischon Gallery 2019. Left to right: Flat Top, acrylic on linen, 60 x 70 in; Black Shape / Red Line, acrylic on linen, 36 x 42 in; Sidelong, acrylic on linen, 54 x 45 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/02_Barbara-Takenaga_Installation-with-Shadow-Love,-Hello,-Manifold-5.jpg Barbara Takenaga: Manifold, installation view, Robischon Gallery 2019. Left to right: Shadow Love, acrylic on linen, 54 x 45 in; Hello, acrylic on linen, 42 x 36 in; Manifold 5, acrylic on linen, 70 x 225 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/05_Barbara-Takenaga_Blue-(A),-2019.jpg Barbara Takenaga. Blue (A). Acrylic on linen, 60 x 70 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/10_Jaq-Chartier_Installation-with-Suntest-6-(Day-1,-6,-59).jpg Jaq Chartier. Suntest #6 (Day 1, 6, 59). Dye sublimation on aluminum, 115 x 37 in. Installation view, Suntest, Robischon Gallery 2019, Image courtesy Robischon Gallery https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/13_Jaq-Chartier_22-Tests-and-4-Whites.jpg Jaq Chartier. 22 Tests and 4 Whites. Acrylic, ink, dyes, stains and spray paint on panel, 12 x 12 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/15_Alison-Hall_Invocation-I.jpg Alison Hall. Invocation I. Oil, graphite and plaster on panel, 9 ½ x 7 ½ in. Image courtesy Robischon Gallery. https://www.studiointernational.com/images/articles/r/077-robischon-gallery-2019/16_Alison-Hall_A-Ceiling-(For-the-Lonely).jpg Alison Hall. A Ceiling (For the Lonely). Oil, graphite and plaster on panel, 13 x 11 in. Image courtesy Robischon Gallery. https://www.studiointernational.com/index.php/ekaterina-degot-interview-steirischer-herbst-grand-hotel-abyss-graz-austria https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Anna-Clementi-and-Angela-Wingerath-rehearsing-for-Zorka-Wollnys-performance-for-steirischer-herbst,-Berlin,-2019,-photo-Zorka-Wollny.jpg Anna Clementi and Angela Wingerath rehearsing for Zorka Wollny’s performance for Steirischer Herbst ’19, Berlin, 2019. Photo: Zorka Wollny. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Cibelle-Cavalli-Bastos,-poster-from-the-series-Sonja-Khalecallonin-Las-Venus-Resort-Palace-Hotel-(2010),-photo--Socrates-Mitsios-.jpg Cibelle Cavalli Bastos, poster from the series Sonja Khalecallonin Las Venus Resort Palace Hotel, 2010. Photo: Socrates Mitsios. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Jeremy-Deller,-Putins-Happy-(2019),-film-still,-courtesy-the-artist.jpg Jeremy Deller, Putin’s Happy, 2019. Film still, courtesy the artist. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Yoshinori-Niwa,-Withdrawing-Adolf-Hitler-from-a-Private-Space-(2018)-Photo-Mathias-Volzke.jpg Yoshinori Niwa, Withdrawing Adolf Hitler from a Private Space, 2018. Photo: Mathias Völzke. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Yoshinori-Niwa,-Withdrawing-Adolf-Hitler-from-a-Private-Space-(2018)-Photo-Clara-Wildberger.jpg Yoshinori Niwa, Withdrawing Adolf Hitler from a Private Space, 2018. Photo: Clara Wildberger. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Yoshinori-Niwa,-Withdrawing-Adolf-Hitler-from-a-Private-Space-(2018)-Photo--Clara-Wildberger-2.jpg Yoshinori Niwa, Withdrawing Adolf Hitler from a Private Space, 2018. Photo: Clara Wildberger. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Department-of-Ultimology,-What-Where,-2018-Photo--Liz-Eve.jpg Department of Ultimology, What Where, 2018. Photo: Liz Eve. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Laibach,-Laibachs-Sound-of-Music,-2018-Photo-Mathias-Volzke.jpg Laibach’s Sound of Music, 2018. Photo: Mathias Völzke. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Laibachs-Sound-of-Music,-2018-Photo--Jasper-Kettner.jpg Laibach’s Sound of Music, 2018. Photo: Jasper Kettner. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Henrike-Naumann--Anschluss-90,-2018-2.jpg Henrike Naumann, Anschluss ‘90, 2018. Photo: Mathias Völzke. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Henrike-Naumann--Anschluss-90,-2018.jpg Henrike Naumann, Anschluss ‘90, 2018. Photo: Mathias Völzke. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Nedko-Solakov,-a-lost-cold-war-spy,-sketch,-2019,-courtesy-the-artist.jpg Nedko Solakov, “a lost cold war spy”, sketch, 2019. Courtesy the artist. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/Haludovo-Palace-Hotel,-Krk-island,-Croatia,-2019,-photo--Bojan-Djordjev.jpg Haludovo Palace Hotel, Krk Island, Croatia, 2019. Photo: Bojan Djordjev. https://www.studiointernational.com/images/articles/d/081-degot-ekaterina-2019/ekaterina-degot.jpg Ekaterina Degot. Photo: JJ Kucek. https://www.studiointernational.com/index.php/nunzio-the-shock-of-objectivity-review-mazzoleni-london https://www.studiointernational.com/images/articles/n/086-nunzio-2019/MAZ_060619_13-copy.jpg Nunzio: The Shock of Objectivity, installation view, Mazzoleni, London, 2019. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/n/086-nunzio-2019/NUN039-image.jpg Nunzio, Sera, 1991. Combustion on wood, 106 x 55 x 17.5 cm. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/n/086-nunzio-2019/Nunzio-Avvoltoio,-2019.jpg Nunzio, Avvoltoio, 2019. Pigment and combustion on wood, 238 x 252 x 130 cm. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/n/086-nunzio-2019/Detail-of-Avvoltoio,-(Vulture)-IMG_0799.jpg Nunzio, Avvoltoio, 2019 (detail). Pigment and combustion on wood, 238 x 252 x 130 cm. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/n/086-nunzio-2019/NUN071,-Nunzio,-Untitled,-2019.jpg Nunzio, Untitled, 2019. Combustion on wood, 115 x 185 x 15 cm. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/n/086-nunzio-2019/NUN029-max-shine.jpg Nunzio, Mercurio, 1990. Lead and combustion on wood, 128 x 119 x 3 cm. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/n/086-nunzio-2019/MAZ_060619_04.jpg Nunzio: The Shock of Objectivity, installation view, Mazzoleni, London, 2019. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/n/086-nunzio-2019/MAZ_060619_12.jpg Nunzio: The Shock of Objectivity, installation view, Mazzoleni, London, 2019. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/n/086-nunzio-2019/NUN016,-Nunzio,-Senza-titolo.jpg Nunzio, Untitled, 2013. Combustion on wood, 212 x 46 x 47 cm. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/n/086-nunzio-2019/05-06-2019_MAZ_0069.jpg Nunzio: The Shock of Objectivity, installation view, Mazzoleni, London, 2019. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/index.php/lucio-fontana-on-the-threshold-review-guggenheim-bilbao https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/04.jpg Lucio Fontana, Spatial Concept, The Quanta, 1959. Water-based paint on canvas with slashes, 6 parts, dimensions variable. Private collection, Italy. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/10.jpg Lucio Fontana, Spatial Concept, Expectation, 1959. Water-based paint on canvas with slashes, 118 x 88 cm. Collezione Prada, Milan. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/06.jpg Lucio Fontana, Olympic Champion (Waiting Athlete), 1932. Painted plaster, 121 x 92 x 70cm. Collazione d’Arte e di Storia della Fondazione Cassa di Risparmio, Bologna. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/02.jpg Lucio Fontana, Portrait of Teresita, 1940. Mosaic, 34 x 33 x 15 cm. Fondazione Lucio Fontana, Milan. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/11.jpg Lucio Fontana, Battle, 1947. Glazed ceramic. 18 x 30 x 12 cm. Private collection. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/07.jpg Lucio Fontana, Spatial Concept, 1950. Oil on canvas with holes, 85 x 65 cm. Fondazione Lucio Fontana, Milan. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/09.jpg Lucio Fontana, Spatial Concept, New York 10. Copper with slashes and scratches, 3 panels. 94 x 234 cm. Fondazione Lucio Fontana, Milan. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/13.jpg Lucio Fontana, Spatial Concept, Expectation, 1968. Canvas with slash, 61.4 x 50.3 cm. Vitart, Switzerland. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/01.jpg Lucio Fontana, Spatial Concept, Expectation, 1959. Oil on canvas with slashes, 90.8 x 90.8 cm. Olnick Spanu Collection, New York. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/03.jpg Lucio Fontana, Neon Structure for the Ninth Milan Triennale, 1951/2019. Glass tube and neon, 240 x 1000 x 1200 cm. Reconstruction authorised by Fondazione Lucio Fontana, Milan. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/05.jpg Lucio Fontana, Spatial Environment in Red, 1967/2019. Painted wood, glass tubes, neon and mixed media, 220 x 600 x 490 cm. Reconstruction authorised by Fondazione Lucio Fontana, Milan - project Pirelli HangerBiocca 2017. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/08.jpg Lucio Fontana, Spatial Concept, The Bread, 1950. Terracotta. 42 x 33 x 3.5 cm. Fondazione Lucio Fontana, Milan. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/images/articles/f/084-fontana-lucio-2019/12.jpg Lucio Fontana, Spatial Concept, 1954. Oil, ink and glass on canvas. 70 x 49.5 cm. Private Collection, Italy. © Fondazione Lucio Fontana, Bilbao, 2019. https://www.studiointernational.com/index.php/liz-johnson-artur-if-you-know-the-beginning-end-is-no-trouble-review-south-london-gallery https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/vs-02-Peckham-a-love-letter-display.jpg Liz Johnson Artur: Peckham … A Love Letter, 2019 (detail). Installation view at the South London Gallery, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/16-Liz-Johnson-Artur-Peckham-2019-2.jpg Liz Johnson Artur, Peckham, 2019. Installation view at the South London Gallery, 2019. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/05-ethiopian-wedding-2009-1.jpg Liz Johnson Artur, Ethiopian wedding, 2009. Courtesy the artist. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/20-Liz-Johnson-Artur-Womens-Corner-2019.jpg Liz Johnson Artur, Women’s Corner, 2019 (detail). Installation view at the South London Gallery, 2019. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/vs-09-Oral-Histories-in-Womens-Corner.jpg Liz Johnson Artur: Women’s Corner – Oral Histories, 2019 (detail). Installation view at the South London Gallery, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/vs-12-Going-out---the-pain-before-the-fun-.jpg Liz Johnson Artur: If You Know the Beginning, the End Is No Trouble, 2019 (detail). Installation view at the South London Gallery, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/12-Liz-Johnson-Artur-Community-2019.jpg Liz Johnson Artur, Community, 2019. Installation view at the South London Gallery, 2019. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/14-Liz-Johnson-Artur-Library-2019.jpg Liz Johnson Artur, Library, 2019. Installation view at the South London Gallery, 2019. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/10-peckham-2009.jpg Liz Johnson Artur, Peckham, 2009. Courtesy the artist. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/07-MCs-East-London-2004.jpg Liz Johnson Artur, Under 18s Rave, East London, 2003. Courtesy the artist. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/01-Brixton-2010.jpg Liz Johnson Artur, Brixton, 2010. Courtesy the artist. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/02-Burgess-parc-2010.jpg Liz Johnson Artur, Burgess Park, 2010. Courtesy the artist. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/04-elephantcastle-1991.jpg Liz Johnson Artur, Elephant and Castle, 1991. Courtesy the artist. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/15-Liz-Johnson-Artur-Library-2019-2.jpg Liz Johnson Artur, Library, 2019 (detail). Installation view at the South London Gallery, 2019. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/vs-05-Palm-leaves-among-the-everyday.jpg Liz Johnson Artur: If You Know the Beginning, the End Is No Trouble, 2019 (detail). Installation view at the South London Gallery, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/vs-08-Hair-sculptures-in-Womens-Corner.jpg Hair sculptures by artist Virginie Pinto Moreira, installation view, Liz Johnson Artur: If You Know the Beginning, the End Is No Trouble, South London Gallery, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/18-Liz-Johnson-Artur-Womens-Corner-2019-2.jpg Liz Johnson Artur, Women’s Corner, 2019. Installation view at the South London Gallery, 2019. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/vs-10-Womens-Corner-nightclubbers.jpg Liz Johnson Artur: Women’s Corner – nightclubbing, 2019 (detail). Installation view at the South London Gallery, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/065-artur-liz-johnson-2019/19-Liz-Johnson-Artur-Womens-Corner-2019-3.jpg Liz Johnson Artur, Women’s Corner, 2019 (detail). Installation view at the Sound London Gallery, 2019. Photo: Andy Stagg. https://www.studiointernational.com/index.php/nikhil-chopra-interview-i-try-to-hold-up-a-mirror-to-the-world-and-capture-what-is-being-reflected https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/IMG_3292.jpg Nikhil Chopra. Drawing a Line through Landscape, 2017. Commissioned by documenta 14. Costume Design Loise Braganza. Photography Madhavi Gore. Image courtesy the artist, Chatterjee & Lal, Mumbai and GALLERIA CONTINUA, San Gimignano / Les Moulins / Beijing / Havana. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/IMG_2763.jpg Nikhil Chopra. Drawing a Line through Landscape, 2017. Commissioned by documenta 14. Costume Design Loise Braganza. Photography Madhavi Gore. Image courtesy the artist, Chatterjee & Lal, Mumbai and GALLERIA CONTINUA, San Gimignano / Les Moulins / Beijing / Havana. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/01-DSC_0188.jpg Nikhil Chopra. Coal on Cotton, 2013. Commissioned by Manchester International Festival and the Whitworth Gallery, Manchester. Costume Design Sabine Pfisterer. Photograph: Sabine Pfisterer. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/02-DSC_0258.jpg Nikhil Chopra. Coal on Cotton, 2013. Commissioned by Manchester International Festival and the Whitworth Gallery, Manchester. Costume Design Sabine Pfisterer. Photograph: Sabine Pfisterer. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/03-DSC_0619.jpg Nikhil Chopra. Coal on Cotton, 2013. Commissioned by Manchester International Festival and the Whitworth Gallery, Manchester. Costume Design Sabine Pfisterer. Photograph: Sabine Pfisterer. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/04-DSC_0910.jpg Nikhil Chopra. Coal on Cotton, 2013. Commissioned by Manchester International Festival and the Whitworth Gallery, Manchester. Costume Design Sabine Pfisterer. Photograph: Sabine Pfisterer. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/06-DSC_0433.jpg Nikhil Chopra. Coal on Cotton, 2013. Commissioned by Manchester International Festival and the Whitworth Gallery, Manchester. Costume Design Sabine Pfisterer. Photograph: Sabine Pfisterer. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/IMG_5120.jpg Nikhil Chopra. Use Like Water, 2013. Commissioned by the 12th Sharjah Biennale. Costume Design by Loise Braganza. Photograph: Istabraq Kinda. Image courtesy the artist, Chatterjee & Lal, Mumbai and GALLERIA CONTINUA, San Gimignano / Les Moulins / Beijing / Havana. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/IMG_5798.jpg Nikhil Chopra. Use Like Water, 2013. Commissioned by the 12th Sharjah Biennale. Costume Design by Loise Braganza. Photograph: Istabraq Kinda. Image courtesy the artist, Chatterjee & Lal, Mumbai and GALLERIA CONTINUA, San Gimignano / Les Moulins / Beijing / Havana. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/IMG_5220.jpg Nikhil Chopra. Use Like Water, 2013. Commissioned by the 12th Sharjah Biennale. Costume Design by Loise Braganza. Photograph: Istabraq Kinda. Image courtesy the artist, Chatterjee & Lal, Mumbai and GALLERIA CONTINUA, San Gimignano / Les Moulins / Beijing / Havana. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/IMG_5585.jpg Nikhil Chopra. Use Like Water, 2013. Commissioned by the 12th Sharjah Biennale. Costume Design by Loise Braganza. Photograph: Istabraq Kinda. Image courtesy the artist, Chatterjee & Lal, Mumbai and GALLERIA CONTINUA, San Gimignano / Les Moulins / Beijing / Havana. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/05-DSC_1067.jpg Nikhil Chopra. Coal on Cotton, 2013. Commissioned by Manchester International Festival and the Whitworth Gallery, Manchester. Costume Design Sabine Pfisterer. Photograph: Sabine Pfisterer. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/IMG_5115.jpg Nikhil Chopra. Use Like Water, 2013. Commissioned by the 12th Sharjah Biennale. Costume Design by Loise Braganza. Photograph: Istabraq Kinda. Image courtesy the artist, Chatterjee & Lal, Mumbai and GALLERIA CONTINUA, San Gimignano / Les Moulins / Beijing / Havana. https://www.studiointernational.com/images/articles/c/060-chopra-nikhil-2019/IMG_5690.jpg Nikhil Chopra. Use Like Water, 2013. Commissioned by the 12th Sharjah Biennale. Costume Design by Loise Braganza. Photograph: Istabraq Kinda. Image courtesy the artist, Chatterjee & Lal, Mumbai and GALLERIA CONTINUA, San Gimignano / Les Moulins / Beijing / Havana. https://www.studiointernational.com/index.php/nicole-eisenman-groupings-of-works-from-fountain-review-401-park-boston https://www.studiointernational.com/images/articles/e/085-eisenman-nicole-2019/5826.jpg Nicole Eisenman, Grouping of Works from Fountain, 2017-2019. 401 Park Collection, Samuels & Associates, Boston, Massachusetts. Courtesy of Goodman Taft. Photo: Aram Boghosian. Courtesy the artist / Anton Kern Gallery, New York © Nicole Eisenman https://www.studiointernational.com/images/articles/e/085-eisenman-nicole-2019/5826-detail.jpg Nicole Eisenman, Grouping of Works from Fountain, 2017-2019. 401 Park Collection, Samuels & Associates, Boston, Massachusetts. Courtesy of Goodman Taft. Photo: Aram Boghosian. Courtesy the artist / Anton Kern Gallery, New York © Nicole Eisenman https://www.studiointernational.com/images/articles/e/085-eisenman-nicole-2019/8085.jpg Nicole Eisenman, Grouping of Works from Fountain, 2017-2019. 401 Park Collection, Samuels & Associates, Boston, Massachusetts. Courtesy of Goodman Taft. Photo: Aram Boghosian. Courtesy the artist / Anton Kern Gallery, New York © Nicole Eisenman https://www.studiointernational.com/images/articles/e/085-eisenman-nicole-2019/7833.jpg Nicole Eisenman, Grouping of Works from Fountain, 2017-2019. 401 Park Collection, Samuels & Associates, Boston, Massachusetts. Courtesy of Goodman Taft. Photo: Aram Boghosian. Courtesy the artist / Anton Kern Gallery, New York © Nicole Eisenman. https://www.studiointernational.com/index.php/natalia-goncharova-review-tate-modern-london https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Self-Portrait-with-Yellow-Lilies-X67198.jpg Natalia Goncharova. Self-Portrait with Yellow Lilies, 1907-08. Oil paint on canvas, 77.5 x 58.2 cm. State Tretyakov Gallery, Moscow. Purchased 1927. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Natalia-Goncharova-Peasants-Picking-Apples-1911.jpg Natalia Goncharova. Peasants Picking Apples, 1911. Oil paint on canvas, 104.5 x 98 cm. State Tretyakov Gallery, Moscow. Received from the Museum of Artistic Culture 1929. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova_Press_02.jpg Natalia Goncharova at Tate Modern, 2019. Photo: © Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova_Press_03.jpg Natalia Goncharova, The Evangelists,1911, installation view at Tate Modern, 2019. Photo: © Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Cyclist-X69042.jpg Natalia Goncharova. Cyclist, 1913. Oil paint on canvas, 78 x 105 cm. State Russian Museum. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Design-with-birds-and-flowers.jpg Natalia Goncharova. Design with birds and flowers. Study for textile design for House of Myrbor, 1925-1928. Gouache and graphite on embossed paper, 74.5 x 67 cm. State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova_Press_05.jpg Natalia Goncharova, Bathers, 1922, installation view at Tate Modern, 2019. Photo: © Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova_Press_09.jpg Natalia Goncharova at Tate Modern, 2019. Photo: © Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Two-female-dancers-(half-length).jpg Natalia Goncharova. Two female dancers (half-length). Choreography design for Les Noces, c1923. Ink and paint on paper, 25 x 25 cm. Victoria and Albert Museum, London. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova---Linen-1913.jpg Natalia Goncharova. Linen, 1913. Oil paint on canvas, 95.6 x 83.8 cm. Tate. Presented by Eugène Mollo and the artist 1953. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Bathers-1922-X67292.jpg Natalia Goncharova. Bathers, 1922. Oil paint on canvas, 260 x 199 cm. State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Harvest-Angels-Throwing-Stones-on-the-City-X67212.jpg Natalia Goncharova. Harvest: Angels Throwing Stones on the City, 1911. Oil paint on canvas, 100 x 129 cm. State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina 1989. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Harvest-The-Phoenix-1911.jpg Natalia Goncharova. Harvest: The Phoenix, 1911. Oil paint on canvas, 92 x 97.5 cm. State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina, Paris 1989. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Orange-Seller-1916-X69058.jpg Natalia Goncharova. Orange Seller, 1916. Oil paint on canvas, 131 x 97 cm. Museum Ludwig. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Peasant-Woman-from-Tula-Province-1910-X67183.jpg Natalia Goncharova. Peasant Woman from Tula Province, 1910. Oil paint on canvas, 103.5 x 73 cm. State Tretyakov Gallery, Moscow. Bequeathed by A.K. Larionova-Tomilina 1989. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Peasant-woman.jpg Natalia Goncharova. Peasant woman. Costume design for Le Coq d'Or, 1937. Watercolour, bronze paint and graphite on paper, 45.5 x 30 cm. State Tretyakov Gallery, Moscow. Presented by E. Kurnan 1983. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Goncharova-Set-design-for-the-final-scene-of-The-Firebird-X69067.jpg Natalia Goncharova. Set design for the final scene of The Firebird, 1954. Graphite and gouache on paper. Victoria and Albert Museum, London. © ADAGP, Paris and DACS, London 2019 . https://www.studiointernational.com/images/articles/g/078-goncharova-2019/Theatre-costume-for-the-Prince-in-Sadko-1916-X69074.jpg Natalia Goncharova. Theatre costume for Sadko in Sadko, 1916, 185 x 85 x 65 cm. Victoria and Albert Museum, London. Given by the British Theatre Museum Association. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/index.php/andrea-luka-zimmerman-interview-here-for-life-film https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/Artangel_HereforLife_007.jpg The performers rehearsing at Nomadic Gardens in London during the filming of Here for Life (2019). Photograph: Marc Hankins. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/vs3-NomadicCommunityGardens2.jpg Nomadic Gardens in London. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/ESTATE_BC_procession.jpg Film still from Estate, A Reverie (2015) by Andrea Luka Zimmerman. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/Artangel_HereforLife_001.jpg Film still from Here for Life (2019) by Andrea Luka Zimmerman and Adrian Jackson. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/Artangel_HereforLife_003.jpg Film still from Here for Life (2019) by Andrea Luka Zimmerman and Adrian Jackson. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/Artangel_HereforLife_004.jpg Patrick Onione with horse on Electric Avenue during the filming of Here for Life (2019). Photograph: Marc Hankins. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/ESTATE_Clarissa_web_BC.jpg Film still from Estate, A Reverie (2015) by Andrea Luka Zimmerman. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/ESTATE_BC_kid_chicken.jpg Film still from Estate, A Reverie (2015) by Andrea Luka Zimmerman. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/ESTATE_jeff_web.jpg Film still from Estate, A Reverie (2015) by Andrea Luka Zimmerman. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/vs2-NomadicCommunityGardensFilmScreeningSeating.jpg Nomadic Gardens in London. Photograph: Veronica Simpson. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/AndreaLukaZimmerman_LFF_2017.jpg Andrea Luka Zimmerman. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/Artangel_HereforLife_002.jpg Film still from Here for Life (2019) by Andrea Luka Zimmerman and Adrian Jackson. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/Artangel_HereforLife_005.jpg Mwiinga Twyman performing during the filming of Here for Life (2019). Photograph: Marc Hankins. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/Artangel_HereforLife_006.jpg Mwiinga Twyman, Jake Goode and Kamby Kamara at the anti-Trump protest in London during the filming of Here for Life (2019). Photograph: Marc Hankins. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/ESTATE-kidandchicken_web.jpg Film still from Estate, A Reverie (2015) by Andrea Luka Zimmerman. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/Estate-cast_BC_web.jpg Film still from Estate, A Reverie (2015) by Andrea Luka Zimmerman. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/taskafa-1.jpg Film still from Taşkafa, stories of the street (2013) by Andrea Luka Zimmerman. https://www.studiointernational.com/images/articles/z/097-zimmerman-andrea-luka-2019/vs-NomadicCommunityGardensPreFilmPerformance.jpg Nomadic Gardens in London. Photograph: Veronica Simpson. https://www.studiointernational.com/index.php/kevork-mourad-the-making-of-seeing-through-babel-video-interview https://www.studiointernational.com/images/articles/m/058-mourad-kevork-2019/seeing-through-babel-2019.jpg Kevork Mourad: Seeing Through Babel, Ismaili Centre, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/058-mourad-kevork-2019/kevork-mourad-drawing-view-2-photo-martin-kennedy.jpg Kevork Mourad creating Seeing Through Babel at the Ismaili Centre in London, June 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/058-mourad-kevork-2019/kevork-mourad-working-photo-martin-kennedy.jpg Kevork Mourad creating Seeing Through Babel at the Ismaili Centre in London, June 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/058-mourad-kevork-2019/kevork-mourad-process-2-photo-martin-kennedy.jpg Kevork Mourad creating Seeing Through Babel at the Ismaili Centre in London, June 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/058-mourad-kevork-2019/kevork-mourad_ismaili-centre-london-2019-photo-martin-kennedy.jpg Kevork Mourad speaking to Studio International during the making of Seeing Through Babel at the Ismaili Centre in London, June 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/058-mourad-kevork-2019/kevork-mourad-drawing-view-photo-martin-kennedy.jpg Kevork Mourad creating Seeing Through Babel at the Ismaili Centre in London, June 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/058-mourad-kevork-2019/kevork-mourad-babel-photo-5-martin-kennedy.jpg Kevork Mourad: Seeing Through Babel (detail), Ismaili Centre, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/058-mourad-kevork-2019/kevork-mourad-babel-photo-4-martin-kennedy.jpg Kevork Mourad: Seeing Through Babel, Ismaili Centre, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/cutting-edge-modernist-british-printmaking https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/04.jpg Ethel Spowers, Wet Afternoon, 1929-30. Photo: Osborne Samuel, London / ©The Estate of Ethel Spowers. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/01.jpg Claude Flight, Speed, c1922. Photo Osborne Samuel Gallery London / © The Estate of Cyril Power. All Rights Reserved, [2019] / Bridgeman Images. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/03.jpg Cyril Power, The Merry-Go-Round, c1930. © The Estate of Cyril Power. All Rights Reserved, (2019) / Bridgeman Images / photo The Wolfsonian–Florida International University. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/09.jpg Dorrit Black, Music, 1927-28. Elder Bequest Fund 1976, Art Gallery of South Australia, Adelaide. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/02.jpg Cyril Power, The Eight, 1930. © The Estate of Cyril Power. All Rights Reserved, (2019) / Bridgeman Images / Photo © Elijah Taylor (Brick City Projects). https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/05.jpg Lill Tschudi, Gymnastic Exercises, 1931. Photo Bonhams / © The Estate of Lill Tschudi, courtesy of Mary Ryan Gallery New York. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/07.jpg Sybil Andrews, Speedway, 1934. Photo: Osborne Samuel, London / © The Estate of Sybil Andrews. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/10.jpg Cyril Power, The Tube Station, 1932. © The Estate of Cyril Power. All Rights Reserved, 2019 / Bridgeman Images. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/06.jpg Sybil Andrews, Concert Hall, 1929. © The Estate of Sybil Andrews. Photo: Osborne Samuel Gallery, London. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/08.jpg Sybil Andrews, The Windmill, 1933. Photo Osborne Samuel, London. © The Estate of Sybil Andrews. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/11.jpg Cyril Power, Whence & Whither, c1930. Photo: Osborne Samuel Gallery, London. © The Estate of Cyril Power. All Rights Reserved, (2019) / Bridgeman Images. https://www.studiointernational.com/images/articles/c/059-cutting-edge-2019/12.jpg Claude Flight, Speed Trial, c1932. Photo: Osborne Samuel Gallery London. © The Estate of Cyril Power. All Rights Reserved, [2019] / Bridgeman Images. https://www.studiointernational.com/index.php/callum-huseyin-music-has-the-power-to-shock-people-institute-of-cancer-research-royal-philharmonic-orchestra https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_0230.jpg Callum Hüseyin, Let’s Finish It. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_0336.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_0398.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_0552.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. The Centre for Cancer Drug Discovery building site. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_0608.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. The Centre for Cancer Drug Discovery building site. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_0749.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. The Centre for Cancer Drug Discovery building site. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_0842.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. The Centre for Cancer Drug Discovery building site. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_0907.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. The Centre for Cancer Drug Discovery building site. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_1030.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. The Centre for Cancer Drug Discovery building site. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_1115.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. The Centre for Cancer Drug Discovery building site. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/callum-huseyin-in-recording-studio.jpg Callum Hüseyin (left), Let’s Finish It. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/images/articles/h/069-huseyin-callum-2019/190513_ICR_unfinished_symphony_1224.jpg Callum Hüseyin and the Royal Philharmonic Orchestra, Let’s Finish It. The Centre for Cancer Drug Discovery building site. Photo courtesy Institute of Cancer Research. https://www.studiointernational.com/index.php/architecture-of-london-review-guildhall-art-gallery-london https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/5.-03511-Canaletto.jpg Canaletto. London Seen Through the Arch of Westminster Bridge, 1747. Oil on canvas, 23.5 x 38 in (59.6 x 96.5 cm). Collection of the Duke of Northumberland. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/gypkin-st-pauls-diptych.jpg John Gypkin. Old St Paul’s Diptych, 1616. Society of Antiquaries of London. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/Waggoner-The-Great-Fire-of-London,-1666-(1379).jpg Attributed to Waggoner. The Great Fire of London, c1666. Guildhall Art Gallery, City of London Corporation. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/Christ-Church,-Newgate-Street-by-John-Piper.jpg John Piper. Christ Church, Newgate Street, 1941. Museum of London. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/20-Spencer-Gore,-From-A-Window-in-Cambrian-Road,-Richmond,-1913.jpg Spencer Frederick Gore. From a Window in Cambrian Road, Richmond, 1913. Guildhall Art Gallery, City of London Corporation. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/21-harry-bush.jpg Harry Bush. Laggard Leaves, 1921-25. Diana Robinson/Museum of London. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/29-ben-johnson-market-arcade.jpg Ben Johnson. Market Arcade, 1986. Acrylic on canvas, 78 1/4 x 51 7/8in (199 x 131 cm). Museum of London. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/McFadyen-Roman-(4186).jpg Jock McFadyen. Roman, 1992-93. © Guildhall Art Gallery, City of London; Image © Jock McFadyen. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/David-Hepher,-Albany-Flats,-1977-9.jpg David Hepher, Albany Flats, 1977-9. Oil and sand on canvas, 197.5 x 279.4 cm, Tate. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/19-auerbach-frank.jpg Frank Auerbach. Mornington Crescent, Summer Morning II, 2004. Ben Uri Collection. Copyright the artist, courtesy Marlborough Gallery, London. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/28-nevinson.jpg Christopher Nevinson. Street Scene, 1915-25. Museum of London. https://www.studiointernational.com/images/articles/a/064-architecture-of-london-2019/33.jpg Julian Perry. Wide Landscape (Hackney Marshes), 1995. © Guildhall Art Gallery, City of London; Image © Julian Perry. https://www.studiointernational.com/index.php/ivon-hitchens-space-through-colour-review-pallant-house-gallery-chichester https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_CurvedBarn22_Pallant.jpg Ivon Hitchens, Curved Barn, 1922. Oil on canvas. Pallant House Gallery (presented by the artist, 1979) © The Estate of Ivon Hitchens. https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_BorderDay25_Ashmolean.jpg Ivon Hitchens, A Border Day (Morning, Bankshead), 1925. Oil on canvas, 56.4 x 61 cm. © The Estate of Ivon Hitchens © Ashmoleam Museum, University of Oxford. https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_Spring-Mood33_JonathanClark.jpg Ivon Hitchens, Spring Mood No. II, 1933. Oil on canvas, 71 x 101cm. Jonathan Clark, © The Estate of Ivon Hitchens https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_WinterStage36_Tate.jpg Ivon Hitchens, Winter Stage, 1936. Oil on canvas, 59.1 x 155.6 cm. © Tate, London 2019 © The Estate of Ivon Hitchens. https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_Flowers_Pallant.jpg Ivon Hitchens, Flowers, 1942. Oil on canvas, 61 x 56.3cm. Pallant House Gallery © The Estate of Ivon Hitchens. https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_SeptemberWater_PC.jpg Ivon Hitchens, September Water, 1961. Oil on canvas. Private collection © The Estate of Ivon Hitchens. https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_ArnoNo265_Private.jpg Ivon Hitchens, Arno II, 1965. Oil on canvas, 51 x 117cm. Private collection © The Estate of Ivon Hitchens. https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_NovemberRevelation_PHG.jpg Ivon Hitchens, November Revelation, 1973. Oil on canvas. Pallant House Gallery © The Estate of Ivon Hitchens. https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_SpringEden25_Swindon.jpg Ivon Hitchens, Spring in Eden, 1925. Oil on canvas, 49 x 59.5 cm. Swindon Museum and Art Gallery © The Estate of Ivon Hitchens. https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/Hitchens_SpringGlory_PC_Candida.jpg Ivon Hitchens, Spring Glory, 1973. Oil on canvas. Private collection, image courtesy Candida Stevens Gallery © The Estate of Ivon Hitchens. https://www.studiointernational.com/images/articles/h/068-hitchens-ivon-2019/PHG_IvonHitchens_Photograph1.jpg Ivon Hitchens. Pallant House Gallery © The Estate of Ivon Hitchens. https://www.studiointernational.com/index.php/david-lewis-billy-gerard-frank-epic-memory-grenada-pavilion-venice-biennale-2019-video-interview https://www.studiointernational.com/images/articles/g/077-grenada-2019/Untitled-2-Dave-Lewis.jpg Dave Lewis. Untitled #2. © the artist. https://www.studiointernational.com/images/articles/g/077-grenada-2019/billy-gerard-frank-install-view-2.jpg Billy Gerard Frank, Second Eulogy: Mind the Gap, installation view, Grenada Pavilion, Venice Biennale 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/077-grenada-2019/dave-lewis-billy-gerard-frank-2019.jpg David Lewis and Billy Gerard Frank speaking to Studio International at the opening of Epic Memory, Grenada Pavilion, Venice Biennale 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/077-grenada-2019/Untitled-3-Dave-Lewis.jpg Dave Lewis. Untitled #3. © the artist. https://www.studiointernational.com/images/articles/g/077-grenada-2019/Untitled-5-Dave-Lewis.jpg Dave Lewis. Untitled #5. © the artist. https://www.studiointernational.com/images/articles/g/077-grenada-2019/Untitled-7-copyright-Dave-Lewis.jpg Dave Lewis. Untitled #7. © the artist. https://www.studiointernational.com/images/articles/g/077-grenada-2019/billy-gerard-frank-install-view-1.jpg Billy Gerard Frank, installation view, Grenada Pavilion, Venice Biennale 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/077-grenada-2019/billy-gerard-frank-install-view-3.jpg Billy Gerard Frank, installation view (detail), Grenada Pavilion, Venice Biennale 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/rosa-johan-uddoh-studies-for-impartiality-review-jupiter-woods-london https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/A7R00693.jpg Rosa Johan Uddoh: Studies for Impartiality. Installation view, Jupiter Woods, London 2019. https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/A7R00741.jpg Rosa Johan Uddoh: Studies for Impartiality. Installation view, Jupiter Woods, London 2019. https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/A7R00752.jpg Rosa Johan Uddoh: Studies for Impartiality. Installation view, Jupiter Woods, London 2019. https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/A7R00698.jpg Rosa Johan Uddoh. Moira Lisa, 2019. Installation view, Jupiter Woods, London 2019. https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/performance_DSC5617.jpg Rosa Johan Uddoh. Auto Cutie, 2019. Performed in collaboration with the diasporic dance troupe DIDD (Department for International Dance Development). https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/performance_DSC5671.jpg Rosa Johan Uddoh. Auto Cutie, 2019. Performed in collaboration with the diasporic dance troupe DIDD (Department for International Dance Development). https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/performance_DSC5632.jpg Rosa Johan Uddoh. Auto Cutie, 2019. Performed in collaboration with the diasporic dance troupe DIDD (Department for International Dance Development). https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/performance_DSC5675.jpg Rosa Johan Uddoh. Auto Cutie, 2019. Performed in collaboration with the diasporic dance troupe DIDD (Department for International Dance Development). https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/A7R00737.jpg Rosa Johan Uddoh: Studies for Impartiality. Installation view, Jupiter Woods, London 2019. https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/performance_DSC5692.jpg Rosa Johan Uddoh. Auto Cutie, 2019. Performed in collaboration with the diasporic dance troupe DIDD (Department for International Dance Development). https://www.studiointernational.com/images/articles/u/097-uddah-rosa-johan-2019/performance_DSC5549.jpg Rosa Johan Uddoh. Auto Cutie, 2019. Performed in collaboration with the diasporic dance troupe DIDD (Department for International Dance Development). https://www.studiointernational.com/index.php/takis-review-tate-modern-london https://www.studiointernational.com/images/articles/t/088-takis-2019/Magnetic-Fields-1969.jpg Takis. Magnetic Fields (detail), 1969. Metal, magnets, wire, 63.5 × 426.7 × 91.4 cm. Solomon R. Guggenheim Museum, New York. Partial gift, Robert Spitzer, by exchange, 1970. © ADAGP, Paris and DACS, London 2019. Photo: Solomon R. Guggenheim Museum, New York. https://www.studiointernational.com/images/articles/t/088-takis-2019/Magnetic-Wall-9-(Red)-1961.jpg Takis. Magnetic Wall 9 (Red), 1961. Acrylic paint on canvas, magnets, copper wire, foam, paint, plastic, steel, synthetic cloth, 180 × 220 × 10 cm. Centre Pompidou, Musée national d’art moderne – Centre de création industrielle, Paris. © ADAGP, Paris and DACS, London 2019. Photo: Georges Meguerditchian. https://www.studiointernational.com/images/articles/t/088-takis-2019/IMG_9999.jpg Takis. Installation view, Tate Modern, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/088-takis-2019/Telelumiere-No-4-1963-4.jpg Takis. Télélumière No. 4 (detail), 1963–4. Iron machine parts, light bulbs, wood, brass, steel, electromagnet, string and paint, 108 × 30 × 32 cm, 30 x 60 cm approx. Tate. Purchased with assistance from Tate International Council, Tate Members, Tate Patrons and with Art Fund support 2019. © ADAGP, Paris and DACS, London 2019. Photo: © Tate (Andrew Dunkley and Mark Heathcote). https://www.studiointernational.com/images/articles/t/088-takis-2019/Photograph-of-Takis-and-Guy-Brett-1966.jpg Photograph of Takis and Guy Brett, 1966. © Clay Perry, England & Co gallery, London. https://www.studiointernational.com/images/articles/t/088-takis-2019/IMG_9985.jpg Takis. Installation view, with Musical Sphere, 1985 in the background. Tate Modern, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/088-takis-2019/Musical-Sphere-1985.jpg Takis. Musical Sphere, 1985. Aluminium, iron, metal string, metal wire, paint, polyester, 160 x 100 x 114 cm. Takis Foundation, ADAGP, Paris and DACS, London 2019. Photo: Hlias Nak. https://www.studiointernational.com/images/articles/t/088-takis-2019/IMG_9989.jpg Takis. Installation view, Tate Modern, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/088-takis-2019/IMG_9983.jpg Takis. Installation view, with Musical Sphere, 1985 in the background. Tate Modern, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/088-takis-2019/Takis_Press_View_Tate_Modern_02-07-2019_08.jpg Takis. Installation view, Tate Modern, 2019. Photo: Tate Photography (Mark Heathcote). https://www.studiointernational.com/images/articles/t/088-takis-2019/Takis_Press_View_Tate_Modern_02-07-2019_13.jpg Takis. Installation view, Tate Modern, 2019. Photo: Tate Photography (Mark Heathcote). https://www.studiointernational.com/images/articles/t/088-takis-2019/IMG_9975.jpg Takis. Installation view, Tate Modern, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/088-takis-2019/IMG_9970.jpg Takis. Installation view, Tate Modern, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/088-takis-2019/IMG_9958.jpg Takis. Magnetic Fields, 1969. Installation view, Tate Modern, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/alvaro-barrington-interview-artists-i-steal-from https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/03.jpg Installation view, Artists I Steal From, curated by Alvaro Barrington and Julia Peyton-Jones, Galerie Thaddaeus Ropac, London, 5th June – 9th August 2019. Copyright the artists, courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/04.jpg Installation view, Artists I Steal From, curated by Alvaro Barrington and Julia Peyton-Jones, Galerie Thaddaeus Ropac, London, 5th June – 9th August 2019. Copyright the artists, courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/02.jpg Alvaro Barrington, Unc You the Plug, 2019. Mixed media on burlap. 182.9 x 167.6 cm. Courtesy the artist © Alvaro Barrington. https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/05.jpg Alvaro Barrington, Worked all day and night as a garbageman so they could be fresh and send money back home, 2019. Mixed media on Burlap, 188 x 182.9 cm. Copyright Alvaro Barrington, courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/06.jpg Detail of Alvaro Barrington Worked all day and night as a garbageman so they could be fresh and send money back home, 2019. Mixed media on Burlap, 188 x 182.9 cm. Copyright Alvaro Barrington, courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/07.jpg Alvaro Barrington, Red Hibiscus Sketch, 2016. Oil, mixed media on bleached burlap in custom frame, 66 x 66 cm. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg. © Alvaro Barrington, Photo: Tom Carter, London 2018. https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/08.jpg Alvaro Barrington, Untitled (Dick), 2017. Yarn, mixed media on bleached burlap, 221 x 170.2 cm. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg. © Alvaro Barrington, Photo: Tom Carter, London 2018. https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/01.jpg Portrait of Alvaro Barrington. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg. © Alvaro Barrington, Photo: Ben Westoby London 2019. https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/09.jpg Alvaro Barrington, 1968, 2017. Oil and yarn on burlap paper in custom frame, framed dimensions TBC. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg. © Alvaro Barrington, Photo: Tom Carter, London 2018. https://www.studiointernational.com/images/articles/b/059-barrington-alvaro-2019/10.jpg Installation view of Alvaro Barrington: A Taste of Chocolate at Galerie Thaddeus Ropac, London, 19th April to 16th June 2018. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg. © Alvaro Barrington, Photo: Tom Carter, London 2018. https://www.studiointernational.com/index.php/francesc-ruiz-interview-house-of-fun-momentum-10-pornography-moss-norway https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_13.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_14.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_1.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_4.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_6.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_7.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_8.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/Francesc_Ruiz_portrait.jpg Francesc Ruiz. Photo: the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_10.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_12.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_15.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/images/articles/r/076-ruiz-francesc-2019/House_of_Fun_2019_Francesc_Ruiz_9.jpg Francesc Ruiz, House of Fun, 2019. Installation at House of Foundation, Moss, Norway, as part of Momentum Biennale 2019. All the pics by the artist. https://www.studiointernational.com/index.php/felix-vallotton-painter-of-disquiet-review-royal-academy-london https://www.studiointernational.com/images/articles/v/092-vallotton-felix-2019/Key-7.jpg Félix Vallotton, Gabrielle Vallotton, 1905. Oil on canvas, 89 x 116.5 cm. Musée des Beaux-Arts, Bordeaux. Photo: © Mairie de Bordeaux. Photo: F Devel. https://www.studiointernational.com/images/articles/v/092-vallotton-felix-2019/key-67.jpg Félix Vallotton, Intimacies V: Money (Intimités V: L’Argent), 1898. Xylograph, 25 x 32.3 cm. Ville de Genève, Musées d’art et d’histoire, Don Lucien Archinard. © Musées d’art et d’histoire, Ville de Genève, Cabinet d’arts graphiques. https://www.studiointernational.com/images/articles/v/092-vallotton-felix-2019/key-11.jpg Félix Vallotton, The Lie (Le Mensonge), 1897. Oil on cardboard, 24 x 33.4 cm. The Baltimore Museum of Art. The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.298. Photo: Mitro Hood https://www.studiointernational.com/images/articles/v/092-vallotton-felix-2019/Key-35.jpg Félix Vallotton, The White and the Black (La Blanche et la Noire), 1913. Oil on canvas, 114 x 147 cm. Kunstmuseum Bern. Hahnloser/Jaeggli Foundation, Villa Flora, Winterthur. © Reto Pedrini, Zürich. Exhibition organised by the Royal Academy of Arts, London and The Metropolitan Museum of Art, New York, in collaboration with Fondation Félix Vallotton, Lausanne. https://www.studiointernational.com/images/articles/v/092-vallotton-felix-2019/key-89.jpg Félix Vallotton, Sandbanks on the Loire (Des Sables au bord de la Loire), 1923. Oil on canvas, 73 x 100 cm. Kunsthaus Zürich. Acquired 1938. © Kunsthaus Zürich. https://www.studiointernational.com/images/articles/v/092-vallotton-felix-2019/Key-1.jpg Félix Vallotton, Self-portrait at the Age of Twenty (Autoportrait à l’âge de vingt ans), 1885. Oil on canvas, 70 x 55.2 cm. Musée cantonal des Beaux-Arts de Lausanne. Acquisition, 1896. Inv. 620. Photo: © Nora Rupp, Musée cantonal des Beaux-Arts de Lausanne. https://www.studiointernational.com/index.php/ibrahim-mahama-parliament-of-ghosts-review-whitworth-manchester https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/02.jpg Ibrahim Mahama, Parliament of Ghosts. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/04.jpg Ibrahim Mahama, The Archive, with stacked lockers filled with photos, documents and relics. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/05.jpg Ibrahim Mahama, The Archive, cabinet filled with parliamentary reports and schoolbooks. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/06.jpg Ibrahim Mahama, The Archive, detail with parliamentary reports. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/09.jpg Ibrahim Mahama, The Archive, detail of cabinet lined with evangelical posters. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/10.jpg Ibrahim Mahama, The Archive, school group and teacher cluster around workbenches, with Silo in the distance. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/11.jpg Ibrahim Mahama, Silo and projections in background, glass cabinets with archive material in foreground. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/12.jpg Ibrahim Mahama. Photographs: the tattooed arms of migrant workers, Ibrahim Mahama’s Ghanaian collaborators. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/18-Painting-installation-shot.jpg Ibrahim Mahama. Kwaku Minoona 2, 2012-19. Painting installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/19.jpg Ibrahim Mahama. Kwaku Minoona 2, 2012-19 (detail). Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/01.jpg Ibrahim Mahama, Parliament of Ghosts. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/03.jpg Ibrahim Mahama, Parliament of Ghosts, reclaimed lockers (detail). Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/07.jpg Ibrahim Mahama, The Archive, detail of locker structure with unspooled tapes. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/08.jpg Ibrahim Mahama, The Archive, detail of locker structure with old office and bureaucratic photos. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/058-mahama-ibrahim-2019/20.jpg Ibrahim Mahama. Kwaku Minoona 2, 2012-19 (detail). Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/new-orleans-museum-expansion-sculpture-park https://www.studiointernational.com/images/articles/n/085-noma-2019/NOMA-Besthoff-Sculpture-Garden-Expansion-Install-7.jpg Pedestrian Pathway. Right: Tony Cragg, Runner, 2017. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/NOMA-Besthoff-Sculpture-Garden-Expansion-Install-11.jpg Sculpture Pavilion. Left: Frank Stella, Alu Truss Star, 2016. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/NOMA-Besthoff-Sculpture-Garden-Expansion-Install-2.jpg Pedestrian Walkway. Left: Katharina Fritsch, Schädel/ Skull, 2018; Background: Fred Wilson, The Mete of the Muse, 2006. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/miya-lin-NOMA-Besthoff-Sculpture-Garden-Expansion-Install-12.jpg Maya Lin, Folding the Mississippi (1938), 2019. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/teresita-fernandez_Sculpture_Garden_Expansion_RAlokhin_0012.jpg Teresita Fernández, Viñales (Mayombe Mississippi), 2019. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/elyn-zimmerman_Sculpture_Garden_Expansion_RAlokhin_0036-(1).jpg Elyn Zimmerman, Mississippi Meanders, 2019. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: R. Alokhin. https://www.studiointernational.com/images/articles/n/085-noma-2019/sean-scully_Sculpture_Garden_Expansion_RAlokhin_0051.jpg Sean Scully, Colored Stacked Frames, 2017. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/20190507_Sculpture_Garden_Expansion_RAlokhin_0102.jpg Jeppe Hein. Mirror Labyrinth, 2018. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/Rydingsvard_Sculpture_Garden_Expansion_RAlokhin_0084.jpg Ursula von Rydingsvard, Dumna, 2015. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/hank-willis-thomas_Sculpture_Garden_Expansion_RAlokhin_0033.jpg Hank Willis Thomas, History of the Conquest, 2017. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/NOMA-Besthoff-Sculpture-Garden-Expansion-Install-5.jpg New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/NOMA-Besthoff-Sculpture-Garden-Expansion-Install-1.jpg Left: Tony Cragg, Sinbad, 2000; Middle: Katharina Fritsch, Schädel/ Skull, 2018; Right: Yinka Shonibare, Wind Sculpture V, 2013. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/NOMA-Besthoff-Sculpture-Garden-Expansion-Install-8.jpg Georg Herold, Liver of Love, 2013. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/larry-bell_Sculpture_Garden_Expansion_RAlokhin_0017.jpg Larry Bell, Pacific Red VI, 2016-17. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/images/articles/n/085-noma-2019/shirazeh-houshiary_Sculpture_Garden_Expansion_RAlokhin_0006.jpg Shirazeh Houshiary, Exuviae, 2016-17. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. https://www.studiointernational.com/index.php/olafur-eliasson-in-real-life-review-tate-modern-london https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Room_for_one_colour_Kiev_Baranov_IMG_1425-.jpg Olafur Eliasson. Room for one colour, 1997. Monofrequency lamps, dimensions variable. Installation view at PinchukArtCentre, Kiev, 2011. Photo: Dmitry Baranov. Courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. © 1997 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Model-Room.jpg Olafur Eliasson in collaboration with Einar Thorsteinn. Model room, 2003. Wood table with steel legs, mixed media models, maquettes, prototypes, dimension variable. Installation view: Tate Modern, London. Photo: Anders Sune Berg, Moderna Museet, Stockholm. Purchase 2015 funded by The Anna-Stina Malmborg and Gunnar Höglund Foundation. © 2003 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/_O5A2729.jpg Olafur Eliasson. Moss wall, 1994. Reindeer moss, wood, wire, dimensions variable. Installation view, Tate Modern, London, 2019. Photo: Anders Sune Berg. Courtesy the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. © 1994 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/1993_Beauty_31A9515.jpg Olafur Eliasson. Beauty, 1993. Spotlight, water, nozzles, wood, hose, pump, dimensions variable. Installation view at Moderna Museet, Stockholm, 2015 Photo: Anders Sune Berg. Courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. © 1993 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/_O5A2757.jpg Olafur Eliasson. Din blinde passager (Your blind passenger), 2010. Fluorescent lamps, monofrequency lamps (yellow), fog machine, ventilator, wood, aluminium, steel, fabric, plastic sheet, dimensions variable. Installation view: Tate Modern, London, 2019. Photo: Anders Sune Berg. Courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. © 2010 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Olafur-Eliasson---Your-uncertain-shadow-(colour),-2010.jpg Olafur Eliasson. Your uncertain shadow (colour), 2010. HMI lamps (green, orange, blue, magenta), glass, aluminium, transformers. Thyssen-Bornemisza Art Contemporary Collection, Vienna. Photo: María del Pilar García Ayensa/ Studio Olafur Eliasson. Courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. © 2010 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Olafur-Eliasson,-The-presence-of-absence-2019.jpg Olafur Eliasson. The presence of absence pavilion, 2019. Bronze, 200 x 100 x 100 cm. Installation view, Tate Modern, London. Photo: Anders Sune Berg. Courtesy the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. © 2019 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/The-Expanded-studio.jpg Olafur Eliasson. The Expanded Studio, 2019. Installation view, Tate Modern, London. Photo: Anders Sune Berg. © 2019 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Tate-Modern-Terrace-Bar.jpg Installation view of Tate Modern’s Terrace Bar featuring artworks and lamps by Olafur Eliasson. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Olafur-Eliasson,-Model-room-2003.jpg Olafur Eliasson in collaboration with Einar Thorsteinn. Model room, 2003. Wood table with steel legs, mixed media models, maquettes, prototypes, dimension variable. Installation view: Tate Modern, London. Photo: Anders Sune Berg, Moderna Museet, Stockholm. Purchase 2015 funded by The Anna-Stina Malmborg and Gunnar Höglund Foundation. © 2003 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Ice-Watch-London-2018.jpg Olafur Eliasson and Minik Rosing. Ice Watch. Blocks of glacial ice, dimensions variable. Supported by Bloomberg. Installation view, Bankside, outside Tate Modern, 2018. Photo: Charlie Forgham Bailey. © 2018 Olafur Eliasson and Minik Rosing. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Olafur-Eliasson,-Waterfall-2019.jpg Olafur Eliasson. Waterfall, 2019. Scaffolding, water, wood, plastic sheet, aluminium, pump, hose, height 11 metres, diameter 12 metres. Courtesy the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. Installation view, Tate Modern, London. Photo: Anders Sune Berg. © 2019 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Your-spiral-view.jpg Olafur Eliasson. Your spiral view, 2002. Stainless-steel mirror, steel, 320 x 320 x 800 cm. Installation view, Tate Modern, London, 2019. Photo: Anders Sune Berg. Boros Collection, Berlin. © 2002 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Your-planetary-window.jpg Olafur Eliasson. Your planetary window, 2019 (detail). Glass mirrors, aluminium, steel, 255 x 75 x 115 cm. Installation view, Tate Modern, London, 2019. Photo: Anders Sune Berg. Courtesy the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. © 2019 Olafur Eliasson. https://www.studiointernational.com/images/articles/e/084-eliasson-olafur-2019/Wavemachines.jpg Olafur Eliasson. Wavemachines, 1995. Acrylic, transparent plastic sheet, water, ink (yellow), motors, transformer, 25 x 900 x 212 cm. Installation view, Tate Modern, London, 2019. Photo: Anders Sune Berg. Kunstmuseum Basel. © 1995 Olafur Eliasson. https://www.studiointernational.com/index.php/john-akomfrah-ballasts-of-memory-review-baltic-centre-gateshead https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Revised-(High-Res)-13.jpg John Akomfrah, The Unfinished Conversation, 2012. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art 2019. Photo: Rob Harris © 2019 BALTIC. Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Revised-(High-Res)-4.jpg John Akomfrah, Precarity, 2017. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art, 2019. Photo: Rob Harris © 2019 BALTIC Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Revised-(High-Res)-3.jpg John Akomfrah, Precarity, 2017. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art, 2019. Photo: Rob Harris © 2019 BALTIC Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Revised-(High-Res)-11.jpg John Akomfrah, The Unfinished Conversation, 2012. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art 2019. Photo: Rob Harris © 2019 BALTIC. Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Revised-(High-Res)-12.jpg John Akomfrah, The Unfinished Conversation, 2012. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art 2019. Photo: Rob Harris © 2019 BALTIC. Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Revised-(High-Res)-15.jpg John Akomfrah, Psyche, 2012. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art 2019. Photo: Rob Harris © 2019 BALTIC. Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Revised-(High-Res)-8.jpg John Akomfrah, The Unfinished Conversation, 2012. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art 2019. Photo: Rob Harris © 2019 BALTIC. Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Installation-View-(High-Res)-5.jpg John Akomfrah, Precarity, 2017. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art, 2019. Photo: Rob Harris © 2019 BALTIC Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Revised-(High-Res)-14.jpg John Akomfrah, Psyche, 2012. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art 2019. Photo: Rob Harris © 2019 BALTIC. Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/images/articles/a/063-akomfrah-john-2019/BALTIC-John-Akomfrah-Revised-(High-Res)-5.jpg John Akomfrah, Precarity, 2017. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art, 2019. Photo: Rob Harris © 2019 BALTIC Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. https://www.studiointernational.com/index.php/fereshteh-daftari-book-review-persia-reframed-iranian-visions-of-modern-and-contemporary-art https://www.studiointernational.com/images/articles/p/073-persia-reframed-2019/persia-reframed-book-cover.jpg Persia Reframed: Iranian Visions of Modern and Contemporary Art by Fereshteh Daftari, published by IB Taurus. https://www.studiointernational.com/index.php/tess-jaray-interview-ways-of-being-an-artist-have-massively-expanded https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/1966_minuet.jpg Tess Jaray. Minuet, 1966. Oil on canvas, 180 x 228 cm. © the artist. Museums Sheffield. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/2009_After-Damascus-Pair-1-Green-&-Purple-2009-(75cm-by-88cm-x2).jpg Tess Jaray. After Damascus Pair 1 Green & Purple, 2009. 75 x 88 x 2 cm. Photo: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/Citadel-Dark-on-Light-2016.jpg Tess Jaray. Citadel Dark on Light, 2016. 180 x 125 cm. Photo: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/Glimpse-2017.jpg Tess Jaray. Glimpse, 2017. 42 x 178 cm. Photo: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/One-Hundred-Years-(Dark),-2017.jpg Tess Jaray. One Hundred Years (Dark), 2017. 151 x 142 cm. Photo: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/Promise-2018.jpg Tess Jaray. Promise. 2018. 148 x 178 cm. Photo: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/tess-jaray-portrait.jpg Tess Jaray. Photo: Turkina Faso, 2019. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/2008_18-Flight,-Dark,-2008,-72.jpg Tess Jaray. Flight, Dark, 2008. 72.5 x 67 cm. Photo: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/Aleppo-gg-2016.jpg Tess Jaray. Aleppo gg, 2016. 37 x 57 cm. Photo: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/Revue-2018.jpg Tess Jaray. Revue. 2018. 142 x 178 cm. Photo: Sam Roberts. © the artist. https://www.studiointernational.com/images/articles/j/092-jaray-tess-2019/River-Blue-Pink-2009-(58.jpg Tess Jaray. River Blue & Pink, 2009. 58.5 x 52 cm. Photo: Sam Roberts. © the artist. https://www.studiointernational.com/index.php/koen-vanmechelen-interview-labiomista-eco-park-genk-belgium https://www.studiointernational.com/images/articles/v/091-vanmechelen-koen-2019/Koen-Vanmechelen,-photo-city-of-Genk-by-Tony-van-Galen-(24).jpg Cosmopolitan Chicken Project art installation beneath The Battery, LABIOMISTA, Genk (BE). © Koen Vanmechelen, 2019. Photo: Tony van Galen for the city of Genk. https://www.studiointernational.com/images/articles/v/091-vanmechelen-koen-2019/Koen-Vanmechelen-2019-Photo-by-Jeroen-Verrecht-(12).jpg Cosmopolitan Culture Park, Cosmopolitan Chickens in front of their barn, LABIOMISTA, Genk (BE). © Koen Vanmechelen, 2019. Photo: Jeroen Verrecht. https://www.studiointernational.com/images/articles/v/091-vanmechelen-koen-2019/Koen-Vanmechelen-2018-Photo-by-the-city-of-Genk.jpg Cosmogolem, marble, steel, 12 x 8m, Cosmopolitan Culture Park, LABIOMISTA, Genk (BE). © Koen Vanmechelen, 2018. Photo: the city of Genk. https://www.studiointernational.com/images/articles/v/091-vanmechelen-koen-2019/Koen-Vanmechelen-2019-Photo-by-Jeroen-Verrecht-(2).jpg The Ark, exterior view, entrance building of LABIOMISTA, designed by Mario Botta, Genk (BE). © Koen Vanmechelen, 2019. Photo: Jeroen Verrecht. https://www.studiointernational.com/images/articles/v/091-vanmechelen-koen-2019/Koen-Vanmechelen-2018-Photo-by-Kris-Vervaeke-(4).jpg The Battery – Studio Koen Vanmechelen, exterior night view, LABIOMISTA, Genk (BE). © Koen Vanmechelen, 2018. Photo: Kris Vervaeke. https://www.studiointernational.com/images/articles/v/091-vanmechelen-koen-2019/Koen-Vanmechelen-2018-Photo-by-Philippe-van-Gelooven-(2).jpg The Battery – Studio Koen Vanmechelen, exterior view on The Looking glass (green house), LABIOMISTA, Genk (BE). © Koen Vanmechelen, 2018. Photo: Philippe van Gelooven. https://www.studiointernational.com/images/articles/v/091-vanmechelen-koen-2019/Koen-Vanmechelen-2019-Photo-by-Jeroen-Verrecht-(4).jpg Joy and Wisdom (artwork) and Villa OpUnDi, LABIOMISTA, Genk (BE). © Koen Vanmechelen, 2019. Photo: Jeroen Verrecht. https://www.studiointernational.com/images/articles/v/091-vanmechelen-koen-2019/Koen-Vanmechelen,-photo-city-of-Genk-by-Tony-van-Galen-(34).jpg Alpacas in the Cosmopolitan Culture Park, LABIOMISTA, Genk (BE). © Koen Vanmechelen, 2019. Photo: Tony van Galen for the city of Genk. https://www.studiointernational.com/images/articles/v/091-vanmechelen-koen-2019/Koen-23-FlorianVoggeneder.jpg Koen Vanmechelen. Photo: Florian Voggeneder. https://www.studiointernational.com/index.php/leonardo-da-vinci-a-life-in-drawing-review-queens-gallery-buckingham-palace https://www.studiointernational.com/images/articles/d/081-da-vinci-leonardo-2019/FOUR.jpg Leonardo da Vinci, The fetus in the womb, c1511. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019. https://www.studiointernational.com/images/articles/d/081-da-vinci-leonardo-2019/THREE.jpg Leonardo da Vinci, A study of a woman https://www.studiointernational.com/images/articles/d/081-da-vinci-leonardo-2019/ONE.jpg Leonardo da Vinci, The head of Leda, c1505-8. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019. https://www.studiointernational.com/images/articles/d/081-da-vinci-leonardo-2019/FIVE.jpg Attributed to Francesco Melzi, A portrait of Leonardo, c1515-18. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019. https://www.studiointernational.com/images/articles/d/081-da-vinci-leonardo-2019/TWO.jpg Leonardo da Vinci, The head of St James, and architectural sketches, c1495, a study for the Last Supper. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019. https://www.studiointernational.com/index.php/yorkshire-sculpture-international-2019-review-leeds-wakefield https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/03.jpg Kimsooja, To Breathe, 2019. Site specific installation consisting of mirror, diffraction grating film, and sound performance The Weaving Factory, 2004–2013 at the Chapel, Yorkshire Sculpture Park. Photo: Mark Reeves. Commissioned by Yorkshire Sculpture Park, Courtesy of Axel Vervoordt Gallery and Kimsooja Studio. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/02.jpg Ayşe Erkmen, three of four, 2019. Photo: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/12.jpg Maria Loboda, The Chosen, 2019. Blatta orientalis, Trichogomphus martabani, Dorysthenes buqueti, Cyrtotrachelus dux, Eupatorus gracilicornis, Pomponia intermedia, Lepidiota stigma, Lethocerus indicus, Megaloxantha bicolor, Sternocera aeguisignata, Odontolabis cuvera, Odontolabis eleganus, Tirachoidea westwoodii, Neolucahus parryi, Torynorrhina flammea, Angamiana floridula, Xylotrupes gideon, Cryptotyman aquila, Stemocera aeguisignata, alabaster, metal, electric wiring. Courtesy of the artist and Maisterravalbuena. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/13.jpg David Smith, Hudson River, Landscape, 1951. © 2019 Whitney Museum of American Art, New York, Licensed by Scala. Courtesy YSP. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/08.jpg Installation view of work by Nobuko Tsuchiya. Courtesy Leeds Art Gallery. Photo: Simon Warner. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/04.jpg Installation view of work by Jimmie Durham, as part of Yorkshire Sculpture International, at The Hepworth Wakefield. Courtesy The Hepworth Wakefield. Photo: Danny Lawson / PA wire. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/05.jpg Installation view of work by Tau Lewis, as part of Yorkshire Sculpture International, at The Hepworth Wakefield. Courtesy the artist and The Hepworth Wakefield. Photo: Nick Singleton. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/06.jpg Installation view of work by Nairy Baghramian, as part of Yorkshire Sculpture International, at The Hepworth Wakefield. Courtesy the artist and The Hepworth Wakefield. Photo: Nick Singleton. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/07a.jpg Rashid Johnson, Shea Butter Three Ways, 2019. Shea butter, wooden sawhorses, wooden boards. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/09.jpg Sean Lynch, The Rise and Fall of Flint Jack, 2019. Courtesy of the artist; Ronchini, London; and Kevin Kavanagh, Dublin. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/10.jpg Huma Bhabha, Receiver, 2019. Bronze, 250cm x 63cm x 46cm. Photography Jerry Hardman-Jones. Courtesy of the artist and Salon 94 New York. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/11.jpg Damien Hirst, Hymn, 1999-2005. Photo: Prudence Cuming Associates. © Damien Hirst and Science Ltd. All rights reserved, DACS 2019. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/01.jpg Installation view of work by Wolfgang Laib, as part of Yorkshire Sculpture International, at The Hepworth Wakefield. Courtesy the artist and The Hepworth Wakefield. Photo: Nick Singleton. https://www.studiointernational.com/images/articles/y/098-yorkshire-sculpture-park-2019/07b.jpg Rashid Johnson, Shea Butter Three Ways, 2019. Shea butter, wooden sawhorses, wooden boards. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/index.php/hans-ulrich-obrist-interview-alexander-calder-centro-botin-santander-spain https://www.studiointernational.com/images/articles/c/058-calder-alexander-2019/CALDER-(15).jpg Calder Stories, installation view, Centro Botín. Photo: Belén de Benito. https://www.studiointernational.com/images/articles/c/058-calder-alexander-2019/CALDER-(5).jpg Calder’s 1975 design for the series of BMW Art Cars, Calder Stories, installation view, Centro Botín. Photo: Belén de Benito. https://www.studiointernational.com/images/articles/c/058-calder-alexander-2019/CALDER-(16).jpg Calder Stories, installation view, Centro Botín. Photo: Belén de Benito. https://www.studiointernational.com/images/articles/c/058-calder-alexander-2019/CALDER-(27).jpg Calder Stories, installation view, Centro Botín. Photo: Belén de Benito. https://www.studiointernational.com/images/articles/c/058-calder-alexander-2019/CALDER-(32).jpg Calder Stories, installation view, Centro Botín. Photo: Belén de Benito. https://www.studiointernational.com/images/articles/c/058-calder-alexander-2019/CALDER-(1).jpg Calder Stories, installation view, Centro Botín. Photo: Belén de Benito. https://www.studiointernational.com/index.php/gustav-metzger-in-kings-lynn-review-fermoy-gallery https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/Installation-view-KL-ex.jpg Destroy, And You Create: Gustav Metzger in King’s Lynn. Installation at Fermoy Gallery, King’s Lynn, Norfolk 2019. Photo: Catherine Mason. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/Mass-Media-Red-Barn,-KL.jpg Gustav Metzger, MASS MEDIA: Today and Yesterday, 2011, installation Red Barn Gallery, King’s Lynn 2019. Photo: Catherine Mason. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/Tuesday-Market-Place.jpg Tuesday Market Place - now a car park, but much of the historic architecture remains including the original 19th-Century Corn Exchange and Duke’s Head Hotel, c1680s. Photo: Catherine Mason. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/Untitled-Painting-(Abstract)-c.jpg Gustav Metzger, Untitled Painting (Abstract) c1958. Oil on Kodak box. Courtesy Estate of Gustav Metzger. Photo: Catherine Mason. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/Metzgers-House-KL-(2).jpg St Nicholas House with door dating from the late 15th-century. Part of this building was lived in by clergy. After Metzger’s time it was converted into a hotel, and is currently being converted into townhouses. Photo: Catherine Mason. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/IMG_5388.jpg Rear of St Nicholas House, showing Metzger’s studio on the ground floor, with living quarters above. Photo: Catherine Mason. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/original-cottages-1970s.jpg Two North End brick cottages dating from 1790, consisting of two rooms, one upstairs and one down – these remain today as True’s Yard museum. Photo: Catherine Mason. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/Old-and-New-KL.jpg Old and new. The heart of the North End community was Pilot Street, the main thoroughfare which goes down to the Wash. More than 300 people lived here. Present site is one third of the original length. 1960s built houses shown on far left. Photo: Catherine Mason. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/GM-Conflicting-Interests.jpg Gustav Metzger meets the president of the Chamber of Trade in Pilot Street, 1958, from Lynn News and Advertiser. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/computer-projects.jpg Page 31 from Studio International special issue Cybernetic Serendipity: The Computer and the Arts, July 1968, showing Gustav Metzger & Beverly Rowe’s sketch for Five Screens with Computer, 1969. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/metzger_GF0030335_01.jpg Five Screens with Computer, 1969. Model, Computer-controlled Auto-Destructive monument. Steel, 7.2 x 44.4 x 30.9 cm. Donation by Alan Sutcliffe and Gustav Metzler. Generali Foundation Collection - Permanent Loan to the Museum der Moderne Salzburg © Generali Foundation, Photo: Werner Kaligofsky. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/GM-drawing-for-5-screens-with-B-Rowe.jpg Gustav Metzger & Beverly Rowe, Design study for Five Screens with Computer, March 1969. Computer generated drawing. https://www.studiointernational.com/images/articles/m/057-metzger-gustav-2019/gustav-metzger.jpg Gustav Metzger practicing for a public demonstration of Auto-destructive art, possibly by John Cox, for Ida Kar, 1960. © National Portrait Gallery, London. https://www.studiointernational.com/index.php/cut-and-paste-400-years-of-collage-review-scottish-national-gallery-of-modern-art-edinburgh https://www.studiointernational.com/images/articles/c/058-cut-and-paste-2019/Anonymous-Baby,-c.jpg Anonymous, Baby, c1890. Collage, 53 x 39 cm. Photo: England & Co, London © England & Co, London. https://www.studiointernational.com/images/articles/c/058-cut-and-paste-2019/Pablo-Picasso,-Bouteille-et-Verre-sur-un-Table-1912.jpg Pablo Picasso, Bouteille et Verre sur un Table (Bottle and Glass on a Table), 1912. Charcoal and collage on paper, 61.6 x 47 cm. National Galleries of Scotland, Purchased (Henry and Sula Walton fund) 2015. https://www.studiointernational.com/images/articles/c/058-cut-and-paste-2019/Max-Ernst,-Untitled-1934.jpg Max Ernst, Untitled (Unpublished collage for Une Semaine de Bonté), 1934. National Galleries of Scotland, purchased with assistance from the Patrons of the National Galleries of Scotland, 2002. https://www.studiointernational.com/images/articles/c/058-cut-and-paste-2019/Natalya-Goncharova-Costume-Design-for-One-of-the-Three-Kings-in-La-Liturgie.jpg Natalia Goncharova, Costume Design for One of the Three Kings in La Liturgie, 1915. Watercolour, pencil and collage 62.2 x 47.6 cm. National Galleries of Scotland: Purchased with funds given by two anonymous donors 1962. https://www.studiointernational.com/images/articles/c/058-cut-and-paste-2019/Terry-Gilliam,-Freud-Analysed-1969.jpg Terry Gilliam, Freud Analysed, 1969. Collage, airbrush and watercolour on card, 40 x 30.8 cm. Lent by the artist. https://www.studiointernational.com/index.php/maryam-najd-botanic-national-amalgamation-project-review-arthur-m-sackler-museum-art-archaeology-peking-beijing https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/grand-bouquet.jpg Maryam Najd. Grand Bouquet. Oil on canvas, 101.6 x 78.75 in (258 x 200 cm). Photo courtesy of the artist. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5499-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Rose (Rasa rugosa). Iran, Iraq, Luxembourg, United Kingdom (England), and the United States of America. Acrylic on paper. 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/cards-1.jpg Maryam Najd, installation view of motto cards, Botanic: National Amalgamation Project, Arthur M Sackler Museum of Art and Archaeology at Peking University, 2019. Photo: Arthur M. Sackler Museum. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/cards-detail.jpg Maryam Najd, installation view of motto cards (detail), Botanic: National Amalgamation Project, Arthur M Sackler Museum of Art and Archaeology at Peking University, 2019. Photo: Arthur M. Sackler Museum. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_LIU0714.jpg Maryam Najd, installation view, Botanic: National Amalgamation Project, Arthur M Sackler Museum of Art and Archaeology at Peking University, 2019. Photo: Arthur M. Sackler Museum. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5220-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Jasmine (Jasminum). Indonesia, Pakistan and Philippines. Acrylic on paper, 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5226-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Blue Cornflower (Centaurea cyanus). Estonia, North Mecedonia, Germany (unofficial). Acrylic on paper, 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5229-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Guaria Morada (Guarianthe skinneri). Costa Rica. Acrylic on paper, 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/maryam-najd-botanic-beijing-2019.jpg Maryam Najd at the opening of Botanic: National Amalgamation Project, Arthur M Sackler Museum of Art and Archaeology at Peking University, 2019. Photo: Arthur M. Sackler Museum. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/MAH05192.jpg Maryam Najd, installation view, Botanic: National Amalgamation Project, Arthur M Sackler Museum of Art and Archaeology at Peking University, 2019. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5232-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Kazan Rose or Damask Rose (Rosa x damascene), Bulgaria. Acrylic on paper, 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5243-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Black Orchid (Prosthechea cochleate). Belize. Acrylic on paper, 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5246-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Poppy Flowers (Papaver rhoeas). Belgium. Acrylic on paper, 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5249-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Daffodils (Narcissus poeticus). Andorra. Acrylic on paper, 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5252-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Tulip (Tulipa). Afghanistan, Netherlands and Turkey. Acrylic on paper, 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5255-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Calla Lily (Zantedeschia aethiopica). Ethiopia. Acrylic on paper, 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/_DSC5268-1s.jpg Maryam Najd, Botanic: National Amalgamation Project (detail). Mapple leaf (Acer saccharum). Canada. Acrylic on paper. 11.69 x 16.54 in (29.7 x 42 cm). Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/n/084-najd-maryam-2019/maryam-najd-flag-cards.jpg Maryam Najd, installation view of motto cards, Botanic: National Amalgamation Project, Arthur M Sackler Museum of Art and Archaeology at Peking University, 2019. Photo: Arthur M. Sackler Museum. https://www.studiointernational.com/index.php/patrick-staff-the-prince-of-homburg-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/s/057-staff-patrick-2019/P_Staff_DCA__031.jpg Patrick Staff: The Prince of Homburg, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/057-staff-patrick-2019/P_Staff_DCA__028.jpg Patrick Staff: The Prince of Homburg, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/057-staff-patrick-2019/P_Staff_DCA__040.jpg Patrick Staff: The Prince of Homburg, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/057-staff-patrick-2019/P_Staff_DCA__007.jpg Patrick Staff: The Prince of Homburg, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/057-staff-patrick-2019/P_Staff_DCA__009.jpg Patrick Staff: The Prince of Homburg, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/057-staff-patrick-2019/P_Staff_DCA__010.jpg Patrick Staff: The Prince of Homburg, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/057-staff-patrick-2019/P_Staff_DCA__017.jpg Patrick Staff: The Prince of Homburg, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/index.php/issy-wood-all-the-rage-review-goldsmith-centre-for-contemporary-art-london https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/Mark-Blower-190628-Issy-Wood-Goldsmiths-CCA-0008.jpg Issy Wood, All The Rage, installation view, Goldsmiths Centre for Contemporary Art, 2019. Photo: Mark Blower. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/All-The-Rage-copy.jpg Issy Wood, All the rage 1, 2019. Courtesy the artist and Carlos/Ishikawa, London. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/CI-IW-0271-300.jpg Issy Wood, All the rage 2, 2019. Courtesy the artist and Carlos/Ishikawa, London. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/CI-IW-0295-300.jpg Issy Wood, The underdose, 2019. Courtesy of the artist and Carlos/Ishikawa, London. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/CI-IW-0301-300.jpg Issy Wood, Mother as docked idol with move-in date, 2019. Courtesy the artist and Carlos/Ishikawa, London. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/CI-IW-0298-300.jpg Issy Wood, Car interior / go, Daddy 2, 2019. Courtesy the artist and Carlos/Ishikawa, London. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/Mark-Blower-190628-Issy-Wood-Goldsmiths-CCA-0022-HDR.jpg Issy Wood, All The Rage, installation view, Goldsmiths Centre for Contemporary Art, 2019. Photo: Mark Blower. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/Mark-Blower-190628-Issy-Wood-Goldsmiths-CCA-0018-HDR-Edit-Edit.jpg Issy Wood, All The Rage, installation view, Goldsmiths Centre for Contemporary Art, 2019. Photo: Mark Blower. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/Mark-Blower-190628-Issy-Wood-Goldsmiths-CCA-0021.jpg Issy Wood, All The Rage, installation view, Goldsmiths Centre for Contemporary Art, 2019. Photo: Mark Blower. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/CI-IW-0286-300.jpg Issy Wood, Actual car, 2019. Courtesy of the artist and Carlos/Ishikawa, London. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/CI-IW-0297-300.jpg Issy Wood, Car interior / go, Daddy 1, 2019. Courtesy the artist and Carlos/Ishikawa, London. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/CI-IW-0299-300.jpg Issy Wood, Light layers / go, Daddy 3, 2019. Courtesy the artist and Carlos/Ishikawa, London. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/CI-IW-0300-300.jpg Issy Wood, Will he, 2019. Courtesy the artist and Carlos/Ishikawa, London. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/Mark-Blower-190628-Issy-Wood-Goldsmiths-CCA-0003-HDR-Edit.jpg Issy Wood, All The Rage, installation view, Goldsmiths Centre for Contemporary Art, 2019. Photo: Mark Blower. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/Mark-Blower-190628-Issy-Wood-Goldsmiths-CCA-0009-Edit.jpg Issy Wood, All The Rage, installation view, Goldsmiths Centre for Contemporary Art, 2019. Photo: Mark Blower. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/Mark-Blower-190628-Issy-Wood-Goldsmiths-CCA-0013-HDR-Edit.jpg Issy Wood, All The Rage, installation view, Goldsmiths Centre for Contemporary Art, 2019. Photo: Mark Blower. https://www.studiointernational.com/images/articles/w/074-wood-issy-2019/Mark-Blower-190628-Issy-Wood-Goldsmiths-CCA-0025.jpg Issy Wood, All The Rage, installation view, Goldsmiths Centre for Contemporary Art, 2019. Photo: Mark Blower. https://www.studiointernational.com/index.php/alberto-giacometti-a-line-through-time-review-vancouver-art-gallery-canada https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti-05.jpg Alberto Giacometti. Self-portrait, 1935. Pencil on paper. The Robert and Lisa Sainsbury Collection, Sainsbury Centre for Visual Arts, University of East Anglia, UK, UEA 60. © Estate of Alberto Giacometti/SOCAN (2019). https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti_09.jpg Alberto Giacometti: A Line Through Time, installation view, Vancouver Art Gallery 2019. Photo: Maegan Hill-Carroll, Vancouver Art Gallery. https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti-02.jpg Alberto Giacometti. Man Walking (Version I), 1960. Bronze. Collection Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox, Jr., 1961. © Estate of Alberto Giacometti/SOCAN (2019). https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti-03.jpg Alberto Giacometti. Annette Without Arms (Annette IX), 1964. Bronze. The Robert and Lisa Sainsbury Collection, Sainsbury Centre for Visual Arts, University of East Anglia, UK, UEA 49. © Estate of Alberto Giacometti/SOCAN (2019). https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti-07.jpg Funeral figurine (shawabti), Dynasty XXVI, reign of Amasis, 570-526 BC. Faience. The Robert and Lisa Sainsbury Collection, Sainsbury Centre for Visual Arts, University of East Anglia, UK, UEA 920. https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti-01.jpg Alberto Giacometti in his studio, 1960. Photo: Rene Burri/Magnum Photos. https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti-04.jpg Alberto Giacometti. Standing Woman, 1958–59. Bronze. The Robert and Lisa Sainsbury Collection, Sainsbury Centre for Visual Arts, University of East Anglia, UK, UEA 48. © Estate of Alberto Giacometti/SOCAN (2019). https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti-06.jpg Alberto Giacometti. Standing nude, 1955. Pencil on paper. The Robert and Lisa Sainsbury Collection, Sainsbury Centre for Visual Arts, University of East Anglia, UK, UEA 68. © Estate of Alberto Giacometti/SOCAN (2019). https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti_12_1.jpg Man Walking (Version I), 1960, Alberto Giacometti: A Line Through Time, installation view, Vancouver Art Gallery 2019. Photo: Maegan Hill-Carroll, Vancouver Art Gallery. https://www.studiointernational.com/images/articles/g/076-giacometti-2019/Giacometti_10.jpg Alberto Giacometti: A Line Through Time, installation view, Vancouver Art Gallery 2019. Photo: Maegan Hill-Carroll, Vancouver Art Gallery. https://www.studiointernational.com/index.php/leo-warner-interview-59-productions-london-olympics https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Olympic-Opening-Ceremony_59Productions_Stadium.jpg Olympic Opening Ceremony, London 2012. 59 Productions. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Invisible-Cities-2.jpg Invisible Cities. Conceived and created by 59 Productions for Manchester International Festival 2019. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Invisible-Cities-3.jpg Invisible Cities. Conceived and created by 59 Productions for Manchester International Festival 2019. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Invisible-Cities-4.jpg Invisible Cities. Conceived and created by 59 Productions for Manchester International Festival 2019. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Apollo-50.jpg Apollo 50: Go for the Moon, created by 59 Productions, conceived and commissioned by the Smithsonian’s National Air and Space Museum to mark the 50th anniversary of the Apollo 11 voyage. Photo: Evelyn Hockstein. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Reflections-Guggenheim-Bilbao-Created-by-59-Productions.jpg Reflections - 20th anniversary celebrations for Guggenheim Museum Bilbao. Created by 59 Productions. Photo: Justin Sutcliffe. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Reflections-Guggenheim-Bilbao-Created-by-59-Productions-2.jpg Reflections - 20th anniversary celebrations for Guggenheim Museum Bilbao. Created by 59 Productions. Photo: Justin Sutcliffe. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/HCP500-59Productions-TudorPatterns.jpg Hampton Court Palace 500th anniversary. Tudor Patterns. 59 Productions. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/HCP500-5Productions-Titanium-Closing.jpg Hampton Court Palace 500th anniversary. Closing ceremony. 59 Productions. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Chris-New-as-Daniel-Quinn.jpg Chris New as Daniel Quinn and Jack Tarlton as Peter Stillman in Paul Auster's City of Glass. City of Glass is a 59 Productions, HOME & Lyric Hammersmith production, in association with Karl Sydow. Photo: 59 Productions. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Mark-Edel-Hunt-as-Daniel-Quinn.jpg Mark Edel-Hunt as Daniel Quinn and Jack Tarlton as Peter Stillman in Paul Auster's City of Glass. City of Glass is a 59 Productions, HOME & Lyric Hammersmith production, in association with Karl Sydow. Photo: 59 Productions. https://www.studiointernational.com/images/articles/w/073-warner-leo-2019/Leo-Warner,-director-of-59-Productions.jpg Leo Warner, director of 59 Productions. https://www.studiointernational.com/index.php/milton-avery-the-late-portraits-review-victoria-miro-venice https://www.studiointernational.com/images/articles/a/062-avery-milton-2019/MTA57_Lavender-Girl_1963-aa.jpg Milton Avery. Lavender Girl, 1963. Oil on canvasboard, 76.2 x 61 cm (30 x 24 in). Courtesy Victoria Miro, Venice. https://www.studiointernational.com/images/articles/a/062-avery-milton-2019/MTA58_Milton-Avery_1961-aa.jpg Milton Avery, 1961. Oil on canvas, 106.7 x 76.2 cm (42 x 30 in). Courtesy Victoria Miro, Venice. https://www.studiointernational.com/images/articles/a/062-avery-milton-2019/MTA61_New-Hat_1962-aa.jpg Milton Avery. New Hat, 1962. Oil on board, 76.2 x 61 cm (30 x 24 in). Courtesy Victoria Miro, Venice. https://www.studiointernational.com/images/articles/a/062-avery-milton-2019/MTA64_Avery-feeling-wild_1963-aa.jpg Milton Avery. Avery Feeling Wild, 1963. Oil on board, 71.1 x 55.9 cm (28 x 22 in). Courtesy Victoria Miro, Venice. https://www.studiointernational.com/images/articles/a/062-avery-milton-2019/Two-Poets_1963-660.jpg Milton Avery. Two Poets, 1963. Oil on canvas, 127 x 152.4 cm (50 x 60 in). Courtesy Victoria Miro, Venice. https://www.studiointernational.com/index.php/andermatt-concert-hall-opens-switzerland-seilern-architects https://www.studiointernational.com/images/articles/a/061-andermatt-2019/Andermatt-Reuss-(new-town)-in-winter-2018-19-Photo-Valentin-Luthiger-.jpg Andermatt Reuss (new-town) in winter, 2018-19. Photo: Valentin Luthiger. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/The-RadissonBluReussen-looking-onto-Piazza.jpg The Radisson Blu Reussen looking onto Piazza. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/Landscape-Andermatt-with-new-town-Reuss-in-centre_Summer-2018_ASA-Valentin-Luthiger-(3).jpg Andermatt landscape with new town Reuss in centre, Summer 2018. Photo: ASA Valentin Luthiger. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/Christina-Seilern-on-the-balcony.jpg Christina Seilern on the balcony, Andermatt Concert Hall. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/SSA_Andermatt-CH-160619_006-(C)-Monika-Rittershaus.jpg Andermatt Concert Hall. Photo © Monika Rittershaus. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/RH2721-0006-(C)-Roland-Halbe.jpg Andermatt Concert Hall. Photo © Roland Halbe. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/RH2721-0007-(C)-Roland-Halbe.jpg Andermatt Concert Hall. Photo © Roland Halbe. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/RH2721-0045-(C)-Roland-Halbe.jpg Andermatt Concert Hall. Photo © Roland Halbe. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/AndermattCH-SSA_W3A9234-HDR-Pano-Ed-(C)-KanipakPhotography.jpg Andermatt Concert Hall. Photo © Kanipak Photography. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/AndermattCH-SSA_W3A8797-(C)-KanipakPhotography.jpg Andermatt Concert Hall. Photo © Kanipak Photography. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/RH2721-0062-(C)-Roland-Halbe.jpg Andermatt Concert Hall. Photo © Roland Halbe. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/AndermattCH-SSA_W3A8713-Edit-(C)-KanipakPhotography.jpg Andermatt Concert Hall. Photo © Kanipak Photography. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/RH2721-0015-(C)-Roland-Halbe.jpg Andermatt Concert Hall. Photo © Roland Halbe. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/RH2721-0047-(C)-Roland-Halbe.jpg Andermatt Concert Hall. Photo © Roland Halbe. https://www.studiointernational.com/images/articles/a/061-andermatt-2019/RH2721-0059-(C)-Roland-Halbe.jpg Andermatt Concert Hall. Photo © Roland Halbe. https://www.studiointernational.com/index.php/ima-abasi-okon-review-chisenhale-gallery-london https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/04__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, Mahalia’s CounterApparatus: A profound Intimacy of inter—locking detail— I want it Alot More M-o-i-s-t, Wett’er, What! What! Yes! (Redmahogany&Mahogany&Kolonial&Walnut), 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/05__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/10__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, When the —[After-the-world presocial vivid therenessssss and ongoinglyyy] — is in the system, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/08__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, When the —[After-the-world presocial vivid therenessssss and ongoinglyyy] — is in the system, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/13__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/14__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/02__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/03__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/06__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/07__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/o/090-okon-ima-abasi-2019/09__Ima-Abasi-Okon-at-Chisenhale-Gallery_Photo-Andy-Keate.jpg Ima-Abasi Okon, When the —[After-the-world presocial vivid therenessssss and ongoinglyyy] — is in the system, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/index.php/france-lise-mcgurn-interview-sleepless-tate-britain https://www.studiointernational.com/images/articles/m/056-mcgurn-france-lise-2109/France_Lise_Installs_042.jpg Art Now: France-Lise McGurn: Sleepless, installation view, Tate Britain, London, 2019. Photo: Tate Photography. https://www.studiointernational.com/images/articles/m/056-mcgurn-france-lise-2109/France_Lise_Installs_042-detail.jpg Art Now: France-Lise McGurn: Sleepless, installation view, Tate Britain, London, 2019. Photo: Tate Photography. https://www.studiointernational.com/images/articles/m/056-mcgurn-france-lise-2109/France_Lise_Installs_067.jpg Art Now: France-Lise McGurn: Sleepless, installation view, Tate Britain, London, 2019. Photo: Tate Photography. https://www.studiointernational.com/images/articles/m/056-mcgurn-france-lise-2109/France_Lise_Installs_071.jpg Art Now: France-Lise McGurn: Sleepless, installation view, Tate Britain, London, 2019. Photo: Tate Photography. https://www.studiointernational.com/images/articles/m/056-mcgurn-france-lise-2109/France_Lise_Installs_117.jpg Art Now: France-Lise McGurn: Sleepless, installation view, Tate Britain, London, 2019. Photo: Tate Photography. https://www.studiointernational.com/index.php/junya-ishigami-serpentine-pavilion-2019-review https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/offenbach_0m0a6739.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 John Offenbach. https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/serpentine_2019_jia_1311.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Iwan Baan. https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/offenbach_0m0a6743.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 John Offenbach. https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/10-junya_ishigami-serpentine_pavilion-cnorbert_tukaj.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Norbert Tukaj. https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/serpentine_2019_press_day-56.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Taran Wilkhu https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/serpentine_2019_jia_2379.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Iwan Baan. https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/serpentine_2019_jia_2214.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Iwan Baan. https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/04-junya_ishigami-serpentine_pavilion-cnorbert_tukaj.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Norbert Tukaj. https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/05-junya_ishigami-serpentine_pavilion-cnorbert_tukaj.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Norbert Tukaj. https://www.studiointernational.com/images/articles/s/056-serpentine-pavilion-2019/serpentine_2019_jia_2314.jpg Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Iwan Baan. https://www.studiointernational.com/index.php/heike-karin-foll-speed-review-kw-institute-for-contemporary-art-berlin https://www.studiointernational.com/images/articles/f/083-foll-heike-karin-2019/190620_KW_0049_LQ.jpg Heike-Karin Föll, Artist books (unique). Installation view (detail), Speed. KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/f/083-foll-heike-karin-2019/190620_KW_0092_LQ.jpg Heike-Karin Föll, spatial concepts, 2017. Installation view (detail), Speed. KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/f/083-foll-heike-karin-2019/190620_KW_0110_LQ.jpg Heike-Karin Föll, table of content, 2016. Installation view (detail), Speed. KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/f/083-foll-heike-karin-2019/190627_KW_Kor_0024_LQ.jpg Heike-Karin Föll, Anita Pallenberg, 2013–16. Installation view (detail), Speed. KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/f/083-foll-heike-karin-2019/190620_KW_0062_LQ.jpg Heike-Karin Föll, my brain, 2010–19. Installation view (detail), Speed. KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/f/083-foll-heike-karin-2019/190620_KW_0009_LQ.jpg Heike-Karin Föll: Speed. Installation view, KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/f/083-foll-heike-karin-2019/190627_KW_Kor_0070_LQ.jpg Heike-Karin Föll, iconic signature, 2016; weightless studio, 2019. Installation view (detail), Speed. KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/f/083-foll-heike-karin-2019/190627_KW_Kor_0075_LQ.jpg Heike-Karin Föll, table of content, 2019; pretty boy, 2016; refresh, 2016; tangled, 2019. Installation view (detail), Speed. KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling. https://www.studiointernational.com/index.php/anthony-luvera-interview-photography-for-whom-telling-stories-about-the-world https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/IMG_1563.jpg Cover of Photography for Whom? – Issue 1, June 2019. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/Photography_For_Whom_Issue01_DPS_04.jpg Detail of Photography for Whom? – Issue 1, June 2019. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/IMG_1571.jpg Detail of Photography for Whom? – Issue 1, June 2019. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/040_Fred_Doc_324_4A_0620.jpg Documentation of the making of Assisted Self-Portrait of Fred Clarke, from Assembly (2013-2014) by Anthony Luvera. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/086_Ben_Doc_1A_0829.jpg Documentation of the making of Assisted Self-Portrait of Ben Evans, from Assembly (2013-2014) by Anthony Luvera. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/ACL_0142.jpg Installation view of Assembly by Anthony Luvera, Phoenix Gallery, Brighton Photo Fringe, 2014 https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/Assisted_Self-Portrait_of_Gerald_Mclaverty.jpg Assisted Self-Portrait of Gerald Mclaverty from Assembly (2013-2014) by Anthony Luvera. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/BPF14_Launch_20141004__MG_4204.jpg Performance with The Cascade Chorus as part of Assembly, Phoenix Gallery, Brighton Photo Fringe, 2014. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/Gerry.jpg Gerald Mclaverty presenting Frequently Asked Questions at State of the Nation, Museum of Homelessness, Tate Modern, April 2017. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/H16C1029.jpg Frequently Asked Questions by Anthony Luvera and Gerald Mclaverty, State of the Nation with Museum of Homelessness Tate Liverpool, 22 - 28 January 2018. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/H16C1755.jpg Frequently Asked Questions by Anthony Luvera and Gerald Mclaverty, State of the Nation with Museum of Homelessness Tate Liverpool, 22 – 28 January 2018. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/Photography_For_Whom_Issue01_DPS_02.jpg Detail of Photography for Whom? – Issue 1, June 2019. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/Luvera_Frequently_Asked_Questions_HoP_01.jpg Anthony Luvera and Gerald Mclaverty presenting Frequently Asked Questions, Houses of Parliament, June 2019. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/005_Kristel_Doc_199_0A_0859.jpg Documentation of the making of an Assisted Self-Portrait from Assembly (2013-2014) by Anthony Luvera. https://www.studiointernational.com/images/articles/l/069-luvera-anthony-2019/Luvera_Frequently_Asked_Questions_HoP_02.jpg Anthony Luvera and Gerald Mclaverty presenting Frequently Asked Questions, Houses of Parliament, June 2019. https://www.studiointernational.com/index.php/leila-heller-interview-andy-warhol-middle-east-new-york https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/3671631.jpg Leila Heller Gallery’s viewing room on the Upper East Side. https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/3671482.jpg Leila and Alexander Heller in front of Keith Haring paintings at their uptown gallery. https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/3671656.jpg Installation view, Leila Heller’s uptown space. https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/3671654.jpg Andy Warhol’s Perfume Bottles and Firooz Zahedi’s portrait of Andy at Leila Heller’s new uptown gallery space. https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/3671632.jpg John Chamberlain’s Noogatory with Nick Moss’s Heart Eyes at Leila Heller’s uptown space. https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/3671642.jpg Lalanne’s granddaughter, Julie Hamisky, makes her art world debut at Leila Heller during Jane Holzer’s curated show, Double Vision. https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/IMG_2308.jpg Caligrafitti in 2012 at Leila Heller Gallery in Chelsea featuring works by LA2 and table by Yves Klein. https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/IMG_2307ed.jpg Installation shot, Caligrafitti curated by Leila Taghinia-Milani and Jeffrey Deitch, recreated in Chelsea at Leila Heller Gallery. https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/IMG_2309.jpg Caligrafitti in 2012 at Leila Heller Gallery in Chelsea featuring works by LA2 and table by Yves Klein. https://www.studiointernational.com/images/articles/h/067-heller-leila-2019/IMG_2315.jpg Caligrafitti in 2012 at Leila Heller Gallery in Chelsea featuring works by LA2. https://www.studiointernational.com/index.php/bertille-bak-interview-merz-foundation-art-prize-2019-turin-romany-community https://www.studiointernational.com/images/articles/b/057-bak-bertille-2019/Fondazione-Merz,-Photo-Paolo-Pellion-(2).jpg Exterior of Fondazione Merz. Photo: Paolo Pellion. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/b/057-bak-bertille-2019/IMAGE-1.jpg Exterior of Fondazione Merz. Photo: Andrea Guermani. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/b/057-bak-bertille-2019/6.jpg Bertille Bak. Notes englouties (Swallowed sounds), 2012. Interactive subway maps, 130 x 115 x 44 cm each. Courtesy the artist, The Gallery Apart (Roma), Xippas Galleries (Paris-Geneva-Montevideo-Punta del Este). Photo courtesy: Fondazione Merz. Photo: Renato Ghiazza. https://www.studiointernational.com/images/articles/b/057-bak-bertille-2019/b-(1).jpg Bertille Bak. Rayonnage, 2009-14. Supporting structure made of iron, six embroideries (wool on canvas, 90 x 130 cm each) and iron rod to move the canvases. Installation view at The Gallery Apart, Rome. Collection EMST National Museum of Contemporary Art, Athens, Greece. Photo: Giorgio Benni. https://www.studiointernational.com/images/articles/b/057-bak-bertille-2019/e.jpg Bertille Bak. Usine à divertissement, 2016. Video trilogy, 20 mins, video still. Co-production with the Biennale de l’Image 91mq Mouvement 2016. Courtesy Bertille Bak & The Gallery Apart, Rome & Galerie Xippas, Paris-Geneva-Montevideo-Punta del Este. https://www.studiointernational.com/images/articles/b/057-bak-bertille-2019/f.jpg Bertille Bak. Boussa from The Netherlands 1, 2017. Video 16:9, stereo, 19 mins, set photography. Courtesy Bertille Bak & The Gallery Apart, Rome & Galerie Xippas, Paris-Geneva-Montevideo-Punta del Este. https://www.studiointernational.com/images/articles/b/057-bak-bertille-2019/a-(1).jpg Bertille Bak. Faire le mur, 2008. Video 4:3 stereo, 17 mins, set photography. Production Le Fresnoy – Studio national des arts contemporains. Courtesy Bretelle Bak / Le Fresnoy https://www.studiointernational.com/index.php/bartolome-bermejo-master-of-the-spanish-renaissance-review-national-gallery-london https://www.studiointernational.com/images/articles/b/058-bermejo-bartolome-2019/BB_7.jpg Bartolomé Bermejo. Saint Michael triumphant over the Devil with the Donor Antoni Joan, 1468. Oil and gold on panel, 179.7 x 81.9 cm. The National Gallery, London. © The National Gallery, London. https://www.studiointernational.com/images/articles/b/058-bermejo-bartolome-2019/BB_5.jpg Bartolomé Bermejo. Triptych of the Virgin of Montserrat, probably 1470–5. Oil on oak panel, 156.5 x 100.5 cm (central panel); 156.5 x 50.2 cm (side panels). Cathedral of Nostra Signora Assunta, Chapter House/ Acqui Terme (Alessandria) / Italy. © Diocesi di Acqui-Cattedrale N. Signora Assunta, Acqui Terme / Photo: Museo Nacional del Prado, Madrid. https://www.studiointernational.com/images/articles/b/058-bermejo-bartolome-2019/BB_4.jpg Bartolomé Bermejo. Ascension, c1470–5. Oil and gold on pine panel, 104.3 x 69 cm. Museu Nacional d’Art de Catalunya, Barcelona (Permanent loan from Fundació Privada Institut Amatller d’Art Hispànic, 2018). © Museu Nacional d https://www.studiointernational.com/images/articles/b/058-bermejo-bartolome-2019/BB_1.jpg Bartolomé Bermejo. Descent of Christ into Limbo, c1470–5. Oil and gold on pine panel, 88.7 x 69.2 cm. Museu Nacional d https://www.studiointernational.com/images/articles/b/058-bermejo-bartolome-2019/BB_3.jpg Bartolomé Bermejo. Christ with the Just in Paradise, c1470–5. Oil and gold on pine panel, 103.7 x 68.7 cm. Museu Nacional d’Art de Catalunya, Barcelona (Permanent loan from Fundació Privada Institut Amatller d’Art Hispànic, 2018). © Museu Nacional d https://www.studiointernational.com/images/articles/b/058-bermejo-bartolome-2019/BB_2.jpg Bartolomé Bermejo. Resurrection, c1470–5. Oil and gold on pine panel, 90.2 x 69 cm. Museu Nacional d https://www.studiointernational.com/images/articles/b/058-bermejo-bartolome-2019/BB_6.jpg Bartolomé Bermejo. Desplà Pietà, 1490. Oil on poplar panel, 175 × 189 cm. Barcelona Cathedral. © Catedral de Barcelona (Photo: Guillem F-H). https://www.studiointernational.com/index.php/michael-landy-interview-the-projects-no-longer-exist-but-they-are-mapped-on-to-the-australian-psyche-kaldor-public-arts-sydney https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/01-Christo-and-Jeanne-Claude_photo-by-Harry-Shunk.jpg Kaldor Public Art Project 1: Christo and Jeanne-Claude, Wrapped Coast – One Million Square Feet, Little Bay, Sydney, 28 October – 14 December 1969. Photo: Harry Shunk. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/04-Jeff-Koons_photo-by-Eric-Sierins.jpg Kaldor Public Art Project 10: Jeff Koons, Puppy, Museum of Contemporary Art forecourt, Sydney, 12 December 1995 – 17 March 1996. Photo: Eric Sierins. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/06-13-Rooms_Clark-Beaumont_Photo_JamieNorth.jpg Kaldor Public Art Project 27: 13 Rooms, curated by Klaus Biesenbach and Hans Ulrich Obrist, Clark Beaumont perform Coexisting, 2013, commissioned and performed by the artists for 13 Rooms, Pier 2/3 Walsh Bay, Sydney, 11 – 21 April 2013. Photo: Jamie North. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/07-MarinaAbramovic_Photo_FilipoNeves.jpg Kaldor Public Art Project 30: Marina Abramović, Marina Abramović: In Residence, Pier 2/3 Walsh Bay, Sydney, 24 June – 5 July 2015. Photo: Filipe Neves. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/ellen-waugh-seconds005.jpg A photo of Kaldor Public Art Project 1: Christo and Jeanne-Claude’s Wrapped Coast – One Million Square Feet taken by art education lecturer Ellen Waugh in 1969. Ellen used her photographs as slides for teaching. These slides were scanned and new colour photographs of the legendary project were discovered last year. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/15-MoorPaik_A4_02.jpg Kaldor Public Art Project 5: Charlotte Moorman and Nam June Paik. Charlotte Moorman performs Sky Kiss, composition by Jim McWillliams, above the Sydney Opera House Forecourt, 11 April 1976. Photo: Kerry Dundas. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/16-MoorPaik_A5_05.jpg Kaldor Public Art Project 5: Charlotte Moorman and Nam June Paik. Charlotte Moorman performs Cello sonata, composition by Mieko Shiomi, on the rooftop of the Art Gallery of New South Wales, 1976. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/24-JonathanJones_Photo_PeterGreig.jpg Kaldor Public Art Project 32: Jonathan Jones. Barrangal dyara (skin and bones), Royal Botanic Garden, Sydney, 17 September – 3 October 2016. Photo: Peter Greig. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/26-13Rooms_XuZhen_Photo_JamieNorth.jpg Kaldor Public Art Project 27: 13 Rooms, curated by Klaus Biesenbach and Hans Ulrich Obrist. Xu Zhen, In a Blink of An Eye, 2015 performed for 13 Rooms, Pier 2/3 Walsh Bay, Sydney, 11 – 21 April 2013. Photo: Jamie North. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/30-AnriSala_Photo_KurtDavies.jpg Kaldor Public Art Project 33: Anri Sala. Students from St Andrews Cathedral School reflected in the snare drums of The Last Resort, Observatory Hill Rotunda, Sydney, 2 November 2017. Photo: Kurt Davies. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/2019_ML_TDA10704_Mate,-whats-this-shit-_MASTER.jpg Michael Landy. Mate, what’s this shit?, 2019. Ink on paper, 35 x 84.1 cm (13 3/4 x 33 1/8 in). © Michael Landy. Courtesy the artist and Thomas Dane Gallery. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/Waugh-Ellen-1969-Christo-Little-Bay-two.jpg A photo of Kaldor Public Art Project 1: Christo and Jeanne-Claude’s Wrapped Coast – One Million Square Feet taken by art education lecturer Ellen Waugh in 1969. Ellen used her photographs as slides for teaching. These slides were scanned and new colour photographs of the legendary project were discovered last year. https://www.studiointernational.com/images/articles/l/068-landy-michael-2019/25-MarinaAbramovicInResidence_150623_051_med_byPeterGreig.jpg Kaldor Public Art Project 30: Marina Abramović, Marina Abramović: In Residence, Pier 2/3 Walsh Bay, Sydney, 24 June – 5 July 2015. Photo: Peter Greig. https://www.studiointernational.com/index.php/fra-angelico-and-the-rise-of-the-florentine-renaissance-review-prado-madrid https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/03.jpg Fra Angelico. Eighteen Blessed of the Dominican Order, c1419 and c1421–22. Panels from the San Domenico High Altarpiece in Fiesole. Tempera and gold on panel. London, The National Gallery. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/06.jpg Fra Angelico. Coronation of the Virgin, with the Adoration of the Christ Child and Six Angels, c1429–31. Tempera and gold on panel, 77 x 43 cm. Florence, Polo Museale della Toscana, Museo di San Marco. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/08.jpg Paolo Uccello. Annunciation, c1424–25. Tempera and gold on panel, 65 x 48 cm. Oxford, University of Oxford, The Ashmolean Museum. Fox-Strangways Gift, 1850. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/04.jpg Fra Angelico. Virgin and Child, with Four Angels, c1417–19. Tempera and gold on panel, 81 x 51 cm. Saint Petersburg, The State Hermitage Museum. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/11.jpg Pedro Berruguete. Christ on the Cross, c1493–98. Oil on panel, 191 x 136 cm. Segovia, Diputación de Segovia. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/02.jpg Fra Angelico. Virgin of the Pomegranate, c1424–25. Tempera and gold on panel, 87 × 59 cm. Madrid, Museo Nacional del Prado. Adquirido en 2016 con la colaboración de la Fundación Amigos del Museo del Prado. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/01.jpg Fra Angelico. Annunciation and Expulsion of Adam and Eve from Eden, c1425–26. Tempera and gold on panel, 190.3 x 191.5 cm. Madrid, Museo Nacional del Prado. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/05.jpg Fra Angelico. Stories of the Desert Fathers, c1419–20. Tempera and gold on panel, 75 x 207 cm. Florence, Gallerie deli Uffizi. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/07.jpg Masaccio. Saint Paul, 1426. Tempera, silver and gold on poplar panel, 60 x 35 cm. Pisa, Polo Museale della Toscana, Museo Nazionale di San Matteo. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/09.jpg Florentine Stonemason. Capital of a pilaster, 1440s. Gray sandstone, 88 x 114 cm. Florence, Polo Museale della Toscana, Museo di San Marco. https://www.studiointernational.com/images/articles/a/060-angelico-fra-2019/10.jpg Donatello. Virgin of the Pomegranate, c1420–25. Polychromed terracotta, 90 x 64 x 28 cm. Florence, Musei Civici Fiorentini, Museo Stefano Barding. https://www.studiointernational.com/index.php/sohrab-hura-interview-indian-photographer-new-book-coast https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/002-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/003-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/004-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/005-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/006-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/007-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/008-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/009-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/010-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/011-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/012-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/013-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/014-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/images/articles/h/066-hura-sohrab-2019/015-sohrab-hura-studio-international.jpg Sohrab Hura, The Coast, 2019. Image copyright Sohrab Hura. https://www.studiointernational.com/index.php/game-set-match-three-concepts-of-the-artists-book-review-serralves-museum-contemporary-art-portugal https://www.studiointernational.com/images/articles/g/075-game-set-match-2019/GSM-02.jpg Game, Set, Match: Three concepts of the artist’s book, installation view, Serralves Museum of Contemporary Art, 2019. https://www.studiointernational.com/images/articles/g/075-game-set-match-2019/GSM-03.jpg Game, Set, Match: Three concepts of the artist’s book, installation view, Serralves Museum of Contemporary Art, 2019. https://www.studiointernational.com/images/articles/g/075-game-set-match-2019/GSM-04.jpg Game, Set, Match: Three concepts of the artist’s book, installation view, Serralves Museum of Contemporary Art, 2019. https://www.studiointernational.com/images/articles/g/075-game-set-match-2019/GSM-05.jpg Game, Set, Match: Three concepts of the artist’s book, installation view, Serralves Museum of Contemporary Art, 2019. https://www.studiointernational.com/images/articles/g/075-game-set-match-2019/GSM-06.jpg Game, Set, Match: Three concepts of the artist’s book, installation view, Serralves Museum of Contemporary Art, 2019. https://www.studiointernational.com/images/articles/g/075-game-set-match-2019/lignes-004.jpg Part of Sol LeWitt Lignes en quatre directions et toutes leurs combinaisons, Bordeaux, Capc Musée d’art contemporain, 1983. https://www.studiointernational.com/images/articles/g/075-game-set-match-2019/GSM-18.jpg Game, Set, Match: Three concepts of the artist’s book, installation view, Serralves Museum of Contemporary Art, 2019. https://www.studiointernational.com/index.php/david-wojnarowicz-history-keeps-me-awake-at-night-review-museo-reina-sofia-madrid https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/12.jpg David Wojnarowicz, History Keeps Me Awake at Night (For Rilo Chmielorz), 1986 Acrylic, spray paint and collaged paper on Masonite,182.9 × 213.4 cm. Collection of John P. Axelrod. Photograph courtesy Museo Reina Sofia. https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/02.jpg David Wojnarowicz, Untitled (Genet after Brassaï), 1979. Collage mounted on paper, 63.5 × 92.1 cm. Private collection. Photograph courtesy Museo Reina Sofia. https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/13.jpg David Wojnarowicz, Wind (For Peter Hujar), 1987. Acrylic and collaged paper on Masonite, 182.9 × 243.8 cm. Second Ward Foundation. Photograph courtesy Museo Reina Sofia. https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/07.jpg Installation shot of David Wojnarowicz, History Keeps Me Awake at Night at Museo Nacional Centro de Arte Reina Sofia, May 2019. Photograph: Jaoquin Cortés/Roman Lores. Photographical archive of the Museo Reina Sofia. https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/09.jpg David Wojnarowicz, Untitled (Falling Man and Other Stencils), 1982. Spray paint on chipboard, 66 × 22.9 cm. Collection of John P. Axelrod. Photograph courtesy Museo Reina Sofia. https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/16.jpg David Wojnarowicz, Untitled (One Day This Kid . . .), 1990–91. Photostat mounted on board,
75.7 × 101.9 cm, Edition of 10. Whitney Museum of American Art, NewYork; purchase, with funds from the Print Committee 2002. Photograph courtesy Museo Reina Sofia. https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/03.jpg David Wojnarowicz, Rimbaud mask, c1978. Photocopy mounted on cardstock, with rubber bands, 29.5 × 22.5 cm. Courtesy the Fales Library and Special Collections, NewYork University. Photograph courtesy Museo Reina Sofia. https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/08.jpg David Wojnarowicz, Untitled (Burning House), 1982. Spray paint on paper, 60.8 × 45.4 cm. Whitney Museum of American Art, NewYork; purchase, with funds from the Print Committee 2010. Photograph courtesy Museo Reina Sofia. https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/10.jpg Installation shot of David Wojnarowicz, History Keeps Me Awake at Night at Museo Nacional Centro de Arte Reina Sofia, May 2019. Photograph: Jaoquin Cortés/Roman Lores. Photographical archive of the Museo Reina Sofia. https://www.studiointernational.com/images/articles/w/072-wojnarowicz-david-2019/11.jpg David Wojnarowicz, Untitled (Green Head), 1982. Acrylic on Masonite, 121.9 × 243.8 cm. Collection of Hal Bromm and Don Meris. Photograph courtesy Museo Reina Sofia. https://www.studiointernational.com/index.php/sammy-baloji-im-not-interested-in-colonialism-as-a-thing-of-the-past-but-in-continuation-of-that-system https://www.studiointernational.com/images/articles/b/056-baloji-sammy-2019/190724_A_Baloji_MP-11.jpg Sammy Baloji, Extractive Landscapes, installation view, Salzburg International Summer Academy of Fine Arts 2019. Photo: Christian Ecker. https://www.studiointernational.com/images/articles/b/056-baloji-sammy-2019/190724_A_Baloji_MP-45.jpg Sammy Baloji, Extractive Landscapes (detail), installation view, Salzburg International Summer Academy of Fine Arts 2019. Photo: Christian Ecker. https://www.studiointernational.com/images/articles/b/056-baloji-sammy-2019/_MG_9867.jpg Sammy Baloji, Extractive Landscapes, installation view, Salzburg International Summer Academy of Fine Arts 2019. Photo: Christian Ecker. https://www.studiointernational.com/images/articles/b/056-baloji-sammy-2019/_MG_9958.jpg Sammy Baloji, Extractive Landscapes, installation view, Salzburg International Summer Academy of Fine Arts 2019. Photo: Christian Ecker. https://www.studiointernational.com/images/articles/b/056-baloji-sammy-2019/190724_A_Baloji_MP-2.jpg Sammy Baloji, Extractive Landscapes, Salzburg International Summer Academy of Fine Arts 2019. Photo: Mira Turba. https://www.studiointernational.com/images/articles/b/056-baloji-sammy-2019/190724_A_Baloji_MP-37.jpg Sammy Baloji, Salzburg International Summer Academy of Fine Arts. Photo: Mira Turba. https://www.studiointernational.com/images/articles/b/056-baloji-sammy-2019/_MG_9951.jpg Sammy Baloji, Extractive Landscapes, installation view, Salzburg International Summer Academy of Fine Arts 2019. Photo: Christian Ecker. https://www.studiointernational.com/index.php/nicoline-van-harskamp-interview-thinking-about-names-as-languages https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH13.jpg Nicoline van Harskamp. PDGN, 2016. Video still. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH16.jpg Nicoline van Harskamp. Englishes, 2013-16. Text collage / Exhibition Poster BAK, Utrecht. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH02.jpg Nicoline van Harskamp. Mein Name ist Sprache (My Name is Language), 2018. Steirischer Herbst, Graz. Photo: Clara Wildberger. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH05.jpg Nicoline van Harskamp. Mein Name ist Sprache (My Name is Language), 2019. Ruhr Ding, Oberhausen. Photo: Urbane Künsten Ruhr. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH06.jpg Nicoline van Harskamp. Mein Name ist Sprache (My Name is Language), 2019. Ruhr Ding, Oberhausen. Photo: Urbane Künsten Ruhr. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH07.jpg Nicoline van Harskamp. My Name is Language, 2018. Dublin Theater Festival / Project Art Centre, Dublin. Photo: Killian Broderick. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH15.jpg Nicoline van Harskamp. PDGN, 2016. Installation view at Project Art Centre, Dublin. Photo: Project Art Centre. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH00.jpg Nicoline van Harskamp. Mein Name ist Sprache (My Name is Language), 2018. Steirischer Herbst, Graz. Photo: Nicoline van Hartkamp. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH09.jpg Nicoline van Harskamp. My Name is Language, 2018. Dublin Theater Festival / Project Art Centre, Dublin. Photo: Killian Broderick. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH10.jpg Nicoline van Harskamp. My Name is Language, 2018. Dublin Theater Festival / Project Art Centre, Dublin. Photo: Killian Broderick. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH01.jpg Nicoline van Harskamp. Mein Name ist Sprache (My Name is Language), 2018. Steirischer Herbst, Graz. Photo: Clara Wildberger. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH03.jpg Nicoline van Harskamp. Mein Name ist Sprache (My Name is Language), 2018. Steirischer Herbst, Graz. Photo: Clara Wildberger. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH04.jpg Nicoline van Harskamp. Mein Name ist Sprache (My Name is Language), 2019. Ruhr Ding, Oberhausen. Photo: Urbane Künsten Ruhr. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH12.jpg Nicoline van Harskamp. My Name is Language, 2018. Dublin Theater Festival / Project Art Centre, Dublin. Photo: Killian Broderick. https://www.studiointernational.com/images/articles/h/065-harskamp-nicoline-van-2019/NVH14.jpg Nicoline van Harskamp. PDGN, 2016. Video still. https://www.studiointernational.com/index.php/david-batchelor-my-own-private-bauhaus-review-ingleby-gallery-edinburgh https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/02_David-Batchelor_My-Own-Private-Bauhaus_Installation-view_2019_Tom-Nolan_2_PRESS.jpg David Batchelor: My Own Private Bauhaus, installation view, Ingleby, Edinburgh (July – September 2019). Photo: Tom Nolan. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/18_I-Love-Kings-Cross-and-Kings-Cross-Loves-Me-17b.jpg David Batchelor. I Love Kings Cross and Kings Cross Loves Me 17b, 2018. Acrylic, metal and wheels, 34.5 x 20 x 2.5 cm. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/15_Alt-Con-Set.jpg David Batchelor. Alt-Con Set, 2018-19. Mixed media and concrete, dimensions vary (comprising Alt-Concreto #06, 07, 14, 15 and 16). Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/16_Alt-Concreto-18.jpg David Batchelor. Alt-Concreto 18, 2018. Wooden ruler and concrete, 47.5 x 24 x 5 cm. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/10_David-Batchelor_My-Own-Private-Bauhaus_Installation-view_2019_Tom-Nolan_5_PRESS.jpg David Batchelor: My Own Private Bauhaus, installation view, Ingleby, Edinburgh (July – September 2019). Photo: Tom Nolan. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/12_-Multi-Colour-Chart-37.jpg David Batchelor. Multi-Colour Chart 37, 2018. Gloss and spray paint on Dibond, 291 x 118 x 3 cm. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/13_Geo-Concreto-12.jpg David Batchelor. Geo-Concreto 12, 2018. Tin lids, gloss paint and concrete, 70 x 15 x 5 cm. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/David-Batchelor(1).jpg David Batchelor, 2019. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/11.jpg David Batchelor. Multi-Colour Chart 38, 2018. Gloss and spray paint on Dibond, 225.5 x 94 x 3 cm. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/14_-Geo-Concreto-06.jpg David Batchelor. Geo-Concreto 06, 2018. Tin lids, gloss paint and concrete, 69 x 15 x 5 cm. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/19_Neo-Neo-Concreto.jpg David Batchelor. Neo-Neo Concreto, 2019. Acrylic and concrete, 51.5 x 12.5 x 5 cm. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/20_Alt-Concreto-02.jpg David Batchelor. Alt-Concreto 02, 2016. Plastic, screws, plywood and concrete, 52 x 28 x 5 cm. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/21_Colour-Triangle-06.jpg David Batchelor. Colour Triangle 06, 2019. Acrylic on squared paper, 40 x 29.5 cm (paper). Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/22_Atomic-Drawing-18.jpg David Batchelor. Atomic Drawing 18, 2011. Spray paint, gaffer tape, pencil and ink on card, 42 x 59.5 cm. Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/23_-Atomic-Drawing-165-(angular).jpg David Batchelor. Atomic Drawing 165 (angular), 1997. Adhesive tape on card, 30.5 x 21.5 cm (framed). Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/24_Geo-Concreto-02.jpg David Batchelor. Geo-Concreto 02, 2018. Paint on tin, concrete, 56.5 x 11.5 x 5 cm (22 1/4 x 4 1/2 x 2 in). Photo: Lucy Dawkins. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/b/055-batchelor-david-2019/26_Kings-Cross-Drawing-copy.jpg David Batchelor. King’s Cross drawing, 2000. Enamel paint and pencil on paper, 21 x 29.5 cm. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/index.php/rachel-howard-interview-i-like-to-contradict-myself-trip-myself-up-lappel-du-vide-blain-southern-new-york https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-LAppel-du-Vide,-2019,-Courtesy-the-artist-and-BlainSouthern,-Photo--Prudence-Cuming.jpg Rachel Howard. L’appel du vide, 2019. Oil and acrylic on canvas, 213.5 x 213.5 cm (84 x 84 in). Image courtesy of the artist and Blain | Southern. Photo: Prudence Cumming. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-Missive-to-the-Mad,-2019,-Courtesy-the-artist-and-BlainSouthern,-Photo-Prudence-Cuming.jpg Rachel Howard. Missive to the Mad, 2019. Oil and acrylic on canvas, 104 x 122 cm (41 x 48 in). Image courtesy of the artist and Blain | Southern. Photo: Prudence Cumming. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-May-(a-reason),-2019,-Courtesy-the-artist-and-BlainSouthern,-Photo-Ian-Sadler.jpg Rachel Howard. May (a reason), 2019. Oil and acrylic on canvas, 61 x 51 cm (24 x 20 in). Image courtesy of the artist and Blain | Southern. Photo: Ian Sadler. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-Love-Fool,-2019,-Courtesy-the-artist-and-BlainSouthern,-Photo--Prudence-Cuming.jpg Rachel Howard. Love Fool, 2019. Oil and acrylic on canvas, 213.5 x 213.5 cm (84 x 84 in). Image courtesy of the artist and Blain | Southern. Photo: Prudence Cumming. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-Missive-to-the-Sad,-2019,-Courtesy-the-artist-and-BlainSouthern,-Photo-Prudence-Cuming.jpg Rachel Howard. Missive to the Sad, 2019. Oil and acrylic on canvas, 104 x 122 cm (41 x 48 in). Image courtesy of the artist and Blain | Southern. Photo: Prudence Cumming. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel_Howard-by-Carla-Borel_April_2015_01.jpg Rachel Howard. Photo: Carla Borel. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-Walkway,-2019,-Courtesy-the-artist-and-BlainSouthern,-Photo-Prudence-Cuming.jpg Rachel Howard. Walkway, 2019. Ink on paper, 30.5 x 25.5 cm (12 x 10 in). Image courtesy of the artist and Blain | Southern. Photo: Prudence Cumming. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-Lappel-du-vide,-2019,-Installation-view,-Courtesy-the-artist-and-BlainSouthern,-Photo-Adam-Reich-(10).jpg Rachel Howard, L’appel du vide, 2019. Installation view, courtesy the artist and BlainSouthern. Photo: Adam Reich. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-Lappel-du-vide,-2019,-Installation-view,-Courtesy-the-artist-and-BlainSouthern,-Photo-Adam-Reich-(13).jpg Rachel Howard, L’appel du vide, 2019. Installation view, courtesy the artist and BlainSouthern. Photo: Adam Reich. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-Lappel-du-vide,-2019,-Installation-view,-Courtesy-the-artist-and-BlainSouthern,-Photo-Adam-Reich-(5).jpg Rachel Howard, L’appel du vide, 2019. Installation view, courtesy the artist and BlainSouthern. Photo: Adam Reich. https://www.studiointernational.com/images/articles/h/064-howard-rachel-2019/Rachel-Howard,-Lappel-du-vide,-2019,-Installation-view,-Courtesy-the-artist-and-BlainSouthern,-Photo-Adam-Reich-(8).jpg Rachel Howard, L’appel du vide, 2019. Installation view, courtesy the artist and BlainSouthern. Photo: Adam Reich. https://www.studiointernational.com/index.php/roger-palmer-interview-i-have-always-treated-photography-as-a-form-of-drawing https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-Fire,-in-Refugio-after-Selkirk-after-Crusoe,-Kirkcaldy-Galleries,-2019.jpg Roger Palmer. Fire, in Refugio - after Selkirk after Crusoe, Kirkcaldy Galleries, 2019. Vinyl, marker pen, acrylic, silver gelatin and inket photographs, 301 x 447 cm. Photo: John C McKenzie. https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-Bones,-in-Refugio-2019.jpg Roger Palmer. Bones, in Refugio - after Selkirk after Crusoe, Kirkcaldy Galleries, 2019. Vinyl, marker pen, map and inket photograph, 301 x 410 cm. Photo: John C McKenzie. https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-Partial-Eclipse-(Kronstadt)-(detail),-silver-gelatin-photograph,-2015-(i).jpg Roger Palmer. Partial Eclipse (Kronstadt) (detail), 2015. Silver gelatin photograph. https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-Partial-Eclipse-(Kronstadt)-(detail),-silver-gelatin-photograph,-2015-(ii).jpg Roger Palmer. Partial Eclipse (Kronstadt) (detail), 2015. Silver gelatin photograph. https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-Partial-Eclipse-(work-in-progress).jpg Roger Palmer. Partial Eclipse (work-in-progress); digital substitutes for framed silver gelatin photographs, wax crayon, overall size 300 x 420 cm approx. https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-Following-the-Starry-Plough-studio-work-in-progress,-2019,-silver-gelatin-photographs,-emulsion-paint,-272cm-x-580cm..jpg Roger Palmer. Following the Starry Plough, studio work-in-progress, 2019. Silver gelatin photographs, emulsion paint, 272 x 580 cm. https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-SPOOR-artists-book,-GOST,-London,-2019.jpg Roger Palmer. SPOOR artist https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-SPOOR,-GOST-Books,-2019-(Confidence,-Mpumalanga,-2016).jpg Roger Palmer. SPOOR, GOST Books, 2019, (Confidence, Mpumalanga, 2016). https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-SPOOR,-GOST-Books,-2019-(Calitzdorp,-Western-Cape,-2015).jpg Roger Palmer. SPOOR, GOST Books, 2019, (Calitzdorp, Western Cape, 2015). https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-Partial-Eclipse-(Kronstadt)-(detail),-silver-gelatin-photograph-(iii),-2015.jpg Roger Palmer. Partial Eclipse (Kronstadt) (detail), 2015. Silver gelatin photograph. https://www.studiointernational.com/images/articles/p/072-palmer-roger-2019/Roger-Palmer,-SPOOR,-GOST-Books,-2019-Tyoksville,-Dordrecht,-Eastern-Cape,-2015.jpg Roger Palmer. SPOOR, GOST Books, 2019 (Tyoksville, Dordrecht, Eastern Cape, 2015). https://www.studiointernational.com/index.php/fiona-tan-disorient-review-goma-glasgow https://www.studiointernational.com/images/articles/t/087-tan-fiona-2019/FT_008.jpg Fiona Tan: Disorient, installation view, Gallery of Modern Art, Glasgow, 2019. Photo: Ruth Clarke. https://www.studiointernational.com/images/articles/t/087-tan-fiona-2019/FT_007.jpg Fiona Tan: Disorient, installation view, Gallery of Modern Art, Glasgow, 2019. Photo: Ruth Clarke. https://www.studiointernational.com/images/articles/t/087-tan-fiona-2019/FT_005.jpg Fiona Tan: Disorient, installation view, Gallery of Modern Art, Glasgow, 2019. Photo: Ruth Clarke. https://www.studiointernational.com/images/articles/t/087-tan-fiona-2019/FT_001.jpg Fiona Tan: Disorient, installation view, Gallery of Modern Art, Glasgow, 2019. Photo: Ruth Clarke. https://www.studiointernational.com/images/articles/t/087-tan-fiona-2019/FT_002.jpg Fiona Tan: Disorient, installation view, Gallery of Modern Art, Glasgow, 2019. Photo: Ruth Clarke. https://www.studiointernational.com/index.php/jo-spence-and-oreet-ashery-misbehaving-bodies-review-wellcome-collection-london https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Akiya.jpg Revisiting Genesis, Oreet Ashery. video still. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Jo-Spence,-The-Picture-of-Health-Copyright-The-Jo-Spence-Memorial-Archive,-Ryerson-University,-Courtesy-MACBA-Collection-(5).jpg The Picture of Health, Jo Spence in collaboration with Rosy Martin, Maggie Murray and Terry Dennet, 1982. Copyright The Jo Spence Memorial Archive, Ryerson University, Courtesy MACBA Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Misbehaving-Bodies,-Courtesy-Wellcome-Collection-(1).jpg Jo Spence and Oreet Ashery: Misbehaving Bodies. Installation view. Photo: Thomas Farnetti, Courtesy Wellcome Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Picture-of-Health-(4).jpg The Picture of Health, Jo Spence in collaboration with Rosy Martin, Maggie Murray and Terry Dennet, 1982. Copyright The Jo Spence Memorial Archive, Ryerson University, Courtesy MACBA Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Picture-of-Health.jpg The Picture of Health, Jo Spence in collaboration with Rosy Martin, Maggie Murray and Terry Dennet, 1982. Copyright The Jo Spence Memorial Archive, Ryerson University, Courtesy MACBA Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/The-Final-Project.jpg Jo Spence. The Final Project [ https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/A-Picture-of-Health-(2).jpg The Picture of Health, Jo Spence in collaboration with Rosy Martin, Maggie Murray and Terry Dennet, 1982. Copyright The Jo Spence Memorial Archive, Ryerson University, Courtesy MACBA Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/A-Picture-of-Health.jpg The Picture of Health: Property of Jo Spence?, Jo Spence in collaboration with Terry Dennett, 1982. Copyright The Jo Spence Memorial Archive, Ryerson University, Courtesy Wellcome Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Jo-Spence,-The-Picture-of-Health-Copyright-The-Jo-Spence-Memorial-Archive,-Ryerson-University,-Courtesy-MACBA-Collection-(3).jpg The Picture of Health, Jo Spence in collaboration with Rosy Martin, Maggie Murray and Terry Dennet, 1982. Copyright The Jo Spence Memorial Archive, Ryerson University, Courtesy MACBA Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Misbehaving-Bodies,-Installation,-Courtesy-Wellcome-Collection.jpg Jo Spence and Oreet Ashery: Misbehaving Bodies. Installation view. Photo: Thomas Farnetti, Courtesy Wellcome Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Misbehaving-Bodies,-Installation-image,-Courtesy-of-Wellcome-Collection-1.jpg Jo Spence and Oreet Ashery: Misbehaving Bodies. Installation view. Photo: Thomas Farnetti, Courtesy Wellcome Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Misbehaving-Bodies,-Installation-image,-Courtesy-of-Wellcome-Collection-5.jpg Jo Spence and Oreet Ashery: Misbehaving Bodies. Installation view. Photo: Thomas Farnetti, Courtesy Wellcome Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Misbehaving-Bodies,-installation,-Courtesy-Wellcome-Collection-(2).jpg Jo Spence and Oreet Ashery: Misbehaving Bodies. Installation view. Photo: Thomas Farnetti, Courtesy Wellcome Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Misbehaving-Bodies,-installation,-Courtesy-Wellcome-Collection-(3).jpg Jo Spence and Oreet Ashery: Misbehaving Bodies. Installation view. Photo: Thomas Farnetti, Courtesy Wellcome Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Oreet-Ashery_credit_Christa-Holka_2016.jpg Oreet Ashery. Photo: Christa Holka. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Phototherapy.jpg The Picture of Health, Jo Spence in collaboration with Rosy Martin, Maggie Murray and Terry Dennet, 1982. Copyright The Jo Spence Memorial Archive, Ryerson University, Courtesy MACBA Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Picture-of-Health-(3).jpg The Picture of Health, Jo Spence in collaboration with Rosy Martin, Maggie Murray and Terry Dennet, 1982. Copyright The Jo Spence Memorial Archive, Ryerson University, Courtesy MACBA Collection. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Revisiting-Genesis-(1).jpg Revisiting Genesis, Oreet Ashery. video still. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/055-misbehaving-bodies-2019/Revisiting-Genesis.jpg Revisiting Genesis, Oreet Ashery. video still. Courtesy of the artist https://www.studiointernational.com/index.php/dora-maurer-review-tate-modern-london https://www.studiointernational.com/images/articles/m/054-maurer-dora-2019/04.jpg Dora Maurer, installation view, Tate Modern, 5 August 2019 – 5 July 2020. © Tate (Matt Greenwood). https://www.studiointernational.com/images/articles/m/054-maurer-dora-2019/Dora-Maurer-Seven-Foldings.jpg Dóra Maurer. Seven Foldings 1975, published 1978. Drypoint on paper, 57.8 x 40 cm. Tate © Dóra Maurer Photo: Vintage Galéria / András Bozsó. https://www.studiointernational.com/images/articles/m/054-maurer-dora-2019/Dora-Maurer-Timing.jpg Dóra Maurer. Timing, film still 1973/1980. Film, 16mm shown as video, projection, black and white. Tate © Dóra Maurer. https://www.studiointernational.com/images/articles/m/054-maurer-dora-2019/Displacements-Step-18-with-Two-Random-Quasi-Images-1976-Photography-Dora-Maurer.jpg Dóra Maurer. Displacements, Step 18 with Two Random-Quasi-Images, 1976. Acrylic, canvas, wood, 200 × 160 cm. Promised gift to Tate by anonymous donors, 2019. © Dóra Maurer. https://www.studiointernational.com/images/articles/m/054-maurer-dora-2019/Relative-Quasi-Image-1996-Photography-Vintage-Galeria-Andras-Bozso.jpg Dóra Maurer. Relative Quasi Image, 1996. Acrylic on canvas and wood, 100 × 100 cm. Private collection. © Dóra Maurer Photo: Vintage Galéria / András Bozsó. https://www.studiointernational.com/images/articles/m/054-maurer-dora-2019/Stage-II-2016-Photography-White-Cube-Prudence-Cumming-Associates-Ltd.jpg Dóra Maurer. Stage II, 2016. Acrylic, canvas, PVC, 200 × 600 cm. Promised gift to Tate by anonymous donors, 2019. © Dóra Maurer Photography © White Cube (Prudence Cuming Associates Ltd). https://www.studiointernational.com/images/articles/m/054-maurer-dora-2019/Overlappings-38-2007-Photography-Vintage-Galeria-Andras-Bozso.jpg Dóra Maurer. Overlappings 38, 2007. Acrylic on canvas and wood, 91 × 240 cm. Private collection. © Dóra Maurer Photography © Vintage Galéria / András Bozsó. https://www.studiointernational.com/images/articles/m/054-maurer-dora-2019/02.jpg Dora Maurer, installation view, Tate Modern, 5 August 2019 – 5 July 2020. © Tate (Matt Greenwood). https://www.studiointernational.com/images/articles/m/054-maurer-dora-2019/DoraMaurer-PressInstalls-3.jpg Dora Maurer, installation view, Tate Modern, 5 August 2019 – 5 July 2020. © Tate (Matt Greenwood). https://www.studiointernational.com/index.php/alan-james-burns-interview-entirely-hollow-aside-from-the-dark-cresswell-crags-worksop-nottingham https://www.studiointernational.com/images/articles/b/055-burns-alanjames-2019/in-the-office-2019.jpg AlanJames Burns in his ‘office’, Creswell Crags Cave, Worksop, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/055-burns-alanjames-2019/testing-sound-levels.jpg AlanJames Burns installing Entirely Hollow Aside from the Dark, Creswell Crags Cave, Worksop, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/055-burns-alanjames-2019/alanjames-burns-photo-martin-kennedy-2019.jpg AlanJames Burns, Creswell Crags Cave, Worksop, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/055-burns-alanjames-2019/hiding-the-speaker-cables.jpg Installing Entirely Hollow Aside from the Dark, Creswell Crags Cave, Worksop, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/055-burns-alanjames-2019/merak-hiding-the-cables.jpg Installing Entirely Hollow Aside from the Dark, Creswell Crags Cave, Worksop, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/b/055-burns-alanjames-2019/installation-view-creswell-crags-cave-2019.jpg Installing Entirely Hollow Aside from the Dark, Creswell Crags Cave, Worksop, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/esther-pearl-watson-interview-mothership-maureen-paley-london-i-really-search-out-moments-of-awkward-humour https://www.studiointernational.com/images/articles/w/071-watson-esther-pearl-2019/MP-WATSE-00015-A-300.jpg Esther Pearl Watson. Gene didn’t come home last night, 2019. Acrylic and glitter on panel, 101.6 x 152.4 cm. © Esther Pearl Watson, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/w/071-watson-esther-pearl-2019/Maureen-Paley-Esther-Pearl-Watson-V-300.jpg Esther Pearl Watson. MOTHERSHIP, exhibition view, Maureen Paley, London, 2019. © Esther Pearl Watson, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/w/071-watson-esther-pearl-2019/MP-WATSE-00020-A-300.jpg Esther Pearl Watson. High Static Thrust, 2019. Acrylic and glitter on panel, 12.7 x 17.8 cm. © Esther Pearl Watson, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/w/071-watson-esther-pearl-2019/MP-WATSE-00033-A-300.jpg Esther Pearl Watson. Wash Your Hands, 2019. Acrylic and glitter on panel, 45.7 x 61 cm. © Esther Pearl Watson, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/w/071-watson-esther-pearl-2019/MP-WATSE-00029-A-300.jpg Esther Pearl Watson. Due to Transportation, 2019. Acrylic, collage and glitter on canvas, 91.4 x 91.4 cm. © Esther Pearl Watson, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/w/071-watson-esther-pearl-2019/Maureen-Paley-Esther-Pearl-Watson-V-detail1.jpg Esther Pearl Watson. MOTHERSHIP, exhibition view, Maureen Paley, London, 2019. © Esther Pearl Watson, courtesy Maureen Paley, London. https://www.studiointernational.com/index.php/alexander-tovborg-interview-if-you-jump-you-don-t-necessarily-come-back-down-denmark https://www.studiointernational.com/images/articles/t/086-tovborg-alexander-2019/_O5A9981.jpg Installation view, Rudolph Tegners Museum, Dronningmølle, Denmark. Courtesy of the artist and Galleri Nicolai Wallner. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/t/086-tovborg-alexander-2019/AT_sphinxandnature1.jpg Alexander Tovborg. Sphinx and nature, 2019. Acrylic, watercolour, crayon and felt on wooden panel, 260 x 600 x 6 cm. Courtesy of the artist and Galleri Nicolai Wallner. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/t/086-tovborg-alexander-2019/balancen_3_300dpi.jpg Alexander Tovborg. Mennesket og jeanne d’arc (balancen) hvem er dit sværd I [The human and Joan of Arc (the equilibrium) who is your sword I], 2018. Acrylic, pastel crayon, felt and holy water on wooden panel 300 x 600 x 6 cm. Courtesy of the artist and Galleri Nicolai Wallner. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/t/086-tovborg-alexander-2019/boccabaciata_install02.jpg Alexander Tovborg. Bocca Baciata, 2014. Installation view, Overgaden Institute of Contemporary Art, Copenhagen, Denmark. Courtesy of the artist and Galleri Nicolai Wallner. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/t/086-tovborg-alexander-2019/_O5A9959.jpg Alexander Tovborg. Guddommen og dens skabere I (Divinity and its creators I), 2019. Acrylic and pastel on wooden panel, 300 x 1,000 x 6 cm. Installation view, Rudolph Tegners Museum, Dronningmølle, Denmark. Courtesy of the artist and Galleri Nicolai Wallner. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/t/086-tovborg-alexander-2019/_O5A9960.jpg Alexander Tovborg. Guddommen og dens skabere II [Divinity and its creators II], 2019. Acrylic and pastel on wooden panel, 300 x 1,000 x 6 cm. Installation view, Rudolph Tegners Museum, Dronningmølle, Denmark. Courtesy of the artist and Galleri Nicolai Wallner. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/t/086-tovborg-alexander-2019/boccabaciata_install03.jpg Alexander Tovborg. Bocca Baciata, 2014. Installation view, Overgaden Institute of Contemporary Art, Copenhagen, Denmark. Courtesy of the artist and Galleri Nicolai Wallner. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/t/086-tovborg-alexander-2019/boccabaciata_install15.jpg Alexander Tovborg. Bocce Baciata (detail), 2014. Installation view, Overgaden Institute of Contemporary Art, Copenhagen, Denmark. Courtesy of the artist and Galleri Nicolai Wallner. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/t/086-tovborg-alexander-2019/Tovborg-credit-Oliver-Bak.jpg Alexander Tovborg. Photo: Oliver Bak. https://www.studiointernational.com/index.php/garth-evans-but-hands-have-eyes-review-chapter-gallery-cardiff https://www.studiointernational.com/images/articles/e/083-evans-garth-2019/BODIES-Hold,-1992-94.jpg Garth Evans. Bodies Hold, 1992-94. Fibreglass over cardboard, 58 x 133 x 91 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/e/083-evans-garth-2019/N6-Floor-Lost-Hope,-1990.jpg Garth Evans. Lost Hope, 1990. Epoxy resin, foamcore, paper, paint, 51 x 86 x 64 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/e/083-evans-garth-2019/N6-Floor-Mrs-Turpins-Pig,-1987.jpg Garth Evans. Mrs Turpin’s Pig, 1987. Epoxy resin, foamcore, paper, paint, 51 x 117 x 48 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/e/083-evans-garth-2019/b(Hollow-Form-No28)-2nd-View-copy.jpg Garth Evans. Hollow Form No. 28, 2004–13. Ceramic, 44.5 x 61 x 35.5 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/e/083-evans-garth-2019/b(Hollow-Form-No31)-2nd-view-(1).jpg Garth Evans. Hollow Form No. 31, 2004–13. Ceramic, 37 x 63.5 x 45.75 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/e/083-evans-garth-2019/im2452-(1)-copy.jpg Garth Evans. Untitled No 38, 1967-68. Fibreglass, four units 183 x 61 x 61cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/e/083-evans-garth-2019/Garth-Evans.jpg Garth Evans. Image courtesy the artist. https://www.studiointernational.com/index.php/mona-hatoum-review-remains-to-be-seen-white-cube-bermondsey https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Remains-to-be-Seen-White-Cube-Bermondsey-12-September---3-November-2019-(medium-res)-5.jpg Mona Hatoum, Remains to be Seen, White Cube Bermondsey 12 September - 3 November 2019. © Mona Hatoum. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Remains-to-be-Seen-White-Cube-Bermondsey-12-September---3-November-2019-(medium-res)-3.jpg Mona Hatoum, Remains to be Seen, White Cube Bermondsey 12 September - 3 November 2019. © Mona Hatoum. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Remains-to-be-Seen-2019-(medium-res)-3.jpg Mona Hatoum, Remains to be Seen, 2019. Concrete and steel reinforcement bars, 528 x 530 x 530 cm (207 7/8 x 208 11/16 x 208 11/16 in). © Mona Hatoum. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Map-(mobile)-2019-(medium-res).jpg Mona Hatoum, Map (mobile), 2019. Glass and stainless steel, dimensions variable. © Mona Hatoum. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Orbital-I-2018-(medium-res).jpg Mona Hatoum, Orbital I, 2018. Rebar and concrete, diameter: 140 cm © Mona Hatoum. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Hot-Spot-(stand)-2018-(medium-res).jpg Mona Hatoum, Hot Spot (stand), 2018. Stainless steel, neon tube and rubber, 172 x 83 x 80 cm. © Mona Hatoum. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-A-Pile-of-Bricks-2019-(medium-res).jpg Mona Hatoum, A Pile of Bricks, 2019. Bricks, wood, metal and rubber, 95 x 171 x 61 cm. © Mona Hatoum. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Remains-to-be-Seen-White-Cube-Bermondsey-12-September---3-November-2019-(medium-res)-2.jpg Mona Hatoum, Remains to be Seen, White Cube Bermondsey 12 September - 3 November 2019. © Mona Hatoum. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-A-Pile-of-Bricks-2019-(medium-res)-1.jpg Mona Hatoum, A Pile of Bricks (detail), 2019. Bricks, wood, metal and rubber, 95 x 171 x 61 cm. © Mona Hatoum. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Hot-Spot-(stand)-2018-(medium-res)-1.jpg Mona Hatoum, Hot Spot (stand), 2018 (detail). Stainless steel, neon tube and rubber, 172 x 83 x 80 cm. © Mona Hatoum. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Inside-Out-2019-(medium-res).jpg Mona Hatoum, Inside Out, 2019. Bronze, diameter: 103 cm (40 9/16 in). © Mona Hatoum. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Orbital-I-2018-(medium-res)-1.jpg Mona Hatoum, Orbital I (detail), 2018. Rebar and concrete, diameter: 140 cm © Mona Hatoum. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Remains-to-be-Seen-2019-(medium-res)-4.jpg Mona Hatoum, Remains to be Seen, 2019. Concrete and steel reinforcement bars, 528 x 530 x 530 cm (207 7/8 x 208 11/16 x 208 11/16 in). © Mona Hatoum. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Remains-to-be-Seen-White-Cube-Bermondsey-12-September---3-November-2019-(medium-res)-1.jpg Mona Hatoum, Remains to be Seen, White Cube Bermondsey 12 September - 3 November 2019. © Mona Hatoum. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/h/063-hatoum-mona-2019/Mona-Hatoum-Remains-to-be-Seen-White-Cube-Bermondsey-12-September---3-November-2019-(medium-res).jpg Mona Hatoum, Remains to be Seen, White Cube Bermondsey 12 September - 3 November 2019. © Mona Hatoum. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/index.php/julie-cockburn-interview-telling-it-slant-flowers-gallery-kingsland-road-london https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Linchpin,-2019,-Hand-embroidery-on-found-photograph-(c)-Julie-Cockburn,-courtesy-of-Flowers-Gallery.jpg Julie Cockburn, Linchpin, 2019. Hand embroidery on found photograph, 20.4 x 25.3 cm. © Julie Cockburn, courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Armour,-2019,-Hand-embroidery-and-ink-on-found-photograph-(c)-Julie-Cockburn,-Courtesy-of-Flowers-Gallery.jpg Julie Cockburn, Armour, 2019. Hand embroidery and ink on found photograph, 24.6 x 20.2 cm. © Julie Cockburn, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-The-Ecologist,-2019,-hand-embroidery-and-inkjet-on-found-photograph-(c)-Julie-Cockburn,-Courtesy-of-Flowers-Gallery-London-and-New-York.jpg Julie Cockburn, The Ecologist, 2019. Hand embroidery and inkjet on found photograph, 25.1 x 20.3 cm. © Julie Cockburn, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Plumage-1,-2019,-hand-embroidery-on-found-postcard-(c)-Julie-Cockburn,-Courtesy-of-Flowers-Gallery-London-and-New-York.jpg Julie Cockburn, Plumage 1, 2019. Hand embroidery on found postcard, 9.8 x 14.5 cm. © Julie Cockburn, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Moonscape,-2019,-hand-embroidery-on-found-photograph,-(c)-Julie-Cockburn,-Courtesy-of-Flowers-Gallery-London-and-New-York.jpg Julie Cockburn, Moonscape, 2019. Hand embroidery on found photograph, 25.4 x 30.4 cm. © Julie Cockburn, Courtesy of Flowers Gallery London and New York. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-The-Welder,-2019,-Hand-embroidery-on-found-photograph-(c)-Julie-Cockburn,-courtesy-of-Flowers-Gallery.jpg Julie Cockburn, The Welder, 2019. Hand embroidery on found photograph, 25.1 x 20.2 cm. © Julie Cockburn, courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-2017.jpg Julie Cockburn, 2017 © Photo: Antonio Parente, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Blue-Face_Man_2019,-enamel-on-found-photograph-(c)-Julie-Cockburn,-courtesy-of-Flowers-Gallery.jpg Julie Cockburn, Blue Face Man, 2019. Enamel on found photograph, 37 x 30.3 cm. © Julie Cockburn, courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Blue-Face_Woman_2019,-enamel-on-found-photograph-(c)-Julie-Cockburn,-courtesy-of-Flowers-Gallery.jpg Julie Cockburn, Blue Face Woman, 2019. Enamel on found photograph, 37.2 x 29.9 cm. © Julie Cockburn, courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Cable-Car,-2019,-hand-embroidery-and-ink-on-found-collaged-photographs.jpg Julie Cockburn, Cable Car, 2019. Hand embroidery and ink on found collaged photographs, 55.6 x 46.7 cm. © Julie Cockburn, courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Cirque,-2019.-collaged-found-photographs-with-glass-beads-(c)-Julie-Cockburn,-Courtesy-of-Flowers-Gallery.jpg Julie Cockburn, Cirque, 2019. Collaged found photographs with glass beads, 38.5 x 47.5. © Julie Cockburn, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Five-Senses-_Still_,-2019,-Single-Channel-Video-(c)-Julie-Cockburn,-Courtesy-of-Flowers-Gallery.jpg Julie Cockburn, Five Senses Still, 2019. Single channel video. © Julie Cockburn, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Qualm,-2019,-hand-embroidery-and-inkjet-on-found-photograph-(c)-Julie-Cockburn,-Courtesy-of-Flowers-Gallery.jpg Julie Cockburn, Qualm, 2019. Hand embroidery and inkjet on found photograph, 24.8 x 20 cm. © Julie Cockburn, Courtesy of Flowers Gallery https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Will-O-The-Wisp,-2019,-hand-embroidery-on-found-photograph-(c)-Julie-Cockburn,-Courtesy-of-Flowers-Gallery.jpg Julie Cockburn, Will O The Wisp, 2019. Hand embroidery on found photograph, 29.8 x 49.2 cm. © Julie Cockburn, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/057-cockburn-julie-2019/Julie-Cockburn,-Flowers-Kingsland-Road,-2019.jpg Julie Cockburn, Telling it Slant, gallery view, Flowers Kingsland Road, 2019. https://www.studiointernational.com/index.php/maria-pasenau-interview-the-devil-fotogalleriet-oslo https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/FTG-Julie-Hrncirova-Pasenau-0648.jpg Maria Pasenau: Pasenau and the Devil, installation view, Fotogalleriet, Oslo. Photo: Julie Hrncirova. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/019.jpg Maria Pasenau. Red in the Middle of Rockville (All Alone). Photograph mounted on aluminium. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/FTG-Julie-Hrncirova-Pasenau-0548.jpg Maria Pasenau: Pasenau and the Devil, installation view, Fotogalleriet, Oslo. Photo: Julie Hrncirova. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/007.jpg Maria Pasenau. Sun and Paradise With My Love, 2019. Photograph mounted on aluminium. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/003.jpg Maria Pasenau. Teaching You a Lesson, 2019. Photograph mounted on aluminium. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/057.jpg Maria Pasenau. Self-portrait With Graveyard Log, 1994-2019. Carved wood sculpture in pine, shoes and socks from the United States, and stump from Our Saviour cemetery. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/PASENAU_IdaFIskaa_004.jpg Maria Pasenau. Photo: Ida FIskaa. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/023.jpg Maria Pasenau. Mr. Kcrule, 2019. Poems and magazines mounted in pine frame. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/046.jpg Maria Pasenau. Lonly People Live Forever, 2019. Poems mounted in pine frame. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/047.jpg Maria Pasenau. Taking Care and Lonely, 2019. Photograph mounted on aluminium. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/049.jpg Maria Pasenau. REDD, 2019. Drawing mounted in pine frame. Photograph mounted on aluminium. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/069.jpg Maria Pasenau. I Bord In To This Boring World, 2019. Tin sculpture with poem engraved and painted. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/072.jpg Maria Pasenau. Group 94, 2019. Clay sculpture. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/062.jpg Maria Pasenau. Self-portrait With Graveyard Log, 1994-2019. Carved wood sculpture in pine, shoes and socks from the United States, and stump from Our Saviour cemetery. © the artist. https://www.studiointernational.com/images/articles/p/071-pasenau-maria-2019/FTG-Julie-Hrncirova-Pasenau-0461.jpg Maria Pasenau: Pasenau and the Devil, installation view, Fotogalleriet, Oslo. Photo: Julie Hrncirova. https://www.studiointernational.com/index.php/silvia-ziranek-interview-i-enjoy-appearance-colour-shape-form-love-dressing-up https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/17C98DFB-0098-4187-ACCF-5CE8C24CF278.jpg Silvia Ziranek, It Is Is It, installation view, Canary Wharf, 2019. Photo: Verdi Yahooda / Stephen White. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/ZiranekSilvia5.jpg Silvia Ziranek reading a selection of her writing at Art Car Boot, Cabaret Futura programme, London, 2015. Photo: Chrissy Robinson. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/IMG_3187.jpg Silvia Ziranek, collection of badges from performances 1989-2019. Photo: SZ. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/20190808_003922-(1).jpg Silvia Ziranek, Anyone Can Apron, Kettle’s Yard, 1987. Photo: Verdi Yahooda / Stephen White. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/20190805_185055-(1).jpg Silvia Ziranek, Vitrine of objects from two performances, Dress Messages, Bury St Edmunds Art Gallery, 2004 and I Are Or, Imperial War Museum, 2007. Photo: Verdi Yahooda / Stephen White. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/20190807_234948-(1).jpg Silvia Ziranek, outfit for The Pompom Years, Victoria and Albert Bethnal Green Museum of Childhood, 2009. Photo: Verdi Yahooda / Stephen White. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/20190807_235306-(1).jpg Silvia Ziranek, outfit from Most/ly Motif/ly performance, Crafts Council, 2002. Photo: Verdi Yahooda / Stephen White. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/wallwalk10.jpg Silvia Ziranek, Wall Walk, performance, The Photographer’s Gallery, London, 2008. Photo: Clare Grafik. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/20190808_230352-(1).jpg Silvia Ziranek, Vitrine in It Is Is It, three publications of Z in W (Anyone Can Apron), performance, Plug In, Winnipeg, Canada, 1989 and sponsors’ acknowledgements for Logo Lingo, Serpentine Gallery, 1990. Photo: Verdi Yahooda / Stephen White. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/Silvia.jpg Silvia Ziranek in front of Dress Messages badge, Canary Wharf, 2019. Photo: Silke Dettmers. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/IMG_3018.jpg Silvia Ziranek, large vinyl badges from Declining Silence Tate Modern performance, 2009. Photo: SZ. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/ziranek-NOT-UNDIRTY.jpg Silvia Ziranek with Isobel Dunhill in Not Undirty, performance, Wellcome Collection, 2011. Photo: Heather Tait. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/20190808_013205-(1).jpg Silvia Ziranek, Vitrine in It Is Is It, text and related items from performance Declining Silence, Tate Modern, 2009. Photo: Verdi Yahooda / Stephen White. https://www.studiointernational.com/images/articles/z/096-ziranek-silvia-2019/20190808_223012-(1).jpg Silvia Ziranek, Vitrine, It Is Is It, Canary Wharf, 2019. Photo: Verdi Yahooda / Stephen White. https://www.studiointernational.com/index.php/antony-gormley-review-royal-academy-of-arts-london-drawings-steal-the-show https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/Gormley-129.jpg Antony Gormley, Lost Horizon I, 2008. 24 cast iron bodyforms, each 189 x 53 x 29 cm. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/gormley-iron-baby-01-photo-martin-kennedy.jpg Antony Gormley, Iron Baby, 1999. Installation view, Royal Academy of Arts, London. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/RA-Gormley-34.jpg Antony Gormley, Clearing VII, 2019. Approximately 8 km of 12.7 mm square section 16 swg aluminium tube, dimensions variable. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/Gormley-98.jpg Antony Gormley, Subject II, 2019. 10 mm square section mild steel bar, 189 x 51.5 x 37.5 cm. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/RA-Gormley-83.jpg Antony Gormley, Cave, 2019. Approximately 27 tonnes of weathering steel, 14.11 x 11.37 x 7.34 m. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/RA-Gormley-38.jpg Antony Gormley, Cave, 2019. Approximately 27 tonnes of weathering steel, 14.11 x 11.37 x 7.34 m. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/OAK_AG_190912-163.jpg Antony Gormley, Host, 2019. Buckinghamshire clay (51° 44’ 52.5” N 0° 38’ 42.6” W) and Atlantic seawater, dimensions variable. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019. © the Artist. Photo: © Oak Taylor-Smith. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/key-23.jpg Antony Gormley, Mould, 1981. Black pigment, linseed oil and charcoal on paper, 60 x 84 cm. © the Artist. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/RA-Gormley-69.jpg Antony Gormley, Slabworks series, 2019. 90 mm weathering steel slab, dimensions variable. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/RA-Gormley-20.jpg Antony Gormley, Matrix III, 2019. Approximately six tonnes of 6 mm mild steel reinforcing mesh, 7.1 x 9.3 x 15.15 m. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/key-119.jpg Antony Gormley, Earth, Body, Light, 1989. Earth, rabbit skin glue and black pigment on paper, 38 x 28 cm. © the Artist. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/key-61.jpg Antony Gormley, Double Moment, 1987. Black pigment, linseed oil and charcoal on paper, 38 x 28 cm © the Artist. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/key-12.jpg Antony Gormley, Full Bowl, 1977-8. Lead, 6 x 17 x 17 cm. Private Collection, Vienna © the Artist. Photo: Stephen White, London. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/Gormley-115.jpg Antony Gormley, Body and Fruit, 1991/93. Cast iron and air, 233 × 265 × 226 cm (Body), 110.7 × 129.5 × 122.5 cm (Fruit). Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/RA-Gormley-43.jpg Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/RA-Gormley-92.jpg Antony Gormley, Mother's Pride V, 2019. Bread and wax, 306 x 209.5 x 2 cm. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/gormley-iron-baby-02-photo-martin-kennedy.jpg Antony Gormley, Iron Baby, 1999. Installation view, Royal Academy of Arts, London. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/074-gormley-antony-2019/antony-gormley-matrix-III.jpg Antony Gormley, Matrix III, 2019. Installation view, Royal Academy of Arts, London. Photo: Denise Jolly. https://www.studiointernational.com/index.php/trevor-paglen-interview-everything-is-surveillance-software-at-this-point https://www.studiointernational.com/images/articles/p/070-paglen-trevor-2019/03.jpg Trevor Paglen, The Treachery of Object Recognition, 2019. © Trevor Paglen, Courtesy of the Artist; Metro Pictures, New York; Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/p/070-paglen-trevor-2019/04.jpg Trevor Paglen: From ‘Apple’ to ‘Anomaly’. Installation view, The Curve, Barbican, London 26 September 2019 – 16 February 2020. © Tim P. Whitby / Getty Images. https://www.studiointernational.com/images/articles/p/070-paglen-trevor-2019/01.jpg Trevor Paglen: From ‘Apple’ to ‘Anomaly’. Installation view, The Curve, Barbican, London 26 September 2019 – 16 February 2020. © Tim P. Whitby / Getty Images. https://www.studiointernational.com/images/articles/p/070-paglen-trevor-2019/05.jpg Trevor Paglen: From ‘Apple’ to ‘Anomaly’. Installation view, The Curve, Barbican, London 26 September 2019 – 16 February 2020. © Tim P. Whitby / Getty Images. https://www.studiointernational.com/images/articles/p/070-paglen-trevor-2019/06.jpg Trevor Paglen: From ‘Apple’ to ‘Anomaly’. Installation view, The Curve, Barbican, London 26 September 2019 – 16 February 2020. © Tim P. Whitby / Getty Images. https://www.studiointernational.com/images/articles/p/070-paglen-trevor-2019/07.jpg Trevor Paglen: From ‘Apple’ to ‘Anomaly’. Installation view, The Curve, Barbican, London 26 September 2019 – 16 February 2020. © Tim P. Whitby / Getty Images. https://www.studiointernational.com/images/articles/p/070-paglen-trevor-2019/trevor-paglen-barbican-london-2019.jpg Trevor Paglen: From Apple to Anomaly. Photo © Tim P. Whitby / Getty Images. https://www.studiointernational.com/index.php/helene-schjerfbeck-review-royal-academy-london https://www.studiointernational.com/images/articles/s/055-schjerfbeck-helene-2019/key-31.jpg Helene Schjerfbeck. My Mother, 1909. Oil on canvas, 81 x 83 cm. Private collection. Photo: Finnish National Gallery / Yehia Eweis. https://www.studiointernational.com/images/articles/s/055-schjerfbeck-helene-2019/key-67.jpg Helene Schjerfbeck. The Family Heirloom, 1915-16. Oil on canvas, 63 x 44.5 cm. August and Lydia Keirkner Fine Arts Collection. Finnish National Gallery / Ateneum Art Museum. Photo: Yehia Eweis. https://www.studiointernational.com/images/articles/s/055-schjerfbeck-helene-2019/key-54.jpg Helene Schjerfbeck. Self-portrait, 1884-85. Oil on canvas, 50 x 41 cm. Friends of Ateneum Collection. Finnish National Gallery / Ateneum Art Museum. Photo: Hannu Aaltonen. https://www.studiointernational.com/images/articles/s/055-schjerfbeck-helene-2019/key-52-ALT.jpg Helene Schjerfbeck. Self-portrait with Red Spot, 1944. Oil on canvas, 45 x 37 cm. Gösta and Bertha Stenman Donation. Finnish National Gallery / Ateneum Art Museum. Photo: Hannu Aaltonen. https://www.studiointernational.com/images/articles/s/055-schjerfbeck-helene-2019/key-111.jpg Helene Schjerfbeck. Still Life with Blackening Apples, 1944. Oil on canvas, Didrichsen Art Museum. Photo: Jussi Pakkala. https://www.studiointernational.com/images/articles/s/055-schjerfbeck-helene-2019/key-49.jpg Helene Schjerfbeck. Self-portrait, Black Background, 1915. Oil on canvas, 45.5 x 36 cm. Herman and Elisabeth Hallonblad Collection. Finnish National Gallery / Ateneum Art Museum. Photo: Yehia Eweis. https://www.studiointernational.com/images/articles/s/055-schjerfbeck-helene-2019/key-55-NEW.jpg Helene Schjerfbeck. Shadow on the Wall (Breton Landscape), 1883. Oil on canvas mounted on wood, 45 x 38 cm. Niemistö Collection. Photo: Finnish National Gallery / Hannu Aaltonen. https://www.studiointernational.com/images/articles/s/055-schjerfbeck-helene-2019/key-17-NEW.jpg Helene Schjerfbeck. Girl from Eydtkuhne II, 1927. Oil on canvas, 70 x 54.5 cm. Yrjö and Nanny Kaunisto Collection. Finnish National Gallery / Ateneum Art Museum. Photo: Hannu Aaltonen. https://www.studiointernational.com/index.php/mikhail-karikis-interview-i-hear-you-de-la-warr-pavilion-bexhill-have-never-cried-during-filming-until-this-project https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/DLWP-September-2019-(High-Res)-18.jpg Mikhail Karikis, I Hear You, 2019. Installation view, De La War Pavilion, Bexhill. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Mikhail-Karikis-I-Hear-You-(Doreen-Carl-2)-flat.jpg Mikhail Karikis. I Hear You (Doreen + Carl), video still. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/DLWP-September-2019-(High-Res)-16.jpg Mikhail Karikis, I Hear You, 2019. Installation view, De La War Pavilion, Bexhill. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Mikhail-Karikis-I-Hear-You-(Magda-Daryl1).jpg Mikhail Karikis. I Hear You (Magda + Daryl), video still. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Sounds-from-Beneath-dispersed-miners-2.jpg Mikhail Karikis. Sounds from Beneath, 2011-12. Video still. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/SeaWomen-(2012)-prodction-photograph-3-(n).jpg Mikhail Karikis. SeaWomen, 2012, production photograph. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Mikhail-Karikis,-No-Ordinary-Protest-(production-photo-2).jpg Mikhail Karikis. No Ordinary Protest, 2018, production photograph. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Children-of-Unquiet-(2014)-video-still-5.jpg Mikhail Karikis. Children of the Unquiet, 2014. Video still. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Mikhail-Karikis,-I-hear-you,-video-still-(Paul-+-Dan)_1.jpg Mikhail Karikis. I hear you (Paul + Dan), video still. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Mikhail-Karikis-I-Hear-You-(Doreen-Carl-3)-flat.jpg Mikhail Karikis. I Hear You (Doreen + Carl), video still. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/SeaWomen-(2012-2013),-production-photograph-2.jpg Mikhail Karikis. SeaWomen, 2012, production photograph. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Mikhail-Karikis-portrait-by-Felicity-Crawshaw-(2015)-detail-1.jpg Mikhail Karikis. Photo: Felicity Crawshaw, 2015. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Aint-Got-No-Fear,-2016-video-still-1.jpg Mikhail Karikis. Ain’t Got No Fear, 2016. Video still. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/Aint-Got-No-Fear,-2016-video-still-3.jpg Mikhail Karikis. Ain’t Got No Fear, 2016. Video still. Image courtesy the artist. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/DLWP-September-2019-(High-Res)-17.jpg Mikhail Karikis, I Hear You, 2019. Installation view, De La War Pavilion, Bexhill. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/DLWP-September-2019-(High-Res)-19.jpg Mikhail Karikis, I Hear You, 2019. Installation view, De La War Pavilion, Bexhill. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/074-karikis-mikhail-2019/DLWP-September-2019-(High-Res)-20.jpg Mikhail Karikis, I Hear You, 2019. Installation view, De La War Pavilion, Bexhill. Photo: Rob Harris. https://www.studiointernational.com/index.php/15th-lyon-biennale-2019-review https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/009.jpg Stéphane Calais. The Small Garden, 2018-19. Courtesy of the artist. https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/007.jpg Sam Keogh, Knotworm, 2019. Courtesy of the artist and Kerlin Gallery. https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/006.jpg Mire Lee. Saboteurs, 2019. Courtesy of the artist. https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/003.jpg Jean-Marie Appriou. Roncier, 2019. Courtesy of the artist and Galerie Jan Kaps, (Cologne). https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/005.jpg Thomas Feuerstein. Promethus Delivered, 2019. Courtesy of the artist. https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/001-B.jpg Simphiwe Ndzube, In the Land of the Blind the One Eyed Man is King? 2019. Courtesy of the artist and Nicodim Gallery (Bucharest/ Los Angelos, Stevenson/ Cape Town). https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/004.jpg Isabelle Anderissen. Ivory Dampers (Battery) 2019. Courtesy of the artist. https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/001.jpg Simphiwe Ndzube, In the Land of the Blind the One Eyed Man is King? 2019. Courtesy of the artist and Nicodim Gallery (Bucharest/ Los Angelos, Stevenson/ Cape Town). https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/008.jpg Sam Keogh, Knotworm, 2019. Courtesy of the artist and Kerlin Gallery. https://www.studiointernational.com/images/articles/l/067-lyon-biennale-2019/002.jpg Megan Rooney. In the Hullaballo of Midnight, 2019. Courtesy of the artist and DREI Gallery Cologne. https://www.studiointernational.com/index.php/doug-aitken-return-to-the-real-review-victoria-miro-gallery-london https://www.studiointernational.com/images/articles/a/060-aitken-doug-2019/DA165_Open-the-gate_2019-b.jpg Doug Aitken. All doors open, 2019 (detail). Acrylic, LED, wood 94.6 x 304.8 x 213.4 cm (37 1/4 x 120 x 84 in). © Doug Aitken. Courtesy 303 Gallery, New York; Galerie Eva Presenhuber, Zürich; Victoria Miro, London/Venice; and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/a/060-aitken-doug-2019/DA164_Futures-Past-(aerial-pools)_2019-a.jpg Doug Aitken. Futures Past (aerial pools), 2019. Chromogenic transparency on acrylic in aluminium lightbox with LEDs, 172.1 x 316.2 x 18.1 cm (67 3/4 x 124 1/2 x 7 1/8 in). © Doug Aitken. Courtesy 303 Gallery, New York; Galerie Eva Presenhuber, Zürich; Victoria Miro, London/Venice; and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/a/060-aitken-doug-2019/DA_Return-to-the-Real_2.jpg Doug Aitken. Inside Out, 2019. Installation view from Return to the Real at Victoria Miro, Wharf Road, London, 2019. © Doug Aitken, courtesy Victoria Miro. https://www.studiointernational.com/images/articles/a/060-aitken-doug-2019/DA_Return-to-the-Real_12.jpg Doug Aitken. Inside Out, 2019. Installation view from Return to the Real at Victoria Miro, Wharf Road, London, 2019. © Doug Aitken, courtesy Victoria Miro. https://www.studiointernational.com/images/articles/a/060-aitken-doug-2019/DA165_Open-the-gate_2019-a.jpg Doug Aitken. All doors open, 2019. Acrylic, LED, wood 94.6 x 304.8 x 213.4 cm (37 1/4 x 120 x 84 in). © Doug Aitken. Courtesy 303 Gallery, New York; Galerie Eva Presenhuber, Zürich; Victoria Miro, London/Venice; and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/a/060-aitken-doug-2019/DA165_Open-the-gate_2019-d.jpg Doug Aitken. All doors open, 2019 (detail). Acrylic, LED, wood 94.6 x 304.8 x 213.4 cm (37 1/4 x 120 x 84 in). © Doug Aitken. Courtesy 303 Gallery, New York; Galerie Eva Presenhuber, Zürich; Victoria Miro, London/Venice; and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/a/060-aitken-doug-2019/DA169_Title-TBC_2019-j.jpg Doug Aitken. Slow Wave, 2019. Installation view Victoria Miro, Wharf Road, London. Chrome-plated aluminium, steel frame, resin, rubber, stone 256.5 x 278.1 x 153.4 cm (101 x 109 1/2 x 60 3/8 in). © Doug Aitken. Courtesy Victoria Miro. https://www.studiointernational.com/images/articles/a/060-aitken-doug-2019/DA172_Shock-and-Awe-(two-chairs-and-pool)_2019-c.jpg Doug Aitken. Shock and Awe (two chairs and pool), 2019. Chromogenic transparency on acrylic in aluminium lightbox with LEDs, 172.1 x 316.2 x 18.1 cm (67 3/4 x 124 1/2 x 7 1/8 in). © Doug Aitken. Courtesy 303 Gallery, New York; Galerie Eva Presenhuber, Zürich; Victoria Miro, London/Venice; and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/a/060-aitken-doug-2019/DA_Return-to-the-Real_8.jpg Doug Aitken. Inside Out, 2019. Installation view from Return to the Real at Victoria Miro, Wharf Road, London, 2019. © Doug Aitken, courtesy Victoria Miro. https://www.studiointernational.com/index.php/e-werk-luckenwalde-power-night-review-electricity-art https://www.studiointernational.com/images/articles/e/082-e-werk-2019/Pablo-Wendel-and-Helen-Turner,-courtesy-E-WERK-Luckenwalde.jpg Pablo Wendel and Helen Turner. Photo courtesy of Maerkische Allgemeine and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/ARA4416.jpg Block Universe Team. Left to right: Sara Muthi (Assistant), Tatjana Damm (Managing Director), Katharina Worf (Director of International Programme and Curator), Xica Aires (Head of Production), Louise O’Kelly (Founding Director and Curator). Photo: Tim Haber, courtesy Block Universe and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/E-WERK,-2019,-Engine-Room,-courtesy-E-WERK-Luckenwalde.jpg E-Werk Luckenwalde, Engine Room, 2019. Photo: Ben Westoby, courtesy E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/pablo-coal-performance.jpg Pablo Wendel. Coal performance, E-Werk Luckenwalde, 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/E-WERK,-2019,-Turbine-Hall,-courtesy-E-WERK-Luckenwalde.jpg E-Werk Luckenwalde, Turbine Hall, 2019. Photo: Ben Westoby, courtesy E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/Fernanda.jpg Fernanda Muñoz-Newsome, performance, E-Werk Luckenwalde 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/ARA4251.jpg He’s Dead - Marikiscrycrycry in collaboration with Gareth Chambers, 2019. Photo: Tim Haber, courtesy Block Universe and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/ARA4501.jpg Nora Turato https://www.studiointernational.com/images/articles/e/082-e-werk-2019/ARA4843.jpg Charismatic Megafauna performing in the Fluxdome, E-Werk Luckenwalde 2019. Photo: Tim Haber, courtesy Block Universe and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/FLUXDOME,-by-umschichten-Photo-courtesy-Stefan-Korte.jpg Geodesic pavilion, Fluxdome, created by German collective Umschichten. Photo: Stefan Corte, courtesy E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/ARA4693.jpg Rowdy SS, IN / TENSE / MINIMAL / ZERO in the Bauhaus Stadtbad. 
Photo: Tim Haber, courtesy Block Universe and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/DJI_0019.jpg E-Werk Luckenwalde, aerial view 2019. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/Pablo-Wendel,-courtesy-E-WERK-Luckenwalde.jpg Pablo Wendel. Photo: Tim Haber, courtesy Block Universe and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/ARA4572.jpg Performers with Nina Beier’s Class, 2019. Photo: Tim Haber, courtesy Block Universe and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/ARA4476.jpg A body rites itself – phases of, Fernanda Muñoz-Newsomen collaborating with India Harvey and Josh Anio Grigg. Photo: Tim Haber, courtesy Block Universe and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/lucy-joyce-photo-anna-mcnay.jpg Lucy Joyce, E-Werk Luckenwalde, 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/E-WERK,-2019,-stained-glass-window,-photo-courtesy-Tim-Haber.jpg Stained glass window, E-Werk Luckenwalde, 2019. Photo: Tim Haber, courtesy Block Universe and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/IMG_8833-(1).jpg Lucy Joyce, Electric Blue, E-Werk Luckenwalde 2019. Photo: Jann Spille. https://www.studiointernational.com/images/articles/e/082-e-werk-2019/ARA4614.jpg Nina Beier’s wrestling performance. Photo: Tim Haber, courtesy Block Universe and E-Werk Luckenwalde. https://www.studiointernational.com/index.php/grayson-perry-review-victoria-miro-london https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerryPhoto2-Press-View.jpg Grayson Perry, Victoria Miro Mayfair, London 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/Dont-Look-Down_2019.jpg Grayson Perry, Don https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerrySectionLargeExpensiveAbstractPaintingVS.jpg Grayson Perry, Large Expensive Abstract Painting, 2019 (detail). Tapestry. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerryTraditionalSocietyVS.jpg Grayson Perry, Traditional Society, 2019. Glazed ceramic. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerryMoneyOnHOliday-VSimpson.jpg Grayson Perry, Money on Holiday, 2019. Glazed ceramic. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerryYOgaMatVS.jpg Grayson Perry, Yoga Mat, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerry-Osprey-Bags-VS.jpg Grayson Perry, Osprey Bags, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerryMyPerfectLifedetailVS.jpg Grayson Perry, My Perfect Life, 2019 (detail). Glazed ceramic. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/2019_Grayson-Perry-VMG-Mayfair-f.jpg Grayson Perry: Super Rich Interior Decoration, installation view, Victoria Miro Mayfair, London 2019. © Grayson Perry, courtesy the artist and Victoria Miro, London/Venice https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/Grayson-Perry-homepage.jpg Grayson Perry: Super Rich Interior Decoration, installation view, Victoria Miro Mayfair, London 2019. © Grayson Perry, courtesy the artist and Victoria Miro, London/Venice https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerry-MoneyOnHOlidayDetailVS.jpg Grayson Perry, Money on Holiday (detail), 2019. Glazed ceramic. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerryToryHandbagVS.jpg Grayson Perry, Tory Handbag, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/071-perry-grayson-2019/GraysonPerry-DontLookDown-Detail-pic-VS.jpg Grayson Perry, Don’t Look Down, 2019 (detail). Photo: Veronica Simpson. https://www.studiointernational.com/index.php/lucy-joyce-interview-electric-blue-e-werk-luckenwalde-kunststrom https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/ARA4336.jpg Lucy Joyce, Electric Blue, 2019. Photo courtesy of the artist and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/Lucy_Joyce_Electric_Blue_6.jpg Lucy Joyce, Electric Blue, 2019. Photo: Lucy Joyce, courtesy of the artist and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/lucy-joyce-install-01-photo-anna-mcnay.jpg Lucy Joyce, Electric Blue, E-Werk Luckenwalde 2019. Photo: Anna McNay. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/Electric-Blue-Flags-photo-Stefan-Korte.jpg Lucy Joyce, Electric Blue, 2019. Photo: Lucy Joyce, courtesy of the artist and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/ARA4305.jpg Lucy Joyce. Electric Blue, 2019. Photo: Tim Haber, courtesy of the artist and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/Lucy_Joyce_Electric_Blue_2.jpg Lucy Joyce, Electric Blue, 2019. Photo: Lucy Joyce, courtesy of the artist and E-Werk Luckenwalde. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/IMG_8739.jpg Lucy Joyce, Electric Blue, E-Werk Luckenwalde 2019. Photo: Jann Spille. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/IMG_8833-(1).jpg Lucy Joyce, Electric Blue, E-Werk Luckenwalde 2019. Photo: Jann Spille. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/IMG_8835-(1).jpg Lucy Joyce, Electric Blue, E-Werk Luckenwalde 2019. Photo: Jann Spille. https://www.studiointernational.com/images/articles/j/091-joyce-lucy-2019/lucy-joyce-photo-anna-mcnay.jpg Lucy Joyce at E-Werk Luckenwalde 2019. Photo: Anna McNay. https://www.studiointernational.com/index.php/holly-hendry-interview-the-dump-is-full-of-images-yorkshire-sculpture-park https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Holly-Hendry,-Slacker,-2019-anim.gif Holly Hendry, Slacker, 2019 (detail). Courtesy the artist and Yorkshire Sculpture Park. Photo © Mark Reeves. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Holly-Hendry,-Slacker,-2019-Courtesy-the-artist-and-Yorkshire-Sculpture-Park-Photo-(c)-Mark-Reeves.jpg Holly Hendry, Slacker, 2019. Courtesy the artist and Yorkshire Sculpture Park. Photo © Mark Reeves. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Holly-Hendry,-Borborgysmus,-2019-and-Amulet,-2019.jpg Holly Hendry, Borborgysmus, 2019 and Amulet, 2019. Courtesy the artist and Yorkshire Sculpture Park. Photo © Mark Reeves. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Holly-Hendry,-Slacker,-2019-(detail).jpg Holly Hendry, Slacker, 2019 (detail). Courtesy the artist and Yorkshire Sculpture Park. Photo © Mark Reeves. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Phyllis-by-Holly-Hendry-for-the-Art-Block-at-Selfridges_5mr.jpg Phyllis by Holly Hendry for Selfridges’ Art Block, London, 2018. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Phyllis-by-Holly-Hendry-for-the-Art-Block-at-Selfridges_4mr.jpg Phyllis by Holly Hendry for Selfridges’ Art Block, London, 2018. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Cenotaph-Photo-by-Pete-Carr-(4).jpg Holly Hendry, Cenotaph, 2018. Installation view at Exchange Flags, Liverpool Biennial 2018. Photo: Pete Carr/Thierry Bal. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Cenotaph-Photo-by-Thierry-Bal-(1).jpg Holly Hendry, Cenotaph, 2018. Installation view at Exchange Flags, Liverpool Biennial 2018. Photo: Pete Carr/Thierry Bal. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Cenotaph-Photo-by-Thierry-Bal-(2).jpg Holly Hendry, Cenotaph, 2018. Installation view at Exchange Flags, Liverpool Biennial 2018. Photo: Pete Carr/Thierry Bal. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Phyllis-by-Holly-Hendry-for-the-Art-Block-at-Selfridges_3mr.jpg Phyllis by Holly Hendry for Selfridges’ Art Block, London, 2018. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Phyllis-by-Holly-Hendry-for-the-Art-Block-at-Selfridges_2mr.jpg Phyllis by Holly Hendry for Selfridges’ Art Block, London, 2018. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Phyllis-by-Holly-Hendry-for-the-Art-Block-at-Selfridges_1mr.jpg Phyllis by Holly Hendry for Selfridges’ Art Block, London, 2018. https://www.studiointernational.com/images/articles/h/062-hendry-holly-2019/Phyllis-by-Holly-Hendry-for-the-Art-Block-at-Selfridges_8mr.jpg Phyllis by Holly Hendry for Selfridges’ Art Block, London, 2018. https://www.studiointernational.com/index.php/david-nash-video-interview-200-seasons-towner-art-gallery https://www.studiointernational.com/images/articles/n/083-nash-david-2019/David-Nash-200-Seasons,-2019-Towner-Eastbourne-9.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Rob Harris. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/David-Nash-200-Seasons,-2019-Towner-Eastbourne-5.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Rob Harris. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/David-Nash-200-Seasons,-2019-Towner-Eastbourne-2.jpg David Nash. Nine Cracked Balls, 1970-71. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Rob Harris. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/david-nash-200-seasons-2019-photo-martin-kennedy-5.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/david-nash-200-seasons-2019-photo-martin-kennedy-4.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/david-nash-200-seasons-2019-photo-martin-kennedy.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/David-Nash---200-Seasons,-2019-Towner-Eastbourne.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Rob Harris. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/David-Nash-200-Seasons,-2019-Towner-Eastbourne-3.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Rob Harris. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/David-Nash-200-Seasons,-2019-Towner-Eastbourne-4.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Rob Harris. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/David-Nash-200-Seasons,-2019-Towner-Eastbourne-7.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Rob Harris. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/David-Nash-200-Seasons,-2019-Towner-Eastbourne-8.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Rob Harris. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/david-nash-200-seasons-2019-photo-martin-kennedy-3.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/n/083-nash-david-2019/david-nash-200-seasons-2019-photo-martin-kennedy-2.jpg David Nash: 200 Seasons. Installation view, Towner Art Gallery, Eastbourne, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/barry-flanagan-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-Leaping-Hare-(1981).jpg Barry Flanagan, Leaping Hare, 1981. Installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-installation-Ikon-(2019)-4.jpg Barry Flanagan, installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-installation-Ikon-(2019)-8.jpg Barry Flanagan, installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-Miracle-in-the-Cabbage-Patch-VIII-78-(1978).jpg Barry Flanagan, Miracle in the Cabbage Patch VIII 78, 1978. Installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-installation-Ikon-(2019)-5.jpg Barry Flanagan, installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-Heap-(1967).jpg Barry Flanagan, Heap 3 ’67, 1967, 1967. Installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-Large-Troubador-(2004).jpg Barry Flanagan, Large Troubadour, 2004. Installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-Monument-(1996).jpg Barry Flanagan, Monument, 1996. Installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-installation-Ikon-(2019)-6.jpg Barry Flanagan, installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-installation-Ikon-(2019)-9.jpg Barry Flanagan, installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-Large-Troubador-(2004)-2.jpg Barry Flanagan, Large Troubadour, 2004. Installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-installation-Ikon-(2019)-10.jpg Barry Flanagan, installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-installation-Ikon-(2019)-2.jpg Barry Flanagan, installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-installation-Ikon-(2019)-3.jpg Barry Flanagan, installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/images/articles/f/086-flanagan-barry-2019/Barry-Flanagan,-installation-Ikon-(2019)-7.jpg Barry Flanagan, installation view, Ikon, 2019. Courtesy The Estate of Barry Flanagan and Ikon. https://www.studiointernational.com/index.php/enoc-perez-interview-im-trying-to-create-my-own-little-encyclopaedia-of-cool-cinematic-self-ben-brown https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/02.jpg Enoc Perez. Villa Nellcôte, Rolling Stones In Residence, 2017. Oil on canvas, 254 x 203.2 cm. Courtesy of the artist and Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/05.jpg Enoc Perez. Casa Mollino via Giovanni Francesco Napione 2, Turin, 2019. Oil on canvas, 152.4 x 152.4 cm. Courtesy of the artist and Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/04.jpg Enoc Perez. 810 Fifth Avenue, New York Apartment of Nelson Rockefeller, 2019. Oil on canvas, 152.4 x 152.4 cm. Courtesy of the artist and Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/03.jpg Enoc Perez. David Bowie https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/01.jpg Enoc Perez. 7 Reece Mews Kensington, London, Studio of Francis Bacon, 2019. Oil on canvas, 152.4 x 152.4 cm. Courtesy of the artist and Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/06.jpg Enoc Perez. Palazzo Mengarini, via Ventiquattro Maggio Residence of Gianni and Marella Agnelli, Rome, 2019. Oil on canvas, 152.4 x 152.4 cm. Courtesy of the artist and Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/07.jpg Enoc Perez. Apartment of Jerry Hall and Mick Jagger, New York City, 2019
. Oil on canvas, 152.4 x 152.4 cm. Courtesy of the artist and Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/10.jpg Enoc Perez. Fred Hughes https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/08.jpg Enoc Perez. Via Fondazza 36, Bologna, Home and Studio of Giorgio Morandi, 2019. 
Oil on canvas, 203.2 x 203.2 cm. Courtesy of the artist and Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/09.jpg Enoc Perez. Home of Jacques Doucet, 33 Rue Saint-James, Neuilly-sur-Seine, 2019.
 Oil on canvas, 203.2 x 152.4 cm. Courtesy of the artist and Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/069-perez-enoc-2019/11.jpg Enoc Perez in the studio, 2019. Photo: Frederick Egan Castleberry. Courtesy of the artist & Ben Brown Fine Arts. https://www.studiointernational.com/index.php/alberta-whittle-how-flexible-can-we-make-the-mouth-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/DCA_Alberta-Whittle_Ruth-Clark_003.jpg Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/DCA_Alberta-Whittle_Ruth-Clark_031.jpg Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/DCA_Alberta-Whittle_Ruth-Clark_008.jpg Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/A-Whittle-between-a-whisper-and-a-cry-Film-Still-2019-1.jpg Alberta Whittle. Between a whisper and a cry, 2019. Film still. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/A-Whittle-between-a-whisper-and-a-cry-Film-Still-2019-2.jpg Alberta Whittle. Between a whisper and a cry, 2019. Film still. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/DCA_Alberta-Whittle_Ruth-Clark_021.jpg Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/DCA_Alberta-Whittle_Ruth-Clark_007.jpg Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/DCA_Alberta-Whittle_Ruth-Clark_027.jpg Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/DCA_Alberta-Whittle_Ruth-Clark_001.jpg Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/DCA_Alberta-Whittle_Ruth-Clark_033.jpg Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/DCA_Alberta-Whittle_Ruth-Clark_034.jpg Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/A-Whittle-between-a-whisper-and-a-cry-Film-Still-2019-3.jpg Alberta Whittle. Between a whisper and a cry, 2019. Film still. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/A-Whittle-between-a-whisper-and-a-cry-Film-Still-2019-4.jpg Alberta Whittle. Between a whisper and a cry, 2019. Film still. https://www.studiointernational.com/images/articles/w/070-whittle-alberta-2019/A-Whittle-between-a-whisper-and-a-cry-Film-Still-2019-5.jpg Alberta Whittle. Between a whisper and a cry, 2019. Film still. https://www.studiointernational.com/index.php/stephen-dean-rope-anne-deleporte-les-quatorze-meurtrieres-review-frac-corsica https://www.studiointernational.com/images/articles/d/079-delaporte-dean-2019/Dean-Account.jpg Stephen Dean, Account, 2012. Livres du Poche, 330 x 17 x 11 cm. https://www.studiointernational.com/images/articles/d/079-delaporte-dean-2019/Dean-Ladder.jpg Stephen Dean, Ladder, 2019. Aluminium, dichroic glass, 330 x 43 x 5 cm. https://www.studiointernational.com/images/articles/d/079-delaporte-dean-2019/Dean-HelpWanted.jpg Stephen Dean, Help wanted, 2019. Impression HD sublimation on polyester, 330 x 400 cm. https://www.studiointernational.com/images/articles/d/079-delaporte-dean-2019/Deleporte14Meurtrieres.jpg Anne Deleporte. Quatorze Meurtrières, 2019. Gold leaf, rabbit skin glue, 110 ft. https://www.studiointernational.com/images/articles/d/079-delaporte-dean-2019/Dean-Vortex-Rope1.jpg Stephen Dean, Vortex, 2008, installation view, Frac Corsica, 2019. https://www.studiointernational.com/images/articles/d/079-delaporte-dean-2019/Dean-Vortex-Rope2.jpg Stephen Dean, Vortex, 2008 and Rope 2019, installation view, Frac Corsica, 2019. https://www.studiointernational.com/index.php/david-roberts-art-foundations-evening-of-performances-frieze-week-london-video-review https://www.studiointernational.com/images/articles/d/080-draf-london-2019/haroon-mirza-draf-london-2019-4.jpg Haroon Mirza, Jack Jelfs, Gaika, Draf Evening of Performances, Ministry of Sound, London, 3 October 2019. Photo: William Kennedy. https://www.studiointernational.com/images/articles/d/080-draf-london-2019/haroon-mirza-draf-london-2019-5.jpg Haroon Mirza, Jack Jelfs, Gaika, Draf Evening of Performances, Ministry of Sound, London, 3 October 2019. Photo: William Kennedy. https://www.studiointernational.com/images/articles/d/080-draf-london-2019/hannah-perry-draf-london-2019-3.jpg Hannah Perry performance, Draf Evening of Performances, Ministry of Sound, London, 3 October 2019. Photo: William Kennedy. https://www.studiointernational.com/images/articles/d/080-draf-london-2019/hannah-perry-draf-london-2019.jpg Hannah Perry performance, Draf Evening of Performances, Ministry of Sound, London, 3 October 2019. Photo: William Kennedy. https://www.studiointernational.com/images/articles/d/080-draf-london-2019/haroon-mirza-draf-london-2019.jpg Haroon Mirza, Jack Jelfs, Gaika, Draf Evening of Performances, Ministry of Sound, London, 3 October 2019. Photo: William Kennedy. https://www.studiointernational.com/images/articles/d/080-draf-london-2019/hannah-perry-draf-london-2019-2.jpg Hannah Perry performance, Draf Evening of Performances, Ministry of Sound, London, 3 October 2019. Photo: William Kennedy. https://www.studiointernational.com/images/articles/d/080-draf-london-2019/haroon-mirza-draf-london-2019-3.jpg Draf Evening of Performances, Ministry of Sound, London, 3 October 2019. Photo: William Kennedy. https://www.studiointernational.com/index.php/gauguin-portraits-review-national-gallery-london https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/01.jpg Paul Gauguin, Christ in the Garden of Olives, 1889. Oil on canvas, 72.4 x 91.4 cm. Norton Museum of Art. © Norton Museum of Art. https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/04.jpg Paul Gauguin, Vahine no te vi (Woman with a Mango), 1892. Oil on canvas, 72.7 × 44.5 cm. The Baltimore Museum of Art, The Cone Collection. © The Baltimore Museum of Art. Photo: Mitro Hood. https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/05.jpg Paul Gauguin. Mette in Evening Dress, 1884. Oil on canvas, 65 × 54 cm. © The National Museum of Art, Architecture and Design, Oslo. https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/06.jpg Paul Gauguin, Still Life with Profile of Laval, 1886. Oil on canvas, 46 × 38 cm. Indianapolis Museum of Art. Samuel Josefowitz Collection of the School of Pont-Aven.. Image courtesy of Indianapolis Museum of Art at Newfields. https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/07.jpg Paul Gauguin, Bust of Meyer de Haan, 1889. Oak, carved and painted, 58.4 × 29.8 x 22.8 cm. © National Gallery of Canada https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/08.jpg Paul Gauguin, Still Life with ‘Hope’, 1901. Oil on canvas, 66 × 77 cm. Private collection - Milano, Italy © Photo courtesy of the owner. https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/09.jpg Paul Gauguin, Arii Matamoe (The Royal End), 1892. Oil on canvas, 45.1 × 74.3 cm. The J. Paul Getty Museum, Los Angeles. Digital image courtesy of the Getty https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/11.jpg Paul Gauguin, Barbarian Tales, 1902. Oil on canvas, 131.5 × 90.5 cm. Museum Folkwang Essen (Inv. G 54) © Museum Folkwang Essen / ARTOTHEK. https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/03.jpg Paul Gauguin, Self Portrait with Yellow Christ, 1890-1891. Oil on canvas, 38.1 x 45.7 cm. Musée d'Orsay, Paris. © RMN-Grand Palais (musée d'Orsay). Photo: René-Gabriel Ojéda https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/02.jpg Paul Gauguin, Anthropomorphic Pot, 1889. Enamelled sandstone, 28.4 × 21.5 cm. Musée d'Orsay, Paris. © RMN-Grand Palais (musée d'Orsay). Photo: Hervé Lewandowski. https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/10.jpg Paul Gauguin, Young Christian Girl, 1894. Oil on canvas, 65.3 × 46.7 cm. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA. Image courtesy of the Clark Art Institute, Williamstown, Massachusetts, USA. https://www.studiointernational.com/images/articles/g/073-gauguin-portraits-2019/12.jpg Paul Gauguin, Self-Portrait, 1903. Oil on canvas, 41.4 × 23.5 cm. © Kunstmuseum Basel (1943). https://www.studiointernational.com/index.php/luigi-ghirri-colazione-sull-erba-review-thomas-dane-london https://www.studiointernational.com/images/articles/g/073-ghirri-luigi-2019/Luigi-Ghirri-Colazione-sullErba-16.jpg Luigi Ghirri: Colazione sull’Erba, Thomas Dane Gallery, 2019. Installation view. © The Estate of Luigi Ghirri. Courtesy the artist, and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/g/073-ghirri-luigi-2019/Luigi-Ghirri-Colazione-sullErba-9.jpg Luigi Ghirri: Colazione sull’Erba, Thomas Dane Gallery, 2019. Installation view. © The Estate of Luigi Ghirri. Courtesy the artist, and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/index.php/museum-of-modern-art-new-york-reopens-review-moma-triumphant https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/moma-opening-party-2019.jpg Reopening party, MoMA, New York, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/moma-ticket-machines.jpg Ticket machines at the entrance of MoMA, New York, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/moma-gallery-view-05.jpg Installation view, MoMA, New York, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/daniel-spoerri.jpg Daniel Spoerri. Kichka https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/roni-horn.jpg Roni Horn. Stevens https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/marisa-merz.jpg Marisa Merz. Untitled, 1966, with Joseph Beuys, Eurasia Siberian Symphony 1963, 1966 in the background. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/louise-bourgoise.jpg Louise Bourgeois. Quarantania, I. 1947-53 (detail). Reassembled by the artist 1981. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/Maya-Deren.jpg Maya Deren. A Study in Choreography for Camera, 1945. Film, 3 min. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/Sheila-Gowda.jpg Sheela Gowda. Of All People. Installation view, MoMA, New York, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/Sarah-Sze.jpg Sarah Sze. Triple Point (Pendulum), 2013. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/Tati-and-window.jpg Jacques Tati. Excerpt from Playtime, 1967, viewed through the glass facade from the United Nations Secretariat Building, New York, 1952. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/William-Copley-THINK.jpg William Copley. Untitled (Think / Flag), 1967. Installation view, MoMA, New York, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/James-Kerry-Marshall.jpg James Kerry Marshall. Untitled (policeman), 2015. Acrylic on PVC panel with plexiglass frame, 60 × 60 in (152.4 x 152.4 cm). Installation view, MoMA, New York, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/koons-haring-basquiat.jpg Jean-Michel Basquiat, Glenn, 1985; Jeff Koons. Pink Panther; 1988; Keith Haring. Untitled, 1982. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/pollock-(left).jpg Left: Jackson Pollock. Echo: Number 25, 1951, 1951; Right: Lee Krasner. Gaea, 1966. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/Laurie-Simmons.jpg Laurie Simmons. Walking House, 1989. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/Joan-Semmel.jpg Joan Semmel. Night Light, 1978. Oil on canvas. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/David-Tudor.jpg David Tudor and Composers, Inside Electronics Inc. Rainforest V (variation 1). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/moma-gallery-view-04.jpg Installation view, MoMA, New York, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/055-moma-reopening-2019/Hello-Again.jpg Haim Steinbach, hello again, 2013. Photo: Antonio Rivera. https://www.studiointernational.com/index.php/michael-sherrill-interview-retrospective-renwick-gallery-smithsonian-american-art-museum https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/Artists-Studio.jpg Interior of the artist’s studio, 2017, courtesy of the artist. Photo: Scott Allen at Hang the Moon Photography. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/HalcyonTea.jpg Michael Sherrill, Halcyon Tea, 1997. Fired white stoneware, 23K gold leaf, 14 x 21 ½ x 6 in. Collection of Sonny and Gloria Kamm. Photo: Tim Barnwell. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/TwoSidesofTea.jpg Michael Sherrill, Two Sides of Tea, 1992. Ceramic. Left: 16 1/8 x 18 ½ x 8 ¼ in. Right: 16 3/8 x 18 5/8 x 7 ½ in. Gift of MCI. 2001.89.5.1A-B and 2001.89.5.2A-B. Smithsonian American Art Museum. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/IMG_6470-libby-weiler.jpg Michael Sherrill Retrospective, installation view, Renwick Gallery of the Smithsonian American Art Museum 2019. Photo: Libby Weiler. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/IMG_6356-libby-weiler.jpg Michael Sherrill Retrospective, installation view, Renwick Gallery of the Smithsonian American Art Museum 2019. Photo: Libby Weiler. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/Yellowstone-Rhododendrone.jpg Michael Sherrill, Yellowstone Rhododendron, 2000. Porcelain, glaze, steel, 11.25 x 15 x 11 in. Smithsonian American Art Museum, gift of David and Clemmer Montague, in memory of her mother Beatrice Slaton and her brother Carson Slaton, Mississippi Gardeners, 2005.34. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/Julesvernium.jpg Michael Sherrill, Julesvernium (Seaflower), 2008. Coloured laminated porcelain, silica bronze, Moratti glass, 43 x 20 x 11 ½ in. Collection of Mark Parker. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/Julesvernium-detail.jpg Michael Sherrill, Julesvernium (Seaflower), 2008 (detail). Coloured laminated porcelain, silica bronze, Moratti glass, 43 x 20 x 11 ½ in. Collection of Mark Parker. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/IMG_6313-photo-by-libby-weiler.jpg Michael Sherrill Retrospective, installation view, Renwick Gallery of the Smithsonian American Art Museum 2019. Photo: Libby Weiler. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/Yucca-Temple-of-the-Cool-Beauty.jpg Michael Sherrill, Temple of the Cool Beauty (Yucca), 2005. Porcelain, Moretti glass, silica bronze. 54 x 38 in. Gift of Ann and Tom Cousins. 2014.78a-b. Collection of The Mint Museum. https://www.studiointernational.com/images/articles/s/054-sherrill-michael-2019/Michael-Sherrill.jpg Portrait of Michael Sherrill, courtesy of the artist. Photo: Scott Allen at Hang the Moon Photography. https://www.studiointernational.com/index.php/george-stubbs-all-done-from-nature-review-mk-gallery-milton-keynes https://www.studiointernational.com/images/articles/s/053-stubbs-george-2019/3.jpg George Stubbs, Finished study for The Tenth Anatomical Table of the Muscles ... of the Horse, 1756-58. Pencil, 35.5 x 19.5 cm. © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/s/053-stubbs-george-2019/8.jpg Installation view, George Stubbs: All Done from Nature, MK Gallery, Milton Keynes, 12 October 2019 to 26 January 2020. Photo: Andy Keate. https://www.studiointernational.com/images/articles/s/053-stubbs-george-2019/2.jpg George Stubbs, Finished study for The Fourth Anatomical Table of the Muscles ... of the Horse, 1756-58. Pencil and black chalk, 36.2 x 49.5 cm. © Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/s/053-stubbs-george-2019/4.jpg George Stubbs, Mares and Foals in a River Landscape, c1763–68. Oil on canvas. © Tate, London 2019. https://www.studiointernational.com/images/articles/s/053-stubbs-george-2019/5.jpg George Stubbs, Cheetah and Stag with two Indians, c1765. Oil on canvas. © Manchester Art Gallery, UK / Bridgeman Images. https://www.studiointernational.com/images/articles/s/053-stubbs-george-2019/7.jpg Installation view, George Stubbs: All Done from Nature, MK Gallery, Milton Keynes, 12 October 2019 to 26 January 2020. Photo: Andy Keate. https://www.studiointernational.com/images/articles/s/053-stubbs-george-2019/6.jpg George Stubbs, Rhinoceros, c1790–92. Oil on canvas. © Royal College of Surgeons of England. https://www.studiointernational.com/images/articles/s/053-stubbs-george-2019/1.jpg George Stubbs, Whistlejacket, c1762. Oil on canvas. © The National Gallery, London.
 https://www.studiointernational.com/index.php/vienna-design-week-2019-review-austria https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/475-Bars-Diego-Faivre-VDW-VSimpson.jpg Diego Faivre. 475 Bars Covered in 2.375 Minutes. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Chess-interaction-VDW-HQ-2019.jpg Vienna Design Week HQ, chess interaction, 2019. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Finland-Lounge-VDW-HQ.jpg The Finland Lounge, Vienna Design Week HQ, 2019. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/WildAtHeartpinkcorner-At-VDW-HQ.jpg Wild at Heart selection, Vienna Design Week, 2019. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/GrownThisWayPhotos.jpg Amina Stella Steiner. Grown This Way: An Aesthetic Attack on a Societal Behaviour. Vienna Design Week, 2019. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Mobile-Kitchens-chmara-rosinke.jpg chmara.rosinke’s Mobile Kitchens display. © chmara.rosinke, Vienna Design Week. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Circular-Shower-EOOS.jpg Circular Shower | EOOS. © Vienna Design Week, Kollektiv Fischka - Phillip Podesser, Vienna Design Week. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Festival-Mix-Tape-_-mt-masking-tape-X-Kapitza.jpg Petra and Nicole Kapitza. Festival Mix Tape. © Vienna Design Week, Kollektiv Fischka - Stefanie Freynschlag. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Baseball-cap-with-face-scrambling-lights-VDW.jpg Baseball cap with face scrambling lights. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Ariane-Shirvani-A-Tool-for-Interaction-and-Contemplation.jpg Arian Shirvani, A Drop of a Second, A Tool for Interaction and Contemplation. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Debut-_-Game-Design-(Copyright-VIENNA-DESIGN-WEEK-Kollektiv-Fischka-Paulus-Jakob,-Vienna-Design-Week).jpg Debüt | Game Design. © Vienna Design Week, Kollektiv Fischka – Paulus Jakob. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Passionswege-Drechslerei-Viehauser-X-Studio-Sain-(Copyright-Studio-Sain,-Vienna-Design-Week)-2.jpg Passionswege | Drechslerei Viehauser x Studio Sain. © Studio Sain, Vienna Design Week. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Passionswege-Teresa-Berger-X-Galvanik-Austria.jpg Teresa Berger x Galvanik Austria. © Vienna Design Week, Kollektiv Fischka - Kramer. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/Festival-Zentrale-2019.jpg Vienna Design Week HQ, 2019. © Vienna Design Week, Kollektiv Fischka – Maria Noisternig. https://www.studiointernational.com/images/articles/v/091-vienna-design-week-2019/VDW-HQ-at-night.jpg Vienna Design Week HQ at night, 2019. https://www.studiointernational.com/index.php/michael-simpson-interview-blain-southern-london-leeds-art-gallery https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/65102.jpg Michael Simpson. 17 February 1600, 2019. Oil and charcoal on canvas, 35 x 100 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/65097.jpg Michael Simpson. Squint 64, 2019. Oil on canvas, 230 x 107.5 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/Michael-Simpson,-New-Paintings,-2019,-Installation-View,-BlainSouthern-London,--Photo-Peter-Mallet-(1).jpg Michael Simpson, New Paintings, 2019. Installation view, Blain|Southern London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/63911.jpg Michael Simpson. Squint 62, 2018-19. Oil on canvas, 244 x 517.5 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/65100.jpg Michael Simpson. Untitled (Bench Painting), 2019. Oil on canvas, 32 x 20 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/65109.jpg Michael Simpson. Squint 63, 2019. Oil on canvas, 245 x 366.5 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/55939.jpg Michael Simpson. Squint 45, 2016-19. Oil on canvas, 427 x 213 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/Michael-Simpson,-New-Paintings,-2019,-Installation-View,-BlainSouthern-London,--Photo-Peter-Mallet-(5).jpg Michael Simpson, New Paintings, 2019. Installation view, Blain|Southern London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/63912.jpg Michael Simpson. Squint 65, 2019. Oil on canvas, 312 x 440 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/Michael-Simpson,-New-Paintings,-2019,-Installation-View,-BlainSouthern-London,--Photo-Peter-Mallet-(8).jpg Michael Simpson, New Paintings, 2019. Installation view, Blain|Southern London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/63913.jpg Michael Simpson. Confessional 5, 2018-19. Oil on canvas, 282 x 162 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/63914.jpg Michael Simpson. Confessional 6, 2018-19. Oil on canvas, 282 x 162 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/Michael-Simpson,-New-Paintings,-2019,-Installation-View,-BlainSouthern-London,-Photo-Peter-Mallet.jpg Michael Simpson, New Paintings, 2019. Installation view, Blain|Southern London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/65098.jpg Michael Simpson. Squint 66, 2019. Oil on canvas, 230 x 107.5 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/images/articles/s/052-simpson-michael-2019/65101.jpg Michael Simpson. Untitled (Bench Painting), 2019. Oil on canvas, 32 x 20 cm. Images courtesy the artist and Blain|Southern. https://www.studiointernational.com/index.php/alan-davie-and-david-hockney-early-works-review-the-hepworth-wakefield https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/Alan_Davie_Self_portrait.jpg Alan Davie. Self Portrait, 1937. Oil on wood. National Galleries of Scotland. Purchased with the support of the Heritage Lottery Fund and the Art Fund 1997. © The Estate of Alan Davie. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/AlanDavie_Creation-of-Eve_1957_lores.jpg Alan Davie. Creation of Eve, 1956. Oil on canvas. ©The Estate of Alan Davie. Image courtesy Private Collection, London. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/Hockney-61B04.jpg David Hockney. We Two Boys Together Clinging, 1961. Oil on board, 48 x 60 in. © David Hockney. Photo: Prudence Cuming Associates. Arts Council Collection, Southbank Centre, London https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/Alan-Davie-Cross-for-the-White-Birds-_lores.jpg Alan Davie. Cross for the White Birds, 1965. Oil on canvas. © The Estate of Alan Davie. Image courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/Hockney-64B02.jpg David Hockney. Arizona, 1964. Acrylic on canvas, 60 x 60 in. © David Hockney. Photo: Fabrice Gibet. Private Collection. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/mango.jpg Alan Davie & David Hockney: Early Works, installation view, The Hepworth Wakefield, 19 Oct 2019 – 19 Jan 2020. Photo: Nick Singleton. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/HOCKNEY---DAVIE-IMAGES-17.jpg Alan Davie & David Hockney: Early Works, installation view, The Hepworth Wakefield, 19 Oct 2019 – 19 Jan 2020. Photo: Nick Singleton. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/AlanDavie_Glory_1957_lores.jpg Alan Davie. Glory, 1957. Oil paint on canvas. © The Estate of Alan Davie. Private Collection. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/AlanDavie_Crazy-Gondolier_1960_lores.jpg Alan Davie. Crazy Gondolier, 1960. Oil on canvas. © The Estate of Alan Davie. Image courtesy National Museum Wales. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/Alan_Davie_SeascapeErotic.jpg Alan Davie. Seascape Erotic, 1955. Oil on masonite. © The Estate of Alan Davie. Image courtesy National Galleries Scotland. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/Hockney-60A38.jpg David Hockney. Erection, 1960. Oil on board, 48 x 36 in. © David Hockney. Image: Private Collection. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/Hockney-62A09.jpg David Hockney. Flight Into Italy - Swiss Landscape, 1962. Oil on canvas, 72 x 72 in. © David Hockney. Photo: Prudence Cuming Associates. Collection Kunstpalast, Dusseldorf. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/Hockney-62A16.jpg David Hockney. Man in a Museum (or You're in the Wrong Movie), 1962. Oil on canvas, 60 x 60 in. © David Hockney. Courtesy: The British Council Collection. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/HOCKNEY---DAVIE-IMAGES-15.jpg Alan Davie & David Hockney: Early Works, installation view, The Hepworth Wakefield, 19 Oct 2019 – 19 Jan 2020. Photo: Nick Singleton. https://www.studiointernational.com/images/articles/d/078-davie-hockney-2019/HOCKNEY---DAVIE-IMAGES-2.jpg Alan Davie & David Hockney: Early Works, installation view, The Hepworth Wakefield, 19 Oct 2019 – 19 Jan 2020. Photo: Nick Singleton. https://www.studiointernational.com/index.php/still-undead-popular-culture-in-britain-beyond-the-bauhaus-review-nottingham-contemporary https://www.studiointernational.com/images/articles/s/051-still-undead-2019/01-Still-Undead-Sound-experiments.jpg Screens for experiments in sound and vision, gallery 1. Installation view, Still Undead: Popular Culture in Britain Beyond the Bauhaus, Nottingham Contemporary, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/still_rfls_schwerdtfeger_four.jpg Kurt Schwerdtfeger, Reflektorische Farblichtspiele, 1966. 16mm film transfer to digital, sound, 17 minutes 24 seconds. Courtesy of Microscope Gallery and Kurt Schwerdtfeger Estate. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/02-Still-Undead-Clipping-Ludwig-Hirschfield-Mack.jpg Ludwig Hirschfeld-Mack, newspaper clipping, January 1939. Installation view, Still Undead: Popular Culture in Britain Beyond the Bauhaus, Nottingham Contemporary, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/04-Edith-Tudor-Hart-photograph.jpg Edith Tudor-Hart, demonstrating an Ultraviolet Light Treatment at the South London Hospital for Women and Children. Installation view, Still Undead: Popular Culture in Britain Beyond the Bauhaus, Nottingham Contemporary, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/05-Otti-Berger-Textiles-for-Helios.jpg Otti Berger, textiles for Helios, Eldrig (1938) left, and Ascot (1939) right. Installation view, Still Undead: Popular Culture in Britain Beyond the Bauhaus, Nottingham Contemporary, 2019. Courtesy of the Whitworth Archive Collection. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/maholy-nagy-zoo.jpg László Moholy-Nagy, The New Architecture and the London Zoo, 1937. Courtesy: Light Cone & Moholy-Nagy Foundation. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/maholy-nagy-zoo-3.jpg László Moholy-Nagy, The New Architecture and the London Zoo, 1937. Courtesy: Light Cone & Moholy-Nagy Foundation. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/07-Roy-Ascott-Video-Rodget.jpg Roy Ascott, Video-Rodget, 1962. Wood, Perspex and paint. Tate: Presented by Tate Members 2014. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/06-Stephen-Willats-Architectural-Relief.jpg Stephen Willats. Architectural Relief, 1961. Couresy of Stephen Willats archive collection. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/Rita-Donagh_Reflection-on-Three-Weeks-in-May-1970-,1971.jpg Rita Donagh. Reflection on Three Weeks in May 1970, 1971. © Tate, London 2019. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/10-Frank-Tovey.jpg Frank Tovey, various posters for The Loopy, 1975-78. Installation view, Still Undead: Popular Culture in Britain Beyond the Bauhaus, Nottingham Contemporary, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/12-Stephen-Willats-modular-clothing.jpg Stephen Willats. Modular Clothing. Installation view, Still Undead: Popular Culture in Britain Beyond the Bauhaus, Nottingham Contemporary, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/750x642-homepage.jpg Robyn Beeche, Bauhaus (Spirals), 1986. Inspired by Oskar Schlemmer. Hair by Mitch Barry at Vidal Sassoon, make-up by Phyllis Cohen. Courtesy Robyn Beeche Foundation. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/13-Liliane-Lijn-Vibrographe-(1962_2019).jpg Liliane Lijn. Vibrographe, 1962/2019. Two rotating powder-coated aluminium drums, vinyl markings, motors and assembly in MDF box with powder-coated aluminium cover. Installation view, Still Undead: Popular Culture in Britain Beyond the Bauhaus, Nottingham Contemporary, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/14-James-Bond-preparatory-studies-for-Goldfinger.jpg Preparatory studies for Goldfinger title sequence (1964) by Robert Brownjohn with Herbert Spencer. Installation view, Still Undead: Popular Culture in Britain Beyond the Bauhaus, Nottingham Contemporary, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/maholy-nagy-zoo-2.jpg László Moholy-Nagy, The New Architecture and the London Zoo, 1937. Courtesy: Light Cone & Moholy-Nagy Foundation. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/Victor-Pasmore_Abstract-in-White,-Green,-Black,-Blue,-Red,-Grey-and-Pink-c1963.jpg Victor Pasmore. Abstract in White, Green, Black, Blue, Red, Grey and Pink, c.1963. © Tate, London 2019. https://www.studiointernational.com/images/articles/s/051-still-undead-2019/09-Gallery-poster-Leeds-Polytechnic.jpg Leeds Polytechnic: 1970s – 80s. Gallery introduction, Installation view, Still Undead: Popular Culture in Britain Beyond the Bauhaus, Nottingham Contemporary, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/laura-knight-a-working-life-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/k/073-knight-laura-2019/PL006397.jpg Dame Laura Knight. Circus Performers, Study for The Trick Act, c1930. Drawing. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2019. All Rights Reserved. Photo: Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/k/073-knight-laura-2019/PL019027.jpg Dame Laura Knight. Standing nude with her arms behind her head, mid 1950s. Drawing. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2019. All Rights Reserved. Photo: Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/k/073-knight-laura-2019/PL028980.jpg Dame Laura Knight. Ballet Dancer, ca1956-68. Drawing. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2019. All Rights Reserved. Photo: Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/k/073-knight-laura-2019/PL006350.jpg Dame Laura Knight. Ella Naper in the Apple Orchard at Trewoolfe, c1916. Drawing. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2019. All Rights Reserved. Photo: Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/k/073-knight-laura-2019/PL010853.jpg Dame Laura Knight. Study for Arabesque on skates, c1950. Drawing. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2019. All Rights Reserved. Photo: Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/k/073-knight-laura-2019/PL028931.jpg Dame Laura Knight. Dancers, late 1920s. Drawing. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2019. All Rights Reserved. Photo: Royal Academy of Arts, London. https://www.studiointernational.com/index.php/kiki-smith-i-am-a-wanderer-review-modern-art-oxford https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/Kiki-Smith-I-am-a-Wanderer-(9).jpg Kiki Smith: I am a Wanderer, installation view, Modern Art Oxford. Photo courtesy Modern Art Oxford. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/01-Earth,-2012.jpg Kiki Smith, Earth, 2012. © Kiki Smith. Image courtesy of the Artist and Pace Gallery. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/02-Spinners,-2014.jpg Kiki Smith, Spinners, 2014. © Kiki Smith. Image courtesy of the Artist and Pace Gallery. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/04-Untitled-(Ice-Man),-1995.jpg Kiki Smith, Untitled (Ice Man), 1995. © Kiki Smith. Image courtesy of the Artist and Pace Gallery. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/03-Two,-2002.jpg Kiki Smith, Two, 2002. © Kiki Smith. Image courtesy of Harland & Weaver, New York. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/60-Kiki-Smith-My-Blue-Lake.jpg Kiki Smith, My Blue Lake, 1995. Published by Universal Limited Art Editions. © Kiki Smith and Universal Limited Art Editions. Image courtesy of Universal Limited Art Editions. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/01-Kiki-Smith-Cathedral.jpg Kiki Smith, Cathedral, 2012. Jacquard tapestry © Kiki Smith. Courtesy Timothy Taylor, London/New York and Magnolia Editions. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/02-Kiki-Smith-Shell.jpg Kiki Smith, Shell, 1995. 24 carat gold. © Kiki Smith. Courtesy Pace Gallery. Photo: Tom Barratt, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/03-Kiki-Smith-Pool-of-Tears-II.jpg Kiki Smith, Pool of Tears II, 2000. Published by Universal Limited Art Editions. © Kiki Smith and Universal Limited Art Editions. Image courtesy of Universal Limited Art Editions. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/04-Kiki-Smith-Sky.jpg Kiki Smith, Sky, 2012. Jacquard tapestry. © Kiki Smith. Courtesy Timothy Taylor, London/New York and Magnolia Editions. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/Kiki-Smith-I-am-a-Wanderer-(16).jpg Kiki Smith: I am a Wanderer, installation view, Modern Art Oxford. Photo courtesy Modern Art Oxford. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/Kiki-Smith-I-am-a-Wanderer-(24).jpg Kiki Smith: I am a Wanderer, installation view, Modern Art Oxford. Photo courtesy Modern Art Oxford. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/Kiki-Smith-I-am-a-Wanderer-(29).jpg Kiki Smith: I am a Wanderer, installation view, Modern Art Oxford. Photo courtesy Modern Art Oxford. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/Kiki-Smith-I-am-a-Wanderer-(32).jpg Kiki Smith: I am a Wanderer, installation view, Modern Art Oxford. Photo courtesy Modern Art Oxford. https://www.studiointernational.com/images/articles/s/050-smith-kiki-2019/05-Untitled-(Ice-Man),-1995.jpg Kiki Smith, Untitled (Ice Man), 1995. © Kiki Smith. Image courtesy of the Artist and Pace Gallery. https://www.studiointernational.com/index.php/nam-june-paik-review-tate-modern https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/install-TV-Buddha---1974.jpg Nam June Paik. TV Buddha 1974. Installation view, Tate Modern 2019. 18th century wooden sculpture, closed-circuit television camera and JVC Videosphere cathode-ray tube television. Stedelijk Museum, Amsterdam. Photo: © Tate (Andrew Dunkley). https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/install-One-Candle-(also-known-as-Candle-TV)---2004.jpg Nam June Paik. One Candle (also known as Candle TV) 2004. Installation view, Tate Modern 2019. Cathode-ray tube television casing with additions in permanent oil marker, acrylic paint and live candle, 35.6 x 40.6 x 40.6 cm. Courtesy the Estate of Nam June Paik. Photo: © Tate (Andrew Dunkley). https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/install-One-Candle-(Candle-Projection)---1989.jpg Nam June Paik. One Candle (Candle Projection) 1989. Installation view, Tate Modern 2019. Close-circuit television camera, tripod, candle on custom stand and four to six colour video projectors including modified CRT projectors. Museum für Moderne Kunst, Frankfurt am Main. https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/install-TV-Garden---1974-1977.jpg Nam June Paik. TV Garden 1974-1977 (2002). Installation view, Tate Modern 2019. Live plants, cathode-ray tube televisions and video, colour, sound installation dimensions variable. Kunstsammlung Nordrhein-Westfalen, Dusseldorf. Photo: © Tate (Andrew Dunkley). https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/install-Sistine-Chapel---1993-(4).jpg Nam June Paik. Sistine Chapel 1993. Installation view, Tate Modern 2019. Medium Video projectors, metal, wood, custom video switchers and four video channels, colour, sound. Courtesy of the Estate of Nam June Paik. Photo: © Tate (Andrew Dunkley). https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/Internet-Dream---1994-(2).jpg Nam June Paik. Internet Dream 1994. Install view, Tate Modern 2019. Ten 20-inch cathode-ray tube televisions, forty-two 13-inch cathode-ray tube televisions,custom-made video wall system, steel frame and three video channels, colour, sound, 287 x 380 x 80 cm. ZKM Centre for Art and Media, Karlsruhe. https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/Nam-June-Paik-at-Tate-Modern,-2019.-Install-view.-(2).jpg Nam June Paik at Tate Modern, 2019, Installation view. Photo: © Tate (Andrew Dunkley). https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/Self-Portrait,-2005.jpg Nam June Paik. Self-Portrait, 2005. Single channel video installation with 10’’ LCD colour monitor, 34.9 x 46.3 x 49.5 cm. San Francisco Museum of Modern Art, Phyllis C. Wattis Fund for Major Accessions Photo: Katherine Du Tiel. https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/install-TV-Cello-1971.jpg Nam June Paik. TV Cello 1971. Installation view, Tate Modern 2019. Three cathode-ray tubes, acrylic boxes, three television casings, electronics, wiring, wood base, fan and stool. Walker Art Center, T. B. Walker Acquisition Fund, 1992, Minneapolis. Formerly the collection of Otto Piene and Elizabeth Goldring, Massachusetts. Photo: © Tate (Andrew Dunkley). Photo: © Tate (Andrew Dunkley). https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/Nixon-1965-2002.jpg Nam June Paik. Nixon, 1965-2002. Video, 2 monitors, black and white and colour, sound and magnetic coils. 10min, 51sec. Tate, Purchased with funds provided by Hyundai Motor Company. Photo: © Tate. https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/Bye-Bye-Kipling-1986.jpg Nam June Paik. Still from Bye Bye Kipling, 1986. Single-channel video, colour, sound, 30min, 32sec. Courtesy of Electronic Arts Intermix (EAI), New York and the Estate of Nam June Paik. https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/Magnet-TV-1965.jpg Nam June Paik. Magnet TV, 1965. Whitney Museum of American Art, New York. Purchased, with funds from Dieter Rosenkranz. https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/Experiment-with-David-Atwood_3.jpg Nam June Paik. Still from 9/23/69 Experiment with David Atwood, 1969. Video, colour, sound, 1hour, 18min, 51sec. Courtesy of Electronic Arts Intermix (EAI), New York. https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/Robot-K-456,-1964.jpg Nam June Paik. Robot K-456, 1964. Aluminium, wire, wood, electrical parts, foam and radio-control devices, 183 x 103 x 72 cm. Friedrich Christian Flick Collection in Hamburger Bahnhof, Berlin. https://www.studiointernational.com/images/articles/n/082-nam-june-paik-2019/Nam-June-Paik,-Zurich,-1991-Photo-Timm-Rautert.jpg Timm Rautert. Nam June Paik lying among televisions, Zürich 1991. © Estate of Nam June Paik/ © Timm Rautert. https://www.studiointernational.com/index.php/mark-bradford-cerberus-review-hauser-and-wirth-london https://www.studiointernational.com/images/articles/b/054-bradford-mark-2019/1.jpg Mark Bradford. Cerberus. Installation view, Hauser & Wirth 2019. © Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/images/articles/b/054-bradford-mark-2019/3.jpg Mark Bradford, Sapphire Blue, 2019. Mixed media on canvas, 339.1 x 584.2 cm (133 1/2 x 230 in). © Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White. https://www.studiointernational.com/images/articles/b/054-bradford-mark-2019/2.jpg Mark Bradford, Gatekeeper, 2019. Mixed media on canvas, 353.1 x 571.5 cm (139 x 225 in). © Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White. https://www.studiointernational.com/images/articles/b/054-bradford-mark-2019/4.jpg Mark Bradford, Frostbite, 2019. Mixed media on canvas, 337.8 x 586.7 cm (133 x 231 in). © Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White. https://www.studiointernational.com/images/articles/b/054-bradford-mark-2019/5.jpg Mark Bradford, The path to the river belongs to animals. 2019. Mixed media on canvas, 168.9 x 228.9 cm (66 1/2 x 90 1/8 in). © Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White https://www.studiointernational.com/images/articles/b/054-bradford-mark-2019/7.jpg Mark Bradford, Dancing in the Street, 2019. Video, 2 mins, 50 sec. © Mark Bradford. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/b/054-bradford-mark-2019/6.jpg Mark Bradford, A five thousand year old laugh, 2019. Mixed media on canvas, 182.9 x 243.8 cm / 72 x 96 in. © Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White. https://www.studiointernational.com/images/articles/b/054-bradford-mark-2019/9.jpg Mark Bradford. Cerberus. Installation view, Hauser & Wirth 2019. © Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/images/articles/b/054-bradford-mark-2019/8.jpg Mark Bradford, Dancing in the Street, 2019. Video, 2 mins, 50 sec. © Mark Bradford. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/index.php/garry-fabian-miller-midwinter-blaze-review-ingleby-gallery-edinburgh https://www.studiointernational.com/images/articles/m/053-miller-garry-fabian-2019/Garry-Fabian-Miller_JM2_3729-2_PRESS.jpg Garry Fabian Miller: Midwinter Blaze, installation view, Ingleby, Edinburgh (October - December 2019). Photo: John McKenzie. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/m/053-miller-garry-fabian-2019/Garry-Fabian-Miller_JM2_3725-2_PRESS.jpg Garry Fabian Miller: Midwinter Blaze, installation view, Ingleby, Edinburgh (October - December 2019). Photo: John McKenzie. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/images/articles/m/053-miller-garry-fabian-2019/Garry-Fabian-Miller_JM2_3735-2_PRESS.jpg Garry Fabian Miller: Midwinter Blaze, installation view, Ingleby, Edinburgh (October - December 2019). Photo: John McKenzie. Courtesy of the Artist and Ingleby, Edinburgh. https://www.studiointernational.com/index.php/bridget-riley-exhibition-review-hayward-gallery-london https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget_Riley_Copy-Le-Pont-Courbevoie_1959.jpg Bridget Riley. Copy after Le Pont de Courbevoie by Georges Seurat, 1959. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget-Riley_Blaze-1.jpg Bridget Riley. Blaze 1, 1962. Private collection, on long loan to National Galleries of Scotland 2017. © Bridget Riley 2019. All rights reserved. Photo © National Galleries of Scotland. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget_Riley_Movement-In-Squares_1961.jpg Bridget Riley. Movement in Squares, 1961. Arts Council Collection, Southbank Centre, London. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget_Riley_Chant-2_1967.jpg Bridget Riley. Chant 2, 1967. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget_Riley_Ra_1981.jpg Bridget Riley. Ra, 1981. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget_Riley_Pause_1964.jpg Bridget Riley. Pause, 1964. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget-Riley_Painting_with_Verticals_3_2006.jpg Bridget Riley. Painting with Verticals 3, 2006. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget-Riley_Study_for_Turn_1964.jpg Bridget Riley. Study for ‘Turn’, 1964. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget_Riley_Aria_2012.jpg Bridget Riley. Aria, 2012. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget-Riley_High-Sky_1991.jpg Bridget Riley. High Sky, 1991. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget_Riley_Pink-landscape_1960.jpg Bridget Riley. Pink Landscape, 1960. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget_Riley_Cascando-2015.jpg Bridget Riley. Cascando, 2015. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Bridget_Riley_Paean_1973.jpg Bridget Riley. Paean, 1973. © Bridget Riley 2019. All rights reserved. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/04-Installation-view-of-Bridget-Riley-at-Hayward-Gallery-2019.jpg Bridget Riley, installation view, Hayward Gallery 2019. © Bridget Riley 2019. Photo: Stephen White & Co. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Installation-view-of-Bridget-Riley,-Composition-with-Circles-4,-2004-at-Hayward-Gallery-2019.jpg Installation view of Bridget Riley, Composition with Circles 4, 2004 at Hayward Gallery 2019. © Bridget Riley 2019 Photo: Stephen White & Co. https://www.studiointernational.com/images/articles/r/075-riley-bridget-2019/Installation-view-of-Bridget-Riley,-Untitled-(Measure-for-Measure-Wall-Painting),-2017-at-Hayward-Gallery-2019.jpg Bridget Riley, Untitled (Measure for Measure Wall Painting), 2017. Installation view, Hayward Gallery 2019. © Bridget Riley 2019. Photo: Stephen White & Co. https://www.studiointernational.com/index.php/lucian-freud-the-self-portraits-exhibition-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/f/082-freud-lucian-2019/key-4.jpg Lucian Freud. Man with a Feather, 1943. Oil on canvas, 76.2 x 50.8 cm. Private collection. © The Lucian Freud Archive / Bridgeman Images. https://www.studiointernational.com/images/articles/f/082-freud-lucian-2019/key-38.jpg Lucian Freud. Startled Man: Self-portrait, 1948. Pencil on paper, 22.9 x 14.3 cm. Private collection. © The Lucian Freud Archive / Bridgeman Images. https://www.studiointernational.com/images/articles/f/082-freud-lucian-2019/key-1.jpg Lucian Freud. Man’s Head (Self-portrait III), 1963. Oil on canvas, 30.5 x 25.1 cm. National Portrait Gallery, London. © The Lucian Freud Archive / Bridgeman Images. https://www.studiointernational.com/images/articles/f/082-freud-lucian-2019/key-12.jpg Lucian Freud. Hotel Bedroom, 1954. Oil on canvas, 91.5 x 61 cm. Gift of the Beaverbrook Foundation, collection of the Beaverbrook Art Gallery. © The Lucian Freud Archive / Bridgeman Images. https://www.studiointernational.com/images/articles/f/082-freud-lucian-2019/key-17.jpg Lucian Freud. Reflection with Two Children (Self-portrait), 1965. Oil on canvas, 91 x 91 cm. Museo Nacional Thyssen-Bornemisza, Madrid. © The Lucian Freud Archive / Bridgeman Images. https://www.studiointernational.com/images/articles/f/082-freud-lucian-2019/key-24.jpg Lucian Freud. Reflection (Self-portrait), 1985. Oil on canvas, 55.9 x 55.3 cm. Private collection, on loan to the Irish Museum of Modern Art. © The Lucian Freud Archive / Bridgeman Images. https://www.studiointernational.com/images/articles/f/082-freud-lucian-2019/key-28.jpg Lucian Freud. Self-portrait, Reflection, 2002. Oil on canvas, 66 x 50.8 cm. Private collection. © The Lucian Freud Archive / Bridgeman Images. https://www.studiointernational.com/index.php/sidsel-meineche-hansen-welcome-to-end-used-city-review https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/01-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, Welcome to End-Used City, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/05-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Mieneche Hansen, Maintenancer, 2018. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/04-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Mieneche Hansen, Untitled, 2018. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/13-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, End-Used City, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/17-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, End-Used City, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/07-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, Welcome to End-Used City, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/14-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, End-Used City, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/10-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, Public Sculpture (Everything is personal Data), 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/20-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, Keychain Secure, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/21-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, Keychain Secure, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/00-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, Welcome to End-Used City, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/03-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, Welcome to End-Used City, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/06-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Mieneche Hansen, Love Doll Resurrect, 2018. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/12-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, Welcome to End-Used City, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/15-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, End-Used City, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/061-hansen-sidsel-meineche-2019/16-Sidsel-Meineche-Hansen-at-Chisenhale-Gallery_Photo-by-Andy-Keate.jpg Sidsel Meineche Hansen, End-Used City, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/index.php/now-katie-paterson-darren-almond-shona-macnaughton-lucy-raven-review-scottish-national-gallery-of-modern-art https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Katie-Paterson_Totality_2016-Photo_Ben-Blackall-2016_Courtesy-of-the-Lowry.jpg Katie Paterson, Totality, 2016. Photograph. Collection: Courtesy of the Lowry. © Katie Paterson. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Katie-Paterson_Light-bulb-to-Simulate-Moonlight_2008_Katie-Paterson.jpg Katie Paterson, Light bulb to Simulate Moonlight, 2008. Set of 289 light bulbs with halogen filament, frosted coloured shell, 28W, 4500K. Collection: National Galleries of Scotland. © Katie Paterson. Photo: John McKenzie. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Shona-Macnaughton-2017-MarketGallery.jpg Shona Macnaughton. Progressive, 2017 (detail). Script, photographic documentation, Baby Box, Jacket Photography: Matthew Arthur Williams. © The Artist. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/NOW-Katie-Paterson_Totality_Press-View_1.jpg Katie Paterson, Totality, 2016. Installation view Scottish National Gallery of Modern Art. Photo © Neil Hanna, 2019. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Katie-Paterson_Totality_2016_Photo_Flora-Bartlett-2016_Installation-view-Sommerset-House_Courtesy-of-the-Arts-Council-Collection.jpg Katie Paterson, Totality, 2016. Photo © Flora Bartlett 2016. Installation view Somerset House. Courtesy of the Arts Council Collection. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Katie-Paterson_Totality_2016_Photo_Katie-Paterson.jpg Katie Paterson, Totality, 2016. Photo © Katie Paterson. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Katie-Paterson_Light-bulb-to-Simulate-Moonlight_2008_Photo_MJC.jpg Katie Paterson, Light bulb to Simulate Moonlight, 2008. Photo: © MJC. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/001.jpg Katie Paterson, Earth–Moon–Earth (Moonlight Sonata Reflected from the Surface of the Moon), 2007. Photo © We are Tape. Installation view, Cornerhouse, Manchester, 2011. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/002.jpg Katie Paterson. Earth–Moon–Earth (Moonlight Sonata Reflected from the Surface of the Moon), 2007. Photograph. Collection: Courtesy of the artist. © Katie Paterson. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Katie-Paterson_All-the-Dead-Stars_2009_Photo_Mead-Gallery_Installation-view_Mead-Gallery_Warwick-Arts-Centre_2013.jpg Katie Paterson, All the Dead Stars, 2009. Photo © Mead Gallery. Installation view, Mead Gallery, Warwick Arts Centre, 2013. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Katie-Paterson_The-Cosmic-Spectrum_2019-Photo-_Manu-Palomeque_Exhibition-view-Turner-Contemporary_02.jpg Katie Paterson, The Cosmic Spectrum, 2019. Photo © Manu Palomeque. Exhibition view Turner Contemporary, 2019. Supported by the Arts Council England. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Katie-Paterson_A-Place-That-Exists-Only-in-Moonlight_Photo_Ollie-Harrop_Courtesy-of-the-artist_Ingleby-Gallery_and-James-Cohan-Gallery.jpg Katie Paterson, A Place That Exists Only in Moonlight. Photo © Ollie Harrop. Courtesy of the artist, Ingleby Gallery, and James Cohan Gallery. https://www.studiointernational.com/images/articles/p/070-paterson-katy-2019/Katie-Paterson_Ara_2016_Photo_Julie-Lovens_2016_Courtesy_of_Kunsthaus_Pasquart_Biel.jpg Katie Paterson, Ara, 2016. Photo © Julie Lovens, 2016. Courtesy of Kunsthaus Pasquart, Biel. https://www.studiointernational.com/index.php/kudzanai-violet-hwami-interview-gasworks-london-venice-biennale-2019 https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-2.jpg Kudzanai-Violet Swami, Hole in Heaven, 2019. Oil and acrylic on canvas, 190 x 300 cm. Featured in Venice. https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-3.jpg Kudzanai-Violet Hwami, (15,952km) via Trans-Sahara Hwy N1, 2019. Installation view, Gasworks. Commissioned by Gasworks. Courtesy of the artist and Tyburn Gallery. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-4.jpg Kudzanai-Violet Hwami, Untitled, 2019. Oil on canvas. 45 x 50 cm. Commissioned by Gasworks. Courtesy of the artist and Tyburn Gallery. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-5.jpg Kudzanai-Violet Hwami in her studio at Gasworks, London, 2019. https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-7.jpg Kudzanai-Violet Hwami, Medicine Man, 2019. Oil on canvas. 120 x 120 cm. Commissioned by Gasworks courtesy of the artist and Tyburn Gallery. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-8.jpg Kudzanai-Violet Hwami, (15,952km) via Trans-Sahara Hwy N1, 2019. Installation view, Gasworks. Commissioned by Gasworks. Courtesy of the artist and Tyburn Gallery. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-10.jpg Kudzanai-Violet Hwami, You and all your friends, 2019. Oil on canvas. 30 x 30 cm. Commissioned by Gasworks. Courtesy of the artist and Tyburn Gallery. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-11.jpg Kudzanai-Violet Hwami, (15,952km) via Trans-Sahara Hwy N1, 2019. Installation view, Gasworks. Commissioned by Gasworks. Courtesy of the artist and Tyburn Gallery. Photo: Andy Keate. https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-12.jpg Kudzanai-Violet Hwami, Untitled, 2019. Acrylic on canvas. Courtesy of the artist. Commissioned by Gasworks. https://www.studiointernational.com/images/articles/h/060-hwami-kudzanai-violet-2019/Image-9.jpg Kudzanai-Violet Hwami, (15,952km) via Trans-Sahara Hwy N1, 2019. Installation view, Gasworks. Commissioned by Gasworks. Courtesy of the artist and Tyburn Gallery. Photo: Andy Keate. https://www.studiointernational.com/index.php/anthony-eyton-interview-browse-and-derby-london https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Mirror,-Chair-and-Fireplace-2019.jpg Anthony Eyton. Mirror, Chair & Fireplace, oil on canvas, 2019. Photo courtesy Browse & Darby. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Three-Chairs-in-the-studio-2019.jpg Anthony Eyton. Three Chairs in the Studio II, 2019. Photo courtesy Browse & Darby. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Phyllis-Eyton,-The-Be-Loud-Glade,-oil-on-board,-16-x-12-in..jpg Phyllis Eyton, The Be-Loud Glade. Oil on board, 16 x 12 in. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Phyllis-Eytons-RA-Summer-Exhibition-painting-JR.jpg Phyllis Eyton https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Brixton-Garden-2014.jpg Anthony Eyton. Brixton Garden, 2014. Pastel on card, 18 1/2 x 24 in. Photo courtesy Browse & Darby. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/The-Grotto,-Lourdes.jpg Anthony Eyton. The Grotto, Lourdes, 1996-2019. Oil on canvas, 76 1/4 x 94 1/2 in. Photo courtesy Browse & Darby. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/The-Grotto,-Lourdes-final-exhibition-version-JR.jpg Anthony Eyton. The Grotto, Lourdes. Final exhibition version. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Eyton-View-to-Brixton-Road-(with-car-put-back)-JR.jpg Anthony Eyton. View to Brixton Road, 2019. Oil on canvas, 62 x 27 3/4 in. (With car put back in). Photo: Juliet Rix. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Eytons-home-mantelpiece-with-erratic-rocks-JR.jpg Anthony Eyton https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Eyton-paintbrushes-in-garage-studio-2019-JR.jpg Paint brushes in Anthony Eyton https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Eytons-home--horse-painting-in-progress-in-the-sitting-room-(1)-JR.jpg Anthony Eyton's home with horse painting in progress in the sitting room, 2019. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Back-of-the-Chair-2019.jpg Anthony Eyton. Back of the Chair, oil on canvas, 2019. Oil on canvas, 40 x 29 in. Photo courtesy Browse & Darby. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Battersea-Power-Station-2005.jpg Anthony Eyton. Battersea Power Station, 2002. Pastel, 25 1/4 x 21 1/4 in. Photo courtesy Browse & Darby. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Collapsed-Shelf-III-2019.jpg Anthony Eyton. Collapsed Shelf III, 2019. Oil on canvas, 35 x 39 1/2 in. Photo courtesy Browse & Darby. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Marwari-Horse-2019.jpg Anthony Eyton. Marwari Horse, 2018. Oil on board, 10 x 10 in. Photo courtesy Browse & Darby. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Eytons-house-Window-to-the-back-garden-JR.jpg Eyton's house. Window to the back garden. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/e/081-eyton-anthony-2019/Anthony-Eyton-in-his-studio---JR.jpg Anthony Eyton in his studio, 2019. Photo: Juliet Rix. https://www.studiointernational.com/index.php/danh-vo-untitled-south-london-gallery https://www.studiointernational.com/images/articles/v/090-vo-danh-2019/08.jpg Félix González-Torres, Untitled (Portrait of Julie Ault), 1991. Collection of Julie Ault. Andres Serrano, Immersion (Piss Christ), 1987. Collection of Danh Vo. Danh Vo, IMUUR2, 2012. Courtesy the artist (left to right). Installation view at the South London Gallery, 2019. Photo: Nick Ash. https://www.studiointernational.com/images/articles/v/090-vo-danh-2019/01.jpg Installation view of Danh Vo: untitled at the South London Gallery, 2019. Photo: Nick Ash. https://www.studiointernational.com/images/articles/v/090-vo-danh-2019/03.jpg Installation view of Danh Vo: untitled at the South London Gallery, 2019. Photo: Nick Ash. https://www.studiointernational.com/images/articles/v/090-vo-danh-2019/07.jpg Danh Vo, Aconitum souliei, Inflorescence portion / Lilium souliei, outer and inner tepel / Anemone coelestina var. souliei, flowering plant / Rosa soulieana, fruit / Aconitum souliei, cauline leaf / Anemone coelestina, basal leaf / Anemone coelestina, carpel / Luzula rufescens, flowering plant / Anconitum souliei, upper cauline leaf / Anemone coelestina, basal leaf / Anemone coelestina, flowering plant / Rosa soulieana, fruiting branch / Lilium souliei, distal portion of flowering plant / Nepeta souliei, flowering plant / Rosa soulieana, flowering branch / Cerasus fruticosa, fruiting branch / Cerasus tomentosa var. souliei, fruiting branch, 2009 (detail) and Danh Vo, Bye bye, 2010. Installation view at the South London Gallery, 2019. Courtesy the artist. Photo: Nick Ash. https://www.studiointernational.com/images/articles/v/090-vo-danh-2019/10.jpg Danh Vō: Cathedral Block, Prayer Stage, Gun Stock. Installation view, Marian Goodman Gallery London, 19 September – 1 November, 2019. Courtesy: The artist and Marian Goodman Gallery. Copyright: Danh Vō. Photo Credit: Nick Ash. https://www.studiointernational.com/images/articles/v/090-vo-danh-2019/11.jpg Danh Vō: Cathedral Block, Prayer Stage, Gun Stock. Installation view, Marian Goodman Gallery London, 19 September – 1 November, 2019. Courtesy: The artist and Marian Goodman Gallery. Copyright: Danh Vō. Photo Credit: Nick Ash. https://www.studiointernational.com/images/articles/v/090-vo-danh-2019/04.jpg Danh Vo, Photographs of Dr. Joseph M. Carrier 1962–1973, 2010 (detail). Installation view at the South London Gallery, 2019. Courtesy the artist. Photo: Nick Ash. https://www.studiointernational.com/images/articles/v/090-vo-danh-2019/06.jpg Danh Vo, Aconitum souliei, Inflorescence portion / Lilium souliei, outer and inner tepel / Anemone coelestina var. souliei, flowering plant / Rosa soulieana, fruit / Aconitum souliei, cauline leaf / Anemone coelestina, basal leaf / Anemone coelestina, carpel / Luzula rufescens, flowering plant / Anconitum souliei, upper cauline leaf / Anemone coelestina, basal leaf / Anemone coelestina, flowering plant / Rosa soulieana, fruiting branch / Lilium souliei, distal portion of flowering plant / Nepeta souliei, flowering plant / Rosa soulieana, flowering branch / Cerasus fruticosa, fruiting branch / Cerasus tomentosa var. souliei, fruiting branch, 2009 (detail) and Danh Vo, 2.2.1861, 2009. Installation view at the South London Gallery, 2019. Courtesy the artist. Photo: Nick Ash. https://www.studiointernational.com/images/articles/v/090-vo-danh-2019/09.jpg Danh Vō: Cathedral Block, Prayer Stage, Gun Stock. Installation view, Marian Goodman Gallery London, 19 September – 1 November, 2019. Courtesy: The artist and Marian Goodman Gallery. Copyright: Danh Vō. Photo Credit: Nick Ash. https://www.studiointernational.com/index.php/david-smith-field-work-review-hauser-and-wirth-somerset https://www.studiointernational.com/images/articles/s/049-smith-david-2019/SMIDA72977-hires.jpg David Smith. Untitled, 1964. Spray enamel on canvas, 37.7 x 80.3 cm (14 7/8 x 31 5/8 in). Photo: Genevieve Hanson. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/SMIDA73877-hires.jpg David Smith. Untitled, 1960. Brown egg ink, 39.4 x 52.1 cm (15 1/2 x 20 1/2 in). Photo: EPW Studio. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/SMIDA82903-hires.jpg David Smith. Agricola VIII, 1952. Steel and bronze, painted, 80.6 x 53.8 x 47.6 cm (31 3/4 x 21 1/8 x 18 3/4 in). Photo: Christopher Burke Studio. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/04-HWSO-David-Smith-Field-Work.jpg David Smith. Field Work, 2019, Hauser & Wirth Somerset. Installation view. Courtesy The Estate of David Smith and Hauser & Wirth. Photo: Ken Allard. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/22-HWSO-David-Smith-Field-Work.jpg David Smith. Field Work, 2019, Hauser & Wirth Somerset. Installation view. Courtesy The Estate of David Smith and Hauser & Wirth. Photo: Ken Allard. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/SMIDA80318-hires.jpg David Smith. Steel Drawing II, 1945. Steel, painted, 62.2 x 63.8 x 21.7 cm (24 1/2 x 25 1/8 x 8 1/2 in). Photo: Genevieve Hanson. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/19-HWSO-David-Smith-Field-Work.jpg David Smith. Field Work, 2019, Hauser & Wirth Somerset. Installation view. Courtesy The Estate of David Smith and Hauser & Wirth. Photo: Ken Allard. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/10-HWSO-David-Smith-Field-Work.jpg David Smith. Field Work, 2019, Hauser & Wirth Somerset. Installation view. Courtesy The Estate of David Smith and Hauser & Wirth. Photo: Ken Allard. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/16-HWSO-David-Smith-Field-Work.jpg David Smith. Field Work, 2019, Hauser & Wirth Somerset. Installation view. Courtesy The Estate of David Smith and Hauser & Wirth. Photo: Ken Allard. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/SMIDA73442-hires.jpg David Smith. Untitled (Study for Agricola I), 1951. Painted steel, 117.5 x 92.7 x 25 cm (46 1/4 x 36 1/2 x 9 7/8 in). Photo: Damian Griffiths. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/SMIDA73687-hires.jpg David Smith. ∆Σ L-1-56, 1956. Black egg ink on laid paper, 39.7 x 51.4 cm (15 5/8 x 20 1/4 in). © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/SMIDA74158-hires.jpg David Smith. Untitled, 1963. Spray enamel on canvas, 84 x 31 cm (33 1/8 x 12 1/4 in). Photo: Genevieve Hanson. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/SMIDA74299-hires.jpg David Smith. Untitled, 1955. Steel, 99.1 x 92.1 x 19 cm (39 x 36 1/4 x 7 1/2 in). Photo: Damian Griffiths. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/049-smith-david-2019/SMIDA80414-hires.jpg David Smith. Untitled, 1958–1959. Steel and unidentifed metal, painted, 77.8 x 42.4 x 13.8 cm (30 5/8 x 16 3/4 x 5 3/8 in). Photo: Christopher Burke Studio. © 2019 The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/index.php/edmund-de-waal-interview-psalm-library-of-exile-venice-biennale-2019-jewish-museum-vienna https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/The-library-of-exile-(2019).jpg Edmund de Waal, the library of exile, 2019. Ateneo Veneto. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Psalm-I-(2019).jpg Edmund de Waal, Psalm, I, 2019. Ateneo Veneto. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. Porcelain, marble, alabaster, steel, wood, aluminium and plexiglass, 200 x 133 x 20 cm. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Sukkah-(2019)-2.jpg Edmund de Waal, sukkah, 2019, Jewish Museum, Sukkah Room. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice Porcelain, gold, steel, aluminium and plexiglass, 184.5 x 126 x 69 cm. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/069-waal-edmund-de-2019/Edmund-de-waal-studio-2019.jpg Edmund de Waal’s studio. Photo: Nick Howard. https://www.studiointernational.com/images/articles/w/069-waal-edmund-de-2019/a-place-made-fast_2014_face-view.jpg Edmund de Waal, a place made fast, 2014. Porcelain, wood, aluminium and glass. © Edmund de Waal. Courtesy the artist. Photo: Mike Bruce. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Tehilim-(2018)-2.jpg Edmund de Waal, tehillim, 2018, Jewish Museum, Canton corridor. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. Porcelain, gold, marble, aluminium and plexiglass, 28 x 1,164 x 10 cm overall. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/069-waal-edmund-de-2019/North-Hall-(view-01).jpg Edmund de Waal, that pause of space, 2019. Porcelain, gold, alabaster, aluminum, and plexiglass, on view in the North Hall, 22 13/16 × 29 15/16 × 11 in. © Edmund de Waal. Courtesy the artist and The Frick Collection. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/w/069-waal-edmund-de-2019/Library-(view-01).jpg Edmund de Waal, an alchemy, 2019. Porcelain, steel, gold, and plexiglass, on view in the Library, 18 1/8 × 21 5/8 × 16 9/16 in. © Edmund de Waal. Courtesy the artist and The Frick Collection. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/A-different-breath-(2018).jpg Edmund de Waal, a different breath, 2018. Jewish Museum, Stairwell. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. Porcelain, platinum, silver, aluminium and glass, 272 x 94 x 12 cm overall. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/077-Waal-Edmund-De-2019/Entrance-to-Ateneo-Veneto.jpg Edmund de Waal, the library of exile, 2019. Atone Veneto entrance. Part of Psalm, an exhibition in two parts at the Jewish Museum and Ateneo Veneto, Venice. © Edmund de Waal. Courtesy of the artist. Photo: Fulvio Orsenigo. https://www.studiointernational.com/images/articles/w/069-waal-edmund-de-2019/Enamels-Room-(view-02).jpg Edmund de Waal, The Temptation of Christ on the Mountain, I, 2019. Porcelain, steel, gold, alabaster, aluminum, and plexiglass, on view in the Enamels Room, 23 1/4 × 16 9/16 × 8 1/4 in. © Edmund de Waal. Courtesy the artist and The Frick Collection. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/w/069-waal-edmund-de-2019/Porcelain-repairs-EdW.jpg Edmund de Waal’s studio, porcelain repairs. Photo: Nick Howard. https://www.studiointernational.com/index.php/hello-robot-design-between-human-and-machine-review-victoria-and-albert-dundee https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/09-VA_Hello_Robot_1.jpg Original Metropolis film poster (1926). https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/16-Friend-1.jpg Dan Chen, Friend 1, making friends by making them. © Dan Chen. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/03-VA_Hello_Robot_61.jpg Up-Sticks, a robotic architecture commission by Gramazio Kohler Research and students of the MAS Architecture and Digital Fabrication at ETH Zurich. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/13-Kip_-an-Empathy-Robotic-Object_-2015..jpg Kip, an Empathy Robotic Object, 2015. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/11-Takanori-Shibata_-Paro_-2001.jpg Takanori Shibata, Paro, 2001 https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/01-Yonezawa_-Directional-Robot_-1957--private-collection-.jpg Yonezawa, Directional Robot, 1957. Private collection. Photo: Andreas Sütterlin. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/02-VA_Hello_Robot_79.jpg R2-D2 actor Jimmy Vee at V&A Dundee. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/04-VA_Hello_Robot_45.jpg Douglas Coupland, Slogans for the 21st Century. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/05-VA_Hello_Robot_31.jpg Spider Dress 2.0, Anouk Wipprecht, 2015. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/07-VA_Hello_Robot_18.jpg robotlab (ZKM), manifest, 2008. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/08-VA_Hello_Robot_14.jpg YuMi dual-arm industrial robot, ABB Ltd., 2015. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/10-Ted-Hunt_-Luke-Sturgeon_-Hiroki-Yokoyama_-Synthetic-Temperaments-of-Drones_-2014.jpg Ted Hunt, Luke Sturgeon, Hiroki Yokoyama, Synthetic Temperaments of Drones, 2014. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/12-R2-D2-film-prop_-George-Lucas_-1977.jpg R2-D2 film prop, George Lucas, 1977. © Lucasfilm Ltd. & TM. All Rights Reserved. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/14-Image-from-film-_Robots-of-Brixton_-Directed-by-Kibwe-Tavares.-Factory-Fifteen.-.jpg Image from film Robots of Brixton. Directed by Kibwe Tavares. Factory Fifteen. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/15-Howeler-+-Yoon-Architecture-and-Squared-Design-Lab_-EcoPods_-2009-architectural-mockup-.jpg Höweler + Yoon Architecture and Squared Design Lab, EcoPods, 2009. Architectural mockup. © Höweler + Yoon Architecture and Squared Design Lab. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/18-Festo_-BionicANTs_-2015.jpg Festo, BionicANTs, 2015. © 2017 Festo AG & Co. KG. https://www.studiointernational.com/images/articles/h/059-hello-robot-2019/19-ABB-Ltd-YuMi-dual-arm-industrial-robot_-2015.jpg ABB Ltd., YuMi®, dual-arm industrial robot, 2015. © ABB Ltd. https://www.studiointernational.com/index.php/larissa-sansour-interview-danish-pavilion-venice-biennale-2019 https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/In-Vitro-(installation-shot,-Danish-Pavilion-Venice-Biennale-Photo-Ugo-Carmeni.jpg Larissa Sansour and Søren Lind. Installation view of In Vitro, Danish Pavilion, Venice Biennale 2019. 2-channel black and white film. 27 min 44 sec. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/In-Vitro-2-3-23.jpg Larissa Sansour and Søren Lind. In Vitro, 2019. 2-channel black and white film, 27 min 44 sec. Courtesy of the artists. https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/07_danish_pav_2019_ugo_carmeni.jpg Larissa Sansour and Søren Lind, Monument for Lost Time, installation view, Danish Pavilion, Venice Biennale 2019. Fibreglass, steel, cement, tiles, sound, 480 cm diameter, 2019. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/01_danish_pav_2019_ugo_carmeni.jpg Larissa Sansour and Søren Lind, Monument for Lost Time, installation view, Danish Pavilion, Venice Biennale 2019. Fibreglass, steel, cement, tiles, sound, 480 cm diameter, 2019. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/In-Vitro-Larissa-2-3-1.jpg Larissa Sansour and Søren Lind. In Vitro, 2019. 2-channel black and white film, 27 min 44 sec. Courtesy of the artists. https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/IntheFuture2.jpg Larissa Sansour and Søren Lind, In the Future They Ate from the Finest Porcelain, film, 29 min, 2016. Courtesy of the artists. https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/In-Vitro-2-3-1.jpg Larissa Sansour and Søren Lind. In Vitro, 2019. 2-channel black and white film, 27 min 44 sec. Courtesy of the artists. https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/In-Vitro-Larissa-2-3-6.jpg Larissa Sansour and Søren Lind. In Vitro, 2019. 2-channel black and white film, 27 min 44 sec. Courtesy of the artists. https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/04_danish_pav_2019_ugo_carmeni.jpg Larissa Sansour and Søren Lind, Monument for Lost Time, installation view, Danish Pavilion, Venice Biennale 2019. Fibreglass, steel, cement, tiles, sound, 480 cm diameter, 2019. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/s/048-sansour-larissa-2019/IntheFuture3.jpg Larissa Sansour and Søren Lind, In the Future They Ate from the Finest Porcelain, film, 29 min, 2016. Courtesy of the artists. https://www.studiointernational.com/index.php/leonardo-experience-a-masterpiece-review-national-gallery-london https://www.studiointernational.com/images/articles/l/066-leonardo-virgin-of-the-rock-2019/59sut_Leonardo_Experience_191105_11264.jpg A room of reflective metal boxes, Leonardo: Experience a Masterpiece, National Gallery, London. Photo: 59 Productions. https://www.studiointernational.com/images/articles/l/066-leonardo-virgin-of-the-rock-2019/Leonardo-NG-Nov-2019-box-quote---JR.jpg A room of reflective metal boxes (detail), Leonardo: Experience a Masterpiece, National Gallery, London. Photo: 59 Productions. https://www.studiointernational.com/images/articles/l/066-leonardo-virgin-of-the-rock-2019/Leonardo-NG-Nov-2019-The-Studio---JR.jpg Leonardo: Experience a Masterpiece, National Gallery, London. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/066-leonardo-virgin-of-the-rock-2019/59sut_Leonardo_Experience_191105_11463.jpg Leonardo: Experience a Masterpiece, National Gallery, London. Photo: 59 Productions. https://www.studiointernational.com/images/articles/l/066-leonardo-virgin-of-the-rock-2019/59sut_Leonardo_Experience_191105_11494.jpg Leonardo: Experience a Masterpiece, National Gallery, London. Photo: 59 Productions. https://www.studiointernational.com/images/articles/l/066-leonardo-virgin-of-the-rock-2019/59sut_Leonardo_Experience_191105_11860.jpg Leonardo: Experience a Masterpiece, National Gallery, London. Photo: 59 Productions. https://www.studiointernational.com/images/articles/l/066-leonardo-virgin-of-the-rock-2019/Leonardo-NG-Nov-2019-Virgin-of-the-Rocks-JR.jpg Leonardo: Experience a Masterpiece, National Gallery, London. Photo: Juliet Rix. https://www.studiointernational.com/index.php/taylor-wessing-photographic-portrait-prize-2019-review-national-portrait-gallery-london https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/02-2019_Taylor_Wessing_PPP_1269_4.jpg Gail and Beaux by Pat Martin, from the series Goldie (Mother), 2018 © Pat Martin https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/01-2019_Taylor_Wessing_PPP_1269_5.jpg Mom (our last one) by Pat Martin, from the series Goldie (Mother), 2018 © Pat Martin. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/03-2019_Taylor_Wessing_PPP_1115_2.jpg Neil by Enda Bowe from the series Love’s Fire song 2018 © Edna Bowe. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/04-2019_Taylor_Wessing_PPP_1115_1.jpg Ron by Enda Bowe from the series Love’s Fire song 2018 © Edna Bowe. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/05-2019_Taylor_Wessing_PPP_0521.jpg The Hubbucks by Garrod Kirkwood, from the series England, 2018 © Garrod Kirkwood. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/06-2019_Taylor_Wessing_PPP_0466.jpg Rosy and Herb (Stage 4 Bowel Cancer 36 / 100 Years) by Jenny Lewis, from the series 100 Years, 2019 © Jenny Lewis. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/07-2019_Taylor_Wessing_PPP_0162_4.jpg Anika, 13 years by Jouk Oosterhof, from the series Invisible, In Focus: Child Brides in Bangladesh, 2018 © Jouk Oosterhof. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/09-2019_Taylor_Wessing_PPP_0356.jpg Raynen by Tristan Still, 2018 © Tristan Still. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/10-2019_Taylor_Wessing_PPP_1186.jpg Captain Hannah Graf MBE for Pride in London by Seamus Ryan, 2018 © Seamus Ryan. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/11-2019_Taylor_Wessing_PPP_0485.jpg Untitled by Cheryle St. Onge, from the series Calling the Birds Home, 2019 © Cheryle St. Onge. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/12-2019_Taylor_Wessing_PPP_0628.jpg Then and in between now #sleeping in the mirror next to portrait by Maria Konstanse Bruun, 2018 © Maria Konstanse Bruun. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/14-2019_Taylor_Wessing_PPP_0921_1.jpg Eha (04) by Sirli Raitma, from the series Eha: Portraits of my mother, 2019 © Sirli Raita. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/15-2019_Taylor_Wessing_PPP_0952_3.jpg Ellie by Evelyn Natalia Bencicova, from the series The Rite, 2019 © Evelyn Natalia Bencicova. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/08-2019_Taylor_Wessing_PPP_0162_2.jpg Sabina, 16 years by Jouk Oosterhof, from the series Invisible, In Focus: Child Brides in Bangladesh, 2018 © Jouk Oosterhof. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/13-2019_Taylor_Wessing_PPP_0921_2.jpg Eha (02) by Sirli Raitma, from the series Eha: Portraits of my mother, 2019 © Sirli Raita. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/16-2019_Taylor_Wessing_PPP_0952_2.jpg Holly by Evelyn Natalia Bencicova, from the series The Rite, 2019 © Evelyn Natalia Bencicova. https://www.studiointernational.com/images/articles/t/085-taylor-wessing-photo-award-2019/17-2019_Taylor_Wessing_PPP_0952_1.jpg Rafi by Evelyn Natalia Bencicova, from the series The Rite, 2019 © Evelyn Natalia Bencicova. https://www.studiointernational.com/index.php/berenice-carrington-interview https://www.studiointernational.com/images/articles/c/056-carrington-berenice-2019/2_CarringtonB_detail_YouCantTakeItWithYou_2011_CollectionProspectCityCouncil.jpg Berenice Carrington. You Can’t Take It With You, 2011 (detail). Charcoal on paper, 114 x 149 cm. Prospect City Council, South Australia. Photo: Michael Kluvanek. https://www.studiointernational.com/images/articles/c/056-carrington-berenice-2019/4-_CarringtonB_detail_Hug-Half-out-of-his-coat_2014.jpg Berenice Carrington. Hug Half Out of His Coat, 2014. Charcoal on paper, 56 x 76 cm. Private collection, UK. Photo: Ian Marshall. https://www.studiointernational.com/images/articles/c/056-carrington-berenice-2019/6_Carrington-B_Firth-Camp_2015.jpg Berenice Carrington. Firth Camp, 2015. Charcoal on paper, 56 x 76 cm. Photo and copyright the artist. https://www.studiointernational.com/images/articles/c/056-carrington-berenice-2019/7_CarringtonB_CastingLeather_2018_CollectionShetlandMuseumAndArchives.jpg Berenice Carrington. Casting Leather, 2018. Charcoal on paper, 38 x 28 cm. Shetland Museum And Archives, UK. Photo: Berenice Carrington. https://www.studiointernational.com/images/articles/c/056-carrington-berenice-2019/3_CarringtonB_detail_Sayonara-Sisters_2012.jpg Berenice Carrington. Sayonara Sisters, 2012. Charcoal on paper, 150 x 150 cm. © The artist. Photo: Michael Kluvanek. https://www.studiointernational.com/images/articles/c/056-carrington-berenice-2019/BCarrington.jpg Berenice Carrington. Photo: Herbert Palmer. https://www.studiointernational.com/images/articles/c/056-carrington-berenice-2019/1_CarringtonB-detail_DaisyBatesDoodle_2008.jpg Berenice Carrington. Daisy Bates Doodle, 2008. Scraper board, glitter, canvas, 29.7 x 21 cm. Photo and copyright the artist. https://www.studiointernational.com/index.php/maurizio-cattelan-where-to-now-america-gold-toilet-blenheim-palace https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Installation-view,-America,-2016,-Victory-is-Not-an-Option,-2019,-photo-by-Tom-Lindboe,-courtesy-of-Blenheim-Art-Foundation.jpg Installation view, America, 2016, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Installation-view,-La-Nona-Ora,-1999,-Victory-is-Not-an-Option,-2019,-photo-by-Tom-Lindboe,-courtesy-of-Blenheim-Art-Foundation.jpg Installation view, La Nona Ora, 1999, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo: Tom Lindboe, courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Installation-view,-Untitled,-2003,-Victory-is-Not-an-Option,-2019,-photo-Angeria-Rigamonti-di-Cuto.jpg Installation view, Untitled, 2003, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo Angeria Rigamonti di Cutò. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Ego,-2019,-Victory-is-Not-an-Option-2019-Photo-Angeria-Rigamonti-di-Cuto.jpg Ego, 2019, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo: Angeria Rigamonti di Cutò. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Untitled,-2018-(2)-Victory-is-Not-an-Option,-2019,-photo-Angeria-Rigamonti-di-Cuto.jpg Untitled, 2018 (2), Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo Angeria Rigamonti di Cutò. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Installation-view-photo-by-Tom-Lindboe,-courtesy-of-Blenheim-Art-Foundation.jpg Installation view, We https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Him,-2001,-Victory-is-Not-an-Option,-2019-Photo-Angeria-Rigamonti-di-Cuto.jpg Him, 2001, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo: Angeria Rigamonti di Cutò. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Installation-view,-Novecento,-Victory-is-Not-an-Option,-2019,-photo-by-Tom-Lindboe,-courtesy-of-Blenheim-Art-Foundation.jpg Installation view, Novecento, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo: Tom Lindboe, courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/cattelan-toscani-ad.jpg Photo: Oliviero Toscani & Maurizio Cattelan https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/cattelan-toscani-generali-tower.jpg Rendering image of the Generali Tower. Project expected to be installed by the first-half of 2020. Oliviero Toscani Studio. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/cattelan-homepage-2.jpg Photo: Oliviero Toscani & Maurizio Cattelan. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Installation-view,-Him,-2001,-Victory-is-Not-an-Option,-2019,-photo-by-Tom-Lindboe,-courtesy-of-Blenheim-Art-Foundation-(1).jpg Installation view, Him, 2001, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo: Tom Lindboe, courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Novecento,-Victory-is-Not-an-Option,-2019.-Photo-Angeria-Rigamonti-di-Cuto.jpg Novecento, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo Angeria Rigamonti di Cutò. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Installation-view,-Others,-2011,-Victory-is-Not-an-Option,-2019,-photo-by-Tom-Lindboe,-courtesy-of-Blenheim-Art-Foundation.jpg Installation view, Others, 2011, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo: Tom Lindboe, courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Installation-view,-Victory-is-Not-an-Option,-2019,-photo-by-Tom-Lindboe,-courtesy-of-Blenheim-Art-Foundation.jpg Installation view, Victory is Not an Option, 2019, Maurizio Cattelan at Blenheim Palace, 2019. Photo: Tom Lindboe, courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Untitled,-2000,-Victory-is-Not-an-Option,-2019,-photo-Angeria-Rigamonti-di-Cuto.jpg Untitled, 2000, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo Angeria Rigamonti di Cutò. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/Untitled,-2018,-Victory-is-Not-an-Option,-2019,-photo-Angeria-Rigamonti-di-Cuto.jpg Untitled, 2018, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo Angeria Rigamonti di Cutò. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/cattelan-toscani-ad-2.jpg Photo: Oliviero Toscani & Maurizio Cattelan https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/We,-2010,-Victory-is-Not-an-Option,-2019,-photo-Angeria-Rigamonti-di-Cuto.jpg We, 2010 (detail), Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo Angeria Rigamonti di Cutò. https://www.studiointernational.com/images/articles/c/055-cattelan-maurizio-2019/We,-2010,-Victory-is-Not-an-Option,-2019,-photo-Angeria-Rigamonti-di-Cuto-(2).jpg We, 2010, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019. Photo Angeria Rigamonti di Cutò. https://www.studiointernational.com/index.php/noritaka-tatehana-refashioning-beauty-review-portland-japanese-garden-united-states https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/02-2720.jpg View of the Pavilion gallery from Japanese garden. Photo: GION. https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/03-3225.jpg Noritaka Tatehana. Baby Heel-less Shoes, 2019. Dyed cowhide, metal fastener. Photo: GION. https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/04-3221.jpg Noritaka Tatehana. Heel-less Shoes, 2018. Dyed cowhide, pig suede, crystal glass, metal fastener. Photo: GION. https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/06-2818.jpg Noritaka Tatehana. Hairpin Series, 2019. Urethane coated MDF. Photo: GION. https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/noritaka-tatena-portrait.jpg Noritaka Tatehana. Photo: GION. https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/703.jpg View of the Japanese garden through the Pavilion gallery. Photo: GION. https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/05-2967.jpg Noritaka Tatehana. Floating World Series, 2019. Acrylic, wood, cast brass. Photo: GION. https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/07-1647.jpg Noritaka Tatehana. Hairpin Series, 2019. Urethane coated MDF. Photo: GION. https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/08-0899.jpg Noritaka Tatehana. Camelia Fields, 2017. Cast bronze, acrylic. Photo: GION. https://www.studiointernational.com/images/articles/t/084-tatehana-noritaka-2019/09-0905.jpg Noritaka Tatehana. Woodcuts, 2019. Urethane coated MDF. Photo: GION. https://www.studiointernational.com/index.php/ann-christopher-if-you-stop-asking-questions-review-pangolin-london-london https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/02.jpg Ann Christopher: If You Stop Asking Questions - - -, installation view, Pangolin London, London. Photo: Steve Russell Studios. https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/04.jpg Ann Christopher: If You Stop Asking Questions - - -, installation view, Pangolin London, London. Photo: Steve Russell Studios. https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/Finding-Stones--5-AC181019_0001.jpg Ann Christopher. Finding Stones -5, 2019. Bronze, 19 x 12 x 2.5 cm. Photo: Steve Russell Studios. https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/Outside-the-Edge-AC220819_0010-2.jpg Ann Christopher. Outside the Edge, 2018. Resin, aluminium and stainless steel, 300 x 40 x 55 cm. Photo: Steve Russell Studios. https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/Following-Line-8-AC270819_0001.jpg Ann Christopher. Following Lines -8, 2019. Mixed media, 64.5 x 101.5 cm. Photo: Steve Russell Studios. https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/FOLLOWING-LINES-7-AC220819_0002.jpg Ann Christopher. Following Lines -7, 2019. Mixed media, 64.5 x 101.5 cm. Photo: Steve Russell Studios. https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/01.jpg Ann Christopher: If You Stop Asking Questions - - -, installation view, Pangolin London, London. Photo: Steve Russell Studios. https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/03.jpg Ann Christopher: If You Stop Asking Questions - - -, installation view, Pangolin London, London. Photo: Steve Russell Studios. https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/06.jpg Ann Christopher: If You Stop Asking Questions - - -, installation view, Pangolin London, London. Photo: Steve Russell Studios. https://www.studiointernational.com/images/articles/c/054-christopher-ann-2019/Holding-Lines-AC181019_0029-copy.jpg Ann Christopher. Holding Lines, 2019. Resin for bronze, concrete, tyre strip and lead, 240 x 63 x 50 cm. Photo: Steve Russell Studios. https://www.studiointernational.com/index.php/hansjorg-mayer-typoems-and-artists-books-video-interview-kunstbibliothek-berlin-frieder-nake https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/Hansjorg_Mayer_18.jpg Hansjörg Mayer: Typoems and Artists’ Books, installation view, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: © Kunstbibliothek, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/dieter-roth-book-02.jpg Dieter Roth books, Hansjörg Mayer: Typoems and Artists’ Books, installation view, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/frieder-nake-futura-13.jpg Frieder Nake, computer grafik, 1966. Installation view, Hansjörg Mayer: Typoems and Artists’ Books, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/Hansjorg_Mayer_08.jpg Alphabet, 1962. Wood type. Installation view, Hansjörg Mayer: Typoems and Artists’ Books, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: © Kunstbibliothek, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/mayer-and-nake-berlin-2019-2.jpg Hansjörg Mayer in conversation with Frieder Nake at the opening of Hansjörg Mayer: Typoems and Artists’ Books at the Kunstbibliothek, Berlin, 25 October 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/Hansjorg_Mayer_17.jpg Frieder Nake, matrizen multiplikationen, 1967. Installation view, Hansjörg Mayer: Typoems and Artists’ Books, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: © Kunstbibliothek, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/Hansjorg_Mayer_03.jpg 19 Typographies, 1962. Hansjörg Mayer: Typoems and Artists’ Books, installation view, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: © Kunstbibliothek, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/hansjorg-mayer-berlin-2019.jpg Hansjörg Mayer speaking to Studio International at the opening of Hansjörg Mayer: Typoems and Artists’ Books at the Kunstbibliothek, Berlin, 25 October 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/Hansjorg_Mayer_04.jpg Hansjörg Mayer: Typoems and Artists’ Books, installation view, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: © Kunstbibliothek, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/Hansjorg_Mayer_06.jpg 13 visuelle texte, concrete poetry portfolio, 1964. Installation view, Hansjörg Mayer: Typoems and Artists’ Books, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: © Kunstbibliothek, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/Hansjorg_Mayer_07.jpg Hansjörg Mayer: Typoems and Artists’ Books, installation view, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: © Kunstbibliothek, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/Hansjorg_Mayer_10.jpg Hansjörg Mayer: Typoems and Artists’ Books, installation view, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: © Kunstbibliothek, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/m/052-mayer-hansjorg-2019/dieter-roth-book.jpg Dieter Roth books, Hansjörg Mayer: Typoems and Artists’ Books, installation view, Kunstbibliothek, Berlin, 25 October 2019 – 12 January 2020. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/jeremy-deller-putins-happy-review-hannah-barry-gallery-london https://www.studiointernational.com/images/articles/d/077-deller-jeremy-2019/JeremyDellerWelcomeMat.jpg Welcome mat at the entrance to Jeremy Deller, Putin’s Happy, 2019, Hannah Barry Gallery. https://www.studiointernational.com/images/articles/d/077-deller-jeremy-2019/Jeremy-Deller,-Putins-Happy-2019-(Film-Still)(1).jpg Jeremy Deller, Putin’s Happy, 2019. Film still. © Jeremy Deller, courtesy Hannah Barry Gallery. https://www.studiointernational.com/images/articles/d/077-deller-jeremy-2019/Jeremy-Deller,-Putins-Happy-2019-(Film-Still)(5).jpg Jeremy Deller, Putin’s Happy, 2019. Film still. © Jeremy Deller, courtesy Hannah Barry Gallery. https://www.studiointernational.com/images/articles/d/077-deller-jeremy-2019/Jeremy-Deller,-Putins-Happy-2019-(Film-Still)(3).jpg Jeremy Deller, Putin’s Happy, 2019. Film still. © Jeremy Deller, courtesy Hannah Barry Gallery. https://www.studiointernational.com/images/articles/d/077-deller-jeremy-2019/Jeremy-Deller,-Putins-Happy-2019-(Film-Still)(4).jpg Jeremy Deller, Putin’s Happy, 2019. Film still. © Jeremy Deller, courtesy Hannah Barry Gallery. https://www.studiointernational.com/images/articles/d/077-deller-jeremy-2019/Jeremy-Deller,-Putins-Happy-2019-(Film-Still)(2).jpg Jeremy Deller, Putin’s Happy, 2019. Film still. © Jeremy Deller, courtesy Hannah Barry Gallery. https://www.studiointernational.com/images/articles/d/077-deller-jeremy-2019/Jeremy-Deller,-Putins-Happy-2019-(Title-Screen).jpg Jeremy Deller, Putin’s Happy, 2019. Film still. © Jeremy Deller, courtesy Hannah Barry Gallery. https://www.studiointernational.com/images/articles/d/077-deller-jeremy-2019/Jeremy-Deller,-Putins-Happy-2019-(Film-Still)-(x).jpg Jeremy Deller, Putin’s Happy, 2019. Film still. © Jeremy Deller, courtesy Hannah Barry Gallery. https://www.studiointernational.com/images/articles/d/077-deller-jeremy-2019/Jeremy-Deller,-Putins-Happy-2019-(Film-Still).jpg Jeremy Deller, Putin’s Happy, 2019. Film still. © Jeremy Deller, courtesy Hannah Barry Gallery. https://www.studiointernational.com/index.php/sara-mackillop-interview-returns-and-renewals-peer-gallery-london https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/Sara-MacKillop-PEER.jpg Sara MacKillop, Returns and Renewals, 2019. Installation view, PEER and Shoreditch Library, Hoxton, London, 2019. Courtesy PEER, copyright Sara MacKillop. Photo: Stephen White. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/Sara-MacKillop-PEER-(6).jpg Sara MacKillop, Returns and Renewals, 2019. Installation view, PEER and Shoreditch Library, Hoxton, London, 2019. Courtesy PEER, copyright Sara MacKillop. Photo: Stephen White. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/Sara-MacKillop,-Glass-Awareness-(detail),-2019.jpg Sara MacKillop, Glass Awareness (detail), 2019. © Sara MacKillop. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/Sara-MacKillop-Shoreditch-Library.jpg Sara MacKillop, Returns and Renewals, 2019. Installation view, PEER and Shoreditch Library, Hoxton, London, 2019. Courtesy PEER, copyright Sara MacKillop. Photo: Stephen White. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/Pen-holder-(fanta-berry),-2019-Pen-holder-and-fanta-berry-drink,-22cm-x-6.5-x-6.5-cm.jpg Sara MacKillop, Pen holder (fanta berry), 2019. Pen holder and fanta berry drink, 22cm x 6.5 x 6.5 cm. Installation view, PEER and Shoreditch Library, Hoxton, London, 2019. Courtesy PEER, copyright Sara MacKillop. Photo: Stephen White. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/S_M45.jpg Sara MacKillop, Faded Paper, 2011. Found paper. Spike Island, Bristol. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/sara-mackillop-Portrait.jpg Sara MacKillop. © the artist. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/Sara-MacKillop-PEER-(3).jpg Sara MacKillop, Returns and Renewals, 2019. Installation view, PEER and Shoreditch Library, Hoxton, London, 2019. Courtesy PEER, copyright Sara MacKillop. Photo: Stephen White. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/Sara-MacKillop-PEER-(4).jpg Sara MacKillop, Returns and Renewals, 2019. Installation view, PEER and Shoreditch Library, Hoxton, London, 2019. Courtesy PEER, copyright Sara MacKillop. Photo: Stephen White. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/IMG_9526-Large.jpg Sara MacKillop, One Room Living!, 2017. Plant, loyalty map, pen fence, slush machine. Installation view, Bonington Gallery, Nottingham Trent University. https://www.studiointernational.com/images/articles/m/051-mackillop-sara-2019/S_M36.jpg Sara MacKillop, Faded Paper, 2011. Found paper. Spike Island, Bristol. Photo: Stuart Whipps. https://www.studiointernational.com/index.php/lari-pittman-declaration-of-independence-review-hammer-museum-los-angeles https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_1993_Decorated-Chronology.jpg Lari Pittman, Untitled #16 (A Decorated Chronology of Insistence and Resignation), 1993. Acrylic, enamel, and glitter on wood, 84 × 60 1/16 in (213.4 × 152.6 cm). Whitney Museum of American Art, New York. Gift of Peter Norton © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_1983_Maladies.jpg Lari Pittman, Maladies and Treatments, 1983. Oil, acrylic, and gold leaf on paper, mounted on mahogany, 53 ½ × 108 in (135.9 × 274.3 cm). Collection of Tracy and Gary Mezzatesta. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_1990_Wholesomeness-(2).jpg Lari Pittman, This Wholesomeness, Beloved and Despised, Continues Regardless, 1990. Acrylic and enamel on mahogany, two panels, 128 × 96 × 2 in (325.1 × 243.8 × 5.1 cm) overall. Los Angeles County Museum of Art, purchased with funds provided by the Ansley I. Graham Trust. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_1991_Transfigurative.jpg Lari Pittman, Transfigurative and Needy, 1991. Acrylic and enamel on mahogany, 82 x 66 in (208.3 x 167.6 cm). Collection of Gary and Tracy Mezzatesta. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_1985_Compassion.jpg Lari Pittman, Compassion (Memento Mori), 1985. Acrylic and oil on gourd, 8 ½ × 18 ½ × 9 in (21.6 × 47 × 22.9 cm). Collection of Andrew Schwartz, Los Angeles. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_1988_Senseless-Cycles.jpg Lari Pittman, The Senseless Cycles, Tender and Benign, Bring Great Comfort, 1988. Acrylic and spray paint on wood, 96 x 64 in (243.8 x 162.6 cm). Art Institute of Chicago. Gift of Cari and Michael Sacks. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_1988_How-Sweet-the-Day.jpg Lari Pittman, How Sweet the Day After This and That, Deep Sleep Is Truly Welcomed, 1988. Acrylic, enamel, and five framed works on paper on wood, three panels, 96 × 192 in (243.8 × 487.7 × 5.1 cm) overall. Collection of Matthew C. and Iris Lynn Strauss, Rancho Santa Fe, California. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_1991_have-you-seen.jpg Dennis Cooper, Jonathan Hammer, and Lari Pittman, have you seen . . . , 1991. Artist book with leather cover inlaid and onlaid with sharkskin, stingray skin, plastic, and paper, tooled in gold, silver, and palladium, full suede doublures. Closed: 18 ½ × 15 × ¾ in (47 × 38.1 × 1.9 cm); sheet: 18 ½ × 15 in (47 × 38.1 cm); slipcase: 19 ¼ × 15 ¼ × 1 ½ in (48.9 × 38.7 × 3.8 cm). UCLA Grunwald Center for the Graphic Arts, Hammer Museum, Los Angeles. Gift of Brenda R. Potter. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_1998_Once-a-Noun.jpg Lari Pittman, Once a Noun, Now a Verb #5, 1998. Matte oil on mahogany, 48 × 36 in (121.9 × 91.4 cm). Museum of Contemporary Art, Los Angeles. Gift of Alan Hergott and Curt Shepard. © Lari Pittman, courtesy of Regen Projects, Los Angeles https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_2003_Untitled-4.jpg Lari Pittman, Untitled #4, 2003. Acrylic, oil, and spray paint on gessoed canvas over wood, 102 × 76 in (259.1 × 193 × 5.1 cm). Private collection. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_2005_Dining-Room.jpg Lari Pittman, Untitled #8 (The Dining Room), 2005. Cel-Vinyl, acrylic, and alkyd on gessoed canvas over wood, 86 × 102 in (218.4 × 259.1 cm). Collection of Christen Sveaas. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_2013_Flying-Carpet.jpg Lari Pittman, Flying Carpet with a Waning Moon Over a Violent Nation, 2013. Cel-Vinyl and spray paint on canvas over wood, 108 × 360 ¼ in (274.3 × 915 cm). Collection of Maurice and Paul Marciano Art Foundation. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Hammer-Pittman-2019-09-30_016.jpg Lari Pittman: Declaration of Independence, installation view, Hammer Museum, Los Angeles, 29 September 2018 – 5 January 2020. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Hammer-Pittman-2019-09-30_074.jpg Lari Pittman: Declaration of Independence, installation view, Hammer Museum, Los Angeles, 29 September 2018 – 5 January 2020. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Hammer-Pittman-2019-09-30_125.jpg Lari Pittman: Declaration of Independence, installation view, Hammer Museum, Los Angeles, 29 September 2018 – 5 January 2020. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/p/069-pittman-lari-2019/Pittman_2010_Untitled-5.jpg Lari Pittman, Untitled #5, 2010. Acrylic, Cel-Vinyl, and spray paint on gessoed canvas over wood, 102 x 88 in (259.1 x 223.5 cm). Hammer Museum, Los Angeles. Purchase. © Lari Pittman, courtesy of Regen Projects, Los Angeles. https://www.studiointernational.com/index.php/leo-villareal-video-interview https://www.studiointernational.com/images/articles/v/090-villareal-leo-2019/leo-villareal-install-view-2.jpg Installation view, Leo Villareal, Pace, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/090-villareal-leo-2019/southwark-bridge-photo-martin-kennedy.jpg Leo Villareal, Illuminated River (Southwark Bridge), London 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/090-villareal-leo-2019/leo-villareal-photo-martin-kennedy-2019.jpg Leo Villareal talking to Studio International at the opening of his first solo show at Pace, London, 21 November 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/090-villareal-leo-2019/leo-villareal-install-view.jpg Installation view, Leo Villareal, Pace, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/090-villareal-leo-2019/leo-villareal-install-view-3.jpg Installation view, Leo Villareal, Pace, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/090-villareal-leo-2019/cannon-street-railway-bridge-photo-martin-kennedy.jpg Leo Villareal, Illuminated River (Cannon Street Railway Bridge), London 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/090-villareal-leo-2019/london-bridge-photo-martin-kennedy.jpg Leo Villareal, Illuminated River (London Bridge), London 2019. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/090-villareal-leo-2019/leo-villareal-install-view-4.jpg Installation view, Leo Villareal, Pace, London, 2019. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/jessica-dismorr-and-her-contemporaries-review-pallant-house-gallery-chichester https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Jessica-Dismorr,-Landscape-with-Figures.jpg Jessica Dismorr. Landscape with Figures, c1911-12. Oil on panel, 48.3 x 56.8 cm. Courtesy Graves Gallery, Sheffield. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Jessica-Dismorr,-Izidora.jpg Jessica Dismorr. Izidora. Illustration in Rhythm, Vol 1 no 2, Autumn 1911. Private collection. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Helen-Saunders,-Untitled-(Female-Figures).jpg Helen Saunders. Untitled Drawing, c1913. Ink and watercolour on paper. The Courtauld Collection, London. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Jessica-Dismorr,-Self-Portrait.jpg Jessica Dismorr. Self-Portrait, c1928. Oil on board, 75 x 60 cm. Private collection. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Betty-Rea,-Mother-and-Child.jpg Betty Rea. Mother and Child, 1934. Caen Stone. Private collection. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Anne-Estelle-Rice,-Self-Portrait.jpg Anne Estelle Rice. Self-Portrait, c1909-10. Oil on canvas, 76.2 x 76.2 cm. Private collection. © The Artist’s Family. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Edith-Rimmington,-Family-Tree.jpg Edith Rimmington. Family Tree, 1937. Photo collage, 35 x 25 cm. Private collection. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Ethel-Wright_The-Music-Room.jpg Ethel Wright. The Music Room, Portrait of Una Dugdale Duval, c1912. Oil on canvas, 162 x 96 cm. Private collection. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Helen-Saunders_VorticistComp_Courtauld.jpg Helen Saunders. Vorticist Composition Yellow and Gree, c1915-16. Gouache on paper. The Samuel Courtauld Trust, The Courtauld Gallery, London © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Jessica-Dismorr,-Les-Baux.jpg Jessica Dismorr. Les Baux, the Priest enters his Church, c1911. Oil on panel. Private collection. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Jessica-Dismorr,-Related-Forms.jpg Jessica Dismorr. Related Forms, c1937. Collage and tempera on board, 39.9 x 46.8 cm. Courtesy Arts Council Collection, Southbank Centre, London. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Jessica-Dismorr_AbstractComposition_1915_Tate.jpg Jessica Dismorr. Abstract Composition, c1915. Oil paint on wood, 41.3 x 50.8 cm. Courtesy Tate, London. https://www.studiointernational.com/images/articles/r/074-radical-women-2019/Paule-Vezelay,-Self-Portrait.jpg Paule Vézelay. Self-Portrait, c1927-29. Oil on canvas, 65.1 x 54.3 cm. National Portrait Gallery, London. https://www.studiointernational.com/index.php/judy-chicago-review-baltic-centre-for-contemporary-art-gateshead https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/02.jpg Judy Chicago, Autobiography of a Year (detail), 1993. Mixed media on Magnani paper, 15 x 11 in (38.1 x 27.9 cm). © Judy Chicago/Artists Rights Society (ARS), New York. Photo © Donald Woodman/ARS, New York. Courtesy of the artist; Salon 94, New York; and Jessica Silverman Gallery, San Francisco. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/03.jpg Judy Chicago, Installation view of Autobiography of a Year, 1993-94. BALTIC Centre for Contemporary Art 2019. Photo: Rob Harris © 2019 BALTIC. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/06.jpg Judy Chicago, Purple Atmosphere, 1969. Fireworks performance. Performed at Santa Barbara Beach, Santa Barbara, CA. © Judy Chicago/Artists Rights Society (ARS), New York. Photo courtesy of Through the Flower Archives. Courtesy of the artist; Salon 94, New York; and Jessica Silverman Gallery, San Francisco. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/07.jpg Judy Chicago, Installation view of My Accident, 1986. BALTIC Centre for Contemporary Art 2019. Photo: Rob Harris © 2019 BALTIC. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/09.jpg Judy Chicago, Study for Stranded from The End: A Meditation on Death and Extinction, 2013. Prismacolor on black Arches. 12 x 9 in (30.48 x 22.86 cm). © Judy Chicago/Artists Rights Society (ARS), New York. Photo © Donald Woodman/ARS, New York. Courtesy of the artist; Salon 94, New York; and Jessica Silverman Gallery, San Francisco. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/10.jpg Judy Chicago. The Creation from the Birth Project, 1982. Modified Aubusson tapestry, Weaving by Audrey Cowan. 42 × 163 in. (106.7 × 414 cm). Collection of Museum of Arts and Design, New York City, Gift of the Robert and Audrey Cowan Family Trust. © Judy Chicago/Artists Rights Society (ARS), New York. Photo © Donald Woodman/ARS, New York. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/01.jpg Judy Chicago, Autobiography of a Year (detail), 1993. Mixed media on Magnani paper, 15 x 11 in (38.1 x 27.9 cm). © Judy Chicago/Artists Rights Society (ARS), New York. Photo © Donald Woodman/ARS, New York. Courtesy of the artist; Salon 94, New York; and Jessica Silverman Gallery, San Francisco. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/04.jpg Judy Chicago, Hrosvitha Test Plates from The Dinner Party, 1974-1978. China paint on porcelain. Series of three test plates, 14 in diameter each, 1.25 in depth. © Judy Chicago/Artists Rights Society (ARS), New York. Photo © Donald Woodman/ARS, New York. Courtesy of the artist; Salon 94, New York; and Jessica Silverman Gallery, San Francisco. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/05.jpg Judy Chicago, Let it All Hang Out, 1973. Sprayed acrylic on canvas. 80 x 80 in (203.2 x 203.2 cm). Collection of the New Orleans Museum of Art, New Orleans, LA. © Judy Chicago/Artists Rights Society (ARS), New York. Photo © Donald Woodman/ARS, New York. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/08.jpg Judy Chicago, Installation view of How Will I Die? From The End: A Meditation on Death and Extinction, 2012-15. BALTIC Centre for Contemporary Art 2019. Photo: Rob Harris © 2019 BALTIC. https://www.studiointernational.com/images/articles/c/053-chicago-judy-2019/11.jpg Portrait of Judy Chicago, 2019. Photo: © Donald Woodman/ Artists Rights Society, New York. https://www.studiointernational.com/index.php/cerith-wyn-evans-the-illuminating-gas-review-pirelli-hangarbicocca-milan https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/002.jpg Cerith Wyn Evans. StarStarStar/Steer (totransversephoton), 2019. Installation view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist; White Cube and Pirelli HangarBicocca. Produced with the technical support of INELCOM, Madrid. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/013.jpg Cerith Wyn Evans. Composition for 37 Flutes (in two parts), 2018. Installation view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist; White Cube and Pirelli HangarBicocca. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/015.jpg Cerith Wyn Evans. Neon Forms (After Noh), 2015-2019. Installation view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist; White Cube; Marian Goodman Gallery, New York, Paris and London, and Pirelli HangarBicocca. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/019.jpg Cerith Wyn Evans. Still life (In course of arrangement...), 2019. Installation view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist; White Cube and Pirelli HangarBicocca. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/020.jpg Cerith Wyn Evans. C=O=N=S=T=E=L=L=A=T=I=O=N (I call your image to mind), 2010. Installation view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist; Maja Hoffmann/Luma Foundation and Pirelli HangarBicocca. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/021.jpg Cerith Wyn Evans. S=U=T=R=A, 2017. Installation view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist; Marian Goodman Gallery, New York, Paris and London, and Pirelli HangarBicocca. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/017.jpg Cerith Wyn Evans. Neon Forms (After Noh I), 2015 (detail). Courtesy of the artist; White Cube and Pirelli HangarBicocca. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/002-detail.jpg Cerith Wyn Evans. StarStarStar/Steer (totransversephoton), 2019. Installation view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist; White Cube and Pirelli HangarBicocca. Produced with the technical support of INELCOM, Madrid. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/006.jpg Cerith Wyn Evans. “….the Illuminating Gas”, exhibition view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/009.jpg Cerith Wyn Evans. “….the Illuminating Gas”, exhibition view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/010.jpg Cerith Wyn Evans. “….the Illuminating Gas”, exhibition view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/011.jpg Cerith Wyn Evans. “….the Illuminating Gas”, exhibition view at Pirelli HangarBicocca, Milan, 2019. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostina Osio. https://www.studiointernational.com/images/articles/e/080-evans-cerith-wyn-2019/018.jpg Cerith Wyn Evans. Neon Forms (After Noh XIII), 2018 (detail). Courtesy of the artist; Marian Goodman Gallery, New York, Paris and London, and Pirelli HangarBicocca. Photo: Agostina Osio. https://www.studiointernational.com/index.php/mary-cameron-life-in-paint-review-city-art-centre-edinburgh https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Mary-Cameron,-Monastery-of-Santa-Maria-del-Parral,-1906-1907.jpg Mary Cameron, Monastery of Santa María del Parral, 1906-07. Private collection. Photo: Eion Johnston. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Unknown-photographer,-Mary-Cameron-and-Ignacio-Zuloaga-in-traditional-Spanish-costume,-c.1905-1907.-Private-Collection..jpg Unknown photographer. Mary Cameron and Ignacio Zuloaga in traditional Spanish costume, c1905-07. Private collection. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Mary-Cameron,-Les-Joueurs,-c1907.jpg Mary Cameron. Les Joueurs, c1907. City Art Centre, Museums & Galleries Edinburgh. Photo: City Art Centre. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Mary-Cameron,-Plaza-de-Toros,-Madrid,-before-1908.jpg Mary Cameron. Plaza de Toros, Madrid, before 1908. Sally Cameron Collection. Photo: Eion Johnston. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Mary-Cameron,-Portrait-of-a-Woman.jpg Mary Cameron, Portrait of a Woman (Possibly Margaret Cameron, née Lawson), date unknown. Private collection. Photo: Eion Johnston. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Mary-Cameron,-Mrs-Blair-and-her-Borzois,-1904.jpg Mary Cameron. Mrs Blair and her Borzois, 1904. Private collection. Photo: Eion Johnston. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Alexander-Ayton,-Mary-Cameron-studio-portrait,-1880s.-Private-Collection.jpg Alexander Ayton. Mary Cameron studio portrait, 1880s. Private collection. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/John-Brown-Abercromby,-Mary-Cameron-in-her-Studio,-1899.-Private-Collection-Photo-Eion-Johnston.jpg John Brown Abercromby. Mary Cameron in her Studio, 1899. Private collection. Photo: Eion Johnston. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Mary-Cameron,-An-Edinburgh-Halberdier,-1894.jpg Mary Cameron. An Edinburgh Halberdier, 1894. City Art Centre, Museums & Galleries Edinburgh. Photo: City Art Centre. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Mary-Cameron,-The-Dance-of-the-Seises,-c1909.jpg Mary Cameron, The Dance of the Seises, c1909. Private collection. Photo: Eion Johnston. https://www.studiointernational.com/images/articles/c/052-cameron-mary-2019/Unknown-photographer,-Mary-Cameron-with-painting-materials,-Spain,-c.1909.-Private-Collection.jpg Unknown photographer. Mary Cameron with painting materials, Spain, c1909. Private collection. https://www.studiointernational.com/index.php/beneath-the-service-review-city-art-centre-edinburgh https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Eric-Cruikshank,-Untitled-4,-2019.jpg Eric Cruikshank. Untitled 4, 2019. © the artist. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Alan-Johnston,-Untitled,-2014-15.jpg Alan Johnston. Untitled, 2014-15. © the artist. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Andrea-Walsh,-Collection-of-Contained-Boxes-Clear-Frit,-White-and-Clear,-2018.jpg Andrea Walsh. Collection of Contained Boxes - Clear Frit, White and Clear, 2018. © the artist. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Sara-Brennan,-Old-Blue-Band-I-(Series-II),-2019.jpg Sara Brennan. Old Blue Band I (Series II), 2019. © the artist. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Callum-Innes,-Exposed-Painting,-Charcoal-Black-Red-Oxide,-2000.jpg Callum Innes, Exposed Painting, Charcoal Black - Red Oxide, 2000. Image courtesy of the artist and Frith Street Gallery. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Michael-Craik,-Vestige-2019_43,-2019.jpg Michael Craik. Vestige 2019_43, 2019. © the artist. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Karlyn-Sutherland,-Light-Study,-Toyama-(4),-2019.jpg Karlyn Sutherland. Light Study, Toyama (4), 2019. © the artist. Photo: Angus Mackay. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Callum-Innes,-Exposed-Painting,-Pewter-Violet,-1999.jpg Callum Innes. Exposed Painting, Pewter - Violet, 1999. © the artist. Photo: Alan Laughlin. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/James-Lumsden,-Liquid-Light-(20_10),-2010.jpg James Lumsden. Liquid Light (20/10), 2011. © the artist. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Kenneth-Dingwall,-For-Paul-Overy,-2018.jpg Kenneth Dingwall. For Paul Overy, 2018. © the artist. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Michael-Craik-Vestige-2019_44,-2019.jpg Michael Craik. Vestige 2019_44, 2019. © the artist. https://www.studiointernational.com/images/articles/b/053-beneath-the-surface-2019/Sara-Brennan,-Old-Grey-Band-I-(Series-I),-2019.jpg Sara Brennan, Old Grey Band I (Series I), 2019. © the artist. Photo: Shannon Tofts. https://www.studiointernational.com/index.php/hamish-fulton-a-decision-to-choose-only-walking-review-parafin-london https://www.studiointernational.com/images/articles/f/081-fulton-hamish-2019/cho-oyu-02.jpg Hamish Fulton. Cho Oyu, Tibet, 2000, 2000. Wall text. Vinyl on paint, dimensions variable. © Hamish Fulton. Courtesy Parafin, London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/f/081-fulton-hamish-2019/mountain-skyline.jpg Hamish Fulton. Mountain Skyline. 28 Pieces Of Wood For A 28 Day Walking Expedition In Nepal, From Jomson To Hilsa, Autumn 2011, 2011. Walk text on wood, 50 × 343 cm. © Hamish Fulton. Courtesy Parafin, London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/f/081-fulton-hamish-2019/revisiting-the-boulders-02.jpg Hamish Fulton. Revisiting The Boulders, Jotunheimen, Norway, 2018, 2018. Wall text. Vinyl on paint, dimensions variable. © Hamish Fulton. Courtesy Parafin, London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/f/081-fulton-hamish-2019/cho-oyu.jpg Hamish Fulton. Cho Oyu, Tibet, 2000, 2000. Installation view. © Hamish Fulton. Courtesy Parafin, London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/f/081-fulton-hamish-2019/mountain-skyline-02.jpg Hamish Fulton. Mountain Skyline. 28 Pieces Of Wood For A 28 Day Walking Expedition In Nepal, From Jomson To Hilsa, Autumn 2011, 2011. Walk text on wood, 50 × 343 cm. Installation view. © Hamish Fulton. Courtesy Parafin, London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/f/081-fulton-hamish-2019/mountain-skyline-03.jpg Hamish Fulton. Mountain Skyline. 28 Pieces Of Wood For A 28 Day Walking Expedition In Nepal, From Jomson To Hilsa, Autumn 2011, 2011 (detail). Walk text on wood, 50 × 343 cm. © Hamish Fulton. Courtesy Parafin, London. Photo: Peter Mallet. https://www.studiointernational.com/index.php/anozero19-coimbra-biennial-of-contemporary-art-review-portugal https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/daniel-senise-2.jpg Daniel Senise. Veronica, 2019. Installation view. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/cadu2.jpg Cadu. Oasis, 2019. Installation view. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/cadu.jpg Cadu. Oasis (detail), 2019. Installation view. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/spaniol_photo-jose-cruzio-2.jpg José Spaniol. Sonhos de Outubro (October Dreams), 2019. Installation view. Photo: Jose Cruzio. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/Anna-Boghiguian-3.jpg Anna Boghiguian. ABC of Life, 2019. Installation view. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/Joao-Maria-Gusmao-and-Pedro-Paiva--.jpg João Maria Gusmão and Pedro Paiva. Duck in Beijing, 2015-19. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/2_david-claerbout.jpg David Claerbout. The Pure Necessity, 2016. Courtesy from the artist and galleries Sean Kelly, New York; Esther Schipper, New York; Rüdiger Schöttle, Munich; Untilthen, Paris. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/Shipshape.jpg Tomás Cunha Ferreira. ShipShape, 2019. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/Mattia-Denisse-1.jpg Mattia Denisse. K Contra K (K Against K), 2019. Installation view. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/Meric-Algun-library-of-unborrowed-books-1.jpg Merit Algün. The Library of Unborrowed Books, 2019. Installation view. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/the-monastery-backyard-before.jpg The Baroque monastery of Santa Clara-a-Nova, Coimbra. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/Mattia-Denisse-2.jpg Mattia Denisse. K Contra K (K Against K), 2019. Installation view. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/Meric-Algun-billboard.jpg Merit Algün. Billboard, 2019. Photo: AnoZero. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/Joao-Maria-Gusmao-and-Pedro-Paiva.jpg João Maria Gusmão and Pedro Paiva. Duck in Beijing, 2015-19. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/051-coimbra-biennial-2019/Singer-Adriana-Calcanhotto-performed-at-Shipshape-exhibition.jpg Singer Adriana Calcanhotto between Tomás Cunha Ferreira and Domenico Lancellotti in a performance at the Shipshape exhibition. Photo: Ana Duarte. https://www.studiointernational.com/index.php/anselm-kiefer-superstrings-runes-the-norns-gordian-knot-review-white-cube-bermondsey-london https://www.studiointernational.com/images/articles/k/072-kiefer-anselm-2019/Anselm-Kiefer-Superstrings-Runes-The-Norns-Gordian-Knot-White-Cube-Bermondsey-15-November-2019---26-January-2020-(medium-res)-1.jpg Anselm Kiefer, Superstrings, Runes, The Norns, Gordian Knot, White Cube Bermondsey 15 November 2019 - 26 January 2020 © Anselm Kiefer. Photo © White Cube (Ollie Hammick). Courtesy White Cube. https://www.studiointernational.com/images/articles/k/072-kiefer-anselm-2019/Anselm-Kiefer-Superstrings-Runes-The-Norns-Gordian-Knot-6.jpg Anselm Kiefer, Superstrings, Runes, The Norns, Gordian Knot, White Cube Bermondsey 15 November 2019 - 26 January 2020 © Anselm Kiefer. Photo © White Cube (Ollie Hammick). Courtesy White Cube. https://www.studiointernational.com/images/articles/k/072-kiefer-anselm-2019/Anselm-Kiefer-Der-Gordische-Knoten.jpg Anselm Kiefer, Der Gordische Knoten, 2019. Oil, emulsion, acrylic, shellac, wood and metal on canvas, 280 x 380 cm (110 1/4 x 149 5/8 in). © Anselm Kiefer. Photo © Georges Poncet, Courtesy White Cube. https://www.studiointernational.com/images/articles/k/072-kiefer-anselm-2019/Anselm-Kiefer-Ramanujan-Summation-112-2019.jpg Anselm Kiefer, Ramanujan Summation - 1/12, 2019. Emulsion, oil, acrylic, shellac and wood on canvas, 660 x 665 cm (259 13/16 x 261 13/16 in). © Anselm Kiefer. Photo © Charles Duprat, Courtesy White Cube. https://www.studiointernational.com/images/articles/k/072-kiefer-anselm-2019/Anselm-Kiefer-The-Veneziano-Amplitude-2019.jpg Anselm Kiefer, The Veneziano Amplitude, 2019. Oil, emulsion, acrylic, shellac and wood on canvas, 470 x 760 cm (185 1/16 x 299 3/16 in). © Anselm Kiefer. Courtesy White Cube. https://www.studiointernational.com/images/articles/k/072-kiefer-anselm-2019/Anselm-Kiefer-Die-Sieben-Siegel-die-geheime-Offenbarung-des-Johannes-2019.jpg Anselm Kiefer, Die Sieben Siegel, die geheime Offenbarung des Johannes, 2019. Oil, emulsion, acrylic, shellac, wood and burnt books on canvas, 470 x 950 cm (185 1/16 x 374 in). © Anselm Kiefer. Photo © Georges Poncet, Courtesy White Cube. https://www.studiointernational.com/images/articles/k/072-kiefer-anselm-2019/Anselm-Kiefer-Superstrings-Runes-The-Norns-Gordian-Knot.jpg Anselm Kiefer, Superstrings, Runes, The Norns, Gordian Knot, White Cube Bermondsey 15 November 2019 - 26 January 2020 © Anselm Kiefer. Photo © White Cube (Ollie Hammick). Courtesy White Cube. https://www.studiointernational.com/images/articles/k/072-kiefer-anselm-2019/Anselm-Kiefer-Superstrings-Runes-The-Norns-Gordian-Knot-11.jpg Anselm Kiefer, Superstrings, Runes, The Norns, Gordian Knot, White Cube Bermondsey 15 November 2019 - 26 January 2020 © Anselm Kiefer. Photo © White Cube (Ollie Hammick). Courtesy White Cube. https://www.studiointernational.com/images/articles/k/072-kiefer-anselm-2019/Anselm-Kiefer-Superstrings-Runes-The-Norns-Gordian-Knot-2.jpg Anselm Kiefer, Superstrings, Runes, The Norns, Gordian Knot, White Cube Bermondsey 15 November 2019 - 26 January 2020 © Anselm Kiefer. Photo © White Cube (Ollie Hammick). Courtesy White Cube. https://www.studiointernational.com/index.php/the-extended-mind-review-talbot-rice-gallery-edinburgh https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8000-Edit.jpg Marjolijn Dijkman. In Our Hands, 2015. Projection with binaural sound. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A7841.jpg Angelo Plessas. Karma Dome (interior), 2019. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8186-Edit.jpg Nikolaus Gansterer. untertagüberbau, 2017. Three channel HD video installation. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8049.jpg Joseph Grigely. I don’t want to hear anymore, 2016 (detail). Ink, graphite pencil and watercolour on paper. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8161.jpg Magali Reus. On Alligator, 2016; Propeller E.K., 2016. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8267.jpg Marcus Coates. Extinct Animals, 2018. Plaster of Paris, cast from the artist’s hands. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8310-Edit.jpg Angelo Plessas. Karma Dome, 2019. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A7943.jpg Goro Murayama. Self-organized painting [multiple of tree structure], 2017. Acrylic on woven hemp string. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8031.jpg Goro Murayama. Self-organized painting [Excessively], 2016. Acrylic on woven hemp string. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8056.jpg Joseph Grigely. I don’t want to hear anymore, 2016. Ink, graphite pencil and watercolour on paper. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8183.jpg William McKeown. Untitled, 2009-10. Oil on linen; Untitled, 2008. Oil on linen. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/e/079-extended-mind-2019/1G7A8198-Edit-Edit.jpg Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/index.php/meryl-mcmaster-interview-as-immense-as-the-sky-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Meryl-McMaster,-Edge-of-a-Moment-(2017).jpg Meryl McMaster, Edge of a Moment, 2017. Courtesy of the artist and Stephen Bulger Gallery, Pierre-François Ouellette art contemporain and The Baldwin Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Meryl-McMaster,-On-the-Edge-of-this-Immensity.jpg Meryl McMaster, On the Edge of this Immensity, 2019. Courtesy of the artist and Stephen Bulger Gallery, Pierre-François Ouellette art contemporain and The Baldwin Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Meryl-McMaster,-Deep-Into-the-Darkness,-Waiting-(2019).jpg Meryl McMaster, Deep Into the Darkness, Waiting, 2019. Courtesy of the artist and Stephen Bulger Gallery, Pierre-François Ouellette art contemporain and The Baldwin Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Meryl-McMaster,-From-a-Still-Unquiet-Place-(2019).jpg Meryl McMaster, From a Still Unquiet Place, 2019. Courtesy of the artist and Stephen Bulger Gallery, Pierre-François Ouellette art contemporain and The Baldwin Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Meryl-McMaster,-Harbourage-For-A-Song-(2019).jpg Meryl McMaster, Harbourage For A Song, 2019. Courtesy of the artist and Stephen Bulger Gallery, Pierre-François Ouellette art contemporain and The Baldwin Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Meryl-McMaster,-Cartography-of-the-Unseen-(2019).jpg Meryl McMaster, Cartography of the Unseen, 2019. Courtesy of the artist and Stephen Bulger Gallery, Pierre-François Ouellette art contemporain and The Baldwin Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Installation-view,-Meryl-McMaster-As-Immense-as-the-Sky-(01).jpg Installation view, Meryl McMaster, As Immense as the Sky, Ikon Gallery, Birmingham UK, 2019 © Ikon Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Installation-view,-Meryl-McMaster-As-Immense-as-the-Sky-(05).jpg Installation view, Meryl McMaster, As Immense as the Sky, Ikon Gallery, Birmingham UK, 2019 © Ikon Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Installation-view,-Meryl-McMaster-As-Immense-as-the-Sky-(09).jpg Installation view, Meryl McMaster, As Immense as the Sky, Ikon Gallery, Birmingham UK, 2019 © Ikon Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Installation-view,-Meryl-McMaster-As-Immense-as-the-Sky-(11).jpg Installation view, Meryl McMaster, As Immense as the Sky, Ikon Gallery, Birmingham UK, 2019 © Ikon Gallery. https://www.studiointernational.com/images/articles/m/049-mcmaster-meryl-2019/Installation-view,-Meryl-McMaster-As-Immense-as-the-Sky-2019-Ikon-Gallery-(12).jpg Installation view, Meryl McMaster, As Immense as the Sky, Ikon Gallery, Birmingham UK, 2019 © Ikon Gallery. https://www.studiointernational.com/index.php/international-festival-of-performance-art-fiap-2019-martinique-review https://www.studiointernational.com/images/articles/f/080-fiap-2019/FIAP19-JBB1253.jpg Henri Tauliaut, EGWE, 7 November 2019. 25 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/FIAP19-JBB7941.jpg Jérémie Priam, D’Jessy Pastel, Alicja Korek, Alex Cote. Untitled, 7 November 2019. 60 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/Haitian-musicians.jpg Haitian musicians, Nouvel Jénérasyon Tout Moun jwenn Rara Péyi a. https://www.studiointernational.com/images/articles/f/080-fiap-2019/FIAP19-JBB1277.jpg Nyugen Smith & Marvin Fabien with the participation of Youly Agasta. Lest We Forget, 7 November 2019. 45 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/Fiap19-JBB0562.jpg Alicja Korek. Chrysalide(s), 8 November 2019. 50 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/Fiap19-JBB0839.jpg Alex Côté. Water.Sync, 9 November 2019. 50 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/Fiap19-JBB1561.jpg Annabel Guérédrat. BB Beloved Baby, 11 November 2019. 30 min. Photo: © 2019 CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/Fiap19-JBB0974.jpg Moïra Galant & Miao Xiajin. Above, 9 November 2019. 25 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/FIAP19-JBB0321.jpg Isil Sol Vil x Marina Barsy Janer, Islas Cicatrices (Islands of Scars), 8 November 2019. 35 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/Fiap19-JBB1491.jpg André Éric Létourneau & Laurent Troudart. Réception H.S., 11 November 2019. 35 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/Fiap19-JBB1842.jpg Lara Kramer. Eating bones & Licking bread, 12 November 2019. 35 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/Fiap19-JBB1355.jpg Miao Jiaxin. Borders, 10 November 2019. 120 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/images/articles/f/080-fiap-2019/FIAP19-JBB1360.jpg Nyugen Smith & Marvin Fabien with the participation of Youly Agasta. Lest We Forget (2017), 7 November 2019. 45 min. Photo: ©2019CieArtincidence, FIAP 2019 Martinique / Jean Baptiste Barret. https://www.studiointernational.com/index.php/dora-maar-review-tate-modern-london https://www.studiointernational.com/images/articles/m/050-maar-dora-2019/Dora-Maar-The-Conversation.jpg Dora Maar. The Conversation, 1937. Oil on canvas, 162 x 130 cm. Fundación Almine y Bernard Ruiz-Picasso para el Arte, Madrid © FABA Photo: Marc Domage. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/m/050-maar-dora-2019/Dora-Maar-Model-in-Swimsuit-c1936.jpg Dora Maar. Model in Swimsuit, 1936. Photograph, gelatin silver on paper, 19.7 x 16.7 cm. The J. Paul Getty Museum, Los Angeles. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/images/articles/m/050-maar-dora-2019/Dora-Maar-Untitled-1935-X74047.jpg Dora Maar. Untitled, 1935. Photomontage, 23.2 x 15 cm. Photo © Centre Pompidou, MNAM-CCI / P. Migeat / Dist. RMN-GP. © ADAGP, Paris and DACS, London 2019. https://www.studiointernational.com/index.php/hans-haacke-all-connected-at-the-new-museum https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/02-Grass_Grows-s.jpg Hans Haacke, Grass Grows, 1967-69. Earth and grass. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/03-Gallery-Goers_Birthplace_and_Residence-Profile_1-s.jpg Hans Haacke, Gallery-Goers’ Birthplace and Residence Profile, Part 1, 1969. Printed map on corkboard and red and blue pins, 64¼ x 88 x 2 in. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/11-Circulation-s.jpg Hans Haacke, Circulation, 1969. Water, air bubbles, circulation pump, plastic tubing, and connectors, dimensions variable. Installed views. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/15-Shalpolsky_extended-s.jpg Hans Haacke, Shapolsky et al. Manhattan Real Estate Holdings a Real-Time Social System, as of May 1, 1971, 1971. Installation view. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/01-Condensation_cube-s.jpg Hans Haacke, Condensation Cube, 1963-65. Clear acrylic, distilled water, and climate in area of display, 12 x 12 x 12 in. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/04-Gallery-Goers_Birthplace_and_Residence-Profile_2-s.jpg Hans Haacke, Gallery-Goers’ Birthplace and Residence Profile, Part 2, 1970 (detail). 732 black-and-white photographs and 189 typewritten cards, 4⅞ x 7⅛ in. each. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/05-Gallery-Goers_Birthplace_and_Residence-Profile_2_close-up-s.jpg Hans Haacke, Gallery-Goers’ Birthplace and Residence Profile, Part 2, 1970 (detail). 732 black-and-white photographs and 189 typewritten cards, 4⅞ x 7⅛ in. each. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/14-Shalpolsky_close-up-s.jpg Hans Haacke, Shapolsky et al. Manhattan Real Estate Holdings a Real-Time Social System, as of May 1, 1971, 1971. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/13-Shalpolsky-s.jpg Hans Haacke, Shapolsky et al. Manhattan Real Estate Holdings a Real-Time Social System, as of May 1, 1971, 1971. Installation view. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/19-Installation_view-s.jpg Hans Haacke, All Connected. Installation view. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/h/058-haacke-hans-2019/20-John_Weber_Polls_1972-s.jpg Hans Haacke, John Weber Gallery Visitors’ Profile, 1972. Paper questionnaire and twenty-one comparative bar graphs of answers. Questionnaire: 8½ x 11 in each; bar graphs: 24 x 30 in. Photo: Antonio Rivera. https://www.studiointernational.com/index.php/lynette-yiadom-boakye-the-hilton-als-series-review-yale-centre-for-british-art https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-Harp-Strum,-2016.jpg Lynette Yiadom-Boakye, Harp-Strum, 2016. Oil on canvas. The Rachofsky Collection, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-Amber-and-Jasmine,-2018.jpg Lynette Yiadom-Boakye, Amber and Jasmine, 2018. Oil on linen. Lent by the Nerman Family Collection, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-1-pm,-Masons-Yard,-2014.jpg Lynette Yiadom-Boakye, 1 pm, Mason’s Yard, 2014. Oil on canvas, Private collection, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-Greenhouse-Fantasies,-2014.jpg Lynette Yiadom-Boakye, Greenhouse Fantasies, 2014. Oil on canvas. Hudgins Family Collection, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-The-Needs-Beyond,-2013.jpg Lynette Yiadom-Boakye, The Needs Beyond, 2013. Oil on canvas. Lent by Henry Thaggert, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-Brothers-to-a-Garden,-2017.jpg Lynette Yiadom-Boakye, Brothers to a Garden, 2017. Oil on linen. Lent by Lonti Ebers, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-Fly-VI,-2012.jpg Lynette Yiadom-Boakye, Fly VI, 2012. Etching. Yale Center for British Art, Laura and James Duncan, Yale BA 1975, and Friends of British Art Fund, in honour of Gillian Forrester, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-Fly-XI,-2012.jpg Lynette Yiadom-Boakye, Fly XI, 2012. Etching. Yale Center for British Art, Laura and James Duncan, Yale BA 1975, and Friends of British Art Fund, in honor of Gillian Forrester, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-Fly-XII,-2012.jpg Lynette Yiadom-Boakye, Fly XII, 2012. Etching. Yale Center for British Art, Laura and James Duncan, Yale BA 1975, and Friends of British Art Fund, in honor of Gillian Forrester, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/Lynette-Yiadom-Boakye,-Fly-XVI,-2012.jpg Lynette Yiadom-Boakye, Fly XVI, 2012. Etching. Yale Center for British Art, Laura and James Duncan, Yale BA 1975, and Friends of British Art Fund, in honor of Gillian Forrester, © Lynette Yiadom-Boakye, courtesy of the artist, Jack Shainman Gallery, New York, and Corvi-Mora, London. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/ba-exb-988-0002-dsp.jpg The Hilton Als Series, Lynette Yiadom-Boakye, installation view, Yale Center for British Art. Photo: Richard Capsule. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/ba-exb-988-0004-dsp.jpg The Hilton Als Series, Lynette Yiadom-Boakye, installation view, Yale Center for British Art. Photo: Richard Capsule. https://www.studiointernational.com/images/articles/y/098-yiadom-boakye-lynette-2019/ba-exb-988-0005-dsp.jpg The Hilton Als Series, Lynette Yiadom-Boakye, installation view, Yale Center for British Art. Photo: Richard Capsule. https://www.studiointernational.com/index.php/eco-visionaries-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/OlafurEliasson-and-Greta-Thonberg-images-From-Timeline.jpg Olafur Eliasson and Greta Thunberg images From Timeline. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/eco-key-2.jpg HeHe, Domestic catastrophe Nº3: Laboratory Planet, 2012 (video still). HD video, 2:59. Courtesy of the artists, © HeHe. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/Foreground-Serpent-River-Book,-backgroundAna-Vaz-and-Tristan-Bera-video.jpg Carolina Caycedo. Serpent River Book, 2017 (foreground); Ana Vaz and Tristan Bera, A Film, Reclaimed, 2015 (background). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/Nerea-Calvido-Madrid-In-The-Air.jpg Nerea Calvillo’s video Madrid In the Air: 24 hours, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/Unknown-Fields-Breast-Milk-of-Volcanoes-battery.jpg Unknown Fields. We Power Our Future with the Breast Milk of Volcanoes, 2016-18. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/Pinar-Yoldas,-organs-for-plastivores.jpg Pinar Yoldas. Stomaximus: Digestive Organ for the Plastivore, 2013. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/eco-key-51-(2).jpg Alexandra Daisy Ginsberg, The Substitute, 2019 (video still). Visualisation by The Mill. © Alexandra Daisy Ginsberg. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/Skrei-Biogas-Power-Plant-prototype.jpg Skrei’s Biogas Power Plant, 2017, prototype. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/Model-of-Island-House-in-Laguna-Grande,-Corpus-Christi.jpg Andrés Jaque/Office for Political Innovation: Island House in Laguna Grande, Corpus Christi, Texas (2015-ongoing). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/eco-Key-8-(4).jpg Studio Malka Architecture, The Green Machine, 2014. Architecture project. Courtesy of the artist. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/eco-Photo_Monica_Lovdahl-115.jpg Futurefarmers, Seed Procession, 2016. Part of Seed Journey, 2016 – ongoing, 2016. Photograph by Monica Lovdahl. Courtesy of Futurefarmers. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/eco-key-4-(2).jpg Unknown Fields, The Breast Milk of the Volcano, 2016-2018 (video still). Video, sound, colour, 10:00. Courtesy of the artists. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/CarolineCaycedo-Serpent-River-Book.jpg Carolina Caycedo. Serpent River Book, 2017. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/Domestic-Catastrophe-no-3.jpg HeHe. Domestic Catastrophe No 3: La Planète Laboratoire, 2018. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/Jellyfish-on-screen,-darkened-room,-Rimini-Protokol.jpg Rimini Protokoll's Jellyfish. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/078-eco-visionaries-2019/Nerea-Calvido-Madrid-in-the-air-2.jpg Nerea Calvillo’s video Madrid In the Air: 24 hours, 2019. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/valie-export-interview-my-artworks-are-still-a-rebellion-against-catholic-church https://www.studiointernational.com/images/articles/v/089-valie-export-2019/VE_1058_72dpi.jpg VALIE EXPORT. Geburtenbett, 1980. Wedge, rusted steel structure. Bed: steel frame with bedsprings covered with polyester; Women https://www.studiointernational.com/images/articles/v/089-valie-export-2019/Valie-Export-portrait-(4).jpg VALIE EXPORT, 2019. Courtesy Galerie Thaddaeus Ropac, London | Paris | Salzburg. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/v/089-valie-export-2019/VE_1078.jpg VALIE EXPORT. Die Geburtenmadonna, 1976 / Print 1980. © VALIE EXPORT/ Bildrecht 2019. Courtesy Galerie Thaddaeus Ropac, London | Paris | Salzburg. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/v/089-valie-export-2019/VE_Install_BenWestoby_11_72dpi.jpg VALIE EXPORT, Gerburtenbett, 1980. Installation view, VALIE EXPORT: The 1980 Venice Biennale Works, Galerie Thaddaeus Ropac, London, 29th November – 25th January 2019. © VALIE EXPORT. Courtesy Galerie Thaddaeus Ropac, London | Paris | Salzburg. Photo: Ben Westoby. https://www.studiointernational.com/index.php/art-basel-miami-beach-2019-review https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/jill-spalding-with-nude-and-tiger-2019.jpg Michelangelo Pistoletto. Venere – Presona – Alfa, 2018. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/cosima-von-bonin.jpg Cosima Von Bonin. Untitled (The Green Donkey With Hat & Box & Aprons), 2006. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/Hernan-Bas.jpg Hernan Bas. Eclipsed, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/ugo-rondinone.jpg Ugo Rondinone. Yellow orange red mountain, 2015. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/kara-walker.jpg Kara Walker. A Warm Summer Evening in 1863, 2008. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/jaume-plensa.jpg Jaume Plensa. Minna, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/edgardo-arragon.jpg Edgardo Aragón. Terracota, 2017-19. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/thomas-schutte.jpg Thomas Schütte. Untitled, 1999 and 8.12.97, 1997. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/pope-l.jpg POPE.L. A Vessel in a Vessel in a Vessel and So On, 2007. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/mary-sibande.jpg Mary Sibande. Installation view, Art Basel Miami Beach 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/pascale-marthine-tayou.jpg Pascale Marthine Tayou. Masque délavé, 2015 and Totem Cristal, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/help-the-needy.jpg Jack Pierson. Help the Needy, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/carey-young.jpg Carey Young. Declared Void II, 2013. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/purvis-young.jpg Purvis Young. Installation view, Art Basel Miami Beach 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/tau-lewis.jpg Tau Lewis. Installation view, Art Basel Miami Beach 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/einarsson.jpg Gardar Eide Einarsson. Hey Iran, 2017. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/melsheimer.jpg Isa Melsheimer. Metabolites, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/mickalene-thomas-april-1977.jpg Mickalene Thomas. April 1977, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/simone-leigh.jpg Simone Leigh. Cupboard IX, 2019. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/059-art-basel-miami-2019/omar-ba.jpg Omar BA. Africa or the Great Path towards Nation-State, 2019. Photo: Jill Spalding. https://www.studiointernational.com/index.php/young-bomberg-and-the-old-masters-review-national-gallery-london https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/N-0626-00-000028-A5.jpg Sandro Botticelli. Portrait of a Young Man, probably about 1480-5. Tempera and oil on wood, 37.5 x 28.3 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/Bomberg-X10415-A5.jpg David Bomberg. Self Portrait, 1913-14. Chalk on paper, 55.9 × 38.1 cm. National Portrait Gallery, London. Photo: By Courtesy of the National Portrait Gallery, London / © The estate of David Bomberg. All rights reserved, DACS 2019. https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/Bomberg-X10414-A5.jpg David Bomberg. Vision of Ezekiel, 1912. Oil on canvas, 114.3 × 137.2 cm. Tate, London. Purchased with assistance from the Morton Bequest through the Contemporary Art Society 1970. © Tate. https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/Bomberg-X10417-A5.jpg David Bomberg. Ju-Jitsu, c1913. Oil on board, 61.9 × 61.9 cm. Tate, London. Presented by the Trustees of the Chantrey Bequest 1963. © Tate. https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/Bomberg-X10419-A5.jpg David Bomberg. In the Hold, c1913-14. Oil on canvas, 196.2 × 231.1 cm. Tate, London. Presented by the Friends of the Tate Gallery 1967. © Tate. https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/Bomberg-X10422-A5.jpg David Bomberg. The Mud Bath, 1914. Oil on canvas, 152.4 × 224.2 cm. Tate, London. Purchased 1964. © Tate. https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/Bomberg-X10424-A5.jpg David Bomberg. Study for Sappers at Work: A Canadian Tunnelling Company, Hill 60, St Eloi, c1918-19. Oil on canvas, 304.2 × 243.8 cm. Tate, London. Purchased 1959. © Tate. https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/N-3476-00-000027-A5.jpg Studio of El Greco, The Agony in the Garden of Gethsemane, 1590s. Oil on canvas, 102 x 131 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/Bomberg-X10418-A5.jpg David Bomberg. Study for In the Hold, c1914. Charcoal on paper, 54.8 × 65.4 cm. Tate, London. Presented by the Friends of the Tate Gallery 1967. © Tate. https://www.studiointernational.com/images/articles/b/052-bomberg-david-2019/Bomberg-X10413-A5.jpg David Bomberg. Study for The Vision of Ezekiel, c1912. Chalk and graphite on paper, 56.5 × 68.6 cm. Tate, London. Presented by the executors of Mrs Helen Bentwich 1972. © Tate. https://www.studiointernational.com/index.php/robert-holyhead-interview-i-see-each-painting-as-as-single-emerged-gesture-galerie-max-hetzler https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Installation-views_Robert-Holyhead,-13.jpg Robert Holyhead, No movement, no colour, Galerie Max Hetzler, London, 2019. Photo: Andrew Smart, AC Cooper Ltd. Courtesy of the artist and Galerie Max Hetzler, Berlin | Paris | London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Installation-view,-Robert-Holyhead_7.jpg Installation view, Robert Holyhead, Galerie Max Hetzler, Paris, 2016. Photo: def_image. Courtesy of the artist and Galerie Max Hetz-ler, Berlin | Paris | London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Installation-view,-Robert-Holyhead_9.jpg Installation view, Robert Holyhead, Galerie Max Hetzler, Paris, 2016. Photo: def_image. Courtesy of the artist and Galerie Max Hetz-ler, Berlin | Paris | London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Installation-views_Robert-Holyhead-10.jpg Robert Holyhead, No movement, no colour, Galerie Max Hetzler, London, 2019. Photo: Andrew Smart, AC Cooper Ltd. Courtesy of the artist and Galerie Max Hetzler, Berlin | Paris | London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Individual_Robert-Holyhead,-Force,-2019.-Photo-by-Jonathan-Bassett.-Copyright-the-artist,-courtesy-of-Galerie-Max-Hetzler,-Berlin,-Paris,-London.jpg Robert Holyhead, Force, 2019. Robert Holyhead, Force, 2019. Photo: Jonathan Bassett © Robert Holyhead. Courtesy of the artist and Galerie Max Hetzler, Berlin | Paris | London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Individual_Robert-Holyhead,-Turn,-2019.--Photo-by-Jonathan-Bassett.--Copyright-the-artist,-courtesy-of-Galerie-Max-Hetzler,-Berlin,-Paris,-London.jpg Robert Holyhead, Turn, 2019. Photo by Jonathan Bassett. © Robert Holyhead. Courtesy of Galerie Max Hetzler, Berlin, Paris, London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Individual_Robert-Holyhead,-Join,-2019.--Photo-by-Jonathan-Bassett.--Copyright-the-artist,-courtesy-of-Galerie-Max-Hetzler,-Berlin,-Paris,-London.jpg Robert Holyhead, Join, 2019. Photo by Jonathan Bassett. © Robert Holyhead. Courtesy of Galerie Max Hetzler, Berlin, Paris, London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Individual_Robert-Holyhead,-Still,-2018.-Photo-by-Richard-Ivey.-Copyright-the-artist,-courtesy-of-Galerie-Max-Hetzler,-Berlin,-Paris,-London.jpg Robert Holyhead, Still, 2018. Photo: Richard Ivey © Robert Holyhead. Courtesy of the artist and Galerie Max Hetzler, Berlin | Paris | London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Installation-view,-Robert-Holyhead_3.jpg Installation view, Robert Holyhead, Galerie Max Hetzler, Paris, 2016. Photo: def_image. Courtesy of the artist and Galerie Max Hetz-ler, Berlin | Paris | London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Installation-views_Robert-Holyhead,-11.jpg Robert Holyhead, No movement, no colour, Galerie Max Hetzler, London, 2019. Photo: Andrew Smart, AC Cooper Ltd. Courtesy of the artist and Galerie Max Hetzler, Berlin | Paris | London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Robert-Holyhead_Untitled-Drawing-2019-(Oslo-Number-2).jpg Robert Holyhead, Untitled Drawing 2019 (Oslo Number 2), 2019. Photo: Andrew Smart, AC Cooper Ltd. © Robert Holyhead. Cour-tesy of the artist and Galerie Max Hetzler, Berlin, Paris, London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Robert-Holyhead_Untitled-Drawing-2019-(Oslo-Number-32).jpg Robert Holyhead, Untitled Drawing 2019 (Oslo Number 32), 2019. Photo: Andrew Smart, AC Cooper Ltd. © Robert Holyhead. Cour-tesy of the artist and Galerie Max Hetzler, Berlin, Paris, London. https://www.studiointernational.com/images/articles/h/057-holyhead-robert-2019/Robert-Holyhead_Untitled-Drawing-2019-(Oslo-Number-35).jpg Robert Holyhead, Untitled Drawing 2019 (Oslo Number 35), 2019. Photo by Andrew Smart, AC Cooper Ltd. © Robert Holyhead. Cour-tesy of the artist and Galerie Max Hetzler, Berlin, Paris, London. https://www.studiointernational.com/index.php/alfredo-jaar-you-can-talk-about-violence-without-humiliating-the-victim https://www.studiointernational.com/images/articles/j/090-jaar-alfredo-2019/06.jpg Alfredo Jaar, Rwanda 1994, 1994. Ten postcards, Letraset, 40 x 106.7 cm. Image courtesy of Goodman Gallery. https://www.studiointernational.com/images/articles/j/090-jaar-alfredo-2019/02.jpg Alfredo Jaar, The Silence of Nduwayezu ,1997. One million slides, light table, magnifiers, illuminated wall text, variable dimensions. Image courtesy of Goodman Gallery. https://www.studiointernational.com/images/articles/j/090-jaar-alfredo-2019/07.jpg Alfredo Jaar, Six Seconds, 2000. Lightbox with colour transparency, 184.1 x 123.2 x 19 cm. Image courtesy of Goodman Gallery. https://www.studiointernational.com/images/articles/j/090-jaar-alfredo-2019/08.jpg Alfredo Jaar, Untitled (Newsweek), 1994. 17 lightboxes with colour transparencies, each 48.3 x 33 cm. Image courtesy of Goodman Gallery. https://www.studiointernational.com/images/articles/j/090-jaar-alfredo-2019/03.jpg Alfredo Jaar, The Silence of Nduwayezu ,1997. One million slides, light table, magnifiers, illuminated wall text, variable dimensions. Image courtesy of Goodman Gallery. https://www.studiointernational.com/images/articles/j/090-jaar-alfredo-2019/04.jpg Alfredo Jaar, The Silence of Nduwayezu ,1997. One million slides, light table, magnifiers, illuminated wall text, variable dimensions. Image courtesy of Goodman Gallery. https://www.studiointernational.com/images/articles/j/090-jaar-alfredo-2019/05.jpg Alfredo Jaar, Embrace, 1995. Video. Image courtesy of Goodman Gallery. https://www.studiointernational.com/images/articles/j/090-jaar-alfredo-2019/09.jpg Alfredo Jaar, We Wish To Inform You That We Didn’t Know, 2010. 3 channel video. Image courtesy of Goodman Gallery. https://www.studiointernational.com/index.php/paula-rego-obedience-and-defiance-review-national-gallery-modern-art-edinburgh https://www.studiointernational.com/images/articles/r/073-rego-paula-2019/Paula-REGO-Painting-Him-Out,-2011.jpg Paula Rego. Painting Him Out, 2011. Pastel on paper mounted on aluminium , 119.4 x 179.7 cm. Private collection © Paula Rego, courtesy of Marlborough, New York and London. https://www.studiointernational.com/images/articles/r/073-rego-paula-2019/Paula-REGO-The-Cake-Woman,-2004.jpg Paula Rego. The Cake Woman, 2004. Pastel on paper mounted on aluminium, 150 x 150 cm. Private collection. © Paula Rego, courtesy of Marlborough, New York and London. https://www.studiointernational.com/images/articles/r/073-rego-paula-2019/Paula-REGO-The-Pillowman,-2004.jpg Paula Rego. The Pillowman, 2004, (right-hand panel of a triptych). Pastel on board, 180 x 120 cm. Private collection. © Paula Rego, courtesy of Marlborough, New York and London. https://www.studiointernational.com/images/articles/r/073-rego-paula-2019/Paula-REGO-Angel-1998.jpg Paula Rego. Angel, 1998. Pastel on paper mounted on aluminium, 180 x 130 cm. Private collection. © Paula Rego, courtesy of Marlborough, New York and London. Photograph courtesy Museu Paula Rego: Casa das Histórias Paula Rego, Cascais. https://www.studiointernational.com/images/articles/r/073-rego-paula-2019/Paula-REGO--Wife-Cuts-off-Red-Monkeys-Tail,-1981.jpg Paula Rego. Wife Cuts off Red Monkey's Tail, 1981. Acrylic on paper, 68 x 101 cm. Private collection. © Paula Rego, courtesy of Marlborough, New York and London. https://www.studiointernational.com/images/articles/r/073-rego-paula-2019/Paula-REGO-Dancing-Ostriches,-1995.jpg Paula Rego. Dancing Ostriches, 1995, (left-hand panel of diptych). Pastel on paper mounted on aluminium, left panel, 162.5 x 155 cm. Private collection. © Paula Rego, courtesy Marlborough, New York and London. https://www.studiointernational.com/images/articles/r/073-rego-paula-2019/Paula-REGO-Impailed,-2008.jpg Paula Rego. Impailed, 2008. Conté pencil and ink wash on paper, 137 x 102 cm. Private collection. © Paula Rego, courtesy of Marlborough, New York and London. https://www.studiointernational.com/images/articles/r/073-rego-paula-2019/Paula-REGO-Manifesto-for-a-Lost-Cause,-1965.jpg Paula Rego. Manifesto for a Lost Cause, 1965. Acrylic, crayon, graphite and paper glued on canvas, 183 x 152 cm. Calouste Gulbenkian Museum - Modern Collection. © Paula Rego, courtesy of Marlborough, New York and London. https://www.studiointernational.com/images/articles/r/073-rego-paula-2019/Paula-REGO-Untitled-No-4,-1998.jpg Paula Rego. Untitled No. 4, 1998. Pastel on paper, 110 x 100 cm. Private collection. © Paula Rego, courtesy of Marlborough, New York and London. https://www.studiointernational.com/index.php/bernd-and-hilla-becher-industrial-visions-review-national-museum-cardiff https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/Bernd-and-Hilla-Becher,-Winding-Towers,-GB.jpg Bernd and Hills Becher. Winding Towers, GB, 1966–1997. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/01-Bernd-and-Hilla-Becher,-Deep-Dyffryn-Colliery,-Mountain-Ash,-South-Wales,-GB,-1966.jpg Bernd and Hills Becher. Deep Dyffryn Colliery, Mountain Ash, South Wales, GB, 1966. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/02-Bernd-and-Hilla-Becher,-Naval-Colliery,-Tonypandy,-South-Wales,-GB,-1966.jpg Bernd and Hills Becher. Naval Colliery, Tonypandy, South Wales, GB, 1966. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/05-Bernd-and-Hilla-Becher,-Blaenserchan-Colliery,-Pontypool,-South-Wales,-GB,-1966-(lead-image).jpg Bernd and Hilla Becher. Blaenserchan Colliery, Pontypool, South Wales, GB, 1966. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/03-Bernd-and-Hilla-Becher,-Great-Western-Colliery,-Shaft-1,-Pontypridd,-South-Wales,-GB,-1968.jpg Bernd and Hills Becher. Great Western Colliery, Shaft 1, Pontypridd, South Wales, GB, 1968. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/04-Bernd-and-Hilla-Becher,-Great-Western-Colliery,-Shaft-2,-Pontypridd,-South-Wales,-GB,-1968.jpg Bernd and Hills Becher. Great Western Colliery, Shaft 2, Pontypridd, South Wales, GB, 1968. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/06-Bernd-and-Hilla-Becher-Prince-of-Wales,-Shaft-1,-Ebbw-Vale,-South-Wales,-GB,-1974.jpg Bernd and Hills Becher. Prince of Wales, Shaft 1, Ebbw Vale, South Wales, GB, 1974. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/07-Bernd-and-Hilla-Becher,-Garw-Colliery,-Pontycymer,-South-Wales,-GB,-1973.jpg Bernd and Hills Becher. Garw Colliery, Pontycymer, South Wales, GB, 1973. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/08-Bernd-and-Hilla-Becher-Park-Colliery,-Treorchy,-South-Wales,-GB,-1966.jpg Bernd and Hills Becher. Park Colliery, Treorchy, South Wales, GB, 1966. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/09-Bernd-and-Hilla-Becher,-Annesley-Colliery,-Nottingham,-GB,-1997.jpg Bernd and Hills Becher. Annesley Colliery, Nottingham, GB, 1997. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/10-Bernd-and-Hilla-Becher,-Glenrhondda-Colliery,-Treherbert,-South-Wales,-GB,-1966.jpg Bernd and Hills Becher. Glenrhondda Colliery, Treherbert, South Wales, GB, 1966. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/11-Bernd-and-Hilla-Becher,-Astley-Green-Colliery,-Manchester,-GB,-1973.jpg Bernd and Hills Becher. Astley Green Colliery, Manchester, GB, 1973. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/12-Bernd-and-Hilla-Becher,-Bwllfa-Colliery,-Cwmdare,-South-Wales,-GB,-1966.jpg Bernd and Hills Becher. Bwllfa Colliery, Cwmdare, South Wales, GB, 1966. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/13-Bernd-and-Hilla-Becher,-Merthyr-Vale-Colliery,-Shaft-2,-Aberavan,-South-Wales,-GB,-1966.jpg Bernd and Hills Becher. Merthyr Vale Colliery, Shaft 2, Aberavan, South Wales, GB, 1966. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/14-Bernd-and-Hilla-Becher-Merthyr-Vale-Colliery,-Shaft-1,-Aberavan,-South-Wales,-GB,-1966.jpg Bernd and Hills Becher. Merthyr Vale Colliery, Shaft 1, Aberavan, South Wales, GB, 1966. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/images/articles/b/051-becher-bernd-hilla-2019/15-Bernd-and-Hilla-Becher-Tower-Colliery,-Hirwaun,-South-Wales,-GB,-1966.jpg Bernd and Hills Becher. Tower Colliery, Hirwaun, South Wales, GB, 1966. © Estate Bernd & Hilla Becher, represented by Max Becher, courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd und Hilla Becher Archive, Cologne, 2019. https://www.studiointernational.com/index.php/vivian-suter-review-tate-liverpool-fragrant-sensorial-enigmatic https://www.studiointernational.com/images/articles/s/046-suter-vivian-2019/Vivian-Suter-Nisyros-3.jpg Vivian Suter, Nisyros (Vivian’s bed), 2016–17. Oil, pigment, and fish glue on canvas and paper, and volcanics, earth, botanical matter, microorganisms, and wood, 175 x 228 cm. © Courtesy of the artist and Karma International, Zurich and Los Angeles; Gladstone Gallery, New York and Brussels; House of Gaga, Mexico City; and Proyectos Ultravioleta, Guatemala City. https://www.studiointernational.com/images/articles/s/046-suter-vivian-2019/Vivian-Suter-Nisyros-4.jpg Vivian Suter, Nisyros (Vivian’s bed), 2016–17. Oil, pigment, and fish glue on canvas and paper, and volcanics, earth, botanical matter, microorganisms, and wood, 173 x 225 cm. © Courtesy of the artist and Karma International, Zurich and Los Angeles; Gladstone Gallery, New York and Brussels; House of Gaga, Mexico City; and Proyectos Ultravioleta, Guatemala City. https://www.studiointernational.com/images/articles/s/046-suter-vivian-2019/Vivian-Suter-Nisyros-5.jpg Vivian Suter, Nisyros (Vivian’s bed), 2016–17. Oil, pigment, and fish glue on canvas and paper, and volcanics, earth, botanical matter, microorganisms, and wood, 181 x 232 cm. © Courtesy of the artist and Karma International, Zurich and Los Angeles; Gladstone Gallery, New York and Brussels; House of Gaga, Mexico City; and Proyectos Ultravioleta, Guatemala City. https://www.studiointernational.com/images/articles/s/046-suter-vivian-2019/Vivian-Suter-Nisyros-6.jpg Vivian Suter, Nisyros (Vivian’s bed). 2016–17. Oil, pigment, and fish glue on canvas and paper, and volcanics, earth, botanical matter, microorganisms, and wood, 180 x 231 cm. © Courtesy of the artist and Karma International, Zurich and Los Angeles; Gladstone Gallery, New York and Brussels; House of Gaga, Mexico City; and Proyectos Ultravioleta, Guatemala City. https://www.studiointernational.com/images/articles/s/046-suter-vivian-2019/Vivian-Suter-Nisyros-2.jpg Vivian Suter, Nisyros (Vivian’s bed), 2016–17. Oil, pigment, and fish glue on canvas and paper, and volcanics, earth, botanical matter, microorganisms, and wood, 110 x 86 cm. © Courtesy of the artist and Karma International, Zurich and Los Angeles; Gladstone Gallery, New York and Brussels; House of Gaga, Mexico City; and Proyectos Ultravioleta, Guatemala City. https://www.studiointernational.com/images/articles/s/046-suter-vivian-2019/Vivian-Suter-Nisyros-1.jpg Vivian Suter, Nisyros (Vivian’s bed) 2016–17. Oil, pigment, and fish glue on canvas and paper, and volcanics, earth, botanical matter, microorganisms, and wood, 100 x 237 cm. © Courtesy of the artist and Karma International, Zurich and Los Angeles; Gladstone Gallery, New York and Brussels; House of Gaga, Mexico City; and Proyectos Ultravioleta, Guatemala City. https://www.studiointernational.com/images/articles/s/046-suter-vivian-2019/Vivian-Suter-Nisyros-7.jpg Vivian Suter, Nisyros (Vivian’s bed), 2016–17. Oil, pigment, and fish glue on canvas and paper, and volcanics, earth, botanical matter, microorganisms, and wood, 262 x 180cm. © Courtesy of the artist and Karma International, Zurich and Los Angeles; Gladstone Gallery, New York and Brussels; House of Gaga, Mexico City; and Proyectos Ultravioleta, Guatemala City. https://www.studiointernational.com/images/articles/s/046-suter-vivian-2019/09.jpg Vivian Suter, Nisyros (Vivian’s Bed), installation view, Documenta 14, Kassel, 2017. © Fred Dott. https://www.studiointernational.com/index.php/francesco-clemente-pastels-review-levy-gorvy-london https://www.studiointernational.com/images/articles/c/050-clemente-francesco-2019/05.jpg Francesco Clemente. Drawings for Geography, North, c. 1992. Pastel on paper, 25 1/4 x 24 in (64.1 x 61 cm). Collection of the artist, New York. Courtesy of Francesco Clemente Studio. Photo: Tom Powel Imaging. https://www.studiointernational.com/images/articles/c/050-clemente-francesco-2019/01.jpg Francesco Clemente. Self-Portrait in White, Red and Black II, 2008. Pastel on paper, 40 3/16 x 26 3/16 in (102 x 66.5 cm). Collection of the artist, New York. Courtesy of Francesco Clemente Studio. Photo: Tom Powel Imaging. https://www.studiointernational.com/images/articles/c/050-clemente-francesco-2019/03.jpg Francesco Clemente, Musica da camera IV, 1994. Pastel on paper, 26 3/8 x 19 in (67 x 48.3 cm). Collection of the artist, New York. Courtesy of Francesco Clemente Studio. Photo: Tom Powel Imaging. https://www.studiointernational.com/images/articles/c/050-clemente-francesco-2019/02.jpg Francesco Clemente. Self-Portrait in White, Red and Black IX, 2008. Pastel on paper, 40 3/16 x 26 3/16 in (102 x 66.5 cm). Collection of the artist, New York. Courtesy of Francesco Clemente Studio. Photo: Tom Powel Imaging. https://www.studiointernational.com/images/articles/c/050-clemente-francesco-2019/04.jpg Francesco Clemente. Untitled, 1994. Pastel on paper, 26 3/8 x 19 in (67 x 48.3 cm). Collection of the artist, New York. Courtesy of Francesco Clemente Studio. Photo: Tom Powel Imaging. https://www.studiointernational.com/index.php/pio-abad-interview-the-collection-of-jane-ryan-william-saunders-ferdinand-imelda-marcos-phillilpines https://www.studiointernational.com/images/articles/a/059-abad-pio-2019/Pio_Abad_Studio_International_4.jpg Pio Abad & Frances Wadsworth Jones. Kiss the Hand You Cannot Bite, 2019. Concrete, mica dust and metal. Courtesy of the artists and Kadist San Francisco. Photo: Jeff Warrin. https://www.studiointernational.com/images/articles/a/059-abad-pio-2019/Pio_Abad_Studio_International_5.jpg Pio Abad. Imelda as Maganda, Ferdinand as Malakas, 2012. Oil on canvas in faux gilt bamboo frames. Courtesy of the artist. Photo: RJ Fernandez. https://www.studiointernational.com/images/articles/a/059-abad-pio-2019/Pio_Abad_Studio_International_7.jpg Pio Abad. A Thoughtful Gift I, 2019. Laser etching on Carrara Marble. Courtesy of the artist. https://www.studiointernational.com/index.php/alison-carlier-interview-drawn-marks-can-describe-and-convey-human-experience-beyond-words https://www.studiointernational.com/images/articles/c/048-carlier-alison-2019/01-Alison-Carlier.jpg Alison Carlier. Recording sounds of the harbour using drawing, 2016. Alexandra Reinhardt Memorial Award, Aspex, Portsmouth. https://www.studiointernational.com/images/articles/c/048-carlier-alison-2019/02-Alison-Carlier.jpg Alison Carlier. Listening to Adjectives, Lines and Marks - Performance, 2014. Hardwick Gallery, University of Gloucestershire, Cheltenham. Photo: Nikolaos Vozaitis. https://www.studiointernational.com/images/articles/c/048-carlier-alison-2019/03-Alison-Carlier.jpg Alison Carlier. Performing an Audio Drawing, 2015. Art Language Location. Anglia Ruskin University. Photo: Bill Mudge. https://www.studiointernational.com/images/articles/c/048-carlier-alison-2019/04-Alison-Carlier.jpg Alison Carlier. The Calling, 2018. Surrey Unearthed. Photo: Ricardo Sanchez. https://www.studiointernational.com/images/articles/c/048-carlier-alison-2019/05-Alison-Carlier.jpg Alison Carlier. APT Gallery. Photo: Anthony Coleman. https://www.studiointernational.com/images/articles/c/048-carlier-alison-2019/06-Alison-Carlier.jpg Alison Carlier. Spiky Black, 2017. Chalkwell Park, Metal, Southend. https://www.studiointernational.com/index.php/in-the-land-of-the-gods-marc-chagall-and-the-greek-world https://www.studiointernational.com/images/articles/c/049-chagall-2019/1952-Le-songe_4512.jpg Marc Chagall. The Dream, 1952. Vase, molded piece, white earth, decorated with engobes and oxides, engraved with a knife and dry point, partial enamel with a brush, lined, 33.7 x 23.3 x 23.3 cm. Private collection. © ADAGP, Paris, 2019. © Archives Marc et Ida Chagall, Paris. https://www.studiointernational.com/images/articles/c/049-chagall-2019/1952-54-MC-en-Grece-1.jpg Photograph of Marc and Valentina Chagall in front of the Parthenon, in Athens, 1952-1954. ©Archives Marc et Ida Chagall, Paris. ©ADAGP, Paris, 2019. https://www.studiointernational.com/images/articles/c/049-chagall-2019/Chagall-Polypheme-serieOdyssee-recadre.jpg Marc Chagall. Polyphemus, illustration for the publication The Odyssey by Homer, volume 1, edited by Fernand Mourlot, Paris, 1974-1975. Colour lithograph on Japanese paper, 42.5 x 65 cm. © Association des Amis du musée national Marc Chagall, Nice. © ADAGP, Paris, 2019. https://www.studiointernational.com/images/articles/c/049-chagall-2019/Daphnis-et-Chloe342-detoure-HD.jpg Marc Chagall. The Trampled Flowers, illustration for the publication Daphnis and Chloe, 1961, lithograph. Private collection. © ADAGP, Paris, 2019. https://www.studiointernational.com/index.php/seized-by-the-left-hand-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__004.jpg Tuesday Smillie. The Left Hand of Darkness, 1969, 2016. Watercolour on paper. Courtesy of David Getsy, Chicago, Illinois. Installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__017.jpg Seized By the Left Hand, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__013.jpg Manuel Solano. Untitled from the series An Interior, A Sensation, An Instant, 2019. Acrylic on canvas (left); La Tia Gabi, 2018. Acrylic on canvas. Installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__044.jpg Andrew Black. Revenge Fantasy, 2019. Video, 13 min. Installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__033.jpg Flora Moscovici. Crossing the Kargav, 2019. Site specific painting, emulsion sprayed on wall. Installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__039.jpg Abel Rodríguez. Cycle of the Maloca Plants, 2009 (detail). Ink, graphite, and watercolour on paper. Courtesy the artist, Tropenbos International and José Roca FLORA ars+natura, Bogotá, Colombia. Installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__047.jpg Isaac Julien. Encore II: (Radioactive), 2004. Super 8 and 16mm film transferred to digital, colour, 3 min. Installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__005.jpg Tuesday Smillie. Reflecting Light Into the Unshadow. Installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__045.jpg Andrew Black. Revenge Fantasy, 2019. Video, 13 min. Installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__025.jpg Seized By the Left Hand, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__027.jpg Abel Rodríguez. Inundated Forest Series, 2009. Ink, graphite, and watercolour on paper. Courtesy the artist, Tropenbos International and José Roca FLORA ars+natura, Bogotá, Colombia. Installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/045-seized-by-the-left-hand-2019/SBTLH__029.jpg Seized By the Left Hand, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. https://www.studiointernational.com/index.php/bloomberg-new-contemporaries-review-south-london-gallery https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Ben-Yau,-The-Spectre-of-A-World-Which-Could-Be-Free,-2019,-c.-the-artist-and-New-Contemporaries.jpg Ben Yau, The Spectre of A World Which Could Be Free, 2019. Image courtesy the artist and New Contemporaries. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Dentin-(2018)-by-Taylor-Jack-Smith.jpg Taylor Jack Smith, Dentin, 2018. Image courtesy the artist and New Contemporaries. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Copy-of-Agostini_Wednesdays-IV_PRINT.jpg Eleonora Agostini, Wednesdays IV, 2018. Government Art Collection. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/NAPIER_Paper-Piece,-1_PRINT_a.jpg Isobel Napier, Paper Piece 1, 2018. Image courtesy the artist and New Contemporaries. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Orme_Stokie-Common,-2018.jpg Ryan Orme, Stokie Common, 2018. Image courtesy the artist and New Contemporaries. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Installation-view-of-Bloomberg-New-Contemporaries-at-SLG.-Image-Credit-@studiostagg-(3).jpg Installation view of Bloomberg New Contemporaries 2019 at South London Gallery. Photo @ studiostagg. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Installation-view-of-Bloomberg-New-Contemporaries-at-SLG.-Image-Credit-@studiostagg-(1).jpg Installation view of Bloomberg New Contemporaries 2019 at South London Gallery. Photo @ studiostagg. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Installation-view-of-Bloomberg-New-Contemporaries-at-SLG.-Image-Credit-@studiostagg-(4).jpg Installation view of Bloomberg New Contemporaries 2019 at South London Gallery. Photo @ studiostagg. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Installation-view-of-Bloomberg-New-Contemporaries-at-SLG.-Image-Credit-@studiostagg-(5).jpg Installation view of Bloomberg New Contemporaries 2019 at South London Gallery. Photo @ studiostagg. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Installation-view-of-Bloomberg-New-Contemporaries-at-SLG.-Image-Credit-@studiostagg-(7).jpg Installation view of Bloomberg New Contemporaries 2019 at South London Gallery. Photo @ studiostagg. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Installation-view-of-Bloomberg-New-Contemporaries-at-SLG.-Image-Credit-@studiostagg-(8).jpg Installation view of Bloomberg New Contemporaries 2019 at South London Gallery. Photo @ studiostagg. https://www.studiointernational.com/images/articles/b/050-bloomberg-new-contemporaries-2019/Installation-view-of-Bloomberg-New-Contemporaries-at-SLG.-Image-Credit-@studiostagg-(9).jpg Installation view of Bloomberg New Contemporaries 2019 at South London Gallery. Photo @ studiostagg. https://www.studiointernational.com/index.php/saad-qureshi-something-about-paradise-review-yorkshire-sculpture-park https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Something-About-Paradise,-2019,-and-Gates-of-Paradise-VI,-2019.jpg Saad Qureshi, Something About Paradise, 2019, and Gates of Paradise VI, 2019. Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Something-About-Paradise,-2019,-detail-(2).jpg Saad Qureshi, Something About Paradise, 2019 (detail). Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Something-About-Paradise,-2019,-detail.jpg Saad Qureshi, Something About Paradise, 2019 (detail). Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Something-About-Paradise,-installation-view-(3).jpg Saad Qureshi, Something About Paradise, installation view. Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Gates-of-Paradise-IV,-2019,-detail.jpg Saad Qureshi, Gates of Paradise IV, 2019, (detail). Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Night-Jewel,-2019.jpg Saad Qureshi, Night Jewel, 2019. Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Airship,-2019.jpg Saad Qureshi, Airship, 2019. Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-The-Ladder,-2019.jpg Saad Qureshi, The Ladder, 2019. Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Something-About-Paradise,-installation-view-(2).jpg Saad Qureshi, Something About Paradise, 2019 (detail). Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Gates-of-Paradise-II,-2019.jpg Saad Qureshi, Gates of Paradise II, 2019. Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Night-Jewel,-2019-(detail)-2.jpg Saad Qureshi, Night Jewel, 2019 (detail). Courtesy the artist. Photo © Hugh Pryor. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Night-Jewel,-2019-2.jpg Saad Qureshi, Night Jewel, 2019. Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Something-About-Paradise,-2019,-detail,-and-Gates-of-Paradise,-2019.jpg Saad Qureshi, Something About Paradise, 2019 (detail), and Gates of Paradise, 2019. Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Something-About-Paradise,-2019-(3).jpg Saad Qureshi, Something About Paradise, 2019 (detail). Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/images/articles/q/097-qureshi-saad-2020/Saad-Qureshi,-Something-About-Paradise,-2019-(detail).jpg Saad Qureshi, Something About Paradise, 2019 (detail). Courtesy the artist and Yorkshire Sculpture Park. Photo © Jonty Wilde. https://www.studiointernational.com/index.php/ann-dumas-interview-curator-royal-academy-of-arts-london-every-exhibition-is-fraught-but-never-dull https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Angelica-Kauffman,-Self-portrait-of-the-Artist-hesitating-between-the-Arts-of-Music-and-Painting,-1794..jpg Angelica Kauffman, Self-portrait of the Artist hesitating between the Arts of Music and Painting, 1794. Oil on canvas, 147.3 x 215.9 cm. Nostell Priory © National Trust Images/John Hammond. https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Rita-Angus,-Rutu,-1951.jpg Rita Angus, Rutu, 1951. Oil on canvas, 71.5 x 56 cm. Collection of the Museum of New Zealand Te Papa Tongarewa, Wellington. Purchased 1992 with New Zealand Lottery Grants Board funds © Reproduced courtesy of The Estate of Rita Angus. https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Tracey-Emin,-It-didnt-stop-I-didnt-stop,-2019.jpg Tracey Emin, It - didnt stop - I didnt stop, 2019. Acrylic on canvas, 152 x 183.5 x 3.7 cm. Photo © HV-studio Courtesy the Artist and Xavier Hufkens, Brussels. https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Paul-Gauguin,-Portrait-of-a-Young-Woman,-Vaite-(Jeanne)-Goupil,-1896.jpg Paul Gauguin, Portrait of a Young Woman, Vaïte (Jeanne) Goupil, 1896. Oil on canvas, 75 x 65 cm. © Ordrupgaard, Copenhagen. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Key-486.jpg Pablo Picasso drawing in Antibes, summer 1946. Black-and-white photograph. Photo © Michel Sima / Bridgeman Images. © Succession Picasso/DACS 2019. https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Key-231.jpg Pablo Picasso, Bust of Woman or Sailor (Study for https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Pablo-Picasso,-Head-of-a-Woman,-Mougins,-4-December-1962.jpg Pablo Picasso, Head of a Woman, Mougins, 4 December 1962. Pencil on cut and folded wove paper from an album sheet, 42 x 26.5 cm. Musée national Picasso-Paris. Pablo Picasso gift in lieu, 1979. MP1850 Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Béatrice Hatala © Succession Picasso/DACS 2019. https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Key-9.jpg Pablo Picasso, Femmes à leur toilette, Paris, winter 1937–38. Collage of cut-out wallpapers with gouache on paper pasted onto canvas, 299 x 448 cm. Musée national Picasso-Paris. Pablo Picasso Gift in Lieu, 1979. MP176. Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Adrien Didierjean. © Succession Picasso/DACS 2019. https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Paul-Cezanne,-LEstaque,-1879-83.jpg Paul Cézanne, L https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Key-179.jpg Pablo Picasso, Violin, Paris, autumn 1912. Laid paper, wallpaper, newspaper, wove wrapping paper and glazed black wove paper, cut and pasted onto cardboard, with pencil and charcoal, 65 x 50 cm. Musée national Picasso-Paris. Pablo Picasso Gift in Lieu, 1979. MP367. Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau. © Succession Picasso/DACS 2019. https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Key-297.jpg Pablo Picasso, Seated Woman (Dora), 1938. Ink, gouache and coloured chalk on paper, 76.5 x 56 cm. Fondation Beyeler, Riehen/Basel, Beyeler Collection. Photo: Peter Schibli. © Succession Picasso/DACS 2019. https://www.studiointernational.com/images/articles/d/076-dumas-ann-2020/Key-50.jpg Pablo Picasso, Self-portrait, 1918. Pencil and charcoal on wove paper, 64.2 x 49.4 cm. Musée national Picasso-Paris. Pablo Picasso gift in lieu, 1979. MP794. Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau. © Succession Picasso/DACS 2019. https://www.studiointernational.com/index.php/paul-mpagi-sepuya-interview-modern-art-london-condo https://www.studiointernational.com/images/articles/s/044-sepuya-paul-2020/paul-mpagi-sepuya-london-2020-photo-martin-kennedy-3.jpg Paul Mpagi Sepuya talking to Studio International at the opening of his exhibition at Modern Art, London, January 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/044-sepuya-paul-2020/Mail Attachment_1.jpg Paul Mpagi Sepuya, Condo London in association with Team Gallery, exhibition view, Modern Art, Vyner Street, London, 11 January - 15 February 2020. Photo: Ben Westoby. Courtesy the artist, Modern Art, London & Team Gallery. https://www.studiointernational.com/images/articles/s/044-sepuya-paul-2020/Mail Attachment_9.jpg Paul Mpagi Sepuya, Condo London in association with Team Gallery, exhibition view, Modern Art, Vyner Street, London, 11 January - 15 February 2020. Photo: Ben Westoby. Courtesy the artist, Modern Art, London & Team Gallery. https://www.studiointernational.com/index.php/norman-cornish-john-cornish-interview-spennymoor https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/06.jpg Norman Cornish. The Crowded Bar, undated. Oil on canvas, 121 x 196 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/11.jpg Norman Cornish. Man with Pint, undated. Oil on board, 14 x 21 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/20.jpg Norman Cornish. Self Portrait, undated. Charcoal and chalk on paper, 43 x 30 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/05.jpg Norman Cornish. Excerpt from Sketchbook, undated. Ink on paper, 21 x 29 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/15.jpg Norman Cornish. Pit Road with Telegraph Poles and Lights, undated. Pastel on paper, 55 x 75 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/02.jpg Norman Cornish. John in Tin Bath, undated. Ink and watercolour on paper, 34 x 24 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/18.jpg Norman Cornish. Man at Bar with Dog, undated. Mixed media, 62 x 42 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/16.jpg Norman Cornish. Old Man on https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/04.jpg Norman Cornish. Bishops Close Street, Spennymoor, undated. Ink and watercolour on paper, 22 x 28 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/03.jpg Norman Cornish. Berriman https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/01.jpg Norman Cornish. Sarah Telling John a Bedtime Story, undated. Charcoal on Paper, 23 x 16 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/07.jpg Norman Cornish. Durham Miners Gala Mural, undated. Oil on canvas, 1.8 x 9.1 m. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/09.jpg Norman Cornish. Gossips, undated. Oil on board, 22 x 19 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/10.jpg Norman Cornish. Man with Dog in Snow, undated. Oil on board, 21 x 19.5 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/12.jpg Norman Cornish. The Darts Player, undated. Oil on board, 36 x 27 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/13.jpg Norman Cornish. Sarah Knitting, undated. Ink and chalk on paper, 20 x 29 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/14.jpg Norman Cornish. Studies of John, undated. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/17.jpg Norman Cornish. Two Boys on a Boneshaker, undated. Mixed media, 21 x 27 cm. © Courtesy of Norman Cornish Estate. https://www.studiointernational.com/images/articles/c/047-cornish-norman-2020/08.jpg Norman Cornish in front of Pit Road picture. Date unknown. https://www.studiointernational.com/index.php/joris-karl-huysmans-art-critic-from-degas-to-grunewald-in-the-eye-of-francesco-vezzoli-review-musee-d-orsay https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/10.jpg Francesco Vezzoli, Tortue de soirée, 2019. Installation view, Huysmans: From Degas to Grünewald. © Musée d’Orsay - Sophie Crépy. https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/02.jpg Henri Gervex, Rolla, 1878. Oil on canvas, 176.2 x 221.3 cm. Bordeaux, Musée des Beaux-Arts de Bordeaux, dépôt du Musée d’Orsay. Photo © RMN-Grand Palais (musée d https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/01.jpg Jean-Louis Forain, Portrait of Joris-Karl Huysmans, 1878. Pastel, 55 x 44.5 cm. Paris, Musée d’Orsay. Photo © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski. https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/05.jpg Gustave Caillebotte, The Floor Scrapers, 1875. Oil on canvas, 102 x 147 cm. Paris, musée d’Orsay, don des héritiers de Gustave Caillebotte par l’intermédiaire d’Auguste Renoir, son exécuteur testamentaire, 1894. Photo © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski. https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/07.jpg Gustave Moreau, The Apparition, 1876. Watercolour, 106 x 72.2 cm. Paris, Musée d https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/08.jpg Odilon Redon, Hommage to Goya: The Flower of the Swallow, a human and sad head, 1885. Lithograph, board applied to china, 41.6 × 29.2 cm. Paris, Bibliothèque nationale de France – bibliothèque de l’Arsenal. Photo © BnF. https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/12.jpg Francesco Vezzoli, Jesus-Christ superstar, 2019. Installation view, Huysmans: From Degas to Grünewald. © Musée d’Orsay - Sophie Crépy. https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/03.jpg Édouard Manet, Portrait of Stéphane Mallarmé, 1876. Oil on canvas, 27.5 x 36 cm. Paris, Musée d'Orsay. Photo © RMN-Grand Palais (musée d'Orsay) / Patrice Schmidt. https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/04.jpg Edgar Degas, The Absinthe Drinker, between 1875-1876. Oil on canvas, 92 x 68.5 m. Paris, Musée d’Orsay. Photo © RMN-Grand Palais (musée d'Orsay) / Hervé Lewandowski. https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/06.jpg Giovanni Boldini, Le Comte Robert de Montesquiou, 1897. Oil on canvas, 115.5 x 82.5 cm. Paris, Musée d'Orsay. Photo © RMN-Grand Palais (musée d'Orsay) / Hervé Lewandowski. https://www.studiointernational.com/images/articles/h/055-huysmans-jk-2020/09.jpg Jean Auguste Dominique Ingres, The Virgin adorning the Host, 1854. Oil on canvas, dial. 113 cm. Paris, musée d’Orsay, dépôt du musée du Louvre. Photo © RMN-Grand Palais (musée d’Orsay) / Franck Raux. https://www.studiointernational.com/index.php/stuart-whipps-if-wishes-were-thrushes-beggars-would-eat-birds-review-dundee-contemporary-arts https://www.studiointernational.com/images/articles/w/059-whipps-stuart-2020/SW_DCA_001.jpg Stuart Whipps, If Wishes Were Thrushes, Beggars Would Eat Birds, 2020, Dundee Contemporary Arts. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/059-whipps-stuart-2020/SW_DCA_004.jpg Stuart Whipps, If Wishes Were Thrushes, Beggars Would Eat Birds, 2020, Dundee Contemporary Arts. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/059-whipps-stuart-2020/SW_DCA_011.jpg Stuart Whipps, If Wishes Were Thrushes, Beggars Would Eat Birds, 2020, Dundee Contemporary Arts. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/059-whipps-stuart-2020/SW_DCA_015.jpg Stuart Whipps, If Wishes Were Thrushes, Beggars Would Eat Birds, 2020, Dundee Contemporary Arts. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/059-whipps-stuart-2020/SW_DCA_012.jpg Stuart Whipps, If Wishes Were Thrushes, Beggars Would Eat Birds, 2020, Dundee Contemporary Arts. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/w/059-whipps-stuart-2020/SW_DCA_020.jpg Stuart Whipps, If Wishes Were Thrushes, Beggars Would Eat Birds, 2020, Dundee Contemporary Arts. Photo: Ruth Clark. https://www.studiointernational.com/index.php/beyond-the-brotherhood-pre-raphaelite-legacy-review-southampton-city-art-gallery-russell-cotes-bournemouth https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/03-Rossetti-Venus-Verticordia.jpg Dante Gabriel Rossetti. Venus Verticordia, 1864–1868. Oil on canvas, 81.3 x 68 cm. Russell-Cotes Art Gallery & Museum. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/04-Dicksee-Romeo-Juliet.jpg Frank Bernard Dicksee. Romeo and Juliet, 1884. Oil on canvas, 171 x 118 cm. Southampton City Art Gallery. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/06-Cowper-Vanity.jpg Frank Cadogan Cowper. Vanity, 1907. Oil on panel, 57.1 x 38.1 cm. Royal Academy of Arts. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/01-Phyllis.jpg Louise Jopling. Phyllis, 1883. Oil on canvas, 52 x 44 cm. Russell-Cotes Art Gallery & Museum. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/02-Violet-Manners.jpg Violet Manners. Self Portrait, 1891. Pencil on paper, 37.7 x 27.7 cm. Russell-Cotes Art Gallery & Museum. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/05-Hunt-Afterglow-in-Egypt.jpg William Holman Hunt. Afterglow in Egypt, 1854. Oil on canvas, 185.4 x 86.3 cm. Southampton City Art Gallery. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/Joe-Low-Photography-1.jpg Beyond the Brotherhood: The Pre-Raphaelite Legacy, installation view, Southampton City Art Gallery, 2019. Photo: Joe Low Photography. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/Joe-Low-Photography-2.jpg Beyond the Brotherhood: The Pre-Raphaelite Legacy, installation view, Southampton City Art Gallery, 2019. Photo: Joe Low Photography. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/Joe-Low-Photography-3.jpg Beyond the Brotherhood: The Pre-Raphaelite Legacy, installation view, Southampton City Art Gallery, 2019. Photo: Joe Low Photography. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/Joe-Low-Photography-4.jpg Beyond the Brotherhood: The Pre-Raphaelite Legacy, installation view, Southampton City Art Gallery, 2019. Photo: Joe Low Photography. https://www.studiointernational.com/images/articles/b/049-brotherhood-2020/Joe-Low-Photography-5.jpg Beyond the Brotherhood: The Pre-Raphaelite Legacy, installation view, Southampton City Art Gallery, 2019. Photo: Joe Low Photography. https://www.studiointernational.com/index.php/artemisia-gentileschi-review-national-gallery-london https://www.studiointernational.com/images/articles/a/050-artemisia-2020/NG6671.jpg Artemisia Gentileschi. Self Portrait as Saint Catherine of Alexandria, c1615-17. Oil on canvas, 71.4 × 69 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10477-A5.jpg Artemisia Gentileschi. Judith and her Maidservant, c1623-5. Oil on canvas, 184 × 141.6 cm. The Detroit Institute of Arts, Gift of Mr. Leslie H. Green (52.253). © The Detroit Institute of Arts. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X8831-A5.jpg Artemisia Gentileschi. Susannah and the Elders, 1622. Oil on canvas, 161.5 × 123 cm. © The Burghley House Collection. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10794verso_online.jpg Solinas 2011, Letter 20, Artemisia to Francesco Maria Maringhi. Rome, 11 April 1620. Paper. Archivio Storico Frescobaldi, Florence. © Photo courtesy of the owner. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10473-A5.jpg Artemisia Gentileschi. Judith beheading Holofernes, c1612-13. Oil on canvas, 158.8 × 125.5 cm. Napoli, Museo e Real Bosco di Capodimonte (Q378). © ph. Luciano Romano / Museo e Real Bosco di Capodimonte 2016. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10695-A5.jpg Artemisia Gentileschi. Self Portrait as a Female Martyr, c1613-14. Oil on panel, 31.8 × 21.8 cm. Private collection. © Photo courtesy of the owner. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10492-A5.jpg Artemisia Gentileschi. Mary Magdalene in Ecstasy, c1620-25. Oil on canvas, 80 × 106 cm. Private European collection. © Photo: Dominique Provost Art Photography - Bruges. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10494-A5.jpg Artemisia Gentileschi. Cleopatra, c1633-5. Oil on canvas, 117 × 175.5 cm. Private collection. © Private Collection / Photo Giorgio Benni. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10483-A5.jpg Artemisia Gentileschi. Susanna and the Elders, 1652. Oil on canvas, 200.3 × 225.6 cm. Polo Museale dell’Emilia Romagna, Collezioni della Pinacoteca Nazionale, Bologna. © Pinacoteca Nazionale Bologna (6320). https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10482-A5.jpg Artemisia Gentileschi. Self Portrait as the Allegory of Painting (La Pittura), c1638-9. Oil on canvas, 98.6 × 75.2 cm. Royal Collection Trust / HM The Queen (405551). Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10790-A5.jpg Artemisia Gentileschi. Danaë, c1612. Oil on copper, 41.3 × 52.7 cm. Saint Louis Art Museum. Museum Purchase 93:1986. © Saint Louis Art Museum. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10518-A5.jpg Artemisia Gentileschi. Jael and Sisera, 1620. Oil on canvas, 86 × 125 cm. © Szépmüvészeti Múzeum / Museum of Fine Arts, Budapest (75.11). https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X11142a-A5.jpg Proceedings of Agostino Tassi's trial for the rape of Artemisia Gentileschi, 1612. Manuscript. Tribunale del governatore, Processi sec XVII 104, f.341v.-f.342r. © Archivio di Stato di Roma. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10471-A5.jpg Artemisia Gentileschi. Judith and her Maidservant, c1615-17. Oil on canvas, 114 × 93.5 cm. Galleria Palatina, Palazzo Pitti, Florence (398). © Gabinetto fotografico delle Gallerie degli Uffizi. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10493-A5.jpg Artemisia Gentileschi. Lot and his Daughters, c1636-8. Oil on canvas, 230.5 × 182.9 cm. © Toledo Museum of Art, Toledo, Ohio (1983.107). https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10481-A5.jpg Artemisia Gentileschi. The Birth of St John the Baptist, c1635. Oil on canvas, 184 × 258 cm. © Museo Nacional del Prado, Madrid (P000149). https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10698-A5.jpg Artemisia Gentileschi. Corisca and the Satyr, c1635-7. Oil on canvas, 155 × 210 cm. Private collection, Italy. © Photo courtesy of the owner. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10497-A5.jpg Artemisia Gentileschi. David and Bathsheba, c1636-7. Oil on canvas, 265.4 × 209.6 cm. Columbus Museum of Art, Ohio. Museum Purchase, Schuhmacher Fund 1967.0006. © Columbus Museum of Art. https://www.studiointernational.com/images/articles/a/050-artemisia-2020/X10469-A5.jpg Artemisia Gentileschi. Self Portrait as a Lute Player, c1615-18. Oil on canvas, 77.5 × 71.8 cm. Wadsworth Atheneum Museum of Art, Hartford, CT. Charles H. Schwartz Endowment Fund (2014.4.1). © Wadsworth Atheneum Museum of Art, Hartford, Connecticut. https://www.studiointernational.com/index.php/alexandra-haeseker-the-botanists-daughter-review-edinburgh-printmakers https://www.studiointernational.com/images/articles/h/054-haeseker-alexandra-2020/AlexandraHaeseker_TheBotanistsDaughter0019.jpg Alexandra Haeseker: The Botanist’s Daughter. Installation view, Edinburgh Printmakers, 2020. Photo: Alix MacIntosh. https://www.studiointernational.com/images/articles/h/054-haeseker-alexandra-2020/AlexandraHaeseker_TheBotanistsDaughter0015.jpg Alexandra Haeseker: The Botanist’s Daughter. Installation view, Edinburgh Printmakers, 2020. Photo: Alix MacIntosh. https://www.studiointernational.com/images/articles/h/054-haeseker-alexandra-2020/AlexandraHaeseker_TheBotanistsDaughter0003.jpg Alexandra Haeseker: The Botanist’s Daughter. Installation view, Edinburgh Printmakers, 2020. Photo: Alix MacIntosh. https://www.studiointernational.com/images/articles/h/054-haeseker-alexandra-2020/AlexandraHaeseker_TheBotanistsDaughter0004.jpg Alexandra Haeseker: The Botanist’s Daughter. Installation view, Edinburgh Printmakers, 2020. Photo: Alix MacIntosh. https://www.studiointernational.com/images/articles/h/054-haeseker-alexandra-2020/AlexandraHaeseker_TheBotanistsDaughter0005.jpg Alexandra Haeseker: The Botanist’s Daughter. Installation view, Edinburgh Printmakers, 2020. Photo: Alix MacIntosh. https://www.studiointernational.com/images/articles/h/054-haeseker-alexandra-2020/AlexandraHaeseker_TheBotanistsDaughter0006.jpg Alexandra Haeseker: The Botanist’s Daughter. Installation view, Edinburgh Printmakers, 2020. Photo: Alix MacIntosh. https://www.studiointernational.com/images/articles/h/054-haeseker-alexandra-2020/AlexandraHaeseker_TheBotanistsDaughter0010.jpg Alexandra Haeseker: The Botanist’s Daughter. Installation view, Edinburgh Printmakers, 2020. Photo: Alix MacIntosh. https://www.studiointernational.com/images/articles/h/054-haeseker-alexandra-2020/AlexandraHaeseker_TheBotanistsDaughter0020.jpg Alexandra Haeseker: The Botanist’s Daughter. Installation view, Edinburgh Printmakers, 2020. Photo: Alix MacIntosh. https://www.studiointernational.com/images/articles/h/054-haeseker-alexandra-2020/IMG_3946-(1).jpg Alexandra Haeseker: The Botanist’s Daughter. Photo: Alix MacIntosh. https://www.studiointernational.com/index.php/albert-reuss-review-truro-cathedral-newlyn-art-gallery-holocaust-memorial-day https://www.studiointernational.com/images/articles/r/072-reuss-albert-2020/N254.jpg Albert Reuss. Woman Reading with Mother-in-Law’s Tongue, 1935. Oil on canvas, 73 x 60.5 cm. Collection of Newlyn Art Gallery. https://www.studiointernational.com/images/articles/r/072-reuss-albert-2020/N191.jpg Albert Reuss. Fence and Tree, 1948. Oil on canvas, 30.5 x 40.6 cm. Collection of Newlyn Art Gallery. https://www.studiointernational.com/images/articles/r/072-reuss-albert-2020/R22.jpg Albert Reuss. Green Tree Trunk and Shark Fin Shapes, originally: Still Life in a Landscape, c1963. Oil on canvas, 67.3 x 78.7 cm. Collection of Newlyn Art Gallery. https://www.studiointernational.com/images/articles/r/072-reuss-albert-2020/N157.jpg Albert Reuss. Woman Seated among Sculptured Forms, originally: Symphony, 1970. Oil on canvas, 91.4 x 76.2 cm. Collection of Newlyn Art Gallery. https://www.studiointernational.com/images/articles/r/072-reuss-albert-2020/N252.jpg Albert Reuss. Fence with Stripped Tree Trunks, originally: Fence and Branches, 1971. Oil on canvas, 63.5 x 76.2 cm. Collection of Newlyn Art Gallery. https://www.studiointernational.com/images/articles/r/072-reuss-albert-2020/N185.jpg Albert Reuss. Interior II (Stones and Wood), 1971 or 1972. Oil on canvas, 63.5 x 76.2 cm. Collection of Newlyn Art Gallery. https://www.studiointernational.com/index.php/luca-giordano-the-triumph-of-neapolitan-painting-review-petit-palais-paris https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/07.jpg Luca Giordano, Madonna of the Rosary on a Baldaquin, 1680. Oil on canvas, 430 x 240 cm.
 Naples, Museo e Real Bosco di Capodimonte © Photo Ministry of Cultural Heritage and Activities. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/05.jpg Luca Giordano, The Death of Seneca, 1684-85. Oil on canvas, 155 x 188 cm. Paris, Musée du Louvre, Département des Peintures © RMN-Grand Palais/Stéphane Maréchalle. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/10.jpg Luca Giordano, Diana and Endymion, 1675-80. Oil on canvas, 203 x 246 cm. Museo di Castelvecchio, Verona, Italy. © Verona, Museo di Castelvecchio, Archivio fotografico. Photo Umberto Tomba, Verona. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/04.jpg Jusepe de Ribera, Apollon and Marsyas, 1637. Oil on canvas, 182 x 232 cm. Museo di Capodimonte, Naples, Italy © Photo Ministry of Cultural Heritage and Activities/Museo e Real Bosco di Capodimonte. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/03.jpg Luca Giordano, Apollo and Marsyas, c1660. Oil on canvas, 207.5 x 261.5 cm.
Museo di Capodimonte, Naples, Italy © Photo Ministry of Cultural Heritage and Activities/Museo e Real Bosco di Capodimonte. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/08.jpg Luca Giordano, Lucrezia and Tarquin, 1663. Oil on canvas, 138 x 187 cm. Museo di Capodimonte, Collection d’Avalos, Naples, Italy © Photo Ministry of Cultural Heritage and Activities/Museo e Real Bosco di Capodimonte. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/01.jpg Luca Giordano, Self-Portrait, 1680. Oil on canvas, 46.8 x 35.3 cm. 
Stuttgart, Staatsgalerie, from the friends of the Staatsgalerie since 1969 © BPK, Berlin, Dist. RMN-Grand Palais/image Staatsgalerie Stuttgart. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/02.jpg Luca Giordano, Holy Family with the Symbols of the Passion, c1660. Oil on canvas, 430 x 270 cm. Museo di Capodimonte, Naples, Italy © Photo Ministry of Cultural Heritage and Activities / Museo e Real Bosco di Capodimonte. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/06.jpg Luca Giordano, Saint Gennaro Intercededing, c1660. Will on canvas, 400 x 315 cm. Museo di Capodimonte, Naples, Italy © Photo Ministry of Cultural Heritage and Activities/Museo e Real Bosco di Capodimonte. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/09.jpg Luca Giordano, Polyphemus and Galatea, 1674-75. Oil on canvas, 127 x 250 cm. Naples, Museo e Real Bosco di Capodimonte © Photo Ministry of Cultural Heritage and Activities/Museo e Real Bosco di Capodimont. https://www.studiointernational.com/images/articles/g/072-giordano-luca-2020/11.jpg Luca Giordano, Ariadne Abandoned, 1675-80. Oil on canvas, 203 x 246 cm. Museo di Castelvecchio, Verona, Italy. © Verona, Museo di Castelvecchio, Archivio fotografico. Photo Umberto Tomba, Verona. https://www.studiointernational.com/index.php/unbound-visionary-women-collecting-textiles-review-two-temple-place-london https://www.studiointernational.com/images/articles/u/096-unbound-2020/3.jpg Edith Durham, Object labels, Pen, pencil on paper. © Calderdale Museums Collection, Halifax. Photo: Paul Tucker. https://www.studiointernational.com/images/articles/u/096-unbound-2020/MT2043-Chertsey-Spencer.jpg Spencer, 1817-19. Silk, cotton lining. © The Olive Matthews Collection, Chertsey Museum. Photo: John Chase Photography. https://www.studiointernational.com/images/articles/u/096-unbound-2020/MT1923-single-Chertsey-brocade-shoe.jpg Brocade Shoe without Clog, 1735-45. Brocaded silk. © The Olive Matthews Collection, Chertsey Museum. Photo: John Chase Photography. https://www.studiointernational.com/images/articles/u/096-unbound-2020/Shindigo-Space-07-balls-(x-74)-T2009.10.9,-Mr-Hiroyuki-Shindo-DETAIL-1.jpg Hiroyuki Shindo, Shindigo Space 2007. Dyed hemp, cotton, polystyrene. © The Artist. Courtesy of the Whitworth, The University of Manchester. https://www.studiointernational.com/images/articles/u/096-unbound-2020/Zardosi.jpg Sehyr Saigol (designed by), Zardosi Robe, 1994. Brocaded silk with zardosi, sequin and beadwork embroidery. © Bradford Museums and Galleries. Photo: Paul Tucker. https://www.studiointernational.com/images/articles/u/096-unbound-2020/52_Babel_03.jpg Michael Brennand-Wood, Babel, 1992. Wood, paint, wire, embroidery. © The artist. The Whitworth, The University of Manchester. https://www.studiointernational.com/images/articles/u/096-unbound-2020/Ties.jpg Enid Marx, Ties, c1920-30. Printed silk. © Compton Verney. Photo: Jamie Woodley. https://www.studiointernational.com/images/articles/u/096-unbound-2020/1-2.jpg Jelek, 1913. Gold embroidery on black cloth. © Calderdale Museums Collection, Halifax. Photo: Paul Tucker. https://www.studiointernational.com/images/articles/u/096-unbound-2020/3-2.jpg Unknown maker, Phulkari early 20th-century. Cotton with floss silk embroidery. © Bradford Museums and Galleries. Photo: Paul Tucker. https://www.studiointernational.com/index.php/darren-waterston-video-interview-filthy-lucre-victoria-and-albert-museum-london https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/James-Abbott-McNeill-Whistler,-Peacock-Room.-Freer-Gallery-of-Art,-Smithsonian-Institution,-2.jpg James Abbott McNeill Whistler, Peacock Room, Freer Gallery of Art, Smithsonian Institution, Washington, D.C. Gift of Charles Lang Freer. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston-Filthy-Lucre-2020-Photo-Luke-Walker-(5).jpg Darren Waterston. Filthy Lucre: Whistler’s Peacock Room Reimagined, Victoria & Albert Museum, London, 25 January – 3 May 2020. Photo: Luke Walker. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston-Filthy-Lucre-2020-Photo-Luke-Walker.jpg Darren Waterston. Filthy Lucre: Whistler’s Peacock Room Reimagined, Victoria & Albert Museum, London, 25 January – 3 May 2020. Photo: Luke Walker. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston-Filthy-Lucre-2020-Photo-Luke-Walker-(1).jpg Darren Waterston. Filthy Lucre: Whistler’s Peacock Room Reimagined, Victoria & Albert Museum, London, 25 January – 3 May 2020. Photo: Luke Walker. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston,-Filthy-Lucre-Photo-by-Amber-Gray-mz_amber_gray-(5).jpg Darren Waterston, Filthy Lucre. Photo: Amber Gray. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston-Filthy-Lucre-2020-Photo-Luke-Walker-(13).jpg Darren Waterston. Filthy Lucre: Whistler’s Peacock Room Reimagined, Victoria & Albert Museum, London, 25 January – 3 May 2020. Photo: Luke Walker. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston-Filthy-Lucre-2020-Photo-Luke-Walker-(14).jpg Darren Waterston. Filthy Lucre: Whistler’s Peacock Room Reimagined, Victoria & Albert Museum, London, 25 January – 3 May 2020. Photo: Luke Walker. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston-Filthy-Lucre-2020-Photo-Luke-Walker-(2).jpg Darren Waterston. Filthy Lucre: Whistler’s Peacock Room Reimagined, Victoria & Albert Museum, London, 25 January – 3 May 2020. Photo: Luke Walker. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston-Filthy-Lucre-2020-Photo-Luke-Walker-(3).jpg Darren Waterston. Filthy Lucre: Whistler’s Peacock Room Reimagined, Victoria & Albert Museum, London, 25 January – 3 May 2020. Photo: Luke Walker. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/filthy-lucre-2020.jpg Darren Waterston. Filthy Lucre: Whistler’s Peacock Room Reimagined, Victoria & Albert Museum, London, 25 January – 3 May 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/James-Abbott-McNeill-Whistler,-Peacock-Room.-Freer-Gallery-of-Art,-Smithsonian-Institution.jpg James Abbott McNeill Whistler, Peacock Room, Freer Gallery of Art, Smithsonian Institution, Washington, D.C. Gift of Charles Lang Freer. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston,-Filthy-Lucre-Photo-by-Amber-Gray-mz_amber_gray-(3).jpg Darren Waterston, Filthy Lucre. Photo: Amber Gray. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/Darren-Waterston,-Filthy-Lucre-Photo-by-Amber-Gray-mz_amber_gray-(8).jpg Darren Waterston, Filthy Lucre. Photo: Amber Gray. https://www.studiointernational.com/images/articles/w/068-waterston-darren-2020/darren-waterston-2020-photo-martin-kennedy-3.jpg Darren Waterston talking to Studio International ahead of the opening of his installation Filthy Lucre: Whistler’s Peacock Room Reimagined, at the Victoria & Albert Museum, London. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/christine-rebet-video-interview-time-levitation-parasol-unit-london https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/Christine-Rebet--Time-Levitation-(65).jpg Christine Rebet, Brand Band News, 2005, installation view, Parasol unit, London, 2020. Photo: Benjamin Westoby. Courtesy the artist and Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/Christine-Rebet-Time-Levitation-(59).jpg Christine Rebet, The Black Cabinet, 2007, installation view, Parasol unit, London, 2020. Photo: Benjamin Westoby. Courtesy the artist and Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/Christine-Rebet-Time-Levitation-(7a).jpg Christine Rebet, The Square, 2011, installation view, Parasol unit, London, 2020. Photo: Benjamin Westoby. Courtesy the artist and Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/Christine-Rebet-Time-Levitation-(18).jpg Christine Rebet, In the Soldier’s Head, 2015, installation view, Parasol unit, London, 2020. Photo: Benjamin Westoby. Courtesy the artist and Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/Christine-Rebet-Time-Levitation-(19).jpg Christine Rebet, Thunderbird, 2018, installation view, Parasol unit, London, 2020. Photo: Benjamin Westoby. Courtesy the artist and Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/Christine-Rebet-Time-Levitation-(49).jpg Christine Rebet, Breathe In, Breathe Out, 2019, installation view, Parasol unit, London, 2020. Photo: Benjamin Westoby. Courtesy the artist and Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/Christine-Rebet-Time-Levitation-(2).jpg Christine Rebet: Time Levitation, installation view, Parasol unit, London, 2020. Photo: Benjamin Westoby. Courtesy the artist and Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/Christine-Rebet-Time-Levitation-(4).jpg Christine Rebet: Time Levitation, installation view, Parasol unit, London, 2020. Photo: Benjamin Westoby. Courtesy the artist and Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/Christine-Rebet-Time-Levitation-(5).jpg Christine Rebet: Time Levitation, installation view, Parasol unit, London, 2020. Photo: Benjamin Westoby. Courtesy the artist and Parasol unit foundation for contemporary art. https://www.studiointernational.com/images/articles/r/071-rebet-christine-2020/christine-rebet-parasol-unit-2020-photo-martin-kennedy-3.jpg Christine Rebet talking to Studio International at the opening of Time Levitation, Parasol unit, London, January 2020. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/ruth-asawa-a-line-can-go-anywhere-review-david-zwirner-gallery-london https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/RADZLSHOW2020_V26.jpg Ruth Asawa: A Line Can Go Anywhere, installation view, David Zwirner London, January 10 - February 22, 2020. Photo: Jack Hems. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/ASARU0279_V1.jpg Ruth Asawa. Untitled (S.595, Hanging Single Section, Reversible Open Windows Form), c1963. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/asawa-drawings.jpg Ruth Asawa: A Line Can Go Anywhere, installation view, David Zwirner London, January 10 - February 22, 2020. Photo: Jack Hems. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/ASARU0112_V1.jpg Ruth Asawa. Untitled (S.030, Hanging Eight Separate Cones Suspended Through Their Centers), c1952. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/RADZLSHOW2020_V23.jpg Ruth Asawa: A Line Can Go Anywhere, installation view, David Zwirner London, January 10 - February 22, 2020. Photo: Jack Hems. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/radzlshow2020-v12.jpg Ruth Asawa: A Line Can Go Anywhere, installation view, David Zwirner London, January 10 - February 22, 2020. Photo: Jack Hems. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/RADZLSHOW2020_V19.jpg Ruth Asawa: A Line Can Go Anywhere, installation view, David Zwirner London, January 10 - February 22, 2020. Photo: Jack Hems. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/RADZLSHOW2020_V33.jpg Ruth Asawa: A Line Can Go Anywhere, installation view, David Zwirner London, January 10 - February 22, 2020. Photo: Jack Hems. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/ASARU0102_V1.jpg Ruth Asawa. Untitled (S.310, Hanging Five-Lobed Continuous Form Within a Form with Spheres in the 2nd, 3rd, and Bottom Lobes), c1954. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/asuruo0111-v1.jpg Ruth Asawa. Untitled (S.142, Hanging Five-Lobed, Multi-Layer Continuous Form within a Form), 1990. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/ASARU0291_V1.jpg Ruth Asawa. Untitled (S.590, Hanging Open Undulating Form), c1960. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/images/articles/a/058-asawa-ruth-2020/ASARU0297_V1.jpg Ruth Asawa. Untitled (S.595, Hanging Single Section, Reversible Open Windows Form), c1963. © The Estate of Ruth Asawa. Courtesy The Estate of Ruth Asawa and David Zwirner. https://www.studiointernational.com/index.php/tony-lewis-interview-the-dangers-as-far-as-i-can-see-massimo-de-carlo-milan https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/08.jpg Tony Lewis. ...What Are We Going To Do With The Negroes..., 2019. Graphite and Epson UltraChrome ink on paper, 167.6 × 230 × 6.3 cm (67 × 90 1/4 × 2 1/4 in). Courtesy Massimo De Carlo, Milan / London / Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/09.jpg Tony Lewis. roloc fo elpoeP, 2019. Pencil, coloured pencil and graphite powder on paper, 203 × 162.5 cm (80 × 64 in). Courtesy Massimo De Carlo, Milan / London / Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/06.jpg Tony Lewis. ...The Rhetorical Momentum That Some Of Their Arguments Are Taking..., 2019. Graphite and Epson UltraChrome ink on paper, 167.6 × 230 × 6.3 cm (67 × 90 1/4 × 2 1/4 in). Courtesy Massimo De Carlo, Milan / London / Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/04.jpg Tony Lewis. Untiled 7, 2016. Graphite powder, paint and tape on paper, dimensions variable. Photo: Roberto Marossi. Courtesy Massimo De Carlo, Milan / London / Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/05.jpg Tony Lewis. Untitled 10, 2018. Graphite powder, paint and tape on paper, dimensions variable. Photo: Roberto Marossi. Courtesy Massimo De Carlo, Milan / London / Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/02.jpg Tony Lewis. Agree, 2019. Graphite, pencil, and colored pencil on paper mounted on wood, 193 × 255 × 2.5 cm (76 × 100 1/2 × 1 in). Courtesy Massimo De Carlo, Milan / London / Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/01.jpg Tony Lewis. Touch, 2019. Graphite, pencil, and coloured pencil on paper mounted on wood, 193 × 255 × 2.5 cm (76 × 100 1/2 × 1 in). Courtesy Massimo De Carlo, Milan / London / Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/03.jpg Tony Lewis. Untitled 1, 2011. Graphite powder, paint and tape on paper, dimensions variable. Photo: Roberto Marossi. Courtesy Massimo De Carlo, Milan / London / Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/07.jpg Tony Lewis. ...The Failure Of The Negro Community Itself..., 2019. Graphite and Epson UltraChrome ink on paper, 167.6 × 230 × 6.3 cm (67 × 90 1/4 × 2 1/4 in). Courtesy Massimo De Carlo, Milan / London / Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/21.jpg Tony Lewis: The Dangers (As Far As I Can See), installation view, Massimo De Carlo, Milan / Belgioioso, 22 January – 14 March 2020. Photo: Roberto Marossi. Courtesy Massimo De Carlo, Milan/London/Hong Kong. https://www.studiointernational.com/images/articles/l/066-lewis-tony-2020/25.jpg Tony Lewis: The Dangers (As Far As I Can See), installation view, Massimo De Carlo, Milan / Belgioioso, 22 January – 14 March 2020. Photo: Roberto Marossi. Courtesy Massimo De Carlo, Milan/London/Hong Kong. https://www.studiointernational.com/index.php/expressive-art-in-the-20th-century-review-national-gallery-modern-art-edinburgh https://www.studiointernational.com/images/articles/e/077-expressive-art-2020/le-mas-passe-temps-c-ret.jpg Chaim Soutine. Le Mas Passe-Temps, Céret, 1920-21. Oil on canvas, 62.8 x 86.3 cm. National Galleries of Scotland. Photo: Antonia Reeve. https://www.studiointernational.com/images/articles/e/077-expressive-art-2020/frauenkopf-head-of-a-woman.jpg Alexej Von Jawlensky. Frauenkopf [Head of a Woman], c1911. Oil on millboard laid on plywood, 52.2 x 50.2 cm. National Galleries of Scotland. Photo: Antonia Reeve. https://www.studiointernational.com/images/articles/e/077-expressive-art-2020/m-dchenkopf-sich-umwendend-head-of-a-girl-looking.jpg Wilhelm Lehmbruck. Mädchenkopf, sich umwendend (Head of a Girl Looking Over her Shoulder), 1913-14 (posthumous cast). Terracotta, 39.5 x 27 x 18.5 cm. Scottish National Gallery of Modern Art, Edinburgh. https://www.studiointernational.com/images/articles/e/077-expressive-art-2020/japanisches-theater-japanese-theatre.jpg Ernst Ludwig Kirchner. Japanisches Theater [Japanese Theatre], 1909. Oil on canvas, 113.7 x 113.7 cm. National Galleries of Scotland. Photo: Antonia Reeve. https://www.studiointernational.com/index.php/peter-fischli-and-david-weiss-should-i-paint-a-pirate-ship-review-spruth-magers-london https://www.studiointernational.com/images/articles/f/079-fischli-weiss-2020/FWE_Install_Should_I_paint_a_pirate_ship_-SMB_2020_05.jpg Peter Fischli David Weiss, Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?, installation view, Sprüth Magers, London, 2020. Courtesy Sprüth Magers. Photo: Stephen White. https://www.studiointernational.com/images/articles/f/079-fischli-weiss-2020/FWE_Install_Should_I_paint_a_pirate_ship_-SMB_2020_04.jpg Peter Fischli David Weiss, Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?, installation view, Sprüth Magers, London, 2020. Courtesy Sprüth Magers. Photo: Stephen White. https://www.studiointernational.com/images/articles/f/079-fischli-weiss-2020/FWE_Install_Should_I_paint_a_pirate_ship_-SMB_2020_02.jpg Peter Fischli David Weiss, Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?, installation view, Sprüth Magers, London, 2020. Courtesy Sprüth Magers. Photo: Stephen White. https://www.studiointernational.com/images/articles/f/079-fischli-weiss-2020/FWE_Install_Should_I_paint_a_pirate_ship-detail.jpg Peter Fischli David Weiss, Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair? (detail), installation view, Sprüth Magers, London, 2020. Courtesy Sprüth Magers. Photo: Stephen White. https://www.studiointernational.com/images/articles/f/079-fischli-weiss-2020/FWE_Install_Should_I_paint_a_pirate_ship_-SMB_2020_03.jpg Peter Fischli David Weiss, Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?, installation view, Sprüth Magers, London, 2020. Courtesy Sprüth Magers. Photo: Stephen White. https://www.studiointernational.com/images/articles/f/079-fischli-weiss-2020/FWE_Install_Should_I_paint_a_pirate_ship_-SMB_2020_01.jpg Peter Fischli David Weiss, Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?, installation view, Sprüth Magers, London, 2020. Courtesy Sprüth Magers. Photo: Stephen White. https://www.studiointernational.com/images/articles/f/079-fischli-weiss-2020/FWE_Install_Should_I_paint_a_pirate_ship_-SMB_2020_06.jpg Peter Fischli David Weiss, Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?, installation view, Sprüth Magers, London, 2020. Courtesy Sprüth Magers. Photo: Stephen White. https://www.studiointernational.com/images/articles/f/079-fischli-weiss-2020/FWE_Install_Should_I_paint_a_pirate_ship_-SMB_2020_13.jpg Peter Fischli David Weiss, Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?, installation view, Sprüth Magers, London, 2020. Courtesy Sprüth Magers. Photo: Stephen White. https://www.studiointernational.com/index.php/daniel-arsham-paris-3020-review-perrotin-paris https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/01.jpg Daniel Arsham, Blue Calcite Eroded Venus of Milo, (detail), 2019. Blue calcite, hydrostone,
 216 x 60 x 65 cm. Photo: Guillaume Ziccarelli. © Courtesy the artist & Perrotin. https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/10.jpg Daniel Arsham, Study for Eroded Hamadryade, 2019. Graphite on paper, 61 x 45.7 cm. Photo: Claire Dorn. © Courtesy of the artist & Perrotin. https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/06.jpg Daniel Arsham: Paris, 3020, installation view, Perrotin Paris. Photo: Claire Dorn. © Courtesy of the artist and Perrotin. https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/03.jpg Daniel Arsham, Blue Calcite Eroded Moses, (detail), 2019. Blue calcite, hydrostone, 260 x 119 x 125 cm. Photo: Claire Dorn. © Courtesy the artist & Perrotin. https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/04.jpg Daniel Arsham, Rose Quartz Eroded Hamadryade, 2019. Pink selenite, quartz, hydrostone, 117 x 82 x 80 cm. Photo: Tanguy Beurdeley. © Courtesy of the artist and Perrotin. https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/11.jpg Daniel Arsham in his studio. Photo: Guillaume Ziccarelli. © Courtesy of the artist & Perrotin. https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/02.jpg Daniel Arsham, Blue Calcite Eroded Venus of Milo, 2019. Blue calcite, hydrostone, 216 x 60 x 65 cm. © Courtesy the artist & Perrotin. https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/05.jpg Daniel Arsham: Paris, 3020, installation view, Perrotin Paris. Photo: Claire Dorn. © Courtesy of the artist and Perrotin. https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/08.jpg Daniel Arsham, Quartz Eroded Ara Pacis, 2019. Selenite, hydrostone, 120 x 150 x 25 cm. Photo: Claire Dorn. © Courtesy of the artist & Perrotin. https://www.studiointernational.com/images/articles/a/057-arsham-daniel-2020/09.jpg Daniel Arsham, Ash and Pyrite Eroded Two Medes, 2019. Volcanic ash, pyrite, selenite, hydrostone, 119 x 81 x 9 cm. Photo: Claire Dorn © Courtesy of the artist & Perrotin. https://www.studiointernational.com/index.php/british-baroque-power-and-illusion-review-tate-britain-london https://www.studiointernational.com/images/articles/b/048-british-baroque-2020/01.jpg Antonio Verrio. The Sea Triumph of Charles II, c1674. Oil paint on canvas, 224.5 x 231 cm. The Royal Collection Trust / HM Queen Elizabeth II. https://www.studiointernational.com/images/articles/b/048-british-baroque-2020/02.jpg Honoré Pelle. Charles II, 1684. Marble, 128.9 cm high. Victoria & Albert Museum, London. https://www.studiointernational.com/images/articles/b/048-british-baroque-2020/03.jpg Peter Lely. Barbara Palmer (née Villiers), Duchess of Cleveland with her son, probably Charles Fitzroy, as the Virgin and Child, c1664. Oil paint on canvas, 124.7 x 102 cm. https://www.studiointernational.com/images/articles/b/048-british-baroque-2020/09.jpg Sir Godfrey Kneller. John Churchill, 1st Duke of Marlborough, c1706. Oil paint on canvas, 92.7 x 73.7 cm. National Portrait Gallery, London. https://www.studiointernational.com/images/articles/b/048-british-baroque-2020/04.jpg Benedetto Gennari. The Annunication, 1686. Oil paint on canvas, 255.3 x 210.2 cm. The Ringling, Sarasota, Florida. Bequest of John Ringling. https://www.studiointernational.com/images/articles/b/048-british-baroque-2020/07.jpg William Wissing. Queen Anne, when Princess of Denmark, c1685. Oil paint on canvas, 199.4 x 128.3 cm. National Galleries of Scotland, Edinburgh. https://www.studiointernational.com/images/articles/b/048-british-baroque-2020/05.jpg Simon Vereslst. A Vase of Flowers, c1669-75. Oil paint on canvas, 44 x 32 cm. Ashmolean Museum, Oxford. https://www.studiointernational.com/images/articles/b/048-british-baroque-2020/06.jpg Jan Siberechts. View of Chatsworth, 1669-1700. Oil paint on canvas, 315 x 307 cm. The Devonshire Collections, Chatsworth. https://www.studiointernational.com/images/articles/b/048-british-baroque-2020/08.jpg John Clostermen. The Children of John Taylor of Bifrons Park, 1696. Oil paint on canvas, 189.8 x 271.8. cm. National Portrait Gallery, London. https://www.studiointernational.com/index.php/migrations-journeys-into-british-art-interview-with-sonia-boyce https://www.studiointernational.com/images/articles/m/migrations-2012/sonia-boyce-b.jpg Sonia Boyce. From Tarzan to Rambo: English Born 'Native' Considers her Relationship to the Constructed/Self Image and her Roots in Reconstruction, 1987. Photograph and mixed media. https://www.studiointernational.com/images/articles/m/migrations-2012/alys_railings-b.jpg Francis Alys. Railings, 2004. Tate © Francis Alÿs. Photograph: Tate Photography. https://www.studiointernational.com/images/articles/m/migrations-2012/canaletti_lonson_the_old_horse_guards-b.jpg Canaletto. London: The Old Horse Guards from St James’s Park, c1749. Tate. Lent by The Andrew Lloyd Webber Foundation. https://www.studiointernational.com/images/articles/m/migrations-2012/himid_between_the_two-b.jpg Lubaina Himid. Between the Two My Heart is Balanced, 1991. Tate. © Lubaina Himid. https://www.studiointernational.com/images/articles/m/migrations-2012/keith-piper-b.jpg Keith Piper. Go West Young Man, 1987. Tate. © Keith Piper. https://www.studiointernational.com/images/articles/m/migrations-2012/kramer_jews_at_prayer-b.jpg Jacob Kramer. Jews at Prayer, 1919. Tate © Estate of John David Roberts. By courtesy of the William Roberts Society. Photograph: Tate Photography. https://www.studiointernational.com/images/articles/m/migrations-2012/tissot_portsmouth_dockyard-b.jpg James Tissot. Portsmouth Dockyard, c1877. © Tate. https://www.studiointernational.com/index.php/not-vital-scarch-review-hauser-and-wirth-somerset https://www.studiointernational.com/images/articles/v/088-vital-2020/VITALHouse-to-Watch-the-Sunset-2.jpg Not Vital. House to Watch the Sunset, 2005. Aluminium, 430 x 550 x 330 cm (169 1/4 x 216 1/2 x 129 7/8 in). Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITALHouse-to-Watch-the-Sunset-(2005)-1-Ken-Adlard.jpg Not Vital. House to Watch the Sunset, 2005. Aluminium, 430 x 550 x 330 cm (169 1/4 x 216 1/2 x 129 7/8 in). Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL100608-hires-(3).jpg Not Vital. 100 Architects, 2016. Black granite, dimensions variable, average height 56.22 cm. Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/images/articles/v/088-vital-2020/Hauser-Wirth-Somerset-hires-(57).jpg Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITALSynagogue-for-Tel-Aviv-(2010).jpg Not Vital. Synagogue for Tel Aviv, 2010. Straws, tape and pencil on paper, 43.2 x 35.6 cm (17 x 14 in). Image © Not Vital. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL100609-hires.jpg Not Vital. Chasa i Bogn, 1970. Tin House: 100 x 61 x 24 cm. Bathtub: 53 x 80 x 72.5 cm. Image © Not Vital. Courtesy of the artist and Hauser & Wirth. Photo: Joschi Herzceg. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL100611-hires.jpg Not Vital. Chanala da tet, 1964. Tin and white paint, 218 x 13 x 21 cm (85 7/8 x 5 1/8 x 8 1/4 in). Image © Not Vital. Courtesy of the artist and Hauser & Wirth. Photo: Joschi Herzceg. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL101067-hires.jpg Not Vital. Bale, 2018. Stainless steel with white varnish, 120 x 118 x 118 cm (47 1/4 x 46 1/2 x 46 1/2 in). Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL100663-hires-(1).jpg Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL100608-hires.jpg Not Vital. 100 Architects, 2016. Black granite, dimensions variable, average height 56.22 cm. Image © Not Vital. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL100633-hires.jpg Not Vital. Night House, 2019. Oil stick, silicone, tape and pencil on paper, 43.2 x 35.6 cm (17 x 14 in). Image © Not Vital. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL-Hotel-for-Aa,-ZH-(2009).jpg Not Vital. Hotel for Aa, ZH, 2009. Stickers, glue, tape and pencil on paper, 43.2 x 35.6 cm (17 x 14 in). Image © Not Vital. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL100660-hires.jpg Not Vital. Nest, 2018. Straw, silicone, tape and pencil on paper, 43.2 x 35.6 cm (17 x 14 in). Image © Not Vital. Courtesy of the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL100663-hires-(4).jpg Not Vital. Cannot Enter Cannot Exit, 2020. Stainless steel and ceramic, 517 x 165 x 165 cm (203 1/2 x 65 x 65 in). Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/images/articles/v/088-vital-2020/Hauser-Wirth-Somerset-hires-(51).jpg Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/images/articles/v/088-vital-2020/Hauser-Wirth-Somerset-hires-(55).jpg Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/images/articles/v/088-vital-2020/VITAL100665-hires.jpg Not Vital. Date, 2016. Stainless steel, 300 x 153 x 126 cm (118 1/8 x 60 1/4 x 49 5/8 in). Installation view, Not Vital. SCARCH’ Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy of the artist and Hauser & Wirth © Not Vital. https://www.studiointernational.com/index.php/an-my-le-interview-silent-general-marian-goodman-gallery-photography https://www.studiointernational.com/images/articles/a/056-an-my-le-2020/Portrait-of-An-My-Le.jpg Portrait of An-My Lê. John D. & Catherine T. MacArthur Foundation. https://www.studiointernational.com/index.php/jan-van-eyck-an-optical-revolution-review-museum-fine-arts-ghent https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/AR-31.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432 (detail). Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/BR-0.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432. Outer panels of the closed altarpiece. Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/adam-and-eve-ghent-altarpiece.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432 (detail showing Adam and Eve panels). Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/AR-38.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432 (detail). Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/02-Madonna-bij-de-fontein.jpg Jan van Eyck. The Madonna at the Fountain, 1439. Oil on panel, 19 x 12 cm. Royal Museum of Fine Arts, Antwerp. © www.lukasweb.be - Art in Flanders vzw. Photo: Hugo Maertens. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/AR-8.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432. Detail of panel showing the Archangel Gabriel https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/AR-20.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432. Detail of panel showing trompe l https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/03-Baudouin-de-Lannoye.jpg Jan van Eyck. Portrait of Baudouin de Lannoy, c1435. Oil on panel, 26.6  x 19.6 cm. Gemäldegalerie der Staatlichen Museen zu Berlin – Preussischer Kulturbesitz, Berlin © KIK-IRPA, Brussel. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/15-Vera-Icon.jpg Master of Jean Chevrot. Vera Icon, c1450. Tempera on vellum, 15.9 x 11 cm. The Morgan Library & Museum, New York https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/AR-32.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432 (detail). Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/BR-00.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432. Inner panels of the open altarpiece. Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/AR-00.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432 (detail). Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/17-Madonna-bij-de-fontein.jpg Jan van Eyck and workshop. The Madonna at the fountain, c1440. Oil on panel, 21.3 x 17.2 cm. Private collection. © Courtesy of the Frick Collection. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/25-Portret-van-Margareta-van-Eyck.jpg Jan van Eyck. Portrait of Margareta van Eyck, 1439. Oil on panel, 32.6 x 25.8 cm. Musea Brugge – Groeningemuseum. © Musea Brugge, www.lukasweb.be – Art in Flanders. Photo: Hugo Maertens https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/16-Heilige-Barbara.jpg Jan van Eyck. The Saint Barbara of Nicomedia, 1437. Oil on panel, 32 × 18.2 cm. Royal Museum of Fine Arts Antwerp, Antwerp. © www.lukasweb.be - Art in Flanders vzw. Photo: Hugo Maertens. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/AR-27.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432 (detail). Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw. https://www.studiointernational.com/images/articles/v/087-van-eyck-2020/AR-23.jpg Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432 (detail of panel showing Elisabeth Borluut). Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw. https://www.studiointernational.com/index.php/david-reed-new-paintings-review-gagosian-new-york https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-2019-0003_713.jpg David Reed. #713, 2017–19. Acrylic, oil, and alkyd on polyester, 28 x 112 in (71.1 x 284.5 cm). © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-2019-0012_715.jpg David Reed. #715 (For Beccafumi—His Fall of the Rebel Angels), 2017–19. Acrylic, oil, and alkyd on polyester 26 x 117 in. © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-2019-0001_709.jpg David Reed. #709 (For Jeremy Blake and Theresa Duncan), 2005–09/2018–19. Acrylic, oil, and alkyd on polyester, 121 x 55 in (307.3 x 139.7 cm). © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-2019-0002_712.jpg David Reed. #712, 2010–11/2018–19. Acrylic, oil, and alkyd on polyester, 96 x 54 in (243.8 x 137.2 cm). © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-install-2.jpg David Reed: New Paintings, 2019, installation view. Artwork © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-2019-0011_710.jpg David Reed. #710, 2005–09/2018–19. Acrylic, oil, and alkyd on polyester, 121 x 55 in (307.3 x 139.7 cm). © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-2019.0013_718.jpg David Reed. #718, 2018–19. Acrylic, oil, and alkyd on polyester, 28 x 116 in (71.1 x 294.6 cm). © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-install-16.jpg David Reed: New Paintings, 2019, installation view. Artwork © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-install-5.jpg David Reed: New Paintings, 2019, installation view. Artwork © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/images/articles/r/070-reed-david-2020/REED-install-7.jpg David Reed: New Paintings, 2019, installation view. Artwork © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian. https://www.studiointernational.com/index.php/gianfranco-zappettini-interview-the-golden-age-mazzoleni-london https://www.studiointernational.com/images/articles/z/095-zappettini-2020/parete-02-CON-CENTRO-n-103-2018-290x330.jpg Gianfranco Zappettini. Con-Centro no 103, 2018. Resins, facade plaster and acrylic on board, 290 x 330 cm. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/z/095-zappettini-2020/parete-04-CON-CENTRO-n---28-2019-170x170.jpg Gianfranco Zappettini. Con-Centro no 28, 2019. Resins, facade plaster and acrylic on board, 170 x 170 cm. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/z/095-zappettini-2020/parete-09-La-luce-prima--n--81-2017-180x187-bianca.jpg Gianfranco Zappettini. La trama e l https://www.studiointernational.com/images/articles/z/095-zappettini-2020/MAZ_040220_29-ok.jpg Gianfranco Zappettini: The Golden Age, installation view, Mazzoleni London, Courtesy London-Torino. https://www.studiointernational.com/images/articles/z/095-zappettini-2020/parete-15-Il-petalo-doro-2019-160x256.jpg Gianfranco Zappettini. Il petalo d https://www.studiointernational.com/images/articles/z/095-zappettini-2020/parete-19-Il-codice-degli-dei-n35-9x-50x50.jpg Gianfranco Zappettini. Il codice degli dei no 35. Resin and acrylic on board, 9 x 50 x 50 cm. Courtesy Mazzoleni, London-Torino. https://www.studiointernational.com/images/articles/z/095-zappettini-2020/Installation-Shot-Gianfranco-Zappettini-The-Golden-Age-exhibition-at-Mazzoleni-London,-Courtesy-London-Torino.jpg Gianfranco Zappettini: The Golden Age, installation view, Mazzoleni London, Courtesy London-Torino. https://www.studiointernational.com/images/articles/z/095-zappettini-2020/MAZ_040220_02-ok.jpg Gianfranco Zappettini: The Golden Age, installation view, Mazzoleni London, Courtesy London-Torino. https://www.studiointernational.com/images/articles/z/095-zappettini-2020/MAZ_040220_16-ok.jpg Gianfranco Zappettini: The Golden Age, installation view, Mazzoleni London, Courtesy London-Torino. https://www.studiointernational.com/index.php/denzil-forrester-video-interview-itchin-and-scratchin-nottingham-contemporary https://www.studiointernational.com/images/articles/f/078-forrester-denzil-2020/itchin-and-scratchin-2019.jpg Denzil Forrester, Itchin & Scratchin, 2019. Oil on canvas, 206 x 274 cm. Copyright Denzil Forrester. Courtesy the artist and Stephen Friedman Gallery, London. https://www.studiointernational.com/images/articles/f/078-forrester-denzil-2020/denzil-forrester-Dub-Strobe.jpg Denzil Forrester, Dub Strobe 1, 1990. Oil on canvas, 213.8 x 152 cm (84 1/8 x 59 7/8 in). Copyright Denzil Forrester. Courtesy the artist and Stephen Friedman Gallery, London. https://www.studiointernational.com/images/articles/f/078-forrester-denzil-2020/NC_Forrester_040_2.jpg Denzil Forrester. Stitch Up, 2017. Installation view, Nottingham Contemporary, 2020. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/f/078-forrester-denzil-2020/denzil-forrester-Brixton-Blue.jpg Denzil Forrester, Brixton Blue, 2018. Oil on canvas, 204.4 x 273.4 cm (80 1/2 x 107 5/8 in). Copyright Denzil Forrester. Courtesy the artist and Stephen Friedman Gallery, London. https://www.studiointernational.com/images/articles/f/078-forrester-denzil-2020/FOR-140-Untitled-2019.jpg Denzil Forrester, Untitled, 2019. Charcoal and pastel on paper, 59 x 84 cm (23 1/4 x 33 1/8 in). Copyright Denzil Forrester. Courtesy the artist and Stephen Friedman Gallery, London. https://www.studiointernational.com/images/articles/f/078-forrester-denzil-2020/denzil-forrester-2020-photo-martin-kennedy.jpg Denzil Forrester speaking to Studio International at the opening of Itchin & Scratchin, Nottingham Contemporary, 7 February 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/078-forrester-denzil-2020/FOR-25-All-Hands-on-Deck3.jpg Denzil Forrester, All Hands on Deck, 2003. Oil on linen, 153 x 183 cm (60 1/4 x 72 1/8 in). Copyright Denzil Forrester. Courtesy the artist and Stephen Friedman Gallery, London. https://www.studiointernational.com/images/articles/f/078-forrester-denzil-2020/denzil-forrester-Night-Strobe1.jpg Denzil Forrester, Night Strobe, 1985. Oil on canvas, 277 x 195.5 cm (109 1/8 x 77 in). Copyright Denzil Forrester. Courtesy the artist and Stephen Friedman Gallery, London. https://www.studiointernational.com/images/articles/f/078-forrester-denzil-2020/FOR-141-Untitled.jpg Denzil Forrester, Untitled, 2019. Charcoal and pastel on paper, 59 x 84 cm (23 1/4 x 33 1/8 in). Copyright Denzil Forrester. Courtesy the artist and Stephen Friedman Gallery, London. https://www.studiointernational.com/index.php/actinic-photography-in-print-review-edinburgh-printmakers https://www.studiointernational.com/images/articles/a/055-actinic-2020/Cypress-Trees-1.jpg Kristina Chan and Itamar Freed, Cypress Trees 1, 2019. Photopolymer with chine colle, paper size 61 x 45 cm, image size 50 x 33 cm. https://www.studiointernational.com/images/articles/a/055-actinic-2020/1-Nick-Devison-Home---I,-2019,-Photographic-Etching,-Open-and-Variable-Edition,-Paper-and-Image-size-28cm-x-38cm,-Copyright-Nick-Devison-2019.jpg Nick Devison. Home I, 2019. Photographic etching, Open and Variable Edition, paper and image size 38 x 28 cm. Copyright Nick Devison 2019. https://www.studiointernational.com/images/articles/a/055-actinic-2020/7-Nick-Devison-Home--VII-2019,-Photographic-Etching,-Open-and-Variable-Edition,-Paper-and-Image-size-28cm-x-38cm,-Copyright-Nick-Devison-2019.jpg Nick Devison. Home VII, 2019. Photographic etching, Open and Variable Edition, paper and image size 38 x 28 cm. Copyright Nick Devison 2019. https://www.studiointernational.com/images/articles/a/055-actinic-2020/1-Nick-Devison-Home--I-2019,-Photographic-Etching,-Open-and-Variable-Edition,-Paper-and-Image-size-28cm-x-38cm,-Copyright-Nick-Devison-2019.jpg Nick Devison. Home I, 2019. Photographic etching, Open and Variable Edition, paper and image size 38 x 28 cm. Copyright Nick Devison 2019. https://www.studiointernational.com/images/articles/a/055-actinic-2020/ACTINIC_EdinburghPrintmakers0010.jpg Nick Devison. Actinic – Photography in Print, installation view. Photo: Alix MacIntosh. https://www.studiointernational.com/images/articles/a/055-actinic-2020/Cliff_s-Edge_no-frame.jpg Kristina Chan, Cliff's Edge, 2019. Photopolymer with chine colle, paper size 38 x 28 cm, image size 17 x 12 cm. https://www.studiointernational.com/images/articles/a/055-actinic-2020/_DSC8550.jpg Kristina Chan and Itamar Freed. Dream in Blue. Installation view, Photo: Youval Hai. https://www.studiointernational.com/index.php/yasumasa-morimura-ego-obscura-tokyo-2020-review-hara-museum-of-contemporary-art https://www.studiointernational.com/images/articles/m/047-morimura-yasumasa-2020/1-Still-image-from-Ego-Obscura,-2020.jpg Yasumasa Morimura. Ego Obscura, 2020, still image. Photo Kazuo Fukunaga © Yasumasa Morimura. https://www.studiointernational.com/images/articles/m/047-morimura-yasumasa-2020/2-Unexpected-visitors.jpg Yasumasa Morimura. Unexpected Visitors, 2010-18. Installation view, Hara Museum of Contemporary Art, Shinagawa-ku. https://www.studiointernational.com/images/articles/m/047-morimura-yasumasa-2020/3-From-the-film-Ego-Obscura-Morimura-becoming-Monroe.jpg Film still from Ego Obscura. Yasumasa Morimura becoming Marilyn Monroe. https://www.studiointernational.com/images/articles/m/047-morimura-yasumasa-2020/4-Olympia-and-Modern-Olympia.jpg Yasumasa Morimura. Olympia, 1985 and Une Moderne Olympia 2018. Installation view, Hara Museum of Contemporary Art, Shinagawa-ku. ⓒ Keizo Kioku. https://www.studiointernational.com/images/articles/m/047-morimura-yasumasa-2020/Morimura-performing-over-film.jpg Yasumasa Morimura performing over film screening, Ego Obscura, Tokyo 2020, Hara Museum of Contemporary Art, Shinagawa-ku. https://www.studiointernational.com/images/articles/m/047-morimura-yasumasa-2020/5-Marylin-Monroe-costume.jpg Self-Portrait (Actress) / Marilyn at Tokyo University, Komaba, 1995-2008. Installation view, Hara Museum of Contemporary Art, Shinagawa-ku. ⓒ Yasumasa Morimura. https://www.studiointernational.com/images/articles/m/047-morimura-yasumasa-2020/Morimura-performing-over-film2.jpg Yasumasa Morimura performing over film screening, Ego Obscura, Tokyo 2020, Hara Museum of Contemporary Art, Shinagawa-ku. https://www.studiointernational.com/index.php/steve-mcqueen-review-tate-modern-london https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/Steve-McQueen-Static-2009.jpg Steve McQueen, Static, 2009, video still. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/TateModern_SteveMcQueen_1.jpg Steve McQueen, Once Upon a Time 2002 and Static 2009, installation view, Tate Modern, 2020. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery © Photo: Luke Walker. https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/Steve-McQueen-Exodus-1992-97.jpg Steve McQueen, Exodus, 1992-97, video still. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/Steve-McQueen-Ashes-2002-2015.jpg Steve McQueen. Ashes, 2002-2015, video still. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/TateModern_SteveMcQueen_-6.jpg Steve McQueen, End Credits, 2012, installation view, Tate Modern, 2020. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery © Photo: Luke Walker. https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/Steve-McQueen-Charlotte-2004.jpg Steve McQueen, Charlotte, 2004, film still. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/Steve-McQueen-7th-Nov-2001.jpg Steve McQueen, 7th Nov. 2001, video still. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/Steve-McQueen-Caribs-Leap-2002.jpg Steve McQueen. Caribs’ Leap, 2002, video still. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/Steve-McQueen-Illuminer-2001.jpg Steve McQueen, Illuminer, 2001, video still. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/Steve-McQueen-portrait-2020-Tate-Photography-Oli-Cowling.jpg Portrait of Steve McQueen 2020 © Tate Photography (Oli Cowling). https://www.studiointernational.com/images/articles/m/046-mcqueen-steve-2020/TateModern_SteveMcQueen_-4.jpg Steve McQueen, Ashes 2002-2015, installation view, Tate Modern, 2020. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery © Photo: Luke Walker. https://www.studiointernational.com/index.php/art-deco-by-the-sea-review-sainsbury-centre-norwich https://www.studiointernational.com/images/articles/a/054-art-deco-2020/06_Southern,-1935-(c)-National-Railway-Museum,-Science-Society-Picture-Library.jpg Southern: Camping Sites in Southern England. Poster, 1935. Published by Southern Railway. © National Railway Museum/Science & Society Picture Library. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/Cleethorpes-by-Septimus-Edwin-Scott-VS.jpg Cleethorpes by Septimus Edwin Scott. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/02_Early-Morning-Newlyn,-Procter,-1928-(c)-The-Estate-of-Dod-Procter-Bridgeman-Images.jpg Dod Procter. Early Morning Newlyn, 1926. Oil on canvas. Lent by Glynn Vivian Art Gallery, Swansea, Wales. © The Estate of Dod Procter / Bridgeman Images https://www.studiointernational.com/images/articles/a/054-art-deco-2020/Restaurant-Car-(c1935)-by-Leonard-Campbell-Taylor-VS-pic.jpg Restaurant Car by Leonard Campbell Taylor, c1935. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/07_Designs-for-Midland-Hotel,-Hill-and-Dean-Monroe-Harvey,-1932-(c)-RIBA-Collections.jpg Designs for Midland Hotel, Morecombe Oliver Hill & John Dean Monroe Harvey Drawing, 1932. © RIBA Collections. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/14_The-Odeons-Dreamland-CinemaIles,-Leathart,-Granger_1935_Bruce-Peter-Collection.jpg The Odeons, Dreamland Cinema, Margate. Iles, Leathart & Granger. Photographed by George Arthur, 1935. Photograph lent by the Bruce Peter Collection. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/11_ECKO-AD-76-circular-radio,-Coates,-1935-(c)-John-Clark.jpg Wells Coates. ECKO AD-76 circular radio. Bakelite, 1935. © John Clark. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/13_Fairground-Scene,-Willsons-Printers,-1930s-(c)-National-Fairground-And-Circus-Archive.jpg Fairground Scene, 1930s. Willsons Printers, Leicester. © National Fairground And Circus Archive, University of Sheffield. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/05_New-Brighton-and-Wallasey,-Scott,-1923-47-(c)-National-Railway-Museum,-Science-Society-Picture-Library.jpg New Brighton & Wallasey. Poster, 1923-47. Artwork by Septimus Edwin Scott, published by London Midland and Scottish Railway Company. © National Railway Museum/Science & Society Picture Library. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/01_Summer,-Ronaldson,-1928-(c)-Manchester-Art-Gallery.jpg Thomas Martine Ronaldson. Summer, 1928. Oil on canvas. © Manchester Art Gallery, purchased from the artist in 1929. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/08_Portobello-Lido,-1936,-Bruce-Peter-Collection.jpg Portobello Lido. Photographed by Valentine, 1936. Lent by the Bruce Peter Collection. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/09_Chair,-Summers,-1933-(c)-Sainsbury-Centre,-University-of-East-Anglia.jpg Gerald Summers. Armchair, 1934. Manufactured by Makers of Simple Furniture. Moulded 13-ply birch plywood. © Sainsbury Centre, University of East Anglia. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/10_Leaping-Deer-vase,-Carter,-Stabler-&-Adams-Ltd,-c1935-(c)-John-Clark.jpg Leaping Deer vase, c1935. Carter, Stabler & Adams Ltd, Poole Painted by Eileen Prangnell. © John Clark. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/12_Silk-Scarf,-Walker,-Crysede-textiles,-1925-(c)-Target-Gallery,-London.jpg Silk Scarf by Alec Walker Crysède textiles, 1925. © Target Gallery, London. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/15_De-La-Warr-Pavillion_Mendelsohn,-Chermayeff_1935_Bruce-Peter-Collection.jpg De La Warr Pavilion, Bexhill-on-Sea Mendelsohn & Chermayeff, 1935. Photograph lent by the Bruce Peter Collection. https://www.studiointernational.com/images/articles/a/054-art-deco-2020/17_Funhouse_Blackpool-Pleasure-Beach_Joseph-Emberton_1935_Bruce-Peter-Collection.jpg Funhouse, Blackpool Pleasure Beach Joseph Emberton, 1935. Photograph lent by the Bruce Peter Collection. https://www.studiointernational.com/index.php/we-will-walk-art-and-resistance-in-the-american-south-review-turner-contemporary-margate https://www.studiointernational.com/images/articles/w/067-we-will-walk-2020/Annie-Mae-Young,-Bars,-(c1965),-Image-Stephen-PitkinPitkin-Studio.jpg Annie Mae Young. Bars, c1965. Photo: Stephen Pitkin, Pitkin Studio. https://www.studiointernational.com/images/articles/w/067-we-will-walk-2020/Freeman-Vines,-Death-Mask,-1967,-photo-by-Aaron-Greenhood.jpg Freeman Vines, Death Mask, 1967. Photo: Aaron Greenhood. Image Courtesy Turner Contemporary. https://www.studiointernational.com/images/articles/w/067-we-will-walk-2020/Freeman-Vines-and-His-Hanging-Tree-Guitars,-2,-Fountain,-NC-2015-photo-by-Timothy-Duffy.jpg Freeman Vines & His Hanging Tree Guitars, #2, Fountain, NC, 2015. Photo: Timothy Duffy. https://www.studiointernational.com/images/articles/w/067-we-will-walk-2020/Dinah-Youngs-Yard-2,-photo-by-Hannah-Collins.jpg Dinah Young’s Yard #2. Photo: Hannah Collins. Photo Courtesy Turner Contemporary. https://www.studiointernational.com/images/articles/w/067-we-will-walk-2020/Ralph-Griffin,-Eagle,-(1988),-Image-Stephen-PitkinPitkin-Studio.jpg Ralph Griffin, Eagle, 1988. Photo: Stephen Pitkin, Pitkin Studio. https://www.studiointernational.com/images/articles/w/067-we-will-walk-2020/Emmer-Sewells-Porch,-photo-by-Hannah-Collins.jpg Emmer Sewell’s Porch. Photo: Hannah Collins. Image Courtesy Turner Contemporary. https://www.studiointernational.com/index.php/jake-wood-evans-video-interview-relic-the-gallery-winchester-discovery-centre https://www.studiointernational.com/images/articles/w/066-wood-evans-jake-2020/HCT_JWE_Relic_Install_10.jpg Jake Wood-Evans: Relic, installation view, the Gallery, Winchester Discovery Centre. Photo courtesy Unit London. https://www.studiointernational.com/images/articles/w/066-wood-evans-jake-2020/HCT_JWE_Relic_Install_13.jpg Jake Wood-Evans: Relic, installation view, the Gallery, Winchester Discovery Centre. Photo courtesy Unit London. https://www.studiointernational.com/images/articles/w/066-wood-evans-jake-2020/jake-wood-evans-photo-martin-kennedy-3.jpg Jake Wood-Evans talking to Studio International at his exhibition Relic, Winchester Discovery Centre, 11 February 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/w/066-wood-evans-jake-2020/HCT_JWE_Relic_Install_1.jpg Jake Wood-Evans: Relic, installation view, the Gallery, Winchester Discovery Centre. Photo courtesy Unit London. https://www.studiointernational.com/images/articles/w/066-wood-evans-jake-2020/HCT_JWE_Relic_Install_7.jpg Jake Wood-Evans: Relic, installation view, the Gallery, Winchester Discovery Centre. Photo courtesy Unit London. https://www.studiointernational.com/images/articles/w/066-wood-evans-jake-2020/HCT_JWE_Relic_Install_Individual_59.jpg Jake Wood-Evans: Relic, installation view, the Gallery, Winchester Discovery Centre. Photo courtesy Unit London. https://www.studiointernational.com/index.php/naum-gabo-constructions-for-real-life-review-state-st-ives https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/07-Kinetic-Construction-(Standing-wave).jpg Naum Gabo. Kinetic Construction (Standing wave) 1919–20, replica 1985. Metal, wood and electric motor, 61.6 x 24.1 x 19 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/01-Construction-In-Space-With-Crstalline-Centre.jpg Naum Gabo. Construction in Space with Crystalline Centre, 1938–40. Perspex and celluloid, 32.4 x 47 x 22 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/001-naum-gabo-fal-uni.jpg Head No. 2 1916, enlarged version 1964. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2020. Photo © Kirstin Prisk. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/05-Linear-construction-No2.jpg Naum Gabo. Linear Construction No. 2, 1970-1. Plastic and nylon threads, 113 x 60 x 59 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/06-Head-No2.jpg Naum Gabo. Head No. 2 1916, enlarged version 1964. Steel, 176 x 124 x 124.3 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/02-Two-Cubes-(Demonstrating-The-Stereometric-Method).jpg Naum Gabo. Two Cubes (Demonstrating the Stereometric Method), 1930. Painted wood, 30.5 x 30.5 x 30.5 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/03-Model-for-Constructe-d-Torso.jpg Naum Gabo. Model for Constructed Torso, 1917, reassembled 1981. Cardboard, 39.5 x 29 x 16 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/04-Monument-For-An-Airport.jpg Naum Gabo. Monument for an Airport, 1932–48. Perspex and brass, 41.6 x 108 x 57.5 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/08-Circular-Relief.jpg Naum Gabo. Circular Relief, 1925. Plastic on wood, 49.8 x 49.8 x 22.9 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/09-Construction-Stone-With-A-Collar.jpg Naum Gabo. Construction: Stone with a Collar, 1933. Limestone, cellulose acetate and brass on slate base, 37 x 72 x 55 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/009-naum-gabo-fal-uni.jpg Final model for Bijenkorf Construction, Rotterdam 1955. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2020. Photo © Kirstin Prisk. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/010-naum-gabo-fal-uni.jpg Torsion (Project For A Fountain) 1960-4; Construction In Space: Vertical 1923-5, reassembled 1986. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2020. Photo © Kirstin Prisk. https://www.studiointernational.com/images/articles/g/072-gabo-naum-2020/011-naum-gabo-fal-uni.jpg Linear Construction No. 2 1970–1. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2020. Photo © Kirstin Prisk. https://www.studiointernational.com/index.php/caravaggio-bernini-the-baroque-in-rome-review-rijksmuseum-amsterdam https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/01-CarBer.jpg Gian Lorenzo Bernini, Medusa, Rome, 1638–40. Marble with traces of original patina, (h)46 cm. Rome, Musei Capitolini, Palazzo dei Conservatori © Pinacoteca Capitolina. Photo: Andrea Jemolo. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/Caravaggio,-Narcissus,-Palazzo-Barberini.jpg Michelangelo Merisi da Caravaggio, Narcissus, Rome, c1600. Oil on canvas, 113.3 x 94 cm. Rome, Gallerie Nazionali d’Arte Antica, Palazzo Barberini; gift of Vasilij Bogdanovič Khvoschinskij, 1916. Photo: Gallerie Nazionali d’Arte Antica – Bibliotheca Hertziana, Max Planck Institute for Art History/Enrico Fontolan. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/Bernini-self-porrait---detail.jpg Bernini https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/03-Michelangelo-Merisi-da-Caravaggio,-Boy-Bitten-by-a-Lizard.jpg Michelangelo Merisi da Caravaggio, Boy Bitten by a Lizard c1597-8. Florence, Fondazione di Studi di Storia dell’Arte Roberto Longhi. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/Ecstasy-of-Mary-Magdelene---Finson-copy-of-lost-Caravaggio-(1).jpg Artemisia’s Mary Magdalene in Ecstasy. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/Bernini---St-Sebastian.jpg Bernini’s St Sebastian. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/Spadarino,-Christ,-Perth.jpg Spadarino (Giovanni Antonio Galli). Christ Displaying his Wounds, c1625–35. Oil on canvas, 132.3 x 97.8 cm. Perth, Perth Museum and Art Gallery & Kinross Council, Scotland. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/Mochi,-Bust-of-a-Youth,-Art-Institute-Chicago.jpg Francesco Mochi, St Veronica, Rome, 1630/31 (model), 1630/31–1654 (execution). Copper alloy with pigmented translucent lacquer patina, (h)46.7 cm. England, private collection. Photo: Maisie Hill. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/OK-Caravaggio,-The-coronation-of-Thomas,-KHM-GG_307_CD.jpg Michelangelo Merisi da Caravaggio, The Crowning with Thorns, Rome, c1603. Oil on canvas, 127 cm x 165.5 cm (50 x 65.2 in). Vienna, Kunsthistorisches Museum. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/02-Bernini,-Thomas-Baker,-coll-VandA.jpg Gian Lorenzo Bernini, Thomas Baker (1606–1657/58), Rome, 1637-38. Carrara marble, (h)81.6 cm (including pedestal) London, Victoria and Albert Museum. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/8-Carlo-Saraceni,-Judith-with-the-Head-of-Holofernes.jpg Carlo Saraceni, Judith with the Head of Holofernes, c1610. Kunsthistorisches Museum Vienna. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/Carracci,-Venus-en-Adonis.jpg Annibale Carracci and studio. Venus and Adonis, 17th century, Kunsthistorisches Museum Vienna. https://www.studiointernational.com/images/articles/c/046-caravaggio-bernini-2020/OK-Gentileschi,-De-extase-van-Maria-Magdalena,-particulier.jpg Artemisia Gentileschi, Mary Magdalen in Ecstasy, Rome or Venice, c1620/25 or c1630/35. Oil on canvas, 81 x 105 cm. Private European collection. Photo: Saint Louis Art Museum. https://www.studiointernational.com/index.php/carmen-neeley-interview-i-am-interested-in-the-process-of-what-is-lost-and-gained-in-translation https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/Breathe-your-own-mask-first.jpg Carmen Neely. Breathe your own mask first, 2019. Oil on canvas, graphite, embroidery, 30 x 40 in (76.2 x 101.6 cm). Courtesy of the artist and Jane Lombard Gallery. https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/Heard-quitting-and-seen-dancing.jpg Carmen Neely. Heard quitting and seen dancing, 2019. Oil on canvas, graphite 64 x 56.25 in (162.56 x 142.88 cm). Courtesy of the artist and Jane Lombard Gallery. https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/If-you-really-love-me,-youll-talk-to-your-therapist-about-me.jpg Carmen Neely. If you really love me, you https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/Maybe-were-just-drawing-out-bad-diagrams.jpg Carmen Neely. Maybe we https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/Neely_In-an-Alternate-Reality_2018-(2).jpg Carmen Neely. In an Alternate Reality, 2018. Oil on canvas, plastic flower crown, 81 x 63 in (205.7 x 160 cm). Courtesy of the artist and Jane Lombard Gallery. https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/On-the-right-track-but-on-the-wrong-train.jpg Carmen Neely. On the right track but on the wrong train, 2019. Oil on canvas, graphite, enamel pin, 36 x 40 in (91.44 x 101.6 cm). Courtesy of the artist and Jane Lombard Gallery. https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/This-tattoo-is-going-to-save-my-life.jpg Carmen Neely. This tattoo is gonna save my life, 2019. Oil on canvas, graphite, 70 x 51.25 in (177.8 x 130.18 cm). Courtesy of the artist and Jane Lombard Gallery. https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/You-like-an-extended-metaphor,-dont-you.jpg Carmen Neely. You like an extended metaphor, don't you, 2019. Oil on canvas, 36 x 36 in (91.44 x 91.44 cm). Courtesy of the artist and Jane Lombard Gallery. https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/flipping-switches-that-havent-been-flipped-in-a-while.jpg Carmen Neely. flipping switches that haven't been flipped in a while, 2019. Oil on canvas, 48.25 x 64 in (122.55 x 162.56 cm). Courtesy of the artist and Jane Lombard Gallery. https://www.studiointernational.com/images/articles/n/081-neely-carmen-2020/Carmen-Neely-headshot-may-2019.jpg Carmen Neely. Photo: Lorraine Turi. https://www.studiointernational.com/index.php/hedda-sterne-review-victoria-miro-mayfair-london https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS25_Horizon-XVIII_1963-(Angus-Mill)-aa.jpg Hedda Sterne. Horizon XVIII, 1963. Oil on canvas, 200.7 x 127 cm (79 x 50 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS19_Untitled_1966-aa.jpg Hedda Sterne. Untitled, 1966. Mixed media on paper, 27.9 x 17.1 cm (11 x 6 3/4 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS23_Vertical-Horizontal-1_1962-(Angus-Mill)-aa.jpg Hedda Sterne. Vertical Horizontal #1, 1962. Oil on canvas, 152.4 x 101.6 cm (60 x 40 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS24_Horizon-VI_1963-(Angus-Mill)-aa.jpg Hedda Sterne. Horizon VI, 1963. Oil on canvas, 215.9 x 127 cm (85 x 50 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS09_Horizon-3_1963-65-(Angus-Mill)-aa.jpg Hedda Sterne. Horizon #3, 1963-65. Oil on canvas, 148.6 x 100.3 cm (58 1/2 x 39 1/2 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS27_Vertical-Horizontal-XVII_1963-(Angus-Mill)-aa.jpg Hedda Sterne. Vertical Horizontal XVII, 1963. Oil on canvas, 219.7 x 127 cm (86 1/2 x 50 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS_VMG-Mayfair_2020-d.jpg Hedda Sterne, installation view, Victoria Miro Mayfair, London, 29 January – 21 March 2020. © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS16_Untitled_1963-aa.jpg Hedda Sterne. Untitled, 1963. Mixed media on paper, 27.9 x 17.1 cm (11 x 6 3/4 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS17_Untitled_1966-aa.jpg Hedda Sterne. Untitled, 1966. Mixed media on paper, 27.9 x 17.1 cm (11 x 6 3/4 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS18_Untitled_1966-aa.jpg Hedda Sterne. Untitled, 1966. Mixed media on paper, 27.9 x 17.1 cm (11 x 6 3/4 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/images/articles/s/043-sterne-hedda-2020/HS20_Untitled_1965-66-aa.jpg Hedda Sterne. Untitled, 1965-66. Mixed media on paper, 27.9 x 17.1 cm (11 x 6 3/4 in). © The Hedda Sterne Foundation Inc, ARS, NY and DACS, London 2019. Courtesy Van Doren Waxter and Victoria Miro. https://www.studiointernational.com/index.php/vida-americana-mexican-muralists-remake-american-art-1925-45-review-whitney-museum-new-york https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/SIQUEIROS_ECHO-SCREAM.jpg David Alfaro Siqueiros, Echo of a Scream, 1937. Enamel on wood, 48 × 36 in (121.9 × 91.4 cm). The Museum of Modern Art, New York; gift of Edward M. M. Warburg, 1939 https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Kahlo-Me-and-My-Parrots-.jpg Frida Kahlo, Me and My Parrots, 1941. Oil on canvas, 32 5/16 × 24 3/4 in (82 × 62.8 cm). Private collection. © 2020 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Martinez_LaMalinche.jpg Alfredo Ramos Martinez, La Malinche, 1940. Oil on canvas, 50 x 40 3/8 in (127 x 102.6 cm). Phoenix Art Museum; museum purchase with funds provided by the Friends of Mexican Art 1979.86. © The Alfredo Ramos Martínez Research Project, reproduced by permission. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Clemente-Pancho-Villa.jpg José Clemente Orozco, Zapatistas, 1931. Oil on canvas, 45 × 55 in (114.3 × 139.7 cm). The Museum of Modern Art, New York; given anonymously. © 2020 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. Digital image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Rivera_Man-Controller-of-the-Universe.jpg Diego Rivera, Man, Controller of the Universe, 1934. Fresco, 15 ft 9 in × 37 ft 6 in (4.8 × 11.4 m). Palacio de Bellas Artes, INBAL, Mexico City. © 2020 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York. Reproduction authorized by El Instituto Nacional de Bellas Artes y Literatura, 2020. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Orozco_Barricade-(Barricada).jpg José Clemente Orozco, Barricade (Barricada), 1931. Oil on canvas, 55 × 45 in (139.7 × 114.3 cm). Museum of Modern Art, New York; given anonymously. © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. Image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Pollock_Landscape-with-Steer.jpg Jackson Pollock, Landscape with Steer, c. 1936–37. Lithograph with airbrushed enamel additions, sheet: 16 1/8 × 23 3/8 in (41 × 59.3 cm); image: 13 13/16 × 18 9/16 in. (35.1 × 47.1 cm). Museum of Modern Art, New York; gift of Lee Krasner Pollock. © 2019 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Guston_Bombardment-CROP.jpg Philip Guston. Bombardment, 1937. Oil on Masonite, diameter: 42 in (106.7 cm). Philadelphia Museum of Art; gift of Musa and Tom Mayer. © The Estate of Philip Guston, courtesy McKee Gallery, New York. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Evergood_American-Tragedy.jpg Philip Evergood, American Tragedy, 1937. Oil on canvas, 29 1/2 × 39 1/2 in (74.9 × 100.3 cm). Courtesy Harvey and Harvey-Ann Ross. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Ishigaki_Peoples-Front.jpg Eitarō Ishigaki, Soldiers of the People’s Front (The Zero Hour), c1936–37. Oil on canvas, 58 1/2 × 81 1/2 in (148.6 × 207 cm). Museum of Modern Art, Wakayama, Japan. Reproduced with permission. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Izquierdo_My-Nieces-cropped.jpg María Izquierdo. My Nieces, 1940. Oil on composition board, 55 1/8 × 39 3/8 in (140 × 100 cm). Museo Nacional de Arte, INBAL, Mexico City; constitutive collection, 1982 © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. Reproduction authorized by El Instituto Nacional de Bellas Artes y Literatura, 2019. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Jackson_Embarkation.jpg Everett Gee Jackson, Embarkation, 1938. Oil on canvas 36 × 44 3/8 in (91.4 × 112.7 cm). Private collection. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Jacob-lawrence-3-cropped-copy.jpg Jacob Lawrence. Panel 3 from The Migration Series, From every Southern town migrants left by the hundreds to travel north.,1940–41. Casein tempera on hardboard, 12 × 18 in (30.5 × 45.7 cm). The Phillips Collection, Washington, DC; acquired 1942. © 2019 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Lehman_The-Driller-(mural,-Rikers-Island,-New-York)-CROP.jpg Harold Lehman, The Driller (mural, Rikers Island, New York), 1937. Tempera on fiberboard, 92 1/8 × 57 1/8 in (233.9 × 145 cm). Smithsonian American Art Museum, Washington, DC; transfer from the Newark Museum 1966.31.11. © Estate of Harold Lehman. Image: Smithsonian American Art Museum, Washington, DC / Art Resource, NY. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/RIVERA_FLOWERFEST.jpg Diego Rivera, Flower Festival: Feast of Santa Anita, 1931. Encaustic on canvas, 78 1/2 × 64 in (199.3 × 162.5 cm). The Museum of Modern Art, New York; gift of Abby Aldrich Rockefeller, 1936. © 2020 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York. Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, New York. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/RamosMartinez_Calla-Lily-Vendor-(Vendedora-de-Alcatraces).jpg Alfredo Ramos Martínez. Calla Lily Vendor (Vendedora de Alcatraces), 1929. Oil on canvas, 45 13/16 × 36 in (116.3 × 91.4 cm). Private collection. © The Alfredo Ramos Martínez Research Project, reproduced by permission. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Streat_The-Negro-in-Professional-Life.jpg Thelma Johnson Streat, The Negro in Professional Life—Mural Study Featuring Women in the Workplace, 1944. Ink and graphite on paper, 12 1/2 × 30 in. (31.8 × 76.2 cm). Collection of Bernard Friedman. https://www.studiointernational.com/images/articles/v/086-vida-americana-2020/Tamayo_Man-and-Woman-cropped.jpg Rufino Tamayo, Man and Woman, 1926. Oil on canvas, 30 × 29 7/8 in (76.2 × 75.9 cm). Philadelphia Museum of Art; gift of Mr. and Mrs. James P. Magill, 1957. © 2020 Tamayo Heirs / Mexico / Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/masculinities-liberation-through-photography-review-barbican-london https://www.studiointernational.com/images/articles/m/045-masculinities-2020/03-Thomas-Dworzak,-Taliban-portrait-Kandahar,-Afghanistan-2002.jpg Thomas Dworzak. Taliban portrait. Kandahar, Afghanistan. 2002. © Collection T. Dworzak/Magnum Photos. https://www.studiointernational.com/images/articles/m/045-masculinities-2020/10-Catherine-Opie,-Rusty,-2008.jpg Catherine Opie. Rusty, 2008. © Catherine Opie, Courtesy Regen Projects, Los Angeles and Thomas Dane Gallery, London. https://www.studiointernational.com/images/articles/m/045-masculinities-2020/05-Masahisa-Fukase.jpg Masahisa Fukase. Upper row, from left to right: A, a model; Toshiteru, Sukezo, Masahisa. Middle row, from left to right: Akiko, Mitsue, Hisashi Daikoji. Bottom row, from left to right: Gaku, Kyoko, Kanako, and a memorial portrait of Miyako, 1985, from the series Family, 1971-90. © Masahisa Fukase Archives. https://www.studiointernational.com/images/articles/m/045-masculinities-2020/07-Sunil-Gupta,-Untitled-22-from-the-series-Christopher-Street,-1976.jpg Sunil Gupta. Untitled 22 from the series Christopher Street, 1976. Courtesy the artist and Hales Gallery. © Sunil Gupta. All Rights Reserved, DACS 2019. https://www.studiointernational.com/images/articles/m/045-masculinities-2020/04-Sam-Contis,-Untitled-(Neck),-2015.jpg Sam Contis. Untitled (Neck), 2015. © Sam Contis https://www.studiointernational.com/images/articles/m/045-masculinities-2020/01-Catherine-Opie-Bo-from-Being-and-Having,-1991.jpg Catherine Opie. Bo from Being and Having, 1991. Collection of Gregory R. Miller and Michael Wiener. © Catherine Opie, Courtesy Regen Projects, Los Angeles; Thomas Dane Gallery, London; and Soloman R. Guggenheim Museum, New York. https://www.studiointernational.com/images/articles/m/045-masculinities-2020/02-Peter-Hujar,-David-Brintzenhofe-Applying-Makeup-(II),-1982.jpg Peter Hujar. David Brintzenhofe Applying Makeup (II), 1982. © 1987 The Peter Hujar Archive LLC; Courtesy Pace/MacGill Gallery, New York and Fraenkel Gallery, San Francisco. https://www.studiointernational.com/images/articles/m/045-masculinities-2020/06-Karen-Knorr,-Newspapers-are-no-longer-ironed,-Coins-no-longer-boiled-So-far-have-Standards-fallen-from-the-series-Gentlemen,-1981-83.jpg Karen Knorr. Newspapers are no longer ironed, Coins no longer boiled So far have Standards fallen, from the series Gentlemen, 1981-83. Tate: Gift Eric and Louise Franck London. Collection 2013. © Karen Knorr. https://www.studiointernational.com/images/articles/m/045-masculinities-2020/08-Adi-Nes,-Untitled,-from-the-series-Soldiers,-1999.jpg Adi Nes. Untitled, from the series Soldiers, 1999 Courtesy Adi Nes & Praz-Delavallade Paris, Los Angeles. https://www.studiointernational.com/images/articles/m/045-masculinities-2020/09-Hal-Fischer,-Street-Fashion-Jock-from-the-series-Gay-Semiotics.jpg Hal Fischer. Street Fashion: Jock from the series Gay Semiotics, 1977/2016. Courtesy of the artist and Project Native Informant London. https://www.studiointernational.com/images/articles/m/045-masculinities-2020/11-Karlheinz-Weinberger,-Horseshoe-Buckle,-1962.jpg Karlheinz Weinberger. Horseshoe Buckle, 1962. © Karlheinz Weinberger. Courtesy Esther Woerdehoff. https://www.studiointernational.com/index.php/grayson-perry-the-pre-therapy-years-review-holburne-museum-bath https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/10-HGP028-03.jpg Grayson Perry. Childhood Trauma Manifesting Itself in Later Life, 1992. Collection of Mark D.D. Wilson. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/25-Grayson-Perry-Kinky-Sex-Plate.jpg Grayson Perry. Kinky Sex, 1983. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/03-HGP021_Self-portrait-Cracked-and-Warped.jpg Grayson Perry. Self Portrait Cracked and Warped, 1985. Private collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/18-Map-of-Essex_1990.jpg Grayson Perry. Map of Essex, 1990, Private collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/23-HGP022_002.jpg Grayson Perry. Skull, 1989, Collection of Dr Jill Westwood. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/21-HGP038a.jpg Grayson Perry. Grotesque Devil Head, 1988. Private collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/08-Cocktail-Party,-1989,-Grayson-Perry-(c)-Grayson-Perry,-Courtesy-the-artist-and-Victoria-Miro,-London-Venice.jpg Grayson Perry. Cocktail Party, 1989, Collection of the artist. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/12-Meaningless-Symbols_1993-b.jpg Grayson Perry. Meaningless Symbols, 1993, Collection of Mark & Debra Eden. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/04-HGP031_Claire-as-a-soldier.jpg Grayson Perry. Claire as a soldier, 1987. Private collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/07-HGP067a_A-small-investment-in-british-perversion.jpg Grayson Perry. A Small Investment in British Perversion, 1988. Private collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/09-HGP037-b_I-am-the-mythmaker.jpg Grayson Perry. I am the Myth Maker, 1989. Private collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/11-Biker-Pot_1992-a.jpg Grayson Perry. Biker Pot, 1992. Collection of the artist. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/14-Artefact-for-People-who-have-no-identity_Mid-1990s.jpg Grayson Perry. Artefact for people who have no identity, 1994. Private collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/16-HGP012.jpg Grayson Perry. Now in Our Green and Pleasant Land (Ye Dear Olde Bugger), 1984. The Thimblestitch and Bramble Collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/20-HGP016.jpg Grayson Perry. Sales Pitch, 1987, Private collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/068-perry-grayson-2020/24-Design-based-on-Sketches-by-a-Murderer_1990-a.jpg Grayson Perry. Design Based on Sketches by a Murderer, 1990. Private collection. © Grayson Perry, courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/maurice-burns-interview-gerald-peters-contemporary-new-york https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Notes-to-Myself.jpg Maurice Burns. Notes to Myself, 1989-93. Oil on canvas, 56 x 68 x 1 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Birdman-Plays-the-Blues.jpg Maurice Burns. Birdman Plays the Blues, 2019. Oil on canvas, 56 x 76 x 1 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Blues-for-Linda.jpg Maurice Burns. Blues for Linda, 1989-93. Oil on canvas, 56 1/4 x 76 x 1 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Galisteo-Fantasy.jpg Maurice Burns. Galisteo Fantasy (diptych), 1989-93. Oil on canvas, 56 x 119 1/4 in overall. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Illegal.jpg Maurice Burns. Illegal, 2018. Oil on canvas, 56 x 76 x 1 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Jimmy-Yancey.jpg Maurice Burns. Jimmy Yancey (quadriptych), 2013. Oil on canvas, 30 x 30 x 1 1/2 in (each). Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Monks-Mood.jpg Maurice Burns. Monk https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Moonlight-on-the-Plain.jpg Maurice Burns. Moonlight on the Plains (A Little Romance), 1993-95. Oil on canvas, 75 7/8 x 55 7/8 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/A-Letter-from-Home.jpg Maurice Burns. A Letter from Home, 1989. Oil on canvas, 55 3/4 x 76 x 1 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/PP-00479-01-C.jpg Maurice Burns. Harlem, 1998-2001. Collage, 56 7/8 x 62 1/2 x 2 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/PP-00479-02-C.jpg Maurice Burns. Havana, 2019-20. Oil on canvas, 56 x 76 x 1 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Theory-of-Complex-Variables.jpg Maurice Burns. Theory of Complex Variables (Blue Miles), 2018. Oil on canvas, 56 x 76 x 1 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Various-Forms-of-Association.jpg Maurice Burns. Various Forms of Association, 1989. Oil on canvas, 55 3/4 x 75 3/4 x 1 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Warriors-Cup.jpg Maurice Burns. Warrior's Cup, 1993-2018. Oil on canvas, 76 x 55 3/4 x 1 1/2 in. Image courtesy the artist and Gerald Peters Contemporary. https://www.studiointernational.com/images/articles/b/047-burns-maurice-2020/Maurice-Burns-in-his-studio-2.jpg Maurice Burns in his studio. Photo © the artist. https://www.studiointernational.com/index.php/pacita-abad-life-in-the-margins-review-spike-island-bristol https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/06-Pacita-Abad_Max-McClure_Spike-Island_3490.jpg Pacita Abad, Grasshopper, 1985. Acrylic, oil, plastic buttons on silk screened, stitched and padded canvas. Work courtesy the Pacita Abad Art Estate. Photo: Max McClure, courtesy Spike Island. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/04-Pacita-Abad_Max-McClure_Spike-Island_3514.jpg Pacita Abad, The Village Where I Came From, 1991. Acrylic, oil, painted cloth on stitched and padded canvas. Work courtesy the Pacita Abad Art Estate. Photo: Max McClure, courtesy Spike Island. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/02-Pacita-Abad_Max-McClure_Spike-Island_3510.jpg Pacita Abad, Blues train to Yogya, 2002. Oil, painted cloth stitched on canvas. Work courtesy the Pacita Abad Art Estate. Photo: Max McClure, courtesy Spike Island. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/01-Pacita-Abad_Max-McClure_Spike-Island_3506.jpg Pacita Abad, Korean Shopkeepers, 1993. Acrylic, oil, plastic button, sequins, beads, yarn, painted cloth on stitched and padded canvas. Work courtesy the Pacita Abad Art Estate. Photo: Max McClure, courtesy Spike Island. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/The-village_Pacita-Abad_press_12.jpg Pacita Aba, The Village Where I Came From, 1991 (detail). Acrylic, oil, painted cloth on stitched and padded canvas. Life in the Margins (2020), installation view, Spike Island, Bristol. Works courtesy the Pacita Abad Art Estate. Photo: Max McClure. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/08-Pacita-Abad_Max-McClure_Spike-Island_3498.jpg Pacita Abad, L.A Liberty, 1992. Acrylic, cotton yarn, plastic buttons, mirrors, gold thread, painted cloth on stitched and padded canvas. Work courtesy the Pacita Abad Art Estate. Photo: Max McClure, courtesy Spike Island. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/05-Pacita-Abad_Max-McClure_Spike-Island_3491.jpg Pacita Abad, Grasshopper, 1985 (reverse). Acrylic, oil, plastic buttons on silk screened, stitched and padded canvas. Work courtesy the Pacita Abad Art Estate. Photo: Max McClure, courtesy Spike Island. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/07-Pacita-Abad_Max-McClure_Spike-Island_3499.jpg Pacita Abad, L.A Liberty, 1992 (reverse). Acrylic, cotton yarn, plastic buttons, mirrors, gold thread, painted cloth on stitched and padded canvas. Work courtesy the Pacita Abad Art Estate. Photo: Max McClure, courtesy Spike Island. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/Spike-Island_Max-McClure_Pacita-Abad_press_01.jpg Pacita Abad, Life in the Margins (2020), installation view, Spike Island, Bristol. Works courtesy the Pacita Abad Art Estate. Photo: Max McClure. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/Spike-Island_Max-McClure_Pacita-Abad_press_04.jpg Pacita Abad, Life in the Margins (2020), installation view, Spike Island, Bristol. Works courtesy the Pacita Abad Art Estate and Art Jameel Collection. Photo: Max McClure. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/Spike-Island_Max-McClure_Pacita-Abad_press_05.jpg Pacita Abad, Life in the Margins (2020), installation view, Spike Island, Bristol. Works courtesy the Pacita Abad Art Estate. Photo: Max McClure. https://www.studiointernational.com/images/articles/a/052-abad-pacita-2020/Spike-Island_Max-McClure_Pacita-Abad_press_09.jpg Pacita Abad, Life in the Margins (2020), installation view, Spike Island, Bristol. Works courtesy the Pacita Abad Art Estate. Photo: Max McClure. https://www.studiointernational.com/index.php/climate-in-crisis-environmental-change-in-the-indigenous-americas-at-the-brooklyn-museum https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/9-s.jpg Kwakwa̱ka̱’wakw artist, Baleen Whale Mask, 19th century. Cedarwood, pigment, hide, cotton cord, metal nails. Alert Bay, Cormorant Island, British Columbia, Canada. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/3-s.jpg Preston Singletary (Tlingit, born 1963). Guardian of the Sea, 2004. Glass, 18 × 6 × 18 in. (45.7 × 15.2 × 45.7 cm). Brooklyn Museum; Gift of Fairfield-Maxwell, Ltd., by exchange, 2004.2. © Preston Singletary. Photo: Brooklyn Museum. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/4-s.jpg Gina Adams. Dawes Act 1887, Broken Treaty Quilt, 2019. Hand-cut cotton cloth, antique quilt. Vancouver, British Columbia, Canada. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/10-s.jpg Seona. Kachina Doll, 1960-70. Cottonwood root, acrylic paint, feathers, fur, hide, synthetic cloth and yarn, painted canvas. Possibly Third Mesa, Hopi Pueblo, Arizona, United States. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/6-s.jpg Huastec artist. Life-Death Figure, 900-1250. Sandstone, traces of pigment. Possibly Chilitujú Site, San Luis Potosi, Mexico. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/38-45-s.jpg Aztec artist. Reclining Jaguar, 1400–1521. Volcanic stone, 5 × 11 × 5 3/4 in (12.7 × 27.9 × 14.6 cm). Brooklyn Museum; Carll H. de Silver Fund, 38.45. Creative Commons-BY. Photo: Brooklyn Museum. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/1-20-895-s.jpg Alaska Native artist. Engraved Whale Tooth, late 19th century. Sperm whale tooth, black ash or graphite, oil, 6 1/2 × 3 × 2 in (16.5 × 7.6 × 5.1 cm). Brooklyn Museum; Gift of Robert B. Woodward, 20.895. Creative Commons-BY. Photo: Brooklyn Museum. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/2-s.jpg Inupiat artist. Engraved Walrus Tusk, 19th Century. Walrus Ivory. Point Barrow, Alaska, United States. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/5-s.jpg Preston Ami. Kachina Doll (Mouse), circa 1990. Cottonwood root, pigment. Hopi Pueblo, Arizona, United States. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/7s.jpg Huastec artist. Life-Death Figure, 900-1250. Sandstone, traces of pigment. Possibly Chilitujú Site, San Luis Potosi, Mexico. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/8-s.jpg Aguaruna artist. Earrings, Circa 1930. Beetle-wing covers, glass beads, feathers, cotton, and plant fibers. Pongo de Manseriche. Loreto, Peru. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/86-224-15-s.jpg Nasca artist. Double-Spouted Vessel, 325–440. Ceramic, pigment, 6 × 7 × 7 in (15.2 × 17.8 × 17.8 cm). Brooklyn Museum; Gift of the Ernest Erickson Foundation, Inc., 86.224.15. Creative Commons-BY. Photo: Brooklyn Museum. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/2008-28-s.jpg Teri Greeves (Kiowa, born 1970). 21st Century Traditional: Beaded Tipi, 2010. Brain-tanned deer hide, charlotte-cut glass beads, seed beads, bugle beads, glass beads, sterling silver beads, pearls, shell, raw diamonds, hand-stamped sterling silver disks, hand-stamped copper disk, cotton cloth, nylon “sinew” rope, wood (pine, poplar, bubinga), 46 × 29 × 32 1/2 in (116.8 × 73.7 × 82.6 cm). Brooklyn Museum; Florence B. and Carl L. Selden Fund, 2008.28. Creative Commons-BY. Photo: Brooklyn Museum. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/installationview-s.jpg Climate in Crisis: Environmental Change in the Indigenous Americas. Installation view. Photo: Antonio Rivera. https://www.studiointernational.com/images/articles/c/045-climate-in-crisis-2020/cover.jpg Coclé artist. Plaque with Crocodile Deity, 700–900. Gold, 8 1/2 × 9 in (21.6 × 22.9 cm). Brooklyn Museum; Museum Expedition 1931, Museum Collection Fund, 33.448.12. Creative Commons-BY. Photo: Brooklyn Museum. https://www.studiointernational.com/index.php/mary-weatherford-canyon-daisy-eden-review-frances-young-tang-museum-art-gallery-skidmore-college-new-york https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/Weatherford_04.jpg Mary Weatherford: Canyon–Daisy–Eden, installation view, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2020. Photo: Arthur Evans. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/MW-13-159_TangPressPacket.jpg Mary Weatherford. Nagasaki, 1989 Oil on canvas, 82 x 82 in. Collection of Maia Hunter. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/MW-13-102_TangPressPacket.jpg Mary Weatherford. Big Red Margaret Head, 1997. Acrylic, Flashe and starfish on canvas, 69 x 96 in. Collection of Nick Debs. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/MW-10-029_TangPressPacket.jpg Mary Weatherford. Georgia, 2010. Flashe and starfish on linen, 44 x 50 in. Private collection. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/MW-14-044_TangPressPacket.jpg Mary Weatherford. Canyon, 2014. Flashe and neon on linen, 112 x 99 in. The Rose Art Museum, Brandeis University, Mortimer & Sara Hayes Acquisition Fund. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/MW-13-158_TangPressPacket.jpg Mary Weatherford. Nagasaki, 1989. Oil on canvas, 82 x 82 1/4 in. Collection of the artist. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/MW-93-068_TangPressPacket.jpg Mary Weatherford. Sister Morphine, 1993. Ink, silkscreen and Flashe on canvas, 32 x 25 in. Private collection. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/Weatherford_02.jpg Mary Weatherford: Canyon–Daisy–Eden, installation view, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2020. Photo: Arthur Evans. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/Weatherford_03.jpg Mary Weatherford: Canyon–Daisy–Eden, installation view, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2020. Photo: Arthur Evans. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/Weatherford_07.jpg Mary Weatherford: Canyon–Daisy–Eden, installation view, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2020. Photo: Arthur Evans. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/Weatherford_05.jpg Mary Weatherford: Canyon–Daisy–Eden, installation view, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2020. Photo: Arthur Evans. https://www.studiointernational.com/images/articles/w/065-weatherford-mary-2020/Weatherford_06.jpg Mary Weatherford: Canyon–Daisy–Eden, installation view, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2020. Photo: Arthur Evans. https://www.studiointernational.com/index.php/ziba-ardalan-video-interview-closure-of-parasol-unit-london https://www.studiointernational.com/images/articles/a/053-ardalan-ziba-2020/RANA_BEGUM_INSTA_22.jpg Rana Begum, The Space Between, installation view, Parasol unit, London, 30 June – 18 September 2016. Photography by Jack Hems. Courtesy of the artist and Parasol unit. https://www.studiointernational.com/images/articles/a/053-ardalan-ziba-2020/Shezad-Dawood-2014-04-0771978.jpg Shezad Dawood, Towards the Possible Film, installation view, Parasol unit, London, 4 April – 25 May 2014. Photography by Stephen White. Courtesy of the artist and Parasol unit. https://www.studiointernational.com/images/articles/a/053-ardalan-ziba-2020/ziba-ardalan-parasol-unit-2020-photo-martin-kennedy-3.jpg Ziba Ardalan talked to Studio International about her decision to close Parasol unit foundation for contemporary art, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/053-ardalan-ziba-2020/Christine-Rebet5.jpg Christine Rebet, Brand Band News, 2005. Installation view, Momentary Momentum, Animated Drawings, Parasol unit, London, 3 March – 12 May 2007. Courtesy the artist and Parasol unit. https://www.studiointernational.com/images/articles/a/053-ardalan-ziba-2020/Claerbout-HG3_1511.jpg David Claerbout, the time that remains, installation view, Parasol unit, London, 2012. Photograph: Hugo Glendinning. Courtesy the artist and Parasol unit. https://www.studiointernational.com/images/articles/a/053-ardalan-ziba-2020/Fudong-revival-of-the-snake-P-U-103HG.jpg No Snow on the Broken Bridge, Film and Video installations by Yang Fudong, installation view, Parasol unit, London, 7 April – 9 June 2006. Photograph: Hugo Glendinning. Courtesy the artist and Parasol unit. https://www.studiointernational.com/images/articles/a/053-ardalan-ziba-2020/BorremansFour-Fairies---design-for-a-groundscupture,-2003.jpg Michaël Borremans, Four Fairies, 2003. The Performance: Paintings by Michaël Borremans, Parasol unit, London, 4 May – 30 June 2005. Courtesy of the artist and Parasol unit. https://www.studiointernational.com/index.php/david-hockney-drawing-from-life-review-national-portrait-gallery-london https://www.studiointernational.com/images/articles/h/052-hockney-david-2020/Hockney-021_Celia,-Carennac,-August-1971.jpg David Hockney. Celia, Carennac, August 1971. Coloured pencil on paper 17 x 14 in. © David Hockney. Photo: Richard Schmidt, Collection The David Hockney Foundation. https://www.studiointernational.com/images/articles/h/052-hockney-david-2020/Hockney-002_Mother,-Paris,-1972.jpg David Hockney. Mother, Paris, 1972. Coloured pencil on paper, 17 x 14 in. © David Hockney. Photo: Richard Schmidt, Collection The David Hockney Foundation. https://www.studiointernational.com/images/articles/h/052-hockney-david-2020/hockney-144_No-1201,-14th-March-2012.jpg David Hockney. No. 1201, 14 March 2012. iPad Drawing. © David Hockney. https://www.studiointernational.com/images/articles/h/052-hockney-david-2020/Hockney-057_Gregory-Los-Angeles-March-31st-1982.jpg David Hockney. Gregory. Los Angeles. March 31st 1982. Composite polaroid, 14 ½ x 13 ¼ in. © David Hockney. Photo: Richard Schmidt. https://www.studiointernational.com/images/articles/h/052-hockney-david-2020/Hockney-117_The-Student-Homage-to-Picasso,-1973.jpg David Hockney. The Student: Homage to Picasso, 1973. Etching, soft ground etching, lift ground etching, 29 ¾ x 22 ¼ in. © David Hockney. Photo: Richard Schmidt. https://www.studiointernational.com/images/articles/h/052-hockney-david-2020/Hockney-010_Mother,-Bradford-19-Feb-1979.jpg David Hockney. Mother, Bradford. 19 Feb 1979. Sepia ink on paper, 14 x 11 in. © David Hockney. Photo: Richard Schmidt, Collection The David Hockney Foundation. https://www.studiointernational.com/images/articles/h/052-hockney-david-2020/Hockney-049_Gregory,-1978.jpg David Hockney. Gregory, 1978. Coloured pencil on paper, 17 x 14 in. © David Hockney. Photo: Richard Schmidt, Collection The David Hockney Foundation. https://www.studiointernational.com/images/articles/h/052-hockney-david-2020/Hockney-081_Maurice-1998.jpg David Hockney. Maurice 1998. Etching, 44 x 30 ½ in. © David Hockney. Photo: Richard Schmidt, Collection The David Hockney Foundation. https://www.studiointernational.com/images/articles/h/052-hockney-david-2020/Hockney-139_Self-Portrait-with-Red-Braces,-2003.jpg David Hockney. Self Portrait with Red Braces, 2003. Watercolour on paper, 24 x 18 1/8 in. © David Hockney. Photo: Richard Schmidt. https://www.studiointernational.com/index.php/hans-hofmann-fury-painting-after-the-war-review-bastian-london https://www.studiointernational.com/images/articles/h/054-hofmann-hans-2020/03.jpg Hans Hofmann, Fury No. 1, 1945. Oil on panel, 141 x 111.8 cm. Courtesy Bastian. With permission of the Renate, Hans & Maria Hofmann Trust / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/h/054-hofmann-hans-2020/07.jpg Hans Hofmann, [Untitled] Landscape No. 49 [per HH cat. no.], 1942. Oil on panel, 88.9 x 76.2 cm. Courtesy Bastian. With permission of the Renate, Hans & Maria Hofmann Trust / Artists Rights Society (ARS), New York.  https://www.studiointernational.com/images/articles/h/054-hofmann-hans-2020/01.jpg Hans Hofmann, Goldregen, 1944. Casein on board mounted on panel, 104.1 x 80 cm. Courtesy Bastian. With permission of the Renate, Hans & Maria Hofmann Trust / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/h/054-hofmann-hans-2020/04.jpg Hans Hofmann, Fear, 1946. Oil on canvas, 106.7 x 147.3 cm. Courtesy Bastian. With permission of the Renate, Hans & Maria Hofmann Trust / Artists Rights Society (ARS), New York.  https://www.studiointernational.com/images/articles/h/054-hofmann-hans-2020/05.jpg Hans Hofmann, The Virgin, 1946. Oil on board, 104.8 x 77.5 cm. Courtesy Bastian. With permission of the Renate, Hans & Maria Hofmann Trust / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/h/054-hofmann-hans-2020/02.jpg Hans Hofmann, Rendezvous, 1944. Oil on panel, 77.5 x 104.1 cm. Courtesy Bastian. With permission of the Renate, Hans & Maria Hofmann Trust / Artists Rights Society (ARS), New York.  https://www.studiointernational.com/images/articles/h/054-hofmann-hans-2020/06.jpg Hans Hofmann, Black, Grey, Creme, 1946. Oil on panel, 76.2 × 101.6 cm. Courtesy Bastian. With permission of the Renate, Hans & Maria Hofmann Trust / Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/marguerite-humeau-interview-art-born-from-will-to-become-eternal-leave-a-permanent-trace https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/34-Mist_Marguerite_Humeau_Clearing_2019.jpg Marguerite Humeau. MIST, exhibition view, Clearing Brussels, 2019. Photo: Eden Krsmanovic. Courtesy the artist, CLEARING New York/Brussels. https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/JA_marguerite-humeau-08.jpg Marguerite Humeau. Venus of Frasassi, A 10-year-old female human has ingested a rabbit https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/FOXP2-PDT-4.jpg Marguerite Humeau. Echo, A matriarch engineered to die, 2016. Exhibition view, Palais de Tokyo, Paris. Polystyrene, white paint, acrylic parts, latex, silicone, nylon, glass artificial heart, water pxumps, water, potassium chloride, powder-coated metal stand, sound, W 120.2 x L 449.6 x H 136.1 cm (including stand) + Glass Heart W 30 x L 60 x H 30 cm. Photo: Spassky Fischer, Courtesy the artist, CLEARING New. https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/HIGH-TIDE-CP-10.jpg Marguerite Humeau. The Dancers III & IV, Two marine mammals invoking higher spirits, 2019. Polystyrene, polyurethane resin, fibreglass, steel skeleton, pollution particles. Photo: Julia Andréone. Courtesy the artist, CLEARING New York/Brussels. https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/HIGH-TIDE-CP-8.jpg Marguerite Humeau. The Dancer I, A marine mammal invoking higher spirits, 2019. Polystyrene, polyurethane resin, fibreglass, steel skeleton, pollution particles. Photo: Julia Andréone. Courtesy the artist, CLEARING New York/Brussels. https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/2-Mist_Marguerite_Humeau_Clearing_2019.jpg Marguerite Humeau. MIST, exhibition view, Clearing Brussels, 2019. Photo: Eden Krsmanovic. Courtesy the artist, CLEARING New York/Brussels. https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/25-Mist_Marguerite_Humeau_Clearing_2019.jpg Marguerite Humeau. High Tide. Black ink pen on layout paper, 91 x 184 cm. Exhibition view, Clearing Brussels Year, 2019. Photo: Eden Krsmanovic. Courtesy the artist, CLEARING New York/Brussels. https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/FOXP2-PDT-16.jpg Marguerite Humeau. Echo, A matriarch engineered to die, 2016 (detail). Exhibition view, Palais de Tokyo, Paris. Polystyrene, white paint, acrylic parts, latex, silicone, nylon, glass artificial heart, water pxumps, water, potassium chloride, powder-coated metal stand, sound, 120.2 (W) x 449.6 (L) x 136.1 (H) cm (including stand) + Glass Heart 30 (W) x 60 (L) x 30 (H) cm. Photo: Spassky Fischer, Courtesy the artist, CLEARING New. https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/29-Mist_Marguerite_Humeau_Clearing_2019.jpg Marguerite Humeau. MIST, exhibition view, Clearing Brussels, 2019. Photo: Eden Krsmanovic. Courtesy the artist, CLEARING New York/Brussels. https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/JA_marguerite-humeau-11.jpg Marguerite Humeau. Venus of Hohle Fels, A 70-year-old female human has ingested a snake’s brain, exhibition view, Kunstverein in Hamburg Year, 2019. Brown alabaster, a cappella voice, 155 mm (W) x 120 mm (D) x 295 mm (H). Photo: Julia Andréone. Courtesy the artist, CLEARING New York/Brussels. https://www.studiointernational.com/images/articles/h/053-humeau-marguerite-2020/Marguerite-Humeau-Photo-Florine-Bonaventure.jpg Marguerite Humeau. Photo: Florine Bonaventure. https://www.studiointernational.com/index.php/julijonas-urbonas-planet-of-people-review-collective-edinburgh https://www.studiointernational.com/images/articles/u/095-urbonas-julijonas-2020/Collective,-City-Dome,-2020-Photo-Tom-Nolan.jpg Collective, City Dome, 2020. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/u/095-urbonas-julijonas-2020/Julijonas-Urbonas,-A-Planet-of-People,-Collective,-2020.-Photo-Tom-Nolan-(6).jpg Julijonas Urbonas, A Planet of People, 2020. Installation view, Collective, Edinburgh. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/u/095-urbonas-julijonas-2020/Julijonas-Urbonas,-A-Planet-of-People,-Collective,-2020.-Photo-Tom-Nolan-(2).jpg Julijonas Urbonas, A Planet of People, 2020. Installation view, Collective, Edinburgh. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/u/095-urbonas-julijonas-2020/Julijonas-Urbonas,-A-Planet-of-People,-Collective,-2020.-Photo-Tom-Nolan-(5).jpg Julijonas Urbonas, A Planet of People, 2020. Installation view, Collective, Edinburgh. Photo: Tom Nolan. https://www.studiointernational.com/index.php/pines-eye-review-talbot-rice-gallery-university-of-edinburgh https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A5122-Edit.jpg Pine https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A5148.jpg Alan Hunt, Grouse, 2020. Western Red Cedar, acrylic, feathers and found materials. Installation view, Pine https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A5027.jpg Johanna Unzueta, 1:1 Resonance, 2020 (detail). Commissioned mural. Pastel, twine and copper rods. Installation view, Pine https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A4929.jpg Taryn Simon, Paperwork and the Will of Capital, 2015. Installation view, Pine https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A4915.jpg Firelei Báez, I write love poems, too (The right to non-imperative clarities), 2018. Installation view, Pine https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A4958.jpg Beau Dick, Otter Woman, 2016. Installation view, Pine https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A4810.jpg Kevin Mooney, Trickster, 2017. Oil and varnish on jute. Installation view, Pine https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A4694-Edit.jpg Haegue Yang, The Intermediates, 2015-16. Installation view, Pine https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A5060.jpg Torsten Lauschmann, TOPIARY JIG, 2020. Installation view, Pine https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/S80C4254.jpg Alan Hunt, Grouse, 2020. Western Red Cedar, acrylic, feathers and found materials. Still: Atlakim ‘Dance of the Forest Spirits’ ceremony, St Cecilia's Hall, 2020. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A4760.jpg Laurent Grasso, Studies into the past, 2018. Oil on wood. Installation view, Pine's Eye, 2020. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A4904.jpg Firelei Báez, I write love poems, too (The right to non-imperative clarities), 2018 (detail). Installation view, Pine's Eye, 2020. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A4951.jpg Beau Dick, Tsonoqua, 1980. Installation view, Pine's Eye, 2020. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/images/articles/p/067-pines-eye-2020/1G7A5128-Edit.jpg Pine's Eye, installation view, 2020. Image courtesy Talbot Rice Gallery, The University of Edinburgh. https://www.studiointernational.com/index.php/janet-laurence-interview-australia-environment https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Memory-of-Nature,-AGNSW,-2012,-Installation-shot,-photo-Brett-Boardman.jpg Janet Laurence, Memory of Nature, 2010. Installation view, AGNSW. Photo: Brett Boardman. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Cellular-Gardens-(Where-Breathing-Begins,-2005.jpg Janet Laurence, Cellular Gardens (Where Breathing Begins, 2005. Installation view, Janet Laurence: After Nature, Museum of Contemporary Art Australia, Sydney, 2019. Stainless steel, mild steel, acrylic, blown glass, rainforest plant specimens, Museum of Contemporary Art, purchased with funds, provided by the Coe and Mordant families, 2006, rainforest plant specimens from the Rainforest Seed Conservation Project, Australian PlantBank, Australian Botanic Garden, Mount Annan, image courtesy the Museum of Contemporary Art Australia © the artist. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Forensic-Sublime_Crimes-against-the-landscape-series_Styx-Forest,-2008.jpg Janet Laurence, Forensic Sublime, Crimes against the landscape series, Styx Forest, 2008. Mirror, oil glaze, Duraclear on Shinkolite 100.0 x 180 cm. Collection of McClelland Sculpture Park+Gallery. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Forest_Theatre-of-Trees_,-2018_19.jpg Janet Laurence, Theatre of Trees, 2018-19. Four circular structures, mesh, silk, duraclear, audio, video projections, books, scientific glass, plant specimens, botanical models and substances. Installation view, Janet Laurence: After Nature, Museum of Contemporary Art Australia, Sydney, 2019. Collection of the artist, image courtesy the Museum of Contemporary Art Australia © the artist. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Desire-(Elixir-Lab),-2018-19.jpg Janet Laurence, Desire (Elixir Lab), 2018-19 (detail). Installation view, Janet Laurence: After Nature, Museum of Contemporary Art Australia, Sydney, 2019. Laboratory glass, plant specimens, duraclear, acrylic, water crystals, plant elixirs, blown glass vials, performance, blown glass: Sophia Emmett, performer: Keila Terencio, collection of the artist, image courtesy the Museum of Contemporary Art Australia © the artist. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Birdsong,-2006.jpg Janet Laurence, Birdsong, 2006. Object Gallery, Sydney, Assembly of taxidermised bird specimens from the Australian Museum, suspended acrylic ring, sounds of birdcalls and wing flutters, Photo: Keith Saunders. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-installation-view,-Janet-Laurence_After-Nature.jpg Janet Laurence: After Nature, installation view, Museum of Contemporary Art Australia, Sydney, 2019. Image courtesy the Museum of Contemporary Art Australia © the artist. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Birdsong,-2006,-2.jpg Janet Laurence, Birdsong, 2006. Object Gallery, Sydney, Assembly of taxidermised bird specimens from the Australian Museum, suspended acrylic ring, sounds of birdcalls and wing flutters, Photo: Keith Saunders. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Deep-Breathing_Resuscitation-for-the-Reef,-2015-16_2019-2.jpg Janet Laurence, Deep Breathing: Resuscitation for the Reef, 2015–16 (detail). Installation view, Janet Laurence, After Nature, Museum of Contemporary Art Australia, Sydney, 2019. Image courtesy Jacquie Manning. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Deep-Breathing_Resuscitation-for-the-Reef,-2015-16_2019.jpg Janet Laurence, Deep Breathing: Resuscitation for the Reef, 2015–16 (detail). Installation view, Janet Laurence, After Nature, Museum of Contemporary Art Australia, Sydney, 2019. Image courtesy Jacquie Manning. https://www.studiointernational.com/images/articles/l/065-laurence-janet-2020/Janet-Laurence,-Memory-of-Nature,-AGNSW,-2010,-Installation-shot,-photo-Felicity-Jenkins,.jpg Janet Laurence, Memory of Nature, 2010. Installation view, AGNSW. Photo: Felicity Jenkins. https://www.studiointernational.com/index.php/tomas-saraceno-aria-review-palazzo-strozzi https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Photography-Ela-Bialkowska,-OKNO-Studio,2-DSC06263-OKNOstudio.jpg Tomás Saraceno, Aria installation at Palazzo Strozzi, Firenze. Photo ® Ela Bialkowska, OKNO Studio 2020. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Photography-Ela-Bialkowska,-OKNO-Studio,-28-DSC07121-OKNOstudio.jpg Tomás Saraceno, Aria installation at Palazzo Strozzi, Firenze. Photo ® Ela Bialkowska, OKNO Studio 2020. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Photography-by-Studio-Tomas-Saraceno,-202019ITA_Firenze_PalazzoStrozzi_00195.jpg Tomás Saraceno, Aria installation at Palazzo Strozzi, Firenze. Photo ® Ela Bialkowska, OKNO Studio 2020. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Webs-of-At-ten(s)ion-with-viewers.jpg Tomás Saraceno. Webs of At-tent(s)ion, 2018. Installation view at ON AIR, carte blanche exhibition to Tomás Saraceno, Palais de Tokyo, Paris, 2018. Courtesy of the artist and Esther Schipper, Berlin. © Photo: Studio Tomás Saraceno, 2018. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Webs-of-At-ten(s)ion-detail2.jpg Tomás Saraceno. Webs of At-tent(s)ion, 2018. Installation view, Palazzo Strozzi, Firenze. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Photography-Ela-Bialkowska,-OKNO-Studio,-46-DSC07201-OKNOstudio.jpg Tomás Saraceno, Aria installation at Palazzo Strozzi, Firenze. Photo ® Ela Bialkowska, OKNO Studio 2020. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Flying-Gardens-detail.jpg Tomás Saraceno. Flying Gardens (detail), installation view, Palazzo Strozzi, Firenze. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Photography-Ela-Bialkowska,-OKNO-Studio,-5-DSC07165-OKNOstudio.jpg Tomás Saraceno, Aria installation at Palazzo Strozzi, Firenze. Photo ® Ela Bialkowska, OKNO Studio 2020. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Photography-Ela-Bialkowska,-OKNO-Studio,-4-DSC06983tif-OKNOstudio.jpg Tomás Saraceno, Aria installation at Palazzo Strozzi, Firenze. Photo ® Ela Bialkowska, OKNO Studio 2020. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Photography-Ela-Bialkowska,-OKNO-Studio,-9-DSC06969-OKNOstudio.jpg Tomás Saraceno, Aria installation at Palazzo Strozzi, Firenze. Photo ® Ela Bialkowska, OKNO Studio 2020. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Photography-Ela-Bialkowska,-OKNO-Studio,-6-DSC06389-OKNOstudio.jpg Tomás Saraceno, Aria installation at Palazzo Strozzi, Firenze. Photo ® Ela Bialkowska, OKNO Studio 2020. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Photography-by-Studio-Tomas-Saraceno,-202019ITA_Firenze_PalazzoStrozzi_00042.jpg Tomás Saraceno, Aria installation at Palazzo Strozzi, Firenze. Photo ® Ela Bialkowska, OKNO Studio 2020. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Webs-of-At-ten(s)ion-detail1.jpg Tomás Saraceno. Webs of At-tent(s)ion, 2018. Installation view, Palazzo Strozzi, Firenze. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/Connectome-detail1.jpg Tomás Saraceno. Connectome, installation view, Palazzo Strozzi, Firenze. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/5.jpg Tomás Saraceno. Hybrid semi-social instrument Almagest Sinope 758.89 built by: a duo of Cyrtophora moluccensis - five weeks (detail), 2016. Courtesy of the artist and Esther Schipper, Berlin. © Photo: Studio Tomás Saraceno, 2016. https://www.studiointernational.com/images/articles/s/042-saraceno-tomas-2020/8.jpg Tomás Saraceno. Arachnomancy Cards, 2019. Card’s drawings and reinterpretation based on Duncan, W. (1949). Webs In The Wind. New York: The Ronald Press Company and Bristowe, W. S. (1958). The World of Spiders. London: Collins; Curtis, William, 1746-1799; Marbury, Elizabeth, 1856-1933, donor; Vollrath, F. 1988. Untangling the spider’s web. Trends Ecol. Evol. 3(12): 331–335. Tomás Saraceno would like to thank the Arachnophilia archives and his Studio for their endless support in the conceptualization, design and making of these cards. As well thanks to the galleries for all their support: Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires, Tanya Bonakdar Gallery, New York / Los Angeles, Pinksummer Contemporary Art, Genoa, Esther Schipper, Berlin. Download the Arachnomancy App to help you find other Spider/Web Pavilions and encounter their oracles, joining a collective exercise of mapping against extinction. For more information visit arachnophilia.net, a living archive of coexistences. Courtesy the Artist © Photo: Studio Tomás Saraceno, 2019. https://www.studiointernational.com/index.php/johanna-unzueta-tools-for-life-review-modern-art-oxford https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/Johanna-Unzueta-Tools-for-Life-(4).jpg Johanna Unzueta: Tools for Life, installation view, Modern Art Oxford 2020. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/Johanna-Unzueta-Tools-for-Life-(32).jpg Johanna Unzueta. A Garment for the Day (2019-ongoing), Tools for Life, installation view, Modern Art Oxford 2020. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/Johanna-Unzueta-Tools-for-Life-(34).jpg Johanna Unzueta: Tools for Life, installation view, Modern Art Oxford 2020. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/Johanna-Unzueta-Tools-for-Life-(47).jpg Johanna Unzueta: Tools for Life, installation view, Modern Art Oxford 2020. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/02-Johanna-Unzueta-April-2015-NY-November-2015-Cuernavaca.jpg Johanna Unzueta, April 2015 NY, November 2015 Cuernavaca, 2015. Courtesy the Artist and Proyectos Ultravioleta. Collection of Heloisa Becker Genish. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/01-Johanna-Unzueta-December-2014,-January,-February,-March-2015-NY-And-April-2015-NY-November-2015-Cuernavaca-2015.jpg Johanna Unzueta, December 2014, January, February, March 2015 NY, 2014-2015. Photo: Rodrigo Pereda. Courtesy the Artist and Proyectos Ultravioleta. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/Johanna-Unzueta-Tools-for-Life-(2).jpg Johanna Unzueta: Tools for Life, installation view, Modern Art Oxford 2020. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/Johanna-Unzueta-Tools-for-Life-(16).jpg Johanna Unzueta: Tools for Life, installation view, Modern Art Oxford 2020. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/Johanna-Unzueta-Tools-for-Life-(29).jpg Johanna Unzueta: Tools for Life, installation view, Modern Art Oxford 2020. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/Johanna-Unzueta-Tools-for-Life-(44).jpg Johanna Unzueta: Tools for Life, installation view, Modern Art Oxford 2020. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/Johanna-Unzueta-Tools-for-Life-(56).jpg Johanna Unzueta: Tools for Life, installation view, Modern Art Oxford 2020. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/05-Johanna-Unzueta-September-Berlin,-November-NY-2018.jpg Johanna Unzueta, September Berlin, November NY 2018, 2018. Courtesy the Artist and Proyectos Ultravioleta. https://www.studiointernational.com/images/articles/u/094-unzueta-johanna-2020/06-Johanna-Unzueta-April,-May-2016-NY.jpg Johanna Unzueta, April, May 2016 NY, 2016. Courtesy the Artist and Proyectos Ultravioleta. Tate: Purchased using funds provided by the 2018 Frieze Tate Fund supported by Endeavor to benefit the Tate collection 2019. https://www.studiointernational.com/index.php/formafantasma-cambio-review-serpentine-galleries-london-andrea-trimarchi-simone-farresin https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/serpff_035.jpg North Gallery, Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo: George Darrell. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/South-Powder-Gallery.jpg South Powder Gallery, Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo courtesy Formafantasma. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/Cambio-Visual-Essay-Video-stills-Formafantasma,-2020-Production-by-C41.jpg Cambio - Visual Essay, video still, Formafantasma, 2020. Production by C41. Image courtesy Formafantasma. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/serpff_016.jpg Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo: George Darrell. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/On-the-Anatomy-of-Trade,-2020.jpg On the Anatomy of Trade, 2020. Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo courtesy Formafantasma. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/BEKVAM,-2020.jpg BEKVAM, 2020. Installation view, Formafantasma, Cambio, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/1858-and-Val-di-Fiemme-Video-Formafantasma,-2020-Production-by-C41.jpg Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo: George Darrell. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/East-Gallery.jpg East Gallery, Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo: George Darrell. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/North-Gallery-specimens-close-up-VS.jpg North Gallery, Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/On-the-Anatomy-of-Trade,-2020-Anatomical-wood-analysis.jpg On the Anatomy of Trade, 2020. Anatomical wood analysis. Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo courtesy Formafantasma. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/On-the-Resonance-of-the-forest,-2020.-Spruce-speakers-by-CIRESA,-two-60W-amplifiers.jpg On the resonance of the forest, 2020. Spruce speakers by CIRESA, two 60W amplifiers. Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo courtesy Formafantasma. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/serpff_040.jpg Formafantasma, Cambio, installation view, Serpentine Sackler Gallery, London, 4 March – 17 May 2020. Photo: George Darrell. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/Val-di-Fiemme,-Italy-Video-stills-Formafantasma,-2019-Production-by-C41.jpg Val di Fiemme, Italy. Video still. Formafantasma, 2019. Production by C41. Image courtesy Formafantasma. https://www.studiointernational.com/images/articles/f/077-formafantasma-2020/1858-and-Val-di-Fiemme-Video-Formafantasma,-2020-Production-by-C41-2.jpg 1858 and Val di Fiemme. Video. Formafantasma, 2020. Production by C41-2. Image courtesy Formafantasma. https://www.studiointernational.com/index.php/savannah-college-of-art-and-design-scad-define-art-2020-review https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Derrick-Adams-runway-no-1.jpg Derrick Adams, Runway No. 1, 2017. Clothing patterns, acrylic, and fabric, 60 x 40 in. Courtesy of the artist, Luxembourg & Dayan, New York/London, and Salon 94, New York. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Marilyn-Minter_AS_004_JJ_v1.jpg Marilyn Minter, Glazed, 2006. Enamel on metal, 96 x 60 in. Courtesy of the collection of Jeanne Greenberg Rohatyn. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/MarilynMinter-Orange-Crush,-2009,-courtesy-of-SCAD.jpg Marilyn Minter. Orange Crush, 2009. Enamel on metal, 108 × 180 in (274.3 × 457.2 cm). Courtesy of the artist and Salon 94, New York. © Marilyn Minter. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/WongPing_AS_005_JJ_v2.jpg Wong Ping. Wong Ping https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Raulde-Nieves_AS_011_JJ_v1.jpg Raúl de Nieves. The Spirit, 2019. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Igshaan-Adams_AS_004_JJ_v1.jpg Igshaan Adams, Threshold II, 2019. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Marilyn-Minter-Orange-Crush,-2009,-courtesy-of-SCAD.jpg Marilyn Minter. Orange Crush, 2009. Enamel on metal, 108 × 180 in (274.3 × 457.2 cm). Courtesy of the artist and Salon 94, New York. © Marilyn Minter. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Anna-Maria-Maiolino_AS_006_JJ_v1.jpg Anna Maria Maiolino, Terra Modelada (Modeled Earth), 2020, Site-specific installation; São 38 (They are 38), 2016; Untitled, from 'Ações Matéricas' series, 1999. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Igshaan-Adams_AS_001_JJ_v1.jpg Igshaan Adams, Crawl, 2018. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Kenturah-Davis_AS_014_SN_v1.jpg Kenturah Davis. Limen I and Limen II, 2020. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Rodrigo-Hernandez_AS_002_JJ_v1.jpg Rodrigo Hernandez. A Moth to a Flame 1, 2020. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Shoplifter_AS_013_JJ_v1.jpg Shoplifter. Chromo Zone, 2020. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/2.jpg Xavier Robles de Medina, Dipi Gron Tiri, 2015. Courtesy of the artist and Catinca Tabacaru Gallery. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Charlie-Billingham_AS_015_JJ_v1.jpg Charlie Billingham, installation view. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/AlaiaAdrian_CC_003_JJ_1.jpg Alaïa-Adrian: Masters of Cut, installation view. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/AlaiaAdrian_RP_75_JJ_v1.jpg Alaïa-Adrian: Masters of Cut, installation view. Image courtesy of SCAD. https://www.studiointernational.com/images/articles/s/042-scad-defineart-2020/Derrick-Adams-installation-view.jpg Derrick Adams: Patrick Kelly, The Journey. Installation view. Image courtesy of SCAD. https://www.studiointernational.com/index.php/oluwole-omofemi-video-interview-the-way-we-were-signature-african-art https://www.studiointernational.com/images/articles/o/089-omofemi-oluwole-2020/Oluwole-Omofemi,-In-Her.jpg Oluwole Omofemi. In Her, 2019. Oil and acrylic on canvas, 230 x 150 cm. Courtesy of Signature African Art. https://www.studiointernational.com/images/articles/o/089-omofemi-oluwole-2020/Oluwole-Omofemi,-Omonalisa.jpg Oluwole Omofemi. Omonalisa, Oil and acrylic on canvas, 120 x 120 cm. Courtesy of Signature African Art. https://www.studiointernational.com/images/articles/o/089-omofemi-oluwole-2020/Oluwole-Omofemi,-Self-Love.jpg Oluwole Omofemi. Self Love, 2019. Oil and acrylic on canvas, 70 x 70 cm. Courtesy of Signature African Art. https://www.studiointernational.com/images/articles/o/089-omofemi-oluwole-2020/Oluwole-Omofemi-London-2020-photo-Martin-Kennedy-3.jpg Oluwole Omofemi talking to Studio International at the opening of The Way We Were at Signature African Art, London, 10 March 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/o/089-omofemi-oluwole-2020/Oluwole-Omofemi,-Ariyike-Golden-Tears.jpg Oluwole Omofemi. Ariyike Golden Tears, 2019. Oil and acrylic on canvas, 140 x 120 cm. Courtesy of Signature African Art. https://www.studiointernational.com/images/articles/o/089-omofemi-oluwole-2020/Oluwole-Omofemi,-Confrontation.jpg Oluwole Omofemi. Confrontation, 2019. Oil and acrylic on canvas, 70 x 70 cm. Courtesy of Signature African Art. https://www.studiointernational.com/images/articles/o/089-omofemi-oluwole-2020/Oluwole-Omofemi,-Lji.jpg Oluwole Omofemi, Lji, 2019. Oil and acrylic on canvas, 120 x 120 cm. Courtesy of Signature African Art. https://www.studiointernational.com/images/articles/o/089-omofemi-oluwole-2020/Oluwole-Omofemi,-Omolabake.jpg Oluwole Omofemi. Omolabake, 2019. Oil and acrylic on canvas, 120 x 120cm. Courtesy of Signature African Art. https://www.studiointernational.com/index.php/a-new-illustrator-aubrey-beardsley-the-studio-vol-1-no-1-april-1893 https://www.studiointernational.com/images/articles/b/046-beardsley-aubrey-issue-1-2020/the-studio-p19-issue-1-1893.jpg A New Illustrator: Aubrey Beardsley, The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 1, No 1, April 1893, page 19. Image: From a drawing in illustration of Mr. Oscar Wilde https://www.studiointernational.com/images/articles/b/046-beardsley-aubrey-issue-1-2020/the-studio-p16-issue-1-1893.jpg A New Illustrator: Aubrey Beardsley, The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 1, No 1, April 1893, page 16. Image: From the forthcoming edition of Malory https://www.studiointernational.com/images/articles/b/046-beardsley-aubrey-issue-1-2020/aubrey-beardsley-detail.jpg From a drawing in illustration of Mr. Oscar Wilde's ‘Salome’ by Aubrey Beardsley (detail). In A New Illustrator: Aubrey Beardsley, The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 1, No 1, April 1893, page 19. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/046-beardsley-aubrey-issue-1-2020/the-studio-issue-1-april-1893.jpg The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 1, No 1, April 1893, cover by Aubrey Beardsley. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/046-beardsley-aubrey-issue-1-2020/the-studio-p14-issue-1-1893.jpg A New Illustrator: Aubrey Beardsley, The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 1, No 1, April 1893, page 14. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/046-beardsley-aubrey-issue-1-2020/the-studio-p15-issue-1-1893.jpg A New Illustrator: Aubrey Beardsley, The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 1, No 1, April 1893, page 15. Image: The Birthday of Madame Cigale, from a drawing (15 x 9 1/2) in wash and line, by Aubrey Beardsley. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/046-beardsley-aubrey-issue-1-2020/the-studio-p17-issue-1-1893.jpg A New Illustrator: Aubrey Beardsley, The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 1, No 1, April 1893, page 17. Image: From the forthcoming edition of Malory's Morte d'Arthur, (by special permission of Messrs J. M. Dent & Co.). © Studio International Foundation. https://www.studiointernational.com/images/articles/b/046-beardsley-aubrey-issue-1-2020/the-studio-p18-issue-1-1893.jpg A New Illustrator: Aubrey Beardsley, The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 1, No 1, April 1893, page 18. Image: From an original drawing in line and wash by Aubrey Beardsley. © Studio International Foundation. https://www.studiointernational.com/index.php/aubrey-beardsley-review-tate-britain-london https://www.studiointernational.com/images/articles/b/045-beardsley-aubrey-2020/MSL_338_Beardsley_SlippersOfCinderella-(1).jpg Aubrey Beardsley. The Slippers of Cinderella, 1894. Ink and watercolour on paper. Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press. https://www.studiointernational.com/images/articles/b/045-beardsley-aubrey-2020/the-studio-poster-1893.jpg Poster for ‘The Studio’, 1893. Lithograph and letterpress on paper. This poster for The Studio magazine simply re-uses Beardsley’s design for the cover. Photo: Emily Spicer. https://www.studiointernational.com/images/articles/b/045-beardsley-aubrey-2020/The-Yellow-Book-Volume-I-1894.jpg Aubrey Beardsley. The Yellow Book Volume I, 1894. Bound volume. Stephen Calloway. Photo: © Tate. https://www.studiointernational.com/images/articles/b/045-beardsley-aubrey-2020/How-Arthur-saw-the-Questing-Beast-1893.jpg Aubrey Beardsley. How Arthur saw the Questing Beast, 1893. Ink and wash on paper, 37.8 x 27 cm. Victoria and Albert Museum. https://www.studiointernational.com/images/articles/b/045-beardsley-aubrey-2020/How-la-Beale-Isoud-Wrote-to-Sir-Tristram-c.1893.jpg Aubrey Beardsley. How la Beale Isoud Wrote to Sir Tristram, c1893. Ink on paper, 27.6 x 21.5 cm. Alessandra and Simon Wilson. https://www.studiointernational.com/images/articles/b/045-beardsley-aubrey-2020/Self-Portrait-1892.jpg Aubrey Beardsley. Self Portrait, 1892. Ink on paper. British Museum. https://www.studiointernational.com/images/articles/b/045-beardsley-aubrey-2020/The-Dream-1896.jpg Aubrey Beardsley. The Dream, 1896. Ink over graphite on paper, 25.7 x 17.8 cm. The J. Paul Getty Museum, Los Angeles. https://www.studiointernational.com/images/articles/b/045-beardsley-aubrey-2020/The-Lady-with-the-Rose-1897.jpg Aubrey Beardsley. The Lady with the Rose Verso, 1897. Ink, wash and graphite on paper, 19.9 x 16.7 cm. Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer. https://www.studiointernational.com/images/articles/b/045-beardsley-aubrey-2020/Volpone-Adoring-his-Treasure-1898.jpg Aubrey Beardsley. Volpone Adoring his Treasure, 1898. Ink over graphite on paper, 29 x 20.4 cm. Courtesy of the Princeton University Library. https://www.studiointernational.com/index.php/aubrey-beardsley-in-memoriam https://www.studiointernational.com/images/articles/b/044-beardsley-aubrey-obituary-2020/Aubrey-Beardsley-obituary-The-Studio-1898-p252.jpg Aubrey Beardsley. In Memoriam. The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 13, 1898, page 252. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/044-beardsley-aubrey-obituary-2020/Aubrey-Beardsley-obituary-The-Studio-1898-p255.jpg Aubrey Beardsley. In Memoriam. The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 13, 1898, page 255. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/044-beardsley-aubrey-obituary-2020/Aubrey-Beardsley-obituary-The-Studio-1898-p257.jpg Aubrey Beardsley. In Memoriam. The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 13, 1898, page 257. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/044-beardsley-aubrey-obituary-2020/Aubrey-Beardsley-obituary-The-Studio-1898-p259.jpg Aubrey Beardsley. In Memoriam. The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 13, 1898, page 259. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/044-beardsley-aubrey-obituary-2020/Aubrey-Beardsley-obituary-The-Studio-1898-p253.jpg Aubrey Beardsley. In Memoriam. The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 13, 1898, page 253. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/044-beardsley-aubrey-obituary-2020/Aubrey-Beardsley-obituary-The-Studio-1898-p256.jpg Aubrey Beardsley. In Memoriam. The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 13, 1898, page 256. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/044-beardsley-aubrey-obituary-2020/Aubrey-Beardsley-obituary-The-Studio-1898-p260.jpg Aubrey Beardsley. In Memoriam. The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 13, 1898, page 260. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/044-beardsley-aubrey-obituary-2020/Aubrey-Beardsley-obituary-The-Studio-1898-p262.jpg Aubrey Beardsley. In Memoriam. The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 13, 1898, page 262. © Studio International Foundation. https://www.studiointernational.com/images/articles/b/044-beardsley-aubrey-obituary-2020/Aubrey-Beardsley-obituary-The-Studio-1898-p263.jpg Aubrey Beardsley. In Memoriam. The Studio, An Illustrated Magazine of Fine and Applied Art, Vol 13, 1898, page 263. © Studio International Foundation. https://www.studiointernational.com/index.php/lygia-clark-painting-as-an-experimental-field-1948-1958-guggenheim-bilbao https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/03.jpg Lygia Clark. Compsition, 1953. Oil on canvas, 89 x 106 cm. Collection MAM, Donation, Sul América Segurous. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/01.jpg Lygia Clark. The Violincellist, 1951. Oil on canvas 105.5 x 81 x 2.7 cm. Private collection. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/02.jpg Lygia Clark. Staircase, 1951. Oil canvas, 100.4 x 74 cm. © Acervo Museu de Arte Brasileira. MAB FAAP, Sao Paolo. Photo: Fernando Silveira. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/07.jpg Lygia Clark. Modulated Surface, 1956. Industrial paint on wood, 60 x 120.5 cm. Fundaçao Edson Queiroz Collection, Fortaleza. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/05.jpg Lygia Clark. Modulated Surface No. 5, c1955. Lacquer on wood, 116 x 72 cm. Joâo Sattamini Collection on loan to the Museo de Art Contemporarânea di Niterói. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/04.jpg Lygia Clark. Untitled, 1954. Oil on canvas, 56 x 42 cm. Joâo Sattamini Collection on loan to the Museo de Art Contemporarânea di Niterói. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/10.jpg Lygia Clark. Counter Relief, 1959. Industrial paint on wood, 140 x 140 x 2.5cm. Collection Jones Bergamin, Rio de Janeiro. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/06.jpg Lygia Clark. Modulated Surface, 1955. Industrial paint on Eucatex, 62 x 86. Collection of Ana Eliza and Paulo Setúbal. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/08.jpg Lygia Clark. Modulated Surface, 1957. Industrial paint on wood, 49.5 x 94.5 x 8 cm. Collection Marcos Ribeiro Simon. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/images/articles/c/044-clark-lygia-2020/09.jpg Lygia Clark. Planes in Modulated Surface, 1958. Synthetic polymer paint on wood, 100 x 150 x 7 cm. Private collection, Rio de Janeiro. © Courtesy of The World of Lygia Clark Culture Association. https://www.studiointernational.com/index.php/sol-calero-zora-mann-shailesh-br-reviews-villa-arson-nice https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/SOL-CALERO-1.jpg Sol Calero: ‘They insisted on covering the fissures, but the walls still perspired’, installation view, Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/SOL-CALERO-Solo-pintura-II-2018-3.jpg Sol Calero. Solo pintura II, 2018. Acrylic on canvas, 150 x 120 cm. Courtesy: Barbara Gross Gallery, Munich (Germany). https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/SOL-CALERO-3.jpg Sol Calero: ‘They insisted on covering the fissures, but the walls still perspired’, installation view, Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/ZORA-MANN-1.jpg Zora Mann: Waganga, installation view, Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/ZORA-MANN-8.jpg Zora Mann: Waganga, installation view, Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/ZORA-MANN-3.jpg Zora Mann: Waganga, installation view, Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/SHAILESH-BR-Les-Batons-sacres,-2020-6.jpg Shailesh BR. Holy Sticks, 2020. Print on paper, wood, dimensions variable. Production Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/SHAILESH-BR-The-Last-Brahmin-Le-Lotus-fondant,-2020-2.jpg Shailesh BR. The Melting Lotus (Sahasrara), 2020. Wood sculpture, paraffin, tealight, dimensions variable. Production Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/SHAILESH-BR-La-Machine-a-tourner-les-pages,-2020.jpg Shailesh BR. Page Turner (Ulta Pulta), 2020. Kinetic sculpture with book and machine, 101 x 46 x 33 cm. Production Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/ZORA-MANN-7.jpg Zora Mann: Waganga, installation view, Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/images/articles/v/085-villa-arson-2020/SOL-CALERO-4.jpg Sol Calero: ‘They insisted on covering the fissures, but the walls still perspired’, installation view, Villa Arson, Nice 2020. Photo: François Fernandez / Villa Arson. https://www.studiointernational.com/index.php/young-rembrandt-review-ashmolean-museum-oxford https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Spectacles-Seller-Museum-De-Lakenhal.jpg Rembrandt van Rijn (1606–69). The Spectacles Seller (Allegory of Sight), c1624. Oil on panel, 21 x 17.8 cm. Museum de Lakenhal, Leiden. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Rembrandt-Lauging-J-P-Getty-Museum.jpg Rembrandt van Rijn (1606–69). Rembrandt Laughing, c1628. Oil on copper, 22.2 x 17.1 cm. J. Paul Getty Museum, Los Angeles. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Nude-woman-seated---Rijksmuseum.jpg Rembrandt van Rijn (1606–69). Nude woman seated on a mound, c1631. Etching on laid paper, 17.7 x 16 cm. Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/History-Painting,-detail-of-Rembrandt-self-portrait.jpg Rembrandt van Rijn (1606–69). History Painting, 1626 (detail). Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Lievens-Samson-Rijksmuseum.jpg Jan Lievens (1607–74). Samson and Delilah, c1628–9. Oil on canvas, 128.5 x 109.5 cm. Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Samson-and-Delilah-attrib-Rembrandt.jpg Rembrandt van Rijn (1606–69). Samson and Delilah (Attributed to Rembrandt, c1626-7). Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Rembrandt-Samson-Gemaldegalerie.jpg Rembrandt van Rijn (1606–69). Samson and Delilah, 1628. Oil on panel, 61.4 x 50 cm. Gemäldegalerie, Staatliche Museen zu Berlin. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Jeremiah-Rijksmuseum.jpg Rembrandt van Rijn (1606–69). Jeremiah Lamenting the Destruction of Jerusalem, 1630. Oil on panel, 58.3 x 46.6 cm. Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Aechje-Claesdr-National-Gallery.jpg Rembrandt van Rijn (1606–69). Portrait of an 83-Year-Old Woman (possibly Aechje Claesdr.), 1634. Oil on panel, 71.1 x 55.9 cm. National Gallery, London. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Self-portrait-1629-Alte-Pinalothek.jpg Rembrandt van Rijn (1606–69). Self-Portrait, 1629. Oil on oak panel, 15.5 x 12.7 cm. Bayerische Staatsgemäldesammlungen, Alte Pinakothek, Munich. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Noble-Slav-Metropolitan-Museum-of-Art.jpg Rembrandt van Rijn (1606–69). A Man in Oriental Dress (The Noble Slav), 1632. Oil on canvas, 152.7 x 111.1 cm. Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Portrait-of-an-Old-Man-Harvard-Art-Museums.jpg Rembrandt van Rijn (1606–69). Bearded Old Man, 1632. Oil on panel, 66.9 x 50.7 cm. Fogg Museum, Harvard Art Museums, Cambridge, MA. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Rembrandts-Father-Ashmolean,-University-of-Oxford.jpg Rembrandt van Rijn (1606–69). Rembrandt’s Father, 1628–9. Pen, brown ink and brown wash, 19 x 24 cm. Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Rembrandts-Mother-Royal-Collection.jpg Rembrandt van Rijn (1606–69). An Old Woman Called ‘The Artist’s Mother’, c1627–9. Oil on panel, 61.3 x 47.4 cm. The Royal Collection, H M Queen Elizabeth II. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/Self-portrait-1630-Ashmolean-Museum,-University-of-Oxford.jpg Rembrandt van Rijn (1606–69). Self-portrait in a cap, wide-eyed and open-mouthed, 1630. Etching and drypoint on laid paper, 5.2 x 4.7 cm. Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/r/069-rembrandt-young-2020/portrait-of-Rembrandt-by-Jan-Lievans,-1628.jpg Jan Lievens (1607–74). Portrait of Rembrandt van Rijn, c1628. Oil on panel, 57 x 44.7 cm. Rijksmuseum, Amsterdam, on loan from a private collection. https://www.studiointernational.com/index.php/impact-of-covid-19-on-artists-cancellations-exhibitions-and-fairs https://www.studiointernational.com/images/articles/c/043-covid-19-01/Beyond-Other-Horizons-poster.jpg Beyond Other Horizons poster, 2019, featuring the background work by David Mabb, Construct 69 Morris - Stepanova, Optical. Paint on paper, 70cm x 50 cm. © the artist. https://www.studiointernational.com/images/articles/c/043-covid-19-01/Nathaniel-Rackowe,-(Un)touched,-2017.jpg Nathaniel Rackowe, (Un)touched, 2017. © the artist. https://www.studiointernational.com/images/articles/c/043-covid-19-01/Anna-Dumitriu-Plague-Dress-2018.jpg Anna Dumitriu. Plague Dress, 2018. Photo © Anna Dumitriu. https://www.studiointernational.com/images/articles/c/043-covid-19-01/Conrad-Atkinson,-James-Joyce-shopping-trolley.jpg Conrad Atkinson, James Joyce shopping trolley. mixed media on archival paper, 8 x 10 in. © the artist. https://www.studiointernational.com/images/articles/c/043-covid-19-01/Bite-Me,-2019,-Kelly-Sweeney.jpg Kelly Sweeney, Bite Me, 2019. Acrylic on canvas, 92 x 76 cm. © the artist. https://www.studiointernational.com/images/articles/c/043-covid-19-01/Laura-Gaiger,-Trespass-on-the-Manor-Lawn,-2020.jpg Laura Gaiger, Trespass on the Manor Lawn, 2020. Oil on canvas, 250 x 140 cm. © the artist. https://www.studiointernational.com/images/articles/c/043-covid-19-01/Sarah-Needham,-Trails-(2019).jpg Sarah Needham, Trails, 2019. 80 x 80 x 2.7 cm. © the artist. https://www.studiointernational.com/images/articles/c/043-covid-19-01/Alex-McIntyre.jpg Alex McIntyre, 8 Miles with Sky, 2019. Ink and gesso on poplar, 100 x 150 x 3.4 cm. © the artist. https://www.studiointernational.com/images/articles/c/043-covid-19-01/Michael-Wallner,-The-Oxo-Tower.jpg Michael Wallner, The Oxo Tower, 2020. Spraypaint on concrete with steel bars, 95 x 65 cm approx. © Michael Wallner 2020. https://www.studiointernational.com/images/articles/c/043-covid-19-01/coronavirus_structure.jpg The impact of Covid-19. Image by Martin Kennedy © Studio International. https://www.studiointernational.com/images/articles/c/043-covid-19-01/Alex-McIntyre,-Look-up-to-find-comets.jpg Alex McIntyre, Look up to find comets, 2019. Ink and gesso on poplar, 150 x 100 x 3.4 cm. © the artist. https://www.studiointernational.com/images/articles/c/043-covid-19-01/ArchaeaBot-(2018-19)-by-Anna-Dumitriu-and-Alex-May-in-collaboration-with-scientist-Amanda-Wilson-Photo-credit-Vanessa-Graf-Ars-Electronica-2018.jpg ArchaeaBot, 2018-19, by Anna Dumitriu and Alex May in collaboration with scientist Amanda Wilson. Photo: Vanessa Graf Ars Electronica 2018. © the artist. https://www.studiointernational.com/index.php/impact-of-covid-19-on-artists-self-isolation-moving-online-financial-implications https://www.studiointernational.com/images/articles/c/042-covid-19-02/Perdita-Sinclair,-Black-Hole-Sundae,-2020.jpg Perdita Sinclair, Black Hole Sundae, 2020. Oil on canvas, 100 x 80 cm. © the artist. https://www.studiointernational.com/images/articles/c/042-covid-19-02/Julie-Fiala,-The-Cold-Kills,-2019.jpg Julie Fiala, The Cold Kills, 2019. Sung performance, one hour, Québec City, Canada. Photo: Yannick L Côté. © the artist. https://www.studiointernational.com/images/articles/c/042-covid-19-02/Fabienne-Jenny-Jacquet,-La-Douleur-Exquise,-2020.jpg Fabienne Jenny Jacquet, La Douleur Exquise, 2020. Oil on paper, 40 x 50 cm. © the artist. https://www.studiointernational.com/images/articles/c/042-covid-19-02/Clae-Eastgate,-The-Poets.jpg Clae Eastgate, The Poets – a portrait of Gillian Clarke and Carol Ann Duffy, 2017. Oil on canvas, 48 x 48 in. © the artist. https://www.studiointernational.com/images/articles/c/042-covid-19-02/Sarah-Jane-Moon,-Nicole-and-Kai,-2020.jpg Sarah Jane Moon, Nicole & Kai, 2020. Oil on canvas, 112 x 91 cm. © the artist. https://www.studiointernational.com/images/articles/c/042-covid-19-02/Karen-Remy,-Video-still-from-DANSE-AVEC-GRAND-MER(E),-2020.jpg Karen Rémy, Video still from Danse avec Grand-Mer(e), 2020. © the artist. https://www.studiointernational.com/images/articles/c/042-covid-19-02/coronavirus_structure-02.jpg The impact of Covid-19. Image by Martin Kennedy © Studio International. https://www.studiointernational.com/images/articles/c/042-covid-19-02/Clae-Eastgate,-Victoria-Adukwei-Bulley.jpg Clae Eastgate, Victoria Adukwei Bulley – a portrait, 2018. Oil on canvas, 24 x 40 in. © the artist https://www.studiointernational.com/images/articles/c/042-covid-19-02/Fabienne-Jenny-Jacquet,-Sid-and-Nancy,-2020.jpg Fabienne Jenny Jacquet, Sid and Nancy, 2020. Oil on paper, 40 x 50 cm. © the artist. https://www.studiointernational.com/images/articles/c/042-covid-19-02/Sarah-Jane-Moon,-Juno,-2019.jpg Sarah Jane Moon, Juno, 2019. Oil on linen, 152 x 110 cm. © the artist. https://www.studiointernational.com/index.php/andy-warhol-review-tate-modern-london https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Andy-Warhol---Self-Portrait.jpg Andy Warhol. Self Portrait, 1986. Tate. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Andy-Warhol-Boy-with-Flowers.jpg Andy Warhol. Boy with Flowers, 1955-7. ARTIST ROOMS Tate and National Galleries of Scotland. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Andy-Warhol---Green-coca-cola-bottles.jpg Andy Warhol. Green Coca-Cola Bottles, 1962. Whitney Museum of American Art, New York; purchase with funds from the Friends of the Whitney Museum of American Art. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Andy-Warhol---Marilyn-Diptych.jpg Andy Warhol. Marilyn Diptych, 1962. Tate. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Warhol-Installation-view-2.jpg Andy Warhol, installation view, Tate Modern 2020. © Tate photography, Andrew Dunkley. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Warhol-installation-view-14.jpg Andy Warhol, installation view, Tate Modern 2020. © Tate photography, Andrew Dunkley. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Andy-Warhol-Hammer-and-Sickle.jpg Andy Warhol. Hammer and Sickle, 1976. Museum Brandhorst. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Ladies-&-Gentlemen-(Wilhelmina-Ross).jpg Andy Warhol. Ladies and Gentlemen (Wilhelmina Ross), 1975. Acrylic paint and silkscreen ink on canvas, 127 x 101.6 cm. Italian private collection. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Andy-Warhol-Sixty-Last-Suppers.jpg Andy Warhol. Sixty Last Suppers, 1986. Nicola Erni Collection. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/warhol-youtube.jpg Andy Warhol at Tate Modern – Exhibition Tour | Tate. Curator-led video tour, filmed before Tate Modern closed. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Andy-Warhol-Debbie-Harry-1980.jpg Andy Warhol. Debbie Harry, 1980. Private collection of Phyllis and Jerome Lyle Rappaport 1961. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Andy-Warhol-Flowers.jpg Andy Warhol. Flowers, 1964. Private collection. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Ladies-and-Gentlemen-(Alphanso-Panell).jpg Andy Warhol. Ladies and Gentlemen (Alphanso Panell), 1975. Acrylic paint and silkscreen ink on canvas, 81.3 x 66 cm. Italian private collection. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Ladies-and-Gentlemen-(Helen,-Henry-Morales)-(2).jpg Andy Warhol. Ladies and Gentlemen (Helen/Harry Morales), 1975. Italian private collection. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Ladies-and-Gentlemen-(Iris).jpg Andy Warhol. Ladies and Gentlemen (Iris), 1975. Acrylic paint and silkscreen ink on canvas, 35.6 x 27.9 cm. Italian private collection. © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/064-warhol-andy-2020/Warhol-installation-view-13.jpg Andy Warhol, installation view, Tate Modern 2020. © Tate photography, Andrew Dunkley. https://www.studiointernational.com/index.php/impact-of-covid-19-on-artists-part-3-building-commmunities-and-finding-inner-resilience https://www.studiointernational.com/images/articles/c/041-covid-19-03/Francesca-Pasquali,-Labirinto,-2019,-made-during-the-Mutations-Festival,-2019.jpg Francesca Pasquali, Labirinto, 2019. Made during the Mutations Festival, 2019, Ruvo di Puglia, Italy, in collaboration with Francesca Pasquali Archive and La Capagrossa. © the artist. https://www.studiointernational.com/images/articles/c/041-covid-19-03/Veronique-Maria,-Gratitude-Mandala-12,-2018.jpg Veronique Maria, Gratitude Mandala 12, 2018. Mixed media on canvas, 100 x 100 cm. © the artist. https://www.studiointernational.com/images/articles/c/041-covid-19-03/Kelly-Sweeney,-Colour-Me-Pink-2019.jpg Kelly Sweeney, Colour Me Pink 2019. Film still. © Kelly Sweeney. https://www.studiointernational.com/images/articles/c/041-covid-19-03/john-powers.jpg John Powers, Structural Study (play), 2020. Basswood, bamboo, clamps and zip ties, 30 x 24 in. © the artist. https://www.studiointernational.com/images/articles/c/041-covid-19-03/Patricia-Cronin,-Aphrodite-Reimagined,-2018.jpg Patricia Cronin, Aphrodite Reimagined, 2018. Bonded carrara and resin, monumental outdoor sculpture commission, in ‘Patricia Cronin, Aphrodite and the Lure of Antiquity,’ Tampa Museum of Art, Tampa, FL, USA. © the artist. https://www.studiointernational.com/images/articles/c/041-covid-19-03/Nicolas-Laborie,-Flaming-Lotus,-2019,-Wet-Plate-Collodion,-Haiku,-2019,-and-Silent-Kinsugi-II,-2019.jpg Nicolas Laborie, Flaming Lotus, 2019. Wet plate collodion, Haiku, 2019; Silent Kinsugi II, 2019. Wet plate collodion. © Nicolas Laborie https://www.studiointernational.com/images/articles/c/041-covid-19-03/coronavirus_structure-03-750.jpg The impact of Covid-19. Image by Martin Kennedy © Studio International. https://www.studiointernational.com/images/articles/c/041-covid-19-03/Kelly-Sweeney,-Chump-Elder-2019.jpg Kelly Sweeney, Chump Elder, 2019. Ceramic and modelling clay, 22 cm high. © Kelly Sweeney. https://www.studiointernational.com/images/articles/c/041-covid-19-03/Linda-Ingham,-October-Crown-(Self-Portrait),-2018.jpg Linda Ingham, October Crown (Self-Portrait), 2018. Silverpoint and watercolour on paper, 32 x 21 cm. © the artist. https://www.studiointernational.com/images/articles/c/041-covid-19-03/Linda-Ingham-Greenfall-Series-Tower-(tribute),-2019.jpg Linda Ingham – Greenfall Series – Tower (tribute), 2019. Watercolour, coloured pencil and silverpoint. © the artist. https://www.studiointernational.com/images/articles/c/041-covid-19-03/Veronique-Maria,-Gratitude-Mandala-24.jpg Veronique Maria, Gratitude Mandala 24. Mixed media on canvas, 100 x 100 cm. © the artist. https://www.studiointernational.com/images/articles/c/041-covid-19-03/john-powers-detail.jpg John Powers, Structural Study (play), 2020 (detail). Basswood, bamboo, clamps and zip ties, 30 x 24 in. © the artist. https://www.studiointernational.com/index.php/transparent-things-goldsmiths-centre-for-contemporary-art-london https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/Mark-Blower-200220-Transparent-Things-Goldsmiths-CCA-0054.jpg Vladimir Nabokov, Colour Plate 55; Colour Plate 41; Colour Plate 44 by Vladimir Nabokov. © Vladimir Nabokov, used by permission of The Wylie Agency (UK) Limited. Photo: Mark Blower. https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/Overton-GCCA-Transparent-Things-01.jpg Virginia Overton, Untitled (cascade), 2020. Aluminium sign parts, ladders, steel drum, Uni-strut, water, pump, hose, sandbags and hardware. Commissioned by Goldsmiths Centre for Contemporary Art, London. Courtesy of the artist and White Cube. Photo: Mark Blower. https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/Renee-So-Mark-Blower-200220-Transparent-Things-Goldsmiths-CCA-0012.jpg Renee So, Figures & Vessels, 2019. Stoneware, terracotta. Courtesy of the artist and Kate MacGarry. Photo: Mark Blower. https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/Mark-Blower-200220-Transparent-Things-Goldsmiths-CCA-0049-HDR.jpg Michael Dean, (Unfucking Titled) fucked dove / pigeon, 2020. Steel, cable ties, padlocks, concrete, customised scene tape, paperback books (Pollen, 2015). Courtesy of the artist and Herald St, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/theaster-gates-Mark-Blower-200220-Transparent-Things-Goldsmiths-CCA-0021-HDR-Edit-Edit.jpg Theaster Gates, Sound Cube, 2019. Azobe, Hammond B3 Organ and Leslie speaker. Courtesy of the artist and White Cube. Photo: Mark Blower. https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/Mark-Blower-200220-Transparent-Things-Goldsmiths-CCA-0017.jpg Renee So, Woman VI, 2020 (left). Terracotta. Commissioned by Goldsmiths Centre for Contemporary Art, London. Courtesy of the artist and Kate MacGarry. Photo: Mark Blower. https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/Mark-Blower-200220-Transparent-Things-Goldsmiths-CCA-0058.jpg Virginia Overton, Untitled (gush), 2020. Aluminium sign parts. Commissioned by Goldsmiths Centre for Contemporary Art, London. Courtesy of the artist and White Cube. Photo: Mark Blower. https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/Mark-Blower-200220-Transparent-Things-Goldsmiths-CCA-0067.jpg Gareth Cadwallader, Coffee, 2018-19. Oil on canvas. Courtesy of the artist. From the collection of Nick Goss. Photo: Mark Blower. https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/Mark-Blower-200220-Transparent-Things-Goldsmiths-CCA-0087-Edit.jpg Transparent Things, installation view, Goldsmiths Centre for Contemporary Art, London 2020. Photo: Mark Blower. https://www.studiointernational.com/images/articles/t/083-transparent-things-2020/Mark-Blower-200220-Transparent-Things-Goldsmiths-CCA-0090.jpg Nina Canell, Gum Shelf, 2017. Mastic gum, steel. Courtesy of the artist. Photo: Mark Blower. https://www.studiointernational.com/index.php/impact-of-covid-19-on-artists-part-4-artistic-responses-and-the-prescient-zeitgeist https://www.studiointernational.com/images/articles/c/039-covid-19-04/Susie-Hamilton,-sketch-from-Metamorphoses-series,-2020,-acrylic-and-pencil-on-paper,-29x21cm.jpg Susie Hamilton, sketch from Metamorphoses series, 2020. Acrylic and pencil on paper, 29 x 21 cm. © the artist. https://www.studiointernational.com/images/articles/c/039-covid-19-04/Gill-Nicholas-COVID-19,-2020.jpg Gill Nicholas COVID-19, 2020. Acrylic on canvas, 150 x 100 cm. © the artist. https://www.studiointernational.com/images/articles/c/039-covid-19-04/Perdita-Sinclair,-Wave-Tower,-2020.jpg Perdita Sinclair, Wave Tower, 2020. Oil on canvas, 165 x 80 cm. © the artist. https://www.studiointernational.com/images/articles/c/039-covid-19-04/October-Collective,-still-from-Obsolete,-2020-(2).jpg Aleksandra Karpowicz. October! Collective, still from Obsolete, 2020. © the artist. https://www.studiointernational.com/images/articles/c/039-covid-19-04/M.Hanselaar-Nobody-is-innocent-anymore--2013.jpg Marcelle Hanselaar. Nobody is innocent anymore, 2013. Etching, collage, mixed media, 50 x 40 cm, paper 70 x 56 cm. © the artist. https://www.studiointernational.com/images/articles/c/039-covid-19-04/coronavirus_structure-04-750.jpg The impact of Covid-19. Image by Martin Kennedy © Studio International. https://www.studiointernational.com/images/articles/c/039-covid-19-04/M.Hanselaar-Loss-of-Innocence-3-2012.jpg Marcelle Hanselaar. Loss of Innocence 3, 2012. Etching, aquatint, 50 x 40 cm, paper 70 x 56 cm. © the artist. https://www.studiointernational.com/images/articles/c/039-covid-19-04/October!-Collective,-still-from-Obsolete,-2020.jpg Aleksandra Karpowicz. October! Collective, still from Obsolete, 2020. © the artist. https://www.studiointernational.com/index.php/chung-sang-hwa-excavations-1964-78-review-levy-gorvy-london https://www.studiointernational.com/images/articles/c/040-chung-sang-hwa-2020/CSH-London-2020-02-24167451.jpg Chung Sang-Hwa: Excavations, 1964-78, installation view, Lévy Gorvy, London, 2020. Photo: Stephen White. https://www.studiointernational.com/images/articles/c/040-chung-sang-hwa-2020/CSH-London-2020-02-24167477.jpg Chung Sang-Hwa: Excavations, 1964-78, installation view, Lévy Gorvy, London, 2020. Photo: Stephen White. https://www.studiointernational.com/images/articles/c/040-chung-sang-hwa-2020/Chung_Work-65-2_1965.jpg Chung Sang-Hwa. Work 65-2, 1965. Acrylic, kaolin and oil on canvas, 63 7/8 x 51 5/16 in (162.2 x 130.3 cm). © Chung Sang-Hwa. Courtesy Lévy Gorvy, New York and Gallery Hyundai, Seoul. Photo: Elisabeth Bernstein. https://www.studiointernational.com/images/articles/c/040-chung-sang-hwa-2020/Chung_Work-K-3_1970.jpg Chung Sang-Hwa. Work K-3, 1970. Acrylic, kaolin and oil on canvas, 64.02 x 51.3 in (162.2 x 130.3 cm). © Chung Sang-Hwa. Courtesy Lévy Gorvy, New York and Gallery Hyundai, Seoul. Photo: Elisabeth Bernstein. https://www.studiointernational.com/images/articles/c/040-chung-sang-hwa-2020/Chung_Work-70-9-15_1970.jpg Chung Sang-Hwa. Work 70-9-15, 1970. Acrylic and oil on canvas, 63.86 x 51.3 in (162.2 x 130.3 cm). © Chung Sang-Hwa. Courtesy Lévy Gorvy, New York and Gallery Hyundai, Seoul. Photo: Elisabeth Bernstein. https://www.studiointernational.com/images/articles/c/040-chung-sang-hwa-2020/CSH-London-2020-02-24167468.jpg Chung Sang-Hwa: Excavations, 1964-78, installation view, Lévy Gorvy, London, 2020. Photo: Stephen White. https://www.studiointernational.com/index.php/british-surrealism-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Ithell-Colquhoun,-The-Pine-Family.jpg Ithell Colquhoun, The Pine Family, 1940. Photo: The Israel Museum, Jerusalem, © Samaritans, Spire Healthcare, and by kind permission of the Noise of Abatement Society. https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Marion-Adnams-The-Distraught-Infanta.jpg Marion Adnams, L https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Edith-Rimmington-Family-Tree.jpg Edith Rimmington, Family Tree, 1938. The Murray Family Collection (UK & USA). © Estate of Edith Rimmington. https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Henry-Fuseli-The-Weird-Sisters,-Macbeth.jpg Henry Fuseli, The Weird Sisters, Macbeth, by Henry Fuseli, c1783. RSC Theatre Collection. https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Leonora-Carrington-The-Old-Maids.jpg Leonora Carrington, The Old Maids, 1947. © Estate of Leonora Carrington / ARS, NY and DACS, London 2019, UEA 27. Sainsbury Centre for Visual Arts, University of East Anglia. Photo: James Austin. https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Conroy-Maddox-The-Lesson.jpg Conroy Maddox, The Lesson, 1938/1970. © Christie’s Images Limited, Given with the kind permission of the artist’s daughter. https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Sam-Haile-Woman-and-Suspended-Man.jpg Sam Haile, Woman and Suspended Man, 1939. © Manchester Art Gallery / Bridgeman Images. https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Edward-Burra-Dancing-Skeletons.jpg Edward Burra, Dancing Skeletons, 1934. Photo © Tate, Copyright: © Tate. https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/John-Bigge-Composition.jpg John Bigge, Composition, 1936. Photo: Ferens Art Gallery: Hull Museums. © The Estate of John Bigge. https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Leonora-Carrington-The-Pomps-of-the-Subsoil.jpg Leonora Carrington, The Pomps of the Subsoil, 1947. © Estate of Leonora Carrington / ARS, NY and DACS, London 2019, UEA 28. Sainsbury Centre for Visual Arts, University of East Anglia. Photo: James Austin. https://www.studiointernational.com/images/articles/b/043-british-surrealism-2020/Marion-Adnams-Aftermath.jpg Marion Adnams, Aftermath, 1946. Photo: 2006 Christie’s Images Limited. © The Estate of Marion Adnams. https://www.studiointernational.com/index.php/impact-of-covid-19-on-artists-part-5-the-long-term-outlook-growth-online-offerings https://www.studiointernational.com/images/articles/c/038-covid-19-05/the-image-of-the-artistsupportpledge-post.jpg The image of the #artistsupportpledge post. © Matthew Burrows. https://www.studiointernational.com/images/articles/c/038-covid-19-05/Matthew-Burrows,-The-Seer,-2012.jpg Matthew Burrows, The Seer, 2012. Etching on paper, 57 x 45 cm. © the artist. https://www.studiointernational.com/images/articles/c/038-covid-19-05/John-Keane,-Flat-Earth-Series-7,--2019.jpg John Keane, Flat Earth Series 7, 2019. Reactive metal paint, gold, diamonds on linen. © John Keane, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/038-covid-19-05/Individual_MichaelStaniak_NaturalOrder2020_LucyEmmsI4326.jpg Michael Staniak, Natural Order, 2020. © the artist. https://www.studiointernational.com/images/articles/c/038-covid-19-05/Dominic-Blake,-Instagram-post,-2020.jpg Dominic Blake. Post on Instagram. https://www.studiointernational.com/images/articles/c/038-covid-19-05/semple-life-class-live.jpg #SempleLifeClassLive © Instagram / Stuart Semple. https://www.studiointernational.com/images/articles/c/038-covid-19-05/coronavirus_structure-05-750.jpg The impact of Covid-19. Image by Martin Kennedy © Studio International. https://www.studiointernational.com/images/articles/c/038-covid-19-05/John-Keane,-Flat-Earth-Series-(1),-2019.jpg John Keane, Flat Earth Series (1), 2019. Oil and reactive metallic paint on linen. © John Keane, Courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/038-covid-19-05/MichaelStaniak_NaturalOrder2020_LucyEmmsA29I4266.jpg Michael Staniak, Natural Order, 2020. © the artist. https://www.studiointernational.com/index.php/cecil-beaton-bright-young-things-review-national-portrait-gallery-london https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/220_Anna-May-Wong-1929.jpg Anna May Wong by Cecil Beaton, 1929. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/006_Nancy-and-Baba-Beaton-1926.jpg Nancy and Baba Beaton by Cecil Beaton, 1926. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/029_Edith-Sitwell-1926.jpg Edith Sitwell at Sussex Gardens by Cecil Beaton, 1926. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/056_Cecil-Beaton-and-Stephen-Tennant-by-Maurice-Beck-Helen-Macgregor-1927.jpg Cecil Beaton and Stephen Tennant by Maurice Beck and Helen Macgregor, 1927. National Portrait Gallery, London. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/190_Cecil-Beaton-by-Paul-Tanqueray_x44847_from-NEG_USE-THIS-VERSION.jpg Cecil Beaton by Paul Tanqueray, 1937. National Portrait Gallery, London. © Estate of Paul Tanqueray. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/023_George-Dadie-Rylands-1924.jpg George ‘Dadie’ Rylands as the Duchess of Malfi by Cecil Beaton, 1924. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/028_Edward-Le-Bas-1924.jpg Edward Le Bas as Mrs Vulpy in The Watched Pot by Cecil Beaton, 1924. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/004_Cecil-Beaton-at-Sandwich,-1920s.jpg Cecil Beaton at Sandwich, early 1920s. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/046_The-Bright-Young-Things-at-Wilsford-1927_CM9835.jpg The Bright Young Things at Wilsford by Cecil Beaton, 1927. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/065_Tallulah-Bankhead-1932.jpg Tallulah Bankhead by Cecil Beaton, 1932. The Museum of the City of New York. © National Portrait Gallery, London. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/069_Baba-Beaton,-the-Hon-Mrs-Charles-Baillie-Hamilton-and-Lady-Bridget-Poulett-1930-by-Cecil-Beaton.jpg The Silver Soap Suds (L to R: Baba Beaton, the Hon. Mrs Charles Baillie-Hamilton and Lady Bridget Poulett) by Cecil Beaton, 1930. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/074_Paula-Gellibrand,-Marquesa-de-Casa-Maury-1928.jpg Paula Gellibrand, Marquesa de Casa Maury by Cecil Beaton, 1928. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/120_Constant-Lambert-by-Christopher-Wood-1926.jpg Constant Lambert by Christopher Wood, 1926. National Portrait Gallery, London. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/136_-Self-Portrait-by-Rex-Whistler,-1932.jpg Self Portrait by Rex Whistler, 1935. National Portrait Gallery, London. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/177_Oliver-Messel-1932.jpg Oliver Messel in his costume for Paris in Helen! by Cecil Beaton, 1932. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/180_Maxine-Freeman-Thomas-1928.jpg Maxine Freeman-Thomas dressed for Ascot in the year 2000 for the Dream of Fair Women Ball by Cecil Beaton, 1928. © The Cecil Beaton Studio Archive. https://www.studiointernational.com/images/articles/b/042-beaton-cecil-2020/182_Lois-Sturt-by-Ambrose-McEvoy-1920.jpg The Hon. Lois Sturt by Ambrose McEvoy, 1920. Philip Mould & Company. https://www.studiointernational.com/index.php/leon-spilliaert-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/s/041-spilliaert-leon-2020/3.jpg Leon Spilliaert, A Gust of Wind, 1904. Indian ink wash, brush, watercolour and gouache on paper, 51 x 41 cm. Mu.ZEE © www.lukasweb.be - Art in Flanders vzw. Photo: Hugo Maertens. https://www.studiointernational.com/images/articles/s/041-spilliaert-leon-2020/4.jpg Leon Spilliaert, Woman at the Shoreline, 1910. Indian ink, coloured pencil and pastel on paper, 49 x 60 cm. Private collection. Photo: © Cedric Verhelst. https://www.studiointernational.com/images/articles/s/041-spilliaert-leon-2020/spilliaert-ra-video-tour.jpg Video: virtual tour of Léon Spilliaert exhibition, Royal Academy of Arts, London 2020. https://www.studiointernational.com/images/articles/s/041-spilliaert-leon-2020/5.jpg Leon Spilliaert, Young Woman on a Stool, 1909. Indian ink, pen, coloured pencil, coloured chalk and gouache on paper, 70.3 x 59.9 cm. The Hearn Family Trust. https://www.studiointernational.com/images/articles/s/041-spilliaert-leon-2020/6.jpg Leon Spilliaert, Dike at night. Reflected lights, 1908. Indian ink wash, pen and coloured pencil on paper, 48 x 39.4 cm. Musée D https://www.studiointernational.com/images/articles/s/041-spilliaert-leon-2020/2.jpg Leon Spilliaert, Self-portrait, 1907. Gouache, watercolour and coloured pencil on paper, 52.7 x 37.8 cm. Metropolitan Museum of Art © 2019. Image copyright The Metropolitan Museum of Art/Art Resource/Scala, Florence. https://www.studiointernational.com/images/articles/s/041-spilliaert-leon-2020/7.jpg Leon Spilliaert, The Shipwrecked Man, 1926. Watercolour, gouache, Indian ink and pen on paper, 54.2 x 75.3 cm. Private collection. Photo: Luc Schrobiltgen. https://www.studiointernational.com/images/articles/s/041-spilliaert-leon-2020/1.jpg Leon Spilliaert, The Absinthe Drinker, 1907. Indian ink, gouache, watercolour and coloured chalk on paper, 105 x 77 cm. Collection King Baudouin Foundation, entrusted to the Fine Arts Museum of Ghent, Belgium, © Studio Philippe de Formanoir. https://www.studiointernational.com/images/articles/s/041-spilliaert-leon-2020/8.jpg Leon Spilliaert, Beach Trunks. Shadows. 1945. Pencil, watercolour, Indian ink, pen on paper. 58.6 x 48 cm. Private collection. Photo: © Cedric Verhelst. https://www.studiointernational.com/index.php/the-impact-of-covid-19-on-art-critics-coronavirus https://www.studiointernational.com/images/articles/c/036-critics-essay-2020/Gill-Nicholas,-Covid-19-part-2,-2020.jpg Gill Nicholas, Covid 19 part 2, 2020. Acrylic on canvas, 150 x 100 cm. © the artist. https://www.studiointernational.com/images/articles/c/036-critics-essay-2020/Deb-Covell,-Altered-States.jpg Deb Covell, Altered States, installation, Kirkleatham Museum, 10 January - 8 February 2020. Photo: Anna McNay. https://www.studiointernational.com/images/articles/c/036-critics-essay-2020/designers-guild-FTM-post.jpg Tabish Khan (@LondonArtCritic), Instagram post, 2020. Image: Fifty Years of Designers Guild, Fashion and Textile Museum, installation view. https://www.studiointernational.com/images/articles/c/036-critics-essay-2020/Maikos-in-Gion-Kyoto-Japan-(C)-Getty-Images.jpg Maikos in Gion, Kyoto, Japan. © Getty Images. https://www.studiointernational.com/images/articles/c/036-critics-essay-2020/Titian-Poesie-X10043-A5.jpg Titian, Danaë, c1551–3. Oil on canvas, 114.6 × 192.5 cm. Wellington Collection, Apsley House, London. © Stratfield Saye Preservation Trust. https://www.studiointernational.com/images/articles/c/036-critics-essay-2020/Jessica-Mitchell,-Untitled,-2019.jpg Jessica Mitchell, Untitled, 2019. Oil pastel and pencil on paper, 29.7 x 21 cm. Created as part of the ongoing Sour-Puss: The Opera collaboration with Diogo Duarte. © the artist. https://www.studiointernational.com/images/articles/c/036-critics-essay-2020/Susie-Hamilto,-Covid-Ward,-2020.jpg Susie Hamilton, Covid Ward, 2020. Acrylic and pencil on paper, 21 x 21 cm. © the artist. https://www.studiointernational.com/images/articles/c/036-critics-essay-2020/Frida-Kahlo-Lives-of-the-Artists-by-Hettie-Judah,-Laurence-King-Publishing.jpg Frida Kahlo, Lives of the Artists by Hettie Judah, Laurence King Publishing. https://www.studiointernational.com/images/articles/c/036-critics-essay-2020/Susie-Hamilton,-Covid-Ward-2,-2020-750.jpg Susie Hamilton, Covid Ward 2, 2020. Acrylic and pencil on paper, 21 x 30 cm. © the artist. https://www.studiointernational.com/index.php/cao-fei-blueprints-review-serpentine-gallery-london https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/05-cao_fei-nova_2019_video_image_7.jpg Cao Fei, Nova, 2019. Video, 109 min. Courtesy the artist, Vitamin Creative Space and Sprüth Magers. https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/06-asia_one.jpg Cao Fei, Asia One, 2018. Video, 63 min 20 sec. Courtesy the artist, Vitamin Creative Space and Sprüth Magers. https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/13-la_town-center_plaza_2014.jpg Cao Fei, La Town, 2014. Video, 41 min 58 sec. Courtesy the artist, Vitamin Creative Space and Sprüth Magers. https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/09-cao_fei_the_eternal_wave-10_2020_courtesy_acute_art.jpg Cao Fei, still from The Eternal Wave, 2020. Virtual reality. Courtesy of the artist and Acute Art. https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/10-cao_fei_the_eternal_wave_2020_courtesy_acute_art.jpg Cao Fei, still from The Eternal Wave, 2020. Virtual reality. Courtesy of the artist and Acute Art. https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/02-cao_fei-nova_2019_video_image_81.jpg Cao Fei, Nova, 2019. Video, 109 min. Courtesy the artist, Vitamin Creative Space and Sprüth Magers. https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/11-cao_fei_the_eternal_wave-5_2020_courtesy_acute_art.jpg Cao Fei, still from The Eternal Wave, 2020. Virtual reality. Courtesy of the artist and Acute Art. https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/12-cao_fei-nova_2019_video_image_12.jpg Cao Fei, Nova, 2019. Video, 109 min. Courtesy the artist, Vitamin Creative Space and Sprüth Magers. https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/14-asia_one_2.jpg Cao Fei, Asia One, 2018. Video, 63 min 20 sec. Courtesy the artist, Vitamin Creative Space and Sprüth Magers. https://www.studiointernational.com/images/articles/c/037-cao-fei-2020/15-asia_one_3.jpg Cao Fei, Asia One, 2018. Video, 63 min 20 sec. Courtesy the artist, Vitamin Creative Space and Sprüth Magers. https://www.studiointernational.com/index.php/looking-up-helaine-blumenfeld-at-canary-wharf-review-london https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Fortuna,-2016-(10).jpg Helaine Blumenfeld, Fortuna, 2016. Bronze, 515 x 311 x 263 cm. Photo © Sean Pollock. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Ascent,-2010-(2).jpg Helaine Blumenfeld, Ascent, 2007. Bronze, 335 x 200 x 165 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Flight,-2019-(5).jpg Helaine Blumenfeld, Flight, 2019. Bronze, 320 x 110 x 110 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Souls,-1985.jpg Helaine Blumenfeld, Souls, 1985. Bronze, four-part sculpture, 200 x 150 x 100 cm; 180 x 120 x 90 cm; 160 x 120 x 90 cm; 140 x 90 x 90 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Tree-of-Life,-Encounter,-2018-(2).jpg Helaine Blumenfeld, Tree of Life: Encounter, 2018. Bronze with satin finish on black bronze base, 180 x 80 x 65 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,Shadow-Figures,-1990.jpg Helaine Blumenfeld, Shadow Figures, 1990. White marble, three-part sculpture on base, 130 x 95 x 37 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/05-Sculpture-with-flat-screen-behind-it-One-Canada-Square.jpg Helaine Blumenfeld, installation view, One Canada Square. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Exodus-IV,-2019.jpg Helaine Blumenfeld, Exodus IV, 2018. White marble, 50 x 41 x 41 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/01-Installation-pic-marble-One-Canada-Square-V-Simpson.jpg Helaine Blumenfeld, installation view, One Canada Square. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Taking-Risks,-2018.jpg Helaine Blumenfeld, Taking Risks, 2019. Carrara marble in three parts; Vertical form 1: height with base: 365 cm x 187 x 113. Vertical form 2: height with base: 317 cm x 203 x 191. Horizontal form 3: height 98 cm x 272 x 145. Total weight: 6,580 kg. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Illusion,-2018.jpg Helaine Blumenfeld, Illusion, 2018. Bronze, three-part sculpture, 356 x 275 x 275 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Metamorphosis,-2019-(4).jpg Helaine Blumenfeld, Metamorphosis, 2019. Bronze, 340 x 323 x 262 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-2020.jpg Helaine Blumenfeld, 2020. Photo © Sean Pollock. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/04-Venus-(1993)-in-One-Canada-Square-VS.jpg Helaine Blumenfeld, Venus, 1993. Travertine marble, 230 x 76 x 51 cm Installation view, One Canada Square. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Ascent,-2010.jpg Helaine Blumenfeld, Ascent, 2007. Bronze, 335 x 200 x 165 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/images/articles/b/041-blumenfeld-helen-2020/Helaine-Blumenfeld,-Exodus-V,-2019.jpg Helaine Blumenfeld, Exodus V, 2019. Bronze, 55 x 44 x 54 cm. Photo © Henryk Hetflaisz. https://www.studiointernational.com/index.php/nicolaes-maes-dutch-master-of-the-golden-age-review-national-gallery-london https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/03.jpg Nicolaes Maes, Young Woman sewing, 1655. Oil on panel, 55.6 × 46.1 cm. Harold Samuel Collection, Mansion House, London. © Guildhall Art Gallery, City of London. https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/04.jpg Nicolaes Maes, The Account Keeper, 1656. Oil on canvas, 66 × 53.7 cm. Saint Louis Art Museum, Museum Purchase. © Saint Louis Art Museum. https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/10.jpg Nicolaes Maes, Self-portrait, 1680–5. Oil on canvas, 62 × 48 cm. Dordrecht, Dordrechts Museum. © Dordrechts Museum. https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/08.jpg Nicolaes Maes, Portrait of a Girl with a Deer, c1671. Oil on canvas, 132.4 × 102 cm. Private Collection. © 2006 Christie’s Images Limited. https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/1.jpg Nicolaes Maes, Girl at a Window, 1653–5. Oil on canvas, 123 × 96 cm. Loan from the Rijksmuseum. © Rijksmuseum Amsterdam. https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/02.jpg Nicolaes Maes, Young Woman at a Cradle, 1653–5. Oil on canvas, 33.8 × 28.8 cm. Rijksmuseum. De Bruijn-van der Leeuw Bequest, Muri, Switzerland. © Rijksmuseum Amsterdam. https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/05.jpg Nicolaes Maes, A Sleeping Man having his Pockets picked, about 1656. Oil on panel, 35.6 × 30.5 cm. Promised Gift of Rose-Marie and Eijk van Otterloo, in support of the Center of Netherlandish Art Museum of Fine Arts, Boston. Photo: © 2019 Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/06.jpg Nicolaes Maes, The Listening Housewife (The Eavesdropper), 1655. Oil on panel, 74.9 × 60.4 cm. Royal Collection Trust / HM The Queen. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020. https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/07.jpg Nicolaes Maes, The Eavesdropper, c1656. Oil on canvas, 57.5 × 66 cm. The Wellington Collection, Apsley House [English Heritage]. © Historic England Photo Library. https://www.studiointernational.com/images/articles/m/044-maes-nicolaes-2020/09.jpg Nicolaes Maes, Portrait of Simon van Alphen (1650-1730), c1677. Oil on canvas, 71.5 × 57.2 cm. Rijksmuseum. C.H. de Koning Bequest, The Hague. © Rijksmuseum Amsterdam. https://www.studiointernational.com/index.php/helen-cammock-interview-turner-prize-they-call-it-idlewild-wysing-arts-centre-cambridge https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/FILM-STILL-WOMEN-MURAL-BOGSIDE.jpg Helen Cammock. The Long Note, 2018. Film still. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/idlewild-screen.jpg Helen Cammock. They Call It Idlewild, 2020. Film, 18 min 35 sec. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/Helen-Cammock_Wysing-Arts-Centre_Photo-Wilf-Speller-13.jpg Helen Cammock. Can you remember when you last did nothing? Billboard, installation view, Wysing Arts Centre. Photo: Wilf Speller. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/Helen-Cammock_They-Call-It-Idlewild,-2020-(still)_Wysing-Arts-Centre_6.jpg Helen Cammock. They Call It Idlewild, 2020 (still). Wysing Arts Centre. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/CHANGING-ROOM-VIDEO-STILL-1.jpg Helen Cammock. Changing Room, 2014. Film still. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/CHANGING-ROOM-VIDEO-STILL-2.jpg Helen Cammock. Changing Room, 2014. Film still. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/Helen-Cammock_They-Call-It-Idlewild,-2020-(still)_Wysing-Arts-Centre_2.jpg Helen Cammock. They Call It Idlewild, 2020 (still). Wysing Arts Centre. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/Helen-Cammock_They-Call-It-Idlewild,-2020-(still)_Wysing-Arts-Centre_3.jpg Helen Cammock. They Call It Idlewild, 2020 (still). Wysing Arts Centre. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/Helen-Cammock_They-Call-It-Idlewild,-2020-(still)_Wysing-Arts-Centre_4.jpg Helen Cammock. They Call It Idlewild, 2020 (still). Wysing Arts Centre. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/Helen-Cammock_Wysing-Arts-Centre_Photo-Wilf-Speller-10.jpg Helen Cammock. When you last did nothing Can you remember how it felt? Billboard, installation view, Wysing Arts Centre. Photo: Wilf Speller. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/Helen-Cammock_They-Call-It-Idlewild,-2020-(still)_Wysing-Arts-Centre_1.jpg Helen Cammock. They Call It Idlewild, 2020 (still). Wysing Arts Centre. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/Helen-Cammock_They-Call-It-Idlewild,-2020-(still)_Wysing-Arts-Centre_5.jpg Helen Cammock. They Call It Idlewild, 2020 (still). Wysing Arts Centre. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/FILM-STILL-3-BERNADETTE-DEVLIN-MCALISKEY.jpg Helen Cammock. The Long Note, 2018. Film still. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/Install-Image-I-low-res.jpg Helen Cammock. Che Si Può Fare, 2019, installation view. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/FILM-STILL-II-glass-female-veniceS.jpg Helen Cammock. Che Si Può Fare, 2019. Film still. © the artist. https://www.studiointernational.com/images/articles/c/035-cammock-helen-2020/AlunCallenderPhoto_011_HelenCammock_0477.jpg Helen Cammock. Photo: Alun Callender. https://www.studiointernational.com/index.php/glasgow-international-2020-digital-platform-review-scotland https://www.studiointernational.com/images/articles/g/071-glasgow-international-2020/Yuko-Mohri,-Still,-Everything-Flows-distance,-2020-Courtesy-the-artist.jpg Yuko Mohri, Still, Everything Flows - distance, 2020. Courtesy the artist.. https://www.studiointernational.com/images/articles/g/071-glasgow-international-2020/Jenkin-Van-Zyl,-In-Vitro-(all-the-love-mix)-2020-Courtesy-of-the-artist.jpg Jenkin Van Zyl, In Vitro (all the love mix), 2020. Courtesy of the artist. https://www.studiointernational.com/images/articles/g/071-glasgow-international-2020/Alberta-Whittle,-business-as-usual-hostile-environment,-2020.jpg Alberta Whittle, Business As Usual – Hostile Environment, 2020. Courtesy of the artist. https://www.studiointernational.com/images/articles/g/071-glasgow-international-2020/Urara-Tsuchiya,-Still-from-Give-us-a-meow,-2019,-HD-video-by-Ben-Toms-Urara-Tsuchiya.jpg Still from Give us a meow, 2019, HD video by Ben Toms and Urara Tsuchiya, 9 mins 3 secs. https://www.studiointernational.com/images/articles/g/071-glasgow-international-2020/Liv-Fontaine,-Some-People-Say,-2020-Courtesy-of-the-artist.jpg Liv Fontaine, Some People Say, 2020. Courtesy of the artist. https://www.studiointernational.com/images/articles/g/071-glasgow-international-2020/Sarah-Forrest,-Still,-The-Unreliable-Narrator,-2019.jpg Sarah Forrest, Still, The Unreliable Narrator, 2019, HD video, 11:09 mins. https://www.studiointernational.com/index.php/john-newling-dear-nature-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/n/082-newling-john-2020/Ikon_Newling_161.jpg John Newling. 365 Days and 50 Million Year Old Leaves, 2019. Sticks and leaf fossils. Installation view, Ikon Gallery, 2020. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/John-Newling,-365-days-and-50-million-year-old-leaves-(2019).jpg John Newling. 365 Days and 50 Million Year Old Leaves, 2019. Sticks and leaf fossils. Installation view, Ikon Gallery, 2020. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/John-Newling,-Dear-Nature-(2018)-(2).jpg John Newling. Dear Nature, 2018. Courtesy the artist. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/John-Newling,-Elliots-Notebooks-(2018).jpg John Newling. Eliot https://www.studiointernational.com/images/articles/n/082-newling-john-2020/Ikon_Newling_187.jpg John Newling. Frank https://www.studiointernational.com/images/articles/n/082-newling-john-2020/9-earthen-books-Ikon_Newling_157.jpg John Newling. Soil Books, 2019. Installation view, Ikon Gallery, 2020. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/earth-book-Ikon_Newling_196.jpg John Newling. Soil Books, 2019. Installation view, Ikon Gallery, 2020. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/John-Newling,-Nymans-language-(2017)-(1).jpg John Newling. Nymans Language, 2017. Courtesy the artist. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/letter-Ikon_Newling_226.jpg John Newling, Dear Nature letter, installation view, Ikon Gallery, 2020. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/Ikon_Newling_184.jpg John Newling. Language from the garden (Nymans language), 2017. Engraved marble. Installation view, Ikon Gallery, 2020. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/Ikon_Newling_183.jpg John Newling. Language from the garden (Nymans language), 2017 (detail). Engraved marble. Installation view, Ikon Gallery, 2020. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/John-Newling-in-his-studio.jpg John Newling in his studio. Courtesy the artist. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/John-Newling,-Burnt-Sticks-(2020).jpg John Newling. Burnt sticks, 2020. Burnt sticks, elastic bands and charcoal blocks. Installation view, Ikon Gallery, 2020. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/John-Newling,-Nymans-language-(2017)-(3).jpg John Newling. Nymans Language, 2017. Courtesy the artist. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/John-Newling,-Dear-Nature-(2018)-(4).jpg John Newling. Dear Nature, 2018. Courtesy the artist. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/John-Newling-A-library-of-Ecological-Conversations-Leaves-and-Me.jpg John Newling. A Library of Ecological Conversations (Leaves and Me), 2017-19. Mixed media, 36 framed works. Courtesy the artist. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/Ikon_Newling_155.jpg John Newling. A Library of Ecological Conversations (Leaves and Me), 2017-19. Mixed media, 36 framed works. Installation view, Ikon Gallery, 2020. https://www.studiointernational.com/images/articles/n/082-newling-john-2020/Ikon_Newling_179.jpg John Newling, installation view, Ikon Gallery, 2020. https://www.studiointernational.com/index.php/domestic-bliss-review-gallery-of-modern-art-glasgow https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/DB__006-photo-ruth-clark.jpg Domestic Bliss, installation view, Gallery of Modern Art, Glasgow. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/C-Spens-IMG_3019.jpg Joel Sternfeld. 518 101st Street, Love Canal Neighborhood, Niagara Falls, New York, May 1994. Photograph. Installation view photo: Christiana Spens. https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/DB__011-photo-ruth-clark.jpg Domestic Bliss, installation view, Gallery of Modern Art, Glasgow. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/C-Spens-IMG_3021.jpg Jo Spence. Early Mother, 1985 and Love on a Plate, 1989. Colour photographs. Glasgow Museum. Installation view photo: Christiana Spens. https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/DB__014(1).jpg Niki de Saint Phalle. Vache Vase, 1992. Mixed media, polyester, iron, metal, 53 x 56 x 21 cm. Installation view, Gallery of Modern Art, Glasgow. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/DB__018-photo-ruth-clark-2.jpg Nick Waplington, Untitled, 1995. Photograph. Glasgow Museums; Thomas J Clapperton, Black Cat, c1940. Marble. Glasgow Museum. https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/DB__001-photo-ruth-clark.jpg Domestic Bliss, installation view, Gallery of Modern Art, Glasgow. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/DB__018-photo-ruth-clark.jpg Domestic Bliss, installation view, Gallery of Modern Art, Glasgow. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/DB__020-photo-ruth-clark.jpg Domestic Bliss, installation view, Gallery of Modern Art, Glasgow. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/d/075-domestic-bliss-2020/love-canal-text.jpg Joel Sternfeld. 518 101st Street, Love Canal Neighborhood, Niagara Falls, New York, May 1994, accompanying text. Photograph. Installation view photo: Christiana Spens. https://www.studiointernational.com/index.php/alexandra-daisy-ginsberg-interview-we-need-to-radically-rethink-our-behaviours-globally https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/190517_The-Wilding-of-Mars_still_01.jpg Alexandra Daisy Ginsberg. The Wilding of Mars, simulation shot, Moving to Mars, The Design Museum, London, 2019. Photo: © The Design Museum, Ed Reeves. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/ADO_SH_ADGinsberg_Nov19_4_photo-Luke-Walker.jpg Alexandra Daisy Ginsberg. Machine Auguries. Commissioned by Somerset House for the 24/7 exhibition (October 2019 to February 2020), Machine Auguries comprises a genuine dawn chorus of birdsong that is eventually taken over by artificial birdsong. Heard from speakers placed close to the ceiling against a backdrop of coloured light that emulates the dawn spectrum. © the artist. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/27-Better-Nature-Ginsberg_Photo-Bettina-Matthiesen-Matthiesen.jpg Alexandra Daisy Ginsberg. Better Nature, installation view, Vitra Design Museum Gallery, 2019. Photo: © Vitra Design Museum, Bettina Matthiesen. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/Dft6Extinction_Ginsberg_Self-inflating-Antipathogenic-Membrane-Pump.jpg Alexandra Daisy Ginsberg. Self-inflating Antipathogenic Membrane Pump. Designing for the sixth extinction, 2013. Commissioned for the Grow your Own … Life After Nature exhibition at the Science Gallery, Dublin. Ginsberg speculated on a future landscape where synthetic biologists have redressed the damage of 20th and 21st century pollution via invented creatures that would exist alongside endangered species, in order to support them. © the artist. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/Growth-Assembly_9-Assembled-Herbicide-Sprayer-with-Man.jpg Alexandra Daisy Ginsberg. Assembled Herbicide Sprayer with Man, 2009. Growth Assembly was one of Ginsberg’s final projects for her MA in design interactions, at the Royal College of Art. It proposed that, instead of identikit tools made by machines, we could grow our own, using particular plants. It suggested a plant spray made from seven individual components grown by different species. © the artist. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/Resurrecting-the-Sublime_St-Etienne_0017.jpg Alexandra Daisy Ginsberg. Resurrecting the Sublime, Saint-Étienne Design Biennale, 2019. A collaboration with Christina Agapakis of Ginkgo Bioworks and Sissel Tolaas. Photo: © Pierre Grasset. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/ADO_SH_ADGinsberg_Nov19_3_photo-Luke-Walker.jpg Alexandra Daisy Ginsberg. Machine Auguries. Commissioned by Somerset House for the 24/7 exhibition (October 2019 to February 2020), Machine Auguries comprises a genuine dawn chorus of birdsong that is eventually taken over by artificial birdsong. Heard from speakers placed close to the ceiling against a backdrop of coloured light that emulates the dawn spectrum. © the artist. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/The-Substitute_ADGinsberg_Still-03.jpg Alexandra Daisy Ginsberg. The Substitute was commissioned by the Cooper Hewitt museum in New York. Using CGI animation, Ginsberg conjures the extinct northern white male rhino back to life on a 5-metre screen, while a second screen reveals the learning process of an AI tool, DeepMind, which replicates the mammalian brain’s ‘grid cell’ navigational patterning. © the artist. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/The-Substitute_ADGinsberg_Still-01.jpg Alexandra Daisy Ginsberg. The Substitute. CGI animation. © the artist. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/Ginsberg_TheWildingofMars_DesMus_cred-Ed-Reeves1.jpg Alexandra Daisy Ginsberg. The Wilding of Mars, installation view at Moving to Mars, The Design Museum, London, 2019. Photo: © The Design Museum, Ed Reeves. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/Dft6Extinction_Ginsberg_Mobile-Bioremediation-Unit.jpg Alexandra Daisy Ginsberg. Mobile Bioremediation Unit. Designing for the sixth extinction, 2013. Commissioned for the Grow your Own … Life After Nature exhibition at the Science Gallery, Dublin. Ginsberg speculated on a future landscape where synthetic biologists have redressed the damage of 20th and 21st century pollution via invented creatures that would exist alongside endangered species, in order to support them. © the artist. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/Growth-Assembly_7-Nozzle.jpg Alexandra Daisy Ginsberg. Nozzle, 2009. Growth Assembly was one of Ginsberg’s final projects for her MA in design interactions, at the Royal College of Art. It proposed that, instead of identikit tools made by machines, we could grow our own, using particular plants. It suggested a plant spray made from seven individual components grown by different species. © the artist. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/Resurrecting-the-Sublime_St-Etienne_0033.jpg Alexandra Daisy Ginsberg. Resurrecting the Sublime, Saint-Étienne Design Biennale, 2019. A collaboration with Christina Agapakis of Ginkgo Bioworks and Sissel Tolaas.Photo: © Pierre Grasset. https://www.studiointernational.com/images/articles/g/070-ginsberg-alexandra-2020/ECO-VISIONARIES-2.jpg Alexandra Daisy Ginsberg. The Substitute was commissioned by the Cooper Hewitt museum in New York. Using CGI animation, Ginsberg conjures the extinct northern white male rhino back to life on a 5-metre screen, while a second screen reveals the learning process of an AI tool, DeepMind, which replicates the mammalian brain’s ‘grid cell’ navigational patterning. © the artist. https://www.studiointernational.com/index.php/covid-19-italian-museums-interview-maria-cristina-rodeschini-accademia-carrara-eike-schmidt-uffizi-karole-vail-peggy-guggenheim-collection https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/Raphael,-St-Sebastian,-1502-3,-Accademia-Carrara.jpg Raphael. St Sebastian, 1502-3. Oil on wood. Accademia Carrara, Bergamo. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/Doni-Tondo,-Uffizi.jpg Michelangelo. Doni Tondo, 1505-6. Gallery view, Uffizi, Florence. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/Eike-Schmidt,-with-Sandro-Botticellis-Primavera,-Uffizi.jpg Eike Schmidt with Sandro Botticelli https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/Accademia-Carrara-gallery.jpg Accademia Carrara, Bergamo, gallery view. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/Caravaggio-and-17th-century-gallery,-Uffizi.jpg Caravaggio and 17th century gallery, Uffizi, Florence. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/uffizi-360-tour.jpg Uffizi website, 360 online tour. Screenshot captured 15 May 2020. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/migrating-photo_matteodefina_13.jpg Migrating Objects: Arts of Africa, Oceania, and the Americas, installation view, Peggy Guggenheim Collection, 2020. Photo: Matteo De Fina © Peggy Guggenheim Collection, Venice. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/migrating-objects-video-screnshot.jpg Migrating Objects: Arts of Africa, Oceania, and the Americas, Peggy Guggenheim Collection, 2020. Online video content, screenshot captured 15 May 2020. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/Giuseppe-Bezzuoli,-Eve-tempted-by-the-serpent,-Uffizi.jpg Giuseppe Bezzuoli (1789–1855). Eve tempted by the Serpent, Uffizi, Florence. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/migrating-photo_matteodefina_7.jpg Migrating Objects: Arts of Africa, Oceania, and the Americas, installation view, Peggy Guggenheim Collection, 2020. Photo: Matteo De Fina © Peggy Guggenheim Collection, Venice. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/guggenheim-screenshot.jpg Peggy Guggenheim Collection Comes to You. Website, screenshot captured 15 May 2020. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/Accademia-Carrara-photo-Gianfranco-Rota-.jpg Accademia Carrara, Bergamo, gallery view. Photo: Gianfranco Rota. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/Giovanna-Garzoni,-Dog-with-biscuits-and-a-Chinese-cup,-Pitti-Palace.jpg Giovanna Garzoni, Dog with biscuits and a Chinese cup, c1640. Pitti Palace, Florence. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/Facade,-Accademia-Carrara,-photo-Adi-Corbetta.jpg Facade, Accademia Carrara, Bergamo. Photo: Adi Corbetta https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/guggenheim-together-logo.jpg #GuggenheimTogether logo. https://www.studiointernational.com/images/articles/i/089-italian-interviews-2020/accademia-carrera-instagram.jpg accademia_carrara, Instagram, screenshot captured 15 May 2020. https://www.studiointernational.com/index.php/hilarie-mais-interview-i-draw-what-i-am-working-on-as-a-way-of-understanding-and-observing https://www.studiointernational.com/images/articles/m/043-mais-hilarie-2020/Mais-Seed.jpg Hilarie Mais. Seed, 1983. Oil on wood, 27 x 27 x 8 cm. Photo: Jessica Maurer. https://www.studiointernational.com/images/articles/m/043-mais-hilarie-2020/Mais-Washboard-1980.jpg Hilarie Mais. Washboard 1980 (Weapon series). Steel, 37 x19 x 10 cm. Photo: Jessica Maurer. https://www.studiointernational.com/images/articles/m/043-mais-hilarie-2020/Mais-Grid-V-2.jpg Hilarie Mais. Grid V, 2005. Oil on weed, 203 x 203 15.5 cm. Photo: Jessica Maurer. https://www.studiointernational.com/images/articles/m/043-mais-hilarie-2020/Mais-Fence-1979.jpg Hilarie Mais. Fence, 1979. Steel, 158 x 549 x 13 cm. Cunningham Ward Gallery, New York. https://www.studiointernational.com/images/articles/m/043-mais-hilarie-2020/Mais-The-Waiting-1984.jpg Hilarie Mais. The Waiting, 1985. Oil on wood, 124 x 182 x 4 cm. Collection GOMA, Brisbane. https://www.studiointernational.com/images/articles/m/043-mais-hilarie-2020/Mais_reflection_reach_2015.jpg Hilarie Mais. reflection/reach, 2015. Oil on wood, 240 x 112 x 4 cm. Photo: Jessica Maurer. https://www.studiointernational.com/images/articles/m/043-mais-hilarie-2020/Tempus.jpg Hilarie Mais. Tempus 5,6 7 and 8, 2012–17. Each 122 x122 x 7 cm. Installation Museum Contemporary Art, Sydney. Photo: Jessica Maurer. https://www.studiointernational.com/images/articles/m/043-mais-hilarie-2020/Mais_Rotation3_NGV_CMYK_1.jpg Hilarie Mais. Rotation 3 (11), 2007 (Duality series). Oil on wood, 183 x 183 cm. Collection National Gallery of Victoria, Melbourne. https://www.studiointernational.com/images/articles/m/043-mais-hilarie-2020/Installation-Reflection-Reach-Feather.jpg Hilarie Mais. Left: Feather, 2017. Oil on wood, 190 x 183 x 4cm. Collection Museum Contemporary Art, Sydney. Centre: reflection/reach. Oil on wood, 240 x 122 x 4 cm. Collection University Queensland Art Museum. Right: reflection/feather, 2016. Oil on wood, 240 x 122 x 4 cm. Collection Tarrawarra Museum of Art, Victoria. Installation view, Hilarie Mais, MCA, Sydney. Photo: Jessica Maurer. https://www.studiointernational.com/index.php/nanda-vigo-1936-2020 https://www.studiointernational.com/images/articles/v/084-vigo-nanda-2020/nanda-vigo-milan-september-2014-photo-martin-kennedy-750.jpg Nanda Vigo speaking to Studio International in Milan, 4 September 2014. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/vigo-nanda-2014/nanda-vigo-with-piero-manzoni-milan-1962.jpg Nanda Vigo with Piero Manzoni, Milan 1962. Photo © Nanda Vigo Archive, Milan. https://www.studiointernational.com/index.php/robert-fitzmaurice-interview-i-started-to-truncate-the-figure-take-liberties-add-limbs https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/64_gates_deity_I.jpg Robert Fitzmaurice. 64 Gates, 2020. Acrylic on panel, 50 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/Step-1.gif Robert Fitzmaurice. Creating the Deity. © the artist. https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/open_source.jpg Robert Fitzmaurice. Open Source, 2020. Acrylic on panel, 50 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/Blue-Fixer,-2018.jpg Robert Fitzmaurice. Blue Fixer, 2018. Mixed media and collage on panel, 56 x 41 cm. © the artist. https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/reflex.jpg Robert Fitzmaurice. Reflex, 2020. Acrylic on panel, 50 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/relay.jpg Robert Fitzmaurice. Relay, 2020. Acrylic on panel, 50 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/96-Bad-Boys,-960-Hiroshimas,-2019.jpg Robert Fitzmaurice. 96 Bad Boys, 960 Hiroshimas, 2019. Acrylic on primed aluminium, 46 x 54 cm. © the artist. https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/wax_of_deity.jpg Robert Fitzmaurice. Wax of Deity. © the artist. https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/109-Stanzas-for-Nell-Glendell,-2019.jpg Robert Fitzmaurice. 109 Stanzas for Nell Glendell, 2019. Acrylic on panel, 51 x 41 cm. © the artist. https://www.studiointernational.com/images/articles/f/076-fitzmaurice-robert-2020/rob-fitzmaurice-working-in-studio.jpg Robert Fitzmaurice in his home studio. © the artist. https://www.studiointernational.com/index.php/ken-done-interview https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Anzac_Day_02.jpg Ken Done. Anzac Day, 2002. Oil and acrylic on canvas, 80 x 100 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Black_lava_reef_20.jpg Ken Done. Black lava reef, 2020. Oil and acrylic on linen, 183 x 244 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Bridge_97.jpg Ken Done. Bridge, 1997. Oil and acrylic on board, 122 x 183 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_A_letter_on_Australia_Day_08.jpg Ken Done. A letter on Australia Day, 2008. Acrylic, oil crayon and pencil on paper, 105 x 76 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Outback_18.jpg Ken Done. Outback, 2018. Oil and acrylic on linen, 183 x 152 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Avas_reef_16.jpg Ken Done. Ava’s reef, 2016. Oil on linen, 122 x 153 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Big_mask_reef_19.jpg Ken Done. Big MASK reef, 2019. Oil and acrylic on linen, 200 x 300 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Bridge_VI_97.jpg Ken Done. Bridge VI, 1997. Oil, acrylic and enamel on canvas, 172 x 218 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Bungle_Bungle_II_99.jpg Ken Done. Bungle Bungle II, 1999. Oil and acrylic on canvas, 76 x 152 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Harbour_Feb_20.jpg Ken Done. Harbour Feb, 2020. Oil and acrylic on linen, 102 x 82 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Looking_at_Australia_91.jpg Ken Done. Looking at Australia, 1991. Acrylic on canvas, 205 x 300 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Pink_coral_head_20.jpg Ken Done. Pink coral head, 2020. Oil and acrylic on linen, 152 x 122 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Postcard_-from_Sydney_yellow_spotted_sea_16.jpg Ken Done. Postcard from Sydney, yellow spotted sea, 2016. Oil on linen, 153 x 122 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Sydney_September_19.jpg Ken Done. Sydney September, 2019. Oil and acrylic on linen, 61 x 92 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/KD_Yurundiali_Aboriginal_Cooperative_92.jpg Ken Done. The Yurundiali Aboriginal Cooperative Moree, 1992. Oil and acrylic on canvas, 201 x 150 cm. © the artist. https://www.studiointernational.com/images/articles/d/074-done-ken-2020/Ken-Done-photo-Stuart-Spence.jpg Ken Done. © the artist. https://www.studiointernational.com/index.php/revamped-kyoto-city-kyocera-museum-of-art-due-to-open-soon-japan-jun-aoki-tezzo-nishizawa https://www.studiointernational.com/images/articles/k/071-kyocera-museum-2020/grandhall.jpg Kyoto City Kyocera Museum of Art, grand hall. Photo: Koroda Takeru. https://www.studiointernational.com/images/articles/k/071-kyocera-museum-2020/Facade.jpg Kyoto City Kyocera Museum of Art, facade. Photo: Koroda Takeru. https://www.studiointernational.com/images/articles/k/071-kyocera-museum-2020/staircase.jpg Kyoto City Kyocera Museum of Art, staircase. Photo: Koroda Takeru. https://www.studiointernational.com/images/articles/k/071-kyocera-museum-2020/corridor-to-annex.jpg Kyoto City Kyocera Museum of Art, corridor to annexe. Photo: Koroda Takeru. https://www.studiointernational.com/images/articles/k/071-kyocera-museum-2020/Facade2.jpg Kyoto City Kyocera Museum of Art facade. Photo: Koroda Takeru. https://www.studiointernational.com/images/articles/k/071-kyocera-museum-2020/glassceiling.jpg Kyoto City Kyocera Museum of Art, glass ceiling. Photo: Koroda Takeru. https://www.studiointernational.com/index.php/digital-and-networked-art-in-lockdown-how-can-we-be-creative-in-new-ways https://www.studiointernational.com/images/articles/c/034-computer-art-2020/Edmonds-and-Clark-Tango-Apart.jpg Ernest Edmonds and Sean Clark. Tango Apart: Moving Together, 2016. Distributed interactive installation, Leicester and Rio. Photo: Ernest Edmonds and Sean Clark. https://www.studiointernational.com/images/articles/c/034-computer-art-2020/Manfred-Mohr.jpg Manfred Mohr. Algorithmic Modulations, installation view of exhibition at Bitforms, NY, 2019. https://www.studiointernational.com/images/articles/c/034-computer-art-2020/Cynthia-Beth-Rubin,-work-in-progress.jpg Cynthia Beth Rubin. The Song of Diatoms in Old Cairo, work in progress, 2020. https://www.studiointernational.com/images/articles/c/034-computer-art-2020/Sally-Sheinman-What-Makes-You-You.jpg Sally Sheinman. Number 604, April 26, 2020. Hard working, committed, passionate, Love my garden and the beauty that it radiates every day. I feel extremely blessed to be ‘me’, inspired by Beverley Caesar https://www.studiointernational.com/images/articles/c/034-computer-art-2020/Daniela-de-Paulis.jpg Daniela de Paulis, photograph of swarms of locusts taken from: https://www.scienceimage.csiro.au/pages/about/ https://www.studiointernational.com/images/articles/c/034-computer-art-2020/William-Latham.jpg William Latham and Stephen Todd. Herpes Simplex Virus in the MVR CSynth Virus Explorer, 2020. © William Latham 2020. https://www.studiointernational.com/images/articles/c/034-computer-art-2020/Anabela-Costa-JOYFUL.jpg Anabela Costa. JOYFUL, work in progress, 2020. https://www.studiointernational.com/images/articles/c/034-computer-art-2020/Alex-May-artmoo.jpg Alex May, ArtMOO software, 2020. https://www.studiointernational.com/images/articles/c/034-computer-art-2020/Ernest-Edmonds-H-SPACE.jpg Ernest Edmonds, H Space, 2020. Distributed AR interactive installation. Sydney, communicating with Guangzhou. Photo: Ernest Edmonds. https://www.studiointernational.com/images/articles/c/034-computer-art-2020/AcuteArtKAWS-Melbourne.jpg KAWS, COMPANION (EXPANDED) in Melbourne, 2020. Augmented reality. Courtesy: KAWS and Acute Art. Viewable with the Acute Art app 12-26 March 2020. https://www.studiointernational.com/index.php/lonnie-holley-interview-i-started-doing-my-work-with-a-knife-fork-and-spoon-art https://www.studiointernational.com/images/articles/h/051-holley-lonnie-2020/LBH-12.jpg Lonnie Holley. Surviving Hunger, 1997. 27 x 13 x 9 in. Collection: Souls Grown Deep Foundation. © Lonnie Holley / Artists Rights Society (ARS), New York. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/h/051-holley-lonnie-2020/LH_716.jpg Lonnie Holley. Him and Her Hold the Root, 1994. 45 1/2 x 73 x 30 1/2 in. Collection: Fine Arts Museums of San Francisco. © Lonnie Holley / Artists Rights Society (ARS), New York. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/h/051-holley-lonnie-2020/LH_11_136.jpg Lonnie Holley. Keeping a Record of It (Harmful Music), 1986. 13 3/4 x 15 3/4 x 9 in. Collection: Souls Grown Deep Foundation. © Lonnie Holley / Artists Rights Society (ARS), New York. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/h/051-holley-lonnie-2020/LH_598.jpg Lonnie Holley. Finally Getting Wings for the Forty-First Floor, 1996. 32 x 31 x 16 1/2 in. Collection: High Museum of Art. © Lonnie Holley / Artists Rights Society. (ARS), New York. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/h/051-holley-lonnie-2020/SGD_005.jpg Lonnie Holley. Tying Up the Rock, 1994. 12 x 23 x 13 in. Collection: Souls Grown Deep Foundation. © Lonnie Holley / Artists Rights Society (ARS), New York. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/h/051-holley-lonnie-2020/LH_792_a.jpg Lonnie Holley. From the Beginning to the End of the Beginning, 1985. 23 x 12 x 9 1/2 in. Collection: Souls Grown Deep Foundation © Lonnie Holley / Artists Rights Society (ARS), New York. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/h/051-holley-lonnie-2020/LH_792_c.jpg Lonnie Holley. From the Beginning to the End of the Beginning, 1985. 23 x 12 x 9 1/2 in. Collection: Souls Grown Deep Foundation © Lonnie Holley / Artists Rights Society (ARS), New York. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/h/051-holley-lonnie-2020/LH_792_e.jpg Lonnie Holley. From the Beginning to the End of the Beginning, 1985. 23 x 12 x 9 1/2 in. Collection: Souls Grown Deep Foundation © Lonnie Holley / Artists Rights Society (ARS), New York. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/h/051-holley-lonnie-2020/Lonnie-Holley-shadow-copy.jpg Lonnie Holley in Marfa, Texas, 2017. Photo: Victoria Warren. https://www.studiointernational.com/index.php/christo-1995-2020-dies-age-84-new-york https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-2012_660x565.jpg Christo in his studio with a preparatory drawing for The Mastaba, 2012. Photo: Wolfgang Volz. © 2012 Christo. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-mustaba-london-2016.jpg Christo. The London Mastaba, Serpentine Lake, Hyde Park, 2016-18. Temporary floating sculpture, 7,506 horizontally stacked barrels on a floating platform, 20(h) x 30(w)x 40(l) m, 600 metric tonnes. Photo: Miguel Angel. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-the-gates-new-york-drawing.jpg Christo. The Gates. Mixed media, 8.5 x 11 in. Private collection, NY. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo_cover_b.jpg Christo and Jeanne-Claude. The Pont Neuf Wrapped, Paris, 1985. Cover of Studio International, Vol 198 Number 1011, 1985. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-1983_Miami_01.jpg Christo and Jeanne-Claude working on the Surrounded Islands project. Miami, May 1983. Photo: Wolfgang Volz. https://www.studiointernational.com/images/articles/c/070-christo-2018/christo-Surrounded-Island-hoz-4.jpg Christo and Jeanne-Claude. Documentary photograph of Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83. Woven polypropylene fabric surrounding 11 islands, Styrofoam, steel cables, and anchoring system, 6.5 million sq ft of fabric overall. Photo: Wolfgang Volz © Christo 1983. https://www.studiointernational.com/index.php/we-link-ten-easy-pieces-online-exhibition-review-chronus-art-center-shanghai-rhizome-new-museum-new-york https://www.studiointernational.com/images/articles/w/063-we-link-2020/06-Evan-Roth-2017.jpg Evan Roth. n22.230210e113.940187.hk, 2017. Infrared video. https://www.studiointernational.com/images/articles/w/063-we-link-2020/10-Dr-Corona-Online-Ye-Funa-2020.jpg Ye Funa. Dr.Corona Online. Artificial-intelligence doctor. https://www.studiointernational.com/images/articles/w/063-we-link-2020/03-Get-Well-Soon-Tega-Brain-and-Sam-Lavigne_2020.jpg Tega Brain and Sam Lavigne. Get Well Soon!, 2020. https://www.studiointernational.com/images/articles/w/063-we-link-2020/IMG_1222.jpg We=Link: Ten Easy Pieces. https://www.studiointernational.com/images/articles/w/063-we-link-2020/04-JODI-2020.jpg Art collective Jodi. ICTI.ME, 2020. https://www.studiointernational.com/images/articles/w/063-we-link-2020/02_evasive-tech_Raphael-Bastide_2020.jpg Raphaël Bastide. Evasive.tech, 2020. https://www.studiointernational.com/images/articles/w/063-we-link-2020/01_WELT_aaajiao_2020.jpg aaajiao. WELT, 2020. https://www.studiointernational.com/images/articles/w/063-we-link-2020/08_Screen-Time_Helmut-Smits_2019.jpg Helmut Smits. Screen Time, 2019. https://www.studiointernational.com/images/articles/w/063-we-link-2020/05_The-Ongoing-Moment_Li-Weiyi_2020.jpg Li Weiyi. The Ongoing Moment, 2020. https://www.studiointernational.com/images/articles/w/063-we-link-2020/10-27filters.jpg The Ongoing Moment, LI Weiyi, 2020. Customised face filters to capture your moment. https://www.studiointernational.com/images/articles/w/063-we-link-2020/09-eGovernment-or-kr-Yangachi-2003,-remade-in-2019.jpg Yangachi . eGovernment.or.kr, 2013 (remade in 2019). https://www.studiointernational.com/images/articles/w/063-we-link-2020/slime-engine-750.jpg Slime Engine. Headlines, A Good Outbreak, 2020. https://www.studiointernational.com/index.php/mark-titchner-interview-please-believe-these-days-will-pass-language-is-how-we-relate-to-the-world https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/17-progess-blackpool-.jpg Mark Titchner. What use is life without progress?, 2016. Light projection. Installation view, Blackpool Illuminations, 2016. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/26-antwerp-mt.jpg Mark Titchner. You are not what you own, 2016. Wall painting. Antwerp. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/04-firstsite-be-angry-1.jpg Mark Titchner. Be angry but don’t stop breathing, 2003-19. Painted banner, matting, PA system and microphones. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/30-titchner-turner-install-.jpg Mark Titchner. How to change behaviour, 2005. Mixed media. Installation view, Turner Prize show, Tate Britain, 2006. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/32-believe-dreams.jpg Mark Titchner. Believe dreams, 2017. Wall drawing. Installation view, Snowsfield Ward, Maudsley Hospital, London. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/29-the-world-nott3.jpg Mark Titchner. The world isn’t working, 2012. Wall painting. Installation view, Bonnington Gallery, Nottingham. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/10-gosh-close.jpg Mark Titchner. Together we can do so much, 2019. Veneered and stained Valcromat. Installed Zayed Centre for Research into Rare Disease in Children, Great Ormond Street Hospital. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/01-mt-portrait.jpg Mark Titchner. Photo: Simon Webb. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/15-please-believe.jpg Mark Titchner. Please believe these days will pass, 2020. Poster and billboard. Installed in 10 UK cities during the Coronavirus lockdown. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/2-firstsite-install.jpg Mark Titchner. In our infinite ignorance we are all equal, 2019. Wall painting. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/16-plenty-grundy-blackpool.jpg Mark Titchner. Plenty and Progress, 2016. Video projection. Installation view, Grundy Art Gallery, Blackpool, 2018. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/31-titchner-turner-install.jpg Mark Titchner. Ergo Ergot, 2006. Mixed media. Installation view, Turner Prize show, Tate Britain, 2006. https://www.studiointernational.com/images/articles/t/082-titchner-mark-2020/18-no-them-blackpool.jpg Mark Titchner. No them only us, 2016. Animation. Installation view, Blackpool North Station, 2018. https://www.studiointernational.com/index.php/tom-de-freston-interview-painting-is-by-its-very-nature-an-act-of-mourning https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/01-Tom-de-Freston-I-Saw-This-2019-20-Courtesy-the-Artist.jpg Tom de Freston. I Saw This, 2019-20. Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/08-Tom-de-Freston.jpg Tom de Freston. I Saw This, 2019-20 (detail). Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/03-Tom-de-Freston-Study-for-I-Saw-This-2019-2020-Courtesy-the-Artist.jpg Tom de Freston. Study for I Saw This, 2019-20. Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/damage-water7.jpg The aftermath of the fire at de Freston https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/Tom-de-Freston-Poor-Tom-2015-Image-Courtest-the-artist.jpg Tom de Freston. Poor Tom, 2015. Image courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/04-Tom-de-Freston-Study-for-I-Saw-This-2019-20-Courtesy-the-Artist.jpg Tom de Freston. Study for I Saw This, 2019-20. Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/Tom-de-Freston-Demons-Land-Book-of-Justice-IV-2017.jpg Tom de Freston. Demons Land, Book of Justice IV, 2017. Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/02-Tom-de-Freston-Study-for-I-Saw-This-2019-20-Courtesy-the-Artist.jpg Tom de Freston. Study for I Saw This, 2019-20. Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/fire.jpg Tom de Freston https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/post-fire-tryptch7.jpg Tom de Freston. I Saw This after the fire. Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/Tom-de-Freston-Raft-2014-Image-courtesy-the-artist.jpg Tom de Freston. Raft, 2014. Courtesy the artist https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/Tom-de-Freston-Detail-from-Truthtellers-2017-Courtesy-the-artist.jpg Tom de Freston. Detail from Truthtellers, 2017. Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/5-Tom-de-Freston-Study-for-I-Saw-This-2019-20-Courtesy-the-Artist.jpg Tom de Freston. Study for I Saw This, 2019-20. Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/Tom-de-Freston-Detail-from-Truthtellers-2017-Image-courtesy-the-artist.jpg Tom de Freston. Detail from Truthtellers, 2017. Courtesy the artist. https://www.studiointernational.com/images/articles/d/073-de-freston-tom-2020/09-Tom-de-Freston.jpg Tom de Freston. I Saw This, 2019-20 (detail). Courtesy the artist. https://www.studiointernational.com/index.php/studio-morison-interview-mother-wicken-fen-cambridgeshire https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/MOTHER-MORISON-15.jpg Studio Morison. MOTHER..., 2020. Commissioned by Wysing Arts Centre, and supported by Arts Council England and the National Trust. Photo: Charles Emerson, 2020. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/MOTHER-MORISON-11.jpg Studio Morison. MOTHER..., 2020. Commissioned by Wysing Arts Centre, and supported by Arts Council England and the National Trust. Photo: Charles Emerson, 2020. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/16-studio-morison-mother.jpg Studio Morison. MOTHER..., 2020. Commissioned by Wysing Arts Centre, and supported by Arts Council England and the National Trust. Photo: Charles Emerson, 2020. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/09-studio-morison-mother.jpg Studio Morison. MOTHER..., 2020. Commissioned by Wysing Arts Centre, and supported by Arts Council England and the National Trust. Photo: Charles Emerson, 2020. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/14-studio-morison-mother.jpg Studio Morison. MOTHER..., 2020. Commissioned by Wysing Arts Centre, and supported by Arts Council England and the National Trust. Photo: Charles Emerson, 2020. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/MOTHER-MORISON-4.jpg Studio Morison. MOTHER..., 2020. Commissioned by Wysing Arts Centre, and supported by Arts Council England and the National Trust. Photo: Charles Emerson, 2020. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/Pleasure-Island,-Eastside-Project-Birmingham,-2008.jpg Studio Morison. Pleasure Island, Eastside Project Birmingham, 2008-13. Photo: Ivan Morison. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/Black-Cloud,-Victoria-Park-Bristol,-2015,-photo-Wig-Worland.jpg Studio Morison. Black Cloud, Victoria Park Bristol, 2015. Photo: Wig Worland. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/The-Raspberry-Ripple-Cuddle-Puddle.jpg Studio Morison. The Raspberry Ripple Cuddle Puddle, part of The Mouse and His Child installation, NOW Gallery, London, 2019. Photo: Charles Emerson. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/Black-Pleasure,-Eastside-Projects,-Birmingham,-2013,-photo-Ashley-Carr.jpg Studio Morison. Black Pleasure, Eastside Projects, Birmingham, 2013. Photo: Ashley Carr. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/MOTHER-MORISON-21.jpg Studio Morison. MOTHER..., 2020. Commissioned by Wysing Arts Centre, and supported by Arts Council England and the National Trust. Photo: Charles Emerson, 2020. https://www.studiointernational.com/images/articles/s/040-studio-morison-2020/Heather-and-Ivan-Morison.jpg Heather Peak Morison and Ivan Winston Morison. Photo: Stephen King. https://www.studiointernational.com/index.php/david-downes-interview-autism-covid-19-documenting-the-pandemic https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Lockdown-.jpg David Downes. Lockdown, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Long-Road-Ahead.jpg David Downes. Long Road Ahead, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Self-Isolation-and-Contemplating-Life-in-a-Changed-World.jpg David Downes. Self Isolation and Contemplating Life in a Changed World, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/The-Front-Line.jpg David Downes. The Front Line, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Battle-Stations.jpg David Downes. Battle Stations, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Stand-Behind-the-Two-Meter-Line.jpg David Downes. Stand Behind the Two Meter Line, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Where-Once-There-Were-Fields.jpg David Downes. Where Once There Were Fields, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Will-the-World-Ever-Be-the-Same-Again.jpg David Downes. Will the World Ever Be the Same Again, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/The-Enemys-Useful-Idiots.jpg David Downes. The Enemy https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Lockdown-Blues.jpg David Downes. Lockdown Blues, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Sanditon-Photo-by-Dan-Tsantilis.jpg David Downes. Sanditon mural, 2019. Mixed media. Photo: Dan Tsantilis. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/In-the-Final-Analysis.jpg David Downes. In the Final Analysis, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Dont-Stand-So-Close-to-Me.jpg David Downes. Don’t Stand so Close to Me, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Keep-the-Faith.jpg David Downes. Keep the Faith, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Light-at-the-End-of-the-Tunnel.jpg David Downes. Light at the End of the Tunnel, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/The-Front.jpg David Downes. The Front, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/The-Nightingale.jpg David Downes. The Nightingale, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/The-Things-We-Took-for-Granted.jpg David Downes. The Things We Took for Granted, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/images/articles/d/072-downes-david-2020/Which-Way-Now.jpg David Downes. Which Way Now, 2020. Pen, ink and acrylic on paper. https://www.studiointernational.com/index.php/matthew-burrows-interview-i-think-as-an-artist-and-i-make-as-a-painter-artistsupportpledge https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/IMG_1089.jpg Matthew Burrows. #ArtistSupportPledge tile. © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/01.jpg Matthew Burrows. Drawing included on #ArtistSupportPledge, from the In and Through Series, 2020. Ink on handmade paper, 26 x 21 cm. © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/02.jpg Matthew Burrows. Drawing included on #ArtistSupportPledge, from the In and Through Series, 2020. Ink on handmade paper, 26 x 21 cm. © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Bather-2019.jpg Matthew Burrows. Bather, 2019. Oil on board, 78.5 x 59.3 cm (30 7/8 x 23 3/8 in). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Cardinal-Points-I-2020.jpg Matthew Burrows. Cardinal Points I, 2020. Oil on linen on board, 90 x 60 cm (35 1/2 x 23 1/2 in). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Cardinal-Points-II-2020.jpg Matthew Burrows. Cardinal Points II, 2020. Oil on linen on board, 90 x 60 cm (35 1/2 x 23 1/2 in). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Cardinal-Points-III-2020.jpg Matthew Burrows. Cardinal Points III, 2020. Oil on linen on board, 90 x 60 cm (35 1/2 x 23 1/2 in). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Compass-2019.jpg Matthew Burrows. Compass, 2019. Oil on linen, 180 x 150 cm (71 x 59 in). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Gatescape-2019.jpg Matthew Burrows. Gatescape I, 2020. Oil on linen 240 x 180 cm (94 1/2 x 71 in). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Gatescape-III-2020.jpg Matthew Burrows. Gatescape III, 2020. Oil on linen, 240 x 180 cm (94 1/2 x 71). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Sterno-2020.jpg Matthew Burrows. Sternō, 2020. Oil on linen, 200 x 180 cm (78 3/4 x 71). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Sleepscape-2019.jpg Matthew Burrows. Sleepscape, 2019. Oil on linen 182 x 242 cm (71 5/8 x 95 1/4). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/04.jpg Matthew Burrows. Drawing included on #ArtistSupportPledge, from the In and Through Series, 2020. Ink on handmade paper, 26 x 21 cm. © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/03.jpg Matthew Burrows. Drawing included on #ArtistSupportPledge, from the In and Through Series, 2020. Ink on handmade paper, 26 x 21 cm. © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/IMG_1091.jpg Matthew Burrows. #ArtistSupportPledge tile. © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-In-and-Through-2019.jpg Matthew Burrows. In and Through, 2019. Oil on linen, 71 x 61 cm (28 x 24 1/8 in). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/matthewburrows-Linemants-2020.jpg Matthew Burrows. Linemants, 2020. Oil on board, 152.5cm x 119.5 cm ( 60 x 47 in). © Matthew Burrows. https://www.studiointernational.com/images/articles/b/040-burrows-matthew-2020/Portrait-of-Matthew-Burrows.jpg Matthew Burrows. https://www.studiointernational.com/index.php/clae-eastgate-interview-portraiture-bridge-between-genre-painting-and-traditional-portrait https://www.studiointernational.com/images/articles/e/081-eastgate-clae-2020/Clae-Eastgate,-The-Poets-a-portrait-of-Gillian-Clarke-and-Carol-Ann-Duffy,-2017.jpg Clae Eastgate. The Poets – a portrait of Gillian Clarke and Carol Ann Duffy, 2017. Oil on canvas, 48 x 48 in. © the artist. https://www.studiointernational.com/images/articles/e/081-eastgate-clae-2020/Clae-Eastgate,-Air-and-Light-a-portrait-of-Carol-Ann-Duffy,-2018.jpg Clae Eastgate. Air and Light – a portrait of Carol Ann Duffy, 2018. Oil on canvas, 18 x 22 in. © the artist. Scottish National Portrait Gallery permanent collection. https://www.studiointernational.com/images/articles/e/081-eastgate-clae-2020/Clae-Eastgate,-Melissa-Lee-Houghton,-2020.jpg Clae Eastgate. Melissa Lee-Houghton, 2020. Oil on canvas, 30 x 40 in. © the artist. https://www.studiointernational.com/images/articles/e/081-eastgate-clae-2020/Clae-Eastgate,-Sabrina-Mahfouz-a-portrait,-2019.jpg Clae Eastgate. Sabrina Mahfouz – a portrait, 2019. Oil on canvas, 26 x 34 in. © the artist. https://www.studiointernational.com/images/articles/e/081-eastgate-clae-2020/Clae-Eastgate,-Heather-Phillipson-a-portrait,-2018.jpg Clae Eastgate. Heather Phillipson – a portrait, 2018. Oil on canvas, 48 x 48 in. © the artist. https://www.studiointernational.com/images/articles/e/081-eastgate-clae-2020/Clae-Eastgate,-Imtiaz-Dharker,-2020.jpg Clae Eastgate. Imtiaz Dharker, 2020. Oil on canvas, 48 x 48 in. © the artist. https://www.studiointernational.com/images/articles/e/081-eastgate-clae-2020/Clae-Eastgate,-Victoria-Adukwei-Bulley-a-portrait,-2018.jpg Clae Eastgate. Victoria Adukwei Bulley – a portrait, 2018. Oil and mixed media on canvas, 24 x 40 in. © the artist. https://www.studiointernational.com/images/articles/e/081-eastgate-clae-2020/41-Photo-(c)-Clae-Eastgate.jpg Clae Eastgate. Photo © Clae Eastgate. https://www.studiointernational.com/index.php/hetain-patel-interview-what-does-it-do-growing-up-the-only-heroic-version-of-masculinity-i-can-be-is-white https://www.studiointernational.com/images/articles/p/066-patel-hetain-2020/Hetain-Patel-The-Jump,-2015.jpg Hetain Patel. The Jump, 2015. 2 Channel HD video installation with sound. Courtesy Manchester Art Gallery. https://www.studiointernational.com/images/articles/p/066-patel-hetain-2020/Hetain-Patel-BLW-Photo-Tristram-Kenton.jpg Hetain Patel. Be Like Water, 2012. Live performance, touring theatres in 2012-2013. Photo: Tristan Kenton. https://www.studiointernational.com/images/articles/p/066-patel-hetain-2020/Hetain-Patel-Fiesta-Transformer-2013-(sculpture).jpg Hetain Patel. Fiesta Transformer, 2013. Various materials, including Ford Fiesta car. Courtesy the artist. https://www.studiointernational.com/images/articles/p/066-patel-hetain-2020/Hetain-Patel-American-Boy-Photo-Pari-Naderi-.jpg Hetain Patel. American Boy, 2014. Live performance, Sadler’s Wells, London. Photo: Pari Naderi. https://www.studiointernational.com/images/articles/p/066-patel-hetain-2020/Hetain-Patel-Plastic-Dreams,-2020.jpg Hetain Patel. Plastic Dreams, 2020. Series of action figure toys based on characters from Hetain Patel https://www.studiointernational.com/images/articles/p/066-patel-hetain-2020/Hetain-Patel-DLATF,-2017.jpg Hetain Patel. Don’t Look at the Finger, 2017. Single channel HD video installation with sound. Courtesy the artist. https://www.studiointernational.com/index.php/anthony-whishaw-works-on-paper-book-review-richard-davey https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Dancers_1963.jpg Anthony Whishaw. Dancers, 1963. Watercolour and ink on paper, 27 x 38 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Landscape-Fragments_1974-1975.jpg Anthony Whishaw. Landscape Fragments, 1974-75. Mixed media on paper, 28 x 38.5 cm. © the artist. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Sketchbook-drawing_1959.jpg Anthony Whishaw. Sketchbook drawing, 1959. Ink on paper, 11.5 x 18 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Sketchbook-drawing_1961.jpg Anthony Whishaw. Sketchbook drawing, 1961. Ink on paper, 11.5 x 18 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Sketchbook-drawing_1962.jpg Anthony Whishaw. Sketchbook drawing, 1962. Ink on paper, 11.5 x 18 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Two-Models-Posing_2008.jpg Anthony Whishaw. Two Models Posing, 2008. Mixed media on paper, 25 x 19 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Two-Women-Conversing-in-the-Dark_1961.jpg Anthony Whishaw. Two Women Conversing in the Dark, 1961. Ink on paper, 23 x 29.5 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Mother_And_Child_1963.jpg Anthony Whishaw. Mother And Child, 1963. Ink on paper, 13 x 22 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw-Works-on-Paper-Beam-Editions-2020.jpg Anthony Whishaw RA, Works on Paper, Beam Editions, 2020. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Urban_Flood_III_2004-2008.jpg Anthony Whishaw. Urban Flood III, 2004-08. Acrylic and paper collage, 93 x 76 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw-Landscape-Doodle_1978.jpg Anthony Whishaw. Landscape Doodle, 1978, Mixed media on paper, 28.5 x 39 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Aiming_III_1990-2015.jpg Anthony Whishaw. Aiming III, 1990-2015. Acrylic on board, 31 x 27 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Corral_1983-1984.jpg Anthony Whishaw. Corral, 1983-84. Mixed media on paper, 56 x 76 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Sketchbook-drawings_1961.jpg Anthony Whishaw. Sketchbook drawings, 1961. Ink on paper, 11.5 x 18 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Still_Searching_For_A_Horizon_1974-1975.jpg Anthony Whishaw. Still Searching For A Horizon, 1974-75. Mixed media on paper, 55 x 75 cm. © the artist. https://www.studiointernational.com/images/articles/w/062-whishaw-anthony-2020/Anthony-Whishaw_Tristram-Shandy-(From-Above)_2005.jpg Anthony Whishaw. Tristram Shandy (From Above), 2005. Mixed media on paper, 28 x 42 cm. © the artist. https://www.studiointernational.com/index.php/ilona-szalay-some-are-born-to-sweet-delight-review-arusha-gallery-edinburgh https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Captive,2020.jpg Ilona Szalay. Captive, 2020. Oil on aluminium, 100 x 75 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Ilona-Szalay,Winged-Sphinx,2020.jpg Ilona Szalay. Winged Sphinx, 2020. Oil on aluminium, 75 x 100 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Snakebite,2019.jpg Ilona Szalay. Snakebite, 2019. Oil on aluminium, 200 x 150 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/As-Above-So-Below,2020.jpg Ilona Szalay. As Above So Below, 2020. Oil on aluminium, 200 x 150 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Striped-Dress,2019.jpg Ilona Szalay. Striped Dress, 2019. Oil on aluminium, 150 x 100 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Some-are-Born-to-Sweet-Delight,2019.jpg Ilona Szalay. Some are Born to Sweet Delight, 2019. Oil on aluminium, 200 x 150 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Trophies,2020.jpg Ilona Szalay. Trophies, 2020. Pen on paper, 25 x 30 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Monochrome-Series-8,-2019.jpg Ilona Szalay. Monochrome Series 8, 2019. Oil on paper, 42 x 30 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Monochrome-Series-17,-2019.jpg Ilona Szalay. Monochrome Series 17, 2019. Oil on paper, 42 x 30 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Tank-Top,2020.jpg Ilona Szalay. Tank Top, 2020. Oil on aluminium, 100 x 150 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Monochrome-Series-14,-2019.jpg Ilona Szalay. Monochrome Series 14, 2019. Oil on paper, 42 x 30 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Monochrome-Series-16,-2019.jpg Ilona Szalay. Monochrome Series 16, 2019. Oil on paper, 42 x 30 cm. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Studio-Sketch-Collages-Two.jpg Ilona Szalay. Studio Sketch Collages. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Studio-Sketch-Collages.jpg Ilona Szalay. Studio Sketch Collages. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Studio-Sketch-One.jpg Ilona Szalay. Studio Sketch. © the artist. https://www.studiointernational.com/images/articles/s/039-szalay-ilona-2020/Studio-Sketch-Two.jpg Ilona Szalay. Studio Sketch. © the artist. https://www.studiointernational.com/index.php/ann-thomson-interview-art-is-a-means-of-renewing-culture-australia https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Chasing-Summer,-(2019).jpg Ann Thomson. Chasing Summer, 2019. Acrylic and collage on linen, 153 x 122 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/High-wire,-(2019).jpg Ann Thomson. High wire, 2019. Acrylic and collage on linen, 153 x 122 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Jamberoo,-(2017).jpg Ann Thomson. Jamberoo, 2017. Gouache on paper, 37.5 x 28 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Magnetic-Island-XIX,-(2017).jpg Ann Thomson. Magnetic Island XIX, 2017. Gouache on paper, 28 x 37.5 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Masque.jpg Ann Thomson. Masque. Wood, rope and chain, 106 x 34 x 10cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Newhaven-IV,-(2017).jpg Ann Thomson. Newhaven IV, 2017. Acrylic on linen, 122 x 153 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Overwhelmed-by-summer,-(2019).jpg Ann Thomson. Overwhelmed by summer, 2019. Acrylic on linen, 76 x 204 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Polarise,-(2002).jpg Ann Thomson. Polarise, 2002. Oil on linen, 92 x 61 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Rainforest,-(2017).jpg Ann Thomson. Rainforest, 2017. gouache on paper, 37.5 x 28 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Rainforest-IV,-(2017).jpg Ann Thomson. Rainforest IV, 2017. Acrylic on linen, 60 x 71 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Rotator,-(1990)-2.jpg Ann Thomson. Rotator, 1990. Wood, rope, metal and firehose, 82 x 27 x 27 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Samurai-VI,-(2007).jpg Ann Thomson. Samurai VI, 2007. Acrylic and collage on paper mounted on linen, 184 x 81 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Snowy-Mountains-I,-(2019).jpg Ann Thomson. Snowy Mountains I, 2019. Gouache on paper, 28 x 37.5 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Snowy-Mountains-II,-(2019).jpg Ann Thomson. Snowy Mountains II, 2019. Gouache on paper, 28 x 37.5 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Snowy-Mountains-III-2019.jpg Ann Thomson. Snowy Mountains III, 2019. Gouache on paper, 28 x 37.5 cm. © the artist. https://www.studiointernational.com/images/articles/t/081-thomson-ann-2020/Transient-(2008).jpg Ann Thomson. Transient, 2008. Oil on linen, 122 x 122 cm. © the artist. https://www.studiointernational.com/index.php/yuko-hasegawa-japan-museum-curator-time-of-covid-19-olafur-eliasson https://www.studiointernational.com/images/articles/h/050-hasegawa-yuko-2020/14_Sometimes_the_river_is_the_bridge_122679.jpg Olafur Eliasson, Sometimes the river is the bridge, 2020. Installation view, Museum of Contemporary Art Tokyo, 2020. Photo: Kazuo Fukunaga. Courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. © 2020 Olafur Eliasson. https://www.studiointernational.com/images/articles/h/050-hasegawa-yuko-2020/Alter-narratives-exhibition-screenshot.jpg Alter-narratives. Online exhibition created by graduate students at Tokyo University of the Arts. https://www.studiointernational.com/images/articles/h/050-hasegawa-yuko-2020/mot2.jpg Museum of Contemporary Art, Tokyo. Photo: Kenta Hasegawa. https://www.studiointernational.com/index.php/david-blandy-interview-the-online-world-can-be-space-for-transformation-place-for-better-understanding-our-offline-existence https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/how-to-fly-7.jpg David Blandy. How to Fly, 2020 (still). Digital video. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/How-to-Live-1.jpg David Blandy. How to Live, 2020 (still). Digital video. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/Finding-Fanon-2015-(PR-shot-3)-Larry-Achiampong-&-David-Blandy-Image-by_Claire-Barrett.jpg David Blandy & Larry Achiampong. Finding Fanon 2015 (PR shot 3). Photo: Claire Barrett. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/how-to-fly-intro-image.jpg David Blandy. How to Fly, 2020 (still). Digital video. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/how-to-fly-5.jpg David Blandy. How to Fly, 2020 (still). Digital video. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/how-to-fly-11.jpg David Blandy. How to Fly, 2020 (still). Digital video. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/Finding-Fanon-2015-(PR-shot-1)-Larry-Achiampong-&-David-Blandy-Image-by_Claire-Barrett.jpg David Blandy & Larry Achiampong. Finding Fanon 2015 (PR shot 1). Photo: Claire Barrett. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/FF-Gaiden-Delete-Still-(31-02).jpg David Blandy. FF Gaiden delete, 2016. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/How-to-Live-3.jpg David Blandy. How to Live, 2020 (still). Digital video. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/how-to-live-2.jpg David Blandy. How to Live, 2020 (still). Digital video. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/how-to-fly-2.jpg David Blandy. How to Fly, 2020 (still). Digital video. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/FF-Gaiden-Delete-Still-4-(27-50-no-subs).jpg David Blandy. FF Gaiden delete, 2016. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/Finding-Fanon-2-o.jpg David Blandy & Larry Achiampong. Finding Fanon Part Two, 2015. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/Finding-Fanon-3-emerging-Image-by_Larry-Achiampong-&-David-Blandy.jpg David Blandy & Larry Achiampong. Finding Fanon 3 emerging. © the artist. https://www.studiointernational.com/images/articles/b/039-blandy-david-2020/Finding-Fanon-2.jpg David Blandy & Larry Achiampong. Finding Fanon 2. © the artist. https://www.studiointernational.com/index.php/sophie-taeuber-arp-online-exhibition-hauser-and-wirth https://www.studiointernational.com/images/articles/t/079-taeuber-arp-sophie-2020/04.jpg Sophie Taeuber-Arp, Quatre espacs á cercles rouges roulants (Four spaces with red rolling circles), 1932. Gouache on paper, 27.6 x 27.6 cm. © Stiftung Arp e.V., Berlin / Rolandswerth, courtesy the estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/079-taeuber-arp-sophie-2020/02.jpg Sophie Taeuber-Arp and her sister, Erika Schlegel, in Hopi Native American-themed costumes designed by the artist, c1920. https://www.studiointernational.com/images/articles/t/079-taeuber-arp-sophie-2020/03.jpg Scene from the marionette play König Hirsch (King Stag), Zurich, 1918. From left to right: Angela, King Deramo, Freudanalytikus, Tartaglia (on ground), Pantalone, Leandro, Clarissa. Photo: Ernst Linck. © Stiftung Arp e.V., Berlin/Rolandswerth. https://www.studiointernational.com/images/articles/t/079-taeuber-arp-sophie-2020/07.jpg Sophie Taeuber-Arp, Personnages (Figures), 1926. Yarn, 50 x 48.5 cm. Photo: Alex Delfanne. © Stiftung Arp e.V., Berlin / Rolandswerth, courtesy the estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/079-taeuber-arp-sophie-2020/06.jpg Sophie Taeuber-Arp, Composition à rectangles et cercles (Composition with rectangles and circles), 1931. Black ink, gouache, watercolour (red) with graphite drawing and opaque white corrections on drawing paper, 20.5 x 27.4 cm. Photo: Alex Delfanne. © Stiftung Arp e.V., Berlin / Rolandswerth, courtesy the estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/079-taeuber-arp-sophie-2020/09.jpg Sophie Taeuber-Arp, Coquilles et fleurs (Shells & Flowers), 1938. Relief, painted wood, diameter: 59 cm, depth: 8.1 cm. Photo: Alex Delfanne. © Stiftung Arp e.V., Berlin / Rolandswerth, courtesy the estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/079-taeuber-arp-sophie-2020/01.jpg Sophie Taeuber-Arp with Dada-Head, Zurich, 1920. Photo: Nic Aluf. © Stiftung Arp e.V., Berlin/Rolandswerth. https://www.studiointernational.com/images/articles/t/079-taeuber-arp-sophie-2020/05.jpg Sophie Taeuber-Arp, Equilibre (Equilibrium), 1932. Gouache and graphite on paper, 27.9 x 25.8 cm. Photo: Alex Delfanne. © Stiftung Arp e.V., Berlin / Rolandswerth, courtesy the estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/079-taeuber-arp-sophie-2020/08.jpg Sophie Taeuber-Arp, Composition pour l'Aubette (Composition for Aubette), 1928. Coloured cotton yarn, 82.2 x 58.1 cm . © Stiftung Arp e.V., Berlin / Rolandswerth, courtesy the estate and Hauser & Wirth. https://www.studiointernational.com/index.php/stefan-bruggemann-interview-language-in-the-work-adapts-to-consciousness-of-public https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/JNV_BRUGGEMANN_ART_INSTALLATION_08.jpg Stefan Brüggemann, OK (Untitled Action), 2020. Photo: John Nguyen/PA. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/JNV_BRUGGEMANN_ART_INSTALLATION_27.jpg Stefan Brüggemann, OK (Untitled Action), 2020. Photo: John Nguyen/PA. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/BRUGG104246-hires.jpg Stefan Brüggemann. Online Disconnected (Hyper-Poem Lockdown), 2020. Gold leaf and vinyl text on wood, 70 x 50 cm (27 1/2 x 19 5/8 in). © Stefan Brüggemann. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/BRUGG95566-hires.jpg Stefan Brüggemann. HYPER – PALIMPSEST, installation view, Hauser & Wirth London, 2019. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/CAG-Vancouver-Contemporary-Art-Gallery-hires.jpg Stefan Brüggemann. Headlines & Last Lines in the Movies, installation view, Contemporary Art Gallery, Vancouver, Canada, 2014. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/JNV_BRUGGEMANN_ART_INSTALLATION_14.jpg Stefan Brüggemann, OK (Untitled Action), 2020. Photo: John Nguyen/PA. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/BRUGG104248-hires.jpg Stefan Brüggemann. Inside (Hyper-Poem Lockdown), 2020. Gold leaf and vinyl text on wood, 70 x 50 cm (27 1/2 x 19 5/8 in). © Stefan Brüggemann. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/BRUGG104249-hires.jpg Stefan Brüggemann. Untitled Action (Lockdown), 2020. Gold leaf, paper and vinyl text on wood, 50 x 40 cm (19 5/8 x 15 3/4 in). © Stefan Brüggemann. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/BRUGG95538-hires.jpg Stefan Brüggemann. Headlines and Last Lines in the Movies (Guernica), 2019. Alupanel, aluminium, spraypaint, 349 x 777 cm (137 3/8 x 305 7/8 in). Installation view, Extra! Festival, Centre Pompidou, Paris. © Stefan Brüggemann. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/JNV_BRUGGEMANN_ART_INSTALLATION_23.jpg Stefan Brüggemann, OK (Untitled Action), 2020. Photo: John Nguyen/PA. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/BRUGG95531.jpg Stefan Brüggemann. HYPER – PALIMPSEST, installation view, Hauser & Wirth London, 2019. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/b/038-bruggemann-2020/BRUGG95536-hires.jpg Stefan Brüggemann. HYPER – PALIMPSEST, installation view, Hauser & Wirth London, 2019. Photo: Todd-White Art Photography. https://www.studiointernational.com/index.php/mami-kataoka-interview-director-mori-art-museum-tokyo-japan-curator-time-of-covid-19 https://www.studiointernational.com/images/articles/k/070-katoaka-2020/FaA_3D_high.jpg Future and the Arts, 3D Walkthrough. Photo courtesy Mori Art Museum, Tokyo. https://www.studiointernational.com/images/articles/k/070-katoaka-2020/Kusama_Lotus_a.jpg ARTISTS’ COOKBOOK BY MAM, Recipe #1 - Kusama Lotus. Photo courtesy Mori Art Museum, Tokyo. https://www.studiointernational.com/images/articles/k/070-katoaka-2020/MAMDIGITAL.jpg Mori Art Museum digital page entrance. Photo courtesy Mori Art Museum, Tokyo. https://www.studiointernational.com/images/articles/k/070-katoaka-2020/Kataoka_190919_350dpi.jpg Mami Kataoka, Director, Mori Art Museum, Tokyo. Photo: Ito Akinori, courtesy Mori Art Museum, Tokyo. https://www.studiointernational.com/index.php/andrew-litten-interview-concerning-the-fragile-anima-mundi-emotionally-varied-and-full-of-raw-nerves https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Discredited.jpg Andrew Litten, Discredited, 2020. Oil on canvas, 180 x 140 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Drugs-Combination-3.jpg Andrew Litten, Drugs Combination 3, 2020. Oil on canvas, 180 x 130 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Remnants.jpg Andrew Litten, Remnants, 2020. Oil on canvas, 200 x 170 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Regenerate-(triptych).jpg Andrew Litten, Regenerate (triptych), 2020. Oil on canvas, 220 x 170 cm, 220 x 120 cm, 220 x 170 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Emma-(With-Noise).jpg Andrew Litten, Emma (With Noise), 2020. Mixed media on paper, 78 x 64 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Alcohol-Now.jpg Andrew Litten, Alcohol Now, 2020. Oil on canvas, 151 x 120 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Her-Desire-for-Order.jpg Andrew Litten, Her Desire for Order, 2020. Mixed media on paper, 100 x 70 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Head-of-a-Dying-Man.jpg Andrew Litten, Head of a Dying Man, 2020. Oil on canvas, 90 x 90 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Street-Pose.jpg Andrew Litten, Street Pose, 2020. Mixed media on paper, 203 x 130 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Seated-Man-with-Animals.jpg Andrew Litten, Seated Man with Animals (diptych), 2020. Oil on canvas, 180 x 200 cm each. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrewlitten,-God-Spot.jpg Andrew Litten, God Spot, 2020. Mixed media on paper, 100 x 70 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Father-and-Child.jpg Andrew Litten, Father and Child, 2020. Bronze, 58 x 20 x 13 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Being-Nowhere.jpg Andrew Litten, Being Nowhere, 2020. Mixed media on paper, 100 x 70 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Blessed.jpg Andrew Litten, Blessed, 2020. Mixed media on paper, 203 x 130 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Praying.jpg Andrew Litten, Praying, 2020. Bronze, 45 x 24 x 12 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Seated-Man-with-Animals-Study.jpg Andrew Litten, Seated Man with Animals Study, 2020. Mixed media on paper, 79 x 59 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-Street-Shrine.jpg Andrew Litten, Street Shrine, 2020. Mixed media on paper, 140 x 170 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-The-Clouds.jpg Andrew Litten, The Clouds, 2020. Oil on canvas, 170 x 210 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/images/articles/l/064-litten-andrew-2020/andrew-litten,-The-Condition.jpg Andrew Litten, The Condition, 2020. Oil on canvas, 151 x 120 cm. Photo courtesy Anima Mundi and the artist. https://www.studiointernational.com/index.php/the-botanical-mind-art-mysticism-cosmic-tree-online-review-camden-art-centre https://www.studiointernational.com/images/articles/b/037-botanical-mind-2020/06.jpg Ernst Haeckel, Peromedusae, 1904. Lithograph plate from Art Forms of Nature. Public Domain https://www.studiointernational.com/images/articles/b/037-botanical-mind-2020/02.jpg Anna Atkins, Cystoseira ericoides from Photographs of British Algae, Cyanotype Impressions Volume 1 Cyanotype. Public Domain. https://www.studiointernational.com/images/articles/b/037-botanical-mind-2020/07.jpg Hildegarde von Bingen, Liber Divinorum Operum (The Book of Divine Works), 13th Century. Illuminated manuscript. By concession of the Ministry for Cultural Heritage and Activities - Lucca State Library. https://www.studiointernational.com/images/articles/b/037-botanical-mind-2020/04.jpg Anna Zemánková, Untitled c1960. Crayon, pen on paper, 81 x 62.5 cm. Courtesy of The Museum of Everything. https://www.studiointernational.com/images/articles/b/037-botanical-mind-2020/03.jpg Anna Haskel, Untitled, 1940. Pastel and pencil on paper, 30 x 22 cm. Courtesy of The Museum of Everything. https://www.studiointernational.com/images/articles/b/037-botanical-mind-2020/01.jpg Adam Chodzko, O, you happy roots, branch and mediatrix, 2020. Video, algorithm. Courtesy of the artist and Camden Art Centre. https://www.studiointernational.com/images/articles/b/037-botanical-mind-2020/05.jpg Bruce Conner, INKBLOT DRAWING APRIL 6, 1995, 1995. ink on paper. 9 1/2 x 9 1/2 in (24.1 x 24.1 cm). Private collection. Photo: Steven Probert © 2020 Conner Family Trust, San Francisco / Artists Rights Society (ARS). Courtesy Paula Cooper Gallery, New York. https://www.studiointernational.com/index.php/hong-kong-artists-women-shirley-wu-review-m-stories https://www.studiointernational.com/images/articles/w/061-wu-shirley-2020/en_02_artist.jpg hong kong artists, women. Courtesy of the artist. https://www.studiointernational.com/images/articles/w/061-wu-shirley-2020/en_05_missing_info.jpg hong kong artists, women. Courtesy of the artist. https://www.studiointernational.com/images/articles/w/061-wu-shirley-2020/bg_mountains.jpg hong kong artists, women. Courtesy of the artist. https://www.studiointernational.com/index.php/gordon-parks-part-one-review-racism-us-alison-jacques-gallery-london https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/AJG-GP-37-000.jpg Gordon Parks. Untitled, Shady Grove, Alabama, 1956. Courtesy of The Gordon Parks Foundation, New York and Alison Jacques Gallery, London. © The Gordon Parks Foundation. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/AJG-GP-15783-37.059.jpg Gordon Parks. Untitled, Nashville, Tennessee, 1956. Courtesy of The Gordon Parks Foundation, New York and Alison Jacques Gallery, London. © The Gordon Parks Foundation. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/GP-PART-ONE-installation-view-10-5_7-crop.jpg Gordon Parks. At Segregated Drinking Fountain, Mobile, Alabama, 1956. Installation view. Photo courtesy Alison Jacques Gallery, London. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/AJG-GP-09917-37.017.jpg Gordon Parks. Untitled, Shady Grove, Alabama, 1956. Courtesy of The Gordon Parks Foundation, New York and Alison Jacques Gallery, London. © The Gordon Parks Foundation. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/GP-PART-ONE-installation-view-07-2_3-crop.jpg Installation view, Gordon Parks: Part One. Photo courtesy Alison Jacques Gallery, London. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/GP-PART-ONE-installation-view-23-16_9-crop-II.jpg Installation view, Gordon Parks: Part One. Photo courtesy Alison Jacques Gallery, London. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/AJG-GP-16052-84.009.jpg Gordon Parks. Untitled, Harlem, New York, 1963. Courtesy of The Gordon Parks Foundation, New York and Alison Jacques Gallery, London. © The Gordon Parks Foundation. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/AJG-GP-05799-37.066.jpg Gordon Parks. Untitled, Alabama, 1956. Courtesy of The Gordon Parks Foundation, New York and Alison Jacques Gallery, London. © The Gordon Parks Foundation. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/AJG-GP-05791-37.068.jpg Gordon Parks. Untitled, Mobile, Alabama, 1956. Courtesy of The Gordon Parks Foundation, New York and Alison Jacques Gallery, London. © The Gordon Parks Foundation. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/AJG-GP-15806-37.042.jpg Gordon Parks. Untitled, Alabama, 1956. Courtesy of The Gordon Parks Foundation, New York and Alison Jacques Gallery, London. © The Gordon Parks Foundation. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/GP-PART-ONE-installation-view-08-2_3-crop.jpg Installation view, Gordon Parks: Part One. Photo courtesy Alison Jacques Gallery, London. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/GP-PART-ONE-installation-view-13-2_3-crop.jpg Installation view, Gordon Parks: Part One. Photo courtesy Alison Jacques Gallery, London. https://www.studiointernational.com/images/articles/p/065-parks-gordon-2020/GP-PART-ONE-installation-view-19-2_3-crop.jpg Installation view, Gordon Parks: Part One. Photo courtesy Alison Jacques Gallery, London. https://www.studiointernational.com/index.php/toby-deveson-interview-there-is-definitely-a-sense-of-seeking-perfection-landscape-photography https://www.studiointernational.com/images/articles/d/071-deveson-toby-2020/Toby-Deveson,-Neamt,-Moldavia,-Romania,-September-1992.jpg Toby Deveson, Neamţ, Moldavia, Romania, September 1992. Taken with a Nikkormat using a 24mm lens and Kodak T-Max 400 film. Printed on Foma 532 fibre-based paper. https://www.studiointernational.com/images/articles/d/071-deveson-toby-2020/Toby-Deveson,-Galati,-Romania,-April-1991.jpg Toby Deveson, Galati, Romania, April 1991. Taken with a Nikkormat using a 24mm lens and Kodak T-Max 400 film. Printed on Foma 532 fibre-based paper. https://www.studiointernational.com/images/articles/d/071-deveson-toby-2020/Toby-Deveson,-Galata,-Iasi,-Romania,-April-1992.jpg Toby Deveson, Galata, Iasi, Romania, April 1992. Taken with a Nikkormat using a 24mm lens and Kodak T-Max 400 film. Printed on Foma 532 fibre-based paper. https://www.studiointernational.com/images/articles/d/071-deveson-toby-2020/Toby-Deveson,-Parque-Nacional-Queulat,-Chile,-February-2018.jpg Toby Deveson, Parque Nacional Queulat, Chile, February 2018. Taken with a Nikkormat using a 24mm lens and Kodak T-Max 400 film. Printed on Foma 532 fibre-based paper. https://www.studiointernational.com/images/articles/d/071-deveson-toby-2020/Toby-Deveson,-Dambovita-River,-Bucuresti,-Romania,-August-1992-(2).jpg Toby Deveson, Dâmboviţa River, Bucureşti, Romania, August 1992 (2). Taken with a Nikkormat using a 24mm lens and Kodak T-Max 400 film. Printed on Foma 532 fibre-based paper. https://www.studiointernational.com/images/articles/d/071-deveson-toby-2020/Toby-Deveson,-Dyngjufjoll-Mountains,-Iceland,-August-2015.jpg Toby Deveson, Dyngjufjöll Mountains, Iceland, August 2015. Taken with a Nikkormat using a 24mm lens and Kodak T-Max 400 film. Printed on Foma 532 fibre-based paper. https://www.studiointernational.com/images/articles/d/071-deveson-toby-2020/Toby-Deveson,-River-Soca,-Slovenia,-August-2013.jpg Toby Deveson, River Soča, Slovenia, August 2013. Taken with a Nikkormat using a 24mm lens and Kodak T-Max 400 film. Printed on Foma 532 fibre-based paper. https://www.studiointernational.com/images/articles/d/071-deveson-toby-2020/Toby-Deveson,-Vatnajokull-National-Park,-Iceland,-August-2015.jpg Toby Deveson, Vatnajökull National Park, Iceland, August 2015. Taken with a Nikkormat using a 24mm lens and Kodak T-Max 400 film. Printed on Foma 532 fibre-based paper. https://www.studiointernational.com/images/articles/d/071-deveson-toby-2020/Toby-Deveson,-Dambovita-River,-Bucuresti,-Romania,-August-1992.jpg Toby Deveson, Dâmboviţa River, Bucureşti, Romania, August 1992. Taken with a Nikkormat using a 24mm lens and Kodak T-Max 400 film. Printed on Foma 532 fibre-based paper. https://www.studiointernational.com/index.php/anish-kapoor-houghton-hall-norfolk-video https://www.studiointernational.com/images/articles/k/069-kapoor-anish-2020/rectangle-within-a-rectangle.jpg Anish Kapoor. Rectangle Within a Rectangle, 2018. Granite. Installation view, Houghton Hall, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/069-kapoor-anish-2020/liver.jpg Anish Kapoor. Liver, 2001. Marble. Installation view, Houghton Hall, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/069-kapoor-anish-2020/16-Anish-Kapoor,-Cobalt-Blue-to-Apple-and-Magenta-mix-2,-Spanish-and-Pagan-Gold-to-Magenta,-Garnet-to-Apple-Red-mix-2-to-Pagan-Gold-to-Spanish-Gold,-Spanish-Gold-and-Pagan-Gold-mix.jpg Anish Kapoor. Cobalt Blue to Apple and Magenta mix 2, 2018; Spanish and Pagan Gold to Magenta, 2018; Garnet to Apple Red mix 2 to Pagan Gold to Spanish Gold, 2018; Spanish Gold and Pagan Gold mix, 2019. Courtesy the artist and Lisson Gallery. © Anish Kapoor. All rights reserved DACS, 2020. Photo: Pete Huggins. https://www.studiointernational.com/images/articles/k/069-kapoor-anish-2020/04-Anish-Kapoor,-Cobalt-Blue-to-Apple.jpg Anish Kapoor. Cobalt Blue to Apple and Magenta mix 2, 2018. Courtesy the artist and Lisson Gallery. © Anish Kapoor. All rights reserved DACS, 2020. Photo: Pete Huggins. https://www.studiointernational.com/images/articles/k/069-kapoor-anish-2020/05-Anish-Kapoor,-Untitled.jpg Anish Kapoor. Untitled, 1997, Kilkenny limestone; Sky Mirror, 2018, stainless steel. Courtesy the artist and Lisson Gallery. © Anish Kapoor. All rights reserved DACS, 2020. Photo: Pete Huggins. https://www.studiointernational.com/images/articles/k/069-kapoor-anish-2020/covid-19-guidelines.jpg Anish Kapoor, Houghton Hall, Norfolk. Covid-19 guidelines. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/069-kapoor-anish-2020/sophia-2003.jpg Anish Kapoor. Sophia, 2003. Marble. Installation view, Houghton Hall, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/069-kapoor-anish-2020/sky-mirror-reverse.jpg Anish Kapoor. Sky Mirror, 2018, reverse side, installation view, Houghton Hall, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/nalini-malani-interview-the-future-is-female-there-is-no-other-way-fundacio-joan-miro-national-gallery-london https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/YouDon_tHearMe_NaliniMalaniFJM_s19_PhotoTanitPlana-(3).jpg Nalini Malani, You Don’t Hear Me, installation view, Joan Miró museum, Barcelona, 2020. Photo: TanitPlana. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/3_Nalini-Malani,-Onanism,-1969.jpg Nalini Malani, Onanism, 1969. Digitised 16mm black and white film, 3:52 min, silent. Collection: MoMA, New York. Photo: Nalini Malani. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/12_Nalini-Malani,-All-We-Imagina-as-Light,-2017-.jpg Nalini Malani, All We Imagine as Light, 2017. Eleven panel reverse painting on acrylic sheet, 183 x 1100 cm. Installation view: Nalini Malani: The Rebellion of the Dead-Part I, Centre Pompidou, Paris, 2017. Collection: Burger Collection, Hong Kong. Photo: Ranabir Das. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/NaliniMalani_Sita-I,-2006-Courtesyoftheartist.jpg Nalini Malani, Sita I, 2006. Acrylic and enamel reverse painting on Mylar sheet, 183 x 122 cm. Courtesy and copyright Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/11_-Nalini-Malani,-Cassandra,-2009--.jpg Nalini Malani, Cassandra, 2009. Thirty panel reverse painting on acrylic sheet, overall size 228 x 396 cm. Collection: Kiran Nadar Museum of Art, New Delhi. Photo: Anil Rane. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/12_Nalini-Malani,-In-Search-of-Vanished-Blood,-2012-(ICA-Boston-2015)-.jpg Nalini Malani, In Search of Vanished Blood, 2012. Six channel video/shadow play with five reverse painted Mylar cylinders, sound, 11 minutes. Installation view: Nalini Malani: In Search of Vanished Blood, ICA Boston, 2015. Collection: Guggenheim Abu Dhabi. Photo: Danita Jo. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/15_Nalini-Malani,-Can-You-Hear-Me-,-MMB_2019-.jpg Nalini Malani, Can You Hear Me?, 2019. Animation Chamber, 11 channel installation with 56 single channel stop motion animations, sound. Installation view: Can You Hear Me?, Goethe Institut / Max Mueller Bhavan Mumbai, 2019. Photo: Ranabir Das. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/NaliniMalani_Utopia,-1969-1976-Still-02-Courtesyoftheartist.jpg Nalini Malani, Utopia, 1969-1976. Two channel film installation, digitized 16 mm b/w and 8 mm colour, 4:39 min, silent. Collection: Centre Pompidou, Paris. Photo: Nalini Malani. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/06_Nalini-Malani-Gamepieces,-2003-.jpg Nalini Malani, Gamepieces, 2003. Four channel video/shadow play, with six reverse painted Lexan cylinders, sound, 7 minutes. Installation view: Scenes from a New Heritage, MoMA, New York, 2015. Collection: MoMA, New York. Photo: Johan Pijnappel. © Nalini Malani https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/8_Nalini-Malani,-Remembering-Mad-Meg_2007-(Centre-Pompidou-2011).jpg Nalini Malani, Remembering Mad Meg, 2007. Four channel video/shadow play, with eight reverse painted Lexan Cylinders, each 122 x 122 cm. Installation view: Paris-New Delhi-Bombay, Centre Pompidou, 2011. Collection: Centre Pompidou, 2011. Photo: Payal Kapadia. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/18_Nalini-Malani,-Can-You-Hear-Me-_TAJ-hotel_2020.jpg Nalini Malani, Can You Hear Me?, 2019. City Specific Video Mapping, 57 single channel stop motion animations, sound animations, sound. Installation view: Can You Hear Me?, TAJ Hotel, February, Mumbai 2020. Photo: Ranabir Das. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/13_-Nalini-Malani,-In-Search-of-Vanished-Blood,-2012-(Castello-di-Rivoli-2018).jpg Nalini Malani, In Search of Vanished Blood, 2012. Six channel video/shadow play with five reverse painted Mylar cylinders, sound, 11 minutes. Installation view: Nalini Malani: The Rebellion of the Dead-Part II, Castello di Rivoli Museum of Contemporary Art, Rivoli, 2018. Collection: Burger Collection, Hong Kong. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/6_Nalini-Malani,-Alleyway-Lohar-Chawl,-1991.jpg Nalini Malani, Alleyway Lohar Chawl, 1991. Shadow Play, with five paintings on Mylar sheets, each 185 x 100 cm. Installation view: Hieroglyphs Lohar Chawl, Jehangir Art Gallery, Bombay 1991. Collection: the artist. Photo: Nalini Malani. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/B_-Nalini-Malani,-dOCUMENTA(13)_2012.jpg Nalini Malani, dOCUMENTA(13), Kassel. Photo: Payal Kapadia. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/YouDon_tHearMe_NaliniMalaniFJM_s16_PhotoTanitPlana.jpg Nalini Malani, You Don’t Hear Me, installation view, Joan Miró museum, Barcelona, 2020. Photo: TanitPlana. © Nalini Malani. https://www.studiointernational.com/images/articles/m/042-malani-nalini-2020/YouDon_tHearMe_NaliniMalaniFJM_s20_PhotoTanitPlana.jpg Nalini Malani, You Don’t Hear Me, installation view, Joan Miró museum, Barcelona, 2020. Photo: TanitPlana. © Nalini Malani. https://www.studiointernational.com/index.php/satoshi-hirose-the-earth-is-blue-like-a-lemon-review-arts-maebashi-gunma-japan https://www.studiointernational.com/images/articles/h/049-hirose-satoshi-2020/Lemon-Project-03.jpg Satoshi Hirose. Lemon Project 03, 1997 (2020). Fresh lemon, glass, stainless, paint, essential lemon oil. Collection of the artist. https://www.studiointernational.com/images/articles/h/049-hirose-satoshi-2020/Installation-view-with-Arlecchino.jpg Satoshi Hirose. Arlecchino, 1998. Cloth, fishing line. Paolo Savona Collection. https://www.studiointernational.com/images/articles/h/049-hirose-satoshi-2020/Beans-Cosmos-(Tama).jpg Satoshi Hirose. Beans Cosmos (Tama), 2017. Acrylic resin, artificial plant, beans, gold, diamond, plastic. Collection of the artist. Courtesy of Tomio Koyama Gallery. https://www.studiointernational.com/images/articles/h/049-hirose-satoshi-2020/Lemon-Project-03-installation.jpg Satoshi Hirose. Lemon Project 03, 1997 (2020). Fresh lemon, glass, stainless, paint, essential lemon oil. Collection of the artist. https://www.studiointernational.com/images/articles/h/049-hirose-satoshi-2020/Untitled-(Tama).jpg Satoshi Hirose. Untitled (Tama), 1992-2015. Paper, Collection of the artist. Courtesy of Galleria Umberto Di Martino. https://www.studiointernational.com/images/articles/h/049-hirose-satoshi-2020/World-Map-detail.jpg Satoshi Hirose. World map, 1991. Map. Private collection. https://www.studiointernational.com/images/articles/h/049-hirose-satoshi-2020/Untitled-(Beans-Mythology).jpg Satoshi Hirose. Untitled (Beans Mythology), 2008. Beans, acrylic resin, marble. Collection of the artist. Courtesy of Tomio Koyama Gallery. https://www.studiointernational.com/index.php/sam-lucas-interview-i-do-not-make-pretty-things https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/Installation-view_Taste-Contemporary-artgeneve-2020.jpg Sam Lucas, Head in the Bin, 2019. Ceramic, textile, H98 x W49 x L50 cm. Installation view, Taste Contemporary, ArtGenève, 2020. Image courtesy of Taste Contemporary. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/BCB-Sam-Lucas-5.jpg Sam Lucas. Legs Akimbo, 2019. Ceramic, textile, H98 x W56 x L157 cm. Photo: Jenny Harper photography. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/BCB-Sam-Lucas-1.jpg Sam Lucas. Same Same but different. British Ceramics Biennial Award 2019. Photo: Jenny Harper photography. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/BCB-Sam-Lucas-4.jpg Sam Lucas. Puffa, 2019. Ceramic, steel, H190 x L107 x W107 cm. Photo: Jenny Harper photography. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/BCB-Sam-Lucas-11.jpg Sam Lucas. Venus Trap, 2019. Ceramic steel, H40 x L67.5 x W63 cm. Photo: Jenny Harper photography. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/Installation-view_Taste-Contemporary-artgeneve-2020-(2).jpg Sam Lucas, installation view, Taste Contemporary, ArtGenève, 2020. Image courtesy of Taste Contemporary. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/fullsizeoutput_1dd2.jpg Sam Lucas. Big yellow and chicken skin, 2018. Ceramics, 64 x 25 x 60 cm. Photo: Sam Lucas. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/IMG_5650.jpg Sam Lucas. Fleshing it out, 2018. Ceramic, textile, 50 x 30 x 20 cm. Photo: Sam Lucas. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/IMG_5951.jpg Sam Lucas. Tippytoe, 2019. Porcelain and stoneware fired terracotta, textile, 77 x 47 x 47 cm. Photo: Sam Lucas. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/IMG_5948.jpg Sam Lucas. Tippytoe, 2019 (detail). Porcelain and stoneware fired terracotta, textile, 77 x 47 x 47 cm. Photo: Sam Lucas. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/fullsizeoutput_1746.jpg Sam Lucas. Head in the Bin (a), 2018. Ceramics and textile, 60 x 30 x 30 cm. Photo: Sam Lucas. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/BCB-Sam-Lucas-9.jpg Sam Lucas. Big Yellow, 2019. Ceramic, textile, H149 x L88 x W49 cm. Photo: Jenny Harper photography. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/fullsizeoutput_20a3.jpg Sam Lucas. Position A, 2018. Ceramic, 60 x 30 x 30 cm. Photo: Sam Lucas. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/fullsizeoutput_224d.jpg Sam Lucas. Position B, 2018. Ceramic, 60 x 30 x 30 cm. Photo: Sam Lucas. https://www.studiointernational.com/images/articles/l/063-lucas-sam-2020/fullsizeoutput_1770.jpg Sam Lucas. Stiltetto, 2018. Ceramics and braid, 53 x 22 x 25 cm. Photo: Sam Lucas https://www.studiointernational.com/index.php/sarah-lucas-honey-pie-review-sadie-coles-london https://www.studiointernational.com/images/articles/l/062-lucas-sarah-2020/04.jpg Sarah Lucas, Peeping Thomasina, 2020. Tights, wire, kapok, shoes, acrylic paint, vinyl and metal chair, 81 x 46 x 6cm plus plinth, 68.1 x 43 x 65.2 cm. Image courtesy of Sadie Coles. © Sarah Lucas, courtesy Sadie Coles HQ, London. Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/l/062-lucas-sarah-2020/05.jpg Sarah Lucas, Oops!, 2019. Concrete, bronze, steel and acrylic paint, 86 x 75 x 84 cm. Image courtesy of Sadie Coles. © Sarah Lucas, courtesy Sadie Coles HQ, London. Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/l/062-lucas-sarah-2020/01.jpg Sarah Lucas, Dick’Ead, 2018. Bronze, concrete, cast iron and acrylic paint, 172 x 78.4 x 116.5 cm. Edition 3 of 6. © Sarah Lucas, courtesy Sadie Coles HQ, London. Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/l/062-lucas-sarah-2020/03.jpg Sarah Lucas, Cross Doris, 2019. Concrete, bronze, steel, iron and acrylic paint, 71.5 x 73 x 68 cm. Image courtesy of Sadie Coles HQ. © Sarah Lucas, courtesy Sadie Coles HQ, London. Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/l/062-lucas-sarah-2020/06.jpg Sarah Lucas, Honey Pie, installation view, Sadie Coles HQ, London, March – August 2020. © Sarah Lucas, courtesy Sadie Coles HQ, London. Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/l/062-lucas-sarah-2020/02.jpg Sarah Lucas, Cool Chick Baby, 2020. Tights, wire, kapok, shoes, acrylic paint, vinyl and metal chair, 96.5 x 77.5 x 90 cm plus 20.3 x 121.9 x 121.9 cm. Image courtesy of Sadie Coles HQ. © Sarah Lucas, courtesy Sadie Coles HQ, London. Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/l/062-lucas-sarah-2020/08.jpg Sarah Lucas, Honey Pie, installation view, Sadie Coles HQ, London, March – August 2020. © Sarah Lucas, courtesy Sadie Coles HQ, London. Photo: Robert Glowacki. https://www.studiointernational.com/index.php/disconnect-exhibition-london-townhouse-schoeni-projects-herakut-zoer https://www.studiointernational.com/images/articles/d/070-disconnect-2020/Herakut,-installation-view-of-disCONNECT,-Schoeni-Projects-London-(2024),-Nick-Smith-Photos-(1).jpg Herakut, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Nick Smith Photos. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/Zoer,-installation-view-of-disCONNECT,--at-Schoeni-Projects-London-(2020),-courtesy-the-artist-and-Schoeni-Projects.jpg Zoer, installation view, disCONNECT, Schoeni Projects London, 2020. Courtesy the artist and Schoeni Projects. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/David-Bray,-install-view-of-disCONNECT,-Schoeni-Projects-London(2020),-photo-Nick-Smith.jpg David Bray, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Nick Smith Photos. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/vr-tour.png disCONNECT VR tour of the exhibition, with site specific sounds. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/nicole-schoeni-portrait-2020-martin-kennedy.jpg Nicole Schoeni talking to Studio International about disCONNECT, July 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/Aida-Wilde,-installation-view-of-disCONNECT,-Schoeni-Projects-London-(2020),-Ian-Cox-(2).jpg Aida Wilde, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Ian Cox. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/Alex-Fakso,-installation-view-of-disCONNECT,-at-Schoeni-Projects-London-(2020),Ian-Cox-(4).jpg Alex Fakso, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Ian Cox. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/IMG_1957.jpg Isaac Cordal, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/IMG_1976.jpg Vhils, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/Mr-Cenz,-installation-view-of-disCONNECT,-Schoeni-Projects-London-(2020),-Nick-Smith-Photos-(1).jpg Mr Cenz, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Nick Smith Photos. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/Icy-and-Sot,-install-view-of-disCONNECT,-Schoeni-Projects-London-(2020),-Nick-Smith-Photos.jpg Icy and Sot, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Nick Smith Photos. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/IMG_1981.jpg Herakut, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Nick Smith Photos. https://www.studiointernational.com/images/articles/d/070-disconnect-2020/Adam-Neate,-install-view-of-disCONNECT,-Schoeni-Projects-London-(2020),-Nick-Smith-Photos.jpg Adam Neate, installation view, disCONNECT, Schoeni Projects London, 2020. Photo: Nick Smith Photos. https://www.studiointernational.com/index.php/aliza-nisenbaum-interview-ive-found-zoom-surprisingly-intimate-anton-kern-new-york-tate-liverpool https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/La-Talaverita,-Sunday-Morning-NY-Times.jpg Aliza Nisenbaum. Las Talaveritas, Sunday Morning NY Times, 2016. Oil on linen, 88 x 68 in (223.5 x 172.7 cm). Courtesy the artist and Anton Kern Gallery, New York / © Aliza Nisenbaum. https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/ak-15811_NIS_AOTU-Brixton-Station.jpg Aliza Nisenbaum. London Underground: Brixton Station and Victoria Line Staff, 2019. Oil on polyester, 74 3/4 x 142 1/8 in (190 x 361 cm). Courtesy the artist and Art on the Underground, London; Anton Kern Gallery, New York / © Aliza Nisenbaum. https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/ak-18945_NIS_Sunflowers-and-Alex-(one-of-the-new-flower-diptychs.-LA-flower-one-of-her-former-students.jpg Aliza Nisenbaum. Sunflowers & Alex, 2020. Gouache and watercolour on paper, paper dimensions (each): 30 x 22 in (76.2 x 55.9 cm). Courtesy the artist and Anton Kern Gallery, New York / © Aliza Nisenbaum. https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/ak-17161_NIS_Jenna,-Friday-Night-in-Brooklyn.jpg Aliza Nisenbaum. Jenna, Friday Night in Brooklyn, 2019. Oil on canvas, 64 x 57 in (162.6 x 144.8 cm). Courtesy the artist and Anton Kern Gallery, New York / © Aliza Nisenbaum. https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/AK-17423_NIS_Tumbao-de-Omambo.jpg Aliza Nisenbaum. Tumbao de Omambo, 2020. Oil on canvas, 57 x 63 in (144.8 x 160 cm). Courtesy the artist and Anton Kern Gallery, New York / © Aliza Nisenbaum. https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/AlizaColumbiaPortrait-copy.jpg Aliza Nisenbaum. https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/ak-18943_NIS_Angel,Study-and-Succulents.jpg Aliza Nisenbaum. Angel, Study and Succulents. Courtesy the artist and Anton Kern Gallery, New York / © Aliza Nisenbaum. https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/ak-18944_NIS_James-and-Nasturtium.jpg Aliza Nisenbaum. James and Nasturtium. Courtesy the artist and Anton Kern Gallery, New York / © Aliza Nisenbaum. https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/ak-18947_NIS_Atanacio,-StudyandCactus,-LA-Walk.jpg Aliza Nisenbaum. Atanacio, Study and Cactus, LA Walk. Courtesy the artist and Anton Kern Gallery, New York / © Aliza Nisenbaum. https://www.studiointernational.com/images/articles/n/080-aliza-nisenbaum-2020/ak-18943_NIS_Bougainvillea-and-Iris.jpg Aliza Nisenbaum. Bougainvillea and Iris. Courtesy the artist and Anton Kern Gallery, New York / © Aliza Nisenbaum. https://www.studiointernational.com/index.php/bodily-objects-review-arusha-gallery-edinburgh-helen-chadwick-rose-english-judy-chicago-renate-bertlmann https://www.studiointernational.com/images/articles/b/035-bodily-objects-2020/Helen-Almeida,-Pintura-Habitada-Inhabited-Painting,-1976_2015.jpg Helena Almeida. Pintura Habitada (Inhabited Painting), 1976/2015. Silkscreeen on paper, 50 x 70 cm. Copyright the estate of the artist. Courtesy of Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/035-bodily-objects-2020/Carolee-Schneemann,-Ice-Naked-Skating-(detail-3),-1972_1988.jpg Carolee Schneemann. Ice Naked Skating, 1972/1988. One of six photo-lithographs, 100 x 70 cm. Copyright the estate of the artist. Courtesy of Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/035-bodily-objects-2020/Rose-English,-Rose-and-Athene,-1974.jpg Rose English. Rose and Athene, 1974. Black and white photograph, 18.5 x 24.6 cm. Copyright the artist. Courtesy of Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/035-bodily-objects-2020/Judy-CHICAGO,-Red-Flag,1971.jpg Judy Chicago. Red Flag, 1971. Photo lithograph, 42 x 52 cm. Copyright the artist. Courtesy of Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/035-bodily-objects-2020/Renate-BERTLMANN,-Venice-Rose,-2019.jpg Renate Bergmann. Venice Rose, 2019. Three handblown glass roses with metal blades, height of each rose with blade: 30 cm (approx). Copyright the artist. Courtesy of Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/b/035-bodily-objects-2020/Rose-ENGLISH,-Rose-on-Horseback-with-Tail,-1974_2012.jpg Rose English. Quadrille, 1975/2013. Colour, silent DVD of performance in Southampton, England, 1975, in a fitted pink box, duration 10min 57sec. Copyright the artist. Courtesy of Richard Saltoun Gallery. https://www.studiointernational.com/index.php/22nd-biennale-of-sydney-nirin-2020-review-brook-andrew-indigenous-australia https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/mahama-Cockatoo-0873.jpg Ibrahim Mahama, No Friend but the Mountains 2012-2020, 2020. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Commissioned by the Biennale of Sydney with generous support from Anonymous, and assistance from White Cube. Courtesy the artist; Apalazzo Gallery, Brescia and White Cube, London / Hong Kong. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/dickens-AGNSW-0193.jpg Karla Dickens, A Dickensian Circus, 2020. Installation view for the 22nd Biennale of Sydney (2020), Art Gallery of New South Wales. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts, Copyright Agency’s Cultural Fund, Create NSW, and generous assistance from Justine and Damian Roche. Courtesy the artist & Andrew Baker Art Dealer, Brisbane. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/CIS22REI_AR_5149_AJR2990.jpg Lisa Reihana, Nomads of the Sea, 2019. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Originally co-commissioned by Sharjah Art Foundation and Creative New Zealand, Nga Aho Whakaari, Te Taura Whiri Maori Language Commission and Jan Warburton Charitable Trust. Co-produced by Artprojects and Reihanamations Ltd. Presented at the 22nd Biennale of Sydney with generous support from Creative New Zealand and Penelope Seidler AM. Courtesy the artist and Gallery Sally Dan-Cuthbert, Sydney. Photograph: Alex Robinson. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/CIS22ALB_ZW_5745_15-130320-AGNSW-Cockatoo--0798.jpg Tony Albert, Healing Land, Remembering Country, 2020. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts and Create NSW, and generous assistance from the Medich Foundation. Courtesy the artist and Sullivan+Strumpf, Sydney. Hand woven baskets by: Bula’Bula Arts – Evonne Munuyngu; Gapuwiyak Culture and Arts – Dolly Dhimburra Bidingal, Joyce Milpuna Bidingal, Mary Dhapalany, Mavis Marrkula Djuliping, Linda Gagati, Caroline Gulmindilly, Kathy Guyula, Helen Djaypila Guyula, Meredith Marika; Numbulwar Numburindi Arts – Nicola Wilfred; Tjanpi Desert Weavers – Munatji Brumby, Maureen Cullinan, Niningka Lewis, Puna Yanima. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/dickens-AGNSW-0155.jpg Karla Dickens, A Dickensian Circus, 2020. Installation view for the 22nd Biennale of Sydney (2020), Art Gallery of New South Wales. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts, Copyright Agency’s Cultural Fund, Create NSW, and generous assistance from Justine and Damian Roche. Courtesy the artist & Andrew Baker Art Dealer, Brisbane. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/CIS22REI_AR_5149_AJR3262.jpg Lisa Reihana, Nomads of the Sea, 2019. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Originally co-commissioned by Sharjah Art Foundation and Creative New Zealand, Nga Aho Whakaari, Te Taura Whiri Maori Language Commission and Jan Warburton Charitable Trust. Co-produced by Artprojects and Reihanamations Ltd. Presented at the 22nd Biennale of Sydney with generous support from Creative New Zealand and Penelope Seidler AM. Courtesy the artist and Gallery Sally Dan-Cuthbert, Sydney. Photograph: Alex Robinson. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/CIS22REI_AR_5149_AJR3360.jpg Lisa Reihana, Nomads of the Sea, 2019. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Originally co-commissioned by Sharjah Art Foundation and Creative New Zealand, Nga Aho Whakaari, Te Taura Whiri Maori Language Commission and Jan Warburton Charitable Trust. Co-produced by Artprojects and Reihanamations Ltd. Presented at the 22nd Biennale of Sydney with generous support from Creative New Zealand and Penelope Seidler AM. Courtesy the artist and Gallery Sally Dan-Cuthbert, Sydney. Photograph: Alex Robinson. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/mahama-Cockatoo-0775.jpg Ibrahim Mahama, No Friend but the Mountains 2012-2020, 2020. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Commissioned by the Biennale of Sydney with generous support from Anonymous, and assistance from White Cube. Courtesy the artist; Apalazzo Gallery, Brescia and White Cube, London / Hong Kong. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/CIS22ALB_ZW_5745_8-050320-CockatooIsland-028.jpg Tony Albert, Healing Land, Remembering Country, 2020. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts and Create NSW, and generous assistance from the Medich Foundation. Courtesy the artist and Sullivan+Strumpf, Sydney. Hand woven baskets by: Bula’Bula Arts – Evonne Munuyngu; Gapuwiyak Culture and Arts – Dolly Dhimburra Bidingal, Joyce Milpuna Bidingal, Mary Dhapalany, Mavis Marrkula Djuliping, Linda Gagati, Caroline Gulmindilly, Kathy Guyula, Helen Djaypila Guyula, Meredith Marika; Numbulwar Numburindi Arts – Nicola Wilfred; Tjanpi Desert Weavers – Munatji Brumby, Maureen Cullinan, Niningka Lewis, Puna Yanima. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/mahama-Cockatoo-0904.jpg Ibrahim Mahama, No Friend but the Mountains 2012-2020, 2020. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Commissioned by the Biennale of Sydney with generous support from Anonymous, and assistance from White Cube. Courtesy the artist; Apalazzo Gallery, Brescia and White Cube, London / Hong Kong. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/mahama-Cockatoo-0743-2.jpg Ibrahim Mahama, No Friend but the Mountains 2012-2020, 2020. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Commissioned by the Biennale of Sydney with generous support from Anonymous, and assistance from White Cube. Courtesy the artist; Apalazzo Gallery, Brescia and White Cube, London / Hong Kong. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/dickens-AGNSW-0175.jpg Karla Dickens, A Dickensian Circus, 2020. Installation view for the 22nd Biennale of Sydney (2020), Art Gallery of New South Wales. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts, Copyright Agency’s Cultural Fund, Create NSW, and generous assistance from Justine and Damian Roche. Courtesy the artist & Andrew Baker Art Dealer, Brisbane. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/dickens-AGNSW-0181.jpg Karla Dickens, A Dickensian Circus, 2020. Installation view for the 22nd Biennale of Sydney (2020), Art Gallery of New South Wales. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts, Copyright Agency’s Cultural Fund, Create NSW, and generous assistance from Justine and Damian Roche. Courtesy the artist & Andrew Baker Art Dealer, Brisbane. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/dickens-AGNSW-0213.jpg Karla Dickens, A Dickensian Circus, 2020. Installation view for the 22nd Biennale of Sydney (2020), Art Gallery of New South Wales. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts, Copyright Agency’s Cultural Fund, Create NSW, and generous assistance from Justine and Damian Roche. Courtesy the artist & Andrew Baker Art Dealer, Brisbane. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/dickens-AGNSW-0215.jpg Karla Dickens, A Dickensian Circus, 2020. Installation view for the 22nd Biennale of Sydney (2020), Art Gallery of New South Wales. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts, Copyright Agency’s Cultural Fund, Create NSW, and generous assistance from Justine and Damian Roche. Courtesy the artist & Andrew Baker Art Dealer, Brisbane. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/dickens-AGNSW-0216.jpg Karla Dickens, A Dickensian Circus, 2020. Installation view for the 22nd Biennale of Sydney (2020), Art Gallery of New South Wales. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts, Copyright Agency’s Cultural Fund, Create NSW, and generous assistance from Justine and Damian Roche. Courtesy the artist & Andrew Baker Art Dealer, Brisbane. Photograph: Zan Wimberley. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/CIS22REI_AR_5149_AJR3018.jpg Lisa Reihana, Nomads of the Sea, 2019. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Originally co-commissioned by Sharjah Art Foundation and Creative New Zealand, Nga Aho Whakaari, Te Taura Whiri Maori Language Commission and Jan Warburton Charitable Trust. Co-produced by Artprojects and Reihanamations Ltd. Presented at the 22nd Biennale of Sydney with generous support from Creative New Zealand and Penelope Seidler AM. Courtesy the artist and Gallery Sally Dan-Cuthbert, Sydney. Photograph: Alex Robinson. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/CIS22REI_AR_5149_AJR3137.jpg Lisa Reihana, Nomads of the Sea, 2019. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Originally co-commissioned by Sharjah Art Foundation and Creative New Zealand, Nga Aho Whakaari, Te Taura Whiri Maori Language Commission and Jan Warburton Charitable Trust. Co-produced by Artprojects and Reihanamations Ltd. Presented at the 22nd Biennale of Sydney with generous support from Creative New Zealand and Penelope Seidler AM. Courtesy the artist and Gallery Sally Dan-Cuthbert, Sydney. Photograph: Alex Robinson. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/CIS22REI_AR_5149_AJR3517.jpg Lisa Reihana, Nomads of the Sea, 2019. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Originally co-commissioned by Sharjah Art Foundation and Creative New Zealand, Nga Aho Whakaari, Te Taura Whiri Maori Language Commission and Jan Warburton Charitable Trust. Co-produced by Artprojects and Reihanamations Ltd. Presented at the 22nd Biennale of Sydney with generous support from Creative New Zealand and Penelope Seidler AM. Courtesy the artist and Gallery Sally Dan-Cuthbert, Sydney. Photograph: Alex Robinson. https://www.studiointernational.com/images/articles/s/038-sydney-biennale-2020/CIS22ALB_ZW_5745_8-050320-CockatooIsland-038.jpg Tony Albert, Healing Land, Remembering Country, 2020. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts and Create NSW, and generous assistance from the Medich Foundation. Courtesy the artist and Sullivan+Strumpf, Sydney. Hand woven baskets by: Bula’Bula Arts – Evonne Munuyngu; Gapuwiyak Culture and Arts – Dolly Dhimburra Bidingal, Joyce Milpuna Bidingal, Mary Dhapalany, Mavis Marrkula Djuliping, Linda Gagati, Caroline Gulmindilly, Kathy Guyula, Helen Djaypila Guyula, Meredith Marika; Numbulwar Numburindi Arts – Nicola Wilfred; Tjanpi Desert Weavers – Munatji Brumby, Maureen Cullinan, Niningka Lewis, Puna Yanima. Photograph: Zan Wimberley. https://www.studiointernational.com/index.php/pat-steir-interview https://www.studiointernational.com/images/articles/s/037-steir-pat-2020/PatSteir-in-her-studio-Molly_Davies.jpg Pat Steir working in her studio. Photo: Molly Davies. https://www.studiointernational.com/images/articles/s/037-steir-pat-2020/Pat_painting_Lila_Judith-4.jpg Pat Steir working in her studio on Lila Judith, 2016–17. Photo courtesy Pat Steir and Veronica Gonzalez Peña. https://www.studiointernational.com/images/articles/s/037-steir-pat-2020/Pat-at-Rothkos-grave.jpg Pat Steir at Rothko’s grave. Photo courtesy Pat Steir and Veronica Gonzalez Peña. https://www.studiointernational.com/images/articles/s/037-steir-pat-2020/Pat-and-Lila_Judith-in-her-studio.jpg Pat Steir standing in front of Lila Judith, 2016–17. Photo courtesy Pat Steir and Veronica Gonzalez Peña. https://www.studiointernational.com/images/articles/s/037-steir-pat-2020/Pat_painting_Lila_Judith.jpg Pat Steir working in her studio on Lila Judith, 2016–17. Photo courtesy Pat Steir and Veronica Gonzalez Peña. https://www.studiointernational.com/images/articles/s/037-steir-pat-2020/PatSteir-in-her-studio-Still006.jpg Pat Steir working in her studio. Photo courtesy Pat Steir and Veronica Gonzalez Peña. https://www.studiointernational.com/index.php/bill-brandt-henry-moore-book-review-hepworth-wakefield https://www.studiointernational.com/images/articles/b/036-brandt-and-moore-2020/Henry-Moore,-Sleeping-Shelterers-Two-Women-and-a-Child,-1940.jpg Henry Moore, Sleeping Shelterers: Two Women and a Child, 1940, ink and watercolour on paper, Sainsbury Centre for Visual Arts, University of East Anglia, United Kingdom, photo by Marcus Leith, © The Henry Moore Foundation, UK. https://www.studiointernational.com/images/articles/b/036-brandt-and-moore-2020/Bill-Brandt,-Nude,-Baie-des-Ange,-1959.jpg Bill Brandt, Nude, Baie des Ange, 1959, Bill Brandt Archive Ltd., London, © Bill Brandt/Bill Brandt Archive Ltd. https://www.studiointernational.com/images/articles/b/036-brandt-and-moore-2020/Henry-Moore,-Family-Group,-1944.jpg Henry Moore, Family Group, 1944, pencil, wax crayon, charcoal, wash on paper, Sainsbury Centre for Visual Arts, University of East Anglia, United Kingdom, photo by Marcus Leith, © The Henry Moore Foundation, UK. https://www.studiointernational.com/images/articles/b/036-brandt-and-moore-2020/Bill-Brandt,-East-Sussex,-1963.jpg Bill Brandt, East Sussex, 1963, colour transparency, Bill Brandt Archive Ltd., © Bill Brandt/Bill Brandt Archive Ltd. https://www.studiointernational.com/images/articles/b/036-brandt-and-moore-2020/Contact-sheet-for-details-of-Auguste-Rodins-Walking-Man.jpg Contact sheet for details of Auguste Rodin’s Walking Man (1877–78) photographed by Henry Moore, 1967, © The Henry Moore Foundation, UK. https://www.studiointernational.com/images/articles/b/036-brandt-and-moore-2020/Henry-Moore,-Sculpture-and-Red-Rocks,-1942.jpg Henry Moore, Sculpture and Red Rocks, 1942, pencil, charcoal, wax crayon, wash, pen and ink on paper, The Museum of Modern Art, New York, © The Henry Moore Foundation, UK, digital image © The Museum of Modern Art/Licensed by SCALA/Art Resource, New York. https://www.studiointernational.com/images/articles/b/036-brandt-and-moore-2020/Where-Stands-Britain-Picture-Post,-April-19,-1947.jpg “Where Stands Britain?,” Picture Post, April 19, 1947, cover, Yale Center for British Art, Friends of British Art, original copyright: Picture Post, text © 2019 Reach PLC, © Bill Brandt/Bill Brandt Archive Ltd. https://www.studiointernational.com/index.php/li-qing-east-of-eden-review-eigen-art-berlin https://www.studiointernational.com/images/articles/l/061-li-qing-2020/DSC0554_v0,5.jpg Li Qing, East of Eden, installation view, Galerie Eigen + Art, Berlin, 2020. https://www.studiointernational.com/images/articles/l/061-li-qing-2020/DSC0593_v3.jpg Li Qing, East of Eden, installation view, Galerie Eigen + Art, Berlin, 2020. https://www.studiointernational.com/images/articles/l/061-li-qing-2020/DSC0571_v1.jpg Li Qing, East of Eden, installation view, Galerie Eigen + Art, Berlin, 2020. https://www.studiointernational.com/images/articles/l/061-li-qing-2020/DSC0548_v_2.jpg Li Qing, East of Eden, installation view, Galerie Eigen + Art, Berlin, 2020. https://www.studiointernational.com/images/articles/l/061-li-qing-2020/DSC0548_v_2-2.jpg Li Qing, East of Eden, installation view, Galerie Eigen + Art, Berlin, 2020. https://www.studiointernational.com/index.php/the-artist-in-time-a-generation-of-british-creatives-book-review-chris-fite-wassilak https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-FrankBowling-Web-2.jpg Frank Bowling. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-AnneTallentire-Web-2.jpg Anne Tallentire. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-RasheedAraeen-Web-2.jpg Rasheed Araeen. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-BisarkhaSarker-Web-5.jpg Bisakha Sarkar. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-DavidHurn-Web-2.jpg David Hurn. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-AnneTallentire-Web-5.jpg Anne Tallentire. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/artist-in-time-book-cover.jpg The Artist in Time: A Generation of Great British Creatives by Chris Fite-Wassilak is published by Herbert Press https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-AnneTallentire-Web-8.jpg Anne Tallentire. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-RasheedAraeen-Web-6.jpg Rasheed Araeen. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-RasheedAraeen-Web-7.jpg Rasheed Araeen. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-FrankBowling-Web-5.jpg Frank Bowling. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-FrankBowling-Web-7.jpg Frank Bowling. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-DavidHurn-Web-4.jpg David Hurn. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-DavidHurn-Web-7.jpg David Hurn. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-BisarkhaSarker-Web-6.jpg Bisakha Sarkar. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/a/051-artist-in-time-2020/TheArtistInTime-BisarkhaSarker-Web-8.jpg Bisakha Sarkar. The Artist in Time: A Generation of Great British Creatives. Photo: Ollie Harrop. https://www.studiointernational.com/index.php/gauguin-and-the-impressionists-review-royal-academy-london-ordrupgaard-collection https://www.studiointernational.com/images/articles/g/050-gauguin-2020/key-37.jpg Camille Corot, The Windmill, c. 1835-40. Oil on canvas, 25 x 39.5 cm. © Ordrupgaard, Copenhagen. Photo: Anders Sune Berg. Exhibition organised by Ordrupgaard, Copenhagen and the Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/050-gauguin-2020/key-24.jpg Claude Monet, Waterloo Bridge, Overcast, 1903. Oil on canvas, 65.5 x 100.5 cm. © Ordrupgaard, Copenhagen. Photo: Anders Sune Berg. Exhibition organised by Ordrupgaard, Copenhagen and the Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/050-gauguin-2020/key-17.jpg Camille Pissarro, Plum Trees in Blossom, Éragny, 1894. Oil on canvas, 60 x 73 cm. © Ordrupgaard, Copenhagen. Photo: Anders Sune Berg. Exhibition organised by Ordrupgaard, Copenhagen and the Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/050-gauguin-2020/key-6.jpg Alfred Sisley, Unloading Barges at Billancourt, 1877. Oil on canvas, 50 x 65 cm. © Ordrupgaard, Copenhagen.. Photo: Anders Sune Berg. Exhibition organised by Ordrupgaard, Copenhagen and the Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/050-gauguin-2020/key-13.jpg Berthe Morisot, Young Girl on the Grass (Mademoiselle Isabelle Lambert), 1885. Oil on canvas, 74 x 60 cm. © Ordrupgaard, Copenhagen. Photo: Anders Sune Berg. Exhibition organised by Ordrupgaard, Copenhagen and the Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/050-gauguin-2020/key-57.jpg Paul Gauguin, Portrait of a Young Girl, Vaïte (Jeanne) Goupil, 1896. Oil on canvas, 75 x 65 cm. © Ordrupgaard, Copenhagen. Photo: Anders Sune Berg. Exhibition organised by Ordrupgaard, Copenhagen and the Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/050-gauguin-2020/key-30.jpg Eva Gonzalès, The Convalescent. Portrait of a Woman in White, 1877-78. Oil and charcoal on canvas, 86 x 47.5 cm. © Ordrupgaard, Copenhagen. Photo: Anders Sune Berg. Exhibition organised by Ordrupgaard, Copenhagen and the Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/050-gauguin-2020/key-31.jpg Gustave Courbet, The Ruse, Roe Deer Hunting Episode (Franche-Comté), 1866. Oil on canvas, 97 x 130 cm © Ordrupgaard, Copenhagen. Photo: Anders Sune Berg. Exhibition organised by Ordrupgaard, Copenhagen and the Royal Academy of Arts. https://www.studiointernational.com/images/articles/g/050-gauguin-2020/key-49.jpg Paul Cézanne, Women Bathing, c. 1895. Oil on canvas, 47 x 77 cm. © Ordrupgaard, Copenhagen. Photo: Anders Sune Berg. Exhibition organised by Ordrupgaard, Copenhagen and the Royal Academy of Arts. https://www.studiointernational.com/index.php/natacha-nisic-interview-the-crown-letter-female-artists-international-participatory-project https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Esther-Shalev-Gerz,-Auciel-,-photography,-2020.jpg Esther Shalev-Gerz, Auciel, photography, 2020. https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Catalina-Swinburn,-the-music-is-not-in-the-notes,-but-in-the-silence-between,-video2020.jpg Catalina Swinburn, the music is not in the notes, but in the silence between, video, 3 min 57 sec. 2020. https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Natacha-Nisic,-Malakoff,-video.jpg Natacha Nisic, Malakoff, video, 54 sec. https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Ruth-Maclennan,-Cornhill,-video.jpg Ruth Maclennan, Cornhill, video, 3 min 51 sec. https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Luise-Schroder,-fear-etched-2020.jpg Luise Schröder, fear etched into our bodies, collage, 2020. https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Anne-Dubos,-gestures,-2020-.jpg Anne Dubos, Gestures, 2020. https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Mutsumi-Tsuda,-photography,-2020.jpg Mutsumi Tsuda, photography, 2020. https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Andrea-Blum,-Corona-Diary,-2020.jpg Andrea Blum, Corona Diary, 2020. https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Catherine-Radosa,-Off,-photography,-2020.jpg Catherine Radosa, Off, photography, 2020. https://www.studiointernational.com/images/articles/n/079-nisic-natacha-2020/Maricarmen-Merino,-Daydream,-video.jpg Maricarmen Merino, Daydream, video, 2 min 30 sec. https://www.studiointernational.com/index.php/yoko-ono-dream-together-wangechi-mutu-video-review-metropolitan-museum-of-art-new-york https://www.studiointernational.com/images/articles/y/097-yoko-ono-2020/20200821_100930.jpg Yoko Ono, DREAM TOGETHER, 2020, The Metropolitan Museum of Art, New York. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/y/097-yoko-ono-2020/_DSC6962.jpg Wangechi Mutu, The NewOnes, will free Us, 2019, installation view, The Metropolitan Museum of Art. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/y/097-yoko-ono-2020/Yoko-Ono-DREAM-TOGETHER,-2020,-Yoko-Ono-Photo-Anna-Marie-Kellen.jpg Yoko Ono, DREAM TOGETHER, 2020, installed at The Metropolitan Museum of Art © Yoko Ono. Image: The Metropolitan Museum of Art, Photo by Anna-Marie Kellen. https://www.studiointernational.com/images/articles/y/097-yoko-ono-2020/04b-Installation-view-of-The-Seated-III,-2019.jpg Installation view of The Seated III, 2019 for The Facade Commission: Wangechi Mutu, The NewOnes, will free Us, 2019. Courtesy of the Artist and Gladstone Gallery, New York and Brussels. The Metropolitan Museum of Art, Purchase, Women and the Critical Eye Gifts and Janet Lee Kadesky Ruttenberg Fund, in memory of William S. Lieberman, and in celebration of the Museum's 150th Anniversary, 2020. Image: The Metropolitan Museum of Art, Photo by Bruce Schwarz. https://www.studiointernational.com/images/articles/y/097-yoko-ono-2020/_DSC6971.jpg Wangechi Mutu, The NewOnes, will free Us, 2019, installation view, The Metropolitan Museum of Art. Photo: Miguel Benavides. https://www.studiointernational.com/index.php/kate-mieczkowska-interview-goddess-now-a-big-painting-is-like-a-duvet-it-wraps-round-you https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Chicken-and-Chips-on-a-Friday-Night-2019.jpg Kate Mieczkowska, Chicken and Chips on a Friday Night, 2019. Oil on canvas 80 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Unveiling-the-Caught-Installation-with-paintings-and-security-fences-MA-degree-show-2018.jpg Kate Mieczkowska, Unveiling the Caught. Installation with paintings and security fences. MA degree show 2018. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Home-2020.jpg Kate Mieczkowska, Home, 2020. Oil on canvas, 244 x 183 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Jack-2018.jpg Kate Mieczkowska, Jack, 2018. Oil on canvas, 244 x 183 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-King-2018.jpg Kate Mieczkowska, King, 2018. Oil on canvas, 244 x 183 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Revolution-2020.jpg Kate Mieczkowska, Revolution, 2020. Oil on canvas, 244 x 183 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Monument-2020.jpg Kate Mieczkowska, Monument, 2020. Cast resin 60 x 30 x 30 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Marguerite-Horner,-Escape,-2006.jpg Marguerite Horner, Escape, 2006. Charcoal on paper. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Aida-Murad,-Trust-the-Process,-2020.jpg Aida Murad, Trust the Process, 2020. Acrylic on canvas. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Mother-after-the-old-bag-2008.jpg Kate Mieczkowska, Mother – after the old bag, 2008. Oil on canvas. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Performance-2019.jpg Kate Mieczkowska, Performance, 2019. Oil on canvas 30 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska,-Fallen-Women,-remnants-of-an-interior-design-project-2020.jpg Kate Mieczkowska, Fallen Women, remnants of an interior design project, 2020. Oil on canvas, 30 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Experimental-Woman-2020.jpg Kate Mieczkowska, Experimental Woman, 2020. Oil on canvas, 30 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Over-the-Pond-2020.jpg Kate Mieczkowska, Over the Pond, 2020. Oil on canvas, 244 x 183 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Queen-2018.jpg Kate Mieczkowska, Queen, 2018. Oil on canvas, 244 x 183 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Untitled-2020.jpg Kate Mieczkowska, Untitled, 2020. Oil on canvas, 30 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Untitled-Oil-Sketch-2020.jpg Kate Mieczkowska, Untitled oil sketch, 2020. 30 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Kate-Mieczkowska-Untitled-oil-sketch-2019.jpg Kate Mieczkowska, Untitled oil sketch, 2019. 30 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/m/042-mieczkowska-kate-2020/Ahlam-Al-Shedouky-Bentley-2018.jpg Ahlam Al Shedouky, Bentley, 2018. Acrylic on canvas. © the artist. https://www.studiointernational.com/index.php/heather-phillipson-interview-the-end-fourth-plinth-trafalgar-square-london https://www.studiointernational.com/images/articles/p/054-phillipson-heather-2020/the-end-photo-juliet-rix-2.jpg Heather Phillipson, THE END, Fourth Plinth, Trafalgar Square, London, 2020. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/p/054-phillipson-heather-2020/Heather-Phillipson,-THE-END-Photo-credit-David-Parry_PA-(3).jpg Heather Phillipson, THE END, Fourth Plinth, Trafalgar Square, London, 2020. Photo: David Parry PA. https://www.studiointernational.com/images/articles/p/054-phillipson-heather-2020/the-end-photo-juliet-rix-3.jpg Heather Phillipson, THE END, Fourth Plinth, Trafalgar Square, London, 2020. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/p/054-phillipson-heather-2020/06-Heather-Phillipson_Mesocosmic-Indoor-Overture_installation-view,-Martin-Gropius-Bau.jpg Heather Phillipson, Mesocosmic Indoor Overture, installation view at Martin Gropius Bau, Berlin, 2019. Image courtesy Matthias Voelzke and the artist. https://www.studiointernational.com/images/articles/p/054-phillipson-heather-2020/07-Heather-Phillipson_more-flinching_Whitechapel-Gallery,-2016-copy.jpg Heather Phillipson, more flinching, installation view at Whitechapel Gallery, London, 2016. Photograph by Tim Bowditch. Image courtesy the artist. https://www.studiointernational.com/images/articles/p/054-phillipson-heather-2020/fourth-plinth-live-feed.jpg Screenshot from the drone https://www.studiointernational.com/images/articles/p/054-phillipson-heather-2020/02-Heather-Phillipson_The-Age-of-Love_Jonty.jpg Heather Phillipson, The Age of Love, installation view at BALTIC Centre for Contemporary Art, Gateshead, 2018. Image courtesy Jonty Wilde and the artist. https://www.studiointernational.com/images/articles/p/054-phillipson-heather-2020/03-Heather-Phillipson,-Cyclonic-Palate-Cleanser.jpg Heather Phillipson, Cyclonic Palate-Cleanser, installation view at Sharjah Biennial, UAE, 2019. Image courtesy Sharjah Art Foundation and the artist. https://www.studiointernational.com/images/articles/p/054-phillipson-heather-2020/04-Heather-Phillipson_Cyclonic-Palate-Cleanser_2.jpg Heather Phillipson, Cyclonic Palate-Cleanser, 2019. Still from multi-screen video. Image courtesy the artist. https://www.studiointernational.com/index.php/christo-and-jeanne-claude-london-augmented-reality-mastaba-review-acute-art-app https://www.studiointernational.com/images/articles/c/033-christo-mastaba-2020/Christo_LondonMastabaAR_Serpentine-1.jpg Christo & Jeanne-Claude, still for The London Mastaba AR (Hyde Park), 2020. Courtesy of Acute Art. https://www.studiointernational.com/images/articles/c/033-christo-mastaba-2020/The-London-Mastaba-Serpentine-Lake-Hyde-Park-2018-c-Iwan-Baan---Long-shot.jpg Christo & Jeanne-Claude, aerial view, The London Mastaba, Serpentine Lake Hyde Park, London, 2018. Photo: © Iwan Baan https://www.studiointernational.com/images/articles/c/033-christo-mastaba-2020/Map---Viewing-Area.jpg The viewing point at the Serpentine Lake in Hyde Park to experience the Mastaba on your smartphone. https://www.studiointernational.com/images/articles/c/033-christo-mastaba-2020/Mastaba-road-crossing-JR.jpg AR Mastaba in Acute Art app, road crossing, London, 2020. Image: Juliet Rix. https://www.studiointernational.com/images/articles/c/033-christo-mastaba-2020/Mastaba-Hampstead-Heath--JR--(10).jpg AR Mastaba in Acute Art app, Hampstead Heath, London, 2020. Image: Juliet Rix. https://www.studiointernational.com/images/articles/c/033-christo-mastaba-2020/Mastaba---White-Stone-Pond--JR-(1).jpg AR Mastaba in Acute Art app, Whitestone Pond, Hampstead Heath, London, 2020. Image: Juliet Rix. https://www.studiointernational.com/images/articles/c/033-christo-mastaba-2020/Christo-Tim-Whitby-Getty-775178539TW007_Press_previe.jpg Christo in front of the London Mastaba, Hyde Park, London, 2018. Photo: Tim Whitby, Getty. https://www.studiointernational.com/images/articles/c/033-christo-mastaba-2020/Mastaba---come-on-inside-JR.jpg AR Mastaba in Acute Art app, Inside the Mastaba, 2020. Image: Juliet Rix. https://www.studiointernational.com/images/articles/c/033-christo-mastaba-2020/Mastaba-Hampstead-Heath--JR--(1).jpg AR Mastaba in Acute Art app, Hampstead Heath, London, 2020. Image: Juliet Rix. https://www.studiointernational.com/index.php/dress-code-are-you-playing-fashion-review-tokyo-opera-city-art-gallery https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Robe-a-la-Francaise.jpg Robe à la française, 1775-1779 (fabric 1750s-1760s). Collection of the Kyoto Costume Institute. Photo: Taishi Hirokawa https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Exhibition-vew-Venus-and-rags.jpg Exhibition view, Dress Code: Are You Playing Fashion? Left: Michelangelo Pistoletto, Venus of the Rags, 1967. Photo: Naoya Hatakeyama. https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Comme-des-Garcons-Homme-Plus.jpg Suit (jacket, skirt and shirt), Comme des Garçons, Homme Plus / Rei Kawakubo, 2009, Fall Winter. https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Gaga.jpg News From Nowhere (Gaga). Embroidery and drawing on magazine, gold leaf. Satoru Aoyama, 2016. https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Chanel-suit.jpg Day Ensemble, from left, Chanel / Karl Lagerfeld 2002; centre, Vetements / Demna Gvasalia, 2017; right, Chanel / Karl Lagerfeld, 1995. https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Photo-Notes-Fur.jpg Photo Notes, 21 March, 2006 (New York), Hans Eijkelboom. https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Comme-des-Garcons-Rei-Kawakubo.jpg Dress, Comme des Garçons / Rei Kawakubo, 2028, Spring Summer. https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Exhibition-view-of-suits.jpg Suits, exhibition view, Dress Code: Are You Playing Fashion? Photo: Naoya Hatakeyama. https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Latex-extravaganza.jpg Latex Extravaganza, 2018, Kyoichi Tsuzuki. https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Lily-Rose.jpg News From Nowhere (Lily-Rose), embroidery and drawing on magazine, gold leaf. Satoru Aoyama, 2016. https://www.studiointernational.com/images/articles/d/069-dress-code-2020/Photo-Notes-camfoulage.jpg Photo Notes, 27 November, 1997 (New York), Hans Eijkelboom. https://www.studiointernational.com/index.php/alberta-whittle-interview-no-one-can-find-barbados-on-the-map-that-level-of-inattention-galvanises-so-much-of-my-work https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/12-Holding-the-line-still.jpg Alberta Whittle, HOLDING THE LINE. Film still. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/11-Holding-the-line-still.jpg Alberta Whittle, HOLDING THE LINE. Film still. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/Alberta-Whittle,-Celestial-Mediations-II,-2017.jpg Alberta Whittle, Celestial Mediations II, 2017. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/business-as-usual-08.jpg Alberta Whittle, business as usual : hostile environment, 2020. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/business-as-usual-09.jpg Alberta Whittle, business as usual : hostile environment, 2020. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/01-Amazing-Grace-(2020)-collage-series.jpg Alberta Whittle, Amazing Grace, collage series, 2020. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/business-as-usual-05.jpg Alberta Whittle, business as usual : hostile environment, 2020. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/13-Holding-the-line.jpg Alberta Whittle, HOLDING THE LINE. Film still. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/between-a-whisper.jpg Alberta Whittle, between a whisper and a cry, 2019. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/between-a-whisper-and-a-cry-3.jpg Alberta Whittle, between a whisper and a cry, 2019. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/02-Amazing-Grace-(2020)-collage-series.jpg Alberta Whittle, Amazing Grace, collage series, 2020. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/08-Mammmmmmywata-presents.jpg Alberta Whittle, Mammmmmmmmywata Presents Life Solutions International, 2016. Film still. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/13-Mammmmmmywata-presents.jpg Alberta Whittle, Mammmmmmmmywata Presents Life Solutions International, 2016. Film still. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/06-Mammmmmmywata-presents.jpg Alberta Whittle, Mammmmmmmmywata Presents Life Solutions International, 2016. Film still. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/10-Holding-the-line-still.jpg Alberta Whittle, HOLDING THE LINE. Film still. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/business-as-usual-01.jpg Alberta Whittle, business as usual : hostile environment, 2020. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/business-as-usual-04.jpg Alberta Whittle, business as usual : hostile environment, 2020. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/between-a-whisper-2.jpg Alberta Whittle, between a whisper and a cry, 2019. © the artist. https://www.studiointernational.com/images/articles/w/060-whittle-alberta-2020/01-AWhittle-phot-Matthew-A-Williams-2019.jpg Alberta Whittle. Photo: Matthew A Williams, 2019. https://www.studiointernational.com/index.php/art-in-the-time-of-the-pandemic-outdoor-installations-new-york-united-states-covid-19-coronavirus https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/blm-ny-2020.jpg Black Lives Matter Street Mural, Centre Street, NYC. Organized by Percent for Art Program, NYC Department of Cultural Affairs. Photo: Courtesy Nightnurse. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/Chitra-Ganesh-photo-Lilly-Wei.jpg Chitra Ganesh, Urgency, 2020. Jackson Avenue and Thomson Avenue, Long Island City, NY. Photo: Lilly Wei. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/boards.jpg SoHo Plywood Wall Murals. Photo: Hannah Alderfer, from her upcoming book, Watch Them. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/flags.jpg Rockefeller Center Flag Project. Courtesy Rockefeller Center. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/field-of-sunflowers.jpg Field of Sunflower, Franklin Delano Roosevelt Four Freedoms State Park, Roosevelt Island. Photo courtesy Four Freedoms Park Conservancy. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/brick-house.jpg Simon Leigh, Brick House, 2019. High Line Plinth Commission. Photo: Timothy Schenck, courtesy High Line. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/KO_MidnightMoment_Canyon50.jpg Times Square Midnight Moment: Kambui Olujimi, In Your Absence the Skies Are All the Same, 2020. Photo: Tatyana Tenenbaum, Courtesy Times Square Arts. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/Jean-Marie-Apprious-The-Horses-Appriou-0157.jpg Jean-Marie Appriou, The Horses, 2019. Cast aluminum, courtesy of the artist and CLEARING, New York/Brussels; Galerie Eva Presenhuber, Zürich/New York. Presented by Public Art Fund, Doris C. Freedman Plaza, Central Park, Sep 11, 2019 - Aug 30, 2020. Photo: Nicholas Knight, Courtesy of Public Art Fund, NY. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/Appriou-0327.jpg Jean-Marie Appriou, The Horses, 2019. Cast aluminum, courtesy of the artist and CLEARING, New York/Brussels; Galerie Eva Presenhuber, Zürich/New York. Presented by Public Art Fund, Doris C. Freedman Plaza, Central Park, Sep 11, 2019 - Aug 30, 2020. Photo: Nicholas Knight, Courtesy of Public Art Fund, NY. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/Jean-Shin_Floating-Maize_2020-Press-Photos-RAW-0863-(c)-Ryan-Muir_P.jpg Jean Shin, Floating MAIzE, 2020. Winter Garden, Brookfield Place. Photo: Ryan Muir. https://www.studiointernational.com/images/articles/y/097-yoko-ono-2020/_DSC6962.jpg Wangechi Mutu, The NewOnes, will free Us, 2019, installation view, The Metropolitan Museum of Art. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/Hope-Wanted-4---Photo-credit-Phillip-Van-Nostrand.jpg Hope Wanted: New York City under Quarantine. New York Historical Society. Photo: Phillip van Nostrand. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/DavinaSemo-3803.jpg Davina Semo, Reverberation, 2020. Patinated cast bronze bell, UV protected 2-stage catalyzed urethane automotive finish, galvanized steel chain and hardware, clapper. Presented by Public Art Fund at Brooklyn Bridge Park Pier 1, 20 August 2020 – 18 April 2021. Courtesy the artist and Jessica Silverman, San Francisco. Photo: Nicholas Knight, Courtesy of Public Art Fund, NY. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/Faustine.jpg Nona Faustine, In Praise of Famous Men No More, 2020. Courtesy the Artist and Socrates Sculpture Park. Photo: Chris Zirbes. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/gibson.jpg Jeffrey Gibson, Because Once You Enter My House It Becomes Our House, 2020. Photo: Courtesy of the artist and Socrates Sculpture Park. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/IMG_1004.jpg Paul Ramírez Jonas, Eternal Flame, 2020. Photo: Lilly Wei. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/IMG_0999.jpg Xaviera Simmons, The structure the labor the foundation the escape the pause, 2020. Photo: Lilly Wei. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/Appriou-0292.jpg Jean-Marie Appriou, The Horses, 2019. Cast aluminum, courtesy of the artist and CLEARING, New York/Brussels; Galerie Eva Presenhuber, Zürich/New York. Presented by Public Art Fund, Doris C. Freedman Plaza, Central Park, Sep 11, 2019 - Aug 30, 2020. Photo: Nicholas Knight, Courtesy of Public Art Fund, NY. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/DavinaSemo-5136.jpg Davina Semo, Reverberation, 2020. Patinated cast bronze bell, UV protected 2-stage catalyzed urethane automotive finish, galvanized steel chain and hardware, clapper. Presented by Public Art Fund at Brooklyn Bridge Park Pier 1, 20 August 2020 – 18 April 2021. Courtesy the artist and Jessica Silverman, San Francisco. Photo: Nicholas Knight, Courtesy of Public Art Fund, NY. https://www.studiointernational.com/images/articles/a/050-art-in-pandemic-ny-2020/Hope-Wanted-17---Photo-credit-Phillip-Van-Nostrand.jpg Hope Wanted: New York City under Quarantine. New York Historical Society. Photo: Phillip van Nostrand. https://www.studiointernational.com/index.php/emma-critchley-interview-being-underwater-where-everything-completely-shifts-interests-me https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/EarthWaterSky_1.jpg Emma Critchley, Earth Water Sky residency programme, filming at the world’s deepest swimming pool, called Y-40, in Padua, Italy. © the artist. https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/Reflection.jpg Emma Critchley, Reflection, 2011, Still from HD Projection Video. Courtesy the artist. https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/DoYouKnowNothing-_Room.jpg Emma Critchley, Do You Know Nothing? Do You See Nothing? Do You Remember, Nothing?, 2018. Site-specific installation created for the exhibition At The Violet Hour at the Nayland Rock Hotel, Margate https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/DoYouKnowNothing-_Window.jpg Emma Critchley, Do You Know Nothing? Do You See Nothing? Do You Remember, Nothing?, 2018. Site-specific installation created for the exhibition At The Violet Hour at the Nayland Rock Hotel, Margate https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/CommonHeritage_EmmaCritchley_01.jpg Emma Critchley. Common Heritage, 2019. Film still. © the artist. https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/CommonHeritage_EmmaCritchley_04.jpg Emma Critchley. Common Heritage, 2019. Film still. © the artist. https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/TheSpaceBelow_EmmaLeePortrait.jpg Emma Critchley with Lee Berwick. The Space Below, 2020. Installation project, Greenwich foot tunnel, © the artist. https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/EarthWaterSky_3.jpg Emma Critchley, Earth Water Sky residency programme, filming at the world’s deepest swimming pool, called Y-40, in Padua, Italy. © the artist. https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/EarthWaterSky2.jpg Emma Critchley, Earth Water Sky residency programme, filming at the world’s deepest swimming pool, called Y-40, in Padua, Italy. © the artist. https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/TheSpaceBelow_GreenwichFootTunnel.jpg Emma Critchley with Lee Berwick. The Space Below, 2020. Installation project, Greenwich foot tunnel. © the artist. https://www.studiointernational.com/images/articles/c/032-critchley-emma-2020/Portrait_EmmaCritchley_2.jpg Emma Critchley. © the artist. https://www.studiointernational.com/index.php/jacqueline-poncelet-interview-now-and-then-new-art-centre-salisbury https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/1994_Carpet_photography-David-Ward.jpg Jacqueline Poncelet. Spread, 1994. Carpet, 245 x 328 cm. Arts Council Collection. Photo: David Ward. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/Wrapper-AOTU-Chapel-Street-Peter-White-photographer.jpg Jacqueline Poncelet. Wrapper work for Transport for London’s Art on the Underground, Chapel Street, near Edgware Road tube station. Photo: Peter White. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/2018-mass.jpg Jacqueline Poncelet. Mass, 2018. 40 x 40 cm. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/1995-Leaf-composite-oil-painting-with-fabric-and-photography.jpg Jacqueline Poncelet. Leaf, 1995. Composite oil painting with fabric and photography. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/1979-New-York-pot.jpg Jacqueline Poncelet. New York pot 1979. 30 x 20 cm. © the artist. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/The-Views-The-Marq-terrazzo-architects-Rolfe-Judd_2019.jpg The Views, The Marq terrazzo. Architects Rolfe Judd, 2019. Photo © Hufton+Crow. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/Enamel-notice-boards-Sunshine-House-(Child-development-unit).jpg Jacqueline Poncelet. Enamel notice boards for Sunshine House (Child development unit). https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/Wrapper-AOTU-own-photograph.jpg Jacqueline Poncelet. Wrapper work for Transport for London’s Art on the Underground, Chapel Street, near Edgware Road tube station. Photo: the artist. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/gilded-window-revels.jpg Jacqueline Poncelet. Gilded window reveals, London. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/Bryn-Ogwr-exhibition-with-Anthony-Stokes-Poncelet-watercolours-Stokes-Photographs.jpg Jacqueline Poncelet. Watercolours. Bryn Ogwr exhibition with Anthony Stokes. Photo: Anthony Stokes. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/2018-3-clay-twists.jpg Jacqueline Poncelet. Three clay twists, 2018. 50 cm long. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/1983__Ceramic_photographer-David-Ward.jpg Jacqueline Poncelet. Ceramic, 1983. Photo: David Ward. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/2016_shy-objects_cast-iron-and-wooden-table-with-formica-top-.jpg Jacqueline Poncelet. Shy objects, 2016. Cast iron and wooden table with formica top. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/bronze-gate.jpg Bronze gate, The Marq. Architects Rolfe Judd, 2019. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/Its-not-all-rock-and-roll-Browns-Cafe,-four-shutter-Cleethropes-out-door-gallery-project.jpg Jacqueline Poncelet. It's not all rock and roll, Browns Cafe. Four shutters, Cleethorpes out door gallery project. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/1995-5-objects-7-spaces-003.jpg Jacqueline Poncelet. 5 objects 7 spaces, 1995. Oil on canvas and fabric, 96 x 191 cm. https://www.studiointernational.com/images/articles/p/064-poncelet-jacqueline-2020/Wallpaper-Merry-go-round.jpg Jacqueline Poncelet. Merry-go-round. Wallpaper. https://www.studiointernational.com/index.php/hector-zamora-lattice-detour-review-canter-roof-garden-metropolitan-museum-of-art-new-york https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/Installation-view-of-Hector-Zamora-2.jpg Héctor Zamora, Lattice Detour, 2020. Installation view, The Roof Garden Commission, courtesy of the artist. The Metropolitan Museum of Art, Photo: Anna-Marie Kellen. https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/Installation-view-of-Hector-Zamora-7.jpg Héctor Zamora, Lattice Detour, 2020. Installation view, The Roof Garden Commission, courtesy of the artist. The Metropolitan Museum of Art, Photo: Anna-Marie Kellen. https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/Installation-view-of-Hector-Zamora-3.jpg Héctor Zamora, Lattice Detour, 2020. Installation view, The Roof Garden Commission, courtesy of the artist. The Metropolitan Museum of Art, Photo: Anna-Marie Kellen. https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/Installation-view-of-Hector-Zamora-4.jpg Héctor Zamora, Lattice Detour, 2020. Installation view, The Roof Garden Commission, courtesy of the artist. The Metropolitan Museum of Art, Photo: Anna-Marie Kellen. https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/hector-zamora-photo-lilly-wei-2.jpg Héctor Zamora, Lattice Detour, 2020 (detail). Photo: Lilly Wei. https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/Installation-view-of-Hector-Zamora-6.jpg Héctor Zamora, Lattice Detour, 2020. Installation view, The Roof Garden Commission, courtesy of the artist. The Metropolitan Museum of Art, Photo: Anna-Marie Kellen. https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/Installation-view-of-Hector-Zamora-1.jpg Héctor Zamora, Lattice Detour, 2020. Installation view, The Roof Garden Commission, courtesy of the artist. The Metropolitan Museum of Art, Photo: Anna-Marie Kellen. https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/Installation-view-of-Hector-Zamora-5.jpg Héctor Zamora, Lattice Detour, 2020. Installation view, The Roof Garden Commission, courtesy of the artist. The Metropolitan Museum of Art, Photo: Anna-Marie Kellen. https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/Installation-view-of-Hector-Zamora-8.jpg Héctor Zamora, Lattice Detour, 2020. Installation view, The Roof Garden Commission, courtesy of the artist. The Metropolitan Museum of Art, Photo: Anna-Marie Kellen. https://www.studiointernational.com/images/articles/z/096-zamora-hector-2020/hector-zamora-photo-lilly-wei.jpg Héctor Zamora, Lattice Detour, 2020 (detail). Photo: Lilly Wei. https://www.studiointernational.com/index.php/craig-gough-interview-improvisation-in-painting-is-a-lot-like-jazz-abstract-australia https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Blue-Space-3-2007.jpg Craig Gough. Blue Space 3, 2007. Acrylic on canvas, 183 x 274 cm. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Sandringham-111-1982.jpg Craig Gough. Sandringham 111, 1982. Acrylic on paper on canvas, 152 x 358 cm. National Gallery of Victoria collection. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Craig-Gough-Walmer-2.jpg Craig Gough. Walmer 2, 2006. Acrylic on canvas, 183 x 284 cm. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Sandringham-1982.jpg Craig Gough. Sandringham, 1982. Acrylic on paper on canvas, 152 x 358 cm. Curtin University, Perth WA collection. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Sandringham-No23-1983-4.jpg Craig Gough. Sandringham No 23, 1983-4. Acrylic on paper on canvas, 152 x 305 cm. Private collection. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Spatial-Red-2013.jpg Craig Gough. Spatial Red, 2013. Acrylic on canvas, 137 x 198 cm. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Rotunda--1982.jpg Craig Gough. Rotunda, 1982. Charcoal on paper, 56 x 76 cm. Private collection. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Primary-Garden-2006.jpg Craig Gough. Primary Garden, 2006. Arylic on canvas, 183 x 244 cm. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Arrangement-in-Blue-2004.jpg Craig Gough. Arrangement in Blue, 2004. Acrylic on linen, 152 x 198 cm. Private collection New York. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Structured-Field-2004.jpg Craig Gough. Structured Field, 2004. Acrylic on linen, 183 x 198 cm. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Dialogue-2014.jpg Craig Gough. Dialogue, 2014. Acrylic on linen, 91 x 107 cm. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Garden-Colour-Construct-2019.jpg Craig Gough. Garden Colour Construct, 2019. Acrylic on canvas, 152 x 167 cm. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Arrangement-in-Yellow-Ochre-2004.jpg Craig Gough. Arrangement in Yellow Ochre, 2004. Acrylic on canvas, 183 x 244 cm. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/Spatial-Green-2013.jpg Craig Gough. Spatial Green, 2013. Acrylic on canvas, 191 x 284 cm. © the artist. https://www.studiointernational.com/images/articles/g/069-gough-craig-2020/The-Esplanade,-St-Kilda-19895.jpg Craig Gough. The Esplanade, St Kilda, 1985. Charcoal on paper, 76 x 112 cm. Private collection. © the artist. https://www.studiointernational.com/index.php/toby-ziegler-the-sudden-longing-to-collapse-30-years-of-distance-review-simon-lee-gallery-london https://www.studiointernational.com/images/articles/z/094-ziegler-toby-2020/TZ_2020_Soft-ground_11652_P.jpg Toby Ziegler, Soft ground, 2020. Oil on aluminium, 225.5 x 145 x 3 cm (88 3/4 x 57 1/8 x 1 1/8 in). Image courtesy the artist and Simon Lee Gallery. Copyright of the artist. https://www.studiointernational.com/images/articles/z/094-ziegler-toby-2020/TZ_2020_Mother-figure_11667_P.jpg Toby Ziegler, Mother figure, 2020. Oil on aluminium, 180.35 x 150 x 3 cm (71 x 59 1/8 x 1 1/8 in). Image courtesy the artist and Simon Lee Gallery. Copyright of the artist. https://www.studiointernational.com/images/articles/z/094-ziegler-toby-2020/2020_TZ_Mutant-Algorithm_11692_still_E.jpg Toby Ziegler, Mutant algorithm, 2020. Video installation with sound, 5:34 mins, looped, dimensions variable. Image courtesy the artist and Simon Lee Gallery. Copyright of the artist. https://www.studiointernational.com/images/articles/z/094-ziegler-toby-2020/TZ_2020_The-evil-that-men-do_11462_P.jpg Toby Ziegler, The evil that men do, 2020. Oil on aluminium, 99.7 x 84.1 cm (39 1/4 x 33 1/8 in). Image courtesy the artist and Simon Lee Gallery. Copyright of the artist. https://www.studiointernational.com/images/articles/z/094-ziegler-toby-2020/TZ_2020_The-sudden-longing-to-collapse-30-years-of-distance_Simon-Lee-Gallery_Installation-view-8_P.jpg Toby Ziegler, The sudden longing to collapse 30 years of distance, installation view, Simon Lee Gallery, London. Courtesy of the artist and Simon Lee Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/z/094-ziegler-toby-2020/TZ_2020_The-sudden-longing-to-collapse-30-years-of-distance_Simon-Lee-Gallery_Installation-view-10_P.jpg Toby Ziegler, The sudden longing to collapse 30 years of distance, installation view, Simon Lee Gallery, London. Courtesy of the artist and Simon Lee Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/z/094-ziegler-toby-2020/TZ_2020_SOFT-GROUND_11666_P.jpg Toby Ziegler, SOFT GROUND, 2020. Paper on aluminium, 245 x 190.6 x 3 cm (96 1/2 x 75 1/8 x 1 1/8 in). Image courtesy the artist and Simon Lee Gallery. Copyright of the artist. https://www.studiointernational.com/images/articles/z/094-ziegler-toby-2020/TZ_2020_THE-EVIL-THAT-MEN-DO_11663_P.jpg Toby Ziegler, THE EVIL THAT MEN DO, 2020. Paper on aluminium, 176.7 x 243.5 x 3 cm (69 5/8 x 95 7/8 x 1 1/8 in). Image courtesy the artist and Simon Lee Gallery. Copyright of the artist. https://www.studiointernational.com/index.php/pamela-phatsimo-sunstrum-interview-battlecry-goodman-gallery-london https://www.studiointernational.com/images/articles/s/038-sunstrum-pp-2020/2020-PPSunstrum_Grandperes_Pencil-and-oil-on-canvas_166cm-x-144cm_01-(1).jpg Pamela Phatsimo Sunstrum. Grandpères, 2020. Pencil and oil on canvas, 166 x 144 cm. © the artist. https://www.studiointernational.com/images/articles/s/038-sunstrum-pp-2020/2020-PPSunstrum_The-Seven_Pencil-and-oil-on-wood-panel_183cm-x-244cm_01.jpg Pamela Phatsimo Sunstrum. The Seven, 2020. Pencil, oil and acrylic on wood panel, 183 x 244 cm. © the artist. https://www.studiointernational.com/images/articles/s/038-sunstrum-pp-2020/2020-PPSunstrum_The-Two-II_Pencil-and-oil-on-wood-panel_152cm-x-152cm_01.jpg Pamela Phatsimo Sunstrum. The Two I, 2020. Pencil, oil and acrylic on wood panel, 152 x 152 cm. © the artist. https://www.studiointernational.com/images/articles/s/038-sunstrum-pp-2020/2020-PPSunstrum_The-Knitter_Pencil-and-oil-on-wood-panel_122cm-x-91cm_01.jpg Pamela Phatsimo Sunstrum. The Knitter, 2020. Pencil, oil and acrylic on wood panel, 122 x 91 cm. © the artist. https://www.studiointernational.com/images/articles/s/038-sunstrum-pp-2020/2020-PPSunstrum_The-Two-I_Pencil-and-oil-on-wood-panel_152cm-x-152cm_01.jpg Pamela Phatsimo Sunstrum. The Two II, 2020. Pencil, oil and acrylic on wood panel, 152 x 152 cm. © the artist. https://www.studiointernational.com/index.php/cat-roissetter-english-filth-review-the-cob-gallery-london https://www.studiointernational.com/images/articles/r/068-roisseter-cat-2020/CAT-ROISSETTER,-Throb,-2020.jpg Cat Roissetter, Throb, 2020. Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper, 21 x 27 cm. © the artist. https://www.studiointernational.com/images/articles/r/068-roisseter-cat-2020/Cat-Roissetter-Kings-Maids-Dream-2020.jpg Cat Roissetter, King’s Maid’s Dream, 2020. Colour pencil, graphite, crayon, on olive oil primed paper, 29.7 x 42 cm. © the artist. https://www.studiointernational.com/images/articles/r/068-roisseter-cat-2020/Cat-Roissetter-Muster-I-2020.jpg Cat Roissetter, Muster I, 2020. Colour pencil, graphite, crayon, on olive oil primed paper, 90 X 64 cm. © the artist. https://www.studiointernational.com/images/articles/r/068-roisseter-cat-2020/Cat-Roissetter-Feast-2020.jpg Cat Roissetter, Feast, 2020. Colour pencil, graphite, crayon, on olive oil primed paper, 90 X 64 cm. © the artist. https://www.studiointernational.com/images/articles/r/068-roisseter-cat-2020/Cat-Roissetter-Slow-Poke-2020.jpg Cat Roissetter, Slow Poke, 2020. Colour pencil, graphite, crayon, on olive oil primed paper, 19.5 x 16.5 cm. © the artist. https://www.studiointernational.com/images/articles/r/068-roisseter-cat-2020/Cat-Roissetter,-One-Lover-Softly-2020.jpg Cat Roissetter, One Lover Softly, 2020. Colour pencil, graphite, crayon, on olive oil primed paper, 29.7 X 42 cm. © the artist. https://www.studiointernational.com/images/articles/r/068-roisseter-cat-2020/Cat-Roissetter-English-Filth-(10).jpg English Filth: Cat Roissetter, installation view, The Cob Gallery, London, 2020. https://www.studiointernational.com/index.php/ayako-suwa-taste-of-reminiscence-delicacies-from-nature-review-shiseido-gallery-ginza-tokyo-japan https://www.studiointernational.com/images/articles/s/036-shiseido-gallery-2020/Tasting-ritual-before-temporary-closure-of-the-gallery.jpg Ayako Suwa. Tasting ritual before the closure of the gallery due to the Covid-19 pandemic. © the artist. https://www.studiointernational.com/images/articles/s/036-shiseido-gallery-2020/Visitor-chosing-seal-vapor-of-her-choice.jpg Ayako Suwa. Visitor choosing a sealed vapour. Taste of Reminiscence, Delicacies from Nature, installation view, Shiseido Gallery, Ginza, Tokyo, 2020. https://www.studiointernational.com/images/articles/s/036-shiseido-gallery-2020/Visitor-listening-to-audio-guide-with-her-own-smartphone.jpg A visitor listening to the audio guide on her smartphone. Ayako Suwa: Taste of Reminiscence, Delicacies from Nature, installation view, Shiseido Gallery, Ginza, Tokyo, 2020. https://www.studiointernational.com/images/articles/s/036-shiseido-gallery-2020/Ritual-before-temporary-closure-of-the-gallery.jpg Ayako Suwa serving ‘delicacies of reminiscence’ for the ritual before the closure of the gallery due to the Covid-19 pandemic. © the artist. https://www.studiointernational.com/images/articles/s/036-shiseido-gallery-2020/Gallery-view-of-the-current-exhibition-with-swags-from-the-forest.jpg Ayako Suwa: Taste of Reminiscence, Delicacies from Nature, installation view, Shiseido Gallery, Ginza, Tokyo, 2020. https://www.studiointernational.com/images/articles/s/036-shiseido-gallery-2020/Swags-brought-in-from-forest-in-Yamanashi.jpg Swags brought in from forest in Yamanashi. Ayako Suwa: Taste of Reminiscence, Delicacies from Nature, installation view, Shiseido Gallery, Ginza, Tokyo, 2020. https://www.studiointernational.com/index.php/matisse-the-books-book-review-centre-pompidou-paris https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Jazz-Page-260-261-Henri-Matisse,1947.jpg Jazz title-page spread, From: Jazz by Henri Matisse, 1947, published by Tériade, Paris, unbound book with colour stencils on Arches paper and lithographed text, 42.5 x 33 x 3.5 cm. (Matisse: The Books by Louise Rogers Lalaurie, p260). Photo: Philadelphia Museum of Art. Purchased with the John D. McIlhenny Fund, 1948. Photo © Philadelphia Museum of Art. Artwork © Succession H. Matisse/DACS 2020. https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Florilege-Page-134-5,Florilege-des-Amours-de-Ronsard,-1948.jpg J’aime Marie, from: Florilège des Amours de Ronsard by Pierre de Ronsard, 1948, published by Albert Skira, Paris, unbound book with lithographs in sanguine on Arches wove paper; loose in wrappers, lithograph by Matisse on the cover with the title in black; chemise boards covered in white paper, spine covered in purple suede with the author https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Florilege-Page-104-5,-Florilege-des-Amours-de-Ronsard,-1948.jpg Florilège des Amours de Ronsard title-page spread, from: Florilège des Amours de Ronsard by Pierre de Ronsard, 1948, published by Albert Skira, Paris, unbound book with lithographs in sanguine on Arches wove paper; loose in wrappers, lithograph by Matisse on the cover with the title in black; chemise boards covered in white paper, spine covered in purple suede with the author https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Poems-Page-144-5,-Poemes-de-Charles-dOrleans,-1950.jpg Poèmes de Charles d’Orléans title-page spread, from Poèmes de Charles d’Orléans, by Charles d’Orléans, 1950, published by Tériade, Paris, colour lithograph on Arches paper, 41.4 x 27.8 cm. (Matisse: The Books by Louise Rogers Lalaurie, pp144-5). Photo: Harvard Art Museums/Fogg Museum. Gift of Mrs Howard J. Sachs in memory of Howard J. Sachs. Photo © President and Fellows of Harvard College. Artwork © Succession H. Matisse/DACS 2020. https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Pasiphae-Page-172-1944.jpg Pasiphaé: Chant de Minos cover, from Pasiphaé: Chant de Minos (Les Crétois), by Henry de Montherlant, 1944, published by Fabiani, Paris, unbound book with linoleum cuts on cream wove paper, 33.7 x 25.6 x 4 cm. (Matisse: The Books by Louise Rogers Lalaurie, p172). Photo: Toledo Museum of Art, Ohio. Gift of Molly and Walter Bareiss. Photo © Toledo Museum of Art. Artwork © Succession H. Matisse/DACS 2020 https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Pasiphae-Page-174-175-1944.jpg Pasiphaé: Chant de Minos title-page spread, from Pasiphaé: Chant de Minos (Les Crétois), by Henry de Montherlant, 1944, published by Fabiani, Paris, unbound book with linoleum cuts on cream wove paper, 33.7 x 25.6 x 4 cm. (Matisse: The Books by Louise Rogers Lalaurie, pp174-5). Photo: Toledo Museum of Art, Ohio. Gift of Molly and Walter Bareiss. Photo © Toledo Museum of Art. Artwork © Succession H. Matisse/DACS 2020 https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Jazz-Page-261-262-Henri-Matisse,-1947.jpg Jazz, From: Jazz by Henri Matisse, 1947, published by Tériade, Paris, unbound book with colour stencils on Arches paper and lithographed text, 42.5 x 33 x 3.5 cm. (Matisse: The Books by Louise Rogers Lalaurie, pp261-2). Photo: Philadelphia Museum of Art. Purchased with the John D. McIlhenny Fund, 1948. Photo © Philadelphia Museum of Art. Artwork © Succession H. Matisse/DACS 2020. https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Matisse-The-Books-jacket-.jpg Matisse: The Books by Louise Rogers Lalaurie. Publication by Thames & Hudson, 2020. https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Florilege-Page-106,-Florilege-des-Amours-de-Ronsard,-1948.jpg L’amour, l’amour, que ma maitresse est belle, from: Florilège des Amours de Ronsard by Pierre de Ronsard, 1948, published by Albert Skira, Paris, unbound book with lithographs in sanguine on Arches wove paper; loose in wrappers, lithograph by Matisse on the cover with the title in black; chemise boards covered in white paper, spine covered in purple suede with the author's name in purple on the spine; slipcase covered with white paper and decorated with a leaf motif (in blue), 38.5 × 29.3 × 4.4 cm. (Matisse: The Books by Louise Rogers Lalaurie, p106). Photo: Fine Arts Museums of San Francisco. Gift of the Reva and David Logan Foundation. Photos © Fine Arts Museums of San Francisco. Artwork © Succession H. Matisse/DACS 2020. https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Jazz-Page-282-283,-Henri-Matisse,1947.jpg Jazz, From: Jazz by Henri Matisse, 1947, published by Tériade, Paris, unbound book with colour stencils on Arches paper and lithographed text, 42.5 x 33 x 3.5 cm. (Matisse: The Books by Louise Rogers Lalaurie, pp282-3). Photo: Philadelphia Museum of Art. Purchased with the John D. McIlhenny Fund, 1948. Photo © Philadelphia Museum of Art. Artwork © Succession H. Matisse/DACS 2020. https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Pasiphae-Page-189-1944.jpg Pasiphaé, from Pasiphaé: Chant de Minos (Les Crétois), by Henry de Montherlant, 1944, published by Fabiani, Paris, unbound book with linoleum cuts on cream wove paper, 33.7 x 25.6 x 4 cm. (Matisse: The Books by Louise Rogers Lalaurie, p189). Photo: Toledo Museum of Art, Ohio. Gift of Molly and Walter Bareiss. Photo © Toledo Museum of Art. Artwork © Succession H. Matisse/DACS 2020 https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Poems-Page-142,-Poemes-de-Charles-dOrleans,-1950.jpg Poèmes de Charles d’Orléans front cover, from Poèmes de Charles d’Orléans, by Charles d’Orléans, 1950, published by Tériade, Paris, colour lithograph on Arches paper, 41.4 x 27.8 cm. (Matisse: The Books by Louise Rogers Lalaurie, p142). Photo: Harvard Art Museums/Fogg Museum. Gift of Mrs Howard J. Sachs in memory of Howard J. Sachs. Photo © President and Fellows of Harvard College. Artwork © Succession H. Matisse/DACS 2020. https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Poems-Page-162-3,-Poemes-de-Charles-dOrleans,-1950.jpg En la chambre de ma Pensée…, from Poèmes de Charles d’Orléans, by Charles d’Orléans, 1950, published by Tériade, Paris, colour lithograph on Arches paper, 41.4 x 27.8 cm. (Matisse: The Books by Louise Rogers Lalaurie, pp144-5). Photo: Harvard Art Museums/Fogg Museum. Gift of Mrs Howard J. Sachs in memory of Howard J. Sachs. Photo © President and Fellows of Harvard College. Artwork © Succession H. Matisse/DACS 2020. https://www.studiointernational.com/images/articles/m/041-matisse-the-books-2020/Poems-Page-170-1,-Poemes-de-Charles-dOrleans,-1950.jpg Celle que je sais nommer…, from Poèmes de Charles d’Orléans, by Charles d’Orléans, 1950, published by Tériade, Paris, colour lithograph on Arches paper, 41.4 x 27.8 cm. (Matisse: The Books by Louise Rogers Lalaurie, pp170-1). Photo: Harvard Art Museums/Fogg Museum. Gift of Mrs Howard J. Sachs in memory of Howard J. Sachs. Photo © President and Fellows of Harvard College. Artwork © Succession H. Matisse/DACS 2020. https://www.studiointernational.com/index.php/danh-vo-chicxulub-review-white-cube-bermondsey-london https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/GUL_0533.jpg Danh Vo studio. © the artist. Photo: Nick Ash. https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-(1).jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-(11).jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-(7).jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-(3).jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-flag.jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-(4).jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-(14).jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-(5).jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-(8).jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/Danh-Vo_Chicxulub_White-Cube-Bermondsey-(9).jpg Danh Vo. Chicxulub, 2020. Installation view, White Cube Bermondsey, 11 September - 2 November 2020. © the artist. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/GUL_0521.jpg Danh Vo studio. © the artist. Photo: Nick Ash. https://www.studiointernational.com/images/articles/v/083-vo-danh-2020/GUL_0532.jpg Danh Vo studio. © the artist. Photo: Nick Ash. https://www.studiointernational.com/index.php/alexandre-da-cunha-interview-my-work-is-about-combining-things-making-them-have-a-conversation-or-argument https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/2020_AdC_TDA11449_Coconut-Figure-III_1.jpg Alexandre da Cunha. Coconut Figure III, 2020. Basin, light bulb, tap, coconut, wiring, fittings, 80 x 81 x 20.5 cm (31 1/2 x 31 7/8 x 8 1/8 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/Mix,-2012-(19)-TDA_1112_-041.jpg Alexandre da Cunha. Mix, 2012. Concrete mixer, concrete. Installation view Monsoon Building, London. © Alexandre da Cunha. Courtesy the artist, Monsoon Art Collection, and Thomas Dane Gallery. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/TDA11684-(3).jpg Alexandre da Cunha. Ikebana (relief III), 2020. Hand drum, walking stick, brass scoop, coloured sand, 100 x 20.7 x 21.6 cm (39 3/8 x 8 1/8 x 8 1/2 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/daCunhaAlexandre_20150722_135.jpg Alexandre da Cunha. Figurehead, 2015. Installation view, MCA Chicago Plaza Project: Alexandre da Cunha, MCA Chicago, July 2015 – July 2016. © Alexandre da Cunha. Courtesy the artist, Museum of Contemporary Art Chicago, and Thomas Dane Gallery. Photo: Nathan Keay. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/MMD-N205-2360000-ARC-MED-00002_Version-2.0-crop-LR.jpg Alexandre da Cunha. Kinetic sculpture, Art on the Underground, Battersea Power Station. © the artist. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/AdC_Kentucky_Drop.jpg Alexandre da Cunha. Kentucky (Drop), 2013. Mop heads, metal, fittings, 285.1 x 200 x 21.6 cm (112 1/4 x 78 3/4 x 8 1/2 in). © Alexandre da Cunha. Courtesy the artist, Thomas Dane Gallery and Galeria Luisa Strina, São Paulo. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/2019_AdC_TDA11067_Nero-II-(1)-(1200px).jpg Alexandre da Cunha. Nero II, 2019. Sun bleached garden parasol, steel, fittings, 193 x 185 x 3.5 cm (76 x 72 7/8 x 1 3/8 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/2019_AdC_TDA11065_Sentinella-I-(3)--(1200px).jpg Alexandre da Cunha. Sentinella I, 2019. Wheel barrows, steel, strip lights, fittings, 156 x 158 x 60 cm (61 3/8 x 62 1/4 x 23 5/8 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/TDA11685-(2)-(2000px).jpg Alexandre da Cunha. Ikebana (relief II), 2020. Acrylic, hand scythe, weight, 40.8 x 31 x 5.3 cm (16 1/8 x 12 1/4 x 2 1/8 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/2020_AdC_TDA11386_Kentucky-(Napoli)_5.jpg Alexandre da Cunha. Kentucky (Napoli), 2020. Cleaning mops, dye, fittings, 305 x 430 x 16 cm (120 1/8 x 169 1/4 x 6 1/4 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/2020_AdC_TDA11387_Kentucky-(Arlecchino)-(3)-(1200px).jpg Alexandre da Cunha. Kentucky (Arlecchino), 2020. Cleaning mops, dye, fittings, 147 x 100 x 17 cm (57 7/8 x 39 3/8 x 6 3/4 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/TDA05567-(1).jpg Alexandre da Cunha. Urn V, 2013. Concrete mixer drum, paving slabs, 72 x 90 x 90 cm (28 3/8 x 35 3/8 x 35 3/8 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/Box_Day_2_0062.jpg Alexandre da Cunha, Figurehead II, 2020. Concrete, 600 x 180 x 180 cm (236 1/4 x 70 7/8 x 70 7/8 in). © Alexandre da Cunha. Courtesy the artist, The Box, Plymouth, and Thomas Dane Gallery. Image by Finnbarr Webster/Getty, courtesy of The Box, Plymouth. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/Box_Day_2_0073.jpg Alexandre da Cunha, Figurehead II, 2020. Concrete, 600 x 180 x 180 cm (236 1/4 x 70 7/8 x 70 7/8 in). © Alexandre da Cunha. Courtesy the artist, The Box, Plymouth, and Thomas Dane Gallery. Image by Finnbarr Webster/Getty, courtesy of The Box, Plymouth. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/Box_Day_2_0075.jpg Alexandre da Cunha, Figurehead II, 2020. Concrete, 600 x 180 x 180 cm (236 1/4 x 70 7/8 x 70 7/8 in). © Alexandre da Cunha. Courtesy the artist, The Box, Plymouth, and Thomas Dane Gallery. Image by Finnbarr Webster/Getty, courtesy of The Box, Plymouth. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/MMD-N205-2360000-ARC-MED-00001_Version-2.0-crop-LR.jpg Alexandre da Cunha. Kinetic sculpture, Art on the Underground, Battersea Power Station. © the artist. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/Pouff-2,-2008-(3).jpg Alexandre da Cunha. Public Sculpture (Pouff II), 2008. Concrete, foam, 150 x 150 x 38 cm (59 1/8 x 59 1/8 x 15 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/2020_AdC_TDA11747_Sentinella-II-(3)-(1200px).jpg Alexandre da Cunha. Sentinella II, 2020. Strip lights, benches, wiring, fittings, 184 x 98 x 48 cm (72 1/2 x 38 5/8 x 18 7/8 in). © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/068-da-cunha-alexandre-2020/2020_AdC_TDA11583_Balls-(Citrus)-(1)-(1200px).jpg Alexandre da Cunha. Balls (Citrus), 2020. Resin, paper straw. © Alexandre da Cunha. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/index.php/dana-schutz-shadow-of-a-cloud-moving-slowly-review-thomas-dane-gallery-london https://www.studiointernational.com/images/articles/s/035-schutz-dana-2020/6.jpg Dana Schutz: Shadow of a Cloud Moving Slowly, installation view, Thomas Dane Gallery, 2020. © Dana Schutz. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/s/035-schutz-dana-2020/8.jpg Dana Schutz: Shadow of a Cloud Moving Slowly, installation view, Thomas Dane Gallery, 2020. © Dana Schutz. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/s/035-schutz-dana-2020/3.jpg Dana Schutz, Everything and Nothing, 2020. Oil on canvas, 190.5 x 223.5 cm. © Dana Schutz. Courtesy the artist; Petzel, New York; Thomas Dane Gallery; Contemporary Fine Arts, Berlin. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/s/035-schutz-dana-2020/1.jpg Dana Schutz, Bound, 2019. Oil on canvas, 223.5 x 223.5 cm. © Dana Schutz. Courtesy the artist; Petzel, New York; Thomas Dane Gallery; Contemporary Fine Arts, Berlin. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/s/035-schutz-dana-2020/4.jpg Dana Schutz, Sailor, 2019. Bronze, 68.5 x 48.2 x 38.1 cm. © Dana Schutz. Courtesy the artist; Petzel, New York; Thomas Dane Gallery; Contemporary Fine Arts, Berlin. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/s/035-schutz-dana-2020/2.jpg Dana Schutz, Boat Group, 2020. Oil on canvas, 231.1 x 304.8 cm. © Dana Schutz. Courtesy the artist; Petzel, New York; Thomas Dane Gallery; Contemporary Fine Arts, Berlin. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/s/035-schutz-dana-2020/5.jpg Dana Schutz: Shadow of a Cloud Moving Slowly, installation view, Thomas Dane Gallery, 2020. © Dana Schutz. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/index.php/kristof-kintera-video-interview-the-end-of-fun-ikon-birmingham https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-10.jpg Krištof Kintera. Postnaturalia, 2016–17. Mixed media. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-05.jpg Krištof Kintera. Drawings, 2007–20 (detail). Mixed media, lights. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-11.jpg Krištof Kintera. Nervous Trees, 2013–17. Fibreglass, globes, electronics. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-03.jpg Krištof Kintera. I se I see I see, 2009. Mixed media, mechanical and acoustical object. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-01.jpg Krištof Kintera. Evolution Revision, 2015. Metal structure, A-crystal, wires. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-02.jpg Krištof Kintera. The End of Fun!, installation view, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-04.jpg Krištof Kintera. My Light is Your Life – Shiva Samurai II, 2009. Old lamps, cables, electronics. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-06.jpg Krištof Kintera. Drawings, 2007–20. Mixed media, lights. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-07.jpg Krištof Kintera. Revolution, 2005. Electromechanical system, microchip controller, metal construction, polyurethane, clothes. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-08.jpg Krištof Kintera. Disappearing, 2013. Styrodur, epoxy. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/068-kintera-kristof-2020/kristof-kintera-09.jpg Krištof Kintera. Postnaturalia Laboratory, 2016–17. Mixed media. Installation view, The End of Fun!, Ikon, Birmingham, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/cecily-brown-review-blenheim-palace-oxfordshire https://www.studiointernational.com/images/articles/b/033-brown-cecily-2020/8.jpg Cecily Brown, The Calls of the Hunting Horn, 2019. Oil on linen, 134.22 x 200.66 cm. Photo: Genevieve Hanson. Courtesy of the Artist and Blenheim Art Foundation. https://www.studiointernational.com/images/articles/b/033-brown-cecily-2020/2.jpg Cecily Brown, The Calls of the Hunting Horn, 2019. Installation view of Cecily Brown at Blenheim Palace, Blenheim Palace, 2020. Photo: Tom Lindboe. Courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/b/033-brown-cecily-2020/1.jpg Cecily Brown, Armorial Memorial, 2019. Installation view of Cecily Brown at Blenheim Palace, Blenheim Palace, 2020. Photo: Tom Lindboe. Courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/b/033-brown-cecily-2020/3.jpg Cecily Brown, Hunt with Nature Morte and Blenheim Spaniel, 2019. Installation view of Cecily Brown at Blenheim Palace, Blenheim Palace, 2020. Photo: Tom Lindboe. Courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/b/033-brown-cecily-2020/4.jpg Cecily Brown, The Triumph of Death, 2019. Installation view of Cecily Brown at Blenheim Palace, Blenheim Palace, 2020. Photo: Tom Lindboe. Courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/b/033-brown-cecily-2020/7.jpg Cecily Brown, Hunt After Frans Snyders, 2019. Oil on Linen, 154.94 x 130.34 cm. Photo: Genevieve Hanson. Courtesy of the Artist and Blenheim Art Foundation. https://www.studiointernational.com/images/articles/b/033-brown-cecily-2020/5.jpg Cecily Brown, Dog Is Life, 2019. Installation view of Cecily Brown at Blenheim Palace, Blenheim Palace, 2020. Photo: Tom Lindboe. Courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/b/033-brown-cecily-2020/6.jpg Cecily Brown, Armorial Memento, Floored, 2020. Installation view of Cecily Brown at Blenheim Palace, Blenheim Palace, 2020. Photo: Tom Lindboe. Courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/b/033-brown-cecily-2020/9.jpg Cecily Brown in her studio. Photo: Tom Lindboe, 2019. Courtesy of Blenheim Art Foundation. https://www.studiointernational.com/index.php/nancy-holt-points-of-view-review-parafin-london https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-inst2020-14.jpg Nancy Holt, Points of View, installation view, Parafin, London, 2020. Photo: Peter Mallet. Courtesy Parafin, London. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02259.jpg Nancy Holt, Chinese Dinner, 1972. Collage and ink on paper, 21.6 × 15.6 cm. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-inst2020-09.jpg Nancy Holt, Points of View, installation view, Parafin, London, 2020. Photo: Peter Mallet. Courtesy Parafin, London. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-inst2020-07.jpg Nancy Holt, Points of View, installation view, Parafin, London, 2020. Photo: Peter Mallet. Courtesy Parafin, London. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02405-04.jpg Nancy Holt, Points of View (video still), 1974. Clocktower Gallery, New York. Four-monitor video installation, black-and-white, sound, duration 44 mins. Video unit: 72 x 54 x 54 in (183 x 137 x 137 cm). Photo: Gwenn Thomas. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02405-03.jpg Nancy Holt, Points of View (detail), 1974. Clocktower Gallery, New York. Four-monitor video installation, black-and-white, sound, duration 44 mins. Video unit: 72 x 54 x 54 in (183 x 137 x 137 cm). Photo: Gwenn Thomas. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02405-05.jpg Nancy Holt, Points of View (detail), 1974. Clocktower Gallery, New York. Four-monitor video installation, black-and-white, sound, duration 44 mins. Video unit: 72 x 54 x 54 in (183 x 137 x 137 cm). Photo: Gwenn Thomas. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-00156.jpg Nancy Holt, Wistman’s Wood, 1969. Wistman’s Wood, Dartmoor. Composite of eight photographs from 126 format transparencies, 108 × 56 cm. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02257.jpg Nancy Holt, Concrete Poem, 1970. Ink on paper, 27.9 × 21.6 cm. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02258.jpg Nancy Holt, Making Waves, 1972. Ink on paper, 21.6 × 27.9 cm. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02260.jpg Nancy Holt, Hometown, 1969. Ink on paper, 27.9 × 21.6 cm. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02404.jpg Nancy Holt, 10 Billion Barrels of Crude Oil, 1986. Pencil on paper, 35.6 × 21.6 cm. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02405-02.jpg Nancy Holt, Points of View (detail), 1974. Clocktower Gallery, New York. Four-monitor video installation, black-and-white, sound, duration 44 mins. Video unit: 72 x 54 x 54 in (183 x 137 x 137 cm). Photo: Gwenn Thomas. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02407.jpg Nancy Holt, Untitled (Disconsolate), 1970. Ink on paper, 27.9 × 21.6 cm. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-02408.jpg Nancy Holt, Detach Here, 1967. Ink and pencil on paper, 20.3 × 21.6 cm. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-clocktower-portrait.jpg Portrait of Nancy Holt taken on the steps up to the Clocktower Gallery, New York (1974). Photograph: Gwenn Thomas. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-inst2020-08.jpg Nancy Holt, Points of View, installation view, Parafin, London, 2020. Photo: Peter Mallet. Courtesy Parafin, London. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/h/049-holt-nancy-2020/pfn-holt-inst2020-12.jpg Nancy Holt, Points of View, installation view, Parafin, London, 2020. Photo: Peter Mallet. Courtesy Parafin, London. © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. https://www.studiointernational.com/index.php/michael-schmidt-retrospective-photographs-1965-2014-review-hamburger-bahnhof-berlin https://www.studiointernational.com/images/articles/s/034-schmidt-michael-2020/08.jpg Michael Schmidt, Untitled from Lebensmittel, 2006-2010. C-Print, 54.1 x 81.6 cm. © Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt. https://www.studiointernational.com/images/articles/s/034-schmidt-michael-2020/11.jpg Installation shot of Michael Schmidt – Retrospektive. Fotografien 1965–2014” at Hamburger Bahnhof, Museum for Ausstellungsansicht, Hamburger Bahnhof, Berlin, 2020 showing Untitled from Waffenruhe, 1985-87. Nationalgalerie - Staatliche Museen zu Berlin © Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt. Photo: Matthias Völzke. https://www.studiointernational.com/images/articles/s/034-schmidt-michael-2020/12.jpg Portrait of Michael Schmidt, 2010. Copyright Albrecht Fuchs, Cologne. https://www.studiointernational.com/index.php/bruce-nauman-exhibition-review-tate-modern-london https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Bruce_Nauman_PV_11.jpg Bruce Nauman. One Hundred Live and Die, 1984. Installation view, Tate Modern. Photo: Tate Photography (Matt Greenwood). Artwork © Bruce Nauman / ARS, NY and DACS, London 2020. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Bruce-Nauman---Walking-in-an-Exaggerated-Manner-Around-the-Perimeter-of-a-Square.jpg Bruce Nauman. Walking in an Exaggerated Manner Around the Perimeter of a Square, 1967–1968. 16mm film on video, projected, black and white, sound, 10 min. Exhibition file courtesy Electronic Arts Intermix (EAI), New York. © ARS, NY and DACS, London 2020. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/A-Cast-of-the-Space-Under-My-Chair.jpg Bruce Nauman. A Cast of the Space Under My Chair, 1965–1968. Concrete, 44.5 x 39.1 x 37.1 cm. Kröller-Müller Museum, Otterlo, The Netherlands. Formerly in the Visser Collection. Purchased with support from the Mondriaan Foundation © ARS, NY and DACS, London 2020. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Clown-Torture-still-1.jpg Bruce Nauman. Clown Torture, 1987. Four channel video with sound (two projections, four monitors), approximately one-hour loop. The Art Institute of Chicago, Watson F. Blair Prize, Wilson L. Mead, and Twentieth-Century Purchase funds; through prior gift of Joseph Winterbotham; gift of Lannan Foundation, 1997.162. © Bruce Nauman / ARS, NY and DACS, London 2020, Courtesy Sperone Westwater, New York. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Bruce_Nauman_PV_02.jpg Bruce Nauman. Double Steel Cage Piece 1974. Installation view, Tate Modern, Photo: Tate Photography (Matt Greenwood). Artwork © Bruce Nauman / ARS, NY and DACS, London 2020. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Black-Marble-Under-Yellow-Light.jpg Bruce Nauman. Black Marble Under Yellow Light, 1987. Light installation and black marble blocks, 38 x 500 x 600 cm. la Caixa Collection. Contemporary Art © Nacho López. © ARS, NY and DACS, London 2020. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Bruce_Nauman_PV_07.jpg Bruce Nauman. Black Marble Under Yellow Light, 1987. Installation view, Tate Modern. Photo: Tate Photography (Matt Greenwood). Artwork © Bruce Nauman / ARS, NY and DACS, London 2020. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Bruce-Nauman---Good-Boy-Bad-Boy-(1).jpg Bruce Nauman. Good Boy Bad Boy, 1985. Video, 2 monitors, colour and audio (mono), 60 min, 52sec. Tate: Purchased 1994. © ARS, NY and DACS, London 2020 . https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Falls,-Pratfalls-and-Sleights-of-Hand.jpg Bruce Nauman. Falls, Pratfalls and Sleights of Hand (Clean Version), 1993. Kunstmuseum Wolfsburg. © ARS, NY and DACS, London 2020. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Bruce_Nauman_PV_16.jpg Bruce Nauman, Washing Hands Normal, 1996. Installation view, Tate Modern. Photo: Tate Photography (Matt Greenwood). Artwork © Bruce Nauman / ARS, NY and DACS London 2020. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/The-True-Artist-Helps-the-World-by-Revealing-Mystic-Truths-(Window-or-Wall-Sign).jpg Bruce Nauman. The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign), 1967. Neon tubing with clear glass tubing suspension frame, 149.9 x 139.7 x 5.1 cm. Kunstmuseum Basel. © Bruce Nauman / ARS, NY and DACS, London 2020, Courtesy Sperone Westwater, New York. https://www.studiointernational.com/images/articles/n/078-nauman-bruce-2020/Bruce_Nauman_PV_03.jpg Bruce Nauman. Human Nature/Knows Doesn’t Know, 1983/1986. Installation view, Tate Modern. Photo: Tate Photography (Matt Greenwood). Artwork © Bruce Nauman / ARS, NY and DACS, London 2020. https://www.studiointernational.com/index.php/huma-bhabha-interview-against-time-baltic-gateshead https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/BALTIC-Huma-Bhabha-03.jpg Huma Bhabha, Against Time. Installation view, Baltic Centre for Contemporary Art 2020. Photo: Rob Harris © 2020 Baltic. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/BALTIC-Huma-Bhabha-06.jpg Huma Bhabha, Untitled, 2013-16. Courtesy the artist and Salon 94, New York. Installation view, Huma Bhabha, Against Time, Baltic Centre for Contemporary Art 2020. Photo: Rob Harris © 2020 Baltic. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/HB-542-1.jpg Huma Bhabha, Castle of the Daughter, 2016. Courtesy the artist and Salon 94, New York. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/BALTIC-Huma-Bhabha-11.jpg Huma Bhabha, Untitled (bronze feet), 2007. Installation view, Huma Bhabha, Against Time, Baltic Centre for Contemporary Art 2020. Photo: Rob Harris © 2020 Baltic. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/BALTIC-Huma-Bhabha-12.jpg Huma Bhabha, Untitled 2006. Courtesy Peter Blum Gallery, New York. Installation view, Huma Bhabha, Against Time, Baltic Centre for Contemporary Art 2020. Photo: Rob Harris © 2020 Baltic. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/HB-428-7.jpg Huma Bhabha, It https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/BALTIC-Huma-Bhabha-1.jpg Huma Bhabha, Untitled, 2009 and Receiver, 2018. Courtesy the artist and Salon 94, New York. Installation view, Huma Bhabha, Against Time, Baltic Centre for Contemporary Art 2020. Photo: Rob Harris © 2020 Baltic. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/BALTIC-Huma-Bhabha-09.jpg Huma Bhabha, Untitled, 2013 and Untitled, 2011. Courtesy the artist and Salon 94, New York. Installation view, Huma Bhabha, Against Time, Baltic Centre for Contemporary Art 2020. Photo: Rob Harris © 2020 Baltic. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/BALTIC-Huma-Bhabha-04.jpg Huma Bhabha, Against Time. Installation view, Baltic Centre for Contemporary Art 2020. Photo: Rob Harris © 2020 Baltic. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/BALTIC-Huma-Bhabha-05.jpg Huma Bhabha, Against Time. Installation view, Baltic Centre for Contemporary Art 2020. Photo: Rob Harris © 2020 Baltic. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/BALTIC-Huma-Bhabha-07.jpg Huma Bhabha, Against Time. Installation view, Baltic Centre for Contemporary Art 2020. Photo: Rob Harris © 2020 Baltic. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/HB-273(unframed).jpg Huma Bhabha, Untitled, 2011. Courtesy the artist and Salon 94, New York. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/HB-339_1.jpg Huma Bhabha, In the Shadow of the Sun, 2016. Courtesy the artist and Salon 94, New York. https://www.studiointernational.com/images/articles/b/033-bhabha-huma-2020/HB-68.jpg Huma Bhabha, Untitled, 2007. Courtesy the artist and Salon 94, New York. https://www.studiointernational.com/index.php/everyday-heroes-review-hayward-gallery-london https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/Alessandro-raho-precious-2020-photo-martin-kennedy.jpg Alessandro Raho. Precious, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/lydia-blakely-jacqui-2020-photo-martin-kennedy.jpg Lydia Blakeley. Jacqui, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/barbara-walker-2020-photo-martin-kennedy.jpg Barbara Walker. Rosemary I & II, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/mahtab-hussain-untitled-2020-photo-martin-kennedy.jpg Mahtab Hussain. The Surgeon, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/mahtab-hussain-dr-a-shahid-2020-photo-martin-kennedy.jpg Mahtab Hussain. Dr A Shahid with Ember, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/juergen-teller-stephen-2020-photo-martin-kennedy-1.jpg Juergen Teller. Stephen, London, 2020 Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/jeremy-deller-2020-photo-martin-kennedy-2.jpg Jeremy Deller. An Immigrant Saving a Racist’s Life x 500,000, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/simon-armitage-the-omnipresent-2020-photo-martin-kennedy.jpg Simon Armitage. Omnipresent. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/silvia-rosi-2020-photo-martin-kennedy-3.jpg Silvia Rosi. Portrait of my mother during isolation, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/matthew-krishanu-2020-photo-martin-kennedy.jpg Matthew Krishanu. Portraits of four female religious workers who, along with other religious workers across the country, continued to find ways to serve their community throughout the crisis. The subjects are Rehanah Sadiq, a Muslim chaplain for two Birmingham NHS hospital trusts; Eve Pitts, Britain’s first black female Church of England vicar; Margaret Jacobi, a rabbi at a progressive Jewish synagogue; and Deseta Davis, a pastor and prison chaplain. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/ryan-mosley-paul-2020-photo-martin-kennedy-2.jpg Ryan Mosley. My Brother Paul, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/Alessandro-raho-precious-2020-photo-martin-kennedy-2.jpg Alessandro Raho. Precious, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/caroline-walker-2020-photo-martin-kennedy.jpg Caroline Walker. Elaine, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/evan-ifekoya-2020-photo-martin-kennedy.jpg Evan Ifekoya. No 1. Start From A Place Of Abundance, 2018. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/michael-armitage-2020-photo-martin-kennedy.jpg Michael Armitage. John Barry, O Kelly, Sonny and Richard Moore, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/silvia-rosi-2020-photo-martin-kennedy-2.jpg Silvia Rosi. Brother studying on phone, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/mahtab-hussain-dr-a-shahid-2020-photo-martin-kennedy-2.jpg Mahtab Hussain. Dr A Shahid with Ember, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/e/075-everyday-heroes-2020/jeremy-deller-2020-photo-martin-kennedy.jpg Jeremy Deller. An Immigrant Saving a Racist’s Life x 500,000, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/not-without-my-ghosts-the-artist-as-medium-review-drawing-room-london-william-blake-victor-hugo https://www.studiointernational.com/images/articles/g/068-ghosts-2020/Copy-of-ldespont0163-full.jpg Louise Despont. Hive Mind No.11 (Waggle Dance), 2014. Courtesy private collection, London. https://www.studiointernational.com/images/articles/g/068-ghosts-2020/Georgiana-Houghton-(resized).jpg Georgiana Houghton. Spiritual Crown on Annie Howitt Watts, 1867. Courtesy Vivienne Roberts, London. https://www.studiointernational.com/images/articles/g/068-ghosts-2020/Copy-of-180915_Fox_Sisters_01085-(1).jpg Olivia Plender. Celia and Olivia Plender Raising the Fox Sisters, 2018. Courtesy the artist. https://www.studiointernational.com/images/articles/g/068-ghosts-2020/PAILTHORPE_1938_TheTormentofTantalus_27,5x38cm--(resized).jpg Grace Pailthorpe, The Torment of Tantalus, 1938. Private collection. Courtesy Galerie 1900-2000, Paris. https://www.studiointernational.com/images/articles/g/068-ghosts-2020/Copy-of-02Hydesville-plender.jpg Olivia Plender. A Stellar Key to the Summerland, 2007. Courtesy the artist. https://www.studiointernational.com/images/articles/g/068-ghosts-2020/Copy-of-GL-28-(Naivete).jpg Pia Lindman. GL 28 (Naivete), 2016. From the Nose, Ears, Eyes series. Courtesy the artist. https://www.studiointernational.com/index.php/christina-quarles-video-interview-i-wont-fear-tumbling-or-falling-pilar-corrias-london https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/QUAR-2020028-Ill-Take-Tha-Nite-Shift.jpg Christina Quarles. I https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/QUAR-2020029-Edge-of-Tomorrow.jpg Christina Quarles. Edge of Tomorrow, 2020. Acrylic on canvas, 182.9 x 152.4 x 5.1 cm (72 x 60 x 2 in). Courtesy of the artist and Pilar Corrias, London. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/QUAR-2020027-Tha-Nite-Could-Last-Ferever.jpg Christina Quarles. Tha Nite Could Last Ferever, 2020. Acrylic on canvas, 213.4 x 182.9 x 5.1 cm (84 x 72 x 2 in). Courtesy of the artist and Pilar Corrias, London. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/QUAR-2020034-Theyll-Cut-Us-Down-Again.jpg Christina Quarles. They https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/QUAR-2020025-Pried-Prayed-Hard-Rain-Gon-Come.jpg Christina Quarles. Pried/Prayed (Hard Rain Gon' Come), 2020. Acrylic on canvas, 195.6 x 243.8 x 5.1 cm (77 x 96 x 2 in). Courtesy of the artist and Pilar Corrias, London. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/QUAR-2020030-Lil-Dapple-Do-Ya.jpg Christina Quarles. Lil' Dapple Do Ya, 2020. Acrylic on canvas, 142.2 x 152.4 x 5.1 cm (56 x 60 x 2 in). Courtesy of the artist and Pilar Corrias, London. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/QUAR-2020031-Sweet-Chariot.jpg Christina Quarles. Sweet Chariot, 2020. Acrylic on canvas, 182.9 x 243.8 x 5.1 cm (72 x 96 x 2 in). Courtesy of the artist and Pilar Corrias, London. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/QUAR-2020033-Lay-Yer-Burden-Down.jpg Christina Quarles. Lay Yer Burden Down, 2020. Acrylic on canvas, 195.6 x 243.8 x 5.1 cm (77 x 96 x 2 in). Courtesy of the artist and Pilar Corrias, London. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/QUAR-2020045-Tomorrow-Comes.jpg Christina Quarles. Tomorrow Comes Today (Come What May/Cum, Whatever, Maybe), 2020. Acrylic on canvas, 139.7 x 218.4 x 5.1 cm (55 x 86 x 2 in). Courtesy of the artist and Pilar Corrias, London. Photo: Fredrik Nilsen Studio. https://www.studiointernational.com/images/articles/q/096-quarles-christina-2020/christina-quarle-zoom-2020.jpg Christina Quarles speaking to Studio International via Zoom from her studio in Los Angeles, October 2020. https://www.studiointernational.com/index.php/1-54-contemporary-african-art-fair-review-somerset-house-london https://www.studiointernational.com/images/articles/a/049-african-art-fair-2020/Anya-Paintsil,-Shackles-the-Snake,-2020.jpg Anya Paintsil, Shackles the Snake, 2020. Acrylic, wool, human hair, synthetic hair and titanium on hessian, 134.6 x 134.6 cm. Courtesy of Ed Cross Fine Art. https://www.studiointernational.com/images/articles/a/049-african-art-fair-2020/Omar-Gabr,-Untitled,-2019.jpg Omar Gabr, Untitled, 2019. Oil on canvas, 92 x 40 cm. Courtesy Ubuntu Art Gallery. https://www.studiointernational.com/images/articles/a/049-african-art-fair-2020/Stacey-Gillian-Abe,-Sleeping-girl-2,-2020.jpg Stacey Gillian Abe, Sleeping girl 2, 2020. Acrylic on canvas, 96 x 124 cm. Courtesy Afriart. https://www.studiointernational.com/images/articles/a/049-african-art-fair-2020/gallery-of-everything_photoby_Rocio-Chacon_022.jpg Gallery of Everything, installation view, 1-54 Contemporary African Art Fair, London 2020. Photo: Rocio Chacon. https://www.studiointernational.com/images/articles/a/049-african-art-fair-2020/Andrew-Kayser,-Bittersweet-Blue-and-the-Sudden-Rapture,-2019.jpg Andrew Kayser, Bittersweet Blue and the Sudden Rapture, 2019. Thread, charcoal, ink and spray paint on canvas, 170 x 220 cm. Courtesy THK Gallery. https://www.studiointernational.com/images/articles/a/049-african-art-fair-2020/Anya-Paintsi,-THIRTY-SIX-INCH-IN-SIX-THIRTEEN,-2019.jpg Anya Paintsi, THIRTY SIX INCH IN SIX THIRTEEN, 2019. Punch needled acrylic, wool, cotton and kanekalon hair on hessian, 68 x 88 cm. Courtesy Ed Cross Fine Art. https://www.studiointernational.com/index.php/billie-zangewa-wings-of-change-lehmann-maupin-new-york-i-had-chosen-to-embody-the-most-disempowered-human-form https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/31560-A-Fresh-Start-hr.jpg Billie Zangewa. A Fresh Start, 2020. Hand-stitched silk collage, 53.54 x 27.95 in (136 x 71 cm). Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/31583.jpg Billie Zangewa. Self-Care Sunday, 2020. Hand-stitched silk collage, 47.64 x 25.25 in (121 x 64 cm). Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/31561-An-Angel-at-My-Bedside-hr.jpg Billie Zangewa. An Angel at My Bedside, 2020. Hand-stitched silk collage, 31.89 x 46.06 in (81 x 117 cm). Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/31551.jpg Billie Zangewa. Everyday Miracle, 2020. Hand-stitched silk collage, 44.5 x 49.5 in (113 x 126 cm). Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/31582.jpg Billie Zangewa. Free Spirit, 2020. Hand-stitched silk collage, 53.94 x 43.31 in (137 x 110 cm). Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/BZ-portrait-by-Andrew-Berry-01-TEMP.jpg Billie Zangewa in her studio. Photo: Andrew Berry. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/31552-Heart-of-the-Home.jpg Billie Zangewa. Heart of the Home, 2020. Hand-stitched silk collage, 53.5 x 43.25 in (136 x 110 cm. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/faithfully-31584.jpg Billie Zangewa. Faithfully, 2020. Hand-stitched silk collage, 51.18 x 8.66 in (130 x 22 cm). Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/BZ-LMG-2020-install-01-hr.jpg Billie Zangewa: Wings of Change, installation view, courtesy Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/z/093-zangewa-billie-2020/BZ-LMG-2020-install-06-hr.jpg Billie Zangewa: Wings of Change, installation view, courtesy Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/index.php/fabienne-verdier-vortex-review-waddington-custot-london https://www.studiointernational.com/images/articles/v/083-verdier-fabienne-2020/Fabienne-Verdier-Vortex-at-Waddington-Custot2020-10-05175811.jpg Fabienne Verdier: Vortex, installation view, Waddington Custot, London 2020. Photo courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/083-verdier-fabienne-2020/2020_BM_FabienneVerdier-0150-(1).jpg Fabienne Verdier working in her studio. Photo courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/083-verdier-fabienne-2020/Fabienne-Verdier,-Deh,-vieni-a-consolar-il-pianto-mio-2020.jpg Fabienne Verdier. Deh, vieni a consolar il pianto mio, 2020. Acrylic and mixed media on canvas, 72 x 53 1/8 in (183 x 135 cm). Photo courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/083-verdier-fabienne-2020/2020-Fabienne-Verdier,-La-reine-de-la-nuit-III,-2020.jpg Fabienne Verdier. La reine de la nuit (III) 2020. Acrylic and mixed media on canvas, 72 x 159 7/8 in (183 x 406 cm). Photo courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/083-verdier-fabienne-2020/Fabienne-Verdier,-Deh,-vieni-alla-finestra-2020.jpg Fabienne Verdier. Deh, vieni alla finestra, 2020. Acrylic and mixed media on canvas 72 x 53 1/8 in (183 x 135 cm). Photo courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/083-verdier-fabienne-2020/2020_BM_FabienneVerdier-2783.jpg Fabienne Verdier. Photo courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/083-verdier-fabienne-2020/Fabienne-Verdier-Vortex-at-Waddington-Custot.jpg Fabienne Verdier: Vortex, installation view, Waddington Custot, London 2020. Photo courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/083-verdier-fabienne-2020/Fabienne-Verdier-Vortex-at-Waddington-Custot2020-10-05175853.jpg Fabienne Verdier: Vortex, installation view, Waddington Custot, London 2020. Photo courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/083-verdier-fabienne-2020/Fabienne-Verdier-install-shots-V-Simpson.jpg Fabienne Verdier: Vortex, installation view, Waddington Custot, London 2020. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/tim-clark-interview-british-museum-newly-rediscovered-hokusai-drawings-japan https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/010.jpg Katsushika Hokusai (葛飾北斎). Cats and hibiscus. A standoff between two cats, with hibiscus (fuyō) behind. Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/073.jpg Katsushika Hokusai (葛飾北斎). India, China, Korea. In six of the group of 103 drawings, the small horizontal page has been divided vertically into three. Within each division are drawn typical inhabitants of lands in East Asia, SE Asia, Central Asia, and beyond. Some figures are mythological. Shown here are representatives of India (right), China (centre) and Korea (left). Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/030.jpg Katsushika Hokusai (葛飾北斎). Mei Jianchi avenges himself on his enemies with the sword. A scene from a legend of the ancient Spring and Autumn period of Chinese history. Chi (Mei Jianchi) is the son of husband and wife swordsmiths. His severed head, with a sword made by this father Ganjiang in its mouth, jumps out the cauldron in which it was supposed to be boiled down to become unrecognisable. A related rough sketch by Hokusai is in the ‘Curtis’ album (no. 8) at the Bibliothèque nationale, Paris. Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/060.jpg Katsushika Hokusai (葛飾北斎). Devadatta (Daibadatta), appearance of evil spirits with supernatural arts. Monk Devadatta was by tradition the cousin and brother-in-law of Shakyamuni Buddha. In the Lotus Sutra he was the archetype of an evildoer. Here he holds sway over a variety of grotesque evil spirits. Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/091.jpg Katsushika Hokusai (葛飾北斎). Yi Di (Giteki) orders the people to use rice juice to brew wine. Yi Di is said to be one of the earliest brewers of rice wine, which he presented to Yu the Great of the Xia dynasty. In this comic scene, men seem to be using the weight of a large rock to squeeze liquor from the rice. Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/019.jpg Katsushika Hokusai (葛飾北斎). Fumei Chōja and the nine-tailed spirit fox. Fumei Chōja appears as a character in kabuki and bunraku plays which also feature the shape-shifting nine-tailed fox and its adventures in India, China and Japan. Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/17-09-2020-12-00-03.jpg Katsushika Hokusai (葛飾北斎). Painting, hanging scroll, 1847. Two mallards paddling in a flowing stream: one diving amongst water-weeds; maple leaves on water surface. Ink and colour on silk. Signed and sealed. With paulownia storage box. Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/004.jpg Katsushika Hokusai (葛飾北斎). Water birds. Studies of various types of water bird, swimming and diving among river weed. This work seems to have been intended as a kind of picture thesaurus. Often several variants names – sometimes archaic, sometimes apparently fanciful – are given for a particular motif. Here the birds are named, from top right: Little grebe 鳰・鸊・鷉・????・䳉; Duck, wild duck 鴨・鳬滃; Seagull (tern) 鷗＊・江燕; Mandarin duck, water bird 鴛鴦・鸂鶒; Swan 鵠鸛. The mallard duck, bottom centre, and diving duck (seen in silhouette) were later reused in the famous BM painting, Ducks in flowing water, done in 1847, when Hokusai was 88. Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/072.jpg Katsushika Hokusai (葛飾北斎). India, river of quicksand. The wind forms waves in the sand. The running figures, in the maelstrom of a sandstorm, are brilliantly animated. Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/c/032-clark-tim-2020/081.jpg Katsushika Hokusai (葛飾北斎). Virudhaka (Ruriō) killed by lightening. Virudhaka (Biruriō, or Ruriō) was a king of Kosala during the lifetime of the Buddha Shakyamuni, who sought to annihilate the Shaka clan. He was killed by a sudden lightning strike during a victory banquet, as foretold by the Buddha. A rough preparatory sketch by Hokusai for this composition is included in the ‘Curtis’ album (no. 22) at the Bibliothèque nationale, Paris. Katsushika Hokusai, 1829. © The Trustees of the British Museum. https://www.studiointernational.com/index.php/maria-berrio-flowered-songs-and-broken-currents-review-victoria-miro-london https://www.studiointernational.com/images/articles/b/031-berrio-maria-2020/maria-berrio-Anada-Tandava-2020.jpg María Berrío. Ananda Tandava, 2020. Collage with Japanese paper, watercolour paint, and coloured pencils on canvas 213.4 x 213.4 cm (84 x 84 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/031-berrio-maria-2020/maria-berrio-Under-a-Cold-Sun-2020.jpg María Berrío. Under a Cold Sun, 2020. Collage with Japanese paper and watercolour paint on canvas, 76.2 x 61 cm (30 x 24 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/031-berrio-maria-2020/maria-berrio-The-Combed-Thunderclap-2020.jpg María Berrío. The Combed Thunderclap, 2020. Collage with Japanese paper and watercolour paint on canvas, 76.2 x 61 cm (30 x 24 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/rashid-johnson-waves-review-hauser-and-wirth-london https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106493.jpg Rashid Johnson. Anxious Red Painting August 20th, 2020. Oil on linen, 239.1 x 305.1 x 5.1 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106737-JOHNR106495.jpg Rashid Johnson. Waves, installation view, Hauser & Wirth, London, 2020. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106052-2.jpg Rashid Johnson. Broken Crowd, 2020. Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax, 240.7 x 403.9 x 3 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106056-2.jpg Rashid Johnson. Broken Crowd, 2020 (detail). Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax, 294.6 x 491.5 x 7.6 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106057-2.jpg Rashid Johnson. The Broken Five, 2020. Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax, 250.2 x 430.5 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106052.jpg Rashid Johnson. Broken Crowd, 2020 (detail). Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax, 240.7 x 403.9 x 3 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106052-3.jpg Rashid Johnson. Broken Crowd, 2020 (detail). Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax, 240.7 x 403.9 x 3 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106056-3.jpg Rashid Johnson. Broken Crowd, 2020. Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax, 294.6 x 491.5 x 7.6 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106056.jpg Rashid Johnson. Broken Crowd, 2020 (detail). Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax, 294.6 x 491.5 x 7.6 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106057-3.jpg Rashid Johnson. The Broken Five, 2020 (detail). Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax, 250.2 x 430.5 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106057.jpg Rashid Johnson. The Broken Five, 2020 (detail). Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax, 250.2 x 430.5 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106494.jpg Rashid Johnson. Anxious Red Painting August 13th, 2020. Oil on linen 239.1 x 305.1 x 5.1 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106737.jpg Rashid Johnson. Anxious Red Painting August 6th, 2020. Oil on linen, 239.1 x 305.1 x 5.1 cm. Photo: Martin Parsekian. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106051-JOHNR106050-JOHNR106056-2.jpg Rashid Johnson. Waves, installation view, Hauser & Wirth, London, 2020. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/j/089-johnson-rashid-2020/JOHNR106051-JOHNR106050.jpg Rashid Johnson. Waves, installation view, Hauser & Wirth, London, 2020. © Rashid Johnson. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/index.php/ann-veronica-janssens-interview-i-try-to-make-visible-the-invisible-hot-pink-turquoise-south-london-gallery https://www.studiointernational.com/images/articles/j/088-janssens-ann-veronica-2020/ann-veronica-janssens-1.jpg Ann Veronica Janssens. Untitled (Blue Glitter), 2015. Installation view, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/j/088-janssens-ann-veronica-2020/ann-veronica-janssens-2.jpg Ann Veronica Janssens. (Left to right): CL2BK, 2015; Pinky Sunset R, 2019; and CL2 Blue Shadow, 2015. Installation view, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/j/088-janssens-ann-veronica-2020/ann-veronica-janssens-4.jpg Ann Veronica Janssens. Hot Pink Turquoise, 2006. Installation view, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/j/088-janssens-ann-veronica-2020/ann-veronica-janssens-3.jpg Ann Veronica Janssens. Le bain de lumière, Prototype, 1995. Installation view, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/j/088-janssens-ann-veronica-2020/ann-veronica-janssens-5.jpg Ann Veronica Janssens. Blue Glass Roll 405/2, 2019. Installation view, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/j/088-janssens-ann-veronica-2020/ann-veronica-janssens-6.jpg Ann Veronica Janssens. Candy Sculpture 405–805/2–405, 2019. Installation view, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/index.php/michael-clark-cosmic-dancer-exhibition-review-barbican-london https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/15-Michael-Clark-in-a-publicity-photograph-for-Mmm-1992.jpg Michael Clark in a publicity photograph for Mmm…, 1992. © Hugo Glendinning. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/14-prune-twins-Michael-Clark-Cosmic-Dancer.jpg Michael Clark: Cosmic Dancer, installation View of A Prune Twin (2020) by Charles Atlas, Barbican Art Gallery, 7 October 2020 – 3 January 2021. © Tim Whitby/Getty Images. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/6-Michael-Clark-Hail-the-New-Puritan-1986.jpg Michael Clark in Charles Atlas’s Hail the New Puritan, 1986. Still, 16mm film transferred to video, sound, duration: 84:54 min. © Charles Atlas, courtesy the artist and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/08-Leigh-Bowery-and-Rachel-Auburn-in-Charles-Atlas-Hail-the-New-Puritan,-1986.jpg Leigh Bowery and Rachel Auburn in Charles Atlas’s Hail the New Puritan, 1986. Still, 16mm film transferred to video, sound, duration: 84:54 min. © Charles Atlas, courtesy the artist and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/28-Peter-Doig,-Portrait-Corbusier,-2009.jpg Peter Doig, Portrait (Corbusier), 2009, © Peter Doig, courtesy Michael Clark https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/04-Michael-Clark-Cosmic-Dancer,-installation-view.jpg Silke Otto-Knapp room, installation view, Michael Clark: Cosmic Dancer, Barbican Art Gallery, 7 October 2020 – 3 January 2021. © Tim Whitby/Getty Images. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/20-Michael-Clark-Cosmic-Dancer,-Portrait-of-Michael-Clark-Tim-Whitby-Getty-Images.jpg Michael Clark: Cosmic Dancer. Michael Clark with works by Silke Otto-Knapp Barbican Art Gallery, 7 October 2020 – 3 January 2021. © Tim Whitby/Getty Images. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/26-Silke-Otto-Knapp-Group-(Formation),-2020.jpg Silke Otto-Knapp, Group (Formation), 2020. Watercolour on canvas, 170 x 150 x 2.7 cm. Image courtesy Galerie Buchholz, Berlin /Cologne and greengrassi, London. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/01-Michael-Clark-during-the-opening-of-Derek-Jarman,-ICA,-London,-February-1984.jpg Michael Clark during the opening of Derek Jarman, ICA, London, February 1984. ©  Steve Pyke. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/02-Michael-Clark-in-a-publicity-photograph-for--New-Puritans,-1984.jpg Michael Clark in a publicity photograph for New Puritans, 1984. © Richard Haughton. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/07-Michael-Clark-during-the-filming-of-Charles-Atlas,-Hail-the-New-Puritan,-1986.jpg Michael Clark during the filming of Charles Atlas’s Hail the New Puritan, 1986. ©  Richard Haughton. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/04-Michael-Clark-during-the-filming-of-Charles-Atlas,-Hail-the-New-Puritan,-1986.jpg Michael Clark during the filming of Charles Atlas’s Hail the New Puritan, 1986. ©  Alexander James. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/1000-Michael-Clark,-Because-We-Must,-1987.jpg Michael Clark in Because We Must, 1987. Sadler’s Wells Theatre, London. ©  Richard Haughton. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/05-Michael-Clark-Cosmic-Dancer.jpg Sarah Lucas room, installation view, Michael Clark: Cosmic Dancer, Barbican Art Gallery, 7 October 2020 – 3 January 2021. © Tim Whitby/Getty Images. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/06-Michael-Clark-Cosmic-Dancer.jpg Wolfgang Tillmans room, installation view, Michael Clark: Cosmic Dancer, Barbican Art Gallery, 7 October 2020 – 3 January 2021. © Tim Whitby/Getty Images. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/07-Michael-Clark-Cosmic-Dancer.jpg Works by Trojan, The Fall and Cerith Wyn Evans, installation view, Michael Clark: Cosmic Dancer, Barbican Art Gallery, 7 October 2020 – 3 January 2021. © Tim Whitby/Getty Images. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/08-Michael-Clark-Cosmic-Dancer.jpg Elizabeth Peyton, Leigh Bowery, BodyMap and Stevie Stewart, installation view, Michael Clark: Cosmic Dancer, Barbican Art Gallery, 7 October 2020 – 3 January 2021. © Tim Whitby/Getty Images. https://www.studiointernational.com/images/articles/c/031-clark-michael-2020/05-Ellen-van-Schuylenburch-and-Michael-Clark-during-the-filming-of-Charles-Atlas,-Hail-the-New-Puritan,-1986.jpg Ellen van Schuylenburch and Michael Clark during the filming of Charles Atlas’s Hail the New Puritan, 1986. ©  Richard Haughton. https://www.studiointernational.com/index.php/nicole-eisenman-where-i-was-it-shall-be-review-hauser-and-wirth-somerset https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN106888-hires-(6).jpg Nicole Eisenman, Fountain, 2017, installation view, Hauser & Wirth Somerset 2020. © Nicole Eisenman. Courtesy the artist and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN106888-hires-(3).jpg Nicole Eisenman, Fountain, 2017, installation view, Hauser & Wirth Somerset 2020. © Nicole Eisenman. Courtesy the artist and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN103371-EISEN103389-EISEN103392-EISEN106226-hires.jpg Nicole Eisenman. Left: Untitled, 2020, paper and collage, 62.2 x 47.6 cm (24 1/2 x 18 3/4 in); Right: Untitled, 2018, paper and collage, 77.5 x 57.2 cm (30 1/2 x 22 1/2 in). Photo courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN103384-EISEN103385-hires.jpg Nicole Eisenman. Left: Untitled, 2019, paper, 135.9 x 101 cm (53 1/2 x 39 3/4 in); Untitled, 2019, paper, 135.9 x 101 cm (53 1/2 x 39 3/4 in). Photo courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/hot-pink.jpg Nicole Eisenman, Untitled, 2019. Paper, 153 x 101.6 cm (60 1/4 x 40 in). Photo courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN106228-EISEN103385-hires.jpg Nicole Eisenman, Procession Maquette, 2020. Bronze, mixed media. Perpetual Motion Machine, 13.5 x 7.5 x. 18 in; Pole Bearer, 10.5 x 34 x 4 in; Eagle in box, 3 x 3 x 2.5 in; Man at the Center of Men, 13.5 x 13 x 9.5 in; Museum Piece con Gas, 14 x 17 x 10 in; Base, 1.5 x 33 x 57 in, concrete. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN106228-hires.jpg Nicole Eisenman, Procession Maquette, 2020 (detail). Photo courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN106226-hires.jpg Nicole Eisenman, Where I Was, It Shall Be, 2020. Oil on canvas, 165.1 x 208.3 cm (65 x 82 in). Photo: Thomas Barratt. © Nicole Eisenman, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN106227-hires.jpg Nicole Eisenman, Goblin, 2020. Bronze, 38.1 x 35.6 x 25.4 cm (15 x 14 x 10 in). Photo courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/Second-gallery-car-toon-V-Simpson.jpg Nicole Eisenman, Untitled, 2019. Paper and ink, 101 x 153 cm (39 3/4 x 60 1/4 in). Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/eisenman-video.jpg Video of Nicole Eisenman, Fountain, 2017, Hauser & Wirth Somerset 2020. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN106888-hires-(1).jpg Nicole Eisenman, Fountain, 2017, installation view, Hauser & Wirth Somerset 2020. © Nicole Eisenman. Courtesy the artist and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN106888-hires-(7).jpg Nicole Eisenman, Fountain, 2017, installation view, Hauser & Wirth Somerset 2020. © Nicole Eisenman. Courtesy the artist and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN103394-hires.jpg Nicole Eisenman, Untitled, 2020. Paper and collage, 76.8 x 57.5 cm (30 1/4 x 22 5/8 in). Photo: Thomas Barratt. © Nicole Eisenman, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN106716-hires.jpg Nicole Eisenman, Untitled, 2020. Paper, collage and paint, 101.6 x 151.8 cm (40 x 59 3/4 in). Photo: Thomas Barratt. © Nicole Eisenman, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN103371-EISEN103382-EISEN103389-EISEN106227-EISEN103392-EISEN103381-EISEN106226-hires.jpg Nicole Eisenman, Where I Was, It Shall Be, Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy the artist and Hauser & Wirth © Nicole Eisenman. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/Close-up-of-bird-Procession-maquette.jpg Nicole Eisenman, Procession Maquette, 2020 (detail). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/e/076-eisenman-nicole-2020/EISEN103386-EISEN103365-EISEN103396-hires.jpg Nicole Eisenman, Where I Was, It Shall Be, Hauser & Wirth Somerset 2020. Photo: Ken Adlard. Courtesy the artist and Hauser & Wirth © Nicole Eisenman. https://www.studiointernational.com/index.php/arik-levy-and-zoe-ouvrier-interview-beyond-nature-method-concept https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Zoe-Ouvrier-5.jpg Zoé Ouvrier. Windy, 2017. Sculpture, acrylic, oil paint, 145 cm. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Arik-Levy-4.jpg Arik Levy. Glass Block Reflection 34. Mirror, polished bronze and glass, each L25 x W 22.5 x H 34 cm, 7.5 Kg (bronze), 19 Kg (glass). Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Zoe-Ouvrier-2.jpg Zoé Ouvrier. Van, 2010. Sculpture, acrylic paint, H230 x W200 cm. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Arik-Levy-6.jpg Arik Levy. Facet Formation 180. Mirror-polished stainlesss teelStandard Dimensions: L76 x W78 x H180 cm 93 Kg. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Zoe-Ouvrier-4.jpg Zoé Ouvrier. Maguy, 2013. Sculpture, acrylic paint, H200 x W120 cm. Private collection. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/CraterStone296-2.jpg Arik Levi. Craterstone296. Marble. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/CraterStone296.jpg Arik Levi. Craterstone296. Marble. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Arik-Levy-2.jpg Arik Levy. Glass Block Reflection 34 (detail). L25 x W22.5 x H 34 cm, 7.5 Kg. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Arik-Levy-3.jpg Arik Levy. Glass Block Reflection 34 (detail). L25 x W22.5 x H 34 cm, 19 Kg. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Arik-Levy-5.jpg Arik Levy. Rock Growth 115, Root. Mirror, polished marine-grade stainless steel, L40 x W48 x H115 cm, 19Kg. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Arik-Levy-7.jpg Arik Levy. Mercury (Dark Blue). Mouth-blown silvered artistic glass, 5Kg approx. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Arik-Levy-a.jpg Arik Levy. Facet Formation. Abstract drawing, paint, pen on handmade paper, L95 x H183.5 cm. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Arik-Levy.jpg Arik Levy. Rock Skin Large. Mirror, polished marine-grade stainless steel, L158 x W103 x H20cm, 20Kg. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/CraterStone296-1.jpg Arik Levi. Craterstone296 (detail). Marble. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/images/articles/o/088-ouvrier-and-levy-2020/Zoe-Ouvrier-3.jpg Zoé Ouvrier. Van, 2010. Sculpture, acrylic paint, H230 x W200 cm. Courtesy of the artist and Method & Concept. https://www.studiointernational.com/index.php/bochner-boetti-fontana-review-magazzino-italian-art https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/20201002_MIA_Installation-15-crop.jpg Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/17MB4338-ph-marco-anelli.jpg Magazzino Italian Art, Cold Spring, New York, exterior view. Photo: Marco Anelli. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/20200926_MIA_Install_48.jpg Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/20200926_MIA_Install_38.jpg Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/20200926_MIA_Install_19.jpg Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/fontana-entrance_MIA_Install_01.jpg Lucio Fontana, Concetto Spaziale, Quanta, 1960. Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/Teresa-Giancarlo-Carlotta-Beatrice-1977_MIA_Install_27.jpg Alighiero Boëtti, Teresa Giancarlo Carlotta Beatrice, 1977. Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/20200926_MIA_Install_65.jpg Mel Bochner, Measurement: 12 inches Between, 1999. Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/blah-blah_MIA_Install_71.jpg Mel Bochner, Blah Blah Blah, 2009. Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/20200926_MIA_Install_46.jpg Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/star_MIA_Install_24.jpg Mel Bochner, Yiskor (For the Jews of Rome), 1993. Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/star-detail-20200926_MIA_Install_24.jpg Mel Bochner, Yiskor (For the Jews of Rome), 1993 (detail). Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/17MB4163-ph-marco-anelli.jpg Magazzino Italian Art, Cold Spring, New York. Photo: Marco Anelli. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/20200926_MIA_Install_58.jpg Alighiero Boëtti, Teresa Giancarlo Carlotta Beatrice, 1977 (detail). Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/20200926_MIA_Install_42.jpg Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/images/articles/b/032-bochner-boetti-fontana-2020/20200926_MIA_Install_35.jpg Bochner Boetti Fontana, installation view, Magazzino Italian Art 2 October – 11 January 2020. Photo: Alexa Hoyer. Courtesy of Magazzino Italian Art. https://www.studiointernational.com/index.php/ali-kazim-interview-when-pottery-shard-had-imprint-of-the-potter-it-was-time-travelling-key-ashmolean-museum-oxford https://www.studiointernational.com/images/articles/k/067-kazim-ali-2020/07-Untitled.jpg Ali Kazim. Untitled (man of faith series), 2019. Watercolour pigments on paper, 46 x 56 cm. Image © Ali Kazim studio. https://www.studiointernational.com/images/articles/k/067-kazim-ali-2020/01-Untitle(ruins-series).jpg Ali Kazim. Untitled (Ruins series), 2018. Watercolour pigments on paper, 206 x 460 cm. Collection: QAGOMA, Brisbane, Australia. Courtesy Jhaveri Contemporary. https://www.studiointernational.com/images/articles/k/067-kazim-ali-2020/02-Mian-Mitho.jpg Ali Kazim. Mian Mithu, (Many with parrot), 2006. Watercolour pigments on wasli paper, 75 x 50 cm. Collection Metropolitan Museum NYC, image © Ali Kazim studio. https://www.studiointernational.com/images/articles/k/067-kazim-ali-2020/05-Untitled.jpg Ali Kazim. Untitled (woman of faith series), 2019. Watercolour pigments on paper, 38 x 52 cm. Courtesy Jhaveri Contemporary. https://www.studiointernational.com/images/articles/k/067-kazim-ali-2020/06-Untitled.jpg Ali Kazim. Untitled (man of faith series), 2019. Watercolour pigments on paper, 46 x 56 cm. Image © Ali Kazim studio. https://www.studiointernational.com/images/articles/k/067-kazim-ali-2020/04-untitled.jpg Ali Kazim. Untitled (man of faith series), 2018. Watercolour pigments on paper, 114 x 80 cm. Courtesy Jhaveri Contemporary. https://www.studiointernational.com/images/articles/k/067-kazim-ali-2020/08-Untitled.jpg Ali Kazim. Untitled (man of faith series), 2019. Watercolour pigments on paper, 71 x 56 cm. Image © Ali Kazim studio. https://www.studiointernational.com/index.php/toulouse-lautrec-and-the-masters-of-montmartre-online-exhibition-review-victoria-art-gallery-bath https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/12-LAUTREC-Jane-Avril-Jardin-de-Paris.jpg Henri de Toulouse-Lautrec. Jane Avril at the Jardin de Paris, 1893. Photo © Musée d https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/31-LAUTREC-Moulin-Rouge-La-Goulue.jpg Henri de Toulouse-Lautrec. Moulin Rouge – La Goulue, 1891. Photo © Musée d https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/90-BONNARD-France-Champagne.jpg Pierre Bonnard. France-Champagne, 1891. Photo © Musée d https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/Lautrec-Jane-Avril-1899.jpg Henri de Toulouse-Lautrec. Jane Avril, 1899. Photo © Musée d https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/22-LAUTREC-Ambassadeurs-Aristide-Bruant.jpg Henri de Toulouse-Lautrec. Ambassadeurs: Aristide Bruant, 1892. Photo © Musée d https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/51-CHERET,-Folies-Bergere-la-danse-du-Feu.jpg Henri de Toulouse-Lautrec. Folies-Bergère, The Fire Dance, 1897. Photo © Musée d https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/Theophile-Alexandre_Steinlen-Tournee_du_Chat_Noir_de_Rodolphe_Salis_(Tour_of_Rodolphe_Salis_Chat_Noir).jpg Théophile-Alexandre Steinlen. Tour of The Black Cat, 1896. Photo © Musée d https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/5-LAUTREC-Troupe-de-Melle-Eglantine.jpg Henri de Toulouse-Lautrec. The troupe of Mademoiselle Eglantine, 1896. Photo © Musée d'Ixelles-Bruxelles / Courtesy of Institut für Kulturaustausch, Tübingen. https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/67-MUCHA-Job.jpg Alphonse Mucha. Job, 1897. Photo © Musée d'Ixelles-Bruxelles / Courtesy of Institut für Kulturaustausch, Tübingen. https://www.studiointernational.com/images/articles/l/063-lautrec-toulouse-2020/68-MUCHA-Champagne-Ruinart.jpg Alphonse Mucha. Champagne Ruinart, 1897. Photo © Musée d'Ixelles-Bruxelles / Courtesy of Institut für Kulturaustausch, Tübingen. https://www.studiointernational.com/index.php/michael-armitage-paradise-edict-review-haus-der-kunst-munich https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/01.jpg Michael Armitage, Baboon, 2016. Oil on Lubugo bark cloth, 150 x 200 cm. © Michael Armitage. Photo © White Cube, Ben Westoby. https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/06.jpg Michael Armitage, The Chicken Thief, 2019. Oil on Lubugo bark cloth 78 3/4 x 59 1/16 in. (200 x 150 cm). © Michael Armitage. Photo © White Cube, Theo Christelis. https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/1000.jpg Michael Armitage. Paradise Edict, 2019. Installation view, Haus der Kunst, Munich, 2020. Photo: Markus Tretter. https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/02.jpg Michael Armitage, Accident, 2015. Oil on Lubugo bark cloth, 170.2 x 221 cm. © Michael Armitage. Photo © White Cube, George Darrell. https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/07.jpg Michael Armitage. The promised land, 2019. Installation view, Paradise Edict, Haus der Kunst, Munich, 2020. Photo: Markus Tretter. https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/10.jpg Portrait of Michael Armitage. © White Cube, George Darrell. https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/03.jpg Michael Armitage, Nyayo, 2017. Oil on Lubugo bark cloth, 220 x 170 cm. © Michael Armitage. Photo © White Cube, George Darrell. https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/04.jpg Michael Armitage, The promise of change, 2018. Oil on Lubugo bark cloth, 220 x 240 cm. © Michael Armitage. Photo © White Cube, Ollie Hammick. https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/05.jpg Michael Armitage, Pathos and the twilight of the idle, 2019. Oil on Lubugo bark cloth, 330 x 170 cm. © Michael Armitage. Photo © White Cube, Theo Christelis. https://www.studiointernational.com/images/articles/a/048-armitage-michael-2020/08.jpg Michael Armitage. The promised land, 2019 (detail). Installation view, Paradise Edict, Haus der Kunst, Munich, 2020. Photo: Markus Tretter. https://www.studiointernational.com/index.php/eleanor-bartlett-interview-when-you-see-a-great-lump-of-tar-its-like-looking-at-a-fundamental-building-block-of-the-universe https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-663a.jpg Eleanor Bartlett. Black Mass, 2019. Tar and metal paint on canvas, 110 x 112 cm. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-PS45203.jpg Eleanor Bartlett. Paean, installation view, Wells Cathedral, 2018. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-669a.jpg Eleanor Bartlett. Tar painting 1, 2019. Tar and wax on canvas, 60 x 50 cm. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-674a.jpg Eleanor Bartlett. Tar painting 2, 2019. Tar and wax on canvas, 60 x 50 cm. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-677a.jpg Eleanor Bartlett. Tar painting 3, 2019. Tar and wax on canvas, 60 x 50 cm. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-PS45216.jpg Eleanor Bartlett. Paean, installation view, Wells Cathedral, 2018. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-PS45218.jpg Eleanor Bartlett. Paean, installation view, Wells Cathedral, 2018. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/04-Requiem.jpg Eleanor Bartlett. Requiem, installation view, Salisbury Cathedral, 2017. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/10-Requiem.jpg Eleanor Bartlett. Requiem, installation view, Salisbury Cathedral, 2017. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/12-Requiem.jpg Eleanor Bartlett. Requiem, installation view, Salisbury Cathedral, 2017. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-649a.jpg Eleanor Bartlett. Mater 13, 2020. Tar and metal paint on canvas, 200 x 160 cm. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-652a.jpg Eleanor Bartlett. Mater 14, 2020. Tar and metal paint on canvas, 200 x 160 cm. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-686a.jpg Eleanor Bartlett. Two panel Tar, 2020. Tar and wax on canvas, 200 x 130 cm. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/Eleanor-Bartlett-692a.jpg Eleanor Bartlett. Two panel Tar, 2010, tar and metal paint on canvas, 200 x 130 cm. © the artist. https://www.studiointernational.com/images/articles/b/030-bartlett-eleanor-2020/06-Requiem.jpg Eleanor Bartlett. Requiem, installation view, Salisbury Cathedral, 2017. © the artist. https://www.studiointernational.com/index.php/alfred-wallis-rediscovered-review-kettles-yard-university-of-cambridge-fisherman-turned-artist-boats https://www.studiointernational.com/images/articles/w/057-wallis-alfred-2020/AW27.jpg Alfred Wallis. Shipwreck 1 – The Wreck of the Alba, 1938-40. Oil on card, 26.5 x 33.5 cm. Courtesy of Kettle’s Yard, University of Cambridge. https://www.studiointernational.com/images/articles/w/057-wallis-alfred-2020/AW29.jpg Alfred Wallis. Brigantine sailing past green fields, no date. Oil on card, 41.8 x 48.8 cm. Courtesy of Kettle’s Yard, University of Cambridge. https://www.studiointernational.com/images/articles/w/057-wallis-alfred-2020/AW45.jpg Alfred Wallis. Ship with seven men, net and gull, no date. Oil on card, 18.7 x 27.9 cm. Courtesy of Kettle’s Yard, University of Cambridge. https://www.studiointernational.com/images/articles/w/057-wallis-alfred-2020/X78635_GV_04c-copy.jpg Alfred Wallis, Sketchbooks, 1941-2. Lent anonymously. All rights reserved. https://www.studiointernational.com/images/articles/w/057-wallis-alfred-2020/AW55.jpg Alfred Wallis. Three grey-sailed ships, no date. Oil on card, 33 x 22.5 cm. Courtesy of Kettle’s Yard, University of Cambridge. https://www.studiointernational.com/images/articles/w/057-wallis-alfred-2020/AW98.jpg Alfred Wallis. Two ships and steamer sailing past a port – Falmouth and St. Anthony lighthouse, c1931. Oil on card, 26.3 x 40.9 cm. Courtesy of Kettle’s Yard, University of Cambridge. https://www.studiointernational.com/index.php/kehinde-wiley-ship-of-fools-narrenschiff-review-levinsky-gallery-university-of-portsmouth https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_1.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_3.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_2.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_4b.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/S2118-047-Ship-of-Fools-Kehinde-Wiley,-courtesy-of-Royal-Museums-Greenwich.jpg Kehinde Wiley, Ship of Fools, 2017. Oil on canvas, 272.4 x 222.5 cm ((107 1/4 x 87 5/8in). © Kehinde Wiley, courtesy of Royal Museums Greenwich. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_8.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_4c.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_4d.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_5.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_7.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/images/articles/w/058-wiley-kehinde-2020/WILEY-64-Narrenschiff_6.jpg Kehinde Wiley, Narrenschiff, 2017. Three-channel projection, installation view, Levinsky Gallery, University of Plymouth, 2020. https://www.studiointernational.com/index.php/dutch-design-week-2020-review-eindhoven https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/Marjan-van-Aubel_Current-Window-Current-Window.jpg Marjan van Aubel’s tinted window panels. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/dsc-0839_1602784133.jpg Tim Teven’s furniture. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/puma-livingcolour-ddw-1_1602081505.jpg Laura Luchtman and Ilfa Siebenhaar. Design to Fade; Living Colour x PUMA. Photo: Ingo Foertsch. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/AndersJuulJorgensen.jpg Anders Juul Jørgensen’s virtual reality experience Garden of Elysium https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/AdiTicho-Unveil.jpg Adi Ticho’s Unveil. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/Anna-Dienemann-Bounding-Spaces.jpg Anna Dienemann’s Bounding Spaces project. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/Baptiste-Comte-momentum.jpg Baptiste Comte’s Mementum. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/BenjaminMotocGrowth.jpg Benjamin Motoc’s stools. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/ClaraRousselTouching-Memories.jpg Clara Roussel’s Touching Memories. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/DaeUkKimMutant.jpg Dae Uk Kim’s project Mutant. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/ColtraneMcDowellOlfactoryBioPolitics.jpg Coltrane McDowell’s Olfactory Bio-politics. https://www.studiointernational.com/images/articles/d/067-dutch-design-week-2020/190901-rino-claessens-scraped-earth-518_1602784043.jpg Rino Claessens, Scraped Earth stools. https://www.studiointernational.com/index.php/londons-art-labs-and-the-60s-avant-garde-david-curtis-book-review https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/Setting-up-DL-Jim-and-Ted-Joans.jpg Photograph of Jim Haynes, Ted Jones and friend outside 182 Drury Lane in the Lab’s opening week, 1967. Courtesy Haynes archive, Napier University. https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/Setting-Up-DL-luow-orange-pyramid-x-4.jpg Roelof Louw, Soul City (Pyramid of Oranges), 1967. Arts Laboratory, Covent Garden, 1967. © The Estate of the Artist. Courtesy of Richard Saltoun Gallery, London. https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/Programme-Mix-DL-winston-branch-poster.jpg Winston Branch, poster design for exhibition, 1967. Courtesy Winston Branch. https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/the-Gallery-DLJohn-latham-blind-with-lights.jpg John Latham, Untitled (Roller Painting) 1964. Photo: David Curtis, copyright Estate of John Latham and Lisson Gallery. https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/the-Gallery-DL-Takis-Dany-photoshopped.jpg Lab-worker Dany Broadway with Takis, Signals, 1968. Photo courtesy David Curtis. https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/Theatre-DL-Boyle-Martinez-Bowie-(sclanders).jpg Martinez, Boyles Sensual Laboratory, poster 1967, designer unrecorded. Courtesy Andrew Sclanders/BeatBooks.com https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/Soft-Cinema-DL-chelsea-girls-poster-pink-(2)-photoshopped.jpg Chelsea Girls poster designed and silkscreened by Biddy Peppin, 1968. Copyright Biddy Peppin, Tate Archive, photo courtesy David Curtis. https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/Setting-Up-RS-Robert-Street-red-doors-photoshopped.jpg The Robert Street’s Lab red doors. Photo courtesy Pamela Zoline https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/Gallery-RS-Unsculpt-3-(curtis-and-Kilburn-in-coats).jpg Ian Breakwell in white overalls begins wrapping the sculptures with paper covered in the words UNSCULPT, at the New Arts Lab, 1970. Photo courtesy Mike Leggett. https://www.studiointernational.com/images/articles/l/062-londons-arts-labs-2020/Arts-Lab-cover-(recto)-1000.jpg London’s Arts Labs and the 60s Avant-Garde, book cover, designed by David Curtis. https://www.studiointernational.com/index.php/thao-nguyen-phan-becoming-alluvium-review-chisenhale-gallery-london https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/00_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Becoming Alluvium, 2019. Video still. Single channel video installation, 16:40 mins, loop, colour. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/01_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Perpetual Brightness, 2019-20. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/03_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Perpetual Brightness, 2019-20. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/02_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Perpetual Brightness, 2019-20. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/08_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Becoming Alluvium, 2019. Single channel video installation, 16:40 mins, loop, colour. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/09_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Becoming Alluvium, 2019. Single channel video installation, 16:40 mins, loop, colour. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/13_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Becoming Alluvium, 2019. Installation view, Chisenhale Gallery, 2020. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/07_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Becoming Alluvium, 2019. Single channel video installation, 16:40 mins, loop, colour. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/10_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Becoming Alluvium, 2019. Single channel video installation, 16:40 mins, loop, colour. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/053-phan-thao-nguyen-2020/14_Thao-Nguyen-Phan-at-Chisenhale-Gallery.jpg Thao Nguyen Phan, Becoming Alluvium, 2019. Installation view, Chisenhale Gallery, 2020. Produced and commissioned by Han Nefkens Foundation in collaboration with: Joan Miró Foundation, Barcelona; WIELS Contemporary Art Centre, Brussels; and Chisenhale Gallery. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/index.php/emily-jacir-pietrapertosa-gardentopia-project-matera-2019-fondazione-merz-turin-i-wanted-locals-to-show-me-what-was-important-for-them https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/A4A2618.jpg Emily Jacir, Pietrapertosa, 2019-20. 179 cm diameter. Push the Limits - installation view at Fondazione Merz, Turin. Photo: Renato Ghiazza. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/EJ-Tal-al-Zaatar.jpg Emily Jacir, Tal al Zaatar (1977), 2014. Courtesy the artist. Photo: Iolanda Carollo. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/EJ-Ex-Libris-2.jpg Emily Jacir. Ex Libris, 2010/2019. Paint on wall, Vicolo Valguanera, Palermo. Installation view, BAM Biennale Arcipelago Mediterraneo. Courtesy the artist, Fondazione Merz and Alberto Peola Gallery. Photo: Iolanda Carollo. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/03.jpg Emily Jacir, Pietrapertosa, 2019-20. 179 cm diameter. Produced by Fondazione Matera Basilicata 2019, Fondazione Merz in collaboration with Comune di Pietrapertosa. Assistants on the project Giuseppe Nora and Qais Assali. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/Material.jpg Emily Jacir, Material for a film (detail), 2004–07. Multimedia installation, three sound pieces, one video, texts, photos, archival material. Photo: Emily Jacir. This work was devised in part with the support of La Biennale di Venezia. © Emily Jacir 2004. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/material9.jpg Emily Jacir, Material for a film (detail), 2004–07. Multimedia installation, three sound pieces, one video, texts, photos, archival material. Photo: Emily Jacir. This work was devised in part with the support of La Biennale di Venezia. © Emily Jacir 2004. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/stazione.jpg Emily Jacir, stazione, 2008–09. Public intervention on Line 1 vaporetto stops, Venice, Italy. Commissioned for Palestine c/o Venice, collateral event of the 53rd International Art Exhibition La Biennale di Veneza. © Emily Jacir 2009. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/Pietrapertosa.jpg Emily Jacir, Pietrapertosa, 2019-20, Push the Limits - installation view at Fondazione Merz, Turin. Photo: Renato Ghiazza. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/EJ-Ex-Libris.jpg Emily Jacir. Ex Libris, 2010/2019. Paint on wall, Vicolo Valguanera, Palermo. Installation view, BAM Biennale Arcipelago Mediterraneo. Courtesy the artist, Fondazione Merz and Alberto Peola Gallery. Photo: Iolanda Carollo. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/Guggenheim-2009-7.jpg Emily Jacir, Material for a film, 2004–07. Multimedia installation, three sound pieces, one video, texts, photos, archival material. Installation view, The Hugo Boss Prize 2008: Emily Jacir, Solomon R. Guggenheim Museum, New York. Photograph by David Heald © The Solomon R. Guggenheim Foundation, New York. This work was devised in part with the support of La Biennale di Venezia © Emily Jacir 2004. https://www.studiointernational.com/images/articles/j/087-jacir-emily-2020/Guggenheim-2009-9.jpg Emily Jacir, Material for a film, 2004–07. Multimedia installation, three sound pieces, one video, texts, photos, archival material. Installation view, The Hugo Boss Prize 2008: Emily Jacir, Solomon R. Guggenheim Museum, New York. Photograph by David Heald © The Solomon R. Guggenheim Foundation, New York. This work was devised in part with the support of La Biennale di Venezia © Emily Jacir 2004. https://www.studiointernational.com/index.php/lucy-mckenzie-prime-suspect-review-museum-brandhorst-munich https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/07.jpg Lucy McKenzie, Quodlibet XXI (Objectivism), 2012. Oil on canvas, 150 x 120 cm. W.R. Asprey Collection, London. © Lucy McKenzie. Photo courtesy of the artist; Galerie Buchholz, Cologne/Berlin/New York; and Cabinet, London. https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/02.jpg Lucy McKenzie, Depeche Mode Night, 1999. Acrylic on found painting, 154 x 118 cm. Collection Daniel Buchholz & Christopher Müller, Cologne. © Lucy McKenzie. Photo: Jens Ziehe. Courtesy of the artist; Galerie Buchholz, Cologne/Berlin/New York; and Cabinet, London. https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/04.jpg Lucy McKenzie, Interior (Detail: P. Hankar - Wijnand Fockink, Rue Royale, Brussels, 1897), 2007. Acrylic and ink on canvas, four parts; 300 x 300 cm, 300 x 375 cm, 300 x 600 cm, 300 x 700 cm. Sammlung Goetz, Munich. © Lucy McKenzie. Photo courtesy of the artist; Galerie Buchholz, Cologne/Berlin/New York; and Cabinet, London. https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/06.jpg Lucy McKenzie, Untitled, 2011. Coloured pencil and graphite on paper, 30 x 40 cm. Collection Daniel Buchholz & Christopher Müller, Cologne. © Lucy McKenzie. Photo: Lothar Schnepf. Courtesy of the artist; Galerie Buchholz, Cologne/Berlin/New York; and Cabinet, London. https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/03.jpg Lucy McKenzie, Global Joy II, 2001. Acrylic and graphite on canvas, 122 x 122 cm. Collection Alexander Schröder. © Lucy McKenzie. Photo: Lothar Schnepf. Courtesy of the artist; Galerie Buchholz, Cologne/Berlin/New York; and Cabinet, London. https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/05.jpg Lucy McKenzie, May of Teck, 2010. Oil on canvas, two parts; each 290 × 300 cm; overall dimensions, 290 × 600 cm. Collection Charles Asprey. © Lucy McKenzie. Photo courtesy of the artist; Galerie Buchholz, Cologne/Berlin/New York. https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/08.jpg Lucy McKenzie, Mooncup, 2012 (detail). Acrylic on canvas, three parts; each 400 x 260 cm.Collection Nicoletta Fiorucci Russo, London. © Lucy McKenzie. Photo: Kristien Daem. Courtesy the artist and Cabinet, London. https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/09.jpg Lucy McKenzie, Rebecca, 2019. Oil on wood, 206.1 × 108.3 cm. Udo and Anette Brandhorst Collection. © Lucy McKenzie. Photo: Mark Blower. Courtesy the artist and Cabinet, London. https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/10.jpg Visitor in front of Lucy McKenzie's work Faux Shop, 2018, installation view, Lucy McKenzie – Prime Suspect. © Lucy McKenzie. Photo: Robert Haas. https://www.studiointernational.com/images/articles/m/041-mckenzie-lucy-2020/11.jpg Lucy McKenzie in front of the work Mooncup, 2012, in the exhibition Lucy McKenzie - Prime Suspect. © Lucy McKenzie. Photo: Robert Haas. https://www.studiointernational.com/index.php/kai-althoff-goes-with-bernard-leach-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/thumbnail_KA-1996-A05-Kopie.jpg Kai Althoff. Hakelhug, 1994. Clay sculptures on sisal rug, two antique wooden beams from a loom, glass panel, wool, green wooden bucket, 178 x 247.5 x 32 cm. View of work at Galerie Christian Nagel, Cologne, 1994. Photograph by the artist. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/thumbnail_00550020.jpg Kai Althoff. Untitled, 2011. Plaster sculptures painted with oil paint, pigmented and painted wax mugs, poster painted and waxed shelving, dimensions variable. Exhibition view at Gladstone Gallery, New York, 2011. Photograph by the artist. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/KAI017P.jpg Kai Althoff Goes With Bernard Leach, installation view (detail), Whitechapel Gallery, London, 7 October 2020 – 10 January 2021. Photo: Polly Eltes. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/thumbnail_69080003.jpg Kai Althoff, Untitled. 2011. Sofa, screen, mannequin, silk covered board with poster and drawing, kaleidesope, doll, dead locusts, ormolu box and emerald stone brooch, gift wrap paper lined cardboard tube, lamp, dimensions variable. View of work at Kai Althoff: und dann überlasst mich den Mauerseglern (and then leave me to the common swifts), Museum of Modern Art, New York, 2016. Photo: Yair Oelbaum. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/KAI021P.jpg Kai Althoff Goes With Bernard Leach, installation view (detail), Whitechapel Gallery, London, 7 October 2020 – 10 January 2021. Photo: Polly Eltes. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/KAI014P.jpg Kai Althoff Goes With Bernard Leach, installation view (detail), Whitechapel Gallery, London, 7 October 2020 – 10 January 2021. Photo: Polly Eltes. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/D3_1927_2_a.jpg Bernard Leach, Vase: Solomon amongst the lilies, 1926. Stoneware, H 21 cm. Leicester Museums, Leicester. Image courtesy of Leicester Museums © Bernard Leach Estate. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/KAI012P.jpg Kai Althoff Goes With Bernard Leach, installation view (detail), Whitechapel Gallery, London, 7 October 2020 – 10 January 2021. Photo: Polly Eltes. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/P_75_119.jpg Bernard Leach. Square dish, 1950. Porcelain, 2 × 15.5 cm. © Image kindly provided by the Crafts Study Centre, University for the Creative Arts. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/P_82_15.jpg Bernard Leach. Tile, c1928. Fireclay, 9.5 x 9.5 cm. Image kindly provided by the Crafts Study Centre, University for the Creative Arts. © Bernard Leach Estate. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/thumbnail_48970017.jpg Kai Althoff. Untitled, 2017. Oil paint, oil crayon, ink, gouache and metallic pigment on paper, 41.9 x 59.1 cm. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/thumbnail_F1000029.jpg Kai Althoff. View of Ich meine es auf jeden Fall schlecht mit Ihnen, Kunsthalle Zürich, 2007. Various sculptures, paintings and drawings, dimensions variable. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/thumbnail_KA_W_112.jpg Kai Althoff. Untitled, 2005. Fabric, enamel, spray and oil paint, plastic adhesive foil, 95.3 x 86.4 cm. https://www.studiointernational.com/images/articles/a/047-althoff-kai-2020/thumbnail_Photo28_28.jpg Kai Althoff. View of Kai Althoff , Michael Werner Gallery, London, 2014. Paintings, mannequins , dresses, knitwear, linen fabric, furniture, lamp, dimensions variable. https://www.studiointernational.com/index.php/sin-review-national-gallery-london-agnolo-bronzino-brueghel-the-elder https://www.studiointernational.com/images/articles/s/031-sin-2020/01.jpg Bronzino, An Allegory with Venus and Cupid, c1545. Oil on wood, 146.1 x 116.2 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/031-sin-2020/02.jpg Diego Velázquez, The Immaculate Conception, 1618-19. Oil on canvas, 135 x 101.6 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/031-sin-2020/03.jpg William Holman Hunt, The Scapegoat, 1854-55. Oil on canvas, 33.7 × 45.9 cm. Manchester Art Gallery (1906.2). © Manchester Art Gallery / Bridgeman Images https://www.studiointernational.com/images/articles/s/031-sin-2020/04.jpg Master of Saint Giles, The Mass of Saint Giles, about 1500. Oil on oak, 62.3 × 46 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/031-sin-2020/05.jpg Jan Brueghel the Elder, The Garden of Eden, 1613. Oil on copper, 23.7 x 36.8 cm. On loan from private collection, Hong Kong. © Private Collection, Hong Kong. https://www.studiointernational.com/images/articles/s/031-sin-2020/07.jpg Lucas Cranach the Elder, Venus and Cupid, 1529. Oil on wood, 38.1 × 23.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/031-sin-2020/06.jpg Lucas Cranach the Elder, Adam and Eve, 1526. Oil on wood, 117.1 x 80.8 cm. On loan from The Samuel Courtauld Trust, The Courtauld Gallery, London. © The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/s/031-sin-2020/08.jpg Pieter Bruegel the Elder, Christ and the Woman taken in Adultery, 1565. Oil on wood, 24.1 x 34.4 cm. On loan from The Samuel Courtauld Trust, The Courtauld Gallery, London. © The Samuel Courtauld Trust, The Courtauld Gallery, London. https://www.studiointernational.com/images/articles/s/031-sin-2020/09.jpg Jan Steen, The Effects of Intemperance, about 1663-5. Oil on wood, 76 x 106.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/031-sin-2020/10.jpg William Hogarth, Marriage A-la-Mode: 2, The Tête à Tête, about 1743. Oil on canvas, 69.9 x 90.8 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/031-sin-2020/13.jpg Ron Mueck, Youth, 2009. Mixed media, 65 × 28 × 16 cm. Courtesy the artist. © Ron Mueck / photo the National Gallery, London. https://www.studiointernational.com/images/articles/s/031-sin-2020/11.jpg Installation view of Sin exhibition at the National Gallery © The National Gallery, London showing Andy Warhol, Repent and Sin No More!, 1985-86. Acrylic paint and silkscreen on 2 canvases, 203.4 × 178.1 × 3.3 cm. ARTIST ROOMS: Tate and National Galleries of Scotland. Acquired jointly through The d https://www.studiointernational.com/images/articles/s/031-sin-2020/12.jpg Tracey Emin, It was just a kiss, 2010 (photography of original 2010 work). Neon lights, 57.7 × 97.3 cm. Private collection. © Tracey Emin. All rights reserved, DACS/Artimage 2020. Image courtesy the artist. https://www.studiointernational.com/index.php/susie-macmurray-interview-a-feather-is-never-just-feather-fishook-murmur-pangolin-london https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/4295-Susie-MacMurray--0145-Clutch.jpg Susie MacMurray. Clutch, 2019. Silk velvet, wax and fish hooks, 12 x 16 x 16 cm. Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/4295-Susie-MacMurray--0029-Murmur-detail.jpg Susie MacMurray. Murmur, 2020. Ostrich feather barbs, piano wire, fish hooks, wax and upholstery thread, dimensions site specific. Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/4295-Susie-MacMurray-0175-Brood.jpg Susie MacMurray. Brood, 2020. Wax and fish hooks, 7 x 9 x 9 cm. Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/3380-Susie-MacMurray-Medusa-c-Ben-Blackall.jpg Susie MacMurray. Medusa, 2014-15. Handmade copper chain mail over fibreglass and steel armature, 182.9 x 243.8 x 243.8 cm (72 1/8 x 96 x 96 in). Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/4295-Susie-MacMurray-0154-Sisters.jpg Susie MacMurray. Sisters, 2020. Wax, silk velvet, sheep’s wool and perspex box, 26 x 25 x 25 cm. Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/4295-Susie-MacMurray--0137-Rapunzel.jpg Susie MacMurray. Rapunzel, 2020. Wax and black wire, 76.5 x 28 x 28 cm. Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/4295-Susie-MacMurray--0085-crop-Gauze-Drawing.jpg Susie MacMurray. Gauze Bandage Drawing II, 2019. Ink on paper, 152 x 121 cm. Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/4295-Susie-MacMurray-0108-Object.jpg Susie MacMurray. Object, 2020. Silk velvet and wax, 82 x 12 x 8 cm. Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/4295-Susie-MacMurray-0928.jpg Susie MacMurray in her studio, July 2020. Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/images/articles/m/040-macmurray-susie-2020/4295-Susie-MacMurray--0164-Foundling.jpg Susie MacMurray. Foundling, 2020. Sliced deer antlers, silk velvet and stuffing, 10 x 44 x 10 cm. Photo: Ben Blackall and Steve Russell Studios. https://www.studiointernational.com/index.php/monica-von-schmalensee-interview-architecture-instrument-for-creating-better-quality-of-life-white-arkitekter-sweden https://www.studiointernational.com/images/articles/s/033-schmalensee-monica-von-2020/Monica-von-Schmalensee-photo-by-Camilla-Svensk-3.jpg Monica von Schmalensee. https://www.studiointernational.com/images/articles/s/033-schmalensee-monica-von-2020/Kiruna-Masterplan-White-Arkitekter.jpg Kiruna – masterplan of one of the biggest urban transformation projects in recent history. https://www.studiointernational.com/images/articles/s/033-schmalensee-monica-von-2020/Climate-Innovation-District_Solar-Avenue.jpg Climate Innovation District, Leeds, UK – named as one of the winners at the Housing Design Awards. The project draws on Scandinavian best practice and harnesses the latest technology to deliver new low-carbon homes alongside manufacturing, leisure, offices, a care home, primary school and climate resilient public realm. https://www.studiointernational.com/images/articles/s/033-schmalensee-monica-von-2020/Places-for-Girls-White-Arkitekter.jpg Places for Girls – a research project about how to make cities more inclusive and social sustainable. As a part of the London Festival of Architecture 2018, White invited festival goers to experience the city from a girl’s perspective through a piece of street theatre together with teenage girls. https://www.studiointernational.com/images/articles/s/033-schmalensee-monica-von-2020/Selma-Lagerlofs-Centre-White-Arkitekter.jpg Selma Lagerlöfs Centre, Gothenburg, Sweden – a civic building for culture and a forerunner in circular architecture with 92% reused furniture. https://www.studiointernational.com/images/articles/s/033-schmalensee-monica-von-2020/Far-Roc_Pier-White-Arkitekter.jpg Far Roc, Queens, New York, US – our winning proposal, called Small Means and Great Ends, n FAR ROC Design Competition for Resilient and Sustainable Development of Rockaways. https://www.studiointernational.com/images/articles/s/033-schmalensee-monica-von-2020/Far-Roc_Boardwalk-White-Arkitekter.jpg Far Roc, Queens, New York, US – our winning proposal, called Small Means and Great Ends, n FAR ROC Design Competition for Resilient and Sustainable Development of Rockaways. https://www.studiointernational.com/images/articles/s/033-schmalensee-monica-von-2020/Sara-Cultural-Centre-White-Arkitekter.jpg Sara Cultural Centre, Skellefteå, Sweden – Standing almost 80 meters, the 20-storey high Sara Cultural Centre will be one of the world’s tallest timber buildings when completed in Q3 2021. https://www.studiointernational.com/images/articles/s/033-schmalensee-monica-von-2020/Sidney-White-White-Arkitekter.jpg Sidney White, founder of White Arkitekter. https://www.studiointernational.com/index.php/art-basel-miami-beach-2020-cancelled-covid-ovr2020-online-viewing-rooms-review https://www.studiointernational.com/images/articles/a/044-abmb-2020/Edward-Hopper-Dune-with-Green-Top-1930.jpg Edward Hopper’s Dune with Green Top, 1930, from Menconi + Schoelkopf’s Art Basel OVR: Miami Beach 2020 presentation. Image courtesy Menconi + Schoelkopf. https://www.studiointernational.com/images/articles/a/044-abmb-2020/03-Hauser-Wirth-OVR-Miami-Beach.jpg Hauser & Wirth, Art Basel Miami Beach, OVR2020, screenshot. https://www.studiointernational.com/images/articles/a/044-abmb-2020/ebony-g-patterson.jpg Ebony G Patterson, When the Land is in Plumage..., 2020. Monique Meloche, Art Basel Miami Beach, OVR2020, screenshot. https://www.studiointernational.com/images/articles/a/044-abmb-2020/04-Tompkins_Untitled.jpg Rosie Lee Tompkins, Untitled, c1974. 62 1/4 x 34 3/4 in (158.1 x 88.3 cm). Image courtesy Anthony Meier Fine Arts. https://www.studiointernational.com/images/articles/a/044-abmb-2020/Muholi-Owake-X-Sheraton-Brooklyn-New-York-2019-LR.jpg Zanele Muholi. Owake X, Sheraton, Brooklyn, New York, 2019. Gelatin Silver Print, image and paper size 23 5/8 x 15 3/4 in. Image courtesy Yancey Richardson. https://www.studiointernational.com/images/articles/a/044-abmb-2020/10-Tomoo-Gokita.jpg Tomoo Gokita, Future Days, 2020. Acrylic on canvas, 63 3/4 x 51 3/8 in. © Tomoo Gokita, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo. https://www.studiointernational.com/images/articles/a/044-abmb-2020/Yayoi-kusama-Miami-NY-David-Zwirner.jpg Yayoi Kusama. Flowers That Bloom at Midnight, 2009 (detail). Art Basel Miami Beach, OVR2020, screenshot. https://www.studiointernational.com/images/articles/a/044-abmb-2020/Lynda-Benglis-Tempest-Juliet-1990.jpg Lynda Benglis, Tempest (Juliet), 1990. © 2020 Lynda Benglis / Licensed by VAGA at ARS, NY. Image courtesy Cheim Read. https://www.studiointernational.com/images/articles/a/044-abmb-2020/11-Chambers_AfterAlbers(Max)_2020_CourtesyoftheartistandRobertsProjects-LosAngeles-California.jpg Dominic Chambers, After Albers (Max), 2020. Oil on linen, 60 x 60 in (152.4 x 152.4 cm). Courtesy of the artist and Roberts Projects, Los Angeles, California. https://www.studiointernational.com/images/articles/a/044-abmb-2020/WDO-20-019.jpg Woody De Othello, Phone Jug, 2020. Ceramic and glaze, 43 x 16 x 16 in (109 x 41 x 41 cm). Courtesy of the artist and Karma, New York. https://www.studiointernational.com/images/articles/a/044-abmb-2020/22-ategwa.jpg Ajarb Bernard Ategwa. Young and responsible lady, 2020. Acrylic on canvas, 78.5 x 69.5 in. Image courtesy Fredric Snitzer Gallery. https://www.studiointernational.com/images/articles/a/044-abmb-2020/noah-davis.jpg Noah Davis. Winter Formal, 2008. Oil and acrylic on canvas, 40 1/4 x 30 1/8 in (102.2 x 76.5 cm). David Zwirner, Art Basel Miami Beach, OVR2020, screenshot. https://www.studiointernational.com/images/articles/a/044-abmb-2020/Greg-Breda-Lifting-Gravity_2020.jpg Greg Breda, Lifting Gravity, 2020. Acrylic on vellum, 45 5/8 x 38 5/8 x 2 1/8 in. Courtesy of the artist and PATRON Gallery, Chicago. https://www.studiointernational.com/images/articles/a/044-abmb-2020/beth-lipman-abmb-2020.jpg Beth Lipman. All in All, 2020. Glass, wood, clay, metal, paint, adhesive, 74 × 134 × 92 in (188 × 340.4 × 233.7 cm). Courtesy of Nohra Haime Gallery. https://www.studiointernational.com/images/articles/a/044-abmb-2020/Vaughn-Spann-the-prophets-bear-witness-2020.jpg Vaughn Spann, the prophets bear witness, 2020. Courtesy the artist and David Castillo. Photo by Zachary Balber. https://www.studiointernational.com/images/articles/a/044-abmb-2020/dorothea-rockburne-abmb-2020.jpg Dorothea Rockburne. Particle and Wave, 1994. Flashe paint and watercolour sticks on handmade paper, image: 9 1/2 x 12 1/2 in (24.1 x 31.8 cm), sheet: 19 1/2 x 24 3/4 in (49.5 x 62.9 cm). Image courtesy David Nolan Gallery. https://www.studiointernational.com/images/articles/a/044-abmb-2020/Sterling-Ruby-SKULL-2018-The-Future-Presented-by-Gagosian-and-Jeffrey-Deitch.jpg Sterling Ruby, SKULL (6985), 2018. Screenshot, The Future, presented by Gagosian and Jeffrey Deitch. https://www.studiointernational.com/images/articles/a/044-abmb-2020/28-AS19-3591_rtp_lg.jpg Analia Saban, Flowchart (Mountain), 2020. Two-colour etching, 16 5/8 x 19 7/8 in. © Analia Saban and Gemini G.E.L. https://www.studiointernational.com/index.php/exercising-freedom-exhibition-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/e/074-exercising-freedom-2020/Bruce-Nauman.jpg Jocelyn Clarke and Stephen Nelson leading a workshop with primary school pupils during the Bruce Nauman exhibition, 16 January – 8 March 1987, Whitechapel Gallery. Whitechapel Gallery Archive. https://www.studiointernational.com/images/articles/e/074-exercising-freedom-2020/Rob-Kesseler-Holy-Trinity-School.jpg Holy Trinity Primary, 1984, Artists in Schools residency with Rob Kesseler, Whitechapel Gallery. Whitechapel Gallery Archive. https://www.studiointernational.com/images/articles/e/074-exercising-freedom-2020/Eva-Hesse-education-workshop-(2)-1979.jpg School groups at Whitechapel Gallery during Eva Hesse exhibition, 4 May – 17 June 1979. Whitechapel Gallery Archive. https://www.studiointernational.com/images/articles/e/074-exercising-freedom-2020/Woven-Air.jpg Children taking part in workshops with master weavers Haji Kafiluddin Bhuiya and Nurul Islam during the exhibition Woven Air: The Muslin and Kantha Tradition of Bangladesh, 4 March – 1 May 1988, Whitechapel Gallery. Whitechapel Gallery Archive. https://www.studiointernational.com/images/articles/e/074-exercising-freedom-2020/Veronica-Ryan-Templars.jpg Veronica Ryan, Artists in Schools residency at Templars Secondary, 1984, Whitechapel Gallery. Whitechapel Gallery Archive. https://www.studiointernational.com/images/articles/e/074-exercising-freedom-2020/Jo-Stockham-John-Scurr-school.jpg Jo Stockham, Artists in Schools, residency at John Scurr Junior, 1987, Whitechapel Gallery. Whitechapel Gallery Archive. https://www.studiointernational.com/images/articles/e/074-exercising-freedom-2020/WAG_PHOT_294_59_64_2.jpg School groups at the Eva Hesse exhibition, 4 May – 17 June 1979, Whitechapel Gallery. Whitechapel Gallery Archive. https://www.studiointernational.com/images/articles/e/074-exercising-freedom-2020/Charlie-Hooker-Amherst-School.jpg Amherst Junior, 1987, Artists in Schools, residency and performance with Charlie Hooker and Bruce McClean, Whitechapel Gallery. Whitechapel Gallery Archive. https://www.studiointernational.com/images/articles/e/074-exercising-freedom-2020/Maria-Chevska-Hackney-Downs-School-2.jpg Hackney Downs Secondary, 1983-1984, Artists in Schools residency with Maria Chevska, Whitechapel Gallery. Whitechapel Gallery Archive. https://www.studiointernational.com/index.php/robert-smithson-hypothetical-islands-review-marian-goodman-london https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/RS-MirrorDisplac-UK-R1-09.jpg Robert Smithson in the UK working on a Mirror Displacement in 1969, photographed by Nancy Holt. © Holt/Smithson Foundation, licensed by VAGA at ARS, New York. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/23944-M-Smithson.jpg Robert Smithson. Island Project, 1970. Pencil on paper, 19 x 24 in (48.3 x 61 cm). © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. Courtesy the artist and Marian Goodman Gallery New York, Paris and London. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/23947-M-Smithson.jpg Robert Smithson. Floating Island – Barge to Travel around Manhattan Island, 1971. Graphite on paper, 18 1/4 x 23 1/4 in (46.2 x 58.9 cm). © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. Courtesy the artist and Marian Goodman Gallery New York, Paris and London. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/23960-Smithson.jpg Robert Smithson. Forking Paths, 1971. Pencil on paper, 19 x 24 in (48.3 x 61 cm). © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. Courtesy the artist and Marian Goodman Gallery New York, Paris and London. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/Install-view-53.jpg Robert Smithson: Hypothetical Islands, installation view, Marian Goodman Gallery, London. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/Install-view-22.jpg Robert Smithson: Hypothetical Islands, installation view, Marian Goodman Gallery, London. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/Install-view-32.jpg Robert Smithson: Hypothetical Islands, installation view, Marian Goodman Gallery, London. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/Install-view-34.jpg Robert Smithson: Hypothetical Islands, installation view, Marian Goodman Gallery, London. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/Install-view-40.jpg Robert Smithson: Hypothetical Islands, installation view, Marian Goodman Gallery, London. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/Install-view-8.jpg Robert Smithson: Hypothetical Islands, installation view, Marian Goodman Gallery, London. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/s/032-smithson-robert-2020/Install-view-9.jpg Robert Smithson: Hypothetical Islands, installation view, Marian Goodman Gallery, London. Photo: Lewis Ronald. https://www.studiointernational.com/index.php/trinity-buoy-wharf-drawing-prize-2020-review-cooper-gallery-university-of-dundee-scotland https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/TBWPrize20-eoincarey_0060.jpg Trinity Buoy Wharf Drawing Prize 2020, installation view Cooper Gallery. 2020. Photo: Eoin Carey. Courtesy Cooper Gallery DJCAD and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/LucyAnderson-Abueli.jpg Lucy Anderson, Abueli – Conversations with Grandson, 2020. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/Iain-Andrews-Breath4-still.jpg Iain Andrews, Breath Drawing (XIX), 2020. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/AndyBlack-SmallHeaps.jpg Andy Black, Small Heaps. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/YutaviaGeorge-BeyondConfinement1of6.jpg Yutavia George, Beyond Confinement 1-6, 2020. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/NicolaGrellier-NoBackbone229-1.jpg Nicola Grellier, No Backbone 229, 2020. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/NancyHaslamChance-Tea-1.jpg Nancy Haslam-Chance, Tea, 2020. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/SandyKendall-Untitled.jpg Sandy Kendall, Untitled, 2019. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/HelenaMcGrath-Closer2.jpg Helena McGrath, Closer 2, 2020. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/Ruth-Richmond-detail-TBWPrize20-eoincarey_318.jpg Ruth Richmond, 5 Lockdown Soul Poles, 2020. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/HormazdNarielwalla-RockPaperScissors.jpg Hormazd Narielwalla, Rock, Paper, Scissors, 2020. Artist’s book. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/BenJohnson-ScrovegniChapelWorksheet.jpg Ben Johnson, Scrovegni Chapel Worksheet, 2019. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/IsabelRock-GriefTheDinnerParty.jpg Isabel Rock, Grief – The Dinner Party, 2019. Courtesy the artist and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/images/articles/t/078-trinity-buoy-drawing-prize-2020/Yutavia-George-L-TBWPrize20-eoincarey_0077.jpg Trinity Buoy Wharf Drawing Prize 2020, installation view Cooper Gallery. 2020. Photo: Eoin Carey. Courtesy Cooper Gallery DJCAD and Trinity Buoy Wharf Drawing Prize. https://www.studiointernational.com/index.php/haegue-yang-strange-attractors-review-tate-st-ives https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/Haegue-Yang-Installation-view-3.jpg Installation view of Haegue Yang: Strange Attractors at Tate St Ives, 2020. Photo: Tate (Matt Greenwood). https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/SonicIntermediate-ParametersandUnknownsAfterHepworth.jpg Haegue Yang. Sonic Intermediate – Parameters and Unknowns After Hepworth (part of Sonic Intermediates – Three Differential Equations, 2020). Powder-coated steel frame, powder-coated mesh, powder-coated handles, casters, copper plated bells, metal rings, plastic twine, 216 x 125 x 125 cm. Courtesy of Galerie Barbara Wien, Berlin. Photo: Nick Ash. https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/SonicIntermediates-ThreeDifferentialEquations.jpg Haegue Yang. Sonic Intermediates – Three Differential Equations, 2020. Powder-coated steel frame, powder-coated mesh, powder-coated handles, casters, copper plated bells, metal rings, plastic twine, 216 x 125 x 125 cm. Courtesy of Galerie Barbara Wien, Berlin. Photo: Nick Ash. https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/TheIntermediate-TiltedBushyLumpyBumpy.jpg Haegue Yang. The Intermediate – Tilted Bushy Lumpy Bumpy, 2016. Artificial straw, powder-coated steel frame, powder-coated mesh, casters, 203 x 120 x 120 cm. Marc and Annette Kemmler Collection. Photo: Studio Haegue Yang. https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/Haegue-Yang-Installation-view-6.jpg Installation view of Haegue Yang: Strange Attractors at Tate St Ives, 2020. Photo: Tate (Matt Greenwood). https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/HY-installation-view-Sonic-Half-Moon-Types-II-2014-15.jpg Installation view of Haegue Yang Sonic Half Moon Types 2014-15 at Tate St Ives, 2020. Photo: Tate (Matt Greenwood). https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/Non-Indepliables-nues.jpg Haegue Yang. Non-Indépliables, nues, 2010-20. Drying racks, light bulbs, cable, zip ties, terminal strips. Courtesy of the artist. Photo: Nick Ash. https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/Haegue-Yang-1000.jpg Haegue Yang in her exhibition When The Year 2000 Comes at Kukje Gallery, Seoul, 2019 © Haegue Yang, courtesy Kukje Gallery, Seoul. Photo: Chunho An. https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/HY-installation-view-Airflow-of-Pyramid-Winnow-2015.jpg Installation view of Haegue Yang The Intermediate – Airflow of Pyramid Winnow 2015 at Tate St Ives, 2020. Photo: Tate (Matt Greenwood). https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/HY-installation-view-Crimped-Shooting-Star-and-Mesh-Mustache-2019.jpg Installation view of Haegue Yang Crimped Shooting Star 2019, Afternoon Stain 2019 and Mesh Mustache 2019 at Tate St Ives, 2020. Photo: Tate (Matt Greenwood). https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/Haegue-Yang-installation-view,-Reflected-Metallic-Cubist-Dancing-Mask-2020.jpg Installation view of Haegue Yang Reflected Metallic Cubist Dancing Mask 2020 at Tate St Ives, 2020. Photo: Tate (Matt Greenwood). https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/SonicHalfMoonTypeIII-LargeLight-22.jpg Haegue Yang. Sonic Half Moon Type III – Large Light #22, 2015. Powder-coated steel frame, powder-coated mesh, steel wire rope, brass and nickel plated bells, metal rings, 187 x 84 x 84 cm. Courtesy of the artist. Photo: Florian Kleinefenn. https://www.studiointernational.com/images/articles/y/096-yang-haegue-2020/TheIntermediate-AirflowofPyramidWinnow.jpg Haegue Yang. The Intermediate – Airflow of Pyramid Winnow, 2015. Artificial straw, powder-coated steel frame, casters, plastic raffia string, artificial plants, 180 x 95 x 95 cm. Courtesy of Galerie Barbara Wien, Berlin. Photo: Sang Tae Kim. https://www.studiointernational.com/index.php/trulee-hall-interview-zabludowicz-collection-when-i-say-whore-i-wouldnt-say-its-a-bad-word https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2222.jpg Trulee Hall, exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2216.jpg Trulee Hall, Tongues Duel the Corn Whores, An Opera, 2020. Exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/Trulee-Hall-Tongues-Duel-the-Corn-Whores.jpg Trulee Hall, Tongues Duel the Corn Whores, An Opera, 2020. Photo: Mike Massaro. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2102_A.jpg Trulee Hall, Tongues Duel the Corn Whores, An Opera, 2020. Exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2020.jpg Trulee Hall, exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2083.jpg Trulee Hall, Tongues Duel the Corn Whores, An Opera, 2020. Exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_1133.jpg Trulee Hall, Serpent Dance for the Red Witches, 2018. Exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_1356.jpg Trulee Hall, Polkadot Bedroom, Nightmare Set (Girl/ Monster), 2018. Exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2308.jpg Trulee Hall, exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_1290.jpg Trulee Hall, Serpent Dance for the Red Witches, 2018 (detail). Exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_1352.jpg Trulee Hall, Polkadot Bedroom, Nightmare Set (Girl/ Monster), 2018. Exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2046.jpg Trulee Hall, exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2069.jpg Trulee Hall, Tongues Duel the Corn Whores, An Opera, 2020. Exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2102_B.jpg Trulee Hall, Tongues Duel the Corn Whores, An Opera, 2020. Exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/048-hall-trulee-2020/TBB_2283.jpg Trulee Hall, exhibition view at Zabludowicz Collection, London, 2020. Photo: Tim Bowditch. https://www.studiointernational.com/index.php/arctic-culture-and-climate-review-british-museum-london https://www.studiointernational.com/images/articles/a/046-arctic-2020/5-Carved-ivory-model-group-of-a-dog-sled.jpg Ivory model sled with dogs, Northeast Siberia, Russia. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/046-arctic-2020/4-Childs-all-in-one-suit.jpg Child’s all-in-one suit made of caribou fur. Inuit, Igloolik, Nunavut, Canada. 1980s. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/046-arctic-2020/2-Sami-hat.jpg Woman’s hat or ládjogahpir, Sámi, Norway. Wool, horn, cotton and silk, pre-1919. © Trustees of the British Museum. https://www.studiointernational.com/images/articles/a/046-arctic-2020/1-Nunavut-Qajanartuk.jpg Nunavut Qajanartuk (Our Beautiful Land), Kenojuak Ashevak (1927–2013). Inuit; Baffin Island, Nunavut, Canada. 1999. Hand-coloured lithograph. Reproduced with the permission of Dorset Fine Arts. https://www.studiointernational.com/images/articles/a/046-arctic-2020/3-Arctic-Foliage-wall-hanging.jpg Hatti Akilak (1938–2010), Inuit, Baker Lake, Nunavut, Canada. Arctic Foliage. Felt and wool wall hanging. © Hatti Akilak. https://www.studiointernational.com/index.php/emma-nicolson-interview-climate-house-inverleith-royal-botanic-garden-edinburgh https://www.studiointernational.com/images/articles/n/077-nicolson-emma-2020/Night-Garden-Cardiocrinum-Wendy-McMurdo-2020.jpg Wendy McMurdo, Night Garden (cardiocrinum), 2020. © the artist. https://www.studiointernational.com/images/articles/n/077-nicolson-emma-2020/As-If-The-Entanglements-Of-Our-Lives-Did-Not-Matter-Pearl-2019-2020.jpg Annalee Davis. As If The Entanglements Of Our Lives Did Not Matter – Pearl, 2019-20. Mixed media drawings on paper and ledger pages, 60 x 36 cm. Photo: Daniel Christaldi. https://www.studiointernational.com/images/articles/n/077-nicolson-emma-2020/Brownea-grandceps-by-Maria-Alice-de-Rezende.jpg Maria Alice de Rezende. Brownea grandceps. https://www.studiointernational.com/images/articles/n/077-nicolson-emma-2020/RBGE-Florilegium-A-gathering-of-flowers_Wendy-McMurdo_Night-Garden_Image-Credit-Tom-Nolan_2.jpg Night Garden (Inverleith House, RBGE Edinburgh), Wendy McMurdo, 2020. Photo: Tom Nolan https://www.studiointernational.com/images/articles/n/077-nicolson-emma-2020/RBGE-Florilegium-A-gathering-of-flowers_Installation-shot-_Image-Credit-Tom-Nolan.jpg RBGE Florilegium, A gathering of flowers. Photo: Tom Nolan. https://www.studiointernational.com/index.php/katharina-grosse-interview-my-eyes-my-most-important-tools-push-the-limits-fondazione-merz-turin https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/40_06_KG300620_0156_photo-Jens-Ziehe.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Jens Ziehe. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/01_023_photo-Nic-Tenwiggenhorn_ret-joh_kr.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Nic Tenwiggenhorn. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/02_KG100620_029b_photo-Jens-Ziehe.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Jens Ziehe. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/04_KG100620_017new_photo-Jens-Ziehe.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Jens Ziehe. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/KG-I-2018-4003-002.jpg Katharina Grosse, Wunderbild, 2018. Acrylic on fabric, 1,450 x 5,620 x 670 cm and 1,450 x 5,490 x 690 cm. Installation view National Gallery in Prague, Czech Republic. Photo: Jens Ziehe; Commissioned by National Gallery in Prague; Courtesy Galerie nächst St. Stephan Rosemarie Schwarzwälder, Gagosian, and König Galerie. © 2020 Katharina Grosse and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/KG-I-2018-4003-007.jpg Katharina Grosse, Wunderbild, 2018 (detail). Acrylic on fabric, 1,450 x 5,620 x 670 cm and 1,450 x 5,490 x 690 cm. Installation view National Gallery in Prague, Czech Republic. Photo: Jens Ziehe; Commissioned by National Gallery in Prague; Courtesy Galerie nächst St. Stephan Rosemarie Schwarzwälder, Gagosian, and König Galerie. © 2020 Katharina Grosse and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/KG_I_2016_4003.002.jpg Katharina Grosse, Rockaway, 2016. MoMA PS1’s Rockaway! series, New York, USA. Acrylic on wall, ground and various objects, 600 x 1,500 x 3,500 cm. Photo: Pablo Enriquez; Courtesy of MoMA PS1. © 2020 Katharina Grosse and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/KG_I_2016_4003.007.jpg Katharina Grosse, Rockaway, 2016. MoMA PS1’s Rockaway! series, New York, USA. Acrylic on wall, ground and various objects, 600 x 1,500 x 3,500 cm. Photo: Pablo Enriquez; Courtesy of MoMA PS1. © 2020 Katharina Grosse and VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/A4A0094.jpg Katharina Grosse, The horse trotted a little bit further, 2020, acrylic on fabric, 5500 x 1500 cm. Exhibition view, Push the Limits, Fondazione Merz. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/03_KG100620_128_photo-Jens-Ziehe.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Jens Ziehe. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/06b_KG300620_0144_photo-Jens-Ziehe.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Jens Ziehe. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/19-Jens-Ziehe.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Jens Ziehe. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/20_KG100620_028new_photo-Jens-Ziehe.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Jens Ziehe. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/33_KG100620_009_photo-Jens-Ziehe.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Jens Ziehe. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/41_KG100620_022_photo-Jens-Ziehe.jpg Katharina Grosse, It Wasn’t Us, 2020, Hamburger Bahnhof – Museum für Gegenwart – Berlin. Acrylic on floor, polystyrene and bronze; paint on asphalt, concrete, bricks and metal, 700 x 6,500 x 18,300 cm. Courtesy König Galerie / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: Jens Ziehe. © Katharina Grosse and VG Bild-Kunst, Bonn, 2020. https://www.studiointernational.com/images/articles/g/067-grosse-katharina-2020/KG_I_2016_4003.003.jpg Katharina Grosse, Rockaway, 2016. MoMA PS1’s Rockaway! series, New York, USA. Acrylic on wall, ground and various objects, 600 x 1,500 x 3,500 cm. Photo: Pablo Enriquez; Courtesy of MoMA PS1. © 2020 Katharina Grosse and VG Bild-Kunst, Bonn. https://www.studiointernational.com/index.php/brian-dawn-chalkley-the-untold-depth-of-savagery-review-lungley-gallery-seventeen-gallery-london https://www.studiointernational.com/images/articles/c/031-chalkley-brian-dawn-2020/BDC-ideal-2020.jpg Brian Dawn Chalkley. Ideal, 2020. Pencil, felt tip and thread on cotton pillow case 75 cm x 45 cm https://www.studiointernational.com/images/articles/c/031-chalkley-brian-dawn-2020/BDC-Anticipation-of-what-was-about-to-come-2020.jpg Brian Dawn Chalkley. Anticipation of what was about to come, 2020. Pencil, felt tip and thread on cotton pillow case, 75 cm x 45 cm. https://www.studiointernational.com/images/articles/c/031-chalkley-brian-dawn-2020/BDC-Figure-in-pink-2020.jpg Brian Dawn Chalkley. Figure in pink, 2020. Pencil, felt tip and thread on cotton pillow case, 75 x 45 cm. https://www.studiointernational.com/images/articles/c/031-chalkley-brian-dawn-2020/BDC-Antonin-Artaud-on-the-beach-2020.jpg Brian Dawn Chalkley. Antonin Artaud on the beach, 2020. Pencil, felt tip and thread on cotton pillow case, 75 x 45 cm. https://www.studiointernational.com/index.php/the-film-london-jarman-award-2020-review https://www.studiointernational.com/images/articles/d/065-derek-jarman-award-2020/Jarman-Award-2020_shortlist-composite_portraits.jpg Jenn Nkiru, Project Art Works, Hannah Quinlan and Rosie Hastings, Larissa Sansour, Michelle Williams Gamaker and Andrea Luka Zimmerman. The Film London Jarman Award 2020 shortlist. https://www.studiointernational.com/index.php/abigail-deville-light-of-freedom-review-madison-square-park https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/MSPC-ADeVille-LightOfFreedom-InstallationViews-102220-0001.jpg Abigail DeVille. ​Light of Freedom, 2020. Welded steel, cabling, rusted metal bell, mannequin arms, metal scaffolding, wood, 156 x 96 x 96 inches approximately. Collection the artist. Madison Square Park Conservancy, New York. Photo: Andy Romer. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/MSPC-ADeVille-LightOfFreedom-Install-102020-0668.jpg Abigail DeVille installing ​Light of Freedom in Madison Square Park, 2020. Welded steel, cabling, rusted metal bell, mannequin arms, metal scaffolding, wood, 156 x 96 x 96 inches approximately. Collection the artist. Madison Square Park Conservancy, New York. Photo: Andy Romer. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/MSPC-ADeVille-LightOfFreedom-installationViews-102220-0543.jpg Abigail DeVille. ​Light of Freedom, 2020. Welded steel, cabling, rusted metal bell, mannequin arms, metal scaffolding, wood, 156 x 96 x 96 inches approximately. Collection the artist. Madison Square Park Conservancy, New York. Photo: Andy Romer. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/drawing.jpg Abigail DeVille. Proposal for ​Light of Freedom​ in Madison Square Park, New York, 2020. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/MSPC-FallViews-102720-0434-REVISED-B.jpg Abigail DeVille. ​Light of Freedom, 2020. Welded steel, cabling, rusted metal bell, mannequin arms, metal scaffolding, wood, 156 x 96 x 96 inches approximately. Collection the artist. Madison Square Park Conservancy, New York. Photo: Andy Romer. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/ADeVille-LightOfFreedom-homepage.jpg Abigail DeVille. ​Light of Freedom, 2020. Welded steel, cabling, rusted metal bell, mannequin arms, metal scaffolding, wood, 156 x 96 x 96 inches approximately. Collection the artist. Madison Square Park Conservancy, New York. Photo: Andy Romer. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/ADDC-Obelisk.jpg Abigail DeVille. ​ADDC Obelisk​, 2014. Wood, cinder blocks, fabric, paper, plastic, chicken wire, plaster, crates, shopping carts, tape, rope, paint, barbed wire, gold leaf, box springs, 60 x 60 x 180 inches. Courtesy the artist. Photo: Groana Melendez. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/Charm-City-Roundhouse-2016.jpg Abigail DeVille. ​Charm City Round House​, 2016. Tarps, brown paper, accumulated debris, heirlooms, found objects, bicycle, scale model of The Peale Museum, tarp version of ​The Star-Spangled Banner​, mannequins, 240 x 180 x 96 inches. Installed at the former The Peale Museum (Municipal Museum of the City of Baltimore), Baltimore. Courtesy the artist. Photo: Ginevra Shay. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/Haarlem-Tower-of-Babel-02.jpg Abigail DeVille. Haarlem Tower of Babel​, 2012. Reclaimed lumber, accumulated debris from Dead Horse Bay, my grandmother’s heirlooms, charcoal, mannequin legs, American flag painting, zip ties, shopping cart, milk crates, 72 x 72 x 192 inches. Courtesy the artist. Photo: LaToya Ruby Frazier. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/Midsummer-Event-Horizon-2014.jpg Abigail DeVille. Midsummer Event Horizon​, 2014. Accumulated debris, heirlooms, aluminum foil sheeting, furniture, painted backdrop, 600 x 480 x 240 inches. Installed at ​A Midsummer Night's Dream​ by William Shakespeare. Directed by Peter Sellers. Stratford Festival. Ontario, Canada. July 11- September 24, 2014. Courtesy the artist. Photo: Abigail DeVille. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/Wave-Wall-1-2018.jpg Abigail DeVille. Wave Wall I​, 2018. Fabric scraps; wood; metal chain-link fencing; Good Will toys from Portland, Oregon; metal bells; stuffed animals; disco ball; electric doll, 180 x 36 x 96 inches. Courtesy the artist. Photo: Evan LaLonde. https://www.studiointernational.com/images/articles/d/066-deville-abigail-2020/boat-with-legs.jpg Abigail DeVille. Sarcophagus Blue​, 2017. Boat, mannequin legs, nylon stockings, wood, rope, paint, 132 x 48 x 36 inches. Installed at The Armory Show, New York. Courtesy the artist. Photo: Abigail DeVille. https://www.studiointernational.com/index.php/genesis-floating-church-on-narrowboat-east-london-denizen-works-review https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-023.jpg Exterior view. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-024.jpg Interior view with the Reverend Dave Pilkington. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-004.jpg Interior view with roof raised and flatpack altar. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-010.jpg Interior with demountable stools and trestle tables. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-016.jpg Exterior view with pop-up roof. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-020.jpg Interior view with window detail. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-006.jpg Window and interior detail. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-1000.jpg Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-002.jpg Interior view with flatpack altar and stools. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-009.jpg Interior with light well. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-011.jpg Interior with stools. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/images/articles/f/075-floating-church-2020/Floating-Church-Gilbert-McCarragher-015.jpg Exterior view. Genesis, a floating faith space, designed by architects Denizen Works. Photo: Gilbert McCarragher. https://www.studiointernational.com/index.php/shaping-the-world-sculpture-from-prehistory-to-now-book-review https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-12-13-Parinirvana-Buddha.jpg Parinirvana Buddha, Gal Vihara, Polonnaruwa, Sri Lanka, 11th–12th century. Stone, length c14 m (45 ft 11¼ in). Photo: Pierre Vauthey/Sygma / Getty Images. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-156-Michaelangelo-Rondanini-Pieta.jpg Michelangelo, Rondanini Pietà, c1552–64. Marble, height 196 cm (77¼ in). Castello Sforzesco, Milan. Photo: Peter Horree / Alamy Stock Photo. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-62-Silbury-Hill.jpg Silbury Hill, Avebury, Wiltshire, c2400 bce. Photo © Clickos / Dreamstime https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-121-The-Hand-of-Rodin.jpg Auguste Rodin. The Hand of Rodin, cast 1917. Plaster, 15.9 × 22.9 × 9.5 cm (6¼ × 9 × 3¾ in.). Philadelphia Museum of Art. Photo: Philadelphia Museum of Art. Bequest of Jules E. Mastbaum, 1929. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-225-Annual-Great-Buddha-dusting-Todaiji-Temple-Japan.jpg Annual Great Buddha dusting, Todaiji Temple, Nara, Japan, 8th century. Bronze, height c15 m (49 ft). Photo: Photo The Asahi Shimbun / Getty Images. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-100-101-Antony-Gormley-Cave-2019.jpg Antony Gormley. Cave, 2019. Installation view, Royal Academy of Arts, London, 2019. 8 mm weathering steel, 14.1 × 11.4 × 7.3 m (46 ft 3⅝ in. × 37 ft 3¾ in. × 24 ft 1 in.). Photo: Oak Taylor-Smith. © the artist. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-241-Antony-Gormley-Another-Place.jpg Antony Gormley. Another Place, 1997. Permanent installation, Crosby Beach, Merseyside, England. A Sefton Metropolitan Borough Council Commission. Photo: Stephen White. © the artist. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/shaping-the-world-book-cover.jpg Shaping the World: Sculpture from Pre-History to Now, by Antony Gormley and Martin Gayford. Published by Thames & Hudson; Antony Gormley, Another Place, 1997. Permanent installation, Crosby Beach, Merseyside, England. A Sefton Metropolitan Borough Council Commission. Photo: Stephen White. © the artist. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-170-Rape-of-the-Sabine-Women-Giambologna.jpg Giambologna. Rape of the Sabine Women, 1583 (detail). Photo: Ela Bialkowska, OKNO Studio. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-117-Terracotta-Warriors.jpg Terracotta Warriors, c221–206 bce. Mausoleum of Qin Shihuangdi, Lintong District, Xi’an, Shaanxi, China. Photo © Platongkoh / Dreamstime.com. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-24-Venus-of-Hohle-Fels.jpg Venus of Hohle Fels, c40,000 bce. Mammoth ivory, height 6 cm (2⅜ in.). Urgeschichtliches Museum, Blaubeuren, Germany. Photo: Manuela Schreiner from Archäologisches Landesmuseum Konstanz (ALM). https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-247-Franz-Xaver-Messerschmidt-Character-Head-No-6.jpg Franz Xaver Messerschmidt. Character Head No. 6, 1777–81. Alabaster, height 43 cm (17 in.). Belvedere, Vienna, Austria. Photo: Belvedere, Vienna. https://www.studiointernational.com/images/articles/s/030-shaping-sculpture-2020/Page-37-Antony-Gormley-New-York-Clearing.jpg Antony Gormley. New York Clearing, 2020. Installation view, Brooklyn, Bridge Park Project, New York, 2020. Approx. 16 km of 25.4 mm square section aluminium and steel spigots, 12.5 × 2.86 × 2.62 m (41 ft ¼ in. × 9 ft 4⅝ in. × 8 ft 7¼ in.). Photo: Scott Rudd. © Antony Gormley. https://www.studiointernational.com/index.php/kandinsky-review-guggenheim-bilbao https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/1970-94-ph-new.jpg Vasily Kandinsky. Unshaken (Unerschüttert), February 1929. Watercolor and ink on paper, 35.4 × 49.1 cm. The Hilla von Rebay Foundation, On extended loan to the Solomon R. Guggenheim Museum, New York 1970.94. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/41-505-ph.jpg Vasily Kandinsky. Blue Mountain (Der blaue Berg), 1908–09. Oil on canvas, 107.3 × 97.6 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift 41.505. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/1970-141-ph.jpg Vasily Kandinsky. Church (Kirche), 1907. Woodcut, image 13.3 × 14.7 cm; sheet: 18.2 × 15.6 cm. The Hilla von Rebay Foundation, On extended loan to the Solomon R. Guggenheim Museum, New York 1970.141. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/43-921-ph.jpg Vasily Kandinsky. Small Pleasures (Kleine Freuden), June 1913. Oil on canvas, 110.5 × 120 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 43.921 © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/37-245-ph.jpg Vasily Kandinsky. Painting with White Border (Bild mit weißem Rand), May 1913. Oil on canvas, 140.3 × 200.3 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift 37.245. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/37-241-ph.jpg Vasily Kandinsky. Black Lines (Schwarze Linien), December 1913. Oil on canvas, 130.5 × 131.1 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift 37.241. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/37-262-ph-1.jpg Vasily Kandinsky. Composition 8 (Komposition 8), July 1923. Oil on canvas, 140.3 × 200.7 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift 37.262. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/49-1222-ph.jpg Vasily Kandinsky. Around the Circle (Autour du cercle), May–August 1940. Oil and enamel on canvas, 97.2 × 146.4 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 49.1222. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/41-504-ph.jpg Vasily Kandinsky. Landscape with Factory Chimney (Landschaft mit Fabrikschornstein), 1910. Oil on canvas, 66 × 81.9 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift 41.504. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/12-589159.jpg Erfurth Hugo. Portrait of Kandinsky. Paris, Centre Pompidou - Musée national d'art moderne - Centre de création industrielle. Photo © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Guy Carrard. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/37-239-ph.jpg Vasily Kandinsky. Improvisation 28 (Second Version) (Improvisation 28 [zweite Faßung]), 1912. Oil on canvas, 112.6 × 162.5 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift 37.239. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/37254_ph_new.jpg Vasily Kandinsky. In the Black Square (Im schwarzen Viereck), June 1923. Oil on canvas, 97.5 × 93.3 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift 37.254. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/41-283-ph-2.jpg Vasily Kandinsky. Several Circles (Einige Kreise), January–February 1926. Oil on canvas, 140.7 × 140.3 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift 41.283. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/45-989-ph-new.jpg Vasily Kandinsky. Dominant Curve (Courbe dominante), April 1936. Oil on canvas, 129.2 × 194.3 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 45.989. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/46-1022-ph.jpg Vasily Kandinsky. Striped (Rayé), November 1934. Oil with sand on canvas, 81 × 100 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 46.1022. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/images/articles/k/066-kandinsky-2020/49-1224-ph.jpg Vasily Kandinsky. Fragments, May 1943. Oil and gouache on board, 41.9 × 57.9 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 49.1224. © Vasily Kandinsky, VEGAP, Bilbao, 2020. https://www.studiointernational.com/index.php/jim-dine-interview-i-never-stop-looking-examing-inventing-a-day-longer-galerie-templon-paris https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/DINE_Vue-dexpo_A-Day-Longer-2-Credit-Nicolas-Brasseur.jpg Jim Dine: A Day Longer, installation view, Galerie Templon, Paris. Photo: Nicolas Brasseur. https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/DINE-Vue-dexpo-A-Day-Longer-13-Credit-Nicolas-Brasseur.jpg Jim Dine: A Day Longer, installation view, Galerie Templon, Paris. Photo: Nicolas Brasseur. https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/Jim-DINE-02-At-Dunkerque-Version-2.jpg Jim Dine. At Dunkerque Version 2 Unique State, 2020. Bronze (unique cast at Bocquel https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/DINE-Vue-dexpo-A-Day-Longer-3-Credit-Nicolas-Brasseur.jpg Jim Dine: A Day Longer, installation view, Galerie Templon, Paris. Photo: Nicolas Brasseur. https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/jim-DINE-Forgotten-Harvest-Fragrant-Spirit_2020.jpg Jim Dine. Forgotten Harvest, Fragrant Spirit, 2020. Oil and acrylic on linen with bronze and aluminium heads incrusted, 161 x 430 x 21 cm (63 3/8 x 169 2/8 x 8 2/8 in). Image © Courtesy Templon, Paris – Brussels. https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/jim-dine-Prophet-in-the-Storm_2020.jpg Jim Dine. Prophet in the Storm, 2020. Oil, acrylic and wood on panel, 246 x 246 x 19 cm (96 7/8 x 96 7/8 x 7 1/2 in). Image © Courtesy Templon, Paris – Brussels. https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/jim-dine-Rules-of-the-Forest-2020.jpg Jim Dine. Rules of the Forest, 2020. Oil and acrylic on lime and ash tress slates panel, 283 x 288 cm (111 3/8 x 113 3/8 in). https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/DINE_Vue-dexpo_A-Day-Longer-15-Credit-Nicolas-Brasseur.jpg Jim Dine: A Day Longer, installation view, Galerie Templon, Paris. Photo: Nicolas Brasseur. https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/DINE-Vue-dexpo-A-Day-Longer-11-Credit-Nicolas-Brasseur.jpg Jim Dine: A Day Longer, installation view, Galerie Templon, Paris. Photo: Nicolas Brasseur. https://www.studiointernational.com/images/articles/d/066-dine-jim-2020/jim-DINE-Me-1-2020.jpg Jim Dine. Me #1, 2020. Oil on linen, 65 x 54 cm (25.5 x 21. 25 in). Image © Courtesy Templon, Paris – Brussels. https://www.studiointernational.com/index.php/young-poland-the-polish-arts-and-crafts-movement-1890-1918-book-review-william-morris-gallery-london https://www.studiointernational.com/images/articles/y/096-young-poland-2020/1-8.jpg Zofia Kogut. Shawl, made in the Kraków Workshops, 1921. Batik-decorated silk, 216 x 47.5 cm. Image courtesy National Museum in Kraków. © NMK Photographic Department. https://www.studiointernational.com/images/articles/y/096-young-poland-2020/13-6.jpg Bronisława Rychter-Janowska. Avenue of Birches, 1910. Wall hanging. Woollen cloth, pieced work and appliqué, 97 × 145.5 cm. Image courtesy National Museum in Kraków. © NMK Photographic Department. https://www.studiointernational.com/images/articles/y/096-young-poland-2020/2-5.jpg Stanisław Wyspiański. Maternity, 1905. Pastel on paper, 58.8 × 91 cm. Image courtesy National Museum in Kraków, © NMK Photographic Department. https://www.studiointernational.com/images/articles/y/096-young-poland-2020/10-1.jpg Maria Pawlikowska-Jasnorzewska. Illustration for a Fairy Tale, 1914. Watercolour on paper, 23 × 35 cm. Image courtesy Museum of Literature, Warsaw. https://www.studiointernational.com/images/articles/y/096-young-poland-2020/7-1.jpg Left: Karol Kłosowski’s drawing of the Silent Villa dated 1941, showing the house and the garden after all extensions and alterations, 59 × 72 cm. Right: Photograph of Karol Kłosowski and his wife Katarzyna in front of the Silent Villa, taken presumably between 1907 and 1915. Private Collection. By Descent from the Artist © NMK Photographic Department. https://www.studiointernational.com/images/articles/y/096-young-poland-2020/6-2.jpg Willa Koliba, designed by Stanisław Witkiewicz, 1892–3, with west extension wing designed by Tadeusz Prauss, 1901. Image courtesy Tatra Museum, Willa Koliba © Dawid Moździerz. https://www.studiointernational.com/images/articles/y/096-young-poland-2020/Young-Poland-750.jpg Young Poland Book: The Polish Arts and Crafts Movement, 1980-1918. Edited by Julia Griffin and Andrzej Szczerski. Published by Lund Humphries. https://www.studiointernational.com/images/articles/y/096-young-poland-2020/0-9.jpg Józef Mehoffer. Saint Michael (Angel of War), design for a wall painting at the Wawel Treasury, 1901. Saint Michael is shown wearing a Highlander belt. Watercolour on paper laid on canvas. Courtesy the National Museum in Poznań. https://www.studiointernational.com/images/articles/y/096-young-poland-2020/10-5.jpg Maria Pawlikowska-Jasnorzewska. Jan Pawlikowski in a Cosmic Setting, c1918. Pencil, pastel, watercolour and gouache on paper (unfinished), 36 × 26 cm. Private Collection. By Descent from the Artist. © NMK Photographic Department. https://www.studiointernational.com/images/articles/y/096-young-poland-2020/8-3.jpg Karol Kłosowski. At Bobbin Lacemaking (Legend), undated. Chalk on paper, 63 x 75 cm. Image courtesy Private Collection. © NMK Photographic Department. https://www.studiointernational.com/index.php/sarah-wood-interview-here-is-elsewhere-film-we-all-want-to-gather-around-stories https://www.studiointernational.com/images/articles/w/056-wood-sarah-2020/Here-is-Elsewhere-Gliders.jpg Sarah Wood, Renaissance. Still from Here is Elsewhere, 2020. © Sarah Wood. https://www.studiointernational.com/images/articles/w/056-wood-sarah-2020/Here-is-Elsewhere-Moon.jpg Sarah Wood, Renaissance. Still from Here is Elsewhere, 2020. © Sarah Wood. https://www.studiointernational.com/images/articles/w/056-wood-sarah-2020/Here-is-Elsewhere-Rome.jpg Sarah Wood, Renaissance. Still from Here is Elsewhere, 2020. © Sarah Wood. https://www.studiointernational.com/images/articles/w/056-wood-sarah-2020/HereisElsewhere-Volcano.jpg Sarah Wood, Renaissance. Still from Here is Elsewhere, 2020. © Sarah Wood. https://www.studiointernational.com/index.php/christine-and-jennifer-binnie-sisters-interview-towner-gallery-eastbourne https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Installation-View-Art-Life-and-Us-Christine-Binnie-Jennifer-Binnie-29.jpg Installation View, Art Life and Us, Christine Binnie, Jennifer Binnie and the Towner Collection, Towner Eastbourne, 2020. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Installation-View-Art-Life-and-Us-Christine-Binnie-Jennifer-Binnie-and-the-Towner-Collection-Towner-Eastbourne-020-02.jpg Installation View, Art Life and Us, Christine Binnie, Jennifer Binnie and the Towner Collection, Towner Eastbourne, 2020. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Leon-Underwood-Woman-of-Tehuantepec-1928.jpg Leon Underwood, Woman of Tehuantepec, 1928. © The Artist’s Estate. Towner Eastbourne. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Alfred-Munnings-Beach-Scene-1905.jpg Alfred Munnings, Beach Scene, 1905. © Estate of Sir Alfred Munnings, Dedham, Essex. All rights reserved, DACS 2020. Towner Eastbourne. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Installation-View-Art-Life-and-Us-Christine-Binnie-Jennifer-Binnie-and-the-Towner-Collection-Towner-Eastbourne-020-11.jpg Installation View, Art Life and Us, Christine Binnie, Jennifer Binnie and the Towner Collection, Towner Eastbourne, 2020. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Installation-View-Art-Life-and-Us-Christine-Binnie-Jennifer-Binnie-and-the-Towner-Collection-Towner-Eastbourne-020-15.jpg Installation View, Art Life and Us, Christine Binnie, Jennifer Binnie and the Towner Collection, Towner Eastbourne, 2020. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Installation-View-Art-Life-and-Us-Christine-Binnie-Jennifer-Binnie-and-the-Towner-Collection-Towner-Eastbourne-020-14.jpg Installation View, Art Life and Us, Christine Binnie, Jennifer Binnie and the Towner Collection, Towner Eastbourne, 2020. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Installation-View-Art-Life-and-Us-Christine-Binnie-Jennifer-Binnie-and-the-Towner-Collection-Towner-Eastbourne-2020-20.jpg Installation View, Art Life and Us, Christine Binnie, Jennifer Binnie and the Towner Collection, Towner Eastbourne, 2020. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Installation-View-Art-Life-and-Us-Christine-Binnie-Jennifer-Binnie-and-the-Towner-Collection-Towner-Eastbourne-020-21.jpg Installation View, Art Life and Us, Christine Binnie, Jennifer Binnie and the Towner Collection, Towner Eastbourne, 2020. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Paule-Vezelay-Two-Women-1927.jpg Paule Vezelay, Two Women, 1927. © The Artist’s Estate. Towner Eastbourne. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Installation-View-Art-Life-and-Us-48.jpg Installation View, Art Life and Us, Christine Binnie, Jennifer Binnie and the Towner Collection, Towner Eastbourne, 2020. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Duncan-Grant-The-Glade-Firle-Park-1943.jpg Duncan Grant, The Glade, Firle Park, 1943. © Estate of Duncan Grant. All rights reserved, DACS 2020. Towner Eastbourne. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Frank-Dobson-Untitled-1928.jpg Frank Dobson, Untitled, 1928. © The Artist’s Estate. Towner Eastbourne. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Ethelbert-White-Sussex-Landscape-undated.jpg Ethelbert White, Sussex Landscape, undated. © The Artist’s Estate. Towner Eastbourne. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Binnie-Sisters-1000.jpg Christine and Jennifer Binnie. Photo: © Rosie Powell. https://www.studiointernational.com/images/articles/b/030-binnie-sisters-2020/Christine-and-Jennifer-Binnie-Art-Life-and-Us-45.jpg Christine Binnie, Jennifer Binnie, installation View, Art Life and Us, Towner Eastbourne, 2020. Photo: © Rob Harris. https://www.studiointernational.com/index.php/moynihan-train-hall-manhattan-new-york-splendour-for-the-masses https://www.studiointernational.com/images/articles/p/052-penn-station-2021/MTH-Concourse-Level-(1).jpg Moynihan Train Hall, Manhattan, 2020. Photo: Nicholas Knight, courtesy Empire State Development. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/ElmgreenDragset-7116.jpg Elmgreen & Dragset, The Hive, 2020. Stainless steel, aluminum, polycarbonate, LED lights, and lacquer. Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Photo: Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/MTH-Architecture-8060.jpg Rockwell Group waiting room, Moynihan Train Hall, Manhattan, 2020. Photo: Nicholas Knight, courtesy Empire State Development. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/Moynihan-Train-Hall-Lucas-Blair-Simpson_SOM_04.jpg Moynihan Train Hall, Manhattan, 2020. Aerial view. Photo: Lucas Blair Simpson © SOM. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/Moynihan-Train-Hall-Lucas-Blair-Simpson_SOM_01.jpg Moynihan Train Hall, Manhattan, 2020. Aerial view. Photo: Lucas Blair Simpson © SOM. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/MTH-Clock,-Historic-Steel-Trusses.jpg Peter Pennoyer’s steel-framed clock. Photo: Nicholas Knight, courtesy Empire State Development. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/ElmgreenDragset-6556v2.jpg Elmgreen & Dragset, The Hive, 2020. Stainless steel, aluminum, polycarbonate, LED lights, and lacquer. Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Photo: Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/ElmgreenDragset-6641v2.jpg Elmgreen & Dragset, The Hive, 2020. Stainless steel, aluminum, polycarbonate, LED lights, and lacquer. Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Photo: Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/StanDouglas-6743-01.jpg Stan Douglas, 22 April 1924 and 7 August 1934, from Penn Station’s Half Century, 2020. Ceramic ink on glass. One of nine photographic panels from Penn Station’s Half Century. Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. Photo: Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/KehindeWiley-7535.jpg Kehinde Wiley, Go, 2020. © Kehinde Wiley. An original work of art commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Photo: Nicholas Knight. Image courtesy of the Artist, Sean Kelly, New York, Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/KehindeWiley-7567.jpg Kehinde Wiley, Go, 2020. © Kehinde Wiley. An original work of art commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Photo: Nicholas Knight. Image courtesy of the Artist, Sean Kelly, New York, Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/Baggage-Claim,-Penn-Station-and-Farley-Building-Timeline-Mural.jpg Baggage claim, Penn Station and Farley Building Timeline Mural. Photo: Nicholas Knight, courtesy Empire State Development. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/StanDouglas-03-6932.jpg Stan Douglas, 22 April 1924 and 7 August 1934, from Penn Station’s Half Century, 2020. Ceramic ink on glass. One of nine photographic panels from Penn Station’s Half Century. Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. Photo: Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/StanDouglas-07.jpg Stan Douglas, 22 April 1924 and 7 August 1934, from Penn Station’s Half Century, 2020. Ceramic ink on glass. One of nine photographic panels from Penn Station’s Half Century. Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. Photo: Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/ElmgreenDragset-6571v2.jpg Elmgreen & Dragset, The Hive, 2020. Stainless steel, aluminum, polycarbonate, LED lights, and lacquer. Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Photo: Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/KehindeWiley-7441.jpg Kehinde Wiley, Go, 2020. © Kehinde Wiley. An original work of art commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Photo: Nicholas Knight. Image courtesy of the Artist, Sean Kelly, New York, Empire State Development and Public Art Fund, NY. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/Moynihan-Train-Hall-Lucas-Blair-Simpson_SOM_06.jpg Moynihan Train Hall, Manhattan, 2020. Aerial view. Photo: Lucas Blair Simpson © SOM. https://www.studiointernational.com/images/articles/p/052-penn-station-2021/Metropolitan-Lounge-2.jpg Moynihan Train Hall, Manhattan, 2020. Photo: Nicholas Knight, courtesy Empire State Development. https://www.studiointernational.com/index.php/jordan-baseman-interview-us-mastectomy-tattoos-animated-film-rca-gendersick https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/A-Cold-Hand-on-a-Cold-Day-03-29-2013-1a.jpg Jordan Baseman. Still from A Cold Hand On a Cold Day, 2013. Commissioned for the exhibition of the same name at Brighton https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-1.jpg Jordan Baseman. Still from A Different Kind of Different. ‘Breast cancer takes a lot out of you’. Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-2.jpg Jordan Baseman. Still from A Different Kind of Different. ‘They see no boobs, they think “it’s a guy”.’ Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-3.jpg Jordan Baseman. Still from A Different Kind of Different. ‘I just kind of pushed it to the back of my mind’. Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-4.jpg Jordan Baseman. Still from A Different Kind of Different. ‘Who cares about symmetry? Asymmetry is more natural anyway’. Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-8.jpg Jordan Baseman. Still from A Different Kind of Different. ‘I looked like Justin Fucking Timberlake!’ Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-9.jpg Jordan Baseman. Still from A Different Kind of Different. ‘I was more determined to get rid of these stupid curls than anything else’. Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-5.jpg Jordan Baseman. Still from A Different Kind of Different. ‘I couldn’t face any more invasive surgery, so I decided to go flat…..Holy Mother of God, this is a declaration of intent’. Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-6.jpg Jordan Baseman. Still from A Different Kind of Different. ‘Flat? Is that a thing?’. Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-7.jpg Jordan Baseman. Still from A Different Kind of Different. ‘I certainy have plenty of it, why not make a feature of it?’ Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-10.jpg Jordan Baseman. Still from A Different Kind of Different. ‘I want birds….and ribbons….and a sun’. Courtesy of the artist and Matt https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/ADKoD-11.jpg Jordan Baseman. Still from A Different Kind of Different. ‘My mum and I went through menopause together….we were like a fucked-up scary double act’. Courtesy of the artist and Matt's Gallery, London. https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/jordan-2019.jpg Jordan Baseman, 2019. Courtesy of the artist and Matt's Gallery, London. https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/Under-the-Blood-2.jpg Jordan Baseman. Still from Under the Blood. Commissioned by Arts Council England’s Collaborative Arts Unit with Papworth Hospital’s Heart and Lung Transplant Unit. The films were shown in a solo exhibition at Wysing Arts and the Royal Pump Rooms at Leamington Spa. Under the Blood was also screened in the group exhibition Wonderful: Visions of the Near Future at the Arnolfini, Bristol and Cornerhouse, Manchester (2004). 1 + 1 = 1 and Under the Blood were exhibited at the inaugural exhibition Heart, Wellcome Trust Galleries, London (2007). Courtesy of the artist and Matt's Gallery, London. https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/Fabula-1.jpg Jordan Baseman. Still from Fabula (2020). Images are from Jordan's work made during the early months of lockdown in 2020, as part of an Arts Council England and BBC Arts Culture in Quarantine commissioning programme. Courtesy of the artist and Matt's Gallery, London. https://www.studiointernational.com/images/articles/b/029-baseman-jordan-2021/Fabula-3.jpg Jordan Baseman. Still from Fabula (2020). Images are from Jordan's work made during the early months of lockdown in 2020, as part of an Arts Council England and BBC Arts Culture in Quarantine commissioning programme. Courtesy of the artist and Matt's Gallery, London. https://www.studiointernational.com/index.php/luiz-zerbini-interview-i-treat-a-painting-as-an-oracle-fire-stephen-friedman-gallery https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/02.jpg Luiz Zerbini, Árvore do Viajante, 2020. Acrylic on canvas, 200 x 200 cm (78 3/4 x 78 3/4in). Copyright Luiz Zerbini. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Pat Kilgore. https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/03.jpg Luiz Zerbini, Happiness Beyond Paradise, 2020. Acrylic on canvas, 300 x 600 cm (118 1/8 x 236 1/4in). Copyright Luiz Zerbini. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Pat Kilgore. Collection of Fondazione Sandretto Re Rebaudengo. https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/02a.jpg Luiz Zerbini, Árvore do Viajante (detail), 2020. Acrylic on canvas, 200 x 200 cm (78 3/4 x 78 3/4in). Copyright Luiz Zerbini. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Pat Kilgore. https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/03a.jpg Luiz Zerbini, Happiness Beyond Paradise (detail), 2020. Acrylic on canvas, 300 x 600 cm (118 1/8 x 236 1/4in). Copyright Luiz Zerbini. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Pat Kilgore. Collection of Fondazione Sandretto Re Rebaudengo. https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/04.jpg Luiz Zerbini, Quadrícula Grande, 2020. Acrylic on canvas, 200 x 200 cm (78 3/4 x 78 3/4in). Copyright Luiz Zerbini. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Pat Kilgore. https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/05.jpg Luiz Zerbini, Optocinético, 2020. Acrylic on canvas, 160 x 320 cm (63 x 126in). Copyright Luiz Zerbini. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Pat Kilgore. https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/06.jpg Luiz Zerbini, Untitled, 2020. Acrylic on canvas, 50 x 40 cm (19 3/4 x 15 3/4in). Copyright Luiz Zerbini. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Pat Kilgore. https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/07.jpg Luiz Zerbini, Untitled https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/08.jpg Luiz Zerbini, Camuflagem Prata 2020. Acrylic and oil on Hahnemühle paper, 107 x 80 cm (42 1/8 x 31 1/2in). Copyright Luiz Zerbini. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Pat Kilgore. https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/01.jpg Luiz Zerbini, Diário Selvagem, 2019. Acrylic on canvas, 160 x 160 cm (63 x 63in). Copyright Luiz Zerbini. Courtesy the artist and Stephen Friedman Gallery, London.
 Photo: Pat Kilgore. https://www.studiointernational.com/images/articles/z/092-zerbini-luiz-2020/zerbini-luiz-Portrait-by-Pat-Kilgore-2020-2.jpg Luiz Zerbini (2020). Courtesy Luiz Zerbini and Stephen Friedman Gallery, London. Photo: Pat Kilgore. https://www.studiointernational.com/index.php/michael-visocchi-interview-south-georgia-commission-whaling-grytviken-chance-to-show-what-we-can-get-right https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/03-The-Gilt-of-Cain.jpg Michael Visocchi. Gilt of Cain, 2008. Granite, 30 x 10 metre area, columns various heights. © Michael Visocchi. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/Grytviken-3-jr.jpg Grytviken, South Georgia. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/Stromness-and-Penguins.jpg Grytviken, South Georgia. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/IMG-5300-2.jpg Grytviken, South Georgia. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/10-Commensalis-Concept-Site-Image.jpg Michael Visocchi. The Spirit Tables of South Georgia. Photo composite by Adam Proctor © 2020. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/07-Humpback-Spirit-Table-Concept.jpg Michael Visocchi. Concept model for Humpback whale Spirit Table. © Michael Visocchi. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/Grytviken-2.jpg Grytviken, South Georgia. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/11-Calvinist-Implement.jpg Michael Visocchi. Calvinist Implement, 2001. Photographic work. Temporary sculpture placed in landscape. Steel, wood. Photo: Michael Visocchi. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/08-Field-Setup.jpg Michael Visocchi. Untitled. Field set up with protractor from Denis Diderot. Photo: Julia Carson. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/Michael-Visocchi-3-Credit-Adam-Proctor.jpg Michael Visocchi. Photo: Adam Proctor. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/04-Silva.jpg Michael Visocchi. Silva, 2010. Wood, brass, 600 x 140 x 80 cm. © Michael Visocchi. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/01-Triplicate.jpg Michael Visocchi. Triplicate, 2018. Beech, plywood, paint, resin (glazed box), 75 x 95 11 cm. © Michael Visocchi. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/02-The-Wild-Wood.jpg Michael Visocchi. The Wild Wood, 2018. Wood, paint, resin, 120 x 150 280 cm. © Michael Visocchi. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/05-Linescape-I.jpg Michael Visocchi. Linescape 1, 2017. Beech, plywood, paint, resin (glazed box), 126 x 94 x 11 cm. © Michael Visocchi. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/13-Broken-Landscape.jpg Michael Visocchi. Broken Landscape, 2011. Wood, paint, resin, 70 x 30 x 60 cm. Photo: Michael Visocchi. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/14-Visocchi-Drawings.jpg Michael Visocchi. Drawings for sculpture. Pencil, ink. Photo: Michael Visocchi. https://www.studiointernational.com/images/articles/v/082-visocchi-michael-2020/In-Lieu-of-the-Oystercatcher.jpg Michael Visocchi. In Lieu of the Oystercatcher, 2017. Wood, paint, thread, 15 x 15 x 18 cm. © Michael Visocchi. https://www.studiointernational.com/index.php/sara-barker-video-interview-undo-the-knot-cample-line-scotland https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-JOINT-Cample-Line-Oct-2020.jpg Sara Barker. JOINT, 2020. Stainless steel tray, stainless steel rod, automotive paint, oil paint and stick, varnish, tinfoil perspex, 60 x 49 x 9 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-PULL-Cample-Line.jpg Sara Barker. PULL, 2020. Stainless steel tray, stainless steel rod, automotive paint, oil paint, rag, perspex, 43 x 50 x 16 cm . Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-climb-Cample-Line.jpg Sara Barker. climb, 2020. Brass metal work, 13 x 8 x 4 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-Dart_Cample-Line.jpg Sara Barker. Dart, 2020. Plywood tray, brass rod, automotive paint, oil paint, tinfoil, 49 x 38 x 4.5 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-GAP-Cample-Line-IMG_0049.jpg Sara Barker. GAP, 2020. Stainless steel tray, stainless steel rod, automotive paint, oil paint, 45 x 55 x 6 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-Hairs-Cample-Line-Oct-2020.jpg Sara Barker. Hairs, 2020. Stainless steel tray, stainless steel rod, automotive paint, oil paint, varnish, 38 x 40 x 8.5 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-Split-Cample-Line-Oct-2020.jpg Sara Barker. Split, 2020. Stainless steel tray, stainless steel rod, automotive paint, oil paint, tinfoil, 20 x 20 x 5 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-Will-Cample-Line-Oct-2020.jpg Sara Barker. Will, 2020. Stainless steel tray, stainless steel rod, automotive paint, oil paint, varnish, 54 x 44 x 17 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-hold-Cample-Line-Oct-2020.jpg Sara Barker. hold, 2020. Cardboard tray, brass rod, pencil, varnish, 28 x 20 x 6 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-mouth-Cample-Line-Oct-2020.jpg Sara Barker. mouth, 2020. Stainless steel tray, brass rod, automotive paint, oil paint, 38 x 40 x 8.5 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-reason-Cample-Line.jpg Sara Barker. reason, 2020. Plywood tray, brass rod and sheet, gouache, oil paint, perspex, tinfoil, 33.5 x 40 x 6.5 cm. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-Cample-Line-Oct-2020-install.jpg Sara Barker: undo the knot, installation view, CAMPLE LINE, Cample Mill, Scotland. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-Cample-Line-Oct-2020-install4.jpg Sara Barker: undo the knot, installation view, CAMPLE LINE, Cample Mill, Scotland. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-Cample-Line-Oct-2020.jpg Sara Barker: undo the knot, installation view, CAMPLE LINE, Cample Mill, Scotland. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/b/028-barker-sara-2021/Sara-Barker-Cample-Line_Oct-2020_IMG_9951.jpg Sara Barker: undo the knot, installation view, CAMPLE LINE, Cample Mill, Scotland. Photo: Mike Bolam. https://www.studiointernational.com/index.php/gees-bend-quiltmakers-review-alison-jacques-gallery-alabama-african-american https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/Leola-Pettway-and-Qunnie-Pettway-1000.jpg Leola Pettway and Qunnie Pettway working at the Freedom Quilting Bee. Courtesy Souls Grown Deep Foundation and Alison Jacques Gallery, London. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/AJG-GB-Loretta-P-Bennett-Work-clothes-a.jpg Loretta Pettway Bennett. Work-clothes strips, 2003. Denim, 200.7 x 152.4 cm (79 x 60 in). Courtesy Souls Grown Deep Foundation and Alison Jacques Gallery, London. © Loretta Pettway Bennett / Artists Rights Society (ARS), New York and DACS, London. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/Gees-Bend-installation-plinth.jpg The Gee’s Bend Quiltmakers, installation view, Alison Jacques Gallery, London, 2 December 2020 – 6 February 2021. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/AJG-GB-America-Irby-natural-crop-a.jpg America Irby. Center Medallion, c1940. Corduroy, 210.8 x 193 cm (83 x 76 in). Courtesy Souls Grown Deep Foundation and Alison Jacques Gallery, London. © America Irby / Artists Rights Society (ARS), New York and DACS, London. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/AJG-GB-Candis-Mosely-Pettway-natural-crop-a.jpg Candis Mosely Pettway. Coat of Many Colors (quilting bee name), 1970. Cotton and cotton/polyester blend, 200.7 x 170.2 cm (79 x 67 in). Courtesy Souls Grown Deep Foundation and Alison Jacques Gallery, London. © Candis Pettway. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/AJG-GB-Ethel-Young.jpg Ethel Young. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/AJG-GB-RIta-Mae-Pettway-Pig-in-the-Pen.jpg Rita Mae Pettway. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/AJG-GB-Loretta-Pettway-2-sided-work-clothes.jpg Loretta Pettway. Two-sided work-clothes quilt: Bars and blocks, c1960. Cotton, denim, twill, corduroy, wool blend, 210.8 x 180.3 cm (83 x 71 in). Courtesy Souls Grown Deep Foundation and Alison Jacques Gallery, London. © Loretta Pettway / Artists Rights Society (ARS), New York and DACS, London. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/Leola-Pettway-and-Qunnie-Pettway-working-at-the-Freedom-Quilting-Bee.jpg Leola Pettway and Qunnie Pettway working at the Freedom Quilting Bee. Courtesy Souls Grown Deep Foundation and Alison Jacques Gallery, London. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/AJG-GB-Loretta-Pettway-Bennett-Z-a.jpg Loretta Pettway Bennett. 'Z' and Chinese Coins, Pink, Navy, Blue and Multi-color, 2004. Cotton, cotton blend, twill, 177.8 x 152.4 cm (70 x 60 in). Courtesy Souls Grown Deep Foundation and Alison Jacques Gallery, London. © Loretta Pettway Bennett / Artists Rights Society (ARS), New York and DACS, London. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/AJG-GB-Loretta-Pettway-Log-Cabin.jpg Loretta Pettway. 'Log Cabin' - single block 'Courthouse Steps' variation (local name: 'Bricklayer'), c1980. Cotton, cotton/polyester blend, 254 x 228.6 cm (100 x 90 in). Courtesy Souls Grown Deep Foundation and Alison Jacques Gallery, London. © Loretta Pettway / Artists Rights Society (ARS), New York and DACS, London. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/AJG-GB-Qunnie-Pettway.jpg Qunnie Pettway. Housetop, c1975. Corduroy, 208.3 x 188 cm (82 x 74 in). Courtesy Souls Grown Deep Foundation and Alison Jacques Gallery, London. © Qunnie Pettway / Artists Rights Society (ARS), New York and DACS, London. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/Gees-Bend-installation-5-3-4-crop-2.jpg The Gee’s Bend Quiltmakers, installation view, Alison Jacques Gallery, London, 2 December 2020 – 6 February 2021. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/Gees-Bend-installation-24-1000.jpg The Gee’s Bend Quiltmakers, installation view, Alison Jacques Gallery, London, 2 December 2020 – 6 February 2021. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/Gees-Bend-installation-28-4-3-crop.jpg The Gee’s Bend Quiltmakers, installation view, Alison Jacques Gallery, London, 2 December 2020 – 6 February 2021. https://www.studiointernational.com/images/articles/g/066-gees-bend-2020/Gees-Bend-installation-3-4-3-crop-2.jpg The Gee’s Bend Quiltmakers, installation view, Alison Jacques Gallery, London, 2 December 2020 – 6 February 2021. https://www.studiointernational.com/index.php/nick-hornby-interview-liquefied-photography-magical-mysterious-zygotes-and-confessions-mostyn-gallery-llandudno-wales https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-Big-dogs-Little-dogs-Fat-dogs-Doggy-dogs-Old-dogs-Puppy-dogs-I-like-dogs-2020.jpg Nick Hornby. Big dogs, Little dogs, Fat dogs, Doggy dogs, Old dogs, Puppy dogs, I like dogs, 2020. Resin, ink, lacquer, H60 x L30 x D30 cm. Photo courtesy and copyright of the artist. https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-Collaboration-with-Louie-Banks-Muse-II-(Amanda)-2020.jpg Nick Hornby. Collaboration with Louie Banks Muse II (Amanda), 2020. Marble resin composite, ink, lacquer, H60 x L30 x D30 cm. Photo courtesy and copyright of the artist. https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-Collaboration-with-Louie-Banks-Muse-I-(Lady-James)-2020.jpg Nick Hornby. Collaboration with Louie Banks Muse I (Lady James), 2020. Marble resin composite, ink, lacquer H60 x L30 x D30 cm. Photo courtesy and copyright of the artist. https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-Zygotes-and-Confessions,-2020-Installation-view-at-MOSTYN-Photo-Mark-Blower-(1).jpg Nick Hornby, Zygotes and Confessions, 2020. Installation view, MOSTYN. Photo: Mark Blower. https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-Cindy-Crawford-(Demeter)-2020.jpg Nick Hornby. Cindy Crawford (Déméter), 2020. Resin, ink, lacquer, H60 x L30 x D30 cm. Photo courtesy and copyright of the artist. https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-Collaboration-with-Louie-Banks-Muse-I-(Lady-James)-2020-2.jpg Nick Hornby. Collaboration with Louie Banks Muse I (Lady James), 2020. Marble resin composite, ink, lacquer H60 x L30 x D30 cm. Photo courtesy and copyright of the artist. https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-Zygotes-and-Confessions,-2020-Installation-view-at-MOSTYN-Photo-Mark-Blower-(3).jpg Nick Hornby, Zygotes and Confessions, 2020. Installation view, MOSTYN. Photo: Mark Blower. https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-Simon-(Milky-way-tears)-2020.jpg Nick Hornby. Simon (Milky way tears), 2020. Resin, ink, lacquer, H60 x L30 x D30 cm. Photo courtesy and copyright of the artist. https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-Zygotes-and-Confessions,-2020-Installation-view-at-MOSTYN-Photo-Mark-Blower.jpg Nick Hornby, Zygotes and Confessions, 2020. Installation view, MOSTYN. Photo: Mark Blower. https://www.studiointernational.com/images/articles/h/047-hornby-nick-2021/Nick-Hornby-photo-courtesy-the-artist-2.jpg Nick Hornby. Photo courtesy of the artist. https://www.studiointernational.com/index.php/tako-taal-adam-benmakhlouf-interview-artists-moving-image-festival-tramway-glasgow-lux-scotland https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/HAS2014-003(Fingernails-on-a-blackboard--Bella)_stills_01.jpg Sharon Hayes, Fingernails on a blackboard: Bella, 2014. Analogue video transferred to digital, colour, silent, 16 mins. Courtesy of the artist and Tanya Leighton, Berlin. https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/Isabel-Barfod,-Hear-Me-Out,-2020.jpg Isabel Barfod, Hear Me Out, 2018. Animation, 4 min 45 sec. Courtesy of the artist. https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/Sherisse-Mohammed-and-Camille-Turner,-Miss-Canadiana,-2005.jpg Sherisse Mohammed and Camille Turner, Miss Canadiana, 2005. SD video, 3:4, 7 min 47 sec. Courtesy of the artist. https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/AMIF-2021_-GIVE-BIRTH-TO-ME-TOMORROW_Credit-Maeve-Redmond_1.jpg Give Birth to Me Tomorrow, 2021. Photo: Maeve Redmond. https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/Kyuri-Jeon,-Born-Unborn,-and-Born-Again,-2020_3.jpg Kyuri Jeon, Born, Unborn, and Born Again, 2020. Colour, 16:9, Stereo, 12 min 38 sec. Courtesy of the artist and Cinema Dal. https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/Kyuri-Jeon,-Born-Unborn,-and-Born-Again,-2020_1_main.jpg Kyuri Jeon, Born, Unborn, and Born Again, 2020. Colour, 16:9, Stereo, 12 min 38 sec. Courtesy of the artist and Cinema Dal. https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/HAS2014-003(Fingernails-on-a-blackboard-Bella)_stills_02.jpg Sharon Hayes, Fingernails on a blackboard: Bella, 2014. Analogue video transferred to digital, colour, silent, 16 mins. Courtesy of the artist and Tanya Leighton, Berlin. https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/LIEF-(2019)-by-De_Anne-Crooks-Still001.jpg De’Anne Crooks, LIEF, 2019. HD video, 5 min 41 sec. Courtesy of the artist. https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/LIEF-(2019)-by-De_Anne-Crooks-Still002.jpg De’Anne Crooks, LIEF, 2019. HD video, 5 min 41 sec. Courtesy of the artist. https://www.studiointernational.com/images/articles/t/078-taal-tako-2021/Sherisse-Mohammed-and-Camille-Turner,-Miss-Canadiana,-2005_2.jpg Sherisse Mohammed and Camille Turner, Miss Canadiana, 2005. SD video, 3:4, 7 min 47 sec. Courtesy of the artist. https://www.studiointernational.com/index.php/unearthed-photographys-roots-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Anna-Atkins-Plate-55.jpg Anna Atkins, Plate 55 – Dictyota dichotoma, on the young state and in fruit, Photographs of British Algae: Cyanotype Impressions, 1853, Volume 1 (Part 1). Photo copyright Horniman Museum and Gardens. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Charles-Jones-Broccoli-Leamington.jpg Charles Jones, Broccoli Leamington, c1895-1910. © Sean Sexton, Photo copyright Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Ori-Gersht-On-Reflection.jpg Ori Gersht, On Reflection, 2014. © the artist. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Kazumasa-Ogawa-Chrysanthemum.jpg Kazumasa Ogawa, Chrysanthemum from Some Japanese Flowers, c1894. Photo copyright Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Charles-Jones-Bean-Longpod.jpg Charles Jones, Bean Longpod, c1895-1910. © Sean Sexton. Photo copyright Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Edward-Weston-Pepper-No-30.jpg Edward Weston, Pepper No. 30, 1937. The Kodak Collection at the National Media Museum, Bradford. Picture credit: National Science & Media Museum/Science & Society Picture Library / © Center for Creative Photography, Arizona Board of Regents. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Imogen-Cunningham-Agave-Design-1-1920s.jpg Imogen Cunningham, Agave Design I,1920s. © The Imogen Cunningham Trust. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Tulip-Robert-Mapplethorpe.jpg Robert Mapplethorpe, Tulip, 1984. © Robert Mapplethorpe Foundation. Used by permission. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Karl-Blossfeldt-Impatiens-Glandulifera.jpg Karl Blossfeldt, Adiantum pedatum, 1928. Photo copyright Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Kazumasa-Ogawa-Morning-Glory.jpg Kazumasa Ogawa, Morning Glory from Some Japanese Flowers c1894. Photo copyright Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Mat-Collishaw-Auto-Immolation.jpg Mat Collishaw, Auto-Immolation, 2010. Photo courtesy of the artist. https://www.studiointernational.com/images/articles/p/051-photography-unearthed-2021/Richard-Learoyd-Large-Poppies.jpg Richard Learoyd, Large Poppies, 2019. © the artist. Image courtesy of Michael Hoppen Gallery. https://www.studiointernational.com/index.php/prabhakar-pachpute-interview-coal-mining-india-artes-mundi-9-juxtapose-memories-and-real-life https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/A-march-against-the-lie.jpg Prabhakar Pachpute. A march against the lie (IA), 2020. Acrylic and Multani clay on canvas, soil, 121 x 183 in. Photo: Experimenter, Kolkata. Courtesy the artist and Experimenter, Kolkata. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/Museum-Menageries-9.jpg Prabhakar Pachpute. Museum Menageries (title for all the 40-paper works), 2020. Oil on paper 21 x 30 cm (each). Photo: the artist. Courtesy – the artist and Experimenter, Kolkata. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/Museum-Menageries--11.jpg Prabhakar Pachpute. Museum Menageries (title for all the 40-paper works), 2020. Oil on paper 21 x 30 cm (each). Photo: the artist. Courtesy – the artist and Experimenter, Kolkata. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/A-march-against-the-lie-(IB).jpg Prabhakar Pachpute. A march against the lie (IB), 2020. Acrylic and pencil on canvas, 35 x 308 in. Photo: Experimenter, Kolkata. Courtesy the artist and Experimenter, Kolkata. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/Canary-in-a-Coalmine.jpg Prabhakar Pachpute. Canary in a Coalmine, 2012. Charcoal on wall. Clark House Initiative, Mumbai. Courtesy Clark House Initiative, Shunya collective. Photo: the artist. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/Museum-Menageries-2.jpg Prabhakar Pachpute. Museum Menageries (title for all the 40-paper works), 2020. Oil on paper 21 x 30 cm (each). Photo: the artist. Courtesy – the artist and Experimenter, Kolkata. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/The-underground-nest-over-the-dune.jpg Prabhakar Pachpute. The underground nest over the dune (installation view), 2020. Rice husk, cloth, soil, red clay, Multani clay, gum Arabic, paper pulp, fenugreek seeds, cow dung, metal and wire mesh. Beneath the Palpable solo exhibition at Experimenter Ballygunge place, Kolkata. 2020. Photo: Experimenter, Kolkata. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/The-relic-of-our-time-2020.jpg Prabhakar Pachpute. The relic of our time, 2020. Watercolour and acrylic paint on canvas, 84 x 192 in. Beneath the Palpable solo exhibition at Experimenter Ballygunge place, Kolkata. Photo: Experimenter, Kolkata. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/Dark-Clouds-of-the-Future.jpg Prabhakar Pachpute. Dark Clouds of the Future, 2014. Charcoal, pastel, clay on wall. 31st Sao Paulo Biennale, 2014, Sao Paulo, Brazil. Courtesy 31st Sao Paulo Biennale, Clark House Initiative and the Artist. Photo: the artist. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/Gold-mine-from-Ouro-Preto-Brazil.jpg Gold mine from Ouro Preto, Minas Gerais, Brazil, 2014. Photo: the artist. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/Rattling-Knot-2020-photo-Amol-K-Patil.jpg Prabhakar Pachpute. Rattling knot, 2020. Acrylic and charcoal pencil on canvas, 84 x 192 in. Photo: Amol K. Patil. Courtesy the artist and Experimenter, Kolkata. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/Resilient-Bodies-in-the-Era-of-Resistance.jpg Prabhakar Pachpute. Resilient Bodies in the Era of Resistance, 2018. Plaster of Paris, metal, wood and coconut fibre. 4th Kochi-Muziris Biennale, Possibilities for a Non-Alienated Life. Curated by Anita Dube. Associate curators Anushka Rajendran and John Xaviers. Photo: Kochi-Muziris Biennale 2018. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/The-close-observer-2020-photo-Amol-K-Patil.jpg Prabhakar Pachpute. The close observer, 2020. Acrylic and charcoal pencil on canvas, 84 x 192 in. Photo: Amol K. Patil. Courtesy the artist and Experimenter, Kolkata. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/collective-monument-created-in-1999-by-800-survivors-of-the-massacre-of-Eldorado-dos-Carajas.jpg Collective monument created in 1999 by 800 survivors of the massacre of Eldorado dos Carajás (Pará, 17th April 1996) to mark the place where 19 members of the Landless movement died. Photo: the artist, 2014. https://www.studiointernational.com/images/articles/p/050-pachpute-prabhakar-2021/disappeared-mountain-of-Serra-Pelada.jpg Serra Pelada, Gold mine. It was active gold mining during 1980 to 1986. Photo: the artist, 2014. https://www.studiointernational.com/index.php/grief-and-grievance-art-and-mourning-in-america-book-review-okwui-enwezor-new-museum-exhibition https://www.studiointernational.com/images/articles/g/065-grief-and-grievance-2021/146-7-Glenn-Ligon.jpg Glenn Ligon, A Small Band, 2015. Neon, paint, and metal support, Three components; https://www.studiointernational.com/images/articles/g/065-grief-and-grievance-2021/090-1-Arthur-Jafa.jpg Arthur Jafa, Love Is The Message, The Message Is Death, 2016. Video, sound, colour; 7:25 min. Courtesy the artist and Gladstone Gallery, New York and Brussels (pages 90-91). https://www.studiointernational.com/images/articles/g/065-grief-and-grievance-2021/234-Nari-Ward.jpg Nari Ward, Peace Keeper, 1995. Hearse, grease, mufflers, and feathers, 144 x 116 x 264 in (365.8 x 294.6 x 670.6 cm). Installation views: Whitney Museum of American Art, New York, 1995. Courtesy the artist, Lehmann Maupin, New York, Hong Kong, and Seoul, and Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana (page 234). https://www.studiointernational.com/images/articles/g/065-grief-and-grievance-2021/grief-and-grievance-book-cover-750.jpg Grief and Grievance: Art and Mourning in America, published by Phaidon/New Museum, New York. https://www.studiointernational.com/index.php/crystal-fischetti-video-interview-i-use-my-whole-body-when-paint https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Bliss-With-You,-2020.jpg Crystal Fischetti, Bliss With You, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Happiness-is-Transient,-2020.jpg Crystal Fischetti, Happiness is Transient, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Feelings-of-Entropy,-2020.jpg Crystal Fischetti, Feelings of Entropy, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Grant-Access-Access-Granted,-2020.jpg Crystal Fischetti, Grant Access/Access Granted, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Holy-of-Holies-Love-with-a-Lover,-2020.jpg Crystal Fischetti, Holy of Holies. Love with a Lover, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-In-Mutation-Immunisation,-2020.jpg Crystal Fischetti, In Mutation. Immunisation., 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Lightn-the-Darkness,-2020.jpg Crystal Fischetti, Light'n the Darkness, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Man-Kind,-2020.jpg Crystal Fischetti, Man. Kind., 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-No-Ordinary-Reality,-2020.jpg Crystal Fischetti, No Ordinary Reality, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Sometimes-I-Just-Wanna-Be-An-Eagle,-2020.jpg Crystal Fischetti, Sometimes I Just Wanna Be An Eagle, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-The-Moon,-2020.jpg Crystal Fischetti, The Moon, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-The-See-Her,-2020.jpg Crystal Fischetti, The See-Her, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-To-Be-Home,-2020.jpg Crystal Fischetti, To Be Home, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Tribe-Ascending,-2020.jpg Crystal Fischetti, Tribe Ascending, 2020. Courtesy of the artist and Grove Square Galleries https://www.studiointernational.com/images/articles/f/074-fischetti-crystal-2021/Crystal-Fischetti,-Vision-Quest,-2020.jpg Crystal Fischetti, Vision Quest, 2020. Courtesy of the artist and Grove Square Galleries. https://www.studiointernational.com/index.php/sadie-morgan-interview-architect-de-rijke-marsh-hs2-morgan-hastings-pier https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/0371-Maggies-Oldham-Central-Window.jpg Maggie’s Centre in Oldham, central window. Photo: AdeRijke, courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/drmm-hastings-pier-definitive-overview.jpg Hastings Pier. Photo: J Robertshaw, courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/SlidingHouse_Animation-high-2.gif Sliding House, Suffolk, UK. 2009. Image courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/318-Hastings-Pier-PeopleByTheWindow.jpg Hastings Pier. Photo: J Robertshaw, courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/drmm-kingsdale-school-sportshall.jpg Kingsdale school, sports hall, London borough of Southwark. Photo: F Karim, courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/0321-Trafalgar-Place-Community-Garden.jpg Trafalgar Place, south London. Image courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/346-Endless-Stair-dRMMTeam.jpg Endless stair. Photo: AdeRijke, courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/280-Tower-Of-Love-Blackpool-InContext01_cdAdeRijke.jpg Tower of Love, Blackpool. Photo: AdeRijke, courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/sadiemorganjimstephenson12-1.jpg Sadie Morgan. Photo: Jim Stephenson. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/0232-Kingsdale-School-Auditorium-Performance_cFKarim.jpg Kingsdale school, auditorium, London borough of Southwark. Photo: F Karim, courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/0371_Maggies-Oldham-Interior.jpg Maggie’s Centre in Oldham, central window. Photo: AdeRijke, courtesy dRMM. https://www.studiointernational.com/images/articles/m/039-morgan-sadie-2021/280-Tower-Of-Love-Blackpool-ExteriorViewReflection_cAdeRijke.jpg Tower of Love, Blackpool, Exterior view with reflection of Blackpool Tower. Photo: AdeRijke, courtesy dRMM. https://www.studiointernational.com/index.php/eleanor-may-watson-interview-home-is-a-sanctuary-but-also-complicated-space https://www.studiointernational.com/images/articles/w/055-watson-eleanor-2021/eleanor-watson-Mirror-in-the-shade-2018.jpg Eleanor May Watson. Mirror in the shade, 2018. Oil on canvas, 40 x 52 cm. © the artist. https://www.studiointernational.com/images/articles/w/055-watson-eleanor-2021/eleanor-watson-The-Doors-No-Longer-Hang-True-2-2020.jpg Eleanor May Watson. The Doors No Longer Hang True 2, 2020. Watercolour and gouache on paper, 148 x 111 cm. © the artist. https://www.studiointernational.com/images/articles/w/055-watson-eleanor-2021/eleanor-watson-The-Doors-No-Longer-Hang-True-2020.jpg Eleanor May Watson. The Doors No Longer Hang True, 2020. Watercolour and gouache on paper, 100 x 80 cm. © the artist. https://www.studiointernational.com/images/articles/w/055-watson-eleanor-2021/eleanor-watson-The-Dusk-Afterwards-2-2020.jpg Eleanor May Watson. The Dusk Afterwards 2, 2020. Watercolour on paper, 72.8 x 54 cm. © the artist. https://www.studiointernational.com/images/articles/w/055-watson-eleanor-2021/eleanor-watson-Vera-2017.jpg Eleanor May Watson. Vera, 2017. Oil on aluminium, 40 x 30 cm. © the artist. https://www.studiointernational.com/images/articles/w/055-watson-eleanor-2021/eleanor-watson-Vivienne-Red-2017.jpg Eleanor May Watson. Vivienne Red, 2017. Oil on canvas, 150 x 130 cm. © the artist. https://www.studiointernational.com/images/articles/w/055-watson-eleanor-2021/Eleanor-Watson-5.jpg Eleanor May Watson. © the artist. https://www.studiointernational.com/index.php/vision-and-reality-100-years-contemporary-art-review-hepworth-wakefield https://www.studiointernational.com/images/articles/v/081-vision-and-reality-2021/3-Hepworth-Barbara-Pierced-Hemisphere-I.jpg Barbara Hepworth, Pierced Hemisphere I, 1937. Marble, 35 x 38 x 38 cm. Presented by Mr HR Hepworth Esq., 1940 © Bowness. Photo: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/v/081-vision-and-reality-2021/The-Island_2020_m_RosanneRobertson-copy-scaled.jpg Rosanne Robertson, The Island, 2020. Charcoal, gouache and graphite. Acquired by The Hepworth Wakefield through the Contemporary Art Society’s Rapid Response Fund, 2020. https://www.studiointernational.com/images/articles/v/081-vision-and-reality-2021/John-and-Terry-Bequest-9-1-scaled.jpg John Oldham and Terence Bacon’s collection of vessels by John Ward. Photo: Nick Singleton. https://www.studiointernational.com/images/articles/v/081-vision-and-reality-2021/Tissot-On-the-Thames.jpg James Tissot, On the Thames (or How Happy I Could Be with Either) c1876. Oil on canvas, 74.8 x 118 cm. Purchased 1938. Photo: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/v/081-vision-and-reality-2021/Meadows-Bernard-The-Black-Crab-05-JHJ_14.jpg Bernard Meadows, Crab, 1953. Bronze, 46 x 40 x 25 cm. Donated by Eric and Jean Cass through the Contemporary Art Society, 2012. © The Estate of Bernard Meadows. Photo: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/v/081-vision-and-reality-2021/Hamilton-Anthea-Leg-Chair-sushi.jpg Anthea Hamilton, Leg Chair (SUSHI NORI), 2012. Acrylic, brass, plaster, wax, sushi nori, rice cakes. 91 x 92 x 46 cm. Presented by the Contemporary Art Society, 2015. © The artist. Photo: Doug Atfield. https://www.studiointernational.com/images/articles/v/081-vision-and-reality-2021/Magali-Reus-1000.jpg Magali Reus, Harlequin Darts, 2016. Acquired through a partnership between the Contemporary Art Society, Henry Moore Foundation and Cathy Wills, 2019. Photo: Lewis Ronald (Plastiques). https://www.studiointernational.com/index.php/jens-fange-interview-inner-songs-galerie-perrotin-paris-i-try-to-come-to-a-painting-from-different-angle-each-time https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/01-arches-arches.jpg Jens Fänge, Arches Arches, 2020. Oil, inks, linen, wood on panel, 83.5 × 70.5 cm / unframed 73 × 60 cm. © Nora Bencivenni & Felix Berg. Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/03-the-spirit-of-the-sitter.jpg Jens Fänge, The Spirit of the Sitter, 2020. Oil and vinyl on panel, 121 × 99 cm / unframed 111 x 89 cm. © Nora Bencivenni & Felix Berg. Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/05-the-circle-opens.jpg Jens Fänge, The Circle Opens, 2020. Wood, linoleum, oil and vinyl on textile and panel, 126 × 99 cm / unframed 116 × 89 cm. © Nora Bencivenni & Felix Berg. Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/06-the-inn.jpg Jens Fänge, The Inn, 2020. Oil and inks on copper plate and wooden panel, 83 × 70 cm / unframed 73 × 60 cm. © Nora Bencivenni & Felix Berg. Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/02-grande-tete-aalto.jpg Jens Fänge, Grande Tête (Aalto), 2020. Oil, vinyl, inks on textile, copper plate and panel, 188 × 126 cm / unframed 178 × 116 cm. © Nora Bencivenni & Felix Berg. Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/04-healings.jpg Jens Fänge, Healings, 2020. Oil and vinyl on textile and panel, 126 × 99 cm / unframed 116 × 89 cm. © Nora Bencivenni & Felix Berg. Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/09-installation.jpg Jens Fänge: Inner Songes, installation view, Galerie Perrotin. Courtesy Galerie. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/Portrait-of-Jens-Fange.jpg Portrait of Jens Fänge. Photo © Claire Dorn. Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/07-violetta-du.jpg Jens Fänge, Violetta Du, 2020. Oil, inks and vinyl on textile, copper plate and panel, 126.5 × 99 cm / unframed 116 × 89 cm. © Nora Bencivenni & Felix Berg. Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/08-voyage.jpg Jens Fänge, Voyage, 2020. Oil, inks, linen on wooden panel, 140 × 91 cm / unframed 130 × 81 cm. © Nora Bencivenni & Felix Berg. Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/f/073-fange-jens-2021/10-installation.jpg Jens Fänge: Inner Songes, installation view, Galerie Perrotin. Courtesy Galerie. https://www.studiointernational.com/index.php/shneel-malik-interview-i-am-a-crazy-optimist https://www.studiointernational.com/images/articles/m/038-malik-shneel-2021/Inspirational-structure-for-tile-design.jpg Inspirational structure for tile design. Photo courtesy Shneel Malik. https://www.studiointernational.com/images/articles/m/038-malik-shneel-2021/Indus-wall-tiles.jpg Indus wall tiles. Photo courtesy Shneel Malik. https://www.studiointernational.com/images/articles/m/038-malik-shneel-2021/Indus-clay-wall-tile-manufacturing.jpg Indus clay wall tile manufacturing, using traditional methods, India. Photo courtesy Shneel Malik. https://www.studiointernational.com/images/articles/m/038-malik-shneel-2021/Shneel-Malik-Render-of-Indus-installed.jpg Shneel Malik. Render of Indus installed in the courtyard of a small-scale dying industry in India. Photo courtesy Shneel Malik. https://www.studiointernational.com/images/articles/m/038-malik-shneel-2021/04-Inlet-detail.jpg Inlet detail. Photo courtesy Shneel Malik. https://www.studiointernational.com/images/articles/m/038-malik-shneel-2021/Shneel-Malik.jpg Shneel Malik. https://www.studiointernational.com/images/articles/m/038-malik-shneel-2021/Shneel-Malik-doing-computational-work-in-the-lab.jpg Shneel Malik doing computational work in the lab. Photo courtesy Shneel Malik. https://www.studiointernational.com/images/articles/m/038-malik-shneel-2021/Indus-2-0-01-2.jpg Indus 2.0. Video still. Photo courtesy Shneel Malik. https://www.studiointernational.com/images/articles/m/038-malik-shneel-2021/Indus-2-0-Water-flowing-02.jpg Indus 2.0, water flowing. Video still. Photo courtesy Shneel Malik. https://www.studiointernational.com/index.php/lana-locke-interview-journeys-of-a-laundry-mountain-lungley-gallery-london-domestic-pandemic-colonialism-climate-change https://www.studiointernational.com/images/articles/l/061-locke-lana-2021/LockeLana1.jpg Lana Locke. Pangolin-Bat, 2020. Mixed media relief, 26 x 47 x 9 cm. © Lana Locke. https://www.studiointernational.com/images/articles/l/061-locke-lana-2021/Journeys-of-a-laundry-mountain-Still-1.jpg Lana Locke. Journeys of a Laundry Mountain, 2020 (video still). © Lana Locke. https://www.studiointernational.com/images/articles/l/061-locke-lana-2021/MVI_0796-7.jpg Lana Locke. Journeys of a Laundry Mountain, 2020 (video still). © Lana Locke. https://www.studiointernational.com/images/articles/l/061-locke-lana-2021/LockeLana2.jpg Lana Locke. Making (Babies), 2020. Installation, dimensions variable. Exhibition view, Lungley Gallery, London. © Lana Locke. https://www.studiointernational.com/images/articles/l/061-locke-lana-2021/Making-Babies-video-2020.jpg Lana Locke. Making (Babies), 2020 (video still). Video, 11 min 16 sec. © Lana Locke. https://www.studiointernational.com/index.php/harold-offeh-interview-untitled-art-on-the-conditions-of-our-time-kettles-yard-cambridge https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/Divana-Snap-DivaHI-RES.jpg Harold Offeh. Snap Like a Diva, Performance, 2012. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/ChoreographMePerformanceRoskildeDenmark20162.jpg Harold Offeh. Choreograph Me, Performance Roskilde, Denmark, 2016. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/CroydonPlaysItselfInstallTurfProject20191.jpg Harold Offeh. Croydon Plays Itself, installation view, Turf Projects, 2019. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/haroldinho1.jpg Harold Offeh. Haroldinho, Performance, Rio, Brazil, 2003. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/Harold4WaysttoFeelAmazing.jpg Harold Offeh. 4 Ways to Feel Amazing, 2002. Video, 3 min. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/Harold4WaysttoFeelAmazing1.jpg Harold Offeh. 4 Ways to Feel Amazing, 2002. Video, 3 min. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/ServicesRenderedToilet-Attendant.jpg Harold Offeh. Services Rendered Toilet, Performance at Tate Modern, 2009. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/HaroldOffehChoreograph-Me1Middlesborough.jpg Harold Offeh. Choreograph Me, Performance Middlesbrough, 2015. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/Mothership-1.jpg Harold Offeh. The Mothership Collective, installation at South London Gallery, 2006. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/ChoreographMePerformanceRoskildeDenmark20164.jpg Harold Offeh. Choreograph Me, Performance Roskilde, Denmark, 2016. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/CroydonPlaysItselfInstallTurfProject20192.jpg Harold Offeh. Croydon Plays Itself, installation view, Turf Projects, 2019. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/HaroldOffehCoversBirmingham4.jpg Harold Offeh. Covers Live, Performance at MAC, Birmingham, 2015. Photo: Timothy Pratt Photography. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/Haroldinho3.jpg Harold Offeh. Haroldinho, Performance, Rio, Brazil, 2003. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/haroldinho4.jpg Harold Offeh. Haroldinho, Performance, Rio, Brazil, 2003. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/Mothership-3.jpg Harold Offeh. The Mothership Collective, installation at South London Gallery, 2006. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/Mothership-4.jpg Harold Offeh. The Mothership Collective, installation at South London Gallery, 2006. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/ServicesRenderedDoorman.jpg Harold Offeh. Services Rendered Doorman, Performance at David Roberts Art Foundation, 2009. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/Smile-Screen-Shot-copy.jpg Harold Offeh. Smile, Video, 2001. https://www.studiointernational.com/images/articles/o/087-offeh-harold-2021/Snap-Like-a-Diva-Harold-Offeh-Steve-Nice.jpg Snap Like a Diva, Poster, 2012. Design by Steve Nice. https://www.studiointernational.com/index.php/peter-kennard-interview-montage-is-about-allowing-people-to-think-critically-concept-of-history-richard-saltoun-gallery-london https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/09.jpg Peter Kennard, Untitled 3 (2020), 2020. Acrylic, charcoal, toner, oil, acrylic and graphite on paper, 111.5 x 76 cm. © Peter Kennard. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/02.jpg Peter Kennard, Stop 13, 1968-76. Oil and ink on canvas, 99 x 147.5 cm. © Peter Kennard. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/03.jpg Peter Kennard, Stop 31, 1968-76. Oil and ink on canvas. 60 x 61.5 cm. © Peter Kennard. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/04.jpg Peter Kennard, Stop 23, 1968-76. Oil and ink on canvas, 153 x 101.5 cm. © Peter Kennard. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/05.jpg Peter Kennard, Stop 32, 1968-76. Oil and ink on canvas, 100.5 x 150 cm. © Peter Kennard. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/06.jpg Peter Kennard, Pallet, 1990. From a set of 12. Oil, dust, charcoal on wood, 90 x 60 cm. © Peter Kennard. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/07.jpg Peter Kennard, Pallet, 1990. Oil, charcoal and dust on wood, 90 x 65 x 14 cm. © Peter Kennard. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/01.jpg Peter Kennard, Stop 28, 1968-76. Oil and ink on canvas, 118 x 138.5 cm. © Peter Kennard. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/08.jpg Peter Kennard, Untitled 2 (2020), 2020. Acrylic, charcoal, graphite, carbon toner, pastel on paper, 94.5 x 70 cm. © Peter Kennard. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/k/065-kennard-peter-2021/10.jpg Portrait of Peter Kennard in his studio with Untitled 6 (2020), 2020. Photo: Jenny Matthews. Courtesy the artist and Richard Saltoun Gallery. https://www.studiointernational.com/index.php/claire-ashley-interview-im-not-an-artist-who-is-afraid-about-the-word-entertainment-inflatable-sculptures https://www.studiointernational.com/images/articles/a/043-ashley-claire-2021/claire-ashley-ruddy-udder-dance-2012.jpg Claire Ashley. Ruddy Udder Dance, 2012. Performance at ACRE in Steuben, WI, 18 August 2012. https://www.studiointernational.com/images/articles/a/043-ashley-claire-2021/claire-ashley-LBLB-2017.jpg Claire Ashley. Installation view, Loathsome Beauty, Loaded Body at University of Buffalo Anderson Galleries. Spray paint on PVC coated canvas tarpaulin and fans, dimensions variable. https://www.studiointernational.com/images/articles/a/043-ashley-claire-2021/claire-ashley-astrozone-credit-stevenochs.jpg Claire Ashley. Astrozone, 2020, Griffin Music Hall, Murphy Arts District, El Dorado, AR. Organised by the Crystal Bridges Museum of American Art, Bentonville, AR. Photo: Steven Ochs. https://www.studiointernational.com/images/articles/a/043-ashley-claire-2021/clown-laughingstock-installation-view.jpg Claire Ashley. Clown (Laughing Stock), 2020. Spray paint on PVC coated Ripstop nylon, webbing straps, zippers, fan. Approximately 305 x 183 cm (10 x 6 ft). Commissioned by the Henry Moore Institute in Leeds for the Portable Sculpture exhibition. https://www.studiointernational.com/images/articles/a/043-ashley-claire-2021/SHT-HUB-PA-2019-5-2048.jpg Claire Ashley. Strewn, Hither and Thither, 2019. Installation view, HUB Robeson Galleries, Penn State University, PA. https://www.studiointernational.com/index.php/anne-hardy-interview-i-am-interested-in-residues-leftovers-stranded-things-as-carriers-of-potential-rising-heat-maureen-paley-studio-m-london https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/Anne-Hardy-Boijmans-004-85A7503.jpg Anne Hardy. Liquid Landscape, 2018. FIELDwork – sculptural installation with audio, programmed light and wind. Exhibition view: Sensory Spaces #13, Museum Boijmans Van Beuningen, Rotterdam, 2018. Photo: Angus Mill. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/Anne-Hardy-TheDepthofDarknesstheReturnoftheLight_Tate2019-20IMG_0395-Edit2.jpg Anne Hardy. The Depth of Darkness, the Return of the Light, 2019. Tate Britain Winter Commission. FIELDwork - sculptural installation with quadraphonic surround sound audio and programmed light exhibition view: Tate Britain, London, 2019. Photo: Angus Mill. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/Anne-Hardy-Tate_85A3903.jpg Anne Hardy. The Depth of Darkness, the Return of the Light, 2019. Tate Britain Winter Commission. FIELDwork - sculptural installation with quadraphonic surround sound audio and programmed light exhibition view: Tate Britain, London, 2019. Photo: Angus Mill. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/MP-HARDA-00448-B-300-VR-(1).jpg Anne Hardy. Into Darkness (The Depth of Darkness, the Return of the Light), 2020. Unique photogram on c-type paper, 62.2 x 52 x 4 cm. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/Anne-Hardy-2018-FallingandWalking-LAG_85A8400.jpg Anne Hardy. Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh), 2017. FIELDwork - sculptural installation with audio, programmed light and wind. Co commissioned by Art Night and Contemporary Art Society exhibition view: Leeds Art Gallery, Leeds, 2018. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/MP-HARDA-00441-B-300-VR-(1).jpg Anne Hardy. Rising Heat (The Depth of Darkness, the Return of the Light), 2020. Unique photogram on c-type paper, 62.2 x 52 x 4 cm. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/MP-HARDA-00437-B-300-VR-(1).jpg Anne Hardy. Twilight Fever (The Depth of Darkness, the Return of the Light), 2020. Unique photogram on c-type paper, 62.2 x 52 x 4 cm. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/MP-HARDA-00457-B-300-VR-(1).jpg Anne Hardy. Future Trace (The Depth of Darkness, the Return of the Light), 2020. Unique photogram on c-type paper, 62.2 x 52 x 4 cm. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/Anne-Hardy-Boijmans-010-85A7687.jpg Anne Hardy. Liquid Landscape, 2018. FIELDwork – sculptural installation with audio, programmed light and wind. Exhibition view: Sensory Spaces #13, Museum Boijmans Van Beuningen, Rotterdam, 2018. Photo: Angus Mill. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/Anne-Hardy_-Falling-and-Walking-(phhhhhhhhhhh-phossshhhhh-crrhhhhzzz-mn-huaooogh)_-2017.-Co-commissioned-by-Art-Night-2017-and-Contemporary-Art-Society-Photo-by-Angus-Mill_4.jpg Anne Hardy. Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh), 2017. FIELDwork - sculptural installation with audio, programmed light and wind. Co commissioned by Art Night and Contemporary Art Society exhibition view: Art Night, London, 2017. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/MP-HARDA-00456-B-300-VR-(1).jpg Anne Hardy. Descent (The Depth of Darkness, the Return of the Light), 2020. Unique photogram on c-type paper, 62.2 x 52 x 4 cm. © Anne Hardy, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/h/045-hardy-anne-2021/anne-hardy-portrait.jpg Anne Hardy. Photo: Erna Klewall. Courtesy the artist and Maureen Paley, London. https://www.studiointernational.com/index.php/philip-hughes-interview-drawing-captures-memory-of-place-like-diary-book-painting-ancient-land-australia https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/Lava-Flow-(Lord-Howe-Island)-1993-.jpg Philip Hughes. Lava Flow (Lord Howe Island), 1993. Acrylic on canvas, 86 x 148 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/Opal,-2020-.jpg Philip Hughes. Opal, 2020. Image courtesy the artist. https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/Bundanon-the-last-three-days-2004-Detail.jpg Philip Hughes. First view of Pulpit Rock, Bundanon, 2004. Acrylic and gouache on paper, 60 x 60 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/Philip-Hughes-Bungle-Bungle-1995.jpg Philip Hughes. Bungle Bungle, 1995. Image courtesy the artist. https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/Philip-Hughes-In-the-Blue-Gum-Forest-I,-1995.jpg Philip Hughes. In the Blue Gum Forest I, 1995. Acrylic on board, 120 x 220 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/Warners-Landing,-building-the-access-road,-1983-.jpg Philip Hughes. Warners Landing, Building the Access Road, 1983. Gouache and acrylic on paper. Image courtesy the artist. https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/Lightning-Ridge-Miners-Hut-2019-20.jpg Philip Hughes. Lightning Ridge: Miner’s Hut 2019-20. Acrylic and pastel on paper. Image courtesy the artist. https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/philip-hughes-book-cover.jpg Painting the Ancient Land of Australia by Philip Hughes, with a foreword by Glenn Murcutt and an introduction by Jonathan Myers, is published by Thames & Hudson (Australia). https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/Bundanon-the-last-three-days-2004.jpg Philip Hughes. Bundanon: the last three days 2004, 2004. Image courtesy the artist. https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/The-Grotto,-Port-Campbell,-1991.jpg Philip Hughes. The Grotto, Port Campbell, 1991. Acrylic and pastel on paper, 126 x 131 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/h/046-hughes-philip-2021/The-Terraces-of-Mount-Tom-Price-Mine,-2005.jpg Philip Hughes. The Terraces of Mount Tom Price Mine, 2005. Acrylic and aquacryl on paper, 87 x 151 cm. Image courtesy the artist. https://www.studiointernational.com/index.php/studio-international-january-1965-volume-169-number-861 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-january-1965.jpg Studio International, January 1965, Volume 169 Number 861. Cover image: Gio Pomodoro, Brooch, Gold and emeralds, 5 cm. Galerie Semiha Huber. https://www.studiointernational.com/index.php/studio-international-february-1965-volume-169-number-862 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-february-1965.jpg Studio International, February 1965, Volume 169 Number 862. Cover image: Tinguely, M.K.111. 1964 in motion. https://www.studiointernational.com/index.php/studio-international-march-1965-volume-169-number-863 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-march-1965.jpg Studio International, March 1965, Volume 169 Number 863. Cover image: Oliffe Richmond, Caveat Bronze, see page 101. https://www.studiointernational.com/index.php/destination-art-amy-dempsey-book-review-thames-hudson https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p10.jpg Ferdinand Cheval, Le Palais Idéal, 1879–1912. Wire, cement, stones, fossils and shells, 10 x 14 x 26 m (32 x 45 x 85 ft). Photo: Thierry Ollivier. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p23.jpg Harvey Fite. Opus 40, 1939–76. Bluestone earthwork, 2.6 hectares (6.5 acres). Photo: Philip Scalia/Alamy Stock Photo. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p16.jpg Simon Rodia, Watts Towers, 1921-54. Los Angeles. Concrete, bottles, cups, glass, tile, shells, steel, wire mesh, 1⁄10 of an acre, height of the tallest tower is 99 ½ ft (33.3 m). Photo: CDS Images/Alamy Stock Photo. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p106.jpg Andy Goldsworthy. River Stone Fold, Deadman Gill (detail), 2002. River stones sourced from Swindale Beck and stone from Keith Bragdon, Swaledale Quarry, overall dimensions of fold: 1.5 x 15.5 x 13.7 m (4 ft 11 in. x 50 ft 10 in. x 44 ft 11 in.); relief sculpture in the fold: 1.4 x 0.8 m (3 ft 5 in. x 2 ft 7 in.) Near Brough, Cumbria. Commissioned by Cumbria County Council, with funds from the Arts Council of England. Photo Rob Cousins/Alamy Stock Photo. © Andy Goldsworthy https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p99.jpg Mikael Hansen. Organic Highway, 1995, re-established in 2002 and 2011. Sycamore branches, length 60 m (196 ft 10 in). Photo courtesy the artist. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/destination-art-cover.jpg Destination Art by Amy Dempsey, published by Thames & Hudson, 2021. © Thames & Hudson. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p2.jpg Kevin O’Dwyer. 60 Degrees, 2002. Railway sleepers, stainless steel, steel, rail, height 5 m (16 ft 5 in). Photo: Kevin O'Dwyer. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p33.jpg Edward James. The Bamboo Palace, 1962–84. Las Pozas. Photo: © Sally Wilson. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p44.jpg Jean Dubuffet. Closerie Falbala, 1970–73. Painted concrete and epoxy resin, 1,610 m2. (17,330 ft2). Fondation Dubuffet, Périgny-sur-Yerres. Photo Belzeaux. © ADAGP, Paris and DACS, London 2020. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p102.jpg Marian O’Donnell. Acknowledgement, 1993. Earth and gneiss stone, length 50 m (164 ft). Claggan Island. Photo: Mayo County Council/Eamonn O'Boyle https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p113.jpg Finn Eirik Modahl. Elektra, 2000. Granite, 999 layers of glass, neon light, water, grass and landscape architecture, 4-channel sound system and 18 piezoelectric sensors, height of core vertical scuplture 6 m ( 19 ft 8 in). Photo: Lars Lægreid. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p143.jpg Stuart Ian Frost. A Place Is a Place Is a Place, 2019. Douglas fir, 300 x 303 x 333 cm (9 ft 10 in x 9 ft 11 in x 10 ft 11 in). Photo: Gunhild Lien. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p144.jpg Julie Brook. In foreground: Divided Block 3, 2015. Marble, 212 x 150 x 460 cm (7 x 4 ft 11 in x 15 ft 1 in). At back, upper level: Divided Wall, 2015. Marble, 195 x 100 x 382 cm (6 ft 5 in x 1 ft 4 in x 12 ft 6 in). Photo courtesy the artist. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p150.jpg Finn Eirik Modahl. Genesis/unge Olav (Genesis/Young Olav), 2016. Hand-hammered 5 mm, 316L molybdenum steel, 500 x 600 cm (16 ft 5 in x 19 ft 8 in). Photo: Lars Svenkerud. https://www.studiointernational.com/images/articles/d/064-destination-art-2021/p158.jpg Amy Malbeuf. Iskotew, 2018. Painted steel, the syllabics range in height, 91–183 cm (3–6 ft). Photo: Edmonton Arts Council. https://www.studiointernational.com/index.php/art-appreciation-in-the-metaverse-crypto-art-non-fungible-tokens-mike-winkelmann-beeple https://www.studiointernational.com/images/articles/c/030-crypto-art-2021/pipe-smoking-cryptopunk.jpg CryptoPunk 7804, sold for ETH4200 ($7.5 million), 10 March 2021. https://www.studiointernational.com/images/articles/c/030-crypto-art-2021/dmitri-cherniak.jpg Dmitri Cherniak, Ringers. Twitter screenshot, 19 March 2021. https://www.studiointernational.com/images/articles/c/030-crypto-art-2021/beeple-everydays-750.jpg Mike Winkelmann, aka Beeple, Everydays: The First 5000 Days, Non-fungible token (jpg), 21,069 x 21,069 pixels (319,168,313 bytes), minted on 16 February 2021. https://www.studiointernational.com/images/articles/c/030-crypto-art-2021/beeple-crap-instagram.jpg @beeple_crap, Instagram, screenshot, 19 March 2021. https://www.studiointernational.com/images/articles/c/030-crypto-art-2021/cryptopunk.jpg CryptoPunk 2890. Screenshot, Lava Labs, 2021. https://www.studiointernational.com/index.php/studio-international-april-1965-volume-169-number-864 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-april-1965.jpg Studio International, April 1965, Volume 169 Number 864. https://www.studiointernational.com/index.php/studio-international-may-1965-volume-169-number-865 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-may-1965.jpg Studio International, May 1965, Volume 169 Number 864. Cover image: lpousteguy, L https://www.studiointernational.com/index.php/studio-international-june-1965-volume-169-number-866 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-june-1965.jpg Studio International, June 1965, Volume 169 Number 866. Cover image: Pol Bury, 9 balls on a sloping plane 1964 (Detail). See page 239. https://www.studiointernational.com/index.php/the-art-museum-in-modern-times-charles-saumarez-smith-book-review-thames-hudson https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/Page-185-above,-The-Broad,-Los-Angeles,-designed-by-Diller-Scofidio-+-Renfro,-photographed-by-Iwan-Baan.jpg The Broad, Los Angeles, designed by Diller Scofidio + Renfro. Photo: Iwan Baan. Courtesy Diller Scofidio + Renfro. Page 185. https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/Page-23-National-Gallery-of-Washington.jpg The National Gallery of Art in Washington, DC, as photographed in 1940, before its formal opening in 1941. Photo: Gottscho-Schleisner Collection, Library of Congress, Prints and Photographs Division, Washington DC. Page 23. https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/Page-205-TANK-Shanghai,-converted-by-Open-Archtiecture.jpg TANK Shanghai, converted by OPEN Architecture. Photo: Charles Saumarez Smith. Page 205. https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/Page-64,-Centre-Pompidou,-Paris,-designed-by-Renzo-Piano-and-Richard-Rogered,-Photograph-in-August-1976-during-construction.jpg The Centre Pompidou, Paris, designed by Richard Rogers and Renzo Piano and photographed in August 1976 in the course of construction. Photo: The Centre Pompidou, Paris, designed by Richard Rogers and Renzo Piano and photographed in August 1976 in the course of construction. Page 64. https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/Page-167,-The-exterior-view-of-MON,-Hobart,-designed-by-Nonda-Katsalidis.jpg The exterior view of MONA, Hobart, designed by Nonda Katsalidis. Photo: Photo MONA / Leigh Carmichael. Courtesy Museum of Old and New Art (MONA), Hobart, Australia. Page 167. https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/Page-193-The-entrance-fo-the-Louvre-Abu-Dhabi,-designed-by-Jean-Nouvel.jpg The entrance to the Louvre Abu Dhabi, designed by Jean Nouvel. Photo: Charles Saumarez Smith. Page 193. https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/art-museum-cover.jpg The Art Museum in Modern Times by Charles Saumarez Smith, published by Thames & Hudson. https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/Page-182-above,-the-Whitney-Museum,-New-York,-designed-by-Renzo-Piano,-as-seen-from-the-west.jpg The Whitney Museum, New York, designed by Renzo Piano, as seen from the west. Photo: Photo Nic Lehoux. © RPBW - Renzo Piano Building Workshop Architects. Page 182. https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/Page-201-above,-Muzeum-Susch,-Switzerland,-designed-by-Chasper-Schmidlin-and-Lukas-Voellmy.jpg Muzeum Susch, Switzerland, designed by Chasper Schmidlin and Lukas Voellmy. Photo: Photo © Conradin Frei. Page 201. https://www.studiointernational.com/images/articles/a/043-art-museum-in-modern-times-2021/Page-67,-A-side-view-of-the-Yale-Center-for-British-Art,-New-Haven,-designed-by-Louis-Kahn-and-photographed-by-Cemal-Emden-in-1977.jpg A side view of the Yale Center for British Art, New Haven, designed by Louis Kahn and photographed by Cemal Emden in 1977. Photo: © Cemal Emden. Page 67. https://www.studiointernational.com/index.php/studio-international-july-1965-volume-170-number-867 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-july-1965.jpg Studio International, July 1965, Volume 170 Number 867. Cover image: Gia’ Pomodoro, Pressione 1964 (Detail), Chinese ink on board, see page 11. https://www.studiointernational.com/index.php/studio-international-august-1965-volume-170-number-868 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-august-1965.jpg Studio International, August 1965, Volume 170 Number 868. Cover image: Karl Fred Dahmen, detail of Mischtechnik, 1964. https://www.studiointernational.com/index.php/grief-and-grievance-art-and-mourning-in-america-review-new-museum-new-york https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/Gates_Gone-are-the-Days-of-Shelter-and-Martyr-2014.jpg Theaster Gates, Gone Are the Days of Shelter and Martyr, 2014. Video, sound, colour; 6:31 minutes. © Theaster Gates. Courtesy White Cube and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/Simone-Leigh-Sentinel-IV-2020-2.jpg Centre: Simone Leigh, Sentinel IV, 2020. Installation view, Grief and Grievance: Art and Mourning in America, New Museum, New York, 2021. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/New-Museum_Grief-and-Grievance_2021_0750.jpg Kerry James Marshall, Souvenir IV, 1998. Installation view, Grief and Grievance: Art and Mourning in America, New Museum, New York, 2021. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/Howardena-Pindell.jpg Howardena Pindell, Autobiography: Water (Ancestors / Middle Passage / Family Ghosts), 1988. Installation view, Grief and Grievance: Art and Mourning in America, New Museum, New York, 2021. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/Johnson-Rashid-Antoines-Organ-2016.jpg Rashid Johnson, Antoine’s Organ, 2016. Black steel, grow lights, plants, wood, shea butter, books, monitors, rugs, piano, 189 x 338 x 126 3/4 in (480 x 858.5 x 322 cm). © Rashid Johnson. Courtesy the artist and Hauser & Wirth https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/Mehretu-Julie-Rubber-Gloves-OC.jpg Julie Mehretu, Rubber Gloves (O.C.), 2018. Ink and Acrylic on Canvas, 96 x 72 in (243.8 x 182.9 cm). Private Collection. © Julie Mehretu. Courtesy of the artist, White Cube, London and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/Henry-Taylor-Every-Brotha.jpg Henry Taylor, Untitled, 2020. Installation view, Grief and Grievance: Art and Mourning in America, New Museum, New York, 2021. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/New-Museum_Grief-and-Grievance_2021_0453.jpg Nari Ward, Peace Keeper, 1995. Installation view, Grief and Grievance: Art and Mourning in America, New Museum, New York, 2021. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/New-Museum_Grief-and-Grievance_2021_0783.jpg Julia Phillips, Drainer, 2018. Installation view, Grief and Grievance: Art and Mourning in America, New Museum, New York, 2021. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/Bradley-Garrett-Alone.jpg Garrett Bradley, Alone, 2017 (still). Single-channel 35mm film transferred to video, sound, black-and-white; 13 min. © Garrett Bradley. Courtesy the artist. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/Jafa-Arthur-Love-is-the-Message-The-Message-is-Death_3.jpg Arthur Jafa, Love Is The Message, The Message Is Death, 2016. Video, sound colour; 7:25 min. Courtesy the artist and Gladstone Gallery, New York and Brussels. https://www.studiointernational.com/images/articles/g/064-grief-and-grievance-show-2021/New-Museum_Grief-and-Grievance_2021_0736.jpg Diamond Stingily, Entryways, 2016. Installation view, Grief and Grievance: Art and Mourning in America, New Museum, New York, 2021. Photo: Dario Lasagni. https://www.studiointernational.com/index.php/studio-international-september-1965-volume-170-number-869 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-september-1965.jpg Studio International, September 1965, Volume 170 Number 869. Cover image: Cover image: Doorpost of hut (Detail). Wood. Height: 183 cm. Width: 56 cm. Melanesia. New Caledonia, Musée de l’Homme. Paris. https://www.studiointernational.com/index.php/studio-international-october-1965-volume-170-number-870 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-october-1965.jpg Studio International, October 1965, Volume 170 Number 870. Cover image: Getulio Alviani Italy, NP dt circulos 1965. Serigraph 68 x 68 cm. https://www.studiointernational.com/index.php/studio-international-november-1965-volume-170-number-871 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-november-1965.jpg Studio International, November 1965, Volume 170 Number 871 https://www.studiointernational.com/index.php/studio-international-december-1965-volume-170-number-872 https://www.studiointernational.com/images/articles/archive-1965-1976/studio-international-december-1965.jpg Studio International, December 1965, Volume 170 Number 872. https://www.studiointernational.com/index.php/valerie-hird-what-did-happen-to-alice-my-avatar-review-nohra-haime-gallery-new-yor https://www.studiointernational.com/images/articles/h/043-hird-valerie-2021/The-Elder-Gods-Werent-Male.jpg Valerie Hird, The Elder Gods Weren https://www.studiointernational.com/images/articles/h/043-hird-valerie-2021/Alice_Box-1-.jpg Valerie Hird, Network News, 2020. Wood, screws, foamcore, book text, paper, watercolour, electrical wire, LEDs, batteries, 28 x 12 x 6 1/2 in (71.1 x 30.5 x 16.5 cm). https://www.studiointernational.com/images/articles/h/043-hird-valerie-2021/Alice_Box-2hr.jpg Valerie Hird, Transition, 2020. Wood, screws, foamcore, book text, paper, watercolour, ink, electrical wire, LEDs, batteries, 28 x 12 x 6 1/2 in (71.1 x 30.5 x 16.5 cm). https://www.studiointernational.com/images/articles/h/043-hird-valerie-2021/Alice_Box-3_hr.jpg Valerie Hird, New Media, 2020. Wood, screws, foamcore, book text, paper, watercolour, ink, electrical wire, LEDs, batteries, 28 x 14 x 6 1/2 in (71.1 x 35.6 x 16.5 cm). https://www.studiointernational.com/images/articles/h/043-hird-valerie-2021/Alice_Box-4_hr.jpg Valerie Hird, Boxed In, 2020. Wood, screws, foamcore, book text, paper, watercolour, ink, 28 x 16 x 6 1/2 in (71.1 x 40.6 x 16.5 cm). https://www.studiointernational.com/images/articles/h/043-hird-valerie-2021/Hird_Source-Code.jpg Valerie Hird, Source Code, 2016-2020. Installation, watercolour, foam core, Stonehenge paper, 94 sheets, 45 x 108 in (114.3 x 274.3 cm), 62 sheets, 6 x 9 in, 32 sheets: 9 x 6 in. https://www.studiointernational.com/images/articles/h/043-hird-valerie-2021/Valerie-Hird---What-Did-Happen-to-Alice,-My-Avatar,-installation-at-Nohra-Haime-Gallery-2021.jpg Valerie Hird, What Did Happen to Alice; My Avatar, installation view, Nohra Haime Gallery 2021. https://www.studiointernational.com/images/articles/h/043-hird-valerie-2021/Hird-Break-in-the-Horizon.jpg Valerie Hird, Break in the Horizon, 2019. Oil, monotypes, gesso, Arches paper silver leaf, silver amulet, 23 1/2 x 22 in (59.7 x 55.9 cm). https://www.studiointernational.com/images/articles/h/043-hird-valerie-2021/Hird-Child-of-the-Pure-Unclouded-Brow.jpg Valerie Hird, Child of the Pure Unclouded Brow, 2019. Watercolor, oil paint on Arches paper, 21 x 15 in (53.3 x 38.1 cm). https://www.studiointernational.com/index.php/mohamed-bourouissa-interview-i-see-art-as-a-playground-goldsmiths-centre-for-contemporary-art-london-2 https://www.studiointernational.com/images/articles/b/027-bourouissa-mohamed-2021/09.jpg Mohamed Bourouissa, Horse Day, 2014–15. Two-channel video (colour, sound),13:32 minutes. Production MOBILES, with PMU support. © ADAGP, Paris 2018. Courtesy the artist and kamel mennour, Paris/London. https://www.studiointernational.com/images/articles/b/027-bourouissa-mohamed-2021/08.jpg Mohamed Bourouissa, Horse Day, 2014–15. Two-channel video (colour, sound),13:32 minutes. Production MOBILES, with PMU support. © ADAGP, Paris 2018. Courtesy the artist and kamel mennour, Paris / London. https://www.studiointernational.com/images/articles/b/027-bourouissa-mohamed-2021/10.jpg Exhibition view, Brutal Family Roots, kamel mennour (47 rue Saint-André-des-Arts), Paris, 2020. © Photo: archives kamel mennour, Paris/London. © ADAGP Mohamed Bourouissa. Courtesy the artist and kamel mennour, Paris/London. https://www.studiointernational.com/images/articles/b/027-bourouissa-mohamed-2021/05.jpg Mohamed Bourouissa, Temps mort, 2009. Still. Video projection (colour, sound), 18 min. © ADAGP Mohamed Bourouissa. Courtesy the artist and kamel mennour, Paris / London. https://www.studiointernational.com/images/articles/b/027-bourouissa-mohamed-2021/06.jpg Mohamed Bourouissa, ALL-IN, 2012. Stills. Video, colour, sound, 5:41 min. Co-production kamel mennour / La Monnaie de Paris. © ADAGP Mohamed Bourouissa. Courtesy the artist and kamel mennour, Paris / London. https://www.studiointernational.com/images/articles/b/027-bourouissa-mohamed-2021/07.jpg Mohamed Bourouissa, Unknown #17, 2014. Shoplifters series. Colour photography, 39 x 30 cm. © Mohamed Bourouissa. Courtesy the artist and kamel mennour, Paris / London. https://www.studiointernational.com/images/articles/b/027-bourouissa-mohamed-2021/4S9A9566-full.jpg Mohamed Bourouissa. Photo: Archives kamel mennour. https://www.studiointernational.com/index.php/studio-international-january-1966-volume-171-number-873 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-january-1966.jpg Studio International, January 1966, Volume 171 Number 873. Cover image: Based on Water from the Rock by Richard Anuszkiewicz. https://www.studiointernational.com/index.php/studio-international-february-1966-volume-171-number-874 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-february-1966.jpg Studio International, February 1966, Volume 171 Number 874. Cover image: E240 by Rupprecht Geiger, 1955. https://www.studiointernational.com/index.php/matt-jukes-interview-feelscape-pandemic-mental-health-dream-big-shoot-for-stars-reach-moon https://www.studiointernational.com/images/articles/j/086-jukes-matt-2021/01_feelscape_art_-on_a_phone.jpg Matt Jukes. Feelscape (feelscape.art). Photo © Matt Jukes. https://www.studiointernational.com/images/articles/j/086-jukes-matt-2021/02_Feelscape_outputs_framed.jpg Matt Jukes. Feelscape outputs. Photo © Matt Jukes. https://www.studiointernational.com/images/articles/j/086-jukes-matt-2021/03_colours_Vs_emotions.jpg Matt Jukes. Colours vs emotions. Colourways assigned to emotions in the Feelscape algorithm. Photo © Matt Jukes. https://www.studiointernational.com/images/articles/j/086-jukes-matt-2021/02a_Feelscape_outputs_detail_signature.jpg Matt Jukes. Feelscape output - detail showing signature. Photo © Matt Jukes. https://www.studiointernational.com/images/articles/j/086-jukes-matt-2021/02a_Feelscape_outputs_detail_texture.jpg Matt Jukes. Feelscape output - detail showing texture. Photo © Matt Jukes. https://www.studiointernational.com/index.php/frick-collection-temporary-new-home-opens-madison-new-york https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/Frick-Madison-Exterior.jpg Marcel Breuer building. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/3B_GrandItalianGallery.jpg Room 11: This grand gallery of Italian Renaissance paintings includes work by Veronese (back right wall) as well as Titian. Centrally located is a bronze by Francesco da Sangallo, placed atop a replica of its original base. To the left, in Room 12, are works by later Venetian masters Guardi, Tiepolo, and Carriera. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/2A_EarlyNetherlandishPainting.jpg Room 2: Early Netherlandish painting (1440–1570) by Memling (foreground), Van Eyck, David, and others, as shown at Frick Madison by The Frick Collection. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/2B_VanDyckPairandSirJohnSuckling.jpg Room 5: Three of the Frick’s eight portraits by Van Dyck, as shown at Frick Madison by The Frick Collection. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/4A_BritishGalleryGainsboroughForeground.jpg Room 21: The Frick Collection is home to remarkable works of British portraiture, many seen in this gallery, with works by Gainsborough on the right wall. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/4C_Fragonard1770sWindow.jpg Room 24: Four grand panels of Fragonard’s series The Progress of Love are shown together at Frick Madison in a gallery illuminated by one of Marcel Breuer’s trapezoidal windows. This view shows two of the 1771–72 paintings, with two later overdoors visible in the next gallery. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/6_TFC_Bellini.jpg Giovanni Bellini. St. Francis in the Desert, c1476–78. Oil on panel; panel: 49 1/16 x 55 7/8 in; image: 48 7/8 x 55 1/16 in. The Frick Collection, New York. Photo: Michael Bodycomb, courtesy The Frick Collection / Frick Art Reference Library. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/3A_BelliniGallery.jpg Room 13: Bellini’s St. Francis in the Desert, one of the Frick’s most important and loved works, is displayed in isolation, paired with one of the iconic trapezoidal windows Marcel Breuer conceived for the building. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/4B_ConstableTurnerGallery.jpg Room 20: Works by British landscape rivals Turner (right) and Constable (left) are shown in this gallery. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/4D_FrenchDecArtsGouthiereRiesenerSevres.jpg Room 19: In this gallery of French decorative arts, a remarkable side table of blue Turquin marble and gilt-bronze mounts by Pierre Gouthière is shown with a secretaire by Riesener commissioned for Marie- Antoinette. Additional works by Gouthière and Sèvres are displayed above these important pieces of furniture. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/images/articles/f/072-frick-madison-2021/FrickMadisonExteriorWindowSign.jpg Exterior of Frick Madison. Photo: Joe Coscia, courtesy The Frick Collection. https://www.studiointernational.com/index.php/artes-mundi-9-review-2021-cardiff-wales https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/Koizumi-MK_Angels-of-Testimony-(still)_2.jpg Meiro Koizumi. The Angels of Testimony, 2019 (still). Three-channel video installation, colour, sound, archival materials. Commissioned by the Sharjah Art Foundation. Courtesy the artist, Annet Gelink Gallery, Amsterdam and MUJIN-To Production, Tokyo. https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/Pachpute-AM_PP_205.jpg Prabhakar Pachpute. Museum Menageries, 2020 (detail). Oil on paper. Courtesy the artist and Experimenter Gallery, Kolkata Installation view: Artes Mundi 9. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/Pachpute-AM_PP_206.jpg Prabhakar Pachpute. The march against the lie (1A), 2020. Acrylic and charcoal pencil on canvas. Courtesy the artist and Experimenter Gallery, Kolkata Installation view: Artes Mundi 9. Photo: Stuart Whipps https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/BSM_Gosila-(Still).jpg Beatriz Santiago Muñoz. Gosila, 2018 (Still). 16mm film and HD video transferred to HD video, colour, sound, 10 min. Courtesy the artist. https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/Bopape-AM_Chapter_243.jpg Dineo Seshee Bopape. Master Harmoniser, 2020 (detail). Drawings, clay and soil on watercolour paper. Courtesy the bakgethwa ancestors. Installation view: Artes Mundi 9 Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/Bopape-AM_Chapter_249.jpg Dineo Seshee Bopape. (Nder brick) ... in process (Harmonic Conversions), 2020. Brick from Under, Senegal; woven grass mats, objects, Welsh blanket, soil from sacred site, Wales. Courtesy the bakgethwa ancestors. Installation view: Artes Mundi 9. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/AM_Chapter_219-1000.jpg Carrie Mae Weems. 
From Resist Covid Take 6! 2020. 
Public art campaign. 
Courtesy the artist and Social Studies 101 in association with The Office performing arts + film. 
Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/ArtesMundi-9_CMW.jpg Carrie Mae Weems. Repeating the Obvious, 2019 (detail). Courtesy the artist, Jack Shainman Gallery, New York and Galerie Barbara Thumm, Berlin. Installation view: Artes Mundi 9. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/ArtesMundi-9_FB_2.jpg Firelei Báez. Untitled (City Incinerator 'B'), 2021; Untitled (A Map of the British Empire in America), 2021. Courtesy the artist and James Cohan, New York. Installation view: Artes Mundi 9. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/ArtesMundi-9_PP.jpg Prabhakar Pachpute. Courtesy the artist and Experimenter Gallery, Kolkata. Installation view: Artes Mundi 9. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/042-artes-mundi-2021/ArtesMundi9_BSM.jpg Beatriz Santiago Muñoz. Courtesy the artist. Installation view: Artes Mundi 9. Photo: Polly Thomas. https://www.studiointernational.com/index.php/studio-international-march-1966-volume-171-number-875 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-march-1966.jpg Studio International, March 1966, Volume 171 Number 875. Cover image: Designed by Mackay Graphics based on Oskar Kokoschka https://www.studiointernational.com/index.php/studio-international-april-1966-volume-171-number-876 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-april-1966.jpg Studio International, April 1966, Volume 171 Number 876. Cover image: Naum Gabo. Linear Construction No. 2, 1953. Perspex and nylon, height 15 in. From the collection of Mr Eugene Rosenberg F.R.I.B.A. and Mrs Rosenberg. https://www.studiointernational.com/index.php/studio-international-may-1966-volume-171-number-877 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-may-1966.jpg Studio International, May 1966, Volume 171 Number 877. Cover image: Debuffet. Detail from Crlstallisation du réve, Odober 1952. Drawing in Indian ink, 19¼ X 25¼ in. https://www.studiointernational.com/index.php/studio-international-june-1966-volume-171-number-878 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-june-1966.jpg Studio International, June 1966, Volume 171 Number 878. Cover image: Barbara Hepworth. Sea Form (Atlantic), 1964. Height 78 in. Photo: Adam Woolflt. https://www.studiointernational.com/index.php/studio-international-july-1966-volume-172-number-879 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-july-1966.jpg Studio International, July 1966, Volume 172 Number 879. Cover image: Designed by Benson Zonena. Based on paintings and drawings by Paul Klee in the collection of Ella Winter and the Brook Street Gallery summer exhibition. https://www.studiointernational.com/index.php/studio-international-august-1966-volume-172-number-880 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-august-1966.jpg Studio International, August 1966, Volume 172 Number 880. Cover image: Designed by Mackay Graphics based on a photograph by Ed Cornachio of a David Smith sculpture. https://www.studiointernational.com/index.php/studio-international-september-1966-volume-172-number-881 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-september-1966.jpg Studio International, September 1966, Volume 172 Number 881. Cover image: Alan Davie, Pan https://www.studiointernational.com/index.php/studio-international-october-1966-volume-172-number-882 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-october-1966.jpg Studio International, October 1966, Volume 172 Number 882. Cover image: William Turnbull. 3/4/5, 1966. Steel painted red and orange, height 8 ft 4 In. https://www.studiointernational.com/index.php/studio-international-november-1966-volume-172-number-883 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-november-1966.jpg Studio International, November 1966, Volume 172 Number 883. Cover image: L. S. Lowry. Coming from the Mill, 1930. Oil on canvas, 20 x 16 in. City of Salford Art Gallery. https://www.studiointernational.com/index.php/studio-international-december-1966-volume-172-number-884 https://www.studiointernational.com/images/articles/archive-1965-1976/1966/studio-international-december-1966.jpg Studio International, December 1966, Volume 172 Number 884. Cover image: Mondrian. Composition with Red, Yellow, and Blue (unfinished), 1939-44. Oil and charcoal, 28 5/8 x 27 5/8 In. https://www.studiointernational.com/index.php/studio-international-january-1967-volume-173-number-885 https://www.studiointernational.com/images/articles/archive-1965-1976/1967/studio-international-january-1967.jpg Studio International, January 1967, Volume 173 Number 885. Cover image: Outside the Uffizi in Florence. Photographed shortly after the floods receded by Robert Whitaker, whose photographs illustrate the article on the Florentine disaster by Robert Hughes. https://www.studiointernational.com/index.php/studio-international-february-1967-volume-173-number-886 https://www.studiointernational.com/images/articles/archive-1965-1976/1967/studio-international-february-1967.jpg Studio International, February 1967, Volume 173 Number 886. Cover specially designed for this issue by the Venezuelan kinetic artist Jesus-Raphael Soto. Soto was awarded a prize at the XXXII Venice Biennale in 1964. A statement by him appears on page 60. https://www.studiointernational.com/index.php/private-art-museums-why-do-so-many-collectors-decide-to-go-it-alone https://www.studiointernational.com/images/articles/p/049-private-museums-2021/Fondazione-Prada_Torre_14.jpg New Milan venue of Fondazione Prada. Architectural project by OMA. Photo: Bas Princen, 2015. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/hall=art-foundation-Derneburg-schloss-2019.jpg Hall Art Foundation, Schloss Derneburg Museum, Derneburg, Germany. © Hall Art Foundation. Photo: Stephan Hüsch. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/Glenstone.jpg The Gallery. Photo: Scott Frances. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/Glenstone-18-08-TPA-3621_PRIMARY.jpg Glenstone. Approach to the Pavilions. Photo: Iwan Baan. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/04.jpg He Art Museum, located in Shunde, Foshan, Guangdong Province, China. Image courtesy of the He Art Museum. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/dsl.jpg dslcollection. Overview of the collector https://www.studiointernational.com/images/articles/p/049-private-museums-2021/1607-The-Feuerle-Collection19212-(photo_-def-image)-2_2.jpg Désiré Feuerle inside The Feuerle Collection, Berlin, Germany. Anish Kapoor, Torus, 2002, steel and Khmer sculptures, in the background: Adorned Buddha Protected by Naga, Bayon Style, 13th century, polychrome wood. On the right: Vishnu, Banteai Srei Style, 10th century. Photo: def image ©The Feuerle Collection. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/1609-The-Feuerle-Collection20848-(photo_-def-image).jpg The Feuerle Collection, Désiré Feuerle, Berlin, Germany. Photo: def image © The Feuerle Collection. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/hall-art-foundation-vermont.jpg Hall Art Foundation, Reading, Vermont, US. Photo courtesy Hall Art Foundation. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/Fondazione-Prada_Torre_3.jpg Torre, Fondazione Prada, Milan. Architectural project by OMA. Photo: Bas Princen, 2015. Courtesy Fondazione Prada. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/Glenstone-18-08-TPA-1815_PRIMARY.jpg Glenstone. Water court at the Pavilions. Photo: Iwan Baan. Courtesy: Glenstone Museum. https://www.studiointernational.com/images/articles/p/049-private-museums-2021/17MB4163-ph-marco-anelli.jpg Magazzino Italian Art, Cold Spring, New York. Photo: Marco Anelli. https://www.studiointernational.com/index.php/studio-international-march-1967-volume-173-number-887 https://www.studiointernational.com/images/articles/archive-1965-1976/1967/studio-international-march-1967.jpg Studio International, March 1967, Volume 173 Number 887. Cover image: Bridget Riley. Descent, 1965-6. Emulsion on bord, 36 x 36 in. https://www.studiointernational.com/index.php/studio-international-april-1967-volume-173-number-888 https://www.studiointernational.com/images/articles/archive-1965-1976/1967/studio-international-april-1967.jpg Studio International, April 1967, Volume 173 Number 888. Cover image: Cover specially designed for this issue by Victor Pasmore. Born in 1908, Pasmore turned to abstraction 1947 and has emerged as one of the most influential British artists on the international scene. https://www.studiointernational.com/index.php/studio-international-may-1967-volume-173-number-889 https://www.studiointernational.com/images/articles/archive-1965-1976/1967/studio-international-may-1967.jpg Studio International, May 1967, Volume 173 Number 889. Cover image: Vasarely. Sikra, 1966. 31½ x 31½ in. https://www.studiointernational.com/index.php/studio-international-july-august-1967-volume-174-number-891 https://www.studiointernational.com/images/articles/archive-1965-1976/1967/studio-international-july-august-1967.jpg Studio International, July-August 1967, Volume 174 Number 891. Cover image: Cover specially designed for this issue by Patrick Heron. https://www.studiointernational.com/index.php/studio-international-september-1967-volume-174-number-892 https://www.studiointernational.com/images/articles/archive-1965-1976/1967/studio-international-september-1967.jpg Studio International, September 1967, Volume 174 Number 892. Cover image: Cover specially designed for this issue by Jeremy Moon. https://www.studiointernational.com/index.php/studio-international-october-1967-volume-174-number-893 https://www.studiointernational.com/images/articles/archive-1965-1976/1967/studio-international-october-1967.jpg Studio International, October 1967, Volume 174 Number 893. Cover image: Cover specially designed for this issue by Joe Tilson. https://www.studiointernational.com/index.php/studio-international-november-1967-volume-174-number-894 https://www.studiointernational.com/images/articles/archive-1965-1976/1967/studio-international-november-1967.jpg Studio International, November 1967, Volume 174 Number 894. Cover image: Cover designed especially for this issue by Gordon House-the drawing is related to the images In his edition of boxes clear coloured and neutrals recently published by Marlborough Fine Art, London. https://www.studiointernational.com/index.php/the-essential-louis-kahn-cemal-emden-book-review-prestel https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Sher-e-Bangla-Nagar,-Capital-of-Bangladesh-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021)-.jpg Sher e Bangla Nagar, Capital of Bangladesh. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Indian-Institute-of-Management-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg Indian Institute of Management. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Salk-Institute-for-Biological-Studies-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg Salk Institute for Biological Studies. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Exeter-Library-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg Exeter Library. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Yale-University-Art-Gallery-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg Yale University Art Gallery. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Mr-and-Mrs-Korman-House-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg Mr and Mrs Korman House. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Franklin-Roosvelt-Memorial-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg Franklin Roosvelt Memorial. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/louis-kahn-cover.jpg The Essential Louis Kahn by Cemal Emden, published by Prestel. https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Salk-Institute-for-Biological-Studies-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021)--.jpg Salk Institute for Biological Studies. © Cemal Emden, The Essential Louis Kahn (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Temple-Beth-El-Synagogue-Cemal-Emden,-TheEssential-Louis-Kahn-(Prestel,-2021).jpg Temple Beth El Synagogue. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Margaret-Esherick-House-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg Margaret Esherick House. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Fine-Arts-Centre,-School-and-Performing-Arts-Theatre-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg Fine Arts Centre, School and Performing Arts Theatre. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/Tribune-Review-Publishing-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg Tribune Review Publishing. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/images/articles/k/064-kahn-louis-2021/First-Unitarian-Church-and-School-Cemal-Emden,-The-Essential-Louis-Kahn-(Prestel,-2021).jpg First Unitarian Church and School. © Cemal Emden, The Essential Louis Kahn, (Prestel, 2021). https://www.studiointernational.com/index.php/lina-ghotmeh-interview-architect-am-i-constructing-something-new-or-revealing-what-was-already-there-beirut-lebanon https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/Stone-Garden-LGA-5430.jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Iwan Baan. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/Stone-Garden-LGA-5385.jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Iwan Baan. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/Stone-Garden-LGA-5551.jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Iwan Baan. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/stonegarden_linagotmeh-(7-of-28).jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Laurian Ghinitoiu. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/stonegarden_linagotmeh-(11-of-28).jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Laurian Ghinitoiu. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/Stone-Garden-LGA-5580.jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Iwan Baan. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/CCNT-20201027_LGA_FR30_PC_Entrance.jpg National Choreographic Centre in Tours. Photo: © Lina Ghotmeh — Architecture. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/CCNT-LGA_TOU_AUD_G.jpg National Choreographic Centre in Tours. Photo: © Lina Ghotmeh — Architecture. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/Ateliers-Hermes-cpyright-Lina-Ghotmeh-Architecture.jpg Ateliers Hermès. Photo: © Lina Ghotmeh — Architecture. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/Lina-Ghotmeh-photo-Gilbert-Hage.jpg Lina Ghotmeh portrait. Photo: © Gilbert Hage. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/Stone-Garden-LGA-5225.jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Iwan Baan. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/Stone-Garden-LGA-5312.jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Iwan Baan. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/Stone-Garden-LGA-5940.jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Iwan Baan. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/stonegarden-copyright_linagotmeh-(15-of-28).jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Laurian Ghinitoiu. https://www.studiointernational.com/images/articles/g/063-ghotmeh-lina-2021/stonegarden_linagotmeh-(6-of-28).jpg Lina Ghotmeh, Stone Garden apartment block, Beirut, 2011-20. Photo: © Laurian Ghinitoiu. https://www.studiointernational.com/index.php/museum-review-mmk-frankfurt https://www.studiointernational.com/images/articles/m/048-museum-2019/mmk_rosenkranz_1.jpg Pamela Rosenkranz. Sexual Power (Viagra Paintings), 2018–19. Installation view, Museum für Moderne Kunst (MMK). Photo: Axel Schneider. https://www.studiointernational.com/images/articles/m/048-museum-2019/imhof_ohne_titel_2017.jpg Anne Imhof, Untitled, 2019. Museum für Moderne Kunst (MMK). Photo: Axel Schneider. https://www.studiointernational.com/images/articles/m/048-museum-2019/mmk_santa_cruz_me_gritaron_negra_1978.jpg Victoria Santa Cruz. Me gritaron negra (They called me black), 1978. Loan from Odin Teatret Archives, Holstebro (DK). https://www.studiointernational.com/images/articles/m/048-museum-2019/sturtevant_beuys_la_rivoluzione_1988.jpg Elaine Sturtevant. Beuys La Rivoluzione Siamo Noi, 1988 (Version 2004). Museum für Moderne Kunst (MMK). Photo: Axel Schneider. https://www.studiointernational.com/images/articles/m/048-museum-2019/mmk_piper_mythic_being_1973_still1.jpg Adrian Piper. The Mythic Being, 1973. Excerpted segment from the film Other Than Art https://www.studiointernational.com/images/articles/m/048-museum-2019/mmk_trockel_justine-juliette_1988.jpg Rosemarie Trockel. Justine/Juliette, 1988. © VG Bild-Kunst, Bonn 2019. Museum für Moderne Kunst (MMK). Photo: Axel Schneider. https://www.studiointernational.com/images/articles/m/048-museum-2019/laric_ohne_titel_2014-15.jpg Oliver Laric. Untitled, 2014–2015. Museum für Moderne Kunst (MMK). Photo: Axel Schneider. https://www.studiointernational.com/images/articles/m/048-museum-2019/mmk_conrad-1000.jpg Tony Conrad. Yellow Movie 1/25 – 31/73, 1973. Installation view, Museum für Moderne Kunst (MMK). https://www.studiointernational.com/images/articles/m/048-museum-2019/mmk_gander_looking_sor_something_2019.jpg Ryan Gander, Looking for something that has already found you (The Invisible Push), 2019. Museum für Moderne Kunst (MMK). Photo: Axel Schneider. https://www.studiointernational.com/images/articles/m/048-museum-2019/kippenberger_modern_house_of_believing.jpg Martin Kippenberger, NO NATI, 1987. Museum für Moderne Kunst (MMK). Photo: Axel Schneider. https://www.studiointernational.com/images/articles/m/048-museum-2019/mmk_laric_still_englaender_2015-15.jpg Oliver Laric. Untitled, 2014–15. Museum für Moderne Kunst (MMK). https://www.studiointernational.com/images/articles/m/048-museum-2019/mmk_piper_mythic_being_1973_still2.jpg Adrian Piper. The Mythic Being, 1973. Excerpted segment from the film Other Than Art's Sake by the artist Peter Kennedy. Detail of video still. Collection of the Adrian Piper Research Archive (APRA) Foundation Berlin. © APRA Foundation Berlin. https://www.studiointernational.com/images/articles/m/048-museum-2019/mmk_rosenkranz_2.jpg Pamela Rosenkranz. Sexual Power (Viagra Painting, Warm Gods), 2019. Installation view, Museum für Moderne Kunst (MMK). Photo: Axel Schneider. https://www.studiointernational.com/index.php/rachel-whiteread-interview-i-am-a-magpie-i-play-around-with-things-gagosian-gallery-london https://www.studiointernational.com/images/articles/w/054-whiteread-rachel-2021/WHITEREAD-2021-Internal-Objects-installation-view-12.jpg Rachel Whiteread: Internal Objects. Poltergeist, 2020, installation view, Gagosian, Grosvenor Hill, London, 2021. © Rachel Whiteread. Photo: Prudence Cuming Associates, Courtesy Gagosian. https://www.studiointernational.com/images/articles/w/054-whiteread-rachel-2021/Doppelganger,-Whiteread,-2021-(6)-juliet-rix.jpg Rachel Whiteread. Döppelganger, 2020-21, installation view, Gagosian, Grosvenor Hill, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/w/054-whiteread-rachel-2021/Doppelganger,-Whiteread,-2021-(2)-juliet-rix.jpg Rachel Whiteread. Döppelganger, 2020-21, installation view, Gagosian, Grosvenor Hill, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/w/054-whiteread-rachel-2021/Poltergeist-detail-(1)-juliet-rix.jpg Rachel Whiteread. Poltergeist, 2020 (detail). Photo: Juliet Rix. https://www.studiointernational.com/images/articles/w/054-whiteread-rachel-2021/WHITEREAD-2021-Internal-Objects-installation-view-11.jpg Rachel Whiteread: Internal Objects. Poltergeist, 2020, installation view, Gagosian, Grosvenor Hill, London, 2021. © Rachel Whiteread. Photo: Prudence Cuming Associates, Courtesy Gagosian. https://www.studiointernational.com/images/articles/w/054-whiteread-rachel-2021/Doppelganger,-Whiteread,-2021-(7)-juliet-rix.jpg Rachel Whiteread. Döppelganger, 2020-21 (detail). Photo: Juliet Rix. https://www.studiointernational.com/images/articles/w/054-whiteread-rachel-2021/WHITEREAD-2021-Internal-Objects-installation-view-6.jpg Rachel Whiteread: Internal Objects. Poltergeist, 2020, installation view, Gagosian, Grosvenor Hill, London, 2021. © Rachel Whiteread. Photo: Prudence Cuming Associates, Courtesy Gagosian. https://www.studiointernational.com/images/articles/w/054-whiteread-rachel-2021/Rachel-Whiteread-courtesy-of-the-artist-and-Gagosian.jpg Rachel Whiteread. Photo courtesy of the artist and Gagosian. https://www.studiointernational.com/index.php/aida-tomescu-paintings-and-drawings https://www.studiointernational.com/images/articles/t/tomescu09/ash_b.jpg Aida Tomescu. Ash, 2009. Oil, pastel and oil pigment on linen, 184 x 154 cm. Copyright © Aida Tomescu. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/t/tomescu09/thor_b.jpg Aida Tomescu. Thor, 2007. Oil on canvas, 184 x 154 cm. Copyright © Aida Tomescu. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/t/tomescu09/drawings-2009_b.jpg Aida Tomescu. All works are ink, pastel and oil pigment on Velin Arches, 120 x 80 cm. Top row, from left to right: Fons I 2009; Fons 2009; Fons II 2009; Fons III 2009. Bottom row, from left to right: Sodium IV 2009; Sodium 2009; Sodium II 2009; Cyr 2009. Copyright © Aida Tomescu. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/t/tomescu09/drawings-p27_b.jpg Aida Tomescu. All works are mixed media on paper, 120 x 80 cm. Top left: Louisiane, 2008. Top right: Neon, 2008. Bottom left: Ravel I, 2008. Bottom right: Poisson d’or, 2008. Copyright © Aida Tomescu. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/t/tomescu09/spora_b.jpg Aida Tomescu. Spora, 2008. Oil on canvas, 184 x 154 cm. Copyright © Aida Tomescu. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/t/tomescu09/alba_b.jpg Aida Tomescu. Alba, 2002. Oil on linen, 183 x 152 cm. Copyright © Aida Tomescu. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/t/tomescu09/at-a_b.jpg Aida Tomescu. Copyright © Aida Tomescu. Photography: Jenni Carter. https://www.studiointernational.com/index.php/off-the-record-review-guggenheim-museum-new-york https://www.studiointernational.com/images/articles/o/086-off-the-record-2021/sable-elyse-smith-coloring-book-18.jpg Sable Elyse Smith. Coloring Book 18, 2018. Silkscreen ink, oil stick, and oil pastel on paper, 60 3/16 x 49 15/16 in (152.9 x 126.8 cm). Solomon R. Guggenheim Museum, New York. https://www.studiointernational.com/index.php/ayashii-decadent-and-grotesque-images-beauty-modern-japanese-art-review-national-museum-tokyo https://www.studiointernational.com/images/articles/a/041-ayashii-2021/Soga-Shohaku.jpg Soga Shohaku. Beauty, 18th century. Collection Nara Prefectural Museum of Art. https://www.studiointernational.com/images/articles/a/041-ayashii-2021/Uemura-Shoen.jpg Uemura Shoen. Flame, 1918. Tokyo National Museum. https://www.studiointernational.com/images/articles/a/041-ayashii-2021/Fujishima-Takeji-morning-glories.jpg Fujishima Takeji. Lady with Morning Glories, 1904. Private collection. https://www.studiointernational.com/images/articles/a/041-ayashii-2021/Fujishima-Takeji-disheveled-hair.jpg Fujishima Takeji, design for book cover Midaregami, a book of tanka by Yosano Akiko, 1901. Collection Meisei University. https://www.studiointernational.com/images/articles/a/041-ayashii-2021/Studio-1893.jpg Aubrey Beardsley, The Studio: An Illustrated Magazine of Fine and Applied Arts, 1893, volume 1. https://www.studiointernational.com/images/articles/a/041-ayashii-2021/Tachibana-Koyume.jpg Tachibana Sayume, Anchin and Kiyohime, c1926. Collection Yayoi Museum. https://www.studiointernational.com/images/articles/a/041-ayashii-2021/Mizushima-Niou.jpg Mizushima Niou. Illustration for Ningyo no nageki by Tanizaki Jun https://www.studiointernational.com/images/articles/a/041-ayashii-2021/Komura-Settai-tattoo.jpg Komura Settai, Tattoo. Original drawing for an illustration in Oden jigoku by Kunieda Kanji (for Meisaku Soga Zenshu, vol. 1), 1935. Collection The Museum of Modern Art, Saitama. https://www.studiointernational.com/index.php/modal-painting-review-maximillian-william-gallery-london https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/John-Hoyland-H-76603-4-3-70-1970-2.jpg John Hoyland. 4.3.70, 1970. Acrylic on canvas, 243.8 × 101.6 cm (96 × 40 in). Photo: Damian Griffiths. © Estate of John Hoyland. All rights reserved, DACS 2021 Image courtesy of Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/FB-78-001-Plume-Frank-Bowling-1978-3.jpg Frank Bowling. Plume, 1978. Acrylic on canvas, 184 x 72 x 4.3 cm (72.4 x 28.3 x 1.7 in). Photo: Damian Griffiths. © Frank Bowling and Hauser & Wirth. Courtesy of Private Collection, London. All Rights Reserved, DACS 2021. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/RS-20-015-Rise-Young-Gods-All-Paths-Lead-to-Lazarus-Reginald-Sylvester-II-2020-1---Square.jpg Reginald Sylvester II. Rise Young Gods All Paths Lead to Lazarus, 2020. Acrylic on canvas, 235 x 185.4 cm (92.5 x 73 in). Photo: Damian Griffiths. © Reginald Sylvester II. Image courtesy of the artist and Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/SG-73697-Sam-Gilliam-Untitled-2019-6.jpg Sam Gilliam. Untitled, 2019. Watercolour and acrylic on washi paper, 194 × 107 × 5.7 cm (76.4 × 42.1 × 2.3 in). Photo: Damian Griffiths. © Sam Gilliam, ARS, NY and DACS, London 2021. Image courtesy of Private Collection, Europe and Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/JG-91-001-J-21-(Bibemus)-1991-3.jpg John Golding. J. 21 (Bibemus), 1991. Acrylic on canvas, 162.5 x 224 cm (64 x 88.1 in). Photo: Damian Griffiths. © John Golding Artistic Trust, London. Image courtesy of the Trust and Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/Modal-Painting_Install_2_HR.jpg Modal Painting, installation view, Maximillian William, London, Spring 2021. Photo: Damian Griffiths. Image courtesy of Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/Modal-Painting_Install_4_HR.jpg Modal Painting, installation view, Maximillian William, London, Spring 2021. Photo: Damian Griffiths. Image courtesy of Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/Modal-Painting_Install_1_HR.jpg Modal Painting, installation view, Maximillian William, London, Spring 2021. Photo: Damian Griffiths. Image courtesy of Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/Modal-Painting_Install_3_HR.jpg Modal Painting, installation view, Maximillian William, London, Spring 2021. Photo: Damian Griffiths. Image courtesy of Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/Modal-Painting_Install_5_HR.jpg Modal Painting, installation view, Maximillian William, London, Spring 2021. Photo: Damian Griffiths. Image courtesy of Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/Modal-Painting_Install_6_HR.jpg Modal Painting, installation view, Maximillian William, London, Spring 2021. Photo: Damian Griffiths. Image courtesy of Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/Modal-Painting_Install_7_HR.jpg Modal Painting, installation view, Maximillian William, London, Spring 2021. Photo: Damian Griffiths. Image courtesy of Maximillian William, London. https://www.studiointernational.com/images/articles/m/036-modal-painting-2021/Modal-Painting_Install_8_HR.jpg Modal Painting, installation view, Maximillian William, London, Spring 2021. Photo: Damian Griffiths. Image courtesy of Maximillian William, London. https://www.studiointernational.com/index.php/julie-mehretu-review-whitney-museum-of-american-art-new-york https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/JM_0290_19_Haka_(and_Riot).jpg Julie Mehretu, Haka (and Riot), 2019. Ink and acrylic on canvas, 144 × 180 in (365.76 × 457.2 cm). Los Angeles County Museum of Art; gift of Andy Song M.2020.65a–b. Photo: Tom Powel Imaging. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/Migration-Direction-Map-(large),-1996.jpg Julie Mehretu, Migration Direction Map (large), 1996. Ink on mylar, 22 x 15 in (56 x 38.1 cm). Private collection. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/JM_0790_01_Retopistics_A_Renegade_Excavation.jpg Julie Mehretu, Retopistics: A Renegade Excavation, 2001. Ink and acrylic on canvas, 101 ½ × 208 ½ in (257.81 × 529.59 cm). Crystal Bridges Museum of American Art, Bentonville, Arkansas 2013.28. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/JM_0390_04_Stadia_II_from_Carnegie.jpg Julie Mehretu, Stadia II, 2004. Ink and acrylic on canvas, 107 3/8 × 140 1/8 in (272.73 × 355.92 cm). Carnegie Museum of Art, Pittsburg; gift of Jeanne Greenberg Rohatyn and Nicolas Rohatyn and A.W. Mellon Acquisition Endowment Fund 2004.50. Photo courtesy the Carnegie Museum. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/Julie-Mehretu_Black-City_E-2020-0066.jpg Julie Mehretu, Black City, 2007. Ink and acrylic on canvas, 120 x 192 in (304.8 x 487.7 cm). Pinault Collection, Paris, France. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/Julie-Mehretu_Mogamma_E-2020-0060.jpg Julie Mehretu, Mogamma (A Painting in Four Parts) Part 1, 2012. Ink and acrylic on canvas, 180 × 144 in (457.2 × 365.76 cm). Guggenheim Abu Dhabi. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/WMAA_JULIE-MEHRETU_17.jpg Julie Mehretu, Ghosthymn (after the Raft), 2019-21. Installation view, Whitney Museum of American Art, New York, 24 March – 8 August 2021). Photo: Ron Amstutz. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/E-2020-0051_Conjured_new_photo_Cathy_Carver.jpg Julie Mehretu, Conjured Parts (eye), Ferguson, 2016. Ink and acrylic on canvas, 84 x 96 in (213.4 x 243.8 cm). The Broad Art Foundation, Los Angeles. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/E-2020-0090-HINENI-new-Photo-Tom-Powel-Imaging.jpg Julie Mehretu, Hineni (E. 3:4), 2018. Ink and acrylic on canvas, 96 × 120 in (243.84 × 304.8 cm). Centre Pompidou, Paris, Musée national d’art moderne/Centre de création industrielle; gift of George Economou, 2019. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/Epigraph-Damascus-2016.jpg Julie Mehretu, Epigraph, Damascus, 2016. Photogravure, sugar lift aquatint, spit bite aquatint, and open bite on six panels, 97 ½ × 226 in (247.65 × 574.04 cm). Edition 13 of 16 + 2 AP. Los Angeles County Museum of Art, gift of Kelvin and Hana Davis through the 2018 Collectors Committee M.2018.188a–f. Printed by BORCH Editions, Copenhagen. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/JM_1290_19_Of_Other_Planes_of_There.jpg Julie Mehretu, Of Other Planes of There (S.R.), 2018–19. Ink and acrylic on canvas, 108 × 120 in (274.32 × 304.8 cm). Whitney Museum of American Art, New York; purchase with funds from Anna and Matt Freedman and an anonymous donor. Photo: Tom Powel Imaging. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/JM_D_25_05_Untitled_(2005_drawings).jpg Julie Mehretu, Untitled (2005 drawings), 2005. Graphite and coloured pencil on paper, 26 × 40 in (66.04 × 101.6 cm). Private collection. Photo: Erma Estwick. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/Julie-Mehretu_Mind-Wind-Field-Drawings.jpg Julie Mehretu, Mind-Wind Field Drawings (quarantine studio, d.h.) #1, 2019-2020. Ink and acrylic on paper, 26 x 40 in (66 x 101.6 cm). Private collection, courtesy Marian Goodman Gallery New York/Paris. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/Mogamma-(A-Painting-in-Four-Parts)-(2-of-4),-2012.jpg Julie Mehretu, Mogamma (A Painting in Four Parts) Part 2, 2012. Ink and acrylic on canvas, 180 × 144 in (457.2 × 365.76 cm). Guggenheim Abu Dhabi. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/037-mehretu-julie-2021/Untitled-2,-1999.jpg Julie Mehretu, Untitled 2, 1999. Ink and polymer on canvas mounted to board, 59 ¾ × 71 ¾ in (151.77 x 182.25 cm). Private collection, courtesy of White Cube. © Julie Mehretu. https://www.studiointernational.com/index.php/armin-linke-interview-we-have-to-look-at-different-categories-of-photography-artistic-practice-reframing-them https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/Aquaria-installation-shot-16.jpg Aquaria – Or the Illusion of a Boxed Sea. Installation view, Armin Linke, Oceanarium, 2021. MAAT – Museum of Art, Architecture and Technology (Lisbon), 2021. © Courtesy of EDP Foundation. Photography by Bruno Lopes. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/AL_Appearance_1387.jpg Armin Linke. The Appearance of That Which Cannot Be Seen, Ludwig Forum, Aachen, 2017. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/doublebound3.jpg Armin Linke, installation view, Double Bound Economies. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/ReN_003677_2_B.jpg Armin Linke. Model of the Alps, shown at Ecole Polytechnique Federale de Lausanne, Switzerland, 2001, as part of the staging of Alpi documentary. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/3_Oceanario-Backstage.jpg Aquaria – Or the Illusion of a Boxed Sea. Back stage, Armin Linke, Oceanarium, 2021. MAAT – Museum of Art, Architecture and Technology (Lisbon), 2021. © Courtesy of EDP Foundation. Photography by Bruno Lopes. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/DIF_000773_51_C.jpg Armin Linke. Blind Sensorium, Matadero Madrid, installation view, 2021. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/DIF_000773_30_C.jpg Armin Linke. Blind Sensorium, Matadero Madrid, installation view, 2021. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/Armin-Linke,-Oceanario,-Lisbon,-2020_1.jpg Aquaria – Or the Illusion of a Boxed Sea. Installation view, Armin Linke, Oceanarium, 2021. MAAT – Museum of Art, Architecture and Technology (Lisbon), 2021. © Courtesy of EDP Foundation. Photography by Bruno Lopes. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/Armin-Linke,-Oceanario,-Lisbon,-2020_2.jpg Aquaria – Or the Illusion of a Boxed Sea. Installation view, Armin Linke, Oceanarium, 2021. MAAT – Museum of Art, Architecture and Technology (Lisbon), 2021. © Courtesy of EDP Foundation. Photography by Bruno Lopes. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/doublebound5.jpg Armin Linke, installation view, Double Bound Economies. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/PeN_000550_3_B.jpg Armin Linke. Moving Cloud, Aosta, Italy, 2000. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/DIF_000593_41_Armin-Linke.jpg Armin Linke. Blind Sensorium, Matadero Madrid, installation view, 2021. https://www.studiointernational.com/images/articles/l/060-linke-armin-2021/DIF_000593_55_Armin-Linke.jpg Armin Linke. Blind Sensorium, Matadero Madrid, installation view, 2021. https://www.studiointernational.com/index.php/jade-fadojutimi-interview https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Jesture_2020_Installation-2_300dpiL.jpg Jadé Fadojutimi, Jesture, 2020, Pippy Houldsworth Gallery, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Birthday,-Deathday_2020.jpg Jadé Fadojutimi. Birthday: Deathday, 2020. Oil and oil stick on canvas, 200 x 220 cm (78 3/4 x 86 5/8 in). Photo: Mark Blower, courtesy the artist and Pippy Houldsworth Gallery, London, © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Even-an-awkward-smile-can-sprout-beyond-the-sun_2021.jpg Jadé Fadojutimi. Even an awkward smile can sprout beyond the sun, 2021. Oil, oil bar and acrylic on canvas, 200 x 170 cm (78 3/4 x 66 7/8 in). Photo: Mark Blower, courtesy the artist and Pippy Houldsworth Gallery, London, © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Cavernous-Resonance_2020.jpg Jadé Fadojutimi. Cavernous Resonance, 2020. Oil and oil stick on canvas, 170 x 180 cm (66 7/8 x 70 7/8 in). Photo: Mark Blower, courtesy the artist and Pippy Houldsworth Gallery, London, © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_My-Fissured-Glow_2020_PH0413.jpg Jadé Fadojutimi. My Fissured Glow, 2020. Oil and oil stick on canvas, 170 x 180 cm (66 7/8 x 70 7/8 in). Photo: Mark Blower, courtesy the artist and Pippy Houldsworth Gallery, London, © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_The-Curtain-Drops_2020_PH0081.jpg Jadé Fadojutimi. The Curtain Drops, 2020. Oil and oil stick on canvas, 180 x 170 cm (70 7/8 x 66 7/8 in). Photo: Eva Herzog, courtesy the artist and Pippy Houldsworth Gallery, London, © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Jesture_2020_Installation-1_300dpiL.jpg Jadé Fadojutimi, Jesture, 2020, Pippy Houldsworth Gallery, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Mosaicked-Utterance_2020_PH0423.jpg Jadé Fadojutimi. Mosaicked Utterance, 2020. Oil, acrylic and oil stick on canvas, 160 x 180 cm (63 x 70 7/8 in). Photo: Mark Blower, courtesy the artist and Pippy Houldsworth Gallery, London, © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_By-the-Window_2017.jpg Jadé Fadojutimi. By the Window, 2017. Oil on canvas, 140.5 x 120.1 cm (55.3 x 47.3 in). Photo: Ben Westoby, courtesy the artist and Pippy Houldsworth Gallery, London, © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Lets-take-a-walk-on-a-tangent_2018.jpg Jadé Fadojutimi. Let’s take a walk on a tangent, 2018. Oil on canvas, 210.5 x 301 cm (82.9 x 118.5 in) (diptych, overall). Photo: Simon Vogel, courtesy the artist, Galerie Gisela Capitain. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi-The-Luna(tic)-Effect_2020_PH0826.jpg Jadé Fadojutimi. The Luna(tic) Effect, 2020. Oil, oil stick and acrylic on canvas, 200 x 300 cm (78 3/4 x 118 1/8 in). Photo: Mark Blower, courtesy the artist and Pippy Houldsworth Gallery, London, © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Jade-Fadojutimi-Portrait-2.jpg Jadé Fadojutimi. Photo © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Vital-Abundance_2020_PH0421.jpg Jadé Fadojutimi. Vital Abundance, 2020. Oil and oil stick on canvas, 110 x 140 cm (43 1/4 x 55 1/8 in). Photo: Mark Blower, courtesy the artist and Pippy Houldsworth Gallery, London, © Jadé Fadojutimi 2021. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Jesture_2020_Installation-3_300dpiL.jpg Jadé Fadojutimi, Jesture, 2020, Pippy Houldsworth Gallery, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/f/071-fadojutimi-jade-2021/Fadojutimi_Jesture_2020_Installation-4_300dpiL.jpg Jadé Fadojutimi, Jesture, 2020, Pippy Houldsworth Gallery, London. Photo: Mark Blower. https://www.studiointernational.com/index.php/hurvin-anderson-interview-i-am-looking-at-where-things-collide-britain-jamaica-arts-club-chicago https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2008_TDA00799_Country-Club-Series-Chicken-Wire_01_Richard-Ivey.jpg Hurvin Anderson. Country Club Series: Chicken Wire, 2008. Oil on canvas, 240 x 347 cm (94 1/2 x 136 5/8 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2016_TDA06846_Rootstock_01.jpg Hurvin Anderson. Rootstock, 2016. Acrylic, oil on canvas, 280 x 215 cm (110 1/4 x 84 5/8 in). © Hurvin Anderson. Courtesy the artist, Thomas Dane Gallery and Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2020_HA_TDA12767_Limestone-Wall_1.jpg Hurvin Anderson. Limestone Wall, 2020. Acrylic, oil, coloured pencil on linen, 150 x 217 cm (59 1/8 x 85 3/8 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2020_HA_TDA11412_Jungle-Garden_1.jpg Hurvin Anderson. Jungle Garden, 2020. Acrylic and oil on linen, 181 x 150 cm (71 1/4 x 59 1/8 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2020_HA_TDA11409_Higher-Heights-1-photo-Richard-Ivey.jpg Hurvin Anderson. Higher Heights, 2020. Acrylic, oil on linen, 150 x 190 cm (59 1/8 x 74 3/4 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2019_HA_TDA11634_Study-for-Jungle-Garden-3.jpg Hurvin Anderson. Study for Jungle Garden 3, 2019. Ink on cartridge paper, 33.4 x 31.2 cm (13 1/8 x 12 1/4 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2020_HA_TDA11414_Grace-Jones-1-photo-Richard-Ivey.jpg Hurvin Anderson. Grace Jones, 2020. Acrylic, oil on linen, 224 x 150 cm (88 1/4 x 59 1/8 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2020_HA_TDA11407_Ms-Jamaica.jpg Hurvin Anderson. Miss Jamaica, 2021. Acrylic on paper, 238.7 x 191.8 cm (94 x 75 1/2 in). © Hurvin Anderson. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2016_TDA05784_Is-It-Okay-To-Be-Black-02.jpg Hurvin Anderson. Is It Ok To Be Black?, 2016. Oil on canvas, 135 x 100 cm (53 1/8 x 39 3/8 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery and Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/Hurvin-Anderson_portrait_Sebastian-Nevols.jpg Hurvin Anderson in his studio. Photo: Sebastian Nevols. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2008_TDA00745_Flat-Top_02.jpg Hurvin Anderson. Flat Top, 2008. Oil on canvas, 250 x 208 cm (98 3/8 x 81 7/8 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Hugh Kelly. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2020_HA_TDA11405_No-one-remembers_full_1.jpg Hurvin Anderson. No one remembers, 2021. Acrylic on paper laid on dibond, 150 x 900 cm (59 1/8 x 354 3/8 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2005_TDA00015_Welcome-Carib_1_Richard-Ivey.jpg Hurvin Anderson. Welcome: Carib, 2005. Oil on canvas, 150 x 211 cm (59 1/8 x 83 1/8 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/untitled-(11-of-36).jpg Hurvin Anderson: Anywhere but Nowhere, installation view, The Arts Club of Chicago, 2021. Images courtesy of The Arts Club of Chicago. Photo: Michael Tropea. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/untitled-(16-of-36).jpg Hurvin Anderson: Anywhere but Nowhere, installation view, The Arts Club of Chicago, 2021. Images courtesy of The Arts Club of Chicago. Photo: Michael Tropea. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/untitled-(17-of-36).jpg Hurvin Anderson: Anywhere but Nowhere, installation view, The Arts Club of Chicago, 2021. Images courtesy of The Arts Club of Chicago. Photo: Michael Tropea. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/untitled-(28-of-36).jpg Hurvin Anderson: Anywhere but Nowhere, installation view, The Arts Club of Chicago, 2021. Images courtesy of The Arts Club of Chicago. Photo: Michael Tropea. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/untitled-(3-of-36).jpg Hurvin Anderson: Anywhere but Nowhere, installation view, The Arts Club of Chicago, 2021. Images courtesy of The Arts Club of Chicago. Photo: Michael Tropea. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/untitled-(6-of-36).jpg Hurvin Anderson: Anywhere but Nowhere, installation view, The Arts Club of Chicago, 2021. Images courtesy of The Arts Club of Chicago. Photo: Michael Tropea. https://www.studiointernational.com/images/articles/a/040-anderson-hurvin-2021/2019_HA_TDA11633_Study-for-Jungle-Garden-2.jpg Hurvin Anderson. Study for Jungle Garden 2, 2019. Ink on cartridge paper, 29.5 x 24.4 cm (11 5/8 x 9 5/8 in). © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/index.php/rubens-to-sickert-the-study-of-drawing-review-reading-museum-and-art-gallery https://www.studiointernational.com/images/articles/r/067-rubens-to-sickert-2021/Sickert.jpg Walter Richard Sickert (1860-1942). Marie Seated on a Bed, c1911-12. Pencil, chalk and white heightening on grey paper, 38 x 28.2 cm. University of Reading Art Collection, AC/10536. Photo: Laura Bennetto. https://www.studiointernational.com/images/articles/r/067-rubens-to-sickert-2021/Allegrini.jpg Attributed to Flaminio Allegrini (1587-1683) or Francesco Allegrini (1615/20 - after 1679). St Catherine and the Philosophers. Ink and wash, 25.4 x 34.4 cm. University of Reading Art Collection, UAC/10540. Photo: Laura Bennetto. https://www.studiointernational.com/images/articles/r/067-rubens-to-sickert-2021/Moore.jpg Henry Moore (1898-1986), Reclining Nude, 1924. Pencil, gouache and wash, 29.8 x 42.3 cm. British Museum. Reproduced by permission of the Henry Moore Foundation. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/r/067-rubens-to-sickert-2021/c16th-Italian.jpg 16th-century Italian School. Seated Roman Soldier. Chalk, 25.5 x 25.5 cm. University of Reading Art Collection, UAC/10576. Photo: Laura Bennetto. https://www.studiointernational.com/images/articles/r/067-rubens-to-sickert-2021/Spencer-Gore.jpg Spencer Frederick Gore (1878-1914). Ballet at the Alhambra, 22.3 x 27.8 cm. Pastel. University of Reading Art Collection, UAC/10566. Photo: Laura Bennetto. https://www.studiointernational.com/index.php/sam-mckinniss-country-western-review-almine-rech-london https://www.studiointernational.com/images/articles/m/035-mckinniss-sam-2021/02.jpg Sam McKinniss, Tammy Wynette, 2021. Oil on linen, 75.2 x 61 cm / 32 x 24 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica. https://www.studiointernational.com/images/articles/m/035-mckinniss-sam-2021/01.jpg Sam McKinniss, Dolly Parton with kitten, 2021. Oil on linen, 61 x 45.7 cm / 24 x 18 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica. https://www.studiointernational.com/images/articles/m/035-mckinniss-sam-2021/07.jpg Sam McKinniss, Dolly Parton, 2021. Oil on linen, 127 x 122 cm / 50 x 48 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica. https://www.studiointernational.com/images/articles/m/035-mckinniss-sam-2021/03.jpg Sam McKinniss, Lil Nas X with Friends and Cops, 2021. Oil on linen, 183 x 124.5 / 72 x 49 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica. https://www.studiointernational.com/images/articles/m/035-mckinniss-sam-2021/04.jpg Sam McKinniss, Lake McDonald, 2021. Oil on linen, 244 x 213.5 cm / 96 x 84 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica. https://www.studiointernational.com/images/articles/m/035-mckinniss-sam-2021/06.jpg Sam McKinniss, Elvira, 2021. Oil on linen 112 x 213.5 cm / 44 x 84 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica. https://www.studiointernational.com/images/articles/m/035-mckinniss-sam-2021/08.jpg Sam McKinniss, Shania Twain’s Horse 2, 2021. Oil on linen, 213.4 x 182.9 cm / 84 x 72 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica. https://www.studiointernational.com/images/articles/m/035-mckinniss-sam-2021/05.jpg Sam McKinniss, Grand Canyon, 2021. Oil on linen. 58.4 x 137.2 cm / 23 x 54 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica. https://www.studiointernational.com/images/articles/m/035-mckinniss-sam-2021/09.jpg Installation shot of Sam McKinniss, Country Western at Almine Rech London, April 15 — May 22, 2021. Photo: Melissa Castro Duarte. https://www.studiointernational.com/index.php/studio-international-january-1968-volume-175-number-896 https://www.studiointernational.com/images/articles/archive-1965-1976/1968/studio-international-january-1968.jpg Studio International, January 1968, Volume 175 Number 896. Cover image: Cover specially designed for this issue by Roy Lichtenstein. https://www.studiointernational.com/index.php/studio-international-february-1968-volume-175-number-897 https://www.studiointernational.com/images/articles/archive-1965-1976/1968/studio-international-february-1968.jpg Studio International, February 1968, Volume 175 Number 897. Cover image: Cover specially designed for this issue by James Rosenquist. https://www.studiointernational.com/index.php/studio-international-march-1968-volume-175-number-898 https://www.studiointernational.com/images/articles/archive-1965-1976/1968/studio-international-march-1968.jpg Studio International, March 1968, Volume 175 Number 898. Cover image: Cover specially designed for this issue by Kenneth Martin. https://www.studiointernational.com/index.php/studio-international-april-1968-volume-175-number-899 https://www.studiointernational.com/images/articles/archive-1965-1976/1968/studio-international-april-1968.jpg Studio International, April 1968, Volume 175 Number 899. Cover image: The cover by Aubrey Beardsley (1872-1898) was the original design for the first issue of The Studio. In the final version, the figure of the faun was expurgated and the signature omitted. https://www.studiointernational.com/index.php/studio-international-may-1968-volume-175-number-900 https://www.studiointernational.com/images/articles/archive-1965-1976/1968/studio-international-may-1968.jpg Studio International, May 1968, Volume 175 Number 900. Cover image: Cover specially designed for this issue by John Plumb. https://www.studiointernational.com/index.php/studio-international-june-1968-volume-175-number-901 https://www.studiointernational.com/images/articles/archive-1965-1976/1968/studio-international-june-1968.jpg Studio International, June 1968, Volume 175 Number 901. Cover image: The cover, specially designed for this issue by Bridget Riley, is a preliminary study for Chant Ill, a work described in David Thompson https://www.studiointernational.com/index.php/studio-international-july-august-1968-volume-176-number-902 https://www.studiointernational.com/images/articles/archive-1965-1976/1968/studio-international-july-august-1968.jpg Studio International, July-August 1968, Volume 176 Number 902. Cover image: Cover design: Henri Matisse (1869-1954). Seated blue nude, No. 3, 1952. Gouache on cut-and-pasted paper, 45¾ x 32 in. Private collection. Paris. https://www.studiointernational.com/index.php/studio-international-october-1968-volume-176-number-904 https://www.studiointernational.com/images/articles/archive-1965-1976/1968/studio-international-october-1968.jpg Studio International, October 1968, Volume 176 Number 904. Cover image: Detail of John Heartfield https://www.studiointernational.com/index.php/studio-international-november-1968-volume-176-number-905 https://www.studiointernational.com/images/articles/archive-1965-1976/1968/studio-international-november-1968.jpg Studio International, November 1968, Volume 176 Number 905. Cover image: Cover specially designed for this issue by Peter Schmidt whose work is discussed and illustrated on pages 190 and 191. https://www.studiointernational.com/index.php/mika-tajima-regulation-review-simon-lee-gallery-london https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Pranayama-Mononlith-E-Rose-Quartz_11904_view-4_P.jpg Mika Tajima. Pranayama (Monolith, E, Rose Quartz), 2020. Rose quartz, cast bronze jet nozzles, 91.4 x 55.9 x 63.5 cm (36 x 22 x 25 in). Image courtesy of the artist and Kayne Griffin Corcoran. Copyright of the artist. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Pranayama-Mononlith-E-Rose-Quartz_11904_view-5_P.jpg Mika Tajima. Pranayama (Monolith, E, Rose Quartz), 2020 (detail). Rose quartz, cast bronze jet nozzles, 91.4 x 55.9 x 63.5 cm (36 x 22 x 25 in). Image courtesy of the artist and Kayne Griffin Corcoran. Copyright of the artist. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Anima-6_11901_1_P.jpg Mika Tajima. Anima 6, 2020. Glass, cast bronze jet nozzle, 48.3 x 50.8 x 35.6 cm (19 x 20 x 14 in). Image courtesy of the artist and Kayne Griffin Corcoran. Copyright of the artist. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Negative-Entropy_RSK-Sanyo-Broadcasting-Master-Control-Switchboard-Blue-Hex_11910_1_P.jpg Mika Tajima. Negative Entropy (RSK Sanyo Broadcasting, Master Control Switchboard, Blue, Hex), 2020. Cotton, polyester, nylon, rayon, wool acoustic baffling felt, and white oak, 144.5 x 279.1 x 7.5 cm (56 7/8 x 109 7/8 x 3 in). Image courtesy of the artist and Kayne Griffin Corcoran. Copyright of the artist. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Negative-Entropy-(Inscape,-Beginning-Meditation,-Pale-Orange,-Double)_11914_1_P.jpg Mika Tajima. Negative Entropy (Inscape, Beginning Meditation, Pale Orange, Double), 2020. Cotton, polyester, nylon, wool acoustic baffling felt, and white oak, 142.6 x 110.2 x 5.7 cm (56 1/8 x 43 3/8 x 2 1/4 in). Image courtesy of the artist and Kayne Griffin Corcoran. Copyright of the artist. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Art-dAmeublement-(Karake)_11905_1_P.jpg Mika Tajima. Art d https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MT_2021_Regulation_Simon-Lee-Gallery_London_Installation-view-1_P.jpg Mika Tajima: Regulation, installation view, Simon Lee Gallery, London 2021. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Art-dAmeublement-(Isla-Juan-Bautista)_11906_P.jpg Mika Tajima. Art d'Ameublement (Isla Juan Bautista), 2020. Spray enamel, thermoformed PETG, 182.9 x 137.2 cm (72 x 54 in). Image courtesy of the artist and Kayne Griffin Corcoran. Copyright of the artist https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Anima-7_11902_1_P.jpg Mika Tajima. Anima 7, 2020. Glass, cast bronze jet nozzles, 71.1 x 40.6 x 45.7 cm (28 x 16 x 18 in). Image courtesy of the artist and Kayne Griffin Corcoran. Copyright of the artist. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Negative-Entropy-(TAE,-Cryopump,-Pink,-Full-Width,-Hex)_11909_1_P.jpg Mika Tajima. Negative Entropy (TAE, Cryopump, Pink, Full Width, Hex), 2020. Cotton, wool acoustic baffling felt, and white oak, 141.9 x 279.1 x 7.5 cm (55 7/8 x 109 7/8 x 3 in). Image courtesy of the artist and Kayne Griffin Corcoran. Copyright of the artist. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MIT_2020_Pranayama-Mononlith-E-Rose-Quartz_11904_view-6_P.jpg Mika Tajima. Pranayama (Monolith, E, Rose Quartz), 2020 (detail). Rose quartz, cast bronze jet nozzles, 91.4 x 55.9 x 63.5 cm (36 x 22 x 25 in). Image courtesy of the artist and Kayne Griffin Corcoran. Copyright of the artist. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MT_2021_Regulation_Simon-Lee-Gallery_London_Installation-view-7_P.jpg Mika Tajima: Regulation, installation view, Simon Lee Gallery, London 2021. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/t/077-tajima-mika-2021/MT_2021_Regulation_Simon-Lee-Gallery_London_Installation-view-8_P.jpg Mika Tajima: Regulation, installation view, Simon Lee Gallery, London 2021. Photo: Ben Westoby. https://www.studiointernational.com/index.php/markus-lupertz-recent-paintings-review-michael-werner-gallery-london https://www.studiointernational.com/images/articles/l/059-lupertz-markus-2021/01.jpg Markus Lüpertz. Aktaion (Actaeon), 2020. Mixed media on canvas in artist’s frame, 74 3/4 x 141 3/4 in (190 x 360 cm). Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/l/059-lupertz-markus-2021/02.jpg Markus Lüpertz. Jasons Abschied (Jason’s Farewell), 2020. Mixed media on canvas in artist’s frame, 78 3/4 x 102 1/4 in (200 x 260 cm). Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/l/059-lupertz-markus-2021/05.jpg Markus Lüpertz. Eva (Märkisch) (Eve [Märkisch]), 2017. Mixed media on canvas in artist’s frame 39 1/4 x 32 in (100 x 81 cm). Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/l/059-lupertz-markus-2021/06.jpg Markus Lüpertz. Nymphe Märkisch (Nymph Märkisch), 2020. Mixed media on cardboard in artist’s frame, 52 x 27 1/2 in (132 x 70 cm). Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/l/059-lupertz-markus-2021/04.jpg Markus Lüpertz. Adam, 2020. Mixed media on canvas in artist’s frame, 32 x 39 1/4 in (81 x 100 cm). Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/l/059-lupertz-markus-2021/03.jpg Markus Lüpertz. Märkische Allee III, 2017. Mixed media on canvas in artist’s frame, 55 x 82 3/4 in (140 x 210 cm). Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/index.php/art-for-sdgs-review-kitakyushu-art-festival-imagining-our-future-japan-sustainable-development-goals https://www.studiointernational.com/images/articles/a/039-art-for-sdgs-2021/Kitakyushu-Dodo.jpg Yodogawa Technique. Kitakyushu Dodo, 2021, and Kitakyushu Tasmanian Tiger 2021. https://www.studiointernational.com/images/articles/a/039-art-for-sdgs-2021/Bio-Sculpture.jpg Keio SFC Hiroya Tanaka Lab and METACITY(Ryuta Aoki). Bio Sculpture, 2021. https://www.studiointernational.com/images/articles/a/039-art-for-sdgs-2021/Clothing-is-Wearing-Medicine.jpg Reiko Tsurumaru atelier. Clothing is Wearable Medicine https://www.studiointernational.com/images/articles/a/039-art-for-sdgs-2021/Scored-in-Silence.jpg Chisato Minamimura. Scored in Silence, 2019. https://www.studiointernational.com/images/articles/a/039-art-for-sdgs-2021/Medical-Herbman-Cafe-Project.jpg Eiki Dantsuka. Medical Herbman Cafe Project 2021, Higashida Oodoori Park. 25-metre-long, human-shaped herb garden. https://www.studiointernational.com/index.php/clare-patey-interview-public-art-protest-climate-change https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/museum-of-Cheesy-records(photographer-unknown).jpg Clare Patey. The Museum Of; Cheesy records, 1998. Photographer unknown. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/Diners-at-night-TIM-MITCHELL.jpg Clare Patey. Feast on the Bridge ran from 2007 to 2011 as part of The Mayor’s Thames Festival, London. For one Saturday each September Southwark Bridge was closed to traffic for an urban harvest meal enjoyed by over 35,000 people. Photo: Tim Mitchell. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/AMIMS-Vauxhall-KATE-RAWORTH-(3).jpg Clare Patey. A Mile in My Shoes, Vauxhall, London, 2016. Photo: Kate Raworth. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/AMIMS-Vauxhall-KATE-RAWORTH-(1).jpg Clare Patey. A Mile in My Shoes, Vauxhall, London. Photo: Kate Raworth. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/AMIMS-Sao-Paulo-FILIPA-PORTO.jpg Clare Patey. A Mile in My Shoes, Sao Paulo. Photo: Filip Porto. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/From-Where-Im-Standing.jpg Clare Patey. From Where I https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/A-Good-Little-Runner-by-Paul-Williams-(photographer-unknown).jpg Clare Patey. Art Bypass; A Good Little Runner by Paul Williams, 1996. Photographer unknown. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/museum-of-Kinder-Toys-(photographer-unknown).jpg Clare Patey. The Museum Of; Kinder Toys, 1998. Photographer unknown. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/Teaching-an-old-dog-new-tricks-TIM-MITCHELL.jpg Clare Patey. Teaching an old dog new tricks. Installation view, Old Dog New Trick, Roundhouse, London, 2002. Photo: Tim Mitchell. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/The-toast-always-lands-butter-side-down-TIM-MITCHELL.jpg Clare Patey. The toast always lands butter side down. Installation view, Old Dog New Trick, Roundhouse, London, 2002. Photo: Tim Mitchell. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/People-and-Ration-Books-TIM-MITCHELL.jpg Clare Patey. People and Ration Books. Photo: Tim Mitchell. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/AMIMS-with-Help-Refugees-Carnaby-Street---Credit-Charlie-Messenger.jpg Clare Patey. A Mile in My Shoes, with Help Refugees, Carnaby Street, London. Photo: Charlie Messenger. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/Autoburger-by-Heathcote-Williams-(photographer-unknown).jpg Clare Patey. Art Bypass; Autoburger by Heathcote Williams, 1996. Photographer unknown. https://www.studiointernational.com/images/articles/p/048-patey-clare-2021/Necessity-is-the-Mother-of-Invention-TIM-MITCHELL.jpg Clare Patey. Necessity is the Mother of Invention. Installation view, Old Dog New Trick, Roundhouse, London, 2002. Photo: Tim Mitchell. https://www.studiointernational.com/index.php/idris-khan-interview-there-was-a-struggle-making-these-new-works-victoria-miro-gallery-london https://www.studiointernational.com/images/articles/k/061-khan-idris-2021/09.jpg Idris Khan, Installation view, Idris Khan: The Seasons Turn, 13 April – 15 May 2021. Victoria Miro Gallery I, 16 Wharf Road, London N1 7RW. © Idris Khan. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/k/061-khan-idris-2021/08.jpg Idris Khan, Installation view, Idris Khan: The Seasons Turn, 13 April – 15 May 2021. Victoria Miro Gallery I, 16 Wharf Road, London N1 7RW. © Idris Khan. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/k/061-khan-idris-2021/01.jpg Idris Khan, The Seasons Turn – Summer 1, 2021. Watercolour, oil, paper on aluminium, 45.5 x 55 cm. © Idris Khan. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/k/061-khan-idris-2021/02.jpg Idris Khan, The Seasons Turn – Autumn 2, 2021. Watercolour, oil, paper on aluminium, 45.5 x 55 cm. © Idris Khan. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/k/061-khan-idris-2021/03.jpg Idris Khan, The Seasons Turn – Spring 2, 2021. Watercolour, oil, paper on aluminium, 45.5 x 55 cm. © Idris Khan. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/k/061-khan-idris-2021/04.jpg Idris Khan, The Seasons Turn – Winter 6, 2021. Watercolour, oil, paper on aluminium. 45.5 x 55 cm. © Idris Khan. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/k/061-khan-idris-2021/05.jpg Idris Khan, Burnt Wood, 2020. Oil based ink on gesso, on aluminium, 250.5 x 200 x 30 cm. © Idris Khan. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/k/061-khan-idris-2021/06.jpg Idris Khan, There are no eyes here, 2020. Oil based ink on gesso, on aluminium, 141 x 130 x 3 cm. © Idris Khan. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/k/061-khan-idris-2021/07.jpg Idris Khan , There are no eyes here (detail), 2020. Oil based ink on gesso, on aluminium, 141 x 130 x 3 cm. © Idris Khan. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/yayoi-kusama-cosmic-nature-review-new-york-botanical-garden https://www.studiointernational.com/images/articles/k/062-kusama-yayoi-2021/NYBG_Kusama_03a-I-Want-to-Fly-to-the-Universe-scaled.jpg Yayoi Kusama. I Want to Fly to the Universe, 2020, The New York Botanical Garden. Urethane paint on aluminum, 157 3/8 x 169 3/8 x 140 1/8 in (400 x 430 x 356 cm). Collection of the artist. Courtesy of Ota Fine Arts and David Zwirner. Photo: Robert Benson Photography. https://www.studiointernational.com/images/articles/k/062-kusama-yayoi-2021/NYBG_Kusama_02-Ascenscion-of-Polka-Dots-on-the-Trees-Thumbnail-scaled.jpg Yayoi Kusama. Ascension of Polka Dots on the Trees, 2002/2021, The New York Botanical Garden. Printed polyester fabric, bungees, and aluminum staples installed on existing trees, Site-specific installation, dimensions variable, Collection of the artist. Photo: Robert Benson Photography. https://www.studiointernational.com/images/articles/k/062-kusama-yayoi-2021/NYBG_Kusama_04-Narcissus-Garden-scaled.jpg Yayoi Kusama. Narcissus Garden, 1966/2021, The New York Botanical Garden. 1,400 stainless steel spheres. Collection of the artist. Courtesy of Ota Fine Arts, Tokyo/Singapore/ Shanghai; David Zwirner, New York; Victoria Miro, London/Venice. Photo: Robert Benson Photography. https://www.studiointernational.com/images/articles/k/062-kusama-yayoi-2021/kusama-photo-lilly-wei.jpg Yayoi Kusama. Narcissus Garden, 1966/2021 (detail), The New York Botanical Garden. Photo: Lilly Wei. https://www.studiointernational.com/images/articles/k/062-kusama-yayoi-2021/NYBG_Kusama_01-Dancing-Pumpkin-scaled.jpg Yayoi Kusama. Dancing Pumpkin, 2020, The New York Botanical Garden. Urethane paint on bronze, 196 7/8 x 116 7/8 x 117 ¼ in (500 x 296.9 x 297.8 cm), Collection of the artist. Courtesy of Ota Fine Arts and David Zwirner. Photo: Robert Benson Photography. https://www.studiointernational.com/images/articles/k/062-kusama-yayoi-2021/kusama_flower-obsession-portrait-scaled.jpg Yayoi Kusama in Flower Obsession. Photo: Yusuke Miyazaki © Yayoi Kusama 2021. https://www.studiointernational.com/index.php/epilogue-michael-west-monochrome-climax-review-hollis-taggart-new-york https://www.studiointernational.com/images/articles/w/053-west-michael-2021/Speed-Michael-Corinne-West.jpg Michael West, Speed, 1970. Enamel on Oak Tag mounted on canvas, 22 x 28 in (55.9 x 71.1 cm). Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/white-writing-Michael-Corinne-West.jpg Michael West, White Writing, 1966. Oil on canvas, 59 5/8 x 47 1/2 in (151.4 x 120.7 cm). Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/Untitled-1948-Michael-Corinne-West.jpg Michael West, Untitled, 1948. Oil and sand on canvas, 31 x 21 in (78.7 x 53.3 cm). Collection of the Wen Long Cultural Foundation, Taiwan. Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/The-Eclipse-Michael-Corinne-West.jpg Michael West, The Eclipse (Eclipse in Reverse), 1964–7. Oil on canvas, 69 3/4 x 49 1/2 in (177.2 x 125.7 cm). Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/Beginnings-Michael-Corinne-West.jpg Michael West, Beginnings, 1968. Oil and charcoal on canvas, 51 1/8 x 46 in (129.9 x 116.8 cm). Collection of the Wen Long Cultural Foundation, Taiwan. Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/Epigraph-Michael-Corinne-West.jpg Michael West, Epigraph, 1966. Oil on canvas, 74 5/8 x 49 1/2 in (189.5 x 125.7 cm). Collection of the Wen Long Cultural Foundation, Taiwan. Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/Study-Michael-Corinne-West.jpg Michael West, Study, 1965. Oil on canvas, 50 x 30 inches (127 x 76.2 cm). Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/Nyo-Ze-Tai-Michael-Corinne-West.jpg Michael West, Nyo Ze Tai, 1975. Oil on canvas, 52 x 18 in (132.1 x 45.7 cm). Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/Invisible-Numbers-Michael-Corinne-West.jpg Michael West, Invisible Numbers, 1969. Oil and nails on canvas, 66 1/2 x 44 in (168.9 x 111.8 cm). Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/mw21-install7.jpg Epilogue: Michael West’s Monochrome Climax, gallery view, 2021. Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/Untitled-1947-Michael-Corinne-West.jpg Michael West, Untitled, 1947. Oil on canvas, 36 x 30 in (91.4 x 76.2 cm). Private collection, Stockholm, Sweden. Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/mw21-install12.jpg Epilogue: Michael West’s Monochrome Climax, gallery view, 2021. Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/mw21-install13.jpg Epilogue: Michael West’s Monochrome Climax, gallery view, 2021. Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/mw21-install4.jpg Epilogue: Michael West’s Monochrome Climax, gallery view, 2021. Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/images/articles/w/053-west-michael-2021/mw21-install9.jpg Epilogue: Michael West’s Monochrome Climax, gallery view, 2021. Image courtesy of Hollis Taggart Gallery. https://www.studiointernational.com/index.php/night-fever-designing-club-culture-review-v-and-a-dundee https://www.studiointernational.com/images/articles/n/076-night-fever-2021/Sub-Club-SoundSystem-at-BAaD-Glasgow-photo-by-Brian-Sweeney.jpg Sub Club SoundSystem at BAaD (Barras Art and Design), Glasgow, summer 2019. Courtesy Brian Sweeney. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/06-Guests-in-Conversation-on-a-Sofa-Studio-54-New-York-1979.jpg Guests in conversation on a sofa, Studio 54, New York, 1979. © Bill Bernstein, David Hill Gallery, London. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/Akoaki-Mobile-DJ-Booth-The-Mothership-Detroit-2014.jpg Akoaki, Mobile DJ Booth, The Mothership Detroit, 2014. © Akoaki. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/mannequins-wearing-Halston-dresses-1970s-Credit-Michael-McGurk_035.jpg Night Fever: Designing Club Culture, mannequins wearing Halston dresses, 1970s, installation view, V&A Dundee. Photo: Michael McGurk. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/23-Interior-view-of-Hacienda-Manchester.jpg Interior view of Haçienda, Manchester. Courtesy of Ben Kelly. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/VA-Night-Fever-076.jpg Scottish club posters by Edwin Pickstone, 2006–18. Courtesy of Edwin Pickstone / The Glasgow School of Art. Photo: Michael McGurk. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/VA-Night-Fever-068.jpg Night Fever: Designing Club Culture, installation view, Scottish club culture section, newly curated by V&A Dundee and Mairi MacKenzie of Glasgow School of Art. Photo: Michael McGurk. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/14-Bill-Bernstein-dance-floor-at-Xenon-New-York-1979.jpg Bill Bernstein, dance floor at Xenon, New York, 1979. © Bill Bernstein / David Hill Gallery, London. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/01-Palladium-New-York-1985.jpg Palladium, New York, 1985. Architect: Arata Isozaki, mural by Keith Haring. © Timothy Hursley, Garvey|Simon Gallery New York. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/08-OMA-Rem-Koolhaas-Isometric-Plan-Ministry-of-Sound-II-London-2015.jpg OMA/Rem Koolhaas, Isometric Plan Ministry of Sound II, London, 2015. © OMA. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/VA-Night-Fever-042.jpg Night Fever: Designing Club Culture, installation view, V&A Dundee. Photo: Michael McGurk. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/VA-Night-Fever-124.jpg Night Fever: Designing Club Culture, installation view, V&A Dundee. Photo: Michael McGurk. https://www.studiointernational.com/images/articles/n/076-night-fever-2021/VA-Night-Fever-211.jpg Night Fever: Designing Club Culture, installation view, V&A Dundee. Photo: Michael McGurk. https://www.studiointernational.com/index.php/rafael-perez-evans-interview-food-contains-a-lot-of-emotion https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/02.jpg Rafael Pérez Evans: Handful. Installation view, Henry Moore Institute, Leeds, 2021. Photo courtesy of Jerry Hardman-Jones, The Henry Moore Institute 2021. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/07.jpg Rafael Pérez Evans. Handful, 2021. Installation view, Henry Moore Institute, Leeds, 2021. Photo courtesy of Jerry Hardman-Jones, The Henry Moore Institute 2021. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/06.jpg Rafael Pérez Evans. Lake, 2021. Installation view, Henry Moore Institute, Leeds, 2021. Photo courtesy of Jerry Hardman-Jones, The Henry Moore Institute 2021. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/untitled-36.jpg Rafael Pérez Evans. Grounding, 2020. 29 tonnes of carrots, truck, university glass building. Goldsmiths MFA. © Rafael Pérez Evans. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/PerezEvans-0991-copy.jpg Rafael Pérez Evans. Thief, 2019. Car, cardboard, oranges. 6 x 3.5 x 1.70 m. C3A Museum. Spain. © Rafael Pérez Evans. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/Screenshot-2021-05-13.jpg Rafael Pérez Evans. Archive image taken from Lanza Newspaper (Anonymous 2020) Farmers Placards, Spain. (If the countryside doesn https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/Screenshot-2021-03-09-at-12-49-10.jpg Rafael Pérez Evans. Reference image from press. 2019: Italian farmers dumping milk in protest over falling prices. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/Screen-Shot-2018-01-30-at-19-42-36.jpg Rafael Pérez Evans. Alto Residency, 2014. Water Source. Alto Paraiso Goias. © Rafael Pérez Evans. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/001_Still-from_Virtual-Reality_RafaelPerezEvans_MOCA-TAIPEI_.jpg Rafael Pérez Evans. The Devil´s Bird, Ornithomancy. 2019 (Still from VR). Virtual reality experience accessed through Oculus VR goggles, incendiary red lighting system over corridor and room.. Museum of Contemporary Art Taipei. © Rafael Pérez Evans. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/PerezEvans-0966-copy.jpg Rafael Pérez Evans. Invigilate, 2019. Live mango tree, CCTV camera, CCTV screen, 6 x 5 x 8 m. C3A Museum. Spain. © Rafael Pérez Evans. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/PerezEvans_Whitespirits-2313-copy.jpg Rafael Pérez Evans. Unpacking Wheels, 2020 (detail). Silver spoons, mirrors, cardboard, trolley. © Rafael Pérez Evans. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/RafaelPerezEvans-Operacion-freelelmon-0787-1.jpg Rafael Pérez Evans. Operación Free Lemon, 2017 (detail). Hangar, Barcelona lemons, car. © Rafael Pérez Evans. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/RafaelPerezEvans_Unpacking_wheels.2020.-(Mirror,-fresh-yams,-trolley,-cardboard,-plastic).jpg Rafael Pérez Evans. Unpacking Wheels, 2019 (detail). South London Gallery & Leeds Art gallery. Yams, mirrors, cardboard, metal trolleys, cellophane plastic. Dimensions variable. © Rafael Pérez Evans. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/untitled-33-2.jpg Rafael Pérez Evans. Grounding, 2020. 29 tonnes of carrots, truck, university glass building. Goldsmiths MFA. © Rafael Pérez Evans. https://www.studiointernational.com/images/articles/e/073-evans-rafael-perez-2021/01.jpg Rafael Pérez Evans. Mountain, 2021. Installation view, Henry Moore Institute, Leeds, 2021. Photo courtesy of Jerry Hardman-Jones, The Henry Moore Institute 2021. https://www.studiointernational.com/index.php/shara-hughes-interview-i-wanted-works-to-feel-like-figures-visit-church-divine https://www.studiointernational.com/images/articles/h/042-hughes-shara-2021/Shara-Hughes-Garden-Museum-(c)-Mark-Blower-(install-8).jpg Shara Hughes, installation view, Garden Museum, London, 17 May - 5 June 2021. Photo: Mark Blower. Courtesy of the artist and Pilar Corrias, London. https://www.studiointernational.com/images/articles/h/042-hughes-shara-2021/HUGH-2021001-Pop-(white-Margin).jpg Shara Hughes, Pop, 2021. Oil and dye on canvas, 243.8 x 182.9 cm (96 x 72 in). Courtesy of the artist and Pilar Corrias, London. https://www.studiointernational.com/images/articles/h/042-hughes-shara-2021/HUGH-2021002-Attraction-Contraption-(white-margin).jpg Shara Hughes. Attraction Contraption, 2021. Oil and dye on canvas, 243.8 x 182.9 cm (96 x 72 in). Courtesy of the artist and Pilar Corrias, London. https://www.studiointernational.com/images/articles/h/042-hughes-shara-2021/HUGH-2021003-Hard-Hats-(white-margin).jpg Shara Hughes. Hard Hats, 2021. Oil and dye on canvas, 243.8 x 182.9 cm (96 x 72 in). Courtesy of the artist and Pilar Corrias, London. https://www.studiointernational.com/images/articles/h/042-hughes-shara-2021/Shara-Hughes-Garden-Museum-(c)-Mark-Blower-(install-19).jpg Shara Hughes, installation view, Garden Museum, London, 17 May - 5 June 2021. Photo: Mark Blower. Courtesy of the artist and Pilar Corrias, London. https://www.studiointernational.com/images/articles/h/042-hughes-shara-2021/Shara-Hughes-Garden-Museum-(c)-Mark-Blower-(install-11).jpg Shara Hughes, installation view, Garden Museum, London, 17 May - 5 June 2021. Photo: Mark Blower. Courtesy of the artist and Pilar Corrias, London. https://www.studiointernational.com/index.php/challenging-convention-review-laing-art-gallery-newcastle-vanessa-bell-laura-knight-gwen-john-dod-procter https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/A-Dark-Pool-Laura-Knight.jpg Laura Knight (1877-1970). A Dark Pool, c1917. Oil on canvas. Laing Art Gallery, Newcastle-upon-Tyne, UK / © Tyne & Wear Archives & Museums. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2020. All Rights Reserved / Bridgeman Images . https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/The-Ballet-Shoe-Laura-Knight.jpg Laura Knight (1877–1970). The Ballet Shoe. Brighton and Hove Museums and Art Galleries © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All Rights Reserved / Bridgeman Images. https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/Helen-Dudley-Vanessa-Bell.jpg Vanessa Bell (1879-1961). Helen Dudley, c1915. © estate of Vanessa Bell. All rights reserved, DACS 2021. Photo: Tate. https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/The-Tub-Vanessa-Bell.jpg Vanessa Bell (1879–1961). The Tub. Tate © estate of Vanessa Bell. All rights reserved, DACS 2021. Photo: Tate. https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/Young-Woman-in-a-Red-Shawl-(1917-1923)-by-Gwen-John.jpg Gwen John (1976-1939). Young Woman in a Red Shawl, 1917-1923. Oil on canvas. Image courtesy of York Museums Trust. https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/A-Corner-of-the-Artists-Room-in-Paris-Gwen-John.jpg Gwen John (1876-1939). A Corner of the Artist’s Room in Paris, 1907-1909. Oil on canvas. National Museum Wales, National Museum Cardiff. Photo: Amgueddfa Cymru – National Museum Wales. https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/A-Balloon-Site,-Coventry,-1943-(oil-on-canvas),-Laura-Knight-(1877-1970).jpg Laura Knight (1877-1970). A Balloon Site, Coventry, 1943. Oil on canvas. Imperial War Museum, London, UK / Bridgeman Images. https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/Girl-in-Blue,-1925,-Dod-Procter.jpg Dod Procter (1892-1972). Girl in Blue, 1925. Oil on canvas. Laing Art Gallery, Newcastle-upon-Tyne, UK / © Tyne & Wear Archives & Museums. © The Estate of Dod Procter / Bridgeman Images. https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/The-Golden-Girl-Dod-Procter.jpg Dod Procter (1892-1972). The Golden Girl, c1930. Oil on canvas, The Ingram Collection of Modern British and Contemporary Art / Bridgeman Images. © The Estate of Dod Procter / Bridgeman Images. https://www.studiointernational.com/images/articles/c/029-challenging-convention-2021/The-Three-Clowns-Laura-Knight.jpg Laura Knight (1877–1970). The Three Clowns, 1930. Oil on canvas. Leicester Museum & Art Gallery, Leicester, UK / Photo © Leicester Museums & Galleries / Bridgeman Images. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All Rights Reserved / Bridgeman Images. https://www.studiointernational.com/index.php/julian-opie-interview-work-is-about-how-we-interpret-the-world-it-feels-lisson-gallery-london https://www.studiointernational.com/images/articles/o/085-opie-julian-2021/OPIE210007_001.jpg Julian Opie. Old Street December 11., 2021. Paint on metal, 229.8 x 229.8 x 5 cm (90 3/8 x 90 3/8 x 1 7/8 in). © Julian Opie, courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/085-opie-julian-2021/OPIE200112_002.jpg Installation view of Julian Opie at Lisson Gallery, Cork Street, London, 4 May – 12 June 2021 © Julian Opie, courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/085-opie-julian-2021/OPIE_Insta_CorkSt_2021_015.jpg Installation view of Julian Opie at Lisson Gallery, Cork Street, London, 4 May – 12 June 2021 © Julian Opie, courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/085-opie-julian-2021/OPIE_Insta_CorkSt_2021_008.jpg Installation view of Julian Opie at Lisson Gallery, Cork Street, London, 4 May – 12 June 2021 © Julian Opie, courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/085-opie-julian-2021/Julian-Opie-Julian-2013-(2).jpg Julian Opie. Julian, 2013. Portrait: © Julian Opie. Photo: Alex Delfanne. https://www.studiointernational.com/index.php/alex-da-corte-as-long-as-the-sun-lasts-review-metropolitan-museum-of-art https://www.studiointernational.com/images/articles/d/063-da-corte-alex-2021/IMG_1564.jpg Alex Da Corte: As Long as the Sun Lasts, installation view, Iris and B Gerald Cantor Roof Garden, Metropolitan Museum of Art, 2021. Photo: Lilly Wei. https://www.studiointernational.com/images/articles/d/063-da-corte-alex-2021/IMG_1570.jpg Alex Da Corte: As Long as the Sun Lasts, installation view, Iris and B Gerald Cantor Roof Garden, Metropolitan Museum of Art, 2021. Photo: Lilly Wei. https://www.studiointernational.com/images/articles/d/063-da-corte-alex-2021/IMG_1565.jpg Alex Da Corte: As Long as the Sun Lasts, installation view, Iris and B Gerald Cantor Roof Garden, Metropolitan Museum of Art, 2021. Photo: Lilly Wei. https://www.studiointernational.com/images/articles/d/063-da-corte-alex-2021/IMG_1563.jpg Alex Da Corte: As Long as the Sun Lasts, installation view, Iris and B Gerald Cantor Roof Garden, Metropolitan Museum of Art, 2021. Photo: Lilly Wei. https://www.studiointernational.com/index.php/nina-hamnett-and-lisa-brice-review-charleston-east-sussex https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/01.jpg Nina Hamnett, Acrobats, 1910, Nina Hamnett. Oil on canvas, 49 x 39 cm. Private collection. Photo © Bridgeman Images. https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/09.jpg Lisa Brice, Untitled, 2021. Oil on tracing paper, 41.9 x 29.6 cm. Framed: 50.8 x 38cm. Copyright Lisa Brice. Courtesy the artist; Stephen Friedman Gallery, London and Salon 94, New York. https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/03.jpg Nina Hamnett, Portrait of Torahiko Khori. Oil on canvas, 61 x 50.8 cm. Private Collection. Photo © Stephen White. https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/02.jpg Nina Hamnett, Dancer (Rupert Doone), 1922-23. Oil on canvas, 45 x 29 cm. Collection Heritage Doncaster, Doncaster Council. https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/05.jpg Nina Hamnett, Der Sturm, c. 1913. Oil on canvas, 54 x 40 cm. Private Collection. Photo © Bridgeman Images. https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/08.jpg Lisa Brice, Untitled, 2021. Oil on tracing paper, 41.9 x 29.6 cm. Framed: 50.8 x 38cm. Copyright Lisa Brice. Courtesy the artist; Stephen Friedman Gallery, London and Salon 94, New York. https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/07.jpg Lisa Brice, Untitled, 2021. Oil on tracing paper, 41.9 x 29.6 cm. Framed: 50.8 x 38cm. Copyright Lisa Brice. Courtesy the artist; Stephen Friedman Gallery, London and Salon 94, New York. https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/06.jpg Lisa Brice, Untitled, 2021. Oil on tracing paper, 41.9 x 29.6 cm. Framed: 50.8 x 38cm. Copyright Lisa Brice. Courtesy the artist; Stephen Friedman Gallery, London and Salon 94, New York. https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/04.jpg Nina Hamnett, The Landlady, 1918. Oil on canvas, 88 x 55 cm. Private Collection. Photo © Bridgeman Images. https://www.studiointernational.com/images/articles/h/041-hamnett-brice-2021/10.jpg Lisa Brice, Untitled, 2021. Oil on tracing paper, 41.9 x 29.6 cm. Framed: 50.8 x 38cm. Copyright Lisa Brice. Courtesy the artist; Stephen Friedman Gallery, London and Salon 94, New York. https://www.studiointernational.com/index.php/clare-woods-interview-great-unknown-cristea-roberts-gallery-london https://www.studiointernational.com/images/articles/w/052-woods-clare-2021/Collage-for-Its-The-End-Of-The-World-As-We-Know-It_2020.jpg Clare Woods. Collage for It’s The End of the World As We Know It, 2020. Oil and spray paint on paper, 122 x 90 cm. Courtesy Clare Woods and Cristea Roberts Gallery, London. https://www.studiointernational.com/images/articles/w/052-woods-clare-2021/Hot-Spot-1_2020.jpg Clare Woods. Hot Spot, 2020. Monotype, paper and image 60 x 60 cm. Courtesy Clare Woods and Cristea Roberts Gallery, London. https://www.studiointernational.com/images/articles/w/052-woods-clare-2021/Collage-for-The-Comforters_2020.jpg Clare Woods. Collage for the Comforters, 2020. Oil and spray paint on paper with carbon and pencil, 109 x 84.6 cm. Courtesy Clare Woods and Cristea Roberts Gallery, London. https://www.studiointernational.com/images/articles/w/052-woods-clare-2021/Collage-for-Jargon_2020.jpg Clare Woods. Collage for Jargon, 2020. Oil and spray paint on paper, 48.8 x 51.9 cm. Courtesy Clare Woods and Cristea Roberts Gallery, London. https://www.studiointernational.com/images/articles/w/052-woods-clare-2021/Dead-Already_2019.jpg Clare Woods. Dead Already, 2019. Oil and spray paint on paper with carbon and pencil, 67.5 x 64.7 cm. Courtesy Clare Woods and Cristea Roberts Gallery, London. https://www.studiointernational.com/images/articles/w/052-woods-clare-2021/Unlovable-4_2020.jpg Clare Woods. Unlovable, 2020. Monotype, paper and image 60 x 60 cm. Courtesy Clare Woods and Cristea Roberts Gallery, London. https://www.studiointernational.com/images/articles/w/052-woods-clare-2021/Collage-for-Consciously-Contemplate_2020.jpg Clare Woods. Collage for Consciously Contemplate, 2020. Oil and spray paint on paper, 91 x 160.4 cm. Courtesy Clare Woods and Cristea Roberts Gallery, London. https://www.studiointernational.com/index.php/miami-art-scene-2021-black-art-matters https://www.studiointernational.com/images/articles/m/034-miami-2021/Christopher-Myers-Nation-of-Refugees_OTP4243-(2).jpg Christopher Myers. Nation of Refugees, 2017. Image courtesy Jorge M. Perez Collection / El Espacio23. https://www.studiointernational.com/images/articles/m/034-miami-2021/RICHARDS_Daniel-Bock-Photography.jpg Michael Richards: Are You Down? Installation view with Tar Baby vs St Sebastian, 1999, Museum of Contemporary Art (MoCA), North Miami, 2021. Photo: Daniel Bock Photography. https://www.studiointernational.com/images/articles/m/034-miami-2021/Chakaia-Booker-IMG_3410.jpg Chakaia Booker, installation view, Institute of Contemporary Art (ICA). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/034-miami-2021/02-Dodd-L_GUERNIKA-02.jpg Lucy Dodd. Guernika, 2014. Spanish hematite, Miami rain water and lavender oil, cochineal, kombucha SCOBY, Rota squid ink, earth from Monasterio de Suso, Aracena, Rio Tinto, la Aldea-Bejes and Guernika, chamomile and pomegranate from Segura de Leon, lichen from Sierra de Gata, yerba maté, Rio Tinto water, mica, spirulina, mixed pigments and Tyrian purple on canvas, 11 ft 5 in x 25 ft 6 in (3.5 x 7.8 m). Courtesy Rubell Museum, Miami. https://www.studiointernational.com/images/articles/m/034-miami-2021/Zane-Muholi-Faniswa-IMG_3504.jpg Zanele Muholi, Faniswa, Seaport, Capetown, 2018. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/034-miami-2021/Chiurai-Kudzanai_We-Live-in-Silence-VI.jpg Kudzanai Chiurai. We Live in Silence VI, 2017. Image courtesy Jorge M. Perez Collection / El Espacio23. https://www.studiointernational.com/images/articles/m/034-miami-2021/Campos-Pons-Maria-Magdalena-Finding-Balance.jpg María Magdalena Campos-Pons. Finding Balance, 2015. Image courtesy Jorge M. Perez Collection / El Espacio23. https://www.studiointernational.com/images/articles/m/034-miami-2021/Karon-Davis-Hair-Peace.jpg Karon Davis. Hair Peace. Plaster, plaster gauze, walnut wood, steel, glass eyes, synthetic hair, antique waving machine, metal rollers. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/034-miami-2021/Tshabalala-Self-BellyPhat.jpg Tschabalala Self. Bellyphat, 2016. Mixed media on canvas. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/034-miami-2021/01-Boafo-A_Hudson-in-a-baby-blue-suit.jpg Amoako Boafo. Hudson in a Baby Blue Suit, 2019. Oil on canvas, 78 1/2 x 61 1/2 in. (200 x 156 cm). Courtesy Rubell Museum, Miami. https://www.studiointernational.com/images/articles/m/034-miami-2021/Emerson-Dorsch-gallery-Ernesto-Gutierrez-Moyer-in-front-of-his-Sinister-Calm-IMG_3439.jpg Ernesto Gutiérrez Moya in front of Sinister Calm, 2021, Emerson Dorsch Gallery. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/034-miami-2021/Bush-with-us-Biedermeier-Chair-IMG_3567.jpg Hubert Bush with Biedermeier chair. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/034-miami-2021/Carlos-Martiel_Mediterraneo.jpg Carlos Martiel - Mediterráneo, ​ 2017. Image courtesy Jorge M. Perez Collection / El Espacio23. https://www.studiointernational.com/index.php/bring-into-being-chiswick-house-london-video-curator-mariam-zulfiqar https://www.studiointernational.com/images/articles/c/028-chiswick-house-2021/mark-wallinger-chiswick-house-sun-dial-2021-01.jpg Mark Wallinger with his work British Summer Time, 2021, part of Bring Into Being, Chiswick House and Gardens, London, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/028-chiswick-house-2021/mark-wallinger-chiswick-house-2021-02.jpg Mark Wallinger, British Summer Time, 2021, part of Bring Into Being, Chiswick House and Gardens, London, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/028-chiswick-house-2021/jaimini-patel-photo-Thierry-Bal-5.jpg Jaimini Patel, Matter as the densest form of energy – energy as the lightest form of matter, 2021, part of Bring Into Being, Chiswick House and Gardens, London, 2021. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/c/028-chiswick-house-2021/Rekha-Sawhney4.jpg Peter Adjaye with Rekha Sawhney creating his soundscape We Bear the Light of the Earth in Red, Green, Brown and Black, 2021, part of Bring Into Being, Chiswick House and Gardens, London, 2021. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/c/028-chiswick-house-2021/jaimini-patel-photo-Thierry-Bal-10.jpg Jaimini Patel, Matter as the densest form of energy – energy as the lightest form of matter, 2021, part of Bring Into Being, Chiswick House and Gardens, London, 2021. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/c/028-chiswick-house-2021/peter-adjaye-chiswick-house-interior.jpg Peter Adjaye, We Bear the Light of the Earth in Red, Green, Brown and Black, 2021, part of Bring Into Being, Chiswick House and Gardens, London, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/the-making-of-rodin-review-tate-modern-london https://www.studiointernational.com/images/articles/r/066-rodin-2021/Rodin-Tate-Modern-The-Kiss-JR.jpg Auguste Rodin. The Kiss, 1901-4. Installation view, The Making of Rodin, Tate Modern, London 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/066-rodin-2021/Age-of-Bronze-Rodin-JR-(1).jpg Auguste Rodin. The Age of Bronze, c1877. Installation view, The Making of Rodin, Tate Modern, London 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/066-rodin-2021/Balzac-(large-and-small)-Rodin-JR.jpg Auguste Rodin. Balzac (large and small). Installation view, The Making of Rodin, Tate Modern, London 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/066-rodin-2021/The-Thinker-Rodin-JR-(2).jpg Auguste Rodin. The Thinker. Installation view, The Making of Rodin, Tate Modern, London 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/066-rodin-2021/Assemblage-of-Reduced-Heads-Rodin-JR.jpg Auguste Rodin. Assemblage of Reduced Heads of Jean d’Aire and Jean de Fiennes and Hands, topped by a Winged Figure, after 1899. Installation view, The Making of Rodin, Tate Modern, London 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/066-rodin-2021/The-Hand-of-God-1898-Rodin-Tate-Modern-JR.jpg Auguste Rodin. The Hand of God, 1898. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/066-rodin-2021/Hanoko-Mask-type-D-(1910-11)-Rodin-JR.jpg Auguste Rodin. Hanoko Mask, type D, 1910-11. Installation view, The Making of Rodin, Tate Modern, London 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/066-rodin-2021/Farewell-(LAdieu)-1905-Rodin-JR.jpg Auguste Rodin. Farewell (L https://www.studiointernational.com/images/articles/r/066-rodin-2021/Jules-Richard-Rodin-dans-son-atelier.jpg Jules Richard Rodin dans son atelier. Musée Rodin, Ph.02392 © Musée Rodin. https://www.studiointernational.com/images/articles/r/066-rodin-2021/RodinPress_03.jpg The EY Exhibition: The Making of Rodin, installation view.  © Tate photography (Matt Greenwood). https://www.studiointernational.com/index.php/heather-phillipson-rupture-no-1-blowtorching-the-bitten-peach-tate-britain-review https://www.studiointernational.com/images/articles/p/047-phillipson-heather-2021/Heather_Phillipson_Press_03_hp-edit_WEB.jpg Tate Britain Commission: Heather Phillipson: Rupture No.1: blowtorching the bitten peach © Tate photography (Oliver Cowling). https://www.studiointernational.com/images/articles/p/047-phillipson-heather-2021/Heather_Phillipson_Press_11_hp-edit_WEB.jpg Tate Britain Commission: Heather Phillipson: Rupture No.1: blowtorching the bitten peach © Tate photography (Oliver Cowling). https://www.studiointernational.com/images/articles/p/047-phillipson-heather-2021/Heather_Phillipson_Press_21_hp-edit_WEB.jpg Tate Britain Commission: Heather Phillipson: Rupture No.1: blowtorching the bitten peach © Tate photography (Oliver Cowling). https://www.studiointernational.com/images/articles/p/047-phillipson-heather-2021/9-Heather-Phillipson_THE-END,-Fourth-Plinth-artist_s-collage,-2016-(1).jpg Heather Phillipson. THE END. Artist https://www.studiointernational.com/images/articles/p/047-phillipson-heather-2021/3-Heather-Phillipson,-Cyclonic-Palate-Cleanser_10.jpg Heather Phillipson. Cyclonic Palate-Cleanser. Installation view at Sharjah Biennial 2019. Image courtesy the artist and Sharjah Art Foundation. https://www.studiointernational.com/images/articles/p/047-phillipson-heather-2021/Heather_Phillipson_Press_18_hp-edit_WEB.jpg Tate Britain Commission: Heather Phillipson: Rupture No.1: blowtorching the bitten peach © Tate photography (Oliver Cowling). https://www.studiointernational.com/images/articles/p/047-phillipson-heather-2021/1-Heather-Phillipson_Mesocosmic-Indoor-Overture_large_1.jpg Heather Phillipson. Mesocosmic Indoor Overture. Still from multi-screen video, 2019. Image courtesy the artist. https://www.studiointernational.com/images/articles/p/047-phillipson-heather-2021/2-Heather-Phillipson_The-Age-of-Love_Jonty_2.jpg Heather Phillipson. The Age of Love. Installation view at BALTIC Centre for Contemporary Art, Gateshead, 2018. Image courtesy the artist and Jonty Wilde. https://www.studiointernational.com/images/articles/p/047-phillipson-heather-2021/Heather-Phillipson-(1).jpg Heather Phillipson. Photo; Rory Van Millingen. https://www.studiointernational.com/index.php/richard-hamilton-respective-review-pallant-house-gallery-chichester https://www.studiointernational.com/images/articles/h/040-hamilton-richard-2021/Richard-Hamilton,-Hers-is-a-Lush-Situation.jpg Richard Hamilton, Hers is a Lush Situation, 1958. Oil, cellulose, metal foil and collage on panel, Pallant House Gallery, Chichester (Wilson Gift through Art Fund, 2006) © Richard Hamilton 2020. All rights reserved, DACS. https://www.studiointernational.com/index.php/ryoji-ikeda-review-180-studios-london-ear-shredding-eye-rending-fires-up-the-mind https://www.studiointernational.com/images/articles/i/088-ikeda-ryoji-2021/03.jpg Ryoji Ikeda, Line, 2008. © Jack Hems, 180 The Strand, 2021. https://www.studiointernational.com/images/articles/i/088-ikeda-ryoji-2021/02.jpg Ryoji Ikeda, Point of no return, 2018. © Jack Hems, 180 The Strand, 2021. https://www.studiointernational.com/images/articles/i/088-ikeda-ryoji-2021/01.jpg Ryoji Ikeda, Spectra III, 2008/2019. © Jack Hems, 180 The Strand, 2021. https://www.studiointernational.com/images/articles/i/088-ikeda-ryoji-2021/05.jpg Ryoji Ikeda, Data.flux [n°1], 2020. © Jack Hems, 180 The Strand, 2021. https://www.studiointernational.com/images/articles/i/088-ikeda-ryoji-2021/06.jpg Ryoji Ikeda, Test pattern [n°12] (extended versions), 2017/2020. © Jack Hems, 180 The Strand, 2021. https://www.studiointernational.com/index.php/walter-price-pearl-lines-review-camden-art-centre-london https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-22.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-15.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-11.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-4.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-16.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-13.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-10.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-21.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-5.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-17.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-3.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/images/articles/p/046-price-walter-2021/Camden-Art-Centre-Walter-Price-Pearl-Lines-1.jpg Walter Price, Pearl Lines (Installation view), 2021. Photo: Rob Harris https://www.studiointernational.com/index.php/tahnee-lonsdale-under-the-shell-review-cob-gallery-london https://www.studiointernational.com/images/articles/l/058-lonsdale-tahnee-2021/Tahnee-Lonsdale-Ancestors-2021.jpg Tahnee Lonsdale. Ancestors, 2021. Oil on canvas. 55 x 50 in. © the artist. Courtesy of Cob Gallery https://www.studiointernational.com/images/articles/l/058-lonsdale-tahnee-2021/Tahnee-Lonsdale-Under-The-Shell-2021.jpg Tahnee Lonsdale. Under The Shell, 2021. Oil on canvas. 55 x 50 in. © the artist. Courtesy of Cob Gallery https://www.studiointernational.com/images/articles/l/058-lonsdale-tahnee-2021/Tahnee-Lonsdale-Bath-My-Weary-Limbs-2021.jpg Tahnee Lonsdale. Bath My Weary Limbs, 2021. Oil on canvas. 55 x 50 in. © the artist. Courtesy of Cob Gallery https://www.studiointernational.com/images/articles/l/058-lonsdale-tahnee-2021/Tahnee-Lonsdale-I-Love-You-No-Matter-What-2021.jpg Tahnee Lonsdale. I Love You No Matter What, 2021. Oil on canvas. 70 x 64 in. © the artist. Courtesy of Cob Gallery https://www.studiointernational.com/images/articles/l/058-lonsdale-tahnee-2021/Tahnee-Lonsdale-Family-Dynamics-2021.jpg Tahnee Lonsdale. Family Dynamics, 2021. Oil on canvas. 70 x 64 in. © the artist. Courtesy of Cob Gallery https://www.studiointernational.com/images/articles/l/058-lonsdale-tahnee-2021/Tahnee-Lonsdale-Soup-2021.jpg Tahnee Lonsdale. Soup, 2021. Oil on canvas. 36 x 30 in. © the artist. Courtesy of Cob Gallery https://www.studiointernational.com/images/articles/l/058-lonsdale-tahnee-2021/Tahnee-Lonsdale-Under-the-Shell-2.jpg Tahnee Lonsdale - Under the Shell (Installation view) https://www.studiointernational.com/index.php/el-anatsui-art-and-life-by-susan-mullin-vogel-book-review-prestel-munich https://www.studiointernational.com/images/articles/a/038-anatsui-el-2021/Page-186-top-image-Anatsui-on-the-scaffolding-adjusting-Fresh-and-Fading-Memories,-F-Fortuny-Museum,-Venice,-June-2007.jpg El Anatsui on the scaffolding adjusting Fresh and Fading Memories, 2007 © Susan Mullin Vogel. https://www.studiointernational.com/images/articles/a/038-anatsui-el-2021/Page-139-Continuity-and-Change,-2017.jpg El Anatsui, Continuity & Change, 2017. Courtesy Axel Vervoordt Gallery. https://www.studiointernational.com/images/articles/a/038-anatsui-el-2021/Page-173,-Logolili-Logarythm,-2019-Installed-at-the-Haus-der-Kunst,-Munich,-2019.jpg El Anatsui, Logolili Logarythm, 2019. © El Anatsui, courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/a/038-anatsui-el-2021/Page-23-Perspectives,-2015-21st-Century-Museum-of-Contemporary-Art,-Kanazawa.jpg El Anatsui, Perspectives, 2015. Photo: Keizo Kioku, courtesy of 21st Century Museum of Contemporary Art, Kanazawa. https://www.studiointernational.com/images/articles/a/038-anatsui-el-2021/Page-7-TSIATSIA-searching-for-connection-detail-2013-Site-specific-installation,-Royal-Academy-of-Arts,-London.jpg El Anatsui, TSIATSIA – searching for connection (detail), October Gallery, London, 2013 © Photo: Jonathan Greet. https://www.studiointernational.com/images/articles/a/038-anatsui-el-2021/El_Anatsui_Art_Life_NA_2020.jpg El Anatsui: Art and Life by Susan Mullin Vogel is published by Prestel. https://www.studiointernational.com/index.php/jean-dubuffet-brutal-beauty-review-barbican-art-gallery-london https://www.studiointernational.com/images/articles/d/062-dubuffet-jean-2021/01-Jean-Dubuffet,-Caught-in-the-Act-(La-Main-dans-le-sac).jpg Jean Dubuffet. Caught in the Act (La Main dans le sac), September1961. Collection Van Abbemuseum, Eindhoven. © 2021 ADAGP, Paris/DACS, London. © Peter Cox, Eindhoven, The Netherlands https://www.studiointernational.com/images/articles/d/062-dubuffet-jean-2021/19-Jean-Dubuffet,-Telephone-Torment.jpg Jean Dubuffet. Telephone Torment (Le Supplice du téléphone), 1944. Collection Fondation Dubuffet, Paris. © ADAGP, Paris and DACS, London https://www.studiointernational.com/images/articles/d/062-dubuffet-jean-2021/11-Jean-Dubuffet,-Skedaddle-(LEscampette).jpg Jean Dubuffet. Skedaddle (L’Escampette), 31 October 1964. Stedelijk Museum Amsterdam. © ADAGP, Paris and DACS, London. Courtesy Stedelijk Museum Amsterdam https://www.studiointernational.com/images/articles/d/062-dubuffet-jean-2021/13-Jean-Dubuffet-Body-Failure-I-(Echec-au-corps-I).jpg Jean Dubuffet. Body Failure I (Echec au corps I), June 1984. Collection Fondation Dubuffet, Paris. © 2021 ADAGP, Paris/DACS, London https://www.studiointernational.com/images/articles/d/062-dubuffet-jean-2021/08-Jean-Dubuffet,-Portrait-of-a-Man-(Portrait-d-homme).jpg Jean Dubuffet. Portrait of a Man (Portrait d’homme), May 1957. Collection of Amy Gold and Brett Gorvy. © 2021 ADAGP, Paris/DACS, London. Photograph courtesy Amy Gold and Brett Gorvy https://www.studiointernational.com/images/articles/d/062-dubuffet-jean-2021/09-Jean-Dubuffet,-Restaurant-Rougeot-I.jpg Jean Dubuffet. Restaurant Rougeot I, March 1961. Collection Fondation Dubuffet, Paris. © 2021 ADAGP, Paris/DACS, London https://www.studiointernational.com/images/articles/d/062-dubuffet-jean-2021/22-Jean-Dubuffet,-Paris-Montparnasse.jpg Jean Dubuffet. Paris-Montparnasse, 5–21 March 1961. Private Collection. Courtesy Gray, Chicago/New York. © 2021 ADAGP, Paris/DACS, London. Courtesy Private Collection https://www.studiointernational.com/images/articles/d/062-dubuffet-jean-2021/25-Laure-Pigeon-11-December-1953.jpg Laure Pigeon, 11 December 1953 (11 decembre 1953) 1953. Collection de l’Art Brut, Lausanne. Photograph by Marie Humair, Atelier de numérisation –Ville de Lausanne. Collection de l’Art Brut, Lausanne https://www.studiointernational.com/images/articles/d/062-dubuffet-jean-2021/Jean-Dubuffet_-Brutal-Beauty-2.jpg Jean Dubuffet. Brutal Beauty (Installation view). Barbican Art Gallery, 17 May–22 August 2021. ©Tristan Fewings / Getty Images https://www.studiointernational.com/index.php/eileen-agar-angel-of-anarchy-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/02.jpg Eileen Agar, Quadriga, 1935. Oil on canvas, 51 x 61 cm. Courtesy of The Penrose Collection. © Estate of Eileen Agar / Bridgeman Images. https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/08.jpg Eileen Agar, Collective Unconscious, 1977. Acrylic on canvas, 105 x 102 cm. Courtesy of Royal Academy of Arts © Estate of Eileen Agar / Bridgeman Images. https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/04.jpg Eileen Agar, Precious Stones, 1936. Collage on paper, 26 x 20.9 cm. Courtesy of Leeds Museums and Galleries. © Estate of Eileen Agar / Bridgeman Images. https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/01.jpg Eileen Agar, Eileen Agar, 1927. Oil on canvas, 76.5 x 64.1 cm. NPG 5881. © Estate of Eileen Agar / Bridgeman Images https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/05.jpg Eileen Agar, Untitled collage, 1936. Mixed media and collage on paper, 75.5 x 53.3 cm. Courtesy of Mayor Gallery. © Estate of Eileen Agar/Bridgeman Images. https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/03.jpg Eileen Agar, Angel of Anarchy, 1936-40. Plaster, fabric, shells, beads, diamante stones, other materials, 57 x 46 x 31.7 cm © Tate Images. https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/06.jpg Eileen Agar, Erotic Landscape, 1942. Collage on paper, 25.5 x 30.5 cm. Private collection, © Estate of Eileen Agar/Bridgeman Images. Photograph courtesy Pallant House Gallery, Chichester © Doug Atfield. https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/09.jpg Eileen Agar, Photograph of Bum and thumb rock in Ploumanac’h, 1936. Black and white negative, 16.3 × 11.8 cm. © Tate Images. https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/11.jpg Photograph of Agar wearing Ceremonial Hat for Eating Bouillabaisse, 1936. Private Collection © Estate of Eileen Agar/Bridgeman Images. https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/07.jpg Eileen Agar, Dance of Peace, 1945. Collage and gouache on paper Dimensions unknown. Private Collection © Estate of Eileen Agar / Bridgeman Images. https://www.studiointernational.com/images/articles/a/037-agar-eileen-2021/10.jpg Eileen Agar, Rock 3, 1985. Acrylic on canvas, 60 x 60 cm. Courtesy of Redfern Gallery, London © Estate of Eileen Agar / Bridgeman Images. https://www.studiointernational.com/index.php/charlotte-keates-video-interview-just-what-is-it-cristea-roberts-gallery-london https://www.studiointernational.com/images/articles/k/063-keates-charlotte-2021/An-iced-flannel-against-bare-skin_2020.jpg Charlotte Keates. An iced flannel against bare skin, 2020. Acrylic and oil on board, 32 x 28.5 cm. Image courtesy the artist and Cristea Roberts Gallery. https://www.studiointernational.com/images/articles/k/063-keates-charlotte-2021/Bordered-by-Jungle_2020.jpg Charlotte Keates. Bordered by Jungle, 2020. Acrylic and oil on board, 100 x 121.8 cm. Image courtesy the artist and Cristea Roberts Gallery. https://www.studiointernational.com/images/articles/k/063-keates-charlotte-2021/Movement-of-Water,-heard-but-not-seen_2020.jpg Charlotte Keates. Movement of Water, heard but not seen, 2020. Acrylic and oil on board, 60 x 60 cm. Image courtesy the artist and Cristea Roberts Gallery. https://www.studiointernational.com/images/articles/k/063-keates-charlotte-2021/Mutterings-of-the-Uchida-bird_2020.jpg Charlotte Keates. Mutterings of the Uchida bird, 2020. Acrylic and oil on board, 40 x 29.5 cm. Image courtesy the artist and Cristea Roberts Gallery. https://www.studiointernational.com/images/articles/k/063-keates-charlotte-2021/Wings-of-a-dragonfly-against-glass_2020.jpg Charlotte Keates. Wings of a dragonfly against glass, 2020. Acrylic and oil on board, 70 x 60 cm. Image courtesy the artist and Cristea Roberts Gallery. https://www.studiointernational.com/index.php/enough-is-definitely-enough-book-review-diego-velazques-las-meninas https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Cathy-Lomax-I-Dont-Want-to-Stay-Here-Las-Meninas.jpg Cathy Lomax. I Don’t Want to Stay Here (Las Meninas). Photo: James Gardiner https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Christopher-Tansey-photo-by-Andrew-Bracey.jpg Christopher Tansey. Photo: Andrew Bracey https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Louisa-Chambers-K_Q-photo-James-Gardiner.jpg Louisa Chambers. K _ Q, 2019. Acrylic on linen. Photo: James Gardiner https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Portfolio_010-new.jpg Enough Is Definitely Enough: Sixty-Two Contemporary Artists Interpret a Postcard of Las Meninas by Andrew Bracey https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Portfolio_003-new.jpg Enough is Definitely Enough (pp. 18-19). Josei Jenkins. After Velasquez with Toilet Roll Cover. Acrylic on board. 2020; Louisa Chambers. K & Q. Acrylic on linen. 2019 https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Andrew-Bracey-photo-by-Andrew-Bracey-2.jpg Andrew Bracey. Photo: Andrew Bracey https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Annabel-Dover-Reina-Sofia-photo-James-Gardiner.jpg Annabel Dover. Reina Sofia, 2019. Mica and watercolour. Photo: James Gardiner https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Gordon-Dalton-It-breaks-you-like-a-song-photo-James-Gardiner.jpg Gordon Dalton. It breaks you like a song, 2019. Acrylic on canvas. 30 x 25cm. Photo: James Gardiner https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Tom-Hackney-Saninem-Sal- photo- James-Gardiner.jpg Tom Hackney. Saninem Sal, 2019. Postcard, mirror, cardboard, wood, paint. Photo: James Gardiner https://www.studiointernational.com/images/articles/e/072-enough-is-enough-2021/Simon-Granell-nine-postcards-photo-James-Gardiner.jpg Simón Granell. Nine postcards, 2018. Transferred graphite on paper. Photo: James Gardiner https://www.studiointernational.com/index.php/veronica-ryan-along-a-spectrum-review-spike-island-bristol https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Shelves.jpg Veronica Ryan: Along a Spectrum, installation view, Spike Island, Bristol, 2021. https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Close-up-from-Multiple-Conversations.jpg Veronica Ryan. Multiple Conversations (detail), 2019-21. Clay, seeds, pillow case, medical pillow, tape, elastic, coral, volcanic ash, doily, cocoa pod, other materials. Dimensions variable (28 individual pieces on shelf and on wall, shelf 129.9 x 30.8 x 12 cm). https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Tea-bag-item-from-Multiple-Conversations.jpg Veronica Ryan. Multiple Conversations (tea bag detail), 2019-21. Clay, seeds, pillow case, medical pillow, tape, elastic, coral, volcanic ash, doily, cocoa pod, other materials. Dimensions variable (28 individual pieces on shelf and on wall, shelf 129.9 x 30.8 x 12 cm). https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Alternative-view,-Multiple-Conversations.jpg Veronica Ryan. Multiple Conversations, 2019-21. Clay, seeds, pillow case, medical pillow, tape, elastic, coral, volcanic ash, doily, cocoa pod, other materials. Dimensions variable (28 individual pieces on shelf and on wall, shelf 129.9 x 30.8 x 12 cm). https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Installation-shot,-first-gallery-Veronica-Ryan.jpg Veronica Ryan. Its Own Cushion, 2020. Plaster, medical pillows. Dimensions variable (13 cast and 2 fabric pillows, each pillow 65 x 60 x 23 and 17 x 43 x 51 cm). https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Cocoa-Passion-in-Tandem.jpg Veronica Ryan. Cocoa Passion in Tandem, 2020. Ceramic stoneware, pigment, volcanic ash, jute rug. Variable height x 180 cm. https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Dem-Mash-You-Up-Man.jpg Veronica Ryan. Dem Mash You Up Man, 2019-20. Fabric, seeds, thread, 226 x 40.6 x 2.5 cm. https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Hang,-2020.jpg Veronica Ryan. Hang, 2020. Stained cotton sheet, avocado stones, hairbands, 224 x 106 x 1.5 cm. https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Pin-Drawing-(Series)-1994-top,-1996-below.jpg Veronica Ryan. Pin Drawing (Series), 1994. Graphite, pastel on paper. 210 x 292mm (top); Pin Drawing (Series), 1996. Pastel on paper, 21.6 x 29.2 cm. https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Installation-shot,-Infection-2020-21.jpg Veronica Ryan. Infection, 2020-21. Bronze, plaster, paper, plastic net, seeds, other materials. Dimensions variable (17 individual pieces). https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Display-table,-installation-shot.jpg Veronica Ryan. Infection (detail), 2020-21. Bronze, plaster, paper, plastic net, seeds, other materials. Dimensions variable (17 individual pieces). https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Tidal-2020.jpg Veronica Ryan. Tidal, 2020. Fabric, avocado stones, thread. 180 x 183 x 5 cm. https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Detail-locker-trays,-Infection-2020-21.jpg Veronica Ryan. Infection (detail), 2020-21. Bronze, plaster, paper, plastic net, seeds, other materials. Dimensions variable (17 individual pieces). https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Display-table-and-What-is-the-Matter-gallery-2.jpg Veronica Ryan: Along a Spectrum, installation view, Spike Island, Bristol, 2021. https://www.studiointernational.com/images/articles/r/065-ryan-veronica-2021/Display-table-and-drawings,-gallery-two.jpg Veronica Ryan: Along a Spectrum, installation view, Spike Island, Bristol, 2021. https://www.studiointernational.com/index.php/barbara-hepworth-art-and-life-review-the-hepworth-wakefield https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Biog_Barbara Hepworth working on the armature of Single Form in the Palais de Danse, St Ives, 1961.jpg Barbara Hepworth working on the armature of Single Form in the Palais de Danse, St Ives, 1961. Courtesy Bowness. Photograph: Rosemary Mathews https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Barbara Hepworth-Oval-Sculpture-1943.jpg Barbara Hepworth. Oval Sculpture, 1943. Courtesy of the Pier Arts Centre. © Bowness, Hepworth Estate. Photograph: David Lambert/Rod Tidnam https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Biog_8.jpg Edna Ginesi, Henry Moore and Barbara Hepworth in Paris, c.1922. The Hepworth Photograph Collection. Courtesy Bowness https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Drawing_BH-D-209-Tibia-Graft-The-Hepworth-Wakefield.jpg Barbara Hepworth. Tibia Graft, 1949. Wakefield Permanent Art Collection Purchased by Wakefield Corporation, 1951. © Bowness. Photograph: Jerry Hardman-Jones https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Drawing_MG_2503.jpg Barbara Hepworth. Genesis III, 1966. Wakefield Permanent Art Collection. © Bowness. Photograph: Jerry Hardman-Jones https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Sculpt_MG_2242.jpg Barbara Hepworth. Spring, 1966. © Bowness. Photograph: Jerry Hardman-Jones https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Biog_26.jpg Barbara Hepworth at work on the plaster for Oval Form (Trezion), 1963. Courtesy Bowness. Photograph: Val Wilmer https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Biog_BH With the Gift Plaster of Figure for Landscape.jpg Barbara Hepworth with the Gift plaster of Figure for Landscape and a bronze cast of Figure (Archaean) November 1964. Courtesy Bowness. Photograph: Lucien Myers https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Sculpt_Three Forms SR.jpg Barbara Hepworth’s sculpture record for Three Forms (1935). Gift to The Hepworth Wakefield from the Hepworth Estate, 2013. Photograph: Barbara. Hepworth © Bowness https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Sculpt_MG_0005.jpg Barbara Hepworth. Kneeling Figure, 1932. Purchased with aid from the Art Fund, V&A Purchase Grant Fund and Wakefield Girls’ High School, 1944. © Bowness https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Sculpt_3.jpg Barbara Hepworth. Pierced Hemisphere, 1937. Wakefield Permanent Art Collection. © Bowness. Photograph: Norman Taylor https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Barbara Hepworth, Forms in Movement-Galliard-1956.jpg Barbara Hepworth. Forms in Movement (Galliard), 1956. Private collection. © Bowness. Photograph: Ioana Marinescu https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Sculpt_Totem 03 JHJ_36.jpg Barbara Hepworth. Totem, 1960-62. Wakefield Permanent Art Collection. © Bowness. Photograph: Jerry Hardman-Jones https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Sculpt_Winged figure edit.jpg Barbara Hepworth. Winged Figure, 1961-2. © Bowness. Photograph: Jonty Wilde https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Sculpt_BH317_1.jpg Barbara Hepworth. Single Form (Chun Quoit), 1961. © Bowness. Photograph: Mark Heathcote https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Sculpt_HFG.19_Hepworth_Rock_Form_Porthcurno.jpg Barbara Hepworth. Rock Form (Porthcurno), 1964. © Bowness. Photograph: Jonty Wilde https://www.studiointernational.com/images/articles/h/039-hepworth-barbara-2021/Sculpt_A2.31_Hepworth_Mother_and_Child.jpg Barbara Hepworth. Mother and Child, 1934. Purchased by Wakefield Corporation in 1951. © Bowness https://www.studiointernational.com/index.php/tony-cragg-video-sculptures-houghton-hall-norfolk https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-02.jpg Tony Cragg, In Frequencies, 2019. Wood, 190 x 114 x 187 cm. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-07.jpg Tony Cragg, Tommy, 2013. Bronze, 360 x 290 x 220 cm. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-06.jpg Tony Cragg, Skull, 2017. Aluminium, 190 x 137 x 105 cm. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-04.jpg Tony Cragg, Ferryman, 2001. Bronze, 385 x 190 x 120 cm. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-03.jpg Tony Cragg, Pair, 2019. Stainless steel, 295 x 74 x 68 cm and 272 x 71 x 66 cm. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-05.jpg Tony Cragg, Ferryman, 2001. Bronze, 385 x 190 x 120 cm. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-08.jpg Tony Cragg, Stack, 2019. Bronze, 380 x 263 x 202 cm. Houghton Hall, Norfolk. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-09.jpg Tony Cragg, It is, It isn https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-10.jpg Tony Cragg, Runner, 2015 (detail). Bronze, 420 x 280 x 158 cm. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-11.jpg Tony Cragg, Runner, 2015. Bronze, 420 x 280 x 158 cm. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/c/027-cragg-tony-2021/tony-cragg-houghton-hall-01.jpg Tony Cragg, Mean Average, 2018. Fibreglass, 620 x 261 x 237cm. Installation view, Houghton Hall, Norfolk, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/alice-curiouser-and-curiouser-review-victoria-and-albert-museum-london https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Still-from-Walt-Disneys-Alice-in-Wonderland.jpg Still from Walt Disney https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Quinten-Massys-An-Old-Woman-The-Ugly-Duchess-The-National-Gallery-London-Bequeathed-by-Miss-Jenny-Louisa-Roberta-Blaker-1947.jpg Quinten Massys. An Old Woman ( https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Original-drawing-for-Alice-in-Wonderland-of-the-White-Rabbit-1967-Ralph-Steadman-Art-Collection-2019-All-rights-reserved.jpg Original drawing for Alice in Wonderland of the White Rabbit, 1967. Ralph Steadman Art Collection, 2019. All rights reserved https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Salvador-Dali-A-Mad-Tea-Party-1969-Salvador-Dali-Fundacio-Gala-Salvador-Dali-DACS-2019-Dallas-Museum-of-Art-gift-of-Lynne-B-and-Roy-G-Sheldon-1999-183.jpg Salvador Dali. A Mad Tea Party, 1969. Salvador Dali, Fundació Gala-Salvador Dalí, DACS 2019. Dallas Museum of Art, gift of Lynne B. and Roy G. Sheldon, 1999.183.12_2 https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Print-by-Peter-Blake-from-a-suite-illustrating-Through-the-Looking-Glass-and-What-Alice-Found-There-1970-Peter-Blake.jpg Peter Blake. Print from a suite illustrating https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Viktor-Rolf-Haute-Couture-AutumnWinter-2016-Vagabonds.jpg Viktor & Rolf, Vagabonds, Haute Couture Autumn/Winter, 2016. Photo: Team Peter Stigter https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/VR-Room-with-visitors-in-headsets.jpg VR Room with visitors in headsets. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Cheshire-cat-psychedelic-poster-by-Joseph-McHugh.jpg Joseph McHugh. Cheshire cat (psychedelic poster), 1967. Published by East Totem West. USA. Purchased through the Julie and Robert Breckman Print Fund. © Victoria and Albert Museum, London https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Zenaida-Yanowsky-as-The-Red-Queen-in-Christopher-Wheeldons-ballet-Alice-Adventures-in-Wonderland-The-Royal-Ballet-Johan-Persson-2011.jpg Zenaida Yanowsky as The Red Queen in Christopher Wheeldon's ballet Alice's Adventures in Wonderland. The Royal Ballet. ROH, Johan Persson, 2011. Sets and costumes by Bob Crowley https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Iris-van-Herpen-and-Antony-Howe-Infinity-dress-and-Ominverse-sculpture.jpg Iris van Herpen and Antony Howe Infinity dress and Ominverse sculpture. Photo: Veronica Simpson https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Armillary-Sphere-from-showcase,-installation-shot.jpg Armillary Sphere from showcase (installation view). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Model-of-Crystal-Palace-from-showcase-installation-shot.jpg Model of Crystal Palace from showcase (installation view). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Ornamental-tea-pot-from-showcase,-installation-shot.jpg Ornamental tea pot from showcase (installation view). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Second-clip-from-Rachel-Macleans-The-Lion-and-the-Unicorn.jpg Still from Rachel Maclean's The Lion and the Unicorn. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/036-alice-in-wonderland-2021/Royal-Ballet-costumes-installation-shot.jpg Alice: Curiouser and Curiouser, installation view, The Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/thomas-becket-murder-and-the-making-of-a-saint-review-british-museum-london https://www.studiointernational.com/images/articles/b/025-becket-thomas-2021/10-castration-panel-b.jpg Detail showing the castration of Eilward of Westoning. Miracle window, Canterbury Cathedral, early 1200s. © The Chapter, Canterbury Cathedral https://www.studiointernational.com/images/articles/b/025-becket-thomas-2021/1 Reliquary casket.jpg Reliquary casket showing the murder of Thomas Becket. Limoges, France, about 1180-1190. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/b/025-becket-thomas-2021/11 Alabaster of murder.jpg Alabaster panel showing the murder of Thomas Becket. England, around 1425-50. © The Trustees of the British Museum https://www.studiointernational.com/images/articles/b/025-becket-thomas-2021/13 Reliquary statue.jpg Henri de Flemalle, Reliquary statue of Thomas Becket. Liège, about 1666. © The British Jesuit Province https://www.studiointernational.com/images/articles/b/025-becket-thomas-2021/19 Skull Fragment.jpg Skull relic and reliquary of Thomas Becket, 12th century. © British Jesuit Province https://www.studiointernational.com/index.php/yu-ji-wasted-mud https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/11-Yu-Ji-at-Chisenhale-Gallery_Andy-Keate.jpg Yu Ji. Jaded Ribs, 2019-21. Rope, fishnet, fabric, breeze-block, plasterboard, metal, wax, cement. Photo: Andy Keate. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/Detail-from-Jaded-Ribs-contents-of-hammock.jpg Yu Ji. Jaded Ribs, 2019-21 (detail). Rope, fishnet, fabric, breeze-block, plasterboard, metal, wax, cement. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/18.Yu-Ji-at-Chisenhale-Gallery_Andy-Keate.jpg Yu Ji. Flesh in Stone-Rema Rema 2001, 2020. Cement, iron. Photo: Andy Keate. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/09-Yu-Ji-at-Chisenhale-Gallery_Andy-Keate.jpg Yu Ji. Foraged, 2021. Trolly, stainless steel milk cans, plastic tubes, tea bag, weeds, water, electronic water pump. Photo: Andy Keate. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/Jaded-Ribs-with-puddles.jpg Yu Ji. Jaded Ribs, 2019-21. Rope, fishnet, fabric, breeze-block, plasterboard, metal, wax, cement. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/Flesh-in-Stone-Ghost-no-8-installation-shot.jpg Yu Ji. Flesh in Stone Ghost No 8, 2021. Cement, iron, plaster, wood, concrete, rocks, wax, wooden tables. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/Flesh-in-Stone-Rema-Rema-2001-install-shot.jpg Yu Ji. Flesh in Stone-Rema Rema 2001, 2020. Cement, iron. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/Foraged-2021-installation-shot.jpg Yu Ji. Foraged, 2021. Trolly, stainless steel milk cans, plastic tubes, tea bag, weeds, water, electronic water pump. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/Jaded-Ribs-close-up-1000.jpg Yu Ji. Jaded Ribs, 2019-21. Rope, fishnet, fabric, breeze-block, plasterboard, metal, wax, cement. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/Detail-part-of-Jaded-Ribs.jpg Yu Ji. Jaded Ribs, 2019-21 (detail). Rope, fishnet, fabric, breeze-block, plasterboard, metal, wax, cement. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/Rear-photo-of-Flesh-in-Stone-Ghost-no-8-detail-tables.jpg Yu Ji. Flesh in Stone Ghost No 8, 2021. Cement, iron, plaster, wood, concrete, rocks, wax, wooden tables. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/y/095-yu-ji-2021/Wasted-Mud-gallery-view-installation-shot-1000.jpg Yu Ji: Wasted Mud, gallery view, Chisenhale Gallery, London, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/exhibition-cuttings-curated-by-mathieu-copeland-le-forum-ginza-maison-hermes-tokyo-japan https://www.studiointernational.com/images/articles/e/071-exhibition-cuttings-2021/05.jpg Installation view of The Anti-Museum: Anti-Documentary 2021, 2K video 30’ 48”. Typography by Jacques Villeglé. Photo copyright Nacása & Partners Inc / Courtesy of Fondation d’entreprise Hermès. https://www.studiointernational.com/images/articles/e/071-exhibition-cuttings-2021/04.jpg Nurturing Exhibitions, the Amanatsu orange sapling. Photo copyright Nacása & Partners Inc / Courtesy of Fondation d’entreprise Hermès. https://www.studiointernational.com/images/articles/e/071-exhibition-cuttings-2021/01.jpg Nurturing Exhibitions, 2021. Six music compositions by Phill Niblock, soil and the Amanatsu orange sapling from Masanobu Fukuoka Natural Farm, wooden pedestals, speakers, wooden benches, wooden planter, acrylic case, water, sunlight. Photo copyright Nacása & Partners Inc / Courtesy of Fondation d’entreprise Hermès. https://www.studiointernational.com/images/articles/e/071-exhibition-cuttings-2021/Robert-Barry-for-Hermes.jpg Screen shot of Robert Barry’s work During the exhibition the gallery will be closed, sent out by mailer from Hermès Japon. https://www.studiointernational.com/images/articles/e/071-exhibition-cuttings-2021/02.jpg Nurturing Exhibitions, 2021. Six music compositions by Phill Niblock, soil and the Amanatsu orange sapling from Masanobu Fukuoka Natural Farm, wooden pedestals, speakers, wooden benches, wooden planter, acrylic case, water, sunlight. Photo copyright Nacása & Partners Inc / Courtesy of Fondation d’entreprise Hermès. https://www.studiointernational.com/images/articles/e/071-exhibition-cuttings-2021/07.jpg Mathieu Copeland. Photo copyright Chloé Tun Tun. https://www.studiointernational.com/index.php/adrian-berg-by-marco-livingstone-book-review-paul-huxley-samuel-clarke-lund-humphries-frestonian-gallery https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/Beachy-Head-6th-May,-1995.jpg Adrian Berg. Beachy Head 6th May, 1995. Oil on canvas, 76 x 122 cm. Image courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/Beachy-Head-7th-September,-1994.jpg Adrian Berg. Beachy Head 7th September, 1994. Oil on canvas, 63.5 x 89 cm. Image courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/Grass,-1964.jpg Adrian Berg. Grass, 1964. Oil and tempera on linen, 127 x 107 cm. Image courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/Gloucester-Lodge-Regents-Park,-March,-April,-May-and-June,-1976.jpg Adrian Berg. Gloucester Lodge Regent https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/From-The-Diamond-Riverside-Hotel,-Chiang-Mai,-2001.jpg Adrian Berg. From the Diamond Riverside Hotel, Chiang Mai, 2001. Oil on canvas, 63.5 x 76 cm. Image courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/Stourhead-25th-26th-and-27th-June,-2000.jpg Adrian Berg. Stourhead, 25th, 26th & 27th June, 2000. Oil on canvas, 188.3 x 395.9 cm. (three panels). Image courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/Enter-The-Garden,-2010.jpg Adrian Berg. Enter the Garden, 2010. Oil on canvas (diptych), 91 x 244 cm. Image courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/Sketchbook.jpg Adrian Berg. Sketchbook. Image courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/October,-1968.jpg Adrian Berg. October, 1968. Oil on canvas, 46 x 61 cm. Image courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/Gloucester-Gate-Regents-Park,-Night,-Autumn,-1982.jpg Adrian Berg. Gloucester Gate, Regent’s Park, Night, Autumn, 1982. Oil on canvas, 178 x 178 cm. Image courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/b/024-berg-adrian-2021/Regents-Park-Dusk,-1982.jpg Adrian Berg. Regent’s Park, Dusk, 1982. Oil on canvas, 177 x 177 cm. Image courtesy Frestonian Gallery. https://www.studiointernational.com/index.php/jean-david-nkot-it-is-worth-being-alive-human-condition-afikaris-gallery-paris https://www.studiointernational.com/images/articles/n/075-nkot-jean-david-2021/Jean-David-Nkot-PO-Box-Tarification-Cobalt-Cuivre-org.jpg Jean David Nkot. PO.Box.Tarification #Cobalt #Cuivre.org, 2020. Acrylic and posca on canvas, 206 x 174 cm. Courtesy AFIKARIS Gallery. https://www.studiointernational.com/images/articles/n/075-nkot-jean-david-2021/Jean-David-Nkot-www-jeux-enjeux-com.jpg Jean David Nkot. www.jeux // enjeux.com, 2020. Acrylic and posca on canvas, 206 x 174 cm. Courtesy AFIKARIS Gallery. https://www.studiointernational.com/images/articles/n/075-nkot-jean-david-2021/Jean-David-Nkot_BP-Child-of-Calabar.jpg Jean David Nkot. BP. Child of Calabar, 2020. Acrylic, Indian ink and posca on canvas, 120 x 110 cm. Courtesy AFIKARIS Gallery. https://www.studiointernational.com/images/articles/n/075-nkot-jean-david-2021/Jean-David-Nkot_Les-ames-des-sous-sols-6.jpg Jean David Nkot. Les âmes des sous-sols #6, 2021. Mixed media on shovel, 135 x 30 cm. Courtesy AFIKARIS Gallery. https://www.studiointernational.com/index.php/chantal-joffe-story-review-victoria-miro-london https://www.studiointernational.com/images/articles/j/085-joffe-chantal-2021/Story_2020.jpg Chantal Joffe. Story, 2020. Oil on canvas, 60 x 80 cm (23 5/8 x 31 1/2 in). © Chantal Joffe. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/085-joffe-chantal-2021/Train-to-Vermont-2020.jpg Chantal Joffe. Train to Vermont, 2020. Oil on board, 40.5 x 50.7 cm (16 x 20 in). © Chantal Joffe. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/085-joffe-chantal-2021/Me,-Em-and-Nat_2020.jpg Chantal Joffe. Me, Em and Nat, 2020. Oil on board, 40 x 50 cm (15 3/4 x 19 3/4 in). © Chantal Joffe. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/085-joffe-chantal-2021/Mum-in-her-Doorway-2020.jpg Chantal Joffe. My Mother in a Blue Shawl in her Doorway, 2020. Oil on board, 183 x 120 cm (72 1/8 x 47 1/4 in). © Chantal Joffe. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/085-joffe-chantal-2021/Self-Portrait-Naked-with-My-Mother-2020.jpg Chantal Joffe. Self-Portrait Naked with My Mother II, 2020. Oil on board, 243 x 181.5 cm (95 5/8 x 71 1/2 in). © Chantal Joffe. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/ellen-gallagher-ecstatic-draught-of-fishes-review-hauser-and-wirth-london https://www.studiointernational.com/images/articles/g/062-gallagher-ellen-2021/GALLA108124-hires.jpg Ellen Gallagher. Ecstatic Draught of Fishes, 2020. Oil, palladium leaf and paper on canvas, 248 x 202 cm (97 5/8 x 79 1/2 in). Photo: Tony Nathan. © Ellen Gallagher. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/062-gallagher-ellen-2021/GALLA85288-hires.jpg Ellen Gallagher. Paradise Shift, 2020. Mixed media on canvas, 202 x 188 cm (79 1/2 x 74 in). Photo: Tony Nathan. © Ellen Gallagher. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/062-gallagher-ellen-2021/GALLA104205-hires.jpg Ellen Gallagher. Watery Ecstatic, 2021. Watercolour, varnish, and cut paper on paper, 198 x 140 cm (78 x 55 1/8 in). Photo: Tony Nathan. © Ellen Gallagher. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/062-gallagher-ellen-2021/Hauser-and-Wirth-London-hires-7.jpg Ellen Gallagher: Ecstatic Draught of Fishes, installation view, Hauser & Wirth, London, 2021. Photo: Tony Nathan. © Ellen Gallagher. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/062-gallagher-ellen-2021/Hauser-and-Wirth-London-hires-2.jpg Ellen Gallagher: Ecstatic Draught of Fishes, installation view, Hauser & Wirth, London, 2021. Photo: Tony Nathan. © Ellen Gallagher. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/062-gallagher-ellen-2021/Hauser-and-Wirth-London-hires-8.jpg Ellen Gallagher: Ecstatic Draught of Fishes, installation view, Hauser & Wirth, London, 2021. Photo: Tony Nathan. © Ellen Gallagher. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/062-gallagher-ellen-2021/Hauser-and-Wirth-London-1000.jpg Ellen Gallagher: Ecstatic Draught of Fishes, installation view, Hauser & Wirth, London, 2021. Photo: Tony Nathan. © Ellen Gallagher. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/index.php/sutapa-biswas-interview-baltic-gateshead-kettles-yard-cambridge https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/Sutapa-Biswas_Lumen_2020_Production-Still_Copyright-Sutapa-Biswas_Vide-Atelier_DACS.jpg Sutapa Biswas. Lumen (production still), 2020–21. HD video. Co-commissioned by Film and Video Umbrella, Bristol Museum & Art Gallery, Kettle’s Yard, University of Cambridge and BALTIC Centre for Contemporary Art with Art Fund support via Moving Image Fund for Museums. Additional support from Autograph. © Sutapa Biswas. All Rights Reserved,DACS 2021 https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/10_Sutapa-Biswas_Lumen_2021_Woman-in-Blue_Number-2-of-a-series_Production-Still_300dpi.jpg Sutapa Biswas, Lumen, 2021. Production Still - Woman in Blue, #2. Sutapa Biswas © Sutapa Biswas. All rights reserved, DACS 2021. https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/11_Sutapa-Biswas_Lumen_2021_Thread-and-Knots_FILM-STILL_300dpi.jpg Sutapa Biswas, Lumen, 2021. Film Still – Threads and Knots. Sutapa Biswas © Sutapa Biswas. All rights reserved, DACS 2021. https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/12_Sutapa-Biswas_Lumen_2021_Three-Women_FILM-STILL_300dpi.jpg Sutapa Biswas, Lumen, 2021. Film Still – Three Women. Sutapa Biswas © Sutapa Biswas. All rights reserved, DACS 2021. https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/13_Sutapa-Biswas_Lumen_2021_Untitled_FILM-STILL_300dpi.jpg Sutapa Biswas, Lumen, 2021. Film Still - Untitled #1. Sutapa Biswas © Sutapa Biswas. All rights reserved, DACS 2021. https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/2_Sutapa-Biswas_Lumen_2020_Elbow-and-Mirror_IMG_0182_300dpi.jpg Sutapa Biswas, Lumen, 2020. Film Still - Elbow and Mirror. Single channel digital film Sutapa Biswas © Sutapa Biswas. All rights reserved, DACS 2021. https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/Housewives-with-Steak-Knives.jpg Sutapa Biswas. Housewives with Steak-knives, 1984-85. Oil, acrylic, pastel, pencil, white tape, collage on paper mounted onto stretched canvas, 2450 x 2220mm. © Sutapa Biswas. All rights reserved, DACS/Artimage 2020. Photo: Andy Keate https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/3_Sutapa-Biswas_Lumen_2021_All-the-Apples_Production-Still_300dpi.jpg Sutapa Biswas, Lumen, 2021. Production Still - All the Apples. Sutapa Biswas © Sutapa Biswas. All rights reserved, DACS 2021. https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/2_Sutapa-Biswas_Birdsong-2004_Film-still_Detail_16mm-film_Copyright-Sutapa-Biswas.jpg Sutapa Biswas. Birdsong (production still), 2004. 16mm film transferred to DVD, dual screenprojection. Made possible with the generous support of Iniva, Film and Video Umbrella, Arts Council England Grants for National Touring, and Arts and Humanities Research Council. © Sutapa Biswas. All Rights Reserved, DACS 2021 https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/201027SutapaBiswasLumen_142_HR.jpg Sutapa Biswas. Lumen (production still), 2020–21. HD video. Co-commissioned by Film and Video Umbrella, Bristol Museum & Art Gallery, Kettle’s Yard and BALTIC Centre for Contemporary Art with Art Fund support via Moving Image Fund for Museums. Additional support from Autograph. Photo: Carlotta Cardana. © Sutapa Biswas. All Rights Reserved, DACS 2021 https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/Sutapa-Biswas-Birdsong-(2004)-Production-still.jpg Sutapa Biswas. Birdsong (production still), 2004. 16mm film transferred onto 2 DVDs. Dual screen projection. Colour, no sound. Duration: 7 minutes 7 seconds. Dimensions: variable. Made possible with the generous support of Iniva, Film and Video Umbrella (London), Grants for National Touring (ACE), AHRC (UK). © Sutapa Biswas. All Rights Reserved, DACS 2020. https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/BiswasSutapa5_Light-Rain.jpg Sutapa Biswas. Light Rain (production still), 2015. Made possible thanks to the generous support of Beppu Projects, Agency for Cultural Affairs Government of Japan, the Kashima Residency 2015. © Sutapa Biswas. All Rights Reserved, DACS 2021 https://www.studiointernational.com/images/articles/b/026-biswas-sutapa-2021/5_Sutapa-Biswas_Lumen_2021_Beneath-the-banyan_FILM-STILL_300dpi.jpg Sutapa Biswas, Lumen, 2021. Film Still – Beneath the banyan. Sutapa Biswas © Sutapa Biswas. All rights reserved, DACS 2021. https://www.studiointernational.com/index.php/rachel-kneebone-interview-399-days-yorkshire-sculpture-park https://www.studiointernational.com/images/articles/k/063-kneebone-rachel-2021/Rachel-Kneebone-399-Days-2012-2013-(medium-res)-4.jpg Rachel Kneebone. 399 Days, 2012-13. Porcelain and mild steel, 212 5/8 x 113 x 111 7/16 in (540 x 287 x 283 cm). © Rachel Kneebone. Photo © White Cube (Jack Hems). https://www.studiointernational.com/images/articles/k/063-kneebone-rachel-2021/Rachel-Kneebone-399-Days-2012-2013-(medium-res)-5.jpg Rachel Kneebone. 399 Days, 2012-13. Porcelain and mild steel, 212 5/8 x 113 x 111 7/16 in (540 x 287 x 283 cm). © Rachel Kneebone. Photo © White Cube (Jack Hems). https://www.studiointernational.com/images/articles/k/063-kneebone-rachel-2021/Rachel-Kneebone-Pulse-II-2020-(medium-res).jpg Rachel Kneebone. Pulse II, 2020. Porcelain, 27 3/16 x 5 7/8 x 4 3/4 in (69 x 15 x 12 cm). © Rachel Kneebone. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/k/063-kneebone-rachel-2021/Rachel-Kneebone-Roll-2017-(medium-res)-1.jpg Rachel Kneebone. Roll, 2017. Porcelain, Corian and adhesive, 25 x 21 5/8 x 27 15/16 in (63.5 x 55 x 71 cm). © Rachel Kneebone. Photo © Stephen White Courtesy White Cube. https://www.studiointernational.com/images/articles/k/063-kneebone-rachel-2021/Rachel-Kneebone-Whorl-I-2020-(medium-res).jpg Rachel Kneebone. Whorl I, 2020. Porcelain, 22 1/16 x 5 1/2 x 4 5/16 in (56 x 14 x 11 cm). © Rachel Kneebone. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/k/063-kneebone-rachel-2021/Rachel-Kneebone-Eddy-I-2020-(medium-res).jpg Rachel Kneebone. Eddy I, 2020. Porcelain, 20 7/8 x 6 11/16 x 3 15/16 in (53 x 17 x 10 cm). © Rachel Kneebone. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/k/063-kneebone-rachel-2021/Rachel-Kneebone-399-Days-2012-2013-(medium-res)-6.jpg Rachel Kneebone. 399 Days, 2012-13. Porcelain and mild steel, 212 5/8 x 113 x 111 7/16 in (540 x 287 x 283 cm). © Rachel Kneebone. Photo © White Cube (Jack Hems). https://www.studiointernational.com/index.php/bedwyr-williams-milquetoast-review-southwark-park-galleries-london https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-Untitled-Instagram-Drawing,-2020,-Digital-Drawing.jpg Bedwyr Williams. Untitled Instagram Drawing, 2020. Digital drawing, 25 x 25 cm. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-Untitled-Instagram-Drawing,-2020_25cmx25cm,-Digital-Drawing-(3).jpg Bedwyr Williams. Untitled Instagram Drawing, 2020. Digital drawing, 25 x 25 cm. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-Untitled-Instagram-Drawing,-2020_25cmx25cm,-Digital-Drawing-(4).jpg Bedwyr Williams. Untitled Instagram Drawing, 2020. Digital drawing, 25 x 25 cm. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-Untitled-Instagram-Drawing,-2020_25cmx25cm,-Digital-Drawing-(6).jpg Bedwyr Williams. Untitled Instagram Drawing, 2020. Digital drawing, 25 x 25 cm. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Installation-shot-Dilston-Gallery-2-Bedwyr-Williams-(6).jpg Bedwyr Williams, Milquetoast, 2021. Installation view, Southwark Park Galleries. Photo: Damian Griffiths, courtesy of the artist, Southwark Park Galleries and Southard Reid. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams-ipad-cartoons-at-Lake-Gallery-2.jpg Bedwyr Williams: Milquetoast, installation view, Southwark Park Galleries (Lake Gallery). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-The-Militia,-2021,-Still-from-Digital-Video.jpg Bedwyr Williams. The Militia, 2021. Still from digital video. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-Untitled-Instagram-Drawing,-2020_25cmx25cm,-Digital-Drawing.jpg Bedwyr Williams. Untitled Instagram Drawing, 2020. Digital drawing, 25 x 25 cm. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Installation-shot-Bedwyr-Williams-(8).jpg Bedwyr Williams, Milquetoast, 2021. Installation view, Southwark Park Galleries. Photo: Damian Griffiths, courtesy of the artist, Southwark Park Galleries and Southard Reid. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-Untitled-Instagram-Drawing,-2020_25cmx25cm,-Digital-Drawing-(2).jpg Bedwyr Williams. Untitled Instagram Drawing, 2020. Digital drawing, 25 x 25 cm. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-Untitled-Instagram-Drawing,-2020_25cmx25cm,-Digital-Drawing-(5).jpg Bedwyr Williams. Untitled Instagram Drawing, 2020. Digital drawing, 25 x 25 cm. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-Untitled-Instagram-Drawing,-2020_25cmx25cm,-Digital-Drawing-(7).jpg Bedwyr Williams. Untitled Instagram Drawing, 2020. Digital drawing, 25 x 25 cm. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Bedwyr-Williams,-Untitled-Instagram-Drawing,-2020_25cmx25cm,-Digital-Drawing-(8).jpg Bedwyr Williams. Untitled Instagram Drawing, 2020. Digital drawing, 25 x 25 cm. © Bedwyr Williams. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Installation-shot-Dilston-Gallery-1Bedwyr-Williams-(5).jpg Bedwyr Williams, Milquetoast, 2021. Installation view, Southwark Park Galleries. Photo: Damian Griffiths, courtesy of the artist, Southwark Park Galleries and Southard Reid. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Installation-shot-Lake-Gallery-2Bedwyr-Williams-(3).jpg Bedwyr Williams, Milquetoast, 2021. Installation view, Southwark Park Galleries. Photo: Damian Griffiths, courtesy of the artist, Southwark Park Galleries and Southard Reid. https://www.studiointernational.com/images/articles/w/052-williams-bedwyr-2021/Installation-shot-Lake-Gallery-Bedwyr-Williams-(4).jpg Bedwyr Williams, Milquetoast, 2021. Installation view, Southwark Park Galleries. Photo: Damian Griffiths, courtesy of the artist, Southwark Park Galleries and Southard Reid. https://www.studiointernational.com/index.php/ilana-halperin-there-is-a-volcano-behind-my-house-review-mont-stuart-isle-of-bute https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Ilana-Halperin_Self-Portrait-2.jpg.jpg Ilana Halperin. Self portrait with Sakurajima. Photo: Ilana Halperin. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Our-Hands-Enact-the-Geologic-Process,-part-two-detail.jpg Ilana Halperin. Our Hands Enact the Geologic Process, part one, 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/My-Conglomerate-Family.jpg Ilana Halperin. My Conglomerate Family I, II, III, 2019. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Ilana--Halperin-Pseudomorph-Sisters.jpg Ilana Halperin. Pseudomorph Sisters, 2019. Photo: Alan Dimmick. Courtesy of the artist and Patricia Fleming, Glasgow https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/The-Library.jpg Ilana Halperin. The Library, 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/The-Library-detail-2.jpg Ilana Halperin. The Library (detail), 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/The-Library-detail-5.jpg Ilana Halperin. The Library (detail), 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Ilana-Halperin-Field-Studies_01.jpg Ilana Halperin. Field Studies (from Kilchattan Bay to Hawk’s Neb) 1-36 Watercolour on Fabriano paper, 2019. Courtesy of the artist and Patricia Fleming, Glasgow. Photo: Alan Dimmick https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/The-Rock-Cycle-2.jpg Ilana Halperin. The Rock Cycle, 2021. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Field-Studies-1.jpg Ilana Halperin. Field Studies (from Kilchattan Bay to Hawk's Neb), 2019. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Field-Studies-2.jpg Ilana Halperin. Field Studies (from Kilchattan Bay to Hawk's Neb), 2019. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Our-Hands-Enact-the-Geologic-Process-part-one-2.jpg Ilana Halperin. Our Hands Enact the Geologic Process, part one, 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Our-Hands-Enact-the-Geologic-Process-part-one-3.jpg Ilana Halperin. Our Hands Enact the Geologic Process, part one, 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Our-Hands-Enact-the-Geologic-Process-part-two-1.jpg Ilana Halperin. Our Hands Enact the Geologic Process, part two, 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/Our-Hands-Enact-the-Geologic-Process.jpg Ilana Halperin. Our Hands Enact the Geologic Process, part two (detail), 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/The-Library-detail-1.jpg Ilana Halperin. The Library (detail), 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/The-Library-detail-3.jpg Ilana Halperin. The Library (detail), 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/The-Library-detail-4.jpg Ilana Halperin. The Library (detail), 2020. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/The-Rock-Cycle-1.jpg Ilana Halperin. The Rock Cycle, 2021. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/h/038-halperin-ilana-2021/The-Rock-Cycle-detail-2.jpg Ilana Halperin. The Rock Cycle (detail), 2021. Courtesy the artist and Patricia Fleming Gallery, Glasgow. Photo: Keith Hunter. https://www.studiointernational.com/index.php/kate-atkin-interview-i-think-about-life-and-death-all-the-time-floating-heads-xxijra-hii-london https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Oiwa,-2021.jpg Kate Atkin. Oiwa, 2021. Pencil on paper, 231.5 x 171 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Study-A-Face-Like-Julius-Caesar-and-Pale-Green-Hair-2011.jpg Kate Atkin. Study: A Face Like Julius Caesar and Pale Green Hair, 2011. Pencil, gesso, structura, plywood, pins, glue, 47 x 28 x 9.5 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Hanging-Bacon,-2012.jpg Kate Atkin. Hanging Bacon, 2012. Pencil, gesso, Structura, birch plywood, rope, 158 x 188 x 1.8 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Study-Shell,-2011.jpg Kate Atkin. Study: Shell, 2011. Pencil and watercolour on paper with plywood support, 48.5 x 27 x 10.5 cm approx. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Study-The-Body,-pencil-on-paper-2011.jpg Kate Atkin. Study: The Body, 2011. Pencil on paper, 39.5 x 28.7 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Head,-August-2010.jpg Kate Atkin. Head, August 2010. Pencil on paper, 120 x 188.7 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Lines-and-Sections-Line-I,-2005-.jpg Kate Atkin. Lines & Sections; Line I, 2005. Pencil on paper, 153 x 157 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Study-Seed-Head,-2016.jpg Kate Atkin. Study: Seed Head, 2016. Pencil on paper, 43.8 x 39.2 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Oiwa,-2021-(detail-2).jpg Kate Atkin. Oiwa, 2021 (detail). Pencil on paper, 231.5 x 171 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Motes-(group-1)-2021.jpg Kate Atkin. Motes (group 1), 2021. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Motes-(group-2)-2021.jpg Kate Atkin. Motes (group 2), 2021. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Alive-is-Afoot,-2021.jpg Kate Atkin. Alive is Afoot, 2021. Pencil on paper, 214.5 x 162.5cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/Starling,-2012.jpg Kate Atkin. Starling, 2012. Pencil on paper, 220 x 165 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/back-to-the-earliest-beginnings-of-the-world,-when-vegetation-rioted-on-the-earth-Horse-Chestnut-(Aesculus-Hippocastanum)2005.jpg Kate Atkin. ‘...back to the earliest beginnings of the world, when vegetation rioted on the earth...’ [Horse Chestnut (Aesculus Hippocastanum)], 2005. Pencil on paper, 201 x 118 cm. © the artist. https://www.studiointernational.com/images/articles/a/034-atkin-kate-2021/back-to-the-earliest-beginnings-of-the-world,-when-vegetation-rioted-on-the-earth-2005-(detail).jpg Kate Atkin. ‘...back to the earliest beginnings of the world, when vegetation rioted on the earth...’ [Horse Chestnut (Aesculus Hippocastanum)], 2005 (detail). Pencil on paper, 201 x 118 cm. © the artist. https://www.studiointernational.com/index.php/michael-armitage-interview-not-having-a-cultural-hierarchy-is-liberating-royal-academy-london https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/paradise-edict.jpg Michael Armitage, The Paradise Edict, 2019. Oil on Lubugo bark cloth, 220 x 420 cm. The Joyner/Giuffrida Collection © Michael Armitage. Photo: © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/key-43.jpg Meek Gichugu, Untitled (Brother Wise Hooking Wisdom & Freedom), c.1992. Oil on canvas, 126 x 132.5 cm. Banana Hill Art Gallery © The artist. Photo: Maximilian Geuter. https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/key-12.jpg Michael Armitage, The Chicken Thief, 2019. Oil on Lubugo bark cloth, 200 x 150 cm. Courtesy of the Artist and White Cube © Michael Armitage. Photo: © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/key-20.jpg Asaph Ng’ethe Macua, When the Men Took Power From Women, n.d. Gouache on paper, 41.1 x 44.2 cm. © Courtesy of the Artist. Photo: Maximilian Geuter. https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/michael-armitage-2020-photo-martin-kennedy.jpg Michael Armitage. John Barry, O Kelly, Sonny and Richard Moore, 2020. Installation view, Everyday Heroes, Southbank Centre, London, 2020. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/key-8.jpg Michael Armitage, Mydas, 2019. Oil on Lubugo bark cloth, 220 x 170 cm. Courtesy of the Artist and White Cube © Michael Armitage. Photo: © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/RA_ARMITAGE-96.jpg Michael Armitage, Enasoit, 2019, and Mydas, 2019, installation view, Michael Armitage: Paradise Edict, 22 May – 19 September 2021, Royal Academy of Arts, London. Loans courtesy the artist and White Cube © Michael Armitage. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/RA_ARMITAGE-113.jpg Michael Armitage, The Fourth Estate, 2017, installation view, Michael Armitage: Paradise Edict, 22 May – 19 September 2021, Royal Academy of Arts, London.. On loan from The Joyner/Giuffrida Collection © Michael Armitage. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/Key-15.jpg Michael Armitage, Pathos and the twilight of the idle, 2019. Oil on Lubugo bark cloth, 330 x 170 cm. Courtesy of the Artist and White Cube © Michael Armitage. Photo: © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/Michael-Armitage-RA-show-2021-JR-Antigone-2018.jpg Michael Armitage, Antigone, 2018. Oil on Lubugo bark cloth, 170 × 220 cm. Installation view. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/Michael-Armitage-RA-show-2021-JR-Baboon-2016.jpg Michael Armitage, Baboon, 2016. Oil on Lubugo bark cloth, 150 x 200 cm. Installation view. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/key-23.jpg Elimo Njau, Dream Landscape, 1968. Oil on canvas, 47.5 x 132.3 cm. Weltkulturen Museum, Frankfurt am Main © Elimo Njau. Photo: Maria Obermaier. https://www.studiointernational.com/images/articles/a/035-armitage-michael-2021/Michael-Armitage-Portrait,-2020,-750.jpg Michael Armitage, 2020. Photo: © White Cube (Theo Christelis). https://www.studiointernational.com/index.php/tesfaye-urgessa-interview-young-people-dont-need-geographic-boundary-belong-where-dream-is-saatchi-yates https://www.studiointernational.com/images/articles/u/093-urgessa-tesfaye-2021/Urgessa-SYURGESSA00002-Sleeping-baby-bird-2,-2021.jpg Tesfaye Urgessa. Sleeping baby bird 2, 2021. Oil on canvas, 200 x 200 cm. © Tesfaye Urgessa, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/u/093-urgessa-tesfaye-2021/Urgessa-SYURGESSA00005-The-holy-family-despair,-2021.jpg Tesfaye Urgessa. The holy family despair, 2021. Oil on canvas, 200 x 200 cm. © Tesfaye Urgessa, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/u/093-urgessa-tesfaye-2021/Urgessa-SYURGESSA00010-VUPs-4,-2019.jpg Tesfaye Urgessa. VUPs 4, 2019. Oil on canvas, 110 x 120 cm. © Tesfaye Urgessa, 2019. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/u/093-urgessa-tesfaye-2021/Urgessa-SYURGESSA00017-No-country-for-young-men-21,-2021.jpg Tesfaye Urgessa. No Country For Young Men 21, 2021. Oil on canvas, 180 x 180 cm. © Tesfaye Urgessa, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/u/093-urgessa-tesfaye-2021/Urgessa-SYURGESSA00016-No-country-for-young-men-18,-2021.jpg Tesfaye Urgessa. No Country For Young Men 18, 2021. Oil on canvas, 180 x 180 cm. © Tesfaye Urgessa, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/u/093-urgessa-tesfaye-2021/Urgessa-SYURGESSA00001-Chasing-After-the-Wind,-2020.jpg Tesfaye Urgessa. Chasing After the Wind, 2020. Oil on canvas, 250 x 400 cm. © Tesfaye Urgessa, 2020. Image courtesy of Saatchi Yates. https://www.studiointernational.com/index.php/nicholas-pope-interview-we-artists-can-speak-and-everyone-can-understand https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/Nicholas-Pope_Yews_1981.jpg Nicholas Pope. Yews. Carved yews in eight parts, various dimensions, height 88-140 cm. © The Artist, Courtesy: New Art Centre, Wiltshire & The Sunday Painter. https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/Nicholas-Pope_Installation-view_gallery_outside.jpg Nicholas Pope: Heavenly Space, installation view, the New Art Centre, Salisbury. https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/Nicholas-Pope_Iron-Hole_1978-2014.jpg Nicholas Pope. Iron Holes, 1978-2014. Cast iron, seven parts, dimensions variable, maximum height 42 cm. © The Artist, Courtesy: New Art Centre, Wiltshire & The Sunday Painter. https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/Nicholas-Pope_Heavenly-Space_1991.jpg Nicholas Pope. Heavenly Space, 1991. Cast aluminium, 166 x 86 x 86 cm. © The Artist, Courtesy: New Art Centre, Wiltshire & The Sunday Painter. https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/Nicholas-Pope_Medium-Wierd_2020.jpg Nicholas Pope. Medium Weird, 2020. Fired stoneware, 142 x 45 x 36 cm. © The Artist, Courtesy: New Art Centre, Wiltshire & The Sunday Painter. https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/apostles-piss-font.jpg Nicholas Pope. Apostles Piss Font, 1995. Glazed ceramic, 116 x 91 x 91 cm. © The Artist, Courtesy: New Art Centre, Wiltshire & The Sunday Painter. https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/Nicholas-Pope_The-Vicar_1997.jpg Nicholas Pope. The Vicar, 1997. Carved and painted wood, 280 x 60 x 54 cm. © The Artist, Courtesy: New Art Centre, Wiltshire & The Sunday Painter. https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/Nicholas-Pope_Silver-Washbasin_2002.jpg Nicholas Pope. Silver Washbasin, 2002. Glazed ceramic, 50 x 53 x 64 cm. © The Artist, Courtesy: New Art Centre, Wiltshire & The Sunday Painter. https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/Nicholas-Pope_Orangery-installation-view_2021.jpg Nicholas Pope: Heavenly Space, installation view, the New Art Centre, Salisbury. https://www.studiointernational.com/images/articles/p/045-pope-nicholas-2021/Nicholas-Pope_Orangery-view_2021.jpg Nicholas Pope: Heavenly Space, installation view, the New Art Centre, Salisbury. https://www.studiointernational.com/index.php/mark-leckey-interview-strange-new-limitless-elastic-space-we-are-now-inhabiting https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Tate-190923-Mark-Leckey-O-Magic-Power-of-Bleakness-Tate-0006.jpg Mark Leckey. Under Under In, 2019. Audio and video installation. Overall display dimensions and duration variable. Installation view, O’ Magic Power of Bleakness, Tate Britain, London, 24 September - 5 January 2020. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Mark-Leckey_-Under-Armour-in-the-Twilight-Sparkle-(film-still).jpg Mark Leckey. Under Armour in the Twilight Sparkle, (film still). Image courtesy Art Night. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Fiorucci-190923-Mark-Leckey.jpg Mark Leckey. Fiorucci Made Me Hardcore, 1999. Video, projection, colour and sound, overall display dimensions variable, duration: 15 min. Installation view, O’ Magic Power of Bleakness, Tate Britain, London, 24 September - 5 January 2020. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/MoMA-DSC04403.jpg Mark Leckey. Containers and Their Drivers, installation view, MOMA PS1, New York, 23 October 2016 - 5 March 2017. Photo: Pablo Enriquez. Image courtesy the Artist and Cabinet, London. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/MoMA-DSC04458.jpg Mark Leckey. Containers and Their Drivers, installation view, MOMA PS1, New York, 23 October 2016 - 5 March 2017. Photo: Pablo Enriquez. Image courtesy the Artist and Cabinet, London. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Tate-190923-Mark-Leckey-O-Magic-Power-of-Bleakness-Tate-0030.jpg Left: Mark Leckey, Dream English Kid, 1964-1999 AD 2015. Centre: Mark Leckey, As yet untitled, 2019. Right: Mark Leckey, Fiorucci / Dream English Kid / Under under in 2019. Installation view, O’ Magic Power of Bleakness, Tate Britain, London, 24 September - 5 January 2020. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/MoMA-DSC05898.jpg Mark Leckey. Containers and Their Drivers, installation view, MOMA PS1, New York, 23 October 2016 - 5 March 2017. Photo: Pablo Enriquez. Image courtesy the Artist and Cabinet, London. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/PEPPERS-GHST-12.jpg Mark Leckey. O’ Magic Power of Bleakness: Under Under In, 2020. Projection, Digital film, colour, sound, 16 mins 22 secs. https://vimeo.com/429593209 https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Mark-Leckey,-2021-Image-courtesy-Art-Night,-photo-by-Talie-Eigeland.jpg Mark Leckey, 2021. Image courtesy Art Night. Photo: Talie Eigeland. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/dream-9.jpg Mark Leckey. Dream English Kid, 1964-1999 AD, 2015. 4:3 film, 5.1 surround sound, 23 mins. A Mark Leckey film in association with Film London Artists’ Moving Image Network and Arts Council England. Image courtesy the Artist and Cabinet, London. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Dream-21.jpg Mark Leckey. Dream English Kid, 1964-1999 AD, 2015. 4:3 film, 5.1 surround sound, 23 mins. A Mark Leckey film in association with Film London Artists’ Moving Image Network and Arts Council England. Image courtesy the Artist and Cabinet, London. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/PEPPERS-GHST.jpg Mark Leckey. O’ Magic Power of Bleakness: Under Under In, 2020. Projection, Digital film, colour, sound, 16 mins 22 secs. https://vimeo.com/429593209 https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/PEPPERS-GHST-web-10.jpg Mark Leckey. O’ Magic Power of Bleakness: Under Under In, 2020. Projection, Digital film, colour, sound, 16 mins 22 secs. https://vimeo.com/429593209 https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Pearl-Vision-1.jpg Mark Leckey. Pearl Vision, 2012. Quicktime video, 3 mins 6 secs. Image courtesy the Artist and Cabinet, London. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Pearl-Vision-4.jpg Mark Leckey. Pearl Vision, 2012. Quicktime video, 3 mins 6 secs. Image courtesy the Artist and Cabinet, London. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Copenhagen-ML-110.jpg Mark Leckey. He Thrusts his Fists against the Posts but Still Insists he Sees the Ghosts, installation view, Statens Museum for Kunst, National Gallery of Denmark, Copenhagen, 6 May – 30 December 2017. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Copenhagen-2020-1361-141.jpg Mark Leckey. Spot On, installation view, Museum Brandhorst, Munich, 28 November 2019 - 19 July 2020. https://www.studiointernational.com/images/articles/l/057-leckey-mark-2021/Fiorucci-190923.jpg Mark Leckey. Fiorucci Made Me Hardcore, 1999. Video, projection, colour and sound, overall display dimensions variable, duration: 15 min. Installation view, O’ Magic Power of Bleakness, Tate Britain, London, 24 September - 5 January 2020. https://www.studiointernational.com/index.php/cathie-pilkington-interview-estin-thalassa-karsten-schubert-london https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/cathiepilkington_theflood_032compF.jpg Cathie Pilkington. Night Sea Journey, 2021. Left to right: The End; The Shallows; The Flood; Climacteric; The Ark; Target. Cotton, linen, wood, steel, paint and felt-tip, dimensions variable. Image courtesy Karsten Schubert, London. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/cathiepilkington_theflood_276.jpg Cathie Pilkington: Estin Thalassa. Installation view. Image courtesy Karsten Schubert, London. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/cathiepilkington_theflood_210f3cr.jpg Cathie Pilkington. Epic, 2021. Velvet, felt-tip, linen and acrylic paint, 290 x 210 cm (114 1/8 x 82 5/8 in). Image courtesy Karsten Schubert, London. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/The-Scattering_3.jpg Cathie Pilkington. The Scattering, 2021. Cotton, blanket, velvet, moleskin, canvas, mixed fabrics, plaster, paint and felt-tip, 104 x 85 x 16 cm (41 x 33 1/2 x 6 1/4 in). Image courtesy Karsten Schubert, London. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/Cosmic-Tree.jpg Cathie Pilkington. Cosmic Tree, 2021. Cotton, lace, acrylic paint and felt-tip, 208 x 208 cm (81 7/8 x 81 7/8 in). Image courtesy Karsten Schubert, London. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/cathiepilkington_theflood_detail.jpg Cathie Pilkington. Estin Thalassa, 2021. Resin, oil paint, steel, velvet, and felt-tip, 85 x 50 x 32 cm (33 1/2 x 19 3/4 x 12 5/8 in). Image courtesy Karsten Schubert, London. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/Girls-World.jpg Cathie Pilkington. Girl https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/LifeRoomsRA_1_2017_photoGrahamChalifour_300.jpg Cathie Pilkington. Life Room: Anatomy of a Doll. Royal Academy Schools Life Room, 2017. Photo: Graham Chalifour. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/cathiepilkington_September-23,-2019_033f3.jpg Cathie Pilkington. The Ancestors, Royal Academy of Arts, London, 2019. Photo: Perou. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/RecliningDoll_2013_photoGrahamChalifour_300_FRONT.jpg Cathie Pilkington. Reclining Doll, 2013. Oil paint on patinated bronze, h43 x w77 x d40 cm. Photo: Graham Chalifour. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/The-Deposition.jpg Cathie Pilkington. The Deposition, 2021. Wood, linen, velvet, paint, felt-tip, mixed fabrics, tarpaulin and gaffer tape 255 x 205 cm (100 3/8 x 80 3/4 in approx). Image courtesy Karsten Schubert, London. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/Dazzle-3-2020-07-21-13-08-39.jpg Cathie Pilkington. Dazzle, 2020. Linen, wood, resin, paint, h238 x w120 x d100 cm. Private collection. Photo: Perou. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/cathiepilkington_theflood_342.jpg Cathie Pilkington: Estin Thalassa. Installation view. Image courtesy Karsten Schubert, London. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/cathiepilkington_September-23,-2019_060f2.jpg Cathie Pilkington. The Ancestors, Royal Academy of Arts, London, 2019. Photo: Perou. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/PietaPlayingDead_photoPerou_2018_cathiepilkington_may2018_0012.jpg Cathie Pilkington. Pièta 1 (Playing Dead), 2018. Oil paint on jesmonite, fabric, wood, steel, 160 x 60 x 60 cm. Photo: Perou. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/cathiepilkington_pallanthouse_056.jpg Cathie Pilkington. Pièta 1 (Playing Dead), installation view, Working From Home, Pallant House Gallery, 2018. Photo: Perou. https://www.studiointernational.com/images/articles/p/044-pilkington-cathie-2021/LifeRoom_Brighton_2017_photoPerou_300.jpg Cathie Pilkington. The Life Rooms: Brighton. Brighton University Galleries, 2017. Photo: Perou. https://www.studiointernational.com/index.php/brett-rogers-interview-director-the-photographers-gallery-london-celebrates-50th-anniversary https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/10-Light-Years-Installation-19-April-18-May-1985.jpg Five Years with the Face, held at The Photographers’ Gallery, 19 April – 18 May 1985. Installation view. Exhibition design by Neville Brody with Robin Derrick Courtesy of The Photographers’ Gallery Archive, London. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/1-Light-Years-Sue-Davies-and-W-Eugene-Smith.jpg Sue Davies and W. Eugene Smith. Date unknown. Photographer unknown. Courtesy of The Photographers’ Gallery Archive, London. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/2-Light-Years_Exhibition-Poster_Colin-Jones-04-June_1977.jpg Exhibition Poster, Colin Jones: The Black House, held at The Photographers’ Gallery, 04 May – 04 June 1977. Courtesy of The Photographers’ Gallery Archive, London. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/5-Light-Years_Sue-Davies-and-Ralph-Gibson.jpg Sue Davies and Ralph Gibson. Date unknown. Photographer unknown. Courtesy of The Photographers’ Gallery Archive, London. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/6-Light-Years_Exhibition-Poster-Pamphlet_Great-British-Press-Show-05-29-December-1972.jpg Exhibition Poster/Pamphlet, Great British Press Show, held at The Photographers’ Gallery, 05 – 29 December 1972. Courtesy of The Photographers’ Gallery Archive, London. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/3-Light-Years-18-August_1973.jpg Exhibition Poster, Leonard Freed: The Spectre of Violence, held at The Photographers’ Gallery, 03 July – 18 August 1973. Courtesy of The Photographers’ Gallery Archive, London. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/2_Press-image_DBPFP21_Poulomi-Basu_Centralia_2020.jpg Poulomi Basu From Centralia, 2020 © Poulomi Basu. Courtesy of the artist https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/11_Press-image_DBPFP21_Cao-Fei_Nova_2019.jpg Cao Fei , Nova, 2019 . © Cao Fei. Courtesy of artist, Vitamin Creative Space and Sprüth Magers. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/8_Press-image_DBPFP21_Alejandro_Cartagena.jpg Alejandro Cartagena. Family walking home in a suburb in Juárez N.L from A Small Guide to Homeownership, 2020. © Alejandro Cartagena. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/13_Press-image_DBPFP21_Zineb-Sedira_For-a-Brief-Moment-the-World-Was-on-Fire...and-We-Have-Come-Back_2019.jpg Zineb Sedira. Way of Life, 2019. Exhibition: A Brief Moment, Jeu de Paume, Paris, France. © Zineb Sedira. Courtesy of the artist and Kamel Mennour, Paris. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/20210317_Ramillies-Street_from-north.jpg Ramillies Place, Soho, London. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/20210317_Ramillies-Street_northeast-facade_empty_night.jpg Ramillies Place, Soho, London. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/20210317_Ramillies-Place_from-East_0.jpg Ramillies Place, Soho, London. https://www.studiointernational.com/images/articles/r/064-rogers-brett-2021/Brett-Rogers.jpg Brett Rogers. https://www.studiointernational.com/index.php/jakob-kudsk-steensen-interview-berl-berl-installation-halle-am-berghain-berlin https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/Frozen2.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/Fullscape1.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/PainterClouds.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/River1.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/River2.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/Scan1.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/Scan2.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/Spree1.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/Focus4.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/029-steenson-jakob-kudsk-2021/TopView1.jpg Jakob Kudsk Steensen, Berl-Berl, 2021. Courtesy of the artist. https://www.studiointernational.com/index.php/studio-international-january-1969-volume-177-number-907 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-january-1969.jpg Studio International, January 1969, Volume 177 Number 907. https://www.studiointernational.com/index.php/studio-international-february-1969-volume-177-number-908 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-february-1969.jpg Studio International, February 1969, Volume 177 Number 908. Cover image. https://www.studiointernational.com/index.php/studio-international-march-1969-volume-177-number-909 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-march-1969.jpg Studio International, March 1969, Volume 177 Number 909. Cover image. https://www.studiointernational.com/index.php/studio-international-april-1969-volume-177-number-910 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-april-1969.jpg Studio International, April 1969, Volume 177 Number 910. Cover image specially designed by Don Judd. © Studio International Foundation. https://www.studiointernational.com/index.php/becoming-gustav-metzger-uncovering-the-early-years-1945-1959-review-ben-uri-gallery-london https://www.studiointernational.com/images/articles/m/033-metzger-gustav-2021/DSC_8915.jpg Gustav Metzger, Table, 1956. Oil on canvas. Courtesy of The Gustav Metzger Foundation. https://www.studiointernational.com/images/articles/m/033-metzger-gustav-2021/DSC_8891.jpg Gustav Metzger, Head of a Man, 1952. Chalk on paper. Courtesy of The Gustav Metzger Foundation. https://www.studiointernational.com/images/articles/m/033-metzger-gustav-2021/DSC_8807.jpg Gustav Metzger, Head of E. Royalton-Kisch, 1950. Oil on canvas. Courtesy of The Gustav Metzger Foundation. https://www.studiointernational.com/images/articles/m/033-metzger-gustav-2021/DSC_8814.jpg Gustav Metzger, Self Portrait, An Undefiled, 1946. Oil on canvas. Courtesy of The Gustav Metzger Foundation. https://www.studiointernational.com/images/articles/m/033-metzger-gustav-2021/DSC_8901.jpg Gustav Metzger, Dissolution of the City, 1946. Oil on canvas. Courtesy of The Gustav Metzger Foundation. https://www.studiointernational.com/images/articles/m/033-metzger-gustav-2021/DSC_8907.jpg Gustav Metzger, Eroica, Funeral March, 1946. Oil on canvas. Courtesy of The Gustav Metzger Foundation. https://www.studiointernational.com/images/articles/m/033-metzger-gustav-2021/DSC_8771.jpg Gustav Metzger, Antwerp Model, 1949. Oil on canvas. Courtesy of The Gustav Metzger Foundation. https://www.studiointernational.com/images/articles/m/033-metzger-gustav-2021/DSC_8961.jpg Gustav Metzger, Table, 1956. Oil on canvas. Courtesy of The Gustav Metzger Foundation. https://www.studiointernational.com/index.php/studio-international-may-1969-volume-177-number-911 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-may-1969.jpg Studio International, May 1969, Volume 177 Number 911. Cover specially designed by Liliane Lijn. © Studio International Foundation. https://www.studiointernational.com/index.php/studio-international-june-1969-volume-177-number-912 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-june-1969.jpg Studio International, June 1969, Volume 177 Number 912. Cover design: moment from a light performance by Mark Boyle’s ‘Sensual Laboratory’ (photo: Cameron Hills). https://www.studiointernational.com/index.php/studio-international-july-august-1969-volume-178-number-913 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-july-august-1969.jpg Studio International, July/August 1969, Volume 178 Number 913. Cover specially designed by Richard Lindner. https://www.studiointernational.com/index.php/studio-international-september-1969-volume-178-number-914 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-september-1969.jpg Studio International, September 1969, Volume 178 Number 914. Cover by Charles Biederman. https://www.studiointernational.com/index.php/studio-international-october-1969-volume-178-number-915 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-october-1969.jpg Studio International, October 1969, Volume 178 Number 915. Cover image by Avinash Chandra. https://www.studiointernational.com/index.php/studio-international-november-1969-volume-178-number-916 https://www.studiointernational.com/images/articles/archive-1965-1976/1969/studio-international-november-1969.jpg Studio International, November 1969, Volume 178 Number 916. Cover design baed on a photograph of quartz sand vibrated at 16,000 cycles per second. Photograph by Christiaan Stuten. https://www.studiointernational.com/index.php/mick-peter-interview-gerroff-or-user-feedback-hospitalfield-arbroath-scotland https://www.studiointernational.com/images/articles/p/045-peter-mick-2021/Mick-Peter-Gerroff-(or-User-Feedback)-2021-at-Hospitalfield_Image-courtesy-of-the-artist_03.jpg Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist. https://www.studiointernational.com/images/articles/p/045-peter-mick-2021/Mick-Peter-Gerroff-(or-User-Feedback)-2021-at-Hospitalfield_Image-courtesy-of-the-artist_04.jpg Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist. https://www.studiointernational.com/images/articles/p/045-peter-mick-2021/Mick-Peter-Gerroff-(or-User-Feedback)-2021-at-Hospitalfield_Image-courtesy-of-the-artist_05.jpg Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist. https://www.studiointernational.com/images/articles/p/045-peter-mick-2021/Mick-Peter-Gerroff-(or-User-Feedback)-2021-at-Hospitalfield_Image-courtesy-of-the-artist_08.jpg Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist. https://www.studiointernational.com/images/articles/p/045-peter-mick-2021/Mick-Peter-Gerroff-(or-User-Feedback)-2021-at-Hospitalfield_Image-courtesy-of-the-artist_09.jpg Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist. https://www.studiointernational.com/images/articles/p/045-peter-mick-2021/Mick-Peter-Gerroff-(or-User-Feedback)-2021-at-Hospitalfield_Image-courtesy-of-the-artist.jpg Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist. https://www.studiointernational.com/images/articles/p/045-peter-mick-2021/Mick-Peter-Gerroff-(or-User-Feedback)-2021-at-Hospitalfield_Image-courtesy-of-the-artist_10.jpg Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist. https://www.studiointernational.com/images/articles/p/045-peter-mick-2021/Mick-Peter-Gerroff-(or-User-Feedback)-2021-at-Hospitalfield_Image-courtesy-of-the-artist_11.jpg Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist. https://www.studiointernational.com/images/articles/p/045-peter-mick-2021/Mick-Peter-Gerroff-(or-User-Feedback)-2021-at-Hospitalfield_Image-courtesy-of-the-artist_12.jpg Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist. https://www.studiointernational.com/index.php/the-normal-review-talbot-rice-gallery-edinburgh https://www.studiointernational.com/images/articles/t/076-the-normal-2021/Image-3-GabrielleGoliath-ThisSongisfor.jpg Gabrielle Goliath, This song is for ... Pat Hutchinson, 21 mins 22 secs. Unstoppable (by Sia). Performed by Nonku Phiri & Dion Monti. 2019–ongoing. Single-channel projection with dual stereo audio. Installation view, The Normal, Talbot Rice Gallery, 2021. Courtesy of Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/t/076-the-normal-2021/8_Everybody-hurts_left00_08_22_01Still006.jpg Gabrielle Goliath, This song is for ... Deborah Ho-Chung, 16 mins 2 secs. Everybody Hurts (by REM). Performed by Msaki, featuring Lebogang Ledwaba & Thembinkosi Mavimbela. 2019–ongoing. Single-channel projection with dual stereo audio. Installation view, The Normal, Talbot Rice Gallery, 2021. Courtesy of Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/t/076-the-normal-2021/Detention-Everybody-Wants-to-be-Black-pic-Isabel-Davies.jpg Larry Achiampong, Detention (EVERYBODY WANTS TO BE BLACK UNTIL IT’S TIME TO BE BLACK), 2021, Blackboard, chalk. Written by Tessa Giblin, Thursday 29 April 2021. Courtesy of Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/t/076-the-normal-2021/S80C7229-Edit.jpg Jarsdell Solutions Ltd, Solution for Normality, 2018-21. 8-channel video shown on eight 23” monitors, stereo sound, 19 mins 29 secs. Courtesy of Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/t/076-the-normal-2021/Image-4-TonyaMcMullan-Thelureoftomorrowsharvest.jpg Tonya McMullan, The lure of tomorrow’s harvests [Installation view], 2021. Honey from Edinburgh and Lothians area, glass, scorched douglas fir, cedar, stainless steel, 141 x 54 x 110 cm 14. Courtesy of Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/t/076-the-normal-2021/S80C7466.jpg Amy Balkin et al. A People’s Archive of Sinking and Melting, 2012-ongoing. Various acquisition objects, labels, postcards. Courtesy of Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/t/076-the-normal-2021/S80C7504-Edit.jpg Kahlil Joseph, BLKNWS®, 2018–ongoing. Two-channel fugitive newscast, HD video on networked media players with Stereo Sound. Courtesy of Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/t/076-the-normal-2021/Image-1-Artist-LarryAchiampong-Detention.jpg Larry Achiampong, Detention (SHOUTING BLACK LIVES MATTER WITH ALGORITHMS AND INTENTIONS THAT EXPIRED WITH LAST YEAR’S MILK), 2021. Blackboard, chalk. Written by Juan Cruz, Monday 3 May 2021. Courtesy of Talbot Rice Gallery, University of Edinburgh. Pictured – Melissa MacRobert, Exhibitions Manager at Talbot Rice Gallery. Image by Neil Hanna Photography. https://www.studiointernational.com/images/articles/t/076-the-normal-2021/S80C7285.jpg James Webb, There’s No Place Called Home (Archive), 2004-2021. Painted squares with vinyl text. Courtesy of Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/t/076-the-normal-2021/S80C7173.jpg Anca Benera and Arnold Estefan, The Delusion of the Commons, 2021. Seven A3 drawings: natural pigment (bone black), polymerase enzyme and drawing pen on paper. Courtesy of Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/index.php/eduardo-chillida-review-hauser-and-wirth-somerset https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/10.jpg Eduardo Chillida with Lo profundo es el aire, Estela IX [How Pround is the Air; Stele IX], 1989. Granite. Photo: Jordi Belver. © Zabalaga Leku. San Sebastián, VEGAP (2021). Courtesy of the Estate of Eduardo Chillida and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/07.jpg Eduardo Chillida, Gravitación (Gravitation), 1997. Cut paper, ink, string, 28.6 x 20.1 cm (11 1/4 x 7 7/8 in). Photo: Genevieve Hanson. © Zabalaga Leku. San Sebastián, VEGAP (2021). Courtesy of the Estate of Eduardo Chillida and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/04.jpg Installation view, Eduardo Chillida, Hauser & Wirth Somerset, 2021. Courtesy the Estate of Eduardo Chillida and Hauser & Wirth. Photo: Ken Adlard. © Zabalaga Leku. San Sebastián, VEGAP (2021). https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/08.jpg Eduardo Chillida, Oxido G-251 (Earth - Oxide G-251). 1992. Terracotta, copper oxide, 24 x 25 x 12 cm (9 1/2 x 9 7/8 x 4 3/4 in). Photo: Genevieve Hanson. © Zabalaga Leku. San Sebastián, VEGAP (2021). Courtesy of the Estate of Eduardo Chillida and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/09.jpg Eduardo Chillida, Elogio del Cubo, Homenaje a Juan de Herrera (Praise of the Cube, Homage to Juan de Herrera), 1990. Corten steel, 134.5 x 98 x 31 cm (53 x 38 5/8 x 12 1/4 in). Photo: Alex Abril. Installation view, Museo Chillida Leku. © Zabalaga Leku. San Sebastián, VEGAP (2021). Courtesy of the Estate of Eduardo Chillida and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/02.jpg Eduardo Chillida, Begirari III (The Watcher III) 1994. Steel. 96.5 x 82.4 x 37.5 cm (38 x 32 ½ x 14 ¾ in). Installation view, Eduardo Chillida, Hauser & Wirth Somerset, 2021. Courtesy the Estate of Eduardo Chillida and Hauser & Wirth. Photo: Ken Adlard. © Zabalaga Leku. San Sebastián, VEGAP (2021). https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/06.jpg Eduardo Chillida, Lotura VIII (Knot VIII), 1991. Iron, 36 x 18 x 18 cm (14 1/8 x 7 1/8 x 7 1/8 in). Photo: Alex Abril.© Zabalaga Leku. San Sebastián, VEGAP (2021). Courtesy of the Estate of Eduardo Chillida and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/05.jpg Eduardo Chillida, Lurra G-38 (Earth G-38), 1984. Chamotte clay, 40.6 x 30.2 x 26.8 cm (16 x 11 7/8 x 10 1/2 in). Photo: Genevieve Hanson. © Zabalaga Leku. San Sebastián, VEGAP (2021). Courtesy of the Estate of Eduardo Chillida and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/01.jpg Eduardo Chillida, Consejo al Espacio IX (Advice to Space IX), 2000. Corten steel, 200 x 185 x 240 cm (78 ¾ x 72 7/8 x 94 ½ in). Installation view, Eduardo Chillida, Hauser & Wirth Somerset, 2021. Courtesy the Estate of Eduardo Chillida and Hauser & Wirth. Photo: Ken Adlard. © Zabalaga Leku. San Sebastián, VEGAP (2021). https://www.studiointernational.com/images/articles/c/026-chillida-eduardo-2021/03.jpg Eduardo Chillida, Harri VI (Stone VI), 1996. Granite, 92 x 132 x 115 cm (36 ¼ x 52 x 45 ¼ in). Installation view, Eduardo Chillida, Hauser & Wirth Somerset, 2021. Courtesy the Estate of Eduardo Chillida and Hauser & Wirth. Photo: Ken Adlard. © Zabalaga Leku. San Sebastián, VEGAP (2021). https://www.studiointernational.com/index.php/james-barnor-accra-london-a-retrospective-review-serpentine-sackler-gallery-london-photography https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/27_ABP106.jpg James Barnor. Beatrice with trademark figurine, Ever Young Studio, Accra, c1953. Courtesy of Autograph. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/191_BARNORJ_BW_35_0000789.jpg James Barnor. Sister holding Brother, Accra, 1979. Courtesy Galerie Clémentine de la Féronnière. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/122_60FR_2229_08HDF.jpg James Barnor. Members of the Tunbridge Wells Overseas Club, Relaxing after a Hot Summer Sunday Walk, Kent, c1968. Courtesy of Galerie Clémentine de la Féronnière. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/92_ABP780.jpg James Barnor. Drum Cover Girl Erlin Ibreck, Kilburn, London, 1966. Courtesy Autograph. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/113_ABP91.jpg James Barnor. Mike Eghan at Piccadilly Circus, London, 1967. Courtesy Autograph @autographabp. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/151_ABP747.jpg James Barnor. Sick-Hagemeyer, shop assistant, Accra, c1971. Courtesy Autograph. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/94_BARNORJ_BW_120_000487HDF.jpg James Barnor. A group of friends photographed during Mr. And Mrs Sackey’s wedding, London, c1966. Courtesy of Galerie Clémentine de la Féronnière. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/9H3A5607.jpg James Barnor: Accra/London - A Retrospective, installation view, Serpentine North Gallery, London 2021, Photo: Zoe Maxwell. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/9H3A5017.jpg James Barnor: Accra/London - A Retrospective, installation view, Serpentine North Gallery, London 2021, Photo: Zoe Maxwell. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/9H3A5110.jpg James Barnor: Accra/London - A Retrospective, installation view, Serpentine North Gallery, London 2021, Photo: Zoe Maxwell. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/9H3A5303.jpg James Barnor: Accra/London - A Retrospective, installation view, Serpentine North Gallery, London 2021, Photo: Zoe Maxwell. https://www.studiointernational.com/images/articles/b/023-barnor-james-2021/9H3A5316.jpg James Barnor: Accra/London - A Retrospective, installation view, Serpentine North Gallery, London 2021, Photo: Zoe Maxwell. https://www.studiointernational.com/index.php/with-pleasure-pattern-and-decoration-in-american-art-1972-1985-review-css-bard-new-york https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Kushner.jpg Robert Kushner, Fairies, 1980. Acrylic on cotton, 99 × 135 in (251.46 × 342.9 cm). Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. Photo: Chris Kendall. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Jaudon.jpg Valerie Jaudon, Mineral Wells, 1980. Oil on canvas, 120 × 108 in (304.8 × 274.32 cm). Collection of Thomas Solomon and Kimberly Mascola, © 2021 Valerie Jaudon / Licensed by VAGA at Artists Rights Society (ARS), NY. Photo by Zak Kelley. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Loving.jpg Al Loving, Untitled, 1975. Mixed media on canvas, 66 × 74 in (167.64 × 187.96 cm). Collection of Beth Rudin DeWoody. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Woodman.jpg Betty Woodman, Zante, 1985. Glazed earthenware, 31 × 21 × 9 in (78.74 × 53.34 × 22.86 cm). Courtesy of Charles Woodman/Estate of Betty Woodman, David Kordansky Gallery, Los Angeles, and Salon 94, New York. Photo: Thomas Muller. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Ringgold.jpg Faith Ringgold, Windows of the Wedding #4: Man, 1974. Acrylic on canvas and mixed media, 83 × 35 in (210.82 × 88.9 cm). Courtesy of the artist and ACA Galleries, © 2021 Faith Ringgold / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Zucker.jpg Barbara Zucker, Blushing Bride, 1977. Flocking on steel, 38 1/2 × 16 1/4 × 12 in (97.79 × 41.28 × 30.48 cm). Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. Photo: Chris Kendall. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Grigoriadis.jpg Mary Grigoriadis, Rain Dance, 1974. Oil and acrylic on linen, 66 × 66 in (167.64 × 167.64 cm). Courtesy of the artist and Accola Griefen Fine Art. Photo: Phoebe d’Heurle. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Kaufman.jpg Jane Kaufman, Embroidered, Beaded Crazy Quilt, 1983-1985. Embroidered thread and beads on quilted fabric, 94 × 82 in (238.76 × 208.28 cm). Courtesy of the artist. Photo: Joshua Nefsky. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Kozloff.jpg Joyce Kozloff, Striped Cathedral, 1977. Acrylic on canvas, 72 × 180 in (182.88 × 457.2 cm). Courtesy of the artist and DC Moore Gallery, New York. Photo: eeva-inkeri, New York. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/MacConnel.jpg Kim MacConnel, Slide Out, 1980. Acrylic on cloth, 100 x 110 in (254 x 279.4 cm). The Museum of Contemporary Art, Los Angeles, gift of Paula and Allan Rudnick. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Sallin.jpg Sandra Sallin, Melasti, 1981. Oil on canvas, 42 × 36 in (106.68 × 91.44 cm). Courtesy of the artist. Photo: Zak Kelley. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Schapiro.jpg Miriam Schapiro, Heartland, 1985. Acrylic and fabric on canvas, 85 × 94 in (215.9 × 238.76 cm). Orlando Museum of Art, purchased with funds provided by the Women for Special Acquisition and Council of 101, © 2021 Estate of Miriam Schapiro / Artists Rights Society (ARS), New York. Photo: Zach Stovall. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Yamaguchi.jpg Takako Yamaguchi, Magnificat #6, 1984. Oil, bronze leaf, and glitter on paper, two parts, overall 74 × 107 1/2 in (187.96 × 273.05 cm). Deutsche Bank Collection. Photo: Liz Ligon. https://www.studiointernational.com/images/articles/w/051-with-pleasure-2021/Zakanitch.jpg Robert Zakanitch, Angel Feet, 1978. Acrylic on canvas, three parts, overall 94 1/4 × 172 3/8 in (239.4 × 437.83 cm). Whitney Museum of American Art, New York, gift of an anonymous donor. Digital image © Whitney Museum, NY. https://www.studiointernational.com/index.php/tino-sehgal-review-blenheim-palace-oxford https://www.studiointernational.com/images/articles/s/028-sehgal-tino-2021/TS_Blenheim-3.jpg Blenheim Park and Gardens, landscaped by Capability Brown, provide the backdrop for Tino Sehgal’s performance pieces, which he does not allow to be photographed. Image courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/s/028-sehgal-tino-2021/TS_Blenheim-1.jpg Blenheim Park and Gardens, landscaped by Capability Brown, provide the backdrop for Tino Sehgal’s performance pieces, which he does not allow to be photographed. Image courtesy of Blenheim Art Foundation. https://www.studiointernational.com/images/articles/s/028-sehgal-tino-2021/TS_Blenheim-2.jpg Blenheim Park and Gardens, landscaped by Capability Brown, provide the backdrop for Tino Sehgal’s performance pieces, which he does not allow to be photographed. Image courtesy of Blenheim Art Foundation. https://www.studiointernational.com/index.php/karla-black-interview-sculptures-2001-2021-fruitmarket-edinburgh https://www.studiointernational.com/images/articles/b/022-black-karla-2021/Fruitmarket,-Karla-Black-sculptures-2001-2021-04.jpg Karla Black. Punctuation is pretty popular: nobody wants to admit to much, (detail), 2008/2021. Plaster powder, powder paint, thread. Courtesy Galerie Gisela Capitain, Cologne and Modern Art, London. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/b/022-black-karla-2021/Fruitmarket-Karla-Black-sculptures-2001-21-details-for-a-retrospective-Warehouse.jpg Karla Black. Waiver For Shade (detail), 2021. Thread, gold and copper leaf, Vaseline, earth, cosmetics, body moisturisers. Courtesy Galerie Gisela Capitain, Cologne and Modern Art, London. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/b/022-black-karla-2021/KB-Venice-3.jpg Karla Black, installation view, Palazzo Pisani, Scotland + Venice, 2011. Courtesy the artist and Galerie Gisela Capitain, Cologne. Photo: Gautier Deblonde. https://www.studiointernational.com/images/articles/b/022-black-karla-2021/KB_Venice_2.jpg Karla Black At Fault (detail) 2011. Cellophane, paint, sellotape, plaster powder, powder paint, sugar paper, chalk, bath bombs, ribbon, wood. Installation view, Palazzo Pisani, Scotland + Venice, 2011. Courtesy the artist and Galerie Gisela Capitain, Cologne. Photo: Gautier Deblonde. https://www.studiointernational.com/images/articles/b/022-black-karla-2021/Fruitmarket,-Karla-Black-sculptures-2001-2021-02.jpg Karla Black. Left to right: Looking Glass number 16, 2021, mirror, glass paint, Courtesy Galerie Gisela Capitain, Cologne and Modern Art, London; Traps Take Practice, 2011, cellophane, paint, Sellotape, David and Indrė Roberts Collection; Don’t Depend, 2011, polystyrene, plaster, powder paint, plaster powder, paint, Collection of Nicoletta Fiorucci Russo De Li Galli, London; Opportunities For Girls, 2006/2021, sugar paper, chalk, ribbon, green concealer stick, nail varnish, Courtesy Galerie Gisela Capitain, Cologne and Modern Art, London. https://www.studiointernational.com/images/articles/b/022-black-karla-2021/Fruitmarket15_Photo-by-Neill-Hanna.jpg Karla Black. Punctuation is pretty popular: nobody wants to admit to much, (detail), 2008/2021. Plaster powder, powder paint, thread. Courtesy Galerie Gisela Capitain, Cologne and Modern Art, London. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/b/022-black-karla-2021/Karla-Black-Fruitmarket-Gallery,-image-credit-Tom-Nolan.jpg Karla Black: Sculptures (2001-2021) – Details for a Retrospective, installation view, Fruitmarket gallery. Courtesy Galerie Gisela Capitain, Cologne and Modern Art, London. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/b/022-black-karla-2021/Fruitmarket,-Karla-Black-sculptures-2001-2021-01.jpg Karla Black. Looking Glass number 16, 2021 (detail). Mirror, glass paint. Courtesy the artist and Galerie Gisela Capitain, Cologne. Photo: Karla Black. https://www.studiointernational.com/images/articles/b/022-black-karla-2021/Fruitmarket8_Photo-by-Neill-Hanna.jpg Karla Black. Waiver For Shade (detail), 2021. Thread, gold and copper leaf, Vaseline, earth, cosmetics, body moisturisers. Courtesy Galerie Gisela Capitain, Cologne and Modern Art, London. Photo: Tom Nolan. https://www.studiointernational.com/index.php/sophie-taeuber-arp-review-tate-modern-london https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Composition-of-Circles-and-Overlapping-Angles.jpg Sophie Taeuber-Arp. Composition of Circles and Overlapping Angles, 1930. The Museum of Modern Art, New York. The Riklis Collection of McCrory Corporation. Photo: The Museum of Modern Art, Department of Imaging and Visual Resources. © 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Embroidery-circa-1920.jpg Sophie Taeuber-Arp. Embroidery, c1920. Wool on canvas, 12 5⁄8 x 15 3⁄4 in (32 x 40 cm). Private collection, on loan to the Fondation Arp, Clamart, France. https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Stag-(marionette-for-King-Stag)-1918.jpg Sophie Taeuber-Arp. Stag (marionette for King Stag), 1918. Oil paint on wood; brass sheet; metallic paint on metallic paper; metal hardware, 50 x 17.8 x 18 cm. Museum für Gestaltung, Zürcher Hochschule der Künste, Zurich. Decorative Arts Collection. https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Perlbeutal-c1917-Museum-fur-Gestaltung-Zurich.jpg Sophie Taeuber-Arp. Geometric Forms (beaded bag), 1917. Glass beads, metal beads, thread, cord, and fabric. height: 8 1⁄16 in (20.5 cm), dia 2 3⁄4 in (7 cm). Museum für Gestaltung, Zürcher Hochschule der Künste, Zurich. Decorative Arts Collection https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Flight-Round-relief-in-three-heights,-1937-Stiftung-Hans-Arp-und-Sophie-Taeuber-Arp-eV.jpg Sophie Taeuber-Arp. Flight: Round Relief in Three Heights, 1937. Oil paint on plywood, 60 cm dia. Stiftung Arp e.V., Berlin. https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Vase-Bearer.jpg Sophie Taeuber-Arp. Vase Bearer, c1916–25. Gouache, metallic paint, and pencil on paper on board, 7 1⁄16 x 6 5⁄16 in (18 x 16 cm). Private collection. https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Coloured-Gradation-1939.jpg Sophie Taeuber-Arp. Colored Gradation, 1939. Oil on canvas, 25 1⁄2 x 19 11⁄16 in (64.8 x 50 cm). Kunstmuseum Bern. Gift of Marguerite Arp-Hagenbach. https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Geometric-and-undulating,-1941-Museo-dArte-della-Svizzera-Italiana-.jpg Sophie Taeuber-Arp. Geometric and Undulating, 1941. Crayon and graphite on paper 49.2 x 39.2 cm. Museo d’arte della Svizzera italiana, Lugano, Switzerland. Collection Cantone Ticino. https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Necklace-1918-Museum-fur-Gestaltung-Zurich-.jpg Sophie Taeuber-Arp. Geometric Forms (necklace), c1918. Glass beads, metal beads, thread, and cord, length 13 3⁄16 in (33.5 cm) excluding cord, 33 7⁄16 in (85 cm) including cord. Museum für Gestaltung, Zürcher Hochschule der Künste, Zurich. Decorative Arts Collection. https://www.studiointernational.com/images/articles/t/074-taeuber-arp-sophie-2021/Six-Spaces-with-Four-Small-Crosses-1932.jpg Sophie Taeuber-Arp. Six Spaces with Four Small Crosses, 1932. Oil paint and graphite on canvas, 65 x 100 cm. Kunstmuseum Bern. Gift of Marguerite Arp-Hagenbach. https://www.studiointernational.com/index.php/hormazd-narielwalla-interview-david-bowie-the-god-is-still-with-us-artists-books-paper-patterns https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Bowie-No7-Hormazd-Narielwalla-LR.jpg Hormazd Narielwalla. Diamond Dolls no. 7, 2021. Mixed media on vintage bespoke tailoring pattern, paper size 42 x 29.7 cm. Copyright Hormazd Narielwalla. Image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Diamond-Dolls-hormazd-Narielwalla4.jpg Hormazd Narielwalla. Diamond Dolls, 2021. Copyright Hormazd Narielwalla, image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Bowie-No11-Hormazd-Narielwalla-LR.jpg Hormazd Narielwalla. Diamond Dolls no. 11, 2021. Mixed media on vintage bespoke tailoring pattern, paper size 42 x 29.7 cm. Copyright Hormazd Narielwalla. Image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Bowie-No14-Hormazd-Narielwalla-LR.jpg Hormazd Narielwalla. Diamond Dolls no. 14, 2021. Mixed media on vintage bespoke tailoring pattern, paper size 42 x 29.7 cm. Copyright Hormazd Narielwalla. Image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Bowie-No25-LR-Hormazd-Narielwalla.jpg Hormazd Narielwalla. Diamond Dolls no. 25, 2021. Mixed media on vintage bespoke tailoring pattern, paper size 42 x 29.7 cm. Copyright Hormazd Narielwalla. Image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Bowie-No36-LR-Hormazd-Narielwalla.jpg Hormazd Narielwalla. Diamond Dolls no. 36, 2021. Mixed media on vintage bespoke tailoring pattern, paper size 42 x 29.7 cm. Copyright Hormazd Narielwalla. Image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Image07.jpg Hormazd Narielwalla. Relaxing in the Calm, 2021. Paper collage on sewing pattern, 77 x 55.5 cm. Copyright Hormazd Narielwalla. Image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Image10.jpg Hormazd Narielwalla. Heavenly Bodies, 2020. Paper collage on sewing pattern, 65 x 47.5 cm (each panel framed). Copyright Hormazd Narielwalla. Image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Image8.jpg Hormazd Narielwalla. The Prayer, 2020. Paper collage on sewing pattern, 77 x 55.5 cm. Copyright Hormazd Narielwalla, courtesy of Emma Hill Eagle Gallery. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Image04.jpg Hormazd Narielwalla. Rock, Paper, Scissors, 2020. Artist’s book, 18 x 11.5 x 3 cm, edition:100. Copyright Hormazd Narielwalla, courtesy of Emma Hill Eagle Gallery. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Image05.jpg Hormazd Narielwalla. Rock, Paper, Scissors, 2020. Artist’s book, 18 x 11.5 x 3 cm, edition:100. Copyright Hormazd Narielwalla, courtesy of Emma Hill Eagle Gallery. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Image01.jpg Hormazd Narielwalla. Rock, Paper, Scissors, 2020, p163, from the Rock Paper Scissors series, 2020. Paper collage on book leaf, 18 x 11 cm. Copyright Hormazd Narielwalla, courtesy of Emma Hill Eagle Gallery. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Diamond-Dolls_reverse.jpg Hormazd Narielwalla. Diamond Dolls, 2021. Copyright Hormazd Narielwalla, image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Bowie-No3-Hormazd-Narielwalla-LR.jpg Hormazd Narielwalla. Diamond Dolls no. 3, 2021. Mixed media on vintage bespoke tailoring pattern, paper size 42 x 29.7 cm. Copyright Hormazd Narielwalla. Image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Bowie-No21-LR-Hormazd-Narielwalla.jpg Hormazd Narielwalla. Diamond Dolls no. 21, 2021. Mixed media on vintage bespoke tailoring pattern, paper size 42 x 29.7 cm. Copyright Hormazd Narielwalla. Image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Diamond-Dolls-hormazd-Narielwalla3.jpg Hormazd Narielwalla. Diamond Dolls, 2021. Copyright Hormazd Narielwalla, image courtesy Eagle Gallery / EMH Arts, London. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Image02.jpg Hormazd Narielwalla. Rock, Paper, Scissors, 2020, p165, from the Rock Paper Scissors series, 2020. Paper collage on book leaf, 18 x 11 cm. Copyright Hormazd Narielwalla, courtesy of Emma Hill Eagle Gallery. https://www.studiointernational.com/images/articles/n/074-narielwalla-hormazd-2021/Image03.jpg Hormazd Narielwalla. Rock, Paper, Scissors, 2020, p167, from the Rock Paper Scissors series, 2020. Paper collage on book leaf, 18 x 11 cm. Copyright Hormazd Narielwalla, courtesy of Emma Hill Eagle Gallery. https://www.studiointernational.com/index.php/pavilion-tokyo-21-review-japan-olympic-games-architects https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/01_fujimori_01_ToLoLo_studio-detail.jpg Tea House https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/04_hirata_01_ToLoLo_studio.jpg Global Bowl / Akihisa Hirata. Photo: ToLoLo studio. https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/06_fujiwara_01_ToLoLo_studio.jpg Street Garden Theater / Teppei Fujiwara. Photo: ToLoLo studio. https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/08_kusama_01s_kioku.jpg Yayoi Kusama. The Obliteration Room, 2002–present. Collaboration between Yayoi Kusama and Queensland Art Gallery. Commissioned Queensland Art Gallery. Gift of the artist through the Queensland Art Gallery Foundation 2012. Collection: Queensland Art Gallery, Australia. Cooperation: OTA FINE ARTS. © Yayoi Kusama. Photo: Keizo Kioku. https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/03_fujimoto_01s_kioku_keizo.jpg Cloud pavilion / Sou Fujimoto. Photo: Keizo Kioku. https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/07_aida_01_Edit_ToLoLo_studio.jpg Tokyo Castle / Makoto Aida. © AIDA Makoto. Photo: ToLoLo studio. https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/02_sejima_01_R0013792.jpg Suimei / Kazuyo Sejima. Photo: Kazuyo Sejima & Associates. https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/05_ishigami_01s_goto.jpg Kokage-gumo / Junya Ishigami. Photo: Shuji Goto. https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/09_Rhizomatiks_01_kioku_keizo.jpg 2020-2021 / Daito Manabe + Rhizomatiks. Photo: Keizo Kioku. https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/01_fujimori_01_ToLoLo_studio.jpg Tea House 'Go-an' / Terunobu Fujimori. Photo: ToLoLo studio. https://www.studiointernational.com/images/articles/t/075-tokyo-pavilion-2021/03_fujimoto_02s_goto.jpg Cloud pavilion / Sou Fujimoto. Photo: Keizo Kioku. https://www.studiointernational.com/index.php/rebecca-salter-interview-first-female-president-royal-academy-london-japanese-art https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/2020-15.jpg Rebecca Salter, 2020-15, 2020. Mixed media on paper, 74 x 54 cm (29 x 21 in). © the artist. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/2020-21.jpg Rebecca Salter, 2020-21, 2020. Mixed media on paper, 74 x 54 cm (29 x 21 in). © the artist. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/AG48.jpg Rebecca Salter, Untitled AG48 (2014), pyrography on kozo paper, 94 x 120 cm (37 x 47 in). © the artist. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/AR04.jpg Rebecca Salter, Untitled AR4, 2019. Mixed media on linen, 200 x 175 cm (79 x 69 in). © the artist. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/AR12.jpg Rebecca Salter, Untitled AR12, 2019. Mixed media on muslin on linen, 15 x 15 cm (6 x 6 in). © the artist. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/JA09.jpg Rebecca Salter, Untitled JA9, 2020. Mixed media on muslin on linen, 160 x 150 cm (63 x 59 in). © the artist. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/G15.jpg Rebecca Salter, Untitled G15, 1991. Mixed media on canvas, 122 x 122 cm (48 x 48 in). © the artist. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/BH-facade-(c)-Fraser-Marr.jpg Façade of Burlington House, Royal Academy of Arts, London. © Fraser Marr. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/Selva.jpg Rebecca Salter, Selva, 2020. Japanese woodblock, 35 x 25 cm (14 x 10 in). © the artist. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/Summer-Exhibition-2020.jpg Installation view of Summer Exhibition 2020, Royal Academy of Arts, London. Photo: David Parry / © Royal Academy of Arts. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/Tabula-series-3.jpg Rebecca Salter, Tabula series 3, 2018. Japanese woodblock. 35 x 27 cm (14 x 10 ½ in). © the artist. https://www.studiointernational.com/images/articles/s/027-salter-rebecca-2021/umbra.jpg Rebecca Salter, Umbra, 2019. Japanese woodblock, 35 x 28 cm (14 x 10 ½ in). © the artist. https://www.studiointernational.com/index.php/lynn-hershman-leeson-twisted-ed-atkins-get-life-loves-work-review-new-musuem-new-york https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/atkins-scene-1-00_08_30_06-Still035.jpg Ed Atkins. The Worm, 2021 (production still). Video projection with sound, 12:40 min. Courtesy the artist. Commissioned and produced by the New Museum and Nokia Bell Labs / Experiments in Art and Technologies. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/atkins-scene-1-00_07_31_20-Still017.jpg Ed Atkins. The Worm, 2021 (production still). Video projection with sound, 12:40 min. Courtesy the artist. Commissioned and produced by the New Museum and Nokia Bell Labs / Experiments in Art and Technologies. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/CR_2b_self-portrait-as-blond.jpg Lynn Hershman Leeson. Self Portrait as Blonde, 1968. Wax, wig, feathers, Plexiglas, wood, sensor, and sound. Courtesy the artist; Bridget Donahue Gallery, New York; and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/Lynn-Hershman-Leeson,-X-Ray-Man,-1970.jpg Lynn Hershman Leeson. X-Ray Man, 1970. Acrylic, pencil, Letraset, and Plexiglas on wood, 41 ½ x 29 ½ in (105.5 x 75 cm). Private Collection, The Netherlands, Courtesy Paul Van Esch & Partners, Amsterdam. Courtesy the artist; Bridget Donahue Gallery, New York; and Altman Siegel, San Francisco. Photo (c) ZKM | Center for Art and Media, photo: Tobias Wootton. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/Lynn-Hershman-Leeson,-Seduction,-1985.jpg Lynn Hershman Leeson, Seduction, 1985. Black and white photograph, 22 x 29 ⅞ in (56 x 76 cm). Courtesy the artist; Bridget Donahue Gallery, New York; and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/atkins-scene-1-00_07_14_08-Still029.jpg Ed Atkins. The Worm, 2021 (production still). Video projection with sound, 12:40 min. Courtesy the artist. Commissioned and produced by the New Museum and Nokia Bell Labs / Experiments in Art and Technologies. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/atkins-worm20210610_0005.jpg Ed Atkins. The Worm, 2021 (production still). Video projection with sound, 12:40 min. Courtesy the artist. Commissioned and produced by the New Museum and Nokia Bell Labs / Experiments in Art and Technologies. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/Lynn-Hershman-Leeson,-CybeRoberta,-1996.jpg Lynn Hershman Leeson. CyberRoberta, 1996. Custom-made doll, clothing, glasses, webcam, surveillance camera, mirror, original programming, and telerobotic head-rotating system, approximately 17 ¾ x 17 ¾ x 7 ⅞ in (45 x 45 x 20 cm). Courtesy the artist; Bridget Donahue Gallery, New York; and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/Lynn-Hershman-Leeson,-Seduction-of-a-Cyborg,-1994.jpg Lynn Hershman Leeson. Seduction of a Cyborg, 1994. Video, colour, sound, 5:52 min. Courtesy the artist; Bridget Donahue Gallery, New York; and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/Lynn-Hershman-Leeson,-Synthia-Stock-Ticker,-2000.jpg Lynn Hershman Leeson. Synthia Stock Ticker, 2000. Network-based multimedia artwork, 15 x 11 ¼ x 1 ¼ in (38 x 28.6 x 28.6 cm). Courtesy the artist; Bridget Donahue Gallery, New York; and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/2-Binge-face-diary_1-1-2.jpg Lynn Hershman Leeson. Binge (1986-87) from The Electronic Diaries, 1984-2019 (still). Video, colour, sound, 9:09 min. Courtesy the artist; Bridget Donahue, New York; and Altman Siegel, San Francisco. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/atkins-scene-1-00_07_57_29-Still034.jpg Ed Atkins. The Worm, 2021 (production still). Video projection with sound, 12:40 min. Courtesy the artist. Commissioned and produced by the New Museum and Nokia Bell Labs / Experiments in Art and Technologies. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/atkins-scene-1-00_08_40_29.Still036.jpg Ed Atkins. The Worm, 2021 (production still). Video projection with sound, 12:40 min. Courtesy the artist. Commissioned and produced by the New Museum and Nokia Bell Labs / Experiments in Art and Technologies. https://www.studiointernational.com/images/articles/h/037-hersham-leeson-atkins-2021/atkins-scene-1-00_13_16_14-Still041.jpg Ed Atkins. The Worm, 2021 (production still). Video projection with sound, 12:40 min. Courtesy the artist. Commissioned and produced by the New Museum and Nokia Bell Labs / Experiments in Art and Technologies. https://www.studiointernational.com/index.php/untitled-art-on-the-conditions-of-our-time-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-2.jpg Kimathi Donkor. Toussaint L’Ouverture at Bedourete, 2004. Oil on linen, 136 x 183 cm. Courtesy the artist. https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-5.jpg Larry Achiampong and David Blandy. Finding Fanon Part One, 2015. Courtesy of Copperfield Gallery & Seventeen Gallery, London. Image: Claire Barrett. https://www.studiointernational.com/images/articles/u/092-untitled-2021/2021-07-12191690-1.jpg Greta, 2021, by the artist NT, installation view, UNTITLED: Art on the conditions of our time, 2021, Kettle’s Yard, Cambridge. Photo: Stephen White. https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-9.jpg Production still for NT’s Greta. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-1.jpg Barby Asante. As Always a Painful Declaration of Independence – For Ama. For Aba. For Charlotte and Adjoh: Intimacy and Distance, 2017. Diaspora Pavilion, Venice. Image: Jess Harrington. https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-3.jpg Kimathi Donkor. Idyl of Osun, Ifé and Sango, 2019. Acrylic on linen, 76.5 x 61 cm. Courtesy the artist. https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-4.jpg Kimathi Donkor. Let Us Go Over, 2017. Oil and acrylic on canvas, 80 x 100 cm. Courtesy the artist. https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-6.jpg Harold Offeh. Down at the Twilight Zone, 2018. 12-hour event, Toronto, Canada. Commissioned by Toronto Nuit Blanche, 2018. Photo: Priam Thomas. https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-7.jpg Harold Offeh. Down at the Twilight Zone, 2018. 12-hour event, Toronto, Canada. Commissioned by Toronto Nuit Blanche, 2018. Photo: Priam Thomas. https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-8.jpg Harold Offeh. Down at the Twilight Zone, 2018. 12-hour event, Toronto, Canada. Commissioned by Toronto Nuit Blanche, 2018. Photo: Priam Thomas. https://www.studiointernational.com/images/articles/u/092-untitled-2021/Image-10.jpg Production still for NT’s Greta, 2021. Photo: Thierry Bal. https://www.studiointernational.com/index.php/her-dark-materials-review-eye-of-the-huntress-alexandra-ray-catherine-loewe https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Screenshot-2021-07-03-183626.jpg Her Dark Materials, screenshot, Eye of the Huntress, 22 June – 22 September 2021. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Screenshot-2021-07-03-184111.jpg Her Dark Materials, screenshot, Eye of the Huntress, 22 June – 22 September 2021. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Charlotte-Colbert.jpg Charlotte Colbert. Benefit Supervisor Sleeping, 2017. Corten steel structure, TV screens displaying moving image, W:265.4cm H:132cm D:80cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Screenshot-2021-07-03-215155.jpg Charlotte Colbert. Mastectomy Mammeria, 2019. Foam and plaster, H:290cm x W:130cm x D:130cm. Her Dark Materials, screenshot, Eye of the Huntress, 22 June – 22 September 2021. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Sun-Disc-I-Jodie-Carey.2020.001-Edel-Assanti.jpg Jodie Carey. Sun Disc I, 2020. Colouring pencil, paint, earth, plaster, wooden shims, steel and concrete, 212 x 70 x 70cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Nancy-Cadogan-3-.jpg Nancy Cadogan. Under The Crescent Moon, 2021. Oil on canvas, 180 x 150 cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Sahara-Longe-(2).jpg Sahara Longe. Self Portrait, 2021. Oil on jute, 215 x 100 cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Kate-Daudy_7fbb.jpg Kate Daudy. Mummification Tools, 2019. Wool felt decoupage on canvas, 132 x 178 cm https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Galina-Monroe-Crimson-Caps.jpg Galina Munroe. Crimson Caps, 2021. Oil, gloss paint and collage on canvas, 140 x 90 cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Emma-Talbot-Dream-Catcher-2021-Acrylic-on-Silk-206-x-147cm.jpg Emma Talbot. Dream Catcher, Acrylic on pink crepe de chine silk, 206 x 147 cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Screenshot-2021-07-03-212140.jpg Her Dark Materials, screenshot, Eye of the Huntress, 22 June – 22 September 2021. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/kate-daudy_8286.jpg Kate Daudy. Growth, 2019. Crochet and wool felt decoupage on linen and silk velvet, 60 x 163 cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Emma-Talbot-The-World-on-Fire-2021-Acrylic-on-Silk-191cm-x-134cm.jpg Emma Talbot. The World on Fire. Acrylic on pink crepe de chine silk, 202 x 134 cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Sun-Disc-II-Jodie-Carey.2020.002-Edel-Assanti.jpg Jodie Carey. Sun Disc II, 2020. Colouring pencil, paint, earth, plaster, wooden shims, steel and concrete, 212 x 70 x 70cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Sun-Disc-III-JC.2020.003-Edel-Assanti.jpg Jodie Carey. Sun Disc II, 2020. Colouring pencil, paint, earth, plaster, wooden shims, steel and concrete, 164 x 70 x 70cm. Copyright the artist. https://www.studiointernational.com/images/articles/h/036-her-dark-materials-2021/Screenshot-2021-07-03-214224.jpg Her Dark Materials, screenshot, Eye of the Huntress, 22 June – 22 September 2021. https://www.studiointernational.com/index.php/folkestone-triennial-2021-the-plot-fifth-review-christopher-houghton-budd-genuinefake-rachel-stella-jenkins-artist-interviews https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/Mariko-Hori,-Mellowing-the-Corners.jpg Mariko Hori, Mellowing the Corners, commissioned for Creative Folkestone Triennial 2021. Photo; Thierry Bal. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/Assemble,-Skating-Situations.jpg Assemble, Skating Situations, Commissioned for Creative Folkestone Triennial 2021. Photo: Thierry Bal https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/Jyll-Bradley,-Green-Light-(For-MR.jpg Jyll Bradley, Green/Light (for MR), Commissioned for Creative Folkestone Triennial 2014. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/Jacqueline-Poncelet,-Looking-Ahead.jpg Jacqueline Poncelet, Looking Ahead, commissioned for Creative Folkestone Triennial 2021. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/Jacqueline-Poncelet,-Shimmera.jpg Jacqueline Poncelet, Shimmera, commissioned for Creative Folkestone Triennial 2021. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/houghton-budd-2.jpg Christopher Houghton Budd, Forgiving Light. Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/genuinefake-3.jpg genuinefake. Fortune Here, Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/genuinefake-1.jpg genuinefake. Fortune Here, Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/HoyCheong-Wong,-Simon-Davenport-and-Shahed-Saleem,-Nur.jpg HoyCheong Wong, Simon Davenport and Shahed Saleem, Nūr, Commissioned for Creative Folkestone Triennial 2021. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/Atta-Kwami,-Atsiafu-fe-agbo-nu-(Gateways-of-the-Sea).jpg Atta Kwami, Atsiaƒu ƒe agbo nu (Gateways of the Sea), Commissioned for Creative Folkestone Triennial 2021. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/Tina-Gverovic,-Surface-Flows.jpg Tina Gverovic, Surface Flows, Commissioned for Creative Folkestone Triennial 2021. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/IMG_3780.jpg Morag Myerscough, Flock of Seagulls Bag of Stolen Chips. Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/Gilbert-and-George,-CHAIN-BRAIN-2019.jpg Gilbert & George, CHAIN BRAIN 2019, exhibited at Creative Folkestone Triennial courtesy of the artists. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/genuinefake-2.jpg genuinefake. Fortune Here, Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/houghton-budd.jpg Christopher Houghton Budd, Forgiving Light. Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/Rana-Begum,-No1054-Arpeggio.jpg Rana Begum, No. 1054 Arpeggio, Commissioned for Creative Folkestone Triennial 2021 in partnership with Folkestone _ Hythe District Council. Photo: Thierry Bal. https://www.studiointernational.com/index.php/christopher-houghton-budd-interview-folkestone-triennial-2021 https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/houghton-budd-2.jpg Christopher Houghton Budd, Forgiving Light. Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/houghton-budd.jpg Christopher Houghton Budd, Forgiving Light. Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/genuinefake-interview-folkestone-triennial-2021 https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/genuinefake-2.jpg genuinefake. Fortune Here, Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/genuinefake-3.jpg genuinefake. Fortune Here, Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/f/070-folkestone-triennial-2021/genuinefake-1.jpg genuinefake. Fortune Here, Folkestone Triennial 2021. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/peter-st-john-interview-architect-adam-caruso https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Tate-Britain.jpg Tate Britain, interior, 2013. Image courtesy Caruso St John Architects. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Hospitalfield-cafe-on-left-fernery-on-right.jpg Hospitalfield cafe on the left and fernery on the right. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Hospitalfield-Fernery-and-grotto-photo-by-Kate-Robinson-2.jpg Hospitalfield fernery and grotto. Photo: Kate Robinson. Image courtesy Caruso St John Architects. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Cafe-and-fernery-blend-in-with-the-walled-garden.jpg Hospitalfield, cafe and fernery blend in with the walled garden. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Fernery-from-ground-floor,-with-first-plants-yet-to-mature.jpg Hospitalfield, fernery from ground floor, with the first plants yet to mature. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Hospitalfield-cafe-roof-structure-rests-lightly-on-brickwork.jpg Hospitalfield, cafe roof structure rests lightly on brickwork. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Newport-Street-Gallery.jpg Newport Street Gallery, London, 2015. Image courtesy Caruso St John Architects. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Nottingham-Contemporary.jpg Nottingham Contemporary, 2010. Image courtesy Caruso St John Architects. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/CarusoStJohn_portrait-Peter-on-left-750.jpg Peter St John (left) and Adam Caruso of Caruso St John Architects. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Chiswick-House-Cafe.jpg Chiswick House Cafe, London, 2010. Image courtesy Caruso St John Architects. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/New-Art-Gallery-Walsall.jpg New Art Gallery, Walsall, 2000. Image courtesy Caruso St John Architects. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/VS-Nottingham-Contemporary-2-V-Simpson.jpg Nottingham Contemporary, 2010. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/Tate-Britain-Staircase.jpg Tate Britain, staircase, 2013. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/c/025-caruso-st-john-2021/The-VandA-Museum-of-Childhood,-London.jpg The V&A Museum of Childhood, London, 2007. Image courtesy Caruso St John Architects. https://www.studiointernational.com/index.php/pope-l-notations-holes-and-humour-review-modern-art-london https://www.studiointernational.com/images/articles/p/043-pope-l-2021/05.jpg Pope.L, Notations, Holes and Humour, Modern Art Bury Street, exhibition view, 15 July - 28 August 2021. Courtesy: the artist, Modern Art, London and Mitchell-Innes & Nash, New York, USA. Photo: Tom Carter.  https://www.studiointernational.com/images/articles/p/043-pope-l-2021/06.jpg Pope.L, Notations, Holes and Humour, Modern Art Bury Street, exhibition view, 15 July - 28 August 2021. Courtesy: the artist, Modern Art, London and Mitchell-Innes & Nash, New York, USA. Photo: Tom Carter.  https://www.studiointernational.com/images/articles/p/043-pope-l-2021/01.jpg Pope.L, Next to Last Silk Screen, 2018. Silkscreen in lightbox, 64.8 x 49.5 cm. © Pope.L. Courtesy: the artist, Modern Art, London and Mitchell-Innes & Nash, New York, USA. Photo: Robert Glowacki.  https://www.studiointernational.com/images/articles/p/043-pope-l-2021/02.jpg Pope.L, Beached, 2020. Ball-point pen, graphite, charcoal and acrylic on gridded canvas in plexiglass box in mirrored medicine cabinet with LED light, hardware and bumpers, 55.9 x 40.6 x 10.2 cm. © Pope.L. Courtesy: the artist, Modern Art, London and Mitchell-Innes & Nash, New York, USA. Photo: Robert Glowacki.  https://www.studiointernational.com/images/articles/p/043-pope-l-2021/07.jpg Pope.L, Circa, 2015. Oil on linen, 68.6 x 45.7 cm. Exhibition view of Pope.L, Notations, Holes and Humour, Modern Art Bury Street, 15 July - 28 August 2021. Courtesy: the artist, Modern Art, London and Mitchell-Innes & Nash, New York, USA. Photo: Tom Carter. https://www.studiointernational.com/images/articles/p/043-pope-l-2021/08.jpg Pope.L, Circa, 2015. Oil on linen, 68.6 x 45.7 cm. Exhibition view of Pope.L, Notations, Holes and Humour, Modern Art Bury Street, 15 July - 28 August 2021. Courtesy: the artist, Modern Art, London and Mitchell-Innes & Nash, New York, USA. Photo: Tom Carter. https://www.studiointernational.com/index.php/joan-eardley-centenary-review-the-scottish-gallery-edinburgh https://www.studiointernational.com/images/articles/e/070-eardley-joan-2021/01-Glasgow-Tenement,-Blue-Sky,-1956.jpg Joan Eardley. Glasgow Tenement, Blue Sky, 1956. Oil on canvas, 81 x 101.5 cm. Private collection. https://www.studiointernational.com/images/articles/e/070-eardley-joan-2021/06-Joan-Eardley,-Girl-and-Chalked-Wall.jpg Joan Eardley. Girl and Chalked Wall. Gouache, 46.5 x 28.5 cm. Courtesy of artist https://www.studiointernational.com/images/articles/e/070-eardley-joan-2021/02-Joan-Eardley-Girl-with-a-Poke-of-Chips.jpg Joan Eardley. Girl with a Poke of Chips. Oil on canvas with newspaper, 68 x 50 cm. https://www.studiointernational.com/images/articles/e/070-eardley-joan-2021/03-Joan-Eardley-in-Catterline,-1961.jpg Joan Eardley in Catterline, 1961. Photograph by Audrey Walker. https://www.studiointernational.com/images/articles/e/070-eardley-joan-2021/05-Joan-Eardley,-Cottages,-Catterline,-1961.jpg Joan Eardley. Cottages, Catterline, 1961. Oil on board, 25.5 x 26.5 cm. https://www.studiointernational.com/images/articles/e/070-eardley-joan-2021/07-Joan-Eardley,-Seascape,-c1961.jpg Joan Eardley. Seascape, c1961. Oil on board, 38 x 35 cm. Courtesy of artist https://www.studiointernational.com/images/articles/e/070-eardley-joan-2021/08-Joan-Eardley,-The-Close-Mouth,-c1958.jpg Joan Eardley. The Close Mouth, c1958. Gouache, 24 x 22 cm. Courtesy of artist https://www.studiointernational.com/images/articles/e/070-eardley-joan-2021/04-Joan-Eardley-in-her-Townhead-Studio---Pink-Jumper-top-right_photograph-by-Audrey-Walker.jpg Joan Eardley in her Townhead Studio - Pink Jumper top right. Photograph by Audrey Walker. https://www.studiointernational.com/index.php/visions-of-heaven-dante-and-the-art-of-divine-light-martin-kemp-book-review https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/100-martin.jpg Figure 100. François de Aquilón (Aguilonius), Opticorum libri sex, Antwerp, 1613, title-page (detail) by Rubens, engraved by Theodore Galle. Photo: © Martin Kemp. https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/33-Fra_Angelico-The_Last_Judgement_(Winged_Altar)_-_Google_Art_Project.jpg Figure 33. Fra Angelico, The Last Judgement, Gemäldegalerie, Berlin. Photo: Google Art Project/Wikimedia Commons. https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/36-wiki-Branchini_Madonna_by_Giovanni_di_Paolo,_Norton_Simon_Museum.jpg Figure 36 Giovanni di Paolo, Madonna and Child, 1427, Pasadena, the Norton Simon Foundation Photo: Wikimedia Commons. https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/4-met-DP123180.jpg Figure 4. Mosque lamp of Sultan Barquq, New York, Metropolitan Museum, enamelled and gilded glass. Metropolitan Museum of Art, gift of J. Pierpont Morgan, 1917. Photo: © Wikimedia Commons. https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/55-wiki-Fra_bartolomeo,_dio_padre_lucca.jpg Figure 55. Fra Bartolommeo, God the father with Saints Mary Magdalen and Catherine of Siena, Lucca, Galleria Nazionale. Photo: Daniele Ciuffardi/Wikimedia Commons. https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/101-martin.jpg Figure 101. François de Aquilòn (Aguilonius), Opticorum libri sex, Antwerp 1613, illustration to book V by Rubens, engraved by Theodore Galle. Photo: © Martin Kemp. https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/84-detail-Giovanni-Batista-Gaulli-(Baciccio),-The-Triumph-of-the-Holy-Name-of-Jesus.jpg Figure 84. Giovanni Batista Gaulli (Baciccio), The Triumph of the Holy Name of Jesus, Rome, Il Gesù, detail of the Christogram and angels. Photo: ho visto nina volare from Italy/Wikimedia Commons. https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/104-wiki-St_Ignatius_of_Loyola_(1491-1556)_Founder_of_the_Jesuits.jpg Figure 104. Peter Paul Rubens, Saint Ignatius, Pasadena, Norton Simon Museum. Photo: Wikimedia Commons. https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/visions-of-heaven-cover.jpg Visions of Heaven: Dante and the Art of Divine Light by Martin Kemp. https://www.studiointernational.com/images/articles/v/080-visions-of-heaven-2021/109-met-hr-DP832206.jpg Figure 109. Giulio Parigi, The Temple of Peace from the Sixth Intermedio for Il Giudizio di Paride, etched by Parigi, New York, Metropolitan Museum. https://www.studiointernational.com/index.php/gustave-moreau-the-fables-review-waddesdon-manor-buckinghamshire https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/02.jpg Gustave Moreau, Fortune and the Child 1883. Watercolour, gouache, graphite and red chalk. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/03.jpg Gustave Moreau, The Animals Stricken with the Plague, 1883. Watercolour, gouache, graphite and red chalk. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/04.jpg Gustave Moreau, The Cat Transformed into a Woman, 1884. Watercolour, gouache, pen and ink and gold metallic paint. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/05.jpg Gustave Moreau, The Milkmaid and the Milk Pail (detail), 1884. Watercolour, gouache and graphite. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/06.jpg Gustave Moreau, The Dream of an Inhabitant of Mongolia, 1881. Watercolour, gouache, graphite and red chalk. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/10.jpg Gustave Moreau, The Monkey and the Dolphin (detail), 1879-80. Watercolour, gouache, pen and ink, ink and wash, graphite. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/09.jpg Gustave Moreau, The Head and Tail of the Snake (detail), 1884. Watercolour, gouache, graphite and red chalk. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/08.jpg Gustave Moreau, The Frogs who Ask for a King, 1884. Watercolour, gouache, graphite and red chalk. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/07.jpg Gustave Moreau, The Elephant and the Monkey of Jupiter, 1882. Watercolour, gouache, graphite, pen and ink and red chalk. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/images/articles/m/033-moreau-gustave-2021/01.jpg Gustave Moreau, Allegory of Fable 1879. Watercolour and gouache with traces of gold metallic paint. © Private Rothschild Collection / Jean-Yves Lacôte. https://www.studiointernational.com/index.php/ivana-vollaro-katja-stuke-saviya-lopes-interview-the-crown-letter-pandemic-female-artists-international-participatory-project https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/3-Square-Villemin,-Paris-10.jpg The Crown Letter, Square Villemin, Paris 10. Photo @ Kyoko Kasuya. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/4-Ivana-Vollaro-Still-Waiting,-2021.jpg Ivana Vollaro. Still waiting, 2021. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/3-Ivano-Vollaro-Waiting-room,-2021.jpg Ivana Vollaro. Waiting room, 2021. Postcards, 15 x 21 cm. Photo: Nacho Iasparra. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/1.-Ivana-Vollaro-Monocanal-video-and-chalk-on-the-floor,-2020-2021.jpg Ivana Vollaro. Single-channel video and chalk on the floor, 2020–2021. Dimensions variable. Photo: Silvia Dolinko. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/img1_moon_Stuke_JFoundationCologne2021.jpg Moon over Konohana, images by Katja Stuke, installation view: Japanisches Kulturinstitut, The Japan Foundation Cologne 2021. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/img2_Stuke_NewMoon2021.jpg Katja Stuke, New Moon from the series Moon over Konohana, Düsseldorf 2021. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/img3_AntifotoBar2019.jpg ANT!FOTO Bar @ Katja Stuke & Oliver Sieber, 2019. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/img4_BooksOfBArNo1topic_Japan.jpg ANT!FOTO Bar, Vitrine, May 2019, Katja Stuke & Oliver Sieber. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/1.-Memorial-for-the-Lost.jpg Memorial For the Lost, performed by Hillside projects in collaboration with Clark House Initiative, 2020. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/2-Tasteless,-Odourless,-Nonetheless.jpg Tasteless, Odourless, Nonetheless,| ID:I Gallerie, Sweden, 2020. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/3-Anno-Domini.jpg Anno Domini by Saviya Lopes | ID:I Gallerie, Sweden 2020. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/4-John-in-the-Packaging-Department-of-the-Factory.jpg John in the Packaging Department of the Factory, Freetown, Sierra Leone | The Archive Project, Courtesy - Saviya Lopes. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/2-Ivana-Vollaro-Time-in-brackets,-2021.jpg Ivana Vollaro. Time in brackets, 2021. Stamps on the wall. Variable measures. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/1-Rue-de-Rivoli,-Paris-1.jpg The Crown Letter, Rue de Rivoli, Paris 1. Photo @ Kyoko Kasuya. https://www.studiointernational.com/images/articles/c/024-crown-letter-2021/2-Rue-de-Rivoli,-Paris-1.jpg The Crown Letter, Rue de Rivoli, Paris 1. Photo @ Kyoko Kasuya. https://www.studiointernational.com/index.php/jennifer-wen-ma-an-inward-sea-interview-new-britain-museum-of-american-art-connecticut https://www.studiointernational.com/images/articles/w/050-wen-ma-jennifer-2021/JWM_An_Inward_Sea_09_L.jpg Jennifer Wen Ma, An Inward Sea, 2021. Laser-cut flash spun non-woven HDPE, pigments, glass sculptures, swing mechanisms, video, and audio tracks. Installation view, New Britain Museum of American Art. https://www.studiointernational.com/images/articles/w/050-wen-ma-jennifer-2021/JWM_An_Inward_Sea_37_L.jpg Jennifer Wen Ma, An Inward Sea, 2021. Laser-cut flash spun non-woven HDPE, pigments, glass sculptures, swing mechanisms, video, and audio tracks. Installation view, New Britain Museum of American Art. https://www.studiointernational.com/images/articles/w/050-wen-ma-jennifer-2021/JWM_An_Inward_Sea_48_L.jpg Jennifer Wen Ma, An Inward Sea, 2021. Laser-cut flash spun non-woven HDPE, pigments, glass sculptures, swing mechanisms, video, and audio tracks. Installation view, New Britain Museum of American Art. https://www.studiointernational.com/images/articles/w/050-wen-ma-jennifer-2021/JWM_An_Inward_Sea_protrait.jpg Jennifer Wen Ma, An Inward Sea, installation view, New Britain Museum of American Art. Photo courtesy the artist. https://www.studiointernational.com/images/articles/w/050-wen-ma-jennifer-2021/JWM_An_Inward_Sea_46_L.jpg Jennifer Wen Ma, An Inward Sea, 2021. Laser-cut flash spun non-woven HDPE, pigments, glass sculptures, swing mechanisms, video, and audio tracks. Installation view, New Britain Museum of American Art. https://www.studiointernational.com/index.php/national-gallery-outdoor-exhibition-review-pop-up-london https://www.studiointernational.com/images/articles/n/073-national-gallery-outdoor-2021/20210813_151507-(2).jpg National Gallery Outdoor Exhibition, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/073-national-gallery-outdoor-2021/20210813_153428-(2).jpg National Gallery Outdoor Exhibition, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/073-national-gallery-outdoor-2021/20210813_150301-(2).jpg National Gallery Outdoor Exhibition, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/073-national-gallery-outdoor-2021/20210813_143014-(2).jpg National Gallery Outdoor Exhibition, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/073-national-gallery-outdoor-2021/20210813_151828-(2).jpg National Gallery Outdoor Exhibition, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/073-national-gallery-outdoor-2021/20210813_151638-(2).jpg National Gallery Outdoor Exhibition, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/073-national-gallery-outdoor-2021/20210813_150348-(2).jpg National Gallery Outdoor Exhibition, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/073-national-gallery-outdoor-2021/20210813_150513-(2).jpg National Gallery Outdoor Exhibition, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/073-national-gallery-outdoor-2021/20210813_143045-(2).jpg National Gallery Outdoor Exhibition, London, 2021. Photo: Juliet Rix. https://www.studiointernational.com/index.php/kenji-hirasawa-interview-thermal-imaging-i-approach-the-sitter-like-a-guardian-angel https://www.studiointernational.com/images/articles/h/035-hirasawa-kenji-2021/Celebrities,-Queen-Elizabeth-II,-2010,-from-the-series-Celebrities.jpg Kenji Hirasawa. Queen Elizabeth II, 2010, from the Celebrities series (2009-2011). https://www.studiointernational.com/images/articles/h/035-hirasawa-kenji-2021/Sophie,-London,-2017,-from-the-series-Play-Face.jpg Kenji Hirasawa. Sophie, London, 2017, from the series Play Face. https://www.studiointernational.com/images/articles/h/035-hirasawa-kenji-2021/1_Horse,-2015.jpg Kenji Hirasawa. Horse, 2015. https://www.studiointernational.com/images/articles/h/035-hirasawa-kenji-2021/Celebrities,-Barack-Obama,-2009,-from-the-series-Celebrities.jpg Kenji Hirasawa. Barack Obama, 2009, from the Celebrities series (2009-2011). https://www.studiointernational.com/images/articles/h/035-hirasawa-kenji-2021/Celebrities,-Kate-Moss,-2010,-from-the-series-Celebrities.jpg Kenji Hirasawa. Kate Moss, 2010, from the Celebrities series (2009-2011). https://www.studiointernational.com/images/articles/h/035-hirasawa-kenji-2021/Vincent-Garnier,-London,-2009.jpg Kenji Hirasawa. Vincent Garnier, London, 2009, from the series Portraits. https://www.studiointernational.com/images/articles/h/035-hirasawa-kenji-2021/Deep-Lee,-London,-2010-from-the-series-Portraits.jpg Kenji Hirasawa. Deep Lee, London, 2010, from the series Portraits. https://www.studiointernational.com/images/articles/h/035-hirasawa-kenji-2021/Untitled-series,-Elephant,-2016.jpg Kenji Hirasawa. Elephant, 2016, form the Untitled series. https://www.studiointernational.com/index.php/leiko-ikemura-usagi-in-wonderland-sainsbury-centre-norwich https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/11-Visitor-in-Leiko-Ikemura-Exhibition_Photo-Andi-Sapey,-Courtesy-of-the-Sainsbury-Centre.jpg Leiko Ikemura: Usagi in Wonderland, installation view. Photo: Andi Sapey, Courtesy of the Sainsbury Centre. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/04-Usagi-Kannon,-2012.jpg Leiko Ikemura. Usagi Kannon, 2012/19. Patinated bronze. Studio Ikemura, Berlin, Germany. Image © Leiko Ikemura and VG Bild-Kunst 2021. Photo Andreas Lange https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/05-Single-Eyed-Baby,-1994.jpg Leiko Ikemura. Single-Eyed Baby, 1994. Glazed terracotta. Studio Ikemura, Berlin, Germany. Image © Leiko Ikemura and VG Bild-Kunst 2021. Photo: Jochen Littkemann. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/IMG_3707.jpg Leiko Ikemura. Moo, 1993. Oil and tempera on canvas. Installation view, Leiko Ikemura: Usagi in Wonderland, Sainsbury Centre, UEA, Norwich. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/IMG_3720.jpg Leiko Ikemura. Memento Mori, 2013-18. Patinated bronze. Installation view, Leiko Ikemura: Usagi in Wonderland, Sainsbury Centre, UEA, Norwich. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/07-Berlin-Horizon-I,-2012.jpg Leiko Ikemura. Berlin Horizon I, 2012. Tempera and oil on jute. Studio Ikemura, Berlin, Germany. Image © Leiko Ikemura and VG Bild-Kunst 2021. Photo: Jörg von Bruchhause. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/09-Leiko-Ikemura-Exhibition_Photo-Andi-Sapey,-Courtesy-of-the-Sainsbury-Centre.jpg Leiko Ikemura: Usagi in Wonderland, installation view. Photo: Andi Sapey, Courtesy of the Sainsbury Centre. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/IMG_3694.jpg Leiko Ikemura. Yellow Figure with Hummingbird, 2020. Cast glass. Studio Ikemura, Berlin, Germany. Installation view, Leiko Ikemura: Usagi in Wonderland, Sainsbury Centre, UEA, Norwich. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/IMG_3696.jpg Leiko Ikemura. Cat, 2020. Cast glass. Studio Ikemura, Berlin, Germany. Installation view, Leiko Ikemura: Usagi in Wonderland, Sainsbury Centre, UEA, Norwich. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/14-Leiko-Ikemura.jpg Leiko Ikemura. Photo: María Rúnarsdóttir. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/09-With-Blue-Miko-in-Black,-1997.jpg Leiko Ikemura. With Blue Miko in Black, 1997. Oil on canvas Studio Ikemura, Berlin, Germany. Image: © Leiko Ikemura and VG Bild-Kunst 2021. Photo: Lothar Schnepf. https://www.studiointernational.com/images/articles/i/087-ikemura-leiko-2021/IMG_3706.jpg Leiko Ikemura. Trees out of Head, 2015/20. Patinated bronze. Studio Ikemura, Berlin, Germany. Installation view, Leiko Ikemura: Usagi in Wonderland, Sainsbury Centre, UEA, Norwich. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/hilda-kortei-waitless-beyond-blue-review-cob-gallery-london https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei,-Strike,-2020.jpg Hilda Kortei, Strike!, 2020, Acrylic, paper, fabric, felt and elastic bands on fabric, 63.5 x 53.3 cm © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei,-Untitled,-2019.jpg Hilda Kortei, Untitled, 2019, Acrylic on fabric,76.2 x 101.6 cm © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei,-Vertigo-in-dissociation,-2021.jpg Hilda Kortei, Vertigo in dissociation, 2021, Acrylic, spray paint, paper on fabric © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei,-Snatched,-2020.jpg Hilda Kortei, Snatched, 2020, Acrylic, spray paint and paper on fabric, 101.6 x 76.2 cm © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei,-Cemetery-pot-luck,-2021.jpg Hilda Kortei, Cemetery pot luck, 2021, Acrylic, paper, felt, spray paint, fabric on fabric © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei,-Born-again-in-tragedy,-2021.jpg Hilda Kortei, Born again in tragedy, 2021, acrylic, spray paint, paper, felt, fabric, on fabric, 121.9 x 121.9 cm © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei,-Waitless-beyond-blue,-2021.jpg Hilda Kortei, Waitless beyond blue, 2021, Acrylic, paper, felt, glitter, elastic bands on fabric, 63.5 x 53.3 cm © the artist, courtesy of Cob Gallery https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei,-f,-2018.jpg Hilda Kortei, f, 2018, Acrylic on fabric, 63.5 x 53.3 cm © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei-installation-(11).jpg Hilda Kortei: Waitless Beyond Blue, installation view, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei-installation-(12).jpg Hilda Kortei: Waitless Beyond Blue, installation view, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/k/060-kortei-hilda-2021/Hilda-Kortei-installation-(2).jpg Hilda Kortei: Waitless Beyond Blue, installation view, courtesy of Cob Gallery. https://www.studiointernational.com/index.php/thomas-joshua-cooper-the-worlds-edge-review-scottish-national-portrait-gallery-edinburgh https://www.studiointernational.com/images/articles/c/023-cooper-thomas-joshua-2021/Thomas-Joshua-Cooper1.jpg Thomas Joshua Cooper in the Scottish National Portrait Gallery, launching his exhibition The World’s Edge, open from 31 July 2021 until 23 Jan 2022. Photo: Neil Hanna. https://www.studiointernational.com/index.php/nneka-uzoigwe-video-interview-i-find-plein-air-painting-extraordinary https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/Nneka-Uzoigwe,-The-Blue-Men-of-Minch,-2021.jpg Nneka Uzoigwe, The Blue Men of Minch, 2021. Oil on linen, 80 x 100 cm. Photo © the artist. https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/Henry-Scott-Tuke,-Ruby,-Gold-and-Malachite,-1902.jpg Henry Scott Tuke (1858-1929), Ruby, Gold & Malachite, 1902. Oil on canvas. Guildhall Art Gallery, City of London. https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/Nneka-Uzoigwe,-Ebisus-Jelly-Fish.jpg Nneka Uzoigwe, Ebisu https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/Nneka-Uzoigwe,-Alix-and-Her-Hair-Crowns,-2021.jpg Nneka Uzoigwe, Alix and Her Hair Crowns, 2021. Oil on linen, 66 x 96 cm. Photo © the artist. https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/Nneka-Uzoigwe,-Development-stage-for-The-Blue-Men-of-Minch-2.jpg Nneka Uzoigwe, development stage for The Blue Men of Minch. Photo © the artist. https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/Nneka-Uzoigwe,-The-Marine-Room,-2021.jpg Nneka Uzoigwe, The Marine Room, 2021. Oil on linen, 89 x 104 cm. Photo © the artist. https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/Nneka-Uzoigwe-Tritons-Carapace-2021.jpg Nneka Uzoigwe, Triton's Carapace, 2021. Oil on wood, 148.5 x 97.79 cm. Photo © the artist. https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/G-F-Watts,-After-the-Deluge-c1885-91.jpg GF Watts OM RA (1817-1904), After the Deluge, c1885–91. Oil on canvas, 104 x 178 cm. Watts Gallery Trust. https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/GF-Watts,-Endymion,-1903-04.jpg GF Watts (1817-1904), Endymion, 1903–04. Oil on canvas, 104.1 x 121.9 cm. Watts Gallery Trust. https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/Henry-Scott-Tuke,-July-Sun,-1913.jpg Henry Scott Tuke (1858-1929), July Sun, 1913. Oil on canvas, 53.4 x 43.5 cm. Royal Academy of Arts, London. https://www.studiointernational.com/images/articles/u/093-uzoigwe-nneka-2021/Henry-Scott-Tuke,-The-Critics,-1927.jpg Henry Scott Tuke (1858–1929), The Critics, 1927. Oil on board. Leamington Spa Art Gallery & Museum (Warwick District Council). https://www.studiointernational.com/index.php/tess-jaray-thinking-on-paper-book-review https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/42.-dwngs-f.-paintings2001.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000, pencil and graph paper. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/A17374-Karsten-Schubert--18.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/A17374-Karsten-Schubert--19.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/A17374-Karsten-Schubert--6.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000, pencil and graph paper. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/DEST2311.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000, pencil and graph paper. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/DEST2320.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000, pencil and graph paper. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/Fiery_BW_139.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/Palace-Red.jpg Tess Jaray. Palace Red, 1962. Oil on canvas, 182.9 x 167.6 cm (72 x 66 in). © Tess Jaray. All rights reserved. Courtesy Karsten Schubert London. Purchased with the support of Amis du Centre Pompidou, Cercle International, 2020. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/TJ-159-image.jpg Tess Jaray. St Stephen https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/Fiery_BW_144.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/Tess-drawing.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000, pencil and graph paper. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/b-00036.jpg Tess Jaray: Thinking on Paper. Drawings from 1960-2000, pencil and graph paper. Image courtesy the artist. https://www.studiointernational.com/images/articles/j/084-jaray-tess-2021/f-20200921-103825.jpg Thinking on Paper by Tess Jaray, published by Secession, Vienna, 2021. https://www.studiointernational.com/index.php/matthew-wong-footsteps-in-the-wind-ink-drawings-2013-2017-review-cheim-and-reid-new-york https://www.studiointernational.com/images/articles/w/050-wong-matthew-2021/Matthew-Wong,-The-Performance,-2017.jpg Matthew Wong, The Performance, 2017, ink on rice paper, 34 1/2 x 28 in. ©2021 Matthew Wong Foundation / Artists Rights Society (ARS), New York. Photo: Alex Yudzon / Cheim & Read, New York. https://www.studiointernational.com/images/articles/w/050-wong-matthew-2021/Matthew-Wong,-The-Watcher,-2017.jpg Matthew Wong, The Watcher, 2017. Ink on rice paper. 43 3/4 x 42 in (111.1 x 106.7 cm). ©2021 Matthew Wong Foundation / Artists Rights Society (ARS), New York. Photography: Alex Yudzon / Cheim & Read, New York. https://www.studiointernational.com/images/articles/w/050-wong-matthew-2021/Matthew-Wong,-Winter-Wind,-2016.jpg Matthew Wong, Winter Wind, 2016. Ink on rice paper. 31 3/4 x 27 1/8 in (80.6 x 68.9 cm). ©2021 Matthew Wong Foundation / Artists Rights Society (ARS), New York. Photography: Alex Yudzon / Cheim & Read, New York. https://www.studiointernational.com/images/articles/w/050-wong-matthew-2021/Matthew-Wong,-Untitled,-2014.jpg Matthew Wong, Untitled, 2014. Ink on rice paper. 31 x 57 1/2 in (78.7 x 146.1 cm). ©2021 Matthew Wong Foundation / Artists Rights Society (ARS), New York. Photography: Alex Yudzon / Cheim & Read, New York. https://www.studiointernational.com/index.php/disciples-of-dora-maurer-review-david-kovats-gallery-pop-up-space-london-hungarian-art https://www.studiointernational.com/images/articles/m/032-maurer-dora-2021/06.jpg András Zalavári, Balaton IV, 2020. Photomontage, 69 x 120 cm. Photo courtesy of the Hungarian Cultural Centre, London. https://www.studiointernational.com/images/articles/m/032-maurer-dora-2021/10.jpg Mária Chilf, Mother-daughter, 2019. Stain, photocut on paper, 70 x 100 cm. Photo courtesy of the Hungarian Cultural Centre, London. https://www.studiointernational.com/images/articles/m/032-maurer-dora-2021/04.jpg Barbara Nagy, Floating Shapes II, 2021. Painted, engraved word, 63 x 63 cm. Photo courtesy of the Hungarian Cultural Centre, London. https://www.studiointernational.com/images/articles/m/032-maurer-dora-2021/08.jpg Márton Cserny, Series nr. 1, 2, 3, 2021. Stencil, canvas, 3 pieces each 40 x 40 cm. Photo courtesy of the Hungarian Cultural Centre, London. https://www.studiointernational.com/images/articles/m/032-maurer-dora-2021/01.jpg Tamás Jovánovics, Hybrid Hierarchy III, 2019. Oil-based colour pencil and acrylic paint on fibreboard, 102.5 x 102.5 cm. Photo courtesy of the Hungarian Cultural Centre, London. https://www.studiointernational.com/images/articles/m/032-maurer-dora-2021/03.jpg András Wolsky, Inter-Space No. 3, 2021. Wood, canvas, acrylic, three pieces each 55 x 55 cm. Photo courtesy of the Hungarian Cultural Centre, London. https://www.studiointernational.com/images/articles/m/032-maurer-dora-2021/07.jpg András Zalavári, Plane-tree Allée, 2019. Photomontage 80 x 110 cm. Photo courtesy of the Hungarian Cultural Centre, London. https://www.studiointernational.com/images/articles/m/032-maurer-dora-2021/09.jpg Mária Chilf, So many moments, 2019. Stain, photocut on paper, 70 x 100 cm. Photo courtesy of the Hungarian Cultural Centre, London. https://www.studiointernational.com/index.php/angela-heisch-interview-burgeon-and-remain-pippy-houldsworth-gallery-london https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_Diving-for-Pearls_2021_PH1048.jpg Angela Heisch. Diving for Pearls, 2021. Oil on linen over panel, 152.4 x 182.9 cm (60 x 72 in). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_Flares_2021_PH1049.jpg Angela Heisch. Flares, 2021. Oil and linen over panel, 152.4 x 152.4 cm (60 x 60 in). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_Sting_2021_PH0933.jpg Angela Heisch. Sting, 2021. Oil on linen over panel 152.4 x 152.4 cm (60 x 60 in). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_Heavy-Metal_2021_PH1051.jpg Angela Heisch. Heavy Metal, 2021. Oil on linen over panel, 50.8 x 61 cm (20 x 24 in ). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_In-the-Grass_2021_PH0961.jpg Angela Heisch. In the Grass, 2021. Oil on linen over panel 152.4 x 182.9 cm (60 x 72 in). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_Rose-Bush_2021_PH1052.jpg Angela Heisch. Rose Bush, 2021. Oil on linen over panel, 61 x 91.4 cm, 24 x 36 in ). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_Aware-of-the-Puddle_2021_PH1050.jpg Angela Heisch. Aware of the Puddle, 2021. Oil on linen over panel, 152.4 x 182.9 cm, (60 x 72 in). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_Deep-Climb_2021_PH1047.jpg Angela Heisch. Deep Climb, 2021. Oil on linen over panel, 152.4 x 182.9 cm (60 x 72 in). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_Cool-Snip_2021_PH1053.jpg Angela Heisch. Cool Snip, 2021. Oil on linen over panel, 25.4 x 33 cm (10 x 13 in). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Heisch_Warmed-Snip_2021_PH1054.jpg Angela Heisch. Warmed Snip, 2021. Oil on linen over panel 25.4 x 33 cm (10 x 13 in). Image courtesy the artist and Pippy Houldsworth Gallery. © Angela Heisch 2021. Photo: Thomas Müller. https://www.studiointernational.com/images/articles/h/034-heisch-angela-2021/Angela-heisch-photo-Will-Kitchings.jpg Angela Heisch. Photo: Will Kitchings. https://www.studiointernational.com/index.php/studio-international-january-1970-volume-179-number-918 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-january-1970.jpg Studio International, January 1970, Volume 179 Number 918. Cover image specially designed by Paul Huxley. https://www.studiointernational.com/index.php/studio-international-february-1970-volume-179-number-919 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-february-1970.jpg Studio International, February 1970, Volume 179 Number 919. The cover design, showing Barnett Newman in his studio, is taken from a photograph by Alexander Liberman. https://www.studiointernational.com/index.php/studio-international-march-1970-volume-179-number-920 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-march-1970.jpg Studio International, March 1970, Volume 179 Number 920. Cover image: a sculpture near Bristol, 1967, by Richard Long. https://www.studiointernational.com/index.php/studio-international-april-1970-volume-179-number-921 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-april-1970.jpg Studio International, April 1970, Volume 179 Number 921. Cover image specially designed by Anthony Benjamin. https://www.studiointernational.com/index.php/studio-international-may-1970-volume-179-number-922 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-may-1970.jpg Studio International, May 1970, Volume 179 Number 922. Cover designed by Alexander Liberman. https://www.studiointernational.com/index.php/studio-international-june-1970-volume-179-number-923 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-june-1970.jpg Studio International, June 1970, Volume 179 Number 923. Cover design by Claes Oldenburg. https://www.studiointernational.com/index.php/studio-international-july-august-1970-volume-180-number-924 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-july-august-1970.jpg Studio International, 1970, July/August 1970, Volume 180 Number 924. Cover image. https://www.studiointernational.com/index.php/studio-international-september-1970-volume-180-number-925 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-september-1970.jpg Studio International, 1970, September 1970, Volume 180 Number 925. Cover specially designed by Michael Tyzack. https://www.studiointernational.com/index.php/studio-international-october-1970-volume-180-number-926 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-october-1970.jpg Studio International, 1970, October 1970, Volume 180 Number 926. Cover specially designed by Bruno Munari. https://www.studiointernational.com/index.php/studio-international-november-1970-volume-180-number-927 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-november-1970.jpg Studio International, 1970, November 1970, Volume 180 Number 927. Cover image. Members of the Art Workers https://www.studiointernational.com/index.php/studio-international-december-1970-volume-180-number-928 https://www.studiointernational.com/images/articles/archive-1965-1976/1970/studio-international-december-1970.jpg Studio International, 1970, December 1970, Volume 180 Number 928. Cover specially designed by Ivor Abrahams. https://www.studiointernational.com/index.php/tokyo-art-and-photography-review-ashmolean-museum-oxford https://www.studiointernational.com/images/articles/t/073-tokyo-photography-2021/Edo.jpg Edo Castle from the album, Record of Famous Sights of the Tokaido Road, Tosa school, late-17th century. Double page, 17.5 x 28.1 cm. Ashmolean Museum, University of Oxford https://www.studiointernational.com/images/articles/t/073-tokyo-photography-2021/Tokyo-Tower-(c)-The-artist-and-Yumiko-Chiba-Associates.jpg Takano Ryudai (b1963). Tokyo Tower (2011.03.11) from Daily Snapshots, 2014. © The artist and Yumiko Chiba Associates, Tokyo. https://www.studiointernational.com/images/articles/t/073-tokyo-photography-2021/Uguisudani-zu-Private-Collection-(c)-Aida-Makoto,-courtesy-the-artist-and-Mizuma-Art-Gallery.jpg Aida Makoto. Uguisudani-zu, 1990. Panel, sex phone calling cards, Japanese mineral pigment, acrylic Private Collection © Aida Makoto, courtesy the artist and Mizuma Art Gallery. https://www.studiointernational.com/images/articles/t/073-tokyo-photography-2021/bunker.jpg Yamashita Kikuji (1919–86). Bunker-1, 1966 (detail). Oil on canvas, 130 x 194 cm. © The artist. Courtesy Gallery Nippon, Tokyo. https://www.studiointernational.com/images/articles/t/073-tokyo-photography-2021/3-Tokyo-(c)-Ninagawa-Mika.jpg Ninagawa Mika (b1972). Tokyo from Utsurundesu series, since 2018. Models: AMIAYA. © Ninagawa Mika, courtesy the artist and Tomio Koyama Gallery. https://www.studiointernational.com/images/articles/t/073-tokyo-photography-2021/Ginza-(c)-Sugiura-Hisui-and-Arrow-Art-Works.jpg Sugiura Hisui (1876–1965), Ginza Branch Open on April 10, 1930. Colour lithograph, 109.8 x 82.2 cm. © The artist & Tokyo National Museum of Modern Art. Photo: Arrow Art Works, 2000. https://www.studiointernational.com/images/articles/t/073-tokyo-photography-2021/Three-Persons-(c)-Machida-Kumi,-courtesy-Nishimura-Gallery.jpg Machida Kumi (b1970). Three Persons, 2003. Sumi ink and mineral pigments on kumohada linen paper. Y’s Collection © Machida Kumi, courtesy Nishimura Gallery. https://www.studiointernational.com/index.php/matthew-krishanu-interview-i-want-my-paintings-to-exist-between-precision-of-photograph-and-something-looser https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Four-Nuns,-2020.jpg Matthew Krishanu. Four Nuns, 2020. Oil on canvas, 180 x 140 cm. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Southbank-Centre-Installation-view-of-Matthew-Krishanu-works-at-Southbank-Centres-Everyday-Heroes-2020-3.jpg Matthew Krishanu https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Mission,-2020.jpg Matthew Krishanu. Mission, 2020. Oil on canvas, 180 x 240 cm. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Two-Boys-on-a-Boat,-2019.jpg Matthew Krishanu. Two Boys on a Boat, 2019. Oil on board, 46 x 61 cm. Collection of Huddersfield Art Gallery. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Two-Boys-on-a-Log,-2019.jpg Matthew Krishanu. Two Boys on a Log, 2019. Oil on board, 61 x 46 cm. Collection of Huddersfield Art Gallery. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Mission-School,-2017.jpg Matthew Krishanu. Mission School, 2017. Oil on canvas, 150 x 200 cm. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Boy-and-Nun,-2020.jpg Matthew Krishanu. Boy and Nun, 2020. Oil on canvas, 45 x 35 cm. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Two-Boys-(Church-Tower),-2020.jpg Matthew Krishanu. Two Boys (Church Tower), 2020. Oil on canvas, 45 x 35 cm. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Weapons,-2021.jpg Matthew Krishanu. Weapons, 2021. Oil on canvas, 45 x 60 cm. Courtesy of the artist and Jhaveri Contemporary. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Southbank-Centre-Installation-view-of-Matthew-Krishanu-works-at-Southbank-Centres-Everyday-Heroes-2020-2.jpg Matthew Krishanu https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Southbank-Centre-krishanu.jpg Matthew Krishanu https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Southbank-Centre-Installation-view-of-Matthew-Krishanu-works-at-Southbank-Centres-Everyday-Heroes-2020.jpg Matthew Krishanu https://www.studiointernational.com/images/articles/k/059-krishanu-matthew-2021/Portrait-Matthew-Krishanu-photo-Peter-Mallet.jpg Matthew Krishanu. Photo: Peter Mallet. https://www.studiointernational.com/index.php/the-renaissance-cities-art-in-florence-rome-and-venice-norbert-wolf-book-review-prestel https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Titian_Pope-Paul-III-and-His-Grandsons.jpg Titian, Pope Paul III and His Grandsons. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Botticelli_Simonetta-Vespucci.jpg Botticelli, Simonetta Vespucci. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Leonardo_Mona-Lisa.jpg Leonardo, Mona Lisa. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Botticelli_Birth-of-Venus.jpg Botticelli, Birth of Venus. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Michelangelo_Creation-of-Adam.jpg Michelangelo, Creation of Adam. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Bellini_Miracle-of-the-True-Cross.jpg Bellini, Miracle of the True Cross. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Botticelli_Man-with-a-Medal.jpg Botticelli, Man with a Medal. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Botticelli_Mystic-Nativity.jpg Botticelli, Mystic Nativity. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Crivelli_The-Annunciation.jpg Crivelli, The Annunciation. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Giorgione-and-Titian_Sleeping-Venus.jpg Giorgione and Titian, Sleeping Venus. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Leonardo_Virgin-and-Child-with-Saint-Anne.jpg Leonardo, Virgin and Child with Saint Anne. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Raphael_Canigiani-Holy-Family.jpg Raphael, Canigiani Holy Family. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Raphael_School-of-Athens.jpg Raphael, School of Athens. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Raphael_Sistine-Madonna.jpg Raphael, Sistine Madonna. Image © Prestel. https://www.studiointernational.com/images/articles/r/063-renaissance-cities-2021/Titian_Venus-of-Urbino.jpg Titian, Venus of Urbino. Image © Prestel. https://www.studiointernational.com/index.php/graham-little-interview-smallness-feels-natural-to-me-alison-jacques-gallery-london https://www.studiointernational.com/images/articles/l/056-little-graham-2021/graham-little-02.jpg Graham Little, Untitled (Ladder), 2020. Gouache on paper, 38.9 x 47.1 cm (15 1/4 x 18 1/2 in). Courtesy: Alison Jacques, London © Graham Little. https://www.studiointernational.com/images/articles/l/056-little-graham-2021/graham-little-03.jpg Graham Little, Untitled (Squirrel), 2021 (detail). Gouache on paper, 33.3 x 31 cm (13 1/8 x 12 1/4 in).  Courtesy: Alison Jacques, London © Graham Little. https://www.studiointernational.com/images/articles/l/056-little-graham-2021/graham-little-01.jpg Graham Little, Untitled (Mother and Baby, dusk), 2020. Gouache on paper, 24 x 34.4 cm (9 1/2 x 13 1/2 in) right panel: 24 x 20 cm (9 1/2 x 7 7/8 in). Courtesy: Alison Jacques, London © Graham Little. https://www.studiointernational.com/images/articles/l/056-little-graham-2021/graham-little-01-1000.jpg Graham Little, Untitled (Mother and Baby, dusk), 2020 (detail). Courtesy: Alison Jacques, London © Graham Little. https://www.studiointernational.com/images/articles/l/056-little-graham-2021/graham-little-04.jpg Graham Little, Untitled (Garden), 2021. Gouache on paper, 25.6 x 33.7 cm (10 1/8 x 13 1/4 in).  Courtesy: Alison Jacques, London © Graham Little. https://www.studiointernational.com/images/articles/l/056-little-graham-2021/graham-little-06.jpg Graham Little, Untitled (Crisp), 2021. Gouache on paper, 25.8 x 33.5 cm (10 1/8 x 13 1/4 in). Courtesy: Alison Jacques, London © Graham Little. https://www.studiointernational.com/images/articles/l/056-little-graham-2021/graham-little-05.jpg Graham Little, Untitled (Mountain), 2021. Gouache on paper, 36.5 x 34.6 cm (14 3/8 x 13 5/8 in). Courtesy: Alison Jacques, London © Graham Little. https://www.studiointernational.com/index.php/the-lost-leonardo-film-review-andreas-koefoed-salvator-mundi https://www.studiointernational.com/images/articles/l/055-lost-leonardo-2021/SALVATOR-MUNDI_COPYRIGHT-DIANE-MODESTINI.jpg Salvator Mundi, c1499-1510. Oil on walnut panel, 45.4 cm x 65.6 cm (25.8 in x 19.2 in). Image copyright Dianne Modestini. https://www.studiointernational.com/images/articles/l/055-lost-leonardo-2021/Dianne-Modestini-I.jpg Conservator Dianne Modestini. The Lost Leonardo, directed by Andreas Koefoed. Film still. https://www.studiointernational.com/images/articles/l/055-lost-leonardo-2021/lost-leonardo-key-still.jpg The Lost Leonardo, directed by Andreas Koefoed. Film still. https://www.studiointernational.com/index.php/doron-langberg-interview-theres-this-rush-of-empathy-and-emotion-give-me-love-victoria-miro-london https://www.studiointernational.com/images/articles/l/054-langberg-doron-2021/01.jpg Doron Langberg, Bather, 2021. Oil on linen, 243.8 x 203.2 cm. © Doron Langberg. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/l/054-langberg-doron-2021/DL100_Yokneam_2021_edge.jpg Doron Langberg, Yokneam, 2021. Oil on linen, 203.2 x 487.7 cm (80 x 192 in). © Doron Langberg. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/l/054-langberg-doron-2021/DL92_Sister_2021_edge.jpg Doron Langberg, Sister, 2021. Oil on linen, 45.7 x 61 cm (18 x 24 in). © Doron Langberg. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/l/054-langberg-doron-2021/02.jpg Doron Langberg, In My Lap, 2021. Oil on linen, 243.8 x 203.2 cm. © Doron Langberg. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/l/054-langberg-doron-2021/DL86_Brothers_2021_edge.jpg Doron Langberg, Brothers, 2021. Oil on linen, 203.2 x 487.7 cm (80 x 192 in). © Doron Langberg. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/l/054-langberg-doron-2021/03.jpg Doron Langberg, Ragwort, 2021. Oil on linen, 243.8 x 203.2 cm. © Doron Langberg. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/l/054-langberg-doron-2021/Doron-Langberg_Give-Me-Love_5.jpg Doron Langberg: Give Me Love, Installation view, Victoria Miro Gallery I, London, 3 September – 6 November 2021. © Doron Langberg. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/l/054-langberg-doron-2021/Doron-Langberg_Give-Me-Love_3.jpg Doron Langberg: Give Me Love, Installation view, Victoria Miro Gallery I, London, 3 September – 6 November 2021. © Doron Langberg. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/l/054-langberg-doron-2021/Doron-Langberg_Give-Me-Love_4.jpg Doron Langberg: Give Me Love, Installation view, Victoria Miro Gallery I, London, 3 September – 6 November 2021. © Doron Langberg. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/hans-op-de-beeck-interview-triennial-bruges-2021-danse-macabre https://www.studiointernational.com/images/articles/o/084-op-de-beeck-hans-2021/DanceMacabre1a.jpg Hans Op de Beeck, Danse Macabre, 2021. Sculptural installation: steel, aluminium, wood, polyester, polyamide, polyurethane, PVC coated nylon, plaster, coating, 950 x 650 x 950 cm. Photo: Studio Hans Op de Beeck, 2021. https://www.studiointernational.com/images/articles/o/084-op-de-beeck-hans-2021/DanceMacabre14.jpg Hans Op de Beeck, Danse Macabre, 2021. Sculptural installation: steel, aluminium, wood, polyester, polyamide, polyurethane, PVC coated nylon, plaster, coating, 950 x 650 x 950 cm. Photo: Studio Hans Op de Beeck, 2021. https://www.studiointernational.com/images/articles/o/084-op-de-beeck-hans-2021/DanceMacabre15.jpg Hans Op de Beeck, Danse Macabre, 2021. Sculptural installation: steel, aluminium, wood, polyester, polyamide, polyurethane, PVC coated nylon, plaster, coating, 950 x 650 x 950 cm. Photo: Studio Hans Op de Beeck, 2021. https://www.studiointernational.com/images/articles/o/084-op-de-beeck-hans-2021/DanceMacabre7-cropped.jpg Hans Op de Beeck, Danse Macabre, 2021. Sculptural installation: steel, aluminium, wood, polyester, polyamide, polyurethane, PVC coated nylon, plaster, coating, 950 x 650 x 950 cm. Photo: Studio Hans Op de Beeck, 2021. https://www.studiointernational.com/images/articles/o/084-op-de-beeck-hans-2021/DanceMacabre5.jpg Hans Op de Beeck, Danse Macabre, 2021. Sculptural installation: steel, aluminium, wood, polyester, polyamide, polyurethane, PVC coated nylon, plaster, coating, 950 x 650 x 950 cm. Photo: Studio Hans Op de Beeck, 2021. https://www.studiointernational.com/images/articles/o/084-op-de-beeck-hans-2021/DanceMacabre9.jpg Hans Op de Beeck, Danse Macabre, 2021. Sculptural installation: steel, aluminium, wood, polyester, polyamide, polyurethane, PVC coated nylon, plaster, coating, 950 x 650 x 950 cm. Photo: Studio Hans Op de Beeck, 2021. https://www.studiointernational.com/images/articles/o/084-op-de-beeck-hans-2021/Hans-Op-de-Beeck---Danse-Macabre,-carousel---work-in-progress-Studio-Hans-Op-de-Beeck(1).jpg Hans Op de Beeck, Danse Macabre, 2021. Sculptural installation: steel, aluminium, wood, polyester, polyamide, polyurethane, PVC coated nylon, plaster, coating, 950 x 650 x 950 cm. Photo: Studio Hans Op de Beeck, 2021. https://www.studiointernational.com/images/articles/o/084-op-de-beeck-hans-2021/DanceMacabre1b.jpg Hans Op de Beeck, Danse Macabre, 2021. Sculptural installation: steel, aluminium, wood, polyester, polyamide, polyurethane, PVC coated nylon, plaster, coating, 950 x 650 x 950 cm. Photo: Studio Hans Op de Beeck, 2021. https://www.studiointernational.com/images/articles/o/084-op-de-beeck-hans-2021/DanceMacabre12.jpg Hans Op de Beeck, Danse Macabre, 2021. Sculptural installation: steel, aluminium, wood, polyester, polyamide, polyurethane, PVC coated nylon, plaster, coating, 950 x 650 x 950 cm. Photo: Studio Hans Op de Beeck, 2021. https://www.studiointernational.com/index.php/armory-show-2021-review-javits-center-new-york-27th-edition https://www.studiointernational.com/images/articles/a/033-armory-show-2021/black-is-excellence.jpg Genevieve Gaignard. Black is Excellence (Just Be), 2021. Mixed media on panel, 41 ¹⁄₂ x 48 x 1 in (105.41 x 121.92 x 2.54 cm). Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/Benny-Andrews-Circle-1973.jpg Benny Andrews, Circle, 1973. Oil on 12 linen canvases with painted fabric and mixed media collage, 120 x 288 in. Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/Genevieve-Gaignard-Sell-to-Black-Collectors.jpg Genevieve Gaignard, Sell to Black Collectors. Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/charlotte-keates-Liquid-Wood-Grain,-2021.jpg Charlotte Keates. Liquid Wood Grain, 2021. Oil, acrylic and natural inks on board, 100 x 100 cm. Image courtesy Arusha Gallery. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/clare-woods.jpg Clare Woods. Fun Wondering, 2021 (detail). Oil on aluminium, 78 7/10 × 59 1/10 in (200 × 150 cm). Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/Chester-Higgins-A-Young-Muslim-Woman-in-Brooklyn-1990..jpg Chester Higgins. A Young Muslim Woman in Brooklyn, 1990. Silver Gelatin Print. Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/Alison-Elizabeth-Taylor.jpg Alison Elizabeth Taylor. Sketch for a Still Life, 2020. Marquetry Hybrid, 50 x 63 in (127 x 160 cm). © Alison Elizabeth Taylor 2021. Image courtesy the artist and James Cohan, New York. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/JORDAN-NASSAR-I-am-half-of-the-universe,-2021.jpg Jordan Nassar. I am half of the universe, 2021. Hand-embroidered cotton on cotton, 49 x 55 1/2 in (124.5 x 141 cm). © Jordan Nassar 2021. Image courtesy the artist and James Cohan, New York. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/george-bolster-detail.jpg George Bolster. A Balance We Need to Strike: Allowing the Next Generation to Live in the Past Perpetuates the Present Stasis, 2021 (detail). Acrylic paint and embroidery on jacquard tapestry, 68 × 53 × 2 in (172.7 × 134.6 × 5.1 cm). Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/grayson-perry-detail-2.jpg Grayson Perry. Very Large Very Expensive Abstract Painting, 2020 (detail). Tapestry, 292 x 688 cm (114 15/16 x 270 7/8 in). Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/Marie-Watt-skywalker-skyscraper-sunrise-2021.jpg Marie Watt. Skywalker/Skyscraper (Sunrise), 2021. Reclaimed wool blankets, steel I-beam, cedar, 88 x 30 x 30 in (223.52 x 76.2 x 76.2 cm). Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/Jim-Shaw.jpg Jim Shaw. Pandora’s Box, 2020. Acrylic on muslin, 119.4 x 101.6 cm (47 x 40 in). Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/Tau-Lewis-Opus-Platform-B-sculpture.jpg Tau Lewis. Opus (The Ovule), 2020. Courtesy of the artist and Night Gallery, Los Angeles. Photo: Nik Massey. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/fieldstreet.jpg Yieldstreet’s 350-square-foot faux graffiti. Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/Fred-Tomaselli-Untitled-2021.jpg Fred Tomaselli, Untitled, 2021. Collage, acrylic, resin on panel, 30 x 24 in (76.2 x 61 cm). © Fred Tomaselli 2021. Image courtesy the artist and James Cohan, New York. https://www.studiointernational.com/images/articles/a/033-armory-show-2021/visitors-to-armory-show-2021.jpg Installation view, The Armory Show 2021. Photo: Jill Spalding. https://www.studiointernational.com/index.php/yoan-capote-when-a-cuban-looks-at-sea-he-remembers-isolation-pain-thousands-of-families-requiem-ben-brown-fine-arts https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/CAP00139-Capote-requiem-(plegaria-II)-2020-(2).jpg Yoan Capote, Requiem, installation view. © Yoan Capote. Image courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/DSC02251.jpg Yoan Capote, Requiem (Plegaria), 2019-21. 24 kt gold leaf, oil, nails and fishhooks on linen panel on plywood, 280 x 909 x 15 cm. © Yoan Capote. Image courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/DSC02363.jpg Yoan Capote, Requiem (Plegaria), 2019-21 (fish-hook detail). 24 kt gold leaf, oil, nails and fishhooks on linen panel on plywood, 280 x 909 x 15 cm. © Yoan Capote. Image courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/CAP00139-Capote-requiem-(plegaria-II)-2020---(6).jpg Yoan Capote, Requiem (Augurio), 2021 (detail). 24 kt gold leaf, oil, nails and fishhooks on linen panel on plywood, 140 x 200 x 11 cm. © Yoan Capote. Image courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/CAP00140-Capote-requiem-(plegaria-II)-2020---(2).jpg Yoan Capote, Requiem (Augurio), 2021 (detail). 24 kt gold leaf, oil, nails and fishhooks on linen panel on plywood, 140 x 200 x 11 cm. © Yoan Capote. Image courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/endless-sea.jpg Yoan Capote, Requiem (Endless Sea), 2021. Granite, 11 parts, 64 x 709 x 18 cm (25 1/4 x 279 1/8 x 7 1/8 in). © Yoan Capote. Image courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/endless-sea-2.jpg Yoan Capote, Requiem (Endless Sea), 2021. Granite, 11 parts, 64 x 709 x 18 cm (25 1/4 x 279 1/8 x 7 1/8 in). © Yoan Capote. Image courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/CAP00139-Capote-requiem-(plegaria-II)-2020---(5).jpg Yoan Capote, Requiem (Augurio), 2021 (detail). 24 kt gold leaf, oil, nails and fishhooks on linen panel on plywood, 140 x 200 x 11 cm. © Yoan Capote. Image courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/YOAN-CAPOTE-HEADSHOT,-photo-Leandro-Feal.jpg Yoan Capote. Photo: Leandro Feal. https://www.studiointernational.com/images/articles/c/022-capote-yoan-2021/CAP00139-Capote-requiem-(plegaria-II)-2020---(4).jpg Yoan Capote, Requiem (Augurio), 2021. 24 kt gold leaf, oil, nails and fishhooks on linen panel on plywood, 140 x 200 x 11 cm. © Yoan Capote. Image courtesy Ben Brown Fine Arts. https://www.studiointernational.com/index.php/british-ceramics-biennial-2021-review-stoke-on-trent https://www.studiointernational.com/images/articles/b/021-bcb-2021/01-Pam-Su-Lost-and-Found-(2021.jpg Pam Su. Lost and Found, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/021-bcb-2021/02-Toni-de-Jesus-vessel.jpg Toni de Jesus. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/021-bcb-2021/03-Laura-Plant-three-vessels.jpg Laura Plant. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/021-bcb-2021/04-Elizabeth-Jackson-very-interesting-thoughts-to-think-(2021).jpg Elizabeth Jackson. Very interesting thoughts to think, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/021-bcb-2021/05-Janet-Lines-vessel.jpg Janet Lines. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/021-bcb-2021/07-Tamsin-van-Essen,-The-Residue-of-Tools,-2021,-photograph-Jenny-Harper.jpg Tamsin van Essen. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/021-bcb-2021/09-Cleo-Mussi,-detail-from-Phylum,-Phlon,-Phylogeny,-Phyllon-and-Phyllosilicates-,-Taxonomu,-Race,-Origin,-Leaf-and-Clay,-2021,-photograph-Jenny-Harper.jpg Cleo Mussi. Detail from Phylum, Phlon, Phylogeny, Phyllon and Phyllosilicates, Taxonomu, Race, Origin, Leaf and Clay, 2021. Photo: Jenny Harper. https://www.studiointernational.com/images/articles/b/021-bcb-2021/10-Jaqueline-Bishop-plates-still-in-their-packaging.jpg Jaqueline Bishop. History at the Dinner Table, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/021-bcb-2021/11-Amy-Hughes-A-Potters-Book-(2021)-part-of-Leach-100.jpg Amy Hughes. A Potter’s Book, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/021-bcb-2021/Swarm-detail-by-Anna-Collette-Hunt-in-Airpsace-gallery.jpg Anna Collette Hunt. Stirring the Swarm, 2021 (detail), Airpsace gallery. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/021-bcb-2021/Ho-Lai,-Fluxing-Red,-2021,-photo-Jenny-Harper.jpg Ho Lai. Fluxing Red, 2021. Photo: Jenny Harper. https://www.studiointernational.com/index.php/alastair-gordon-interview-quodlibet-aleph-contemporary-christianity https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Improvisation,-2021.jpg Alastair Gordon. Improvisation, 2021. Oil and acrylic on mdf, 100 x 120 cm. © Alastair Gordon. Courtesy the artist and Aleph Contemporary. Photo: Anna Arca. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Memento-Mori.jpg Alastair Gordon. Memento Mori, 2014. Oil on gaboon marine ply, 50 x 40 cm. © Alastair Gordon. Courtesy the artist. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Nautical-Map.jpg Alastair Gordon. Nautical Map, 2013. Oil on gaboon marine ply, 120 x 90 cm. © Alastair Gordon. Courtesy the artist. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Sacrament-(lateral-composition),-2015.jpg Alastair Gordon. Sacrament (lateral composition), 2015. Oil on wood, 30 x 20 cm. © Alastair Gordon. Courtesy the artist. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Studio-Remains,-2016.jpg Alastair Gordon. Studio Remains, 2016. Acrylic on gaboon marine ply, 50 x 40 cm. © Alastair Gordon. Courtesy the artist. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/The-Betwitching-Hour.jpg Alastair Gordon. The Betwitching Hour, 2021. Oil, acrylic and pencil on canvas, 120 x 240 cm. © Alastair Gordon. Courtesy the artist and Aleph Contemporary. Photo: Anna Arca. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/B-Flat,-2021.jpg Alastair Gordon. B Flat, 2021. Oil, acrylic and gesso on mdf, 60 x 90 cm. © Alastair Gordon. Courtesy the artist and Aleph Contemporary. Photo: Anna Arca. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/A-New-Beginning,-2021.jpg Alastair Gordon. A New Beginning, 2021. Oil and acrylic on mdf, 59 x 76 cm. © Alastair Gordon. Courtesy the artist and Aleph Contemporary. Photo: Anna Arca. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Pink-Dawn,-2021.jpg Alastair Gordon. Pink Dawn, 2021. Oil, acrylic and gesso on canvas, 65 x 54 cm. © Alastair Gordon. Courtesy the artist and Aleph Contemporary. Photo: Anna Arca. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Fifteen-Paper-Panes,-2018.jpg Alastair Gordon. Fifteen Paper Panes, 2018. Oil on wood, 90 x 68 cm. © Alastair Gordon. Courtesy the artist. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Tabula-Rasa,-2016.jpg Alastair Gordon. Tabula Rasa, 2016. Oil on gaboon marine ply, 50 x 40 cm. © Alastair Gordon. Courtesy the artist. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Through-a-Glass-Darkly,-2021.jpg Alastair Gordon. Through a Glass Darkly, 2021. Oil, acrylic and mixed media on marine ply, 68 x 90 cm. © Alastair Gordon. Courtesy the artist and Aleph Contemporary. Photo: Anna Arca. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Portrait-Alastair-Gordon.jpg Alastair Gordon. Photo: Alastair Gordon. https://www.studiointernational.com/images/articles/g/061-alasdair-gordon-2021/Why-Art-Matters-book-cover.jpg Why Art Matters by Alastair Gordon, published by IVP Books. https://www.studiointernational.com/index.php/adam-farah-what-ive-learned-from-you-and-myself-review-camden-art-centre-london https://www.studiointernational.com/images/articles/f/069-farah-adam-2021/Camden-Art-Centre-Adam-Farah-(High-Res)-30.jpg Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix), installation view, Camden Art Centre, London, 10 September – 23 December 2021. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/069-farah-adam-2021/Camden-Art-Centre-Adam-Farah-(High-Res)-17.jpg Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix), installation view, Camden Art Centre, London, 10 September – 23 December 2021. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/069-farah-adam-2021/Camden-Art-Centre-Adam-Farah-(High-Res)-21.jpg Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix), installation view, Camden Art Centre, London, 10 September – 23 December 2021. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/069-farah-adam-2021/Camden-Art-Centre-Adam-Farah-(High-Res)-22.jpg Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix), installation view, Camden Art Centre, London, 10 September – 23 December 2021. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/069-farah-adam-2021/Camden-Art-Centre-Adam-Farah-(High-Res)-31.jpg Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix), installation view, Camden Art Centre, London, 10 September – 23 December 2021. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/069-farah-adam-2021/Camden-Art-Centre-Adam-Farah-(High-Res)-33.jpg Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix), installation view, Camden Art Centre, London, 10 September – 23 December 2021. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/069-farah-adam-2021/Camden-Art-Centre-Adam-Farah-(High-Res)-11.jpg Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix), installation view, Camden Art Centre, London, 10 September – 23 December 2021. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/069-farah-adam-2021/Camden-Art-Centre-Adam-Farah-(High-Res)-15.jpg Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix), installation view, Camden Art Centre, London, 10 September – 23 December 2021. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/069-farah-adam-2021/Camden-Art-Centre-Adam-Farah-(High-Res)-6.jpg Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix), installation view, Camden Art Centre, London, 10 September – 23 December 2021. Photo: Rob Harris. https://www.studiointernational.com/index.php/tal-r-martin-herbert-contemporary-painters-lund-humphries-book-review https://www.studiointernational.com/images/articles/t/072-tal-r-2021/37-Old-Confused-Gun,-2009.jpg Tal R, Old Confused Gun, 2009. Oil on canvas, 200 × 200 cm (78 × 78 in). Magasin III, Stockholm. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/40-Haute-Couture,-2010.jpg Tal R, Haute Couture, 2010. Crayon, pigment and rabbit-skin glue on canvas, 250 × 250 × 4.5 cm (98 × 98 × 1 in). Collection of Bo and Britt Bjerggaard. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/42-tal_m_443.jpg Tal R, Hermes, 2011. Crayon, pigment and rabbit-skin glue on canvas, 250 × 250 × 10 cm (98 × 98 x 4 in). Private collection. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/45-tal_m_442.jpg Tal R, March to Goodwill, 2011. Crayon, pigment and rabbit-skin glue on canvas, 250 × 250 × 10 cm (98 × 98 × 10 in). Private collection. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/54-Rosa-smoke,-2013.jpg Tal R, Rosa Smoke, 2013. Crayon, pigment and rabbit-skin glue on canvas, 112 × 97 cm (44 × 38 in). Private collection. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/62-The-drawing-class,-2014.jpg Tal R, The Drawing Class, 2014. Crayon, pigment and rabbit-skin glue on canvas, 172 × 140 cm (67 × 55 in). Collection of Howard and Katie Read. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/67-Retired-Professor_2014-a_retouched.jpg Tal R, Retired Professor, 2014. Rag rugs and foam on wood, Sofa: 83 × 200 × 118 cm; Top part: 48 × 200 × 48 cm. Victoria Miro, London/Venice. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/73-Deaf-Institute,-2016.jpg Tal R, Deaf Institute, 2016. Pigment and rabbit-skin glue on canvas, 244 × 200 cm (96 × 78 in). KII Art Foundation, Hong Kong. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/74-Keyhole,-2016.jpg Tal R, Keyhole, 2016. Pigment and rabbit-skin glue on canvas, 240 x 188 cm (94 × 74 in). Courtesy of the artist and Cheim & Reid, New York. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/8-TAL_M_46.jpg Tal R, House Red, 2018. Oil on canvas, 200 x 147 cm (78 × 58 in). Courtesy of the artist and Victoria Miro, London/Venice. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/81-TAL_M_894.jpg Tal R, Riders in the Sky, 2002. Oil and crayon on canvas, 250 × 250 cm (98 × 98 in). Private collection. https://www.studiointernational.com/images/articles/t/072-tal-r-2021/tal-r-bookcover-1000.jpg Tal R by Martin Herbert, cover; Palmer Park, 2018. Acrylic on cardboard, 453 × 480 cm (178 × 189 in). Private collection. https://www.studiointernational.com/index.php/peter-freeth-40-years-of-aquatints-review-art-space-gallery-islington https://www.studiointernational.com/images/articles/f/068-freeth-peter-2021/peter-freeth-fig6.jpg Peter Freeth. Divided City with Broken Aqueduct. Aquatint, 43 × 64 cm. Image courtesy Art Space Gallery. https://www.studiointernational.com/images/articles/f/068-freeth-peter-2021/peter-freeth-fig8.jpg Peter Freeth. A Glimpse of the Tempest. Aquatint, 42 × 60 cm. Image courtesy Art Space Gallery. https://www.studiointernational.com/images/articles/f/068-freeth-peter-2021/peter-freeth-fig14.jpg Peter Freeth. Dreaming of Babylon, Aquatint, 42 × 33 cm. Image courtesy Art Space Gallery. https://www.studiointernational.com/images/articles/f/068-freeth-peter-2021/peter-freeth-fig16.jpg Peter Freeth. Horse. Aquatint, 48 × 60 cm. Image courtesy Art Space Gallery. https://www.studiointernational.com/images/articles/f/068-freeth-peter-2021/peter-freeth-fig15.jpg Peter Freeth. Mr Parkinson Practices his Surrender. Aquatint, 26 × 23 cm. Image courtesy Art Space Gallery. https://www.studiointernational.com/images/articles/f/068-freeth-peter-2021/peter-freeth-fig9.jpg Peter Freeth. Study for the Good Samaritan. Aquatint, 14 × 15 cm. Image courtesy Art Space Gallery. https://www.studiointernational.com/images/articles/f/068-freeth-peter-2021/peter-freeth-fig23.jpg Peter Freeth. Would You Adam'n Eve it? Aquatint, 11 × 17 cm. Image courtesy Art Space Gallery. https://www.studiointernational.com/index.php/summer-exhibition-2021-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/Barbel-Lange-1-RESIZED.jpg Bärbel Lange. Bear. Mixed media, cutout (paper, pencil, China ink), 105 x 75 x 5 cm. Copyright Kunsthaus KAT18. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/Bill-Traylor.jpg Bill Traylor. Man with Barking Dog (Blue and Red Construction). Poster paint and pencil on cardboard, 15.24 x 12.07 cm. Photo © Eric W. Baumgartner. Courtesy of Hirschl & Adler Modern. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/Marie-Rose-Lortet.jpg Marie-Rose Lortet. En tournant la tête. Silk and cotton threads, textile, 56 x 60 x 8 cm. Photo © Clovis Prévost. Courtesy Marie Finaz Gallery. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/RA-Summer-21-12.jpg Summer Exhibition 2021, installation view, Royal Academy of Arts, London, 22 September 2021 – 2 January 2022 showing El Anatsui Hon RA, Dexterity. Photo: © Royal Academy of Arts, London / David Parry. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/RA-Summer-21-42.jpg Summer Exhibition 2021, installation view, Royal Academy of Arts, London, 22 September 2021 – 2 January 2022. Photo: © Royal Academy of Arts, London / David Parry. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/Whitfield-Lovell-1.jpg Whitfield Lovell. Kin XLVII (Rimshot). Conte on paper, cardboard display advertisement, 76.2 x 57.2 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/RA-Summer-21-14.jpg Summer Exhibition 2021, installation view, Royal Academy of Arts, London, 22 September 2021 – 2 January 2022. Photo: © Royal Academy of Arts, London / David Parry. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/RA-Summer-21-30.jpg Summer Exhibition 2021, installation view, Royal Academy of Arts, London, 22 September 2021 – 2 January 2022. Photo: © Royal Academy of Arts, London / David Parry. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/RA-Summer-21-35.jpg Summer Exhibition 2021, installation view, Royal Academy of Arts, London, 22 September 2021 – 2 January 2022. Photo: © Royal Academy of Arts, London / David Parry. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/RA-Summer-21-5.jpg Summer Exhibition 2021, installation view, Royal Academy of Arts, London, 22 September 2021 – 2 January 2022. Photo: © Royal Academy of Arts, London / David Parry. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/Eddy-Kamuanga-Ilunga-1.jpg Eddy Kamuanga. Oubliez le passé et vous perdez les deux yeux. Acrylic and oil on canvas, 200 x 220 cm. Courtesy of the Artist and October Gallery, London. https://www.studiointernational.com/images/articles/r/062-RA-summer-show-2021/ra-summer-show-2021-courtyard.jpg Royal Academy of Arts Summer Exhibition 2021. Photo: William Kennedy. https://www.studiointernational.com/index.php/marina-abramovic-seven-deaths-review-lisson-gallery-london https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/ABRA_Cork-St_Seven-Deaths_Lisson-Gallery_2021_001.jpg Marina Abramović: Seven Deaths, exhibition view, 22 Cork Street, London. 14 September – 17 October, 2021. © Marina Abramović, courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/ABRA200002_FactumArte_001.jpg Marina Abramovic. Seven Deaths: The Snake, 2020/2021. Alabaster, custom light, 105 x 85 x 12 cm. © Marina Abramović, courtesy Lisson Gallery and Factum Arté. Photo: Oak Taylor-Smith. https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/191015c_0120-__ph-Marco-Anelli-2019.jpg Marina Abramović, 7 Deaths of Maria Callas, 2019. Photo: Marco Anelli, Courtesy of the Marina Abramovic Archives. https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/191015c_1035-__ph-Marco-Anelli-2019.jpg Marina Abramović, 7 Deaths of Maria Callas, 2019. Photo: Marco Anelli, Courtesy of the Marina Abramovic Archives. https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/ABRA_Seven-Deaths_Lisson-Gallery,-Bell-St_2021_013.jpg Marina Abramović: Seven Deaths, installation view, Lisson Gallery, Lisson Street, London, 14 September – 30 October 2021 © Marina Abramović, courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/ABRA_Seven-Deaths_Lisson-Gallery-1000.jpg Marina Abramović: Seven Deaths, installation view, Lisson Gallery, Lisson Street, London, 14 September – 30 October 2021 © Marina Abramović, courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/191018c_0117__ph-Marco-Anelli-2019.jpg Marina Abramović, 7 Deaths of Maria Callas, 2019. Photo: Marco Anelli, Courtesy of the Marina Abramovic Archives. https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/marina-abramovic-london-2021-photo-martin-kennedy.jpg Marina Abramović speaking at the press view for Seven Deaths, 22 Cork Street, London, 13 September 2021. https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/ABRA200001_FactumArte_001.jpg Marina Abramovic. Seven Deaths: The Breath, 2020/2021. Alabaster, custom light, 104 x 88 x 12 cm. © Marina Abramović, courtesy Lisson Gallery and Factum Arté. Photo: Oak Taylor-Smith. https://www.studiointernational.com/images/articles/a/032-abramovic-marina-2021/ABRA200007_FactumArte_001.jpg Marina Abramovic. Seven Deaths: The Fire, 2020/2021. Alabaster, custom light, 87 x 76 x 12 cm. © Marina Abramović, courtesy Lisson Gallery and Factum Arté. Photo: Oak Taylor-Smith. https://www.studiointernational.com/index.php/annie-morris-interview-my-work-revolves-around-experiences-things-im-not-comfortable-talking-about https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/05-Annie-Morris,-Stack-3,-Cadmium-Red,-2020.jpg Annie Morris, Stack 3, Cadmium Red, 2020. Foam core, pigment, concrete, steel, sand and plaster. Photo © Stephen White & Co. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/14-Annie-Morris,-Long-Tapestry-2,-2020.jpg Annie Morris, Long Tapestry 2, 2020. Photo © Annie Morris Studio. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/06-Annie-Morris,-Stack-9,-Copper-Blue,-2020.jpg Annie Morris, Stack 9, Copper Blue, 2020. Foam core, pigment, concrete, steel, sand and plaster. Photo © Stephen White & Co. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/08-Annie-Morris,-Stack-8,-Cadmium-Red,-2021.jpg Annie Morris, Stack 8, Cadmium Red, 2021. Foam core, pigment, concrete, steel, sand and plaster. Photo © Stephen White & Co. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/04-Annie-Morris-Studio.jpg Annie Morris Studio, 2021. Photo © Stephen White & Co. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/09-Stack-9,-Cobalt-Turquoise.jpg Annie Morris, Stack 9, Cobalt Turquoise, 2021. Foam core, pigment, concrete, steel, plaster, sand. Photo © Stephen White & Co. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/10-Stack-9,-Ultramarine-Blue,-2021.jpg Annie Morris, Stack 9, Ultramarine Blue, 2021. Foam core, pigment, concrete, steel, plaster, sand. Photo © Stephen White & Co. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/11-Annie-Morris,-Drawings-on-Shelves,-2020.jpg Annie Morris, Drawings on Shelves, 2020. Photo © Annie Morris Studio. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/15-Annie-Morris,-Night-Drawing-(Invisible),-2019.jpg Annie Morris, Night Drawing (Invisible), 2019. Photo © Stephen White & Co. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/12-Annie-Morris-Top-Hat-2021.jpg Annie Morris, Top Hat, 2021. Linen and thread. Photo: Stephen White & Co. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/13-Tapestry-untitled-2021.jpg Annie Morris, Untitled, 2021. Tapestry, linen and thread. Photo: Stephen White & Co. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/16-Annie-Morris,-Untitled,-2021.jpg Annie Morris, Untitled, 2021. Linen and thread, Photo © Annie Morris Studio. https://www.studiointernational.com/images/articles/m/031-morris-annie-2021/01-Portrait-Annie-Morris,-2021,-Holly-Clark.jpg Annie Morris, 2021. Photo: Holly Clark. https://www.studiointernational.com/index.php/the-story-of-the-country-house-a-history-of-places-and-people-clive-aslet-book-review-yale-university-press https://www.studiointernational.com/images/articles/c/021-country-house-2021/17-Chatsworth-painting-by-Jan-Siberechts.jpg A View of Chatsworth by Jan Siberechts, painted circa 1703 © The Devonshire Collections, Chatsworth. Reproduced by permission of Chatsworth Settlement Trustees. https://www.studiointernational.com/images/articles/c/021-country-house-2021/19-Kinross-House.jpg Kinross House, Scotland, built in 1685 by Sir William Bruce. Reproduced courtesy of Kinross House Estate. https://www.studiointernational.com/images/articles/c/021-country-house-2021/05-Lacock-Abbey,-cloister.jpg The medieval cloister at Lacock Abbey © National Trust. https://www.studiointernational.com/images/articles/c/021-country-house-2021/20-Blenheim-Palace-Blenheim-2021.jpg Blenheim Palace, England, built between 1705 and 1722, architect Sir John Vanbrugh © Blenheim 2021. https://www.studiointernational.com/images/articles/c/021-country-house-2021/25-Prior-Park-engraving-The-Board-of-Trustees-of-the-Science-Museum-.jpg Coloured engraving of Prior Park and the Wagon-Way near Bath, 1730s. Engraved by Ant. Walker. © The Board of Trustees of the Science Museum https://www.studiointernational.com/images/articles/c/021-country-house-2021/34-Endsleigh-Cottage.jpg Endsleigh Cottage, Milton Abbot, England, built between 1810 and 1816. Engraving after Thomas Allom. https://www.studiointernational.com/images/articles/c/021-country-house-2021/Country-House-Covers-II-HR.jpg The Story of the Country House: A History of Places and People by Clive Aslet, published by Yale University Press. https://www.studiointernational.com/index.php/mit-jai-inn-dreamworld-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/02-Midlands-Dwelling-Ikon_MIT_011.jpg Mit Jai Inn, Midlands Dwelling, 2021. Oil, colour pigment and glue on canvas, 310 x 837 x 670 cm / Acrylic on canvas on metal 61 x 232 x 77 cm. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/04-Patch-Work-2-Ikon_MIT_042.jpg Mit Jai Inn, Patch Work 2, 2019. Oil on canvas, 244 x 150.5 x 18 cm. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/06-Loops-Ikon_MIT_041.jpg Mit Jai Inn, Loops, 2019. Oil on canvas, each 300 x 20 cm approx. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/08-Scroll-Ikon_MIT_037.jpg Mit Jai Inn, Untitled (Scroll), 2021. Oil on canvas, 149 cm (h) x 65cm (diameter). Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/09-Scroll-Ikon_MIT_038.jpg Mit Jai Inn, Untitled (Scroll), 2021. Oil on canvas, 149 cm (h) x 65cm (diameter). Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/14-Dream-Works-Ikon_MIT_004.jpg Mit Jai Inn, Dream Works, 1999-2021. Oil on canvas, each 40 x 30 cm. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/20-Ikon_MIT_046.jpg Mit Jai Inn, Dream Tunnel, 2021. Oil on canvas, 542 x 153 x 804 cm. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/26-dreammantra-Ikon_MIT_019.jpg Mit Jai Inn, #dreammantra, 2021. Oil on canvas; acrylic and glue on canvas, metal Various dimensions. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/01-Midlands-Dwelling-Ikon_MIT_009.jpg Mit Jai Inn, Midlands Dwelling, 2021. Oil, colour pigment and glue on canvas, 310 x 837 x 670 cm / Acrylic on canvas on metal 61 x 232 x 77 cm. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/05-Patch-Work-2,-2019-Ikon_MIT_043.jpg Mit Jai Inn, Patch Work 2, 2019 (detail). Oil on canvas, 244 x 150.5 x 18 cm. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/19-Ikon_MIT_048.jpg Mit Jai Inn, Dream Tunnel, 2021. Oil on canvas, 542 x 153 x 804 cm. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/18-Ikon_MIT_036.jpg Mit Jai Inn, Dream Works, 1999-2021. Oil on canvas, each 40 x 30 cm. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/27-dreammantra-Ikon_MIT_021.jpg Mit Jai Inn, #dreammantra, 2021. Oil on canvas; acrylic and glue on canvas, metal Various dimensions. Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/m/030-mit-jai-inn-2021/12-Ikon_MIT_033.jpg Installation view, Mit Jai Inn: Dreamworld (2021). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/index.php/jasper-johns-mind-mirror-retrospective-review-whitney-museum-new-york-philadelphia-museum-of-art https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/08_Racing-Thoughts_1983_Johns.jpg Jasper Johns, Racing Thoughts, 1983. Encaustic and collage on canvas, 48 1/8 x 75 3/8 in (122.2 x 191.5 cm). Whitney Museum of American Art, New York; purchase, with funds from the Burroughs Wellcome Purchase Fund; Leo Castelli; the Wilfred P. and Rose J. Cohen Purchase Fund; the Julia B. Engel Purchase Fund; the Equitable Life Assurance Society of the United States Purchase Fund; The Sondra and Charles Gilman, Jr. Foundation, Inc.; S. Sidney Kahn; The Lauder Foundation, Leonard and Evelyn Lauder Fund; the Sara Roby Foundation; and the Painting and Sculpture Committee 84.6. © 2021 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), NY. Photograph by Jamie Stukenberg, Professional Graphics, Rockford, Illinois. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image09-pma-jasperjohns-mindmirror-usuyuki-1982.jpg Jasper Johns, Usuyuki, 1982. Encaustic on canvas (three panels), 71 x 113 3/4 in (180.3 × 288.9 cm) overall. Sezon Museum of Modern Art, Nagano, Japan. © 2021 Jasper Johns/VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image14-pma-jasperjohns-mindmirror-target-1992-.jpg Jasper Johns, Target, 1992. Encaustic and collage on canvas, 55 x 54 1/8 in (139.7 x 137.5 cm). Larry Gagosian. © 2021 Jasper Johns/VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/numbers-1963.jpg Jasper Johns, Numbers, 1963, cast 1968 (detail). Aluminium. Installation view. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/three-flags.jpg Jasper Johns, Three Flags, 1958. Installation view. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/09_Fall_1986_Johns.jpg Jasper Johns, Fall, 1986. Encaustic on canvas, 75 x 50 in. (190.5 x 127 cm). Collection of the artist; on long-term loan to Philadelphia Museum of Art. © 2021 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/JasperJohns_0239_1987_TheSeasons_Summer.jpg Jasper Johns, Summer, from The Seasons, 1987. Intaglio: five copperplates, 26 x 19 in (66 x 48.3 cm). Printed by John Lund, Hitoshi Kido, Craig Zammiello, Keith Brintzenhofe; published by Universal Limited Art Editions. Edition no. 2/73. Whitney Museum of American Art, New York; purchase with funds from the friends of Victor Ganz in his memory, 88.10.2. © 2021 Jasper Johns and ULAE / VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/07_Savarin_1982_Johns.jpg Jasper Johns, Savarin, 1982. Monotype, 50 × 38 in (127 × 96.5 cm). Bill Goldston, James V. Smith, Thomas Cox/ULAE. Whitney Museum of American Art, New York; gift of the American Contemporary Art Foundation, Inc., Leonard A. Lauder, President, 2002.228. Prints published by ULAE © 2021 Jasper Johns and ULAE/VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/neon.jpg Jasper Johns, Field Painting, 1963-64. Installation view. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image13-pma-jasperjohns-mindmirror-perilousnight-1982-.jpg Jasper Johns, Perilous Night, 1982. Encaustic on canvas with objects, 67 1/4 x 96 1/8 in (170.8 x 244.2 cm). National Gallery of Art, Washington, DC; Robert and Jane Meyerhoff Collection, 1995.79.1. © 2021 Jasper Johns/VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image06-pma-jasperjohns-mindmirror-falsestart-1959-.jpg Jasper Johns, False Start, 1959. Oil on canvas, 67 1/2 × 53 1/8 in (171.5 x 134.9 cm). Private collection. © Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), New York, NY. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image17-pma-jasperjohns-mindmirror-5postcards-2011.jpg Jasper Johns, 5 Postcards, 2011. From left to right: Encaustic on canvas, 36 x 24 in (91.4 x 61 cm); Oil on canvas, 36 x 27 in (91.4 x 68.6 cm); Oil on canvas, 36 x 27 in (91.4 × 68.6 cm); Oil and graphite on canvas, 36 x 27 in (91.4 x 68.6 cm); Encaustic on canvas, 36 x 24 in (91.4 x 61 cm). Philadelphia Museum of Art: promised gift of Keith L. and Katherine Sachs. © 2021 Jasper Johns/VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image02-pma-jasperjohns-mindmirror-paintingwithtwoballs-1960.jpg Painting with Two Balls, 1960. Encaustic and collage on canvas with objects (3 panels), 65 x 54 1/8 in (165.1 x 137.5 cm). Collection of the artist. © 2021 Jasper Johns/VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/souvenir.jpg Jasper Johns, Souvenir, 1964. Installation view. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image11-pma-jasperjohns-mindmirror-corpseandmirrorii-1974ndash75.jpg Jasper Johns, Corpse and Mirror II, 1974-75. Oil and sand on canvas (4 panels), 57 5/8 x 75 1/4 in. (146.4 x 191.1 cm). Collection of the Artist. © Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), New York, NY. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image01-pma-jasperjohns-mindmirror-flag-1954-.jpg Jasper Johns, Flag, 1954-55. Encaustic, oil, and collage on fabric mounted on wood (3 panels), 41.25 x 60.75 in (104.8 x 154.3 cm). The Museum of Modern Art, New York, NY; Gift of Philip Johnson in honor of Alfred H. Barr, Jr. © 2021 Jasper Johns/VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image15-pma-jasperjohns-mindmirror-untitled-2014.jpg Jasper Johns, Untitled, 2014. Unique etching on Arches Cover white paper mounted on Arches Cover white paper support: six plates, 43 1/2 × 79 1/2 in (110.5 × 201.9 cm). Collection of the artist. Photo by Jerry Thompson. © 2021 Jasper Johns/VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/orange-flag.jpg Jasper Johns, Flag on Orange Field, 1957. Installation view. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/untitled-2013-14.jpg Jasper Johns, Untitled, 2013-14. Installation view. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/j/084-johns-jasper-2021/image18-pma-jasperjohns-mindmirror-untitled-2017.jpg Jasper Johns, Untitled, 2017. Monotype, 35 1/8 x 30 in (89.2 x 76.2 cm). John Lund/Low Road Studio Forman Family Collection. © 2021 Jasper Johns/VAGA at Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/ibrahim-mahama-lazarus-review-white-cube-bermondsey-london https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-8.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-6.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-3.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/IMG_3172.jpg Ibrahim Mahama: Lazarus (detail). White Cube Bermondsey, 15 September – 7 November 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/IMG_3173.jpg Ibrahim Mahama: Lazarus (detail). White Cube Bermondsey, 15 September – 7 November 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-12.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-detail-7a.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-2.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-(15).jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-10.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-13.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-14.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-4.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-5.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-7.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/images/articles/m/029-mahama-ibrahim-2021/Ibrahim-Mahama-Lazarus-White-Cube-Bermondsey-9.jpg Ibrahim Mahama: Lazarus. White Cube Bermondsey, 15 September – 7 November 2021. © the artist. Photo © White Cube (Todd-White Art Photography). https://www.studiointernational.com/index.php/gijs-van-vaerenbergh-interview-arnout-pieterjan-we-are-always-experimenting-extremities-architecture-space-sculpture-form https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Colonnade,-(3).jpg Gijs Van Vaerenbergh. Colonnade, 2021. Steel, 10 x 10 x 5 m. Photo: Matthias Desmet. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Colonnade-Johnny-Umans-001.jpg Gijs Van Vaerenbergh. Colonnade, 2021. Steel, 10 x 10 x 5 m. Photo: Johnny Umans. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Colonnade-Johnny-Umans_002.jpg Gijs Van Vaerenbergh. Colonnade, 2021. Steel, 10 x 10 x 5 m. Photo: Johnny Umans. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Colonnade.jpg Gijs Van Vaerenbergh. Colonnade, 2021. Steel, 10 x 10 x 5 m. Photo: Matthias Desmet. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Triennale-Colonnade-plan.jpg Colonnade plan, 2021. Image © Gijs Van Vaerenbergh. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Tabernacle-Johnny-Umans---002.jpg Gijs Van Vaerenbergh. Tabernacle, 2021. Slates, nets, steel cables, steel columns, 8.25 x 5.25 x 6.55 m. Photo: Johnny Umans. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Island-Garden-Meise.jpg Gijs Van Vaerenbergh. Island Garden Meise, 2019-21 (ongoing, under construction). Photo collage. Image © Gijs Van Vaerenbergh. Project collaborators: Atelier Arne Deruyter. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/2020-01-07-Passage-Trooz-Gijs-Van-Vaerenbergh.jpg Gijs Van Vaerenbergh. 3 bridges, 2017-2021 (ongoing). Photo collage. Image © Gijs Van Vaerenbergh. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/2019-12-03-Passage-Trooz-Gijs-Van-Vaerenbergh.jpg Gijs Van Vaerenbergh. 3 bridges, 2017-2021 (ongoing). Photo collage. Image © Gijs Van Vaerenbergh. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Park-Huis-Doorn-Folly.jpg Gijs Van Vaerenbergh. Park Huis Doorn, 2018-21 (ongoing). Photo collage. Image © Gijs Van Vaerenbergh. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Park-Huis-Doorn-bridge.jpg Gijs Van Vaerenbergh. Park Huis Doorn, 2018-21 (ongoing). Photo collage. Image © Gijs Van Vaerenbergh. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-portrait-Jimmy-Ketz.jpg Gijs Van Vaerenbergh. Photo © Jimmy Ketz. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Colonnade,-(1).jpg Gijs Van Vaerenbergh. Colonnade, 2021. Steel, 10 x 10 x 5 m. Photo: Matthias Desmet. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Tabernacle-Johnny-Umans---004.jpg Gijs Van Vaerenbergh. Tabernacle, 2021. Slates, nets, steel cables, steel columns, 8.25 x 5.25 x 6.55 m. Photo: Johnny Umans. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Tabernacle-Johnny-Umans-005.jpg Gijs Van Vaerenbergh. Tabernacle, 2021. Slates, nets, steel cables, steel columns, 8.25 x 5.25 x 6.55 m. Photo: Johnny Umans. https://www.studiointernational.com/images/articles/v/079-vaerenberg-2021/Gijs-Van-Vaerenbergh-Tabernacle-Johnny-Umans-006.jpg Gijs Van Vaerenbergh. Tabernacle, 2021. Slates, nets, steel cables, steel columns, 8.25 x 5.25 x 6.55 m. Photo: Johnny Umans. https://www.studiointernational.com/index.php/adam-jeppesen-interview-i-embrace-imperfection https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/IncahuasiI.jpg Adam Jeppesen. Incahuasi, 2016. Photocopies, straight pins, acid-free paper, framed 221 x 179 cm. © the artist. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/Lydia-T.jpg Adam Jeppesen. Lydia T, 2021. Anthotype on paper, 56 x 76 cm. © the artist. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/workno127.jpg Adam Jeppesen. Work no. 127, 2018. Cyanotype on linen, 120 x 83.5 cm. © the artist. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/September5th.jpg Adam Jeppesen. September 5th, 2013. Photogravure and letterpress on Somerset 400g, 8 parts, 74 x 49.5 cm each. © the artist. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/workno126.jpg Adam Jeppesen. Work no. 126, 2018. Cyanotype on linen, 120 x 83.5 cm. © the artist. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/The-Great-Filter-2019_Adam-Jeppesen_Brandts_Photo-by-David-Stjernholm_13.jpg Adam Jeppesen, The Great Filter. A landscape of crumbling sandcastles and semi-collapsed shapes, 150 square metres. Installation view, Brandts, Denmark, 2019. Photo: David Stjernholm. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/The-Great-Filter-2019_Adam-Jeppesen_Brandts_Photo-by-David-Stjernholm_35.jpg Adam Jeppesen, The Great Filter. A landscape of crumbling sandcastles and semi-collapsed shapes, 150 square metres. Installation view, Brandts, Denmark, 2019. Photo: David Stjernholm. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/Terence-D.jpg Adam Jeppesen. Terence D, 2021. Anthotype on paper, 70 x 96 cm. © the artist. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/Summer-In-The-City-2018_Martin-Asbek-Gallery-_027_Photo-by-David-Stjernholm_01.jpg Adam Jeppesen. DK·CPH·CMT 2118, 2018. Cement, sand, steel, 110 x 60 x 50 cm. Installation view, Summer in the City, Martin Asbaek Gallery, Copenhagen, 2018. © the artist. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/Summer-In-The-City-2018_Martin-Asbek-Gallery-_028_Photo-by-David-Stjernholm_04.jpg Adam Jeppesen. DK·CPH·CMT 37,8 18, 2018. Cement, sand, steel, 40 x 50 x 75 cm. Installation view, Summer in the City, Martin Asbaek Gallery, Copenhagen, 2018. © the artist. https://www.studiointernational.com/images/articles/j/083-jeppeson-adam-2021/adamjeppesen.jpg Adam Jeppesen in his studio, Villa Ruiz, Argentina. Photo: Charlotte Haslund. https://www.studiointernational.com/index.php/christen-sveaas-art-foundation-this-is-the-night-mail-ida-ekblad-review-whitechapel-gallery https://www.studiointernational.com/images/articles/n/072-night-mail-2021/Harald-Sohlberg_Vinternatt-i-fjellene.jpg Harald Sohlberg, Vinternatt i fjellene [Winter Night in the Mountains], 1911. Watercolour on paper, 57.5 x 65 cm. Courtesy of the Christen Sveaas Art Collection. https://www.studiointernational.com/images/articles/n/072-night-mail-2021/DEC001,-Giorgio-de-Chirico,-Ettore-e-Andromaca,-1959_jpeg.jpg Giorgio de Chirico, Ettore e Andromaca, 1959. Oil on canvas, 80 x 60 cm. Courtesy of the Christen Sveaas Art Collection. https://www.studiointernational.com/images/articles/n/072-night-mail-2021/Paulina-Olowksa,-Seductress,-2020.jpg Paulina Olowska, Seductress, 2020. Acrylic and oil on canvas, 170 × 110 cm. Courtesy of the artist, Foksal Gallery Foundation and the Christen Sveaas Art Collection. https://www.studiointernational.com/images/articles/n/072-night-mail-2021/Anna-Eva-Bergmann_Planete-argent.jpg Anna-Eva Bergman, Planète Argent [Silver Planet], 1973. Oil and silver leaf on plate, 60 x 73 cm. Courtesy of the Christen Sveaas Art Foundation. https://www.studiointernational.com/images/articles/n/072-night-mail-2021/Edward-Ruscha,-Painkillers,-Tranquilizers,-Olive,-1969.jpg Edward Ruscha, Pain Killers, Tranquilizers, Olive, 1969. Oil on canvas, 50.8 x 61 cm. Courtesy of the Christen Sveaas Art Foundation/DACS. https://www.studiointernational.com/index.php/simone-fattal-finding-a-way-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/03_SF-copy.jpg Simone Fattal, Stele, 2008. Stoneware fired in wood kiln, 70.5 x 37 x 31 cm. Photo: Fançois Fernandez. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/Simone-Fattal_Finding-a-Way_34.jpg Simone Fattal: Finding a Way, installation view, Whitechapel Gallery, London, 21 September 2021 – 15 May 2022. Photo © Whitechapel Gallery. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/02_SF-copy.jpg Simone Fattal, The Master, 1998. Bronze, 20 x 8.5 x 5.5 cm. Photo: Fançois Doury. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/01_SF-copy.jpg Simone Fattal, Ziqqurat, 2013. Stoneware fired in wood kiln, 50 x 70 x 46 cm. Photo: François Fernandez. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/Au-bord-du-Barada-I.jpg Simone Fattal, Au bord du Barada I, 2020. Etching, 36 x 112 cm. © Galerie Lelong & Co. Courtesy Simone Fattal. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/Simone-Fattal_Finding-a-Way_4.jpg Simone Fattal: Finding a Way, installation view, Whitechapel Gallery, London, 21 September 2021 – 15 May 2022. Photo © Whitechapel Gallery. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/Simone-Fattal_Finding-a-Way_23.jpg Simone Fattal: Finding a Way, installation view, Whitechapel Gallery, London, 21 September 2021 – 15 May 2022. Photo © Whitechapel Gallery. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/Simone-Fattal_Finding-a-Way_28.jpg Simone Fattal: Finding a Way, installation view, Whitechapel Gallery, London, 21 September 2021 – 15 May 2022. Photo © Whitechapel Gallery. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/Au-Bord-du-Barada-II.jpg Simone Fattal, Au bord du Barada II, 2020. Etching, 36 x 112 cm. © Galerie Lelong & Co. Courtesy Simone Fattal. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/Vers-les-Omeyyades.jpg Simone Fattal, Vers les Omeyyades, 2020. Etching, 36 x 112 cm. © Galerie Lelong & Co. Courtesy Simone Fattal. https://www.studiointernational.com/images/articles/f/067-fattal-simone-2021/Simone-Fattal_Finding-a-Way_32.jpg Simone Fattal, The Master, 1998. Installation view, Whitechapel Gallery, London, 21 September 2021 – 15 May 2022. Photo © Whitechapel Gallery. https://www.studiointernational.com/index.php/turi-simeti-1929-2021-a-homage-review-mayor-gallery-london https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Mayor-Gallery-Turi-Simeti--9.jpg Turi Simeti (1929-2021): A Homage, installation view, The Mayor Gallery, London, 2021. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_Sei-ovali-in-grigio_1993.jpg Turi Simeti. Sei ovali in grigio, 1993. Acrylic on shaped canvas, 47 1/4 x 39 3/8 in (120 x 100 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_Sei-ovali-gialli_2018.jpg Turi Simeti. Sei ovali gialli, 2018. Acrylic on shaped canvas, 27 1/2 x 27 1/2 in (70 x 70 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_TreOvaliRosso_1967.jpg Turi Simeti. Tre ovali in rosso, 1967. Oil on shaped canvas, 47 ¼ x 47 ¼ in (120 x 120 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_Superficie-bianca-con-un-ovale_1988.jpg Turi Simeti. Superficie bianca con un ovale, 1988. Acrylic on shaped canvas, 23 5/8 x 55 1/8 in (60 x 140 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_Un-ovale-blu_2005.jpg Turi Simeti. Un ovale blu, 2005. Waxed shaped canvas, 15 3/4 x 15 3/4 in (40 x 40 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_Un-ovale-viola_1983.jpg Turi Simeti. Un ovale viola, 1983. Acrylic on shaped canvas, 27 ½ x 63 in (70 × 160 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Mayor-Gallery-Turi-Simeti-1000.jpg Turi Simeti (1929-2021): A Homage, installation view, The Mayor Gallery, London, 2021. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Mayor-Gallery-Turi-Simeti--15.jpg Turi Simeti (1929-2021): A Homage, installation view, The Mayor Gallery, London, 2021. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Mayor-Gallery-Turi-Simeti--18.jpg Turi Simeti (1929-2021): A Homage, installation view, The Mayor Gallery, London, 2021. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Mayor-Gallery-Turi-Simeti--2.jpg Turi Simeti (1929-2021): A Homage, installation view, The Mayor Gallery, London, 2021. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Mayor-Gallery-Turi-Simeti--8.jpg Turi Simeti (1929-2021): A Homage, installation view, The Mayor Gallery, London, 2021. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_Cinque-ovali-in-bianco_2002.jpg Turi Simeti. Cinque ovali in bianco, 2002. Acrylic on shaped canvas, 78 ¾ x 59 in (200 x 150 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_Due-ovali-in-grigio_1993.jpg Turi Simeti. Due ovali in grigio, 1993. Acrylic and collage on shaped canvas, 39 3/8 x 47 ¼ in (100 x 120 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_Tre-ovali-in-grigio_1980.jpg Turi Simeti. Tre ovali in grigio, 1980. Acrylic on shaped canvas, 67 x 35 ½ in (170 × 90 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/images/articles/s/027-simeti-turi-2021/Simeti_Un-tondo-grigio_1989.jpg Turi Simeti. Un tondo grigio, 1989. Acrylic on shaped canvas, 51 1/8 x 39 3/8 inches (130 × 100 cm). Image courtesy The Mayor Gallery. https://www.studiointernational.com/index.php/isamu-noguchi-exhibition-barbican-art-gallery-london https://www.studiointernational.com/images/articles/n/071-noguchi-2021/04-install.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/15.jpg Isamu Noguchi, Boy Looking Through Legs (Morning Exercises), 1933. Pear wood, blue beads, 72.4 x 18.7 x 18.1 cm. Photo: Kevin Noble. The Noguchi Museum Archives, 147079. ©INFGM / ARS - DACS. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/18.jpg Isamu Noguchi, Peking Brush Drawing, 1930. Ink on paper, 89.2 x 146.1 cm. Photo: Kevin Noble. The Noguchi Museum Archives, 01213 ©INFGM / ARS - DACS. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/20.jpg Isamu Noguchi, R. Buckminster Fuller, 1929. Bronze, chrome plate, 33.7 x 20 x 25.4 cm. Photo: FS Lincoln. The Noguchi Museum Archives, 01411. ©INFGM / ARS - DACS / Penn State University Libraries. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/14.jpg Isamu Noguchi, Radio Nurse and Guardian Ear, 1937, Bakelite. Manufactured by Zenith Radio. Corp. Radio Nurse: 21 x 17.1 x 15.9 cm. Guardian Ear: 15.9 x 10.8 x 21 cm. Photo: Kevin Noble. ©INFGM / ARS – DACS. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/21.jpg Martha Graham with Spider Dress and Serpent for Martha Graham https://www.studiointernational.com/images/articles/n/071-noguchi-2021/13.jpg Isamu Noguchi, AKARI, 1953. Models; 27N, 2N, BB3-70FF, BB2-S1 14A, BB1-YA1, 31N Paper, bamboo, metal ©INFGM / ARS – DACS / The Kagawa Museum https://www.studiointernational.com/images/articles/n/071-noguchi-2021/10-install.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/12-install.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/07.jpg Isamu Noguchi, Trinity (Triple), 1945 (fabricated 1988). Bronze plate, 141.6 x 56.5 x 49.5 cm. Photo: Kevin Noble. The Noguchi Museum Archives, 9891 ©INFGM / ARS – DACS. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/26.jpg Isamu Noguchi, Sunken Garden for Beinecke Rare Book and Manuscript Library, 1960-64. Exterior design with Imperial Danby marble. Photo: Ezra Stoller / ESTO. The Noguchi Museum Archives, 01898. ©INFGM / ARS - DACS /ESTO. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/07-install-1000.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/06-install.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/08-install.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/09-install.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/13-install.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/15-install.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/16.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/n/071-noguchi-2021/22.jpg Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/index.php/restitution-the-return-of-cultural-artefacts-book-review-alexander-herman-lund-humphries https://www.studiointernational.com/images/articles/r/060-restitution-2021/05-423111001.jpg Marble relief, Slab XXXVII from the North Frieze of the Parthenon: procession of horse-drawn chariots. © The Trustees of the British Museum. Image licensed under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0). https://www.studiointernational.com/images/articles/r/060-restitution-2021/04-spencer-davis-The-Parthenon.jpg The Parthenon. Photo: Spencer Davis. https://www.studiointernational.com/images/articles/r/060-restitution-2021/08-Egon-Schiele-Portrait-of-Wally-Neuzil-1912-Leoppold-Museum.jpg Egon Schiele, Portrait of Wally Neuzil, 1912. Oil on panel, 32 x 39.8 cm. Leoppold Museum. Photo: Wikimedia Commons / public domain. https://www.studiointernational.com/images/articles/r/060-restitution-2021/06-20700006.jpg Kwakwaka https://www.studiointernational.com/images/articles/r/060-restitution-2021/03-Gilgamesh.jpg The Gilgamesh Dream Tablet seized by US authorities. Photograph: US Department of Homeland Security. https://www.studiointernational.com/images/articles/r/060-restitution-2021/restitution-1000.jpg Restitution: The Return of Cultural Artefacts by Alexander Herman, published by Lund Humphries. https://www.studiointernational.com/images/articles/r/060-restitution-2021/07-Detail-of-a-16th-century-plaque-depicting-a-junior-court-official-in-the-Kingdom-of-Benin.jpg Detail of a 16th-century plaque depicting a junior court official in the Kingdom of Benin – one of two to be returned to Nigeria by the Metropolitan Museum of Art, New York. Photo: public domain. https://www.studiointernational.com/index.php/helsinki-biennial-design-week-2021-review-finland https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/1-Laura-Kononen-No-Heaven-Up-in-the-Sky-(2021).jpg Laura Könönen, No Heaven Up in the Sky, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/2-Katharina-Grosse-Shutter-Splinter-detail-(2021).jpg Katharina Grosse, Shutter Splinter ( detail), 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/1-Listening-to-FOREST-(for-a-thousand-years..)-2012,-by-Janet-Cardiff-and-George-Bures-Miller.jpg Listening to FOREST (for a thousand years..) 2012, by Janet Cardiff and George Bures Miller. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/0-HB_21_Laitinen-2-2.jpg Tuomas A Laitinen, ΨZone, 2021. © Maija Toivanen/HAM/Helsinki Biennial 2021. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/Teemu-Lehmusruusu.jpg Teemu Lehmusruusu, House of Polypores, 2021. © Kirsi Halkola/HAM/Helsinki Biennial 2021. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/2-Alicja-Kwade-Pars-pro-Toto-(2019)-landscape.jpg Alicja Kwade, Pars pro Toto, 2019. Landscape. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/2-Tadashi-Kawamata-Vallisaari-Lighthouse-(2021).jpg Tadashi Kawamata, Vallisaari Lighthouse, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/0-HB_21_Maimon-1.jpg Dafna Maimon, Indigestibles, 2021. © Maija Toivanen/HAM/Helsinki Biennial 2021. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/2-Kyungwoo-Chun-Islands-of-island-(2021)-landscape.jpg Kyungwoo Chun, Islands of island, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/1-Sari-Paolsaari-Eons-and-Instants-(2021).jpg Sari Palosaari, Eons and Instants, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/1-Samnang-Khvay-film-Hengen-tie-The-Way-of-the-Spirit-(2016-17).jpg Samnang Khvay’s film Preah Kunlong (The Way of the Spirit, 2016-20). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/1-Margaret-and-Christine-Wertheim-Helsinki-Satellite-Reef-(2021).jpg Helsinki Satellite Reef, 2021, crocheted by Margaret & Christine Wertheim and the Institute for Figuring. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/035-helsinki-design-week-2021/3-First-floor-glass-art.jpg Glass Art, installation view. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/mixing-it-up-painting-today-review-hayward-gallery-london https://www.studiointernational.com/images/articles/m/028-mixing-it-up-2021/Lisa-Brice,-Smoke-and-Mirrors,-2020.jpg Lisa Brice, Smoke and Mirrors, 2020. Installation view, Mixing It Up: Painting Today, Hayward Gallery, 2021. © Lisa Brice 2021. Courtesy of Hayward Gallery. Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/028-mixing-it-up-2021/Lisa-Brice,-Charley,-2020.jpg Lisa Brice, Charley, 2020. Installation view, Mixing It Up: Painting Today, Hayward Gallery, 2021. © Lisa Brice 2021. Courtesy of Hayward Gallery. Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/028-mixing-it-up-2021/Caroline-Coon,-Rugged-Defensive-Play,-2020.jpg Caroline Coon, Rugged Defensive Play, 2020. Installation view, Mixing It Up: Painting Today, Hayward Gallery, 2021. © Caroline Coon 2021. Courtesy of Hayward Gallery. Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/028-mixing-it-up-2021/Installation-view-of-Mixing-It-Up-Painting-Today-at-Hayward-Gallery,-2021-1.jpg Mixing It Up: Painting Today, installation view, Hayward Gallery, 2021. Courtesy of Hayward Gallery. Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/028-mixing-it-up-2021/Installation-view-of-Mixing-It-Up-Painting-Today-at-Hayward-Gallery,-2021-4.jpg Mixing It Up: Painting Today, installation view, Hayward Gallery, 2021. Courtesy of Hayward Gallery. Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/028-mixing-it-up-2021/Rachel-Jones,-lick-your-teeth,-they-so-clutch,-2021.jpg Rachel Jones, lick your teeth, they so clutch, 2021. Installation view, Mixing It Up: Painting Today, Hayward Gallery, 2021. © Rachel Jones 2021. Courtesy of Hayward Gallery. Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/028-mixing-it-up-2021/Installation-view-of-Mixing-It-Up-Painting-Today-at-Hayward-Gallery,-2021.jpg Mixing It Up: Painting Today, installation view, Hayward Gallery, 2021. Courtesy of Hayward Gallery. Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/028-mixing-it-up-2021/Alvaro-Barrington,-A-Rose-for-Rose,-2021,-and-Stop-Drop,-2021.jpg Alvaro Barrington, A Rose for Rose, 2021, and Stop Drop, 2021. Installation view, Mixing It Up: Painting Today, Hayward Gallery, 2021. © Alvaro Barrington 2021. Courtesy of Hayward Gallery. Photo: Rob Harris. https://www.studiointernational.com/index.php/catsou-roberts-interview-vital-arts-barts-nhs-trust-london-wellbeing-health https://www.studiointernational.com/images/articles/r/061-roberts-catsou-2021/Cara-Nahaul-CANOPY-AND-MEDICINAL-FLORA-2020.-Paint,-vinyl,-and-framed-charcoal-drawings.-Custom-House-Ward,-Newham-Hospital.-photo-Vital-Arts.jpg Cara Nahaul, Canopy and medicinal flora, 2020. Paint, vinyl, and framed charcoal drawings. Custom House Ward, Newham Hospital. Photo: Vital Arts. https://www.studiointernational.com/images/articles/r/061-roberts-catsou-2021/Lilah-Fowler_Lantern-Forest_2019_Vinyl_Whipps-Cross-Hospital_Photography-by-Ollie-Harrop-(1).jpg Lilah Fowler, Lantern Forest, 2019. Vinyl. Whipps Cross Hospital. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/r/061-roberts-catsou-2021/Cara-Nahaul-CANOPY-AND-MEDICINAL-FLORA,-detail,-2020.-Paint,-vinyl,-and-framed-charcoal-drawings.-Custom-House-Ward,-Newham-Hospital.-Photo---Vital-Arts.jpg Cara Nahaul, Canopy and medicinal flora, detail, 2020. Paint, vinyl, and framed charcoal drawings. Custom House Ward, Newham Hospital. Photo: Vital Arts. https://www.studiointernational.com/images/articles/r/061-roberts-catsou-2021/Lilah-Fowler_Lantern-Forest_2019_Vinyl_Whipps-Cross-Hospital_Photography-by-Ollie-Harrop-(2).jpg Lilah Fowler, Lantern Forest, 2019. Vinyl. Whipps Cross Hospital. Photo: Ollie Harrop. https://www.studiointernational.com/images/articles/r/061-roberts-catsou-2021/Cecilia-Charlton-Villa-Maravillosa----detail-of-installation--in-progress.-Photo-courtesy-Vital-Arts-.jpg Cecilia Charlton, Villa Maravillosa. Detail of installation in progress. Photo courtesy Vital Arts. https://www.studiointernational.com/index.php/bourse-de-commerce-the-new-francois-pinault-art-museum-paris-review https://www.studiointernational.com/images/articles/b/021-bourse-de-commerce-2021/Studio-Bouroullec,-decembre-2020.jpg Bourse de Commerce (Majestic entrance portico), December 2020. © Studio Bouroullec. Courtesy Bourse de Commerce – Pinault Collection. Photo: Studio Bouroullec. https://www.studiointernational.com/images/articles/b/021-bourse-de-commerce-2021/Tetard,-batiment-(3).jpg Bourse de Commerce (Frescos within the skylit rotunda depict the history of global trade) – Pinault Collection. © Tadao Ando Architect & Associates, Niney and Marca Architects, Agency Pierre-Antoine Gatier. Photo: Maxime Tétard, Studio Les Graphiquants, Paris. https://www.studiointernational.com/images/articles/b/021-bourse-de-commerce-2021/Tourneboeuf,-BDC-(2).jpg Bourse de Commerce (Passageway with 19th-century vitrines) – Pinault Collection. © Tadao Ando Architect & Associates, Niney and Marca Architects, Agency Pierre-Antoine Gatier. Photo: Patrick Tourneboeuf. https://www.studiointernational.com/images/articles/b/021-bourse-de-commerce-2021/Vladimir-Partalo,-exterieur,-mars-2020.jpg Bourse de Commerce (Column remaining from Catherine de’ Medici’s hotel Particulier with Philippe Parreno’s light installation Mont Analogue (2001-2020) on top) – Pinault Collection. © Tadao Ando Architect & Associates, Niney and Marca Architects, Agency Pierre-Antoine Gatier. Photo: Vladimir Partalo. https://www.studiointernational.com/images/articles/b/021-bourse-de-commerce-2021/Fischer,-Untitled,-2011-(detail-detail).jpg Rotunda - Exhibition view, Ouverture, Urs Fischer, Untitled, 2011 (detail). © Urs Fischer. Courtesy Galerie Eva Presenhuber, Zurich. Photo : Stefan Altenburger. Bourse de Commerce – Pinault Collection © Tadao Ando Architect & Associates, Niney and Marca Architects, Agency Pierre-Antoine Gatier. https://www.studiointernational.com/images/articles/b/021-bourse-de-commerce-2021/Vue-dexposition-Hammons,-Ouverture,-2021.jpg Exhibition view, Ouverture (featuring works by David Hammons), Bourse de Commerce – Pinault Collection, Paris 2021. Courtesy of the artist and Bourse de Commerce – Pinault Collection. Photo: Aurélien Mole. https://www.studiointernational.com/images/articles/b/021-bourse-de-commerce-2021/Boursecommerce.jpg Bourse de Commerce (The metal and glass dome was installed in 1812 and renovated by Tadao Ando Architect & Associates, Niney and Marca Architects, Agency Pierre-Antoine Gatier), Paris. Photo: Indefini, Public domain, via Wikimedia Commons. https://www.studiointernational.com/index.php/surrealiasm-beyond-borders-review-metropolitan-museum-new-york https://www.studiointernational.com/images/articles/s/024-surrealism-2021/07.jpg Remedios Varo. Hacia la torre (Towards The Tower), 1961. Oil on canvas. Private collection, Mexico City. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/s/024-surrealism-2021/05-Leonora-Carrington,-Chiki,-ton-pays-(Chiki,-Your-Country).jpg Leonora Carrington. Chiki, ton pays (Chiki, Your Country), 1944. Oil, tempera and ink on canvas, 35 1/4 × 35 1/2 in (89.5 × 90.2 cm). Private collection, Mexico City. https://www.studiointernational.com/images/articles/s/024-surrealism-2021/11.jpg Finial from a Slit Gong (Atingting Kon), early to mid-20th century. Wood, paint H. 62 in. × W. 19 1/2 in. × D. 19 in. (157.5 × 49.5 × 48.3 cm). The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979. Installation view. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/s/024-surrealism-2021/01-Mayo-Coups-de-batons-(Baton-Blows).jpg Mayo. Coups de bâtons (Baton Blows), 1937. Oil on canvas, 65 3/4 × 95 11/16 in (167 × 243 cm). © Kunstsammlung Nordrhein-Westfalen, Düsseldorf. https://www.studiointernational.com/images/articles/s/024-surrealism-2021/02-Koga-Harue-Umi-(The-Sea).jpg Koga Harue, Umi (The Sea), 1929. Oil on canvas, 51 3/16 × 64 in (130 × 162.5 cm). © The National Museum of Modern Art, Tokyo. https://www.studiointernational.com/images/articles/s/024-surrealism-2021/09.jpg Maya Deren. At Land, 1944. Single-channel digital video, transferred from 16mm film, black-and-white, silent 29 min. The Film-Makers’ Cooperative / The New American Cinema Group, Inc. Installation view. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/s/024-surrealism-2021/08.jpg Eileen Agar. Angel of Anarchy, 1936-40. Tate, Presented by the Friends of the Tate Gallery, 1983. Background: Salvador Dalí, Téléphone-homard (Lobster Telephone), 1938. Tate, Purchased 1981. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/s/024-surrealism-2021/Skunder-Boghossian-Night-Flight-of-Dread-and-Delight.jpg Skunder Boghossian. Night Flight of Dread and Delight, 1964. Oil on canvas with collage, 56 5/8 × 62 5/8 in (143.8 × 159.1 cm). North Carolina Museum of Art, Raleigh, Purchased with funds from the North Carolina State Art Society (Robert F. Phifer Bequest). https://www.studiointernational.com/images/articles/s/024-surrealism-2021/03-Marcel-Jean-Armoire-surrealiste-(Surrealist-Wardrobe).jpg Marcel Jean. Armoire surréaliste (Surrealist Wardrobe), 1941. Oil on wood panel, 71 1/16 × 83 1/16 × 35 7/16 in. (180.5 × 211 × 90 cm). © Musée des arts décoratifs, Paris, gift of the artist 1994. https://www.studiointernational.com/images/articles/s/024-surrealism-2021/04-Giorgio-de-Chirico-Le-reve-de-Tobie-(The-Dream-of-Tobias).jpg Giorgio de Chirico. Le rêve de Tobie (The Dream of Tobias), 1917. Oil on canvas, 23 1/4 × 19 1/4 in. (59 × 48.9 cm). © The Bluff Collection. https://www.studiointernational.com/images/articles/s/024-surrealism-2021/04-Installation-view-Surrealism-Beyond-Borders-Courtesy-Metropolitan-Museum-of-Art,-Anna-Marie-Kellen.jpg Surrealism Beyond Borders, installation view. Courtesy Metropolitan Museum of Art, Anna Marie Kellen. https://www.studiointernational.com/index.php/sarah-sze-exhibition-review-victoria-miro-london https://www.studiointernational.com/images/articles/s/025-sze-sarah-2021/Sarah-Sze_8.jpg Installation view, Sarah Sze, Victoria Miro Gallery II, London, 12 October–6 November 2021. © Sarah Sze, Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/s/025-sze-sarah-2021/SS277_Crisscross_2021_edge.jpg Sarah Sze. Crisscross, 2021. Oil paint, acrylic paint, acrylic polymers, ink, aluminum, diabond and wood, 289.5 x 362 x 8 cm (114 x 142 1/2 x 3 1/8 in). © Sarah Sze, Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/s/025-sze-sarah-2021/SS283_Crisscross-Apparition_2021.jpg Sarah Sze. Crisscross Apparition, 2021. Oil paint, acrylic paint, acrylic polymers, ink, aluminum, diabond and wood, 289.5 x 362 x 8 cm (114 x 142 1/2 x 3 1/8 in). © Sarah Sze, Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/s/025-sze-sarah-2021/SS284_Air-from-Air-(Fallen-Sky-Series)_2021_a.jpg Sarah Sze. Air from Air (Fallen Sky Series), 2021. Stainless steel, 19.1 x 182.9 x 182.9 cm (7 1/2 x 72 1/8 x 72 1/8 in). © Sarah Sze, Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/s/025-sze-sarah-2021/SS280_Double-Take-Apparition_2021_edge.jpg Sarah Sze. Double Take Apparition, 2021. Oil paint, acrylic paint, acrylic polymers, ink, aluminum, diabond and wood, 262.2 x 328.2 x 7.9 cm (103 1/4 x 129 1/4 x 3 1/8 in). © Sarah Sze. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/s/025-sze-sarah-2021/SS278_Double-Take_2021_edge.jpg Sarah Sze. Double Take, 2021. Oil paint, acrylic paint, acrylic polymers, ink, aluminum, diabond and wood, 262.2 x 328 x 7.9 cm (103 1/4 x 129 1/8 x 3 1/8 in). © Sarah Sze, Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/s/025-sze-sarah-2021/Sarah-Sze_6.jpg Installation view, Sarah Sze, Victoria Miro Gallery II, London, 12 October–6 November 2021. © Sarah Sze, Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/s/025-sze-sarah-2021/Sarah-Sze_7.jpg Installation view, Sarah Sze, Victoria Miro Gallery II, London, 12 October–6 November 2021. © Sarah Sze, Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/gerhard-richter-drawings-1999-2021-review-hayward-gallery-london https://www.studiointernational.com/images/articles/r/059-richter-gerhard-2021/04-Gerhard-Richter-4-1-2021.jpg Gerhard Richter. 4.1.2021, 2021. Pencil and graphite on paper, 21 x 29.7 cm. Copyright © Gerhard Richter 2021 (19032021) Courtesy the artist. https://www.studiointernational.com/images/articles/r/059-richter-gerhard-2021/03-Gerhard-Richter-24-Juli-2020.jpg Gerhard Richter. 24. Juli 2020, 2020. Pencil, ink and coloured ink on paper, 42 x 59.3 cm. Copyright © Gerhard Richter 2021 (19032021) Courtesy the artist. https://www.studiointernational.com/images/articles/r/059-richter-gerhard-2021/01-Gerhard-Richter-15-11-2017.jpg Gerhard Richter. 15.11.2017, 2017. Pencil and coloured pencil on paper, 21 x 18 cm. Copyright © Gerhard Richter 2021 (19032021) Courtesy the artist. https://www.studiointernational.com/images/articles/r/059-richter-gerhard-2021/05-Gerhard-Richter-19-1-2021.jpg Gerhard Richter. 19.1.2021, 2021. Pencil and graphite on paper, 21 x 29.7 cm. Copyright © Gerhard Richter 2021 (19032021) Courtesy the artist. https://www.studiointernational.com/images/articles/r/059-richter-gerhard-2021/02-Gerhard-Richter-22-Juli-2020.jpg Gerhard Richter. 22. Juli 2020, 2020. Pencil, ink and coloured ink on paper, 42 x 59.3 cm. Copyright © Gerhard Richter 2021 (19032021) Courtesy the artist. https://www.studiointernational.com/index.php/emma-cousin-game-face-review-niru-ratnam-gallery-london https://www.studiointernational.com/images/articles/c/019-cousin-emma-2021/EC-Noughts-and-Crosses-LR.jpg Emma Cousin. Noughts and Crosses, 2021. Oil and oil stick on canvas, 230 x 140 cm. Image courtesy of Niru Ratnam Gallery. https://www.studiointernational.com/images/articles/c/019-cousin-emma-2021/EC-Noughts-and-Crosses-(detail-d)-LR.jpg Emma Cousin. Noughts and Crosses, 2021 (detail). Oil and oil stick on canvas, 230 x 140 cm. Image courtesy of Niru Ratnam Gallery. https://www.studiointernational.com/images/articles/c/019-cousin-emma-2021/EC-Pictionary-LR.jpg Emma Cousin. Pictionary, 2021. Oil on canvas, 100 x 130 cm. Image courtesy of Niru Ratnam Gallery. https://www.studiointernational.com/images/articles/c/019-cousin-emma-2021/EC-Pictionary-(detail-c)-LR.jpg Emma Cousin. Pictionary, 2021 (detail). Oil on canvas, 100 x 130 cm. Image courtesy of Niru Ratnam Gallery. https://www.studiointernational.com/images/articles/c/019-cousin-emma-2021/EC-Monopoly-LR.jpg Emma Cousin. Monopoly, 2021. Oil on canvas, 140 x 90 cm. Image courtesy of Niru Ratnam Gallery. https://www.studiointernational.com/images/articles/c/019-cousin-emma-2021/Niru-Ratnam-Gallery,-Install-shot-of-Emma-Cousin-exhibition-Game-Face-(Image-courtesy-of-Damain-Griffiths).jpg Emma Cousin: Game Face, installation view, Niru Ratnam Gallery, London. Image courtesy of Damian Griffiths. https://www.studiointernational.com/images/articles/c/019-cousin-emma-2021/Niru-Ratnam-Gallery-Install-shot-of-Emma-Cousin-Game-Face-(Image-courtesy-of-Damian-Griffiths).jpg Emma Cousin: Game Face, installation view, Niru Ratnam Gallery, London. Image courtesy of Damian Griffiths. https://www.studiointernational.com/index.php/angelica-mesiti-in-the-round-review-talbot-rice-edinburgh https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4807.jpg Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4741-Edit.jpg Angelica Mesiti, ASSEMBLY, 2019. Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4582.jpg Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4727-Edit-2-Edit.jpg Angelica Mesiti, ASSEMBLY, 2019. Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4682.jpg Angelica Mesiti. Swarming Song, 2021. Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4593.jpg Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4987-Edit.jpg Angelica Mesiti, Citizens Band, 2012. Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4524-Edit-Edit.jpg Angelica Mesiti, Over the Air and Underground, 2020. Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4556.jpg Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4573.jpg Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4821.jpg Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/m/027-mesiti-angelica-2021/1G7A4703-Edit-Edit.jpg Angelica Mesiti, ASSEMBLY, 2019. Installation view, Angelica Mesiti: In the Round, Talbot Rice Gallery, University of Edinburgh, 2021. Photo: Sally Jubb. https://www.studiointernational.com/index.php/jacqueline-de-jong-interview-the-ultimate-kiss-mostyn-gallery-wales https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong,-The-Ultimate-Kiss-at-Mostyn-Gallery-Rob-Battersby-_05.jpg Jacqueline de Jong: The Ultimate Kiss, installation view, Mostyn Gallery. Photo © Rob Battersby. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/09.jpg Jacqueline de Jong in her studio at Cité Prost, 1968. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/10.jpg Jacqueline de Jong in front of Cité Prost, 1968. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong-The-Ultimate-Kiss-2002-2012.jpg Jacqueline de Jong. The Ultimate Kiss, 2002-12. Oil on canvas, 165 x 195 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong,-The-Ultimate-Kiss-at-Mostyn-Gallery-Rob-Battersby-_03.jpg Jacqueline de Jong: The Ultimate Kiss, installation view, Mostyn Gallery. Photo © Rob Battersby. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong-Big-foot,-small-head-(1985)-oil-on-canvas-200-x--160cm--from-the-Upstairs-Downstairs-series.jpg Jacqueline de Jong. Big foot, small head, 1985. Oil on canvas, 200 x 160 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/13.jpg Fourth conference of the Situationist International, British Sailors’ Society, London, 1960. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong-Peeing-Hamlet-(2012).jpg Jacqueline de Jong. Peeing Hamlet, 2012. Oil on canvas, 160 x 100 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong-Le-Jour-Des-Montagnes-PhiloSophiques-(1984).jpg Jacqueline de Jong. Le Jour des Montagnes Philosophiques, 1984. Oil on canvas. 200 x 300 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong-Upstairs-Downstairs-(1986-8).jpg Jacqueline de Jong. Upstairs-Downstairs, 1986-88. Oil on canvas, 200 x 165 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/11.jpg Jacqueline de Jong in her studio in Amsterdam painting Looking through the rocking window, 1980. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong-detail-of-The-Ultimate-Kiss.jpg Jacqueline de Jong. The Ultimate Kiss, 2002-12 (detail). Oil on canvas, 165 x 195 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong,-The-Ultimate-Kiss-at-Mostyn-Gallery-Rob-Battersby-02.jpg Jacqueline de Jong: The Ultimate Kiss, installation view, Mostyn Gallery. Photo © Rob Battersby. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong,-The-Ultimate-Kiss-at-Mostyn-Gallery-Rob-Battersby-_01.jpg Jacqueline de Jong: The Ultimate Kiss, installation view, Mostyn Gallery. Photo © Rob Battersby. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong,-The-Ultimate-Kiss-at-Mostyn-Gallery-Rob-Battersby-_06.jpg Jacqueline de Jong: The Ultimate Kiss, installation view, Mostyn Gallery. Photo © Rob Battersby. https://www.studiointernational.com/images/articles/d/061-de-jong-jacqueline-2021/Jacqueline-de-Jong,-The-Ultimate-Kiss-at-Mostyn-Gallery-Rob-Battersby-_07.jpg Jacqueline de Jong: The Ultimate Kiss, installation view, Mostyn Gallery. Photo © Rob Battersby. https://www.studiointernational.com/index.php/studio-international-january-1971-volume-181-number-929 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-january-1971.jpg Studio International, 1971, January 1971, Volume 181 Number 929. https://www.studiointernational.com/index.php/studio-international-february-1971-volume-181-number-930 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-february-1971.jpg Studio International, 1971, February 1971, Volume 181 Number 930. Cover image: postcards by Richard Hamilton and David Hockney from the recent exhibition at the Angela Flowers Gallery, London. https://www.studiointernational.com/index.php/studio-international-march-1971-volume-181-number-931 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-march-1971.jpg Studio International, 1971, March 1971, Volume 181 Number 931. Cover image: Costume designed by L. Popova for The Magnanimous Cuckold, 1921, one of the exhibits in the Arts Council exhibition Art in Revolution: Soviet art and design since 1917, at the Hayward Gallery, London, until April 18. https://www.studiointernational.com/index.php/studio-international-april-1971-volume-181-number-932 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-april-1971.jpg Studio International, 1971, April 1971, Volume 181 Number 932. https://www.studiointernational.com/index.php/jordan-casteel-there-is-a-season-review-massimo-de-carlo-gallery-london https://www.studiointernational.com/images/articles/c/018-casteel-jordan-2021/jordan-casteel-04.jpg Jordan Casteel. Harlem Public, 2021. Oil on canvas, 238.7 × 203.2 × 3.8 cm (94 × 80 × 1.5 in). Photo: Todd-White Art, Courtesy Massimo de Carlo Gallery. https://www.studiointernational.com/images/articles/c/018-casteel-jordan-2021/jordan-casteel-05.jpg Jordan Casteel. Noor and Adam, 2021. Oil on canvas, 228.6 × 198.1 × 3.8 cm (90 × 78 × 1.5 in). Photo: Todd-White Art, Courtesy Massimo de Carlo Gallery. https://www.studiointernational.com/images/articles/c/018-casteel-jordan-2021/jordan-casteel-03.jpg Jordan Casteel. Happy Meal, 2021. Oil on canvas, 198 × 152.4 × 3.8 cm (78 × 60 × 1.5 in). Photo: Todd-White Art, Courtesy Massimo de Carlo Gallery. https://www.studiointernational.com/images/articles/c/018-casteel-jordan-2021/jordan-casteel-09.jpg Jordan Casteel. The New Black View (Still life with James and Yvonne), 2021. Oil on canvas, 127 × 101.6 cm (50 × 40 in). Photo: Todd-White Art, Courtesy Massimo de Carlo Gallery. https://www.studiointernational.com/images/articles/c/018-casteel-jordan-2021/jordan-casteel-08.jpg Jordan Casteel. Nasturtium, 2021. Oil on canvas, 182.8 × 142.2 × 3.8 cm (72 × 56 × 1.5 in). Photo: Todd-White Art, Courtesy Massimo de Carlo Gallery. https://www.studiointernational.com/images/articles/c/018-casteel-jordan-2021/jordan-casteel-07.jpg Jordan Casteel. Wayde, 2021. Oil on canvas, 228.6 × 198.1 × 3.8 cm (90 × 78 × 1.5 in). Photo: Todd-White Art, Courtesy Massimo de Carlo Gallery. https://www.studiointernational.com/images/articles/c/018-casteel-jordan-2021/jordan-casteel-02.jpg Jordan Casteel. Direct Response, 2021. Oil on canvas, 182.8 × 142.2 × 3.8 cm (72 × 56 × 1.5 in). Photo: Todd-White Art, Courtesy Massimo de Carlo Gallery. https://www.studiointernational.com/images/articles/c/018-casteel-jordan-2021/jordan-casteel-01.jpg Jordan Casteel. Andres, 2021. Oil on canvas, 238.7 × 203.2 × 3.8 cm (94 × 80 × 1.5 in). Photo: Todd-White Art, Courtesy Massimo de Carlo Gallery. https://www.studiointernational.com/images/articles/c/018-casteel-jordan-2021/jordan-casteel-06.jpg Jordan Casteel. Paisley, 2021. Oil on canvas, 114.3 × 76.2 × 3.8 cm (45 × 30 × 1.5 in). Photo: Todd-White Art, Courtesy Massimo de Carlo Gallery. https://www.studiointernational.com/index.php/studio-international-may-1971-volume-181-number-933 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-may-1971.jpg Studio International, 1971, May 1971, Volume 181 Number 933. Cover image: Richard Long Stones on Isle of Skye 1970. https://www.studiointernational.com/index.php/studio-international-june-1971-volume-181-number-934 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-june-1971.jpg Studio International, 1971, June 1971, Volume 181 Number 934. Cover image: Single Woman by Colin Self, one of a new series of 11 etchings entitled Prelude to 1,000 objects, which have been selected to represent Great Britain at the Sao Paulo Biennale this year. https://www.studiointernational.com/index.php/lucy-stein-wet-room-review-spike-island-bristol https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_08.jpg Lucy Stein, The corn goddess goes back on Instagram, 2021. Oil on linen. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_10.jpg Lucy Stein, Erotic encounters South West, 2020. Acrylic, oil, charcoal on canvas. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_11.jpg Left: Lucy Stein, Sylv’s first bath, 2021. Oil on canvas; Right: Lucy Stein, Hag Fight, 2020. Oil on canvas. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_13.jpg Lucy Stein. May Queen, 2021. Oil, wax resist, charcoal, Sennelier pastel on linen. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_14.jpg Lucy Stein. Self portrait as a Celtic Sheela, 2020. Charcoal and oil on linen. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_04.jpg Lucy Stein, Wet Room, 2021. Installation view, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_03.jpg Lucy Stein, Wet Room, 2021. Installation view, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_16.jpg Lucy Stein. Splitting and projection, 2020. Wax resist, poster paint, oil on linen. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_05.jpg Lucy Stein, Baubo, 2021. Crysta Soap Base, Port Navis Oyster shell (crushed), Princes gay dahlia petals, Autumn Equinox, Oakmoss, Clary Sage, Geranium Egypt ointments. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_02.jpg Lucy Stein, Wet Room, 2021. Installation view, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_06.jpg Lucy Stein, Detail: Wet Room, 2021. Hand-painted ceramic tiles, bath, sink, shower head, black acrylic mirror, water. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_15.jpg Lucy Stein. Wet Room, 2021. Installation view, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_18.jpg Lucy Stein. English misericord, 2019. Oil on linen. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_21.jpg Lucy Stein, Jung in PZ (2020), Acrylic, charcoal, Sennelier pastel on canvas. Installation view, Wet Room, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/images/articles/s/023-stein-lucy-2021/Lucy-Stein_Wet-Room_Spike-Island_23.jpg Lucy Stein. Wet Room, 2021. Installation view, Spike Island, Bristol. Courtesy the artist and Galerie Gregor Staiger, Zurich. Photo: Max McClure. https://www.studiointernational.com/index.php/studio-international-july-august-1971-volume-182-number-935 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-july-august-1971.jpg Studio International, 1971, July-August 1971, Volume 182 Number 935. Cover image: Sketch for Zing 1970 by Bridget Riley. https://www.studiointernational.com/index.php/studio-international-september-1971-volume-182-number-936 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-september-1971.jpg Studio International, 1971, September 1971, Volume 182 Number 936. Cover image: Specially designed for this issue by Eugenio Carmi. https://www.studiointernational.com/index.php/studio-international-october-1971-volume-183-number-937 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-october-1971.jpg Studio International, 1971, October 1971, Volume 183 Number 937. Cover image specially designed for this issue by Eduardo Paolozzi. https://www.studiointernational.com/index.php/studio-international-november-1971-volume-182-number-938 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-november-1971.jpg Studio International, 1971, November 1971, Volume 182 Number 938. Cover image specially designed for this issue by Allen Jones, whose exhibition of recent lithographs and drawings is at Marlborough this November. https://www.studiointernational.com/index.php/studio-international-december-1971-volume-182-number-939 https://www.studiointernational.com/images/articles/archive-1965-1976/1971/studio-international-december-1971.jpg Studio International, 1971, December 1971, Volume 182 Number 939. Cover by Arakawa, who is exhibiting at Angela Flowers Gallery, London, until 11 December 1971. https://www.studiointernational.com/index.php/studio-international-january-1972-volume-183-number-940 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-january-1972.jpg Studio International, 1972, January 1972, Volume 183 Number 940. Cover specially designed for this issue by Maurice Agis and Peter Jones. https://www.studiointernational.com/index.php/studio-international-february-1972-volume-183-number-941 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-february-1972.jpg Studio International, 1972, February 1972, Volume 183 Number 941. Cover specially designed for this issue by Dieter Rot. https://www.studiointernational.com/index.php/studio-international-march-1972-volume-183-number-942 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-march-1972.jpg Studio International, 1972, March 1972, Volume 183 Number 942. Cover specially designed for this issue by Bernard Cohen. It is a programme for a painting of the kind that he has made for himself since 1966. His next show is at the Hayward, 6 April-14 May. https://www.studiointernational.com/index.php/studio-international-april-1972-volume-183-number-943 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-april-1972.jpg Studio International, 1972, April 1972, Volume 183 Number 943. Cover specially designed for this issue by Malcolm Lauder. https://www.studiointernational.com/index.php/margaret-mellis-modernist-constructs-review-towner-eastbourne https://www.studiointernational.com/images/articles/m/026-mellis-margaret-2021/Towner-Art-Gallery-Margaret-Mellis-Installation-View-8.jpg Left: Margaret Mellis, Construction with Yellow Oval, 1941. Collage, ink and paper. Right: Collage with Red Oval, 1942. Mixed media and collage on paper. Installation view, Towner Art Gallery, 2021. https://www.studiointernational.com/images/articles/m/026-mellis-margaret-2021/Banquet.jpg Margaret Mellis, Banquet, 1939. Oil on canvas, 63.5 x 76 cm. Installation view, Towner Art Gallery, 2021. https://www.studiointernational.com/images/articles/m/026-mellis-margaret-2021/01-Margaret-Mellis,-Self-portrait-in-Yellow-Dress,-1950.jpg Margaret Mellis, Self-portrait in Yellow Dress, 1950. © Margaret Mellis Estate. Courtesy of The Redfern Gallery. https://www.studiointernational.com/images/articles/m/026-mellis-margaret-2021/02-Margaret-Mellis,-F,-1997.jpg Margaret Mellis, F, 1997. Driftwood construction, 146 x 146 cm. © Margaret Mellis Estate. Courtesy of The Redfern Gallery. https://www.studiointernational.com/images/articles/m/026-mellis-margaret-2021/03-Margaret-Mellis,-Hollyhock,-Marigold-with-Sage,-c.1990.jpg Margaret Mellis, Hollyhock, Marigold with Sage, c1990. Crayon on envelope, 25 x 35 cm. © Margaret Mellis Estate. Courtesy of The Redfern Gallery. https://www.studiointernational.com/images/articles/m/026-mellis-margaret-2021/rust-yellow.jpg Margaret Mellis, Rust Yellow, 1990. Driftwood construction, 89 x 110 cm. Installation view, Towner Art Gallery, 2021. https://www.studiointernational.com/index.php/rhythm-and-geometry-constructivist-art-in-britain-since-1951-review-sainsbury-centre-norwich https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/02_Construction,-Stephen-Gilbert,-1954-Sainsbury-Centre-(c)-Gilbert-Weikert-Family.jpg Stephen Gilbert, Construction, 1954. Sculpture – aluminium, paint. Sainsbury Centre Collection. © Gilbert Weikert Family. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/01_Fritton,-Mary-Webb,-1971-Sainsbury-Centre-(c)-Mary-Webb.jpg Mary Webb, Fritton, 1971. Painting, oil on canvas. Sainsbury Centre Collection. © Mary Webb. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/IMG_4212.jpg Lynn Chadwick. Hollow Men, 1951. Copper, brass and iron. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/IMG_4223.jpg François Morellet. Sphère-trame, 1962. Stainless steel. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/dominic-boreham.jpg Dominic Boreham. Left: Stos 8/1, 26.V.78 (solid transparent overlay study), 1978. Ink on paper (computer generated drawing), 40 x w 39.5 cm. Right: IM 36(2) P0.5, 16.VIII.78 (interference matrix), 1978. Ink on paper (computer generated drawing), 38.5 x w 38.5 cm. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/IMG_4240.jpg Kenneth Martin. Mobile Reflector, Elliptic Motif, 1955. Steel, duralumin and aluminium. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/IMG_4215.jpg Anthony Hill. Progression of Rectangles, Version II, 1953-57. Wood, perspex, h40.5 x w40.5 x d4.5 cm. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/tatlins-tower.jpg Vladimir Tatlin. Tatlinʼs Tower, or the project for the Model of the Monument to the Third International, 1919-20 (design). Reconstruction (2011) by Jeremy Dixon and Chris Milan of Dixon Jones. 1:40 scale. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/rana-begum.jpg Rana Begum. No. 684, LFold, 2016. Paint on mirror finish stainless steel, H148 x W102 x D47 cm. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/IMG_4217.jpg Gillian Wise. Black and White Relief with Prisms, 1961. Perspex, glass and formica. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/02_Rhythm-and-Geometry-Exhibition-Install-Shot_Photo-Andy-Crouch.jpg Rhythm and Geometry: Constructivist Art in Britain since 1951, installation view, Sainsbury Centre, University of East Anglia, Norwich, 2021. Photo: Andy Crouch. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/stephen-willats.jpg Stephen Willats. Visual Automatic 1, 1964-65. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/IMG_4249.jpg Anthony Caro. Goodwood Steps, 1996. Installation view, Sainsbury Centre, University of East Anglia, Norwich, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/06_Animals-LC3,-Lygia-Clark,-1969-Sainsbury-Centre-(c)-The-World-of-Lygia-Clark-Cultural-Association.jpg Lygia Clark. Animals LC3, 1969. Aluminium. Sainsbury Centre Collection. © The World of Lygia Clark Cultural Association. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/anthony-caro-2.jpg Anthony Caro. Goodwood Steps, 1996. Installation view, Sainsbury Centre, University of East Anglia, Norwich, 2021. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/tatlins-tower-BF.jpg Vladimir Tatlin. Tatlinʼs Tower, or the project for the Model of the Monument to the Third International, 1919-20 (design). Reconstruction (2011) by Jeremy Dixon and Chris Milan of Dixon Jones. 1:40 scale. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/09_Rhythm-and-Geometry-Exhibition-Install-Shot_Photo-Andy-Crouch.jpg Rhythm and Geometry: Constructivist Art in Britain since 1951, installation view, Sainsbury Centre, University of East Anglia, Norwich, 2021. Photo: Andy Crouch. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/04_Table-Sculpture-CCCLXXI,-Anthony-Caro,-1977-Sainsbury-Centre-(c)-Barford-Sculptures.jpg Anthony Caro. Table Sculpture CCCLXXI, 1977. Steel, rusted and varnished. Sainsbury Centre Collection. © Barford Sculptures. https://www.studiointernational.com/images/articles/r/058-rhythm-and-geometry-2021/05_Variable-Screw,-Kenneth-Martin,-1967-Sainsbury-Centre-(c)-Estate-of-Kenneth-Martin.jpg Kenneth Martin. Variable Screw, 1967. 3D mobile, brass. Sainsbury Centre Collection. © Estate of Kenneth Martin. https://www.studiointernational.com/index.php/laura-knight-a-panoramic-view-review-mk-gallery-milton-keynes https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/Study-of-a-Girl-1893.jpg Laura Knight, Study of a Girl aka Sarah, c1893. Private collection. Photo courtesy John Mitchell Fine Paintings. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All Rights Reserved. https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/A-Balloon-Site,-Coventry,-1943.jpg Laura Knight, A Balloon Site, Coventry, 1943. Oil on canvas, IWM, Photo courtesy IWM. © Crown Copyright. IWM. All Rights Reserved. https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/Spring-in-Cornwall-1916-1935.jpg Laura Knight, Spring in Cornwall , 1916-1935. Oil on canvas. Photo courtesy Tate Images © Tate. All Rights Reserved. https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/A-Dressing-Room-at-Drury-Lane-1951.jpg Laura Knight, The Dressing Room at Drury Lane, 1922. Photo © The Atkinson, Lord Street, Southport, © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All Rights Reserved. https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/Ella-Ardelty-on-the-High-Trapeze,-Undated.jpg Laura Knight, Ella Ardelty on the high trapeze, Undated. Oil on canvas. Private Collection. Photo courtesy Sotheby https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/Gypsies-at-Ascot,-Undated.jpg Laura Knight, Gypsies at Ascot, Undated. Oil on canvas. On loan from and photo courtesy Hereford City Museum © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All Rights Reserved. https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/Chloe,-1926.jpg Laura Knight, Chloe, 1926. Oil on canvas. Private Collection. Photo courtesy Christie’s Images Limited © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All Rights Reserved. https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/Ruby-Loftus-Screwing-a-Breech-Ring,-1943.jpg Laura Knight, Ruby Loftus Screwing a Breech-Ring, 1943. Oil on canvas. IWM, Photo courtesy IWM © Crown Copyright. IWM. All Rights Reserved. https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/Unfinished-Portrait-Vijayalakshmi-Pandit,-Undated.jpg Laura Knight, Unfinished Portrait of Vijayalakshmi Pandit, unfinished at 1970. Oil on canvas, on loan from and photo courtesy Royal Academy of Arts, London. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All Rights Reserved. https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/The-Cornish-Coast,-1917.jpg Laura Knight, The Cornish Coast, 1917. Oil on canvas. On loan from and photo courtesy Amgueddfa Cymru National Museum Wales. © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All Rights Reserved. https://www.studiointernational.com/images/articles/k/058-knight-laura-2021/Lubov-Tchernicheva-1921.jpg Laura Knight, Lubov Tchernicheva, 1921. Private collection. Photo courtesy Liss Llewellyn © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All Rights Reserved. https://www.studiointernational.com/index.php/objects-of-common-interest-hard-soft-and-all-lit-up-with-nowhere-to-go-review-noguchi-new-york https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/02-Noguchi-OOCI-Photo-Brian-W-Ferry-036.jpg Objects of Common Interest, Offerings–Rock III, 2000, joins Isamu Noguchi’s Practice Rocks in Placement, 1982–83. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/01-Noguchi-OOCI-Photo-Brian-W-Ferry-155.jpg Objects of Common Interest: Hard, Soft, and All Lit Up with Nowhere to Go, installation view. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/12-Noguchi-OOCI-Photo-Brian-W-Ferry-272.jpg Objects of Common Interest: Hard, Soft, and All Lit Up with Nowhere to Go, installation view. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/12-Noguchi-OOCI-Photo-Brian-W-Ferry-438-v1.jpg Objects of Common Interest: Hard, Soft, and All Lit Up with Nowhere to Go, installation view. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/noguchi-columns.jpg Doric Columns, 2020. Installation view, Objects of Common Interest: Hard, Soft, and All Lit Up with Nowhere to Go, INFGM.Photo: Lilly Wei. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/05-Noguchi-OOCI-Photo-Brian-W-Ferry-342.jpg Objects of Common Interest https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/03-Noguchi-OOCI-Photo-Brian-W-Ferry-411.jpg Practice Rocks in Placement, 1982–83. Aji granite Garden Table, 1983 Granite. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/03-Noguchi-OOCI-Photo-Brian-W-Ferry-478.jpg Objects of Common Interest: Hard, Soft, and All Lit Up with Nowhere to Go, installation view. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/01-Noguchi-OOCI-Photo-Brian-W-Ferry-355.jpg Objects of Common Interest, Tube Light I and Tube Light II, 2019, installed among Isamu Noguchi’s late-career basalt and Manazuru stone sculptures in The Noguchi Museum’s indoor-outdoor gallery, Area 1. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/06-Noguchi-OOCI-Photo-Brian-W-Ferry-283.jpg Objects of Common Interest: Hard, Soft, and All Lit Up with Nowhere to Go, installation view. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/06-Noguchi-OOCI-Photo-Brian-W-Ferry-316.jpg Objects of Common Interest: Hard, Soft, and All Lit Up with Nowhere to Go, installation view. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/images/articles/n/070-noguchi-exhibit-ny-2021/01-Noguchi-OOCI-Photo-Brian-W-Ferry-193.jpg Objects of Common Interest: Hard, Soft, and All Lit Up with Nowhere to Go, installation view. Photo: Brian W. Ferry. ©INFGM / ARS. https://www.studiointernational.com/index.php/emeka-ogboh-interview-i-want-listeners-to-be-transported-to-lagos-gropius-bau-berlin https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/11-Danfo.jpg Danfo buses in Lagos. Photo: Emeka Ogboh. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/08-LOS-CDG.jpg Emeka Ogboh, LOS-CDG, 2019. Multichannel sound installation and Danfo bus. Installation view, City Prince/sses, Palais de Tokyo. Copyright Palais de Tokyo. Photo: Marc Domage. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/06-Emeka_Ogboh_A-TONLP11.jpg Emeka Ogboh, Beyond The Yellow Haze album cover. Copyright the artist and A-TON, 2021. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/04-The-Song-of-the-Germans_2015_Installation-view_Venice-Biennale.jpg Emeka Ogboh, The Song of the Germans. Multichannel sound installation and book. Installation view, Venice Biennale 2015. Copyright The Artist. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/02-TWETAG-2.jpg Emeka Ogboh, The Way Earthly Things Are Going, 2017. Multichannel sound installation and LED display. Installation view, Documenta 14, Athens, 2017. Photo: Mathias Völzke. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/01-TWETAG-1.jpg Emeka Ogboh, The Way Earthly Things Are Going, 2017. Multichannel sound installation and LED display. Installation view, The Tanks, Tate Modern. Copyright Tate Modern. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/07-The-Song-of-the-Union.jpg Emeka Ogboh, The Song of the Union. Multichannel sound installation. Installation view, Edinburgh Art Festival 2021. Photo: Sally Jubb, copyright Talbot Rice Gallery. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/09-Ama_tg1.jpg Emeka Ogboh, Ámà: the gathering place, 2019. Multimedia installation (sound, sculpture, and fabrics). Installation view, the Ames family Atrium, Cleveland Museum of Art. Copyright the artist. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/03-TWETAG-3.jpg Emeka Ogboh, The Way Earthly Things Are Going, 2019. Multichannel sound installation and LED display. Installation view, Horst Art and Music festival, Vilvoorde, 2019. Copyright the artist. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/05-A-TONLP11-front.jpg Emeka Ogboh, Beyond The Yellow Haze album cover. Copyright the artist and A-TON, 2021. https://www.studiointernational.com/images/articles/o/085-ogboh-emeka-2021/10-Ama_tg2.jpg Emeka Ogboh, Ámà: the gathering place, 2019. Multimedia installation (sound, sculpture, and fabrics). Installation view, the Ames family Atrium, Cleveland Museum of Art. Copyright the artist. https://www.studiointernational.com/index.php/women-in-abstraction-review-guggenheim-museum-bilbao https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/Lee-Krasner-Untitled-(1949)-installation-shot.jpg Lee Krasner. Untitled, 1949. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/13-Georgiana-Houghton-Album-of-Spirit-Art-1866-84.jpg Georgiana Houghton. Album of Spirit Art, 1866-84. Album containing a series of watercolours by Georgina Houghton and other artists, 49 x 42 x 3.5 cm. The College of Psychic Studies, London. Image courtesy of The College of Psychic Studies, London. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/14-Hilma-Af-Klint.jpg Hilma Af Klint. The Swan, No. 16, Group IX/SUW, 1915. Oil on canvas, 154.5 x 151 cm. Courtesy of The Hilma af Klint Foundation. © Hilma Af Kint, VEGAP, Bilbao, 2021. Photo: Moderna Museet, Stockholm. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/Giannina-Censi-Aerodances-(1931).jpg Giannina Censi, Aerodances, 1931. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/Alexandra-Exter-Constructivist-Still-Life-(1920-1)-installation-shot.jpg Alexandra Exter. Constructivist Still Life, 1920-21. Oil on canvas. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/03-Sophie-Taeuber-Arp-Droits-reserves.jpg Sophie Taeuber-Arp in her studio-office at l’Aubette, 1927. Collection Fondation Arp, Clamart. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/Marlow-Moss-White,-Black,-Red-and-Grey-(1932)-installation-shot.jpg Marlow Moss. White, Black, Red and Grey, 1932. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/19-Barbara-Hepworth.jpg Barbara Hepworth. Oval Sculpture (N°2), 1943, cast 1956. Plaster on wooden base, 29.3 x 40 x 25.5 cm. Tate, presented by the artist, 1967. © Bowness. © Tate. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/Atsuko-Tanaka-Denkifuku-(electric-dress)-(1956-99).jpg Atsuko Tanaka. Denkifuku (Electric Dress, 1956/99. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/Ruth-Asawa.jpg Ruth Asawa. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/w/049-women-in-abstract-2021/05BISFahrelnissa-Zeid_1.jpg Fahrelnissa Zeid in her studio. © Raad Zeid Al-Hussein. https://www.studiointernational.com/index.php/petrit-halilaj-very-volcanic-over-this-green-feather-review-tate-st-ives https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Petrit-Halilaj-and-Dr-Giacomo-Poli-1999-Courtesy-Giacomo-Poli.jpg Petrit Halilaj and Dr Giacomo Poli, 1999. Photo courtesy Dr Giacomo Poli. https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/6Petrit-Halilaj,-Paesaggio-Fantastico-(Fantasy-Landscape),-1999.jpg Petrit Halilaj, Paesaggio Fantastico (Fantasy Landscape), 1999. Courtesy the artist and Giacomo Poli. https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Press_PetritHalilaj_13_RT_1.jpg Petrit Halilaj: Very volcanic over this green feather, installation view at Tate St Ives, 2021. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Press_PetritHalilaj_08_RT_1.jpg Petrit Halilaj: Very volcanic over this green feather, installation view at Tate St Ives, 2021. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Press_PetritHalilaj_10_RT_1.jpg Petrit Halilaj: Very volcanic over this green feather, installation view at Tate St Ives, 2021. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Press_PetritHalilaj_12_RT_1.jpg Petrit Halilaj: Very volcanic over this green feather, installation view at Tate St Ives, 2021. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Press_PetritHalilaj_02_RT_1.jpg Petrit Halilaj: Very volcanic over this green feather, installation view at Tate St Ives, 2021. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Press_PetritHalilaj_04_RT_1.jpg Petrit Halilaj: Very volcanic over this green feather, installation view at Tate St Ives, 2021. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Press_PetritHalilaj_06_RT_1.jpg Petrit Halilaj: Very volcanic over this green feather, installation view at Tate St Ives, 2021. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Press_PetritHalilaj_14_RT_1.jpg Petrit Halilaj: Very volcanic over this green feather, installation view at Tate St Ives, 2021. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/images/articles/h/034-halilaj-petrit-2021/Press_PetritHalilaj_15_RT_1.jpg Petrit Halilaj: Very volcanic over this green feather, installation view at Tate St Ives, 2021. Photo: Tate Photography (Matt Greenwood). https://www.studiointernational.com/index.php/mark-rothko-1968-clearing-away-review-pace-gallery-london https://www.studiointernational.com/images/articles/r/058-rothko-2021/08815_ROTHKO.jpg Mark Rothko. Untitled, 1969. Acrylic on paper mounted on panel, 40 × 26-1/2 in (101.6 × 67.3 cm). Artworks on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. https://www.studiointernational.com/images/articles/r/058-rothko-2021/17943_ROTHKO_v01.jpg Mark Rothko. Untitled, 1968. Acrylic on paper mounted on board, 23-3/4 × 18-5/8 in (60.3 × 47.3 cm). Private collection, New York, courtesy Alex Brotmann Art Advisory. Artworks on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. https://www.studiointernational.com/images/articles/r/058-rothko-2021/78279_ROTHKO.jpg Mark Rothko. Untitled, c1959 or 1968. Tempera on paper drawing board, 30-1/2 × 22-1/2 in (77.5 cm × 57.2 cm). Artworks on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. https://www.studiointernational.com/images/articles/r/058-rothko-2021/58210_ROTHKO.jpg Mark Rothko. Untitled, 1968. Acrylic on paper mounted on panel, 23-15/16 x 18-13/16 in (60.8 cm x 47.8 cm). Collection of Peter Marino. Artworks on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. https://www.studiointernational.com/images/articles/r/058-rothko-2021/78273_ROTHKO.jpg Mark Rothko. Untitled, 1968. Acrylic on paper mounted on panel, 33-1/16 × 25-5/8 × 1-3/8 in (84 × 65.1 × 3.5 cm). Artworks on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. https://www.studiointernational.com/images/articles/r/058-rothko-2021/78276_ROTHKO_vALT.jpg Mark Rothko. Untitled, 1968. Acrylic on paper mounted on panel, 23-7/8 × 18-3/4 × 1-3/8 (60.6 × 47.6 × 3.5 cm). Artworks on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. https://www.studiointernational.com/images/articles/r/058-rothko-2021/ROTHKO_INST_PGL_2021_v19.jpg Mark Rothko 1968: Clearing Away. Pace Gallery, 5 Hanover Square, London, October 8 – November 13, 2021. Artwork on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. Photo: Damian Griffiths, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/r/058-rothko-2021/07955_ROTHKO_v01.jpg Mark Rothko. Untitled, 1968. Acrylic on paper mounted on board, 40 × 25-1/2 in (101.6 × 64.8 cm). Collection of Peter Marino. Artworks on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. https://www.studiointernational.com/images/articles/r/058-rothko-2021/50595_ROTHKO.jpg Mark Rothko. Untitled, 1968. Oil on paper, on canvas, 39 x 25-3/16 in (99.1 x 64 cm). Artworks on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. https://www.studiointernational.com/images/articles/r/058-rothko-2021/78278_ROTHKO.jpg Mark Rothko. Untitled, c1959 or 1968. Tempera on paper drawing board mounted on canvas, 28-5/16 × 21-1/4 in (71.9 cm × 54 cm). Artworks on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko. https://www.studiointernational.com/index.php/jean-michel-othoniel-the-narcissus-theorem-review-petit-palais-paris https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/01-Jean-Michel-Othoniel,-Gold-Lotus,-2019.jpg Jean-Michel Othoniel, Gold Lotus, 2019. Photo: Claire Dorn / Courtesy of the Artist & Perrotin © Jean-Michel Othoniel / Adagp, Paris, 2021. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/Arroyos-projections-of-Wild-Knots.jpg A section from one of Arroyo’s projections of Wild Knots. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/02.jpg Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. © Othoniel / ADAGP, Paris 2021. © Photo: Claire Dorn / Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/Reflected-Narcissus.jpg Reflected Narcissus: one can see multiple selves reflected in the sculptures. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/Wild-Knots-and-painting.jpg Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/Agora-(2019).jpg Agora (2019), in The Grotto of Narcissus: a place to hide from the outside world. In the background, Precious Stonewall (2021). Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/Blue-River-(2021).jpg Blue River (2021), an in-situ installation for the Petit Palais, an art nouveau building designed for the Universal Exhibition of 1900. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/01.jpg Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. © Othoniel / ADAGP, Paris 2021. © Photo: Claire Dorn / Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/multiple-layer-reflections-of-a-Wild-Knot-on-a-top-mirrored-pedestal.jpg The multiple-layer reflections of a Wild Knot on the top of a mirrored pedestal. Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/A-dialogue.jpg A dialogue between Pompiers Courant à un Incendie (Firemen running to a blaze), by Gustave Courbet, 1851, from the Petit Palais permanent collection, and one of Othoniel’s pieces, 2021. Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/A-visitor.jpg A visitor at Petit Palais observes one of Othoniel’s giant necklaces. Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/Wild-Knots-hang-over-a-lane-of-blue-glass-bricks.jpg Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. Wild Knots hang over a lane of blue glass bricks. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/The-Gold-Lotus-(2021).jpg Gold Lotus (2021) reflected on one of the Petit Palais’s basins: a reference to Narcissus’s metamorphosis. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/The-Grotto-of-Narcissus.jpg The shadows generated by spotlights on the floor create a mysterious atmosphere in The Grotto of Narcissus. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/Two-Mirror-Knots-2021.jpg Mirror Knots (2021). Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/03.jpg Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. © Othoniel / ADAGP, Paris 2021. © Photo: Claire Dorn / Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/04.jpg Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. © Othoniel / ADAGP, Paris 2021. © Photo: Claire Dorn / Courtesy the artist and Perrotin. https://www.studiointernational.com/images/articles/n/069-narcissus-theorem-2021/06-Jean-Michel-Othoniel,-Noeuds-miroirs,-2021.jpg Installation view, Jean-Michel Othoniel: The Narcissus Theorem, Petit Palais, Paris 2021. © Othoniel / ADAGP, Paris 2021. © Photo: Claire Dorn / Courtesy the artist and Perrotin. https://www.studiointernational.com/index.php/nika-neelova-interview-silt-brighton-cca https://www.studiointernational.com/images/articles/n/068-neelova-nika-2021/nika-neelova-05.jpg Nika Neelova, Silt, installation view, Brighton Centre for Contemporary Art, 2021. Photo: Jonathan Bassett, courtesy of Brighton CCA. https://www.studiointernational.com/images/articles/n/068-neelova-nika-2021/Nika-Neelova-Lemniscate-XI-II-X-2020-One-of-Many-Fragments.jpg Nika Neelova. Left: Lemniscate X, 2020. Hardwood reclaimed handrails, two flights of stairs, 50 x 210 x 120 cm. Right: Lemniscate XI/II, 2021. Hardwood reclaimed handrails, two flights of stairs, 280 x 130 x 60 cm. Installation view, One of Many Fragments, New Art Centre, Roche Court, Salisbury 2021. https://www.studiointernational.com/images/articles/n/068-neelova-nika-2021/Nika-Neelova_Lemniscate-XI_II-IX_2021-&-2020_One-of-Many-Fragments_1.jpg Nika Neelova. Foreground: Lemniscate XI/II, 2021. Hardwood reclaimed handrails, two flights of stairs, 280 x 130 x 60 cm. Background: Lemniscate IX, 2020. Hardwood reclaimed handrails, two flights of stairs, 310 x 130 x 70 cm. Installation view, One of Many Fragments, New Art Centre, Roche Court, Salisbury 2021. https://www.studiointernational.com/images/articles/n/068-neelova-nika-2021/nika-neelova06.jpg Nika Neelova, Silt, installation view, Brighton Centre for Contemporary Art, 2021. Photo: Jonathan Bassett, courtesy of Brighton CCA. https://www.studiointernational.com/images/articles/n/068-neelova-nika-2021/nika-neelova-roundel-sculpture-(replica-of-Roman-pipe)03.jpg Nika Neelova, replica of Roman pipes, installation view, Silt, Brighton Centre for Contemporary Art, 2021. Photo: Jonathan Bassett, courtesy of Brighton CCA. https://www.studiointernational.com/images/articles/n/068-neelova-nika-2021/nika-neelova-01.jpg Nika Neelova, Silt, installation view, Brighton Centre for Contemporary Art, 2021. Photo: Jonathan Bassett, courtesy of Brighton CCA. https://www.studiointernational.com/images/articles/n/068-neelova-nika-2021/nika-neelova-02.jpg Nika Neelova, Silt, installation view, Brighton Centre for Contemporary Art, 2021. Photo: Jonathan Bassett, courtesy of Brighton CCA. https://www.studiointernational.com/images/articles/n/068-neelova-nika-2021/nika-neelova-principles-of-surrender.jpg Nika Neelova, Principles of surrender, 2010. Burnt timber, bell clappers cast in wax infused with ash, rope, 250 x 150 x 300 cm. Photo copyright Stephen White. https://www.studiointernational.com/index.php/john-abell-interview-through-great-waters-arusha-gallery-edinburgh https://www.studiointernational.com/images/articles/a/032-abell-john-2021/Esgyn-Ir-Mamwrad,-2021.jpg John Abell. Esgyn Ir Mamwrad, 2021. Oil on canvas, 152.5 x 122 cm. Image courtesy the artist and Arusha Gallery, Edinburgh. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/The-Lighthouse-(Hope-Totem),-2021.jpg John Abell. The Lighthouse (Hope Totem), 2021 Oil on canvas, 51 x 40.5 cm. Image courtesy the artist and Arusha Gallery, Edinburgh. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/Clifftop-(Passing-Ship-in-the-Moonlight),-2021.jpg John Abell. Clifftop (Passing Ship in the Moonlight), 2021. Oil on canvas, 41 x 30.5 cm. Image courtesy the artist and Arusha Gallery, Edinburgh. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/Magenta-Willow-(Another-Possible-World),-2021.jpg John Abell. Magenta Willow (Another Possible World), 2021. Oil on canvas, 91.5 x 61 cm. Image courtesy the artist and Arusha Gallery, Edinburgh. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/Ship-of-Fools,-2021.jpg John Abell. Ship of Fools, 2021. Etching, 49 x 49 cm. Image courtesy the artist and Arusha Gallery, Edinburgh. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/A-Fire-on-the-Water,-2021.jpg John Abell. A Fire on the Water, 2021. Watercolour on paper, 56 x 42.5 cm. Image courtesy the artist and Arusha Gallery, Edinburgh. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/On-Some-Faraway-Beach,-2021.jpg John Abell. On Some Faraway Beach, 2021. Oil on canvas, 40.5 x 56 cm. Image courtesy the artist and Arusha Gallery, Edinburgh. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/Proposal-Under-the-Stars,-2021.jpg John Abell. Proposal Under the Stars, 2021. Oil on canvas, 51 x 40.5 cm. Image courtesy the artist and Arusha Gallery, Edinburgh. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/Web-10-ZACandZAC.jpg John Abell: Through Great Waters, installation view, Arusha Gallery, Edinburgh. Photo: Zac and Zac. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/Web-18-ZACandZAC.jpg John Abell: Through Great Waters, installation view, Arusha Gallery, Edinburgh. Photo: Zac and Zac. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/Web-3-ZACandZAC.jpg John Abell: Through Great Waters, installation view, Arusha Gallery, Edinburgh. Photo: Zac and Zac. https://www.studiointernational.com/images/articles/a/032-abell-john-2021/Web-6-ZACandZAC.jpg John Abell: Through Great Waters, installation view, Arusha Gallery, Edinburgh. Photo: Zac and Zac. https://www.studiointernational.com/index.php/christiane-baumgartner-interview-good-work-should-not-bore-you-wish-you-were-here-cristea-roberts-london https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/Weddeort_I.jpg Christiane Baumgartner. Weddeort I, 2006. Woodcut Diptych on Kozo paper, 90 x 120 cm/ 110 x 140 cm (image size / paper size). Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/02-Wish-you-were-here_2020.jpg Christiane Baumgartner. Wish you were here, 2020. Woodcut, paper and image 150 x 213 cm. Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/04-Weststrand_2020.jpg Christiane Baumgartner. Weststrand, 2020. Woodcut, paper and image 106 x 136 cm. Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/05-Stairway-to-Heaven.jpg Christiane Baumgartner. Stairway to Heaven, 2019. Woodcut on Kozo paper in five parts, paper and image 140 x 180 cm. Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/07-Franzosische-Suite-I-(set).jpg Christiane Baumgartner. Französische Suite I – in 16 Teilen – 2019. Oil on 16 sheets of Japanese paper 24 × 32 cm (each). Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/12-Speed_book_011.jpg Christiane Baumgartner. Paul Virilio, Speed (Geschwindigkeit = Stillstand), 1999. Artist https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/10-Deutscher_Wald_1.jpg Christiane Baumgartner. Deutscher Wald, 2007. Series of 9 Woodcuts on Kozo paper, 56 x 74 cm/ 70 x 90 cm (image size / paper size). Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/03-Totes-Meer_2020.jpg Christiane Baumgartner. Totes Meer, 2020. Woodcut, paper and image 59.0 x 45.5 cm. Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/Weisse_Sonne_2.jpg Christiane Baumgartner. Weisse Sonne / Schwarze Sonne, 2016. Woodcut Diptych on Kozo paper, 85 x 110 cm / 105 x 130 cm (image size / paper size). Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/01-Contre-jour-1_2019.jpg Christiane Baumgartner. Contre-jour 1, 2019. Woodcut, paper and Image 201.5 x 151 cm. Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/06-Prometheus-II-(grayscale)_2021.jpg Christiane Baumgartner. Prometheus II, 2021. A series of three woodcuts, paper and image 59.5 × 45 cm. Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/06b-Prometheus-III-(grayscale)_2021.jpg Christiane Baumgartner. Prometheus III, 2021. A series of three woodcuts, paper and image 59.5 × 45 cm. Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/08_Happy_Hour_Tequila_Sunrise.jpg Christiane Baumgartner. Happy Hour – Tequila Sunrise, 2018. Unique woodcut with painting on Kozo paper, 172 x 130 cm/ 194 x 150 cm (image size / paper size). Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/Schwarze_Sonne.jpg Christiane Baumgartner. Weisse Sonne / Schwarze Sonne, 2016. Woodcut Diptych on Kozo paper, 85 x 110 cm / 105 x 130 cm (image size / paper size). Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/images/articles/b/020-baumgartner-christiane-2021/Weddeort_II.jpg Christiane Baumgartner. Weddeort II, 2006. Woodcut Diptych on Kozo paper, 90 x 120 cm/ 110 x 140 cm (image size / paper size). Courtesy Christiane Baumgartner and Cristea Roberts Gallery, London. Christiane Baumgartner © VG Bild-Kunst Bonn e.V. 2021 https://www.studiointernational.com/index.php/suzanne-valadon-model-painter-rebel-review-barnes-foundation https://www.studiointernational.com/images/articles/v/078-valadon-suzanne-2021/04.jpg Suzanne Valadon. The Blue Room, 1923. Centre Pompidou – Musée National d’Art Moderne/CCI, Paris, on deposit to the Musée des Beaux-Arts de Limoges, State Purchase, 1924. © 2021 Artist Rights Society (ARS), New York. Photo by Jacqueline Hyde / Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. https://www.studiointernational.com/images/articles/v/078-valadon-suzanne-2021/01.jpg Suzanne Valadon. Marie Coca and Her Daughter Gilberte, 1913. Musée des Beaux-Arts de Lyon, purchased from the artist, 1937. © 2021 Artist Rights Society (ARS), New York / Image © DeA Picture Library / Art Resource, NY. https://www.studiointernational.com/images/articles/v/078-valadon-suzanne-2021/05.jpg Suzanne Valadon. Joy of Life, 1911. The Metropolitan Museum of Art, New York, Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967. © 2021 Artist Rights Society (ARS), New York / Image © The Metropolitan Museum of Art / Art Resource, NY. https://www.studiointernational.com/images/articles/v/078-valadon-suzanne-2021/06.jpg Suzanne Valadon. Adam and Eve, 1909. Centre Pompidou – Musée National d’Art Moderne/CCI, Paris, Gift of the State, Purchase, 1937. © 2021 Artist Rights Society (ARS), New York / Photo: Jacqueline Hyde / Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. https://www.studiointernational.com/images/articles/v/078-valadon-suzanne-2021/03.jpg Suzanne Valadon. Family Portrait, 1912. Musée d’Orsay, Paris, on deposit to the Centre Pompidou – Musée National d’Art Moderne/CCI, gift to the Musées Nationaux by M. Cahen-Salvador in memory of Madame Fontenelle-Pomaret, 1976. © 2021 Artist Rights Society (ARS), New York. Photo by Christian Jean / Jean Popovitch/ Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. https://www.studiointernational.com/images/articles/v/078-valadon-suzanne-2021/02.jpg Suzanne Valadon. Self-Portrait, 1927. Collection of the City of Sannois, Val d’Oise, France, on temporary loan to the Musée de Montmartre, Paris. © 2021 Artist Rights Society (ARS), New York. Image by Stéphane Pons. https://www.studiointernational.com/index.php/reflections-the-light-and-life-of-john-henry-lorimer-1856-1936-review-city-art-centre-edinburgh https://www.studiointernational.com/images/articles/l/053-lorimer-john-henry-2021/Hush.jpg John Henry Lorimer. Hush, oil on canvas, 1905. Touchstones Rochdale Art Gallery. https://www.studiointernational.com/images/articles/l/053-lorimer-john-henry-2021/Lorimer-Family.jpg The Lorimer Family. Photo courtesy of a Private Collection. https://www.studiointernational.com/images/articles/l/053-lorimer-john-henry-2021/Pot-Pourri.jpg John Henry Lorimer. Pot Pourri, oil on canvas. Private Collection. Photo: Nick Haynes. https://www.studiointernational.com/images/articles/l/053-lorimer-john-henry-2021/Lorimer.jpg John Henry Lorimer. Flight of the Swallows, oil on canvas, 1906. City Art Centre, Edinburgh Museums and Galleries. Photo: Eion Johnston. https://www.studiointernational.com/images/articles/l/053-lorimer-john-henry-2021/John-Henry-Lorimer.jpg John Henry Lorimer with his dog Burleigh. Photo courtesy of a Private Collection. https://www.studiointernational.com/images/articles/l/053-lorimer-john-henry-2021/The_Eleventh_Hour.jpg John Henry Lorimer. The Eleventh Hour, oil on canvas, c1894. Private Collection. Photo: Nick Haynes. https://www.studiointernational.com/index.php/herve-telemaque-a-hopscotch-of-the-mind-review-serpentine-gallery-london https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/09-H2G03788.jpg Hervé Télémaque: A Hopscotch of the Mind (detail), installation view, 7 October 2021 – 30 January 2022, Confidence (Secret). Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/05-H2G03729.jpg Hervé Télémaque: A Hopscotch of the Mind, installation view, 7 October 2021 – 30 January 2022, One of the 36,000 Marines over our Antilles, Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/07-H2G03723HG2.jpg Hervé Télémaque: A Hopscotch of the Mind, installation view, 7 October 2021 – 30 January 2022, My Darling Clementine. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/03-H2G03722.jpg Hervé Télémaque: A Hopscotch of the Mind, installation view, 7 October 2021 – 30 January 2022, Inventaire, un homme d https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/10-H2G03797.jpg Hervé Télémaque: A Hopscotch of the Mind, installation view, 7 October 2021 – 30 January 2022), Fonds d https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/02-5D23895_original_resized.jpg Hervé Télémaque, Convergence, 1966. Vinyl and acrylic painting on canvas, assemblage (feather duster, book, paper, ribbon, newspaper), 130 x 195 cm. Photo: Musée d https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/04-H2G03748HG2.jpg Hervé Télémaque: A Hopscotch of the Mind, installation view, 7 October 2021 – 30 January 2022, Confidence (Secret). Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/01-H2G03678HG2.jpg Hervé Télémaque: A Hopscotch of the Mind, installation view, 7 October 2021 – 30 January 2022. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/06-H2G03730.jpg Hervé Télémaque: A Hopscotch of the Mind, installation view, 7 October 2021 – 30 January 2022, Fonds d'actualité No1 (Current Affairs No1). Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/t/071-telemaque-herve-2021/08-H2G03725.jpg Hervé Télémaque: A Hopscotch of the Mind, installation view, 7 October 2021 – 30 January 2022, L'Enfant voit rouge (The Child Sees Red. Photo: Hugo Glendinning. https://www.studiointernational.com/index.php/tapestry-changing-concepts-review-city-art-centre-edinburgh https://www.studiointernational.com/images/articles/t/070-tapestry-2021/Archie-Brennan,-Chain,-1979.jpg Archie Brennan, Chain, 1979. © The Estate of Archie Brennan. Photo: Michael Wolchover. https://www.studiointernational.com/images/articles/t/070-tapestry-2021/Sara-Brennan,-Tree-Line-I,-2021.jpg Sara Brennan, Tree Line I, 2021. © the artist. Photo: Michael Wolchover. https://www.studiointernational.com/images/articles/t/070-tapestry-2021/Gordon-Brennan,-Rest,-2020.jpg Gordon Brennan, Rest, 2020. © the artist. https://www.studiointernational.com/images/articles/t/070-tapestry-2021/Henny-Burnett,-365-Days-of-Plastic-(detail).jpg Henny Burnett, 365 Days of Plastic (detail), 2020/2021. © the artist. Photo: Martin Urmson. https://www.studiointernational.com/images/articles/t/070-tapestry-2021/Fiona-Mathison,-My-Lockdown-Lover,-2021.jpg Fiona Mathison, My Lockdown Lover, 2021. © the artist. Photo: BJ Stewart. https://www.studiointernational.com/images/articles/t/070-tapestry-2021/Jo-McDonald,-Networking-(detail),-2021.jpg Jo McDonald, Networking (detail), 2021. © the artist. https://www.studiointernational.com/images/articles/t/070-tapestry-2021/Joanne-Soroka,-Migration,-2017.jpg Joanne Soroka, Migration, 2017. © the artist. Photo: Michael Wolchover. https://www.studiointernational.com/images/articles/t/070-tapestry-2021/Lesley-Stothers,-Composing-A-Life-2013.jpg Lesley Stothers, Composing A Life, 2013. © the artist. Photo: Roland Paschhoff. https://www.studiointernational.com/index.php/courtauld-institute-london-refurbishment-review-witherford-watson-mann-architects https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/The-Courtauld-Gallery-at-Somerset-House-Photo-Alastair-Fyfe.jpg The Courtauld Gallery at Somerset House, London. Photo © Alastair Fyfe. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/Self-Portrait-with-Bandaged-Ear,-Vincent-Van-Gogh.jpg Vincent Van Gogh, Self-Portrait with Bandaged Ear, 1889. The Courtauld, London (Samuel Courtauld Trust) © The Courtauld. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/05-The-Medieval-and-Early-Renaissance-Gallery.jpg The Medieval and Early Renaissance Gallery at The Courtauld Gallery. Photo © Hufton+Crow. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/21-The-Gilbert-and-Ildiko-Butler-Drawings-Gallery-at-The-Courtauld-Gallery.jpg The Gilbert and Ildiko Butler Drawings Gallery at The Courtauld Gallery. Photo © David Levene https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/03-The-Courtauld-Gallery.jpg The Courtauld Gallery. Photo © Jim Winslet. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/04-The-Blavatnik-Fine-Rooms.jpg The Blavatnik Fine Rooms at The Courtauld Gallery. Photo © Hufton+Crow. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/01-Botticelli.jpg Botticelli in The Blavatnik Fine Rooms at The Courtauld Gallery. Photo © Jim Winslet. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/11-The-Project-Space-at-The-Courtauld-Gallery-4.jpg The Project Space at The Courtauld Gallery. Photo © Hufton+Crow. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/01-Cecily-Brown,-Unmoored-from-her-reflection,-2021.jpg Cecily Brown, Unmoored from her reflection, 2021. Oil on linen, 149 x 539 cm © Cecily Brown. Courtesy the artist, Thomas Dane Gallery. Photo © David Levene. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/01-The-LVMH-Great-Room.jpg The LVMH Great Room at The Courtauld Gallery. Photo © Hufton+Crow. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/Claude-Monet-Antibes-1888.jpg Claude Monet (1840 - 1926), Antibes 1888. The Courtauld, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/Helen-Saunders-(1885-1963).jpg Helen Saunders (1885-1963), Vorticist Composition with Figures, Black and White, about 1915. The Courtauld, London (Samuel Courtauld Trust), © The Courtauld, The Estate of Helen Saunders. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/05-The-Bloomsbury-Room.jpg The Bloomsbury Room at The Courtauld Gallery. Photo © Jim Winslet. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/10-Oskar-Kokoschka-(1886-1980).jpg Oskar Kokoschka (1886-1980), The Myth of Prometheus, 1950. The Courtauld Gallery. Photo © Hufton+Crow. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/The-Courtauld-Gallery-Photo-Benedict-Johnson.jpg The Courtauld Gallery. Photo: Benedict Johnson. https://www.studiointernational.com/images/articles/c/017-courtauld-refurb-2021/09-Pierre-Auguste-Renoir.jpg Pierre-Auguste Renoir (1841- 1919), La Loge, 1874. The Courtauld, London. Photo © Jim Winslet. https://www.studiointernational.com/index.php/durers-journeys-travels-of-a-renaissance-artist-review-the-national-gallery-london https://www.studiointernational.com/images/articles/d/060-durer-2021/painters-father-NG1938-A5.jpg After Albrecht Dürer. The Painter’s Father, 1497. Oil on lime, 51 x 40.3 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/d/060-durer-2021/kneeling-donor-X10856-A5c.jpg Albrecht Dürer. Kneeling Donor, 1506. Brush and black ink and wash, with white opaque watercolour, with pen and dark ink, on blue paper, 32.4 x 19.8 cm. The Morgan Library & Museum, New York. Purchased by Pierpont Morgan (1837–1913) in 1909. © The Morgan Library & Museum, New York. https://www.studiointernational.com/images/articles/d/060-durer-2021/A-man-aged-38-NG3604-A5.jpg Lucas van Leyden. A Man aged 38, about 1521. Oil on oak, 46.7 × 40.8 cm. Presented by the children of Lewis Fry in his memory, through the Art Fund, 1921. © The National Gallery, London. https://www.studiointernational.com/images/articles/d/060-durer-2021/desiderius-X10826-A5c.jpg Quinten Massys. Desiderius Erasmus, 1517. Oil on oak panel, 50.5 x 45.2 cm. Lent by Her Majesty The Queen. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020. https://www.studiointernational.com/images/articles/d/060-durer-2021/lady-from-brussels-X10519-A5c.jpg Albrecht Dürer. Lady from Brussels, 1520. Pen and brown ink, 16 x 10.5 cm. The Albertina Museum, Vienna (3161). © Albertina, Vienna. https://www.studiointernational.com/images/articles/d/060-durer-2021/two-livonian-men-X10547-A5.jpg Albrecht Dürer. Two Livonian Women, 1521. Pen and brown ink, watercolour, 18.4 × 19.5 cm. Musée du Louvre, Paris (20DR). © RMN-Grand Palais (musée du Louvre) / Thierry Le Mage. https://www.studiointernational.com/images/articles/d/060-durer-2021/the-virgin-NG1432-A5.jpg Gerard David. The Virgin and Child with Saints and Donor, probably 1510. Oil on oak, 105.8 x 144.4 cm. Bequeathed by Mrs Lyne Stephens, 1895. © The National Gallery, London. https://www.studiointernational.com/images/articles/d/060-durer-2021/crucifixion-X10531-A5c.jpg Albrecht Dürer. The Crucifixion, 1521. Pen with brown ink, 32.3 x 22.2 cm. The Albertina Museum, Vienna (3169). © Albertina, Vienna. https://www.studiointernational.com/images/articles/d/060-durer-2021/christ-among-the-doctors-x10662-A5.jpg Albrecht Dürer. Christ among the Doctors, 1506. Oil on panel, 64.3 x 80.3 cm. Museo Nacional Thyssen-Bornemisza, Madrid (1934.38). © Museo Thyssen-Bornemisza, Madrid. https://www.studiointernational.com/index.php/joy-labinjo-interview-multicultural-london-something-you-can-really-see-in-london https://www.studiointernational.com/images/articles/l/052-labinjo-joy-2021/Joy_Labinjo_85A1715_Angus_Mill.jpg Joy Labinjo, 5 more minutes, 2021. Brixton Underground station. Commissioned by Art on the Underground. Courtesy the artist and Tiwani Contemporary. Photo: Angus Mill, 2021. https://www.studiointernational.com/images/articles/l/052-labinjo-joy-2021/Joy_Labinjo_85A1683_Angus_Mill_V2.jpg Joy Labinjo, 5 more minutes, 2021. Brixton Underground station. Commissioned by Art on the Underground. Courtesy the artist and Tiwani Contemporary. Photo: Angus Mill, 2021. https://www.studiointernational.com/images/articles/l/052-labinjo-joy-2021/Joy_Labinjo_85A1922_Angus_Mill_V2.jpg Joy Labinjo, 5 more minutes, 2021. Brixton Underground station. Commissioned by Art on the Underground. Courtesy the artist and Tiwani Contemporary. Photo: Angus Mill, 2021. https://www.studiointernational.com/index.php/tunji-adeniyi-jones-video-interview-that-which-binds-us-white-cube-london https://www.studiointernational.com/images/articles/a/031-adeniyi-jones-tunji-2021/Tunji-Adeniyi-Jones-Frolicking-Youth-2021.jpg Tunji Adeniyi-Jones. Frolicking Youth, 2021. Oil on canvas, 198.1 x 198.1 cm (78 x 78 in). © the artist. Courtesy White Cube. https://www.studiointernational.com/images/articles/a/031-adeniyi-jones-tunji-2021/Tunji-Adeniyi-Jones-Twin-Virtues-in-Blue-Orange-021.jpg Tunji Adeniyi-Jones. Twin Virtues in Blue & Orange, 2021. Oil on canvas, 149.9 x 139.7 cm (59 x 55 in). © the artist. Photo © JSP Art Photography. Courtesy White Cube. https://www.studiointernational.com/images/articles/a/031-adeniyi-jones-tunji-2021/Tunji-Adeniyi-Jones-Poetic-Feet-2021.jpg Tunji Adeniyi-Jones. Poetic Feet, 2021. Oil on canvas, 203.2 x 142.2 cm (80 x 56 in). © the artist. Photo © JSP Art Photography. Courtesy White Cube. https://www.studiointernational.com/images/articles/a/031-adeniyi-jones-tunji-2021/Tunji-Adeniyi-Jones-Five-Virtues-2021.jpg Tunji Adeniyi-Jones. Five Virtues, 2021. Sugar-lift aquatint on paper, plate size: 73.7 x 48.3 cm (29 x 19 in); paper size: 92.7 x 66 cm (36 1/2 x 26 in). © the artist. Courtesy White Cube. https://www.studiointernational.com/images/articles/a/031-adeniyi-jones-tunji-2021/Tunji-Adeniyi-Jones-Charm-Honour-Grace-2021.jpg Tunji Adeniyi-Jones. Charm, Honour & Grace, 2021. Oil on canvas, 203.2 x 152.4 cm (80 x 60 in). © the artist. Photo © White Cube (Dan Bradica). https://www.studiointernational.com/images/articles/a/031-adeniyi-jones-tunji-2021/Tunji-Adeniyi-Jones-That-Which-Binds-Us-1.jpg Tunji Adeniyi-Jones: That Which Binds Us, White Cube Bermondsey, 19 November 2021 – 9 January 2022. © the artist. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/a/031-adeniyi-jones-tunji-2021/Tunji-Adeniyi-Jones-That-Which-Binds-Us-2.jpg Tunji Adeniyi-Jones: That Which Binds Us, White Cube Bermondsey, 19 November 2021 – 9 January 2022. © the artist. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/images/articles/a/031-adeniyi-jones-tunji-2021/Tunji-Adeniyi-Jones-That-Which-Binds-Us-6.jpg Tunji Adeniyi-Jones: That Which Binds Us, White Cube Bermondsey, 19 November 2021 – 9 January 2022. © the artist. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/index.php/lubaina-himid-tate-modern-review-london https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Metal-Handkerchief-Saw-Flag.jpg Lubaina Himid. Metal Handkerchief - Saw/Flag, 2019. Courtesy the artist and Hollybush Gardens. https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Jelly-Mould-2.jpg Lubaina Himid. Jelly Mould Pavilions for Liverpool, 2010. Acrylic on jelly moulds, dimensions variable. © Lubaina Himid. https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Blue-Grid-Test.jpg Lubaina Himid. Blue Grid Test, 2020. © Lubaina Himid. https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Lubaina_Himid_TM_2021_12.jpg Lubaina Himid, installation view, Tate Modern, London, 2021. Photo © Tate (Sonal Bakrania). https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Between-the-Two-My-Heart-is-Balanced.jpg Lubaina Himid. A Fashionable Marriage, 1986. Installation view, 2017 © Nottingham Contemporary. Photo: Andy Keate. Courtesy the artist and Hollybush Gardens. https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Lubaina_Himid_TM_2021_19.jpg Lubaina Himid, installation view, Tate Modern, London, 25 November 2021 – 5 July 2022. Photo © Tate (Sonal Bakrania). https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Ball-on-Shipboard.jpg Lubaina Himid. Ball on Shipboard, 2018. Rennie Collection, Vancouver. © Lubaina Himid. https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Lubaina_Himid_TM_2021_15.jpg Lubaina Himid, installation view, Tate Modern, London, 25 November 2021 – 5 July 2022. Photo © Tate (Sonal Bakrania). https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Man-in-a-shirt-drawer.jpg Lubaina Himid. Man in a Shirt Drawer, 2017-18. Tate © Lubaina Himid. https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/The-Operating-Table.jpg Lubaina Himid. The Operating Table, 2017-18. Private Collection. © Lubaina Himid. https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/The-Sweet-Sharp-Taste-of-Limes-photo-by-Andy-Keate.jpg Lubaina Himid. The Sweet Sharp Taste of Limes, 2017-18. © Lubaina Himid. Courtesy the artist and Hollybush Gardens. https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/There-Could-Be-an-Endless-Ocean.jpg Lubaina Himid. There Could Be an Endless Ocean, 2018. Courtesy the artist and Hollybush Gardens. https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Lubaina_Himid_TM_2021_17.jpg Lubaina Himid, installation view, Tate Modern, London, 25 November 2021 – 5 July 2022. Photo © Tate (Sonal Bakrania). https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Lubaina_Himid_TM_2021_30.jpg Lubaina Himid, installation view, Tate Modern, London, 25 November 2021 – 5 July 2022. Photo © Tate (Sonal Bakrania). https://www.studiointernational.com/images/articles/h/033-himid-lubaina-2021/Lubaina_Himid_TM_2021_14.jpg Lubaina Himid, installation view, Tate Modern, London, 25 November 2021 – 5 July 2022. Photo © Tate (Sonal Bakrania). https://www.studiointernational.com/index.php/danny-fox-brown-willy-saatchi-yates-review https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/ST200455.jpg Danny Fox. Goon Hilly, Brown Willy, 2021. Acrylic on canvas, 23 5/8 x 28 in (60 x 71 cm). © Danny Fox, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/ST200418.jpg Danny Fox. Irrelevant Man, 2021. Acrylic on canvas, 84 x 72 in (213.4 x 182.9 cm). © Danny Fox, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/ST200427.jpg Danny Fox. The Man of the House Cuts the Bird, 2021. Acrylic on canvas, 84 x 72 in (213.4 x 182.9 cm). © Danny Fox, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/ST200422.jpg Danny Fox. Painter https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/the-tinners-danny-fox.jpg Danny Fox. The Tinners, 2020. Oil on canvas, 63 x 70 7/8 in (160 x 180 cm). © Danny Fox, 2020. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/the-beach-is-boring-danny-fox.jpg Danny Fox. The Beach is Boring (Without You), 2021. Acrylic on canvas, 160 x 180.3 cm. Photo: Copyright the artist, courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/can-of-petrol-danny-fox.jpg Danny Fox. Can of petrol, can of mackerel, get on jet fuel, 2021. Acrylic on canvas, 84 x 72 in (213.4 x 182.9 cm). © Danny Fox, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/the-engine-inn-danny-fox.jpg Danny Fox. The Engine Inn, 2021. Acrylic on canvas, 84 x 72 in (213.4 x 182.9 cm). © Danny Fox, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/gurnards-head-danny-fox.jpg Danny Fox. Gurnard https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/ST200443.jpg Danny Fox. The Blind Man, 2021. Acrylic on canvas, 39 3/8 x 47 1/4 in (100 x 120 cm) © Danny Fox, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/ST200463.jpg Danny Fox. The Walled Garden, 2021. Acrylic on canvas, 23 5/8 x 28 in (60 x 71 cm). © Danny Fox, 2021. Image courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/mine-danny-fox.jpg Danny Fox. Mine, 2020. Ceramic pot on granite plinth, 39 x 11 x 10 in (99.1 x 27.9 x 25.4 cm). Photo: Copyright the artist, courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/portrait-of-baldy-prowse-danny-fox.jpg Danny Fox. Portrait of Baldy Prowse, 2021. Acrylic on canvas, 72 x 84 in (182.9 x 213.4 cm). Photo: Copyright the artist, courtesy of Saatchi Yates. https://www.studiointernational.com/images/articles/f/066-fox-danny-2021/the-centre-of-earth-danny-fox.jpg Danny Fox. The Centre of Earth, 2021. Wood, metal, fabric, wax, ceramic, 138 x 73 x 73 in (350.5 x 185.4 x 185.4 cm). Photo: Copyright the artist, courtesy of Saatchi Yates. https://www.studiointernational.com/index.php/sarah-morris-means-of-escape-review-white-cube-bermondsey-london https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Sakura_Master_8k_ProRes4444-(1-42-07-19)-Sumo.jpg Sarah Morris. Sakura (still) 2018. HD digital video, 50 min 6 sec. © Sarah Morris. https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Sarah-Morris-Dilemma-Spiderweb-2021-1.jpg Sarah Morris. Dilemma [Spiderweb], 2021. Household gloss paint on canvas, 214 x 271 cm (84 1/4 x 106 11/16 in). © Sarah Morris. Photo © White Cube (Tom Powel Imaging) Courtesy White Cube. https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Sarah-Morris-Trap-Spiderweb-2021.jpg Sarah Morris. Trap [Spiderweb], 2021. Household gloss paint on canvas, 152 x 152 cm (59 13/16 x 59 13/16 in). © Sarah Morris. Photo © White Cube (Tom Powel Imaging). https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Sakura_Master_8k_ProRes4444-(1-45-40-11)-Sakura.jpg Sarah Morris. Sakura (still) 2018. HD digital video, 50 min 6 sec. © Sarah Morris. https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Sakura_Master_8k_ProRes4444-(1-08-02-21)-Good-morning-Asahi-TV-show.jpg Sarah Morris. Sakura (still) 2018. HD digital video, 50 min 6 sec. © Sarah Morris. https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Crazy-Horse.jpg Sarah Morris. Crazy Horse, 2013. Ink and gouache on paper, 157.6 x 115.7 cm (62 1/16 x 45 9/16 in). © Sarah Morris. Photo © Christopher Burke, New York Courtesy White Cube. https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Network.jpg Sarah Morris. Network. Ink and gouache on paper, 72.7 x 51.3 cm (28 5/8 x 20 3/16 in). © Sarah Morris. Photo © Christopher Burke, New York Courtesy White Cube. https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Sarah-Morris-Patrol-Spiderweb-2021-1.jpg Sarah Morris. Patrol [Spiderweb], 2021. Household gloss paint on canvas, 84 1/4 x 106 11/16 in (214 x 271 cm). © Sarah Morris. Photo © White Cube (Tom Powel Imaging). https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Sarah-Morris-Ranger-Spiderweb-2021.jpg Sarah Morris. Ranger [Spiderweb], 2021. Household gloss paint on canvas, 123 x 122 cm (48 7/16 x 48 1/16 in). © Sarah Morris. Photo © White Cube (Tom Powel Imaging). https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/The-Conversation.jpg Sarah Morris. Pазговорзговор [The Conversation]. Ink and gouache on paper, 50 x 80 x 5 cm (19 11/16 x 31 1/2 x 1 15/16 in). © Sarah Morris. Photo © Christopher Burke, New York Courtesy White Cube. https://www.studiointernational.com/images/articles/m/025-morris-sarah-2021/Sakura_Master_8k_ProRes4444-(1-24-34-09)-Osaka-city-shot.jpg Sarah Morris. Sakura (still) 2018. HD digital video, 50 min 6 sec. © Sarah Morris. https://www.studiointernational.com/index.php/the-world-according-to-colour-james-fox-book-review-allen-lane https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/03.jpg Hand stencil from Cueva de las Manos, Perito Moreno, Argentina, c. 5,000 BCE. Red pigment on stone. https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/09-gold-nugget-2269846.jpg Gold nugget. Photo: Csaba Nagy. https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/07-Links43_Ford.jpg Ford Madox Brown, The Last of England, 1852-5. Oil on panel, 82.5 x 75cm. Birmingham Museum and Art Gallery. https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/04-Kandinsky.jpg Wassily Kandinsky, Improvisation 19, 1911. Oil on canvas, 120 x 141.5cm. Städtische Galerie im Lenbachhaus und Kunstbau München, Gabriele Münter Stiftung 1957. https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/08-bernini-1123417.jpg Gian Lorenzo Bernini, The Rape of Proserpina (1621-2). Carraran marble, h. 255 cm. Galleria Borghese, Rome. Photo: Waldo Miguez. https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/06-Links41_Perkin.jpg Sample of silk dyed with mauve by William Henry Perkin (1860). 17.8 x 5.1cm. Smithsonian National Museum. https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/12-march-for-science-2252980.jpg Environmental Protest. https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/world-according-to-colour-book-cover-750.jpg The World According to Colour: A Cultural History by James Fox, published by Allen Lane. https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/05_Earthrise.jpg Earthrise (1968). Colour photograph (NASA). https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/10-saffron-215932.jpg Saffron. https://www.studiointernational.com/images/articles/w/049-world-according-to-colour-2021/11-lapis-lazuli-261309.jpg Lapis Lazuli. https://www.studiointernational.com/index.php/karlo-kacharava-people-and-places-modern-art-review https://www.studiointernational.com/images/articles/k/058-kacharava-karlo-2021/01.jpg Karlo Kacharava, Sentimental Journey, 1993. Acrylic on canvas, 52.5 x 73 cm. © The Estate of Karlo Kacharava. Courtesy: The Estate of Karlo Kacharava, Tbilisi, Georgia and Modern Art, London. Photo: Robert Glowacki.  https://www.studiointernational.com/images/articles/k/058-kacharava-karlo-2021/06.jpg Karlo Kacharava, Mouchette, 1993. Oil on canvas, 70 x 35 cm. © The Estate of Karlo Kacharava. Courtesy: The Estate of Karlo Kacharava, Tbilisi, Georgia and Modern Art, London. Photo: Robert Glowacki.  https://www.studiointernational.com/images/articles/k/058-kacharava-karlo-2021/02.jpg Karlo Kacharava, Anarchist’s Dream, 1992. Tempera on canvas, 103.3 x 103 cm. © The Estate of Karlo Kacharava. Courtesy: The Estate of Karlo Kacharava, Tbilisi, Georgia and Modern Art, London. Photo: Robert Glowacki.  https://www.studiointernational.com/images/articles/k/058-kacharava-karlo-2021/04.jpg Karlo Kacharava, The Daughter is a Prison Balleria, 1992. Collage and acrylic paint on canvas, 100 x 100 cm. © The Estate of Karlo Kacharava. Courtesy: The Estate of Karlo Kacharava, Tbilisi, Georgia and Modern Art, London. Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/k/058-kacharava-karlo-2021/05.jpg Karlo Kacharava, Perversion of Kings, 1993. Oil on canvas, 120 x 100 cm. © The Estate of Karlo Kacharava. Courtesy: The Estate of Karlo Kacharava, Tbilisi, Georgia and Modern Art, London. Photo: Robert Glowacki.  https://www.studiointernational.com/images/articles/k/058-kacharava-karlo-2021/03.jpg Karlo Kacharava, Nick Cave, 1992. Oil on canvas, 99.3 x 79.5 cm. © The Estate of Karlo Kacharava. Courtesy: The Estate of Karlo Kacharava, Tbilisi, Georgia and Modern Art, London. Photo: Robert Glowacki.  https://www.studiointernational.com/images/articles/k/058-kacharava-karlo-2021/07.jpg Karlo Kacharava, English Romanticism, 1992. Oil on canvas, 100 x 100 cm. © The Estate of Karlo Kacharava. Courtesy: The Estate of Karlo Kacharava, Tbilisi, Georgia and Modern Art, London. Photo: Robert Glowacki.  https://www.studiointernational.com/index.php/coral-woodbury-interview-palimpsest-hackelbury-fine-art-london https://www.studiointernational.com/images/articles/w/048-woodbury-coral-2021/Coral-Woodbury,-Anni-Albers,-2021.jpg Coral Woodbury, Anni Albers, 2021. Sumi ink on book page, 11.5 x 8.75 in. © Coral Woodbury, courtesy of HackelBury Fine Art. https://www.studiointernational.com/images/articles/w/048-woodbury-coral-2021/Coral-Woodbury,-Broken-Spine-IV,-2021.jpg Coral Woodbury, Broken Spine IV, 2021. Oil, ashes, and gold leaf on linen, 16 x 20 in. © Coral Woodbury, courtesy of HackelBury Fine Art. https://www.studiointernational.com/images/articles/w/048-woodbury-coral-2021/Coral-Woodbury,-Faith-Ringgold,-2020.jpg Coral Woodbury, Faith Ringgold, 2020. Sumi ink on book page, 11.5 x 8.75 in. © Coral Woodbury, courtesy of HackelBury Fine Art. https://www.studiointernational.com/images/articles/w/048-woodbury-coral-2021/Coral-Woodbury,-Lotte-Laserstein,-2020.jpg Coral Woodbury, Lotte Laserstein, 2020. Sumi ink on book page, 11.5 x 8.75 in. © Coral Woodbury, courtesy of HackelBury Fine Art. https://www.studiointernational.com/images/articles/w/048-woodbury-coral-2021/Coral-Woodbury,-Louise-Bourgeois,-2020.jpg Coral Woodbury, Louise Bourgeois, 2020. Sumi ink on book page, 11.5 x 8.75 in. © Coral Woodbury, courtesy of HackelBury Fine Art. https://www.studiointernational.com/images/articles/w/048-woodbury-coral-2021/Coral-Woodbury,-Torrential-Misadventure-in-1951-Chevy-Bus-and-Pedicabs,-2018.jpg Coral Woodbury, Torrential Misadventure in 1951,Chevy Bus and Pedicabs, 2018. Gouache diptych on 1969 Cuban book pages, 7 x 10 in. © Coral Woodbury, courtesy of HackelBury Fine Art. https://www.studiointernational.com/images/articles/w/048-woodbury-coral-2021/Coral-Woodbury,-Vanessa-Bell,-2021.jpg Coral Woodbury, Vanessa Bell, 2021. Sumi ink on book page, 11.5 x 8.75 in. © Coral Woodbury, courtesy of HackelBury Fine Art. https://www.studiointernational.com/images/articles/w/048-woodbury-coral-2021/coral-woodbury-in-her-studio.jpg Coral Woodbury in her studio. Photo: Myke Yeager. https://www.studiointernational.com/index.php/john-nash-the-landscape-of-love-and-solace-review-compton-verney https://www.studiointernational.com/images/articles/n/067-nash-john-2021/01-John-Nash,-A-Gloucestershire-Landscape.jpg John Nash, A Gloucestershire Landscape, 1914. Oil on canvas, 51.2 x 61.5 cm. Image © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/n/067-nash-john-2021/02-Over-the-top-1st-Artists-Rifles-at-Marcoing.jpg John Nash, Over the Top, 1918. Oil on canvas, 79.8 x 108 cm. Courtesy of the Imperial War Museum. https://www.studiointernational.com/images/articles/n/067-nash-john-2021/03-John-Nash,-Deadly-Nightshade,-1927.jpg John Nash, Deadly Nightshade, 1927. Wood engraving, from the Buckinghamshire County Museum collections. https://www.studiointernational.com/images/articles/n/067-nash-john-2021/04-John-Nash,-A-Dockyard-Fire,-1940.jpg John Nash, A Dockyard Fire, 1940. Oil on canvas, 50.8 x 81.2 cm. Courtesy of the Imperial War Museum. https://www.studiointernational.com/images/articles/n/067-nash-john-2021/05-John-Nash,-Sea-Holly-and-Sea-Bindweed-(Seaside-Flowers),-1938.jpg John Nash, Sea Holly and Sea Bindweed (Seaside Flowers), 1938. From the Buckinghamshire County Museum collections. https://www.studiointernational.com/images/articles/n/067-nash-john-2021/07-John-Nash,-Harvesting,-1946.jpg John Nash, Harvesting, 1946. Lithograph poster. Courtesy of Private Collection. https://www.studiointernational.com/images/articles/n/067-nash-john-2021/06-John-Nash,-White-Water-lily-and-water-Soldier,-1938.jpg John Nash, White Water-lily and water Soldier, 1938. From the Buckinghamshire County Museum collections. https://www.studiointernational.com/index.php/ray-harryhausen-titan-of-cinema-scottish-national-gallery-of-modern-art-review https://www.studiointernational.com/images/articles/h/032-harryhausen-ray-2021/Image-4.jpg Model of Skeleton from Jason and the Argonauts, c.1961 by Ray Harryhausen. Mounted on wooden base. Collection: The Ray and Diana Harryhausen Foundation. © The Ray and Diana Harryhausen Foundation. Photo: Sam Drake (National Galleries of Scotland). https://www.studiointernational.com/images/articles/h/032-harryhausen-ray-2021/Image-6.jpg Ray Harryhausen. Medusa model from Clash of the Titans, c.1979. Collection: The Ray and Diana Harryhausen Foundation. © The Ray and Diana Harryhausen Foundation. Photo: Sam Drake (National Galleries of Scotland). https://www.studiointernational.com/images/articles/h/032-harryhausen-ray-2021/Image-7.jpg Model of the Kraken from Clash of the Titans, c.1980 by Ray Harryhausen. Collection: The Ray and Diana Harryhausen Foundation. © The Ray and Diana Harryhausen Foundation. Photo: Sam Drake (National Galleries of Scotland). https://www.studiointernational.com/images/articles/h/032-harryhausen-ray-2021/Titan-of-Cinema27.jpg Ray Harryhausen: Titan of Cinema, installation view, Scottish National Gallery of Modern Art, Edinburgh. Photo: Neil Hanna. https://www.studiointernational.com/images/articles/h/032-harryhausen-ray-2021/Titan-of-Cinema40.jpg Ray Harryhausen: Titan of Cinema, installation view, Scottish National Gallery of Modern Art, Edinburgh. Photo: Neil Hanna. https://www.studiointernational.com/images/articles/h/032-harryhausen-ray-2021/Image-16.jpg Ray Harryhausen (1920-2013) animating a skeleton model from The 7th Voyage of Sinbad, 1958. © The Ray and Diana Harryhausen Foundation. https://www.studiointernational.com/images/articles/h/032-harryhausen-ray-2021/Titan-of-Cinema36.jpg Ray Harryhausen: Titan of Cinema, installation view, Scottish National Gallery of Modern Art, Edinburgh. Photo: Neil Hanna. https://www.studiointernational.com/images/articles/h/032-harryhausen-ray-2021/Titan-of-Cinema43.jpg Ray Harryhausen: Titan of Cinema, installation view, Scottish National Gallery of Modern Art, Edinburgh. Photo: Neil Hanna. https://www.studiointernational.com/index.php/howardena-pindell-a-new-language-review-fruitmarket-gallery-edinburgh https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell,-Diallo,-2000.jpg Howardena Pindell, Diallo, 2000. Mixed media on canvas, 116.8 x 101.6 cm. Courtesy of the artist, Garth Greenan Gallery, New York and Victoria Miro. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell,-Untitled-(Stencil),-1970.jpg Howardena Pindell, Untitled (Stencil), 1970. Mixed media, 109.2 x 171.5 cm. Courtesy of the artist, Garth Greenan Gallery, New York and Victoria Miro. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell-Text-1975.jpg Howardena Pindell, Text, 1975. Ink on paper collage, 18.1 x 31.1 cm. Courtesy of the artist, Garth Greenan Gallery, New York and Victoria Miro. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell,-Parabia-Test-4,-1974.jpg Howardena Pindell, Parabia Test #4, 1974. Ink and paper collage on paper, 27.9 x 21.6 cm. Courtesy of the artist, Garth Greenan Gallery, New York and Victoria Miro. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell-Free-White-and-21-1980.jpg Howardena Pindell, Free, White and 21, 1980. U-matic, colour and sound, 12 min 15 sec. Courtesy of the artist, Garth Greenan Gallery, New York and Victoria Miro. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell,-Separate-but-Equal-Genocide_-AIDS,-1991–1992.jpg Howardena Pindell, Separate but Equal Genocide: AIDS, 1991–1992. Mixed media on canvas, 191.8 x 231.1 cm. Private collection, Aspen, CO. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Tarot-Hanged-Man-(1981).jpg Howardena Pindell, Tarot Hanged Man, 1981. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell,-Plankton-Lace-1,-2020.jpg Howardena Pindell, Plankton Lace #1, 2020. Mixed media on canvas. Courtesy of the artist, Garth Greenan Gallery, New York and Victoria Miro. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell,-Free,-White-and-21,-1980.jpg Howardena Pindell, Free, White and 21, 1980. U-matic, colour and sound, 12 min 15 sec. Courtesy of the artist, Garth Greenan Gallery, New York and Victoria Miro. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell-A-New-Language-2.jpg Howardena Pindell - A New Language at Fruitmarket. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/p/043-pindell-howardena-2021/Howardena-Pindell-A-New-Language.jpg Howardena Pindell - A New Language at Fruitmarket. Photo: Tom Nolan. https://www.studiointernational.com/index.php/anna-ray-fibre-and-form-review-st-albans-museum-gallery-joyous-explosion-of-colour https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/offcut-ends_3.jpg Anna Ray. Offcut-ends, 2019. Aquafil yarn developed by Forbo Flooring, oak, stainless steel, dimensions variable. Commissioned by the National Festival of Making and Super Slow Way. Photo: Rob Harris. https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/badblood.jpg Anna Ray. Bad Blood, 2001. Hand stitched patchwork, polyester, stainless steel bells, dimensions variable. Photo: Rob Harris. https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/margateknot.jpg Anna Ray. Margate Knot, 2016. Machine and hand stitch, cotton, polyester, dimensions variable. Supported using public funding by the National Lottery through Arts Council England. Thanks to curator Karen Wright and Turner Contemporary. Photo: Rob Harris. https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/ribbonchain_2.jpg Anna Ray. Ribbon Chain, 2019. Machine and hand stitch, cotton, polyester, dimensions variable. Photo: Rob Harris. https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/mesh.jpg Anna Ray. Mesh, 2020. Machine and hand stitch, cotton, acrylic, polyester, dimensions variable. Supported using public funding by the National Lottery through Arts Council England. Photo: Rob Harris. https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/anna-ray-rosette.jpg Anna Ray. Rosette, 2021. Machine and hand stitch, cotton, acrylic, polyester, dimensions variable. Supported using public funding by the National Lottery through Arts Council England. Photo: Rob Harris. https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/mesh_bloom_stripe-badblood_rosette_margate_knot.jpg Anna Ray: Fibre and Form, installation view, St Albans Museum + Gallery, Weston Gallery. Photo: Rob Harris. https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/mesh_1.jpg Anna Ray. Mesh, 2020 (detail). Machine and hand stitch, cotton, acrylic, polyester, dimensions variable. Supported using public funding by the National Lottery through Arts Council England. Photo: Rob Harris. https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/anna-ray-rosette_2.jpg Anna Ray. Rosette, 2021 (detail). Machine and hand stitch, cotton, acrylic, polyester, dimensions variable. Supported using public funding by the National Lottery through Arts Council England. Photo: Rob Harris. https://www.studiointernational.com/images/articles/r/057-ray-anna-2021/ribbonchain.jpg Anna Ray. Ribbon Chain, 2019 (detail). Machine and hand stitch, cotton, polyester, dimensions variable. Photo: Rob Harris. https://www.studiointernational.com/index.php/henri-chopin-the-almost-complete-books-zines-multiples-1957-2007-review-de-montfort https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-02.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Frédéric Acquaviva. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-06.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-09.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-13.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-14.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-16.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-17.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-01.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), the Leicester Gallery, De Montfort University, Joël Hubaut in performance on 29.11.2021. Photo: Frédéric Acquaviva. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-11.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-03.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Frédéric Acquaviva. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-04.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-05.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-07.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-08.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-10.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-12.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/016-chopin-henri-2021/henri-chopin-15.jpg Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007), installation view, the Leicester Gallery, De Montfort University, 27 November 2021 – 29 January 2022. Photo: Frédéric Acquaviva. https://www.studiointernational.com/index.php/khvay-samnang-calling-for-rain-amartey-golding-bring-me-to-heal-reviews-tramway-glasgow https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/Khvay-Samnang,-film-still-Calling-For-Rain-2021-011.jpg Khvay Samnang, Calling for Rain, 2021. Film still. Courtesy Khvay Samnang and National Gallery Singapore. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/Khvay-Samnang,-film-still-Calling-For-Rain-2021-013.jpg Khvay Samnang, Calling for Rain, 2021. Film still. Courtesy Khvay Samnang and National Gallery Singapore. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/Khvay-Samnang,-film-still-Calling-For-Rain-2021-014.jpg Khvay Samnang, Calling for Rain, 2021. Film still. Courtesy Khvay Samnang and National Gallery Singapore. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/FormaArts_AmarteyGolding_BringMeToHeal_014.jpg Amartey Golding, Bring Me to Heal, 2021. Film still. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/FormaArts_AmarteyGolding_BringMeToHeal_07.jpg Amartey Golding, Bring Me to Heal, 2021. Film still. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/Khvay-Samnang,-film-still-Calling-For-Rain-2021-010.jpg Khvay Samnang, Calling for Rain, 2021. Film still. Courtesy Khvay Samnang and National Gallery Singapore. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/Khvay-Samnang,-film-still-Calling-For-Rain-2021-02.jpg Khvay Samnang, Calling for Rain, 2021. Film still. Courtesy Khvay Samnang and National Gallery Singapore. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/Khvay-Samnang,-film-still-Calling-For-Rain-2021-03.jpg Khvay Samnang, Calling for Rain, 2021. Film still. Courtesy Khvay Samnang and National Gallery Singapore. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/Khvay-Samnang,-film-still-Calling-For-Rain-2021-05.jpg Khvay Samnang, Calling for Rain, 2021. Film still. Courtesy Khvay Samnang and National Gallery Singapore. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/Khvay-Samnang,-film-still-Calling-For-Rain-2021-08.jpg Khvay Samnang, Calling for Rain, 2021. Film still. Courtesy Khvay Samnang and National Gallery Singapore. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/FormaArts_AmarteyGolding_BringMeToHeal_010.jpg Amartey Golding, Bring Me to Heal, 2021. Film still. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/FormaArts_AmarteyGolding_BringMeToHeal_011.jpg Amartey Golding, Bring Me to Heal, 2021. Film still. https://www.studiointernational.com/images/articles/g/060-golding-samnang-2021/FormaArts_AmarteyGolding_BringMeToHeal_06.jpg Amartey Golding, Bring Me to Heal, 2021. Film still. https://www.studiointernational.com/index.php/barbara-wagner-benjamin-de-burca-swinguerra-review-maison-europeene-de-la-photographie-paris https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/WB03.jpg Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019. Courtesy of the artists and Fortes D’Aloia & Gabriel, Sao Paulo/Rio de Janeiro. https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/WB1.jpg Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019. Courtesy of the artists and Fortes D’Aloia & Gabriel, Sao Paulo/Rio de Janeiro. https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/photo-Ana-Duarte3.jpg Bárbara Wagner & Benjamin de Burca: Swinguerra, installation view, Maison Européenne de la Photographie, Paris, 10 November 2021 – 16 January 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/WB04.jpg Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019. Courtesy of the artists and Fortes D’Aloia & Gabriel, Sao Paulo/Rio de Janeiro. https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/photo-Ana-Duarte5.jpg Bárbara Wagner & Benjamin de Burca: Swinguerra, installation view, Maison Européenne de la Photographie, Paris, 10 November 2021 – 16 January 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/WB02.jpg Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019. Courtesy of the artists and Fortes D’Aloia & Gabriel, Sao Paulo/Rio de Janeiro. https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/Portrait_Barbara-Wagner_Benjamin-de-Burca.jpg Bárbara Wagner and Benjamin de Burca. Photo: © Heinrich Völkel. https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/photo-Ana-Duarte2.jpg Bárbara Wagner & Benjamin de Burca: Swinguerra, installation view, Maison Européenne de la Photographie, Paris, 10 November 2021 – 16 January 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/photo-Ana-Duarte4.jpg Bárbara Wagner & Benjamin de Burca: Swinguerra, installation view, Maison Européenne de la Photographie, Paris, 10 November 2021 – 16 January 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/s/026-swinguerra-2021/photo-Ana-Duarte1.jpg Bárbara Wagner & Benjamin de Burca: Swinguerra, installation view, Maison Européenne de la Photographie, Paris, 10 November 2021 – 16 January 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/index.php/elizabeth-murray-review-barbara-gladstone-gallery-new-york https://www.studiointernational.com/images/articles/m/024-murray-elizabeth-2021/EM022_1_e.jpg Elizabeth Murray. Back in Town, 1999. Oil on canvas, 97 x 92 in (246.4 x 233.7 cm). © 2021 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York. Courtesy of The Murray-Holman Family Trust and Gladstone Gallery. https://www.studiointernational.com/images/articles/m/024-murray-elizabeth-2021/NG4252_1_e.jpg Elizabeth Murray. Sentimental Education, 1982. Oil on canvas, 127 x 96 in (322.6 x 243.8 cm). © 2021 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York. Courtesy of The Murray-Holman Family Trust and Gladstone Gallery. https://www.studiointernational.com/images/articles/m/024-murray-elizabeth-2021/EM020_1_e.jpg Elizabeth Murray. 96 Tears, 1986-87. Oil on canvas, 115 x 130 1/2 x 18 in (292.1 x 331.5 x 45.7 cm). © 2021 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York. Courtesy of The Murray-Holman Family Trust and Gladstone Gallery. https://www.studiointernational.com/images/articles/m/024-murray-elizabeth-2021/Murray_c1996.jpg Elizabeth Murray in her studio with Switchback, (in progress) Fall 1996. Photo: InOutStudio / © The Murray - Holman Family Trust/Artists Rights Society (ARS), New York/Courtesy Gladstone Gallery. https://www.studiointernational.com/images/articles/m/024-murray-elizabeth-2021/EM_BGG21_install_04_e.jpg Installation view, Elizabeth Murray, at Gladstone Gallery, 2021. © 2021 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York. Courtesy of The Murray-Holman Family Trust and Gladstone Gallery. https://www.studiointernational.com/images/articles/m/024-murray-elizabeth-2021/EM_BGG21_install_05_e.jpg Installation view, Elizabeth Murray, at Gladstone Gallery, 2021. © 2021 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York. Courtesy of The Murray-Holman Family Trust and Gladstone Gallery. https://www.studiointernational.com/index.php/brooklyn-tulip https://www.studiointernational.com/images/articles/t/tulips/dsc06950b_b.jpg Edwina Sandys. Tulips, 2005. Aluminium. H. 12'. Photograph: Miguel Benavides https://www.studiointernational.com/images/articles/t/tulips/dsc06962a_b.jpg Edwina Sandys. Tulips, 2005. Aluminium. H. 12'. Photograph: Miguel Benavides https://www.studiointernational.com/images/articles/t/tulips/dsc06999a_b.jpg Edwina Sandys. Tulips, 2005. Aluminium. H. 12'. Photograph: Miguel Benavides https://www.studiointernational.com/index.php/ettore-sottsass-work-in-progress https://www.studiointernational.com/images/articles/s/sottsass/1b.jpg Ettore Sottsass. Portrait by Luca Fregoso. 'Ettore Sottsass: Work in Progress', Design Museum, London. https://www.studiointernational.com/images/articles/s/sottsass/2b.jpg Ettore Sottsass. Valentine typewriter for Olivetti, 1969. ABS plastic and other materials, 11.7 x 34.3 x 35.2 cm. 'Ettore Sottsass: Work in Progress', Design Museum, London. https://www.studiointernational.com/images/articles/s/sottsass/3b.jpg Ettore Sottsass. Carlton room divider for Memphis, 1981. Wood, plastic laminate, 194.9 x 189.9 x 40 cm. 'Ettore Sottsass: Work in Progress', Design Museum, London. https://www.studiointernational.com/images/articles/s/sottsass/4b.jpg Ettore Sottsass. Synthesis 45 chair for Olivetti, 1970-1971. Injection-moulded ABS, polyurethane foam, fabric. 'Ettore Sottsass: Work in Progress', Design Museum, London. https://www.studiointernational.com/images/articles/s/sottsass/5b.jpg 'Ettore Sottsass: Work in Progress', Design Museum, London. Photographer: Andy Stevens. https://www.studiointernational.com/images/articles/s/sottsass/6b.jpg 'Ettore Sottsass: Work in Progress', Design Museum, London. Photographer: Andy Stevens. https://www.studiointernational.com/index.php/life-between-islands-caribbean-british-art-1950s-now-review-tate-britain https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Aubrey-Williams-Shostakovich-Symphony-no-12,-Opus-112-1981.jpg Aubrey Williams. Shostakovich Symphony no.12, Opus 112, 1981. © Aubrey Williams Estate. https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Frank-Bowling-Kaieteurtoo-1975.jpg Frank Bowling. Kaieteurtoo, 1975. UK Government Art Collection. © Frank Bowling. All Rights Reserved, DACS 2021. https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Denzil-Forrester-Jah-Shaka-1983jpg.jpg Denzil Forrester. Jah Shaka, 1983. Collection Shane Akeroyd, London © Denzil Forrester. https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Tam-Joseph-The-Spirit-of-the-Carnival-1982.jpg Tam Joseph. The Spirit of the Carnival, 1982. Wolverhampton Art Gallery (Wolverhampton, UK) © Tam Joseph. https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Vanley-Burke-Young-Men-on-a-Seesaw-in-Handsworth-Park-1984-Courtesy-Vanley-Burke.jpg Vanley Burke. Young Men on a Seesaw in Handsworth Park, 1984. Courtesy Vanley Burke Archives. https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Life-Between-Islands_1000.jpg Life Between Islands: Caribbean-British Art 1950s - Now, installation view, Tate Britain, London, 1 December 2021 – 3 April 2022. Tate Photography. https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Hew-Locke-Souvenir-2-(Edward-VII-in-Masonic-Regalia)-2019.jpg Hew Locke. Souvenir 2 (Edward VII in Masonic Regalia), 2019. Courtesy of the artist and Hales Gallery © Hew Locke. https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Althea-McNish-Golden-Harvest-1959-Designed-by-Althea-McNish.jpg Althea McNish. Golden Harvest, 1959. Designed by Althea McNish, manufactured by Hull Traders Ltd, The Whitworth, The University of Manchester. https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Horace-Ove-Stokely-Carmichael-giving-a-Black-Power-speech-at-The-Dialectics-of-Liberation-Congress,-Round-House,-London,-1967.jpg Horace Ové. Stokely Carmichael giving a Black Power speech at The Dialectics of Liberation Congress, Round House, London, 1967. Courtesy Horace Ové Archives © Horace Ové. https://www.studiointernational.com/images/articles/l/051-life-between-islands-2021/Lubaina-Himid-Toussaint-L-Ouverture-1987.jpg Lubaina Himid. Toussaint L'Ouverture, 1987. Middlesbrough Collection at Middlesbrough Institute of Modern Art © Lubaina Himid. Image courtesy the artist, Middlesbrough Institute of Modern Art, and Hollybush Gardens, London. https://www.studiointernational.com/index.php/cristina-iglesias-video-interview-hondalea-lighthouse-san-sebastian-spain https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/diepe-fontein-000687.jpg Cristina Iglesias. Deep Fountain, 1997–2006. Polychrome concrete, resin and water, 0.60 x 13.72 x 32.88 m. Permanent installation: Leopold de Waelplaats, Antwerp. Photo: Kristien Daem. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/04-Santa-Clara-Island-Photo-Jose-Luis-Lopez-de-Zubiria.jpg Santa Clara Island. Photo: José Luis López de Zubiria. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/hondalea-04.jpg Cristina Iglesias. Hondalea, 2021. The lighthouse of Santa Clara Island. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/06.jpg Cristina Iglesias. Hondalea, 2021. The lighthouse of Santa Clara Island. Photo: José Luis López de Zubiria. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/hondalea-01.jpg Cristina Iglesias. Hondalea, 2021. The lighthouse of Santa Clara Island. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/Cristina-Iglesias-Bloomberg-Thierry-Bal-7.jpg Cristina Iglesias. Forgotten Streams, 2017, Bloomberg’s European Headquarters, London. Bronze, stone, hydraulical mechanism and water. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/hondalea-02.jpg Cristina Iglesias. Hondalea, 2021. The lighthouse of Santa Clara Island. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/hondalea-03.jpg Cristina Iglesias. Hondalea, 2021. The lighthouse of Santa Clara Island. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/hondalea-05.jpg Cristina Iglesias. Hondalea, 2021. The lighthouse of Santa Clara Island. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/22.jpg Cristina Iglesias. Tres Aguas, 2014. Plaza del Ayuntamiento, Toledo. https://www.studiointernational.com/images/articles/i/086-iglesias-cristina-2021/West-Side-CF072223.jpg Cristina Iglesias. Forgotten Streams, 2017, Bloomberg’s European Headquarters, London. Bronze, stone, hydraulical mechanism and water. Photo: Thierry Bal. https://www.studiointernational.com/index.php/anselm-kiefer-pour-paul-celan-review-grand-palais-ephemere-paris https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/Am-letzten-tor_0245.jpg Anselm Kiefer. Am Letzten Tor (At the Final Gate), 2020-21. Emulsion, acrylic, oil, shellac and chalk on canvas, 840 x 470 cm. Copyright: © Anselm Kiefer. Photo: Georges Poncet. https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/Presse_AN-DIE-HALTLOSIGKEITEN_0244.jpg Anselm Kiefer. An Die Haltlosigkeit à L’Infixe (To cling), 2021. Emulsion, acrylic, oil, shellac, and chalk on canvas, 560 x 470 cm. Copyright: © Anselm Kiefer. Photo: Georges Poncet. https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/anselm-kiefer-02.jpg Anselm Kiefer: Pour Paul Celan, Grand Palais Éphémère, Paris. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/die-Asche-der-Brunnen-im-Akra,-2021_0241.jpg Anselm Kiefer. Die Asche der Brunnen von Akra (The Ash of the Wells of Accra), 2020-21. Emulsion, acrylic, oil, shellac and chalk on canvas, 560 x 470 cm. Copyright: © Anselm Kiefer. Photo: Georges Poncet. https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/Fur-Paul-Celan-das-Geheimnis-der-Farne_0285.jpg Anselm Kiefer. Für Paul Celan - das Geheimnis der Farne (For Paul Celan – Secret of the Ferns), 2021. Emulsion, acrylic, oil, shellac, metal, resin and chalk on canvas, 840 x 570 cm. Copyright: © Anselm Kiefer. Photo: Georges Poncet. https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/anselm-kiefer-01.jpg Anselm Kiefer: Pour Paul Celan, Grand Palais Éphémère, Paris. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/Croissy_Vue-d-atelier_avion_9359r.jpg Anselm Kiefer. Mohn und Gedächtnis (Poppy and Memory), 2016. Steel, zinc, lead, resin and shellac, 320 x 100 x 1360 cm. Copyright: © Anselm Kiefer. Photo: © Anselm Kiefer. https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/anselm-kiefer-03.jpg Anselm Kiefer: Pour Paul Celan, Grand Palais Éphémère, Paris. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/anselm-kiefer-04.jpg Anselm Kiefer: Pour Paul Celan, Grand Palais Éphémère, Paris. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/BEILSCHWARME_0334.jpg Anselm Kiefer. Beilschwärme (Hatchet-swarms), 2020-21. Emulsion, acrylic, oil, shellac, burnt wood, metal and chalk on canvas, 840 x 470 cm. Copyright: © Anselm Kiefer. Photo: Georges Poncet, https://www.studiointernational.com/images/articles/k/057-kiefer-anselm-2021/Madame-de-Stael-de-l-Allemagne_0043.jpg Anselm Kiefer. Madame de Staël: de l’Allemagne (Madame de Staël: Germany), 2015-21. Emulsion, oil, acrylic, shellac, zinc, wire and chalk on canvas, 380 x 1330 cm. Copyright: © Anselm Kiefer. Photo: Georges Poncet. https://www.studiointernational.com/index.php/studio-international-may-1972-volume-183-number-944 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-may-1972.jpg Studio International, 1972, May 1972, Volume 183 Number 944. Cover specially designed for this issue by Malcolm Hughes. https://www.studiointernational.com/index.php/studio-international-june-1972-volume-183-number-945 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-june-1972.jpg Studio International, 1972, June 1972, Volume 183 Number 945. Cover specially designed for this issue by John Walker. https://www.studiointernational.com/index.php/studio-international-july-august-1972-volume-184-number-946 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-july-august-1972.jpg Studio International, 1972, July/August 1972, Volume 184 Number 946. Cover illustration of sculpture by Nicholas Munro. https://www.studiointernational.com/index.php/studio-international-september-1972-volume-184-number-947 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-september-1972.jpg Studio International, 1972, September 1972, Volume 184 Number 947. Cover specially designed for this issue by Joe Goode. https://www.studiointernational.com/index.php/studio-international-october-1972-volume-184-number-948 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-october-1972.jpg Studio International, 1972, October 1972, Volume 184 Number 948. Cover: Banners by Margaret Traherne, put up on the occasion of the 75th anniversary of the Tate Gallery. https://www.studiointernational.com/index.php/studio-international-november-1972-volume-184-number-949 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-november-1972.jpg Studio International, 1972, November 1972, Volume 184 Number 949. Cover: Specially designed for this issue by Anthony Green. https://www.studiointernational.com/index.php/studio-international-december-1972-volume-184-number-950 https://www.studiointernational.com/images/articles/archive-1965-1976/1972/studio-international-december-1972.jpg Studio International, 1972, December 1972, Volume 184 Number 950. Cover specially designed for this issue by Tadanori Yokoo. https://www.studiointernational.com/index.php/studio-international-january-1973-volume-185-number-951 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-january-1973.jpg Studio International, 1973, January 1973, Volume 185 Number 951. Cover: a gouache by Louis Wain (see page 7) © Artscripts (London). https://www.studiointernational.com/index.php/studio-international-february-1973-volume-185-number-952 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-february-1973.jpg Studio International, 1973, February 1973, Volume 185 Number 952. Cover: Specially designed for this issue by Richard Smith, who is among the British artists chosen for a major showing at the Musée d https://www.studiointernational.com/index.php/studio-international-march-1973-volume-185-number-953 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-march-1973.jpg Studio International, 1973, March 1973, Volume 185 Number 953. Cover: Robyn Denny in his studio, reflected in one of his Colour Box series. Photo by Rowland Scherman. https://www.studiointernational.com/index.php/studio-international-april-1973-volume-185-number-954 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-april-1973.jpg Studio International, 1973, April 1973, Volume 185 Number 954. Cover: Specially designed for this issue by Erté. (See page 151.) https://www.studiointernational.com/index.php/studio-international-may-1973-volume-185-number-955 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-may-1973.jpg Studio International, 1973, May 1973, Volume 185 Number 955. Cover: specially designed for this issue by Jan Dibbets, born 1941 in Weert, living in Amsterdam. For more on his work see Studio International, June 1972 and January 1973. https://www.studiointernational.com/index.php/studio-international-june-1973-volume-185-number-956 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-june-1973.jpg Studio International, 1973, June 1973, Volume 185 Number 956. Cover: specially designed for this issue by Jim Dine. https://www.studiointernational.com/index.php/studio-international-july-august-1973-volume-186-number-957 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-july-august-1973.jpg Studio International, 1973, July/August 1973, Volume 186 Number 957. Cover: specially designed for this issue by Tom Phillips. https://www.studiointernational.com/index.php/studio-international-september-1973-volume-186-number-958 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-september-1973.jpg Studio International, 1973, September 1973, Volume 186 Number 958. Cover: specially designed for this issue by Alan Green. https://www.studiointernational.com/index.php/studio-international-october-1973-volume-186-number-959 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-october-1973.jpg Studio International, 1973, October 1973, Volume 186 Number 959. Cover: specially designed for this issue by Patrick Caulfield. https://www.studiointernational.com/index.php/studio-international-november-1973-volume-186-number-960 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-november-1973.jpg Studio International, 1973, November 1973, Volume 186 Number 960. Cover: Suprematist Composition 1921 by Ivan Kliun. https://www.studiointernational.com/index.php/studio-international-december-1973-volume-186-number-961 https://www.studiointernational.com/images/articles/archive-1965-1976/1973/studio-international-december-1973.jpg Studio International, 1973, December 1973, Volume 186 Number 961. Cover: specially designed for this issue by Derek Boshier. We are grateful to Bamforth & Co. Ltd., Hogarth Laundry, Keystone Press Agency, MGM-EMI Distributors Ltd., IPC Magazines & Syndication International for permission to use some of the material illustrated. https://www.studiointernational.com/index.php/andy-warhol-film-maker https://www.studiointernational.com/images/articles/w/warhol_lonesomecowboys.jpg Andy Warhol. Still from Lonesome Cowboys https://www.studiointernational.com/index.php/arte-povera-at-tate-modern https://www.studiointernational.com/images/articles/a/arte-povera-2001/boetti.jpg Background: Alighiero Boetti, Columns, 1968. Foreground: Contest between harmony and invention 1969. Front: Untitled 1967. Back: Little Coloured Sticks 1968. https://www.studiointernational.com/images/articles/a/arte-povera-2001/pascali.jpg Pino Pascali, Bristleworms 1968, acrylic and rubber brushes on metal, six pieces, variable length https://www.studiointernational.com/images/articles/a/arte-povera-2001/merz02.jpg Mario Merz, Untitled (Living Sculpture 1966, aluminium. https://www.studiointernational.com/images/articles/a/arte-povera-2001/merz.jpg Mario Merz, Cone 1967, willow. https://www.studiointernational.com/index.php/shahzia-sikander-interview-i-usually-create-a-painting-as-a-poem https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Many_Faces_Of_Islam.jpg Shahzia Sikander. The Many Faces of Islam, 1999. Gouache, vegetable colour, watercolour, gold leaf, graphite and tea on wasli paper, 43.2 x 30.5 cm (17 x 12 in). Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Unbound_Installation.jpg Shahzia Sikander. Unbound, 2021-2022. Jesus College, Cambridge, UK. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Segments_of_her_Desire.jpg Shahzia Sikander. Segments of Desire Go Wandering Off, 1998. Collage with vegetable colour, dry pigment, watercolour, graphite, and tea on wasli paper, 24.3 x 50 cm (9 9/16 x 19 11/16 in). Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/SIKA-2021005-TBC.jpg Shahzia Sikander. Infinite Woman, 2021. Watercolour, ink, gouache and gold leaf on paper, 167.6 x 152.4 cm (66 x 60 in). Courtesy of the Artist and Pilar Corrias, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/ExtraordinaryRealities_InstallationView_RISD_Museum.jpg Shahzia Sikander. Extraordinary Realities, 2021-22 (travelling exhibition). RISD Museum, Providence, RI. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Promiscuous_Intimacies.jpg Shahzia Sikander. Promiscuous Intimacies, 2020. Bronze sculpture. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Arose.jpg Shahzia Sikander. Arose, 2020. Glass mosaic, 84 x 60 x 2 in. Collection of Minneapolis Institute of Art. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/SIKA-2021002-TBC.jpg Shahzia Sikander. Kindred, 2021. Ink, water colour and gouache on paper, 244.2 x 153 cm (96 1/8 x 60 1/4 in). Courtesy of the Artist and Pilar Corrias, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/SIKA-2020007-Oil-and-Poppies.jpg Shahzia Sikander. Oil and Poppies, 2019-20. Ink and gouache on paper, 248.9 x 129.5 cm (98 x 51 in). Courtesy of the Artist and Pilar Corrias, London https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/ShahziaSikander_Portrait_2_Photo_Andrea_Rossetti.jpg Shahzia Sikander. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/1989-1997_Reinventing-the-Dislocation.jpg Shahzia Sikander. Reinventing the Dislocation, 1989-97. Vegetable colour, dry pigment, watercolour, tea, and collage on wasli paper, 28 x 18.7 cm (11 x 7 3/8 in). Collection of Whitney Museum of American Art, New York. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Intimacy.jpg Shahzia Sikander. Intimacy, 2001. Dry pigment, watercolour, and tea on wasli paper, 21.6 x 27.9 cm (8 1/2 x 11 in). Collection of Blanton Museum of Art, The University of Texas at Austin. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Gopi_Contagion_SS.jpg Shahzia Sikander. Gopi Contagion, October 1-30,2015. HD video animation on Times Square LED billboards, New York. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Uprooted_Order_Series3_No1.jpg Shahzia Sikander. Uprooted Order, Series 3, No. 1, 1997. Vegetable colour, dry pigment, watercolour, and tea on wasli paper 16.8 x 9.2 cm (6 5/8 x 3 5/8 in). Collection of Museum of Fine Arts, Houston. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Pleasure_Pillars.jpg Shahzia Sikander. Pleasure Pillars, 2001. Vegetable colour, dry pigment, watercolour, and tea on wasli paper 43.2 x 30.5 cm (17 x 12 in). Collection of Amita and Purnendu Chatterjee. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/SpiNN.jpg Shahzia Sikander. SpiNN, 2003. Still, video animation with music. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/images/articles/s/026-sikander-shahzia-2021/Ready_to_Leave.jpg Shahzia Sikander. Ready to Leave?, 1997. Transparent and opaque watercolour, tea, and graphite pencil on marbled wasli paper, 25.1 x 19.2 cm (9 7/8 x 7 9/16 in). Whitney Museum of American Art, New York. Courtesy the Artist and Sean Kelly Gallery, NY, and Pilar Corrias Gallery, London. https://www.studiointernational.com/index.php/cosmos-and-chaos-cyfest-national-arts-club-review-new-york-russia-space-exploration https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/1-KolodzeiLazarevGagarin.jpg Leonid Lazarev, Moscow. Vnukovo. Yuri Gagarin. April 14, 1961. Black and white photograph, edition 2/10; Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/poster2005.jpg Poster for the XIX International Congress of the Association of Space Explorers, 2005. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/3-shteinberg88.jpg Eduard Steinberg, Composition, 1988. Tempera on cardboard; Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/infante65-spiral.jpg Francisco Arana Infante, Spiral #2, 1965. Tempera mixed media on fiberboard. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/7-IMG_5725.jpg Alexandra Dementieva, New York. Re-lighting, 2021. Mixed media. Object made of recycled LED. Collection of the artist. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/9-Anna-Frants-Hommage.jpg Anna Frants, Homage to Animal Cosmonauts / Astronauts / Space Travelers, from the series Artist’s Union, 2021. Installation. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/10-DodinaPolF.jpg Asya Dodina and Slava Polishchuk, Places of Silence. Caumsett II, 2021. Mixed media on canvas. Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/6-WAITE_Moonwalk1.jpg Clea T. Waite, Moonwalk. Experimental film with sound design by Helga Pogatschar, 2010/2021. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/2-KolodzeiLazarevEngines.jpg Leonid Lazarev, Yuri Gagarin’s Engines, 1962-63. Black and white photograph, edition 2/10; Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/8-IMG_5730.jpg Alexandra Dementieva, Brussels. Re-lighting, 2021. Mixed media. Object made of recycled LED. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/annafrantsi.jpg Anna Frants in collaboration with Cyland MediaArtLab, Peck of Salt, 2019. Installation from series Gravity and her Homage to Animal Cosmonauts / Astronauts / Space Travelers, 2021. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/11-DodinaPol2F.jpg Asya Dodina and Slava POlishchuk, Places of Silence. Caumsett VII, 2021. Mixed media on canvas. Kolodzei Art Foundation. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/12-IMG_5560.jpg Cosmos and Chaos: Cyfest-13 installation view. https://www.studiointernational.com/images/articles/c/015-cosmos-and-chaos-2022/13-NACCYLAND2021-(3).jpg Cosmos and Chaos: Cyfest-13 installation view. https://www.studiointernational.com/index.php/studio-international-january-1974-volume-187-number-962 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-january-1974.jpg Studio International, January 1974, Volume 187 Number 962. Cover: specially designed for this issue by Harold Cohen. https://www.studiointernational.com/index.php/studio-international-february-1974-volume-187-number-963 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-february-1974.jpg Studio International, February 1974, Volume 187 Number 963. Cover: specially designed for this issue by Robert Natkin. His next exhibition is at the André Emmerich Gallery, Zurich, 23 February-23 March. https://www.studiointernational.com/index.php/studio-international-march-1974-volume-187-number-964 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-march-1974.jpg Studio International, March 1974, Volume 187 Number 964. Cover: specially designed for this issue by Roger Hilton. https://www.studiointernational.com/index.php/studio-international-april-1974-volume-187-number-965 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-april-1974.jpg Studio International, April 1974, Volume 187 Number 965. Cover : specially designed for this issue by Klaus Rinke, who is exhibiting at the Lander Museum, Bonn, 19 April-13 May https://www.studiointernational.com/index.php/studio-international-may-1974-volume-187-number-966 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-may-1974.jpg Studio International, May 1974, Volume 187 Number 966. Cover: specially designed for this issue by James Sneath Courtesy Harrods Ltd. https://www.studiointernational.com/index.php/studio-international-june-1974-volume-187-number-967 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-june-1974.jpg Studio International, June 1974, Volume 187 Number 967. Cover: Morning 1974 by Norman Stevens, etching / aquatint / mezzotint, published by Editions Alecto, London. https://www.studiointernational.com/index.php/studio-international-july-august-1974-volume-188-number-968 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-july-august-1974.jpg Studio International, July/August 1974, Volume 188 Number 968. Cover: specially designed for this issue by David Diao. https://www.studiointernational.com/index.php/studio-international-september-1974-volume-188-number-969 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-september-1974.jpg Studio International, September 1974, Volume 188 Number 969. https://www.studiointernational.com/index.php/studio-international-october-1974-volume-188-number-970 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-october-1974.jpg Studio International, October 1974, Volume 188 Number 970. Cover: specially designed for this issue by Marcel Broodthaers. https://www.studiointernational.com/index.php/studio-international-november-1974-volume-188-number-971 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-november-1974.jpg Studio International, November 1974, Volume 188 Number 971. Cover: specially designed for this issue by David Hockney. https://www.studiointernational.com/index.php/studio-international-december-1974-volume-188-number-972 https://www.studiointernational.com/images/articles/archive-1965-1976/1974/studio-international-december-1974.jpg Studio International, December 1974, Volume 188 Number 972. Cover: specially designed for this issue by Kurt Kranz, who recently had an exhibition at the New York Cultural Centre. https://www.studiointernational.com/index.php/century-city-tate-modern https://www.studiointernational.com/images/articles/c/century-city-2001/hollein1.jpg Traum und Wirklichkeit: The original concept drawing by Hans Hollein. The figure on the left of the Kunstlerhaus facade is based on 'Medizin' by Klimt and the representation on the right is a model based on the Karl Marx Hof housing https://www.studiointernational.com/images/articles/c/century-city-2001/nittve.jpg Lars Nittve https://www.studiointernational.com/images/articles/c/century-city-2001/delauney.jpg La Ville de Paris (1910–12). Robert Delauney https://www.studiointernational.com/index.php/katya-kvasova-interview-whatever-someone-paints-or-draws-is-always-a-self-portrait https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Bloodline-N2small.jpg Katya Kvasova. Bloodlines N2, 2016. Mixed media on paper, 47 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Bloodlines-N9-sm.jpg Katya Kvasova. Bloodlines N9, 2018. Mixed media on paper, 39 x 57 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Holding-sm.jpg Katya Kvasova. Holding, 2021. Mixed media on board, 24 x 30 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Irishka-sm.jpg Katya Kvasova. Irishka, 2021. Graphite and gesso on canvas, 30 x 40 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/coral-side-sm.jpg Katya Kvasova. Coral Side, 2021. Mixed media on canvas, 50 x 70 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/about-time-sm.jpg Katya Kvasova. About Time, 2020. Mixed media on paper, 53 x 74 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Small-Hands-N4-(Ira)sm.jpg Katya Kvasova. Small Hands 4, 2021. Graphite on board, 18 x 24 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/What-are-Your-Dreams-sm.jpg Katya Kvasova. What Are Your Dreams, 2020. Mixed media on paper, 47 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Bloodlines-N8-sm.jpg Katya Kvasova. Bloodlines N8, 2018. Mixed media on paper, 57 x 46 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Always-In-Your-Head-sm.jpg Katya Kvasova. Always In Your Head, 2020. Mixed media on paper, 57 x 46 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Anna.jpg Katya Kvasova. Anna, 2020. Oil on linen, 90 x 50 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Linked-II-sm.jpg Katya Kvasova. Linked N2, 2020. Mixed media on paper, 54 x 75 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Paula-small.jpg Katya Kvasova. Paula, 2019. Mixed media on paper, 75 x 57 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Small-Hands-N5-sm.jpg Katya Kvasova. Small Hands 5, 2021. Graphite on board, 24 x 18 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/Stripy-Shirt-sm.jpg Katya Kvasova. Stripy Shirt, 2021. Graphite and acrylic on canvas, 120 x 80 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/untitled-sm.jpg Katya Kvasova. Untitled, 2020. Graphite on paper, 63 x 47 cm. © the artist. https://www.studiointernational.com/images/articles/k/056-kvasova-katya-2022/hands-(small)sm.jpg Katya Kvasova. Small Hands 2, 2021. Graphite on board, 18 x 24 cm. © the artist. https://www.studiointernational.com/index.php/galleries-in-the-groove-three-visionary-dealers-1960s-1980s-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/g/059-galleries-in-the-groove-2022/LGB-portrait.jpg Linda Goode Bryant, 1973. Photo: Dwight Carter. Courtesy Linda Goode Bryant. https://www.studiointernational.com/images/articles/g/059-galleries-in-the-groove-2022/RF-portrait.jpg Portrait of Robert Fraser. Photo: Hans Hammarskiöld. © Hans Hammarskiöld Heritage. https://www.studiointernational.com/images/articles/g/059-galleries-in-the-groove-2022/Jann-Haworth.jpg Jann Haworth. Poster for Tea Party at Robert Fraser Gallery, London 1969. Courtesy of Robert Fraser Archive. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/g/059-galleries-in-the-groove-2022/AdD-portrait.jpg Portrait of Anny de Decker. Marcel Broodthaers, Departement des Aigles, 5 October 1969, Anny de Decker, Stella Jonas and Bernd Lohhaus. Photo: Maria Gilissen. https://www.studiointernational.com/images/articles/g/059-galleries-in-the-groove-2022/JAM_1981.jpg Cheryl Banks (left) and Lawrence “Butch” Morris (right), Vestiges, 1981. Performance in collaboration with Senga Nengudi, Just Above Midtown Gallery (JAM). Image courtesy of Linda Goode Bryant. https://www.studiointernational.com/images/articles/g/059-galleries-in-the-groove-2022/Valerie-Maynard_Stevie-Wonder_JAM-1975.jpg Valerie Maynard describing her sculpture to Stevie Wonder, 1975. Just Above Midtown Gallery (JAM). Image courtesy of Linda Goode Bryant. https://www.studiointernational.com/images/articles/g/059-galleries-in-the-groove-2022/Art-on-Wheels.jpg Art On Wheels, 1966. Video, 01:26 mins. Courtesy of British Pathé Archive. https://www.studiointernational.com/index.php/studio-international-january-february-1975-volume-189-number-973 https://www.studiointernational.com/images/articles/archive-1965-1976/1975/studio-international-january-february-1975.jpg Studio International, January/February 1975, Volume 189 Number 973. https://www.studiointernational.com/index.php/studio-international-march-april-1975-volume-189-number-974 https://www.studiointernational.com/images/articles/archive-1965-1976/1975/studio-international-march-april-1975.jpg Studio International, March/April1975, Volume 189 Number 974. https://www.studiointernational.com/index.php/studio-international-may-june-1975-volume-189-number-975 https://www.studiointernational.com/images/articles/archive-1965-1976/1975/studio-international-may-june-1975.jpg Studio International, May/June 1975, Volume 189 Number 975. Cover: working rough by Kenneth Martin, whose retrospective is at the Tate Gallery, till 29 June. https://www.studiointernational.com/index.php/studio-international-july-august-1975-volume-190-number-976 https://www.studiointernational.com/images/articles/archive-1965-1976/1975/studio-international-july-august-1975.jpg Studio International, July/August 1975, Volume 190 Number 976. Cover: detail from John Hilliard https://www.studiointernational.com/index.php/studio-international-september-october-1975-volume-190-number-977 https://www.studiointernational.com/images/articles/archive-1965-1976/1975/studio-international-september-october-1975.jpg Studio International, September/October 1975, Volume 190 Number 977. Cover: Sol LeWitt https://www.studiointernational.com/index.php/studio-international-november-december-1975-volume-190-number-978 https://www.studiointernational.com/images/articles/archive-1965-1976/1975/studio-international-november-december-1975.jpg Studio International, November/December 1975, Volume 190 Number 978. https://www.studiointernational.com/index.php/baselitz-the-retropective-review-centre-pompidou-paris https://www.studiointernational.com/images/articles/b/019-baselitz-2022/baselitz-install-04.jpg Georg Baselitz: The retrospective, installation view, Centre Pompidou, Paris, 20 October 2021 – 7 March 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/Bonjour-Monsieur-Courbet,-1965.jpg B.j.M.C. – Bonjour Monsieur Courbet, 1965. Oil on canvas 162 x 130 cm. Collection Thaddaeus Ropac. © Georg Baselitz 2021. Photo: Ulrich Ghezzi. Courtesy Collection Thaddaeus Ropac London, Paris, Salzburg, Seoul. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/Oberon-(1-Orthodoxer-Salon-64---E-Neijsvestnij),-1963-64.jpg Georg Baselitz. Oberon (1st Orthodox Salon 64 – E. Neizvestny), 1963-64. Oil on canvas, 250 × 200 cm. Städel Museum, Francfort-sur-le-Main. Acquired in 2010 thanks to a donation from Dorette Hildebrand-Staab. © Georg Baselitz 2021. Photo © Städel Museum – ARTOTHEK. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/baselitz-install-08.jpg Georg Baselitz. The Naked Man, 1962 (left) and The Hook, installation view, Centre Pompidou, Paris. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/The-Big-Night-Down-the-Drain-1962-63.jpg Georg Baselitz. Die große Nacht im Eimer (The Big Night Down the Drain), 1962-63. Oil on canvas, 250 x 180 cm. Museum Ludwig, Cologne. Gift from the Ludwig Collection, 1976. © Georg Baselitz 2021. hoto Jochen Littkemann, Berlin. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/Der-Dichter-(The-Poet)-1966.jpg Georg Baselitz. Der Dichter (The Poet), 1965. Oil on canvas, 162 x 130 cm. Private collection, Hamburg. © Georg Baselitz 2021. Photo: Jochen Littkemann, Berlin. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/The-Girls-of-Olmo-II.jpg Georg Baselitz. Die Mädchen von Olmo II (The Girls of Olmo II), 1981. Oil on canvas, 250 × 249 cm. Musée national d’art moderne, Centre Pompidou, Paris. © Georg Baselitz 2021. Photo © Centre Pompidou, MNAM-CCI B. Prévost. Dist. RMN-GP. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/Model-for-a-sculpture-1979-80.jpg Georg Baselitz. Modell für eine Skulptur (Model for a Sculpture), 1979-80. Linden wood and tempera, 178 x 147 x 244 cm. Museum Ludwig, Cologne. Loan from the Peter und Irene Ludwig Stiftung, 1985 © Georg Baselitz 2021. Photo: Rheinisches Bildarchiv Köln, Walz, Sabrina, 2001, rba_c015132. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/Read-in-the-Cup,-the-Cheerful-Yellow-2010.jpg Georg Baselitz. In der Tasse gelesen, das heitere Gelb (Read in the Cup, the Cheerful Yellow), 2010. Oil on canvas, 270 x 207 cm. Private collection, Hong Kong. © Georg Baselitz 2021. Photo: Jochen Littkemann, Berlin. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/baselitz-install-01.jpg Georg Baselitz. Hibernation, 2014, installation view, Centre Pompidou, Paris, 20 October 2021 – 7 March 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/Zero-Dom-2015.jpg Zero Dom (Zero Dome), 2015. Patinated bronze, 301.5 x 163 x 151 cm. Private collection. © Georg Baselitz 2021. Photo: Jochen Littkemann, Berlin. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/baselitz-750.jpg Georg Baselitz: The retrospective, installation view, Centre Pompidou, Paris, 20 October 2021 – 7 March 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/baselitz-install-02.jpg Georg Baselitz: The retrospective, installation view, Centre Pompidou, Paris, 20 October 2021 – 7 March 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/baselitz-install-03.jpg Georg Baselitz: The retrospective, installation view, Centre Pompidou, Paris, 20 October 2021 – 7 March 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/baselitz-install-05.jpg Georg Baselitz: The retrospective, installation view, Centre Pompidou, Paris, 20 October 2021 – 7 March 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/b/019-baselitz-2022/baselitz-install-07.jpg Georg Baselitz: The retrospective, installation view, Centre Pompidou, Paris, 20 October 2021 – 7 March 2022. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/index.php/julien-creuzet-too-blue-too-deep-too-dark-we-sank-review-camden-art-centre-london https://www.studiointernational.com/images/articles/c/014-creuzet-julien2022/creuzet-2.jpg Julien Creuzet: Too blue, too deep, too dark we sank …, installation view, Camden Art Centre, London, 14 January – 13 March 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/014-creuzet-julien2022/creuzet-7.jpg Julien Creuzet: Too blue, too deep, too dark we sank …, installation view, Camden Art Centre, London, 14 January – 13 March 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/014-creuzet-julien2022/creuzet-8.jpg Julien Creuzet: Too blue, too deep, too dark we sank …, installation view, Camden Art Centre, London, 14 January – 13 March 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/014-creuzet-julien2022/creuzet-1.jpg Julien Creuzet: Too blue, too deep, too dark we sank …, installation view, Camden Art Centre, London, 14 January – 13 March 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/014-creuzet-julien2022/creuzet-9.jpg Julien Creuzet: Too blue, too deep, too dark we sank …, installation view, Camden Art Centre, London, 14 January – 13 March 2022. Photo: Rob Harris. https://www.studiointernational.com/index.php/studio-drift-moments-of-connection-review-museum-fur-kunst-gewerbe-hamburg https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_Shylight_2.jpg Studio Drift. Shylight, 2006. Choreographed light installation, silk, aluminum, stainless steel, elektronics, motors, software. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_Shylight_9.jpg Studio Drift. Shylight, 2006. Choreographed light installation, silk, aluminum, stainless steel, elektronics, motors, software. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_In_20_Steps_4.jpg Studio Drift. In 20 Steps, 2015. Kinetic sculpture, glass, brass, dyneema, elektronics, motors, software. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_Fragile_Future_2.jpg Studio Drift. Fragile Future III, 2005. Light sculpture, phosphor bronze, dandelions, LED, electronics. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_Fragile_Future_4.jpg Studio Drift. Fragile Future III, 2005. Light sculpture, phosphor bronze, dandelions, LED, electronics. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/elbphilharmonie_drift_breaking_waves_c_moka-studio2.jpg Studio Drift. Rendered image of Breaking Waves, Elbphilharmonie Hamburg, © Moka Studio. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Shylight-750.jpg Studio Drift. Shylight, 2006. Choreographed light installation, silk, aluminum, stainless steel, elektronics, motors, software. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_In_20_Steps_3.jpg Studio Drift. In 20 Steps, 2015. Kinetic sculpture, glass, brass, dyneema, elektronics, motors, software. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_In_20_Steps_1.jpg Studio Drift. In 20 Steps, 2015 (detail). Kinetic sculpture, glass, brass, dyneema, elektronics, motors, software. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_Fragile_Future_3.jpg Studio Drift. Fragile Future III, 2005. Light sculpture, phosphor bronze, dandelions, LED, electronics. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_Fragile_Future_6.jpg Studio Drift. Fragile Future III, 2005. Light sculpture, phosphor bronze, dandelions, LED, electronics. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_Fragile_Future_7.jpg Studio Drift. Fragile Future III, 2005. Light sculpture, phosphor bronze, dandelions, LED, electronics. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/Drift_Moments_of_Connection_Fragile_Future_8.jpg Studio Drift. Fragile Future III, 2005. Light sculpture, phosphor bronze, dandelions, LED, electronics. Photo: Henning Rogge. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/elbphilharmonie_drift_breaking_waves_c_moka-studio1.jpg Studio Drift. Rendered image of Breaking Waves, Elbphilharmonie Hamburg, © Moka Studio. https://www.studiointernational.com/images/articles/s/022-studio-drift-2022/studio_drift_lonneke_gordijn_ralph_nauta_c_teska_van_overbeeke.jpg Studio Drift – AKA artists and interaction designers Lonneke Gordijn and Ralph Nauta. Photo © Teska van Overbeeke. https://www.studiointernational.com/index.php/lakwena-maciver-interview-i-like-to-think-my-work-will-bring-hope-to-people https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/larry-bird.jpg Lakwena Maciver. Larry, 2021. Acrylic and polyurethane on plywood, 206 x 110 cm (81 1/8 x 43 1/4 in). https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/1-Ill-Bring-You-Flowers-(detail),-2020-Pine-Bluff,-Arkansas.-photo-copyright-JustKids.jpg Lakwena Maciver, I https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/3-Ill-Bring-You-Flowers-(detail),-2020,-photo-copyright-JustKids.jpg Lakwena Maciver, I https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/Lakwena-Maciver,-Nothing-Can-Separate-Us,-2020.jpg Lakwena Maciver, Nothing Can Separate Us, 2020. Acrylic on wood panel, 91x 121 cm. © The Artist. Photo courtesy Vigo Gallery. https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/Still-I-rise-Sebastian-County.jpg Lakwena Maciver, Still I rise, Sebastian County Juvenile Detention Centre, Arkansas, 2017. Courtesy Vigo Gallery. https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/2-Ill-Bring-You-Flowers,-2020,-photo-copyright-JustKids.jpg Lakwena Maciver, I https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/Back-in-the-Air,-A-Meditation-on-Higher-Ground-(2021).-Temple-Underground-Roof-Terrace,-London.jpg Lakwena Maciver, Back in the Air, A Meditation on Higher Ground, 2021. Temple Underground Roof Terrace, London. Photo copyright David Parry, courtesy Vigo Gallery. https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/dennis-rodman.jpg Lakwena Maciver. Dennis, 2021. Acrylic and polyurethane on plywood, 201 x 107 cm (79 1/8 x 42 1/8 in). https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/michael-jordan.jpg Lakwena Maciver. Michael, 2021. Acrylic and polyurethane on plywood, 198 x 105 cm (78 x 41 3/8 in). https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/Lakwena-portrait-2021-Sam-Butt-750.jpg Lakwena Maciver, Hastings Contemporary, 2021. Photo: Sam Butt. https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/4-Ill-Bring-You-Flowers-(detail),-2020,-photo-copyright-JustKids.jpg Lakwena Maciver, I'll Bring You Flowers (detail), 2020. Pine Bluff, Arkansas. Photo copyright JustKids. https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/shaquille-o-neill.jpg Lakwena Maciver. Shaquille, 2021. Acrylic and polyurethane on plywood, 216 x 115 cm (85 1/8 x 45 1/4 in). https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/yao-ming.jpg Lakwena Maciver. Yao, 2021. Acrylic and polyurethane on plywood, 229 x 122 cm (90 1/8 x 48 1/8 in). https://www.studiointernational.com/images/articles/m/023-maciver-lakwena-2022/Lakwena-in-Studio-Photo-Danika-Magdalena.jpg Lakwena Maciver. Photo: Danika Magdalena. https://www.studiointernational.com/index.php/cork-street-attack-mayor-gallery-london-grey-organisation https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/TM5296.jpg Cork Street Attack, Nicola Jacobs Gallery, London, 1985. Photo: Andrew Catlin. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/TM5705_1.jpg Artist J.S.G Boggs being led away by Scotland Yard detectives from The Young Unkowns Gallery charged with 4 counts of counterfeiting, middle detective carrying seized Grey Organisation art work, press photograph, London, 1986. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/TM5601_1.jpg Grey Organisation. Cabbage Heads, You magazine portrait, 1986. Photo: Alistair Thain. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/TM5261_1.jpg Grey Organisation. Waste Bin, contents of waste bin from Grand Street studio, New York, 1989. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/TM5270.jpg Grey Organisation. OUT, BURN-OUT, exhibited at Seven Days exhibition, Princelet Street Synagogue, Holsten Pils larger cans on greyboard, London, 1986. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/GO_Now-Shout-Labour_1985_TM6203frame.jpg Grey Organisation. Now Shout Labour, Labour Party Jobs & Industry Campaign T-shirt design, artwork Lynne Franks, 1985. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/GO_De-la-Soul-3-Feet-High-and-Rising,-Preparatory-Study_1989_TM8500.jpg Grey Organisation. De La Soul, 3 Feet High And Rising, preparatory study, 1989. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/Cork-Street-Attack-25.jpg Grey Organisation. Pot of Paint, 1985. Mixed media, 9 x 7 in (23 x 18 cm). https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/grey-org-1000.jpg Cork Street Attack, The Mayor Gallery, London, 1985. Photo: Andrew Catlin. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/TM5298.jpg Cork Street Attack, Robert Fraser Gallery, London, 1985. Photo: Andrew Catlin. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/Cork-Street-Attack-1.jpg Cork Street Attack: Grey Organisation, installation view, The Mayor Gallery, London, 12 January – 25 February, 2022. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/Cork-Street-Attack-26.jpg Grey Organisation. Bedford Hill Gallery, exhibition flyer, London, 1984. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/Cork-Street-Attack-7.jpg Cork Street Attack: Grey Organisation, installation view, The Mayor Gallery, London, 12 January – 25 February, 2022. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/GO_Rocky_1986_TM5990.jpg Grey Organisation. Rocky, Seven Days, Princelet Street Synagogue, ink on aluminium, 1986. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/TM5330_1_2.jpg Grey Organisation. Cork Street Attack, map, London, 1985. https://www.studiointernational.com/images/articles/c/016-cork-street-attack-2022/TM5720.jpg Grey Organisation. Heineken Lager, Life Works series, beer bottle label varnished with the artists hair on graph paper, 1989. https://www.studiointernational.com/index.php/julie-mehretu-cities-in-the-maelstrom-an-essay-mogamma https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/JM_0190_12_Mogamma_1_Photo_Ben_Westoby.jpg Julie Mehretu. Mogamma (A Painting in Four Parts) Part 1, 2012. Ink and acrylic on canvas, 180 x 144 in (457.2 x 365.8 cm). Collection Guggenheim Abu Dhabi, UAE. Photo: Ben Westoby. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/JM_0290_12_Mogamma_2_Photo_Ben_Westoby.jpg Julie Mehretu. Mogamma (A Painting in Four Parts) Part 2, 2012. Ink and acrylic on canvas, 180 x 144 in (457.2 x 365.8 cm). Collection High Museum of Art, Atlanta, GA. Photo: Ben Westoby. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/JM_0390_12_Mogamma_Part_3_Photo_Ben_Westoby.jpg Julie Mehretu. Mogamma (A Painting in Four Parts) Part 3, 2012. Ink and acrylic on canvas. 180 x 144 in (457.2 x 365.8 cm). Collection Tate London, UK. Photo: Ben Westoby. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/JM_0490_12_Mogamma_Part_4_Photo_Ben_Westoby.jpg Julie Mehretu. Mogamma (A Painting in Four Parts) Part 4, 2012. Ink and acrylic on canvas, 180 x 144 in (457.2 x 365.8 cm). Collection Museum of Fine Arts, Houston, TX. Photo: Ben Westoby. © Julie Mehretu https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/JM_0290_14_Invisible_Sun_algorithm-4-first-letter-form_photo_Carolina_Merlano.jpg Julie Mehretu. Invisible Sun (algorithm 4, first letter form), 2014. Ink and acrylic on canvas, 119 1/2 x 167 in (304 x 424.2 cm). Collection Grafit Holdings. Photo: Carolina Merlano. © Julie Mehretu. https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/WMAA_JULIE-MEHRETU_11.jpg Installation view of Julie Mehretu (Whitney Museum of American Art, New York, March 24-August 8, 2021). From left to right: Mogamma (A Painting in Four Parts) Part 2, 2012; Mogamma (A Painting in Four Parts) Part 3, 2012. Photo: Ron Amstutz. https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/WMAA_JULIE-MEHRETU_13.jpg Installation view of Julie Mehretu (Whitney Museum of American Art, New York, March 24-August 8, 2021). From left to right: Mogamma (A Painting in Four Parts) Part 1, 2012; Stadia II, 2004. Photo: Ron Amstutz. https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/WMAA_JULIE-MEHRETU_14.jpg Installation view of Julie Mehretu (Whitney Museum of American Art, New York, March 24-August 8, 2021). From left to right: Mogamma (A Painting in Four Parts) Part 3, 2012; Mogamma (A Painting in Four Parts) Part 4, 2012. Photo: Ron Amstutz. https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/WMAA_JULIE-MEHRETU_36.jpg Installation view of Julie Mehretu (Whitney Museum of American Art, New York, March 24-August 8, 2021). From left to right: Untitled 2, 2001; Mogamma (A Painting in Four Parts) Part 4, 2012; Invisible Sun (algorithm 4, first letter form), 2015; Looking Back to a Bright New Future, 2003. Photo: Ron Amstutz https://www.studiointernational.com/images/articles/m/022-mehretu-julie-2022/WMAA_JULIE-MEHRETU_45.jpg Installation view of Julie Mehretu (Whitney Museum of American Art, New York, March 24-August 8, 2021). From left to right: Mogamma (A Painting in Four Parts) Part 4, 2012; Renegade Delirium, 2002; Mogamma (A Painting in Four Parts) Part 1, 2012. Photo: Ron Amstutz. https://www.studiointernational.com/index.php/donna-huddleston-video-interview-in-person-simon-lee-gallery https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/Brighter.jpg Donna Huddleston. Brighter, 2021. Caran d https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/The-Stand-In.jpg Donna Huddleston. The Stand In, 2021. Caran d https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/Hag.jpg Donna Huddleston. Hag, 2021. Pencil on paper, 30.7 x 37.4 cm (12 1/8 x 14 3/4 in). Courtesy of the artist and Simon Lee Gallery. © Donna Huddleston. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/Eclipse.jpg Donna Huddleston. Eclipse, 2021. Caran d'ache on paper, 47.3 x 67.2 cm (18 5/8 x 26 1/2 in). Courtesy of the artist and Simon Lee Gallery. © Donna Huddleston. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/Personal-Development.jpg Donna Huddleston. Personal Development, 2021. Caran d’ache and graphite on paper, 66 x 51 cm (26 x 20 1/8 in). Courtesy of the artist and Simon Lee Gallery. © Donna Huddleston. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/Time-Passed.jpg Donna Huddleston. Time Passed, 2022. Caran d'ache on paper, 195 x 203 cm (76 3/4 x 79 7/8 in). Courtesy of the artist and Simon Lee Gallery. © Donna Huddleston. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/01.jpg Donna Huddleston: In Person, installation view, Simon Lee Gallery, London, 21 January – 26 February 2022. Photo: Ben Westoby, courtesy Simon Lee Gallery. https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/02.jpg Donna Huddleston: In Person, installation view, Simon Lee Gallery, London, 21 January – 26 February 2022. Photo: Ben Westoby, courtesy Simon Lee Gallery. https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/03.jpg Donna Huddleston: In Person, installation view, Simon Lee Gallery, London, 21 January – 26 February 2022. Photo: Ben Westoby, courtesy Simon Lee Gallery. https://www.studiointernational.com/images/articles/h/031-huddleston-donna-2022/04.jpg Donna Huddleston: In Person, installation view, Simon Lee Gallery, London, 21 January – 26 February 2022. Photo: Ben Westoby, courtesy Simon Lee Gallery. https://www.studiointernational.com/index.php/flesh-arranges-itself-differently-review-hunterian-gallery-university-of-glasgow https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Miriam-Cahn-paintings.jpg Miriam Cahn’s paintings, installation view, The Hunterian Art Gallery, University of Glasgow, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Still-from-Christine-Borsland-SimWoman.jpg Christine Borland, SimWoman, 2010. HD video, 12 min 30 sec loop. Installation view, The Hunterian Art Gallery, University of Glasgow, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Ayun-Farah-textile-works.jpg Ayan Farah textile works, installation view, The Hunterian Art Gallery, University of Glasgow, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Huma-Bhabha-What-is-Love,-detail,-2013.jpg Huma Bhabha, What is Love, 2013, installation view, The Hunterian Art Gallery, University of Glasgow, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Michael-Armitage_Sun-Wukong-in-Gachie.jpg Michael Armitage, Sun Wukong in Gachie, 2015. Courtesy the Roberts Institute of Art and the David and Indrė Roberts Collection. Photo: Stephen White. © Michael Armitage. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Danh-Vo-Untitled-2014.jpg Danh Vō, Untitled, 2014. Installation view, The Hunterian Art Gallery, University of Glasgow, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Rita-Ackermann_Burn-Up-in-Heaven.jpg Rita Ackermann, Burn Up in Heaven, 2014. Courtesy the Roberts Institute of Art and the David and Indrė Roberts Collection. © Rita Ackermann. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Michael-E-Smith-Untitled-2013.jpg Michael E Smith, Untitled, 2013. Installation view, The Hunterian Art Gallery, University of Glasgow, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Sir-Eduardo-Paolozzi,-No-Heroes-Developed,-1970.jpg Eduardo Paolozzi, No Heroes Developed, 1970. © The Hunterian, University of Glasgow. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Paolozzi.jpg Eduardo Paolozzi, A Veterinary Student, 1960. © The Hunterian, University of Glasgow https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Loie-Hollowell_Squeezed-Cheeks.jpg Loie Hollowell, Squeezed Cheeks, 2019. Courtesy the Roberts Institute of Art and the David and Indrė Roberts Collection. Photo: Melissa Goodwin. © Loie Hollowell https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Michael-Dean-installation-shot.jpg Michael Dean, Hours (Working Title), Analogue Series (Tongue) 2013. Installation view, The Hunterian Art Gallery, University of Glasgow, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Ayun-Farah,-Huma-Bhabha-and-Michael-Armitage.jpg Ayun Farah (left), Huma Bhabha, What is Love, 2013 (centre), Michael Armitage, Sun Wukong in Gachie, 2015 (right), installation view, The Hunterian Art Gallery, University of Glasgow, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Loie-Hollowell_Boob-Wheel-in-blue-and-yellow.jpg Loie Hollowell, Boob Wheel in blue and yellow, 2020. Courtesy the Roberts Institute of Art and the David and Indrė Roberts Collection. Photo: Melissa Goodwin. © Loie Hollowell. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/X-rays-from-Hunterian-collection.jpg X-rays from The Hunterian collection, installation view, The Hunterian Art Gallery, University of Glasgow, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/065-flesh-arranges-itself-differently-2022/Huma-Bhabha_What-is-Love.jpg Huma Bhabha, What is Love, 2013. Courtesy the Roberts Institute of Art and the David and Indrė Roberts Collection. © Huma Bhabha. https://www.studiointernational.com/index.php/gainsboroughs-blue-boy-review-national-gallery-london https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/blue-boy-at-ng-1922.jpg Blue Boy at the National Gallery, London, 1922. Photo © courtesy of the Huntington Library, Art Museum, and Botanical Gardens, San Marino, California. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/X11444-A5-gainsborough-blue-boy.jpg Thomas Gainsborough. The Blue Boy, 1770. Oil on canvas, 179.4 × 123.8 cm. © courtesy of the Huntington Library, Art Museum, and Botanical Gardens, San Marino, California. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/Photocall-2.jpg Photocall for Gainsborough’s The Blue Boy at the National Gallery © The National Gallery. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/N-0683-mrs-siddons.jpg Thomas Gainsborough. Mrs Siddons, 1785. Oil on canvas, 126 × 99.5 cm. The National Gallery, London. Bought, 1862. © The National Gallery, London. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/Gainsborough-Mrs-Siddons-detail-JR.jpg Thomas Gainsborough. Mrs Siddons, 1785 (detail). Oil on canvas, 126 × 99.5 cm. The National Gallery, London. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/x11445-linleys.jpg Thomas Gainsborough. Elizabeth and Mary Linley, about 1772, retouched 1785. Oil on canvas, 199 × 153.5 cm. Dulwich Picture Gallery, London. © By Permission of the Trustees of the Dulwich Picture Gallery, London https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/N-6518-lord-john-stuart.jpg Anthony van Dyck. Lord John Stuart and his Brother, Lord Bernard Stuart, about 1638. Oil on canvas, 237.5 x 146.1 cm. The National Gallery, London. Bought, 1988. © The National Gallery, London. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/x11617-A5.jpg Anthony van Dyck. George Villiers, 2nd Duke of Buckingham and Lord Francis Villiers, 1635. Oil on canvas, 137.2 × 127.7 cm. The Royal Collection / HM Queen Elizabeth II. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2022. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/s71-huntington.jpg Early visitors to the Huntington Art Gallery, c1935. Photo © courtesy of the Huntington Library, Art Museum, and Botanical Gardens, San Marino, California. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/X11739_framed-A5.jpg Kehinde Wiley. Prelude (Ibrahima Ndiaye and El Hadji Malick Gueye), 2021. Oil on linen, 387.2 × 305 cm. © Kehinde Wiley. Courtesy of Stephen Friedman Gallery, London and Galerie Templon, Paris. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/X11739_framed-A5-detail.jpg Kehinde Wiley. Prelude (Ibrahima Ndiaye and El Hadji Malick Gueye), 2021 (detail). Oil on linen, 387.2 × 305 cm. © Kehinde Wiley. Courtesy of Stephen Friedman Gallery, London and Galerie Templon, Paris. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/red-boy.jpg Sir Thomas Lawrence. Charles William Lambton, 1825. 137.2 x 111.8 cm. Private collection. Image © National Gallery, London. https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/Thomas-Gainsborough,-The-Painters-Daughters-chasing-a-Butterfly-c1756.jpg Thomas Gainsborough, The Painter https://www.studiointernational.com/images/articles/g/049-gainsborough-blue-boy-2022/Gainsborough,-Mr-and-Mrs-Andrews-c1750.jpg Thomas Gainsborough, Mr and Mrs Andrews c1750. Oil on canvas, 69.8 cm × 119.4 cm (27.5 in × 47.0 in). © The National Gallery, London. https://www.studiointernational.com/index.php/fausto-melotti-theatre-review-hauser-and-wirth-london https://www.studiointernational.com/images/articles/m/024-melotti-fausto-2022/melotti-2.jpg Fausto Melotti, Teatrino (Little Theater), c. 1950. Glazed ceramic, painted clay, 46 x 30 x 9 cm (18 1/8 x 11 3/4 x 3 1/2 in). Photo: Alex Delfanne. © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth. https://www.studiointernational.com/images/articles/m/024-melotti-fausto-2022/melotti-1.jpg Fausto Melotti, Le mani (The Hands). 1949. Painted terracotta, brass, 35.2 x 30.5 x 9.8 cm (13 7/8 x 12 x 3 7/8 in). Photo: Stefan Altenburger Photography Zürich. © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth. https://www.studiointernational.com/images/articles/m/024-melotti-fausto-2022/melotti-6.jpg Fausto Melotti, L’ombra dell https://www.studiointernational.com/images/articles/m/024-melotti-fausto-2022/melotti-7.jpg Fausto Melotti, In palude (In the Swamp), 1984. Brass, painted wood, painted fabric, 41 x 42 x 26 cm (16 1/8 x 16 1/2 x 10 1/4 in). Photo: Stefan Altenburger Photography Zürich. © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth. https://www.studiointernational.com/images/articles/m/024-melotti-fausto-2022/melotti-5.jpg Fausto Melotti, Da Shakespeare (After Shakespeare), 1977. Brass, painted fabric, 88.9 x 75.6 x 36.8 cm (35 x 29 3/4 x 14 1/2 in). Photo: Timothy Doyon. © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth. https://www.studiointernational.com/images/articles/m/024-melotti-fausto-2022/melotti-3.jpg Fausto Melotti, Buona notte, bambini (Good Night, Children), 1984. Painted terracotta, glazed ceramics, painted fabric and brass, 36.5 x 32.1 x 8.9 cm (14 3/8 x 12 5/8 x 3 1/2 in). Photo: Timothy Doyon. © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth. https://www.studiointernational.com/images/articles/m/024-melotti-fausto-2022/melotti-4.jpg Fausto Melotti, Meditazione domestica (Domestic Meditation), 1959. Painted terracotta, brass and glazed ceramic, 45.7 x 41.3 x 15.9 cm (18 x 16 1/4 x 6 1/4 in). Photo: Todd White Art Photography. © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth. https://www.studiointernational.com/images/articles/m/024-melotti-fausto-2022/melotti-9.jpg Fausto Melotti in his studio in via Leopardi, Milan (early 1970s). Photo: Ugo Mulas © Ugo Mulas Heirs. All rights reserved. https://www.studiointernational.com/images/articles/m/024-melotti-fausto-2022/melotti-8.jpg Fausto Melotti, Senza titolo, (No title), 1965. Mixed media on paper, 49.8 x 35.2 cm (19 5/8 x 13 7/8 in). © Fondazione Fausto Melotti, Milano. Courtesy Fondazione Fausto Melotti, Milan and Hauser & Wirth. https://www.studiointernational.com/index.php/british-art-show-9-review-wolverhampton-art-gallery-school https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/07-BAS_9_024.jpg Installation view, British Art Show 9, 2021-22, Wolverhampton Art Gallery. Photo © Stuart Whipps. https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/02-Patel-Hetain-Trinity.jpg Hetain Patel, Trinity (film still), 2021. © the artist. Courtesy the artist and Chatterjee & Lal. https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/11-BAS_9_019.jpg Grace Ndiritu, Plant Theatre for Plant People, 2021. © Grace Ndiritu. Installation view, British Art Show 9, 2021-22, Wolverhampton Art Gallery. Photo © Stuart Whipps. https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/05-BAS_9_027.jpg Lawrence Lek, AIDOL爱道, 2019. © Lawrence Lek. Installation view, British Art Show 9, 2021-22, University of Wolverhampton School of Art. A Hayward Gallery Touring exhibition organised in collaboration with galleries across the cities of Aberdeen, Wolverhampton, Manchester and Plymouth. Photo © Stuart Whipps. https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/06-BAS_9_023.jpg Installation view, British Art Show 9, 2021-22, Wolverhampton Art Gallery. Photo © Stuart Whipps. https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/10-Walker-Caroline-Joy.jpg Caroline Walker, Joy, 11.30am, Hackney, 2017. Photo: Peter Mallet. © the artist and GRIMM. Courtesy the artist, GRIMM Amsterdam/New York, Ingleby Gallery, Edinburgh and Stephen Friedman Gallery, London. https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/01-Patel-Hetain-Trinity-1.jpg Hetain Patel, Trinity (film still), 2021. © the artist. Courtesy the artist and Chatterjee & Lal. https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/09-Walker-Caroline-Abi,-Midday,-Brixton_2017.jpg Caroline Walker, Abi, Midday, Brixton, 2017. Photo: Peter Mallet. © the artist. Courtesy the artist, GRIMM Amsterdam/New York, Ingleby Gallery, Edinburgh and Stephen Friedman Gallery, London https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/12-BAS_9_016.jpg Oscar Murillo, Darkness the potential of blossoming light, 2022. © Oscar Murillo. Installation view, British Art Show 9, 2021-22, University of Wolverhampton School of Art. Photo © Stuart Whipps. https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/08-BAS_9_018.jpg Caroline Walker, Abi, Midday, Brixton, 2017. © Caroline Walker. Installation view, British Art Show 2021-22, University of Wolverhampton School of Art. Photo © Stuart Whipps. https://www.studiointernational.com/images/articles/b/018-British-Art-Show-9-2022/03-LekLawrenceAIDOL.jpg Lawrence Lek, AIDOL, 2019, HD video still. © Lawrence Lek. Courtesy Sadie Coles HQ, London. https://www.studiointernational.com/index.php/francis-bacon-man-and-beast-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/Key-15.jpg Francis Bacon, Head I, 1948. Oil and tempera on board, 100.3 x 74.9 cm. Lent by The Metropolitan Museum of Art, Bequest of Richard S. Zeisler, 2007 (2007.247.1). © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/Key-7.jpg Francis Bacon, Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Collection Van Abbemuseum, Eindhoven. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Hugo Maertens. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/Key-4.jpg Francis Bacon, Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Collection Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox, Jr., 1955. K1955:3. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/key-17.jpg Francis Bacon, Study for Chimpanzee, 1957. Oil and pastel on canvas, 152.4 x 117 cm. Peggy Guggenheim Collection, Venice. Solomon R. Guggenheim Foundation, New York. Photo: David Heald (NYC). © The Estate of Francis Bacon. All rights reserved. DACS 2021. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/Key-1.jpg Francis Bacon, Head VI, 1949. Oil on canvas, 91.4 x 76.2 cm. Arts Council Collection, Southbank Centre, London. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/key-124.jpg Francis Bacon, Portrait of George Dyer Crouching, 1966. Oil on canvas, 198 x 147 cm. Private collection. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/Key-65.jpg Francis Bacon, Study for Bullfight No. 1, 1969. Oil on canvas, 198 x 147.5cm. Private collection. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/Francis-Bacon-Second-Version-of-Triptych-1944-1988.jpg Francis Bacon, Second Version of Triptych 1944, 1988. Oil paint and acrylic paint on 3 canvases, 198 x 147.5 cm (each). Tate: Presented by the artist 1991. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/key-31-(LEFT).jpg Francis Bacon, Second Version of Triptych 1944, 1988 (left). Oil paint and acrylic paint on 3 canvases, 198 x 147.5 cm (each). Tate: Presented by the artist 1991. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/key-31-(CENTRE).jpg Francis Bacon, Second Version of Triptych 1944, 1988 (centre). Oil paint and acrylic paint on 3 canvases, 198 x 147.5 cm (each). Tate: Presented by the artist 1991. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/b/017-bacon-francis-2022/key-31-(RIGHT).jpg Francis Bacon, Second Version of Triptych 1944, 1988 (right). Oil paint and acrylic paint on 3 canvases, 198 x 147.5 cm (each). Tate: Presented by the artist 1991. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/index.php/testament-review-goldsmiths-centre-for-contemporary-art-london https://www.studiointernational.com/images/articles/t/069-testament-2022/testament-4.jpg Monster Chetwynd, A Monument to the Unstuffy and Anti-Bureaucratic, 2019. Paint, latex, paper, fabric, foam, wicker, timber, glue, fixings. Courtesy of the artist and Sadie Coles HQ. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/069-testament-2022/testament-2.jpg Jeremy Deller, Tomb of the Unknown Refugee; An Ongoing Memorial to Extinct Plants and Animals; Monument to Money Laundering; Culture War Memorial; A Memorial to Civilian Dead in the Vietnam War, 2022. Text. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/069-testament-2022/testament-3.jpg Roger Hiorns, Pathways, 2007 - ongoing. Monument: Silver sheet, scent, memory. Installation: Collage. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/069-testament-2022/testament-7.jpg Saelia Aparicio, Proposal of a monument to alien species, 2022. Terracotta, plywood, graphite, mouth-blown glass, water, soil, butterfly bush (buddleia davidii), Hottenton fig (Carpobrotus edulis), spiderwort (tradescantia zebrina variegata, tradescantia fluminensis), ivy-leaved toadflax (cymbalaria muralis), mother of thousands (Bryophyllum Daigremontianum), wood sorrel (Oxalis pescaprae), spider plant (chlorophytum comosum), Dalmatian bellflower (Campanula portenschlagiana), glass lamp. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/069-testament-2022/testament-9.jpg Dominic Watson. England, Their England. 2022. Paper mache, paper clay, water pumps, fortified wine. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/069-testament-2022/testament-5.jpg Ryan Gander. The thermals made me lazy, or The squatters (Smoky meet Monk’s Deflated Sculpture II (2009)), 2020. Wood, latex, resin, synthetic fur, paint, animatronics. Courtesy of the artist and Lisson Gallery. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/069-testament-2022/testament-6.jpg Jay Tan, Sojourners Settlers Sponge, 2021. Mixed media. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/069-testament-2022/testament-8.jpg Olu Ogunnaike. I’d rather stand, 2022. Tulip, brown oak, horse chestnut, elm, cherry, black poplar, sycamore, ash, alder, walnut. Photo: Rob Harris. https://www.studiointernational.com/index.php/allison-katz-artery-review-camden-art-centre-london https://www.studiointernational.com/images/articles/k/055-katz-allison-2022/katz-3.jpg Allison Katz: Artery, Installation view, Camden Art Centre, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/055-katz-allison-2022/katz-3-A.jpg Allison Katz: Artery, Installation view, Camden Art Centre, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/055-katz-allison-2022/katz-3-B.jpg Allison Katz: Artery, Installation view, Camden Art Centre, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/055-katz-allison-2022/katz-6.jpg Allison Katz: Artery, Installation view, Camden Art Centre, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/055-katz-allison-2022/katz-5-A.jpg Allison Katz: Artery, Installation view, Camden Art Centre, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/055-katz-allison-2022/katz-2.jpg Allison Katz: Artery, Installation view, Camden Art Centre, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/055-katz-allison-2022/katz-6-A.jpg Allison Katz: Artery, Installation view, Camden Art Centre, 2022. Photo: Rob Harris. https://www.studiointernational.com/index.php/cauleen-smith-interview-i-try-to-make-work-that-is-for-anyone-as-opposed-to-exclusive https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/Cauleen-Smith-hello-3.jpg Cauleen Smith. H-E-L-L-O, 2014. Installation view, Collective art space, Edinburgh, 2022. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/SOJOURNER(STILL)-4.jpg Cauleen Smith. Sojourner, 2018. Film still, courtesy of the artist. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/Cauleen-Smith-14.jpg Cauleen Smith. H-E-L-L-O, 2014. Installation view, Collective art space, Edinburgh, 2022. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/Cauleen-Smith-13.jpg Cauleen Smith. H-E-L-L-O, 2014. Installation view, Collective art space, Edinburgh, 2022. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/Cauleen-Smith-17.jpg Cauleen Smith. H-E-L-L-O, 2014. Installation view, Collective art space, Edinburgh, 2022. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/Cauleen-Smith-2.jpg Cauleen Smith. H-E-L-L-O, 2014. Installation view, Collective art space, Edinburgh, 2022. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/Cauleen-Smith-18.jpg Cauleen Smith. H-E-L-L-O, 2014. Installation view, Collective art space, Edinburgh, 2022. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/SOJOURNER(STILL)-1.jpg Cauleen Smith. Sojourner, 2018. Film still, courtesy of the artist. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/SOJOURNER(STILL)-2.jpg Cauleen Smith. Sojourner, 2018. Film still, courtesy of the artist. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/COVID(STILL).jpg Cauleen Smith. COVID MANIFESTO, 2020. Video, colour, sound, 2 min. Courtesy the artist. https://www.studiointernational.com/images/articles/s/022-smith-cauleen-2022/SOJOURNER(STILL)-3.jpg Cauleen Smith. Sojourner, 2018. Film still, courtesy of the artist. https://www.studiointernational.com/index.php/chechu-alava-interview-timeless-story-cob-gallery-london https://www.studiointernational.com/images/articles/a/030-alava-chechu-2022/Chechu-Alava-Artist-and-model-(Lee-Miller)-2021.jpg Chechu Álava. Artist and model (Lee Miller), 2021. Oil on linen, 55 x 46 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/a/030-alava-chechu-2022/Chechu-Alava-Clarice-Lispector-and-a-tree-2021.jpg Chechu Álava. Clarice Lispector and a tree, 2021. Oil on linen, 41 x 33 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/a/030-alava-chechu-2022/Chechu-Alava-Suzanne-Valadon-and-her-son-Maurice-Utrillo-2021.jpg Chechu Álava. Suzanne Valadon and her son Maurice Utrillo, 2021. Oil on linen, 41 x 33 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/a/030-alava-chechu-2022/Chechu-Girl-Praying-2021.jpg Chechu Álava. Girl Praying, 2021. Oil on linen, 55 x 46 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/a/030-alava-chechu-2022/Chechu-Alava-Confinement-(after-Munch)-2020.jpg Chechu Álava. Confinement (after Munch), 2020. Oil on canvas, 116 x 89 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/a/030-alava-chechu-2022/Chechu-Alava-Profane-and-Sacred-2021.jpg Chechu Álava. Profane and Sacred, 2021. Oil on linen, 116 x 89 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/a/030-alava-chechu-2022/Chechu-Alava-Taming-emotions-2021.jpg Chechu Álava. Taming emotions, 2021. Oil on linen, 130 x 162 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/a/030-alava-chechu-2022/Chechu-Alava-The-writers-table-(Virginia-Woolf)-2021.jpg Chechu Álava. The writer https://www.studiointernational.com/images/articles/a/030-alava-chechu-2022/Chechu-The-lounge-2021.jpg Chechu Álava. The lounge, 2021. Oil on linen. Image courtesy the artist. https://www.studiointernational.com/index.php/body-vessel-clay-black-women-ceramics-and-contemporary-art-review-two-temple-place-london https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/YORYM_2004-3.jpg Ladi Kwali, Pot, 1959. Courtesy of York Museums Trust (York Art Gallery). https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/190118-Hepworth-1.jpg Magdalene Odundo, Water Carrier (Esniasulo), c1974-76, terracotta. © Magdalene A.N. Odundo. Courtesy The Hepworth Wakefield, Wakefield Permanent Art Collection. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/Two-Legged-Vessels.jpg Bisila Noha, Two Legged Vessels, 2020. Courtesy of the artist. Photo: Thomas Broadhead for OmVed Gardens. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/guido_mencari_ipswich_spill_festival_of_performance.jpg Vivian Chinasa Ezugha, Uro, a SPILL Commission at SPILL Festival 2018. Photo: Guido Mencari. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/Jade-Montserrat-and-Webb-Ellis,-Clay,-2015.jpg Jade Montserrat and Webb-Ellis, Clay (film still) 2015. Courtesy of the artists. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/PCJ_The-subtle-rules-fragmented-torso.jpg Phoebe Collings-James, The Subtle Rules the Dense, 2021. Courtesy of the artist and Camden Art Centre. Photo: Rob Harris. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/SCo20-9-SCo20-10.jpg Shawanda Corbett, I’ll tell you what (From: Neighbourhood Garden), 2020, Courtesy the artist and Corvi-Mora, London. Photo: Marcus Leith. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/Phillips_Burdened_2018.jpg Julia Phillips, Burdened 2018, HD video loop (black and white, no sound), 57 seconds. © Julia Phillips, Courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/Ladi-Kwali.jpg Photograph of Ladi Kwali taken by WA Ismay. Image courtesy of York Museums Trust (York Art Gallery). https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/Img5385-2.jpg Magdalene Odundo, Group of pots. © Magdalene A.N. Odundo/York Museums Trust. Courtesy of York Museums Trust (York Art Gallery). https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/YORYM_2004.jpg Magdalene Odundo, Burnished jar with top flared on one side, red and black, 1984. © Magdalene A.N. Odundo/York Museums Trust. Courtesy of York Museums Trust (York Art Gallery). https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/BodyVesselClay_07.jpg Installation view, Body Vessel Clay: Black Women, Ceramics and Contemporary Art, Two Temple Place, 29 January – 24 April 2022. Image copyright Two Temple Place. Photo: Amit Lennon. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/BodyVesselClay_10.jpg Installation view, Body Vessel Clay: Black Women, Ceramics and Contemporary Art, Two Temple Place, 29 January – 24 April 2022. Image copyright Two Temple Place. Photo: Amit Lennon. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/BodyVesselClay_15.jpg Installation view, Body Vessel Clay: Black Women, Ceramics and Contemporary Art, Two Temple Place, 29 January – 24 April 2022. Image copyright Two Temple Place. Photo: Amit Lennon. https://www.studiointernational.com/images/articles/b/016-body-vessel-clay-2022/BodyVesselClay_19.jpg Installation view, Body Vessel Clay: Black Women, Ceramics and Contemporary Art, Two Temple Place, 29 January – 24 April 2022. Image copyright Two Temple Place. Photo: Amit Lennon. https://www.studiointernational.com/index.php/van-gogh-self-portraits-review-the-courtauld-london https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait-with-Felt-Hat-(1886-1887).jpg Vincent van Gogh, Self-Portrait with Felt Hat (1886-1887). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait-Spring-1888.jpg Vincent van Gogh, Self-Portrait, Spring 1887. Kröller-Müller Museum, Otterlo. https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait-with-Grey-Felt-Hat,-spring-1887.jpg Vincent van Gogh, Self-Portrait with Grey Felt Hat, spring 1887. Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait,-1887.jpg Vincent van Gogh, Self-Portrait, 1887. The Art Institute of Chicago (Joseph Winterbotham Collection). https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait-with-Straw-Hat,-August-September-1887-2.jpg Vincent van Gogh, Self-Portrait with Straw Hat, August - September 1887. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait-with-Grey-Felt-Hat,-September-October-1887.jpg Vincent van Gogh, Self-Portrait with Grey Felt Hat, September - October 1887. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait-as-a-Painter,-December-February-1888.jpg Vincent van Gogh, Self-Portrait as a Painter, December - February 1888. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait-with-Bandaged-Ear,-January-1889.jpg Vincent van Gogh, Self-Portrait with Bandaged Ear, January 1889. The Courtauld Gallery, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait,-late-August-1889.jpg Vincent van Gogh, Self-Portrait, late August 1889. The National Museum of Art, Architecture and Design, Oslo. https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait,-September-1889.jpg Vincent van Gogh, Self-Portrait, September 1889. National Gallery of Art, Washington DC. https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait-summer-1887.jpg Vincent van Gogh, Self-Portrait, summer 1887. Wadsworth Atheneum Museum of Art, Hartford, Conn. https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait,-March-June-1887.jpg Vincent van Gogh, Self-Portrait, March-June 1887. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait,-autumn-1887.jpg Vincent van Gogh, Self-Portrait, autumn 1887. Musée d'Orsay, Paris. https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portrait-with-Straw-Hat,-August-September-1887.jpg Vincent van Gogh, Self-Portrait with Straw Hat, August - September 1887. Detroit Institute of Arts (City of Detroit Purchase; 22.13). https://www.studiointernational.com/images/articles/v/077-van-gogh-2022/Vincent-van-Gogh-Self-Portraits,-1887.jpg Vincent van Gogh (1853 - 1890), Self-Portrait with Felt Hat (1886 - 1887), Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) Vincent van Gogh, Self-Portraits, 1887, Van Gogh Museum. Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/index.php/joan-semmel-interview-retrospective-not-excluding-those-who-did-not-conform-to-preconceived-notions-of-beauty https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/NYC-Semmel_JS433_Couch-Diptych_2018.jpg Joan Semmel, Couch Diptych, 2019. Oil on canvas in two parts, 72 x 120 in overall (182.9 x 304.8 cm overall). Courtesy Alexander Gray Associates, New York. © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_Centered_2002-(1).jpg Joan Semmel, Centered, 2002. Oil on canvas, 48 x 53 in (121.92 x 134.62 cm). Courtesy Alexander Gray Associates, New York. © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_Double_Take_1991.jpg Joan Semmel, Double Take, 1991. Oil on canvas, 68 1/8 x 60 in (173.35 x 152.4 cm). Courtesy Alexander Gray Associates, New York. © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_Flesh_Ground_2016_Framed.jpg Joan Semmel, Flesh Ground, 2016. Oil on canvas, 60 x 72 in (152.4 x 182.88 cm). Courtesy Alexander Gray Associates, New York. © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_Green_Heart_1971.jpg Joan Semmel, Green Heart, 1971. Oil on canvas, 48 x 58 in (121.92 x 147.32 cm). Courtesy Alexander Gray Associates, New York. © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_Intimacy_Autonomy_1974.jpg Joan Semmel, Intimacy-Autonomy, 1974. Oil on canvas, 50 x 98 in (127 x 248.92 cm). © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_JS331_Untitled-Figure-Study-(for-the-Sex-Paintings-Series)_1971.jpg Joan Semmel, Untitled Figure Study (for the Sex Paintings Series), 1971. Marker on paper, 18 3/4 x 23 3/4 in (47.6 x 60.3 cm). © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_Purple_Diagonal_1980-.jpg Joan Semmel, Purple Diagonal, 1980. Oil on canvas, 78 x 104 in (198.12 x 264.16 cm). © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_Recognition_2020.jpg Joan Semmel, Recognition, 2020. Oil on canvas, 24 x 24 in (60.96 x 60.96 cm). © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_Red_Hands_2019_FPO.jpg Joan Semmel, Red Hand, 2019. Oil on canvas, 48 x 60 in (121.92 x 152.4 cm). © 2022 Joan Semmel / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/s/021-semmel-joan-2022/Semmel_Skin_in_the_Game_2019-(1).jpg Joan Semmel, Skin in the Game, 2019. Oil on canvas in four parts, 96 x 288 in overall (243.84 x 731.52 cm overall). https://www.studiointernational.com/index.php/every-ocean-hughes-one-big-bag-review-studio-voltaire-london https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/15.jpg Every Ocean Hughes. One Big Bag, 2021, (Film still). Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/18.jpg Every Ocean Hughes. One Big Bag, 2021, (Film still). Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/19.jpg Every Ocean Hughes. One Big Bag, 2021, (Film still). Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/SV_OBB_205.jpg Installation view of Every Ocean Hughes: One Big Bag, 2021, at Studio Voltaire. Photo: Francis Ware. Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/SV_OBB_329.jpg Installation view of Every Ocean Hughes: One Big Bag, 2021, at Studio Voltaire. Photo: Francis Ware. Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/17.jpg Every Ocean Hughes. One Big Bag, 2021, (Film still). Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. Courtesy of the artist. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/SV_OBB_055.jpg Installation view of Every Ocean Hughes: One Big Bag, 2021, at Studio Voltaire. Photo: Francis Ware. Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/SV_OBB_155.jpg Installation view of Every Ocean Hughes: One Big Bag, 2021, at Studio Voltaire. Photo: Francis Ware. Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/SV_OBB_244.jpg Installation view of Every Ocean Hughes: One Big Bag, 2021, at Studio Voltaire. Photo: Francis Ware. Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/SV_OBB_284.jpg Installation view of Every Ocean Hughes: One Big Bag, 2021, at Studio Voltaire. Photo: Francis Ware. Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. https://www.studiointernational.com/images/articles/h/030-hughes-every-ocean-2022/SV_OBB_289.jpg Installation view of Every Ocean Hughes: One Big Bag, 2021, at Studio Voltaire. Photo: Francis Ware. Co–commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles. https://www.studiointernational.com/index.php/john-yau-interview-unseen-professors-tina-kim-gallery-leo-amino-minoru-niizuma-john-pai-asian-american https://www.studiointernational.com/images/articles/y/094-yau-john-2022/Leo-Amino-1.jpg Leo Amino (1911–1989). Refractional #75, 1972. Polyester resin, 11.89 x 14.88 x 2.99 in (30.2 x 37.8 x 7.6 cm). Courtesy The Estate of Leo Amino and David Zwirner Gallery. Photo © Kerry McFate. https://www.studiointernational.com/images/articles/y/094-yau-john-2022/Tina-Kim-Gallery_Leo-Amino.jpg Installation view of works by Leo Amino, The Unseen Professors at Tina Kim Gallery. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/y/094-yau-john-2022/Minoru-Niizuma_Unknown.jpg Minoru Niizuma (1930–1998). Unknown, c1986. Italian Paonazzo marble, 19.5 x 13.5 x 11.75 in (49.5 x 34.3 x 29.8 cm). Courtesy The Estate of Minoru Niizuma and Tina Kim Gallery. Photo © Hyunjung Rhee. https://www.studiointernational.com/images/articles/y/094-yau-john-2022/Tina-Kim-Gallery_Minoru-Niizuma.jpg Installation view of works by Minoru Niizuma, The Unseen Professors at Tina Kim Gallery. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/y/094-yau-john-2022/John-Pai_Involution.jpg John Pai (b. 1937). Involution, 1974. Welded steel, 40 x 40 x 40 in (101.6 x 101.6 x 101.6 cm). Image courtesy of the artist and Tina Kim Gallery. Photo © Dario Lasagni. https://www.studiointernational.com/images/articles/y/094-yau-john-2022/Tina-Kim-Gallery_-John-Pai.jpg Installation view of works by John Pai, The Unseen Professors at Tina Kim Gallery. Photo: Dario Lasagni. https://www.studiointernational.com/images/articles/y/094-yau-john-2022/John-Pai_Pacos-Passion.jpg John Pai (b. 1937). Paco https://www.studiointernational.com/images/articles/y/094-yau-john-2022/Minoru-Niizuma_Black-Mountain.jpg Minoru Niizuma (1930–1998). Black Mountain, 1986. Portuguese Black Granite, 54.33 x 16.54 x 15.75 in (138 x 42 x 40 cm). Courtesy The Estate of Minoru Niizuma and Tina Kim Gallery. Photo © Hyunjung Rhee. https://www.studiointernational.com/images/articles/y/094-yau-john-2022/Leo-Amino2.jpg Leo Amino (1911–1989). Untitled, 1956. Wood, 72.52 x 15 x 9.02 in (184.2 x 38.1 x 22.9 cm). Courtesy The Estate of Leo Amino and David Zwirner Gallery. Photo © Kerry McFate. https://www.studiointernational.com/images/articles/y/094-yau-john-2022/john-yau.jpg John Yau. Photo: Eve Aschheim. https://www.studiointernational.com/index.php/vlatka-horvat-interview-by-hand-on-foot-peer-gallery-london-beyond0the-boundaries-of-the-image https://www.studiointernational.com/images/articles/h/029-horvat-vlatka-2022/Vlatka-Horvat_Until-the-Last-of-Our-Labours-Is-Done--2021-Film-Still.jpg Vlatka Horvat. Until the Last of Our Labours Is Done, 2021. Screengrab from video, 25 min. Copyright the artist. https://www.studiointernational.com/images/articles/h/029-horvat-vlatka-2022/Gallery-2-with-view-to-gallery-1.jpg Installation view, Vlatka Horvat: By Hand, On Foot, PEER London. Photo: Stephen White & Co. https://www.studiointernational.com/images/articles/h/029-horvat-vlatka-2022/Vlatka-Horvat-Reinforcements.jpg Vlatka Horvat. Reinforcements, 2016. Installation, dimensions variable. Copyright the artist. https://www.studiointernational.com/images/articles/h/029-horvat-vlatka-2022/Gallery-1-installation-shot.jpg Installation view, Vlatka Horvat: By Hand, On Foot, PEER London. Photo: Stephen White & Co. https://www.studiointernational.com/images/articles/h/029-horvat-vlatka-2022/Vlatka-Horvat_Around-Here-11-51am.jpg Vlatka Horvat. Around Here 11.51am. Inkjet photo collage, series of 12 unique collages. Copyright the artist. https://www.studiointernational.com/images/articles/h/029-horvat-vlatka-2022/Vlatka-Horvat_Around-Here-11-58am.jpg Vlatka Horvat. Around Here 11.51am. Inkjet photo collage, series of 12 unique collages. Copyright the artist. https://www.studiointernational.com/images/articles/h/029-horvat-vlatka-2022/Bike-racks-outside-curly-sculptures-inside.jpg Installation view, Vlatka Horvat: By Hand, On Foot, PEER London. Photo: Stephen White & Co. https://www.studiointernational.com/images/articles/h/029-horvat-vlatka-2022/Gallery-2.jpg Installation view, Vlatka Horvat: By Hand, On Foot, PEER London. Photo: Stephen White & Co. https://www.studiointernational.com/index.php/ai-weiwei-the-liberty-of-doubt-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/08-217.jpg A Chinese Lacquered Greystone fragmentary hand clutching a vase. Courtesy Ai Weiwei Studio. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/13-Dragon-Vase-(Red-and-White),-2017.jpg Ai Weiwei, Dragon Vase, 2017. Courtesy Ai Weiwei Studio. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/22-Marble-Takeout-Container,-2015.jpg Ai Weiwei, Marble Takeout Container, 2015. Courtesy Ai Weiwei studio. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/C469-1-3334.jpg Installation views of Ai Weiwei: The Liberty of Doubt, Kettle’s Yard, February – June 2022. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/20-Marble-Toilet-Paper.jpg Ai Weiwei, Marble Toilet Paper, 2020. Courtesy Ai Weiwei Studio. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/C469-1-3446.jpg Installation views of Ai Weiwei: The Liberty of Doubt, Kettle’s Yard, February – June 2022. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/C469-1-3512.jpg Installation views of Ai Weiwei: The Liberty of Doubt, Kettle’s Yard, February – June 2022. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/16-Surveillance-Camera-with-Plinth,-2014.jpg Ai Weiwei, Surveillance Camera with Plinth, 2014. Courtesy Ai Weiwei Studio. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/18-Han-Dynasty-Urn-with-Coca-Cola-Logo,-1994.jpg Ai Weiwei, Han Dynasty Urn with Coca-Cola Logo, 2014. Courtesy Ai Weiwei Studio. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/07-270.jpg A Chinese white marble Buddhist deity. Courtesy Ai Weiwei studio. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/C469-1-3301.jpg Installation views of Ai Weiwei: The Liberty of Doubt, Kettle’s Yard, February – June 2022. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/C469-1-3310.jpg Installation views of Ai Weiwei: The Liberty of Doubt, Kettle’s Yard, February – June 2022. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/C469-1-3352.jpg Installation views of Ai Weiwei: The Liberty of Doubt, Kettle’s Yard, February – June 2022. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/C469-1-3470.jpg Installation views of Ai Weiwei: The Liberty of Doubt, Kettle’s Yard, February – June 2022. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/a/030-ai-weiwei-2022/C469-1-3491.jpg Installation views of Ai Weiwei: The Liberty of Doubt, Kettle’s Yard, February – June 2022. Photo: Jo Underhill. https://www.studiointernational.com/index.php/danielle-dean-amazon-review-tate-britain-fordlandia-jeff-bezos https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/Amazon-2021-Video-Still-4.jpg Danielle Dean: Amazon. Video still. © the artist. https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/Art-Now-Danielle-Dean-Amazon-(c)-Tate-Photography-(Jai-Monghan)-2.jpg Danielle Dean: Amazon, installation view, Tate Britain, London. © Tate Photography (Jai Monghan). https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/Amazon-2021-Video-Still-3.jpg Danielle Dean: Amazon, installation view, Tate Britain, London. © Tate Photography (Jai Monghan). https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/Amazon-2021-Video-Still.jpg Danielle Dean: Amazon. Video still. © the artist. https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/DD_6AM_Detail_1_DD-20-DR-042.jpg Danielle Dean: Amazon, installation view, Tate Britain, London. © Tate Photography (Jai Monghan). https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/Amazon-2021-Video-Still-2.jpg Danielle Dean: Amazon. Video still. © the artist. https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/Art-Now-Danielle-Dean-Amazon-(c)-Tate-Photography-(Jai-Monghan)-3.jpg Danielle Dean: Amazon, installation view, Tate Britain, London. © Tate Photography (Jai Monghan). https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/Art-Now-Danielle-Dean-Amazon-(c)-Tate-Photography-(Jai-Monghan)-4.jpg Danielle Dean: Amazon, installation view, Tate Britain, London. © Tate Photography (Jai Monghan). https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/Art-Now-Danielle-Dean-Amazon-(c)-Tate-Photography-(Jai-Monghan).jpg Danielle Dean: Amazon, installation view, Tate Britain, London. © Tate Photography (Jai Monghan). https://www.studiointernational.com/images/articles/d/059-dean-danielle-2022/Danielle-Dean-(c)-Tate-Photography-(Jai-Monghan).jpg Danielle Dean. © Tate Photography (Jai Monghan). https://www.studiointernational.com/index.php/nft-the-new-future-review-moco-barcelona-non-fungible-tokens-paris-hilton-beeple https://www.studiointernational.com/images/articles/n/066-nfts-2022/Bedroom-Bliss.jpg Paris Hilton and Blake Kathryn. Bedroom Bliss, 2021. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/Everydays-detail.jpg Beeple https://www.studiointernational.com/images/articles/n/066-nfts-2022/Rome.jpg Daniel Arsham. Eroding and Reforming Bust of Rome (One Year), 2021. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/Rome-2.jpg Daniel Arsham. Eroding and Reforming Bust of Rome (One Year), 2021. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/time-fries-2.jpg Alotta Money. Time Fries, 2020. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/time-fries-3.jpg Alotta Money. Time Fries, 2020. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/Hortensia-Chair.jpg Andrés Reisinger. Hortensia Chair, 2021. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/Essay-before-meeting-my-daughter.jpg Andrés Reisinger. An Essay Before Meeting My Daughter, 2021. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/Essay-before-meeting-my-daughter2.jpg Andrés Reisinger. An Essay Before Meeting My Daughter, 2021. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/visitors.jpg NFT: The New FuTure, installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/Essay-before-meeting-my-daughter3.jpg Andrés Reisinger. An Essay Before Meeting My Daughter, 2021. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/Essay-before-meeting-my-daughter4.jpg Andrés Reisinger. An Essay Before Meeting My Daughter, 2021. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/images/articles/n/066-nfts-2022/Everydays-detail2.jpg Beeple's Everydays – Raw, 2020 (detail). Four minute video, edition of 100. Installation view. Photo: Ana Beatriz Duarte. https://www.studiointernational.com/index.php/gillian-wearing-masks-guggenheim-museum-review-new-york-identity-self-portraits https://www.studiointernational.com/images/articles/w/047-wearing-gillian-2022/17-installation-srgm-gillian-wearing.jpg Installation view, Gillian Wearing: Wearing Masks, Solomon R. Guggenheim Museum, 5 November 2021 – 4 April 2022. Photo: David Heald © Solomon R. Guggenheim Foundation, 2021. https://www.studiointernational.com/images/articles/w/047-wearing-gillian-2022/14-installation-srgm-gillian-wearing-wearing.jpg Installation view, Gillian Wearing: Wearing Masks, Solomon R. Guggenheim Museum, 5 November 2021 – 4 April 2022. Photo: David Heald © Solomon R. Guggenheim Foundation, 2021. https://www.studiointernational.com/images/articles/w/047-wearing-gillian-2022/07-dancing-in-peckham.jpg Gillian Wearing, Dancing in Peckham, 1994. Colour video, with sound, 25 min. Solomon R. Guggenheim Museum, New York, Gift, Tracy and Gary Mezzatesta 2017.50. © Gillian Wearing, courtesy Maureen Paley, London; Tanya Bonakdar Gallery, New York/Los Angeles; and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/w/047-wearing-gillian-2022/15-installation-srgm-gillian-wearing-wearing.jpg Installation view, Gillian Wearing: Wearing Masks, Solomon R. Guggenheim Museum, 5 November 2021 – 4 April 2022. Photo: David Heald © Solomon R. Guggenheim Foundation, 2021. https://www.studiointernational.com/images/articles/w/047-wearing-gillian-2022/05-untitled.jpg Gillian Wearing, Untitled (lockdown portrait), 2020. Oil on board, 16 x 12 1/8 in (40.5 x 30.5 cm). Private collection, London. © Gillian Wearing, courtesy Maureen Paley, London; Tanya Bonakdar Gallery, New York/Los Angeles; and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/w/047-wearing-gillian-2022/04-KissOfLife.jpg Gillian Wearing, Kiss of Life, 2017. Platinum silicone, human hair, and wood in vitrine, 63 x 23 5/8 x 23 5/8 in (160 x 60 x 60 cm) overall. © Gillian Wearing, courtesy Maureen Paley, London; Tanya Bonakdar Gallery, New York/Los Angeles; and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/w/047-wearing-gillian-2022/12-installation-srgm-gillian-wearing-wearing.jpg Installation view, Gillian Wearing: Wearing Masks, Solomon R. Guggenheim Museum, 5 November 2021 – 4 April 2022. Photo: David Heald © Solomon R. Guggenheim Foundation, 2021. https://www.studiointernational.com/images/articles/w/047-wearing-gillian-2022/13-installation-srgm-gillian-wearing-wearing.jpg Installation view, Gillian Wearing: Wearing Masks, Solomon R. Guggenheim Museum, 5 November 2021 – 4 April 2022. Photo: David Heald © Solomon R. Guggenheim Foundation, 2021. https://www.studiointernational.com/images/articles/w/047-wearing-gillian-2022/16-installation-srgm-gillian-wearing-wearing.jpg Installation view, Gillian Wearing: Wearing Masks, Solomon R. Guggenheim Museum, 5 November 2021 – 4 April 2022. Photo: David Heald © Solomon R. Guggenheim Foundation, 2021. https://www.studiointernational.com/index.php/david-diao-berlin-chair-in-pieces-review-postmasters-new-york-gerrit-rietveld https://www.studiointernational.com/images/articles/d/061-diao-david-2022/install2_lg.jpg Installation view of David Diao: Berlin Chair in Pieces, Postmasters Gallery, New York, 29 January – 12 March 2022. Image courtesy Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/d/061-diao-david-2022/David-Diao-Rietveld-Berlin-Chair,-parts-actual-scale-scattered,-Blue-2020.jpg David Diao. Rietveld’s Berlin Chair, parts actual scale scattered, Blue, 2020.
 Acrylic on canvas
 66 x 84 in (168 x 213 cm). Image courtesy Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/d/061-diao-david-2022/David-Diao-Rietvelds-Berlin-Chair-parts-describing-a-square---Magenta-2021.jpg David Diao. Rietveld’s Berlin Chair parts describing a square, magenta, 2021. Acrylic on canvas, 84 x 84 in
 (213 x 213 cm). Image courtesy Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/d/061-diao-david-2022/David-Diao-Rietvelds-Berlin-Chair-parts-forming-a-circle,-Green-2021.jpg David Diao. Rietveld’s Berlin Chair parts forming a circle, Green, 2021
. Acrylic on canvas
, 83 x 84 in (210 x 213 cm). Image courtesy Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/d/061-diao-david-2022/David-Diao-Rietvelds-Berlin-Chair-parts-in-one-layer---Orange-2021.jpg David Diao. Rietveld’s Berlin Chair parts in one layer, orange, 2021. Acrylic on canvas, 60 x 45 in
 (152 x 114 cm). Image courtesy Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/d/061-diao-david-2022/IMG_2759.jpg Installation view of David Diao: Berlin Chair in Pieces, Postmasters Gallery, New York, 29 January – 12 March 2022. Photo: Lilly Wei. https://www.studiointernational.com/images/articles/d/061-diao-david-2022/David-Diao-Rietvelds-Berlin-Chair-parts-on-3-color-ground---Vertical-2021.jpg David Diao. Rietveld’s Berlin Chair parts on 3 color ground, vertical, 2021
. Acrylic on canvas, 54 x 66 in (137 x 167.5 cm). Image courtesy Postmasters Gallery, New York. https://www.studiointernational.com/images/articles/d/061-diao-david-2022/install5_lg.jpg Installation view of David Diao: Berlin Chair in Pieces, Postmasters Gallery, New York, 29 January – 12 March 2022. Image courtesy Postmasters Gallery, New York. https://www.studiointernational.com/index.php/jasia-reichardt-video-interview-stefan-franciszka-themerson-archive https://www.studiointernational.com/images/articles/r/056-reichardt-jasia-2022/FT-ST-25-Jan-1983.jpg Franciszka and Stefan Themerson, January 1983. Photo courtesy Jasia Reichardt. https://www.studiointernational.com/images/articles/r/056-reichardt-jasia-2022/themerson-archive-2.jpg The Themerson Archive Catalogue. Three Volumes (Vol 1: Letters and Documents; Vol 2: The Themersons; Vol 3: Gaberbocchus). Edited by Jasia Reichardt and Nick Wadley. https://www.studiointernational.com/images/articles/r/056-reichardt-jasia-2022/europa.jpg Europa. A visual interpretation of Anatol Stern’s futurist poem from 1929. Image courtesy Jasia Reichardt. https://www.studiointernational.com/images/articles/r/056-reichardt-jasia-2022/3-Europa,-1931,32.jpg Study for Europa. Photo collage, c1931. Image courtesy Jasia Reichardt. https://www.studiointernational.com/images/articles/r/056-reichardt-jasia-2022/FT-ST-Morskie-Oko-16-9-1959.jpg Franciszka and Stefan Themerson, Morskie Oko, Poland, September 1959. Photo courtesy Jasia Reichardt. https://www.studiointernational.com/images/articles/r/056-reichardt-jasia-2022/themerson-archive.jpg The Themerson Archive Catalogue. Three Volumes (Vol 1: Letters and Documents; Vol 2: The Themersons; Vol 3: Gaberbocchus). Edited by Jasia Reichardt and Nick Wadley. https://www.studiointernational.com/index.php/frieze-los-angeles-2022-reflections https://www.studiointernational.com/images/articles/f/064-frieze-la-2022/2022_BetyeSaar_LA-Energy_Frieze2022.jpg Betye Saar. L.A. Energy, 1983/2022. Mural, 35 x 153 ft (10.7 x 46.6 m) 1983 iteration, 12 x 36 ft (3.7 x 11 m) 2022 iteration. Courtesy of the Artist and Roberts Projects, Los Angeles. https://www.studiointernational.com/images/articles/f/064-frieze-la-2022/DMK047.jpg Danielle Mckinney. OCD and O’Keeffe, 2022. Acrylic on canvas, 24 x 18 in (61 x 45.7 cm). Image courtesy the artist and Night Gallery, Los Angeles. Photo: Pierre Le Hors. https://www.studiointernational.com/images/articles/f/064-frieze-la-2022/MP-DONAK-00401-A-300.jpg Kaye Donachie. First the revolution and then the pleasure, 2004. Oil on paper, 41 x 51 cm (16 1/8 x 20 1/8 in). © Kaye Donachie, courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/f/064-frieze-la-2022/Prada-Mode-Martina-Syms-Installation.jpg Martine Syms, Prada Mode, Genghis Cohen restaurant, West Hollywood. Photo: Christiana Spens. https://www.studiointernational.com/images/articles/f/064-frieze-la-2022/Samuel-de-Saboia-2.jpg Samuel de Saboia in collaboration with jewellery design studio Alighieri. Mural, 2022. Photo: Christiana Spens. https://www.studiointernational.com/images/articles/f/064-frieze-la-2022/2022_betyeSaar_LAEnergy_Frieze2022_View2.jpg Betye Saar. L.A. Energy, 1983/2022. Mural, 35 x 153 ft (10.7 x 46.6 m) 1983 iteration, 12 x 36 ft (3.7 x 11 m) 2022 iteration. Courtesy of the Artist and Roberts Projects, Los Angeles. https://www.studiointernational.com/images/articles/f/064-frieze-la-2022/DMK046.jpg Danielle Mckinney. Fly on the Wall, 2022. Acrylic on canvas, 24 x 18 in (61 x 45.7 cm). Image courtesy the artist and Night Gallery, Los Angeles. Photo: Pierre Le Hors. https://www.studiointernational.com/images/articles/f/064-frieze-la-2022/Samuel-de-Saboia.jpg Samuel de Saboia in collaboration with jewellery design studio Alighieri. Mural, 2022. Photo: Christiana Spens. https://www.studiointernational.com/images/articles/f/064-frieze-la-2022/Talk-with-Samuel-de-Saboia-and-Rosh-Mahtani.jpg Talk with Samuel de Saboia and Rosh Mahtani. Photo: Christiana Spens. https://www.studiointernational.com/index.php/emilio-vedova-documenta-7-review-thaddaeus-ropac-london https://www.studiointernational.com/images/articles/v/076-vedova-emilio-2022/EMV_1087.jpg Emilio Vedova. Ciclo https://www.studiointernational.com/images/articles/v/076-vedova-emilio-2022/EMVLondon22_Install_6.jpg Emilio Vedova: documenta 7, Installation view, Thaddaeus Ropac, London, 10 February—26 March 2022. © Fondazione Emilio e Annabianca Vedova, Venice. Photo: Eva Herzog. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/v/076-vedova-emilio-2022/EMV_1098.jpg Emilio Vedova. Emerging ‘82 - 2, 1982. Acrylic paint, paper, sand and pastel on canvas, 300 x 230 cm (118.11 x 90.55 in). Photo: Ulrich Ghezzi © Fondazione Emilio e Annabianca Vedova, Venice. https://www.studiointernational.com/images/articles/v/076-vedova-emilio-2022/EMV_1104.jpg Emilio Vedova. Rosso https://www.studiointernational.com/images/articles/v/076-vedova-emilio-2022/EMVLondon22_Install_1.jpg Emilio Vedova: documenta 7, Installation view, Thaddaeus Ropac, London, 10 February—26 March 2022. © Fondazione Emilio e Annabianca Vedova, Venice. Photo: Eva Herzog. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/v/076-vedova-emilio-2022/EMVLondon22_Install_15.jpg Emilio Vedova: documenta 7, Installation view, Thaddaeus Ropac, London, 10 February—26 March 2022. © Fondazione Emilio e Annabianca Vedova, Venice. Photo: Eva Herzog. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/index.php/state-of-matter-modern-contemporary-glass-sculpture-review-henry-moore-institute https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/01.jpg Hew Locke, Mummy’s Little Soldier, 2013. Hand-blown Murano glass with metal chains and bottles. Fabricated at Berengo Glass Studios, Venice in collaboration with Venice Projects, London College of Fashion and the Wallace Collection. © Hew Locke. All rights reserved, DACS Photo: Prudence Cuming Associates. https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/05.jpg James and Einar De La Torre, El Monarca, 2014. Hot sculpted and waterjet cut glass with plastics . Photo: David Williams. https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/04.jpg Elliot Walker, SPILLAGE 2021. Glass. Photo: Simon Bruntnell. https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/02.jpg Alena Matějka, Magic Carpet, 2004. Cast glass. Installation view of A State of Matter: Modern and Contemporary Glass Sculpture on display at the Henry Moore Institute 18 February - 5 June 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/07.jpg Silvia Levenson, Untitled, 2007. Cast glass child’s dress. Installation view of A State of Matter: Modern and Contemporary Glass Sculpture on display at the Henry Moore Institute 18 February - 5 June 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/03.jpg Mona Hatoum, Cells, 2014. Zinc plated steel and glass. Installation view of A State of Matter: Modern and Contemporary Glass Sculpture on display at the Henry Moore Institute 18 February - 5 June 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/06.jpg Petr Stanicky, Mirror-Mondeo Bite, 2014. Car window with blown and mirrored glass. Installation view of A State of Matter: Modern and Contemporary Glass Sculpture on display at the Henry Moore Institute 18 February - 5 June 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/08.jpg Clare Falkenstein, Untitled, c.1965. Copper and glass. Installation view of A State of Matter: Modern and Contemporary Glass Sculpture on display at the Henry Moore Institute 18 February - 5 June 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/09.jpg Emma Woffenden, Creature, 2015-2018. Blown glass and plaster. Installation view of A State of Matter: Modern and Contemporary Glass Sculpture on display at the Henry Moore Institute 18 February - 5 June 2022. Photo: Rob Harris https://www.studiointernational.com/images/articles/a/028-a-state-of-matter-2022/10.jpg Erwin Eisch, Tele Komm Komm 027-418, 1998. Free-blown hot glass. Photo: David Williams. https://www.studiointernational.com/index.php/julian-perry-interview-there-rolls-the-deep-southampton-city-university-climate-change https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/07-Gallery-1-1.jpg Julian Perry: There Rolls the Deep. Installation view. Photo courtesy Southampton City Art Gallery and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/02-Seaview-Caravans-1.jpg Julian Perry. Sea View Caravans, 2009. Oil on panel, 46 x 34 cm. Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/04-Forest-Edge-2021.jpg Julian Perry. Forest Edge, 2021. Oil on panel, 122 x 170 cm. Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/05-Benacre-Birch-1-1.jpg Julian Perry. Benacre Birch I, 2015. Oil on two panels, each 122 x 184 cm (Total 244 x 184 cm). Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/08-Altarpiece-to-the-Assumpton-of-Co2-1.jpg Julian Perry. Altarpiece to the Assumption of CO2, 2021. Oil on four panels, 244 x 302 cm. Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/03-Clifftop-with-Fridge-Freezers-2.jpg Julian Perry. Clifftop with Fridge Freezers, 2009. Oil on panel, 20 x 30 cm. Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/10-Centre-Loss.jpg Julian Perry. Loss, centre panel, Altarpiece to the Assumption of CO2, 2021. Oil on panel, 170 x 122 cm. Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/12-Right-Panel-Vanity2021.jpg Julian Perry. Vanity, right panel, Altarpiece to the Assumption of CO2, 2021. Oil on panel, 170 x 90 cm. Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/14-Concrete-Defences-Happisburgh.jpg Julian Perry. Concrete Sea Defences Happisburgh & Beach at Dulwich, 2018. Oil on panel, 20 x 20 x 11 cm. Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/15-Galllery-3-Turner-Coubet-and-Perry.jpg Julian Perry: There Rolls the Deep. Installation view. Photo courtesy Southampton City Art Gallery and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/01-Photo-of-Julian-Perry.jpg Julian Perry. Photo: Sally Taylor. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/06-Benacre-Birch-2.jpg Julian Perry. Benacre Birch II, 2015. Oil on two panels, each 122 x 184 cm (Total 244 x 184 cm). Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/09-Gallery-2.jpg Julian Perry: There Rolls the Deep. Installation view. Photo courtesy Southampton City Art Gallery and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/13-Lower,-Death-2021.jpg Julian Perry. Death, lower panel, Altarpiece to the Assumption of CO2, 2021. Oil on panel, 44 x 122 cm. Photo courtesy Colin Mills and Julian Perry. https://www.studiointernational.com/images/articles/p/042-perry-julian-2022/16-Galllery-3-Display-case.jpg Julian Perry: There Rolls the Deep. Installation view. Photo courtesy Southampton City Art Gallery and Julian Perry. https://www.studiointernational.com/index.php/a-century-of-the-artists-studio-1920-2020-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/04.jpg Wilhelmina Barns-Graham, Studio Interior (Red Stool, Studio), 1945. Oil on canvas, 65 x 45.6cm. Wilhelmina Barns-Graham Trust © Wilhelmina Barns-Graham Trust. https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/09.jpg Paul McCarthy Painter, 1996. Video, colour, sound 50:01 mins © Paul McCarthy. https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/05.jpg Martha Rosler, Semiotics of the Kitchen, 1975. Film, black-and-white, sound, 6:09 mins. Courtesy of Martha Rosler and Electronic Arts Intermix (EAI), New York. https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/02.jpg Louise Bourgeois, Cell IX, 1999. Steel, marble, glass, mirrors, 213.4 x 254 x 132.1 cm. Courtesy D.Daskalopoulos Collection. © The Easton Foundation/VAGA at ARS, NY and DACS, London 2021. https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/01.jpg Kerry James Marshall, Untitled (Painter), 2008. Acrylic on PVC panel in artist’s frame, 73 x 62.9 cm. Collection of Charlotte and Herbert S. Wagner III. Courtesy of the artist, David Zwirner London and Jack Shainman Gallery, New York. Photo: Steve Briggs. https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/03.jpg Arpilleras – Unknown female artist, [Untitled], 1970s. Cotton, linen and wool on cotton, ink on paper and needle, 40x46cm. Photo: Tate. https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/07.jpg Nikhil Chopra, La Perla Negra: Plaza de Armas, 2015. 60 hours performance-installation (12th Habana Biennale, Cuba), elements: six canvases, props, fabrics, accessories, cage with roof. Courtesy Kettle's Yard, University of Cambridge. Photo: Stephen White & Co. https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/08.jpg Egon Schiele, Office at the in Mühling Prisoner of War Camp of Mühling, 1916. Black and red crayon on ivory wove paper, 46.1 x 29.2 cm. Katrin Bellinger Collection. https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/11.jpg Mequitta Ahuja, Notation, 2017. Oil on canvas, 213.4 x 182.9 cm. Courtesy the artist and Tiwani Contemporary. https://www.studiointernational.com/images/articles/a/029-artist-studio-2022/12.jpg Pablo Picasso, L’Atelier (The Studio), 1955. Oil on canvas, 80.9 x 64.9 cm. © Succession Picasso/DACS, London 2021. https://www.studiointernational.com/index.php/jasmina-cibic-interview-most-favoured-nation-museum-de-moderne-salzburg https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/The-Gift_Palace-of-Culture-and-Science-3.jpg Jasmina Cibic: The Gift, 2021. Three-channel 4K video. Production still: Andrzej Stawiński, courtesy of the artist and Muzeum Sztuki in Łódź. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/Cibic_The-Gift_9.jpg Jasmina Cibic: The Gift, 2021. Three-channel 4K video, film still (the Oscar Niemeyer French Communist party headquarters, Paris) © Oscar Niemeyer / DACS, London 2021, courtesy of the artist https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/CIBIC_BALTIC2018_photo-by-John-McKenzie-12.jpg Jasmina Cibic: This Machine Builds Nations, 2018, installation view, BALTIC Centre for Contemporary Art Gateshead. Photo: John McKenzie © 2018, courtesy of the artist and BALTIC Centre for Contemporary Art Gateshead. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/CIBIC_PHI-FOUNDATION-2018-photo-Max-Tremblay-0.jpg Jasmina Cibic: Show The Land in Which a Wide Space for National Progress is Ensured, 2018, installation view, Phi Foundation, Montreal. Photo: Max Tremblay © 2018, courtesy of the artist and Phi Foundation Montreal. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/Cibic_The-Gift_13.jpg Jasmina Cibic: The Gift, 2021. Three-channel 4K video, film still, courtesy of the artist. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/Cibic_The-Gift_12.jpg Jasmina Cibic: The Gift, 2021. Three-channel 4K video, film still, © Oscar Niemeyer / DACS, London 2021, courtesy of the artist. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/Cibic_The-Gift_15.jpg Jasmina Cibic: The Gift, 2021. Three-channel 4K video, film still (Palace of Nations, Geneva), courtesy of the artist. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/Cibic_Stagecraft_macLyon_16.jpg Jasmina Cibic: The Gift, 2021, installation view, Stagecraft, macLyon, 2021. Photo: Jasmina Cibic, courtesy of the artist. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/Cibic_The-Gift_35.jpg Jasmina Cibic: The Gift, 2021. Three-channel 4K video, film still, courtesy of the artist. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/CIBIC_BALTIC2018_photo-by-John-McKenzie-8.jpg Jasmina Cibic: This Machine Builds Nations, 2018, installation view, BALTIC Centre for Contemporary Art Gateshead. Photo: John McKenzie © 2018, courtesy of the artist and BALTIC Centre for Contemporary Art Gateshead. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/CIBIC_PHI-FOUNDATION-2018-photo-Max-Tremblay-25.jpg Jasmina Cibic: Show The Land in Which a Wide Space for National Progress is Ensured, 2018, installation view, Phi Foundation, Montreal. Photo: Max Tremblay © 2018, courtesy of the artist and Phi Foundation Montreal. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/The-Gift_Palace-of-Culture-and-Science-1.jpg Jasmina Cibic: The Gift, 2021. Three-channel 4K video. Production still: Andrzej Stawiński, courtesy of the artist and Muzeum Sztuki in Łódź. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/Cibic_The-Gift_26.jpg Jasmina Cibic: The Gift, 2021. Three-channel 4K video, film still, courtesy of the artist. https://www.studiointernational.com/images/articles/c/013-cibic-jasmina-2022/Cibic_The-Gift_39.jpg Jasmina Cibic: The Gift, 2021. Three-channel 4K video, film still, courtesy of the artist. https://www.studiointernational.com/index.php/per-kirkeby-geological-messages-paintings-from-1965-2015-review-michael-werner-gallery-london https://www.studiointernational.com/images/articles/k/054-kirkeby-per-2022/PK_895.jpg Per Kirkeby. Geologische Nachrichten (Geological Messages), 1999. Oil on canvas, 78 3/4 x 96 1/2 in (200 x 245 cm). Image courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/k/054-kirkeby-per-2022/PK-1272.jpg Per Kirkeby. Untitled, 2011. Tempera on canvas, 78 3/4 x 63 in (200 x 160 cm). Image courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/k/054-kirkeby-per-2022/PK-765.jpg Per Kirkeby. Untitled, 1995. Oil on canvas, 78 3/4 x 86 1/2 in (200 x 220 cm). Image courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/k/054-kirkeby-per-2022/PK-108.jpg Per Kirkeby. Untitled, 1981. Oil on canvas, 78 3/4 x 35 1/2 in (200 x 90 cm). Image courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/index.php/tomas-saraceno-particular-matter-review-the-shed-new-york https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-12.jpg Tomás Saraceno, Free the Air: How to hear the universe in a spider/web, 2022. Custom steel, wire net, wood, light, LFE, shakers, fog. Diameter: 95 feet. Artwork © Studio Tomás Saraceno. Commissioned by The Shed. Photo: Nicholas Knight. Courtesy the artist and Tanya Bonakdar Gallery, New York/Los Angeles; Neugerriemschneider, Berlin; Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; and Pinksummer Contemporary Art, Genoa. Photo courtesy The Shed. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-2.jpg Tomás Saraceno, Webs of At-tent(s)ion (detail), 2020. Seven spider frames, spider silk, carbon fibers, lights. Dimensions variable. Artwork © Studio Tomás Saraceno. Photo: Nicholas Knight. Courtesy the artist; spider/webs; Tanya Bonakdar Gallery, New York/Los Angeles; and Neugerriemschneider, Berlin. Photo courtesy The Shed. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-4.jpg Tomás Saraceno, We Do Not All Breathe the Same Air (detail), 2019 – 22. Black carbon, soot, PM2.5, PM10, paper. Each frame: approx. 91 x 39.5 inches; each paper strip: approx. 85.8 inches. Artwork © Studio Tomás Saraceno. Commissioned by The Shed. Photo: Nicholas Knight. Courtesy the artist; Tanya Bonakdar Gallery, New York/Los Angeles; and Neugerriemschneider, Berlin. Photo courtesy The Shed. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-1.jpg Museo Aero Solar, 2007 – . Reused plastic bags, tape, ventilator, polyester rope. Approx. 39.4 x 52.5 x 19 feet. Photo: Nicholas Knight. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-11.jpg Tomás Saraceno, Free the Air: How to hear the universe in a spider/web, 2022. Custom steel, wire net, wood, light, LFE, shakers, fog. Diameter: 95 feet. Artwork © Studio Tomás Saraceno. Commissioned by The Shed. Photo: Nicholas Knight. Courtesy the artist and Tanya Bonakdar Gallery, New York/Los Angeles; Neugerriemschneider, Berlin; Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; and Pinksummer Contemporary Art, Genoa. Photo courtesy The Shed. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-14.jpg Tomás Saraceno, Free the Air: How to hear the universe in a spider/web, 2022. Custom steel, wire net, wood, light, LFE, shakers, fog. Diameter: 95 feet. Artwork © Studio Tomás Saraceno. Commissioned by The Shed. Photo: Nicholas Knight. Courtesy the artist and Tanya Bonakdar Gallery, New York/Los Angeles; Neugerriemschneider, Berlin; Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; and Pinksummer Contemporary Art, Genoa. Photo courtesy The Shed. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-20.jpg Tomás Saraceno, Free the Air: How to hear the universe in a spider/web, 2022. Custom steel, wire net, wood, light, LFE, shakers, fog. Diameter: 95 feet. Artwork © Studio Tomás Saraceno. Commissioned by The Shed. Photo: Nicholas Knight. Courtesy the artist and Tanya Bonakdar Gallery, New York/Los Angeles; Neugerriemschneider, Berlin; Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; and Pinksummer Contemporary Art, Genoa. Photo courtesy Studio Tomas Saraceno. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-17.jpg Tomás Saraceno, Webs of At-tent(s)-ion (detail), 2020. Seven spider frames, spider silk, carbon fibers, lights. Dimensions variable. Artwork © Studio Tomás Saraceno. Photo: Nicholas Knight. Courtesy the artist; spider/webs; Tanya Bonakdar Gallery, New York/Los Angeles; and Neugerriemschneider, Berlin. Photo courtesy The Shed. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-19.jpg Tomás Saraceno, A Thermodynamic Imaginary, 2020. Various materials. Dimensions variable. Artwork © Studio Tomás Saraceno. Photo: Nicholas Knight. Courtesy the artist; Tanya Bonakdar Gallery, New York/Los Angeles; and Neugerriemschneider, Berlin. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-5.jpg Tomás Saraceno, A Thermodynamic Imaginary, 2020. Various materials. Dimensions variable. Artwork © Studio Tomás Saraceno. Photo: Nicholas Knight. Courtesy the artist; Tanya Bonakdar Gallery, New York/Los Angeles; and Neugerriemschneider, Berlin. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-6.jpg Tomás Saraceno, A Thermodynamic Imaginary, 2020. Various materials. Dimensions variable. Artwork © Studio Tomás Saraceno. Photo: Nicholas Knight. Courtesy the artist; Tanya Bonakdar Gallery, New York/Los Angeles; and Neugerriemschneider, Berlin. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-8.jpg Image 8: Tomás Saraceno, How to entangle the universe in a spider/web?, 2020. Laser, spider silk, carbon fiber. Window: approx. 14 x 2.5 feet; three webs: approx. 167.5 cm 47.8 x 41.3 x 70 inches, 160 cm 39.3 x 39.3 x 63 inches, 31.9 x 27.5 x 45.3 inches. Artwork © Studio Tomás Saraceno. Photo: Nicholas Knight. Courtesy the artist and Aerocene Foundation; Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; Tanya Bonakdar Gallery, New York/Los Angeles; Pinksummer Contemporary Art, Genoa; and Neugerriemschneider, Berlin. Photo courtesy The Shed. https://www.studiointernational.com/images/articles/s/020-saraceno-tomas-2022/Image-15.jpg Museo Aero Solar, 2007 – . Reused plastic bags, tape, ventilator, polyester rope. Approx. 39.4 x 52.5 x 19 feet. Photo: Nicholas Knight. https://www.studiointernational.com/index.php/whistlers-woman-in-white-joanna-hiffernan-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/w/047-woman-in-white-2022/key-27-cc.jpg James Abbott McNeill Whistler, Symphony in White, No. 1: The White Girl, 1862. Oil on canvas, 213 x 107.9 cm. National Gallery of Art, Washington, Harris Whittemore Collection. https://www.studiointernational.com/images/articles/w/047-woman-in-white-2022/key-100-cc.jpg Gustav Klimt, Portrait of Hermine Gallia, 1904. Oil on canvas, 170.5 x 96.5 cm. The National Gallery, London. Bought, 1976. https://www.studiointernational.com/images/articles/w/047-woman-in-white-2022/key-3-cc.jpg Gustave Courbet, Jo, La Belle Irlandaise, 1865–66. Oil on canvas, 55.9 x 66 cm. The Metropolitan Museum of Art, H. 0. Havemeyer Collection, Bequest of Mrs. H. 0. Havemeyer. https://www.studiointernational.com/images/articles/w/047-woman-in-white-2022/key-35-cc.jpg James Abbott McNeill Whistler, The Artist in His Studio, 1865/66 and 1895. Oil on paper mounted on panel, 63 x 47.3 cm. The Art Institute of Chicago, Friends of American Art Collection. https://www.studiointernational.com/images/articles/w/047-woman-in-white-2022/key-27-1000.jpg James Abbott McNeill Whistler, Symphony in White, No. 1: The White Girl, 1862 (detail). Oil on canvas, 213 x 107.9 cm. National Gallery of Art, Washington, Harris Whittemore Collection. https://www.studiointernational.com/images/articles/w/047-woman-in-white-2022/key-22-cc.jpg Dante Gabriel Rossetti, Ecce Ancilla Domine! [The Annunciation], 1849–50. Oil on canvas, 72.4 x 41.9 cm. Tate: Purchased 1886. Photo: Tate. https://www.studiointernational.com/images/articles/w/047-woman-in-white-2022/key-26-cc.jpg George Frederic Watts, Lady Dalrymple, 1851. Oil on canvas, 198 x 78.7 cm © Watts Gallery Trust. https://www.studiointernational.com/images/articles/w/047-woman-in-white-2022/key-28-cc.jpg James Abbott McNeill Whistler, Wapping, 1860–64. Oil on canvas, 72 x 101.8 cm. National Gallery of Art, Washington, John Hay Whitney Collection. https://www.studiointernational.com/images/articles/w/047-woman-in-white-2022/key-34-cc.jpg James Abbott McNeill Whistler, Purple and Rose: The Lange Leizen of the Six Marks, 1864. Oil on canvas, 93.3 x 61.3 cm. The John G. Johnson Collection, Philadelphia Museum of Art. https://www.studiointernational.com/index.php/mark-francis-video-interview-echo-vision-kerlin-gallery-dublin https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/Sonic-Dub-2021.jpg Mark Francis. Sonic Dub, 2021. Oil on canvas, 214 x 305 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/MF75493.jpg Mark Francis. Veil, 1993. Oil on canvas, 183 x 152 cm (72 x 59.8 in). Image courtesy Kerlin Gallery, Dublin. https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/Labyrinth-1998.jpg Mark Francis. Labyrinth, 1998. Oil on canvas, 214 x 214 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/Cable-2004.jpg Mark Francis. Cable, 2004. Oil on canvas, 183 x 214 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/Compression-No-VI-1994.jpg Mark Francis. Compression No.VI, 1994. Oil on canvas, 183 x 183 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/Fissure-1989.jpg Mark Francis. Fissure, 1989. Oil on canvas, 183 x 183 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/Liberation-1994.jpg Mark Francis. Liberation, 1994. Oil on canvas, 214 x 183 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/Ultra-Dub-2021.jpg Mark Francis. Ultra Dub, 2021. Oil on canvas, 275 x 214 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/Vertical-Form-1990.jpg Mark Francis. Vertical Form, 1990. Oil on canvas, 61 x 61 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/f/063-francis-mark-2022/MF77022.jpg Mark Francis. Vibrational Field, 2022. Oil on canvas, 214 x 183 (84.3 x 72 in). Image courtesy Kerlin Gallery, Dublin. https://www.studiointernational.com/index.php/lawrence-calver-under-the-sun-review-cob-gallery-london https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver,-Sunlight,-2021.jpg Lawrence Calver. Sunlight, 2021. Stitched linen, 142 x 216 cm. © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver,-Young-horizon,-2021.jpg Lawrence Calver. Young horizon, 2021. Dye/bleach on silk, 35 x 35 cm. © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver,-Surface-to-air,-2021.jpg Lawrence Calver. Surface to air, 2021. Mixed stitched fabrics, 205 x 180 cm. © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver,-lotus,-2021.jpg Lawrence Calver. Lotus, 2021. Silk on dyed/stitched linen, 210 x 160 cm. © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver,-Rising-Sun,-2021.jpg Lawrence Calver. Rising Sun, 2021. Stitched Linens 230 x 195 cm. © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver,-vine,-2021.jpg Lawrence Calver. Vine, 2021 Stitched linens, 230 x 150 cm. © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver,-Journeyman,-2021.jpg Lawrence Calver. Journeyman, 2021. Stitched jutes, 170 x 240 cm. © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver-installation-02.jpg Lawrence Calver: Under the Sun, installation view © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver-installation-03.jpg Lawrence Calver: Under the Sun, installation view © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver-installation-04.jpg Lawrence Calver: Under the Sun, installation view © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/images/articles/c/012-calver-lawrence-2022/Lawrence-Calver_installation-01.jpg Lawrence Calver: Under the Sun, installation view © the artist, courtesy of Cob Gallery. https://www.studiointernational.com/index.php/postwar-modern-new-art-in-britain-1945-1965-barbican-london https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/21-install.jpg Postwar Modern: New Art in Britain 1945 - 1965. Installation view, Barbican Art Gallery, 3 March – 26 June 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/14.jpg John Latham, Full Stop, 1961. Tate, © The Estate of John Latham, photograph © Tate. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/2-install.jpg Postwar Modern: New Art in Britain 1945 - 1965. Installation view, Barbican Art Gallery, 3 March – 26 June 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/13-install.jpg Magda Cordell painting with William Turnbull sculpture. Postwar Modern: New Art in Britain 1945 - 1965. Installation view, Barbican Art Gallery, 3 March – 26 June 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/01.jpg Franciszka Themerson. Eleven Persons and One Donkey Moving Forwards, 1947. Collection of the Themerson Estate © Themerson Estate 2021. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/Peter-King-Untitled-(Head)-c-1957-V-Simpson.jpg Installation view, Peter King, Untitled (Head), c1957. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/18.jpg Bill Brandt, The Policeman’s Daughter, Hampstead, London, 1945. © Bill Brandt Archive. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/03.jpg Sylvia Sleigh, The Bride (Lawrence Alloway), 1949. Tate, photograph © Tate. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/16.jpg Frank Bowling, Big Bird, 1965. Victoria Gallery & Museum, University of Liverpool, © Frank Bowling. All Rights Reserved, DACS 2021, photograph courtesy of the Victoria Gallery & Museum, University of Liverpool. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/06.jpg Eva Frankfurther, West Indian Waitresses, c1955. Ben Uri Collection, presented by the artist’s sister, Beate Planskoy, 2015, © The Estate of Eva Frankfurther, photograph by Justin Piperger, courtesy Barbican Centre. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/Lucy-Rie-and-Hans-Coper-vessels-pic-V-Simpson.jpg Installation view of Lucy Rie and Hans Coper vessels. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/3-install.jpg Postwar Modern: New Art in Britain 1945 - 1965. Installation view, Barbican Art Gallery, 3 March – 26 June 2022. © Tim Whitby / Getty Images. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/07.jpg Francis Newton Souza, Mr Sebastian, 1955. Collection Kiran Nadar Museum of Art, New Delhi, © Estate of F N Souza. All rights reserved, DACS 2021, photograph by Justin Piperger, courtesy Grosvenor Gallery. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/Eduardo-Paolozzi,-St-Sebastian-IV-(1957)-in-foreground-V-Simpson.jpg Installation view, Eduardo Paolozzi, St Sebastian IV, 1957. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/041-postwar-modern-2022/Elisabeth-Frink-showcase-V-Simpson.jpg Elisabeth Frink showcase. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/things-will-continue-to-change-review-koppel-project-london https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/Perdita-Sinclair-Die-Eule-und-Die-Miezekatze-(2021).jpg Perdita Sinclair. Die Eule und Die Miezekatze, 2021. Oil on canvas, 175 x 125 cm. https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/Judith-Burows-Akashiclibrary-(2021-22).jpg Judith Burrows. Akashic library, 2021-22. Steel, organic matter, laquer, magnets, comprising free standing and leaning panels, dimensions variable. https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/KP_Thingswillcontinuetochange-019.jpg Left: Matthew Burrows. Gatescape, 2019; Right: Carol Robertson, Inner Space of Solitude, 2021. Installation view, Things Will Continue to Change, Photo: Rocio-Chacon. https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/Carol-Ronbertson-Eclipse-3-(2021).jpg Carol Robertson. Eclipse #3, 2021. Oil on canvas, 30.5 x 25.5 cm. https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/gatescape.jpg Matthew Burrows. Gatescape, 2019. Oil on board, 180 x 149 cm. https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/Alison-Goodyear-Dusk-(2022).jpg Alison Goodyear. Dusk, 2022. 4k film of virtual abstract painting plus imagery of physical paint palettes. https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/Libby-Heaney-Teletities-a-study-of-a-quantum-enttangles-(2021).jpg Libby Heaney. Teletities (Study of Quantum Entangled Relations Between Images), 2021. Single channel video without sound, 60 min duration. https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/KP_Thingswillcontinuetochange.jpg Things Will Continue to Change, installation view. Photo: Rocio-Chacon. https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/Clare-Chapman-Thy-Biter-Passion-(2020).jpg Clare Chapman. Thy Bitter passion, 2020. Oil on canvas, 95 x 130 cm. https://www.studiointernational.com/images/articles/t/068-things-will-continue-to-change-2022/Suzanne-O-Haire-Coping-Mechanisms(2021).jpg Suzanne O'Haire. Coping Mechanisms, 2021. Velvet, plastic, metal, emulsion paint, ceramic, jasmonite, tulle, foam, concrete, paillettes, glass, chalk, lenses, ginger, wood, card, paper, bioresin, ink, cigarette butts, cellophane, metallic foil, coin, wax and found objects 3D/sculptural work, diameter 250 cm. https://www.studiointernational.com/index.php/libby-heaney-interview-the-point-of-the-work-is-to-destabilise-you-quantum-computing-physics https://www.studiointernational.com/images/articles/h/028-heaney-libby-2022/ent-Libby-Heaney-2021-Still-from-environment-2.jpg Libby Heaney. Still from Ent-, 2021. © Libby Heaney. https://www.studiointernational.com/images/articles/h/028-heaney-libby-2022/ent-Libby-Heaney-2021-Still-from-environment-3.jpg Libby Heaney. Still from Ent-, 2021. © Libby Heaney. https://www.studiointernational.com/images/articles/h/028-heaney-libby-2022/ent.jpg Libby Heaney. Still from Ent-, 2021. © Libby Heaney. https://www.studiointernational.com/images/articles/h/028-heaney-libby-2022/Libby-Heaney-Ent-1.jpg Installation view, Libby Heaney: Ent- at the Schering Stiftung, Berlin, 2022. Photo: Andrea Rosetti . https://www.studiointernational.com/images/articles/h/028-heaney-libby-2022/Libby-Heaney-Ent-2.jpg Installation view, Libby Heaney: Ent- at the Schering Stiftung, Berlin, 2022. Photo: Andrea Rosetti . https://www.studiointernational.com/images/articles/h/028-heaney-libby-2022/Libby-Heaney-Ent-3.jpg Installation view, Libby Heaney: Ent- at the Schering Stiftung, Berlin, 2022. Photo: Andrea Rosetti . https://www.studiointernational.com/images/articles/h/028-heaney-libby-2022/Libby-Heaney-Ent-4.jpg Installation view, Libby Heaney: Ent- at the Schering Stiftung, Berlin, 2022. Photo: Andrea Rosetti . https://www.studiointernational.com/index.php/ingrid-pollard-interview-carbon-slowly-turning-mk-gallery-milton-keynes-photography-since-1835 https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/13-Ingrid-Pollard,-DENY-IMAGINE-ATTACK-(detail)-1991.jpg Ingrid Pollard, Deny: Imagine: Attack (detail) 1991. Silver gelatine multiple images, 87 x 74cm. © and courtesy of the artist. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/07-Ingrid-Pollard,-Bow-Down-and-Very-Low-123-(detail)-2021.jpg Ingrid Pollard, Bow Down and Very Low - 123 , (detail), 2021. Kinetic sculptures. Made in collaboration with Oliver Smart, kinetic artist, dimensions variable. Photo © Franklyn Rodgers, 2022. All rights reserved. Courtesy of the artist. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/09-Ingrid-Pollard,-The-Valentine-Days-1-1891-2017.jpg Ingrid Pollard, The Valentine Days #1 , 1891/2017. Digital hand-tinted image, 80 x 64 cm. Commissioned by Autograph, London © and courtesy of Ingrid Pollard / The Caribbean Photo Archive / Autograph, London. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/Pinhole-camera-photo-Lancashire-and-Normandy-residency-V-Simpson.jpg Installation view, Pinhole camera photo, Lancashire and Normandy residency. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/10-Ingrid-Pollard,-Seventeen-of-Sixty-Eight-(detail)-2019.jpg Ingrid Pollard, Seventeen of Sixty Eight (detail), 2019. Mixed-media installation, dimensions variable. © and courtesy of the artist. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/Self-Evident-series-Installation-shot-V-Simpson.jpg Installation view, Self Evident series. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/Lancashire-and-Normandy-residency-portraits.jpg Installation view, Lancashire and Normandy residency portraits. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/01-Ingrid-Pollard-There-Was-Much-Interruption-(detail)-2015.jpg Ingrid Pollard, There Was Much Interruption (detail), 2015. Mixed media installation, dimensions variable. © and courtesy of the artist. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/11-Ingrid-Pollard,-DENY-IMAGINE-ATTACK-(detail)-1991.jpg Ingrid Pollard, Deny: Imagine: Attack (detail), 1991. Silver gelatine multiple images, 87 x 74cm. © and courtesy of the artist. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/Detail-from-The-Cost-of-the-English-Landscape-(1989)-V-Simpson.jpg Detail from The Cost of the English Landscape, 1989. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/Installation-view-The-Cost-of-the-English-Landscape-(1989)-V-Simpson.jpg Installation view, The Cost of the English Landscape, 1989. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/040-pollard-ingrid-2022/Landscape-Trauma-Series-installation-view.-V-Simpson.jpg Installation view, Landscape Trauma Series. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/joan-mitchell-review-baltimore-museum-of-art https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/12_Mitchell_Unititled_1992.jpg Joan Mitchell. Untitled, 1992. Komal Shah and Gaurav Garg Collection. © Estate of Joan Mitchell. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/03_Mitchell_My_Landscape_II_1967.jpg Joan Mitchell. My Landscape II, 1967. Smithsonian American Art Museum, Gift of Mr. and Mrs. David K. Anderson, Martha Jackson Memorial Collection © Estate of Joan Mitchell. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/Mitchell_Hudson_River_Day_Line_1955.jpg Joan Mitchell. Hudson River Day Line, 1955. Oil on canvas, 79 × 83 in (200.7 × 210.8 cm). Collection of the McNay Art Museum, Museum purchase with funds from the Tobin Foundation. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/01-Mitchell-City-Landscape-1955.jpg Joan Mitchell. City Landscape, 1955. The Art Institute of Chicago, Gift of Society for Contemporary American Art, 1958.193. © Estate of Joan Mitchell. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/Mitchell_The_Bridge_1956.jpg Joan Mitchell. The Bridge, 1956. Oil on canvas, 46 × 70 1/4 in (116.8 × 178.4 cm). Private Collection. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/Mitchell_Water_Gate_1960.jpg Joan Mitchell. Water Gate, 1960. Oil on canvas, 86 x 84 in. Private Collection, courtesy of McClain Gallery. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/Joan-Mitchell-Ode-to-joy.jpg Joan Mitchell. Ode to Joy (A Poem by Frank O’Hara), 1970-1971. Oil on canvas, 110 1/2 × 197 1/4 in (280.7 × 501 cm). University at Buffalo Art Galleries: Gift of Rebecca Anderson, 1988. Photo by Mitro Hood. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/06_Mitchell_Daylight_c1975.jpg Joan Mitchell. Daylight, c1975. Collection of Nathan Kernan. © Estate of Joan Mitchell. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/Joan-Mitchell-in-her-Vetheuil-studio-with-paintings-1983-Photo-by-Robert-Freson-Joan-Mitchell-Foundation-Archives.jpg Joan Mitchell in her Vétheuil studio, 1983. Photograph by Robert Freson, Joan Mitchell Foundation Archives. © Joan Mitchell Foundation. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/04_Mitchell_Sans_Pierre_1969.jpg Joan Mitchell. Sans Pierre, 1969. Collection of The Long View Legacy LLC. © Estate of Joan Mitchell. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/05_Mitchell_Bonjour_Julie_1971.jpg Joan Mitchell. Bonjour Julie, 1971. Collection of the Art Fund, Inc. at the Birmingham Museum of Art, purchase with funds provided by the Merton Brown Estate and the Thelma Brown Trust © Estate of Joan Mitchell. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/11_Mitchell_Sunflowers_1990-91.jpg Joan Mitchell. Sunflowers, 1990-91. Collection John Cheim. © Estate of Joan Mitchell. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/8_Mitchell_La_Vie_en_Rose_1979.jpg Joan Mitchell. La Vie en Rose, 1979. Lent by The Metropolitan Museum of Art, Anonymous Gift and Purchase, George A. Hearn Fund, by exchange, 1991 (1991.139a-d). © Estate of Joan Mitchell. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/9_Mitchell_La_Grande_Vallee_II_Amaryllis_1983.jpg Joan Mitchell. La Grande Vallée II (Amaryllis), 1983. Private Collection, courtesy of Guggenheim, Asher Associates. © Estate of Joan Mitchell. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/2022_Joan_Mitchell_208_o3.jpg Joan Mitchell at the Baltimore Museum of Art, March 2022. Photo by Mitro Hood. https://www.studiointernational.com/images/articles/m/021-mitchell-joan-2022/2022_Joan_Mitchell_123_o3.jpg Joan Mitchell at the Baltimore Museum of Art, March 2022. Photo by Mitro Hood. https://www.studiointernational.com/index.php/charles-ray-figure-ground-review-metropolitan-museum-of-art-new-york https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/05_Huck-and-Jim_-Marie.jpg Charles Ray. Huck and Jim, 2014, Stainless steel, 283.2 x 137.2 x 136.5 cm. Collection of Lisa and Steven Tananbaum. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/06_Charles-Ray,-Sarah-Williams,-2021.jpg Charles Ray. Sarah Williams, 2021. Stainless steel, 239.1 x 78.7 x 173.4 cm, Collection of the artist, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/07a_Charles-Ray,-Boy-with-frog,-2009.jpg Charles Ray. Boy with frog, 2009. Painted stainless steel, 243.8 x 74.9 x 104.7 cm. Philadelphia Museum of Art, Promised gift of Keith L. and Katherine Sachs. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/8a_Charles-Ray,-81x83x85=86x83x85,-1989.jpg Charles Ray. 81 x 83 x 85 = 86 x 83 x 85, 1989, Aluminium, exterior: 81 × 83 × 85 cm; interior: 86 × 83 × 85 cm, Pinault Collection. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/09_Charles-Ray,-Chicken,-2007.jpg Charles Ray. Chicken, 2007. Painted stainless steel and porcelain, 4.4 x 5.7 x 4.4 cm, Glenstone Museum, Potomac, Md. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/10_Charles-Ray,-Tractor,-2005.jpg Charles Ray. Tractor, 2005. Aluminium, 143.8 x 306.1 x 154.9 cm. Glenstone Museum, Potomac, Md. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/08b_Box_Marie.jpg Charles Ray: Figure Ground, installation view, Metropolitan Museum of Art, New York, 2022. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/12a_Charles-Ray,-Archangel,-2021.jpg Charles Ray. Archangel, 2021. Cypress, 410.2 x 227.3 x 115.6 cm, Collection of the artist, courtesy Matthew Marks Gallery. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/13c_Rotating-Circle_Marie.jpg Charles Ray. Rotating circle, 1988. Electric motor and disc, dia. 22.9 cm. The Museum of Contemporary Art, Los Angeles, Gift of Lannan Foundation. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/14_Charles-Ray,-Family-Romance,-1993.jpg Charles Ray. Family romance, 1993. Painted fibreglass and hair, 134.6 x 215.9 x 27.9 cm. The Museum of Modern Art, New York. Gift of the Peter Norton Family Foundation. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/15c-Boy-_marie.jpg Charles Ray. Boy, 1992. Painted fibreglass, steel, fabric and glass, 181.6 x 99.7 x 52.1 cm, Whitney Museum of American Art, New York, Purchase, with funds from Jeffrey Deitch, Bernardo Nadal-Ginard, and Penny and Mike Winton. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/16_Mime,-2014.jpg Charles Ray. Mime, 2014. Aluminium, 64.8 x 196.2 x 73.7 cm. Hill Charitable Collection. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/17c_Reclining-Woman,-2018.jpg Charles Ray. Reclining woman, 2018. Stainless steel, 151.8 x 210.8 x 111.8 cm. Collection Glenn and Amanda Fuhrman NY, Courtesy the FLAG Art Foundation. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/18-A-copy-of-ten-marble-fragments-of-the-Great-Eleusinian-Relief,-2017.jpg Charles Ray. A copy of ten marble fragments of the Great Eleusinian Relief, 2017. Aluminium, 232.4 × 160.7 x 12.1 cm. Collection of Joshua and Filipa Fink, New York. https://www.studiointernational.com/images/articles/r/055-ray-charles-2022/19_KOURUS-marie.jpg Forward Momentum, marble statue of a Kouros, Greek, c590-580 BC. Stone sculpture, 194.6 × 51.6 × 63.2 cm. Fletscher Fund, 1932. Metropolitan Museum of Art New York. https://www.studiointernational.com/index.php/hassan-khan-blind-ambition-essay-blind-ambition-centre-pompidou-paris https://www.studiointernational.com/images/articles/k/053-khan-hassan-2022/HK20_10_HD-(1).jpg Hassan Khan. Purity Machine, 2021. Print on aluminium, 150 x 150 cm (each). Photo: Aurelien Mole. https://www.studiointernational.com/images/articles/k/053-khan-hassan-2022/Centre-Pompidou_helene-Mauri-(1).jpg Hassan Khan. The Infinite Hip-Hop Song, 2019. Algorithmic hip-hop generator, original lyrical and musical material written and produced by the artist, recorded vocal content, wall text and painted logo, sound system, variable dimensions. Photo: © Centre Pompidou – hélène Mauri. https://www.studiointernational.com/images/articles/k/053-khan-hassan-2022/12-The-Slapper-and-the-Cap-of-Invisibility.jpg The Slapper and the Cap of Invisibility, 2015. Video, B/W, 8 min 34 sec. https://www.studiointernational.com/images/articles/k/053-khan-hassan-2022/2022-02-22-1600-44.jpg Dense Object, 2013. Metal object, wooden table, 10 x 5. 20cm. Collection of the artist. Photo courtesy of Hassan Khan. https://www.studiointernational.com/images/articles/k/053-khan-hassan-2022/Centre-Pompidou_helene-Mauri-(14).jpg Exhibition view of Hassan Khan: Blind Ambition. Photo © Centre Pompidou – hélène Mauri. https://www.studiointernational.com/index.php/sophie-calle-and-her-guest-jean-paul-demoule-the-ghosts-of-orsay-musee-paris https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/01-panorama-Photo-Ana-Duarte.jpg Gallery view, Sophie Calle’s The Ghosts of Orsay. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/02-Electricity-bills-from-ghests-Calle-picked-at-the-former-hotel-Photo-Ana-Duarte.jpg Bills for guests Sophie Calle found at the former Grand Hôtel Palais d’Orsay. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/08-Sophie-Calle-at-Orsay-Photo-Ana-Duarte.jpg Sophie Calle and the hotel wallpaper. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/10-Photo-Sophie-Calle-ADAGP,-Paris-2022.jpg Photo, Sophie Calle, ADAGP, Paris 2022. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/04-Plates-above-the-pictures-Calle-took-in-1979-Photo-Sophie-Crepy.jpg A row of red room number plates above the pictures of the abandoned hotel rooms taken by Sophie Calle in 1979. Photo: Sophie Crépy. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/03-Records-of-the-presence-of-the-Red-Army-during-the-war-Photo-Ana-Duarte.jpg Records of the presence of the Red Army during the second world war. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/15-A-letter-Calle-addresses-to-Mr-Oddo-Photo-Ana-Duarte.jpg A letter Sophie Calle addresses to Mr Oddo using words from the notes she has collected. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/SC-at-room-501-in-1979-Photo-Richard-Baltauss.jpg Sophie Calle in room 501, Grand Hôtel Palais d’Orsay, in 1979. Photo: Richard Baltauss. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/13-Sophie-Calle-2020-le-dejeuner-sur-l-herbe.jpg Sophie Calle, 2020, Édouard Manet’s Le Déjeuner sur l’Herbe. Photo: Musée d’Orsay, Sophie Crépy. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/12-Masterpieces-from-Orsay-in-the-dark-Photo-Sophie-Crepy.jpg Masterpieces from the Musée d’Orsay in the dark. Photo: Sophie Crépy. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/14-Calle-shows-the-spot-where-other-two-skiers-appear-on-the-back-of-the-canvas.jpg Sophie Calle shows the spot where the other two skiers appear on the back of the canvas. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/1000-Notes-for-the-mysterious-Mr-Oddo-Photo-Ana-Duarte.jpg Sophie Calle. Notes for the mysterious Mr. Oddo. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/05-A-row-composed-by-plates-Photo-Ana-Duarte.jpg Red room number plates from the abandoned hotel. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/06-Details-of-the-ruins-Photo-Ana-Duarte.jpg Details of the ruins Sophie Calle found during her 'stay' at the abandoned hotel: Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/07-Photo-Ana-Duarte.jpg Gallery view, Sophie Calle’s The Ghosts of Orsay. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/09-Paperwork-from-the-Hotel-dOrsay-Photo-Ana-Duarte.jpg Paperwork from the Grand Hôtel Palais d’Orsay. Photo: Ana Duarte. https://www.studiointernational.com/images/articles/c/010-calle-sophie-2022/11-Some-treasures-the-artist-collected-Photo-Sophie-Crepy.jpg Some 'treasures' that Sophie Calle collected. Photo: Sophie Crépy. https://www.studiointernational.com/index.php/garmenting-costume-as-contemporary-art-review-museum-of-arts-and-design-new-york https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Herring-031022_Bascom_163A1924.jpg Oliver Herring. Hanging Coat Nr 1 (from the A Flower for Ethyl Eichelberger series), 1993. Photo by Jenna Bascom; courtesy the Museum of Arts and Design. https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Seitlin-031022_Bascom_9N4A2033.jpg Foreground: Tanis S’eitlin. Untitled, 2017. Background: Sanford Biggers. Cape 3 - Moonrising (Kennedy Center 4/4/19), 2019. Photo by Jenna Bascom; courtesy the Museum of Arts and Design. https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Bisch-031022_Bascom_9N4A2173.jpg Karina Bisch. Costume Sonia, 2014. Photo by Jenna Bascom; courtesy the Museum of Arts and Design. https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Reynolds-031022_Bascom_163A1891.jpg Hunter Reynolds. Patina du Prey https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Devan-Shimoyama-_Feb-II-1.jpg Devan Shimoyama. February II, 2019. Silk flowers, rhinestones, jewelry, sequins, and embroidered patch on cotton hoodie with steel armature, coated wire and fishing line, 45 × 72 × 12 in. (114.3 × 182.9 × 30.5 cm). Courtesy Private Collection and De Buck Gallery, New York. Photo: Phoebe dHeurle. https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Nick-Cave-Soundsuit-front-view-HR.jpg Nick Cave. Soundsuit, 2018. Mixed media including vintage textile and sequined appliqués, metal and mannequin, 98 1/4 x 27 1/2 x 15 inches (250.2 × 69.9 × 38.1 cm). © Nick Cave. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Monkman-031022_Bascom_163A1870-(2).jpg Kent Monkman. Foreground: Miss Chief’s Tipi Dress (Red), 2020; Background: (l): Jeffrey Gibson,The Anthropophagic Effect, Garment no. 4, 2019; ( r): Jakkai Siributr. Blind Faith I, II, III, 2011/2019. Photo by Jenna Bascom; courtesy the Museum of Arts and Design. https://www.studiointernational.com/images/articles/g/048-garmenting-2022/buckman.jpg Zoe Buckman. Installation view of Garmenting: Costume as Contemporary Art at the Museum of Arts and Design, New York (March 12, 2022 to August 14, 2022). Photo by Jenna Bascom; courtesy the Museum of Arts and Design. https://www.studiointernational.com/images/articles/g/048-garmenting-2022/031022_Bascom_9N4A2050-1.jpg Mary Sibande. The Domba Dance, 2019. Life-size fibreglass, bronze, cotton, and silicone, 157 1/2 × 98 × 118 1/8 in (400.1 × 248.9 × 300 cm). https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Jaamil-Olawale-Kosoko.jpg Jaamil Olawale Kosoko. Chameleon (a visual album), 2020 Digital video. Photo by Jenna Bascom; courtesy the Museum of Arts and Design. https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Jacolby-Satterwhite.jpg Jacolby Satterwhite. Orifice I, 2010. Hand-sewn body suit, hand-beaded helmet, iPad, two iPods, speaker, and mannequin. Courtesy Collection Mike De Paola, MAD Trustee. Photo: Morán Morán, Los Angeles. https://www.studiointernational.com/images/articles/g/048-garmenting-2022/Jeffrey-Gibson.jpg Jeffrey Gibson. The Anthropophagic Effect, Garment no. 4, 2019. Canvas, satin, cotton, brass grommets, nylon thread, artificial sinew, split reed, glass and plastic beads, nylon ribbon, 58 × 72 in. (147.3 × 182.9 cm). Courtesy the artist and Sikkema Jenkins Co., New York. https://www.studiointernational.com/index.php/ali-cherri-interview-if-you-prick-us-do-we-not-bleed-national-gallery-london-uk https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/nicholas-poussin-N5597.jpg Nicholas Poussin (1594–1665). The Adoration of the Golden Calf, 1633-4. © The National Gallery, London. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/Ali-Cherri-after-Rembrandt-Nat-Gall-20220318-JR.jpg Ali Cherri. Self Portrait at the Age of 63, after Rembrandt, 2022. Wax and metal frame. Wax head created by artist, Andrew Lacey. Commissioned by the National Gallery, London, as part of the 2021 National Gallery Artist in Residence programme. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/N-2057-rokeby-venus.jpg Diego Velázquez. The Toilet of Venus (The Rokeby Venus), 1647-51. © The National Gallery, London. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/N-6337-da-vinci.jpg Leonardo da Vinci. The Virgin and Child with Saint Anne and the Infant Saint John the Baptist (The Burlington House Cartoon), about 1499-1500. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/Ali-Cherri-after-Leonardo-20220318-JR.jpg Ali Cherri. The Virgin and Child with Saint Anne and the Infant Saint John the Baptist (The Burlington House Cartoon), after Leonardo, 2022. Cardboard, glass eyes, newspapers (The Independent, The Times, and The Guardian from 17 July 1987) and a book (John Berger, Ways of Seeing). Commissioned by the National Gallery, London, as part of the 2021 National Gallery Artist in Residence programme. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/P7277_003-A5-pr.jpg Installation view, Ali Cherri: If You Prick Us, Do We Not Bleed?, the National Gallery, London, 2022. Photo: The National Gallery, London. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/Ali-Cherri-After-Velasquez-Detail-20220318-JR.jpg Ali Cherri. The Toilet of Venus, (The Rokeby Venus), after Velázquez, 2022. 19th-century marble head, wood, glass eye and velvet. Commissioned by the National Gallery, London, as part of the 2021 National Gallery Artist in Residence programme. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/P7277_006-A5-pr.jpg Ali Cherri. The Toilet of Venus, (The Rokeby Venus), after Velázquez, 2022. 19th-century marble head, wood, glass eye and velvet. Commissioned by the National Gallery, London, as part of the 2021 National Gallery Artist in Residence programme. Photo: The National Gallery, London. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/federico-barocci-N-0029.jpg Federico Barocci (about 1533–1612). The Madonna of the Cat (‘La Madonna del Gatto’), probably about 1575. © The National Gallery, London. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/P7277_011-A5-pr.jpg Ali Cherri. The Madonna of the Cat, after Barocci, 2022. © Ali Cherri. Photo: The National Gallery, London. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/TheDigger.jpg Ali Cherri. Still from The Digger, 2015. HD video, colour, sound, 24 min. Arabic and Pashto with English subtitles. Courtesy of the artist and Galerie Image Farès, Paris. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/Somniculus02.jpg Ali Cherri. Still from Somniculus, 2017. HD video, colour, sound 14 min 40 sec. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/Somniculus07.jpg Ali Cherri. Still from Somniculus, 2017. HD video, colour, sound 14 min 40 sec. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/P7277_004-A5-pr.jpg Installation view, Ali Cherri: If You Prick Us, Do We Not Bleed?, the National Gallery, London, 2022. Photo: The National Gallery, London. https://www.studiointernational.com/images/articles/c/011-cherri-ali-2022/P7277_013-A5-pr.jpg Installation view, Ali Cherri: If You Prick Us, Do We Not Bleed?, the National Gallery, London, 2022. Photo: The National Gallery, London. https://www.studiointernational.com/index.php/britta-marakatt-labba-under-the-vast-sky-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/02-Gavnnadeapmi-II-The-Encounter-II.jpg Britta Marakatt-Labba. Gávnnadeapmi II / The Encounter II, 2012. Embroidery, 35 x 35 cm. Courtesy Luleå Tekniska Universitet. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/08-Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky-(2022).jpg Britta Marakatt-Labba. Dáivvas / Cosmos, 1999-2000. Embroidery. Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/03-cullon-meahcci-Felled-Forest.jpg Britta Marakatt-Labba. Čullon meahcci / Felled Forest, 2020–21. Embroidery, 35 x 115 cm. Courtesy Nordnorsk Kunstmuseum. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/04-Garjjat-The-Crows.jpg Britta Marakatt-Labba. Garjját / The Crows, 1981/2021. Embroidery, 65 x 135 cm. Courtesy collection of the artist. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/05-Girdi-noaiddit-Flying-Shamans.jpg Britta Marakatt-Labba. Girdi noaiddit / Flying Shamans, 2011–21. Embroidery, 60 x 76 cm. Courtesy collection of the artist. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/06-Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky-(2022).jpg Britta Marakatt-Labba. Dáhpáhusat áiggis / Events in Time, 2013. Mixed media, dimensions variable. Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/01-Gavnnadeapmi-I-The-Encounter-I.jpg Britta Marakatt-Labba. Gávnnadeapmi I / The Encounter I, 2012. Embroidery, 35 x 35 cm. Courtesy Luleå Tekniska Universitet. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/07-Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky-(2022).jpg Britta Marakatt-Labba. Dáhpáhusat áiggis / Events in Time (detail), 2013. Mixed media, dimensions variable. Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/09-Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky-(2022).jpg Britta Marakatt-Labba. Niegadeapmi or Drömmandet / Dreaming, 1999. Embroidery. Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky,-(2022)-1.jpg Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky,-(2022)-16.jpg Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky,-(2022)-2.jpg Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky,-(2022)-3.jpg Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky,-(2022)-4.jpg Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky,-(2022)-5.jpg Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-labba-britta-marakatt-2022/Installation-view,-Britta-Marakatt-Labba-Under-the-Vast-Sky,-(2022)-9.jpg Installation view, Britta Marakatt-Labba: Under the Vast Sky, (2022).© Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/index.php/rana-begum-dappled-light-review-pitzhanger-manor-gallery-london https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/01-Installation-view-of-Rana-Begum-Dappled-Light.jpg Rana Begum. Outdoor Glass Commission. Laminated toughened glass, steel and aluminium framework, 2018. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/03-Installation-view-of-Rana-Begum-Dappled-Light.jpg Rana Begum. No. 1081 Mesh, 2021. Powder coated galvanised mild steel. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/08-Installation-view-of-Rana-Begum-Dappled-Light.jpg Rana Begum. No. 1081 Mesh, 2021. Powder coated galvanised mild steel. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/36-Installation-view-of-Rana-Begum-Dappled-Light.jpg Rana Begum. No. 1127 Net, 2021. Spray painted fishing net. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/31-Installation-view-of-Rana-Begum-Dappled-Light.jpg Rana Begum. No. 1094 T Reflector; No. 871 T Reflector; No. 873 T Reflector; No. 876 T Reflector, No. 1093 T Reflector; No 870 Bench Reflector. Reflectors on aluminium, 2019. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/VS-No-1113-Painting-Large-V-Simpson.jpg Rana Begum. No. 1079 Painting Large, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/39-Installation-view-of-Rana-Begum-Dappled-Light.jpg Rana Begum. No. 1080 Forest, 2021. Video, 38 min. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/11-Installation-view-of-Rana-Begum-Dappled-Light.jpg Installation view of Rana Begum: Dappled Light, Pitzhanger Manor & Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/13-Installation-view-of-Rana-Begum-Dappled-Light.jpg Installation view of Rana Begum: Dappled Light, Pitzhanger Manor & Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/19-Installation-view-of-Rana-Begum-Dappled-Light.jpg Rana Begum. No. 1086 Tiles L, 2021. Paint on mirror, finish stainless steel. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/29-Installation-view-of-Rana-Begum-Dappled-Light.jpg Installation view of Rana Begum: Dappled Light, Pitzhanger Manor & Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/VS-1081-Mesh-Pic-V-Simpson.jpg Installation view of Rana Begum: Dappled Light, Pitzhanger Manor & Gallery. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/VS-Detail-of-1082-Folded-Grid-VSimpson-pic.jpg Installation view of Rana Begum: Dappled Light, Pitzhanger Manor & Gallery. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/11.jpg Rana Begum. No. 836 L Reflector, 2019. Reflectors on aluminium. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/10.jpg Rana Begum. No. 975 Untitled, 2019-20. Paint on mild steel, 61 shapes, packaged in three crates with equal dimensions. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/b/015-begum-rana-2022/VS_1081-mesh-(foreground)-1082-Folded-Grid-(near-wall)-and-1086-Tiles-far-wall-V-Simpson.jpg Installation view of Rana Begum: Dappled Light, Pitzhanger Manor & Gallery. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/rachel-jones-say-cheeeeese-review-chisenhale-gallery-london https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/07_RJ_saycheeeeese.jpg Rachel Jones, say cheeeeese, 2022. Installation view, Chisenhale Gallery, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/02_RJ_saycheeeeese.jpg Rachel Jones, say cheeeeese, 2022. Installation view, Chisenhale Gallery, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/03_RJ_saycheeeeese.jpg Rachel Jones, say cheeeeese, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/Could-this-be-a-rock-pool--V-Simpson.jpg Rachel Jones, say cheeeeese, 2022 (detail). Installation view, Chisenhale Gallery, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/05_RJ_saycheeeeese.jpg Rachel Jones, say cheeeeese, 2022. Installation view, Chisenhale Gallery, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/08_RJ_saycheeeeese.jpg Rachel Jones, say cheeeeese, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/01_RJ_saycheeeeese-copy.jpg Rachel Jones, say cheeeeese, 2022. Installation view, Chisenhale Gallery, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/06_RJ_saycheeeeese.jpg Rachel Jones, say cheeeeese, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/09_RJ_saycheeeeese.jpg Rachel Jones, say cheeeeese, 2022. Installation view, Chisenhale Gallery, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/10_RJ_saycheeeeese.jpg Rachel Jones, say cheeeeese, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/11_RJ_saycheeeeese.jpg Rachel Jones, say cheeeeese, 2022. Exterior view, Chisenhale Gallery, 2022. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/j/082-jones-rachel-2022/A-miniature-painting,-also-titled-say-cheeeeese-(2021)-15-x-21-cm-.jpg Rachel Jones, say cheeeeese, 2022. Installation view, Chisenhale Gallery, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/hulda-guzman-interview-meet-me-in-the-forest-stephen-friedman-gallery-london https://www.studiointernational.com/images/articles/g/047-guzman-hulda-2022/HUL-03-Everybody-loves-the-sunshine-1.jpg Hulda Guzmán. Everybody loves the sunshine, 2022. Acrylic gouache on linen, 78.1 x 126.4cm (30 3/4 x 49 3/4in). Copyright Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/g/047-guzman-hulda-2022/HUL-04-Jusqu-ici-tout-va-bien-1.jpg Hulda Guzmán. Jusqu https://www.studiointernational.com/images/articles/g/047-guzman-hulda-2022/HUL-14-verdecito-2-white.jpg Hulda Guzmán. verdecito, 2022. Watercolour ink and acrylic gouache on cedar plywood, 96.5 x 96.5cm (38 x 38in). Copyright Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/g/047-guzman-hulda-2022/HUL-10-Whats-my-Drag-1.jpg Hulda Guzmán. What https://www.studiointernational.com/images/articles/g/047-guzman-hulda-2022/HUL-09-What-you-see-is-what-it-is-2-white.jpg Hulda Guzmán. What you see is what it is, 2022. Watercolour ink and acrylic gouache on cedar plywood, 122 x 171cm (48 x 67 1/4in). Triptych: 121.9 x 57.15cm (48 x 22 1/2in) each. Copyright Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/g/047-guzman-hulda-2022/HUL-17-Up-the-spine-1.jpg Hulda Guzmán. Up the spine, 2022. Acrylic gouache and watercolour ink on cedar plywood, 121.9 x 76.2cm (48 x 30in). Copyright Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/g/047-guzman-hulda-2022/GUZ-Portrait-of-artist-in-studio,-2021.jpg Hulda Guzmán. Portrait of artist in studio, 2021. https://www.studiointernational.com/index.php/deutsche-bourse-photography-foundation-prize-2022 https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/02_DBPFP22_ANASTASIA-SAMOYLOVA.jpg Anastasia Samoylova, Barber Shop, Miami, 2018, from the series FloodZone © Anastasia Samoylova. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/07_DBPFP22_ANASTASIA-SAMOYLOVA.jpg Anastasia Samoylova, Concrete Erosion, 2019, from the series FloodZone © Anastasia Samoylova. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/13_DBPFP22_JO-RATCLIFFE.jpg Jo Ractliffe, Piet Basson https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/19_DBPFP22_GILLES-PERRES.jpg Gilles Peress, Whatever You Say, Say Nothing: from the chapter, The First Day © Gilles Peress. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/20_DBPFP22_GILLES-PERRES.jpg Gilles Peress, Whatever You Say, Say Nothing: from the chapter, The First Day © Gilles Peress. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/18_DBPFP22_DEANA-LAWSON.jpg Deana Lawson, An Ode to Yemaya, 2019 © Deana Lawson. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/01_DBPFP22_ANASTASIA-SAMOYLOVA.jpg Anastasia Samoylova, Park Avenue, 2018, from the series FloodZone. © Anastasia Samoylova. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/03_DBPFP22_ANASTASIA-SAMOYLOVA.jpg Anastasia Samoylova, Pink Sidewalk, 2017, from the series FloodZone © Anastasia Samoylova. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/04_DBPFP22_ANASTASIA-SAMOYLOVA.jpg Anastasia Samoylova, Biscayne Bay, 2018, from the series FloodZone © Anastasia Samoylova. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/09_DBPFP22_ANASTASIA-SAMOYLOVA.jpg Anastasia Samoylova, Camouflage, 2017, from the series FloodZone © Anastasia Samoylova. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/10_DBPFP22_ANASTASIA-SAMOYLOVA.jpg Anastasia Samoylova, Manatee Rescue Van, 2019 from the series FloodZone © Anastasia Samoylova. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/11_DBPFP22_ANASTASIA-SAMOYLOVA.jpg Anastasia Samoylova, Gator, 2017 from the series FloodZone © Anastasia Samoylova. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/14_DBPFP22_JO-RATCLIFFE.jpg Jo Ractliffe, Doll’s head, 1990-95, from the series reShooting Diana © Jo Ractliffe. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/16_DBPFP22_JO-RATCLIFFE.jpg Jo Ractliffe, House on the hill, Riemvasmaak, 2012 from the series The Borderlands © Jo Ractliffe. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/21_DBPFP22_GILLES-PERRES.jpg Gilles Peress, Whatever You Say, Say Nothing: from the chapter, A Day to Remember © Gilles Peress. https://www.studiointernational.com/images/articles/d/058-deutsche-borse-photography-2022/28_DBPFP22_GILLES-PERRES.jpg Gilles Peress, Whatever You Say, Say Nothing: from the chapter, The First Day © Gilles Peress. https://www.studiointernational.com/index.php/robert-indiana-sculpture-1958-2018-review-yorkshire-sculpture-park-wakefield-uk https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana-LOVE-Red-Blue-Green-1966-1998.jpg Robert Indiana, LOVE (Red Blue Green), 1966–1998, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-LOVE-WALL,-1966-2006,-installation-view-at-Yorkshire-Sculpture-Park,-2022-2.jpg Robert Indiana, LOVE WALL, 1966-2006, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-The-Electric-LOVE,-1966-2000,-installation-view-at-Yorkshire-Sculpture-Park,-2022-3.jpg Robert Indiana, The Electric LOVE, 1966-2000, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-Monarchy,-1969,-installation-view-at-Yorkshire-Sculpture-Park,-2022.jpg Robert Indiana, Monarchy, 1969, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/robert-indiana-sculpture-1958-2018-4.jpg Robert Indiana: Sculpture 1958-2018 installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-Ash,-1985,-cast-2017,-installation-view-at-Yorkshire-Sculpture-Park,-2022.jpg Robert Indiana, Ash, 1985, cast 2017, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-Love-Is-God,-1964,-installation-view-at-Yorkshire-Sculpture-Park,-2022.jpg Robert Indiana, Love Is God, 1964, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-American-Dream-5-(The-Golden-Five),-1980.jpg Robert Indiana, American Dream # 5 (The Golden Five), 1980, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-AMOR-(Red-Yellow),-1998-2006.jpg Robert Indiana, AMOR (Red Yellow), 1998-2006, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-Exploding-Numbers,-1964-1966.jpg Robert Indiana, Exploding Numbers, 1964-66, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-LOVE-WALL,-1966-2006,-installation-view-at-Yorkshire-Sculpture-Park,-2022.jpg Robert Indiana, LOVE WALL, 1966-2006, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/Robert-Indiana,-ONE-Through-ZERO-(The-Ten-Numbers),-1980-2001.jpg Robert Indiana, ONE Through ZERO (The Ten Numbers), 1980-2001, installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/robert-indiana-sculpture-1958-2018-2.jpg Robert Indiana: Sculpture 1958-2018 installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/robert-indiana-sculpture-1958-2018-3.jpg Robert Indiana: Sculpture 1958-2018 installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/images/articles/i/086-indiana-robert-2022/robert-indiana-sculpture-1958-2018.jpg Robert Indiana: Sculpture 1958-2018 installation view at Yorkshire Sculpture Park, 2022. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. Artwork: © 2022 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York/DACS, London. https://www.studiointernational.com/index.php/leeroy-new-interview-the-arks-of-gimokudan-somerset-house-earth-day-2022 https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/06-The-Arks-of-Gimokudan-at-Somerset-House,-London.-Credit-Ben-Queenborough,-PA-Wire.jpg Leeroy New, The Arks of Gimokudan, Somerset House, London, 2022. Photo: Ben Queenborough, PA Wire. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/03-The-Arks-of-Gimokudan-(Artist-Rendition).jpg The Arks of Gimokudan by Leeroy New. Artist https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Leeroy-New,-Arks-of-Gimokudan,-Somerset-House-20220405-JR-(10).jpg Leeroy New, The Arks of Gimokudan, Somerset House, London, 2022. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Leeroy-New,-Arks-of-Gimokudan,-Somerset-House-20220405-JR-(5).jpg Leeroy New, The Arks of Gimokudan, Somerset House, London, 2022. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Leeroy-New-w-junk-space-helmet-(2).jpg Leeroy New in his junk space helmet, Somerset House, London, 2022. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Leeroy-New,-Arks-of-Gimokudan,-Somerset-House-20220405-JR-(9).jpg Leeroy New, The Arks of Gimokudan, Somerset House, London, 2022. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Aliens-of-New-York-Courtesy-of-the-artist.jpg Aliens of Manila: New York Colony, 2019. Courtesy of the artist. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Chrysalis-Vessel,-Paoay-Sandunes,-2014-Courtesy-of-the-artist-(2).jpg Chrysalis Vessel, Paoay Sandunes, 2014. Courtesy of the artist. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Leeroy-New,-Arks-of-Gimokudan,-Somerset-House-20220405-JR-(6).jpg Leeroy New, The Arks of Gimokudan, Somerset House, London, 2022. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Leeroy-New-w-junk-space-helmet-(3).jpg Leeroy New with junk space helmet with his installation The Arks of Gimokudan at Somerset House, London, 2022. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/01-The-Arks-of-Gimokudan-by-Leeroy-New-Artist-Rendition-2022.jpg The Arks of Gimokudan by Leeroy New. Artist's Rendition, 2022. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/02-The-Arks-of-Gimokudan-(Artist-Rendition).jpg The Arks of Gimokudan by Leeroy New. Artist's Rendition, 2022. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/08-The-Arks-of-Gimokudan-at-Somerset-House,-London-(c)-Ben-Queenborough,-PA-for-Somerset-House.jpg Leeroy New, The Arks of Gimokudan, Somerset House, London, 2022. Photo: Ben Queenborough, PA Wire. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Leeroy-New,-Arks-of-Gimokudan,-Somerset-House-20220405-JR-(11).jpg Leeroy New, The Arks of Gimokudan, Somerset House, London, 2022. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/n/065-new-leeroy-2022/Leeroy-New,-Rhizome-Colony,-2017-Courtesy-of-the-artist.jpg Leeroy New, Rhizome Colony, 2017. Courtesy of the artist. https://www.studiointernational.com/index.php/radio-ballads-review-serpentine-gallery-sonia-boyce-cammock-pilgrim-sagar https://www.studiointernational.com/images/articles/r/054-radio-ballads-2022/Sonia-Boyce-Serpentine-presentation-1-V-Simpson.jpg Sonia Boyce, Yes, I Hear You, 2021. Installation view, Radio Ballads, Serpentine North Gallery, London, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/r/054-radio-ballads-2022/PHOTO-2022-04-13-10-39-11.jpg Rory Pilgrim, RAFTS. Installation view, Radio Ballads, Serpentine North Gallery, London, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/r/054-radio-ballads-2022/Rafts-still.jpg Rory Pilgrim, RAFTS. Production Still, 2021. Photo: Matthew Ritson. https://www.studiointernational.com/images/articles/r/054-radio-ballads-2022/Helen-Cammock-Radio-Ballads-Production-Still-2021.jpg Helen Cammock, Bass Notes and SiteLines: The Voice as a Site of Resistance and The Body as a Site of Resilience, Production Still, 2022. https://www.studiointernational.com/images/articles/r/054-radio-ballads-2022/Sonia-Boyce-at-Barking-Town-Hall-V-Simpson.jpg Sonia Boyce, Yes, I Hear You, 2021. Installation view, Barking town hall, London, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/r/054-radio-ballads-2022/Ilona-Sagar-screening-room-Barking-Town-Hall-2.jpg Ilona Sagar, The Body Blow, two-channel film. Installation view, Barking town hall, London, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/r/054-radio-ballads-2022/PHOTO-2022-04-13-10-36-27.jpg Ilona Sagar, The Body Blow, two-channel film. Installation view, Radio Ballads, Serpentine North Gallery, London, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/r/054-radio-ballads-2022/Helen-Cammock-Bass-lines-Radio-Ballads-still.jpg Helen Cammock, Bass Notes and SiteLines: The Voice as a Site of Resistance and The Body as a Site of Resilience, Production Still, 2022. https://www.studiointernational.com/index.php/sheila-hicks-off-grid-review-the-hepworth-wakefield https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Sheila_Hicks_(photo_by_Tom_Bird)-1.jpg Sheila Hicks: Off Grid. Installation view, The Hepworth Wakefield, 7 April – 25 September 2022. Photo: Tom Bird / Courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Sheila_Hicks_(photo_by_Tom_Bird)-15.jpg Sheila Hicks: Off Grid. Installation view, The Hepworth Wakefield, 7 April – 25 September 2022. Photo: Tom Bird / Courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Sheila_Hicks_(photo_by_Tom_Bird)-2.jpg Sheila Hicks: Off Grid. Installation view, The Hepworth Wakefield, 7 April – 25 September 2022. Photo: Tom Bird / Courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Sheila_Hicks_(photo_by_Tom_Bird)-5.jpg Sheila Hicks: Off Grid. Installation view, The Hepworth Wakefield, 7 April – 25 September 2022. Photo: Tom Bird / Courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Sheila_Hicks_(photo_by_Tom_Bird)-4.jpg Sheila Hicks: Off Grid. Installation view, The Hepworth Wakefield, 7 April – 25 September 2022. Photo: Tom Bird / Courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Sheila_Hicks_(photo_by_Tom_Bird)-11.jpg Sheila Hicks: Off Grid. Installation view, The Hepworth Wakefield, 7 April – 25 September 2022. Photo: Tom Bird / Courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Calligraphy-Sauvages.jpg Sheila Hicks. Calligraphy Sauvages, 2019. Courtesy of Alison Jacques Gallery, London. © Sheila Hicks. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Cordes-Sauvages-Hidden-Blue.jpg Sheila Hicks. Cordes Sauvages / Hidden Blue, 2014. The Deighton Collection. Courtesy of Alison Jacques Gallery, London. © Sheila Hicks. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Escalade-Beyond-Chromatic-Lands.jpg Sheila Hicks. Escalade Beyond Chromatic Lands, 2016-17. © Sheila Hicks. Courtesy of Alison Jacques Gallery, London. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Grande-Boules.jpg Sheila Hicks. Grand Boules, 2009 Tate. Presented by Melvin Bredrick, New York with the support of Alison Jacques, London. © Sheila Hicks. https://www.studiointernational.com/images/articles/h/027-hicks-sheila-2022/Saffron-Sentinel.jpg Sheila Hicks, Saffron Sentinel, 2017. © Sheila Hicks. Courtesy of Alison Jacques Gallery, London. Photo: Noam Preisman. https://www.studiointernational.com/index.php/albert-edelfelt-akseli-gallen-kallela-review-petit-palais-musee-jacquemart-andre-paris https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/01.jpg Albert Edelfelt, Boys Playing on the Shore, 1884. Oil on canvas. Helsinki, Ateneum Art Museum, Finnish National Gallery Collection Ahlström. © Finnish National Gallery / Hannu Aaltonen. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/12.jpg Akseli Gallen-Kallela, Self-Portrait at the Easel, 1885. Oil on canvas. Private collection. Photo: Aivi Gallen-Kallela-Sirén. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/06.jpg Akseli Gallen-Kallela, Night in Spring, 1914. Oil on canvas. Private collection. Photo : Jouko Vatanen, Helsinki. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/07.jpg Akseli Gallen-Kallela. Mary weaves at Kalela, 1897. Oil on canvas. Private collection. Photo: The Gallen-Kallela Museum / Jukka Paavola. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/10.jpg Akseli Gallen-Kallela, The Skiers, 1909. Oil on canvas. Private collection. © akg-images. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/03.jpg Albert Edelfelt, Outside the Church at Ruokolahti, Finlande, 1887. Oil on canvas. Helsinki, Ateneum Art Museum, Finnish National Gallery © Finnish National Gallery / Hannu Pakarinen. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/04.jpg Albert Edelfelt, Kaukola Ridge at Sunset, 1889/90. Oil on canvas. Helsinki, Ateneum Art Museum, Finnish National Gallery © Finnish National Gallery / Hannu Pakarinen. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/08.jpg Akseli Gallen-Kallela, Clouds over the Lake, 1904. Oil on canvas. Musée Gallen-Kallela, Espoo, Collection Kauranen. Photo : The Gallen-Kallela Museum / Jukka Paavola. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/09.jpg Akseli Gallen-Kallela, The Lynx Den, 1906. Oil on canvas. Private collection. Photo: The Gallen-Kallela Museum / Jukka Paavola. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/02.jpg Albert Edelfelt, Portrait de Louis Pasteur, 1885. Oil on canvas. Musée d’Orsay, Paris. Photo © RMN-Grand Palais (Musée d’Orsay) / Martine Beck-Coppola. https://www.studiointernational.com/images/articles/f/062-finnish-duo-2022/11.jpg Albert Edelfelt, Autoportrait en costume du XVIIe siècle, 1889. Oil on canvas. Helsinki, Ateneum Art Museum, Finnish National Gallery © Finnish National Gallery / Jenni Nurminen. https://www.studiointernational.com/index.php/mahesh-baliga-interview-collected-sorrow-becomes-my-work-drawn-to-remember-david-zwirner https://www.studiointernational.com/images/articles/b/014-baliga-mahesh-2022/BALMA0001.jpg Mahesh Baliga. Acting as father, 2022. Casein on silk board, 12 x 10 in (30.5 x 25.4 cm). © Mahesh Baliga. Courtesy the artist, Project 88, and David Zwirner. https://www.studiointernational.com/images/articles/b/014-baliga-mahesh-2022/BALMA0022.jpg Mahesh Baliga. Jaguar, 2022. Casein on board, 12 x 10 in (30.5 x 25.4 cm). © Mahesh Baliga. Courtesy the artist, Project 88, and David Zwirner. https://www.studiointernational.com/images/articles/b/014-baliga-mahesh-2022/BALMA0052.jpg Mahesh Baliga. Pagla gach, 2022. Casein on board, 24 x 16 in (61 x 40.6 cm). © Mahesh Baliga. Courtesy the artist, Project 88, and David Zwirner. https://www.studiointernational.com/images/articles/b/014-baliga-mahesh-2022/BALMA0008.jpg Mahesh Baliga. Diversion, 2022 Casein on board, 10 x 12 in (25.4 x 30.5 cm). © Mahesh Baliga. Courtesy the artist, Project 88, and David Zwirner. https://www.studiointernational.com/images/articles/b/014-baliga-mahesh-2022/BALMA0015.jpg Mahesh Baliga. Flowering self, 2022. Casein on board, 12 x 10 in (30.5 x 25.4 cm). © Mahesh Baliga. Courtesy the artist, Project 88, and David Zwirner. https://www.studiointernational.com/images/articles/b/014-baliga-mahesh-2022/BALMA0003.jpg Mahesh Baliga. Aveek cutting nails, 2022. Casein on board 10 x 12 in (25.4 x 30.5 cm). © Mahesh Baliga. Courtesy the artist, Project 88, and David Zwirner. https://www.studiointernational.com/images/articles/b/014-baliga-mahesh-2022/BALMA0028.jpg Mahesh Baliga. Poet with ink on his pocket, 2022. Casein on board, 12 x 10 in (30.5 x 25.4 cm). © Mahesh Baliga. Courtesy the artist, Project 88, and David Zwirner. https://www.studiointernational.com/images/articles/b/014-baliga-mahesh-2022/BALMA0053.jpg Mahesh Baliga. Eye hospital, 2022. Casein on canvas, 36 x 48 in (91.4 x 121.9 cm). © Mahesh Baliga. Courtesy the artist, Project 88, and David Zwirner. https://www.studiointernational.com/index.php/langlands-and-bell-ideas-of-utopia-review-charleston-east-sussex https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/Langlands-and-Bell,-The-Kitchen,-1978-(detail-of-Old-Kitchen)-Photo-courtesy-of-the-artists.jpg Langlands & Bell, The Kitchen, 1978 (detail of Old Kitchen). Photo courtesy of the artists. https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/Langlands-and-Bell,-The-Kitchen,-1978-(detail-of-New-Kitchen)-Photo-courtesy-of-the-artists.jpg Langlands & Bell, The Kitchen, 1978 (detail of New Kitchen). Photo courtesy of the artists https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/Jean-Claude-Dumont-Still-Life-in-Artists-Studio.jpg Absent Artists: Jean Claude Dumont. Still Life in Artist https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/CharlestonHouse_Shot_04_0084-2.jpg Near Heaven by Langlands & Bell at Charleston, 2022. Photo: Richard Waite. https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/CharlestonHouse_Shot_14_0052-2.jpg Near Heaven by Langlands & Bell at Charleston, 2022. Photo: Richard Waite. https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/Langlands-and-Bell-in-the-garden-at-Charleston-below-Vanesa-Bells-attic-studio-window.jpg Langlands & Bell in the garden at Charleston below Vanesa Bell’s attic studio window. https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/CharlestonHouse_Shot_11_0036-Edit.jpg Near Heaven by Langlands & Bell at Charleston, 2022. Photo: Richard Waite. https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/William-Hogarth,-Time-Smoking-a-Picture-(c1761).jpg Absent Artists: William Hogarth, Time Smoking a Picture, c1761. Etching and mezzotint. https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/Alibaba,-Hangzhou-2018-Photo-credit-Stuart-Whipps.jpg Langlands & Bell. Alibaba, Hangzhou, 2018. Wood, aluminium, MDF, acrylic, card, paint, lacquer, 106 x 106 x 7.5 cm. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/050-langlands-and-bell-2022/Langlands-and-Bell-Facebook,-Menlo-Park,-2017.jpg Langlands & Bell. Facebook, Menlo Park, 2017. Aluminium, acrylic, MDF, paint, lacquer, card, 95 x 215 x 8 cm. Photo: Peter White. https://www.studiointernational.com/index.php/henry-moore-the-sixties-review-studios-and-gardens-hertfordshire https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-24.jpg Installation view of Henry Moore: The Sixties with Working Model with Oval with Points, 1968-69 (LH 595); Large Spindle Piece, 1968 (LH 593 plaster); Large Standing Figure Knife Edge 1961 (LH 482a). Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-125.jpg Installation view of Henry Moore: The Sixties with Reclining Figure, 1964; Seventeen Reclining Figures with Architectural Background, Square Forms, 1963; Six Reclining Figures with Buff Background, and Black Figure on Pink Background, 1967. Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-45.jpg Installation view of Henry Moore: The Sixties with Large Spindle Piece, 1968 (LH 593 plaster); Large Standing Figure Knife Edge, 1961 (LH 482a). Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-59.jpg Installation view of Henry Moore: The Sixties with Working Model for Locking Piece, 1962 (LH 514). Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-7.jpg Installation view of Henry Moore: The Sixties with Knife Edge Two Piece, 1962-65 (LH 516); Working Model for Locking Piece, 1962 (LH 514); Working Model with Oval with Points, 1968-69 (LH 595); Large Standing Figure Knife Edge, 1961 (LH 482a). Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-121.jpg Installation view of selected lithographs and drawings in Henry Moore: The Sixties. Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-40.jpg Installation view of Henry Moore: The Sixties with Large Spindle Piece, 1968 (LH 593 plaster). Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-83.jpg Installation view of Henry Moore: The Sixties with Large Standing Figure Knife Edge, 1961 (LH 482a); Knife Edge Two Piece, 1962-65 (LH 516); Working Model with Oval with Points, 1968-69 (LH 595). Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-90.jpg Installation view of Henry Moore: The Sixties with Large Spindle Piece, 1968 (LH 593 plaster); Knife Edge Two Piece, 1962-65 (LH 516). Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-103.jpg Installation view of Henry Moore: The Sixties with Working Model with Oval with Points, 1968-69 (LH 595); Large Spindle Piece, 1968 (LH 593 plaster); Large Standing Figure Knife Edge, 1961 (LH 482a). Photo: Rob Harris. https://www.studiointernational.com/images/articles/m/020-moore-henry-60s-2022/Henry-Moore-Foundation-The-Sixties-123.jpg Installation view of selected lithographs and drawings in Henry Moore: The Sixties. Photo: Rob Harris. https://www.studiointernational.com/index.php/celia-paul-memory-and-desire-review-victoria-miro-london https://www.studiointernational.com/images/articles/p/039-paul-celia-2022/CP341_Swan,-Cambridge_2020.jpg Celia Paul. Swan, Cambridge, 2020. Oil on canvas, 147.7 x 148 x 3.5 cm (58 1/8 x 58 1/4 x 1 3/8 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/039-paul-celia-2022/CP374_Blue-Bed_2021_edge.jpg Celia Paul. Blue Bed, 2021. Oil on canvas, 147.6 x 148 cm (58 11/100 x 58 27/100 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/039-paul-celia-2022/CP347_Steve,-Last-Portrait_2021.jpg Celia Paul. Steve, Last Portrait, 2021. Watercolour on paper, mounted on canvas 142.8 x 142.8 x 3.5 cm (56 1/4 x 56 1/4 x 1 3/8 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/039-paul-celia-2022/CP348_Looking-Back--Bella,-Me,-Lucian_2020.jpg Celia Paul. Looking Back: Bella, Me, Lucian, 2020. Oil on canvas, 51.4 x 51 x 3 cm (20 1/4 x 20 1/8 x 1 1/8 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/039-paul-celia-2022/CP350_The-Path-Home_2020.jpg Celia Paul. The Path Home, 2020. Oil on canvas, 56.2 x 63.5 x 3.6 cm (22 1/8 x 25 x 1 3/8 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/039-paul-celia-2022/CP346_Dieppe_2021.jpg Celia Paul. Dieppe, 2021. Oil on canvas, 51 x 51 x 3.5 cm (20 1/8 x 20 1/8 x 1 3/8 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/039-paul-celia-2022/CP382_Self-Portrait,-April_2021_edge.jpg Celia Paul. Self-Portrait, April, 2021. Oil on canvas, 63.7 x 56.5 cm. © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/pedro-cabrita-reis-interview-venice-biennale-lisbon-portugal https://www.studiointernational.com/images/articles/r/053-reis-pedro-cabrita-2022/06-02JFFY008059-Credit-Joao-Ferrand.jpg Pedro Cabrita Reis. Field, 2022, Chiesa di San Fantin, Venice. Photo: João Ferrand. https://www.studiointernational.com/images/articles/r/053-reis-pedro-cabrita-2022/02-Cabrita,-Les-Trois-Graces-dans-le-jardin-des-Tuileries.jpg Pedro Cabrita Reis. Les Trois Grâces, 2022, dans le jardin des Tuileries, Paris. © CABRITA Studio, Miguel Nabinho. https://www.studiointernational.com/images/articles/r/053-reis-pedro-cabrita-2022/04-Assembly-Universalmuseum-Joanneum-JJ-Kucek.jpg Pedro Cabrita Reis. Assembly, Poppendorf in Gnas, Austria. Universalmuseum Joanneum/J.J. Kucek. https://www.studiointernational.com/images/articles/r/053-reis-pedro-cabrita-2022/07-05JFFY007560-Credit-Joao-Ferrand.jpg Pedro Cabrita Reis. Field, 2022, Chiesa di San Fantin, Venice. Photo: João Ferrand. https://www.studiointernational.com/images/articles/r/053-reis-pedro-cabrita-2022/08-07JR005494-1-Credit-Juan-Rodriguez.jpg Pedro Cabrita Reis. Field, 2022, Chiesa di San Fantin, Venice. Photo: João Ferrand. https://www.studiointernational.com/index.php/sigurdhur-gudhjonsson-iceland-venice-biennale-2022-video-interview https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Iceland/07_icelandic_pav_biennale_2022.jpg Sigurður Guðjónsson: Perpetual Motion, installation view, Icelandic Pavilion, 59th International Art Exhibition, La Biennale di Venezia, 2022, Courtesy of the artist and BERG Contemporary, Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Iceland/23_icelandic_pav_biennale_2022.jpg Sigurður Guðjónsson: Perpetual Motion, installation view, Icelandic Pavilion, 59th International Art Exhibition, La Biennale di Venezia, 2022, Courtesy of the artist and BERG Contemporary, Photo: Ugo Carmeni. https://www.studiointernational.com/index.php/raphael-review-national-gallery-london https://www.studiointernational.com/images/articles/r/052-raphael-2022/the-mond-crucifixtion-N-3943-00-000068-A5.jpg Raphael, The Crucified Christ with the Virgin Mary, Saints and Angels (The Mond Crucifixion), about 1502-3. Oil on poplar, 283.3 x 167.3 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/r/052-raphael-2022/St-Catherine-N-0168-00-000045-A5.jpg Raphael, Saint Catherine of Alexandria, about 1507. Oil on poplar, 72.2 x 55.7 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/r/052-raphael-2022/Alba-Madonna-X4997-A5.jpg Raphael, The Virgin and Child with the Infant Saint John the Baptist (The Alba Madonna), about 1509–11. Oil on wood transferred to canvas, 94.5 cm diameter. National Gallery of Art, Washington, DC, Andrew W. Mellon Collection (1937.1.24). Courtesy National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/r/052-raphael-2022/Julius-II-N-0027-00-000063-A5.jpg Raphael, Portrait of Pope Julius II, 1511. Oil on poplar, 108.7 x 81 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/r/052-raphael-2022/An-Angel-X10948-A5.jpg Raphael, An Angel. Pen and brown ink over geometrical indications in blind stylus, 17.9 x 20.6 cm. The Ashmolean Museum, University of Oxford. © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/r/052-raphael-2022/study-for-head-X10347-A5.jpg Raphael, Study for the Head of an Apostle in the Transfiguration. Private Collection, New York. © Private Collection. https://www.studiointernational.com/index.php/ettore-spalletti-review-marian-goodman-projects-london https://www.studiointernational.com/images/articles/s/018-spalletti-2022/Spalletti-06.jpg Installation view: Ettore Spalletti: Works on paper, editions and books, Marian Goodman Projects, London 2022. Courtesy Studio Ettore Spalletti and Marian Goodman Gallery. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/018-spalletti-2022/Spalletti-05.jpg Installation view: Ettore Spalletti: Works on paper, editions and books, Marian Goodman Projects, London 2022. Courtesy Studio Ettore Spalletti and Marian Goodman Gallery. Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/018-spalletti-2022/Spalletti-01.jpg Books arranged on a table at the artist’s studio, 2014. Copyright Ettore Spalletti Archive. Courtesy Studio Ettore Spalletti and Marian Goodman Gallery. Photo: Matteo Ciavattella. https://www.studiointernational.com/images/articles/s/018-spalletti-2022/Spalletti-02.jpg Ettore Spalletti, Untitled, 2011. Colour impasto on alabaster, pencil, 1 1/8 x 7 1/8 x 5 1/2 in (3 x 18 x 14 cm). Copyright Ettore Spalletti Archive. Courtesy Studio Ettore Spalletti and Marian Goodman Gallery. Photo: Matteo Ciavattella. https://www.studiointernational.com/images/articles/s/018-spalletti-2022/Spalletti-03.jpg Ettore Spalletti, Untitled, 1998. Cardboard cover with washed silk, tissue paper, 6 11/16 x 4 11/16 x 1 1/4 in (17 x 12 x 3.3 cm). Edition of 1000. Copyright Ettore Spalletti Archive. Courtesy Studio Ettore Spalletti and Marian Goodman Gallery. Photo: Matteo Ciavattella. https://www.studiointernational.com/images/articles/s/018-spalletti-2022/Spalletti-04.jpg Installation view: Ettore Spalletti: Works on paper, editions and books, Marian Goodman Projects, London 2022. Courtesy Studio Ettore Spalletti and Marian Goodman Gallery. Photo: Mark Blower. https://www.studiointernational.com/index.php/beatrice-merz-interview-zacentrale-arts-centre-palermo-contribute-to-traditions-of-sicily https://www.studiointernational.com/images/articles/m/020-merz-beatrice-2022/In-its-former-glory-as-an-industrial-hub,-the-Cantieri-Culturali-alla-Zisa-district-.jpg Archive photograph depicting factories in what is now Cantieri Culturali alla Zisa in Palermo, 1902-1938, courtesy Archivio Ducrot, Collezioni Scientifiche, Dipartimento di Architettura, Università degli Studi di Palermo. https://www.studiointernational.com/images/articles/m/020-merz-beatrice-2022/Installation-view-of-the-current-show-at-ZACentrale.jpg Installation view of Ordo Naturalis, Ordo Artificialis at ZACentrale, 8 April – 11 September 2022. Photo: Fausto Brigantino, courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/m/020-merz-beatrice-2022/Installation-view-of-Ordo-Naturalis,-Ordo-Artificialis-at-ZACentrale.jpg Installation view of Ordo Naturalis, Ordo Artificialis at ZACentrale, 8 April – 11 September 2022. Photo: Fausto Brigantino, courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/m/020-merz-beatrice-2022/Businesses-that-formerly-occupied-Cantieri-Culturali-alla-Zisa-.jpg Businesses that formerly occupied the Cantieri Culturali alla Zisa area in Palermo, Sicily, courtesy Archivio Ducrot, Collezioni Scientifiche, Dipartimento di Architettura, Università degli Studi di Palermo. https://www.studiointernational.com/index.php/stalins-architect-power-and-survival-in-moscow-deyan-sudjic-book-review-thames-and-hudson https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p227.jpg Frank Lloyd Wright with Olga and Boris Iofan at a dinner during the first congress of the Soviet Academy of Architecture in June 1937. Their relationship continued during the war when Iofan joined the Jewish Anti-Fascist Committee, and appealed to Wright for help for its fundraising campaign. © Courtesy Ekaterina Makarova. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p4.jpg Boris Iofan in his studio in Moscow, with a study for a representation of Lenin, planned for the top of the Palace of the Soviets. © Shchusev Museum of Architecture, Moscow. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p9.jpg Stalin, with a model of the Moscow–Volga canal, portrayed as the great architect of socialism by Aleksandr Bubnov in 1940. © Album/Alamy Stock Photo. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p168-169.jpg The 1939 version of the design for the Palace of the Soviets. Iofan’s House on the Embankment is shown just across the river, with one of the Kremlin’s spires. © Fine Art Images/Heritage Images/Getty Images. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p2-3.jpg One of Iofan’s many designs for the unbuilt Palace of the Soviets. © Album / Alamy Stock Photo. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p177.jpg Page from Iofan’s sketchbook, with a revised version of the tower for the Palace of the Soviets, reducing its height in attempts to lower costs and simplify the building process. © Alex Lachman Gallery. Photo: Simon Pask. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p191.jpg Iofan’s Soviet Pavilion under construction for the Paris Expo of 1937, with Vera Mukhina’s huge sculpture as its highpoint. © Heritage Images/Fine Art Images/Getty Images. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/Stalins-Architect_Packshot1.jpg Stalin’s Architect: Power and Survival in Moscow by Deyan Sudjic, published by Thames and Hudson. © Thames & Hudson. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p134-135.jpg Boris Iofan, his wife Olga, his brother Dmitry, and his team with their prize-winning design in the international competition for the Palace of the Soviets. © Courtesy Ekaterina Makarova. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p137.jpg Page from Iofan’s sketchbook. After being named as a prize-winner in the first stage of the Palace of the Soviets competition, Iofan revised his design to take in the instructions from the Communist Party leadership, calling for more height and the incorporation of a figure on the top of the structure. © Alex Lachman Gallery. Photo: Simon Pask. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p235.jpg Vyacheslav Andreyev’s sculpture under installation for Iofan’s Soviet Pavilion at the 1939 New York World’s Fair. © Photo Bill Wallace / NY Daily News Archive via Getty Images. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p266-267.jpg At the centre of Iofan’s plan for the reconstruction of Novorossiisk was a civic square around which he grouped the city’s key buildings. He maintained the underlying street grid, but adapted it to refocus on the seafront, from which its residential areas had previously been isolated. Iofan’s memories of Italy and Venice in particular are clear in this illustration from 1944. © Tchoban Foundation, Museum of Architectural Drawing, Berlin. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p292-293.jpg Iofan’s unsuccessful design of an office tower on the Zaradye, a prominent site on the river front next to Red Square, in the late 1940s. © Tchoban Foundation, Museum of Architectural Drawing, Berlin. https://www.studiointernational.com/images/articles/s/018-stalins-architect-2022/p73.jpg Iofan’s wife, Olga Sasso-Ruffo, the half-Italian, half-Russian aristocrat whose sister married the tsar’s nephew, with her first husband, Boris Ogarev. She was living in Narni when she met Iofan. They both joined the Communist Party and returned to the Soviet Union with her two children. © Courtesy Ekaterina Makarova. https://www.studiointernational.com/index.php/goran-trbuljak-interview-45-years-of-non-painting https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Goran-Trbuljak,-45-Years-of-Non-Painting,-2022,-installation-view,-P420,-Bologna-2.jpg Goran Trbuljak, 45 Years of Non-Painting, 2022, installation view, P420, Bologna. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak,-gtgt-IV,-2018.jpg Goran Trbuljak. gtgt IV, 2018. Diptych, acrylic on board, 70 x 100 cm each (140 x 100 cm overall). Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-Jazz-brush-painting-1990.jpg Goran Trbuljak. Jazz brush painting, 1990. Oil on canvas, bell, 33 x 27 cm. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak,-I-do-not-want-to-show-anything-new-or-original-1971.jpg Goran Trbuljak. I do not want to show anything new or original - Ne želim pokazati ništa novo i originalno, 1971. Letterpress, paper, 60 x 42 cm. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-Sunday-Painting-1974-2014.jpg Goran Trbuljak. Sunday Painting, 1974-2014. Four framed colour photographs, 50 x 60 cm each). Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-Dropwise-from-behind-10-drops-of-color-for-stamps-dripping-through-a-hole-on-the-back,-1982.jpg Goran Trbuljak. Dropwise from behind. 10 drops of colour for stamps dripping through a hole on the back, 1982. Acrylic on canvas, wood, glass, 38 x 31 x 5. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-Dropwise-from-behind-10-drops-of-color-for-stamps-dripping-through-a-hole-on-the-back,-1982_back.jpg Goran Trbuljak. Dropwise from behind. 10 drops of color for stamps dripping through a hole on the back, 1982. Acrylic on canvas, wood, glass, 38 x 31 x 5. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-From-Self-Ironic-to-Self-Sardonic-(45-years-of-not-painting)-2022.jpg Goran Trbuljak. From Self Ironic to Self Sardonic (45 years of not painting), 2022. Artist book. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-Big-Composition-IX-2021.jpg Goran Trbuljak. Big Composition IX, 2021. Acrylic on canvas, paint brushes, 60 x 40 x 30 cm. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-From-Self-Ironic-to-Self-Sardonic-(45-years-of-not-painting),-2022.jpg Goran Trbuljak. From Self Ironic to Self Sardonic (45 years of not painting), 2022. Artist book. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-Monday-Painting-1974-1983.jpg Goran Trbuljak. Monday Painting, 1974-1983. Acrylic on plexiglass, canvas, 42 x 35 x 2.5 cm. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-Painted-from-side-1988.jpg Goran Trbuljak. Painted from side, 1988. Acrylic on board, 45 x 34 cm. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-Sketch-for-sculpture-2.jpg Goran Trbuljak. Sketch for sculpture, 2019. Paint brushes, funnels, painter's palette, canvas, 33 x 34 x 31 cm. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Trbuljak-Sketch-for-sculpture.jpg Goran Trbuljak. Sketch for sculpture, 2019. Paint brushes, funnels, painter's palette, canvas, 22 x 32 x 35 cm. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Goran-Trbuljak,-45-Years-of-Non-Painting,-2022,-installation-view,-P420,-Bologna-3.jpg Goran Trbuljak, 45 Years of Non-Painting, 2022, installation view, P420, Bologna. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Goran-Trbuljak,-45-Years-of-Non-Painting,-2022,-installation-view,-P420,-Bologna-4.jpg Goran Trbuljak, 45 Years of Non-Painting, 2022, installation view, P420, Bologna. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Goran-Trbuljak,-45-Years-of-Non-Painting,-2022,-installation-view,-P420-Bologna.jpg Goran Trbuljak, 45 Years of Non-Painting, 2022, installation view, P420, Bologna. Photo: Carlo Favero. https://www.studiointernational.com/images/articles/t/067-trbuljak-goran-2022/Goran-Trbuljak-portrait-photo-lucija-sutej.jpg Goran Trbuljak. Photo: Lucija Šutej. https://www.studiointernational.com/index.php/jonathas-de-andrade-brazil-pavilion-venice-biennale-2022-video-interview https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Brazil/brazilian-pavilion-venice-2022-03.jpg Jonathas de Andrade: With the Heart Coming Out of the Mouth, Brazilian Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Brazil/brazilian-pavilion-venice-2022-01.jpg Jonathas de Andrade: With the Heart Coming Out of the Mouth, Brazilian Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Brazil/BrazilianPavilion_30.jpg Jonathas de Andrade: With the Heart Coming Out of the Mouth, Brazilian Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Brazil/brazilian-pavilion-venice-2022-06.jpg Jonathas de Andrade: With the Heart Coming Out of the Mouth, Brazilian Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Brazil/brazilian-pavilion-venice-2022-05.jpg Jonathas de Andrade: With the Heart Coming Out of the Mouth, Brazilian Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Brazil/brazilian-pavilion-venice-2022-04.jpg Jonathas de Andrade: With the Heart Coming Out of the Mouth, Brazilian Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Brazil/brazilian-pavilion-venice-2022-02.jpg Jonathas de Andrade: With the Heart Coming Out of the Mouth, Brazilian Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/ann-gallagher-interview-curator-helio-oiticica-lisson-gallery https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI600001_002.jpg Hélio Oiticica. Relevo Espacial (Spatial Relief), 1959-60. Polyvinyl acetate resin on plywood, 98 x 120 x 25.5 cm (38 1/2 x 47 1/8 x 10 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI_INSTA_Lisson-London_2022_003.jpg Hélio Oiticica, installation view, Lisson Gallery, Bell Street, London, 26 April – 25 June 2022. © Estate of Hélio Oiticica; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI650003_003.jpg Hélio Oiticica. B34 Bólide bacia 01 (B34 Basin Bólide 01), 1965-66. Plastic, earth, and rubber gloves, 15.3 x 63.7 x 40.8 cm (6 x 25 x 16 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI630001_001.jpg Hélio Oiticica. B01 Bólide caixa 01, Cartesiano (B01 Box Bólide 01, Cartesian), 1963. Acrylic on wood, 32 x 21.2 x 20.7 cm (12 1/2 x 8 1/4 x 8 1/8 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI630002_007.jpg Hélio Oiticica. B04 Bólide caixa 04 ‘Romeu e Julieta’ (B04 Box Bólide 04 ‘Romeo and Juliet’), 1963. Oil with polyvinyl acetate emulsion on wood and plywood, 59.5 x 83.5 x 40 cm (23 3/8 x 32 3/4 x 15 3/4 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI790002-3_002.jpg Hélio Oiticica. PN 28 Penetrable, Nas Quebradas, 1979. Wood, brick, metal, nylon mesh, metal mesh, roof tile, plastic and jute, 357 x 450 x 310 cm (140 1/2 x 177 1/8 x 122 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI550010_001.jpg Hélio Oiticica. Untitled (Grupo Frente), 1955. Gouache on cardboard, 49.8 x 50 cm (19 1/2 x 19 5/8 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI580040_001.jpg Hélio Oiticica. Untitled (Metaesquema), 1958. Gouache on cardboard, 52 x 63.5 cm (20 3/8 x 25 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI590002_005.jpg Hélio Oiticica. Untitled (Pre-Neoconcreto), 1959. Gouache on cardboard, 18 x 34 cm (7 x 13 3/8 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI640002_001.jpg Hélio Oiticica. B15 Bólide vidro 04, Terra (B15 Glass Bólide 04, Earth), 1964. Glass, red earth, pigment, and oil with polyvinyl acetate emulsion on nylon mesh, 40 x 28.5 x 28.5 cm (15 3/4 x 11 1/8 x 11 1/8 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI660003_010.jpg Hélio Oiticica. B47 Bólide caixa 22 'Mergulho do corpo' (B47 Box Bólide 22 'The Plunge of the Body'), 1966-67. Water tank and rubber letters, 49 x 62.5 x 62.5 cm (19 1/4 x 24 1/2 x 24 1/2 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI780004_002.jpg Hélio Oiticica. Apropriação 4 – Avenida Presidente Vargas-Gaudí-Kioto – Objet semi-mágico-trouvé (Appropriation 4 – Avenida Presidente Vargas-Gaudí-Kyoto – Semimagical Found Object), 1978. Asphalt fragments, Installed dimensions: 14 x 119 x 89 cm (5 1/2 x 46 3/4 x 35 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI790003_001.jpg Hélio Oiticica. Topological Ready-Made Landscape No. 05 ‘Ovo band’ (‘Egg Band’), 1979. Stone, rubber band, 4.5 x 6 x 4.5 cm (1 3/4 x 2 1/4 x 1 3/4 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI800001_001.jpg Hélio Oiticica. Ready Constructible No. 03 Demarcation in 5 and 4 in Formarea Topology, 1980. Aluminium baking pan, wire mesh, asphalt, 10.5 x 32.5 x 22.5 cm (4 1/8 x 12 3/4 x 8 3/4 in). © Estate of Hélio Oiticica, Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI_INSTA_Lisson-London_2022_004.jpg Hélio Oiticica, installation view, Lisson Gallery, Bell Street, London, 26 April – 25 June 2022. © Estate of Hélio Oiticica; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI_INSTA_Lisson-London_2022_005.jpg Hélio Oiticica, installation view, Lisson Gallery, Bell Street, London, 26 April – 25 June 2022. © Estate of Hélio Oiticica; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/o/083-oiticica-helio-2022/OITI_INSTA_Lisson-London_2022_006.jpg Hélio Oiticica, installation view, Lisson Gallery, Bell Street, London, 26 April – 25 June 2022. © Estate of Hélio Oiticica; Courtesy Lisson Gallery. https://www.studiointernational.com/index.php/karen-kilimnik-early-drawings-1976-1988-review-galerie-spruth-magers-london https://www.studiointernational.com/images/articles/k/052-kilimnick-karen-2022/Kilimnick-01.jpg Karen Kilimnik, Jamaica Wine House Old London Shops, 1976. Ink and watercolour on paper, 21.5 × 28 cm (8 1/2 × 11 in). © Karen Kilimnik. Courtesy the artist, Sprüth Magers and Galerie Eva Presenhuber. https://www.studiointernational.com/images/articles/k/052-kilimnick-karen-2022/Kilimnick-02.jpg Karen Kilimnik, car rally Avengers £50,000 breakfast, vrrooomm!, 1979. Ink and watercolour on paper, 28 × 35.5 cm (11 × 14 in). © Karen Kilimnik. Courtesy the artist, Sprüth Magers and Galerie Eva Presenhuber. https://www.studiointernational.com/images/articles/k/052-kilimnick-karen-2022/Kilimnick-03.jpg Karen Kilimnik, secret agent assignment, 1982. Ink and watercolour on paper, 30.5 × 19 cm
 (12 × 7 1/2 in). © Karen Kilimnik. Courtesy the artist, Sprüth Magers and Galerie Eva Presenhuber. https://www.studiointernational.com/images/articles/k/052-kilimnick-karen-2022/Kilimnick-04.jpg Karen Kilimnik, A toast! greeting card company, 1980. Ink and watercolour on glossy paper, 22 × 20.5 cm (8 3/4 × 8 in). © Karen Kilimnik. Courtesy the artist, Sprüth Magers and Galerie Eva Presenhuber. https://www.studiointernational.com/images/articles/k/052-kilimnick-karen-2022/Kilimnick-06.jpg Karen Kilimnik, Early Drawings 1976–1998. Installation view, Sprüth Magers, London, 8 April – 21 May 2022. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/k/052-kilimnick-karen-2022/Kilimnick-08.jpg Karen Kilimnik, Early Drawings 1976–1998. Installation view, Sprüth Magers, London, 8 April – 21 May 2022. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/k/052-kilimnick-karen-2022/Kilimnick-09.jpg Karen Kilimnik, Early Drawings 1976–1998. Installation view, Sprüth Magers, London, 8 April – 21 May 2022. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/k/052-kilimnick-karen-2022/Kilimnick-10.jpg Karen Kilimnik, Early Drawings 1976–1998. Installation view, Sprüth Magers, London, 8 April – 21 May 2022. Photo: Ben Westoby. https://www.studiointernational.com/index.php/reframed-the-woman-in-the-window-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/r/052-reframed-images-2022/Rembrandt-Girl-at-a-Window.jpg Rembrandt Harmensz van Rijn, Girl at a Window, 1645. Oil on canvas, 81.8 x 66.2 cm. Dulwich Picture Gallery, London. https://www.studiointernational.com/images/articles/r/052-reframed-images-2022/Paestum,-Bell-Krater,-360-340BC.jpg Bell Krater, Paestum, 360-340BC. Pottery, 37.2 x 36.2 cm. British Museum. © The Trustees of the British Museum. All rights reserved. https://www.studiointernational.com/images/articles/r/052-reframed-images-2022/Pablo-Picasso-Woman-at-the-Window-1952.jpg Pablo Picasso, La Femme à la fenêtre (Woman at the Window), 1952. Aquatint and drypoint, 90.2 x 63.5 cm. © Succession Picasso / DACS, London 2021. Photo: Tate. https://www.studiointernational.com/images/articles/r/052-reframed-images-2022/Simran_Janjua_Dadis-Love.jpg Simran Janjua, Dadi https://www.studiointernational.com/images/articles/r/052-reframed-images-2022/bourgeois-8647-CB-1_LG.jpg Louise Bourgeois, My Blue Sky, 1989-2003. Gouache, watercolour, ink, pencil, coloured pencil and paper mounted into a wood and glass window frame, 70.5 x 58.4 x 15.9 cm. © The Easton Foundation / VAGA at ARS, NY and DACS, London 2021. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/r/052-reframed-images-2022/Gerrit-Dou,-A-Woman-Playing-a-Clavichord,-c1665.jpg Gerrit Dou, A Woman Playing a Clavichord, c1665. Oil on oak panel, 37.7 x 29.9 cm. Dulwich Picture Gallery, London. https://www.studiointernational.com/images/articles/r/052-reframed-images-2022/120-Jeff-Wall-A-view-from-an-apartment-2004-2005-(1).jpg Jeff Wall, A view from an apartment, 2004-05. Transparency in lightbox, 167 x 244 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/052-reframed-images-2022/Ajarb-Bernard-Ategwa.jpg Ajarb Bernard Ategwa, Posing with my Parrot, 2021. Acrylic on canvas, 237 x 199 cm. Private collection, USA. © Ajarb Bernard Ategwa / Jack Bell Gallery. https://www.studiointernational.com/index.php/lucia-pietroiusti-interview-art-can-do-a-million-things https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/sun-and-sea_21K7651_A4.jpg Sun and Sea (Marina), an eco-operetta curated by Lucia Pietroiusti with Lithuanian artists Rugile Barzdsiukaite, Vaiva Grainyte and Lina Lapelyte, for Venice Art Biennale 2019, being performed at E-Werk Luckenwalde in 2021, as part of Power Nights, curated by Lucia Pietroiusti. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/Extinction-Marathon-2014-panel.jpg Panel discussion at Extinction Marathon: Visions of the Future, 18-19 October 2014 at Serpentine Galleries, London. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/pascale_install1.jpg Installation view of Pascale Marthine Tayou’s show Boomerang (4 March – 17 May 2015) at Serpentine North Gallery, London. Photo: READS 2015. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/E-Werk-21K0686_korr_A4.jpg Installation view of The Family (A Zombie Movie) by Karrabing Film Collective, as part of Power Nights curated by Lucia Pietroiusti at E-Werk Luckenwalde, 2021–22. Courtesy: E-WERK Luckenwalde and Karrabing Film Collective. Photo: Stefan Kort. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/Shape-of-a-Circle-image.jpg Shape of a Circle poster, from 2017 event. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/E-Werk_21K0796_korr_A4.jpg Installation view of Static Range by Himali Singh Soin, as part of Power Nights curated by Lucia Pietroiusti at E-Werk Luckenwalde, 2021–22. Courtesy: E-WERK Luckenwalde and Himali Singh Soin. Photo: Stefan Korte. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/BG8-identity-01.jpg Poster for Biennale Gherdëina, curated by Lucia Pietroiusti and Filipa Ramos, which takes place in the Dolomites, Italy, 20 May – 25 September 2022. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/Lucia-Pietroiusti_Photo-by-Thaddaus-Salcher_2.jpg Lucia Pietroiusti. Photo: Thaddäus Salcher. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/Extinction-Marathon-Martin-Res.jpg Presentation by Martin Rees, titled Threats to Humanity; or, Will we Survive the Century? at Extinction Marathon 2014 at Serpentine Galleries, London. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/Pic-1-Pascale-Marthine-Tayou-Graffiti-neon-C-2014.jpg Pascale Marthine Tayou’s Graffiti, 2014, neon, shown at Serpentine North Gallery, London 2015, Photo: Aurélie Tiffreau, courtesy of Galleria Continua, San Gimignano / Beijing / Les Moulins. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/shape-of-a-circle-jenna_1_0.jpg Jenna Sutela, Sporulating Paragraph, 2017. Photo: Istvan Virag, copyright Punktø/Momentum 9. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/sun-and-sea_21K7563_A4.jpg Sun and Sea (Marina), an eco-operetta curated by Lucia Pietroiusti with Lithuanian artists Rugile Barzdsiukaite, Vaiva Grainyte and Lina Lapelyte, for Venice Art Biennale 2019, being performed at E-Werk Luckenwalde in 2021, as part of Power Nights, curated by Lucia Pietroiusti. https://www.studiointernational.com/images/articles/p/038-pietroiusti-lucia-2022/Plant-Sex-image.jpg Laurence Totelin, PLANTSEX, 12 April 2019, Serpentine Galleries, London in collaboration with Institut français du Royaume-Uni and Mal Journal © Talie Rose Eigeland. https://www.studiointernational.com/index.php/amie-siegel-interview-bloodlines-theres-a-lot-of-information-underneath-the-information https://www.studiointernational.com/images/articles/s/017-siegel-amie-2022/amie-siegel-01.jpg Amie Siegel: Bloodlines, installation view, Thomas Dane Gallery, London, 27 April – 23 July 2022. © Amie Siegel. Courtesy the artist and Thomas Dane Gallery.Photo: Richard Ivey. https://www.studiointernational.com/images/articles/s/017-siegel-amie-2022/amie-siegel-02.jpg Amie Siegel: Bloodlines, installation view, Thomas Dane Gallery, London, 27 April – 23 July 2022. © Amie Siegel. Courtesy the artist and Thomas Dane Gallery.Photo: Richard Ivey. https://www.studiointernational.com/images/articles/s/017-siegel-amie-2022/amie-siegel-03.jpg Amie Siegel: Bloodlines, installation view, Thomas Dane Gallery, London, 27 April – 23 July 2022. © Amie Siegel. Courtesy the artist and Thomas Dane Gallery.Photo: Richard Ivey. https://www.studiointernational.com/images/articles/s/017-siegel-amie-2022/amie-siegel-04.jpg Amie Siegel: Bloodlines, installation view, Thomas Dane Gallery, London, 27 April – 23 July 2022. © Amie Siegel. Courtesy the artist and Thomas Dane Gallery.Photo: Richard Ivey. https://www.studiointernational.com/images/articles/s/017-siegel-amie-2022/amie-siegel-05.jpg Amie Siegel: Bloodlines, installation view, Thomas Dane Gallery, London, 27 April – 23 July 2022. © Amie Siegel. Courtesy the artist and Thomas Dane Gallery.Photo: Richard Ivey. https://www.studiointernational.com/index.php/assemble-and-schools-of-tomorrow-the-place-we-imagine-review-nottingham-contemporary https://www.studiointernational.com/images/articles/a/028-assemble-2022/WEB_LH_MASP_04442_01.jpg Lina Bo Bardi (Rome, Italy], 1914 – São Paulo, Brazil, 1992). Preliminary Study – Practicable Sculptures for the Belvedere at Museu de Arte Trianon, 1968. Collage, China ink and watercolour on paper, 56.2 × 76.5 cm. Collection Museu de Arte de São Paulo Assis Chateaubriand. Gift of Instituto Lina Bo e P.M. Bardi, 2006. MASP.04442.Photo: MASP. https://www.studiointernational.com/images/articles/a/028-assemble-2022/VS-Jane-Halls-drawing-for-the-Fun-House-structure.jpg Jane Hall https://www.studiointernational.com/images/articles/a/028-assemble-2022/Inflatable-green-ball-from-The-Fun-House-goes-rolling-again.jpg Inflatable green ball from The Fun House goes rolling again. Assemble and Schools of Tomorrow: The Place We Imagine, installation view at Nottingham Contemporary, 2022. Courtesy Nottingham Contemporary. Photo: Julian Hughes. https://www.studiointernational.com/images/articles/a/028-assemble-2022/The-Big-Red-installation-shot.jpg Assemble and Schools of Tomorrow: The Place We Imagine, installation view at Nottingham Contemporary, 2022. Courtesy Nottingham Contemporary. Photo: Julian Hughes. https://www.studiointernational.com/images/articles/a/028-assemble-2022/The-Fun-House-with-wall-instructions-for-play.jpg Assemble and Schools of Tomorrow: The Place We Imagine, installation view at Nottingham Contemporary, 2022. Courtesy Nottingham Contemporary. Photo: Julian Hughes. https://www.studiointernational.com/images/articles/a/028-assemble-2022/An-adult-has-a-go-on-Big-Red.jpg Assemble and Schools of Tomorrow: The Place We Imagine, installation view at Nottingham Contemporary, 2022. Courtesy Nottingham Contemporary. Photo: Julian Hughes. https://www.studiointernational.com/images/articles/a/028-assemble-2022/Instructional-posters-across-the-window.jpg Instructional posters across the window. Assemble and Schools of Tomorrow: The Place We Imagine, installation view at Nottingham Contemporary, 2022.Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/028-assemble-2022/A-quote-from-Lina-Bo-Bardi-on-the-screen-at-the-first-gallery-entrance.jpg A quote from Lina Bo Bardi on the screen at the entrance to the first gallery. Assemble and Schools of Tomorrow: The Place We Imagine, installation view at Nottingham Contemporary, 2022.Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/028-assemble-2022/Assemble-750.jpg Assemble and Schools of Tomorrow: The Place We Imagine, installation view at Nottingham Contemporary, 2022. Courtesy Nottingham Contemporary. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/a/028-assemble-2022/VS-Photos-on-the-wall-show-children-at-play-in-the-workshops.jpg Photographs on the wall show children at play in the workshops. Assemble and Schools of Tomorrow: The Place We Imagine, installation view at Nottingham Contemporary, 2022.Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/028-assemble-2022/Close-up-of-the-embroidered-cushions-attached-to-the-Fun-House.jpg Close up of the embroidered cushions attached to the Fun House. Assemble and Schools of Tomorrow: The Place We Imagine, installation view at Nottingham Contemporary, 2022.Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/028-assemble-2022/RH-approved-3-.jpg Assemble worked very closely with three in 2021. Photo: Sam Kirby. https://www.studiointernational.com/images/articles/a/028-assemble-2022/Jubilee-1.jpg Assemble worked very closely with three in 2021. Photo: Sam Kirby. https://www.studiointernational.com/index.php/eduardo-kac-interview-from-minitel-to-nft-henrique-faria-new-york https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/geometry-of-ecstasy.jpg Eduardo Kac, Geometry of Ecstasy, 1982. Basic program and Apple III computer. Photo: Arturo Sanchez. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/kac-solo-show-faria-ny-3-(1).jpg Eduardo Kac: From Minitel to NFT. Exhibition view. Photo: Arturo Sanchez. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/Reabracadabra-8frames.jpg Frames from Eduardo Kac, Reabracadabra, 1985. Minitel artwork, 9.64 x 9.8 x 9.64 in (24.5 x 25 x 24.5 cm). Read first the left column from top to bottom; then, the second column from top to bottom. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/conversation1.jpg Eduardo Kac, Conversation, 1987, slow-scan television (video transmission through analogue phone lines), exhibition installation view. 34.5 (W) x 42 (D) x 47 (H) cm [13.5 x 16.5 x 18.5 in]. Edition of three. Image credit: Arturo Sanchez. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/self_portrait_II.gif Eduardo Kac, Self-Portrait II, 1996. Gif animation. Courtesy Eduardo Kac. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/letter.jpg Eduardo Kac, Letter, Still from Digital Video, 1996. Also available as an NFT via Galeria Leme. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/Picture-2.jpg Eduardo Kac, Lagoogleglyph III, 2018. Photo: Pau Ros, courtesy Eduardo Kac. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/kac-750.jpg Eduardo Kac: From Minitel to NFT. Exhibition view. Photo: Arturo Sanchez. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/deus-complete.jpg Frames from Eduardo Kac, D|EU|S, 1986. Minitel artwork, 9.64 x 9.8 x 9.64 in (24.5 x 25 x 24.5 cm). Read first the left column from top to bottom; then, the second column from top to bottom. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/DSC7022.jpg Eduardo Kac, From Minitel to NFT exhibition view. Self-Portrait II, GIF animation, 1996, (above). Photo: Arturo Sanchez. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/Kac-Minitel-Deus-1986.jpg Eduardo Kac, D|EU|S, 1986. Minitel artwork. Image courtesy Eduardo Kac. https://www.studiointernational.com/images/articles/k/051-kac-eduardo-2022/Kac-Minitel-Reabracadabra-1985.jpg Eduardo Kac, Reabracadabra, 1985. Minitel artwork. Image courtesy Eduardo Kac. https://www.studiointernational.com/index.php/cornelia-parker-review-tate-britain-london https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker-Left-Right-and-Centre-(video-still).jpg Cornelia Parker. Left Right & Centre, 2017. Courtesy the artist and Frith Street Gallery, London. © Cornelia Parker. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker-Avoid-Object-Photographs.jpg Cornelia Parker. Avoided Object. Photographs taken of the sky above the Imperial War Museum with the camera that belonged to Hoess, commandant of Auschwitz, 1999. Courtesy the artist and Frith Street Gallery, London. © Cornelia Parker. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker-Cold-Dark-Matter-installation-view-Tate-Britain.jpg Cornelia Parker Cold Dark Matter installation view Tate Britain. Photo Tate Photography Oli Cowling.jpg https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker-Red-Hot-Poker-Drawing.jpg Cornelia Parker. Red Hot Poker Drawing, 2013. Paper folded and burnt with a hot poker. Courtesy the artist and Frith Street Gallery, London. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker,-Thirty-Pieces-of-Silver-installation-view-at-Tate-Britain.jpg Cornelia Parker, Thirty Pieces of Silver, installation view at Tate Britain. Photo: Tate Photography Oli Cowling. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker,-Perpetual-Canon-installation-view-at-Tate-Britain.jpg Cornelia Parker, Perpetual Canon, installation view at Tate Britain. Photo: Tate Photography Oli Cowling. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker,-War-Room-installation-view-at-Tate-Britain.jpg Cornelia Parker, War Room, installation view at Tate Britain. Photo: Tate Photography Oli Cowling. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker,-Cold-Dark-Matter-installation-view-at-Tate-Britain.jpg Cornelia Parker, Cold Dark Matter (detail), installation view Tate Britain. Photo: Tate Photography Oli Cowling. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker,-Island-installation-view-at-Tate-Britain.jpg Cornelia Parker, Island, installation view at Tate Britain. Photo: Tate Photography Oli Cowling. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker-Election-Abstract.jpg Cornelia Parker. Election Abstract (video still), 2018. Courtesy the artist and Frith Street Gallery, London. © Cornelia Parker. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker-Perpetual-Canon.jpg Cornelia Parker. Perpetual Canon, 2004. Collection of Contemporary Art Fundación 'la Caixa', Barcelona. © Cornelia Parker. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker-Thirty-Pieces-of-Silver-(Exposed)-3.jpg Cornelia Parker. Thirty Pieces of Silver (Exposed), 2015. Courtesy the artist and Cristea Roberts Gallery. © Cornelia Parker. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/Cornelia-Parker-Thirty-Pieces-of-Silver.jpg Cornelia Parker. Thirty Pieces of Silver (detail), 1988-89. Tate. © Cornelia Parker. https://www.studiointernational.com/images/articles/p/038-parker-cornelia-2022/The-Distance-(Kiss-with-string).jpg Cornelia Parker. The Distance (A Kiss with String Attached), 2003. Auguste Rodin's The Kiss, 1901–04, wrapped in a mile of string. © Tate Photography. https://www.studiointernational.com/index.php/niamh-omalley-ireland-irish-pavilion-venice-biennale-2022-video-interview https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Ireland/ireland-venice-2022-01.jpg Niamh O’Malley: Gather, installation view, Irish Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Ireland/ireland-venice-2022-03.jpg Niamh O’Malley: Gather. Drain, 2022. Limestone, 30.4 x 155 x 120 cm. Installation view, Irish Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Ireland/ireland-venice-2022-08.jpg Niamh O’Malley: Gather. Covers, 2022. Limestone, beech veneered MDF, 5 x 193.5 x 127.5 cm. Installation view, Irish Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Ireland/ireland-venice-2022-06.jpg Niamh O’Malley: Gather. Double Canopy, 2022. Steel, aluminium, 303 x 267 x 165 cm. Installation view, Irish Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Ireland/ireland-venice-2022-09.jpg Performance from the Croatian Pavilion. Niamh O’Malley: Gather, Irish Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Ireland/ireland-venice-2022-02.jpg Niamh O’Malley: Gather. Foiled Glass (doubled), 2022. Foiled glass, 92 x 25.8 x 0.8 cm (left); Leafs, 2022. Steel, 84 x 18 x 1.8 cm. Installation view, Irish Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Ireland/ireland-venice-2022-04.jpg Niamh O’Malley: Gather. Hooded Crow, 2022. HD digital video on LED screen with steel band. 1 min 9 sec. Installation view, Irish Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Ireland/ireland-venice-2022-05.jpg Niamh O’Malley: Gather. Shelter, 2022. Steel, glass, 104 x 220 x 120 cm. Installation view, Irish Pavilion, Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/future-shock-review-the-strand-london-contemporary-art-electronic-music-technology https://www.studiointernational.com/images/articles/f/061-future-shock-2022/Ryoichi-Kurokawa.jpg Ryoichi Kurokawa. Subassemblies, 2020. Installation view, Future Shock, 2022. Photo: © Jack Hems. https://www.studiointernational.com/images/articles/f/061-future-shock-2022/Gaika-Jack-Hems.jpg Gaika. Convo 2.2 Complex Confessional, 2022. Installation view, Future Shock, 2022. Photo: © Jack Hems. https://www.studiointernational.com/images/articles/f/061-future-shock-2022/14-Theta-by-Lawrence-Lek,-2022-Courtesy-of-Sadie-Coles-(2022).jpg Lawrence Lek. Theta, 2022. Courtesy of Sadie Coles. https://www.studiointernational.com/images/articles/f/061-future-shock-2022/Gener8ion-Jack-Hems.jpg Gener8ion. Neo Surf, 2020. Installation view, Future Shock, 2022. Photo: © Jack Hems. https://www.studiointernational.com/images/articles/f/061-future-shock-2022/Actual-Objects-Jack-Hems.jpg Actual Objects. Vicky, 2020. Installation view, Future Shock, 2022. Photo: © Jack Hems. https://www.studiointernational.com/images/articles/f/061-future-shock-2022/Weirdcore-2022-Jack-Hems.jpg Weirdcore. Subconscious, 2022. Installation view, Future Shock, 2022. Photo: © Jack Hems. https://www.studiointernational.com/images/articles/f/061-future-shock-2022/Ben-Kelly-Jack-Hems-(1).jpg Ben Kelly. Columns, 2022. Installation view, Future Shock, 2022. Photo: © Jack Hems. https://www.studiointernational.com/images/articles/f/061-future-shock-2022/Nonotak-2021-Jack-Hems-(3).jpg Nonotak. Daydream V.6, 2021. Installation view, Future Shock, 2022. Photo: © Jack Hems. https://www.studiointernational.com/images/articles/f/061-future-shock-2022/UVA_Vanishing-Point_Jack-Hems-(3).jpg United Visual Artists. Topologies, 2022. Installation view, Future Shock, 2022. Photo: © Jack Hems. https://www.studiointernational.com/images/articles/f/061-future-shock-2022/08-Topologies-by-United-Visual-Artists-(UVA)-(2022).jpg United Visual Artists. Topologies, 2022. https://www.studiointernational.com/index.php/abbas-akhavan-interview-study-for-a-garden-mount-stuart-isle-of-bute https://www.studiointernational.com/images/articles/a/027-akhavan-abbas-2022/Variations-on-a-folly,-Mount-Stuart,-installation-in-the-crypt.jpg Abbas Akhavan, Variations on a Folly, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/027-akhavan-abbas-2022/Still-from-the-film-Slug-(2020),-in-the-Glass-Pavilion.jpg Abbas Akhavan. Still from the film Slug (2020), in the Glass Pavilion, Mount Stuart. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/027-akhavan-abbas-2022/02_Abbas-Akhavan-at-Chisenhale-Gallery_Andy-Keate.jpg Abbas Akhavan, Curtain Call, Variations on a Folly, 2021. Installation view, Chisenhale Gallery, London, 2021. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/a/027-akhavan-abbas-2022/16_Abbas-Akhavan-at-Chisenhale-Gallery_Ali-Sadeghian.jpg Abbas Akhavan, Cat https://www.studiointernational.com/images/articles/a/027-akhavan-abbas-2022/Transparent-dichroic-film-in-Mount-Stuart-Glass-Pavilion-2.jpg Transparent dichroic film in Mount Stuart Glass Pavilion. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/027-akhavan-abbas-2022/The-Glass-Pavilion-at-Mount-Stuart-with-transparent-dichroic-film.jpg The Glass Pavilion at Mount Stuart with transparent dichroic film. https://www.studiointernational.com/images/articles/a/027-akhavan-abbas-2022/MSVA-0422-0280.jpg Abbas Akhavan, Variations on a Folly, 2022. Courtesy the artist, The Third Line (UAE) and Catriona Jeffries (Canada). Photo: Keith Hunter. https://www.studiointernational.com/images/articles/a/027-akhavan-abbas-2022/MSVA-0422-0236.jpg Abbas Akhavan, Variations on a Folly (detail), 2022. Courtesy the artist, The Third Line (UAE) and Catriona Jeffries (Canada). Photo: Keith Hunter. https://www.studiointernational.com/images/articles/a/027-akhavan-abbas-2022/MSVA-0422-0451.jpg Abbas Akhavan. Slug, 2020. Courtesy the artist, The Third Line (UAE) and Catriona Jeffries (Canada). Image Keith Hunter. https://www.studiointernational.com/index.php/rachael-louise-bailey-interview-its-good-to-work-with-something-that-stirs-you-thirst-of-the-tide https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-09.jpg Rachael Louise Bailey: Thirst of the Tide, installation view, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/freedom-at-last.jpg Rachael Louise Bailey. Freedom at last, The Black Stuff, 2016. Photo courtesy the artist. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/global.jpg Rachael Louise Bailey. Global - The Black Stuff, Whitstable Biennale, 2018. Photo courtesy the artist. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/IMG_5548.jpg Rachael Louise Bailey https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-26.jpg Rachael Louise Bailey. Rest, 2019. 1 smoke alarm, 3 pill packets, 1 washing up bowl, 1 santa hat, 3 inhalers, 1 toy monkey, 2 dustpan brushes, 2 washing up brushes, 8 pens, 2 suntan lotion bottles, 2 mobile phones, 1 bottle of tomato ketchup, 1 alarm clock, 2 plant labels, 2 hose spray guns, 21 plastic bags, 2 coat hangers, 2 extension lead wires, 1 set of headphones, 5 vitamin C canisters, 6 hose connectors, 1 bottle lid, 1 bike helmet, 1 back sport support, 2 electric toothbrushes, 1 potato masher, 1 box lid, 2 shoe horns, 1 scrubbing brush, 1 pair of slippers, 2 sport tops, 1 dress suit, 1 tie, 1 hoselock multi-sprinkler, 1 pair of sport sock/gloves, 1 inflatable mattress, 1 bed sheet, 1 pillow, oyster shells, the Black Stuff, 180 x 50 x 35 cm. Thirst of the Tide, installation view, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-21.jpg Rachael Louise Bailey. Untitled, 2022. The Black Stuff, 200 x 404 x 2 cm. Ceiling straps variable. Installation view, Thirst of the Tide, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-13.jpg Rachael Louise Bailey: Thirst of the Tide, installation view, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-10.jpg Rachael Louise Bailey. ‘226’, 2022. Aeroplane engine fan cover, Hebridean fleece, stock fencing, 187 x 190 x 100 cm. Installation view, Thirst of the Tide, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-01.jpg Rachael Louise Bailey. Luke’s gate, 2022. 5 bar oak wooden gate, 124 x 258 x 9 cm. Installation view, Thirst of the Tide, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-04.jpg Rachael Louise Bailey. Dust us Depart, 2022. Ivy vine, butchers hook and cord, 160 x 135 x 31 cm. Installation view, Thirst of the Tide, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-30.jpg Rachael Louise Bailey. Rest, 2019. 1 smoke alarm, 3 pill packets, 1 washing up bowl, 1 santa hat, 3 inhalers, 1 toy monkey, 2 dustpan brushes, 2 washing up brushes, 8 pens, 2 suntan lotion bottles, 2 mobile phones, 1 bottle of tomato ketchup, 1 alarm clock, 2 plant labels, 2 hose spray guns, 21 plastic bags, 2 coat hangers, 2 extension lead wires, 1 set of headphones, 5 vitamin C canisters, 6 hose connectors, 1 bottle lid, 1 bike helmet, 1 back sport support, 2 electric toothbrushes, 1 potato masher, 1 box lid, 2 shoe horns, 1 scrubbing brush, 1 pair of slippers, 2 sport tops, 1 dress suit, 1 tie, 1 hoselock multi-sprinkler, 1 pair of sport sock/gloves, 1 inflatable mattress, 1 bed sheet, 1 pillow, oyster shells, the Black Stuff, 180 x 50 x 35 cm. Thirst of the Tide, installation view, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-32.jpg Rachael Louise Bailey: Thirst of the Tide, installation view, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/images/articles/b/013-bailey-rachael-2022/RLB,-Install-33.jpg Rachael Louise Bailey: Thirst of the Tide, installation view, Alice Black Gallery, London, 2022. Photo: Theo Christelis, courtesy Alice Black Gallery. https://www.studiointernational.com/index.php/gaudi-review-musee-d-orsay-paris https://www.studiointernational.com/images/articles/g/046-gaudi-2022/07-dresser.jpg Antoni Gaudi. Francesc Vidal i Jevellí (cabinetmaker). Dressing table for the Güell Palace, 1886-1889. Wood, brass and mirror, 182.5  ×  113  ×  73 cm. Collection Güell de Sentmenat. Photo © MNAC, Barcelona, 2022. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/28-horloge-casa-mila.jpg Clock for Casa Mila, 1905-1910. Workshop Esteva Figueras y Ses de Hoyos (manufacturer). Golden wood and brass, 103  ×  50  ×  20 cm. Collection Kiki et Pedro. Photo © Jacques Pepion / Sophie Crépy. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/01-Operateur-Arxiu-Mas,-photographie-pour-le-decor-de-la-Sagrada-Familia.jpg Operator Arxiu Mas. Photograph of work for the decoration of the Sagrada Família, 1905, Barcelona. Institut Amatller d https://www.studiointernational.com/images/articles/g/046-gaudi-2022/02-dessin-etudiant.jpg Antoni Gaudi. Graduation project for a university amphitheater, cross-section, 22 October 1877. Graphite, watercolour and gouache, 65  ×  90 cm. Barcelona, Cátedra Gaudí, ETSAB-UPC. Photo ©  Cátedra Gaudí, ETSAB, UPC / © CRBMC Centre de Restauració de Béns Mobles de Catalunya / Ramón Maroto. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/30-dessin-colonie-guell.jpg Antoni Gaudi. Project for the Colonia Güell Church, c1908-1910. Charcoal and white highlights on photograph, 59.5 × 46 cm. Barcelona, Museu Nacional d’Art de Catalunya. Photo © MNAC, Barcelona, 2022. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/31-dessin-interieur-eglise-colonie-guell.jpg Antoni Gaudi. Project for the Colonia Güell Church, c1908-1910. Charcoal and white highlights on photograph, 61 x 47.5 cm. Barcelona, Museu Nacional d’Art de Catalunya Photo © MNAC, Barcelona, 2022. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/20220420_125521.jpg Gaudi, installation view, Musée d’Orsay, Paris, 2022. Photo: Ana Beatrice Duarte. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/35-maquette-polychrome-sagrada.jpg Antoni Gaudi. Maquette of the Nativity Facade with polychromy by Joseph Maria Jujol (projected in the exhibition), 1910. Original model, restored and polychromed, 330 x 162 x 53 cm. Barcelona, Fundació Junta Constructora del Temple Expiatori de la Sagrada Família Photo: © Fundació Junta Constructora del Temple Expiatori de la Sagrada Família / Pep Daudé. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/14-Expo-Gaudi-photo-Sophie-Crepy.jpg Gaudi, installation view, Musée d’Orsay, Paris, 2022. Photo: © Sophie Crépy. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/20220420_132036.jpg Gaudi, installation view, Musée d’Orsay, Paris, 2022. Photo: Ana Beatrice Duarte. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/20220420_132838.jpg Gaudi, installation view, Musée d’Orsay, Paris, 2022. Photo: Ana Beatrice Duarte. https://www.studiointernational.com/images/articles/g/046-gaudi-2022/34-toit-pedrera.jpg Anonymous. Chimneys and roof terrace of Casa Milà, 1906-1916. Print from a glass plate negative, 13  ×  18 cm. Barcelona. Photo © Arxiu Fotogràfic Centre Excursionista de Catalunya. https://www.studiointernational.com/index.php/found-cities-lost-objects-women-in-the-city-review-lubaina-himid-birmingham-museum-art-gallery https://www.studiointernational.com/images/articles/f/060-found-cities-lost-objects-2022/DRAGICEVIC,-Milena-ACC4-2002-Feb-09.jpg Milena Dragicevic. Opet, 2002. Oil on linen, 114.5 x 85.1 x 6.7cm (45 1/16 x 33 1/2 x 2 5/8 in). Arts Council Collection, Southbank Centre, London. © the artist. https://www.studiointernational.com/images/articles/f/060-found-cities-lost-objects-2022/ACC36_2018_HONG_001.jpg Young In Hong. Burning Love, 2014. Viscose rayon thread, cotton, 290 x 370 cm (114 3/16 x 145 11/16 in ). Arts Council Collection, Southbank Centre, London. © Young In Hong. All rights reserved, DACS/Artimage 2021. https://www.studiointernational.com/index.php/alfredo-jaar-temptation-to-exist-review-whitney-biennial-2022-galerie-lelong https://www.studiointernational.com/images/articles/j/081-jaar-alfredo-2022/GP-2165-Other-People-Think.jpg Alfredo Jaar. Other People Think, 2012. Lightbox with black and white transparency, 20 x 20 x 5 in (50.8 x 50.8 x 12.7 cm). © Alfredo Jaar. Courtesy Galerie Lelong & Co. and the artist, New York. https://www.studiointernational.com/images/articles/j/081-jaar-alfredo-2022/Alfredo-Jaar-Whitney-Biennial-2022_2.jpg Alfredo Jaar. 06.01.2020 18.39, 2022. Video projection, sound, and fans. Collection of the artist. © Alfredo Jaar. Courtesy the artist and Galerie Lelong & Co., New York. https://www.studiointernational.com/images/articles/j/081-jaar-alfredo-2022/Install-05.jpg Alfredo Jaar. What Need is There to Weep Over Parts of Life? The Whole of it Calls for Tears, 2018. Neon, dimensions variable. Installation view, Galerie Lelong & Co., New York, Alfredo Jaar: THE TEMPTATION TO EXIST, May 13 – June 25, 2022. Courtesy Galerie Lelong & Co., New York. https://www.studiointernational.com/images/articles/j/081-jaar-alfredo-2022/Install-06.jpg Installation view, Galerie Lelong & Co., New York, Alfredo Jaar: THE TEMPTATION TO EXIST, May 13 – June 25, 2022. Courtesy Galerie Lelong & Co., New York. https://www.studiointernational.com/images/articles/j/081-jaar-alfredo-2022/GP-2246-Magician01b.jpg Alfredo Jaar. Magician, 1979/2012. Lightbox with colour transparency. Transparency: 18 x 12 in (45.7 x 30.5 cm); Lightbox: 18 1/2 x 12 1/2 x 5 1/4 in (47 x 31.8 x 13.3 cm). © Alfredo Jaar. Courtesy Galerie Lelong & Co. and the artist, New York. https://www.studiointernational.com/images/articles/j/081-jaar-alfredo-2022/GL-15487-Pier-Paolo-Pasolini.jpg Alfredo Jaar. Pier Paolo Pasolini, 2010-12. Ink on vellum, 17 11/16 x 17 3/4 in (44.9 x 45.1 cm). © Alfredo Jaar. Courtesy Galerie Lelong & Co. and the artist, New York. https://www.studiointernational.com/images/articles/j/081-jaar-alfredo-2022/Install-02.jpg Alfredo Jaar. What Need is There to Weep Over Parts of Life? The Whole of it Calls for Tears, 2018. Neon, dimensions variable. Installation view, Galerie Lelong & Co., New York, Alfredo Jaar: THE TEMPTATION TO EXIST, May 13 – June 25, 2022. Courtesy Galerie Lelong & Co., New York. https://www.studiointernational.com/images/articles/j/081-jaar-alfredo-2022/GP-1908-Cien-Anos-de-Soledad-[No-Realmente].jpg Alfredo Jaar. Cien Años de Soledad [No Realmente], 1985/2014. Neon, 16 x 66 inches (40.6 x 167.6 cm). © Alfredo Jaar. Courtesy Galerie Lelong & Co. and the artist, New York. https://www.studiointernational.com/images/articles/j/081-jaar-alfredo-2022/Install-10.jpg Installation view, Galerie Lelong & Co., New York, Alfredo Jaar: THE TEMPTATION TO EXIST, May 13 – June 25, 2022. Courtesy Galerie Lelong & Co., New York. https://www.studiointernational.com/index.php/otl-aicher-design-type-thinking-winfried-nerdinger-and-wilhelm-vossenkuhl-book-review-prestel https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/07.jpg nein (no!), poster for the peace movement announcing protest dates, 1983, design by Otl Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/04v2.jpg Posters for the Ulm Volkshochschule, 1955. HfG-Archiv / Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/15.jpg Trade fair stand for the electrical appliance manufacturer Braun at the German Radio Exhibition in Düsseldorf, 1955. The d55 exhibition system developed by Otl Aicher and Hans G. Conrad, and introduced here for the first time, was used by Braun for two decades. HfG-Archiv / Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/08.jpg From the portfolio ‘Entwicklung 5 an der Hochschule für Gestaltung Ulm’ (Development 5 at the Ulm School of Design), 1963. Examples of the implementation of corporate colours, type-face and logo on Lufthansa aircraft. HfG-Archiv /Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/20.jpg Studio buildings in Rotis. HfG-Archiv /Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/18.jpg Order in the animal kingdom: zebra. Photo: Otl Aicher. HfG-Archiv / Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/10.jpg In 1974, Otl Aicher began developing the visual appearance of the lamp manufacturer ERCO. HfG-Archiv / Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/Otl-Aicher-book-cover-750.jpg Otl Aicher: Design. Type. Thinking; Otl Aicher in his Ulm studio, 1953. HfG-Archiv /Museum Ulm. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/03.jpg Poster for the lecture series ‘wiederaufbau’ (rebuilding) at the Ulm Volkshochschule in 1947, after a design by Otl Aicher. HfG-Archiv / Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/09.jpg From the portfolio ‘Entwicklung 5 an der Hochschule für Gestaltung Ulm’ (Development 5 at the Ulm School of Design), 1963. Examples of the implementation of corporate colours, type-face and logo on Lufthansa aircraft. HfG-Archiv /Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/11.jpg ERCO - Poster for the Eclipse range. HfG-Archiv / Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/13.jpg Poster for Bulthaup, 1981. HfG-Archiv /Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/14.jpg Study on the visual appearance of the Sparkasse savings bank finance group, 1969/71. HfG-Archiv / Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/16.jpg Colour bands on the masts of the tent roof structure in Munich’s Olympic Park, 2021. Photo: Hannes Gumpp. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/17.jpg Order in nature: a snowy forest with felled timber. Photo: Otl Aicher. HfG-Archiv / Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/19.jpg The Battle of Mühldorf, 1322. Louis the Bavarian defeats Frederick the Fair of Habsburg. HfG-Archiv / Museum Ulm, © Florian Aicher. https://www.studiointernational.com/images/articles/a/026-aicher-otl-2022/01.jpg Otl Aicher in his Ulm studio, 1953. HfG-Archiv /Museum Ulm. https://www.studiointernational.com/index.php/angela-su-arise-hong-kong-in-venice-biennale-2022-video-interview https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Hong-Kong/09_performance-for-the-video-Angela-Su.jpg Photo of performance for The Magnificent Levitation Act of Lauren O, 2022 by Angela Su. Commissioned by M+, Hong Kong. Photo: Ka Lam, courtesy of the artist. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Hong-Kong/02_Angela-Su_Arise.jpg Tiptoeing the Kármán Line. Angela Su: Arise, Hong Kong in Venice, 2022. Installation view. Photo: t-space studio, courtesy of M+, Hong Kong. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Hong-Kong/01_Angela-Su_Arise.jpg Angela Su: Arise, Hong Kong in Venice, 2022. Installation view. Photo: t-space studio, courtesy of M+, Hong Kong. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Hong-Kong/03_Angela-Su_Arise.jpg Angela Su: Arise, Hong Kong in Venice, 2022. Installation view. Photo: t-space studio, courtesy of M+, Hong Kong. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Hong-Kong/04_Angela-Su_Arise.jpg Angela Su: Arise, Hong Kong in Venice, 2022. Installation view. Photo: t-space studio, courtesy of M+, Hong Kong. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Hong-Kong/05_Angela-Su_Arise.jpg Angela Su: Arise, Hong Kong in Venice, 2022. Installation view. Photo: t-space studio, courtesy of M+, Hong Kong. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Hong-Kong/08_Angela-Su_Arise.jpg Angela Su: Arise, Hong Kong in Venice, 2022 Photo: t-space studio, courtesy of M+, Hong Kong. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Hong-Kong/10_Laden-Raven-(detail).jpg Angela Su. Laden Raven (detail), 2022. Hair embroidery on fabric, 290 x 140 cm. Commissioned by M+, Hong Kong. Photo: Lok Cheng, courtesy of M+, Hong Kong. https://www.studiointernational.com/index.php/feminine-power-the-divine-to-the-demonic-review-british-museum-london https://www.studiointernational.com/images/articles/f/059-feminine-power-2022/Kali-2021-by-Kaushik-Ghosh,-India-white-background-c.-Trustees-of-the-British-Museum.jpg Kali Murti, Kaushik Ghosh, India, 2022. Image © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/f/059-feminine-power-2022/Lilith-by-Kiki-Smith.jpg Kiki Smith. Lilith, 1994. Image © Pace Gallery. https://www.studiointernational.com/images/articles/f/059-feminine-power-2022/Taraka.jpg Dance mask of Taraka, workshop of Sri Kajal Datta, 1994, India, papier mâché © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/f/059-feminine-power-2022/Mami-Wata.jpg Mami Wata headpiece, Nigeria, early 1900s, painted wood and metal. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/f/059-feminine-power-2022/Circe-John-William-Waterhouse,-Gallery-Oldham.jpg Circe Offering the Cup to Ulysses, John William Waterhouse, England, 1891, oil on canvas © Gallery Oldham. https://www.studiointernational.com/images/articles/f/059-feminine-power-2022/Queen-of-the-Night-relief.jpg Queen of the night relief, c1750 BCE, Iraq, painted clay. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/f/059-feminine-power-2022/Tiare-Wahine.jpg Tiare Wahine, Tom Pico, Hawai’i, 2001, Ohi’a wood. © The Trustees of the British Museum. https://www.studiointernational.com/index.php/whitstable-biennale-2022-preview-kent https://www.studiointernational.com/images/articles/w/046-whitstable-biennale-2022/Webb-Ellis,-This-place-is-a-message-(film-still),-2022-(4).jpg Webb-Ellis, This place is a message (film still), 2022. https://www.studiointernational.com/images/articles/w/046-whitstable-biennale-2022/Alicia-Radage-Underneath-Infinity.jpg Alicia Radage, Mother Bent, 2022. Courtesy of the artist. https://www.studiointernational.com/images/articles/w/046-whitstable-biennale-2022/Arianne-Churchman,-When-We-Were-in-Horseback,-2022-Photo-Kate-Batchelor.jpg Arianne Churchman, When We Were in Horseback, 2022. Photo: Kate Batchelor. https://www.studiointernational.com/images/articles/w/046-whitstable-biennale-2022/Olivia-Furber,-Voyage-to-Neutralia,-2022.jpg Olivia Furber, Voyage to Neutralia, 2022. https://www.studiointernational.com/images/articles/w/046-whitstable-biennale-2022/Nicole-Bachmann,-shell-of-hope,-in-cycles-(rehearsals),-2022.jpg Nicole Bachmann, shell of hope, in cycles (rehearsals), 2022. https://www.studiointernational.com/images/articles/w/046-whitstable-biennale-2022/Ben-Judd,-The-Origin,-2021-Photo-Sophia-Nasif.jpg Ben Judd, The Origin, 2021. Photo: Sophia Nasif. https://www.studiointernational.com/images/articles/w/046-whitstable-biennale-2022/Sarah-Craske,-An-Eco-Hauntology,-2022.jpg Sarah Craske, An Eco Hauntology, 2022. https://www.studiointernational.com/images/articles/w/046-whitstable-biennale-2022/Whitstable-Biennale-2012-Photo-Simon-Steven.jpg Whitstable Biennale 2012. Photo: Simon Steven. https://www.studiointernational.com/index.php/23rd-biennale-sydney-rivus-2022-review-australia https://www.studiointernational.com/images/articles/s/016-sydney-biennale-2022/Media-Image_AGNSW_Biennale--Rivus_-Document-Photography-Install--Feb-22-30.jpg Naziha Mestaoui. One Beat, One Tree, 2012. Presentation at the 23rd Biennale of Sydney (2022) was made possible with generous support from Penelope Seidler AM. Courtesy the artist’s estate. Installation view, 23rd Biennale of Sydney, Rīvus, 2022, Art Gallery of New South Wales. Photo: Document Photography. https://www.studiointernational.com/images/articles/s/016-sydney-biennale-2022/Badger-Bates-BoS-Cutaway-April-22-2.jpg Badger Bates. Save our Ngatji (Rainbow Serpents), creators of spiritual rivers connecting water, sky and land, 2022. Courtesy the artist. Made in collaboration with Matt Mewburn and the team at Eveleigh Works. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts. Installation view, 23rd Biennale of Sydney, Rīvus, 2022, The Cutaway at Barangaroo. Photo: Document Photography. https://www.studiointernational.com/images/articles/s/016-sydney-biennale-2022/badger-bates-AGNSW_Biennale--Rivus_-Document-Photography-Install--Feb-22-32.jpg Badger Bates. Barka The Forgotten River and the desecration of the Menindee Lakes, 2021-22; Wiimpatja Paakana Nhaartalana (Me Fishing in the Darling River), 2004; Warrego - Darling Junction, Toorale, 2012; Ngatyi Yarilana (Rainbow Serpents having young), 2007; and Barka (Darling River), 1992. Presentation at the 23rd Biennale of Sydney (2022) was made possible with generous support from the Australia Council for the Arts. Courtesy the artist. Installation view, 23rd Biennale of Sydney, Rīvus, 2022, Art Gallery of New South Wales. Photo: Document Photography. https://www.studiointernational.com/images/articles/s/016-sydney-biennale-2022/Torres-Strait-8.jpg Yessie Mosby, Maluw Adhil Urngu Padanu Mamuy Moesik (Legends from the deep, sitting peacefully upon the waters), 2022. Courtesy the artist. Co-commissioned by the Biennale of Sydney and The Institute of Modern Art, Brisbane; and Torres Strait 8, Poster wall, 2022 (detail). Courtesy the artists with posters by Mooki Pen, Dylan Mooney, Guy Ritani, BlakSeed, Waniki Maluwapi, Jaelyn Biumaiwai. Photography by Mary Harm, Bindimu, Torn Parachute and Daniel Billy. Co-commissioned by the Biennale of Sydney and The Institute of Modern Art, Brisbane. Background: Clare Milledge, Imbás: a well at the bottom of the sea, 2022 (detail). Courtesy the artist & STATION. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts. Installation view, 23rd Biennale of Sydney, rīvus, 2022, Pier 2/3 Walsh Bay Arts Precinct. Photography: Document Photography. https://www.studiointernational.com/index.php/59th-venice-biennale-2022-roundup-review https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/US2.jpg Simone Leigh, Last Garment, 2022. Bronze, 54 × 58 × 27 in (137.2 × 147.3 × 68.6 cm). Courtesy the artist and Matthew Marks Gallery. Photo: Timothy Schenck. © Simone Leigh. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/C1.jpg Installation view of Stan Douglas: 2011 ≠ 1848, at the Canada Pavilion at the 59th International Art Exhibition, La Biennale di Venezia, 2022. Photo: Jack Hems. Courtesy of the artist, the National Gallery of Canada, Victoria Miro and David Zwirner. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/C2.jpg Installation view of Stan Douglas: 2011 ≠ 1848, at the Canada Pavilion at the 59th International Art Exhibition, La Biennale di Venezia, 2022. Photo: Jack Hems. Courtesy of the artist, the National Gallery of Canada, Victoria Miro and David Zwirner. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/G1.jpg Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Foundations of the rear wall from 1909; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; wall lettering; chimney from an earlier building (undated); doorway to the right side room from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/K2.jpg Phase 1. ORTA Collective, Kazakhstan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia. © ORTA Collective. Courtesy of the Artist. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/PU2.jpg Julian Charrière, All Beneath It Flows Liquid Fire, 2019. Installation view of Uncombed, Unforeseen, Constrained, presented by Parasol Unit at Conservatorio di Musica Benedetto Marcello, Venice. Photography © Francesco Allegretto. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/PU1.jpg Bharti Kher, The Intermediaries (series), 2019. Installation view of Uncombed, Unforeseen, Constrained, presented by Parasol Unit at Conservatorio di Musica Benedetto Marcello, Venice. Photography © Francesco Allegretto. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/PU3.jpg Oliver Beer, Little Gods (Chamber Organ), 2022. Installation view of Uncombed, Unforeseen, Constrained, presented by Parasol Unit at Conservatorio di Musica Benedetto Marcello, Venice. Photography © Francesco Allegretto. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/P1.jpg Masbedo, Pantelleria, 2022 at Penumbra, Fondazione In Between Art Film at Complesso dell’Ospedaletto, Venice, 2022. Courtesy of the artists, and Fondazione In Between Art Film. Photo: Andrea Rossetti https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/HN1.jpg Hermann Nitsch, 20th Painting Action, 1987. Installation view at Oficine 800, Fondamenta S. Biagio, Venice. Photo: Liesl Biber. Courtesy of the Nitsch Foundation. ©Atelier Hermann Nitsch. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/US1.jpg Simone Leigh, Façade, 2022. Thatch, steel, and wood, dimensions variable. Satellite, 2022. Bronze, 24 × 10 × 7 ft 7 in (7.3× 3 × 2.3 m) (overall). Courtesy the artist and Matthew Marks Gallery. Photo by Timothy Schenck. © Simone Leigh. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/K1.jpg Phase 1. ORTA Collective, Kazakhstan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia. © ORTA Collective. Courtesy of the Artist. https://www.studiointernational.com/images/articles/v/074-venice-roundup-2022/K3.jpg Phase 1. ORTA Collective, Kazakhstan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia. © ORTA Collective. Courtesy of the Artist. https://www.studiointernational.com/index.php/anthony-scala-george-renshaw-interview-worlds-first-glass-based-nft-ethereal-ethereum https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/Ethereal,-(2021-2022),-Anthony-Scala-x2.jpg Ethereal (2021-2022), Anthony Scala. Lit and unlit versions. Photo: Agata Pec. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/Counter-Point-(2012)-Anthony-Scala.jpg Counter Point, 2012. Anthony Scala. Photo: Ester Segarra. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/Scala-at-work-on-Ethereal-image-credit-Dan-Scala-2.jpg Scala at work on Ethereal. Photo: Dan Scala. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/Ceramic-refractory-moulds-used-to-cast-the-glass,-image-credit-Anthony-Scala-2.jpg Ceramic refractory moulds used to cast the glass. Photo: Anthony Scala. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/Scala-at-work-on-Ethereal-image-credit-Dan-Scala-3.jpg Scala at work on Ethereal. Photo: Dan Scala. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/Lit-image-of-Ethereal-image-credit-Agata-Pec.jpg Lit image of Ethereal. Photo: Agata Pec. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/From-Abstract-Geometry-series,-Anthony-Scala-image-credit-Agata-Pec-2.jpg From Abstract Geometry series, 2021, Anthony Scala. Image: Agata Pec. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/From-Abstract-Geometry-series-(2021),-Anthony-Scala-image-credit-Agata-Pec-3.jpg From Abstract Geometry series, 2021, Anthony Scala. Image: Agata Pec. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/Scala-at-work-on-Ethereal-image-credit-Dan-Scala.jpg Scala at work on Ethereal. Photo: Dan Scala. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/Ceramic-refractory-moulds-used-to-cast-the-glass,-image-credit-Anthony-Scala.jpg Ceramic refractory moulds used to cast the glass. Photo: Anthony Scala. https://www.studiointernational.com/images/articles/g/045-glass-and-nfts-2022/From-Abstract-Geometry-series,-Anthony-Scala-image-credit-Agata-Pec.jpg From Abstract Geometry series, 2021, Anthony Scala. Image: Agata Pec. https://www.studiointernational.com/index.php/pilvi-takala-close-watch-finland-venice-biennale-2022-video-interview https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Finland/Close-Watch-1.jpg Pilvi Takala, Close Watch, 2022 (still). Multi-channel video installation. Courtesy Carlos/Ishikawa, Helsinki Contemporary, and Stigter van Doesburg. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Finland/23_finnish_pavilion.jpg Pilvi Takala, Close Watch, 2022. Multi-channel video installation. Commissioned by Frame Contemporary Art Finland for the Pavilion of Finland at the 59th International Art Exhibition – La Biennale di Venezia. Photo: Ugo Carmeni / Frame Contemporary Art Finland. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Finland/01_finnish_pavilion_ph_ugo_carmeni_2022.jpg Pilvi Takala, Close Watch, 2022. Multi-channel video installation. Commissioned by Frame Contemporary Art Finland for the Pavilion of Finland at the 59th International Art Exhibition – La Biennale di Venezia. Photo: Ugo Carmeni / Frame Contemporary Art Finland. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Finland/09_finnish_pavilion_ph_ugo_carmeni_2022.jpg Pilvi Takala, Close Watch, 2022. Multi-channel video installation. Commissioned by Frame Contemporary Art Finland for the Pavilion of Finland at the 59th International Art Exhibition – La Biennale di Venezia. Photo: Ugo Carmeni / Frame Contemporary Art Finland. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Finland/16_finnish_pavilion.jpg Pilvi Takala, Close Watch, 2022. Multi-channel video installation. Commissioned by Frame Contemporary Art Finland for the Pavilion of Finland at the 59th International Art Exhibition – La Biennale di Venezia. Photo: Ugo Carmeni / Frame Contemporary Art Finland. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Finland/17_finnish_pavilion.jpg Pilvi Takala, Close Watch, 2022. Multi-channel video installation. Commissioned by Frame Contemporary Art Finland for the Pavilion of Finland at the 59th International Art Exhibition – La Biennale di Venezia. Photo: Ugo Carmeni / Frame Contemporary Art Finland. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Finland/26_finnish_pavilion.jpg Pilvi Takala, Close Watch, 2022. Multi-channel video installation. Commissioned by Frame Contemporary Art Finland for the Pavilion of Finland at the 59th International Art Exhibition – La Biennale di Venezia. Photo: Ugo Carmeni / Frame Contemporary Art Finland. https://www.studiointernational.com/index.php/52-artists-aldrich-contemporary-art-museum-ridgefield-connecticut-us https://www.studiointernational.com/images/articles/a/025-52-artists-2022/Cynthia-Carlson_Untitled-Inscape.jpg Cynthia Carlson. Untitled Inscape #1, 1970. Oil on canvas, 60 x 42 in. Courtesy of the artist and Richard Saltoun Gallery, London. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/Erin-M-Riley_Webcam-2_2020.jpg Erin M. Riley. Webcam 2, 2020. Wool, cotton, 72 x 100 in. Courtesy of the artist and P.P.O.W., New York. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/52-Artists_9.jpg Mary Miss, Room Fence, 1970/2022, Courtesy of the artist, installation view, 52 Artists: A Feminist Milestone, The Aldrich Contemporary Art Museum, 6 June 2022 to 8 January 2023. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/52-Artists_7.jpg Aya Rodriguez-Izumi, In the Shadow of Fences I, 2022, Courtesy of the artist, installation view, 52 Artists: A Feminist Milestone, The Aldrich Contemporary Art Museum, 6 June 2022 to 8 January 2023. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/Loie-Hollowell-Empty-Belly,-2021.jpg Loie Hollowell. Empty Belly, 2021. Oil, acrylic medium, aqua resin, epoxy resin, on linen over panel, 72 x 54 x 6 in. Courtesy of Loie Hollowell and Pace Gallery. Photo: Christopher E. Manning. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/Jackie-Winsor_Brick-Square.jpg Jackie Winsor. Brick Square, 1971. 300 stacked bricks, 15 x 50 x 50 in. Courtesy of the artist and Paula Cooper Gallery, New York. © Jackie Winsor. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/Carol-Kinne_Yellow-Bands.jpg Carol Kinne. Cad Yellow, 1965. Oil on canvas, 22 x 26 in. Collection R. Huot, New Berlin, New York Photo: Edward Hettig. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/Howardena-Pindell_Untitled.jpg Howardena Pindell. Untitled, 1968–70. Mixed-media assemblage, acrylic paint, canvas, grommets, and stuffing, 144 × 144 in. Mott-Warsh Collection, Flint, Michigan. Photo: Robert Hensleigh and Tim Thayer. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/Astrid-Terrazas_-someone-will-make-a-Saddle-out-of-your-falling-hair_2021.jpg Astrid Terrazas. someone will make a Saddle out of your falling hair, 2021. Oil, cochineal pigment on canvas, 60 x 60 in. Courtesy of the artist and P.P.O.W., New York. Photo: Stan Narten. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/Alice-Aycock_Clay-2.jpg Alice Aycock. Clay #2, 1971. Clay mixed with water in wood frame, 48 x 48 x 6 in each. Courtesy of the artist. Collection 49 Nord 6 est - Frac Lorraine, Metz, France. Photo: Herling / Herling / Werner, Installation at the Sprengel Museum, Hannover, Germany, 2019. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/Lizania-Cruz_Evidence-Shelf.jpg Lizania Cruz. Evidence Shelf, Investigation of Dominican Racial Imaginary, 2022. 48 x 18 x 8 in. Courtesy of the artist. Photo: Adam Reich. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/52-Artists_5.jpg 52 Artists: A Feminist Milestone (installation view), The Aldrich Contemporary Art Museum, 6 June 2022 to 8 January 2023. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/52-Artists_1.jpg 52 Artists: A Feminist Milestone (installation view, left, Florencia Escudero, Talisman, 2021, Collection of Selig D. Sacks, Courtesy of the artist and Kristen Lorello, NY; right, Cynthia Carlson, Explore the Conflicts, 2017, Courtesy of the artist and Richard Saltoun Gallery, London; back center, Barbara Zucker, Time Signatures: Homage to Linda and Lucy. My Luminaries, 2010–17, Courtesy of the artist), The Aldrich Contemporary Art Museum, June 6, 2022 to January 8, 2023. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/52-Artists_2.jpg 52 Artists: A Feminist Milestone (installation view, left to right: Hannah Levy, Untitled, 2020, Courtesy of the artist and Casey Kaplan, New York © Hannah Levy; Erin M. Riley, Webcam 2, 2020, Courtesy of the artist and P·P·O·W, New York; Anna Park, Glitter Ain’t Gold, 2022, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo © Anna Park), The Aldrich Contemporary Art Museum, June 6, 2022 to January 8, 2023. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/52-Artists_3.jpg 52 Artists: A Feminist Milestone (installation view), The Aldrich Contemporary Art Museum, June 6, 2022 to January 8, 2023. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/52-Artists_4.jpg 52 Artists: A Feminist Milestone (installation view, Catalina Ouyang, Recourse, 2021, Courtesy of the artist and Lyles & King, New York), The Aldrich Contemporary Art Museum, June 6, 2022 to January 8, 2023. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/52-Artists_10.jpg 52 Artists: A Feminist Milestone (installation view), The Aldrich Contemporary Art Museum, June 6, 2022 to January 8, 2023. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/a/025-52-artists-2022/52-Artists_8.jpg 52 Artists: A Feminist Milestone (installation view, left, Kiyan Williams, Sentient Ruin 7, 2022, Courtesy the artist and Lyles & King, New York; right, LJ Roberts, Anywhere, Everywhere, 2022, Courtesy of the artist and Hales, London and New York; outdoors, Alice Aycock, Untitled Cyclone, 2017, Courtesy of the artist and Marlborough Gallery, New York), The Aldrich Contemporary Art Museum, June 6, 2022 to January 8, 2023. Photo: Jason Mandella. https://www.studiointernational.com/index.php/biennale-gherdeina-2022-italy-persones-persons https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Biennale-Gherdeina-8.-Martina-Kyriaki-Goni-and-Giles-Round_Exhibition-view-at-Sala-Trenker,-Ortisei.jpg Biennale Gherdëina 8. Martina Kyriaki Goni and Giles Round, exhibition view at Sala Trenker, Ortisei, 2022. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Biennale-Gherdeina-8-Exhibition-view-3.jpg Biennale Gherdëina 8, exhibition view at Sala Trenker, Ortisei, 2022. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Biennale-Gherdeina-8-Exhibition-view-at-Sala-Trenker-2.jpg Biennale Gherdëina 8. Exhibition view at Sala Trenker, Ortisei, 2022. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Jimmie-Durham-Ghost-in-the-Machine-(2005)-installation-shot.jpg Jimmie Durham, Ghost in the Machine, 2005. Installation view. Image courtesy Biennale Gherdëina 8. https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Simone-Fattal-Wounded-Warrior-between-two-Etel-Adnan-works.jpg Simone Fattal, Wounded Warrior, between two Etel Adnan works. Installation view. Image courtesy Biennale Gherdëina 8. https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Giles-Round,-Il-mostro,-2022.jpg Giles Round, Il mostro, 2022. View at Hotel Ladinia, Ortisei. Commissioned by Biennale Gherdëina 8. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Memory-Garden-Ritual,-performance-by-Ignota.jpg Memory Garden Ritual, performance by Ignota. Opening of Biennale Gherdëina 8, 21 May 2022. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Bruno-Walpoth-Pinnochio-at-Castel-Gardena-BG-.jpg Bruno Walpoth, Pinnochio at Castel Gardena. Image courtesy Biennale Gherdëina 8. https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Angelo-Plessas-The-Hand-of-the-Noosphere-(Euphoria)-2020.jpg Angelo Plessas, The Hand of the Noosphere (Euphoria), 2020. Image courtesy Biennale Gherdëina 8. https://www.studiointernational.com/images/articles/g/044-gherdeina-biennale-2022/Sergio-Rojas-Chaves-flags-in-the-street-of-Ortisei-as-part-of-his-Promise-of-a-Living-Fossil-installation,-2022.jpg Sergio Rojas Chaves. Flags in the street of Ortisei as part of his Promise of a Living Fossil installation, 2022. Biennale Gherdëina 8. https://www.studiointernational.com/index.php/jacquiline-creswell-interview-salisbury-chichester-cathedral-together-we-rise https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/04-Sean-Henry,-Conflux-installation-view,-Salisbury-Cathedral-2011.jpg Sean Henry, Conflux installation view, Salisbury Cathedral 2011. Courtesy of the artist. Photo: Ash Mills. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/05-Nicholas-Pope,-The-Apostles-Speaking-in-Tongues-Lit-by-Their-Own-Lamps,-2014.jpg Nicholas Pope, The Apostles Speaking in Tongues Lit by Their Own Lamps, 2014. Terracotta, approx 13.5 x 3.8 m. Courtesy of the artist and The New Art Centre Roche Court. Installation view, Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/08-Bruce-Munro,-Star-of-Bethlehem,-2014,-Courtesy-of-the-Artist.-Installation-view-Salisbury-Cathedral.jpg Bruce Munro, Star of Bethlehem, 2014. Courtesy of the Artist. Installation view Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/12-Michael-Pendry,-Les-Colombes,-2018.jpg Michael Pendry, Les Colombes, 2018, at Salisbury Cathedral. Courtesy of the Artist. Photo: Ash Mills. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/14-Grayson-Perry,-Death-of-a-Working-Hero,-2016.jpg Grayson Perry, Death of a Working Hero, 2016. Tapestry, 251 x 200 cm. Courtesy of the artist, Paragon Press and Osborne Samuel Gallery. Photo: Ash Mills. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/16-Henry-Moore,-Large-Reclining-Figure,-1983.jpg Henry Moore, Large Reclining Figure, 1983. Fibreglass, 340 × 900 × 310 cm. Photo: Ash Mills. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/19-Grip-(net),-2019-by-Antony-Gormley.jpg Antony Gormley. Grip (net), 2019. 0.15 square section stainless steel bar. 193 x 48.5 x 38 cm. Courtesy of the artist. Photo: Ash Mills. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/15-Craigie-Atchison,-Crucifixion-8,-1985-86.jpg Craigie Atchison, Crucifixion 8, 1985-86. Oil on canvas, 221 x 188 cm. Courtesy of Piano Nobile Gallery. Photo: Ash Mills. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/17-Technicians-installing-Formation-I-(Dappled-Light-of-the-Sun),-by-Conrad-Shawcross,-2015.jpg 17 Technicians installing Formation I (Dappled Light of the Sun), by Conrad Shawcross, 2015. Weathering steel, 792.1 x 792.1 x 475 cm. Courtesy of the artist and Victoria Miro Gallery. Photo: Ash Mills. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/20-Kate-McDonnell,-Twisted,-2022-Courtesy-the-artist.jpg Kate McDonnell, Twisted, 2022. Paper, dimensions variable. Courtesy the artist. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/23-Barbara-Beyer,-Possibilities,-2022-(Work-in-Progress),-courtesy-the-artist.jpg Barbara Beyer, Possibilities, 2022, (Work in Progress), courtesy the artist. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/24-Dallas-Collins,-Resurrection-(work-in-progress),-2022,-courtesy-the-artist.jpg Dallas Collins, Resurrection, 2022 (work in progress), courtesy the artist. https://www.studiointernational.com/images/articles/c/009-cresswell-jacquiline-2022/03-Sean-Henry,-Seated-Man,-2004.jpg Sean Henry, Seated Man, 2004. Ceramic, oil paint. 84 x 33 x 30.5 cm. Courtesy of the artist. Installation view, Salisbury Cathedral, photo Ash Mills. https://www.studiointernational.com/index.php/the-queens-jubilee-review-queercircle-london https://www.studiointernational.com/images/articles/q/095-queercircle-2022/GPS_4529.jpg Installation view from Michaela Yearwood Dan: Let Me Hold You, at Queercircle, 9 June – 8 September 2022 © Deniz Guzel. https://www.studiointernational.com/images/articles/q/095-queercircle-2022/GPS_4440.jpg Installation view from The Queens’ Jubilee, at Queercircle, 9 June – 8 September 2022 © Deniz Guzel. https://www.studiointernational.com/images/articles/q/095-queercircle-2022/GPS_4488.jpg Installation view from The Queens’ Jubilee, at Queercircle, 9 June – 8 September 2022 © Deniz Guzel. https://www.studiointernational.com/images/articles/q/095-queercircle-2022/GPS_4497.jpg Installation view from The Queens’ Jubilee, at Queercircle, 9 June – 8 September 2022 © Deniz Guzel. https://www.studiointernational.com/images/articles/q/095-queercircle-2022/GPS_4489.jpg Installation view from The Queens’ Jubilee, at Queercircle, 9 June – 8 September 2022 © Deniz Guzel. https://www.studiointernational.com/images/articles/q/095-queercircle-2022/GPS_4629.jpg Installation view from Michaela Yearwood Dan: Let Me Hold You, at Queercircle, 9 June – 8 September 2022 © Deniz Guzel. https://www.studiointernational.com/images/articles/q/095-queercircle-2022/GPS_4554.jpg Installation view from Michaela Yearwood Dan: Let Me Hold You, at Queercircle, 9 June – 8 September 2022 © Deniz Guzel. https://www.studiointernational.com/images/articles/q/095-queercircle-2022/GPS_4557.jpg Installation view from Michaela Yearwood Dan: Let Me Hold You, at Queercircle, 9 June – 8 September 2022 © Deniz Guzel. https://www.studiointernational.com/images/articles/q/095-queercircle-2022/GPS_4564.jpg Installation view from Michaela Yearwood Dan: Let Me Hold You, at Queercircle, 9 June – 8 September 2022 © Deniz Guzel. https://www.studiointernational.com/index.php/who-are-you-australian-portraiture-national-gallery-victoria https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/Ad100476_RGB.jpg Julie Dowling. Federation series: 1901–2001, 2001. Synthetic polymer paint, earth pigments, metallic paint and glitter on canvas, (1-10) 60.6 × 555 cm (variable) (overall). National Gallery of Victoria, Melbourne Purchased through the NGV Foundation with the assistance of Rupert Myer, Governor, 2001. © Julie Dowling/Licensed by Copyright Agency, Australia. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/john-nixon.jpg John Nixon. Self Portrait (non-objective composition) (yellow cross), 1990. Enamel paint on plywood, 177.6 × 165 cm. National Gallery of Victoria, Melbourne Purchased through The Art Foundation of Victoria with the assistance of Chase Manhattan Overseas Corporation, Fellow, 1991. © Courtesy of the artist. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/Mike-Parr-photo-Tom-Ross-(18).jpg Mike Parr. 12 Untitled Self Portraits (Set 3), 1990. Installation view, Who Are You: Australian Portraiture at The Ian Potter Centre: NGV Australia from 25 March to 21 August 2022. Photo: Tom Ross. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/Jenny-Watson-2.jpg Jenny Watson. A woman’s work is never done + I feel like when my father used to dry my hair, 1992. Installation view, Who Are You: Australian Portraiture at The Ian Potter Centre: NGV Australia from 25 March to 21 August 2022. Photo: Tom Ross. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/Australian-Portraiture_Tom-Ross-(14).jpg Vincent Namatjira. Australia in black and white, 2018. Installation view, Who Are You: Australian Portraiture at The Ian Potter Centre: NGV Australia from 25 March to 21 August 2022. Photo: Tom Ross. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/Australian-Portraiture_Tom-Ross-(47).jpg Installation view of Kate Beynon’s Li Ji: Warrior girl 2000; dated 2007, on display in Who Are You: Australian Portraiture at The Ian Potter Centre: NGV Australia from 25 March to 21 August 2022. Photo: Tom Ross. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/Australian-Portraiture_Tom-Ross-(49).jpg Installation view of Who Are You: Australian Portraiture at The Ian Potter Centre: NGV Australia from 25 March to 21 August 2022. Photo: Tom Ross. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/Australian-Portraiture_Tom-Ross-(23).jpg Installation view of Who Are You: Australian Portraiture at The Ian Potter Centre: NGV Australia from 25 March to 21 August 2022. Photo: Tom Ross. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/EXHI065606_RGB.jpg William Dargie. Albert Namatjira, 1958. Oil on canvas laid on composition board 76.4 x 61.2 cm. National Portrait Gallery, Canberra Purchased with funds donated by Marilyn Darling AC and with the assistance of Philip Bacon Galleries 2000. © Roger Dargie and Faye Dargie. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/Australian-Portraiture_Tom-Ross-(28).jpg Installation view of Who Are You: Australian Portraiture at The Ian Potter Centre: NGV Australia from 25 March to 21 August 2022. Photo: Tom Ross. https://www.studiointernational.com/images/articles/w/046-who-are-you-2022/Australian-Portraiture_Tom-Ross-(39).jpg Installation view of Who Are You: Australian Portraiture at The Ian Potter Centre: NGV Australia from 25 March to 21 August 2022. Photo: Tom Ross. https://www.studiointernational.com/index.php/alberta-whittle-deep-dive-pause-uncoiling-memory-scotland-venice-biennale-2022-video-interview https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-07.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, installation view, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-10.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, installation view, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-05.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-09.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, installation view, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-06.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, installation view, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-01.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, installation view, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-02.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, installation view, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-03.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, installation view, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-04.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/Scotland/alberta-whittle-scotland-venice-2022-08.jpg Alberta Whittle: Deep Dive (Pause) Uncoiling Memory, installation view, Scotland + Venice, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/aa-bronson-suddenly-we-were-artists-interview-general-idea-national-gallery-canada https://www.studiointernational.com/images/articles/b/012-bronson-aa-2022/aa-bronson-02.jpg General Idea, FILE Megazine, vol. 1, no. 1 (Mr. Peanut), 15 April 1972. Offset periodical, 35.5 × 28 cm. Art Metropole fonds, Art Metropole Collection, National Gallery of Canada Library and Archives, Ottawa
. Gift of Jay A. Smith, Toronto, 1999. © General Idea. Photo: General Idea Archives, Berlin, courtesy the artist. https://www.studiointernational.com/images/articles/b/012-bronson-aa-2022/aa-bronson-04.jpg General Idea, The 1970 Miss General Idea Pageant, 29 August 1970. Performance as part of What Happened, St. Lawrence Centre for the Arts, Toronto. © General Idea Photo: NGC. https://www.studiointernational.com/images/articles/b/012-bronson-aa-2022/aa-bronson-05.jpg General Idea, The Unveiling of the Cornucopia (Mural Fragment from the Room of the Unknown Function in the Villa dei Misteri of The 1984 Miss General Idea Pavillion), 1982. Enamel on plasterboard and plywood, 244 × 610 cm. University of Lethbridge Art Collection, Purchased 1986 with funds provided by the Canada Council Special Purchase Assistance Program (1986.113). © General Idea. Photo: Art Gallery of Ontario, Toronto. https://www.studiointernational.com/images/articles/b/012-bronson-aa-2022/aa-bronson-06.jpg General Idea, Homeless Sign for Trump Tower, 1989. Marble, bronze, 68.6 × 75.6 × 6.4 cm. Collection of Mario J. Palumbo. © General Idea. Photo: Art Gallery of Ontario, Toronto. https://www.studiointernational.com/images/articles/b/012-bronson-aa-2022/aa-bronson-07.jpg General Idea, AIDS, 1987. Acrylic on canvas, 182.9 × 182.9 cm. Private collection, courtesy Blondeau & Cie. © General Idea. Photo: Blondeau & Cie. https://www.studiointernational.com/images/articles/b/012-bronson-aa-2022/aa-bronson-08.jpg General Idea, Snobird: A Public Sculpture for The 1984 Miss General Idea Pavillion, 1985. Polyethylene bleach bottles, monofilament. Courtesy Carmen Lamanna Gallery Collection, Toronto installation view, General Idea, National Gallery of Canada, Ottawa, 2022. © General Idea Photo: NGC. https://www.studiointernational.com/index.php/william-corwin-interview-marguerite-louppe-rosenberg-new-york https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_058.jpg Marguerite Louppe. Étude pour violon. Pencil on paper, 7.5 x 11 in (19 x 28 cm). Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_021.jpg Marguerite Louppe. Nature morte à la théière. Oil on canvas, 25.6. x 31.7 in (65 x 80.5 cm). Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_022.jpg Marguerite Louppe. Vue de l https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_PortraitNestor.jpg Marguerite Louppe portrait. Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_062a.jpg Marguerite Louppe. Le violon rouge. Oil on canvas, 31.5 x 38.75 in (80 x 98.4 cm). Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_048.jpg Marguerite Louppe. Dimanche à Saint Cloud. Oil on canvas, 23 x 31.75 in (58.4 x 80.6 cm). Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_008.jpg Marguerite Louppe. Carafe et orchidée. Oil on canvas, 25.25 x 21 in (64.1 x 53.3 cm). Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_015.jpg Marguerite Louppe. Vue des buis à Truffières. Oil on canvas, 32.3 x 39.6 in (82 x 100.5 cm). Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_017.jpg Marguerite Louppe. Pot de fleurs. Oil on canvas, 36.2 x 28.7 in (92 x 73 cm). Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_027.jpg Marguerite Louppe. Compotier et vases bleus. Oil on canvas, 35.75 x 28.38 in (90.8 x 72.1 cm). Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/MLou_063.jpg Marguerite Louppe. Fleurs. Pen on paper, 23.75 x 18 in. Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/Truffieres-photo-scans_Page_01.jpg Marguerite Louppe and Maurice Brianchon's country home in Dordogne. Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/images/articles/l/049-louppe-marguerite-2022/Truffieres-photo-scans_Page_14.jpg Marguerite Louppe and Maurice Brianchon's country home in Dordogne. Image courtesy Rosenberg & Co, New York. https://www.studiointernational.com/index.php/a-life-in-art-lucy-wertheim-patron-collector-gallerist-review-towner-eastbourne https://www.studiointernational.com/images/articles/w/045-wertheim-lucy-2022/Kenneth-Hall,-Pink-Chrysanthemums,-1936.-Photo-Fraser-Marr-Private-Collection.jpg Kenneth Hall, Pink Chrysanthemums, 1936. Photo: Fraser Marr. Private Collection. https://www.studiointernational.com/images/articles/w/045-wertheim-lucy-2022/Basil-Rakoczi,-Inishmore-Looking-Towards-Connemara-c1942-(c)Basil-Rakoczi-Private-Collection.jpg Basil Rákóczi, untitled, c1942. © Basil Rákóczi. Photo: Fraser Marr. Private Collection. https://www.studiointernational.com/images/articles/w/045-wertheim-lucy-2022/Christopher-Wood,-Dancing-Sailors,-Brittany,-1930.-Reproduced-courtesy-of-Leicester-Museums-Galleries.jpg Christopher Wood, Dancing Sailors, Brittany, 1930. Reproduced courtesy of Leicester Museums & Galleries. https://www.studiointernational.com/images/articles/w/045-wertheim-lucy-2022/Phelan-Gibb,-Three-Graces,-1911-Towner-Eastbourne.jpg Phelan Gibb, Three Graces, 1911. Towner Eastbourne. https://www.studiointernational.com/images/articles/w/045-wertheim-lucy-2022/Nan-Youngman,-The-Eucalyptus-Plant-c1932-33-(c)The-Artist-Estate-Salford-Museum-Art-Gallery.jpg Nan Youngman, The Eucalyptus Plant, c1932-33. © The Artist https://www.studiointernational.com/images/articles/w/045-wertheim-lucy-2022/Lucy-Wertheim-by-Braakman,-c1930-Photo-The-Lucy-Wertheim-Archive.jpg Lucy Wertheim by Braakman, c1930. Photo: The Lucy Wertheim Archive. https://www.studiointernational.com/images/articles/w/045-wertheim-lucy-2022/The-Wertheim-Gallery,-exhibiting-Modern-Painters,-October-1930.-Photo-The-Lucy-Wertheim-Archive.jpg The Wertheim Gallery, exhibiting Modern Painters, October 1930. Photo: The Lucy Wertheim Archive. https://www.studiointernational.com/images/articles/w/045-wertheim-lucy-2022/The-Wertheim-Gallery-1930,-featuring-Henry-Moore-Head-of-Girl-Photo-The-Lucy-Wertheim-Archive.jpg The Wertheim Gallery 1930, featuring Henry Moore's Head of Girl. Photo: The Lucy Wertheim Archive. https://www.studiointernational.com/index.php/abdulrazaq-awofeso-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/05-Abdulrazaq-Awofeso,-Skhothane-(2021-22).jpg Abdulrazaq Awofeso, Skhothane, 2021-22. Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/04-Abdulrazaq-Awofeso,-Komole-(bridal-train,-2022).jpg Abdulrazaq Awofeso, Komole (bridal train), 2022. Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/06-Abdulrazaq-Awofeso,-Skhothane-2021-22-detail.jpg Abdulrazaq Awofeso, Skhothane, 2021-22 (detail). Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/10-Abdulrazaq-Awofeso,-Avalanche-of-Calm-(Detail)-(2022).jpg Abdulrazaq Awofeso, Avalanche of Calm, 2021–22 (detail). Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/01-Abdulrazaq-Awofeso,-Iyaloja-(2022).jpg Abdulrazaq Awofeso, Do You Know Who I Am (Iyaloja), 2022. Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/02-Abdulrazaq-Awofeso,-Kutaba-(2022).jpg Abdulrazaq Awofeso, Do You Know Who I Am (Kutaba), 2022. Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/03-Abdulrazaq-Awofeso,-Drip-(2022).jpg Abdulrazaq Awofeso, Do You Know Who I Am (Drip), 2022. Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/07-Abdulrazaq-Awofeso,-Skhothane-2021-22-detail.jpg Abdulrazaq Awofeso, Skhothane, 2021-22 (detail). Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/08-Abdulrazaq-Awofeso-Avalanche-of-Calm-2021-22.jpg Abdulrazaq Awofeso, Avalanche of Calm, 2021–22. Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/images/articles/a/024-awofeso-abdulrazaq-2022/09-Abdulrazaq-Awofeso-Avalanche-of-Calm-2021-22-detail.jpg Abdulrazaq Awofeso, Avalanche of Calm, 2021–22 (detail). Installation view, Abdulrazaq Awofeso: Out of Frame (2022). Courtesy Ikon Gallery. https://www.studiointernational.com/index.php/edvard-munch-masterpieces-from-bergen-review-courtauld-london https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Morning,-1884.jpg Edvard Munch. Morning, 1884. Oil on canvas, 96.5 x 103.5 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Spring-Day-on-Karl-Johan,-1890.jpg Edvard Munch. Spring Day on Karl Johan Street, 1890. Oil on canvas, 80 x 100 cm. KODE Bergen Art Museum, Gift from Bergen Art Society, 1925. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Inger-in-Sunshine,-1888.jpg Edvard Munch. Inger in Sunshine, 1888. Oil on unprimed cardboard, 73 x 46 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Melancholy,-1894-1896.jpg Edvard Munch. Melancholy, 1894-96. Oil on canvas, 80 x 100.5 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Summer-Night.-Inger-on-the-Beach,-1889.jpg Edvard Munch. Summer Night. Inger on the Beach, 1889. Oil on canvas, 126.4 x 161.7 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch,-Bathing-Boys,-1904-1905.jpg Edvard Munch. Bathing Boys, 1904-05. Oil on canvas, 70.1 x 91.3 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Evening-on-Karl-Johan,-1892.jpg Edvard Munch. Evening on Karl Johan Street, 1892. Oil on canvas, 84.5 x 121.7 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-At-the-Deathbed,-1895.jpg Edvard Munch. At the Deathbed, 1895. Oil and tempura on unprimed canvas, 90.2 x 123.3 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Marie-Helene-Holmboe,-1898.jpg Edvard Munch. Marie Helene Holmboe, 1898. Oil on canvas, 116.5 x 117 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Self-Portrait,-1909.jpg Edvard Munch. Self-Portrait in the Clinic, 1909. Oil on canvas, 100.7 x 111 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch,-Children-Playing-in-the-Street-in-Asgardstrand,-1901-1903.jpg Edvard Munch. Children playing in the Street in Åsgårdstrand, 1901-03. Oil on canvas, 74.6 x 89.2 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-House-in-Moonlight,-1893.jpg Edvard Munch. House in Moonlight, 1893-95. Oil on canvas, 70.8 x 96.5 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Man-and-Woman,-1898.jpg Edvard Munch. Man and Woman, 1898. Oil on canvas, 60.8 x 100.5 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Moonlight-on-the-Beach,-1892.jpg Edvard Munch. Moonlight on the Beach, 1892. Oil on canvas, 62.4 x 95.8 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Nude-in-Profile-Towards-the-Right,-1898.jpg Edvard Munch. Nude in Profile towards the Right, 1894. Oil on canvas, 93 x 77 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Woman-in-Three-Stages,-1894.jpg Edvard Munch. Woman in Three Stages, 1894. Oil on canvas, 164.5 x 251 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/images/articles/m/019-munch-2022/Edvard-Munch-Youth,-1908.jpg Edvard Munch. Youth, 1908. Oil on canvas, 206 x 100.4 cm. KODE Bergen Art Museum, The Rasmus Meyer Collection. https://www.studiointernational.com/index.php/frank-brangwyn-the-skinners-hall-murals-review-ditchling-museum-of-art-and-craft-sussex https://www.studiointernational.com/images/articles/b/011-brangwyn-frank-2022/Brangwyn-Charity.jpg Frank Brangwyn, Charity. Oil on canvas, 289.6 x 152.4 cm. Banqueting Hall of the Worshipful Company of the Skinners, London. Photo: Worshipful Company of the Skinners. https://www.studiointernational.com/images/articles/b/011-brangwyn-frank-2022/FBrangwyn-Education-J-copy.jpg Frank Brangwyn, Education. Oil on canvas, 289.6 x 152.4 cm. Banqueting Hall of the Worshipful Company of the Skinners, London. Photo: Worshipful Company of the Skinners. https://www.studiointernational.com/images/articles/b/011-brangwyn-frank-2022/Brangwyn-Founding-of-Tonbridge-School-A-copy.jpg Frank Brangwyn, Founding of Tonbridge School. Oil on canvas. Banqueting Hall of the Worshipful Company of the Skinners, London. Photo: Worshipful Company of the Skinners. https://www.studiointernational.com/images/articles/b/011-brangwyn-frank-2022/Brangwyn-1000.jpg Frank Brangwyn, Founding of Tonbridge School. Oil on canvas. Banqueting Hall of the Worshipful Company of the Skinners, London. Photo: Worshipful Company of the Skinners. https://www.studiointernational.com/images/articles/b/011-brangwyn-frank-2022/Frank_Brangwyn_c1900g.jpg Frank Brangwyn, c1900. Photo: Worshipful Company of the Skinners. https://www.studiointernational.com/images/articles/b/011-brangwyn-frank-2022/Brangwyn-Education-F-copy.jpg Frank Brangwyn, Education. Oil on canvas, 289.6 x 152.4 cm. Banqueting Hall of the Worshipful Company of the Skinners, London. Photo: Worshipful Company of the Skinners. https://www.studiointernational.com/images/articles/b/011-brangwyn-frank-2022/Brangwyn-Lord-Mayor-Pilkington-E-copy.jpg Frank Brangwyn, Lord Mayor Pilkington. Oil on canvas, 292.61 x 152.4 cm. Banqueting Hall of the Worshipful Company of the Skinners, London. Photo: Worshipful Company of the Skinners. https://www.studiointernational.com/images/articles/b/011-brangwyn-frank-2022/FBrangwyn-Sir-Andrew-Juddes-Defence-of-London-B-copy.jpg Frank Brangwyn, Sir Andrew’s Defense of London, 1554, 1902-1909. Oil on canvas, 289.6 x 152.4 cm. Banqueting Hall of the Worshipful Company of the Skinners, London. Photo: Worshipful Company of the Skinners. https://www.studiointernational.com/index.php/tanoa-sasraku-terratypes-review-spike-island-bristol https://www.studiointernational.com/images/articles/s/015-sasraku-tanoa-2022/Red-Gate-(Terratype)-(2022)-Image-courtesy-Andy-Keate.jpg Tanoa Sasraku. Red Gate (Terratype), 2022. Image courtesy Andy Keate. https://www.studiointernational.com/images/articles/s/015-sasraku-tanoa-2022/Blue-Gate-(Terratype)-(2022)-Image-courtesy-Andy-Keate.jpg Tanoa Sasraku. Blue Gate (Terratype), 2022. Image courtesy Andy Keate. https://www.studiointernational.com/images/articles/s/015-sasraku-tanoa-2022/Grey-Wet-Cell-(2022)-Image-courtesy-Andy-Keate.jpg Tanoa Sasraku. Grey Wet-Cell, 2022. Image courtesy Andy Keate. https://www.studiointernational.com/images/articles/s/015-sasraku-tanoa-2022/O-Pierrot-(2019),-8mm-film-still-Image-courtesy-the-artist.jpg Tanoa Sasraku. O’ Pierrot, 2019. 8mm film still. Image courtesy the artist. https://www.studiointernational.com/images/articles/s/015-sasraku-tanoa-2022/Terratype-soaked-in-the-Sligichan-river.-Video-still-(2022).-Image-courtesy-the-artist.jpg Tanoa Sasraku. Terratype soaked in the Sligichan river. Video still, 2022. Image courtesy the artist. https://www.studiointernational.com/images/articles/s/015-sasraku-tanoa-2022/Gradient-Gate-(Terratype)-(2021)-Image-courtesy-Andy-Keate.jpg Tanoa Sasraku. Gradient Gate (Terratype), 2021. Image courtesy Andy Keate. https://www.studiointernational.com/images/articles/s/015-sasraku-tanoa-2022/Grey-Wet-Cell-and-Red-Wet-Cell-(2022)-Image-courtesy-Andy-Keate.jpg Tanoa Sasraku. Grey Wet-Cell and Red Wet-Cell, 2022. Image courtesy Andy Keate. https://www.studiointernational.com/images/articles/s/015-sasraku-tanoa-2022/Red-Wet-Cell-(2022)-Image-courtesy-Andy-Keate.jpg Tanoa Sasraku. Red Wet-Cell, 2022. Image courtesy Andy Keate. https://www.studiointernational.com/index.php/katie-paterson-interview-future-library-oslo-norway https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/Deichman_Future_Library-Photo_Einar_Aslaksen-00005_web.jpg The Silent Room, in the new Deichman Bjørvika library. Photo: Einar Aslaksen. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/1_Future-Library-202-Walk-Jola-Josie-34[71].jpg Future Library 2022, Walk, Nordmarka forest, Oslo. Photo: Jola Josie. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/Speeches-in-the-forest,-LtoR-Hovind,Knausgard,-Dangarembga,-Paterson,-Sjon,-Mitchell-.jpg Future Library 2022. Speeches in the forest, Left to right: public art curator Anne Beate Hovind, Karl Ove Knausgård, Tsitsi Dangarembga, Katie Paterson, Sjón and David Mitchell. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/Galleri-F15-Evergreen-(2022)-by-Katie-Paterson-Pic-V-Simpson-.jpg Katie Paterson, Evergreen, 2022. Embroidered linen. Installation view, Galleri F15, Moss, Norway. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/Gallery-F-15-show-Festoon-lights-as-Ara-constellation,-with-silk-curtains-beyond-dyed-the-colour-of-the-first-stars-Pic-V-Simpson.jpg Katie Paterson. Festoon lights as Ara constellation, with silk curtains beyond, dyed the colour of the first stars. Installation view, Galleri F15, Moss, Norway. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/Fossil-Necklace-with-To-Burn,-Forest,-Fire-incense-stick-in-the-background-Pic-V-Simpson.jpg Katie Paterson. Fossil Necklace, 2013. Installation view, Galleri F15, Moss, Norway. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/Deichman_Future_Library-Photo_Einar_Aslaksen-00084_web.jpg The Silent Room interior, in the new Deichman Bjørvika library. Photo: Einar Aslaksen. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/Deichman_Future_Library-Entrance-Photo_Einar_Aslaksen-00026_web.jpg Deichman Bjørvika library, silent room entrance. Photo: Einar Aslaksen. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/1000_Future-Library-2022.jpg Future Library. Karl Ove Knausgård hands his manuscript to Katie Paterson, Nordmarka forest, Oslo, Norway. Photo: Kristin von Hirsch. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/Sunrise-Sunset-(2021),-a-ticker-clock-recording-every-Earthly-sunrise-by-Kate-Paterson-Pic-V-Simpson.jpg Katie Paterson, Sunrise/Sunset, 2021. A ticker clock recording every Earthly sunrise. Installation view, Galleri F15, Moss, Norway. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/The-new-Deichman-Bjorvika-library-Pic-by-V-Simpson.jpg The new Deichman Bjørvika library. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/037-paterson-katie-2022/The-Moment-(2022)-a-hand-blown-hourglass-filled-with-some-of-the-most-ancient-material-on-earth.-Part-of-Galleri-F15-show.-Pic-V-Simpson.jpg Katie Paterson, The Moment, 2022. A hand-blown hourglass filled with some of the most ancient material on earth. Installation view, Galleri F15, Moss, Norway. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/daniel-silver-looking-review-fruitmarket-edinburgh https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DS_FM__015.jpg Daniel Silver. The Audience, 2022. Oil painted ceramic. Installation view the Fruitmarket. Courtesy the artist and Frith Street Gallery, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DanielSilverpaintinginDeathValley2021.jpg Daniel Silver painting in Death Valley, California, 2021. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DS_FM__069.jpg Daniel Silver. Looking. Installation view, Fruitmarket, 2022. Courtesy the artist and Frith Street Gallery, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DanielSilverLovePink2020(2).jpg Daniel Silver. Love (pink), 2020. Oil painted ceramic, 186 x 80 x 34 cm. Courtesy the artist and Frith Street Gallery, London. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DS_FM__053.jpg Daniel Silver. Looking. Installation view, Fruitmarket, 2022. Courtesy the artist and Frith Street Gallery, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DS_FM__047.jpg Daniel Silver. Untitled, 2022. Oil on ceramic sculptures on zinc table with ceramic legs. Courtesy the artist and Frith Street Gallery, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DANIEL_SILVER-by-Solve-Sundsbo.jpg Daniel Silver in the studio. Photo: Sølve Sundsbø. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DS_FM__010.jpg Daniel Silver. The Audience, 2022. Oil painted ceramic. Installation view the Fruitmarket. Courtesy the artist and Frith Street Gallery, London. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/Daniel-Silver,-Untitled,-2020-(studio-shot).jpg Daniel Silver. Untitled, 2020 (studio shot). Courtesy the artist and Frith Street Gallery. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DanielSilverHeartOrange2020(2).jpg Daniel Silver. Heart, Orange, 2020. Oil painted ceramic, 182 x 42 x 52 cm. Courtesy the artist and Frith Street Gallery, London. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DanielSilverHeartOrange2020(3).jpg Daniel Silver. Heart, Orange, 2020. Oil painted ceramic, 182 x 42 x 52 cm. Courtesy the artist and Frith Street Gallery, London. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DanielSilverUntitled2019(2).jpg Daniel Silver. Untitled, 2019. Oil painted ceramic. Photographed in the studio. Courtesy the artist and Frith Street Gallery, London. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DanielSilverUntitled2019(3).jpg Daniel Silver. Untitled, 2019. Oil painted ceramic. Photographed in the studio. Courtesy the artist and Frith Street Gallery, London. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DanielSilverUntitled2019(studioshot).jpg Daniel Silver. Untitled, 2019. Oil painted ceramic. Photographed in the studio. Courtesy the artist and Frith Street Gallery, London. https://www.studiointernational.com/images/articles/s/014-silver-daniel-2022/DanielSilverUntitled2019.jpg Daniel Silver. Untitled, 2019. Oil painted ceramic. Photographed in the studio. Courtesy the artist and Frith Street Gallery, London. https://www.studiointernational.com/index.php/the-baroness-review-elsa-von-freytag-loringhoven-mimosa-house-london https://www.studiointernational.com/images/articles/t/066-the-baroness-2022/EvFL,-Enduring-Ornament-(1913).jpg Elsa von Freytag-Loringhoven, Enduring Ornament, 1913. Found object, metal ring. Mark Kelman Collection, New York. Photo: Justin Wonnacott. Courtesy of Carleton University Art Gallery, Ottawa. https://www.studiointernational.com/images/articles/t/066-the-baroness-2022/EvFL,-Cathedral-(c1918).jpg Elsa von Freytag-Loringhoven, Cathedral, c1918. Wood fragment, Mark Kelman Collection, New York. Photo: Justin Wonnacott. Courtesy of Carleton University Art Gallery, Ottawa. https://www.studiointernational.com/images/articles/t/066-the-baroness-2022/Mimosa-House-The-Baroness-Selection-(High-Res)-17.jpg Linda Stupart. Cathedral, 2022. Assemblage of sticks and branches. Installation view, The Baroness, Mimosa House, London. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/066-the-baroness-2022/Mimosa-House-The-Baroness-Installation-View-(High-Res)-18.jpg The Baroness, installation view, Mimosa House, London. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/066-the-baroness-2022/Baroness-Von-Freytag-Loringhoven-(1920-1925).jpg Elsa von Freytag-Loringhoven (c1921-22). George Grantham Bain Collection, Library of Congress Prints & Photographs Division, LC 5677-2. From digital scan of photograph. https://www.studiointernational.com/images/articles/t/066-the-baroness-2022/Mimosa-House-The-Baroness-Selection-(High-Res)-7.jpg The Baroness, installation view, Mimosa House, London. https://www.studiointernational.com/index.php/yuki-kihara-paradise-camp-new-zealand-venice-biennale-2022-video-interview https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/New-Zealand/NZ_Installs_Full-res_005.jpg Yuki Kihara, Paradise Camp, curated by Natalie King. Installation view, New Zealand Pavilion, Venice Biennale, 2022. Photo: Luke Walker. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/New-Zealand/NZ_Installs_Full-res_010.jpg Yuki Kihara, Paradise Camp, curated by Natalie King. Installation view, New Zealand Pavilion, Venice Biennale, 2022. Photo: Luke Walker. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/New-Zealand/NZ_Day-02-pickup-Installs_-4.jpg Yuki Kihara, Paradise Camp, curated by Natalie King. Installation view, New Zealand Pavilion, Venice Biennale, 2022. Photo: Luke Walker. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/New-Zealand/NZ_Day-02-pickup-Installs_-11.jpg Yuki Kihara’s Vārchive. Installation view, New Zealand Pavilion, Venice Biennale, 2022. Photo: Luke Walker. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/New-Zealand/NZ_Installs_Full-res_001.jpg Yuki Kihara, Fonofono o le nuanua: Patches of the rainbow (After Gauguin), 2020. Photo: Luke Walker. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/New-Zealand/NZ_Installs_Full-res_006.jpg Yuki Kihara, Paradise Camp, curated by Natalie King. Installation view, New Zealand Pavilion, Venice Biennale, 2022. Photo: Luke Walker. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/New-Zealand/NZ_Installs_Full-res_014.jpg Yuki Kihara, Paradise Camp, curated by Natalie King. Installation view, New Zealand Pavilion, Venice Biennale, 2022. Photo: Luke Walker. https://www.studiointernational.com/images/articles/v/075-venice-biennale-2022/New-Zealand/NZ_Installs_Full-res_028.jpg Yuki Kihara, Paradise Camp, curated by Natalie King. Installation view, New Zealand Pavilion, Venice Biennale, 2022. Photo: Luke Walker. https://www.studiointernational.com/index.php/documenta-15-review-kassel-germany https://www.studiointernational.com/images/articles/d/057-documenta-15-2022/08.jpg Documenta 15: Nguyễn Trinh Thi, And They Die a Natural Death, installation view, 2022, Rondell, Kassel, 14 June 2022. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/d/057-documenta-15-2022/05.jpg Documenta 15: MADEYOULOOK, Mafolofolo, 2022, installation view, Hessenland, Kassel, 15 June 2022. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/d/057-documenta-15-2022/09.jpg Documenta 15: Taring Padi, Sekarang Mereka, Besok Kita (Today they’ve come for them, tomorrow they come for us), 2021, installation view, Hallenbad Ost, Kassel, 12 June 2022. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/d/057-documenta-15-2022/02.jpg Documenta 15: El Warcha, Clever ways of stacking chairs, 2022, installation view, Fridericianum, Kassel, 11 June 2022. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/d/057-documenta-15-2022/04.jpg Documenta 15: Agus Nur Amal PMTOH, Tritangtu, 2022, installation view, Grimmwelt, Kassel, 14 June 2022. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/d/057-documenta-15-2022/07.jpg Documenta 15: Baan Noorg Collaborative Arts and Culture, The Rituals of Things, 2022, skater on the half-pipe, Fridericianum, Kassel, 13 June 2022. Photo: Nicolas Wefers. https://www.studiointernational.com/images/articles/d/057-documenta-15-2022/01.jpg Documenta 15: Atis Rezistans | Ghetto Biennale, 2022, installation view, St. Kunigundis, Kassel, 14 June 2022. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/d/057-documenta-15-2022/03.jpg Documenta 15: OFF-Biennale Budapest, Małgorzata Mirga-Tas, from the series Out of Egypt, 2021, installation view, Fridericianum, Kassel, 11 June 2022. Photo: Frank Sperling. https://www.studiointernational.com/images/articles/d/057-documenta-15-2022/06.jpg Documenta 15: Fondation Festival sur le Niger, Yaya Coulibaly, The Wall of Puppets, 2022, installation view, Hübner areal, Kassel, 13 June 2022. Photo: Maja Wirkus. https://www.studiointernational.com/index.php/the-real-and-romantic-english-art-between-two-world-wars-frances-spalding-book-review-thames-and-hudson https://www.studiointernational.com/images/articles/r/051-the-real-and-the-romantic-2022/Stanley-Spencer,-Travoys-Arriving-with-Wounded-at-a-Dressing-Station-at-Smol,-Macedonia,-September-1916-1919.jpg Stanley Spencer. Travoys Arriving with Wounded at a Dressing-Station at Smol, Macedonia, September 1916. Oil on canvas, 1919. © Imperial War Museum. The Real and the Romantic: English Art Between Two World Wars, page 181. https://www.studiointernational.com/images/articles/r/051-the-real-and-the-romantic-2022/Cyril-Power,-The-Tube-Station,-c1932.jpg Cyril Power. The Tube Station, c1932. Linocut. Courtesy Osborne Samuel Gallery, London. The Real and the Romantic: English Art Between Two World Wars, page 80b. https://www.studiointernational.com/images/articles/r/051-the-real-and-the-romantic-2022/Dora-Carrington,-Tidmarsh-Hill,-c1918.jpg Dora Carrington. Tidmarsh Hill, c1918. Oil on canvas. Private collection. The Real and the Romantic: English Art Between Two World Wars, page 138. https://www.studiointernational.com/images/articles/r/051-the-real-and-the-romantic-2022/Paul-Nash,The-Menin-Road,-1919.jpg Paul Nash. The Menin Road, 1919. Oil on canvas. © Imperial War Museum. The Real and the Romantic: English Art Between Two World Wars, page 80b. https://www.studiointernational.com/images/articles/r/051-the-real-and-the-romantic-2022/real-romantic-book-cover.jpg The Real and the Romantic: English Art Between Two World Wars, by Frances Spalding, published in the UK by Thames and Hudson; Eric Ravilious, Train Journey, 1939. Watercolour. Aberdeen Art Gallery and Museums. Photo: History and Art Collection/Alamy Stock Photo. The Real and the Romantic: English Art Between Two World Wars, page 86. https://www.studiointernational.com/index.php/barbara-pollack-interview-curator-mirror-image-chinese-identity-asia-society https://www.studiointernational.com/images/articles/p/037-pollack-barbara-2022/CUI-JIE-2020008-Western-City-Gate,-Belgrade.jpg Cui Jie. Western City Gate, Belgrade, 2020. Acrylic on canvas. Collection of Lisa and Steven Tananbaum. Image courtesy of the artist; Pilar Corrias, London; and Antenna Space, Shanghai. https://www.studiointernational.com/images/articles/p/037-pollack-barbara-2022/MIAO-YING_Surplus-Intelligence_2021-2022_Basel_HK_001.jpg Miao Ying. Surplus Intelligence, 2021-22. Single-channel film with sound, 33 min, 27 sec. Courtesy of the artist. Image courtesy of the artist. https://www.studiointernational.com/images/articles/p/037-pollack-barbara-2022/Nabuqi_How-to-be-Good-Life_1.jpg Nabuqi. How to Be https://www.studiointernational.com/images/articles/p/037-pollack-barbara-2022/CHEN-TIANZHUO_Trance_video-still00150.jpg Tianzhuo Chen. Trance, 2019. Two single-channel videos with sound (continuous loop), 5 min, 1 sec; 2 min, 51 sec. Image courtesy of the artist, BANK / MABSOCIETY, and Asia Society Museum, New York. https://www.studiointernational.com/index.php/mahmoud-khaled-interview-its-a-memorial-dedicated-to-people-who-cannot-sleep https://www.studiointernational.com/images/articles/k/050-khaled-mahmoud-2022/MR-FFP-0003.jpg Mahmoud Khaled, Fantasies on a Found Phone, Dedicated to the Man Who Lost it, 2022, multimedia installation. Courtesy of the artist. Installation view at The Mosaic Rooms. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/050-khaled-mahmoud-2022/MR-FFP-0005.jpg Mahmoud Khaled, Fantasies on a Found Phone, Dedicated to the Man Who Lost it, 2022, multimedia installation. Courtesy of the artist. Installation view at The Mosaic Rooms. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/050-khaled-mahmoud-2022/MR-FFP-0012.jpg Mahmoud Khaled, Fantasies on a Found Phone, Dedicated to the Man Who Lost it, 2022, multimedia installation. Courtesy of the artist. Installation view at The Mosaic Rooms. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/050-khaled-mahmoud-2022/MR-FFP-0016.jpg Mahmoud Khaled, Fantasies on a Found Phone, Dedicated to the Man Who Lost it, 2022, multimedia installation. Courtesy of the artist. Installation view at The Mosaic Rooms. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/050-khaled-mahmoud-2022/MR-FFP-0010.jpg Mahmoud Khaled, Fantasies on a Found Phone, Dedicated to the Man Who Lost it, 2022, multimedia installation. Courtesy of the artist. Installation view at The Mosaic Rooms. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/050-khaled-mahmoud-2022/MR-FFP-0022.jpg Mahmoud Khaled, Fantasies on a Found Phone, Dedicated to the Man Who Lost it, 2022, multimedia installation. Courtesy of the artist. Installation view at The Mosaic Rooms. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/050-khaled-mahmoud-2022/MR-FFP-0025.jpg Mahmoud Khaled, Fantasies on a Found Phone, Dedicated to the Man Who Lost it, 2022, multimedia installation. Courtesy of the artist. Installation view at The Mosaic Rooms. Photo: Andy Stagg. https://www.studiointernational.com/index.php/emma-talbot-the-age-l-eta-max-mara-art-prize-for-women-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/t/067-talbot-emma-2022/DSC1955HR.jpg Emma Talbot, The Age/L’Età, Max Mara Art Prize for Women. Installation view, Whitechapel Gallery, London, 2022. © Damian Griffiths. https://www.studiointernational.com/images/articles/t/067-talbot-emma-2022/DSC1987HR.jpg Emma Talbot, The Age/L’Età, Max Mara Art Prize for Women. Installation view, Whitechapel Gallery, London, 2022. © Damian Griffiths. https://www.studiointernational.com/images/articles/t/067-talbot-emma-2022/DSC2035HR.jpg Emma Talbot, The Age/L’Età, Max Mara Art Prize for Women. Installation view, Whitechapel Gallery, London, 2022. © Damian Griffiths. https://www.studiointernational.com/images/articles/t/067-talbot-emma-2022/DSC1980HR.jpg Emma Talbot, The Age/L’Età, Max Mara Art Prize for Women. Installation view, Whitechapel Gallery, London, 2022. © Damian Griffiths. https://www.studiointernational.com/images/articles/t/067-talbot-emma-2022/DSC1983HR.jpg Emma Talbot, The Age/L’Età, Max Mara Art Prize for Women. Installation view, Whitechapel Gallery, London, 2022. © Damian Griffiths. https://www.studiointernational.com/images/articles/t/067-talbot-emma-2022/DSC1984HR.jpg Emma Talbot, The Age/L’Età, Max Mara Art Prize for Women. Installation view, Whitechapel Gallery, London, 2022. © Damian Griffiths. https://www.studiointernational.com/images/articles/t/067-talbot-emma-2022/DSC2000HR.jpg Emma Talbot, The Age/L’Età, Max Mara Art Prize for Women. Installation view, Whitechapel Gallery, London, 2022. © Damian Griffiths. https://www.studiointernational.com/images/articles/t/067-talbot-emma-2022/DSC2032HR.jpg Emma Talbot, The Age/L’Età, Max Mara Art Prize for Women. Installation view, Whitechapel Gallery, London, 2022. © Damian Griffiths. https://www.studiointernational.com/images/articles/t/067-talbot-emma-2022/DSC2037HR.jpg Emma Talbot, The Age/L’Età, Max Mara Art Prize for Women. Installation view, Whitechapel Gallery, London, 2022. © Damian Griffiths. https://www.studiointernational.com/index.php/back-to-earth-review-serpentine-london https://www.studiointernational.com/images/articles/b/010-back-to-earth-2022/Damp-and-fragrant-clay-wall-by-Dineo-Seshee-Bopape.jpg Dineo Seshee Bopape and Katy’taya Catitu Tayassu, motsopa: sonore (Clay and sound), 2021-2022. Different types of clay, earth from Kent, sound. Installation view, Back to Earth exhibition at Serpentine North, 22 June – 18 September 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/010-back-to-earth-2022/IKUM-Drying-Temple-by-Tabita-Rezaire-and-Yussef-Agbo-Ola.jpg Tabita Rezaire, architect Yussef Agbo-Ola of Amakaba, and Olaniyi Studio, Ikum Drying Temple, 2022. Dyed cotton tensiles, reclaimed pine frame, medicinal plants, recycled cellulose cable ties. Installation view, Back to Earth exhibition at Serpentine North, 22 June – 18 September 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/010-back-to-earth-2022/posters.jpg Posters, installation view, Back to Earth exhibition at Serpentine North, 22 June – 18 September 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/010-back-to-earth-2022/ant-like-structure.jpg Rezaire and Agbo-Ola’s ant-like installation. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/010-back-to-earth-2022/Brian-Eno.jpg Brian Eno, Making gardens out of silence in the uncanny valley, 2022. Sound installation. Back to Earth exhibition at Serpentine North, 22 June – 18 September 2022. Installation view. © readsreads.info. Courtesy Serpentine. https://www.studiointernational.com/images/articles/b/010-back-to-earth-2022/Dineo-Seshee-Bopape-motsopa-sonore-(Clay-and-sound),-2021-2022.jpg Dineo Seshee Bopape and Katy’taya Catitu Tayassu, motsopa: sonore (Clay and sound), 2021-2022. Different types of clay, earth from Kent, sound. Back to Earth exhibition at Serpentine North (22 June – 18 September). Installation view. © readsreads.info. Courtesy Serpentine. https://www.studiointernational.com/images/articles/b/010-back-to-earth-2022/Close-up-of-Pollenator-Pathmaker-plants.jpg Alexandra Daisy Ginsberg, Pollinator Pathmaker project. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/010-back-to-earth-2022/Sun-and-Sea-at-The-Albany-in-Deptford.jpg Sun & Sea, by eco-opera artist and musician Lina Lapelytė, librettist Vaiva Grainytė and director Rugilė Barzdžiukaitė at The Albany in Deptford, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/010-back-to-earth-2022/Clay-masks-detail-Pic-V-Simpson.jpg Dineo Seshee Bopape and Katy’taya Catitu Tayassu, motsopa: sonore (Clay and sound), 2021-2022 (detail). Installation view, Back to Earth exhibition at Serpentine North, 22 June – 18 September 2022. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/antonio-calderara-from-lake-orta-review-lisson-gallery-london https://www.studiointernational.com/images/articles/c/008-calderara-antonio-2022/CALD580001.jpg Antonio Calderara. Senza Titolo, 1958. Oil on wood, 23.5 x 30 cm (9 1/4 x 11 3/4 in). © Estate of Antonio Calderara. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/c/008-calderara-antonio-2022/CALD760001.jpg Antonio Calderara. Storie del lago d https://www.studiointernational.com/images/articles/c/008-calderara-antonio-2022/CALD520003.jpg Antonio Calderara. Al Mottarone, 1952. Oil on board, 18.2 x 14.1 cm (7 1/8 x 5 1/2 in). © Estate of Antonio Calderara. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/c/008-calderara-antonio-2022/CALD500001.jpg Antonio Calderara. Natura morta, 1950. Oil on board, 12 x 17 cm (4 3/4 x 6 3/4 in). © Estate of Antonio Calderara. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/c/008-calderara-antonio-2022/CALD480001.jpg Antonio Calderara. Testa di donna, 1948. Oil on board, 17 x 10.8 cm (6 3/4 x 4 1/4 in). © Estate of Antonio Calderara. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/c/008-calderara-antonio-2022/CALD500002.jpg Antonio Calderara. Senza titolo, c1950. Oil on board, 15 x 20 cm (5 7/8 x 7 7/8 in). © Estate of Antonio Calderara. Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/c/008-calderara-antonio-2022/CALD530002.jpg Antonio Calderara. Maternità, 1953. Oil on board, 18.1 x 14.1 cm (7 1/8 x 5 1/2 in). © Estate of Antonio Calderara. Courtesy Lisson Gallery. https://www.studiointernational.com/index.php/vivian-maier-anthology-review-milton-keynes-gallery-photography-chicago https://www.studiointernational.com/images/articles/m/019-maier-vivian-2022/Vivian-Maier,-New-York,-1954-Copyright-Estate-of-Vivian-Maier,-Courtesy-of-Maloof-Collection-and-Howard-Greenberg-Gallery,-NY.jpg Vivian Maier, New York, 1954. © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY. https://www.studiointernational.com/images/articles/m/019-maier-vivian-2022/Vivian-Maier,-Self-Portrait,-not-dated-Copyright-Estate-of-Vivian-Maier-Courtesy-of-Maloof-Collection-and-Howard-Greenberg-Gallery-NY.jpg Vivian Maier, Self-Portrait, not dated. © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY. https://www.studiointernational.com/images/articles/m/019-maier-vivian-2022/Vivian-Maier,-New-York-1953-Copyright-Estate-of-Vivian-Maier-and-Courtesy-of-Maloof-Collection-and-Howard-Greenberg-Gallery-NY.jpg Vivian Maier, New York, 1953. © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY. https://www.studiointernational.com/images/articles/m/019-maier-vivian-2022/Vivian-Maier,-New-York-1985-Copyright-Estate-of-Vivian-Maier-Courtesy-of-Maloof-Collection-and-Howard-Greenberg-Gallery-NY.jpg Vivian Maier, New York, 1954. © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY. https://www.studiointernational.com/images/articles/m/019-maier-vivian-2022/Vivian-Maier,-New-York-July-27-1954-Copyright-Estate-of-Vivian-Maier-Courtesy-of-Maloof-Collection-and-Howard-Greenberg-Gallery-NY.jpg Vivian Maier, New York, July 27, 1954. © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY. https://www.studiointernational.com/images/articles/m/019-maier-vivian-2022/Vivian-Maier,-New-York,-September-3,-1954-Copyright-Estate-of-Vivian-Maier,-Courtesy-of-Maloof-Collection-and-Howard-Greenberg-Gallery,-NY.jpg Vivian Maier, New York, September 3, 1954. © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY. https://www.studiointernational.com/images/articles/m/019-maier-vivian-2022/Vivian-Maier,-September-18,-1962-Copyright-Estate-of-Vivian-Maier,-Courtesy-of-Maloof-Collection-and-Howard-Greenberg-Gallery,-NY.jpg Vivian Maier, September 18, 1962. © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY. https://www.studiointernational.com/images/articles/m/019-maier-vivian-2022/Vivian-Maier,-New-York,-December-2,-1954-Copyright-Estate-of-Vivian-Maier,-Courtesy-of-Maloof-Collection-and-Howard-Greenberg-Gallery,-NY.jpg Vivian Maier, New York, December 2, 1954. © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY https://www.studiointernational.com/images/articles/m/019-maier-vivian-2022/Vivian-Maier,-Self-Portrait,-New-York,-1953-Copyright-Estate-of-Vivian-Maier,-Courtesy-of-Maloof-Collection-and-Howard-Greenberg-Gallery,-NY.jpg Vivian Maier, Self-portrait, New York, 1953. © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY. https://www.studiointernational.com/index.php/david-batchelor-colour-is-review-compton-verney-warwickshire https://www.studiointernational.com/images/articles/b/009-bachelor-david-2022/07-0U9A8878-Edit.jpg David Batchelor, Colour Is, 2022. Installation view. Courtesy © Compton Verney. Photo: Jamie Woodley. https://www.studiointernational.com/images/articles/b/009-bachelor-david-2022/03-0U9A9127-Edit.jpg David Batchelor, Colour Is, 2022. Installation view. Courtesy © Compton Verney. Photo: Jamie Woodley. https://www.studiointernational.com/images/articles/b/009-bachelor-david-2022/02-0U9A9124-Edit.jpg David Batchelor, Colour Is, 2022. Installation view. Courtesy © Compton Verney. Photo: Jamie Woodley. https://www.studiointernational.com/images/articles/b/009-bachelor-david-2022/04-Inter-Concretos-0U9A9062-Edit-Edit.jpg David Batchelor, Colour Is, 2022. Installation view. Courtesy © Compton Verney. Photo: Jamie Woodley. https://www.studiointernational.com/images/articles/b/009-bachelor-david-2022/05-Corona-Shuffle-10-0U9A9008-Edit-Edit.jpg David Batchelor, Corona Shuffle 10, 2022. Courtesy © the artist and Compton Verney. https://www.studiointernational.com/images/articles/b/009-bachelor-david-2022/06-Magic-Hour-0U9A8938-Edit.jpg David Batchelor, Magic Hour, 2004-07. Found steel and aluminium light boxes, found steel support. Courtesy © the artist and Compton Verney. https://www.studiointernational.com/images/articles/b/009-bachelor-david-2022/08-0U9A8921-Edit.jpg David Batchelor, Colour Is, 2022. Installation view. Courtesy © Compton Verney. Photo: Jamie Woodley. https://www.studiointernational.com/images/articles/b/009-bachelor-david-2022/09-0U9A8732.jpg David Batchelor, Colour Is, 2022. Installation view. Courtesy © Compton Verney. Photo: Jamie Woodley. https://www.studiointernational.com/images/articles/b/009-bachelor-david-2022/01-Concreto-0U9A9149-Edit.jpg David Batchelor, Concreto 5.0/01, 2012. Courtesy © the artist and Compton Verney. https://www.studiointernational.com/index.php/milton-avery-american-colourist-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/a/024-avery-milton-2022/key-59.jpg Milton Avery, Self-Portrait, 1941. Oil on canvas, 137.2 x 86.4 cm. Collection Friends of the Neuberger Museum of Art, Purchase College, State University of New York. Gift from the Estate of Roy R. Neuberger. Photo: Jim Frank. © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022. https://www.studiointernational.com/images/articles/a/024-avery-milton-2022/key-60.jpg Milton Avery, Little Fox River, 1942. Oil on canvas, 91.8 x 122.2 cm. Collection Neuberger Museum of Art, Purchase College, State University of New York. Gift of Roy R. Neuberger. Photo: Jim Frank. © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022. https://www.studiointernational.com/images/articles/a/024-avery-milton-2022/key-63.jpg Milton Avery, Seated Girl with Dog, 1944. Oil on canvas, 111.8 x 81.3 cm. Collection Friends of the Neuberger Museum of Art, Purchase College, State University of New York. Gift from the Estate of Roy R. Neuberger. Photo: Jim Frank. © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022. https://www.studiointernational.com/images/articles/a/024-avery-milton-2022/key-33.jpg Milton Avery, Boathouse by the Sea, 1959. Oil on canvas, 182.9 x 152.4 cm. Milton Avery Trust. Photo: Adam Reich. Courtesy Victoria Miro, London, and Waqas Wajahat, New York. © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022. https://www.studiointernational.com/images/articles/a/024-avery-milton-2022/key-8.jpg Milton Avery, Blossoming, 1918. Oil on board, 27.9 x 38.1 cm. Milton Avery Trust. Photo: Adam Reich. © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022. https://www.studiointernational.com/images/articles/a/024-avery-milton-2022/key-70.jpg Milton Avery, Beach Blankets, 1960. Oil on canvas, 136.2 x 181.9 cm. Wichita Art Museum. Gift of Marian and S. O. Beren, Wichita, Kansas. © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022. https://www.studiointernational.com/images/articles/a/024-avery-milton-2022/key-3.jpg Milton Avery, Husband and Wife, 1945 (detail). Oil on canvas, 85.7 x 111.8 cm. Wadsworth Atheneum Museum of Art, Hartford, Connecticut. Gift of Mr and Mrs Roy R. Neuberger. Photo: Allen Phillips / Wadsworth Atheneum. © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022. https://www.studiointernational.com/images/articles/a/024-avery-milton-2022/key-69.jpg Milton Avery, Black Sea, 1959. Oil on canvas, 127 x 172.1 cm. The Phillips Collection, Washington, DC. © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022. https://www.studiointernational.com/index.php/celine-condorelli-interview-after-work-talbot-rice-gallery-edinburgh https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/S80C3024.jpg Céline Condorelli, Brise Soleil (2020), awning fabric, cotton rope. Installation view, Céline Condorelli: After Work, Talbot Rice Gallery, University of Edinburgh. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/S80C2937.jpg Céline Condorelli, Prologue, 2022, with Brise Soleil (2020), Props (2020–22), A Lot for a Little (2022), Alteration to Existing Conditions (windows). Installation view, Céline Condorelli: After Work, Talbot Rice Gallery, University of Edinburgh. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/S80C3264.jpg Céline Condorelli and Ben Rivers with Jay Bernard. After Work, 2021. Colour, sound, 16 mm transferred to HD, 12:55. Installation view, Céline Condorelli: After Work, Talbot Rice Gallery, University of Edinburgh. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/CC_cotton-rubber_1714.jpg Céline Condorelli, Cotton/Rubber, 2017. Silkscreen, two colours on red paper. Courtesy the artist. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/AFTER-WORK-10.jpg Céline Condorelli and Ben Rivers with Jay Bernard. After Work, 2021, film still. Colour, sound, 16mm transferred to HD, 12:55. Courtesy the artists. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/S80C3376.jpg Céline Condorelli, Host, 2019. Fabric. Installation view, Céline Condorelli: After Work, Talbot Rice Gallery, University of Edinburgh. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/AFTER-WORK-1.jpg Céline Condorelli and Ben Rivers with Jay Bernard. After Work, 2021, film still. Colour, sound, 16mm transferred to HD, 12:55. Courtesy the artists. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/CC_cotton-rubber_1736.jpg Céline Condorelli, Cotton/Rubber, 2017. Silkscreen, two colours on red paper. Courtesy the artist. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/S80C2891.jpg Céline Condorelli, More Permanent than Snow, 2019, polyurethane, sand. Installation view, Céline Condorelli: After Work, Talbot Rice Gallery, University of Edinburgh. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/S80C3400.jpg Céline Condorelli, Host, 2019. Fabric. Installation view, Céline Condorelli: After Work, Talbot Rice Gallery, University of Edinburgh. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/S80C3422-Edit.jpg Céline Condorelli, Thinking through skin, 2021-22. Installation view, Céline Condorelli: After Work, Talbot Rice Gallery, University of Edinburgh. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/c/009-condorelli-celine-2022/S80C3458.jpg Céline Condorelli, Thinking through skin, 2021-22. Installation view, Céline Condorelli: After Work, Talbot Rice Gallery, University of Edinburgh. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/index.php/earth-digging-deep-in-british-art-1781-2022-review-royal-west-of-england-academy-bristol https://www.studiointernational.com/images/articles/e/071-earth-2022/01-yinka-shonibare-cbe-earth-kid-boy-ii-2022.jpg Yinka Shonibare, Earth Kid Boy II, 2022. © Yinka Shonibare CBE. All Rights Reserved, DACS 2022. https://www.studiointernational.com/images/articles/e/071-earth-2022/03-julian-perry-b-1960-sea-view-caravans-2009.jpg Julian Perry, Sea View Caravans, 2009. Oil on panel, 46 x 34.5 cm. © and courtesy the artist. https://www.studiointernational.com/images/articles/e/071-earth-2022/06-richardlongrwa2022.jpg Richard Long, Muddy Gravity, RWA, 2022. Photo: Lisa Whiting. https://www.studiointernational.com/images/articles/e/071-earth-2022/08-michael-porter-rwa-b-1948.jpg Michael Porter, Dirt series 12-07-21. Gouache on heritage paper, 45 x 32 cm. Copyright M Porter. https://www.studiointernational.com/images/articles/e/071-earth-2022/12-graham-sutherland-om1903-1980-cornish-tin-mine-emerging-miner-1943.jpg Graham Sutherland, Cornish Tin Mine, Emerging Miner, 1943. Oil on canvas, 118.1 x 76.2 cm. Copyright Leeds Museums and Galleries / The Estate of Graham Sutherland. https://www.studiointernational.com/images/articles/e/071-earth-2022/11-mary-buckland-1797-1857-view-of-the-axmouth-landslip1840.jpg Mary Buckland, View of the Axmouth Landslip,1840. Watercolour on paper, 56 x 91 cm. Oxford University Museum of Natural History, Buckland Collection. https://www.studiointernational.com/images/articles/e/071-earth-2022/02-julian-perry-b-1960-fanfare-34-2010.jpg Julian Perry, Sea View Caravans, 2009. Oil on panel, 46 x 34.5 cm. Copyright and courtesy the artist. https://www.studiointernational.com/index.php/new-national-museum-art-architecture-design-oslo-norway-opens https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/National-Museum-Of-Norway_Photo-Iwan-Baan_10.jpg National Museum of Art, Architecture and Design, Oslo by architects Kleihues + Schuwerk. Photo: Iwan Baan. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/National-Museum-Oslo-Exterior-with-Nobel-Peace-Centre-left-Pic-V-Simpson.jpg National Museum, Oslo. Exterior view with Nobel Peace Center (left). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/07-Vincent-Van-Gogh-Self-Portrait-1889-Pic-V-Simpson.jpg Vincent Van Gogh, Self-Portrait, 1889. Installation view, National Museum, Oslo. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/01-Gallery-1-busts-revealing-displays-of-power-Pic-V-Simpson.jpg Gallery 1. Busts revealing displays of power. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/02-Ground-floor-displays-of-interior-design-and-affluent-tastes-V-Simpson.jpg Ground floor displays of interior design and affluent tastes. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/09-Peasant-life-celebrated,-painting-by-Asta-Norregaard-Peasant-Woman-from-Normandy--1889.-Sculpture-by-Mathias-Skeibrok,-Weary-1882-Pic-V-Simpson.jpg Peasant life celebrated. Painting by Asta Norregaard, Peasant Woman from Normandy, 1889. Sculpture by Mathias Skeibrok, Weary, 1882. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/03-Ground-floor-fashion-displays-on-black-mannequins-V-Simpson.jpg Ground floor fashion displays on black mannequins. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/11-Christian-Krohg-Mother-and-child-1883-Pic-V-Simpson.jpg Christian Krohg, Mother and child, 1883. Installation view, National Museum, Oslo. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/12-Sheila-Hicks-pom-poms-(Escalade-Beyond-Chromatic-Lands-2016-17)-installation-shot-for-temporary-exhibition-called-The-Pillars.jpg Sheila Hicks pom poms (Escalade Beyond Chromatic Lands 2016/17), installation view for temporary exhibition titled The Pillars. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/National-Museum-Of-Norway-I-Call-It-Art-Photo-Iwan-Baan.jpg National Museum, Oslo. I Call it Art. Photo: Iwan Baan. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/1000-National-Museum-Of-Norway_Photo-Iwan-Baan_25.jpg National Museum of Oslo. Photo: Iwan Baan. https://www.studiointernational.com/images/articles/o/082-oslo-museum-2022/National-Museum-Of-Norway-Collection-Photo-Iwan-Baan_3.jpg National Museum of Norway Collection. Photo: Iwan Baan. https://www.studiointernational.com/index.php/ai-weiwei-yours-truly-film-review-glastonbury-festival-2022 https://www.studiointernational.com/images/articles/a/023-ai-weiwei-2022/36-WeiweiCherylLegoRoom.jpg Ai Weiwei: Yours Truly. Photo: Midas PR. https://www.studiointernational.com/images/articles/a/023-ai-weiwei-2022/Womanwritingpostcard.jpg Ai Weiwei: Yours Truly. Photo: Midas PR. https://www.studiointernational.com/images/articles/a/023-ai-weiwei-2022/750-WeiweiCherylincourtyard.jpg Ai Weiwei: Yours Truly. Photo: Midas PR. https://www.studiointernational.com/index.php/lubna-chowdhary-video-interview-erratics-mima-middlesbrough https://www.studiointernational.com/images/articles/c/007-chowdhary-lubna-2022/mima_lubna_chowdhary_event.jpg Installation view, Lubna Chowdhary: Erratics, Middlesbrough Institute of Modern Art, 25 June – 9 October 2022. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/c/007-chowdhary-lubna-2022/mima_lubna_chowdhary_event-27.jpg Installation view, Lubna Chowdhary: Erratics, Middlesbrough Institute of Modern Art, 25 June – 9 October 2022. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/c/007-chowdhary-lubna-2022/mima_lubna_chowdhary_event-2.jpg Installation view, Lubna Chowdhary: Erratics, Middlesbrough Institute of Modern Art, 25 June – 9 October 2022. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/c/007-chowdhary-lubna-2022/mima_lubna_chowdhary_event-4.jpg Installation view, Lubna Chowdhary: Erratics, Middlesbrough Institute of Modern Art, 25 June – 9 October 2022. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/c/007-chowdhary-lubna-2022/mima_lubna_chowdhary_event-47.jpg Installation view, Lubna Chowdhary: Erratics, Middlesbrough Institute of Modern Art, 25 June – 9 October 2022. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/c/007-chowdhary-lubna-2022/mima_lubna_chowdhary_event-49.jpg Installation view, Lubna Chowdhary: Erratics, Middlesbrough Institute of Modern Art, 25 June – 9 October 2022. Photo: Rachel Deakin. https://www.studiointernational.com/index.php/nick-merriman-horniman-museum-london-director-interview-art-fund-museum-of-year-award https://www.studiointernational.com/images/articles/m/018-merriman-nick-2022/Horniman-Museum-and-Gardens,-London,-Art-Fund-Museum-of-the-Year-winner-2022.jpg Horniman Museum and Gardens, London, Art Fund Museum of the Year winner 2022. © Emli Bendixen. https://www.studiointernational.com/images/articles/m/018-merriman-nick-2022/horniman-02.jpg Horniman Museum and Gardens, London, Art Fund Museum of the Year winner 2022. © Emli Bendixen. https://www.studiointernational.com/images/articles/m/018-merriman-nick-2022/horniman-03.jpg Horniman Museum and Gardens, London, Art Fund Museum of the Year winner 2022. © Emli Bendixen. https://www.studiointernational.com/images/articles/m/018-merriman-nick-2022/Students-visit-the-Horniman-Museum-and-Gardens,-London,-June-2022---photo-Amaal-Said-(3).jpg Students visit the Horniman Museum and Gardens, London, June 2022. Photo: Amaal Said. https://www.studiointernational.com/images/articles/m/018-merriman-nick-2022/Art-Fund-Museum-of-the-Year-Award-2022-announcement-at-the-Design-Museum-in-London-(1).jpg Art Fund Museum of the Year Award 2022, announcement at the Design Museum in London. https://www.studiointernational.com/index.php/monika-fabijanska-interview-women-at-war-ukrainian-artists-fridman-gallery-new-york https://www.studiointernational.com/images/articles/f/058-fabijanska-monika-2022/08-Lesia-Khomenko,-Max-in-the-Army,-2022_small.jpg Lesia Khomenko, Max in the Army, 2022. Oil on canvas, 84.5 x 57.5 in. © Lesia Khomenko. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/058-fabijanska-monika-2022/07-Dana-Kavelina,-Letter-to-a-Turtledove,-2020_still-2.jpg Dana Kavelina, Letter to a Turtledove, 2020. Flm still. HD, colour, sound, 20:55 min. © Dava Kavelina. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/058-fabijanska-monika-2022/01-Installation-Image.jpg Installation view, Women at War, Fridman Gallery, New York. Image courtesy Fridman Gallery. https://www.studiointernational.com/images/articles/f/058-fabijanska-monika-2022/02-Installation-Image.jpg Installation view, Women at War, Fridman Gallery, New York. Image courtesy Fridman Gallery. https://www.studiointernational.com/index.php/robin-greenwood-review-abcrit-gallery-london https://www.studiointernational.com/images/articles/g/043-greenwood-robin-2022/Robin-Greenwood,-S3817,-2022.jpg Robin Greenwood, S.3817, 2022. Steel, height approx 70 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/g/043-greenwood-robin-2022/Robin-Greenwood,-Calcite_Cult,-2020.jpg Robin Greenwood, Calcite Cult, 2020. Oil and collage, 114 x 60 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/g/043-greenwood-robin-2022/Robin-Greenwood,-S3827-2022.jpg Robin Greenwood, S.3827, 2022. Steel, height approx 70 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/g/043-greenwood-robin-2022/Robin-Greenwood,-S3828,-2022.jpg Robin Greenwood, S.3828, 2022. Steel, height approx 70 cm. Image courtesy of the artist. https://www.studiointernational.com/images/articles/g/043-greenwood-robin-2022/Robin-Greenwood,-studio-show-installation-view-B.jpg Robin Greenwood, studio show installation view. Image courtesy of the artist. https://www.studiointernational.com/images/articles/g/043-greenwood-robin-2022/Robin-Greenwood,-studio-show-installation-view-A.jpg Robin Greenwood, studio show installation view. Image courtesy of the artist. https://www.studiointernational.com/images/articles/g/043-greenwood-robin-2022/Robin-Greenwood-abcrit.org-installation-view-A-.jpg Robin Greenwood, abcrit.org, installation view. https://www.studiointernational.com/index.php/pre-raphaelites-drawings-and-watercolours-review-ashmolean-museum-oxford https://www.studiointernational.com/images/articles/p/036-pre-raphaelite-drawings-2022/Cloister-Lillies.jpg Marie Spartali Stillman. Cloister Lillies, 1891. Watercolour and bodycolour on paper, 45 × 36 cm. Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/p/036-pre-raphaelite-drawings-2022/Crab.jpg John Ruskin. Study of a Velvet Crab, c1870–1. Graphite, watercolour and bodycolour on grey-blue paper, 24.5 × 31.5 cm. Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/p/036-pre-raphaelite-drawings-2022/Knights-Farewell.jpg Sir Edward Coley Burne-Jones. The Knight’s Farewell, 1858. Pen and black ink over graphite on vellum, 17.6 × 24.2 cm. Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/p/036-pre-raphaelite-drawings-2022/Day-Dream.jpg Dante Gabriel Rossetti. The Day Dream, 1872–8. Pastel and black chalk on tinted paper, 104.8 × 76.8 cm. Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/p/036-pre-raphaelite-drawings-2022/Lancelot.jpg Dante Gabriel Rossetti. Sir Lancelot’s Vision of the Sanc Grael: Study for Painting in the Oxford Union, 1857. Watercolour and bodycolour over black chalk on paper, 71 × 107 cm. Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/p/036-pre-raphaelite-drawings-2022/Light.jpg William Holman Hunt. Study for ‘The Light of the World’, 1851. Pen and brown ink on discoloured white paper (an envelope), 12.5 × 7.2 cm. Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/p/036-pre-raphaelite-drawings-2022/Reverie.jpg Dante Gabriel Rossetti. Reverie, 1868. Coloured chalk on tinted paper, 86 × 72 cm. Ashmolean Museum, University of Oxford. https://www.studiointernational.com/index.php/casa-balla-review-giacomo-rome-italy https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-interior-5.jpg Casa Balla, interior detail. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-interior-7.jpg Casa Balla, interior detail. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-interior-2.jpg Casa Balla, interior detail. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-interior-4.jpg Casa Balla, interior detail. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-hallway.jpg Casa Balla, interior detail. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-kitchen.jpg Casa Balla, kitchen. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-interior-6.jpg A series of paintings by Elica Balla. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-interior.jpg Casa Balla, interior detail. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-hallway-2.jpg Casa Balla, hallway. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-living-room.jpg Casa Balla, living room. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-interior-3.jpg Casa Balla, interior detail. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-interior-9.jpg Casa Balla, interior detail. Photo: Joe Lloyd. https://www.studiointernational.com/images/articles/c/006-casa-balla-2022/casa-balla-interior-10.jpg Casa Balla, interior detail. Photo: Joe Lloyd. https://www.studiointernational.com/index.php/frank-bowling-and-sculpture-review-stephen-lawrence-gallery-university-of-greenwich-london https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/man-who-mistook-his-wife-for-a-hat.jpg Frank Bowling. The Man Who Mistook His Wife for a Hat, 1988. Welded steel, 75 x 72 x 65 cm. Installation view: Frank Bowling and Sculpture, The Stephen Lawrence Gallery, University of Greenwich, London, 15 July – 3 September 2022. © Frank Bowling. All rights reserved DACS 2022. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/sentinel.jpg Frank Bowling. Sentinel, 1976. Acrylic on canvas, 172.72 x 71.12 cm. Installation view: Frank Bowling and Sculpture, The Stephen Lawrence Gallery, University of Greenwich, London, 15 July – 3 September 2022. © Frank Bowling. All rights reserved DACS 2022. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/ancester-window.jpg Frank Bowling. Ancestor Window, 1987. Acrylic paint, acrylic gel and found additions on canvas, 188.4 x 86.1 cm. Installation view: Frank Bowling and Sculpture, The Stephen Lawrence Gallery, University of Greenwich, London, 15 July – 3 September 2022. © Frank Bowling. All rights reserved DACS 2022. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/mummybelli.jpg Frank Bowling. Mummybelli, 2019. Acrylic, acrylic gel and found objects on canvas with marouflage, 171.3 x 206.8 cm. Installation view: Frank Bowling and Sculpture, The Stephen Lawrence Gallery, University of Greenwich, London, 15 July – 3 September 2022. © Frank Bowling. All rights reserved DACS 2022. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/king-crabbe.jpg Frank Bowling. King Crabbé, 1988 Welded steel, 68 x 50 x 30 cm. Installation view: Frank Bowling and Sculpture, The Stephen Lawrence Gallery, University of Greenwich, London, 15 July – 3 September 2022. © Frank Bowling. All rights reserved DACS 2022. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/hrund-2.jpg Frank Bowling. Hrund, 1988. Welded steel, 84 x 122 x 40 cm. Installation view: Frank Bowling and Sculpture, The Stephen Lawrence Gallery, University of Greenwich, London, 15 July – 3 September 2022. © Frank Bowling. All rights reserved DACS 2022. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/brooklyn-III.jpg Frank Bowling. Brooklyn III, 1993/2004. Acrylic paint and acrylic gel on collaged canvas, 83 x 115.5 cm. Installation view: Frank Bowling and Sculpture, The Stephen Lawrence Gallery, University of Greenwich, London, 15 July – 3 September 2022. © Frank Bowling. All rights reserved DACS 2022. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/FB-08-rgb-.jpg Installation view: Frank Bowling and Sculpture, The Stephen Lawrence Gallery, University of Greenwich, London, 15 July – 3 September 2022. © Frank Bowling. All rights reserved DACS 2022. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/Bulbul.jpg Frank Bowling. Bulbul, 1988. Welded steel, 68 x 70 x 60 cm. https://www.studiointernational.com/images/articles/b/008-bowling-frank-2022/FB-25-rgb-.jpg Frank Bowling. What Else Can you Put in A Donald Judd Box, 2022. Welded steel, 72 x 69.8 x 57.9 cm. Installation view: Frank Bowling and Sculpture, The Stephen Lawrence Gallery, University of Greenwich, London, 15 July – 3 September 2022. © Frank Bowling. All rights reserved DACS 2022. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/index.php/isaac-julien-once-again-statues-never-die-review-barnes-foundation-philadelphia-us https://www.studiointernational.com/images/articles/j/081-julien-isaac-2022/Isaac-Julien-Barnes1-(2).jpg André Holland as the writer and critic Alain Locke in Once Again … (Statues Never Die), 2022. Image courtesy of the artist & Victoria Miro, London / Venice. © 2022 Isaac Julien. https://www.studiointernational.com/images/articles/j/081-julien-isaac-2022/Danny-Huston-as-Dr-Barnes_LOW.jpg Danny Huston as Albert C. Barnes in Once Again … (Statues Never Die), 2022. Image courtesy of the artist & Victoria Miro, London / Venice. © 2022 Isaac Julien https://www.studiointernational.com/images/articles/j/081-julien-isaac-2022/Statues-Never-Die_223_2U4A5663_Henrik-Kam-2022.jpg Isaac Julien: Once Again … (Statues Never Die), 2022. The Barnes Foundation, installation view. Image courtesy Isaac Julien and Victoria Miro, London/Venice. Photo by Henrik Kam. https://www.studiointernational.com/images/articles/j/081-julien-isaac-2022/Isaac-Julien-Statues_Never_Die.jpg The New Negro Aesthetic (detail) from Once Again ... (Statues Never Die), 2022. Image courtesy of the artist & Victoria Miro, London/Venice. © 2022 Isaac Julien. https://www.studiointernational.com/images/articles/j/081-julien-isaac-2022/Statues-Never-Die_066_CU0A6921_Henrik-Kam-2022.jpg Isaac Julien: Once Again … (Statues Never Die), 2022. The Barnes Foundation, installation view. Image courtesy Isaac Julien and Victoria Miro, London/Venice. Photo by Henrik Kam. https://www.studiointernational.com/images/articles/j/081-julien-isaac-2022/Statues-Never-Die_105_CU0A7090_Henrik-Kam-2022.jpg Isaac Julien: Once Again … (Statues Never Die), 2022. The Barnes Foundation, installation view. Image courtesy Isaac Julien and Victoria Miro, London/Venice. Photo by Henrik Kam. https://www.studiointernational.com/index.php/bill-lynch-the-exile-of-dionysus-review-brighton-cca https://www.studiointernational.com/images/articles/l/048-lynch-bill-2022/Brighton-CCA-Bill-Lynch-24.jpg Bill Lynch. Four Corners Sunset, 1994. Installation view, The Exile of Dionysus, Brighton CCA, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/l/048-lynch-bill-2022/Brighton-CCA-Bill-Lynch-8.jpg Bill Lynch: The Exile of Dionysus. Installation view, Brighton CCA, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/l/048-lynch-bill-2022/Brighton-CCA-Bill-Lynch-71.jpg Bill Lynch. No title (Silver Dollar Branches) (undated). Installation view, The Exile of Dionysus, Brighton CCA, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/l/048-lynch-bill-2022/Brighton-CCA-Bill-Lynch-69.jpg Bill Lynch. Tea Cup on Forest Floor, 1993. Installation view, The Exile of Dionysus, Brighton CCA, 2022. Photo: Rob Harris. https://www.studiointernational.com/images/articles/l/048-lynch-bill-2022/Brighton-CCA-Bill-Lynch-73.jpg Bill Lynch: The Exile of Dionysus. Installation view, Brighton CCA, 2022. Photo: Rob Harris. https://www.studiointernational.com/index.php/vivienne-binns-on-and-through-the-surface-review-museum-contemporary-art-sydney-australia https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/116421pm-Super-Hi-Res-Unclipped-(TIFF-4200px)-(1).jpg Vivienne Binns. Vag Dens, 1967. Synthetic polymer paint and vitreous enamel on composition board, 122 (H) x 91.5 (W) x 3 (D) cm. National Gallery of Australia, Canberra . Purchased in 1978. © Vivienne Binns / Copyright Agency. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/MCA_VivienneBinns_130722credit_JacquieManning-60-(3).jpg Right: Vivienne Binns, Phallic Monument, 1966. Synthetic polymer paint on composition board, 91.5 x 106 cm. Installation view, On and through the Surface, Museum of Contemporary Art Australia, Sydney, image courtesy the artist, National Gallery of Australia, and Museum of Contemporary Art Australia © the artist. Photo: Jacquie Manning. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/2020-21.jpg Vivienne Binns. The aftermath and the ikon of fear, 1984-85. Synthetic polymer paint on canvas, 160 x 160 cm. Museum of Contemporary Art Australia and Tate, with support from the Qantas Foundation in 2015, Purchased 2020. © Vivienne Binns. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/1981-83-Full-flight-Art-class-drought-Tottenham-Full-Flight-Central-West-NSW-courtesy-the-artist.jpg Vivienne Binns and participants. Full flight: views of life in the Central Western region of NSW through the creative expression of those who live there, 1981-83. Artist-in-community project, including workshops, murals, posters, bulletins, newsletters. Held in Bathurst, Condobolin, Cowra, Fifield, Forbes, Grenfell, Lake Cargelligo, Lithgow, Molong, Murrin Bridge, Nyngan, Orange, Parkes, Tottenham, Tullamore and Trundle. © Vivienne Binns. Photo: courtesy of the artist. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/169717-Super-Hi-Res.jpg Vivienne Binns. Not titled [abstract motif], 1966. Drawing in gouache and fibre-tipped pen (fineliner), 33.2 (H) x 20.3 (W) cm (image). National Gallery of Australia, Canberra. Purchased 1993. © Vivienne Binns/Copyright Agency. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/MCA_VivienneBinns_130722credit_JacquieManning-21-(5).jpg Vivienne Binns, installation view, On and through the Surface, Museum of Contemporary Art Australia, Sydney, image courtesy the artist, National Gallery of Australia, and Museum of Contemporary Art Australia © the artist. Photo: Jacquie Manning. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/40748-Super-Hi-Res-Unclipped-(TIFF-4200px).jpg Vivienne Binns. Suggon, 1966. Vitreous enamel on composition board, electric motor, synthetic polymer mesh, electrical component, steel, 122.2 (H) x 92 (W) x 16 (D) cm (unframed). National Gallery of Australia, Canberra Purchased 1977. © Vivienne Binns / Copyright Agency. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/2002_Captain-Cook-in-spinifex-green_MCAVivienneBinns-0145_Photo_Zan-Wimberley.jpg Vivienne Binns. Captain Cook in spinifex green, 2002. Synthetic polymer paint on canvas, 62.6 x 100.5 cm. Private collection, Canberra. © Vivienne Binns. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/In-memory-of-the-unknown-artist_Woven-plastic-cloth,-Gift-from-Ruth-Waller_1997-0044_AGWA.jpg Vivienne Binns. In memory of the unknown artist: woven plastic cloth, gift from Ruth Waller, 1996. Synthetic polymer paint on canvas, 160 x 160 cm. State Art Collection, Art Gallery of Western Australia. Purchased through the Sir Claude Hotchin Art Foundation, Art Gallery of Western Australia Foundation, 1997. © Vivienne Binns. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/3067-Super-Hi-Res-Unclipped-(TIFF-4200px).jpg Vivienne Binns. Tapa over a Republican Governor-General, 1993. Drawing in synthetic polymer paint, 25.5 (H) x 22.5 (W) cm (image), 25.5 (H) x 22.5 (W) cm (sheet), 28.0 (H) x 25.5 (W) cm (backing). National Gallery of Australia, Canberra. Purchased 1995. © Vivienne Binns / Copyright Agency. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/1992_Vivienne-in-studio-using-painting-apparatus_Curtain,-ACT_photograph-by-Alex-Fiveash_courtesy-the-artist.jpg Vivienne Binns in her Curtin studio (Canberra), 1992. Photo: Alex Fiveash, courtesy of the artist. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/MCA_VivienneBinns_130722credit_JacquieManning-10-(2).jpg Vivienne Binns, installation view, On and through the Surface, Museum of Contemporary Art Australia, Sydney, image courtesy the artist, National Gallery of Australia, and Museum of Contemporary Art Australia © the artist. Photo: Jacquie Manning. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/MCA_VivienneBinns_130722credit_JacquieManning-14-(1).jpg Vivienne Binns, installation view, On and through the Surface, Museum of Contemporary Art Australia, Sydney, image courtesy the artist, National Gallery of Australia, and Museum of Contemporary Art Australia © the artist. Photo: Jacquie Manning. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/MCA_VivienneBinns_130722credit_JacquieManning-23-(2).jpg Vivienne Binns, installation view, On and through the Surface, Museum of Contemporary Art Australia, Sydney, image courtesy the artist, National Gallery of Australia, and Museum of Contemporary Art Australia © the artist. Photo: Jacquie Manning. https://www.studiointernational.com/images/articles/b/007-binns-vivienne-2022/MCA_VivienneBinns_130722credit_JacquieManning-46-(3).jpg Vivienne Binns, installation view, On and through the Surface, Museum of Contemporary Art Australia, Sydney, image courtesy the artist, National Gallery of Australia, and Museum of Contemporary Art Australia © the artist. Photo: Jacquie Manning. https://www.studiointernational.com/index.php/mariana-castillo-deball-interview-history-belongs-to-everyone-london-mithraeum-romans https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/Roman-Rubbish-02.jpg Mariana Castillo Deball, Roman Rubbish, installation view, London Mithraeum Bloomberg Space, 4 August 2022 – 14 January 2023. Photo © Marcus Leith. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/Roman-Rubbish-50.jpg Mariana Castillo Deball, Roman Rubbish, installation view, London Mithraeum Bloomberg Space, 4 August 2022 – 14 January 2023. Photo © Marcus Leith. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/Roman-Rubbish-48.jpg Mariana Castillo Deball, Roman Rubbish (detail), installation view, London Mithraeum Bloomberg Space, 4 August 2022 – 14 January 2023. Photo © Marcus Leith. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/Roman-Rubbish-28.jpg Mariana Castillo Deball, Roman Rubbish (detail), installation view, London Mithraeum Bloomberg Space, 4 August 2022 – 14 January 2023. Photo © Marcus Leith. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/Roman-Rubbish-47.jpg Mariana Castillo Deball, Roman Rubbish (detail), installation view, London Mithraeum Bloomberg Space, 4 August 2022 – 14 January 2023. Photo © Marcus Leith. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/Who-will-measure-the-space-023.jpg Mariana Castillo Deball, Who will measure the space, who will tell me the time?, 2015. Low temperature fired clay from Atzompa. Installation view at Museo de Arte Contemporáneo de Oaxaca, 2015. In collaboration with Taller Coatlicue & Colectivo 1050°, Oaxaca. Photo: Manuel Raeder. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/These-Ruins_Carrillo-Gill_Mexico-City_2006_02.jpg Mariana Castillo Deball, These Ruins You See, 2006. Museo de Arte Carrillo Gil, Mexico City. Photo: Ramiro Chaves. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/4-No-Solid-Form-can-Contain-You.jpg Mariana Castillo Deball, No Solid Form can Contain You, 2010. Fibreglass sculpture from a cast of the original Coatlicue statue. Installation view at Finding Oneself Outside, New Museum, New York, 2019. Image courtesy the artist. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/Roman-Rubbish-31.jpg Mariana Castillo Deball, Roman Rubbish, installation view, London Mithraeum Bloomberg Space, 4 August 2022 – 14 January 2023. Photo © Marcus Leith. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/Roman-Rubbish-06b.jpg Mariana Castillo Deball, Roman Rubbish, installation view, London Mithraeum Bloomberg Space, 4 August 2022 – 14 January 2023. Photo © Marcus Leith. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/These-Ruins_Carrillo-Gill_Mexico-City_2006_03.jpg Mariana Castillo Deball, These Ruins You See, 2006. Museo de Arte Carrillo Gil, Mexico City. Photo: Ramiro Chaves. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/These-Ruins_Carrillo-Gill_Mexico-City_2006_05.jpg Mariana Castillo Deball, These Ruins You See, 2006. Museo de Arte Carrillo Gil, Mexico City. Photo: Ramiro Chaves. https://www.studiointernational.com/images/articles/d/056-deball-mariana-castillo-2022/These-Ruins_Carrillo-Gill_Mexico-City_2006_11.jpg Mariana Castillo Deball, These Ruins You See, 2006. Museo de Arte Carrillo Gil, Mexico City. Photo: Ramiro Chaves. https://www.studiointernational.com/index.php/sascha-wiederhold-rediscovery-of-forgotten-artist-review-neue-nationalgalerie-berlin https://www.studiointernational.com/images/articles/w/044-wiederhold-sascha-2022/09.jpg Sascha Wiederhold, Archers, 1928. Oil on cardboard on canvas, 204 x 240 cm. National Museums in Berlin, National Gallery, acquired in 2021 by the Ernst von Siemens Art Foundation. Photo: Galerie Brockstedt © Sebastian Schobbert © legal successor Sascha Wiederhold. https://www.studiointernational.com/images/articles/w/044-wiederhold-sascha-2022/03.jpg Sascha Wiederhold, Sailboats in the harbour, 1929. Oil, tempera and gold bronze on paper, laid down on canvas, 158 x 219 cm. Silard Isaak Collection, Carl Laszlo estate © legal successor Sascha Wiederd. https://www.studiointernational.com/images/articles/w/044-wiederhold-sascha-2022/01.jpg Sascha Wiederhold, Jazz-Symphonie, 1927. Oil, tempera, gold and silver bronze on paper, laid down on canvas, 306 x 456 cm. Silard Isaak Collection, Estate of Carl Laszlo, © Legal successor of Sascha Wiederhold, Photo: Thomas Bruns. https://www.studiointernational.com/images/articles/w/044-wiederhold-sascha-2022/06.jpg Sascha Wiederhold, Dancer, 1926. Tempera, gold and silver bronze on paper, laid down on canvas and plywood, 135 x 107 cm. Silard Isaak Collection, Carl Laszlo estate © legal successor Sascha Wiederhold. https://www.studiointernational.com/images/articles/w/044-wiederhold-sascha-2022/07.jpg Sascha Wiederhold, Stage design for When We Dead Awaken by Henrik Ibsen, 2nd act: In the mountains, for the Stadttheater Tilsit, 1929/1930. Gouache, pencil, gold and silver bronze on paper, 40.6 x 41.3 cm. Silard Isaak Collection, estate of Carl Laszlo © legal successor Sascha Wiederhold. https://www.studiointernational.com/images/articles/w/044-wiederhold-sascha-2022/08.jpg Portrait of Sascha Wiederhold. Repro: Anja Elisabeth Witte. https://www.studiointernational.com/images/articles/w/044-wiederhold-sascha-2022/02.jpg Sascha Wiederhold, Figures in Space, 1928. Oil on cardboard on canvas, 220.5 x 307 cm. Sprengel Museum Hanover, on loan from the Lower Saxony State Museum. Photo: Herling / Herling / Werner. Sprengel Museum Hanover © legal successor Sascha Wiederhold. https://www.studiointernational.com/images/articles/w/044-wiederhold-sascha-2022/04.jpg Sascha Wiederhold, Madonna, 1924. Oil and gilt bronze on cardboard, mounted on wood, collage, painted frame, 129.5 x 198 cm (image size), 135 x 199 x 4 cm (frame size). Berlinische Galerie, © Legal successor Sascha Wiederhold, Photo: Kai-Annett Becker. https://www.studiointernational.com/images/articles/w/044-wiederhold-sascha-2022/05.jpg Sascha Wiederhold, Draft Poster for Der Sturm Costume ball, 1930. Berlinische Galerie, © Rechtsnachfolger Sascha Wiederhold, Foto: Berlinische Galerie. https://www.studiointernational.com/index.php/cooking-sections-sakiya-in-the-eddy-of-the-stream-review-climate-house-royal-botanic-garden-edinburgh-festival https://www.studiointernational.com/images/articles/c/005-cooking sections-2022/123_Cooking-Sections.jpg Cooking Sections and Sakiya: In the Eddy of the Stream, Inverleith House, Royal Botanic Garden Edinburgh, 2022. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/c/005-cooking sections-2022/98_Cooking-Sections.jpg Cooking Sections and Sakiya: In the Eddy of the Stream, Inverleith House, Royal Botanic Garden Edinburgh, 2022. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/c/005-cooking sections-2022/107_Cooking-Sections.jpg Cooking Sections and Sakiya: In the Eddy of the Stream, Inverleith House, Royal Botanic Garden Edinburgh, 2022. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/c/005-cooking sections-2022/203_Cooking-Sections.jpg Cooking Sections and Sakiya: In the Eddy of the Stream, Inverleith House, Royal Botanic Garden Edinburgh, 2022. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/c/005-cooking sections-2022/218_Cooking-Sections.jpg Cooking Sections and Sakiya: In the Eddy of the Stream, Inverleith House, Royal Botanic Garden Edinburgh, 2022. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/c/005-cooking sections-2022/32_Cooking-Sections.jpg Cooking Sections and Sakiya: In the Eddy of the Stream, Inverleith House, Royal Botanic Garden Edinburgh, 2022. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/c/005-cooking sections-2022/16_Cooking-Sections.jpg Cooking Sections and Sakiya: In the Eddy of the Stream, Inverleith House, Royal Botanic Garden Edinburgh, 2022. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/c/005-cooking sections-2022/160_Cooking-Sections.jpg Cooking Sections and Sakiya: In the Eddy of the Stream, Inverleith House, Royal Botanic Garden Edinburgh, 2022. Photo: Shannon Tofts. https://www.studiointernational.com/images/articles/c/005-cooking sections-2022/166_Cooking-Sections.jpg Cooking Sections and Sakiya: In the Eddy of the Stream, Inverleith House, Royal Botanic Garden Edinburgh, 2022. Photo: Shannon Tofts. https://www.studiointernational.com/index.php/melissa-mcgill-interview-one-of-my-main-influences-is-water-climate-change https://www.studiointernational.com/images/articles/m/017-mcgill-melissa-2022/Melissa-McGill-Film-still-from-Red-Regatta.jpg Melissa McGill. Film still from Red Regatta, Venice, 2019. © Melissa McGill Mazzoleni, London - Torino. Video by Giovanni Pellegrini. https://www.studiointernational.com/images/articles/m/017-mcgill-melissa-2022/Canaletto-(1697-1798)-The-Interior-of-the-Rotunda,-Ranelagh,-London,-1754,-oil-on-canvas-(c)-Compton-Verney.jpg Canaletto (1697-1798), The Interior of the Rotunda, Ranelagh, London, 1754. Oil on canvas. © Compton Verney. https://www.studiointernational.com/images/articles/m/017-mcgill-melissa-2022/Canaletto-(1697-1768)-The-Church-of-San-Giorgio-Maggiore,-Venice.jpg Canaletto (1697-1768). The Church of San Giorgio Maggiore, Venice c1740. Oil on canvas. © Manchester Art Gallery Bridgeman Images. https://www.studiointernational.com/images/articles/m/017-mcgill-melissa-2022/Canaletto-(1697-1768)-Venice-The-Feast-Day-of-Saint-Roch,-about-1735-(c)-The-National-Gallery.jpg Canaletto (1697-1768), Venice: The Feast Day of Saint Roch, c1735. Oil on canvas. © The National Gallery. https://www.studiointernational.com/images/articles/m/017-mcgill-melissa-2022/ANE_TheWaves_081221_016.jpg Melissa McGill. In the Waves, 2021. Performance at Rough Point, Newport, Rhode Island. Photo: Caroline Goddard for Tom Powel Imaging. https://www.studiointernational.com/images/articles/m/017-mcgill-melissa-2022/ANE_TheWaves_081621_128.jpg Melissa McGill. In the Waves, 2021. Performance at Rough Point, Newport, Rhode Island. Photo: Caroline Goddard for Tom Powel Imaging. https://www.studiointernational.com/images/articles/m/017-mcgill-melissa-2022/mcgill-making-waves.jpg Melissa McGill. In the Waves, 2021. Performance at Rough Point, Newport, Rhode Island. Photo: Natasha Harrison. https://www.studiointernational.com/index.php/matisse-red-studio-review-moma-museum-modern-art-new-york-national-gallery-denmark-copenhagen https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/01-The-Red-Studio.jpg Henri Matisse. The Red Studio, 1911, Issy-les-Moulineaux. Oil on canvas, 181 x 219.1cm. The Museum of Modern Art, New York. Mrs. Simon Guggenheim Fund. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/03-COBURN_Matisse-and-Flic.jpg Henri Matisse, Alvin Langdon Coburn, May 1913. Digital positive from original gelatin silver negative; negative 9 x 12cm. George Eastman Museum, Rochester, N.Y., Bequest of Alvin Langdon Coburn. © 2022 Succession H. Matisse / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/04-Studio-Under-The-Eaves-Marie-Pohl.jpg Henri Matisse, Studio Under The Eaves. 1903. Oil on canvas, 55.2 x 46cm. Fitzwilliam Museum Cambridge, UK. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/05-Installation-Wall-of-Map_Marie-Pohl.jpg Installation wall showing Letters from Director of Compagnie des Constructions démontables et hygiéniques to Henri Matisse, 2 June 1909, 16 June 1909 and 22 September 1909. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/08-PinkRoom-TrubetskoyPalace_MariePohl.jpg Pink Room of the Trubetskoy Palace with Matisse https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/32-DANCE-II-and-MUSIC.jpg Overlapping digital images on screen of Dance II (1909-1910), Oil on canvas, 260 x 391cm and Music, 1910, Oil on canvas, 260 x 389cm, State Hermitage Museum, Saint Petersburg, Courtesy of Henri Matisse Archives. Installation view photo: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/09-Still-Life-with-Geraniums_Marie-Pohl.jpg Henri Matisse, Still Life with Geraniums, 1910. Oil on canvas, 93 x 115cm. Pinakothek der Moderne, Munich. Installation view photo: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/10-The-Blue-Window.jpg Henri Matisse, The Blue Window, 1913. Oil on canvas, 130.8 x 90.5cm. The Museum of Modern Art, New York. Abby Aldrich Rockefeller. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/12-The-Pink-Studio_Marie-Pohl.jpg Screenshot of The Pink Studio, 1911. Oil on canvas, 181 x 221cm. State Pushkin Museum of Fine Arts, Moskau. Photo Courtesy Archives Henri Matisse. Installation view photo: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/14B-Portrait-of-Sergei-I-Shchukin_Marie-Pohl-(2).jpg Henri Matisse, Portrait of Sergei I. Shchukin, 1912. Charcoal on paper, 49 × 30.5cm, Metropolitan Museum of Art New York, The Pierre and Maria-Gaetana Matisse Collection. IPhoto: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/15_NasturtiumsSculpture-Painting-Dance-I_MP.jpg Henri Matisse, Nasturtiums with the Painting https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/17-Studio,-Quai-Saint-Michel_Marie-Pohl.jpg Henri Matisse, Studio, quai Saint-Michel, 1917. Oil on canvas, 146.1 x 116.2cm. The Phillips Collection, Washington, D.C. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/18.jpg Henri Matisse, M.S. Prichard, 1914. Etching with chine collet, plate: 19.9 x 14.8cm; sheet: 32 x 25.2cm. The Museum of Modern Art, New York. Stephen C. Clarke Fund. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/19A_Postcard_The-Gargoyle-Club_MP.jpg Postcard – The Gargoyle Club, Mirrored Mosaic Ballroom”, London, c1930s. Private collection, courtesy of Archives Henri Matisse. Installation view photo: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/25_Corsica.jpg Henri Matisse, Corsica: The Old Mill. 1898. Oil on canvas, 38.5 × 46cm. Wallraf-Richartz Museum & Fondation Corboud, Cologne. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/26_NudeWithWhiteScarf.jpg Henri Matisse, Nude With White Scarf. 1909. Oil on canvas, 116.5 x 89cm. J. Rump Collection. SMK – The National Gallery of Denmark, Copenhagen. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/27_YoungSailor-II.jpg Henri Matisse, Young Sailor II, 1906. Oil on canvas, 101.3 × 82.9cm. Jacques and Natasha Gelman Collection, The Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/28E_Large-Nude_Marie-Pohl.jpg Photograph of Large Nude 1911, by Eugene Durat, 1916. Archives Henri Matisse. Distemper on canvas. Dimensions unknown. Estimated size 190 x 240cm. 1911-1954 With the Artist. 1954-?, 1956 destroyed by Jean Matisse. Installation view photo: Marie Pohl. https://www.studiointernational.com/images/articles/m/015-matisse-the-red-studio-2022/31_Studio-interior.jpg Photograph of the interior of Matisse’s studio in Issy-les-Moulineaux. October / November 1911. Private collection, courtesy Archives Henri Matisse. © 2022 Succession H. Matisse / Artists Rights Society (ARS), New York. https://www.studiointernational.com/index.php/in-the-light-photographic-works-james-barnor-benji-reid-alexis-peskine-zana-masombuka-review https://www.studiointernational.com/images/articles/i/085-in-the-light-2022/JaB017.jpg James Barnor. NIFA NIFA, 1974. Digital C Type Print, 70 x 70 cm. Copyright James Barnor. Courtesy the Artist and October Gallery, London. https://www.studiointernational.com/images/articles/i/085-in-the-light-2022/JaB025.jpg James Barnor. Erlin Ibreck at Trafalgar Square, 1966/67. Digital Fibre Print, 70 x 70 cm. Copyright James Barnor. Courtesy the Artist and October Gallery, London. https://www.studiointernational.com/index.php/museu-xyz-marlus-araujo-ana-cunha-interview-brazil-museum-in-metaverse https://www.studiointernational.com/images/articles/m/016-museu-xyz-2022/distrito-shima.jpg Só a cópia salva” (Only the copy can save), a work-NFT by Shima. https://www.studiointernational.com/images/articles/m/016-museu-xyz-2022/metadiversidade.jpg The entrance to the exhibition Metaversidade inside the museu.xyz https://www.studiointernational.com/images/articles/m/016-museu-xyz-2022/cryptorastas-museu-4.jpg Opening party for the Cryptorastas exhibition. https://www.studiointernational.com/images/articles/m/016-museu-xyz-2022/distrito-em-construcao2.jpg The construction of the museum’s Distrito.xyz, where who your neighbours are matters. https://www.studiointernational.com/images/articles/m/016-museu-xyz-2022/distrito-6.jpg The current appearance of the museum complex. https://www.studiointernational.com/images/articles/m/016-museu-xyz-2022/distrito-4.jpg The museu.xyz has partnered with the Sesc gallery (with physical existence), in Rio de Janeiro, with an exhibition and workshops in both spaces. https://www.studiointernational.com/images/articles/m/016-museu-xyz-2022/distrito-teia-marlus.jpg A room in the museum, with works by Marlus Araujo. https://www.studiointernational.com/images/articles/m/016-museu-xyz-2022/fiac-galeria-4.jpg The gallery built for the theatre festival of Bahia shows innovative metaverse architecture. https://www.studiointernational.com/index.php/permindar-kaur-video-interview-outgrown-the-art-house-wakefield https://www.studiointernational.com/images/articles/k/050-kaur-permindar-2022/Permindar-Kaur-Outgrown,-The-Art-House,-Wakefield.jpg Overgrown House, 2020. Steel, 310 x 400 x 200 cm. Installation view, Permindar Kaur – Outgrown, The Art House, Wakefield. Photo: Richard Davies. https://www.studiointernational.com/images/articles/k/050-kaur-permindar-2022/Sleeping-Figure,-1994-2010,-Permindar-Kaur-Photo-Richard-Davies.jpg Sleeping Figure, 1994-2010. Fabric, 40 x 60 x 60 cm. Installation view, Permindar Kaur – Outgrown, The Art House, Wakefield. Photo: Richard Davies. https://www.studiointernational.com/images/articles/k/050-kaur-permindar-2022/Untitled-Bed,-2020,-Permindar-Kaur.-Photo-Richard-Davies-1.jpg Untitled – Bed, 2020. Steel, fabric, copper and stuffing, 86 x 177 x 80 cm. Installation view, Permindar Kaur – Outgrown, The Art House, Wakefield. Photo: Richard Davies. https://www.studiointernational.com/images/articles/k/050-kaur-permindar-2022/Installation-view,-Permindar-Kaur---Outgrown,-The-Art-House,-Wakefield-Photo-Richard-Davies-2.jpg Permindar Kaur – Outgrown, installation view, The Art House, Wakefield. Photo: Richard Davies. https://www.studiointernational.com/images/articles/k/050-kaur-permindar-2022/Installation-view-(Kitchen,-2022-Heads,-2022),-Photo-Richard-Davies.jpg Installation view (Kitchen, 2022, Steel, copper and fabric, 25 x 60 x 35 cm; Heads, 2022, Steel and copper, 18 x 65 x 13 cm), Permindar Kaur – Outgrown, The Art House, Wakefield. Photo: Richard Davies. https://www.studiointernational.com/images/articles/k/050-kaur-permindar-2022/Small-Table,-2020,-Permindar-Kaur-Photo-Richard-Davies.jpg Small Table, 2020. Steel and fabric, 74 x 71 x 56 cm. Installation view, Permindar Kaur – Outgrown, The Art House, Wakefield. Photo: Richard Davies. https://www.studiointernational.com/images/articles/k/050-kaur-permindar-2022/Tall-Chairs,-1996,-Permindar-Kaur-Photo-Richard-Davies.jpg Tall Chairs, 1996. Steel, fabric and stuffing, 235 x 35 x 35 cm (each chair). Installation view, Permindar Kaur – Outgrown, The Art House, Wakefield. Photo: Richard Davies. https://www.studiointernational.com/index.php/haptic-vision-rosa-lee-jo-bruton-review-richard-saltoun-gallery-london https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/REE055.jpg Rosa Lee. Untitled, 2005. Oil on canvas, 25 x 25.5 cm. Copyright estate of the artist, Courtesy Richard Saltoun Gallery London and Rome. https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/JBU002-image.jpg Jo Bruton. Cabaret, 2000. Acrylic and glass beads on canvas, 210 x 273 cm (each panel 210 x 135 cm). Copyright the Artist, Image Courtesy Richard Saltoun Gallery London and Rome, and Matt https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/REE014-(1).jpg Rosa Lee. Swathe, 2003. Oil on canvas, 163 x 172 cm. Copyright estate of the artist, Courtesy Richard Saltoun Gallery London and Rome. https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/REE018-(1).jpg Rosa Lee. Inscriptions, 1999. Oil on canvas, 147 x 173 cm. Copyright estate of the artist, Courtesy Richard Saltoun Gallery London and Rome. https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/JBU005-image.jpg Jo Bruton. Feather Run, 2022. Wallpaper. 52 cm x 10 m. Copyright the Artist, Image Courtesy Richard Saltoun Gallery London and Rome, and Matt https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/1000-JBU004.jpg Jo Bruton. Star, 2003. Acrylic and glass beans on canvas, 20 x 41 cm (each panel 20 x 20 cm. Copyright the Artist, Image Courtesy Richard Saltoun Gallery London and Rome, and Matt https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/JBU003-image.jpg Jo Bruton. Lapdance, 2003. Acrylic and glass beans on canvas, 35.5 x 51 cm (each panel 35.5 x 25 cm). Copyright the Artist, Image Courtesy Richard Saltoun Gallery London and Rome, and Matt https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/V8.jpg Installation View, Haptic Vision: Rosa Lee and Jo Bruton, Richard Saltoun Gallery, London, 2022, Photo: Andrew Grey. https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/V2.jpg Installation View, Haptic Vision: Rosa Lee and Jo Bruton, Richard Saltoun Gallery, London, 2022, Photo: Andrew Grey. https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/1000-V11.jpg Installation View, Haptic Vision: Rosa Lee and Jo Bruton, Richard Saltoun Gallery, London, 2022, Photo: Andrew Grey. https://www.studiointernational.com/images/articles/h/026-haptic-vision-2022/V5.jpg Installation View, Haptic Vision: Rosa Lee and Jo Bruton, Richard Saltoun Gallery, London, 2022, Photo: Andrew Grey. https://www.studiointernational.com/index.php/wangechi-mutu-futuristic-feminist-propositions https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/Mutu-Met-2019.jpg Wangechi Mutu, The NewOnes, Will Free Us, 2019, installation view, The Metropolitan Museum of Art. Photo: Miguel Benavides. https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/My-Cave-Call,-2021.jpg Wangechi Mutu, Still from My Cave Call, 2021. Digital film (2K HD), Anamorphic Format 16:9, 1920 x 1080p. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/2012_FamilyTree.jpg Wangechi Mutu, Family Tree, 2012. Suite of 13 mixed-media collages on paper, dimensions variable. Courtesy of the Artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/2012_Family-Tree_Red-Armed-Tree.jpg Wangechi Mutu, Detail of Family Tree, 2012. Suite of 13 mixed-media collages on paper, dimensions variable. Courtesy of the Artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/07_029_You_Were_Always_On_My_Mind_hi.jpg Wangechi Mutu, You were always on my mind, 2007. Ink, paint, mixed media, plant material and plastic pearls on Mylar, 142 x 93.3 cm (55.95 x 36.76 in). Courtesy of the Artist and Victoria Miro, London. https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/Storm-King-She-Walks-YMS.jpg Wangechi Mutu, She Walks, 2019. Red soil, charcoal, paper pulp, wood, wood glue, steel nails and synthetic hair, 82 7/10 x 39 4/5 x 20 1/10 in. Photo: Yasmeen Siddiqui. https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/She-Walks,-2019.jpg Wangechi Mutu, She Walks, 2019. Red soil, charcoal, paper pulp, wood, wood glue, steel nails and synthetic hair, 82 7/10 x 39 4/5 x 20 1/10 in. Photo: Courtesy of the Artist and Victoria Miro, London https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/Crocodylus-Detail-YMS.jpg Wangechi Mutu, Crocodylus, 2020 (detail). Bronze, 167 x 87 x 73 in. Courtesy of the artist and Gladstone Gallery. Photo: Yasmeen Siddiqui. https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/In-Two-Canoe-YMS.jpg Wangechi Mutu, In Two Canoe, 2022 (detail). Bronze. Courtesy of the artist and Gladstone Gallery. Photo: Yasmeen Siddiqui. https://www.studiointernational.com/images/articles/m/014-mutu-wangechi-2022/She-Walks,-2019-(1).jpg Wangechi Mutu, She Walks, 2019. Red soil, charcoal, paper pulp, wood, wood glue, steel nails and synthetic hair, 82 7/10 x 39 4/5 x 20 1/10 in. Photo: Courtesy of the Artist and Victoria Miro, London. https://www.studiointernational.com/index.php/marina-perez-simao-onda-review-pace-london https://www.studiointernational.com/images/articles/s/013-simao-marina-perez-2022/SIMAO_83337.jpg Marina Perez Simão. Untitled, 2022. Oil on linen, 78-3/4 × 66-7/8 in (200 cm × 169.9 cm) each, 78-3/4 × 280-5/16 (200 cm × 712 cm) overall. © Marina Perez Simão, courtesy Pace Gallery and Mendes Wood DM. Photo: Everton Balardin. https://www.studiointernational.com/images/articles/s/013-simao-marina-perez-2022/SIMAO_83327.jpg Marina Perez Simão. Untitled, 2022. Oil on linen, 66-7/8 × 53-1/2 in (169.9 cm × 135.9 cm). © Marina Perez Simão, courtesy Pace Gallery and Mendes Wood DM. Photo: Everton Balardin. https://www.studiointernational.com/images/articles/s/013-simao-marina-perez-2022/SIMAO_83329.jpg Marina Perez Simão. Untitled, 2022. Oil on linen, 66-7/8 × 53-1/2 in (169.9 cm × 135.9 cm). © Marina Perez Simão, courtesy Pace Gallery and Mendes Wood DM. Photo: Everton Balardin. https://www.studiointernational.com/images/articles/s/013-simao-marina-perez-2022/SIMAO_83333.jpg Marina Perez Simão. Untitled, 2022. Oil on linen, 78-3/4 × 66-7/8 in (200 cm × 169.9 cm). © Marina Perez Simão, courtesy Pace Gallery and Mendes Wood DM. Photo: Everton Balardin. https://www.studiointernational.com/images/articles/s/013-simao-marina-perez-2022/MPS_Onda_Install-Photography_4.jpg Marina Perez Simão: Onda, installation view, Pace Gallery, London, 7 September – 1 October 2022. © Marina Perez Simão. Photo: Damian Griffiths, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/s/013-simao-marina-perez-2022/SIMAO_83299.jpg Marina Perez Simão. Untitled, 2022. Oil on linen, 78-3/4 × 96-7/8 in (200 × 246.1 cm). © Marina Perez Simão, courtesy Pace Gallery and Mendes Wood DM. Photo: Everton Balardin. https://www.studiointernational.com/images/articles/s/013-simao-marina-perez-2022/MPS_Onda_Install-Photography_5.jpg Marina Perez Simão: Onda, installation view, Pace Gallery, London, 7 September – 1 October 2022. © Marina Perez Simão. Photo: Damian Griffiths, courtesy Pace Gallery. https://www.studiointernational.com/images/articles/s/013-simao-marina-perez-2022/MPS_Onda_Install-Photography_9.jpg Marina Perez Simão: Onda, installation view, Pace Gallery, London, 7 September – 1 October 2022. © Marina Perez Simão. Photo: Damian Griffiths, courtesy Pace Gallery. https://www.studiointernational.com/index.php/jade-fadojutimi-can-we-see-the-colour-green-because-we-have-a-name-for-it-review-the-hepworth-wakefield https://www.studiointernational.com/images/articles/f/057-fadojutimi-jade-2022/Jade-Fadojutimi-0-40C-resized.jpg Jadé Fadojutimi. 40°C, 2022. Acrylic, oil and oil pastels on canvas, 110 x 140 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi. https://www.studiointernational.com/images/articles/f/057-fadojutimi-jade-2022/Jade-Fadojutimi-The-Empress-Of-The-Plants-2022-resized.jpg Jadé Fadojutimi. The Empress of the Plants, 2022. Acrylic, oil and oil pastels on canvas, 300 x 800 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi. https://www.studiointernational.com/images/articles/f/057-fadojutimi-jade-2022/Jade-Fadojutimi-An-Empathic-Revolution-2022-resized.jpg Jadé Fadojutimi. An Empathic Revolution, 2022. Acrylic, oil and oil pastels on canvas, 190 x 170 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi. https://www.studiointernational.com/images/articles/f/057-fadojutimi-jade-2022/Jade-Fadojutimi-A-Permeable-Existence-2022-resized.jpg Jadé Fadojutimi. A Permeable Existence, 2022. Acrylic, oil and oil pastels on canvas, 190 x 170 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi. https://www.studiointernational.com/images/articles/f/057-fadojutimi-jade-2022/Jade-Fadojutimi-Autumn,-summer,-spring-and-winter.jpg Jadé Fadojutimi. Autumn, summer, spring and winter... don’t forget to colour in between the lines darling, 2022. Acrylic, oil and oil pastels on canvas, 190 x 170 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi. https://www.studiointernational.com/images/articles/f/057-fadojutimi-jade-2022/Jade-Fadojutimi-Once-Upon-A-Hill-2022-resized.jpg Jadé Fadojutimi. Once Upon a Hill, 2022. Acrylic, oil and oil pastels on canvas, 170 x 180 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi. https://www.studiointernational.com/images/articles/f/057-fadojutimi-jade-2022/Jade-Fadojutimi-Woven-Futures-2022-resized.jpg Jadé Fadojutimi. Woven Futures, 2022. Acrylic, oil and oil pastels on canvas, 170 x 180 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi https://www.studiointernational.com/index.php/ian-cheng-interview-life-after-bob-halle-am-berghain-berlin https://www.studiointernational.com/images/articles/c/004-cheng-ian-2022/LAS_Ian-Cheng_Life-After-BOB_Image_1.jpg Ian Cheng: Life After BOB, Halle am Berghain, Berlin, 2022. © 2022 Ian Cheng. Presented by LAS (Light Art Space). Portrait of Ian Cheng by © Franziska Taffelt. https://www.studiointernational.com/images/articles/c/004-cheng-ian-2022/original_127888a7ac818c8b2a35e1f78d74bb6a.jpg Ian Cheng, Life After BOB: The Chalice Study (still), 2021. Real-time live animation, colour, sound, 48 min. Commissioned by LAS (Light Art Space), The Shed and Luma Arles. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/004-cheng-ian-2022/original_3d651e270920c42d296ecca00f6df99d.jpg Ian Cheng, Life After BOB: The Chalice Study (still), 2021. Real-time live animation, colour, sound, 48 min. Commissioned by LAS (Light Art Space), The Shed and Luma Arles. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/004-cheng-ian-2022/LAS_Ian-Cheng_Life-After-BOB_Image_2.jpg Ian Cheng: Life After BOB, Halle am Berghain, Berlin, 2022. © 2022 Ian Cheng. Presented by LAS (Light Art Space). Portrait of Ian Cheng by © Franziska Taffelt. https://www.studiointernational.com/index.php/eve-mutso-rhona-warwick-paterson-pacing-the-void-mount-stuart-isle-of-bute https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7405_02.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7643.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7506.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7570.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7513.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7469.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7503.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7585.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7600.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/images/articles/p/035-pacing-the-void-2022/IMG_7650.jpg Pacing the Void: Rhona Warwick Paterson and Eve Mutso, Mount Stuart, Isle of Bute, 2022. Photo: Helena Ohman. https://www.studiointernational.com/index.php/sturtevant-dialectic-of-distance-review-thaddaeus-ropac-gallery-london https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/Sturtevant-at-her-The-Store-of-Claes-Oldenburg,-1967.jpg Sturtevant at her The Store of Claes Oldenburg, 1967. 623 East Ninth Street, New York. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/OldenburgStore_300dpi.jpg Sturtevant, The Store of Claes Oldenburg, 1967. 623 East Ninth Street, New York. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/ST_3089_300dpi_2.jpg Sturtevant, Oldenburg store object, Hamburger and Lettuce on Plate, 1967. Chicken wire, cloth, plaster, enamel, 18 x 16 cm (7.09 x 6.3 in) (diameter). © Estate Sturtevant, Paris. Photo: Charles Duprat. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/ST_DarkThreatofAbsence_2022.jpg Sturtevant, Dark Threat of Absence, 2002. HD cam - metallic tape, two camera video 4/3 and 16/9, full wall projection displayed side by side with small gap between videos, RT: 14’37’’. Variable dimensions. © Estate Sturtevant, Paris. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/STLondon22_install_300dpi_8.jpg Installation view of Sturtevant: Dialectic of Distance. Sturtevant Oldenburg Store at Thaddaeus Ropac London, 2022. Photo: Eva Herzog. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/STLondon22_install_300dpi_6.jpg Installation view of Sturtevant: Dialectic of Distance. Sturtevant Oldenburg Store at Thaddaeus Ropac London, 2022. Photo: Eva Herzog. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/STLondon22_install_300dpi_10.jpg Installation view of Sturtevant: Dialectic of Distance. Sturtevant Oldenburg Store at Thaddaeus Ropac London, 2022. Photo: Eva Herzog. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/STLondon22_install_300dpi_2.jpg Installation view of Sturtevant: Dialectic of Distance. Sturtevant Oldenburg Store at Thaddaeus Ropac London, 2022. Photo: Eva Herzog. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/STLondon22_install_300dpi_4.jpg Installation view of Sturtevant: Dialectic of Distance. Sturtevant Oldenburg Store at Thaddaeus Ropac London, 2022. Photo: Eva Herzog. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/STLondon22_install_300dpi_7.jpg Installation view of Sturtevant: Dialectic of Distance. Sturtevant Oldenburg Store at Thaddaeus Ropac London, 2022. Photo: Eva Herzog. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/s/012-sturtevant-2022/STLondon22_install_300dpi_9.jpg Installation view of Sturtevant: Dialectic of Distance. Sturtevant Oldenburg Store at Thaddaeus Ropac London, 2022. Photo: Eva Herzog. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/index.php/winslow-homer-force-of-nature-review-national-gallery-london https://www.studiointernational.com/images/articles/h/025-homer-winslow-2022/old-mistress-X11221-A5.jpg Winslow Homer. Visit from the Old Mistress, 1876. Oil on canvas, 45.7 x 61 cm. Smithsonian American Museum of Art, Washington, DC. Gift of William T. Evans. 1909.7.28. © Smithsonian Institution, Washington, DC. https://www.studiointernational.com/images/articles/h/025-homer-winslow-2022/gulf-stream-x11344-A5c.jpg Winslow Homer. The Gulf Stream, 1899 (reworked by 1906). Oil on canvas, 71.4 x 124.8 cm. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Wolfe Fund, 1906 06.1234. © The Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/h/025-homer-winslow-2022/fog-warning-x11289-A5.jpg Winslow Homer. The Fog Warning (Halibut Fishing), 1885. Oil on canvas, 76.8 x 123.2 cm. © Museum of Fine Arts, Boston. Anonymous gift with credit to the Otis orcross Fund, 94.72. https://www.studiointernational.com/images/articles/h/025-homer-winslow-2022/kissing-the-moon-x11288-A5.jpg Winslow Homer. Kissing the Moon, 1904. Oil on canvas, 76.8 x 101.6 cm. Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. Bequest of Candace C. Stimson, 1946.19. © Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. https://www.studiointernational.com/images/articles/h/025-homer-winslow-2022/Cotton-Pickers-750-X11214-A5c.jpg Winslow Homer. The Cotton Pickers, 1876. Oil on canvas, 61.2 x 96.8 cm. Los Angeles County Museum of Art, California. Acquisition made possible through Museum Trustees: Robert O. Anderson, R. Stanton Avery, B. Gerald Cantor, Edward W. Carter, Justin Dart, Charles E. Ducommun, Camilla Chandler Frost, Julian Ganz, Jr., Dr. Armand Hammer, Harry Lenart, Dr. Franklin D. M.77.68. © Los Angeles County Museum of Art, California. https://www.studiointernational.com/images/articles/h/025-homer-winslow-2022/study-for-gulf-stream-x11340-A5.jpg Winslow Homer. Study for The Gulf Stream, 1898-99. Brush and watercolour black chalk on paper, 36.8 x 25.6 cm. Cooper-Hewitt, National Design Museum, Smithsonian Institution TBC. Gift of Charles Savage Homer, Jr. 1912-12-36. © Cooper-Hewitt, National Design Museum, Smithsonian Institution TBC. https://www.studiointernational.com/index.php/william-kentridge-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/k/049-kentridge-william-2022/key-42.jpg William Kentridge, Drawing for Other Faces, 2011. Charcoal and coloured pencil on paper, 70 x 121.5 cm. Southern: A Contemporary Collection, South Africa © William Kentridge. Photo: courtesy of the collection. https://www.studiointernational.com/images/articles/k/049-kentridge-william-2022/key-3.jpg William Kentridge, The Conservationists https://www.studiointernational.com/images/articles/k/049-kentridge-william-2022/Key-68-(2).jpg William Kentridge, Video still from Notes Towards a Model Opera, 2015.Three channel HD film; 11 minutes 14 seconds. Courtesy the artist © William Kentridge. https://www.studiointernational.com/images/articles/k/049-kentridge-william-2022/Key-79.jpg William Kentridge, Video still from Waiting for the Sibyl, 2020. Single channel HD film, 9 min 59 sec. Courtesy the artist © William Kentridge. https://www.studiointernational.com/images/articles/k/049-kentridge-william-2022/key-99.jpg William Kentridge, Enough of This Scandal, 2020. Indian ink on encyclopedia pages, 277 x 222 cm. The Cross Steele Family Collection © William Kentridge. https://www.studiointernational.com/images/articles/k/049-kentridge-william-2022/key-68-(1).jpg William Kentridge, Video still from Notes Towards a Model Opera, 2015.Three channel HD film, 11 min 14 sec. Courtesy the artist © William Kentridge. https://www.studiointernational.com/images/articles/k/049-kentridge-william-2022/key-70.jpg William Kentridge, Comrade Tree, I Report to You, 2020. Ink, wash, red pencil and collage, 315 x 308 cm. Private Collection © William Kentridge. https://www.studiointernational.com/images/articles/k/049-kentridge-william-2022/key-84.jpg William Kentridge, Colleoni, 2021. Hand-woven mohair tapestry, 350 x 300 cm. Courtesy the artist © William Kentridge. https://www.studiointernational.com/images/articles/k/049-kentridge-william-2022/Key-88.jpg William Kentridge, Carte Hypsométrique de l’Empire Russe, 2022. Hand-woven mohair tapestry, 400 x 600 cm. William Kentridge Studio, Johannesburg © William Kentridge. https://www.studiointernational.com/index.php/16th-lyon-biennale-review-france https://www.studiointernational.com/images/articles/l/047-lyon-biennale-2022/07.jpg Manifesto of Fragility, Biennale de Lyon 2022. Hans Op de Beeck, We Were the Last to Stay, 2022. Installation in situ, various materials. Commissioned for the 16th edition of the Biennale de Lyon, Usines Fagor. With the support of Galleria Continua, Krinzinger Gallery, Wemhöner Collection, Pia Gazil, Carrion Génie Civil Maçonnerie, Mat-Eco Recyclage. © Adagp, Paris, 2022. Photo: Blandine Soulage
. https://www.studiointernational.com/images/articles/l/047-lyon-biennale-2022/08.jpg Manifesto of Fragility, Biennale de Lyon 2022. Nadia Kaabi-Linke, Le chuchotement du chêne, 2022. Site installation with oak branches and leaves and sound, transducers, cables and amplifier. Commissioned for the 16th edition of the Biennale de Lyon, Usines Fagor. Courtesy of the artist. With the support of the Goethe-Institut Lyon, the Office National des Forêts © Blandine Soulage. https://www.studiointernational.com/images/articles/l/047-lyon-biennale-2022/03.jpg Manifesto of Fragility, Biennale de Lyon 2022. Evita Vasiljeva, Impulse (J or Imp), 2020-2022. Interactive site-specific installation, multi-channel sound, green lights, multiple motion sensors, electromagnetic microphones, contact microphones. 16th Biennial of contemporary art of Lyon, Guimet Museum. Courtesy of the artist. With the support of Mondriaan Fonds, Embassy of the Kingdom of the Netherlands in France. © Blandine Soulage. https://www.studiointernational.com/images/articles/l/047-lyon-biennale-2022/06.jpg Manifesto of Fragility, Biennale de Lyon 2022. Kim Simonsson, Moss People. Ceramic flocked with a layer of nylon fibre. 16th edition of the Biennale de Lyon, Usines Fagor. Courtesy of the artist. With the support of Frame Contemporary Art FinlanD. © Amande Dionne. https://www.studiointernational.com/images/articles/l/047-lyon-biennale-2022/10.jpg Manifesto of Fragility, Biennale de Lyon 2022. Installation view of the Many Lives and Deaths of Louise Brunet. 16th edition of the Biennale de Lyon., Musée d https://www.studiointernational.com/images/articles/l/047-lyon-biennale-2022/04.jpg Manifesto of Fragility, Biennale de Lyon 2022. Gómez-Egaña, Virgo, 2022.
 Commissioned for the 16th edition of the Biennale de Lyon, Usines Fagor. Courtesy of the artist and Zilberman Gallery, with support from Office of Contemporary Art / OCA Norway, Zilberman Gallery. © Blaise Adilon. https://www.studiointernational.com/images/articles/l/047-lyon-biennale-2022/05.jpg Manifesto of Fragility, Biennale de Lyon 2022. Sarah Brahim, Soft Machines / Far Away Engines, 2021. Installation video, 8 channels, 10 min. 16th edition of the Biennale de Lyon, Usines Fagor. Commissioned by the Diriyah Biennale Foundation. © Blaise Adilon. https://www.studiointernational.com/images/articles/l/047-lyon-biennale-2022/09.jpg Manifesto of Fragility, Biennale de Lyon 2022 Overview of Hall 7 of the Fagor Factory. Foreground: Leo Fourdrinier. Mind and Senses Purified, 2022. Courtesy of the artist. With the support of Gros Mots. Commissioned for the 16th edition of the Biennale de Lyon. Second plan: Sarah Brahim, Soft Machines / Far Away Engines, 2021. Commissioned by the Diriyah Biennale Foundation. 16th edition of the Biennale de Lyon. © La Biennale de Lyon. https://www.studiointernational.com/index.php/gerard-garouste-review-centre-pompidou-paris https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/09.jpg Gérard Garouste, The Three Masters and the Fatted Geese, 2017. Oil on canvas, 200 × 260 cm. Artist’s collection. © Adagp, Paris, 2022. Courtesy Templon, Paris-Brussels-New York. Photo Bertrand Huet-Tutti. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/05.jpg Gérard Garouste, Don Quixote’s Theatre, 2012. Oil on canvas, 200 × 260 cm. Collection Hervé Lancelin, Luxembourg. © Adagp, Paris, 2022. Courtesy Templon Paris-Brussels-New York. Photo: Bertrand Huet-Tutti. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/06.jpg Gérard Garouste, Balaam, 2005. Oil on canvas, 270 × 320 cm. Musée national d’art moderne, Centre Pompidou, Paris. Gift, the Société des Amis du Musée national d’art moderne in 2006. © Adagp, Paris, 2022. Photo © Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/07.jpg Gérard Garouste, Chartres, 2007. Oil on canvas, 270 × 320 cm. Private collection, Paris © Adagp, Paris, 2022. Courtesy Templon, Paris-Brussels-New York. Photo Bertrand Huet-Tutti. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/01.jpg Gérard Garouste, The Classicist, 1970s. Oil on paper mounted on canvas, 79 × 66 cm. Private collection, France © Adagp, Paris, 2022. Photo © Centre Pompidou, MNAM-CCI/ Audrey Laurans and Hélène Mauri. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/02.jpg Gérard Garouste, The Hanged Man, the Vase and the Mirror, 1985. Oil on canvas, 250 × 500 cm. Ludwig Museum – Museum of Contemporary Art, Budapest © Adagp, Paris, 2022. Photo © József Rosta/Ludwig Museum. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/03.jpg Gérard Garouste, Indienne, 1988. Acrylic on canvas, 210 × 700 cm. Musée d’art moderne et contemporain de Saint-Étienne Métropole. © Adagp, Paris, 2022.
Photo © Cyrille Cauvet / Musée d’art moderne et contemporain de Saint-Etienne Métropole. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/04.jpg Gérard Garouste, Oracle of the Holy Bottle, 1998. Acrylic on canvas and wrought-iron structure H285 × dia 752 cm (canvas H270 × dia 600 cm). Private collection, France Photo © Adam Rzepka © Adagp, Paris, 2022. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/08.jpg Gérard Garouste, The Golem, 2011. Oil on canvas, 275 × 326 cm. Private collection, France © Adagp, Paris, 2022. Courtesy Templon, Paris-Brussels-New York. Photo Bertrand Huet-Tutti. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/10.jpg Gérard Garouste, Pinocchio and the Dice Game, 2017. Oil on canvas, 160 x 220 cm. Private collection. © Adagp, Paris 2022. Courtesy Templon, Paris-Brussels-New York. Photo Bertrand Huet-Tutti. https://www.studiointernational.com/images/articles/g/042-garouste-gerard-2022/11.jpg Portrait of Gérard Garouste, 2019. Photo: Bertrand Huet Tutti. https://www.studiointernational.com/index.php/bernar-venet-interview-my-dream-is-to-make-sculptures-new-radical-different https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/Bernar-Venet-sculptures-in-his-sculpture-park.jpg Venet Foundation sculpture park, Le Muy, Provence. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/Bernar-Venet-sculpture-outside.jpg Bernar Venet sculpture outside a recently expanded living space at Le Muy. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/V10.jpg Installation view, Bernar Venet: Hypotheses at Waddington Custot, September 2022. Photo: Pru Cumings Associates. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/Bernar-Venet-sculptures-in-his-Factory-gallery.jpg Sculptures by Bernar Venet inside his Factory gallery at Le Muy. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/Frank-Stella-chapel.jpg Frank Stella, Chapel, at the Venet Foundation, Le Muy. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/More-of-Bernar-Venets-Collapsing-sculptures.jpg A collapsing sculpture by Bernar Venet in the grounds at Le Muy, Provence. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/V13.jpg Installation view, Bernar Venet: Hypotheses at Waddington Custot, September 2022. Photo: Pru Cumings Associates. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/Collapsing-sculptures-in-the-Factory-gallery.jpg Collapsing sculpture by Bernar Venet inside his Factory gallery at Le Muy. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/V1.jpg Installation view, Bernar Venet: Hypotheses at Waddington Custot, September 2022. Photo: Pru Cumings Associates. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/V18.jpg Installation view, Bernar Venet: Hypotheses at Waddington Custot, September 2022. Photo: Pru Cumings Associates. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/V20.jpg Installation view, Bernar Venet: Hypotheses at Waddington Custot, September 2022. Photo: Pru Cumings Associates. Courtesy Waddington Custot. https://www.studiointernational.com/images/articles/v/073-venet-bernar-2022/Bernar-Venet-with-a-model.jpg Bernar Venet with a model for a proposed sculpture at a US park. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/drew-edwards-now-you-can-see-the-universe-review-laurent-delaye-gallery-ramsgate https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/outside-view-2.jpg Laurent Delaye Gallery, exterior view, Drew Edwards: Now You Can See the Universe. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/RussianSoldier.jpg Drew Edwards, Russian Soldier, 2022. Flint, 42 x 21.5 x 22 cm (16 9/16 x 8 7/16 x 8 11/16 in). Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/Skull.jpg Drew Edwards, The Skull, 2017. Flint, 117 x 52 x 34 cm (46 1/16 x 20 1/2 x 13 3/8 in). Photo: Laurent Delaye. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/Skull-detail-7.jpg Drew Edwards, The Skull, 2017 (detail). Flint, 117 x 52 x 34 cm (46 1/16 x 20 1/2 x 13 3/8 in). Photo: Laurent Delaye. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/WheelofLife(2).jpg Drew Edwards, Wheel of Life, 2019. Flint, 44 x 44 x 18 cm (17 5/16 x 17 5/16 x 7 1/16 in). Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/Womb(2).jpg Drew Edwards, Womb, 2022. Flint, 64 x 27 x 24 cm (25 3/16 x 10 5/8 x 9 7/16 in). Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/Libertin-and-wheel-of-life.jpg Drew Edwards, Libertin, 2018, Flint, 117 x 37 x 42 cm (46 1/16 x 14 9/16 x 16 9/16 in) and Wheel of Life, 2019, Flint, 44 x 44 x 18 cm (17 5/16 x 17 5/16 x 7 1/16 in). Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/The-Great-Creator-2022.jpg Drew Edwards, The Great Creator, 2022. Flint, 53 x 22 cm. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/CagedIn.jpg Drew Edwards, Caged In, 2020. Flint, height 71 x depth 33 cm (27 15/16 x 13 in). Photo: Laurent Delaye. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/SmallPutin(2022).jpg Drew Edwards, Small Putin, 2022. Flint, 43 x 21 x 16 cm (16 15/16 x 8 1/4 x 6 5/16 in). Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/Monkey.jpg Drew Edwards, Monkey, 2017. Flint, 15 x 15 x 21 cm (5 15/16 x 5 15/16 x 8 1/4 in). Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/Emperor-detail-1-copy.jpg Drew Edwards, Emperor, 2017 (detail). Flint, 75 x 52 x 38 cm (29 1/2 x 20 1/2 x 14 15/16 in). Photo: Laurent Delaye. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/Emperor-detail-2-copy.jpg Drew Edwards, Emperor, 2017. Flint, 75 x 52 x 38 cm (29 1/2 x 20 1/2 x 14 15/16 in). Photo: Laurent Delaye. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/FigureofPastandPresent(L)Womb(R).jpg Drew Edwards, Figure of Past and Present, 2021 (left), Flint 60 x 22 x 18 cm (23 5/8 x 8 11/16 x 7 1/16 in); Womb, 2022 (right), Flint, 64 x 27 x 24 cm (25 3/16 x 10 5/8 x 9 7/16 in). Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/FigureofPastandPresent.jpg Drew Edwards, Figure of Past and Present, 2021, Flint 60 x 22 x 18 cm (23 5/8 x 8 11/16 x 7 1/16 in). Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/Libertin-detail-3.jpg Drew Edwards, Libertin, 2018 (detail), Flint, 117 x 37 x 42 cm (46 1/16 x 14 9/16 x 16 9/16 in). Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/e/069-edwards-drew-2022/installation.jpg Drew Edwards: Now You Can See the Universe, installation view. Photo: Bronac Ferran. https://www.studiointernational.com/index.php/17th-istanbul-biennial-2022-review https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/05-Laura-Anderson-Barbata-at-the-Zeytinburnu-Medicinal-Plants-Garden.jpg Installation by Laura Anderson Barbata at the Zeytinburnu Medicinal Plants Garden at the 17th Istanbul Biennial. Photo © David Levene. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/01-Laura-Anderson-Barbata-at-the-Zeytinburnu-Medicinal-Plants-Garden.jpg Installation by Laura Anderson Barbata at the Zeytinburnu Medicinal Plants Garden at the 17th Istanbul Biennial. Photo © David Levene. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/05-Barin-Han.jpg Barın Han at the 17th Istanbul Biennial. Photo © David Levene. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/03-Barin-Han.jpg Barın Han at the 17th Istanbul Biennial. Photo © David Levene. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/Carlos-Casas-Cyclope-second-section-of-tunnel-installation-V-Simpson.jpg Carlos Casas, Cyclope. Sound and light installation, 17th Istanbul Biennial. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/Angela-Ferreira-Gazhane.jpg Ângela Ferreira, Zip Zap Sirk Okulu, 17th Istanbul Biennial. Photo: Sahir Ugur Eren. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/01-Wallowland-by-Cooking-Sections.jpg Wallowland by Cooking Sections at Büyükdere35 at the 17th Istanbul Biennial. Photo © David Levene. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/Clotted-cream-and-Pretzel-Cooking-Sections-installation.-V-Simpson.jpg Clotted cream and Pretzel, Cooking Sections installation, 17th Istanbul Biennial. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/Dumpling-Post-demonstration-at-Hrant-Dink-Foundation-V-Simpson8752.jpg Dumpling Post demonstration at Hrant Dink Foundation, 17th Istanbul Biennial. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/01-Cinili-Hamam.jpg Çinili Hamam at the 17th Istanbul Biennial. Photo © David Levene. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/Human-Spring-series.jpg Human Spring series by Lieko Shiga at Küçük Mustafa Paşa Hammam. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/Tarek-Atoui-(centre).jpg Tarek Atoui (centre) leads a Whispering Playground workshop in Küçük Mustafa Paşa Hammam. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/Bread-and-Puppet-Theatre-performance-V-Simpson.jpg Bread and Puppet Theatre performance. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/084-istanbul-biennale-2022/05-Wallowland-750.jpg Wallowland by Cooking Sections at Büyükdere35, 17th Istanbul Biennial. Photo © David Levene. https://www.studiointernational.com/index.php/edward-lear-moment-to-moment-review-ikon-birmingham https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/03.jpg Edward Lear, Philae, 6:00-6:15 am, 31 January 1867 (277). Watercolour with pen and brown ink over graphite, 5.4 x 13.7 cm. Courtesy Yale Centre for British Art, Gift of Donald C Gallup, Yale BA 1934, PhD 1939. https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/01.jpg Edward Lear, Maharraka, 7:25 am, 14 February 1867 (463). Watercolour, pen and brown ink, and graphite, 9.8 × 17.5 cm. Courtesy Yale Centre for British Art, Gift of Donald C Gallup, Yale BA 1934, PhD 1939. https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/02.jpg Edward Lear, Maharraka, 7:15 am, 14 February 1867 (462). Watercolour, pen and brown ink, and graphite, 5.9 x 17.5 cm. Courtesy Yale Centre for British Art, Gift of Donald C Gallup, Yale BA 1934, PhD 1939. https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/06.jpg Edward Lear, The Forest of Bavella, Corsica, 7:10 am, 29 April 1868. Pen and ink and watercolour on buff paper, 63.5 x 80 cm. Private collection. Photo: Woolley and Wallis Salerooms Ltd. https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/08.jpg Edward Lear, Santa Maura Fortress from the West, 6:00 pm, 19th April 1863 (55). Watercolour over pen and ink, 21 x 32 cm. Private collection. https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/04.jpg Edward Lear, Karnak, 9:30 pm, 22 January 1867 (212). Watercolour with pen and black ink over graphite, 8.7 x 17.1 cm. Courtesy Yale Centre for British Art, Gift of Donald C Gallup, Yale BA 1934, PhD 1939. https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/05.jpg Edward Lear, Amada, 7:10 am, 12 February 1867 (420). Watercolour, pen and brown ink, and graphite, 9.2 x 17.5 cm. Courtesy Yale Centre for British Art, Gift of Donald C Gallup, Yale BA 1934, PhD 1939. https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/07.jpg Edward Lear, A view near Doukades, 22 April 1862 (30). Pen, ink and watercolour, 25 x 35 cm. Private collection. https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/09.jpg Installation view, Edward Lear, Moment to Moment, (2022). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/046-lear-edward-2022/10.jpg Installation view, Edward Lear, Moment to Moment, (2022). © Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/index.php/marina-abramovic-gates-and-portals-review-modern-art-oxford-pitt-rivers-musuem https://www.studiointernational.com/images/articles/a/022-abramovic-marina-2022/01-Marina-Abramovic,-Time-Energizer,-from-the-series-Transitory-Objects,-2000-2012.jpg Marina Abramović, Time Energizer, from the series Transitory Objects, 2000/2012. Copyright Marina Abramović. Image courtesy of the Marina Abramović Archives. Photo: Fabrizio Vatieri. https://www.studiointernational.com/images/articles/a/022-abramovic-marina-2022/03-Marina-Abramovic,-Presence-and-Absence,-2022.jpg Marina Abramović, Presence and Absence, 2022. Courtesy of the artist and the Pitt Rivers Museum, University of Oxford. Photo: Tim Hand. https://www.studiointernational.com/images/articles/a/022-abramovic-marina-2022/04-Marina-Abramovic,-Portal,-2022.jpg Marina Abramović, Portal, 2022. © Oak Taylor-Smith for Factum Arte and Marina Abramović. Image courtesy of the Marina Abramović Archives. https://www.studiointernational.com/images/articles/a/022-abramovic-marina-2022/05-Marina-Abramovic,-Portal,-2022.jpg Marina Abramović, Portal, 2022. © Oak Taylor-Smith for Factum Arte and Marina Abramović. Image courtesy of the Marina Abramović Archives. https://www.studiointernational.com/index.php/isolitudine-voluspa-jarpa-guido-casaretto-petra-feriancova-ra-di-martino-review-za-centrale-palermo https://www.studiointernational.com/images/articles/i/083-Isolitudine-2022/BAM-Isolitudine-Merz-(1).jpg Voluspa Jarpa. False Flag exhibition view. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/i/083-Isolitudine-2022/BAM-Isolitudine-Merz-(2).jpg Voluspa Jarpa. False Flag exhibition view. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/i/083-Isolitudine-2022/BAM-Isolitudine-Merz-(6).jpg Guido Casaretto. Black Hole (church bench), 2021. Cast of wood chips, 3 pieces, 192 x 101 x 44 cm (6 benches in total). Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/i/083-Isolitudine-2022/BAM-Isolitudine-Merz-(9).jpg Petra Feriancová. Vertebra, 2022. Industrial metal pipes, steel cables, dimensions variable. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/i/083-Isolitudine-2022/BAM-Isolitudine-Merz-(4).jpg Rä di Martino. Moonbird, 2022. Video Opera Live, 50 min. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/i/083-Isolitudine-2022/BAM-Isolitudine-Merz-(7).jpg Guido Casaretto. Eddies, 2022. Terracotta powder mixed with resin. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/i/083-Isolitudine-2022/BAM-Isolitudine-Merz-(3).jpg Voluspa Jarpa. False Flag exhibition view. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/i/083-Isolitudine-2022/BAM-Isolitudine-Merz-(5).jpg Rä di Martino. Moonbird, 2022. Video Opera Live, 50 min. Courtesy Fondazione Merz. https://www.studiointernational.com/images/articles/i/083-Isolitudine-2022/BAM-Isolitudine-Merz-(8).jpg Petra Feriancová. Vertebra, 2022. Industrial metal pipes, steel cables, dimensions variable. Courtesy Fondazione Merz. https://www.studiointernational.com/index.php/royal-museum-of-fine-arts-antwerp-reopens-after-100m-renovation https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Gevel-(c)KarinBorghouts-(2).jpg Royal Museum of Fine Arts Antwerp (KMSKA). Photo: © Karin Borghouts. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/The-new-galleries-as-they-slot-into-the-original-building.jpg Royal Museum of Fine Arts Antwerp (KMSKA). The new galleries slot into the original building. Image © KAAN Architecten. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Colour-(c)KarinBorghouts-(4).jpg Royal Museum of Fine Arts Antwerp (KMSKA). Colour-themed gallery interior. Photo: © Karin Borghouts. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Heaven-themed-room-old-and-new.jpg Heaven-themed room, old and new, including altarpiece and Panamarenko sculpture. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Top-floor-gallery-showing-dramatic-triangular-lightwells-V-Simpson.jpg Top floor gallery showing dramatic triangular lightwells. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/StairwayToHeaven-in-the-new-galleries.jpg Stairway to Heaven staircase in the new galleries. Photo: © Karin Borghouts. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Boy-Eric-Stappaerts-(c)Karin-Borghouts-(2).jpg Boy & Erik Stappaerts. Photo: © Karin Borghouts. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/One-of-Rik-Wouters-sculptures-in-the-top-floor-gallery-V-Simpson.jpg One of Rik Wouters https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Unusual-trio-of-two-20th-century-paintings-and-one-Fra-Angelico-(bottom-right).jpg Unusual trio of two 20th-century paintings and one Fra Angelico (bottom right). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Jean-Michel-Basquiat-Kings-of-Egypt-II.jpg Jean-Michel Basquiat, Kings of Egypt II, 1982. Installation view. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Suffering-themed-room-with-Bill-Viola-(right)-and-Rubens-left.jpg Suffering-themed room with Bill Viola https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/One-of-Christophe-Coppens-interventions-in-the-Horizon-themed-room.jpg One of Christophe Coppens https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/132-KMSKA-Madonna-omringd-JFouquet.jpg Jean Fouquet, Madonna Surrounded by Seraphim and Cherubim, c1450. KMSKA collection. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Salvador-Dalis-Landscape-with-a-Girl-Skipping-Rope-1936-V-Simpson.jpg Salvador Dalí https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/Lower-ground-entrance-Mainstreet_(c)KarinBorghouts.jpg Lower ground floor mainstreet entrance. Photo: © Karin Borghouts. https://www.studiointernational.com/images/articles/a/021-antwerp-museum-2022/The-restoration-room-and-viewing-bench-leading-off-from-Old-Masters-gallery.jpg The restoration room and viewing bench leading off from the Old Masters gallery. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/anna-freeman-bentley-make-believe-review-frestonian-gallery-london https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/03-Painted-wares,-2022.jpg Anna Freeman Bentley, Painted wares, 2022. Oil on canvas, 144 x 222 cm. Copyright Anna Freeman Bentley, courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/02-Knowing-when-to-stop,-2021.jpg Anna Freeman Bentley, Knowing when to stop, 2021. Oil on canvas, 180 x 135 cm. Copyright Anna Freeman Bentley, courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/01-The-door-to-the-office-is-open,-2022.jpg Anna Freeman Bentley, The Door to the Office Is Open, 2022. Oil on canvas, 135 x 205 cm. Copyright Anna Freeman Bentley, courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/11-DSC_0240.jpg Anna Freeman Bentley, Make Believe, 2022. Installation view. Copyright Anna Freeman Bentley. Courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/04-The-ticking-clock,-2022.jpg Anna Freeman Bentley, The Ticking Clock, 2022. Oil on canvas (diptych), 175 x 250 cm. Copyright Anna Freeman Bentley, courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/05-DSC_0210.jpg Anna Freeman Bentley, Make Believe, 2022. Installation view. Copyright Anna Freeman Bentley. Courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/06-DSC_0214.jpg Anna Freeman Bentley, Make Believe, 2022. Installation view. Copyright Anna Freeman Bentley. Courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/08-DSC_0218.jpg Anna Freeman Bentley, Make Believe, 2022. Installation view. Copyright Anna Freeman Bentley. Courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/09-DSC_0226.jpg Anna Freeman Bentley, Make Believe, 2022. Installation view. Copyright Anna Freeman Bentley. Courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/10-DSC_0227.jpg Anna Freeman Bentley, Make Believe, 2022. Installation view. Copyright Anna Freeman Bentley. Courtesy Frestonian Gallery. https://www.studiointernational.com/images/articles/f/056-freeman-bentley-anna-2022/12-DSC_0246.jpg Anna Freeman Bentley, Make Believe, 2022. Installation view. Copyright Anna Freeman Bentley. Courtesy Frestonian Gallery. https://www.studiointernational.com/index.php/dindga-mccannon-interview-not-having-money-never-stopped-me-creating-what-i-wanted-pippy-houldsworth https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_Dancers-4_2020.jpg Dindga McCannon. Dancers #4, 2020. Oil on canvas, 101.6 x 101.6 cm (40 x 40 in). Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York. https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_Harriet-Tubman-and-Sojourner-Truth-Warriors_2021.jpg Dindga McCannon. Harriet Tubman and Sojourner Truth - Warriors, 2021. Acrylic on canvas, 121.9 x 121.9 cm (48 x 48 in). Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York. https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_I-Aint-Never-Coming-Back-to-the-US-Ever-to-Bro-Yekk_2016.jpg Dindga McCannon. I Ain https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_Smoking-Man_1967.jpg Dindga McCannon. Smoking Man, 1967. Watercolour on paper, 45.7 x 30.5 cm (18 x 12 in). Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York. https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_The-First-Marquet-for-the-Mural-A-United-Community-Bushwick-Brooklyn_1979.jpg Dindga McCannon. The First Marquet for the Mural A United Community - Bushwick Brooklyn, 1979. Acrylic on canvas, 76.5 x 61 cm. Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York. https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_Blues-Queens_2021.jpg Dindga McCannon. Blues Queens, 2021. Mixed media quilt, 138 x 300 cm (54 ⅜ x 118 ⅛ in). Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York. https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_Carnival-1_2022.jpg Dindga McCannon. Carnival #1, 2022. Mixed media on mannequin, 68.6 x 45.7 x 45.7 cm (27 x 18 x 18 in). Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York. https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon-Family-1-1988.jpg Dindga McCannon. Family #1, 1988. Acrylic on silk, 124.5 x 157.5 cm (49 x 62 in). Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York. https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_Bessies-Song_2003.jpg Dindga McCannon. Bessie https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_Words-from-the-Threads-of-Our-Experiences_2015.jpg Dindga McCannon. Words Form the Threads of Our Experiences, 2015. Mixed media on quilt, 83.8 x 55.9 cm (33 x 22 in). Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York. https://www.studiointernational.com/images/articles/m/013-mccannon-dindga-2022/McCannon_Why-Did-it-Take-So-Long--(Black-Women-in-Aviation)_2012.jpg Dindga McCannon. Why Did it Take So Long? (Black Women in Aviation), 2012. Mixed media on canvas, 149.9 x 149.9 cm (59 x 59 in). Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York. https://www.studiointernational.com/index.php/jorge-tacla-stagings-escenarios-review-cristin-tierney-gallery-new-york https://www.studiointernational.com/images/articles/t/065-tacla-jorge-2022/Installation-view-1_Stagings-Escenarios_2022.jpg Jorge Tacla: Stagings/Escenarios, installation view. Courtesy Cristin Tierney Gallery, New York. https://www.studiointernational.com/images/articles/t/065-tacla-jorge-2022/Identidad-Oculta-163-2022.jpg Jorge Tacla. Identidad Oculta 163, 2022. Oil and marble powder on canvas, 162.6 x 198.1 cm (64 x 78 in). Copyright Jorge Tacla, courtesy Cristin Tierney Gallery, New York. https://www.studiointernational.com/images/articles/t/065-tacla-jorge-2022/Injury-Report-16--2022.jpg Jorge Tacla. Injury Report 16, 2022. Oil and cold wax on canvas, 124.5 x 181.6 cm (49 x 71 1/2 in). Copyright Jorge Tacla, courtesy Cristin Tierney Gallery, New York. https://www.studiointernational.com/images/articles/t/065-tacla-jorge-2022/Installation-view-6.jpg Jorge Tacla. Identidad Oculta 160, 2021. Oil and cold wax on canvas, 101.6 x 76.2 cm (40 x 30 in). Installation view. Courtesy Cristin Tierney Gallery, New York. https://www.studiointernational.com/images/articles/t/065-tacla-jorge-2022/Installation-view-6_Stagings-Escenarios_2022.jpg Jorge Tacla: Stagings/Escenarios, installation view. Courtesy Cristin Tierney Gallery, New York. https://www.studiointernational.com/index.php/kamala-ibrahim-ishag-states-of-oneness-review-serpentine-south-gallery-london https://www.studiointernational.com/images/articles/i/082-ishag-kamala-ibrahim-2022/two-women.jpg Kamala Ibrahim Ishag, Two Women (Eve and Eve), 2016. Oil on canvas, 205 x 190 cm. Courtesy the artist. Photo: Mohamed Noureldin Abdallah Ahmed. https://www.studiointernational.com/images/articles/i/082-ishag-kamala-ibrahim-2022/Bait-Al-Mal,-2019.jpg Kamala Ibrahim Ishag, Bait Al-Mal, 2019. Oil on canvas, 200 x 300 cm. Installation view, Serpentine Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/082-ishag-kamala-ibrahim-2022/Serp-Ishag_2022_025.jpg Kamala Ibrahim Ishag, States of Oneness © Kamala Ibrahim Ishag 2022. Photo: George Darrell, Courtesy Serpentine. https://www.studiointernational.com/images/articles/i/082-ishag-kamala-ibrahim-2022/87A7375-CROPPED-lower-res.jpg Kamala Ibrahim Ishag, Blues for the Martyrs, 2022. Oil on canvas, 203.2 x 299.7 cm. Courtesy the artist. Photo: Mohamed Noureldin Abdallah Ahmed. https://www.studiointernational.com/images/articles/i/082-ishag-kamala-ibrahim-2022/Women-in-Crystal-Cubes-(2014).jpg Kamala Ibrahim Ishag, Women in Crystal Cubes, 1984. Oil on canvas, 192 x 185 cm. Installation view, Serpentine Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/082-ishag-kamala-ibrahim-2022/La-Pieta-(Madonna)-2014.jpg Kamala Ibrahim Ishag, La Pietà (Madonna), 2014. Oil on canvas 72 x 72 cm. Installation view, Serpentine Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/082-ishag-kamala-ibrahim-2022/procession.jpg Kamala Ibrahim Ishag, Procession (Zaar), 2015. Oil on canvas, 175 x 175 cm. Courtesy the artist. Photo: Mohamed Noureldin Abdallah Ahme. https://www.studiointernational.com/images/articles/i/082-ishag-kamala-ibrahim-2022/A-gourd-painting,-installation-shot.jpg Kamala Ibrahim Ishag, Composition, 2016. Oil on Calabash-ball surface, 50 x 45 x 45 cm. Installation view, Serpentine Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/lucian-freud-new-perspectives-review-national-gallery-london https://www.studiointernational.com/images/articles/f/055-freud-lucian-2022/x11163-A5.jpg Lucian Freud. Self-portrait, 1939. Oil on canvas, 30.5 x 22.6 cm. Private collection. © The Lucian Freud Archive. All Rights Reserved 2022/ Bridgeman Images. https://www.studiointernational.com/images/articles/f/055-freud-lucian-2022/x11038-A5.jpg Lucian Freud. Self-portrait with Hyacinth Pot, 1947-8. Pencil and crayon on paper, 44.7 x 41.5 cm. Pallant House Gallery, Chichester. Wilson Gift through The Art Fund 2006. © The Lucian Freud Archive. All Rights Reserved 2022 / Bridgeman Images. https://www.studiointernational.com/images/articles/f/055-freud-lucian-2022/x11162-A5.jpg Lucian Freud. Self-portrait (Fragment), 1956. Oil on canvas, 61 x 61 cm. Private collection. © The Lucian Freud Archive. All Rights Reserved 2022/ Bridgeman Images. https://www.studiointernational.com/images/articles/f/055-freud-lucian-2022/freud-daffodil-x11034-A5.jpg Lucian Freud. Woman with a Daffodil, 1945. Oil on canvas, 23.8 x 14.3 cm. The Museum of Modern Art, New York. © The Lucian Freud Archive. All Rights Reserved 2022 / Bridgeman Images. https://www.studiointernational.com/images/articles/f/055-freud-lucian-2022/woman-with-rose-X11037-A5.jpg Lucian Freud. Girl with Roses, 1947-8. Oil on canvas, 105.5 x 74.5 cm. Courtesy of the British Council Collection. © The Lucian Freud Archive. All Rights Reserved 2022/ Bridgeman Images. https://www.studiointernational.com/images/articles/f/055-freud-lucian-2022/X11761-A5.jpg Lucian Freud. Jacob Rothschild, 4th Baron Rothschild (Man in a Chair), 1989. Oil on canvas, 114.3 x 79.7 cm. Rothschild Foundation. © The Lucian Freud Archive. All Rights Reserved 2022 / Bridgeman Images. https://www.studiointernational.com/images/articles/f/055-freud-lucian-2022/mother-x11049-A5.jpg Lucian Freud. The Painter https://www.studiointernational.com/images/articles/f/055-freud-lucian-2022/x11756-A5.jpg Lucian Freud. Sleeping by the Lion Carpet, 1996. Oil on canvas, 228 x 121 cm. Private collection. © The Lucian Freud Archive. All Rights Reserved 2022 / Bridgeman Images. https://www.studiointernational.com/images/articles/f/055-freud-lucian-2022/x11160-A5.jpg Lucian Freud. Man at Night (Self-Portrait), 1947-8. Ink and Conte on paper. 51.5 x 42.5 cm. Private collection. © The Lucian Freud Archive. All Rights Reserved 2022/ Bridgeman Images. https://www.studiointernational.com/index.php/hollow-earth-art-caves-subterranean-imaginary-review-nottingham-contemporary https://www.studiointernational.com/images/articles/h/024-hollow-earth-2022/07.jpg Installation view of Hollow Earth: Art, Caves & the Subterranean Imaginary, 2022, Nottingham Contemporary. Photo: Scene Photography. Courtesy Nottingham Contemporary. https://www.studiointernational.com/images/articles/h/024-hollow-earth-2022/09.jpg Installation view of Hollow Earth: Art, Caves & the Subterranean Imaginary, 2022, Nottingham Contemporary. Photo: Scene Photography. Courtesy Nottingham Contemporary. https://www.studiointernational.com/images/articles/h/024-hollow-earth-2022/02.jpg Mary Beth Edelson, Grapceva Neolithic Cave, 1978. Image courtesy the estate of Mary Beth Edelson and David Lewis. https://www.studiointernational.com/images/articles/h/024-hollow-earth-2022/06.jpg Space Center Executive Underground, Independence, Missouri. Center for Land Use Interpretation photo. https://www.studiointernational.com/images/articles/h/024-hollow-earth-2022/03.jpg René Magritte, La Condition Humaine, 1935. © ADAGP, Paris and DACS, London 2022. https://www.studiointernational.com/images/articles/h/024-hollow-earth-2022/05.jpg Michelle Stuart, Small Ledger: Near White Horse of Uffington, 1979-80. Earth from site on muslin-mounted paper, 29.5 x 44.5 cm (11 5/8 x 17 1/2 in) Framed: 34 x 48.5 cm (13 3/8 x 19 1/8 in) (AJG-MS-00034). Courtesy: Alison Jacques Gallery, London. © Michelle Stuart. https://www.studiointernational.com/images/articles/h/024-hollow-earth-2022/08.jpg Installation view of Hollow Earth: Art, Caves & the Subterranean Imaginary, 2022, Nottingham Contemporary. Photo: Scene Photography. Courtesy Nottingham Contemporary. https://www.studiointernational.com/index.php/just-above-midtown-changing-spaces-review-museum-modern-art-new-york https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/EXB13350_010_PRESS.jpg Installation view of Just Above Midtown: Changing Spaces, on view at The Museum of Modern Art, New York from 9 October 2022 – 18 February 2023. Photo: Emile Askey. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/David-Hammons_Body-Print.jpg David Hammons. Untitled, 1976. Grease and pigment on paper. 29 × 23 in (74 × 58.4 cm). © David Hammons. Hudgins Family Collection, New York. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/Senga-Nengudi-.jpg Senga Nengudi performing Air Propo at JAM, 1981. Courtesy Senga Nengudi and Lévy Gorvy. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/Suzanne-Jackson_Talk.jpg Suzanne Jackson. Talk, 1976. Coloured pencil on paper, 41 1/4 x 29 1/2 in (104.8 x 74.9 cm). Courtesy the artist and Ortuzar Projects, New York. Photo: Timothy Doyon. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/Archival-Video.jpg Still from video footage in the JAM Records featuring Randy Williams, Marquita Pool-Eckert, and David Hammons with Jorge Luis Rodriguez’s Circulo con cuatro esquinas (Circle with Four Corners) (1976), in Rodriguez’s exhibition Circulos, Just Above Midtown, Fifty-Seventh Street, 1976. Collection Linda Goode Bryant, New York. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/EXB13350_026_PRESS.jpg Installation view of Just Above Midtown: Changing Spaces, on view at The Museum of Modern Art, New York from 9 October 2022 – 18 February 2023. Photo: Emile Askey. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/EXB13350_033_PRESS.jpg Installation view of Just Above Midtown: Changing Spaces, on view at The Museum of Modern Art, New York from 9 October 2022 – 18 February 2023. Photo: Emile Askey. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/EXB13350_035_PRESS.jpg Installation view of Just Above Midtown: Changing Spaces, on view at The Museum of Modern Art, New York from 9 October 2022 – 18 February 2023. Photo: Emile Askey. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/Randy-Williams_LArt-Abstrait.jpg Randy Williams. L’art abstrait. 1977. Wood, canvas, book, book cover, plexiglass, wire, metal bolts, and lottery ticket, 24 × 41 × 5 in. (61 × 104.1 × 12.7 cm). Courtesy the artist. Photo: Mark Liflander. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/EXB13350_0030_PRESS.jpg Installation view of Just Above Midtown: Changing Spaces, on view at The Museum of Modern Art, New York from 9 October 2022 – 18 February 2023. Photo: Emile Askey. https://www.studiointernational.com/images/articles/j/0809-jam-moma-2022/EXB13350_051_PRESS.jpg Installation view of Just Above Midtown: Changing Spaces, on view at The Museum of Modern Art, New York from 9 October 2022 – 18 February 2023. Photo: Emile Askey. https://www.studiointernational.com/index.php/gabriel-orozco-diario-de-plantas-review-white-cube-masons-yard-london https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-23II22-(b)-2022-(medium-res).jpg Gabriel Orozco. 23.II.22 (b), 2022. Gouache, tempera, ink and graphite on paper, 12.8 x 18.2 cm (5 1/16 x 7 3/16 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol. https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-21I22-(a)-11-2022-(medium-res).jpg Gabriel Orozco 21.I.22 (a) #11, 2022. Gouache, tempera, ink and graphite on paper, 12.8 x 16.5 cm (5 1/16 x 6 1/2 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol. https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-23II22-(e)-2022-(medium-res).jpg Gabriel Orozco. 23.II.22 (e), 2022. Gouache, tempera, ink and graphite on paper, 15 x 21 cm (5 7/8 x 8 1/4 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol. https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-Pineapple-2022.jpg Gabriel Orozco. Pineapple, 2022. Tempera and gold leaf on linen canvas, 200 x 200 cm (78 3/4 x 78 3/4 in). © Gabriel Orozco. Photo © White Cube (Gerardo Landa Rojano). https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-24I22-(a)-16-2022-(medium-res).jpg Gabriel Orozco. 24.I.22 (a) #16, 2022. Gouache, tempera, ink and graphite on paper, 12.8 x 16.5 cm (5 1/16 x 6 1/2 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-by-Maria-Gutierrez.jpg Gabriel Orozco. Photo © María Gutierrez. https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-19XI21-(b)-2021-(medium-res).jpg Gabriel Orozco. 19.XI.21 (b), 2021. Gouache, tempera, ink and graphite on paper, 12.8 x 18.2 cm (5 1/16 x 7 3/16 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol. https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-23II22-(g)-2022-(medium-res).jpg Gabriel Orozco. 23.II.22 (g), 2022. Gouache, tempera, ink and graphite on paper, 15 x 21 cm (5 7/8 x 8 1/4 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol. https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-24I22-(a)-14-2022-(medium-res).jpg Gabriel Orozco. 24.I.22 (a) #14, 2022. Gouache, tempera, ink and graphite on paper, 12.8 x 16.5 cm (5 1/16 x 6 1/2 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol. https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-27I22-(b)-17-2022-(medium-res).jpg Gabriel Orozco. 27.I.22 (b) #17, 2022. Gouache, tempera, ink and graphite on paper, 12.8 x 16.5 cm (5 1/16 x 6 1/2 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol. https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-3I22-(a)-5-2022-(medium-res).jpg Gabriel Orozco. 3.I.22 (a) #5, 2022. Gouache, tempera, ink and graphite on paper 12.8 x 16.5 cm (5 1/16 x 6 1/2 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol. https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-Plant-Journal-1-2022.jpg Gabriel Orozco. Plant Journal 1, 2022. Tempera on linen canvas, 40 x 40 cm (15 3/4 x 15 3/4 in). © Gabriel Orozco. Photo © White Cube (Gerardo Landa Rojanol). https://www.studiointernational.com/images/articles/o/081-orozco-gabriel-2022/Gabriel-Orozco-by-Maria-Gutierrez-(2).jpg Gabriel Orozco. Photo © María Gutierrez. https://www.studiointernational.com/index.php/nordic-sami-pavilion-venice-biennale-2022-interviews-sweden-norway-finland https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/sami-artists-1000.jpg Sámi artists Anders Sunna, Máret Ánne Sara and Pauliina Feodoroff. Photos: Elizabeth Fullerton. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/Maret-Anne-Sara-install-04.jpg Máret Ánne Sara, installation view, Sámi Pavilion (Nordic Countries), Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/sami-pavilion-install-2022.jpg Anders Sunna, installation view, Sámi Pavilion (Nordic Countries), Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/Maret-Anne-Sara-install-03.jpg Máret Ánne Sara, installation view, Sámi Pavilion (Nordic Countries), Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/feodoroff-performance-02.jpg Pauliina Feodoroff, performance, Sámi Pavilion (Nordic Countries), Venice Biennale 2022. Photo: Elizabeth Fullerton. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/Maret-Anne-Sara.jpg Máret Ánne Sara. Photo: Elizabeth Fullerton. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/Sunna-portrait-venice-02-2022.jpg Anders Sunna. Photo: Elizabeth Fullerton. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/feodoroff.jpg Pauliina Feodoroff (right). Photo: Elizabeth Fullerton. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/Maret-Anne-Sara-install-02.jpg Máret Ánne Sara, installation view, Sámi Pavilion (Nordic Countries), Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/Sunna-install-02.jpg Anders Sunna, installation view, Sámi Pavilion (Nordic Countries), Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/Sunna-install-01.jpg Anders Sunna, installation view, Sámi Pavilion (Nordic Countries), Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/Sunna-install-03.jpg Anders Sunna, installation view, Sámi Pavilion (Nordic Countries), Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/011-sami-pavilion-venice-2022/feodoroff-performance-03.jpg Pauliina Feodoroff, performance, Sámi Pavilion (Nordic Countries), Venice Biennale 2022. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/kate-groobey-interview-the-drip-for-me-is-pure-joy-female-stallion-sim-smith-london https://www.studiointernational.com/images/articles/g/041-groobey-kate-2022/P_133718_00_A3-sRGB.jpg Kate Groobey, Female Stallion, 2022. Oil on canvas, 200 × 150 cm (78 ¾ × 59 in). Copyright the artist. Courtesy of the artist and Sim Smith London. https://www.studiointernational.com/images/articles/g/041-groobey-kate-2022/P_133728_00_A3-sRGB.jpg Kate Groobey, Female Stallion, 2022. Oil on canvas, 200 × 150 cm (78 ¾ × 59 in). Copyright the artist. Courtesy of the artist and Sim Smith London. https://www.studiointernational.com/images/articles/g/041-groobey-kate-2022/P_133698_00_A3-sRGB.jpg Kate Groobey, Be In Bloom, 2022, Oil on canvas, 195 × 150 cm (76¾ × 59 in). Copyright the artist. Courtesy of the artist and Sim Smith London. https://www.studiointernational.com/images/articles/g/041-groobey-kate-2022/P_133706_00_A3-sRGB.jpg Kate Groobey, I Like To Lick, 2022. Oil on canvas, 195 × 150 cm (76¾ × 59 in). Copyright the artist. Courtesy of the artist and Sim Smith London. https://www.studiointernational.com/images/articles/g/041-groobey-kate-2022/P_133739_00_A3-sRGB.jpg Kate Groobey, Bouche À Bouche, 2022. Oil on canvas, 200 × 200 cm (78 ¾ × 78 ¾ in). Copyright the artist. Courtesy of the artist and Sim Smith London. https://www.studiointernational.com/images/articles/g/041-groobey-kate-2022/P_133721_00_A3-sRGB.jpg Kate Groobey, Get Into My Rainbow, 2022. Oil on canvas, 200 × 150cm (78¾ × 59 in). Copyright the artist. Courtesy of the artist and Sim Smith London. https://www.studiointernational.com/index.php/hans-ulrich-obrist-peter-pakesch-interview-atta-kwami-maria-lassnig-award https://www.studiointernational.com/images/articles/k/048-kwami-atta-2022/atta-kwami-serpentine-HG308833.jpg Atta Kwami, DzidzƆ kple amenuveve (Joy and Grace), 2021-22. Installation View: Maria Lassnig Prize Mural, Serpentine North Garden, 6 September 2022 – 3 September 2023. Courtesy the Estate of Atta Kwami. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/k/048-kwami-atta-2022/atta-kwami-HG308887.jpg Atta Kwami, DzidzƆ kple amenuveve (Joy and Grace), 2021-22. Installation View: Maria Lassnig Prize Mural, Serpentine North Garden, 6 September 2022 – 3 September 2023. Courtesy the Estate of Atta Kwami. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/k/048-kwami-atta-2022/atta-kwami-HG103888.jpg Atta Kwami, DzidzƆ kple amenuveve (Joy and Grace), 2021-22. Installation View: Maria Lassnig Prize Mural, Serpentine North Garden, 6 September 2022 – 3 September 2023. Courtesy the Estate of Atta Kwami. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/k/048-kwami-atta-2022/atta-kwami-serpentine-HG308867.jpg Atta Kwami, DzidzƆ kple amenuveve (Joy and Grace), 2021-22. Installation View: Maria Lassnig Prize Mural, Serpentine North Garden, 6 September 2022 – 3 September 2023. Courtesy the Estate of Atta Kwami. Photo: Hugo Glendinning. https://www.studiointernational.com/index.php/helen-saunders-modernist-rebel-review-courtauld-gallery-london https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Vorticist-Composition,-Blue-and-Green,-c1915.jpg Helen Saunders. Vorticist composition, Blue and Green, c1915. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Vorticist-Composition,-Black-and-White,-c1915.jpg Helen Saunders. Vorticist composition, Black and White, c1915. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Vorticist-composition-with-Figures,-Black-and-White,-c1915.jpg Helen Saunders. Vorticist composition with Figures, Black and White, c1915. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Hammock,-c1913-14.jpg Helen Saunders. Hammock, c1913-14. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Vorticist-composition-Yellow-and-Green-(formerly-Gulliver-in-Lilliput),-c1915.jpg Helen Saunders. Vorticist composition Yellow and Green (formerly Gulliver in Lilliput), c1915. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-View-of-LEstaque,-c1920-29.jpg Helen Saunders. View of L’Estaque, 1920-29. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Cabaret,-c1913-14.jpg Helen Saunders. Cabaret, c1913-14. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Canal,-c1913.jpg Helen Saunders. Canal, c1913. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Cement-Factory-at-LEstaque,-c1920-29.jpg Helen Saunders. Cement Factory at L’Estaque, c1920-29. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Cezannes-House,-LEstaque,-c1920-29.jpg Helen Saunders. Cézanne’s House, L’Estaque, c1920-29. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Mother-and-Child-with-Elephant-(1),-c1914-22.jpg Helen Saunders. Mother and Child with Elephant, c1914-22. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Portrait-of-a-woman.jpg Helen Saunders. Portrait of a woman, c1913. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Tree,-c1913.jpg Helen Saunders. Tree, c1913. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Untitled-(Female-Figures),-c1913.jpg Helen Saunders. Untitled (Female Figures), c1913. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Untitled-(The-Rock-Driller),-c1913.jpg Helen Saunders. Untitled (The Rock Driller), c1913. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Helen-Saunders,-Vorticist-composition-with-bending-figure,-c1914.jpg Helen Saunders. Vorticist composition with bending figure, c1914. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders. https://www.studiointernational.com/images/articles/s/010-saunders-helen-2022/Copyright-The-Estate-of-Helen-Saunders.jpg Helen Saunders. Copyright The Estate of Helen Saunders. https://www.studiointernational.com/index.php/harold-cohen-aaron-retrospective-review-gazelli-art-house-london https://www.studiointernational.com/images/articles/c/003-cohen-harold-2022/Harold-Cohen-Untitled-Amsterdam-Suite-11,-1977.jpg Harold Cohen, Untitled Amsterdam Suite 11, 1977. Coloured pencil over ink on paper, 56.4 x 72.7 cm. https://www.studiointernational.com/images/articles/c/003-cohen-harold-2022/Harold-Cohen,-Aaron-at-Tsukuba-12,-1985.jpg Harold Cohen, Aaron at Tsukuba #12, 1985. Ink on paper, 55.9 x 76.2 cm. https://www.studiointernational.com/images/articles/c/003-cohen-harold-2022/HC0027-copy.jpg Harold Cohen, Untitled, Athlete Series, 1986. Acrylic on canvas, 305 x 246.5 cm. https://www.studiointernational.com/images/articles/c/003-cohen-harold-2022/Harold-Cohen-Drawing-Machine-Turtle,-1980.jpg Harold Cohen, Drawing Machine ‘Turtle’, 1980. Steel, copper and plastic, 20.3 x 20.3 x 15.2 cm. https://www.studiointernational.com/images/articles/c/003-cohen-harold-2022/Harold-Cohen-Untitled,-1981.jpg Harold Cohen, Untitled, 1981. Acrylic on canvas, 273 x 553 cm. https://www.studiointernational.com/images/articles/c/003-cohen-harold-2022/Harold-Cohen-London-at-the-Tate,-1983.jpg Harold Cohen, London at the Tate, 1983. Ink on paper, 55.9 x 76.2 cm. https://www.studiointernational.com/images/articles/c/003-cohen-harold-2022/Harold-Cohen-Under-Waterfront-Park,-2014.jpg Harold Cohen, Under Waterfront Park, 2014. Oil over pigment ink on canvas, 95.3 x 127 cm. https://www.studiointernational.com/images/articles/c/003-cohen-harold-2022/Harold-Cohen-First-Sighting,-2012.jpg Harold Cohen, First Sighting, 2012. Oil over pigment ink on canvas, 121.9 x 219.7 cm. https://www.studiointernational.com/index.php/stephen-willats-social-resource-project-for-tennis-clubs-review-bonington-gallery-nottingham-trent-university https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/StephenWillatsatTheParkTennisClub.jpg Stephen Willats. Social Resource Project for Tennis Clubs: Tennis Tournament, Saturday 8 October 2022. The Park Tennis Club, Nottingham. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/Rewritingtherules6.jpg Stephen Willats. Social Resource Project for Tennis Clubs: Tennis Tournament, Saturday 8 October 2022. The Park Tennis Club, Nottingham. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/Rewritingtherules2.jpg Stephen Willats. Social Resource Project for Tennis Clubs: Tennis Tournament, Saturday 8 October 2022. The Park Tennis Club, Nottingham. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/Rewritngtherules7.jpg Stephen Willats. Social Resource Project for Tennis Clubs: Tennis Tournament, Saturday 8 October 2022. The Park Tennis Club, Nottingham. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/Galleryinstallationshot.jpg Stephen Willats. Social Resource Project for Tennis Clubs, installation view, Bonington Gallery. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/filmstripingallery.jpg Stephen Willats. Social Resource Project for Tennis Clubs, installation view, Bonington Gallery. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/meshes.jpg Stephen Willats. Social Resource Project for Tennis Clubs, installation view, Bonington Gallery. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/signsoncourtedges3.jpg Stephen Willats. Social Resource Project for Tennis Clubs, installation view, Bonington Gallery. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/StephenWillatsProcessDrawing2.jpg Stephen Willats. Theoretical Models, set of four diagrams (detail), Social Resource Project for Tennis Clubs, 1971/2. Mixed media on paper. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/StephenWillatsMembershipSecretaryfilm.jpg Stephen Willats. Social Resource Project for Tennis Clubs, installation view, Bonington Gallery. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/Signsoncourtedges2022.jpg Stephen Willats. Social Resource Project for Tennis Clubs, installation view, Bonington Gallery. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/StephenWillatsnetfilmnumber.jpg Signs And Messages from The Park Tennis Club Nottingham, 2022. Film. Installation view, Bonington Gallery. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/StephenWillatslaunchingevent.jpg Stephen Willats at the launch of Social Resource Project for Tennis Clubs: Tennis Tournament, Saturday 8 October 2022, The Park Tennis Club, Nottingham. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/GalleryInstallationshot3.jpg Model of Art Practice Homeostat diagram. From Social Resource Project for Tennis Clubs, Stephen Willats, 1971/2. Vinyl. Installation view, Bonington Gallery. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/Net2022.jpg Stephen Willats. Social Resource Project for Tennis Clubs, installation view, Bonington Gallery. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/StephenWillatsProcessDrawing3.jpg Stephen Willats. Theoretical Models, set of four diagrams (detail), Social Resource Project for Tennis Clubs, 1971/2. Mixed media on paper. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/043-willats-stephen-2022/Lineupofplayers.jpg Stephen Willats. Social Resource Project for Tennis Clubs: Tennis Tournament, Saturday 8 October 2022. The Park Tennis Club, Nottingham. Lineup of players. Photo: Bronac Ferran. https://www.studiointernational.com/index.php/shi-jinsong-waiting-for-a-response-which-we-might-never-get-review-scad-museum-of-art-savannah-georgia https://www.studiointernational.com/images/articles/s/009-shi-jinsong-2022/IMG_3207.jpg Shi Jinsong. Futuristic Poetry: Bamboo Scores, 2022. Plastic, copper, nickel, aluminum, dimensions variable. Installation view, SCAD Museum of Art. Photo: Lilly Wei. https://www.studiointernational.com/images/articles/s/009-shi-jinsong-2022/SAV_2022Summer_Exhibitions_ShiJinsong_AS_016_SN_v1.jpg Shi Jinsong: Waiting for a response which we might never get. Installation view, SCAD Museum of Art. Photo courtesy SCAD Museum of Art. https://www.studiointernational.com/images/articles/s/009-shi-jinsong-2022/SAV_2022Summer_Exhibitions_ShiJinsong_AS_020_SN_v1.jpg Shi Jinsong. Futuristic Poetry: Bamboo Scores, 2022. Plastic, copper, nickel, aluminum, dimensions variable. Installation view, SCAD Museum of Art. Photo courtesy SCAD Museum of Art. https://www.studiointernational.com/images/articles/s/009-shi-jinsong-2022/SAV_2022Summer_Exhibitions_ShiJinsong_AS_025_SN_v1.jpg Shi Jinsong. Let https://www.studiointernational.com/images/articles/s/009-shi-jinsong-2022/SAV_2022Summer_Exhibitions_ShiJinsong_AS_018_SN_v1.jpg Shi Jinsong. Let https://www.studiointernational.com/images/articles/s/009-shi-jinsong-2022/SAV_2022Summer_Exhibitions_ShiJinsong_AS_015_SN_v1.jpg Shi Jinsong. Go Ahead NO.1, 2016 (detail). Trunk, motorcycle, audio and lighting, 161 3/8 x 35 1/2 x 54 3/4 in. Installation view, SCAD Museum of Art. Photo courtesy SCAD Museum of Art. https://www.studiointernational.com/images/articles/s/009-shi-jinsong-2022/SAV_2022Summer_Exhibitions_ShiJinsong_AS_028_SN_v1.jpg Shi Jinsong: Waiting for a response which we might never get. Installation view, SCAD Museum of Art. Photo courtesy SCAD Museum of Art. https://www.studiointernational.com/index.php/adrian-ghenie-the-fear-of-now-review-thaddeus-ropac-london https://www.studiointernational.com/images/articles/g/040-ghenie-adrian-2022/ghenie-04.jpg Installation view of Adrian Ghenie: The Fear of NOW at Thaddaeus Ropac London, 2022. Photo: Jackson Pearce White. © Adrian Ghenie. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/g/040-ghenie-adrian-2022/ghenie-03.jpg Adrian Ghenie, Impossible Body 4, 2022. Oil on canvas, 120 x 100 cm. © Adrian Ghenie. Photo: Jörg von Bruchhausen. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/g/040-ghenie-adrian-2022/ghenie-02.jpg Adrian Ghenie, Figure with Remote Control, 2022. Oil on canvas, 205 x 178 cm. © Adrian Ghenie. Photo: Jörg von Bruchhausen. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/g/040-ghenie-adrian-2022/ghenie-05-750.jpg Installation view of Adrian Ghenie: The Fear of NOW at Thaddaeus Ropac London, 2022. Photo: Jackson Pearce White. © Adrian Ghenie. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/images/articles/g/040-ghenie-adrian-2022/ghenie-01.jpg Adrian Ghenie, Untitled 6, 2022. Oil on canvas, 140 x 140 cm. © Adrian Ghenie. Photo: Jörg von Bruchhausen. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. https://www.studiointernational.com/index.php/harts-in-mind-drawing-our-way-back-to-health-review-st-albans-museum-and-gallery https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Anna-McNay,-My-Four-Year-Old-Self-Photo-Anna-McNay.jpg Anna McNay, My Four-Year-Old Self. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Kim-Rasit,-David,-(detail)-Photo-Anna-McNay.jpg Kim Rasit, David. Full-size coffin, 183 cm (detail). Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Kim-Rasit,-PIP-word-art-Photo-courtesy-Harts-in-Mind.jpg Kim Rasit, PIP word art. Photo: courtesy H’arts in Mind. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Denise-Johansen,-The-Depths,-Photo-courtesy-Harts-in-Mind.jpg Denise Johansen, The Depths. 3D dripped glaze with shards of CD, 50 x 40 cm. Photo courtesy H’arts in Mind. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Maxine-Ellis,-Sea-View,-Photo-courtesy-Harts-in-Mind.jpg Maxine Ellis, Sea View. Fabric hanging, 110 x 80 x 26 cm. Photo courtesy H’arts in Mind. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Caroline-and-Sophia-Abbott,-A-Brush-with-the-Ocean,-Photo-Anna-McNay.jpg Caroline and Sophia Abbott, A Brush with the Ocean. Painting on cardboard, 43 x 58 cm. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Ron-Walker,-Richards-Sunset-Photo-Anna-McNay.-.jpg Ron Walker, Richard https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Angeline-Easter,-Photo-Anna-McNay.jpg Angeline Easter. Left: The Fear; Centre: The Solution; Right: Freedom. Each acrylic painting, 58.5 x 41.5 cm. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/DJ-Cousins,-Curiouser-and-Curiouser.-Cotton-Stitched-Multifaceted-Creature.-Photo-courtesy-Harts-in-Mind.jpg DJ Cousins, Curiouser and Curiouser. Cotton stitched multifaceted creature. Photo courtesy H’arts in Mind. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Alex-Devlin,-Boss-Cat-Photo-courtesy-Harts-in-Mind.jpg Alex Devlin, Boss Cat. Ceramic. Photo courtesy H https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Mike-Pedley,-Hank,-Photo-Anna-McNay.jpg Mike Pedley, Hank and video work. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Katie-Spencer,-It-Has-Many-Faces-Photo-Anna-McNay.jpg Katie Spencer, It Has Many Faces. Oil on canvas, 127 x 102 cm. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Alan-James,-Wounded-Love-Photo-Anna-McNay.jpg Alan James, Wounded Love. Acrylic, 40 x 35 cm. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Jane-Ewen,-Split,-Photo-Anna-McNay.jpg Jane Ewen, Split. Acrylic painting. 90 x 60 cm. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Kim-Rasit,-Sinking,-Photo-Anna-McNay.jpg Kim Rasit, Sinking. Acrylic painting on canvas, 130 x 75 cm. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Ron-Walker,-Bookends-of-Emotions,-Photo-Anna-McNay.-.jpg Ron Walker, Bookends of Emotions. Glass, 29.7 x 21 cm. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Ron-Walker,-Concentration,-Photo-Anna-McNay..jpg Ron Walker, Concentration. Photograph mounted on photo foamboard, 42 x 29.7 cm. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Harts-in-Mind.-Drawing-Our-Way-Back-to-Health.-Installation-view-5-Photo-Anna-McNay.jpg H’arts in Mind: Drawing Our Way Back to Health, installation view, St Albans Museum + Gallery, 2022. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Harts-in-Mind.-Drawing-Our-Way-Back-to-Health.-Installation-view-4-Photo-Anna-McNay.jpg H’arts in Mind: Drawing Our Way Back to Health, installation view, St Albans Museum + Gallery, 2022. Photo: Anna McNay. https://www.studiointernational.com/images/articles/h/023-harts-in-mind-2022/Harts-in-Mind-Drawing-Our-Way-Back-to-Health.-Installation-view-6-Photo-Anna-McNay.jpg H’arts in Mind: Drawing Our Way Back to Health, installation view, St Albans Museum + Gallery, 2022. Photo: Anna McNay. https://www.studiointernational.com/index.php/marina-strocchi-interview-indigenous-art-central-australia https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-11_Out_Bush.jpg Marina Strocchi, Out Bush II, 2007. Acrylic on linen, 175 x 200 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Big-Country-Araluen.jpg Marina Strocchi, Big Country, 2007. Acrylic on linen, 86.5 x 109 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Blue-Drawing-II-copy-2.jpg Marina Strocchi, Blue Drawing II, (2003-2018). Acrylic on linen, 122 x 137 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-New-York.jpg Marina Strocchi, New York (linen), 2020. Acrylic on linen, 122 x 167 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Brancusi-Palms.jpg Marina Strocchi, Brancusi Palms, 2003. Acrylic on paper, 76 x 57 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Tower-and-dog.jpg Marina Strocchi, Tower and dog, 2019. Acrylic on paper, 33 x 33 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Still-Life.jpg Marina Strocchi, Still Life, 2019. Acrylic on paper on marine ply, 60 x 80 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Bright,-sunshiny-day-(state-II).jpg Marina Strocchi, Bright, sunshiny day (state II), 2020. Acrylic on linen, 114.5 x 119 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Burn-off.jpg Marina Strocchi, Burn Off, 2007. Acrylic on linen, 183 x 212 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-The-Kitchen-copy.jpg Marina Strocchi, The Kitchen, 2002. Acrylic on linen, 122 x 137 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/Marina-Strocchi-portrait-750.jpg Marina Strocchi. Photo: Viki Petherbridge. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Elgee-Park-III.jpg Marina Strocchi, Elgee Park III, 2022. Acrylic on handmade Indian rag paper (framed), 56 x 76 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Full-Bloom.jpg Marina Strocchi, Full Bloom, 2001. Gouache on paper, 55 x 75 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-Linework-V.jpg Marina Strocchi, Linework V, 2018. Acrylic on paper on marine ply, 60 x 80 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-The-Echidna.jpg Marina Strocchi, The Echidna, 2007. Acrylic on linen, 200 x 300 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-The-Territory.jpg Marina Strocchi, The Territory, 2002. Acrylic on linen, 183 x 200.2 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-big-day-out.jpg Marina Strocchi, Big Day Out, 2005. Acrylic on linen, 152 x 167.5 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-big-red.jpg Marina Strocchi, Big Red, 2005. Acrylic on linen, 122 x 284 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-black-dog-red-dog.jpg Marina Strocchi, Black Dog, Red Dog, 2005. Acrylic on linen, 198 x 229 cm. © the artist. https://www.studiointernational.com/images/articles/s/008-strocchi-marina-2022/marina-strocchi-red-fish.jpg Marina Strocchi, Red Fish, 2005. Acrylic on linen, 61 x 66 cm. © the artist. https://www.studiointernational.com/index.php/the-artists-studio-a-cultural-history-james-hall-book-review-thames-and-hudson https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p63,-Petrus-Christus,-A-Goldsmith-in-his-Shop,-1449.jpg Page 63. Petrus Christus, A Goldsmith in his Shop, 1449. Oil on panel, 100.1 x 85.8 cm (39 3/8 x 33 3/4 in). The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p115,-Unknown-Florentine-artist,-A-Sculptor-at-Work-1481.jpg Page 115. Unknown Florentine artist, A Sculptor at Work, from Cristoforo Landino’s edition of Dante’s Divine Comedy, Florence, 1481. Biblioteca Vallicelliana, Rome. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p12,-Tosa-Mitsunobu,-The-Picture-Contest-(Eawase)-from-the-Tale-of-Genji,-1509-10.jpg Page 12. Tosa Mitsunobu, The Picture Contest (Eawase) from the Tale of Genji, 1509-10. Ink, colour and gold on paper, 24.3 x 18.1 cm (9 9/16 x 7 1/8 in). Harvard Art Museums/Arthur M. Sackler Museum, bequest of the Hofer Collection of the Arts of Asia. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p152-3,-Willem-van-Haecht,-Apelles-Painting-Campaspe,-c1630.jpg Page 152-153. Willem van Haecht, Apelles Painting Campaspe, c1630. Oil on panel, 104.9 x 148.7 cm (41 3/8 x 58 5/8 in). The Mauritshuis, The Hague. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p188,-Johannes-Vermeer,-The-Art-of-Painting,-1666-8.jpg Page 188. Johannes Vermeer, The Art of Painting, 1666–8. Oil on canvas, 120 x 100 cm (47 1/4 x 39 3/8 in). Kunsthistorisches Museum, Vienna. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p225,-Yasutomo-Ebisu,-Hiroshi-Sugimoto-in-his-Tokyo-home-studio,-2019.jpg Page 225. Yasutomo Ebisu, Hiroshi Sugimoto in his Tokyo home studio, 2019. © Yasutomo Ebisu. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/The-Artists-Studio-Jacket.jpg The Artist’s Studio: A Cultural History, by James Hall. Published by Thames & Hudson. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p160,-Diego-Velazquez,-Las-Meninas,-1656.jpg Page 160. Diego Velázquez, Las Meninas, 1656. Oil on canvas, 320.5 x 281.5 cm (126 1/4 x 110 7/8 in). Museo del Prado, Madrid. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p183,-Adelaide-Labille-Guiard,-Self-Portrait-with-Two-Pupils,-Marie-Gabrielle-Capet-and-Marie-Marguerite-Carreaux-de-Rosemond,-1785.jpg Page 183. Adélaïde Labille-Guiard, Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond, 1785. Oil on canvas, 210.8 x 151.1 cm (83 x 59 1/2 in). The Metropolitan Museum of Art, New York. Gift of Julia A. Berwind, 1953. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p216,-Eugene-Druet,-Rodin-in-his-Pavilion-Studio,-c1902-Musee-Rodin,-Paris.jpg Page 216. Eugène Druet, Rodin in his Pavilion Studio, c1902. Musée Rodin, Paris. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p220,-Edward-Steichen,-Brancusi-in-his-studio,-Paris,-1925.jpg Page 220. Edward Steichen, Brancusi in his studio, Paris, 1925. © Succession Brancusi - All rights reserved. © The Estate of Edward Steichen. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p249,-Carl-Jacob-Lindstrom,-The-German-Painter,-1840.jpg Page 249. Carl Jacob Lindström, The German Painter, 1840. Watercolour, 19.2 x 25.8 cm (7 5/8 x 10 1/4 in). Nationalmuseum, Stockholm. Photo Erik Cornelius / Nationalmuseum. https://www.studiointernational.com/images/articles/a/020-artists-studios-2022/p6,-Perry-Ogden,-Francis-Bacons-Studio-at-7-Reece-Mews,-London,-1998.jpg Page 6. Perry Ogden, Francis Bacon's Studio at 7 Reece Mews, London, 1998. Dublin City Gallery The Hugh Lane. © The Estate of Francis Bacon. Photo Artimage. https://www.studiointernational.com/index.php/henry-fuseli-and-the-modern-woman-fashion-fantasy-fetishism-review-courtauld-gallery-london https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-04.jpg Henry Fuseli. Sophia Fuseli, seated at a table (drawn over a list of Fuseli’s articles for the Analytical Review), c1790-91. Pen and brown ink, brush and watercolour, over graphite, heightened with white opaque watercolour, 22.7 x 15.7 cm. Auckland, Auckland Art Gallery Toi o Tāmaki, purchased 1965. https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-05.jpg Henry Fuseli. Woman in a Sculpture Gallery, 1798. Graphite, pen and black ink, brush and watercolour, heightened with white opaque watercolour, 41 x 24.7 cm. Dresden, Staatliche Kunstsammlungen, Kupferstichkabinett. https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-02.jpg Henry Fuseli. Seated Woman (Sophia Fuseli?) in curls, reading, c1796. Brush and watercolour and opaque watercolour, over graphite, traces of red chalk, 36.5 x 22.8 cm. Zürich, Kunsthaus Zürich, Collection of Prints and Drawings, 1938. https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-10.jpg Henry Fuseli. Woman with long plaits teasing a figure trapped in a well; and subsidiary study of Ezzelin and Meduna, 1817- 22. Graphite and black chalk, brush and watercolour, 32.1 x 19.4 cm. Dresden, Staatliche Kunstsammlungen, Kupferstichkabinett. https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-09.jpg Henry Fuseli. Two courtesans in a theatre box, with fantastic hairstyles, c1790-92. Pen and brown ink, brush and watercolour and opaque watercolour, over graphite, 17.9 x 16.2 cm. Auckland, Auckland Art Gallery Toi o Tāmaki, purchased 1965. https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-06.jpg Henry Fuseli. Fool on the end of a prostitute’s rope, c1757-59. Pen and grey-brown ink, brush and watercolour 11.8 x 10.6 cm. Zürich, Kunsthaus Zürich, Collection of Prints and Drawings, Donated by C. Meyer, 1826. https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-01.jpg Henry Fuseli. Sophia Fuseli in an elaborate braided head-dress, c1795. Pen and black ink, brush and watercolour and opaque watercolour, 17.4 x 14.4 cm. Auckland, Auckland Art Gallery Toi o Tāmaki, purchased 1965. https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-03.jpg Henry Fuseli. Woman at a dressing table, c1790-92. Pen and brown ink, brush and watercolour and opaque watercolour, over graphite, 22.9 x 17.8 cm. Belfast, National Museums, Courtesy of the Board of Trustees of the National Museums Northern Ireland. https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-07.jpg Henry Fuseli. The Debutante, 1807. Pen and brown and black ink, brush and watercolour and opaque watercolour, over graphite, 37 x 24 cm. London, Tate, presented by Lady Holroyd in accordance with the wishes of the late Sir Charles Holroyd 1919. https://www.studiointernational.com/images/articles/f/054-fuseli-henry-2022/fuseli-08.jpg Henry Fuseli. Woman (Sophia Fuseli?) in a broad-brimmed hat, seated on a sofa, c1795. Brush and watercolour and opaque watercolour, over graphite, 48 x 31.6 cm. Zürich, Kunsthaus Zürich, Collection of Prints and Drawings, The Gottfried Keller Foundation, Federal Office of Culture, Berne, 1934. https://www.studiointernational.com/index.php/grafton-architects-yvonne-farrell-shelley-mcnamara-interview-building-is-a-collection-of-experiences-john-soane https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/The-model-of-the-Marshall-Building.jpg Installation view, Neighbours in Space and Time: Grafton Architects, Sir John Soane’s Museum, London. Photo: Gareth Gardener. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Top-light-Soane-Museum.jpg Top light being drawn down to the darkest centre of the building in Sir John Soane’s Museum, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Soane-Staircase,-daylight.jpg Sir John Soane’s Museum staircase - daylight from the roof bounces off the walls and glides along the stairs. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Every-lecture-room.jpg Every lecture room in the Marshall Building has a view, including this one onto the trees of Lincoln https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Night-view-Marshall-Building.jpg Night view shows how incisions into the Marshall Building https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Bocconi-in-Milan.jpg The School of Economics building at the Università Commerciale Luigi Bocconi in Milan. Building as landscape, it draws light down through incisions at ground level. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Graftons-winning-drawing.jpg Grafton https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Marshall-Building-tall-concrete-trees.jpg The Marshall Building https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Pale-marble-(Bianca-Lasa).jpg The Luigi Bocconi university building in Milan. Pale marble (Bianca Lasa) floors in the lower ground floor space capture light from the windows above. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Marshall-Building-catching-the-west-sunlight.jpg The Marshall Building catching the sunlight along its north facing facade. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Marshall-Building-concrete-tree.jpg The Marshall Building's concrete 'tree' and rooflight detail. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Bocconi-a-muscuar.jpg The School of Economics building at the Università Commerciale Luigi Bocconi, a muscular and monumental but welcoming space. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Kingston-University-Town-House-the-central-area-pivots-around-this-social-staircase-wide-enough-for-four-people.jpg Kingston University London Town House. The central area pivots around this social staircase wide enough for four people. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Kingston-University-Town-house-2.jpg Kingston University London Town House. Llight drawing in and down from all sides. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Kingston-University-Town-house-3.jpg Kingston University London Town House. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/039-grafton-architects-2022/Showcase-of-structural-details.jpg Installation view, Neighbours in Space and Time: Grafton Architects, Sir John Soane’s Museum, London. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/qiu-zhijie-review-talbot-rice-gallery-edinburgh https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/Qiu-Zhijie-map-with-UV-torch.jpg Qiu Zhijie. Map highlighted with UV torch. Photo: Tom Denman. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/The-Art-of-War.jpg Qiu Zhijie. The Art of War, 2022. Ink on paper scroll, artwork: 200 x 100 cm, scroll: 300 x 100 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/qiu-three-flat-top-hills.jpg Qiu Zhijie. Three Flat-Topped Hills: At Dusk, 2022. Ink on paper, framed on stretcher bars, 70 x 70 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/under-the-sky-(left)-S80C0969.jpg Qiu Zhijie. Under the Sky I, 2022 (left). Installation view, Talbot Rice Gallery. Photo: Sally Jubb Photography, courtesy Talbot Rice Gallery. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/17-Babylon-Tower.jpg Qiu Zhijie. Empire Series: Babylon Tower, 2016. Paper relief, 118 x 80 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/Wuzi.jpg Qiu Zhijie. Wuzi, 2022. Ink on paper scroll, artwork: 200 x 100 cm, scroll: 300 x 100 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/Install-S80C0960-Edit.jpg Qiu Zhijie, installation view, Talbot Rice Gallery. Photo: Sally Jubb Photography, courtesy Talbot Rice Gallery. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/Install-S80C0955-Edit.jpg Qiu Zhijie, installation view, Talbot Rice Gallery. Photo: Sally Jubb Photography, courtesy Talbot Rice Gallery. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/Install-S80C0958-Edit.jpg Qiu Zhijie, installation view, Talbot Rice Gallery. Photo: Sally Jubb Photography, courtesy Talbot Rice Gallery. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/06-Greece.jpg Qiu Zhijie. Empire Series: Greece, 2016. Paper relief, 150 x 150 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/The-Methods-of-the-Sima.jpg Qiu Zhijie. The Methods of Sima, 2022. Ink on paper scroll, artwork: 200 x 100 cm, scroll: 300 x 100 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/Thirty-Six-Stratagems.jpg Qiu Zhijie. Thirty-Six Stratagems, 2022. Ink on paper scroll, artwork: 200 x 100 cm, scroll: 300 x 100 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/Yellow-Stone-out-of-the-Three-Worlds.jpg Qiu Zhijie. Yellow Stone out of the Three Worlds, 2022. Ink on paper scroll, artwork: 200 x 100 cm, scroll: 300 x 100 cm. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/094-qiu-zhijie-2022/ZJ4.jpg Qiu Zhijie. Global Cities, 2022. Ink on paper, framed on stretcher bars, 70 x 70 cm. Courtesy of the artist. https://www.studiointernational.com/index.php/strange-clay-ceramics-in-contemporary-art-review-hayward-gallery-london https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Installation-view-of-Grayson-Perry.jpg Installation view of Grayson Perry, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Mark Blower. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Installation-view-of-Betty-Woodman-and-Jonathan-Baldock,-Strange-Clay.jpg Installation view of Betty Woodman and Jonathan Baldock, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Installation-view-of-Lubna-Chowdhary,-Strange-Clay_-Ceramics-in-Contemporary-Art-at-the-Hayward-Gallery.jpg Installation view of Lubna Chowdhary, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Emma-Hart-installation-shot-V-Simpson.jpg Installation view of Emma Hart, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Installation-view-of-Shahpour-Pouyan,-Strange-Clay_-Ceramics-in-Contemporary-Art-at-the-Hayward-Gallery-(26-October-2022---8-January-2023).-Photo_-Mark-Blower.-Courtesy-the-Hayward-Gallery.jpg Installation view of Shahpour Pouyan, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Rachel-Kneebone-installation-V-Simpson.jpg Installation view of Rachel Kneebone, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/David-Zink-Yi-Untitled-(Architeuthis,-2010)-installation-view-V-Simpson.jpg Installation view of David Zink Yi, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Installation-view-of-Klara-Kristalova,-Strange-Clay_-Ceramics-in-Contemporary-Art-at-the-Hayward-Gallery-2.jpg Installation view of Klara Kristalova, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Salvatore-Arancio-installation-shot-V-Simpson.jpg Installation view of Salvatore Arancio, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Takuro-Kuwata-installation-shot-V-Simpson.jpg Installation view of Takuro Kuwata, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Edmund-de-Waal-atmosphere-(2014)-installation-2-V-Simpson.jpg Installation view of Edmund de Waal, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Lindsey-Mendick-detail-of-work-Till-Death-Do-Us-Part-(2022).jpg Installation view of Lindsey Mendick (detail of work Till Death Do Us Part, 2022, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Klara-Kristalova-installation-shot-2-V-Simpson.jpg Installation view of Klara Kristalova, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Ken-Price-(foreground)-and-Brie-Ruais-in-the-background.-Pic-V-Simpson.jpg Installation view of Ken Price (foreground) with Brie Ruais in the background, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Detail-of-Shahpour-Pouyans-installation-Pic-V-Simpson-.jpg Installation view of Shahpour Pouyan (detail), Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/David-Zink-Yi-work-on-the-far-wall.jpg Installation view of David Zink Yi's work All My Colours, 2020-22, on the far wall, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/007-strange-clay-2022/Magdalene-Odundo-V-Simpson.jpg Installation view of Magdalene Odundo, Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (26 October 2022 - 8 January 2023). Photo: Veronica Simpson. https://www.studiointernational.com/index.php/making-modernism-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/52.jpg Erma Bossi, Portrait of Marianne Werefkin, c1910. Oil on cardboard, 71.6 x 58 cm. Gabriele Munter- und Johannes Eichner-Stiftung, Munich. © The Estate of Erma Bossi. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/05.jpg Marianne Werefkin, Twins, 1909. Tempera on paper, 27.5 x 36.5 cm. Fondazione Marianne Werefkin, Museo Comunale d https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/127.jpg Käthe Kollwitz, Woman with Dead Child, 1903. Etching on paper, 42.4 x 48.6 cm. © Käthe Kollwitz Museum Köln. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/45.jpg Gabriele Münter, Still-life on the Tram (After Shopping), c1912. Oil on cardboard, 50.2 x 34.3 cm. Gabriele Münter- und Johannes Eichner-Stiftung, Munich. © DACS 2022. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/65-NEW.jpg Paula Modersohn-Becker, Girl with Child, 1902. Oil on cardboard, 45.3 x 50.5 cm. Kunstmuseum Den Haag, The Hague. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/118.jpg Käthe Kollwitz, Self-portrait, 1934. Lithograph on paper, 20 x 18.7 cm. © Käthe Kollwitz Museum Köln. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/159-NEW.jpg Paula Modersohn-Becker, Mother with Child on her Arm, Nude II, autumn 1906. Oil on canvas, 80 x 59 cm. Museum Ostwall im Dortmunder U. Photo: Jürgen Spiler, Dortmund. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/173.jpg Paula Modersohn-Becker, Self-portrait as a Standing Nude with Hat, summer 1906. Oil tempera on canvas. 40 x 19.5 cm. Paula Modersohn-Becker Stiftung, Bremen, on loan from a private collection. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/34.jpg Gabriele Münter, Portrait of Anna Roslund, 1917. Oil on canvas, 94 x 68 cm. Leicester Museums & Galleries. © DACS 2022. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/41.jpg Gabriele Münter, Self-portrait, c1908. Oil on cardboard, 49 x 33.6 cm. Museo Nacional Thyssen-Bornemisza, Madrid. © DACS 2022. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/74.jpg Marianne Werefkin, The Contrasts, 1919. Tempera on paper on cardboard, 81.5 x 65.5 cm. Collection of the Municipality of Ascona, Museo Comunale d'Arte Moderna, Ascona. https://www.studiointernational.com/images/articles/m/012-making-modernism-2022/78.jpg Marianne Werefkin, Circus – Before the Show, 1908/10. Tempera on cardboard, 53 x 88.5 cm. Leopold-Hoesch-Museum, Düren. Photo: © Peter Hinschlaeger. https://www.studiointernational.com/index.php/vanessa-baird-interview-i-don-t-think-art-can-rescue-anything-cork-street-london-glasgow-womens-library https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/01.jpg Selected works from the series I Can Get Right Down to the End of the Town and Be Back in Time for Tea. Watercolours on 640 g Arches paper. Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/02.jpg Vanessa Baird, work part of series and exhibition I Can Get Right Down to the End of the Town and Be Back in Time for Tea, 2020-22. Watercolour on 640 g Arches paper, each work 76 x 56 cm, 126 unique works. Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/03.jpg Vanessa Baird, work part of series and exhibition I Can Get Right Down to the End of the Town and Be Back in Time for Tea, 2020-22. Watercolour on 640 g Arches paper, each work 76 x 56 cm, 126 unique works. Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/10.jpg Selected work from Vanessa Baird’s series and exhibition I Get Along Without You Very Well, 2022. Watercolour on 640 g Arches paper, 39 x 29 cm, unique works. Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/06.jpg Vanessa Baird. Untitled (2020), part of the series I Can Get Right Down to the End of the Town and Be Back in Time for Tea, 2020-22. Watercolour on 640 g Arches paper, 150 x 100 cm. Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/04.jpg Vanessa Baird, work part of series and exhibition I Can Get Right Down to the End of the Town and Be Back in Time for Tea, 2020-22. Watercolour on 640 g Arches paper, each work 76 x 56 cm, 126 unique works. Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/05.jpg Vanessa Baird, work part of series and exhibition I Can Get Right Down to the End of the Town and Be Back in Time for Tea, 2020-22. Watercolour on 640 g Arches paper, each work 76 x 56 cm, 126 unique works. Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/07.jpg Vanessa Baird. Untitled (2020), part of the series I Can Get Right Down to the End of the Town and Be Back in Time for Tea, 2020-22. Watercolour on 640 g Arches paper, 76 x 56 cm, Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/08.jpg Selected work from Vanessa Baird’s series and exhibition I Get Along Without You Very Well, 2022. Watercolour on 640 g Arches paper, 39 x 29 cm, unique works. Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/images/articles/b/006-baird-vanessa-2022/09.jpg Selected work from Vanessa Baird’s series and exhibition I Get Along Without You Very Well, 2022. Watercolour on 640 g Arches paper, 39 x 29 cm, unique works. Photo: Øystein Thorvaldsen. Courtesy the artist and OSL contemporary. https://www.studiointernational.com/index.php/elizabeth-price-underfoot-review-the-hunterian-glasgow https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/LR_27412_STOD_200_2_16_2_2_(ii)[1].jpg Manufacturing at A F Stoddard & Co Ltd, Elderslie. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/LR_27412_STOD_201_2_16_2_4_12[1].jpg Carpet manufacturing at James Templeton & Co Ltd, Glasgow. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/UNDERFOOT_STILL_8.jpg Elizabeth Price. Video still: UNDERFOOT, 2022. 2-channel video projection. Courtesy of Elizabeth Price Studio. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/Mitchell-Library-2.jpg The Mitchell Library in Glasgow. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/UNDERFOOT_STILL_4.jpg Elizabeth Price. Video still: UNDERFOOT, 2022. 2-channel video projection. Courtesy of Elizabeth Price Studio. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/UNDERFOOT_STILL_13.jpg Elizabeth Price. Video still: UNDERFOOT, 2022. 2-channel video projection. Courtesy of Elizabeth Price Studio. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/UNDERFOOT_STILL_1.jpg Elizabeth Price. Video still: UNDERFOOT, 2022. 2-channel video projection. Courtesy of Elizabeth Price Studio. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/UNDERFOOT_STILL_16.jpg Elizabeth Price. Video still: UNDERFOOT, 2022. 2-channel video projection. Courtesy of Elizabeth Price Studio. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/UNDERFOOT_STILL_7.jpg Elizabeth Price. Video still: UNDERFOOT, 2022. 2-channel video projection. Courtesy of Elizabeth Price Studio. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/Underfoot-1F.jpg Elizabeth Price, UNDERFOOT, 2022. Installation view, The Hunterian, Glasgow, 2022. Photo: Andrew Lee https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/LR_27412_STOD_202_2_3_4_1_(i)[1].jpg Carpet processes from Blackwood, Morton & Sons, Kilmarnock. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/LR_27412_STOD_202_2_3_4_8_(iii)[1].jpg Carpet processes from Blackwood, Morton & Sons, Kilmarnock. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/Mitchell-Library-1.jpg The Mitchell Library in Glasgow. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/Mitchell-Library-3.jpg The Mitchell Library in Glasgow. https://www.studiointernational.com/images/articles/p/033-price-elizabeth-2022/Mitchell-Library-7.jpg The Mitchell Library in Glasgow. https://www.studiointernational.com/index.php/paint-like-the-swallow-sings-calypso-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/John-Lyons-(b1933),-Whip-Snake,-2004.jpg John Lyons, Whip Snake, 2004. Woodcut. Courtesy the artist. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/John-Lyons-(b1933),-eloi-Eloi-(Lama-Sabachtini),-1976.jpg John Lyons, Eloi! Eloi! (Lama Sabachtini), 1979. Oil on canvas. Courtesy the artist. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/Masked-Stick-Lick-Fighters-Parade_Paul-Dash.jpg Paul Dash, Masked Stick-lick Fighters Parade, 2019. Etching. Courtesy the artist. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/Notting-Hill-Carnival.jpg Errol Lloyd, Notting Hill Carnival IIC, 1988. Oil on canvas. Courtesy the artist. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/Permission-agreed-Graham-Sutherland-The-Deposition.jpg Graham Vivian Sutherland, The Deposition, 1946. Oil on millboard, 152 x 121.9 cm. © The estate of Graham Sutherland. Image credit: © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/John-Lyons-(b1933),-Mama-Look-a-Ban-Passin,-1990.jpg John Lyons, Mama Look A Mas Passin, 1990. Oil on canvas. Courtesy the artist. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/1192_1_201208_adn21_dc1.jpg A Village Festival, With a Theatrical Performance and a Procession in Honour of St Hubert and St Anthony. Brueghel, Pieter, the younger (Flemish, c1564-1637/8). Oil on panel, height 118.1 cm, width 158.4 cm, 1632. Museum accession Number 1192. Image credit: © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/AC-3.jpg Avinash Chandra, Black Feast, 1962. Pen and ink and watercolour on paper. Courtesy Osborne Samuel Gallery and the estate of Avinash Chandra. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/AC5.jpg Avinash Chandra, Design, 1961. Pen and ink and watercolour on paper. Courtesy Osborne Samuel Gallery and the estate of Avinash Chandra. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/Aztec.jpg Errol Lloyd, Notting Hill Carnival – Aztec, 1997. Watercolour. Courtesy the artist. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/MS-382_ff2v-3r_dc1.jpg Manuscript. Sixty-two full-page drawings of the Schönbartläufer with arms of captains and occasional Höllen (pageant-sleighs). Southern German, gold and paper, height, page, 306 mm, width, page, 203 mm, 1580-1590. Image credit: © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/c/002-carnival-calypso-2022/PD13-1987_1_201707_mfj22_dc1.jpg David Bomberg, The Virgin of Peace in Procession through the Streets of Ronda, Holy Week, 1935, oil on canvas, 62.8 x W 57 cm. © The Estate of David Bomberg. All Rights Reserved, DACS 2022. https://www.studiointernational.com/index.php/plastic-remaking-our-world-review-dundee-v-and-a https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Bakelite-leaflets-1930s.jpg Bakelite leaflet, 1930s. Courtesy of Amsterdam Bakelite collection. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/KALPA-immersive-video-installation-at-Plastic_-Remaking-Our-World.jpg KALPA immersive video installation at Plastic: Remaking Our World. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Petromodernity-section-of-Plastic-Remaking-Our-World.jpg Petromodernity section of Plastic: Remaking Our World. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Plasticene-section-that-looks-at-_the-plastic-paradox-in-Plastic-Remaking-Our-World.jpg Plasticene section that looks at https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/MycoTEX-seamless-jacket.jpg MycoTEX seamless jacket, 2018, Aniela Hoitink. 100% Mycelium. Photo: Jeroen Dietz. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/The-Beach-at-Plastic-Remaking-Our-World.jpg The Beach at Plastic: Remaking Our World. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Ninewells-incubator-in-the-Plasticene-section-of-Plastic-Remaking-Our-World.jpg Ninewells incubator in the Plasticene section of Plastic: Remaking Our World. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Charles-Rennie-Mackintosh-Smoker_s-Cabinet_-1916.jpg Charles Rennie Mackintosh, Smoker’s Cabinet, 1916. Ebonized wood, lined with cedar and inlaid with casein. © Victoria and Albert Museum, London https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Edward-Hack-pineapple-syrup-bottle-c1958.jpg Pineapple syrup bottle, 1958. Produced by Cascelloid for Edward Hack, London. Polyethylene. Courtesy of Museum of Design in Plastics, Arts University Bournemouth. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Eero-Aarnio-Pallo-Ball-Chair-Globe-Chair-1963.jpg Eero Aarnio, Pallo / Ball Chair, Globe Chair, 1963. Glassfibre-reinforced polyester, lacquered steel, foam-rubber padding, fabric covering. © Vitra Design Museum, Photo: Jürgen Hans. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Re-section-at-Plastic-Remaking-Our-World.jpg Re- section at Plastic: Remaking Our World. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Re-section-of-Plastic-Remaking-Our-World.jpg Re- section of Plastic: Remaking Our World. https://www.studiointernational.com/images/articles/p/032-plastics-remaking-our-world-2022/Re-section-of-Plastic-Remaking-Our-World1.jpg Re- section of Plastic: Remaking Our World. https://www.studiointernational.com/index.php/sussex-landscape-chalk-wood-water-review-pallant-house-chichester https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/Joseph-Mallord-William-Turner_Chichester-Canal_c1828.jpg Joseph Mallord William Turner, Chichester Canal, c1828. Oil on canvas. Tate: Accepted by the nation as part of the Turner Bequest 1856. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/Duncan-Grant_Landscape,-Sussex,-1920.jpg Duncan Grant, Landscape, Sussex, 1920. Oil on canvas. Tate, bequeathed by Frank Hindley Smith, 1940. © Tate. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/William-Nicholson_Whiteways-Rottingdean_1909.jpg William Nicholson, Whiteways Rottingdean, 1909. Oil on canvas board. Private collection. © Pallant House Gallery. Photo: Barney Hindle. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/Eric-Ravilious_Chalk-Paths_1935.jpg Eric Ravilious, Chalk Paths, 1935. Watercolour on paper. Private collection. © Bridgeman Images. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/0078_Hitchens,-Ivor_CurvedBarn.jpg Ivon Hitchens, Curved Barn, 1922. Oil on canvas, Pallant House Gallery, Chichester (Presented by the Artist, 1979), © Estate of the Artist / DACS. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/John-Piper-Beach-and-Starfish.jpg John Piper, Beach and Star Fish, Seven Sisters Cliff, Eastbourne, 1933-34. Gouache, pen and ink with collage of paper and fabric on paper. Jerwood Collection. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/Wolfgang-Tillmans_End-of-Land-I.jpg Wolfgang Tillmans, End of Land I, 2002. Ink on paper. Towner Eastbourne. © Wolfgang Tillmans, courtesy Maureen Paley, London and Hove. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/Edward-Burra-The-Harbour-Hastings.jpg Edward Burra, The Harbour, Hastings, 1947. Watercolour on paper, Pallant House Gallery (On long-term loan from a private collection, 2004). https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/Edward-Wadsworth_Landscape.jpg Edward Wadsworth, Landscape, 1913. Gouache and graphite on paper. Tate, purchased 1974. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/Ivon-Hitchens_Sussex-River,-near-Midhurst_1965.jpg Ivon Hitchens, Sussex River, near Midhurst, 1965. Oil on canvas. Pallant House Gallery, Hussey Bequest. © The Estate of Ivon Hitchens. All rights reserved, DACS 2022. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/Nash,-Paul_Rye-Marshes.jpg Paul Nash, The Rye Marshes, East Sussex, 1932. Oil on canvas, Ferens Art Gallery, Hull Museums, UK. © Ferens Art Gallery / Bridgeman Images. https://www.studiointernational.com/images/articles/s/006-sussex-landscape-2022/Vanessa-Bell_The-Pond-at-Charleston,-East-Sussex_c1916.jpg Vanessa Bell, The Pond at Charleston, East Sussex, c1916. Oil on canvas, Charleston. © Estate of Vanessa Bell. All rights reserved, DACS 2022. https://www.studiointernational.com/index.php/magdalena-abakanowicz-every-tangle-of-thread-and-rope-review-tate-modern-london https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/Magdalena-Abakanowicz,-Helena-I,-1964-5.jpg Magdalena Abakanowicz, Helena I, 1964-5. Marlborough Gallery, New York. All works by Magdalena Abakanowicz are © Fundacja Marty Magdaleny Abakanowicz Kosmowskiej i Jana Kosmowskiego, Warsaw. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/hand.jpg Magdalena Abakanowicz, Hand, 1975. Sisal. Installation view, Tate Modern, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/IMG_6495.jpg Magdalena Abakanowicz, Abakan Red, 1969 (centre). Installation view, Tate Modern, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/IMG_6485.jpg Magdalena Abakanowicz, Zespół Czarnych Form Organicznych / Set of Black Organic Forms, 1974. Rope, canvas and sisal. Installation view, Tate Modern, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/IMG_6488.jpg Magdalena Abakanowicz, Embryology. Burlap, cotton gauze, hemp rope, nylon and sisal. Installation view, Tate Modern, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/Anasta.jpg Magdalena Abakanowicz, Anasta, 1989. Wood and steel. Installation view, Tate Modern, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/Magdalena-Abakanowicz_Press_2022_03.jpg Magdalena Abakanowicz: Every Tangle of Thread and Rope, installation view. © Tate Photography, Madeline Buddo. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/Magdalena-Abakanowicz,-Abakan-Red,-1969.jpg Magdalena Abakanowicz, Abakan Red, 1969. Tate. All works by Magdalena Abakanowicz are © Fundacja Marty Magdaleny Abakanowicz Kosmowskiej i Jana Kosmowskiego, Warsaw. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/IMG_6492.jpg Magdalena Abakanowicz, Abakan Orange, 1971. Installation view, Tate Modern, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/Magdalena-Abakanowicz_Press_2022_12.jpg Magdalena Abakanowicz: Every Tangle of Thread and Rope, installation view. © Tate Photography, Madeline Buddo. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/IMG_6478.jpg Magdalena Abakanowicz: Every Tangle of Thread and Rope. Installation view, Tate Modern, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/IMG_6503.jpg Magdalena Abakanowicz: Every Tangle of Thread and Rope. Installation view, Tate Modern, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/019-abakanowicz-magdalena-2022/Magdalena-Abakanowicz_Press_2022_07.jpg Magdalena Abakanowicz: Every Tangle of Thread and Rope, installation view. © Tate Photography, Madeline Buddo. https://www.studiointernational.com/index.php/lucie-rie-the-adventure-of-pottery-review-mima-middlesbrough https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/MIMA-LUCIE-RIE-OPENING-2-7.jpg Lucie Rie: The Adventure of Pottery at MIMA. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/DH2.jpg Lucie Rie, Buttons, 1940s. Earthenware. Courtesy of Mitochu Koeki. Photo: Takao Ōya. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/JA6b.jpg Lucie Rie, Coffee set, c1960. Stoneware. Private Collection. Photo: David Gerrans. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/SC1.jpg Lucie Rie, Cache-pot, 1937-37. Stoneware. V19, Sainsbury Centre. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/CC4.jpg Lucie Rie, Bowl, 1971. Crafts Council Collection: P107. Photo: Stokes Photo Ltd. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/MIMA-LUCIE-RIE-OPENING-68.jpg Lucie Rie: The Adventure of Pottery at MIMA. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/DWT4a.jpg Lucie Rie, Turquoise bowl with bronze rim, 1980s. Stoneware. The Derek Williams Trust on long term loan to Amgueddfa Cymru-National Museum Wales. Image courtesy of Erskine, Hall & Coe; Photo: Michael Harvey. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/Lucie-Rie,-Bowl,-1989,-Stoneware.-Middlesbrough-Collection-at-MIMA-(Middlesbrough-Institute-of-Modern-Art).jpg Lucie Rie, Bowl, 1989. Stoneware. Middlesbrough Collection at MIMA, Middlesbrough Institute of Modern Art. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/MIMA-LUCIE-RIE-OPENING-44.jpg Lucie Rie: The Adventure of Pottery at MIMA. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/MIMA-LUCIE-RIE-OPENING-55.jpg Lucie Rie: The Adventure of Pottery at MIMA. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/MIMA-LUCIE-RIE-OPENING-7.jpg Lucie Rie: The Adventure of Pottery at MIMA. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/MIMA-LUCIE-RIE-OPENING-8.jpg Lucie Rie: The Adventure of Pottery at MIMA. Photo: Rachel Deakin. https://www.studiointernational.com/images/articles/r/049-rie-lucie-2022/NT3.jpg Lucie Rie, Vase with flared lip, c1978. Porcelain. Private Collection. Photo: Maak Contemporary Ceramics. https://www.studiointernational.com/index.php/grace-ndiritu-video-interview-the-healing-pavilion-wellcome-collection-london https://www.studiointernational.com/images/articles/n/064-ndiritu-grace-2022/Grace-install-11.jpg The Healing Pavilion, Grace Ndiritu, 2022. © Grace Ndiritu. Photo: Steven Pocock, Wellcome Collection. https://www.studiointernational.com/images/articles/n/064-ndiritu-grace-2022/Grace-install-7.jpg The Twin Tapestries: Restitution (1973), Grace Ndiritu, 2022. Tapestry, 200 x 300 cm. © Grace Ndiritu. Photo: Steven Pocock, Wellcome Collection. https://www.studiointernational.com/images/articles/n/064-ndiritu-grace-2022/Grace-Ndiritu,-Becoming-Plant-(2022),-film-still.-Courtesy-of-Post-Hippie-Productions_3.jpg The Healing Pavilion, Grace Ndiritu, 2022. © Grace Ndiritu. Photo: Steven Pocock, Wellcome Collection. https://www.studiointernational.com/images/articles/n/064-ndiritu-grace-2022/Grace-install-8.jpg The Twin Tapestries: Repair (1915), Grace Ndiritu, 2022. Tapestry, 200 x 300 cm. © Grace Ndiritu. Photograph: Steven Pocock, Wellcome Collection. https://www.studiointernational.com/images/articles/n/064-ndiritu-grace-2022/ndiritu-install-view.jpg The Healing Pavilion, Grace Ndiritu, 2022. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/super-natural-review-eden-project-cornwall https://www.studiointernational.com/images/articles/s/005-super-natural-2022/Eduardo-Navarro-Photosynthetics.jpg Eduardo Navarro, Photosynthetics (Fotosintéticos), 2021. 24 charcoal drawings on biodegradable envelopes that depict part-human, part-plant beings. Each envelope contains a London plane tree seed. Image courtesy Eden Project. https://www.studiointernational.com/images/articles/s/005-super-natural-2022/Patricia-Dominguez-Matrix-Vegetal-(2021-22)-at-the-Eden-Project.jpg Patricia Domínguez, Matrix Vegetal, 2021-22. Video and sculpture. Image courtesy Eden Project. https://www.studiointernational.com/images/articles/s/005-super-natural-2022/Ai-Weiwei-Fly-2019.jpg Ai Weiwei, Fly, 2019. Iron, cast from giant tree root sourced in Brazil. Image courtesy Eden Project. https://www.studiointernational.com/images/articles/s/005-super-natural-2022/Kedisha-Coakleys-Horticultural-Appropriation-2022.jpg Kedisha Coakley, Horticultural Appropriation, 2022. Volcanic rock, salt crystals, passion fruit and lychee. Image courtesy Eden Project. https://www.studiointernational.com/images/articles/s/005-super-natural-2022/Iman-Datoo-Making-a-Name.jpg Iman Datoo, Making a Name. An interactive and collaborative artwork composed of audio instructions inviting participants to be inspired and derive new names for plants through non-verbal methods of interacting with a potato. Image courtesy Eden Project. https://www.studiointernational.com/images/articles/s/005-super-natural-2022/Ingela-Ihrman-Gut-Weed-2019.jpg Ingela Ihrman, Sea Belt, 2019. Dyed silk based on Ulva Intestinalis - a thin, tubular algae, commonly known as ‘mermaid’s necklace’ or ‘gut weed’. Image courtesy Eden Project. https://www.studiointernational.com/images/articles/s/005-super-natural-2022/Ingela-Ihrman-Sea-Belt-(2019).jpg Ingela Ihrman, Sea Belt, 2019. Red-dyed cotton representing Dilsea carnosa – a species of red algae. Image courtesy Eden Project. https://www.studiointernational.com/index.php/shoji-hamada-a-japanese-potter-in-ditchling-review-ditchling-museum-of-art-and-craft-sussex https://www.studiointernational.com/images/articles/h/022-hamada-shoji-2022/853a.jpg Shōji Hamada, Earthenware bottle with four lug handles, c1920-23. Engobe and transparent glaze. Image courtesy of The Potteries Museum & Art Gallery, Stoke-on-Trent. https://www.studiointernational.com/images/articles/h/022-hamada-shoji-2022/CSC_2270_large.jpg Bernard Leach. Large wide rimmed dish, grey-green and brown, 1930s. Stoneware, celadon glaze brushed with iron. Image kindly provided by the Crafts Study Centre, University for the Creative Arts. https://www.studiointernational.com/images/articles/h/022-hamada-shoji-2022/CSC_1982_large.jpg Katherine Pleydell-Bouverie, Cup, 1930s. Image kindly provided by the Crafts Study Centre, University for the Creative Arts. https://www.studiointernational.com/images/articles/h/022-hamada-shoji-2022/JL-853-JL-852.jpg Jennifer Lee. Left: Shigaraki Red, fractionated red, dark base, tilted, 2014, 13.7 x 10 x 9.6 cm; Right: Shigaraki Red, dark, red tilted shalf, 2014, 15.2 x 11.8 x 11.3 cm, hand built in Shigaraki, Japan. Photo: Jon Stokes. https://www.studiointernational.com/images/articles/h/022-hamada-shoji-2022/Hamada2.jpg Shōji Hamada. By kind permission of the Hamada estate. https://www.studiointernational.com/images/articles/h/022-hamada-shoji-2022/888a.jpg Shōji Hamada, Charger, decorated in light and dark brown trailed and brushed slip. Image courtesy of The Potteries Museum & Art Gallery, Stoke-on-Trent. https://www.studiointernational.com/images/articles/h/022-hamada-shoji-2022/1260_Hodgkins.jpg Frances Hodgkins, Still Life, c1928. Oil on canvas. Kindly provided by Towner Eastbourne. https://www.studiointernational.com/images/articles/h/022-hamada-shoji-2022/Jeff_0722_07-copy.jpg Jennifer Lee. Left: Mashiko 73-19, 2019, 7 x 6.2 x 6 cm, Japanese stoneware and oxides; Middle: Mashiko 30-19, 2019, 5.4 x 5.5 x 5.4 cm, Mashiko stoneware and oxides; Right: Mashiko 15-19, 2019, 5.1 x 5.4 x 5.2 cm, Shigaraki stoneware and oxides. Photo: Jon Stokes. https://www.studiointernational.com/images/articles/h/022-hamada-shoji-2022/Michael-Cardew1.jpg Michael Cardew, Jar, 1933. School of Art Museum and Galleries, Aberystwyth University. https://www.studiointernational.com/index.php/hinterlands-review-baltic-centre-for-contemporary-art-gateshead https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/Jo-Coupe-After-the-Rain-installation-shot-V-Simpson.jpg Jo Coupe. After the Rain, 2014-22. Installation view, Baltic Centre for Contemporary Art, Gateshead. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/Emily-Hesse-Banner-for-Appleton-Common-pic-V-Simpson.jpg Emily Hesse. Banner for Appleton Common, 2022. Installation view, Baltic Centre for Contemporary Art, Gateshead. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/BALTIC-Hinterlands-(High-Res)-20.jpg Laura Harrington. Fieldworking, 2020. Installation view, Baltic Centre for Contemporary Art, Gateshead. Photo: Rob Harris. © 2022 Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/BALTIC-Hinterlands-(High-Res)-23.jpg Laura Harrington. Vegetation Blanket #4 (a wonderfully accidental anti-connection), 2022. Made in collaboration with Michele Allen, Anne Vibeke Mou, Dawn Felicia Knox, Sabina Sallis. Installation view, Baltic Centre for Contemporary Art, Gateshead. Photo: Rob Harris. © 2022 Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/BALTIC-Hinterlands-(High-Res)-70.jpg Alexandra Hughes. Installation view, Hinterlands, Baltic Centre for Contemporary Art, Gateshead, 2022. Photo: Rob Harris. © 2022 Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/BALTIC-Hinterlands-(High-Res)-78.jpg Dawn Felicia Knox with Anastasia Clarke. The Felling, 2022. Installation view, Hinterlands, Baltic Centre for Contemporary Art, Gateshead, 2022. Photo: Rob Harris. © 2022 Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/Detail-of-Michele-Allen-installation-diary-entry-and-photo-V-Simpson.jpg Michele Allen, The Weight of Ants in the World, 2018-ongoing (detail). Installation view, Hinterlands, Baltic Centre for Contemporary Art, Gateshead, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/BALTIC-Hinterlands-(High-Res)-26.jpg Sabina Sallis. Apparatus for Resurgence in Trophllaxis: Greetings from the Mother of Herbs, 2019 – ongoing. Installation view, Hinterlands, Baltic Centre for Contemporary Art, Gateshead, 2022. Photo: Rob Harris. © 2022 Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/BALTIC-Hinterlands-(High-Res)-58.jpg Installation view, Hinterlands, Baltic Centre for Contemporary Art, Gateshead, 2022. Photo: Rob Harris. © 2022 Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/h/021-hinterlands-2022/Video-and-photos-and-diary-entries-by-Michele-Allen-pic-V-Simpson.jpg Michele Allen, The Weight of Ants in the World, 2018-ongoing (detail). Installation view, Hinterlands, Baltic Centre for Contemporary Art, Gateshead, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/hernan-bas-the-conceptualists-review-victoria-miro-gallery-london https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HS424_Conceptual-Artist-3-(Chewing-gum-every-waking-hour_2022.jpg Hernan Bas. Conceptual Artist #3 (Chewing gum every waking hour of the day, he considers ‘Bubblegum Alley’ his archive), 2022. Acrylic on linen, 183.5 x 152.7 cm (72 1/4 x 60 1/8 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HB428_Conceptual-Artist-8-(Land-based-and-intentionally-ephemeral_2022.jpg Hernan Bas. Conceptual Artist #8 (Land-based and intentionally ephemeral, his work aided by a trusted bag of food colouring elevates rural puddles), 2022. Acrylic on linen, 183.5 x 152.7 cm (72 1/4 x 60 1/8 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HB427_Conceptual-Artist-6-(By-combining-different-grave-rubbings_2022.jpg Hernan Bas. Conceptual Artist #6 (By combining different grave rubbings he invents lives that never existed), 2022. Acrylic and silkscreen on linen, 243.8 x 213.4 cm (96 x 84 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HB430_Conceptual-Artist-10-(A-sand-sculptor_2022.jpg Hernan Bas. Conceptual Artist #10 (A sand sculptor and environmentalist, he exclusively carves scenes of mass ‘beachings’), 2022. Acrylic, glass beads and natural sand on linen, 183.5 x 152.7 cm (72 1/4 x 60 1/8 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HB429_Conceptual-Artist-11-(Performance-based_2022.jpg Hernan Bas. Conceptual Artist #11 (Performance based, his work centres on discomfort), 2022. Acrylic on linen, 183.5 x 152.7 cm (72 1/4 x 60 1/8 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HB422_Conceptual-Artist-5-(A-budding-gilder,-his-dying_2022_edge.jpg Hernan Bas. Conceptual Artist #5 (A budding gilder, his dying houseplants get the Midas touch), 2022. Acrylic and genuine gold leaf on linen, 183.5 x 152.7 cm (72 1/4 x 60 1/8 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HB423_Conceptual-Artist-4-(Objectively-neutral,_2022_edge.jpg Hernan Bas. Conceptual Artist #4 (Objectively neutral, each January he re-paints the walls of his studio an official ‘Colour of the Year’), 2022. Acrylic on linen, 183.5 x 152.7 cm (72 1/4 x 60 1/8 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HB426_Conceptual-Artist-9-(Performance-based,-his-work-is-tied_2022.jpg Hernan Bas. Conceptual Artist #9 (Performance based, his work is tied to the binds of gravity), 2022. Acrylic on linen, 243.8 x 213.4 cm (96 x 84 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HB431_Conceptual-Artist-12-(Both-culinary-and-time_2022.jpg Hernan Bas. Conceptual Artist #12 (Both culinary and time-based, he refrains from enjoying his favourite recipes until the main ingredient recycles itself), 2022. Acrylic on linen, 183.5 x 152.7 cm (72 1/4 x 60 1/8 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/005-bas-hernan-2022/HB432_Conceptual-Artist-13-(Founder-and-sole-member_2022.jpg Hernan Bas. Conceptual Artist #13 (Founder and sole member of the BUZZ OFF INITIATIVE, he spends his nights mailing everyone in his zip code a single dead fly), 2022. Acrylic on linen, 183.5 x 152.7 cm (72 1/4 x 60 1/8 in). © Hernan Bas. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/this-you-must-remember-review-cultural-centre-belgrade-depo-istanbul https://www.studiointernational.com/images/articles/t/064-this-you-must-remember-2022/InstallationViewNowYouMustRemember5.jpg Sam Jury, This You Must Remember, 2022. Installation view, Cultural Centre of Belgrade. Three channel video installation with sound by Rob Godman, 39 min. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/t/064-this-you-must-remember-2022/3-channel-still10.jpg Sam Jury, This You Must Remember, 2022. Film stills. Installation view, Cultural Centre of Belgrade. Three channel video installation with sound by Rob Godman, 39 min. Photos © Sam Jury. https://www.studiointernational.com/images/articles/t/064-this-you-must-remember-2022/InstallationshotNowYouMustRemember4.jpg Sam Jury, This You Must Remember, 2022. Installation view, Cultural Centre of Belgrade. Three channel video installation with sound by Rob Godman, 39 min. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/t/064-this-you-must-remember-2022/InstallationviewNowYouMustRemember2.jpg This You Must Remember, 2022. Poem by Anton Ochirov. Installation view, Cultural Centre of Belgrade. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/t/064-this-you-must-remember-2022/Installationshottranslationofpoem.jpg This You Must Remember, 2022. Poem by Anton Ochirov (translation). Installation view, Cultural Centre of Belgrade. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/t/064-this-you-must-remember-2022/IMG_0856-copy.jpg Sam Jury, This You Must Remember, 2022. Installation view, Cultural Centre of Belgrade. Three channel video installation with sound by Rob Godman, 39 min. Photo © Sam Jury. https://www.studiointernational.com/images/articles/t/064-this-you-must-remember-2022/InstallationViewNowYouMustRemember6.jpg Sam Jury, This You Must Remember, 2022. Installation view, Cultural Centre of Belgrade. Three channel video installation with sound by Rob Godman, 39 min. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/t/064-this-you-must-remember-2022/Depo-Install-TYMR4.jpg Sam Jury, This You Must Remember, 2022. Installation view, The Depo, Istanbul. Three channel video installation with sound by Rob Godman, 39 min. Photo courtesy of The Depo, Istanbul. https://www.studiointernational.com/index.php/dreams-and-stories-modern-pre-raphaelite-visionaries-review-watts-gallery-artists-village-compton-surrey https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Walter-Crane,-Loves-Altar,-1870.jpg Walter Crane, Love https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Frederick-Cayley-Robinson,-The-Night-Watch,-1903.jpg Frederick Cayley Robinson, The Night Watch, 1903. Mixed media on gessoed board. Leamington Spa Art Gallery & Museum, Warwick District Council. https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Frank-Dicksee,-Harmony,-1877.jpg Frank Dicksee, Harmony, 1877. Oil on canvas. Tate. https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Eleanor-Fortescue-Bricksdale,-The-Guardian-Angel,-1910.jpg Eleanor Fortescue-Bricksdale, The Guardian Angel, 1910. Oil on canvas. (Monmouth Museum), Image Courtesy of MonLife Heritage. https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Frederick-Cayley-Robinson,-In-a-Wood-So-Green,-1893.jpg Frederick Cayley Robinson, In a Wood So Green, 1893. Oil on canvas. Leamington Spa Art Gallery & Museum, Warwick District Council. https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Frederick-Cayley-Robinson,-The-Blue-Bird,-1911.jpg Frederick Cayley Robinson, The Blue Bird, 1911. Print on paper. Leamington Spa Art Gallery & Museum (Warwick District Council). https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Evelyn-De-Morgan,-Evening-Star-Over-the-Sea,-probably-1910-1914.jpg Evelyn De Morgan, Evening Star Over the Sea, probably 1910-14. Oil on canvas. De Morgan Collection, Courtesy of De Morgan Foundation. https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Thomas-Cooper-Gotch,-Alleluia,-exhibited-1896.jpg Thomas Cooper Gotch, Alleluia, exhibited 1896. Oil on canvas. Tate. https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Louis-Davis,-Stained-Glass-Design,-Design-for-an-Altarpiece.jpg Louis Davis, Stained Glass Design, Design for an Altarpiece. Watercolour on paper. Leamington Spa Art Gallery & Museum, Warwick District Council. https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Frederick-Cayley-Robinson,-The-Farewell,-1907.jpg Frederick Cayley Robinson, The Farewell, 1907. Tempera on board. Leamington Spa Art Gallery & Museum, Warwick District Council. https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Marianne-Stokes,-Candlemas-Day,-c1901.jpg Marianne Stokes, Candlemas Day, c1901. Tempera on wood. Tate. https://www.studiointernational.com/images/articles/m/011-modern-pre-raphaelites-2022/Frederick-Cayley-Robinson,-The-Close-of-the-Day.jpg Frederick Cayley Robinson, The Close of the Day, 1896. Oil on canvas. Private Collection. https://www.studiointernational.com/index.php/anna-park-last-call-review-scad-museum-of-art-savannah-georgia-united-states https://www.studiointernational.com/images/articles/p/034-park-anna-2022/Anna-Park-Now-You-See-Me-2021.jpg Anna Park. Now You See Me, 2021. Charcoal on paper on panel, 60 x 75 in. Courtesy of the artist and Half Gallery, New York. https://www.studiointernational.com/images/articles/p/034-park-anna-2022/Anna-Park-Hero-Mentality-2021.jpg Anna Park. Hero Mentality, 2021. Charcoal on paper on panel, 72 x 120 in. Courtesy of Kimberly and Ben Gould. https://www.studiointernational.com/images/articles/p/034-park-anna-2022/Anna-Park-Eyes-on-the-Road-2021.jpg Anna Park. Eyes on the Road, 2021. Charcoal on paper on panel, 82 x 100 in. Ovitz Family Collection, Los Angeles. https://www.studiointernational.com/images/articles/p/034-park-anna-2022/Anna-Park-Free-Fall-2021.jpg Anna Park. Free Fall, 2021. Charcoal on paper on panel, 90 x 120 in. Collection of Pete and Michelle Scantland. https://www.studiointernational.com/images/articles/p/034-park-anna-2022/Anna-Park-Last-Call-2021.jpg Anna Park. Last Call, 2021. Charcoal on paper on panel, 80 x 180 in. Courtesy of the artist and Blum & Poe, Los Angeles / New York / Tokyo. https://www.studiointernational.com/index.php/saba-farhoudnia-reflection-review-jamaica-center-for-arts-and-learning-queens-honour-killings https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-13.jpg Saba Farhoudnia: Reflection. Installation view, Jamaica Center for Arts and Learning, Jamaica, NY. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-2a.jpg Saba Farhoudnia and Reyhaneh Ameri. Photo: Arash Adibi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-3.jpg Saba Farhoudnia. The Opacity of Truth, 2022. Acrylic on acrylic mirror sheet, 40 x 48 in. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-4.jpg Saba Farhoudnia. Dis-Appear Like Dis-Honor, 2022. Acrylic on canvas; site-specific installation with reflective mylar and cord, 40 x 21 in. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-5.jpg Saba Farhoudnia. Red Like the Tomatoes, Red Like the Heart, 2022. Acrylic on glass mirror, 24 x 30 inches. Photo credit: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-6.jpg Saba Farhoudnia. Tarquin and Lucretia, 2022. Acrylic on acrylic mirror sheet, 48 x 40 in. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-7.jpg Saba Farhoudnia. Ali Fazeli Monfared, 2022. Acrylic on wood panel, 20 x 8 in. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-8.jpg Saba Farhoudnia. Can You See Yourself? 2022. Lipstick, oil marker, acrylic on reflective mylar, 48 x 264 in. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-17.jpg Saba Farhoudnia: Reflection. Installation view, Jamaica Center for Arts and Learning, Jamaica, NY. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-9.jpg Saba Farhoudnia. On February 22, 2022. Etching and acrylic on black plexiglass, metal chain, 12 x 12 in. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-10.jpg Saba Farhoudnia. December 29, 2003, 11:38 am, 2022. Etching and acrylic on black plexiglass, 12 x 12 in. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-11.jpg Saba Farhoudnia. You Know What Will Happen, 2022. Oil marker on stainless steel, Turkish tea cup, 15 x 12 in. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-12.jpg Saba Farhoudnia. No Signal, 2022. Acrylic on acrylic mirror sheet, seven panels, 48 x 16 in each; 48 x 112 in. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-14.jpg Saba Farhoudnia: Reflection. Installation view, Jamaica Center for Arts and Learning, Jamaica, NY. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-15.jpg Saba Farhoudnia: Reflection. Installation view, Jamaica Center for Arts and Learning, Jamaica, NY. Photo: Farzan Ghasemi. https://www.studiointernational.com/images/articles/f/053-farhoudnia-saba-2022/Figure-16.jpg Saba Farhoudnia: Reflection. Installation view, Jamaica Center for Arts and Learning, Jamaica, NY. Photo: Farzan Ghasemi. https://www.studiointernational.com/index.php/wilkinson-eyre-interview-battersea-power-station-i-don-t-think-we-are-seen-as-starchitects-its-not-a-particularly-good-label https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Gateshead-Millennium-Bridge-2-Peter-Landers.jpg Gateshead Millennium Bridge, UK. Photo: © Peter Landers. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Dyson-Headquarters_Richard-Davies.jpg Dyson Headquarters, Malmesbury, UK, 1992. Photo: © Richard Davies. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/One-Barangaroo-2.jpg One Barangaroo, Sydney, Australia. Photo: © Tom Roe. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/The-Peace-Bridge-Belfast-2.jpg The Peace Bridge, Belfast. Photo: © Ros Kavanagh. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Maggies-Centre,-Oxford_Ben-Bisek-for-WilkinsonEyre.jpg Maggie’s Centre, Oxford. Photo: © Ben Bisek for WilkinsonEyre. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Royal-Ballet-School-Bridge-of-Aspiration-2-Nick-Wood.jpg Bridge of Aspiration, Royal Ballet School, Royal Opera House, Covent Garden, London. Photo: © Nick Wood. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Royal-Ballett-School-Bridge-of-Aspiration-3.jpg Bridge of Aspiration, Royal Ballet School, Royal Opera House, Covent Garden, London. Photo: © Nick Wood. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Battersea-Power-Station-1.jpg Battersea Power Station, London. Photo: © Peter Landers. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Battersea-Power-Station-2.jpg Battersea Power Station, London. Photo: © Peter Landers. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Battersea-Power-Station-2a.jpg Battersea Power Station, London. Photo: © John Sturrock. https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Gasholders-London_Ben-Bisek-for-WilkinsonEyre.jpg Gasholders, King https://www.studiointernational.com/images/articles/w/042-wilkinsoneyre-2022/Portrait-Jim-and-Chris-Mark-Cocksedge.jpg Jim Eyre and Chris Wilkinson. Photo: © Mark Cocksedge. https://www.studiointernational.com/index.php/forrest-bess-out-of-the-blue-review-camden-art-centre-london https://www.studiointernational.com/images/articles/b/004-bess-forrest-2022/bess-02.jpg Forrest Bess, Untitled (Rainbow with Arc), n.d. Oil on canvas, unframed: 25.2 x 30.5 cm (9 7/8 x 12 1/8 in), framed: 27.4 x 32.9 cm (10 3/4 x 13 in). Collection of Beth Rudin DeWoody. Photo: Robert Glowacki.. Courtesy Modern Art, London. https://www.studiointernational.com/images/articles/b/004-bess-forrest-2022/bess-03.jpg Forrest Bess, Untitled (No. 18), 1952. Oil on canvas, unframed: 19.1 x 25.9 cm (7 1/2 x 10 1/4 in), rfamed: 23.1 x 30.5 cm (9 1/8 x 12 1/8 in). Collection of Beth Rudin DeWoody. Photo: Robert Glowacki.. Courtesy Modern Art, London. https://www.studiointernational.com/images/articles/b/004-bess-forrest-2022/bess-04.jpg Forrest Bess, Untitled (The Spider), 1970. Oil on canvas, 30.5 x 35.5 cm. © documenta und Museum Fridericianum gGmbH. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/b/004-bess-forrest-2022/bess-08.jpg Installation view of Forrest Bess: Out of the Blue, 2022, Camden Art Centre. Photo: Luke Walker. https://www.studiointernational.com/images/articles/b/004-bess-forrest-2022/bess-05.jpg Forrest Bess, Crowded Mind / Untitled (The Void I), 1946/7. Oil on canvas, 24.1 x 28.6 cm (9.5 x 11.25 in). © documenta und Museum Fridericianum gGmbH. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/b/004-bess-forrest-2022/bess-06.jpg Forrest Bess, Untitled (No. 5), 1951. Oil on canvas, 19.7 x 25.4 cm (7 3/4 x 10 in). © documenta und Museum Fridericianum gGmbH. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/b/004-bess-forrest-2022/bess-07.jpg Forrest Bess, Untitled (No. 6), 1957. Oil on canvas mounted on board, unframed: 25.4 x 25.4 cm (10 x 10 in), framed: 29.2 x 29.9 cm (11 1/2 x 11 3/4 in). Private Collection, Belgium. Photo: Robert Glowacki. Courtesy Modern Art, London. https://www.studiointernational.com/images/articles/b/004-bess-forrest-2022/bess-09.jpg Portrait of Forrest Bess. Courtesy Josh Pazda Hiram Butler. https://www.studiointernational.com/index.php/zineb-sedira-video-interview-cant-you-see-the-sea-changing-de-la-warr-pavilion https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-9-de-la-warr.jpg Zineb Sedira, Can’t You See the Sea Changing?, installation view, De La Warr Pavilion, 2022. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-Venice-Thierry-Bal-12.jpg Zineb Sedira, Les ràves n https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-17-de-la-warr.jpg Zineb Sedira, Can’t You See the Sea Changing?, installation view, De La Warr Pavilion, 2022. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-24.jpg Zineb Sedira, Lighthouse in the Sea of Time (2011), installation view, Can’t You See the Sea Changing?, De La Warr Pavilion, 2022. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-1-de-la-warr.jpg Zineb Sedira, Can’t You See the Sea Changing?, installation view, De La Warr Pavilion, 2022. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-16-de-la-warr.jpg Zineb Sedira, Can’t You See the Sea Changing?, installation view, De La Warr Pavilion, 2022. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-4-de-la-warr.jpg Zineb Sedira, Can’t You See the Sea Changing?, installation view, De La Warr Pavilion, 2022. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-7-de-la-warr.jpg Zineb Sedira, Can’t You See the Sea Changing?, installation view, De La Warr Pavilion, 2022. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-Venice-Thierry-Bal-11.jpg Zineb Sedira, Les ràves n'ont pas de titre (Dreams Have No Titles), France Pavilion, Venice Biennale, 2022. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/s/004-sedira-zineb-2023/Zineb-Sedira-Venice-Thierry-Bal-22.jpg Zineb Sedira, Les ràves n'ont pas de titre (Dreams Have No Titles), France Pavilion, Venice Biennale, 2022. Photo: Thierry Bal. https://www.studiointernational.com/index.php/sabine-marcelis-interview-i-love-to-play-with-light-vitra-schaudepot-germany https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/220720_LDF_FINAL-VISUAL_SITE.jpg Sabine Marcelis, Swivel, 2022. Visual of site, Centre Point, St Giles Square, London. Courtesy of Studio Sabine Marcelis. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/12212019_SabineMarcelis_BARCELONA_012.jpg Sabine Marcelis, No Fear of Glass, 2020, installation view, Mies van der Rohe Pavilion, Barcelona. Courtesy of Studio Sabine Marcelis. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/12212019_SabineMarcelis_BARCELONA_016.jpg Sabine Marcelis, No Fear of Glass, 2020, installation view, Mies van der Rohe Pavilion, Barcelona. Courtesy of Studio Sabine Marcelis. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/LDF22-Swivel-SabineMarcelis-Credit_EdReeve-4.jpg Sabine Marcelis, Swivel, 2022. Rotating stone chairs, installation view, Centre Point, St Giles Square, London. Photo: Ed Reeves. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/LDF22-Swivel-SabineMarcelis-Credit_EdReeve-1.jpg Sabine Marcelis, Swivel, 2022. Rotating stone chairs, installation view, Centre Point, St Giles Square, London. Photo: Ed Reeves. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/02_VDM-Colour-Rush-Installation-view.jpg Installation view, Colour Rush! Installation by Sabine Marcelis, Vitra Schaudepot. © Vitra Design Museum. Photo: Mark Niedermann. © VG Bild-Kunst, Bonn 2022. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/05_VDM-Colour-Rush-Installation-view.jpg Installation view, Colour Rush! Installation by Sabine Marcelis, Vitra Schaudepot. © Vitra Design Museum. Photo: Mark Niedermann. © VG Bild-Kunst, Bonn 2022. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/08_VDM-Colour-Rush-Installation-view.jpg Installation view, Colour Rush! Installation by Sabine Marcelis, Vitra Schaudepot. © Vitra Design Museum. Photo: Mark Niedermann. © VG Bild-Kunst, Bonn 2022. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/07_Candy-Cube-VDM_Colour-Rush.jpg Sabine Marcelis, Candy Cube, 2014. Courtesy of Studio Sabine Marcelis. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/SABINE-MARCELIS-07.jpg Sabine Marcelis, Light Horizon, installation view, Noor Riyadh 2022. 11 coloured, 2-way mirrored glass columns. Photo: Ruben P Bescos. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/01_VDM-Colour-Rush-Installation-view.jpg Installation view, Colour Rush! Installation by Sabine Marcelis, Vitra Schaudepot. © Vitra Design Museum, Photo: Mark Niedermann. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/LDF22-Swivel-SabineMarcelis-Credit_EdReeve-15.jpg Sabine Marcelis, Swivel, 2022. Rotating stone chairs, installation view, Centre Point, St Giles Square, London. Photo: Ed Reeves. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/SABINE-MARCELIS-09.jpg Sabine Marcelis, Light Horizon, installation view, Noor Riyadh 2022. 11 coloured, 2-way mirrored glass columns. Photo: Ruben P Bescos. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/SABINE-MARCELIS-34.jpg Sabine Marcelis, Light Horizon, installation view, Noor Riyadh 2022. 11 coloured, 2-way mirrored glass columns. Photo: Ruben P Bescos. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/SABINE-MARCELIS-26.jpg Sabine Marcelis, Light Horizon, installation view, Noor Riyadh 2022. 11 coloured, 2-way mirrored glass columns. Photo: Ruben P Bescos. https://www.studiointernational.com/images/articles/m/010-marcelis-sabine-2022/Sabine-Marcelis-analog-2.jpg Sabine Marcelis. Photo: Cleo Goossens. https://www.studiointernational.com/index.php/david-altmejd-review-white-cube-masons-yard-london https://www.studiointernational.com/images/articles/a/018-altmejd-david-2023/David-Altmejd-David-Altmejd-White-Cube-Masons-Yard-23-November-2022---21-January-2023-(medium-res)-12.jpg David Altmejd. The Vector, 2022. Expanding foam, epoxy, acrylic paint, resin, glass eyes, coloured pencil, pencil, fibreglass, glass rhinestone and wood, 397 × 182 × 182 cm (156 5/16 × 71 5/8 × 71 5/8 in). © the artist. Photo: © White Cube. https://www.studiointernational.com/images/articles/a/018-altmejd-david-2023/David-Altmejd,-2022-(13).jpg David Altmejd. Rising, 2022. Expanding foam, epoxy, acrylic paint, latex paint, coloured pencil, pencil, steel and wood, 77.7 x 24.1 x 33 cm (30 9/16 x 9 1/2 x 13 in). © the artist. Photo: © White Cube (David Westwood). https://www.studiointernational.com/images/articles/a/018-altmejd-david-2023/David-Altmejd-5.jpg David Altmejd, White Cube Mason https://www.studiointernational.com/images/articles/a/018-altmejd-david-2023/David-Altmejd,-2022-(19).jpg David Altmejd, 2022. Expanding foam, epoxy, acrylic paint, glass rhinestones, quartz, coloured pencil, pencil, steel and wood, 76.2 x 40.6 x 38.1 cm (30 x 16 x 15 in). © the artist. Photo: © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/a/018-altmejd-david-2023/David-Altmejd-,-2022-(1).jpg David Altmejd. Dusk, 2022. Expanding foam, epoxy, acrylic paint, latex paint, quartz, coloured pencil, pencil, steel and wood, 61 x 43.2 x 25.4 cm (24 x 17 x 10 in). © the artist. Photo: © White Cube (David Westwood). https://www.studiointernational.com/images/articles/a/018-altmejd-david-2023/David-Altmejd,-2022-(8).jpg David Altmejd. The Man and the Whale, 2022. Expanding foam, epoxy, glass eyes, acrylic paint, coloured pencil, steel, concrete and wood, overall: 174.6 × 60 × 57.3 cm (68 3/4 × 23 5/8 × 22 9/16 in). © the artist. Photo: © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/a/018-altmejd-david-2023/David-Altmejd-David-Altmejd-White-Cube-Masons-Yard-23-November-2022---21-January-2023-(medium-res)-10.jpg David Altmejd. The Vector, 2022. Expanding foam, epoxy, acrylic paint, resin, glass eyes, coloured pencil, pencil, fibreglass, glass rhinestone and wood, 397 × 182 × 182 cm (156 5/16 × 71 5/8 × 71 5/8 in). © the artist. Photo: © White Cube. https://www.studiointernational.com/images/articles/a/018-altmejd-david-2023/David-Altmejd,-2022-(6).jpg David Altmejd. The Man and the Whale, 2022. Expanding foam, epoxy, glass eyes, acrylic paint, coloured pencil, steel, concrete and wood, overall: 174.6 × 60 × 57.3 cm (68 3/4 × 23 5/8 × 22 9/16 in). © the artist. Photo: © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/a/018-altmejd-david-2023/David-Altmejd-1.jpg David Altmejd, White Cube Mason's Yard. © the artist. Photo © White Cube (Ollie Hammick). https://www.studiointernational.com/index.php/fruits-of-the-spirit-art-from-the-heart-review-virtual-exhibition-national-gallery-london https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/Screenshot-2023-01-16-at-11-25-05.jpg Fruits of the Spirit: Art from the Heart, virtual exhibition, The National Gallery, London. Screenshot, 16-01-2023. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/N-3948-00-000028-A5.jpg Titian, The Virgin Suckling the Infant Christ, about 1565-75. © The National Gallery, London. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/01-Neuschul-Leicester.jpg Ernst Neuschul, Black Mother, 1931. Oil on canvas, 100.5 x 65.5 cm. Leicester Museum & Art Gallery. Purchased from Campbell and Franks Ltd with MGC/V&A Purchase Grant Fund assistance. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/02-Auerbach-Ben-Uri.jpg Frank Auerbach, Mornington Crescent, Summer Morning II, 2004. Oil on board, 51 x 51 cm. Ben Uri Collection. Acquired for the Ben Uri Collection in 2006 through the support and generosity of the Art Fund, MLA/V&A Purchase Grant Fund, Daniel and Pauline Auerbach, Frank Auerbach and Marlborough Fine Art London. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/N-6343-00-000009-A5.jpg Claude Monet, Water-Lilies, after 1916. © The National Gallery, London. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/03-Knights-Canterbury.jpg Winifred Knights, Scenes from the Life of Saint Martin of Tours, c1928–33. Oil (or possibly tempera) on canvas with glazing, 73 x 159.7 cm. Milner Memorial Chapel, Canterbury Cathedral. © The Estate of Winifred Knights. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/N-4189-00-000028-A5.jpg Rembrandt, Anna and the Blind Tobit, about 1630. © The National Gallery, London. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/04-Gerard-Barber.jpg Marguerite Gérard, The Reader, about 1817. Oil on canvas, 32 x 24 cm. The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/N-6262-00-000023-A5.jpg Eugène Delacroix, Ovid among the Scythians, 1859. © The National Gallery, London. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/05-Finson-Bowes.jpg Circle of Louis Finson, Christ Healing the Ear of Malchus, c1615–1650. Oil on canvas, 100.5 x 130 cm. The Bowes Museum, Barnard Castle, Founders https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/N-0186-00-000174-A5.jpg Jan van Eyck, The Arnolfini Portrait, 1434. © The National Gallery, London. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/06-Stenberg-Dundee.jpg Ron Stenberg, Two auld wifies, Dundee, 1982. Oil on canvas, 94 x 121 cm. Collection of Dundee Art Galleries & Museums (Dundee City Council). Donated 2015 by the Artist, museum number 2015-61. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/07-Soldi-Foundling.jpg Andrea Soldi, Isabella, Duchess of Manchester, 1738. Oil on canvas, 127 x 101 cm. London, The Foundling Museum. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/N-3812-00-000021-A5.jpg Thomas Gainsborough, The Painter https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/08-Jones-Southampton.jpg Lizzie Jones, Couple, 2005. Acrylic and wax on canvas, 107.3 x 112.8 cm. Southampton City Art Gallery. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/N-0538-00-000023-A5.jpg Joseph Mallord William Turner, Rain, Steam and Speed – The Great Western Railway, 1844. © The National Gallery, London. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/09-Hartley-Plymouth.jpg Ben Hartley, Devon Lane, Westlake, 1968. Gouache on paper, 71 cm x 57 cm. Plymouth, The Box. Gift of Bernard Samuels. https://www.studiointernational.com/images/articles/f/052-fruits-of-the-spirit-2023/Screenshot-2023-01-16-at-11-27-09.jpg Fruits of the Spirit: Art from the Heart, virtual exhibition, The National Gallery, London. Screenshot, 16-01-2023. https://www.studiointernational.com/index.php/luca-massimo-barbero-interview-lucio-fontana-trilogy-hauser-wirth-new-york https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/HW_LA-Fontana-black-light_049.jpg Lucio Fontana. Spatial Environment in Black Light, 1948 – 1949/2020. Reconstruction authorized by Fondazione Lucio Fontana. Installation view, Lucio Fontana. Walking the Space: Spatial Environments, 1948 – 1968, Hauser & Wirth Los Angeles, 2020. © Fondazione Lucio Fontana by SIAE 2020. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Fredrik Nilsen. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/20200210_HW_Fontana_169.jpg Lucio Fontana. Spatial Environment, 1968/2020. Reconstruction authorised by Fondazione Lucio Fontana. Installation view, Lucio Fontana. Walking the Space: Spatial Environments, 1948 – 1968, Hauser & Wirth Los Angeles, 2020. © Fondazione Lucio Fontana by SIAE 2020. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Fredrik Nilsen. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/FONTA117005-FONTA117198-FONTA117813-FONTA116999-hires.jpg Lucio Fontana: Sculpture. Installation view, Hauser & Wirth New York 69th Street, 3 November 2022 – 4 February 2023. © Fondazione Lucio Fontana by SIAE 2022. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Thomas Barratt. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/FONTA117140-FONTA117132-hires.jpg Lucio Fontana: Sculpture. Installation view, Hauser & Wirth New York 69th Street, 3 November 2022 – 4 February 2023. © Fondazione Lucio Fontana by SIAE 2022. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Thomas Barratt. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/FONTA117142-FONTA117141-hires-1.jpg Lucio Fontana: Sculpture. Installation view, Hauser & Wirth New York 69th Street, 3 November 2022 – 4 February 2023. © Fondazione Lucio Fontana by SIAE 2022. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Thomas Barratt. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/Fontana-photo-Fredrick-Nilsen-Studio,-courtesy-H&W.jpg Lucio Fontana with works from the Quanta series, 1959. © Fondazione Lucio Fontana by SIAE 2019. Courtesy Fondazione Lucio Fontana, Milano. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/20200210_HW_Fontana_018.jpg Lucio Fontana. Spatial Environment with Neon Light, 1967/2020. Reconstruction authorised by Fondazione Lucio Fontana. Installation view, Lucio Fontana. Walking the Space: Spatial Environments, 1948 – 1968, Hauser & Wirth Los Angeles, 2020. © Fondazione Lucio Fontana by SIAE 2020. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Fredrik Nilsen. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/FONTA117199-FONTA117821-FONTA118983-FONTA118982-FONTA117130-FONTA118981-hires.jpg Lucio Fontana: Sculpture. Installation view, Hauser & Wirth New York 69th Street, 3 November 2022 – 4 February 2023. © Fondazione Lucio Fontana by SIAE 2022. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Thomas Barratt. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/FONTA117814-FONTA117823-FONTA117815-FONTA117126-FONTA117816-FONTA117822-hires.jpg Lucio Fontana: Sculpture. Installation view, Hauser & Wirth New York 69th Street, 3 November 2022 – 4 February 2023. © Fondazione Lucio Fontana by SIAE 2022. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Thomas Barratt. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/Hauser-Wirth-New-York-69th-Street-hires.jpg Lucio Fontana: Sculpture. Installation view, Hauser & Wirth New York 69th Street, 3 November 2022 – 4 February 2023. © Fondazione Lucio Fontana by SIAE 2022. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Thomas Barratt. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/SpatialEnvironment_RedLight_1967_1.jpg Lucio Fontana. Spatial Environment in Red Light, 1967/2020. Reconstruction authorised by Fondazione Lucio Fontana. Installation view, Lucio Fontana. Walking the Space: Spatial Environments, 1948 – 1968, Hauser & Wirth Los Angeles, 2020. © Fondazione Lucio Fontana by SIAE 2020. Courtesy Fondazione Lucio Fontana, Milano and Hauser & Wirth. Photo: Fredrik Nilsen. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/FONTANA-LUCIO-hires-(2).jpg Lucio Fontana, Milan, 1963. © Ugo Mulas Heirs. All rights reserved. Photo: Ugo Mulas. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/FONTANA-LUCIO-hires-(3).jpg Opening of the exhibition Lucio Fontana: Ten Paintings of Venice, Martha Jackson Gallery, New York, November–December 1961. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/FONTANA-LUCIO-web-hires-(1).jpg Lucio Fontana with works from the series Nature, Paris, Galerie Iris Clert, 1961. © J. Paul Getty Trust. Getty Research Institute, Los Angeles. Photo: Shunk-Kender. https://www.studiointernational.com/images/articles/b/002-barbero-luca-massimo-2023/luca-massimo-barbero_PTR_053.jpg Luca Massimo Barbero. https://www.studiointernational.com/index.php/pierre-dunoyer-interview-if-colour-not-in-proper-place-there-is-not-harmony https://www.studiointernational.com/images/articles/d/055-dunoyer-pierre-2023/13.jpg Pierre Dunoyer. Blanc, 2008 (Blondeau). Acrylic on canvas, 195 x 162 cm. Courtesy of Pierre Dunoyer and Musée d https://www.studiointernational.com/images/articles/d/055-dunoyer-pierre-2023/IMG_1014NB-PHOTO-LOUIS-DAVID-NAJAR.jpg Pierre Dunoyer https://www.studiointernational.com/images/articles/d/055-dunoyer-pierre-2023/02.jpg Pierre Dunoyer. Blanc, 1978. Acrylic on canvas, 150 x 150 cm. Courtesy of Pierre Dunoyer and Musée d https://www.studiointernational.com/images/articles/d/055-dunoyer-pierre-2023/03.jpg Pierre Dunoyer. Elėonora, 1979. Acrylic on canvas, 130 x 195 cm. Courtesy of Pierre Dunoyer and Musée d https://www.studiointernational.com/images/articles/d/055-dunoyer-pierre-2023/15.jpg Pierre Dunoyer. Bleu, 2022. Acrylic on canvas, 180 x 165 cm. Courtesy of Pierre Dunoyer and Musée d https://www.studiointernational.com/images/articles/d/055-dunoyer-pierre-2023/pierre-dunoyer.jpg Pierre Dunoyer. Photo: Laurent Lecat. https://www.studiointernational.com/index.php/osman-yousefzada-interview-opening-doors-for-other-people-is-key-to-what-i-do https://www.studiointernational.com/images/articles/y/093-Yousefzada-Osman-2023/Osman-Yousefzada_Intervention-2_(c)-Victoria-and-Albert-Museum,-London.jpg Osman Yousefzada, Intervention 2, installation view, What Is Seen And What Is Not, V&A Museum, London, 2022. Photo: Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/093-Yousefzada-Osman-2023/Osman-Yousefzada_Intervention-2_-Photo_-Thierry-Bal.jpg Osman Yousefzada, Intervention 3, installation view, What Is Seen And What Is Not, V&A Museum, London, 2022. Photo: Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/093-Yousefzada-Osman-2023/Osman-Yousefzada_Intervention-1_(c)-Victoria-and-Albert-Museum,-London.jpg Osman Yousefzada, Intervention 1, installation view, What Is Seen And What Is Not, V&A Museum, London, 2022. Photo: Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/093-Yousefzada-Osman-2023/Osman-Yousefzada_Intervention-3_(c)-Victoria-and-Albert-Museum,-London.jpg Osman Yousefzada, Intervention 3, installation view, What Is Seen And What Is Not, V&A Museum, London, 2022. Photo: Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/093-Yousefzada-Osman-2023/Osman-Yousefzada_Infinity-Pattern-1,-Selfridges-Birmingham_photo_-Jason-Alden.jpg Osman Yousefzada, Infinity Pattern 1, 2021. Selfridges Department Store, Birmingham, UK. Photo: Jason Alden. https://www.studiointernational.com/images/articles/y/093-Yousefzada-Osman-2023/Osman-Yousefzada_Intervention-3-detail_Photo_-Thierry-Bal.jpg Osman Yousefzada, Intervention 2 (detail), installation view, What Is Seen And What Is Not, V&A Museum, London, 2022. Photo: Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/victoria-sambunaris-high-and-dry-review-yancey-richardson-new-york https://www.studiointernational.com/images/articles/s/003-sambunaris-victoria-2023/VS-20-65_Searles-Valley_V3E.jpg Victoria Sambunaris. Untitled, (red car) Searles Valley, CA 2020. Copyright Victoria Sambunaris. Courtesy of the artist and Yancey Richardson, New York. https://www.studiointernational.com/images/articles/s/003-sambunaris-victoria-2023/VS-20-66_V10B.jpg Victoria Sambunaris. Untitled, (jump), Glamis, CA, 2020. Copyright Victoria Sambunaris. Courtesy of the artist and Yancey Richardson, New York. https://www.studiointernational.com/images/articles/s/003-sambunaris-victoria-2023/VS-21-84_Rescan-2_V4D.jpg Victoria Sambunaris. Untitled, (caravan), Joshua Tree, California, 2021. Copyright Victoria Sambunaris. Courtesy of the artist and Yancey Richardson, New York. https://www.studiointernational.com/images/articles/s/003-sambunaris-victoria-2023/VS-21-80_V6.jpg Victoria Sambunaris. Untitled, (Dune buggy) All American Canal, California, 2021. Copyright Victoria Sambunaris. Courtesy of the artist and Yancey Richardson, New York. https://www.studiointernational.com/images/articles/s/003-sambunaris-victoria-2023/VS-21-83_V5C.jpg Victoria Sambunaris. Untitled, (rider), Joshua Tree, California, 2021. Copyright Victoria Sambunaris. Courtesy of the artist and Yancey Richardson, New York. https://www.studiointernational.com/images/articles/s/003-sambunaris-victoria-2023/VS-21-61_RESCAN_V4D.jpg Victoria Sambunaris. Untitled, (Badwater Basin from Dante's View), Death Valley National Park, California, 2021. Copyright Victoria Sambunaris. Courtesy of the artist and Yancey Richardson, New York. https://www.studiointernational.com/images/articles/s/003-sambunaris-victoria-2023/VS-21-62_Death-Valley_V9F.jpg Victoria Sambunaris. Untitled, (Zabriskie Point), Death Valley National Park, California, 2021. Copyright Victoria Sambunaris. Courtesy of the artist and Yancey Richardson, New York. https://www.studiointernational.com/index.php/jenkin-van-zyl-interview-the-world-has-ended-many-times-over https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/Jenkin-van-Zyl_Surrender_Installation-View_Copyright-Jenkin-van-Zyl_Courtesy-Edel-Assanti__5.jpg Jenkin van Zyl, Surrender. Installation view, Edel Assanti, London, 2023. Copyright Jenkin van Zyl, courtesy Edel Assanti, London. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/03.jpg Jenkin van Zyl, Surrender. Installation view, Edel Assanti, London, 2023. Copyright Jenkin van Zyl, courtesy Edel Assanti, London. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/Jenkin-van-Zyl_Surrender_Installation-View_Copyright-Jenkin-van-Zyl_Courtesy-Edel-Assanti__1.jpg Jenkin van Zyl, Surrender. Installation view, Edel Assanti, London, 2023. Copyright Jenkin van Zyl, courtesy Edel Assanti, London. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/07.jpg Jenkin van Zyl: Surrender. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/08.jpg Jenkin van Zyl: Surrender. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/09.jpg Jenkin van Zyl: Surrender. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/05.jpg Jenkin van Zyl: Surrender. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/06.jpg Jenkin van Zyl: Surrender. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/Jenkin-van-Zyl_Surrender_Installation-View_Copyright-Jenkin-van-Zyl_Courtesy-Edel-Assanti__3.jpg Jenkin van Zyl, Surrender. Installation view, Edel Assanti, London, 2023. Courtesy the artist and Edel Assanti. Photo: Will Amlot. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/Jenkin-van-Zyl_Surrender_Installation-View_Copyright-Jenkin-van-Zyl_Courtesy-Edel-Assanti__2.jpg Jenkin van Zyl, Surrender. Installation view, Edel Assanti, London, 2023. Courtesy the artist and Edel Assanti. Photo: Will Amlot. https://www.studiointernational.com/images/articles/z/091-zyl-jenkin-van-2023/Jenkin-van-Zyl_Surrender_Installation-View_Copyright-Jenkin-van-Zyl_Courtesy-Edel-Assanti__4.jpg Jenkin van Zyl, Surrender. Installation view, Edel Assanti, London, 2023. Courtesy the artist and Edel Assanti. Photo: Will Amlot. https://www.studiointernational.com/index.php/david-mach-video-interview-heavy-metal-pangolin-london https://www.studiointernational.com/images/articles/m/009-mach-david-2023/Polaris_south_bank_centre_london_photography_courtesy_of_p_sewell_david_mach_1983_pa.jpg David Mach, Polaris, 1983. Royal Festival Hall, London. Photo courtesy of P Sewell. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/David-Mach,-Brick-Train.jpg David Mach, Brick Train, 1997. Life-sized replica of the 1938 steam locomotive Mallard made of bricks. Photo courtesy the artist. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/big_heids_containres_steel_pipes_painted_m8_corridor_1_public_art_david_mach_1998_pa.jpg David Mach, Big Heids, 1998. M8, Holytown, North Lanarkshire, UK. Photo courtesy the artist. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/containers.jpg David Mach: Heavy Metal, installation view, Pangolin London, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/mach-1-model.jpg David Mach: Heavy Metal, installation view, Pangolin London, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/David-Mach,-Caryatid-Easy-maquette,-Photo-by-Duncan-McGlynn-(6).jpg David Mach, Caryatid Easy maquette. Photo: Duncan McGlynn. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/David-Mach,-The-Temple-at-Tyre,-1994,-Installed-in-Leith,-Edinburgh..jpg David Mach, The Temple at Tyre, 1994. Installed in Leith, Edinburgh. Photo courtesy the artist. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/it_takes_two_sculpture_currently_in_marseille_france_david_mach_1994_pa.jpg David Mach, It Takes Two, 1994. Currently in Marseille, France. Photo courtesy the artist. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/out_of_order_sculpture_made_with_tumbling_telephone_boxes_picture_by_david_parry_1_kingston_upon_thames_david_mach_1989_pa.jpg David Mach, Out of Order, 1989. Installation view, Kingston upon Thames, UK. Photo: David Parry. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/Render-for-Mach1,-Edinburgh-Park,-Courtesy-of-the-Mach,-Edinburgh-Park-and-Dixon-Jones.jpg Render for Mach 1, Edinburgh Park. Courtesy of David Mach, Edinburgh Park and Dixon Jones Architects. Shipping containers, 50 metres long, and 15 metres high. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/figures.jpg David Mach: Heavy Metal, installation view, Pangolin London, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/man.jpg David Mach: Heavy Metal, installation view, Pangolin London, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/009-mach-david-2023/phone-boxes.jpg David Mach: Heavy Metal, installation view, Pangolin London, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/behrang-karimi-dinge-weltweit-review-maureen-paley-london https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00095-A-300.jpg Behrang Karimi. o.T., 2020. Oil on linen, 115 x 120 cm (45 1/4 x 47 1/4 in). © Behrang Karimi, courtesy Maureen Paley, London Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00062-A-300.jpg Behrang Karimi. Awakening in a dream, 2021. Oil on linen, 120 x 150 cm (47 1/4 x 59 in). © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00066-A-300.jpg Behrang Karimi. Search of a bird, 2022. Oil on canvas, 120 x 200 cm (47 1/4 x 78 3/4 in). © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00083-A-300.jpg Behrang Karimi. Porta Katharsis, 2022. Oil on canvas, 24 x 30 cm (9 1/2 x 11 3/4 in). © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00071-A-300.jpg Behrang Karimi. Rettung, 2022. Oil on linen 50 x 70 cm (19 3/4 x 27 1/2 in). © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00073-A-300.jpg Behrang Karimi. Light Stepper, 2015. Oil on linen mounted on wood 50 x 46 cm (19 3/4 x 18 1/8 in). © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00076-A-300.jpg Behrang Karimi. Protectere, 2022. Oil on linen, 33 x 45 cm (13 x 17 3/4 in). © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00087-A-300.jpg Behrang Karimi. o.T., 2022. Oil on linen, 50 x 33 cm (19 3/4 x 13 in). © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/(Exhibition-Image)-Behrang-Karimi-Dinge-Weltweit-Maureen-Paley-2023-1-300.jpg Behrang Karimi: Dinge Weltweit. Exhibition view, Maureen Paley, London, 2023. © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/(Exhibition-Image)-Behrang-Karimi-Dinge-Weltweit-Maureen-Paley-Studio-M-2023-5-300-(1).jpg Behrang Karimi: Dinge Weltweit. Exhibition view, Maureen Paley, London, 2023. © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/Behrang-Karimi-Dinge-Weltweit-Maureen-Paley-2023-8-300.jpg Behrang Karimi: Dinge Weltweit. Exhibition view, Maureen Paley, London, 2023. © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/Behrang-Karimi-Dinge-Weltweit-Maureen-Paley-Studio-M-2023-1-300.jpg Behrang Karimi: Dinge Weltweit. Exhibition view, Maureen Paley, London, 2023. © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/Behrang-Karimi-Dinge-Weltweit-Maureen-Paley-2023-9-300.jpg Behrang Karimi: Dinge Weltweit. Exhibition view, Maureen Paley, London, 2023. © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00067-A-300.jpg Behrang Karimi. Denken,reden,handeln, 2022. Oil on canvas, 130 x 115 cm (51 1/8 x 45 1/4 in). © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/images/articles/k/047-karimi-behrang-2023/MP-KARIB-00084-A-300.jpg Behrang Karimi. Caleidos, 2022. Oil on canvas, 24 x 30 cm (9 1/2 x 11 3/4 in). © Behrang Karimi, courtesy Maureen Paley, London. Photo: Mark Blower. https://www.studiointernational.com/index.php/kyriaki-goni-interview-for-me-technology-is-existential-discussion-data-garden-blenheim-walk-gallery-leeds-arts-university https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/The-mountain-islands-shall-mourn-us-eternally-(Dolomites-data-garden-video-still-2022-(3).jpg Kyriaki Goni, The Mountain-Islands Shall Mourn Us Eternally (Data Garden Dolomites), 2022. Video still. © Kyriaki Goni. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/Kyriaki-Goni,-Data-Garden,-solo-show-Blenheim-Walk-Gallery,-Leeds-Art-Univerisity,-2023-photo-by-Giles-Lister-(1).jpg Kyriaki Goni, Data Garden, exhibition view, Blenheim Walk Gallery, Leeds Art Univerisity, 2023. Photo: Jules Lister. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/The-Future-Light-Cone-2022-Kyriaki-Goni-(5).jpg Kyriaki Goni, The Future Light Cone, 2022. Installation view, Warsaw Biennale 2022. © Kyriaki Goni. Photo: Loukia Goni, courtesy of the artist. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/Kyriaki-Goni,-Data-Garden,-solo-show-Blenheim-Walk-Gallery,-Leeds-Art-Univerisity,-2023-photo-by-Giles-Lister-(13).jpg Kyriaki Goni, Data Garden, exhibition view, Blenheim Walk Gallery, Leeds Art Univerisity, 2023. Photo: Jules Lister. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/Kyriaki-Goni,-Data-Garden,-solo-show-Blenheim-Walk-Gallery,-Leeds-Art-Univerisity,-2023-photo-by-Giles-Lister-(11).jpg Kyriaki Goni, Data Garden, exhibition view, Blenheim Walk Gallery, Leeds Art Univerisity, 2023. Photo: Jules Lister. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/A-way-of-resisting-Athens-data-garden-video-still-2020-(8).jpg Kyriaki Goni, A Way of Resisting (Athens data garden), 2020. Video still. © Kyriaki Goni. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/Kyriaki-Goni,-Data-Garden,-solo-show-Blenheim-Walk-Gallery,-Leeds-Art-Univerisity,-2023-photo-by-Giles-Lister-(5).jpg Kyriaki Goni, Data Garden, exhibition view, Blenheim Walk Gallery, Leeds Art Univerisity, 2023. Photo: Jules Lister. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/The-Portal-or-Lets-stand-still-for-the-whales-2020.jpg Kyriaki Goni, The Portal or Let’s Stand Still for the Whales, 2020. Still image. © Kyriaki Goni. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/perfect-love-couplegoals-aigenerated-Kyriaki-Goni-(2).jpg Kyriaki Goni, This was Perfect Love #couplegoals #AIgenerated (2020, 2022), 2020. © DALL·E Kyriaki Goni. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/perfect-love-couplegoals-aigenerated-Kyriaki-Goni-3.jpg Kyriaki Goni, Perfect Love #couplegoals #aigenerated 2020, 2022. © DALL·E Kyriaki Goni. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/Kyriaki-Goni,-Data-Garden,-solo-show-Blenheim-Walk-Gallery,-Leeds-Art-Univerisity,-2023-photo-by-Giles-Lister-(12).jpg Kyriaki Goni, Data Garden, exhibition view, Blenheim Walk Gallery, Leeds Art Univerisity, 2023. Photo: Jules Lister. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/Kyriaki-Goni,-Data-Garden,-solo-show-Blenheim-Walk-Gallery,-Leeds-Art-Univerisity,-2023-photo-by-Giles-Lister.jpg Kyriaki Goni, Data Garden, exhibition view, Blenheim Walk Gallery, Leeds Art Univerisity, 2023. Photo: Jules Lister. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/Kyriaki-Goni,-Data-Garden,-solo-show-Blenheim-Walk-Gallery,-Leeds-Art-Univerisity,-2023-photo-by-Giles-Lister-(6).jpg Kyriaki Goni, Data Garden, exhibition view, Blenheim Walk Gallery, Leeds Art Univerisity, 2023. Photo: Jules Lister. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/Kyriaki-Goni,-Data-Garden,-solo-show-Blenheim-Walk-Gallery,-Leeds-Art-Univerisity,-2023-photo-by-Giles-Lister-(7).jpg Kyriaki Goni, Data Garden, exhibition view, Blenheim Walk Gallery, Leeds Art Univerisity, 2023. Photo: Jules Lister. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/A-way-of-resisting-Athens-data-garden-video-still-202-(9).jpg Kyriaki Goni, A Way of Resisting (Athens data garden), 2020. Video still. © Kyriaki Goni. https://www.studiointernational.com/images/articles/g/038-goni-kyriaki-2023/Not-allowed-for-algorithmic-audiences-video-still-2021-1.jpg Kyriaki Goni, Not Allowed for Algorithmic Audiences, 2021. Video still. © Kyriaki Goni. https://www.studiointernational.com/index.php/joseph-beuys-40-years-of-drawing-review-thaddaeus-ropac-london https://www.studiointernational.com/images/articles/b/001-beuys-joseph-2023/JB_1244_300dpi.jpg Joseph Beuys. Untitled, Undated. Gilded bronze on pencil or charcoal drawing, Image: 21 x 29,7 cm (8.27 x 11.69 in). Photo: Charles Duprat. https://www.studiointernational.com/images/articles/b/001-beuys-joseph-2023/JB_1250_300dpi.jpg Joseph Beuys. Untitled, undated. Pencil and opaque watercolour, yellow abrasion, paper: 23 x 16.5 cm (9.06 x 6.5 in). Photo: Charles Duprat. https://www.studiointernational.com/images/articles/b/001-beuys-joseph-2023/JB_1270_300dpi.jpg Joseph Beuys. Untitled (Girl), 1956. Pencil on paper, sheet: 29.7 x 21 cm (11.69 x 8.27 in). Photo: Charles Duprat. https://www.studiointernational.com/images/articles/b/001-beuys-joseph-2023/d2021_062_20thbloodfield_i.jpg Antony Gormley. 20th Blood Field I, 2021. Blood on paper, 19 x 14 cm (7.48 x 5.51 in). © Antony Gormley. https://www.studiointernational.com/images/articles/b/001-beuys-joseph-2023/JB_1160_a_300dpi.jpg Joseph Beuys. Untitled, 1954. Watercolour on brown paper, 35 x 24.5 cm (13.77 x 9.64 in). Photo: Charles Duprat. © Joseph Beuys Estate / VG Bild-Kunst, Bonn, 2023. https://www.studiointernational.com/images/articles/b/001-beuys-joseph-2023/JB_1259_300dpi.jpg Joseph Beuys. o. T. (Petticoat), 1951. Ferreous watercolour and pencil on squared paper, sheet: 17 x 11.4 cm. Photo: Charles Duprat. https://www.studiointernational.com/images/articles/b/001-beuys-joseph-2023/Joseph-Beuys_Untitled-(honey-pot),-1949.jpg Joseph Beuys. Untitled (honey pot), 1949. Pencil on torn envelope, mounted on paper coated with ferrous watercolour or Beize, sheet: 29.5 x 21 cm (11.61 x 8.27 in). Photo: Charles Duprat. https://www.studiointernational.com/index.php/ceyda-oskay-interview-in-from-the-margins-review-cork-printmakers-ireland https://www.studiointernational.com/images/articles/o/080-oskay-ceyda-2023/QQ8A0296-copy-2.jpg Garments from Ceyda Oskay’s clothing brand, cc by co, which she created for In From the Margins while an artist in residence at Cork Printmakers, hung in 2022 at Meitheal Mara Teoranta in Cork, the boatbuilding workshop that has employed former prisoners and others. The wheat depicted on the garment third from left is Red Stettin, which originated from the grain the Ottoman Empire sent to Ireland in 1847 during the Great Hunger. Photo courtesy John Beasley, Cork, 2022. https://www.studiointernational.com/images/articles/o/080-oskay-ceyda-2023/Ceyda-with-musicians-750.jpg Ceyda Oskay (second from right) with musicians (from left): Rory, Hasibullah, Fouad, Hashmat and Ayman, at Meitheal Mara Teoranta boatbuilding yard in Cork. Photo courtesy John Beasley, Cork, 2022. https://www.studiointernational.com/images/articles/o/080-oskay-ceyda-2023/QQ8A0373-copy-2.jpg Printed shirt on a boat frame at Meitheal Mara Teoranta boatyard, 2022. Shirt created for In From the Margins, from Ceyda Oskay’s clothing brand, cc by co. Photo courtesy John Beasley, Cork, 2022. https://www.studiointernational.com/images/articles/o/080-oskay-ceyda-2023/QQ8A0441-copy-2.jpg Ceyda Oskay: after the performance at the Meitheal Mara Teoranta boatyard. Photo courtesy John Beasley, Cork, 2022. https://www.studiointernational.com/images/articles/o/080-oskay-ceyda-2023/QQ8A0298-copy-2.jpg Garments from Ceyda Oskay’s clothing brand, cc by co, created for In From the Margins, hung in 2022 in the boatbuilding workshop Meitheal Mara Teoranta in Cork. Photo courtesy John Beasley, Cork, 2022. https://www.studiointernational.com/index.php/steve-mcqueen-sunshine-state-international-film-festival-rotterdam https://www.studiointernational.com/images/articles/m/008-mcqueen-steve-2023/059-_Q1A6186-HDR.jpg Sunshine State © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. A Commission for International Film Festival Rotterdam 2022. https://www.studiointernational.com/images/articles/m/008-mcqueen-steve-2023/061-_Q1A6255-HDR.jpg Sunshine State © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. A Commission for International Film Festival Rotterdam 2022. https://www.studiointernational.com/images/articles/m/008-mcqueen-steve-2023/066-_Q1A6180-HDR.jpg Sunshine State © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. A Commission for International Film Festival Rotterdam 2022. https://www.studiointernational.com/images/articles/m/008-mcqueen-steve-2023/Sunshine_State_Steve_McQueen.jpg Sunshine State © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. A Commission for International Film Festival Rotterdam 2022. https://www.studiointernational.com/index.php/beneath-the-surface-review-lehmann-maupin-london https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/LMG-London-2023-(Beneath-the-Surface)-install-Shirazeh-Houshiary-Styx-(2018).jpg Shirazeh Houshiary. Styx, 2018. Pigment, pencil, and white aquacryl on canvas and aluminium, 74.8 x 74.8 in. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/LMG-London-2023-(Beneath-the-Surface)-Calida-Rawles.jpg Beneath the Surface, installation view, Lehmann Maupin, London, 2023. Works by Calida Rawles. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/CR-LM34703-Atomic-Will-hr.jpg Calida Rawles. Atomic Will, 2022. Pastel on paper, 28 x 40 in (artwork). Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. Photo by Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/Araba-Opoku-LM34044-Charons-Furnace-01-hr.jpg Araba Opoku. Charons Furnace, 2022. Acrylic on canvas, 67.32 x 46.85 in. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. Photo by Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/Lubaina-Himid-LM34463-Venetian-Maps-(Kings)-01-hr.jpg Lubaina Himid. Venetian Maps (Kings), 1997. Acrylic on canvas, 60.04 x 84.06 in. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. Photo by Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/LMG-London-2023-(Beneath-the-Surface)-Alex-Gardner.jpg Beneath the Surface, installation view, Lehmann Maupin, London, 2023. Works by Alex Gardner. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/Alex-Gardner-LM34551-Nurturing-Dependence-01-hr.jpg Alex Gardner. Nurturing Dependence, 2022. Acrylic on canvas, 30 x 24 in. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. Photo by Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/Bucher-LM28312-Untitled-01-hr.jpg Heidi Bucher. Untitled (Wasserzeichnung / Water drawing), 1985. Watercolor on paper, 22.05 x 16.54 in. © The Estate of Heidi Bucher. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. Photo by Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/SH-LM34553-Valence-01-hr.jpg Shirazeh Houshiary. Valence, 2022. Pigment and pencil on black aquacryl on canvas and aluminium, 47.24 x 47.24 in. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. Photo by Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/LMG-London-2023-(Beneath-the-Surface)-install-Araba-Opoko-left,-Calida-Rawles,-centre-and-Shiraz-Hishouary-right.jpg Beneath the Surface, installation view, Lehmann Maupin, London, 2023. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/LMG-London-2023-(Beneath-the-Surface)--Lubaina-Himid.jpg Beneath the Surface, installation view, Lehmann Maupin, London, 2023. Works by Lubaina Himid. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/LMG-London-2023-(Beneath-the-Surface)-Araba-Opoku.jpg Beneath the Surface, installation view, Lehmann Maupin, London, 2023. Works by Araba Opoku. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/b/101-beneath-the-surface-2023/LMG-London-2023-(Beneath-the-Surface)-Shirazeh-Houshiary-Styx-centre-and-Valence-right.jpg Beneath the Surface, installation view, Lehmann Maupin, London, 2023. Shirazeh Houshiary. Styx, 2018 (left) and Valence, 2022 (right). Photo: Eva Herzog. https://www.studiointernational.com/index.php/people-make-television-review-raven-row-london https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/12-On-Behalf-of-the-People-Swindon-Viewpoint,-1984.jpg On Behalf of the People, Swindon Viewpoint, 1984. Copyright and courtesy Swindon Viewpoint. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/07-The-Whetley-Voice-Open-Door,-BBC2,-1974.jpg The Whetley Voice, Open Door, BBC2, 1974. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/09-The-Wages-for-Housework-Campaign_All-Work-and-No-Pay-Open-Door,-BBC2,-1976.jpg The Wages for Housework Campaign: All Work and No Pay, Open Door, BBC2, 1976. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/03-Cleaners_-Action-Group-Open-Door,-BBC2,-1973.jpg Cleaners’ Action Group, Open Door, BBC2, 1973. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/02-Black-Teachers-Open-Door,-BBC2,-1973.jpg Black Teachers, Open Door, BBC2, 1973. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/05-Liberation-Films_Starting-to-Happen-Open-Door,-1974.jpg Liberation Films: Starting to Happen, Open Door, BBC2, 1974. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/04-Street-Farmers-Open-Door,-BBC2,-1973.jpg Street Farmers, Open Door, BBC2, 1973. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/01-The-Basement-Project-Film-Group_East-End-Channel-1-Open-Door,-BBC2,-1973.jpg The Basement Project Film Group: East End Channel 1, Open Door, BBC2, 1973. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/06-The-Whetley-Voice-Open-Door,-BBC2,-1974.jpg The Whetley Voice, Open Door, BBC2, 1974. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/08-North-Devon-Farmworkers-Open-Door,-BBC2,-1975.jpg North Devon Farmworkers, Open Door, BBC2, 1975. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/10-North-West-Spanner-Theatre-Group_Born-Free-Trapped-Ever-After-Open-Door,-BBC2,-1980.jpg North West Spanner Theatre Group: Born Free Trapped Ever After, Open Door, BBC2, 1980. BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. https://www.studiointernational.com/images/articles/p/031-people-make-television-2023/11-Advertising-Promotion-Sheffield-Cablevision,-1975.jpg Advertising Promotion, Sheffield Cablevision, 1975. Copyright and courtesy Malcolm Waring. https://www.studiointernational.com/index.php/shirin-neshat-the-fury-review-gladstone-gallery-new-york https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/SN_BGG23_install_13_SNpref_e.jpg Shirin Neshat, The Fury, installation view, Gladstone Gallery, New York, 2023. Photo: David Regen. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/Fury-Left-012023-00_02_57_17.Still006.jpg Shirin Neshat. The Fury, 2022. Two-channel video installation, HD video, monochrome, duration: 16 minutes and 15 seconds. © Shirin Neshat. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/Fury-Left-012023.00_29_16_23.Still012.jpg Shirin Neshat. The Fury, 2022. Two-channel video installation, HD video, monochrome, duration: 16 minutes and 15 seconds. © Shirin Neshat. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/SN_BGG23_install_01_e.jpg Shirin Neshat, The Fury, installation view, Gladstone Gallery, New York, 2023. Photo: David Regen. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/SN_BGG23_install_08_e.jpg Shirin Neshat, The Fury, installation view, Gladstone Gallery, New York, 2023. Photo: David Regen. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/Fury-Left-012023-00_05_16_22.Still011.jpg Shirin Neshat. The Fury, 2022. Two-channel video installation, HD video, monochrome, duration: 16 minutes and 15 seconds. © Shirin Neshat. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/Fury-Left-012023-00_22_53_07.Still009.jpg Shirin Neshat. The Fury, 2022. Two-channel video installation, HD video, monochrome, duration: 16 minutes and 15 seconds. © Shirin Neshat. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/Fury-Left-012023-00_23_16_00.Still007.jpg Shirin Neshat. The Fury, 2022. Two-channel video installation, HD video, monochrome, duration: 16 minutes and 15 seconds. © Shirin Neshat. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/SHNBGG23_Left_still1.jpg Shirin Neshat. The Fury, 2022. Two-channel video installation, HD video, monochrome, duration: 16 minutes and 15 seconds. © Shirin Neshat. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/images/articles/n/063-neshat-shirin-2023/SHNBGG23_Left_still2.jpg Shirin Neshat. The Fury, 2022. Two-channel video installation, HD video, monochrome, duration: 16 minutes and 15 seconds. © Shirin Neshat. Courtesy of the artist and Gladstone Gallery. https://www.studiointernational.com/index.php/mohammed-sami-the-point-0-review-camden-art-centre-london https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Mohammed-Sami,-One-Thousand-and-One-Nights,-2022.jpg Mohammed Sami. One Thousand and One Nights, 2022. Mixed media on linen, 286 x 557 cm. Courtesy of the artist, Modern Art London and Luhring Augustine New York. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Meditation-Room,-2022-Mixed-media-on-linen-280-x-230-cm-Courtesy-of-the-artist-and-Modern-Art,-London(1).jpg Mohammed Sami. Meditation Room, 2022. Mixed media on linen, 280 x 230 cm. Courtesy of the artist, Modern Art London and Luhring Augustine New York. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Mohammed-Sami,-Weeping-Walls-III,-2022-Mixed-media-on-linen-75.5-x-65-cm-Courtesy-of-the-artist-and-Modern-Art,-London.jpg Mohammed Sami. Weeping Walls III, 2022. Mixed media on linen, 75.5 x 65 cm. Courtesy of the artist, Modern Art London and Luhring Augustine New York. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Mohammed-Sami,-Electric-Issues,-2022-Mixed-media-on-linen-224.5-x-155-cm-Courtesy-of-the-artist-and-Modern-Art,-London.jpg Mohammed Sami. Electric Issues, 2022. Mixed media on linen, 224.5 x 155 cm. Courtesy of the artist, Modern Art London and Luhring Augustine New York. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Mohammed-Sami,-Jellyfish,-2022-Mixed-media-on-linen-145-x-230-cm-Courtesy-of-the-artist-and-Modern-Art,-London(1).jpg Mohammed Sami. Jellyfish, 2022. Mixed media on linen, 145 x 230 cm. Courtesy of the artist, Modern Art London and Luhring Augustine New York. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Mohammed-Sami,-The-Point-0,-2020-Acrylic-on-linen-170-x-120-cm-Courtesy-of-the-artist-and-Modern-Art,-London.jpg Mohammed Sami. The Point 0, 2020. Acrylic on linen, 170 x 120 cm. Courtesy of the artist, Modern Art London and Luhring Augustine New York. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Camden-Art-Centre-Mohammed-Sami-(Low-Res)-27.jpg Mohammed Sami, The Point 0, installation view, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Mohammed-Sami,-Every-Day-is-Ashura-II,-2020.jpg Mohammed Sami. Every Day is Ashura II, 2020. Acrylic on linen, 80 x 195 cm. Courtesy of the artist, Modern Art London and Luhring Augustine New York. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Mohammed-Sami,-Refugee-Camp,-2022.jpg Mohammed Sami. Refugee Camp, 2022. Mixed media on linen, 290 x 590 cm. Courtesy of the artist, Modern Art London and Luhring Augustine New York. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Camden-Art-Centre-Mohammed-Sami-(Low-Res)-16.jpg Mohammed Sami, The Point 0, installation view, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Camden-Art-Centre-Mohammed-Sami-(Low-Res)-17.jpg Mohammed Sami, The Point 0, installation view, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Camden-Art-Centre-Mohammed-Sami-(Low-Res)-9.jpg Mohammed Sami, The Point 0, installation view, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/002-sami-mohammed-2023/Camden-Art-Centre-Mohammed-Sami-1000-7.jpg Mohammed Sami, The Point 0, installation view, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/index.php/jon-rafman-minor-daemon-review-180-studios-ebrahkdabri-spruth-magers-london https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/01.jpg Jon Rafman, Ebrah k’dabri. Installation view, Sprüth Magers, London, 3 February – 25 March 2023. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/07.jpg Jon Rafman, Minor Daemon Vol 1, Film Still. 180 Studios, London, 3 February – 25 March 2023. © Jon Rafman. https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/05.jpg Jon Rafman, Ebrah k’dabri. Installation view, Sprüth Magers, London, 3 February – 25 March 2023. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/08.jpg Jon Rafman, Minor Daemon Vol 1, Film Still. 180 Studios, London, 3 February – 25 March 2023. © Jon Rafman. https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/09.jpg Jon Rafman, Minor Daemon Vol 1, Film Still. 180 Studios, London, 3 February – 25 March 2023. © Jon Rafman. https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/10.jpg Jon Rafman, Minor Daemon Vol 1, Film Still. 180 Studios, London, 3 February – 25 March 2023. © Jon Rafman. https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/06.jpg Jon Rafman, Minor Daemon Vol 1, Film Still. 180 Studios, London, 3 February – 25 March 2023. © Jon Rafman. https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/02.jpg Jon Rafman, Ebrah k’dabri. Installation view, Sprüth Magers, London, 3 February – 25 March 2023. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/03.jpg Jon Rafman, Ebrah k’dabri. Installation view, Sprüth Magers, London, 3 February – 25 March 2023. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/r/048-rafman-jon-2023/04.jpg Jon Rafman, Ebrah k’dabri. Installation view, Sprüth Magers, London, 3 February – 25 March 2023. Photo: Ben Westoby. https://www.studiointernational.com/index.php/rebecca-fortnum-video-interview-les-practiciennes-henry-moore-institute-leeds https://www.studiointernational.com/images/articles/f/051-fortnum-rebecca-2023/Rebecca_Fortnum_38.jpg Rebecca Fortnum: Les Praticiennes, installation view at the Henry Moore Institute, 2023. Courtesy the artist and the Henry Moore Institute. https://www.studiointernational.com/images/articles/f/051-fortnum-rebecca-2023/Rebecca_Fortnum_43.jpg Rebecca Fortnum, Les Praticiennes (Claudel, unknown), 2022. Camille Claudel (1864-1943), France. Young Woman with Closed Eyes c1885, terracotta. Musée Sainte-Croix, Poitiers. Oil on gesso board, 25 x 20 cm. Installation view, Henry Moore Institute, 2023. Courtesy the artist and the Henry Moore Institute. https://www.studiointernational.com/images/articles/f/051-fortnum-rebecca-2023/Rebecca_Fortnum_05.jpg Rebecca Fortnum: Les Praticiennes, installation view at the Henry Moore Institute, 2023. Courtesy the artist and the Henry Moore Institute. https://www.studiointernational.com/images/articles/f/051-fortnum-rebecca-2023/Rebecca_Fortnum_03.jpg Rebecca Fortnum: Les Praticiennes, installation view at the Henry Moore Institute, 2023. Courtesy the artist and the Henry Moore Institute. https://www.studiointernational.com/images/articles/f/051-fortnum-rebecca-2023/Rebecca_Fortnum_49.jpg Rebecca Fortnum, Les Praticiennes (Bernhardt, Louise), 2022. Sarah Bernhardt (1844-1923), France. Louise Abbéma 1878, marble. Musée d’Orsay, Paris. Oil on gesso board, 25 x 20 cm. Installation view, Henry Moore Institute, 2023. Courtesy the artist and the Henry Moore Institute. https://www.studiointernational.com/images/articles/f/051-fortnum-rebecca-2023/Rebecca_Fortnum_33.jpg Rebecca Fortnum, Les Praticiennes (Vonnoh, Sarah), 2022. Bessie Potter Vonnoh (1872-1955), America. Memories of Sarah Bernhardt c1912, terracotta, whereabouts unknown. Carbon pencil on paper, 154.5 x 95 cm. Installation view, Henry Moore Institute, 2023. Courtesy the artist and the Henry Moore Institute. https://www.studiointernational.com/images/articles/f/051-fortnum-rebecca-2023/Rebecca_Fortnum_24.jpg Rebecca Fortnum, Les Praticiennes (A Gesture to Genius), 2023, after Auguste Rodin (1840-1917), France. Study of a Hand (Le Main Gauche: Le Pianist), n.d., bronze. Ashmolean Museum, Oxford. Four versions in porcelain, resin, clear resin and plastic with acrylic paint, 12 x 7 cm each. 3D scanning by Scan The World. Printing by Glasgow School of Art. Casting by Martha Todd. Installation view, Henry Moore Institute, 2023. Courtesy the artist and the Henry Moore Institute. https://www.studiointernational.com/index.php/leslie-jones-interview-coded-art-enters-the-computer-age-1952-1982-lacma-los-angeles https://www.studiointernational.com/images/articles/j/080-jones-leslie-2023/M2013_97_50-20180416-Access.jpg Frederick Hammersley, SCALLOP POTATOES, #50, from Suite of 72 Computer Drawings, 1969. https://www.studiointernational.com/images/articles/j/080-jones-leslie-2023/EX8796_001-cc.jpg Ed Kienholz. The Friendly Grey Computer – Star Gauge Model #54, 1965. https://www.studiointernational.com/images/articles/j/080-jones-leslie-2023/EX8796_069-still03.jpg Analivia Cordeiro. still from M 3×3, 1973. Video (black and white, sound), 9 minutes, 54 seconds. The Museum of Modern Art, New York. https://www.studiointernational.com/images/articles/j/080-jones-leslie-2023/M2016_355_1-4_01-cc.jpg Stan VanDerBeek and Kenneth C. Knowlton. Poemfield No. 1 (Blue Version), 1967. 16mm film transferred to video, (colour, silent), 4 minutes, 41 seconds. Los Angeles County Museum of Art. https://www.studiointernational.com/images/articles/j/080-jones-leslie-2023/EX8796_074_01-RA-cc.jpg Rebecca Allen. Preparatory drawings for Girl Lifts Skirt, 1974. Graphite and marker on paper, each varying from 10 × 8 1/2 to 10 ⅞ × 8 ⅞ in (25.4 × 21.6 cm to 27.6 × 22.5 cm). Rebecca Allen, Los Angeles, and courtesy ZELDA Art Ltd, Birmingham, UK. https://www.studiointernational.com/images/articles/j/080-jones-leslie-2023/M72_35-cc-Access.jpg Victor Vasarely. Vega-Köntösh, 1971. Tempera on panel, 25 11/16 × 25 11/16 in (65.1 × 65.1 cm). Los Angeles County Museum of Art. https://www.studiointernational.com/index.php/molly-erin-mccarthy-invites-review-zabludowicz-collection-london https://www.studiointernational.com/images/articles/m/007-mccarthy-molly-erin-2023/Invites-Molly-Erin-McCarthy,-SDiAR-ver-Installation-view-2023-at-the-Zabludowicz-Collection-Photo-David-Bebber-(1).jpg SDiAR ver.1.321618720143181418, installation view, Invites: Molly Erin McCarthy, Zabludowicz Collection, 2023. Photo: David Bebber. https://www.studiointernational.com/images/articles/m/007-mccarthy-molly-erin-2023/Invites-Molly-Erin-McCarthy,-Ferry-Installation-view-2023-at-the-Zabludowicz-Collection-Photo-David-Bebber.jpg Ferry, installation view, Invites: Molly Erin McCarthy, Zabludowicz Collection, 2023. Photo: David Bebber. https://www.studiointernational.com/images/articles/m/007-mccarthy-molly-erin-2023/Invites-Molly-Erin-McCarthy,-Ribs-Installation-view-2023-at-the-Zabludowicz-Collection-Photo-David-Bebber.jpg Ribs, installation view, Invites: Molly Erin McCarthy, Zabludowicz Collection, 2023. Photo: David Bebber. https://www.studiointernational.com/images/articles/m/007-mccarthy-molly-erin-2023/Invites-Molly-Erin-McCarthy,-Spire-installation-view-2023-at-the-Zabludowicz-Collection-Photo-David-Bebber.jpg Spire, installation view, Invites: Molly Erin McCarthy, Zabludowicz Collection, 2023. Photo: David Bebber. https://www.studiointernational.com/images/articles/m/007-mccarthy-molly-erin-2023/Invites-Molly-Erin-McCarthy,-installation-view-2023-at-the-Zabludowicz-Collection-Photo-David-Bebber-(4).jpg Invites: Molly Erin McCarthy, installation view, Zabludowicz Collection, 2023. Photo: David Bebber. https://www.studiointernational.com/images/articles/m/007-mccarthy-molly-erin-2023/Invites-Molly-Erin-McCarthy,-Chimney-Portal-Installation-view-2023-at-the-Zabludowicz-Collection-Photo-David-Bebber.jpg Chimney and Portal, installation view, Invites: Molly Erin McCarthy, Zabludowicz Collection, 2023. Photo: David Bebber. https://www.studiointernational.com/images/articles/m/007-mccarthy-molly-erin-2023/Invites-Molly-Erin-McCarthy,-ReNew-Installation-view-2023-at-the-Zabludowicz-Collection-Photo-David-Bebber.jpg Renew, installation view, Invites: Molly Erin McCarthy, Zabludowicz Collection, 2023. Photo: David Bebber. https://www.studiointernational.com/images/articles/m/007-mccarthy-molly-erin-2023/Invites-Molly-Erin-McCarthy,-SDiAR-Installation-view-2023-at-the-Zabludowicz-Collection-Photo-David-Bebber-(2).jpg SDiAR ver.1.321618720143181418, installation view, Invites: Molly Erin McCarthy, Zabludowicz Collection, 2023. Photo: David Bebber. https://www.studiointernational.com/index.php/brian-vincent-heather-spore-interview-edward-bresinski-film-make-me-famous https://www.studiointernational.com/images/articles/m/006-make-me-famous-2023/MakeMeFamous_12.jpg Make Me Famous. Feature length documentary. Photo: © Katherine Dumas. https://www.studiointernational.com/images/articles/m/006-make-me-famous-2023/MakeMeFamous_07.jpg Make Me Famous. Feature length documentary. Image courtesy Make Me Famous. https://www.studiointernational.com/images/articles/m/006-make-me-famous-2023/MakeMeFamous_9.jpg Make Me Famous. Feature length documentary. Photo © Jonathan Postal. https://www.studiointernational.com/images/articles/m/006-make-me-famous-2023/MakeMeFamous_3.jpg Make Me Famous. Feature length documentary. Photo © Joseph Szkodzinski. https://www.studiointernational.com/images/articles/m/006-make-me-famous-2023/MakeMeFamous_8.jpg Make Me Famous. Feature length documentary. Photo © Josef Astor. https://www.studiointernational.com/images/articles/m/006-make-me-famous-2023/MakeMeFamous_17.jpg Make Me Famous. Feature length documentary. Image © Edward Brezinski. https://www.studiointernational.com/images/articles/m/006-make-me-famous-2023/HeatherSporeProducer.jpg Heather Spore, Producer, Make Me Famous. https://www.studiointernational.com/images/articles/m/006-make-me-famous-2023/BrianVincentDirectorMMFHeadShot.jpg Brian Vincent, Director, Make Me Famous. https://www.studiointernational.com/index.php/sculpture-and-the-body-review-mk-gallery-milton-keynes https://www.studiointernational.com/images/articles/t/063-trickster-2023/channing-3.jpg Alice Channer, Soft Sediment Deformation (Iron Bodies), 2023, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/MK-Gallery-Trickster-Figures-Selection-(Low-Res)-5.jpg Alice Channer, Planetary System (Kolzer DGK63"), 2019, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/Robertson-16.jpg Ro Robertson, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/Robertson-15.jpg Ro Robertson, Torso I, 2021, Torso II, 2021 and Torso III, 2022, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/offeh-17.jpg Harold Offeh, titled Body Landscape Memory. Symphonic Variations on an African Air, Op 63, 2019, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/darling-19.jpg Jesse Darling, It was Present!, 2022, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/Saelia-Aparicio.jpg Saelia Aparicio, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/Nicolas-Deshayes.jpg Nicolas Deshayes, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/Joe-Namy,-Disguise-as-Dancefloor,-2022.jpg Joe Namy, Disguise as Dancefloor, 2022, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/Kira-Freije.jpg Left: Kira Freije, dipping voices, on the side of the sun, 2022; right: In the way of the wind, 2022, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/Kira-Freije-2.jpg Kira Freije, The Forgiver, 2022, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/hapaska-28.jpg Trickster Figures: Sculpture and the Body, installation view, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/hapaska-42.jpg Siobhán Hapaska, the recent incarnation of two advanced souls, 2012, installation view, Trickster Figures: Sculpture and the Body, MK Gallery, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/063-trickster-2023/channing-2.jpg Alice Channer, Soft Sediment Deformation (Iron Bodies), 2023. Right: Planetary System (Kolzer DGK63 https://www.studiointernational.com/index.php/antigone-women-in-fibre-art-review-richard-saltoun-gallery-london https://www.studiointernational.com/images/articles/a/016-antigone-2023/EGJ-005.jpg Egle Jauncems. The Paler King II. Oil on linen and canvas, metal rod and hooks, 170 x 100 cm. © The Artist. https://www.studiointernational.com/images/articles/a/016-antigone-2023/JAB-044.jpg Jagoda Buić. White Reflections, 1970-75. Wool and metallic thread, 163 x 224 x 10 cm. © The Estate of the Artist. https://www.studiointernational.com/images/articles/a/016-antigone-2023/BLE038-image-(1).jpg Barbara Levittoux-Świderska. Fire [Pożar], 1974. Sisal, rope, metal, 250 x 400 cm. © The Estate of the Artist. https://www.studiointernational.com/images/articles/a/016-antigone-2023/BLE079-(4)-(hi-res).jpg Barbara Levittoux-Świderska. Cuboid [Prostopadłościan], c1980. Glue, synthetic fabric, plastic foil, 95 x 265 x 95 cm. © The Estate of the Artist. https://www.studiointernational.com/images/articles/a/016-antigone-2023/APE-001.jpg Anna Perach. Expansion X, 2023. Axminster yarn, glass and English oak wood, 215 x 120 x 105 cm. © The Artist. https://www.studiointernational.com/images/articles/a/016-antigone-2023/01.jpg Antigone: Women in Fibre Art, installation view, Richard Saltoun Gallery London, 31 January - 18 March 2023. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/a/016-antigone-2023/07.jpg Antigone: Women in Fibre Art, installation view, Richard Saltoun Gallery London, 31 January - 18 March 2023. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/a/016-antigone-2023/11.jpg Antigone: Women in Fibre Art, installation view, Richard Saltoun Gallery London, 31 January - 18 March 2023. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/a/016-antigone-2023/15.jpg Antigone: Women in Fibre Art, installation view, Richard Saltoun Gallery London, 31 January - 18 March 2023. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/a/016-antigone-2023/17.jpg Antigone: Women in Fibre Art, installation view, Richard Saltoun Gallery London, 31 January - 18 March 2023. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/images/articles/a/016-antigone-2023/18.jpg Antigone: Women in Fibre Art, installation view, Richard Saltoun Gallery London, 31 January - 18 March 2023. Courtesy Richard Saltoun Gallery. https://www.studiointernational.com/index.php/scott-covert-interview-for-me-each-brushstroke-is-a-lifetime-cest-la-vie-studio-voltaire-london https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Scott-Covert,-Cest-la-vie,-Installation-View-11.jpg Scott Covert, Cest la vie, installation view, Studio Voltaire, 2023. Image courtesy of the artist and Studio Voltaire, Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/FinalVideoEdit-Still007.jpg Scott Covert, Up Until Now (still), c1990–2022. Video (colour, sound), 22 min 21 sec. Filming by Lex Niarchos, editing by Jin Lee. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/FinalVideoEdit_FL_HD-Still002.jpg Scott Covert, Up Until Now (still), c1990–2022. Video (colour, sound), 22 min 21 sec. Filming by Lex Niarchos, editing by Jin Lee. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Copy-of-SC_SV003.jpg Scott Covert, Lifetime Drawing, Bette Davis and Joan Crawford, undated. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Copy-of-SC_SV008.jpg Scott Covert, Lifetime Drawing, James Dean, Red, undated. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Copy-of-SC_SV037.jpg Scott Covert, Lifetime Drawing, Sharon Tate and Richard Polanski, undated. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Copy-of-SC_SV044.jpg Scott Covert, Lifetime Drawing, Farrah Fawcett, Blue, undated. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Copy-of-SC_SV101.jpg Scott Covert, Lifetime Drawing, Frank Sinatra in many colours, undated. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Copy-of-SC_SV150.jpg Scott Covert, Lifetime Drawing, Covert Columbarium 1, undated. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Copy-of-SC_SV160.jpg Scott Covert, Lifetime Drawing, Estee Lauder, Blue, 2017. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Scott-Covert,-Cest-la-vie,-Installation-View,-Studio-Voltaire,-2023,-Images-courtesy-of-the-artist-and-Studio-Voltaire-22.jpg Scott Covert, Cest la vie, installation view, Studio Voltaire, 2023. Image courtesy of the artist and Studio Voltaire, Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Scott-Covert,-Cest-la-vie,-Installation-View,-Studio-Voltaire,-2023-17.jpg Scott Covert, Cest la vie, installation view, Studio Voltaire, 2023. Image courtesy of the artist and Studio Voltaire, Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/001-covert-scott-2023/Scott-Covert,-Cest-la-vie,-Installation-View,-Studio-Voltaire,-2023_16.jpg Scott Covert, Cest la vie, installation view, Studio Voltaire, 2023. Image courtesy of the artist and Studio Voltaire, Photo: Sarah Rainer. https://www.studiointernational.com/index.php/andrew-black-interview-on-clogger-lane-tetley-leeds-film-making-a-research-process https://www.studiointernational.com/images/articles/b/0001-black-andrew-2023/On-Clogger-Lane-Andrew-Black-still-00009.jpg Andrew Black. On Clogger Lane, 2022 (film still). Image courtesy the artist. https://www.studiointernational.com/images/articles/b/0001-black-andrew-2023/film-still-from-Dan-Fianais-by-Andrew-Black-shows-Skye-crofter-Cheryl-McIntyre-00005.jpg Film still from Dàn Fianais by Andrew Black shows Skye crofter Cheryl McIntyre. Image courtesy the artist. https://www.studiointernational.com/images/articles/b/0001-black-andrew-2023/On-Clogger-Lane-Andrew-Black-still-00017.jpg Andrew Black. On Clogger Lane, 2022 (film still). Image courtesy the artist. https://www.studiointernational.com/images/articles/b/0001-black-andrew-2023/On-Clogger-Lane-Andrew-Black-still-00011.jpg Andrew Black. On Clogger Lane, 2022 (film still). Image courtesy the artist. https://www.studiointernational.com/images/articles/b/0001-black-andrew-2023/On-Clogger-Lane-Andrew-Black-protester-Lindis-Percy-still-00002.jpg Andrew Black. On Clogger Lane, 2022 (film still). Image courtesy the artist. https://www.studiointernational.com/images/articles/b/0001-black-andrew-2023/On-Clogger-Lane-Andrew-Black-still-00026.jpg Andrew Black. On Clogger Lane, 2022 (film still). Image courtesy the artist. https://www.studiointernational.com/images/articles/b/0001-black-andrew-2023/Eternity-Knocker-Andrew-Black-still-00004.jpg Andrew Black. Eternity Knocker (film still). Image courtesy the artist. https://www.studiointernational.com/index.php/in-search-of-the-miraculous-marlborough-new-york-gerard-mosse https://www.studiointernational.com/images/articles/i/081-In-Search-of-the-Miraculous-2023/In-Search-of-the-Miraculous,-2023,-Olympia-Shannon.jpg Left to right: Yulia Pinkusevich. Sakha Air Spirit, 2021. Pastel and charcoal on Fabriano Artistico paper over birch ply panel, 74 × 44 1/4 in (188 × 112.4 cm); Gisela Colón. Parabolic Monolith (Perseus), 2022. Aurora particles, stardust, cosmic radiation, intergalactic matter, ionic waves, organic carbamate, gravity and time, 98 1/2 × 23 1/2 × 12 in (250.2 × 59.7 × 30.5 cm). Installation view, Marlborough Gallery, New York. Photo: Olympia Shannon. https://www.studiointernational.com/images/articles/i/081-In-Search-of-the-Miraculous-2023/In-Search-of-the-Miraculous,-2023,-View-1_Olympia-Shannon.jpg Left to right: Ad Reinhardt, Abstract Painting, 1963, oil on canvas, 60 × 60 in (152.4 × 152.4 cm); Dorothea Rockburne, Egyptian Painting: Scribe, 1979, conté, pencil, oil, gesso on linen, 93 × 56 1/2 in (236.2 × 143.5 cm); Agnes Martin, Untitled #11, 1985, acrylic on canvas, 72 3/4 × 72 3/4 in (184.8 × 184.8 cm). Installation view, Marlborough Gallery, New York. Photo: Olympia Shannon. https://www.studiointernational.com/images/articles/i/081-In-Search-of-the-Miraculous-2023/In-Search-of-the-Miraculous,-2023,-12_Olympia-Shannon.jpg Left to right: Jacob El Hanani. Between Dot and Linescape, 2020. Ink on gessoed canvas, 24 × 48 in (61 × 121.9 cm); Richard Pousette-Dart. Window, Cathedral, c1941-42. Oil on canvas, 52 1/2 × 36 1/2 in (133.3 × 92.7 cm); Roland Flexner. Untitled, 2010/11. Liquid graphite on paper ensemble of nine drawings, 50 1/2 × 50 in (128.3 × 127 cm), each drawing: 5 1/2 × 7 in (14 × 17.8 cm). Installation view, Marlborough Gallery, New York. Photo: Olympia Shannon. https://www.studiointernational.com/images/articles/i/081-In-Search-of-the-Miraculous-2023/In-Search-of-the-Miraculous,-2023,-View-7_Olympia-Shannon.jpg Left to right: Olafur Eliasson, Colour experiment no. 29 (light spectrum), 2010, oil on canvas, 78 5/8 × 79 × 2 3/4 in (199.7 × 200.7 × 7 cm); Yayoi Kusama, Infinity-Nets [EBP], 2011, acrylic on canvas, 63 3/4 × 63 1/2 in (161.9 × 161.3 cm); Gerard Mossé, From My Head Down To My Shoes, 2019-21, oil on linen, 56 × 42 in (142.2 × 106.7 cm); Untitled, 2020-21, charcoal, graphite, and pastel on paper, 17 × 7 7/8 in (43.2 × 20 cm). Installation view, Marlborough Gallery, New York. Photo: Olympia Shannon. https://www.studiointernational.com/images/articles/i/081-In-Search-of-the-Miraculous-2023/In-Search-of-the-Miraculous,-2023,-10_Olympia-Shannon.jpg Left to right: Adolph Gottlieb. Scale, 1964, oil on canvas, 61 5/8 × 49 1/2 in (156.5 × 125.7 cm); Nancy Haynes. Sixth arrondissement, 2015, oil on linen, 21 5/8 × 26 in (54.9 × 66 cm), This painting, 2015, oil on linen, 21 5/8 × 26 in (54.9 × 66 cm); Ad Reinhardt, Abstract Painting, 1963, oil on canvas, 60 × 60 in (152.4 × 152.4 cm). Installation view, Marlborough Gallery, New York. Photo: Olympia Shannon. https://www.studiointernational.com/images/articles/i/081-In-Search-of-the-Miraculous-2023/In-Search-of-the-Miraculous,-2023,-2_Olympia-Shannon.jpg Left to right: Denzil Hurley, Variant-A, 2002-04, oil on canvas, 70 1/8 × 50 1/8 in (178.1 × 127.3 cm); Redact-1, 2003-05, oil on canvas, 24 × 18 in (61 × 45.7 cm). Installation view, Marlborough Gallery, New York. Photo: Olympia Shannon. https://www.studiointernational.com/images/articles/i/081-In-Search-of-the-Miraculous-2023/In-Search-of-the-Miraculous,-2023,-View-3_Olympia-Shannon.jpg In Search of the Miraculous, installation view, Marlborough Gallery, New York, 2023. Photo: Olympia Shannon. https://www.studiointernational.com/index.php/rodney-graham-getting-it-together-in-the-country-hauser-and-wirth-somerset https://www.studiointernational.com/images/articles/g/037-graham-rodney-2023/01.jpg Rodney Graham, Actor / Director, 1954, 2013. Painted aluminium lightboxes with transmounted chromogenic transparencies; diptych 261 x 368 x 18 cm (102 3/4 x 144 7/8 x 7 1/8 in
), each panel: 261 x 182 x 18 cm (91 5/8 x 71 5/8 x 7 in). Photo: Rodney Graham © Rodney Graham. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/037-graham-rodney-2023/05.jpg Rodney Graham, Main Street Tree, 2006. Chromogenic photograph, 228.6 x 185.4 x 5 cm (90 x 73 x 2 in). Photo: Tom Van Eynde. © Rodney Graham. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/037-graham-rodney-2023/06.jpg Rodney Graham. Getting it Together in the Country, installation view, Hauser & Wirth Somerset, 2023. © Rodney Graham. Courtesy Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/g/037-graham-rodney-2023/04.jpg Rodney Graham, Smoke Break 2 (Drywaller), 2012. Painted aluminium lightboxes with transmounted chromogenic transparencies; diptych 304 x 368 x 18 cm (119 5/8 x 144 7/8 x 7 1/8 in), each panel: 304 x 182 x 18 cm (119 5/8 x 71 5/8 x 7 in). Photo: Rodney Graham © Rodney Graham. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/037-graham-rodney-2023/02.jpg Rodney Graham, Paddler, Mouth of the Seymour, 2012-13. Painted aluminum lightboxes with transmounted chromogenic transparencies; triptych 304 x 554 x 18 cm (119 5/8 x 218 1/8 x 7 1/8 in), each panel 304 x 182 x 18 cm (119 5/8 x 71 5/8 x 7 in). © Rodney Graham. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/037-graham-rodney-2023/03.jpg Rodney Graham, Betula Pendula Fastigiata (Sous-Chef on Smoke Break), 2011. Painted aluminum lightbox with transmounted chromogenic transparency, 243 x 182 x 18 cm (95 5/8 x 71 5/8 x 7 1/8 in). © Rodney Graham. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/g/037-graham-rodney-2023/07.jpg Rodney Graham. Getting it Together in the Country, installation view, Hauser & Wirth Somerset, 2023. © Rodney Graham. Courtesy Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/g/037-graham-rodney-2023/08.jpg Rodney Graham. Getting it Together in the Country, installation view, Hauser & Wirth Somerset, 2023. © Rodney Graham. Courtesy Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/index.php/xiyao-wang-a-carnival-in-the-forest-review-massimodecarlo-london https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Xiyao-Wang,-Like-a-Firefly-Chasing-the-Waves-no-3,-2022.jpg Xiyao Wang, Like a Firefly Chasing the Waves no.3, 2022. Acrylic, oil stick on canvas, 200 × 190 cm (78 3/4 × 74 6/8 in). Image courtesy of the artist and MASSIMODECARLO. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Xiyao-Wang,-Like-a-Firefly-Chasing-the-Waves-no-3-(detail),-2022-(2).jpg Xiyao Wang, Like a Firefly Chasing the Waves no.3, 2022 (detail). Acrylic, oil stick on canvas, 200 × 190 cm (78 3/4 × 74 6/8 in). Image courtesy of the artist and MASSIMODECARLO. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Xiyao-Wang,-The-Crystalline-Moon-Palace-no-6,-2022.jpg Xiyao Wang, The Crystalline Moon Palace no. 6, 2022. Acrylic, oil stick on canvas, 200 × 190 cm (78 3/4 × 74 6/8 in). Image courtesy of the artist and MASSIMODECARLO. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Studio-shot-03-courtesy-Xiyao-Wang-and-Perrotin.jpg Xiyao Wang https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Xiyao-Wang,-Like-a-Firefly-Chasing-the-Waves-no-3-(detail),-2022.jpg Xiyao Wang, Like a Firefly Chasing the Waves no.3, 2022 (detail). Acrylic, oil stick on canvas, 200 × 190 cm (78 3/4 × 74 6/8 in). Image courtesy of the artist and MASSIMODECARLO. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Xiyao-Wang,-The-Crystalline-Moon-Palace-no-6-(detail)-(2).jpg Xiyao Wang, The Crystalline Moon Palace no. 6, 2022 (detail). Acrylic, oil stick on canvas, 200 × 190 cm (78 3/4 × 74 6/8 in). Image courtesy of the artist and MASSIMODECARLO. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Xiyao-Wang,-The-Crystalline-Moon-Palace-no-6-(detail).jpg Xiyao Wang, The Crystalline Moon Palace no. 6, 2022 (detail). Acrylic, oil stick on canvas, 200 × 190 cm (78 3/4 × 74 6/8 in). Image courtesy of the artist and MASSIMODECARLO. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Xiyao-Wang,-The-lake-i-flew-over-no-4,-2022.jpg Xiyao Wang, The lake i flew over no.4, 2022. Acrylic, oil stick on canvas, 200 × 190 cm (78 3/4 × 74 3/4 in). Image courtesy of the artist and MASSIMODECARLO. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Xiyao-Wang,-The-lake-i-flew-over-no-5,-2022.jpg Xiyao Wang, The lake i flew over no.5, 2022. Acrylic, oil stick on canvas, 200 × 190 cm (78 3/4 × 74 3/4 in). Image courtesy of the artist and MASSIMODECARLO. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Studio-shot-04-courtesy-Xiyao-Wang-and-Perrotin.jpg Xiyao Wang's studio. Photo courtesy Xiyao Wang and Perrotin. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Studio-shot-05-courtesy-Xiyao-Wang-and-Perrotin.jpg Xiyao Wang's studio. Photo courtesy Xiyao Wang and Perrotin. https://www.studiointernational.com/images/articles/x/100-Xiyao-Wang-2023/Studio-shot-06-courtesy-Xiyao-Wang-and-Perrotin.jpg Xiyao Wang's studio. Photo courtesy Xiyao Wang and Perrotin. https://www.studiointernational.com/index.php/ingela-ihrman-interview-nocturne-gasworks-london-eden-project-cornwall https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-Nocturne-exhibition-view-Green-Paradise-2009-Photo-Andy-Keate.jpg Ingela Ihrman, Green Paradise, 2009. Installation view, Nocturne, Gasworks, London, 2023. Photo: Andy Keate. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-Nocturne-exhibition-view-Still-from-Oilbird-with-Nestling-(2021)-Photo-Andy-Keate.jpg Ingela Ihrman. Still from Oilbird with Nestling, 2021. Photo: Andy Keate. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-First-Came-the-Landscape-(2022)-among-the-trees-Eden-Project-Pic-Veronica-Simpson.jpg Ingela Ihrman, First Came the Landscape, 2022. Site-specific sculpture of a skeleton, installation view, the Eden Project. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-Sea-Belt-2019-Pic-Veronica-Simpson.jpg Ingela Ihrman, Sea Belt, 2019. Algae sculpture, installation view, the Eden Project. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-Nocturne-exhibition-view-2-Photo-Andy-Keate.jpg Ingela Ihrman, Nocturne. Installation view, Gasworks, London, 2023. Photo: Andy Keate. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-costume-for-passionflower-performance.jpg Ingela Ihrman. Costume for passionflower performance. Photo: Andy Keate. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-Nocturne-exhibition-view-feather-sculpture-Photo-Andy-Keate.jpg Ingela Ihrman, Feather sculpture. Installation view, Nocturne, Gasworks, London, 2023. Photo: Andy Keate. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-Oilbird-cave-with-nestling-glove-puppet-Pic-Veronica-Simpson.jpg Ingela Ihrman, Oilbird cave with https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-First-Came-the-Landscape-(2022)-Detail-(feet)-Eden-Project-Pic-Veronica-Simpson.jpg Ingela Ihrman, First Came the Landscape, 2022. Site-specific sculpture of a skeleton, installation view, the Eden Project. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-First-Came-the-Landscape-(2022)Detail-(hands)-Eden-Project-Pic-Veronica-Simpson.jpg Ingela Ihrman, First Came the Landscape, 2022. Site-specific sculpture of a skeleton, installation view, the Eden Project. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-Gut-Weed-(2019)-in-Eden-Project-show-Super-Natural-Pic-Veronica-Simpson.jpg Ingela Ihrman, Gut Weed, 2019. Installation view, Super Natural, the Eden Project. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/080-ihrman-ingela-2023/Ingela-Ihrman-Nocturne-exhibition-view-Oilbird-cavern-installation-Photo-Andy-Keate.jpg Ingela Ihrman, Oilbird Cavern. Installation view, Nocturne, Gasworks, London, 2023. Photo: Andy Keate. https://www.studiointernational.com/index.php/atiena-r-kilfa-the-unhomely-review-camden-art-centre-london https://www.studiointernational.com/images/articles/k/046-kilfa-atiena-r-2023/Atiena-R-Kilfa_Filmstill_KW_2022-4.jpg Atiéna R. Kilfa, The Landlords, 2022. Video still, courtesy the artist. https://www.studiointernational.com/images/articles/k/046-kilfa-atiena-r-2023/Camden-Art-Centre-Atiena-R-Kilfa-(Low-Res)-66.jpg Atiéna R. Kilfa, 70.E1, 2023. Rotten epoxy hand, silk cuff, resin plug, led light, wood, acrylic glass. Courtesy the artist, Cabinet Gallery, London. Installation view of Atiéna R. Kilfa, The Unhomely, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/046-kilfa-atiena-r-2023/Atiena-R-Kilfa_Filmstill_KW_2022-7.jpg Atiéna R. Kilfa, The Landlords, 2022. Video still, courtesy the artist. https://www.studiointernational.com/images/articles/k/046-kilfa-atiena-r-2023/Camden-Art-Centre-Atiena-R-Kilfa-(Low-Res)-16.jpg Atiéna R. Kilfa, The Unhomely, installation view, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/046-kilfa-atiena-r-2023/Camden-Art-Centre-Atiena-R-Kilfa-(Low-Res)-18.jpg Atiéna R. Kilfa, The Unhomely, installation view, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/046-kilfa-atiena-r-2023/Camden-Art-Centre-Atiena-R-Kilfa-(Low-Res)-24.jpg Atiéna R. Kilfa, The Unhomely, installation view, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/046-kilfa-atiena-r-2023/Camden-Art-Centre-Atiena-R-Kilfa-(Low-Res)-53.jpg Atiéna R. Kilfa, The Unhomely, installation view, Camden Art Centre, 2023. Photo: Rob Harris. https://www.studiointernational.com/index.php/action-gesture-paint-women-artists-and-global-abstraction-1940-70-whitechapel-gallery-london https://www.studiointernational.com/images/articles/a/015-action-gesture-paint-2023/Elaine-de-Kooning-The-Bull-1959.jpg Elaine de Kooning, The Bull, 1959. Acrylic and collage on Masonite, 76.2 x 88.9 cm. Courtesy The Christian Levett Collection. © EdeK Trust. https://www.studiointernational.com/images/articles/a/015-action-gesture-paint-2023/Lee-Krasner-Bald-Eagle-1955.jpg Lee Krasner, Bald Eagle, 1955. Oil, paper, and canvas collage on linen, 195.6 x 130.8 cm. Courtesy of ASOM Collection. © 2022 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. https://www.studiointernational.com/images/articles/a/015-action-gesture-paint-2023/Helen-Frankenthaler-April-Mood-1974.jpg Helen Frankenthaler, April Mood, 1974. Acrylic on canvas, 152 x 434 cm. Courtesy of ASOM Collection. © Helen Frankenthaler Foundation, Inc. / ARS, NY and DACS, London 2022. https://www.studiointernational.com/images/articles/a/015-action-gesture-paint-2023/Fanny-Sanin-Oil-No-4-1968.jpg Fanny Sanín, Oil No. 4, 1968. Oil on canvas, 157 x 150 cm. Courtesy of Elisa Yu Collection. © Fanny Sanín. https://www.studiointernational.com/images/articles/a/015-action-gesture-paint-2023/CL908-Janet-Sobel,-Untitled.jpg Janet Sobel, Untitled, c1948. Mixed media on canvas board, 76.2 x 50.8 cm. Courtesy The Christian Levett Collection. https://www.studiointernational.com/index.php/analivia-cordeiro-interview-from-body-to-code-review-zkm-centre-for-art-and-media-karlsruhe https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a7979.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a7901.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/envelope-IMG_1556.jpg Letter sent by Analivia Cordeiro to Vladimir Bonačić, 1974, installation view, From Body to Code, ZKM (Centre for Art and Media), Karlsruhe 2023. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a7818.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a7823.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/375-bw_analivi_cordeiro_2020_-20201027-analivia_0122_2765.jpg Bob Wolfenson, Studio portrait of Analívia Cordeiro, 2020. Black and white photography. © Bob Wolfenson https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a7890.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a8134.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/138_139_145_146_acordeiro_air_1985_4frames_bx.jpg Analivia Cordeiro, Ar (Air), 1985. Mono-channel video, (colour, sound). Video still frames. Performer: Analívia Cordeiro. © Analivia Cordeiro. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/150_151_157_acordeiro_slowbillescan_1987_3frames-bx.jpg Slow Billie Scan, 1987. Telepresence dance using slow scan television. Mono-channel video 4:3 (colour, sound), 4:80 min. Video still frames. Performers: Analivia Cordeiro and Lali Krotoszynski. © Analivia Cordeiro. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/376-bw_analivia_cordeiro_2020.jpg Bob Wolfenson, portrait of Analivia Cordeiro, 2020. © Bob Wolfenson. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_k3a7460.jpg Analivia Cordeiro at the opening of From Body to Code, ZKM (Centre for Art and Media), Karlsruhe 2023. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a7919.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a8000.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a8033.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a8086.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a8095.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/images/articles/c/001-Cordeiro-Analivia-2023/_v5a8020.jpg Analivia Cordeiro: From Body to Code is at ZKM (Centre for Art and Media) Karlsruhe 2023, exhibition view. Photo: Felix Grünschloß. https://www.studiointernational.com/index.php/wilhelmina-barns-graham-paths-to-abstraction-review-hatton-gallery-newcastle https://www.studiointernational.com/images/articles/b/0002-barns-graham-2023/WBG-white-cottage-1118.jpg Wilhelmina Barns-Graham, White Cottage, Carbeth, 1938. Oil on canvas, 41 x 51 cm. © Wilhelmina Barns-Graham Trust. https://www.studiointernational.com/images/articles/b/&100-barns-graham-2023/WBG-Glacier-Chasm.jpg Wilhelmina Barns-Graham, Glacier Chasm, 1951. Oil on canvas, 76.20 x 91.50 cm. © Wilhelmina Barns-Graham Trust. https://www.studiointernational.com/images/articles/b/&100-barns-graham-2023/Ice-Cavern.jpg Wilhelmina Barns-Graham, Ice Cavern, 1951. Oil on canvas, 60 x 99 cm. London Borough of Camden. © Wilhelmina Barns-Graham Trust. https://www.studiointernational.com/images/articles/b/&100-barns-graham-2023/red-studio-6408.jpg Wilhelmina Barns-Graham, Studio Interior (Red Stool, Studio), 1945. Oil on canvas, 60 x 45.6 cm. © Wilhelmina Barns-Graham Trust. https://www.studiointernational.com/images/articles/b/&100-barns-graham-2023/pilgrimage-6167_edited.jpg Wilhelmina Barns-Graham, Pilgrimage, 1967. Oil on canvas, 101 x 152 cm. © Wilhelmina Barns-Graham Trust. https://www.studiointernational.com/images/articles/b/&100-barns-graham-2023/1947-WBG-Porthmeor-Studios-(close-up).jpg Wilhelmina Barns-Graham in her Porthmeor studio in St Ives c1947. © Wilhelmina Barns-Graham Trust. https://www.studiointernational.com/index.php/vermeer-review-rijksmuseum-antwerp https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Vermeer,-JR-The-Little-Street-(6).jpg Johannes Vermeer, The Little Street, c1658-9 (detail). Installation view, Rijksmuseum, Amsterdam, 2023. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Vermeer-view-of-delft.jpg Johannes Vermeer, View of Delft, 1660-61. Oil on canvas. Mauritshuis, The Hague. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Vermeer,-Christ-in-the-House-of-Martha-and-Mary-JR-(1).jpg Johannes Vermeer, Christ in the House of Mary and Martha, c1654-5. Installation view, Rijksmuseum, Amsterdam, 2023. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Dresden_brieflezend-meisje-bij-venster-Gal-Nr-1336.jpg Johannes Vermeer, Girl Reading a Letter at an Open Window, 1657-58. Oil on canvas. Gemäldegalerie Alte Meister, Dresden. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/SK-A-2344-Het-melkmeisje,-Johannes-Vermeer,-c1660.jpg Johannes Vermeer, The Milkmaid, 1658-59. Oil on canvas. Rijksmuseum, Amsterdam. Purchased with the support of the Vereniging Rembrandt. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Vermeer,-Allegory-of-the-Catholic-Faith-(detail)-JR-(8).jpg Johannes Vermeer, Allegory of the Catholic Faith, c1670-74 (detail). Installation view, Rijksmuseum, Amsterdam, 2023. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Het-glas-wijn_edited_Vermeer.jpg Johannes Vermeer, The Glass of Wine, c1659-61. Oil on canvas. Staatliche Museen zu Berlin – Gemäldegalerie. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Vermeer,-The-Glass-of-Wine-(detail)-JR-(1).jpg Johannes Vermeer, The Glass of Wine, c1659-61 (detail). Installation view, Rijksmuseum, Amsterdam, 2023. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Schrijvende-vrouw-in-het-geel-Vermeer.jpg Johannes Vermeer, A Lady Writing, 1664-67. Oil on canvas. National Gallery of Art, Washington. Gift of Harry Waldron Havemeyer and Horace Havemeyer Jr., in memory of their father, Horace Havemeyer. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Johannes-Vermeer,-Meisje-met-de-parel,-1665-Mauritshuis,-Den-Haag.jpg Johannes Vermeer, Girl with a Pearl Earring, 1664–67. Oil on canvas. Mauritshuis, The Hague. Bequest of Arnoldus Andries des Tombe, The Hague. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Vermeer-red-hat.jpg Johannes Vermeer, Girl With a Red Hat, c1664-67. Installation view, Rijksmuseum, Amsterdam, 2023. Photo: Rijksmuseum/ Henk Wildschut. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Vermeer-Vrouw-met-parelsnoer.jpg Johannes Vermeer, Woman with a Pearl Necklace, c1662-64. Oil on canvas. Staatliche Museen zu Berlin – Gemäldegalerie. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Kantwerkster-Verrmeer.jpg Johannes Vermeer, The Lacemaker, 1666–68. Oil on canvas mounted on panel. Musée du Louvre, Paris. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Brieflezende-vrouw,-Johannes-Vermeer,-SK-C-251.jpg Johannes Vermeer, Woman in Blue Reading a Letter, 1662-64. Oil on canvas. Rijksmuseum, Amsterdam. On loan from the City of Amsterdam (A. van der Hoop Bequest). https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Vermeer-Girl-with-a-Pearl-Earing.jpg Vermeer exhibition. Photo: Rijksmuseum / Henk Wildschut. https://www.studiointernational.com/images/articles/v/072-vermeer-2023/Vermeer,-JR-The-Little-Street-(7).jpg Johannes Vermeer, The Little Street, c1658-9. Installation view, Rijksmuseum, Amsterdam, 2023. Photo: Juliet Rix. https://www.studiointernational.com/index.php/donatello-sculpting-the-renaissance-review-v-and-a-london https://www.studiointernational.com/images/articles/d/054-donatello-2023/David-Victorious,-1408-9-1416-Photo-Bruno-Bruchi..jpg Donatello, David, Museo Nazionale del Bargello, Florence, courtesy of the Ministry of Culture. Photo: Bruno Bruchi. https://www.studiointernational.com/images/articles/d/054-donatello-2023/Donatello,-Madonna-of-the-Clouds.jpg Donatello, Madonna of the Clouds, Photo: © 2023. Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/d/054-donatello-2023/Donatello,-Pazzi-Madonna,-Photo-by-Antje-Voigt,-Berlin.jpg Donatello, Pazzi Madonna, Skulpturensammlung und Museum für Byzantinische Kunst der Staatlichen Museen zu Berlin. Photo: Antje Voigt, Berlin. https://www.studiointernational.com/images/articles/d/054-donatello-2023/Donatello,-Ascension-with-Christ-giving-the-keys-to-St-Peter.jpg Donatello, Ascension with Christ giving the keys to St Peter. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/d/054-donatello-2023/Donatello,-Attis-Amorino.jpg Donatello, Attis-Amorino, Museo Nazionale del Bargello, Florence, courtesy of the Ministry of Culture. Photo: Bruno Bruchi. https://www.studiointernational.com/images/articles/d/054-donatello-2023/Donatello,-San-Rossore,-2.jpg Donatello, San Rossore, by permission of the Ministry of Culture - Regional Directorate of Museums of Tuscany, Florence. https://www.studiointernational.com/images/articles/d/054-donatello-2023/Donatello-and-Michelozzo,-Two-Adoring-Angels.jpg Michelozzo, An Adoring Angel, © Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/wu-tsang-video-interview-of-whales-moby-dick-or-the-whale-thyssen-bornemisza-madrid https://www.studiointernational.com/images/articles/t/062-tsang-wu-2023/Tsang_MobyDick_Still_02.jpg Film Still, MOBY DICK; or, The Whale (2022), Dir. Wu Tsang. Prod. Schauspielhaus Zürich. https://www.studiointernational.com/images/articles/t/062-tsang-wu-2023/of-whales-installation-view-04.jpg Wu Tsang. Installation view, Of Whales, Museo Nacional Thyssen-Bornemisza, Madrid. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/062-tsang-wu-2023/of-whales-installation-view-02.jpg Wu Tsang. Installation view, Of Whales, Museo Nacional Thyssen-Bornemisza, Madrid. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/t/062-tsang-wu-2023/Tsang_MobyDick_Still_01.jpg MOBY DICK; or, The Whale (2022), Dir. Wu Tsang, Prod. Schauspielhaus Zürich. (Design Pics Inc / Alamy Stock Footage). https://www.studiointernational.com/images/articles/t/062-tsang-wu-2023/Tsang_MobyDick_Still_03.jpg Film Still, MOBY DICK; or, The Whale (2022), Dir. Wu Tsang. Prod. Schauspielhaus Zürich. https://www.studiointernational.com/index.php/juan-francisco-elso-por-america-review-el-museo-del-barrio-new-york https://www.studiointernational.com/images/articles/e/068-elso-2023/02-Detail-of-Horse.jpg Juan Francisco Elso. Caballo contra colibri (Horse Against Hummingbird), 1988 (detail). Wood, paper, twigs, jute, wax, volcanic sand, earth, and iron. Collection of El Museo del Barrio, New York. Gift of Berezdivin Collection, San Juan Puerto Rico, 2021. Photo: Marie Pohl https://www.studiointernational.com/images/articles/e/068-elso-2023/05-Juan-Francisco-Elso,El-viajero-The-Traveler-1985.jpg Juan Francisco Elso. El Viajero (The Traveller), 1986. Carved wood, branches, ashes, and wax. Courtesy of Colección y Archivo de Fundación Televisa (Collection and Archive of Fundación Televisa). https://www.studiointernational.com/images/articles/e/068-elso-2023/04-Juan-Francisco-Elso-Install-View.jpg Karlo Andrei Ibarra. Memoria Collectiva II (Collective Memory II), 2017 (detail). Present Globes, chalkboard paint, chalk. Courtesy of the artist https://www.studiointernational.com/images/articles/e/068-elso-2023/06-Juan-Francisco-Elso,-Detail-from-El-viajero-The-Traveler,-1985.jpg Juan Francisco Elso. El Viajero (The Traveller), 1986 (detail). Courtesy of Colección y Archivo de Fundación Televisa (Collection and Archive of Fundación Televisa). https://www.studiointernational.com/images/articles/e/068-elso-2023/07_ElsoTraveler_Detail.jpg Juan Francisco Elso. El Viajero (The Traveller), 1986 (detail). Courtesy of Colección y Archivo de Fundación Televisa (Collection and Archive of Fundación Televisa). Photo: Marie Pohl https://www.studiointernational.com/images/articles/e/068-elso-2023/9-Kapok-Tree-Detail.jpg The Kapok, 1983 (detail). Photo: Marie Pohl. https://www.studiointernational.com/images/articles/e/068-elso-2023/13-Juan-Francisco-Elso,-Por-America.jpg Juan Francisco Elso. Por América (José Martí), 1986. Wood, plaster, earth, pigment, synthetic hair, and glass eyes. Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1998. Photo: Ron Amstutz. https://www.studiointernational.com/images/articles/e/068-elso-2023/14_Marti-Detail.jpg Juan Francisco Elso. Por América (José Martí), 1986 (detail). Wood, plaster, earth, pigment, synthetic hair, and glass eyes. Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1998. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/e/068-elso-2023/19b_Reynier.jpg Reynier Leyva Novo. Lo que es, eslo que ha sido, 2021. Video installation and bust of José Marti after coats of gesso. Courtesy of Reynier Leyva Novo and El Apartamento Gallery, Havana. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/e/068-elso-2023/16-Juan-Francisco-Elso-Installation-view.jpg Juan Francisco Elso. Corazón de America (Heart of America), 1987-88. Twigs, wax, volcanic sand, iron and fabric. Courtesy of Museo Universitario Arte Contemporáneo, DiGAV-UNAM; La mano Creadora (The Hand of the Creator), 1988. Photographic reproduction of sculpture of amate paper, twigs, mirror, wax, volcanic sand, and fabric. Courtesy of Museo Nacional de Bellas Artes, Havana, Cuba. https://www.studiointernational.com/images/articles/e/068-elso-2023/17_Face-of-God.jpg Juan Francisco Elso. El Rostro de Dios (The Face of God), 1987-88. Amate paper, branches, jute, volcanic sand, glass eyes, and iron. Courtesy of Charpenel Collection, Guadalajara, on deposit at the Museo Universitario Arte Contemporáneo, UNAM, Mexico; Background: Corazón de América (Heart of America), 1986. Silkscreen on paper, with illustration board and four-color cloth strings. Courtesy of a Private Collection, Miami, Florida. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/e/068-elso-2023/18_ELSO-and-Colo.jpg Left: Juan Francisco Elso, El verbo, 1987.Wood, twigs, jute, and fabric. Courtesy of Mr. Reynold C. & Dr. Marlene L. Kerr, Miami; Right: Papo Colo, Artefacto para guardar secretos, 1977. Steel, brass, and aluminum. Courtesy of El Museo del Barrio, New York. Acquired with funds from El Museo Purchase Fund and a grant from the National Endowment for the Arts, 1993. https://www.studiointernational.com/images/articles/e/068-elso-2023/20_Jimmy-Durham.jpg Jimmie Durham. Untitled, 1989. Acrylic and ink on paper. Courtesy of kurimanzutto, Mexico City / New York. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/e/068-elso-2023/01-Juan-Francisco-Elso-with-Caballo-contra-colibri.jpg Juan Francisco Elso with his artwork Caballo contra colibrí (Horse Against Hummingbird), c1987-88. Fondo Magali Lara / Elso Padilla, Centro de Documentación Arkheia MUAC (UNAM-DiGAV). Photo: Cristina Lobeira. https://www.studiointernational.com/images/articles/e/068-elso-2023/10-Juan-Francisco-Elso,-Tierra.jpg Juan Francisco Elso. First column (top to bottom): Untitled, 1982, mixed media on paper, courtesy of Enfori and Ana Garcia; Untitled from the series Tierra, maíz, vida (Earth, Corn, Life), 1982, graphite on cardboard, courtesy of Arvelio Garcia, Ponte Vedra, Florida. Middle column (left to right): Untitled from the series Tierra, maíz, vida (Earth, Corn, Life), 1982, graphite on paper, courtesy of Justo-Alvarez Collection, Scarsdale; Tierra, maíz, vida 1 (Earth, Corn, Life 1) 1982, mixed media on paper, courtesy of The Ella Fontanals-Cisneros Collection, Miami. Untitled, 1982, graphite on cardboard, courtesy of The Ella Fontanals-Cisneros Collection, Miami. Untitled, 1982, mixed media on cardboard, courtesy of The Ella Fontanals-Cisneros Collection, Miami. Right column (top to bottom): Granero Infinito V, 1982, pencil on paper, courtesy of The Ella Fontanals-Cisneros Collection, Miami; Granero Infinito VII, 1982, pencil on paper, courtesy of The Ella Fontanals-Cisneros Collection, Miami https://www.studiointernational.com/images/articles/e/068-elso-2023/11-Juan-Francisco-Elso-Untitled.jpg Juan Francisco Elso. Untitled from the series Tierra, maíz, vida (Earth, Corn, Life), 1982. Graphite on paper. Courtesy of Justo-Alvarez Collection, Scarsdale. https://www.studiointernational.com/images/articles/e/068-elso-2023/12-Detail-of-Earth,Corn,Life1.jpg Juan Francisco Elso. Tierra, maíz, vida 1 (Earth, Corn, Life 1), 1982 (detail). Mixed media on paper. Courtesy of The Ella Fontanals-Cisneros Collection, Miami. Photo: Marie Pohl. https://www.studiointernational.com/index.php/marcelle-hanselaar-interview-bearing-witness-violence-and-trauma-on-paper-fitzwilliam-museum-cambridge https://www.studiointernational.com/images/articles/h/020-hanselaar-marcelle-2023/05-Marcelle-Hanselaar,-Stuck,-2015.jpg Marcelle Hanselaar, Stuck, 2015. Etching and aquatint. No.19 from the set The Crying Game. © Marcelle Hanselaar. https://www.studiointernational.com/images/articles/h/020-hanselaar-marcelle-2023/01-Marcelle-Hanselaar,-Warring-Couple,-2015.jpg Marcelle Hanselaar, Warring Couple, 2015. Sugar-lift aquatint. No.20 from the set The Crying Game. © Marcelle Hanselaar. https://www.studiointernational.com/images/articles/h/020-hanselaar-marcelle-2023/02-Marcelle-Hanselaar,-Our-last-resort,-2015.jpg Marcelle Hanselaar, Our last resort, 2015. Etching and aquatint. No.9 from the set The Crying Game. © Marcelle Hanselaar. https://www.studiointernational.com/images/articles/h/020-hanselaar-marcelle-2023/03-Marcelle-Hanselaar,-He-had-nothing-more-to-say,-2015.jpg Marcelle Hanselaar, He had nothing more to say, 2015. Etching and aquatint. No.3 from the set The Crying Game. © Marcelle Hanselaar. https://www.studiointernational.com/images/articles/h/020-hanselaar-marcelle-2023/07-Edouard-Manet,-Guerre-civile.jpg Edouard Manet, Guerre civile (Civil War), 1871–73. Lithograph on chine collé on paper, published 1874. Given by Jeremy Rutenberg through Cambridge in America, 2022. © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/h/020-hanselaar-marcelle-2023/08-Jacques-Callot,-The-Hangmans-Tree.jpg Jacques Callot, The Hangman’s Tree from the set Les Miseres et les Mal-Heurs de la Guerre (Miseries and Misfortunes of the War), 1633, etching. Bequeathed by Charles Brinsley Marlay, 1912. © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/index.php/alice-neel-hot-off-the-griddle-barbican-art-gallery-london https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/02-Joe-Gould,-1933.jpg Alice Neel, Joe Gould, 1933. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/15-Jackie-Curtis-as-a-Boy,-1972.jpg Alice Neel. Jackie Curtis as a Boy, 1972. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/08-Harold-Cruse,-1950.jpg Alice Neel, Harold Cruse, c1950. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/07-Black-Spanish-American-Family,-1950.jpg Alice Neel, Black Spanish-American Family, 1950. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/12-Pregnant-Julie-and-Algis,-1967.jpg Alice Neel, Pregnant Julie and Algis, 1967. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/22-Self-Portrait,-1980.jpg Alice Neel, Self-Portrait, 1980. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/13-Andy-Warhol,-1970.jpg Alice Neel, Andy Warhol, 1970. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/23-Annie-Sprinkle,-1982.jpg Alice Neel, Annie Sprinkle, 1982. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/18-Benny-and-Mary-Ellen-Andrews,-1972.jpg Alice Neel, Benny and Mary Ellen Andrews, 1972. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/05-The-Spanish-Family,-1943.jpg Alice Neel, The Spanish Family, 1943. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/19-Carmen-and-Judy,-1972.jpg Alice Neel, Carmen and Judy, 1972. © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/images/articles/n/062-neel-alice-2023/21-Geoffrey-Hendricks-and-Brian,-1978.jpg Alice Neel, Geoffrey Hendricks and Brian, 1978 © The Estate of Alice Neel. Courtesy The Estate of Alice Neel. https://www.studiointernational.com/index.php/ilse-garnier-a-e-i-o-u-concrete-experience-reviews-badischer-kunstverein-karlsruhe-germany https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1333-2.jpg Ilse Garnier: a e i o u. Installation view, Badischer Kunsterverein. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1334-2.jpg Ilse Garnier: a e i o u. Installation view, Badischer Kunsterverein. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1330-2.jpg Ilse Garnier: a e i o u. Installation view, Badischer Kunsterverein. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1298.jpg Ilse Garnier: a e i o u. Display of Garnier’s visual poems on gallery walls. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1296.jpg Ilse Garnier: a e i o u. Garnier’s design for a game of hopscotch. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1232.jpg Ilse Garnier: a e i o u. Installation view of Les Marelles du Ciel, 1987. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1271.jpg Concrete Experience, installation view of Chima Sunada’s Heart, 2018, See, 2020, and Love, 2021. Ink on Japanese paper. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1288-3.jpg Concrete Experience, installation view of Annalisa Alloatti’s Cecità, 1975. Braille typewriter on paper. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/Dream-Robots-1030x792.jpg Liliane Lijn, Dream Robots, 1971. From Neurographs series (1970-1971). Letrafilm and Letraset on paper. Photo: Ronald Lewis. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1269.jpg Concrete Experience, installation view, cover of Betty Danon’s Punto-Linea, 1976. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1277.jpg Concrete Experience. Co-curator Alex Balgiu beside Ana Hatherly’s Alfabeto estrutural (structural alphabet), 1967. Drawing on paper. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1275.jpg Concrete Experience. Mirella Bentivoglio’s E CONGUNZIONE (and conjunction), 1973. Installation view. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/g/036-Garnier-Ilse-2023/IMG_1370.jpg Poster for Concrete Experience at Badischer Kunstverein showing excerpt from Liliane Lijn’s Power Game, 1974; **Photo: Neil Gulliver. Courtesy the Artist and Rodeo Gallery, London / Piraeus. Installation view. Photo: Bronac Ferran. https://www.studiointernational.com/index.php/dhaka-art-summit-2023-review-shilpakala-academy-bangladesh https://www.studiointernational.com/images/articles/d/053-dhaka-art-summit-2023/Installation-view-of-Dhaka-Art-Summit-2023.jpg Installation view of the Dhaka Art Summit 2023. Photo: Shadman Sakib. Copyright DAS 2023. https://www.studiointernational.com/images/articles/d/053-dhaka-art-summit-2023/Matt-Copson,-Coming-of-Age,-2020,-Photo-Farhad-Rahman.-Copyright-Dhaka-Art-Summit-2023.jpg Matt Copson, Coming of Age, 2020. Photo: Farhad Rahman. Copyright Dhaka Art Summit 2023. https://www.studiointernational.com/images/articles/d/053-dhaka-art-summit-2023/Lokesh-Khodke,-Selected-pages-from-Comic-The-Speaking-Mountain,-Co-commissioned-by-Dhaka-Art-Summit-and-Kiran-Nadar-Museum-of-Art-and-Asia-Art-Archive,-Copyright-Dhaka-Art-Summit.jpg Lokesh Khodke. Selected pages from The Speaking Mountain, co-commissioned by Dhaka Art Summit and Kiran Nadar Museum of Art and Asia Art Archive. Copyright Dhaka Art Summit. https://www.studiointernational.com/images/articles/d/053-dhaka-art-summit-2023/Rizvi-Hassan,-Installation-view,-Dhaka-Art-Summit-2023.-Copyright-Dhaka-Art-Summit-2023..jpg Rizvi Hassan, exhibition view, To Enter the Sky, curated by Sean Anderson. Photo: Shadman Sakib. Copyright Dhaka Art Summit 2023. https://www.studiointernational.com/images/articles/d/053-dhaka-art-summit-2023/Samdani-Art-Award-winner,-Md-Fazla-Rabbi-Fatiq,-Photo-Farhad-Rahman.-Copyright-Dhaka-Art-Summit-2023.jpg Samdani Art Award winner, Md Fazla Rabbi Fatiq, Photo: Farhad Rahman. Copyright Dhaka Art Summit 2023. https://www.studiointernational.com/images/articles/d/053-dhaka-art-summit-2023/Ashfika-Rahman,-(Behula-These-Days),-2022-2023.-Community-led-photography-and-textile-installation.-Courtesy-Samdani-Art-Foundation-Photo-by-Farhad-Rahman.jpg Ashfika Rahman, বেহুলা আজকাল (Behula These Days) (2022–23). Community-led photography and textile installation. Commissioned by Samdani Art Foundation. https://www.studiointernational.com/images/articles/d/053-dhaka-art-summit-2023/Ashfika-Rahman.jpg Ashfika Rahman, বেহুলা আজকাল (Behula These Days) (2022–23). Community-led photography and textile installation. Commissioned by Samdani Art Foundation. https://www.studiointernational.com/images/articles/d/053-dhaka-art-summit-2023/MD-Fazla-Rabbi.jpg Md Fazla Rabbi Fatiq. Photo: Farhad Rahman; courtesy Dhaka Art Summit 2023. https://www.studiointernational.com/index.php/shanti-panchal-video-interview-endurance-art-on-the-underground-london-mural https://www.studiointernational.com/images/articles/p/030-panchal-shanti-2023/Shanti-Panchal,-Endurance-2022.jpg Shanti Panchal, Endurance, 2022. Brixton Underground station, London. Commissioned by Art on the Underground. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/p/030-panchal-shanti-2023/Shanti-Panchal,-Endurance-2022-original-watercolour.jpg Shanti Panchal, Endurance, 2022. Watercolour on paper. Image courtesy the Artist. https://www.studiointernational.com/images/articles/p/030-panchal-shanti-2023/2017-grenfell-pyre-and-the-rescued-family.jpg Shanti Panchal. Grenfell Pyre and the Rescued Family, 2017. Watercolour on paper, 102 x 82 cm. Image courtesy the Artist. https://www.studiointernational.com/images/articles/p/030-panchal-shanti-2023/1984-Wagh-in-Purple-Shawl.jpg Shanti Panchal, Wagh in Purple Shawl, 1984. Watercolour on paper, 97 x 78 cm. Image courtesy the Artist. https://www.studiointernational.com/images/articles/p/030-panchal-shanti-2023/2018-Brexit.jpg Shanti Panchal. Brexit, 2018. Watercolour on paper, 100 × 80 cm. Image courtesy the Artist. https://www.studiointernational.com/images/articles/p/030-panchal-shanti-2023/2010-The-Roots-or-Route-to-Helmand.jpg Shanti Panchal. The Root or Route to Helmand, 2010. Watercolour on paper, 103 x 83 cm. Image courtesy the Artist. https://www.studiointernational.com/images/articles/p/030-panchal-shanti-2023/shadwell-mural-2023.jpg Shanti Panchal and Dushka Ahmad, Across the Barrier, 1985, Shadwell, London. Photo: (2023) Martin Kennedy. https://www.studiointernational.com/index.php/sonia-boyce-feeling-her-way-review-turner-contemporary-margate https://www.studiointernational.com/images/articles/b/&098-boyce-sonia-2023/Artist-Sonia-Boyce-Obe-Ra-At-The-British-Pavilion,-2022.jpg Sonia Boyce at the British Pavilion, Venice, 2022. Photo: Cristiano Corte © British Council. https://www.studiointernational.com/images/articles/b/&098-boyce-sonia-2023/Feeling-Her-Way-featuring-four-performers---Errollyn-Wallen,-Tanita-Tikaram,-Poppy-Ajudha,-Jacqui-Dankworth-2022.jpg Sonia Boyce, Feeling Her Way, featuring four performers; Errollyn Wallen, Tanita Tikaram, Poppy Ajudha and Jacqui Dankworth, 2022. Photo: Cristiano Corte © British Council https://www.studiointernational.com/images/articles/b/&098-boyce-sonia-2023/Feeling-Her-Way-Featuring-Performer-Tanita-Tikaram,-2022.jpg Sonia Boyce, Feeling Her Way, featuring performer Tanita Tikaram, 2022. Photo: Cristiano Corte © British Council. https://www.studiointernational.com/images/articles/b/&098-boyce-sonia-2023/Feeling-Her-Way-At-The-British-Pavilion-Featuring-The-Devotional-Collection-2022.jpg Sonia Boyce, Feeling Her Way, featuring the Devotional Collection, at the British Pavilion, Venice, 2022. Photo: Cristiano Corte © British Council. https://www.studiointernational.com/images/articles/b/&098-boyce-sonia-2023/2023-01-10-Feeling-Her-Way-Featuring-Performers-Jacqui-Dankworth-And-Sofia-Jernberg-2022.jpg Feeling Her Way featuring performers Jacqui Dankworth and Sofia Jernberg, 2022. Photo: Cristiano Corte © British Council. https://www.studiointernational.com/images/articles/b/&098-boyce-sonia-2023/Feeling-Her-Way-featuring-performers-Jacqui-Dankworth-and-Sofia-Jernberg.jpg Feeling Her Way featuring performers Jacqui Dankworth and Sofia Jernberg, 2022. Photo: Cristiano Corte © British Council. https://www.studiointernational.com/index.php/david-blandy-atomic-light-review-john-hansard-gallery-southampton https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/The+Edge+of+Forever_David+Blandy_Girl1_16_9.jpg David Blandy, The Edge of Forever, 2022, film still. © the Artist. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/The-Edge-of-Forever_David-Blandy_Observatory1_16_9.jpg David Blandy, The Edge of Forever, 2022, film still. © the Artist. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Soil,+Sinew+and+Bone_David+Blandy_2022_Image_12_16_9.jpg David Blandy, Soil, Sinew and Bone, 2022, film still. © the Artist. Images courtesy of Screen Archive South East. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Sunspot_David+Blandy_2023(sunspot-figure).jpg David Blandy, Sunspot, 2023, film still. © the Artist. With permission from The Huntington Library, California, USA. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Empire+of+the+Swamp_David+Blandy+2023-(filteronfigure)_3-1-19.jpg David Blandy, Empire of the Swamp, 2023, film still. © the Artist. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Empire+of+the+Swamp_David+Blandy+2023-(Betweenvines)_3-1-4.jpg David Blandy, Empire of the Swamp, 2023, film still. © the Artist. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/David_Blandy_Atomic_Light_41.jpg David Blandy: Atomic Light, installation view, John Hansard Gallery, Southampton. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Empire+of+the+Swamp_David+Blandy+2023-(junglefarshot)_3-1-2.jpg David Blandy, Empire of the Swamp, 2023, film still. © the Artist. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Soil,+Sinew+and+Bone_David+Blandy_2022_16_9.jpg David Blandy, Soil, Sinew and Bone, 2022, film still. © the Artist. Images courtesy of Screen Archive South East. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Soil,+Sinew+and+Bone_David+Blandy_2022_Image_11_16_9.jpg David Blandy, Soil, Sinew and Bone, 2022, film still. © the Artist. Images courtesy of Screen Archive South East. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Soil,+Sinew+and+Bone_David+Blandy_2022_Image_8_16_9.jpg David Blandy, Soil, Sinew and Bone, 2022, film still. © the Artist. Images courtesy of Screen Archive South East. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Sunspot_David+Blandy_2023(Tokyo-observatory).jpg David Blandy, Sunspot, 2023, film still. © the Artist. Courtesy of National Astronomical Observatory of Japan Mitaka, Tokyo, Japan https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Sunspot_David+Blandy_2023(fire).jpg David Blandy, Sunspot, 2023, film still. © the Artist. (HPWREN Camera footage, Mt. Wilson Observatory site, Los Angeles, USA) https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Sunspot_David_Blandy+2023(Mt-Wilson-Solar-closeup).jpg David Blandy, Sunspot, 2023, film still. © the Artist. With permission from The Huntington Library, California, USA https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/Sunspot_David_Blandy+2023(Plane).jpg David Blandy, Sunspot, 2023, film still. © the Artist. Courtesy of National Astronomical Observatory of Japan Mitaka, Tokyo, Japan. https://www.studiointernational.com/images/articles/b/&099-blandy-david-2023/The+Edge+of+Forever_David+Blandy_boygirlmask1_16_9.jpg David Blandy, The Edge of Forever, 2022, film still. © the Artist. https://www.studiointernational.com/index.php/mike-nelson-extinction-beckons-review-hayward-gallery-london https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson,-The-Asset-Strippers-(solstice),-2019-6.jpg Mike Nelson, Triple Bluff Canyon (the woodshed), 2004. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson,-I,-IMPOSTER-(the-darkroom),-2011.jpg Mike Nelson, I, Imposter (the darkroom), 2011. Various materials. Installation view. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson,-The-Deliverance-and-The-Patience,-exterior,-2001-10.jpg Mike Nelson, The Deliverance and The Patience, exterior, 2001. Various materials. Installation view. Photo: Liam Harrison. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson,-The-Deliverance-and-The-Patience,-9.jpg Mike Nelson, The Deliverance and The Patience, interior, 2001. Installation view. Photo: Liam Harrison. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson,-The-Amnesiacs-5.jpg Mike Nelson, The Amnesiacs, 1996-ongoing. Installation view. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson,-Triple-Bluff-Canyon-(the-woodshed),-2004.-Various-materials.-M25,-2023.-Found-tyres.-Photo_-Matt-Greenwood.-Courtesy-the-artist-and-the-Hayward-Gallery-8.jpg Installation view of Mike Nelson, Triple Bluff Canyon (the woodshed), 2004. Various materials. M25, 2023. Found tyres. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson,-2014-4.jpg Installation view of Mike Nelson, Studio Apparatus for Kunsthalle Münster, 2014. Various materials. Triple Bluff Canyon (the projection room), 2004. Various materials. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson,-The-Asset-Strippers,-2019-7.jpg Installation view of Mike Nelson, The Asset Strippers, 2019. Various materials. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson-2.jpg Installation view of Mike Nelson, Studio Apparatus for Kunsthalle Münster, 2014. Various materials. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/n/061-nelson-mike-2023/Installation-view-of-Mike-Nelson.-Various-materials.jpg Installation view of Mike Nelson, Studio Apparatus for Kunsthalle Münster, 2014. Various materials. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/index.php/marc-camille-chaimowicz-nuit-americaine-review-wiels-brussels https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0808.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0863.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0914.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0873.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0949.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0792.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0824.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0830.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0870.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0902.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0921-1.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0934.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/images/articles/c/&100-chaimowicz-marc-camille-2023/20230216_WIELS0955.jpg Marc Camille Chaimowicz: Nuit américaine, installation view, Wiels, Brussels, 2023. Photo: We Document Art. https://www.studiointernational.com/index.php/leanne-mcdonagh-interview-in-from-the-margins-cork-printmakers-ireland https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Pavee-Presence.jpg Leanne McDonagh. Pavee Presence, 2020. Photograph, 23.4 x 33.1 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Kith-and-Kin.jpg Leanne McDonagh. Kith & Kin, 2020. Photograph, 25 x 35 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Lead-Rope.jpg Leanne McDonagh. Lead Rope 2014. Photograph, 23.4 x 33.1 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Like-Minded-Lacks.jpg Leanne McDonagh. Like-minded Lacks, 2020. Photograph, 25 x 35 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Nature-and-Nurture.jpg Leanne McDonagh. Nature & Nurture, 2020. Photograph, 25 x 35 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/work-in-progress-a.jpg Leanne McDonagh. Work in progress (a), 2022. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/work-in-progress-b.jpg Leanne McDonagh. Work in progress (b), 2022. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Horse-and-Harness.jpg Leanne McDonagh. Horse & Harness, 2014. Photograph, 23.4 x 33.1 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Pride-and-Joy-(a)-(triptych).jpg Leanne McDonagh. Pride & Joy, 2014. Triptych (a), mixed media, 5 x 7 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Leanne-McDonagh_own-image-2.jpg Leanne McDonagh. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Pride-and-Joy-(b)(triptych).jpg Leanne McDonagh. Pride & Joy, 2014. Triptych (b), mixed media, 5 x 7 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Pride-and-Joy-(c)-(triptcyh).jpg Leanne McDonagh. Pride & Joy, 2014. Triptych (c), mixed media, 5 x 7 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Stallions.jpg Leanne McDonagh. Stallions, 2014. Photograph, 23.4 x 33.1 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Stalls.jpg Leanne McDonagh. Stalls, 2021. Photograph, 23.4 x 33.1 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Traveller-Trader-(a)-(diptych).jpg Leanne McDonagh. Traveller Trader, 2014. Diptych (a), mixed media, 5 x 7 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Traveller-Trader-(b)-(diptych).jpg Leanne McDonagh. Traveller Trader, 2014. Diptych (b), mixed media, 5 x 7 in. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/work-in-progress-c.jpg Leanne McDonagh. Work in progress (c), 2022. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/work-in-progress-d.jpg Leanne McDonagh. Work in progress (c), 2022. © the artist. https://www.studiointernational.com/images/articles/m/005-mcdonagh-leanne-2023/Leanne-McDonagh_photo-Gillian-Hyland.jpg Leanne McDonagh. Photo: Gillian Hyland. https://www.studiointernational.com/index.php/peju-alatise-interview-my-relationship-with-nigeria-is-like-a-battered-wife https://www.studiointernational.com/images/articles/a/017-alatise-peju-2023/Nation-interrupted-(installation-of-life-size-sculptures-of-children)-(2).jpg Péju Alatise. Nation Interrupted, 2014. Photo © Péju Alatise. https://www.studiointernational.com/images/articles/a/017-alatise-peju-2023/Peju-Alatise-Flying-Girls-_MG_1877-(1).jpg Péju Alatise. Flying Girls, 2016. Fibreglass, metal, resin and black paint. Photo © Péju Alatise. https://www.studiointernational.com/images/articles/a/017-alatise-peju-2023/Sim-and-The-Glass-Birds-by-Peju-Alatise,-Frieze-Regents-Park-JR.jpg Péju Alatise. Sim and the Glass Birds at Frieze Sculpture, Regent’s Park, London, 2022. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/017-alatise-peju-2023/Sim-and-the-Glass-Birds,-Peju-Alatise,-Frieze-Regents-Park-JR.jpg Péju Alatise. Sim and the Glass Birds at Frieze Sculpture, Regent’s Park, London, 2022. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/017-alatise-peju-2023/Peju-Alatise-Flying-Girls-(detail).jpg Péju Alatise. Flying Girls, 2016 (detail). Fibreglass, metal, resin and black paint. Photo © Péju Alatise. https://www.studiointernational.com/images/articles/a/017-alatise-peju-2023/orange-scarf-goes-to-heaven,-details-4.jpg Péju Alatise. Orange Scarf goes to Heaven, 2012 (triptych). Nigerian cloth fixed and draped in a resin and mounted on canvas and acrylic. Photo © Péju Alatise. https://www.studiointernational.com/images/articles/a/017-alatise-peju-2023/Peju-Alatise,-In-the-beginning,-Eve-should-have-stayed-in-bed-that-day,-2019.jpg Péju Alatise. In the Beginning: Eve Should Have Stayed in Bed that Day, 2019. Wood, metal and granite stone cast plates mounted on 10mm Plexiglas, 201 x 150 x 18 cm (79 1/8 x 59 1/8 x 7 1/8 in). Photo © Péju Alatise. https://www.studiointernational.com/images/articles/a/017-alatise-peju-2023/Nation-interrupted-(installation-of-life-size-sculptures-of-children)-(4).jpg Péju Alatise. Nation Interrupted, 2014 (detail). Photo © Péju Alatise. https://www.studiointernational.com/index.php/ravelle-pillay-idyll-review-chisenhale-gallery-london https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/49.jpg Ravelle Pillay, The instruction (A gathering of friends), 2022. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/44.jpg Ravelle Pillay, Idyll, 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/50.jpg Ravelle Pillay, Victory (flesh that weeps), 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/20.jpg Ravelle Pillay, Untitled, 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/41.jpg Ravelle Pillay, Idyll, 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/10.jpg Ravelle Pillay, Idyll, 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/01.jpg Ravelle Pillay, Idyll, 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/07.jpg Ravelle Pillay, Idyll, 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/11.jpg Ravelle Pillay, Idyll, 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/18.jpg Ravelle Pillay, Untitled, 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/029-pillay-ravelle-2023/30.jpg Ravelle Pillay, Idyll, 2023. Installation view, Chisenhale Gallery, London, 2023. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate. https://www.studiointernational.com/index.php/nalini-malani-my-reality-is-different-review-national-gallery-london https://www.studiointernational.com/images/articles/m/004-malani-nalini-2023/221002_Nalini-Malani0058-Selects_Retouched.jpg Nalini Malani. My Reality is Different, 2022. © Nalini Malani. Photo: Luke Walker. https://www.studiointernational.com/images/articles/m/004-malani-nalini-2023/221002_Nalini-Malani4005_Selects_Retouched.jpg Nalini Malani. My Reality is Different, 2022. © Nalini Malani. Photo: Luke Walker. https://www.studiointernational.com/images/articles/m/004-malani-nalini-2023/221002_Nalini-Malani4031_Selects_Retouched.jpg Nalini Malani .My Reality is Different, 2022. © Nalini Malani. Photo: Luke Walker. https://www.studiointernational.com/images/articles/m/004-malani-nalini-2023/2_Nalini-Malani,-My-Reality-is-Different,-2022.jpg Nalini Malani. My Reality is Different, 2022. Video projection. © Nalini Malani. https://www.studiointernational.com/images/articles/m/004-malani-nalini-2023/7_Nalini-Malani,-My-Reality-is-Different,-2022.jpg Nalini Malani. My Reality is Different, 2022. Video projection. © Nalini Malani. https://www.studiointernational.com/images/articles/m/004-malani-nalini-2023/221002_Nalini-Malani0892_Selects_Retouched.jpg Nalini Malani, My Reality is Different, 2022. © Nalini Malani. Photo: Luke Walker. https://www.studiointernational.com/images/articles/m/004-malani-nalini-2023/P7293_004-A5-pr-.jpg Nalini Malani in front of Caravaggio’s The Supper at Emmaus at the National Gallery. Photo © The National Gallery, London. https://www.studiointernational.com/index.php/adelaide-cioni-interview-ab-ovo-on-patterns-mimosa-house-london https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/Install-view,-ph-Lewis-Ronald.jpg Adelaide Cioni: Ab Ovo/On Patterns. Installation view, Mimosa House, London, 2023. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/AdelaideCioni_I-am-a-fish,-ph-Lewis-Ronald.jpg Adelaide Cioni, I am a fish. Installation view, Mimosa House, London, 2023. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/AdelaideCioni,-Costume-for-a-Circle,-ph-Lewis-Ronald.jpg Adelaide Cioni, Costume for a Circle. Installation view, Mimosa House, London, 2023. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/Installation-view,-Song-for-the-sea-and-Song-for-Sol,-triangle,-ph,-Lewis-Ronald.jpg Adelaide Cioni. Song for the sea and Song for Sol, triangle. Installation view, Mimosa House, London, 2023. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/Installation-view,-Songs,-ph,-Lewis-Ronald.jpg Adelaide Cioni. Songs. Installation view, Mimosa House, London, 2023. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/AdelaideCioni,-Rhythm-in-space,-ph-Lewis-Ronald.jpg Adelaide Cioni, Rhythm in Space. Installation view, Mimosa House, London, 2023. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/TimSmyth_AdelaideCioni-856.jpg Song for a Square, a Circle, and a Triangle. Performance, Mimosa House, London, 2023. Photo: Tim Smyth. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/TimSmyth_AdelaideCioni-761.jpg Song for a Square, a Circle, and a Triangle. Performance, Mimosa House, London, 2023. Photo: Tim Smyth. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/230307_TimSmyth_AdelaideCioni-523.jpg Song for a Square, a Circle, and a Triangle. Performance, Mimosa House, London, 2023. Photo: Tim Smyth. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/TimSmyth_AdelaideCioni-795.jpg Song for a Square, a Circle, and a Triangle. Performance, Mimosa House, London, 2023. Photo: Tim Smyth. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/AdelaideCioni,-Costume-for-a-triangle,-ph-Lewis-Ronald.jpg Adelaide Cioni, Costume for a Triangle. Installation view, Mimosa House, London, 2023. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/c/&098-cioni-adelaide-2023/Window-at-Mimosa-House,-ph-Lewis-Ronald.jpg Adelaide Cioni: Ab Ovo/On Patterns. Window at Mimosa House, London, 2023. Photo: Lewis Ronald. https://www.studiointernational.com/index.php/david-hockney-bigger-and-closer-not-smaller-and-further-away-review-lightroom-london https://www.studiointernational.com/images/articles/h/019-hockney-2023/11-David-Hockney-Bigger-and-Closer-Photo-by-Justin-Sutcliffe.jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Photo: Justin Sutcliffe. https://www.studiointernational.com/images/articles/h/019-hockney-2023/12-David-Hockney-Bigger-and-Closer-Photo-by-Justin-Sutcliffe.jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Lightroom, King’s Cross, London. Photo: Justin Sutcliffe. https://www.studiointernational.com/images/articles/h/019-hockney-2023/13-David-Hockney-Bigger-and-Closer-Photo-by-Justin-Sutcliffe.jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Lightroom, King’s Cross, London. Photo: Justin Sutcliffe. https://www.studiointernational.com/images/articles/h/019-hockney-2023/David-Hockney-Lightroom-JR-20230224-(1)-.jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Lightroom, King’s Cross, London. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/h/019-hockney-2023/JR-David-Hockney-Lightroom-(16).jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Tristan & Isolde. Lightroom, King’s Cross, London. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/h/019-hockney-2023/David-Hockney-Lightroom-Turandot-JR.jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Turandot. Lightroom, King’s Cross, London. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/h/019-hockney-2023/David-Hockney-Lightroom-JR-20230224-(10)-.jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Lightroom, King’s Cross, London. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/h/019-hockney-2023/05-Lightroom-David-Hockney-Bigger-and-Closer.jpg David Hockney, Gregory Swimming Los Angeles March 31st 1982, installation view. Composite polaroid, 27 3/4 x 51 1/4 in. © David Hockney. https://www.studiointernational.com/images/articles/h/019-hockney-2023/01-Lightroom-David-Hockney-Bigger-and-Closer.jpg David Hockney viewing the model box containing August 2021, Landscape with Shadows. Twelve iPad paintings comprising a single work © David Hockney. Photo: Mark Grimmer. https://www.studiointernational.com/images/articles/h/019-hockney-2023/09-David-Hockney,-photo-by-Justin-Sutcliffe.jpg David Hockey at Lightroom. Photo: Justin Sutcliffe. https://www.studiointernational.com/images/articles/h/019-hockney-2023/David-Hockney-Lightroom-JR-20230224-(4)-.jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Lightroom, King’s Cross, London. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/h/019-hockney-2023/David-Hockney-Lightroom-JR-20230224-(5)-.jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Lightroom, King’s Cross, London. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/h/019-hockney-2023/David-Hockney-Lightroom-JR-20230224-(7)-.jpg David Hockney, Bigger & Closer (Not Smaller & Further Away). Lightroom, King’s Cross, London. Photo: Juliet Rix. https://www.studiointernational.com/index.php/bridget-riley-drawings-from-the-artists-studio-review-hammer-museum-los-angeles https://www.studiointernational.com/images/articles/r/046-riley-bridget-2023/R2518_October_24_revision_B_1986_Photo_FXP.jpg Bridget Riley. October 24 revision B, 1986. Gouache on paper, 26 3/4 x 25 3/8 in. Collection of the artist, © Bridget Riley. https://www.studiointernational.com/images/articles/r/046-riley-bridget-2023/Hammer-2023-02-07_020.jpg Bridget Riley Drawings: From the Artist’s Studio, installation view, Hammer Museum, Los Angeles, 4 February – 28 May 2023. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/r/046-riley-bridget-2023/Hammer-2023-02-07_031.jpg Bridget Riley Drawings: From the Artist’s Studio, installation view, Hammer Museum, Los Angeles, 4 February – 28 May 2023. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/r/046-riley-bridget-2023/Hammer-2023-02-07_003.jpg Bridget Riley Drawings: From the Artist’s Studio, installation view, Hammer Museum, Los Angeles, 4 February – 28 May 2023. Photo: Jeff McLane. https://www.studiointernational.com/images/articles/r/046-riley-bridget-2023/FR0178_Photo_PC.jpg Bridget Riley, Study for Movement in Squares, 1961. Gouache on card. 6 1⁄2 × 6 3⁄4 in (16.5 × 17.2 cm). Collection of the artist, © Bridget Riley. https://www.studiointernational.com/index.php/1905-fritz-bleyl-and-the-beginning-of-the-brucke-review-berlin https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/KSR-BNume-im-Winter.jpg Karl Schmidt-Rottluff, Trees in Winter, 1905. Woodcut. Brücke-Museum. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/FB-AugustusbrAcke-in-Dresden.jpg Fritz Bleyl, Augustus Bridge in Dresden with Frauenkirche, 1905. Charcoal and chalk. Brücke-Museum. © Bleyl, Berlin/Solingen. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/FB-Der-Pelikan.jpg Fritz Bleyl, The Pelican, 1904. Coloured woodcut. Brücke-Museum. © Bleyl, Berlin/Solingen. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/FB-Bauernhaus-am-Hang.jpg Fritz Bleyl, Farmhouse on a slope, 1907. Watercolour. Brücke-Museum. © Bleyl, Berlin/Solingen. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/ELK-MNdchenakt-auf-Sofa,-1905.jpg Ernst Ludwig Kirchner, Nude Girl on a Sofa – The Model 3, from the woodcut series Das Modell, 1905. Woodcut, Brücke-Museum. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/02-EH-Mann-in-jungen-Jahren-oR.jpg Erich Heckel, Young Man, 1906. Oil on canvas, Brücke-Museum. Copyright: VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/FB-Frau-auf-dem-Wiesensteig,-1907.jpg Fritz Bleyl, Woman on the meadow path, 1907. Ink and brush, Brücke-Museum. © Bleyl, Berlin/Solingen. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/FB-Weiblicher-RAckenakt-rechte-Hand.jpg Fritz Bleyl, Female nude from the back, her right hand on her hip, 1905/06. Pen. Brücke-Museum. © Bleyl, Berlin/Solingen. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/03-ELK-Dodo-sitzend,-mit-gestreiftem-Kleid,-1906.jpg Ernst Ludwig Kirchner, Dodo, Sitting, in a Striped Dress, 1906. Woodcut, Brücke-Museum. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/01-EH-BlAhende-Zweige-oR.jpg Erich Heckel, Blossoming Branches, 1905. Oil on canvas, Brücke-Museum. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/04-ELK-Idiot-V,-1904.jpg Ernst Ludwig Kirchner, Idiot V, 1904. Woodcut, Brücke-Museum. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/ELK-KAnstlergruppe-BrAcke-Signet.jpg Ernst Ludwig Kirchner, Artist’s Group Brücke Signet, 1905. Woodcut, Brücke-Museum. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/ELK-Ruhendes-Maedchen-m-Kopfschmerzen.jpg Ernst Ludwig Kirchner, Resting Girl with a Headache, 1906. Coloured woodcut. Brücke-Museum. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/ELK-Selbsbildnis-mit-Hut,-1905.jpg Ernst Ludwig Kirchner, Self-Portrait with Hat, From the 2. Stammbuch oft he artists‘ group Brücke. 14 sheets, sheet 1, 1905. Ink, brush, chalk and watercolour. Brücke-Museum https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/ELK_GrAndungsdokument-1905.jpg Ernst Ludwig Kirchner, 7 June 1905 (Founding Document of the Artist’s Group Brücke), 1905. Ink. Brücke-Museum. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/KSR-SteilkAste-oR.jpg Karl Schmidt-Rottluff, By the Sea (Steep Coast), 1906. Oil on cardboard. Brücke-Museum. https://www.studiointernational.com/images/articles/b/&097-bleyl-fritz-2023/MP-Kornpuppen-vor-HNusern,-1907.jpg Max Pechstein, Grain Shocks In Front Of Houses, 1907. Ink and pen. Brücke-Museum. © VG Bild-Kunst, Bonn . https://www.studiointernational.com/index.php/duke-riley-interview-plastic-waste-death-to-the-living-long-live-trash-brooklyn-museum https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/03_DIG_E_2022_Duke_Riley_15_PS20.jpg Political Pottery (selected items listed): Pitcher, c1805, unknown artist. Glazed earthenware, 23.8 × 22.4 × 10.2 cm. Brooklyn Museum; Bequest of Caroline Low and Charles T. Pierce. Photo: Brooklyn Museum; Right Pitcher, c1800, porcelain, enamel, gilding. Brooklyn Museum; H. Randolph Lever Fund; Plate, Netherlands, c1690, glazed earthenware, 34 cm, Brooklyn Museum, Museum Collection Fund; Napoleon Jug, 1895, porcelain, belleek ware. 24.8 x 11.4 cm, Brooklyn Museum, Bequest of Dr Marion Reilly; Various scrimshaw objects by Duke Riley: Painted salvage plastic, ink and wax. From Poly S. Tyrene Memorial Maritime Museum, 2019-22. Courtesy of the artist. Installation view at Brooklyn museum: Photo: Danny Perez. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/04_DIG_E_2022_Duke_Riley_24_PS20.jpg 1: Duke Riley. No.355 of the Poly S.Tyrene Memorial Maritime Museum, 2022. Painted salvage plastic, ink and wax. Courtesy of Duke Riley. 2: Unknown Maker, Scrimshaw Whale’s Tooth, circa 1830, Brooklyn Museum, Brooklyn Museum Collection. 3: Unknown Maker, Scrimshaw Whale https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/05_scrimshaw.jpg Duke Riley, set of three scrimshaw, No. 57-P, 37, and 81-P of Poly S.Tyrene Memorial Maritime Museum 2019-22. Painted salvage plastic, ink, wax. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/06a-New-Scrimshaw.jpg Duke Riley. Snorkeling Fin, No. 31 of the Poly S. Tyrene Memorial Maritime Museum, 2021. Painted, salvaged plastic, ink and wax. Courtesy of artist. Unknown maker, England. Bottle, circa 1750. Glass, sea animal encrustations. Brooklyn Museum, Gift of Wunsch Foundation, Inc. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/01_Monument-to-Five-Thousand-Years-of-Temptation-and-Deception-(I).jpg Monument to Five Thousand Years of Temptation and Deception (I), 2020. Salvaged, painted plastic and mahogany. Courtesy of the artist and Praise Shadows Art Gallery, MA. © Duke Riley. Photo: Will Howcroft for Praise Shadows Art Gallery. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/06b-Mother-Ocean-NEW.jpg Duke Riley. Mother Ocean, 2020. Salvaged, painted plastic. Courtesy of the artist. © Duke Riley. Photo: Duke Riley Studio. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/07_desk_Duke_Riley_37_PS20.jpg Duke Riley, Installation view of writing desk inside historical home, in DEATH TO THE LIVING, Long Live Trash, Brooklyn Museum, 2022-23. Photo: Danny Perez. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/08_DIG_E_2022_Duke_Riley_04_PS20.jpg DEATH TO THE LIVING, Long Live Trash, installation view. Brooklyn Museum, 2022-23. Left: Sailor’s Valentine: Duke Riley, Order Here Prescription History, 2019, found plastic mosaic on panel, 168.9 × 168.9 × 10.2 cm, courtesy of the artist; Right: Sailor’s Valentine: Duke Riley, I am Delicious, Come on Get Your Money’s Worth, 2020, found plastic mosaic on panel, 170 × 170 cm, courtesy of the artist. Photo: Danny Perez. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/09_DIG_E_2022_Duke_Riley_09_PS20-(1).jpg Duke Riley. I’m Delicious, Come on Get Your Money’s Worth, 2020 (detail). Found plastic trash includes dental picks, tampon applicators, syringes. Photo: Danny Perez. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/10_DIG_E_2022_Duke_Riley_30_PS20.jpg Décor à la Duke: doilies and Boozalier, a chandelier made from plastic liquor bottles. Photo: Danny Perez. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/11_DIG_E_2022_Duke_Riley_31_PS20.jpg Installation: A historic home, now with everlasting plastic. Mosaic: Just Plain Forever, 2019, Shell mosaic on panel in mahogany, framed: 125.73 × 125.73 cm. Courtesy of Laura Lee Brown and Steve Wilson, 21c Museum Hotels. Photo: Danny Perez. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/12_Fehrenbacher-House_4744.jpg Albert Fehrenbacher. Model of Nicholas Schenk House, 1970. Modified by Duke Riley, 2021-22. Brooklyn Museum, prop1-29.1283. Photo: Marie Pohl. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/13_Erika.jpg Erika, 2021. VCT. 162.6 x 254 x 10.2 cm. Courtesy of the artist. Photo: Marie Pohl https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/15_Riley_ToDetermineWhetherOrNotThingsWereGettingBetterorWorse.jpg Duke Riley, To Determine Whether or Not Things Were Getting Better or Worse, 2010. Ceramic, glass and vinyl composite tile on two wood panels, 83.8 x 289.5 cm. An Invitation to Lubberland, MOCA Cleveland, 2010. Courtesy of Duke Riley Studio. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/16_Duke-Coast-Guard-Hi-Res-NYTimes.jpg After the Battle of Brooklyn, 2007. Photo documentation of intervention. Photo courtesy of Duke Riley Studio. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/17_vlcsnap-2013-10-01-12h31m36s207.jpg Stills from video I (Havana). Number 1 of three-channel-video documentation of cigar smuggling for Trading With The Enemy, August – November 2013. Photo: courtesy of Duke Riley Studio. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/18_HR_Riley_JamesOKeefe.jpg Duke Riley, The Smugglers (James Okeefe). Reclaimed roofing tile and gouache, 35.56 x 22.86 cm. Artwork shown at See You at the Finish Line. Presented by Magnan Metz Gallery, 1 November – 25 January 2014. Photo courtesy of Duke Riley Studio. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/19_FliyByNight_94.jpg Duke Riley, Fly By Night. Presented by Creative Time, 7 May – 19 June 2016. https://www.studiointernational.com/images/articles/r/047-riley-duke-2023/20_BryanDerballa.jpg Duke Riley, Those About to Die Salute You. Queens, August 2009. Photo: Bryan Derballa. https://www.studiointernational.com/index.php/liz-magor-the-rise-and-the-fall-review-focal-point-gallery-southend-on-sea https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-13.jpg Liz Magor. Coiffed, Leather Palm, Oilmen’s Bonspiel. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-68.jpg Liz Magor. Pet Co, 2018. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-9.jpg Liz Magor. Oilmen’s Bonspiel. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-73.jpg Liz Magor. Pet Co, 2018. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-4.jpg Liz Magor. Perennial, 2021. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-50.jpg Liz Magor. Pet Co, 2018. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-95.jpg Liz Magor. The Boots, 2017. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/liz-magor-750.jpg Liz Magor. Coiffed, 2020. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-101.jpg Liz Magor. Delivery (Sienna), 2018. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-17.jpg Liz Magor. Small Hand, 2019. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-39.jpg Liz Magor. Oilmen’s Bonspiel. Photo: Anna Lukala. https://www.studiointernational.com/images/articles/m/003-magor-liz-2023/20230307FPGLM_ALUKALA-43.jpg Liz Magor. Pet Co, 2018. Photo: Anna Lukala. https://www.studiointernational.com/index.php/william-klein-yes-book-review-david-campany-thames-and-hudson https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/106-107,-Big-Face,-Big-Buttons,-St-Patricks-Day,-1955.jpg William Klein. Big face, big buttons, St Patrick’s Day, Fifth Avenue, New York, 1955. © William Klein. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/260,-Dorothy-McGowan,-White-Light-Stripes-for-Vogue,-1962.jpg William Klein. Dorothy McGowan + White Light Stripes, for Vogue, 1962. © William Klein. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/238-239-Right-to-Housings-association-members,-Paris-2000.jpg William Klein. Right to Housing’s association members, Paris, 2000. © William Klein. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/115,-Gun-1,-103rd-Street,-New-York,-1954.jpg William Klein. Gun 1, 103rd Street, New York, 1954. © William Klein. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/314-315-Op-art-dressing-room-and-models,-1966.jpg William Klein. Op-art dressing room and models, ‘Who Are You, Polly Maggoo?’, 1966. © William Klein. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/76-77-Moving-Diamonds-C-1952.jpg William Klein. Moving Diamonds c1952. © William Klein. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/william-klein-yes-cover.jpg William Klein: Yes, by William Klein and David Campany, published by Thames and Hudson. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/60-61-4-men-in-a-cafe.jpg William Klein. 4 men in a café, c1948. © William Klein. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/198-199-Yoshimara-practices-trombone.jpg William Klein. Yoshimura practices trombone in Shinohara’s grandmother’s house, Tokyo, 1961. © William Klein. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/213,-Cineposter,-Tokyo,-1961.jpg William Klein. Cineposter, Tokyo, 1961. © William Klein. https://www.studiointernational.com/images/articles/y/092-yes-william-klein-2023/326-327-Jeanne-Kleins-Pop-Art-costumes,-Mister-Freedom,-1968.jpg Jeanne Klein’s Pop Art costumes, ‘Mister Freedom‘, 1968. Photo by Jürgen Vollmer with colour correction by William Klein. © Jürgen Vollmer. https://www.studiointernational.com/index.php/anthony-caro-the-inspiration-of-architecture-review-pitzhanger-manor-london https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-06-18-002.jpg Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-AC-028.jpg Anthony Caro. Magnolia Passage, 2005-06. Installation view, The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-AC-004.jpg Anthony Caro. Child’s Tower Room, 1983-84. Installation view, The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-AC-010.jpg Anthony Caro. The Eye Knows, 2013. Installation view, The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-AC-058.jpg Anthony Caro: The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-AC-021.jpg Anthony Caro. Forum, 1992-94. Installation view, The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/anthony-caro-750.jpg Anthony Caro. Forum, 1992-94. Installation view, The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-AC-007.jpg Anthony Caro. Child’s Tower Room, 1983-84. Installation view, The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-AC-009.jpg Anthony Caro. Child’s Tower Room, 1983-84 (detail). Installation view, The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-AC-038.jpg Anthony Caro: The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/c/&097-caro-anthony-2023/PHM-AC-042.jpg Anthony Caro: The Inspiration of Architecture, Pitzhanger Manor & Gallery, London. Photo: Andy Stagg. https://www.studiointernational.com/index.php/deep-horizons-review-mima-middlesbrough-institute-of-modern-art-roberts https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/Pair-III-cropped-600.jpg John Stezaker. Pair III, 2007. Collage, 20.5 x 25 cm. © The Artist. Photo: FXP photography. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/Paula_Rego_Scarecrow_and_the_Pig_image1_extended.jpg Paula Rego. Scarecrow and the Pig, 2005. Pastel on board, 180 x 120 cm. © Ostrich Arts Ltd. Courtesy Ostrich Arts Ltd and Victoria Miro. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/Chiara-Camoni-(1).jpg Chiara Camoni. SISTER 4, 2017. Clay, steel wire, candles, fire. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/DEEP-HORIZONS-6_800extension.jpg Deep Horizons at MIMA in partnership with the Roberts Institute of Art. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/Julian-Stair,-Monumental-Vase-V-(1).jpg Julian Stair. Monumental Jar V, 2018. Ceramic. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/DEEP-HORIZONS-2_800extension.jpg Deep Horizons at MIMA in partnership with the Roberts Institute of Art. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/0063_800extension.jpg Deep Horizons at MIMA in partnership with the Roberts Institute of Art. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/DEEP-HORIZONS-5_800extension.jpg Deep Horizons at MIMA in partnership with the Roberts Institute of Art. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/DEEP-HORIZONS-people-4_800extension.jpg Deep Horizons at MIMA in partnership with the Roberts Institute of Art. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/PAILTHORPE,-GW-(2).jpg Grace Pailthorpe. Salempics, 1936/37. Oil on canvas. https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/Theaster-Gates_From-Every-Mountainside-2013.jpg Theaster Gates. From Every Mountainside, 2013. Decommissioned fire hose, 144 x 232 cm. © The Artist. Photo © White Cube (Ben Westoby). https://www.studiointernational.com/images/articles/d/052-deep-horizons-2023/the-Roberts-Institute-of-Art_Lonnie-Holley-Working-in-the-House-HR.jpg Lonnie Holley. Working in the House, 2020. Wooden frame, metal wire and cotton gloves, 74 x 120.8 x 3 cm. © Lonnie Holley. Photo: Will Almot. https://www.studiointernational.com/index.php/if-these-apples-should-fall-cezanne-and-the-present-book-review-tj-clark-thames-hudson https://www.studiointernational.com/images/articles/c/&099-cezanne-book-review-2023/199-House-near-Gardanne.jpg Paul Cézanne. House near Gardanne, c1886-90. Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/c/&099-cezanne-book-review-2023/201-House-with-Cracked-Walls.jpg Paul Cézanne. The House with Cracked Walls, c1892-95. Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/c/&099-cezanne-book-review-2023/86-Ginger-Jar.jpg Paul Cézanne. Ginger Jar, c1895. Barnes Foundation, Philadeplhia. Centre Pompidou, Paris. Photo Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais/Philippe Mageat © Succession H. Matisse/DACS 2022. https://www.studiointernational.com/images/articles/c/&099-cezanne-book-review-2023/79-Plaster-Cupid.jpg Paul Cézanne. Plaster Cupid, c1894-95. Nationalmuseum, Stockholm. Rodchenko Stepanova Archive, Moscow. © Rodchenko & Stepanova Archive. https://www.studiointernational.com/images/articles/c/&099-cezanne-book-review-2023/119-The-Bay-of-LEstaque.jpg Paul Cézanne. The Bay of L’Estaque, c1880-82. Philadelphia Museum of Art. https://www.studiointernational.com/images/articles/c/&099-cezanne-book-review-2023/138-The-Card-Players.jpg Paul Cézanne. The Card Players, c1890-92. Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/c/&099-cezanne-book-review-2023/135-Boy-with-a-Skull.jpg Paul Cézanne. Boy with a Skull, c1896-98. Barnes Foundation, Philadelphia. https://www.studiointernational.com/images/articles/c/&099-cezanne-book-review-2023/cezanne-book-cover.jpg Left: If These Apples Should Fall: Cézanne and the Present by TJ Clark. Right: Paul Cézanne. Dish of Apples, c1876-77. Metropolitan Museum of Art, New York. The J. Paul Getty Museum, Los Angeles. https://www.studiointernational.com/images/articles/c/&099-cezanne-book-review-2023/28-Dish-of-Apples.jpg Paul Cézanne. Dish of Apples, c1876-77. Metropolitan Museum of Art, New York. The J. Paul Getty Museum, Los Angeles. https://www.studiointernational.com/index.php/the-accursed-share-review-talbot-rice-gallery-edinburgh https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/View-of-Lubaina-Himid-Naming-the-Money-seen-from-upper-gallery.jpg Lubaina Himid, Naming the Money, installation view, Talbot Rice Gallery, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Detail-of-Lubaina-Himid-Naming-the-Money-installation.jpg Lubaina Himid, Naming the Money, installation view, Talbot Rice Gallery, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Cian-Dayrits-five-part-series-Terra-Rationarium-(2018).jpg Close up of one of Cian Dayrit https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Cian-Dayrit-Valley-of-Dispossession-(2021).jpg Cian Dayrit. Valley of Dispossession, 2021. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Sammy-Baloji-Untitled-2018-2023.jpg Sammy Baloji. Untitled, 2018-2023. Installation view, Talbot Rice Gallery, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Hana-Miletic-Materials-(2022)-installation-shot-V-Simpson.jpg Hana Miletić. Materials, 2022. Installation view, Talbot Rice Gallery, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Hana-Miletic-Materials-(2021)-installation-shot-V-Simpson.jpg Hana Miletić. Materials, 2021. Installation view, Talbot Rice Gallery, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Moyra-Davey-Copperheads-No-401-470.-Jais-J.-Portilius-1990-2017-Pic-V-Simpson.jpg Moyra Davey. Copperheads No. 401-407, Janis J. Portikus, 1990-2017. Installation view, Talbot Rice Gallery, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Still-2-from-Marwa-Arsanios-film-V-Simpson.jpg Marwa Arsanios. Who Is Afraid of Ideology? Part 4: Reverse Shot, 2022. Installation view, Talbot Rice Gallery, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Goldin-Senneby-The-Plot-(Utopia-Bloemen)-2018-Pic-V-Simpson.jpg Goldin+Senneby. The Plot (Utopia Bloemen), 2018. Installation view, Talbot Rice Gallery, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Hanna-von-Goeler--Atlantic-Canary-on-defunct-Spanish-pesetas-pic-V-Simpson.jpg Hanna von Goeler. Atlantic Canary on defunct Spanish pesetas, from Migration series, 2016-2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/014-accursed-share-2023/Hanna-von-Goeler-Grey-Wagtail-Motacilla-Cinerea-(2023).jpg Hanna von Goeler. Grey Wagtail, Motacilla Cinerea, 2023 on defunct Bank of Scotland note. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/julian-stair-art-death-and-the-afterlife-review-sainsbury-centre-university-of-east-anglia https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Reliquary-with-hinged-lid-500-600.jpg Reliquary with hinged lid, 500–600 CE, silver, Byzantine Empire, Byzantium, Sainsbury Centre Collection. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Installation-view-of-Julian-Stair-Art,-Death-and-the-Afterlife-5.jpg Installation view of Julian Stair: Art, Death and the Afterlife, Sainsbury Centre, University of East Anglia, Norwich. Photo: Jan Baldwin. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Installation-view-of-Julian-Stair-Art,-Death-and-the-Afterlife-2.jpg Installation view of Julian Stair: Art, Death and the Afterlife, Sainsbury Centre, University of East Anglia, Norwich. Photo: Jan Baldwin. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Installation-view-of-Julian-Stair-Art,-Death-and-the-Afterlife-3.jpg Installation view of Julian Stair: Art, Death and the Afterlife, Sainsbury Centre, University of East Anglia, Norwich. Photo: Jan Baldwin. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Julian-Stair-making-Cinerary-Jars,-Credit-Jan-Baldwin-3.jpg Julian Stair making Cinerary Jars. Photo: Jan Baldwin. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Installation-view-of-Julian-Stair-Art,-Death-and-the-Afterlife-4.jpg Installation view of Julian Stair: Art, Death and the Afterlife, Sainsbury Centre, University of East Anglia, Norwich. Photo: Jan Baldwin. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Installation-view-of-Julian-Stair-Art,-Death-and-the-Afterlife.jpg Installation view of Julian Stair: Art, Death and the Afterlife, Sainsbury Centre, University of East Anglia, Norwich. Photo: Jan Baldwin. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Male-twin-memorial-figure-(ere-ibeji),-1850-1899,-Abeokuta,-Africa,-Nigeria.jpg Male twin-memorial figure (ere ibeji), 1850-99, Abeokuta, Africa, Nigeria, Sainsbury Centre Collection. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Memorial-figure.jpg Memorial figure, 19th-20th century, wood, Celebes, Pacific, Sulawesi, Sainsbury Centre Collection. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Pot-with-Face-on-the-Rim-1000-BC-0400BC,-Ceramic,-earthenware,-Jomon-period-(c1000-400-BC).jpg Pot with Face on the Rim, c1000 – 400 BC, ceramic, earthenware, Jomon period (Final), Japan, East Asia, Sainsbury Centre Collection. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Cycladic-winged-bud-form-on-black-squared-base,-Hans-Coper-1974-75-Stoneware.jpg Cycladic winged 'bud' form on black squared base, Hans Coper, 1974–75, stoneware. © Estate of the Artist. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Julian-Stair-with-Monumental-Figural-Jars-in-progress,-(2).jpg Julian Stair with Monumental Figural Jars in progress, 2022. Photo: Matthew Warner. https://www.studiointernational.com/images/articles/s/001-stair-julian-2023/Julian-Stair-with-Monumental-Figural-Jars-in-progress-(5).jpg Julian Stair with Monumental Figural Jars in progress, 2022. Photo: Matthew Warner. https://www.studiointernational.com/index.php/bohemia-history-of-an-idea-1950-2000-review-kunsthalle-praha-prague https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/02-Richard-Hamilton,-Fashion-plate.jpg Richard Hamilton, Fashion-plate, 1969–70. © Daniel Buchholz & Christopher Müller, Cologne. © Richard Hamilton. https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/08-Gabriel-Orozco,-Juego-de-limones-2001.jpg Gabriel Orozco, Game of Limes, 2001. Courtesy of the artist. © Gabriel Orozco. https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/03-Jules-Kirschenbaum,-Young-Woman-at-a-Window.jpg Jules Kirschenbaum, Young Woman at a Window, 1953–54. © Hirschl & Adler Galleries, New York. Photo: Eric W. Baumgartner. https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/05-Roy-Arden,-Red-Wine-1.jpg Roy Arden, Red Wine 1, Vancouver, 1981–85. Fragments series. © Roy Arden. https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/10.jpg Installation view of Bohemia: History of an Idea 1950-2000, Kunsthalle Praha. Black Box featuring Nan Goldin, The Ballad of Sexual Dependency, 1979/2001, edition 7 of 10. Multimedia installation (720 colour slides and programmed soundtrack). The Art Institute of Chicago (through prior bequest of Marguerita S. Ritman; purchased with funds provided by Dorie Sternberg, the Photography Associates, Mary L. and Leigh B. Block Endowment, Robert and Joan Feitler, Anstiss and Ronald Krueck, Karen and Jim Frank, Martin and Danielle Zimmerman). https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/04-Peter-Hujar,-David-Lighting-Up,-Manhattan-Night-(I).jpg Peter Hujar, David Lighting Up, Manhattan Night, 1985. © 2022 The Peter Hujar Archive, LLC. The Artists Rights Society (ARS). https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/06.jpg Libuše Jarcovjáková, Untitled, 1980s. T-Club series, © Libuše Jarcovjáková. https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/07-Zhang-Huan,-12-Square-Meters.jpg Zhang Huan, 12 Square Meters, 1994. © Zhang Huan, Pace Gallery. https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/09.jpg Installation view of Bohemia: History of an Idea 1950-2000, Kunsthalle Praha. Auditorium featuring Stan Douglas, Hors-champs, 1992. Two-channel black-and-white video installation, stereo sound. Courtesy of the artist, Victoria Miro and David Zwirner. https://www.studiointernational.com/images/articles/b/&096-bohemia-2023/01-Alice-Neel,-Sam,-1958.jpg Alice Neel, Sam, 1958. © The Estate of Alice Neel. https://www.studiointernational.com/index.php/mike-parr-interview-drawing-performance-art-joseph-beuys https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/05-1977-Primary-Vomit-Blue-Mike-Parr.jpg Mike Parr. The Emertics (Primary Vomit) I am Sick of Art (Red, Yellow, Blue), Blue. Performed at Watters Gallery, Darlinghurst, Sydney, 1977. Photo: John Delacour. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/03-1973-Tackline-Mike-Parr.jpg Mike Parr. Push tacks into your leg until a line of tacks is made up your leg (Wound by Measurement). Performed at Galerie Impact, Lausanne, Switzerland, 1973. 16mm film still. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/02-1972-Drip-blood-from-your-finger-into-the-lense-of-a-camera-MIke-Parr.jpg Mike Parr. Drip blood from your finger onto the lens of a camera, until the lens is filled with blood. Performed at Woolloomooloo, Sydney 1972. 16mm film still. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/folder-03-3c.jpg Mike Parr. One of 26 Untitled Self Portraits plus Portraits of F & C, 1981-96. Photo: Fenn Hinchcliffe. Pencil on typing paper. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/04-1977-Arm-Chop-MIke-Parr.jpg Mike Parr. Cathartic Action: Social Gestus no 5 (The Armchop). Performed at Sculpture Centre, The Rocks, Sydney, 1977. Photo: John Delacour. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/folder-05-5b.jpg Mike Parr. Radio Daze (Minus 17 – Minus 53), 1998. 36 bronzes randomly distributed over 240 drawing boards (boards drawn both side)]. Board size: 51(h) x 76 cm (w) cm. Boards date 1981-98. Mixed media. Photo: QAGOMA. Collection of QAGOMA. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/folder-07-7g.jpg Mike Parr. The Side I Least Like, 1998-2017. One of 168 drawings (drawn both sides). Mixed media. Board size: 51(h) x 76(w) cm. Photo: Mike Parr. Collection: Art Gallery of NSW. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/folder-07-7h.jpg Mike Parr. The Side I Least Like, 1998-2017. One of 168 drawings (drawn both sides). Mixed media. Board size: 51(h) x 76(w) cm. Photo: Mike Parr. Collection: Art Gallery of NSW. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/folder-02-2.jpg Mike Parr. Self Portrait as a Stone, 1983. Drawing installation, Galerie Yo, Tokyo, Japan. Photo courtesy Galerie Yo. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/01(a)-1972-Hold-your-finger-in-a-candle-flame-for-as-long-as-possible-Mike-Parr.jpg Mike Parr. Hold your finger in a candle flame for as long as possible, performed Inhibodress Gallery, Woolloomooloo, Sydney 1972. 16mm film still. https://www.studiointernational.com/images/articles/p/028-parr-mike-2023/01(b)-1972-Hold-your-finger-in-a-candle-flame-for-as-long-as-possible-Mike-Parr.jpg Mike Parr. Hold your finger in a candle flame for as long as possible, performed Inhibodress Gallery, Woolloomooloo, Sydney 1972. 16mm film still. https://www.studiointernational.com/index.php/tiffanie-delune-interview-theres-gold-on-the-palms-of-my-hands-gallery-1957-accra https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-Installation-View,-05.jpg Tiffanie Delune: There https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-Everywhere-is-Foreign,-Everywhere-is-Home,-2023.jpg Tiffanie Delune, Everywhere is Foreign, Everywhere is Home, 2023. Mixed media on cotton canvas, 180 x 150 cm. Courtesy of the artist and Gallery 1957. https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-Healing-Is-A-Dance-With-The-Stars,-2023.jpg Tiffanie Delune, Healing Is A Dance With The Stars, 2023. Mixed media on cotton canvas, 150 cm. Courtesy of the artist and Gallery 1957. https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-No-Longer-Afraid-Of-The-Dark,-2023.jpg Tiffanie Delune, No Longer Afraid Of The Dark, 2023. Mixed media on cotton canvas, 180 x 150 cm. Courtesy of the artist and Gallery 1957. https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-The-Fall-Is-Never-Too-High-To-Blossom,-2023.jpg Tiffanie Delune, The Fall Is Never Too High To Blossom, 2023. Mixed media on cotton canvas, 450 x 200 cm. Courtesy of the artist and Gallery 1957. https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-Rooted-In-Motion,-2023.jpg Tiffanie Delune, Rooted In Motion, 2023. Mixed media on cotton canvas, 180 x 150 cm. Courtesy of the artist and Gallery 1957. https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-Installation-View,-03.jpg Tiffanie Delune: There https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-Installation-View,-02.jpg Tiffanie Delune: There https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-Installation-View,-01.jpg Tiffanie Delune: There's Gold on the Palms of My Hands, installation view, 2023. Courtesy of the artist and Gallery 1957. https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-Installation-View,-04.jpg Tiffanie Delune: There's Gold on the Palms of My Hands, installation view, 2023. Courtesy of the artist and Gallery 1957. https://www.studiointernational.com/images/articles/d/051-delune-tiffanie-2023/Tiffanie-Delune,-Installation-View,-06.jpg Tiffanie Delune: There's Gold on the Palms of My Hands, installation view, 2023. Courtesy of the artist and Gallery 1957. https://www.studiointernational.com/index.php/flemish-expressionism-wonderful-memories-review-kuntsmuseum-den-haag https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/03.jpg Emile Claus, The Days of Sunshine on the Hoefje, undated. Oil on canvas, 60 x 73 cm. Kunstmuseum Den Haag. https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/01.jpg Gustave De Smet, The Big Shooting Booth, 1923. Oil on canvas, 134 x 155 cm. Groeningemuseum, Bruges. https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/10.jpg Edgard Tytgat, The Eight Ladies, 1940. Oil on canvas, 89 x 116 cm. Kunstmuseum Den Haag. https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/07.jpg Edgard Tytgat, Memory of a Sunday, 1926. Oil on canvas, 89 x 116.5 cm. Museum Dhont-Dhaenens, Deurle. https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/04.jpg Gustave De Smet, Woman with Rose Plant, 1912. Oil on canvas, 107 x 130 cm. The Phoebus Foundation, Antwerp. https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/06.jpg Gustave De Smet, The Good House, 1926. Oil on canvas, 120 x 135 cm. Museum voor Schone Kunsten, Ghent. https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/02.jpg Frits van den Berghe, The Lovers in the Village, 1925. Oil on canvas, 96.5 x 120 cm. Groeningemuseum, Bruges. https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/05.jpg Gustave De Smet, The Pleasure Boat, 1925. Oil on canvas, 71.5 x 79 cm. The Phoebus Foundation, Antwerp. https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/08.jpg Hubert Malfait, The Cyclist, 1927. Oil on canvas, 120 x 82 cm. The Phoebus Foundation, Antwerp. https://www.studiointernational.com/images/articles/f/050-flemish-expressionism-2023/09.jpg Gustave De Smet, The Lodge 1928. Oil on canvas, 153 x 121 cm. Kunstmuseum Den Haag. https://www.studiointernational.com/index.php/souls-grown-deep-like-the-rivers-black-artists-from-american-south-review-royal-academy-arts-london https://www.studiointernational.com/images/articles/s/&100-souls-grown-deep-2023/key-43.jpg Lonnie Holley, Keeping a Record of It (Harmful Music), 1986. Salvaged phonograph top, phonograph record, animal skull, 34.9 x 40 cm. Souls Grown Deep Foundation, Atlanta. © 2023 Lonnie Holley / Artists Rights Society (ARS), New York / DACS, London. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/s/&100-souls-grown-deep-2023/key-36-(2).jpg Ralph Griffin, Eagle, 1988. Found wood, nails, paint, 88.9 x 110.5 x 55.9 cm. Souls Grown Deep Foundation, Atlanta. © ARS, NY and DACS, London 2022 Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/s/&100-souls-grown-deep-2023/key-20-(1).jpg Thornton Dial, Stars of Everything, 2004. Mixed media, 248.9 x 257.8 x 52.1 cm. Souls Grown Deep Foundation, Atlanta. © 2022 Estate of Thornton Dial / Artists Rights Society (ARS), New York / DACS, London 2022. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/s/&100-souls-grown-deep-2023/key-52.jpg Ronald Lockett, Sarah Lockett https://www.studiointernational.com/images/articles/s/&100-souls-grown-deep-2023/key-61-front.jpg Martha Jane Pettway, "Housetop"— nine-block "Half- Log Cabin" variation, c1945. Corduroy, 182.9 x 182.9 cm. Souls Grown Deep Foundation, Atlanta. © Estate of Martha Jane Pettway / ARS, NY and DACS, London 2022. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/s/&100-souls-grown-deep-2023/key-56.jpg Joe Minter, And He Hung His Head and Died, 1999. Welded found metal, 243.8 x 194.3 x 87.6 cm. Souls Grown Deep Foundation, Atlanta. © ARS, NY and DACS, London 2022. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/s/&100-souls-grown-deep-2023/key-83.jpg Mose Tolliver, Mary, 1986. Housepaint on wood, 50.8 x 45.7 cm. Souls Grown Deep Foundation, Atlanta. © Estate of Mose Tolliver / DACS 2022. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/images/articles/s/&100-souls-grown-deep-2023/key-49.jpg Joe Light, Blue River Mountain, 1988. Enamel on wood, 81.3 x 121.9 cm. Souls Grown Deep Foundation, Atlanta. © ARS, NY and DACS, London 2022. Photo: Stephen Pitkin/Pitkin Studio https://www.studiointernational.com/images/articles/s/&100-souls-grown-deep-2023/key-46.jpg Marlene Bennett Jones, Triangles, 2021. Denim, corduroy, and cotton, 205.7 x 157.5 cm. Souls Grown Deep Foundation, Atlanta. © 2023 Marlene Bennett Jones / Artists Rights Society (ARS), New York / DACS, London. Photo: Stephen Pitkin/Pitkin Studio. https://www.studiointernational.com/index.php/garden-futures-designing-with-nature-review-vitra-design-museum-weil-am-rhein https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/Gallery-01_VDM_Garden-Futures_installation-view.jpg Garden Futures: Designing with Nature. © Vitra Design Museum Photo: Ludger Paffrath. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/02-The-Colonialism-vitrine-features-this-Wardian-case-Nathaniel-Bagshaw-Ward.jpg Wardian case devised for transportation of live plants to and from the colonies by Nathaniel Bagshaw Ward. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/08_VDM_Garden-Futures_Ebenezer-Howard_Garden-City-Concept.jpg Ebenezer Howard, Diagram of the garden city concept, published in his book To-Morrow: A Peaceful Path to Real Reform, 1898. © Town and Country Planning Association. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/04-A-vitrine-on-Guerlilla-gardening.jpg Guerrilla gardening display, including US pioneer Liz Christy (pictured top right). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/Weed-killers-and-pest-control-vitrine.jpg Weed killers and pest control vitrine with vintage examples. V Simpson. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/06_VDM_Garden-Futures_installation-view.jpg Garden Futures: Designing with Nature, Gallery 3, film showing iconic gardens through the seasons. In the foreground Jurgen Bey’s Tree-trunk bench, 1998. © Vitra Design Museum, Photo: Ludger Paffrath. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/02_VDM_Garden-Futures_Prospect-Cottage-Garden_Derek-Jarman.jpg Derek Jarman, Prospect Cottage Garden at Dungeness, Kent, UK, from 1986. Photo: Howard Sooley, 1993. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/Exhibit-on-the-making-of-Kuala-Lumpurs-Kebun-Kebun-Bangsar.jpg Exhibit on the making of Kuala Lumpur https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/01_VDM_Garden-Futures_Parliament-of-Plants_Celine-Baumann.jpg Céline Baumann, Parliament of Plants, 2020. © Studio Céline Baumann. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/30_VDM_Garden-Futures_Bosco-Verticale_Stefano-Boeri.jpg Stefano Boeri, Bosco Verticale, Milan, 2014. © Stefano Boeri Architetti. Photo: The Blink Fish, 2018. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/03-Gallery-2-vitrine-on-Colonial-plant-hunting.jpg Gallery 2: vitrine on Colonial plant hunting and the impact this had on both local and global ecologies. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/02_VDM_Garden-Futures_installation-view.jpg Garden Futures: Designing with Nature. © Vitra Design Museum. Photo: Ludger Paffrath. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/10_VDM_Garden-Futures_installation-view.jpg Garden Futures: Designing with Nature. © Vitra Design Museum. Photo: Ludger Paffrath. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/13_VDM_Garden-Futures_installation-view.jpg Garden Futures: Designing with Nature. © Vitra Design Museum. Photo: Ludger Paffrath. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/19_VDM_Garden-Futures_Liz-Christy_Donald-Loggins.jpg Liz Christy in one of her Lower East Side gardens, New York City, 1975. Photo: Donald Loggins. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/Detail-of-Alexandra-Kehayoglou-Meadow-(2023).jpg Detail of Alexandra Kehayoglou's Meadow, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/Piet-Oudolf-design-and-planting-process-for-his-Vitra-Campus-garden.jpg A display showing Piet Oudolf's design and planting process for his Vitra Campus garden. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/035-garden-futures-2023/12_VDM_Garden-Futures_installation-view.jpg Alexandra Kehayoglou, Meadow, 2023 (detail). © Vitra Design Museum. Photo: Ludger Paffrath. https://www.studiointernational.com/index.php/resolve-collective-thems-the-breaks-review-the-curve-barbican-centre-london https://www.studiointernational.com/images/articles/r/045-resolve-2023/10-RESOLVE-(c)-Adiam-Yemane.jpg Resolve collective: them’s the breaks, installation view, The Curve, Barbican, 2023. Photo © Adiam Yemane. https://www.studiointernational.com/images/articles/r/045-resolve-2023/08-RESOLVE-(c)-Vishnu-Jayarajan.jpg Resolve collective: them’s the breaks, installation view, The Curve, Barbican, 2023. Photo © Vishnu Jayarajan. https://www.studiointernational.com/images/articles/r/045-resolve-2023/11-RESOLVE-(c)-Adiam-Yemane.jpg Resolve collective: them’s the breaks, installation view, The Curve, Barbican, 2023. Photo © Adiam Yemane. https://www.studiointernational.com/images/articles/r/045-resolve-2023/04A-RESOVLE-(c)-Adiam-Yemane.jpg Resolve collective: them’s the breaks, installation view, The Curve, Barbican, 2023. Photo © Adiam Yemane. https://www.studiointernational.com/images/articles/r/045-resolve-2023/13-RESOLVE-(c)-Vishnu-Jayarajan.jpg Resolve collective: them’s the breaks, installation view, The Curve, Barbican, 2023. Photo © Vishnu Jayarajan. https://www.studiointernational.com/images/articles/r/045-resolve-2023/07-RESOLVE-(c)-Vishnu-Jayarajan.jpg Resolve collective: them’s the breaks, installation view, The Curve, Barbican, 2023. Photo © Vishnu Jayarajan. https://www.studiointernational.com/images/articles/r/045-resolve-2023/03-RESOLVE-(c)-Adiam-Yemane.jpg Resolve collective (Melissa Haniff, Akil Scafe-Smith and Seth Scafe-Smith). Photo © Adiam Yemane. https://www.studiointernational.com/images/articles/r/045-resolve-2023/04-RESOVLE-(c)-Adiam-Yemane.jpg Resolve collective: them’s the breaks, installation view, The Curve, Barbican, 2023. Photo © Adiam Yemane. https://www.studiointernational.com/images/articles/r/045-resolve-2023/05-RESOLVE-(c)-Vishnu-Jayarajan-(1).jpg Resolve collective: them’s the breaks, installation view, The Curve, Barbican, 2023. Photo © Vishnu Jayarajan. https://www.studiointernational.com/index.php/berthe-morisot-shaping-impressionism-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/m/002-morisot-berthe-2023/Morisot,-Resting.jpg Berthe Morisot, Resting, 1892. Oil on canvas. Private Collection https://www.studiointernational.com/images/articles/m/002-morisot-berthe-2023/Woman-at-Her-Toilette.jpg Berthe Morisot, Woman at her Toilette, 1875-80. Image courtesy of The Art Institute of Chicago, Stickney Fund. https://www.studiointernational.com/images/articles/m/002-morisot-berthe-2023/Morisot,-At-the-Ball.jpg Berthe Morisot, At the Ball, 1875. © Musée Marmottan Monet, Paris. https://www.studiointernational.com/images/articles/m/002-morisot-berthe-2023/Watteau-Les-Plaisirs-du-Bal.jpg Antoine Watteau, Les Plaisirs du bal, c1715-17. Courtesy Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/m/002-morisot-berthe-2023/Fragonard,-Young-Woman.jpg Jean-Honoré Fragonard, Young Woman, c1769. Courtesy Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/m/002-morisot-berthe-2023/Morisot,-Eugene-Manet-on-the-Isle-of-Wight.jpg Berthe Morisot, Eugène Manet on the Isle of Wight, 1885. © Musée Marmottan Monet, Paris. https://www.studiointernational.com/images/articles/m/002-morisot-berthe-2023/Morisot,-Julie-Manet-and-her-Greyhound-Laerte.jpg Berthe Morisot, Julie Manet with her Greyhound Laerte, 1893. © Musée Marmottan Monet, Paris. https://www.studiointernational.com/images/articles/m/002-morisot-berthe-2023/Morisot,-Self-Portrait.jpg Berthe Morisot, Self-portrait, 1885. © Musée Marmottan Monet, Paris. https://www.studiointernational.com/index.php/general-idea-review-stedelijk-museum-amsterdam-aa-bronson-felix-partz-jorge-jontal-canadian-conceptualists https://www.studiointernational.com/images/articles/g/034-general-idea-2023/03.jpg General Idea, INFE©TED Mondrian #7, 1994. Collection Drs. Chung-Wai Chow anf John R. Wright. INFE©TED Mondrian #3, 1994. Collection James Brenzel and Lisa Dinnick. INFE©TED Mondrian #2, 1994. Collection Stedelijk Museum Amsterdam, acquired with the generous support of the Mondrian Fund and the International Collector Circle and Curator Circle of the Stedelijk Museum Fonds, 2019. © General Idea. Photo: Peter Tijhuis. https://www.studiointernational.com/images/articles/g/034-general-idea-2023/01.jpg General Idea, P is for Poodle, 1983/89. Royal Bank of Canada. © General Idea Photo: General Idea Archives, Berlin, courtesy the artist. https://www.studiointernational.com/images/articles/g/034-general-idea-2023/04.jpg General Idea, The Armoury of The 1984 Miss General Idea Pavillion. Art Gallery of Ontario, gift from the Volunteer Committee Fund, 1990. © General Idea. Photo: Peter Tijhuis. https://www.studiointernational.com/images/articles/g/034-general-idea-2023/05.jpg General Idea, Fruits de Mer, 1992 – 1994. Courtesy the artist. © General Idea. Photo: Peter Tijhuis. https://www.studiointernational.com/images/articles/g/034-general-idea-2023/07.jpg General Idea, Magi© Bullet and Magi© Carpet, 1992. Hartwig Art Foundation. Promised gift to the Rijksdienst voor het Cultureel Erfgoed / Rijkscollectie. © General Idea. Photo: Peter Tijhuis. https://www.studiointernational.com/images/articles/g/034-general-idea-2023/08.jpg General Idea, Fin de Siècle, 1990. Graci Collection. © General Idea. Photo: Peter Tijhuis. https://www.studiointernational.com/images/articles/g/034-general-idea-2023/02.jpg General Idea, AIDS, 1988. Art Gallery of Ontario, gift of Robert and Lynn Simpson, 1997. © General Idea. Photo: Peter Tijhuis. https://www.studiointernational.com/images/articles/g/034-general-idea-2023/06.jpg General Idea, Nazi Milk, 1979/1990. Gaby and Wilhelm Schürmann Collection, Herzogenrath, Germany. © General Idea. Photo: Peter Tijhuis. https://www.studiointernational.com/index.php/treasures-of-ukraine-a-nations-cultural-heritage-book-review-thames-and-hudson https://www.studiointernational.com/images/articles/t/061-treasures-of-ukraine-2023/29a-Trypillian-ceramics.jpg Trypillian ceramics. End of 5th-beginning of 4th millennium BCE. Ceramic. © National Museum of the History of Ukraine, Kyiv. https://www.studiointernational.com/images/articles/t/061-treasures-of-ukraine-2023/73-Borys-and-Hlib.jpg Boris and Hlib, mid-14th century. Tempera on wood, 142.5(h) x 94.3(w) cm. Kyiv Picture Gallery. © Collection of the National Museum https://www.studiointernational.com/images/articles/t/061-treasures-of-ukraine-2023/19-Candle-of-Memory,-National-Museum-of-the-Holodomor-Genocide,-2008,-Kyiv.jpg Candle of Memory, National Museum of the Holodomor-Genocide, 2008, Kyiv. Ezarubina/123RF.com https://www.studiointernational.com/images/articles/t/061-treasures-of-ukraine-2023/149-Mykola-Pymonenko,-Stop-Fooling-Around.jpg Mykola Pymonenko, Stop Fooling Around, 1895. Oil on canvas, 79 x 108 cm. National Art Museum of Ukraine, Kyiv. https://www.studiointernational.com/images/articles/t/061-treasures-of-ukraine-2023/Treasures-of-Ukraine-book-cover.jpg Treasures of Ukraine: A Nation’s Cultural Heritage published by Thames & Hudson. https://www.studiointernational.com/images/articles/t/061-treasures-of-ukraine-2023/38a-Scene-of-the-abduction-of-Persephone-by-Hades,-Crypt-of-Demeter-in-Kerch.jpg Scene of the abduction of Persephone by Hades in the lunette of the Crypt of Demeter in Kerch, Crimea. Fresco, floral style, early in 1st century CE. https://www.studiointernational.com/index.php/stefan-bruggemann-not-black-not-white-silver-review-mostyn-llandudno-wales https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/Installation-shot-2-Gallery-10.jpg Stefan Brüggemann: Not Black, Not White, Silver, installation view, Mostyn, 2023. Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/Detail-of-Headlines-and-Last-Lines-17.jpg Stefan Brüggemann. Headlines and Last Lines in the Movies (Guernica), 2019 (detail). Alupanel, aluminium, spray paint, 349 x 777 cm (137 3/8 x 305 7/8 in). Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/ERODED-PAINTING-(NOW-WHITE)-2022-11.jpg Stefan Brüggemann. Eroded Painting (Now White), 2022. Spray paint and vinyl text on marble, 230 x 150.2 x 4.1 cm (90 1/2 x 59 1/8 x 1 5/8 in). Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/ERODED-PAINTING-(HOT-ICE)-4.jpg Stefan Brüggemann. Eroded Painting (Hot Ice), 2022. Spray paint on marble, 230 x 150.2 x 4.1 cm (90 1/2 x 59 1/8 x 1 5/8 in). Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/ERODED-PAINTING-(AMAZON)-2022-12.jpg Stefan Brüggemann. Eroded Painting (Amazon), 2022. Gold leaf, vinyl text and spray paint on canvas, 160 x 230 x 4 cm (63 x 90 1/2 x 1 5/8 in). Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/Hi-Speed-Contrast-installation-rear-and-Mirror-Boxes-sculpture-24.jpg Stefan Brüggemann. Foreground: Mirror Boxes, 2016. Background: Hi-Speed Contrast, 2018. Poster paper, site-specific installation 10 parts, each 279.1 x 203 cm. Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/I-cant-explain-and-I-wont-even-try-(2003)-33.jpg Stefan Brüggemann. I Can’t Explain and I Won’t Even Try, 2003. Red neon, edition of 3, 253 x 88 cm (99 5/8 x 34 5/8 in). Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/Hyper-Palimpsest-(2019)-31.jpg Stefan Brüggemann. Hyper-Palimpsest, 2019. Acrylic and spray paint on wood, 16 panels, each: 205 x 120 x 5.5 cm (80 3/4 x 47 1/4 x 2 1/8 in). Overall: 410 x 960 x 5.5 cm (161 3/8 x 378 x 2 1/8 in). Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/Gallery-2-1000.jpg Stefan Brüggemann: Not Black, Not White, Silver, installation view, Mostyn, 2023. Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/Crumpled-neon-letters-inside-Mirror-Boxes-(2016)-45.jpg Stefan Brüggemann. Crumpled neon letters inside Mirror Boxes, 2016 (detail). Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/Detail-of-Mirror-Boxes-(2016)-65.jpg Stefan Brüggemann. Trash Mirror Boxes (after MV), 2016 (detail). Set of 42 mirror boxes. Individual box: 35 x 46 x 31 cm; overall: 35 x 276 x 217 cm (13 3/4 x 108 5/8 x 85 3/8 in). Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/Installation-shot-I-cant-explain-and-I-wont-even-try-(2003)-39.jpg Stefan Brüggemann: Not Black, Not White, Silver, installation view, Mostyn, 2023. Photo © Rob Battersby. https://www.studiointernational.com/images/articles/b/&095-bruggemann-stefan-2023/Second-gallery-hi-Speed-contrast-installation-shot-Stefan-Bruggemann-22.jpg Stefan Brüggemann. Installation view, Hi-Speed Contrast, 2018. Poster paper, site-specific installation 10 parts, each 279.1 x 203 cm. Photo © Rob Battersby. https://www.studiointernational.com/index.php/retrotopia-design-for-socialist-spaces-review-kunstgewerbmuseum-berlin https://www.studiointernational.com/images/articles/r/043-retrotopia-2023/VB_2129.jpg Retrotopia. Design for Socialist Spaces, installation view, Slovakia Section, Kunstgewerbemuseum + Kulturforum 2023. © Staatliche Museen zu Berlin / David von Becker. https://www.studiointernational.com/images/articles/r/043-retrotopia-2023/Coffee-set-Sabine-110718p.jpg Pieces from the coffee sets Dorota and Ina, designed by Lubomir Tomaszewksi, Poland 1962, Kunstgewerbemuseum + Kulturforum 2023. Photo: © Sabine Schereck. https://www.studiointernational.com/images/articles/r/043-retrotopia-2023/VB_2171.jpg Retrotopia. Design for Socialist Spaces, installation view, Hungary Section, Kunstgewerbemuseum + Kulturforum 2023. © Staatliche Museen zu Berlin / David von Becker. https://www.studiointernational.com/images/articles/r/043-retrotopia-2023/VB_2070.jpg Retrotopia. Design for Socialist Spaces, installation view, Ukraine Section, Kunstgewerbemuseum + Kulturforum 2023. © Staatliche Museen zu Berlin / David von Becker. https://www.studiointernational.com/images/articles/r/043-retrotopia-2023/12_Stained_Glass_Ukraine.jpg Stained-glass windows at Yuventus Students’ Club Ivan Ilko, handcrafted by Volodymyr Kuznietsov. Uzhhorod, Ukrainian Soviet Socialist Republic, 1984, Photo: Yevgen Nikiforov. https://www.studiointernational.com/images/articles/r/043-retrotopia-2023/07_Slovakia_Presidential_Lounge.jpg Presidential Airport Lounge, Bratislava, Slovakia. Photo: Lívia Pemčáková. https://www.studiointernational.com/index.php/rising-sun-artists-in-an-uncertain-america-review-pennsylvania-academy-of-the-fine-arts-african-american-museum-philadelphia https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/LB-2023_AAMP_Rising_Sun_Installation_Views-W-20.jpg La Vaughn Belle. Between Dusk and Dawn: Navigating an Unsettled America, 2023. 1 channel video, 7 min 29 sec. Courtesy of the artist. Installation view, Rising Sun: Artists in an Uncertain America, African American Museum in Philadelphia. Photo: Constance Mensh for African American Museum in Philadelphia. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/Hoodoo-Assassin-13-(the-Chameleon).jpg Renée Stout. Hoodoo Assassin #13 (the Chameleon), 2021. Acrylic and ballpoint pen on paper, 8 x 8 in. Courtesy of the artist. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/gibson-2023_AAMP_Rising_Sun_Installation_Views-W-68.jpg Mark Thomas Gibson. Their Failure is Our Reward, 2022. Animatronic flower, gypsum cast grave, speakers and wood base. Music performed by Ethan Philbrick and Rashonda Reaves, 43 ¾ x 60 x 45 in. Installation view, Rising Sun: Artists in an Uncertain America, African American Museum in Philadelphia. Photo: Constance Mensh for African American Museum in Philadelphia. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/PAFA_Saar_2023_Rising_Sun_Installation_Views_Day_1-W-51.jpg Alison Saar. Hygiea, 2020. Mixed media installation with sound. Commissioned by PAFA for Rising Sun: Artists in an Uncertain America, courtesy L.A. Louver. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/Petah-Coyne-Installation-1668.jpg Petah Coyne. Untitled #1383 (Sisters—Two Trees), 2013–23. Pennsylvania Academy of the Fine Arts. Photo: Lori Waselchuk. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/Petah-Coyne-Installation-1674.jpg Petah Coyne. Skylight level: Untitled #1551 (Color of Heaven), 2021–23. Pennsylvania Academy of the Fine Arts. Photo: Lori Waselchuk. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/PAFA_White-Hawk_2023_Rising_Sun_Installation_Views_Day_1-W-69.jpg Dyani White Hawk. Relative, 2023. Vinyl on mirror glass panels, 8-channel video, colour, 6-minute loop, sound composition, stereo, 20-minute loop, 9 x 16 ft. Commissioned by PAFA for Rising Sun: Artists in an Uncertain America, courtesy of the artist and Bockley Gallery. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/PAFA_Ore-Giron_2023_Rising_Sun_Installation_Views_Day_1-W-34.jpg Eamon Ore-Giron. Black Medallion XV (Mama-Quilla), 2022-23. Mineral paint and Flashe on linen, 14 1/2 x 25 ft. Commissioned by PAFA for Rising Sun: Artists in an Uncertain America, courtesy of the artist and Fleisher/Ollman, Philadelphia. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/Saya-Woolfalk-Installation-1678.jpg Saya Woolfalk. We Emerge at the Sunset of Your Ideology, 2022. (installation detail view). Multimedia installation, four figures: glass and digital collage vinyl mural, 214 x 145 inches each. 2 single-channel colour videos, infinite loop with sound. Pennsylvania Academy of the Fine Arts. Photo: Lori Waselchuk. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/belle-2023_AAMP_Rising_Sun_Installation_Views-W-22.jpg La Vaughn Belle. Between Dusk and Dawn: Navigating an Unsettled America, 2023. 1 Channel video, 7 min 29 sec. Courtesy of the artist. Installation view, Rising Sun: Artists in an Uncertain America, African American Museum in Philadelphia. Photo: Constance Mensh for African American Museum in Philadelphia. https://www.studiointernational.com/images/articles/r/044-rising-sun-2023/Sout-Hoodoo-Assassin-10.jpg Renée Stout. Hoodoo Assassin #10 (Poisonous Herb Specialist), 2021. Ballpoint pen on paper, 8 x 8 in. Courtesy of the artist. https://www.studiointernational.com/index.php/after-impressionism-inventing-modern-art-review-national-gallery-london https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11518.jpg Pierre-Cécile Puvis de Chavannes, The Sacred Grove (Le Bois sacré), 1884/9. Oil on canvas, 93 x 231 cm. © The Art Institute of Chicago. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/X11497.jpg Paul Gauguin, Vision of the Sermon (Jacob Wrestling with the Angel), 1888. Oil on canvas, 72.20 x 91.00 cm. © National Galleries of Scotland, Edinburgh. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11954.jpg Broncia Koller-Pinell, Die Mutter der Kunstlerin, 1907. Oil on canvas, 91 × 77.5 cm. © Artothek des Bundes, on permanent loan at the Belvedere, Vienna. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11486.jpg Edvard Munch. The Death Bed (Ved dødssengen), 1895. Oil on canvas, 90 x 120.5 cm. KODE Bergen Art Museum. © Dag Fosse/KODE. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/X11611.jpg André Derain, La Danse, 1906. Oil on canvas, 180 × 228 × 3 cm. Private Collection. © ADAGP, Paris and DACS, London 2023 / photo courtesy of the owner. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11511-A5.jpg Edouard Vuillard, Lugné-Poë, 1891. Oil on canvas, 22.2 x 26.7 cm. © Memorial Art Gallery of the University of Rochester. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/NG6359.jpg Paul Cézanne, Bathers (Les Grandes Baigneuses), about 1894-1905. Oil on canvas, 127.2 × 196.1 cm. © National Gallery, London. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/NG6554.jpg Georges Seurat, The Channel of Gravelines, Grand Fort-Philippe, 1890. Oil on canvas, 65 × 81 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11456.jpg Maurice Denis, Homage to Cézanne (Hommage à Cézanne), 1900. Oil on canvas, 182 x 243.5 cm. Musée d'Orsay, Paris. Gift of André Gide, 1928. © Musée d'Orsay, Dist. RMN-Grand Palais / photo Adrien Didierjean. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11462.jpg Ernst Barlach. Blind Beggar (Die Blinde Betterlin), 1906. Glazed stoneware, 30.9 x 28.4 x 27.5 cm. Ernst Barlach Haus – Stiftung Hermann F. Reemtsma, Hamburg. © Ernst Barlach Haus – Stiftung Hermann F. Reemtsma, Hamburg / Photo: Andreas Weiss. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11475.jpg Max Slevogt. Danae, 1895. Oil on canvas, 81.5 x 92.5 cm. © Städtische Galerie im Lenbachhaus und Kunstbau München. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11503.jpg Henri Edmond Cross, By the Mediterranean (Bords méditerranéens), 1895. Oil on canvas, 64.1 x 91.4 cm. The Lenora and Walter F. Brown Collection. © Photo courtesy of the owner. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11504.jpg Pierre Bonnard, Young Woman by Lamplight (Jeune femme à la lampe), about 1898. Oil on canvas, 61.5 x 75 cm. © Kunstmuseum Bern. Legat von Eugen Loeb, Muri bei Bern, 1960. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x11933.jpg Vincent van Gogh, Sunset at Montmajour (‘Coucher de soleil à Montmajour'), July 1888. Oil on canvas, 73.3 x 93.3 cm. Private collection - courtesy of HomeArt. © Photo courtesy of the owner. https://www.studiointernational.com/images/articles/a/013-after-impressionism-2023/x12006.jpg Paul Cezanne, Mont Sainte-Victoire, 1902-6. Oil on canvas, 64.8 × 81.3 cm. © Philadelphia Museum of Art. https://www.studiointernational.com/index.php/visionaries-making-another-perspective-review-kyoto-city-kyocera-museum-of-art-japan https://www.studiointernational.com/images/articles/v/071-visionaries-2023/Hidenori-Tsumori.jpg Hidenori Tsumori. Remnants Of, 2018. Glass, clay; mixed firing, kiln work. https://www.studiointernational.com/images/articles/v/071-visionaries-2023/Takao-Inoue.jpg Takao Inoue. Tower of Broken Tulip, 2023. Tulip, acrylic, aluminium, stainless steel. Photo: Koroda Takeru. https://www.studiointernational.com/images/articles/v/071-visionaries-2023/Takahiro-Yagi.jpg Takahiro Yagi and Rhizomatiks (Motoi Ishibashi, Tomoaki Yanagisawa) and Shinichi Mita. Newtonʼs Lid, 2023. Metal (tin, brass, stainless steel). Photo: Koroda Takeru. https://www.studiointernational.com/images/articles/v/071-visionaries-2023/GO-ON.jpg GO ON. Installation view of Kyoto Rejuvenation Workshop, 2023. Mixed media. Photo: Koroda Takeru. https://www.studiointernational.com/images/articles/v/071-visionaries-2023/Shuji-Nakagawa.jpg Shuji Nakagawa. Installation view of Moon from the series Born Planets, 2022. Cedar wood. Photo: Koroda Takeru. https://www.studiointernational.com/images/articles/v/071-visionaries-2023/TAKT-PROJECT.jpg TAKT PROJECT. Installation view of Black Blank, 2023. Ferrofluid, etc. Photo: Koroda Takeru. https://www.studiointernational.com/index.php/soutine-kossoff-review-hastings-contemporary https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Chaim-Soutine,-Les-Platanes-a-Ceret,-c1920.jpg Chaim Soutine, Les Platanes a Ceret, c1920. Oil on canvas. Collection Diethard Leopold. Image courtesy of Sotheby https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Soutine-The-Little-Pastry-Cook-c1927.jpg Chaim Soutine, The Little Pastry Cook, c1927. Oil on canvas. Private Collection Photo: © Christie https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Chaim-Soutine,-Maternite-(or-Pieta),-1942.jpg Chaim Soutine, Maternité (or Pieta), 1942. Oil on canvas. Property of a European Collector. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Leon-Kossof,-Seated-Woman,-1957.jpg Leon Kossoff, Seated Woman, 1957. Oil on board, 155 x 93 cm. Copyright Leon Kossoff Estate. https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Leon-Kossof,-Childrens-Swimming-Pool,-Autumn-Afternoon-,1971.jpg Leon Kossoff, Children https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/soutine-kossoff-1000.jpg Left: Chaim Soutine, Le valet de chambre, c1927. Oil on canvas. The Lewis Collection. Right: Leon Kossoff, Head of Seedo, 1964. Property of the Roden Family. Copyright Leon Kossoff Estate. https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Soutine-Le-valet-de-chambre,-c1927.jpg Chaim Soutine, Le valet de chambre, c1927. Oil on canvas. The Lewis Collection. https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Leon-Kossoff,-Head-of-Seedo,-1964.jpg Leon Kossoff, Head of Seedo, 1964. Property of the Roden Family. Copyright Leon Kossoff Estate. https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Leon-Kossof,-Demolition-of-the-Old-House,-Dalston-Junction,-Summer-1974.jpg Leon Kossoff, Demolition of the Old House, Dalston Junction, Summer 1974, 1974. Oil paint on board, 160 x 218.4 cm. © Tate. https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Leon-Kossoff,-Between-Willesden-Green-and-Kilburn,-Winter-Evening,-1991.jpg Leon Kossoff, Between Willesden Green and Kilburn, Winter Evening, 1992. Oil on board, 20.5 x 147.5 cm. Private Collection. Leon Kossoff Estate. https://www.studiointernational.com/images/articles/s/&099-soutine-kossoff-2023/Leon-Kossoff,-City-Building-Site,-1961.jpg Leon Kossoff, City Building Site, 1961. Property of a European collector. Copyright Leon Kossoff Estate. https://www.studiointernational.com/index.php/portraits-of-dogs-from-gainsborough-to-hockney-review-wallace-collection-london https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Rosa-Bonheur,-Brizo,-A-Shepherd_s-Dog,-1864.jpg Rosa Bonheur, Brizo, A Shepherd https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Edwin-Landseer,-Doubtful-Crumbs,-1858-59.jpg Edwin Landseer, Doubtful Crumbs, 1858-59. © The Trustees of The Wallace Collection. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Unknown-artist,-Roman,-The-Townley-Greyhounds,-1st-2nd-century-CE.jpg Unknown artist, Roman, The Townley Greyhounds, 1st-2nd century CE. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/James-Ward,-Fanny,-A-Favourite-Dog,-1822.jpg James Ward, Fanny, A Favourite Dog, 1822. By courtesy of the Trustees of Sir John Soane’s Museum, London. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Thomas-Gainsborough,-Tristram-and-Fox,-c1775-85.jpg Thomas Gainsborough, Tristram and Fox, c1775-85. © Tate Images. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Jean-Jacques-Bachelier,-Dog-of-the-Havana-Breed,-1768.jpg Jean-Jacques Bachelier, Dog of the Havana Breed, 1768. © The Bowes Museum, Barnard Castle. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Edwin-Landseer,-Hector,-Nero-and-Dash-with-the-Parrot-Lory,-1838.jpg Edwin Landseer, Hector, Nero and Dash with the Parrot Lory, 1838. Royal Collection Trust / © His Majesty King Charles III 2023. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Charles-Burton-Barber,-Minna,-c1873.jpg Charles Burton Barber, Minna, c1873. Royal Collection Trust / © His Majesty King Charles III 2023. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/David-Hockney,-Dog-Painting-19,-1995.jpg David Hockney, Dog Painting 19, 1995. © David Hockney. Photo: Richard Schmidt Collection / The David Hockney Foundation. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/David-Hockney,-Dog-Painting-30,-1995.jpg David Hockney, Dog Painting 30, 1995. © David Hockney Photo: Richard Schmidt Collection / The David Hockney Foundation. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/David-Hockney,-Dog-Painting-41,-1995.jpg David Hockney, Dog Painting 41, 1995. © David Hockney. Photo: Richard Schmidt Collection / The David Hockney Foundation. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Edwin-Landseer,-Queen-Victoria_s-Spaniel-1838.jpg Edwin Landseer, Queen Victoria's Spaniel ‘Tilco’, 1838. Anglesey Abbey © National Trust. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Leonardo-da-Vinci,-Studies-of-a-Dog_s-Paw.jpg Leonardo da Vinci, Studies of a Dog's Paw (verso), National Galleries of Scotland. Purchased by Private Treaty Sale with the aid of the Art Fund 1991. © National Galleries of Scotland. https://www.studiointernational.com/images/articles/p/027-portraits-of-dogs-2023/Unknown-artist,-Dog-lying-on-a-ledge,-1650-80.jpg Unknown artist, Dog lying on a ledge, 1650-80. © Ashmolean Museum. https://www.studiointernational.com/index.php/ai-weiwei-making-sense-review-design-museum-london https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/Nian-Nian-Souvenir-2021-Pic-V-Simpson.jpg Ai Weiwei, Nian Nian Souvenir, 2021. Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/Detail-of-Nian-Nian-Souvenir-2021.jpg Ai Weiwei, Nian Nian Souvenir, 2021 (detail). Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/AiWeiweiMakingSense_EdReeve-42.jpg Ai Weiwei, Spouts, 2015. Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Ed Reeve. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/AiWeiweiMakingSense_Foreground-Left-Right-Studio-Materials-EdReeve-7.jpg Ai Weiwei, Left Right Studio Material, 2018 (foreground). Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Ed Reeve. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/Ai-Wei-Wei-Making-Sense-installation-view-with-foreground-field-Still-Life-(1992-2000).jpg Ai Weiwei, Still Life, 1993-2000. Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/AiWeiweiMakingSense_Installation-view-with-Untitled-Porcelain-Balls-foreground-EdReeve-6.jpg Ai Weiwei, Untitled (Porcelain Balls), 2022. Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Ed Reeve. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/AiWeiweiMakingSense-installation-view-of-lego-field,-and-deconstructed-temple-with-waterlillies-in-background_EdReeve-1.jpg Ai Weiwei, Untitled (Lego incident), 2015 (detail). Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Ed Reeve. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/water-lilies.jpg Ai Weiwei, Water Lilies #1, 2022. Lego bricks. Photo © Ela Bialkowska/OKNO studio. © Image courtesy of the artist and Galleria Continua. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/water-lilies-detail.jpg Ai Weiwei, Water Lilies #1, 2022 (detail). Lego bricks. Photo © Ela Bialkowska/OKNO studio. © Image courtesy of the artist and Galleria Continua. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/Ai-Weiwei-Marble-and-glass-toilet-rolls.jpg Ai Weiwei, Marble Toilet Paper, 2020, Marble Takeout Box, 2015, and Glass Toilet Paper, 2022. Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/Installation-view-of-snake-like-life-jacket-sculpture-Ai-Wei-Wei.jpg Ai Weiwei, Life Vest Snake, 2019. Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/Ai-Weiwei-Coloured-House-(2013).jpg Ai Weiwei, Coloured House, 2013. Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/AiWeiweiMakingSense-installation-view-with-foreground-field-Still-Life-(1992-2000)-Middle-Finger-series-behind_EdReeve-2.jpg Ai Weiwei, Middle Finger series. Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Ed Reeve. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/AiWeiweiMakingSense-installation-view-Middle-Finger-series.jpg Ai Weiwei, Middle Finger series. Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Ed Reeve. https://www.studiointernational.com/images/articles/a/012-AiWeiweiMakingSense-2023/AiWeiweiMakingSense_EdReeve-1000.jpg Installation view, Ai Weiwei: Making Sense, The Design Museum, London 2023. Photo: Ed Reeve. https://www.studiointernational.com/index.php/isaac-julien-what-freedom-is-to-me-review-tate-britain-london https://www.studiointernational.com/images/articles/j/079-julien-isaac-2023/Isaac-Julien,-The-Lady-of-the-Lake-(Lessons-of-the-Hour)-2019-(c)-Isaac-Julien.jpg Isaac Julien. The Lady of the Lake (Lessons of the Hour), 2019. Framed photograph on gloss inkjet paper mounted on aluminium, framed: 160 x 213.3 cm (63 x 84 in). © Isaac Julien. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/079-julien-isaac-2023/Installation-view,-Once-Again-(Statues-Never-Die).jpg Isaac Julien, Once Again…(Statues Never Die), installation view, Tate Britain, 2023. Photo: Jack Hems. © Isaac Julien. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/079-julien-isaac-2023/Isaac-Julien,-Mazu-Silence-(Ten-Thousand-Waves)-2010-(c)-Isaac-Julien.jpg Isaac Julien, Mazu, Silence (Ten Thousand Waves), 2010. Endura Ultra photograph, 180 x 239.8 x 7.5 cm (70 7/8 x 94 3/8 x 3 in). © Isaac Julien. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/079-julien-isaac-2023/Installation-view,-Looking-for-Langston.jpg Isaac Julien, Looking for Langston, installation view, Tate Britain, 2023. Photo: Jack Hems. © Isaac Julien. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/079-julien-isaac-2023/Installation-view,-Lessons-of-the-Hour.jpg Isaac Julien, Lessons of the Hour, installation view, Tate Britain, 2023. Photo: Jack Hems. © Isaac Julien. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/079-julien-isaac-2023/Installation-View,-Lina-Bo-Bardi.jpg Isaac Julien, Lina Bo Bardi – A Marvellous Entanglement, installation view, Tate Britain, 2023. Photo: Jack Hems. © Isaac Julien. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/j/079-julien-isaac-2023/Installation-view,-Looking-for-Langston,-Tate-Britain,-2023-1000.jpg Isaac Julien, Looking for Langston, installation view, Tate Britain, 2023. Photo: Jack Hems. © Isaac Julien. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/hunterian-art-gallery-reframed-review-university-of-glasgow https://www.studiointernational.com/images/articles/h/018-hunterian-rehang-2023/Hoyland-GLAHA_52129.jpg John Hoyland, 18-6-69, 1969-70. Acrylic on cotton duck. The Hunterian, University of Glasgow. © estate of John Hoyland. All rights reserved. DACS 2023. https://www.studiointernational.com/images/articles/h/018-hunterian-rehang-2023/Margaret-Mackintosh-GLAHA41259.jpg Margaret Macdonald Mackintosh, The White Rose and the Red Rose, 1902. Gesso, set with glass beads and shell, on hessian on a wooden stretcher. © The Hunterian, University of Glasgow. https://www.studiointernational.com/images/articles/h/018-hunterian-rehang-2023/Chardin-GLAHA_43512.jpg Jean-Siméon Chardin, A Lady Taking Tea, 1735. Oil own canvas. © The Hunterian, University of Glasgow. https://www.studiointernational.com/images/articles/h/018-hunterian-rehang-2023/Peploe-GLAHA-43998.jpg Samuel John Peploe, A Paris Street, 1906-08. Oil on panel. © The Hunterian, University of Glasgow. https://www.studiointernational.com/images/articles/h/018-hunterian-rehang-2023/Hunterian-Art-Gallery-1.jpg Hunterian Visitor Experience Assistant Esme Rankin in the reframed Hunterian Art Gallery. Photo courtesy Martin Shields Photography. https://www.studiointernational.com/index.php/christina-seilern-interview-studio-seilern-architects-london https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/Studio-Seilern-GW-Annenberg-centre-for-performaing-arts-nestles-in-the-trees-on-the-edge-of-the-school-campus-at-Wellington-College-Pic-V-Simpson.jpg GW Annenberg Performing Arts Centre, Wellington College, Berkshire UK, 2018. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/Paros-Residence-01.jpg Seilern family residence in Paros, Greece, 2021. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/SSA_Gouna-Festival-Plaza_03_Paul-Riddle.jpg El Gouna Conference and Cultural Centre, Egypt, 2019. Photo: © Paul Riddle. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/SSA_Gouna-Festival-Plaza_15_Paul-Riddle.jpg El Gouna Conference and Cultural Centre, Egypt, 2019. Photo: © Paul Riddle. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/Andermatt-Concert-Hall-(C)M.Rittershaus.jpg The Berlin Philharmonic playing at the opening of the Andermatt Concert Hall, Switzerland, 2019. Photo: M Rittershaus. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/RH2971-0204.jpg Boksto 6, Vilnius, Lithuania, 2020. A mixed use residential, office, restaurant and event complex created from a derelict cardinal https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/RH2971-0212.jpg Boksto 6, Vilnius, Lithuania, 2020. The gardens are open access to the public, and the far building houses high quality office space from ground level, while below ground in the medieval vaults is a luxury spa. The chapel, on the left, is now an event space. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/RH2971-0160.jpg Boksto 6, Vilnius, Lithuania, 2020. A top floor office space. Seilern persuaded the planning office that windows could be incorporated into a smooth roofline, with a metal protective grille unifying the roofscape. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/RH2971-0144.jpg Boksto Spa. The medieval vaults have been repaired, their walls restored, and protected by this wooden panelling installed along this corridor to hide the services and lighting. Boksto 6, Vilnius, Lithuania, 2020. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/89A8073_CopyrightPaulRiddle.jpg El Gouna Conference and Cultural Centre, Egypt, 2019. Photo: © Paul Riddle. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/Andermatt-Concert-Hall-celings-(C)R.Halbe.jpg Andermatt Concert Hall, Switzerland, 2019. Photo: © R Halbe. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/Andermatt-Concert-Hall-exterior-(C)-R.Halbe.jpg Andermatt Concert Hall, Switzerland, 2019, exterior. Photo: © R Halbe. https://www.studiointernational.com/images/articles/s/&098-Seilern-Christina-2023/RH2971-0028.jpg The spa, Boksto 6, Vilnius, Lithuania, 2020. https://www.studiointernational.com/index.php/michael-e-smith-review-henry-moore-institute-leeds https://www.studiointernational.com/images/articles/s/&096-smith-micheal-e-2023/VS-Untitled-2023,-Television,-rock-Pic-V-Simpson.jpg Michael E Smith, Untitled, 2023. Television, rock. Installation view, Henry Moore Institute, Leeds. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&096-smith-micheal-e-2023/VS-Untitled-2023,-Chairs,-ducks-V-Simpson.jpg Michael E Smith, Untitled, 2023. Chair, ducks. Installation view, Henry Moore Institute, Leeds. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&096-smith-micheal-e-2023/Michael-E-Smith-Selection-BUGS-2023,-DVD-player,-VCR,-window26.jpg Michael E Smith, BUGS, 2023. DVD player, VCR, window. Installation view, Henry Moore Institute, Leeds. https://www.studiointernational.com/images/articles/s/&096-smith-micheal-e-2023/VS-Untitled-2023-Basketballs,-stairs-Pic-V-Simpson.jpg Michael E Smith, Untitled, 2023. Basketballs, stairs. Installation view, Henry Moore Institute, Leeds. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&096-smith-micheal-e-2023/Michael-E-Smith-Selection-Untitled-2023,-First-aid-cabinet,-hide-33.jpg Michael E Smith, Untitled, 2023. First aid cabinet, hide. Installation view, Henry Moore Institute, Leeds. https://www.studiointernational.com/images/articles/s/&096-smith-micheal-e-2023/Michael-E-Smith-Selection-Untitled-2023,-Tables,-milk-jug,-LEDs-detail-39.jpg Michael E Smith, Untitled, 2023. Tables, milk jug, LEDs. Installation view, Henry Moore Institute, Leeds. https://www.studiointernational.com/images/articles/s/&096-smith-micheal-e-2023/VS-Untitled-2023,-First-aid-cabinet,-hide-V-Simpson.jpg Michael E Smith, Untitled, 2023. First aid cabinet, hide. Installation view, Henry Moore Institute, Leeds. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&096-smith-micheal-e-2023/VS-Untitled-2023,-Video-2.07-(doggy-video-in-the-kennel).jpg Michael E Smith, Untitled, 2023. Video, 2:07. Installation view, Henry Moore Institute, Leeds. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&096-smith-micheal-e-2023/VS-Close-up-Untitled-2023-Basketballs,-stairs.jpg Michael E Smith, Untitled, 2023. Basketballs, stairs. Installation view, Henry Moore Institute, Leeds. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/andy-warhol-the-textiles-review-fashion-and-textile-museum-london https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Textile-of-luggage-tags-and-suitcases-by-Cohama-Blouse.jpg Andy Warhol. Textile of luggage tags and suitcases by Cohama. Blouse, 1958-59. ©v2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Shoes-Textile,-blouse,-Jayson-Classics,-circa-19571958.jpg Andy Warhol. Shoes Textile, blouse, Jayson Classics, c1957-58. © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Happy-Butterfly-Day-Textile,-silk-dress-by-the-Needlecraft,-circa-1955.jpg Andy Warhol. Happy Butterfly Day Textile, silk dress by the Needlecraft, c1955. © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Acrobatic-Clown-textile,-circa-1955.jpg Andy Warhol. Acrobatic Clown textile, c1955. © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/016A4104.jpg Andy Warhol: The Textiles, installation view, Fashion and Textile Museum, London, 2023. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Textile-of-large-nautical-flags,-skirt,-circa-1957-1958.jpg Andy Warhol. Textile of large nautical flags, skirt, c1957-58. © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/016A3875.jpg Andy Warhol: The Textiles, installation view, Fashion and Textile Museum, London, 2023. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/016A3657.jpg Andy Warhol: The Textiles, installation view, Fashion and Textile Museum, London, 2023. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/016A4123.jpg Andy Warhol: The Textiles, installation view, Fashion and Textile Museum, London, 2023. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Happy-Bug-Day-Textile-1955.jpg Andy Warhol. Happy Bug Day Textile 1955. © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Ice-Cream-Desserts-2022.jpg Andy Warhol. Ice Cream Desserts. © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Textile-of-Candy-Apples,-silk-by-Stehli-Silks.jpg Andy Warhol. Textile of Candy Apples, silk by Stehli Silks. © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DACS, London. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Textile-of-Ice-Cream-Cones,-silk-by-Stehli-Silks,-pink-and-blue-dress,-19621963.jpg Andy Warhol. Textile of Ice Cream Cones, silk by Stehli Silks, pink and blue dress, 1962-63. © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DAC. https://www.studiointernational.com/images/articles/w/041-warhol-textiles-2023/Textile-of-buttons,-multi-coloured-colurway-by-Leon-Rosenblatt,-19591960.jpg Andy Warhol. Textile of buttons, multi-coloured colurway by Leon Rosenblatt, 1959-60. © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by DACS, London. https://www.studiointernational.com/index.php/emily-kraus-nest-time-review-the-sunday-painter https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_692d-28.jpg Emily Kraus: Nest Time, installation view, The Sunday Painter, London, 2023. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/emily-kraus-apparatus.jpg Kraus inside the painting apparatus she invented. Courtesy of the Artist. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_675d-2.jpg Emily Kraus. Stochastic 10, 2022. Oil on canvas, 170 x 300 cm. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_692d-1.jpg Emily Kraus. Nest Time 3, 2023. Oil on canvas, 380 x 280 cm. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_692d-9.jpg Emily Kraus. Nest Time 2, 2023 (detail). Oil on canvas, 380 x 280 cm. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_692d-3.jpg Emily Kraus. Nest Time 2, 2023. Oil on canvas, 380 x 280 cm. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/Emily-Kraus-headshot.jpg Emily Kraus. Courtesy of the Artist. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_675d-2_D2.jpg Emily Kraus. Stochastic 10, 2022 (detail). Oil on canvas, 170 x 300 cm. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_692d-2.jpg Emily Kraus. Nest Time 1, 2023. Oil on canvas, 380 x 280 cm. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_692d-52.jpg Emily Kraus. Stochastic 17, 2023. Oil on canvas, 170 x 300 cm. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_692d-53.jpg Emily Kraus: Nest Time, installation view, The Sunday Painter, London, 2023. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/k/044-kraus-emily-2023/OH_692d-81.jpg Emily Kraus: Nest Time, installation view, The Sunday Painter, London, 2023. Photo: Ollie Hammick. https://www.studiointernational.com/index.php/hilma-af-klint-piet-mondrian-forms-of-life-review-tate-modern-london https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Piet-Mondrian,-The-Gein-Trees-along-the-water-c1905.jpg Piet Mondrian, The Gein: Trees along the water, c1905. Oil on canvas on panel, 25 x 32 cm. Kunstmuseum Den Haag. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Hilma-Af-Klint-and-Piet-Mondrian_Press-_002.jpg Hilma af Klint & Piet Mondrian: Forms of Life, installation view, Tate Modern 2023. Photo: Tate (Jai Monaghan). https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Piet-Mondrian,-Red-Amaryllis-with-blue-background-1909-10.jpg Piet Mondrian, Red Amaryllis with Blue Background, 1909–10. Watercolour on paper, 46.5 x 33 cm. Private Collection. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Piet-Mondrian,-Composition-in-colour-B-1917.jpg Piet Mondrian, Composition in colour B, 1917. Oil on canvas, 50.5 x 45 cm. Collection Kröller-Müller Museum, Otterlo, the Netherlands. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Piet-Mondrian,-The-Red-Cloud-1907.jpg Piet Mondrian, The Red Cloud, 1907. Oil on cardboard, 64 x 75 cm. Kunstmuseum Den Haag. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Hilma-af-Klint,-The-Ten-Largest,-Group-IV,-No-3,-Youth-1907.jpg Hilma af Klint, The Ten Largest, Group IV, No. 3, Youth, 1907. Courtesy of The Hilma af Klint Foundation. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/klint-Mondrian,-1000.jpg Left: Hilma af Klint, The Ten Largest, Group IV, No. 7, Adulthood, 1907. Courtesy of The Hilma af Klint Foundation. Right: Piet Mondrian, Composition with Grid 3 Lozenge Composition with grey Lines, 1918. Kunstmuseum Den Haag. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Hilma-af-Klint,-Botanical-Drawing-c1890.jpg Hilma af Klint, Botanical Drawing c1890. Courtesy Hilma af Klint Foundation. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Hilma-af-Klint,-The-Evolution,-The-WUS-Seven-Pointed-Star-Series,-Group-VI,-No-15,-1908.jpg Hilma af Klint, The Evolution, The WUS Seven-Pointed Star Series, Group VI, No.15, 1908. Courtesy Hilma af Klint Foundation. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Hilma-af-Klint,-The-Swan,-The-SUW-Series,-Group-IX,-No-17,-1914-15.jpg Hilma af Klint, The Swan, The SUW/UW Series, Group IX: Part 1, No. 17, 1915. Courtesy of The Hilma af Klint Foundation. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Hilma-af-Klint,-The-Swan,-The-SUW-Series,-Group-IX-Part-1,-No-19,-1914-15.jpg Hilma af Klint, The Swan, The SUW/UW Series, Group IX: Part 1, No. 19, 1914-1915. Courtesy of The Hilma af Klint Foundation. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Hilma-af-Klint,-The-Ten-Largest,-Group-IV,-No-7,-Adulthood,-1907.jpg Hilma af Klint, The Ten Largest, Group IV, No. 7, Adulthood, 1907. Courtesy of The Hilma af Klint Foundation. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Piet-Mondrian,-Composition-with-Grid-3-Lozenge-Composition-with-grey-Lines-1918.jpg Piet Mondrian, Composition with Grid 3 Lozenge Composition with Grey Lines, 1918. Oil on canvas, 84.5 x 84.5 cm. Kunstmuseum Den Haag. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Piet-Mondrian,-Composition-with-red,-black,-yellow,-blue-and-gray-1921.jpg Piet Mondrian, Composition with Red, Black, Yellow, Blue and Gray, 1921. Oil on canvas, 39.5 x 35 cm. Kunstmuseum Den Haag. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/Piet-Mondrian-Metamorphosis-1908.jpg Piet Mondrian, Metamorphosis, 1908. Oil on canvas, 84.5 x 54 cm. Kunstmuseum Den Haag. https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/05-Hilma-Af-Klint-and-Piet-Mondrian-Installation-View-at-Tate-Modern-2023.-Photo-Tate-(Jai-Monaghan).jpg Hilma af Klint & Piet Mondrian: Forms of Life, installation view, Tate Modern 2023. Photo: Tate (Jai Monaghan). https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/07-Hilma-Af-Klint-and-Piet-Mondrian-Installation-View-at-Tate-Modern-2023.-Photo-Tate-(Jai-Monaghan).jpg Hilma af Klint & Piet Mondrian: Forms of Life, installation view, Tate Modern 2023. Photo: Tate (Jai Monaghan). https://www.studiointernational.com/images/articles/k/045-klint-mondrian-2023/10-Hilma-Af-Klint-and-Piet-Mondrian-Installation-View-at-Tate-Modern-2023.-Photo-Tate-(Jai-Monaghan).jpg Hilma af Klint & Piet Mondrian: Forms of Life, installation view, Tate Modern 2023. Photo: Tate (Jai Monaghan). https://www.studiointernational.com/index.php/kira-freije-interview-the-throat-is-a-threaded-melody-we-werk-luckenwalde https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/The-Turbine-Hall-at-E-Werk-Luckenwalde-lit-by-Matt-Daw-Lighting-Studio-Pic-V-Simpson.jpg The Turbine Hall at E-Werk Luckenwalde, lit by Matt Daw Lighting Studio. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije-Trudging-the-Sodden-Prelude-Pic-V-Simpson.jpg Kira Freije. Trudging, the sodden prelude, 2023. Stainless steel, cast aluminium, wool, suede, hide, 170 x 75 x 243 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Installation-shot-Kira-Freije-at-E-Werk-Luckenwalde-Pic-V-Simpson.jpg Kira Freije: The Throat Is a Threaded Melody, installation view, E-Werk Luckenwalde, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije--close-up-of-Remorse-the-Violent-Whisper-Pic-V-Simpson.jpg Kira Freije. Remorse the violent whisper, 2023. Stainless steel, cast aluminium, felt, leather, torch, 173 x 272 x 30 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije-Between-Sunlight-Pic-V-Simpson.jpg Kira Freije. Between Sunlight, 2023. Stainless steel, cast aluminium, silk, tarpaulin, 57 x 205 x 98 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije-Close-up-Scorched-Earth-Pic-V-Simpson.jpg Kira Freije. Scorched Earth, 2023 (detail). Stainless steel, cast aluminum, felt, 183 x 52 x 88 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije-Temperant-Observer-Pic-V-Simpson.jpg Kira Freije. Temperant observer, 2023. Stainless steel, cast aluminium, felt, 175 x 75 x 68 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freijie-Vocabulary-of-Ruin-and-the-Divine-Wound-Pic-V-Simpson.jpg Kira Freije. Vocabulary of ruin and the divine wound, 2023. Stainless steel, cast aluminium, silk, velvet, wool, cigarette. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije-Unspeak-the-Chorus-Pic-V-Simpson.jpg Kira Freije. Unspeak the chorus, 2023. Stainless steel, cast aluminium, silk, cotton, 174 x 410 x 129 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Ceiling-of-E-Werk-Luckenwalde.jpg Kira Freije: The Throat Is a Threaded Melody, installation view, E-Werk Luckenwalde, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije-Scorched-Earth-Pic-V-Simpson.jpg Kira Freije. Scorched Earth, 2023. Stainless steel, cast aluminum, felt, 183 x 52 x 88 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije-Temperant-Observer-rear-The-Weeping-Arc-foreground-Pic-V-Simpson.jpg Kira Freije. Foreground: The Weeping Arc, 2023. Stainless steel, cast aluminium, sil, grass, 125 x 97 x 174 cm; Background: Temperant observer, 2023. Stainless steel, cast aluminium, felt, 175 x 75 x 68 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije-The-Weeping-Arc-Pic-V-Simpson.jpg Kira Freije. The Weeping Arc, 2023. Stainless steel, cast aluminium, sil, grass, 125 x 97 x 174 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freije-installation-view-Scorched-earth-in-foreground-Pic-V-Simpson.jpg Kira Freije: The Throat Is a Threaded Melody, installation view, E-Werk Luckenwalde, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kira-Freje-rear-view-of-Falling-Hours-and-adjacent-Sputtering-Crest-Pic-V-Simpson.jpg Kira Freije: The Throat Is a Threaded Melody, installation view, E-Werk Luckenwalde, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/049-freije-kira-2023/Kra-Freije-Grin-Applause-Pic-V-Simpson.jpg Kira Freije. Grin Applause, 2023. Stainless steel, candles, 55 x 20 x 22 cm. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/kate-stewart-spencer-diurne-review-emalin-london https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/STEWK-2023003-01-LR.jpg Kate Spencer Stewart, Smith, 2023. Oil on linen, 167.6 x 167.6 x 2.7 cm (66 x 66 x 1 in). Photo: Marten Elder. https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/STEWK-2023004-01-LR.jpg Kate Spencer Stewart, Alphabet, 2023. Oil on linen, 167.6 x 167.6 x 2.7 cm (66 x 66 x 1 in). Photo: Marten Elder. https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/STEWK-2023003-d1-LR.jpg Kate Spencer Stewart, Smith, 2023 (detail). Oil on linen, 167.6 x 167.6 x 2.7 cm (66 x 66 x 1 in). Photo: Marten Elder. https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/May2023_Diurne_Emalin_London_012-LR.jpg Kate Spencer Stewart: Diurne, installation view, Emalin, London, 6 May - 17 June 2023. Photo: Stephen James. https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/May2023_Diurne_Emalin_London_017-LR.jpg Kate Spencer Stewart, Phthalo Left, 2023. Oil on linen, 213.4 x 213.4 x 2.7 cm (84 x 84 x 1 in). Installation view: Kate Spencer Stewart, Diurne, Emalin, London, 6 May - 17 June 2023. Photo: Stephen James. https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/May2023_Diurne_Emalin_London_018-LR.jpg Kate Spencer Stewart: Diurne, installation view, Emalin, London, 6 May - 17 June 2023. Photo: Stephen James. https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/May2023_Diurne_Emalin_London_015-LR.jpg Kate Spencer Stewart: Diurne, installation view, Emalin, London, 6 May - 17 June 2023. Photo: Stephen James. https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/May2023_Diurne_Emalin_London_06-LR.jpg Kate Spencer Stewart: Diurne, installation view, Emalin, London, 6 May - 17 June 2023. Photo: Stephen James. https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/STEWK-2023004-d1-LR.jpg Kate Spencer Stewart, Alphabet, 2023 (detail). Oil on linen, 167.6 x 167.6 x 2.7 cm (66 x 66 x 1 in). Photo: Marten Elder. https://www.studiointernational.com/images/articles/s/&097-stewart-kate-spencer-2023/STEWK-2023007-01-LR.jpg Kate Spencer Stewart, Baden, 2023. Oil and tempera on linen, 55.9 x 55.9 x 2.7 cm (22 x 22 x 1 in). Photo: Marten Elder. https://www.studiointernational.com/index.php/guy-ernest-debord-gil-joseph-wolman-lun-nexclut-pas-lautre-review-loeve-marais-paris https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/DEBORD_JMA05_Photo-Fabrice-Gousset_HD.jpg Conseil pour les maintien des occupations. A bas la societé spéctaculaire-marchande, 1968. Silkscreen on paper. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WO047_Photo-Fabrice-Gousset_HD.jpg Gil Joseph Wolman. Untitled (Et autre chose no. 1), c1973. Mixed media on paper. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WO036_HD.jpg Gil Joseph Wolman. Michèle Bernstein / Tautologie. (Séparation), c1986. Photograph and typewritten text. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/DEBORD_JMA015_Photo-Fabrice-Gousset.jpg Guy Debord. Internationale Situationniste, Le prolétariat comme sujet et comme représentation, 1968. Xerox. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/Guy-Ernest-Debord-Gil-Joseph-Wolman-Lun-nexclut-pas-lautre_Photo-Fabrice-Gousset_HD_5.jpg Guy-Ernest Debord & Gil Joseph Wolman: L’un n’exclut pas l’autre, installation view, Loeve & Co Marais, Paris, 2023. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/L_64-and-L_65.jpg Left: Guy Debord. Untitled. (mocked-up copy for International lettriste no. 3), 1953. Mixed media on paper. Right: International lettriste no. 3. 1953. Print on paper. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WO054_Photo-Fabrice-Gousset_HD-copie.jpg Gil Joseph Wolman. Untitled (Lettrism International / Plan of Lisbon). c1974. Mixed media on paper. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/Guy-Ernest-Debord-Gil-Joseph-Wolman-Lun-nexclut-pas-lautre_Photo-Fabrice-Gousset_HD_6.jpg Guy-Ernest Debord & Gil Joseph Wolman: L’un n’exclut pas l’autre, installation view, Loeve & Co Marais, Paris, 2023. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/DEBORD_JMA010_Photo-Fabrice-Gousset_HD.jpg Situationist International. Untitled, 1962. Print on paper. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/DEBORD_JMA06_Photo-Fabrice-Gousset_HD.jpg Conseil pour les maintien des occupations. Fin de l'université, 1968. Silkscreen on paper. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/L_125.jpg Lettrist Group. Untitled (La nuit du cinéma). Print on paper. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WO007_Photo-Fabrice-Gousset_HD-copie.jpg Gil Joseph Wolman. Charlotte, 1961. Mixed media on canvas. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WO015_Photo-Fabrice-Gousset_HD.jpg Gil Joseph Wolman. Untitled (Nouvelle grève générale), 1968. Mixed media on canvas. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WOO35-16-HD.jpg Gil Joseph Wolman. Décomposition: guy ernest debord. 1980. Collage on paper. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WO037_Photo-Fabrice-Gousset_HD.jpg Gil Joseph Wolman. Ne répond plus/Sortons de Gaulle, c1973. Scotch art on paper. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WO052_Photo-Fabrice-Gousset_HD.jpg Gil Joseph Wollman. [Excerpt from] Ex-position (065): Internationale Lettriste no. 2. 1973. Mixed media on plastic. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WO059_Photo-Fabrice-Gousset_HD.jpg Gil Joseph Wolman. Des inhumations: Mai 1968, 1991. Mixed media on paper. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/WOLMAN_WO031_Photo-Fabrice-Gousset_HD-copie.jpg Gil Joseph Wolman. Attention un artiste peut en cacher un autre (Séparation), c1977. Collage on paper. Photo: Fabrice Gousset. https://www.studiointernational.com/images/articles/d/050-debord-wolman-2023/Guy-Ernest-Debord-Gil-Joseph-Wolman-Lun-nexclut-pas-lautre_Photo-Fabrice-Gousset_HD_7.jpg Guy-Ernest Debord & Gil Joseph Wolman: L’un n’exclut pas l’autre, installation view, Loeve & Co Marais, Paris, 2023. Photo: Fabrice Gousset. https://www.studiointernational.com/index.php/the-rosettis-review-tate-britain-london https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-La-Ghirlandata-1873-(c)-Guildhall-Art-Gallery.jpg Dante Gabriel Rossetti. La Ghirlandata, 1873. © Guildhall Art Gallery. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-The-Annunciation,-1849-50,-Tate.jpg Dante Gabriel Rossetti. Ecce Ancilla Domini (The Annunciation), 1849-50. © Tate, Purchased 1886. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-The-Girlhood-of-Mary-Virgin,-1848-9-(c)-Tate.jpg Dante Gabriel Rossetti. The Girlhood of Mary Virgin, 1848-49. © Tate. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Christina-Rossetti,-Goblin-Market-1865-(c)-Tate-71b.jpg Christina Rossetti. Goblin Market, 1865. © Tate. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-Monna-Vanna,-1866-(c)-Tate.jpg Dante Gabriel Rossetti. Monna Vanna, 1866. © Tate. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-Lady-Lilith-1866-1868.jpg Dante Gabriel Rossetti. Lady Lilith, 1866-68 (altered 1872-1873). Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-Beata-Beatrix,-1864-(c)-Tate.jpg Dante Gabriel Rossetti. Beata Beatrix, 1864. © Tate. Presented by Georgiana, Baroness Mount-Temple in memory of her husband, Francis, Baron Mount-Temple 1889. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-Head-of-a-Young-Woman-Mrs-Eaton,-1863-65.jpg Dante Gabriel Rossetti. Head of a Young Woman (Mrs. Eaton?), 1863-65. © Cantor Arts Center, Stanford University; Museum Purchase Fund. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-Paolo-and-Francesca-da-Rimini,-1855-(c)-Tate.jpg Dante Gabriel Rossetti. Paolo and Francesca da Rimini, 1855. © Tate Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the Art Fund 1916. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-Proserpine-1874-(c)-Tate.jpg Dante Gabriel Rossetti. Proserpine, 1874. © Tate. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Dante-Gabriel-Rossetti,-Venus-Verticordia-1868-(c)-Private-Collection.jpg Dante Gabriel Rossetti. Venus Verticordia, 1868. © Private Collection. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/Elizabeth-Eleanor-Siddal,-Lady-Affixing-Pennant-to-a-Knights-Spear,-1856.jpg Elizabeth Eleanor Siddal. Lady Affixing Pennant to a Knight's Spear, 1856. © Tate. https://www.studiointernational.com/images/articles/r/042-rossettis-2023/The-Rossettis-Installation-View-at-Tate-Britain-2023-01.jpg The Rossettis, installation view, Tate Britain 2023. Photo: © Tate (Madeleine Buddo). https://www.studiointernational.com/images/articles/r/042-rossettis-2023/The-Rossettis-Installation-View-at-Tate-Britain-2023-02.jpg The Rossettis, installation view, Tate Britain 2023. Photo: © Tate (Madeleine Buddo). https://www.studiointernational.com/images/articles/r/042-rossettis-2023/The-Rossettis-Installation-View-at-Tate-Britain-2023-03.jpg The Rossettis, installation view, Tate Britain 2023. Photo: © Tate (Madeleine Buddo). https://www.studiointernational.com/images/articles/r/042-rossettis-2023/The-Rossettis-Installation-View-at-Tate-Britain-2023-04.jpg The Rossettis, installation view, Tate Britain 2023. Photo: © Tate (Madeleine Buddo). https://www.studiointernational.com/index.php/simone-leigh-review-institute-of-contemporary-art-boston https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/01_US-Pavilion-Installation-View_2022.jpg Installation view, Simone Leigh: Sovereignty, US Pavilion, 59th International Art Exhibition, La Biennale di Venezia, 2022. Courtesy the artist and Matthew Marks Gallery. Photo: Timothy Schenck. © Simone Leigh. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/Schenck-SImone-Leigh-ICA-Boston-2023_04_03-DSC_4394.jpg Simone Leigh, Satellite, 2022. Bronze, 24 × 10 × 7 ft 7 in (7.3 × 3 × 2.3 m). Installation view, Simone Leigh, the Institute of Contemporary Art/Boston, 2023. Courtesy the artist and Matthew Marks Gallery. Photo: Timothy Schenck. © Simone Leigh. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/Schenck-SImone-Leigh-ICA-Boston-2023_04_04-DSC_5328.jpg Simone Leigh, Sharifa, 2022. Installation view, Simone Leigh, the Institute of Contemporary Art/Boston, 2023. Photo: Timothy Schenck. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/04_Cupboard-IX_2019.jpg Simone Leigh, Cupboard IX, 2019. Stoneware, raffia, and steel armature, 78 × 60 × 80 in (198.1 × 152.4 × 203.2 cm). Institute of Contemporary Art/Boston. © Simone Leigh. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/03_Martinique_2022.jpg Simone Leigh, Martinique, 2022. Stoneware, 60 3/4 × 41 1/4 × 39 3/4 in (154.3 × 104.8 × 101 cm). Courtesy the artist and Matthew Marks Gallery. Photo: Timothy Schenck. © Simone Leigh. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/Schenck-SImone-Leigh-ICA-Boston-2023_04_04-DSC_5369.jpg Simone Leigh, Anonymous (detail), 2022. Stoneware, 72 1/2 × 53 1/2 × 43 1/4 in (184.2 × 135.9 × 109.9 cm). Private collection, Boston. Photo: Timothy Schenck. © Simone Leigh. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/Schenck-SImone-Leigh-ICA-Boston-2023_04_04-DSC_5229.jpg Girl (Chitra Ganesh and Simone Leigh), my dreams, my works, must wait till after hell..., 2011. Installation view, Simone Leigh, the Institute of Contemporary Art/Boston, 2023. Courtesy the artists and Matthew Marks Gallery. Photo: Timothy Schenck. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/Schenck-SImone-Leigh-ICA-Boston-2023_04_04-DSC_4965.jpg Simone Leigh, Last Garment, 2022. Bronze, steel, metal, filtration pump, and water, 54 × 58 × 27 in (137.2 × 147.3 × 68.6 cm) (sculpture); dimensions variable (pool). Installation view, Simone Leigh, the Institute of Contemporary Art/Boston, 2023. Courtesy the artist and Matthew Marks Gallery. Photo: Timothy Schenck. © Simone Leigh. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/Schenck-SImone-Leigh-ICA-Boston-2023_04_04-DSC_5302.jpg Installation view, Simone Leigh, the Institute of Contemporary Art/Boston, 2023. Photo: Timothy Schenck. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/02_Simone-Leigh_Jug_2022.jpg Simone Leigh, Jug, 2022. Stoneware, 62 1/2 × 40 3/4 × 45 3/4 in (158 × 103.5 × 116.2 cm). Institute of Contemporary Art/Boston. Photo: Timothy Schenck. © Simone Leigh https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/05_Breakdown_2011.jpg Liz Magic Laser and Simone Leigh, in collaboration with Alicia Hall Moran, Breakdown, 2011. Single-channel video (colour, sound; 9:00 min). Courtesy the artists and Matthew Marks Gallery. © Simone Leigh. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/06_No-Face-(House)_2020.jpg Simone Leigh, No Face (House), 2020. Terracotta, porcelain, ink, epoxy, and raffia, 29 1/2 × 24 × 24 inches (74.9 × 61 × 61 cm). Private collection, Boston. Courtesy the artist and Matthew Marks Gallery. © Simone Leigh. https://www.studiointernational.com/images/articles/l/045-leigh-simone-2023/Schenck-SImone-Leigh-ICA-Boston-2023_04_03-DSC_4585.jpg Installation view, Simone Leigh, the Institute of Contemporary Art/Boston, 2023. Photo: Timothy Schenck. https://www.studiointernational.com/index.php/perfect-behaviours-life-redesigned-by-the-algorithm-review-officine-grandi-riparazioni-torino-italy https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/03_OGR-Torino_Perfect-Behaviors-_Installation-views_Andrea-Rossetti-for-OGR-Torino.jpg Perfect Behaviours. Life Redesigned by the Algorithm, installation view, Officine Grandi Riparazioni, Torino, 2023. Photo: Andrea Rossetti for OGR Torino. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/10_Universal-Everything_Tribes_2019_frame-from-the-video.jpg Universal Everything, Tribes, 2019. Video still. Originally commissioned by the Borusan Contemporary, Istanbul. Creative Directors: Matt Pyke, Mike Hughes. Animator: Chris Perry. Sound Designer: Simon Pyke (Freefarm). Senior Producer: Greg Povey. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/05_OGR-Torino_Perfect-Behaviors-_Installation-views_Andrea-Rossetti-for-OGR-Torino.jpg Perfect Behaviours. Life Redesigned by the Algorithm, installation view, Officine Grandi Riparazioni, Torino, 2023. Photo: Andrea Rossetti for OGR Torino. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/08_Eva-e-Franco-Mattes_The-Bots_2020.jpg Eva & Franco Mattes, The Bots, 2020. Customized OKA desk, 55” monitor, video, headphones, various cables, 200 x 100 x h100 cm each approx. Installed at Fotomuseum Winterthur. Photo: Melania Dalle Grave and Piercarlo Quecchia for DSL Studio. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/07_Eva-e-Franco-Mattes_The-Bots_2020.jpg Eva & Franco Mattes, The Bots, 2020. Customized OKA desk, 55” monitor, video, headphones, various cables, 200 x 100 x h100 cm each approx. Installed at Fotomuseum Winterthur. Photo: Melania Dalle Grave and Piercarlo Quecchia for DSL Studio. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/04_Geumhyung-Jeong_Toy-Prototype_-2021_Courtesy-La-Biennale-di-Venezia.jpg Geumhyung Jeong, Toy Prototype, 2021. Sculptures and video installation. Various materials including aluminium profiles, medical simulators, DC motors, Arduino boards, joysticks, dimensions variable. Courtesy La Biennale di Venezia. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/09_Autonomous-Trap-001_James-Bridle-_2017_Courtesy-of-the-artist.jpg James Bridle, Autonomous Trap 001, 2017. Courtesy of the Artist. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/02_Brent-Watanabe_San-Andreas-Streaming-Deer-Cam_2015-2016.jpg Brent Watanabe, San Andreas Streaming Deer Cam, 2015-16. © the Artist. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/01_Brent-Watanabe_San-Andreas-Streaming-Deer-Cam_2015-2016-2.jpg Brent Watanabe, San Andreas Streaming Deer Cam, 2015-16. © the Artist. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/03_Geumhyung-Jeong_Toy-Prototype_-2021_Courtesy-La-Biennale-di-Venezia.jpg Geumhyung Jeong, Toy Prototype, 2021. Sculptures and video installation. Various materials including aluminium profiles, medical simulators, DC motors, Arduino boards, joysticks, dimensions variable. Courtesy La Biennale di Venezia. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/11_Universal-Everything_Tribes_2019_frame-from-the-video.jpg Universal Everything, Tribes, 2019. Video still. Originally commissioned by the Borusan Contemporary, Istanbul. Creative Directors: Matt Pyke, Mike Hughes. Animator: Chris Perry. Sound Designer: Simon Pyke (Freefarm). Senior Producer: Greg Povey. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/01_OGR-Torino_Perfect-Behaviors-_Installation-views_Andrea-Rossetti-for-OGR-Torino.jpg Perfect Behaviours. Life Redesigned by the Algorithm, installation view, Officine Grandi Riparazioni, Torino, 2023. Photo: Andrea Rossetti for OGR Torino. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/02_OGR-Torino_Perfect-Behaviors-_Installation-views_Andrea-Rossetti-for-OGR-Torino.jpg Perfect Behaviours. Life Redesigned by the Algorithm, installation view, Officine Grandi Riparazioni, Torino, 2023. Photo: Andrea Rossetti for OGR Torino. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/04_OGR-Torino_Perfect-Behaviors-_Installation-views_Andrea-Rossetti-for-OGR-Torino.jpg Perfect Behaviours. Life Redesigned by the Algorithm, installation view, Officine Grandi Riparazioni, Torino, 2023. Photo: Andrea Rossetti for OGR Torino. https://www.studiointernational.com/images/articles/p/026-perfect-behaviors-2023/08_OGR-Torino_Perfect-Behaviors-_Installation-views_Andrea-Rossetti-for-OGR-Torino.jpg Perfect Behaviours. Life Redesigned by the Algorithm, installation view, Officine Grandi Riparazioni, Torino, 2023. Photo: Andrea Rossetti for OGR Torino. https://www.studiointernational.com/index.php/jaune-quick-to-see-smith-memory-map-review-whitney-museum-of-american-art-new-york https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS22110_2008_138_cropped.jpg Jaune Quick-to-See Smith, Kalispell #3, 1979. Pastel and charcoal on paper, 41 3/4 × 30 5/8 in (106 × 77.8 cm). Whitney Museum of American Art, New York; gift of Altria Group, Inc. 2008.138. © Jaune Quick-to-See Smith. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS72427_JQTSS_127_web.jpg Jaune Quick-to-See Smith, Homeland, 2017. Oil and acrylic on canvas, 48 1/4 x 72 1/8 in (122.6 x 183.2 cm). Buffalo AKG Art Museum, New York; bequest of John Mortimer Schiff by exchange 2018:12. © Jaune Quick-to-See Smith. Photo: Tom Loonan and Brenda Bieger for Buffalo AKG Art Museum. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/041123_JauneSmith-4058.jpg Installation view of Jaune Quick-to-See Smith: Memory Map, Whitney Museum of American Art, New York, 2023. Photo: Matthew Carasella. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS37335_2003_28_1_cropped.jpg Jaune Quick-to-See Smith, Survival Suite: Wisdom / Knowledge, 1996. Lithograph with chine collé, 36 1/16 × 24 7/8 in (91.6 × 63.2 cm). Printed by Lawrence Lithography Workshop; published by Zanatta Editions. Whitney Museum of American Art, New York; gift of Joe and Barb Zanatta Family in honor of Jaune Quick-to-See Smith 2003.28.1. © Jaune Quick-to-See Smith. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/041123_JauneSmith-4048.jpg Jaune Quick-to-See Smith, Trade Canoe: Forty Days and Forty Nights, 2015. Installation view, Jaune Quick-to-See Smith: Memory Map, Whitney Museum of American Art, New York, 19 April – 13 August 2023. Photo: Matthew Carasella. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS72519_JQTSS_155_Replace_Detail_01_web.jpg Jaune Quick-to-See Smith, Indian Madonna Enthroned, 1974. Burlap, fabric, polyester batting, dried corn, leather thongs, beaded leather bands, necklaces, book (God Is Red by Vine Deloria Jr.), pheasant wings, American flag, beaded hide moccasins, two framed ink and graphite pencil drawings, Masonite cradleboard, animal hide, sheepskin and fleece, bird feet, wood chair, and painted plywood, 52 × 34 × 20 in (132.1 × 86.4 × 50.8 cm). Collection of the artist; courtesy Garth Greenan Gallery, New York. Fabricated by Andy Ambrose. © Jaune Quick-to-See Smith. Photo: Neal Ambrose-Smith. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS30250_2008_137_cropped.jpg Jaune Quick-to-See Smith, Kalispell #1, 1979. Pastel and charcoal on paper, 41 3/4 × 29 5/8 in (106 × 75.2 cm). Whitney Museum of American Art, New York; gift of Altria Group, Inc. 2008.137. © Jaune Quick-to-See Smith. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS34526_2003_28_4_cropped.jpg Jaune Quick-to-See Smith, Survival Suite: Humor, 1996. Lithograph with chine collé, 36 1/8 × 24 13/16 in (91.8 × 63 cm). Printed by Lawrence Lithography Workshop; published by Zanatta Editions. Whitney Museum of American Art, New York; gift of Joe and Barb Zanatta Family in honor of Jaune Quick-to-See Smith 2003.28.2. © Jaune Quick-to-See Smith. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS38717_2003_28_2_cropped.jpg Jaune Quick-to-See Smith, Survival Suite: Tribe/Community, 1996. Lithograph with chine collé, 36 1/16 × 24 7/8 in (91.6 × 63.2 cm). Printed by Lawrence Lithography Workshop; published by Zanatta Editions. Whitney Museum of American Art, New York; gift of Joe and Barb Zanatta Family in honor of Jaune Quick-to-See Smith 2003.28.2. © Jaune Quick-to-See Smith. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS72403_JQTSS_039_Replace_web.jpg Jaune Quick-to-See Smith, Indian Map, 1992. Oil, paper, newspaper, and fabric on canvas, two panels: 64 × 96 in (162.6 × 243.8 cm) overall. Private collection. © Jaune Quick-to-See Smith. Photo: David Bowers. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS72418_JQTSS_154_web.jpg Jaune Quick-to-See Smith, Memory Map, 2000. Oil, acrylic, and paper on canvas, 36 × 48 in (91.4 × 121.9 cm). OZ Art NWA, Bentonville, Arkansas. © Jaune Quick-to-See Smith. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS72433_JQTSS_024_web_web.jpg Jaune Quick-to-See Smith, Genesis, 1993. Oil, paper, newspaper, fabric, and charcoal on canvas, two panels: 60 × 100 in (152.4 × 254 cm) overall. High Museum of Art, Atlanta; purchase with funds provided by AT&T New Art/New Visions and with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable. © Jaune Quick-to-See Smith. Photo courtesy the artist and Garth Greenan Gallery, New York. https://www.studiointernational.com/images/articles/s/&095-smith-jaune-quick-to-see-2023/RS37115_2006_287_cropped.jpg Jaune Quick-to-See Smith, War is Heck, 2002. Lithograph, photolithograph, and collage, 58 9/16 × 57 5/8 in (148.7 × 146.4 cm). Whitney Museum of American Art, New York; gift of Dorothee Peiper-Riegraf and Hinrech Peiper 2006.287. © Jaune Quick-to-See Smith. https://www.studiointernational.com/index.php/la-horde-review-julia-stoschek-foundation-berlin https://www.studiointernational.com/images/articles/l/044-lahorde-2023/01.jpg La Horde, To Da Bone, 2015. Performance, 15 min, loop. Performance documentation, Julia Stoschek Foundation, Berlin (26 April 2023). Photo: Frankie Casillo. https://www.studiointernational.com/images/articles/l/044-lahorde-2023/10.jpg La Horde, Cultes, 2019. Video, 15 min, colour, sound. Installation view, (LA)HORDE, JSF Berlin. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/l/044-lahorde-2023/05.jpg La Horde, Bondy, 2017. Video, 15 min 53 sec, colour, sound. Installation view, (LA)HORDE, JSF Berlin. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/l/044-lahorde-2023/06.jpg La Horde, Bondy, 2017. Video, 15 min 53 sec, colour, sound. Installation view, (LA)HORDE, JSF Berlin. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/l/044-lahorde-2023/08.jpg La Horde, Cultes, 2019. Video, 15 min, colour, sound. Courtesy of the artists and New Gallery, Paris. https://www.studiointernational.com/images/articles/l/044-lahorde-2023/04.jpg La Horde, Novaciéries, 2015. Single-channel video installation; projection wall, forklift, dance mats, video, 16 min 48 sec, colour, sound. Dimensions variable. Installation view, (LA)HORDE, JSF Berlin. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/l/044-lahorde-2023/02.jpg La Horde, To Da Bone, 2015. Performance, 15 min, loop. Performance documentation, Julia Stoschek Foundation, Berlin (26 April 2023). Photo: Frankie Casillo. https://www.studiointernational.com/images/articles/l/044-lahorde-2023/03.jpg La Horde, Novaciéries, 2015. Single-channel video installation; projection wall, forklift, dance mats, video, 16′48′′, colour, sound. Dimensions variable. Installation view, (LA)HORDE, JSF Berlin. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/l/044-lahorde-2023/07.jpg La Horde, Radiator (Long Live the Brave), 2023. Car radiator, 64 x 40 x 10 cm. Installation view, (LA)HORDE, JSF Berlin. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/l/044-lahorde-2023/09.jpg La Horde, Cultes, 2019. Video, 15 min, colour, sound. Courtesy of the artists and New Gallery, Paris. https://www.studiointernational.com/index.php/maki-na-kamura-interview-michael-werner-gallery-london https://www.studiointernational.com/images/articles/k/043-kamura-maki-na-2023/MNK-1075.jpg Maki Na Kamura, Claim of Babylon II, 2023. Oil, tempera on canvas, 200 x 260 cm. © Maki Na Kamura. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/k/043-kamura-maki-na-2023/MNK-1103.jpg Maki Na Kamura, Ed XIII, 2023. Oil, tempera on canvas, 160 x 210 cm. © Maki Na Kamura. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/k/043-kamura-maki-na-2023/MNK-1104.jpg Maki Na Kamura, Ed XIV, 2023. Oil, tempera on canvas, 140 x 190 cm. © Maki Na Kamura. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/k/043-kamura-maki-na-2023/MNK-1105.jpg Maki Na Kamura, Ed XV, 2023. Oil, tempera on canvas, 210 x 160 cm. © Maki Na Kamura. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/k/043-kamura-maki-na-2023/MNK-1109.jpg Maki Na Kamura, Ed XVII, 2023. Oil, tempera on canvas, 155 x 125 cm. © Maki Na Kamura. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/k/043-kamura-maki-na-2023/MNK-1098.jpg Maki Na Kamura, Ed X, 2023. Oil, tempera on canvas, 260 x 200 cm. © Maki Na Kamura. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/k/043-kamura-maki-na-2023/MNK-1116.jpg Maki Na Kamura, Camp VI, 2023. Oil, tempera on canvas, 140 x 170 cm. © Maki Na Kamura. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/index.php/amy-sillman-interview-we-are-in-this-sticky-place-between-despair-and-vitality-thomas-dane-gallery-naples https://www.studiointernational.com/images/articles/s/&094-sillman-amy-2023/2023_AS_TDA15511_Torso-with-Green.jpg Amy Sillman, Torso with Green, 2023. Acrylic, ink, silkscreen on paper 151.1 x 106 cm (59 1/2 x 41 3/4 in). © Amy Sillman. Courtesy the artist, Thomas Dane Gallery and Gladstone Gallery, New York. https://www.studiointernational.com/images/articles/s/&094-sillman-amy-2023/2023_AS_TDA15516_Mug.jpg Amy Sillman, Mug, 2023. Acrylic, oil on linen, 190.5 x 167.6 cm (75 x 66 in). © Amy Sillman. Courtesy the artist, Thomas Dane Gallery and Gladstone Gallery, New York. https://www.studiointernational.com/images/articles/s/&094-sillman-amy-2023/2023_AS_TDGN_ph_Roberto-Salomone_7762.jpg Amy Sillman: Temporary Object, installation view, Thomas Dane Gallery, Naples. © Amy Sillman. Courtesy the artist, Gladstone Gallery, New York and Thomas Dane Gallery. Photo: Roberto Salomone. https://www.studiointernational.com/images/articles/s/&094-sillman-amy-2023/2023_AS_TDGN_ph_Roberto-Salomone_7788.jpg Amy Sillman: Temporary Object, installation view, Thomas Dane Gallery, Naples. © Amy Sillman. Courtesy the artist, Gladstone Gallery, New York and Thomas Dane Gallery. Photo: Roberto Salomone. https://www.studiointernational.com/images/articles/s/&094-sillman-amy-2023/2023_AS_TDGN_ph_Roberto-Salomone_7809.jpg Amy Sillman: Temporary Object, installation view, Thomas Dane Gallery, Naples. © Amy Sillman. Courtesy the artist, Gladstone Gallery, New York and Thomas Dane Gallery. Photo: Roberto Salomone. https://www.studiointernational.com/images/articles/s/&094-sillman-amy-2023/2023_AS_TDGN_ph_Roberto-Salomone_9008_crop.jpg Amy Sillman: Temporary Object, installation view, Thomas Dane Gallery, Naples. © Amy Sillman. Courtesy the artist, Gladstone Gallery, New York and Thomas Dane Gallery. Photo: Roberto Salomone. https://www.studiointernational.com/index.php/the-reason-for-painting-review-mead-gallery-university-of-warwick https://www.studiointernational.com/images/articles/t/060-the-reason-for-painting-2023/jones-Reason-For-Painting---057.jpg Centre: Rachel Jones, Lick your teeth, they so clutch, 2021. Oil pastel, oil stick on canvas, 159.5 x 199 cm. Installation view, The Reason for Painting, Mead Gallery, Warwick Arts Centre, 2023. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/t/060-the-reason-for-painting-2023/Pam-Evelyn-Reason-For-Painting-045.jpg Pam Evelyn, Routine escape, 2022. Oil on linen, 300 x 200 cm. Installation view, The Reason for Painting, Mead Gallery, Warwick Arts Centre, 2023. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/t/060-the-reason-for-painting-2023/rob-lyon-Reason-For-Painting-04.jpg Rob Lyon. Left to right: Emergent; Tremulous in the Lord https://www.studiointernational.com/images/articles/t/060-the-reason-for-painting-2023/Kara-Reason-For-Painting-060.jpg Melike Kara, Khorasan II, 2022. Oil stick and acrylic on canvas, 200 x 220 cm. Installation view, The Reason for Painting, Mead Gallery, Warwick Arts Centre, 2023. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/t/060-the-reason-for-painting-2023/o-connell-Reason-for-Painting-003.jpg Ruairiadh O https://www.studiointernational.com/images/articles/t/060-the-reason-for-painting-2023/Collins-Reason-For-Painting-064.jpg James Collins, Liquid Engineers 58, 2022. Acrylic and oil on canvas, 180 x 125 cm. Installation view, The Reason for Painting, Mead Gallery, Warwick Arts Centre, 2023. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/t/060-the-reason-for-painting-2023/harminder-windett-024.jpg Left: Harminder Judge, Untitled (split cane and rising flame), 2021, plaster, polymer, pigment, scrim, oil, wax, 203 x 198 x 6 cm. Right: Sam Windett, Triptych (Star), 2023, Oil, acrylic, collage paper and canvas on linen, 235 x 153 cm. Installation view, The Reason for Painting, Mead Gallery, Warwick Arts Centre, 2023. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/t/060-the-reason-for-painting-2023/bradley-Reason-for-Painting-002.jpg Betsy Bradley. Left: Through the Singing Trees, 2022. Oil on voile, 24.5 x 22.5 cm. Right: Secret Whispers, 2022. Acrylic and spray paint on voile, 29 x 51cm. Installation view, The Reason for Painting, Mead Gallery, Warwick Arts Centre, 2023. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/t/060-the-reason-for-painting-2023/Ramsden-Reason-For-Painting-043.jpg Mary Ramsden. Left to right: Dry white rectangles of moonlight; The end came and went; Like the sound of the wind in a movie. Each 170 x 110 cm, 2023. Installation view, The Reason for Painting, Mead Gallery, Warwick Arts Centre, 2023. Photo: Luke Pickering. https://www.studiointernational.com/index.php/gwen-john-art-and-life-in-london-and-paris-review-pallant-house-chichester https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig27_Gwen-John,-Dorelia-in-a-Black-Dress,-1903-4-Tate.jpg Gwen John, Dorelia in a Black Dress, c1903-4. Oil on canvas. Tate: Presented by the Trustees of the Duveen Paintings Fund 1949. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig36_GwenJohn_La-Chambre-sur-la-Cour_Yale.jpg Gwen John, La Chambre Sur la Cour (The Courtyard Room), c1907-8. Oil on canvas. Yale Center for British Art, Paul Mellon Collection. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/3081_Vuillard_Model-Seated.jpg Édouard Vuillard, Model seated in a chair, combing her hair, c1903. Oil on paper on board, Pallant House Gallery. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig84_Gwen-John,-The-Convalescent,-c1923-4.jpg Gwen John, The Seated Woman (The Convalescent), c1910-20. Oil on canvas. Ferens Art Gallery: Hull Museums. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig103_GwenJohn_A-Corner-of-the-Artists-Room-in-Paris_Sheffield.jpg Gwen John, A Corner of the Artist’s Room in Paris, c1907-9. Oil on canvas. Sheffield Museums Trust. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Gwen-John-Autoportrait-a-la-Lettre,-(Self-Portrait-with-a-letter)l,-c1907-9.jpg Gwen John. Self-Portrait with a letter, c1907-9. Pencil and watercolour. Musée Rodin. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig108_Gwen-John,-The-Japanese-Doll,-early-to-late-1920s.jpg Gwen John, Japanese Doll, 1920. Oil on canvas. National Museum of Wales. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig14_AugustusJohn_Frederick-Brown-and-Gwen-John-at-an-Easel,-_PHGJustinPiperger.jpg Augustus John, Frederick Brown and Gwen John at an Easel, c1895-8. Pencil and wash on paper, heightened with white. Private Collection. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig1_GwenJohn_Landscape-at-Tenby-with-figures_Tenby.jpg Gwen John, Landscape at Tenby with Figures, c1896/7. Oil on board. Tenby Museum and Art Gallery Collection. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig52_GwenJohn_WomanDressing_YCBA.jpg Gwen John, Woman Dressing, c1907. Gray wash and Chinese white on medium, slightly textured, brown wove paper. Yale Center for British Art, Paul Mellon Collection. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig70_Gwen-John,-The-Nun-c1915-21-Tate.jpg Gwen John, The Nun, c1915-21. Oil on board. Tate: Purchased 1940. https://www.studiointernational.com/images/articles/j/078-john-gwen-2023/Fig90_GwenJohn_Young-Woman-Holding-a-Cat_Tate.jpg Gwen John, Young Woman Holding a Black Cat, c1920-5. Oil on canvas. Tate: Purchased 1946. https://www.studiointernational.com/index.php/agata-slowak-time-is-love-review-fortnight-institute-new-york https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/agata-slowak-1.jpg Agata Słowak, Łabędzi Śpiew (Swansong), 2022. Oil on canvas, 55 1/8 x 55 1/8 in (140 x 140 cm). Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/agata-slowak-7.jpg Agata Słowak, Sperma zalała mózg (Sperm Flooded the Brain), 2023. Oil on canvas, 19 3/4 x 15 3/4 in (50 x 40 cm). Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/fi-3.jpg Agata Słowak: Time Is Love, installation view, Fortnight Institute, New York, 2023. Photo: Jason Mandella. Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/agata-slowak-3.jpg Agata Słowak, Sytuacja z niedźwiadkiem polarnym i liskiem (Situation With Polar Bear and Fox), 2023. Oil on canvas, 43 1/4 x 31 1/2 in (110 x 80 cm). Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/agata-slowak-4.jpg Agata Słowak, Autoportret z krzyżowaniem spermy i krwi (Self-portrait with Sperm and Blood Crossing), 2023. Oil on canvas, 35 3/8 x 27 1/2 in (90 x 70 cm). Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/agata-slowak-6.jpg Agata Słowak, Byclo Ci Zimno w Moim Cieniu (You Were Cold in My Shadow), 2023. Oil on canvas, 31 1/2 x 23 5/8 in (80 x 60 cm). Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/agata-slowak-2.jpg Agata Słowak, Joanna ze świnka (Joanna With the Pig), 2023. Oil on canvas, 47 1/4 x 35 3/8 in (120 x 90 cm). Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/agata-slowak-8.jpg Agata Słowak, Zły płód (Bad Fetus), 2023. Oil on canvas, 15 3/4 x 19 3/4 in (40 x 50 cm). Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/fi-1.jpg Agata Słowak: Time Is Love, installation view, Fortnight Institute, New York, 2023. Photo: Jason Mandella. Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/fi-5.jpg Agata Słowak: Time Is Love, installation view, Fortnight Institute, New York, 2023. Photo: Jason Mandella. Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/images/articles/s/&093-slowak-agata-2023/fi-4.jpg Agata Słowak: Time Is Love, installation view, Fortnight Institute, New York, 2023. Photo: Jason Mandella. Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York. https://www.studiointernational.com/index.php/dominic-harris-video-interview-feeding-consciousness-halycon-gallery-london https://www.studiointernational.com/images/articles/h/017-harris-dominic-2023/230517_Halcyon-Gallery_S01_078_Comp-(1).jpg Dominic Harris, Feeding Consciousness, installation view, Halcyon Gallery, London, 25 May – 13 August 2023. Photo: © Callum Toy. Courtesy of Halcyon Gallery. https://www.studiointernational.com/images/articles/h/017-harris-dominic-2023/Feeding-Consciousness-Immersive-Space-by-Dominic-Harris---230518--13-(1).jpg Dominic Harris, Feeding Consciousness, installation view, Halcyon Gallery, London, 25 May – 13 August 2023. Photo: © Dominic Harris. Courtesy of Halcyon Gallery. https://www.studiointernational.com/images/articles/h/017-harris-dominic-2023/230517_Halcyon-Gallery_S01_063-(1).jpg Dominic Harris, Feeding Consciousness, installation view, Halcyon Gallery, London, 25 May – 13 August 2023. Photo: © Callum Toy. Courtesy of Halcyon Gallery. https://www.studiointernational.com/images/articles/h/017-harris-dominic-2023/230517_Halcyon-Gallery_S02_014-(3).jpg Dominic Harris, Feeding Consciousness, installation view, Halcyon Gallery, London, 25 May – 13 August 2023. Photo: © Callum Toy. Courtesy of Halcyon Gallery. https://www.studiointernational.com/images/articles/h/017-harris-dominic-2023/230517_Halcyon-Gallery_S03_059_rt-(1).jpg Dominic Harris, Feeding Consciousness, Halcyon Gallery, London, 25 May – 13 August 2023. Photo: © Callum Toy. Courtesy of Halcyon Gallery. https://www.studiointernational.com/index.php/ellsworth-kelly-at-100-review-glenstone-maryland https://www.studiointernational.com/images/articles/k/042-kelly-ellsworth-2023/Cyclamen-Kelly_Amstutz.jpg Ellsworth Kelly. From left: Corn, 1959. Watercolour on paper, 28 ½ x 22 ½ in (72 x 57 cm); Cyclamen, 2000. Set of five drawings pencil on paper, 16 ⅛ x 14 in (41 x 36 cm) each; Apples, 1949. Watercolour and graphite on paper, 24 ¾ x 19 ⅜ in (63 x 49 cm). All artworks © Ellsworth Kelly Foundation. Photo: Ron Amstutz. Courtesy: Glenstone Museum, Potomac, Maryland. https://www.studiointernational.com/images/articles/k/042-kelly-ellsworth-2023/Grid-Kelly_Amstutz.jpg Ellsworth Kelly. From left: Sanary, 1952. Oil on wood, 51 ½ x 60 in (131 x 152 cm). Collection of Marguerite and Robert Hoffman; Spectrum Colors Arranged by Chance IX, 1953. Collage on paper, 38 ¼ x 38 ¼ in (97 x 97 cm). Private Collection; Méditerranée, 1951-1952. Oil on wood, nine joined panels, three in relief, 59 ¼ x 76 ¼ in (150 x 194 cm). Tate: Presented by the Artist and Jack Shear in honour of Sir Nicholas Serota (Tate Americas Foundation) 2021. All artworks © Ellsworth Kelly Foundation. Photo: Ron Amstutz. Courtesy: Glenstone Museum, Potomac, Maryland. https://www.studiointernational.com/images/articles/k/042-kelly-ellsworth-2023/Window-Kelly_Amstutz.jpg Ellsworth Kelly. Left: Window V, 1950. Oil on wood, 27 ½ x 7 ¼ in (70 x 18 cm). Family Forman Collection; Centre: Window, Museum of Modern Art, Paris, 1949. Oil on wood and canvas, two joined panels, 50 ½ x 19 ½ in (128 x 50 cm). Centre Pompidou, Paris National Museum of Modern Art / Centre of Industrial Creation; Right: Toilette, 1949. Oil on canvas with painted wood frame, 24 ¾ x 18 ¾ in (63 x 48 cm). Private Collection, Courtesy Matthew Marks Gallery All artworks © Ellsworth Kelly Foundation. Photo: Ron Amstutz. Courtesy: Glenstone Museum, Potomac, Maryland. https://www.studiointernational.com/images/articles/k/042-kelly-ellsworth-2023/Seine-Kelly_Amstutz.jpg Ellsworth Kelly. Seine, 1951. Oil on wood, 16 ½ x 45 ¼ in (42 x 115 cm). Philadelphia Museum of Art: Purchased with funds contributed in memory of Anne d https://www.studiointernational.com/images/articles/k/042-kelly-ellsworth-2023/Object_Painting-for-a-White-Wall_Amstutz_SM.jpg Ellsworth Kelly. Painting for a White Wall, 1952. Oil on canvas, five joined panels, 23 ¾ x 71 ¼ in (60 x 181 cm). © Ellsworth Kelly Foundation. Photo: Ron Amstutz. Courtesy: Glenstone Museum, Potomac, Maryland. https://www.studiointernational.com/images/articles/k/042-kelly-ellsworth-2023/Gate-Kelly_Amstutz_SM.jpg Ellsworth Kelly. Gate, 1959. Painted aluminium, 67 x 63 x 17 in (170 x 160 x 43 cm). Collection Walker Art Center, Minneapolis; Gift of Kate Butler Peterson, 1997. All artworks © Ellsworth Kelly Foundation. Photo: Ron Amstutz. Courtesy: Glenstone Museum, Potomac, Maryland. https://www.studiointernational.com/images/articles/k/042-kelly-ellsworth-2023/redwood-sculpture_Kelly_Amstutz.jpg Ellsworth Kelly. Untitled, 1996. Redwood, 176 ½ x 25 ½ x 4 ½ inches (448 x 65 x 11 cm). © Ellsworth Kelly Foundation. Photo: Ron Amstutz. Courtesy: Glenstone Museum, Potomac, Maryland. https://www.studiointernational.com/images/articles/k/042-kelly-ellsworth-2023/Yellow-curve-Kelly_Amstutz_SM.jpg Ellsworth Kelly. Yellow Curve, 1990. Acrylic on canvas on wood, 306 x 292 x 1 in (777 x 742 x 3 cm). © Ellsworth Kelly Foundation. Photo: Ron Amstutz. Courtesy: Glenstone Museum, Potomac, Maryland. https://www.studiointernational.com/images/articles/k/042-kelly-ellsworth-2023/Gate-Kelly-1000.jpg Ellsworth Kelly. From left: Gate, 1959. Painted aluminium, 67 x 63 x 17 in (170 x 160 x 43 cm). Collection Walker Art Center, Minneapolis; Gift of Kate Butler Peterson, 1997; Black Green, 1970. Oil on canvas, two joined panels, 110 x 84 in (279 x 213 cm). Glenstone. All artworks © Ellsworth Kelly Foundation. Photo: Ron Amstutz. Courtesy: Glenstone Museum, Potomac, Maryland. https://www.studiointernational.com/index.php/saint-francis-of-assisi-review-national-gallery-london https://www.studiointernational.com/images/articles/s/&092-st-francis-of-assisi-2023/X11586-online.jpg Andrea Büttner. Vogelpredigt (Sermon to the Birds), 2010. Woodcut on paper, 180 x 240 cm. Private collection. © Andrea Büttner. DACS 2023. https://www.studiointernational.com/images/articles/s/&092-st-francis-of-assisi-2023/N-4762-00-000024-A5c.jpg Sassetta. San Sepolcro Altarpiece. The Wolf of Gubbio, 1437-44. Egg tempera on poplar, 87 x 52.4 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/&092-st-francis-of-assisi-2023/N-0230-00-000043-A5c.jpg Francisco de Zurbarán. Saint Francis in Meditation, 1635-9. Oil on canvas, 152 x 99 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/&092-st-francis-of-assisi-2023/X10190-online.jpg Antony Gormley. Untitled (for Francis), 1985. Lead, fibreglass and plaster, 190 x 117 x 29 cm. Tate, London. © Antony Gormley / photo: Tate. https://www.studiointernational.com/images/articles/s/&092-st-francis-of-assisi-2023/X11539-online.jpg Bartolomé Esteban Murillo, 1617–1682. Saint Francis embracing the Crucified Christ, 1668-9. Oil on canvas, 291 x 191 cm. © Museo de Bellas Artes de Sevilla. https://www.studiointernational.com/images/articles/s/&092-st-francis-of-assisi-2023/X11542-online.jpg El Greco, 1541 – 1614. Saint Francis Receiving the Stigmata, 1590-95. Oil on canvas, 114 x 104 cm. © The National Gallery of Ireland, Dublin. https://www.studiointernational.com/images/articles/s/&092-st-francis-of-assisi-2023/X10212-online.jpg Michelangelo Merisi da Caravaggio, 1571–1610. Saint Francis of Assisi in Ecstasy, about 1595-96. Oil on canvas, 94 x 130 cm. Wadsworth Atheneum Museum of Art, Hartford, CT. The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund. © Wadsworth Atheneum Museum of Art / photo: Allen Phillips. https://www.studiointernational.com/images/articles/s/&092-st-francis-of-assisi-2023/N-4757-00-000028-A5c.jpg Sassetta. San Sepolcro Altarpiece. Saint Francis meets a Knight Poorer than Himself and Saint Francis's Vision of the Founding of the Franciscan Order, 1437-44. Egg tempera on poplar, 87 x 52.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/s/&092-st-francis-of-assisi-2023/N-4763-00-000023-A5c.jpg Sassetta. San Sepolcro Altarpiece. The Funeral of Saint Francis and Verification of the Stigmata, 1437-44. Egg tempera on poplar, 88.4 x 53.5 cm. © The National Gallery, London. https://www.studiointernational.com/index.php/hurvin-anderson-salon-paintings-review-the-hepworth-wakefield-2 https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/2016_HA_TDA06851_BHB_ph-Richard-Ivey.jpg Hurvin Anderson, B.H.B, 2016. © Hurvin Anderson. Courtesy the artist and Michael Werner Gallery, New York. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/2009_HA_TDA00891_Afrosheen.jpg Hurvin Anderson, Afrosheen, 2009. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/2016_HA_TDA05784_Is-It-Okay-To-Be-Black-_ph-Richard-Ivey.jpg Hurvin Anderson, Is It Ok To Be Black?, 2015. A 70th Anniversary Commission for the Arts Council Collection with New Art Exchange, Nottingham and Thomas Dane Gallery, Arts Council Collection, Southbank Centre, London. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/2012_HA_Studio-Drawing-9-(framed)_ph-Richard-Ivey.jpg Hurvin Anderson, Studio Drawing 9, 2012. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/2011_HA_Lust-for-Life_ph-Eva-Herzog.jpg Hurvin Anderson, Lust for Life, 2011. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/2006_HA_TDA06565_Studio-Drawing-1_ph-Richard-Ivey.jpg Hurvin Anderson, Studio Drawing 1, 2006. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/2008_HA_TDA00745_Flat-Top_ph-Hugh-Kelly.jpg Hurvin Anderson, Flat Top, 2008. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Hugh Kelly. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/2020_HA_TDA11407_Miss-Jamaica_ph-Ben-Westoby.jpg Hurvin Anderson, Miss Jamaica, 2021. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/hurvin-anderson-4.jpg Hurvin Anderson: Salon Paintings, The Hepworth Wakefield, 26 May – 5 November 2023. Courtesy of The Hepworth Wakefield. Photo: Anya Raczka. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/hurvin-anderson-7.jpg Hurvin Anderson: Salon Paintings, The Hepworth Wakefield, 26 May – 5 November 2023. Courtesy of The Hepworth Wakefield. Photo: Anya Raczka. https://www.studiointernational.com/images/articles/a/011-anderson-hurvin-2023/hurvin-anderson-9.jpg Hurvin Anderson: Salon Paintings, The Hepworth Wakefield, 26 May – 5 November 2023. Courtesy of The Hepworth Wakefield. Photo: Anya Raczka. https://www.studiointernational.com/index.php/kent-chan-future-tropics-review-gasworks-london https://www.studiointernational.com/images/articles/c/&096-chan-kent-2023/kent-chan-barrels-50.jpg Kent Chan, Future Tropics, 2023. Exhibition view. Commissioned and produced by Gasworks. Photo: Andy Keate https://www.studiointernational.com/images/articles/c/&096-chan-kent-2023/kent-chan-monsoon01_IGtN8Vx.jpg Kent Chan, Future Tropics, 2023. Exhibition view. Commissioned and produced by Gasworks. Photo: Andy Keate. https://www.studiointernational.com/images/articles/c/&096-chan-kent-2023/kent-chan-warm-fronts-09_YupKHVM.jpg Kent Chan, Future Tropics, 2023. Exhibition view. Commissioned and produced by Gasworks. Photo: Andy Keate. https://www.studiointernational.com/images/articles/c/&096-chan-kent-2023/kent-chan-four-screens-26_1ImyEWJ.jpg Kent Chan, Future Tropics, 2023. Exhibition view. Commissioned and produced by Gasworks. Photo: Andy Keate. https://www.studiointernational.com/images/articles/c/&096-chan-kent-2023/kent-chan-FT_Left.jpg Kent Chan, Future Tropics, 2023. Film still composite. Two-channel video. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/&096-chan-kent-2023/kent-chan-FT_Gardens.jpg Kent Chan, Future Tropics, 2023. Film still composite. Two-channel video. Courtesy of the artist. https://www.studiointernational.com/images/articles/c/&096-chan-kent-2023/kent-chan-1000-42.jpg Kent Chan, Future Tropics, 2023. Exhibition view. Commissioned and produced by Gasworks. Photo: Andy Keate https://www.studiointernational.com/index.php/paul-smith-video-interview-picasso-celebration-the-collection-in-a-new-light https://www.studiointernational.com/images/articles/p/025-picasso-paul-smith-2023/Celebration-Picasso-(Vinciane-Lebrun)-3605.jpg Picasso Celebration: The Collection in a New Light, installation view, Musée National Picasso-Paris. Copyright Musée National Picasso-Paris, Voyez-Vous (Vinciane Lebrun) and Succession Picasso 2023. https://www.studiointernational.com/images/articles/p/025-picasso-paul-smith-2023/Celebration-Picasso-(Vinciane-Lebrun)-3673.jpg Picasso Celebration: The Collection in a New Light, installation view, Musée National Picasso-Paris. Copyright Musée National Picasso-Paris, Voyez-Vous (Vinciane Lebrun) and Succession Picasso 2023. https://www.studiointernational.com/images/articles/p/025-picasso-paul-smith-2023/Celebration-Picasso-(Vinciane-Lebrun)-3573.jpg Picasso Celebration: The Collection in a New Light, installation view, Musée National Picasso-Paris. Copyright Musée National Picasso-Paris, Voyez-Vous (Vinciane Lebrun) and Succession Picasso 2023. https://www.studiointernational.com/images/articles/p/025-picasso-paul-smith-2023/Celebration-Picasso-(Vinciane-Lebrun)-4026.jpg Picasso Celebration: The Collection in a New Light, installation view, Musée National Picasso-Paris. Copyright Musée National Picasso-Paris, Voyez-Vous (Vinciane Lebrun) and Succession Picasso 2023. https://www.studiointernational.com/images/articles/p/025-picasso-paul-smith-2023/Celebration-Picasso-(Vinciane-Lebrun)-3437.jpg Picasso Celebration: The Collection in a New Light, installation view, Musée National Picasso-Paris. Copyright Musée National Picasso-Paris, Voyez-Vous (Vinciane Lebrun) and Succession Picasso 2023. https://www.studiointernational.com/images/articles/p/025-picasso-paul-smith-2023/Celebration-Picasso-(Vinciane-Lebrun)-3720.jpg Picasso Celebration: The Collection in a New Light, installation view, Musée National Picasso-Paris. Copyright Musée National Picasso-Paris, Voyez-Vous (Vinciane Lebrun) and Succession Picasso 2023. https://www.studiointernational.com/images/articles/p/025-picasso-paul-smith-2023/Celebration-Picasso-(Vinciane-Lebrun)-3993.jpg Picasso Celebration: The Collection in a New Light, installation view, Musée National Picasso-Paris. Copyright Musée National Picasso-Paris, Voyez-Vous (Vinciane Lebrun) and Succession Picasso 2023. https://www.studiointernational.com/images/articles/p/025-picasso-paul-smith-2023/Celebration-Picasso-(Vinciane-Lebrun)-4118.jpg Picasso Celebration: The Collection in a New Light, installation view, Musée National Picasso-Paris. Copyright Musée National Picasso-Paris, Voyez-Vous (Vinciane Lebrun) and Succession Picasso 2023. https://www.studiointernational.com/images/articles/p/025-picasso-paul-smith-2023/Celebration-Picasso-(Vinciane-Lebrun)-3393.jpg Cécile Debray, Curator and President of the Musée National Picasso-Paris and Sir Paul Smith, Guest Artistic Director. Copyright Musée National Picasso-Paris, Voyez-Vous (Vinciane Lebrun) and Succession Picasso 2023. https://www.studiointernational.com/index.php/tomas-saraceno-in-collaboration-webs-of-life https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-05.jpg Tomás Saraceno In Collaboration: Web(s) of Life, Serpentine, London, 2023. Photo: Studio Tomás Saraceno. https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-02.jpg Web.Life 202.3 (detail). Courtesy the spider/webs. Photo: Studio Tomás Saraceno. https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-07.jpg In the shadows, 2023, & Cloud Cities: Species of Spaces and Other Pieces*, 2023. Installation view at Tomás Saraceno In Collaboration: Web(s) of Life, Serpentine, London, 2023. Photo: Studio Tomás Saraceno. https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-11.jpg On 25 January 2020, 32 world records, recognised by FAI were set by Aerocene with Leticia Noemi Marques, flying with the message https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-09.jpg Cloud Cities: Species of Spaces and Other Pieces*, 2023. Installation view at Tomás Saraceno In Collaboration: Web(s) of Life, Serpentine, London, 2023. Photo: Studio Tomás Saraceno. https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-06.jpg The birds will keep calling you, 2023. Installation view at Tomás Saraceno In Collaboration: Web(s) of Life, Serpentine, London, 2023. Photo: Studio Tomás Saraceno. https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-12.jpg Portrait of Tomás Saraceno by Dario J Laganà. © Photo: Studio Tomás Saraceno, 2023. https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-01.jpg World(ing)WideWeb(s).Life, 2023. Installation view, Tomás Saraceno In Collaboration: Web(s) of Life, Serpentine, London, 2023. Photo: Studio Tomás Saraceno. https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-04.jpg ArachnoAnacróArcano, 2023. Installation view, Tomás Saraceno In Collaboration: Web(s) of Life, Serpentine, London, 2023. Photo: Studio Tomás Saraceno. https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-08.jpg Cloud Cities: Species of Spaces and Other Pieces*, 2023. Installation view at Tomás Saraceno In Collaboration: Web(s) of Life, Serpentine, London, 2023. Photo: Studio Tomás Saraceno. https://www.studiointernational.com/images/articles/s/&091-saraceno-tomas-2023/saraceno-10.jpg Cloud Imagination, 2023. Installation view at Tomás Saraceno In Collaboration: Web(s) of Life, Serpentine, London, 2023. Photo: Studio Tomás Saraceno. https://www.studiointernational.com/index.php/chris-ofili-the-seven-deadly-sins-review-victoria-miro-london https://www.studiointernational.com/images/articles/o/079-ofili-chris-2023/Chris-Ofili_The-Seven-Deadly-Sins_12.jpg Chris Ofili: The Seven Deadly Sins, installation view, Victoria Miro, Wharf Road, London, 2023. © Chris Ofili. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/o/079-ofili-chris-2023/Chris-Ofili,-The-Fountain,-2017-2023.jpg Chris Ofili, The Fountain, 2017-23. Oil and charcoal on linen, 310 x 200 cm (122 x 78 3/4 in). © Chris Ofili. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/o/079-ofili-chris-2023/Chris-Ofili,-The-Swing,-2020-2023.jpg Chris Ofili, The Swing, 2020-23. Oil and charcoal on linen, 310 x 200 cm (122 x 78 3/4 in). © Chris Ofili. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/o/079-ofili-chris-2023/Chris-Ofili,-The-Great-Beauty,-2020-2023.jpg Chris Ofili, The Great Beauty, 2020-23. Oil and charcoal on linen, 200 x 310 cm (78 3/4 x 122 in). © Chris Ofili. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/o/079-ofili-chris-2023/Chris-Ofili_The-Seven-Deadly-Sins_4.jpg Chris Ofili: The Seven Deadly Sins, installation view, Victoria Miro, Wharf Road, London, 2023. © Chris Ofili. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/tom-wood-i-started-doing-portraits-of-these-kids-hanging-around-on-drugs-photie-man-walker-art-gallery-liverpool https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Brothers-fighting,-Vale-Park,-1980s.jpg Tom Wood, Brothers fighting, Vale Park, 1980s. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Grimace-girl,-1986.jpg Tom Wood, Grimace girl, 1986. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Tom-Wood,-Cammell-Laird-series.jpg Tom Wood, Cammell Laird series. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/ntlemen,-(Cowley,-Oxford)-1973.jpg Tom Wood, https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Finding-a-pair-(colour-film)-1990.jpg Tom Wood, Finding a pair (colour film), 1990. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Rachel,-age-17,-1985.jpg Tom Wood, Rachel, age 17, 1985. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Untitled-(bubblegum),-1989.jpg Tom Wood, Untitled (bubblegum), 1989. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Double-grope-leg-over,-1985.jpg Tom Wood, Double grope leg over, 1985. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Lime-Street,-lives-passing-by,-1995.jpg Tom Wood, Lime Street, lives passing by, 1995. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Camera-turned-on-Tom-at-Chelsea-Reach-nighclub,-New-Brighton,-Merseyside-1985.jpg Tom Wood, Camera turned on Tom at Chelsea Reach nighclub, New Brighton, Merseyside, 1985. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Gangolads,-Anfield,-1992.jpg Tom Wood, Gangolads, Anfield, 1992. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Mirror-Mersey,-1989.jpg Tom Wood, Mirror Mersey, 1989. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Not-Miss-New-Brighton,-1978-79.jpg Tom Wood, Not Miss New Brighton, 1978-79. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Tom-Wood,-Cammell-Laird-Series-3.jpg Tom Wood, Cammell Laird Series 3. © the artist. https://www.studiointernational.com/images/articles/w/040-wood-tom-2023/Walking-through-shoes,-1991.jpg Tom Wood, Walking through shoes, 1991. © the artist. https://www.studiointernational.com/index.php/the-god-that-failed-review-louise-bourgeois-barnett-newman-mark-rothko-hauser-and-wirth-zurich-bahnhofstrasse https://www.studiointernational.com/images/articles/t/059-the-god-that-failed-2023/06.jpg Louise Bourgeois, Untitled, 1953. Bronze, 150.5 x 21.6 x 21.6 cm (59 1/4 x 8 1/2 x 8 1/2 in). © The Easton Foundation / 2023, ProLitteris, Zurich. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/t/059-the-god-that-failed-2023/01.jpg The God that Failed: Louise Bourgeois, Barnett Newman, Mark Rothko,installation view, Hauser & Wirth Zurich, Bahnhofstrasse, 2023. © The Easton Foundation / 2023, ProLitteris, Zurich © The Barnett Newman Foundation, New York / 2023, ProLitteris, Zurich © 1998 Kate Rothko Prizel & Christopher Rothko / 2023, ProLitteris, Zurich. Photo: Stefan Altenburger Photography Zürich. https://www.studiointernational.com/images/articles/t/059-the-god-that-failed-2023/07.jpg Louise Bourgeois, Untitled, 1954. Painted bronze and stainless steel, 141 x 55.2 x 30.5 cm (55 1/2 x 21 3/4 x 12 in). © The Easton Foundation / 2023, ProLitteris, Zurich. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/t/059-the-god-that-failed-2023/08.jpg Barnett Newman, Genetic Moment, 1947. Oil on canvas, 96.5 x 71 cm. Fondation Beyeler, Riehen/Basel, Beyeler Collection. Gift of Annalee Newman, New York. © The Barnett Newman Foundation, New York / 2023, ProLitteris, Zurich. Photo: Cantz Medienmanagement, Ostfildern. https://www.studiointernational.com/images/articles/t/059-the-god-that-failed-2023/Mark-Rothko-Fantasy-(Untitled)-1945.jpg Mark Rothko, Fantasy (Untitled), 1945. Oil on canvas, 135.3 x 99.1 x 2.1 cm (53 1/4 x 39 x 7/8 in). © 1998 Kate Rothko Prizel & Christopher Rothko / 2023, ProLitteris, Zürich. Private Collection, New York. Photo: Jon Etter. https://www.studiointernational.com/images/articles/t/059-the-god-that-failed-2023/03.jpg The God that Failed: Louise Bourgeois, Barnett Newman, Mark Rothko,installation view, Hauser & Wirth Zurich, Bahnhofstrasse, 2023. © The Easton Foundation / 2023, ProLitteris, Zurich © The Barnett Newman Foundation, New York / 2023, ProLitteris, Zurich © 1998 Kate Rothko Prizel & Christopher Rothko / 2023, ProLitteris, Zurich. Photo: Stefan Altenburger Photography Zürich. https://www.studiointernational.com/images/articles/t/059-the-god-that-failed-2023/04.jpg The God that Failed: Louise Bourgeois, Barnett Newman, Mark Rothko,installation view, Hauser & Wirth Zurich, Bahnhofstrasse, 2023. © The Easton Foundation / 2023, ProLitteris, Zurich © The Barnett Newman Foundation, New York / 2023, ProLitteris, Zurich © 1998 Kate Rothko Prizel & Christopher Rothko / 2023, ProLitteris, Zurich. Photo: Stefan Altenburger Photography Zürich. https://www.studiointernational.com/images/articles/t/059-the-god-that-failed-2023/05.jpg Louise Bourgeois, Forêt (Night Garden), 1953. Bronze with brown and black patina and white paint, 92.1 x 47 x 36.8 cm (36 1/4 x 18 1/2 x 14 1/2 in). © The Easton Foundation / 2023, ProLitteris, Zurich. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/t/059-the-god-that-failed-2023/10.jpg Louise Bourgeois with her sculpture THE VISITORS ARRIVE AT THE DOOR on the roof of Stuyvesant's Folly, at 142 East 18th Street, circa 1944. Photo: © The Easton Foundation / 2023, ProLitteris, Zurich. https://www.studiointernational.com/index.php/capturing-the-moment-a-journey-through-painting-and-photography-review-tate-modern-london https://www.studiointernational.com/images/articles/c/&095-capturing-the-moment-2023/Dorothea-Lange,-Migrant-Mother,-Nipomo,-California,-1936.jpg Dorothea Lange, Migrant Mother, Nipomo, California, 1936. Printed c1950. Tate. Photo: Tate (Jai Monaghan). https://www.studiointernational.com/images/articles/c/&095-capturing-the-moment-2023/Paula-Rego,-War-2003.jpg Paula Rego, War, 2003. © Paula Rego. Image © Tate (Oliver Cowling). https://www.studiointernational.com/images/articles/c/&095-capturing-the-moment-2023/Louise-Lawler,-Splash,-2006.jpg Louise Lawler, Splash, 2006. Printed 2012. Tate. © Louise Lawler. https://www.studiointernational.com/images/articles/c/&095-capturing-the-moment-2023/Gerhard-Richter,-Two-Candles,-1982.-Gerhard-Richter,-Two-Candles,-1982.jpg Gerhard Richter, Two Candles, 1982. Yageo Foundation Collection. © Gerhard Richter 2022. https://www.studiointernational.com/images/articles/c/&095-capturing-the-moment-2023/Richard-Hamilton,-Towards-a-definitive-statement.jpg Richard Hamilton, Towards a definitive statement on the coming trends in menswear and accessories (a) Together let us explore the stars, 1962. Tate © The estate of Richard Hamilton. Photo: Tate (Oliver Cowling & Lucy Green). https://www.studiointernational.com/images/articles/c/&095-capturing-the-moment-2023/Alice-Neel,-Puerto-Rican-Boys-on-108th-Street,-1955.jpg Alice Neel, Puerto Rican Boys on 108th Street, 1955. Tate © The estate of Alice Neel. Photo: Tate. https://www.studiointernational.com/images/articles/c/&095-capturing-the-moment-2023/Andreas-Gursky,-May-Day-IV,-2000-DACS-2023.jpg Andreas Gursky, May Day IV, 2000. Yageo Foundation, Taiwan. © Andreas Gursky, courtesy Sprüth Magers Berlin / London DACS 2023. https://www.studiointernational.com/images/articles/c/&095-capturing-the-moment-2023/Francis-Bacon,-Study-for-a-Pope-VI,-1961-DACS.jpg Francis Bacon, Study for a Pope VI, 1961. Yageo Foundation Collection, Taiwan. © The Estate of Francis Bacon. All rights reserved. DACS. https://www.studiointernational.com/images/articles/c/&095-capturing-the-moment-2023/Pauline-Boty,-Portrait-of-Derek-Marlowe-with-Unknown-Ladies.jpg Pauline Boty, Portrait of Derek Marlowe with Unknown Ladies. © The estate of Pauline Boty. Image © Tate. https://www.studiointernational.com/index.php/george-gittoes-the-spirit-of-art-cannot-be-suppressed-by-the-barbarity-of-war-ukraine https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/Hellen-Rose-performance-at-HOUSE-OF-ARTUkrainistan-film-still-copy.jpg Hellen Rose, performance at Central House of Culture, Irpin. Ukrainistan film still, 2022. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/YHJ-Group-Photo-with-Sufi2015-copy.jpg The Yellow House, Jalalabad. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/Bridge-of-Death,-Ukraine,-pencil-drawing-2022-copy.jpg George Gittoes, Bridge of Death, Irpin, 2022. Pencil on paper, 84 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/The-Defiler-copy-pencil-drawing,-Ukraine-2022.jpg George Gittoes, The Defiler, 2022. Pencil on paper, 84 x 60 cm. A triptych of three drawings. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/World-News--Ukraine,-pencil-drawing-2022copy.jpg George Gittoes, World News, Ukraine, 2022. Pencil on paper, 84 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/House-of-Culture-copy.jpg George Gittoes, House of Culture, 2022. Acrylic and oil on canvas, 184 x 250 cm. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/Kiss-of-Death.jpg George Gittoes, Kiss of Death, 2022. Ink drawing, 14.8 x 21 cm. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/GG-and-Eva-and-mural.jpg George Gittoes with Eva and Warhouse mural in progress, the Central House of Culture, Irpin. 2023. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/P_Dead-Russian-2022-(184x250cm)-copy.jpg George Gittoes, Dead Russian, 2022. Acrylic on canvas, 184 x 250 cm. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/P_Bridge-of-Death-copy-Victory-Triptych.jpg George Gittoes, Victory Triptych, Bridge of Death, 2022. Acrylic on canvas, 184 x 250 cm. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/P_Russian-Bear-copy-Victory-Triptych.jpg George Gittoes, Victory Triptych, Russian Bear, 2022. Acrylic on canvas, 184 x 250 cm. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/Russian-monster-mural.jpg George Gittoes, Russian Monster mural, Borodyanka, 2023, adjacent to Judo mural by Banksy. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/GGittoes-with-judo-child-and-judo-Putincopy.jpg George Gittoes with mural by Banksy, Borodyanka, 2023. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/Ave-Libertatemaveamor-Insect-drawing.jpg Ave Libertatemaveamor, Insect drawing, 2021. Pen and ink on paper. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/Working-with-Ave-2023.jpg George Gittoes and Ave Libertatemaveamor, Central House of Culture exhibition, Irpin, 2023. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/Eva-and-her-box-of-memorIes.jpg George Gittoes, Eva and her Memories, 2023. Pencil drawing, 84 x 60 cm. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/Kyiv-Fool.jpg George Gittoes, Kyiv Fool, 2023. Pen and ink, 29 x 21 cm. Based on the painting Stañczyk, 1862 by the Polish artist Jan Matejko. Pen and ink. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/QAG-Victory-Triptych-2023--8-copy-2.jpg George Gittoes, Victory Triptych, installation view, Queensland Art Gallery, Brisbane, Australia, 2022. Three panels, acrylic on canvas, each 184 x 250 cm. © the artist. https://www.studiointernational.com/images/articles/g/033-gittoes-george-2023/WARHOUSE-SIDE.jpg George Gittoes, Warhouse mural, Central House of Culture, Irpin. 2023. https://www.studiointernational.com/index.php/martin-wong-malicious-mischief-review-camden-art-centre-london https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-03.jpg Martin Wong, Everything Must Go, 1983. Acrylic on canvas, 121.9 x 152.4 cm. Courtesy of the Martin Wong Foundation and P.P.O.W, New York. © Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-02.jpg Martin Wong, My Secret World 1978-81, 1984. Acrylic on canvas, 121.9 x 172.7 cm. Courtesy of the Martin Wong Foundation and P.P.O.W, New York. © Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-11.jpg Portrait of Martin Wong (in exchange for drawings) by Baird Jones, NYC, 1984. Courtesy of the Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-01.jpg Martin Wong, Tell My Troubles to the Eight Ball (Eureka), 1978-81. Acrylic on canvas, 121.9 x 121.9 cm. Courtesy of the Martin Wong Foundation and P.P.O.W, New York. © Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-06.jpg Martin Wong, Malicious Mischief, 1991. Acrylic on canvas. Courtesy of the Martin Wong Foundation and P.P.O.W, New York. © Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-08.jpg Martin Wong, Mrs. Liberty Face, 1990. Acrylic on linen, 80.1 x 118.1 cm. Courtesy of the Martin Wong Foundation, P.P.O.W, New York and Galerie Buchholz © Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-09.jpg Martin Wong, Did I Ever Have a Chance, 1999. Acrylic on canvas, 154.9 x 121.9 cm. Courtesy of the Martin Wong Foundation and P.P.O.W Gallery, New York © Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-05.jpg Martin Wong, Cell Door Slot, 1986. Acrylic on canvas, 45.7 x 71.1 cm. Courtesy of the Martin Wong Foundation and P.P.O.W, New York. © Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-04.jpg Martin Wong, Psychiatrists Testify: Demon Dogs Drive Man to Murder, 1980. Acrylic on canvas, 91.4 x 121.9 cm. Courtesy of the Martin Wong Foundation, P.P.O.W, New York and Galerie Buchholz. © Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-07.jpg Martin Wong, Untitled (Green Storefront), 1984. Acylric on canvas, 203.2 x 304.8 cm. Courtesy of the Martin Wong Foundation and P.P.O.W, New York. © Martin Wong Foundation. https://www.studiointernational.com/images/articles/w/039-wong-martin-2023/martin-wong-10.jpg Martin at his solo exhibition at Exit Art, 1988. Photo: Florence Wong Fie. Courtesy of the Martin Wong Foundation. https://www.studiointernational.com/index.php/art-and-artifice-fakes-from-the-collection-review-courtauld-gallery-london https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/03-Forgery-in-the-manner-of-Auguste-Rodin-(1840-1917),-Seated-Female-Nude-(Samuel-Courtauld-Trust).jpg Forgery in the manner of Auguste Rodin (1840-1917), Seated female nude, graphite and stumping. The Courtauld, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/Pouting-1920s-Botticelli-Madonna.jpg Umberto Giunti (1886-1970), Forgery in the manner of Sandro Botticelli (1444/1445-1510), Virgin and Child, 1920s (detail). Egg tempera on wood panel. The Courtauld, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/09-Icilo-Fererico-Joni-(1866-1946),-Virgin-and-Child-with-Saints-(Samuel-Courtauld-Trust).jpg Icilo Fererico Joni (1866-1946), Virgin and Child with Saints, oil paint and gold leaf on panel. The Courtuald, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/06-Forgery-in-the-manner-of-Francisco-de-Goya-y-Lucientes-(1746-1828)-(Samuel-Courtauld-Trust).jpg Forgery in the manner of Francisco de Goya y Lucientes (1746-1828), Figures seated by a rock, brush and brown wash. The Courtauld, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/04-Jacob-Savery-I-(1566-1603),-Forgery-in-the-manner-of-Pieter-Bruegel-the-Elder-(1525---1569),-Rocky-landscape-with-a-castle,-(Samuel-Courtauld-Trust).jpg Jacob Savery I (1566-1603), Forgery in the manner of Pieter Bruegel the Elder (1525/30-1569), Rocky landscape with a castle, around 1590, traces of black chalk, pen and brown ink. The Courtauld, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/01-Forgery-in-the-manner-of-John-Constable-(1776-1837),-Seascape,-(Samuel-Courtauld-Trust).jpg Forgery in the manner of John Constable (1776-1837), Seascape, watercolour. The Courtauld, London (Samuel Courtauld Trust) https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/CU-detail-hideous-non-Seurat.jpg Detail of a fake painting purchased by Samuel Courtauld as a genuine work by Georges Seurat. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/05-Han-van-Meegeren-(1889-1947),-Forgery-in-the-manner-of-Dirk-van-Baburen-(c1595-1624),-The-Procuress,-(Samuel-Courtauld-Trust).jpg Han van Meegeren (1889-1947), Forgery in the manner of Dirk van Baburen (c1595-1624), The Procuress, around 1930, oil paint on canvas. The Courtauld, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/02-Umberto-Giunti-(1886---1970),-Forgery-in-the-manner-of-Sandro-Botticelli-(1444_1445-1510),-Virgin-and-Child,-1920s-(Samuel-Courtauld-Trust).jpg Umberto Giunti (1886-1970), Forgery in the manner of Sandro Botticelli (1444/1445-1510), Virgin and Child, 1920s. Egg tempera on wood panel. The Courtauld, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/07-Marcantonio-Raimondi-(around-1480--(Samuel-Courtauld-Trust).jpg Marcantonio Raimondi (around 1480 – around 1530), after Albrecht Dürer (1471-1528), The Meeting of Saints Anne and Joachim at the Golden Gate, engraving, around 1506. The Courtauld, London (Samuel Courtauld Trust). https://www.studiointernational.com/images/articles/a/010-art-and-artifice-2023/08-Dish-with-a-portrait-of-Marco-Barbarigo-(Samuel-Courtauld-Trust).jpg Dish with a portrait of Marco Barbarigo, probably Venice, probably 1850-58, tin-glazed earthenware. The Courtauld, London (Samuel Courtauld Trust). https://www.studiointernational.com/index.php/alberta-whittle-create-dangerously-review-scottish-national-gallery-of-modern-art https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/12-Taking-a-leap-toward-the-ancestors-(remembering-G).jpg Alberta Whittle, Taking a leap toward the ancestors (remembering G), 2022. Raffia, acrylic, cotton, doillies, wool, felt, Florida Water and Bay Rum on linen, 153 x 153 x 20 cm (60 1/4 x 60 1/4 x 7 7/8 in). Courtesy of the artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Patrick Jameson. https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/10-Dreaming-Other-ways.jpg Alberta Whittle, Dreaming Other-ways, 2021. C-type digital collage, diasec mounted on aluminium, 64.1 x 90.3cm (25 1/4 x 35 1/2). Courtesy of the artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Patrick Jameson. https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/05-Entanglement-is-more-than-blood.jpg Alberta Whittle, Tapestry woven by Dovecot Studios. Cotton, linen, whaling rope, fishing rope, Venetian trading beads, children https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/07-Holding-The-Line.jpg Alberta Whittle, Holding the Line: A refrain in two parts, 2021 (film still). Courtesy of the artist and The Modern Institute / Toby Webster Ltd., Glasgow. https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/08-C-is-for-Colonial-Fantasy.jpg Alberta Whittle, C is for Colonial Fantasy, 2017. C-type digital collage, diasec mounted on aluminium 61 x 91.4 cm (24 x 36 in). Courtesy of the Artist and The Modern Institute / Toby Webster Ltd., Glasgow. https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/04-Lagareh-The-Last-Born.jpg Alberta Whittle, Lagareh – The Last Born, 2022. Installation view ‘deep dive (pause) uncoiling memory’, Scotland + Venice, 59th Venice Biennale, 2022. Co-commissioned and produced by Scotland + Venice and Forma for the 59th International Art Exhibition – La Biennale di Venezia. Courtesy of the artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Cristiano Corte. https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/03-Lagareh-The-Last-Born.jpg Alberta Whittle, Lagareh – The Last Born, 2022. Lagareh is co-commissioned and produced by Scotland + Venice and Forma for the 59th International Art Exhibition – La Biennale di Venezia. Courtesy of the artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Jaryd Niles-Morris. https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/06-Entanglement-is-more-than-blood.jpg Alberta Whittle, Tapestry woven by Dovecot Studios. Cotton, linen, whaling rope, fishing rope, Venetian trading beads, children's hair clips, manillas, and cowrie shells; steel. National Galleries of Scotland. Purchased with assistance from Lesley Knox 2023. Co-commissioned by Scotland+Venice and Dovecot Studios, Edinburgh. Photo: Neil Hanna. https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/09-Celestial-Meditations-V.jpg Alberta Whittle, Celestial Meditations V, 2018. C-type digital collage, diasec mounted on aluminium, 86.7 x 122.6 cm (34 1/8 x 48 1/4 in). Courtesy of the artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Patrick Jameson. https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/11-Throwing-bones-for...jpg Alberta Whittle, Throwing bones for (...), July 13, 2021. Water colour on paper 42 x 29.7 cm (16 1/2 x 11 3/4 in). Courtesy of the Artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Patrick Jameson. https://www.studiointernational.com/images/articles/w/038-whittle-alberta-2023/13-Tracing-shadows-amongst-the-crows.jpg Alberta Whittle, Tracing shadows amongst the crows, 2022. Raffia, acrylic, cotton, doillies, hooded sweatshirt, wool, felt, sequins, Florida Water and Bay Rum on linen, 165 x 172 x 20 cm (65 x 67 3/4 x 7 7/8 in). Courtesy of the artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Patrick Jameson. https://www.studiointernational.com/index.php/leonor-antunes-the-apparent-length-of-a-floor-area-review-fruitmarket-edinburgh https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0428_s.jpg Leonor Antunes, The Apparent Length of a Floor Area, installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0221.jpg Leonor Antunes, The homemaker and her domain II, 2022. Installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0249.jpg Leonor Antunes, The homemaker and her domain II, 2022. Installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0324.jpg Leonor Antunes, The Apparent Length of a Floor Area, installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0468_s.jpg Leonor Antunes, Discrepancies with M.S. #9 (detail), 2020. Courtesy of the artist and Kurimanzutto, Mexico City / New York. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0432_s.jpg Leonor Antunes, The Apparent Length of a Floor Area, installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0466_s.jpg Leonor Antunes, Discrepancies with M.S. #5 (detail), 2020. Courtesy the artist, kurimanzutto, Mexico City/New York. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0212_s.jpg Leonor Antunes, The homemaker and her domain II, 2022. Installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0220.jpg Leonor Antunes, The homemaker and her domain II, 2022. Installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0270.jpg Leonor Antunes, The homemaker and her domain II, 2022. Installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0273.jpg Leonor Antunes, The homemaker and her domain II, 2022. Installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0331.jpg Leonor Antunes, The Apparent Length of a Floor Area, installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0334.jpg Leonor Antunes, The Apparent Length of a Floor Area, installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/images/articles/a/009-antunes-leonor-2023/LA_0427_s.jpg Leonor Antunes, The Apparent Length of a Floor Area, installation view, Fruitmarket, Edinburgh, 2023. Courtesy the artist, kurimanzutto, Mexico City / New York and Marian Goodman Gallery. Photo: Nick Ash. https://www.studiointernational.com/index.php/dear-earth-art-and-hope-in-a-time-of-crisis-review-hayward-gallery-london https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Otobong-Nkanga,-Dear-Earth_-Art-and-Hope-in-a-Time-of-Crisis-(1).jpg Installation view of Otobong Nkanga, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Andrea-Bowers,-Dear-Earth_-Art-and-Hope-in-a-Time-of-Crisis-1.jpg Installation view of Andrea Bowers, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Himali-Singh-Soin,-Dear-Earth_-Art-and-Hope-in-a-Time-of-Crisis.jpg Installation view of Himali Singh Soin, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Imani-Jacqueline-Brown.jpg Installation view of Imani Jacqueline Brown, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Hito-Steyerl.jpg Installation view of Hito Steyerl, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Cornelia-Parker,-Dear-Earth.jpg Installation view of Cornelia Parker, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Cristina-Iglesias,-Dear-Earth.jpg Installation view of Cristina Iglesias, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Daiara-Tukano,-Dear-Earth.jpg Installation view of Daiara Tukano, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Agnes-Denes,-Dear-Earth.jpg Installation view of Agnes Denes, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Jenny-Kendler,-Dear-Earth.jpg Installation view of Jenny Kendler, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Richard-Mosse,-Dear-Earth.jpg Installation view of Richard Mosse, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/d/049-dear-earth-2023/Aluaiy-Kaumakan.jpg Installation view of Aluaiy Kaumakan, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery. https://www.studiointernational.com/index.php/tino-sehgal-video-interview-manchester-international-festival-2023 https://www.studiointernational.com/images/articles/m/001-mif-2023/Tino-Sehgal-and-Juan-Mata-This-entry-at-Manchester-International-Festival-2023_image-credit-David-Levene-22.jpg Tino Sehgal and Juan Mata, This Entry, at Manchester International Festival 2023. Photo: David Levene. https://www.studiointernational.com/index.php/ryan-gander-video-interview-manchester-international-festival-2023 https://www.studiointernational.com/images/articles/m/001-mif-2023/The-Find-by-Ryan-Gander,-Commissioned-and-produced-by-Factory-International-for-Manchester-international-Festival.jpg The Find by Ryan Gander, Commissioned and produced by Factory International for Manchester International Festival 2023. https://www.studiointernational.com/images/articles/m/001-mif-2023/Ryan-Gander-TheFind_0551_LeeBaxter.jpg The Find by Ryan Gander, Commissioned and produced by Factory International for Manchester international Festival 2023. Photo: Lee Baxter. https://www.studiointernational.com/images/articles/m/001-mif-2023/ryan-gander-billboard-2-IMG_7737.jpg Ryan Gander in front of https://www.studiointernational.com/images/articles/m/001-mif-2023/Ryan-Gander-TheFind_0575_LeeBaxter.jpg The Find by Ryan Gander, Commissioned and produced by Factory International for Manchester international Festival 2023. Photo: Lee Baxter. https://www.studiointernational.com/index.php/risham-syed-video-interview-manchester-international-festival-2023 https://www.studiointernational.com/images/articles/m/001-mif-2023/risham-syed-mif-2023-mayfield-park-view-1.jpg Risham Syed, Each Tiny Drop, Mayfield Park, Manchester International Festival 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/001-mif-2023/risham-syed-mif-2023-mayfield-park-view-7.jpg Risham Syed, Each Tiny Drop, Mayfield Park, Manchester International Festival 2023. Unfired terracotta pots. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/001-mif-2023/risham-syed-mif-2023-mayfield-park-view-8.jpg Risham Syed, Each Tiny Drop, Mayfield Park, Manchester International Festival 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/001-mif-2023/risham-syed-mif-2023-mayfield-park-view-4.jpg Risham Syed, Each Tiny Drop, Mayfield Park, Manchester International Festival 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/001-mif-2023/risham-syed-mif-2023-mayfield-park-view-2.jpg Risham Syed, Each Tiny Drop, Mayfield Park, Manchester International Festival 2023. Kinetic Art Works by Savinder Bual. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/001-mif-2023/risham-syed-mif-2023-mayfield-park-view-3.jpg Risham Syed, Each Tiny Drop, Mayfield Park, Manchester International Festival 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/001-mif-2023/risham-syed-mif-2023-mayfield-park-view-5.jpg Risham Syed, Each Tiny Drop, Mayfield Park, Manchester International Festival 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/001-mif-2023/risham-syed-mif-2023-mayfield-park-view-6.jpg Risham Syed, Each Tiny Drop, Mayfield Park, Manchester International Festival 2023. Kinetic Art Works by Savinder Bual. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/manchester-international-festival-2023-review-tino-sehgal-ryan-gander-risham-syed-artist-interviews https://www.studiointernational.com/images/articles/m/001-mif-2023/Aviva-Studios-home-of-Factory-International-June-2023-Manchester-UK.jpg Aviva Studios,Manchester, home of Factory International, June 2023. Photo: David Levene. https://www.studiointernational.com/images/articles/m/001-mif-2023/yayoi-kusama-IMG_7729.jpg Yayoi Kusama, You, Me and the Balloons, installation view, Manchester International Festival 2023, Aviva Studios. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/001-mif-2023/Tino-Sehgal-and-Juan-Mata-This-entry-at-Manchester-International-Festival-2023_image-credit-David-Levene-22.jpg Tino Sehgal and Juan Mata, This Entry at Manchester International Festival 2023. Photo: David Levene. https://www.studiointernational.com/images/articles/m/001-mif-2023/yayoi-kusama-IMG_7732.jpg Yayoi Kusama, You, Me and the Balloons, installation view, Manchester International Festival 2023, Aviva Studios. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/georgia-o-keeffe-memories-of-drawings-review-broadway-gallery-letchworth-garden-city https://www.studiointernational.com/images/articles/o/078-okeeffe-georgia-2023/Georgia-O-Keeffe,-Banana-Flower,-1933,-from-Some-Memories-of-Drawings,-1974.jpg Georgia O https://www.studiointernational.com/images/articles/o/078-okeeffe-georgia-2023/Georgia-O-Keeffe,-Drawing-No.-17,-1919,-from-Some-Memories-of-Drawings,-1974.jpg Georgia O https://www.studiointernational.com/images/articles/o/078-okeeffe-georgia-2023/Georgia-O-Keeffe,-Goats-Horns-II,-1945,-from-Some-Memories-of-Drawings,-1974.jpg Georgia O https://www.studiointernational.com/images/articles/o/078-okeeffe-georgia-2023/Georgia-O_Keeffe,-Rams-Horns-II,-c1949,-from-Some-Memories-of-Drawings,-1974-(c)-Georgia-O_Keeffe-Museum_DACS,-London-2021-Photo-Anna-Arca.jpg Georgia O https://www.studiointernational.com/images/articles/o/078-okeeffe-georgia-2023/Georgia-O-Keeffe,-Eagle-Claw-and-Bean-Necklace,-1934,-from-Some-Memories-of-Drawings,-1974.jpg Georgia O'Keeffe, Eagle Claw and Bean Necklace, 1934, from Some Memories of Drawings, 1974. © Georgia O'Keeffe Museum / DACS, London 2021. Photo: Anna Arca. https://www.studiointernational.com/index.php/helsinki-biennial-2023-new-directions-may-emerge-review-finland https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Remedies-(Sasha-Huber-Petri-Saarikko),-Sanctuary,-mist,-2023.jpg Remedies (Sasha Huber and Petri Saarikko), Sanctuary, mist, 2023. Courtesy of HAM, Helsinki Biennial and Kirsi Halkola. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Adrian-Villar-Rojas,-From-the-Series-The-End-of-Imagination,-2023.jpg Adrián Villar Rojas, From the series The End of Imagination, 2023. Courtesy of HAM, Helsinki Biennial and Viljami Annanolli. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/The-hobbity-charm-of-the-long-abandoned-storage-tunnels-Pic-V-Simpson.jpg The hobbity charm of the long abandoned storage tunnels. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Asuncion-Molinos-Gordo.jpg Asunción Molinos Gordo, ¡Cuánto Río Allá Arriba!, 2023. Courtesy of HAM, Helsinki Biennial and Sonja Hyytiäinen. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Sepideh-Rahaa-film-Songs-to-Earth-pix-V-Simpson.jpg Sepideh Rahaa. Songs to Earth, Songs to Seeds, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Tuula-Narhinen,-The-Plastic-Horizon,-2019-23.jpg Tuula Närhinen, The Plastic Horizon, 2019–23. Courtesy of HAM, Helsinki Biennial and Sonja Hyytiäinen. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Jenna-Sutela,-Pond-Brain,-2023.jpg Jenna Sutela, Pond Brain, 2023. Courtesy of HAM, Helsinki Biennial and Kirsi Halkola. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Matti-Aikio,-Oikos,-2023.jpg Matti Aikio, Oikos, 2023. Courtesy of HAM, Helsinki Biennial and Kirsi Halkola. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Lotta-Petronella-seka-Sami-Tallberg-&-Lau-Nau,-Materia-Medica-of-Islands,-2023.jpg Lotta Petronella and Lau Nau with Sami Tallberg, Materia Medica of Islands, 2023. Courtesy of HAM, Helsinki Biennial and Sonja Hyytiäinen. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Valisaari-island-in-full-flower-in-June-Pic-V-Simpson.jpg Valisaari island in full flower in June. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Diana-Policarpo,-Ciguatera,-2022.jpg Diana Policarpo, Ciguatera, 2022. Courtesy of HAM, Helsinki Biennial and Sonja Hyytiäinen. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Bita-Razavi,-Kratt-Diabolo-no-3,-2022-and-Elevated-Platform,-2022.jpg Bita Razavi, Kratt: Diabolo. No. 3, 2022, and Elevated Platform, 2022. Courtesy of HAM, Helsinki Biennial and Sonja Hyytiäinen. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Tabita-Rezaire,-Deep-Down-Tidal,-2017.jpg Tabita Rezaire, Deep Down Tidal, 2017. Courtesy of HAM, Helsinki Biennial and Kirsi Halkola. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Youthful-visitors-abound-at-Amos-Rex-Generation-2023-show-Pic-V-Simpson.jpg Youthful visitors abound at Amos Rex Generation 2023 show. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/Installation-view-of-The-Unknown-Baltic-Sea-on-Suomenlinna-island-Pic-V-Simpson.jpg Installation view of The Unknown Baltic Sea on Suomenlinna island. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/h/016-helsinki-biennial-2023/PHOSfate,-PHOSfate,-2023.jpg Mohamed Sleiman Labat and Pekka Niskanen, PHOSfate, 2023. Courtesy of HAM, Helsinki Biennial and Sonja Hyytiäinen. https://www.studiointernational.com/index.php/beatriz-milhazes-interview-maresias-turner-contemporary-margate https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/2004-2005-004-O-turista.jpg Beatriz Milhazes. O Turista, 2004–05. Acrylic on canvas, 199 x 195 cm. Cranford Collection, London. Photo: Manuel Águas and Pepe Schettino. © Beatriz Milhazes Studio. https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/A-flor-de-banana,-1994.jpg Beatriz Milhazes, A Flor da banana, 1993–94. Acrylic on canvas, 97 x 88 cm. Courtesy of Ivor Braka. Photo: Stephen White. © Beatriz Milhazes Studio. https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/Beatriz-Milhazes,-O-Diamante,-2002.jpg Beatriz Milhazes, O Diamante, 2002. Acrylic on canvas, 250 x 381cm. https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/Maresias,-2002-TBA21.jpg Beatriz Milhazes. Maresias, 2002. Acrylic on canvas, 300 x 267 cm. TBA21 Thyssen-Bornemisza Art Contemporary Collection. Photo: Fausto Fleury. © Beatriz Milhazes Studio. https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/Maracorola,-2015-Private-collection.jpg Beatriz Milhazes. Maracorola, 2015. Acrylic on canvas, 128 x 289 cm. Private collection, courtesy of Ivor Braka Ltd. Photo: Manuel Águas and Pepe Schettino. © Beatriz Milhazes Studio. https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/Turner-Contemporary-Beatriz-Milhazes-Thierry-Bal-3.jpg Beatriz Milhazes: Maresias, installation view, Turner Contemporary, 2023. © Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/Turner-Contemporary-Beatriz-Milhazes-Thierry-Bal-4.jpg Beatriz Milhazes: Maresias, installation view, Turner Contemporary, 2023. © Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/Turner-Contemporary-Beatriz-Milhazes-Thierry-Bal-5.jpg Beatriz Milhazes: Maresias, installation view, Turner Contemporary, 2023. © Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/Turner-Contemporary-Beatriz-Milhazes-Thierry-Bal-1.jpg Beatriz Milhazes: Maresias, installation view, Turner Contemporary, 2023. © Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/m/&100-milhazes-beatriz-2023/Turner-Contemporary-Beatriz-Milhazes-Thierry-Bal-2.jpg Beatriz Milhazes: Maresias, installation view, Turner Contemporary, 2023. © Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/index.php/a-little-history-jane-hayes-greenwood-review-castor-gallery-london https://www.studiointernational.com/images/articles/a/008-a-little-history-2023/castor-jane-hayes-greenwood-a-little-history-1-2023.jpg Jane Hayes Greenwood. A Little History (1), 2023. Stonewear, 28 x 30 x 22 cm approx. https://www.studiointernational.com/images/articles/a/008-a-little-history-2023/castor-jane-hayes-greenwood-a-little-history-2-2023.jpg Jane Hayes Greenwood. A Little History (2), 2023. Stonewear, 12 x 14 x 14 cm approx. https://www.studiointernational.com/images/articles/a/008-a-little-history-2023/castor-jane-hayes-greenwood-the-land-of-plenty-2023.jpg Jane Hayes Greenwood. The Land of Plenty, 2023. Oil on linen, 180 x 150 cm. https://www.studiointernational.com/images/articles/a/008-a-little-history-2023/castor-jane-hayes-greenwood-petrified-2022.jpg Jane Hayes Greenwood. Petrified, 2022. Oil on linen, 110 x 90 cm. Copyright the Artist. https://www.studiointernational.com/images/articles/a/008-a-little-history-2023/castor-jane-hayes-greenwood-raw-material-2023.jpg Jane Hayes Greenwood. Raw Material, 2023. Oil on linen, 110 x 90 cm. https://www.studiointernational.com/images/articles/a/008-a-little-history-2023/castor-jane-hayes-greenwood-the-contortionist-2023.jpg Jane Hayes Greenwood. The Contortionist, 2023. Oil on linen, 180 x 150 cm. https://www.studiointernational.com/images/articles/a/008-a-little-history-2023/castor-jane-hayes-greenwood-the-violet-hour-2023.jpg Jane Hayes Greenwood. The Violet Hour, 2023. Oil on linen, 110 x 90 cm. https://www.studiointernational.com/images/articles/a/008-a-little-history-2023/castor-jane-hayes-greenwood-a-little-history-4-2023.jpg Jane Hayes Greenwood. A Little History (4), 2023. Stonewear, 15 x 12 x 12 cm approx. https://www.studiointernational.com/images/articles/a/008-a-little-history-2023/castor-jane-hayes-greenwood-a-little-history-3-2023.jpg Jane Hayes Greenwood. A Little History (3), 2023. Stonewear, 18 x 20 x 14 cm approx. https://www.studiointernational.com/index.php/chiaohan-chueh-intimate-play-review-nunu-fine-art-new-york https://www.studiointernational.com/images/articles/c/&094-chiaohan-chueh-2023/Diving-Woman_2023.jpg ChiaoHan Chueh. Diving Woman, 2023. Acrylic on canvas, 40 x 30 cm. https://www.studiointernational.com/images/articles/c/&094-chiaohan-chueh-2023/Dance-me-to-the-end-of-world_2023_acrylic-on-canvas_195-x-125-cm.jpg ChiaoHan Chueh. Dance me to the end of world, 2023. Acrylic on canvas, 195 x 125 cm. https://www.studiointernational.com/images/articles/c/&094-chiaohan-chueh-2023/An-Intimate-Play_2023.jpg ChiaoHan Chueh. An Intimate Play, 2023. Oil and acrylic on canvas, 195 x 125 cm. https://www.studiointernational.com/images/articles/c/&094-chiaohan-chueh-2023/A-Long-Time-Since-We-Had-a-Good-Rain-2023.jpg ChiaoHan Chueh. A Long Time Since We Had a Good Rain, 2023. Oil and acrylic on canvas, 90 x 75 cm. https://www.studiointernational.com/images/articles/c/&094-chiaohan-chueh-2023/Legs_2023.jpg ChiaoHan Chueh. Legs, 2023. Acrylic on canvas, 40 x 30 cm. https://www.studiointernational.com/images/articles/c/&094-chiaohan-chueh-2023/Orange-Body-in-the-Dry,-Heated-Desert_2023.jpg ChiaoHan Chueh. Orange Body in the Dry, Heated Desert, 2023. Oil and acrylic on canvas, 90 x 75 cm. https://www.studiointernational.com/index.php/jean-cooke-ungardening-review-garden-museum-london https://www.studiointernational.com/images/articles/c/&092-cooke-jean-2023/Self-portrait,-Jean-Cooke-(Jean-Bratby)-1927-2008.jpg Jean Cooke. Self-portrait, 1959. Presented by the Trustees of the Chantrey Bequest. © Estate of Jean Cooke. Photo: Tate. https://www.studiointernational.com/images/articles/c/&092-cooke-jean-2023/Jean-Cooke,-Through-the-Looking-Glass-(1960).jpg Jean Cooke. Through the Looking Glass, 1960. © Estate of Jean Cooke. © Royal Academy of Arts, London. Photo: John Hammond. https://www.studiointernational.com/images/articles/c/&092-cooke-jean-2023/Jean-Cooke-Hortus-Siccus-(1967).jpg Jean Cooke. Hortus Siccus, 1967. Oil on canvas. © Estate of Jean Cooke. Courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/c/&092-cooke-jean-2023/Jean-Cooke-Toujours-en-Fete-(1969).jpg Jean Cooke. Toujours en Fête, 1969. Oil on canvas. © Estate of Jean Cooke. Courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/c/&092-cooke-jean-2023/Jean-Cooke,-Garden-in-Springtime,-1990.jpg Jean Cooke. Garden in Springtime, 1990. © Estate of Jean Cooke. Courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/c/&092-cooke-jean-2023/The-Garden-(1992),-Jean-Cooke.jpg Jean Cooke. The Garden, 1992. © Estate of Jean Cooke. Photo: Garden Museum. https://www.studiointernational.com/index.php/jesse-jones-the-tower-review-talbot-rice-gallery-edinburgh https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/Olwen-Fouere-image-installation-shot-Jesse-Jones-The-Tower.jpg Olwen Fouéré, installation view, installation view, Talbot Rice Gallery, University of Edinburgh, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/Installation-shot-Jesse-Jones-The-Tower-with-luminous-caption-next-to-film.jpg Jesse Jones, The Tower with luminous caption next to film. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/S80C6832.jpg Jesse Jones, The Tower, installation view, Talbot Rice Gallery, University of Edinburgh, 2023. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/S80C8458.jpg Jesse Jones, The Tower, installation view, Talbot Rice Gallery, University of Edinburgh, 2023. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/S80C8716-Edit.jpg Jesse Jones, The Tower, installation view, Talbot Rice Gallery, University of Edinburgh, 2023. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/Installation-shot-Jesse-Jones-The-Tower.-Girls-clustered-together-with-image-digitally-manipulated-to-appear-as-kaleidscope.jpg Jesse Jones, The Tower. Girls clustered together with image digitally manipulated to appear as a kaleidscope. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/TRG-Jess-Jones-TheTower-2022-film-still.jpg Jesse Jones, The Tower, 2022-23. Production still. Photo: Marion Bergin. Courtesy of the artist. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/1000-S80C6783-Edit.jpg Jesse Jones, The Tower, installation view, Talbot Rice Gallery, University of Edinburgh, 2023. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/S80C8379.jpg Jesse Jones, The Tower, installation view, Talbot Rice Gallery, University of Edinburgh, 2023. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/S80C8407-Edit.jpg Jesse Jones, The Tower, installation view, Talbot Rice Gallery, University of Edinburgh, 2023. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/j/077-jones-jesse-2023/S80C8443.jpg Jesse Jones, The Tower, installation view, Talbot Rice Gallery, University of Edinburgh, 2023. Courtesy the artist and Talbot Rice Gallery. Photo: Sally Jubb. https://www.studiointernational.com/index.php/the-casablanca-art-school-review-tate-st-ives https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/08-Farid-Belkahia,-Cuba-Si-1961.jpg Farid Belkahia, Cuba Si, 1961. © Foundation Farid Belkahia. Tate Purchased with funds provided by the Middle East North Africa Acquisitions Committee 2016. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/27-Mohamed-Melehi,-Minneapolis-1963.jpg Mohamed Melehi, Minneapolis 1963. © Mohamed Melehi Estate. Courtesy of private collection, Marrakesh. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/07-plastic-presence-69-MM.jpg View of Plastic Presence manifesto exhibition, 16 November Square, Casablanca, June 1969. Photo: M. Melehi. © M. Melehi archives/estate. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/03-Mohammed-Chabaa,-Composition,-1975.jpg Mohammed Chabâa, Composition, 1975, Acrylic paint on media, 152 x 202 cm. Société Générale Maroc. © Chabâa Foundation. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/06-Mohammed-Chabaa,-Untitled,-1977.jpg Mohammed Chabâa, Untitled, 1977. Acrylic on canvas. Tate collection. Photo: Fouad Mazouz. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/21-Mohamed-Melehi,-Flamme,-1976.jpg Mohamed Melehi, Flamme, 1976. Private collection. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/23-Abdelkrim-Ghattas,-Composition,-1977.jpg Abdelkrim Ghattas, Composition, 1977. Private collection. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/02-cas-bonalumi-66-MM.jpg Farid Belkahia, Mohammed Chabâa and Mohamed Melehi surrounded by the students and their guest Augusto Bonalumi at the Casablanca Art School, 1966. Photo M. Melehi. © M. Melehi archives/estate. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/01-cas-maraini-65-MM.jpg Toni Maraini teaching African art history at the Casablanca Art School, 1964-65. Photo: M. Melehi. © M. Melehi archives/estate. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/03-students-68-FM.jpg Mohammed Chabâa graphic design studio at the Casablanca Art School, 1968. Photo: M. Melehi. © M. Chabâa archives/estate. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/04-chabaa-studio-66-MM.jpg Mohammed Chabâa graphic design studio at the Casablanca Art School, 1966. Photo: M. Melehi. © M. Melehi archives/estate. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/10-baghdad-biennial-74-MM.jpg View of the Moroccan artists on display at the Baghdad Biennial, 1974. Photo: M. Melehi. © M. Melehi archives/estate. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/11-Mustapha-Hafid,-Voyage-cosmique-(Cosmic-journey),-1972.jpg Mustapha Hafid, Voyage cosmique (Cosmic journey), 1972. Mixed media, 159.5 x 120.5 cm. © Collection of the artist. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/11-asilah-78-MM.jpg View of Asilah Cultural Festival, mural by Mohammed Chabâa, 1978, Asilah. Photo: M. Melehi. © M. Melehi archives/estate. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/16-Mohamed-Ataallah,-Composition,-Tanger-c1965.jpg Mohamed Ataallah, Composition, Tanger, c1965. © Mohamed Ataallah Estate. Courtesy of private collection, Marrakesh. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/17-Mohamed-Hamidi,-Untitled-1971.jpg Mohamed Hamidi, Untitled, 1971. © The artist. Courtesy of private collection, Marrakesh. https://www.studiointernational.com/images/articles/c/&093-casablanca-art-school-2023/22-Chaibia-Tallal,-La-ceremonie-du-mariage,-1983.jpg Chaïbia Tallal, La Cérémonie du Mariage, 1983. Private collection. https://www.studiointernational.com/index.php/lagos-peckham-repeat-pilgrimage-to-the-lakes-review-south-london-gallery https://www.studiointernational.com/images/articles/l/043-lagos-peckham-repeat-2023/Yinka-Shonibare,-Diary-of-a-Victorian-Dandy,-14-00-hours,-1998.jpg Yinka Shonibare, Diary of a Victorian Dandy, 14:00 hours, (1998). Courtesy of the artist. https://www.studiointernational.com/images/articles/l/043-lagos-peckham-repeat-2023/Temitayo-Ogunbiyi,-Giocherai-nel-quotidiano,-correndo,-You-will-play-in-the-everyday,-running,-2020.jpg Temitayo Ogunbiyi, Giocherai nel quotidiano, correndo / You will play in the everyday, running, 2020. Courtesy of the artist. Photo: Amedeo Benestante. https://www.studiointernational.com/images/articles/l/043-lagos-peckham-repeat-2023/Christopher-Obuh,-No-City-for-Poor-Man,-2015-16.jpg Christopher Obuh, No City for Poor Man 2015-16. Courtesy of the artist. https://www.studiointernational.com/images/articles/l/043-lagos-peckham-repeat-2023/Adeyemi-Michael,-Entitled-(still),-2018-(1).jpg Adeyemi Michael, Entitled (still), 2018. Courtesy of the artist. https://www.studiointernational.com/images/articles/l/043-lagos-peckham-repeat-2023/Lagos-Studio-Archives,-Untitled,-1994.jpg Untitled, 1994, Archive of Becoming, 2015–ongoing. Courtesy of Lagos Studio Archives. https://www.studiointernational.com/images/articles/l/043-lagos-peckham-repeat-2023/Lagos-Studio-Archives,-Untitled,-1993.jpg Untitled, 1993, Archive of Becoming, 2015–ongoing. Courtesy of Lagos Studio Archives (man in glasses). https://www.studiointernational.com/images/articles/l/043-lagos-peckham-repeat-2023/Abdulrazaq-Awofeso,-Avalanche-of-Calm,-2021-22.jpg Abdulrazaq Awofeso, Avalanche of Calm, 2021-22. Courtesy of Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/043-lagos-peckham-repeat-2023/Chiizii,-Untitled-Collage-5,-2022..jpg Chiizii, Untitled Collage 5, 2022. Courtesy of the artist. Photo: Chiizii. https://www.studiointernational.com/index.php/erwin-wurm-trap-of-the-truth-review-yorkshire-sculpture-park https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Step-(Big),-2021.jpg Erwin Wurm, Step (Big), 2021. Installation at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Renault-25,-1991.jpg Erwin Wurm, Renault 25, 1991. Installation view at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Truck-II,-2011.jpg Erwin Wurm, Truck II, 2011. Installation view at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Installation-view-of-Trap-of-the-Truth.jpg Erwin Wurm, Installation view of Trap of the Truth at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Big-Hypnosis,-2008.jpg Erwin Wurm, Big Hypnosis, 2008. Installation view at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Ship-of-Fools,-2017.jpg Erwin Wurm, Ship of Fools, 2017. Installation at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Big-Mutter,-2015-3.jpg Erwin Wurm, Big Mutter, 2015. Installation view at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Big-Kastenmann,-2012-Big-Disobendience,-2016.jpg Erwin Wurm, Big Kastenmann, 2012; Big Disobendience, 2016. Installation view at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Big-Mutter,-2015-2.jpg Erwin Wurm, Big Mutter, 2015. Installation view at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Untitled,-2018-Giant-Big,-Me-Ideal,-2014;-Untitled,-2018.-Installation-at-Yorkshire-Sculpture-Park,-2023.-Courtesy-Studio-Erwin-Wur.jpg Erwin Wurm, Untitled, 2018; Giant Big, Me Ideal, 2014; Untitled, 2018. Installation at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Big-Mutter,-2015.jpg Erwin Wurm, Big Mutter, 2015. Installation view at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Installation-view-of-Trap-of-the-Truth-at-Yorkshire-Sculpture-Park,-2023.jpg Erwin Wurm, Installation view of Trap of the Truth at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-The-Warrior,-2022.jpg Erwin Wurm, The Warrior, 2022. Installation view at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Trip,-2021-Dance,-2021.jpg Erwin Wurm, Trip, 2021; Dance, 2021. Installation view at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. Photo: © Jonty Wilde, courtesy YSP. https://www.studiointernational.com/images/articles/w/037-wurm-erwin-2023/Erwin-Wurm,-Wurst,-2021-Modesty,-2021.-Installation-at-Yorkshire-Sculpture-Park,-2023.-Courtesy-Studio-Erwin-Wurm-and-Thaddaeus-Ropac-Gallery.jpg Erwin Wurm, Wurst, 2021; Modesty, 2021. Installation at Yorkshire Sculpture Park, 2023. Courtesy Studio Erwin Wurm and Thaddaeus Ropac Gallery. https://www.studiointernational.com/index.php/material-power-palestinian-embroidery-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Everyday-dress-from-Gaza-close-up1.jpg Everyday dress from Gaza or Hebron, 1935-40, from the collection of Tiraz: Widad Kawar Home for Arab Dress. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Wahiba-1.jpg Maeve Brennan, still from The Embroiderers, 2016, courtesy of the artist. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Reference-12-6-2.jpg Detail of dress from Beit Dajan, 1930s. From the collection of George M. Al-Ama. © the Whitworth, The University of Manchester. Photo: Ruth Wedgbury. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Mona-Hatoum-Untitled-(hair-grid-with-knots)-2001-(Photo-Hugo-Glendinning)-Pompidou-scan-2015.jpg Mona Hatoum, Untitled (hair grid with knots), 2001. Human hair, hair spray and tracing paper, 35 x 27 cm (13 3/4 x 10 3/4 in.) © Mona Hatoum. Courtesy White Cube (Photo: Hugo Glendinning). https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Maha-Abu-Shosheh-dress_0269.jpg Dress from Ramallah, 1930s, from the collection of Maha Abu Shosheh. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/20160224175932_00001_3.jpg Polaroid, 1973, from the archive of Inaash Al-Mukhayim. Courtesy of INAASH. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Karam-Maloukh-bag2.jpg Karam Al-Maloukh, embroidered bag, 2008, silk, textile, and cardboard, made in Al-Naqab prison, courtesy of Karam Al-Maloukh. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/1000-Raja-1.jpg Maeve Brennan, still from The Embroiderers, 2016, courtesy of the artist. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/20160224175932_00001_1.jpg Polaroid, 1973, from the archive of Inaash Al-Mukhayim. Courtesy of INAASH. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Hebron-dress-as-jpg.jpg Jellayeh from Hebron, 1900-15, from the collection of Dar Al-Tifel Al-Arabi Museum for Palestinian Heritage. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/KA_PalMus_AtTheSeams_0668.jpg Jellayeh from Hebron (detail), 1900-15, from the collection of Dar Al-Tifel Al-Arabi Museum for Palestinian Heritage. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Reference-06-11-Edit.jpg Detail of dress from Deir Tareef, 1940s. From the collection of Maha Abu Shosheh. © the Whitworth, The University of Manchester. Photo: Ruth Wedgbury. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Whitworth-1.jpg Dress from Ramallah, 1930s, from the collection of Maha Abu Shosheh. https://www.studiointernational.com/images/articles/m/&099-material-power-2023/Whitworth-2.jpg Dress from Ramallah, 1930s (detail), from the collection of Maha Abu Shosheh. https://www.studiointernational.com/index.php/in-spire-breath-of-life-review-dazaifu-tenmangu-museum-kyushu-island-japan https://www.studiointernational.com/images/articles/i/079-in-spire-2023/02-arm-made-by-wood-worker,-ceramist,-tea-caddy-maker.jpg Arm created by woodworker Nakagawa Mokkogei, ceramicist Hasami, with glove in light deerskin by Kentaro Kozuki and wire work of Kanaami Tsuji. Photo: Kenichi Muramatsu. https://www.studiointernational.com/images/articles/i/079-in-spire-2023/03-helmet-made-by-bucket-wood-working-craft.jpg Helmet made by oke (wooden tubs) maker Nakagawa Mokkogei. Photo: Kenichi Muramatsu. https://www.studiointernational.com/images/articles/i/079-in-spire-2023/06-helmet-made-by-Asahiyaki-resembling-the-earth.jpg Helmet made by Asahiyaki resembling the earth. Photo: Kenichi Muramatsu. https://www.studiointernational.com/images/articles/i/079-in-spire-2023/05_Sora-Fune,-rocket-to-escape-from-earth.jpg Sora-Fune, rocket to escape from earth, by Kaikdado with wooden tripod by Nakagawa Mokkogei. Photo: Kenichi Muramatsu. https://www.studiointernational.com/images/articles/i/079-in-spire-2023/Stylist-Shinichi-Mita-wearing-helmet-for-the-outer-space.jpg Stylist Shinichi Mita wearing a helmet for outer space by Nakagawa Mokkogei. Photo: Kenichi Muramatsu. https://www.studiointernational.com/images/articles/i/079-in-spire-2023/04-drawing-to-indicate-outfit-for-space-age.jpg Drawing of space age outfits. Photo: Kenichi Muramatsu. https://www.studiointernational.com/images/articles/i/079-in-spire-2023/07-scroll-depicting-the-miraculous-anecdotes-of-Sugawara-Michizane-in-Dazaifu-Tenmangu-Museum-archive.jpg Scroll depicting the miraculous anecdotes of Sugawara Michizane in the Dazaifu Tenmangu Museum archive. Photo: Kenichi Muramatsu. https://www.studiointernational.com/images/articles/i/079-in-spire-2023/example-of-how-the-beehive-helmet-can-be-worn.jpg The beehive helmet being worn by a visitor. Photo: Kenichi Muramatsu. https://www.studiointernational.com/index.php/ai-whos-looking-after-me-review-science-gallery-kings-college-london-artificial-intelligence https://www.studiointernational.com/images/articles/a/007-ai-who-s-looking-after-me-2023/James-Bridle-Autonomous-Trap-001-credit-James-Bridle.jpg James Bridle, Autonomous Trap 001. © James Bridle. Science Gallery London, King’s College London, 21 June 2023 – 20 January 2024. https://www.studiointernational.com/images/articles/a/007-ai-who-s-looking-after-me-2023/Mimi-Onuoha_The-Future-is-Here-(c)-Mini-Onuoha-4.jpg Mimi Onuoha, The Future is Here! © Mini Onuoha. Science Gallery London, King’s College London, 21 June 2023 – 20 January 2024. https://www.studiointernational.com/images/articles/a/007-ai-who-s-looking-after-me-2023/Does-AI-Care_-at-Science-Gallery-London-(c)-George-Torode.jpg Does AI Care at Science Gallery London, King’s College London, 21 June 2023 – 20 January 2024. © George Torode. https://www.studiointernational.com/images/articles/a/007-ai-who-s-looking-after-me-2023/Cat-Royale-at-Science-Gallery-London-(c)-George-Torode.jpg Cat Royale at Science Gallery London, King’s College London, 21 June 2023 – 20 January 2024. © George Torode. https://www.studiointernational.com/images/articles/a/007-ai-who-s-looking-after-me-2023/Newly-Forgotten-Technologies-3-at-Science-Gallery-London-(c)-George-Torode.jpg Newly Forgotten Technologies 3 at Science Gallery London. King’s College London, 21 June 2023 – 20 January 2024. © George Torode. https://www.studiointernational.com/images/articles/a/007-ai-who-s-looking-after-me-2023/Cat-Royale-by-Blast-Theory_Image-Credit_Stephen-Daly_DSC_9976.jpg Cat Royale by Blast Theory. Photo: Stephen Daly. Science Gallery London. King’s College London, 21 June 2023 – 20 January 2024. © George Torode. https://www.studiointernational.com/index.php/secessions-klimt-stuck-liebermann-review-alte-nationalgalerie-berlin https://www.studiointernational.com/images/articles/s/&090-secessions-2023/Hitz-D-Kirschernte.jpg Dora Hitz, Cherry Harvest, before 1905. Oil on canvas, 160 x 232 cm. © Staatliche Museen zu Berlin, Nationalgalerie / Reinhard Saczevski. https://www.studiointernational.com/images/articles/s/&090-secessions-2023/Klimt_Emilie_Floege_Wien_Museum.jpg Gustav Klimt, Portrait of Emilie Louise Flöge, 1902. Oil on canvas, 184.3 x 86.6 cm, Wien Museum. © Birgit and Peter Kainz, Wien Museum. https://www.studiointernational.com/images/articles/s/&090-secessions-2023/465_Liebermann_In_den_Zelten.jpg Max Liebermann, In the Tents (Catering Garden – Beer Garden in Leiden), 1900. Oil on canvas, 51 x 76 cm. © bpk / Hamburger Kunsthalle / Elke Walford. https://www.studiointernational.com/images/articles/s/&090-secessions-2023/Slavona_Haeuser.jpg Maria Slavona, Houses at Montmartre, 1898. Oil on canvas, 116.5 x 81 cm. © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders. https://www.studiointernational.com/images/articles/s/&090-secessions-2023/Heine_3_Ausstellung.jpg Thomas Theodor Heine, Poster for the 3rd exhibition of the Berlin Secession, 1901. Lithograph, 65.5 x 90 cm. © Staatliche Museen zu Berlin, Kunstbibliothek. Photo: Dietmar Katz. https://www.studiointernational.com/images/articles/s/&090-secessions-2023/stuck_die_suende.jpg Franz von Stuck, Die Sünde (The Sin), c1912. Oil on canvas, 88 x 52.5 cm. © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger. https://www.studiointernational.com/images/articles/s/&090-secessions-2023/Klimt_Nach_dem_Regen_Belvedere.jpg Gustav Klimt, After the Rain, 1898. Oil on canvas, 80 x 40 cm. © Belvedere, Wien. https://www.studiointernational.com/index.php/a-world-in-common-contemporary-african-photography-review-tate-modern-london https://www.studiointernational.com/images/articles/a/006-A-World-in-Common-2023/Wura-Natasha-Ogunji,-Will-I-still-carry-water-when-I-am-a-dead-woman,-2013-Photo-Credit-Ema-Edosio.jpg Wura-Natasha Ogunji, Will I still carry water when I am a dead woman, 2013. Single-channel digital video, 11 min, 57 sec. Fridman Gallery © Wura-Natasha Ogunji. Photo: Ema Edosio. https://www.studiointernational.com/images/articles/a/006-A-World-in-Common-2023/03-Installation-shot,-A-World-In-Common-at-Tate-Modern-2023-(c)-Tate-Photography,-Lucy-Green.jpg Kiluanji Kia Henda, The Fortress, 2014, installation view, A World In Common: Contemporary African Photography, Tate Modern, 2023. © Tate Photography, Lucy Green. https://www.studiointernational.com/images/articles/a/006-A-World-in-Common-2023/01-Installation-shot,-A-World-In-Common-at-Tate-Modern-2023-(c)-Tate-Photography,-Lucy-Green.jpg Ndidi Dike, A History of a City in a Box, 2019, installation view, A World In Common: Contemporary African Photography, Tate Modern, 2023. © Tate Photography, Lucy Green. https://www.studiointernational.com/images/articles/a/006-A-World-in-Common-2023/11-Edson-Chagas,-Tipo-Passe-2014-at-A-World-in-Common,-Tate-Modern-2023-(c)-Tate-Photography.jpg Edson Chagas, Tipo Passe, 2014, installation view, A World In Common: Contemporary African Photography, Tate Modern, 2023. © Tate Photography, Lucy Green. Courtesy of the artist and Apalazzo Gallery. https://www.studiointernational.com/images/articles/a/006-A-World-in-Common-2023/Francois-Xavier-Gbre,-Untitled,-2013.jpg François-Xavier Gbré. Untitled, 2013. © François-Xavier Gbré. https://www.studiointernational.com/images/articles/a/006-A-World-in-Common-2023/Kudzanai-Chiurai,-We-Live-in-Silence-IV,-2017.jpg Kudzanai Chiurai, We Live in Silence IV, 2017. Pigment ink on fibre paper, 193.5 x 150 cm. Courtesy the artist and Goodman Gallery. https://www.studiointernational.com/index.php/naudline-pierre-this-is-not-all-there-is-review-drawing-center-new-york https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/NP003.jpg Naudline Pierre, Don https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/NP007.jpg Naudline Pierre, Unto You I Release Myself, 2022. Acrylic, ink, and chalk pastel on paper, 15 x 11 in (38.1 x 27.9 cm). Courtesy of the artist. © Naudline Pierre and James Cohan, New York. Photo: Matthew Herrmann. https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/NP001.jpg Naudline Pierre, Come What May, 2022. Acrylic, ink, and chalk pastel on paper, 15 x 11 in ((38.1 x 27.9 cm). Courtesy of the artist © Naudline Pierre and James Cohan, New York. Photo: Matthew Herrmann. https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/NP021.jpg Naudline Pierre, Halted Understanding, 2023. Acrylic ink, charcoal, and oil pastel on paper, 40 x 30 in (101.6 x 76.2 cm). Courtesy of the artist. © Naudline Pierre and James Cohan, New York. Photo: Matthew Herrmann. https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/NP026.jpg Naudline Pierre, Welcome the Unknown, 2023. Acrylic ink, charcoal, and oil pastel on paper, 40 x 30 in (101.6 x 76.2 cm). Courtesy of the artist. © Naudline Pierre and James Cohan, New York. Photo: Matthew Herrmann. https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/Drawing-Center_Naudline-Pierre__O0A5223_Photo-Credit-Daniel-Terna.jpg Naudline Pierre: This Is Not All There Is, Installation view, The Drawing Center, New York, 2023. Photo: Daniel Terna. https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/Drawing-Center_Naudline-Pierre__O0A5229_Photo-Credit-Daniel-Terna.jpg Naudline Pierre: This Is Not All There Is, Installation view, The Drawing Center, New York, 2023. Photo: Daniel Terna. https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/Drawing-Center_Naudline-Pierre__O0A5307_Photo-Credit-Daniel-Terna.jpg Naudline Pierre: This Is Not All There Is, Installation view, The Drawing Center, New York, 2023. Photo: Daniel Terna. https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/NP017.jpg Naudline Pierre, In the Infinite, 2023. Acrylic ink, charcoal, and oil pastel on paper, 48 x 24 in (121.9 x 61 cm). Courtesy of the artist. © Naudline Pierre and James Cohan, New York. Photo: Matthew Herrmann. https://www.studiointernational.com/images/articles/p/024-pierre-naudline-2023/NP025.jpg Naudline Pierre, This, I Know to Be True, 2023. Acrylic, acrylic ink, charcoal, and oil pastel on paper, 55 x 85 in (139.7 x 215.9 cm). Courtesy of the artist. © Naudline Pierre and James Cohan, New York. Photo: Matthew Herrmann. https://www.studiointernational.com/index.php/venice-architecture-biennale-2023-laboratory-of-the-future-review-lesley-lokko https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/01-Installation-pix-and-intro-to-the-Arsenale-Pic-V-Simpson.jpg Venice Architecture Biennale 2023: The Laboratory of the Future. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/02-Temple-like-Griot-installation-by-Studio-Barnes-Pic-V-Simpson.jpg Temple-like Griot installation by Studio Barnes. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/05-The-Extracted-Pavilion-by-Sammy-Baloji-Pic-V-Simpson.jpg The Extracted Pavilion, 2023 by Sammy Baloji and Twenty Nine Studio. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/08-Textiles-showing-ancient-Amazonian-cities-revealed-by-LIDAR-technology-Pic-V-Simpson-.jpg Textiles showing ancient Amazonian cities revealed by LIDAR technology. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/07-Theatrical-exuberance-in-Flores-&-Prats-installation-pic-V-Simpson.jpg Theatrical exuberance in Flores & Prats’ installation Emotional Heritage. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/09-Forensic-Architecture-Pic-V-Simpsonjpg.jpg Forensic Architecture, The Nebelivka Hypothesis. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/11-Rashid-Ali-Architects-Hargeisa-pavilion-Pic-V-Simpson.jpg Rashid Ali Architects, courtyard pavilion, Hargeisa, Somaliland. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/12-Workshopping-the-Chattahoochee-by-SCAPE-Landscape-Architecture-Pic-V-Simpson.jpg Workshopping the Chattahoochee by SCAPE Landscape Architecture. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/Watching-The-Fall-of-Tropical-Modernism-film-made-by-the-V&A-in-its-pavilion-Pic-V-Simpson.jpg V&A’s installation, Tropical Modernism: Architecture and Power in West Africa. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/Scotland-in-Venice-looking-into-the-language-of-place-V-Simpson.jpg Scotland in Venice looking into the language of place. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/Catalonia-creates-an-inviting-space-in-which-to-look-at-the-role-food-plays-in-bringing-diasporic-communities-together-Pic-V-Simpson.jpg Catalonia creates an inviting space looking at the role food plays in bringing diasporic communities together. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/Lithuania-invites-us-to-pay-closer-attention-to-nature-through-this-forest-inspiried-pavilion-on-Play-Pic-V-Simpson.jpg Lithuania invites us to pay closer attention to nature through this forest-inspired pavilion of play. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/Germany-Pavilion-The-Material-Repository-Pic-V-Simpson.jpg Germany’s pavilion, The Material Repository. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/The-Nordic-Pavilion-hosts-a-Sami-Architecture-Library-Pic-V-Simpson.jpg Girjegumpi: The Sámi Architecture Library by Joar Nagno. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/Belgium-made-a-pavilion-out-of-mycellium-panels-that-sits-within-its-walls-Pic-V-Simpson.jpg Belgium’s pavilion, (Re)Thinking Resources by Bento and Vinciane Despret. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/070-venice-architecture-biennale-2023/Serge-Attukwei-Clottey-Arsenale.jpg Serge Attukwei Clottey hung two structures made from plastic gallon bottles inside and outside the Arsenale. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/joe-tilson-book-review-marco-livingstone-lund-humphries https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/Conjunction-Peschi,-Catonis.jpg Joe Tilson, Conjunction Peschi, Catonis, 2003. Oil on canvas on wood, 138 x 138 cm. Cristea Roberts Gallery, London – Advanced Graphics, London. Photo: Tilson Family Archive. Page 162 in book. © Joe Tilson. All Rights Reserved, DACS 2023. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/IMG_8005.jpg Joe Tilson, by Marco Livingstone, published by Lund Humphries, London. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/For-Jos.jpg Joe Tilson, For Jos, January 1st, 1963. Oil on wood relief, 182.8 x 243 cm. Waddington Custot, London. Page 8 in book. © Joe Tilson. All Rights Reserved, DACS 2023. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/Le-Crete-Senesi,-Radicofani.jpg Joe Tilson, Le Crete Senesi, Radicofani, 1993, mixed media on canvas on wood relief, 205 x 175 cm. Marlborough Gallery, London. Photo: Mark Dalton. Page 145 in book. © Joe Tilson. All Rights Reserved, DACS 2023. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/Pyanopsia-Version-B,-1982.jpg Joe Tilson, Pyanopsia Version B, 1982. Oil on wood relief, 188 x 181 x 4 cm. Marlborough Gallery, London. Page 113 in book. © Joe Tilson. All Rights Reserved, DACS 2023. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/The-Stones-of-Venice-San-Trovaso,-Venaga,-2014.jpg Joe Tilson, The Stones of Venice San Trovaso, Venaga, 2014. Acrylic on canvas on wood relief, 60 x 85 cm. Marlborough Gallery, London. Page 181 in book. © Joe Tilson. All Rights Reserved, DACS 2023. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/Tree-Alphabet,-1973,-LH-Book-EXT-WALL.jpg Joe Tilson, Tree Alphabet, 1973. Oil on wood, 235 x 141 x 10 cm. Page 69 in book. © Joe Tilson. All Rights Reserved, DACS 2023. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/joe-tilson-bookcover.jpg Joe Tilson, by Marco Livingstone, published by Lund Humphries, London. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/IMG_8001.jpg Joe Tilson, by Marco Livingstone, published by Lund Humphries, London. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/IMG_8004.jpg Joe Tilson, by Marco Livingstone, published by Lund Humphries, London. https://www.studiointernational.com/images/articles/t/058-tilson-joe-2023/IMG_8009.jpg Joe Tilson, by Marco Livingstone, published by Lund Humphries, London. https://www.studiointernational.com/index.php/ferdinand-hodler-drawings-selections-from-the-musee-jenisch-vevey-review-morgan-library-museum-new-york https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Portrait-of-Berthe-Hodler-Jacques-ca-1898.jpg Ferdinand Hodler. Portrait of Berthe Hodler-Jacques c1898. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Study-for-Day-fragment.jpg Ferdinand Hodler. Study for Day (fragment), 1899 Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. Photo: Claude Bornand Lausanne. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/figure-study-for-day-c1899-1900.jpg Ferdinand Hodler. Figure Study for Day, c1899-1900. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Compositional-Study-for-View-into-Infinity.jpg Ferdinand Hodler. Compositional Study for View into Infinity, 1910-13. Musée Jenisch Vevey, Rudolf Schindler bequest. © Musée Jenisch Vevey, Julien Gremaud. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Compositional-Study-for-Departure-of-the-German-Students-for-the-War-of-Liberation.jpg Ferdinand Hodler. Compositional Study for Departure of the German Students for the War of Liberation of 1813, 1907-08. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Unfinished-Portrait-of-Valentine-Gode-Darel-and-her-Daughter-Paulette.jpg Ferdinand Hodler. Unfinished Portrait of Valentine Godé-Darel and her Daughter Paulette, 1914. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Portrait-of-Valentine-Gode-Darel-Dying.jpg Ferdinand Hodler. Portrait of Valentine Godé-Darel Dying, January 1915. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Study-for-Joyful-Woman.jpg Ferdinand Hodler. Study for Joyful Woman, c1911. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. Photo: Julien Gremaud. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Portrait-of-Berthe-Hodler-Jacques-ca-1917.jpg Ferdinand Hodler. Portrait of Berthe Hodler-Jacques c1917. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Study-for-Female-Eurhythmy-or-Emotion.jpg Ferdinand Hodler. Study for Female Eurhythmy or Emotion, 1895-96 or after 1902. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Study-of-Flag-bearer.jpg Ferdinand Hodler. The Wounded Flag Bearer Hans Baer: Study for The Retreat from Marignano, 1898-1900. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. https://www.studiointernational.com/images/articles/h/015-hodler-ferdinand-2023/Study-of-Head-for-View-into-Infinity.jpg Ferdinand Hodler. Study of Head for View into Infinity, 1913-15. Musée Jenisch Vevey, Donation Rudolf Schindler. © Musée Jenisch Vevey. https://www.studiointernational.com/index.php/paula-rego-crivellis-garden-review-national-gallery-london https://www.studiointernational.com/images/articles/r/041-rego-paula-2023/H-0012-00-000002-A5.jpg Paula Rego. Crivelli’s Garden, 1990-91. Acrylic on canvas, 190 x 944.6 cm. The National Gallery, London. Presented by English Estates, 1991. © Ostrich Arts Ltd. Photo: The National Gallery, London. https://www.studiointernational.com/images/articles/r/041-rego-paula-2023/H-0012-02-A5.jpg Paula Rego. Crivelli https://www.studiointernational.com/images/articles/r/041-rego-paula-2023/H-0012-03-A5.jpg Paula Rego. Crivelli https://www.studiointernational.com/images/articles/r/041-rego-paula-2023/H-0012-04-A5.jpg Paula Rego. Crivelli https://www.studiointernational.com/images/articles/r/041-rego-paula-2023/P7361_002-A5-pr-1990.jpg Portrait of artist Paula Rego in her studio with Crivelli's Garden, 1990. © Ostrich Arts Ltd. Photo: The National Gallery, London. https://www.studiointernational.com/index.php/thomas-j-price-at-the-v-a-review-victoria-and-albert-museum-london https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/PRITJ110199-PRITJ115586-hires.jpg Thomas J Price. Numen (Shifting Votive One), 2016. Aluminium, marble , 187 x 57 x 63 cm (73 5/8 x 22 1/2 x 24 3/4 in). Photo: Ken Adlard. https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/PRITJ110537-PRITJ113284-PRITJ113047-PRITJ113165.jpg Thomas J Price. Untitled (Head 24), 2021. Bronze, perspex, automotive spray paint, 26 x 11 x 18 cm (10 1/4 x 4 3/8 x 7 1/8 in). Photo: Ken Adlard. https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/PRITJ113214-PRITJ113178-PRITJ113216-PRITJ113179-PRITJ111958-2.jpg Thomas J Price. Signals, 2021. Bronze (Golden patina), 185 x 38 x 37 cm (72 7/8 x 15 x 14 5/8 in). Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/PRITJ110209-hires-(7).jpg Thomas J Price. Lay It Down (On The Edge Of Beauty), 2018. Bronze, automotive spray paint, 61 x 35 x 40 cm (24 x 13 3/4 x 15 3/4 in). Photo: Ken Adlard. © Thomas J Price. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/DSC6621.jpg Thomas J Price at the V&A. © Thomas J Price. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/PRITJ110209-hires-(8).jpg Thomas J Price. Lay It Down (On The Edge Of Beauty), 2018. Bronze, automotive spray paint, 61 x 35 x 40 cm (24 x 13 3/4 x 15 3/4 in). Photo: Ken Adlard. © Thomas J Price. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/DSC6689.jpg Thomas J Price at the V&A. © Thomas J Price. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/PRITJ110200-hires-(2).jpg Thomas J Price. Numen (Shifting Votive One), 2016. Aluminium, marble , 187 x 57 x 63 cm (73 5/8 x 22 1/2 x 24 3/4 in). Photo: Ken Adlard. https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/PRITJ110534-hires-(1).jpg Thomas J Price. Tasman Road, Figure 2, 2008. Bronze, 59.5 x 22.5 x 14 cm (23 3/8 x 8 7/8 x 5 1/2 in). Photo: Ken Adlard. https://www.studiointernational.com/images/articles/p/023-price-thomas-j-2023/PRITJ113214-PRITJ113178-PRITJ113216-PRITJ113179-PRITJ111958.jpg Thomas J Price. Signals, 2021 (detail). Bronze (Golden patina), 185 x 38 x 37 cm (72 7/8 x 15 x 14 5/8 in). Photo: Damian Griffiths. https://www.studiointernational.com/index.php/eileen-cooper-interview-huxley-parlour-london-early-unseen-drawings https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/1980-footsteps.jpg Eileen Cooper, Footsteps, 1980. Charcoal and pastel on paper. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/1980-cued-in-following-in-footsteps.jpg Eileen Cooper, Clued In (Following in Footsteps), 1980. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/Eileen-Cooper,-The-Ladder-1979.jpg Eileen Cooper, The Ladder, 1979. Conté and charcoal. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/1982-sex-and-love-IV.jpg Eileen Cooper, Sex and Love IV, 1982. Pastel and Conté on paper. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/1977-leap.jpg Eileen Cooper, Leap, 1977. Pastel and Conté on paper. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/1977-handstand.jpg Eileen Cooper, Handstand, 1977. Pastel and Conté on paper. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/1979-mirror.jpg Eileen Cooper, Mirror, 1979. Pastel and Conté on paper. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/1979-small-reflection.jpg Eileen Cooper, Small Reflection, 1979. Pastel and Conté on paper. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/The-Wild-Place,-2022,-Eileen-Cooper.-Image-courtesy-the-artist-and-Huxley-Parlour.jpg Eileen Cooper, The Wild Place, 2022. Image courtesy the artist and Huxley-Parlour https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/1989-90-woman-examining-her-shadow.jpg Eileen Cooper, Woman Examining Her Shadow, 1988-89. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/2023-katrin-bellinger.jpg Eileen Cooper, Katrin Bellinger, 2023. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/2019-self-portrait-in-black-dress.jpg Eileen Cooper, Self-Portrait in Black Dress, 2019. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/2019-cathie-pilkington.jpg Eileen Cooper, Cathie Pilkington, 2019. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/Walking-in-Circles,-2021,-Eileen-Cooper.-Image-courtesy-the-artist-and-Huxley-Parlour.jpg Eileen Cooper, Walking in Circles, 2021. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/Dream,-2021,-Eileen-Cooper-Image-courtesy-the-artist-and-Huxley-Parlour.jpg Eileen Cooper, Dream, 2021. Image courtesy the artist. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/1982-sex-and-love-X.jpg Eileen Cooper, Sex and Love X, 1982. Pastel and Conté on paper. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/Beyond-the-Wandering-Moon,-2022.-Image-courtesy-the-artist-and-Huxley-Parlour.jpg Eileen Cooper, Beyond the Wandering Moon, 2022. Image courtesy the artist and Huxley-Parlour. https://www.studiointernational.com/images/articles/c/&091-cooper-eileen-2023/2018-rachel-jones.jpg Eileen Cooper, Rachel Jones, 2018. Image courtesy the artist. https://www.studiointernational.com/index.php/david-remfry-video-interview-royal-academy-of-arts-summer-exhibition-walk-through https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/ra-summer-show-01.jpg Richard Malone’s installation in the Wohl Central Hall, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/ra-summer-show-04.jpg Sculpture by The Late Amal Gosh, A Bridge Beyond, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/ra-summer-show-05.jpg Works by Ken Howard RA (1932–2022), Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/IMG_8028.jpg Top centre: James Lloyd, Toilet Rolls, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/david-remfry-painting.jpg David Remfry, Indoor Cosmology, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/ra-summer-show-07.jpg Yinka Shonibare RA, Planets in my head, young geologist, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/IMG_8037.jpg Installation view, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/ra-summer-show-02.jpg Top: Sharon Rankin, Switch. Below: Helga Stentzel, Burnt Out, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/ra-summer-show-06.jpg Cathie Pilkington RA, Rolling Horse, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/040-remfry-david-2023/IMG_8023.jpg Centre: Eileen Cooper RA, Belong to Cats 1, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/gabriel-chaile-laura-ojeda-bar-interview-usos-y-costumbres-studio-voltaire-london https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile,-The-Milk-of-Dreams,-2022a.jpg Gabriel Chaile, The Milk of Dreams. installation view, 59th Venice Biennale, 2022. Photo: Andrea Rossetti. Courtesy of BARRO Arte Contemporáneo, Buenos Aires and Gabriel Chaile, Lisbon and ChertLüdde, Berlin. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile-in-collaboration-with-Laura-Ojeda-Bar-01.jpg Gabriel Chaile in collaboration with Laura Ojeda Bär, Usos y costumbres, installation view, Studio Voltaire, 2023. Images courtesy of the artists and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Laura-Ojeda-Bar_Decolonial-Gift-Shop-00001.jpg Laura Ojeda Bär, Decolonial Gift Shop, installation view, Moria Galeria Argentina, 2022. Courtesy of the Artist. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/&090-chaille-gabriel-1000.jpg Gabriel Chaile, photo Andrea Rossetti (left) and Laura Ojeda Bär, photo Matias Ercole. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile-in-collaboration-with-Laura-Ojeda-Bar-14.jpg Gabriel Chaile in collaboration with Laura Ojeda Bär, Usos y costumbres, installation view, Studio Voltaire, 2023. Images courtesy of the artists and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile-in-collaboration-with-Laura-Ojeda-Bar-15.jpg Gabriel Chaile in collaboration with Laura Ojeda Bär, Usos y costumbres, installation view, Studio Voltaire, 2023. Images courtesy of the artists and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile-in-collaboration-with-Laura-Ojeda-Bar-18.jpg Gabriel Chaile in collaboration with Laura Ojeda Bär, Usos y costumbres, installation view, Studio Voltaire, 2023. Images courtesy of the artists and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile-in-collaboration-with-Laura-Ojeda-Bar-51.jpg Gabriel Chaile in collaboration with Laura Ojeda Bär, Usos y costumbres, installation view, Studio Voltaire, 2023. Images courtesy of the artists and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile-in-collaboration-with-Laura-Ojeda-Bar-17.jpg Gabriel Chaile in collaboration with Laura Ojeda Bär, Usos y costumbres, installation view, Studio Voltaire, 2023. Images courtesy of the artists and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile-in-collaboration-with-Laura-Ojeda-Bar-48.jpg Gabriel Chaile in collaboration with Laura Ojeda Bär, Usos y costumbres, installation view, Studio Voltaire, 2023. Images courtesy of the artists and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile,-Brenda,-2022_a.jpg Gabriel Chaile, Brenda, 2022. Installation view, Piazza Sant'Antonio, Ortisei. Commissioned by Biennale Gherdëina, 2022. Photo: Tiberio Sorvillo. Courtesy of the Artist and BARRO Arte Contemporáneo, Buenos Aires and ChertLüdde, Berlin. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile,-Mama-Luchona_b.jpg Gabriel Chaile, Mama Luchona. Installation view, 2021 Triennial: Soft Water Hard Stone, New Museum, New York. Photo: Dario Lasagni. Courtesy of The Artist and BARRO Arte Contemporáneo, Buenos Aires and ChertLüdde, Berlin. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Gabriel-Chaile,-Meia-Noite-(Midnight)_a.jpg Gabriel Chaile, Meia-Noite (Midnight). Installation view, Anozero, Bienal de Arte Contemporânea de Coimbra, 2022. Photo: Jorge de la Garza. Courtesy of BARRO Arte Contemporáneo, Buenos Aires and Gabriel Chaile, Lisbon and ChertLüdde, Berlin. https://www.studiointernational.com/images/articles/c/&090-chaille-gabriel-2023/Laura-Ojeda-Bar_Decolonial-Gift-Shop_Installation-view-Moria-Galeria-Argentina_2022.jpg Laura Ojeda Bär, Decolonial Gift Shop, installation view, Moria Galeria Argentina, 2022. Courtesy of the Artist. https://www.studiointernational.com/index.php/grayson-perry-smash-hits-review-national-galleries-of-scotland-royal-scottish-academy-edinburgh https://www.studiointernational.com/images/articles/p/022-perry-grayson-2023/04-Sacred-Tribal-Artefact.jpg Grayson Perry, Sacred Tribal Artefact, 2023. Tapestry, 200 x 350 cmn (78 3/4 x 137 3/4 in). © Grayson Perry. Courtesy the artist, Paragon | Contemporary Editions Ltd and Victoria Miro. https://www.studiointernational.com/images/articles/p/022-perry-grayson-2023/05-Our-Town.jpg Grayson Perry, Our Town, 2022. Etching, 109 x 161 cm (42 ⅞ × 63 ⅜ in). © Grayson Perry. Courtesy the artist, Paragon | Contemporary Editions Ltd and Victoria Miro. https://www.studiointernational.com/images/articles/p/022-perry-grayson-2023/07-Cocktail-Party.jpg Grayson Perry, Cocktail Party, 1989. Glazed Ceramic, 41 x 22 x 22 cm (16 1/8 x 8 5/8 x 8 5/8 in). © Grayson Perry. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/022-perry-grayson-2023/10-Grayson-Perry-Smash-Hits.jpg Grayson Perry: Smash Hits, installation view. Photo: Nick Mailer Photography. https://www.studiointernational.com/images/articles/p/022-perry-grayson-2023/12-Grayson-Perry-Smash-Hits.jpg Grayson Perry: Smash Hits, installation view. Photo: Nick Mailer Photography. https://www.studiointernational.com/images/articles/p/022-perry-grayson-2023/13-Grayson-Perry-Smash-Hits.jpg Grayson Perry: Smash Hits, National Galleries of Scotland (Royal Scottish Academy), Edinburgh. Photo: Nick Mailer Photography. https://www.studiointernational.com/images/articles/p/022-perry-grayson-2023/08-The-Grayson-Perry-Trophy-Awarded-to-a-Person-with-Good-Taste.jpg Grayson Perry, The Grayson Perry Trophy Awarded to a Person with Good Taste, c1992. Glazed ceramic, 45.5 x 28 cm diameter (17 7/8 x 11 1/8 in). © Grayson Perry. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/episode-10-kara-chin-concerned-dogs-review-goldsmiths-centre-for-contemporary-art-london https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-8.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-24.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-50.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-6.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-19.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-22.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-48.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-14.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-7.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/images/articles/c/&088-chin-kara-2023/Goldsmiths-CCA-Kara-Chin-9.jpg Kara Chin, Concerned Dogs, installation view, Goldsmiths CCA, 2023. Photo: Rob Harris. https://www.studiointernational.com/index.php/clouds-and-lights-impressionism-in-holland-review-museum-barberini-potsdam-germany https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/061_SL_Israels.jpg Jozef Israëls. After Dark, 1880-96. Oil on canvas. Singer Laren, Collection Cultural Heritage Agency of the Netherlands. https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/001_Rotterdam_Jongkind.jpg Johan Barthold Jongkind. Cityscape of Rotterdam: Canal à Rotterdam, 1873. Oil on canvas. Museum Rotterdam. https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/091_Rijks_Maris.jpg Jacob Maris. Shellfishing, 1885. Oil on canvas. Rijksmuseum, Amsterdam, Mr and Mrs Drucker-Fraser Bequest, Montreux. https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/050_DM_Mesdag.jpg Hendrik Willem Mesdag. Sunset with Crabfishers, without year. Oil on canvas. Dordrechts Museum, art exchange with the artist 1902. https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/063_SL_Hart_Nibbrig-Dunes.jpg Ferdinand Hart Nibbrig. On the Dunes in Zandvoort, 1891-92. Oil on canvas, Singer Laren, Schenkung P. J. Hart Nibbrig 1981. https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/042_KDH_Toorop-Fleuri-online.jpg Jan Toorop. Trio fleuri, 1885-86. Oil on canvas. Kunstmuseum Den Haag. https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/067_SL_Sluijters.jpg Jan Sluijters. Farmhouse in a Landscape, 1909. Oil on canvas. Singer Laren, gift of Nardinc Collection, VG Bild-Kunst, Bonn 2023. https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/009_GM_Gestel.jpg Leo Gestel. Farm in Beemster, 1915. Oil on canvas. Groninger Museum, on loan from Rijksdienst Cultureel Erfgoed. https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/031_KDH_Heemskerck.jpg Jacoba van Heemskerck. Woodland I, 1913. Oil on canvas. Kunstmuseum Den Haag, The Hague. https://www.studiointernational.com/images/articles/c/&089-clouds-and-light-2023/022_Centraal_Van_Gogh.jpg Van Gogh. Evening, 1885. Oil on canvas. Centraal Museum Utrecht. Photo: Adriaan van Dam. https://www.studiointernational.com/index.php/edinburgh-arts-festival-2023-review-edinburgh https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/haven.jpg Haven for Artists, installation view, French Institute, Edinburgh Art Festival 2023. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Sean-Burns-BILLY_EDIT-4a-copy.jpg Sean Burns, Dorothy Towers, 2022. Film still. Courtesy of the artist. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Luskacova-Two-boys-with-their-jumpers-over-their-heads,-Booker-Avenue-primary-school,-Liverpool,-1988.jpg Markéta Luskačová, Two boys with their jumpers over their heads, Booker Avenue primary school, Liverpool, 1988. © Markéta Luskačová. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Bennes-Soap-1K1A1769.jpg Crystal Bennes, The Surveyor General. Lye, oil, milk, water, enamel basin, 60 x 45 cm, 2023. installation view, Platform, Trinity Apse, Edinburgh Art Festival 2023. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Lindsey-Mendick,-SH_TFACED-(2023),-Instalation-view-at-Jupiter-Artland,-Photo-John-Mckenzie-09.jpg Lindsey Mendick, Sh*tfaced, 2023. Installation view at Jupiter Artland, Photo: John Mckenzie. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Lindsey-Mendick,-SH_TFACED-(2023),-Instalation-view-at-Jupiter-Artland,-Photo-John-Mckenzie-07.jpg Lindsey Mendick, Sh*tfaced, 2023. Installation view at Jupiter Artland, Photo: John Mckenzie. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Lindsey-Mendick,-I-tried-so-hard-to-be-good-(2023),-Installation-view-at-Jupiter-Artland,-Photo-John-Mckenzie-11.jpg Lindsey Mendick, I Tried So Hard to Be Good, 2023. Installation view at Jupiter Artland, Photo: John Mckenzie. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Andrew-Cranston-installation-views_PRESS_6.jpg Andrew Cranston: Never a joiner, installation view, Ingleby, Edinburgh, 17 June – 16 September 2023. Photo: John McKenzie. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Maria-Fusco,-Margaret-Salmon,-Production--stills-from-History-of-the-Present,-2023.-Courtesy-of-the-artist..jpg Maria Fusco, Margaret Salmon, History of the Present, 2023. Video and 35mm, 46 min. Production still. Courtesy of the artist. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Bennes-installation.jpg Crystal Bennes, installation view, Platform, Trinity Apse, Edinburgh Art Festival 2023. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Andrew-Cranston-Why-have-you-stopped-here-.jpg Andrew Cranston, Why have you stopped here?, 2023. Distemper on canvas, 204.1 x 264.4 cm (80 3/8 x 104 1/8 in (framed). Courtesy of the Artist and Ingleby, Edinburgh. Photo: John McKenzie. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Luskacova-Carnival-procession,-Roztoky,-Czech-Republic,-2008.jpg Markéta Luskačová, Carnival procession, Roztoky, Czech Republic, 2008. © Markéta Luskačová. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Maria-Fusco,-Margaret-Salmon,-Production-stills-from-History-of-the-Present,-2023.-Courtesy-of-the-artist.-(1).jpg Maria Fusco, Margaret Salmon, History of the Present, 2023. Video and 35mm, 46 min. Production still. Courtesy of the artist. https://www.studiointernational.com/images/articles/e/066-edinburgh-arts-festival-2023/Sean-Burns-BILLY_EDIT-1a-copy.jpg Sean Burns, Dorothy Towers, 2022. Film still. Courtesy of the artist. https://www.studiointernational.com/index.php/serpentine-pavilion-2023-a-table-by-lina-ghotmeh-review-kensington-gardens-hyde-park-london https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/IMG_6088.jpg Serpentine Pavilion 2023, London, designed by Lina Ghotmeh. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/Serpentine-23-LGA-0943.jpg Serpentine Pavilion 2023, designed by Lina Ghotmeh. © Lina Ghotmeh — Architecture. Photo: Iwan Baan. Courtesy: Serpentine. https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/Serpentine-23-LGA-1176.jpg Serpentine Pavilion 2023, designed by Lina Ghotmeh. © Lina Ghotmeh — Architecture. Photo: Iwan Baan. Courtesy: Serpentine. https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/IMG_6077.jpg Serpentine Pavilion 2023, London, designed by Lina Ghotmeh. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/Serpentine-23-LGA-0980.jpg Serpentine Pavilion 2023, designed by Lina Ghotmeh. © Lina Ghotmeh — Architecture. Photo: Iwan Baan. Courtesy: Serpentine. https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/IMG_6078.jpg Serpentine Pavilion 2023, London, designed by Lina Ghotmeh. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/IMG_6108.jpg Serpentine Pavilion 2023, London, designed by Lina Ghotmeh. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/IMG_6081.jpg Serpentine Pavilion 2023, London, designed by Lina Ghotmeh. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/Serpentine-23-LGA-1128.jpg Serpentine Pavilion 2023, designed by Lina Ghotmeh. © Lina Ghotmeh — Architecture. Photo: Iwan Baan. Courtesy: Serpentine. https://www.studiointernational.com/images/articles/s/&089-serpentine-pavilion-2023/Serpentine-23-LGA-1154.jpg Serpentine Pavilion 2023, designed by Lina Ghotmeh. © Lina Ghotmeh — Architecture. Photo: Iwan Baan. Courtesy: Serpentine. https://www.studiointernational.com/index.php/isa-genzken-75-75-review-neue-nationalgalerie-berlin https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-02.jpg Isa Genzken, Blau-blau-gelbes Hyperbolo ‘Elbe’ (Blue-blue-yellow Hyperboloid https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-01.jpg Isa Genzken, Pink Rose, 2016/23. Aluminium, paint, stainless steel, 825 x 289 x 307 cm. Fredriksen Family Collection. Photo: Nationalgalerie, Staatliche Museen zu Berlin / Kens Ziehe. Courtesy Galerie Buchholz © VG Bild-Kunst, Bonn 2023. https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-06.jpg Exhibition view of Isa Genzken: 75/75. Neue Nationalgalerie, 2023. Photo: Nationalgalerie, Staatliche Museen zu Berlin / Kens Ziehe. Courtesy Galerie Buchholz © VG Bild-Kunst, Bonn 2023. https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-04.jpg Isa Genzken, Weltempfänger (World Receiver), 1982. Radio, 37 x 51 x 20 cm. Courtesy Galerie Buchholz © VG Bild-Kunst, Bonn 2023. https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-05.jpg Exhibition view of Isa Genzken: 75/75, Neue Nationalgalerie, 2023 featuring Weltempfänger (World Receiver), 1988-89. Private collection, London. Photo: Nationalgalerie, Staatliche Museen zu Berlin / Kens Ziehe. Courtesy Galerie Buchholz © VG Bild-Kunst, Bonn 2023. https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-03.jpg Isa Genzken, Atelier, 1990. Concrete and steel, 265 x 76 x 163 cm. Donation of the Hoffmann Collection, Dresden State Art Collections. Installation view © Art and Exhibition Hall of the Federal Republic of Germany GmbH. Courtesy of the Buchholz Gallery / VG Bild-Kunst, Bonn 2023. https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-08.jpg Isa Genzken, Untitled, 2006. Folding chair, doll, blanket, fabric, glasses, plastic, lacquer, spray paint, sunshade, approx 148 x 176 x 160 cm. Hauser & Wirth, David Zwirner. Courtesy Galerie Buchholz © VG Bild-Kunst, Bonn 2023. https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-09.jpg Isa Genzken: 75/75, exhibition view, Neue Nationalgalerie, 2023, featuring Nofretete (The Original,), 2012. Private collection, Rhineland. Photo: Nationalgalerie, Staatliche Museen zu Berlin / Kens Ziehe. Courtesy Galerie Buchholz © VG Bild-Kunst, Bonn 2023. https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-07.jpg Isa Genzken, Schauspieler (Actor), 2013. Mannequin, fabric, plastic, metal, wood, lacquer, 160 x 70 x 60 cm. Private collection, Rhineland. Courtesy Galerie Buchholz/VG Bild-Kunst, Bonn 2023. https://www.studiointernational.com/images/articles/g/032-genzken-isa-2023/isa-genzken-10.jpg Wolfgang Tillmans, Isa in her Studio, 2002. Courtesy Galerie Buchholz. https://www.studiointernational.com/index.php/rowan-mace-times-light-amy-winstanley-slim-glimpses-review-cample-line-cample https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/Slim-Glimpses-(1).jpg Amy Winstanley, Slim Glimpses, 2023. Oil on canvas, 103 x 93 cm. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/Reverberative-Business-(1).jpg Amy Winstanley, Reverberative Business, 2023. Oil on canvas, 93 x 103 cm. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/Rowan-Mace_Cample-LineMBP_7662.jpg Rowan Mace: Time’s Light, installation view, Cample Line, 2023. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/RowanMaceSculpture-07.jpg Rowan Mace, Untitled, 2022. Oil paint on wood, 45 x 45 x 14 cm. Photo: Ocean Teale. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/Rowan-Mace_Cample-LineMBP_7771.jpg Rowan Mace: Time’s Light, installation view, Cample Line, 2023. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/Rowan-Mace_Cample-LineMBP_7847.jpg Rowan Mace: Time’s Light, installation view, Cample Line, 2023. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/RowanMaceSculpture-11.jpg Rowan Mace: Time’s Light, installation view, Cample Line, 2023. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/Amy-Winstanley-Untitled_HDR-18.jpg Amy Winstanley: Slim Glimpses, installation view, Cample Line, 2023. Photo: Patrick Jameson. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/Amy-Winstanley-Untitled_HDR-24-1.jpg Amy Winstanley: Slim Glimpses, installation view, Cample Line, 2023. Photo: Patrick Jameson. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/Amy0winstanley-Untitled_HDR-2.jpg Amy Winstanley: Slim Glimpses, installation view, Cample Line, 2023. Photo: Patrick Jameson. https://www.studiointernational.com/images/articles/m/&098-mace-and-winstanley-2023/RowanMaceSculpture-10.jpg Rowan Mace, studio, October 2022. Photo: Ocean Teale. https://www.studiointernational.com/index.php/scottish-women-artists-250-years-of-challenging-perception-review-dovecot-studios-edinburgh https://www.studiointernational.com/images/articles/s/&088-scottish-women-artists-2023/Phoebe-Anna-Traquair,-Study-for-the-Souls-of-the-Blest,-c1890.jpg Phoebe Anna Traquair, Study for the Souls of the Blest, c1890. Ink and watercolour on paper. The Fleming Collection. https://www.studiointernational.com/images/articles/s/&088-scottish-women-artists-2023/Sam-Ainsley,-This-Land-is-Your-Land.jpg Sam Ainsley, This Land is Your Land, 2012. Photo: Phil Wilkinson. https://www.studiointernational.com/images/articles/s/&088-scottish-women-artists-2023/Im-Fine-Save-Mi,-Rachel-Maclean-and-Dovecot-Studios.jpg Rachel Maclean and Dovecot Studios, I https://www.studiointernational.com/images/articles/s/&088-scottish-women-artists-2023/Joan-Eardley,-July-Fields,-Dovecot-Studios,-Tapestry-2021.jpg Dovecot Studios after Joan Eardley, July Fields, 2021. Tapestry, handwoven, wool and cotton, 129 × 150 cm. Woven by Naomi Robertson. Private commission. Courtesy Joan Eardley Estate. Photo: Kenneth Gray Photography. https://www.studiointernational.com/images/articles/s/&088-scottish-women-artists-2023/Sekai-Machache-and-Dovecot-Studios,-Lively-Blue.jpg Sekai Machache, Lively Blue. Tapestry, handwoven by Dovecot weaver Ben Hymers in cotton and linen with a cotton warp. Photo: Phil Wilkinson. https://www.studiointernational.com/images/articles/s/&088-scottish-women-artists-2023/Beatrice-Huntington,-A-Cellist,-c1925.jpg Beatrice Huntington, A Cellist, c 1925. The Fleming Collection. © The William Syson Foundation. https://www.studiointernational.com/images/articles/s/&088-scottish-women-artists-2023/Frood,-Millie,-Workers-in-a-Field,-Unknown.jpg Millie Frood, Workers in a Field, date unknown. Oil on board. The Fleming Collection. © The Copyright Holder. https://www.studiointernational.com/images/articles/s/&088-scottish-women-artists-2023/Pryde,-Mabel,-The-Artists-Daughter,-Nancy,-as-a-Harlequin,-c1910.jpg Mabel Pryde, The Artist's Daughter, Nancy, as a Harlequin, c1910. Oil on canvas. The Fleming Collection. https://www.studiointernational.com/index.php/samuel-gallacher-interview-keeper-of-the-burrell-collection-glasgow https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/Sir-Grayson-Perry,-artist;-Duncan-Dornan-Art-Fund-2023.jpg Sir Grayson Perry, artist; Duncan Dornan, Head of Museums and Collections for Glasgow Life; and Jenny Waldman, Director of Art Fund. Photo: © Hydar Dewachi/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-Burrell-Collection,-Museum-of-the-Year-finalist,-2023-2.jpg The Burrell Collection, winner of the Art Fund Museum of the Year 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-Burrell-Collection,-Museum-of-the-Year-finalist,-2023-3.jpg The Burrell Collection, winner of the Art Fund Museum of the Year 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-Burrell-Collection,-Museum-of-the-Year-finalist,-2023-10.jpg The Burrell Collection, winner of the Art Fund Museum of the Year 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-Burrell-Collection,-Museum-of-the-Year-finalist,-2023-9.jpg The Burrell Collection, winner of the Art Fund Museum of the Year 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-Burrell-Collection,-Museum-of-the-Year-finalist,-2023-7.jpg The Burrell Collection, winner of the Art Fund Museum of the Year 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-Burrell-Collection,-Museum-of-the-Year-finalist,-2023-11.jpg The Burrell Collection, winner of the Art Fund Museum of the Year 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-Burrell-Collection,-Museum-of-the-Year-finalist,-2023-8.jpg The Burrell Collection, winner of the Art Fund Museum of the Year 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-Burrell-Collection,-Museum-of-the-Year-finalist-12.jpg The Burrell Collection, winner of the Art Fund Museum of the Year 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-Burrell-Collection-team-celebrating.jpg The Burrell Collection team celebrating with the Art Fund Director Jenny Waldman at the Art Fund Museum of the Year 2023 ceremony at the British Museum. Photo: © Hydar Dewachi/Art Fund 2023 https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/King-Charles-III-officially-reopened-The-Burrell-Collection-on-13-October-2022.jpg King Charles III officially reopened The Burrell Collection on 13 October 2022. Photo: © Glasgow Life. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/Leighton-House-3.jpg Leighton House, London, Museum of the Year finalist, 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/Natural-History-Museum.jpg Natural History Museum, London, Museum of the Year finalist, 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/Scapa-Flow-Museum.jpg Scapa Flow Museum, Island of Hoy, Orkney, Scotland, Museum of the Year finalist, 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/images/articles/g/031-gallacher-sam-2023/The-MAC.jpg The MAC, Belfast, Museum of the Year finalist, 2023. Photo: © Janie Airey/Art Fund 2023. https://www.studiointernational.com/index.php/rethinking-pink-barbie-happiness-art-history-differing-meaning https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Pinkie.jpg Thomas Lawrence. Sarah Barrett Moulton “Pinkie”, 1794. Oil on canvas, 148 x 102 cm. The Huntington Library, Pasadena, California. https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Gainsborough-Mary,-Countess-of-Howe.jpg Thomas Gainsborough. Mary, Countess of Howe, 1764. Oil on canvas. Kenwood House. https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Shah_Jahan_on_a_Terrace,_Holding_a_Pendant_Set_With_His_Portrait.jpg Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait. Folio from the Shah Jahan Album. Ink, opaque watercolour, and gold on paper, 15 5/16 x 10 1/8 in (38.9 x 25.7 cm). https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Bosch-The_Garden_of_earthly_delights.jpg Hieronymus Bosch. The Garden of Earthly Delights, c1490–1510. Triptych, oil on oak panels, 205.5 x 384.9 cm (81 x 152 in). Museo del Prado, Madrid. https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Titian-The-Rape-of-Europa.jpg Titian. The Rape of Europa, 1560s, between 1559 and 1562. Oil on canvas. 185 x 205 cm (72.8 x 80.7 in). Isabella Stewart Gardner Museum, Boston. https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Sevres_porcelain_manufactory,_Vase_with_candleholders,_c._1760_at_Waddesdon_Manor.jpg Sèvres porcelain manufactory, Vase with candleholders, c. 1760 at Waddesdon Manor. Source: Wikipedia. https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Edgar_Degas-c1867-Ballerinas_in_Pink.jpg Edgar Degas, Dancers in Pink, c1867. Oil on canvas, 23 1/4 x 29 1/4 in. Alfred Atmore Pope Collection, Hill-Stead Museum, Farmington, CT. https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Kandinsky-Accent-in-Pink-1926.jpg Wassily Kandinsky, Accent in Pink, 1926. Oil on canvas, 100.5 x 80.5 cm (39.5 x 31.6 in). https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Matisse-1911-The-Pink-Studio.jpg Henri Matisse, The Pink Studio, 1911. Oil on canvas, 181 x 221 cm. Pushkin Museum, Moscow. https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/warhol-Pink-cow-image-(c)-jill-spalding.jpg Andy Warhol, Fuchsia cow. Lithograph. Private collection. https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Laura-Roebuck_WaitingforPinkII.jpg Laura Roebuck, Waiting for Pink II, 2022. Oil on canvas, 48 x 69 in. Courtesy of Upstart Modern. https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/Larry-Bell-IMG_1409.jpg Larry Bell, Pacific Red. Installation view, David Booth https://www.studiointernational.com/images/articles/r/039-rethinking-pink-2023/studio-international-thinking-pink-AI-image.jpg Pink Woman in Pink Landscape, Image generated by AI, 2023. https://www.studiointernational.com/index.php/pam-evelyn-video-interview-a-handful-of-dust-pace-london https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/Fertility,-2022,-vScale,-credit-Damian-Griffiths.jpg Pam Evelyn. Fertility, 2022. Oil on linen, 360 × 240 cm (11’ 9-3/4” × 94-1/2”). Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/Studio-Anchor-(2)-photo-alban-roinard.jpg Anchor Studio, Newlyn, Cornwall. Photo: Alban Roinard, courtesy the Borlase Smart John Wells Trust. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/pam-evelyn_Anchor-studio-20.jpg Work in progress, Anchor Studio, Newlyn, Cornwall, 2023. Photo courtesy Pam Evelyn. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/88102_EVELYN_v02_credit-Robert-Glowacki.jpg Pam Evelyn. Deluge, 2023. Oil on linen, 321 × 300 cm (10’ 6-3/8” × 9’ 10-1/8” overall). Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/88103_EVELYN_v02_credit-Robert-Glowacki.jpg Pam Evelyn. Mirage - A Glaze of Mischief, 2023. Oil on linen, 321 × 300 cm (10’ 6-3/8” × 9’ 10-1/8” overall). Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/88105_EVELYN_vScale_credit-Robert-Glowacki.jpg Pam Evelyn. Stone Circle, 2023. Oil on linen, 130 × 100 cm (51 3/16” × 39-3/8”). Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/88105_EVELYN_vDet_01_credit-Robert-Glowacki.jpg Pam Evelyn. Stone Circle, 2023 (detail). Oil on linen, 130 × 100 cm (51 3/16” × 39-3/8”). Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/88404_EVELYN_v01_credit_Robert-Glowacki.jpg Pam Evelyn. Tin Coast, 2023. Oil on linen, 295 × 195 cm (9’ 8-1/8” × 76-3/4”). Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/88405_EVELYN_v01_credit-Robert-Glowacki.jpg Pam Evelyn. Stems Arc, 2023. Oil on linen, 295 × 195 cm (9’ 8-1/8” × 76-3/4”). Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/88407_EVELYN_v01_credit-Robert-Glowacki.jpg Pam Evelyn. Nine Lights, 2023. Oil on linen, 130 × 100 cm (51-3/16” × 39-3/8”). Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/88623_EVELYN_v01_credit-Robert-Glowacki.jpg Pam Evelyn. Traced Train Windows, 2023. Oil on linen, 220 × 320 cm (86-5/8” × 10’ 6” overall). Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/Charge,-2022,-v1,-credit-Damian-Griffiths.jpg Pam Evelyn. Charge, 2022. Oil on linen, 360 × 240 cm (11’ 9-3/4” × 94-1/2”). Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/Fertility,-2022,-v4,-credit-Damian-Griffiths.jpg Pam Evelyn. Fertility, 2022 (detail). Oil on linen, 360 × 240 cm (11’ 9-3/4” × 94-1/2”). Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/Anchor-25-March-photo-alban-roinard.jpg Anchor Studio, Newlyn, Cornwall. Photo: Alban Roinard, courtesy the Borlase Smart John Wells Trust. https://www.studiointernational.com/images/articles/e/067-evelyn-pam-2023/Pam_Anchor_36-photo-alban-roinard.jpg Work in progress, Anchor Studio, Newlyn, Cornwall, 2023. Photo courtesy Pam Evelyn. https://www.studiointernational.com/index.php/michael-rakowitz-waiting-gardens-of-the-north-review-baltic-centre-for-contemporary-art https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM20052.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM20091.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM29925.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM29824.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM20086.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM20045.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM29838.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM29769.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM20089.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM29715.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM29814.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/images/articles/r/038-rakowitz-michael-2023/JM29841.jpg Michael Rakowitz: The Waiting Gardens of the North, an IWM 14-18 NOW Legacy Fund commission in partnership with Baltic Centre for Contemporary Art. Photo: John McKenzie. © 2023 Baltic. https://www.studiointernational.com/index.php/leiko-ikemura-when-animals-become-art-review-feuerle-collection-berlin https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/01-B.jpg Background: Usagi, 2022. Terracotta, glazed, 121 x 58 x 58 cm approx. Paintings: Red Tree, 2013. Tempera on jute, 70 x 50 cm. Installation view of the second Silk Room exhibition, Leiko Ikemura: When Animals Become Art at The Feuerle Collection. Photo: Wai Kung, Courtesy the artist. © Leiko Ikemura and The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/03-B.jpg Pelican, plush toy, 18 x 9 x 8 cm; Long-legged cat, plush toy, 17 x 8 x 8 cm. Installation view of the second Silk Room exhibition, Leiko Ikemura: When Animals Become Art at The Feuerle Collection. Photo: Wai Kung. Courtesy the artist. © Leiko Ikemura and The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/08.jpg Installation view of The Feuerle Collection. Garden Stone Bench, Ming Dynasty, China, 16th–17th century, limestone. Photo: def image © The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/09.jpg The Lake Room on the lower ground floor of The Feuerle Collection.
 Photo: def image ©The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/02.jpg Installation view of the second Silk Room exhibition, Leiko Ikemura: When Animals Become Art at The Feuerle Collection. Plush toys. In the background Bride, patinated bronze, 98 x 45 x 31 cm approx. O.T. / Untitled, 1992, charcoal and pastel on paper, 47.5 x 3.5 cm. Ha, 1991, charcoal on paper, framed: 60 x 46.6 x 3.5 cm. Photo: Wai Kung. Courtesy the artist. © Leiko Ikemura and The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/04.jpg Leiko Ikemura, Transparent Hare, 2022. Cast glass, 31 x 16 x 17 cm. Photo: Wai Kung. Courtesy the artist. ©Leiko Ikemura and The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/07.jpg Installation view of The Feuerle Collection. Vishnu, Khmer, Banteai Srei Style, 10th century, stone. On the right: Anish Kapoor, Torus, 2002, steel. Photo: def image © The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/01.jpg Installation view of the second Silk Room exhibition, Leiko Ikemura: When Animals Become Art at The Feuerle Collection. Plush toys. In the background Usagi, 2022, terracotta, glazed, 121 x 58 x 58 cm approx. Paintings (Red Tree), 2013, Tempera on jute, 70 x 50 cm. Photo: Wai Kung, Courtesy the artist. © Leiko Ikemura and The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/03.jpg Installation view of the second Silk Room exhibition, Leiko Ikemura: When Animals Become Art at The Feuerle Collection. Crocodile, plush toy, 6 x 10 x 36 cm, Pelican, plush toy, 18 x 9 x 8 cm, long-legged cat, plush toy, 17 x 8 x 8 cm. Photo: Wai Kung. Courtesy the artist. © Leiko Ikemura and The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/05.jpg Leiko Ikemura, Transparent Hare, 2022. Cast glass, 31 x 16 x 17 cm. Photo: Wai Kung. Courtesy the artist. ©Leiko Ikemura and The Feuerle Collection. https://www.studiointernational.com/images/articles/i/078-Ikemura-leiko-2023/06.jpg Portrait of Leiko Ikemura and Désiré Feuerle. Photo: Wai Kung. © The Feuerle Collection. https://www.studiointernational.com/index.php/kaye-donachie-interview-song-for-the-last-act-pallant-house-gallery-chichester https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/KD16.jpg Kaye Donachie, Notes shift, 2023. Oil on linen, 80 x 60 cm. Courtesy Maureen Paley, London. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/KD18.jpg Kaye Donachie, To echo, 2023. Oil on linen, 46 x 40 cm. Courtesy Maureen Paley, London. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/KD19.jpg Kaye Donachie, Dark renewing, 2023. Oil on linen, 46 x 36 cm. Courtesy Maureen Paley, London. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/KD21.jpg Kaye Donachie, Like walls the mirrors stand, 2023. Oil on linen, 60 x 46 cm. Courtesy Maureen Paley, London. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/KD22.jpg Kaye Donachie, Untitled VIII, 2016. Cyanotype on cotton, 30 x 23 cm. Courtesy Maureen Paley, London. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/KD9.jpg Kaye Donachie, Descending into the midst, 2022. Oil on linen, 46 x 36 cm. Private Collection. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/3176_Donachie.jpg Kaye Donachie, Monotonous Remorse, 2019. Oil on linen. Pallant House Gallery, Chichester (purchased with support of the Contemporary Art Society 2020). Photo: Pallant House Gallery, Chichester. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/MP-DONAK-00324-B-300.jpg Kaye Donachie, Come now, be content, 2016. Oil on canvas, 30.5 x 40.6 cm. The Tom and Chai Hall Collection. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/MP-DONAK-00355-A-300.jpg Kaye Donachie, Young moon, 2018. Oil on linen, 50 x 40.5 cm. Silka Rittson-Thomas. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/MP-DONAK-00360-A-300.jpg Kaye Donachie, Silence into weary ears, 2018. Oil on linen, 55.3 x 35 cm. Collection of Alexander V. Petalas. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/MP-DONAK-00383-A-300.jpg Kaye Donachie, Be lost forever, 2020. Oil on linen, 55 x 40 cm. Hubert Zandberg Interiors. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/MP-DONAK-00397-A-300.jpg Kaye Donachie, In the depths, 2021. Oil on linen, 65 x 45 cm. Chao Lee Collection. © Kaye Donachie. Courtesy Maureen Paley, London. https://www.studiointernational.com/images/articles/d/048-donachie-kaye-2023/Kaye-Donachie-IMG_0989.jpg Kaye Donachie in her London studio. Courtesy Maureen Paley, London. https://www.studiointernational.com/index.php/bernard-cohen-things-seen-flowers-gallery-london https://www.studiointernational.com/images/articles/c/&087-cohen-bernard-2023/Bernard-Cohen,-Fox-Heads-Seen-in-London,-2023.jpg Bernard Cohen, Fox Heads - Seen in London, 2023. Acrylic on linen. © Bernard Cohen, courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/&087-cohen-bernard-2023/Bernard-Cohen,-Portrait-of-a-Painting,-2021.jpg Bernard Cohen, Portrait of a Painting, 2021. Acrylic on linen, 105 x 145 cm. © Bernard Cohen, courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/&087-cohen-bernard-2023/Bernard-Cohen,-Fools-Home,-2020-21.jpg Bernard Cohen, Fool https://www.studiointernational.com/images/articles/c/&087-cohen-bernard-2023/Bernard-Cohen,-And-Scatter,-2022.jpg Bernard Cohen, And Scatter, 2022. Acrylic on linen, 105 x 145 cm. © Bernard Cohen, courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/&087-cohen-bernard-2023/Bernard-Cohen,-Light-After-Dark,-2022.jpg Bernard Cohen, Light After Dark, 2022. Acrylic on linen, 105 x 145 cm. © Bernard Cohen, courtesy of Flowers Gallery. https://www.studiointernational.com/images/articles/c/&087-cohen-bernard-2023/Bernard-Cohen,-Come-Morning,-2023.jpg Bernard Cohen, Come Morning, 2023. Acrylic on linen, 105 x 145 cm. © Bernard Cohen, courtesy of Flowers Gallery. https://www.studiointernational.com/index.php/catherine-opie-interview-walls-windows-and-blood-thomas-dane-naples-italy https://www.studiointernational.com/images/articles/o/077-opie-catherine-2023/2023_CO_Blood-grid-4.jpg Catherine Opie, Blood grid #4, 2023. © Catherine Opie. Courtesy the artist, Thomas Dane Gallery and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/o/077-opie-catherine-2023/2023_CO_TDGN_ph-M3studio_42.jpg Catherine Opie: Walls, Windows and Blood. Installation view, Thomas Dane Gallery, Naples, 19 September – 18 November 2023. © Catherine Opie. Courtesy the artist, Thomas Dane Gallery and Regen Projects, Los Angeles. Photo: M3Studio. https://www.studiointernational.com/images/articles/o/077-opie-catherine-2023/2017_CO_TDA08731_The-Modernist-(Still)_1.jpg Catherine Opie, The Modernist, 2017 (still). HD video with sound, 2 channel stereo sound, 21:44, looped. © Catherine Opie. Courtesy the artist, Thomas Dane Gallery and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/o/077-opie-catherine-2023/2023_CO_TDGN_ph-M3studio_43.jpg Catherine Opie: Walls, Windows and Blood. Installation view, Thomas Dane Gallery, Naples, 19 September – 18 November 2023. © Catherine Opie. Courtesy the artist, Thomas Dane Gallery and Regen Projects, Los Angeles. Photo: M3Studio. https://www.studiointernational.com/images/articles/o/077-opie-catherine-2023/2023_CO_Blood-grid-4-detail.jpg Catherine Opie, Blood grid #4, 2023 (detail). . © Catherine Opie. Courtesy the artist, Thomas Dane Gallery and Regen Projects, Los Angeles. https://www.studiointernational.com/images/articles/o/077-opie-catherine-2023/2023_CO_TDGN_ph-M3studio_12.jpg Catherine Opie: Walls, Windows and Blood. Installation view, Thomas Dane Gallery, Naples, 19 September – 18 November 2023. © Catherine Opie. Courtesy the artist, Thomas Dane Gallery and Regen Projects, Los Angeles. Photo: M3Studio. https://www.studiointernational.com/images/articles/o/077-opie-catherine-2023/2023_CO_TDGN_ph-M3studio_07.jpg Catherine Opie: Walls, Windows and Blood. Installation view, Thomas Dane Gallery, Naples, 19 September – 18 November 2023. © Catherine Opie. Courtesy the artist, Thomas Dane Gallery and Regen Projects, Los Angeles. Photo: M3Studio. https://www.studiointernational.com/images/articles/o/077-opie-catherine-2023/2023_CO_TDGN_ph-M3studio_20.jpg Catherine Opie: Walls, Windows and Blood. Installation view, Thomas Dane Gallery, Naples, 19 September – 18 November 2023. © Catherine Opie. Courtesy the artist, Thomas Dane Gallery and Regen Projects, Los Angeles. Photo: M3Studio. https://www.studiointernational.com/images/articles/o/077-opie-catherine-2023/2023_CO_TDGN_ph-M3studio_01.jpg Catherine Opie: Walls, Windows and Blood. Installation view, Thomas Dane Gallery, Naples, 19 September – 18 November 2023. © Catherine Opie. Courtesy the artist, Thomas Dane Gallery and Regen Projects, Los Angeles. Photo: M3Studio. https://www.studiointernational.com/index.php/ave-libertatemaveamor-interview-contemplating-actions-of-russians-helps-me-to-be-more-sensitive-to-infernal-images https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/KISS-OF-DEATH-M.jpg George Gittoes, Warhouse mural, Central House of Culture, Irpin. 2023. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/KISS-OF-DEATH-COMIC-COVER-copy.jpg Ave Libertatemaveamor and George Gittoes, Kiss of Death. Book cover. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Dont-teach-a-Ukrainian-like-a-Muscovite-2022.jpg Ave Libertatemaveamor, Don https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Beast-2022.jpg Ave Libertatemaveamor, Beast, 2022. Paper, liner, marker, 21 x 29.7 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Wet-nurse-2022.jpg Ave Libertatemaveamor, Wet-nurse, 2022. Paper, liner, marker, 12.5 x 18 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Russian-Love-Story-2022.jpg Ave Libertatemaveamor, Russian Love Story, 2022. Paper, liner, marker, 18 x 12.5 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Grad-or-Hail-2022.jpg Ave Libertatemaveamor, Grad or Hail, 2022. Paper, liner, marker, 18 x 12.5 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Queue-2022.jpg Ave Libertatemaveamor, Queue, 2022. Paper, liner, marker, 24 x 31.4 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Daruma-Eyes-2022.jpg Ave Libertatemaveamor, Daruma’s Eyes 2022. Paper, liner, marker, 18 x 12.5 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Falling-in-love-2022.jpg Ave Libertatemaveamor, Falling in love, 2022. Paper, liner, marker, 12.5 x 18 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/casus-belli.jpg Ave Libertatemaveamor, Casus Belli, 2022. Paper, liner, marker, 12.5 x 18 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Motanki-2022.jpg Ave Libertatemaveamor, Motanki, 2022. Paper, liner, marker, 12.5 x 18 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Ave.jpg Ave Libertatemaveamor. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Darkness-2022.jpg Ave Libertatemaveamor, Darkness, 2022. Paper, liner, marker, 12.5 x 18 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Happy-carousel-2023.jpg Ave Libertatemaveamor, Happy carousel, 2023. Paper, liner, marker, 12.5 х 18 cm. © the Artist. https://www.studiointernational.com/images/articles/l/042-Ave-Libertatemaveamor-2023/Roots-2022.jpg Ave Libertatemaveamor, Roots, 2022. Paper, liner, marker, 29.7 x 42 cm. © the Artist. https://www.studiointernational.com/index.php/40th-eva-international-ireland-biennial-2023-limerick https://www.studiointernational.com/images/articles/e/065-EVA-2023/Jeamin-Cha,-Nameless-Syndrome,-2023.jpg Jeamin Cha, Nameless Syndrome, 2022. Single channel video, 4K, colour, sound, 24:00. Image courtesy EVA International. https://www.studiointernational.com/images/articles/e/065-EVA-2023/EVA-International-2023_Clodagh-Emoe_courtesy-EVA-International.jpg Clodagh Emoe, Reflections on a City Lot, 2023. Image courtesy EVA International. https://www.studiointernational.com/images/articles/e/065-EVA-2023/ikkibawiKrrr,-Seaweed-Story,-2022.jpg ikkibawiKrrr, Seaweed Story, 2022. Installation and single-channel video. Image courtesy of EVA International. https://www.studiointernational.com/images/articles/e/065-EVA-2023/RAFTS,-Rory-Pilgrim,-2022,-3.jpg Rory Pilgrim, RAFTS, 2022. Image courtesy of EVA International. https://www.studiointernational.com/images/articles/e/065-EVA-2023/Oscar-Mascarenas,-Cracked-moon-on-the-ground-Burren.jpg Óscar Mascareñas, Cracked moon on the ground, The Burren in County Clare, n.d. Image courtesy of EVA International. https://www.studiointernational.com/images/articles/e/065-EVA-2023/EVA-International-2023_Navine-G.--Dossos_courtesy-EVA-International.jpg Navine G. Dossos, installation, interior of The Grove vegetarian kitchen, Cecil Street. Image courtesy EVA International. https://www.studiointernational.com/images/articles/e/065-EVA-2023/Li-Mu,-works-from-Qiuzhuang-Project-series,-2013.-Image-courtesy-of-EVA-International.jpg Li Mu, works from Qiuzhuang Project series, 2013. Image courtesy of EVA International. https://www.studiointernational.com/images/articles/e/065-EVA-2023/Gordon-Matta-Clark,-FOOD,-1971.jpg Gordon Matta-Clark, FOOD, 1971. Image courtesy EVA International. https://www.studiointernational.com/images/articles/e/065-EVA-2023/Rory-Pilgrim,-The-Undercurrent,-2019.jpg Rory Pilgrim, The Undercurrent, 2019-ongoing. HD film, 50:00. Image courtesy EVA International. https://www.studiointernational.com/index.php/lisetta-carmi-identities-review-estorick-collection-london https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/08-Lisetta-Carmi.jpg Lisetta Carmi, Genoa - Port, 1964. © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/07-Lisetta-Carmi.jpg Lisetta Carmi, Italsider, Genoa, 1962-64. © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/10-Lisetta-Carmi.jpg Lisetta Carmi, Genoa - Port, 1964. © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/02-Lisetta-Carmi.jpg Lisetta Carmi, I travestiti, Genoa, 1965-70. © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/04-Lisetta-Carmi.jpg Lisetta Carmi, I travestiti, Genoa, 1965. © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/05-Lisetta-Carmi.jpg Lisetta Carmi, I travestiti, Gilda, Genoa, 1965-67. © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/06-Lisetta-Carmi.jpg Lisetta Carmi, I travestiti, Genoa, 1965-67. © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/03-Carmi.jpg Lisetta Carmi, I travestiti, Audrey, Genoa, 1965-70. © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/09-Lisetta-Carmi.jpg Lisetta Carmi, Genoa - Port, 1964. © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/images/articles/c/&086-carmi-lisetta-2023/01-Lisetta-Carmi.jpg Lisetta Carmi, I travestiti, Dalida, Genoa, 1965-67 (detail). © Martini & Ronchetti. Courtesy Archivio Lisetta Carmi. https://www.studiointernational.com/index.php/inside-other-spaces-environments-by-women-artists-1956-1976-review-haus-der-kunst-munich https://www.studiointernational.com/images/articles/i/077-inside-other-spaces-2023/HDK_InsideOtherSpaces_Installationsansichten_AgostinoOsio-10_2023-09-15-142117_fwaj.jpg Tsuruko Yamazaki. Red (Shape of Mosquito Net), 1956. Vinyl, wood, metal fixture, wires, bolts, light bulbs, 360 x 360 x 270 cm. Installation view Haus der Kunst, 2023. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/i/077-inside-other-spaces-2023/HDK_InsideOtherSpaces_Installationsansichten_AgostinoOsio-12.jpg Aleksandra Kasuba, Spectral Passage, 1975. Mixed media: wood structure, neon tubes, nylon fabric, sound, 2370 x 1340 x 550 cm. Installation view Haus der Kunst, 2023. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/i/077-inside-other-spaces-2023/HDK_InsideOtherSpaces_Installationsansichten_AgostinoOsio-9.jpg Marta Minujín, ¡Revuélquese y viva!, 1964. Wooden frame, fabric, paint, synthetic foam, 245 x 335 x 270 cm approx. Installation view Haus der Kunst, 2023. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/i/077-inside-other-spaces-2023/Lea-Lublin-Phallus-Mobilis-Pic-V-Simpson.Pic-V-Simpson.jpg Lea Lublin, Phallus Mobilis. Inflatable tubes, dimensions variable. Installation view Haus der Kunst, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/077-inside-other-spaces-2023/Lea-Lublin-Penetracion-Expulsion-is-a-20m-long-inflatable-tunnel.-Pic-V-Simpson.jpg Lea Lublin, Penetración/Expulsión (del Fluvio Subtunal), 1970. Inflatable plastic tunnel with props, 275 x 275 x 275 cm. Installation view Haus der Kunst, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/077-inside-other-spaces-2023/HDK_InsideOtherSpaces_Installationsansichten_AgostinoOsio-9_2023-09-15-143443_ekod.jpg Faith Wilding, Crocheted Environment (Womb Room), 1972. Acrylic yarn and sisal rope, room (wooden structure), 274 x 274 x 274 cm approx. Installation view Haus der Kunst, 2023. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/i/077-inside-other-spaces-2023/HDK_InsideOtherSpaces_Installationsansichten_AgostinoOsio-19.jpg Tania Mouraud, We used to know, 1970–2023. Stainless steel tower, heating lamps, rubber flooring, 422,5 x 515 x 381 cm. Installation view Haus der Kunst, 2023. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/i/077-inside-other-spaces-2023/HDK_JudyChicago_FeatherRoom_1965_Foto_TroughTheFlowerArchives.jpg Judy Chicago, Feather Room, 1966. Room (wooden structure, diffusive canvas, 36 LED spots), filled with cruelty-free duck feathers, 775 x 658 x 400 cm. https://www.studiointernational.com/images/articles/i/077-inside-other-spaces-2023/The-press-of-a-button-changes-the-colour-of-lights-and-thus-the-mood-inside-Nanda-Vigo-Ambiente-Cronotopico-1967.Pic-V-Simpson.jpg Nanda Vigo, Ambiente cronotopico vivibile, 1967. Installation view Haus der Kunst, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/double-weave-bourne-and-allens-modernist-textiles-review-ditchling-museum-of-art-and-craft-sussex https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-34.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-51.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-24.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-40.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave_14.9.23_11.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-56.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-32.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-59.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-45.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-54.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/d/047-double-weave-2023/doubleweave-57.jpg Double Weave: Bourne and Allen’s Modernist Textiles, installation view, Ditchling Museum of Art and Craft, 2023. Photo: Tessa Hallmann. https://www.studiointernational.com/index.php/helio-oiticica-waiting-for-the-internal-sun-de-la-warr-pavilion-review https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/03.jpg Hélio Oiticica, Parangolés, 1964-79. Acrylic on canvas, fabric, nylon, rope and plastic, dimensions variable. Installation view, Hélio Oiticica: Waiting for the internal sun, De La Warr Pavilion, Bexhill-on-Sea, 23 September 2023 – 14 January 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/08.jpg Hélio Oiticica and Neville D’Almeida, Cosmococa/CC5 Hendrix War, 1973. Installation view, Hélio Oiticica: Waiting for the internal sun, De La Warr Pavilion, Bexhill-on-Sea, 23 September 2023 – 14 January 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/04.jpg Hélio Oiticica, P32 Parangolé‚ Cover 25, New York, 1972. Courtesy of César and Claudio Oiticica. https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/07.jpg Hélio Oiticica, Penetrável Filtro, 1972. Mixed-media installation, Installation view, Galerie Lelong, New York, 2012. Courtesy of César and Claudio Oiticica. https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/02.jpg Hélio Oiticica’s Super 8 works Wall Street New York (1971), Agrippina is Rome-Manhattan (1972), and Gay Pride Parade (1971). Installation view, Hélio Oiticica: Waiting for the internal sun, De La Warr Pavilion, Bexhill-on-Sea, 23 September 2023 – 14 January 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/10.jpg Hélio Oiticica with Bólides and Parangolés at his atelier at Engenheiro Alfredo Duarte Street, Rio de Janeiro, 1965. Photo: Claudio Oiticica. Courtesy of César and Claudio Oiticica. https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/01.jpg Hélio Oiticica, Agrippina is Rome-Manhattan, 1972. Super 8 film on monitor, 15 min 5 sec. Courtesy of César and Claudio Oiticica. https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/05.jpg Archival material, installation view, Hélio Oiticica: Waiting for the internal sun, De La Warr Pavilion, Bexhill-on-Sea, 23 September 2023 – 14 January 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/06.jpg Hélio Oiticica, Projeto Filtro – For Vergara, 1972. Nylon, acrylic, plastic curtains, natural fibre doormat, television set, tape recordings, transistor radio, buzzer, orange juice machine, fluorescent lamps and fibreboard. Installation view, Hélio Oiticica: Waiting for the internal sun, De La Warr Pavilion, Bexhill-on-Sea, 23 September 2023 – 14 January 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/o/076-oiticica-helio-2023/09.jpg Hélio Oiticica and Neville D’Almeida, Cosmococa/CC5 Hendrix War, 1973. Installation view, Hélio Oiticica: Waiting for the internal sun, De La Warr Pavilion, Bexhill-on-Sea, 23 September 2023 – 14 January 2024. Photo: Rob Harris. https://www.studiointernational.com/index.php/eleanna-anagnos-and-alexis-granwell-shift-breathe-expand-painting-in-space https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell_03-B.jpg Left: Eleanna Anagnos, Demeter’s Light (Hugging the Line), 2022; Right: Alexis Granwell, What Sits Inside Yourself, 2023. Installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell-12-B.jpg Eleanna Anagnos. Left to right: Queen of the Night (Dialect series), 2023; Gameplay (Hugging the Line), 2022; Antidote (Dialect series), 2023; Arizona (Dialect Series), 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell_05.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell_07-B.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell-14.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell-13.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell_07.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell_01-photo-Ryan-Collerd.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell-12.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell-15.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell_02.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell_04-B.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell_06.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/images/articles/s/&086-shift-breathe-expand-2023/Anagnos_Granwell_08.jpg Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in Space, installation view, Amelie A Wallace Gallery, SUNY College at Old Westbury, New York, 2023. Photo: Ryan Collerd Studio. https://www.studiointernational.com/index.php/sarah-lucas-happy-gas-review-tate-britain-london https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-Bunny-1997.jpg Sarah Lucas, Bunny, 1997. Private collection. Courtesy the artist and Sadie Coles HQ, London. © Sarah Lucas. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas-HAPPY-GAS-Installation-View-at-Tate-Britain-2023_02.jpg Sarah Lucas, Happy Gas, installation view, Tate Britain, 2023. Bunny Rabbit, 2022, Zen Lovesong, 2023, and Goddess, 2022. © Sarah Lucas. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-Fat,-Forty-and-Fabulous,-1990.jpg Sarah Lucas Fat, Forty and Flab-ulous 1990. Collection Museum of Contemporary Art Chicago, Gift of the D.Daskalopoulos Collection donated jointly to the Museum of Contemporary Art Chicago and the Solomon R. Guggenheim Museum, 2022. Courtesy the artist and Sadie Coles HQ, London. © Sarah Lucas. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas-HAPPY-GAS-Installation-View-at-Tate-Britain-2023.jpg Sarah Lucas, Happy Gas, installation view, Tate Britain, 2023. Zen Lovesong, 2023, Goddess, 2022, and Eating a Banana, 1990. © Sarah Lucas. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas-HAPPY-GAS-Installation-View-at-Tate-Britain-2023_23.jpg Sarah Lucas, Happy Gas, installation view, Tate Britain, 2023. © Sarah Lucas. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas-HAPPY-GAS-Installation-View-at-Tate-Britain-2023_30.jpg Sarah Lucas, Happy Gas, installation view, Tate Britain, 2023. This Jaguar’s Going to Heaven, 2018, and Red Sky portraits, 2018. © Sarah Lucas. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-Exacto,-2018.jpg Sarah Lucas, Exacto, 2018. Courtesy of the artist and kurimanzutto, Mexico City / New York. © Sarah Lucas. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas-HAPPY-GAS-Installation-View-at-Tate-Britain-2023_18.jpg Sarah Lucas, Happy Gas, installation view, Tate Britain, 2023. Fat Doris, 2023 and Tit Tom 2, 2023. © Sarah Lucas. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-Sandwich,-2004-20.jpg Sarah Lucas, Sandwich, 2004-20. Courtesy the artist and Sadie Coles HQ, London. © Sarah Lucas. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-COOL-CHICK-BABY,-2020.jpg Sarah Lucas, Cool Chick Baby, 2020. Collection of Alexander V. Petalas. Courtesy the artist and Sadie Coles HQ, London. © Sarah Lucas. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-CROSS-DORIS,-2019.jpg Sarah Lucas, Cross Doris, 2019. Private collection. Courtesy the artist and Sadie Coles HQ, London. © Sarah Lucas. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-Got-A-Salmon-On-1,-1997.jpg Sarah Lucas, Got A Salmon On #1, 1997. © Sarah Lucas, courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-Mumum,-2012.jpg Sarah Lucas, Mumum, 2012. Private collection. Courtesy the artist and Sadie Coles HQ, London. © Sarah Lucas. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-Red-Sky-Cah,-2018.jpg Sarah Lucas, Red Sky Dah, 2018. Kurimanzutto, Mexico City / New York. Courtesy the artist and Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-SUGAR,-2020.jpg Sarah Lucas, Sugar, 2020. Courtesy the artist and Sadie Coles HQ, London. © Sarah Lucas. https://www.studiointernational.com/images/articles/l/041-lucas-sarah-2023/Sarah-Lucas,-This-Jaguars-Going-to-Heaven,-2018.jpg Sarah Lucas, This Jaguar's Going to Heaven, 2018. Courtesy of the artist and Gladstone Gallery. © Sarah Lucas. https://www.studiointernational.com/index.php/hiroshi-sugimoto-playing-with-fire-review-gallery-koyanagi-ginza-tokyo https://www.studiointernational.com/images/articles/s/&087-sugimoto-hiroshi-2023/4M4A9206.jpg Hiroshi Sugimoto: Playing With Fire, installation view, Gallery Koyanagi, Ginza, Tokyo. ©︎ Sugimoto Studio. https://www.studiointernational.com/images/articles/s/&087-sugimoto-hiroshi-2023/4M4A9150.jpg Hiroshi Sugimoto: Playing With Fire, installation view, Gallery Koyanagi, Ginza, Tokyo. ©︎ Sugimoto Studio. https://www.studiointernational.com/images/articles/s/&087-sugimoto-hiroshi-2023/4M4A9187.jpg Hiroshi Sugimoto: Playing With Fire, installation view, Gallery Koyanagi, Ginza, Tokyo. ©︎ Sugimoto Studio. https://www.studiointernational.com/images/articles/s/&087-sugimoto-hiroshi-2023/4M4A9084.jpg Hiroshi Sugimoto: Playing With Fire, installation view, Gallery Koyanagi, Ginza, Tokyo. ©︎ Sugimoto Studio. https://www.studiointernational.com/images/articles/s/&087-sugimoto-hiroshi-2023/4M4A9214.jpg Hiroshi Sugimoto: Playing With Fire, installation view, Gallery Koyanagi, Ginza, Tokyo. ©︎ Sugimoto Studio. https://www.studiointernational.com/images/articles/s/&087-sugimoto-hiroshi-2023/4M4A9215.jpg Hiroshi Sugimoto: Playing With Fire, installation view, Gallery Koyanagi, Ginza, Tokyo. ©︎ Sugimoto Studio. https://www.studiointernational.com/index.php/marina-abramovic-video-interview-institute-takeover-southbank-centre-royal-academy-eno-opera https://www.studiointernational.com/images/articles/a/005-abramovic-marina-2023/Abramovic-75.jpg Gallery view of the Marina Abramović exhibition at the Royal Academy of Arts, London, 23 September 2023 – 1 January 2024. © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry. https://www.studiointernational.com/images/articles/a/005-abramovic-marina-2023/Miles-Greenberg-performs-as-part-of-Marina-Abramovic-Institute-Takeover.jpg Miles Greenberg performs as part of Marina Abramović Institute Takeover at the Southbank Centre https://www.studiointernational.com/images/articles/a/005-abramovic-marina-2023/Abramovic-32.jpg The Hero, 2001. Gallery view of the Marina Abramović exhibition at the Royal Academy of Arts, London, 23 September 2023 – 1 January 2024. Courtesy of the Marina Abramović Archives, and Luciana Brito Galeria. © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry. https://www.studiointernational.com/images/articles/a/005-abramovic-marina-2023/Abramovic-40.jpg Nude with Skeleton, 2002/2005/2023. Live performance by Madinah Farhannah Thompson, 2 hours. Gallery view of the Marina Abramović exhibition at the Royal Academy of Arts, London, 23 September 2023 – 1 January 2024. Courtesy of the Marina Abramović Archives, and Galerie Krinzinger. © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry. https://www.studiointernational.com/images/articles/a/005-abramovic-marina-2023/Abramovic-95.jpg Four Crosses (detail), 2019. Gallery view of the Marina Abramović exhibition at the Royal Academy of Arts, London, 23 September 2023 – 1 January 2024. Courtesy of the Marina Abramović Archives. © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry https://www.studiointernational.com/images/articles/a/005-abramovic-marina-2023/Miles-Greenberg-2-performs-as-part-of-Marina-Abramovic-Institute-Takeover.jpg Miles Greenberg performs as part of Marina Abramović Institute Takeover at the Southbank Centre's Queen Elizabeth Hall, 4-8 October 2023. Photo: Linda Nylind courtesy of the Southbank Centre. https://www.studiointernational.com/images/articles/a/005-abramovic-marina-2023/Paul-Setubal-performs-as-part-of-Marina-Abramovic-Institute-Takeover.jpg Paul Setúbal performs as part of Marina Abramović Institute Takeover at the Southbank Centre's Queen Elizabeth Hall, 4-8 October 2023. Photo: Linda Nylind courtesy of the Southbank Centre. https://www.studiointernational.com/images/articles/a/005-abramovic-marina-2023/Yiannis-Pappas-performs-as-part-of-Marina-Abramovic-Institute-Takeover.jpg Yiannis Pappas performs as part of Marina Abramović Institute Takeover at the Southbank Centre's Queen Elizabeth Hall, 4-8 October 2023. Photo: Linda Nylind courtesy of the Southbank Centre. https://www.studiointernational.com/index.php/avery-singer-interview-free-fall-hauser-and-wirth-london-11-september-2001-terrorist-attacks-new-york https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Hauser-Wirth-London-hires-6.jpg Avery Singer: Free Fall, installation view, Hauser & Wirth London 10 October – 22 December 2023. © Avery Singer. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/KR12.007-Studio-Visit-AVS-004-AS_M-13-02_AP.jpg Avery Singer, The Studio Visit, 2012. Acrylic on canvas, 244 x 183 x 4.5 cm (96 1/16 x 72 1/16 x 1 12/16 in.) Courtesy: Kraupa-Tuskany Zeidler, Berlin. Photo: Roman März. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/KR13.001-Performance-Artists-AVS-006-AS_M-13-01_U.jpg Avery Singer, Performance Artists, 2013. Acrylic on canvas stretched over wood panel, 198 x 264 x 4.5cm (78 x 104 x 1 3/4 in.) Ringier Collection, Switzerland. Photo: Jörg Lose. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/KR18.038-AVS-XXX-AS_M-18-XX-GBE_SINGER_SEPT_02_300.jpg Avery Singer, Self-portrait (summer 2018), 2018. Acrylic on canvas stretched over wood panel, 241.9 x 216.5 x 5.1 cm (95 1/4 x 85 1/4 x 2 in). © Avery Singer. Courtesy the artist, Hauser & Wirth, Kraupa-Tuskany Zeidler, Berlin. Photo: Lance Brewer. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/SINGA125848.jpg Avery Singer, unk-righthand.obj, 2023. Acrylic on canvas stretched over aluminium panel, 216.5 x 241.9 x 5.3 (85 1/4 x 95 1/4 x 2 1/8 in). https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/SINGA125850-hires.jpg Avery Singer, Deepfake Rachel, 2023. Acrylic on canvas stretched over aluminum panel, 216.5 x 241.9 x 5.3 cm (85 1/4 x 95 1/4 x 2 1/8 in). Photo: Lance Brewer. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/SINGA125851.jpg Avery Singer, Deepfake Marcy, 2023. Acrylic on canvas stretched over aluminum panel, 216.5 x 241.9 x 5.3 (85 1/4 x 95 1/4 x 2 1/8 in). https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Hauser-Wirth-London-hires-2.jpg Avery Singer: Free Fall, installation view, Hauser & Wirth London 10 October – 22 December 2023. © Avery Singer. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Hauser-Wirth-London-hires-11.jpg Avery Singer: Free Fall, installation view, Hauser & Wirth London 10 October – 22 December 2023. © Avery Singer. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/miami-SINGA123393-SINGA123144-web-hires-(1).jpg Avery Singer: Unity Bachelor, installation view, Institute of Contemporary Art, Miami. 22 April – 15 October 2023. Photo: Zachary Balber. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Hauser-Wirth-London-hires-8.jpg Avery Singer: Free Fall, installation view, Hauser & Wirth London 10 October – 22 December 2023. © Avery Singer. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Hauser-Wirth-London-hires-18.jpg Avery Singer: Free Fall, installation view, Hauser & Wirth London 10 October – 22 December 2023. © Avery Singer. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Miami-SINGA118626-SINGA120299-web-hires.jpg Avery Singer: Unity Bachelor, installation view, Institute of Contemporary Art, Miami. 22 April – 15 October 2023. Photo: Zachary Balber. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Miami-SINGA118626-SINGA123393-SINGA123144-web-hires.jpg Avery Singer: Unity Bachelor, installation view, Institute of Contemporary Art, Miami. 22 April – 15 October 2023. Photo: Zachary Balber. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Miami-SINGA122771-web-hires.jpg Avery Singer: Unity Bachelor, installation view, Institute of Contemporary Art, Miami. 22 April – 15 October 2023. Photo: Zachary Balber. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/miami-SINGA123393-web-hires-(16).jpg Avery Singer: Unity Bachelor, installation view, Institute of Contemporary Art, Miami. 22 April – 15 October 2023. Photo: Zachary Balber. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Hauser-Wirth-London-hires-15.jpg Avery Singer: Free Fall, installation view, Hauser & Wirth London 10 October – 22 December 2023. © Avery Singer. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Hauser-Wirth-London-hires-16.jpg Avery Singer: Free Fall, installation view, Hauser & Wirth London 10 October – 22 December 2023. © Avery Singer. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/images/articles/s/&085-singer-avery-2023/Hauser-Wirth-London-hires-4.jpg Avery Singer: Free Fall, installation view, Hauser & Wirth London 10 October – 22 December 2023. © Avery Singer. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne. https://www.studiointernational.com/index.php/turner-prize-2023-review-towner-eastbourne-jesse-darling-ghislaine-leung-rory-pilgrim-barbara-walker https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Jesse-Darling-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(12).jpg Jesse Darling, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Jesse-Darling-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(10).jpg Jesse Darling, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Ghislaine-Leung-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(3).jpg Ghislaine Leung, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Ghislaine-Leung-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(5).jpg Ghislaine Leung, Hours, 2022, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Barbara-Walker-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(16).jpg Barbara Walker, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Barbara-Walker-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(4).jpg Barbara Walker, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Rory-Pilgrim-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(4).jpg Rory Pilgrim, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Rory-Pilgrim-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(5).jpg Rory Pilgrim, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Barbara-Walker-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(7).jpg Barbara Walker, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Barbara-Walker-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(5).jpg Barbara Walker, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Jesse-Darling-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(14).jpg Jesse Darling, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Jesse-Darling-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(5).jpg Jesse Darling, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Ghislaine-Leung-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(4).jpg Ghislaine Leung, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Ghislaine-Leung-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(6).jpg Ghislaine Leung, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Rory-Pilgrim-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(10).jpg Rory Pilgrim, Little Fires, 2021, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/images/articles/t/057-turner-prize-2023/Rory-Pilgrim-Turner-Prize-2023---Towner---Angus-Mill-Photographer-(9).jpg Rory Pilgrim, Rafts, 2020, installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill. https://www.studiointernational.com/index.php/a-spirit-inside-review-the-lightbox-woking https://www.studiointernational.com/images/articles/s/&084-spirit-inside-2023/Paula-Rego-Ines-de-Castro.jpg Paula Rego, Ines de Castro, 2013 (detail). Oil on canvas. © The Estate of Paula Rego. https://www.studiointernational.com/images/articles/s/&084-spirit-inside-2023/Linder-Hiding,-but-still-not-knowing,-1981-2010.jpg Linder Hiding, but still not knowing, 1981-2010. © the artist. https://www.studiointernational.com/images/articles/s/&084-spirit-inside-2023/Lubaina-Himid,-In-Spinster-Salts-Collection,-1989.jpg Lubaina Himid, In Spinster Salt’s Collection, 1989. © the artist. https://www.studiointernational.com/images/articles/s/&084-spirit-inside-2023/Soheila-Sokhanvari,-Rhapsody-of-Innocence-(Portrait-of-Monir-Vakili),-2022.jpg Soheila Sokhanvari, Rhapsody of Innocence (Portrait of Monir Vakili), 2022. © the artist. https://www.studiointernational.com/images/articles/s/&084-spirit-inside-2023/dora-carrington-iris-tree-on-a-horse.jpg Dora Carrington, Iris Tree on a Horse, c1920s. © The Estate of Dora Carrington. https://www.studiointernational.com/images/articles/s/&084-spirit-inside-2023/Anna-Perach_Daphne_2021-Image-courtesy-of-ADA,-Rome,-photo-by-Roberto-Apa.jpg Anna Perach, Daphne, 2021. © Anna Perach. The Ingram Collection. Image courtesy of ADA, Rome. Photo: Roberto Apa. https://www.studiointernational.com/images/articles/s/&084-spirit-inside-2023/Barbara-Hepworth-(1903-1975),-Sculpture-with-Colour-and-Strings,-1939-Barbara-Hepworth.jpg Barbara Hepworth, Sculpture with Colour and Strings, 1939. Bronze with light brown and light green patina and string. Barbara Hepworth © Bowness. https://www.studiointernational.com/index.php/bartosz-beda-interview-echoes-of-seasons-art-gallery-collin-college-texas https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Four-Seasons,-Spring-2022-23.jpg Bartosz Beda, Four Seasons, Spring, 2022-23. Oil on canvas, 96 x 108 in (244 x 274 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Four-Seasons,-Spring-2-2022-23.jpg Bartosz Beda, Four Seasons, Spring, 2022-23. Oil on canvas, 96 x 72 in (244 x 182 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Amalia,-Fall-2022.jpg Bartosz Beda, Amalia, Fall, 2022. Oil on panel, 10 x 8 in (25 x 20 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Whispers-of-Echoes-03-2023.jpg Bartosz Beda, Whispers of Echoes 03, 2023. Oil on canvas, 14 x 11 in (35 x 28 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Whispers-2023.jpg Bartosz Beda, Whispers, 2023. Oil on canvas, 96 x 120 in (244 x 304 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Four-Seasons,-Winter-2022-23.jpg Bartosz Beda, Four Seasons, Winter, 2022-23. Oil on canvas, 96 x 72 in (244 x 182 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Amalia,-Spring-2022.jpg Bartosz Beda, Amalia, Spring, 2022. Oil on panel, 10 x 8 in (25 x 20 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Amalia,-Summer-2022.jpg Bartosz Beda, Amalia, Summer, 2022. Oil on panel, 10 x 8 in (25 x 20 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Amalia,-Winter-2022.jpg Bartosz Beda, Amalia, Winter, 2022. Oil on panel, 10 x 8 in (25 x 20 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Whispers-01-2023.jpg Bartosz Beda, Whispers 01, 2023. Oil on canvas, 14 x 11 in (35 x 28 cm), 2023. © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Whispers-03-2023.jpg Bartosz Beda, Whispers 03, 2023. Oil on canvas, 14 x 11 in (35 x 28 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Whispers-of-Echoes-01-2023.jpg Bartosz Beda, Whispers of Echoes 01, 2023. Oil on canvas, 14 x 11 in (35 x 28 cm). © The Artist. https://www.studiointernational.com/images/articles/b/&094-beda-bartosz-2023/Whispers-of-Echoes-02-2023.jpg Bartosz Beda, Whispers of Echoes 02, 2023. Oil on canvas, 14 x 11 in (35 x 28 cm). © The Artist. https://www.studiointernational.com/index.php/matt-rugg-connecting-form-review-hatton-gallery-newcastle https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Matt_Rugg_Connecting_Form_Installation_View_Gallery_3.jpg Matt Rugg: Connecting Form, installation view, Hatton Gallery, Newcastle. Photo: Colin Davison. https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Matt-Rugg-1241594.jpg Matt Rugg, Anatomy of the Painting, 1960. Private collection, © Estate of Matt Rugg. Photo: Mark Pinder. https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Matt_Rugg_Sign-Element_III.jpg Matt Rugg, Sign Elements III, 1963. Leeds City Art Gallery © Estate of Matt Rugg, Photo: Colin Davison. https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Matt_Rugg_Boomerang_Jamie_Orlando_Smith.jpg Matt Rugg, Boomerang, 1962. Private collection. © Estate of Matt Rugg, Photo: Colin Davison. https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Matt_Rugg_Marquette_3.jpg Matt Rugg, Maquette, 2018. Private collection, © Estate of Matt Rugg. Photo: Colin Davison. https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Matt_Rugg_Unit_Relief_Tate.jpg Matt Rugg, Painted Unit Relief, 1963. Tate © Estate of Matt Rugg, Photo: Colin Davison. https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Matt_Rugg_Industrial-Landscape-II_British_Council.jpg Matt Rugg, Industrial Landscape II, 1966. British Council Collection. © Estate of Matt Rugg, Photo: Colin Davison. https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Anatomy-series-DSC_5234.jpg Matt Rugg, Anatomy Series, 1999-2015. Private collection © Estate of Matt Rugg, Photo: Colin Davison. https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Matt_Rugg_Connecting_Form_Installation_View_Gallery_4_3.jpg Matt Rugg: Connecting Form, installation view, Hatton Gallery, Newcastle. Photo: Colin Davison. https://www.studiointernational.com/images/articles/r/037-rugg-matt-2023/Matt_Rugg_Connecting_Form_Installation_View_Gallery_2_1000.jpg Matt Rugg: Connecting Form, installation view, Hatton Gallery, Newcastle. Photo: Colin Davison. https://www.studiointernational.com/index.php/farah-al-qasimi-abort-retry-fail-review-delfina-foundation-london https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Farah-Al-Qasimi,-Abort,-Retry,-Fail,-2023-A.jpg Farah Al Qasimi, Abort, Retry, Fail, 2023, installation view, Delfina Foundation, 4 October - 20 November 2023. Supported by Abu Dhabi Festival. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Installation-view-Farah-Al-Qasimi,-Abort,-Retry,-Fail,-2023-28.jpg Farah Al Qasimi, Abort, Retry, Fail, 2023, installation view, Delfina Foundation, 4 October - 20 November 2023. Supported by Abu Dhabi Festival. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Installation-view-Farah-Al-Qasimi,-Abort,-Retry,-Fail,-2023-67.jpg Farah Al Qasimi, Abort, Retry, Fail, 2023, installation view, Delfina Foundation, 4 October - 20 November 2023. Supported by Abu Dhabi Festival. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Installation-view-Farah-Al-Qasimi,-Abort,-Retry,-Fail,-2023-81.jpg Farah Al Qasimi, Abort, Retry, Fail, 2023, installation view, Delfina Foundation, 4 October - 20 November 2023. Supported by Abu Dhabi Festival. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Installation-view-Farah-Al-Qasimi,-Abort,-Retry,-Fail,-2023.-Delfina-Foundation98.jpg Farah Al Qasimi, Abort, Retry, Fail, 2023, installation view, Delfina Foundation, 4 October - 20 November 2023. Supported by Abu Dhabi Festival. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Farah-Al-Qasimi,-Anood-Playing-House-Flipper,-2023.jpg Farah Al Qasimi, Anood Playing House Flipper, 2023. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Farah-Al-Qasimi,-Medeyyah-Through-The-Gate,-2023.jpg Farah Al Qasimi, Medeyyah Through The Gate, 2023. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Farah-Al-Qasimi,-Pink-Soda-(Abort,-Retry,-Fail),-2023.jpg Farah Al Qasimi, Pink Soda (Abort, Retry, Fail), 2023. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Farah-Al-Qasimi,-Taylor-Playing-Elden-Ring,-2023.jpg Farah Al Qasimi, Taylor Playing Elden Ring, 2023. Courtesy of the artist. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Installation-view-Farah-Al-Qasimi,-Abort,-Retry,-Fail,-2023-53.jpg Farah Al Qasimi, Abort, Retry, Fail, 2023, installation view, Delfina Foundation, 4 October - 20 November 2023. Supported by Abu Dhabi Festival. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Installation-view-Farah-Al-Qasimi,-Abort,-Retry,-Fail,-2023-60.jpg Farah Al Qasimi, Abort, Retry, Fail, 2023, installation view, Delfina Foundation, 4 October - 20 November 2023. Supported by Abu Dhabi Festival. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/q/093-qasimi-farah-al-2023/Installation-view-Farah-Al-Qasimi,-Abort,-Retry,-Fail,-2023-69.jpg Farah Al Qasimi, Abort, Retry, Fail, 2023, installation view, Delfina Foundation, 4 October - 20 November 2023. Supported by Abu Dhabi Festival. Photo: Tim Bowditch. https://www.studiointernational.com/index.php/kim-conaty-interview-ruth-asawa-through-line-whitney-museum-of-american-art-new-york https://www.studiointernational.com/images/articles/a/004-asawa-ruth-2023/Persimmons-RS74781_WC252_TIFF_JPAONESSA.jpg Ruth Asawa, Untitled (WC.252, Persimmons), c1970s–80s. Watercolour on paper, 14 × 17 in (35.6 × 43.2 cm). Private collection. Artwork © 2023 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner. https://www.studiointernational.com/images/articles/a/004-asawa-ruth-2023/RS74770_RS74770_S843_web.jpg Ruth Asawa, Untitled (S.843, Mounted Paperfold with Diagonal Black and White Stripes), c1952. Ink on paper, 17 5/8 × 11 3/4 × 1 1/8 in (43.2 × 29.8 × 2.9 cm). Private collection. Artwork © 2023 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner. https://www.studiointernational.com/images/articles/a/004-asawa-ruth-2023/Leaf-RS74764_m1585_fb65_f4_0001.jpg Ruth Asawa, Untitled (Leaf from the Sacramento Delta), c. early 1990s. Ink on Japanese paper, 43 1/8 × 25 11/16 in (109.5 × 65.3 cm). Courtesy the Department of Special Collections, Stanford University Libraries. Artwork © 2023 Ruth Asawa Lanier, Inc./Artists Rights Society (ARS), New York. Courtesy David Zwirner. https://www.studiointernational.com/images/articles/a/004-asawa-ruth-2023/Addie-sleeping-RS74791_SB-013D_300DPI.jpg Ruth Asawa, Untitled drawings of Addie Lanier sleeping (SB.013), c1960. Ink on paper in spiral-bound sketchbook, 16 1/2 × 11 in (41.9 × 27.9 cm). Private collection. Artwork © 2023 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner. https://www.studiointernational.com/images/articles/a/004-asawa-ruth-2023/RS74775_MI-176_Bentwood_Rocker.jpg Ruth Asawa, Bentwood Rocker (MI.176), c1959–63. Felt-tipped pen on paper, 18 × 22 3/4 in (45.7 × 57.8 cm). Black Mountain College Museum + Arts Center; gift of Rita Newman. Artwork © 2023 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner. https://www.studiointernational.com/images/articles/a/004-asawa-ruth-2023/Meander-RS74754_BMC-127.jpg Ruth Asawa, Untitled (BMC.127, Meander in Green, Orange, and Brown), c. 1946-49. Collage of coloured papers mounted to brown paper, 17 1/4 × 22 3/8 in. (43.8 × 56.8 cm). Harvard Art Museums/Busch-Reisinger Museum; gift of Josef Albers. Artwork © 2023 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner. Photo © President and Fellows of Harvard College, BR49.408. https://www.studiointernational.com/images/articles/a/004-asawa-ruth-2023/RS76652_RuthAsawa_5029.jpg Installation view, Ruth Asawa: Through Line, Whitney Museum of American Art, New York, 16 September 2023 – January 2024. Photo: Filip Wolak. https://www.studiointernational.com/images/articles/a/004-asawa-ruth-2023/RS76655_RuthAsawa_5055.jpg Installation view, Ruth Asawa: Through Line, Whitney Museum of American Art, New York, 16 September 2023 – January 2024. Photo: Filip Wolak. https://www.studiointernational.com/index.php/edvard-munch-magic-of-the-north-trembling-earth-review-berlin-potsdam https://www.studiointernational.com/images/articles/m/&097-munch-2023/BG-Adelsteen-Normann_Sommerabend-in-den-Lofoten_vor_1891_Berlinische-Galerie.jpg Eilert Adelsteen Normann, Summer Evening in the Lofoten, before 1891. Photo © Staatliche Museen zu Berlin, Nationalgalerie / Andres Klinger. https://www.studiointernational.com/images/articles/m/&097-munch-2023/BG-Walter-Leistikow_Abendstimmung-am-Schlachtensee_um-1895_Berlinische-Galerie.jpg Walter Leistikow, Evening over Schlachtensee, c1895. © Collection Stiftung Stadtmuseum Berlin, Photo: Hans-Joachim Bartsch, Berlin. https://www.studiointernational.com/images/articles/m/&097-munch-2023/BG-Edvard-Munch_Winternacht_um-1900_Berlinische-Galerie-online.jpg Edvard Munch, Winter Night, c1900. Photo © Kunsthaus Zürich. https://www.studiointernational.com/images/articles/m/&097-munch-2023/Edvard-Munch_Melancholie_1891.jpg Edvard Munch, Melancholy (Evening), 1891, Photo: © Munchmuseet / Halvor Bjørngård. https://www.studiointernational.com/images/articles/m/&097-munch-2023/BG-Edvard-Munch_Der-Kuss_1897_Berlinische-Galerie-online.jpg Edvard Munch, The Kiss, 1897. Photo: © Munch, Oslo / Halvor Bjørngård. https://www.studiointernational.com/images/articles/m/&097-munch-2023/BG-Edvard-Munch_Der-Leichenwagen-auf-dem-Potsdamer-Platz_1902_Berlinische-Galerie.jpg Edvard Munch, The Hearse on Potsdamer Platz, 1902. Photo: © Munch, Oslo / Sidsel de Jong https://www.studiointernational.com/images/articles/m/&097-munch-2023/BB-munch_edvard_schneeschmelze_bei_elgersburg_G1203-online-Barberini.jpg Edvard Munch, Snow Landscape in Thuringia, 1906. © Von der Heydt-Museum Wuppertal. https://www.studiointernational.com/images/articles/m/&097-munch-2023/BB-Starry-Night-1901-Museum-Folkwang,-Essen-49134-Barberini.jpg Edvard Munch, Starry Night, 1900-01. © Museum Folkwang, Essen. https://www.studiointernational.com/images/articles/m/&097-munch-2023/Edvard-Munch,-White-Night,-1900-1901-114401.jpg Edvard Munch, White Night, 1900-01. Nasjonalmuseet for Art, Architecture and Design. Photo: Børre Høstland. https://www.studiointernational.com/images/articles/m/&097-munch-2023/BB-M0009_20081219-Starry-Night-1922-24-Barberini.jpg Edvard Munch, Starry Night, 1922–24. Photo © Munch, Oslo / Juri Kobayashi. https://www.studiointernational.com/images/articles/m/&097-munch-2023/BG-Edvard-Munch-auf-Reisekoffer-im-Atelier_1902_Berlinische-Galerie.jpg Edvard Munch, Self-Portrait on a Valise in the Studio, 1902. Photo © Munch, Oslo. https://www.studiointernational.com/images/articles/m/&097-munch-2023/BG-Edvard-Munch_Angst_1896_Berlinische-Galerie.jpg Edvard Munch, Angst, 1896. © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders. https://www.studiointernational.com/index.php/philip-guston-review-tate-modern https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston-Passage-1957-58.jpg Philip Guston, Passage, 1957-8. Oil on canvas, 175.3 × 199.4 cm. The Museum of Fine Arts, Houston, Bequest of Caroline Wiess Law, 2004.20. © Estate of Estate of Philip Guston, courtesy Hauser & Wirth. Photograph © The Museum of Fine Arts, Houston; Will Michels. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston-Flatlands-1970.jpg Philip Guston, Flatlands, 1970. Oil on canvas; 177.8 × 290.83 cm. San Francisco Museum of Modern Art, Gift of Byron R. Meyer. © The Estate of Philip Guston. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston-Painting-Smoking-Eating-1973.jpg Philip Guston, Painting, Smoking, Eating, 1973. Oil on canvas, 196.9 × 262.9 cm. Stedelijk Museum, Amsterdam. © The Estate of Philip Guston, courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston-Bombardment-1937.jpg Philip Guston, Bombardment, 1937. Oil paint on paper, 106.7 cm. Philadelphia Museum of Art. © Estate of Philip Guston, courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston,-The-Return,-1956-8-Tate.jpg Philip Guston, The Return, 1956-8. Oil paint on canvas, 178 x 199 cm. Tate: Presented by the Friends of the Tate Gallery © Estate of Philip Guston. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston-Couple-in-Bed,-1977.jpg Philip Guston, Couple in Bed, 1977. Oil on canvas, 20.6 × 24 cm. The Art Institute of Chicago. © The Estate of Philip Guston, courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston,-Sunday-Interior,-1941.jpg Philip Guston, Sunday Interior, 1941. Oil on canvas, 96.5 x 61.0 cm. Courtesy Private Collection © The Estate of Philip Guston, courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston,-The-Line,-1978.jpg Philip Guston, The Line, 1978. Oil paint on canvas, 180.3 x 186.1 cm. Promised gift of Musa Guston Mayer to The Metropolitan Museum of Art, New York © The Estate of Philip Guston, courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston,-Sleeping,-1977.jpg Philip Guston, Sleeping, 1977. Oil paint on canvas, 213.4 × 175.3 cm. Promised gift of Musa Guston Mayer to The Metropolitan Museum of Art, New York © The Estate of Philip Guston, courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston-Book-and-Charcoal-Sticks-1968.jpg Philip Guston, Book and Charcoal Sticks, 1968. Charcoal on paper, 45.7 x 57.2 cm. Presented by the Estate of Philip Guston © The Estate of Philip Guston, courtesy Hauser & Wirth. https://www.studiointernational.com/images/articles/g/030-guston-philip-2023/Philip-Guston-Female-Nude-with-Easel-1935.jpg Philip Guston, Female Nude with Easel, 1935. Oil on canvas, 106.1 x 76.2 cm. Promised gift of Musa Guston Mayer to The Metropolitan Museum of Art, New York © The Estate of Philip Guston, courtesy Hauser & Wirth. https://www.studiointernational.com/index.php/rory-pilgrim-interview-turner-prize-nominee-towner-gallery-eastbourne https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-Turner-Prize-2023-Towner-Angus-Mill-Photographer-(4).jpg Rory Pilgrim, RAFTS, 2022. HD film with sound, 01:06. Arts Council Collection, Southbank Centre, London. Installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill Photography. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-Turner-Prize-2023-Towner-Angus-Mill-Photographer-(10).jpg Rory Pilgrim, Little Fires, 2021. Oil and pencil on wooden board, 24 x 30,5 cm. Turner Prize 2023, Towner Eastbourne. Collection Fries Museum, Leeuwarden. Photo: Angus Mill Photography. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim---Turner-Prize-2023---Towner---Angus-Mill-Photographer-(7).jpg Mark Jones, Stuck in Time Tree, 2022. Glass jar, wire, and moss, 10 x 7 x 7 cm. On loan from the artist. Installation view, Rory Pilgrim, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill Photography. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim---Turner-Prize-2023---Towner---Angus-Mill-Photographer-(8).jpg Rory Pilgrim, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill Photography. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-Turner-Prize-2023-Towner-Angus-Mill-Photographer-(1).jpg Rory Pilgrim, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill Photography. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-film-RAFTS-showing-a-participant-Pic-V-Simpson.jpg One of the participants in Rory Pilgrim https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-Turner-Prize-2023-Towner-Angus-Mill-Photographer-(12).jpg Rory Pilgrim, …f…g…. 10,000 flowers, 2022. Oil, crayon, and pencil on board, 30 x 45 cm. Turner Prize 2023, Towner Eastbourne. Collection Fries Museum, Leeuwarden. Photo: Angus Mill Photography. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-Turner-Prize-2023-Towner-Angus-Mill-Photographer-(9).jpg Rory Pilgrim, Rafts, 2020. Oil, pencil, nail polish, and body glitter on wooden panel, 10,2 x 15,2 cm. ABN AMRO Collection. Installation view, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill Photography. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-Photo-by-Maxima-Smith-750.jpg Rory Pilgrim. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-Turner-Prize-2023-Towner-Angus-Mill-Photographer-(11).jpg Rory Pilgrim, Rodeo Music, 2022. Pencil, crayon, and nail polish on paper, 56 x 76 cm. Turner Prize 2023, Towner Eastbourne. Collection Van Valen / Vingerling. Photo: Angus Mill Photography. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-Turner-Prize-2023-Towner-Angus-Mill-Photographer-(6).jpg Rory Pilgrim, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill Photography. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/One-of-the-concluding-moments-of-RAFTS-film-by-Rory-Pilgrim-Pic-V-Simpson.jpg One of the concluding moments of Rory Pilgrim's film RAFTS. Installation view, Turner Prize 2023, Towner Eastbourne. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/021-pilgrim-rory-2023/Rory-Pilgrim-Turner-Prize-2023-Towner-Angus-Mill-Photographer-(2).jpg Rory Pilgrim, Turner Prize 2023, Towner Eastbourne. Photo: Angus Mill Photography. https://www.studiointernational.com/index.php/renoir-in-guernsey-1883-review-guernsey-museum-st-peter-port https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/Renoir_View_at_Guernsey_1883.jpg Pierre-Auguste Renoir, View at Guernsey, 1883, Oil on canvas, 18 1/8 x 21 15/16 in (46 x 55.7 cm). Clark Art Institute, https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/renoir-unnamed-(3).jpg Pierre-Auguste Renoir. Rochers de Guernesey avec personnages (plage à Guernesey) (Rocks in Guernsey with Figures, Beach in Guernsey), 1883. Oil on canvas, 18 ½ x 22 in (46.2 x 55.8 cm.). https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/Cliff_path2.jpg Pierre-Auguste Renoir, Hills around the Bay of Moulin Huet, Guernsey, 1883. Oil on canvas, 18 1/8 x 25 3/4 in (46 x 65.4 cm). https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/Brouillard_a_Guernsey.jpg Pierre-Auguste Renoir. Brouillard à Guernesey (Fog in Guernsey), 1883. Oil on canvas, 65.1 x 53.3 cm. https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/Enfants_au_bord_de_la_mer_a_Guernsey.jpg Pierre-Auguste Renoir. Enfants au bord de la mer à Guernesey (Children on the Seashore, Guernsey), 1883. Oil on canvas, 54.2 x 65 cm (21.3 x 25.5 in). https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/Renoir-Walk-(750),-Moulin-Huet-Bay,-Guernsey---JR.jpg Art for Guernsey https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/Baie_de_Salerne_(Renoir).jpg Pierre-Auguste Renoir. Baie de Salerne (Bay of Salerno), 1881. https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/Bay-of-Salerno-Guernsey-view-today-Art-for-Guernseys-pic.jpg View along the coast in front of the capital St Peter Port, Guernsey, 2023. https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/750-Renoir-Walk-(3),-Guernsey---JR.jpg Art for Guernsey's Renoir walk, Hills around the Bay of Moulin Huet, Guernsey. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/r/036-renoir-in-guernsey-2023/Moulin-Huet-Bay-(2),-Guernsey---JR.jpg Moulin Huet Bay, Guernsey, 2023. Photo: Juliet Rix. https://www.studiointernational.com/index.php/tamara-henderson-green-in-the-grooves https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8364.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8392.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8367.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8383.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8394.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8379.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8393.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8387.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8384.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8378.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8369.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8372.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8374.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8375.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8376.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8377.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8388.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/014-henderson-tamara-2023/IMG_8391.jpg Tamara Henderson: Green in the Grooves, installation view, Camden Arts Centre, London, 6 October – 31 December 2023. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/elisa-giardina-papa-flock-she-preferred-the-lineage-of-goats-and-ducks-review-galerie-tanja-wagner-berlin https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_SCU_18-003.jpg Elisa Giardina Papa. Duck Feet #1. She had a tail, thick with hair, 2023. Glazed ceramic, two piece set, each 46 x 44 x 36 cm. Image courtesy Galerie Tanja Wagner, Berlin. https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_SCU_13-006.jpg Elisa Giardina Papa. She grew paws. She preferred the lineage of goats and ducks, 2023. Single-channel 4K video installation, glazed majolica, dimensions variable. Image courtesy Galerie Tanja Wagner, Berlin. https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_SCU_12-007.jpg Elisa Giardina Papa, Flock – She Preferred the Lineage of Goats and Ducks, 2023, installation view, Galerie Tanja Wagner, Berlin, 2023. https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_SCU_22-002.jpg Elisa Giardina Papa. Moldy Lemons #4. They were always outside, their blasphemy was contagious, 2023. Glazed majolica, four piece set, each Ø 5 cm. Image courtesy Galerie Tanja Wagner, Berlin. https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_SCU_13-005.jpg Elisa Giardina Papa. Braid #5. She could make a sardine head speak, 2023 (detail). Image courtesy Galerie Tanja Wagner, Berlin. https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_SCU_12-008.jpg Elisa Giardina Papa, Flock – She Preferred the Lineage of Goats and Ducks, 2023, installation view, Galerie Tanja Wagner, Berlin, 2023. https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_DRW_5-004.jpg Elisa Giardina Papa, Flock – She Preferred the Lineage of Goats and Ducks, 2023, installation view, Galerie Tanja Wagner, Berlin, 2023. https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_SCU_14-004.jpg Elisa Giardina Papa, Braid #6. She was a thief of mother’s milk, 2023 (detail). Image courtesy Galerie Tanja Wagner, Berlin. https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_SCU_12-003.jpg Elisa Giardina Papa, Braid #4. She moved with one hundred orange seeds, 2023. Glazed majolica, 112 x 24 x 28 cm. Image courtesy Galerie Tanja Wagner, Berlin. https://www.studiointernational.com/images/articles/p/020-papa-elisa-giardina-2023/EGP_DRW_2-003.jpg Elisa Giardina Papa. Heresy Begins with the Feet - Study #1, 2023. Ink and watercolours, 29.7 x 42 cm. Image courtesy Galerie Tanja Wagner, Berlin. https://www.studiointernational.com/index.php/nicole-eisenman-what-happened-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/e/064-eisenman-nicole-2023/2011_SloppyBarRoomKiss_HW-(1).jpg Nicole Eisenman, Sloppy Bar Room Kiss, 2011. Oil on canvas, 99.1 × 121.9 cm. Collection of Cathy and Jonathan Miller. Image Courtesy of the artist and Vielmetter Los Angeles. Photo credit: Robert Wedemeyer. https://www.studiointernational.com/images/articles/e/064-eisenman-nicole-2023/N-Eisenman_TheTriumphOfPoverty_2009.jpg Nicole Eisenman. The Triumph of Poverty, 2009. Oil on canvas, 165.1 x 208.3 cm. From the Collection of Bobbi and Stephen Rosenthal, New York City. Image courtesy Leo Koenig Inc., New York. https://www.studiointernational.com/images/articles/e/064-eisenman-nicole-2023/2000_Fishing_HW.jpg Nicole Eisenman, Fishing, 2000. Oil on panel, 121.9 x 142.2 cm. Collection Craig Robins, Miami. Image courtesy Carnegie Museum of Art. Photo: Bryan Conley. https://www.studiointernational.com/images/articles/e/064-eisenman-nicole-2023/2009_BeerGardenWithUlrike_Hall.jpg Nicole Eisenman, Beer Garden with Ulrike and Celeste, 2009. Oil on canvas, 165.1 × 208.3 cm. Hall Collection. Image courtesy Hall Art Foundation. Photo: Bryan Conley. https://www.studiointernational.com/images/articles/e/064-eisenman-nicole-2023/2016_MorningStudio_HW.jpg Nicole Eisenmann, Morning Studio, 2016. Oil on canvas, 167.6 x 210.8 cm. The Hort Family Collection. Image courtesy the artist and Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/e/064-eisenman-nicole-2023/2019_EconProf_HW2.jpg Nicole Eisenman, Econ Prof, 2019. Bronze, 78.7 x 58.4 x 78.7 cm. The Rachel and Jean-Pierre Lehman Collection. Image courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/index.php/el-anatsui-interview-behind-the-red-moon-turbine-hall-tate-modern https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/06-Hyundai-Commission-El-Anatsui-Behind-the-Red-Moon.jpg El Anatsui: Behind the Red Moon, installation view, Hyundai Commission, Tate Modern, London, 2023. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/04-Hyundai-Commission-El-Anatsui--Behind-the-Red-Moon.jpg El Anatsui: Behind the Red Moon, installation view, Hyundai Commission, Tate Modern, London, 2023. Photo © Tate (Joe Humphrys). https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/Kindred-Viewpoints-2016.jpg El Anatsui, Kindred Viewpoints, 2016. Aluminium and copper wire, 1680 x 2140 cm. Image courtesy Marrakech Biennale 6, NOT NEW NOW. Photo © Jens Martin. https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/05-Hyundai-Commission-El-Anatsui-Behind-the-Red-Moon.jpg El Anatsui: Behind the Red Moon, installation view, Hyundai Commission, Tate Modern, London, 2023. Photo © Tate (Joe Humphrys). https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/Skylines-2008.jpg El Anatsui, Skylines?, 2008. Aluminium and copper wire, 300 x 825 cm. © El Anatsui. Private Collection. Courtesy the Artist and October Gallery, London. Photo © Jonathan Greet. https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/Detail-from-back-of-Act-III-The-Wall-hanging-to-rear-of-the-hall.-El-Anatsui-Turbine-Hall-Pic-V-Simpson.jpg El Anatsui: Behind the Red Moon, installation view (detail), Hyundai Commission, Tate Modern, London, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/Another-detail-of-the-front-of-Act-III-The-Wall-hanging-to-rear-of-the-hall.-El-Anatsui-Turbine-Hall-Pic-V-Simpson.jpg El Anatsui: Behind the Red Moon, installation view (detail), Hyundai Commission, Tate Modern, London, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/Three-sightings-2021.jpg El Anatsui, Three sightings, 2021. Aluminium and copper wire, 280 x 807 cm. © El Anatsui. Courtesy the Artist and October Gallery, London. Photo © Jonathan Greet. https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/02-Hyundai-Commission-El-Anatsui--Behind-the-Red-Moon.jpg El Anatsui: Behind the Red Moon, installation view, Hyundai Commission, Tate Modern, London, 2023. Photo © Tate (Joe Humphrys). https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/10-Hyundai-Commission-El-Anatsui-Behind-the-Red-Moon.jpg El Anatsui: Behind the Red Moon, installation view, Hyundai Commission, Tate Modern, London, 2023. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/12-Hyundai-Commission-El-Anatsui-Behind-the-Red-Moon.jpg El Anatsui: Behind the Red Moon, installation view, Hyundai Commission, Tate Modern, London, 2023. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/16-Hyundai-Commission-El-Anatsui-behind-the-red-moon.jpg El Anatsui: Behind the Red Moon, installation view, Hyundai Commission, Tate Modern, London, 2023. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/In-the-World-But-Dont-Know-the-World-detail-2009.jpg El Anatsui, In the World But Don't Know the World? (detail), 2009. Aluminium and copper wire, 1000 x 560 cm. © El Anatsui. Collection Stedelijk Museum Amsterdam and Kunstmuseum Bern. Courtesy the Artist and October Gallery, London. Photo © Jonathan Greet. https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/Detail-from-the-back-of-Act-III-The-Wall-hanging-to-rear-of-the-hall.-El-Anatsui-Turbine-Hall-Pic-V-Simpson.jpg El Anatsui: Behind the Red Moon, installation view (detail), Hyundai Commission, Tate Modern, London, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/003-anatsui-el-2023/01-Hyundai-Commission-El-Anatsui--Behind-the-Red-Moon.jpg El Anatsui: Behind the Red Moon, installation view, Hyundai Commission, Tate Modern, London, 2023. Photo © Tate (Joe Humphrys). https://www.studiointernational.com/index.php/jose-parla-interview-covid-coma-phosphene-ben-brown-fine-arts-london https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/JoseParla_TylerHaft_06_04_23-070.jpg José Parlá. Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Layered-Electric-Retinal-Waves,-2023-(PAR00148).jpg José Parlá. Layered Electric Retinal Waves, 2023. Mixed media on canvas, 182.9 x 243.8 cm (72 x 96 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Pensive-Shadows,-2023-(PAR00158).jpg José Parlá. Pensive Shadows, 2023. Mixed media on canvas, 101.6 x 152.4 cm (40 x 60 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-The-Eye-of-Adventures,-2023-(PAR00151).jpg José Parlá. The Eye of Adventures, 2023. Mixed media on canvas, 152.4 x 152.4 cm (60 x 60 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Refraction-Hand-Style,-2023-(PAR00147).jpg José Parlá. Refraction Hand Style, 2023. Mixed media on canvas, 182.9 x 152.4 cm (72 x 60 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Seeing-is-Believing,-2023-(PAR00155).jpg José Parlá. Seeing is Believing, 2023. Mixed media on canvas, 182.9 x 365.8 cm (72 x 144 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/JoseParla_TylerHaft_06_04_23-83.jpg José Parlá. Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Sensory-Landscape,-2023-(PAR00157).jpg José Parlá. Sensory Landscape, 2023. Mixed media on canvas 101.6 x 152.4 cm (40 x 60 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Amorphous-Waves,-2023-(PAR00149).jpg José Parlá. Amorphous Waves, 2023. Mixed media on canvas, 182.9 x 121.9 cm (72 x 48 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Arterial-Visions,-2023-(PAR00145).jpg José Parlá. Arterial Visions, 2023. Mixed media on canvas, 182.9 x 152.4 cm (72 x 60 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/JP-49892_THA_001_07.jpg José Parlá. Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Soothing-Light,-2023-(PAR00159).jpg José Parlá. Soothing Light, 2023. Mixed media on canvas 101.6 x 152.4 cm (40 x 60 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Universal-Meditation,-2023-(PAR00146).jpg José Parlá. Universal Meditation, 2023. Mixed media on canvas, 182.9 x 152.4 cm (72 x 60 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/images/articles/p/019-parla-jose-2023/Parla-Vibrant-Heart,-2023-(PAR00150).jpg José Parlá. Vibrant Heart, 2023. Mixed media on canvas, 182.9 x 121.9 cm (72 x 48 in). Photo: Tyler Haft, courtesy Ben Brown Fine Arts. https://www.studiointernational.com/index.php/olga-grotova-video-interview-door-to-door-artist-residency-cromwell-place-london https://www.studiointernational.com/images/articles/g/029-grotova-olga-2023/Olga-Grotova,-Rot,-2023.jpg Olga Grotova. Rot, 2023. Pigments and photograms on linen, 100 x 80 cm. © The Artist, Courtesy of Schoeni Projects and The Shophouse. Photo: Arcalis Studio. https://www.studiointernational.com/images/articles/g/029-grotova-olga-2023/20OlgaGrotovo_FriendshipGarden.jpg Olga Grotova: The Friendship Garden, installation view, Studio Voltaire, 20 May – 30 July 2023. Image courtesy the Artist. Photo: Zoë Maxwell. https://www.studiointernational.com/images/articles/g/029-grotova-olga-2023/Olga-Grotova,-Door-to-Door-exhibition-installation-view,-2023-02.jpg Olga Grotova, gallery view, Door to Door exhibition, Cromwell Place, 20 October – 5 November 2023. Courtesy of Schoeni Projects and The Shophouse. Photo: Leon Kong. https://www.studiointernational.com/images/articles/g/029-grotova-olga-2023/Olga-Grotova,-Door-to-Door-exhibition-installation-view,-2023-01.jpg Olga Grotova, gallery view, Door to Door exhibition, Cromwell Place, 20 October – 5 November 2023. Courtesy of Schoeni Projects and The Shophouse. Photo: Leon Kong. https://www.studiointernational.com/images/articles/g/029-grotova-olga-2023/Olga-Grotova,-Temple,-2023.jpg Olga Grotova, gallery view, Door to Door exhibition, Cromwell Place, 20 October – 5 November 2023. Courtesy of Schoeni Projects and The Shophouse. Photo: Leon Kong. https://www.studiointernational.com/images/articles/g/029-grotova-olga-2023/Centrala-Olga-Grotova-solo-2019.jpg Olga Grotova: Debris on a Luminous Plain, installation view, Centrala, Birmingham, 12 December 2018 – 16 February 2019. Image courtesy the Artist. https://www.studiointernational.com/images/articles/g/029-grotova-olga-2023/Olga_Grotova_Studio_Voltaire_25.jpg Olga Grotova: The Friendship Garden, installation view, Studio Voltaire, 20 May – 30 July 2023. Image courtesy the Artist. Photo: Zoë Maxwell. https://www.studiointernational.com/images/articles/g/029-grotova-olga-2023/Olga-Grotova,-Sunkissed,-2023.jpg Olga Grotova. Sunkissed, 2023. Cyanotype rice paper, mineral pigments mounted on linen, 25.5 x 20.5 cm. © The Artist, Courtesy of Schoeni Projects and The Shophouse. Photo: Arcalis Studio. https://www.studiointernational.com/images/articles/g/029-grotova-olga-2023/Olga-Grotova,-Worm-Nest,-2023.jpg Olga Grotova. Worm Nest, 2023. Cyanotype on hand-made silk, 25.5 x 20.5 cm. © The Artist, Courtesy of Schoeni Projects and The Shophouse. Photo: Arcalis Studio. https://www.studiointernational.com/index.php/real-families-stories-of-change-review-fitzwilliam-museum-cambridge https://www.studiointernational.com/images/articles/r/035-real-families-2023/Chantal-Joffe,-Self-Portrait-Combing-Esmes-Hair.jpg Chantal Joffe. Self-Portrait Combing Esme https://www.studiointernational.com/images/articles/r/035-real-families-2023/JJ-Levine,-Alone-Time-19-(from-Alone-Time-series).jpg JJ Levine. Alone Time 19 (from Alone Time series), 2021. Courtesy JJ Levine/ELLEPHANT Gallery. https://www.studiointernational.com/images/articles/r/035-real-families-2023/Aliza-Nisenbaum,-Susan,-Aarti,-Keerthana-and-Princess,-Sunday-in-Brooklyn.jpg Aliza Nisenbaum. Susan, Aarti, Keerthana and Princess, Sunday in Brooklyn, 2018. Oil on linen, 145 x 162.6 cm. © Aliza Nisenbaum. Photo courtesy the Artist and Anton Kern Gallery, New York. https://www.studiointernational.com/images/articles/r/035-real-families-2023/Joshua-Reynolds,-The-Braddyll-Family.jpg Joshua Reynolds. The Braddyll Family, 1789. Oil on canvas, 238.1 x 147.3 cm. Courtesy of The Fitzwilliam Museum. https://www.studiointernational.com/images/articles/r/035-real-families-2023/Alice-Neel,-The-De-Vegh-Twins.jpg Alice Neel. The De Vegh Twins, 1975. Oil on canvas, 96.5 x 81.3 cm (38 x 32 in). © The Estate of Alice Neel, Courtesy The Estate of Alice Neel and David Zwirner. Photo: Malcom Varon. https://www.studiointernational.com/images/articles/r/035-real-families-2023/Zun-Lee,-Bedtime-shenanigans-with-Carlos-Richardson-and-his-daughter,-Selah-Harlem,-NY,-August-2012.jpg Zun Lee. Bedtime shenanigans with Carlos Richardson and his daughter, Selah. Harlem, NY, August 2012 (from the project, Father Figure, 2011-15), 2012. Copyright Zun Lee. All rights reserved. https://www.studiointernational.com/images/articles/r/035-real-families-2023/Paula-Rego,-Split.jpg Paula Rego. Split, 2017. Pastel on paper on aluminium, 102 x 67 cm. © Ostrich Arts Ltd. Courtesy Ostrich Arts Ltd and Victoria Miro. https://www.studiointernational.com/images/articles/r/035-real-families-2023/Cathy-Wilkes,-Untitled-(Possil,-at-Last).jpg Cathy Wilkes. Untitled (Possil, at Last), 2013. Courtesy of The Artist and The Modern Institute/Toby Webster Ltd., Glasgow. Photo: Cristiano Corte. https://www.studiointernational.com/images/articles/r/035-real-families-2023/Donald-Rodney,-In-the-House-of-my-Father.jpg Donald Rodney. In the House of my Father. Arts Council Collection, Southbank Centre, London. Photo: Andra Nelki © The Estate of Donald G Rodney. https://www.studiointernational.com/images/articles/r/035-real-families-2023/Joy-Labinjo,-Having-the-conversation.jpg Joy Labinjo. Having the conversation, 2020. Courtesy of the artist and Tiwani Contemporary. https://www.studiointernational.com/images/articles/r/035-real-families-2023/Sunil-Gupta,-Shalini,-Rudi,-Sunil,-Leo,-3425-Stanley.jpg Sunil Gupta. Shalini, Rudi, Sunil, Léo, 3425 Stanley, from the series Friends and Lovers: Coming Out in Montreal in the 1970s, c1974. © Sunil Gupta. All rights reserved, DACS 2023. Courtesy of the Harris Museum, Art Gallery & Library, Preston, and Hales Gallery. https://www.studiointernational.com/index.php/ofelia-rodriguez-talking-in-dreams-review-spike-island-bristol https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_007.jpg Ofelia Rodríguez, Talking in Dreams, 2023. Installation view, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_041.jpg Ofelia Rodríguez, Talking in Dreams, 2023. Installation view, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_226.jpg Ofelia Rodríguez, Magic Box with Beaks, 1988. Mixed media. Installation view, Talking in Dreams, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_167.jpg Ofelia Rodríguez, Organic Gramaphone with Silvery Lawn, 1979. Mixed media on canvas, pins and stitched. Installation view, Talking in Dreams, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Lending-an-Ear-to-the-Past.jpg Ofelia Rodríguez, Lending an Ear to the Past, 1994. Mixed media on canvas. Installation view, Talking in Dreams, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_195.jpg Left: Ofelia Rodríguez, Through the Mouth Yet Lacking Words, 1998. Mixed media on canvas. Right: Danger of Death, 1998. Mixed media on canvas. Installation view, Talking in Dreams, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_750.jpg Ofelia Rodríguez, Talking in Dreams, 2023. Installation view, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_032.jpg Ofelia Rodríguez, Magic Box with Protected Furry Ear, 1996-97). Mixed media. Installation view, Talking in Dreams, Spike Island, Bristol. Courtesy Essex Collection of Art from Latin America, University of Essex. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_048.jpg Ofelia Rodríguez, Talking in Dreams, 2023. Installation view, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_169.jpg Ofelia Rodríguez, Talking in Dreams, 2023. Installation view, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/images/articles/r/034-rodriguez-ofelia-2023/Ofelia-Rodriguez_Talking-Dreams_Spike-Island_216.jpg Ofelia Rodríguez, Talking in Dreams, 2023. Installation view, Spike Island, Bristol. Photo: Dan Weill. https://www.studiointernational.com/index.php/reimagining-the-victorians-in-contemporary-art-review-djanogly-gallery-nottingham https://www.studiointernational.com/images/articles/r/033-reimagining-victorians-2023/dUNM-03.jpg Andrew Gilbert. Major General Andrew Gilbert Calls a Drone Strike on his Leek Phone (tm), Magersfontein, 11th December 1899, Southern Africa, 2020. Installation view, Djanogly Gallery, Lakeside Arts, Nottingham. Courtesy Andrew Gilbert and Sperling Munich. https://www.studiointernational.com/images/articles/r/033-reimagining-victorians-2023/dUNM-09.jpg Reimag(in)ing the Victorians in Contemporary Art, installation view, Djanogly Gallery, Lakeside Arts, Nottingham, 23 September 2023 – 7 January 2024. https://www.studiointernational.com/images/articles/r/033-reimagining-victorians-2023/dUNM-01.jpg Kate MccGwire. Gyrus, 2019. Mixed media with pheasant feathers in bespoke cabinet, 160 x 100 x 60 cm. © Kate MccGwire. https://www.studiointernational.com/images/articles/r/033-reimagining-victorians-2023/dUNM-04.jpg Tessa Farmer. Swarming Fever, 2021. Bones, insects, plant roots, Portuguese Man O https://www.studiointernational.com/images/articles/r/033-reimagining-victorians-2023/dUNM-750.jpg Reimag(in)ing the Victorians in Contemporary Art, installation view, Djanogly Gallery, Lakeside Arts, Nottingham, 23 September 2023 – 7 January 2024. https://www.studiointernational.com/images/articles/r/033-reimagining-victorians-2023/dUNM-06.jpg Reimag(in)ing the Victorians in Contemporary Art, installation view, Djanogly Gallery, Lakeside Arts, Nottingham, 23 September 2023 – 7 January 2024. https://www.studiointernational.com/images/articles/r/033-reimagining-victorians-2023/dUNM-07.jpg Reimag(in)ing the Victorians in Contemporary Art, installation view, Djanogly Gallery, Lakeside Arts, Nottingham, 23 September 2023 – 7 January 2024. https://www.studiointernational.com/images/articles/r/033-reimagining-victorians-2023/dUNM-08.jpg Reimag(in)ing the Victorians in Contemporary Art, installation view, Djanogly Gallery, Lakeside Arts, Nottingham, 23 September 2023 – 7 January 2024. https://www.studiointernational.com/index.php/artes-mundi-10-carolina-caycedo-video-interview-oriel-davies-gallery-newtown-chapter-cardiff-wales https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Caycedo-install-3-artes-mundi-10.jpg Carolina Caycedo, installation view, Artes Mundi 10, Chapter, Cardiff. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Caycedo-install-4-artes-mundi-10.jpg Carolina Caycedo, My Female Lineage of Environmental Struggle (2018 to present), installation view, Artes Mundi 10, Oriel Davies Gallery, Newtown. https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Caycedo-install-artes-mundi-10.jpg Carolina Caycedo, installation view, Artes Mundi 10, Oriel Davies Gallery, Newtown. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Caycedo-install-2-artes-mundi-10.jpg Carolina Caycedo, installation view, Artes Mundi 10, Oriel Davies Gallery, Newtown. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/artes-mundi-10-rushdi-anwar-video-interview-national-museum-cardiff-wales https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Rushdi-Anwar-install-02.jpg Rushdi Anwar, installation view, Artes Mundi 10, National Museum Cardiff, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Rushdi-Anwar-install-01.jpg Rushdi Anwar, installation view, Artes Mundi 10, National Museum Cardiff, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Rushdi-Anwar-install-05.jpg Rushdi Anwar, installation view, Artes Mundi 10, National Museum Cardiff, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Rushdi-Anwar-install-04.jpg Rushdi Anwar, installation view, Artes Mundi 10, National Museum Cardiff, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Rushdi-Anwar-install-03.jpg Rushdi Anwar, installation view, Artes Mundi 10, National Museum Cardiff, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/artes-mundi-10-alia-farid-video-interview-national-museum-cardiff-wales https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Alia-Farid-install-artes-mundi-10.jpg Alia Farid, installation view, Artes Mundi 10, National Museum Cardiff, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/Alia-Farid-install-2-artes-mundi-10.jpg Alia Farid, installation view, Artes Mundi 10, National Museum Cardiff, 2023. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/artes-mundi-10-rushdi-anwar-carolina-caycedo-alia-farid-video-interviews-wales https://www.studiointernational.com/images/articles/a/002-artes-mundi-2023/artes-mundi-1000.jpg Studio International spoke to three of the nominated artists – Alia Farid, Carolina Caycedo and Rushdi Anwar – at the opening of Artes Mundi 10. https://www.studiointernational.com/index.php/tania-perez-cordova-generalization-review-sculpture-center-new-york https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_113.jpg Tania Pérez Córdova, All Our Explanations (Todas nuestras explicaciones), 2022. Concrete, melting ice, carbon steel, various materials, dimensions variable. Installation view, Tania Pérez Córdova: Generalization, SculptureCenter, New York, 2023. Commissioned by Museo Tamayo, Mexico City. Courtesy the artist. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_113-detail.jpg Tania Pérez Córdova, All Our Explanations (Todas nuestras explicaciones), 2022 (detail). Concrete, melting ice, carbon steel, various materials, dimensions variable. Installation view, Tania Pérez Córdova: Generalization, SculptureCenter, New York, 2023. Commissioned by Museo Tamayo, Mexico City. Courtesy the artist. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_123.jpg Tania Pérez Córdova: Generalization, installation view, SculptureCenter, New York, 2023. Courtesy the artist. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_045.jpg Tania Pérez Córdova, You, Me, Us, You, Them (Tu, yo, nosotrxs, ustedes, ellxs), 2022 (detail). Marble, personalized cosmetic contact lenses, one or more people wearing contact lenses of a colour different from their natural eyes. 1 x 64 x 69 in (2.5 x 163 x 175 cm). Installation view, Tania Pérez Córdova: Generalization, SculptureCenter, New York, 2023. Commissioned by Museo Tamayo, Mexico City. Courtesy the artist and Galerie Art: Concept, Paris. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_102.jpg Tania Pérez Córdova. Name, Phone, Email, Postcode, 2023. Installation view, SculptureCenter, New York, 2023. Courtesy the artist. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/A-Speech-of-5200-Words_123.jpg Tania Pérez Córdova, A Speech of 5,200 Words (Un discurso de 5200 palabras), 2022. Copper and 5,200 drops of artificial saliva, dimensions variable. Commissioned by Museo Tamayo, Mexico City. Courtesy the artist and Tina Kim Gallery, New York. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_043.jpg Tania Pérez Córdova, A Chandelier Into a Chandelier (Un candelabro en un candelabro), 2023. Brass chandelier that was cast, melted, and recast into its own mold, 33 x 34 x 34 in (84 x 86 x 86 cm). Installation view, Tania Pérez Córdova: Generalization, SculptureCenter, New York, 2023. Commissioned by SculptureCenter, New York. Courtesy the artist and Tina Kim Gallery, New York. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_129-750.jpg Tania Pérez Córdova: Generalization, installation view, SculptureCenter, New York, 2023. Courtesy the artist. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_052.jpg Tania Pérez Córdova, Philodendron Monstera Deliciosa, 2022 (detail). Pierced synthetic leaves, 14k-gilded silver chain, steel, 126 x 11 3⁄4 x 15 3⁄4 in (320 x 30 x 40 cm). Installation view, Tania Pérez Córdova: Generalization, SculptureCenter, New York, 2023. Courtesy the artist and Galerie Art: Concept, Paris. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_107.jpg Tania Pérez Córdova: Generalization, installation view, SculptureCenter, New York, 2023. Courtesy the artist. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_116.jpg Tania Pérez Córdova: Generalization, installation view, SculptureCenter, New York, 2023. Courtesy the artist. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/SC_Sept23_1502.jpg Tania Pérez Córdova, A Roof Into a Roof (Un techo en un techo), 2018. Aluminum fragment of a roof that was cast, melted, and recast into its own mold. 2 x 33 1⁄2 x 22 1⁄4 inches (4.8 x 85 x 59 cm). Installation view, Tania Pérez Córdova: Generalization, SculptureCenter, New York, 2023. Courtesy the artist and Galerie Martin Janda, Vienna. Photo: Charles Benton. https://www.studiointernational.com/images/articles/c/&085-cordova-tania-perez-2023/09-750.jpg Tania Pérez Córdova, Live Chat, 2012. Glass, highlighter, dimensions variable. Installation view, SculptureCenter, New York, 2023. Courtesy the artist. Photo: Hyunjung Rhee. https://www.studiointernational.com/index.php/cat-dunn-interview-curator-crafted-selves-the-unfinished-conversation-st-andrews-museum-scotland https://www.studiointernational.com/images/articles/d/046-dunn-cat-2023/11_Fife-Contemporary_Crafted-Selves_-Photos-by-Alan-Dimmick.jpg Left: Two works by Adil Iqbal; Right: Emelia Kerr Beale, trust for support, 2022. Installation view, Crafted Selves: The Unfinished Conversation, St Andrews Museum. Photo: Alan Dimmick. https://www.studiointernational.com/images/articles/d/046-dunn-cat-2023/06-Crafted-Selves_-Photos-by-Alan-Dimmick.jpg Installation view, Crafted Selves: The Unfinished Conversation, St Andrews Museum. Photo: Alan Dimmick. https://www.studiointernational.com/images/articles/d/046-dunn-cat-2023/01-Viv-Lee-Collections-in-stoneware-and-ceramics.jpg Viv Lee, collections in stoneware and ceramic. https://www.studiointernational.com/images/articles/d/046-dunn-cat-2023/04-Light-Divine-Sky-Copyright-Sekai-Machache.jpg Sekai Machache, Light Divine Sky. Photo: Antanas Budvytis. https://www.studiointernational.com/images/articles/d/046-dunn-cat-2023/Adil-Iqbal-Weaving-songs_Taiba.jpg Adil Iqbal, Weaving Songs, 2012. Hand embroidery on calico. https://www.studiointernational.com/images/articles/d/046-dunn-cat-2023/Crafted-Selves-Photos-by-Alan-Dimmick.jpg Ashanti Harris, Emi Ori Cse in Copper, as part of The Skeleton of a Name, 2019. Installation view, Crafted Selves: The Unfinished Conversation, St Andrews Museum. Photo: Alan Dimmick. https://www.studiointernational.com/images/articles/d/046-dunn-cat-2023/05-Joy-Baek_Nothing-Edible,-Everything-Sensible-.jpg Joy Baek, Nothing Edible, Everything Sensible. https://www.studiointernational.com/images/articles/d/046-dunn-cat-2023/Sara-Pakdel-Cherry_Crafted-Selves_-Photos-by-Alan-Dimmick.jpg Sara Pakdel-Cherry, Siah 1 and 2, 2022. Installation view, Crafted Selves: The Unfinished Conversation, St Andrews Museum. Photo: Alan Dimmick. https://www.studiointernational.com/index.php/lawrence-lek-nox-review-light-art-space-kranzler-eck-berlin https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/LAS-Art-Foundation-Lawrence-Lek-NOX-10.jpg Lawrence Lek, NOX, 2023. Installation view, LAS Art Foundation, Kranzler Eck, Berlin. © Lawrence Lek. Commissioned by LAS Art Foundation. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/NOX_Ext_04.jpg Lawrence Lek, NOX, 2023. Commissioned by LAS Art Foundation. © Lawrence Lek. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/NOX_Ext_02.jpg Lawrence Lek, NOX, 2023. Commissioned by LAS Art Foundation. © Lawrence Lek. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/LAS-Art-Foundation-Lawrence-Lek-NOX-11.jpg Lawrence Lek, NOX, 2023. Installation view, LAS Art Foundation, Kranzler Eck, Berlin. © Lawrence Lek. Commissioned by LAS Art Foundation. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/LAS-Art-Foundation-Lawrence-Lek-NOX-13.jpg Lawrence Lek, NOX, 2023. Installation view, LAS Art Foundation, Kranzler Eck, Berlin. © Lawrence Lek. Commissioned by LAS Art Foundation. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/LAS-Art-Foundation-Lawrence-Lek-NOX-9.jpg Lawrence Lek, NOX, 2023. Installation view, LAS Art Foundation, Kranzler Eck, Berlin. © Lawrence Lek. Commissioned by LAS Art Foundation. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/LAS-Art-Foundation-Lawrence-Lek-NOX-12.jpg Lawrence Lek, NOX, 2023. Installation view, LAS Art Foundation, Kranzler Eck, Berlin. © Lawrence Lek. Commissioned by LAS Art Foundation. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/NOX_Ext_03.jpg Lawrence Lek, NOX, 2023. Commissioned by LAS Art Foundation. © Lawrence Lek. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/NOX_Int_01.jpg Lawrence Lek, NOX, 2023. Commissioned by LAS Art Foundation. © Lawrence Lek. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/NOX_Int_02.jpg Lawrence Lek, NOX, 2023. Commissioned by LAS Art Foundation. © Lawrence Lek. https://www.studiointernational.com/images/articles/l/040-lek-lawrence-2023/NOX_Int_03.jpg Lawrence Lek, NOX, 2023. Commissioned by LAS Art Foundation. © Lawrence Lek. https://www.studiointernational.com/index.php/jonathan-baldock-touch-wood-review-yorkshire-sculpture-park https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-Touch-Wood,-installation-view-at-Yorkshire-Sculpture-Park,-2023-YSP_3.jpg Jonathan Baldock, Touch Wood, installation view at Yorkshire Sculpture Park, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock-the-coffin-inside-the-sacred-circle-with-winter-geometric-pattern-beyond.-YSP.-Pic-V-Simpson.jpg Jonathan Baldock, Touch Wood. Installation view, Yorkshire Sculpture Park, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Close-up-of-ceramic-hop-flower-on-coffin.jpg Ceramic hop flower on coffin lid. Installation view, Jonathan Baldock, Touch Wood, Yorkshire Sculpture Park, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-Be-fruitful-and-multiply,-2023-YSP_11.jpg Jonathan Baldock, Be fruitful and multiply, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-Patience,-2023-YSP_6.jpg Jonathan Baldock, Patience, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-No-one-had-paid-them-any-particular-attention,-2023-YSP_1.jpg Jonathan Baldock, No one had paid them any particular attention, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-You-and-I-are-Earth,-2023-1.jpg Jonathan Baldock, You & I are Earth, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Blower. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-You-and-I-are-Earth,-2023-2.jpg Jonathan Baldock, You & I are Earth, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Blower. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-Becoming-a-Plant-(a-hop),-2023-YSP_8.jpg Jonathan Baldock, Becoming a Plant (a hop), 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeve, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-Becoming-a-Plant-(a-hop),-2023-YSP_4.jpg Jonathan Baldock, Becoming a Plant (a hop), 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Photography-of-carvings-from-Wakefield-Cathedral-which-inspired-some-works.jpg Photography of carvings from Wakefield Cathedral that inspired some works. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock-YSP_12-750.jpg Jonathan Baldock, They tried to bury me, They didn't realise I was a seed, 2023 (detail). Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-They-tried-to-bury-me-YSP_5.jpg Jonathan Baldock, They tried to bury me, They didn't realise I was a seed, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-Kiss-from-a-Rose,-2023-YSP_10.jpg Jonathan Baldock, Kiss from a Rose, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-Kiss-from-a-Rose-2023-YSP_7.jpg Jonathan Baldock, Kiss from a Rose, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock-Touch-Wood,-installation-view-at-Yorkshire-Sculpture-Park,-2023-YSP_9.jpg Jonathan Baldock, Touch Wood, installation view at Yorkshire Sculpture Park, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Reeves, courtesy YSP. https://www.studiointernational.com/images/articles/b/&093-baldock-jonathan-2023/Jonathan-Baldock,-Kiss-from-a-Rose,-2023-1.jpg Jonathan Baldock, Kiss from a Rose, 2023. Courtesy the artist and Stephen Friedman Gallery. Photo © Mark Blower. https://www.studiointernational.com/index.php/radical-landscapes-review-william-morris-gallery-london https://www.studiointernational.com/images/articles/r/032-radical-landscapes-2023/10.jpg Veronica Ryan, Collective Moments X, 2022. Turmeric stained fabric and pins, 15.5 cm dia. Courtesy Alison Jacques, London. © Veronica Ryan. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/r/032-radical-landscapes-2023/03.jpg Joseph Mallord William Turner, The Lake, Petworth, Sunset; Sample Study, c1827-8. Oil on canvas, 66 x 142.2 cm. Tate Collection. https://www.studiointernational.com/images/articles/r/032-radical-landscapes-2023/02.jpg Thomas Gainsborough, The Bridge, c1786. Oil on canvas, 40 x 48.3 cm. Tate Collection. https://www.studiointernational.com/images/articles/r/032-radical-landscapes-2023/04.jpg William Morris, News From Nowhere, 1893. Frontispiece by Charles March Gere. © William Morris Gallery. https://www.studiointernational.com/images/articles/r/032-radical-landscapes-2023/07.jpg Brenda Prince, RAF Greenham Common, 12 December 1982. © Brenda Prince, Format Photographers Archive. https://www.studiointernational.com/images/articles/r/032-radical-landscapes-2023/08.jpg Andrew Testa, The eviction of The Chase camp at Newbury, 1996. © Andrew Testa. https://www.studiointernational.com/images/articles/r/032-radical-landscapes-2023/09.jpg Derek Jarman, still from The Garden, 1990. 35mm film. Courtesy and © Basilisk Communications. https://www.studiointernational.com/images/articles/r/032-radical-landscapes-2023/06.jpg Jo Spence, Remodelling Photo History: Victimization, 1981-82, 62.5 x 78.5 cm. © The Estate of Jo Spence. Courtesy Richard Saltoun Gallery London, Rome. https://www.studiointernational.com/images/articles/r/032-radical-landscapes-2023/01.jpg Chris Killip, Helen and her Hula-hoop, Seacoal Camp, Lynemouth, Northumberland,1984. © Chris Killip. Photography Trust / Magnum Photos, courtesy Martin Parr Foundation. https://www.studiointernational.com/index.php/los-angeles-art-scene-roundup-2023 https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/Cabinet-of-curiosities-IMG_3610.jpg Installation view, The World Made Wondrous: The Dutch Collector https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/Ed-Ruscha-D2A0539_PRESS.jpg Installation view of Ed Ruscha / Now Then, Museum of Modern Art 10 September 2023 – 13 January 2024. Photo: Jonathan Dorado. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/JONSI_Install_Gallery-3.jpg Jónsi. Installation view, Vox, Tanya Bonakdar Gallery, Los Angeles, 11 November 2023 – 3 February 2024. Photo: Jeff McLane. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/MiLA-2023_Luis-Bermudez_installation-view---photo-Joshua-White.jpg Luis Bermudez. Installation view, Made in L.A. 2023: Acts of Living, Hammer Museum, Los Angeles, 1 October - 31 December 2023. Photo: Joshua White. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/23-Kyle-Kilty_Mars,-2017-2019-(1).jpg Kyle Kilty. Mars, 2017-19. Acrylic and oil on canvas, 72 × 84 in (182.9 × 213.4 cm). Courtesy of the artist. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/tidawhitney-lek,-relatives-IMG_3985.jpg Tidawhitney Lek. Relatives, 2022. Acrylic and oil on canvas, 72 x 144 in (182.9 × 365.8 cm). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/Ishi-Glinsky-head-2-IMG_3977.jpg Ishi Glinsky. Inertia - Warn the Animals, 2023, installation view, Made in L.A. 2023: Acts of Living, Hammer Museum. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/Teresa-Baker-textured-paintings-IMG_3950.jpg Abstract geometry by Teresa Baker. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/03-Michael-Alvarez_Gnarmageddon-(Ode-toJKwon),-2016.jpg Michael Alvarez. Gnarmageddon (Ode to JKwon), 2016. Oil, spray paint, oil pastel, pencil, and collage on panel, 60 x 72 in (152.4 x 182.9 cm). Courtesy of Rodger Gastman. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/35-Ryan-Preciado_Pope-Cabinet,-2021.jpg Ryan Preciado. Pope Cabinet, 2021. MDF, plywood with bench, auto paint, 70 × 48 5/8 × 20 5/8 in (177.8 × 123.5 × 52.4 cm). Collection of Christina Heekyung Kang. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/16-Pippa-Garner_Tongue-Texting.jpg Pippa Garner. Tongue-Texting, n.d. Pencil on paper, 9 x 11 ½ in. (22.9 x 29.2 cm). Courtesy of the artist and STARS, Los Angeles. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/06-Jibz-Cameron_Me,-2021.jpg Jibz Cameron. Me, 2021. Coloured pencil and ink on paper, 11 × 8 1/2 in. (27.9 × 21.6 cm). Image courtesy of the artist. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/40-Joey-Terrill_Painted-by-Her-Brother,-1983.jpg Joey Terrill. Painted by Her Brother, 1983. Acrylic on canvas. 25 ¼ x 31 ¼ in (64.1 x 79.4 cm). Private Collection. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/Dominique-Moody_NOMAD-photo-Joshua-White.jpg Dominique Mood. NOMAD exterior. Photo: Joshua White. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/31-Esteban-Ramon-Perez_Como-La-Flor-(Toreado)-Target,-2021.jpg Esteban Ramón Pérez. Como La Flor (Toreado), 2021. Leather, hair-on hide, rose embroidered patches, urethane, metallic flake, steer horns, copper, nylon, approx 144 x 120 x 10 in (365.8 x 304.8 x 25.4 cm). Courtesy of the artist. Photo: Elon Shoenholz. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/19-Jessie-Homer-French_Urban-Coyotes,-2023.jpg Jessie Homer French. Urban Coyotes, 2023. Oil on artist canvas, 24 x 42 in. (61 x 106.7 cm). Courtesy of the artist. Various Small Fires, Los Angeles / Dallas / Seoul, and MASSIMODECARLO, Milan / London / Paris / Beijing / Hong Kong. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/30-Paige-Jiyoung-Moon_Nap-time-with-Mia,-2022.jpg Paige Jiyoung Moon. Nap Time with Mia, 2022. Acrylic on wood panel, 15 x 20 in (40.6 x 50.8 cm). Courtesy of the artists and Steve Turner, Los Angeles. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/MiLA-2023_Pippa-Garner_installation-view-photo-Charles-White.jpg Pippa Garner. Installation view, Made in L.A. 2023: Acts of Living, Hammer Museum, Los Angeles, 1 October - 31 December 2023. Photo: Charles White. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/MiLA-2023_Roksana-Pirouzmand,-Until-All-Is-Dissolved,-2023-photo-Joshua-White.jpg Roksana Pirouzmand. Until All Is Dissolved, 2023. Ceramic, 24 x 48 x 84 in (61 x 121.9 x 213.4 cm). Photo: Joshua White. https://www.studiointernational.com/images/articles/l/039-la-roundup-2023/JONSI_Install_Gallery-1_02.jpg Jónsi. Installation view, Vox, Tanya Bonakdar Gallery, Los Angeles, 11 November 2023 – 3 February 2024. Photo: Jeff McLane. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/index.php/nimrod-vardi-claudel-goy-arebyte-co-directors-interview-london https://www.studiointernational.com/images/articles/c/&084-cultus-2023/IMG_5035-5.jpg Pedestrian bridge to London City Island. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/&084-cultus-2023/Zach-Blas_CULTUS-2023-photo-Max-Colson-90.jpg arebyte, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/c/&084-cultus-2023/Zach-Blas_CULTUS-2023-photo-Max-Colson-28.jpg Zach Blas, Cultus, 2023. Installation view, arebyte, London. Photo: Max Colson. https://www.studiointernational.com/images/articles/c/&084-cultus-2023/Zach-Blas_CULTUS-2023-photo-Max-Colson-80.jpg Zach Blas, Cultus, 2023. Installation view, arebyte, London. Photo: Max Colson. https://www.studiointernational.com/images/articles/c/&084-cultus-2023/Copy-of-Zach-Blas_CULTUS-2023-photo-Max-Colson-0081.jpg Zach Blas, Cultus, 2023. Installation view, arebyte, London. Photo: Max Colson. https://www.studiointernational.com/images/articles/c/&084-cultus-2023/Zach-Blas_CULTUS-2023-photo-Max-Colson-44.jpg Zach Blas, Cultus, 2023. Installation view, arebyte, London. Photo: Max Colson. https://www.studiointernational.com/images/articles/c/&084-cultus-2023/Copy-of-Zach-Blas_CULTUS-2023-photo-Max-Colson-0190.jpg Zach Blas, Cultus, 2023. Installation view, arebyte, London. Photo: Max Colson. https://www.studiointernational.com/images/articles/c/&084-cultus-2023/Zach-Blas_CULTUS-2023-photo-Max-Colson-0220.jpg Zach Blas, Cultus, 2023. Installation view, arebyte, London. Photo: Max Colson. https://www.studiointernational.com/images/articles/c/&084-cultus-2023/Zach-Blas_CULTUS-2023-photo-Max-Colson-107.jpg Zach Blas, Cultus, 2023. Installation view, arebyte, London. Photo: Max Colson. https://www.studiointernational.com/index.php/frans-hals-review-national-gallery-london-the-laughing-cavalier https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/laughing-cavalier-X11695.jpg Frans Hals. The Laughing Cavalier, 1624. Oil on canvas, 83 x 67 cm. © Trustees of the Wallace Collection, London. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/portrait-of-woman-standing-L1312.jpg Frans Hals. Portrait of a Woman standing, c1612. Oil on wood, 94.2 x 71.1 cm. The Devonshire Collections, Chatsworth. © The Devonshire Collections, Chatsworth. Reproduced by permission of Chatsworth Settlement Trustees. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/portrait-of-catharina-hooft-X5795.jpg Frans Hals. Portrait of Catharina Hooft with her Nurse, 1619–20. Oil on canvas, 91.8 × 68.3 cm. Staatliche Museen zu Berlin, Gemäldegalerie. © Photo Scala, Florence / bpk, Bildagentur für Kunst, Kultur und Geschichte, Berlin. Photo: Jörg P. Anders. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/rommel-pot-player-X11692.jpg Frans Hals. The Rommel-Pot Player, about 1618–22. Oil on canvas, 106 x 80.3 cm. © Kimbell Art Museum, Fort Worth, Texas. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/young-man-holding-skull-N-6458-00-000032-A5.jpg Frans Hals. Young Man holding a Skull (Vanitas), 1626-28. Oil on canvas, 92.2 x 80.8 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/the-merry-drinker-X11708.jpg Frans Hals. A Militiaman holding a Berkemeyer, known as the ‘Merry Drinker’, c1629. Oil on canvas, 80 x 66.5 cm. © Rijksmuseum, Amsterdam (SK-A-135). https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/portrait-of-a-couple-X5836.jpg Frans Hals. Portrait of a Couple, probably Isaac Abrahamsz Massa and Beatrix van der Laen, about 1622. Oil on canvas, 140 x 166.5 cm. © Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/portrait-of-pieter-dircksz-tjarck-X11715.jpg Frans Hals. Portrait of Pieter Dircksz Tjarck, about 1635–38. Oil on canvas, 85.3 x 69.9 cm. Los Angeles County Museum of Art. Gift of The Ahmanson Foundation. © Los Angeles County Museum of Art, California. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/girl-singing-X11704.jpg Frans Hals. Girl Singing, 1625–30. Oil on panel, 20.3 × 20.3 cm. The Jordan and Thomas A. Saunders III Collection, on loan to the Virginia Museum of Fine Arts. © Virginia Museum of Fine Arts. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/portrait-of-jasper-schade-X5792.jpg Frans Hals. Portrait of Jasper Schade, 1645. Oil on canvas, 80 x 67.5 cm. National Gallery Prague. Photo © National Gallery Prague 2023. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/banquet-of-officers-X11701.jpg Frans Hals. Banquet of the Officers of the St George Civic Guard, 1627. Oil on canvas, 179 × 257.5 cm. © Frans Hals Museum, Haarlem. https://www.studiointernational.com/images/articles/h/013-hals-frans-2023/boy-with-flute-X11700.jpg Frans Hals. Bust of a Laughing Boy with a Flute, about 1630. Oil on wood, 37.5 × 37.5 cm. © Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Schwerin. https://www.studiointernational.com/index.php/elias-sime-eregata-review-arnolfini-bristol https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Elias-Sime-Eregata-Gallery-1-at-Arnolfini,-Bristol,-October-2023-Lisa-Whiting-Photography-for-Arnolfini-All-rights-reserve-(42).jpg Elias Sime Eregata እርጋታ. Gallery 1 at Arnolfini, Bristol, October 2023. Lisa Whiting Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Elias-Sime-Eregata-Gallery-1-at-Arnolfini,-Bristol,-October-2023-Lisa-Whiting-Photography-for-Arnolfini-All-rights-reserve-(45).jpg Elias Sime Eregata እርጋታ. Gallery 1 at Arnolfini, Bristol, October 2023. Lisa Whiting Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Elias-Sime-Eregata-Gallery-2(2)-at-Arnolfini,-Bristol,-October-2023-Lisa-Whiting-Photography-for-Arnolfini-All-rights-reserve-(21).jpg Elias Sime Eregata እርጋታ. Gallery 2 at Arnolfini, Bristol, October 2023. Lisa Whiting Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Veiled-Whispers,-2021-Courtesy-the-artist-and-James-Cohan-Gallery-Photo-Thomas-Barratt.jpg Elias Sime. Veiled Whispers, 2021. Courtesy the artist and James Cohan Gallery. Photo: Thomas Barratt https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Bareness,-2014-An-installation-of-ceramic-pieces-Courtesy-of-the-Artist-and-James-Cohan-Gallery.jpg Elias Time. Bareness, 2014. An installation of ceramic pieces. Courtesy of the Artist and James Cohan Gallery. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Elias-Sime-Eregata-Gallery-2-at-Arnolfini,-Bristol,-October-2023-Lisa-Whiting-Photography-for-Arnolfini-All-rights-reserve-(26).jpg Elias Sime Eregata እርጋታ. Gallery 2 at Arnolfini, Bristol, October 2023. Lisa Whiting Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Arnolfini-visit-to-Zoma-July-2023-Image-by-Alice-Hendy-Photography-for-Arnolfini-All-rights-reserved-(140).jpg Arnolfini visit to Zoma Museum, Addis Ababa, July 2023. Image by Alice Hendy Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/TIGHTROPE-ECHO,-2021-Courtesy-the-artist-and-James-Cohan-Gallery-Photo-Christopher-Burke-Studios.jpg Elias Sime. Tightrope Echo!, 2021. Courtesy the artist and James Cohan Gallery. Photo Christopher Burke Studios. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Arnolfini-visit-to-Zoma-July-2023-Image-by-Alice-Hendy-Photography-for-Arnolfini-All-rights-reserved-(372).jpg Arnolfini visit to Zoma Museum, Addis Ababa, July 2023. Image by Alice Hendy Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Arnolfini-visit-to-Zoma-July-2023-Image-by-Alice-Hendy-Photography-for-Arnolfini-All-rights-reserved-(153).jpg Arnolfini visit to Zoma Museum, Addis Ababa, July 2023. Image by Alice Hendy Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Bareness,-2014-An-installation-of-ceramic-pieces-DETAIL-Courtesy-of-the-Artist-and-James-Cohan-Gallery.jpg Elias Time. Bareness, 2014. An installation of ceramic pieces. Courtesy of the Artist and James Cohan Gallery. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Elias-Sime-Eregata-Gallery-1-at-Arnolfini,-Bristol,-October-2023-Lisa-Whiting-Photography-for-Arnolfini-All-rights-reserve-(37).jpg Elias Sime Eregata እርጋታ. Gallery 1 at Arnolfini, Bristol, October 2023. Lisa Whiting Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Elias-Sime-Eregata-Gallery-2-at-Arnolfini,-Bristol,-October-2023-Lisa-Whiting-Photography-for-Arnolfini-All-rights-reserve-(21).jpg Elias Sime Eregata እርጋታ. Gallery 2 at Arnolfini, Bristol, October 2023. Lisa Whiting Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Tightrope-It-is-Green-8,-2023-Courtesy-the-artist-Photo-Phoebe-d_Heurle.jpg Elias Sime. Tightrope It is Green 8, 2023. Courtesy the artist. Photo: Phoebe d'Heurle. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Tightrope-It-is-Green-8,-2023-DETAIL-Courtesy-the-artist-Photo-Phoebe-d_Heurle.jpg Elias Sime. Tightrope It is Green 8, 2023 (detail). Courtesy the artist. Photo: Phoebe d'Heurle. https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Veiled-Whispers,-2021-DETAIL-Courtesy-the-artist-and-James-Cohan-Gallery-Photo-Thomas-Barratt.jpg Elias Sime. Veiled Whispers, 2021 (detail). Courtesy the artist and James Cohan Gallery. Photo: Thomas Barratt https://www.studiointernational.com/images/articles/s/&082-sime-elias-2023/Elias-Sime-Eregata-Gallery-2-at-Arnolfini,-Bristol,-October-2023-Lisa-Whiting-Photography-for-Arnolfini-All-rights-reserve-(17).jpg Elias Sime Eregata እርጋታ. Gallery 2 at Arnolfini, Bristol, October 2023. Lisa Whiting Photography for Arnolfini. All rights reserved. https://www.studiointernational.com/index.php/zarina-bhimji-flagging-it-up-review-fruitmarket-edinburgh https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_016.jpg Zarina Bhimji. She Loved to Breathe – Pure Silence, 1987. Courtesy the Fruitmarket, Edinburgh. Collection of the Victoria and Albert Museum. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_018.jpg Zarina Bhimji. She Loved to Breathe – Pure Silence, 1987. Courtesy the Fruitmarket, Edinburgh. Collection of the Victoria and Albert Museum. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_001.jpg Zarina Bhimji. Blind Spot, 2023. Courtesy Fruitmarket, Edinburgh. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_007.jpg Zarina Bhimji. Out of Blue, 2002. Courtesy Fruitmarket, Edinburgh © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_010.jpg Zarina Bhimji. Waiting, 2007. Courtesy Fruitmarket, Edinburgh. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_027.jpg Zarina Bhimji. Shadows and disturbances, 2007 (left) and Untitled (A sketch), 1999. Courtesy Fruitmarket, Edinburgh. Collection of the Government Art Collection. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_023.jpg Zarina Bhimji. She Loved to Breathe – Pure Silence, 1987. Courtesy the Fruitmarket, Edinburgh. Collection of the Victoria and Albert Museum. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_020.jpg Zarina Bhimji. She Loved to Breathe – Pure Silence, 1987. Courtesy the Fruitmarket, Edinburgh. Collection of the Victoria and Albert Museum. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/44694_Sheloved-(colour-adjusted).jpg Zarina Bhimji. She Loved to Breathe – Pure Silence, 1987. Courtesy the Fruitmarket, Edinburgh. Collection of the Victoria and Albert Museum. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_006.jpg Zarina Bhimji. Out of Blue, 2002. Courtesy Fruitmarket, Edinburgh © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_008.jpg Zarina Bhimji. Out of Blue, 2002. Courtesy Fruitmarket, Edinburgh © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_002.jpg Zarina Bhimji. Blind Spot, 2023. Courtesy Fruitmarket, Edinburgh. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/b/&092-bhimji-zarina-2023/233010_ZB_FM_004.jpg Zarina Bhimji. Blind Spot, 2023. Courtesy Fruitmarket, Edinburgh. © Zarina Bhimji. All Rights Reserved, DACS/Artimage 2023. Photo: Ruth Clark. https://www.studiointernational.com/index.php/drawing-as-practice-interview-sara-reisman-chief-curator-national-academy-of-design-new-york https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Drawing-as-Practice(13).jpg Installation view, Drawing as Practice, National Academy of Design, New York, 2023. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Drawing-as-Practice(15).jpg Installation view, Drawing as Practice, National Academy of Design, New York, 2023. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Drawing-as-Practice(10).jpg Installation view, Drawing as Practice, National Academy of Design, New York, 2023. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Drawing-as-Practice(14).jpg Left: Emilie Louise Gossiaux, True Love Will Find You in the End, 2021. Emilie Goussiaux, Sketchbook, 2022-23. Right: Alex Katz, Anastasia, n.d. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Avram-Finkelstein-Drawing-as-Practice(4).jpg Avram Finkelstein, People’s Fountain, 2022, installation view, Drawing as Practice, National Academy of Design, New York, 2023. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Drawing-as-Practice(2).jpg Installation view, Drawing as Practice, National Academy of Design, New York, 2023. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Drawing-as-Practice(11).jpg Installation view, Drawing as Practice, National Academy of Design, New York, 2023. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Drawing-as-Practice(4).jpg Installation view, Drawing as Practice, National Academy of Design, New York, 2023. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Drawing-as-Practice(5).jpg Installation view, Drawing as Practice, National Academy of Design, New York, 2023. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/images/articles/d/045-drawing-in-practice-2023/Drawing-as-Practice(6).jpg Installation view, Drawing as Practice, National Academy of Design, New York, 2023. Photo: © Etienne Frossard. Courtesy of National Academy of Design. https://www.studiointernational.com/index.php/women-in-revolt-art-and-activism-in-the-uk-1970-1990-review-tate-britain-london https://www.studiointernational.com/images/articles/w/036-women-in-revolt-2023/Gina-Birch,-still-from-3-Minute-Scream,-1977-(3)-Gina-Birch.jpg Gina Birch, still from Three Minute Scream, 1977. Courtesy the artist. https://www.studiointernational.com/images/articles/w/036-women-in-revolt-2023/Margaret-Harrison,-Banana-Woman,-1971-Tate.jpg Margaret Harrison. Banana Woman, 1971. Purchased by Tate in 2008. © Margaret F Harrison. https://www.studiointernational.com/images/articles/w/036-women-in-revolt-2023/Lubaina-Himid,-The-Carrot-Piece,1985-Tate.jpg Lubaina Himid. The Carrot Piece, 1985. Tate. © Lubaina Himid, courtesy the artist and Hollybush Gardens, London. https://www.studiointernational.com/images/articles/w/036-women-in-revolt-2023/Bhajan-Hunjan,-The-Affair,-1987-8-(c)-Bhajan-Hunjan.jpg Bhajan Hunjan, The Affair, 1987-88. Tate. Presented by Tate Patrons 2023. © Bhajan Hunjan. Photo: Prudence Cumming. https://www.studiointernational.com/images/articles/w/036-women-in-revolt-2023/See-Red-Womens-Workshop,-1974-1990.jpg See Red Women’s Workshop, 1974-90, Tough! My Message to the Women of Our Nation…, 1979. See Red Women’s Workshop. https://www.studiointernational.com/images/articles/w/036-women-in-revolt-2023/Women-in-Revolt-1000-Tate-(Larina-Fernandes)-(1).jpg Maureen Scott, Mother and Child at Breaking Point, 1970, installation view, Women in Revolt!, Tate Britain, London, 2023 © Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/w/036-women-in-revolt-2023/See-Red-Womens-Workshop,-1974-1990,-Protest,-1974.jpg See Red Women’s Workshop, 1974-90, Protest, 1974. See Red Women’s Workshop. https://www.studiointernational.com/images/articles/w/036-women-in-revolt-2023/Sutapa-Biswas,-Kali,-1983-85.jpg Sutapa Biswas, still from Kali, 1983-85. © Sutapa Biswas. All rights reserved, DACS 2023. https://www.studiointernational.com/index.php/hej-rup-the-czech-avant-garde-review-brohan-museum-berlin https://www.studiointernational.com/images/articles/r/031-rup-hej-2023/3)-Brohan-tube-steel-desk-2063.jpg Installation view, Hej Rup! The Czech Avant-Garde, Bröhan Museum, Berlin. Installation design: Katleen Arthen. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/r/031-rup-hej-2023/1)-Brohan-Odeon-Kiosk-2044.jpg Installation view, Hej Rup! The Czech Avant-Garde, Bröhan Museum, Berlin. Installation design: Katleen Arthen. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/r/031-rup-hej-2023/6)-Hej-Rup-Josef-Gocar-Cubist-Cubist-desk,-Museum-of-Decorative-Arts-in-Prague.jpg Josef Gočár. Cubist desk from the furnishings of the ophtamologist Jan Deyl, 1913. Realisation: Prague art workshops (PUD). The Museum of Decorative Arts in Prague. https://www.studiointernational.com/images/articles/r/031-rup-hej-2023/7)-Hej-Rup-Pavel-Janak,-cushioned-chair---Museum-of-Decorative-Arts-in-Prague.jpg Pavel Janák. Cushioned chair. Realisation: Prague art workshops (PUD). The Museum of Decorative Arts in Prague. https://www.studiointernational.com/images/articles/r/031-rup-hej-2023/2)-Brohan-furniture-and-photos-2101.jpg Installation view, Hej Rup! The Czech Avant-Garde, Bröhan Museum, Berlin. Installation design: Katleen Arthen. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/r/031-rup-hej-2023/4)-Brohan-tube-steel-furniture-2056.jpg Tubular steel furniture collection within the exhibition Hej Rup! The Czech Avant-Garde at the Bröhan Museum, Berlin. Installation design: Katleen Arthen. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/r/031-rup-hej-2023/5)-Hej-Rup-Hej-Rup-Josef-Gocar-Desk-chair,-Museum-of-Decorative-Arts-in-Prague.jpg Josef Gočár. Cubist desk from the furnishings of the ophtamologist Jan Deyl, 1913. Realisation: Prague art workshops (PUD). The Museum of Decorative Arts in Prague. https://www.studiointernational.com/index.php/making-new-worlds-li-yuan-chia-and-friends-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/15-Li-in-front-of-David-Nash-window-jrl1406464.jpg Li Yuan-chia standing at the porch of the LYC Museum and Art Gallery, featuring window designed by David Nash. Image courtesy of Li Yuan-chia https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/Consciousness-by-Winifred-Nicholson.jpg Winifred Nicholson, Consciousness, 1980. Oil on canvas, 62 x 75 cm. Private Collection. Image courtesy of Trustees of Winifred Nicholson. https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/Charwei_Tsai-2009-Circle-hi.jpg Charwei Tsai, Circle, 2009. HD colour video with sound, 40 sec. Image courtesy of Charwei Tsai. https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/A329-30.jpg Li Yuan-chia, Untitled, c1960. Ink on paper. Image courtesy of the Li Yuan-chia Foundation. https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/3-Li-in-his-studio-1969-07826.jpg Li Yuan-chia in his studio at the LYC Museum and Art Gallery, Brampton, Cumbria, 1969. Image courtesy of Demarco Digital Archive University of Dundee & Richard Demarco Archive. https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/34.jpg Photograph of Li Yuan-chia. Image courtesy of the Li Yuan-chia Foundation. https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/CF72725-Audrey-Barker-Fax-Work.jpg Audrey Barker, Fax Work, 1990s. Private Collection. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/Cosmic-Flares-II-002-DACS.jpg Cosmic Flares II, 1966. Polymer lenses on Perspex in painted metal frame, lights and detachable programmed digital switching controller, 65.8 x 190 x 11.5 cm. © Liliane Lijn. All Rights Reserved, DACS 2023. Photo: Richard Wilding, 2015. https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/Towards-the-Inside-of-a-Container-1979-wakely097.jpg Shelagh Wakely, Towards the Inside of a Container, 1979. Ceramic, paper, papier-mâché, unfired clay, resin, table: 240 x 240 cm, 65 pieces. Courtesy of Richard Saltoun Gallery London, Rome. © The Estate of Shelagh Wakely. https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/WN5_OK-Roman-Road-copy.jpg Winifred Nicholson, Roman Road, 1926. Oil on canvas, 126.5 x 189.5 cm. Kettle’s Yard (WN5). Image courtesy of Trustees of Winifred Nicholson. https://www.studiointernational.com/images/articles/l/038-li-yuan-chia-2023/Z006-2019mh7775.jpg Li Yuan-chia, Untitled, 1970. Paint on fabric wall hanging (detail). Image courtesy of the Li Yuan-chia Foundation. Photo: Matthew Hollow. https://www.studiointernational.com/index.php/ibrahim-mahama-interview-its-about-the-relationships-created-in-the-process-ghana https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/Aerial-view-of-Red-Clay-Studios-with-decommissioned-airplanes-for-classrooms.jpg Aerial view of Red Clay Studio with decommissioned airplanes for classrooms. © Ibrahim Mahama. Photo courtesy of the SCCA and Red Clay, Tamale. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/Red-Clay-Studios-Tamale.jpg Red Clay Studio, Tamale. © Ibrahim Mahama. Photo courtesy of the SCCA and Red Clay, Tamale. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/Savannah-Centre-for-Contemporary-Art-Tamale-Image (c).jpg Savannah Centre for Contemporary Art, Tamale. Photo © Savannah Centre for Contemporary Art,Tamale. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/School-Children-enjoying-a-lesson-airplane-classroom.jpg School children enjoying a lesson in the Red Clay Studio https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/AKUTIA-BLINDFOLDING-THE-SUN-AND-THE-PEOTICS-OF-PEACE.jpg Akutia: Blindfolding the Sun and the Poetics of Peace, SCCA, Tamale, Ghana, 4 Sep 2020 - 7 Mar 2021. © Ibrahim Mahama. Photo courtesy of the SCCA and Red Clay, Tamale. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/Ibrahim-Mahama-Parliament-of-Ghosts-2023.jpg Ibrahim Mahama. Parliament of Ghosts, 18th International Architecture Exhibition of La Biennale di Venezia curated by Lesley Lokko 20 May – 26 November 2023. © the artist. Photo © MDM: Matteo de Mayda. Courtesy La Biennale di Venezia. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/witnesses-and-fun-copy.jpg Red Clay Studio. © Ibrahim Mahama. Photo courtesy of the SCCA and Red Clay, Tamale. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/Visitors-exploring-the-transported-trains-at-Red-Clay-Studios-Tamale.jpg Visitors exploring the transported trains at Red Clay Studio, Tamale. © Ibrahim Mahama. Photo courtesy of the SCCA and Red Clay, Tamale. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/Artistic-director-Scca-Tamale-Selom-Kudjie-Guiding-school-pupil-through-one-of-our-exhibitions-1.jpg The artistic director of SCCA Tamale Selom Kudjie guiding school children through one of the exhibitions at Red Clay Studio. © Ibrahim Mahama. Photo courtesy of the SCCA and Red Clay, Tamale. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/Ibrahim-Mahama-Revival-Materials-and-Monumental-Forms-ICA-Boston-Watershed-Boston-2022.jpg Ibrahim Mahama. Revival: Materials and Monumental Forms, ICA Boston Watershed, Boston, 16 May - 5 September 2022. © the artist. Photo © Charles Mayer Photography. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/Ibrahim-Mahama-TRANSFER(S)-Kunsthalle-Osnabruck-Germany-2023.jpg Ibrahim Mahama. TRANSFER(S), Kunsthalle Osnabrück, 8 July – 1 October 2023. © the artist. Photo © Friso Gentsch/Lucie Marsmann/Angela von Brill. https://www.studiointernational.com/images/articles/m/&096-mahama-ibrahim-2023/Redclay-Permanent-collection_4.jpg Ibrahim Mahama. Non-Orientable Nkansah, 2017. Mixed media. Dimensions variable. Red Clay public collection, Tamale, Ghana. © the artist. Photo © Redclay Tamale (Ernest Sarkitey). https://www.studiointernational.com/index.php/smithsonian-american-art-museum-reopens-review https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/SAAM_AVVinstallation1_RonBlunt.jpg Right: Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii, 1995. Installation view, American Voices and Visions: Modern and Contemporary Art, Smithsonian American Art Museum. Photo: Ron Blunt. https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/Walkingstick_Two-Women-II.jpg Kay WalkingStick, Two Women II, 1973. Acrylic on canvas, 42 3⁄8 × 44 1⁄8 in (107.6 × 112.1 cm). Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. © Kay Walkingstick, 2017. https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/SAAM-AVV_photo_by_Albert_Ting-(3).jpg Centre: Claire Falkenstein, Envelope, 1958. Steel wire assemblage, 48 x 60 x 36 in (122.0 x 152.4 x 91.4 cm). Installation view, American Voices and Visions: Modern and Contemporary Art, Smithsonian American Art Museum. Photo: Albert Ting. https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/SAAM_RBAP-10-.jpg Left: Morris Louis, Beta Upsilon, 1960. Right: Alma Thomas, Red Azaleas Singing and Dancing Rock and Roll Music, 1976. Installation view, American Voices and Visions: Modern and Contemporary Art, Smithsonian American Art Museum. https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/SAAM-AVV_photo_by_Albert_Ting-(13).jpg Martin Puryear, Vessel, 1997-2002. Installation view, American Voices and Visions: Modern and Contemporary Art, Smithsonian American Art Museum. Photo: Albert Ting. https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/SAAM-AVV_photo_by_Albert_Ting-(20).jpg Jeffrey Gibson. Watchtower, 2018 (centre). Installation view, American Voices and Visions: Modern and Contemporary Art, Smithsonian American Art Museum. Photo: Albert Ting. https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/SAAM-AVV_photo_by_Albert_Ting-(34).jpg Consuelo Jimenez Underwood, Run, Jane, Run!, 2004. Installation view, American Voices and Visions: Modern and Contemporary Art, Smithsonian American Art Museum. Photo: Albert Ting. https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/Lincoln,-Lonnie,-and-Me_2023-9A-G_4.jpg Carrie Mae Weems, Lincoln, Lonnie, and Me - A Story in 5 Parts, 2012. Video installation and mixed media, colour, sound, 18:29 minutes. Smithsonian American Art Museum, Museum purchase through the American Women’s History Initiative Acquisitions Pool, administered by the Smithsonian American Women’s History Initiative. © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/1000-SAAM_RBAP-02-.jpg Installation view, American Voices and Visions: Modern and Contemporary Art, Smithsonian American Art Museum. Photo: Ron Blunt. https://www.studiointernational.com/images/articles/s/&081-smithsonian-2023/Flack_Queen.jpg Audrey Flack, Queen, 1976. Acrylic on canvas, 80 × 80 in (203.2 × 203.2 cm), Smithsonian American Art Museum, Gift of Louis K. and Susan P. Meisel. https://www.studiointernational.com/index.php/uva-synchronicity-review-180-studios-london https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/Exterior180Studios-PhotoBF.jpg 180 Studios, London, exterior. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/UVA_Ensemble_180-Studios_2.jpg UVA. Ensemble. Installation view, UVA Synchronicity, 180 Studios, London. Commissioned by 180 Studios. Photo: Jack Hems. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/UVA_Our+Time_JH_05.jpg UVA. Our Time. Installation view, UVA Synchronicity, 180 Studios, London. Commissioned by 180 Studios. Photo: Jack Hems. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/Installation-view-of-UVA_Synchronicity-at-180-Polyphony,-UVA,-2023-Photo-by-Jack-Hems_6.jpg UVA, Polyphony. Installation view, UVA Synchronicity, 180 Studios, London. Commissioned by 180 Studios. Photo: Jack Hems. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/UVA_Edge-Of-Chaos_180-Studios_3.jpg UVA. Edge Of Chaos. Installation view, UVA Synchronicity, 180 Studios, London. Commissioned by 180 Studios. Photo: Jack Hems. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/Etymologies-Photo-BF.jpg UVA, Etymologies. Installation view, UVA Synchronicity, 180 Studios, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/Installation-view-of-UVA_Synchronicity-Chromatic,-UVA,-2023-Photo-by-Jack-Hems.jpg UVA, Chromatic, 2023. Installation view, UVA Synchronicity, 180 Studios, London. Commissioned by 180 Studios. Photo: Jack Hems. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/Frontentrance180Studios-Photo-BF.jpg 180 Studios, London, entrance. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/Installation-view-of-UVA_Synchronicity-Chromatic,-UVA,-2023-Photo-by-Jack-Hems_2.jpg UVA, Chromatic, 2023. Installation view, UVA Synchronicity, 180 Studios, London. Commissioned by 180 Studios. Photo: Jack Hems. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/Installation-view-of-UVA_Synchronicity-at-180-The-Strand.-Present-Shock-II,-UVA,-2023-Photo-by-Jack-Hems_2.jpg UVA, Present Shock II, 2023. Installation view, UVA Synchronicity, 180 Studios, London. Commissioned by 180 Studios. Photo: Jack Hems. https://www.studiointernational.com/images/articles/u/090-uva-synchronicity-2023/OurTimeUVAinstallationshot-photoBF.jpg UVA, Our Time. Installation view, UVA Synchronicity, 180 Studios, London. Photo: Bronac Ferran. https://www.studiointernational.com/index.php/mc-escher-review-palazzo-bonaparte-rome https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/01.jpg Maurits Cornelis Escher. Hand with Reflective Sphere, 1935. Lithograph, 31.8 x 21.3 cm. Collezione Rock J. Walker / Walker Fine Art, USA. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/08.jpg Maurits Cornelis Escher. Relativity, 1953. Lithograph, 27.7 x 29.2 cm. Collezione M.C. Escher Foundation, Paesi Bassi. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/06.jpg Maurits Cornelis Escher. Horsemen, 1946. Woodcut 23.9 x 44.9 cm. Collezione M.C. Escher Foundation, Paesi Bassi. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/10.jpg Maurits Cornelis Escher. Ascending and Descending, 1960. Lithograph, 35.5 x 28.5 cm. Collezione M.C. Escher Foundation, Paesi Bassi. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/07.jpg Maurits Cornelis Escher. Stars, 1948. Head woodcut, 32 x 26 cm. Collezione M.C. Escher Foundation, Paesi Bassi. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/03.jpg Maurits Cornelis Escher. Mummified priests in Gangi, Sicily, 1932. Lithograph, 20.4 x 27.4 cm. Collezione M.C. Escher Foundation, Paesi Bassi. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/1000.jpg Maurits Cornelis Escher. Metamorphosis II, 1939-40 (detail). Woodcut, 19.2 x 389.5 cm. Collezione M.C. Escher Foundation, Paesi Bassi. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/02.jpg Maurits Cornelis Escher. Self-Portrait, 1929. Lithograph, 26.4 x 20.3 cm. Collezione Maurits, Italia. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/04.jpg Maurits Cornelis Escher. Between St Peter's and the Sistine Chapel, 1936. Pastel and chalk, 31.7 x 23.8 cm.
All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved
. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/05.jpg Maurits Cornelis Escher. Metamorphosis II, 1939-40. Woodcut, 19.2 x 389.5 cm. Collezione M.C. Escher Foundation, Paesi Bassi. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/images/articles/e/063-escher-mc-2023/09.jpg Maurits Cornelis Escher. Bond of Union, 1956. Lithograph, 25.3 x 33.9 cm. Vincolo d’unione. Collezione M.C. Escher Foundation, Paesi Bassi. All M.C. Escher works © 2023 The M.C. Escher Company. All rights reserved. https://www.studiointernational.com/index.php/art-monsters-unruly-bodies-in-feminist-art-by-lauren-elkin-book-review https://www.studiointernational.com/images/articles/a/001-art-monsters-2023/Art-Monsters-cover.jpg Art Monsters: Unruly Bodies in Feminist Art by Lauren Elkin, published by Chatto & Windus. https://www.studiointernational.com/index.php/emilio-prini-review-arte-povera-macro-rome https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/05.jpg Photographic documentation of the intervention carried out for the exhibition Op losse schroeven: Situaties en Cryptostructuren, Amsterdam, 1969. Courtesy Archivio Emilio Prini. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/01.jpg Project of the poster created by the artist for the exhibition Pesi spurteazioni, Galleria La Bertesca, 1967-1968. Courtesy Archivio Emilio Prini. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/02.jpg Emilio Prini, Consumption Items, 1969. Courtesy Archivio Emilio Prini. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/08.jpg Emilio Prini, Untitled, 1970. Courtesy Archivio Emilio Prini. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/04..jpg Photograph of the artist dressed as a clown at the window of his studio, Genoa, 1968. Courtesy Archivio Emilio Prini. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/06.jpg Emilio Prini, Untitled, 1974. Courtesy Archivio Emilio Prini. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/09.jpg Emilio Prini: …E Prini, installation view, MACRO, Museo of Contemporary Art of Rome, 27 October 2023 – 31 March 2024. Photo: Melania Dalle Grave, DSL Studio. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/03.jpg Emilio Prini, Untitled, 1970. Courtesy Archivio Emilio Prini. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/07.jpg Invitation created by the artist for the exhibition Merce Tipo Standard, Galleria L’Attico, Rome, 1971. Courtesy Archivio Emilio Prini. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/10.jpg Emilio Prini: …E Prini, installation view, MACRO, Museo of Contemporary Art of Rome, 27 October 2023 – 31 March 2024. Photo: Melania Dalle Grave, DSL Studio. https://www.studiointernational.com/images/articles/p/018-prini-emilio-2023/11.jpg Emilio Prini: …E Prini, installation view, MACRO, Museo of Contemporary Art of Rome, 27 October 2023 – 31 March 2024. Photo: Melania Dalle Grave, DSL Studio. https://www.studiointernational.com/index.php/stephen-willats-time-tumbler-victoria-miro-london https://www.studiointernational.com/images/articles/w/035-willats-stephen-2023/SW382_Omni-Directional-Search-Engine-Drawing-No-9_2020_edge.jpg Stephen Willats. Omni Directional Search Engine Drawing No. 9, 2020. Watercolour, pencil, and ink on paper, 100 x 100 cm (39 3/8 x 39 3/8 in). © Stephen Willats. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/w/035-willats-stephen-2023/SW389_Re-mixing-the-Fragments_2020_edge.jpg Stephen Willats. Re-mixing the Fragments, 2020. Watercolour, ink, Letraset text on paper, 80 x 110 cm (31 1/2 x 43 1/4 in). © Stephen Willats. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/w/035-willats-stephen-2023/Stephen-Willats_Time-Tumbler-1000.jpg Stephen Willats: Time Tumbler, installation view, Victoria Miro, Gallery I, London, 22 November 2023 – 13 January 2024. © Stephen Willats. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/w/035-willats-stephen-2023/Portrait-of-Stephen-Willats.jpg Portrait of Stephen Willats, 2023. © Stephen Willats. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/w/035-willats-stephen-2023/SW383_Omni-Directional-Search-Engine-Drawing-No-10_2022_edge.jpg Stephen Willats. Omni Directional Search Engine Drawing No. 10, 2022. Watercolour and ink on paper, 90 x 99.8 cm (35 3/8 x 39 1/4 in). © Stephen Willats. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/w/035-willats-stephen-2023/Stephen-Willats_Time-Tumbler_10.jpg Stephen Willats: Time Tumbler, installation view, Victoria Miro, Gallery I, London, 22 November 2023 – 13 January 2024. © Stephen Willats. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/w/035-willats-stephen-2023/Stephen-Willats_Time-Tumbler_17.jpg Stephen Willats: Time Tumbler, installation view, Victoria Miro, Gallery I, London, 22 November 2023 – 13 January 2024. © Stephen Willats. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/w/035-willats-stephen-2023/Stephen-Willats_Time-Tumbler_3.jpg Stephen Willats: Time Tumbler, installation view, Victoria Miro, Gallery I, London, 22 November 2023 – 13 January 2024. © Stephen Willats. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/the-big-screen-film-posters-of-all-time-review-kulturforum-berlin https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/2-The-Big-Screen-1910-1930s-Schereck-2321.jpg The Big Screen: Film Posters of All Time, installation view, 1910-1930s, Kulturforum, Berlin, 3 November 2023 – 3 March 2024. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/3-The-Big-Screen-late-1920s-Schereck-2370.jpg The Big Screen: Film Posters of All Time, installation view, late 1920s, Kulturforum, Berlin, 3 November 2023 – 3 March 2024. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/Metropolis.jpg Boris Bilinsky, Metropolis, 1927. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/Solo_Sunny.jpg Gerda Dassing, Solo Sunny, 1979. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/Star_Trek.jpg Regine Schulz, Star Trek, 1985. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/Rotation.jpg Kurt Geffers, Rotation, 1949. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/Panzerkreuzer_Potemkin.jpg Hans Hillmann, Panzerkreuzer Potemkin, 1967. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/1-The-Big-Screen-early-years-Schereck-2320.jpg The Big Screen: Film Posters of All Time, installation view, early years gallery, Kulturforum, Berlin, 3 November 2023 – 3 March 2024. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/4-The-Big-Screen-Overview-Schereck-2327.jpg The Big Screen: Film Posters of All Time, installation view, Kulturforum, Berlin, 3 November 2023 – 3 March 2024. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/Der_Kampf_um_das_Erbe.jpg Julius Klinger, Der Kampf um das Erbe, 1913. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/Persepolis.jpg Isaraufwärts (Illustration by Marjane Satrapi), Persepolis, 2007. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/Solaris.jpg Andrzej Bertrandt, Solaris, 1972. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/Spur_der_Steine.jpg Erhard Grüttner, Spur der Steine, 1966. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/The_Lobster.jpg Vasilis Marmatakis, The Lobster, 2015, © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz. https://www.studiointernational.com/images/articles/t/056-the-big-screen-2023/The_Pilgrim.jpg Conny, Charles Chaplin in The Pilgrim, 1929. © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz https://www.studiointernational.com/index.php/monica-sjoo-the-great-cosmic-mother-review-modern-art-oxford https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/10-Monica-at-Women-for-Life-on-Earth-March.jpg Monica Sjöö depicted on a postcard from the Women for Life on Earth Peace March, 1982. © The Estate of Monica Sjöö. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/03-House-wives.jpg Monica Sjöö, House-Wives, 1975. Courtesy Monica Sjöö Estate and Alison Jacques, London. © Monica Sjöö Estate. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/08-Aspects-of-the-Great-Mother.jpg Monica Sjöö, Aspects of the Great Mother, 1971. Courtesy Monica Sjöö Estate and Alison Jacques, London. © Monica Sjöö Estate. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/06-The-Goddess-at-Avebury.jpg Monica Sjöö, The Goddess at Avebury & Silbury, 1978. Courtesy Monica Sjöö Estate and Alison Jacques, London. © Monica Sjöö Estate. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/07-Rebirth-from-the-Motherpot.jpg Monica Sjöö, Rebirth from the Motherpot, 1987. Courtesy Monica Sjöö Estate and Alison Jacques, London. © Monica Sjöö Estate. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/04-Good-Giving-Birth.jpg Monica Sjöö, God Giving Birth, 1968. Courtesy Museum Anna Nordlander. © Monica Sjöö Estate. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/02-The-Goddess-Returns-to-Protect-the-Earth.jpg Monica Sjöö, The Goddess Returns to Protect the Earth, c1998/1999. Courtesy Monica Sjöö Estate and Alison Jacques, London. © Monica Sjöö Estate. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/01-Meeting-the-Ancestors.jpg Monica Sjöö, Meeting the Ancestors at Avebury, 1993. Courtesy Monica Sjöö Estate and Alison Jacques, London. © Monica Sjöö Estate. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/05-Skapelsen-Sheela-na-gig.jpg Monica Sjöö, Creation, 1978. Courtesy Monica Sjöö Estate and Alison Jacques, London. © Monica Sjöö Estate. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/09-Monica-and-Spirit-of-the-Stone.jpg Monica Sjöö with The Spirit of the Stone in the garden of Durdham Park, 1979. © The Estate of Monica Sjöö. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/The-Great-Cosmic-Mother-(19).jpg Monica Sjöö: The Great Cosmic Mother, installation view, Modern Art Oxford, 18 November 2023 – 25 February 2024. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/The-Great-Cosmic-Mother-(25).jpg Monica Sjöö: The Great Cosmic Mother, installation view, Modern Art Oxford, 18 November 2023 – 25 February 2024. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/The-Great-Cosmic-Mother-(35).jpg Monica Sjöö: The Great Cosmic Mother, installation view, Modern Art Oxford, 18 November 2023 – 25 February 2024. https://www.studiointernational.com/images/articles/s/&080-sjoo-monica-2023/The-Great-Cosmic-Mother-(39).jpg Monica Sjöö: The Great Cosmic Mother, installation view, Modern Art Oxford, 18 November 2023 – 25 February 2024. https://www.studiointernational.com/index.php/gego-measuring-infinity-review-guggenheim-bilbao https://www.studiointernational.com/images/articles/g/028-gego-2023/Installation-view-through-a-Gego-Reticularea-Pic-V-Simpson.jpg Gego: Measuring Infinity, installation view, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/028-gego-2023/Gego-Araya-Beach-1955-Gouache-on-Cardboard-Pic-V-Simpson.jpg Gego (Gertrud Goldschmidt). Araya Beach, 1955. Gouache on cardboard. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/028-gego-2023/Drawing-without-Paper-1985.jpg Gego (Gertrud Goldschmidt). Drawing Without Paper, 1985. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/028-gego-2023/Drawing-without-Paper-86-1-1986-Pic-V-Simpson.jpg Gego (Gertrud Goldschmidt). Drawing without Paper 86/1, 1986. Installation view, Gego: Measuring Infinity, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/028-gego-2023/047-Galeria-Gego.jpg Gego: Measuring Infinity, installation view, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. https://www.studiointernational.com/images/articles/g/028-gego-2023/Photos-of-Gego-installing-her-Reticularia.jpg Photographs of Gego installing her Reticuláreas. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/028-gego-2023/Installation-view-from-Parallel-Lines-area-pic-V-Simpson.jpg Parallel Lines, installation view, Gego: Measuring Infinity, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/028-gego-2023/Installation-view-3-from-Parallel-Lines-section-V-Simpson.jpg Gego: Measuring Infinity, installation view, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/028-gego-2023/Untitled-CA-1987-Synthetic-fiber-and-wood-Pic-V-Simpson.jpg Gego (Gertrud Goldschmidt). Untitled, c1987. Synthetic fibre and wood, 200 × 201 × 4 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/028-gego-2023/016-Galeria-Gego.jpg Gego: Measuring Infinity, installation view, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. https://www.studiointernational.com/images/articles/g/028-gego-2023/018-Galeria-Gego.jpg Gego: Measuring Infinity, installation view, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. https://www.studiointernational.com/images/articles/g/028-gego-2023/024-Galeria-Gego.jpg Gego: Measuring Infinity, installation view, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. https://www.studiointernational.com/images/articles/g/028-gego-2023/030-Galeria-Gego.jpg Gego: Measuring Infinity, installation view, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. https://www.studiointernational.com/images/articles/g/028-gego-2023/035-Galeria-Gego.jpg Gego: Measuring Infinity, installation view, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. https://www.studiointernational.com/images/articles/g/028-gego-2023/Untitled-(Tamarind-185322)-1966-Lithograph-on-paper-Pic-V-Simpson.jpg Gego (Gertrud Goldschmidt). Untitled (Tamarind 185322), 1966. Lithograph on paper. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/028-gego-2023/Untitled-CA-1956-Cardboard,-fabric,-plaster,-cork,-cellophane-and-felt-tip-pen-Pic-V-Simpson.jpg Gego (Gertrud Goldschmidt). Untitled, c1956. Cardboard, fabric, plaster, cork, cellophane and felt-tip pen. Installation view, Gego: Measuring Infinity, Guggenheim Bilbao, 7 November 2023 – 4 February 2024. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/weaving-at-black-mountain-college-anni-albers-trude-guermonprez-and-their-students-book-review https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/06_Helen-M-Post-Modley-portrait-of-Anni-Albers-at-BMC.jpg Anni Albers weaving at Black Mountain College, 1937. Photograph by Helen M. Post Modley, Western Regional Archives, State Archives of North Carolina. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/02_BMC-students-weaving-with-backstrap-looms-at-BMC.jpg Students weaving on backstrap looms at Black Mountain College, 1945. Photograph by John Harvey Campbell, Western Regional Archives, State Archives of North Carolina. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/04_Danny-Deaver-weaving-at-BMC_photo-by-Will-Hamlin.jpg John https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/10_Book-covered-with-cloth-woven-at-BMC-by-student-Janet-Heling.jpg Janet Heling Roberts, Bookbinding: Johannes Brahms: Fifty Selected Songs, c1945. Paper, thread, and handwoven bookcloth, 12 x 10 x 1 1/8 in. Collection Black Mountain College Museum + Arts Center. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/08_Joan-Potter-Sihvonen-Loveless-Bay-Area.jpg Joan Potter Loveless, Bay Area, c1960-70. Wool, 56 x 37 in. Collection Black Mountain College Museum + Arts Center. Photograph by Alice Sebrell. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/07_BMC-Student-Elizabeth-Jennerjahn-1949-Cross-Tapestry.jpg Elizabeth Schmitt Jennerjahn, Cross, 1949. Wool, 12 1/2 x 10 in. Collection Black Mountain College Museum + Arts Center. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/Weaving-at-BMC-cover-750.jpg Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students, by Michael Beggs and Julie J Thompson, published by Yale University Press. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/01_Wallhanging-by-BMC-student-Don-Page.jpg Don Page. Untitled wallhanging, c1939-41. Cotton, 62 x 37 in. Don Page Collection, Western Regional Archives, State Archives of North Carolina. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/03_BMC-student-Alex-Reed-Weaving-at-BMC.jpg Alex Reed's hands and loom, n.d. Photograph by Claude Stoller, Western Regional Archives, State Archives of North Carolina. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/05_Mimi-French-weaving-at-BMC_photo-by-Will-Hamlin.jpg Miriam ‘Mimi’ French weaving, c1941–43. Photograph by Will Hamlin, Collection Black Mountain College Museum + Arts Center. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/09_Weaving-made-by-student-Fred-Goldsmith-at-BMC_photo-by-Alice-Sebrell.jpg Fred Goldsmith, Throw, 1944. Cotton, 54 x 25 in. Collection Black Mountain College Museum + Arts Center, gift of Fred Goldsmith. Photograph by Alice Sebrell. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/11_Fabric-woven-by-Student-Mimi-French-at-BMC_photo-by-Fritz-Horstman.jpg Mimi French, Fabric woven at Black Mountain College, c1940-44. Cotton and unidentified fibers, 18 x 30 in. Private Collection. Photograph by Fritz Horstman. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/12_Hazel_Larsen_Archer,-BMC-Student-Donald-Droll-with-a-textile-from-the-Harriett-Engelhardt-collection.jpg Donald Droll with a textile from the Harriett Engelhardt Collection, c1948-49. Photograph by Hazel Larsen Archer. © Estate of Hazel Larsen Archer. https://www.studiointernational.com/images/articles/w/034-weaving-at-bmc-2023/13_Door-to-the-Weaving-Workshop-at-BMC-painted-by-Faith-Murray-Britton-.jpg Faith Murray Britton, Door to the weaving room from the Lake Eden campus, c1941-1942. Oil on wood, 81 x 38 x 1 1/3 in. Collection Black Mountain College Museum + Arts Center. Photograph by Alice Sebrell. https://www.studiointernational.com/index.php/bruce-munro-interview-field-of-light-uluru-australia https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Figure-29-025-Page-11-Uluru,-Field-of-Light-2016-Copyright-2022-Bruce-Munro-All-rights-reserved-Photo-Serena-Munro-01.jpg Bruce Munro. Field of Light, Uluru, Australia, 2016. Mild steel, acrylic stems, glass spheres, fibre optics, light source, 49,000 sq m. Photo: Serena Munro. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Figure-31-027-Page-12-Uluru,-Field-of-Light-2016-installation-Copyright-2022-Bruce-Munro-All-rights-reserved-Photo-Mark-Picktall-02.jpg Bruce Munro. Field of Light, Uluru, Australia, 2016. Mild steel, acrylic stems, glass spheres, fibre optics, light source, 49,000 sq metres. Photo: Serena Munro. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Figure-24-Long-Knoll-2004-Copyright-2022-Bruce-Munro-All-rights-reserved-02.jpg Bruce Munro. Field of Light, Long Knoll, 2004. Copyright © 2022 Bruce Munro. All rights reserved. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Figure-12-Bruce-Munro-Painting-of-Uluru-1992-Bruce-Munro-Private-Collection..jpg Bruce Munro. Uluru 1992. Pastel on paper, 42 x 59.4 cm. Bruce Munro Private Collection. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Figure-95-Figure-73-SOS-Longwood-Gardens-2022-Copyright-2022-Bruce-Munro-All-rights-reserved-Courtesy-Longwood-GardensCarol-Gross.jpg Bruce Munro, SOS Longwood Gardens, 2022. Gabion baskets, heavy duty sacks, speakers, sound track, 108 x 48 metres. Copyright © 2022 Bruce Munro. All rights reserved. Courtesy Longwood Gardens Carol Gross. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Water-Towers,-Salisbury-Cathedral-2010-Copyright-2023-Bruce-Munro-All-rights-reserved-Photo-Ash-Mills-02.jpg Bruce Munro. Water Towers, Salisbury Cathedral, 2010. Copyright © 2023 Bruce Munro. All rights reserved. Photo: Ash Mills. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/08-Bruce-Munro,-Star-of-Bethlehem,-2014,-Courtesy-of-the-Artist-Installation-view-Salisbury-Cathedral,-photo-Ash-Mills.jpg Bruce Munro. Star of Bethlehem, 2014. Courtesy of the Artist. Installation view Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/09-Bruce-Munro,-Star-of-Bethlehem,-2014-Courtesy-of-the-Artist-Installation-view-Salisbury-Cathedral,-photo-Ash-Mills.jpg Bruce Munro. Star of Bethlehem, 2014. Courtesy of the Artist. Installation view Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Figure-53-041-P8-Field-of-Light-Sensorio-2019-Copyright-2022-Bruce-Munro-All-rights-reserved-Photo-Serena-Munro-01.jpg Bruce Munro, Field of Light, Sensorio, Paso Robles, California, USA, 2019. Mild steel, acrylic stems, glass spheres, fibre optics, light source, 26,500 sq metres. Photo: Serena Munro. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Figure-76-Art-School-Self-Portrait-1980-Bruce-Munro-Private-Collection.jpg Bruce Munro, Art School, Self Portrait, 1980. Charcoal on paper. Bruce Munro Private Collection. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/07-Bruce-Munro,-Star-of-Bethlehem,-2014-Courtesy-of-the-Artist-Installation-view-Salisbury-Cathedral,-photo-Ash-Mills.jpg Bruce Munro. Star of Bethlehem, 2014. Courtesy of the Artist. Installation view Salisbury Cathedral. Photo: Ash Mills. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Water-Towers,-Salisbury-Cathedral-2010-Copyright-2023-Bruce-Munro-All-rights-reserved-Photo-Ash-Mills-01.jpg Bruce Munro. Water Towers, Salisbury Cathedral, 2010. Copyright © 2023 Bruce Munro. All rights reserved. Photo: Ash Mills. https://www.studiointernational.com/images/articles/m/&095-munro-bruce-2023/Light-Field-9781848226456.jpg Light Field: The Art of Bruce Munro by Fiona Gruber, published by Lund Humphries, 2023. https://www.studiointernational.com/index.php/jake-grewal-interview-work-from-experience-and-emotional-response-pallant-house-gallery-chichester https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/Jake-Grewal-No-One-Said-How-It-Hurts.jpg Jake Grewal, No One Said How It Hurts, 2023. Charcoal on paper, 140 x 201.3 cm (55 x 79 1/4 in). © Jake Grewal. Courtesy the artist and Thomas Dane Gallery. Photo: Todd-White Art Photography https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/jake-grewal-Knitted-Flesh-As-We-Grasped-We-Lost-2023.jpg Jake Grewal, Knitted Flesh // As We Grasped We Lost, 2023. Oil on canvas 201 x 180 cm (79 1/4 x 70 3/4 in). © Jake Grewal. Courtesy the artist and Thomas Dane Gallery. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/jake-grewal-Eaten-Fled-Tears-2021.jpg Jake Grewal, Eaten // Fled Tears, 2021. Oil on canvas, 20.1 x 15 cm (8 x 6 in). Private Collection, London. © Jake Grewal. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/Jake_Grewal_001.jpg Jake Grewal: Some days I feel more alive, installation view, Pallant House Gallery, 28 October 2023 - 21 April 2024. © Courtesy Pallant House Gallery, Photo: Barney Hindle. https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/Jake_Grewal_047.jpg Jake Grewal: Selects, installation view, 2023 © Courtesy Pallant House Gallery, Photo: Barney Hindle. https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/jake-grewal-Too-Much-To-Say-2023.jpg Jake Grewal, Too Much To Say, 2023. Charcoal on paper, 50 x 56 cm (19 3/4 x 22 in). © Jake Grewal. Courtesy the artist and Thomas Dane Gallery. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/Jake_Grewal_029.jpg Jake Grewal: Some days I feel more alive, installation view, Pallant House Gallery, 28 October 2023 - 21 April 2024. © Courtesy Pallant House Gallery, Photo: Barney Hindle. https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/Jake_Grewal_024.jpg Jake Grewal: Some days I feel more alive, installation view, Pallant House Gallery, 28 October 2023 - 21 April 2024. © Courtesy Pallant House Gallery, Photo: Barney Hindle. https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/Jake_Grewal_065.jpg Jake Grewal: Selects, installation view, 2023 © Courtesy Pallant House Gallery, Photo: Barney Hindle. https://www.studiointernational.com/images/articles/g/027-grewal-jake-2023/Jake_Grewal_069.jpg Jake Grewal: Selects, installation view, 2023 © Courtesy Pallant House Gallery, Photo: Barney Hindle. https://www.studiointernational.com/index.php/pesellino-a-renaissance-master-revealed https://www.studiointernational.com/images/articles/p/017-pesollino-2023/virgin-x12070-A5.jpg Francesco Pesellino. Madonna and Child, c1450. Tempera and gold on wood, 78.5 x 59 cm. Lyon, Musée des Beaux Arts. © Lyon MBA - Photo Alain Basset. https://www.studiointernational.com/images/articles/p/017-pesollino-2023/david-NG6580-detail.jpg Francesco Pesellino. The Triumph of David, c1445-55. Tempera on wood, 43.3 × 177 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/p/017-pesollino-2023/N-0727-00-000068-A5.jpg Francesco Pesellino, Fra Filippo Lippo and Workshop. The Pistoia Santa Trinità Altarpiece, 1455-60. Egg tempera, tempera grassa and oil on wood. © The National Gallery, London. Royal Collection Trust / © His Majesty King Charles III 2022. https://www.studiointernational.com/images/articles/p/017-pesollino-2023/annunciation-x10503-A5.jpg Francesco Pesellino. Diptych - Annunciation, c1450-55. Tempera on panel, 20.3 x 14.4 cm (each panel). On loan from The Courtauld, London (Samuel Courtauld Trust). Photo © The Courtauld / Bridgeman Images https://www.studiointernational.com/images/articles/p/017-pesollino-2023/a-miracle-x12131-wpu.jpg Francesco Pesellino. A Miracle of Saint Silvester. Tempera on panel, 31 x 78 cm. Worcester Art Museum, Worcester, MA. © Worcester Art Museum / Bridgeman Images. https://www.studiointernational.com/images/articles/p/017-pesollino-2023/angel-left-N-3230-00-000005-A5.jpg Francesco Pesellino, Fra Filippo Lippo and Workshop. Angel (Left Hand), 1455-60. Egg tempera, tempera grassa and oil on wood, 43.5 × 61.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/p/017-pesollino-2023/procession-NG6580-detail.jpg Francesco Pesellino. The Triumph of David, c1445-55. Tempera on wood, 43.3 × 177 cm. Bought with the assistance of the Art Fund and a number of gifts in wills, 2000. © The National Gallery, London. https://www.studiointernational.com/index.php/kim-lim-space-rhythm-and-light-review-the-hepworth-wakefield https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Candy,-1965.jpg Kim Lim, Candy, 1965. © Estate of Kim Lim. All Rights Reserved, DACS 2023. Arts Council Collection, Southbank Centre, London. Photograph courtesy Arts Council Collection, Southbank Centre, London. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Chess-Piece-1,-1960.jpg Kim Lim, Chess Piece 1, 1960. © Estate of Kim Lim. All Rights Reserved, DACS 2023. Photo: Mark Dalton. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Pegasus,-1962.jpg Kim Lim, Pegasus, 1962. © Estate of Kim Lim. All Rights Reserved, DACS 2023. Photo: Mark Dalton. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Kim-Lim-working-on-Twice-(1966).jpg Kim Lim working on Twice, 1966. © Estate of Kim Lim. All Rights Reserved, DACS. Photo: Jorge Lewinski. © The Lewinski Archive at Chatsworth. All Rights Reserved 2023 / Bridgeman Images. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/DayNickSingleton.jpg Kim Lim, Day, 1966. © Estate of Kim Lim. All Rights Reserved, DACS 2023. The Hepworth Wakefield (Wakefield Council Permanent Art Collection). Photo: Nick Singleton. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Intervals-(Blue),-1972.jpg Kim Lim, Intervals (Blue), 1972. © Estate of Kim Lim. All Rights Reserved, DACS 2023. Photo: Mark Dalton. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Kudah-high-res.jpg Kim Lim, Kudah, 1989. © Estate of Kim Lim. All Rights Reserved, DACS 2023. Photograph courtesy The Estate of Kim Lim. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Kim-Lim-in-studio-with-Chess-Piece.jpg Kim Lim, with Chess Piece I, c1960. © Estate of Kim Lim. All Rights Reserved, DACS 2023. Photograph courtesy The Estate of Kim Lim. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Kim-Lim-installation-image-05.jpg Kim Lim: Space, Rhythm & Light, installation view, The Hepworth Wakefield, 25 November 2023 – 2 June 2024. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Kim-Lim-installation-image-14.jpg Kim Lim: Space, Rhythm & Light, installation view, The Hepworth Wakefield, 25 November 2023 – 2 June 2024. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Kim-Lim-installation-image-15.jpg Kim Lim: Space, Rhythm & Light, installation view, The Hepworth Wakefield, 25 November 2023 – 2 June 2024. https://www.studiointernational.com/images/articles/l/037-lim-kim-2023/Kim-Lim-installation-image-40.jpg Kim Lim: Space, Rhythm & Light, installation view, The Hepworth Wakefield, 25 November 2023 – 2 June 2024. https://www.studiointernational.com/index.php/shezad-dawood-leviathan-review-salisbury-cathedral https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster_9.jpg Shezad Dawood: Leviathan, installation view, Salisbury Cathedral, 28 November 2023 – 3 February 2024. Photo: Finnbarr Webster. https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster_36.jpg Shezad Dawood: Leviathan, installation view, Salisbury Cathedral, 28 November 2023 – 3 February 2024. Photo: Finnbarr Webster. https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster_9B.jpg Shezad Dawood: Leviathan, installation view, Salisbury Cathedral, 28 November 2023 – 3 February 2024. Photo: Finnbarr Webster. https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster_14.jpg Shezad Dawood, Where do we go now? Installation view, Salisbury Cathedral, 28 November 2023 – 3 February 2024. Photo: Finnbarr Webster. https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster_17.jpg Shezad Dawood, Where do we go now? Installation view, Salisbury Cathedral, 28 November 2023 – 3 February 2024. Photo: Finnbarr Webster. https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster_6.jpg Shezad Dawood: Leviathan, installation view, Salisbury Cathedral, 28 November 2023 – 3 February 2024. Photo: Finnbarr Webster. https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster.jpg Shezad Dawood: Leviathan, installation view, Salisbury Cathedral, 28 November 2023 – 3 February 2024. Photo: Finnbarr Webster. https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster_29.jpg Shezad Dawood: Leviathan, installation view, Salisbury Cathedral, 28 November 2023 – 3 February 2024. Photo: Finnbarr Webster. https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster_7.jpg Shezad Dawood: Leviathan, installation view, Salisbury Cathedral, 28 November 2023 – 3 February 2024. Photo: Finnbarr Webster. https://www.studiointernational.com/images/articles/d/044-dawood-shezad-2023/Shezad-Dawood-with-his-work-at-Salisbury-Cathedral,-photo-credit-Finnbarr-Webster_10.jpg Shezad Dawood with his installation Leviathan at Salisbury Cathedral. Photo: Finnbarr Webster. https://www.studiointernational.com/index.php/stepping-softly-on-the-earth-review-baltic-gateshead https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Conceived-by-Brazilian-exhibition-designer-Juliana-Godoy-as-an-immersive-space-for-contemplation.jpg Conceived by Brazilian exhibition designer Juliana Godoy as an immersive space for contemplation. Exhibition view, Stepping Softly on the Earth, Baltic Centre for Contemporary Art, Gateshead. Photo: John McKenzie. @Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Darmendra-Prasads-Memories-of-a-Tree-(2023)Pic-V-Simpson.jpg Dharmendra Prasad, Memories of a Tree, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Aline-Bayanas-Earthseed-or-Archipelago-01-2022.jpg Aline Bayana, Earthseed or Archipelago #1, 2022. Exhibition view, Stepping Softly on the Earth, Baltic Centre for Contemporary Art, Gateshead. Photo: John McKenzie. @Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Roy-Underwood-spot-painting-Ilkurlka-(2005)-Pic-V-Simpson.jpg Roy Underwood, Ilkurlka, 2005. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Sian-Dayrit-tactile-embroideries-frame-Leonel-Vasquez-water-sculpture.jpg Cian Dayrit https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Leonel-Vasquez-water-temple-Installation-view.jpg Leonel Vásquez, water temple, exhibition view, Stepping Softly on the Earth, Baltic Centre for Contemporary Art, Gateshead. Photo: John McKenzie. @Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/film-by-the-Moroccan-collective-Tizintizwa-A-(Rough)-Seasonal-Work-Song-(2023).jpg Film by Moroccan collective Tizintizwa (comprising Nadir Bouhmouch and Soumeya Ait Ahmed), A (Rough) Seasonal Work Song, 2023, exhibition view, Stepping Softly on the Earth, Baltic Centre for Contemporary Art, Gateshead. Photo: John McKenzie. @Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Ursula-Biemann-film-Vocal-Cognitive-Territory-Installation-view.jpg Ursula Biemann’s film Vocal Cognitive Territory, 2022. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Shatabdi-Chakrabarti,-called-Traditions-on-Skin-depicting-Baiga-women-of-Madhya-Pradesh.jpg Shatabdi Chakrabarti, Traditions on Skin depicting Baiga women of Madhya Pradesh, exhibition view, Stepping Softly on the Earth, Baltic Centre for Contemporary Art, Gateshead. Photo: John McKenzie. @Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Portrait-from-Shatabdi-Chakrabarti-Baiga-Tattoo-series-Pic-V-Simpson.jpg Portrait from Shatabdi Chakrabarti https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Gidree-Bawlee-Foundation-and-artist-Kamruzzaman-Shadhin.jpg Foreground: Seven figures made by the Gidree Bawlee Foundation and artist Kamruzzaman Shadhin; Background: Shereoanawe Hakihiiwe https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Denilson-Baniwa-2.jpg Mural by Denilson Baniwa, exhibition view, Stepping Softly on the Earth, Baltic Centre for Contemporary Art, Gateshead. Photo: John McKenzie. @Baltic Centre for Contemporary Art. https://www.studiointernational.com/images/articles/s/&078-stepping-softly-2023/Denilson-Baniwa.jpg Mural by Denilson Baniwa, exhibition view, Stepping Softly on the Earth, Baltic Centre for Contemporary Art, Gateshead. Photo: John McKenzie. @Baltic Centre for Contemporary Art. https://www.studiointernational.com/index.php/jaeeun-choi-la-vita-nuova-review-ginza-maison-hermes-japan https://www.studiointernational.com/images/articles/l/036-La-Vita-Nouva-2023/02-Reply-from-the-Earth.jpg Jaeeun Choi, World Underground Project - Reply from the Earth (Kyngu ju/ Fukui), 1986-91. Installation view, La Vita Nouva, Ginza Maison Hermès, Japan, 13 October 2023 – 24 January 2024. https://www.studiointernational.com/images/articles/l/036-La-Vita-Nouva-2023/03-Installation-of-Dreaming-of-Earth-Project.jpg Jaeeun Choi, Dreaming of Earth Project, 2015-ongoing, installation view, La Vita Nouva, Ginza Maison Hermès, Japan, 13 October 2023 – 24 January 2024. https://www.studiointernational.com/images/articles/l/036-La-Vita-Nouva-2023/06-Seed-BombMG_3652.jpg Jaeeun Choi, Manual for Seed Bomb, 2020- ongoing, installation view, La Vita Nouva, Ginza Maison Hermès, Japan, 13 October 2023 – 24 January 2024. https://www.studiointernational.com/images/articles/l/036-La-Vita-Nouva-2023/08-Installation-view-of-A-Poets-Atelier-when-we-first-met.jpg Jaeeun Choi, A Poet’s Atelier - To Call by Name, 2023, installation view, La Vita Nouva, Ginza Maison Hermès, Japan, 13 October 2023 – 24 January 2024. Photo: © Nacása & Partners Inc. / Courtesy of Fondation d’enterprise Hermès. https://www.studiointernational.com/images/articles/l/036-La-Vita-Nouva-2023/09-Installation-view-of-White-Death.jpg Jaeeun Choi, White Death, 2023. Installation view, La Vita Nouva, Ginza Maison Hermès, Japan, 13 October 2023 – 24 January 2024. https://www.studiointernational.com/images/articles/l/036-La-Vita-Nouva-2023/01-Jaeeun-Choi-portrait.jpg Jaeun Choi portrait. Photo: © Nacása & Partners Inc. / Courtesy of Fondation d’enterprise Hermès. https://www.studiointernational.com/images/articles/l/036-La-Vita-Nouva-2023/04-Installation-of-Nature-Rules.jpg Jaeeun Choi, Nature Rules, 2020-ongoing, installation view, La Vita Nouva, Ginza Maison Hermès, Japan, 13 October 2023 – 24 January 2024. https://www.studiointernational.com/images/articles/l/036-La-Vita-Nouva-2023/05-Installation-view-of-Nature-Rules.jpg Jaeeun Choi, Nature Rules, 2020-ongoing, installation view, La Vita Nouva, Ginza Maison Hermès, Japan, 13 October 2023 – 24 January 2024. Photo: © Nacása & Partners Inc. / Courtesy of Fondation d’enterprise Hermès. https://www.studiointernational.com/images/articles/l/036-La-Vita-Nouva-2023/07-Installation-view-of-A-Poets-Atelier-to-call-by-name.jpg Jaeeun Choi, A Poet’s Atelier - To Call by Name, 2023, installation view, La Vita Nouva, Ginza Maison Hermès, Japan, 13 October 2023 – 24 January 2024. Photo: © Nacása & Partners Inc. / Courtesy of Fondation d’enterprise Hermès. https://www.studiointernational.com/index.php/don-van-vliet-standing-on-one-hand-review-michael-werner-gallery-captain-beefheart https://www.studiointernational.com/images/articles/v/069-vliet-don-van-2024/01.jpg Don Van Vliet, Ibex, 1986. Oil on canvas, 214 x 153 cm (84 1/4 x 60 1/4 in). © The Estate of the Artist. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/v/069-vliet-don-van-2024/03.jpg Don Van Vliet, Feather Times a Feather, 1987. Oil on linen. 162 x 130 cm (63 3/4 x 51 1/4 in). © The Estate of the Artist. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/v/069-vliet-don-van-2024/04.jpg Don Van Vliet, Crow Dance a Panther, 1988. Oil on canvas, 72 x 62.5 cm (28 1/4 x 24 1/2 in). © The Estate of the Artist. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/v/069-vliet-don-van-2024/02.jpg Don Van Vliet, A Bride for Wallah, 1986. Oil on canvas, 213 x 122 cm (83 3/4 x 48 in). © The Estate of the Artist. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/v/069-vliet-don-van-2024/2023-VLI-MWL-INSTALL-22.jpg Don Van Vliet: Standing on One Hand, installation view, Michael Werner Gallery, London, 23 November 2023 - 17 February 2024. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/v/069-vliet-don-van-2024/2023-VLI-MWL-INSTALL-15.jpg Don Van Vliet: Standing on One Hand, installation view, Michael Werner Gallery, London, 23 November 2023 - 17 February 2024. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/v/069-vliet-don-van-2024/2023-VLI-MWL-INSTALL-28.jpg Don Van Vliet: Standing on One Hand, installation view, Michael Werner Gallery, London, 23 November 2023 - 17 February 2024. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/v/069-vliet-don-van-2024/2023-VLI-MWL-INSTALL-4.jpg Don Van Vliet: Standing on One Hand, installation view, Michael Werner Gallery, London, 23 November 2023 - 17 February 2024. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/index.php/self-determination-a-global-perspective-review-irish-museum-of-modern-art-dublin https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/01.jpg Jēkabs Kazaks, I laid my head on the boundary line, 1918. Tempera on board, 25 x 45.5 cm. Collection of the Latvian National Museum of Art. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/04.jpg Onufriy Biziukov, Sawmills, 1930-31. Oil on canvas, 92 x 125 cm. NAMU National Art Museum of Ukraine. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/03.jpg Dmytro Vlasiuk, Dniproges Dam, 1932. Oil on canvas, 118 x 150 cm. NAMU National Art Museum of Ukraine. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/05.jpg Seán Keating, Men of the South, 1921-22. Collection Crawford Art Gallery, Cork. © The artist https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/06.jpg Jerzy Hulewicz, Charge, 1932. Oil on canvas. 132 x 197 cm. National Museum in Warsaw, Poland. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/02.jpg Helene Schjerfbeck, The Gipsy Woman; The Romani Woman, 1919. Oil on canvas, 66 x 55.5 cm. Finnish National Gallery Ateneum Art Museum. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/07.jpg Tone Kralj, Among the Ruins, 1922. Oil on jute, 115.5 x 115.5 cm. Galerija Božidar Jakac Slovenia. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/08.jpg Vilko Gecan, In the Barroom, 1922. Oil on canvas, 108.5 x 108.5 cm. Museum of Contemporary Art Belgrade, Serbia. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/09.jpg Exhibition view, Self-Determination: A Global Perspective, IMMA, 2023. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/10.jpg Exhibition view, Self-Determination: A Global Perspective, IMMA, 2023. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/11.jpg Exhibition view, Self-Determination: A Global Perspective, IMMA, 2023. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/12.jpg Exhibition view, Self-Determination: A Global Perspective, IMMA, 2023. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/13.jpg Exhibition view, Self-Determination: A Global Perspective, IMMA, 2023. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/s/&079-self-determination-2023/14.jpg Exhibition view, Self-Determination: A Global Perspective, IMMA, 2023. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/index.php/james-lingwood-michael-morris-former-artangel-directors-rachel-whiteread-roger-hiorns-michael-landy https://www.studiointernational.com/images/articles/a/&100-artangel-2024/Roger-Hiorns,-SEIZURE-Photo-by-Marcus-Leith.jpg Roger Hiorns, Seizure, 2008. Commissioned and produced by Artangel. Photo: Marcus J Leith. https://www.studiointernational.com/images/articles/a/&100-artangel-2024/Sarah-Sze-The-Waiting-Room-2.jpg Sarah Sze, Metronome, 2023. Commissioned and produced by Artangel. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/a/&100-artangel-2024/Brian-Cox-in-Fiona-Banners-Heart-of-Darkness,-2012-Copyright-2012-The-Estate-of-Orson-Welles.jpg Brian Cox in Fiona Banner https://www.studiointernational.com/images/articles/a/&100-artangel-2024/VATNASAFNLIBRARY-OF-WATER-S-Altenburger-036.jpg Roni Horn, VATNASAFN/LIBRARY OF WATER, 2007. Commissioned and produced by Artangel. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/a/&100-artangel-2024/Rachel-Whiteread-House-photo-credit-Stephen-White-(1).jpg Rachel Whiteread, House, 1993. Commissioned and produced by Artangel. Photo: Stephen White. https://www.studiointernational.com/images/articles/a/&100-artangel-2024/Occupation-of-Loss.jpg Taryn Simon, An Occupation of Loss, London, 2018. Commissioned and produced by Artangel. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/a/&100-artangel-2024/Break-Down-by-Michael-Landy,-2001-An-Artangel-commission-Photo-by-Hugo-Glendinning.jpg Michael Landy, Break Down, 2001. Commissioned and produced by Artangel. Photo: Hugo Glendinning. https://www.studiointernational.com/images/articles/a/&100-artangel-2024/inside-prison-art.jpg Artists and Writers in Reading Prison, 2016. Commissioned and produced by Artangel. Photo: Will Eckersley. https://www.studiointernational.com/images/articles/a/&100-artangel-2024/Longplayer,-1,-2000-(1).jpg Jem Finer, Longplayer, 2000. Commissioned and produced by Artangel. Photo: Marcia Farquhar. https://www.studiointernational.com/images/articles/a/&100-artangel-2024/The-Directors-still-from-film.jpg Marcus Coates, The Directors, 2022. Commissioned and produced by Artangel. Still from The Directors: Mark. https://www.studiointernational.com/images/articles/a/&100-artangel-2024/Ryan-Gander,-Locked-Room-Scenario-2011-PhotoJulian-Abrams..jpg Ryan Gander, Locked Room Scenario, 2011. Commissioned and produced by Artangel. Photo: Julian Abrams. https://www.studiointernational.com/index.php/andrew-cranston-interview-trust-in-things-around-you-being-the-stuff-of-art-hepworth-wakefield https://www.studiointernational.com/images/articles/c/&083-cranston-andrew-2024/03.jpg Andrew Cranston, Why can https://www.studiointernational.com/images/articles/c/&083-cranston-andrew-2024/02.jpg Andrew Cranston, Why have you stopped here?, 2023. © Andrew Cranston. On loan from a private collection. Courtesy of the artist and Ingleby, Edinburgh. Photo: John McKenzie. https://www.studiointernational.com/images/articles/c/&083-cranston-andrew-2024/05.jpg Andrew Cranston, Stay with me, my nerves are bad tonight, the midges too, 2022. © Andrew Cranston. On loan from a private collection. Courtesy of the artist and Ingleby, Edinburgh. Photo: Jude Cranston. https://www.studiointernational.com/images/articles/c/&083-cranston-andrew-2024/06.jpg Andrew Cranston: What made you stop here?, The Hepworth Wakefield, 25 November 2023 – 2 June 2024. Courtesy of The Hepworth Wakefield. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/c/&083-cranston-andrew-2024/07.jpg Andrew Cranston: What made you stop here?, The Hepworth Wakefield, 25 November 2023 – 2 June 2024. Courtesy of The Hepworth Wakefield. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/c/&083-cranston-andrew-2024/01.jpg Andrew Cranston, A snake came to my coffee table on a hot, hot day to drink there, 2023. © Andrew Cranston. Courtesy of the artist and Ingleby, Edinburgh. Photo: John McKenzie. https://www.studiointernational.com/images/articles/c/&083-cranston-andrew-2024/04.jpg Andrew Cranston, Cat and cheeseboard, 2018. © Andrew Cranston. On loan from a private collection. Courtesy of the artist and Ingleby, Edinburgh. Photo: Andy Keate. https://www.studiointernational.com/images/articles/c/&083-cranston-andrew-2024/08.jpg Andrew Cranston: What made you stop here?, The Hepworth Wakefield, 25 November 2023 – 2 June 2024. Courtesy of The Hepworth Wakefield. Photo: Michael Brzezinski. https://www.studiointernational.com/index.php/belle-choses-art-nouveau-around-1900-review-brohan-museum-berlin https://www.studiointernational.com/images/articles/a/&099-art-nouveau-2024/01-Brohan-Paris-metro-0023-Schereck.jpg Hector Guimard, Railings for the Paris Métro, c1900. Permanent loan from the collection Brockstedt. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/a/&099-art-nouveau-2024/04-Brohan-Lamp-Thistle-0004-Schereck.jpg Maurice Bouval, lamp in shape of a thistle, c1903. Collection Paul and Diana Tauchner. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/a/&099-art-nouveau-2024/05-Galle-Etagere-Ombelles.jpg Émile Gallé, Shelf Ombelles, 1903. Realisation of the design: manufacture Émile Gallé, Nancy. Bröhan-Museum, Berlin. Photo: Martin Adam, Berlin. https://www.studiointernational.com/images/articles/a/&099-art-nouveau-2024/03-Brohan-Furniture-Set-0014-Schereck.jpg Edward Colonna, Furniture set consisting of table, sofa, armchair and chair, c1899. Collection Paul and Diana Tauchner. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/a/&099-art-nouveau-2024/02-Brohan-La-Maison-Moderne-90-073-online.jpg Maurice Biais, La Maison Moderne, c1900. Photo: Martin Adam © Archive Bröhan-Museum, Berlin. https://www.studiointernational.com/images/articles/a/&099-art-nouveau-2024/08-Brohan-Privat-Livemont_Plakat-Absinth-Robette.jpg Henri Privat-Livemont, Absinthe Robette, 1896. Collection Paul and Diana Tauchner. Photo: ADER/E. Robin/E Brossette. https://www.studiointernational.com/images/articles/a/&099-art-nouveau-2024/07-Brohan-Mucha_Plakat_Monaco-Monte-Carlo-online.jpg Alfons Mucha, Monaco Monte-Carlo, 1897. Print: Imprimerie F. Champenois, Paris, Bröhan-Museum, Berlin. Photo: Bassenge Auctions, Berlin. https://www.studiointernational.com/images/articles/a/&099-art-nouveau-2024/06-Brohan-Toulouse-Lautrec_Plakat-Mlle-eglantine-online.jpg Henri de Toulouse-Lautrec, Troupe de Mlle. Ếglantine, 1896. Collection Paul and Diana Tauchner. Photo: Marianne Franke. https://www.studiointernational.com/images/articles/a/&099-art-nouveau-2024/09-Brohan-Dreyfus-lamp-0039-Schereck.jpg Emile Gallé, Lamp, c1898-1900. Collection Paul and Diana Tauchner. Photo: Sabine Schereck. https://www.studiointernational.com/index.php/william-pope-l-interview-hospital-final-show-south-london-gallery https://www.studiointernational.com/images/articles/p/016-pope-l-2024/SLG-LPO-006.jpg Installation view, William Pope.L: Hospital, South London Gallery, 21 November 2023 – 11 February 2024. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Chickens-storm-the-Capitol-in-Small-Cup-film-(2008)-Photo-Andy-Stagg-1-6.jpg William Pope.L. Chickens storm the Capitol in the film Small Cup, 2008. Video with colour and sound, 12:52 min. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Shelf-with-Cactus-Jack-Bottles-and-Saucers-(2023).jpg Installation view, William Pope.L: Hospital, South London Gallery, 21 November 2023 – 11 February 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/vs-Butcher-shop-plastic-strips-over-the-SLG-main-gallery-entrance.jpg Red plastic https://www.studiointernational.com/images/articles/p/016-pope-l-2024/The-2000-version-of-The-Tower-Eating-the-Wall-Street-Journal.jpg William Pope.L. The 2000 version of The Tower Eating the Wall Street Journal. MoMA, New York. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/vs-Eating-the-Wall-Street-Journal-(Mother-version)-(2000-23).jpg Installation view, William Pope.L: Hospital, South London Gallery, 21 November 2023 – 11 February 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/vs-Alternative-view-Visitors-use-flashlights-to-see-the-Space-Between-the-Letter-Drawings-(SLG-Version,-2013).jpg Space Between the Letters Drawings, 2013. Installation view, William Pope.L: Hospital, South London Gallery, 21 November 2023 – 11 February 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Marigolds-scattered-across-the-Fire-Station-entrance-Pope.L-Hospital-South-London-Gallery-Photo-Andy-Stagg-1-5.jpg Marigolds scattered across the Fire Station entrance. Installation view, William Pope.L: Hospital, South London Gallery, 21 November 2023 – 11 February 2024. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Pope.L-Hospital-South-London-Gallery.-Photo-Andy-Stagg-1-7.jpg Installation view, William Pope.L: Hospital, South London Gallery, 21 November 2023 – 11 February 2024. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Photo-of-the-Artist_Credit-Peyton-Fulford.jpg William Pope.L. Photo: Peyton Fulford. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Pope-L-Hospital-South-London-Gallery-Photo-Andy-Stagg-1-2.jpg Installation view, William Pope.L: Hospital, South London Gallery, 21 November 2023 – 11 February 2024. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Pope-L-Hospital-South-London-Gallery-Photo-Andy-Stagg-1-3.jpg Installation view, William Pope.L: Hospital, South London Gallery, 21 November 2023 – 11 February 2024. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Pope-L-Hospital-South-London-Gallery.-Photo-Andy-Stagg-1-4.jpg Installation view, William Pope.L: Hospital, South London Gallery, 21 November 2023 – 11 February 2024. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Still-from-Small-Cup_B-09-12-27small.jpg William Pope.L. Small Cup, 2008. Film still, colour and sound, 12:52 min. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/p/016-pope-l-2024/Pope-L-and-Margot-Heller.jpg Pope.L. with South London Gallery’s director Margot Heller. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/ruth-orkin-women-review-f3-freiraum-fur-fotografie-berlin https://www.studiointernational.com/images/articles/o/075-orkin-ruth-2024/f3_RUTH-ORKIN_WOMEN_Press_01-online.jpg Ruth Orkin. Nanette Fabray, Set of The Band Wagon, Hollywood, 1952. © Orkin / Engel Film and Photo Archive; VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/o/075-orkin-ruth-2024/f3_RUTH-ORKIN_WOMEN_Press_18-online.jpg Ruth Orkin. Woman in Phone Booth, New York,1949. © Orkin/Engel Film and Photo Archive; VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/o/075-orkin-ruth-2024/f3_RUTH-ORKIN_WOMEN_Press_16-online.jpg Ruth Orkin. American Girl in Italy, Florence, 1951. © Orkin / Engel Film and Photo Archive; VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/o/075-orkin-ruth-2024/f3_RUTH-ORKIN_WOMEN_Press_15-online.jpg Ruth Orkin. Jinx with Orange Scarf, Florence, Italy, 1951. © Orkin / Engel Film and Photo Archive; VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/o/075-orkin-ruth-2024/f3_RUTH-ORKIN_WOMEN_Press_17-online.jpg Ruth Orkin. El Al Airline Stewardess, Tel Aviv, Israel, 1951. © Orkin/Engel Film and Photo Archive; VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/o/075-orkin-ruth-2024/f3_RUTH-ORKIN_WOMEN_Press_07-online.jpg Ruth Orkin. Mother and Daughter, city unknown, 1950s. © Orkin / Engel Film and Photo Archive; VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/o/075-orkin-ruth-2024/f3_RUTH-ORKIN_WOMEN_Press_06-online.jpg Ruth Orkin. Julie Adams, Los Angeles, 1952. © Orkin / Engel Film and Photo Archive; VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/o/075-orkin-ruth-2024/f3_RUTH-ORKIN_WOMEN_Press_11-online.jpg Ruth Orkin. On the Street, New York, 1948. © Orkin / Engel Film and Photo Archive; VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/o/075-orkin-ruth-2024/f3_RUTH-ORKIN_WOMEN_Press_02-online.jpg Ruth Orkin. Lauren Bacall, St. Regis Hotel, New York, 1950. © Orkin / Engel Film and Photo Archive; VG Bild-Kunst, Bonn. https://www.studiointernational.com/index.php/emilie-l-gossiaux-other-worlding-review-queens-museum-new-york https://www.studiointernational.com/images/articles/g/026-gossiaux-l-emilie-2024/4E5A9093_FINAL.jpg Emilie L. Gossiaux. Londons Dancing with Flowers, 2023. Ballpoint pen and crayon on paper, 63.5 x 88.9 cm (23 x 35 in). Courtesy the artist. https://www.studiointernational.com/images/articles/g/026-gossiaux-l-emilie-2024/EGossiaux_P3A0054-HDR-FullRes.jpg Emilie L. Gossiaux: Other-Worlding, installation view, Queens Museum, New York, 6 December 2023 – 7 April 2024. Photo: Hai Zhang, courtesy Queens Museum. https://www.studiointernational.com/images/articles/g/026-gossiaux-l-emilie-2024/4E5A9104_FINAL.jpg Emilie L. Gossiaux. Dancing, Again, 2023. Ballpoint pen and crayon on paper, 63.5 x 88.9 cm (23 x 35 in). Courtesy the artist. https://www.studiointernational.com/images/articles/g/026-gossiaux-l-emilie-2024/EGossiaux_P3A0372-FullRes.jpg Emilie L. Gossiaux: Other-Worlding, installation view, Queens Museum, New York, 6 December 2023 – 7 April 2024. Photo: Hai Zhang, courtesy Queens Museum. https://www.studiointernational.com/images/articles/g/026-gossiaux-l-emilie-2024/4E5A9109_FINAL.jpg Emilie L. Gossiaux. Flowers for London, 2023. Ballpoint pen and crayon on paper 63.5 x 88.9 cm (23 x 35 in). Courtesy the artist. https://www.studiointernational.com/images/articles/g/026-gossiaux-l-emilie-2024/EGossiaux_P3A0234-FullRes.jpg Emilie L. Gossiaux: Other-Worlding, installation view, Queens Museum, New York, 6 December 2023 – 7 April 2024. Photo: Hai Zhang, courtesy Queens Museum. https://www.studiointernational.com/images/articles/g/026-gossiaux-l-emilie-2024/EGossiaux_P3A0146-FullRes.jpg Emilie L. Gossiaux: Other-Worlding, installation view, Queens Museum, New York, 6 December 2023 – 7 April 2024. Photo: Hai Zhang, courtesy Queens Museum. https://www.studiointernational.com/images/articles/g/026-gossiaux-l-emilie-2024/EGossiaux_P3A0070-HDR-FullRes.jpg Emilie L. Gossiaux: Other-Worlding, installation view, Queens Museum, New York, 6 December 2023 – 7 April 2024. Photo: Hai Zhang, courtesy Queens Museum. https://www.studiointernational.com/images/articles/g/026-gossiaux-l-emilie-2024/EGossiaux_P3A0362-FullRes.jpg Emilie L. Gossiaux: Other-Worlding, installation view, Queens Museum, New York, 6 December 2023 – 7 April 2024. Photo: Hai Zhang, courtesy Queens Museum. https://www.studiointernational.com/index.php/why-contemporary-art-has-to-fight-for-survival-in-cuenca-ecuador-16th-biennial https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/05.jpg Museo Municipal de Arte Moderno. Venue of the XVI Bienal de Cuenca. Photo: Courtesy of Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/1-Alexander-Apostol.jpg Alexander Apóstol (Venezuela). Installation view of Ser latino es estar lejos (Being Latino is being far away). Photo: Courtesy of the Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/03.jpg Patricio Palomeque (Ecuador), installation view of La suma de los círculos (The sum of the circles), 2023. Photo: Courtesy of Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/02.jpg Rosa Jijón (Ecuador), installation view of Vertical, horizontal, las figuras del poder (Vertical, Horizontal, The Figures of Power), 2023. Photo: Courtesy of Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/2-Voluspa-6.jpg Valuspa Jarpa (Chile). Installation view of Cartografías de la Sindemia (Cartographies of the Syndemic). Photo: Courtesy of the Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/3-La-mata.jpg Joaquín Pérez (Ecuador). Kyoto OG, 2023. Oil, acrylic and spray paintings. 480 x 100 cm. Photo: Visión sin fin (Endless vision). https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/4-Gabriela-Andrade-Caballito.jpg Gabriela Andrade (Ecuador). El Caballito (The little horse), 2023, 40 x 50 cm. Paisajes imposibles (Impossible landscapes) photography exhibition. Official Parallel Exhibition, XVI Bienal de Cuenca, 2023. Photo: Courtesy of the artist. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/04.jpg Amalia Pica (Argentina), installation view of Aula Grande (Big Classroom), 2023. Photo: Courtesy of Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/08.jpg Darwin Guerrero, Elefante (Elephant), from the series Juguetes/ de lo ingenuo a lo perverso (Toys/ from the naive to the perverse), 2023. Elastic thread, metal mesh, kraft paper, variable dimensions. Photo: Salomé Velasco. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/09-1000.jpg Carlos Garaicoa (Cuba), installation view of Familia (Family), 2023. Capilla Museo de la Medicina. Venue of the XIV Bienal de Cuenca. Photo: Salomé Velasco. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/5-Patricio-Palomeque.jpg Patricio Palomeque (Ecuador). Installation view of La suma de los círculos (The sum of the circles). Photo: Courtesy of the Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/01.jpg Max de Esteban (Spain), installation view of Estética de la extinción (Aesthetics of Extinction), 2023. Photo: Courtesy of Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/06.jpg Escuela Central. Venue of the XVI Bienal de Cuenca. Photo: Courtesy of Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/07.jpg Salón de Pueblo. Venue of the XVI Bienal de Cuenca. Photo: Courtesy of Fundación Municipal Bienal de Cuenca. https://www.studiointernational.com/images/articles/c/&082-cuenca-2024/10.jpg Sandra Gamarra (Perú), Gradación (Gradation), 2023. 20 weavings in alpaca and sheep on a frame. Photo: Salomé Velasco. https://www.studiointernational.com/index.php/jonathan-jones-untitled-transcriptions-of-country-artspace-sydney-australia https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/ArtspaceJonathanJones2023-017_Zan-Wimberley.jpg Jonathan Jones. Untitled (transcriptions of country), 2023. Installation view, Artspace, Sydney. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/JJones_11961.jpg Jonathan Jones. Untitled (emu eggs) after Étienne-Pierre Ventenat, 2021–23, and untitled (vases, armes, pêche), 2023. Emu (Dromaius novaehollandiae) eggshell, powder-coated steel, golden everlasting paperdaisy (Xerochrysum bracteatum) flowers, antique tables; earthenware, 206 pieces, dimensions variable. Ceramic work: Somchai Charoen. Courtesy the artists. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/ArtspaceJonathanJones2023-058_Zan-Wimberley.jpg Jonathan Jones. Untitled (transcriptions of country), 2023. Installation view, Artspace, Sydney. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/JJones_12010.jpg Jonathan Jones. Untitled (remembering Eora: Ourou-Maré), 2021. After Barthélemy Roger, after Nicolas-Martin Petit. Golden everlasting paperdaisy (Xerochrysum bracteatum) flowers on polystyrene foam, polyurethane hardcoat and acrylic paint; framed hand-coloured historical engraving approx. 111.5 × 107 cm. Overall dimensions variable. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/ArtspaceJonathanJones2023-021_Zan-Wimberley.jpg Jonathan Jones. Untitled (transcriptions of country), 2023. Installation view, Artspace, Sydney. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/ArtspaceJonathanJones2023-003_Zan-Wimberley.jpg Jonathan Jones. Untitled (transcriptions of country), 2023. Installation view, Artspace, Sydney. Photo: Zan Wimberley. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/JJones_11911.jpg Jonathan Jones. Untitled (emu eggs) after Étienne-Pierre Ventenat, 2021–23. Emu (Dromaius novaehollandiae) eggshell, powder-coated steel, golden everlasting paperdaisy (Xerochrysum bracteatum) flowers, dimensions variable. Courtesy the artist. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/JJones_11914.jpg Jonathan Jones. Untitled (vases, armes, pêche), 2023 (detail). Earthenware, 206 pieces, dimensions variable. Ceramic work: Somchai Charoen. Courtesy the artist. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/JJones_12000.jpg Jonathan Jones. Untitled (remembering Eora: Oui-ré-Kine), 2021. After Barthélemy Roger, after Nicolas-Martin Petit. Black swan (Cygnus atratus) feathers on polystyrene foam, polyurethane hardcoat and acrylic paint; framed hand-coloured historical engraving, approx 108.5 × 104 cm, overall dimensions variable. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/JJones_12042.jpg Jonathan Jones. Untitled (remembering Eora), 2021, untitled (remembering Eora: Bedgi Bedgi), 2021. After Barthélemy Roger, after Nicolas-Martin Petit. Australian scallop (Pecten fumatus) shells on polystyrene foam, polyurethane hardcoat and acrylic paint; framed hand-coloured historical engraving, approx 115 × 108 cm. Overall dimensions variable. Photo: Jenni Carter. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/_MG_8057_Photo_Katherine-Lu.jpg Jonathan Jones. Untitled (transcriptions of country), 2023. Installation view, Artspace, Sydney. Photo: Katherine Lu. https://www.studiointernational.com/images/articles/j/076-jones-jonathan-2024/cover-Formist_JonathanJones_Transcriptions_1.jpg Jonathan Jones: Untitled (Transcriptions of Country), co-published by Formist and Artspace, Sydney. https://www.studiointernational.com/index.php/pasquarosa-from-muse-to-painter-review-estorick-collection-modern-italian-art https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/07-Pasquarosa,-Still-Life-with-Cat,-1918.jpg Pasquarosa. Still Life with Cat, 1918. Oil on canvas, 60 x 95 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/10-Pasquarosa,-Small-Nude,-c1913.jpg Pasquarosa. Small Nude, c1913. Oil on cardboard, 33 x 23 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/08-Pasquarosa,-Vase-of-Flowers-and-Letters,-c1950.jpg Pasquarosa. Vase of Flowers and Letters, c1950. Oil on board, 38 x 46 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/11-Pasquarosa,-Pink-Cineraria,-1918.jpg Pasquarosa. Pink Cineraria, 1918. Oil on canvas, 74 x 61 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/06-Pasquarosa,-Teapot-on-a-Rug,-1914.jpg Pasquarosa. Teapot on a Rug, 1914. Oil on linen cardboard, 30 x 40 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/05-Pasquarosa,-Oysters,-Mussels-and-Lemon,-c1963.jpg Pasquarosa. Oysters, Mussels and Lemon, c1963. Oil on cardboard, 33 x 44 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/04-Pasquarosa,-Felice-Carena,-1915.jpg Pasquarosa. Felice Carena, 1915. Oil on pressed cardboard, 33.5 x 23 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/03-Pasquarosa,-Jug-and-Little-Bird,-c1918-30.jpg Pasquarosa. Jug and Little Bird, c1918-30. Oil on pressed cardboard, 68 x 48 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/01-Pasquarosa-in-Rome,-1914.jpg Pasquarosa in Rome, 1914. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/02-Pasquarosa,-Neapolitan-Still-Life,-c1954-56.jpg Pasquarosa. Neapolitan Still Life, c1954-56. Oil on Masonite, 78 x 51.5 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/images/articles/p/015-Pasquarosa-2024/Pasquarosa-Vase-of-Flowers-c1916.jpg Pasquarosa. Vase of Flowers, c1916. Oil on board, 35 x 27 cm. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome. https://www.studiointernational.com/index.php/sara-shamma-interview-when-i-paint-i-am-in-a-state-like-meditation-bold-spirits-dulwich-picture-gallery https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/Sara-Shamma-in-home-studio-with-Self-Portrait,-2019,-20240115-JR.jpg Sara Shamma in her studio with Self Portrait, 2019. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/Sara-Shamma,-Portrait-of-artist-Tom-Phillips,-2019,-20240115-JR.jpg Sara Shamma. Portrait of artist Tom Phillips, 2019. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/Sara-Shamma-Woman-in-Smoke,-2014,-hangs-in-her-home-studio-20240115-JR.jpg Sara Shamma. Woman in Smoke, 2014. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/EO6A3528-copy-2.jpg Sara Shamma: Bold Spirits, installation view, Dulwich Picture Gallery, London, 9 September 2023 - 25 February 2024. Photo courtesy Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/5-2023-Oil-on-canvas-(1).jpg Sara Shamma, Untitled, 2023. Oil on canvas, 150 x 115 cm. Copyright and courtesy the artist. https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/Sara-Shamma,-Untitled,-2023,-Inspired-by-Anthony-Van-Dyck-JR.jpg Sara Shamma. Untitled, 2023. Inspired by Anthony van Dyck https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/EO6A3511.jpg Sara Shamma: Bold Spirits, installation view, Dulwich Picture Gallery, London, 9 September 2023 - 25 February 2024. Photo courtesy Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/Sara-Shamma,-untitled,-2018,-Home-Studio-JR-121744.jpg Sara Shamma. Untitled, 2018. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/EO6A3507.jpg Sara Shamma: Bold Spirits, installation view, Dulwich Picture Gallery, London, 9 September 2023 - 25 February 2024. Photo courtesy Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/Sara-Shamma,-Untitled,-2023,-inspired-by-Peter-Paul-Rubens-Venus,-Mars-and-Cupid-c1630-35-JR.jpg Sara Shamma. Untitled, 2023. Inspired by Peter Paul Rubens https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/Sara-Shamma-in-her-London-studio-JR-750.jpg Sara Shamma in her London studio, 2023. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/s/&077-shamma-sara-2024/SaraShamma-FullRes-282A4689.jpg Sara Shamma. Courtesy Dulwich Picture Gallery, London 2023. https://www.studiointernational.com/index.php/art-without-frontiers-story-of-the-british-council-visual-arts-book-review https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/20-New-York-Worlds-Fair1.jpg Huge portraits of Queen Elizabeth and King George VI and large crowds greeted the royal couple when they visited the British Pavilion on 10 June 1939. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/20-New-York-Worlds-Fair2.jpg A set of commemorative postcards was produced by the World’s Fair to mark the occasion and to extend the hand of ‘peace and friendship’ more widely. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/48-Exhibition-of-Modern-British-Crafts.jpg Ceramics displayed in the Exhibition of Modern British Crafts in the Metropolitan Museum of Art, New York. Photo © 2023 British Council Collection. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/100-1952-Venice-installation-shot.jpg Sculptures and works on paper by Bernard Meadows in New Aspects of British Sculpture, the group show in the British Pavilion of the 1952 Venice Biennale. © Archivo Storico della Biennale di Venezia – ASAC. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/180-Atherton-photos-of-performance-(1-of-2).jpg Kevin Atherton, The Audience’s New Clothes, 1979, performance at Un Certain Art Anglais …, Musée d’Art Moderne de la Ville de Paris, 1979. © Kevin Atherton. Photo: Chris Davies. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/181-Stuart-Brisley-2.tif.jpg Stuart Brisley, Une Nouvelle Oeuvre pour la Consummation Institutionel, three-day-and-night continuous performance, Musée d’Art Moderne de la Ville de Paris, 1979. © Stuart Brisley. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/art-without-frontiers-cover-2.jpg Art Without Frontiers: The Story of the British Council, Visual Arts, and a Changing World, by Annebella Pollen, published by Art/Books. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/180-Atherton-photos-of-performance-(2-of-2).jpg Kevin Atherton, The Audience’s New Clothes, 1979, performance at Un Certain Art Anglais …, Musée d’Art Moderne de la Ville de Paris, 1979. © Kevin Atherton. Photo: Chris Davies. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/181-Stuart-Brisley-1.jpg Stuart Brisley, Une Nouvelle Oeuvre pour la Consummation Institutionel, three-day-and-night continuous performance, Musée d’Art Moderne de la Ville de Paris, 1979. © Stuart Brisley. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/317-Passports-installation.jpg A view of the exhibition Passports: Great Early Buys from the British Council Collection, held at Whitechapel Gallery from April to June 2009. https://www.studiointernational.com/images/articles/a/&098-art-without-frontiers-2024/234-Cover_General_Release001.jpg Front cover of the catalogue for the exhibition General Release, held at the Scuola di San Pasquale, Venice, from June to October 1995, as part of that year’s Venice Biennale. Photo © 2023 British Council Collection. https://www.studiointernational.com/index.php/ramesh-mario-nithiyendran-interview-idols-of-mud-and-water-tramway-glasgow https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/Multi-LImbed-Mud-Fountain-(2023).jpg Ramesh Mario Nithiyendran. Multi Limbed Mud Fountain, 2023. Mud cob, straw, paint, LED rope, electrical cable. Photo courtesy Tramway. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/TRMN-1123-0051.jpg Installation view, Ramesh Mario Nithiyendran: Idols of Mud and Water, Tramway, Glasgow, 2023. Photo courtesy Tramway. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/Installation-view-with-Seated-Bronze-Figure-with-Masks-foreground.jpg Installation view, Ramesh Mario Nithiyendran: Idols of Mud and Water, Tramway, Glasgow, 2023. Photo courtesy Tramway. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/Terracotta-Figures-(1-97)-and-Head-with-Many-Protrusions-II-(2023).jpg Ramesh Mario Nithiyendran. Terracotta Figures (1-97) and Head with Many Protrusions II, 2023. Terrecota, glazed ceramic, beads, dimensions variable. Photo courtesy Tramway. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/Close-up-Terracotta-Figures-(1097).-Pic-V-Simpson.jpg Terracotta Figures (detail), installation view, Ramesh Mario Nithiyendran: Idols of Mud and Water, Tramway, Glasgow, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/Multi-Headed-Figure-in-Drapery-(King)-2023.jpg Ramesh Mario Nithiyendran. Multiheaded Figure in Drapery (King), 2023. Glazed ceramic beads, fabric, 159 x 63 x 63 cm. Photo courtesy Tramway. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/RameshMN-Guardian-Figure-with-Shields-Pic-V-Simpson.jpg Ramesh Mario Nithiyendran. Guardian Figure with Shields, 2023. Glazed ceramic, 85 x 65 x 45 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/RameshMN-2-Multi-Limbed-Mud-Fountain-(2023).jpg Ramesh Mario Nithiyendran. Multi Limbed Mud Fountain, 2023, installation view, Ramesh Mario Nithiyendran: Idols of Mud and Water, Tramway, Glasgow, 2023. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/Seated-Bronze-Figure-with-Masks-(2023).jpg Ramesh Mario Nithiyendran. Seated Bronze Figure with Masks, 2023. Cast bronze, beads, 136 x 104 x 95 cm. Photo courtesy Tramway. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/Fertility-Figure-with-Drapery-(Queen)-2023.jpg Fertility Figure with Drapery (Queen), Ramesh Mario Nithiyendran, glazed ceramic beads, fabric, 2023, 165 x 65 x 39 cm. Photo courtesy Tramway. https://www.studiointernational.com/images/articles/n/060-nithiyendrin-ramesh-mario-2024/Terracotta-Figures-(1-97)-2023.jpg Installation view, Ramesh Mario Nithiyendran: Idols of Mud and Water, Tramway, Glasgow, 2023. Photo courtesy Tramway. https://www.studiointernational.com/index.php/judith-godwin-expressions-of-life-pippy-houldsworth-london https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Planes_1991_PH11030_300dpiL.jpg Judith Godwin. Planes, 1991. Oil on canvas with collaged fabric, 132.1 x 157.5 cm (52 x 62 in). Courtesy Pippy Houldsworth Gallery, London, and Berry Campbell, New York. © Judith Godwin Foundation. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Provincetown-Summer_1953_PH11198_300dpiL.jpg Judith Godwin. Provincetown Summer, 1953. Oil on canvas, 63.2 x 96.2 cm (25 x 38 in). Courtesy Pippy Houldsworth Gallery, London, and Berry Campbell, New York. © Judith Godwin Foundation. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Expressions-of-Life_PHG_Install-1_300dpiL.jpg Judith Godwin, Expressions of Life, 2024, installation view, Pippy Houldsworth Gallery, London. Courtesy Pippy Houldsworth Gallery, London. Photo; Mark Blower. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Untitled_1958_PH11199_300dpiL.jpg Judith Godwin. Untitled, 1958. Oil on linen, 182.9 x 125.1 cm (72 x 49 ½ in). Courtesy Pippy Houldsworth Gallery, London, and Berry Campbell, New York. © Judith Godwin Foundation. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Elegy-to-a-Slain-Deer_1978_PH11098_300dpiL.jpg Judith Godwin. Elegy to a Slain Deer, 1975. Oil on canvas, 127 x 106.7 cm (50 x 42 in). Courtesy Pippy Houldsworth Gallery, London, and Berry Campbell, New York. © Judith Godwin Foundation. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Betrayal_1976_PH11081_300dpiL.jpg Judith Godwin. Betrayal, 1976. Oil on canvas, 127 x 121.9 cm (50 x 48 in). Courtesy Pippy Houldsworth Gallery, London, and Berry Campbell, New York. © Judith Godwin Foundation. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Reflection_1979_PH11049_300dpiL.jpg Judith Godwin. Reflection, 1979. Oil on canvas, 127 x 182.9 cm (50 x 72 in). Courtesy Pippy Houldsworth Gallery, London, and Berry Campbell, New York. © Judith Godwin Foundation. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Green-for-Danger_1982_PH11043_300dpiL.jpg Judith Godwin. Green for Danger, 1982. Oil on canvas, 132.4 x 168 cm (52 1⁄8 x 66 1⁄8 in). Courtesy Pippy Houldsworth Gallery, London, and Berry Campbell, New York. © Judith Godwin Foundation. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Expressions-of-Life_PHG_Install-4_300dpiL.jpg Judith Godwin, Expressions of Life, 2024, installation view, Pippy Houldsworth Gallery, London. Courtesy Pippy Houldsworth Gallery, London. Photo; Mark Blower. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Expressions-of-Life_PHG_Install-2_300dpiL.jpg Judith Godwin, Expressions of Life, 2024, installation view, Pippy Houldsworth Gallery, London. Courtesy Pippy Houldsworth Gallery, London. Photo; Mark Blower. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Expressions-of-Life_PHG_Install-5_300dpiL.jpg Judith Godwin, Expressions of Life, 2024, installation view, Pippy Houldsworth Gallery, London. Courtesy Pippy Houldsworth Gallery, London. Photo; Mark Blower. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Expressions-of-Life_PHG_Install-6_300dpiL.jpg Judith Godwin, Expressions of Life, 2024, installation view, Pippy Houldsworth Gallery, London. Courtesy Pippy Houldsworth Gallery, London. Photo; Mark Blower. https://www.studiointernational.com/images/articles/g/025-godwin-judith-2024/Godwin_Ark_1983_PH11046_300dpiL.jpg Judith Godwin. Ark, 1983. Oil on canvas, 106 x 127.6 cm (41 ¾ x 50 ¼ in). Courtesy Pippy Houldsworth Gallery, London, and Berry Campbell, New York. © Judith Godwin Foundation. Photo: Ben Westoby. https://www.studiointernational.com/index.php/a-history-of-women-in-101-objects-walk-through-female-history-review-annabelle-hirsch-canongate https://www.studiointernational.com/images/articles/1/101-objects-2024/Teppich_Bayeux.jpg The Bayeux Tapestry (detail), 11th century. https://www.studiointernational.com/images/articles/1/101-objects-2024/SAMPLER-4-Hutnadel_Sw.jpg Hat Pin, 1900. https://www.studiointernational.com/images/articles/1/101-objects-2024/HungerStrikeMedal_Sw.jpg Hunger Strike Medal, designed by Sylvia Pankhurst, and presented to Emmeline Pankhurst in 1912. https://www.studiointernational.com/images/articles/1/101-objects-2024/101-objects-cover.jpg A History of Women in 101 Objects: A Walk Through Female History by Annabelle Hirsch, translated by Eleanor Updegraff, published by Canongate. https://www.studiointernational.com/index.php/emily-kam-kngwarray-review-national-gallery-of-australia-canberra https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/Emily-Kam-Kngwarray,-Anmatyerr-people,-Alhalker-Country,-1994.jpg Emily Kam Kngwarray, Anmatyerr people, Alhalker Country, 1994. Private collection, Naarm/Narrm / Melbourne © Emily Kam Kngwarray / Copyright Agency, 2023. Image courtesy of Deutscher and Hackett. https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/Emily-Kam-Kngwarray,-Anmatyerr-people,-Ankerr-(emu),-1989.jpg Emily Kam Kngwarray, Anmatyerr people, Ankerr (emu), 1989. National Gallery of Victoria, Naarm / Narrm / Melbourne, purchased from Admission Funds, 1990 © Emily Kam Kngwarray / Copyright Agency, 2023. Image courtesy of National Gallery of Victoria, Naarm / Narrm / Melbourne. https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/installation-view-2.jpg Installation view, Emily Kam Kngwarray, National Gallery of Australia, Kamberri/Canberra, 2023. Photo: Jed Cooper. https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/Emily-Kam-Kngwarray-near-Mparntwe-Alice-Springs.jpg Emily Kam Kngwarray near Mparntwe / Alice Springs after the first exhibition of Utopia batiks, 1980. Photo: © Toly Sawenko, 2023. https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/Emily-Kam-Kngwarray,-Anmatyerr-people,-The-Alhalker-suite,-1993.jpg Emily Kam Kngwarray, Anmatyerr people, The Alhalker suite, 1993. National Gallery of Australia, Kamberri / Canberra, purchased 1993. © Emily Kam Kngwarray / Copyright Agency. https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/installation-view.jpg Installation view, Emily Kam Kngwarray, National Gallery of Australia, Kamberri/Canberra, 2023. Photo: Jed Cooper. https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/installation-view-3.jpg Installation view, Emily Kam Kngwarray, National Gallery of Australia, Kamberri/Canberra, 2023. Photo: Jed Cooper. https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/Emily-Kam-Kngwarray,-Anmatyerr-people,-Seeds-of-abundance,-1990.jpg Emily Kam Kngwarray, Anmatyerr people, Seeds of abundance, 1990. National Gallery of Australia, Kamberri / Canberra, purchased 1991. © Emily Kam Kngwarray / Copyright Agency. https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/Emily-Kam-Kngwarray,-Anmatyerr-people,-Untitled,-c1977.jpg Emily Kam Kngwarray, Anmatyerr people, Untitled, c1977. Julia Murray, Naarm / Narrm / Melbourne. © Emily Kam Kngwarray / Copyright Agency, 2023. https://www.studiointernational.com/images/articles/k/041-kngwarray-emily-kam-2024/Emily-Kam-Kngwarray,-Anmatyerr-people,-Untitled-(awely),-1994.jpg Emily Kam Kngwarray, Anmatyerr people, Untitled (awely), 1994. National Gallery of Australia, Kamberri / Canberra, purchased 2022 with the assistance of the Foundation Gala Funds 2021 and 2022, in celebration of the National Gallery of Australia's 40th anniversary, 2022. © Emily Kam Kngwarray / Copyright Agency. https://www.studiointernational.com/index.php/paolozzi-at-100-modern-two-national-galleries-of-scotland-edinburgh https://www.studiointernational.com/images/articles/p/014-paolozzi-ar-100-2024/Eduardo-Paolozzi,-Marine-Composition,-1950.jpg Eduardo Paolozzi, Marine Composition, 1950. Colour lithograph on paper. Purchased 1978. © Trustees of the Paolozzi Foundation. Licensed by DACS, London 2023. https://www.studiointernational.com/images/articles/p/014-paolozzi-ar-100-2024/Eduardo-Paolozzi,-Collage,-1953-The-Paolozzi-Foundation,-Licensed-by-DACS-Artimage-2023..jpg Eduardo Paolozzi, Collage, 1953. © The Paolozzi Foundation, Licensed by DACS Artimage 2023. https://www.studiointernational.com/images/articles/p/014-paolozzi-ar-100-2024/Debra-Hurford-Brown,-Eduardo-Paolozzi,-1999-2003.jpg Debra Hurford Brown, Eduardo Paolozzi, 1999, 2003. National Galleries Scotland. https://www.studiointernational.com/images/articles/p/014-paolozzi-ar-100-2024/Eduardo-Paolozzi,-Variations-on-a-Geometric-Theme.-1968-69-(1).jpg Eduardo Paolozzi, Variations on a Geometric Theme. 1968-69. Set of six plates in ceramic colours and gold on Wedgwood fine bone china in pink Perspex box. Donated by Frank Fowler. © Trustees of the Paolozzi Foundation. Licensed by DACS, London 2023. https://www.studiointernational.com/images/articles/p/014-paolozzi-ar-100-2024/Eduardo-Paolozzi,-Variations-on-a-Geometric-Theme.-1968-69.jpg Eduardo Paolozzi, Variations on a Geometric Theme. 1968-69. Set of six plates in ceramic colours and gold on Wedgwood fine bone china in pink Perspex box. Donated by Frank Fowler. © Trustees of the Paolozzi Foundation. Licensed by DACS, London 2023. https://www.studiointernational.com/index.php/when-forms-come-alive-review-hayward-gallery-london-sculpture-kinetics https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Michel-Blazy.jpg Installation view of Michel Blazy, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Choi-Jeong-Hwa.jpg Installation view of Choi Jeong Hwa, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Teresa-Solar-Abboud.jpg Installation view of Teresa Solar Abboud, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Phyllida-Barlow.jpg Installation view of Phyllida Barlow, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Marguerite-Humeau.jpg Installation view of Marguerite Humeau, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Studio-DRIFT.jpg Installation view of Studio DRIFT, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Lynda-Benglis.jpg Installation view of Lynda Benglis, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Tara-Donovan.jpg Installation view of Tara Donovan, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Matthew-Ronay.jpg Installation view of Matthew Ronay, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Olaf-Brzeski.jpg Installation view of Olaf Brzeski, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/images/articles/w/033-when-forms-come-alive-2024/Installation-view-of-Eva-Fabregas.jpg Installation view of Eva Fàbregas, When Forms Come Alive, 7 February — 6 May 2024. Photo: Jo Underhill. Courtesy the Hayward Gallery. https://www.studiointernational.com/index.php/jacqueline-poncelet-in-the-making-middlesbrough-institute-of-modern-art https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet_20240201_0008.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0023.jpg Leaf, 1995. Composite oil painting with fabric and photography, installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0007.jpg Site specific wall works, installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/1970s-porcelain-work.jpg 1970s porcelain work loaned by the V&A, installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Another-of-the-stoneware-1980s.jpg An example of stoneware ceramics from the 1980s, installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Tile-Poncelet__0057.jpg Tile from Danish residency, installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0084.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0017.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0098.jpg Wallpaper in the lift, installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet_20240201_0011.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/bronze-with-hair-Poncelet__0014.jpg Bronze with Hair, 1988 (centre), installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/1000-750-Poncelet__0024.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet_20240201_0007.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0002.jpg Watercolours, installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0028.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0032.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0036.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0064.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Poncelet__0079.jpg Installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/images/articles/p/013-poncelet-jacqueline-2024/Lifts-Poncelet__0112.jpg Wallpaper in the lifts, installation view, Jacqueline Poncelet: In the Making, Middlesbrough Institute of Modern Art (Mima), 2024. Photo: Jason Hynes. https://www.studiointernational.com/index.php/frank-auerbach-the-charcoal-heads-review-the-courtauld-gallery-london https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/03-Frank-Auerbach-Head-of-EOW,-1960.jpg Frank Auerbach, Head of EOW, 1960. Charcoal and chalk on paper. The Whitworth, The University of Manchester. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/07-Frank-Auerbach-Head-of-Leon-Kossoff,-1956-57.jpg Frank Auerbach, Head of Leon Kossoff, 1956-57. Charcoal and chalk on paper. Private collection. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/14-Frank-Auerbach-Head-of-EOW-III,-1963-64.jpg Frank Auerbach, Head of EOW III, 1963-64. Oil on board. Manchester Art Gallery. © the artist, courtesy of Frankie Rossi Art Projects, London. Photo: Michael Pollard. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/05-Frank-Auerbach-Head-of-Helen-Gillespie-II,-1962.jpg Frank Auerbach, Head of Helen Gillespie II, 1962. Charcoal and chalk on paper. Private collection. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/01-Frank-Auerbach-Head-of-EOW,-1956.jpg Frank Auerbach, Head of EOW, 1956. Charcoal and chalk on paper. Private collection. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/06-Frank-Auerbach-Head-of-Julia-II,-1960.jpg Frank Auerbach, Head of Julia II, 1960. Charcoal and chalk on paper. Private collection. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/Frank-Auerbach-The-Charcoal-Heads-750.jpg Frank Auerbach: The Charcoal Heads, installation view, The Courtauld Gallery. Photo: Fergus Carmichael. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/02-Frank-Auerbach-Head-of-EOW,-1959-60.jpg Frank Auerbach, Head of EOW, 1959-60. Charcoal and chalk on paper. Tate, London. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/04-Frank-Auerbach-Head-of-Gerda-Boehm,-1961.jpg Frank Auerbach, Head of Gerda Boehm, 1961. Charcoal and chalk on paper. Private collection, courtesy of Eykyn Maclean. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/08-Frank-Auerbach-Head-of-Leon-Kossoff,-1957.jpg Frank Auerbach, Head of Leon Kossoff, 1957. Charcoal and chalk on paper. Private collection. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/15-Frank-Auerbach-Head-of-Gerda-Boehm,-1964.jpg Frank Auerbach, Head of Gerda Boehm, 1964. Oil over charcoal on paper. Private collection. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/16-Frank-Auerbach,-Head-of-Gerda-Boehm,-1964,-Oil-on-board.jpg Frank Auerbach, Head of Gerda Boehm, 1964. Oil on board. The Sainsbury Centre, University of East Anglia. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/images/articles/a/&097-auerbach-frank-2024/09-Frank-Auerbach-Self-Portrait,-1958.jpg Frank Auerbach, Self-Portrait, 1958 (detail). Charcoal and chalk on paper. Private collection. © the artist, courtesy of Frankie Rossi Art Projects, London. https://www.studiointernational.com/index.php/charles-holdens-master-plan-building-bloomsbury-campus-warburg-models-review https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/55BROADWAY.jpg Charles Holden https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/Senate-House-construction-1937-02.jpg A photograph of the Senate House under construction, from the book University of London, The New Buildings, 6 January 1936 to 11 October 1937. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/king-george.jpg King George at the ceremony for the laying of the foundation stone, June 1933. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/photo-album.jpg University of London: The New Buildings, 19 December 1932 to 20 December 1935. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/AA-thames-house-model.jpg Warburg Institute Interiors, Thames House, 1934. Plan model, 1:75. PM Luis Sanchez-Parades, 2021. Oslo School of Architecture and Design. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/section-model-hamburg-inst.jpg Kulturwissenschaftliche Bibliothek Warburg (Warburg Cultural Studies Library), 1926. Sectional model, 1:75. Nora Kilstad and Cathrine Tonseth Sundem, 2021. Oslo School of Architecture and Design. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/20240118_016.jpg Installation view, Warburg Models: The Architecture of the Itinerant Archive, Architectural Association School of Architecture, London. Photo: Elena Andreea Teleaga. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/AA-gallery-installation-view-01.jpg SS Hermia 1933. Sectional model, 1:75. Mara Trübenbach, 2021. Oslo School of Architecture and Design. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/Gertrud-Bing-Fritz-Saxl.jpg Gertrud Bing and Fritz Saxl. Installation photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/section-of-planetarium.jpg Hamburg Planetarium, 1930. Sectional model, 1:75. Maximilian Svendsen, 2021. Oslo School of Architecture and Design. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/aa-lantern-slides.jpg A stack of Lantern Slides. Installation view. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/Warburg-Models-at-the-AA-4.jpg Warburg Models: The Architecture of the Itinerant Archive, installation view, Architectural Association School of Architecture, London. Photo: Elena Andreea Teleaga. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/AA-gallery-installation-view-02.jpg Warburg Models: The Architecture of the Itinerant Archive, installation view, Architectural Association School of Architecture, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/AA-letters-and-cuttings.jpg Correspondence and cuttings, installation view, Warburg Models: The Architecture of the Itinerant Archive, Architectural Association School of Architecture, London. Photo: Elena Andreea Teleaga. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/IMG_6519-2.jpg Installation view, Charles Holden’s Master Plan: Building the Bloomsbury Campus, Senate House, University of London, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/IMG_6537.jpg Installation view, Charles Holden’s Master Plan: Building the Bloomsbury Campus, Senate House, University of London, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&076-senate-house-2024/HOLDENEARLYMODEL-750.jpg Installation view, Charles Holden’s Master Plan: Building the Bloomsbury Campus, Senate House, University of London, London. Photo: Bronac Ferran. https://www.studiointernational.com/index.php/ronald-davis-interview-the-1960s-abstract-expressionism https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Wave-1964.jpg Ronald Davis. Wave, 1964. Acrylic on canvas, 95.25 x 69.75 x 1.25 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Zig-Zag-Times-Two-1966-AcrylicOnShapedCanvas-84.75x61.625-IG2.jpg Ronald Davis. Zig Zag Times Two, 1966. Acrylic on shaped canvas, 84.75 x 61.625 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Dr-Zig-Wig-1964.jpg Ronald Davis. Dr. Zig Wig, 1964. Acrylic on canvas, 116 x 103 x 1.25 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Lemon-Yellow-1969.jpg Ronald Davis. Lemon, 1969. Molded polyester resin and fibreglass, 50.5 x 132 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Sea-Green-Trapezoid-1966.jpg Ronald Davis. Sea-Green Trapezoid, 1966. Acrylic on shaped canvas, 34 x 67.75 x 3.25 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Crosby-1978.jpg Ronald Davis. Crosby, 1978. Acrylic and dry pigment on canvas, 41.5 x 65.63 x 1.5 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Interior-Vent-1974.jpg Ronald Davis. Interior Vent, 1974. Cel-vinyl acrylic and dry pigment on canvas, 111 x 63 x 3.75 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Three-Polygon-Slabs-1988.jpg Ronald Davis. Three Polygon Slabs, 1988. Cel-Vinyl Acrylic Copolymer and Nova Gel on birch plywood, 30.13 x 52.625 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Double-Diamond-1965.jpg Ronald Davis. Double Diamond, 1965. Acrylic on canvas, 60 x 156.5 x 5 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Two-Thirds-Lock-Slabettes-1985.jpg Ronald Davis. Two-Thirds Lock Slabettes, 1985. Diptych, acrylic on shaped canvas, 50 x 93 x 2.75 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Double-Diagonal-1969.jpg Ronald Davis. Double Diagonal, 1969. Diptych, polyester resin and fibreglass, 58 x 129 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/Davis-Double-Diagonal-crop.jpg Ronald Davis. Double Diagonal, 1969 (detail). Photo: Elizabeth Buhe. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Three-Color-Wave-2009.jpg Ronald Davis. Three Color Wave, 2009. Acrylics on expanded PVC plastic, 35.5 x 54.25 x 3 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/images/articles/d/043-davis-ronald-2024/DavisRon-Rose-Red-Taper-2009.jpg Ronald Davis. Rose Red Taper, 2009. Acrylics on expanded PVC plastic, 47.63 x 31.75 x 6 in. Artwork Copyright © Ronald Davis. Courtesy David Richard Gallery. Photo: Yao Zu Lu. https://www.studiointernational.com/index.php/unravel-the-power-and-politics-of-textiles-in-art-barbican-art-gallery-london https://www.studiointernational.com/images/articles/u/089-unravel-2024/10-Sheila-Hicks,-Family-Treasures,-1993.jpg Sheila Hicks, Family Treasures, 1993. © Sheila Hicks, ADAGP, Paris and DACS, London 2023, courtesy Stedelijk Museum Amsterdam. https://www.studiointernational.com/images/articles/u/089-unravel-2024/Tschabalala-self-Unravel-The-Power-and-Politics-of-Textiles-in-Art,-Installation-view.jpg Tschabalala Self, Koco at the Bodega, 2017. Installation view, Unravel: The Power and Politics of Textiles in Art, Barbican Art Gallery 13 Feb – 26 May 2024 © Jemima Yong / Barbican Art Gallery https://www.studiointernational.com/images/articles/u/089-unravel-2024/02-Igshaan-Adams,-Gebedelswolke,-2021-24.jpg Igshaan Adams, Gebedswolke (Prayer Clouds), 2021–23. © Igshaan Adams, courtesy the artist and blank projects, Cape Town. https://www.studiointernational.com/images/articles/u/089-unravel-2024/19-T-Vinoja,-Bunker-and-border,-2021.jpg T. Vinoja, Bunker & border, 2021. Courtesy the artist and Experimenter. https://www.studiointernational.com/images/articles/u/089-unravel-2024/22-Bourgeoise-Unravel-The-Power-and-Politics-of-Textiles-in-Art.jpg Louise Bourgeois, Arch of Hysteria, 2000. Installation view, Unravel: The Power and Politics of Textiles in Art, Barbican Art Gallery. © Jo Underhill / Barbican Art Gallery. https://www.studiointernational.com/images/articles/u/089-unravel-2024/11-Tau-Lewis,-The-Coral-Reef-Preservation-Society,-2019.jpg Tau Lewis, The Coral Reef Preservation Society, 2019. © Tau Lewis, courtesy the artist and Night Gallery, Los Angeles. https://www.studiointernational.com/images/articles/u/089-unravel-2024/Abakanowicz-Unravel-The-Power-and-Politics-of-Textiles-in-Art,-Installation-view.jpg Centre: Magdalena Abakanowicz, Vêtement Noir (Black Garment), 1968. Installation view, Unravel: The Power and Politics of Textiles in Art, Barbican Art Gallery. © Jemima Yong / Barbican Art Gallery. https://www.studiointernational.com/images/articles/u/089-unravel-2024/750-Unravel-The-Power-and-Politics-of-Textiles-in-Art.jpg Unravel: The Power and Politics of Textiles in Art, installation view, Barbican Art Gallery. © Jo Underhill / Barbican Art Gallery. https://www.studiointernational.com/index.php/these-mad-hybrids-john-hoyland-and-contemporary-sculpture-review-royal-west-of-england-academy-bristol https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/2024-01-29-TMH-012-HR.jpg These Mad Hybrids: John Hoyland and Contemporary Sculpture, installation view, Royal West of England Academy, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/hoyland-2023-06-16-TMH-004-HR.jpg John Hoyland, The King, 1994. Glazed ceramic, 66 x 43 x 38 cm. © John Hoyland Estate. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/Olivia-Bax-2024-01-29-TMH-272-HR.jpg Olivia Bax, How Do You Do, 2019. Installation view, These Mad Hybrids: John Hoyland and Contemporary Sculpture, Royal West of England Academy, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/john-summer-2024-01-29-TMH-094-HR.jpg John Summers, High Ground, 2023. Installation view, These Mad Hybrids: John Hoyland and Contemporary Sculpture, Royal West of England Academy, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/barlow-2024-01-29-TMH-242-HR.jpg Phyllida Barlow, Untitled: Badplace; 2020 Lockdown, 2020. Installation view, These Mad Hybrids: John Hoyland and Contemporary Sculpture, Royal West of England Academy, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/Andrew-Sabin-01-29-TMH-025-HR.jpg Andrew Sabin, From Time to Time, 2018. Installation view, These Mad Hybrids: John Hoyland and Contemporary Sculpture, Royal West of England Academy, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/Jessi-Reaves-Three-bowl-table-2024-01-29-TMH-076-HR.jpg Jessi Reaves, Three Bowl Table, 2019. Installation view, These Mad Hybrids: John Hoyland and Contemporary Sculpture, Royal West of England Academy, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/hew-locke-2024-01-29-TMH-223-HR.jpg Hew Locke, The Kingdom of the Blind #5 #6 & #7, 2008. Installation view, These Mad Hybrids: John Hoyland and Contemporary Sculpture, Royal West of England Academy, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/eric-bainbridge-2024-01-29-TMH-213-HR.jpg Eric Bainbridge, Made in Hong Kong, 1987. Installation view, These Mad Hybrids: John Hoyland and Contemporary Sculpture, Royal West of England Academy, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/hoyland-20-10-63.jpg John Hoyland, 20.10.63, 1963. Acrylic on canvas, 172.7 x 172.7 cm (68 x 68 in). © John Hoyland Estate. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/hoyland-Poem-for-Wine-and-Stars-17-5-99.jpg John Hoyland, Poem for Wine & Stars, 17.5.99, 1999. Acrylic on canvas, 71.7 x 61 cm (31 x 24 in). © John Hoyland Estate. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/hoyland-River-Tales-5-8-99.jpg John Hoyland, River Tales 5.8.99, 1999. Acrylic on canvas, 80 x 70 cm (31.5 x 27.5 in). © John Hoyland Estate. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/1000-2024-01-29-TMH-058-HR.jpg These Mad Hybrids: John Hoyland and Contemporary Sculpture, installation view, Royal West of England Academy, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/hoyland-2023-06-16-TMH-009-HR.jpg John Hoyland, Thupelo memory, 1994. Glazed ceramic, 36 x 35 x 46 cm. © John Hoyland Estate. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/hoyland-2023-06-16-TMH-013-HR.jpg John Hoyland, Imaginary Being, 1994. Glazed ceramic, 57 x 24 x 27 cm. © John Hoyland Estate. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/hoyland-2023-06-16-TMH-019-HR.jpg John Hoyland, Conjurer, 1994. Glazed ceramic, 41 x 42 x 24 cm. © John Hoyland Estate. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/h/012-hoyland-john-2024/hoyland-2023-06-16-TMH-027-HR.jpg John Hoyland, Dragon, 1994. Glazed ceramic, 33 x 25 x 49 cm. © John Hoyland Estate. Photo: Tim Bowditch. https://www.studiointernational.com/index.php/outi-pieski-interview-sami-artist-sapmi-finland-tate-st-ives https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/15-Outi-Pieski,-Geasi-vuordin-Waiting-for-the-Summer,-2007,-photo-Outi-Pieski.jpg Outi Pieski, Geasi vuordin / Waiting for the Summer, 2007. Photo: Outi Pieski. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/11-Outi-Pieski,-Deatnu.jpg Outi Pieski, Deatnu, máttožan / Deatnu River, Our Ancestor, 2018. © Ari Karttunen / EMMA – Espoo Museum of Modern Art. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/05-Outi-Pieski,-Singing-Tree-I,-detail,-2008.jpg Outi Pieski, Lottelávlunmuorra I / A Bird’s Singing Tree I (detail), 2008 © The artist. Photo: Sámi Museum Siida. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/02-Outi-Pieski_Beavvit-Rising-Together-II-2021-detail-Photo-Tor-Simen-Ulstein-KUNSTDOK.jpg Outi Pieski, Beavvit – Rising Together II, 2021 (detail). © The artists. Photo: Tor Simen Ulstein / Kunstdok. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/04-Outi-Pieski,-Beavvit-Rising-Together-II,-2021,-detail.jpg Outi Pieski, Guržot ja guovssahat – Spell on You!, 2020. Installation view, 23rd Biennale of Sydney, rīvus, 2022. © Document Photography. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/18-Outi-Pieski,-Right-to-Exist-and-Flourish,-2018.jpg Outi Pieski, Iehčanas vuoigatvuohta leat ja lieđđut / Independent Right to Exist and Flourish, 2018. © Ari Karttunen / EMMA – Espoo Museum of Modern Art. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/19-Outi-Pieski,-Suhpiid-luhtte-Close-by-the-Aspans,-2008,-photo-Outi-Pieski.jpg Outi Pieski, Suhpiid luhtte / Close by the Aspens, 2008. Photo: Outi Pieski. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/Outi-Pieski-Gurra-Gorge,-(2014)-Pic-V-Simpson.jpg Outi Pieski, Gurra / Gorge, 2014. Acrylic on canvas, 160 x 120 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/Outi-Pieski-Black-Fell-Giisavarri-(2009),-Pic-V-Simpson.jpg Outi Pieski, Čáhppes Giisavárri / Black Fjeld Giisavárri, 2009. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/Outi-Pieski-installation-view-of-Spell-on-You!-(2020)-and-Spell-on-Me!-(2024)-at-Tate-St-Ives,-2024-Tate-(Oliver-Cowling)_01.jpg Outi Pieski, installation view, Tate St Ives, 2024. Photo: © Tate/Oliver Cowling. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/10-Outi-Pieski,-Sacred-Mountain-2018.jpg Outi Pieski, Rástegáisa lágalaš riektesubjeaktan II / Sacred Mountain Rástegáisa as a Legal Person II, 2018. Photo: Jussi Tiainen. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/17-Outi-Pieski,-Silbajohka--Silver-River,-2014-Photo-Jussi-Tiainen.jpg Outi Pieski, Silbajohka / Silver River, 2014. Acrylic on canvas, thread, 85 x 60 cm. Photo: Jussi Tiainen. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/06-Outi-Pieski,,-2019-Installation-view-courtesy-of-Minds-Rising,-Spirits-Tuning.jpg Outi Pieski, Rematriation of a Ládjogahpir / Return to Máttaráhkká, 2019. Installation view courtesy of Minds Rising, Spirits Tuning, The 13th Gwangju Biennale, Photo: Sang Tae Kim. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/09-Outi-Pieski,-The-Heavy-Weight-of-the-Foremother,-2021,-photo-Tor-Simen-Ulstein-KUNSTDOK.jpg Outi Pieski, Lossa máttaráhkku / The Heavy Weight of the Foremother, 2021. © The artist. Photo: Tor Simen Ulstein / Kunstdok. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/16-Outi-Pieski,-Golleeana-Land-of-Gold,-2013.jpg Outi Pieski, Golleeana / Land of Gold, 2013. © Ella Tommila / EMMA – Espoo Museum of Modern Art. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/Outi-Pieski-(Pacing-the-Borders-III,-2014)-Pic-V-Simpson.jpg Outi Pieski, Pacing the Borders III, 2014. Acrylic and baize on canvas, 76 x 122 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/Outi-Pieski-installation-view-at-Tate-St-Ives,-2024-Tate-(Oliver-Cowling)_37.jpg Outi Pieski, installation view, Tate St Ives, 2024. Photo: © Tate/Oliver Cowling. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/Outi-Pieski-installation-view-at-Tate-St-Ives,-2024-Tate-(Oliver-Cowling)-_19.jpg Outi Pieski, installation view, Tate St Ives, 2024. Photo: © Tate/Oliver Cowling. https://www.studiointernational.com/images/articles/p/012-pieski-outi-2024/Outi-Pieski-installation-view-at-Tate-St-Ives,-2024-Tate-(Oliver-Cowling)_51.jpg Outi Pieski, installation view, Tate St Ives, 2024. Photo: © Tate/Oliver Cowling. https://www.studiointernational.com/index.php/leo-robinson-interview-dream-bridge-omniglyph-london-mithraeum-bloomberg-space https://www.studiointernational.com/images/articles/r/030-robinson-leo-2024/Leo-Robinson_0001-copy.jpg Leo Robinson: DREAM–BRIDGE–OMNIGLYPH, installation view, 2023, Photo: Marcus Leith. https://www.studiointernational.com/images/articles/r/030-robinson-leo-2024/Leo-Robinson_0042-copy.jpg Leo Robinson: DREAM–BRIDGE–OMNIGLYPH, installation view, 2023, Photo: Marcus Leith. https://www.studiointernational.com/images/articles/r/030-robinson-leo-2024/Leo-Robinson_0055-copy.jpg Leo Robinson: DREAM–BRIDGE–OMNIGLYPH, installation view, 2023, Photo: Marcus Leith. https://www.studiointernational.com/images/articles/r/030-robinson-leo-2024/Leo-Robinson_0064-copy.jpg Leo Robinson: DREAM–BRIDGE–OMNIGLYPH, installation view, 2023, Photo: Marcus Leith. https://www.studiointernational.com/index.php/yoko-ono-music-of-the-mind-review-tate-modern-london https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/Yoko-Ono-with-Glass-Hammer.jpg Yoko Ono with Glass Hammer 1967 from HALF-A-WIND SHOW, Lisson Gallery, London, 1967. Photo: © Clay Perry. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/Yoko-Ono,-Sky-TV,-1966-Photo-Cathy-Carver-Courtesy-of-Hirshhorn-Museum.jpg Yoko Ono, Sky TV 1966/2014. Courtesy the artist. Installation view courtesy of Hirshhorn Museum and Sculpture Garden. Photo: © Cathy Carver. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/13-Yoko-Ono,-Helmets-(Pieces-of-Sky).jpg Yoko Ono, Helmets (Pieces of Sky), 2001, installation view, Yoko Ono: Music of the Mind, Tate Modern, London, 2024. Photo: © Tate/Lucy Green. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/04-Yoko-Ono,-Painting-to-be-Stepped-On-.jpg Yoko Ono, Painting to be Stepped On, 1961, installation view, Yoko Ono: Music of the Mind, Tate Modern, London, 2024. Photo: © Tate/Reece Straw. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/07-Yoko-Ono,-Bag-Piece-(3).jpg Yoko Ono, Bag Piece, 1964, installation view, Yoko Ono: Music of the Mind, Tate Modern, London, 2024. Photo: © Tate/Lucy Green. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/11-Yoko-Ono,-White-Chess-Set.jpg Yoko Ono, White Chess Set, 1966, installation view, Yoko Ono: Music of the Mind, Tate Modern, London, 2024. Photo: © Tate/Reece Straw. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/15-Yoko-Ono,-Add-Colour-(Refugee-Boat)-(4).jpg Yoko Ono, Add Colour (Refugee Boat), concept 1960, installation view, Yoko Ono: Music of the Mind, Tate Modern, London, 2024. Photo: © Tate/Reece Straw. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/Apple-1966-Photo-Thomas-Griesel.jpg Yoko Ono, Apple, 1966 from Yoko Ono: One Woman Show, 1960-1971, MoMA, NYC, 2015. Photo: © Thomas Griesel. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/PEACE-is-POWER,-first-realised-2017.-Photo-Filipe-Braga.jpg Yoko Ono, PEACE is POWER, 2017, installation view, Yoko Ono: The Learning Garden of Freedom, Fundação de Serralves – Museu de Arte Contemporânea, Porto, 2020. Photo: © Filipe Braga. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/Yoko-Ono,-Cut-Piece-1964-Performed-by-Yoko-Ono-in-New-Works-by-Yoko-Ono,-1965.jpg Yoko Ono, Cut Piece 1964. Performed by Yoko Ono in New Works by Yoko Ono, Carnegie Recital Hall, NYC, 21 March 1965. Photo: © Minoru Niizuma. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/Yoko-Ono,-Film-No-4-(Bottoms),-1966-Courtesy-the-artist.jpg Yoko Ono, Film No. 4 (Bottoms) 1966. Courtesy the artist. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/Yoko-Ono,-Fly,-1970-Courtesy-the-artist.jpg Yoko Ono, FLY, 1970-71. Courtesy the artist. https://www.studiointernational.com/images/articles/y/091-yoko-ono-2024/Yoko-Ono,-Grapefruit,-Page-11,-SECRET-PIECE,-1964-Courtesy-the-artist.jpg Yoko Ono, Grapefruit, Page 11, SECRET PIECE, 1964. Courtesy the artist. https://www.studiointernational.com/index.php/gayle-chong-kwan-video-interview-a-pocket-full-of-sand-john-hansard-southampton-taotie-compton-verney https://www.studiointernational.com/images/articles/k/040-kwan-gayle-chong-2024/Gayle_Chong_Kwan_A_Pocket_Full_of_Sand_001.jpg Gayle Chong Kwan: A Pocket Full of Sand, installation view, John Hansard Gallery, Southampton, 10 February – 1 May 2024. Photo: Reece Straw. https://www.studiointernational.com/images/articles/k/040-kwan-gayle-chong-2024/Gayle_Chong_Kwan_A_Pocket_Full_of_Sand_082.jpg Gayle Chong Kwan: A Pocket Full of Sand, installation view, John Hansard Gallery, Southampton, 10 February – 1 May 2024. Photo: Reece Straw. https://www.studiointernational.com/images/articles/k/040-kwan-gayle-chong-2024/Gayle_Chong_Kwan_A_Pocket_Full_of_Sand_037.jpg Gayle Chong Kwan: A Pocket Full of Sand, installation view, John Hansard Gallery, Southampton, 10 February – 1 May 2024. Photo: Reece Straw. https://www.studiointernational.com/images/articles/k/040-kwan-gayle-chong-2024/gayle-chong-kwan-sugar-map.jpg Gayle Chong Kwan: A Pocket Full of Sand, installation view, John Hansard Gallery, Southampton, 10 February – 1 May 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/k/040-kwan-gayle-chong-2024/Gayle_Chong_Kwan_A_Pocket_Full_of_Sand_040.jpg Gayle Chong Kwan: A Pocket Full of Sand, installation view, John Hansard Gallery, Southampton, 10 February – 1 May 2024. Photo: Reece Straw. https://www.studiointernational.com/images/articles/k/040-kwan-gayle-chong-2024/Gayle_Chong_Kwan_A_Pocket_Full_of_Sand_013.jpg Gayle Chong Kwan: A Pocket Full of Sand, installation view, John Hansard Gallery, Southampton, 10 February – 1 May 2024. Photo: Reece Straw. https://www.studiointernational.com/images/articles/k/040-kwan-gayle-chong-2024/Gayle_Chong_Kwan_A_Pocket_Full_of_Sand_041.jpg Gayle Chong Kwan: A Pocket Full of Sand, installation view, John Hansard Gallery, Southampton, 10 February – 1 May 2024. Photo: Reece Straw. https://www.studiointernational.com/images/articles/k/040-kwan-gayle-chong-2024/Gayle_Chong_Kwan_A_Pocket_Full_of_Sand_078.jpg Gayle Chong Kwan: A Pocket Full of Sand, installation view, John Hansard Gallery, Southampton, 10 February – 1 May 2024. Photo: Reece Straw. https://www.studiointernational.com/images/articles/k/040-kwan-gayle-chong-2024/Gayle_Chong_Kwan_A_Pocket_Full_of_Sand_083.jpg Gayle Chong Kwan: A Pocket Full of Sand, installation view, John Hansard Gallery, Southampton, 10 February – 1 May 2024. Photo: Reece Straw. https://www.studiointernational.com/index.php/harold-cohen-aaron-review-whitney-museum-of-american-art https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS73495_Harold-Cohen-AARON-for-KCat-2021_web.jpg Harold Cohen, AARON KCAT, 2001. Screenshot. Artificial intelligence software. Dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee 2023.20. © Harold Cohen Trust. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS73496_Harold-Cohen-AARON-Gijon-2007.jpg Harold Cohen, AARON Gijon, 2007. Screenshot. Artificial intelligence software. Dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee 2023.21. © Harold Cohen Trust. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS78105_Harold_Cohen_AARON_for_KCat_2001_-_3.jpg Harold Cohen, AARON KCAT, 2001. Screenshot. Artificial intelligence software. Dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee 2023.20. © Harold Cohen Trust. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS78107_Harold_Cohen_AARON_for_KCat_2001_-_4.jpg Harold Cohen, AARON KCAT, 2001. Screenshot. Artificial intelligence software. Dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee 2023.20. © Harold Cohen Trust. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS78110_Harold_Cohen_AARON_for_KCat_2001_-_7.jpg Harold Cohen, AARON KCAT, 2001. Screenshot. Artificial intelligence software. Dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee 2023.20. © Harold Cohen Trust. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS78106_Harold_Cohen_AARON_for_KCat_2001_-_5.jpg Harold Cohen, AARON KCAT, 2001. Screenshot. Artificial intelligence software. Dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee 2023.20. © Harold Cohen Trust. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS78109_Harold_Cohen_AARON_for_KCat_2001_-_8b.jpg Harold Cohen, AARON KCAT, 2001. Screenshot. Artificial intelligence software. Dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee 2023.20. © Harold Cohen Trust. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS78111_Harold_Cohen_AARON_for_KCat_2001_-_9.jpg Harold Cohen, AARON KCAT, 2001. Screenshot. Artificial intelligence software. Dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee 2023.20. © Harold Cohen Trust. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS78112_Harold_Cohen_AARON_for_KCat_2001_-_6.jpg Harold Cohen, AARON KCAT, 2001. Screenshot. Artificial intelligence software. Dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee 2023.20. © Harold Cohen Trust. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS79404_WMAA_H._COHEN_INSTALL_10D_PS-scr.jpg Harold Cohen: AARON, installation view, Whitney Museum of American Art, New York, 3 February – 19 May 2024. Photo: Ron Amstutz. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS79406_WMAA_H._COHEN_INSTALL_14-scr.jpg Active plotters drawing images from different periods of the AARON software. Plotter fabricated by Bantam Tools; courtesy Bre Pettis. Installation view, Harold Cohen: AARON, Whitney Museum of American Art, New York, 3 February – 19 May 2024. Photo: Ron Amstutz. https://www.studiointernational.com/images/articles/c/&081-cohen-harold-2024/RS79414_WMAA_H._COHEN_INSTALL_19_PS-scr.jpg Harold Cohen: AARON, installation view, Whitney Museum of American Art, New York, 3 February – 19 May 2024. Photo: Ron Amstutz. https://www.studiointernational.com/index.php/the-korean-moment-united-states https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Minjae-Kim,-Ghost-chair-(1).jpg Minjae Kim, Ghost chair, 2023. Stained and lacquered Douglas Fir, acrylic paint, 32 x 145½ x 15½ in. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/BYRON-KIM-BQO-45-(Morning-Burnoff),-2023.jpg Byron Kim, B.Q.O. 45 (Morning Burnoff), 2023. Acrylic on canvas mounted on panel, 82 x 60 in (208.3 x 152.4 cm). Image courtesy James Cohan. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Kay-Seohyung-Lee,-Fire,-2023.jpg Kay Seohyung Lee, Fire, 2023. Gouache on birch panel, 30 x 40 in. Courtesy Yiwei Gallery. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Sarah-Lee,-Among-Trees,-2023.jpg Sarah Lee, Among Trees, 2023. Oil on canvas, 50 x 52 in (127 x 132 cm). Image courtesy Albertz Benda. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Fountain-with-Sunflowers_Summer-Wheat_Shulamit-Nazarian.jpg Summer Wheat, Fountain with Sunflowers, 2023. Acrylic paint and gouache on aluminum mesh, framed, 69 ¾ x 48 ¾ in (177.2 x 123.8 cm). Image courtesy the artist and Nazarian / Curcio. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Youngmin-Park,-Closer,-2024.jpg Youngmin Park, Closer, 2024, Oil on wood panel, 4 x 20 in (each panel is 4x4 in) Image courtesy the artist and Make Room, Los Angeles. Photo: Daniel Greer. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Kim-Sung-Yoon-flowers.jpg Kim Sung Yoon, Flowers in the Neo-Celladon Ball-Shaped Bottle, 2023. Oil on linen, 57.3 x 35.2 in (145.5 x 89.4 cm). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Yoo-Eui-Jeong-vase.jpg Yoo Eui Jeong, Neo-Celladon Ball-Shaped Bottle, 2020. Celadon, 15 x 5.9 dia in (38 x dia 15 cm). Photo: Jill Spalding. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Mat_120x165_21-24_front-copy-2.jpg Suki Seokyeong Kang, Mat 120 × 165 #21-24, 2021. Painted steel, woven dyed Hwamunseok, thread, wood frame, brass bolts, leather scraps, 69 x 49.75 x 2 in (175 x 126 x 5 cm). Image courtesy Commonwealth and Council. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/2024_02_07_CC27751.jpg Lotus L. Kang. Molt (New York-Woodridge-Los Angeles-), 2022-24. Tanned and unfixed film (continually sensitive), spherical magnets, Approx 142 x 50 in (361 x 127 cm); approx. 112 x 50 in (85 x 127 cm); installation dimensions variable. Image courtesy Commonwealth and Council. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Lee-Seung-taek,-Torso,-1978,-Hammer-show-IMG_5741.jpg Lee Seung-taek, Torso, 1978. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Park-Hyunki,-Untitled-(TV-Stone-Tower),-1982.jpg Park Hyunki, Untitled (TV Stone Tower), 1982. Video, colour, silent, CRT monitor, stones. Dimensions variable. Guggenheim Abu Dhabi. © Park Hyunki. Photo courtesy of Guggenheim Abu Dhabi. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/only-the-young-hammer-museum-install-view-750.jpg Only the Young: Experimental Art in Korea, 1960s–1970s, installation view, Hammer Museum, Los Angeles, 11 February – 12 May 2024. Photo: Joshua White / JWPictures.com. https://www.studiointernational.com/images/articles/k/039-korean-moment-2024/Fertile-Ground_Summer-Wheat_Shulamit-Nazarian.jpg Summer Wheat, Fertile Ground, 2023. Acrylic paint and gouache on aluminum mesh, framed, 48 ¾ x 69 ¾ in (123.8 x 177.2 cm). Image courtesy the artist and Nazarian / Curcio. https://www.studiointernational.com/index.php/moon-king-the-work-and-friendship-of-phillip-king-and-jeremy-moon-1956-to-1973-thomas-dane-gallery-london https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/1964_JM_TDA16719_Mandarin.jpg Jeremy Moon, Mandarin, 1964. Acrylic on wood, 168.9 x 195.6 cm (66 1/2 x 77 in). © Estate of Jeremy Moon. Courtesy the estate and Luhring Augustine, New York. Photo: John Berens. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/1966_JM_TDA16732_Carousel_floor-view.jpg Jeremy Moon, Carousel, 1966. Acrylic on canvas, 140 x 475 cm (55 x 187 in). © Estate of Jeremy Moon. Courtesy the estate and Luhring Augustine, New York. Photo: John Berens. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/2013_PK_TDA05085_DUNSTABLE-REEL-MAQUETTE.jpg Phillip King, Dunstable Reel Maquette, 2013. Painted steel, 55 x 62 x 24 cm (21 5/8 x 24 3/8 x 9 1/2 in). © The Estate of Phillip King. Courtesy the estate and Thomas Dane Gallery. Photo: Luke A Walker. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/1965_PK_TDA03948_Point-X_7025_edit.jpg Phillip King, Point X, 1965. Plastic, 183 x 188 x 152.5 cm (72 1/8 x 74 1/8 x 60 1/8 in). © The Estate of Phillip King. Courtesy the estate and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/1964-2018_PK_And-the-Birds-began-to-Sing-Courtesy-C-B_3.jpg Phillip King, And the Birds Began to Sing, 1964/2018. Painted fibreglass, 168 x 213 x 213 cm (66 1/8 x 83 7/8 x 83 7/8 in). © The Estate of Phillip King. Courtesy the estate and Thomas Dane Gallery. Photo: Studio Rémi Villaggi. Courtesy Ceysson & Bénétière. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/2024_Moon-King_Install-views_TDG-DS-11_ph-Ben-Westoby_18.jpg Moon / King: the work and friendship of Phillip King and Jeremy Moon - 1956 to 1973. Installation view, Thomas Dane Gallery, 2024. © Estate of Jeremy Moon. © The Estate of Phillip King. Courtesy the estates, Luhring Augustine, New York and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/2024_Moon-King_Install-views_TDG-DS-11_ph-Ben-Westoby_1.jpg Moon / King: the work and friendship of Phillip King and Jeremy Moon - 1956 to 1973. Installation view, Thomas Dane Gallery, 2024. © Estate of Jeremy Moon. © The Estate of Phillip King. Courtesy the estates, Luhring Augustine, New York and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/2024_Moon-King_Install-views_TDG-DS-3_ph-Ben-Westoby_6.jpg Moon / King: the work and friendship of Phillip King and Jeremy Moon - 1956 to 1973. Installation view, Thomas Dane Gallery, 2024. © Estate of Jeremy Moon. © The Estate of Phillip King. Courtesy the estates, Luhring Augustine, New York and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/1965_JM_TDA16725_Work-on-paper.jpg Jeremy Moon, Work on paper, 1965. Paint, oil stick, pastel on paper, 11.4 x 11.3 cm (4 1/2 x 4 7/16 in). © Estate of Jeremy Moon. Courtesy the estate and Luhring Augustine, New York. Photo: Farzad Owrang. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/1967_JM_TDA16737_Yellow-Flight_floor-view.jpg Jeremy Moon, Yellow Flight, 1967. Acrylic on canvas, 180 x 208 cm (70 3/4 x 82 in). © Estate of Jeremy Moon. Courtesy the estate and Luhring Augustine, New York. Photo: Farzad Owrang. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/1987_PK_TDA04068_Moon-in-Taurus-(Maquette)_6.jpg Phillip King, Moon in Taurus Maquette, 1987. Bronze, 28 x 23 x 17.5 cm (11 x 9 x 7 in). © The Estate of Phillip King. Courtesy the estate and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/2024_Moon-King_Install-views_TDG-DS-11_ph-Ben-Westoby_5.jpg Moon / King: the work and friendship of Phillip King and Jeremy Moon - 1956 to 1973. Installation view, Thomas Dane Gallery, 2024. © Estate of Jeremy Moon. © The Estate of Phillip King. Courtesy the estates, Luhring Augustine, New York and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/m/&094-moon-king-2024/2024_Moon-King_Install-views_TDG-DS-3_ph-Ben-Westoby_13.jpg Moon / King: the work and friendship of Phillip King and Jeremy Moon - 1956 to 1973. Installation view, Thomas Dane Gallery, 2024. © Estate of Jeremy Moon. © The Estate of Phillip King. Courtesy the estates, Luhring Augustine, New York and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/index.php/barbara-kruger-thinking-of-you-i-mean-me-i-mean-you-review-serpentine-south-london https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/BKR_36911_Untitled_Remember_me_1988_2020_group.jpg Barbara Kruger, Untitled (Remember me), 1988/2020 (stills). Single-channel video on LED panel, sound, 23 sec. 350.1 × 250.1 cm (137 7/8 × 98 1/2 in). Courtesy the artist and Sprüth Magers. https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/SerpKruger_001.jpg Barbara Kruger: Thinking of You. I Mean Me. I Mean You. Installation view, 1 February – 17 March 2024, Serpentine South. Photo: George Darrell. https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/SerpKruger_018-1.jpg Barbara Kruger: Thinking of You. I Mean Me. I Mean You. Installation view, 1 February – 17 March 2024, Serpentine South. Photo: George Darrell. https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/BKR_Install_2022_Barbara_Kruger_David_Zwirner_Gallery_New_York_59.jpg Barbara Kruger: Thinking of You. I Mean Me. I Mean You. Installation view, 1 February – 17 March 2024, Serpentine South. Photo: George Darrell. https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/J2870_093-int.jpg Barbara Kruger: Thinking of You. I Mean Me. I Mean You. Installation view, 1 February – 17 March 2024, Serpentine South. Photo: George Darrell. https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/BKR_BARBARA_KRUGER_THINKING._AIC_2021_09.jpg Barbara Kruger: Thinking of You. I Mean Me. I Mean You. Installation view, 1 February – 17 March 2024, Serpentine South. Photo: George Darrell. https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/SerpKruger_009-2.jpg Barbara Kruger Untitled (No Comment), 2020 Three-channel video installation, colour, sound, 9 min. 25 sec. Installation view, Barbara Kruger: Thinking of You. I Mean Me. I Mean You. Installation view, 1 February – 17 March 2024, Serpentine South. Photo: George Darrell. https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/BKR_36913_Untitled_Our_Leader_1987_2020_01.jpg Barbara Kruger, Untitled (Our Leader), 1987/2020. Single-channel video on LED panel, sound, 24 sec, 350.1 × 200.1 cm (137 7/8 × 78 3/4 in). Courtesy the artist and Sprüth Magers. https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/SerpKruger_012.jpg Barbara Kruger: Thinking of You. I Mean Me. I Mean You. Installation view, 1 February – 17 March 2024, Serpentine South. Photo: George Darrell. https://www.studiointernational.com/images/articles/k/038-kruger-barbara-2024/SerpKruger_018.2.jpg Barbara Kruger: Thinking of You. I Mean Me. I Mean You. Installation view, 1 February – 17 March 2024, Serpentine South. Photo: George Darrell. https://www.studiointernational.com/index.php/entangled-pasts-1768-now-art-colonialism-and-change-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/e/062-entangled-past-2024/Key-116.jpg Kara Walker, no world, from An Unpeopled Land in Uncharted Waters, 2010. Etching with aquatint, sugar-lift, spit-bite and drypoint on paper, 68.6 x 99.1 cm. British Museum, London. © Kara Walker, courtesy of Sikkema Jenkins & Co. and Sprüth Magers. https://www.studiointernational.com/images/articles/e/062-entangled-past-2024/Key-125.jpg Francis Harwood, Bust of a Man, 1758. Black stone (pietra di paragone) on a yellow Siena marble socle, 69.9 x 50.2 x 26.7 cm. The J. Paul Getty Museum, Los Angeles. Digital image courtesy of Getty’s Open Content Program. https://www.studiointernational.com/images/articles/e/062-entangled-past-2024/Key-180.jpg Ellen Gallagher, Whale Falls, 2017. Oil, acrylic, ink and paper on canvas, 188 x 202 cm. The Ekard Collection. © Ellen Gallagher. Courtesy the artist and Hauser & Wirth. Photo: Ernst Moritz. https://www.studiointernational.com/images/articles/e/062-entangled-past-2024/Key-22.jpg Sir Joshua Reynolds PRA, Portrait of a Man, probably Francis Barber, c1770. Oil on canvas, 78.7 x 63.8 cm. The Menil Collection, Houston. Photo © Hickey-Robertson, Houston. https://www.studiointernational.com/images/articles/e/062-entangled-past-2024/Key-5.jpg Lubaina Himid, Naming the Money, 2004. Installation view of Navigation Charts exhibition, Spike Island, Bristol, 2017. © Lubaina Himid. Image courtesy the artist, Hollybush Gardens, London and National Museums, Liverpool. © Spike Island, Bristol. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/e/062-entangled-past-2024/Key-89.jpg John Singleton Copley, Watson and the Shark, 1778. Oil on canvas, 183.5 x 229.6 cm. Museum of Fine Arts (MFA), Boston. Photograph © 2023 Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/e/062-entangled-past-2024/Key-221.jpg Hew Locke, Armada, 2017-19. Installation view, Here’s the Thing exhibition, Ikon Gallery, Birmingham, 2019. Courtesy the artist and Ikon Gallery. Photo: Stuart Whipps. https://www.studiointernational.com/index.php/francis-picabia-women-works-on-paper-1902-1950-review-michael-werner-gallery-london https://www.studiointernational.com/images/articles/p/011-picabia-francis-2024/PIC-208.jpg Francis Picabia. Quadrilogie amoureuse (Amorous Quadrilogy) c1932. Pencil, pastel, charcoal, ink on paper mounted on board, 45 1/4 x 35 1/2 in (115 x 90 cm). © The Estate of Francis Picabia. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/p/011-picabia-francis-2024/PIZ-102[95].jpg Francis Picabia. Espagnole, c1923–27. Watercolour, ink, pencil on paper mounted on board, 32 3/4 x 27 1/4 in (83.5 x 69 cm). © The Estate of Francis Picabia. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/p/011-picabia-francis-2024/PIZ-9.jpg Francis Picabia. Espagnole, c1926-27. Watercolour, pencil on paper, 23 3/4 x 18 in (60.5 x 45.5 cm). © The Estate of Francis Picabia. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/p/011-picabia-francis-2024/PIZ-156.jpg Francis Picabia. Untitled (Portrait de Greta Garbo), c1940–42. Gouache, charcoal, pencil on paper, 10 3/4 x 8 1/4 in (27 x 21 cm). © The Estate of Francis Picabia. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/p/011-picabia-francis-2024/2024-PIZ-MWL-INSTALL-3-detail.jpg Francis Picabia: Women: Works on Paper 1902-1950, installation view, Michael Werner Gallery, London. © The Estate of Francis Picabia. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/p/011-picabia-francis-2024/1000-2024-PIZ.jpg Francis Picabia: Women: Works on Paper 1902-1950, installation view, Michael Werner Gallery, London. © The Estate of Francis Picabia. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/p/011-picabia-francis-2024/2024-PIZ-MWL-INSTALL-10.jpg Francis Picabia: Women: Works on Paper 1902-1950, installation view, Michael Werner Gallery, London. © The Estate of Francis Picabia. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/p/011-picabia-francis-2024/2024-PIZ-MWL-INSTALL-11.jpg Francis Picabia: Women: Works on Paper 1902-1950, installation view, Michael Werner Gallery, London. © The Estate of Francis Picabia. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/images/articles/p/011-picabia-francis-2024/2024-PIZ-MWL-INSTALL-15.jpg Francis Picabia: Women: Works on Paper 1902-1950, installation view, Michael Werner Gallery, London. © The Estate of Francis Picabia. Courtesy Michael Werner Gallery, New York and London. https://www.studiointernational.com/index.php/sargent-and-fashion-review-tate-britain-london https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/03-John-Singer-Sargent,-Madame-X,-1883.jpg John Singer Sargent, Madame X, 1883-84. Oil paint on canvas, 208.6 x 109.9 cm. Lent by The Metropolitan Museum of Art, Arthur Hoppock Hearn Fun, 1916. Image copyright The Metropolitan Museum of Art / Art Resource / Scala, Florence. https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/01-John-Singer-Sargent,-Lady-Sassoon,-1907.jpg John Singer Sargent, Lady Sassoon, 1907. Oil paint on canvas, 157.5 x 104 cm. Private Collection. Image © Houghton Hall. https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/07-John-Singer-Sargent,-Dr-Pozzi-at-Home,-1881.jpg John Singer Sargent, Dr Pozzi at Home, 1881. Oil paint on canvas, 201.6 x 102.2 cm. The Armand Hammer Collection, Gift of the Armand Hammer Foundation. Hammer Museum, Los Angeles. https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/05-John-Singer-Sargent,-Portrait-of-Miss-Elsie-Palmer-(A-Lady-in-White),-1889-1890.jpg John Singer Sargent, Portrait of Miss Elsie Palmer (A Lady in White), 1889-90. Oil paint on canvas, 190.8 x 114.6 cm. Colorado Springs Fine Arts Center (Colorado Springs, USA). https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/09-John-Singer-Sargent,-La-Carmencita,-1890.jpg John Singer Sargent, La Carmencita, 1890. Oil paint on canvas, 221 x 114.3 cm. Paris, musée d https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/12-John-Singer-Sargent,-Mrs-Carl-Meyer-and-her-Children,-1896.jpg John Singer Sargent, Mrs Carl Meyer and her Children, 1896. Oil paint on canvas, 201.4 x 134.0 cm. Tate. Photo © Tate. https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/10-Sargent-and-Fashion-installation-view.jpg Sargent and Fashion, installation view with Ellen Terry as Lady Macbeth and Beetle-Wing Dress at Tate Britain 2024. Photo © Tate (Jai Monaghan). https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/04-Sargent-and-Fashion-installation-view-with-Miss-Elsie-Palmer,.jpg Sargent and Fashion, installation view with Miss Elsie Palmer, 1889-90 and House of Worth dresses at Tate Britain 2024. Photo © Tate (Jai Monaghan). https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/02-Opera-cloak-worn-by-Lady-Sassoon,-c1895.jpg Opera cloak worn by Lady Sassoon, c1895. Silk satin and taffeta with lace, 153 x 75 x 90 cm. Private Collection. Image © Houghton Hall. https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/04-John-Singer-Sargent,-Mrs-Hugh-Hammersley,-1892.jpg John Singer Sargent, Mrs Hugh Hammersley, 1892. Oil paint on canvas, 205.7 x 115.6 cm. Lent by the Metropolitan Museum of Art, Gift of Mr. and Mrs. Douglass Campbell, in memory of Mrs. Richard E. Danielson, 1998.. Image copyright The Metropolitan Museum of Art / Art Resource / Scala, Florence. https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/06-John-Singer-Sargent,-Ena-and-Betty,-Daughters-of-Asher-and-Mrs-Wertheimer,-1901.jpg John Singer Sargent, Ena and Betty, Daughters of Asher and Mrs Wertheimer, 1901. Oil paint on canvas, 185.4 x 130.8 cm. Tate. Photo © Tate (Joe Humphrys). https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/08-John-Singer-Sargent,-Portrait-of-Ena-Wertheimer-A-Vele-Gonfie,-1904.jpg John Singer Sargent, Portrait of Ena Wertheimer: A Vele Gonfie, 1904. Oil paint on canvas, 163 x 108 cm. Tate. Photo © Tate (Oliver Cowling). https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/10-Costume-worn-by-La-Carmencita,-c1890.jpg Costume worn by La Carmencita, c1890. Silk, net, beads, sequins, 145 x 71 x 71 cm. Private Collection © Houghton Hall https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/11-John-Singer-Sargent,-Lady-Helen-Vincent,-Viscountess-dAbernon,-1904.jpg John Singer Sargent, Lady Helen Vincent, Viscountess d’Abernon, 1904. Oil paint on canvas; 158.8 x 108 cm. Collection of the Birmingham Museum of Art, Alabama; Museum purchase with funds provided by John Bohorfoush, the 1984 Museum Dinner and Ball, and the Museum Store. https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/05-Sargent-and-Fashion-installation-view.jpg Sargent and Fashion, installation view with Mrs Joshua Montgomery Sears, 1899 and House of Worth dress at Tate Britain 2024. Photo © Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/s/&075-sargent-and-fashion-2024/08-Sargent-and-Fashion-Installation-view.jpg Sargent and Fashion, installation view with La Carmencita, c1890 and her costume c1890 at Tate Britain 2024. Photo © Tate (Larina Fernandes). https://www.studiointernational.com/index.php/gillian-lowndes-radical-clay-review-holburne-museum-bath https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Holburne-Gillian-Lowndes-03-Jan-2024-Jo-Hounsome-Photography.jpg Gillian Lowndes, Hook Figure, 2008. 141 x 14 cm. Collection of Jenny Lowndes. Installation view, Gillian Lowndes: Radical Clay, Holburne Museum, Bath, 2024. Photo: Jo Hounsome Photography. https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Gillian-Lowndes,-Scrollscape-with-N-ail,-2003-(c)-The-Sunday-Painter.jpg Gillian Lowndes, Scrollscape with Nail, 2003. © The Sunday Painter. https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Gillian-Lowndes,-Almost-Off-the-Wall-(2001)-Photo-Dewi-Tannatt-Lloyd.jpg Gillian Lowndes, Almost Off the Wall, 2001. Collection of Jenny Lowndes. Photo: Dewi Tannatt Lloyd. https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Gillian-Lowndes,-Another-Cup-of-Tea,-2005-(c)-The-Sunday-Painter.jpg Gillian Lowndes, Another Cup of Tea, 2005. © The Sunday Painter. https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Holburne-Gillian-Lowndes-05-Jan-2024-Jo-Hounsome-Photography.jpg Gillian Lowndes. Hanging scroll, 1995. 145 x 27 cm. Collection of Ben Auld. Photo: Jo Hounsome Photography. https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Gillian-Lowndes,-Hook-series-(2008).-Collection-of-Jenny-Lowndes-Photo-Dewi-Tannatt-Lloyd.jpg Gillian Lowndes, Hook series, 2008. Collection of Jenny Lowndes. Photo: Dewi Tannatt Lloyd. https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Holburne-Gillian-Lowndes-01-Jan-2024-Jo-Hounsome-Photography.jpg Gillian Lowndes: Radical Clay, installation view, Holburne Museum, Bath, 2024. Photo: Jo Hounsome Photography. https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Holburne-Gillian-Lowndes-04-Jan-2024-Jo-Hounsome-Photography.jpg Gillian Lowndes: Radical Clay, installation view, Holburne Museum, Bath, 2024. Photo: Jo Hounsome Photography. https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Holburne-Gillian-Lowndes-07-Jan-2024-Jo-Hounsome-Photography.jpg Gillian Lowndes, Hook Figure with Cage, 1991. 75 x 60 x 23 cm. Collection of Ben Auld. Installation view, Gillian Lowndes: Radical Clay, Holburne Museum, Bath, 2024. Photo: Jo Hounsome Photography. https://www.studiointernational.com/images/articles/l/035-lowndes-gillian-2024/Holburne-Gillian-Lowndes-08-Jan-2024-Jo-Hounsome-Photography.jpg Gillian Lowndes: Radical Clay, installation view, Holburne Museum, Bath, 2024. Photo: Jo Hounsome Photography. https://www.studiointernational.com/index.php/soulscapes-review-african-diaspora-hurvin-anderson-dulwich-picture-library-london https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/Limestone-Wall.jpg Hurvin Anderson, Limestone Wall, 2020. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/che-lovelace-midnight-searchers.jpg Che Lovelace, Moonlight Searchers, 2022. Acrylic and dry pigment on board panels, private collection. Courtesy of the artist, Corvi-Mora, Various Small Fires and Nicola Vassell Gallery. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/On-Episode-Seven.jpg Kimathi Donkor, On Episode Seven, 2020. Acrylic on canvas, 61 x 76 cm Courtesy of the Artist and Niru Ratnam, London. Photo: Kimathi Donkor. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/A-Pleasant-Land.jpg Jermaine Francis, A Pleasant Land J, Samuel Johnson, & the Spectre of Unrecognised Black Figures, 2023. Photographic montage, 130 x 100 cm. Courtesy of Artist Jermaine Francis. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/Cassava-Garden.jpg Njideka Akunyili Crosby, Cassava Garden, 2015. Acrylic, transfers, colour pencil, charcoal and commemorative fabric on paper, 182.8 x 152.4 cm © Njideka Akunyili Crosby. Courtesy the artist, Victoria Miro, and David Zwirner. Photo: Robert Glowacki. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/1000-DPG-Soulscapes.jpg Soulscapes, installation view, Dulwich Picture Gallery, London, 14 February – 2 June 2024. Image courtesy Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/Isaac-Julien,-Onyx-Cave.jpg Isaac Julien, Onyx Cave (Stones Against Diamonds), 2015. © Isaac Julien / private collection, London. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/Unforeseen-Journey-Of-Self-Discovery.jpg Kimathi Mafafo, Unforeseen Journey of Self-Discovery, 2020. Hand and Machine Embroidered Fabric, 112 x 98 cm. Image courtesy of the artist / Kristin Hjellegjerde Gallery. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/DPG_Soulscapes-4000px-4O0A2771.jpg Soulscapes, installation view, Dulwich Picture Gallery, London, 14 February – 2 June 2024. Image courtesy Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/DPG_Soulscapes-4000px-4O0A2773.jpg Soulscapes, installation view, Dulwich Picture Gallery, London, 14 February – 2 June 2024. Image courtesy Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/DPG_Soulscapes-4000px-4O0A2809.jpg Soulscapes, installation view, Dulwich Picture Gallery, London, 14 February – 2 June 2024. Image courtesy Dulwich Picture Gallery. https://www.studiointernational.com/images/articles/s/&074-soulscapes-2024/DPG_Soulscapes-4000px-4O0A2918.jpg Soulscapes, installation view, Dulwich Picture Gallery, London, 14 February – 2 June 2024. Image courtesy Dulwich Picture Gallery. https://www.studiointernational.com/index.php/thea-djordjadze-framing-yours-making-mine-review-spruth-magers-london https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/TDJ_Install_framing_yours_making_mine_SML_2024_01.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. © Thea Djordjadze / VG Bild-Kunst, Bonn 2024. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/Upstairs-front-room-more-tilted-trays-pic-V-Simpson.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/TDJ_Install_framing_yours_making_mine_SML_2024_03.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. © Thea Djordjadze / VG Bild-Kunst, Bonn 2024. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/Thea-Djordjadze-in-action-painting-the-window-in-the-staircase-Pic-V-Simpson.jpg Thea Djordjadze painting the window in the staircase, Sprüth Magers, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/TDJ_Install_framing_yours_making_mine_SML_2024_05.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. © Thea Djordjadze / VG Bild-Kunst, Bonn 2024. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/Ground-floor,-main-gallery-(Voiceless-Wailing,-2009)-Pic-V-Simpson.jpg Thea Djordjadze, Voiceless Wailing, 2009. Installation view, framing yours making mine, Sprüth Magers, London, 23 February – 28 March 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/First-floor-work-that-evokes-Gplan-cabinet-Pic-V-Simpson.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/TDJ_Install_framing_yours_making_mine_SML_2024_10.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. © Thea Djordjadze / VG Bild-Kunst, Bonn 2024. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/TDJ_Install_framing_yours_making_mine_SML_2024_08.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. © Thea Djordjadze / VG Bild-Kunst, Bonn 2024. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/TDJ_Install_framing_yours_making_mine_SML_2024_04.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. © Thea Djordjadze / VG Bild-Kunst, Bonn 2024. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/TDJ_Install_framing_yours_making_mine_SML_2024_07.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. © Thea Djordjadze / VG Bild-Kunst, Bonn 2024. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/Ground-floor,-back-room-with-tent-like-sculpture-Pic-V-Simpson.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/Ground-floor,-main-gallery-with-coffin-bench-Pic-Veronica-Simpson.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/042-djordjadze-thea-2024/The-work-and-the-architecture-generating-tension-in-back-room,-first-floor-V-Simpson.jpg Thea Djordjadze, framing yours making mine, installation view, Sprüth Magers, London, 23 February – 28 March 2024. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/chronorama-photographic-treasures-of-the-20th-century-review-conde-nast-helmut-newton-berlin https://www.studiointernational.com/images/articles/c/&080-chronorama-2024/03_George_Hoyningen-Huene_Igor_Stravinsky_seated_with_a_hat_Vanity_Fair_1927_copyright_Cond_Nast.jpg George Hoyningen-Huene. Igor Stravinsky seated with a hat, Vanity Fair, 1927. © Condé Nast. https://www.studiointernational.com/images/articles/c/&080-chronorama-2024/04_Adolf-de-Meyer,-Young-girl-sitting-on-a-small-table-beside-a-globe,-Vogue,-1919,-copyright-Conde-Nast.jpg Adolph de Meyer. Young Girl Sitting [on a Small Table] Beside a Globe, Vogue, 1919. © Condé Nast. https://www.studiointernational.com/images/articles/c/&080-chronorama-2024/04_Bert_Stern_Twiggy_wearing_a_mod_minidress_by_Louis_Fraud_and_leather_shoes_by_Francois_Villon_Vogue_1967_copyright_Cond_Nast.jpg Bert Stern. Twiggy wearing a mod minidress by Louis Féraud, and leather shoes by François Villon, Vogue, 1967. © Condé Nast. https://www.studiointernational.com/images/articles/c/&080-chronorama-2024/02_Cecil_Beaton_Actress_Marlene_Dietrich_Vanity_Fair_1932_copyright_Cond_Nast.jpg Cecil Beaton. Actress Marlene Dietrich, Vanity Fair, 1932. © Condé Nast. https://www.studiointernational.com/images/articles/c/&080-chronorama-2024/05_Alexis_Waldeck_Actress-singer_Liza_Minnelli_Vogue_1967_copyright_Cond_Nast.jpg Alexis Waldeck. Actress-singer Liza Minnelli, Vogue, 1967. © Condé Nast. https://www.studiointernational.com/images/articles/c/&080-chronorama-2024/12_Jack_Robinson_Actor_Joe_Dallesandro_Vogue_1970_copyright_Cond_Nast.jpg Jack Robinson. Actor Joe Dallesandro, Vogue, 1970. © Condé Nast. https://www.studiointernational.com/images/articles/c/&080-chronorama-2024/3a_George-Hoyningen-Huene,-Divers,-Swimwear-by-A.-J.-Izod,-1930,-copyright-George-Hoyningen-Huene-Estate-Archives.jpg George Hoyningen-Huene. Divers, swimwear by A. J. Izod, 1930. © George Hoyningen-Huene Estate Archives. https://www.studiointernational.com/images/articles/c/&080-chronorama-2024/5a_George-Hoyningen-Huene,-Lee-Miller,-1930,-copyright-George-Hoyningen-Huene-Estate-Archives-web.jpg George Hoyningen-Huene. Lee Miller, 1930. © George Hoyningen-Huene Estate Archives. https://www.studiointernational.com/images/articles/c/&080-chronorama-2024/11_Helmut_Newton_Patti_Hansen_in_YSL_Promenade_des_Anglais_Nice_1976_copyright_Helmut_Newton_Foundation_courtesy_Cond_Nast.jpg Helmut Newton. Patti Hansen in Yves Saint Laurent, Promenade des Anglais, Nice 1976. © Helmut Newton Foundation, courtesy Condé Nast. https://www.studiointernational.com/index.php/william-blake-universe-review-fitzwilliam-museum-cambridge https://www.studiointernational.com/images/articles/b/&091-blake-william-2024/08.jpg William Blake, Frontispiece to Jerusalem, 1794-1808. Relief etching on paper, 26 x 19.5 cm. The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/b/&091-blake-william-2024/10.jpg Philipp Otto Runge, Self-portrait with Brown Collar, c1802. Oil on canvas, 37 x 31.5 cm. Hamburger Kunsthalle. © Hamburger Kunsthalle/bpk. Photo Elke Walford https://www.studiointernational.com/images/articles/b/&091-blake-william-2024/03.jpg Catherine Blake. Probably posthumous portrait of William Blake as a young man, c1830. Graphite on paper, 15.5 x 10.4 cm. The Fitzwilliam Museum, Cambridge. © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/b/&091-blake-william-2024/04.jpg James S. De Ville, Life mask of William Blake, 1823. Plaster, 29.5 x 17.3 x 26 cm. The Fitzwilliam Museum, Cambridge. © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/b/&091-blake-william-2024/05.jpg William Blake after Henry Fuseli, Head of a Damned Soul, c1789-90. Engraving and etching on paper, 47.3 x 38 cm. The Fitzwilliam Museum, Cambridge. © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/b/&091-blake-william-2024/02.jpg William Blake, Laocoön, c1825. Graphite, pen and watercolour, 53.7 x 43.5 cm. The Fitzwilliam Museum, Cambridge. © The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/b/&091-blake-william-2024/09.jpg Philipp Otto Runge, The Large Morning (Der Grosse Morgen), 1809-10. Oil on canvas, 152 x 113 cm. Hamburger Kunsthalle, Gift of Condred Meißner, 1894. © Hamburger Kunsthalle/bpk. Photo: Elke Walford. https://www.studiointernational.com/index.php/issam-kourbaj-urgent-archive-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/install-C533-1-8782.jpg Issam Kourbaj: Urgent Archive, installation view, Kettle’s Yard, Cambridge, 2 March – 26 May 2024. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/Kettles_Yard-(114-of-125)-copy.jpg Issam Kourbaj, Urgent archives, written in blood, 2019. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/Kettles_Yard-(3-of-7).jpg Issam Kourbaj, Killed, detained and missing (women), 2019. Ink on Pianola scrolls. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/install-window-C533-1-8445.jpg Issam Kourbaj: Urgent Archive, installation view, Kettle’s Yard, Cambridge, 2 March – 26 May 2024. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/Kettles_Yard-(40-of-70).jpg Issam Kourbaj. Date seeds. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/Kettles_Yard-(6-of-6)-copy.jpg Issam Kourbaj, Leave to Remain A Single Syrian grain, airborne, 2020. Written on the back of used stamps (single lines in English), 366 stamps, one per day/line. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/install-1000-C533-1-8586.jpg Issam Kourbaj: Urgent Archive, installation view, Kettle’s Yard, Cambridge, 2 March – 26 May 2024. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/Capsized,-2020.jpg Issam Kourbaj, Capsized, 2020. Crushed pram. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/Kettles_Yard-(17-of-125).jpg Issam Kourbaj, Defaced Intermediate Historical Atlas, 2019. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/Kettles_Yard-(19-of-19).jpg Issam Kourbaj, Threat, 2020. Single Syrian wheat seed under razor blade. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/Kettles_Yard-(2-of-19).jpg Issam Kourbaj, Splintered, 2016. Drawings, collage of acetate war images on paper. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/Kettles_Yard-(81-of-125).jpg Issam Kourbaj, Another Day Lost, 2019. Old diary and broken date stamp. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/The-Message-2020.jpg Issam Kourbaj, The Message, 2020. Single Syrian wheat seed inside glass bottle. Photo: This Is Photography. Courtesy the artist. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/install-C533-1-8586.jpg Issam Kourbaj: Urgent Archive, installation view, Kettle’s Yard, Cambridge, 2 March – 26 May 2024. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/install-C533-1-8655.jpg Issam Kourbaj: Urgent Archive, installation view, Kettle’s Yard, Cambridge, 2 March – 26 May 2024. https://www.studiointernational.com/images/articles/k/037-kourbaj-issam-2024/install-C533-1-8735.jpg Issam Kourbaj: Urgent Archive, installation view, Kettle’s Yard, Cambridge, 2 March – 26 May 2024. https://www.studiointernational.com/index.php/infinite-variety-harold-cohen-and-cybernetics-in-the-1960s-refactoring-gazelli-art-house-london https://www.studiointernational.com/images/articles/c/&079-cohen-harold-2024/H-Cohen-Sentinel,-1966.jpg Harold Cohen, Sentinel, 1966. Mixed media on canvas, 210.8 x 210.8 cm. This work was shown at the 33rd Venice Biennale 1966. Image courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/c/&079-cohen-harold-2024/H-Cohen-Quest-1966.jpg Harold Cohen, Quest, 1966, on view at Gazelli Art House, 2024. This work was shown at the Venice Biennale 1966. Image courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/c/&079-cohen-harold-2024/Cohen-from-SI.jpg Harold Cohen in his studio, photographed by Robyn Kempster, from the June 1968 issue of Studio International, page 312. https://www.studiointernational.com/images/articles/c/&079-cohen-harold-2024/H-Cohen-Untitled,-1969.jpg Harold Cohen, Untitled (i23-3451), 1969. DITRAN output and coloured felt tip on paper, 28 x 35.6 cm. Image courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/c/&079-cohen-harold-2024/H-Cohen-Untitled-1973.jpg Harold Cohen, Untitled (73DI-CYC-3-1), 1973. Unique plotter drawing in ink and pencil on paper, 31.6 x 36.5 cm. Image courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/c/&079-cohen-harold-2024/CS-showing-Pask.jpg Installation view of Cybernetic Serendipity, Institute of Contemporary Arts, London, 1968, showing Gordon Pask’s Colloquy of Mobiles (hanging from ceiling, foreground). © Cybernetic Serendipity. https://www.studiointernational.com/images/articles/c/&079-cohen-harold-2024/Harold-Cohen-Painting-Machine-Harold-with-machine--Boston-Computer-Museum-(C)-Hank-Morgan.jpg Harold Cohen with Painting Machine at Boston Computer Museum, 1995. Photographer Hank Morgan, image courtesy Gazelli Art House. https://www.studiointernational.com/images/articles/c/&079-cohen-harold-2024/Harold-with-SGI-System-Boston-Computer-Museum-(C)-Hank-Morgan.jpg Harold Cohen with SGI System, photographed at Boston Computer Museum, 1995. Photographer Hank Morgan, image courtesy Gazelli Art House. https://www.studiointernational.com/index.php/hanna-bekker-vom-rath-a-rebel-for-modern-art-review-brucke-museum-berlin https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/4-Bekker-Selbst,trauernd_1943.jpg Hanna Bekker, Self (Mourning), 1944. Oil on canvas. Stadtmuseum Hofheim am Taunus, long-term loan from the archive of the Estate Hanna Bekker vom Rath. Photo: Herbert Fischer, Frankfurt am Main. https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/1-Bekker_Hanna.jpg Hanna Bekker vom Rath, Berlin, Viktoria Luise Platz, 1929, Oil on canvas, Museum Wiesbaden. Photo: Museum Wiesbaden / Bernd Fickert. https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/8-HBvR-im-Erker-1946-MH-1960.Situationen-HB-Lehmbruck-1960-MH,-klein.jpg Hanna Bekker vom Rath with artworks by Alexej von Jawlensky, Ida Kerkovius, Alexander Archi-penko, Wilhelm Lehmbruck, as well as the river spirit Wuzhiqi (China, c960-1127 AD), 1946. Photo: Marta Hoepffner. © Estate Marta Hoepffner. https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/5-KSR-Veranda-mit-Sonnenschirm-oR-63604,-klein.jpg Karl Schmidt-Rottluff, Veranda with Parasol, 1958. Oil on canvas. Brücke-Museum, Karl und Emy Schmidt-Rottluff Stiftung. © VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/Exhibition-Design-Pool-Practice.jpg The map showing Hanna Bekker vom Rath https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/9-Benno-Walldorf_Portrait-HBvRath_Wiesbaden,-klein.jpg Benno Walldorf, Hanna Bekker vom Rath, 1968. Oil on canvas, Museum Wiesbaden. Photo: Museum Wiesbaden / Bernd Fickert. © VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/6-Klee,-LNufer-Haker-Boxer,-1920.jpg Paul Klee, Runner – Hooker – Boxer, 1920. Watercolour on paper. Museum Wiesbaden, long-term loan from the Archive of the Estate Hanna Bekker vom Rath. Photo: Fotostudio Herbert Fischer, Frankfurt. https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/2-Hanna_Bekker_vom_Rath01.jpg Exhibition view, Hanna Bekker vom Rath. A Rebel for Modern Art, Brücke-Museum, 2024. Photo: Alina Schmuch. https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/7-Jawlensky,-Spanierin,-1913,-Wiesbaden,-klein.jpg Alexej von Jawlensky, Spanish Woman (Woman’s Head against Grey Background), 1913. Oil on card-board. Museum Wiesbaden, acquired from the Estate of Hanna Bekker vom Rath 1987. Photo: Museum Wiesbaden / Bernd Fickert. © VG Bild-Kunst, Bonn. https://www.studiointernational.com/images/articles/v/068-vom-rath-hanna-bekker-2024/3-Hanna_Bekker_vom_Rath03.jpg Exhibition view, Hanna Bekker vom Rath. A Rebel for Modern Art, Brücke-Museum, 2024. Photo: Alina Schmuch. https://www.studiointernational.com/index.php/martin-boyce-interview-before-behind-between-above-below-fruitmarket-edinburgh https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0322_prv.jpg Martin Boyce. Spook School, 2016. Installation view, Fruitmarket Warehouse, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0297_prv.jpg Martin Boyce. Before Behind Between Above Below. Installation view, Fruitmarket Warehouse, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0208_prv.jpg Martin Boyce. Before Behind Between Above Below. Installation view, Fruitmarket, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0058_prv.jpg Martin Boyce. Future Blossom (for Yokeno Residence), 2022; Dead Star (Reclining), 2017; Ventilation Grills (for an Apartment Building,) 2003; Somewhere there are Trees, 2022; Same Day, 2015. Installation view, Fruitmarket, Edinburgh, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0192_prv.jpg Martin Boyce. Before Behind Between Above Below. Installation view, Fruitmarket, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0047_prv.jpg Martin Boyce. Ventilation Grills (for an Apartment Building,) 2003; Somewhere there are Trees, 2022. Installation view, Fruitmarket, Edinburgh, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0315_prv.jpg Martin Boyce, Long Distance Sleep Talking, 2022. Installation view, Fruitmarket Warehouse, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0028_prv.jpg Martin Boyce. Before Behind Between Above Below. Installation view, Fruitmarket, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/Martin-Boyce-Dead-Star-(Reclining),-2017-(detail).jpg Martin Boyce. Dead Star (Reclining), 2017. Installation view, Fruitmarket, Edinburgh, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/Martin-Boyce-Portrait.jpg Martin Boyce. Photo courtesy Fruitmarket, Edinburgh. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0039_prv.jpg Martin Boyce. Future Blossom (for Yokeno Residence), 2022; Same Day, 2015; Ventilation Grills (for an Apartment Building,) 2003; Somewhere there are Trees, 2022. Installation view, Fruitmarket, Edinburgh, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0227_prv.jpg Martin Boyce. L-R House Blessing (from the White Album by Joan Didion 1979), 1999; Looking Through Language, 2019; No Birds # 7, 2009; Disappear Here (1056 Endless Heights), 2001; Phantom Limb (Sister), 2002. Installation view, Fruitmarket, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/MB_240229_0321_prv.jpg Martin Boyce. Spook School, 2016; Fear Meets the Soul, 2008. Installation view, Fruitmarket Warehouse, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/images/articles/b/&090-boyce-martin-2024/Martin-Boyce-Future-Blossom-(For-Yokeno-Residence),-2022.jpg Martin Boyce. Future Blossom (for Yokeno Residence), 2022. Installation view, Fruitmarket, Edinburgh, 2024. Photo: Stefan Altenburger. https://www.studiointernational.com/index.php/sharjah-march-meeting-2024-tawashjuat-review-united-arab-emirates https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/Mohammed-Chabaa-Untitled-1977.jpg Mohammed Chabâa, Untitled, 1977. Installation view, The Casablanca Art School: Platforms and Patterns for a Postcolonial Avant-Garde (1962–87), Sharjah Art Foundation, 2024. Photo: Motaz Mawid. https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/Basma-Al-Sharif.jpg Basma Al Sharif, We Began By Measuring Distance (still), 2009. Commissioned by Sharjah Art Foundation and produced by Sharjah Art Foundation and Ramattan News Agency & Media Services. Installation view, In the eyes of our present, we hear Palestine, Old Al Dhaid Clinic, Sharjah, 2023–24. Photo: Danko Stjepanovic. https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/Abdul-Hay-Mosallam-Zarzara-.jpg Abdul Hay Mosallam Zarara, The martyr Abu Raja’a Abu Amasheh, 1976. Installation view, In the eyes of our present, we hear Palestine, Arts Palace, Al Dhaid, 2023. Sharjah Art Foundation Collection. Image courtesy of Sharjah Art Foundation. Photo: Shafeek Nalakath Kareem. https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/Henok-Melkamzer-Untitled-2023.jpg Henok Melkamzer, Untitled, 2023. Image courtesy of Sharjah Art Foundation. Photo: Shanavas Jamaluddin. https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/Gavin-Jantjes,-Untitled,-1989.jpg Gavin Jantjes, Untitled, 1989. From Zulu, c1984-90. Installation view, Gavin Jantjes: To Be Free! A Retrospective 1970–2023, Al Mureijah Art Spaces, Sharjah, 2023. Image courtesy of Sharjah Art Foundation. Photo: Shanavas Jamaluddin. https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/lala-ruhk-1.jpg Lala Rukh, River in an ocean: 5, 1993. Image courtesy of the Estate of Lala Rukh and Grey Noise, Dubai. https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/sharjah-meeting-2024-2.jpg Sharjah Biennial 16 co-curator and independent curator Zeynep Öz moderating the panel, titled Towards Counter-Hegemonic Infrastructures, with Yazan Khalili, Lara Khaldi (The Question of Funding); Joachim Hamou, Nabila Saidi (Trampoline House); Leah Gordon (Ghetto Biennale) at March Meeting. Sharjah Art Foundation, 2024. Photo: Motaz Mawid. https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/Abdul-Hay-Mosallam-Zarara-Till-When--2000.jpg Abdul Hay Mosallam Zarara, Till When, 2000. Installation vie,: In the eyes of our present, we hear Palestine, Arts Palace, Al Dhaid, 2023. Sharjah Art Foundation Collection. Image courtesy of Sharjah Art Foundation. Photo: Shafeek Nalakath Kareem. https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/Gavin-Jantjes-08.jpg Gavin Jantjes, Untitled, 1988. From Zulu, c1984-90. Installation view, Gavin Jantjes: To Be Free! A Retrospective 1970–2023, Al Mureijah Art Spaces, Sharjah, 2023. Image courtesy of Sharjah Art Foundation. Photo: Shanavas Jamaluddin. https://www.studiointernational.com/images/articles/s/&073-sharjah-2024/lala-ruhk-2.jpg Lala Rukh, River in an ocean: 6, 1993. Image courtesy of the Estate of Lala Rukh and Grey Noise, Dubai. https://www.studiointernational.com/index.php/matthew-wong-vincent-van-gogh-painting-as-a-last-resort-review-museum-amsterdam https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong,-See-You-on-the-Other-Side-HR.jpg Matthew Wong, See You on the Other Side, 2019. © 2023.Matthew Wong Foundation / c/o Pictoright Amsterdam 2023. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong,-The-Journey-Home_A.jpg Matthew Wong, The Journey Home, 2017, Private Collection, Courtesy of HomeArt © Matthew Wong Foundation c/o Pictoright Amsterdam 2023. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong,-Path-to-the-Sea.jpg Matthew Wong, Path to the Sea, 2019. © Matthew Wong Foundation c/o Pictoright Amsterdam 2023. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong,-The-Realm-of-Appearances-LR.jpg Matthew Wong, The Realm of Appearances, 2018. Private Collection. © Matthew Wong Foundation c/o Pictoright Amsterdam 2023. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong-The-Kingdom-HR.jpg Matthew Wong, The Kingdom, 2017. Collection of Liz Lange and David Shapiro. © Matthew Wong Foundation c/o Pictoright Amsterdam 2023. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Vincent-van-Gogh,-Wheatfield-with-a-Reaper-HR.jpg Vincent van Gogh, Wheatfield with a Reaper, 1889. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong,-The-Journey-Home_C.jpg Matthew Wong, The Journey Home, 2017, Private Collection, Courtesy of HomeArt © Matthew Wong Foundation c/o Pictoright Amsterdam 2023. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong,-The-Journey-Home_B.jpg Matthew Wong, The Journey Home, 2017, Private Collection, Courtesy of HomeArt © Matthew Wong Foundation c/o Pictoright Amsterdam 2023. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong,-The-Space-Between-Trees.jpg Matthew Wong, The Space Between Trees, 2019. Private Collection. © Matthew Wong Foundation c/o Pictoright Amsterdam 2023. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong-Coming-of-Age-Landscape-HR.jpg Matthew Wong, Coming of Age Landscape, 2018. Private Collection, courtesy of HomeArt 2023. Matthew Wong Foundation / © Matthew Wong Foundation c/o Pictoright Amsterdam 2023. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Matthew-Wong-Unknown-Pleasures-HR.jpg Matthew Wong, Unknown Pleasures, 2019. Museum of Modern Art, New York. © 2023 Matthew Wong Foundation / Pictoright Amsterdam, 2023. Digital image courtesy of MoMA. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Overzicht--Fotografie-Matthew-Wong-_14_web.jpg Installation view, Matthew Wong | Vincent van Gogh: Painting as a Last Resort, Van Gogh Museum. Photo: Michael Floor. https://www.studiointernational.com/images/articles/w/032-wong-matthew-2024/Pers-en-marcom-fotografie-Matthew-Wong-_20_web.jpg Installation view, Matthew Wong | Vincent van Gogh: Painting as a Last Resort, Van Gogh Museum. Photo: Michael Floor. https://www.studiointernational.com/index.php/paul-maheke-to-be-blindly-hopeful-review-mostyn-gallery-llandudno https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/Scene-from-Paul-Maheke-filmed-performance-Taboo-Durag,-2021-Pic-V-Simpson.jpg Paul Maheke. Scene from the filmed performance of Taboo Durag, 2021. Installation view, To be Blindly Hopeful, Mostyn Gallery, Llandudno, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/Mostyn-Gallery---Install-(MARCH-2024)-©Rob-Battersby-11.jpg Paul Maheke: To be Blindly Hopeful, installation view, Mostyn Gallery, Llandudno, 2024. Photo: © Rob Battersby. https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/Mostyn-Gallery-Install-(MARCH-2024)-Rob-Battersby-18.jpg Paul Maheke: To be Blindly Hopeful, installation view, Mostyn Gallery, Llandudno, 2024. Photo: © Rob Battersby. https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/The-Purple-Chamber-(2023)-Pic-V-Simpson.jpg Paul Maheke. The Purple Chamber, 2023. Installation view, To be Blindly Hopeful, Mostyn Gallery, Llandudno, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/To-Be-Blindly-Hopeful,-2024.jpg Installation view, Paul Maheke: To be Blindly Hopeful, Mostyn Gallery, Llandudno, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/Mostyn-Gallery-Install-(MARCH-2024)-Rob-Battersby-10.jpg Paul Maheke, Ancestral Muse II (blue), 2023. Acrylic pencil on aluminium panels, 50 x 75 cm. Photo: © Rob Battersby. https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/Ancestral-Muse-IV,-2023jpg.jpg Paul Maheke, Ancestral Muse IV, 2023. Acrylic pencil on aluminium panel, 75 x 50 cm. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/Mostyn-Gallery---Install-(MARCH-2024)-Rob-Battersby-9.jpg Paul Maheke: To be Blindly Hopeful, installation view, Mostyn Gallery, Llandudno, 2024. Photo: © Rob Battersby. https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/Mostyn-Gallery---Install-(MARCH-2024)-Rob-Battersby-8.jpg Paul Maheke: To be Blindly Hopeful, installation view, Mostyn Gallery, Llandudno, 2024. Photo: © Rob Battersby. https://www.studiointernational.com/images/articles/m/&092-maheke-paul-2024/Mostyn-Gallery-Install-(MARCH-2024)-Rob-Battersby-7.jpg Paul Maheke: To be Blindly Hopeful, installation view, Mostyn Gallery, Llandudno, 2024. Photo: © Rob Battersby. https://www.studiointernational.com/index.php/saul-leiter-an-unfinished-world-review-mk-gallery-milton-keynes https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/MK-Gallery-Saul-Leiter-Selection-(High-Res)-65.jpg Saul Leiter: An Unfinished World, installation view, MK Gallery, Milton Keynes, 2024. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/Saul-Leiter,-Through-Boards,-1957-(c)-Saul-Leiter-Foundation_Courtesy-Florence-and-Damien-Bachelot-Collection.jpg Saul Leiter, Through Boards, 1957. © Saul Leiter Foundation / Courtesy Florence and Damien Bachelot Collection. https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/Saul-Leiter,-Untitled,-undated-(c)-Saul-Leiter-Foundation-(1).jpg Saul Leiter, Untitled, undated. © Saul Leiter Foundation. https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/Saul-Leiter,-Untitled,-undated-(c)-Saul-Leiter-Foundation.jpg Saul Leiter, Untitled, undated. © Saul Leiter Foundation. https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/MK-Gallery-Saul-Leiter-Selection-(High-Res)-63.jpg Saul Leiter: An Unfinished World, installation view, MK Gallery, Milton Keynes, 2024. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/Saul-Leiter,-Ana,-1950s-(c)-Saul-Leiter-Foundation.jpg Saul Leiter, Ana, 1950s. © Saul Leiter Foundation. https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/MK-Gallery-Saul-Leiter-Selection-(High-Res)-13.jpg Saul Leiter: An Unfinished World, installation view, MK Gallery, Milton Keynes, 2024. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/MK-Gallery-Saul-Leiter-Selection-(High-Res)-25.jpg Saul Leiter: An Unfinished World, installation view, MK Gallery, Milton Keynes, 2024. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/MK-Gallery-Saul-Leiter-Selection-(High-Res)-47.jpg Saul Leiter: An Unfinished World, installation view, MK Gallery, Milton Keynes, 2024. Photo: © Rob Harris. https://www.studiointernational.com/images/articles/l/034-leiter-saul-2024/Saul-Leiter,-Pull-c1960-copyright-The-Saul-Leiter-Foundation.jpg Saul Leiter, Pull, c1960. © Saul Leiter Foundation. https://www.studiointernational.com/index.php/acts-of-creation-on-art-and-motherhood-review-arnolfini-bristol https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Claudette-Johnson,-Afterbirth-(1990)-Claudette-Johnson..jpg Claudette Johnson, Afterbirth, 1990. © Claudette Johnson. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Caroline-Walker,-Bottles-and-Pumps,-2022,-Courtesy-the-artist.jpg Caroline Walker, Bottles and Pumps, 2022, Courtesy the artist. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Anna-Grevenitis,-Regard-series-2015-Anna-Grevenitis.jpg Anna Grevenitis, Regard series, 2015–. Courtesy the artist. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Nancy-Willis-Self-Portrait-with-Lost-Baby.jpg Nancy Willis, Self-Portrait with Lost Baby, 1988. Installation view, Acts of Creation: On Art and Motherhood, Arnolfini, Bristol. Photo: Lisa Whiting. Courtesy Arnolfini and Hayward Gallery Touring. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Installation-view-of-Acts-of-Creation_-On-Art-and-Motherhood-at-Arnolfini,-Bristol.-Photo_-Lisa-Whiting.-Courtesy-Arnolfini-and-Hayward-Gallery-Touring.(1).jpg Installation view, Acts of Creation: On Art and Motherhood, Arnolfini, Bristol. Photo: Lisa Whiting. Courtesy Arnolfini and Hayward Gallery Touring. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Installation-view-of-Acts-of-Creation_-On-Art-and-Motherhood-at-Arnolfini,-Bristol.-Photo_-Lisa-Whiting.-Courtesy-Arnolfini-and-Hayward-Gallery-Touring(14).jpg Installation view, Acts of Creation: On Art and Motherhood, Arnolfini, Bristol. Photo: Lisa Whiting. Courtesy Arnolfini and Hayward Gallery Touring. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Hermione-Wiltshire,-Nicola-Preparing-for-Birth,-2008,-Courtesy-the-artist.jpg Hermione Wiltshire, Nicola Preparing for Birth, 2008. Courtesy the artist. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Janine-Antoni,-2038,-2000.jpg Janine Antoni, 2038, 2000. © Janine Antoni; Courtesy of the artist and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Paula-Rego-Untitled-2,-1999,-Courtesy-Cristea-Roberts-Gallery(1).jpg Paula Rego, Untitled 2, 1999. Courtesy Cristea Roberts Gallery. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Paula-Rego-Untitled-2,-1999,-Courtesy-Cristea-Roberts-Gallery.jpg Paula Rego, Untitled 2, 1999, Courtesy Cristea Roberts Gallery. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/Paula-Rego-Untitled-6,-1999,-Courtesy-Cristea-Roberts-Gallery.jpg Paula Rego, Untitled 6, 1999. Courtesy Cristea Roberts Gallery. https://www.studiointernational.com/images/articles/a/&096-acts-of-creation-2024/VALIE-EXPORT,-Die-Geburtenmadonna,-1976.jpg VALIE EXPORT, Die Geburtenmadonna, 1976 © VALIE EXPORT / Bildrecht, Wien 2023. https://www.studiointernational.com/index.php/anselm-kiefer-fallen-angels-review-palazzo-strozzi-florence https://www.studiointernational.com/images/articles/k/036-kiefer-anselm-2024/01-02(DSC09481-Pano)-photoElaBialkowskaOKNOstudio.jpg Anselm Kiefer, Engelssturz (Fall of the Angel), 2022–23. Emulsion, oil, acrylic, shellac, gold leaf, fabric, sediment of electrolysis and charcoal on canvas, 750 × 840 cm. Photo: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/k/036-kiefer-anselm-2024/03(DSC09569-Pano)-photoElaBialkowskaOKNOstudio.jpg Anselm Kiefer, Engelssturz (Fall of the Angel), 2022–23. Emulsion, oil, acrylic, shellac, gold leaf, fabric, sediment of electrolysis and charcoal on canvas, 750 × 840 cm. Photo: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/k/036-kiefer-anselm-2024/32(DSC09797)-photoElaBialkowskaOKNOstudio.jpg Anselm Kiefer, Sol Invictus (Unconquered Sun), 1995. Emulsion, acrylic, shellac and sunflower seeds on burlap, 473 × 280 cm. Photo: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/k/036-kiefer-anselm-2024/128-16(DSC06073)-photoOKNOstudio.jpg Anselm Kiefer, Danae (Danaë), 2016. Glass, metal, resin, lead, sunflower seeds and gold leaf, shellac, emulsion, acrylic and clay, 280 × 125 × 90 cm. Photo: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/k/036-kiefer-anselm-2024/16(DS_08822)-photoElaBialkowskaOKNOstudio.jpg Centre: Anselm Kiefer, Locus Solus (The Solitary Place), 2019–23. Glass, steel, lead, resin, gold leaf, plaster, charcoal, asphalt, gravel, ash, fabric, emulsion, oil and shellac, 240 × 216 × 345 cm. Photo: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/k/036-kiefer-anselm-2024/19(DS_08864)-photoElaBialkowskaOKNOstudio.jpg Anselm Kiefer, Verstrahlte Bilder (Irradiated paintings) 1983–2023. 60 painting elements, 600 × 1482 × 673 cm. Photo: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/k/036-kiefer-anselm-2024/204-03(DS_08173)-photoOKNOstudio.jpg Anselm Kiefer: Fallen Angels, installation view, Palazzo Strozzi, Florence, 22 March – 21 July 2024. Photo: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/k/036-kiefer-anselm-2024/52(DS_08755)-photoElaBialkowskaOKNOstudio.jpg Anselm Kiefer: Fallen Angels, installation view, Palazzo Strozzi, Florence, 22 March – 21 July 2024. Photo: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/images/articles/k/036-kiefer-anselm-2024/24(DS_07764)-photoElaBialkowskaOKNOstudio.jpg Anselm Kiefer: Fallen Angels, installation view, Palazzo Strozzi, Florence, 22 March – 21 July 2024. Photo: © Ela Bialkowska, OKNO studio. https://www.studiointernational.com/index.php/the-glass-heart-art-industry-and-collaboration-review-two-temple-place-london https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/TheGlassHeart-010.jpg The Glass Heart: Art, Industry & Collaboration, installation view. © Two Temple Place. Photo: Richard Eaton. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/TheGlassHeart-005.jpg The Glass Heart: Art, Industry & Collaboration, installation view. © Two Temple Place. Photo: Richard Eaton. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/elygm2007-2.jpg Burne Jones / Morris, Marshall, Faulkner & Co, Musician Angel (playing aulos), 1865. Stained glass panel. Courtesy of The Stained Glass Museum. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/TheGlassHeart-Chris-Day.jpg Chris Day, Judge and Jury, 2023. Glass and microbore copper pipe. Installation view, Two Temple Place, London. © Two Temple Place. Photo: Richard Eaton. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/Pinkie-Maclure,-The-Soil,-2023.jpg Pinkie Maclure, The Soil, 2023. © The Artist. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/Louis-Thompson-and-Sophie-Thomas,-Broken-Ocean,-2022,-glass-ocean-debris.jpg Louis Thompson and Sophie Thomas, Broken Ocean, 2022. Glass and ocean debris. © The Artists. Courtesy of Vessel Gallery. Photo: Ester Segarra. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/TheGlassHeart-monster-chetwynd.jpg Monster Chetwynd, St Bede Enters the Monastery, 2022. Executed by glass specialists James Maskrey and Ayako Tani. Installation view. © Two Temple Place. Photo: Richard Eaton. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/TheGlassHeart-003.jpg The Glass Heart: Art, Industry & Collaboration, installation view. © Two Temple Place. Photo: Richard Eaton. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/Chris-Day,-Judge-and-Jury,-2023.jpg Chris Day, Judge and Jury, 2023. Glass and microbore copper pipe. © The Artist. Courtesy of Vessel Gallery. Photo: Agata Pec. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/George-Caleb-Hedgeland,-The-Maries-at-the-Tomb,-1856.jpg George Caleb Hedgeland, The Maries at the Tomb, 1856. Stained glass panel. © The Stained Glass Museum. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/TheGlassHeart-002.jpg The Glass Heart: Art, Industry & Collaboration, installation view. © Two Temple Place. Photo: Richard Eaton. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/Wilhemena-Geddes,-Faith,-1956.jpg Wilhemena Geddes, Faith, 1956. Stained glass panel. © The Stained Glass Museum. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/elygm2007.jpg Philip Webb / Morris, Marshall, Faulkner & Co, Grisaille foliage vine scroll, 1865. Stained glass panel. Courtesy of The Stained Glass Museum. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/TheGlassHeart-006.jpg The Glass Heart: Art, Industry & Collaboration, installation view. © Two Temple Place. Photo: Richard Eaton. https://www.studiointernational.com/images/articles/t/055-the-glass-heart-2024/TheGlassHeart-008.jpg The Glass Heart: Art, Industry & Collaboration, installation view. © Two Temple Place. Photo: Richard Eaton. https://www.studiointernational.com/index.php/alex-ely-mae-architects-interview-stirling-prize-john-morden-centre https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/JohnMordenCentre_JimStephenson_1.jpg Mae Architects, John Morden Centre, Blackheath, London, 2019-21. Photo: Jim Stephenson. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/SandsEndArtsandComunity-Centre_RoryGardiner-1.jpg Mae Architects, Sands End Arts & Community Centre, Fulham, London, 2017-20. Photo: Rory Gardiner. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/JohnMordenCentre_JimStephenson_2.jpg Mae Architects, John Morden Centre, Blackheath, London, 2019-21. Photo: Jim Stephenson. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/AgarGrove_JimStephenson_1.jpg Mae Architects, Agar Grove Estate – Agar Place, London Borough of Camden, 2012-21. Photo: Jim Stephenson. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/AgarGrove_JimStephenson_3.jpg Mae Architects, Agar Grove Estate – Agar Place, London Borough of Camden, 2012-21. Photo: Jim Stephenson. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/AgarGrove_JimStephenson_2.jpg Mae Architects, Agar Grove Estate – Agar Place, London Borough of Camden, 2012-21. Photo: Jim Stephenson. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/AgarGrove_JimStephenson_4.jpg Mae Architects, Agar Grove Estate – Agar Place, London Borough of Camden, 2012-21. Photo: Jim Stephenson. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/PhoenixLewes.jpg Mae Architects, The Phoenix, Lewes, East Sussex, 2021 - ongoing. Photo courtesy Mae Architects. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/SandsEndArtsandComunity-Centre_RoryGardiner-2.jpg Mae Architects, Sands End Arts & Community Centre, Fulham, London, 2017-20. Photo: Rory Gardiner. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/SandsEndArtsandComunity-Centre_RoryGardiner-4.jpg Mae Architects, Sands End Arts & Community Centre, Fulham, London, 2017-20. Photo: Rory Gardiner. https://www.studiointernational.com/images/articles/m/&093-mae-architects-2024/SandsEndArtsandComunity-Centre_RoryGardiner-3.jpg Mae Architects, Sands End Arts & Community Centre, Fulham, London, 2017-20. Photo: Rory Gardiner. https://www.studiointernational.com/index.php/wayne-eager-interview-central-australia-indigenous-people-aboriginal-art https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/V8-copy.jpg Wayne Eager, V8, 1988. Oil on masonite, 91 x 122 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/Buildings-II.jpg Wayne Eager, Buildings II, 1990. Oil on linen, 122 x 90 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/Regrowth-after-fire-Kakadu.jpg Wayne Eager, Regrowth after fire Kakadu, 1991. Gouache on paper, 55 x 70 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/Sufi.jpg Wayne Eager, Sufi, 2014. Oil on linen, 153 x 158 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/Sandhill-Country.jpg Wayne Eager, Sandhill Country, 1995. Oil on linen, 168 x 122 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/Gadgets-copy-3.jpg Wayne Eager, Gadgets, 2002. Oil on linen, 200 x 183 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/La-Perouse-III.jpg Wayne Eager, La Perouse III, 2009. Oil on linen, 137 x 200 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/Straddie-I.jpg Wayne Eager, Straddle I, 2006. Oil on linen, 152 x 168 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/Red-Town.jpg Wayne Eager, Red Town, 2018. Oil on linen, 138 x 122.5 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/Allegory-I.jpg Wayne Eager, Allegory I, 2023. Oil on linen, 133 x 95 cm. Image © the artist. https://www.studiointernational.com/images/articles/e/061-eager-wayne-2024/wayne-eager-portrait.jpg Wayne Eager. Photo courtesy the artist. https://www.studiointernational.com/index.php/art-without-heroes-mingei-japan-review-william-morris-gallery https://www.studiointernational.com/images/articles/m/&091-mingei-2024/From-the-collections-of-the-Crafts-Study-Centre,-University-for-the-Creative-Arts-BHL_9611-001.jpg Hamada Shōji demonstrating at Scripps College, California, 1953. From the collections of the Crafts Study Centre, University for the Creative Arts. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/Image-(c)-National-Museums-Scotland-A1909.jpg Ikupasuy (Ainu language, prayer stick), uknown Ainu maker, Hokkaido, Japan, 19th to early 20th century. © National Museums Scotland. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/BORO-Shigoto-gi.jpg Shigoto-gi Work Clothes. Late Edo to early Showa period, 1800s-1950s. Collection of Chuzaburo Tanaka. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/Image-(c)-National-Museums-Scotland-A1929.jpg Bowl in the style of Chinese Jun ware, Japan, by Kawai Kanjirō, early 20th century © National Museums Scotland. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/From-the-collections-of-the-Crafts-Study-Centre,-University-for-the-Creative-Arts.jpg Teapot with a tenmoku glaze and bamboo handle, unknown maker, Japan, 1934. From the collections of the Crafts Study Centre, University for the Creative Arts. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/Hirano-Kaori-dyeing-fabric-at-Itoshiro-Yohin-Ten-(c)-Itoshiro-Yohin-Ten.jpg Hirano Kaori dyeing fabric at Itoshiro Yōhin Ten, Gifu Prefecture, 2023. © Itoshiro Yōhin Ten. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/Bowl,-Raku-type-earthenware-Tokyo-by-Tomimoto-Kenkichi,-1912-(c)-Victoria-and-Albert-Museum,-London.jpg Bowl, Raku type earthenware with clear glaze over decoration painted in enamel colours, Japan, by Tomimoto Kenkichi, 1912. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/Kokeshi-artisan-Okazaki-Ikuo-at-his-studio-in-Zao-Onsen,-Yamagata-Prefecture-(c)-Okazaki-Manami.jpg Kokeshi artisan Okazaki Ikuo at his studio in Zao Onsen, Yamagata Prefecture. © Okazaki Manami. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/(c)-Courtesy-of-the-Bernard-Leach-Estate.-From-the-collections-of-the-Crafts-Study-Centre,-University-for-the-Creative-Arts-2012-001.jpg Japanese Farmhouse (also known as Tomimoto’s Village, Ando), etching, Bernard Leach, 1912. © Courtesy of the Bernard Leach Estate. From the collections of the Crafts Study Centre, University for the Creative Arts. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/From-the-collections-of-the-Crafts-Study-Centre,-University-for-the-Creative-Arts-001.jpg Cup and stand, unknown maker, Korea, 12th-13th century (Koryo dynasty). From the collections of the Crafts Study Centre, University for the Creative Arts. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/From-the-collections-of-the-Crafts-Study-Centre,-University-for-the-Creative-Arts_002.jpg Yanagi Sōetsu as a young man, 1920. From the collections of the Crafts Study Centre, University for the Creative Arts. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/Image-(c)-National-Museums-Scotland.jpg Storage jar (tsubo), stoneware with a brown ame glaze and white namako overglaze, Tsutsumi kiln, 19th century. © National Museums Scotland. https://www.studiointernational.com/images/articles/m/&091-mingei-2024/Six-fold-screen-by-Serizawa-Keisuke-(1895-1984),-Japan,-c1940-Victoria-and-Albert-Museum.jpg Six-fold screen, stencilled and resist-dyed silk on a wooden frame showing a map of Okinawa, by Serizawa Keisuke (1895-1984), Japan, c1940. © As stated by the copyright holder. Victoria and Albert Museum. https://www.studiointernational.com/index.php/mohammed-sami-isthmus-review-fondazione-sandretto-re-rebaudengo-turin https://www.studiointernational.com/images/articles/s/&072-sami-mohammed-2024/Mohammed-Sami-2.jpg Mohammed Sami, The No Return, 2023. Mixed media on linen, 290.5 x 230 cm (114 1/8 x 90 1/2 in). Photo: Michael Brzezinski. Courtesy the artist, Modern Art, London and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/s/&072-sami-mohammed-2024/Mohammed-Sami-6.jpg Mohammed Sami, Blind Cornea, 2023. Mixed media on linen, 66 x 65 cm (26 x 25 5/8 in). Photo: Marcus Leith. Courtesy the artist, Modern Art, London and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/s/&072-sami-mohammed-2024/Mohammed-Sami-5.jpg Mohammed Sami, Under the Palm Trees II, 2023. Mixed media on linen, 290 x 230 cm (114 1/8 x 90 1/2 in). Photo: Marcus Leith. Courtesy the artist, Modern Art, London and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/s/&072-sami-mohammed-2024/Mohammed-Sami-4.jpg Mohammed Sami, Ashfall, 2023. Mixed media on linen, 230 x 95 cm (90 1/2 x 37 3/8 in). Photo: Marcus Leith. Courtesy the artist, Modern Art, London and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/s/&072-sami-mohammed-2024/Mohammed-Sami-1.jpg Mohammed Sami, Under the Palm Trees, 2023. Mixed media on linen, 290 x 344.5 cm
 (114 1/8 x 135 5/8 in). Photo: Marcus Leith. Courtesy the artist, Modern Art, London and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/s/&072-sami-mohammed-2024/Mohammed-Sami-3.jpg Mohammed Sami, Rootless, 2023. Mixed media on linen, 290.5 x 349 cm (114 3/8 x 137 3/8 in). Photo: Marcus Leith. Courtesy the artist, Modern Art, London and Luhring Augustine, New York. https://www.studiointernational.com/images/articles/s/&072-sami-mohammed-2024/Mohammed-Sami-8.jpg Mohammed Sami, Isthmus. Installation view, Fondazione Sandretto Re Rebaudengo, Turin, Italy, 19 March – 13 October 2024. Courtesy the artist and Fondazione Sandretto Re Rebaudengo. Photo: Giorgio Perottino. https://www.studiointernational.com/images/articles/s/&072-sami-mohammed-2024/Mohammed-Sami-7.jpg Mohammed Sami, Isthmus. Installation view, Fondazione Sandretto Re Rebaudengo, Turin, Italy, 19 March – 13 October 2024. Courtesy the artist and Fondazione Sandretto Re Rebaudengo. Photo: Giorgio Perottino. https://www.studiointernational.com/index.php/liliane-lijn-arise-alive-review-haus-der-kunst-munich https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8274.jpg Liliane Lijn. Shimmering, 2024, installation view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8198.jpg Liliane Lijn. Arise Alive, exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8225.jpg Liliane Lijn. Windows (Starskins), 1980. Soft pastel on hand pressed paper. Courtesy of Nicoletta Fiorucci Collection. Exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8211.jpg Liliane Lijn. Poemkoan=D=4= Open=Apollinaire, 1968. Exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8269.jpg Liliane Lijn. Way Out Is Way In, 2009. Exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8250.jpg Liliane Lijn. Terraced Gardens of Rock City, 1970. Exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/HDK_LilianeLijn_Cosmic-Dramas-Woman-of-War.jpg Liliane Lijn. Conjunction of Opposites: Woman of War, 1986. Painted steel and aluminium, synthetic fibres, glass prism, aluminium mesh, audio system, 5 milliwatt helium laser, smoke machine, computer. Courtesy Liliane Lijn and Rodeo, London / Piraeus. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8220.jpg Liliane Lijn. Act as Atom, 1966 (left); Arise Alive, 1965 (right). Exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/HDK_LilianeLijn_AriseAlive_Photo_MaximilianGeuter-1.jpg Liliane Lijn. Arise Alive, exhibition view, Haus der Kunst, München, 2024. Photo: Maximilian Geuter. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8091.jpg Liliane Lijn. No Other, 1976. Exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8166.jpg Liliane Lijn. Linear Light Column, 1969 (left); Feathered Lady, 1979 (right). Exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8189.jpg Liliane Lijn. Headborn, 1987-90. Exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/l/033-lijn-liliane-2024/IMG_8245.jpg Liliane Lijn. Arise Alive, exhibition view, Haus der Kunst, München, 2024. Photo: Bronac Ferran. https://www.studiointernational.com/index.php/antony-gormley-video-interview-time-horizon-houghton-hall-norfolk https://www.studiointernational.com/images/articles/g/024-gormley-antony-2024/antony-gormley-time-horizon-2024-photo-martin-kennedy-03.jpg Antony Gormley: Time Horizon, Houghton Hall, Norfolk, 21 April – 31 October 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/024-gormley-antony-2024/antony-gormley-time-horizon-2024-photo-martin-kennedy-08.jpg Antony Gormley: Time Horizon, Houghton Hall, Norfolk, 21 April – 31 October 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/024-gormley-antony-2024/antony-gormley-time-horizon-2024-photo-martin-kennedy-09.jpg This figure, installed in the stone floor of the hallway, is used as the datum level for all 100 sculptures. Antony Gormley: Time Horizon, Houghton Hall, Norfolk, 21 April – 31 October 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/024-gormley-antony-2024/antony-gormley-time-horizon-2024-photo-juliet-rix-05.jpg Antony Gormley: Time Horizon, Houghton Hall, Norfolk, 21 April – 31 October 2024. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/g/024-gormley-antony-2024/antony-gormley-time-horizon-2024-photo-martin-kennedy-01.jpg Antony Gormley: Time Horizon, Houghton Hall, Norfolk, 21 April – 31 October 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/024-gormley-antony-2024/antony-gormley-time-horizon-2024-photo-martin-kennedy-02.jpg Antony Gormley: Time Horizon, Houghton Hall, Norfolk, 21 April – 31 October 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/024-gormley-antony-2024/antony-gormley-time-horizon-2024-photo-martin-kennedy-04.jpg Antony Gormley: Time Horizon, Houghton Hall, Norfolk, 21 April – 31 October 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/024-gormley-antony-2024/antony-gormley-time-horizon-2024-photo-martin-kennedy-07.jpg Antony Gormley: Time Horizon, Houghton Hall, Norfolk, 21 April – 31 October 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/g/024-gormley-antony-2024/antony-gormley-time-horizon-2024-photo-martin-kennedy-06.jpg Antony Gormley: Time Horizon, Houghton Hall, Norfolk, 21 April – 31 October 2024. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/the-mack-book-review-charles-rennie-mackintosh-building-glasgow-school-of-art https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/1-2-5598-057-McAteer.jpg The Glasgow School of Art Mackintosh Building, 11 July 2018, with finial still in situ. McAteer Photograph. https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/2-27-CRM-Lighthouse-Glasgow-Herald-Drawing-1893-GSA-MC.G.57-95-d069_073.jpg Charles Rennie Mackintosh for Honeyman & Keppie, Perspective drawing of the Glasgow Herald Building (now The Lighthouse Centre for Design), 1893. Glasgow School of Art Archives & Collections. https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/3-17-a156_053.jpg Alexander McGibbon. Sketch of Glasgow School of Art. Glasgow School of Art Archives & Collections. https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/4-64-GSAA_P_7_364_50.jpg West basement studio with later mezzanine by Keppie Henderson. Glasgow School of Art Archives & Collections. https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/4-69-GSAA_P_7_218.jpg Bedford Lemere, Director’s Office, 1909. Glasgow School of Art Archives & Collections. https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/4-71-Mackintosh-Library-GSA7-McAteer.jpg The Library from southwest corner. McAteer Photograph https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/the-mack-1000.jpg The Mack: Charles Rennie Mackintosh and the Glasgow School of Art, by Robyne Calvert, book cover; Honeyman, Keppie & Mackintosh, The Glasgow School of Art Building, 1897-99 and 1907- 09. Photo pre-2014. McAteer Photograph. https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/3-24-GSAA_P_1_1048.jpg Students in the Hen Run, c1914. Glasgow School of Art Archives & Collections. https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/4-47-GSAA_P_1_0018.jpg Mackintosh Room (Design Room), c1910. Glasgow School of Art Archives & Collections. https://www.studiointernational.com/images/articles/t/054-the-mack-book-2024/4-61-GSAA_P_7_224.jpg Sculpture Studio, early 20th century. Glasgow School of Art Archives & Collections. https://www.studiointernational.com/index.php/jerwood-survey-3-review-southwark-park-galleries-london https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Installation-shot-of-Paul-Nataraj-Pic-V-Simpson.jpg Paul Nataraj, installation view, Dilston Gallery, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Frames-draped-with-found-materials-in-Philippa-Brown-Pic-V-Simpson.jpg Philippa Brown, installation view, Dilston Gallery, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Installation-view-of-Aliya-Enyo-Pic-V-Simpson.jpg Aliya Enyo, installation view, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Sam-Keelan-clip-from-work-Pic-V-Simpson.jpg Sam Keelan, installation view, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Aqsa-Arif-installation.jpg Aqsa Arif, installation view, Jerwood Survey III, Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Kandace-Siobhan-Walker-Pic-V-Simpson.jpg Kandace Siobhan Walker, installation view, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Installation-view-Ciaran-O-Dochartaigh-Pic-V-Simpson.jpg Ciarán Ó Dochartaigh, installation view, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/MV-Brown-disco-ball-head-Pic-V-Simpson.jpg MV Brown, installation view, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Aliya-Enyo-installation-is-also-a-set-for-perforrmance-Pic-V-Simpson.jpg Aliya Enyo's installation is also a set for perforrmance for Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Close-up-of-Philippa-Brown-installtion-Pic-V-Simpson.jpg Philippa Brown, installation view, Dilston Gallery, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Close-up-of-ceramic-elements-from-Aliya-Enyo-installation-Pic-V-Simpson.jpg Close up of ceramic elements from Aliya Enyo's installation for Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Ebun-Sodibo-sculpture.jpg Ebun Sodibo sculpture, installation view, Jerwood Survey III, Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/wall-work-by-Kandace-Siobhan-Walker-Pic-V-Simpson.jpg Kandace Siobhan Walker, installation view, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/Portrait-with-hair-and-shells-by-Philippa-Brown-Pic-V-Simpson.jpg Portrait with hair and shells by Philippa Brown, installation view, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/j/075-jerwood-III-survey-2024/for-Jerwood-III-at-Close-up-Philippa-Brown-Pic-V-Simpson.jpg Philippa Brown (detail), installation view, Jerwood Survey III at Southwark Park Galleries, London. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/the-last-caravaggio-review-national-gallery-london https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/Caravaggio-St-Ursula-(Nat-Gall)-X5173-(3).jpg Michelangelo Merisi da Caravaggio. The Martyrdom of Saint Ursula, 1610. Oil on canvas, 143 x 180 cm. Intesa Sanpaolo Collection, Gallerie d’Italia – Napoli. © Archivio Patrimonio Artistico Intesa Sanpaolo / Photo: Luciano Pedicini, Napoli. https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/Caravaggio-St-Ursula-(Nat-Gall)-detail3-x5173-(3).jpg Michelangelo Merisi da Caravaggio. The Martyrdom of Saint Ursula, 1610 (detail). Oil on canvas, 143 x 180 cm. Intesa Sanpaolo Collection, Gallerie d’Italia – Napoli. © Archivio Patrimonio Artistico Intesa Sanpaolo / Photo: Luciano Pedicini, Napoli. https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/Caravaggio-St-Ursula-(Nat-Gall)-detail2-X5173--(3).jpg Michelangelo Merisi da Caravaggio. The Martyrdom of Saint Ursula, 1610 (detail). Oil on canvas, 143 x 180 cm. Intesa Sanpaolo Collection, Gallerie d’Italia – Napoli. © Archivio Patrimonio Artistico Intesa Sanpaolo / Photo: Luciano Pedicini, Napoli. https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/Letter-from-Lanfranco-Massa-to-Marco-Antonio-Doria-(Nat-Gall)-X12315a-(3).jpg Letter from Lanfranco Massa to Marco Antonio Doria. (ASNa, Archivio Dora D https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/Caravaggio-Beheading-of-St-John-20200123_104630-JR.jpg Michelangelo Merisi da Caravaggio. The Beheading of St John The Baptist, 1608. Oil on canvas, 370 × 520 cm (150 × 200 in). St John’s Co-Cathedral Oratory, Valletta. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/Caravaggio-Salome-Receives-the-head-of-John-the-Baptist.jpg Michelangelo Merisi da Caravaggio, 1571-1610. Salome receives the Head of John the Baptist, about 1609-10. Oil on canvas, 91.5 × 106.7 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/PHOTO-2024-04-22-11-43-47-5.jpg Michelangelo Merisi da Caravaggio, 1571-1610 (detail). Salome receives the Head of John the Baptist, about 1609-10. Oil on canvas, 91.5 × 106.7 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/Caravaggio-St-Ursula-(Nat-Gall)-detail3-x5173-(3C).jpg Michelangelo Merisi da Caravaggio. The Martyrdom of Saint Ursula, 1610 (detail). Oil on canvas, 143 x 180 cm. Intesa Sanpaolo Collection, Gallerie d’Italia – Napoli. © Archivio Patrimonio Artistico Intesa Sanpaolo / Photo: Luciano Pedicini, Napoli. https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/Caravaggio-St-Ursula-(Nat-Gall)-detail2-X5173--(3B).jpg Michelangelo Merisi da Caravaggio. The Martyrdom of Saint Ursula, 1610 (detail). Oil on canvas, 143 x 180 cm. Intesa Sanpaolo Collection, Gallerie d’Italia – Napoli. © Archivio Patrimonio Artistico Intesa Sanpaolo / Photo: Luciano Pedicini, Napoli. https://www.studiointernational.com/images/articles/t/053-the-last-caravaggio-2024/Letter-(5)-Last-Caravaggio-Nat-Gall-2024-X12315c.jpg Letter from Lanfranco Massa to Marco Antonio Doria. (ASNa, Archivio Dora D'Angri, II, 290, 9-10 (1)). © Archivio di Stato di Napoli. https://www.studiointernational.com/index.php/tai-shani-the-world-to-me-was-a-secret-caesious-zinnober-celadon-and-virescent-review-jencks-foundation-london https://www.studiointernational.com/images/articles/s/&071-shani-tai-2024/Cosmic-House-Tai-Shani-Thierry-Bal-1.jpg Tai Shani, The World to Me Was a Secret: Caesious, Zinnober, Celadon, and Virescent, 2024, installation view. Photo: Thierry Bal, courtesy of the Jencks Foundation at The Cosmic House. https://www.studiointernational.com/images/articles/s/&071-shani-tai-2024/Cosmic-House-Tai-Shani-Thierry-Bal-4.jpg Tai Shani, The World to Me Was a Secret: Caesious, Zinnober, Celadon, and Virescent, 2024, installation view. Photo: Thierry Bal, courtesy of the Jencks Foundation at The Cosmic House. https://www.studiointernational.com/images/articles/s/&071-shani-tai-2024/Cosmic-House-Tai-Shani-Thierry-Bal-5.jpg Tai Shani, The World to Me Was a Secret: Caesious, Zinnober, Celadon, and Virescent, 2024, installation view. Photo: Thierry Bal, courtesy of the Jencks Foundation at The Cosmic House. https://www.studiointernational.com/images/articles/s/&071-shani-tai-2024/Cosmic-House-Tai-Shani-Thierry-Bal-6.jpg Tai Shani, The World to Me Was a Secret: Caesious, Zinnober, Celadon, and Virescent, 2024, installation view. Photo: Thierry Bal, courtesy of the Jencks Foundation at The Cosmic House. https://www.studiointernational.com/images/articles/s/&071-shani-tai-2024/Cosmic-House-Tai-Shani-Thierry-Bal-3.jpg Tai Shani, The World to Me Was a Secret: Caesious, Zinnober, Celadon, and Virescent, 2024, installation view. Photo: Thierry Bal, courtesy of the Jencks Foundation at The Cosmic House. https://www.studiointernational.com/index.php/george-hoyningen-huene-photography-fashion-film-susanna-brown-book-review-thames-and-hudson https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/KL01.jpg Marlene Dietrich, 1936. © The George Hoyningen-Huene Estate Archives. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/SB05.jpg Divers, swimwear by A. J. Izod, 1930. © The George Hoyningen-Huene Estate Archives. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/AON18.jpg Balenciaga, 1939. © The George Hoyningen-Huene Estate Archives. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_6.jpg Lee Miller. Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_11.jpg George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. Image courtesy Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/KL12.jpg Frank Capra, c1934. © The George Hoyningen-Huene Estate Archives. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_12.jpg Left: Cary Grant, 1934. Right: Gary Cooper, 1934. Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_9.jpg Left: Temple of Khafre, Giza, Egypt, about 1941. Right: Hall of records of Thutmosis III, Thebes, Egypt, 1941. Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_8.jpg Left: Sonia Colmer, Vionnet Pyjamas 1, 1931. Right: Sonia Colmer, Vionnet Pyjamas 2, 1931. Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/IS20.jpg Erna Carise and models around a Michelin push-ball, 1930. © The George Hoyningen-Huene Estate Archives. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/INTROREF01.jpg Roger Schall, portrait of George Hoyningen-Huene, Paris, 1937. Photo: Roger Schall © Collection Schall. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/hoyingen-heune-homepage.jpg Left: Marianne Breslauer, Portrait of George Hoyningen-Heune, Paris, 1932. Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_2B.jpg Marianne Breslauer, Portrait of George Hoyningen-Heune, Paris, 1932. Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_7.jpg Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_10.jpg Left: Ensemble by Bergdorf Goodman, 1940. Painting by Roger de la Fresnaye painting, Jacques Seligmann Galleries. Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_3.jpg Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/images/articles/h/011-hoyingen-heune-george-2024/9780500026595_4.jpg Left and right: Josephine Baker, 1929. Image courtesy George Hoyningen-Huene: Photography, Fashion, Film, published by Thames & Hudson. https://www.studiointernational.com/index.php/zineb-sedira-dreams-have-no-titles-whitechapel-gallery-london https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/le-bal_DSC0002LR.jpg Zineb Sedira: Le Bal Tango Performance, installation view: Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/dreams-have-no-titles_DSC0125LR.jpg Zineb Sedira: Dreams Have No Titles, installation view, Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/dreams-have-no-titles_DSC0122LR.jpg Zineb Sedira: Dreams Have No Titles, installation view, Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/dreams-have-no-titles_DSC0123LR.jpg Zineb Sedira: Dreams Have No Titles, installation view, Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/dreams-have-no-titles_DSC9881LR.jpg Zineb Sedira: Dreams Have No Titles, installation view, Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/dreams-have-no-titles_DSC0142LR.jpg Zineb Sedira: Dreams Have No Titles, installation view, Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/dreams-have-no-titles_DSC9796LR.jpg Zineb Sedira: Dreams Have No Titles, installation view, Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/dreams-have-no-titles_DSC0124LR.jpg Zineb Sedira: Dreams Have No Titles, installation view, Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/dreams-have-no-titles_DSC0121LR.jpg Zineb Sedira: Dreams Have No Titles, installation view, Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/dreams-have-no-titles_DSC9824LR.jpg Zineb Sedira: Dreams Have No Titles, installation view, Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/le-bal_DSC0080LR.jpg Zineb Sedira: Le Bal Tango Performance, installation view: Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/images/articles/s/&070-sedira-zineb-2024/le-bal_DSC9887-Enhanced-NR-2LR.jpg Zineb Sedira: Le Bal Tango Performance, installation view: Whitechapel Gallery, London, 15 February – 12 May 2024. Courtesy Whitechapel Gallery. Photo: Damian Griffiths. https://www.studiointernational.com/index.php/abdullah-al-saadi-sites-of-memory-sites-of-amnesia-national-pavilion-uae-venice-biennale-2024 https://www.studiointernational.com/images/articles/u/088-uae-2024/Abdullah-Al-Saadi-Sites-of-Memory,-Sites-of-Amnesia-Photo-by-Ismail-Noor-of-Seeing-Things-2788.jpg Abdullah Al Saadi: Sites of Memory, Sites of Amnesia. Image Courtesy of National Pavilion UAE, Venice Biennale 2024. Photo: Ismail Noor of Seeing Things. https://www.studiointernational.com/images/articles/u/088-uae-2024/Abdullah-Al-Saadi-Sites-of-Memory,-Sites-of-Amnesia.-Image-Courtesy-of-National-Pavilion-UAE--Image-7-drawing-3314.jpg Abdullah Al Saadi: Sites of Memory, Sites of Amnesia. Image Courtesy of National Pavilion UAE, Venice Biennale 2024. Photo: Ismail Noor of Seeing Things. https://www.studiointernational.com/images/articles/u/088-uae-2024/Abdullah-Al-Saadi-Sites-of-Memory,-Sites-Photo-by-Ismail-Noor-of-Seeing-Things-Image-4-Purl-and-Silk-Journey-3307.jpg The Purl and Silk Journey, scrolls and drawings. Abdullah Al Saadi: Sites of Memory, Sites of Amnesia. Image Courtesy of National Pavilion UAE, Venice Biennale 2024. Photo: Ismail Noor of Seeing Things. https://www.studiointernational.com/images/articles/u/088-uae-2024/2024.-Abdullah-Al-Saadi_-Sites-of-Memory,-Sites-of-Amnesia-Image-9-unfurled-drawing-3318.jpg An unfurled drawing. Abdullah Al Saadi: Sites of Memory, Sites of Amnesia. Image Courtesy of National Pavilion UAE, Venice Biennale 2024. Photo: Ismail Noor of Seeing Things. https://www.studiointernational.com/images/articles/u/088-uae-2024/Abdullah-Al-Saadi-Sites-of-Memory,-Sites-of-Amnesia.-Image-Courtesy-of-National-Pavilion-UAE-Image-5-Stacked-metal-chests-3313.jpg Stacked metal chests. Abdullah Al Saadi: Sites of Memory, Sites of Amnesia. Image Courtesy of National Pavilion UAE, Venice Biennale 2024. Photo: Ismail Noor of Seeing Things. https://www.studiointernational.com/images/articles/u/088-uae-2024/Abdullah-Al-Saadi-Sites-of-Memory,-Sites-of-Amnesia.-Image-Courtesy-of-National-Pavilion-UAE-Image-8-biscuits-tins-3277.jpg Abdullah Al Saadi: Sites of Memory, Sites of Amnesia. Image Courtesy of National Pavilion UAE, Venice Biennale 2024. Photo: Ismail Noor of Seeing Things. https://www.studiointernational.com/images/articles/u/088-uae-2024/Abdullah-Al-Saadi_-Sites-of-Memory,-Sites-of-Amnesia-Installation-view-3371.jpg Abdullah Al Saadi: Sites of Memory, Sites of Amnesia. Image Courtesy of National Pavilion UAE, Venice Biennale 2024. Photo: Ismail Noor of Seeing Things. https://www.studiointernational.com/index.php/indigenous-histories-review-kode-bergen-art-gallery-norway https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/Outi-Pieski-Crossiing-Paths-(2014)-installation-view-V-Simpson.jpg Outi Pieski. Dominant is Crossing Paths, 2014. Installation view, Indigenous Histories, Kode Bergen Art Gallery, Norway, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/Rakkas-III-from-Katarina-Spik-Skum-and-Joar-Nango-Pic-V-Simpson.jpg Katarina Spik Skum and Joar Nango. Rákkas III, 2020. Installation view, Indigenous Histories, Kode Bergen Art Gallery, Norway, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/Marja-Helander-Hidden-from-the-Day.jpg Marja Helander, Hidden from the Day, 2018. © Marja Helander / BONO. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/Still-from-Gjert-Rognli-What-Nature-Knows-II-Pic-V-Simpson.jpg Gjert Rognli. What Nature Knows II. Installation view, Indigenous Histories, Kode Bergen Art Gallery, Norway, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/Tim-Pitsiulaks-2008-Family-of-Pic-V-Simpson.jpg Tim Pitsiulak. Family of Eight, 2008. Lithograph on wove paper, 38 x 56.3 cm. Installation view, Indigenous Histories, Kode Bergen Art Gallery, Norway, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/Sandy-Adsett,-Koiri-Series-[Serie-Koiri],-1981.jpg Sandy Adsett. Koiri Series, 1981. Acrylic on board. Collection Sandy Adsett, and Ngāti Pāhauwera, Hastings, New Zealand. © Sandy Adsett. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/TePapa_Mihaia-te-Tuatahi_preview.jpg Arnold Monaaki Wilson, Mihaia te Tuatahi (The First Messiah), 1965. Puriri timber. Te Papa Tongarewa, purchase, 1999, with New Zealand Lottery Grants Board funds, Wellington. © Arnold Monaaki Wilson. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/Antonio-Paucar,-Pedro-Gonzales-Paucar-and-Javier-Gonzales-Paucar-Pic-V-Simpson.jpg Antonio Paucar, Pedro Gonzáles Paucar and Javier Gonzáles Paucar, Homage to the Martyrs of the Battle of Azapampa 1820, 2021. Installation view, Indigenous Histories, Kode Bergen Art Gallery, Norway, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/Frida-Kahlo-There-Hangs-My-Dress-(1933)-Pic-V-Simpson.jpg Frida Kahlo. There Hangs My Dress, 1933. Collage, oil, masonite, 46 x 55 cm. Installation view, Indigenous Histories, Kode Bergen Art Gallery, Norway, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/Australia-Yukultji-Napangati-Untitled-(2006)-Pic-V-Simpson.jpg Yukultji Napangati. Untitled, 2006. Installation view, Indigenous Histories, Kode Bergen Art Gallery, Norway, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/076-indigenous-histories-2024/SD-713-(foto-Liv-Engholm).jpg Máret Ánne Sara, Oaivemozit / galskap / madness, 2013. Sámi Art Collection. © Máret Ánne Sara. https://www.studiointernational.com/index.php/tony-cragg-video-interview-castle-howard-yorkshire https://www.studiointernational.com/images/articles/c/&078-cragg-tony-2024/tony-cragg-at-castle-howard-2024-juliet-rix-04.jpg Masks, 2024. Bronze, 320 x 253 x 125 cm. Tony Cragg at Castle Howard. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/&078-cragg-tony-2024/tony-cragg-at-castle-howard-2024-juliet-rix-03.jpg Over the Earth, 2015. Fibreglass, 320 x 145 x 523 cm. Tony Cragg at Castle Howard. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/&078-cragg-tony-2024/Runner,-Bronze,-2015-Tony-Cragg-at-Castle-Howard-Photo-by-Nick-Howard.jpg Runner, 2015. Bronze, 420 x 280 x 158 cm. Tony Cragg at Castle Howard. Photo: Nick Howard. https://www.studiointernational.com/images/articles/c/&078-cragg-tony-2024/Industrial-Nature,-Aluminium,-2024-Tony-Cragg-at-Castle-Howard-Photo-by-Michael-Richter.jpg Industrial Nature, 2024. Aluminium, 240 x 176 x 191 cm. Tony Cragg at Castle Howard. Photo: Michael Richter https://www.studiointernational.com/images/articles/c/&078-cragg-tony-2024/McCormack,-Bronze,-2007-Red-Square,-Bronze,-2015-Tony-Cragg-at-Castle-Howard-Photo-by-David-Lindsay.jpg McCormack, 2007, bronze, 117 x 130 x 75 cm; Red Square, 2015, bronze, 80 x 92 x 80 cm. Tony Cragg at Castle Howard. Photo: David Lindsay. https://www.studiointernational.com/images/articles/c/&078-cragg-tony-2024/Outspan,-Bronze,-2008-Tony-Cragg-at-Castle-Howard-Photo-by-David-Lindsay.jpg Outspan, 2008. Bronze, 190 x 200 x 124 cm. Tony Cragg at Castle Howard. Photo: David Lindsay. https://www.studiointernational.com/images/articles/c/&078-cragg-tony-2024/tony-cragg-at-castle-howard-2024-juliet-rix-01.jpg Senders, 2018. Fibreglass, 650 x 290 x 250 cm. Tony Cragg at Castle Howard. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/&078-cragg-tony-2024/Versus,-Bronze,-2015-Tony-Cragg-at-Castle-Howard-Photo-by-Michael-Richter.jpg Versus, 2015. Bronze, 220 x 236 x 88 cm. Tony Cragg at Castle Howard. Photo: Michael Richter. https://www.studiointernational.com/index.php/hildigunnur-birgisdottir-video-interview-icelandic-pavilion-venice-biennale-2024 https://www.studiointernational.com/images/articles/b/&089-birgisdottir-hildigunnur-2024/Hildigunnur-Birgisdottir,-Thats-A-Very-Large-Number---A-Commerzbau,-Icelandic-Pavilion,-Venice-Biennale,-photo-Ugo-Carmeni.jpg Hildigunnur Birgisdóttir: That’s a Very Large Number: A Commerzbau, Iceland Pavilion, Arsenale, Venice, April 2024. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/b/&089-birgisdottir-hildigunnur-2024/17_Icelandic_Pav_Biennale_Venezia_2024_photo_Ugo_Carmeni.jpg 6:1 (orange). Polyamide plastic, paint. Installation view, Hildigunnur Birgisdóttir: That’s a Very Large Number: A Commerzbau, Iceland Pavilion, Arsenale, Venice, April 2024. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/b/&089-birgisdottir-hildigunnur-2024/19_Icelandic_Pav_Biennale_Venezia_2024_photo_Ugo_Carmeni.jpg 6:1 (green). Polyamide plastic, paint. Installation view, Hildigunnur Birgisdóttir: That’s a Very Large Number: A Commerzbau, Iceland Pavilion, Arsenale, Venice, April 2024. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/b/&089-birgisdottir-hildigunnur-2024/27_Icelandic_Pav_Biennale_Venezia_2024_photo_Ugo_Carmeni.jpg 19:1 (Window Piece). Jute coffee bag veneer, Dibond, aluminium. Installation view, Hildigunnur Birgisdóttir: That’s a Very Large Number: A Commerzbau, Iceland Pavilion, Arsenale, Venice, April 2024. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/b/&089-birgisdottir-hildigunnur-2024/Hildigunnur-Birgisdottir,-Approx-7percent,-Icelandic-Pavilion,-2024,-photo-Ugo-Carmeni.jpg Approx. 7%. LED screen, live feed from a digital billboard in Reykjavík. Installation view, Hildigunnur Birgisdóttir: That’s a Very Large Number: A Commerzbau, Iceland Pavilion, Arsenale, Venice, April 2024. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/b/&089-birgisdottir-hildigunnur-2024/22_Icelandic_Pav_Biennale_Venezia_2024_photo_Ugo_Carmeni.jpg 6:1 (baby blue). Polyamide plastic, paint. Installation view, Hildigunnur Birgisdóttir: That’s a Very Large Number: A Commerzbau, Iceland Pavilion, Arsenale, Venice, April 2024. Photo: Ugo Carmeni. https://www.studiointernational.com/images/articles/b/&089-birgisdottir-hildigunnur-2024/35_Icelandic_Pav_Biennale_Venezia_2024_photo_Ugo_Carmeni.jpg Table & Chairs; Healthy Gums. Healthy Life. Wet wipes, slogan. Installation view, Hildigunnur Birgisdóttir: That’s a Very Large Number: A Commerzbau, Iceland Pavilion, Arsenale, Venice, April 2024. Photo: Ugo Carmeni. https://www.studiointernational.com/index.php/marisa-merz-review-lam-lille https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM147_1.jpg Marisa Merz, Untitled, 1983. Bronze with paint, 20 x 20 x 25 cm. Collection Merz. © Adagp, Paris, 2024. Photo: Renato Ghiazza. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/IOV20240502-0465.jpg Marisa Merz: Listen to the Space, installation view, LaM museum, 3 May – 22 September 2024. Photo: F. Iovino / LaM. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM329_1_ph_M3Studio.jpg Marisa Merz, Untitled, undated. Mixed media on paper, copper wire, 150 x 209 cm. Collection Merz. Courtesy Fondazione Merz - Gladstone Gallery, New York - Thomas Dane Gallery, London © Adagp, Paris, 2024. Photo: M3Studio. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM286.jpg Marisa Merz, Untitled, undated. Mixed media on rice paper mounted on a Plexiglas frame; 45.5 x 32.5 cm. Private collection, Paris. Courtesy Etienne Bréton / Saint-Honoré Art Counsulting. © Adagp, Paris, 2024. Photo: Boris Kirpotin. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM005.jpg Marisa Merz, BEA, 1968. Nylon threads, steel knitting needles, 40 x 90 x 5 cm. Collection Merz. Courtesy Museum der Moderne, Salzburg © Adagp, Paris, 2024. Photo: Rainer Iglar. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM006.jpg Marisa Merz, Untitled, 1977. Table, copper wire, metal rods, spathiphyllum (monocot), dimensions variable. Private collection. © Adagp, Paris, 2024. Photo: Mario Corti. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/marisa-merz-750.jpg Marisa Merz: Listen to the Space, installation view, LaM museum, 3 May – 22 September 2024. Photo: F. Iovino / LaM. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM036.jpg Marisa Merz, Untitled. 2002-03. Mixed media on paper, 100 x 71 cm. Collection Merz. Courtesy Fondazione Merz - Gladstone Gallery, New York - Thomas Dane Gallery, London. © Adagp, Paris, 2024. Photo: Renato Ghiazza. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM053.jpg Marisa Merz, Untitled, undated. Mixed media on canvas, 50 x 40 x 2 cm. Collection Merz. © Adagp, Paris, 2024. Photo: Renato Ghiazza. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM273.jpg Marisa Merz, Madonna of Mars, undated. Mixed technique on rice paper, 48.5 x 34 cm. Private collection. Courtesy Bernier Eliades Gallery, Athens. © Adagp, Paris, 2024. Photo: Boris Kirpotin. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM274.jpg Marisa Merz, Untitled, 2010. Mixed media on paper, paraffin, petals, copper wire, 250 x 150 x 2 cm. Private collection. Courtesy Bernier Eliades Gallery, Athènes © Adagp, Paris, 2024. Photo: Boris Kirpotin. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/MM287.jpg Marisa Merz, Untitled, undated. Mixed media on rice paper mounted on a Plexiglas frame, 45.5 x 32.5 cm. Private collection. © Adagp, Paris, 2024. https://www.studiointernational.com/images/articles/m/&090-merz-marisa-2024/IOV20240502-0400.jpg Marisa Merz: Listen to the Space, installation view, LaM museum, 3 May – 22 September 2024. Photo: F. Iovino / LaM. https://www.studiointernational.com/index.php/yinka-shonibare-review-serpentine-london https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/Yinka-Shonibare-Wind-Sculpture-in-Bronze-IV-2024-Pic-supplied-by-Serpentine-Gallery.jpg Wind Sculpture in Bronze IV, 2024. Installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/Decolonised-Structures-installation-view-Serpentine-Galleries.jpg Installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/The-War-Library-installation-view-Yinka-Shonibare.jpg The War Library. Installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/Yinka-Shonibare-Sanctuary-City-detail-pic-supplied-by-Serpentine-Galleries.jpg Sanctuary City, installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/The-African-Bird-Magic-Quilt-series-installation-view-Yinka-Shonibare-at-Serpentine-Galleries.jpg African Bird Magic (2023) quilt series, installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/Winston-Churchill-statue-Serpentine-Galleries-750.jpg Decolonised Structures (Sir Winston Churchill in foreground), Installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/Installation-View-of-African-Bird-Magic-Yinka-Shonibare.jpg Installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/Installation-view-Decolonised-Structures.jpg Installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/Timeline-in-film-viewing-room.jpg Guest Projects, installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/images/articles/s/&069-shonibare-yinka-2024/Yinka-Shonibare-Sanctuary-City-Installation-View-Pic-supplied-by-Serpentine-Galleries.jpg Sanctuary City, installation view, Yinka Shonibare CBE: Suspended States, Serpentine South, 2024. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine. https://www.studiointernational.com/index.php/expressionists-kandinsky-munter-the-blue-rider-review-tate-modern-london https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Wassily-Kandinsky-and-Franz-Marc,-Der-Blaue-Reiter.jpg Wassily Kandinsky and Franz Marc. Der Blaue Reiter, R. Piper & Co., Munich, 1912. Book cover. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Wassily-Kandinsky,-Murnau-Johannisstrasse-from-a-Window-of-the-Griesbrau.jpg Wassily Kandinsky. Murnau – Johannisstrasse from a Window of the Griesbräu, 1908. Lenbachhaus Munich, Donation of Gabriele Münter, 1957. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Franz-Marc,-Cows,-Red,-Green,-Yellow,-1911.jpg Franz Marc. Cows, Red, Green, Yellow, 1911. Lenbachhaus Munich. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Franz-Marc,-Tiger,-1912.jpg Franz Marc. Tiger, 1912. Lenbachhaus Munich, Donation of the Bernhard and Elly Koehler Foundation 1965. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Gabriele-Munter,-Murnau-Farmers-Wife-with-Children,-1909-1910.jpg Gabriele Münter. Murnau Farmer’s Wife with Children, 1909–1910. Lenbachhaus Munich, Donation of Gabriele Münter, 1957 © DACS 2024. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Marianne-von-Werefkin,-Self-portrait-I,-c1910.jpg Marianne von Werefkin. Self-portrait I, c1910. Lenbachhaus Munich. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Gabriele-Munter,-Portrait-of-Marianne-von-Werefkin,-1909.jpg Gabriele Münter. Portrait of Marianne von Werefkin, 1909. Lenbachhaus Munich, Donation of Gabriele Münter, 1957 © DACS 2024. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Marianne-von-Werefkin,-The-Dancer,-Alexander-Sacharoff,-1909.jpg Marianne von Werefkin. The Dancer, Alexander Sacharoff, 1909. Fondazione Marianne Werefkin, Museo Comunale d https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Robert-Delaunay,-Circular-Shapes,-Moon-no-1-1913.jpg Robert Delaunay. Circular Shapes, Moon no. 1, 1913. Lenbachhaus Munich and Gabriele Münter and Johannes Eichner Foundation, Munich. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Erma-Bossi,-Circus-1909.jpg Erma Bossi. Circus, 1909. Lenbachhaus Munich, on permanent loan from the Gabriele Münter and Johannes Eichner Foundation, Munich. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Maria-Franck-Marc,-Girl-with-Toddler,-c1913.jpg Maria Franck-Marc. Girl with Toddler, c1913. Lenbachhaus Munich. © Legal succession of the artist. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Gabriele-Munter,-Listening-(Portrait-of-Jawlensky),-1909.jpg Gabriele Münter. Listening (Portrait of Jawlensky), 1909. Lenbachhaus Munich, Donation of Gabriele Münter, 1957 © DACS 2024. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Gabriele-Munter,-Kandinsky-and-Erma-Bossi-at-the-Table,-1912.jpg Gabriele Münter. Kandinsky and Erma Bossi at the Table, 1912. Lenbachhaus Munich, Donation Gabriele Münter © DACS 2024. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Auguste-Macke,-Promenade,-1913.jpg Auguste Macke. Promenade, 1913. Lenbachhaus Munich, Donation of Bernhard and Elly Koehler 1965. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Wassily-Kandinsky,-Improvisation-Deluge,-1913.jpg Wassily Kandinsky. Improvisation Deluge, 1913. Lenbachhaus Munich, Donation of Gabriele Münter, 1957. https://www.studiointernational.com/images/articles/e/060-expressionists-2024/Wassily-Kandinsky,-Riding-Couple,-1906-1907.jpg Wassily Kandinsky. Riding Couple, 1906-07. Lenbachhaus Munich, Donation of Gabriele Münter, 1957. https://www.studiointernational.com/index.php/matthew-krishanu-the-bough-breaks-review-camden-art-centre-london https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/Communion,-2017.jpg Matthew Krishanu, Communion, 2017. Oil and acrylic on canvas. Private collection. Image courtesy of Tanya Leighton, Berlin & Los Angeles. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/Boy-Swimming.jpg Matthew Krishanu, Boy Swimming, 2023. Acrylic on paper. Image courtesy of Tanya Leighton, Berlin & Los Angeles. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/White-Sari-(Christ),-2024.jpg Matthew Krishanu, White Sari (Christ), 2024. Oil on canvas. Image courtesy of Jhaveri Contemporary, Mumbai. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/Sculpture-Park-(Two-Boys).jpg Matthew Krishanu, Sculpture Park (Two Boys), 2024. Oil and acrylic on canvas. Image courtesy of Niru Ratnam, London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/Banyan-(Boy),-2023.jpg Matthew Krishanu, Banyan (Boy), 2023. Oil and acrylic on canvas. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/Priest-and-Baby,-2016.jpg Matthew Krishanu, Priest and Baby, 2016. Oil on canvas. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/5-Camden-Art-Centre-8B.jpg Installation view, Matthew Krishanu, The Bough Breaks, Camden Art Centre, London, 26 April – 23 June 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/Bedroom-(Last-Supper),-2021.jpg Matthew Krishanu, Bedroom (Last Supper), 2021. Oil on canvas. Private collection. Image courtesy of Tanya Leighton, Berlin & Los Angeles. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/Preaching,-2018.jpg Matthew Krishanu, Preaching, 2018. Oil on canvas. Courtesy the artist. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/Skeleton,-2014.jpg Matthew Krishanu, Skeleton, 2014. Oil on canvas. Arts Council Collection, Southbank Centre, London. Photo: Peter Mallet. https://www.studiointernational.com/images/articles/k/035-krishanu-matthew-2024/Two-Boys-on-a-Horse,-2024.jpg Matthew Krishanu, Two Boys on a Horse, 2024. Oil and acrylic on canvas. Courtesy the Artist. Photo: Peter Mallet. https://www.studiointernational.com/index.php/george-wyllie-i-once-went-down-to-the-sea-again-review-the-wyllieum-greenock https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/TheWyllieum-1.jpg Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/Straw-Train-TheWyllieum-24.jpg George Wyllie. The Straw Locomotive, 1987. Installation view, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/Paper-boat-TheWyllieum-25.jpg The Paper Boat, 1989. Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/dy-down-a-goldmine-TheWyllieum-53.jpg A Day Down a Goldmine, 1982. Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/TheWyllieum-40.jpg Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/portable-spires-TheWyllieum-29.jpg Foreground: Portable Spire I and Portable Spire II, both 1984. Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/32-spires-for-hibernia-TheWyllieum-55.jpg Thirty-Two Spires for Hibernia, 1994. Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/BW-Happy-Compass1.jpg Daphne’s Happy Compass, 2004. Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Beth Williamson. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/TheWyllieum-12.jpg Installation view, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/TheWyllieum-32.jpg Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/TheWyllieum-69.jpg Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/End-time-for-art-TheWyllieum-16.jpg Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/images/articles/w/031-wyllie-george-2024/Plan-for-a-Paper-Boat.jpg The Paper Boat, 1989. Installation view, George Wyllie: I Once Went Down to the Sea Again, The Wyllieum, Greenock. Photo: Sean Patrick Campbell. https://www.studiointernational.com/index.php/kimsooja-meta-painting-review-tanya-bonakdar-new-york https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/TBG25336.jpg Kimsooja, To Breathe, 2024. Diffraction grating film on windows, dimensions variable. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/KIMSOOJA_DOWNSTAIRS_10_scale.jpg Kimsooja, To Breathe, 2015. Chromatic spectrum projection with mirror platform floor, Gallery installation, 9 x 675 x 900 cm, duration: 10 min, 32 sec. Installation view, Tanya Bonakdar Gallery, New York, 12 April – 14 June 2024. Photo: Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/KIMSOOJA_UPSTAIRS_04_scale.jpg Installation view, Kimsooja: Meta-Painting, Tanya Bonakdar Gallery, New York, 12 April – 14 June 2024. Photo: Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/TBG25340.jpg Kimsooja, Meta-Painting, 2024. Linen canvas stretched on wooden frame, bottari made of linen canvas and used linen clothes, 200 x 300 x 3 cm (painting), 48.3 x 73.7 x 71.1 cm (bottari). Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/TBG25337_scale.jpg Kimsooja, Deductive Object, 2016. Cast aluminium, paint, mirror, wood, 183 x 110 x 110 cm (sculpture), 20.3 x 221 x 221 cm (base), 203.2 x 221 x 221 cm (overall). Photo: Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/TBG25338.jpg Kimsooja, Deductive Object: (Un)fold, 2023. Korean rice paper, 104.5 x 73 x 6 cm. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/TBG25335_scale1.jpg Kimsooja, To Breathe, 2015. Chromatic spectrum projection with mirror platform floor, Gallery installation, 9 x 675 x 900 cm, duration: 10 min, 32 sec. Installation view, Tanya Bonakdar Gallery, New York, 12 April – 14 June 2024. Photo: Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/KIMSOOJA_DOWNSTAIRS_08.jpg Kimsooja, To Breathe, 2015. Chromatic spectrum projection with mirror platform floor, Gallery installation, 9 x 675 x 900 cm, duration: 10 min, 32 sec. Installation view, Tanya Bonakdar Gallery, New York, 12 April – 14 June 2024. Photo: Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/KIMSOOJA_OUTSIDE_02.jpg Exterior gallery view, Kimsooja: Meta-Painting, Tanya Bonakdar Gallery, New York, 12 April – 14 June 2024. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/KIMSOOJA_UPSTAIRS_01.jpg Installation view, Kimsooja: Meta-Painting, Tanya Bonakdar Gallery, New York, 12 April – 14 June 2024. Photo: Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/TBG25341.jpg Kimsooja, Meta-Painting, 2024. Linen canvas stretched on wooden frame, bottari made of linen canvas and used linen clothes, 200 x 300 x 3 cm (painting), 50.8 x 71.1 x 68.6 cm (bottari). Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/images/articles/k/034-kimsooja-2024/TBG25424.jpg Kimsooja, Meta-Painting #2, 2023-24. 500 sheets of Korean rice paper, 60.3 x 93.3 x 5.1 cm. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://www.studiointernational.com/index.php/expansive-change-distortion-as-dialogue-in-modern-and-contemporary-art-review-leila-heller-gallery-new-york https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-14-photo-David-Kaminsky.jpg Constantin Brancusi, Fish (Le Poisson), c1920-22. Black-veined marble, 26.67 x 9.52 cm (10 x 3 in). Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-72-photo-David-Kaminsky.jpg Left: Takashi Murakami, Flowerball Brown, 2008. Acrylic and platinum leaf on canvas 149.86 cm did (59 in dia); Right: Kenny Scharf, OOZ, 2000. Oil on canvas, 76.2 x 60.96 cm (30 x 24 in). Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-9-photo-David-Kaminsky.jpg David Salle, Democratic Theory and Practice, 2013. Acrylic and silkscreen ink on metal, oil on canvas, 187.96 x 165.1 cm (74 x 65 in). Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-48-photo-David-Kaminsky.jpg Carol Rama, Le Malelingue, 1980. Felt tip pen on acrylic and collage on a Capote canvas, 150 x 120 cm (59.06 x 47.25 in). Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-8-photo-David-Kaminsky.jpg Anselm Kiefer, Melancholia, 2005. Oil, acrylic, rust and polyhedral sculpture on canvas. Sculpture made out of iron and glass, containing ash, iron, dried flowers, 280 x 380 cm (110.2 x 149.6 in). Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-1-photo-David-Kaminsky.jpg Mark Rothko, Untitled (Plum and Brown), 1960-64. Oil on canvas, 205.74 x 175.58 cm (81 x 69.13 in). Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-50-photo-David-Kaminsky.jpg Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-64-photo-David-Kaminsky.jpg Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-65-photo-David-Kaminsky.jpg Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/images/articles/e/059-expansive-change-2024/Leila-Heller-77-photo-David-Kaminsky.jpg Installation view, Expansive Change: Distortion as Dialogue in Modern & Contemporary Art, Leila Heller Gallery, New York, 2024. Photo: David Kaminsky. https://www.studiointernational.com/index.php/passions-of-the-north-review-kunstsilo-kristiansand https://www.studiointernational.com/images/articles/p/010-passions-of-the-north-2024/Franciska-Clausen,-Contrastes-des-formes,-1927.jpg Franciska Clausen, Contrastes des formes, 1927. Photo: Øystein Thorvaldse. https://www.studiointernational.com/images/articles/p/010-passions-of-the-north-2024/Ola-Billgren,-Muren,-1973.jpg Ola Billgren, Muren, 1973. Photo: Øystein Thorvaldsen. https://www.studiointernational.com/images/articles/p/010-passions-of-the-north-2024/Gunnar-S-Gundersen,-Komposisjon,-1965.jpg Gunnar S. Gundersen, Composition, 1965. Photo courtesy Kunstsilo. https://www.studiointernational.com/images/articles/p/010-passions-of-the-north-2024/Asger-Jorn,-Tolitikuja,-1945.jpg Asger Jorn, Tolitikuja, 1945. Photo courtesy Kunstsilo. https://www.studiointernational.com/images/articles/p/010-passions-of-the-north-2024/Elina-Brotherus,-Seabound-Two-Nights-in-a-Row-(Seabound),-2018.jpg Elina Brotherus, Seabound Two Nights in a Row (Seabound), 2018. Photo courtesy Kunstsilo. https://www.studiointernational.com/images/articles/p/010-passions-of-the-north-2024/Reidar-Aulie,-Tivoli,-1935.jpg Reidar Aulie, Tivoli, 1935. Photo courtesy Kunstsilo. https://www.studiointernational.com/images/articles/p/010-passions-of-the-north-2024/Kunstsilo-next-to-Kilden-Performing-Arts-Centre-on-the-archipelago-of-Odderoya.jpg Kunstsilo next to Kilden Performing Arts Centre on the archipelago of Odderøya. Photo: Alan Williams Photography. https://www.studiointernational.com/index.php/modigliani-modern-gazes-review-museum-barberini-potsdam https://www.studiointernational.com/images/articles/m/&089-modigliani-2024/MB_Modigliani_Jeanne_Hebuterne_in-Yellow-Jumper.jpg Amedeo Modigliani, Jeanne Hébuterne in a Yellow Sweater, 1919. Oil on canvas, 93 x 54.5 cm. Ohara Museum of Art, Kurashiki. https://www.studiointernational.com/images/articles/m/&089-modigliani-2024/MB_Mammen_Sketchbook_II_Blatt_38.jpg Jeanne Mammen, Sketchbook II, Page 38, 1910–14. Pencil and watercolor on paper, 11 x 17.5 cm. Jeanne-Mammen-Stiftung im Stadtmuseum Berlin. © VG Bild-Kunst, Bonn 2024 / Jeanne-Mammen-Stiftung im Stadtmuseum Berlin / Dorin Alexandru Ionita, Berlin. https://www.studiointernational.com/images/articles/m/&089-modigliani-2024/MB_Charmy_Self-portrait.jpg Émilie Charmy, Self-Portrait, 1906–07. Oil on canvas, 81 x 65 cm. Galerie Bernard Bouche, Paris. © VG Bild-Kunst, Bonn 2024 / Galerie Bernard Bouche, Paris. https://www.studiointernational.com/images/articles/m/&089-modigliani-2024/MB_Modigliani_Frauenbildnis.jpg Amedeo Modigliani, Portrait of a Woman, 1918. Oil on canvas, 61 x 46 cm. Denver Art Museum Collection, The Charles Francis Hendrie Memorial Collection. © Denver Art Museum. https://www.studiointernational.com/images/articles/m/&089-modigliani-2024/MB_Modigliani_Girl-with-Stripy-Blouse.jpg Amedeo Modigliani, Young Girl in a Striped Shirt, 1917. Oil on canvas, 92 x 60 cm. Nahmad Collection. © Christie‘s Images / Bridgeman Images. https://www.studiointernational.com/images/articles/m/&089-modigliani-2024/Barberini-Modigliani-sightlines-edit-S-Schereck.jpg Left: Amedeo Modigliani, Reclining Nude on a White Cushion, 1917, Staatsgalerie Stuttgart; Right: Paula Modersohn-Becker, Reclining Female Nude, 1905/06, Döpfner Collection. Installation view, Modigliani: Modern Gazes, Museum Barberini, Potsdam, 27 April – 18 August 2024. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/m/&089-modigliani-2024/MB_Klimt_Johanna_Staude.jpg Gustav Klimt. Johanna Staude, 1917/18. Oil on canvas, 70 x 50 cm. Belvedere, Wien. © akg-images / Erich Lessing. https://www.studiointernational.com/images/articles/m/&089-modigliani-2024/modigliani-installation-view.jpg Modigliani: Modern Gazes, installation view, Museum Barberini, Potsdam, 27 April – 18 August 2024. Photo © David von Becker. https://www.studiointernational.com/images/articles/m/&089-modigliani-2024/MB_Modigliani_nude-on-white-cushion.jpg Amedeo Modigliani, Reclining Nude on a White Cushion, 1917. Oil on canvas, 60 x 92 cm. Staatsgalerie Stuttgart. https://www.studiointernational.com/index.php/vera-molnar-speak-to-the-eye-review-pompidou-centre-france https://www.studiointernational.com/images/articles/m/&088-molnar-vera-2024/Vera-Molnar-OTTWW-detail-20240510.jpg Vera Molnar. OTTWW, 1981-2010. Installation view, Vera Molnár: Speak to the Eye, Pompidou Centre, Paris, 2024. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/m/&088-molnar-vera-2024/4N04567.jpg Vera Molnár. Quatre Éléments Distribués au Hasard, 1959. 75 x 75 cm. Collection Pompidou Centre, Paris. © Adagp, Paris, 2024. Photo: Georges Meguerditchian - Centre Pompidou, MNAM-CCI/Dist. RMN-GP. https://www.studiointernational.com/images/articles/m/&088-molnar-vera-2024/4N76296.jpg Vera Molnár. Icône, 1964. Oil on canvas, 73 x 73 cm. Collection Centre Pompidou, Paris. © Adagp, Paris, 2024. Photo: Bertrand Prévost - Pompidou Centre, MNAM-CCI /Dist. RMN-GP. https://www.studiointernational.com/images/articles/m/&088-molnar-vera-2024/A-la-recherche-de-Paul-Klee-4S04452-HD.jpg Vera Molnár. A la Recherche de Paul Klee (Seeking Paul Klee), 1969-70. Ink on paper, 70 x 70 cm. Collection Frac Bretagne © Adagp, Paris 2024 Photo: Hervé Beurel. https://www.studiointernational.com/images/articles/m/&088-molnar-vera-2024/Molnar-diary-page-re-OTTWW-20240510.jpg Vera Molnár. Diary page. Installation view, Vera Molnár: Speak to the Eye, Pompidou Centre, Paris, 2024. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/m/&088-molnar-vera-2024/Molnar-Perspective-d-un-Trait-20240510.jpg Vera Molnár. Perspective d’un Trait (Perspective of a Line), 2014-19. Installation view, Vera Molnár: Speak to the Eye, Pompidou Centre, Paris, 2024. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/m/&088-molnar-vera-2024/Vera-Molnar(c)-Centre-Pompidou,-MNAM-CCI_Janeth-Rodriguez-Garcia-(11).jpg Installation view, Vera Molnár: Speak to the Eye, Pompidou Centre, Paris, 2024. Photo: Janeth Rodriguez-Garcia MNAM-CCI. https://www.studiointernational.com/images/articles/m/&088-molnar-vera-2024/Vera-Molnar(c)-Centre-Pompidou,-MNAM-CCI_Janeth-Rodriguez-Garcia-(4).jpg Installation view, Vera Molnár: Speak to the Eye, Pompidou Centre, Paris, 2024. Photo: Janeth Rodriguez-Garcia MNAM-CCI. https://www.studiointernational.com/index.php/emma-stibbon-interview-melting-ice-rising-tides-towner-eastbourne https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-The-Berg-drawing-room-featuring-sketches-of-the-same-bergs-in-foreground-display-case-41.jpg Emma Stibbon: Melting Ice | Rising Tides, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Emma-Stibbon-detail-Hope-Gap-(2022)-Pic-V-Simpson.jpg Emma Stibbon. Hope Gap, 2022 (detail). Ink and sea salt, 225 x 141 cm. Installation view, Towner Eastbourne, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-two-large-scale-Berg-drawings-from-2023-45.jpg Two large scale iceberg drawings from 2023. Installation view, Emma Stibbon: Melting Ice | Rising Tides, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-Cliff-Fall-(2023)-6.jpg Emma Stibbon. Cliff Fall, 2023. Acrylic on gesso prepared board with chalk rocks and mixed media, 500 x 781.4 x 800 cm, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-26.jpg Emma Stibbon: Melting Ice | Rising Tides, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-39.jpg Emma Stibbon: Melting Ice | Rising Tides, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-46.jpg Emma Stibbon: Melting Ice | Rising Tides, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-Cafe-Demolition-(2024)-22.jpg Emma Stibbon. Cafe Demolition, 2024, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-Breaker-(2023)-12.jpg Emma Stibbon, Breaker, 2023. Ink, sea salt and Eastbourne sea water, 153 x 343.5 cm, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-Chalk-drawings-on-black-paper-(2024)-21.jpg Emma Stibbon: Melting Ice | Rising Tides, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-Entrance-foyer-showing-Hope-Cove-(2022)-Installation-View-(Low-Res)-3.jpg Entrance foyer showing Hope Gap, 2022, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-sketches-by-Stibbon-29.jpg Emma Stibbon: Melting Ice | Rising Tides, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Towner-Emma-Stibbon-view-through-past-Cliff-Fall-to-the-Berg-drawings-33.jpg Emma Stibbon: Melting Ice | Rising Tides, installation view, Towner Eastbourne, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Emma-Stibbon-Cliff-Fall-(2023)-pic-V-Simpson.jpg Emma Stibbon. Cliff Fall, 2023. Acrylic on gesso prepared board with chalk rocks and mixed media, 500 x 781.4 x 800 cm, installation view, Towner Eastbourne, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&068-stibbon-emma-2024/Map,-barometer-and-ships-log-(2022)-.jpg Map, barometer and ship's log showing locations of drawings made during Barents Sea Passage journey, 2022. Installation view, Emma Stibbon: Melting Ice | Rising Tides, Towner Eastbourne, 2024. https://www.studiointernational.com/index.php/paris-1874-inventing-impressionism-review-musee-d-orsay-paris https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/De-Nittis-Volcano-paintings-20240511_132419.jpg Giuseppe de Nittis, paintings of Vesuvius. Installation view, Paris 1874: Inventing Impressionism, Musée D’Orsay, Paris 2024. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/Cals-Fisherman.jpg Adolphe Félix Cals. Le Vieux Pêcheur, The Old Fisherman, 1873. Installation view, Paris 1874: Inventing Impressionism, Musée D’Orsay, Paris 2024. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/09-Monet_boulevard-des-capucines.jpg Claude Monet. Boulevard des Capucines, 1873-74. Oil on canvas, 80.3 × 60.3 cm. Nelson-Atkins Museum of Art, Kansas City. Image courtesy Nelson - Atkins Media Services. https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/01-Renoir-la-loge.jpg Auguste Renoir. La Loge, 1874. Oil on canvas, 80 × 63.5 cm. The Courtauld (Samuel Courtauld Trust), London. Photo © The Courtauld/Bridgeman Images. https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/13-degas_aux-courses-en-province.jpg Edgar Degas. Aux Courses en Province (At the Races in the Countryside), c1869. Oil on canvas, 36.5 x 55.9 cm. Boston, Museum of Fine Arts, Boston. Photo © 2024 Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/23-gerome_eminence-grise.jpg Jean-Léon Gérôme. L’Eminence Grise, 1873. Oil on canvas, 68.6 x 101 cm. Museum of Fine Arts, Boston. Bequest of Susan Cornelia Warren. Photo © 2024 Museum of Fine Arts, Boston. https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/06-Cabaillot-Lasalle_Salon-1874.jpg Camille Cabaillot-Lassalle. Le Salon de 1874. Oil on canvas, 100 x 81.5 cm. Musée d’Orsay, Paris. © Musée d’Orsay, dist. RMN-Grand Palais / Sophie Crépy. https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/16-Manet_Le-chemin-de-fer.jpg Édouard Manet. Le Chemin de fer, 1873. Oil on canvas, 93.3 x 111.5 cm. The National Gallery of Art, Washington. © Photo Courtesy of National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/Daubingny-Fields-in-the-Month-of-June-detail.jpg Charles-François Daubigny. Les Champs au Mois de Juin (Fields in the Month of June), 1874 (detail). Installation view, Paris 1874: Inventing Impressionism, Musée D’Orsay, Paris 2024. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/12-Monet_Gare-Saint-Lazare.jpg Claude Monet. La Gare Saint-Lazare, 1877. Oil on canvas, 75 x 105 cm. Musée d https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/Bd-des-Capucines-concept-art-(c)-Excurio.jpg Boulevard des Capucines. Virtual reality. Concept art © Excurio - GEDEON Experiences - musée d https://www.studiointernational.com/images/articles/i/075-impressionism-1874-2024/expo-les-150-ans-de-l-impressionnisme-22-mars-2024-014.jpg Installation view, Paris 1874: Inventing Impressionism, Musée D’Orsay, Paris 2024. Photo: Sophie Crépy - Musée D’Orsay. https://www.studiointernational.com/index.php/world-may-define-los-angeles-by-hollywood-but-the-culture-is-better-defined-by-the-art https://www.studiointernational.com/images/articles/l/032-la-roundup-spring-2024/embroideries-at-steve-turner-gallery-IMG_7332.jpg Peter Frederiksen. Not Yet Sure Of The Lengths To Which I Would Go, 2021. Freehand machine embroidery on linen, 8 x 6 in (20.3 x 15.2 cm). Installation view, Steve Turner Gallery, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/l/032-la-roundup-spring-2024/omg-hollywood-dream-bubble13.jpg Installation view, HOLLYWOOD DREAM BUBBLE: Ed Ruscha https://www.studiointernational.com/images/articles/l/032-la-roundup-spring-2024/Tomas-Saraceno-IMG_7327.jpg Tomás Saraceno: Live(s) on Air. Installation view, Tanya Bonakdar Gallery, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/l/032-la-roundup-spring-2024/Jay-Kvapil-at-DRosenstein-IMG_7288.jpg Jay Kvapil. Installation view, Recent Landscapes, Diane Rosenstein Gallery, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/l/032-la-roundup-spring-2024/Kohfee-instal-IMG_7269.jpg Terence Koh. Kohfee. Installation view, Make Room, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/l/032-la-roundup-spring-2024/Flavin-IMG_7539.jpg Dan Flavin, installation view, David Zwirner: 30 Years, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/l/032-la-roundup-spring-2024/EY-211-Framed.jpg Eric Yahnker. Study for a Hollywood Ending, 2024. Pastel on Stonehenge, 11 x 24 in (28 x 61 cm). Image courtesy The Hole, Los Angeles. https://www.studiointernational.com/index.php/phyllida-barlow-review-hauser-and-wirth-somerset https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/BARLO63266-hires.jpg Untitled: Stacked Chairs, 2014. Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/BARLO63267-hires-(2).jpg Untitled: Megaphone, 2014. Steel, timber, plywood, wirenetting, sand, polyurethane foam, polystyrene, paint, varnish, 600 x 235 x 290 cm. Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/Hauser-and-Wirth-Somerset-hires-(16).jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/shedmesh-BARLO118652.jpg Left: Shedmesh. Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/BARLO130265.jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/BARLO63266-BARLO127687-hires.jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/BARLO126234.jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/BARLOW-PHYLLIDA-hires-(10).jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/Hauser-and-Wirth-Somerset-(6).jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/BARLO118651-BARLO50554-hires.jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/BARLO78507-BARLO78516-BARLO78785-BARLO52514-hires.jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/Hauser-and-Wirth-Somerset-hires-(11).jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/b/&088-barlow-phyllida-2024/Hauser-and-Wirth-Somerset-hires-(12).jpg Installation view, Phyllida Barlow. Unscripted, Hauser & Wirth Somerset, 2024. © Phyllida Barlow Estate. Courtesy Phyllida Barlow Estate and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/index.php/donald-rodney-visceral-canker-review-spike-island-bristol https://www.studiointernational.com/images/articles/r/029-rodney-donald-2024/Psalms.jpg Donald Rodney, Psalms, 1997. Motorised wheelchair, computer, proximity sensors. Courtesy the Estate of Donald Rodney and Tate. https://www.studiointernational.com/images/articles/r/029-rodney-donald-2024/Pygmalion-SPIKEI-4-(2).jpg Donald Rodney. Pygmalion, 1997. Installation view, Donald Rodney: Visceral Canker, Spike Island, Bristol, 2024. Photo: Lisa Whiting. https://www.studiointernational.com/images/articles/r/029-rodney-donald-2024/Cataract-1991-2023SP8206-1.jpg Donald Rodney. Cataract, 1991. Installation view, Donald Rodney: Visceral Canker, Spike Island, Bristol, 2024. Photo: Lisa Whiting. https://www.studiointernational.com/images/articles/r/029-rodney-donald-2024/The-House-that-Jack-Built-SPIKEI-1.jpg Donald Rodney. The House that Jack Built, 1987. Mixed media. Installation view, Donald Rodney: Visceral Canker, Spike Island, Bristol, 2024. Photo: Lisa Whiting. https://www.studiointernational.com/images/articles/r/029-rodney-donald-2024/britannia-hospital-3-62B3C016-.jpg Donald Rodney. Britannia Hospital 3, 1988. Oil pastel on x-ray. Installation view, Donald Rodney: Visceral Canker, Spike Island, Bristol, 2024. Photo: Lisa Whiting. https://www.studiointernational.com/images/articles/r/029-rodney-donald-2024/SP4083-1.jpg Donald Rodney. Doublethink, 1992. Installation view, Donald Rodney: Visceral Canker, Spike Island, Bristol, 2024. Photo: Lisa Whiting. https://www.studiointernational.com/images/articles/r/029-rodney-donald-2024/In-the-House-of-My-Father-.jpg Donald Rodney, In The House of My Father, 1997. Photograph. Courtesy the Estate of Donald Rodney and the Arts Council. Collection. https://www.studiointernational.com/images/articles/r/029-rodney-donald-2024/SPIKEI-3-(3).jpg Installation view, Donald Rodney: Visceral Canker, Spike Island, Bristol, 2024. Photo: Lisa Whiting. https://www.studiointernational.com/images/articles/r/029-rodney-donald-2024/SP82C6-1.jpg Donald Rodney. Cataract, 1991. Installation view, Donald Rodney: Visceral Canker, Spike Island, Bristol, 2024. Photo: Lisa Whiting. https://www.studiointernational.com/index.php/judy-chicago-revelations-review-serpentine-north-gallery-london https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/05-Judy-Chicago-Wrestling-with-the-Shadow-for-Her-Life.jpg Judy Chicago. Wrestling with the Shadow for Her Life from Shadow Drawings, 1982. Prismacolor on rag paper, 29 x 23 in (73.66 x 58.42 cm). © Judy Chicago/Artists Rights Society (ARS), New York; Photo © Donald Woodman/ARS, NY Courtesy of the artist. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Film-footage-and-photos-of-Judy-Chicago-Atmospheres.jpg Film footage and photos of Atmospheres. Installation view, Judy Chicago: Revelations, 2024, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/C539-1-11219.jpg Judy Chicago: Revelations, 2024. Installation view, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Drawings-for-The-Dinner-Party.jpg Myths, Legends and Silhouettes. Installation view, Judy Chicago: Revelations, 2024, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/01-Judy-Chicago-Smoke-Bodies.jpg Judy Chicago, Smoke Bodies from Women and Smoke, 1971-1972. Remastered in 2016. Original total running time: 25:31. Edited to 14:45 by Salon 94, NY 2017. © Judy Chicago/Artists Rights Society (ARS), New York; Photo courtesy of Through the Flower Archives, Courtesy of the artist. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Area-themed-The-Calling-of-the-Apostles-and-the-Disciples.jpg The Calling of the Apostles and Disciples. Installation view, Judy Chicago: Revelations, 2024, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Drawings-in-the-section-titled-Visions-of-the-Apocalypse.jpg Visions of the Apocalypse, Installation view, Judy Chicago: Revelations, 2024, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/11139-In-the-Beginning-crop.jpg Judy Chicago. In the Beginning from Birth Project (detail), 1982. Prismacolor on paper, 65 x 389 in (165.1 x 988.06 cm). © Judy Chicago/Artists Rights Society (ARS), New York; Photo © Donald Woodman/ARS, NY Courtesy of the artist. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Left-hand-wall-shows-monumental-quilt-What-If-Women-Ruled-the-World-2022.jpg Left hand wall shows monumental quilt What If Women Ruled The World, 2022. Installation view, Judy Chicago: Revelations, 2024, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/And-God-Created-Life-Photo-Jo-Underhill-Courtesy-Judy-Chicago-and-Serpentine.jpg Judy Chicago: Revelations, Serpentine North Gallery 2024. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Concluding-wall-Judy-Chicago.jpg Judy Chicago: Revelations, 2024. Installation view, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Area-themed-Revelations-of-The-Goddess.jpg Judy Chicago: Revelations, 2024. Installation view, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Entrance-to-the-gallery-showing-the-Atmospheres.jpg Judy Chicago: Revelations, 2024. Installation view, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Judy-Chicago-drawings-and-notebooks-detail.jpg Drawings and notebooks. Judy Chicago: Revelations, 2024. Installation view, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/images/articles/c/&077-chicago-judy-2024/Judy-Chicago-drawings-and-notebooks.jpg Drawings and notebooks. Judy Chicago: Revelations, 2024. Installation view, Serpentine North. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Jo Underhill. Courtesy Judy Chicago and Serpentine. https://www.studiointernational.com/index.php/dominique-white-interview-i-do-everything-the-wrong-way-max-mara-art-prize-for-women-winner-whitechapel-gallery https://www.studiointernational.com/images/articles/w/030-white-dominique-2024/04.jpg Dominique White during her Italian residency at Metalserbatoi S.N.C., Todi. 2023. Photo: TIWI. https://www.studiointernational.com/images/articles/w/030-white-dominique-2024/03.jpg Details of the work of Dominique White, in her studio in Todi during her Italian residency, 2024. Photo: Zouhair Bellahmar. https://www.studiointernational.com/images/articles/w/030-white-dominique-2024/05.jpg Dominique White during her Italian residency at Metalserbatoi S.N.C., Todi. 2023. Photo: TIWI. https://www.studiointernational.com/images/articles/w/030-white-dominique-2024/07.jpg Dominique White during her Italian residency at Galata Museo del Mare, Genoa, 2023. Ph. TIWI. https://www.studiointernational.com/images/articles/w/030-white-dominique-2024/06.jpg Dominique White during her Italian residency at Campane Marinelli, 2023. Photo: Le Iridi Digitali. https://www.studiointernational.com/images/articles/w/030-white-dominique-2024/08.jpg Dominique White, The domination of Nothing, 2023. Wrought iron (rusted), sisal, destroyed sail, mahogany (burnt), high volatile charcoal. Courtesy the artist and Veda. Photo: Volker Renner. https://www.studiointernational.com/images/articles/w/030-white-dominique-2024/09.jpg Dominique White, The domination of Nothing (detail), 2023. Wrought iron (rusted), sisal, destroyed sail, mahogany (burnt), high volatile charcoal. Courtesy the artist and Veda. Photo: Volker Renner. https://www.studiointernational.com/images/articles/w/030-white-dominique-2024/10.jpg Dominique White, The dethroning of the Human (detail). 2023. Wrought iron, kaolin, destroyed sail, rope, high volatile charcoal. Courtesy the artist and Veda. Photo: Volker Renner. https://www.studiointernational.com/index.php/angelica-kauffman-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/k/033-kauffman-angelica-2024/key-27.jpg Angelica Kauffman. Design, 1778-80. Oil on canvas, 128.3 x 149 cm. © Royal Academy of Arts, London. Photo: John Hammond. https://www.studiointernational.com/images/articles/k/033-kauffman-angelica-2024/Key-36.jpg Angelica Kauffman, Self-portrait at the Crossroads between the Arts of Music and Painting, 1794. Oil on canvas, 147.3 x 215.9 cm. National Trust Collections (Nostell Priory, The St. Oswald Collection). Purchased by private treaty with the help of a grant from the Heritage Lottery Fund 2002. Photo: © National Trust Images/John Hammond. https://www.studiointernational.com/images/articles/k/033-kauffman-angelica-2024/Key-63.jpg Angelica Kauffman, Portrait of Johann Joachim Winckelmann, 1764. Oil on canvas, 97 x 71 cm. Kunsthaus Zurich, Gift of Conrad Zeller, 1850. © Kunsthaus Zurich. https://www.studiointernational.com/images/articles/k/033-kauffman-angelica-2024/Key-62.jpg Angelica Kauffman. Self-portrait in the Traditional Costume of the Bregenz Forest, 1781. Oil on canvas, 61.4 x 49.2 cm. Innsbruck, TLM, Ältere kunstgeschichtliche Sammlung, inv. Gem 301. Photo: Innsbruck, Tiroler Landesmuseen. https://www.studiointernational.com/images/articles/k/033-kauffman-angelica-2024/Key-48.jpg Angelica Kauffman, Portraits of Domenica Morghen and Maddalena Volpato as Muses of Tragedy and Comedy, 1791. Oil on canvas, 125 x 158 cm. National Museum in Warsaw MNW. Photo © Collection of National Museum in Warsaw. Photo: Piotr Ligier. https://www.studiointernational.com/images/articles/k/033-kauffman-angelica-2024/Key-37.jpg Angelica Kauffman, Portrait of Joshua Reynolds, 1767. Oil on canvas, 127 x 101.6 cm. National Trust Collections, Saltram, The Morley Collection (accepted in lieu of tax by H. M. Treasury, and transferred to The National Trust in 1957). Photo: © National Trust Images/Rob Matheson. https://www.studiointernational.com/images/articles/k/033-kauffman-angelica-2024/Key-38.jpg Angelica Kauffman. Portrait of Emma, Lady Hamilton, as Muse of Comedy, 1791. Oil on canvas, 127 x 101.6 cm. Private collection. https://www.studiointernational.com/images/articles/k/033-kauffman-angelica-2024/key-43.jpg Angelica Kauffman. Cleopatra Adorning the Tomb of Mark Anthony, c1765. Oil on canvas, 125.5 x 105 cm. The Burghley House Collection. Photo © The Burghley House Collection. https://www.studiointernational.com/images/articles/k/033-kauffman-angelica-2024/key-11.jpg Angelica Kauffman. Self-portrait with Bust of Minerva, c1780-81. Oil on canvas, 93 x 76.5 cm. Grisons Museum of Fine Arts, on deposit from the Gottfried Keller Foundation, Federal Office of Culture, Bern. https://www.studiointernational.com/index.php/to-italy-with-liebermann-in-venice-florence-and-rome https://www.studiointernational.com/images/articles/t/052-to-italy-2024/04-Liebermann-Villa_Auf-nach-Italien-online-(17).jpg To Italy! With Liebermann in Venice, Florence and Rome, installation view. Max Liebermann Society Berlin. Photo: Thomas Lingens. https://www.studiointernational.com/images/articles/t/052-to-italy-2024/02-ML_Alley-in-Venice-watercolour.jpg Max Liebermann, Alley in Venice, 1878. Watercolour on paper. Hamburger Kunsthalle © Hamburger Kunsthalle / bpk. Photo: Christoph Irrgang. https://www.studiointernational.com/images/articles/t/052-to-italy-2024/06-Liebermann-Villa_Auf-nach-Italien-online-(9).jpg Exhibition wall showing the cities Max Liebermann visited in Italy. Max Liebermann Society Berlin. Photo: Thomas Lingens. https://www.studiointernational.com/images/articles/t/052-to-italy-2024/05-ML-Corso-auf-dem-Monte-Pincio-in-Rom,-1930-32.jpg Max Liebermann. Corso on the Monte Pincio in Rome, 1930–32. Oil on canvas. Private collection © Grisebach GmbH. https://www.studiointernational.com/images/articles/t/052-to-italy-2024/07-Liebermann-exhibitions-Photo-Sabine-Schereck.jpg Exhibition wall showing the Italian exhibitions that Max Liebermann participated in. Photo: Sabine Schereck. https://www.studiointernational.com/images/articles/t/052-to-italy-2024/08-Max-Liebermann-in-front-of-the-loggia,-1914-Max-Liebermann-Gesellschaft-Berlin-e.V.jpg Max Liebermann in front of the loggia, 1914. Max Liebermann Society Berlin. https://www.studiointernational.com/images/articles/t/052-to-italy-2024/03-ML,-Selbstbildnis-an-der-Staffelei-nach-rechts,-1908,-Uffizi-Florence.jpg Max Liebermann, Self-portrait at the easel to the right, 1908. Oil on canvas. Gallerie degli Uffizi, Florence © Gabinetto Fotografico delle Gallerie degli Uffizi. https://www.studiointernational.com/index.php/all-that-glitters-story-friendship-fraud-fine-art-orlando-whitfield-review-inigo-philbrick https://www.studiointernational.com/images/articles/a/&095-all-that-glitters-2024/Orlando-Whitfield-by-Robin-Christian.jpg Orlando Whitfield. Photo: Robin Christian. https://www.studiointernational.com/images/articles/a/&095-all-that-glitters-2024/all-that-glitters-cover-750.jpg All That Glitters: A Story of Friendship, Fraud and Fine Art by Orlando Whitfield, published by Profile. https://www.studiointernational.com/index.php/zanele-muholi-review-tate-modern-london https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/05-Zanele-Muholi-at-Tate-Modern,-2024-(Larina-Fernandes).jpg Zanele Muholi installation view at Tate Modern, 2024. Photo (c) Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/03b-Zanele-Muholi-at-Tate-Modern,-2024-(Larina-Fernandes).jpg ZaVa III, Paris and ZaVa I, Paris (both 2013). Zanele Muholi installation view at Tate Modern, 2024. Photo (c) Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/03-Zanele-Muholi-at-Tate-Modern,-2024-(Larina-Fernandes).jpg Right: ZaVa IV, Bordeaux, 2013, part of the Being series. Zanele Muholi installation view at Tate Modern, 2024. Photo (c) Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/zanele-muholi-photo-anna-mcnay.jpg Zanele Muholi. Ncinda, 2023. installation view at Tate Modern, 2024. Photo: Anna McNay. https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/Yaya-Mavundla,-Parktown,-Johannesburg,-2014---6100.jpg Zanele Muholi. Yaya Mavundla, Parktown, Johannesburg,2014. 200 x 133.3 cm. Courtesy of the Artist and Yancey Richardson, New York. © Zanele Muholi. https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/12-Zanele-Muholi-at-Tate-Modern,-2024-(Larina-Fernandes).jpg Zanele Muholi installation view at Tate Modern, 2024. Photo (c) Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/11-Zanele-Muholi-at-Tate-Modern,-2024.jpg Zanele Muholi installation view at Tate Modern, 2024. Photo (c) Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/07-Zanele-Muholi-at-Tate-Modern,-2024-(Larina-Fernandes).jpg Mmotshola Metsi (The Water Bearer), The Brave II, 2023. Zanele Muholi installation view at Tate Modern, 2024. Photo (c) Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/03-Zanele-Muholi,-2024-(Larina-Fernandes).jpg Zanele Muholi photographed at Tate Modern, 2024. Photo (c) Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/11-Zanele-Muholi-at-Tate-Modern,-2024-(Larina-Fernandes).jpg Zanele Muholi installation view at Tate Modern, 2024. Photo (c) Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/m/&087-muholi-zanele-2024/Katlego-Mashiloane-and-Nosipho-Lavuta,-Ext.-2,-Lakeside,-Johannesburg-2007.jpg Zanele Muholi. Katlego Mashiloane and Nosipho Lavuta, Ext. 2, Lakeside, Johannesburg 2007. Photograph, inkjet on paper, 76.5 x 76.5 cm. Courtesy of the Artist and Yancey Richardson, New York. © Zanele Muholi. https://www.studiointernational.com/index.php/biennale-gherdeina-9-the-parliament-of-marmots-review-val-gardena-dolomites-italy https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/GAMeC_Lin-May-Saeed-005_Ph-A-Maniscalco.jpg Lin May Saeed. Installation view, GAMeC, Bergamo, 2024. Photo: Antonio Maniscalco. Courtesy GAMeC - Galleria d https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Nadia-Kaabi-Linke,-Mushroom,-2024.jpg Nadia Kaabi-Linke. Mushroom, 2024. Installation, dimensions variable. Commissioned by Biennale Gherdëina 9. Supported by IFA - Institut für Auslandsbeziehungen. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Nassim-Azarzar,-The-Edge-of-the-Forest,-2024.jpg Nassim Azarzar. The Edge of the Forest, 2024. Wallpainting, dimensions variable. Commissioned by Biennale Gherdëina 9. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Alessandro-Biggio,-Ash-Cones,-2010-ongoing.jpg Alessandro Biggio. Ash Cones, 2010-ongoing. Ash, variable dimensions. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Genadry-Apparitional-Mtn-X.jpg Daniele Genadry. Apparitional Mountains (pink) X, 2023-24. © the artist. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Valentina-Furian,-Centauro,-2023.jpg Valentina Furian. Centauro, 2023. HD video, colour, stereo sound. Courtesy the Artist and Fundación PROA. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/atelier.jpg Atelier dell’Errore. Marmottoloide, 2024. Mixed media and gold leaf on polyester and carbon fibre, dimensions variable. Commissioned by Biennale Gherdëina 9. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Shuruq-Harb,-In-the-Presence-of-Absence,-2024.jpg Shuruq Harb. In the Presence of Absence, 2024. Video, 14 min. Courtesy of the Artist. Commissioned by AM Qattan Foundation. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Diana-Policarpo-2024.jpg Diana Policarpo. Anguane’s Fountain, 2024. Mixed media sculpture, 280 x 120 x 120 cm. Anguane’s Fountain, Stream (COBRACORAL), 2024. Six multi-channel audio installation. Commissioned by Biennale Gherdëina 9. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Ingela-Ihrman,-First-Came-the-Ocean,-2024.jpg Ingela Ihrman. First Came the Ocean, 2024. Environmental installation, 25 x 5 m. Courtesy the Artist and Ögonblicksteatern i Umeå, Sweden. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Tribute-to-Lin-May-Saeed,-Works-2006-2023.jpg Tribute to Lin May Saeed, Works 2006 – 2023. Sculptures, reliefs, cut-paper silhouette. Realised by GAMeC, Bergamo in Collaboration with Biennale Gherdëina 9. Courtesy of The Estate of Lin May Saeed and Jacky Strenz, Frankfurt/Main. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Chiara-Bersani-2024.jpg Chiara Bersani, L’animale selvaggio, 2024. Mixed media on paper. Variable dimensions. Performance on 31 May 2024. Commissioned by Biennale Gherdëina 9. Photo: Tiberio Sorvillo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/Lin-May-Saeed_Landscape-with-ant-hills,-2021.jpg Lin May Saeed. Landscape with ant hills, 2021. Styrofoam, acrylic paint, steel, wood, 139 x 210 x 30 cm. Photo: Wolfgang Günzel. Courtesy: Lin May Saeed Estate, Jacky Strenz, Frankfurt/Main. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/GAMeC_Lin-May-Saeed-011_Ph-A-Maniscalco.jpg Lin May Saeed. Installation view, GAMeC, Bergamo, 2024. Photo: Antonio Maniscalco. Courtesy GAMeC - Galleria d'Arte Moderna e Contemporanea di Bergamo. https://www.studiointernational.com/images/articles/b/&087-biennale-gherdeina-9-2024/GAMeC_Lin-May-Saeed-024_Ph-A-Maniscalco.jpg Lin May Saeed. Installation view, GAMeC, Bergamo, 2024. Photo: Antonio Maniscalco. Courtesy GAMeC - Galleria d'Arte Moderna e Contemporanea di Bergamo. https://www.studiointernational.com/index.php/sandra-george-review-5-florence-street-glasgow-international-festival-of-contemporary-art https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/01-SandraGeorge-selfportrait-BreadStMay1993.jpg Sandra George. Self portrait, Bread St, May 1993. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/F07-S64-22.jpg Sandra George. Stage Picket at MEC, Leith Walk Primary School, Edinburgh, 1990. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/F01--S37-22.jpg Sandra George. Blindcraft, Edinburgh, 1980. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/03-SandraGeorge_RoyalBlindSchoolDec1980Edinburgh1.jpg Sandra George. Royal Blind School, December 1980, Edinburgh. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/F23-S07-29.jpg Sandra George. Victoria Hostel, Edinburgh, 1981. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/02-Sandra-George-Claim-Now_FestivalTimesissue1_1988.jpg Sandra George. Claim Now: Craigmillar Welfare Rights, 1988. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/F23-S22-26.jpg Sandra George. Heathfield Day Centre, Birmingham, 1981. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/04-SandraGeorge_NorthBritishHotelwithBritishHoteldisabledmusicians_1981.jpg Sandra George. North British Hotel with British Hotel disabled musicians, 1981. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/F04-S39-18.jpg Sandra George, Greendykes, Edinburgh, 1988. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/F04-S51-06.jpg Sandra George. Gingerbread, Bouncy Castle at Cramond, Edinburgh, 1988. Image courtesy of Craigmillar Now. https://www.studiointernational.com/images/articles/g/023-george-sandra-2024/F07-S72-18.jpg Sandra George. Shatki - International Women's Day, 1989. Image courtesy of Craigmillar Now. https://www.studiointernational.com/index.php/gavin-jantjes-interview-i-want-to-be-free-from-expectation-whitechapel-gallery-london https://www.studiointernational.com/images/articles/j/074-jantjes-gavin-2024/08-Gavin-Jantjes-Vaal-1987.jpg Gavin Jantjes. Vaal, 1987. Acrylic on canvas, 189 × 200 cm. Courtesy the artist. Image courtesy the artist. Photo: Ann Purkis. © Gavin Jantjes, licensed by DACS. https://www.studiointernational.com/images/articles/j/074-jantjes-gavin-2024/02-Gavin-Jantjes-Before-Maputo-1982.jpg Gavin Jantjes. Before Maputo, 1982. Oil on canvas, 150 × 150 cm. Courtesy of TOTAH, New York. Image courtesy the artist © Gavin Jantjes, licensed by DACS. https://www.studiointernational.com/images/articles/j/074-jantjes-gavin-2024/03-Gavin-Jantjes-Amaxesha-Wesikolo-ne-Sintsuku.-Schooldays-and-Nights-1978.jpg Gavin Jantjes. Amaxesha Wesikolo ne Sintsuku (School Days and Nights), 1978. Oil on canvas, 150 × 150 cm. Private Collection, Johannesburg. Image courtesy the artist © Gavin Jantjes, licensed by DACS. https://www.studiointernational.com/images/articles/j/074-jantjes-gavin-2024/06-Gavin-Jantjes-Untitled-1989.jpg Gavin Jantjes. Untitled, 1989. Acrylic on canvas, 200 × 300 cm. Arts Council Collection, Southbank Centre, London. Image courtesy the artist. © Gavin Jantjes, licensed by DACS. https://www.studiointernational.com/images/articles/j/074-jantjes-gavin-2024/07-Gavin-Jantjes-Untitled-1989.jpg Gavin Jantjes. Untitled, 1989. Acrylic on four canvases and ceramic egg, 300 × 304 × 56 cm. Courtesy the artist. Image courtesy the artist. Photo: Ann Purkis. © Gavin Jantjes, licensed by DACS. https://www.studiointernational.com/images/articles/j/074-jantjes-gavin-2024/09-Gavin-Jantjes-Untitled-BB-from-the-Witney-Series-2022.jpg Gavin Jantjes. Untitled BB from The Witney Series, 2022. Acrylic on canvas, 145 × 275 cm. Courtesy the artist. Image courtesy the artist. © Gavin Jantjes, licensed by DACS. https://www.studiointernational.com/images/articles/j/074-jantjes-gavin-2024/11-Gavin-Jantjes-Untitled-from-the-Sharjah-Summer-Series-2022.jpg Gavin Jantjes. Untitled from The Sharjah Series, 2022. Acrylic on canvas, 200 × 600 cm. Courtesy the artist. Image courtesy the artist. © Gavin Jantjes, licensed by DACS. https://www.studiointernational.com/index.php/discover-degas-and-miss-la-la-review-national-gallery-london https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/N-4121-00-000026-A5.jpg Hilaire-Germain-Edgar Degas. Miss La La at the Cirque Fernando, 1879. Oil on canvas, 117.2 × 77.5 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11878_online.jpg Jules Chéret. Folies-Bergères. Miss Lala, 1880. Colour lithograph, 55 x 39 cm. Bibliothèque-musée de l https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11879_online.jpg Unknown. Cirque d’hiver, 1884-6. Colour lithograph, 58.9 x 84.5 cm. Musée Carnavalet, Histoire de Paris. © Mairie de Paris, Photothèque des Musées de la ville de Paris. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11896-A5.jpg Hilaire-Germain-Edgar Degas. Miss Lala at the Cirque Fernando, 1879. Pastel, 46.4 x 29.8 cm. The J. Paul Getty Museum, Los Angeles, California. Digital image courtesy of the Getty https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11901-A5.jpg Hilaire-Germain-Edgar Degas. Miss La La au Cirque Fernando, 1879. Charcoal and black pencil on paper, 47.7 x 26.5 cm. Archives Durand-Ruel. © Durand-Ruel & Cie. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11884-A5.jpg Olga, Kaira la Blanche, Popischill et le petit Kara (Trapèze Volant). Photograph, 13.7 × 8.9 cm. Mucem, Marseille. © Mucem, Marseille. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/L-1280_online.jpg Hilaire-Germain-Edgar Degas. Peasant Girls bathing in the Sea at Dusk, about 1875-6. Oil on canvas, 65 x 81 cm. Private collection. © Photo courtesy of the owner. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11880-A5.jpg Emile Lévy Imprimeur. Hippodrome au pont de l’Alma, toutes les Représentations Les Merveilleuses Gymnasiarques Kaira et Olga, 1873-83. Colour lithograph, 59.5 x 39.7 cm. Musée Carnavalet, Histoire de Paris. © Mairie de Paris, Photothèque des Musées de la ville de Paris. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11871_online.jpg Hilaire-Germain-Edgar Degas. Carnet no. 9. Notebook, 21.4 x 17.5 cm. © Bibliothèque Nationale de France, Paris. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11872_online.jpg Hilaire-Germain-Edgar Degas. Carnet no. 23, 1879. Notebook, 18.7 x 12.5 cm. © Bibliothèque Nationale de France, Paris. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11873_online.jpg Hilaire-Germain-Edgar Degas. Carnet no. 24, 1872. Notebook, 18.7 x 12.5 cm. © Bibliothèque Nationale de France, Paris. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x11881-A5.jpg Hilaire-Germain-Edgar Degas. Au cirque Fernando, 1879. Lithograph heightened with pastel, 11.9 x 16 cm. Bibliothèque de l'Institut National d'Histoire de l'Art, collections Jacques Doucet (EM DEGAS 1). © Bibliothèque numérique de l’INHA. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x12019-A5.jpg F. Appel. Fernando. Cirque Représentations variées, 1875. Lithograph, 44.4 x 33.6 cm. Bibliothèque-musée de l'Opéra (Affiches. Cirque Fernando. © Bibliothèque Nationale de France, Paris. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x12020-A5.jpg F. Appel. Cirque Fernando. Lithograph, 39.9 x 30.5 cm. Bibliothèque-musée de l'Opéra (Affiches. Cirque Fernando. © Bibliothèque Nationale de France, Paris. https://www.studiointernational.com/images/articles/m/&086-miss-la-la-2024/x12211-A5.jpg Hilaire-Germain-Edgar Degas. Theofila Paira, 1879. Black pencil on beige paper, 17 x 11.2 cm. Galerie La Nouvelle Athènes, Paris. © Photo courtesy of the owner. https://www.studiointernational.com/index.php/mella-shaw-interview-sounding-line-all-art-is-a-form-of-activism https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw-Sounding-Line-installed-at-Summerhall,-Edinburgh,-image-(c)-OliveandMaeve.jpg Mella Shaw. Sounding Line, installation view, Summerhall, Edinburgh,2024. Photo © Olive and Maeve. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw_Sounding-Line_2023_British-Ceramics-Biennial-image-(c)-JennyHarper.jpg Mella Shaw. Sounding Line, 2023. British Ceramics Biennial. Photo © Jenny Harper. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw,-Threshold,-Bridges-(Grey-and-Yellow),-image-(c)-Sylvain-Deleu.jpg Mella Shaw. Threshold, Bridges (Grey and Yellow), 2013. Porcelain, 35 x 20 cm. Photo © Sylvain Deleu. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw-with-beached-whale-South-Uist-(c)-David-Evans.jpg Mella Shaw with beached whale, South Uist. Photo © David Evans. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Found-Minke-Whale-Skull_South_Uist-2022-image-(c)-Mella-Shaw.jpg Found Minke Whale Skull, South Uist, 2022. Photo © Mella Shaw. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw-Sounding-Line_1_image-(c)-OliveandMaeve.jpg Mella Shaw. Sounding Line, installation view, Summerhall, Edinburgh,2024. Photo © Olive and Maeve. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw-Sounding-Line_3_image-(c)-OliveandMaeve.jpg Mella Shaw. Sounding Line, installation view, Summerhall, Edinburgh,2024. Photo © Olive and Maeve. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw-still-from-Sounding-Line-Film_1_(image-(c)-Rowan-Aitchison.jpg Mella Shaw. Still from Sounding Line Film 1. 6 min. Image © Rowan Aitchison. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw-still-from-Sounding-Line-Film_2_image-(c)-Rowan-Aitchison.jpg Mella Shaw. Still from Sounding Line Film 2. 6 min. Image © Rowan Aitchison. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw,-Threshold,-Blue-Wave,-image-(c)-Sylvain-Deleu.jpg Mella Shaw, Threshold, Blue Wave, 2013. Porcelain, 90 x 25 cm. Photo © Sylvain Deleu. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw-detail-of-Sounding-LIne-installed-at-Summerhall-Edinburgh-image-(c)-OliveandMaeve.jpg Mella Shaw. Sounding Line, installation view, Summerhall, Edinburgh,2024. Photo © Olive and Maeve. https://www.studiointernational.com/images/articles/s/&067-shaw-mella-2024/Mella-Shaw_Sounding-Line-Sculpture-on-South-Uist-beach_whalebone-clay_2023-(c)-Mella-Shaw-.jpg Mella Shaw.Sounding Line Sculpture on South Uist beach, 2023 Whalebone, clay. Photo © Mella Shaw. https://www.studiointernational.com/index.php/huong-dodinh-transcendence-review-pace-gallery-new-york https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/90686_DODINH_v01.jpg Huong Dodinh. La Neige, 1966. Pastel on paper, 60 × 50 cm (23-5/8" × 19-11/16"). © Huong Dodinh, courtesy Pace Gallery. Photo: Richard Gary. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/90670_DODINH_v01.jpg Huong Dodinh. Sans titre, 1989. Organic binders and natural pigments on paper mounted on wood, 59.2 × 86.5 × 2.5 cm (23-5/16" × 34-1/16" × 1"). © Huong Dodinh, courtesy Pace Gallery. Photo: Richard Gary. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/87170_Dodinh_v01.jpg Huong Dodinh. K.A 265, 2022. Organic binders and natural pigments on canvas mounted on wood, 134 × 120 × 4 cm (52-3/4" × 47-1/4" × 1-9/16"). © Huong Dodinh, courtesy Pace Gallery. Photo: Richard Gary. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/90668_DODINH_v01.jpg Huong Dodinh. Sans titre, 1990. Organic binders and natural pigments on paper mounted on wood, 197.2 × 97 × 3.5 cm (77- 5/8" × 38-3/16" × 1-3/8"). © Huong Dodinh, courtesy Pace Gallery. Photo: Richard Gary. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/HuongDodinh_PACE2024_4K_H264.00_04_36_14.Still002.jpg Still from Huong Dodinh: Revealing Light, 2024. Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/DODINH_TRANSCENDENCE_750.jpg Huong Dodinh: Transcendence, installation view, Pace Gallery, New York, 3 May – 16 August 2024. Photo courtesy Pace Gallery. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/DODINH_TRANSCENDENCE_inst_540_240501_JN_Install_v017.jpg Huong Dodinh: Transcendence, installation view, Pace Gallery, New York, 3 May – 16 August 2024. Photo courtesy Pace Gallery. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/DODINH_TRANSCENDENCE_inst_540_240501_JN_Install_v023.jpg Huong Dodinh: Transcendence, installation view, Pace Gallery, New York, 3 May – 16 August 2024. Photo courtesy Pace Gallery. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/DODINH_TRANSCENDENCE_inst_540_240501_JN_Install_v032.jpg Huong Dodinh: Transcendence, installation view, Pace Gallery, New York, 3 May – 16 August 2024. Photo courtesy Pace Gallery. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/DODINH_TRANSCENDENCE_inst_540_240501_JN_Install_v047.jpg Huong Dodinh: Transcendence, installation view, Pace Gallery, New York, 3 May – 16 August 2024. Photo courtesy Pace Gallery. https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/81998_DODINH_v01.jpg Huong Dodinh. T 2, 1992. Organic binders and natural pigments on canvas mounted on wood, 196 × 122 cm (77-3/16 https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/90672_-DODINH_v01_ver2.jpg Huong Dodinh. Sans titre, 1990. Organic binders and natural pigments on paper mounted on wood, 197.2 × 97 × 3.5 cm (77- 5/8 https://www.studiointernational.com/images/articles/d/041-Huong-Dodinh-2024/90678_DODINH_v01.jpg Huong Dodinh. K.A.145, December 2011 - January 2012, 2011-2012. Organic binders and natural pigments on canvas mounted on wood, 80 × 84 × 4.2 cm (31-1/2 https://www.studiointernational.com/index.php/brilliant-exiles-book-review-american-women-in-paris-1900-1939 https://www.studiointernational.com/images/articles/b/&086-brilliant-exiles-2024/10-Cat66-ACAD-Brooks.jpg Romaine Brooks, Self-Portrait, 1923. Oil on canvas, 46 1/4 x 26 7/8 in (117.5 x 78.3 cm). Smithsonian American Art Museum, Washington, D.C. Gift of the artist. https://www.studiointernational.com/images/articles/b/&086-brilliant-exiles-2024/03-Cat25-STEIN-Davidson-v1.jpg Jo Davidson, Gertrude Stein, 1922–23. Terracotta, 11 x 7 x 9 in (27.9 x 17.8 x 22.9 cm). National Portrait Gallery, Smithsonian Institution, Washington, D.C. https://www.studiointernational.com/images/articles/b/&086-brilliant-exiles-2024/02-Cat17-DANCE-Duncan.jpg Abraham Walkowitz, Isadora Duncan, date unknown. Ink, watercolour, and graphite on paper, 13 15/16 x 8 7/16 in (35.4 x 21.4 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. The Joseph H. Hirshhorn Bequest. Photo: Alex Jamison. https://www.studiointernational.com/images/articles/b/&086-brilliant-exiles-2024/04-Cat31-Becket-Helburn.jpg Marion H. Beckett, Theresa Helburn, 1922. Oil on canvas, 25 3/16 x 23 15/16 in (64 x 60.8 cm). National Portrait Gallery, Smithsonian Institution, Washington, D.C. Gift of Larry Aldrich. https://www.studiointernational.com/images/articles/b/&086-brilliant-exiles-2024/06-Cat41-LIT-Beach-Becat.jpg Paul-Émile Bécat, Portrait of Sylvia Beach, 1923. Oil on canvas, 22 x 25 in (55.9 x 63.5 cm). Manuscripts Division, Department of Special Collections, Princeton University Library https://www.studiointernational.com/images/articles/b/&086-brilliant-exiles-2024/brilliant-exiles-book-cover-750.jpg Brilliant Exiles: American Women in Paris 1900-1939, published by Yale Books in association with the National Portrait Gallery, Smithsonian Institution, Washington DC. https://www.studiointernational.com/images/articles/b/&086-brilliant-exiles-2024/01-Cat12-MAMW-Greenman.jpg Frances Cranmer Greenman, Self-Portrait, 1923. Oil on canvas, 49 1/2 x 34 1/4 in (125.7 x 87 cm). Minneapolis Institute of Art. Gift of Mrs. Patrick Butler. https://www.studiointernational.com/images/articles/b/&086-brilliant-exiles-2024/07-Cat43-LIT-Heap.jpg Pavel Tchelitchew, Jane Heap, c1923–30. Watercolour on paper, 21 13/16 x 17 7/16 in (55.4 x 44.3 cm). National Portrait Gallery, Smithsonian Institution, Washington, D.C. https://www.studiointernational.com/images/articles/b/&086-brilliant-exiles-2024/09-Cat60-HARLEM-Mailou-Jones.SP.jpg Loïs Mailou Jones, Self-Portrait, 1940. Casein on board, 17 1/2 x 14 1/2 in (44.5 x 36.7 cm). Smithsonian American Art Museum, Washington, D.C. Bequest of the artist. © The Loïs Mailou Jones Pierre-Noël Trust. https://www.studiointernational.com/index.php/igshaan-adams-weerhoud-review-hepworth-wakefield https://www.studiointernational.com/images/articles/a/&094-adams-igshaan-2024/Jaime-Lee,-Byron,-Dustin,-Farrol,-Lynett-Detail.jpg Igshaan Adams. Jaime-Lee, Byron, Dustin, Faroll, Lynette, 2024 (detail). Cotton twine, polypropylene and polyester rope, plastic, glass, wooden and stone beads, cotton fabric, mohair, silver and nickel chain and tiger tail wire. Installation view, The Hepworth Wakefield, 22 June – 3 November 2024. Photo: Mark Blower. https://www.studiointernational.com/images/articles/a/&094-adams-igshaan-2024/Ouma,-2016,-Woven-nylon-rope,-string,-beads,-fabric-and-wire-scarf-hangers.jpg Igshaan Adams, Ouma, 2016. Courtesy of the artist. Private collection. © Igshaan Adams. Courtesy the artist, Thomas Dane Gallery and blank projects. https://www.studiointernational.com/images/articles/a/&094-adams-igshaan-2024/Installation-View,-Mark-Blower-2.jpg Igshaan Adams: Weerhoud, installation view, The Hepworth Wakefield, 22 June – 3 November 2024. Photo: Mark Blower. https://www.studiointernational.com/images/articles/a/&094-adams-igshaan-2024/Igshaan-Adams,-Untitled-(2019)-Installation-image-Mark-Bower.jpg Igshaan Adams. Untitled, 2019. Installation view, The Hepworth Wakefield, 22 June – 3 November 2024. Photo: Mark Blower. https://www.studiointernational.com/images/articles/a/&094-adams-igshaan-2024/Wolkies-blaas,-2020.jpg Igshaan Adams. Wolkies blaas, 2020. Courtesy of the artist. On loan from a private collection. © Igshaan Adams. Courtesy the artist, Thomas Dane Gallery and blank projects. Photo: Mario Todeschini. https://www.studiointernational.com/images/articles/a/&094-adams-igshaan-2024/Installation-View,-Mark-Blower.jpg Igshaan Adams: Weerhoud, installation view, The Hepworth Wakefield, 22 June – 3 November 2024. Photo: Mark Blower. https://www.studiointernational.com/images/articles/a/&094-adams-igshaan-2024/Jaime-Lee,-Byron,-Dustin,-Farrol,-Lynette-(2023)-Cotton-twine,-polypropylene-and-polyester-rope,-plastic,-glass,-wooden-and-stone-beads,-cotton-fabric,-mohair,-silver-and-nickel-chain-and-tiger-tail-wire.jpg Igshaan Adams. Jaime-Lee, Byron, Dustin, Faroll, Lynette, 2024 (detail). Cotton twine, polypropylene and polyester rope, plastic, glass, wooden and stone beads, cotton fabric, mohair, silver and nickel chain and tiger tail wire. Installation view, The Hepworth Wakefield, 22 June – 3 November 2024. Photo: Mark Blower. https://www.studiointernational.com/index.php/ronald-moody-sculpting-life-review-the-hepworth-wakefield https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/Mark-Blower-240620-Hepworth-Wakefield-0074.jpg Ronald Moody: Sculpting Life, installation view, The Hepworth Wakefield, 2024. Photo: Mark Blower. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/4-viii-Johanaan-(Tate).jpg Ronald Moody, Johanaan, 1936. Tate: Purchased 1992. © The Ronald Moody Trust. Photo: © Tate. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/5_-iv-Marseille-Figure-01-IMG_58449.jpg Ronald Moody, Marseille Figure, 1940. Tate: Presented by the Ronald Moody Trust 2019. © The Ronald Moody Trust. Photo: Philip Connor. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/Mark-Blower-240620-Hepworth-Wakefield-0078-2.jpg Ronald Moody. Midonz, 1937. Installation view, The Hepworth Wakefield, 2024. Photo: Mark Blower. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/Ronald-Moody-The-Warrior-(Pallant-House-.jpg Ronald Moody, The Warrior, 1974. Pallant House Gallery. Purchased with support of Art Fund, V&A Purchase Grant Fund and Private Donors (2021). © The Ronald Moody Trust. Photo: Pallant House Gallery. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/The-Mother.jpg Ronald Moody, The Mother, 1958-59. Leicester Museums and Galleries. © The Ronald Moody Trust. Photo: Leicester Museums and Galleries. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/9_iii-VW-Concrete-Family-1963.jpg Ronald Moody with Concrete Family, 1963. © Val Wilmer. Photo: Val Wilmer. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/Mark-Blower-240620-Hepworth-Wakefield-0078-Edit-Edit.jpg Ronald Moody: Sculpting Life, installation view, The Hepworth Wakefield, 2024. Photo: Mark Blower. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/Mark-Blower-240620-Hepworth-Wakefield-0087-Edit-Edit-Edit.jpg Ronald Moody: Sculpting Life, installation view, The Hepworth Wakefield, 2024. Photo: Mark Blower. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/Mark-Blower-240620-Hepworth-Wakefield.jpg Ronald Moody. Johanaan, 1936. Installation view, The Hepworth Wakefield, 2024. Photo: Mark Blower. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/10_-vi-Harpy-01-IMG_58510.jpg Ronald Moody, Harpy, 1960. Wakefield Council Permanent Art Collection. © The Ronald Moody Trust. Photo: Anna Bridson. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/10_i-Savacou-Maquette-01-IMG_58549.jpg Ronald Moody, Savacou, 1964. Wakefield Council Permanent Art Collection. © The Ronald Moody Trust. Photo: Anna Bridson. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/11_v-Man-His-Universe-2.jpg Ronald Moody, Man…His Universe, 1969. Leicester Museums and Galleries. © The Ronald Moody Trust. Photo: Leicester Museums and Galleries. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/2_-ii-Seated-Sarong-Figure-1.jpg Ronald Moody, Seated Sarong Figure, 1938. Wakefield Council Permanent Art Collection. © The Ronald Moody Trust. Photo: Anna Bridson. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/Kneeling-Figure.jpg Barbara Hepworth, Kneeling Figure, 1932. Wakefield Council Permanent Art Collection. Purchased with aid from the Wakefield Permanent Art Fund (Friends of Wakefield Art Galleries and Museums), V&A Purchase Grant Fund and Wakefield Girls’ High School, 1944. © Bowness. Photo: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/HenryMooreRecliningFigure.jpg Henry Moore, Reclining Figure, 1936. Wakefield Council Permanent Art Collec=on. Photo: Jerry Hardman-Jones. https://www.studiointernational.com/images/articles/m/&084-moody-ronald-2024/RM_-VW-1963.jpg Ronald Moody working on Johanaan, 1963. © Val Wilmer. Photo: Val Wilmer. https://www.studiointernational.com/index.php/watch-watch-watch-henri-cartier-bresson-review-bucerius-kunst-forum-hamburg https://www.studiointernational.com/images/articles/c/&076-cartier-bresson-2024/01-BKF_Presse_Henri_Cartier-Bresson_Behind_the_Gare_Saint-Lazare_1932__c_Fondation_Henri_Cartier-Bresson_Magnum_Photos-e.jpg Henri Cartier-Bresson. Behind the Gare Saint- Lazare, 1932. © 2024 Fondation Henri Cartier- Bresson / Magnum Photos. https://www.studiointernational.com/images/articles/c/&076-cartier-bresson-2024/02-BKF_Presse_Henri_Cartier-Bresson_Henri_Cartier-Bresson_Coronation_of_King_George_VI__London__Great_Britain__12_May_1937___c__Fondation_Henri_Cartier-Bresson__Magnum_Photos.jpg Henri Cartier-Bresson. Coronation of King George VI, London, Great Britain, 12 May 1937. © 2024 Fondation Henri Cartier- Bresson / Magnum Photos. https://www.studiointernational.com/images/articles/c/&076-cartier-bresson-2024/10-Ausstellungsansicht-Henri_Cartier_Bresson-Foto-Ulrich_Perrey-11.jpg Watch! Watch! Watch! Henri Cartier-Bresson, exhibition view. Photo: Ulrich Perrey. https://www.studiointernational.com/images/articles/c/&076-cartier-bresson-2024/08-Ausstellungsansicht-Henri_Cartier_Bresson-Foto-Ulrich_Perrey-02.jpg Watch! Watch! Watch! Henri Cartier-Bresson, exhibition view. Photo: Ulrich Perrey. https://www.studiointernational.com/images/articles/c/&076-cartier-bresson-2024/05-Ausstellungsansicht-Henri_Cartier_Bresson-Foto-Ulrich_Perrey-08.jpg Watch! Watch! Watch! Henri Cartier-Bresson, exhibition view. Photo: Ulrich Perrey. https://www.studiointernational.com/images/articles/c/&076-cartier-bresson-2024/03-BKF_Presse_Henri_Cartier-Bresson_Washington__United_States__1957___c__2023_Fondation_Henri_Cartier-Bresson__Magnum_Photos.jpg Henri Cartier-Bresson. Washington, USA, 1957. © 2024 Fondation Henri Cartier-Bresson / Magnum Photos. https://www.studiointernational.com/index.php/vanessa-bell-a-pioneer-of-modern-art-review-the-courtauld-gallery-london https://www.studiointernational.com/images/articles/b/&085-bell-vanessa-2024/01-Vanessa-Bell,-A-Conversation,-1913-1916.jpg Vanessa Bell, A Conversation, 1913–16. Oil on canvas. The Courtauld, London (Samuel Courtauld Trust). © Estate of Vanessa Bell. All rights reserved, DACS 2024. https://www.studiointernational.com/images/articles/b/&085-bell-vanessa-2024/05-Vanessa-Bell,-Rug-design,-1913-1915.jpg Vanessa Bell, Rug design, 1913–15. Graphite and bodycolour over a grid of pen and black ink lines, on wove paper, with a pinhole at each corner; loss of lower centre edge made up, The Courtauld, London (Samuel Courtauld Trust) © Estate of Vanessa Bell. All rights reserved, DACS 2024. © Estate of Duncan Grant. All rights reserved, DACS 2024. https://www.studiointernational.com/images/articles/b/&085-bell-vanessa-2024/03-Vanessa-Bell,-Design-for-a-folding-screen-Adam-and-Eve,-1913-1914.jpg Vanessa Bell, Design for a folding screen - Adam and Eve, 1913–14. Graphite, bodycolour and oil paint on wove paper, The Courtauld, London (Samuel Courtauld Trust). © Estate of Vanessa Bell. All rights reserved, DACS 2024. https://www.studiointernational.com/images/articles/b/&085-bell-vanessa-2024/04-Vanessa-Bell,-Tile-design,-c1921.jpg Vanessa Bell, Tile design, c1921. Graphite, watercolour and bodycolour on laid paper, now laid down on Japanese tissue; lower edge unevenly torn. The Courtauld, London (Samuel Courtauld Trust) © Estate of Vanessa Bell. All rights reserved, DACS 2024. © Estate of Duncan Grant. All rights reserved, DACS 2024. https://www.studiointernational.com/images/articles/b/&085-bell-vanessa-2024/02-Vanessa-Bell,-Lilies-and-Iris,-c1919.jpg Vanessa Bell, Lilies and Iris, c1919. Oil on canvas. The Courtauld, London (Samuel Courtauld Trust) © Estate of Vanessa Bell. All rights reserved, DACS 2024. https://www.studiointernational.com/images/articles/b/&085-bell-vanessa-2024/06-Vanessa-Bell,-Rug-design,-1913-1919.jpg Vanessa Bell, Rug design, 1913–19. Graphite and bodycolour on wove paper, with pinholes at upper left and lower right corners, The Courtauld, London (Samuel Courtauld Trust). © Estate of Vanessa Bell. All rights reserved, DACS 2024. https://www.studiointernational.com/images/articles/b/&085-bell-vanessa-2024/1000-Installation-view_Vanessa-Bell-A-Pioneer-in-Modern-Art_-The-Courtauld-Gallery-2024.jpg Installation view, Vanessa Bell A Pioneer in Modern Art, The Courtauld Gallery, 2024. Photo: Fergus Carmichael/The Courtauld. https://www.studiointernational.com/index.php/thinking-like-a-mountain-review-galleria-d-arte-moderna-e-contemporanea-bergamot-italy https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/GAMeC_Lin-May-Saeed-014_Ph-A-Maniscalco.jpg Lin May Saeed. Installation view, GAMeC, Bergamo, 2024. Photo: Antonio Maniscalco. Courtesy GAMeC - Galleria d https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/Lin-May-Saeed_Landscape-with-ant-hills,-2021.jpg Lin May Saeed. Landscape with ant hills, 2021. Styrofoam, acrylic paint, steel, wood, 139 x 210 x 30 cm. Photo: Wolfgang Günzel. Courtesy: Lin May Saeed Estate, Jacky Strenz, Frankfurt/Main. https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/GAMeC_Studio-Ossidiana_Massi-Erratici_Ph.-Riccardo-De-Vecchi_20.jpg Studio Ossidiana. Massi Erratici, 2024. Installation view - GAMeC, Bergamo, 2024. Courtesy GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo. Photo: Riccardo De Vecchi. https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/GAMeC_Studio-Ossidiana_Massi-Erratici_Ph.-Riccardo-De-Vecchi_36.jpg Studio Ossidiana. Massi Erratici, 2024. Installation view - GAMeC, Bergamo, 2024. Courtesy GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo. Photo: Riccardo De Vecchi. https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/31_Performance-Que-este-mundo-permanezca-di-Mercedes-Azpilicueta_Foto-Paolo-Biava.jpg Performance by Mercedes Azpilicueta, Que Este Mundo Permanezca (May This World Remain), Oasi della Biodiversità, Brembate. Photo: Paolo Biava. https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/GAMeC_Gambirasio_Varco_Ph-Nicola-Gnesi_5.jpg Chiara Gambirasio. V’arco, 2024. Iron, enamel, metal pigments. Photo: Nicola Gnesi. Courtesy GAMeC - Galleria d https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/GAMeC_Gambirasio_Mama_Ph-Nicola-Gnesi_1.jpg Chiara Gambirasio. M’ama, 2024. Cement mortar and glue, oxide pigments, fluorescent pigments. Photo: Nicola Gnesi. Courtesy GAMeC - Galleria d https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/GAMeC_Boyce_Benevolence_Ph-Lorenzo-Palmieri_083.jpg Sonia Boyce. Benevolence, 2024. Installation view, GAMeC / Palazzo della Ragione, Bergamo, 2024. Photo: Lorenzo Palmieri. Courtesy GAMeC - Galleria d https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/GAMeC_Boyce_Benevolence_Ph-Lorenzo-Palmieri_MEDIUM_070.jpg Sonia Boyce. Benevolence, 2024. Installation view, GAMeC / Palazzo della Ragione, Bergamo, 2024. Photo: Lorenzo Palmieri. Courtesy GAMeC - Galleria d'Arte Moderna e Contemporanea di Bergamo. © Sonia Boyce by SIAE 2024. https://www.studiointernational.com/images/articles/t/051-thinking-like-a-mountain-2024/07_Performance-Que-este-mundo-permanezca-di-Mercedes-Azpilicueta_Foto-Paolo-Biava.jpg Performance by Mercedes Azpilicueta, Que Este Mundo Permanezca (May This World Remain), Oasi della Biodiversità, Brembate. Photo: Paolo Biava. https://www.studiointernational.com/index.php/augustus-john-and-the-first-crisis-of-brilliance-review-piano-nobile-london https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Derwent-Lees,-Lyndra.jpg Derwent Lees, Lyndra, 1909. Graphite pencil on paper, 33 x 24.8 cm (13 x 9 3/4 in). Courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Augustus-John,-Portrait-of-Percy-Wyndham-Lewis.jpg Augustus John, Portrait of Percy Wyndham Lewis, c1905. Red chalk on paper, 18.5 x 12.5 cm (7 1/4 x 4 3/4 in). © The Estate of Augustus John, courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Augustus-John,-Dorelia-(1909).jpg Augustus John. Dorelia, 1909. Graphite pencil on paper, 25.4 x 16.5 cm (10 x 6 1/2 in). Private Collection. Copyright The Artist. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Jacob-Epstein,-Romilly-2-(courtesy-of-Ben-Uri-Museum-and-Gallery).jpg Jacob Epstein, Romilly John, 1907. Bronze, Height 20.3 cm (8 in). Courtesy of Ben Uri Museum and Gallery. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Gwen-John,-Portrait-of-a-Young-Nun.jpg Gwen John, Portrait of a Young Nun, 1918-19. Oil on canvas, 60.3 x 40 cm (23 3/4 x 15 3/4 in). Private Collection. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Gwen-John,-Sleeping-Nun.jpg Gwen John, Sleeping Nun, 1916-18. Charcoal, watercolour and gouache, 31.8 x 23.8 cm (12 1/2 x 9 3/8 in). Private Collection. Courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Augustus-John,-Landscape-in-Wales.jpg Augustus John, Landscape in Wales, c1911-13. Oil on panel, 32.5 x 40.6 cm (12 3/4 x 16 in). © The Estate of Augustus John, courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Augustus-John,-The-Arenig-Fach.jpg Augustus John, The Arenig Fach, c1911. Oil on panel, 30.5 x 40.6 cm (12 x 16 in). © The Estate of Augustus John, courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Derwent-Lees,-Lyndra-in-the-Garden.jpg Derwent Lees, Lyndra in the Garden, 1913. Oil on board, 50.8 x 35.6 cm (20 x 14 in). Courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/Henry-Lamb,-Edwin-John.jpg Henry Lamb, Edwin John, 1912. Graphite pencil on paper, 21.6 x 13.3 cm (8 1/2 x 5 1/4 in). © The Estate of Henry Lamb, courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/j/073-john-augustus-2024/William-Rothenstein,-Thomas-Hardy.jpg William Rothenstein, Thomas Hardy, 1900. Sanguine and pastel on paper, 22.9 x 22.9 cm (9 x 9 in). Courtesy of Piano Nobile, London. https://www.studiointernational.com/index.php/garth-evans-a-place-in-the-world-video-interview-fundacion-calosa-mexico https://www.studiointernational.com/images/articles/e/058-evans-garth-2024/garth-evans-and-sam-cornish-calosa-mexico.jpg Garth Evans with Sam Cornish, curator of A Place in the World, Fundación Calosa, Irapuato, Mexico, 2024. Photo: Iván Rmz. https://www.studiointernational.com/images/articles/e/058-evans-garth-2024/Guadalajara-Sculpture-PHOTO-2024-06-27-15-16-39.jpg Garth Evans. Party Piece, 2024. La Perla, Guadalajara, Mexico. Painted steel, approx 1100 x 900 cm. Photo courtesy Garth Evans. https://www.studiointernational.com/images/articles/e/058-evans-garth-2024/garth-evans-IMG_8056.jpg Installation view, Garth Evans: A Place in the World, Fundación Calosa, Irapuato, Mexico, 2024. Photo: Iván Rmz. https://www.studiointernational.com/images/articles/e/058-evans-garth-2024/garth-evans-IMG_8036.jpg Installation view, Garth Evans: A Place in the World, Fundación Calosa, Irapuato, Mexico, 2024. Photo: Iván Rmz. https://www.studiointernational.com/images/articles/e/058-evans-garth-2024/garth-evans-IMG_8038.jpg Installation view, Garth Evans: A Place in the World, Fundación Calosa, Irapuato, Mexico, 2024. Photo: Iván Rmz. https://www.studiointernational.com/images/articles/e/058-evans-garth-2024/garth-evans-IMG_8054.jpg Installation view, Garth Evans: A Place in the World, Fundación Calosa, Irapuato, Mexico, 2024. Photo: Iván Rmz. https://www.studiointernational.com/images/articles/e/058-evans-garth-2024/garth-evans-IMG_8078.jpg Installation view, Garth Evans: A Place in the World, Fundación Calosa, Irapuato, Mexico, 2024. Photo: Iván Rmz. https://www.studiointernational.com/images/articles/e/058-evans-garth-2024/garth-evans-general-3.jpg Installation view, Garth Evans: A Place in the World, Fundación Calosa, Irapuato, Mexico, 2024. Photo: Iván Rmz. https://www.studiointernational.com/images/articles/e/058-evans-garth-2024/garth-evans-general1.jpg Installation view, Garth Evans: A Place in the World, Fundación Calosa, Irapuato, Mexico, 2024. Photo: Iván Rmz. https://www.studiointernational.com/index.php/portraits-by-mary-beale-fruit-of-friendship-review-philip-mould-and-co-london https://www.studiointernational.com/images/articles/b/&084-beale-mary-2024/4016-Mary-Beale-Portrait-of-Anne-Sotheby-CROP.jpg Mary Beale. Portrait of Anne Sotheby (née Robinson) (1657-1727), 1677. Oil on canvas, 50 x 41 in (127 x 104.2 cm). Philip Mould & Company. https://www.studiointernational.com/images/articles/b/&084-beale-mary-2024/Self-Portrait.jpg Mary Beale. Self Portrait as a Shepherd. Oil on canvas, 21 x 18 in (53.3 x 45.7 cm). Moyses Hall Museum, West Suffolk Heritage Service. © Purchased with the aid of a grant from the Heritage Lottery Fund. On loan from Moyse’s Hall Museum, West Suffolk Council Heritage Service. https://www.studiointernational.com/images/articles/b/&084-beale-mary-2024/4042-Mary-Beale-Portrait-of-Charles-Beale-HIGH-RES-CROP.jpg Mary Beale. Charles Beale, late 1650s. Oil on paper, laid on panel, 12 ½ × 10 ¼ in (31.8 × 26 cm). Philip Mould & Company. https://www.studiointernational.com/images/articles/b/&084-beale-mary-2024/4046-Mary-Beale-Portrait-of-Elizabeth-CROP.jpg Mary Beale. Elizabeth Jones (c1664-81), early 1670s. Oil on canvas, 18 x 14 ¾ in (56 x 38 cm). Philip Mould & Company. https://www.studiointernational.com/images/articles/b/&084-beale-mary-2024/Charles-Beale.jpg Mary Beale. Charles Beale, 1680s. West Suffolk Heritage Service. https://www.studiointernational.com/images/articles/b/&084-beale-mary-2024/Self-Portrait-with-Husband-and-Son.jpg Mary Beale. Self Portrait of Mary Beale with Her Husband and Son, late 1650s. Museum of the Home. https://www.studiointernational.com/index.php/francis-alys-ricochets-review-barbican-art-gallery-london https://www.studiointernational.com/images/articles/a/&093-alys-francis-2024/06-Francis-Alys-Ricochets,-installation-view,-Barbican-Art-Gallery.jpg Francis Alÿs: Ricochets, installation view, Barbican Art Gallery, 27 June – 1 September 2024 © Jemima Yong / Barbican Art Gallery. https://www.studiointernational.com/images/articles/a/&093-alys-francis-2024/04-Francis-Alys-Ricochets,-installation-view,-Barbican-Art-Gallery.jpg Francis Alÿs: Ricochets, installation view, Barbican Art Gallery, 27 June – 1 September 2024 © Jemima Yong / Barbican Art Gallery. https://www.studiointernational.com/images/articles/a/&093-alys-francis-2024/04-Francis-Alys,-Childrens-Games-38-Parol,-Kharkiv,-Ukraine,-2023.jpg Francis Alÿs, Children’s Game #39: Parol, Kharkiv, Ukraine, 2023 In collaboration with Julien Devaux, Félix Blume, and Hanna Tsyba. https://www.studiointernational.com/images/articles/a/&093-alys-francis-2024/15-Francis-Alys-Ricochets,-installation-view,-Barbican-Art-Gallery.jpg Francis Alÿs: Ricochets, installation view, Barbican Art Gallery, 27 June – 1 September 2024 © Jemima Yong / Barbican Art Gallery. https://www.studiointernational.com/images/articles/a/&093-alys-francis-2024/08-Francis-Alys,-Childrens-Game-12-Musical-Chairs,-Oaxaca,-Mexico,-2012.jpg Francis Alÿs, Children’s Game #12: Musical Chairs, Oaxaca, Mexico, 2012. In collaboration with Elena Pardo and Félix Blume. https://www.studiointernational.com/images/articles/a/&093-alys-francis-2024/01-Francis-Alys-Ricochets,-installation-view,-Barbican-Art-Gallery.jpg Francis Alÿs: Ricochets, installation view, Barbican Art Gallery, 27 June – 1 September 2024 © Jemima Yong / Barbican Art Gallery. https://www.studiointernational.com/images/articles/a/&093-alys-francis-2024/07-Francis-Alys-Ricochets,-installation-view,-Barbican-Art-Gallery.jpg Francis Alÿs: Ricochets, installation view, Barbican Art Gallery, 27 June – 1 September 2024 © Jemima Yong / Barbican Art Gallery. https://www.studiointernational.com/images/articles/a/&093-alys-francis-2024/08-Francis-Alys-Ricochets,-installation-view,-Barbican-Art-Gallery.jpg Francis Alÿs: Ricochets, installation view, Barbican Art Gallery, 27 June – 1 September 2024 © Jemima Yong / Barbican Art Gallery. https://www.studiointernational.com/images/articles/a/&093-alys-francis-2024/12-Francis-Alys-Ricochets,-installation-view,-Barbican-Art-Gallery.jpg Francis Alÿs: Ricochets, installation view, Barbican Art Gallery, 27 June – 1 September 2024 © Jemima Yong / Barbican Art Gallery. https://www.studiointernational.com/index.php/collidoscope-de-la-torre-brothers-retro-perspective-review-corning-museum-of-glass-new-york https://www.studiointernational.com/images/articles/d/040-de-la-torre-2024/18_Chat-with-Chac.jpg Chat with Chac, by Einar and Jamex de la Torre, 2021. Blown-glass, mixed-media sculpture, 19 x 23 in. Photo: Courtesy of Einar and Jamex de la Torre and Koplin Del Rio Gallery https://www.studiointernational.com/images/articles/d/040-de-la-torre-2024/13_Yaki-Transformer.jpg Yaki Transformer, by Einar and Jamex de la Torre, 2020. Mixed-media sculpture, 27 x 12 in. Photo: Courtesy of Koplin Del Rio Gallery. https://www.studiointernational.com/images/articles/d/040-de-la-torre-2024/01_Oxymodern-(Aztec-Calendar).jpg Oxymodern (Aztec Calendar) by Einar and Jamex de la Torre, 2002. Blown-glass, mixed-media wall installation, 120 x 120 x 12 in. Photo credit: Courtesy of the Cheech Marin Collection and Riverside Art Museum. https://www.studiointernational.com/images/articles/d/040-de-la-torre-2024/Exhibit-Wide-2.jpg An array of eclectic sculptures from the Hybrid Dislocations grouping. From left to right: El secreto de Darwin (Darwin's Secret), Nueva Generación, Pork Belly Futures, Jerarquía (Pecking Order), Corazón Corriente (Running from the Heart), M'ezcalera al Cielo (M’stairs to the Sky). Photo courtesy Corning Museum of Glass. https://www.studiointernational.com/images/articles/d/040-de-la-torre-2024/Melancoholia-3.jpg Left to right: Melancoholia (Melancholy), Examen del Conejo (Rabbit Test), and El Monstrua Tuerto (One-Eyed Monster) in a glass display case. Photo courtesy Corning Museum of Glass. https://www.studiointernational.com/images/articles/d/040-de-la-torre-2024/Melancoholia-1.jpg Melancoholia (Melancholy), Einar and Jamex de la Torre, 2017. Blown-glass sculpture, 24 x 8 in. Courtesy of Einar and Jamex de la Torre and Koplin Del Rio Gallery. Photo courtesy Corning Museum of Glass. https://www.studiointernational.com/index.php/in-the-eye-of-the-storm-modernism-in-ukraine-1900-1930s-review-royal-academy-london https://www.studiointernational.com/images/articles/i/074-in-the-eye-of-the-storm-2024/Key-72.jpg Kostiantyn Yeleva, Portrait, late 1920s. Oil on canvas, 145 x 100 cm. National Art Museum of Ukraine. https://www.studiointernational.com/images/articles/i/074-in-the-eye-of-the-storm-2024/Key-1.jpg Alexandra Exter, Three Female Figures, 1909-10. Oil on canvas, 63 x 60 cm. National Art Museum of Ukraine. https://www.studiointernational.com/images/articles/i/074-in-the-eye-of-the-storm-2024/Key-7.jpg Volodymyr Burliuk, Ukrainian Peasant Woman, 1910–11. Oil on canvas, 132 x 70 cm. Museo Nacional Thyssen-Bornemisza, Madrid. © Museo Nacional Thyssen-Bornemisza, Madrid. https://www.studiointernational.com/images/articles/i/074-in-the-eye-of-the-storm-2024/key-17.jpg Marko Epshtein, The Tailor’s Family, c1920. Indian ink and watercolour on paper pasted on cardboard, 46.5 x 32.5 cm. National Art Museum of Ukraine. https://www.studiointernational.com/images/articles/i/074-in-the-eye-of-the-storm-2024/Key-67.jpg Oleksandr Bohomazov, Sharpening the Saws, 1927. Oil on canvas, 138 x 155 cm. National Art Museum of Ukraine. https://www.studiointernational.com/images/articles/i/074-in-the-eye-of-the-storm-2024/Key-5.jpg Davyd Burliuk, Carousel, 1921. Oil on canvas, 33 x 45.5 cm. National Art Museum of Ukraine. © The Burliuk Foundation. https://www.studiointernational.com/images/articles/i/074-in-the-eye-of-the-storm-2024/Key-3.jpg Alexandra Exter, Composition (Genova), 1912. Oil on canvas, 115.5 x 86.5 cm. Alex Lachmann Collection. https://www.studiointernational.com/images/articles/i/074-in-the-eye-of-the-storm-2024/Key-55.jpg Tymofii Boichuk, Women under the Apple Tree, 1920. Tempera on cardboard, 54 x 40 cm. National Art Museum of Ukraine. https://www.studiointernational.com/index.php/dion-kitson-rue-britannia-ikon-gallery-silver-lining-jw-evans-silver-factory-review-birmingham https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Dion-Kitson,-Ode-to-Brierley-Hill-Rubbish-Mountain-(2023)-Photo-Steve-Russell-Studios.jpg Dion Kitson, Ode to Brierley Hill https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Dion-Kitson,-Rue-Britannia-Ikon-Gallery-(2024)-photo-by-Tom-Bird-(6).jpg Dion Kitson, Rue Britannia, installation view, Ikon Gallery, 2024. Image courtesy Ikon. Photo: Tom Bird. https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Dion-Kitson,-Rue-Britannia-Ikon-Gallery-(2024)-photo-by-Tom-Bird-(3).jpg Dion Kitson, Still Life, 2024. Installation view, Rue Britannia, Ikon Gallery, 2024. Image courtesy Ikon. Photo: Tom Bird. https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Dion-Kitson,-Rue-Britannia-Ikon-Gallery-(2024)-photo-by-Tom-Bird-(5).jpg Dion Kitson, Still Life, 2024. Installation view, Rue Britannia, Ikon Gallery, 2024. Image courtesy Ikon. Photo: Tom Bird. https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Dion-Kitson,-Rue-Britannia-Ikon-Gallery-(2024)-photo-by-Tom-Bird.jpg Dion Kitson, Rue Britannia, installation view, Ikon Gallery, 2024. Image courtesy Ikon. Photo: Tom Bird. https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Dion-Kitson,-Rue-Britannia-Ikon-Gallery-(2024)-photo-by-Tom-Bird-(8).jpg Dion Kitson, Rue Britannia, installation view, Ikon Gallery, 2024. Image courtesy Ikon. Photo: Tom Bird. https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Finished-candlesticks-sit-alongside-moulds-and-tools.-Image-courtesy-English-Heritage.jpg Finished candlesticks sit alongside moulds and tools. JW Evans produced a huge range of tableware, jewellery and other items, especially in the years leading up to the first world war. Image courtesy English Heritage. https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Dion-Kitson,-Rue-Britannia-Ikon-Gallery-(2024)-photo-by-Tom-Bird-(7).jpg Dion Kitson, Rue Britannia, installation view, Ikon Gallery, 2024. Image courtesy Ikon. Photo: Tom Bird. https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/A-workshop-within-JW-Evans-Image-courtesy-English-Heritage.jpg A workshop within JW Evans silver factory, Birmingham. Image courtesy English Heritage https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Shelves-full-of-stamps,-patterns-and-dies.-Image-courtesy-English-Heritage.jpg Shelves full of stamps, patterns and dies. When the JW Evans factory finally closed in 2008, it was conserved as found by English Heritage. Image courtesy English Heritage. https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Dion-Kitson,-Rue-Britannia-Ikon-Gallery-(2024)-photo-by-Tom-Bird-(1).jpg Dion Kitson, Rue Britannia, installation view, Ikon Gallery, 2024. Image courtesy Ikon. Photo: Tom Bird. https://www.studiointernational.com/images/articles/k/032-kitson-dion-2024/Dion-Kitson,-Rue-Britannia-Ikon-Gallery-(2024)-photo-by-Tom-Bird-(2).jpg Dion Kitson, Rue Britannia, installation view, Ikon Gallery, 2024. Image courtesy Ikon. Photo: Tom Bird. https://www.studiointernational.com/index.php/lonnie-holley-all-rendered-truth-review-camden-art-centre-london https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/10.jpg Lonnie Holley: All Rendered Truth, installation view, Camden Art Centre, 5 July —15 September 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/06.jpg Lonnie Holley. Retreating Her Power, 2001. Electrical wires and wire. © Lonnie Holley. Image courtesy Edel Assanti. Photo: Truett Dietz. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/08.jpg Lonnie Holley: All Rendered Truth, installation view, Camden Art Centre, 5 July —15 September 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/02.jpg Lonnie Holley. The Nine Notes, 2024. Enamel and spray paint on antique church organ pipes Image courtesy of the artist and Edel Assanti. Photo: Truett Dietz. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/07.jpg Lonnie Holley: All Rendered Truth, installation view, Camden Art Centre, 5 July —15 September 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/04.jpg Lonnie Holley, Hung Out, 2021. Wooden drying rack, rifle targets, and clothes pins. Image courtesy of the artist and Edel Assanti. Photo: Truett Dietz. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/01.jpg Lonnie Holley, Without Skin, 2023. Fire hoses, wooden chairs, and nails. Image courtesy of the artist and Edel Assanti. Photo: Truett Dietz. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/08-750.jpg Lonnie Holley: All Rendered Truth, Installation view, Camden Art Centre, 5 July —15 September 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/03.jpg Lonnie Holley, Working in the House, 2020. Image courtesy of the artist and Edel Assanti. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/05.jpg Lonnie Holley, The Canoe, 2007. Scrap metal, wire, fabric, feather, and string. © Lonnie Holley. Image courtesy Edel Assanti. Photo: Truett Dietz. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/09.jpg Lonnie Holley: All Rendered Truth, installation view, Camden Art Centre, 5 July —15 September 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/h/010-holley-lonnie-2024/11.jpg Portrait of Lonnie Holley, 2022. Photo: Will Amlot. https://www.studiointernational.com/index.php/hetain-patel-interview-come-as-you-really-are-artangel-commission-grants-croydon https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/02-Come-As-You-Really-Are-by-Hetain-Patel-and-Artangel-Photo-Thierry-Bal.jpg Come As You Really Are by Hetain Patel and Artangel, Grants, Croydon 2024. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/An-unusual-dog-walk.jpg An unusual dog walk on the Wetherspoon https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/04-My-Little-Pony-collection-by-Miranda-Worby-in-Come-As-You-Really-Are-by-Hetain-Patel-and-Artangel-Photo-Thierry-Bal.jpg My Little Pony collection by Miranda Worby in Come As You Really Are by Hetain Patel and Artangel. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/05-Come-As-You-Really-Are-by-Hetain-Patel-and-Artangel-Photo-Thierry-Bal.jpg Come As You Really Are by Hetain Patel and Artangel, Grants, Croydon 2024. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/08-Polly-Pockets-collection-by-Emma-Stannard-in-Come-As-You-Really-Are-by-Hetain-Patel-and-Artangel-Photo-Thierry-Bal.jpg Polly Pockets collection by Emma Stannard in Come As You Really Are by Hetain Patel and Artangel. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/Artist-Eleanor-Roberts-Pic-V-Simpson.jpg Artist Eleanor Roberts with art costumes inspired by everything from menopause to life with ME. Installation view, Come As You Really Are by Hetain Patel and Artangel, Grants, Croydon 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/03-Come-As-You-Really-Are-by-Hetain-Patel-and-Artangel-Photo-Thierry-Bal.jpg Come As You Really Are by Hetain Patel and Artangel, Grants, Croydon 2024. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/Hetain-Patel-Ford-Escort-Pic-V-Simpson.jpg 1980s Ford Escort, Installation view, Come As You Really Are by Hetain Patel and Artangel, Grants, Croydon 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/09-Arts-and-crafts-by-Evie-Hancock-in-Come-As-You-Really-Are-by-Hetain-Patel-and-Artangel-Photo-Thierry-Bal.jpg Arts and crafts by Evie Hancock in Come As You Really Are by Hetain Patel and Artangel. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/p/009-patel-hetain-2024/Some-of-the-featured-artists-line-up-with-Hetain-Patel-at-the-press-launch-of-Come-As-You-Really-Are.-Pic-V-Simpson.jpg Some of the featured artists line up with Hetain Patel at the press launch of Come As You Really Are. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/now-you-see-us-women-artists-in-britain-1520-1920-review-tate-britain-london https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/07-Martha-Darley-Mutrie,-Wild-Flowers-at-the-Corner-of-a-Cornfield,-1855-60.-Photo-Tate-(Seraphina-Neville).jpg Martha Darley Mutrie, Wild Flowers at the Corner of a Cornfield, 1855-60. Photo: Tate (Seraphina Neville). https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/16-Rebecca-Solomon,-A-Young-Teacher-1861.-Tate-and-the-Museum-of-the-Home.jpg Rebecca Solomon, A Young Teacher, 1861. Tate and the Museum of the Home. https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/08-Mary-Beale,-Sketch-of-the-Artist-Son,-Bartholomew-Beale,-Facing-Left,-c1660-Photo-Tate.jpg Mary Beale, Sketch of the Artist https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/10-Artemisia-Gentileschi,-Self-Portrait-as-the-Allegory-of-Painting-(La-Pittura),-c1638-1639.jpg Artemisia Gentileschi, Self-Portrait as the Allegory of Painting (La Pittura), c1638-39. Royal Collection Trust / © His Majesty King Charles III 2024. https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/01-Angelica-Kauffman,-RA-Colouring-1778-80-(c)-Royal-Academy-of-Arts,-London-Photo-John-Hammond.jpg Angelica Kauffman, RA, Colouring, 1778-80 © Royal Academy of Arts, London. Photo: John Hammond. https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/22-Maria-Cosway,-Georgiana-as-Cynthia-from-Spensers-Faerie-Queene-1781-82-Chatsworth-and-Bridgeman.jpg Maria Cosway, Georgiana as Cynthia from Spenser https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/14-Mary-Moser-1744-1819,-Standing-Female-Nude.jpg Mary Moser 1744-1819, Standing Female Nude. The Fitzwilliam Museum, Cambridge. https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/13-Elizabeth-Butler,-The-Roll-Call,-1874.jpg Elizabeth Butler, The Roll Call, 1874. Royal Collection Trust / © His Majesty King Charles III 2024. https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/24-Louise-Jopling,-Self-Portrait-Through-the-Looking-Glass,-1875-Tate.jpg Louise Jopling, Through the Looking-Glass, 1875. Purchased with funds provided by the Nicholas Themans Trust and Tate Patrons 2024. Photo: Tate (Sonal Bakrania). https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/23-Louise-Jopling,-A-Modern-Cinderella,-1875-Private-Collection.jpg Louise Jopling, A Modern Cinderella, 1875. Private collection. https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/03-Julia-Margaret-Cameron,-Mountain-Nymph,-Sweet-Liberty-1865-Wilson-Centre.jpg Julia Margaret Cameron, Mountain Nymph, Sweet Liberty, 1865. Wilson Centre of Photography. https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/20-Olive-Edis,-War,-1919-Wilson-Centre-for-Photography.jpg Olive Edis, War, 1919. Wilson Centre for Photography. https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/17-Anna-Airy,-Shop-for-Machining-15-inch-Shells-Singer-Manufacturing-Company,-Clydebank,-Glasgow,-1918-IWM.jpg Anna Airy, Shop for Machining 15-inch Shells: Singer Manufacturing Company, Clydebank, Glasgow, 1918. © Imperial War Museum. https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/05-Gwen-John,-Self-Portrait,-1902-Photo-Tate-(Mark-Heathcote-and-Samuel-Cole).jpg Gwen John, Self-Portrait, 1902. Photo: Tate (Mark Heathcote and Samuel Cole). https://www.studiointernational.com/images/articles/n/059-now-you-see-us-2024/Now-You-See-Us-installation-view-at-Tate-Britain-2025.-Photo-(c)-Tate-(Lucy-Green)-(2)-750.jpg Now You See Us. Women Artists in Britain 1520-1920, installation view, Tate Britain 2024. Photo © Tate (Lucy Green). https://www.studiointernational.com/index.php/ed-clark-review-turner-contemporary-margate https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/Clark,-Self-Portrait,-1947-9.jpg Ed Clark, Self Portrait, 1947-49. © The Estate of Ed Clark. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/Clark,-Untitled,-1957.jpg Ed Clark, Untitled. 1957. The Art Institute of Chicago. © The Art Institute of Chicago / Art Resource, NY. Photo: Elyse Allen. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/Clark,-Locomotion,-1963.jpg Ed Clark, Locomotion, 1963. © The Estate of Ed Clark. Courtesy the Estate and Hauser & Wirth. Photo: Thomas Barratt. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/Clark,-Blacklash,-1964.jpg Ed Clark, Blacklash, 1964. © The Art Institute of Chicago / Art Resource, NY. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/Clark,-Maple-Red,-1963.jpg Ed Clark, Maple Red 1963. Detroit Institute of Arts. © The Estate of Ed Clark. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/Clark,-Untitled,-c1976.jpg Ed Clark, Untitled c.1976. © The Estate of Ed Clark. Courtesy the Estate and Hauser & Wirth. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/03-Ed-Clark,-2024-Installation-View-Courtesy-Turner-Contemporary-Photo-Thierry-Bal.jpg Ed Clark, 2024. Installation view. © Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/01-Ed-Clark,-2024-Installation-View-Courtesy-Turner-Contemporary-Photo-Thierry-Bal.jpg Ed Clark, 2024. Installation view. © Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/02-Ed-Clark,-2024-Installation-View-Courtesy-Turner-Contemporary.-Photo-Thierry-Bal.jpg Ed Clark, 2024. Installation view. © Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/04-Ed-Clark,-2024-Installation-View-Courtesy-Turner-Contemporary-Photo-Thierry-Bal.jpg Ed Clark, 2024. Installation view. © Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/Clark,-Untitled,-1970.jpg Ed Clark, Untitled 1970 © The Estate of Ed Clark. Courtesy the Estate and Hauser & Wirth. Photo: Damian-Griffiths. https://www.studiointernational.com/images/articles/c/&075-clark-ed-2024/Ed-Clark-in-studio,-Dwight-Carter.jpg Ed Clark in his New York studio, 1975. © The Estate of Ed Clark. Photo: Dwight Carter. https://www.studiointernational.com/index.php/chris-ofili-the-caged-birds-song-review-dovecot-studios-edinburgh https://www.studiointernational.com/images/articles/o/074-ofili-chris-2024/Tapestry-full_Caged-Birds-Song_Stephen-White.jpg Chris Ofili, The Caged Bird https://www.studiointernational.com/images/articles/o/074-ofili-chris-2024/The-Caged-Birds-Song_tapestry_WIP_Dovecot_Gautier-Deblonde_VMG_20-May-2015_3127.jpg Chris Ofili, The Caged Bird https://www.studiointernational.com/images/articles/o/074-ofili-chris-2024/Tapestry-detail_Caged-Birds-Song_Gautier-Deblonde.jpg Chris Ofili, The Caged Bird https://www.studiointernational.com/images/articles/o/074-ofili-chris-2024/left-panel-Tapestry-full_Caged-Birds-Song_Stephen-White.jpg Chris Ofili, The Caged Bird https://www.studiointernational.com/images/articles/o/074-ofili-chris-2024/Dovecot-Studios-Photography-by-Phil-Wilkinson.-(3).jpg Installation view, Chris Ofili: The Caged Bird's Song, Dovecot Studios, Edinburgh, 2024 featuring The Caged Bird's Song tapestry triptych by Chris Ofili, 2014–2017. © The artist. Courtesy the artist and Victoria Miro, The Clothworkers' Company and Dovecot Tapestry Studio, Edinburgh. Photo: Phil Wilkinson. https://www.studiointernational.com/images/articles/o/074-ofili-chris-2024/The-Caged-Birds-Song_tapestry_WIP_Dovecot_Gautier-Deblonde_VMG_7-March-2016_2267.jpg Chris Ofili, The Caged Bird's Song, 2014–2017 at Dovecot Tapestry Studio, Edinburgh. Courtesy the artist and Victoria Miro, The Clothworkers' Company and Dovecot Tapestry Studio, Edinburgh. Photo: Gautier Deblonde. https://www.studiointernational.com/images/articles/o/074-ofili-chris-2024/Dovecot-Studios-Photography-by-Phil-Wilkinson.-(2).jpg Installation view, Chris Ofili: The Caged Bird's Song, Dovecot Studios, Edinburgh, 2024 featuring The Caged Bird's Song tapestry triptych by Chris Ofili, 2014–2017. © The artist. Courtesy the artist and Victoria Miro, The Clothworkers' Company and Dovecot Tapestry Studio, Edinburgh. Photo: Phil Wilkinson. https://www.studiointernational.com/index.php/get-the-picture-bianca-bosker-book-review-allen-and-unwin https://www.studiointernational.com/images/articles/g/022-get-the-picture-2024/get-the-picture-750.jpg Get the Picture by Bianca Bosker, published by Allen & Unwin. https://www.studiointernational.com/images/articles/g/022-get-the-picture-2024/Bianca_Bosker_CREDIT_Matthew_Nguyen.jpg BiancacBosker. Photo: Matthew Nguyen. https://www.studiointernational.com/index.php/noemie-goudal-contours-of-certainty-review-mostyn-art-gallery-llandudno-wales https://www.studiointernational.com/images/articles/g/021-goudal-noemie-2024/Gallery-2-installation-view-from-entrance-Pic-V-Simpson.jpg Noémie Goudal: Contours of Certainty, installation view, Mostyn Art Gallery, Llandudno, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/021-goudal-noemie-2024/Close-up-The-Earth-and-the-Living-by-James-Lovelock)-2023-Pic-V-Simpson.jpg Noémie Goudal. La Terre et Le Vivant de James Lovelock (The Earth and the Living by James Lovelock), 2023. Porcelain. Courtesy of Edel Assanti and the Artist. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/021-goudal-noemie-2024/Les-Enfers-de-Dante-2023-Le-Monde-Aleatoire-dAristote-2023-left-Pic-V-Simpson.jpg Noémie Goudal. Right: Les Enfers de Dante (Dante’s Hells), 2023. Corian, steel and wood. Left: Le Monde Aleatoire d’Aristote (Aristotle’s Random World), 2023. Porcelain. Courtesy of Edel Assanti and the Artist. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/021-goudal-noemie-2024/The-Pentagonal-Network-of-Elie-De-Beaumont-2023.jpg Noémie Goudal. Le Réseau Pentagonal d’Elie De Beaumont (The Pentagonal Network of Elie De Beaumont), 2023. Porcelain. Courtesy of Edel Assanti and the Artist. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/021-goudal-noemie-2024/Right,-The-Crossed-Spheres-of-Buridan-2023-and-left-Observatory-X-2014-Pic-V-Simpson.jpg Noémie Goudal: Contours of Certainty, installation view, Mostyn Art Gallery, Llandudno, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/jason-wilsher-mills-interview-doing-art-is-like-cultural-national-service https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/011-BTG240312103629.jpg Jason and the Adventure of 254 by Jason Wilsher-Mills at Wellcome Collection, London 2024. Photo: Benjamin Gilbert. Source: Commissioned by Wellcome Collection. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/020-BTG240311110343.jpg Jason and the Adventure of 254 by Jason Wilsher-Mills at Wellcome Collection, London 2024. Photo: Benjamin Gilbert. Source: Commissioned by Wellcome Collection. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/254-Man,-2023-(c)-Jason-Wilsher-Mills.jpg Jason Wilsher-Mills. 254 Man, 2023. © Jason Wilsher-Mills. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/Bigfoot,-2023-(c)-Jason-Wilsher-Mills.jpg Jason Wilsher-Mills. Bigfoot, 2023. © Jason Wilsher-Mills. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/046-BTG240312112931.jpg Jason and the Adventure of 254 by Jason Wilsher-Mills at Wellcome Collection, London 2024. Photo: Benjamin Gilbert. Source: Commissioned by Wellcome Collection. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/023-BTG240312105055.jpg Jason and the Adventure of 254 by Jason Wilsher-Mills at Wellcome Collection, London 2024. Photo: Benjamin Gilbert. Source: Commissioned by Wellcome Collection. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/_L3R3761.jpg Portrait of Jason Wilsher-Mills. Courtesy of the artist. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/042-BTG240312112342.jpg Jason and the Adventure of 254 by Jason Wilsher-Mills at Wellcome Collection, London 2024. Photo: Benjamin Gilbert. Source: Commissioned by Wellcome Collection. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/043-BTG240312153045.jpg Jason and the Adventure of 254 by Jason Wilsher-Mills at Wellcome Collection, London 2024. Photo: Benjamin Gilbert. Source: Commissioned by Wellcome Collection. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/051-BTG240312124218-2.jpg Jason and the Adventure of 254 by Jason Wilsher-Mills at Wellcome Collection, London 2024. Photo: Benjamin Gilbert. Source: Commissioned by Wellcome Collection. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/061-BTG240312122550.jpg Jason and the Adventure of 254 by Jason Wilsher-Mills at Wellcome Collection, London 2024. Photo: Benjamin Gilbert. Source: Commissioned by Wellcome Collection. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/Boot,-2023-(c)-Jason-Wilsher-Mills.jpg Jason Wilsher-Mills. Boot, 2023. © Jason Wilsher-Mills. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/Darlek-Boy-Racer,-2023-(c)-Jason-Wilsher-Mills.jpg Jason Wilsher-Mills. Darlek Boy Racer, 2023. © Jason Wilsher-Mills. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/Head-with-virus,-2023-(c)-Jason-Wilsher-Mills.jpg Jason Wilsher-Mills. Head with virus, 2023. © Jason Wilsher-Mills https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/Mum-as-a-mermaid,-2023-(c)-Jason-Wilsher-Mills.jpg Jason Wilsher-Mills. Mum as a mermaid, 2023 © Jason Wilsher-Mills. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/Untitled,-2023-(c)-Jason-Wilsher-Mills.jpg Jason Wilsher-Mills. Untitled, 2023. © Jason Wilsher-Mills. https://www.studiointernational.com/images/articles/w/029-wilsher-mills-jason-2024/Untitled-artwork-16,-2023-(c)-Jason-Wilsher-Mills.jpg Jason Wilsher-Mills. Untitled artwork 16, 2023. © Jason Wilsher-Mills. https://www.studiointernational.com/index.php/paris-1924-sport-art-and-the-body-review-fitzwilliam-museum-cambridge https://www.studiointernational.com/images/articles/p/008-paris-1924-2024/The-Gymnast-About-1922-George-Grosz.jpg George Grosz. The Gymnast, about 1922. Oil paint on canvas. Collection of the McNay Art Museum, Gift of Robert L. B. Tobin, 1974.26. © Estate of George Grosz, Princeton, N.J. / DACS 2024. https://www.studiointernational.com/images/articles/p/008-paris-1924-2024/The-Runners-About-1924-Robert-Delaunay.jpg Robert Delaunay (1885–1941). The Runners, about 1924. Oil paint on canvas. National Museum of Serbia. https://www.studiointernational.com/images/articles/p/008-paris-1924-2024/Poster-for-the-Paris-1924-Olympic-Games-1924-Jean-Droit.jpg Poster for the Paris 1924 Olympic Games. Jean Droit (1884–1961). Printed by Hachard & Co., Paris. Colour lithography on paper. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/p/008-paris-1924-2024/Gertrude-Ederle.jpg Gertrude Ederle, 6 August 1926. Black and white photograph. © New York Daily News Archive / Getty Images. https://www.studiointernational.com/images/articles/p/008-paris-1924-2024/Helen-Wills-I-1927-Alexander-Calder.jpg Alexander Calder. Helen Wills I, 1927. Wire and wood. Photo courtesy of Calder Foundation, New York / Art Resource, New York. © 2024 Calder Foundation, New York / DACS, London. https://www.studiointernational.com/images/articles/p/008-paris-1924-2024/Female-Runner-II-1925-Willi-Baumeister.jpg Willi Baumeister (1889-1955). Female Runner II, 1925. Oil paint on canvas. Photo: Scala, Florence/bpk, Bildagentur für Kunst, Kultur und Geschichte, Berlin. © DACS 2024. https://www.studiointernational.com/index.php/lucia-pizzani-interview-venezuela-harewood-house-biennial-cecilia-brunson-projects-smoke-at-frieze-london https://www.studiointernational.com/images/articles/p/007-pizzani-lucia-2024/Harewood-House-2.jpg Lucia Pizzani, Cultivo y Memoria (Crop and Memory), Harewood Biennial 2024 Create/Elevate. Photo: Drew Forsyth, courtesy Harewood House Trust. https://www.studiointernational.com/images/articles/p/007-pizzani-lucia-2024/Harewood-Biennial-2024-Create-Elevate-Lucia-Pizzani-Cultivo-y-Memoria,-credit-Drew-Forsyth,-courtesy-Harewood-House-Trust-2.jpg Lucia Pizzani, Cultivo y Memoria (Crop and Memory), Harewood Biennial 2024 Create/Elevate. Photo: Drew Forsyth, courtesy Harewood House Trust. https://www.studiointernational.com/images/articles/p/007-pizzani-lucia-2024/Harewood-House-3.jpg Lucia Pizzani, Cultivo y Memoria (Crop and Memory), Harewood Biennial 2024 Create/Elevate. Photo: Drew Forsyth, courtesy Harewood House Trust. https://www.studiointernational.com/images/articles/p/007-pizzani-lucia-2024/Flora-Totems.jpg Lucia Pizzani, Flora Totems, 2023. Black stoneware clay and slip. Photo: Andy Keate, courtesy of Cecilia Brunson Projects. https://www.studiointernational.com/images/articles/p/007-pizzani-lucia-2024/Ceiba-Deity.jpg Lucia Pizzani, Ceiba Deity, 2024. Photographic collage on Amate paper. Photo: Andy Keate, courtesy of Cecilia Brunson Projects. https://www.studiointernational.com/images/articles/p/007-pizzani-lucia-2024/Ser-de-Maiz-.jpg Lucia Pizzani, Ser de Maíz, 2024. Black stoneware clay, coconut fibre, dried treated corn cob and dried treated palm stems, 176 x 70 x 70 cm (69 1/4 x 27 1/2 x 27 1/2 in). Photo: Andy Keate, courtesy of Cecilia Brunson Projects. https://www.studiointernational.com/images/articles/p/007-pizzani-lucia-2024/Morada-Vegetal-.jpg Lucia Pizzani, Morada Vegetal (Vegetal Residence), 2024. Abra, Caracas, courtesy of the artist. https://www.studiointernational.com/images/articles/p/007-pizzani-lucia-2024/Siamesas-.jpg Lucia Pizzani, Siamesas, 2024. Black stoneware and dry palm fibre, 36 x 22 x 76 cm (14 1/8 x 8 5/8 x 29 7/8 in). Photo: Andy Keate, courtesy of Cecilia Brunson Projects. https://www.studiointernational.com/index.php/peter-kennard-archive-of-dissent-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/k/031-kennard-peter-2024/04-Peter-Kennard_Haywain-with-Cruise-Missiles_1980.jpg Peter Kennard. Haywain with Cruise Missiles, 1980. Chromolithograph on paper and photographs on paper, 26 × 37.5 cm. Tate: Purchased from the artist 2007. © Peter Kennard. https://www.studiointernational.com/images/articles/k/031-kennard-peter-2024/Peter-Kennard_006.jpg Peter Kennard: Archive of Dissent, Whitechapel Gallery, London 23 July 2024 - 19 January 2025. Photo: Lucy Dawkins. https://www.studiointernational.com/images/articles/k/031-kennard-peter-2024/Peter-Kennard_002.jpg Peter Kennard: Archive of Dissent, Whitechapel Gallery, London 23 July 2024 - 19 January 2025. Photo: Lucy Dawkins. https://www.studiointernational.com/images/articles/k/031-kennard-peter-2024/Peter-Kennard_008.jpg Peter Kennard: Archive of Dissent, Whitechapel Gallery, London 23 July 2024 - 19 January 2025. Photo: Lucy Dawkins. https://www.studiointernational.com/index.php/take-a-breath-review-irish-museum-of-modern-art-dublin https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/IMM0624BH145.jpg Isabel Nolan, Deep Time Day tapestry, 2024. Installation view, Take a Breath, IMMA – Irish Museum of Modern Art, Dublin, 14 June 2024 - 17 March 2025. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/GP-1583-Untitled-(Burial-Pyramid)-C.jpg Ana Mendieta. Burial Pyramid, 1974. Color photograph. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong & Co. Licensed by ARS, New York and IVARO, Ireland 2024. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/Maud-Cotter-IMM0624BH171.jpg Maud Cotter. One Way of Containing Air, 1998. Installation view, Take a Breath, IMMA – Irish Museum of Modern Art, Dublin, 14 June 2024 - 17 March 2025. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/Marina-Abramovic-Freeing-the-Memory-(1975)-V-Simpson.jpg Marina Abramović, Freeing the Memory, 1975. Framed black and white photograph with framed letter press text panel, 124.5 x 61 cm. Installation view, Take a Breath, IMMA – Irish Museum of Modern Art, Dublin, 14 June 2024 - 17 March 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/Khadija-Saye-Ragal-(Fear)-2018-Pic-V-Simpson.jpg Khadija Saye. Ragal (Fear), 2018. Installation view, Take a Breath, IMMA – Irish Museum of Modern Art, Dublin, 14 June 2024 - 17 March 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/IMM0624BH055.jpg Lawrence Abu Hamdan, Air Conditioning (2010), 2022. Installation view Take a Breath, IMMA – Irish Museum of Modern Art, Dublin, 14 June 2024 - 17 March 2025. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/HILS070001_Screenshot_001.jpg Susan Hiller, The Last Silent Movie, 2007. Single-channel projection, with sound, 20 mins 30 secs. Estate of Susan Hiller; Courtesy Lisson Gallery. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/DSC_5171b.jpg Sheroanawe Hakihiiwe, Masiko kekipi [Palmeras de espiritus que abanican el mundo / Palms of spirits that fan the world], 2023. Photo: Colin Davison, courtesy of the artist, Cecilia Brunson Projects and ABRA Caracas. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/ammar-bouras-5.jpg Ammar Bouras. 4°3′55″N 5°3′23″E #5, 2012, Photographies numérique, dimensions variable. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/IMM0624BH135.jpg Yuri Pattison, Sun[set] (Provisioning), 2019 (left) with JMW Turner https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/One-painting-from-the-William-McKeown-series-Tomorrow-(2010)-Pic-V-Simpson.jpg One painting from William McKeown https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/MariaHassabi-White-Out-Photo-Thomas-Poravas.jpg Maria Hassabi: White Out, 2023. Installation view, Tai Kwun Contemporary Hong Kong, 2023. Performer; Solong Zhang. Photo; Thomas Poravas. Courtesy the artist. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/A0823-048-2-(c)-JanLiegeois.jpg Waqas Khan, The Blue Circle, 2023. Ink on canvas, 244 x 244 cm. Image courtesy of the artist and Axel Vervoordt. Photo: Jan Liégeois. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/750-IMM0624BH016.jpg Alex Cecchetti, The Journey of One Breath, 2024. Installation view, Take a Breath, IMMA – Irish Museum of Modern Art, Dublin, 14 June 2024 - 17 March 2025. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/Belinda-Kazeem-Kaminski,-Respire-(Liverpool)-(2023)-Photo-courtesy-of-the-artist-3.jpg Belinda Kazeem-Kamiński, Respire (Liverpool), 2023. Image courtesy of the artist. https://www.studiointernational.com/images/articles/t/050-take-a-breath-2024/IMM0624BH049.jpg Belinda Kazeem-Kamiński, Respire (Liverpool), 2023. Installation view Take a Breath, IMMA – Irish Museum of Modern Art, Dublin, 14 June 2024 - 17 March 2025. Photo: Ros Kavanagh. https://www.studiointernational.com/index.php/helen-charman-interview-director-young-v-and-a https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/ArtFund_YVA_Image4.jpg Young V&A, Museum of the Year 2024. Image courtesy of Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/ArtFund_YVA_Image10.jpg Young V&A, Museum of the Year 2024. Image courtesy of Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/ArtFund_YVA_Image1.jpg Young V&A, Museum of the Year 2024. Image courtesy of Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/ArtFund_YVA_Image11.jpg Young V&A, Museum of the Year 2024. Image courtesy of Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/ArtFund_YVA_Image2.jpg Young V&A, Museum of the Year 2024. Image courtesy of Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/ArtFund_YVA_Image9.jpg Young V&A, Museum of the Year 2024. Image courtesy of Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/ArtFund_YVA_Image5.jpg Young V&A, Museum of the Year 2024. Image courtesy of Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/The-team-from-the-Young-VandA-Photo-credit_David-Parry_PA-Media-Assignments-2.jpg The team from the Young V&A, winners of the Art Fund Museum of the Year 2024, at the award ceremony at the National Gallery in London. Photo: David Parry, PA Media Assignments. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/Dr-Helen-Charman,-Director-of-Young-VandA-Photo-credit_David-Parry.jpg Dr Helen Charman, Director of the Young V&A, winners of Art Fund Museum of the Year 2024 at the National Gallery in London. Photo: David Parry, PA Media Assignments. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/ArtFund_YVA_Image6.jpg Young V&A, Museum of the Year 2024. Image courtesy of Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/y/090-young-v-and-a-2024/ArtFund_YVA_Image7.jpg Young V&A, Museum of the Year 2024. Image courtesy of Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/yoshitomo-nara-review-guggenheim-museum-bilbao https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/088-Galerias_Yositomo-Nara.jpg Yoshitomo Nara. My Drawing Room 2008, Bedroom Included, 2008. Installation view, Guggenheim Museum Bilbao, 28 June – 3 November 2024. Image courtesy Guggenheim Museum Bilbao. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/03-nara-deepest-puddle.jpg Yoshitomo Nara. In the Deepest Puddle II, 1995. Acrylic on cotton mounted on canvas, 120 x 110 cm. Takahashi Ryutaro Collection. © Yoshitomo Nara, courtesy Yoshitomo Nara Foundation. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/05-Missing-in-Action-1999.jpg Yoshitomo Nara. Missing in Action, 1999. Acrylic on canvas, 180 x 145 cm. Courtesy of Sally and Ralph Tawil. © Yoshitomo Nara, courtesy Yoshitomo Nara Foundation. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/07-Too-Young-to-Die-2001.jpg Yoshitomo Nara. Too Young to Die, 2001. Acrylic on cotton mounted on fibre-reinforced plastic (FPR), 180 cm diameter. Courtesy of the Rubell Museum, Miami and Washington, D.C. © Yoshitomo Nara, courtesy Yoshitomo Nara Foundation. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/018-Galerias_Yositomo-Nara.jpg Yoshitomo Nara. Installation view, Guggenheim Museum Bilbao, 28 June – 3 November 2024. Image courtesy Guggenheim Museum Bilbao. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/10-Miss-Forest-2010.jpg Yoshitomo Nara. Miss Forest, 2010. Ceramic decorated with platinum, gold, and silver liquid, 144 x 102 x 100 cm. Leeum Museum of Art, Korea. © Yoshitomo Nara, courtesy Yoshitomo Nara Foundation. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/069-Galerias_Yositomo-Nara-2.jpg Yoshitomo Nara. My Drawing Room 2008, Bedroom Included, 2008. Installation view, Guggenheim Museum Bilbao, 28 June – 3 November 2024. Image courtesy Guggenheim Museum Bilbao. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/14-Midnight-Tears-2023.jpg Yoshitomo Nara. Midnight Tears, 2023. Acrylic on canvas, 240.5 x 220 cm. Collection of the Artist. © Yoshitomo Nara, courtesy Yoshitomo Nara Foundation. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/029-Galerias_Yositomo-Nara-1.jpg Yoshitomo Nara. Installation view, Guggenheim Museum Bilbao, 28 June – 3 November 2024. Image courtesy Guggenheim Museum Bilbao. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/070-Galerias_Yositomo-Nara.jpg Yoshitomo Nara. Installation view, Guggenheim Museum Bilbao, 28 June – 3 November 2024. Image courtesy Guggenheim Museum Bilbao. https://www.studiointernational.com/images/articles/n/058-nara-yoshitomo-2024/095-Galerias_Yositomo-Nara.jpg Yoshitomo Nara. Installation view, Guggenheim Museum Bilbao, 28 June – 3 November 2024. Image courtesy Guggenheim Museum Bilbao. https://www.studiointernational.com/index.php/charlie-stiven-interview-summerhall-edinburgh https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/01-Summerhall-KIOSK-install.jpg Charlie Stiven: Kiosk, installation view, Summmerhall, Edinburgh, July 2023 – February 2024. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/04-END-OF-THE-PIER-SHOW.jpg Charlie Stiven. End of the Pier Show, 2019 (remodelled 2023). Wood, acrylic, mixed media, 36 x 36 x 46 cm. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/10-FARMACIA.jpg Charlie Stiven. Farmacia, 2016. Wood, acrylic, mixed media, 45 x 45 x 34 cm. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/12-GRAB-N-GO-2.jpg Charlie Stiven. GRAB N’ GO, 2020 (remodelled 2023). Wood, acrylic, mixed media, 60 x 80 x 33 cm. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/17-6-DRAWINGS-from-Dry-Land-series.jpg Charlie Stiven. Drawings from Dry Land series, 2000s. Charcoal, Conte pencil on Arches paper, 50 x 70 cm each. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/05-END-OF-THE-PIER-SHOW-(model-as-photo).jpg Charlie Stiven. End of the Pier Show, 2019. Model as photographic prop. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/06-DER-GEFAULTE-TRAUM-.jpg Charlie Stiven. Der Gefaulte Traum, 2016. Wood, acrylic, mixed media, 42 x 42 x 34 cm. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/08-LVIV-.jpg Charlie Stiven. Lviv, 2023. Wood, acrylic, mixed media, 16 x 16 x 18 cm each. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/09-Research-photo,-Lviv,-Ukraine.jpg Charlie Stiven. Research image of street kiosk, Lviv, Ukraine. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/16-SNV37384-2.jpg Charlie Stiven. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/02-Summerhall-KIOSK-install.jpg Charlie Stiven: Kiosk, installation view, Summmerhall, Edinburgh, July 2023 – February 2024. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/03-Summerhall-KIOSK-install.jpg Charlie Stiven: Kiosk, installation view, Summmerhall, Edinburgh, July 2023 – February 2024. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/07-DER-GEFAULTE-TRAUM-(model-as-photo).jpg Charlie Stiven. Der Gefaulte Traum. Model as photographic prop. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/11-GRAB-N-GO.jpg Charlie Stiven. GRAB N’ GO, 2020 (remodelled 2023). Wood, acrylic, mixed media, 60 x 80 x 33 cm. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/13-HERE-COMES-THE-SUN-(model-as-photo).jpg Charlie Stiven. Here Comes the Sun (the model as photographic prop), 2023. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/14-HAPPY-DAYS.jpg Charlie Stiven. Happy Days, 2017. Wood, acrylic, mixed media, 45 x 45 x 32 cm. Photo © The Artist. https://www.studiointernational.com/images/articles/s/&065-stiven-charlie-2024/15-Kiosk-in-progress.jpg Charlie Stiven. Image of a model kiosk in progress, 2023. Photo © The Artist. https://www.studiointernational.com/index.php/tavares-strachan-there-is-light-somewhere-review-hayward-gallery-london https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan-The-Encyclopedia-of-Invisibility,-2014-(1).jpg Tavares Strachan, The Encyclopedia of Invisibility, 2014-18, and Six Thousand Years, 2018. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/The-Encyclopedia-of-Invisibility,-2014-18.jpg Tavares Strachan, The Encyclopedia of Invisibility, 2014-18. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan_-There-Is-Light-Somewhere-Ruin-of-a-Giant-(King-Tubby),-2024-(1).jpg Tavares Strachan, Ruin of a Giant (King Tubby), 2024. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan,-Every-Tongue-Shall-Confess,-2019.jpg Tavares Strachan, Every Tongue Shall Confess, 2019. Two panels, oil, enamel, and pigment on acrylic, 84 x 42 x 2 in. (213.4 x 106.7 x 5.1 cm) each, 84 x 84 x 2 in. (213.4 x 213.4 x 5.1 cm) overall. Courtesy of the artist. Photo: Miho Suzuki. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan-A-Map-of-the-Crown-series,-2022-24,-and-Mind-Fields-series-2023-24.jpg Tavares Strachan, A Map of the Crown series, 2022-24, and Mind Fields series, 2023-24. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan_-There-Is-Light-Somewhere-Black-Star,-2024-(2).jpg Tavares Strachan, Black Star, 2024. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Inner-Elder-(Nina-Simone-as-Queen-of-Sheba),-2023.jpg Tavares Strachan, Inner Elder (Nina Simone as Queen of Sheba), 2023. Ceramic, 39 ⅜ H x 23 ⅝ W x 23 ⅝ D in (100 x 60 x 60 cm). Courtesy of the Artist and Marian Goodman Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan-Intergalactic-Palace,-2024,-and-Ruin-of-a-Giant-(King-Tubby),-2024.jpg Tavares Strachan, Intergalactic Palace, 2024, and Ruin of a Giant (King Tubby), 2024. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan-There-Is-Light-Somewhere-Black-Star,-2024-Photo-Mark-Blower.jpg Tavares Strachan, Black Star, 2024. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan,-A-Map-of-the-Crown-(Congo-Candle-Wick),-2022-Photo-Claire-Dorn.jpg Tavares Strachan, A Map of the Crown (Congo Candle Wick), 2022. Bronze, human hair, wood, 69 3/4 x 23 5/8 x 23 5/8 in (177 x 59.9 x 59.9 cm). Courtesy of the artist. Photo: Claire Dorn. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan,-and-Seated-Panchen-Lama,-2011.jpg Tavares Strachan, Henrietta, 2014, and Seated Panchen Lama, 2011. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan--Lift-Off-1,-2008-09-Photo-by-Tom-Powel-Imaging.jpg Tavares Strachan, Lift Off #1, 2008-09. Two glass rockets, Bahamas sugar fuel cell, 15 x 73 x 23 ¼ in (38.1 x 185.4 x 59.1 cm). Courtesy of the artist. Photo: Tom Powel Imaging. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan-A-Map-of-the-Crown-(Jimma-Ethiopia),-2023,-and-Mind-Field-series,-2023.jpg Tavares Strachan, A Map of the Crown (Jimma Ethiopia), 2023, and Mind Field series, 2023. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan-Seated-Panchen-Lama,-2011-Photo-Mark-Woods(1).jpg Tavares Strachan, Seated Panchen Lama, 2011. Pyrex figure, mineral oil, acrylic, 34.5 H x 34.5 L x 22.5 W in (87.63 H x 87.63 L x 57.15 W cm). Courtesy of the artist and the Frye Art Museum. Photo: Mark Woods. https://www.studiointernational.com/images/articles/s/&066-strachan-tavares-2024/Tavares-Strachan_-There-Is-Light-Somewhere-You-Belong-Here,-2014-2.jpg Tavares Strachan, You Belong Here, 2014. Installation view, Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, 18 June – 1 September 2024. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/index.php/prydie-the-life-and-art-of-mabel-pryde-nicholson-review-the-grange-gallery-rottingdean https://www.studiointernational.com/images/articles/n/057-nicholson-mabel-pryde-2024/Mabel-with-Ben-c1896.jpg Mabel with Ben, c1896. From an album belonging to James Pryde. With kind permission of Bushey Museum and Art Gallery. https://www.studiointernational.com/images/articles/n/057-nicholson-mabel-pryde-2024/William-Nicholson,-Lady-in-Yellow,-1893.jpg William Nicholson, Lady in Yellow, 1893. Private Collection. https://www.studiointernational.com/images/articles/n/057-nicholson-mabel-pryde-2024/Nancy-with-Rabbit,-c1909.jpg Mabel Pryde Nicholson, Nancy with Rabbit, c1909. Private Collection, courtesy of Patrick Bourne & Co., London. https://www.studiointernational.com/images/articles/n/057-nicholson-mabel-pryde-2024/The-Grange,-c1911.jpg Mabel Pryde Nicholson, The Grange, c1911. Scottish National Gallery. https://www.studiointernational.com/images/articles/n/057-nicholson-mabel-pryde-2024/Family-Group,-c1912.jpg Mabel Pryde Nicholson, Family Group, c1912. Tate. https://www.studiointernational.com/images/articles/n/057-nicholson-mabel-pryde-2024/Ernesto,-1913.jpg Mabel Pryde Nicholson, Ernesto, 1913. Pallant House Gallery. https://www.studiointernational.com/images/articles/n/057-nicholson-mabel-pryde-2024/The-Harlequin,-c1910.jpg Mabel Pryde Nicholson, The Harlequin, c1910. Tate. https://www.studiointernational.com/images/articles/n/057-nicholson-mabel-pryde-2024/The-Red-Jersey,-c1912.jpg Mabel Pryde Nicholson, The Red Jersey, c1912. Aberdeen Art Gallery. https://www.studiointernational.com/index.php/danielle-brathwaite-shirley-the-soul-station-review-halle-am-berghain-berlin https://www.studiointernational.com/images/articles/b/&083-brathwaite-shirley-danielle-2024/04.jpg Danielle Brathwaite-Shirley, You Can https://www.studiointernational.com/images/articles/b/&083-brathwaite-shirley-danielle-2024/05.jpg Danielle Brathwaite-Shirley, The Soul Station, 2024. Installation view at Halle am Berghain, Berlin. Commissioned by LAS Art Foundation. Courtesy the artist; LAS Art Foundation. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/b/&083-brathwaite-shirley-danielle-2024/01.jpg Danielle Brathwaite-Shirley, The Soul Station, 2024. Installation view at Halle am Berghain, Berlin. Commissioned by LAS Art Foundation. Courtesy the artist; LAS Art Foundation. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/b/&083-brathwaite-shirley-danielle-2024/07.jpg Danielle Brathwaite-Shirley, The Soul Station, 2024. Installation view at Halle am Berghain, Berlin. Commissioned by LAS Art Foundation. Courtesy the artist; LAS Art Foundation. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/b/&083-brathwaite-shirley-danielle-2024/02.jpg Danielle Brathwaite-Shirley, You Can https://www.studiointernational.com/images/articles/b/&083-brathwaite-shirley-danielle-2024/06.jpg Danielle Brathwaite-Shirley, The Soul Station, 2024. Installation view at Halle am Berghain, Berlin. Commissioned by LAS Art Foundation. Courtesy the artist; LAS Art Foundation. Photo: Alwin Lay. https://www.studiointernational.com/images/articles/b/&083-brathwaite-shirley-danielle-2024/09.jpg Danielle Brathwaite-Shirley. Portrait. Courtesy the Artist.
 https://www.studiointernational.com/images/articles/b/&083-brathwaite-shirley-danielle-2024/03.jpg Danielle Brathwaite-Shirley, You Can't Hide Anything, 2024. Commissioned by LAS Art Foundation. Courtesy the artist; LAS Art Foundation. © Danielle Brathwaite-Shirley.
 https://www.studiointernational.com/images/articles/b/&083-brathwaite-shirley-danielle-2024/08.jpg Danielle Brathwaite-Shirley, The Soul Station, 2024. Installation view at Halle am Berghain, Berlin. Commissioned by LAS Art Foundation. Courtesy the artist; LAS Art Foundation. Photo: Alwin Lay. https://www.studiointernational.com/index.php/parade-rachel-cusk-book-review-faber https://www.studiointernational.com/images/articles/p/006-parade-2024/parade-book-cover.jpg Parade by Rachel Cusk, published by Faber. https://www.studiointernational.com/index.php/the-shape-of-things-still-life-in-britain-review-pallant-house-gallery-chichester https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/Cheung,-Still-Life-with-Golden-Goblet-(after-Pieter-de-Ring-1640-1660)_2017.jpg Gordon Cheung, Still Life with Goblet (after Pieter de Ring, 1640-69), 2017. Courtesy artist and Cristea Roberts Gallery, London. © Gordon Cheung. https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/Ben-Nicholson-1943-45-(St-Ives,-Cornwall)-Tate.jpg Ben Nicholson, 1943-45 (St Ives, Cornwall), 1943-45. Oil and graphite on canvas, 40.6 × 50.2 cm. Tate: Purchased 1945. https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/AG166-Wadsworth,-Edward-Alexander-Bright-Intervals-(1928).jpg Edward Wadsworth, Bright Intervals, 1928. Tempera on canvas laid on panel, 63 x 88 cm. Museum & Art Swindon. https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/Anwar-Jalal-Shemza,-Still-Life.jpg Anwar Jalal Shemza, Still Life, 1957. Oil on fibreboard. Estate of Anwar Jalal Shemza. https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/Hamilton_The-Critic-Laughs.jpg Richard Hamilton, The Critic Laughs, 1968. Laminated offset lithograph in colours and handcolouring in enamel, on coated stock paper. Wilson Gift through The Art Fund (2006), DACS. https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/Maggi-Hambling_Cuddling-skulls-1995.jpg Maggi Hambling, Cuddling Skulls, 1995. Oil on canvas, 40 x 50 cm. © The artist. https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/Patrick-Caulfield-Coloured-Still-Life.jpg Patrick Caulfield, Coloured Still Life, 1967. Acrylic on panel, 56 x 89 cm. Accepted in lieu of Inheritance Tax by HM Government from the estate of MJ Long / Wilson and allocated to Pallant House Gallery (2021). https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/Cornelia-Parker-Falling-Facade.jpg Cornelia Parker, Falling Façade, 1991. Stretched silver trophies, easel and mirror. Mirror: 97.5 x 112.5 x 2 cm; easel: 171 x 112.5 x 94 cm; overall dimensions variable. Courtesy of the artist & Frith Street Gallery, London. https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/Eric-Ravilious-Ironbridge-Interior.jpg Eric Ravilious, Ironbridge Interior, 1941. On long loan to the Towner collection. Image Towner Eastbourne. https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/George-Leslie-Hunter-Still-Life-with-Cut-Melon-Glass-and-Fan.jpg George Leslie Hunter, Still Life with Cut Melon, Glass and Fan, c1919/20. Oil on canvas. On long term loan from the Cross Family Collection (2014). https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/Wilhelmina-Barns-Graham-trust-red-table.jpg Wilhelmina Barns-Graham, The Red Table, 1952. Oil on canvas. © Wilhelmina Barns-Graham Trust. https://www.studiointernational.com/images/articles/t/049-the-shape-of-things-2024/William-Nicholson-The-Silver-Casket-and-Red-Leather-Box-1920_442.jpg William Nicholson, The Silver Casket, and Red Leather Box, 1920. Courtesy: Private Collection. https://www.studiointernational.com/index.php/leonora-carrington-rebel-visionary-review-newlands-house-gallery-petworth https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/IMG_5682-2.jpg Leonora Carrington: Rebel Visionary, installation view, Newlands House Gallery, 12 July – 26 October 2024. Image courtesy Newlands House Gallery. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/Untitled.jpg Leonora Carrington. Untitled Mask, no date. 24K gold plated silver, 22 x 22 x 4 cm. Courtesy of the Leonora Carrington Council and rossogranada. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/IMG_5752.jpg Leonora Carrington. Beast on Oatmeal Background, 1956. Tapestry, 160 x 100 cm. Private Collection. Installation view, Newlands House Gallery, 12 July – 26 October 2024. Image courtesy Newlands House Gallery. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/Untitled-2.jpg Leonora Carrington. Dragon, 1979. Wool tapestry, 197 x 260 cm. Courtesy of the Leonora Carrington Council and rossogranada. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/Dragoness.jpg Leonora Carrington. Dragoness, 2010. Bronze sculpture, 76 x 47 x 47 cm. Courtesy of the Leonora Carrington Council and rossogranada. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/Woman-with-Fox.jpg Leonora Carrington. Woman with Fox, 2010. Bronze sculpture, 92 x 34 x 32 cm. Courtesy of the Leonora Carrington Council and rossogranada. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/Daughter-of-the-Minotaur.jpg Leonora Carrington. Daughter of the Minotaur, 2010. Bronze sculpture, 82 x 38 x 55 cm. Courtesy of the Leonora Carrington Council and rossogranada. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/Bird.jpg Leonora Carrington. Bird, 2011. Bronze sculpture, 69 x 72 x 92 cm. Courtesy of the Leonora Carrington Council and rossogranada. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/IMG_5710.jpg Leonora Carrington: Rebel Visionary, installation view, Newlands House Gallery, 12 July – 26 October 2024. Image courtesy Newlands House Gallery. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/IMG_5568.jpg Leonora Carrington: Rebel Visionary, installation view, Newlands House Gallery, 12 July – 26 October 2024. Image courtesy Newlands House Gallery. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/IMG_5798.jpg Leonora Carrington: Rebel Visionary, installation view, Newlands House Gallery, 12 July – 26 October 2024. Image courtesy Newlands House Gallery. https://www.studiointernational.com/images/articles/c/&074-carrington-leonora-2024/Tuesday.jpg Leonora Carrington. Tuesday, 2008. 18k gold with precious stones, 8 x 2 x 1.5 cm. Courtesy of the Leonora Carrington Council and rossogranada. https://www.studiointernational.com/index.php/angus-pryor-interview-the-book-of-enoch https://www.studiointernational.com/images/articles/p/005-pryor-angus-2024/04_The-Earth-Cries-Out.jpg Angus Pryor. The Earth Cries Out. Oil paint, plastic mushrooms, red plastic lilies and deer antler, 200 x 200 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/p/005-pryor-angus-2024/IMG_0258[100].jpg Angus Pryor. 1 Enoch Church. Installation view, The Hardwick Gallery, 2020. Image courtesy the artist. https://www.studiointernational.com/images/articles/p/005-pryor-angus-2024/IMG_0303.jpg Angus Pryor. The Earth Cries Out and God on his Throne. Installation view, The Hardwick Gallery, 2020. Image courtesy the artist. https://www.studiointernational.com/images/articles/p/005-pryor-angus-2024/IMG_0305.jpg Angus Pryor. Enoch’s Journey to the ends of the earth, 2020. Oil on canvas, deer barometer, glass and plastic mirrors and tine stars. 200 x 200 cm. Image courtesy the artist. https://www.studiointernational.com/images/articles/p/005-pryor-angus-2024/Angus-Pryor-Landscape-2.jpg Angus Pryor. Photo courtesy of the artist. https://www.studiointernational.com/index.php/after-the-end-of-history-british-working-class-photography-1989-2024-review-focal-point-gallery-southend-on-sea https://www.studiointernational.com/images/articles/a/&092-after-the-end-of-history-2024/FPG_AfterTheEndofHistory_ALUKALA_2.jpg Installation view, After The End of History. Photo: Anna Lukala, courtesy the Artist, Focal Point Gallery and Hayward Gallery Touring. https://www.studiointernational.com/images/articles/a/&092-after-the-end-of-history-2024/FPG_AfterTheEndofHistory_ALUKALA_5.jpg Installation view, After The End of History. Photo: Anna Lukala, courtesy the Artist, Focal Point Gallery and Hayward Gallery Touring. https://www.studiointernational.com/images/articles/a/&092-after-the-end-of-history-2024/joanne-coates-AfterTheEndofHistory_ALUKALA_15.jpg Works by Joanna Coates, installation view, After The End of History. Photo: Anna Lukala, courtesy the Artist, Focal Point Gallery and Hayward Gallery Touring. https://www.studiointernational.com/images/articles/a/&092-after-the-end-of-history-2024/richard-grassick-AfterTheEndofHistory_ALUKALA_6.jpg Works by Richard Grassick, installation view, After The End of History. Photo: Anna Lukala, courtesy the Artist, Focal Point Gallery and Hayward Gallery Touring. https://www.studiointernational.com/images/articles/a/&092-after-the-end-of-history-2024/1000-FPG_AfterTheEndofHistory_ALUKALA_1.jpg Installation view, After The End of History. Photo: Anna Lukala, courtesy the Artist, Focal Point Gallery and Hayward Gallery Touring. https://www.studiointernational.com/images/articles/a/&092-after-the-end-of-history-2024/FPG_AfterTheEndofHistory_ALUKALA_11.jpg Installation view, After The End of History. Photo: Anna Lukala, courtesy the Artist, Focal Point Gallery and Hayward Gallery Touring. https://www.studiointernational.com/index.php/edinburgh-art-festival-2024-review-edinburgh https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/Rosie-Flag-BT6A0307.jpg Rosie’s Disobedient Press. Flags, posters, wearables and events, various locations around Edinburgh. https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/Filo-magazine,-No-16,-1989_Queer-Archives-Institute-collection.jpg Filo magazine, No 16, 1989. Queer Archives Institute collection. https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/Karol-Radziszewski,-Veronika-Sleivyte-2021.jpg Karol Radziszewski. Veronika Šleivytė. Gallery of Portraits series, 2021. https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/Browne-Sanctus-1K1A8339.jpg Renèe Helèna Browne, Sanctus! Film installation. City Art Centre (CAC). https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/Alaya-Ang,-Platform24-Artist.jpg Alaya Ang, The Fingers Pulling the Thread. Platform. Photo: Sally Jubb Photography. https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/Etching-Room-1-A-wonderful-day-in-a-wonderful-world.jpg Etching Room 1. A wonderful day in a wonderful world. Mural. Edinburgh Sculpture Workshop (ESW). Photo: Lewis Gourlay. https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/S-Barnes-Useable.jpg Sequoia Danielle Barnes. Useable Several Times series, 2023. Embroidery on calico. Courtesy the artist. https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/Copy-of-13_Hayley-Barker-Spring-Valentine-Path-2024.jpg Hayley Barker. Spring Valentine Path, 2024. Oil on linen, 254.3 x 208.3 cm. Ingleby Gallery. Photo: Paul Salveson. https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/Moyna-Flannigan,-Space-Shuffle,-Collective,-2024.jpg Moyna Flannigan, Space Shuffle, Collective, 2024. Photo: John McKenzie. https://www.studiointernational.com/images/articles/e/057-edinburgh-art-festival-2024/J-Pimblett-Bound(aries)-2023.jpg Jan Pimblett, Bound(aries), 2023. Edinburgh Sculpture Workshop (ESW). Photo: Dianne Barry. https://www.studiointernational.com/index.php/awaken-metamagical-hands-review-gazelli-art-house-london https://www.studiointernational.com/images/articles/a/&091-awaken-metamagical-hands-2024/Lauren-Lee-McCarthy-Free-Saliva-Exchange-2024.jpg Lauren Lee McCarthy. Free Saliva Exchange, 2024. Installation including wall cabinet, testing equipment, vials and documentation, dimensions variable. Courtesy Gazelli Art House and certified by Verisart. Copyright of the artist. https://www.studiointernational.com/images/articles/a/&091-awaken-metamagical-hands-2024/Helena-Sarin-Dance-me-to-the-end-of-art-2024.jpg Helena Sarin. Dance me to the end of art, 2024. Still image ERC-721 token, 2048 x 2048 pixels. Courtesy Gazelli Art House and certified by Verisart. Copyright of the artist. https://www.studiointernational.com/images/articles/a/&091-awaken-metamagical-hands-2024/Joshua-Davis-the-V01D-PULSAR-000-001-2024.jpg Joshua Davis. The V01D/PULSAR/ 000-001, 2024. Courtesy Gazelli Art House and certified by Verisart. Copyright of the artist. https://www.studiointernational.com/images/articles/a/&091-awaken-metamagical-hands-2024/Golan-Levin-Zoofolium-08-2024.jpg Golan Levin. Zoofolium, 08, 2024. Pen-plot in Sakura white gel ink on acid free 460gsm Fedrigoni Sirio Ultra Black cardstock and ERC-721 token, 61 x 45.7 cm (24 x 18 in). Courtesy Gazelli Art House and certified by Verisart. Copyright of the artist. https://www.studiointernational.com/images/articles/a/&091-awaken-metamagical-hands-2024/Golan-Levin-Ghost-Pole-Propagator-III-still-2007-2024.jpg Golan Levin. Ghost Pole Propagator, III, (screen recording mov.), 2007–2024. Video installation, computer, security camera, dimensions variable. Courtesy Gazelli Art House and certified by Verisart. Copyright of the artist. https://www.studiointernational.com/images/articles/a/&091-awaken-metamagical-hands-2024/Golan-Levin-Cytopgraphia-0-2024.jpg Golan Levin. Cytographia, #0 (still), 2024. HP7475 pen-plot in black 0.25mm Pilot Hi-Tec-C Gel ink on acid-free Canson Colorline 300gsm card and generative, real-time graphic, ERC-721 token NFT with variable dimensions. Print: 20.3 x 26.7 cm (8 x 10 1/2 in). Courtesy Gazelli Art House and certified by Verisart. Copyright of the artist. https://www.studiointernational.com/index.php/dialogue-with-joseph-beuys-review-gyre-gallery-tokyo https://www.studiointernational.com/images/articles/d/039-dialogue-with-joseph-beuys-2024/exhibition-view,-Capri-batterie,-Joseph-Beuys-in-Tokyo-2.jpg Joseph Beuys. Capri-Batterie, 1985. Light bulb with socket, lemon, vitrine cabinet. Image courtesy Gyre Gallery, Tokyo. https://www.studiointernational.com/images/articles/d/039-dialogue-with-joseph-beuys-2024/Joseph-Beuys-in-Tokyo.jpg Naoya Hatakeyama. Joseph Beuys in Tokyo, 1984. © Naoya Hatakeyama. https://www.studiointernational.com/images/articles/d/039-dialogue-with-joseph-beuys-2024/Flowers-and-Bees.jpg Hirofumi Isoya. Flowers and Bees, Translucent Archive, 2018. Fish gathering lamp, honey, bottle, 67 x 47 x 47 cm (26 2/5 × 18 1/2 × 18 1/2 in). Image courtesy Gyre Gallery, Tokyo. https://www.studiointernational.com/images/articles/d/039-dialogue-with-joseph-beuys-2024/Atmospheric-Pressure.jpg Kanji Wakae. Atmospheric pressure, 1988-89. Vitrine, photograph, object (set of six), each 70 x 120 x 71 cm. Image courtesy Gyre Gallery, Tokyo. https://www.studiointernational.com/images/articles/d/039-dialogue-with-joseph-beuys-2024/Joseph-Beuys-Vitrine.jpg Kanji Wakae, Vitrines, installation view, Gyre Gallery, Tokyo. Image courtesy Gyre Gallery. https://www.studiointernational.com/images/articles/d/039-dialogue-with-joseph-beuys-2024/The-Soil-as-Planet.jpg Akira Kamo. The Soil as Planet/The Soil as Reconstruction, 2023. Oil on canvas, compost pigment, 194 x 162 cm. Image courtesy Gyre Gallery, Tokyo. https://www.studiointernational.com/images/articles/d/039-dialogue-with-joseph-beuys-2024/I-Wear-the-Dogs-Hair.jpg Aki Inomata. I Wear the Dog’s Hair, and the Dog Wears My Hair, 2014. Cape made of dog’s hair for a human, a cape made of human hair for a dog. Image courtesy Gyre Gallery, Tokyo. https://www.studiointernational.com/images/articles/d/039-dialogue-with-joseph-beuys-2024/Day-Tripper.jpg Moka Takeda, Day Tripper, 2023. Mixed media, dimension variable. Image courtesy Gyre Gallery, Tokyo. https://www.studiointernational.com/index.php/carlos-moreno-interview-the-15-minute-city https://www.studiointernational.com/images/articles/1/15-minute-city-2024/carlos-moreno-750.jpg Carlos Moreno riding a bike in Paris. Photo: Mathieu Delmestre. https://www.studiointernational.com/index.php/raven-halfmoon-interview-neesh-and-soku-salon-94-blood-sweat-and-tears-went-into-these-sculptures https://www.studiointernational.com/images/articles/h/009-halfmoon-raven-2024/raven-halfmoon-S94-RH-2-A-HR.jpg Raven Halfmoon. The Guardians, 2024. Bronze, 274.3 x 120.3 x 111.2 cm (108 x 47.38 x 43.79 in). Image courtesy of the artist and Salon 94. © Raven Halfmoon. https://www.studiointernational.com/images/articles/h/009-halfmoon-raven-2024/RH_Bronze-2.jpg Raven Halfmoon. The Guardians, 2024. Clay, in process. Image courtesy of the artist and Salon 94. © Raven Halfmoon. https://www.studiointernational.com/images/articles/h/009-halfmoon-raven-2024/Raven-Halfmoon-Travertine-HR.jpg Raven Halfmoon. Dancing at Dusk, 2024. Travertine, 182.9 x 91.4 x 91.4 cm (72 x 36 x 36 in). Image courtesy of the artist and Salon 94. © Raven Halfmoon. Photo: Paola Tazzini Cha. https://www.studiointernational.com/images/articles/h/009-halfmoon-raven-2024/RH_Bronze-3.jpg Raven Halfmoon. The Guardians, 2024. Clay, in process. Image courtesy of the artist and Salon 94. © Raven Halfmoon. https://www.studiointernational.com/images/articles/h/009-halfmoon-raven-2024/Raven_Halfmoon_w_patina-750.jpg Raven Halfmoon with The Guardians. Image courtesy of the artist and Salon 94. © Raven Halfmoon. https://www.studiointernational.com/index.php/claudia-martinez-garay-interview-im-interested-in-the-meeting-place-between-brown-bodies-and-white-bodies-nottingham-contemporary-dundee-contemporary-arts https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/VS-the-overscaled-shell-structure.jpg Claudia Martínez Garay, Wakchakuna / We Who Share Everything and Nothing, installation view, Nottingham Contemporary, 25 May – 8 September 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/242308_DCA_CMG_004.jpg Claudia Martínez Garay: Every seed is awakened, installation view, Dundee Contemporary Arts. 24 August – 17 November 2024. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/242308_DCA_CMG_006.jpg Claudia Martínez Garay: Every seed is awakened, installation view, Dundee Contemporary Arts. 24 August – 17 November 2024. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/VS-This-headless-bust-of-a-woman.jpg Claudia Martínez Garay, Wakchakuna / We Who Share Everything and Nothing, installation view, Nottingham Contemporary, 25 May – 8 September 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/VS-the-fake-head-of-a-woman.jpg Claudia Martínez Garay, Wakchakuna / We Who Share Everything and Nothing, installation view, Nottingham Contemporary, 25 May – 8 September 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/242308_DCA_CMG_013.jpg Claudia Martínez Garay: Every seed is awakened, installation view, Dundee Contemporary Arts. 24 August – 17 November 2024. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/VS-above-the-headless-cat-torso.jpg Claudia Martínez Garay, Wakchakuna / We Who Share Everything and Nothing, installation view, Nottingham Contemporary, 25 May – 8 September 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/VS-below-the-wild-cat-s-head-is-another-prisoner-bust.jpg Claudia Martínez Garay, Wakchakuna / We Who Share Everything and Nothing, installation view, Nottingham Contemporary, 25 May – 8 September 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/VS-alternative-view-Claudia-Martinez-Garay-Wakchakuna-installation-Nottingham-Contemporary-Pic-V-Simpson.jpg Claudia Martínez Garay, Wakchakuna / We Who Share Everything and Nothing, installation view, Nottingham Contemporary, 25 May – 8 September 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/05-Claudia-Martinez-Garay,-Chunka-Tawayuq-Pacha,-2022.jpg Claudia Martínez Garay, Chunka Tawayuq Pacha, 2022. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/242308_DCA_CMG_007.jpg Claudia Martínez Garay: Every seed is awakened, installation view, Dundee Contemporary Arts. 24 August – 17 November 2024. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/Claudia-Martinez-Garay_portrait-courtesy-of-Lais-Pereira.jpg Portrait of Claudia Martínez Garay, 2023. Photo: Lais Pereira. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/242308_DCA_CMG_001.jpg Claudia Martínez Garay: Every seed is awakened, installation view, Dundee Contemporary Arts. 24 August – 17 November 2024. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/242308_DCA_CMG_008.jpg Claudia Martínez Garay: Every seed is awakened, installation view, Dundee Contemporary Arts. 24 August – 17 November 2024. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/242308_DCA_CMG_014.jpg Claudia Martínez Garay: Every seed is awakened, installation view, Dundee Contemporary Arts. 24 August – 17 November 2024. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/242308_DCA_CMG_016.jpg Claudia Martínez Garay: Every seed is awakened, installation view, Dundee Contemporary Arts. 24 August – 17 November 2024. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/g/020-garay-claudia-martinez-2024/242308_DCA_CMG_017.jpg Claudia Martínez Garay: Every seed is awakened, installation view, Dundee Contemporary Arts. 24 August – 17 November 2024. Photo: Ruth Clark. https://www.studiointernational.com/index.php/goshka-macuga-interview-born-from-stone-london-mithraeum-bloomberg-space https://www.studiointernational.com/images/articles/m/&083-macuga-goshka-2024/Born-from-Stone-01.jpg Goshka Macuga: Born from Stone. installation view, London Mithraeum Bloomberg SPACE, © Marcus Leith. https://www.studiointernational.com/images/articles/m/&083-macuga-goshka-2024/Born-from-Stone-17.jpg Goshka Macuga: Born from Stone. installation view, London Mithraeum Bloomberg SPACE, © Marcus Leith. https://www.studiointernational.com/images/articles/m/&083-macuga-goshka-2024/Born-from-Stone-24.jpg Goshka Macuga: Born from Stone. installation view, London Mithraeum Bloomberg SPACE, © Marcus Leith. https://www.studiointernational.com/images/articles/m/&083-macuga-goshka-2024/Born-from-Stone-35.jpg Goshka Macuga: Born from Stone. installation view, London Mithraeum Bloomberg SPACE, © Marcus Leith. https://www.studiointernational.com/images/articles/m/&083-macuga-goshka-2024/Born-from-Stone-25.jpg Goshka Macuga: Born from Stone. installation view, London Mithraeum Bloomberg SPACE, © Marcus Leith. https://www.studiointernational.com/images/articles/m/&083-macuga-goshka-2024/Born-from-Stone-38.jpg Goshka Macuga: Born from Stone. installation view, London Mithraeum Bloomberg SPACE, © Marcus Leith. https://www.studiointernational.com/images/articles/m/&083-macuga-goshka-2024/Born-from-Stone-50.jpg Goshka Macuga: Born from Stone. installation view, London Mithraeum Bloomberg SPACE, © Marcus Leith. https://www.studiointernational.com/images/articles/m/&083-macuga-goshka-2024/Born-from-Stone-57.jpg Goshka Macuga: Born from Stone. installation view, London Mithraeum Bloomberg SPACE, © Marcus Leith. https://www.studiointernational.com/index.php/graffiti-redux-defacement-or-fine-art https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/Mr-Brainwash-IMG_8955.jpg Poolside mural by French street artist Mr Brainwash, commissioned by the French consulate at the former home of Dean Martin, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/mcgee_18-009-McGee_Tom-Powel-Imagine.jpg Barry McGee. One More Thing, 2005. Photo: Tom Powel Imaging. Courtesy of the artist and Jeffrey Deitch, New York. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/Shepard-Fairey-Mayday-Mural-IMG_4974.jpg Shepard Fairey. Mayday Mural, 2010. Houston Street and Bowery, New York. Photo: Jon Furlong. Courtesy of the artist and Jeffrey Deitch, New York. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/tunnel-Photo-by-Bill-Dunleavy(8).jpg Operation Under: Life Underground. Photo: Bill Dunleavy. Image courtesy Superchief Gallery, Los Angles. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/kenny-scarf-IMG_8001.jpg Kenny Scharf, Go Wild, 2024. Installation view, Honor Fraser Gallery, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/Eloy-Torres-IMG_8956.jpg Mural by Eloy Torrez at Lula Cocina Mexicana, Los Angeles. Photo: Jill Spalding, courtesy Chuck Craig. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/Buddy-System_Install-view_Tom-Powel-Imaging.jpg Barry McGee. The Buddy System, 1999. Photo: Tom Powel Imaging. Courtesy of the artist and Jeffrey Deitch, New York. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/BACA-Photo-Joshua_White-jwpictures.com-4Q6A7266.jpg Judith F Baca. The Great Wall of Los Angles, 2023. Photo: Joshua White. Courtesy of the artist and Jeffrey Deitch, Los Angeles. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/toons-one-IMG_2731.jpg Toons One! Future. Part of the section painted for the Guinness World Record for the largest glow in the dark painting, Soqr Park in Ras al Khaimah, UAE. Overall size 416.26 m² (4,480.58 ft²). Image courtesy the artist and Taylor Fine Art. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/la-tower-block-750.jpg Oceanside Plaza, downtown Los Angeles, an abandoned luxury skyscraper development tagged with graffiti. Photo: Mario Tama/Getty Images. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/Toonsone-DSC06366.jpg Toons One! Image courtesy the artist and Taylor Fine Art. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/Photo-by-Bill-Dunleavy(4).jpg Operation Under: Life Underground. Photo: Bill Dunleavy. Image courtesy Superchief Gallery, Los Angles. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/car-on-Wilshire-Blvd-IMG_7440.jpg Graffitied car on Wilshire Boulevard, Los Angeles, 2024. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/miami-my-photo-IMG_3501.jpg Graffiti in Miami. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/my-photo-of-street-art-commissioned-for-cafeteria-on-Dixon-Highway-just-outside-Miami-IMG_3463.jpg Street art commissioned for a cafeteria on Dixon Highway, just outside Miami. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/kenny-scarf-IMG_7996.jpg Kenny Scharf, Go Wild, 2024. Installation view, Honor Fraser Gallery, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/kenny-scarf-IMG_8005.jpg Kenny Scharf. Mural. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/g/019-graffiti-redux-2024/mcgee_214-215_Tom-Powel-Imaging.jpg Barry McGee. One More Thing, 2005. Photo: Tom Powel Imaging. Courtesy of the artist and Jeffrey Deitch, New York. https://www.studiointernational.com/index.php/flora-yukhnovich-interview-francois-boucher-the-language-of-the-rococo-wallace-collection-london https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/flora-yukhnovich-IMG_9515.jpg Installation view of Flora Yukhnovich https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/Francois-Boucher,-Pastoral-with-a-Bagpipe-Player,-1749-(c)-The-Trustees-of-the-Wallace-Collection-.jpg François Boucher. Pastoral with a Bagpipe Player, 1749. © The Trustees of the Wallace Collection. https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/Francois-Boucher,-Pastoral-with-a-Couple-near-a-Fountain,-1749-(c)-The-Trustees-of-the-Wallace-Collection.jpg François Boucher. Pastoral with a Couple near a Fountain, 1749. © The Trustees of the Wallace Collection. https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/IMG_9521.jpg François Boucher https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/flora-yukhnovich-IMG_9518.jpg Installation view of Flora Yukhnovich https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/Flora-Yukhnovich,-Rouge-allure,-2022,-oil-on-linen-(c)-Flora-Yukhnovich.jpg Flora Yukhnovich. Rouge allure, 2022. Oil on linen, 200 x 175 cm (78 3/4 x 68 7/8 in). © Flora Yukhnovich. Courtesy the artist, Victoria Miro and Hauser & Wirth. https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/Flora-Yukhnovich,-Thicker-than-Peanut-Butter,-2020--(c)-Flora-Yukhnovich.jpg Flora Yukhnovich. Thicker than Peanut Butter, 2020. Oil on linen, 200 x 170 cm (78 3/4 x 66 7/8 in). © Flora Yukhnovich. Courtesy the artist, Victoria Miro and Hauser & Wirth. https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/Flora-Yukhnovich,-Maybe-She_s-Born-with-It,-2022-(c)-Flora-Yukhnovich.jpg Flora Yukhnovich. Maybe She’s Born with It, 2022. Oil on linen, 220 x 330 cm (86 5/8 x 129 7/8 in). © Flora Yukhnovich. Courtesy the artist, Victoria Miro and Hauser & Wirth. https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/Flora-Yukhnovich,-Bombshell,-2021-(c)-Flora-Yukhnovich.jpg Flora Yukhnovich. Bombshell, 2021. Oil on linen, 220 x 185.5 cm (86 5/8 x 73 1/8 in). © Flora Yukhnovich. Courtesy the artist, Victoria Miro and Hauser & Wirth. https://www.studiointernational.com/images/articles/y/089-yukhnovich-flora-2024/The-Landing-(c)-Trustees-of-the-Wallace-Collection.jpg The Landing. © Trustees of the Wallace Collection. https://www.studiointernational.com/index.php/therese-oulton-vardaxoglou-gallery-london https://www.studiointernational.com/images/articles/o/073-oulton-therese-2024/Vardaxoglou_Ref-4193.jpg Thérèse Oulton, Ash, 2024. Oil on linen, 71 x 61 cm (28 x 24 in). Courtesy the artist and Vardaxoglou Gallery, London. https://www.studiointernational.com/images/articles/o/073-oulton-therese-2024/Vardaxoglou_Ref-4149.jpg Thérèse Oulton, Shadow of a Doubt, 1995. Courtesy the artist and Vardaxoglou Gallery, London. https://www.studiointernational.com/images/articles/o/073-oulton-therese-2024/Vardaxoglou_Ref-4198.jpg Thérèse Oulton, Score 3 (Paris), 1996. Courtesy the artist and Vardaxoglou Gallery, London. https://www.studiointernational.com/images/articles/o/073-oulton-therese-2024/Vardaxoglou_Ref-4172.jpg Thérèse Oulton, Apparition, 2003. Oil on linen, 139.1 x 182.2 cm (54 3/4 x 71 3/4 in). Courtesy the artist and Vardaxoglou Gallery, London. https://www.studiointernational.com/images/articles/o/073-oulton-therese-2024/Installation-View-1-750.jpg Thérèse Oulton, installation view, Vardaxoglou Gallery, London, 2024. https://www.studiointernational.com/images/articles/o/073-oulton-therese-2024/Installation-View-2.jpg Thérèse Oulton, installation view, Vardaxoglou Gallery, London, 2024. https://www.studiointernational.com/images/articles/o/073-oulton-therese-2024/Installation-View-3.jpg Thérèse Oulton, installation view, Vardaxoglou Gallery, London, 2024. https://www.studiointernational.com/images/articles/o/073-oulton-therese-2024/Vardaxoglou_Ref-3961.jpg Thérèse Oulton, Shades of Umbria XIII, 1983. Oil on canvas, 40.5 x 50.7 cm (16 x 20 in). Courtesy the artist and Vardaxoglou Gallery, London. https://www.studiointernational.com/index.php/time-for-magic-a-shamanarchists-guide-to-the-wheel-of-the-year-jamie-reid-sex-pistols https://www.studiointernational.com/images/articles/t/048-time-for-magic-2024/Jamie-Green-Man-copy-2.jpg Jamie Reid (photograph copyright John Marchant, 2024). Image courtesy Watkins. https://www.studiointernational.com/images/articles/t/048-time-for-magic-2024/JR-Fuck-Your-Wars-Enough-Is-Enough-Enhanced-SR-copy.jpg Enough is Enough / Fuck Your Wars by Jamie Reid, 2019. Image courtesy Watkins. https://www.studiointernational.com/images/articles/t/048-time-for-magic-2024/Jamie-Reid-Nature-Draws-A-Crowd-Scan-08.02_smaller.jpg Nature Still Draws a Crowd by Jamie Reid, 1974. Image courtesy Watkins. https://www.studiointernational.com/images/articles/t/048-time-for-magic-2024/6th-Oct.jpg 6th October by Jamie Reid (untitled / dated). Image courtesy Watkins. https://www.studiointernational.com/images/articles/t/048-time-for-magic-2024/time-for-magic-cover-750.jpg Time for Magic : A Shamanarchist’s Guide to the Wheel of the Year, by Jamie Reid, Stephen Ellcock, Philip Carr-Gomm and John Marchant, published by Watkins. https://www.studiointernational.com/images/articles/t/048-time-for-magic-2024/1990-Access-To-Stones-copy-2.jpg Access to Stone by Jamie Reid, 1990. Image courtesy Watkins. https://www.studiointernational.com/images/articles/t/048-time-for-magic-2024/29th-Sept.jpg 29th September by Jamie Reid (untitled / dated). Image courtesy Watkins. https://www.studiointernational.com/images/articles/t/048-time-for-magic-2024/2004-isis1-copy.jpg Isis by Jamie Reid, 2004. Image courtesy Watkins. https://www.studiointernational.com/index.php/selva-aparicio-interview-i-have-worked-a-lot-with-mourning-it-is-my-whole-if-i-write-again-life-in-flanders-fields-museum-ypres https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Selva-If-I-write-again-by-AS-Deldycke-02.jpg Selva Aparicio. If I write again, 2024. Installation view, In Flanders Fields Museum, The Cloth Hall, Ypres, Belgium. Photo: AS Deldycke. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Close-up-of-Selva-Aparicio-panels-for-assembly-at-In-Flanders-Fields-Ypres-Pic-V-Simpson.jpg Detail of Selva Aparicio https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/SelvaAparicio_EntreNosotros_01.jpg Selva Aparicio. Entre Nosotros (Among Us), 2017. Installation of 6 x 6 in (15 x 15 cm) concrete tiles cast from nearly 100 human cadavers. Photo courtesy Selva Aparicio. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/The-back-of-Selva-Aparicio-artwork-in-the-form-of-a-bench-Pic-V-Simpson.jpg Rear view of Selva Aparicio https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Selva-If-I-write-again-by-AS-Deldycke-06.jpg Selva Aparicio. If I write again, 2024. Installation view, In Flanders Fields Museum, The Cloth Hall, Ypres, Belgium. Photo: AS Deldycke. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Selva-If-I-write-again-by-AS-Deldycke-08.jpg Selva Aparicio. If I write again, 2024. Installation view, In Flanders Fields Museum, The Cloth Hall, Ypres, Belgium. Photo: AS Deldycke. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Selva-and-participant-in-Workshop-for-At-Rest.jpg Selva Aparicio and participant at workshop for At Rest. Photo courtesy Selva Aparicio. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/La-Ramblas-August-17-2017-Pic-courtesy-of-Selva-Aparicio.jpg Las Ramblas, Barcelona, 17 August 2017. Photo courtesy Selva Aparicio. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Detail-of-drawings-La-Ramblas-August-17-2017-Pic-courtesy-Selva-Aparicio.jpg Detail of drawings for Las Ramblas, Barcelona, 17 August 2017. Photo courtesy Selva Aparicio. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Close-up-of-Selva-Aparicio-bronze-tiles-Pic-V-Simpson.jpg Detail of At Rest, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/The-view-from-the-bench-Pic-V-Simpson.jpg View from Selva Aparicio's bronze sculpture At Rest, Nieuwpoort, Belgium, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Close-up-of-different-panels-prior-to-assembly-at-In-Flanders-Fields-Ypres-Pic-V-Simpson.jpg Detail of Selva Aparicio's panels for assembly at In Flanders Fields Museum. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Selva-Aparicio-Workshop-for-At-Rest.jpg Selva Aparicio: workshop for At Rest. Photo courtesy Selva Aparicio. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/SelvaAparicio_EntreNosotros_03.jpg Selva Aparicio. Entre Nosotros (Among Us), 2017 (detail). Installation of 6 x 6 in (15 x 15 cm) concrete tiles cast from nearly 100 human cadavers. Photo courtesy Selva Aparicio. https://www.studiointernational.com/images/articles/a/&090-aparicio-selva-2024/Selva-If-I-write-again-by-AS-Deldycke-10.jpg Selva Aparicio. If I write again, 2024. Installation view, In Flanders Fields Museum, The Cloth Hall, Ypres, Belgium. Photo: AS Deldycke. https://www.studiointernational.com/index.php/liorah-tchiprout-painting-is-terrifying-i-love-the-flames-but-not-the-embers-pippy-houldsworth-london https://www.studiointernational.com/images/articles/t/047-tchiprout-liorah-2024/Tchiprout_He-made-us-and-we-are-his_2024.jpg Liorah Tchiprout. He made us and we are his, 2024. Oil on panel, 100 x 70 cm (39 ¼ x 27 ½ in). Courtesy the artist and Pippy Houldsworth Gallery, London. © Liorah Tchiprout 2024. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/t/047-tchiprout-liorah-2024/Tchiprout_I-just-nibble-and-gnaw-because-that-is-the-way-that-Im-made_2024.jpg Liorah Tchiprout. I just nibble and gnaw because that is the way that I https://www.studiointernational.com/images/articles/t/047-tchiprout-liorah-2024/Tchiprout_I-know-where-I-stand-with-the-skylarks_2024.jpg Liorah Tchiprout. I know where I stand with the skylarks, 2024. Oil on panel, 91 x 122 cm (35 ¾ x 48 in). Courtesy the artist and Pippy Houldsworth Gallery, London. © Liorah Tchiprout 2024. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/t/047-tchiprout-liorah-2024/Tchiprout_Not-everyone-comes-here-to-celebrate_2024.jpg Liorah Tchiprout. Not everyone comes here to celebrate, 2024. Oil on panel, 122 x 91 cm (48 x 35 ¾ in). Courtesy the artist and Pippy Houldsworth Gallery, London. © Liorah Tchiprout 2024. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/t/047-tchiprout-liorah-2024/Tchiprout_Long-is-the-day,-and-long-is-the-night-2024.jpg Liorah Tchiprout. Long is the day, and long is the night..., 2024. Oil on panel, 92 x 61 cm (36 ¼ x 24 in). Courtesy the artist and Pippy Houldsworth Gallery, London. © Liorah Tchiprout 2024. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/t/047-tchiprout-liorah-2024/Tchiprout_The-night-would-see-me-awake_2024.jpg Liorah Tchiprout. The night would see me awake, 2024. Oil on panel, 92 x 62 cm (36 ¼ x 24 ½ in). Courtesy the artist and Pippy Houldsworth Gallery, London. © Liorah Tchiprout 2024. Photo: Todd-White Art Photography. https://www.studiointernational.com/images/articles/t/047-tchiprout-liorah-2024/Tchiprout_Portrait-3_June-2024-750.jpg Liorah Tchiprout in her studio, 2024. Courtesy of the artist and Pippy Houldsworth Gallery, London. Photo: Sam Hylton. https://www.studiointernational.com/index.php/hannah-hoch-assembled-worlds-review-lower-belvedere-vienna-austria https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/11-Portraet-Hannah-Hoch_Berlinische-Galerie.jpg Double exposure photograph of Hannah Höch, undated, photographer unknown. Berlinische Galerie – Landesmuseum für Moderne Kunst, Fotografie und Architektur, Repro: Anja Elisabeth Witte / Berlinische Galerie, © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/02-Englische-Tanzerin-Hannah-Hoch-ifa-037-sRGB-Foto-Christian-Vagt.jpg Hannah Höch, English Dancer, 1928. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/03-Epos-Hannah-Hoch-ifa-091-sRGB-Foto-Christian-Vagt.jpg Hannah Höch, Epic (detail), 1957. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/04-Fur-ein-Fest-gemacht-Hannah-Hoch-ifa-172-sRGB-Foto-Christian-Vagt.jpg Hannah Höch, Made for a Party (detail), 1936. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/05-Hannah-Hoch-Kinder-ifa-093-sRGB-Foto-Christian-Vagt.jpg Hannah Höch, Children, 1925. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/01-Hannah-Hoch-ifa-053-Um-ein-roten-Mund-sRGB-Foto-Christian-Vagt_web.jpg Hannah Höch, Around a Red Mouth, 1967. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/08-Nur-nicht-mit-beiden-Beinen-Hannah-Hoch-ifa-166-sRGB-Foto-Christian-Vagt.jpg Hannah Höch, Never Keep Both Feet on the Ground, 1940. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/07-Liebe-Hannah-Hoch-ifa-182-sRGB-Foto-Christian-Vagt.jpg Hannah Höch, Love, 1926. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/06-Hannah-Hoch-Staatshaupter-ifa-122-sRGB-Foto-Christian-Vagt.jpg Hannah Höch, Heads of State (detail), 1918-20. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/09-Totempfahl-Hannah-Hoch-ifa-107-sRGB-Foto-Christian-Vagt.jpg Hannah Höch, Totem Pole, 1956. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/h/008-hoch-hannah-2024/10-Ungarische-Rhapsodie-Hannah-Hoch-ifa-159-sRGB-Foto-Christian-Vagt.jpg Hannah Höch, Hungarian Rhapsody (detail), 1940. This work is part of the ifa art collection. Photo: © Christian Vagt; © Bildrecht, Vienna 2024. https://www.studiointernational.com/index.php/luigi-ghirri-viaggi-photographs-1970-1991-review-masi-lugano-switzerland https://www.studiointernational.com/images/articles/g/018-ghirri-luigi-2024/Luigi-Ghirri-MASI-Lugano-Bologna,-1973-Pic-V-Simpson.jpg Luigi Ghirri, Bologna, 1973. Installation view, Luigi Ghirri. Viaggi: Photographs 1970-1991, MASI (Museo d’arte della Svizzera Italiana), Lugano, Switzerland. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/018-ghirri-luigi-2024/Installation-view-Luigi-Ghirri-MASI-Lugano.jpg Installation view, Luigi Ghirri. Viaggi: Photographs 1970-1991, MASI (Museo d’arte della Svizzera Italiana), Lugano, Switzerland. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/018-ghirri-luigi-2024/TImeline-and-publication-for-Luigi-Ghirri-MASI-Lugano.jpg Installation view, Luigi Ghirri. Viaggi: Photographs 1970-1991, MASI (Museo d’arte della Svizzera Italiana), Lugano, Switzerland. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/van-gogh-poets-and-lovers-the-national-gallery-london https://www.studiointernational.com/images/articles/v/067-van-gogh-poets-and-lovers-2024/08.jpg Vincent Van Gogh, Olive trees with the Alpilles in the Background, 1889. Oil on canvas, 72.6 × 91.4 cm. The Museum of Modern Art, New York. Mrs. John Hay Whitney Bequest, 1998. © The Museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/images/articles/v/067-van-gogh-poets-and-lovers-2024/03.jpg Vincent van Gogh, Olive Grove, 1889. Oil on canvas, 73 × 93 cm. Gothenburg Museum of Art, Sweden. © Photo: Gothenburg Museum of Art / Hossein Sehatlou. https://www.studiointernational.com/images/articles/v/067-van-gogh-poets-and-lovers-2024/02.jpg Vincent van Gogh, Landscape near the Abbey of Montmajour, 1888. Chalk, ink, pencil, 48.3 × 59.8 cm. © Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/v/067-van-gogh-poets-and-lovers-2024/01.jpg Vincent van Gogh, Starry Night over the Rhône, 1888. Oil on canvas, 72.5 × 92 cm. Musée d’Orsay, Paris. Donation sous réserve d https://www.studiointernational.com/images/articles/v/067-van-gogh-poets-and-lovers-2024/06.jpg Vincent van Gogh, Oleanders, 1888. Oil on canvas, 60.3 × 73.7 cm. Gift of Mr. and Mrs. John L. Loeb, 1962. © The Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/v/067-van-gogh-poets-and-lovers-2024/04.jpg Vincent van Gogh, The Bedroom, 1889. Oil on canvas, 73.6 × 92.3 cm. © The Art Institute of Chicago. https://www.studiointernational.com/images/articles/v/067-van-gogh-poets-and-lovers-2024/05.jpg Vincent van Gogh, Van Gogh's Chair, 1888. Oil on canvas. 91.8 × 73 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/v/067-van-gogh-poets-and-lovers-2024/07.jpg Vincent van Gogh, Sunflowers, 1888. Oil on canvas. 92.1 × 73 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/v/067-van-gogh-poets-and-lovers-2024/09.jpg Vincent Van Gogh, Self-Portrait, 1889. Oil on canvas, 57.8 × 44.5 cm. National Gallery of Art, Washington, Collection of Mr. and Mrs. John Hay Whitney, 1998.74.5. Image Courtesy National Gallery of Art, Washington. https://www.studiointernational.com/index.php/keiichi-tanaami-adventures-in-memory-review-national-art-center-tokyo-japan https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Installaton-view-of-Hundred-Bridges.jpg Keiichi Tanaami, A Hundred Bridges, 2024. Installation view. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/The-Story-of-Death-and-Rebirth,-2019.jpg Keiichi Tanaami, The Story of Death and Rebirth, 2019. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Order-Made!!,-1965.jpg Keiichi Tanaami, Order Made!! Series, 1965. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Portrait.jpg Portrait of Keiichi Tanaami. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Exhibition-view-of-Pleasure-of-Picasso-Mother-and-Child-Series,-2020-2023.jpg Keiichi Tanaami, Pleasure of Picasso – Mother and Child Series, 2020-23. Installation view. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Presence,-2022.jpg Keiichi Tanaami, Presence, 2022. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Exhibition-view-of-The-Labylinth-of-Archimboldo,-2024.jpg Keiichi Tanaami, Labyrinth of Arcimboldo, 2024. Installation view. © Keiichi Tanaami, courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Entrance-of-the-Nationa-Art-Center,-Tokyo.jpg Entrance of the National Art Center, Tokyo. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Entrance-to-the-Exhibition.jpg Entrance of the exhibition Keiichi Tanaami: Adventures in Memory. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Inconceivable-Body,-2019.jpg Keiichi Tanaami, Inconceivable Body, 2019. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/images/articles/k/030-keiichi-tanaami-2024/Tokiwa-matsu(F),-1986.jpg Keiichi Tanaami, Tokiwa-matsu (F), 1986. © Keiichi Tanaami, Courtesy of Nanzuka. https://www.studiointernational.com/index.php/marlene-dumas-mourning-marsyas-review-frith-street-gallery-london https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas,-Mourning-Marsyas,-2024.jpg Marlene Dumas. Mourning Marsyas, 2024. Oil on canvas, 300 x 100 cm (118 1⁄8 x 39 3⁄8 in). Courtesy the artist and Frith Street Gallery, London. Photo: Peter Cox. https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas-Fate,-2000-2024.jpg Marlene Dumas. Fate, 2000-2024. Oil on canvas, 100 x 56 x 3 cm (39 3/8 x 22 x 1 1/8 in). Courtesy the artist and Frith Street Gallery, London. Photo: Peter Cox. https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas,-Utoya,-2018-2023.jpg Marlene Dumas. Utøya, 2018-2023. Oil on canvas. 40 x 50 cm (15 3/4 x 19 3/4 in). Courtesy the artist and Frith Street Gallery, London. Photo: Peter Cox. https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas-War,-2024.jpg Marlene Dumas. War, 2024. Oil on canvas, 50 x 40 x 2 cm (19 3/4 x 15 3/4 x 3/4 in). Courtesy the artist and Frith Street Gallery, London. Photo: Peter Cox. https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas,-The-devil-may-care,-2024.jpg Marlene Dumas. The devil may care, 2024. Oil on canvas, 40 x 30 cm (15 3/4 x 11 3/4 in). Courtesy the artist and Frith Street Gallery, London. Photo: Peter Cox. https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas,-The-Enemy,-2018-2024.jpg Marlene Dumas. The Enemy, 2018-2024. Oil on canvas, diptych, 40 x 30 cm (15 3/4 x 11 3/4 in) each. Courtesy the artist and Frith Street Gallery, London. Photo: Peter Cox. https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas-installation-(13).jpg Marlene Dumas: Mourning Marsyas, installation view. Courtesy of the artist and Frith Street Gallery. https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas-installation-(5).jpg Marlene Dumas: Mourning Marsyas, installation view. Courtesy of the artist and Frith Street Gallery. https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas-installation-(9).jpg Marlene Dumas: Mourning Marsyas, installation view. Courtesy of the artist and Frith Street Gallery. https://www.studiointernational.com/images/articles/d/038-dumas-marlene-2024/Marlene-Dumas-installation.jpg Marlene Dumas: Mourning Marsyas, installation view. Courtesy of the artist and Frith Street Gallery. https://www.studiointernational.com/index.php/mali-morris-returning-video-interview-hatton-gallery-newcastle-upon-tyne https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Mali-Morris-Returning-at-the-Hatton-Gallery,-2024.-Photo-credit-Colin-Davison-(2).jpg Mali Morris: Returning, installation view, Hatton Gallery, Newcastle upon Tyne, 14 September 2024 – 11 January 2025. Photo: Colin Davison. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Mali-Morris-Returning-at-the-Hatton-Gallery,-2024.-Photo-credit-Colin-Davison-(3).jpg Mali Morris: Returning, installation view, Hatton Gallery, Newcastle upon Tyne, 14 September 2024 – 11 January 2025. Photo: Colin Davison. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Brim-1994-Mali-Morris.jpg Mali Morris, Brim, 1994. Acrylic on canvas, 82 x 90 cm. Image © the artist. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Degrees-of-Freedom-2005.jpg Mali Morris, Degrees of Freedom, 2005. Acrylic on canvas, 36 x 46 cm. Image © the artist. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Impeller-Yellow-II-IMG_5665-copy.jpg Mali Morris, Impeller/Yellow II, 2024. Acrylic on canvas, 170 x 190 cm. Image © the artist. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Pink-Spread-1986.jpg Mali Morris, Pink Spread, 1986. Acrylic on canvas, 104 x 175 cm. Image © the artist. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Through-2004.jpg Mali Morris, Through, 2004, acrylic on canvas, 21x 26 cm. Image © the artist. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Mali-Morris-Returning-at-the-Hatton-Gallery,-2024.-Photo-credit-Colin-Davison-(10).jpg Mali Morris: Returning, installation view, Hatton Gallery, Newcastle upon Tyne, 14 September 2024 – 11 January 2025. Photo: Colin Davison. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Mali-Morris-Returning-at-the-Hatton-Gallery,-2024.-Photo-credit-Colin-Davison-(6).jpg Mali Morris: Returning, installation view, Hatton Gallery, Newcastle upon Tyne, 14 September 2024 – 11 January 2025. Photo: Colin Davison. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Mali-Morris-Returning-at-the-Hatton-Gallery,-2024.-Photo-credit-Colin-Davison-(9).jpg Mali Morris: Returning, installation view, Hatton Gallery, Newcastle upon Tyne, 14 September 2024 – 11 January 2025. Photo: Colin Davison. https://www.studiointernational.com/images/articles/m/&082-morris-mali-2024/Mali-Morris-Returning-at-the-Hatton-Gallery,-2024.-Photo-credit-Colin-Davison.jpg Mali Morris: Returning, installation view, Hatton Gallery, Newcastle upon Tyne, 14 September 2024 – 11 January 2025. Photo: Colin Davison. https://www.studiointernational.com/index.php/the-uncanny-sigmund-freud-and-art-review-freud-museum-vienna https://www.studiointernational.com/images/articles/t/046-the-uncanny-2024/Schinwald-das_unheimliche_2-c-oliver-ottenschlaeger.jpg Markus Schinwald, Misfits (foreground); Jeff Wall, A Woman and her Doctor. © Oliver Ottenschlaeger. https://www.studiointernational.com/images/articles/t/046-the-uncanny-2024/sherman_untitled-302_1994.jpg Cindy Sherman. Untitled #302, 1994 Chromogenic Color Print. © Cindy Sherman. Courtesy the Artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/t/046-the-uncanny-2024/das_unheimliche_4-c-oliver-ottenschlaeger.jpg Birgit Jürgenssen. Relikteschuh (Relic Shoe), 1976. © Oliver Ottenschlaeger. https://www.studiointernational.com/images/articles/t/046-the-uncanny-2024/bourgeois_the-return-of-the-repressed_2002.jpg Louise Bourgeois. The Return of the Repressed, 2002. © The Easton Foundation / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/t/046-the-uncanny-2024/esg_2.jpg Esther Shalev-Gerz, Between Listening and Telling, 2005 (Still). https://www.studiointernational.com/images/articles/t/046-the-uncanny-2024/1000-das_unheimliche_5-c-stephanie-letofsky.jpg The Uncanny: Sigmund Freud and Art, installation view, The Sigmund Freud Museum, Vienna. © Stephani Lletofsky. https://www.studiointernational.com/index.php/immortal-apples-eternal-eggs-review-hastings-contemporary https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/HC_2309_-43.jpg Phyllida Barlow, Untitled (Bottle Rack), 2006. Timber, paint, plaster, felt. Courtesy of The David and Indrė Roberts Collection and the artist. Photo: Chip Creative. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/HC_2309_-51-tara-donavan.jpg Tara Donovan, Bluffs, 2006. Buttons and glue. Courtesy of The David and Indrė Roberts Collection and the artist. Photo: Chip Creative. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/HC_2309_-102.jpg Rachel Kneebone, But For Now I Am Alive, 2006. Porcelain, in several parts. Courtesy of The David and Indrė Roberts Collection and the artist. Photo: Chip Creative. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/Cathie-Pilkington-3.jpg Cathie Pilkington, Singerie, 2004. Mixed media. Courtesy of The David and Indrė Roberts Collection and the artist. Photo: Chip Creative. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/Hew-Locke-HC_2309_-4.jpg Hew Locke, Golden Horde 1, 2006. Mixed media. Courtesy of The David and Indrė Roberts Collection and the artist. Photo: Chip Creative. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/Lucy-Skaer-and-Dame-Elizabeth-Frink.jpg Left: Lucy Skaer, Hare, 2018/2022. Copper. Roberts Institute of Art; Right: Dame Elisabeth Frink, Sleeping Fox, 1968. Watercolour and pencil. Chris Ingram. Photo: Chip Creative. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/HC_2309_-13.jpg Immortal Apples, Eternal Eggs, installation view, Hastings Contemporary. Photo: Chip Creative. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/Lonnie-Holley.jpg Lonnie Holley, Working in the House, 2020. Wooden frame, metal wire and cotton gloves. Courtesy of The David and Indrė Roberts Collection and the artist. Photo: Chip Creative. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/Lucy-Skaer-2.jpg Lucy Skaer, Hare, 2018/2022. Copper. Courtesy of The David and Indrė Roberts Collection and the artist. Photo: Chip Creative. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/Mark-Gertler.jpg Mark Gertler, The Doll, 1914, Oil on canvas. Image courtesy of The Ingram Collection. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/ben-nicholson-still-life-l-l.jpg Ben Nicholson, 1926 (still life l.l.). Oil on canvas. Image courtesy of The Ingram Collection. © Angela Verren Taunt. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/william-turnbull-strange-fruit.jpg William Turnbull, Strange Fruit, 1959. Bronze with green patina on a cement base. Image courtesy of The Ingram Collection © Estate of William Turnbull. https://www.studiointernational.com/images/articles/i/073-immortal-apples-eternal-eggs-2024/CABE-2007-01.jpg Bertozzi & Casoni, Scatola Brillo, 2005. Glazed ceramic. © Bertozzi & Casoni. Courtesy the artist and Sperone Westwater, New York. https://www.studiointernational.com/index.php/alfred-kubin-the-aesthetics-of-evil-review-albertina-modern-vienna-austria https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_das_ei_1902_albertina.jpg Alfred Kubin. The Egg, c1901/02. Ink on paper, 15.8 x 23.8 cm, The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin-_jede_nacht_besucht_uns_ein_traum_um_1902-03.jpg Alfred Kubin. A Dream Visits Us Every Night, ca 1902/03. Ink on paper, 26.3 x 23.5 cm, The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred-kubin--schlachtfest--um-1900.jpg Alfred Kubin. Feast after the Slaughter, c1900. Ink on paper, 22.8 x 22.9 cm. The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_das_gezuechte_1903-06.jpg Alfred Kubin. The Brood, 1903-06. Ink on paper, 22.8 x 36.2 cm. The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_der_gefangene_vor_1900.jpg Alfred Kubin. The Prisoner, before 1900. Ink on paper, 12.6 x 27.3 cm. The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_der_grosse_kopf_1899.jpg Alfred Kubin. The Large Head, 1899. Ink on paper, 19.2 x 15.6 cm. The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_der_krieg_um_1918.jpg Alfred Kubin. War, c1918. Ink on paper, 30.2 x 34.5 cm. The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_traurigkeit_nach_1900.jpg Alfred Kubin. Sadness, after 1900. Ink on paper, 20.5 x 34.6 cm, The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_die_letzte_amme_um_1901.jpg Alfred Kubin. The Last Nurse, c1900/01. Ink on paper, 15.4 x 15.5 cm. The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Wien 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_die_spinne_um_1901.jpg Alfred Kubin. The Spider, c1901/02. Ink on paper, 18.9 x 24.6 cm, The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_selbstbetrachtung_um_1901.jpg Alfred Kubin. Self-Reflection, c1901/02. Ink on paper, 22.5 × 22.7 cm. The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/images/articles/k/029-kubin-alfred-2024/alfred_kubin_untergang_1903.jpg Alfred Kubin. Drowning, 1903. Ink on paper, 21.8 x 22 cm. The Albertina Museum, Vienna © Eberhard Spangenberg, München / Bildrecht, Vienna 2024. https://www.studiointernational.com/index.php/gabriella-boyd-i-work-through-intuitive-and-formal-problems-until-i-get-to-a-believable-emotional-space https://www.studiointernational.com/images/articles/b/&082-boyd-gabriella-2024/1-Guardians.jpg Gabriella Boyd. Guardians, 2024. Oil on linen, 125 x 210 cm. Photo: Peter Mallett. https://www.studiointernational.com/images/articles/b/&082-boyd-gabriella-2024/11-Scan-.jpg Gabriella Boyd. Scan, 2022-2024. Oil on linen, 200 x 180 cm. Photo: Peter Mallett. https://www.studiointernational.com/images/articles/b/&082-boyd-gabriella-2024/3-Retina-(Accordian-city).jpg Gabriella Boyd. Retina (Accordion city), 2024. Oil on linen, 180 x 210 cm. Photo: Peter Mallett. https://www.studiointernational.com/images/articles/b/&082-boyd-gabriella-2024/5-Floorplan-.jpg Gabriella Boyd. Floorplan, 2024. Oil on linen, 150 x 280 cm (diptych - each panel 150 x 140 cm). Photo: Peter Mallett. https://www.studiointernational.com/images/articles/b/&082-boyd-gabriella-2024/Heart.jpg Gabriella Boyd. Heart (iv), 2024. Oil on linen, 40 x 50 cm. Photo: Peter Mallett. https://www.studiointernational.com/images/articles/b/&082-boyd-gabriella-2024/6-Floorplan-detail-1.jpg Gabriella Boyd. Floorplan, 2024 (detail). Oil on linen, 150 x 280 cm (diptych - each panel 150 x 140 cm). Photo: Peter Mallett. https://www.studiointernational.com/images/articles/b/&082-boyd-gabriella-2024/Harfleur-Pharmacy.jpg Gabriella Boyd. Harfleur Pharmacy, 2024. Oil on linen, 40 x 50 cm. Photo: Peter Mallett. https://www.studiointernational.com/images/articles/b/&082-boyd-gabriella-2024/Lightning-(i).jpg Gabriella Boyd. Lightning, 2024. Oil on linen, 80 x 55 cm. Photo: Peter Mallett. https://www.studiointernational.com/images/articles/b/&082-boyd-gabriella-2024/Stricture.jpg Gabriella Boyd. Stricture, 2024. Oil on linen, 50 x 40 cm. Photo: Peter Mallett. https://www.studiointernational.com/index.php/uncanny-visions-paula-rego-and-francisco-de-goya-review-the-holburne-museum-bath https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8988451.jpg Paula Rego. Mary Mary Quite Contrary II, 1989. Etching and aquatint. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8988455.jpg Paula Rego. Ring-a-ring o’roses, 1989. Etching and aquatint on paper. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8988456.jpg Paula Rego. Prince Pig, 2005-06. Papier mache and fabric. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/Paula-Rego-_Pride_-at-the-Holburne-Museum-(front-view).jpg Paula Rego. Pride, 2019, Holburne Museum. Photo: Jo Hounsome. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/Paula-Rego-Gluttony-at-the-Holburne-Museum.jpg Paula Rego, Gluttony, 2019 at the Holburne Museum. Photo: Jo Hounsome. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/Francisco-de-Goya,-Folly-of-Fear.jpg Francisco de Goya, Folly of Fear. © The Higgins Bedford. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/Paula-Rego-Pride-at-the-Holburne-Museum.jpg Uncanny Visions: Paula Rego and Francisco de Goya at the Holburne Museum, Bath. Photo: Jo Hounsome. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/5-MB-Holburne-2nd-shoot-01-Sept-2024.jpg Uncanny Visions: Paula Rego and Francisco de Goya at the Holburne Museum, Bath. Photo: Jo Hounsome. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8835807.jpg Paula Rego. Little Miss Muffet I, 1989. Etching and aquatint. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8835808.jpg Paula Rego. How many Miles to Babylon, 1989. Etching and aquatint. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8988448.jpg Paula Rego. Little Miss Muffet II, 1989. Hand-coloured etching and aquatint. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8988449.jpg Paula Rego. Little Miss Muffet I, 1989. Etching and aquatint. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8988450.jpg Paula Rego. Ride a cock-horse to Banbury Cross, 1989. Hand-coloured etching and aquatint. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8988453.jpg Paula Rego. Old Mother Goose, 1989. Hand-coloured etching and aquatint. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/BAL_8988454.jpg Paula Rego. A Frog he would a-wooing go II, 1989. Etching with aquatint on wove. © Paula Rego. All rights reserved 2024 / Bridgeman Archives. https://www.studiointernational.com/images/articles/u/087-uncanny-visions-2024/Paula-Rego-Mermaids-at-the-Holburne-Museum.jpg Paula Rego, Mermaids at the Holburne Museum. Photo: Jo Hounsome. https://www.studiointernational.com/index.php/alia-farid-bneid-al-gar-review-henie-onstad-kuntstenter-norway https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid,-Palm-Orchard,-2022-(2).jpg Alia Farid, Palm Orchard, 2022. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Julie Hrnčířová (Studio Abrakadabra). https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid,-In-Lieu-of-What-Is,-2022-(2).jpg Alia Farid, In Lieu of What Is, 2022. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Christian Tunge. https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid,-Elsewhere,-2023-(1).jpg Alia Farid, Elsewhere, 2023. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Christian Tunge. https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid,-Elsewhere,-2023.jpg Alia Farid, Elsewhere, 2023. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Christian Tunge. https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid-Izar-1-6-2024-2.jpg Alia Farid, Izar 1–6, 2024. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Christian Tunge. https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid,-In-Lieu-of-What-Is,-2022-(1).jpg Alia Farid, In Lieu of What Is, 2022. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Christian Tunge. https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid,-Elsewhere,-2023-(2).jpg Alia Farid, Elsewhere, 2023. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Christian Tunge. https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid,-Elsewhere,-2023-(3).jpg Alia Farid, Elsewhere, 2023. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Christian Tunge. https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid,-In-Lieu-of-What-Is,-2022.jpg Alia Farid, In Lieu of What Is, 2022. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Christian Tunge. https://www.studiointernational.com/images/articles/f/048-farid-alia-2024/Alia-Farid,-Palm-Orchard,-2022-(1).jpg Alia Farid, Palm Orchard, 2022. Installation view, Henie Onstad Kunstenter, Høvikodden, Norway. Photo: Julie Hrnčířová (Studio Abrakadabra). https://www.studiointernational.com/index.php/thomas-houseago-night-sea-journey-review-levy-gorvy-dayan-new-york https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_01.jpg Installation view, Thomas Houseago: Night Sea Journey. Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_23.jpg Thomas Houseago. Giant Minotaur (for DS), 2024. Patinated bronze, 122⅛ × 29⁷⁄₁₆ × 29⁹⁄₁₆ in (310.2 × 74.8 × 75.1 cm). Installation view, Thomas Houseago: Night Sea Journey. Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_29.jpg Thomas Houseago. Madness Devouring Our Children, 2024. Redwood and pastel, 123 × 30¼ × 29½ in (312.4 × 76.8 × 74.9 cm). Installation view, Thomas Houseago: Night Sea Journey. Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_36.jpg Thomas Houseago. Left: Birth II, 2023. Plaster, redwood, hemp, rebar, and pastel, 80⅜ × 22⅞ × 20½ in (204.2 × 58.1 × 52.1 cm); Right: Flower & Death, 2018/24, Redwood and pastel, 144⅞ × 29⁷⁄₁₆ × 29½ in (368 × 74.8 × 74.9 cm). Installation view, Thomas Houseago: Night Sea Journey. Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_31.jpg Image courtesy of Lévy Gorvy Dayan gallery.Left: Birth I, 2023. Plaster, redwood, hemp, rebar, and pastel, 87⅛ × 30½ × 30½ in (221.3 × 77.5 × 77.5 cm); Right: Cosmic Egg II, 2023. Plaster, 64⅞ × 45¾ × 45¾ in (164.8 × 116.2 × 116.2 cm). Installation view, Thomas Houseago: Night Sea Journey. Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_47.jpg Installation view, Thomas Houseago: Night Sea Journey. Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/Houseago_My-Coffee_2024_I.jpg Thomas Houseago. My Coffee, 2024. Plaster, redwood, and pastel, 25½ × 31⅛ × 27¼ in (64.8 × 79.1 × 69.2 cm). Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_05.jpg Thomas Houseago. Foreground: My Studio Chair & Flowers, 2024. Brass, 66⅜ × 37⁷⁄₁₆ × 32¹¹⁄₁₆ in (168.6 × 95.1 × 83 cm); Background: Sunrise, 2024. Acrylic and oil on canvas, 120 × 1364 in (304.8 × 3464.6 cm). Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/Photo-Joshua_White-jwpictures.com-4Q6A9622-(3)-(1).jpg Thomas Houseago, sculptures, Malibu. Photo:Josh White, courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/Film-stills,-Malibu,-California,-2024,-courtesy-of-Angel-Projects-and-Andrew-Dominik.jpg Thomas Houseago, film still, Malibu, California, 2024, courtesy of Angel Projects and Andrew Dominik. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_18.jpg Installation view, Thomas Houseago: Night Sea Journey. Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_32-(1).jpg Installation view, Thomas Houseago: Night Sea Journey. Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/images/articles/h/007-houseago-thomas-2024/LGD_Houseago_NY_2024_43.jpg Installation view, Thomas Houseago: Night Sea Journey. Image courtesy of Lévy Gorvy Dayan gallery. https://www.studiointernational.com/index.php/monet-and-london-view-of-the-thames-review-courtauld-gallery-london https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/05-Claude-Monet-(1840-1926),-Waterloo-Bridge.jpg Claude Monet, Waterloo Bridge, veiled sun (signed and dated Claude Monet 1903), 1899-1903. Oil on canvas, Private collection. Photo: © Christie’s Images / Bridgeman Images. https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/02-Claude-Monet-(1840-1926),-Waterloo-Bridge,-Gray-Weather,-1900.jpg Claude Monet, Waterloo Bridge, Gray Weather, 1900. Oil on canvas. Art Institute of Chicago / Art Resource, NY/ Scala, Florence. https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/04-Claude-Monet-(1840-1926),-Waterloo-Bridge,-Overcast,-1903.jpg Claude Monet, Waterloo Bridge, Overcast, 1903. Oil on canvas, Ordrupgaard, Denmark. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/06-Claude-Monet-(1840-1926),-Waterloo-Bridge,-Sunlight-Effect,-1903.jpg Claude Monet, Waterloo Bridge, Sunlight Effect, 1903. Oil on canvas, Milwaukee Art Museum. Image courtesy of the Milwaukee Art Museum. Photo: John R. Glembin. https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/08-Claude-Monet-(1840-1926),-London,-Parliament.-Sunlight-in-the-fog,-1904.jpg Claude Monet, London, Parliament. Sunlight in the fog, 1904. Oil on canvas. Musée d https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/01-Claude-Monet-(1840-1926),-Charing-Cross-Bridge,-the-Thames,-1903.jpg Claude Monet, Charing Cross Bridge, The Thames, 1903. Oil on canvas. Musee des Beaux-Arts, Lyon, Image © Lyon MBA – Photo: Alain Basset. https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/10-Claude-Monet-(1840-1926),-Houses-of-Parliament--Effect-of-Fog,-London,-1904,-oil-on-canvas,-Museum-of-Fine-Arts,-St-Petersburg,-Florida.-Image--Museum-of-Fine-Arts,-St-Petersburg,-Florida.jpg Claude Monet, Houses of Parliament: Effect of Fog, London, 1904. Oil on canvas, Museum of Fine Arts, \St Petersburg, Florida. Image: Museum of Fine Arts, St Petersburg, Florida. https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/07-Claude-Monet-(1840-1926),-Houses-of-Parliament,-Sunset,-1900-1903.jpg Claude Monet, Houses of Parliament, Sunset, 1900-03. Oil on canvas, 81.2 x 92 cm. Hasso Plattner Collection. https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/03-Claude-Monet-(1840-1926),-Waterloo-Bridge,-1903.jpg Claude Monet, Waterloo Bridge, 1903. Oil on canvas. Private collection. Photo © rulandphotodesign. https://www.studiointernational.com/images/articles/m/&081-monet-and-london-2024/09-Claude-Monet-(1840-1926),-Houses-of-Parliament,-1904.jpg Claude Monet, Houses of Parliament, 1904. Kunstmuseen Krefeld – Volker Döhne – ARTOTHEK. https://www.studiointernational.com/index.php/kenji-ide-some-other-times-review-wladyslaw-broniewski-museum-warsaw-poland https://www.studiointernational.com/images/articles/i/072-ide-kenji-2024/Kenji-Ide-Some-other-times-Photo-Bartosz-Zalewski(2).jpg Kenji Ide: Some other times. Władysław Broniewski Museum, Warsaw. Photo: Bartosz Zalewski. https://www.studiointernational.com/images/articles/i/072-ide-kenji-2024/Kenji-Ide-Some-other-times-Photo-Bartosz-Zalewski(2)-detail.jpg Kenji Ide: Some other times. Władysław Broniewski Museum, Warsaw. Photo: Bartosz Zalewski. https://www.studiointernational.com/images/articles/i/072-ide-kenji-2024/Kenji-Ide-Some-other-times-Photo-Bartosz-Zalewski(1)-detail.jpg Kenji Ide: Some other times. Władysław Broniewski Museum, Warsaw. Photo: Bartosz Zalewski. https://www.studiointernational.com/images/articles/i/072-ide-kenji-2024/Kenji-Ide-Some-other-times-Photo-Bartosz-Zalewski(4B).jpg Kenji Ide: Some other times. Władysław Broniewski Museum, Warsaw. Photo: Bartosz Zalewski. https://www.studiointernational.com/images/articles/i/072-ide-kenji-2024/Kenji-Ide-Some-other-times-Photo-Bartosz-Zalewski.jpg Kenji Ide: Some other times. Władysław Broniewski Museum, Warsaw. Photo: Bartosz Zalewski. https://www.studiointernational.com/images/articles/i/072-ide-kenji-2024/Kenji-Ide-Some-other-times-Photo-Bartosz-Zalewski-1000.jpg Kenji Ide: Some other times. Władysław Broniewski Museum, Warsaw. Photo: Bartosz Zalewski. https://www.studiointernational.com/images/articles/i/072-ide-kenji-2024/Kenji-Ide-Some-other-times-Photo-Bartosz-Zalewski(1).jpg Kenji Ide: Some other times. Władysław Broniewski Museum, Warsaw. Photo: Bartosz Zalewski. https://www.studiointernational.com/images/articles/i/072-ide-kenji-2024/Kenji-Ide-Some-other-times-Photo-Bartosz-Zalewski(3).jpg Kenji Ide: Some other times. Władysław Broniewski Museum, Warsaw. Photo: Bartosz Zalewski. https://www.studiointernational.com/images/articles/i/072-ide-kenji-2024/Kenji-Ide-Some-other-times-Photo-Bartosz-Zalewski(4).jpg Kenji Ide: Some other times. Władysław Broniewski Museum, Warsaw. Photo: Bartosz Zalewski. https://www.studiointernational.com/index.php/maurice-de-vlaminck-modern-art-rebel-review-museum-barberini-potsdam-germany https://www.studiointernational.com/images/articles/v/066-vlaminck-2024/MDV_HR_Bougival_1905.jpg Maurice de Vlaminck. Bougival, c1905. Oil on canvas, 82.6 x 100,6 cm. Dallas Museum of Art, The Wendy and Emery Reves Collection. © VG Bild-Kunst, Bonn 2024. https://www.studiointernational.com/images/articles/v/066-vlaminck-2024/Kat._56_Die_Angler_1907.jpg Maurice de Vlaminck. The Fishermen, 1907. Oil on canvas, 60 x 73 cm. Hasso Plattner Collection. © VG Bild-Kunst, Bonn 2024. https://www.studiointernational.com/images/articles/v/066-vlaminck-2024/MDV_HR_Canal_Boat_1905_1906.jpg Maurice de Vlaminck. Canal Boat, 1905/06. Oil on canvas, 60.2 × 73 cm. Artizon Museum, Ishibashi Foundation, Tokyo. © VG Bild-Kunst, Bonn 2024. https://www.studiointernational.com/images/articles/v/066-vlaminck-2024/MDV_HR_Suburban_Landscape_1905.jpg Maurice de Vlaminck. Suburban Landscape, 1905. Oil on canvas, 60,3 × 73 cm. Museum of Fine Arts, Boston, Gift and Bequest of David and Peggy Rockefeller. © VG Bild-Kunst, Bonn 2024. https://www.studiointernational.com/images/articles/v/066-vlaminck-2024/Kat._63_Segelboote_vor_1918.jpg Maurice de Vlaminck. Sailboats, before 1918. Oil on canvas, 64.5 x 80.5 cm. Von der Heydt-Museum Wuppertal. © VG Bild-Kunst, Bonn 2024. https://www.studiointernational.com/images/articles/v/066-vlaminck-2024/Kat._80_Die_Getreideschober_1950.jpg Maurice de Vlaminck. The Grainstacks, 1950. Oil on canvas, 55 x 65 cm. RMN-Grand Palais (Musée d’Orsay), on permanent loan to the Musée des Beaux-Arts de Chartres, bequest of Maurice de Vlaminck’s daughter, Solange Prével-Vlaminck. © VG Bild-Kunst, Bonn 2024. https://www.studiointernational.com/images/articles/v/066-vlaminck-2024/MDV_HR_Les_Barques_1905_2.jpg Maurice de Vlaminck. The Boats, 1905. Oil on canvas, 46.2 × 54 cm. Private collection. © VG Bild-Kunst, Bonn 2024. https://www.studiointernational.com/images/articles/v/066-vlaminck-2024/MDV_HR_Die_Brucke_von_Chatou_1906_1907.jpg Maurice de Vlaminck. The Bridge at Chatou, 1905. Oil on canvas, 68 × 96 cm. Staatliche Museen zu Berlin, Nationalgalerie. © VG Bild-Kunst, Bonn 2024. https://www.studiointernational.com/index.php/asian-bronze-review-rijksmuseum-amsterdam https://www.studiointernational.com/images/articles/a/&089-asian-bronze-2024/Tibet-Aziatisch-bronze.jpg Guhyasamaja Akshobhya, Tibet, 15th century. Rijksmuseum, Amsterdam. https://www.studiointernational.com/images/articles/a/&089-asian-bronze-2024/Shiva-Nataraja,-anonymous,-c1100-c1200.jpg Shiva Nataraja, India, c1100-1200. Rijksmuseum, Amsterdam (On loan from the Royal Asian Art Society in The Netherlands). https://www.studiointernational.com/images/articles/a/&089-asian-bronze-2024/RIJKS-MUSEUM-23-september-20241357-1-bedi3-kopie.jpg Installation of Asian Bronze. Photo: Rijksmuseum/Erik and Petra Hesmerg. https://www.studiointernational.com/images/articles/a/&089-asian-bronze-2024/BC-0005798_Keulen_paard.jpg Horse and servant China, Eastern Han dynasty, 2nd - 3rd century. Museum für Ostasiatische Kunst, Cologne. https://www.studiointernational.com/images/articles/a/&089-asian-bronze-2024/BC-0005853_Paris_Cernuschi_Bodhisvattva4.jpg Bodhisattva, China, Ming dynasty, Yongle period, 1403-1424. Musée Cernuschi, Paris. https://www.studiointernational.com/index.php/mary-mary-review-artists-garden-temple-place-london https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/SuperheroCogWoman_LRVandy_1_DSF4796.jpg LR Vandy, Superhero Cog Woman #01, 2019. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/FRichardson-Performed_Object_4_83A0678.jpg Frances Richardson, Performed object: fig. 09130123, Indolentia, 2023. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/SAVOY_AWilson_1_DSF5189.jpg Alice Wilson, Savoy, 2024. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/Cartouche_OBax_2_83A0350.jpg Olivia Bax, Cartouche, 2023. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/Untitled_ChimeForCaro_VOverton_2_DSF5200.jpg Virginia Overton, Untitled (chime for Caro), 2022. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/1000-MARYMARY-theCOLABArtistsGarden_4_83A9899.jpg Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist's Garden. Photo © Nick Turpin. https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/Another_Mother_HStevenson_2_83A0316.jpg Holly Stevenson, Another Mother, 2022. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist's Garden. Photo © Nick Turpin. https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/Auguries_into_the-Mist_CPowellWilliams_1_DSF5155.jpg Candida Powell-Williams, Auguries Through the Mist, 2024. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist's Garden. Photo © Nick Turpin. https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/Dancing_In_Time_LRVandy_1_83A0107.jpg LR Vandy, Dancing in Time: The Ties That Bind Us Maquette, 2024. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist's Garden. Photo © Nick Turpin. https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/Its_All_Kicking_Off_4_83A0772.jpg Lucy Gregory, It's All Kicking Off, 2024. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist's Garden. Photo © Nick Turpin. https://www.studiointernational.com/images/articles/m/&080-mary-mary-2024/Yellow_Path_RBao_3_DSF4864.jpg Rong Bao, Yellow Path. Installation view, Mary Mary, Artist’s Garden, Temple Place, London. Image courtesy theCOLAB The Artist's Garden. Photo © Nick Turpin. https://www.studiointernational.com/index.php/pst-art-art-and-science-collide-review-southern-california https://www.studiointernational.com/images/articles/p/004-pst-2024/Lumen-install-view-The-Art-and-Science-of-Light-IMG_9112.jpg Lumen: The Art and Science of Light, installation view. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/p/004-pst-2024/EV-Day.jpg EV Day, Golden Rays / In Vitro, 2018/2024. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/p/004-pst-2024/Matthew-Schreiber-hologram-series-IMG_9186.jpg Matthew Schreiber, hologram series. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/p/004-pst-2024/Tiffany-Chung-model-village-IMG_9336.jpg Tiffany Chung, model village. installation view, Breath(e): Toward Climate and Social Justice, Hammer Museum, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/p/004-pst-2024/Mika-Tajimas-New-Humans-IMG_9367.jpg Mika Tajima. New Humans II, 2022. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/p/004-pst-2024/Nancy-Baker-Cahill_CORPUS,-2022,2024---viewer---courtesy-of-the-artist.jpg Installation view, Nancy Baker Cahill: Corpus. Hammer Museum, Los Angeles, 7 September 2024 – 2 March 2025. Photo: Courtesy of the artist. https://www.studiointernational.com/images/articles/p/004-pst-2024/42-The-Museum-of-Contemporary-Art-(MOCA).jpg Light experiments for the exhibition Olafur Eliasson: OPEN at The Geffen Contemporary at MOCA, 2024. Photo: Henri Lacoste | Studio Olafur Eliasson. Courtesy of the artist; Tanya Bonakdar Gallery, New York/Los Angeles; neugerriemschneider, Berlin © 2024 Olafur Eliasson. https://www.studiointernational.com/images/articles/p/004-pst-2024/Lauren-Bon-copper-pipes-landscaped-by-corrosive-LA-River-water-in-Concrete-is-Fluid-at-Honor-Fraser-Gallery-IMG_9389.jpg Lauren Bon. One of the copper pipes https://www.studiointernational.com/images/articles/p/004-pst-2024/34-LACE-(Los-Angeles-Contemporary-Exhibitions).jpg LACE (Los Angeles Contemporary Exhibitions). Beatriz da Costa: (un)disciplinary tactics: PigeonBlog (2006–2008) at 13th International Symposium on Electronic Art ISEA and ZERO1 Festival in San Jose, CA, 2006, Beatriz da Costa. Courtesy of Beatriz da Costa Archive. https://www.studiointernational.com/images/articles/p/004-pst-2024/12-Center-for-Land-Use-Interpretation.jpg Center for Land Use Interpretation Remote Sensing: Explorations Into the Art of Detection. Billboard along Highway 14 in the Antelope Valley, north of Los Angeles, California, 2022. Digital photograph. © Copyright Center for Land Use Interpretation. https://www.studiointernational.com/images/articles/p/004-pst-2024/16-Fowler-Museum-at-UCLA.jpg Fowler Museum at UCLA in partnership with the Museum of Contemporary Art Santa Barbara. Sangre de Nopal/Blood of the Nopal: Tanya Aguiñiga and Porfirio Gutiérrez in Conversation. Artists Porfirio Gutiérrez and Tanya Aguiñiga hold their weavings in front of their faces on a hill near Gutiérrez’s hometown in Teotítlan del Valle, Oaxaca. Photo: Javier Lazo Gutiérrez. https://www.studiointernational.com/images/articles/p/004-pst-2024/25-J-Paul-Getty-Museum.jpg J. Paul Getty Museum, Sculpting with Light: Contemporary Artists and Holography. Deana Lawson, Torus, 2021 (exhibition copy 2023). Transmission hologram mounted to glass plate. Courtesy of the artist, Gagosian, New York, and David Kordansky Gallery, Los Angeles. © Deana Lawson. Photo: Matthew Schreiber. https://www.studiointernational.com/images/articles/p/004-pst-2024/opening-night-at-Hammer-saw-entire-museum-lit-as-an-artwork-IMG_9355.jpg Hammer Museum, opening night. Photo: Jill Spalding. https://www.studiointernational.com/index.php/the-imaginary-institution-of-india-art-1975-1998-review-barbican-art-gallery-london https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/12.jpg The Imaginary Institution of India: Art 1975-1998. Installation view, Barbican Art Gallery. 5 October 2024 – 5 January 2025. © Eva Herzog Studio / Barbican Art Gallery. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/08.jpg C. K. Rajan, Mild Terrors-II, 1991-96. Courtesy the artist and Kiran Nadar Museum of Art, New Delhi. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/01.jpg Gieve Patel, Two Men with Handcart, 1979. © Gieve Patel. Courtesy of the Peabody Essex Museum Photo: Barbara Kennedy. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/02.jpg Gieve Patel, Off Lamington Road, 1982-86. Collection: Kiran Nadar Museum of Art, New Delhi
. © Gieve Patel. Courtesy Galerie Mirchandani + Steinruecke and Kiran Nadar Museum of Art. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/05.jpg Sunil Gupta, India Gate, 1987, from the series Exiles, 1987. © Sunil Gupta. Courtesy the artist and Hales London and New York. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/09.jpg Sudhir Patwardhan, Construction Woman Washing Her Face, 1998. © 2024 Sudhir Patwardhan. Courtesy of The Artist and Vadehra Art Gallery. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/10.jpg The Imaginary Institution of India: Art 1975-1998. Installation view, Barbican Art Gallery. 5 October 2024 – 5 January 2025. © Eva Herzog Studio / Barbican Art Gallery. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/03.jpg Gulammohammed Sheikh, Speechless City, 1975. © 2024 Gulammohammed Sheikh. Courtesy of The Artist and Vadehra Art Gallery. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/04.jpg Bhupen Khakhar, Two Men in Benares, 1982. © Estate of Bhupen Khakhar. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/06.jpg Madhvi Parekh, Village Opera-2, 1975. © Madhvi Parekh. Courtesy DAG. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/07.jpg Vivan Sundaram, House, 1994, from the series Shelter, 1994-99. Photo: Gireesh G.V. courtesy The Estate of Vivan Sundaram. https://www.studiointernational.com/images/articles/i/071-imaginary-institute-of-india-2024/11.jpg The Imaginary Institution of India: Art 1975-1998. Installation view, Barbican Art Gallery. 5 October 2024 – 5 January 2025. © Eva Herzog Studio / Barbican Art Gallery. https://www.studiointernational.com/index.php/magdalene-odundo-review-thomas-dane-gallery-london https://www.studiointernational.com/images/articles/o/072-odundo-magdalene-2024/2020_MO_TDA13483_Untitled_Vessel_Symmetrical_Series_8163.jpg Magdalene Odundo. Untitled Vessel, Symmetrical Series, 2020. Ceramics, terracotta, 46.5 x 30 x 30 cm (18 1/4 x 11 3/4 x 11 3/4 in). © Magdalene A.N. Odundo. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. https://www.studiointernational.com/images/articles/o/072-odundo-magdalene-2024/2024_Magdalene-Odundo_TDG-DS3_ph-Ben-Westoby-(15).jpg Magdalene Odundo, installation view, Thomas Dane Gallery, London. © Magdalene A.N. Odundo. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/o/072-odundo-magdalene-2024/2021_MO_TDA17190_Untitled_ph-David-Westwood_01.jpg Magdalene Odundo. Untitled, 2021. Ceramics, terracotta, 48 x 32 x 32 cm (19 x 12 1/2 x 12 1/2 in). © Magdalene A.N. Odundo. Courtesy the artist and Thomas Dane Gallery. Photo: David Westwood. https://www.studiointernational.com/images/articles/o/072-odundo-magdalene-2024/2023_MO_TDA17285_Untitled_01_David-Westwood.jpg Magdalene Odundo. Untitled, 2023. Ceramics, terracota, 60 x 32 x 32 cm (23 1/2 x 12 1/2 x 12 1/2 in). © Magdalene A.N. Odundo. Courtesy the artist and Thomas Dane Gallery. Photo: David Westwood. https://www.studiointernational.com/images/articles/o/072-odundo-magdalene-2024/2024_Magdalene-Odundo_TDG-DS3_ph-Ben-Westoby-(10).jpg Magdalene Odundo, installation view, Thomas Dane Gallery, London. © Magdalene A.N. Odundo. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/o/072-odundo-magdalene-2024/2023_MO_TDA17188_Untitled_02_ph-David-Westwood.jpg Magdalene Odundo. Untitled, 2023. Ceramics, terracotta, 49 x 28 x 28 cm (19 1/4 x 11 x 11 in). © Magdalene A.N. Odundo. Courtesy the artist and Thomas Dane Gallery. Photo: David Westwood. https://www.studiointernational.com/images/articles/o/072-odundo-magdalene-2024/2024_Magdalene-Odundo_TDG-DS3_ph-Ben-Westoby-(03).jpg Magdalene Odundo, installation view, Thomas Dane Gallery, London. © Magdalene A.N. Odundo. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/o/072-odundo-magdalene-2024/2024_Magdalene-Odundo_TDG-DS3_ph-Ben-Westoby-(11).jpg Magdalene Odundo, installation view, Thomas Dane Gallery, London. © Magdalene A.N. Odundo. Courtesy the artist and Thomas Dane Gallery. Photo: Ben Westoby. https://www.studiointernational.com/index.php/sophia-al-maria-and-lydia-ourahmane-grey-unpleasant-land-review-spike-island-bristol https://www.studiointernational.com/images/articles/g/017-grey-unpleasant-land-2024/11-Spike-Island-Grey-Unpleasant-Land-(High-Res)-50.jpg Sophia Al-Maria and Lydia Ourahmane. Terra Nullius, 2024. Magazine, paper, plastic straps. Installation view, Grey Unpleasant Land at Spike Island, Bristol, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/g/017-grey-unpleasant-land-2024/08-Spike-Island-Grey-Unpleasant-Land-(High-Res)(3).jpg Sophia Al-Maria and Lydia Ourahmane. Curtains, 2024. Velvet, brass. Installation view, Grey Unpleasant Land at Spike Island, Bristol, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/g/017-grey-unpleasant-land-2024/02-Spike-Island-Grey-Unpleasant-Land-(High-Res)-25.jpg Sophia Al-Maria and Lydia Ourahmane. Job Lot, late 1700s-2024. An inheritance of 240 porcelain chamber pots, acrylic newspaper clip, frame. Installation view, Grey Unpleasant Land at Spike Island, Bristol, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/g/017-grey-unpleasant-land-2024/10-Spike-Island-Grey-Unpleasant-Land-(High-Res)-70.jpg Sophia Al-Maria and Lydia Ourahmane. Framing Device I and Framing Device II, 2024. Installation view, Grey Unpleasant Land at Spike Island, Bristol, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/g/017-grey-unpleasant-land-2024/06-Spike-Island-Grey-Unpleasant-Land-(High-Res)-62.jpg Sophia Al-Maria and Lydia Ourahmane. Birthright, 2024. Scottish sandstone, wood pallet, plastic wrapping, styrofoam, permanent marker. Installation view, Grey Unpleasant Land at Spike Island, Bristol, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/g/017-grey-unpleasant-land-2024/04-Spike-Island-Grey-Unpleasant-Land-(High-Res)-55.jpg Sophia Al-Maria and Lydia Ourahmane. A Blessing and a Betrayal, 2024. Steel frame, glass, silver nitrate, grisaille. Installation view, Grey Unpleasant Land at Spike Island, Bristol, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/g/017-grey-unpleasant-land-2024/01-Spike-Island-Grey-Unpleasant-Land-(High-Res)-15.jpg Sophia Al-Maria and Lydia Ourahmane. Fly Tip, 2024. Installation view, Grey Unpleasant Land at Spike Island, Bristol, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/g/017-grey-unpleasant-land-2024/03-Spike-Island-Grey-Unpleasant-Land-(High-Res)-29.jpg Sophia Al-Maria and Lydia Ourahmane. Job Lot, late 1700s-2024 (detail). An inheritance of 240 porcelain chamber pots, acrylic newspaper clip, frame. Installation view, Grey Unpleasant Land at Spike Island, Bristol, 2024. Photo: Rob Harris. https://www.studiointernational.com/images/articles/g/017-grey-unpleasant-land-2024/05-Spike-Island-Grey-Unpleasant-Land-(High-Res)-61.jpg Sophia Al-Maria and Lydia Ourahmane. Lionheart, 2016. Glass, ink, sellotape. Installation view, Grey Unpleasant Land at Spike Island, Bristol, 2024. Photo: Rob Harris. https://www.studiointernational.com/index.php/mary-griffiths-protest-and-remembrance-video-interview https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/mary-griffiths-Circuit-Gate.jpg Mary Griffiths, Circuit Gate, 2018. Inscribed graphite on gesso on plywood, 21 x 1.8 x 29.7. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/mary-griffiths-Sweet-Briar-(Yates-and-Thom-Ltd).jpg Mary Griffiths, Sweet Briar (Yates & Thom Ltd), 2018. Inscribed graphite on gesso on plywood, 49 x 2.5 x 69 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/mary-griffiths-photo-martin-kennedy-2.jpg Mary Griffiths talking to Studio International at the opening of Protest and Remembrance, Alan Cristea Gallery, London. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/Mary-Griffiths-Protest-and-Remembrance-install-1.jpg Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths | Barbara Walker, installation view, Alan Cristea Gallery, London, 2019. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/mary-griffiths-Parallel-Elevation.jpg Mary Griffiths, Parallel Elevation, 2018. Inscribed graphite on gesso on plywood, 29.7 x 1.8 x 21 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/p/078-protest-remembrance-2019/mary-griffiths-Upcast_2017.jpg Mary Griffiths, Upcast, 2018. Inscribed graphite on gesso on plywood, 29.7 x 1.8 x 21 cm. Photo courtesy Alan Cristea Gallery. https://www.studiointernational.com/index.php/emma-mcnally-the-earth-is-knot-flat-review-drawing-room-tannery-arts-london https://www.studiointernational.com/images/articles/m/&079-mcnally-emma-2024/DR_SEPT_2024_111_web.jpg Emma McNally, The Earth is Knot Flat, 2024. Graphite, paper, kaolin, gum arabic. Installation view, Drawing Room/Tannery Arts, London. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/m/&079-mcnally-emma-2024/IMG_0533.jpg Emma McNally, The Earth is Knot Flat, 2024. Graphite, paper, kaolin, gum arabic. Installation view, Drawing Room/Tannery Arts, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/m/&079-mcnally-emma-2024/IMG_0540.jpg Emma McNally, The Earth is Knot Flat, 2024. Graphite, paper, kaolin, gum arabic. Installation view, Drawing Room/Tannery Arts, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/m/&079-mcnally-emma-2024/IMG_0552.jpg Emma McNally, The Earth is Knot Flat, 2024. Installation view, Drawing Room/Tannery Arts, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/m/&079-mcnally-emma-2024/DR_SEPT_2024_11_web.jpg Emma McNally, The Earth is Knot Flat, 2024. Graphite, paper, kaolin, gum arabic. Installation view, Drawing Room/Tannery Arts, London. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/m/&079-mcnally-emma-2024/DR_SEPT_2024_63_web.jpg Emma McNally, The Earth is Knot Flat, 2024. Graphite, paper, kaolin, gum arabic. Installation view, Drawing Room/Tannery Arts, London. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/m/&079-mcnally-emma-2024/IMG_0542.jpg Emma McNally, The Earth is Knot Flat, 2024. Graphite, paper, kaolin, gum arabic. Installation view, Drawing Room/Tannery Arts, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/m/&079-mcnally-emma-2024/IMG_0548.jpg Emma McNally, The Earth is Knot Flat, 2024. Graphite, paper, kaolin, gum arabic. Installation view, Drawing Room/Tannery Arts, London. Photo: Bronac Ferran. https://www.studiointernational.com/index.php/mike-kelley-ghost-and-spirit-review-tate-modern-london https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/01.jpg Mike Kelley at Tate Modern, installation view, featuring The Poltergeist 1979. Copyright Tate photography (Lucy Green.) https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/04.jpg Mike Kelley, Ahh...Youth! 1991. Mike Kelley Foundation for the Arts © Mike Kelley Foundation for the Arts. All Rights Reserved/VAGA at ARS, NY and DACS, London 2024. https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/05.jpg Mike Kelley at Tate Modern, installation view featuring Sublevel 1998. Copyright Tate photography (Lucy Green). https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/06.jpg Mike Kelley at Tate Modern, installation view featuring Memory Ware Flat #17, 2001. Copyright Tate photography (Lucy Green). https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/10.jpg Jim McHugh portrait of Mike Kelley as The Banana Man, c1983, with (in the background) Last Tool in Use, 1977. Enamel 73.7 × 55.3 × 7.6. Photo © Jim McHugh. https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/08.jpg Mike Kelley at Tate Modern, installation view featuring Extracurricular Activity Projective Reconstruction series 2004-5. Copyright Tate photography (Lucy Green). https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/07.jpg Mike Kelley at Tate Modern, installation view featuring Extracurricular Activity Projective Reconstruction series 2004-5. Copyright Tate photography (Lucy Green). https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/03.jpg Mike Kelley, More Love Hours Than Can Ever Be Repaid and The Wages of Sin, 1987. Whitney Museum of American Art, New York; purchase with funds from the Painting and Sculpture Committee 89.13a-d. © Mike Kelley Foundation for the Arts. All Rights Reserved/VAGA at ARS, NY and DACS, London 2024. https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/02.jpg Mike Kelley at Tate Modern, installation view featuring Half a Man project. Copyright Tate photography (Lucy Green). https://www.studiointernational.com/images/articles/k/028-kelley-mike-2024/09.jpg Mike Kelley at Tate Modern, installation view featuring Kandors series. Copyright Tate photography (Lucy Green). https://www.studiointernational.com/index.php/anya-gallaccio-preserve-review-turner-contemporary-margate https://www.studiointernational.com/images/articles/g/016-gallaccio-anya-2024/Anya-Gallaccio,-preserve-Beauty,-1991-2024-1.jpg Anya Gallaccio. Preserve https://www.studiointernational.com/images/articles/g/016-gallaccio-anya-2024/Anya-Gallaccio,-La-Dolce-Vita,-1994.jpg Anya Gallaccio. La Dolce Vita, 1994. Candles, alumninium foil. Installation view, Anya Gallaccio: preserve, Turner Contemporary, 2024. © Anya Gallaccio. Courtesy the artist and Turner Contemporary. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/g/016-gallaccio-anya-2024/Anya-Gallaccio,-Falling-from-grace,-2000-1.jpg Anya Gallaccio. Falling from grace, 2000. 2,700 Gala apples, hop twine. Installation view, Anya Gallaccio: preserve, Turner Contemporary, 2024. © Anya Gallaccio. Courtesy the artist and Turner Contemporary. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/g/016-gallaccio-anya-2024/Anya-Gallaccio,-Beautiful-Minds-(dene-hole),-2024.jpg Anya Gallaccio. Beautiful Minds... (dene hole), 2024. Chalk and porcelain, aluminium, pump, software. Dene hole at Lees Court Estate. Installation view, Anya Gallaccio: preserve, Turner Contemporary, 2024. © Anya Gallaccio. Courtesy the artist and Turner Contemporary. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/g/016-gallaccio-anya-2024/Anya-Gallaccio,-Beautiful-Minds-(dene-hole),-2024-2.jpg Anya Gallaccio. Beautiful Minds... (dene hole), 2024. Chalk and porcelain, aluminium, pump, software. Dene hole at Lees Court Estate. Installation view, Anya Gallaccio: preserve, Turner Contemporary, 2024. © Anya Gallaccio. Courtesy the artist and Turner Contemporary. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/g/016-gallaccio-anya-2024/Anya-Gallaccio,-The-inner-space-within,-2008-2024-1.jpg Anya Gallaccio. The inner space within, 2008/2024. Ash tree, bolts, stainless steel. Ash from Lees Court Estate. Installation view, Anya Gallaccio: preserve, Turner Contemporary, 2024. © Anya Gallaccio. Courtesy the artist and Turner Contemporary. Photo: Jo Underhill. https://www.studiointernational.com/index.php/a-different-impressionism-international-printmaking-from-manet-to-whistler-review-kupferstichkabinett-berlin https://www.studiointernational.com/images/articles/a/&088-a-different-impression-2024/3322526.jpg Johan Barthold Jongkind, Setting Sun over Antwerp Harbour, 1868, Etching. © Staatliche Museen zu Berlin, Museum of Prints and Drawings / Dietmar Katz. https://www.studiointernational.com/images/articles/a/&088-a-different-impression-2024/3227473.jpg Camille Corot, Bäume am Berg, 1856. © Staatliche Museen zu Berlin, Museum of Prints and Drawings / Dietmar Katz. https://www.studiointernational.com/images/articles/a/&088-a-different-impression-2024/3320568.jpg Paul Signac, In Holland – The Beacon, 1894. Colour lithograph. © Staatliche Museen zu Berlin, Museum of Prints and Drawings / Dietmar Katz. https://www.studiointernational.com/images/articles/a/&088-a-different-impression-2024/3320465.jpg Joseph Pennell, From the Cortlandt Street Ferry, 1908. Sandpaper ground, aquatint and etching. © Staatliche Museen zu Berlin, Museum of Prints and Drawings / Dietmar Katz. https://www.studiointernational.com/images/articles/a/&088-a-different-impression-2024/3327490.jpg Frank Brangwyn, St. Nicholas Church in Furnes, 1908. Etching, aquatint and drypoint. © Staatliche Museen zu Berlin, Museum of Prints and Drawings / Dietmar Katz. https://www.studiointernational.com/images/articles/a/&088-a-different-impression-2024/3320509.jpg Berthe Morisot, Berthe Morisot drawing with her daughter, 1889. Drypoint. © Staatliche Museen zu Berlin, Museum of Prints and Drawings / Dietmar Katz. https://www.studiointernational.com/images/articles/a/&088-a-different-impression-2024/00091742-fr.jpg James Abbott McNeill Whistler. The Little Venice, 1879–80. Etching and drypoint, sheet: 7 3/8 × 10 9/16 in (18.7 × 26.8 cm). © Staatliche Museen zu Berlin, Museum of Prints and Drawings / Wolfram Büttner. https://www.studiointernational.com/index.php/anna-perach-interview-i-am-always-searching-for-that-magic-ingredient https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/studio-2.jpg Anna Perach https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/12-Anna-Perach,-Holes,-2024-photo-Andy-Keate.jpg Anna Perach, Holes, 2024. Exhibition view. Commissioned and produced by Gasworks. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/03-Anna-Perach,-Mother-of-Monsters-(Blue),-2022.jpg Anna Perach, Mother of Monsters (Blue), 2022. Courtesy the artist. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/Material-Worlds-Anna-Perach-009.jpg Anna Perach, Performance Ecstasies, 2024 at Material Worlds, Mead Gallery. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/Material-Worlds-Anna-Perach-111.jpg Anna Perach, Performance Ecstasies, 2024 at Material Worlds, Mead Gallery. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/35.jpg Anna Perach, Venus, 2023. Exhibition detail of Holes. Commissioned and produced by Gasworks. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/33-Anna-Perach,-Venus,-2023-Photo-Andy-Keate.jpg Anna Perach, Venus, 2023. Exhibition detail of Holes. Commissioned and produced by Gasworks. Photo: Andy Keate. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/Sketch-for-performance-Fondation-Carmignac.jpg Anna Perach, Mother of Monsters, 2024. Watercolour (sketch for Performance at Fondation Carmignac). https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/Material-Worlds-Anna-Perach-036.jpg Anna Perach, Performance Ecstasies, 2024 at Material Worlds, Mead Gallery. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/Material-Worlds-Anna-Perach-063.jpg Anna Perach, Performance Ecstasies, 2024 at Material Worlds, Mead Gallery. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/Material-Worlds-Anna-Perach-098.jpg Anna Perach, Performance Ecstasies, 2024 at Material Worlds, Mead Gallery. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/Material-Worlds-Anna-Perach-113.jpg Anna Perach, Performance Ecstasies, 2024 at Material Worlds, Mead Gallery. Photo: Luke Pickering. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/studio-1.jpg Anna Perach's studio. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/studio-3.jpg Coloured yarns in Anna Perach's studio. https://www.studiointernational.com/images/articles/p/003-perach-anna-2024/studio-4.jpg Anna Perach's studio. https://www.studiointernational.com/index.php/sammy-baloji-review-goldsmiths-cca-london https://www.studiointernational.com/images/articles/b/&081-baloji-sammy-2024/sammy-baloji-02.jpg Sammy Baloji, Shinkolobwe https://www.studiointernational.com/images/articles/b/&081-baloji-sammy-2024/sammy-baloji-01.jpg Sammy Baloji, And to Those North Sea Waves Whispering Sunken Stories (II), 2021. Installation view, Goldsmiths Centre for Contemporary Art, 4 October 2024 – 12 January 2025. Courtesy Goldsmiths CCA. Photo: Rob Harris. https://www.studiointernational.com/images/articles/b/&081-baloji-sammy-2024/sammy-baloji-05.jpg Sammy Baloji, Still Kongo I-V, 2024. Installation view (detail), Goldsmiths Centre for Contemporary Art, 4 October 2024 – 12 January 2025. Courtesy Goldsmiths CCA. Photo: Rob Harris. https://www.studiointernational.com/images/articles/b/&081-baloji-sammy-2024/sammy-baloji-07.jpg Sammy Baloji, installation view, Goldsmiths Centre for Contemporary Art, 4 October 2024 – 12 January 2025. Courtesy Goldsmiths CCA. Photo: Rob Harris. https://www.studiointernational.com/images/articles/b/&081-baloji-sammy-2024/sammy-baloji-08.jpg Sammy Baloji, Aequare. The Future that never was, 2023. Still. Courtesy of the artist and Galerie Imane Farès. https://www.studiointernational.com/images/articles/b/&081-baloji-sammy-2024/sammy-baloji-09.jpg Sammy Baloji, Aequare. The Future that never was, 2023. Still. Courtesy of the artist and Galerie Imane Farès. https://www.studiointernational.com/images/articles/b/&081-baloji-sammy-2024/sammy-baloji-06.jpg Sammy Baloji, installation view, Goldsmiths Centre for Contemporary Art, 4 October 2024 – 12 January 2025. Courtesy Goldsmiths CCA. Photo: Rob Harris. https://www.studiointernational.com/images/articles/b/&081-baloji-sammy-2024/sammy-baloji-03.jpg Sammy Baloji, installation view, Goldsmiths Centre for Contemporary Art, 4 October 2024 – 12 January 2025. Courtesy Goldsmiths CCA. Photo: Rob Harris. https://www.studiointernational.com/index.php/unreal-city-abstract-painting-in-london-video-interview-lizzie-munn https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/DSC00831.jpg Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo courtesy Saatchi Gallery. https://www.studiointernational.com/index.php/unreal-city-abstract-painting-in-london-video-interview-karolina-albricht https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/karolina-albricht-photo-martin-kennedy-IMG_9621.jpg Karolina Albricht, Lofty Branches Would Spread Here and There, 2024. Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/DSC00890.jpg Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo courtesy Saatchi Gallery. https://www.studiointernational.com/index.php/unreal-city-abstract-painting-in-london-video-interview-basil-beattie https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/Basil-beattie-photo-martin-kennedy-IMG_9649.jpg Basil Beattie, Union, 2020. Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/1000-DSC00818.jpg Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo courtesy Saatchi Gallery. https://www.studiointernational.com/index.php/unreal-city-abstract-painting-in-london-video-interviews-karolina-albricht-basil-beattie-lizzie-munn-2 https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/karolina-albricht-photo-martin-kennedy-IMG_9621.jpg Karolina Albricht, Lofty Branches Would Spread Here and There, 2024. Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/Basil-beattie-photo-martin-kennedy-IMG_9649.jpg Basil Beattie, Union, 2020. Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/DSC00831.jpg Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo courtesy Saatchi Gallery. https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/1000-DSC00818.jpg Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo courtesy Saatchi Gallery. https://www.studiointernational.com/images/articles/u/086-unreal-city-2024/DSC00890.jpg Installation view, Unreal City: Abstract Painting in London, Saatchi Gallery, London, 2024. Photo courtesy Saatchi Gallery. https://www.studiointernational.com/index.php/jean-tinguely-review-pirelli-hangarbicocca-milan-italy https://www.studiointernational.com/images/articles/t/045-tinguely-2024/_AGO6777.jpg Jean Tinguely. Cercle et carré éclates (Circle and exploded square), 1981. Installation view Pirelli HangarBicocca, Milan, 2024. MAH, Musée d’art et d’histoire, Ville de Genève. Courtesy Pirelli HangarBicocca, Milan. Jean Tinguely © SIAE, 2024. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/_AGO6861.jpg Jean Tinguely, Café Kyoto, 1987. Museum Tinguely, Basel. Donation Niki de Saint Phalle. A cultural commitment of Roche. Courtesy Pirelli HangarBicocca, Milan. Jean Tinguely: © SIAE, 2024. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/_AGO6758.jpg Jean Tinguely. Méta-Maxi, 1986. Installation view, Pirelli HangarBicocca, Milan, 2024. On loan from the Mercedes Benz Art Collection. Courtesy Pirelli HangarBicocca, Milan. Jean Tinguely © SIAE, 2024. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/Barbie-doll-detail-Meta-Maxi-(1986)-Photo-V-Simpson-.jpg Barbie doll detail, Méta-Maxi, 1986. Installation view, Pirelli HangarBicocca, Milan, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/_AGO6780.jpg Jean Tinguely. Requiem pour une feuille morte, 1967. Installation view, Pirelli HangarBicocca, Milan, 2024. Collection Fonds Renault pour l’art et la culture, France. Courtesy Pirelli HangarBicocca, Milan. Jean Tinguely © SIAE, 2024. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/Detail-with-leg-of-Ballet-des-Pauvres-(1961)-Pic-V-Simpson.jpg Detail with leg of Ballet des Pauvres, 1961. Installation view, Pirelli HangarBicocca, Milan, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/_AGO6885.jpg Jean Tinguely, Vive la muerta, 1963. Installation view, Pirelli HangarBicocca, Milan, 2024. Private collection, Courtesy Galerie GP & N Vallois. Courtesy Pirelli HangarBicocca, Milan. Jean Tinguely: © SIAE, 2024. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/011218_Rotozaza_MT2011_PhotoBettinaMatthiessen.jpg Jean Tinguely. Rotozaza n°2, 1967. Welded scrap iron, Plexiglas, bicycle chain, 110V electric motor, 230 x 800 x 400 cm. Museum Tinguely Basel. The Museum Tinguely is a cultural commitment of Roche. © Museum Tinguely, Basel. Jean Tinguely by SIAE, 2023. Photo: Bettina Matthiessen. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/_AGO6784.jpg Jean Tinguely. Plateau agriculturel, 1978. Installation view, Pirelli HangarBicocca, Milan, 2024. Museum Tinguely, Basel. Donation Micheline und Claude Renard. A cultural commitment of Roche. Courtesy Pirelli HangarBicocca, Milan. Jean Tinguely: © SIAE, 2024. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/Pit-Stop-(1984)-Pic-V-Simpson.jpg Pit-Stop, 1984. Installation view, Pirelli HangarBicocca, Milan, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/Le-Champignon-magique-(1989)-Pic-V-Simpson.jpg Le Champignon Magique, 1989. Installation view, Pirelli HangarBicocca, Milan, 2024. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/Tinguely_La_Vittoria_1.jpg Jean Tinguely. La Vittoria, 1970. 10th Anniversary of Nouveau Réalistes, Milan, Italy, 28 November 1970. Collection Harry Shunk and Shunk-Kender. Getty Research Institute, Los Angeles. Gift of the Roy Lichtenstein Foundation in Memory of Harry Shunk and Janos Kender. © J. Paul Getty Trust Jean Tinguely © SIAE, 2024. Photo: János Kender and Harry Shunk. https://www.studiointernational.com/images/articles/t/045-tinguely-2024/1000_AGO6828.jpg Jean Tinguely. Philosophers series (1988-89). Installation view, Pirelli HangarBicocca, Milan, 2024. Museum Tinguely, Basel. Donation Niki de Saint Phalle. A cultural commitment of Roche. Courtesy Pirelli HangarBicocca, Milan. Jean Tinguely: © SIAE, 2024. Photo: Agostino Osio. https://www.studiointernational.com/index.php/lauren-halsey-emajendat-review-serpentine-galleries-london https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/HG106480-1.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/HG106536-1-1502x1001.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/HG106487-1-1502x1001.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/001-HG201193.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/004-HG101304.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/HG106491-1-1001x1001.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/002-HG101275.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/003-HG101151.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/005-HG101312.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/images/articles/h/006-halsey-lauren-2024/HG106461.jpg Lauren Halsey, Emajendat, 2024. Installation view, Serpentine South. © Lauren Halsey. Photo: © Hugo Glendinning. Courtesy Serpentine. https://www.studiointernational.com/index.php/material-poetry-review-hek-house-of-electronic-arts-basel-switzerland https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Liliane-Lijn-catalogue.jpg Liliane Lijn Catalogue from the Victoria & Albert Museum, 1993. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/material-poetry-screenshot.jpg Material Poetry, virtual exhibition at HEK, screenshot, 2024. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Ana-Maria-Caballero.jpg Ana María Caballero, Paperwork: Transmute, 2024 (left); Paperwork: Memento, 2024. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Danielle-Brathwite-shirley.jpg Danielle Brathwaite-Shirley, Material Poetry exhibition 2024, screenshot. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Danielle-Breathwaite-Shirley-THE-OCEAN-REMEMBERED-YOUR-BODY-6,-2021.jpg Danielle Brathwaite-Shirley, The Ocean Remembered Your Body, screenshot, 2021. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Danielle-Breathwaite-Shirley-THE-OCEAN-REMEMBERED-YOUR-BODY-5,-2021.jpg Danielle Brathwaite-Shirley, The Ocean Remembered Your Body, screenshot, 2021. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Eduardo-Kac-Letter-I,-1996.jpg Eduardo Kac, Letter, still, 1996. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/no-photographs-of-reality_Franziska-Ostermann_2024_still-1.jpg Franziska Ostermann, No Photographs of Reality, still, 2024. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/no-photographs-of-reality_Franziska-Ostermann_2024_still-2.jpg Franziska Ostermann, No Photographs of Reality, still, 2024. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Franziska_Ostermann_Can-u-hear-me_Still-1.jpg Franziska Ostermann, Can You Hear Me?, still, 2021. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Sasha-Stiles--Portrait-of-the-Poet-still-06,-2024.jpg Sasha Stiles, Cursive Binary: Portrait of the Poet (Variation 1), still, 2024. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Sasha-Stiles--Portrait-of-the-Poet-still-03,-2024-(1).jpg Sasha Stiles, Cursive Binary: Portrait of the Poet (Variation 1), still, 2024. https://www.studiointernational.com/images/articles/m/&078-material-poetry-2024/Eduardo-Kac-Letter-II,-1996.jpg Eduardo Kac, Letter, still, 1996. https://www.studiointernational.com/index.php/enchanted-alchemies-magic-mysticism-and-the-occult-in-art-review-levy-gorvy-dayan-london https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/07.jpg Elda Cerrato, Despolarización mutua de dos entes o Comunicaciones del Ser Beta. Etapa activa, from the series Entes extraños. Epopeya del Ser Beta, 1971. Oil on canvas. Courtesy of Lévy Gorvy Dayan. https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/03.jpg Ithell Colquhoun, Song of Songs, 1933. Oil on canvas. Courtesy of Lévy Gorvy Dayan. https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/06.jpg Chitra Ganesh, Breathing Water and Air, 2024. Acrylic, ink, chalk, embroidery, faux fur, ceramic, and glass on paper. Courtesy of Lévy Gorvy Dayan. https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/08.jpg Stacey Gillian Abe, The Moonlight, the Swamp, 2023. Acrylic on canvas. Courtesy of Lévy Gorvy Dayan. https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/05.jpg Linder, Mantic Stain 8 (Sphere of Venus), 2014. Enamel on magazine page. Courtesy of Lévy Gorvy Dayan. https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/04.jpg Leonora Carrington, The Lovers, 1987. Oil on canvas. Courtesy of Lévy Gorvy Dayan. https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/09.jpg Eileen Agar. Budding Figures, c1967. Acrylic on board, 20 x 24 in (50.8 x 61 cm). https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/02.jpg Ithell Colquhoun, Alcove II, 1948. Oil on board. Courtesy of Lévy Gorvy Dayan. https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/01.jpg Ithell Colquhoun in 1949. Photograph by Reg Speller. https://www.studiointernational.com/images/articles/e/056-enchanted-alchemies-2024/10.jpg Eileen Agar. DNA Figure, 1968. Acrylic on board, 29½ x 24 in (74.9 x 61 cm). https://www.studiointernational.com/index.php/dartmoor-a-radical-landscape-review-royal-albert-memorial-museum-and-art-gallery-exeter https://www.studiointernational.com/images/articles/r/028-radical-landscape-2024/Fern-Leigh-Albert,-Circle-of-Protest-Haytor,-2023.jpg Fern Leigh Albert, Circle of Protest Haytor, 2023. (Dartmoor, RAMM, Exeter, 2024). © Fern Leigh Albert. https://www.studiointernational.com/images/articles/r/028-radical-landscape-2024/Garry-Fabian-Miller,-The-Darkrooms-Fading-Presence,-2020.jpg Garry Fabian Miller, The Darkroom’s Fading Presence, 2020. (Dartmoor, RAMM, Exeter, 2024). © Garry Fabian Miller, RAMM. https://www.studiointernational.com/images/articles/r/028-radical-landscape-2024/Susan-Derges,-Eden-6.jpg Susan Derges, Eden 6, 2004. (Dartmoor, RAMM, Exeter, 2024). https://www.studiointernational.com/images/articles/r/028-radical-landscape-2024/David-Spero,-Community-portrait,-April-2010-10th-Anniversary,-2010.jpg David Spero, Community portrait, April 2010, 10th Anniversary, 2010. (Dartmoor, RAMM, Exeter, 2024). © David Spero, Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/r/028-radical-landscape-2024/Nicholas-JR-White,-Gorse-in-Heather-from-the-Crucible-series,-2020.jpg Nicholas JR White, Gorse in Heather from the Crucible series, 2020. (Dartmoor, RAMM, Exeter, 2024). © Nicholas JR White. https://www.studiointernational.com/images/articles/r/028-radical-landscape-2024/Alex-Hartley-The-Summoning-Stones-(3).jpg Alex Hartley, The Summoning Stones, (Dartmoor 2024). © Alex Hartley. https://www.studiointernational.com/images/articles/r/028-radical-landscape-2024/Ashish-Ghadiali,-Cinematics-of-Gaia-and-Magic-1,-2024.jpg Ashish Ghadiali, Cinematics of Gaia and Magic 3, 2024. Film still. © Ashish Ghadiali. https://www.studiointernational.com/images/articles/r/028-radical-landscape-2024/750-Dartmoor-A-Radical-Landscape.jpg Dartmoor: A Radical Landscape, Royal Albert Memorial Museum and Art Gallery, Exeter, 19 October 2024 – 23 February 2025. Photo: Simon Tutty. https://www.studiointernational.com/images/articles/r/028-radical-landscape-2024/Robert-Darch,-Devils-Tor-from-The-Ten-Tors-series,-2019.jpg Robert Darch, Devil'sTor from The Ten Tors series, 2019. (Dartmoor, RAMM, Exeter, 2024). © Robert Darch. https://www.studiointernational.com/index.php/sheikh-mohammed-rashid-al-thani-interview-institute-for-arab-and-islamic-art https://www.studiointernational.com/images/articles/a/&087-al-thani-2024/Mohammed-Al-Thani.jpg Mohammed Rashid Al-Thani. Image courtesy Institute for Arab and Islamic Art (IAIA). https://www.studiointernational.com/images/articles/a/&087-al-thani-2024/BookStore.jpg Bookstore, Institute for Arab and Islamic Art (IAIA). Image courtesy of IAIA. https://www.studiointernational.com/images/articles/a/&087-al-thani-2024/Caftan.jpg Caftan designed by Mohammed under the label Qaafla. Image courtesy of IAIA. https://www.studiointernational.com/images/articles/a/&087-al-thani-2024/Huguette-Caland-1.jpg Huguette Caland, installation view at IAIA’s temporary downtown space, 2018. Image courtesy of IAIA. https://www.studiointernational.com/images/articles/a/&087-al-thani-2024/Behjat-Sadr-copy.jpg Behjat Sadr, installation view, Institute for Arab and Islamic Art (IAIA), 2023. Image courtesy of IAIA. https://www.studiointernational.com/images/articles/a/&087-al-thani-2024/Nabil-Kanson-install-IMG_8144.jpg Nabil Kanso: Endless Night, installation view, Institute for Arab and Islamic Art (IAIA), 30 April - 24 August 2024. Image courtesy of IAIA. https://www.studiointernational.com/images/articles/a/&087-al-thani-2024/FACADE.jpg For The Revisionist, Site-Specific Facade Installation by Pooneh Maghazehe, November 2022 - June 2023. Institute for Arab and Islamic Art (IAIA). Image courtesy of IAIA. https://www.studiointernational.com/index.php/portia-zvavahera-zvakazarurwa-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/z/090-zvavahera-portia-2024/C555-1-17034-750.jpg Installation view, Portia Zvavahera: Zvakazarurwa, Kettle’s Yard, Cambridge, 22 October 2024 – 16 February 2025. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/z/090-zvavahera-portia-2024/Portia-Zvavahera_This-is-Where-I-Travelled.jpg Portia Zvavahera. This is Where I Travelled (4), 2020. Ink and oil stick on canvas, 242.5 x 201 cm. Courtesy of Tate Images, purchased with funds provided by Simon Nixon and family, 2022. https://www.studiointernational.com/images/articles/z/090-zvavahera-portia-2024/Portia-Zvavahera.jpg Portia Zvavahera in her studio, 2023. © Portia Zvavahera. Courtesy Stevenson and David Zwirner. Photo: Gianluigi Guercia. https://www.studiointernational.com/index.php/tove-jansson-paradise-review-helsinki-art-museum-finland https://www.studiointernational.com/images/articles/j/072-jansson-tove-2024/03-Tove-Jansson-(1).jpg Tove Jansson and a full-scale sketch for the Party in the Countryside fresco, 1947. Moomin Characters Collection. © Tove Jansson Estate. https://www.studiointernational.com/images/articles/j/072-jansson-tove-2024/01-Tove-Jansson-Lintu-sininen.jpg Tove Jansson: Bird Blue, 1953. Commision for the canteen at the Kila Swedish-language elementary school (today Karjaa co-educational school). City of Raasepori. © Tove Jansson Estate. Photo: HAM / Maija Toivanen. https://www.studiointernational.com/images/articles/j/072-jansson-tove-2024/06-Tove-Jansson-Luonnos-seinamaalaukseen-Lintu-sininen.jpg Tove Jansson: Sketch for the Bird Blue mural, 1953. Commision for the canteen at Kila Swedish-language elementary school (today Karjaa co-educational school). Private collection. © Tove Jansson Estate. Photo: HAM / Kirsi Halkola. https://www.studiointernational.com/images/articles/j/072-jansson-tove-2024/02-Tove-Jansson-Perhe.jpg Tove Jansson: Family, 1942. Private Collection. © Tove Jansson Estate. Photo: Finnish National Gallery / Hannu Aaltonen. https://www.studiointernational.com/images/articles/j/072-jansson-tove-2024/04-Tove-Jansson-Omakuva-ja-korituoli.jpg Tove Jansson: Self-Portrait with Wicker Chair, 1937. Private Collection. © Tove Jansson Estate. Photo: Didrichsen Art Museum / Rauno Träskelin. https://www.studiointernational.com/images/articles/j/072-jansson-tove-2024/07-Tove-Janssonin-omakuva-Muumien-ymparoimana.jpg Tove Jansson https://www.studiointernational.com/images/articles/j/072-jansson-tove-2024/10-Tove-Jansson-Paratiisi-(1).jpg Installation view from Tove Jansson: Paradise. HAM Helsinki Art Museum 25 October 2024 – 6 April 2025. Tove Jansson: Fantasy, 1954. Nordea Art Foundation. © Tove Jansson Estate. Photo: HAM / Maija Toivanen. https://www.studiointernational.com/images/articles/j/072-jansson-tove-2024/09-Tove-Jansson-Lepo-tyon-jalkeen.jpg Tove Jansson: Resting After Work, 1945. Wall painting in the canteen of the Strömberg factory in Pitäjänmäki, Helsinki. HAM Helsingin taidemuseo. © Tove Jansson Estate. Photo: HAM / Hanna Kukorelli. https://www.studiointernational.com/images/articles/j/072-jansson-tove-2024/08-Tove-Jansson-Satupanoraama-(vasen-puoli).jpg Tove Jansson: Fairytale Panorama (left panel), 1949. Commision for the wall at the kindergarten of Ab Federation Stevedoring Ltd (today a preschool operated by the City of Kotka). City of Kotka. © Moomin Characters Oy Ltd. Photo: HAM / Maija Toivanen. https://www.studiointernational.com/index.php/michelangelo-leonardo-raphael-florence-c1504-review-royal-academy-of-arts-london https://www.studiointernational.com/images/articles/f/047-florence-c1504-2024/key-1.jpg Michelangelo Buonarroti, The Virgin and Child with the Infant Saint John (The Taddei Tondo), c1504-05. Marble, 106.8 x 106.8 cm. Royal Academy of Arts, London. Bequeathed by Sir George Beaumont, 1830. Photo: Royal Academy of Arts, London, Photographer: Prudence Cuming Associates Limited. https://www.studiointernational.com/images/articles/f/047-florence-c1504-2024/key-31.jpg Raphael, after Michelangelo Buonarroti, David, c1505-08. Pen and brown ink on paper, 39.6 x 21.9 cm. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/f/047-florence-c1504-2024/key-17.jpg Leonardo da Vinci, The Virgin and Child with St Anne and the Infant St John the Baptist (The Burlington House Cartoon), c1506-08 (detail). Charcoal with white chalk on paper, mounted on canvas, 141.5 x 104.6 cm. The National Gallery, London. Purchased with a special grant and contributions from the Art Fund, The Pilgrim Trust, and through a public appeal organised by the Art Fund, 1962. https://www.studiointernational.com/images/articles/f/047-florence-c1504-2024/key-50.jpg Leonardo da Vinci, A Rearing Horse, c1503-05. Red chalk on paper, 15.3 x 14.2 cm. © Royal Collection Enterprises Limited 2024 | Royal Collection Trust. https://www.studiointernational.com/images/articles/f/047-florence-c1504-2024/key-64.jpg Bastiano da Sangallo, after Michelangelo Buonarroti, The Battle of Cascina (The Bathers), c1542. Oil on panel, 78.8 x 132.3 cm. Holkham Hall, Norfolk, Collection of the Earl of Leicester. By kind permission of the Earl of Leicester and the Trustees of Holkham Estate. https://www.studiointernational.com/images/articles/f/047-florence-c1504-2024/key-95.jpg Michelangelo Buonarroti, Studies of Male Heads, Helmets for Soldiers and Facial Features, c1504. Pen and brown ink and black chalk on paper, 20.5 x 25.3 cm. Hamburger Kunsthalle, Kupferstichkabinett. Photo: © Hamburger Kunsthalle / bpk. Photo: Christoph Irrgang. https://www.studiointernational.com/images/articles/f/047-florence-c1504-2024/key-29.jpg Raphael, The Virgin and Child with the Infant St John the Baptist (The Esterhazy Madonna), c1508. Tempera and oil on panel, 28.5 x 21.5 cm. Museum of Fine Arts, Budapest. https://www.studiointernational.com/images/articles/f/047-florence-c1504-2024/key-42.jpg Michelangelo Buonarroti, Male Nude, c1505-06. Black chalk on paper, 40.4 x 22.5 cm. Teylers Museum, Haarlem. https://www.studiointernational.com/images/articles/f/047-florence-c1504-2024/key-66.jpg Raphael, Two Male Nudes Seen from Behind, c1505-06. Pen and brown ink on paper, 25.3 x 17 cm. The Albertina Museum, Vienna https://www.studiointernational.com/index.php/stitched-scotlands-embroidered-art-review-dovecot-studios-edinburgh https://www.studiointernational.com/images/articles/s/&064-stitched-2024/Firescreen-embroidered-by-Lady-Augusta-Kennedy-Erskine-from-the-House-of-Dun.jpg Firescreen embroidered by Lady Augusta Kennedy-Erskine from the House of Dun, 1835–65. © The National Trust for Scotland. https://www.studiointernational.com/images/articles/s/&064-stitched-2024/Mahogany-chair-with-tent-stitch-and-green-velvet-upholstering.jpg Mahogany chair with tent-stitch and green velvet upholstering from Drum Castle, 1860s. © The National Trust for Scotland. https://www.studiointernational.com/images/articles/s/&064-stitched-2024/PW_Doveoct-Studios_Stitched_004.jpg Chair cover sewn by Anna Forbes Irvine, 1869s (detail) from Drum Castle, Aberdeenshire. Image courtesy of Dovecot Studios. Photo: Phil Wilkinson. https://www.studiointernational.com/images/articles/s/&064-stitched-2024/PW_Doveoct-Studios_Stitched_066.jpg Draught screen sewn by Lady Mary Dalyell, 1910s (detail) from House of the Binns, West Lothian. Image courtesy of Dovecot Studios. Photo: Phil Wilkinson. https://www.studiointernational.com/images/articles/s/&064-stitched-2024/PW_Doveoct-Studios_Stitched_115.jpg Stitched: Scotland’s Embroidered art at Dovecot Studios, Edinburgh. Image courtesy of Dovecot Studios. Photo: Phil Wilkinson. https://www.studiointernational.com/images/articles/s/&064-stitched-2024/PW_Doveoct-Studios_Stitched_001.jpg Draught screen attributed to Frances, Countess of Mar, 1720-40 (detail) from Alloa Tower, Clackmannanshire. Image courtesy of Dovecot Studios. Photo: Phil Wilkinson. https://www.studiointernational.com/images/articles/s/&064-stitched-2024/Gold-table-runner-embriodered-with-flowers-(detail)-from-Hill-of-Tarvit.jpg Gold table runner embroidered with flowers from Hill of Tarvit, Fife (detail), Satin embroidered with coloured silk threads, c1900–20. Image © The National Trust for Scotland. https://www.studiointernational.com/images/articles/s/&064-stitched-2024/PW_Doveoct-Studios_Stitched_095.jpg Pole screen, 1840s, from Castle Fraser, Aberdeenshire. Image courtesy of Dovecot Studios. Photo: Phil Wilkinson. https://www.studiointernational.com/images/articles/s/&064-stitched-2024/PW_Doveoct-Studios_Stitched_113.jpg Stitched: Scotland’s Embroidered art at Dovecot Studios, Edinburgh. Image courtesy of Dovecot Studios. Photo: Phil Wilkinson. https://www.studiointernational.com/index.php/friends-in-love-and-war-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/f/046-friends-in-love-and-war-2024/16.jpg Markéta Luskačová,installation view, Friends in Love and War – L’Éloge des meilleur·es ennemi·es, Ikon Gallery, 2024. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/f/046-friends-in-love-and-war-2024/PogusCaesar.jpg Pogus Caesar, See Oat, London, 2008. Series Schwarz Flaneur, started in 1983. Black-and-white photograph, 35mm. 34 x 44 cm Courtesy of the artist and OOM Gallery Archive. https://www.studiointernational.com/images/articles/f/046-friends-in-love-and-war-2024/HetainPatel.jpg Hetain Patel, Don https://www.studiointernational.com/images/articles/f/046-friends-in-love-and-war-2024/DelaineLeBas.jpg Delaine Le Bas, What We Don https://www.studiointernational.com/images/articles/f/046-friends-in-love-and-war-2024/RachelMaclean.jpg Rachel Maclean, The Lion and The Unicorn, 2012. Single channel HD video, colour and sound, 11 minutes 30 seconds. © Rachel Maclean, 2012, commissioned by The Edinburgh Printmakers. Courtesy of British Council Collection. https://www.studiointernational.com/images/articles/f/046-friends-in-love-and-war-2024/LukeRoutledge.jpg Luke Routledge, Strangelets, 2024. Mixed media. Variable dimensions. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/046-friends-in-love-and-war-2024/Tereza-Buskova.jpg Tereza Buskova, Clipping the Church, 2016. Video, colour, sound, 8 minutes 14 seconds. Courtesy of the artist. https://www.studiointernational.com/images/articles/f/046-friends-in-love-and-war-2024/InstallNiekVanDeSteeg.jpg Installation view, Friends in Love and War – L’Éloge des meilleur·es ennemi·es, Ikon Gallery, 2024. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/index.php/larissa-sansour-review-amos-rex-helsinki https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/08-In-Vitro-Still-1.jpg Still from Larissa Sansour & Søren Lind https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/10-In_Vitro_Larissa_2-3-6.jpg Still from Larissa Sansour & Søren Lind https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/04-As-If-No-Misfortune-Had-Occured-in-The-Night_TU-241005-larissa-sansour-006.jpg Larissa Sansour, As If No Misfortune Had Occurred in the Night, 2022. Photo: Tuomas Uusheimo / Amos Rex. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/05-As-If-No-Misfortune-Had-Occured-in-The-Night_TU-241005-larissa-sansour-032.jpg Larissa Sansour, As If No Misfortune Had Occurred in the Night, 2022. Photo: Tuomas Uusheimo / Amos Rex. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/15-Space-Exodus_TU-241005-larissa-sansour-025.jpg Larissa Sansour, A Space Exodus, 2009. Photo: Tuomas Uusheimo / Amos Rex. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/14-Monument-for-lost-time_TU-larissa-sansour-014.jpg Larissa Sansour, Monument for Lost Time, 2019. Photo: Tuomas Uusheimo / Amos Rex. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/01-Nation-Estate_TU-241005-larissa-sansour-043.jpg Larissa Sansour, Nation Estate, 2012. Photo: Tuomas Uusheimo / Amos Rex. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/02-Archaeology-in-Absentia_TU-241005-larissa-sansour-059.jpg Larissa Sansour, Archaeology in Absentia, 2016. Photo: Tuomas Uusheimo / Amos Rex. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/06-As-If-No-Misfortune-Had-Occurred-in-the-Night-3_large.jpg Still from Larissa Sansour & Søren Lind: As If No Misfortune Had Occurred in the Night, 2022. Courtesy of Larissa Sansour & Søren Lind. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/07-In-the-Future-They_TU-241005-larissa-sansour-049.jpg Larissa Sansour, In the Future They Ate From the Finest Porcelain, 2016. Photo: Tuomas Uusheimo / Amos Rex. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/09-In-Vitro_TU-241005-larissa-sansour-027.jpg Still from Larissa Sansour & Søren Lind's video work In Vitro, 2019. Courtesy of Larissa Sansour & Søren Lind. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/11-IntheFuture1.jpg Still from Larissa Sansour & Søren Lind's video work: In the Future They Ate from the Finest Porcelain, 2016. Courtesy of Larissa Sansour & Søren Lind. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/12-IntheFuture2.jpg Still from Larissa Sansour & Søren Lind's video work: In the Future They Ate from the Finest Porcelain, 2016. Courtesy of Larissa Sansour & Søren Lind. https://www.studiointernational.com/images/articles/s/&063-sansour-larissa-2024/13-MISFORTUNE2-(1).jpg Still from Larissa Sansour & Søren Lind's video work: As If No Misfortune Had Occurred in the Night, 2022. Courtesy of Larissa Sansour & Søren Lind. https://www.studiointernational.com/index.php/bekhbaatar-enkhtur-hearsay-review-fondazione-sandretto-re-rebaudengo-turin https://www.studiointernational.com/images/articles/e/055-enkhtur-bekhbaatar-2024/Artissima24-PREMIO-ILLY-Present-Future-FSRR-GP-002.jpg Installation view, Bekhbaatar Enkhtur: Hearsay, Fondazione Sandretto Re Rebaudengo, Turin, 31 October 2024 – 5 January 2025. Photo: Giorgio Perottino. https://www.studiointernational.com/images/articles/e/055-enkhtur-bekhbaatar-2024/Artissima24-PREMIO-ILLY-Present-Future-FSRR-GP-004.jpg Installation view, Bekhbaatar Enkhtur: Hearsay, Fondazione Sandretto Re Rebaudengo, Turin, 31 October 2024 – 5 January 2025. Photo: Giorgio Perottino. https://www.studiointernational.com/images/articles/e/055-enkhtur-bekhbaatar-2024/Artissima24-PREMIO-ILLY-Present-Future-FSRR-GP-008.jpg Installation view, Bekhbaatar Enkhtur: Hearsay, Fondazione Sandretto Re Rebaudengo, Turin, 31 October 2024 – 5 January 2025. Photo: Giorgio Perottino. https://www.studiointernational.com/images/articles/e/055-enkhtur-bekhbaatar-2024/Artissima24-PREMIO-ILLY-Present-Future-FSRR-GP-009.jpg Installation view, Bekhbaatar Enkhtur: Hearsay, Fondazione Sandretto Re Rebaudengo, Turin, 31 October 2024 – 5 January 2025. Photo: Giorgio Perottino. https://www.studiointernational.com/images/articles/e/055-enkhtur-bekhbaatar-2024/Artissima24-PREMIO-ILLY-Present-Future-FSRR-GP-018.jpg Installation view, Bekhbaatar Enkhtur: Hearsay, Fondazione Sandretto Re Rebaudengo, Turin, 31 October 2024 – 5 January 2025. Photo: Giorgio Perottino. https://www.studiointernational.com/images/articles/e/055-enkhtur-bekhbaatar-2024/Artissima24-PREMIO-ILLY-Present-Future-FSRR-GP-010.jpg Installation view, Bekhbaatar Enkhtur: Hearsay, Fondazione Sandretto Re Rebaudengo, Turin, 31 October 2024 – 5 January 2025. Photo: Giorgio Perottino. https://www.studiointernational.com/images/articles/e/055-enkhtur-bekhbaatar-2024/Artissima24-PREMIO-ILLY-Present-Future-FSRR-GP-003.jpg Installation view, Bekhbaatar Enkhtur: Hearsay, Fondazione Sandretto Re Rebaudengo, Turin, 31 October 2024 – 5 January 2025. Photo: Giorgio Perottino. https://www.studiointernational.com/index.php/victor-pasmore-patrick-heron-viii-sao-paulo-biennial-great-britain-1965-revisited-review-hazlitt-holland-hibbert-london https://www.studiointernational.com/images/articles/p/002-pasmore-heron-2024/HAZ_241106-_12.jpg Installation view, Victor Pasmore | Patrick Heron: VIII São Paulo Biennial, Great Britain 1965, revisited, Hazlitt Holland-Hibbert, London. Courtesy Hazlitt Holland-Hibbert, London, copyright © the artist. https://www.studiointernational.com/images/articles/p/002-pasmore-heron-2024/Pasmore,-Abstract-in-White,-Black-and-Maroon,-1962-(al).jpg Victor Pasmore, Abstract in White, Black and Maroon, 1962. Curved relief construction with painted wood, 24 x 48 x 8 ½ in (61 x 122 x 21.5 cm). Courtesy Hazlitt Holland-Hibbert, London, copyright © the artist. https://www.studiointernational.com/images/articles/p/002-pasmore-heron-2024/Pasmore,-Abstract-in-White,-Black-and-Indian-Red,-1963-64.jpg Victor Pasmore, Abstract in White, Black and Indian Red, 1963-64. Relief construction with painted wood and Perspex, 22 1/2 x 23 1/2 x 7 in (57.5 x 59.5 x 17 cm) including wood extrusions. Courtesy Hazlitt Holland-Hibbert, London, copyright © the artist. https://www.studiointernational.com/images/articles/p/002-pasmore-heron-2024/HAZ_241106-_7.jpg Installation view, Victor Pasmore | Patrick Heron: VIII São Paulo Biennial, Great Britain 1965, revisited, Hazlitt Holland-Hibbert, London. Courtesy Hazlitt Holland-Hibbert, London, copyright © the artist. https://www.studiointernational.com/images/articles/p/002-pasmore-heron-2024/HAZ_241106-_14.jpg Installation view, Victor Pasmore | Patrick Heron: VIII São Paulo Biennial, Great Britain 1965, revisited, Hazlitt Holland-Hibbert, London. Courtesy Hazlitt Holland-Hibbert, London, copyright © the artist. https://www.studiointernational.com/images/articles/p/002-pasmore-heron-2024/Pasmore,-Abstract-in-White,-Black-and-Indian-Red,-1956.jpg Victor Pasmore, Abstract in White, Black, and Indian Red, 1956. Relief construction with painted wood and Perspex, 24 x 26 ½ x 5 ½ in (61 x 67.5 x 14 cm). Courtesy Hazlitt Holland-Hibbert, London, copyright © the artist. https://www.studiointernational.com/index.php/erica-rutherford-the-human-comedy-review-richard-saltoun-gallery-london https://www.studiointernational.com/images/articles/r/027-rutherford-erica-2024/ERI017_02.jpg Erica Rutherford, The Startled Model, 1977. Lithograph on paper, 58 x 43 cm. Copyright of the Estate of the Artist and Courtesy Richard Saltoun Gallery, London, Rome and New York. https://www.studiointernational.com/images/articles/r/027-rutherford-erica-2024/The-Green-Field-RI020_01.jpg Erica Rutherford, The Green Field, 1975. Acrylic on canvas, 147 x 122 cm. Copyright of the Estate of the Artist and Courtesy Richard Saltoun Gallery, London, Rome and New York. https://www.studiointernational.com/images/articles/r/027-rutherford-erica-2024/land-of-the-Bong-Tree-ERI022_01.jpg Erica Rutherford, Land of the Bong Tree, 1986. Gouache on paper, 38.2 x 46 cm. Copyright of the Estate of the Artist and Courtesy Richard Saltoun Gallery, London, Rome and New York. https://www.studiointernational.com/images/articles/r/027-rutherford-erica-2024/The-Maiden-ERI026_01.jpg Erica Rutherford, The Maiden, 2003. Oil on canvas, framed: 113.7 x 139 cm. Copyright of the Estate of the Artist and Courtesy Richard Saltoun Gallery, London, Rome and New York. https://www.studiointernational.com/images/articles/r/027-rutherford-erica-2024/A-dance-ERI011_01.jpg Erica Rutherford, A Dance, 1997. Oil on canvas, framed: 113.7 x 139 cm. Copyright of the Estate of the Artist and Courtesy Richard Saltoun Gallery, London, Rome and New York. https://www.studiointernational.com/images/articles/r/027-rutherford-erica-2024/ERI027_01.jpg Erica Rutherford, To my Tune, 1995. Oil on canvas, framed: 113.7 x 139 cm. Copyright of the Estate of the Artist and Courtesy Richard Saltoun Gallery, London, Rome and New York. https://www.studiointernational.com/index.php/lindsey-mendick-hot-mess-video-interview-sainsbury-centre-norwich https://www.studiointernational.com/images/articles/m/&077-mendick-lindsey-2024/IMG_9838.jpg Lindsey Mendick: Hot Mess, installation view, Sainsbury Centre, Norwich, 23 November 2024 – 27 April 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&077-mendick-lindsey-2024/IMG_9842.jpg Lindsey Mendick: Hot Mess, installation view, Sainsbury Centre, Norwich, 23 November 2024 – 27 April 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&077-mendick-lindsey-2024/lindsey-mendick-hot-mess-04.jpg Lindsey Mendick: Hot Mess, installation view, Sainsbury Centre, Norwich, 23 November 2024 – 27 April 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&077-mendick-lindsey-2024/IMG_9820.jpg Lindsey Mendick: Hot Mess, installation view, Sainsbury Centre, Norwich, 23 November 2024 – 27 April 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&077-mendick-lindsey-2024/lindsey-mendick-hot-mess-01.jpg Lindsey Mendick: Hot Mess, installation view, Sainsbury Centre, Norwich, 23 November 2024 – 27 April 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&077-mendick-lindsey-2024/lindsey-mendick-hot-mess-02.jpg Lindsey Mendick: Hot Mess, installation view, Sainsbury Centre, Norwich, 23 November 2024 – 27 April 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&077-mendick-lindsey-2024/lindsey-mendick-hot-mess-03.jpg Lindsey Mendick: Hot Mess, installation view, Sainsbury Centre, Norwich, 23 November 2024 – 27 April 2025. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/medieval-women-in-their-own-words-review-british-library-london https://www.studiointernational.com/images/articles/m/&076-medieval-women-2024/IMG_9915.jpg Eleanor of Castile, queen of England from 1274 to 1290. Replica, late-13th-century. https://www.studiointernational.com/images/articles/m/&076-medieval-women-2024/sekenesse-of-wymmen.jpg The Sekenesse of Wymmen, England, 15th Century. © British Library Board. https://www.studiointernational.com/images/articles/m/&076-medieval-women-2024/13.jpg A Carthusian anthology of theological works in English, including Julian of Norwich https://www.studiointernational.com/images/articles/m/&076-medieval-women-2024/16.jpg The opening page of the Book of Margery Kempe. © British Library Board. https://www.studiointernational.com/images/articles/m/&076-medieval-women-2024/21.jpg Letter of Joan of Arc to the citizens of Riom, 9 November 1429. Letter signed by Joan of Arc. © Town of Riom, Municipal Archives, AA. https://www.studiointernational.com/images/articles/m/&076-medieval-women-2024/IMG_9919-750.jpg Prayer book made for Queen Joanna I of Castile, Bruges (modern-day Belgium),1486–1586. © British Library Board. https://www.studiointernational.com/images/articles/m/&076-medieval-women-2024/30.jpg Birthing girdle, England, early 15th century. © British Library Board. https://www.studiointernational.com/images/articles/m/&076-medieval-women-2024/7-2.jpg A bas-de-page scene with an illustration of women bringing in the harvest. Psalter (The Luttrell Psalter) with calendar and additional material. © British Library Board. https://www.studiointernational.com/images/articles/m/&076-medieval-women-2024/9-2.jpg An illustration of the Presentation in the Temple, from the Melisende Psalter. Psalter (The Melisende Psalter) © British Library Board. https://www.studiointernational.com/index.php/lygia-clark-the-i-and-the-you-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/08-Lygia-Clark-Bicho-1960-84.jpg Lygia Clark. Bicho, 1960-84. Steel, installation dimensions variable. Courtesy: AlisonJacques, London © O Mundo de Lygia Clark-Associação Cultural, Rio de Janeiro;photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/10-Lygia-Clark,-Superficie-Modulada-1958.jpg Lygia Clark. Superficie Modulada (Modulated Surfaces), 1958/1984. Industrial ink on wood, 42 x 63 cm. Photo: Marcelo Ribeiro Alvares Corrêa. Courtesy of Associacão Cultural O Mundo de Lygia Clark. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/11-Lygia-Clark,-Planos-em-superficie-modulada-1957-2.jpg Lygia Clark. Planos em superfícies moduladas (Planes in Modulated Surfaces, 1957. Collage, cardboard, 14.4 x 54 cm. Photo: Marcelo Ribeiro Alvares Corrêa. Courtesy of Associacão Cultural O Mundo de Lygia Clark. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/07-Lygia-Clark-Bicho-de-Bolso-1967.jpg Lygia Clark. Bicho de Bolso, 1967. Photo: Michel Desjardins. Courtesy of Associacão Cultural O Mundo de Lygia Clark. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/02-Lygia-Clark-Eu-e-o-Tu,-(The-I-and-the-you)-1967.jpg Lygia Clark. Proposiçāo https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/06-Lygia-Clark-Rede-de-Elasticos-(Elastic-Net)-1973.jpg Lygia Clark. Rede de Elásticos (Elastic Net), 1973. Rede de Elásticos, Paris, sem data. Photo: Hagêge A. Courtesy of Associacão Cultural O Mundo de Lygia Clark. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/Lygia_Clark_and_Sonia_Boyce_Press_16.jpg Lygia Clark: The I and the You, Whitechapel Gallery, London, 2 October 2024 – 12 January 2025. Photo: Above Ground Studio. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/01-Lygia-Clark-Revista-Manchete,-Rio-de-Janeiro.jpg Lygia Clark. Revista Manchete, Rio de Janeiro. Courtesy Associação Cultural O mundo de Lygia Clark. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/03-Lygia-Clark-Corpo-Coletivo-(colective-body)-1974.jpg Lygia Clark. Corpo Coletivo (collective body), 1974. Paço Imperial, Rio de Janeiro, 1986. Photo Sergio Zalis. Courtesy Associacão Cultural O Mundo de Lygia Clark. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/04-Lygia-Clark-Dialogo-de-Oculos-(Googles-dialogue)-1968.jpg Lygia Clark. Diálogo de Óculos (Goggles dialogue), 1968. Diálogo de Óculos, sem data. Photo: Eduardo Clark. Courtesy Associacão Cultural O Mundo de Lygia Clark. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/05-Lygia-Clark-Oculos-(googles)-1968.jpg Lygia Clark. Óculos (goggles), 1968. Photo: Eduardo Clark / sem data. Courtesy of Associacão. Cultural O Mundo de Lygia Clark. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/09-Lygia-Clark-Bicho-1960.jpg Lygia Clark. Bicho, 1960. Photo: Caroline Abaurre Valansi. Courtesy of Associacão Cultural O Mundo de Lygia Clark. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/Lygia_Clark_and_Sonia_Boyce_Press_08.jpg Lygia Clark: The I and the You, Whitechapel Gallery, London, 2 October 2024 – 12 January 2025. Photo: Above Ground Studio. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/Lygia_Clark_and_Sonia_Boyce_Press_10.jpg Lygia Clark: The I and the You, Whitechapel Gallery, London, 2 October 2024 – 12 January 2025. Photo: Above Ground Studio. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/Lygia_Clark_and_Sonia_Boyce_Press_12.jpg Lygia Clark: The I and the You, Whitechapel Gallery, London, 2 October 2024 – 12 January 2025. Photo: Above Ground Studio. https://www.studiointernational.com/images/articles/c/&073-clark-lygia-2024/Lygia_Clark_and_Sonia_Boyce_Press_14.jpg Lygia Clark: The I and the You, Whitechapel Gallery, London, 2 October 2024 – 12 January 2025. Photo: Above Ground Studio. https://www.studiointernational.com/index.php/digging-in-another-time-derek-jarman-modern-nature-review-the-hunterian-art-gallery-glasgow https://www.studiointernational.com/images/articles/r/026-radical-landscapes-2024/Derek-Jarman,-Hunterian-0109.jpg Digging in Another Time: Derek Jarman’s Modern Nature, installation view, The Hunterian Art Gallery, Glasgow, 2 November 2024 – 4 May 2025. https://www.studiointernational.com/images/articles/r/026-radical-landscapes-2024/Et-in-Arcadia-Ego-(AIDS-Memoir-Prospect-Cottage).jpg Derek Jarman. Et in Arcadia Ego (Aids Memoir Prospect Cottage), 1992. Oil on canvas with black metal foil, 40.6 x 40.6 x 3 cm. Courtesy Keith Collins Will Trust and Amanda Wilkinson, London. https://www.studiointernational.com/images/articles/r/026-radical-landscapes-2024/Men-asleep-are-labourers-and-co-workers-in-what-takes-place-in-the-world,.jpg Derek Jarman. Men asleep are labourers and co-workers in what takes place in the world, 1983. Oil and mixed media on canvas, 45.7 x 35.6 x 2 cm (18 x 14 x 3/4 in). Courtesy Keith Collins Will Trust and Amanda Wilkinson, London. https://www.studiointernational.com/images/articles/r/026-radical-landscapes-2024/Positive.jpg Derek Jarman. Positive, 1992. Oil on canvas, 251.5 x 149 cm. Courtesy Keith Collins Will Trust and Amanda Wilkinson, London. https://www.studiointernational.com/images/articles/r/026-radical-landscapes-2024/Derek-Jarman,-Hunterian-0003.jpg Digging in Another Time: Derek Jarman’s Modern Nature, installation view, The Hunterian Art Gallery, Glasgow, 2 November 2024 – 4 May 2025. Courtesy Keith Collins Will Trust and Amanda Wilkinson, London. https://www.studiointernational.com/images/articles/r/026-radical-landscapes-2024/The-Spirit-of-the-World.jpg Derek Jarman. The Spirit of the World, 1981. Oil on canvas, 40.64 x 30.48 cm. Courtesy Keith Collins Will Trust and Amanda Wilkinson, London. https://www.studiointernational.com/index.php/giorgio-griffa-interview-rhythm-is-the-first-instrument-of-mans-knowledge https://www.studiointernational.com/images/articles/g/015-griffa-giorgio-2024/giorgio-griffa-01.jpg Giorgio Griffa, Obliquo, 1969. Acrylic on canvas, pencil on canvas, 42 x 66.5 cm. Courtesy of the Artist and Xavier Hufkens, Brussels. Photo: Allard Bovenberg. https://www.studiointernational.com/images/articles/g/015-griffa-giorgio-2024/giorgio-griffa-05.jpg Giorgio Griffa, Disordine ED, 2024. Acrylic on canvas (pattina), 207.5 x 479 cm. Courtesy of the Artist and Xavier Hufkens, Brussels. Photo: Allard Bovenberg. https://www.studiointernational.com/images/articles/g/015-griffa-giorgio-2024/giorgio-griffa-04.jpg Giorgio Griffa, Disordine CZ, 2024. Acrylic on canvas (bandera), 159 x 95 cm. Courtesy of the Artist and Xavier Hufkens, Brussels. Photo: Allard Bovenberg. https://www.studiointernational.com/images/articles/g/015-griffa-giorgio-2024/giorgio-griffa-03.jpg Giorgio Griffa, Disordine AI, 2023. Acrylic on canvas (pattina), 208 x 117 cm. Courtesy of the Artist and Xavier Hufkens, Brussels. Photo: Allard Bovenberg. https://www.studiointernational.com/images/articles/g/015-griffa-giorgio-2024/giorgio-griffa-02.jpg Giorgio Griffa, Sedici tele due segni, 1979. Acrylic on canvas (pattina), 190 x 262 cm (each: 40 x 58 cm). Courtesy of the Artist and Xavier Hufkens, Brussels. Photo: Allard Bovenberg. https://www.studiointernational.com/images/articles/g/015-griffa-giorgio-2024/giorgio-griffa-07.jpg Giorgio Griffin: Empatia, installation view, Xavier Hufkens Gallery, Brussels, 13 September — 26 October 2024. Courtesy of the Artist and Xavier Hufkens, Brussels. Photo: Thomas Merle.
 https://www.studiointernational.com/images/articles/g/015-griffa-giorgio-2024/giorgio-griffa-09.jpg Installation view of Inside at Fondazione Giorgio Griffa, Turin, 25 October — 28 November 2024. Courtesy Fondazione Giorgio Griffa. Photo: Frederico Rizzo. https://www.studiointernational.com/images/articles/g/015-griffa-giorgio-2024/giorgio-griffa-06.jpg Giorgio Griffin: Empatia, installation view, Xavier Hufkens Gallery, Brussels, 13 September — 26 October 2024. Courtesy of the Artist and Xavier Hufkens, Brussels. Photo: Thomas Merle.
 https://www.studiointernational.com/images/articles/g/015-griffa-giorgio-2024/giorgio-griffa-08.jpg Portrait of Giorgio Griffa, 2022. Courtesy of the Artist and Xavier Hufkens, Photo: Sebastiano Pellion di Persano. https://www.studiointernational.com/index.php/vive-l-impressionnisme-masterpieces-from-dutch-collections-review-van-gogh-museum-amsterdam https://www.studiointernational.com/images/articles/i/070-impressionism-2024/Paul-Cezanne_La-Montagne-Sainte-Victoire.jpg Paul Cézanne, La Montagne Sainte-Victoire, c1888. Oil on canvas, 72 × 83 cm. Stedelijk Museum Amsterdam. https://www.studiointernational.com/images/articles/i/070-impressionism-2024/Claude-Monet_Studio-Boat.jpg Claude Monet, Monet’s Studio-Boat (Le bateau-atelier), 1874. Oil on canvas, 50.2 × 65.5 cm. Kröller-Müller Museum, Otterlo. Photo: Rik Klein Gotink. https://www.studiointernational.com/images/articles/i/070-impressionism-2024/Pierre-Auguste-Renoir_Young-Girl-Reading.jpg Pierre-Auguste Renoir, Young Girl Reading (Jeune femme lisant), 1889. Pastel on paper, 63 × 52.5 cm. John & Marine van Vlissingen Fine Arts. https://www.studiointernational.com/images/articles/i/070-impressionism-2024/Claude-Monet_La-Corniche-near-Monaco.jpg Claude Monet, La Corniche near Monaco, 1884. Oil on canvas, 75 × 94 cm. Rijksmuseum, Amsterdam, gift of M.C., Baroness van Lynden-van Pallandt, The Hague, 1900. https://www.studiointernational.com/images/articles/i/070-impressionism-2024/impressionisme_023_LR.jpg Vive l’impressionnisme! Masterpieces from Dutch Collections, Van Gogh Museum. Photo: Michael Floor. https://www.studiointernational.com/index.php/laurie-anderson-ark-united-states-v-review-aviva-studios-manchester https://www.studiointernational.com/images/articles/a/&086-anderson-laurie-2024/241112_FI_Ark_0321-(CREDIT-DUNCAN-ELLIOT).jpg Laurie Anderson, Ark: United States V, Aviva Studios, Manchester, 12 – 24 November 2024. Photo: Duncan Elliott. https://www.studiointernational.com/images/articles/a/&086-anderson-laurie-2024/241112_FI_Ark_0570-(CREDIT-DUNCAN-ELLIOT).jpg Laurie Anderson, Ark: United States V, Aviva Studios, Manchester, 12 – 24 November 2024. Photo: Duncan Elliott. https://www.studiointernational.com/images/articles/a/&086-anderson-laurie-2024/241112_FI_Ark_0703-(CREDIT-DUNCAN-ELLIOT).jpg Laurie Anderson, Ark: United States V, Aviva Studios, Manchester, 12 – 24 November 2024. Photo: Duncan Elliott. https://www.studiointernational.com/images/articles/a/&086-anderson-laurie-2024/241112_FI_Ark_0115-(CREDIT-DUNCAN-ELLIOT).jpg Laurie Anderson, Ark: United States V, Aviva Studios, Manchester, 12 – 24 November 2024. Photo: Duncan Elliott. https://www.studiointernational.com/images/articles/a/&086-anderson-laurie-2024/241112_FI_Ark_0466-(CREDIT-DUNCAN-ELLIOT).jpg Laurie Anderson, Ark: United States V, Aviva Studios, Manchester, 12 – 24 November 2024. Photo: Duncan Elliott. https://www.studiointernational.com/images/articles/a/&086-anderson-laurie-2024/241112_FI_Ark_0363-(CREDIT-DUNCAN-ELLIOT).jpg Laurie Anderson, Ark: United States V, Aviva Studios, Manchester, 12 – 24 November 2024. Photo: Duncan Elliott. https://www.studiointernational.com/images/articles/a/&086-anderson-laurie-2024/rain-241112_FI_Ark_0006-(CREDIT-DUNCAN-ELLIOT).jpg Laurie Anderson, Ark: United States V, Aviva Studios, Manchester, 12 – 24 November 2024. Photo: Duncan Elliott. https://www.studiointernational.com/images/articles/a/&086-anderson-laurie-2024/241112_FI_Ark_0842-(CREDIT-DUNCAN-ELLIOT).jpg Laurie Anderson, Ark: United States V, Aviva Studios, Manchester, 12 – 24 November 2024. Photo: Duncan Elliott. https://www.studiointernational.com/images/articles/a/&086-anderson-laurie-2024/rockets-241112_FI_Ark_0584-(CREDIT-DUNCAN-ELLIOT).jpg Laurie Anderson, Ark: United States V, Aviva Studios, Manchester, 12 – 24 November 2024. Photo: Duncan Elliott. https://www.studiointernational.com/index.php/the-salvage-agency-tulca-festival-of-visual-arts-2024-galway-review https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/IMG_1357.jpg Lily Van Oost. Installation view, Galway Arts Centre, TULCA Festival, Galway. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/IMG_1237-2.jpg Seanie Barron https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/IMG_1144-2.jpg Street Protest, 15 November 2024, Galway. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/IMG_1134-2.jpg John Carson https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/IMG_1353.jpg Lily Van Oost. Installation view, Galway Arts Centre, TULCA Festival, Galway. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/TUL1124SA039.jpg Catriona Leahy, Bog Thing*: Assembly* for the Symbiocene. Installation view, Printworks, TULCA Festival, Galway. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/IMG_1264.jpg Stephen Brandes, The Night Garden, 2024. Freestanding billboard, installation view, The Quadrangle, University of Galway, TULCA Festival, Galway. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/IMG_1215.jpg David Beattie, Tokens, 2024. Installation view, The Hall of the Red Earl, TULCA Festival, Galway. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/TUL1124SA188.jpg David Beattie, Tokens, 2024. Installation view, The Hall of the Red Earl, TULCA Festival, Galway. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/TUL1124SA163.jpg Regina José Galindo, Tierra, 2013. Colour video, with sound, 33 min, 30 sec. Installation view, University Gallery, University of Galway, TULCA Festival, Galway. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/IMG_1164.jpg Séan Lynch (left), in dialogue with Peter Fend at Printworks. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&061-salvage-company-2024/TUL1124SA166.jpg Regina José Galindo, Tierra, 2013. Colour video, with sound, 33 min, 30 sec. Installation view, University Gallery, University of Galway, TULCA Festival, Galway. Photo: Ros Kavanagh. https://www.studiointernational.com/index.php/jill-smith-interview-it-was-just-me-doing-my-thing-emerging-from-being-forgotten-fruitmarket-edinburgh https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/lyng-fairie-fair-1981.jpg Jill Smith. Lyng Fairie Fair, East Anglia, 1981, Courtesy of the Artist. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/Jill-Smith-and-Lynne-Wood-with-Taliesin-at-Uluru.jpg Jill Smith with her son Taliesin and Lynne Wood at Uluru, also known as Ayers Rock, Australia. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/45-Mhairi-Law_Zodiac-Journey_Capricorn_Full-Edit.jpg Jill Smith: Zodiac Journey, Capricorn. Old Grandmother Turtle rocks, Callanish, Isle of Lewis, 9 January 2024. Photo: Mhairi Law. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/Mhairi-Law_Zodiac-Journey_Scorpio_Full-Edit-9.jpg Jill Smith: Zodiac Journey, Scorpio. Grimersta River, Isle of Lewis. 6 November 2023. Photo: Mhairi Law. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/60-Mhairi-Law_Zodiac-Journey_Aries.jpg Jill Smith: Zodiac Journey, Aries. Beach by Tigh nan Cailleachean Dubha, Mealista, Isle of Lewis, 20 March 2024. Photo: Mhairi Law. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/Jill-Smith-Showroom-Gallery.jpg Jill Smith. Installation from performance and Gypsy Switch performance, Showroom Gallery, 1985. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/Jill-Smith-Showroom-Gallery-2.jpg Jill Smith. Installation from performance and Gypsy Switch performance, Showroom Gallery, 1985. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/JILLSMITH_240222_FRUITMARKET_final_TM_highres-18.jpg Jill Smith, Re-emergence – a performance in February 2022, Fruitmarket, Warehouse. Photo: Tiu Makkonen. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/JILLSMITH_240222_FRUITMARKET_final_TM_highres-74.jpg Jill Smith, Re-emergence – a performance in February 2022, Fruitmarket, Warehouse. Photo: Tiu Makkonen. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/Portrait-of-Jill-by-Matthew-Dalziel-750.jpg Jill Smith. Photo: Matthew Dalziel. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/57-Mhairi-Law_Zodiac-Journey_Sagittarius_Full-Edit.jpg Jill Smith: Zodiac Journey, Sagittarius. On the Coffin Path by the Hag Mountain, Isle of South Harris, 26 November 2023. Photo: Mhairi Law. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/Jill-Smith-Showroom-Gallery-1.jpg Jill Smith. Installation from performance and Gypsy Switch performance, Showroom Gallery, 1985. https://www.studiointernational.com/images/articles/s/&062-smith-jill-2024/TheGypsySwitch.jpg The Gypsy Switch and Other Ritual Journeys by Jill Smith. Published 2019. https://www.studiointernational.com/index.php/maria-berrio-the-end-of-ritual-review-victoria-miro-london https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Maria-Berrio,-Anseris-Mons.jpg María Berrío. Anseris Mons, 2024. Collage with Japanese papers and watercolour paint on linen, 152.4 x 182.9 cm (60 x 72 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Maria-Berrio,-Elysium-Mons.jpg María Berrío. Elysium Mons, 2024. Collage with Japanese papers and watercolor paint on linen, 142.2 x 182.9 cm (56 x 72 in). © María Berrío. https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Maria-Berrio,-Deimos.jpg María Berrío. Deimos, 2024. Collage with Japanese papers and watercolor paint on linen, 125.7 x 94.6 cm (49 1/2 x 37 1/4 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Maria-Berrio,-Memento-Vivere.jpg María Berrío. Memento Vivere, 2024. Collage with Japanese papers and watercolor paint on canvas, 271.1 x 297.8 cm (106 3/4 x 117 1/4 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Maria-Berrio,-The-Spectators.jpg María Berrío. The Spectators, 2024. Collage with Japanese papers and watercolour paint on canvas, 233.7 x 299.7 cm (92 x 118 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Maria-Berrio,-Arsia-Mons.jpg María Berrío. Arsia Mons, 2024. Collage with Japanese papers and watercolor paint on linen, 142.2 x 182.9 cm (56 x 72 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Maria-Berrio,-Cheyava-Falls.jpg María Berrío. Cheyava Falls, 2024. Collage with Japanese papers and watercolor paint on linen, 50.8 x 61 cm (20 x 24 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Maria-Berrio,-El-Dorado.jpg María Berrío. El Dorado, 2024. Collage with Japanese papers and watercolor paint on canvas, 233.7 x 299.7 cm (92 x 118 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Maria-Berrio,-Phobos.jpg María Berrío. Phobos, 2024. Collage with Japanese papers and watercolor paint on linen, 125.7 x 94.6 cm (49 1/2 x 37 1/4 in). © María Berrío. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/b/&080-berrio-maria-2024/Portrait-of-Maria-Berrio.jpg Portrait of María Berrío, 2024. © Gautier Deblonde. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/electric-dreams-art-and-technology-before-the-internet-review-tate-modern-londo https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/02.jpg François Morellet, Random distribution of squares, 1963 and Julio Le Parc, Double Mirror, 1966, installation view in Electric Dreams, Tate Modern, 2024. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/08.jpg Kiyoji Otsuji, Tanaka Atsuko, Electric Dress, 2nd Gutai Exhibition, 1956. Tate © Tetsuo Otsuji, Musashino Art University Museum & Library. Courtesy of Yokota Tokyo. https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/03.jpg Electric Dreams: Art and Technology Before the Internet, installation view, Tate Modern, 2024. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/06.jpg Harold Cohen, AARON #1 Drawing, 1979, installation view in Electric Dreams, Tate Modern, 2024. © Harold Cohen. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/05.jpg Liliane Lijn, Lines of Power 1983 and The Bride, 1988, installation view in Electric Dreams, Tate Modern, 2024. © Liliane Lijn. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/04.jpg Otto Piene, Light Room (Jena), exhibited 2007, installation view in Electric Dreams, Tate Modern, 2024. © Otto Piene Estate / DACS 2024. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/10.jpg Samia Halaby, Spooling Up 4, 1988, still from kinetic painting coded on an Amiga computer. Tate © Courtesy the artist and Sfeir-Semler Gallery, Beirut / Hamburg. https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/11.jpg Suzanne Treister,​ Fictional Videogame Stills/Would You Recognise A Virtual Paradise? 1991-92​. Photographs from original Amiga computer screen 16 x 20 in (50.8 x 40.64 cm). Courtesy the artist, Annely Juda Fine Art, London and P.P.O.W. Gallery, New York. https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/01.jpg Carlos Cruz-Diez, Environnement Chromointerférent, Paris, 1974/2018, installation view in Electric Dreams, Tate Modern, 2024. © Carlos Cruz-Diez / Bridgeman Images, Paris 2024. Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/07.jpg Tanaka Atsuko Drawings after 'Electric Dress', 1956 and Work, 1957, installation view in Electric Dreams, Tate Modern, 2024. © Kanayama Akira and Tanaka Atsuko Association Photo © Tate (Lucy Green). https://www.studiointernational.com/images/articles/e/054-electric-dreams-2024/09.jpg Katsuhiro Yamaguchi, Fujitsubo (Barnacle), 1966. Courtesy Annely Juda Fine Art, London. https://www.studiointernational.com/index.php/maud-sulter-you-are-my-kindred-spirit-review-tramway-glasgow https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/MAUDSULTER_polaroids-3.jpg Maud Sulter, Self-portrait, 2001-2. Large format Polaroid. © Estate of Maud Sulter. Image courtesy of Street Level Photoworks, Glasgow. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/TMS-1124-0104.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/TMS-1124-0114.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/TMS-1124-0107.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/1000-TMS-1124-0054.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/TMS-1124-0013.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/TMS-1124-0028.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/TMS-1124-0048.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/TMS-1124-0065.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/TMS-1124-0074.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&060-sulter-maud-2024/TMS-1124-0079.jpg Maud Sulter: You Are My Kindred Spirit, iInstallation view, Tramway, Glasgow, 23 November 2024 – 30 March 2025. Photo: Keith Hunter. https://www.studiointernational.com/index.php/louise-giovanelli-a-song-of-ascents-review-hepworth-wakefield https://www.studiointernational.com/images/articles/g/014-giovanelli-louise-2024/05.jpg Louise Giovanelli, Altar, 2022. © DACS, 2024 Courtesy of the artist and White Cube. Photo © White Cube (David Westwood). https://www.studiointernational.com/images/articles/g/014-giovanelli-louise-2024/01.jpg Louise Giovanelli, Wager, 2021. Oil on canvas, diptych, 120 x 160 cm (47 1/4 x 62 in) each. © DACS, 2024 Courtesy of the artist and GRIMM, Amsterdam | New York | London. https://www.studiointernational.com/images/articles/g/014-giovanelli-louise-2024/02.jpg Louise Giovanelli, Entheogen, 2023. Oil on linen, 180 x 90 cm (70 7/8 x 35 3/8 in). © DACS, 2024. Courtesy of the artist. Photo: Michael Pollard. https://www.studiointernational.com/images/articles/g/014-giovanelli-louise-2024/04.jpg Louise Giovanelli, Auto-da-Fé, 2021. Oil on canvas, 41 x 25.5 cm (16 1/8 x 10 1/8 in). © DACS, 2024 Courtesy of the artist and GRIMM, Amsterdam | New York | London. https://www.studiointernational.com/images/articles/g/014-giovanelli-louise-2024/06.jpg Louise Giovanelli: A Song of Ascents, installation view, The Hepworth Wakefield, 23 November 2024 – 21 April 2025. Photo: Michael Pollard, courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/g/014-giovanelli-louise-2024/03.jpg Louise Giovanelli, Soothsay, 2023. © DACS, 2024 Courtesy of the Artist and Private Collection, London. Photo: Tom Carter. https://www.studiointernational.com/images/articles/g/014-giovanelli-louise-2024/07.jpg Louise Giovanelli: A Song of Ascents, installation view, The Hepworth Wakefield, 23 November 2024 – 21 April 2025. Photo: Michael Pollard, courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/g/014-giovanelli-louise-2024/08.jpg Louise Giovanelli: A Song of Ascents, installation view, The Hepworth Wakefield, 23 November 2024 – 21 April 2025. Photo: Michael Pollard, courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/g/014-giovanelli-louise-2024/09.jpg Louise Giovanelli: A Song of Ascents, installation view, The Hepworth Wakefield, 23 November 2024 – 21 April 2025. Photo: Michael Pollard, courtesy The Hepworth Wakefield. https://www.studiointernational.com/index.php/stephen-dean-interview-crescendo-saint-denis-cathedral-basilica-paris https://www.studiointernational.com/images/articles/d/037-dean-stephen-2024/SDeanCrescendo3.jpg Stephen Dean, Crescendo, 15-metre-high glass ladder. Installation view at Saint-Denis Cathedral Basilica in Paris, September 2023 – January 2025. © Stephen Dean, courtesy the artist and Noirmont art production. https://www.studiointernational.com/images/articles/d/037-dean-stephen-2024/SDeanCrescendo4.jpg Stephen Dean, Crescendo, 15-metre-high glass ladder. Installation view at Saint-Denis Cathedral Basilica in Paris, September 2023 – January 2025. © Stephen Dean, courtesy the artist and Noirmont art production. https://www.studiointernational.com/images/articles/d/037-dean-stephen-2024/SDeanCrescendo5.jpg Stephen Dean, Crescendo, 15-metre-high glass ladder. Installation view at Saint-Denis Cathedral Basilica in Paris, September 2023 – January 2025. © Stephen Dean, courtesy the artist and Noirmont art production. https://www.studiointernational.com/images/articles/d/037-dean-stephen-2024/SDeanCrescendo9.jpg Stephen Dean, Crescendo, 15-metre-high glass ladder. Installation view at Saint-Denis Cathedral Basilica in Paris, September 2023 – January 2025. © Stephen Dean, courtesy the artist and Noirmont art production. https://www.studiointernational.com/images/articles/d/037-dean-stephen-2024/SDeanCrescendo1.jpg Stephen Dean, Crescendo, 15-metre-high glass ladder. Installation view at Saint-Denis Cathedral Basilica in Paris, September 2023 – January 2025. © Stephen Dean, courtesy the artist and Noirmont art production. https://www.studiointernational.com/images/articles/d/037-dean-stephen-2024/SDeanCrescendo6.jpg Stephen Dean, Crescendo, 15-metre-high glass ladder. Installation view at Saint-Denis Cathedral Basilica in Paris, September 2023 – January 2025. © Stephen Dean, courtesy the artist and Noirmont art production. https://www.studiointernational.com/images/articles/d/037-dean-stephen-2024/SDeanCrescendo7.jpg Stephen Dean, Crescendo, 15-metre-high glass ladder. Installation view at Saint-Denis Cathedral Basilica in Paris, September 2023 – January 2025. © Stephen Dean, courtesy the artist and Noirmont art production. https://www.studiointernational.com/images/articles/d/037-dean-stephen-2024/SDeanCrescendo8.jpg Stephen Dean, Crescendo, 15-metre-high glass ladder. Installation view at Saint-Denis Cathedral Basilica in Paris, September 2023 – January 2025. © Stephen Dean, courtesy the artist and Noirmont art production. https://www.studiointernational.com/index.php/dora-carrington-beyond-bloomsbury-review-pallant-house-gallery-chichester https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/Carrington_Female-figure-standing_UCL-Art-Museum,-University-College-London-LDUCS-5206.jpg Dora Carrington, Female Figure Standing, 1913, Oil on canvas, UCL Art Museum, Image courtesy of UCL Culture. https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/Dora_Carrington_079-(c)-Pallant-House-Gallery,-Barney-Hindle.jpg Centre: Mark Gertler, The Servant Girl, 1923. Installation view, Dora Carrington: Beyond Bloomsbury, 9 November 2024–27 April 2025, Pallant House Gallery, Chichester. Image courtesy Pallant House Gallery. Photo: Barney Hindle. https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/Lytton-Strachey-Reading,-1916,-Dora-Carrington.jpg Dora Carrington, Lytton Strachey Reading, 1916. Oil on panel. © National Portrait Gallery, London. Bequeathed by Frances Catherine Partridge (née Marshall), 2004. © National Portrait Gallery, London. https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/Dora_Carrington_099-(c)-Pallant-House-Gallery,-Barney-Hindle.jpg Dora Carrington, Ralph Partridge, 1919. Pencil on paper. Installation view, Dora Carrington: Beyond Bloomsbury, 9 November 2024–27 April 2025, Pallant House Gallery, Chichester. Image courtesy Pallant House Gallery. Photo: Barney Hindle. https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/Carrington_Iris-Tree-on-a-Horse_1920s_The-Ingram-Collection-of-Modern-Art.jpg Dora Carrington, Iris Tree on a Horse, c1920s. Oil, ink, silver foil and mixed media on glass. The Ingram Collection. Courtesy The Ingram Collection. https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/CarringtonD_09_10_006_P_001_-Cat-and-nude.jpg Dora Carrington, Cat and nude, illustrated letter to Poppet John, 1928, Dora Carrington Collection, Harry Ransom Center, The University of Texas at Austin. https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/Carrington_Farm-at-Watendlath_1921_Tate.jpg Dora Carrington, Farm at Watendlath, 1921. Oil on canvas. Presented by Noel Carrington, the artist’s brother, 1987. Photo: Tate. https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/Dora-Carrington,-Spanish-Landscape-with-Mountains,-c.1924,-Oil-on-canvas,-Tate-photo-Tate.jpg Dora Carrington, Spanish Landscape with Mountains, c1924. Oil on canvas. Tate: Bequeathed by Frances Partridge 2004. Photo: Tate. https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/Dora-Carrington-EM-Forster,-1920-National-Portrait-Gallery,-London.jpg Dora Carrington, E.M. Forster, 1920. Oil on canvas. National Portrait Gallery, London. Given by Frances Catherine Partridge (née Marshall), 1969. © National Portrait Gallery, London. https://www.studiointernational.com/images/articles/c/&072-carrington-dora-2024/Mrs-Box-P.936.jpg Dora Carrington, Mrs Box, 1919, Oil on canvas. The Higgins Bedford. Purchased from Christopher Mason with grants from the Victoria & Albert Museum Purchase Grant Fund and the Art Fund, 2006 The Higgins Bedford. https://www.studiointernational.com/index.php/jeff-wall-life-in-pictures-review-white-cube-bermondsey-london https://www.studiointernational.com/images/articles/w/028-wall-jeff-2024/04.jpg Jeff Wall, After https://www.studiointernational.com/images/articles/w/028-wall-jeff-2024/02.jpg Jeff Wall, The Thinker, 1986. Transparency in lightbox. 239 x 216 cm (94 1/8 x 85 1/16 in). © Jeff Wall. Courtesy White Cube. https://www.studiointernational.com/images/articles/w/028-wall-jeff-2024/06.jpg Jeff Wall, Tattoos and Shadows. 2000. Transparency in lightbox, 214.9 x 274.3 x 30.2 cm (84 5/8 x 108 x 11 7/8 in). © Jeff Wall. Courtesy White Cube. https://www.studiointernational.com/images/articles/w/028-wall-jeff-2024/12.jpg Jeff Wall portrait. © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/w/028-wall-jeff-2024/03.jpg Jeff Wall, The Storyteller, 1986. Transparency in lightbox
, 229 x 437 cm (90 3/16 x 172 1/16 in). © Jeff Wall. Courtesy White Cube. https://www.studiointernational.com/images/articles/w/028-wall-jeff-2024/05.jpg Jeff Wall, The Flooded Grave, 1998-2000. Transparency in lightbox, 228.5 x 282 cm (89 15/16 x 111 in). © Jeff Wall. Courtesy White Cube. https://www.studiointernational.com/images/articles/w/028-wall-jeff-2024/09.jpg Jeff Wall, Life in Pictures, White Cube Bermondsey, 22 November 2024 – 12 January 2025. © Jeff Wall. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/w/028-wall-jeff-2024/10.jpg Jeff Wall, Life in Pictures, White Cube Bermondsey, 22 November 2024 – 12 January 2025. © Jeff Wall. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/images/articles/w/028-wall-jeff-2024/11.jpg Jeff Wall, Life in Pictures, White Cube Bermondsey, 22 November 2024 – 12 January 2025. © Jeff Wall. Photo © White Cube (Theo Christelis). https://www.studiointernational.com/index.php/doh-ho-suh-in-process-review-moody-center-for-the-arts-rice-university-houston-texas-united-states https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/DHS_Bridge-Project_Phase-2_Render_1.jpg Do Ho Suh. Untitled (Bridge Project), 2003-ongoing. Concept rendering. © Do Ho Suh. Courtesy of the artist; Lehmann Maupin, New York and Seoul; Victoria Miro, London/Venice. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/MCFA-DO-HO-SUH30789_2.jpg Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/Do-Ho-Suh-Gate-Rathbun-Moody.jpg Do Ho Suh, Gate, 2014–24. Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/Do-Ho-Suh-Inverted-Monument-Rathbun-Moody.jpg Do Ho Suh, Inverted Monument, 2022. Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/DHS_Artland_Photo-by-Prudence-Cuming_1.jpg Do Ho Suh. Artland, 2016-ongoing. Children’s modelling clay, recycled plastics, polycarbonate base, dimensions variable. © Do Ho Suh. Courtesy of the artist; Lehmann Maupin, New York and Seoul; Victoria Miro, London/Venice Artland Islands: Photo: Prudence Cuming. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/MCFA-DO-HO-SUH30633-HDR_2.jpg Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/DETAIL-Assorted-figures-and-models.jpg Assorted figures and models from the artist’s studio. Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/MCFA-DO-HO-SUH30657_2.jpg Do Ho Suh: In Process, installation view, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/DETAIL-Research-and-design-objects.jpg Research and design objects from the artist’s studio. Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/MCFA-DO-HO-SUH31085-HDR_2.jpg Do Ho Suh, Gate, 2014–24 (detail). Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/Do-Ho-Suh-The-Bridge-Project-Rathbun-Moody.jpg Do Ho Suh, The Bridge Project, 2024. Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/MCFA-DO-HO-SUH31000-HDR_2.jpg Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/images/articles/d/036-do-ho-suh-2024/MCFA-DO-HO-SUH30676-HDR_2.jpg Installation view, Do Ho Suh: In Process, Moody Center for the Arts, Rice University, Houston, Texas, 6 September – 21 December 2024. Photo: Anthony Rathbun. https://www.studiointernational.com/index.php/hamad-butt-apprehensions-irish-museum-of-modern-art-dublin https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/hamad-butt-install-05.jpg Hamad Butt, Familiars 3: Cradle, 1992. Vacuum-sealed glass, crystal iodine, liquid bromine, cholerine gas, water and steel. Overall display dimensions variable. Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/hamad-butt-install-04.jpg Hamad Butt, Familiars 3: Cradle, 1992. Vacuum-sealed glass, crystal iodine, liquid bromine, cholerine gas, water and steel. Overall display dimensions variable. Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/hamad-butt-install-02.jpg Hamad Butt, Familiars 1: Substance Sublimation Unit (1992). Iodine under vacuum, glass, steel, infrared lamps, timing device, wiring. Overall display dimensions variable. Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/Hypostasis-IMM1224HB023.jpg Hamad Butt, Familiars 2: Hypostasis, 1992. Liquid bromine, glass, steel, steel wire. Overall display dimensions variableExhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/video-IMM1224HB060.jpg Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/Painting-IMM1224HB049.jpg Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/Transmission-IMM1224HB039.jpg Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/Glass-books-IMM1224HB006.jpg Hamad Butt, Transmission, 1990 (detail). Glass, steel, ultraviolet lights and electrical cables. Overall display dimensions variable. Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/video-screen-IMM1224HB019.jpg Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/Glass-books-2-IMM1224HB001.jpg Hamad Butt, Transmission, 1990. Glass, steel, ultraviolet lights and electrical cables. Overall display dimensions variable. Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/Drawings-IMM1224HB042.jpg Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/Drwaings-2-IMM1224HB051.jpg Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/b/&079-butt-hamad-2024/hamad-butt-install-03.jpg Hamad Butt, Familiars 1: Substance Sublimation Unit (1992). Iodine under vacuum, glass, steel, infrared lamps, timing device, wiring. Overall display dimensions variable. Exhibition view, Hamad Butt: Apprehensions, IMMA, 2024. Courtesy of the Irish Museum of Modern Art (IMMA). Photo: Veronica Simpson. https://www.studiointernational.com/index.php/in-flux-a-story-about-water-review-arp-museum-remagen-germany https://www.studiointernational.com/images/articles/i/069-in-flux-2024/01-Konig,-Opfer-Noahs-nach-der-Sintflut-(Foto-Horst-Bernhard)-Presse.jpg Johann König, The Sacrifice of Noah after the Flood, 1627. Photo: Horst Bernhard. https://www.studiointernational.com/images/articles/i/069-in-flux-2024/02-Rhoden,-Kaskaden-von-Tivoli-(Foto-Mick-Vincenz)-Presse.jpg Johann-Martin von Rhoden, The Cascades of Tivoli, 1825. Photo: Mick Vincenz. https://www.studiointernational.com/images/articles/i/069-in-flux-2024/06-Bazille,-Fischer-(Foto-Mick-Vincenz)-Presse.jpg Frédéric Bazille, Fisherman with Net, 1868. Oil on canvas, 137.8 x 86.6 cm. Photo: Mick Vincenz. https://www.studiointernational.com/images/articles/i/069-in-flux-2024/07-Monet,-Les-Pyramides-de-Port-Coton-(Foto-Peter-Schalchli,-Zurich)-Presse.jpg Claude Monet, The Pyramids of Port-Coton, 1886. Oil on canvas, 65.5 x 65.6 cm. Photo: Peter Schälchli, Zurich. https://www.studiointernational.com/images/articles/i/069-in-flux-2024/08-Signac,-La-Mer-(Foto-Horst-Bernhard)-Presse.jpg Paul Signac, The Sea Opus 211, 1890. Oil on canvas, 65 x 81.5 cm. Photo: Horst Bernhard. https://www.studiointernational.com/images/articles/i/069-in-flux-2024/09-Dufy,-Strand-in-St-Adresse-(Foto-Peter-Schalchli-Zurich)-Presse.jpg Raoul Dufy, Beach at Sainte-Adresse, 1906. Photo: Peter Schälchli, Zurich. https://www.studiointernational.com/images/articles/i/069-in-flux-2024/03-Ausstellungsansicht_Im-Fluss_Esser-Monet_Foto-Helmut-Reinelt.jpg Installation view. In Flux: A Story About Water, Arp Museum, Remagen, Germany, 17 November 2024 – 27 April 2025. Photo: Helmut Reinelt. https://www.studiointernational.com/images/articles/i/069-in-flux-2024/05-Ausstellungsansicht_Im-Fluss_Helmut-Reinelt.jpg Installation view. In Flux: A Story About Water, Arp Museum, Remagen, Germany, 17 November 2024 – 27 April 2025. Photo: Helmut Reinelt. https://www.studiointernational.com/index.php/parmigianino-the-vision-of-saint-jerome-review-national-gallery-london https://www.studiointernational.com/images/articles/p/001-parmigianino-2025/NG33.jpg Parmigianino. The Madonna and Child with Saints John the Baptist and Jerome, 1526-7. Oil on poplar, 342.9 × 148.6 cm. © The National Gallery, London. Presented by the Directors of the British Institution, 1826. https://www.studiointernational.com/images/articles/p/001-parmigianino-2025/x12316r-A5.jpg Parmigianino. Study for a Composition of the Virgin and Christ Child with Saint John the Baptist and Saint Jerome below (recto), 1526–7. Pen and brown ink, with brown wash, heightened with white (oxidised), over red chalk on paper, 25.8 × 15.6 cm. British Museum, London. © The Trustees of the British Museum. https://www.studiointernational.com/images/articles/p/001-parmigianino-2025/x12324-A5.jpg Parmigianino. Figure study, 1525–7. Pen and brown ink, brown wash, with white gouache heightening, 21.6 x 24.3 cm. The J. Paul Getty Museum, Los Angeles, California. Digital image courtesy of the Getty https://www.studiointernational.com/images/articles/p/001-parmigianino-2025/X12326r-A5.jpg Parmigianino. Drapery Study for the Madonna in the Vision of Saint Jerome; about 1526-7. Black and white chalks on laid paper, 23.2 x 16.1 cm. Ashmolean Museum, University of Oxford. Image © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/p/001-parmigianino-2025/X12325-A5.jpg Parmigianino. The Virgin and Child on Clouds, about 1526. Pen and brown ink and brown wash, 13 x 10 cm. Ashmolean Museum, University of Oxford. Image © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/p/001-parmigianino-2025/X12326v-A5.jpg Parmigianino. Study of a nude boy and various studies of legs, about 1526-7. Verso: pen and brown ink, 23.2 x 16.1 cm. Ashmolean Museum, University of Oxford. Image © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/p/001-parmigianino-2025/x12323r-A5.jpg Parmigianino. Studies of Saints John the Baptist and Jerome, a Crucifix and Various Heads (recto), about 1525–7. Red chalk on paper, 13.5 × 22.1 cm. The J. Paul Getty Museum, Los Angeles. Image courtesy of the Getty's Open Content Program. https://www.studiointernational.com/images/articles/p/001-parmigianino-2025/x12327-A5.jpg Parmigianino. The legs and drapery of a recumbent figure, about 1525-7. Black and white chalk on grey-blue paper, 19.3 x 25 cm. The Royal Collection / HM King Charles III. © Royal Collection Enterprises Limited 2024 | Royal Collection Trust. https://www.studiointernational.com/images/articles/p/001-parmigianino-2025/x12338-A5.jpg Parmigianino. Study for Saint Jerome, about 1526-7. Pen and brown ink and wash with white heightening on light blue paper, 17.3 x 12.4 cm. Stephen Kohl Art Foundation. © Photo courtesy of the owner. https://www.studiointernational.com/index.php/pst-art-science-collide-part-2-review-southern-california https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Energy_Fields_Exhibition_FULCRUM_ARTS_Christopher_Wormald_Photography_s_105.jpg Joyce Hinterding and David Haines. Telepathy, 2008 (detail). Installation view, Energy Fields: Vibrations of the Pacific (co-presented by Fulcrum Arts and Chapman University. Photo: Christopher Wormald. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Energy_Fields_Exhibition_FULCRUM_ARTS_Christopher_Wormald_Photography_s_60.jpg Alba Triana. Music on a Bound String No 2, 2015. Installation view, Energy Fields: Vibrations of the Pacific (co-presented by Fulcrum Arts and Chapman University. Photo: Christopher Wormald. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Betys-Saar-Mojotech-altar_Installation-View1_CourtesyoftheartistandRobertsProjects,LosAngeles,California-PhotoPaulSalveson.jpg Betys Saar. Mojotech, 1987. Altar installation. Courtesy of the artist and Roberts Projects, Los Angeles, California. Photo: Paul Salveson. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Loretta-Lux,-Boy-in-a-Blue-Raincoat-1,-2001,-Los-Angeles-County-Museum-of-Art.jpg Loretta Lux. Boy in a Blue Raincoat 1, 2001. Los Angeles County Museum of Art, purchased with funds provided by the Ralph M. Parsons Fund, © Loretta Lux/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. Photo © Museum Associates/LACMA. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Casey-Kauffman-describing-her-work-(on-left)K-IMG_0505.jpg Casey Kauffmann with her work It https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/martin-creed-install.jpg Martin Creed: Work No. 3868 Half the air in a given space, 2024. Installation view, Orange County Museum of Art. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Doug-Aiten-IMG_0911.jpg Doug Aitken, Lightscape, 2024. Installation view, Marciano Art Foundation, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Doug-Aiten-IMG_0924.jpg Doug Aitken, Lightscape, 2024. Multi-screen art installation, Marciano Art Foundation, Los Angeles. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Peter-Saul-IMG_0543.jpg Peter Saul. Driving into the art World, 2024. Acrylic on canvas, 152.5 x 228.5 cm. © Peter Saul. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Energy_Fields_Exhibition_FULCRUM_ARTS_Christopher_Wormald_Photography_s_107.jpg Joyce Hinterding and David Haines. Telepathy, 2008. Installation view, Energy Fields: Vibrations of the Pacific (co-presented by Fulcrum Arts and Chapman University. Photo: Christopher Wormald. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Peter-Saul-IMG_0540.jpg Peter Saul. Dali in Trouble, 2004. Acrylic and oil on canvas, 150 × 160 cm. © Peter Saul. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Energy_Fields_Exhibition_FULCRUM_ARTS_Christopher_Wormald_Photography_s_63.jpg Alba Triana. Music on a Bound String No 2, 2015. Installation view, Energy Fields: Vibrations of the Pacific (co-presented by Fulcrum Arts and Chapman University. Photo: Christopher Wormald. https://www.studiointernational.com/images/articles/p/&100-pst-art-2025/Martin-Creed-05__OF08062.jpg Martin Creed: Work No. 3868 Half the air in a given space, 2024. Installation view, Orange County Museum of Art. Photo: Yubo Dong, ofstudio. https://www.studiointernational.com/index.php/maggi-hambling-nightingale-night-review-pallant-house-gallery-chichester https://www.studiointernational.com/images/articles/h/005-hambling-maggi-2025/Maggi-Hambling,-Nightingale-Night-VI,-2023.jpg Maggi Hambling, Nightingale Night VI, 2023. Oil on canvas, 21 x 17 in. © Maggi Hambling. Photo: Douglas Atfield. https://www.studiointernational.com/images/articles/h/005-hambling-maggi-2025/Maggi-Hambling,-Nightingale-Night-II,-2023.jpg Maggi Hambling, Nightingale Night II, 2023. Oil on canvas, 48 x 36 in. © Maggi Hambling. Photo: Douglas Atfield. https://www.studiointernational.com/images/articles/h/005-hambling-maggi-2025/Maggi-Hambling,-Leonard-Cohen,-2023.jpg Maggi Hambling, Leonard Cohen, 2023. Oil on canvas, 60 x 48 in. © Maggi Hambling. Photo: Douglas Atfield. https://www.studiointernational.com/images/articles/h/005-hambling-maggi-2025/Maggi-Hambling,-Listening-to-Nightingales-II,-2023.jpg Maggi Hambling, Listening to Nightingales II, 2023. Oil on canvas, 21 x 17 in. © Maggi Hambling. Photo: Douglas Atfield. https://www.studiointernational.com/images/articles/h/005-hambling-maggi-2025/Maggi_Hambling_006-(c)-Pallant-House-Gallery,-Barney-Hindle.jpg Maggi Hambling: Nightingale Night, installation view, Pallant House Gallery, Chichester, 9 November 2024 – 27 April 2025. Photo: © Pallant House Gallery, Barney Hindle. https://www.studiointernational.com/images/articles/h/005-hambling-maggi-2025/Maggi_Hambling_052-(c)-Pallant-House-Gallery,-Barney-Hindle.jpg Maggi Hambling: Nightingale Night, installation view, Pallant House Gallery, Chichester, 9 November 2024 – 27 April 2025. Photo: © Pallant House Gallery, Barney Hindle. https://www.studiointernational.com/images/articles/h/005-hambling-maggi-2025/Maggi_Hambling_084-(c)-Pallant-House-Gallery,-Barney-Hindle.jpg Maggi Hambling: Nightingale Night, installation view, Pallant House Gallery, Chichester, 9 November 2024 – 27 April 2025. Photo: © Pallant House Gallery, Barney Hindle. https://www.studiointernational.com/images/articles/h/005-hambling-maggi-2025/Maggi-Hambling,-Nightingale-Night-VII,-2023.jpg Maggi Hambling, Nightingale Night VII, 2023. Oil on canvas, 16 x 24 in. © Maggi Hambling. Photo: Douglas Atfield. https://www.studiointernational.com/index.php/tirzah-garwood-beyond-ravilious-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/g/013-garwood-tirzah-2025/Tirzah-Garwood,-Hornet-with-Wild-Roses,-1950-Towner-Art-Gallery,-Eastbourne.jpg Tirzah Garwood. Hornet and Wild Rose, 1950. Oil on canvas. Towner Art Gallery, Eastbourne. Image courtesy of Fleece Press/Simon Lawrence. https://www.studiointernational.com/images/articles/g/013-garwood-tirzah-2025/Tirzah-Garwood,-Kensington-High-Street,-1929-Private-Collection.jpg Tirzah Garwood. Kensington High Street, wood engraving, 1929. Private Collection. https://www.studiointernational.com/images/articles/g/013-garwood-tirzah-2025/Tirzah-Garwood,-Window-Cleaner,-c.1927,-pen,-ink-and-watercolour.-Private-Collection.-.jpg Tirzah Garwood. Window Cleaner, c1927. Pen, ink and watercolour. Private Collection. https://www.studiointernational.com/images/articles/g/013-garwood-tirzah-2025/Tirzah-Garwood,-Guy-Fawkes,-c1927-Private-Collection.-.jpg Tirzah Garwood. Guy Fawkes, c1927. Pen, ink and watercolour. Private Collection. https://www.studiointernational.com/images/articles/g/013-garwood-tirzah-2025/Tirzah-Garwood,-Train-Journey,-1929-Private-Collection.jpg Tirzah Garwood. Train Journey, 1929. Wood engraving. Private Collection. https://www.studiointernational.com/images/articles/g/013-garwood-tirzah-2025/Tirzah-Garwood,-Springtime-of-Flight,-1950-Private-Collection.jpg Tirzah Garwood. Springtime of Flight, 1950. Oil on canvas. Private Collection. https://www.studiointernational.com/images/articles/g/013-garwood-tirzah-2025/Tirzah-Garwood,-Portrait-of-Peggy-Angus,-1949-Private-collection.jpg Tirzah Garwood. Portrait of Peggy Angus, 1949. Oil on canvas. Private Collection. https://www.studiointernational.com/images/articles/g/013-garwood-tirzah-2025/Tirzah-Garwood,-Etna,-1944-Private-collection.jpg Tirzah Garwood. Etna, 1944. Oil on canvas. Image courtesy of Fleece Press/Simon Lawrence. https://www.studiointernational.com/index.php/dana-schutz-the-island-review-george-economou-collection-athens https://www.studiointernational.com/images/articles/s/&059-schutz-dana-2025/SCH-18_033-Mountain-Group.jpg Dana Schutz. Mountain Group, 2018. Oil on canvas, 304.8 x 396.2 cm (120 x 156 in). Courtesy of the artist, David Zwirner, Thomas Dane Gallery and CFA Berlin. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/s/&059-schutz-dana-2025/SCHDA0059_Sea-Group_crop.jpg Dana Schutz. Sea Group, 2021. Oil on canvas, 238.8 x 238.8 cm (94 x 94 in). Courtesy of the artist, David Zwirner, Thomas Dane Gallery and CFA Berlin. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/s/&059-schutz-dana-2025/dana-schutz-google-2006-SCHDA0166.jpg Dana Schutz. Google, 2006. Oil on canvas, 182.9 x 182.9 cm (72 x 72 in). Collection of Suzi and Andrew B. Cohen. © Dana Schutz / Courtesy of the artist, David Zwirner, Thomas Dane Gallery and CFA Berlin. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/s/&059-schutz-dana-2025/SCH-09_002-Swimming-Smoking-Crying.jpg Dana Schutz. Swimming, Smoking, Crying, 2009. Oil on canvas, 114.3 x 121.9 cm (45 x 48 in). Courtesy of the artist, David Zwirner, Thomas Dane Gallery and CFA Berlin. Photo: Jason Mandella. https://www.studiointernational.com/images/articles/s/&059-schutz-dana-2025/246A0176.jpg Dana Schutz: The Island, installation view, The George Economou Collection, Athens, 16 June, 2024 - March 2025. Photo: Natalia Tsoukala. https://www.studiointernational.com/images/articles/s/&059-schutz-dana-2025/246A0072.jpg Dana Schutz: The Island, installation view, The George Economou Collection, Athens, 16 June, 2024 - March 2025. Photo: Natalia Tsoukala. https://www.studiointernational.com/images/articles/s/&059-schutz-dana-2025/246A0306.jpg Dana Schutz: The Island, installation view, The George Economou Collection, Athens, 16 June, 2024 - March 2025. Photo: Natalia Tsoukala. https://www.studiointernational.com/images/articles/s/&059-schutz-dana-2025/246A9670.jpg Dana Schutz: The Island, installation view, The George Economou Collection, Athens, 16 June, 2024 - March 2025. Photo: Natalia Tsoukala. https://www.studiointernational.com/index.php/yulia-mahr-interview-my-work-is-more-akin-to-poetry-sensory-storytelling https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/This-former-Alpaca-shed-now-houses-a-spacious-recording-studio-with-views-onto-the-landscape-at-the-rear-Pic-V-Simpson.jpg This former Alpaca shed now houses a spacious recording studio with views onto the landscape at the rear. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr,-Install-Shot-of-Unbecoming-at-Wehrmuehle,-2024-(Courtesy-of-Studio-Richter-Mahr).jpg Yulia Mahr. In You | See Me, 2024. Textile installation, variable dimensions, min 2m high. Installation view, Unbecoming. Wehrmuehle, 2024. Courtesy of Studio Richter Mahr. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr,-About-Sarah-I,-2024-(Courtesy-of-Artist).jpg Yulia Mahr. About Sarah I, 2024. Lens based work on Somerset paper, 150 x 200 cm. Courtesy of Artist. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr,-Install-Shot-of-Unbecoming-at-Wehrmuehle,-2024-(Credit-Angela-Simi)_001-2.jpg Yulia Mahr. About Sarah II, 2023. Lens based work on Somerset paper, 150 x 200 cm. Installation view, Unbecoming. Wehrmuehle, 2024. Photo: Angela Simi. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr,-Install-Shot-of-Unbecoming-at-Wehrmuehle,-2024-(Credit-Angela-Simi)_001.jpg Yulia Mahr: Unbecoming. Installation view, Wehrmuehle, 2024. Photo: Angela Simi. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr,-Install-Shot-of-Unbecoming-at-Wehrmuehle,-2024-(Credit-Angela-Simi)_029.jpg Yulia Mahr: Unbecoming. Installation view, Wehrmuehle, 2024. Photo: Angela Simi. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Studio-Richter-Mahr-entrance-in-the-Oxfordshire-countryside-Pic-V-Simpson.jpg Studio Richter Mahr. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Studio-Richter-Mahr-opens-onto-a-welcoming-foyer-and-shared-eating-space-Pic-V-Simpson.jpg Studio Richter Mahr opens onto a welcoming foyer and shared eating space. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahrs-Studio-at-Studio-Richter-Mar-(Courtesy-Christian-Cassiel)_002.jpg Yulia Mahr studio at Studio Richter Mahr. Courtesy Christian Cassiel. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr-Portrait-750-(Credit-Marie-Sutter).jpg Yulia Mahr portrait. Photo: Marie Sutter. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr,-Install-Shot-of-Unbecoming-at-Wehrmuehle,-2024-(Credit-Angela-Simi)_019.jpg Yulia Mahr. Hands IV, 2023. Soap, earth, wood, soil-derived natural dyes. Unbecoming. Installation view, Unbecoming, Wehrmuehle, 2024. Photo: Angela Simi. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr-Studio-at-Studio-Richter-Mar-(Courtesy-Christian-Cassiel)_001.jpg Yulia Mahr studio at Studio Richter Mahr. Courtesy Christian Cassiel. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr-Studio-at-Studio-Richter-Mar-(Courtesy-Christian-Cassiel)_003.jpg Yulia Mahr studio at Studio Richter Mahr. Courtesy Christian Cassiel. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr-Studio-at-Studio-Richter-Mar-(Courtesy-Christian-Cassiel)_005.jpg Yulia Mahr studio at Studio Richter Mahr. Courtesy Christian Cassiel. https://www.studiointernational.com/images/articles/m/&074-mahr-yulia-2025/Yulia-Mahr,-Install-Shot-of-Unbecoming-at-Wehrmuehle,-2024-(Credit-Angela-Simi)_030.jpg Yulia Mahr: Unbecoming. Installation view, Wehrmuehle, 2024. Photo: Angela Simi. https://www.studiointernational.com/index.php/there-a-feeling-gregg-bordowitz-review-camden-art-centre-london https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1829_Full-res.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1763_5.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1720_5.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1879_Full-res.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1799_Full-res.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1825_5.jpg Continuous Red Line, 2002 - ongoing. Red splicing tape, dimensions variable. Installation view, There: a Feeling | Gregg Bordowitz, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1758_5-1000.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1713_5.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1716_5.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1720_5-2.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1786_Full-res.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/images/articles/t/044-there-a-feeling-2025/250120_CAC1906_Full-res.jpg There: a Feeling | Gregg Bordowitz, installation view, Camden Art Centre, London 2025. Photo: Luke Walker. https://www.studiointernational.com/index.php/margherita-manzelli-interview-i-developed-a-way-of-denying-being-a-complete-painter https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/Alessandro-Saletta-e-Agnese-Bedini---DSL-Studio_IMG_2413-Modifica.jpg Margherita Manzelli: Le signorine, installation view, Centro Pecci, Prato, 14 December 2024 – 2 February 2025. Photo: Alessandro Saletta, Agnese Bedini - DSL Studio. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/Alessandro-Saletta-e-Agnese-Bedini---DSL-Studio_AS_0019-Modifica.jpg Margherita Manzelli: Le signorine, installation view, Centro Pecci, Prato, 14 December 2024 – 2 February 2025. Photo: Alessandro Saletta, Agnese Bedini - DSL Studio. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/Alessandro-Saletta-e-Agnese-Bedini---DSL-Studio_AS_9966-Modifica.jpg Margherita Manzelli: Le signorine, installation view, Centro Pecci, Prato, 14 December 2024 – 2 February 2025. Photo: Alessandro Saletta, Agnese Bedini - DSL Studio. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/Alessandro-Saletta-e-Agnese-Bedini---DSL-StudioIMG_2460-Modifica.jpg Margherita Manzelli: Le signorine, installation view, Centro Pecci, Prato, 14 December 2024 – 2 February 2025. Photo: Alessandro Saletta, Agnese Bedini - DSL Studio. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/MM_Definitivamente-entrata-corpo-celeste_1998.jpg Margherita Manzelli. Definitivamente entrata - corpo celeste, 1998. Oil on linen, 200 x 250 cm. Private collection, London. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/MM_Senza-Fine_2023.jpg Margherita Manzelli. Senza fine, 2023. Oil on canvas, 200 × 300 cm. Photo: Roberto Marossi. Courtesy of the artist and greengrassi, London. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/Alessandro-Saletta-e-Agnese-Bedini---DSL-Studio_IMG_2374-Modifica.jpg Margherita Manzelli: Le signorine, installation view, Centro Pecci, Prato, 14 December 2024 – 2 February 2025. Photo: Alessandro Saletta, Agnese Bedini - DSL Studio. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/Margherita-Manzelli-e-Stefano-Collicelli-Cagol_photo-Chiara-Riccio-750.jpg Margherita Manzelli and curator Stefano Collicelli Cagol. Photo: Chiara Riccio. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/MM_Il-legame-e-la-legge_2013.jpg Margherita Manzelli. Il legame e la legge, 2013. Courtesy of the artist. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/MM_Inoxia_2024.jpg Margherita Manzelli. Inoxia, 2024. Photo: GRAYSC. Courtesy of the artist and greengrassi, London. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/MM_LaNotte_2009.jpg Margherita Manzelli. La Notte, 2009. Private collection, London. Photo: Marcus J. Leith. Courtesy of the artist and greengrassi, London. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/MM_Sulla-Terra_2012_3922.jpg Margherita Manzelli. Sulla Terra, 2011-2012. Oil on linen, 60 × 80 cm. Photo; Marcus J. Leith. Courtesy of the artist and greengrassi, London. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/MM_Unita-di-pressione-Linferno-in-me_2012.jpg Margherita Manzelli. Unità di pressione - L'inferno in me, 2011-2012. Oil on linen, 300 × 195 cm. Private collection, London. Photo: Marcus J. Leith. Courtesy of the artist and greengrassi, London. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/MM_White-Spirit_2012.jpg Margherita Manzelli. White Spirit, 2012. Oil on linen, 80 × 60 cm. Photo: Marcus J. Leith. Courtesy of the artist and greengrassi, London. https://www.studiointernational.com/images/articles/m/&075-manzelli-margherita-2025/Alessandro-Saletta-e-Agnese-Bedini---DSL-Studio_IMG_2432-Modifica.jpg Margherita Manzelli: Le signorine, installation view, Centro Pecci, Prato, 14 December 2024 – 2 February 2025. Photo: Alessandro Saletta, Agnese Bedini - DSL Studio. https://www.studiointernational.com/index.php/brasil-brasil-the-birth-of-modernism-review-royal-academy-london https://www.studiointernational.com/images/articles/b/&078-brasil-brasil-2025/brasil-07.jpg Flávio de Carvalho, Mário de Andrade, 1939. Oil on canvas, 110.6 x 79.2 cm. Art Collection of the City / Collection Supervision / CCSP / SMC / PMSP. Photo: Luiz Aureliano. © Flávio de Carvalho. https://www.studiointernational.com/images/articles/b/&078-brasil-brasil-2025/brasil-02.jpg Anita Malfatti, Portrait of Oswald, 1925. Oil on canvas, 47.5 x 41.5 cm. Collection of Hecilda and Sérgio Fadel. Photo: Jaime Acioli. © Anita Malfatti. https://www.studiointernational.com/images/articles/b/&078-brasil-brasil-2025/brasil-03.jpg Lasar Segall, Banana Plantation, 1927. Oil on canvas, 87 x 127 cm. Collection of the Pinacoteca do Estado de São Paulo. Purchased by the Governo do Estado de São Paulo, 1928. Photo: Isabella Matheus. © Lasar Segall (Vilnius, Lituânia, 1889 - São Paulo, Brasil, 1957). https://www.studiointernational.com/images/articles/b/&078-brasil-brasil-2025/brasil-05.jpg Vicente do Rego Monteiro, Archer, 1925. Oil on canvas, 108 x 137 cm. Private collection, São Paulo, Brazil. Courtesy of Almeida & Dale Galeria de Arte. Photo: Sergio Guerini. © Vicente do Rego Monteiro. https://www.studiointernational.com/images/articles/b/&078-brasil-brasil-2025/brasil-06.jpg Candido Portinari, The Scarecrow, 1940. Oil on canvas, 99 x 83 cm. Mercer Art Gallery, Harrogate, North Yorkshire Council. Photo © Gary Lawson Media. © Portinari, Candido / © DACS 2024. https://www.studiointernational.com/images/articles/b/&078-brasil-brasil-2025/brasil-08.jpg Alfredo Volpi, Untitled, 1950. Tempera on canvas, 73 x 49.5 cm. Daniela and Alfredo Villela Collection. Photo: Jaime Acioli. © Alfredo Volpi. https://www.studiointernational.com/images/articles/b/&078-brasil-brasil-2025/brasil-09.jpg Geraldo de Barros, Arrangement of Three Similar Shapes within a Circle, 1953. Enamel over kelmite on eucatex, 59.5 x 59.5 cm. Collection Lenora and Fabiana de Barros. Courtesy Luciana Brito Galeria, São Paulo. Photo: Gustavo Scatena, Imagem Paulista. © Geraldo de Barros. https://www.studiointernational.com/images/articles/b/&078-brasil-brasil-2025/brasil-01.jpg Tarsila do Amaral, Lake, 1928 (detail). Oil on canvas, 75.5 x 93 cm. Collection of Hecilda and Sérgio Fadel. Photo: Jaime Acioli. © Tarsila do Amaral S/A. https://www.studiointernational.com/images/articles/b/&078-brasil-brasil-2025/brasil-04.jpg Djanira, Flying a Kite, 1950. Oil on canvas, 113 x 94 cm. Banco Itaú Collection. Photo: Humberto Pimentel/Itaú Cultural. © Instituto Pintora Djanira. https://www.studiointernational.com/index.php/markus-lupertz-pierre-puvis-de-chavannes-review-michael-werner-gallery-london https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/PC-10.jpg Pierre Puvis de Chavannes. Esquisse pour Le Sommeil (Sketch for Sleep), 1867. Oil on canvas, 46.5 x 47.5 cm (18 1/4 x 18 3/4 in). © The Estate of Pierre Puvis de Chavannes. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/ML-2246.jpg Markus Lüpertz. Narziss II (Narcissus II), 2016. Mixed media on canvas in artist https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/ML-2355[39].jpg Markus Lüpertz. Student, 2020. Mixed media on canvas in artist’s frame, Two parts, overall: 100 x 163 cm (39 1/4 x 64 1/4 inches). © Markus Lüpertz. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/PCZ-83.jpg Pierre Puvis de Chavannes. Étude d’un bras (étude pour Sainte Geneviève, enfant, en prière) (Study of an Arm [Study for Saint Genevieve as a Child in Prayer])”, c1877-78. Pencil, charcoal, chalk on transfer paper, 63 x 47 cm (24 3/4 x 16 1/4 in). © The Estate of Pierre Puvis de Chavannes. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/ML-2148.jpg Markus Lüpertz. Rotes Boot (Red Boat), 2013. Mixed media on canvas in artist’s frame, 81 x 100 cm (32 x 39 1/4 in). © Markus Lüpertz. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/PC-20.jpg Pierre Puvis de Chavannes. Homme debout de dos (Man, Back View), c1879-82. Oil on canvas, 65 x 45.5 cm (25 1/2 x 18 in). © The Estate of Pierre Puvis de Chavannes. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/PC-3.jpg Pierre Puvis de Chavannes. Esquisse pour Le Bûcheron (Sketch for The Woodcutter), 1892. Oil on canvas, 35 x 27 cm (13 3/4 x 10 3/4 in). © The Estate of Pierre Puvis de Chavannes. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/ML-2441.jpg Markus Lüpertz. Amor + Psyche, 2020. Mixed media, collage on press board in artist’s frame, 82 x 92 cm (32 1/4 x 36 1/4 in). © Markus Lüpertz. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/2024-ML-PC-MWL-INSTALL-29.jpg Markus Lüpertz – Pierre Puvis de Chavannes, installation view, Michael Werner Gallery, London, 14 November 2024 – 1 February 2025. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/ML-2426.jpg Markus Lüpertz. Wietstock Bacchanal, 2020. Mixed media on canvas in artist’s frame, 81 x 100 cm (32 x 39 1/4 in). © Markus Lüpertz. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/l/031-lupertz-puvis-2025/PC-7.jpg Pierre Puvis de Chavannes. Erato ou Euterpe (Erato or Euterpe), c1889. Oil on canvas, 43.5 x 24.5 cm (17 1/4 x 9 1/2 in). © The Estate of Pierre Puvis de Chavannes. Courtesy Michael Werner Gallery. https://www.studiointernational.com/index.php/tadek-beutlich-on-and-off-the-loom-review-ditchling-museum-of-art-and-craft-ditchling https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/20250117_Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR-3.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/20250117_Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR-17.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/20250117_Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR-4.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/20250117_Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR-7.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/1000-Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR-8.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/20250117_Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR-2.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/20250117_Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR-5.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/20250117_Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR-6.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/20250117_Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR-9.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/images/articles/b/&077-beutlich-tadek-2025/20250117_Tadek-Beutlich-On-and-Off-the-Loom_Phoebe-Wingrove_HR_1.jpg Tadek Beutlich: On and Off the Loom, installation view, Ditchling Museum of Art and Craft, 18 January – 22 June 2025. Photo: Phoebe Wingrove. https://www.studiointernational.com/index.php/forbidden-territories-100-years-of-surreal-landscapes-review-hepworth-wakefield https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/Rene-Magritte_La-condition-humaine_1935.jpg René Magritte. La Condition Humaine, 1935. © ADAGP, Paris and DACS, London. Norwich Castle Museum and Art Gallery (Norfolk Museum Service). https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/Ro-Robinson-Hepworth-Gallery-Maximillian-William-(November-2024)-photo-Rob-Battersby.jpg Ro Robertson, Interlude II, 2024. Installation view, Hepworth Wakefield, November 2024. Photo: Rob Battersby https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/Max-Ernst-Cage,-Forest-and-Black-Sun,-1927-CF031188-1.jpg Pastel mural by Nicolas Party with Max Ernst’s Cage, Fôret et Soleil Noir (Cage, Forest and Black Sun, 1927). Installation view, Hepworth Wakefield, November 2024. Photo: Michael Pollard, courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/wael-shawky-CF031226-1.jpg Wael Shawky, The Gulf Project Camp: Sculpture # 1, 2019. Installation view, Hepworth Wakefield, November 2024. Photo: Michael Pollard, courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/mary-wykeham-CF031189-1.jpg Works by Mary Wykeham. Installation view, Hepworth Wakefield, November 2024. Photo: Michael Pollard, courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/CF031162-1.jpg Installation view, Hepworth Wakefield, November 2024. Photo: Michael Pollard, courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/Jean-Arp_Landscape-or-a-Woman_1962.jpg Jean Arp. Landscape or a Woman, 1962. Wakefield Council Permanent Art Collection (The Hepworth Wakefield). Gift offered by the Jean Arp Foundation, 2024. Photo: Rüdiger Lubricht, Worpswede. https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/coal-sacks-CF031245-1-750.jpg Forbidden Territories: 100 Years of Surreal Landscapes, Installation view, Hepworth Wakefield, November 2024. Photo: Michael Pollard, courtesy The Hepworth Wakefield. https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/Mary-Wykeham_Dream-Desert_1979.jpg Mary Wykeham. Dream – Desert, 1979. © Judith Wykeham. Permanent Art Collection (The Hepworth Wakefield). https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/Ithell-Colquhoun_Arbour_1946.jpg Ithell Colquhoun, Arbour, 1946. Dr and Mrs Richard Shillitoe. © Shared ownership between The Samaritans, The Noise Abatement Society and The Sister Perpetua Wing of St. Anthony's Hospital, Surrey (now part of Spire Healthcare). https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/Leonora-Carrington_En-el-barco-(For-Edward-James)_1954.jpg Leonara Carrington, En el barco (for Edward James), 1954. © Estate of Leonora Carrington / ARS, NY and DACS, London. Yan Du Collection. https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/Maria-Berrio_Open-Geometry_2022.jpg María Berrío. Open Geometry, 2022. © María Berrío. Courtesy Victoria Miro. Photo: Bruce M White https://www.studiointernational.com/images/articles/f/045-forbidden-territories-2025/Salvador-Dali_Mountain-Lake_1938.jpg Salvador Dalí. Mountain Lake, 1938. © Salvador Dali, Fundació Gala-Salvador Dalí, DACS. Tate. https://www.studiointernational.com/index.php/two-women-wearing-cosmetic-patches-review-compton-verney-warwickshire https://www.studiointernational.com/images/articles/t/043-two-women-2025/Two-Women_after-treatment_unframed.jpg Unknown artist, Two Women Wearing Cosmetic Patches, c1655. Oil on canvas, Compton Verney Art Gallery and Park, Warwickshire, UK. https://www.studiointernational.com/images/articles/t/043-two-women-2025/0U9A8039a-Edit-Edit.jpg Two Women Wearing Cosmetic Patches, installation view, Compton Verney, Warwickshire, 2024. Image courtesy of Compton Verney. https://www.studiointernational.com/images/articles/t/043-two-women-2025/0U9A8005a-Edit.jpg Two Women Wearing Cosmetic Patches, installation view, Compton Verney, Warwickshire, 2024. Image courtesy of Compton Verney. https://www.studiointernational.com/images/articles/t/043-two-women-2025/bulwer.jpg John Bulwer, Anthropometamorphosis: man transformed,1653. Image courtesy of Compton Verney. https://www.studiointernational.com/images/articles/t/043-two-women-2025/hawkins.jpg Francis Hawkins 1628-1681. New Additions Unto Youths Behaviour, 1663. Image courtesy of Compton Verney. https://www.studiointernational.com/images/articles/t/043-two-women-2025/Detail-from-John-Bulwer,-Anthropometamorphosis,-man-transformed,1653(2).jpg Detail from John Bulwer 1606-1656. Anthropometamorphosis: man transformed,1653. Image courtesy of Compton Verney. https://www.studiointernational.com/images/articles/t/043-two-women-2025/0U9A8028-Edit-Edit-Edit.jpg Two Women Wearing Cosmetic Patches, installation view, Compton Verney, Warwickshire, 2024. Image courtesy of Compton Verney. https://www.studiointernational.com/index.php/christina-kimeze-interview-making-art-only-consistent-thing-in-my-life-south-london-gallery https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/Christina-Kimeze-Soaring-(III),-2024.jpg Christina Kimeze. Soaring (III), 2024. Oil, pastel and oil stick on suede matboard, 210 x 165 cm. © Christina Kimeze, image courtesy of the artist. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/SLG-CK-013.jpg Installation view, Christina Kimeze: Between Wood and Wheel, 2025, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/SLG-CK-080.jpg Christina Kimeze. Roller Skaters, installation view, Christina Kimeze: Between Wood and Wheel, 2025, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/Christina-Kimeze-Dovecot-Studios-collaboration,-installation-view-Pic-V-Simpson.jpg Christina Kimeze. Tapestry made in collaboration with Edinburgh’s Dovecot Studios. Installation view, Christina Kimeze: Between Wood and Wheel, 2025, South London Gallery. Courtesy the artist and ABCollection. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/Christina-Kimeze-Arches,-2024.jpg Christina Kimeze. Arches, 2024. Oil, pastel and oil stick on suede matboard, 110 x 90 cm. © Christina Kimeze, image courtesy of the artist. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/Christina-Kimeze-Soaring-(I),-2024.jpg Christina Kimeze. Soaring (I), 2024. Oil, pastel and oil stick on suede matboard, 210 x 165 cm. © Christina Kimeze, image courtesy of the artist. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/Christina-Kimeze-Screen-I-2024.jpg Christina Kimeze. Screen (I), 2024. Oil, pastel and oil stick on suede matboard, 110 x 90 cm. © Christina Kimeze, image courtesy of the artist. Photo: Matthew Hollow. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/christina-kimeze-portrait-750-IMG_8630.jpg Christina Kimeze in her studio, 2024. Photo: Lily Bertrand-Webb. Courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/Face-detail-of-tapestry-Pic-V-Simpson.jpg Christina Kimeze. Tapestry (detail) made in collaboration with Edinburgh’s Dovecot Studios. Installation view, Christina Kimeze: Between Wood and Wheel, 2025, South London Gallery. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/SLG-CK-006.jpg Installation view, Christina Kimeze: Between Wood and Wheel, 2025, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/SLG-CK-008.jpg Installation view, Christina Kimeze: Between Wood and Wheel, 2025, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/SLG-CK-015.jpg Installation view, Christina Kimeze: Between Wood and Wheel, 2025, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/k/027-kimeze-christina-2025/SLG-CK-066.jpg Installation view, Christina Kimeze: Between Wood and Wheel, 2025, South London Gallery. Photo: Andy Stagg. https://www.studiointernational.com/index.php/lines-of-desire-izza-marrakech-morocco https://www.studiointernational.com/images/articles/m/&073-marrakech-2025/IMG_3384.jpg Margaux Derhy. Fibi, Lydia, et les autres, 2024. Installation, hand-embroidered cotton and sabra thread on 15m of linen gauze. Photo: Allie Biswas. https://www.studiointernational.com/images/articles/m/&073-marrakech-2025/IMG_3387.jpg Safaa Erruas. Les deux bouquets, 2020/2021. Resin and metal needles, 90 x 200 cm. Photo: Allie Biswas. https://www.studiointernational.com/images/articles/m/&073-marrakech-2025/IMG_3381.jpg Claire Williams. 203° 22 https://www.studiointernational.com/images/articles/m/&073-marrakech-2025/IMG_3376.jpg Amina Agueznay. Reg, 2024 (detail). Installation, Natural undyed wool, stones from Souss Massa, cotton thread. Hand crochet and sewing, variable dimensions. Photo: Allie Biswas. https://www.studiointernational.com/images/articles/m/&073-marrakech-2025/C.AYOUBELBARDII_DarIzza_154__27.jpg Amina Agueznay. Reg, 2024. Installation, Natural undyed wool, stones from Souss Massa, cotton thread. Hand crochet and sewing, variable dimensions. Photo: Ayoub Al Bardii. https://www.studiointernational.com/index.php/maryam-tafakory-interview-film-london-jarman-award-censorship-iran https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/Nazarbazi_Still_1.jpg Maryam Tafakory, Nazarbazi, 2021. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/Razeh-del-Still-2.jpg Maryam Tafakory, Razeh-del, 2024. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/9-Performance-Courtisane.jpg Maryam Tafakory. Code Names, performance, Courtisane Festival 2023, Belgium. Courtesy the artist. https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/Razeh-del-Still-1.jpg Maryam Tafakory, Razeh-del, 2024. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/Razeh-del-Still-3.jpg Maryam Tafakory, Razeh-del, 2024. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/Mast-del-still-1.jpg Maryam Tafakory, Mast-del, 2023. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/Mast-del-still-3.jpg Maryam Tafakory, Mast-del, 2023. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/Mast-del-still-5.jpg Maryam Tafakory, Mast-del, 2023. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/Nazarbazi_Still_7.jpg Maryam Tafakory, Nazarbazi, 2021. Film still. Courtesy the artist. https://www.studiointernational.com/images/articles/t/042-tafakory-maryam-2025/CodeNames-Still1_2021.jpg Maryam Tafakory, Code Names, 2022-ongoing. Film still. Courtesy the artist. https://www.studiointernational.com/index.php/philippe-parreno-voices-review-haus-der-kunst-munich https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_ExhibitionView_Photo_AndreaRossetti_part1-10.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_IndividualWorks_Photo_AndreaRossetti_part3-41.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/Robotic-figure-Pic-V-Simpson.jpg Robotic figure casting silvery webs around the main gallery. Installation view, Philippe Parreno: Voices, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_ExhibitionView_Photo_AndreaRossetti_part2-2.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_ExhibitionView_Photo_AndreaRossetti_part2-3.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/Close-up-of-Goya-Black-Painting-Pic-V-simpson-.jpg Close up of Goya https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_IndividualWorks_Photo_AndreaRossetti_part3-59.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_IndividualWorks_Photo_AndreaRossetti_part3-47.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_ExhibitionView_Photo_AndreaRossetti_part1-7.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_ExhibitionView_Photo_AndreaRossetti_part1-8.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_ExhibitionView_Photo_AndreaRossetti_part1-9.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_ExhibitionView_Photo_AndreaRossetti_part2-4.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/p/&099-parreno-philippe-2025/HDK_PhilippeParreno_Opening_MilenaWojhan-4.jpg Philippe Parreno: Voices, installation view, Haus der Kunst, Munich, 13 December 2024 – 25 May 2025. Photo: Andrea Rossetti. https://www.studiointernational.com/index.php/iconic-portraiture-from-francis-bacon-to-andy-warhol-review-holburne-museum-bath https://www.studiointernational.com/images/articles/i/068-iconic-2025/Holburne-ICONIC-01-Jan-2025-Jo-Hounsome-Photography.jpg Iconic: Portraiture from Francis Bacon to Andy Warhol, installation view, Holburne Museum, Bath. Photo: Jo Hounsome. https://www.studiointernational.com/images/articles/i/068-iconic-2025/Francis-Bacon,-Study-(Imaginary-Portrait-of-Pop-Pius-XII.jpg Francis Bacon, Study (Imaginary Portrait of Pope Pius XII), 1955. © The Estate of Francis Bacon. All rights reserved / DACS. Image courtesy Sainsbury Centre. https://www.studiointernational.com/images/articles/i/068-iconic-2025/Tuesday-1961-Peter-Blake.jpg Peter Blake. Tuesday, 1961. © Peter Blake. All rights reserved, DACS 2024. Photo: Tate. https://www.studiointernational.com/images/articles/i/068-iconic-2025/Portrait-of-David-Hockney-in-a-Hollywood-Spanish-Interior,-1965,-Peter-Blake.jpg Peter Blake, Portrait of David Hockney in a Hollywood Spanish Interior, 1965. © Peter Blake. All rights reserved, DACS 2024. Photo Tate. https://www.studiointernational.com/images/articles/i/068-iconic-2025/10-JH-and-Mae-West-Dressing-table-2004-(1).jpg Jann Haworth and Mae West Dressing Table (1965), 2004. Courtesy of Pallant House Gallery. Photo: Michael Coo on per. https://www.studiointernational.com/images/articles/i/068-iconic-2025/TateImages_T01144_HighRes.jpg Richard Hamilton. Swingeing London 67, 1968-9. Tate. © The estate of Richard Hamilton. https://www.studiointernational.com/images/articles/i/068-iconic-2025/Holburne-ICONIC-20-Jan-2025-Jo-Hounsome-Photography.jpg Iconic: Portraiture from Francis Bacon to Andy Warhol, installation view, Holburne Museum, Bath. Photo: Jo Hounsome. https://www.studiointernational.com/images/articles/i/068-iconic-2025/1073_Blake_TheBeatles_1073.jpg Peter Blake, The Beatles, 1962, 1963-68. Acrylic emulsion on hardboard, Wilson Gift through Art Fund (2006). © Peter Blake. All rights reserved, DACS 2024. Image courtesy Pallant House Gallery. https://www.studiointernational.com/images/articles/i/068-iconic-2025/Mae-WC-shirley.jpg Jann Haworth, Mae West, Shirley Temple and W.C. Fields, 1967. © Jann Haworth. Image courtesy of the artist. https://www.studiointernational.com/images/articles/i/068-iconic-2025/TateImages_T01288_HighRes.jpg Andy Warhol. Self-Portrait, 1967. Tate © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Right Society (ARS), New York and DACS, London. https://www.studiointernational.com/images/articles/i/068-iconic-2025/Holburne-ICONIC-18-Jan-2025-Jo-Hounsome-Photography.jpg Iconic: Portraiture from Francis Bacon to Andy Warhol, installation view, Holburne Museum, Bath. Photo: Jo Hounsome. https://www.studiointernational.com/images/articles/i/068-iconic-2025/Holburne-ICONIC-15-Jan-2025-Jo-Hounsome-Photography.jpg Iconic: Portraiture from Francis Bacon to Andy Warhol, installation view, Holburne Museum, Bath. Photo: Jo Hounsome. https://www.studiointernational.com/index.php/new-contemporaries-review-ica-london https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Elliott-Roy,-A-Content-replaces-Another.jpg Elliott Roy, A Content replaces Another, 2024. Instagram and Tik Tok videos. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Anna-Howard,-Veneer.jpg Anna Howard, Veneer, 2024. Cardboard and tape. Photo: Dom Moore. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Libby-Bove,-So-turns-the-wheel-of-the-M.O.T.---A-Journey-through-the-imagined-history-of-folk-customs-associated-with-the-annual-vehicle-safety-test.jpg Libby Bove, So turns the wheel of the M.O.T. - A Journey through the imagined history of folk customs associated with the annual vehicle safety test, 2023. Photographic installation with sound. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Sophie-Lloyd,-I-love-apple-and-apple-loves-me.jpg Sophie Lloyd, I love apple and apple loves me, 2023. Sugar and lead. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Roo-Dhissou,-Eat,-drink,-chill,-but-don_t-hurt-anyone_s-heart.jpg Roo Dhissou, Eat, drink, chill, but don https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Hazel-O_Sullivan,-Sidhe-Photo-by-Isabella-Scott.jpg Hazel O’Sullivan, Sidhe, 2024. Acrylic on stretched canvas. Photo: Isabella Scott. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Farzaneh-Ghadyanloo,-Thursdays-(1).jpg Farzaneh Ghadyanloo, Thursdays, 2024. Photograph. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Sun-Oh,-Dinner-with-Family.jpg Sun Oh, Dinner with Family, 2021. Moving image. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/AC-Larsen,-Supper-Time.jpg AC Larsen, Supper Time, 2024. Vintage early 1990s G Plan dining chair, Adidas Originals tracksuit, stainless steel Cuban chain. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Motunrayo-Akinola,-Grandmas-(gl)ceiling.jpg Motunrayo Akinola, Grandma’s (gl)ceiling, 2023. Installation. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Asmaa-Jama-and-Gouled-Ahmed,-Except-this-time-nothing-returns-from-the-ashes.jpg Asmaa Jama and Gouled Ahmed, Except this time nothing returns from the ashes, 2023. Moving image. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Sara-Osman,-Battle-for-Home.jpg Sara Osman, Battle for Home, 2023. Plaster, soil and clay. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Max-Boyla,-Fire-of-love.jpg Max Boyla, Fire of love, 2023. Oil on satin. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/Joshua-Whitaker,-The-Form-An-Object-Takes-In-Oblivion.jpg Joshua Whitaker, The Form an Object Takes in Oblivion, 2024. Moving image. Courtesy of the Artist. https://www.studiointernational.com/images/articles/n/056-new-contemporaries-2025/ICA-New-Contemporaries-2025-Press-(High-Res)-25-750.jpg New Contemporaries, Institute of Contemporary Arts, London, 2025. Photo: Rob Harris. https://www.studiointernational.com/index.php/peter-hujar-eyes-open-in-the-dark-review-raven-row-london https://www.studiointernational.com/images/articles/h/004-hujar-peter-2025/03-Self-Portrait,-1980.jpg Peter Hujar. Self-Portrait, 1980. Image © 2025 the Peter Hujar Archive / Artists Rights Society (ARS), NY, DACS London, Pace Gallery, NY, Fraenkel Gallery, SF, Maureen Paley, London, and Mai 36 Galerie, Zurich. https://www.studiointernational.com/images/articles/h/004-hujar-peter-2025/04-Richie-Gallo-(Backstage,-The-Life-&-Times-of-Joseph-Stalin,-Brooklyn-Academy-of-Music),-1973.jpg Peter Hujar. Richie Gallo (Backstage, The Life & Times of Joseph Stalin, Brooklyn Academy of Music), 1973. Image © 2025 the Peter Hujar Archive / Artists Rights Society (ARS), NY, DACS London, Pace Gallery, NY, Fraenkel Gallery, SF, Maureen Paley, London, and Mai 36 Galerie, Zurich. https://www.studiointernational.com/images/articles/h/004-hujar-peter-2025/08-White-Turkey,-Pennsylvania,-1985.jpg Peter Hujar. White Turkey, Pennsylvania, 1985. Image © 2025 the Peter Hujar Archive / Artists Rights Society (ARS), NY, DACS London, Pace Gallery, NY, Fraenkel Gallery, SF, Maureen Paley, London, and Mai 36 Galerie, Zurich. https://www.studiointernational.com/images/articles/h/004-hujar-peter-2025/06-Stephen-Varble-(III),-Soho,-New-York,-1976.jpg Peter Hujar. Stephen Varble (III), Soho, New York, 1976. Image © 2025 the Peter Hujar Archive / Artists Rights Society (ARS), NY, DACS London, Pace Gallery, NY, Fraenkel Gallery, SF, Maureen Paley, London, and Mai 36 Galerie, Zurich. https://www.studiointernational.com/images/articles/h/004-hujar-peter-2025/07-Untitled-(Backstage,-The-Life-&-Times-of-Joseph-Stalin,-Brooklyn-Academy-of-Music),-1973.jpg Peter Hujar. Person in Veil (Backstage, The Life & Times of Joseph Stalin, Brooklyn Academy of Music), 1973. Image © 2025 the Peter Hujar Archive / Artists Rights Society (ARS), NY, DACS London, Pace Gallery, NY, Fraenkel Gallery, SF, Maureen Paley, London, and Mai 36 Galerie, Zurich. https://www.studiointernational.com/images/articles/h/004-hujar-peter-2025/05-Canal-Street-Pier,-New-York,-1983.jpg Peter Hujar. Canal Street Pier, New York (Stairs), 1983. Image © 2025 the Peter Hujar Archive / Artists Rights Society (ARS), NY, DACS London, Pace Gallery, NY, Fraenkel Gallery, SF, Maureen Paley, London, and Mai 36 Galerie, Zurich. https://www.studiointernational.com/images/articles/h/004-hujar-peter-2025/02-John-Flowers-(Backstage,-Palm-Casino-Review),-1974.jpg Peter Hujar. John Flowers (Backstage, Palm Casino Revue), 1974. Image © 2025 the Peter Hujar Archive / Artists Rights Society (ARS), NY, DACS London, Pace Gallery, NY, Fraenkel Gallery, SF, Maureen Paley, London, and Mai 36 Galerie, Zurich. https://www.studiointernational.com/images/articles/h/004-hujar-peter-2025/01-Ethyl-Eichelberger,-1979.jpg Peter Hujar. Ethyl Eichelberger, 1979. Image © 2025 the Peter Hujar Archive / Artists Rights Society (ARS), NY, DACS London, Pace Gallery, NY, Fraenkel Gallery, SF, Maureen Paley, London, and Mai 36 Galerie, Zurich. https://www.studiointernational.com/index.php/noah-davis-review-barbican-art-gallery-london https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/02.jpg Noah Davis, Single Mother with Father out of the Picture, 2007-08. © The Estate of Noah Davis. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Kerry McFate. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/03.jpg Noah Davis, Mary Jane, 2008. © The Estate of Noah Davis. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Kerry McFate. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/04.jpg Noah Davis, Isis, 2009. Mellon Foundation Art Collection. © The Estate of Noah Davis. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Kerry McFate. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/05.jpg Noah Davis, Painting for My Dad, 2011. Rubell Museum. © The Estate of Noah Davis
. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Kerry McFate. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/07.jpg Noah Davis, 1975 (8), 2013. © The Estate of Noah Davis. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Kerry McFate. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/10.jpg Noah Davis, installation view, Barbican Art Gallery 2025. © Jemima Yong, Barbican Art Gallery. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/01.jpg Noah Davis, 40 Acres and a Unicorn, 2007. © The Estate of Noah Davis
. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Anna Arca. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/06.jpg Noah Davis, The Missing Link 4, 2013. Los Angeles County Museum of Art, purchased with funds provided by AHAN: Studio Forum, 2013 Art Here and Now purchase. © The Estate of Noah Davis. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Robert Wedemeyer. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/08.jpg Noah Davis, Pueblo del Rio: Arabesque, 2014. © The Estate of Noah Davis. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Kerry McFate. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/09.jpg Noah Davis, installation view, Barbican Art Gallery 2025. © Jemima Yong, Barbican Art Gallery. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/11.jpg Noah Davis, installation view, Barbican Art Gallery 2025. © Jemima Yong, Barbican Art Gallery. https://www.studiointernational.com/images/articles/d/035-davis-noah-2025/12.jpg Noah Davis at work, Los Angeles, 2009. Courtesy Patrick O’Brien-Smith Photo: Patrick O’Brien-Smith. https://www.studiointernational.com/index.php/paule-vezelay-living-lines-review-royal-west-of-england-academy-bristol https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/4.The-Bathers_Paule-Vezelay.jpg Paule Vézelay. Bathers, 1923. Tate, presented by the artist 1973. © the Estate of Paule Vézelay. Photo: Tate. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/15-walking-in-the-wind_1930.jpg Paule Vézelay. Walking in the wind, 1930. Oil on canvas. Private Collection, courtesy England & Co., London. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/02-Construction-Grey-Lines-on-Pink-Ground_Paule-Vezelay.jpg Paule Vézelay. Construction Grey Lines on Pink Ground, 1938. Tate, purchased 1973. © the Estate of Paule Vézelay. Photo: Tate. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/14-Paysage_1946.jpg Paule Vézelay, Paysage [Landscape], 1946. Oil on canvas. Private Collection, courtesy England & Co., London. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/05-Eight-Curved-forms_Paule-Vezelay.jpg Paule Vézelay. Eight Curved Forms and Two Circles, 1947. Collection of James Trotman; courtesy James Trotman © the Estate of Paule Vézelay. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/07-Photography-of-Paule-Vezelay_1.jpg Paule Vézelay in her London studio with her 1955 textile Harmony (left) and her 1956 painting The Yellow Circle (right). Photograph, Estate of Paule Vézelay. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/06-Lines-in-Space-No-51,-1965_Paule-Vezelay.jpg Paule Vézelay. Lines in Space no.51, 1965. © the Estate of Paule Vézelay. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/01-Growing-Forms_Paule-Vezelay.jpg Paule Vézelay. Growing Forms, 1946. Collection of Heloisa Genish; courtesy Heloisa Genish. © the Estate of Paule Vézelay. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/10-Crescents.jpg Paule Vézelay. Crescents textile design, 1956. Photograph, Estate of Paule Vézelay. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/12-Bomb-Damage-at-Bristol,-1942,-Paule-Vezelay.jpg Paule Vézelay. Bomb Damage at Bristol, 1942. Pastel. Photograph courtesy England & Co, London. © Estate of Paule Vézelay. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/13-Bristol-Hippodrome,-1918-or-19.jpg Paule Vézelay. Bristol Hippodrome, 1918–19. Watercolour. University of Bristol Theatre Collection. https://www.studiointernational.com/images/articles/v/065-vezelay-paule-2025/08-Photography-of-Paule-Vezelay_3.jpg Marjorie Watson Williams/Paule Vézelay, Paris, 1920s. Photograph by Paul Delbo, Estate of Paule Vézelay. https://www.studiointernational.com/index.php/helene-de-beauvoir-the-woman-destroyed-review-amar-gallery-london https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Left-to-Right-feminist-Kathie-Sarachild,-Helene-de-Beauvoir,-Claudine-Monteil-NYC,-1979.jpg Left to right: feminist Kathie Sarachild, Hélène de Beauvoir, Claudine Monteil. NYC, 1979. Image copyright Claudine Monteil. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Simone-de-Beauvoir-and-Helene-de-Beauvoir.jpg Left to right: Simone de Beauvoir, Hélène de Beauvoir, at Hélène de Beauvoir https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Helene-de-Beauvoir_Untitled-1963.jpg Hélène de Beauvoir. Untitled, 1963. Acrylic on canvas, 81 x 100 cm. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/helene-de-Beauvoir-(1910-2001)_Rice-Field-Workers,-c1940s.jpg Hélène de Beauvoir. Rice Field Workers, c1940s. Watercolour on paper. 38 x 51.2 cm. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Helene-de-Beauvoir_Abstract-Forms.jpg Hélène de Beauvoir. Abstract Forms, c1950s. Watercolour on paper. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Helene-de-Beauvoirs-painter-studio-in-Milano,-1955-(Copyright-Claudine-Monteil).jpg Hélène de Beauvoir https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Face-in-a-Broken-Mirror,-1969.jpg Hélène de Beauvoir. Face in a Broken Mirror, 1969. Oil on canvas, 73 x 50 cm. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/The-Haymakers-II,-1957.jpg Hélène de Beauvoir. The Haymakers II, 1957. Oil on canvas, 65 x 81 cm. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Skiers-at-a-Standstill,-1957.jpg Hélène de Beauvoir. Skiers at a Standstill, 1957. Oil on canvas, 50.5 x 66 cm. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Skipiste,-1962.jpg Hélène de Beauvoir. Skipiste, 1962. Oil on canvas, 65 x 92.3 cm. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Castle-in-Alsace.jpg Hélène de Beauvoir. Castle in Alsace, c1960s. Oil on canvas, 75 x 60 cm. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Nude-with-Horse,-1965.jpg Hélène de Beauvoir. Nude with Horse, 1965. Acrylic on canvas, 92 x 65 cm. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Helene-de-Beauvoir-Tigers-and-Chequerboards-1972.jpg Hélène de Beauvoir. Tigers and Chequerboards. 1972. Oil on canvas, 50.5 x 65.2 cm. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/images/articles/d/034-de-beauvoir-helene-2025/Helene-de-Beauvoir.jpg Hélène de Beauvoir. Courtesy Amar Gallery, © APP, Ute Achhammer. https://www.studiointernational.com/index.php/ithell-colquhoun-between-worlds-review-tate-st-ives https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Man-Ray,-Ithell-Colquhoun.jpg Man Ray (Radnitsky Emmanuel). Ithell Colquhoun, c1932. © Man Ray Trust / ADAGP Paris, Centre Pompidou - Musée national d https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Scylla-(mediterranee),-1938-Tate.jpg Ithell Colquhoun, Scylla (méditerranée), 1938. Tate: Purchased 1977. © Spire Healthcare, © Noise Abatement Society, © Samaritans. https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Dance-of-the-Nine-Opals,-1942.jpg Ithell Colquhoun. Dance of the Nine Opals, 1942. The Sherwin Family Collection permanently housed at The Hepworth Wakefield (Wakefield, UK) © Spire Healthcare, © Noise Abatement Society, © Samaritans. https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Gorgon,-1946.jpg Ithell Colquhoun. Gorgon, 1946. Private collection © Spire Healthcare, © Noise Abatement Society, © Samaritans. https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Alcove,-1946.jpg Ithell Colquhoun. Alcove, 1946. Private Collection © Spire Healthcare, © Noise Abatement Society, © Samaritans. https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Self-Portrait,-1929,-The-Ruth-Borchard-Collection.jpg Ithell Colquhoun, Self-Portrait, 1929, The Ruth Borchard Collection, courtesy of Piano Nobile, London. © Spire Healthcare, © Noise Abatement Society, © Samaritans. https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Ages-of-Man,-1944-Tate.jpg Ithell Colquhoun. Ages of Man, 1944. Tate, presented by the National Trust 2016, accessioned 2022. © Tate. Photo © Tate (Joe Humphrys). https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Attributes-of-the-Moon,-1947.jpg Ithell Colquhoun. Attributes of the Moon, 1947. Tate, presented by the National Trust 2016. © Tate. Photo © Tate (Matt Greenwood). https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Dervish,-circa-1952.jpg Ithell Colquhoun. Dervish, c1952. Tate; presented by the National Trust 2016 © Tate. https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Diagrams-of-Love-The-Bird-or-the-Egg,-c1940.jpg Ithell Colquhoun, Diagrams of Love: The Bird or the Egg?, c1940. Tate Archive, TGA 929/4/17/3. Photo: © Tate Photography (Lucy Green). https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Earth-Process,-1940-Tate.jpg Ithell Colquhoun. Earth Process, 1940. Tate, presented by the National Trust 2016. © Tate. Photo: © Tate (Sam Day). https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Landscape-with-Antiquities-(Lamorna),-1950.jpg Ithell Colquhoun. Landscape with Antiquities (Lamorna), 1950. Presented by the National Trust 2016 © Tate. https://www.studiointernational.com/images/articles/c/&071-colqhoun-ithell-2025/Ithell-Colquhoun,-Water-Flower,-1938.jpg Ithell Colquhoun, Water-Flower, 1938. Arts University Plymouth © Spire Healthcare, © Noise Abatement Society, © Samaritans. https://www.studiointernational.com/index.php/citra-sasmita-into-eternal-land-review-barbican-curve-london https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/Citra-Sasmita-Into-Eternal-Land-Installation-view-2025-(c)-Jo-Underhill-and-Barbican-(5).jpg Citra Sasmita: Into Eternal Land, installation view, Barbican Curve, London 2025. Photo © Jo Underhill and Barbican. https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/Citra-Sasmita-Into-Eternal-Land-Installation-view-2025-(c)-Jo-Underhill-and-Barbican-(1).jpg Citra Sasmita: Into Eternal Land, installation view, Barbican Curve, London 2025. Photo © Jo Underhill and Barbican. https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/citra-sasmita-photo-(c)-martin-kennedy-IMG_01.jpg Citra Sasmita: Into Eternal Land (detail), installation view, Barbican Curve, London 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/Citra-Sasmita-Into-Eternal-Land-Installation-view-2025-(c)-Jo-Underhill-and-Barbican-(2).jpg Citra Sasmita: Into Eternal Land, installation view, Barbican Curve, London 2025. Photo © Jo Underhill and Barbican. https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/citra-sasmita-photo-(c)-martin-kennedy-IMG_0145.jpg Citra Sasmita: Into Eternal Land (detail), installation view, Barbican Curve, London 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/citra-sasmita-photo-(c)-martin-kennedy-IMG_0148.jpg Citra Sasmita: Into Eternal Land, installation view, Barbican Curve, London 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/citra-sasmita-photo-(c)-martin-kennedy-IMG_0155.jpg Citra Sasmita: Into Eternal Land (detail), installation view, Barbican Curve, London 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/Citra-Sasmita-Into-Eternal-Land-Installation-view-2025-(c)-Jo-Underhill-and-Barbican-(8).jpg Citra Sasmita: Into Eternal Land, installation view, Barbican Curve, London 2025. Photo © Jo Underhill and Barbican. https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/citra-sasmita-photo-(c)-martin-kennedy-IMG_0149.jpg Citra Sasmita: Into Eternal Land, installation view, Barbican Curve, London 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/s/&058-sasmita-citra-2025/citra-sasmita-photo-(c)-martin-kennedy-IMG_0150.jpg Citra Sasmita: Into Eternal Land, installation view, Barbican Curve, London 2025. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/mickalene-thomas-all-about-love-review-hayward-gallery-london https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Mickalene-Thomas,-A-Little-Taste-Outside-of-Love,-2007-(c)-Mickalene-Thomas.jpg Mickalene Thomas, A Little Taste Outside of Love, 2007. Rhinestones, acrylic, and enamel on wood panel, 108 x 144 in (274.3 x 365.8 cm). © Mickalene Thomas. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Installation-view-of-Mickalene-Thomas_-All-About-Love.-Photo_-Mark-Blower.-Courtesy-the-artist-and-the-Hayward-Gallery..jpg Installation view of Mickalene Thomas: All About Love. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Mickalene-Thomas,-Mama-Bush_-(Your-Love-Keeps-Lifting-Me)-Higher-and-Higher,-2009-(c)-Mickalene-Thomas.jpg Mickalene Thomas, Mama Bush: (Your Love Keeps Lifting Me) Higher and Higher, 2009. Rhinestones, acrylic, and enamel on wood panel, 82 x 72 in (208.3 x 182.9 cm). © Mickalene Thomas. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Mickalene-Thomas,-Din-avec-la-main-dans-le-miroir-et-jupe-rouge,-2023-(c)-Mickalene-Thomas.jpg Mickalene Thomas, Din avec la main dans le miroir et jupe rouge, 2023. Rhinestones, acrylic and glitter on canvas mounted on wood panel, 90 x 110 in (228.6 x 279.4 cm). © Mickalene Thomas. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Mickalene-Thomas,-Naughty-Girls-(Need-Love-Too),-2009-(c)-Mickalene-Thomas.jpg Mickalene Thomas, Naughty Girls (Need Love Too), 2009. Rhinestones, acrylic, and enamel on wood panel, 96 x 120 in (243.8 x 304.8 cm). © Mickalene Thomas. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Mickalene-Thomas,-A-Moments-Pleasure-2,-2008-(c)-Mickalene-Thomas.jpg Mickalene Thomas, A Moment’s Pleasure #2, 2008. Rhinestones, acrylic and enamel on wood panel, 72 x 84 in (183 x 213.4 cm). © Mickalene Thomas. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Mickalene-Thomas,-Sleep_-Deux-Femmes-Noires,-2012-(c)-Mickalene-Thomas.jpg Mickalene Thomas, Sleep: Deux Femmes Noires, 2012. Rhinestones, acrylic, and enamel on wood panel, 108 x 240 in (274.3 x 609.6 cm). © Mickalene Thomas. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Mickalene-Thomas,-Afro-Goddess-Looking-Forward,-2015-(c)-Mickalene-Thomas.jpg Mickalene Thomas, Afro Goddess Looking Forward, 2015. Rhinestones, acrylic, and oil on wood panel, 60 x 96 in (152.4 x 243.8 cm). © Mickalene Thomas. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Installation-view-of-Mickalene-Thomas_-All-About-Love.-A-Little-Taste-Outside-of-Love,-(2007).-Photo_-Mark-Blower.-Courtesy-the-artist-and-the-Hayward-Gallery..jpg Installation view of Mickalene Thomas: All About Love. A Little Taste Outside of Love, 2007. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Installation-view-of-Mickalene-Thomas_-All-About-Love.-Din-avec-la-main-dans-le-miroir-et-jupe-rouge,-(2023).-Photo_-Mark-Blower.-Courtesy-the-artist-and-the-Hayward-Gallery..jpg Installation view of Mickalene Thomas: All About Love. Din avec la main dans le miroir et jupe rouge, 2023. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/images/articles/t/041-thomas-mickalene-2025/Installation-view-of-Mickalene-Thomas_-All-About-Love.-Mama-Bush_-(Your-Love-Keeps-Lifting-Me),-Higher-and-Higher),-(2009).-Photo_-Mark-Blower.-Courtesy-the-artist-and-the-Hayward-Gallery..jpg Installation view of Mickalene Thomas: All About Love. Mama Bush: (Your Love Keeps Lifting Me), Higher and Higher, 2009. Photo: Mark Blower. Courtesy the artist and the Hayward Gallery. https://www.studiointernational.com/index.php/mcarthur-binion-rawness-dancing-with-intellect-review-xavier-hufkens-belgium https://www.studiointernational.com/images/articles/b/&076-binion-mcarthur-2025/Sketch-(Looking-for-Grey)-For-Three-Movements-of-Sunlight-2014.jpg McArthur Binion, Sketch (Looking for Grey):For:Three Movements of Sunlight, 2014. Paintstick, ink and paper on board, 121.9 x 81.3 x 5.7 cm (48 x 32 1/8 x 2 1/4 in). Courtesy the artist and Xavier Hufkens. https://www.studiointernational.com/images/articles/b/&076-binion-mcarthur-2025/Visual-Ear(Sound-Grammar)-2024.jpg McArthur Binion, Visual:Ear(Sound Grammar), 2024. Graphite, ink, paintstick and paper on board, 213.4 x 213.4 x 5.5 cm (84 1/8 x 84 1/8 x 2 1/4 in). Courtesy the artist and Xavier Hufkens. https://www.studiointernational.com/images/articles/b/&076-binion-mcarthur-2025/Haints-2014.jpg McArthur Binion, Haints, 2014. Paint stick and wax crayon on board, 116.8 x 162.6 x 6.8 cm (46 x 64 1/8 x 2 3/4 in). Courtesy the artist and Xavier Hufkens. https://www.studiointernational.com/images/articles/b/&076-binion-mcarthur-2025/Visual-Ear-2023.jpg McArthur Binion, Visual:Ear, 2023. Ink, paper and paintstick on board, 182.9 x 121.9 x 5.5 cm (72 1/8 x 48 x 2 1/4 in). Courtesy the artist and Xavier Hufkens. https://www.studiointernational.com/images/articles/b/&076-binion-mcarthur-2025/Portrait-by-Pasquate-Abbattista-hr.jpg McArthur Binion. Portrait by Pasquate Abbattista. https://www.studiointernational.com/index.php/henri-michaux-the-mescaline-drawings-courtauld-gallery-london https://www.studiointernational.com/images/articles/m/&072-michaux-henri-2025/01-Henri-Michaux-Untitled-(Mescaline-drawing),-1957,-(c)-ADAGP,-Paris-and-DACS,-London-2025.jpg Henri Michaux, Untitled (Mescaline drawing), 1957. Pen and black ink on paper. Promised gift by Linda Karshan in memory of her husband, Howard Karshan. On long-term loan to The Courtauld Gallery, London © ADAGP, Paris and DACS, London 2025. https://www.studiointernational.com/images/articles/m/&072-michaux-henri-2025/02-Henri-Michaux-Untitled,-1956,-(c)-ADAGP,-Paris-and-DACS,-London-2025.jpg Henri Michaux, Untitled, 1956, Graphite, black and coloured inks on paper, 18.4 x 13.1 cm. Private collection © ADAGP, Paris and DACS, London 2025. https://www.studiointernational.com/images/articles/m/&072-michaux-henri-2025/03-Henri-Michaux,-Untitled,-1962,-(c)-ADAGP,-Paris-and-DACS,-London-2025.jpg Henri Michaux. Untitled, 1962. Graphite, brown and black inks on paper, 40.1 x 27 cm. Private collection © ADAGP, Paris and DACS, London 2025. https://www.studiointernational.com/images/articles/m/&072-michaux-henri-2025/04-Henri-Michaux,-Untitled,-1966,-(c)-ADAGP,-Paris-and-DACS,-London-2025.jpg Henri Michaux, Untitled, 1966 (detail). Black and coloured inks, and graphite, on paper, 19.1 x 12.2 cm. Private collection. © ADAGP, Paris and DACS, London 2025. https://www.studiointernational.com/images/articles/m/&072-michaux-henri-2025/01-Installation-view,-Henri-Michaux-Mescaline-Drawings,-The-Courtauld-Gallery-(c)-Fergus-Carmichael.jpg Installation view, Henri Michaux. Mescaline Drawings, The Courtauld Gallery. © Fergus Carmichael. https://www.studiointernational.com/images/articles/m/&072-michaux-henri-2025/03-Installation-view,-Henri-Michaux-Mescaline-Drawings,-The-Courtauld-Gallery-(c)-Fergus-Carmichael.jpg Installation view, Henri Michaux. Mescaline Drawings, The Courtauld Gallery. © Fergus Carmichael. https://www.studiointernational.com/index.php/louisa-gagliardi-interview-many-moons-masi-lugano-switzerland https://www.studiointernational.com/images/articles/g/012-gagliardi-louisa-2025/02-Roundabout-(2023)-by-Louisa-Gagliardi.jpg Louisa Gagliardi. Roundabout, 2023. Nail polish, gel medium, ink on PVC, 270 x 360 cm. Ringier Collection, Switzerland. https://www.studiointernational.com/images/articles/g/012-gagliardi-louisa-2025/Curtain-Calls-(2025)-immersive-room-set.jpg Louisa Gagliardi. Curtain Calls, 2025. Nail polish, ink on PVC, three panels, 232 x 732 cm. Courtesy of the artist and Galerie Eva Presenhuber, Zurich/Vienna. https://www.studiointernational.com/images/articles/g/012-gagliardi-louisa-2025/03-Swamped-(2024)-by-Louisa-Gagliardi.jpg Louisa Gagliardi. Swamped, 2024. Gel medium, nail polish, ink on PVC, 200 x 300 cm. Courtesy of the artist and Galeria David Radziszzewski, Warsaw/Vienna. https://www.studiointernational.com/images/articles/g/012-gagliardi-louisa-2025/Jackpot-(2024)-Pic-V-Simpson.jpg Louisa Gagliardi. Jackpot, 2024. Gel medium, ink on PVC, 150 x 210 cm. Ringier Collection, Switzerland. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/012-gagliardi-louisa-2025/Climbing-(2024)-Pic-V-Simpson.jpg Louisa Gagliardi. Climbing, 2024. Gel medium, ink on PVC, 210 x 150 cm. Ringier Collection, Switzerland. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/012-gagliardi-louisa-2025/04-Green-Room-(2023)-Louisa-Gagliardi.jpg Louisa Gagliardi. Green Room, 2023. Gel medium ink on PVC, three panels, 265 x 405 cm. Ringier Collection, Switzerland. https://www.studiointernational.com/images/articles/g/012-gagliardi-louisa-2025/05-Cascade-(2023)-by-Louisa-Gagliardi.jpg Louisa Gagliardi. Cascade, 2023. Gel medium, ink on PVC, 300 x 200 cm. Collection Pictet. https://www.studiointernational.com/images/articles/g/012-gagliardi-louisa-2025/Linked-(2019)-Pic-V-Simpson.jpg Louisa Gagliardi. Linked, 2019. Nail polish, ink on PVC, 180 x 115 cm. Private collection. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/g/012-gagliardi-louisa-2025/Detail-of-Curtain-Calls-immersive-room-set.jpg Louisa Gagliardi. Curtain Calls, 2025 (detail). Nail polish, ink on PVC, three panels, 232 x 732 cm. Courtesy of the artist and Galerie Eva Presenhuber, Zurich/Vienna. https://www.studiointernational.com/index.php/anselm-kiefer-early-works-review-ashmolean-museum-oxford https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/01-Fur-Jean-Genet-Hall-Collection-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Für Jean Genet (For Jean Genet), 1969. Bound watercolour on paper, graphite, original photographs, hair and canvas strips on cardboard (24 pages), 67 x 51 x 4 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/02-Wald-Hall-Collection-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Wald (Forest), 1973–74. Watercolour on paper, 17 x 24 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Adam Reich https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/03-Die-Etsch-Hall-Collection-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Die Etsch (The Adige), early-1970s. Watercolour, gouache and ink on paper, 56 x 41 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Mark-Woods.com https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/06-Hermann.-Hall-Collection-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Wege der Weltweisheit - die Hermannsschlacht (Ways of Worldly Wisdom - The Battle of Hermann), 1977. Woodcuts on paper with acrylic and shellac mounted on synthetic fabric, 305 x 321 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Roman März. https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/09-Innenraum-Hall-Collection-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Innenraum (Interior), 1982. Watercolour and graphite on paper, 77.5 x 68.5 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Steven Brookes Studio. https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/12-Anselm-Kiefer-by-Barbara-Klemm.jpg Anselm Kiefer at work in his studio. Photo courtesy Barbara Klemm. https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/04-Nascita-di-Pittura-Hall-Collection-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Nascita di Pittura (The Birth of Painting), 1974. Oil on linen, 180.5 x 129.5 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Steven Brookes Studio https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/05-Untitled,-1974-Hall-Collection-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Untitled, 1974. Mixed media on paper, 62.5 x 44 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Adam Reich. https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/07-Brunhilde-Hall-Collection-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Brünhilde (Brunhild), 1981. Oil and woodcut on paper, laid down on burlap, 170 × 189.5 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/08-Margarethe-Hall-Collection-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Margarethe - Sulamit (Margaret - Shulamite), 1981. Watercolour on paper, 42 x 56 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. https://www.studiointernational.com/images/articles/k/026-kiefer-anselm-2025/10-Kein-Haus.-Collection-of-the-artist,-courtesy-White-Cube-(c)-Anselm-Kiefer.jpg Anselm Kiefer. Wer jetzt kein Haus hat (Whoever has no House now), 2023. Emulsion, acrylic, oil, shellac, lead, string and chalk on canvas, 190 x 330 cm. Collection of the artist. Courtesy of White Cube. © Anselm Kiefer. Photo: Georges Poncet. https://www.studiointernational.com/index.php/tarot-origins-and-afterlives-review-warburg-institute-london https://www.studiointernational.com/images/articles/t/040-tarot-2025/2025-01-2911484.jpg Installation view, Tarot: Origins & Afterlives at The Warburg Institute, 31 January – 30 April 2025. Photo: Stephen White & Co. Courtesy The Warburg Institute. https://www.studiointernational.com/images/articles/t/040-tarot-2025/Visconti-Sforza-tarot-display-Pic-V-Simpson.jpg Visconti-Sforza tarot. Installation view, Tarot: Origins & Afterlives, Warburg Institute, London, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/040-tarot-2025/Temperance_Tarot-de-Marseille-Gassmann-tarot-deck-(c1865).jpg Temperance Tarot de Marseille Gassmann tarot deck, c1865. https://www.studiointernational.com/images/articles/t/040-tarot-2025/The-Juggler-Austin-Osman-Spare-tarot-deck-(c.1906).Courtesy-The-Magic-Circle-Collection.jpg The Juggler. Austin Osman Spare tarot deck, c1906. Courtesy The Magic Circle Collection. https://www.studiointernational.com/images/articles/t/040-tarot-2025/Pamela-Colman-Smiths-deck-Pic-V-Simpson.jpg Pamela Colman Smith, tarot deck, 1909. Installation view, Tarot: Origins & Afterlives, Warburg Institute, London, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/040-tarot-2025/Original-manuscript-by-Frieda-Harris-Pic-V-Simpson.jpg The Book of Thoth, original manuscript by Frieda Harris. Installation view, Tarot: Origins & Afterlives, Warburg Institute, London, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/040-tarot-2025/Death_Thoth-Tarot.jpg Thoth Tarot card, Death. Installation view, Tarot: Origins & Afterlives at The Warburg Institute, 31 January – 30 April 2025. Photo: Stephen White & Co. Courtesy The Warburg Institute. https://www.studiointernational.com/images/articles/t/040-tarot-2025/Suzanne-Treister_The-Sun_Hexen-2-0-tarot-(2009-11).jpg Suzanne Treister, The Sun Hexen 2.0 tarot, 2009-11. https://www.studiointernational.com/images/articles/t/040-tarot-2025/tarot-750.jpg Installation view, Tarot: Origins & Afterlives at The Warburg Institute, 31 January – 30 April 2025. Photo: Stephen White & Co. Courtesy The Warburg Institute. https://www.studiointernational.com/images/articles/t/040-tarot-2025/Pamela-Colman-Smith,-The-Hierophant-card-from-Rider-Waite-Smith-Tarot-(1909).-Courtesy-The-College-of-Psychic-Studies.jpg Pamela Colman Smith, The Hierophant card from Rider-Waite-Smith Tarot, 1909. Courtesy The College of Psychic Studies. https://www.studiointernational.com/index.php/frieze-felix-art-fair-los-angeles-2025-review https://www.studiointernational.com/images/articles/f/044-frieze-2025/IMG_1900.jpg Christy Gast at Nina Johnson. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/f/044-frieze-2025/Ross-Hansen-IMG_1883.jpg Lamps by Ross Hansen at Volume. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/f/044-frieze-2025/Xin-Liu-IMG_1972.jpg Xin Liu at Make Room. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/f/044-frieze-2025/Alake-Shilling-at-Frieze-IMG_1974.jpg Alake Shilling with Dino’s Fine Feast, 2025 at Jeffrey Deitch. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/f/044-frieze-2025/Chris-Burden-IMG_2015.jpg Chris Burden. Nomadic Folly, 2001. at Gagosian. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/f/044-frieze-2025/crater-IMG_1951.jpg Max Hooper Schneider, Sand Writing Crater, 2024 at Maureen Paley. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/f/044-frieze-2025/Wael-Shawky-IMG_1961.jpg Wael Shawky. The Gulf Project Camp: Carved wood (after https://www.studiointernational.com/images/articles/f/044-frieze-2025/Alec-Egan-IMG_2021.jpg Alec Egan. Guard Rail, 2025 at Anat Ebgi. Acrylic and flashe on canvas, 72 x 60 in. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/f/044-frieze-2025/IMG_1941.jpg Mr. at Perrotin. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/f/044-frieze-2025/Alec-Israel-750-IMG_1774.jpg Alex Israel, Movie Theatres, 2024, acrylic on canvas, 137.2 x 354.3 cm at Gagosian, Los Angeles, 2025. Photo: Jill Spalding. https://www.studiointernational.com/index.php/mohammed-z-rahman-remember-to-live-review-peer-london https://www.studiointernational.com/images/articles/r/025-rahman-z-mohammed-2025/13-Mohammed-Z-Rahman-at-Peer_Andy-Keate.jpg Mohammed Z. Rahman, Remember to Live, installation view, Peer, London, 2025. Commissioned and produced by Peer. Courtesy of the artist and Phillida Reid. Photo: Andy Keate. https://www.studiointernational.com/images/articles/r/025-rahman-z-mohammed-2025/11B-Mohammed-Z-Rahman-at-Peer_Andy-Keate.jpg Mohammed Z. Rahman, Khodori Bibi’s Little Farmers. Installation view, Peer, London, 2025. Commissioned and produced by Peer. Courtesy of the artist and Phillida Reid. Photo: Andy Keate. https://www.studiointernational.com/images/articles/r/025-rahman-z-mohammed-2025/08-alley-cats-Mohammed-Z-Rahman-at-Peer_Andy-Keate.jpg Mohammed Z. Rahman, Alleycats’ Parade, 2025. Acrylic on board, three 40 x 50 cm panels, total 40 x 150 cm. Installation view, Peer, London, 2025. Commissioned and produced by Peer. Courtesy of the artist and Phillida Reid. Photo: Andy Keate. https://www.studiointernational.com/images/articles/r/025-rahman-z-mohammed-2025/17-Mohammed-Z-Rahman-at-Peer_Andy-Keate.jpg Mohammed Z. Rahman, Safe Landing, 2025 (detail). Acrylic on 48 matchboxes arranged in a grid across 12 India ink stained wooden shelves. Dimensions variable. Commissioned and produced by Peer. Courtesy of the artist and Phillida Reid. Image credit Andy Keate. https://www.studiointernational.com/images/articles/r/025-rahman-z-mohammed-2025/16-Mohammed-Z-Rahman-at-Peer_Andy-Keate.jpg Mohammed Z. Rahman, Safe Landing, 2025. Acrylic on 48 matchboxes arranged in a grid across 12 India ink stained wooden shelves. Dimensions variable. Commissioned and produced by Peer. Courtesy of the artist and Phillida Reid. Image credit Andy Keate. https://www.studiointernational.com/images/articles/r/025-rahman-z-mohammed-2025/09-Mohammed-Z-Rahman-at-Peer_Andy-Keate-750.jpg Mohammed Z. Rahman, Remember to Live, installation view, Peer, London, 2025. Commissioned and produced by Peer. Courtesy of the artist and Phillida Reid. Photo: Andy Keate. https://www.studiointernational.com/images/articles/r/025-rahman-z-mohammed-2025/06-Mohammed-Z-Rahman-at-Peer_Andy-Keate.jpg Mohammed Z. Rahman, Remember to Live, installation view, Peer, London, 2025. Commissioned and produced by Peer. Courtesy of the artist and Phillida Reid. Photo: Andy Keate. https://www.studiointernational.com/images/articles/r/025-rahman-z-mohammed-2025/07-Mohammed-Z-Rahman-at-Peer_Andy-Keate.jpg Mohammed Z. Rahman, Remember to Live, installation view, Peer, London, 2025. Commissioned and produced by Peer. Courtesy of the artist and Phillida Reid. Photo: Andy Keate. https://www.studiointernational.com/index.php/vanessa-da-silva-roda-viva-review-mostyn-llandudno https://www.studiointernational.com/images/articles/d/033-da-silva-vanessa-2025/Mostyn-Gallery-Installation-(FEBRUARY-2025)-Rob-Battersby-4.jpg Vanessa da Silva: Roda Viva, installation view, Mostyn, Llandudno, 2025. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/d/033-da-silva-vanessa-2025/Mostyn-Gallery-Installation-(FEBRUARY-2025)-Rob-Battersby-5.jpg Vanessa da Silva: Roda Viva, installation view, Mostyn, Llandudno, 2025. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/d/033-da-silva-vanessa-2025/Mostyn-Gallery-Installation-(FEBRUARY-2025)-Rob-Battersby-6B.jpg Vanessa da Silva: Roda Viva, installation view, Mostyn, Llandudno, 2025. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/d/033-da-silva-vanessa-2025/Mostyn-Gallery-Installation-(FEBRUARY-2025)-Rob-Battersby-6.jpg Vanessa da Silva: Roda Viva, installation view, Mostyn, Llandudno, 2025. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/d/033-da-silva-vanessa-2025/Mostyn-Gallery-Installation-(FEBRUARY-2025)-Rob-Battersby-9.jpg Vanessa da Silva: Roda Viva, installation view, Mostyn, Llandudno, 2025. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/d/033-da-silva-vanessa-2025/Mostyn-Gallery-Installation-(FEBRUARY-2025)-Rob-Battersby-8.jpg Vanessa da Silva: Roda Viva, installation view, Mostyn, Llandudno, 2025. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/d/033-da-silva-vanessa-2025/Mostyn-Gallery-Installation-(FEBRUARY-2025)-Rob-Battersby-10.jpg Vanessa da Silva: Roda Viva, installation view, Mostyn, Llandudno, 2025. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/d/033-da-silva-vanessa-2025/Mostyn-Gallery-Installation-(FEBRUARY-2025)-Rob-Battersby-7.jpg Vanessa da Silva: Roda Viva, installation view, Mostyn, Llandudno, 2025. Photo: Rob Battersby. https://www.studiointernational.com/index.php/gothic-modern-from-darkness-to-light-review-national-museum-oslo-norway https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Lucas-Cranach-the-Elder,-St-Sebastian,-1543.jpg Lucas Cranach the Elder, St. Sebastian, 1543. Photo: The National Museum of Norway/Børre Høstland. https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Edvard-Munch,-Ashes,-1895.jpg Edvard Munch, Ashes, 1895. Photo: The National Museum of Norway/Børre Høstland. https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Arnold-Bocklin,-Self-Portrait-with-Death-Playing-the-Fiddle,-1872.jpg Arnold Böcklin, Self-Portrait with Death Playing the Fiddle, 1872. © Alte Nationalgalerie, Staatliche Museen zu Berlin. Photo: Andres Kilger. https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Kathe-Kollwiz,-Death,-Woman-and-Child,-1903.jpg Käthe Kollwiz, Death, Woman and Child, 1903. Photo: The National Museum of Norway/Andreas Harvik. https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Hugo-Simberg,-Wounded-Angel,-1893.jpg Hugo Simberg, Wounded Angel, 1893. © Finnish National Gallery/Ateneum, Ahlström Collection. Photo: Finnish National Gallery/Hannu Aaltonen. https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Akseli-Gallen-Kallela,-Lemminkainens-Mother,-1897.jpg Akseli Gallen-Kallela, Lemminkäinen's Mother, 1897. © Finnish National Gallery/Ateneum, Antell Collection. Photo: Finnish National Gallery/Hannu Pakarinen. https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Edvard-Munch,-Death-and-Woman,-1894-1895.jpg Edvard Munch, Death and Woman, 1894/1895. Photo: The National Museum/Andreas Harvik. https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Gustave-Van-de-Woestyne,-Bad-Sower,-1908.jpg Gustave Van de Woestyne, Bad Sower, 1908. © The Phoebus Foundation. https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Marianne-Stokes,-Death-and-the-Maiden,-1908.jpg Marianne Stokes, Death and the Maiden, 1908. © Grand PalaisRMN (Musée d’Orsay)/ Hervé Lewandowski. https://www.studiointernational.com/images/articles/g/011-gothic-modern-2025/Michael-Wolgemut,-Dance-of-Death-from-the-Nuremberg-Chronicle,-1493.jpg Michael Wolgemut, Dance of Death from the Nuremberg Chronicle, 1493. Photo: Ernst Bjerke. https://www.studiointernational.com/index.php/alison-watt-from-light-video-interview-pitzhanger-manor-and-gallery-london https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/Alison-Watt,-Glanville,-2020-22.jpg Alison Watt, Glanville, 2020-22. Oil on canvas, 122.9 × 122.2 cm. Courtesy and copyright the artist. https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/PHM-ALW-055.jpg Alison Watt: From Light, installation view, Pitzhanger Manor & Gallery, London, 5 March – 15 June 2025. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/PHM-ALW-052.jpg Alison Watt: From Light, installation view, Pitzhanger Manor & Gallery, London, 5 March – 15 June 2025. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/PHM-ALW-005.jpg Alison Watt: From Light, installation view, Pitzhanger Manor & Gallery, London, 5 March – 15 June 2025. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/PHM-ALW-035.jpg Alison Watt: From Light, installation view, Pitzhanger Manor & Gallery, London, 5 March – 15 June 2025. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/PHM-ALW-041.jpg Alison Watt: From Light, installation view, Pitzhanger Manor & Gallery, London, 5 March – 15 June 2025. Photo: Andy Stagg. https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/Alison-Watt,-The-Day-After-(detail),-2023.jpg Alison Watt, The Day After, 2023 (detail). Oil on canvas, 80 × 78 cm. Courtesy and copyright the artist. https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/Alison-Watt,-Vanitas,-2024.jpg Alison Watt, Vanitas, 2024. Oil on canvas. Courtesy and copyright the artist. https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/Alison-Watt,-Le-Ciel,-2025.jpg Alison Watt, Le Ciel, 2025. Oil on canvas, 182.9 x 121.9 cm. Courtesy and copyright the artist. https://www.studiointernational.com/images/articles/w/027-watt-alison-2025/Alison-Watt,-Hircus,-2024.jpg Alison Watt, Hircus, 2024. Oil on canvas. Courtesy and copyright the artist. https://www.studiointernational.com/index.php/shu-lea-cheang-and-dondon-hounwn-hagay-dreaming-review-tate-modern-london https://www.studiointernational.com/images/articles/h/003-hagay-dreaming-2025/hagay-dreaming-1000px.jpg Shu Lea Cheang and Dondon Hounwn speaking to Studio International during rehearsals for Hagay Dreaming at Tate Modern, London. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/vanessa-bell-conference-review-mk-gallery-charleston-bloomsbury-group https://www.studiointernational.com/images/articles/b/&075-bell-vanessa-2025/2-Vanessa-Bell,-Still-Life-with-Plaster-Head,-1947,.jpg Vanessa Bell, Still Life with Plaster Head, 1947. Oil on board, 53.5 x 44.5 cm. Charleston Trust. © Estate of Vanessa Bell. All rights reserved, DACS 2024. Photo: Charleston Trust. https://www.studiointernational.com/images/articles/b/&075-bell-vanessa-2025/3-Vanessa-Bell,-Conversation-Piece,-1912.jpg Vanessa Bell, Conversation Piece , 1912. Oil on board, 58.5 x 76.5 cm. University of Hull. © Estate of Vanessa Bell. All rights reserved, DACS. 2024. Photo: University of Hull. https://www.studiointernational.com/images/articles/b/&075-bell-vanessa-2025/4-Vanessa-Bell,-The-Pond-at-Charleston,-c1916.jpg Vanessa Bell, The Pond at Charleston, c1916. Oil on canvas, 29.5 x 34.8 cm. Charleston Trust. © Estate of Vanessa Bell. All rights reserved, DACS 2024. Photo: Charleston Trust. https://www.studiointernational.com/images/articles/b/&075-bell-vanessa-2025/5.Potted-by-Phyllis-Keyes,-decorated-by-Vanessa-Bell,-Music-Room-Vase,-c1932-Charleston-Trust.jpg Potted by Phyllis Keyes, decorated by Vanessa Bell, Music Room Vase, c1932. Ceramic, cast from an Italian or Spanish original, 22 cm x 13.5 cm x 13.5 cm, Charleston Trust. © Estate of Vanessa Bell. All rights reserved, DACS 2024. Photo: Charleston Trust. https://www.studiointernational.com/images/articles/b/&075-bell-vanessa-2025/1-Vanessa-Bell,-Self-Portrait,-c1958.jpg Vanessa Bell, Self-Portrait, c1958. Oil on canvas, 45 x 37 cm. Charleston Trust. © Estate of Vanessa Bell. All rights reserved, DACS 2024. Photo: Charleston Trust. https://www.studiointernational.com/index.php/sagarika-sundaram-interview-end-result-very-much-a-surprise-to-me-alison-jacques-gallery-london https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/sagarika-sundarah-Photo-Anita-Goes.jpg Sagarika Sundaram in her studio at the World Trade Center, New York. Photo: Anita Goes. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/P5A6835.jpg Sagarika Sundaram. Night Creeper, 2024. Hand-dyed wool, wire, 51 x 91 in (129 x 231 cm). Photo courtesy Nature Morte gallery. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/P5A6799.jpg Sagarika Sundaram: Polyphony, installation view, Nature Morte gallery, New Delhi, 17 January 17 – 23 February 2025. Photo courtesy Nature Morte gallery. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/_P5A6805.jpg Sagarika Sundaram: Polyphony, installation view, Nature Morte gallery, New Delhi, 17 January 17 – 23 February 2025. Photo courtesy Nature Morte gallery. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/P5A6810.jpg Sagarika Sundaram. Four Pockets, 2024. Hand dyed wool, wire, 63 x 132 x 19 in (160 x 335.3 x 48.3 cm). Photo courtesy Nature Morte gallery. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/IMG_7217.jpg Detail view of Sagarika Sundaram https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/IMG_7216.jpg Detail view of Sagarika Sundaram https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/P5A6809.jpg Sagarika Sundaram. Mother of Pearl, 2024. Hand-dyed wool, wire 76 x 58 x 26 in (193 x 148 x 66 cm). Photo courtesy Nature Morte gallery. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/sagarika-sundarah-Photo-Anita-Goes-02.jpg Sagarika Sundaram in her studio at the World Trade Center, New York. Photo: Anita Goes. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/sagarika-sundarah-Photo-Anita-Goes-03-750.jpg Sagarika Sundaram. Photo: Anita Goes. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/P5A6818.jpg Sagarika Sundaram: Polyphony, installation view, Nature Morte gallery, New Delhi, 17 January 17 – 23 February 2025. Photo courtesy Nature Morte gallery. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/P5A6833.jpg Sagarika Sundaram. Threefold, 2025. Hand dyed wool, wire, 78 x 78 x 5 in (198.1 x 198.1 x 12.7 cm). Photo courtesy Nature Morte gallery. https://www.studiointernational.com/images/articles/s/&057-sundarah-sagarika-2025/P5A6853.jpg Sagarika Sundaram. Flame of the Forest, 2022. Hand-dyed felted wool, 102 x 102 in (259 x 259 cm). Museum collection - Kiran Nadar Museum of Art, New Delhi. Photo courtesy Nature Morte gallery. https://www.studiointernational.com/index.php/mary-cassatt-between-paris-and-new-york-making-of-transatlantic-legacy-book-review https://www.studiointernational.com/images/articles/c/&070-cassatt-mary-2025/Mary_Cassatt_Reading_Le_Figaro.jpg Mary Cassatt, Reading Le Figaro, 1878. Oil on canvas, 104 x 83.7 cm (40.9 x 32.9 in). Image Wikimedia Commons. https://www.studiointernational.com/images/articles/c/&070-cassatt-mary-2025/mary-cassatt-book-cover-2.jpg Mary Cassatt between Paris & New York: The Making of a Transatlantic Legacy, published by University of California Press. https://www.studiointernational.com/index.php/resistance-review-steve-mcqueen-turner-contemporary-margate https://www.studiointernational.com/images/articles/r/024-resistance-2025/RS001_2AYP5B7.jpg Unknown photographer. Annie Kenney (an Oldham cotton mill worker) arrested in London, April 1913. © Alamy. https://www.studiointernational.com/images/articles/r/024-resistance-2025/RS206-FORMAT_3_3_5_17.jpg Pam Isherwood. Stop Clause 28 march, Whitehall, London, 9 January 1988. © Bishopsgate Institute. https://www.studiointernational.com/images/articles/r/024-resistance-2025/RS112-PAUL-TREVOR.jpg Paul Trevor. Anti-racists gather to block route of National Front demonstration, New Cross Road, London, August 1977. © Paul Trevor. https://www.studiointernational.com/images/articles/r/024-resistance-2025/RS253-Andrew-Testa,-Protestors-occupy-trees-after-identifying-which-police,-bailiffs-and-tree-surgeons-were-targeting-that-day,-1996-(c)-Andrew-Testa.jpg Andrew Testa. Allercombe tree village, on the route of the proposed A30 Honiton Bypass, Devon, December 1996. © Andrew Testa. https://www.studiointernational.com/images/articles/r/024-resistance-2025/RS074_2NG95M6.jpg Eddie Worth. An anti-fascist demonstrator is taken away under arrest after a mounted baton charge during the Battle of Cable Street, London, 4 October 1936. © Alamy. https://www.studiointernational.com/images/articles/r/024-resistance-2025/B+E-RS226-004556.jpg Henry Grant. Anti-nuclear protesters marching to Aldermaston, Berkshire, May 1958. © Henry Grant Collection/London Museum. https://www.studiointernational.com/images/articles/r/024-resistance-2025/RS144_Keith-Pattison.jpg Keith Pattison. Police operation to get the first returning miner into the pit. Joanne, Gillian and Kate Handy with Brenda Robinson, Easington Colliery, Durham, 24 August 1984. © Keith Pattison. https://www.studiointernational.com/images/articles/r/024-resistance-2025/RS290_Andrew-Wiard-BW.jpg Andrew Wiard. Demonstration against the imminent invasion of Iraq by Stop the War Coalition, the Campaign for Nuclear Disarmament and the Muslim Association of Britain, 15 February 2003. © Andrew Wiard / reportphotos.com. Courtesy of Andrew Wiard. https://www.studiointernational.com/index.php/portia-zvavahera-interview-i-am-speaking-with-the-souls-of-people-zvakazarurwa-fruitmarket-gallery-edinburgh https://www.studiointernational.com/images/articles/z/089-Zvavahera-Portia-2025/FM_Portia-Zvavahera-Photo-Neil-Hanna-2.jpg Portia Zvavahera. Photo: Neil Hanna. https://www.studiointernational.com/images/articles/z/089-Zvavahera-Portia-2025/Portia-Zvavahera_This-is-Where-I-Travelled.jpg Portia Zvavahera. This is where I travelled (4), 2020. Ink and oil stick on canvas, 242.5 × 201 cm (95 1/2 × 79 1/8 in). Tate: Purchased with funds provided by Simon Nixon and family 2022. https://www.studiointernational.com/images/articles/z/089-Zvavahera-Portia-2025/250303_FM_PZ_01.jpg Portia Zvavahera: Zvakazarurwa, installation view, Fruitmarket, Edinburgh, 2025. Courtesy the artist, Stevenson and David Zwirner. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/z/089-Zvavahera-Portia-2025/250303_FM_PZ_09.jpg Portia Zvavahera: Zvakazarurwa, installation view, Fruitmarket, Edinburgh, 2025. Courtesy the artist, Stevenson and David Zwirner. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/z/089-Zvavahera-Portia-2025/250303_FM_PZ_14.jpg Portia Zvavahera: Zvakazarurwa, installation view, Fruitmarket, Edinburgh, 2025. Courtesy the artist, Stevenson and David Zwirner. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/z/089-Zvavahera-Portia-2025/250303_FM_PZ_34.jpg Portia Zvavahera: Zvakazarurwa, installation view, Fruitmarket, Edinburgh, 2025. Courtesy the artist, Stevenson and David Zwirner. Photo: Ruth Clark. https://www.studiointernational.com/index.php/elizabeth-fritsch-otherworldly-vessels-review-the-hepworth-wakefield https://www.studiointernational.com/images/articles/f/043-fritsch-elizabeth-2025/Group-10-2_Fritsch_Adrian-Sassoon_5_Sylvain-Deleu.jpg A group of hand-built ceramic vessels with coloured slips by Elizabeth Fritsch. © The Artist. Image courtesy Adrian Sassoon, London. Photo: Sylvain Deleu. https://www.studiointernational.com/images/articles/f/043-fritsch-elizabeth-2025/Green-Horn-Vase,-Collision-of-Particles_Fritsch_Adrian-Sassoon_Sylvain-Deleu.jpg Elizabeth Fritsch, Green Horn Vase, Collision of Particles (2008). Hand-built stoneware with coloured slips. Collection of the artist. © The Artist. Image courtesy Adrian Sassoon, London. Photo: Sylvain Deleu. https://www.studiointernational.com/images/articles/f/043-fritsch-elizabeth-2025/Group-8_Fritsch_Adrian-Sassoon_Sylvain-Deleu.jpg Elizabeth Fritsch, Mother and Child (Collision of Particles), 1990. Hand-built stoneware with coloured slips. Collection of the artist. © The Artist. Image courtesy Adrian Sassoon, London. Photo: Sylvain Deleu. https://www.studiointernational.com/images/articles/f/043-fritsch-elizabeth-2025/Group-7_Fritsch_Adrian-Sassoon_19_Sylvain-Deleu.jpg Elizabeth Fritsch, Vases from Tlön, 1984. Hand-built stoneware with coloured slips. Collection of the artist. © The Artist. Image courtesy Adrian Sassoon, London. Photo: Sylvain Deleu. https://www.studiointernational.com/images/articles/f/043-fritsch-elizabeth-2025/750-Fritsch_Adrian-Sassoon_14_Sylvain-Deleu.jpg A group of hand-built ceramic vessels with coloured slips by Elizabeth Fritsch. © The Artist. Image courtesy Adrian Sassoon, London. Photo: Sylvain Deleu. https://www.studiointernational.com/images/articles/f/043-fritsch-elizabeth-2025/Group-3_Fritsch_Adrian-Sassoon_1_Sylvain-Deleu.jpg A group of hand-built ceramic vessels with coloured slips by Elizabeth Fritsch. © The Artist. Image courtesy Adrian Sassoon, London. Photo: Sylvain Deleu. https://www.studiointernational.com/images/articles/f/043-fritsch-elizabeth-2025/Group-4_Fritsch_Adrian-Sassoon_4_Sylvain-Deleu.jpg A group of hand-built ceramic vessels with coloured slips by Elizabeth Fritsch. © The Artist. Image courtesy Adrian Sassoon, London. Photo: Sylvain Deleu. https://www.studiointernational.com/index.php/somaya-critchlow-the-chamber-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Gerrit-Dou,-A-Woman-Playing-a-Clavichord,-oil-on-oak-panel,-c1665-c-Dulwich-Picture-Gallery,-London.jpg Gerrit Dou, A Woman Playing a Clavichord, c1665. Oil on oak panel, 37.7 x 29.9 cm. Dulwich Picture Gallery, London. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Somaya-Critchlow,-The-Chamber,-Dulwich-Picture-Gallery-2025.-Photography-by-Prudence-Cuming.-(5B).jpg Left: Somaya Critchlow, Study for Venus, 2024.Oil on linen, 10 x 7 cm. Right: Somaya Critchlow, Bride, 2024. Oil on linen, 10 x 7 cm. © Somaya Critchlow. Courtesy the artist and Maximillian William, London. Installation view, Somaya Critchlow, The Chamber, Dulwich Picture Gallery 2025. Photo: Prudence Cuming. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/After-Titian,-Europa-and-the-Bull,-17th-century-Dulwich-Picture-Gallery,-London_.jpg After Titian, Europa and the Bull, 17th century. Oil on canvas, 46.7 x 57.1 cm. Dulwich Picture Gallery, London. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Somaya-Critchlow,-The-Chamber-I,-2024-(c)-Somaya-Critchlow.jpg Somaya Critchlow, The Chamber I, 2024. Oil on linen, 95 x 65 cm. © Somaya Critchlow. Courtesy the artist and Maximillian William, London. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Somaya-Critchlow,-Twisted-Figure,-2024-(c)-Somaya-Critchlow.jpg Somaya Critchlow, Twisted Figure, 2024. Oil on linen, 80.5 x 60.1 cm. © Somaya Critchlow. Courtesy the artist and Maximillian William, London. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Somaya-Critchlow,-The-Chamber-II,-2024-(c)-Somaya-Critchlow.jpg Somaya Critchlow, The Chamber II, 2024. Oil on linen, 115 x 90 cm. © Somaya Critchlow. Courtesy the artist and Maximillian William, London. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Somaya-Critchlow,-The-Chamber,-Dulwich-Picture-Gallery-2025.-Photography-by-Prudence-Cuming.-(2).jpg Somaya Critchlow, The Chamber, installation view, Dulwich Picture Gallery 2025. Photo: Prudence Cuming. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Somaya-Critchlow,-The-Chamber,-Dulwich-Picture-Gallery-2025.-Photography-by-Prudence-Cuming.-(3).jpg Somaya Critchlow, The Chamber, installation view, Dulwich Picture Gallery 2025. Photo: Prudence Cuming. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Somaya-Critchlow,-The-Chamber,-Dulwich-Picture-Gallery-2025.-Photography-by-Prudence-Cuming.-(5).jpg Somaya Critchlow, The Chamber, installation view, Dulwich Picture Gallery 2025. Photo: Prudence Cuming. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Somaya-Critchlow,-The-Chamber,-Dulwich-Picture-Gallery-2025.jpg Somaya Critchlow, The Chamber, installation view, Dulwich Picture Gallery 2025. Photo: Prudence Cuming. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/David-Teniers-the-Younger,-A-Peasant-1640s-Dulwich-Picture-Gallery,-London.jpg David Teniers the Younger, A Peasant, 1640s. Oil on copper, 8.5 x 6.6 cm. Dulwich Picture Gallery, London. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Jean-Honore-Fragonard,-Young-Woman,-c1769-Dulwich-Picture-Gallery,-London.jpg Jean-Honoré Fragonard, Young Woman, c1769. Oil on canvas, 62.9 x 52.7 mm. Dulwich Picture Gallery, London. https://www.studiointernational.com/images/articles/c/&069-critchlow-somaya-2025/Somaya-Critchlow,-Study-for-Two-Figures,-2024-(c)-Somaya-Critchlow.jpg Somaya Critchlow, Study for Two Figures, 2024. Oil on linen, 30.5 cm (diameter). © Somaya Critchlow. Courtesy the artist and Maximillian William, London. Photo: Prudence Cuming Associates Ltd. https://www.studiointernational.com/index.php/siena-the-rise-of-painting-1300-1350-review-national-gallery-london https://www.studiointernational.com/images/articles/s/&056-siena-2025/02.jpg Duccio, Triptych with the Crucifixion and other scenes, about 1302-8. Tempera on panel, 44.9 x 31.4 cm (central panel); 44.8 x 16.9 cm (left-wing); 45 x 17.1 cm (right-wing); 13.9 x 34.9 cm (spandrel). The Royal Collection / HM King Charles III (RCIN 400095). Royal Collection Trust / © His Majesty King Charles III 2024. https://www.studiointernational.com/images/articles/s/&056-siena-2025/03.jpg Duccio Maestà - Panels, The Calling of the Apostles Peter and Andrew, 1308-11. Tempera and gold leaf on panel, 43.3 x 46.2 x 4.4 cm. National Gallery of Art, Washington, DC. Courtesy National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/s/&056-siena-2025/05.jpg Pietro Lorenzetti (active 1306(?), died probably 1348), Pieve Polyptych, about 1320. Tempera on panel, 312 x 295 x 9 cm. Chiesa di Santa Maria della Pieve, Arezzo. © Gentile concessione dell’Ufficio Beni Culturali della Diocesi di Arezzo-Cortona-Sansepolcro / L.A.D. Photo: Angelo Latronico. https://www.studiointernational.com/images/articles/s/&056-siena-2025/01.jpg Duccio, The Virgin and Child, about 1290-1300. Tempera on poplar, 27.9 x 21 cm. The Metropolitan Museum of Art, New York. Purchase, Rogers Fund, Walter and Leonore Annenberg and The Annenberg Foundation Gift, Lila Acheson Wallace Gift, Annette de la Renta Gift, Harris Brisbane Dick, Fletcher, Louis V. Bell, and Dodge Funds, Joseph Pulitzer Bequest, several members of The Chairman https://www.studiointernational.com/images/articles/s/&056-siena-2025/11.jpg Lando di Pietro, Head of Christ (fragment of crucifix), 1338. Tempera on walnut, 31 × 22 × 18 cm. Basilica di San Bernardino all https://www.studiointernational.com/images/articles/s/&056-siena-2025/04.jpg Duccio, Duccio Maestà - Panels, The Temptation of Christ on the Mountain, about 1308-11. Tempera on poplar, 43.2 x 46 cm. The Frick Collection, New York. Purchase 1927 (1927.1.35). © Copyright The Frick Collection / Photo: Michael Bodycomb. https://www.studiointernational.com/images/articles/s/&056-siena-2025/06.jpg Ambrogio Lorenzetti, Madonna del Latte, about 1325. Tempera on panel, 96 x 49.1 cm. Arcidiocesi di Siena - Colle di Val d’Elsa - Montalcino, Museo Diocesano, Siena. © Photo Studio Lensini Siena. https://www.studiointernational.com/images/articles/s/&056-siena-2025/07.jpg Simone Martini, Saint Andrew, about 1326-7. Tempera on panel, 57.2 x 37.8 cm. The Metropolitan Museum of Art, New York. Gift of George Blumenthal, 1941. © The Metropolitan Museum of Art, New York. https://www.studiointernational.com/images/articles/s/&056-siena-2025/09.jpg Simone Martini, The Angel Gabriel, about 1326-34. Tempera on poplar, 29.7 x 20.5 cm (with engaged frame). Collection KMSKA - Flemish Community (public domain) (257). © Collection KMSKA - Flemish Community / Photo: Hugo Maertens. https://www.studiointernational.com/images/articles/s/&056-siena-2025/08.jpg Pietro Lorenzetti, Birth of the Virgin, 1335-42. Tempera on panel, 182 x 187 cm. Museo dell'Opera della Metropolitana, Siena. © Photo: Studio Lensini Siena. https://www.studiointernational.com/images/articles/s/&056-siena-2025/10.jpg Simone Martini, Christ Discovered in the Temple, 1342. Tempera on panel, 49.5 x 35.1 cm (with engaged frame). National Museums Liverpool, Walker Art Gallery (2787). Presented by the Liverpool Royal Institution 1948. © National Museums Liverpool. https://www.studiointernational.com/index.php/symbiosis-art-in-the-age-of-ai-review-sylvia-wald-and-po-kim-gallery-new-york-artificial-intelligence https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/Dementieva-Mini-Totems-sculptures-2025-01-11-at-7.26.05-PM.jpg Alexandra Dementieva. Mini-Totems, 2022-25. 3D modeling sculptures, H26 cm and 30 cm (10 and 11.8 in). © the artist. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/Dementieva-On-the-moon_1.jpg Alexandra Dementieva. Still image from the video Our Portraits, 2023. Duration 4 mins. © the artist. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/LevManovich_full_len-(3).jpg Lev Manovich. Drawing Rooms, 2023. Digital images created with Generative AI and edited in Lightroom Print. L85 cm (33.5 in). © the artist. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/latham_01.jpg William Latham. Infinity Gothic Mutator, 2022. Two mutator A-Life Videos, AI and 3D physics. © the artist. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/Koen-Theys_Pablo-Picasso_twin-brother.jpg Koen Theys. Pablo Picasso with his Twin Brother in the Studio, 2024. Pigment ink on archival paper, 180 x 178.5 cm (70.8 x 70.2 in). © the artist. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/Koen-Theys_Pablo-Picasso_twin-brother-detail.jpg Koen Theys. Pablo Picasso with his Twin Brother in the Studio, 2024 (detail). Pigment ink on archival paper, 180 x 178.5 cm (70.8 x 70.2 in). © the artist. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/frants_Amabie.jpg Anna Frants. Amable, 2020-25. Media installation. Animation, programming, real-time webcams located around the globe, neural network. © the artist. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/Petermfriess_DARWIN.jpg Petermfriess. Darwin 2 / The Genesis of Tomorrow, 2023. Evolutionary vision AI short movie. © the artist. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/jacobs_3416.jpg Aernoudt Jacobs. Luminous Ether, 2025. 10-channel mimesis of EM waves, 30 x 45 cm (12 x 18 in) each. © the artist. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/Eunsu-Kang.jpg Eunsu Kang in collaboration with Donald D. Craig. Hexad for a Guitarist and Artificial Organisms, 2025. Interactive installation made with Generative AI. © the artists. https://www.studiointernational.com/images/articles/s/&055-symbiosis-2025/Image_4_enlarged_edi.jpg Lev Manovich. Drawing Rooms, 2023. Digital images created with Generative AI and edited in Lightroom Print. L85 cm (33.5 in). © the artist. https://www.studiointernational.com/index.php/astonishing-things-the-drawings-of-victor-hugo-royal-academy-london https://www.studiointernational.com/images/articles/h/002-hugo-victor-2025/victor-hugo-key-43.jpg Victor Hugo, The Town of Vianden, with Stone Cross, 1871. Brown and black ink, brown and purple wash, graphite and varnish on paper, 25 x 34.5 cm. Bibliothèque nationale de France, Département des Manuscrits. https://www.studiointernational.com/images/articles/h/002-hugo-victor-2025/victor-hugo-key-38.jpg Victor Hugo, The Cheerful Castle, c1847. Pen, brown and black ink and wash, crayon on cardboard, 15.8 x 22.2 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo. https://www.studiointernational.com/images/articles/h/002-hugo-victor-2025/victor-hugo-key-6.jpg Victor Hugo, The Town of Vianden Seen Through a Spider’s Web, 1871. Brown ink and wash, and blue watercolour over graphite on paper, 25.5 x 30.3 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo. https://www.studiointernational.com/images/articles/h/002-hugo-victor-2025/victor-hugo-key-64.jpg Victor Hugo, Mirror with Birds, 1870. Hand-painted and inscribed wooden frame, oil paint, varnish, 70 x 65 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo. https://www.studiointernational.com/images/articles/h/002-hugo-victor-2025/victor-hugo-key-73.jpg Victor Hugo, Chain, 1864. Pen and brown ink on paper, 19.2 x 26 cm. Bibliothèque nationale de France, Département des Manuscrits. https://www.studiointernational.com/images/articles/h/002-hugo-victor-2025/victor-hugo-key-8.jpg Victor Hugo, Mushroom, 1850. Pen, brown ink and wash, charcoal, crayon, green, red and white gouache on paper, 47.4 x 60.8 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo. https://www.studiointernational.com/images/articles/h/002-hugo-victor-2025/victor-hugo-key-77.jpg Victor Hugo, Octopus, 1866–69. Brown ink and wash and graphite on paper, 24 x 20.7 cm. Bibliothèque nationale de France, Département des Manuscrits. https://www.studiointernational.com/images/articles/h/002-hugo-victor-2025/victor-hugo-key-81.jpg Victor Hugo, The Lighthouse at Casquets, Guernsey, 1866, Brown ink and wash, black crayon, black chalk and white gouache on paper, 89.8 x 48 cm. Photo: CCØ Paris Musées / Maison de Victor Hugo. https://www.studiointernational.com/index.php/olivia-bax-interview-with-art-there-are-so-many-unwritten-rules-i-find-it-interesting-to-challenge-and-break-them https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/04-2024-01-29-TMH-038-LR.jpg These Mad Hybrids, featuring: Caroline Achaintre, Eric Bainbridge, Phyllida Barlow, Olivia Bax, John Hoyland, Hew Locke, Anna Reading, Jessi Reaves, Andrew Sabin, John Summers and Chiffon Thomas. Installation view at RWA, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/06-20241028-NAC-011-LR.jpg Olivia Bax: Handrailing, 2024-25. Solo exhibition at New Art Centre, Roche Court in collaboration with Sid Motion Gallery. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/09-20241028-NAC-092-LR.jpg Olivia Bax. Great Catch, 2024. Steel, chicken wire, plaster, paper, epoxy clay, PVA, household paint, steel funnels, drain covers, tent hooks, beach ball, 213 x 140 x 166 cm. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/14-Olivia-Bax-Kingpin.jpg Olivia Bax. Kingpin, 2020. Steel, polystyrene, chicken wire, foam, newspaper, UV resistant PVA, paint, plaster, funnels, powder coated steel stands, 270 x 450 x 250 cm. Photo: Rebecca Larkin. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/01-2024-01-29-TMH-012-LR.jpg These Mad Hybrids, featuring: Caroline Achaintre, Eric Bainbridge, Phyllida Barlow, Olivia Bax, John Hoyland, Hew Locke, Anna Reading, Jessi Reaves, Andrew Sabin, John Summers and Chiffon Thomas. Installation view at RWA, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/02-2024-01-29-TMH-014-LR.jpg These Mad Hybrids, featuring: Caroline Achaintre, Eric Bainbridge, Phyllida Barlow, Olivia Bax, John Hoyland, Hew Locke, Anna Reading, Jessi Reaves, Andrew Sabin, John Summers and Chiffon Thomas. Installation view at RWA, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/11-OH_851d_72.jpg Olivia Bax: Floss, 2024. Solo exhibition at Holtermann Fine Art, London. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/10-OH_851d_05.jpg Olivia Bax: Floss, 2024. Solo exhibition at Holtermann Fine Art, London. Photo: Ollie Hammick. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/12-Olivia-Bax,-Thresh-and-Hold,-2024,-installation-view-at-RIBOT-2.jpg Olivia Bax: Thresh and Hold, 2024-25. Solo exhibition at Ribot, Milan. Photo: Mattia Mognetti. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/20241111-ob_gustons-view_promo-lr.jpg Olivia Bax with a postcard of Philip Guston https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/13C-Olivia-Bax-in-the-studio.jpg Olivia Bax in the studio, 2020. Photo: Jean-Philippe Dordolo. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/03-2024-01-29-TMH-016-LR.jpg These Mad Hybrids, featuring: Caroline Achaintre, Eric Bainbridge, Phyllida Barlow, Olivia Bax, John Hoyland, Hew Locke, Anna Reading, Jessi Reaves, Andrew Sabin, John Summers and Chiffon Thomas. Installation view at RWA, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/05-2024-01-29-TMH-053-LR.jpg These Mad Hybrids, featuring: Caroline Achaintre, Eric Bainbridge, Phyllida Barlow, Olivia Bax, John Hoyland, Hew Locke, Anna Reading, Jessi Reaves, Andrew Sabin, John Summers and Chiffon Thomas. Installation view at RWA, Bristol, 2024. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/07-20241028-NAC-063-LR.jpg Olivia Bax: Handrailing, 2024-25. Solo exhibition at New Art Centre, Roche Court in collaboration with Sid Motion Gallery. Photo: Tim Bowditch. https://www.studiointernational.com/images/articles/b/&074-bax-olivia-2025/08-20241028-NAC-115-LR.jpg Olivia Bax: Handrailing, 2024-25. Solo exhibition at New Art Centre, Roche Court in collaboration with Sid Motion Gallery. Photo: Tim Bowditch. https://www.studiointernational.com/index.php/delaine-le-bas-video-interview-stranger-in-silver-walking-on-air-the-white-house-dagenham-london https://www.studiointernational.com/images/articles/l/030-le-bas-delaine-2025/02-Delaine-Le-Bas_A-Stranger-in-Silver-Walking-on-Air_Image-by-Alexander-Christie_Courtesy-Create-London.jpg Delaine Le Bas: A Stranger in Silver Walking on Air, the White House, Dagenham, 2025. Photo: Alexander Christie, Courtesy Create London. https://www.studiointernational.com/images/articles/l/030-le-bas-delaine-2025/19-Delaine-Le-Bas_A-Stranger-in-Silver-Walking-on-Air_Image-by-Alexander-Christie_Courtesy-Create-London.jpg Delaine Le Bas: A Stranger in Silver Walking on Air, the White House, Dagenham, 2025. Photo: Alexander Christie, Courtesy Create London. https://www.studiointernational.com/images/articles/l/030-le-bas-delaine-2025/rubbish-dolls-the-white-house-exterior-view.jpg Rubbish dolls on the front lawn, Delaine Le Bas: A Stranger in Silver Walking on Air, the White House, Dagenham, 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/l/030-le-bas-delaine-2025/the-white-house-exterior.jpg Delaine Le Bas: A Stranger in Silver Walking on Air, the White House, Dagenham, 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/l/030-le-bas-delaine-2025/12-Delaine-Le-Bas_A-Stranger-in-Silver-Walking-on-Air_Image-by-Alexander-Christie_Courtesy-Create-London.jpg Delaine Le Bas: A Stranger in Silver Walking on Air, the White House, Dagenham, 2025. Photo: Alexander Christie, Courtesy Create London. https://www.studiointernational.com/images/articles/l/030-le-bas-delaine-2025/06-Delaine-Le-Bas_A-Stranger-in-Silver-Walking-on-Air_Image-by-Alexander-Christie_Courtesy-Create-London.jpg Delaine Le Bas: A Stranger in Silver Walking on Air, the White House, Dagenham, 2025. Photo: Alexander Christie, Courtesy Create London. https://www.studiointernational.com/images/articles/l/030-le-bas-delaine-2025/09-Delaine-Le-Bas_A-Stranger-in-Silver-Walking-on-Air_Image-by-Alexander-Christie_Courtesy-Create-London.jpg Delaine Le Bas: A Stranger in Silver Walking on Air, the White House, Dagenham, 2025. Photo: Alexander Christie, Courtesy Create London. https://www.studiointernational.com/images/articles/l/030-le-bas-delaine-2025/15-Delaine-Le-Bas_A-Stranger-in-Silver-Walking-on-Air_Image-by-Alexander-Christie_Courtesy-Create-London.jpg Delaine Le Bas: A Stranger in Silver Walking on Air, the White House, Dagenham, 2025. Photo: Alexander Christie, Courtesy Create London. https://www.studiointernational.com/images/articles/l/030-le-bas-delaine-2025/20-Delaine-Le-Bas_A-Stranger-in-Silver-Walking-on-Air_Image-by-Alexander-Christie_Courtesy-Create-London.jpg Delaine Le Bas: A Stranger in Silver Walking on Air, the White House, Dagenham, 2025. Photo: Alexander Christie, Courtesy Create London. https://www.studiointernational.com/index.php/edvard-munch-portraits-review-national-portrait-gallery-london https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/10-Stanislaw-Przybyszewski,-Edvard-Munch,-1895-(c)-Kode-Bergen-Art-Museum.jpg Edvard Munch, Stanisław Przybyszewski, 1895. Lithograph. © Kode Bergen Art Museum. Photo: Fosse, Dag/KODE. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/01-Evening,-Edvard-Munch,-1888-Museo-Nacional-Thyssen-Bornemisza.jpg Edvard Munch, Evening,1888. Oil on canvas. © Museo Nacional Thyssen-Bornemisza. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/02-Andreas-Munch-Studying-Anatomy,-Edvard-Munch,-1886-(c)-Munchmuseet-Photo-Munchmuseet-Juri-Kobayashi.jpg Edvard Munch, Andreas Munch Studying Anatomy, 1886. © Munchmuseet. Photo: Munchmuseet / Juri Kobayashi. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/03-Hans-Jaegar,-Edvard-Munch,-1889-(c)-Nasjonalmuseet-for-kunst,-arkitektur-og-design,-The-Fine-Art-Collections.jpg Edvard Munch, Hans Jaeger, 1889. Oil on canvas. © Nasjonalmuseet for kunst, arkitektur og design, The Fine Art Collections. Photo: Nasjonalmuseet / Børre Høstland. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/04-The-Brooch-Eva-Mudocci,-Edvard-Munch,-1902-(c)-Private-collection,-courtesy-Peder-Lund.jpg Edvard Munch, The Brooch. Eva Mudocci, 1902. Lithograph. © Private collection, courtesy Peder Lund. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/05-Felix-Auerbach,-Edvard-Munch,-1906-(c)-Van-Gogh-Museum,-Amsterdam-(Vincent-van-Gogh-Foundation).jpg Edvard Munch, Felix Auerbach, 1906. © Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/Dr-Daniel-Jacobson,-Edvard-Munch,-1908.jpg Edvard Munch, Dr Daniel Jacobson, 1908. Oil on canvas © SMK, National Gallery of Denmark. SMK Photo / Jakob Skou-Hansen. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/06-Tete-a-tete.-Edvard-Munch,-1885-(c)-Munchmuseet.jpg Edvard Munch, Tête-à-tête, 1885. Oil on canvas. © Munchmuseet. Photo: Munchmuseet / Halvor Bjørngård. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/07-Seated-Model-on-the-Couch,-Birgit-Prestoe,-Edvard-Munch,-1924-(c)-Munchmuseet.jpg Edvard Munch, Seated Model on the Couch, Birgit Prestøe, 1924. © Munchmuseet. Photo: Munchmuseet / Sidsel de Jong. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/750-MUNCH-12.jpg Installation view, Edvard Munch Portraits, National Portrait Gallery, London, 2025. © David Parry. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/08-Self-Portrait,-Edvard-Munch,-1882-83-(c)-Oslo-Museum.jpg Edvard Munch, Self-Portrait, 1882–83. Oil on unprimed cardboard. Photo: Fredrik Birkelund / Oslo Museum. https://www.studiointernational.com/images/articles/m/&071-munch-edvard-2025/09-Thor-Lutken,-Edvard-Munch,-1892-Private-Collection.jpg Edvard Munch, Thor Lütken, 1892. Oil on canvas. Private Collection. Photo: Munchmuseet / Sidsel de Jong. https://www.studiointernational.com/index.php/yto-barrada-deadhead-review-fondazione-merz-turin-italy https://www.studiointernational.com/images/articles/b/&073-barrada-yto-2025/01_YTO-BARRADA-(c)-FMM-Photo-by-Renato-Ghiazza.jpg Yto Barrada. (Left) Untitled (After Stella, Tetuan I), 2019. Cotton, natural dyes 73,7 x 76,2 cm. (Right) Untitled (After After Stella, Tetuan III), 2019. Cotton, natural dyes, 101 x 104,1 cm. Courtesy Fondazione Merz. Photo: Renato Ghiazza. https://www.studiointernational.com/images/articles/b/&073-barrada-yto-2025/02_YTO-BARRADA-(c)-FMM-Photo-by-Renato-Ghiazza.jpg Yto Barrada. Continental Drift, 2021. Super 8 film transferred to digital, colour, sound 24’ 9”, loop. Courtesy Fondazione Merz. Photo: Renato Ghiazza. https://www.studiointernational.com/images/articles/b/&073-barrada-yto-2025/barrada-raft-one-2023-Photo-A-Guermani.jpg Yto Barrada. Lit-ras-d’eau I (Raft I), 2023. Installation view, Yto Barrada: Deadhead, Fondazione Merz, Turin, 2025. Photo: A Guermani. https://www.studiointernational.com/images/articles/b/&073-barrada-yto-2025/untitled-colour-analysis-05_YTO-BARRADA-(c)-FMM-Photo-by-Renato-Ghiazza.jpg Yto Barrada. Untitled (Color Analysis), 2024. Cotton, silk, natural dyes, 114,3 x 114,3 cm. Series of 8 works realized for MAO Museo d’Arte Orientale,Torino, 2024. Courtesy Fondazione Merz. Photo: Renato Ghiazza. https://www.studiointernational.com/images/articles/b/&073-barrada-yto-2025/750-yto-barrada-IMG_9212.jpg Installation view, Yto Barrada: Deadhead, Fondazione Merz, Turin, 2025. https://www.studiointernational.com/index.php/celia-paul-review-colony-of-ghosts-victoria-miro-diaries-hazlitt-holland-hibbert-london https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/CP286_My-Mother-and-God_1990_edge.jpg Celia Paul, My Mother and God, 1990. Oil on canvas, 167.3 x 91.4 cm (65 7/8 x 36 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/Celia-Paul,-Colony-of-Ghosts.jpg Celia Paul, Colony of Ghosts, 2023. Oil on canvas, 121.9 x 182.9 cm (48 x 72 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/Celia-Paul_Ghost-of-a-girl-with-an-egg_3.jpg Celia Paul, Ghost of a Girl with an Egg, 2022. Installation view, Celia Paul: Colony of Ghosts, Victoria Miro, London, 14 March–17 April 2025. © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/Celia-Paul,-The-Sea,-The-Sea.jpg Celia Paul, The Sea, The Sea, 2024. Oil on canvas, 166 x 198.5 cm (65 3/8 x 78 1/8 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/CP527_Delphinium,-February-14th_2024.jpg Celia Paul, Delphinium, February 14th, 2024. Watercolour and pastel on paper, 101.6 x 66 cm. © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/CP567_Self-portrait_2020.jpg Celia Paul, Self-Portrait, 2020. Pencil on paper, 15.2 x 15.2 cm. © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/1000-Celia-Paul,-Reclining-Painter.jpg Celia Paul, Reclining Painter, 2023. Oil on canvas, 121.9 x 182.9 cm (48 x 72 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/Celia-Paul,-Painter-at-Home.jpg Celia Paul, Painter at Home, 2023. Oil on canvas, 182.9 x 147.3 cm (72 x 58 in). © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/Celia-Paul_Colony-of-Ghosts_4.jpg Installation view, Celia Paul: Colony of Ghosts, Victoria Miro, London, 14 March–17 April 2025. © Celia Paul. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/images/articles/p/&098-paul-celia-2025/Portrait-of-Celia-Paul.jpg Portrait of Celia Paul, 2025. © Gautier Deblonde. Courtesy the artist and Victoria Miro. https://www.studiointernational.com/index.php/the-cosmos-of-der-blaue-reiter-from-kandinsky-to-campendonk-review-kupferstichkabinett-berlin https://www.studiointernational.com/images/articles/t/039-the-blue-rider-2025/03_Der-Tiger.jpg Franz Marc, Tiger, 1912. Woodcut. © Kupferstichkabinett, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/t/039-the-blue-rider-2025/07_August_Macke_Landschaft_mit_hellem_Baum.jpg August Macke, Landscape with Light Tree, 1914. Watercolour over pencil. © Staatliche Museen zu Berlin, Kupferstichkabinett / Volker-H. Schneider. https://www.studiointernational.com/images/articles/t/039-the-blue-rider-2025/12_Robert_Delaunay_Eiffelturm.jpg Robert Delaunay, Eiffel Tower, 1925. Lithograph. © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz. https://www.studiointernational.com/images/articles/t/039-the-blue-rider-2025/10_Gontscharowa_Weisser_Pfau.jpg Natalja Goncharova, White Peacock, 1911. Lithograph. Photo: Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz. © VG Bild-Kunst, Bonn 2025. https://www.studiointernational.com/images/articles/t/039-the-blue-rider-2025/2923510.jpg Jacoba van Heemskerck, The Composition (Still Life), 1916. Woodcut. © Kupferstichkabinett, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/images/articles/t/039-the-blue-rider-2025/70694047.jpg Alexej von Jawlensky, Female Head III (after a wash drawing from around 1912), c1920. Lithograph. © Kupferstichkabinett, Staatliche Museen zu Berlin / Dietmar Katz. https://www.studiointernational.com/index.php/lee-bul-long-tail-halo-review-genesis-facade-commission-met-metropolitan-museum-of-art-new-york https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/VS_1994_Laughing-A-Space-Toronto_002-cropped.jpg Lee Bul. Laughing, 1994. Video documentation for original performance, A Space, Toronto 18 min 48 sec. © Lee Bul. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/WI_2005_DR-Study-for-MGR-Circular-Prison_001.jpg Lee Bul. Study for Mon grand récit, https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/Installation-View_The-Genesis-Facade-Commission-Lee-Bul-Long-Tail-Halo_1.jpg Installation view of The Genesis Facade Commission: Lee Bul, Long Tail Halo, 2024. Courtesy the artist. Image: The Metropolitan Museum of Art, photo by Eugenia Burnett Tinsley. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/Installation-view-Long-Tail-Halo-The-Secret-Sharer-III,-2024.jpg Lee Bul. Installation view, Long Tail Halo: The Secret Sharer III, 2024. Stainless steel, polycarbonate, acrylic, polyurethane. Courtesy the artist. Image: The Metropolitan Museum of Art, photo by Eugenia Burnett Tinsley. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/Installation-view-Long-Tail-Halo-The-Secret-Sharer-II,-2024.jpg Lee Bul. Installation view, Long Tail Halo: The Secret Sharer II, 2024. Stainless steel, polycarbonate, acrylic, polyurethane. Courtesy the artist. Image: The Metropolitan Museum of Art, photo by Eugenia Burnett Tinsley. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/EV_2007_2017_Thaw-Takaki-Masao-II_001.jpg Lee Bul. Thaw (Takaki Masao) II, 2007/2017. FRP, fibreglass, leather, acrylic paint, 36 x 27.5 x 85 cm. Installation view of Lee Bul: Crash, Gropius Bau, 2018. © Lee Bul. Photo: Mathias Völzke. Courtesy of Gropius Bau. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/EV_2007_2017_Thaw-Takaki-Masao-II_003.jpg Lee Bul. Thaw (Takaki Masao) II, 2007/2017. FRP, fibreglass, leather, acrylic paint, 36 x 27.5 x 85 cm. Installation view of Lee Bul: Crash, Gropius Bau, 2018. © Lee Bul. Photo: Mathias Völzke. Courtesy of Gropius Bau. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/WI_1989_Abortion_001.jpg Lee Bul. Abortion, 1989. Performance still, Dong Soong Art Center, Seoul, Korea. © Lee Bul. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/WI_1988_Cravings_Jangheung_004.jpg Lee Bul. Cravings, 1988. Performance still, Outdoor performance, Jang-heung, Korea. © Lee Bul. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/VS_1994_Laughing-A-Space-Toronto_001.jpg Lee Bul. Laughing, 1994. Video documentation for original performance, A Space, Toronto 18 min 48 sec. © Lee Bul. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/WI_1988_Cravings_Jangheung_025.jpg Lee Bul. Cravings, 1988. Performance still, Outdoor performance, Jang-heung, Korea. © Lee Bul. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/WI_1990_Sorry-for-suffering_001.jpg Lee Bul. Sorry for suffering—You think I https://www.studiointernational.com/images/articles/b/&072-bul-lee-2025/1000-Installation-view-Long-Tail-Halo-CTCS-2,-2024.jpg Lee Bul. Left: Long Tail Halo: CTCS #1, 2024; Right: Long Tail Halo: CTCS #2, 2024. Stainless steel, ethylene-vinyl acetate, carbon fibre, paint, polyurethane. Courtesy the artist. Images: The Metropolitan Museum of Art, Photo by Eugenia Burnett Tinsley. https://www.studiointernational.com/index.php/mahtab-hussain-what-did-you-want-to-see-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/h/001-hussain-mahtab-2025/Landscaspe-shot-Birmingham-Chapter-Series-in-far-gallery-Mahtab-Hussain_What-Did-You-Want-To-See-(7).jpg Installation view, Mahtab Hussain, What Did You Want To See? Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/h/001-hussain-mahtab-2025/CCTV-camera-between-works-Mahtab-Hussain_What-Did-You-Want-To-See-(12).jpg CCTV Camera, 2024. Installation view, Mahtab Hussain, What Did You Want To See? Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/h/001-hussain-mahtab-2025/Screen-grab-from-This-Is-The-Brick.jpg Here is the Brick, 2025. Video, colour, sound, 13:39 mins. Mahtab Hussain with Guy Gunaratne. Installation view, Mahtab Hussain, What Did You Want To See? Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/h/001-hussain-mahtab-2025/Screening-Room-2-Mahtab-Hussain_What-Did-You-Want-To-See-(18).jpg Screening Room. Installation view, Mahtab Hussain, What Did You Want To See? Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/h/001-hussain-mahtab-2025/Prayer-Room-Mahtab-Hussain_What-Did-You-Want-To-See-(2).jpg Prayer Room. Installation view, Mahtab Hussain, What Did You Want To See? Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/h/001-hussain-mahtab-2025/Mahtab-Hussain_What-Did-You-Want-To-See-(16).jpg Installation view, Mahtab Hussain, What Did You Want To See? Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/h/001-hussain-mahtab-2025/Prayer-Room-2-Mahtab-Hussain_What-Did-You-Want-To-See-(31).jpg Prayer Room. Installation view, Mahtab Hussain, What Did You Want To See? Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/h/001-hussain-mahtab-2025/Prayer-Room-Mahtab-Hussain_What-Did-You-Want-To-See-(28).jpg Prayer Room. Installation view, Mahtab Hussain, What Did You Want To See? Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/h/001-hussain-mahtab-2025/Mahtab-Hussain-Profile-photo-1000.jpg Mahtab Hussain. Photo courtesy the artist. https://www.studiointernational.com/index.php/rafal-zajko-the-spin-off-review-focal-point-gallery-southend-on-sea https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/Rafal-Zajko-5.jpg Rafał Zajko: The Spin Off, Installation view, Focal Point Gallery, Southend-on-Sea, 2025. Photo: Corey Bartle-Sanderson. https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/07.jpg Rafał Zajko, Cathedral II (Nest), 2025. Bodysuit in collaboration with Stefan Kartchev. Installation view, Rafał Zajko: The Spin Off, Focal Point Gallery, Southend-on-Sea, 2025. https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/Rafal-Zajko-1.jpg Rafał Zajko in collaboration with artist Mike McShane, A Star Is Born, 2025. Installation view, Rafał Zajko: The Spin Off, Focal Point Gallery, Southend-on-Sea, 2025. Photo: Corey Bartle-Sanderson. https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/Rafal-Zajko-9.jpg Rafał Zajko in collaboration with artist Mike McShane, A Star Is Born, 2025. Installation view, Rafał Zajko: The Spin Off, Focal Point Gallery, Southend-on-Sea, 2025. Photo: Corey Bartle-Sanderson. https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/CCTVGallery1.jpg Rafał Zajko: The Spin Off, Installation view through CCTV, Focal Point Gallery, Southend-on-Sea, 2025. https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/RZ_TheSpinOff-(48-of-181).jpg Rafał Zajko, Denim, 2025. Performance in collaboration with Contemporary Elders and Agnieszka Szczotka at Focal Point Gallery, Southend-on-Sea, 2025. Photo: Amber Merry. https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/05.jpg Rafał Zajko, Cathedral I, 2025. Stoneware ceramics. https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/06.jpg Rafał Zajko, Funny Games, 2025. Installation view, Rafał Zajko: The Spin Off, Focal Point Gallery, Southend-on-Sea, 2025. https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/RZ_TheSpinOff-(12-of-181).jpg Rafał Zajko, Denim, 2025. Performance in collaboration with Contemporary Elders and Agnieszka Szczotka at Focal Point Gallery, Southend-on-Sea, 2025. Photo: Amber Merry. https://www.studiointernational.com/images/articles/z/088-zajko-rafal-2025/Rafal-Zajko.jpg Rafał Zajko in collaboration with artist Mike McShane, A Star Is Born, 2025. Installation view, Rafał Zajko: The Spin Off, Focal Point Gallery, Southend-on-Sea, 2025. Photo: Corey Bartle-Sanderson. https://www.studiointernational.com/index.php/uncanny-review-national-museum-of-women-in-the-arts-washington-dc https://www.studiointernational.com/images/articles/u/085-uncanny-2025/uncanny-install-view-KAP_1798.jpg Installation view of Uncanny at the National Museum of Women in the Arts, Washington D.C. 28 February – 10 August 2025. Photo: Kevin Allen Photography for NMWA. https://www.studiointernational.com/images/articles/u/085-uncanny-2025/Magdalena-4-women.jpg Magdalena Abakanowicz, 4 Seated Figures, 2002. Burlap, resin, and iron rods, 53 1/2 x 24 1/4 x 99 1/4 in. National Museum of Women in the Arts. © Magdalena Abakanowicz. Installation view of Uncanny at the National Museum of Women in the Arts, Washington D.C. 28 February – 10 August 2025. Photo: Kevin Allen Photography for NMWA. https://www.studiointernational.com/images/articles/u/085-uncanny-2025/carrington-ship-of-cranes.jpg Leonora Carrington, The Ship of Cranes, 2010. Bronze, 26 x 14 x 42 1/2 in. Installation view of Uncanny at the National Museum of Women in the Arts, Washington D.C. 28 February – 10 August 2025. Photo: Kevin Allen Photography for NMWA. https://www.studiointernational.com/images/articles/u/085-uncanny-2025/bourgoise-untitled-install-2.jpg Louise Bourgeois, Untitled (with foot), 1989. Pink marble, 30 x 26 x 21 in. Installation view of Uncanny at the National Museum of Women in the Arts, Washington D.C. 28 February – 10 August 2025. Photo: Kevin Allen Photography for NMWA. https://www.studiointernational.com/images/articles/u/085-uncanny-2025/Mary-Ellen-Mark-Idesha-and-Mikayla-Preston.jpg Mary Ellen Mark, Idesha and Mikayla Preston, 8 Years Old, Idesha Older by 10 Minutes, Twinsburg, Ohio, 2002. Polaroid, 28 ¼ x 22 in. National Museum of Women in the Arts, Gift of Jill and Jeffrey Stern. © Mary Ellen Mark/The Mary Ellen Mark Foundation. https://www.studiointernational.com/images/articles/u/085-uncanny-2025/Gillian-Wearing-Sleeping-Mask.jpg Gillian Wearing, Sleeping Mask (for Parkett, no. 70), 2004. Wax reinforced with polymer resin, paint, 8 1/4 x 5 5/8 in. National Museum of Women in the Arts, Gift of Heather and Tony Podesta Collection; © Gillian Wearing/Artists Rights Society, New York/DACS, London. Photo: Lee Stalsworth. https://www.studiointernational.com/images/articles/u/085-uncanny-2025/Stephanie-Dinkins-Conversations-with-Bina48.jpg Stephanie Dinkins, Conversations with Bina48: Fragments 7, 6, 5, 2, 2018. Video and audio, 4 min. Courtesy of the artist. © Stephanie Dinkins, 2015. https://www.studiointernational.com/images/articles/u/085-uncanny-2025/uncanny-install-view-KAP-2.jpg Installation view of Uncanny at the National Museum of Women in the Arts, Washington D.C. 28 February – 10 August 2025. Photo: Kevin Allen Photography for NMWA. https://www.studiointernational.com/index.php/with-graphic-intent-review-courtauld-gallery-london https://www.studiointernational.com/images/articles/w/026-with-graphic-intent-2025/LD-2020-HK-2.jpg Georg Baselitz, Untitled (from the Whip Woman series), 1964. Graphite on paper, 62.5 x 48.6 cm. https://www.studiointernational.com/images/articles/w/026-with-graphic-intent-2025/der-sturm.jpg Cover of Der Sturm, July 1910, designed by the Austrian artist Oskar Kokoschka. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/026-with-graphic-intent-2025/G-1978-PG-88-10.jpg Oskar Kokoschka, The Dreaming Youths (title page; The girl Li and I), 1907. One of eight colour lithographs, 24 x 29.3 cm. https://www.studiointernational.com/images/articles/w/026-with-graphic-intent-2025/LD-2020-HK-17.jpg Otto Dix, Lament, 1915 (or 1913?). Pen and black ink with brush on paper, 31.6 x 22.2 cm. https://www.studiointernational.com/images/articles/w/026-with-graphic-intent-2025/EXH-2025-GI-003_Schmidt-Rottluff.jpg Karl Schmidt-Rottluff. The Miraculous Draught of Fishes from the portfolio 9 Woodcuts by Schmidt-Rottluff, 1918. Woodcut, 53.3 x 70.5 cm. Private collection. https://www.studiointernational.com/images/articles/w/026-with-graphic-intent-2025/D-2020-HK-5.jpg Wassily Kandinsky, Untitled, 1916. Brush and black ink on paper, 15.8 x 54.8 cm. Gift by Linda Karshan in memory of her husband, Howard Karshan, 2020. https://www.studiointernational.com/images/articles/w/026-with-graphic-intent-2025/EXH-2025-GI-004_Kirchner.jpg Ernst Ludwig Kirchner, Dr. Ernst Gosebruch, 1915. Woodcut, 48.6 x 35 cm. Private collection. https://www.studiointernational.com/images/articles/w/026-with-graphic-intent-2025/G-1978-PG-88-3.jpg Oskar Kokoschka, The Dreaming Youths (title page; The Sleeping Girl), 1907. One of eight colour lithographs, 24 x 29.3 cm. https://www.studiointernational.com/index.php/undersea-review-hastings-contemporary https://www.studiointernational.com/images/articles/u/084-undersea-2025/Klodin_Erb_23_Mermaids_14_35x42.jpg Klodin Erb, Mermaids #14, 2023. Image courtesy of the Artist and Bernheim Gallery. Photo: Stefan Altenburger Photography Zürich. © Klodin Erb. https://www.studiointernational.com/images/articles/u/084-undersea-2025/Kelechi-Nwaneri,-Mami-wata,-2021.jpg Kelechi Nwaneri, Mami wata, 2021. © Kelechi Nwaneri. Courtesy the Artist and Kristin Hjellegjerde Gallery. https://www.studiointernational.com/images/articles/u/084-undersea-2025/Taiso-Yoshitoshi,-A-woman-abalone-diver-wrestling-with-an-octopus,-c1870.jpg Taiso Yoshitoshi, A Woman Abalone Diver Wrestling With an Octopus, c1870. Source: Wellcome Collection. https://www.studiointernational.com/images/articles/u/084-undersea-2025/Christopher-Wood,-Ulysses-and-the-Sirens.jpg Christopher Wood, Ulysses and the Sirens, 1929. Photo: © Kettle https://www.studiointernational.com/images/articles/u/084-undersea-2025/Nicola-Bealing-Coral-Rock-with-Cowrie-and-Teeth.jpg Nicola Bealing, Cowrie Rock with Teeth, 2020. Oil on panel. Courtesy the artist and Matt’s Gallery, London. https://www.studiointernational.com/images/articles/u/084-undersea-2025/Tom-Anholt,-Deep-Dive,-2022.jpg Tom Anholt, Deep Dive, 2022. Courtesy Josh Lilley, London. Copyright Tom Anholt and Josh Lilley. Photo: Gunter Lepkowski. https://www.studiointernational.com/images/articles/u/084-undersea-2025/Klodin_Erb_23_Mermaids_22_42x35.jpg Klodin Erb, Mermaids #22, 2023. Image courtesy of the Artist and Bernheim Gallery. Photo: Stefan Altenburger Photography Zürich. © Klodin Erb. https://www.studiointernational.com/images/articles/u/084-undersea-2025/Unknown-maker,-A-Fish-(Snapper),-1884.jpg Unknown maker, A Fish (Snapper), 1884. Source: Wellcome Collection. https://www.studiointernational.com/images/articles/u/084-undersea-2025/Unknown-maker,-A-crocodile,-a-gigantic-fish-and-an-animal-that-eats-flying-fish,-1750.jpg Unknown maker, A crocodile, a gigantic fish and an animal that eats flying fish, 1750. Source: Wellcome Collection. https://www.studiointernational.com/index.php/lina-lapelyte-interview-in-the-dark-we-play-cosmic-house-london https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/Sun-and-Sea-(Marina)-at-the-Venice-Biennale-in-2019-Pic-Veronica-Simpson.jpg Sun & Sea (Marina) by Rugilė Barzdžiukaitė, Vaiva Grainytė, and Lina Lapelytė, Lithuanian Pavilion at the 58th International Art Exhibition - La Biennale di Venezia, Venice, 2019. Organised by Nida Art Colony, curated by Lucia Pietroiusti. Photo: Andrej Vasilenko. Courtesy the artists and Nida Art Colony. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/In-The-Dark-We-Play-installation-view-Photo-by-Martynas-Norvaisas.jpg Lina Lapelyté: In the Dark, We Play, installation view, The Cosmic House, 31 March – 19 December 2025. Photo: Martynas Norvaisas. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/06_Lina-Lapelyte,-Candy-Shop-at-FIAC,-2017.jpg Candy Shop—the Circus, Lina Lapelytė, Parades for FIAC, FIAC, Paris, 2017. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/07_What-happens-with-a-dead-fish-2021.jpg What Happens With a Dead Fish? (installation-performance), Lina Lapelytė, Kunstenfestivaldesarts, Brussels, 2021. Photo: Bea Borgers. Courtesy the artist and Kunstenfestivaldesarts. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/03-Have-a-good-day-Arts-Printing-House,-Vilnius-2018-Photo-Modestas-Endriuska-(1).jpg Have a good day! by Rugilė Barzdžiukaitė, Vaiva Grainytė, and Lina Lapelytė, Arts Printing House, Vilnius, 2018. Photo: Modestas Endriuška. Courtesy the artists and Operomanija. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/Nouria-Bah-performance-is-mystical-and-regal-in-this-cosmic-setting-Pic-V-Simpson.jpg Nouria Bah performing, installation view, The Cosmic House, 31 March – 19 December 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/Some-of-the-screens-Pic-V-Simpson.jpg Lina Lapelyté: In the Dark, We Play, installation view, The Cosmic House, 31 March – 19 December 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/In-the-Dark,-We-Play,-2025-(4).jpg In the Dark, We Play, 2025. Video still by Martynas Norvaišas, commissioned by the Jencks Foundation at The Cosmic House. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/In-The-Dark-We-Play-installation-view.-Photo-by-Martynas-Norvaisas-2.jpg Lina Lapelyté: In the Dark, We Play, installation view, The Cosmic House, 31 March – 19 December 2025. Photo: Martynas Norvaisas. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/One-of-the-two-films-Pic-V-Simpson.jpg Lina Lapelyté: In the Dark, We Play, installation view, The Cosmic House, 31 March – 19 December 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/Performers-are-framed-by-the-architecture-Pic-V-Simpson.jpg Lina Lapelyté: In the Dark, We Play, installation view, The Cosmic House, 31 March – 19 December 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/The-performance-on-these-steps-Pic-V-Simpson.jpg Lina Lapelyté: In the Dark, We Play, installation view, The Cosmic House, 31 March – 19 December 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/08_What-Happens-With-a-Dead-Fish-photo_Kira-Kynd.jpg What Happens With a Dead Fish?, Lina Lapelytė, Zürcher Theater Spektakel, Zurich, 2022. Photo: Kira Kynd. Courtesy the artist. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/In-the-Dark,-We-Play,-2025,-(10).jpg In the Dark, We Play, 2025. Video still by Martynas Norvaišas, commissioned by the Jencks Foundation at The Cosmic House. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/In-the-Dark,-We-Play,-2025-(1).jpg In the Dark, We Play, 2025. Video still by Martynas Norvaišas, commissioned by the Jencks Foundation at The Cosmic House. https://www.studiointernational.com/images/articles/l/029-lapelyte-lina-2025/In-the-Dark,-We-Play,-2025-(9).jpg In the Dark, We Play, 2025. Video still by Martynas Norvaišas, commissioned by the Jencks Foundation at The Cosmic House. https://www.studiointernational.com/index.php/peter-mitchell-nothing-lasts-forever-review-photographers-gallery-london https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/PM0075.jpg Peter Mitchell, Mrs. McArthy & her daughter, Sangley Road, Catford, London, 1975. © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/PM0093.jpg Peter Mitchell, Ready mixed Concrete Ltd., Elland Road, Leeds, 1977. © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/PM0110.jpg Peter Mitchell, Max Babbin, Vulcan Street, Leeds, 1979. © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/Scarecrow-28.jpg Peter Mitchell, Scarecrow 28. © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/PM0092.jpg Peter Mitchell, The Sir Yank’s Heavy Disco, Harehills Avenue, Leeds, 1978 © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/How-many-Aunties-Back-Hares-Mount,-Leeds,-1978.jpg Peter Mitchell, ‘How many Aunties?’, Back Hares Mount, Leeds, 1978. © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/Priestly-House,-Quarry-Hill-Flats,-1978.jpg Peter Mitchell, Priestly House, Quarry Hill Flats, 1978. © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/peter-mitchell-1000.jpg Left: Peter Mitchell, Francis Gavan, Ghost Train Ride, Woodhouse Moor, Leeds, Spring 1986, © Peter Mitchell. Right: Peter Mitchell, The Kitson House telephone, Quarry Hill Flats, 1978 © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/Francis-Gavan,-Ghost-Train-Ride,-Woodhouse-Moor,-Leeds,-Spring-1986.jpg Peter Mitchell, Francis Gavan, Ghost Train Ride, Woodhouse Moor, Leeds, Spring 1986, © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/PM0118.jpg Peter Mitchell, Opticians, London, 1975. © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/The-Kitson-House-telephone,-Quarry-Hill-Flats,-1978.jpg Peter Mitchell, The Kitson House telephone, Quarry Hill Flats, 1978. © Peter Mitchell. https://www.studiointernational.com/images/articles/m/&070-mitchell-peter-2025/Two-anonymous-ladies,-Tivoli-Cinema,-Acre-Road,-Leeds-Taken-from-Sissons-Lane,-1976.jpg Peter Mitchell, Two anonymous ladies, Tivoli Cinema, Acre Road from Sisson’s Lane, Leeds, 1976. © Peter Mitchell. https://www.studiointernational.com/index.php/valentina-karga-well-beings-review-kunstmuseum-bochum-germany https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/holtgreve-kunstmuseum-bochum-0235-HDR-hires.jpg Hug Sofa, 2023, with Doomscroll, 2023, installation view, Valentina Karga: Well Beings, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0022-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0076-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0088-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0065-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0235-HDR-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0102-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0116-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0128-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0247-HDR-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/images/articles/k/025-karga-valentina-2025/20250327-holtgreve-kunstmuseum-bochum-0042-Verbessert-RR-hires.jpg Valentina Karga: Well Beings, installation view, Kunstmuseum Bochum, Germany, 29 March – 31 August 2025. Photo courtesy Kunstmuseum Bochum. https://www.studiointernational.com/index.php/christopher-le-brun-charlotte-verity-interview-left-hand-right-hand-gallery-windsor-florida https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Windsor-Gallery-Le-Brun-Verity_175_Attas_R3_Print.jpg Christopher Le Brun and Charlotte Verity: Left Hand, Right Hand, installation view, The Gallery at Windsor, Florida, 2025. Photo: attascreative. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Windsor-Gallery-Le-Brun-Verity_219_Attas_Print.jpg Christopher Le Brun and Charlotte Verity: Left Hand, Right Hand, installation view, The Gallery at Windsor, Florida, 2025. Photo: attascreative. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Charlotte-Verity,-From-Above,-2020.jpg Charlotte Verity, From Above, 2020. Oil on canvas, 90.5 x 120.5 cm (35 5⁄8 x 47 1⁄2 x 1 1⁄8 in). © Charlotte Verity, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Christopher-Le-Brun,-Phases-of-the-Sun-II,-2024.jpg Christopher Le Brun, Phases of the Sun II, 2024. Oil on canvas, 130.5 x 140.5 cm (51 3⁄8 x 55 1⁄4 in). © Christopher Le Brun, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Christopher-Le-Brun,-Small-Seasons,-Summer,-2023.jpg Christopher Le Brun, Small Seasons, Summer, 2023. Oil on canvas, 76.5 x 148.6 cm (30 1⁄8 x 58 1⁄2 in). © Christopher Le Brun, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Charlotte-Verity,-Anenomes,-2021.jpg Charlotte Verity, Anemones, 2021. Oil on canvas, 25.3 x 30.7 cm (10 x 12 1⁄8 in). © Charlotte Verity, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Christopher-Le-Brun,-Cymbal,-2022.jpg Christopher Le Brun, Cymbal, 2022. Oil on canvas, 85.3 x 100.3 cm (33 5⁄8 x 39 1⁄2 in). © Christopher Le Brun, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Charlotte-Verity,-Buds,-2020.jpg Charlotte Verity, Buds, 2020. Oil on canvas, 90.3 x 150.5 cm (35 1⁄2 x 59 1⁄4 x 1 1⁄4 in). © Charlotte Verity, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Christopher-Le-Brun-by-Simon-Dawson,-2024.jpg Christopher Le Brun, 2024. Photo: Simon Dawson. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Charlotte-Verity-by-Simon-Dawson,-2024.jpg Charlotte Verity, 2024. Photo: Simon Dawson. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Charlotte-Verity,-Betula-Weeping,-2009-14.jpg Charlotte Verity, Betula Weeping, 2009-2014. Oil on canvas, 60.5 x 75.4 cm (23 7⁄8 x 29 3⁄4 x 7⁄8 in). © Charlotte Verity, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Charlotte-Verity,-Glance,-2021.jpg Charlotte Verity, Glance, 2021. Oil on canvas, 90 x 120.5 cm (35 3⁄8 x 47 1⁄2 in). © Charlotte Verity, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Christopher-Le-Brun,-Phases-of-the-Moon-IV,-2024.jpg Christopher Le Brun, Phases of the Moon IV, 2024. Oil on canvas, 201.3 x 663.6 cm (approx) (79 1⁄4 x 261 1⁄4 x 1 1⁄2 in). © Christopher Le Brun, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Christopher-Le-Brun,-To-and-Fro,-2022.jpg Christopher Le Brun, To and Fro, 2022. Oil on canvas, 85.2 x 100.5 cm (33 1⁄2 x 39 5⁄8 in). © Christopher Le Brun, all rights reserved DACS 2024. Courtesy albertz benda, New York. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Windsor-Gallery-Le-Brun-Verity_091_Attas_Print.jpg Christopher Le Brun and Charlotte Verity: Left Hand, Right Hand, installation view, The Gallery at Windsor, Florida, 2025. Photo: attascreative. https://www.studiointernational.com/images/articles/l/028-le-brun-verity-2025/Windsor-Gallery-Le-Brun-Verity_111_Attas_Print.jpg Christopher Le Brun and Charlotte Verity: Left Hand, Right Hand, installation view, The Gallery at Windsor, Florida, 2025. Photo: attascreative. https://www.studiointernational.com/index.php/sharjah-art-foundation-march-meeting-2025-to-carry-songs-review-united-arab-emirates https://www.studiointernational.com/images/articles/s/&054-sharjah-art-foundation-2025/1-Mara-TK.jpg The Māori electronic artist Mara TK, Sharjah Art Foundation’s annual symposium, 2025. https://www.studiointernational.com/images/articles/s/&054-sharjah-art-foundation-2025/Meena-K-and-Athena-F.jpg Left to right: Meena Kandasamy, Natasha Ginwala and Athena Farrokhzad, Sharjah Art Foundation’s annual symposium, 2025. https://www.studiointernational.com/images/articles/s/&054-sharjah-art-foundation-2025/3-Chaar-Yaar-Faquiri-Quartet.jpg Chaar Yaar (the Faqiri Quartet) closing the Sharjah Art Foundation’s annual symposium, 2025. https://www.studiointernational.com/index.php/ed-atkins-revew-tate-britain-london https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/Ed-Atkins-at-Tate-Britain-(c)-Tate-Photo-(Josh-Croll)-(1).jpg Ed Atkins, Death Mask II, 2010, installation view, Tate Britain, 2 April – 25 August 2025. © Tate Photography (Josh Croll). https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/Ed-Atkins-at-Tate-Britain-(c)-Tate-Photo-(Josh-Croll)-(2).jpg Ed Atkins, Hisser, 2015, installation view, Tate Britain, 2 April – 25 August 2025. © Tate Photography (Josh Croll). https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/Ed-Atkins-at-Tate-Britain-(c)-Tate-Photo-(Josh-Croll)-(4).jpg Ed Atkins, Old Food, 2017/18, installation view, Tate Britain, 2 April – 25 August 2025. © Tate Photography (Josh Croll). https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/9-Ed-Atkins,-Good-Baby,-2017.jpg Ed Atkins, Good Baby, 2017. © Ed Atkins. Courtesy of the Artist, Cabinet Gallery, London, dépendance, Brussels, Galerie Isabella Bortolozzi, Berlin, and Gladstone Gallery. https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/Ed-Atkins-at-Tate-Britain-(c)-Tate-Photo-(Josh-Croll)-(6).jpg Ed Atkins, The Worm, 2021, installation view, Tate Britain, 2 April – 25 August 2025. © Tate Photography (Josh Croll). https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/Nurses-Come-and-Go,-But-None-For-Me,-2025-3.jpg Still from Nurses Come and Go, But None For Me, 2024. Video and sound. © Ed Atkins and Steven Zultanski. Commissioned and produced by Hartwig Art Foundation. https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/Ed-Atkins-at-Tate-Britain-(c)-Tate-Photography-(Josh-Croll)-(750).jpg Ed Atkins, Pianowork 2, 2024, installation view, Tate Britain, 2 April – 25 August 2025. © Tate Photography (Josh Croll). https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/Ed-Atkins-at-Tate-Britain-(c)-Tate-Photo-(Josh-Croll)-(3).jpg Ed Atkins, installation view, Tate Britain, 2 April – 25 August 2025. © Tate Photography (Josh Croll). https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/Ed-Atkins-at-Tate-Britain-(c)-Tate-Photo-(Josh-Croll)-(7).jpg Ed Atkins, installation view, Tate Britain, 2 April – 25 August 2025. © Tate Photography (Josh Croll). https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/Ed-Atkins-at-Tate-Britain-(c)-Tate-Photo-(Josh-Croll)-(8).jpg Ed Atkins and Steven Zultanski, Nurses Come and Go, But None for Me, 2024, featuring Toby Jones and Saskia Reeves. Installation view, Tate Britain, 2 April – 25 August 2025. © Tate Photography (Josh Croll). https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/ed-atkins-tate-britain-photo-martin-kennedy-(1)-2025.jpg Ed Atkins, Hisser, 2015, installation view, Tate Britain, 2 April – 25 August 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/a/&085-atkins-ed-2025/ed-atkins-tate-britain-photo-martin-kennedy-(2)-2025.jpg Ed Atkins, Old Food, 2017/18 (detail), installation view, Tate Britain, 2 April – 25 August 2025. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/mainie-jellett-evie-hone-art-of-friendship-review-national-gallery-ireland-dublin https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Hone,-Daniel-in-the-Lions-Den.jpg Evie Hone. Daniel in the Lions https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Hone-The-Crucifixion.jpg Evie Hone. The Crucifixion (top), Melchizedek, the Last Supper and the Sacrifice of Isaac (bottom), (for the East window, Eton College Chapel, Berkshire, 1952), 1950. © Geraldine Hone, Kate Hone and the FNCI. Photo, National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Hone,-Head-of-Two-Apostles.jpg Evie Hone. Heads of Two Apostles, c1952. Stained glass, 86 x 61 cm. © Geraldine Hone, Kate Hone and the FNCI. Photo © National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Jellett,-Achill-Horses.jpg Mainie Jellett. Achill Horses, 1941. Oil on canvas, 61 x 92 cm. Photo, National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Hone,-A-Landscape-with-a-Tree.jpg Evie Hone. A Landscape with a Tree, 1943. Oil on board, 69 x 69 cm. © Geraldine Hone, Kate Hone and the FNCI. Photo, National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/750-Logan-Mielcusny-at-Mainie-Jellett-and-Evie-Hone.jpg Mainie Jellett and Evie Hone: The Art of Friendship, installation view, National Gallery of Ireland, Dublin 10 April – 10 August 2025. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Hone,-Resurrection.jpg Evie Hone. Stained glass: Resurrection, c1954. © Geraldine Hone, Kate Hone and the FNCI. Photo © National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Hone,-Snow-at-Marley.jpg Evie Hone. Snow at Marley. Oil on board, 37 x 49 cm. © Geraldine Hone, Kate Hone and the FNCI. Photo, National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Hone,-The-Cock-and-Pot.jpg Evie Hone. The Cock and Pot, commonly known as The Betrayal, c1947. Stained glass, 55.5 x 32.8 cm. © Geraldine Hone, Kate Hone and the FNCI. Photo © National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Jellett,-A-Composition-Sea-Rhythm.jpg Mainie Jellett. A Composition – Sea Rhythm. Oil on canvas, 44 x 144 cm. Photo, National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Jellett,-A-Poster-for-Winsor-and-Newton-Ltd.jpg Mainie Jellett. A Poster for Winsor and Newton Ltd. Gouache on board, 55.9 x 43 cm. Photo, National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Jellett,-A-Three-fold-Screen.jpg Mainie Jellett. A Three-fold Screen. Oil on canvas, 171 x 58 cm. Photo, National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Jellett,-Decoration.jpg Mainie Jellett. Decoration, 1923. Tempera on wood panel, 89 x 53 cm. Photo, National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Jellett,-The-Virgin-of-Eire.jpg Mainie Jellett. The Virgin of Éire, 1940s. Oil on canvas, 64 x 92 cm. Photo, National Gallery of Ireland. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Mainie-Jellett-and-Evie-Hone-The-Art-of-Friendship-Image-1.jpg Mainie Jellett and Evie Hone: The Art of Friendship, installation view, National Gallery of Ireland, Dublin 10 April – 10 August 2025. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Mainie-Jellett-and-Evie-Hone-The-Art-of-Friendship-Image-2.jpg Mainie Jellett and Evie Hone: The Art of Friendship, installation view, National Gallery of Ireland, Dublin 10 April – 10 August 2025. https://www.studiointernational.com/images/articles/j/071-jellett-and-hone-2025/Mainie-Jellett-and-Evie-Hone-The-Art-of-Friendship-Image-3.jpg Mainie Jellett and Evie Hone: The Art of Friendship, installation view, National Gallery of Ireland, Dublin 10 April – 10 August 2025. https://www.studiointernational.com/index.php/suzanne-valadon-review-centre-pompidou-paris https://www.studiointernational.com/images/articles/v/064-valadon-suzanne-2025/07-VALADON,-Trois-nues.jpg Suzanne Valadon. Trois Nus (Three nudes), date unknown. Oil pencil on paper, 55 x 44 cm. Collection Galerie de la Présidence, Paris. Photo: © Galerie de la Présidence. https://www.studiointernational.com/images/articles/v/064-valadon-suzanne-2025/02-VALADON_Portrait-de-famille_1912.jpg Suzanne Valadon. Portrait de Famille, 1912. Oil on canvas, 98 x 73.5 cm. Don M. Cahen-Salvador, 1976. Photo © RMN-Grand Palais (Musée d’Orsay) / Christian Jean / Jean Popovitch. https://www.studiointernational.com/images/articles/v/064-valadon-suzanne-2025/04-VALADON_Venus-Noire.jpg Suzanne Valadon, Venus Noire (Black Venus), 1919. Oil on canvas, 160 x 60 cm. Centre Pompidou, Musée National d https://www.studiointernational.com/images/articles/v/064-valadon-suzanne-2025/Suzanne-Valadon-Femme-aux-bas-blancs.jpg Suzanne Valadon, Femme aux Bas Blancs (Woman in White Stockings), 1924. Oil on canvas, 72.5 x 60 cm. © Musée des Beaux-Arts de Nancy. Photo: Gilbert Mangin. https://www.studiointernational.com/images/articles/v/064-valadon-suzanne-2025/05-VALADON_le-Bain_1908.jpg Suzanne Valadon, Le Bain, 1908. Charcoal and pastel on paper, 60 x 49 cm. Paris, Centre national des arts plastiques. Photo: © Ville de Grenoble / Musée de Grenoble, JL Lacroix. https://www.studiointernational.com/images/articles/v/064-valadon-suzanne-2025/01-VALADON_la-chambre-bleue.jpg Suzanne Valadon, La Chambre Bleue (The Blue Room), 1923. Oil on canvas, 90 x 116 cm (35 x 46 in). Musée National d https://www.studiointernational.com/images/articles/v/064-valadon-suzanne-2025/03-VALADON,-Joie-de-vivre,-1911.jpg Suzanne Valadon. Joie de vivre, 1911. Oil on canvas, 122.9 x 205.7 cm. Metropolitan Museum of Art. Bequest of Mademoiselle Adélaïde Milton de Groot (1876–1967), 1967. https://www.studiointernational.com/index.php/htein-lin-escape-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/l/027-lin-htein-2025/Escape_-27.jpg Htein Lin. 000235 (1998-2004). Installation view, Htein Lin, Escape, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/027-lin-htein-2025/Htein-Lin_Self-portrait,-2000.jpg Htein Lin, Self-portrait, 2000. Oil paint on textile. © Courtesy the artist. https://www.studiointernational.com/images/articles/l/027-lin-htein-2025/Htein-Lin_Sitting-at-Iron-Gate,-2002.jpg Htein Lin, Sitting at Iron Gate, 2002, from the series 000235 (1998-2004). Acrylic and vinyl paint on textile. © Courtesy the artist. https://www.studiointernational.com/images/articles/l/027-lin-htein-2025/Htein-Lin_When-I-was-a-Lousy-Millionaire,-2022-(1).jpg Htein Lin, When I was a Lousy Millionaire, 2022. Video, colour, sound, 24:56 minutes. © Courtesy the artist. https://www.studiointernational.com/images/articles/l/027-lin-htein-2025/Htein-Lin-(2).jpg Htein Lin, A Show of Hands, 2013-ongoing. Plaster sculpture. Installation view, Htein Lin, Escape, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/027-lin-htein-2025/Htein-Lin_-Fiery-Hell,-2024.jpg Htein Lin, Fiery Hell, 2024. Acrylic on canvas. © Courtesy the artist and Richard Koh Fine Art. https://www.studiointernational.com/images/articles/l/027-lin-htein-2025/Htein-Lin_How-do-you-find-Birmingham--2024.jpg Htein Lin, How do you find Birmingham?, 2024. Acrylic on canvas. © Courtesy the artist. https://www.studiointernational.com/images/articles/l/027-lin-htein-2025/the-fly-Escape_-11.jpg Htein Lin. The Fly (2005), video, colour, sound, 7:39 minutes. Installation view, Htein Lin, Escape, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/index.php/nora-turato-pool7-review-ica-london https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/01_ICA-8-April-2025-Rush-(High-Res)-3.jpg Nora Turato: pool7 [text], 2025. Printed text on approx 1,800 sheets of A4 paper. Photo: Rob Harris. Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/06_ICA-8-April-2025-Rush-(High-Res)-10.jpg Nora Turato: pool7 [text], 2025 (detail). Printed text on approx 1,800 sheets of A4 paper. Photo: Rob Harris. Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/11_TV2_1.jpg Nora Turato pool7: Logical Freeze, 2025 (still). Single-channel audio installation, approx 15 min. Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/09_ICA-8-April-2025-Rush-(High-Res)-14.jpg Nora Turato pool7: Logical Freeze, 2025. Single-channel audio installation, approx 15 min. Photo: Rob Harris Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/12_TV4_1.jpg Nora Turato pool7: Logical Freeze, 2025 (still). Single-channel audio installation, approx 15 min. Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/02_ICA-8-April-2025-Rush-(High-Res)-1.jpg Nora Turato: pool7 [text], 2025. Printed text on approx 1,800 sheets of A4 paper. Photo: Rob Harris. Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/03_ICA-8-April-2025-Rush-(High-Res)-5.jpg Nora Turato: pool7 [text], 2025. Printed text on approx 1,800 sheets of A4 paper. Photo: Rob Harris. Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/07_ICA-8-April-2025-Rush-(High-Res)-12.jpg Nora Turato pool7: Logical Freeze, 2025. Single-channel audio installation, approx 15 min. Photo: Rob Harris Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/10_TV1_2.jpg Nora Turato pool7: Logical Freeze, 2025 (still). Single-channel audio installation, approx 15 min. Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/13_TV5_1.jpg Nora Turato pool7: Logical Freeze, 2025 (still). Single-channel audio installation, approx 15 min. Image courtesy the artist. https://www.studiointernational.com/images/articles/t/037-turato-nora-2025/14_TV8_1.jpg Nora Turato pool7: Logical Freeze, 2025 (still). Single-channel audio installation, approx 15 min. Image courtesy the artist. https://www.studiointernational.com/index.php/time-for-women-20-years-max-mara-art-prize-review-palazzo-strozzi-florence https://www.studiointernational.com/images/articles/t/036-time-for-women-2025/16-photoElaBialkowskaOKNOstudio.jpg Dominique White, installation view, Time for Women! Empowering Visions in 20 Years of the Max Mara Art Prize for Women, Firenze, Palazzo Strozzi, Strozzina, 2025. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi, Firenze. https://www.studiointernational.com/images/articles/t/036-time-for-women-2025/78-photoElaBialkowskaOKNOstudio.jpg Hannah Rickards, No, There Was No Red, 2009, installation view, Time for Women! Empowering Visions in 20 Years of the Max Mara Art Prize for Women, Firenze, Palazzo Strozzi, Strozzina, 2025. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi, Firenze. https://www.studiointernational.com/images/articles/t/036-time-for-women-2025/42-photoElaBialkowskaOKNOstudio.jpg Margaret Salmon, Ninna Nanna, 2006, installation view, Time for Women! Empowering Visions in 20 Years of the Max Mara Art Prize for Women, Firenze, Palazzo Strozzi, Strozzina, 2025. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi, Firenze. https://www.studiointernational.com/images/articles/t/036-time-for-women-2025/50-photoElaBialkowskaOKNOstudio.jpg Andrea Büttner, installation view, Time for Women! Empowering Visions in 20 Years of the Max Mara Art Prize for Women, Firenze, Palazzo Strozzi, Strozzina, 2025. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi, Firenze. https://www.studiointernational.com/images/articles/t/036-time-for-women-2025/71-photoElaBialkowskaOKNOstudio.jpg Laure Prouvost, Swallow, 2013, installation view, Time for Women! Empowering Visions in 20 Years of the Max Mara Art Prize for Women, Firenze, Palazzo Strozzi, Strozzina, 2025. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi, Firenze. https://www.studiointernational.com/images/articles/t/036-time-for-women-2025/89-photoElaBialkowskaOKNOstudio.jpg Emma Hart, Mamma Mia!, 2017, installation view, Time for Women! Empowering Visions in 20 Years of the Max Mara Art Prize for Women, Firenze, Palazzo Strozzi, Strozzina, 2025. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi, Firenze. https://www.studiointernational.com/images/articles/t/036-time-for-women-2025/33-photoElaBialkowskaOKNOstudio.jpg Corin Sworn, Silent Sticks, 2015, installation view, Time for Women! Empowering Visions in 20 Years of the Max Mara Art Prize for Women, Firenze, Palazzo Strozzi, Strozzina, 2025. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi, Firenze. https://www.studiointernational.com/images/articles/t/036-time-for-women-2025/19-photoElaBialkowskaOKNOstudio.jpg Emma Talbot, The Age, 2022, installation view, Time for Women! Empowering Visions in 20 Years of the Max Mara Art Prize for Women, Firenze, Palazzo Strozzi, Strozzina, 2025. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi, Firenze. https://www.studiointernational.com/images/articles/t/036-time-for-women-2025/04-photoElaBialkowskaOKNOstudio.jpg Helen Cammock, installation view, Time for Women! Empowering Visions in 20 Years of the Max Mara Art Prize for Women, Firenze, Palazzo Strozzi, Strozzina, 2025. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi, Firenze. https://www.studiointernational.com/index.php/painting-after-painting-review-smak-municipal-museum-contemporary-art-ghent-belgium https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/01.jpg Kati Heck, Zum Teufel, Positionen!, 2012. Oil on canvas, 120 x 120 cm. Tim Van Laere Collection, Antwerp. Courtesy Tim Van Laere Gallery, Antwerp-Rome . https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/02.jpg Bram Demunter, The Joke of the Bear, 2021. Oil on canvas, 170 x 200 cm. Private Collection, Belgium. Courtesy Tim Van Laere Gallery, Antwerp - Rome. https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/10.jpg Anastasia Bay, fresco around SMAK’s ticket hall. Installation view, Painting After Painting, SMAK, Ghent, 2025. Photo: Dirk Pauwels. https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/03.jpg Jannis Marwitz, The Raid, 2021. Oil on linen, 80 x 115 cm. Courtesy the artist and Trautwein Herleth, Berlin. Photo: GRAYSC. https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/04.jpg Kristof Santy, Koude schotel, 2024. Oil on canvas, 200 x 360 cm. Courtesy the artist and Sorry We https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/12.jpg Vedran Kopljar (& parents), Painting After Painting [34 min 35 sec], 2025. Installation view, Painting After Painting, SMAK, Ghent, 2025. Photo: Dirk Pauwels. https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/07.jpg William Ludwig Lutgens. Joy Sauce in The Belly 3#, 2025. Installation view, Painting After Painting, SMAK, Ghent, 2025. Photo: Dirk Pauwels. https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/05.jpg Joëlle Dubois, Cut to the Core, 2024. Acrylic on panel 110 x 97 cm. Diskus Collection, Belgium. Courtesy Keteleer Gallery, Antwerp. https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/06.jpg Koen Van den Broek, Firminy #7, 2023. Tar and traffic paint on Belgian linen, 180 x 135 cm. Courtesy Philipp von Rosen Galerie, Cologne. https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/08.jpg Installation view, Painting After Painting, SMAK, Ghent, 2025. Photo: Dirk Pauwels. https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/09.jpg Installation view, Painting After Painting, SMAK, Ghent, 2025. Photo: Dirk Pauwels. https://www.studiointernational.com/images/articles/p/&097-painting-after-painting-2025/11.jpg Installation view, Painting After Painting, SMAK, Ghent, 2025. Photo: Dirk Pauwels. https://www.studiointernational.com/index.php/caspar-david-friedrich-the-soul-of-nature-review-metropolitan-museum-of-art-new-york https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_Wanderer-Above-the-Sea-of-Fog.jpg Caspar David Friedrich. Wanderer above the Sea of Fog, ca. 1817. Oil on canvas, 37 3/8 × 29 1/2 in (94.8 × 74.8 cm). Hamburger Kunsthalle, on permanent loan from the Stiftung Hamburger Kunstsammlungen, acquired 1970 (HK-5161). Photo: Elke Walford. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_Two-Men-Contemplating-the-Moon_Met.jpg Caspar David Friedrich. Two Men Contemplating the Moon, ca. 1825–30. Oil on canvas, 13 3/4 x 17 1/4 in (34.9 x 43.8 cm). The Metropolitan Museum of Art, Wrightsman Fund, 2000 (2000.51). https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_The-Watzmann.jpg Caspar David Friedrich. The Watzmann, 1824–25. Oil on canvas, 53 1/8 x 66 7/8 in (135 x 170 cm). Nationalgalerie, Staatliche Museen zu Berlin; loaned by Deka, Frankfurt am Main (F.V. 317). Photo: © DeA Picture Library / Art Resource, NY. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_The-Evening-Star.jpg Caspar David Friedrich. The Evening Star, ca. 1830. Oil on canvas, 13 x 17 13/16 in (33 x 45.2 cm). Freies Deutsches Hochstift, Frankfurter Goethe Museum, Frankfurt am Main (IV-1950-007). Photo: © Freies Deutsches Hochstift / Frankfurter Goethe-Museum. Photo: David Hall. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_Self-Portrait.jpg Caspar David Friedrich. Self-Portrait, 1800. Black chalk on wove paper, 16 9/16 x 10 7/8 in (42 x 27.6 cm). SMK, National Gallery of Denmark, Copenhagen (KKSgb5006). Photo: Statens Museum for Kunst. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_Castle-Ruins-at-Teplitz.jpg Caspar David Friedrich. Castle Ruins at Teplitz, 1828. Watercolour over pencil on wove paper, 6 13/16 x 9 ¼ in (17.3 x 23.4 cm). Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden (C 1913-33). Photo: © Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden, Photo Herbert Boswank. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_Moonrise-by-the-Sea.jpg Caspar David Friedrich. Moonrise by the Sea, ca. 1835–37. Brown ink and wash with pencil on wove paper, 10 1/8 x 15 1/8 in (25.6 x 38.5 cm). Kupferstichkabinett, Hamburger Kunsthalle (1952-131). Photo: bpk Bildagentur / Kupferstichkabinett, Hamburger Kunsthalle / Art Resource, NY. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_View-of-Arkona.jpg Caspar David Friedrich. View of Arkona with Rising Moon, 1805–6. Brown ink and wash, over pencil, on wove paper, 24 x 39 3/8 in (60.9 x 100 cm). The Albertina Museum, Vienna (17298). https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_Monk-by-the-Sea.jpg Caspar David Friedrich. Monk by the Sea, 1808–10. Oil on canvas, 43 5/16 x 67 ½ in (110 x 171.5 cm). Nationalgalerie, Staatliche Museen zu Berlin (NG 9/85). Photo: bpk Bildagentur / Nationalgalerie, Staatliche Museen zu Berlin / Andres Kilger / Art Resource, NY. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_Moonrise-over-the-Sea.jpg Caspar David Friedrich. Moonrise over the Sea, 1822. Oil on canvas, 21 5/8 x 28 in (55 x 71 cm). Nationalgalerie, Staatliche Museen zu Berlin (W.S. 53). Photo: bpk Bildagentur /Nationalgalerie, Staatliche Museen zu Berlin /Jörg P. Anders / Art Resource, NY. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_Woman-before-the-Rising-or-Setting-Sun.jpg Caspar David Friedrich. Woman before the Rising or Setting Sun, ca. 1818–24. Oil on canvas, 8 5/8 x 12 in (22 x 30.5 cm). Museum Folkwang, Essen (G 45). Photo: Museum Folkwang Essen - ARTOTHEK. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_The-Stages-of-Life.jpg Caspar David Friedrich. The Stages of Life, ca. 1834. Oil on canvas, 28 ¾ x 37 in (73 x 94 cm). Museum der bildenden Künste Leipzig (G 1217). Photo: bpk Bildagentur /Museum der Bildenden Künste, Leipzig / Bertram Kober/ Punctum Leipzig / Art Resource, NY. https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/CDF_Cave-in-the-Harz.jpg Caspar David Friedrich. Cave in the Harz, ca. 1837. Brown ink and wash with pencil on wove paper, 13 9/16 x 17 3/16 in (34.5 x 43.7 cm). The Royal Danish Collection, Copenhagen (I, 3 a-3). Photo: HM The King https://www.studiointernational.com/images/articles/f/042-friedrich-caspar-david-2025/750-DP-38363-011-JPG.jpg Caspar David Friedrich. Wanderer above the Sea of Fog, ca. 1817. Installation view, Caspar David Friedrich: The Soul of Nature, The Metropolitan Museum of Art, 8 February – 11 May 2025. Photo: Richard Lee, Courtesy of The Met. https://www.studiointernational.com/index.php/art-is-in-the-street-review-illustrated-posters-musee-d-orsay-paris https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/01-Theophile-Alexandre-Steinlen,-La-Rue.jpg Théophile Alexandre Steinlen (1859-1923). Charles Verneau Printing House (Paris). Charles Verneau Posters, La Rue, 1896. Colour lithograph, 240 × 300 cm. Paris, National Library of France, Department of Prints and Photography. Photo: BnF. https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/09-Union-photographique-francaise,-Rue-Saint-Jacques,-Immeubles-8-et-10,-entre-1893-et-1898.jpg French Photographic Union. Rue Saint-Jacques, buildings 8 and 10, between 1893 and 1898. Aristotype, 29.3 × 23 cm. Paris, musée Carnavalet - Histoire de Paris. https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/07-Louis-Robert-Carrier-Belleuse-l-etameur,-1882.jpg Louis-Robert Carrier-Belleuse (1848-1913). L’Étameur, 1882. Oil on canvas, 64.8 × 97.8 cm. Private collection. Photo: Studio Redivivus. https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/05-Edouard-Vuillard-Le-Metro,-la-station-Villiers-1916.jpg Edouard Vuillard (1868-1940). Le Métro, la station Villiers, 1916. Painting with glue enhanced with pastel on paper mounted on canvas, 88.5 x 219.5 cm. Paris, Musée d’Orsay, Purchase, 2007. Photo: RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski. https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/13-Anonyme-Imprimerie-Rouchon-(Paris)-Maison-de-la-Belle-Jardiniere-1849.jpg Anonymous. Rouchon Printing Company (Paris). Maison de la Belle Jardinière,1849. Colour woodcut, 274 × 216 cm. Paris, National Library of France, Department of Prints and Photography. Photo: BnF. https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/012-Salles-LADR.jpg Firmin Bouisset Firmin Bouisset (1859–1925), poster for the biscuits brand Lefèvre-Utile (LU). Section Advertising for Everything and Everyone, Art is in the Street, Musée d https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/29-Henri-de-Toulouse-Lautrec-(1864-1901)-Ambassadeurs.-Aristide-Bruant-dans-son-cabaret,-1892.jpg Henri de Toulouse-Lautrec (1864-1901). Edward Ancourt Printing. Ambassadeurs. Aristide Bruant dans son cabaret, 1892. Colour lithograph, 134 × 95 cm. Paris, National Library of France, Department of Prints and Photography. Photo: BnF. https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/33-Clementine-Helene-Dufau-Imprimerie-Charles-Verneau-(Paris)-La-Fronde-1898.jpg Clémentine-Hélène Dufau (1869-1937). Charles Verneau Printing (Paris). La Fronde, 1898. Colour lithograph, 100 × 140 cm. Paris, National Library of France, Department of Prints and Photography. Photo: BnF. https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/job-cigarette-papers-008-Salles-LADR.jpg Clockwise from top left: Jules Chéret, Jane Atché and Alphonse Mucha. Posters for JOB cigarette papers, exhibition view, Art is in the Street, Musée d https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/25-Alphonse-Mucha-Imprimerie-Ferdinand-Champenois-(Paris)-Medee-Theatre-de-La-Renaissance-Sarah-Bernhardt-1898.jpg Alphonse Mucha (1860-1939). Ferdinand Champenois Printing House (Paris). Médée. Théâtre de La Renaissance. Sarah Bernhardt, 1898. Colour lithograph, 210 × 78 cm. Paris, National Library of France, Department of Prints and Photography. Photo: BnF. https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/08-Georges-Chevalier-(1882-1967)-Paris,-place-de-la-Bourse,-5-juin-1914.jpg Georges Chevalier (1882-1967), Paris, place de la Bourse, 5 June 1914. Autochrome, 9 x 12 cm. Collection Archives de la Planète, musée départemental Albert-Kahn, dpt des Hauts-de-Seine. https://www.studiointernational.com/images/articles/a/&084-art-is-in-the-street-2025/24-Theophile-Alexandre-Steinlen-Imprimerie-Charles-Verneau-(Paris)-Ambassadeurs-Yvette-Guilbert-Tous-les-soirs-1894.jpg Théophile Alexandre Steinlen (1859-1923). Charles Verneau Printing House (Paris). Ambassadeurs. Yvette Guilbert. Tous les soirs, 1894. Colour lithograph, 185 × 81 cm. Paris, National Library of France, Department of Prints and Photography. Photo: BnF. https://www.studiointernational.com/index.php/christian-krohg-people-of-the-north-review-musee-d-orsay-paris https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/02-Un-adieu.jpg Christian Krohg. A Farewell, 1876. Oil on canvas, 100.5 × 83 cm. Göteborg, Göteborgs Konstmuseum. Photo: © Gothenburg Museum of Art / Hossein Sehatlou. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/03-Le-porjet-est-etudie.jpg Christian Krohg. The Project Is Studied, 1910. Oil on canvas, 45 × 66 cm. Lillehammer, Lillehammer Kunstmuseum. Photo: © Jacques Lathion, Lillehammer Art Museum. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/04-Un-homme-a-la-mer.jpg Christian Krohg. Man Overboard, 1906. Oil on canvas, 120 × 140 cm. Stockholm, Nationalmuseum. Photo: © Nationalmuseum. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/07-Attention-devant-Le-port-de-Bergen.jpg Christian Krohg. Look Ahead, Bergen Harbour, 1884. Oil on canvas, 62.5 x 86 cm. Oslo National Museum. Photo: © Nasjonalmuseet / Jacques Lathion. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/10-Portrait-du-peintre-Gerhard-Munthe.jpg Christian Krohg. Portrait of the Painter Gerhard Munthe, 1885. Oil on canvas, 150 × 115 cm. Oslo National Museum. Photo: © Nasjonalmuseet / Børre Høstland. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/09-Les-bohemiens.jpg Christian Krohg. The Bohemians (In my studio), 1885. Oil on canvas, 56 × 67 cm. Lillehammer, Lillehammer Kunstmuseum. Photo: © Jacques Lathion, Lillehammer Art Museum. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/15-Albertine-dans-la-salle-d-attente-du-medecin-de-la-police.jpg Christian Krohg. Albertine in the Police Doctor’s Waiting-Room, 1885-87. Oil on canvas, 210 x 325,4 cm. Oslo National Museum. Photo: © Nasjonalmuseet / Børre Høstland. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/11-Portrait-de-la-peintre-Oda-Krohg,.jpg Christian Krohg. Portrait of the painter Oda Krohg, 1888. Oil on canvas, 86,4 x 68.8 cm. Oslo National Museum. Photo: © Nasjonalmuseet / Børre Høstland. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/19-La-mere-endormie.jpg Christian Krohg. The Sleeping Mother, 1883. Oil on canvas, 107.5 × 142 cm. Bergen, Kode Bergen Art Museum. Photo: © Kode / Dag Fosse. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/08-La-bare-sous-le-vent.jpg Christian Krohg. La Barre sous le vent! (The Leeward Bar!), 1882. Oil on canvas, 50 × 60 cm. Oslo National Museum. Photo: © Nasjonalmuseet / Jaques Lathion. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/01-Autoportrait-au-beret.jpg Christian Krohg. Autoportrait au béret, 1883. Oil on canvas, 47.5 x 36 cm. Oslo National Museum. Photo: © Nasjonalmuseet/Børre Høstland. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/05-Rue-de-village-a-Grez.jpg Christian Krohg. Village street in Grez, 1882. Oil on canvas, 102 x 72 cm. Bergen, Kode Bergen Art Museum. Photo: © Fosse, Dag / Kode. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/06-Portrait-du-peintre-sudois-Karl-Nordstrom.jpg Christian Krohg. Portrait of the Swedish painter Karl Nordström, 1882. Oil on canvas, 61 x 46.5 cm. Oslo National Museum. Photo: © Nasjonalmuseet / Børre Høstland. https://www.studiointernational.com/images/articles/k/024-krohg-christian-2025/17-La-lutte-pour-l-existence.jpg Christian Krohg. La Lutte pour l’existence, 1889. Oil on canvas, 300.7 x 226.2 cm. Oslo National Museum. Photo: © Nasjonalmuseet / Børre Høstland. https://www.studiointernational.com/index.php/solange-pessoa-pilgrim-fields-glasgow-tramway-review https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/Bronzes-appear-to-float-on-top-of-the-vegetation-Pic-V-Simpson.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/TSP-0525-0228.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/TSP-0525-0032.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/Solange-Pessoa-more-moss-detail-with-dark-sheepskins-beyond-Pic-V-Simpson.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/TSP-0525-0220.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/TSP-0525-0214.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/Drooping-Lasmititas-works-aka-slugs-Pic-V-Simpson.jpg Lesmititas in the Hidden Garden, installation view, Solange Pessoa: Pilgrim Fields, Glasgow Tramway, 10 May – 5 October 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/750-Tramways-main-gallery-Pic-V-Simpson.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/Close-up-of-Lasmititas-Pic-V-Simpson.jpg Lesmititas in the Hidden Garden, installation view, Solange Pessoa: Pilgrim Fields, Glasgow Tramway, 10 May – 5 October 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/Close-up-of-dark-sheep-skins-Pic-V-Simpson.jpg Sheep skins, installation view, Solange Pessoa: Pilgrim Fields, Glasgow Tramway, 10 May – 5 October 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/Solange-Pessoa-Mosses.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/TSP-0525-0199.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/Solange-Pessoa-dried-reeds-taken-from-the-river-Tay-Pic-V-Simpson.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/Solange-Pessoa-kelp-sourced-from-west-coast-of-Scotland-Pic-V-Simpson.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/TSP-0525-0038.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/p/&096-pessoa-solange-2025/TSP-0525-0222.jpg Solange Pessoa: Pilgrim Fields, installation view, Glasgow Tramway, 10 May – 5 October 2025. Photo: Keith Hunter. https://www.studiointernational.com/index.php/giuseppe-penone-thoughts-in-the-roots-review-serpentine-south-london https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/01-Serp_G-Penone_002.jpg Giuseppe Penone, Idee di pietra (Ideas of Stone), 2010–24. Bronze and river stones. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/giuseppe-penone-serpentine-gallery-2025-photo-martin-kennedy.jpg Giuseppe Penone, Albero folgorato (Thunderstruck Tree), 2012. Bronze and gold. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/05-Serp_G-Penone_077.jpg Giuseppe Penone, Sguardo vegetale (Vegetal Gaze), 1995. Photo ceramic. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/06-Serp_G-Penone_105.jpg Giuseppe Penone, Thoughts in the Roots, 2025. Installation view, Serpentine South. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/10-Serp_G-Penone_027.jpg Giuseppe Penone, Alberi libro (Book Trees), 2017 and Respirare l’ombra (To Breathe the Shadow), 2000, installation view, Serpentine South. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/04-Serp_G-Penone_064.jpg Giuseppe Penone, A occhi chiusi (With Eyes Closed), 2009. Acrylic, glass microspheres, acacia thorns on canvas, and white Carrara marble. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/02-Serp_G-Penone_004-1.jpg Giuseppe Penone, Idee di pietra (Ideas of Stone), 2010–24. Bronze and river stones. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/07-Serp_G-Penone_087.jpg Giuseppe Penone, Gesti vegetali (Vegetal Gestures), 1983. Bronze, plants, soil, and pots. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/08-Serp_G-Penone_047.jpg Giuseppe Penone, Verde del bosco (Forest Green), 1986 and Verde del bosco – estate 2017 (Forest Green – Summer 2017), 2017, installation view, Serpentine South. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/09-Serp_G-Penone_028.jpg Giuseppe Penone, Alberi libro (Book Trees), 2017. White fir wood, cedar wood, and larch wood. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/11-Serp_G-Penone_029.jpg Giuseppe Penone, Respirare l’ombra (To Breathe the Shadow), 2000. Metal grids, laurel leaves, and bronze. © Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/images/articles/p/&095-penone-giuseppe-2025/30-Serp_G-Penone_022.jpg Giuseppe Penone, Albero folgorato (Thunderstruck Tree), 2012. Bronze and gold. ©Photo: George Darrell. Courtesy Giuseppe Penone and Serpentine. https://www.studiointernational.com/index.php/radical-software-women-art-and-computing-1960-1991-review-kunsthalle-wien-vienna https://www.studiointernational.com/images/articles/r/023-radical-software-2025/Miriam-Schapiro-2025-03-03-kunsthalle-wien-000480-web.jpg Installation view, Radical Software: Women, Art & Computing 1960–1991, from left to right: Miriam Schapiro, The Palace at 3:00 AM or Meander, 1971, courtesy the artist and Eric Firestone Gallery; Sonya Rapoport, Shoe-Field installation, 1983–89, courtesy Estate of Sonya Rapoport, Kunsthalle Wien 2025. Photo: kunst-dokumentation.com © Bildrecht, Wien 2025. https://www.studiointernational.com/images/articles/r/023-radical-software-2025/2025-02-25-kunsthalle-wien-000564-web.jpg Installation view, Radical Software: Women, Art & Computing 1960–1991: Hanne Darboven, Ein Jahrhundert-ABC, 1970–71, courtesy the artist and Sprüth Magers; Isa Genzken, Untitled, c1976–77, courtesy the artist and Galerie Buchholz, Berlin; Kunsthalle Wien 2025. Photo: kunst-dokumentation.com © Bildrecht, Wien 2025. https://www.studiointernational.com/images/articles/r/023-radical-software-2025/2025-03-03-kunsthalle-wien-000787-web.jpg Installation view, Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025. Photo: kunst-dokumentation.com https://www.studiointernational.com/images/articles/r/023-radical-software-2025/lynn-hershman-leeson-x-ray-woman-hr.jpg Lynn Hershman Leeson, X-Ray Woman, 1966. Collection Hartwig Art Foundation, promised gift to the Rijksdienst voor het Cultureel Erfgoed / Rijkscollectie. https://www.studiointernational.com/images/articles/r/023-radical-software-2025/anna-bella-geiger-self-portrait-1969-photocredit-pauline-assathiany.jpg Anna Bella Geiger, Self-Portrait, 1969. Courtesy the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York. Photo: Pauline Assathiany. https://www.studiointernational.com/images/articles/r/023-radical-software-2025/dara-birnbaum-pop-pop-video-courtesy-dara-birnbaum-and-electronic-arts-intermix-new-york.jpg Dara Birnbaum, Pop-Pop Video: Kojak/Wang, 1980. © Courtesy Dara Birnbaum and Eletrconic Arts Intermix (EAI), New York. https://www.studiointernational.com/images/articles/r/023-radical-software-2025/1000-2025-02-25-kunsthalle-wien-000344-web-2.jpg Charlotte Johannesson, Untitled, 1981–85, installation view, Radical Software: Women, Art & Computing 1960–1991, Kunsthalle Wien 2025. Courtesy the artist, Hollybush Gardens, London, and Croy Nielsen, Vienna. Photo: kunst-dokumentation.com https://www.studiointernational.com/images/articles/r/023-radical-software-2025/2025-03-03-kunsthalle-wien-001325-web.jpg Installation view, Radical Software: Women, Art & Computing 1960–1991: VALIE EXPORT, Concrete Computer DisPlay, 1988/1990, Kunsthalle Wien 2025. Courtesy the artist. Photo: kunst-dokumentation.com © Bildrecht, Wien 2025. https://www.studiointernational.com/images/articles/r/023-radical-software-2025/gudrun-bielz-und-ruth-schnell-pluschlove.jpg Gudrun Bielz and Ruth Schnell, Plüschlove, 1984. Film still. Courtesy the artists. © Bildrecht, Wien 2025. https://www.studiointernational.com/images/articles/r/023-radical-software-2025/sonia-sheriadan-sonia-in-time-1985-2.jpg Sonia Sheridan, Sonia In Time, 1985. Courtesy The Daniel Langlois Foundation, collection of the Cinémathèque Québécoise, Sonia Landy Sheridan fonds. https://www.studiointernational.com/images/articles/r/023-radical-software-2025/sonya-rapoport-shoe-field-map-install-view-1982.jpg Sonya Rapoport, Shoe-Field Map, 1982. Courtesy Estate of Sonya Rapoport. https://www.studiointernational.com/images/articles/r/023-radical-software-2025/valie-export-stand-up-sit-down-1989.jpg VALIE EXPORT, Stand Up. Sit Down, 1989. Courtesy of the artist. © Bildrecht, Wien 2025. https://www.studiointernational.com/index.php/catharsis-a-grief-drawn-out-janet-mckenzie-birlinn-book-review https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Memento-Mori-(Wormiston-Tower)-2008-ink-on-Khadi-paper-30-x-32-cm.jpg Janet McKenzie. Memento Mori (Wormiston Tower), 2008. Ink on Khadi paper, 30 x 32 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Couple-with-Bird-(after-Mirka)-(2002).jpg Janet McKenzie. Couple with Bird (after Mirka), 2002. Pen and ink, 30 x 21 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Two-Birds-and-me-2010.jpg Janet McKenzie. Two Birds and Me, 2010. Pastel on Carson paper, 32 x 25 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/After-the-Volcano-(vii)-2015.jpg Janet McKenzie. After the Volcano, 2015. Pen and ink, 30 x 42 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Funeral.jpg Janet McKenzie. Funeral, 2011. Felt pen and gouache on Khadi paper, 30 x 33 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Untitled-(After-Australia)-(2011)-watercolour-and-pastel,-30-x-40-cm.jpg Janet McKenzie. Untitled (After Australia), 2011. Watercolour and pastel, 30 x 40 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Birds-(2015)-brush-and-ink-copy.jpg Janet McKenzie. Birds, 2015. Brush and ink. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/The-woods-in-trouble.jpg Janet McKenzie. The Wood’s in Trouble, 2016. Drypoint etching, 25 x 36 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Salve-(viii)-Birds-2013-2023-copy.jpg Janet McKenzie. Salve (viii) Birds, 2013-23. Oil on canvas, 60 x 90 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/catharsis-book-cover-750.jpg Catharsis: A Grief Drawn Out by Janet McKenzie, published by Birlinn Limited, 2025. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Salve-(vii)-2010-2021-copy-2.jpg Janet McKenzie. Salve (vii), 2010-21. Oil and wood ash on canvas, 60.5 x 92 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Burning-House-2008-wood-ash-gold-leaf-oil-on-canvas.-copy.jpg Janet McKenzie. Burning House 2008. Wood ash gold leaf oil on canvas, 50 x 70 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Falling-House,-2008..jpg Janet McKenzie. Falling House, 2008. Wood ash, gold leaf and oil on canvas, 50 x 70 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Janet_McKenzie_Driving-West-2015.jpg Janet McKenzie. Driving West, 2015. Oil on canvas, 40 x 120 cm. © The Artist. https://www.studiointernational.com/images/articles/c/&068-catharsis-2025/Landscape-with-Cave-(ii)-(2009)-pastel-on-Canson-paper,-30-x-40-cm.jpg Janet McKenzie. Landscape with Cave (ii), 2009. Pastel on Canson paper, 30 x 40 cm. © The Artist. https://www.studiointernational.com/index.php/dame-jillian-sackler-obituary https://www.studiointernational.com/images/articles/s/&053-sackler-jillian-2025/DSC07257.jpg Dame Jillian Sackler, 1940–2025. Photo: Miguel Benavides. https://www.studiointernational.com/index.php/helen-chadwick-life-pleasures-review-hepworth-wakefield https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/07_Loop-my-Loop.jpg Helen Chadwick, Loop my Loop, 1991-2. Harris Museum, Preston. © Estate of Helen Chadwick. Photo courtesy of Richard Saltoun Gallery, London, Rome and New York. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/10_Wreath-to-Pleasure.jpg Helen Chadwick, Wreath to Pleasure, No. 6 (Chrysanthemums, Angel Delight). © Estate of Helen Chadwick. Photo courtesy Richard Saltoun Gallery, London, Rome and New York. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/13_Helen-Chadwick-with-Piss-Flowers.jpg Helen Chadwick with Piss Flowers from the exhibition Helen Chadwick: Effluvia, Serpentine Gallery, 1994. Photo: © Kippa Matthews. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/01_Fancy-Dress-and-Sculptures-Photograph-Book.jpg Fancy Dress and Sculptures Photograph Book, 1974. Leeds Museums and Galleries (Henry Moore Institute Archive of Sculptors’ Papers). © Estate of Helen Chadwick. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/08_Self-Portrait.jpg Helen Chadwick, Self Portrait, 1991. Jupiter Artland Foundation. © Estate of Helen Chadwick. Photo courtesy of Richard Saltoun Gallery, London, Rome and New York. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/04_The-Oval-Court.jpg Helen Chadwick, The Oval Court, 1984-6. Victoria and Albert Museum, London. © Estate of Helen Chadwick; Victoria and Albert Museum, London. With generous support from the V&A. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/05_The-Oval-Court.jpg Helen Chadwick, The Oval Court, 1984-6. Victoria and Albert Museum, London. © Estate of Helen Chadwick; Victoria and Albert Museum, London. With generous support from the V&A. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/02_Latex-costumes,-Domestic-Sanitation.jpg Latex costumes for Domestic Sanitation, 1976. Leeds Museums and Galleries, Henry Moore Institute Archive of Sculptors’ Papers. © Estate of Helen Chadwick. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/11_Piss-Flowers-at-Frieze-.jpg Helen Chadwick, Piss Flowers, 1991-2. Installation at Frieze, 2013. © Estate of Helen Chadwick. Courtesy of Richard Saltoun Gallery, London, Rome and New York. Photo: Peter White. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/09_The-making-of-Piss-Flowers.jpg The making of Piss Flowers: urine casting in Banff National Park, Canada, 1991. © Estate of Helen Chadwick. Photo: Monte Greenshields. Courtesy of Banff Art Centre, Canada. courtesy of Banff Art Centre, Canada. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/03_The-Labours-V-Wigwam.jpg Helen Chadwick in collaboration with Mark Pilkington, The Labours V: Wigwam – 5 years, 1983-4. Private Collection. © Estate of Helen Chadwick. Photo: Mark Pilkington, courtesy of Tate. https://www.studiointernational.com/images/articles/c/&067-chadwick-helen-2025/06_Viral-Landscape-No.2.jpg Helen Chadwick, Viral Landscape No.2, 1988-9. Courtesy National Museums Liverpool, Walker Art Gallery. © Estate of Helen hadwick. https://www.studiointernational.com/index.php/jonathan-baldock-interview-wyrd-jupiter-artland-edinburgh-london-mithraeum-bloomberg-space https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/BALD-300-Be-fruitful-and-multiply-1.jpg Jonathan Baldock, Be fruitful and multiply, 2023. Polystyrene, felt, cotton thread, wood and glass, 143 x 213 x 74cm (56 1/4 x 83 7/8 x 29 1/8in). Copyright Jonathan Baldock. Courtesy the artist and Stephen Friedman Gallery, London and New York. Photo: Mark Reeves. https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/WYRD_JonathanBaldock_002.jpg Jonathan Baldock: WYRD, installation view, Jupiter Artland, 2025. Photo: Neil Hanna. https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/Jonathan-Baldocks-life-sized-cocoons-pic-Veronica-Simpson.jpg Jonathan Baldock: Warm Inside, installation view, Lower Steadings, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/Ceramic-hands-and-feet-Pic-V-Simpson.jpg Jonathan Baldock: WYRD, installation view, Jupiter Artland, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/penguins-IMG_6904.jpg Jonathan Baldock: WYRD, installation view, Jupiter Artland, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/WYRD_JonathanBaldock_005.jpg Jonathan Baldock: WYRD, installation view, Jupiter Artland, 2025. Photo: Neil Hanna. https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/BALD-at-Yorkshire-Sculpture-Park,-West-Bretton,-England,-2023.jpg Jonathan Baldock, They tried to bury me, They didn https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/WYRD_JonathanBaldock_006.jpg Jonathan Baldock: WYRD, installation view, Jupiter Artland, 2025. Photo: Neil Hanna. https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/WYRD_JonathanBaldock_007.jpg Jonathan Baldock: WYRD, installation view, Jupiter Artland, 2025. Photo: Neil Hanna. https://www.studiointernational.com/images/articles/b/&071-baldock-jonathan-2025/WYRD_JonathanBaldock_012.jpg Jonathan Baldock: WYRD, installation view, Jupiter Artland, 2025. Photo: Neil Hanna. https://www.studiointernational.com/index.php/how-painting-happens-and-why-it-matters-martin-gayford-book-review-thames-hudson https://www.studiointernational.com/images/articles/h/&099-how-painting-happens-2025/Page-10,-Oscar-Murillo-in-front-of-his-painting-manifestation,-2020-2.jpg Oscar Murillo in front of his painting manifestation, 2020-22. Oil, oil stick, graphite, and spray paint on canvas and linen, 349.9 × 480.1 cm (137 ¼ × 189 in). Photo: Jason Schmidt © Oscar Murillo. Courtesy the artist and David Zwirner. https://www.studiointernational.com/images/articles/h/&099-how-painting-happens-2025/Page-262,-Gillian-Ayres,-Cwm,-1959.jpg Gillian Ayres, Cwm, 1959. Oil and ripolin on board, 160 × 305 cm (63 × 120 ¹⁄₁₆ in). © The Estate of Gillian Ayres, Courtesy of Marlborough London. https://www.studiointernational.com/images/articles/h/&099-how-painting-happens-2025/Page-30-Helen-Frankenthaler-at-work-on-a-large-canvas,-1969.jpg Helen Frankenthaler at work on a large canvas, 1969. Photo: Ernest Haas. © Helen Frankenthaler Foundation. https://www.studiointernational.com/images/articles/h/&099-how-painting-happens-2025/Page-67,-Patrick-Caulfield,-Unfinished-Painting,-1978.jpg Patrick Caulfield, Unfinished Painting, 1978. Acrylic on canvas, 76.2 × 91.4 cm (30 × 36 in). © The Estate of Patrick Caulfield. https://www.studiointernational.com/images/articles/h/&099-how-painting-happens-2025/Page-124,-Vincent-van-Gogh,-Wheat-Field-with-Cypresses,-1889.jpg Vincent van Gogh, Wheat Field with Cypresses, 1889. Oil on canvas, 73.2 × 93.4 cm (28 ⅞ × 36 ¾ in). Metropolitan Museum, New York. Purchase, The Annenberg Foundation Gift, 1993. https://www.studiointernational.com/images/articles/h/&099-how-painting-happens-2025/Page-116-117,-Patrick-Heron,-Long-Cadmium,-with-Ceruleum-in-Violet-(Boycott),1977.jpg Patrick Heron, Long Cadmium, with Ceruleum in Violet (Boycott), 1977. Oil on canvas, 198.1 × 396.2 cm (78 × 156 in). © The Estate of Patrick Heron. https://www.studiointernational.com/images/articles/h/&099-how-painting-happens-2025/how-paintings-happen-750.jpg How Painting Happens (and why it matters) by Martin Gayford, published by Thames & Hudson. © Thames & Hudson https://www.studiointernational.com/index.php/frank-auerbach-review-michael-werner-gallery-berlin https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUE-10.jpg Frank Auerbach. Head of William Feaver, 2021-23. Oil on canvas, 20 1/2 x 16 in (52 x 40.5 cm). © The Estate of Frank Auerbach. Courtesy Frankie Rossi Art Projects and Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUE-3.jpg Frank Auerbach. Mornington Crescent – Early Morning, 1999. Oil on canvas, 50 x 45 1/4 in (127 x 115 cm). Louisiana Museum of Modern Art, Humlebaek, Denmark. Acquired with support from The New Carlsberg Foundation. © The Estate of Frank Auerbach. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUE-5.jpg Frank Auerbach. Self-Portrait, 2024. Acrylic on board, 20 x 18 in (51 x 45.5 cm). © The Estate of Frank Auerbach. Courtesy Frankie Rossi Art Projects and Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/Frank-Auerbach-and-the-filmmaker-Jake-Auerbach.jpg Frank Auerbach and the filmmaker Jake Auerbach, 2024. © The Estate of Frank Auerbach. Courtesy Jake Auerbach. Photo: Nicola Bensley. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUE-2.jpg Frank Auerbach. Head of Catherine Lampert, 1998. Oil on board, 30 x 22 in (76.5 x 56 cm). Louisiana Museum of Modern Art, Humlebaek, Denmark. Acquired with support from The New Carlsberg Foundation. © The Estate of Frank Auerbach. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUE-22.jpg Frank Auerbach. Catherine Lampert – Profile, 1997. Oil on canvas, 22 x 18 in (56 x 46 cm). Private Collection. © The Estate of Frank Auerbach. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUE-4.jpg Frank Auerbach. Reclining Head of Julia, 2019-20. Acrylic on board, 22 1/4 x 22 1/4 in (56.5 x 56.5 cm). © The Estate of Frank Auerbach. Courtesy Frankie Rossi Art Projects and Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUE-25.jpg Frank Auerbach. David Landau Seated, 1995. Oil on canvas, 26 x 26 in (66 x 66 cm). Private Collection. © The Estate of Frank Auerbach. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUE-26.jpg Frank Auerbach. The Studios IV, 1995. Oil on canvas, 18 x 22 in (46 x 56 cm). Private Collection. © The Estate of Frank Auerbach. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUEZ-5.jpg Frank Auerbach. J.Y.M., 1988-89. Charcoal, chalk, India ink on paper, 32 3/4 x 36 in (83 x 91.5 cm). Private Collection. © The Estate of Frank Auerbach. Courtesy Michael Werner Gallery. https://www.studiointernational.com/images/articles/a/&083-auerbach-frank-2025/AUEZ-7.jpg Frank Auerbach. Self-Portrait, 2023. Graphite, India ink, acrylic on paper, 30 1/2 x 22 in (77.5 x 56 cm). Private Collection. © The Estate of Frank Auerbach. Courtesy Michael Werner Gallery. https://www.studiointernational.com/index.php/kiki-smith-interview-woven-worlds-moderna-museet-malmo https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/installationsvy-kiki-smith-vvda-vrldar_2025.jpg Kiki Smith: Woven Worlds, 2025. Installation view, Moderna Museet, Malmö. Photo: Helene Toresdotter / Moderna Museet. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_-woman-with-wolf_2003.jpg Kiki Smith, Woman with Wolf, 2003. Photo: Kerry Ryan McFate. Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_-butterry-bat-turtle_2000.jpg Kiki Smith, ButterRy, Bat, Turtle, 2000. Photo: Courtesy the artist and Pace Prints. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_-fallen_2018.jpg Kiki Smith, Fallen, 2018. Photo: Phoebe d https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_-hoarfrost_2014.jpg Kiki Smith, Hoarfrost, 2014. Courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_spinners-detail_2014_f_courtesy-magnolia-editions-oakland-ca.jpg Kiki Smith, Spinners (detail), 2014. Photo: Courtesy Magnolia Editions, Oakland, CA. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_eagle-in-the-pines_2016.jpg Kiki Smith, Eagle in the Pines, 2016. Photo: Tom Barratt. Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_-sky_2012.jpg Kiki Smith, Sky, 2012. Photo: Courtesy Magnolia Editions, Oakland, CA. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_-visitor_2015.jpg Kiki Smith, Visitor, 2015. Photo: Courtesy Magnolia Editions, Oakland, CA. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_-shadow-j_2019.jpg Kiki Smith, Shadow 3, 2019. Photo: Jonathan Nesteruk. Courtesy of Pace Gallery. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_-sky_2011.jpg Kiki Smith, Sky, 2011. Photo: Ian Densford. Courtesy Pace Gallery. https://www.studiointernational.com/images/articles/s/&052-smith-kiki-2025/smith-kiki_sperm-piece_1991_kiki-smith-courtesy-pacewaldenstein-new-york_f_albin-dahsltrm-moderna-museet_press.jpg Kiki Smith, Sperm piece, 1991. Photo: Albin Dahlström / Moderna Museet. Courtesy PaceWaldenstein, New York. https://www.studiointernational.com/index.php/nora-aurrekoetxea-ayo-eniwaye-oluwaseyi-video-interviews-rijksakademie-open-studios-amsterdam-art-week https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/nora-installation-view.jpg Nora Aurrekoetxea, installation view, Rijksakademie Open Studios, Amsterdam. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/AYO_Tomek-Dersu-Aaron_250.jpg AYO: A score for Atat https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/eniwaye-IMG_0629.jpg Eniwaye Oluwaseyi, installation view, Rijksakademie Open Studios, Amsterdam. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/AYO_Tomek-Dersu-Aaron_253.jpg AYO: A score for Atat's homestead, installation view, Rijksakademie Open Studios. Photo: Tomek Dersu Aaron. https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/eniwaye-IMG_0643.jpg Eniwaye Oluwaseyi, installation view, Rijksakademie Open Studios, Amsterdam. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/nora-IMG_1482.jpg Nora Aurrekoetxea, installation view, Rijksakademie Open Studios, Amsterdam. Photo: Nora Aurrekoetxea. https://www.studiointernational.com/index.php/ayo-interview-rijksakademie-open-studios-amsterdam https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/AYO_Tomek-Dersu-Aaron_250.jpg AYO: A score for Atat https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/AYO_Tomek-Dersu-Aaron_253.jpg AYO: A score for Atat https://www.studiointernational.com/index.php/nora-aurrekoetxea-interview-rijksakademie-amsterdam https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/nora-installation-view.jpg Nora Aurrekoetxea, installation view, Rijksakademie Open Studios, Amsterdam. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/nora-IMG_1482.jpg Nora Aurrekoetxea, installation view, Rijksakademie Open Studios, Amsterdam. Photo: Nora Aurrekoetxea. https://www.studiointernational.com/index.php/eniwaye-oluwaseyi-interview-rijksakademie-open-studios https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/eniwaye-IMG_0629.jpg Eniwaye Oluwaseyi, installation view, Rijksakademie Open Studios, Amsterdam. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/r/022-rijksakademie-interviews-2025/eniwaye-IMG_0643.jpg Eniwaye Oluwaseyi, installation view, Rijksakademie Open Studios, Amsterdam. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/emma-critchley-soundings-review-attenborough-centre-creative-arts-university-sussex-tate-st-ives-cornwall https://www.studiointernational.com/images/articles/c/&066-critchley-emma-2025/JHG_Soundings-1.jpg Emma Critchley: Soundings, Live Performance, John Hansard Gallery, 2025. Courtesy the artist. Photo: Nosa Malcolm. https://www.studiointernational.com/images/articles/c/&066-critchley-emma-2025/Emma_Critchley_Soundings_JHG_Photo-Reece-Straw_01.jpg Emma Critchley: Soundings. Installation view, John Hansard Gallery, 2025. Courtesy the artist. Photo: Reece Straw. https://www.studiointernational.com/images/articles/c/&066-critchley-emma-2025/Emma_Critchley_Soundings_Film-still_04.jpg Emma Critchley: Soundings. Film still, 2024. © The Artist. https://www.studiointernational.com/images/articles/c/&066-critchley-emma-2025/Emma_Critchley_Soundings_Film-still_01.jpg Emma Critchley: Soundings. Film still, 2024. © The Artist. https://www.studiointernational.com/images/articles/c/&066-critchley-emma-2025/Emma_Critchley_Soundings_JHG_Photo-Reece-Straw_09.jpg Emma Critchley: Soundings. Installation view, John Hansard Gallery, 2025. Courtesy the artist. Photo: Reece Straw. https://www.studiointernational.com/images/articles/c/&066-critchley-emma-2025/Soundings_EmmaCritchley_BF25.jpg Emma Critchley: Soundings. Presented in partnership with Attenborough Centre for the Creative Arts. https://www.studiointernational.com/index.php/sargent-and-paris-review-metropolitan-museum-of-art-new-york https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/10_Sargent_Self-Portrait_1886.jpg John Singer Sargent, Self-Portrait, 1886. Oil on canvas, 13 9/16 × 11 11/16 in (34.5 × 29.7 cm). Aberdeen City Council (Aberdeen Archives, Gallery & Museums collections). https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/02_Sargent_In-the-Luxembourg-Gardens_1879.jpg John Singer Sargent, In the Luxembourg Gardens, 1879. Oil on canvas, 25 7/8 × 36 3/8 in (65.7 × 92.4 cm). Philadelphia Museum of Art, John G. Johnson Collection, 1917. https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/08_Sargent_An-Out-of-Doors-Study-(Paul-Helleu-Sketching-with-his-Wife)_1889.jpg John Singer Sargent, An Out-of-Doors Study (Paul Helleu Sketching with His Wife), 1889. Oil on canvas, 25 15/16 × 31 3/4 in (65.9 × 80.7 cm). Brooklyn Museum of Art, Museum Collection Fund. https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/03_Sargent_Fumee-d-ambre-gris-(Smoke-of-Ambergris)_1880.jpg John Singer Sargent, Fumée d’Ambre Gris (Smoke of Ambergris), 1880. Oil on canvas, 54 3/4 × 35 11/16 in (139.1 × 90.6 cm). Clark Art Institute, Acquired by Sterling and Francine Clark before 1955. https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/05_Sargent_Lady-with-the-Rose-(Charlotte-Louise-Burckhardt)_1882.jpg John Singer Sargent, Lady with the Rose (Charlotte Louise Burckhardt), 1882. Oil on canvas, 84 x 44 3/4 in (213.4 x 113.7 cm). Bequest of Valerie B. Hadden, 1932. The Metropolitan Museum of Art. https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/06_Sargent_The-Daughters-of-Edward-Darley-Boit_1882.jpg John Singer Sargent, The Daughters of Edward Darley Boit, 1882. Oil on canvas, 87 3/8 × 87 5/8 in (221.9 × 222.6 cm). Museum of Fine Arts, Boston, Gift of Mary Louisa Boit, Julia Overing Boit, Jane Hubbard Boit, and Florence D. Boit in memory of their father, Edward Darley Boit. https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/04_Sargent_Dr-Pozzi-at-Home_1881.jpg John Singer Sargent, Dr Pozzi at Home, 1881. Oil on canvas, 79 3/8 × 40 1/4 in (201.6 × 102.2 cm). The Armand Hammer Collection, Gift of the Armand Hammer Foundation. Hammer Museum, Los Angeles. https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/07_Sargent_Madame-Gautreau-Drinking-a-Toast_1882-1883.jpg John Singer Sargent, Madame Gautreau Drinking a Toast, 1882-83. Oil on panel, 12 5/8 × 16 1/8 in (32 × 41 cm). Isabella Stewart Gardner Museum, Boston. https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/09_Sargent_La-Carmencita_ca-1890.jpg John Singer Sargent, La Carmencita, c1890. Oil on canvas, 90 3/16 × 55 1/8 in (229 × 140 cm). Musée d https://www.studiointernational.com/images/articles/s/&051-sargent-and-paris-2025/01_Sargent_Madame-X_1883-84.jpg John Singer Sargent, Madame X (Madame Pierre Gautreau), 1883–84. Oil on canvas, 82 1/8 x 43 1/4in (208.6 x 109.9cm). Arthur Hoppock Hearn Fund, 1916. The Metropolitan Museum of Art. https://www.studiointernational.com/index.php/ruth-asawa-san-francisco-moma-wayne-thiebaud-legion-of-honor-walt-disney-family-museum-reviews https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/20_Ruth-Asawa-teaching-a-Bakers-Clay-workshop-at-the-San-Francisco-Museum-of-Art-(now-SFMOMA),-1973.jpg Ruth Asawa teaching a Baker https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/04_Asawa_WC.187.jpg Ruth Asawa. Untitled (Two Watermelons), 1960s. Ink on technical paper, 20 x 30in (50.8 x 76.2 cm). Glenstone Museum, Potomac, Maryland. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/asawa-JPEG-02.jpg Ruth Asawa: Retrospective, installation view, SFMOMA; artwork: © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner. Photo: Don Ross. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/asawa-JPEG-01.jpg Ruth Asawa: Retrospective, installation view, SFMOMA; artwork: © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner. Photo: Don Ross. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/thiebaud-makeup-girl.jpg Wayne Thiebaud. Makeup Girl, 1981-2012. Oil on canvas, 30 x 24 in (76.2 x 60.96 cm). Private Collection, Courtesy Acquavella Galleries. © 2025 Wayne Thiebaud Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY Courtesy of Acquavella Galleries, New York. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/thiebaud-35-cents.jpg Wayne Thiebaud. 35 Cent Masterworks, 1970-72. Oil on canvas, 36 x 24 in (91.44 x 60.96 cm). Wayne Thiebaud Foundation © Wayne Thiebaud Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/Thiebaud-Window-Views_20240808_1_Crop_3000x3000.jpg Wayne Thiebaud. Window Views, 1989-93. Oil on canvas, 72 x 64 in (182.88 x 162.56 cm). Private Collection © 2025 Wayne Thiebaud Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY Photograph by Randy Dodson, courtesy of the Fine Arts Museums of San Francisco. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/thiebaud-canyon-mountains.jpg Wayne Thiebaud. Canyon Mountains, 2011-12. Oil on canvas, 66 1/8 x 54 1/8 in (167.96 x 137.48 cm). San Francisco Museum of Modern Art, Purchase, by exchange, through fractional gifts of Gretchen and John Berggruen and Madeleine Haas Russell, and gift of the Thiebaud family © Wayne Thiebaud Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY Photograph: Katherine Du Tiel. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/Thiebaud-IMG_3256-photo-jill-spalding.jpg Wayne Thiebaud, One-Hundred-Year-Old Clown, 2020. Oil on canvas, 18 x 14 in. Installation view, San Francisco Museum of Modern Art. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/Earliest-known-drawings-of-Mickey-Mouse.jpg The earliest known drawings of Mickey Mouse, 1928. Courtesy Walt Disney Family Foundation, © Disney. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/Disney-Honorary-Oscar-for-Snow-White-and-the-Seven-Dwarfs.jpg Walt Disney’s Honorary Academy Award for Snow White and the Seven Dwarfs, from the Academy Motion Pictures Arts and Sciences. Photo: Jim Smith, courtesy The Walt Disney Family Museum. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/Disney-Gallery-9-Overview-DIsneyland-and-Beyond.jpg Gallery 9: Disneyland and Beyond. Photo: Jim Smith, courtesy The Walt Disney Family Museum. https://www.studiointernational.com/images/articles/a/&082-asawa-thiebaud-disney-2025/SFMOMA-Ruth-Asawa-Retrospective.jpg Ruth Asawa: Retrospective, installation view, SFMOMA; artwork: © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner; backdrop photograph: © 2025 Rondal Partridge Archives; Photo: Henrik Kam. https://www.studiointernational.com/index.php/plasmata-3-weve-met-before-havent-we-review-pedion-tou-areos-park-athens-onassis-foundation https://www.studiointernational.com/images/articles/p/&094-plasmata/Plasmata_3_Pierre-Christophe-Gam,-The-Sanctuary-of-Dreams@Pinelopi_Gerasimou_Low-44.jpg Pierre-Christophe Gam, The Sanctuary of Dreams, 2025. Video installation, 44 min. Pedion tou Areos park / Plásmata 3, Athens, 2025. Photo: Pinelopi Gerasimou. https://www.studiointernational.com/images/articles/p/&094-plasmata/Plasmata_3_Maria-Mavropoulou-,-The-Sleight-of-the-Machine@Pinelopi_Gerasimou_High-156.jpg Maria Mavropoulou, The Sleight of the Machine, 2025. Film, 9 min 42 sec. Pedion tou Areos park / Plásmata 3, Athens, 2025. Photo: Pinelopi Gerasimou. https://www.studiointernational.com/images/articles/p/&094-plasmata/Plasmata_3_Aias-Kokkalis,-Ares-Awakening@Pinelopi_Gerasimou_High-276.jpg Aias Kokkalis, Ares Awakening, 2025. Video installation, 10-18 min. Pedion tou Areos park / Plásmata 3, Athens, 2025. Photo: Pinelopi Gerasimou. https://www.studiointernational.com/images/articles/p/&094-plasmata/Plasmata_3_The-Callas,-Punkthenon@Pinelopi_Gerasimou_High-209.jpg The Callas (Lakis and Aris Ionas). Punkthenon, 2022. Pedion tou Areos park / Plásmata 3, Athens, 2025. Photo: Pinelopi Gerasimou. https://www.studiointernational.com/images/articles/p/&094-plasmata/Plasmata_3_Andreas-Wannerstedt,-Focus!@Pinelopi_Gerasimou_High-159.jpg Andreas Wannerstedt, Focus! 3D animation, infinity loop. Pedion tou Areos park / Plásmata 3, Athens, 2025. Photo: Pinelopi Gerasimou. https://www.studiointernational.com/images/articles/p/&094-plasmata/Plasmata_3_Efi-Gousi,-Tectonic-Riders@Pinelopi_Gerasimou_High-322.jpg Efi Gousi, Tectonic Riders, 2025. Video installation, 5 min 43 sec. Pedion tou Areos park / Plásmata 3, Athens, 2025. Photo: Pinelopi Gerasimou. https://www.studiointernational.com/index.php/v-and-a-east-storehouse-cabinet-of-curiosities-london-review https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/DS+R_VandA-East-Storehouse_(c)Hufton+Crow_18.jpg Diller Scofidio + Renfro (DS+R), V&A East Storehouse. © Hufton+Crow. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/DS+R_VandA-East-Storehouse_(c)Hufton+Crow_1.jpg Diller Scofidio + Renfro (DS+R), V&A East Storehouse. © Hufton+Crow. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/Storage-racks-for-paintings-DS+R_V&A-East-Storehouse-Hufton+Crow_12.jpg Storage racks for paintings. Diller Scofidio + Renfro (DS+R), V&A East Storehouse. © Hufton+Crow. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/A-recreation-of-the-carved-and-gilded-ceiling-of-the-15th-century-lost-Torredo-Palace-of-Toledo-Pic-V-Simpson.jpg V&A East Storehouse. A recreation of the carved and gilded ceiling of the 15th century lost Torredo Palace of Toledo. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/Interior-of-the-Frankfurt-Kitchen-Pic-V-Simpson.jpg V&A East Storehouse. Reconstruction of a Frankfurt kitchen designed by Margarete Schütte-Lihotzky. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/A-film-explains-the-job-of-the-conservators-visible-in-the-laboratory-the-floor-below.-Pic-V-Simpson.jpg V&A East Storehouse. A film explains the work of the conservators visible in the laboratory the floor below. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/DS+R_VandA-East-Storehouse_(c)Hufton+Crow_5.jpg Diller Scofidio + Renfro (DS+R), V&A East Storehouse. © Hufton+Crow. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/DS+R_VandA-East-Storehouse_(c)Hufton+Crow_9.jpg Diller Scofidio + Renfro (DS+R), V&A East Storehouse. © Hufton+Crow. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/The-Study-Centre-where-visitors-can-pre-order-five-items-from-the-collection-for-close-inspection.-Pic-V-Simpson.jpg V&A East Storehouse. The Study Centre where visitors can pre-order five items from the collection for close inspection. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/The-conservators-at-work-viewed-from-the-viewing-platform-above.Pic-V-SimpsonHEIC.jpg The conservators at work viewed from the viewing platform above. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/DS+R_VandA-East-Storehouse_(c)Hufton+Crow_14.jpg Diller Scofidio + Renfro (DS+R), V&A East Storehouse. © Hufton+Crow. https://www.studiointernational.com/images/articles/v/063-vanda-storehouse-2025/A-set-of-masterpieces-displayed-on-the-crate-and-pallet-system-used-throughout.jpg V&A East Storehouse. A set of masterpieces displayed on the crate and pallet system used throughout. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/marina-tabassum-architect-serpentine-pavilion-2025 https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Rajesh-Vora-(14).jpg Bait Ur Rouf Mosque, Dhaka, by Marina Tabassum Architects. Photo: Hasan Saifuddin Chandan. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/DJI_0607.jpg Khudi Bari by Marina Tabssum Architects. Photo: City Syntax. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Image-08.jpg Bait Ur Rouf Mosque, Dhaka, by Marina Tabassum Architects. Photo: Hasan Saifuddin Chandan. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Serpentine-25-MTA-1031.jpg Serpentine Pavilion, 2025, A Capsule in Time, designed by Marina Tabassum, Marina Tabassum Architects (MTA). Exterior view. © Marina Tabassum Architects (MTA), Photo: Iwan Baan, Courtesy, Serpentine. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Serpentine-25-MTA-1609.jpg Serpentine Pavilion, 2025, A Capsule in Time, designed by Marina Tabassum, Marina Tabassum Architects (MTA). Exterior view. © Marina Tabassum Architects (MTA), Photo: Iwan Baan, Courtesy, Serpentine. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Serpentine-25-MTA-1368.jpg Serpentine Pavilion, 2025, A Capsule in Time, designed by Marina Tabassum, Marina Tabassum Architects (MTA). Exterior view. © Marina Tabassum Architects (MTA), Photo: Iwan Baan, Courtesy, Serpentine. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Marina-Tabassum-Serpentine-Pavilion-Pic-V-Simpson.jpg Marina Tabassum, A Capsule in Time, Serpentine Pavilion, London, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Serpentine-25-MTA-1721.jpg Serpentine Pavilion, 2025, A Capsule in Time, designed by Marina Tabassum, Marina Tabassum Architects (MTA). Exterior view. © Marina Tabassum Architects (MTA), Photo: Iwan Baan, Courtesy, Serpentine. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Serpentine-25-MTA-0407.jpg Serpentine Pavilion, 2025, A Capsule in Time, designed by Marina Tabassum, Marina Tabassum Architects (MTA). Exterior view. © Marina Tabassum Architects (MTA), Photo: Iwan Baan, Courtesy, Serpentine. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Serpentine-25-MTA-0429.jpg Serpentine Pavilion, 2025, A Capsule in Time, designed by Marina Tabassum, Marina Tabassum Architects (MTA). Exterior view. © Marina Tabassum Architects (MTA), Photo: Iwan Baan, Courtesy, Serpentine. https://www.studiointernational.com/images/articles/t/035-tabassum-marina-2025/Serpentine-25-MTA-1687.jpg Serpentine Pavilion, 2025, A Capsule in Time, designed by Marina Tabassum, Marina Tabassum Architects (MTA). Exterior view. © Marina Tabassum Architects (MTA), Photo: Iwan Baan, Courtesy, Serpentine. https://www.studiointernational.com/index.php/william-mackrell-interview-exposed-tender-lungley-gallery-breaking-a-dance-whitechapel https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/01-WMackrell-Breaking-a-dance-2025.jpg William Mackrell, Breaking a Dance, 2025. Performance, Whitechapel Gallery, The London Open Live 2025. Photo: courtesy the artist. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/Rage-rage-full-view-(4).jpg William Mackrell, Rage Rage Against the Dying of the Light, 2020. Rayograph and text framed in UV glass, 245 x 126 cm. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/04-WMackrell-Breaking-a-dance-press.jpg William Mackrell, Breaking a Dance, 2025. Performance, Whitechapel Gallery, The London Open Live 2025. Photo: courtesy the artist. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/06-Divine-Loop.jpg William Mackrell, Divine Loop, 2025. Lipstick on Heritage white paper, lime wood frame, UV glass, 133.5 x 95.5 cm. Photo: courtesy Agnese Sanvito. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/10-Sleep-RED.jpg William Mackrell, Sleep RED, 2025. Carbon paper, mattress, acrylic case, LED lights, 196.5 x 94.5 x 20 cm. Exhibition view, William Mackrell, Exposed Tender, Lungley Gallery, 2025. Photo: courtesy Agnese Sanvito. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/Exposed-Tender-28-Agnese-Sanvito.jpg Exhibition view, William Mackrell, Exposed Tender, Lungley Gallery, 2025. Photo: courtesy Agnese Sanvito. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/_DSC2108HR-lr-(1).jpg Exhibition view, William Mackrell, Rage Rage Against the Dying of the Light, Lungley Gallery, London, 2020. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/Divine-Lapidarium-01_5.jpg William Mackrell, Divine, 2024. Lipstick performance work. Gallery view, Muzej-Lapidarium Croatia. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/Rage-rage-detail-8.jpg William Mackrell, Rage Rage Against the Dying of the Light, 2020 (detail). Rayograph and text framed in UV glass, 245 x 126 cm. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/Exposed-Tender-05-(c)-Agnese-Sanvito.jpg Exhibition view, William Mackrell, Exposed Tender, Lungley Gallery, 2025. Photo: courtesy Agnese Sanvito. https://www.studiointernational.com/images/articles/m/&069-mackrell-william-2025/Divine-Lapidarium-01_54.jpg William Mackrell, Divine, 2024 (detail). Lipstick performance work. Gallery view, Muzej-Lapidarium Croatia. https://www.studiointernational.com/index.php/rachel-jones-gated-canyons-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/j/070-jones-rachel-2025/Rachel-Jones,-Gated-Canyons,-2024,-photo-Eva-Herzog-(1).jpg Rachel Jones, Gated Canyons, 2024. Oil stick and oil pastel on stretched linen, 250 x 360 x 3.5cm. Courtesy of the artist. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/j/070-jones-rachel-2025/Rachel-Jones,-Gated-Canyons,-2024,-photo-Eva-Herzog-(3).jpg Rachel Jones, Gated Canyons, 2024. Oil stick and oil pastel on stretched linen, 360 x 250 x 3.5 cm. Courtesy of the artist. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/j/070-jones-rachel-2025/Rachel-Jones,-Gated-Canyons-(detail),-2024,-photo-Eva-Herzog-(2).jpg Rachel Jones, Gated Canyons (detail). 2024. Oil stick and oil pastel on stretched linen. Courtesy of the artist. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/j/070-jones-rachel-2025/Rachel-Jones-Gated-Canyons,-Dulwich-Picture-Gallery,-2025-Photo-by-Eva-Herzog.-(2).jpg Rachel Jones: Gated Canyons, Dulwich Picture Gallery, 2025. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/j/070-jones-rachel-2025/Rachel-Jones,-Gated-Canyons,-2024,-photo-Eva-Herzog(5).jpg Rachel Jones, Gated Canyons, 2024. Oil stick and oil pastel on paper, 25.5 x 31 cm. Courtesy of the artist. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/j/070-jones-rachel-2025/Rachel-Jones,-Gated-Canyons,-2024,-photo-Eva-Herzog-(4).jpg Rachel Jones, Gated Canyons, 2024. Oil stick and oil pastel on stretched linen, 360 x 250 x 3.5 cm. Courtesy of the artist. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/j/070-jones-rachel-2025/Rachel-Jones-Gated-Canyons,-Dulwich-Picture-Gallery,-2025-Photo-by-Eva-Herzog..jpg Rachel Jones: Gated Canyons, Dulwich Picture Gallery, 2025. Photo: Eva Herzog. https://www.studiointernational.com/index.php/donald-locke-resistant-forms-spike-island-bristol https://www.studiointernational.com/images/articles/l/026-locke-donald-2025/Black-Painting-1978-79.jpg Donald Locke, Black Painting, 1978-79. Mixed media on canvas, formica, ceramic elements attached to canvas with stainless steel washers. Courtesy Estate of Donald Locke and Alison Jacques. https://www.studiointernational.com/images/articles/l/026-locke-donald-2025/Spike-Island-Donald-Locke-Edited-Selection-(High-Res)-13.jpg Donald Locke: Resistant Forms, 2025. Installation view at Spike Island. Image courtesy the artist. Photo: Rob Harris. https://www.studiointernational.com/images/articles/l/026-locke-donald-2025/Spike-Island-Donald-Locke-Edited-Selection-(High-Res)-5.jpg Donald Locke: Resistant Forms, 2025. Installation view at Spike Island. Image courtesy the artist. Photo: Rob Harris. https://www.studiointernational.com/images/articles/l/026-locke-donald-2025/Spike-Island-Donald-Locke-2.jpg Donald Locke: Resistant Forms, 2025. Installation view at Spike Island. Image courtesy the artist. Photo: Rob Harris. https://www.studiointernational.com/images/articles/l/026-locke-donald-2025/Southern-Mansions,-1996.jpg Donald Locke, Southern Mansions, 1996. Ceramic, wood, artificial fur. Courtesy Estate of Donald Locke and Alison Jacques. https://www.studiointernational.com/images/articles/l/026-locke-donald-2025/The-Cage,-1976-79.jpg Donald Locke, The Cage, 1976-79. Acrylic on layered canvas, steel, fur. Collection of Lorenzo Legarda Leviste and Fahad Mayet. https://www.studiointernational.com/images/articles/l/026-locke-donald-2025/1000-Spike-Island-Donald-Locke-Edited-Selection-(High-Res)-4.jpg Donald Locke: Resistant Forms, 2025. Installation view at Spike Island. Image courtesy the artist. Photo: Rob Harris. https://www.studiointernational.com/index.php/caspar-heinemann-sod-all-review-studio-voltaire-london https://www.studiointernational.com/images/articles/h/&097-heinemann-caspar-2025/Caspar-Heinemann_Sod-All_2025_Photo-Sarah-Rainer1.jpg Caspar Heinemann, Sod All, 2025. Installation view at Studio Voltaire. Images courtesy of the artist, Cabinet Gallery, and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/h/&097-heinemann-caspar-2025/Scarer-(2025)-Caspar-Heinemann_Sod-All_2025_Photo-Sarah-Rainer11.jpg Caspar Heinemann, Scarer, 2025. Installation view at Studio Voltaire. Images courtesy of the artist, Cabinet Gallery, and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/h/&097-heinemann-caspar-2025/Caspar-Heinemann_Sod-All_2025_20.jpg Caspar Heinemann, Sod All, 2025. Installation view at Studio Voltaire. Images courtesy of the artist, Cabinet Gallery, and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/h/&097-heinemann-caspar-2025/Caspar-Heinemann_Sod-All_2025_Photo-Sarah-Rainer10.jpg Caspar Heinemann, Dead Ducks, 2025. Installation view at Studio Voltaire. Images courtesy of the artist, Cabinet Gallery, and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/h/&097-heinemann-caspar-2025/Caspar-Heinemann-Time-Machine-(2025)-detail_Sod-All_2025_Installtion-view-at-Studio-Voltaire_Images-courtesy-of-the-artist-Cabinet-Gallery-and-Studio-Voltaire_Photo-Sarah-Rainer26.jpg Caspar Heinemann, Time Machine, 2025 (detai). Installation view at Studio Voltaire. Images courtesy of the artist, Cabinet Gallery, and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/h/&097-heinemann-caspar-2025/The-temple-inside-one-of-the-vitrines-Caspar-Heinemann_Sod-All_2025_Photo-Sarah-Rainer29.jpg Caspar Heinemann, Time Machine, 2025. The temple inside one of the vitrines. Installation view at Studio Voltaire. Images courtesy of the artist, Cabinet Gallery, and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/images/articles/h/&097-heinemann-caspar-2025/Installation-view-Caspar-Heinemann_Sod-All_2025_Installtion-view-at-Studio-Voltaire-750.jpg Caspar Heinemann, Sod All, 2025. Installation view at Studio Voltaire. Images courtesy of the artist, Cabinet Gallery, and Studio Voltaire. Photo: Sarah Rainer. https://www.studiointernational.com/index.php/maggi-hambling-time-sea-scape-tory-lawrence-wolterton-hall-norfolk https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/Maggi-Hambling,-Wall-of-water-XXVII,-2025.jpg Maggi Hambling, Wall of Water XXVII, 2025. Oil on canvas, 213 x 183 cm (84 x 72 in). Copyright Maggi Hambling. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/Tory-portrait-magii-hambling.jpg Maggi Hambling, Tory, October 2024. Oil on canvas. Installation view, Time, Wolterton Hall, 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/Tory,-detail.jpg Maggi Hambling, Tory, October 2024 (detail). Oil on canvas. Installation view, Time, Wolterton Hall, 2025. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/WOLTERTON_86-Edit.jpg Maggi Hambling, Time, installation view, Wolterton Hall, 2025. Photo: Eva Herzog, courtesy the artists and Wolterton. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/19_07_05_Wolterton_Park_DSC6774_RT.jpg Wolterton Hall, North Norfolk, courtesy of Wolterton. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/Maggi-Hambling,-Summer-Wave-breaking-II,-2025.jpg Maggi Hambling, Summer Wave Breaking II, 2025. Oil on canvas, 152.5 x 122 cm (60 x 48 in). Copyright Maggi Hambling. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/WOLTERTON_15-Edit.jpg Sea State by Maggi Hambling and Ro Robertson, installation view, Wolterton Hall, 2025. Photo: Eva Herzog, courtesy the artists and Wolterton. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/WOLTERTON_20-Edit.jpg Sea State by Maggi Hambling and Ro Robertson, installation view, Wolterton Hall, 2025. Photo: Eva Herzog, courtesy the artists and Wolterton. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/WOLTERTON_37-Edit.jpg Sea State, installation view, Wolterton Hall, 2025. Foreground: Ro Robertson, The Swell, 2025. Photo: Eva Herzog, courtesy the artists and Wolterton. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/WOLTERTON_83.jpg Maggi Hambling, Time, installation view, Wolterton Hall, 2025. Photo: Eva Herzog, courtesy the artists and Wolterton. https://www.studiointernational.com/images/articles/h/&098-hambling-maggi-2025/WOLTERTON_97-Edit.jpg Maggi Hambling, Time, installation view, Wolterton Hall, 2025. Photo: Eva Herzog, courtesy the artists and Wolterton. https://www.studiointernational.com/index.php/european-realities-review-museum-gunzenhauser-chemnitz-germany https://www.studiointernational.com/images/articles/e/053-european-realities-2025/011_Didziokiene,-Barbora_Autoportretas.jpg Barbora Didžiokienė. Self-portrait, 1933–1967. Photo: Antanas Lukšėnas. https://www.studiointernational.com/images/articles/e/053-european-realities-2025/6-Peet-Aren-Spezialanforderung-aus-Estland.jpg Peet Aren. Lady in Black, 1931. Oil on canvas, 92 x 70 cm. Art Museum of Estonia. https://www.studiointernational.com/images/articles/e/053-european-realities-2025/013_Prechner,-Lotte_Epoque.jpg Lotte Prechner. Epoque, 1928. Friedrich-Ebert-Stiftung e. V. https://www.studiointernational.com/images/articles/e/053-european-realities-2025/012_Kovacic-Tajcevic,-Sonja_The-Black-Man-With-a-Pink-Hat.jpg Sonja Kovačić-Tajčević. Man with Pink Hat,1930-32. Museum of Modern and Contemporary Art collection in Rijeka, Croatia. Photo: Goran Vranić. https://www.studiointernational.com/images/articles/e/053-european-realities-2025/7-Alice-Bailly-Spezialanforderung-aus-Winterthur.jpg Alice Bailly. A Cold Morning in the Jardin du Luxembourg, 1921. Kunst Museum Winterthur, Schenkung von Georg Reinhart, 1928. Photo: SIK-ISEA, Zürich, Jean-Pierre Kuhn. https://www.studiointernational.com/images/articles/e/053-european-realities-2025/8-Sergius-Pauser-Spezialanforderung-aus-Nurnberg.jpg Sergius Pauser. Lady in White (Mrs Beck, née Sokal), 1927. Germanisches Nationalmuseum, Nuremberg. Permanent loan of the city of Nuremberg. https://www.studiointernational.com/images/articles/e/053-european-realities-2025/9-Stina-Forssell-Spezialanforderung-aus-Schweden.jpg Stina Forssell. Window to the Backyard (Fönster mot bakgård), 1933. Stiftelsen Bohusläns Museum. https://www.studiointernational.com/images/articles/e/053-european-realities-2025/01_KSC_GUN_ER_Tsonev_Portrat-Svetoslav-Minkov_1939.jpg Kiril Tsonev. Portrait of Svetoslav Minkov, 1939. Sofia City Art Gallery, Photo: Svetla Georgieva. https://www.studiointernational.com/images/articles/e/053-european-realities-2025/010_Ole,-Eduard_Passengers.jpg Eduard Ole. Passengers (Reisijad),1929. Art Museum of Estonia. Photo: Stanislav Stepaško. https://www.studiointernational.com/index.php/anonymous-was-a-woman-the-first-25-years-review-grey-art-museum-new-york-university https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/13_Silverthorne_Jeanne_Untitled-chandelier_1994.jpg Jeanne Silverthorne, Untitled (Chandelier), 1994. Rubber and resin sculptural installation, 56 x 50 in. diameter; EXIT sign: 15 x 14.5 x 5 in. Collection of the artist, New York https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/09_Semmes_Beverly_RC_2014.jpg Beverly Semmes, RC, 2014. Velvet fabric, 119 x 35 x 70 in. Grinnell College Museum of Art, Iowa. Marie-Louise and Samuel R. Rosenthal Fund 2014.020. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/05_Butterly_Kathy_Heavy-Head_2003.jpg Kathy Butterly, Heavy Head, 2003. Porcelain, earthenware, and glaze, 3 3/8 x 6 x 3 3/4 in. Collection of the artist, New York © 2025 Kathy Butterly. Courtesy the artist and James Cohan, New York. Photo: Alan Weiner. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/14_Pfaff_Judy_Rams-Delhi_2012.jpg Judy Pfaff, Ram’s Delhi, 2012. Wood, mild steel rod, melted plastics, black aluminum foil, and LED and UV Fluorescent light, 70 x 132 x 17 in. Collection of the artist, New York. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/02_Alba_Elia_Bond-Bless-Heal_2020.jpg Elia Alba, Bond, Bless, Heal, 2020. Photo transfers on fabric, acrylic, beads, zipper, polyester-fill and wire, 10 x 14 x 6 in. Collection of the artist, New York. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/03_Moyer_Carrie_Flamethrower_2010.jpg Carrie Moyer, Flamethrower, 2010. Acrylic and glitter on canvas, 76 1/2 x 71 1/2 in. The Speyer Family Collection, New York © 2025 Carrie Moyer. Courtesy the artist and Alexander Gray Associates, New York. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/04_Saar_Betye_Globetrotter_2007.jpg Betye Saar, Globe Trotter, 2007. Mixed-media assemblage, 32 1/2 x 18 1/4 x 14 1/8 in. © Betye Saar. Courtesy the artist and Roberts Projects, Los Angeles. Photo: Brian Forrest. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/06_Watt_Marie_Skywalker-Skyscraper_2012.jpg Marie Watt, Skywalker/Skyscraper (Axis Mundi), 2012. Reclaimed wool blankets and steel, overall: 96 x 20 x 22 in. Whitney Museum of American Art, New York. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/07_King_Elizabeth_Feints-and-Sleights_2017_stopframefilm_still.jpg Elizabeth King, still from Feints and Sleights, 2017. Stop-frame animation, colour, silent, 3:00 min. Courtesy the artist, Richmond. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/08_Heilmann_Mary_Jack-of-Hearts_2005.jpg Mary Heilmann, Jack of Hearts, 2005. Oil on canvas, 42 x 60 x 1 1/2 in. Private collection, Los Angeles © Mary Heilmann. Courtesy the artist, 303 Gallery, New York, and Hauser & Wirth. Photo: Oren Slor. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/10_Biggs_Janet_Airs-Above-the-Ground_detail_2007.jpg Janet Biggs, Airs Above the Ground (detail), 2007. Single-channel video, colour, sound, 5:21 min. Courtesy the artist, New York. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/11_Yamaoka_Carrie_Blue-Verso_2018.jpg Carrie Yamaoka, Blue Verso, 2018. Bubble wrap, flexible urethane resin, and mixed media, 17 x 13 1/2 x 1 in. Courtesy the artist, Ulterior Gallery, New York, and Commonwealth and Council, Los Angeles. https://www.studiointernational.com/images/articles/a/&081-anonymous-was-a-woman-2025/15_Pondick_Magenta-Swimming-in-Yellow_2015-17.jpg Rona Pondick, Magenta Swimming in Yellow (detail), 2015–17. Pigmented resin and acrylic sculpture, 14 x 17 x 17 in. Private collection, Boston. Courtesy the artist and Steven Zevitas Gallery, Boston. https://www.studiointernational.com/index.php/paul-thek-seized-by-joy-paintings-1965-1988-review-thomas-dane-gallery-london https://www.studiointernational.com/images/articles/t/034-thek-paul-2025/1972_PT_TDA17631_Untitled-(cityscape)_ph-Ben-Westoby_Fine-Art-Documentation_01.jpg Paul Thek. Untitled (cityscape), 1972. Acrylic on canvas, 166 x 142 cm (65 1/4 x 56 in). © Estate of Paul Thek. Courtesy of Pace Gallery, Galerie Buchholz, Mai 36 Galerie, and the Watermill Center, NY. Photo: Ben Westoby / Fine Art Documentation. https://www.studiointernational.com/images/articles/t/034-thek-paul-2025/1969-70_PT_TDA17867_Untitled_ph-Eva-Herzog_01.jpg Paul Thek. Untitled, 1969-70. Pencil on paper, 27 x 21 cm (10 3/4 x 8 1/4 in). © Estate of Paul Thek. Courtesy of Pace Gallery, Galerie Buchholz, Mai 36 Galerie, and the Watermill Center, NY. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/t/034-thek-paul-2025/1983-84_PT_TDA17648_Untitled-(rooftop-water-tower)_01.jpg Paul Thek. Untitled (rooftop water tower), 1983-84. Watercolour, chalk on paper, 46 x 61 cm (18 x 24 in). © Estate of Paul Thek. Courtesy of Pace Gallery, Galerie Buchholz, Mai 36 Galerie, and the Watermill Center, NY. Photo: Ben Westoby / Fine Art Documentation. https://www.studiointernational.com/images/articles/t/034-thek-paul-2025/1974_PT_TDA17660_Untitled-(Grapes)_ph-Ben-Westoby_Fine-Art-Documentation_01.jpg Paul Thek. Untitled (Grapes), 1974. Enamel on newspaper, 58 x 84 cm (22 3/4 x 33 in). © Estate of Paul Thek. Courtesy of Pace Gallery, Galerie Buchholz, Mai 36 Galerie, and the Watermill Center, NY. Photo: Ben Westoby / Fine Art Documentation. https://www.studiointernational.com/images/articles/t/034-thek-paul-2025/1984_PT_TDA17649_Untitled-(Latin-America)_ph-Ben-westoby_Fine-Art-Documentation_01.jpg Paul Thek. Untitled (Latin America), 1984. Oil on canvas, 61 x 91.5 cm (24 x 36 in). © Estate of Paul Thek. Courtesy of Pace Gallery, Galerie Buchholz, Mai 36 Galerie, and the Watermill Center, NY. Photo: Ben Westoby / Fine Art Documentation. https://www.studiointernational.com/images/articles/t/034-thek-paul-2025/1984_PT_TDA17651_Untitled-(South-America)_ph-Ben-Westoby_Fine-Art-Documentation_01.jpg Paul Thek. Untitled (South America), 1984. Acrylic on canvas board, 61 x 46 cm (24 x 18 in). © Estate of Paul Thek. Courtesy of Pace Gallery, Galerie Buchholz, Mai 36 Galerie, and the Watermill Center, NY. Photo: Ben Westoby / Fine Art Documentation. https://www.studiointernational.com/images/articles/t/034-thek-paul-2025/1969-70_PT_TDA17875_Untitled_ph-Eva-Herzog_01.jpg Paul Thek. Untitled, 1969-70. Pencil on paper, 27 x 21 cm (10 3/4 x 8 1/4 in) each. © Estate of Paul Thek. Courtesy of Pace Gallery, Galerie Buchholz, Mai 36 Galerie, and the Watermill Center, NY. Photo: Eva Herzog. https://www.studiointernational.com/images/articles/t/034-thek-paul-2025/1986_PT_TDA15524_Untitled-(beach-with-figures)_ph-Ben-Westoby_Fine-Art-Documentation_01.jpg Paul Thek. Untitled (beach with figures), 1986. Watercolour, graphite on paper, 46 x 61 cm (18 x 24 in). © Estate of Paul Thek. Courtesy of Pace Gallery, Galerie Buchholz, Mai 36 Galerie, and the Watermill Center, NY. Photo: Ben Westoby / Fine Art Documentation. https://www.studiointernational.com/images/articles/t/034-thek-paul-2025/1987_PT_TDA17659_Untitled-(Seashore)_ph-Ben-Westoby_Fine-Art-Documentation_01.jpg Paul Thek. Untitled (Seashore), 1987. Watercolour, pencil on paper, 47 x 60 cm (18 1/2 x 23 1/2 in). © Estate of Paul Thek. Courtesy of Pace Gallery, Galerie Buchholz, Mai 36 Galerie, and the Watermill Center, NY. Photo: Ben Westoby / Fine Art Documentation. https://www.studiointernational.com/index.php/its-terrible-the-things-i-have-to-do-to-be-me-on-fame-and-femininity-book-review https://www.studiointernational.com/images/articles/i/067-its-terrible-the-things-2025/its-terrible-the-things-book-cover-2.jpg It’s Terrible the Things I Have to Do to Be Me: On Femininity and Fame, by Philippa Snow, published by Virago. https://www.studiointernational.com/index.php/36th-ljubljana-biennale-of-graphic-arts-the-oracle-review-ljubljana https://www.studiointernational.com/images/articles/l/025-ljubljana-biennale-2025/MGLC-Svicarija-(1).jpg Silvan Omerzu, The House of Our Lady, Help of Christians, 2025. The 36th Ljubljana Biennale of Graphic Arts, MGLC Švicarija. Photo: Jaka Babnik. MGLC Archive. https://www.studiointernational.com/images/articles/l/025-ljubljana-biennale-2025/Plecnik-Auditorium-(1).jpg Kathrin Siegrist, A Shade We Share I, 2025. The 36th Ljubljana Biennale of Graphic Arts, MGLC Plečnik Auditorium. Photo: Jaka Babnik. MGLC Archive. https://www.studiointernational.com/images/articles/l/025-ljubljana-biennale-2025/Nicole-L-Huillier-36th-Ljubljana-Biennale-of-Graphic-Arts_City-Art-Gallery-(9).jpg Nicole L’Huillier, Rehearsal Room, 2025. The 36th Ljubljana Biennale of Graphic Arts, City Art Gallery Ljubljana. Photo: Gregor Gobec. MGLC Archive. https://www.studiointernational.com/images/articles/l/025-ljubljana-biennale-2025/Museum-of-Modern-Art-(28).jpg Yarema Malashchuk and Roman Khimei, Open World, 2025. The 36th Ljubljana Biennale of Graphic Arts, Museum of Modern Art (MG+). Photo: Jaka Babnik. MGLC Archive. https://www.studiointernational.com/images/articles/l/025-ljubljana-biennale-2025/Nicole-L-Huillier-36th-Ljubljana-Biennale-of-Graphic-Arts_City-Art-Gallery-(1).jpg Nicole L’Huillier, Rehearsal Room, 2025. The 36th Ljubljana Biennale of Graphic Arts, City Art Gallery Ljubljana. Photo: Gregor Gobec. MGLC Archive. https://www.studiointernational.com/images/articles/l/025-ljubljana-biennale-2025/Museum-of-Modern-Art-(29).jpg Yarema Malashchuk and Roman Khimei, Open World, 2025. The 36th Ljubljana Biennale of Graphic Arts, Museum of Modern Art (MG+). Photo: Jaka Babnik. MGLC Archive. https://www.studiointernational.com/index.php/edward-burra-review-tate-britain-london https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/11-Edward-Burra,-Balcony,-Toulon-1929-Private-collection.jpg Edward Burra, Balcony, Toulon, 1929. Private collection. © The estate of Edward Burra, courtesy Lefevre Fine Art, London. https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/03-Edward-Burra-Red-Peppers-1934-1935.jpg Edward Burra, Red Peppers, 1934-35. Dundee Art Galleries and Museums (The McManus). © The estate of Edward Burra, courtesy Lefevre Fine Art, London. https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/04-Edward-Burra-Dancing-Skeletons-1934-Tate,-Purchased-1939.jpg Edward Burra, Dancing Skeletons, 1934. Tate, Purchased 1939. © The estate of Edward Burra, courtesy Lefevre Fine Art, London. https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/05-Edward-Burra-Soldiers-at-Rye-1941-Tate,-Presented-1942.jpg Edward Burra, Soldiers at Rye, 1941. Tate, Presented 1942. © The estate of Edward Burra, courtesy Lefevre Fine Art, London. https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/07-Edward-Burra,-Cornish-Clay-Mines-1970-Private-Collection.jpg Edward Burra, Cornish Clay Mines, 1970. © The estate of Edward Burra. Private Collection. © The estate of Edward Burra, courtesy Lefevre Fine Art, London. https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/10-Edward-Burra,-Valley-and-River,-Northumberland-1972.jpg Edward Burra, Valley and River, Northumberland, 1972. Tate Collection. Image courtesy Tate Photography. © The estate of Edward Burra, courtesy Lefevre Fine Art, London. https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/08-Edward-Burra,-Landscape,-Cornwall,-with-Figures-and-Tin-Mine-1975-Private-collection.jpg Edward Burra, Landscape, Cornwall, with Figures and Tin Mine, 1975. Private collection. © The estate of Edward Burra, courtesy Lefevre Fine Art, London. https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/01-Barbara-Ker-Seymer-(2).jpg Barbara Ker-Seymer, Photograph of Edward Burra. © reserved. Photo © Tate Photography (Sonal Bakrania). https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/02-Edward-Burra,-Three-Sailors-at-a-Bar-1930-Private-collection,-courtesy-of-Hazlitt-Holland-Hibbert.jpg Edward Burra, Three Sailors at a Bar 1930. Private collection, courtesy of Hazlitt Holland-Hibbert. © The estate of Edward Burra, courtesy Lefevre Fine Art, London. https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/06-Edward-Burra-Minuit-Chanson-1931-Private-Collection.jpg Edward Burra, Minuit Chanson, 1931. Private Collection. © The estate of Edward Burra, courtesy Lefevre Fine Art, London / Bridgeman Images. https://www.studiointernational.com/images/articles/b/&070-burra-edward-2025/09-Edward-Burra,-Landscape-with-Birdman-Piper-and-Fisherwoman-1946-Private-Collection.jpg Edward Burra, Landscape with Birdman Piper and Fisherwoman, 1946. © The estate of Edward Burra. Private Collection. https://www.studiointernational.com/index.php/encounters-giacometti-x-huma-bhabha-review-barbican-london https://www.studiointernational.com/images/articles/g/010-giacometti-bhabha-2025/DSCF0326.jpg Encounters: Giacometti x Huma Bhabha, installation view, Barbican Art Gallery, 8 May - 10 August 2025. © Max Creasy / Barbican Art Gallery. https://www.studiointernational.com/images/articles/g/010-giacometti-bhabha-2025/walking-woman-1994-0138-JPL20110526-1.jpg Alberto Giacometti. Walking Woman I, 1932. Bronze, 150.3 x 27.7 x 38.4 cm. Fondation Giacometti. https://www.studiointernational.com/images/articles/g/010-giacometti-bhabha-2025/BHAHU0466_V5.jpg Huma Bhabha. Member, 2024. Painted and patinated bronze, 96 x 38 1/2 x 24 1/2 in (243.8 x 97.8 x 62.2 cm). Photo: Kerry McFate. Courtesy of the artist and David Zwirner Gallery. https://www.studiointernational.com/images/articles/g/010-giacometti-bhabha-2025/lodger-BHAHU0458.1_V1.jpg Huma Bhabha. Lodger, 2024. Cast iron and concrete pedestal, 65 x 24 x 24 in (165.1 x 61 x 61 cm). Photo: Kerry McFate. Courtesy of the artist and David Zwirner Gallery. https://www.studiointernational.com/images/articles/g/010-giacometti-bhabha-2025/man-with-windbreaker-1994-0114-01-MI.jpg Alberto Giacometti. Man with a Windbreaker, 1953. Bronze, 50 x 28.6 x 22.5 cm. Fondation Giacometti. https://www.studiointernational.com/images/articles/g/010-giacometti-bhabha-2025/BHAHU0088_V1.jpg Huma Bhabha. Mask of Dimitrios, 2019. Clay, wood, acrylic, oil, oil stick, plastic rubber, steel, wire, and Styrofoam, 78 1/8 x 48 x 60 in (198.4 x 121.9 x 152.4 cm). Photo: Daniel Perez. Courtesy of the artist and David Zwirner Gallery. https://www.studiointernational.com/images/articles/g/010-giacometti-bhabha-2025/HumaBhabha-install-003.jpg Encounters: Giacometti x Huma Bhabha, installation view, Barbican Art Gallery, 8 May - 10 August 2025. © Max Creasy / Barbican Art Gallery. https://www.studiointernational.com/images/articles/g/010-giacometti-bhabha-2025/DSCF0250.jpg Encounters: Giacometti x Huma Bhabha, installation view, Barbican Art Gallery, 8 May - 10 August 2025. © Max Creasy / Barbican Art Gallery. https://www.studiointernational.com/images/articles/g/010-giacometti-bhabha-2025/DSCF0267.jpg Encounters: Giacometti x Huma Bhabha, installation view, Barbican Art Gallery, 8 May - 10 August 2025. © Max Creasy / Barbican Art Gallery. https://www.studiointernational.com/index.php/jeremy-deller-interview-national-gallery-triumph-of-art-200-years-i-am-following-my-nose-and-seeing-where-it-takes-me https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/02-TMI-DELLJ-26391-2009-29Palms-California-US-tour-4.jpg Jeremy Deller. It Is What It Is, 2009. The car in front of a mural depicting the fall of Baghdad near 29 Palms, California. Courtesy of The Artist and The Modern Institute / Toby Webster Ltd., Glasgow. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/06-TMI-DELLJ-44902-Still-02.jpg Jeremy Deller. Everybody in the Place: An Incomplete History of Britain 1984-1992, 2018 (film still). HD Video Courtesy of The Artist and The Modern Institute / Toby Webster Ltd., Glasgow. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/Derry-L1100349.jpg Jeremy Deller. The Triumph of Music, Derry, Northern Ireland, April 2024. Photo courtesy Jeremy Deller. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/TOA-Instagram-poster-(1).jpg Jeremy Deller. Meet the Gods, Dundee, 2025. Instagram, poster. Still from Otto Cox, courtesy of Jeremy Deller. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/Wales-Carreg-Ateb-by-Mark-McNulty-6.jpg Jeremy Deller. Carreg Ateb: Vision or Dream?, Llandudno, Wales, June 2025. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/Derry-L1110005.jpg Jeremy Deller. The Triumph of Music, Derry, Northern Ireland, April 2024. Photo courtesy Jeremy Deller. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/Wales-Carreg-Ateb-by-Mark-McNulty-56.jpg Jeremy Deller. Carreg Ateb: Vision or Dream?, Llandudno, Wales, June 2025. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/01-TMI-DELLJ-00007-5still.jpg Jeremy Deller. The Battle of Orgreave, 2001. Police officers pursuing miners through the village. Courtesy of The Artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Parisah Taghizadeh. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/04-Adrian-Street-1973-Photo-by-Dennis-Hutchinson.jpg Adrian Street with his father at the pithead of Bryn Mawr colliery, Wales, 1973. Photo: Dennis Hutchinson. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/03-TMI-DELLJ-26391-2009-Houston-Texas-US-tour-6.jpg Jeremy Deller. It Is What It Is, 2009. Photographs taken throughout the tour, Houston, Texas. Courtesy of The Artist and The Modern Institute / Toby Webster Ltd., Glasgow. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/08B-Image-courtesy-of-Jeremy-Deller.jpg Portrait of Jeremy Deller. Courtesy of The Artist. Deller appeared on the BBC's Christmas University Challenge 2020, part of the winning team from the Courtauld Institute of Art. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/meet-the-gods-banner.jpg Jeremy Deller. Meet the Gods, Dundee, 2025. Still from Otto Cox, courtesy of Jeremy Deller. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/Derry-L1100588.jpg Jeremy Deller. The Triumph of Music, Derry, Northern Ireland, April 2024. Photo courtesy Jeremy Deller. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/Derry-L1100518.jpg Jeremy Deller. The Triumph of Music, Derry, Northern Ireland, April 2024. Photo courtesy Jeremy Deller. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/Wales-Carreg-Ateb-by-Mark-McNulty-33.jpg Jeremy Deller. Carreg Ateb: Vision or Dream?, Llandudno, Wales, June 2025. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/05-TMI-DELLJ-46039.jpg Jeremy Deller. Don’t Worry Fuck Brexit T-Shirt, 2017. Courtesy of The Artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Anders Sune Berg. https://www.studiointernational.com/images/articles/d/032-deller-jeremy-2025/07-TMI-DELLJ-44902-Still-04.jpg Jeremy Deller. Everybody in the Place: An Incomplete History of Britain 1984-1992, 2018 (film still). HD Video Courtesy of The Artist and The Modern Institute / Toby Webster Ltd., Glasgow. https://www.studiointernational.com/index.php/abstract-erotic-louise-bourgeois-eva-hesse-alice-adams-review-the-courtauld-gallery-london https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/08-Alice-Adams,-Threaded-Drain-Plate,-1964.jpg Alice Adams, Threaded Drain Plate, 1964. Steel cable through perforated drain plate, 47 × 20.3 × 26.7 cm, Zürcher Gallery, New York. Collection of Beth Rudin DeWoody. © Howcroft Photography, Boston. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/10-Eva-Hesse,-No-title,-1966.jpg Eva Hesse, No title, 1966, Enamel, papier caché (masking tape) and rubber, 76 × 3.6 × 3.6 cm, tubing 210 cm (variable). The Estate of Eva Hesse. Courtesy Hauser & Wirth © The Estate of Eva Hesse. Courtesy Hauser & Wirth. Photo: Sarah Muehlbauer. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/02-Eva-Hesse,-No-title,-1966.jpg Eva Hesse, No title, 1966. Nets, enamel, string, paper, metal, cord, Private Collection. Courtesy Hauser & Wirth Collection Services. © The Estate of Eva Hesse. Courtesy Hauser & Wirth. Photo: Stefan Altenburger Photography Zürich. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/01-Louise-Bourgeois,-Tits,-1967.jpg Louise Bourgeois, Tits, 1967. Plaster, 12.1 × 26.7 × 15.2 cm. The Easton Foundation, New York. © The Easton Foundation / VAGA at ARS, NY and DACS, London 2025. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/05-Louise-Bourgeois,-Fillette-(Sweeter-Version),-1968-9.jpg Louise Bourgeois, Fillette (Sweeter Version), 1968-99 (cast 2006). Pigmented urethane rubber, 59.7 × 26.7 × 19.7 cm, The Easton Foundation, New York. © The Easton Foundation / VAGA at ARS, NY and DACS, London 2025. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/03-Alice-Adams,-Sheath,-1964.jpg Alice Adams, Sheath, 1964. Cotton cord on cotton rope, 11.4 × 35.6 × 7.6 cm. Collection of Beth Rudin DeWoody. © Howcroft Photography, Boston. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/04-Louise-Bourgeois,-Hanging-Janus,-1968.jpg Louise Bourgeois, Hanging Janus, 1968, Bronze, dark and polished patina, 17.5 × 27.9 × 15.9 cm. The Easton Foundation, New York. © The Easton Foundation / VAGA at ARS, NY and DACS, London 2025. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/06-Installation-shot-of-Eccentric-Abstraction,-1966,-including-Alice-Adams-Big-Aluminum-1.jpg Installation view of Eccentric Abstraction, 1966, including Alice Adams’s Big Aluminium 1 (1965, cat. 19). Archives of American Art, Smithsonian Institution, Washington, D.C. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/07-Alice-Adams,-Resin-Corner-Pieces,-1967.jpg Alice Adams, Resin Corner Pieces, 1967. Polyester resin with mixed white latex paint over 4-inch (10.2 cm) long corner wire lath sections, Each 124.5 × 10.2 cm (total width variable), Zürcher Gallery, New York. Courtesy of the artist and Zürcher Gallery, New York / Paris. Photo: Adam Reich. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/09-Alice-Adams,-22-Tangle,-1964-1968.jpg Alice Adams, 22 Tangle, 1964-8, incorporating Fluorescent Structure of 1964. Rusted steel cable, fluorescent paint and aluminium, chain-link fence, 175.3 × 68.8 cm. Zürcher Gallery, New York. Courtesy of the artist and Zürcher Gallery, New York / Paris. Photo: Adam Reich. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/11-Louise-Bourgeois,-Untitled,-1968.jpg Louise Bourgeois, Untitled, 1968, Watercolour on paper, 48.3 × 62.9 cm © The Easton Foundation / VAGA at ARS, NY and DACS, London 2025. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/12-Louise-Bourgeois,-Untitled,-1968.jpg Louise Bourgeois, Untitled, 1968, Coloured crayon and red ink on paper, 21.6 × 27.9 cm © The Easton Foundation / VAGA at ARS, NY and DACS, London 2025. Photo: The Easton Foundation. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/13-Louise-Bourgeois,-Untitled,-1970.jpg Louise Bourgeois, Untitled, 1970. Ink, charcoal, 66 x 99.1 cm © The Easton Foundation / VAGA at ARS, NY and DACS, London 2025. Photo: Christopher Burke. https://www.studiointernational.com/images/articles/a/&080-abstract-erotic-2025/14-Louise-Bourgeois,-Untitled,-1971.jpg Louise Bourgeois, Untitled, 1971, Watercolour and charcoal on paper, 66 x 99.1 cm. © The Easton Foundation / VAGA at ARS, NY and DACS, London 2025. Photo: Christopher Burke. https://www.studiointernational.com/index.php/anna-boghiguian-the-sunken-boat-a-glimpse-into-past-histories-review-turner-contemporary-margate https://www.studiointernational.com/images/articles/b/&069-boghiguian-anna-2025/Turner-Contemporary-Anna-Boghiguian---The-Sunken-Boat-Thierry-Bal-4.jpg Anna Boghiguian The Sunken Boat: A glimpse into past histories, 2025. Installation view, Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/b/&069-boghiguian-anna-2025/Turner-Contemporary-Anna-Boghiguian-The-Sunken-Boat-Thierry-Bal-3.jpg Anna Boghiguian The Sunken Boat: A glimpse into past histories, 2025. Installation view, Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/b/&069-boghiguian-anna-2025/Turner-Contemporary-Anna-Boghiguian--The-Sunken-Boat-Thierry-Bal-7.jpg Anna Boghiguian The Sunken Boat: A glimpse into past histories, 2025. Installation view, Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/b/&069-boghiguian-anna-2025/Turner-Contemporary-Anna-Boghiguian---The-Sunken-Boat-Thierry-Bal-9.jpg Anna Boghiguian The Sunken Boat: A glimpse into past histories, 2025. Installation view, Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/b/&069-boghiguian-anna-2025/Turner-Contemporary-Anna-Boghiguian---The-Sunken-Boat-Thierry-Bal-1.jpg Anna Boghiguian The Sunken Boat: A glimpse into past histories, 2025. Installation view, Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/b/&069-boghiguian-anna-2025/Turner-Contemporary-Anna-Boghiguian---The-Sunken-Boat-Thierry-Bal-10.jpg Anna Boghiguian The Sunken Boat: A glimpse into past histories, 2025. Installation view, Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/b/&069-boghiguian-anna-2025/Turner-Contemporary-Anna-Boghiguian---The-Sunken-Boat-Thierry-Bal-6.jpg Anna Boghiguian The Sunken Boat: A glimpse into past histories, 2025. Installation view, Courtesy Turner Contemporary. Photo: Thierry Bal. https://www.studiointernational.com/index.php/daphne-wright-deep-rooted-things-review-ashmolean-museum-oxford https://www.studiointernational.com/images/articles/w/025-wright-daphne-2025/Daphne-Wright,-Fridge-Still-Life,-2021-Photo-credit-Ashmolean-Museum.jpg Daphne Wright, Fridge Still Life, 2021. Unfired clay and mixed media, 132 x 48.5 x 52 cm on freestanding plinth. Courtesy the artist and Frith Street Gallery, London. Photo: Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/w/025-wright-daphne-2025/Daphne-Wright,-Sons-and-Couch,-2025-Jesmonite,-Photo_-Jed-Niezgoda,-Courtesy-the-artist-and-Frith-Street-Gallery,-London-and-Ashmolean-Museum,-University-of-Oxford.jpg Daphne Wright. Sons and Couch (detail), 2025. Jesmonite, Photo: Jed Niezgoda, Courtesy the artist and Frith Street Gallery, London and Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/w/025-wright-daphne-2025/Daphne-Wright-Ugg,-2019-Mixed-media,-Photo_-Ellie-Atkins,-Courtesy-the-artist-and-Frith-Street-Gallery,-London-and-Ashmolean-Museum,-University-of-Oxford.jpg Daphne Wright. Ugg, 2019. Mixed media. Photo: Ellie Atkins, Courtesy the artist and Frith Street Gallery, London and Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/w/025-wright-daphne-2025/Daphne-Wright,-Pets-Amphibians-and-Reptiles,-2019-mixed-media,-Photo_-Jed-Niezgoda,-Courtesy-the-artist-and-Frith-Street-Gallery,-London-and-Ashmolean-Museum,-University-of-Oxford.jpg Daphne Wright. Pets, Amphibians and Reptiles, 2019. Mixed media. Photo: Jed Niezgoda, Courtesy the artist and Frith Street Gallery, London and Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/w/025-wright-daphne-2025/Daphne-Wright,-Plate-Motif,-2019-Courtesy-the-artist-and-Frith-Street-Gallery,-London.jpg Daphne Wright, Plate – Motif, 2019. Unfired clay and mixed media. Courtesy the artist and Frith Street Gallery, London. Photo: Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/w/025-wright-daphne-2025/Daphne-Wright-Sons-and-Couch-(detail),-2025-Jesmonite,-Photo_-Jed-Niezgoda,-Courtesy-the-artist-and-Frith-Street-Gallery,-London-and-Ashmolean-Museum,-University-of-Oxford.jpg Daphne Wright. Sons and Couch (detail), 2025. Jesmonite, Photo: Jed Niezgoda, Courtesy the artist and Frith Street Gallery, London and Ashmolean Museum, University of Oxford. https://www.studiointernational.com/index.php/may-morris-art-and-advocacy-review-russell-cotes-art-gallery-and-museum-bournemouth https://www.studiointernational.com/images/articles/m/&068-morris-may-2025/Design-for-Honeysuckle,-c1883.jpg Design for Honeysuckle, c1883. Pencil and watercolour on paper, 99.6 x 68.6 cm. © William Morris Society, bequeathed by Helena Stephenson, 1970. https://www.studiointernational.com/images/articles/m/&068-morris-may-2025/Orange-Tree-panel,-ddesigned-and-embroidered-by-May-Morris,-possibly-c1897.jpg Orange Tree panel, designed and embroidered by May Morris, possibly c1897. Silks on linen, 41.8 x 43.5 cm. © William Morris Society, bequeathed by Helena Stephenson, 1970. https://www.studiointernational.com/images/articles/m/&068-morris-may-2025/Design-for-January-cushion-(detail),-drawn-by-May-Morris,-1893-photo-by-Anna-McNay.jpg Design for January cushion (detail), drawn by May Morris, 1893, pencil and watercolour on paper © William Morris Society. Photo: Anna McNay. https://www.studiointernational.com/images/articles/m/&068-morris-may-2025/MayMorris_ElizaNaden_35.jpg May Morris: Art & Advocacy, installation view, Russell-Cotes Art Gallery & Museum, Bournemouth, 5 April – 5 October 2025. Photo: Eliza Naden. https://www.studiointernational.com/images/articles/m/&068-morris-may-2025/20250404_RC_MayMorris_ElizaNaden_23.jpg May Morris: Art & Advocacy, installation view, Russell-Cotes Art Gallery & Museum, Bournemouth, 5 April – 5 October 2025. Photo: Eliza Naden. https://www.studiointernational.com/images/articles/m/&068-morris-may-2025/Vine-screen-panel-embroidery-(detail),-c1896,-designed-by-John-Henry-Dearle,-embroidery-overseen-by-May-Morris,-c-1896,-photo-by-Anna-McNay.jpg Vine screen panel embroidery (detail), c1896, designed by John Henry Dearle, embroidery overseen by May Morris, c1896. © William Morris Society. Photo: Anna McNay. https://www.studiointernational.com/images/articles/m/&068-morris-may-2025/20250404_RC_MayMorris_ElizaNaden_31.jpg May Morris: Art & Advocacy, installation view, Russell-Cotes Art Gallery & Museum, Bournemouth, 5 April – 5 October 2025. Photo: Eliza Naden. https://www.studiointernational.com/images/articles/m/&068-morris-may-2025/20250404_RC_MayMorris_ElizaNaden_54.jpg May Morris: Art & Advocacy, installation view, Russell-Cotes Art Gallery & Museum, Bournemouth, 5 April – 5 October 2025. Photo: Eliza Naden. https://www.studiointernational.com/images/articles/m/&068-morris-may-2025/20250404_RC_MayMorris_ElizaNaden_50.jpg May Morris: Art & Advocacy, installation view, Russell-Cotes Art Gallery & Museum, Bournemouth, 5 April – 5 October 2025. Photo: Eliza Naden. https://www.studiointernational.com/index.php/art-and-the-book-spineless-wonders-power-of-print-unbound-reviews-warburg-institute-senate-house-library-university-of-london https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/Art-and-The-Book_The-Warburg-Institute_Installation-View_Stephen-White-and-Co-11.jpg Installation view, Art & The Book at The Warburg Institute, London, 22 May – 2 August 2025. Courtesy The Warburg Institute. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/W-25.jpg Installation view, Art & The Book at The Warburg Institute, London, 22 May – 2 August 2025. Courtesy The Warburg Institute. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/lawrence-weiner-IMG_3319.jpg Poster for Lawrence Weiner https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/bibliotek-IMG_3606.jpg Installation view, Biblioteka Book Fair at The Warburg Institute, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/bibliotek-IMG_3612.jpg Installation view, Biblioteka Book Fair at The Warburg Institute, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/senate-house-IMG_3689.jpg Installation view, Spineless Wonders: The Power of Print Unbound at Senate House Library, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/senate-house-IMG_3703-2.jpg Rationing of food in Great Britain, installation view, Spineless Wonders: The Power of Print Unbound at Senate House Library, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/Senate-house-IMG_3551-2.jpg Fascism and how to defeat it, pamphlet, installation view, Spineless Wonders: The Power of Print Unbound at Senate House Library, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/Senate-house-IMG_3583.jpg Top left: The Mask of Anarchy, Percy Bysshe Shelley, installation view, Spineless Wonders: The Power of Print Unbound at Senate House Library, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/senate-house-IMG_3550.jpg Installation view, Spineless Wonders: The Power of Print Unbound at Senate House Library, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/IMG_3580-2.jpg A Broad Sheet (dated January 1902, Elkin Matthews), installation view, Spineless Wonders: The Power of Print Unbound at Senate House Library, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/w/024-warburg-and-the-book-2025/Art-and-The-Book_The-Warburg-Institute_Installation-View_Stephen-White-and-Co-6.jpg Installation view, Art & The Book at The Warburg Institute, London, 22 May – 2 August 2025. Courtesy The Warburg Institute. https://www.studiointernational.com/index.php/mikhail-karikis-video-interview-songs-for-the-storm-to-come-the-showroom-london https://www.studiointernational.com/images/articles/k/023-karikis-mikhail-2025/the-showroom_CDG4343_edit.jpg Mikhail Karikis: Songs for the Storm to Come, installation view, The Showroom, London, 2025. Photo: Cesare De Giglio. https://www.studiointernational.com/images/articles/k/023-karikis-mikhail-2025/Mikhail-Karikis-Songs-for-the-Storm-to-Come-Still-01.jpg Mikhail Karikis: Songs for the Storm to Come, 2024. Video still, courtesy and copyright of the artist. https://www.studiointernational.com/images/articles/k/023-karikis-mikhail-2025/Mikhail-Karikis-Songs-for-the-storm-to-come-Still-03.jpg Mikhail Karikis: Songs for the Storm to Come, 2024. Video still, courtesy and copyright of the artist. https://www.studiointernational.com/images/articles/k/023-karikis-mikhail-2025/the-showroom_CDG4426_edit.jpg Mikhail Karikis: Songs for the Storm to Come, installation view, The Showroom, London, 2025. Photo: Cesare De Giglio. https://www.studiointernational.com/images/articles/k/023-karikis-mikhail-2025/the-showroom_CDG4461_edit.jpg Mikhail Karikis: Songs for the Storm to Come, installation view, The Showroom, London, 2025. Photo: Cesare De Giglio. https://www.studiointernational.com/images/articles/k/023-karikis-mikhail-2025/Mikhail-Karikis-Songs-for-the-Storm-to-Come-Still-04.jpg Mikhail Karikis: Songs for the Storm to Come, 2024. Video still, courtesy and copyright of the artist. https://www.studiointernational.com/images/articles/k/023-karikis-mikhail-2025/Mikhail-Karikis-Songs-for-the-storm-to-come-Still-06-2.jpg Mikhail Karikis: Songs for the Storm to Come, 2024. Video still, courtesy and copyright of the artist. https://www.studiointernational.com/index.php/liverpool-biennial-2025-bedrock-review https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Amber-Akaunu,-Still-from-Dear-Othermother-2024-Courtesy-of-the-Artist-(1).jpg Amber Akaunu, Still from Dear Othermother, 2024. Courtesy of the Artist. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Odur-Ronald,-MulyAto-Limu-All-in-One-Boat-2025-Mark-McNulty-(1).jpg Odur Ronald, Muly https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Fred-Wilson,-GRID-OF-NINE,-2009-courtesy-of-Fred-Wilson,-courtesy-Pace-Gallery.jpg Fred Wilson, GRID OF NINE, 2009. Courtesy of Fred Wilson and Pace Gallery. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Hadassa-Ngamba,-Cerveau-2,-2019-Photo-Mark-McNulty..jpg Hadassa Ngamba, Cerveau 2, 2019. Liverpool Biennial 2025 at Tate Liverpool + RIBA North. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Cevdet-Erek,-Away-Terrace-(Us-and-Them),-2025-Photo-Mark-McNulty..jpg Cevdet Erek, Away Terrace (Us and Them), 2025. Liverpool Biennial 2025 at 20 Jordan Street. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Imayna-Caceres,-Underground-Flourishings,-2025-Photo-Mark-McNulty..jpg Imayna Caceres, Underground Flourishings, 2025. Liverpool Biennial 2025 at 20 Jordan Street. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Linda-Lamignan,-We-are-touched-by-the-trees-in-a-forest-of-eyes,-2025-Photo-Mark-McNulty.jpg Linda Lamignan, We are touched by the trees in a forest of eyes, 2025. Liverpool Biennial 2025 at FACT. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Elizabeth-Price-Film-Still-from-HERE-WE-ARE-2025-Courtesy-of-the-artist-(1).jpg Elizabeth Price, film still from HERE WE ARE, 2025. Courtesy of the artist. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Maria-Loizidou,-Where-Am-I-Now-2025-Photo-Mark-McNulty-(2).jpg Maria Loizidou, Where Am I Now?, 2025. Liverpool Biennial 2025 at Liverpool Cathedral. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Kara-Chin-Mapping-the-Wasteland-PAY-AND-DISPLAY,-2025-Photo-Mark-McNulty.jpg Kara Chin, Mapping the Wasteland: PAY AND DISPLAY, 2025. Liverpool Biennial 2025 at FACT. Photo: Stuart Whipps. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/Sheila-Hicks,-Grand-Boules-2009-Photo-Mark-McNulty-2.jpg Sheila Hicks, Grand Boules, 2009. Liverpool Biennial 2025 at Tate Liverpool + RIBA North. Photo: Mark McNulty. https://www.studiointernational.com/images/articles/l/024-liverpool-biennial-2025/ChihChung-Chang-Port-of-Fata-morgana-2024Photo-Mark-McNulty-(1).jpg ChihChung Chang 張致中, Port of Fata Morgana, 2024. Liverpool Biennial 2025 at Bluecoat. Photo: Mark McNulty. https://www.studiointernational.com/index.php/slavs-and-tatars-the-contest-of-the-fruits-review-esea-contemporary-manchester https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/02.jpg Slavs and Tatars, The Contest of the Fruits, 2021. Animation, 7 min 18 sec (loop). Installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/07.jpg Slavs and Tatars, The Contest of the Fruits. Installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/11.jpg Slavs and Tatars, Simurgh Self-Help, installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/03.jpg Slavs and Tatars, Signal, 2025., Resin, stainless steel, aluminium, spray paint, light bulb, 62 x 31 x 37 cm. Commissioned by esea contemporary. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/06.jpg Slavs and Tatars, The Contest of the Fruits. Installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/04.jpg Slavs and Tatars, Simurgh Self-Help, installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/01.jpg Slavs and Tatars, The Contest of the Fruits, 2021. Animation, 7 min 18 sec (loop). Installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/05.jpg Slavs and Tatars, The Contest of the Fruits. Installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/08.jpg Slavs and Tatars, Simurgh Self-Help, installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/09.jpg Slavs and Tatars, Simurgh Self-Help, installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/10.jpg Slavs and Tatars, Simurgh Self-Help, installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/12.jpg Slavs and Tatars, Simurgh Self-Help, installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/images/articles/s/&050-slavs-and-tatars-2025/13.jpg Slavs and Tatars, Simurgh Self-Help, installation view, Esea Contemporary, Manchester, 2025. Photo: Jules Lister. https://www.studiointernational.com/index.php/margaret-salmon-assembly-review-hunterian-gallery-glasgow https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/Assembly,--Margaret-Salmon,-The-Hunterian-(2025)-Image-6-credit_-Ruth-Clark.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/Assembly,-Margaret-Salmon,-The-Hunterian-(2025),-image-courtesy-of-the-artist.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Image courtesy of the artist. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/PHASE_1_5.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Image courtesy of the artist. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/PHASE_1_8.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Image courtesy of the artist. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/PHASE_1_7.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Image courtesy of the artist. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/Assembly,--Margaret-Salmon,-The-Hunterian-(2025)-Image4-credit_-Ruth-Clark.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/Assembly,--Margaret-Salmon,-The-Hunterian-(2025)-2-Image-credit_-Ruth-Clark.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/Assembly,--Margaret-Salmon,-The-Hunterian-(2025)-Image-credit_-Ruth-Clark.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/Assembly,--Margaret-Salmon,-The-Hunterian-(2025)-Image5-credit_-Ruth-Clark.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/Assembly,--Margaret-Salmon,-The-Hunterian-(2025)3-Image-credit_-Ruth-Clark.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/PHASE_1_2.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Image courtesy of the artist. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/PHASE_1_3.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Image courtesy of the artist. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/PHASE_1_4.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Image courtesy of the artist. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/PHASE_1_6.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Image courtesy of the artist. https://www.studiointernational.com/images/articles/s/&049-salmon-margaret-2025/PHASE_1_9.jpg Assembly, Margaret Salmon, The Hunterian, 2025. Image courtesy of the artist. https://www.studiointernational.com/index.php/jenny-saville-the-anatomy-of-painting-review-national-portrait-gallery-london https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Reverse,-2002-2003-by-Jenny-Saville,-Private-Collection-courtesy-Gagosian-(c)-Jenny-Saville.jpg Jenny Saville, Reverse, 2002-03. Oil on canvas, 213.4 x 243.8 cm. Private Collection, courtesy Gagosian © Jenny Saville. https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Propped,-1992-by-Jenny-Saville,-Private-Collection-(c)-Jenny-Saville,-Courtesy-Gagosian.jpg Jenny Saville, Propped, 1992. Oil on canvas, 213.4 x 182.9 cm. Private Collection. © Jenny Saville, Courtesy Gagosian. https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Rupture,-2020-by-Jenny-Saville,-Private-Collection-(c)-Jenny-Saville,-Courtesy-Gagosian.jpg Jenny Saville, Rupture, 2020. Acrylic and oil on linen, 200 x 160 cm. Private Collection. © Jenny Saville, Courtesy Gagosian. https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Rubens-Flap,-1998-1999-by-Jenny-Saville,-The-George-Economou-Collection-(c)-Jenny-Saville,-Courtesy-Gagosian.jpg Jenny Saville, Ruben https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Stare,-2004-2005-bxy-Jenny-Saville,-The-Board-Art-Foundation-(c)-Jenny-Saville,-Courtesy-Gagosian.jpg Jenny Saville, Stare, 2004-05. Oil on canvas, 305 x 250 cm. The Broad Art Foundation. © Jenny Saville, Courtesy Gagosian https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Rosetta-II,-2005-2006-by-Jenny-Saville,-Private-collection-(c)-Jenny-Saville,-Courtesy-Gagosian.jpg Jenny Saville, Rosetta II, 2005-06. Oil on watercolour paper mounted on board, 252 x 187.5 cm. Private collection. © Jenny Saville, Courtesy Gagosian. https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Aleppo,-2017-2018-by-Jenny-Saville,-Collection-of-the-artist-(c)-Jenny-Saville,-courtesy-NGS.jpg Jenny Saville, Aleppo, 2017-18. Pastel and charcoal on canvas, 200 x 160 cm. Collection of the artist. © Jenny Saville, courtesy NGS. https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Pieta-I,-2019-2021-by-Janny-Saville-(c)-Jenny-Saville,-courtesy-The-George-Economou-Collection.jpg Jenny Saville, Pieta I, 2019-21. © Jenny Saville, courtesy The George Economou Collection https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Latent,-2020-2022-by-Jenny-Saville-(c)-Jenny-Saville,-Courtesy-The-Goerge-Economou-Collection.jpg Jenny Saville, Latent, 2020-22. Acrylic and pastel on canvas, 150 x 120 cm. © Jenny Saville, courtesy The George Economou Collection https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Hyphen,-1999-by-Jenny-Saville,-Private-Collection-courtesy-of-Gagosian-(c)-Jenny-Saville,-Courtesy-Gagosian.jpg Jenny Saville, Hyphen, 1999. Oil on canvas, 274.3 x 365.8 cm. Private Collection, courtesy of Gagosian. © Jenny Saville, Courtesy Gagosian. https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Chasah,-2020-by-Jenny-Saville,-Private-Collection-courtesy-Gagosian-(c)-Jenny-Saville,-Courtesy-Gagosian..jpg Jenny Saville, Chasah, 2020. Oil, oil stick, pastel and acrylic on linen, 200 x 160 cm. Private Collection, courtesy Gagosian. © Jenny Saville, Courtesy Gagosian. https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Compass,-2013-by-Jenny-Saville,-Private-collection-(c)-Jenny-Saville,-Courtesy-Gagosian.jpg Jenny Saville, Compass, 2013. Charcoal and pastel on paper mounted on board, 153 × 200 cm. Private collection. © Jenny Saville, Courtesy Gagosian. https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/Drift,-2020-2022-by-Jenny-Saville,-Private-Collection-courtesy-Gagosian-(c)-Jenny-Savile,-Courtesy-Gagosian.jpg Jenny Saville, Drift, 2020-22. Private Collection, courtesy Gagosian. © Jenny Saville, Courtesy Gagosian. https://www.studiointernational.com/images/articles/s/&048-saville-jenny-2025/One-out-of-two-(symposium),-2016-by-Jenny-Saville,-Private-Collection-(c)-Jenny-Saville,-Courtesy-Gagosian.jpg Jenny Saville, One out of two (symposium), 2016. Charcoal and pastel on canvas, 152 × 225 cm. Private Collection. © Jenny Saville, Courtesy Gagosian. https://www.studiointernational.com/index.php/mike-nelson-humpty-dumpty-a-transient-history-of-mardin-earthworks-low-rise-review-fruitmarket-edinburgh https://www.studiointernational.com/images/articles/n/055-nelson-mike-2025/252706_FM_MN_38.jpg Mike Nelson: a transient history of Mardin earthworks, installation view, Fruitmarket, Edinburgh, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/n/055-nelson-mike-2025/252706_FM_MN_52.jpg Mike Nelson: a transient history of Mardin earthworks, installation view, Fruitmarket, Edinburgh, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/n/055-nelson-mike-2025/DSCF3163-Edit.jpg Mike Nelson: low rise, installation view, Fruitmarket Warehouse, Edinburgh, 2025. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/n/055-nelson-mike-2025/252706_FM_MN_17.jpg Mike Nelson: Humpty Dumpty: a transient history of Mardin earthworks: low rise, installation view, Fruitmarket, Edinburgh, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/n/055-nelson-mike-2025/DSCF3675.jpg Mike Nelson: low rise, installation view, Fruitmarket Warehouse, Edinburgh, 2025. Photo: Tom Nolan. https://www.studiointernational.com/images/articles/n/055-nelson-mike-2025/252706_FM_MN_10.jpg Mike Nelson: Humpty Dumpty: a transient history of Mardin earthworks: low rise, installation view, Fruitmarket, Edinburgh, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/n/055-nelson-mike-2025/252706_FM_MN_11.jpg Mike Nelson: Humpty Dumpty: a transient history of Mardin earthworks: low rise, installation view, Fruitmarket, Edinburgh, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/n/055-nelson-mike-2025/252706_FM_MN_29.jpg Mike Nelson: Humpty Dumpty: a transient history of Mardin earthworks: low rise, installation view, Fruitmarket, Edinburgh, 2025. Photo: Ruth Clark. https://www.studiointernational.com/images/articles/n/055-nelson-mike-2025/DSCF3136.jpg Mike Nelson: Humpty Dumpty, low rise, installation view, Fruitmarket Warehouse, Edinburgh, 2025. Photo: Tom Nolan. https://www.studiointernational.com/index.php/it-takes-a-village-ditchling-museum-of-art-and-craft-east-sussex https://www.studiointernational.com/images/articles/i/066-it-takes-a-village-2025/Mary-Ginnett-by-Louis-Ginnett,-no-date,-Mary-Ginnett-in-black-and-cream-cloak-Collection--Ditchling-Museum-of-Art-+-Craft.jpg Mary Ginnett by Louis Ginnett, no date, Mary Ginnett in black and cream cloak Collection of Ditchling Museum of Art + Craft. https://www.studiointernational.com/images/articles/i/066-it-takes-a-village-2025/Amy-Sawyer-Landscape-Appliqued-Jacket.jpg Amy Sawyer, Landscape Appliqued Jacket. Collection of Ditchling Museum of Art + Craft. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/i/066-it-takes-a-village-2025/David-Jones,-Our-Lady-of-the-Hills-1924.jpg David Jones, Our Lady of the Hills, 1924. Collection of Ditchling Museum of Art + Craft. https://www.studiointernational.com/images/articles/i/066-it-takes-a-village-2025/Ditchling-Museum-July-3rd-2025-009.jpg It Takes a Village, installation view, Ditchling Museum of Art + Craft, East Sussex, 5 July 2025 – 1 February 2026. https://www.studiointernational.com/images/articles/i/066-it-takes-a-village-2025/Edward-Johnston,-Shakespeares-Sonnet-CXVI-1927.jpg Edward Johnston, Shakespeare https://www.studiointernational.com/images/articles/i/066-it-takes-a-village-2025/Annunciation-Eric-Gill-c-1912.jpg Eric Gill, Annunciation, c1912. Collection of Methodist Modern Art Collection. https://www.studiointernational.com/images/articles/i/066-it-takes-a-village-2025/Annunciation-Philip-Hagreen-(no-date).jpg Philip Hagreen, Annunciation, no date. Collection of Ditchling Museum of Art + Craft. https://www.studiointernational.com/images/articles/i/066-it-takes-a-village-2025/Vegetable-Dyes-book-cover-Fourth-Edition-1924.jpg Vegetable Dyes book cover. Fourth Edition 1924. Collection of Ditchling Museum of Art + Craft. Photo: Tessa Hallmann. https://www.studiointernational.com/images/articles/i/066-it-takes-a-village-2025/Ditchling-Museum-July-3rd-2025-076.jpg It Takes a Village, installation view, Ditchling Museum of Art + Craft, East Sussex, 5 July 2025 – 1 February 2026. https://www.studiointernational.com/index.php/emma-talbot-interview-i-imagine-the-experience-of-life-as-an-epic-story-compton-verney https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(4).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(119)-(1).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(14).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(119)-(1B).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(43).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(110).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(79).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(93).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(18).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/images/articles/t/033-talbot-emma-2025/Installation-view,-Emma-Talbot-How-We-Learn-to-Love-at-Compton-Verney,-2025.-Photos-by-Jamie-Woodley-(c)-Jamie-Woodley-and-Compton-Verney-(29).jpg Emma Talbot: How We Learn to Love, installation view, Compton Verney, 2025. Photo: Jamie Woodley © Jamie Woodley and Compton Verney. https://www.studiointernational.com/index.php/berlin-cosmopolitan-the-vanished-world-of-felicie-and-carl-bernstein-review-liebermann-villa-at-wannsee-berlin-germany https://www.studiointernational.com/images/articles/b/&068-bernstein-carl-and-felicie-2025/07-J-Egers,-Musikzimmer-in-der-Stulerstrasse-6.jpg J. Egers, Music Room at Stüler Street 6, Archive Staatliche Kunstsammlungen Dresden. https://www.studiointernational.com/images/articles/b/&068-bernstein-carl-and-felicie-2025/08-Claude-Monet,-L-Ete,-champ-de-coquelicots.jpg Claude Monet, Summer, Poppy Field, 1875, as reproduction, location unclear. https://www.studiointernational.com/images/articles/b/&068-bernstein-carl-and-felicie-2025/04-Edouard-Manet,-Le-depart-du-bateau-de-Folkestone.jpg Édouard Manet, Departure of the Folkestone Steamer, 1869. Oil on canvas as reproduction, Philadelphia Museum of Art, The Mr and Mrs Caroll S. Tyson Jr. Collection. https://www.studiointernational.com/images/articles/b/&068-bernstein-carl-and-felicie-2025/02-Edouard-Manet,-Bouquet-de-pivoines.jpg Édouard Manet, Bouquet of Peonies, 1882. Oil on canvas, reproduction, location unclear. https://www.studiointernational.com/images/articles/b/&068-bernstein-carl-and-felicie-2025/bernstein-1000.jpg Left: Max Liebermann, Portrait of Prof. Dr. Carl Bernstein, 1892. Oil on cardboard, Private Collection, Switzerland. © SIK-ISEA, Zurich. Photo: Philipp Hitz. Right: Felicie Bernstein as Bride, 1872. © Stiftung Stadtmuseum Berlin. https://www.studiointernational.com/index.php/mika-rottenberg-interview-vibrant-matter-hauser-and-wirth-menorca https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/_DSC2907-HDR.jpg Mika Rottenberg, Vibrant Matter, installation view, Hauser & Wirth Menorca, 2025. Photo: Damian Griffiths. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/ROTTB99108-ROTTB99109-ROTTB96106-hires-(1).jpg Mika Rottenberg, Spaghetti Blockchain (Video Still), 2019. 4k video installation with 7.1 surround sound, colour; 18:15 min. Dimensions variable. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/ROTTB94161-(3).jpg Mika Rottenberg, Cosmic Generator (Loaded #2) (Video Still), 2017/2018. Single channel video installation, sound, colour; 26:36 min. Dimensions variable. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/ROTTB95140-(2).jpg Mika Rottenberg, Cosmic Generator (Loaded #2) (Video Still), 2017/2018. Single channel video installation, sound, colour; 26:36 min. Dimensions variable. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/ROTTB132978-hires.jpg Mika Rottenberg, Lampshare, 2024. Milled reclaimed household plastic and bittersweet vines. Lighting component: batteries, resin, and electric hardware, 45.7 x 76.2 x 27.9 cm (18 x 30 x 11 in). Photo: Pete Mauney. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/ROTTB99108-ROTTB99109-ROTTB96106-hires.jpg Mika Rottenberg, Spaghetti Blockchain (Video Still), 2019. 4k video installation with 7.1 surround sound, colour; 18:15 min. Dimensions variable. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/_DSC2960-Edit.jpg Mika Rottenberg, Vibrant Matter, installation view, Hauser & Wirth Menorca, 2025. Photo: Damian Griffiths. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/ROTTB132036-hires.jpg Mika Rottenberg, Lampshare, 2024. Milled reclaimed household plastic and bittersweet vines. Lighting component: batteries, resin, and electric hardware, 61 x 30.5 x 27.9 cm (24 x 12 x 11 in). Photo: Pete Mauney. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/ROTTB135563-hires-(1).jpg Mika Rottenberg, Lampshare (chandelier #5), 2024. Milled reclaimed household plastic and bittersweet vines. Lighting component: resin and electric hardware, 114.3 x 30.5 x 30.5 cm (45 x 12 x 12 in). Photo: Sarah Muehlbauer. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/ROTTB99108-ROTTB99109-ROTTB96106.jpg Mika Rottenberg, Spaghetti Blockchain (Video Still), 2019. 4k video installation with 7.1 surround sound, colour; 18:15 min. Dimensions variable. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/_DSC3019-HDR.jpg Mika Rottenberg, Vibrant Matter, installation view, Hauser & Wirth Menorca, 2025. Photo: Damian Griffiths. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/images/articles/r/021-rottenberg-mika-2025/_DSC3024-HDR.jpg Mika Rottenberg, Vibrant Matter, installation view, Hauser & Wirth Menorca, 2025. Photo: Damian Griffiths. © Mika Rottenberg, courtesy the artist and Hauser & Wirth. https://www.studiointernational.com/index.php/seulgi-lee-span-review-ikon-gallery-birmingham https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/Seulgi-Lee,-SPAN-Installation-view,-Ikon-Gallery-(2025).-Image-courtesy-Ikon-Photo-by-David-Rowan-.jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/SEULGI-LEE-SPAN_-89.jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/Seulgi-Lee,-SPAN-Installation-view,-Ikon-Gallery-(2025).-Image-courtesy-Ikon-Photo-by-David-Rowan-(7).jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/Seulgi-Lee,-SPAN-Installation-view,-Ikon-Gallery-(2025).-Image-courtesy-Ikon-Photo-by-David-Rowan-(2).jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/Seulgi-Lee,-SPAN-Installation-view,-Ikon-Gallery-(2025).-Image-courtesy-Ikon-Photo-by-David-Rowan-(3).jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/Seulgi-Lee,-SPAN-Installation-view,-Ikon-Gallery-(2025).-Image-courtesy-Ikon-Photo-by-David-Rowan-(5).jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/Seulgi-Lee,-SPAN-Installation-view,-Ikon-Gallery-(2025).-Image-courtesy-Ikon-Photo-by-David-Rowan-(4).jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/Seulgi-Lee,-SPAN-Installation-view,-Ikon-Gallery-(2025).-Image-courtesy-Ikon-Photo-by-David-Rowan-(1B).jpg Seulgi Lee, Slow Water, 2022. Installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/Seulgi-Lee,-SPAN-Installation-view,-Ikon-Gallery-(2025).-Image-courtesy-Ikon-Photo-by-David-Rowan-(6).jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/Seulgi-Lee,-SPAN-Installation-view,-Ikon-Gallery-(2025).-Image-courtesy-Ikon-Photo-by-David-Rowan-(8).jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/images/articles/l/023-Lee-Seulgi-2025/SEULGI-LEE-SPAN_-63.jpg Seulgi Lee, Span, installation view, Ikon Gallery, 2025. Image courtesy Ikon. Photo: David Rowan. https://www.studiointernational.com/index.php/lubaina-himid-with-magda-stawarska-another-chance-encounter-review-kettles-yard-cambridge https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/Lubaina-Himid_How-May-I-Help-You_1.jpg Lubaina Himid, Favours For Years To Come, 2025. Acrylic and charcoal on canvas. Courtesy Hollybush Gardens, London and Greene Naftali, New York. Photo: Gavin Renshaw. https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/C579-1-23796.jpg Lubaina Himid with Magda Stawarska: Another Chance Encounter, installation view, Kettle’s Yard, Cambridge, 12 July – 2 November 2025. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/MS-Slightly-Bitter3-copy.jpg Magda Stawarska and Lubaina Himid. Slightly Bi8er (detail), 2025. Mixed media installation. Courtesy Yamamoto Keiko Rochaix, London, Hollybush Gardens, London and Greene Naftali, New York. https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/C579-1-23679.jpg Lubaina Himid with Magda Stawarska: Another Chance Encounter, installation view, Kettle’s Yard, Cambridge, 12 July – 2 November 2025. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/Lubaina-Himid_Your-Charm-Offensive.jpg Lubaina Himid, Your Charm Offensive, 2025. Acrylic on canvas. Courtesy Hollybush Gardens, London and Greene Naftali, New York. Photo: Gavin Renshaw. https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/Lubaina-Himid_Flying-Carpet.jpg Lubaina Himid, Flying Carpet, 2025. Acrylic on canvas. Courtesy Hollybush Gardens, London and Greene Naftali, New York. Photo: Gavin Renshaw. https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/1000-C579-1-23781.jpg Lubaina Himid with Magda Stawarska: Another Chance Encounter, installation view, Kettle’s Yard, Cambridge, 12 July – 2 November 2025. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/C579-1-23622.jpg Lubaina Himid with Magda Stawarska: Another Chance Encounter, installation view, Kettle’s Yard, Cambridge, 12 July – 2 November 2025. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/C579-1-23656.jpg Lubaina Himid with Magda Stawarska: Another Chance Encounter, installation view, Kettle’s Yard, Cambridge, 12 July – 2 November 2025. Photo: Jo Underhill. https://www.studiointernational.com/images/articles/h/&096-himid-and-stawarski-2025/Lubaina-Himid_Try-Out-a-Few-of-Them.jpg Lubaina Himid, Try Out a Few of Them, 2025. Acrylic on canvas. Courtesy Hollybush Gardens, London and Greene Naftali, New York. Photo: Gavin Renshaw. https://www.studiointernational.com/index.php/pat-steir-song-review-hauser-and-wirth-zurich-switzerland https://www.studiointernational.com/images/articles/s/&046-steir-pat-2025/STEIR135164.jpg Pat Steir, I Love You Green, 2024-25. Oil on canvas, 182.9 x 121.9 cm (72 x 48 in). © Pat Steir. Courtesy the artist and Hauser & Wirth. Photo: Elisabeth Bernstein. https://www.studiointernational.com/images/articles/s/&046-steir-pat-2025/STEIR135161-Steir-5-1-2529067-second-hires.jpg Pat Steir, Mr. and Mrs. Green, 2024-25. Oil on canvas, 182.9 x 121.9 cm (72 x 48 in). © Pat Steir. Courtesy the artist and Hauser & Wirth. Photo: Elisabeth Bernstein. https://www.studiointernational.com/images/articles/s/&046-steir-pat-2025/STEIR135166-Hauser-and-Wirth-3-27-25-Steir25231-1contrast-2-hires.jpg Pat Steir, Blue with Red, Yellow, and Silver, 2024-25. Oil on canvas, 182.9 x 121.9 cm (72 x 48 in). © Pat Steir. Courtesy the artist and Hauser & Wirth. Photo: Elisabeth Bernstein. https://www.studiointernational.com/images/articles/s/&046-steir-pat-2025/STEIR140291.jpg Pat Steir, Untitled, 2024-25. Oil on canvas, 61 x 61 cm (24 x 24 in). © Pat Steir. Courtesy the artist and Hauser & Wirth. Photo: Elisabeth Bernstein. https://www.studiointernational.com/images/articles/s/&046-steir-pat-2025/HWZ-STEIR-Installation-View-June-2025-03-JE-hires-750.jpg Pat Steir: Song, installation view, Hauser & Wirth Zurich,, 13 June – 13 September 2025. © Pat Steir. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter. https://www.studiointernational.com/index.php/folkestone-triennial-2025-how-lies-the-land-review-kent-sorcha-carey https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Still-from-Emilija-Skarnulytes-Burial-pic-Veronica-Simpson.jpg Emilija Škarnulytė https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Sarah-Wood-Thierry-Bal-guide.jpg Sarah Wood, Prospect. Folkestone Triennial, 2025. Photo: Thierry Bal. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Katie-Paterson-Afterlife-Folkstone-04.jpg Katie Paterson, Afterlife. Folkestone Triennial, 2025. Photo: Lia Toby/PA Media Assignments. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Jennifer-Tee-Oceans-Tree-Life-Pic-V-Simpson.jpg Jennifer Tee, Oceans Tree of Life. Folkestone Triennial, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/One-of-Sara-Trillos-relics-from-Urn-Field-Pic-V-Simpson.jpg Sara Trillo, Urn Field. Folkestone Triennial, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Hanna-at-Denge-Sound-Mirrors_FT_25_D1_-45.jpg Hanna Tuulikki, Love (Warbler Remix). Folkestone Triennial, 2025. Photo: Lia Toby/PA Media Assignments. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Dineo-Seshee-Raisibe-Bopape-work-Folkestone-Pic-V-Simpson.jpg Dineo Seshee Raisibe Bopape, Ka Pheko ye (curse dissolved). Folkestone Triennial, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Rae-Yen-Songs-sculpture-costume-in-St-Peters-Church-Folkestone-Pic-V-Simpson.jpg Rae-Yen Song 宋瑞渊, song dynasty. Folkestone Triennial, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Minister-at-work-Ministry-of-Sewage-by-Cooking-Sections-Folkestone-pic-V-Simpson.jpg Cooking Sections, Ministry of Sewers. Folkestone Triennial, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/J-Maizlish-Mole-Folkestone-in-Ruins-large-map.jpg J Maizlish Mole, Folkestone in Ruins. Folkestone Triennial, 2025. Photo: Lia Toby/PA Media Assignments. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Rubiane-Maia-film-In-Search-of-Darkness-Pic-V-Simpson.jpg Rubiane Maia, In Search of Darkness. Folkestone Triennial, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Sampling-Emeka-Ogbohs-artwork-as-ice-cream-Folkstone_Edit_11.jpg Emeka Ogboh, Ode to the Channel. Folkestone Triennial, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Monster-Chetwynd-Salamander-Folkstone_Edit_01.jpg Monster Chetwynd, Salamander Playground. Folkestone Triennial, 2025. Photo: Lia Toby/PA Media Assignments. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/John-Gerrard-with-Ghost-Feed-film-Folkestone-Pic-V-Simpson.jpg John Gerrard, Ghost Feed. Folkestone Triennial, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Laure-Prouvost-Folkestone-work-Pic-V-Simpson.jpg Laure Prouvost, Above  Front  Tears, Oui Connect. Folkestone Triennial, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/f/041-folkestone-triennial-2025/Celine-Condorelli-Folkstone_Edit_06.jpg Céline Condorelli, Dedication (To The Sea, To The Sea). Folkestone Triennial, 2025. Photo: Lia Toby/PA Media Assignments. https://www.studiointernational.com/index.php/ten-sculptures-by-tim-scott-1961-to-71-sam-cornish-samson-and-co-book-review https://www.studiointernational.com/images/articles/s/&047-scott-tim-2025/peach-wheels-TateImages_T01215_HighRes-(1)_extended.jpg Tim Scott, Peach Wheels, 1961–62. Wood, glass, paint, 122 × 137.5 × 91.5 cm. Photo: © Tate https://www.studiointernational.com/images/articles/s/&047-scott-tim-2025/dulcimer-M06624-Preferred_enhanced.jpg Tim Scott, Dulcimer, 1961–64/65. Wood, fibreglass and glass, 91.5 × 305 × 91.5 cm. Photo: © Tate https://www.studiointernational.com/images/articles/s/&047-scott-tim-2025/Quantic-of-Sakkara.jpg Tim Scott, Quantic of Sakkara, 1965. Wood, fibreglass, steel, re-made in aluminium, 205 × 455 × 275 cm. Photo: Anthony Caro Centre. https://www.studiointernational.com/images/articles/s/&047-scott-tim-2025/Bird-in-Arras-III.jpg Tim Scott, Bird in Arras III, 1968. Acrylic sheet, steel, paint, 282 × 579 × 416 cm. Photo: Cylla von Tiedemann. https://www.studiointernational.com/images/articles/s/&047-scott-tim-2025/Bird-in-Arras-VI-1969.jpg Tim Scott, Bird in Arras VI, 1969. Acrylic sheet, steel, paint, 270 × 291.5 × 218 cm. Photo: Tim Scott Archive. https://www.studiointernational.com/images/articles/s/&047-scott-tim-2025/Cathedral.jpg Tim Scott, Cathedral, 1970–71, in A Silver Jubilee Exhibition of Contemporary British Sculpture, Battersea Park, London, 1977. Steel, c450 × 1520 × 912 cm. Photo: Conway Library. https://www.studiointernational.com/images/articles/s/&047-scott-tim-2025/tim-scott-bookcover-750.jpg Ten Sculptures by Tim Scott 1961-71 by Sam Cornish, published by Sansom & Co. https://www.studiointernational.com/index.php/for-children-art-stories-since-1968-review-haus-der-kunst-munich https://www.studiointernational.com/images/articles/f/040-for-children-art-stories-2025/Bruce-Nauman-For-Children-For-Beginners-2009.jpg Bruce Nauman, For Children/For Beginners, 2009. © 2025 Bruce Nauman / VG Bild-Kunst, Bonn, Courtesy Sperone Westwater, New York. https://www.studiointernational.com/images/articles/f/040-for-children-art-stories-2025/Ei-Arakawa-Nash-Mega-Please-Draw-Freely,-2021-Photo-Brotherton-Lock.jpg Ei Arakawa-Nash, Mega Please Draw Freely, 2021. Photo: Brotherton-Lock. https://www.studiointernational.com/images/articles/f/040-for-children-art-stories-2025/Ernesto-Neto-Uni-Verso-Bebe-II-Lab,-2007-2025.jpg Ernesto Neto, Uni Verso Bebé II Lab, 2007/2025. Exhibition view, Haus der Kunst München, 2025. Photo: Agostino Osio. https://www.studiointernational.com/images/articles/f/040-for-children-art-stories-2025/Neuenschwander-and-Carvalhoneto-The-Name-of-Fear-Vaduz-(Enge-Raume-People-in-Disguise),-2021.jpg Rivane Neuenschwander in collaboration with Guto Carvalhoneto, The Name of Fear/Vaduz (Enge Räume/People in Disguise), 2021. Cotton twill, polyester, quilt batting, pvc, buttons, 98 x 92 x 10 cm. Photo: Mateus Augusto Rubim. https://www.studiointernational.com/images/articles/f/040-for-children-art-stories-2025/KOO-JEONG-A-x-Wheelscape-Evertro,-2015-750.jpg Koo Jeong A, x Wheelscape, Evertro, 2015. Liverpool Biennale, UK. Photo: Gareth Jones. https://www.studiointernational.com/index.php/ernest-edmonds-interview-networked-gazelli-art-house-london https://www.studiointernational.com/images/articles/e/052-edmonds-ernest-2025/Datapack-1970.jpg Ernest Edmonds, Datapack, 1970. Poster and punched card, 50 x 50 cm. Private collection. Photo: Thales Leite. https://www.studiointernational.com/images/articles/e/052-edmonds-ernest-2025/Shaping-Space,-2012.jpg Ernest Edmonds, Shaping Space, 2012. Installation with computer, projector and camera. Private collection. Photo: Thales Leite. https://www.studiointernational.com/images/articles/e/052-edmonds-ernest-2025/Quantum-Tango-at-Gazelli-.jpg Ernest Edmonds, Quantum Tango, 2025. Live interactive networked video connecting three cities: London, Vancouver, Padua. Webcams, Raspberry Pi and display screens, variable custom installation. Courtesy of Gazelli Art House. Photo: Deniz Guzel. https://www.studiointernational.com/images/articles/e/052-edmonds-ernest-2025/Communications-Game-at-Gazelli_5553.jpg Ernest Edmonds, The Communication Game, 2025. Arduino microcontrollers, toggle switches and LED ligthboxes presented in custom-built booths. A new version of an ongoing project, begun in 1969, variable custom installation. Photo: Deniz Guzel. https://www.studiointernational.com/images/articles/e/052-edmonds-ernest-2025/Nineteen-1968-69.jpg Ernest Edmonds, Nineteen, 1968/69. Constructed wood relief, 183 x 145 x 18 cm. Private collection. Photo: Thales Leite. https://www.studiointernational.com/images/articles/e/052-edmonds-ernest-2025/Datapack-Notes.jpg Ernest Edmonds, Datapack, 1970. Notes. Private collection. Photo: Thales Leite. https://www.studiointernational.com/images/articles/e/052-edmonds-ernest-2025/Shaping-Form-Exhibition-View-2.jpg From left to right: Ernest Edmonds, Shaping Form 28.5.2007, 2007. Computer, monitor and camera. Private collection; Shaping Form 28.10.2013, 2013. Computer, monitor and camera. Private collection; Shaping Form 1.5.2015, 2015. Computer, monitor and camera. Private collection. Exhibition view, Primary Codes), Rio de Janeiro, 2015. Photo: Thales Leite. https://www.studiointernational.com/images/articles/e/052-edmonds-ernest-2025/Ernest2.jpg Ernest Edmonds. Courtesy of Gazelli Art House. Photo: Deniz Guzel. https://www.studiointernational.com/images/articles/e/052-edmonds-ernest-2025/Ernest1970.jpg Portrait of Ernest Edmonds in the 1970s. © Ernest Edmonds archive. https://www.studiointernational.com/index.php/jean-francois-millet-review-national-gallery-london https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-01.jpg Jean-François Millet, The Angelus, 1857-59. Oil on canvas, 55.5 x 66 cm. Musée d https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-03.jpg Jean-François Millet, The Sower, 1847- 48. Oil on canvas, .95.3 x 61.3 cm. Lent by Amgueddfa Cymru – Museum Wales. Bequeathed by Gwendoline Davies in 1952. © Amgueddfa Cymru - National Museum Wales. https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-04.jpg Jean-François Millet, A Man Ploughing and Another Sowing, 1849-52. Black crayon on paper, 14.5 x 21.2 cm. The Ashmolean Museum, University of Oxford. Bequeathed by Percy Moore Turner, 1951. © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-05.jpg Jean-François Millet, A Shepherdess, about 1856. Black chalk with touches of blue chalk on pale buff paper, 22.8 x 15.1 cm. National Gallery of Scotland. Mr A.E. Anderson Gift 1929. © National Galleries of Scotland. https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-02.jpg Jean-François Millet, The Winnower, about 1847-48. Oil on canvas, 100.5 × 71 cm. The National Gallery, London. © The National Gallery, London. https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-08.jpg Jean-François Millet, The Wood Sawyers, 1850-52. Oil on canvas, 57 x 81 cm. Victoria and Albert Museum, London. Bequeathed by Constantine Alexander Ionides (CAI.47). © V&A Images / Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-06.jpg Jean-François Millet, The Faggot Gatherers, 1868-75. Oil on canvas, 82 x 100 cm. Lent by Amgueddfa Cymru – Museum Wales. Bequeathed by Gwendoline Davies in 1952. © Amgueddfa Cymru - National Museum Wales. https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-07.jpg Jean-François Millet, The Faggot Gatherers, about 1850-55. Oil on panel, 30.4 x 18 cm. National Gallery of Scotland. Accepted in lieu of Estate Duty by HM Government from the Craigmyle Collection, and allocated to the National Galleries of Scotland, 2020. © National Galleries of Scotland. https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-09.jpg Jean-François Millet, A Milkmaid, about 1853. Oil on canvas. 32.5 x 24 cm. © The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham. https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-10.jpg Jean-François Millet, Two Peasants sawing and splitting wood, about 1850-51. Chalk on paper, 39.8 x 27.9 cm. The Ashmolean Museum, University of Oxford. Bequeathed by Percy Moore Turner, 1951. Image © Ashmolean Museum, University of Oxford. https://www.studiointernational.com/images/articles/m/&067-millet-2025/millet-11.jpg Jean-François Millet, The Goose Girl at Gruchy, 1854-56. Oil on canvas, 33 x 24.8 cm. Lent by Amgueddfa Cymru – Museum Wales. Bequeathed by Gwendoline Davies in 1952. © Amgueddfa Cymru - National Museum Wales. https://www.studiointernational.com/index.php/natalia-millman-interview-letters-to-forever-st-peters-church-st-albans https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-23.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-48.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-35.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-40.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-75.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Envelopes-from-grief-letters.jpg Envelopes from grief letters, Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-12.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-21.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-62.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-93.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/images/articles/m/&066-millman-natalia-2025/Natalia-Millman-Letters-to-Forever-(Low-Res)-96.jpg Natalia Millman, Letters to Forever, 2025, installation view, St Peter https://www.studiointernational.com/index.php/niki-de-saint-phalle-and-jean-tinguely-myths-and-machines-review-hauser-wirth-somerset https://www.studiointernational.com/images/articles/s/&045-saint-phalle-and-jean-tinguely-2025/DESAI138662-KA250505-View01-hires.jpg Niki de Saint Phalle, Big Lady (Black), 1968/1995. Painted polyester, pen, metal base, (47 x 157 x 80 cm (97 1/4 x 61 3/4 x 31 1/2 in). Installation view, Hauser & Wirth Somerset, 2025. © Niki Charitable Art Foundation. All Rights Reserved, DACS 2025. © Jean Tinguely, DACS 2025. Photo: Ken Adlard. Courtesy the artists and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/&045-saint-phalle-and-jean-tinguely-2025/TINGU138267KA250505-View10-hires.jpg Jean Tinguely, Chandelier, 1989-90. Metal, plastic components, antlers, colored light bulbs, 254 x 172.7 x 152.4 cm (100 x 68 x 60 in). Installation view, Hauser & Wirth Somerset, 2025. © Niki Charitable Art Foundation. All Rights Reserved, DACS 2025. © Jean Tinguely, DACS 2025. Photo: Ken Adlard. Courtesy the artists and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/&045-saint-phalle-and-jean-tinguely-2025/DESTI138336-KA14-05-25-view2-hires.jpg Niki de Saint Phalle, La Grande Tête, 1988. Iron, wood, electric motor, bungee, lightbulbs, polyester head, 225 x 225 x 140 cm (88 5/8 x 88 5/8 x 55 1/8 in). Installation view, Hauser & Wirth Somerset, 2025. © Niki Charitable Art Foundation. All Rights Reserved, DACS 2025. © Jean Tinguely, DACS 2025. Photo: Ken Adlard. Courtesy the artists and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/&045-saint-phalle-and-jean-tinguely-2025/Int84-hires.jpg Niki de Saint Phalle & Jean Tinguely. Myths & Machines, installation view, Hauser & Wirth Somerset, 2025. © Niki Charitable Art Foundation. All Rights Reserved, DACS 2025. © Jean Tinguely, DACS 2025. Photo: Ken Adlard. Courtesy the artists and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/&045-saint-phalle-and-jean-tinguely-2025/Int36-hires.jpg Jean Tinguely. Le Cercle Infernal de la Mort (The Infernal Circle of Death), 1990. Installation view, Hauser & Wirth Somerset, 2025. © Niki Charitable Art Foundation. All Rights Reserved, DACS 2025. © Jean Tinguely, DACS 2025. Photo: Ken Adlard. Courtesy the artists and Hauser & Wirth. https://www.studiointernational.com/images/articles/s/&045-saint-phalle-and-jean-tinguely-2025/DESAI138282-KA250505-View01-hires.jpg Niki de Saint Phalle, Autel doré (Golden Altar), 1962 – 1995. Gold bronze and varnish, elements bathed in gold bronze, 160 x 111 x 17.5 cm (63 x 43 3/4 x 6 7/8 in). © Niki Charitable Art Foundation. All Rights Reserved, DACS 2025. Courtesy Niki Charitable Art Foundation and Hauser & Wirth. Photo: Ken Adlard. https://www.studiointernational.com/images/articles/s/&045-saint-phalle-and-jean-tinguely-2025/13-tif-5-hires.jpg Niki de Saint Phalle & Jean Tinguely. Myths & Machines, installation view, Hauser & Wirth Somerset, 2025. © Niki Charitable Art Foundation. All Rights Reserved, DACS 2025. © Jean Tinguely, DACS 2025. Photo: Ken Adlard. Courtesy the artists and Hauser & Wirth. https://www.studiointernational.com/index.php/border-crossings-ten-scottish-masters-of-modern-art-review-the-mcmanus-dundees-art-gallery-and-museum https://www.studiointernational.com/images/articles/b/&067-border-crossings-2025/William-Johnstone-Ode-to-the-North-Wind-c1928-30-(c)-The-Artists-Estate.jpg William Johnstone. Ode to the North Wind c1928-30.© The Artist’s Estate. https://www.studiointernational.com/images/articles/b/&067-border-crossings-2025/Wilhelmina-Barns-Graham-at-easel.-No-1-Porthmeor-Studios,-1947-Photographer-unknown-(c)-Wilhelmina-Barns-Graham-Trust.jpg Wilhelmina Barns-Graham at easel, No.1 Porthmeor Studios, 1947. Photographer unknown. © Wilhelmina Barns-Graham Trust. https://www.studiointernational.com/images/articles/b/&067-border-crossings-2025/BC_install_008.jpg William Johnstone. Northern Gothic, 1959, installation view, The McManus: Dundee’s Art Gallery & Museum, 28 June 2025 – 14 June 2026. https://www.studiointernational.com/images/articles/b/&067-border-crossings-2025/William-Gear-Tree-form-(August-1950)-(c)-The-William-Gear-Estate,-Courtesy-of-The-Redfern-Gallery.jpg William Gear. Tree form (August 1950). © The William Gear Estate, Courtesy of The Redfern Gallery. https://www.studiointernational.com/images/articles/b/&067-border-crossings-2025/BC_install_013.jpg Alan Davie. The Man that Lived in an Egg, 1963, installation view, The McManus: Dundee’s Art Gallery & Museum, 28 June 2025 – 14 June 2026. https://www.studiointernational.com/images/articles/b/&067-border-crossings-2025/William-Crozier-(c)-The-Estate-of-William-Crozier,-courtesy-of-Piano-Nobile,-London.jpg William Crozier. © The Estate of William Crozier, courtesy of Piano Nobile, London. https://www.studiointernational.com/images/articles/b/&067-border-crossings-2025/BC_install_010.jpg Wilhelmina Barns-Graham, Surprise Series No. 4, installation view, The McManus: Dundee’s Art Gallery & Museum, 28 June 2025 – 14 June 2026. https://www.studiointernational.com/images/articles/b/&067-border-crossings-2025/Orange,-Black-and-Lilac-Squares-on-Vermilion,-1968-(c)-WILHELMINA-BARNS-GRAHAM-TRUST.jpg Wilhelmina Barns-Graham. Orange, Black and Lilac Squares on Vermilion, 1968. © Wilhelmina Barns-Graham. https://www.studiointernational.com/index.php/ro-robertson-video-interview-the-ribs-begin-to-rise-northern-gallery-for-contemporary-art https://www.studiointernational.com/images/articles/r/020-robertson-ro-2025/Holder-Up-and-The-Plunge.jpg Ro Robertson, The Ribs Begin to Rise, installation view, Northern Gallery for Contemporary Art, Sunderland, July 2025. Photo: Chris Davison. https://www.studiointernational.com/images/articles/r/020-robertson-ro-2025/_DSC6787.jpg Ro Robertson, The Ribs Begin to Rise, installation view, Northern Gallery for Contemporary Art, Sunderland, July 2025. Photo: Chris Davison. https://www.studiointernational.com/images/articles/r/020-robertson-ro-2025/Constructions-1-3.jpg Ro Robertson, Constructions I – III, 2025. Welded and riveted steel, oil paint and sea water. Installation view, The Ribs Begin to Rise, Northern Gallery for Contemporary Art, Sunderland, July 2025. Photo: Chris Davison. https://www.studiointernational.com/images/articles/r/020-robertson-ro-2025/Red-Lead.jpg Ro Robertson, Red Lead, installation view, The Ribs Begin to Rise, Northern Gallery for Contemporary Art, Sunderland, July 2025. Photo: Chris Davison. https://www.studiointernational.com/images/articles/r/020-robertson-ro-2025/She-Moves-Out-and-Workers-in-Motion.jpg Left to right: Ro Robertson, Workers in Motion and She Moves Out, installation view, The Ribs Begin to Rise, Northern Gallery for Contemporary Art, Sunderland, July 2025. Photo: Chris Davison. https://www.studiointernational.com/index.php/pablo-picasso-the-code-of-painting-pomo-trondheim-norway https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/01_-PoMo-_VS.jpg PoMo, Trondheim 2025. © India Mahdavi, Paris / Erik Langdalen Arkitektkontor, Oslo. Ugo Rondinone, our magic hour, 2003. PoMo Collection. © Ugo Rondinone. Photo: Valérie Sadoun. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/POMO-Staircase-12_-PoMo_-VS.jpg Staircase, PoMo, Trondheim 2025. © India Mahdavi, Paris / Erik Langdalen Arkitektkontor, Oslo. Photo: Valérie Sadoun. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/21_-Reading-RoomPoMo_-VS.jpg Reading room/study, PoMo, Trondheim 2025. © India Mahdavi, Paris / Erik Langdalen Arkitektkontor, Oslo. Photo: Valérie Sadoun. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/04_-PoMo_-VS.jpg Main hall with several works by Franz West. PoMo, Trondheim 2025. © India Mahdavi, Paris / Erik Langdalen Arkitektkontor, Oslo. Photo: Valérie Sadoun. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/405-25-23_-Head-of-a-Woman-with-a-Hat_-Pablo-Picasso.jpg Pablo Picasso, Tête de femme au chapeau (Head of a Woman with a Hat), Mougins, 7 July 1971. Fundación Almine y Bernard Ruiz-Picasso, Madrid. © FABA Photo : Hugard & Vanoverschelde. © Succession Pablo Picasso / BONO, Oslo 2025. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/405-25-65-_Couple-_Pablo-Picasso.jpg Pablo Picasso, Couple, Mougins, 1970-1971. Musée national Picasso-Paris. Jacqueline Picasso gift in lieu, 1990. © GrandPalaisRmm (Musée national Pablo Picasso) / Adrien Didierjean. © Succession Pablo Picasso / BONO, Oslo 2025. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/1000-01-Self-Portraits-room-PoMo_Picasso_TCOP.jpg Self portraits room, Picasso – The Code of Painting, installation view, PoMo, Trondheim, 2025. Photo: Uli Holz / PoMo, Trondheim. © Succession Pablo Picasso / BONO, Oslo 2025. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/405-25-54_-Man-with-a-Pipe-_1968_-Pablo-Picasso.jpg Pablo Picasso, Homme à la pipe (Man with a Pipe), 1968. Courtesy of the Masterworks Foundation. © Photo: Dan Jackson. © Succession Pablo Picasso / BONO, Oslo 2025. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/405-25-21_-Woman-with-Bird_-Pablo-Picasso-_with-Caption.jpg Pablo Picasso, Femme à l´oiseau (Woman with Bird), Mougins, 7 April 1971 (I). Fundación Almine y Bernard Ruiz-Picasso, Madrid. © FABA Photo : Marc Domage. © Succession Pablo Picasso / BONO, Oslo 2025. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/1000-09_-Room-Themed-Universal-Language.-The-Emojis-PoMo_Picasso_TCOP.jpg Installation view, Picasso – The Code of Painting, PoMo, Trondheim, 2025. © Photo: Uli Holz / PoMo, Trondheim. © Succession Pablo Picasso / BONO, Oslo 2025. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/03_-PoMo-_VS.jpg Main hall, PoMo, Trondheim 2025. © India Mahdavi, Paris / Erik Langdalen Arkitektkontor, Oslo. Photo: Valérie Sadoun. https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/10_-PoMo_-VS.jpg Staircase, PoMo, Trondheim 2025. © India Mahdavi, Paris / Erik Langdalen Arkitektkontor, Oslo. Photo: Valérie Sadoun https://www.studiointernational.com/images/articles/p/&093-pomo-and-picasso-2025/405-25-64-_Sunday-_Pablo-Picasso.jpg Pablo Picasso, Dimanche (Sunday), Mougins, 3 October 1971. Musée national Picasso-Paris. Jacqueline Picasso gift in lieu, 1990. © GrandPalaisRmm (Musée national Pablo Picasso) / Mathieu Rabeau. © Succession Pablo Picasso / BONO, Oslo 2025. https://www.studiointernational.com/index.php/lifeblood-edvard-munch-review-munch-museum-oslo-norway https://www.studiointernational.com/images/articles/m/&065-munch-2025/MM-M-00022_.jpg Edvard Munch, On the Operating Table, 1902–03. Oil on canvas, 109 × 149.5 cm. Photo: Juri Kobayashi. © Munch Museum. https://www.studiointernational.com/images/articles/m/&065-munch-2025/MM-M-00028_20201015.jpg Edvard Munch, Women in Hospital, 1897. Oil and crayon on canvas, 110 × 100 cm. Photo: Halvor Bjørngård. © Munch Museum. https://www.studiointernational.com/images/articles/m/&065-munch-2025/T02909_20160309.jpg Edvard Munch, Anatomy Professor Kristian Schreiner, 1928–32. Collage: lithograph, watercolour, charcoal. Photo: Ove Kvavik. © Munch Museum. https://www.studiointernational.com/images/articles/m/&065-munch-2025/MM-M-00015_20201104.jpg Edvard Munch, Kristiania Bohemians, c1907. Oil on canvas, 109.5 × 159.5 cm. Photo: Ove Kvavik. © Munch Museum. https://www.studiointernational.com/images/articles/m/&065-munch-2025/1000-Livsblod-06.jpg Edvard Munch, Sanatorium, 1902-03. Installation view, Lifeblood – Edvard Munch, Munch Museum, Oslo, 2025. Photo: Ove Kvavik. © Munch Museum. https://www.studiointernational.com/images/articles/m/&065-munch-2025/RES-B-300_20160301.jpg Edvard Munch, Nurse with Sheet, 1908. Watercolour, charcoal, 63.8 × 46.5 cm. Photo: Ove Kvavik. © Munch Museum. https://www.studiointernational.com/images/articles/m/&065-munch-2025/T0027_20141204.jpg Edvard Munch, Medicine Bottle and Spoon, 1877. Watercolour, 12.2 × 11 cm. Photo: Tone Margrethe Gauden. © Munch Museum. https://www.studiointernational.com/images/articles/m/&065-munch-2025/MM-M-00202_20191113.jpg Edvard Munch, Andreas Munch Studying Anatomy, 1886. Oil on unprimed cardboard, 62 × 74.5 cm. Photo: Juri Kobayashi. © Munch Museum. https://www.studiointernational.com/index.php/making-waves-breaking-ground-review-space-to-breathe-at-bowhouse-st-monans-fife https://www.studiointernational.com/images/articles/s/&044-space-to-breathe-2025/Bowhouse.SpacetoBreathe_001.jpg Making Waves – Breaking Ground, installation view, Bowhouse, St Monans, Fife, 2025. https://www.studiointernational.com/images/articles/s/&044-space-to-breathe-2025/Anais-Tondeur,-Byrsonium-Lucida,-Exclusion-Zone,-Chernobyl,-Ukraine,-Radiation-Level_-1.7-microsieverts.-From-the-series-Chernobyl-Herbarium,-2011-present.jpg Anais Tondeur, Byrsonium Lucida, Exclusion Zone, Chernobyl, Ukraine, Radiation Level: 1.7 microsieverts. From the series Chernobyl Herbarium, 2011-present. © the artist. https://www.studiointernational.com/images/articles/s/&044-space-to-breathe-2025/Julie-Brook,-Desert-Drawing-1,-Slide-1,-2001.jpg Julie Brook, Desert Drawing 1, Slide 1, 2001. Libyan desert clay and pastel on paper, 121 x 160 cm. © the artist. https://www.studiointernational.com/images/articles/s/&044-space-to-breathe-2025/Samantha-Clark,-Islands,-2025.jpg Samantha Clark, Islands, 2025. Acrylic, mica and brass leaf on cradled board, 51 x 61 cm. © the artist. https://www.studiointernational.com/images/articles/s/&044-space-to-breathe-2025/Susan-Derges-Sun-in-Virgo-2019.jpg Susan Derges, Sun in Virgo, 2019. C type Lambda on Fuji Christal archive paper, 94 x 106 cm. © the artist. https://www.studiointernational.com/images/articles/s/&044-space-to-breathe-2025/Jonathan-Delafield-Cook-Iceberg-II.jpg Jonathan Delafield Cook, Iceberg II. Charcoal on primed linen, 130 x 199 cm. © the artist. https://www.studiointernational.com/images/articles/s/&044-space-to-breathe-2025/1000-Bowhouse-SpacetoBreathe_007-(1).jpg Making Waves – Breaking Ground, installation view, Bowhouse, St Monans, Fife, 2025. https://www.studiointernational.com/index.php/edinburgh-art-festival-2025-review-edinburgh https://www.studiointernational.com/images/articles/e/051-eaf25-2025/Bellany-1960-Sad-Self-Portrait-1971-83x65-ins-oil-on-canvas.jpg John Bellany, Sad Self-Portrait, 1976, at City Art Centre, Edinburgh until 28 September 2025. © The Estate of John Bellany. https://www.studiointernational.com/images/articles/e/051-eaf25-2025/GuyOliver-Millennial-Prayer_002-photo-neil-hannah.jpg Guy Oliver, Millennial Prayer, at Jupiter Artland until 28 September 2025. Photo: Neil Hannah. https://www.studiointernational.com/images/articles/e/051-eaf25-2025/SD_The-Garden_XII.jpg Siân Davey, The Garden XII, Copyright Siân Davey, Courtesy Michael Hoppen Gallery, London. Centre for Photography, Edinburgh until 30 August 2025. https://www.studiointernational.com/images/articles/e/051-eaf25-2025/Aqsa-Arif_Raindrops-of-Rani-photo-by-Talha-Imam.jpg Aqsa Arif, Raindrops of Rani, at Edinburgh Printmakers until 2 November 2025. Photo: Talha Imam. https://www.studiointernational.com/images/articles/e/051-eaf25-2025/Harry-Josephine-Giles-for-who-will-be-remembered-here,-CJ-Mahony-and-Lewis-Hetherington.-Photo_-Tiu-Makkonen.jpg CJ Mahony and Lewis Hetherington: for who will be remembered here, Photo: Tiu Makkonen. https://www.studiointernational.com/images/articles/e/051-eaf25-2025/Guy-Oliver,-Badly-Drawn-Boys,-2022.-Video-still.-Courtesy-of-the-artist.jpg Guy Oliver, Badly Drawn Boys, 2022. Video still. Courtesy of the artist. https://www.studiointernational.com/index.php/william-kentridge-the-pull-of-gravity-review-yorkshire-sculpture-park-wakefield https://www.studiointernational.com/images/articles/k/022-kentridge-william-2025/William-Kentridge,The-Pull-of-Gravity,2025,(c)-William-Kentridge-Courtesy-the-artist,-Goodman-Gallery,-Galleria-Lia-Rumma-and-Hauser-and-Wirth,Photo_Jonty-Wilde,-courtesy-YSP.jpg William Kentridge, The Pull of Gravity, 2025. © William Kentridge. Courtesy Kentridge Studio, Goodman Gallery, Galleria Lia Rumma and Hauser & Wirth. Photo © Jonty Wilde, courtesy Yorkshire Sculpture Park. https://www.studiointernational.com/images/articles/k/022-kentridge-william-2025/William-Kentridge,Semaphone,-Bicycle-Wheel-III-(double-megaphone),2012,(c)-William-Kentridge.-Courtesy-the-artist,-Goodman-Gallery,-Galleria-Lia-Rumma-and-Hauser-&-Wirth,Photo_Jonty-Wilde,-courtesy-YSP.jpg William Kentridge, Semaphone (left) and Bicycle Wheel III (double megaphone), 2012, © William Kentridge. Courtesy Kentridge Studio, Goodman Gallery, Galleria Lia Rumma and Hauser & Wirth. Photo © Jonty Wilde, courtesy Yorkshire Sculpture Park. https://www.studiointernational.com/images/articles/k/022-kentridge-william-2025/William-Kentridge,Lexicon,2017,Courtesy-the-artist,-Goodman-Gallery,-Galleria-Lia-Rumma-and-Hauser-&-Wirth,Photo_Jonty-Wilde,-courtesy-YSP.jpg William Kentridge, Lexicon, 2017. © William Kentridge. Courtesy Kentridge Studio, Goodman Gallery, Galleria Lia Rumma and Hauser & Wirth. Photo © Jonty Wilde, courtesy Yorkshire Sculpture Park. https://www.studiointernational.com/images/articles/k/022-kentridge-william-2025/William-Kentridge,Studio-Horse,2020,(c)-William-Kentridge-Courtesy-the-artist,-Goodman-Gallery,-Galleria-Lia-Rumma-and-Hauser-and-Wirth,Photo_Jonty-Wilde,-courtesy-YSP.jpg William Kentridge, Studio Horse, 2020. © William Kentridge. Courtesy Kentridge Studio, Goodman Gallery, Galleria Lia Rumma and Hauser & Wirth. Photo © Jonty Wilde, courtesy Yorkshire Sculpture Park. https://www.studiointernational.com/images/articles/k/022-kentridge-william-2025/William-Kentridge,Paper-Procession-(III),2024,(c)-William-Kentridge.-Courtesy-the-artist,-Goodman-Gallery,-Galleria-Lia-Rumma-and-Hauser-and-Wirth,Photo_Jonty-Wilde,-courtesy-YSP-(1).jpg William Kentridge, Paper Procession (III), 2024. © William Kentridge. Courtesy Kentridge Studio, Goodman Gallery, Galleria Lia Rumma and Hauser & Wirth. Photo © Jonty Wilde, courtesy Yorkshire Sculpture Park. https://www.studiointernational.com/images/articles/k/022-kentridge-william-2025/William-Kentridge,Paper-Procession-(II),2024,Courtesy-the-artist,-Goodman-Gallery,-Galleria-Lia-Rumma-and-Hauser-and-Wirth,Photo_Jonty-Wilde,-courtesy-YSP.jpg William Kentridge, Paper Procession (II), 2024. © William Kentridge. Courtesy Kentridge Studio, Goodman Gallery, Galleria Lia Rumma and Hauser & Wirth. Photo © Jonty Wilde, courtesy Yorkshire Sculpture Park. https://www.studiointernational.com/images/articles/k/022-kentridge-william-2025/William-Kentridge,Laocoon-(Plaster),2021,(c)-William-Kentridge-Courtesy-the-artist,-Goodman-Gallery,-Galleria-Lia-Rumma-and-Hauser-and-Wirth,Photo_Jonty-Wilde,-courtesy-YSP.jpg William Kentridge, Laocoön (Plaster), 2021. © William Kentridge. Courtesy Kentridge Studio, Goodman Gallery, Galleria Lia Rumma and Hauser & Wirth. Photo © Jonty Wilde, courtesy Yorkshire Sculpture Park. https://www.studiointernational.com/index.php/the-honest-eye-camille-pissarro-impressionism-museum-barberini-potsdam-germany https://www.studiointernational.com/images/articles/p/&092-pissarro-camille-2025/USA_Richmond_Virginia_Museum_of_Fine_Arts_Paysage_a_Saint_Thomas.jpg Camille Pissarro, Landscape, Saint Thomas, 1856. Oil on canvas, 47.63 x 38.1 cm. Virginia Museum of Fine Arts, Richmond. Collection of Mr. and Mrs. Paul Mellon. © Sydney Collins, Virginia Museum of Fine Arts. https://www.studiointernational.com/images/articles/p/&092-pissarro-camille-2025/059_Camille_Pissarro_Plum_Trees_in_Blossom_Eragny.jpg Camille Pissarro, Plum Trees in Blossom, Éragny, 1894. Oil on canvas, 60 x 73 cm. Ordrupgaard, Copenhagen. © Heritage Images / Fine Art Images / akg-images. https://www.studiointernational.com/images/articles/p/&092-pissarro-camille-2025/066_Camille_Pissarro_Spring_at_Eragny.jpg Camille Pissarro, Spring at Éragny, 1890. Oil on canvas, 65.4 x 81.6 cm. Denver Art Museum, Frederic C. Hamilton Collection, bequeathed to the Denver Art Museum. © William O’Connor, Denver Art Museum. https://www.studiointernational.com/images/articles/p/&092-pissarro-camille-2025/100_Camille_Pissarro_Avenue_de_l_Opera.jpg Camille Pissarro, Avenue de l’Opéra, 1898. Oil on canvas, 73.3 x 92.3 cm. Musée des Beaux-Arts de la Ville de Reims. Bequest of Henry Vasnier, 11/1907. © Christian Devleeschauwer. https://www.studiointernational.com/images/articles/p/&092-pissarro-camille-2025/Camille_Pissarro_Louvre_Morning_Spring_1902_1_.jpg Camille Pissarro, The Louvre, Morning, Spring, 1902. Oil on canvas, 64,8 x 54 cm. © Hasso Plattner Collection. https://www.studiointernational.com/images/articles/p/&092-pissarro-camille-2025/029_Camille_Pissarro_Jeanne_Pissarro_Minette_Holding_a_Fan.jpg Camille Pissarro. Jeanne Pissarro (Minette) holding a Fan, 1873. Oil on canvas, 55 x 46 cm. The Ashmolean Museum, University of Oxford. Bequeathed by Esther Pissarro, 1952. https://www.studiointernational.com/images/articles/p/&092-pissarro-camille-2025/Pissarro_Raureif_eine_junge_Baeuerin_macht_Feuer_3.jpg Camille Pissarro, Hoar-Frost, Peasant Girl Making a Fire, 1888. Oil on canvas, 92.8 x 92.5 cm. Hasso Plattner Collection, Museum Barberini, Potsdam. https://www.studiointernational.com/images/articles/p/&092-pissarro-camille-2025/Pissarro_Boulevard_Montmartre_Abenddaemmerung__2.jpg Camille Pissarro, Boulevard Montmartre, Twilight, 1897. Oil on canvas, 54 x 65 cm. Hasso Plattner Collection, Museum Barberini, Potsdam. https://www.studiointernational.com/images/articles/p/&092-pissarro-camille-2025/_60A5108.jpg The Honest Eye: Camille Pissarro’s Impressionism, installation view, Museum Barberini, Potsdam, 14 June – 28 September 2025. https://www.studiointernational.com/index.php/berlinde-de-bruyckere-interview-my-themes-are-not-easy-you-cant-look-to-my-work-to-become-happy-khoros-bozar-brussels-ernst-barlach-haus-hamburg https://www.studiointernational.com/images/articles/d/031-de-bruyckere-belinde-2025/DE-BR82161-Embalmed-Twins-II,-2017-web-hires.jpg Berlinde De Bruyckere, Embalmed Twins II, 2017, Installation view Engelenkeel, Bonnefanten, 2021. Photo: Mirjam Devriendt. https://www.studiointernational.com/images/articles/d/031-de-bruyckere-belinde-2025/EXH120486_Berlinde-De-Bruyckere-Khoros-Bozar-25_MDV6581-bewerktA(c)Mirjam-Devriendt-hires.jpg Berlinde De Bruyckere, Khorós, installation view, BOZAR Centre for Fine Arts, Brussels, 2025. Photo: © Mirjam Devriendt. https://www.studiointernational.com/images/articles/d/031-de-bruyckere-belinde-2025/Close-up-Arcangelo-in-Leuven-Pic-V-SImpson.jpg Berlinde De Bruyckere, Arcangelo IV, 2024-25 (2025), installation view, KU Leuven, Belgium. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/d/031-de-bruyckere-belinde-2025/DE-BR58618-Kreupelhout---Cripplewood,-2012-2013-hires.jpg Berlinde De Bruyckere, Kreupelhout – Cripplewood, 2012–13. Belgian Pavilion, Venice Biennale, 2013. Photo: © Mirjam Devriendt. https://www.studiointernational.com/images/articles/d/031-de-bruyckere-belinde-2025/EXH121514_erlinde-De-Bruyckere--Ernst-Barlach-Haus-2025.jpg Installation view, Berlinde De Bruyckere. Lift Not the Painted Veil, Ernst Barlach Haus, Hamburg, 2025. https://www.studiointernational.com/images/articles/d/031-de-bruyckere-belinde-2025/WEB-110-DE-BRUYCKERE---Kunsthal-Aarhus--hires.jpg Berlinde De Bruyckere, No Life Lost II, 2015. Bonnefanten, Maastricht, 2021. Photo: Mirjam Devriendt. https://www.studiointernational.com/images/articles/d/031-de-bruyckere-belinde-2025/DE-BR100075_City-of-Refuge-I3086(c)Mirjam-Devriendt-hires.jpg Berlinde De Bruyckere, City of Refuge III, installation view, Abbazia di San Giorgio Maggiore, Venice, 2024. Photo: © Mirjam Devriendt. https://www.studiointernational.com/images/articles/d/031-de-bruyckere-belinde-2025/De-Bruyckere,-Hauser-and-Wirth-Somerset-2018-hires.jpg Berlinde De Bruyckere. Stages & Tales, installation view, Hauser & Wirth Somerset, 2018. © Berlinde De Bruyckere. Photo: Mirjam Devriendt. https://www.studiointernational.com/index.php/londons-statues-of-women-juliet-rix-safe-haven-books-book-review https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Horseferry-Rd-Ada-Lovelace-angled-view-2-RS.jpg Ada Lovelace by Mary and Etienne Millner, 2022. Bronze. Millbank Quarter, Horseferry Rd, Westminster, junction with Dean Bradley St. Photo: Rod Standing. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Virginia-Woolf-on-bench-Richmond-JR.jpg Virginia Woolf by Laury Dizengremel, 2022. Full-length statue on a bench, bronze. Richmond Riverside. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Three-Graces-Daughters-of-Helios-Piccadilly-Circus-JR.jpg The Three Graces or Daughters of Helios by Rudy Weller, 1992. Gilded aluminium. Criterion Building, Piccadilly Circus, corner of Haymarket. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Emeline-Pankhurst-JR.jpg Emmeline Pankhurst by Arthur George Walker RA, 1930, with memorial relief to Christabel Pankhurst added 1958–59. Victoria Tower Gardens, Westminster. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Wollstonecraft-whole-sculpture-JR-2.jpg Left: Mary Wollstonecraft by Maggi Hambling, 2020. Bronze (coloured silver). Newington Green. Right: detail. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Sarah-Siddons-JR.jpg Sarah Siddons White by Léon-Joseph Chavalliaudt, 1897. Marble. Paddington Green. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Joy-II-JR.jpg Joy II by Kevin Atherton, 2023. Bronze. Brixton Station (National Rail, above Brixton. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Katie,-Harrow-Town-Centre-JR.jpg Katie by James Butler, 1987. Bronze. Station Rd, corner of St Ann’s Rd, Harrow. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Standing-Woman,-Wood-Wharf-(Normal-People)-JR.jpg Standing Woman by Sean Henry, 2020. Canary Wharf (George St, Wood Wharf). Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/London-Pride,-South-Bank-JR.jpg London Pride by Frank Dobson. Designed 1951, cast in bronze and installed 1987. Queen’s Walk, South Bank. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Noor-Inayat-Khan-JR.jpg Noor Inayat Khan by Karen Newman , 2012. Bronze. Gordon Square Gardens. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Golders-Hill-Girl-autumn-JR.jpg Golders Hill Girl by Patricia Finch, 1991. Bronze. Golders Hill Park. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Susanna-Wesley-JR.jpg Susanna Wesley by Simon O’Rourke, 2022. Red cedar wood. East Finchley Methodist Church. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Amy-Winehouse,-Camden-Lock-20240307_JR.jpg Amy Winehouse by Scott Eaton, 2014. Bronze. Stables Market, 407 Chalk Farm Road, Camden. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/london-statues-of-women-cover-2.jpg London’s Statues of Women by Juliet Rix, published by Safe Haven Books. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Bourdica-in-context-JR.jpg Boadicea and her Daughters by Thomas Thornycroft, 1856–83; erected 1902. Bronze. North side of Westminster Bridge. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Eleanor-of-Castile-JR.jpg Eleanor of Castile, designed by Edward Middleton Barry, statue sculptor Thomas Earp. Statues in Portland stone, monument red sandstone, 1865, after an original of 1291–94. Outside Charing Cross Station, Strand. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Twiggy-JR.jpg Twiggy by Neal French, 2012. Bronze. Bourdon Place. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/l/022-londons-statues-of-women-2025/Buckingham-Palace-Queen-Victoria-memorial-JR.jpg Queen Victoria Memorial by Sir Thomas Brock with architect Sir Aston Webb, designed 1901, unveiled 1911, completed 1924. Marble, stone and bronze. Buckingham Palace, The Mall. Photo: Juliet Rix. https://www.studiointernational.com/index.php/elaine-shemilt-interview-video-feminism-physiological-processes-sensations-desires-all-leave-their-traces-like-imprints-on-people https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/Constraint.jpg Elaine Shemilt, Constraint,1979. Photo etching, 52 x40 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/ESH021-9.jpg Elaine Shemilt, Conflict, 1974. Installation with performance and video produced in 1974, exhibited at The Video Show, Serpentine Gallery, London, 1975. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/iamdead.jpg Elaine Shemilt, Iamdead, 1974. Photo documentation of the video performance. Monochrome videotape 1/2 inch EIAJ format. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/AjaxBay.jpg Elaine Shemilt, Traces, (Ajax Bay Series), 2002. Iris Print, 114 x 90 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/MappingSouthGeorgia2011etching.jpg Elaine Shemilt, Mapping South Georgia, 2011. Etching, 86.5 × 65 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/Doppelganger2.jpg Elaine Shemilt, Doppelgänger, 1979-81. Monochrome videotape 1/2 inch EIAJ format, 9 min 12 sec. Photo courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/Doppelganger-Redux3.jpg Elaine Shemilt, Doppelgänger Redux, 2016. Video documentation of re-enactment of original video performance at Nunnery Gallery, Bow Arts – London. Video: Adam Lockhart. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/WhaleSong2024painting.jpg Elaine Shemilt, Whale Song, 2024. Oil on canvas, 242 x 121 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/ElainePortraitinStudio-2.jpg Elaine Shemilt. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/Behind-Appearance-IcarusLately1997painting.jpg Elaine Shemilt, Icarus Lately, 1996. Oil on canvas, 154 x 127 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/DoppelgangerLitho.jpg Elaine Shemilt, Doppelgänger, 1979. Photo lithograph, 61 x 71 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/DopplegangerPhoto.jpg Elaine Shemilt, Doppelgänger, 1979 (detail). Photo lithograph. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/s/&043-shemilt-elaine-2025/ESH090-2.jpg Elaine Shemilt, Conflict, 1974. Installation with performance and video produced in 1974, exhibited at The Video Show, Serpentine Gallery, London, 1975. Image courtesy and copyright the artist. https://www.studiointernational.com/index.php/irma-stern-a-modern-artist-between-berlin-and-cape-town-review-brucke-museum-berlin https://www.studiointernational.com/images/articles/s/&042-stern-irma-2025/Exhibition_view_3.jpg Irma Stern. A Modern Artist between Berlin and Cape Town, exhibition view, Brücke-Museum, Photo: Nick Ash. https://www.studiointernational.com/images/articles/s/&042-stern-irma-2025/Exhibition_view_4.jpg Irma Stern. A Modern Artist between Berlin and Cape Town, exhibition view, Brücke-Museum, Photo: Nick Ash. https://www.studiointernational.com/images/articles/s/&042-stern-irma-2025/irma-stern-eternal-child-exhibition_view_5.jpg Irma Stern, The Eternal Child, 1916. Oil on canvas. Rupert Art Foundation, Rupert Museum, Stellenbosch. © Irma Stern Trust / VG Bild-Kunst, Bonn 2025. Exhibition view, Irma Stern. A Modern Artist between Berlin and Cape Town, Brücke-Museum, Photo: Nick Ash. https://www.studiointernational.com/images/articles/s/&042-stern-irma-2025/Exhibition_view_2.jpg Irma Stern. A Modern Artist between Berlin and Cape Town, exhibition view, Brücke-Museum, Photo: Nick Ash. https://www.studiointernational.com/images/articles/s/&042-stern-irma-2025/irma-stern-maid-in-uniform-Exhibition_view_6.jpg Left: Irma Stern, Woman Sewing Kaross, 1929, oil on canvas. Right: Irma Stern, Maid in Uniform, 1955, oil on canvas. Exhibition view, Irma Stern. A Modern Artist between Berlin and Cape Town, Brücke-Museum, Photo: Nick Ash. https://www.studiointernational.com/images/articles/s/&042-stern-irma-2025/APR_Gladis.jpg Athi-Ptra Ruga, Proposed Monument for Gladys, artistic intervention, vinyl, 2025. © Athi-Patra Ruga 2025. Photo: Courtesy of the artist. https://www.studiointernational.com/images/articles/s/&042-stern-irma-2025/Exhibition_view_5.jpg Irma Stern. A Modern Artist between Berlin and Cape Town, exhibition view, Brücke-Museum, Photo: Nick Ash. https://www.studiointernational.com/images/articles/s/&042-stern-irma-2025/Exhibition_view_1A-1000.jpg Irma Stern. A Modern Artist between Berlin and Cape Town, exhibition view, Brücke-Museum, Photo: Nick Ash. https://www.studiointernational.com/index.php/cezanne-at-jas-de-bouffan-review-musee-granet-aix-en-provence-france https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/5_56_FWN-238.jpg Paul Cezanne, Maison et ferme du Jas de Bouffan, 1885-87. Oil on canvas, 60.8 x 73.8 cm. National Gallery Prague. © National Gallery Prague 2025. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/1_311_FWN-2077.jpg Paul Cezanne, Male, Academy, 1862. Graphite on paper, 61.5 x 47.8 cm. Aix-en-Provence, musée Granet, fonds de l’École de dessin, 1862. © Claude Almodovar / musée Granet, Ville d https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/2_25-26-27-28_Petit-Palais_FWN-561_02-005422.jpg Paul Cezanne, The Four Seasons. Left to right: Le Spring, circa 1860; L’Été, circa 1860; L’Automne, circa 1860, L’Hiver, circa 1860. Oil painting on plaster wall, laid down and mounted on canvas. Petit Palais, musée des Beaux-Arts de la Ville de Paris, Don des héritiers d’Ambroise Vollard, 1950. © Grand Palais Rmn / Agence Bulloz. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/5_39_FWN-213.jpg Paul Cezanne, Les Grands Arbres au Jas de Bouffan, c1883. Oil on canvas, 65 x 81 cm. The Courtauld (Samuel Courtauld Trust), legacy Samuel Courtauld, 1948. © The Courtauld. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/2_102_FWN-900.jpg Paul Cezanne, Bather and Rocks c1867-69. Oil painting on plaster wall, laid down and mounted on canvas, 167.6 x 105.4 cm. Chrysler Museum of Art; Don de Walter P. Chrysler, Jr. © Chrysler Museum of Art. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/3_108_FWN-402.jpg Paul Cezanne, The Artist’s Father Reading L’Événement, 1866. Oil on canvas, 198.5 x 119.3 cm. Washington, D.C., National Gallery of Art, Collection de M. et Mme Paul Mellon. Courtesy National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/6_173_FWN-806.jpg Paul Cezanne, Nature morte au plat de cerises et aux pêches, 1885-87. Oil on canvas, 50.17 x 60.96 cm. Los Angeles County Museum of Art, Don d’Adele R. Levy Fund, Inc., et M. et Mme Armand S.Deutsch. © 2024 Museum Associates / LACMA. Licenciée par Dist. GrandPalaisRmn / image LACMA. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/Cezanne-Zola-portrait-1862-4-20250720_jr.jpg Paul Cezanne. Portrait of Émile Zola, c1862-4. Oil on canvas. Musee Granet, Aix-en-Provence, France. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/7_119_FWN-976.jpg Paul Cezanne, The Bathers, 1899–1904. Oil on canvas, 51.3 x 61.7 cm. The Art Institute of Chicago, Amy McCormick Memorial Collection. © Art Institute of Chicago, Dist. GrandPalaisRmn / image The Art Institute of Chicago. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/8_147_FWN-528.jpg Paul Cezanne, Man with crossed arms, c1899. Oil on canvas, 92 x 72.7 cm. Solomon R. Guggenheim Museum. © The Solomon R. Guggenheim Foundation / Art Resource, NY, Dist. GrandPalaisRmn. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/Cezanne-Woman-w-a-Coffee-Pot-20250719_jr.jpg Paul Cezanne. Woman with a Coffee Pot, c1895. Oil on canvas. Musée D’Orsay. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/8_1_card-players-Orsay_FWN-684.jpg Paul Cezanne, The Card Players, 1893-96. Oil on canvas, 47 x 56.5 cm. Musée d’Orsay, legacy Isaac de Camondo, 1911. © GrandPalaisRmn (musée d https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/Cezanne-The-kitchen-table-20250904_jr.jpg Paul Cezanne. The Kitchen Table, 1888-90. Oil on canvas. Musée D’Orsay. Photo: Juliet Rix. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/9_273_La-Montagne-Sainte-Victoire-FWN-314.jpg Paul Cezanne, La Montagne Sainte-Victoire, 1897. Oil on canvas, 73 x 91.5 cm. Kunstmuseum Bern, Legacy Cornelius Gurlitt, 2014. Photo @ kunstmuseumbern.ch. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/9_286_-FWN-120.jpg Paul Cezanne, The Sea at L’Estaque, 1878-79. Oil on canvas, 72.8 x 92.8 cm. Musée national Picasso-Paris, donation Picasso, 1978. Collection personnelle Pablo Picasso. © RMN - Grand Palais - Mathieu Rabeau. https://www.studiointernational.com/images/articles/c/&065-cezanne-2025/3_104_FWN-468.jpg Paul Cezanne, Portrait of Madame Cezanne, 1883-1885. Oil on canvas, 46 x 38.3 cm. Philadelphia Museum of Art, collection Louis E. Stern. © The Philadelphia Museum of Art, Dist. GrandPalaisRmn / image Philadelphia Museum of Art. https://www.studiointernational.com/index.php/john-walker-interview-i-wept-uncontrollably-in-front-of-goyas-black-paintings https://www.studiointernational.com/images/articles/w/023-walker-john-2025/Installation-view-John-Walker-Paintings,-Hayward-Gallery,-London,-1968.jpg Installation view, John Walker: Paintings, Hayward Gallery, London, 1968. Courtesy of the Artist. https://www.studiointernational.com/images/articles/w/023-walker-john-2025/Roundout-Folly-1980-Virginia-Museum-of-Fine-Arts,-Richmond,-VA.jpg John Walker. Roundout Folly, 1980. Oil on canvas, 244 x 305 cm. Virginia Museum of Fine Arts, Richmond, VA. Gift of the Sydney and Frances Lewis Foundation. Photo: Troy Wilkinson © Virginia Museum of Fine Arts. https://www.studiointernational.com/images/articles/w/023-walker-john-2025/John-Constables-Tree,-2014.jpg John Walker. John Constable https://www.studiointernational.com/images/articles/w/023-walker-john-2025/Marat-2023.jpg John Walker. Marat, 2023. Acrylic and collage on canvas, 274 x 396 cm. Photo: Dave Clough. https://www.studiointernational.com/images/articles/w/023-walker-john-2025/Infusion-I-2024.jpg John Walker. Infusion I, 2024. Oil on canvas, 213 x 168 cm. Photo: Dave Clough. https://www.studiointernational.com/images/articles/w/023-walker-john-2025/John-Walker-studio,-Penaquid-Maine,-2024,-Photo-by-Dave-Clough.jpg John Walker https://www.studiointernational.com/images/articles/w/023-walker-john-2025/Black-Pond-2022.jpg John Walker. Black Pond, 2022. Oil on canvas, 213 x 168 cm. Photo: Kayla Mohammadi. https://www.studiointernational.com/images/articles/w/023-walker-john-2025/Johns-Bay-Pollution-2017-Collection-of-Kayla-Mohammadi.jpg John Walker. Johns Bay Pollution, 2017. Oil on canvas, 213 x 168 cm. Collection of Kayla Mohammadi. Photo courtesy of Alexandre Gallery, New York. https://www.studiointernational.com/images/articles/w/023-walker-john-2025/Juggernaut-with-Plume-for-P-Neruda,1975.jpg John Walker. Juggernaut with Plume – for P. Neruda, 1975. Acrylic, French chalk, and canvas collage on canvas, 306 x 248 cm. Photo: Ed Watkins Photography. https://www.studiointernational.com/images/articles/w/023-walker-john-2025/Mirramina-No4-1987.jpg John Walker. Mirramina No.4, 1987. Oil on canvas, 274 x 244 cm. Courtesy of the Artist. https://www.studiointernational.com/images/articles/w/023-walker-john-2025/Tide-and-Fog-2008.jpg John Walker. Tide and Fog, 2008. Oil on canvas, 213 x 168 cm. Photo: Dave Clough. https://www.studiointernational.com/index.php/leaving-were-the-ones-who-could-not-stay-review-broadway-gallery-letchworth https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/IMG_3672.jpg Idit Elia Nathan, Trigger Warning, 2023-25. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: Anna McNay. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/Furnee-IMG_3670.jpg Bettina Furnée, Staying, Leaving, 2021. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: Anna McNay. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/Furnee-IMG_3671.jpg Bettina Furnée, Staying, Leaving, 2021. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: Anna McNay. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/Furnee-C582-1-24863.jpg Bettina Furnée, Out of Our Earth, 2025. Three-channel video, 37 min. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: © Jo Underhill. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/C582-1-24791.jpg Olga Jürgenson, Permission to Return Granted, 2025. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: © Jo Underhill. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/IMG_3687-detail.jpg Olga Jürgenson, Must Be Exiled to the Taiga, 2025 (detail). Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: Anna McNay. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/IMG_3713.jpg Idit Elia Nathan, Eva Learns Hebrew, 2025. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: Anna McNay. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/Nathan-phone-home-C582-1-24830.jpg Idit Elia Nathan, Phone Home, 2025. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: © Jo Underhill. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/Carruthers-C582-1-24742.jpg Beverley Carruthers, Hailstones, Bars and Meshes, 2025. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: © Jo Underhill. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/C582-1-24840.jpg Olga Jürgenson, Permission to Return Granted, 2025. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: © Jo Underhill. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/Olga-Jurgenson_A-Brook-in-Samarodina_Video-screenshot_2022.jpg Olga Jürgenson, Permission to Return Granted, 2025. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: © Jo Underhill. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/Nathan-C582-1-24909.jpg Idit Elia Nathan, Trigger Warning, 2023-25. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: © Jo Underhill. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/C582-1-24817.jpg Olga Jürgenson, Mobilised by Decree, 2025. Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. Photo: © Jo Underhill. https://www.studiointernational.com/images/articles/l/021-leaving-were-the-ones-2025/IMG_3707.jpg Olga Jürgenson, Mobilised by Decree, 2025 (detail). Installation view, Leaving Were The Ones Who Could Not Stay, Broadway Gallery, September 2025. . Photo: Anna McNay. https://www.studiointernational.com/index.php/paula-rego-adriana-varejao-between-your-teeth-review-centro-de-arte-moderna-gulbenkian-lisbon-portugal https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/CM-Exhibition-View_Rego-e-Varejao-3.jpg Installation view, Paula Rego and Adriana Varejão: Between Your Teeth, Centro de Arte Moderna Gulbenkian, Lisbon, 2025. Photo: Caroline Menezes. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/A-Was-Land,-a-Womb,-a-Torn-Sail.jpg I was a land, a womb, a torn sail. Installation view, Paula Rego and Adriana Varejão: Between Your Teeth, Centro de Arte Moderna Gulbenkian, Lisbon, 2025. Photo: Caroline Menezes. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/Paula-Rego-A-primeira-Missa-do-Brasil.jpg Paula Rego. The First Mass in Brazil, 1993. Private collection. © The Estate of Paula Rego. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/Room-1_AV_Filho-bastardo-II-(Cena-de-interior)_Photo-Vicente-de-Mello.jpg Adriana Varejão. Bastard Son II (Interior Scene), 1997. Berardo Collection. Photo: Vicente de Mello. © Adriana Varejão. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/Room-1_AV_Mapa-de-Lopo-Homem_Photo-Vicente-de-Mello.jpg Adriana Varejão. Map of Lopo Homem, 1992. Private collection. Photo: Vicente de Mello. © Adriana Varejão. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/A-Memories-of-Sugar-and-Salt.jpg Adriana Varejão. Eye Witness X, Y, and Z, 1997. Oil on canvas, porcelain, photography, silver, glass, and iron, three pieces. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/CM-Rego_The-Vast-Sea-of-Sargasso_2000_DETAIL.jpg Paula Rego. The Vast Sea of Sargasso, 2000 (detail). Pastel on paper mounted on aluminium. Installation view, Paula Rego and Adriana Varejão: Between Your Teeth, Centro de Arte Moderna Gulbenkian, Lisbon, 2025. Photo: Caroline Menezes. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/Room-6_AV_Extirpacao-do-mal-por-incisura_Sergio-Guerini.jpg Adriana Varejão. Extirpation of Evil by Incision, 1994. Susana and Ricardo Steinbruch Collection. Photo: Sergio Guerini. © Adriana Varejão. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/CM-Varejao-Green-Tilework-in-Live-Flesh-(2000)_DETAIL.jpg Adriana Varejão. Green Tilework in Live Flesh, 2000 (detail). Oil on canvas and polyurethane on aluminium and wooden support. Installation view, Paula Rego and Adriana Varejão: Between Your Teeth, Centro de Arte Moderna Gulbenkian, Lisbon, 2025. Photo: Caroline Menezes. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/Paula-Rego_Triptico_1998.jpg Paula Rego. Triptych, 1998. Reproduced by courtesy of Abbot Hall, Lakeland Arts Trust, England. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/CM-750-Varejao-works-at-Extirpation-room.jpg Works by Adriana Varejão in Extirpations room. Installation view, Paula Rego and Adriana Varejão: Between Your Teeth, Centro de Arte Moderna Gulbenkian, Lisbon, 2025. Photo: Caroline Menezes. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/CM-Exhibition-View_Rego-e-Varejao-4.jpg Installation view, Paula Rego and Adriana Varejão: Between Your Teeth, Centro de Arte Moderna Gulbenkian, Lisbon, 2025. Photo: Caroline Menezes. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/CM-Varejao-Exploratory-Laparotomy-III_1996.jpg Adriana Varejão. Exploratory Laparotomy III, 1996. Oil and epoxy paste on canvas, 76 × 95 cm. Installation view, Paula Rego and Adriana Varejão: Between Your Teeth, Centro de Arte Moderna Gulbenkian, Lisbon, 2025. Photo: Caroline Menezes. https://www.studiointernational.com/images/articles/r/019-rego-varejao-2025/Paula-Rego-Anjo.jpg Paula Rego. Angel, 1998. CAM – Centro de Arte Moderna Gulbenkian. Photo: Carlos Pombo. © The Estate of Paula Rego. https://www.studiointernational.com/index.php/kerry-james-marshall-the-histories-review-royal-academy-london https://www.studiointernational.com/images/articles/m/&064-marshall-kerry-james-2025/key-34.jpg Kerry James Marshall, Vignette #13, 2008. Acrylic on PVC panel, 182.9 x 152.4 cm. Susan Manilow Collection. © Kerry James Marshall. Image courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/images/articles/m/&064-marshall-kerry-james-2025/key-41.jpg Kerry James Marshall, Untitled (Blanket Couple), 2014. Acrylic on PVC panel, in artist https://www.studiointernational.com/images/articles/m/&064-marshall-kerry-james-2025/key-9.jpg Kerry James Marshall, De Style, 1993. Acrylic and collage on canvas, 264.2 x 309.9 cm. Los Angeles County Museum of Art, Purchased with funds provided by Ruth and Jacob Bloom. © Kerry James Marshall. Photo: © Museum Associates / LACMA. https://www.studiointernational.com/images/articles/m/&064-marshall-kerry-james-2025/key-123-(5)-NEW-FILE.jpg Kerry James Marshall, Knowledge and Wonder, 1995. Oil on canvas, 294.6 x 698.5 cm. City of Chicago Public Art Program and the Chicago Public Library, Legler Regional Library © Kerry James Marshall. Photo: Patrick L. Pyszka, City of Chicago. https://www.studiointernational.com/images/articles/m/&064-marshall-kerry-james-2025/key-38.jpg Kerry James Marshall, School of Beauty, School of Culture, 2012. Acrylic and glitter on unstretched canvas, 274.3 x 401.3 cm. Collection of the Birmingham Museum of Art, Alabama; Museum purchase with funds provided by Elizabeth (Bibby) Smith, the Collectors Circle for Contemporary Art, Jane Comer, the Sankofa Society, and general acquisition funds, 2012.57. © Kerry James Marshall. Courtesy of the artist and Jack Shainman Gallery, New York. Photo: Sean Pathasema. https://www.studiointernational.com/images/articles/m/&064-marshall-kerry-james-2025/key-2.jpg Kerry James Marshall, Untitled, 2009. Acrylic on PVC panel, 155.3 x 185.1. Yale University Art Gallery, Purchased with the Janet and Simeon Braguin Fund and a gift from Jacqueline L. Bradley, B.A. 1979. © Kerry James Marshall. https://www.studiointernational.com/images/articles/m/&064-marshall-kerry-james-2025/key-43-NEW.jpg Kerry James Marshall, Untitled (Policeman), 2015. Acrylic on PVC panel with plexiglass frame, 152.4 x 152.4 cm. The Museum of Modern Art, New York. Gift of Mimi Haas in honor of Marie-Josée Kravis, 2016. © Kerry James Marshall. Photo: The Museum of Modern Art, New York/Scala, Florence. https://www.studiointernational.com/images/articles/m/&064-marshall-kerry-james-2025/key-44.jpg Kerry James Marshall, Untitled (Porch Deck), 2014. Acrylic on PVC panel, 180.3 x 149.9 cm. Kravis Collection. © Kerry James Marshall. Image courtesy of the artist and David Zwirner, London. https://www.studiointernational.com/images/articles/m/&064-marshall-kerry-james-2025/key-52.jpg Kerry James Marshall, The Academy, 2012. Acrylic on PVC, 182.9 x 154.9 cm. Collection of Dr. Daniel S. Berger © Kerry James Marshall. Image courtesy of the artist and Jack Shainman Gallery, New York. https://www.studiointernational.com/index.php/reflections-sangat-and-the-self-review-without-shape-without-form-slough https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/without-SHAPE-without-FORM-HQ-Slough-(4).jpg Reflections – Sangat and the Self, WSWF, Slough, 19 September 2025 – 2 May 2026. https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/Jasmir-Creed-Presence-2024.jpg Jasmir Creed, Presence, 2024. Oil on canvas, 60 x 75 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/Jasmir-Creed-Ebb-and-Flow-2024.jpg Jasmir Creed, Ebb and Flow, 2024. Oil on canvas, 60 x 75 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/Jasmir-Creed-Transcience-2024.jpg Jasmir Creed, Transcience, 2024. Oil on canvas, 250 x 150 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/Jasmir-Creed-Lockdown-2020.jpg Jasmir Creed, Lockdown, 2020. Oil on canvas, 130 x 120 cm. Image courtesy and copyright the artist. https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/Installation-view,-Reflections-Sangat-and-the-Self,-without-SHAPE-without-FORM-HQ,-Slough,-2025-(7).jpg Installation view, Reflections – Sangat and the Self, WSWF, Slough, 19 September 2025 – 2 May 2026. https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/Dhissou-a-string-of-love-Installation-view.jpg Roo Dhissou, A String of Love, 2025. Installation view, Reflections – Sangat and the Self, WSWF, Slough, 19 September 2025 – 2 May 2026. https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/Dhissou-a-string-of-love-Installation-view-3.jpg Roo Dhissou, A String of Love, 2025. Installation view, Reflections – Sangat and the Self, WSWF, Slough, 19 September 2025 – 2 May 2026. https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/Dhissou-a-string-of-love-Installation-view-2.jpg Roo Dhissou, A String of Love, 2025 (detail). Installation view, Reflections – Sangat and the Self, WSWF, Slough, 19 September 2025 – 2 May 2026. https://www.studiointernational.com/images/articles/r/018-reflections-sangat-and-the-self-2025/Installation-view,-Reflections-Sangat-and-the-Self,-without-SHAPE-without-FORM-HQ,-Slough,-2025-(4).jpg Installation view, Reflections – Sangat and the Self, WSWF, Slough, 19 September 2025 – 2 May 2026. https://www.studiointernational.com/index.php/asif-khan-tselinny-center-of-contemporary-culture-almaty-kazakhstan https://www.studiointernational.com/images/articles/t/032-tselinny-2025/Tselinny_Historic-photograph-from-1960s_(c)_Unkown.jpg Tselinny Center historic photograph from the 1960s. Photographer unknown. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/Tselinny_Exterior_in_2017_(c)_Asif_Khan_Studio_2025.jpg Tselinny Center exterior, 2017. Photo © Asif Khan Studio 2025. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/copyright_laurianghinitoiu_asifkhanstudio_tselinnycenter-1.jpg Tselinny Center of Contemporary Culture, 2025. Copyright Laurian Ghinitoiu and Asif Khan Studio. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/Asif-Khan-stands-in-front-of-new-facade-V-Simpson.jpg Asif Khan stands in front of the new facade showing picture of original cinema frontage. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/copyright_laurianghinitoiu_asifkhanstudio_tselinnycenter-13.jpg Tselinny Center of Contemporary Culture, 2025. Copyright Laurian Ghinitoiu and Asif Khan Studio. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/Tselinny-South-facade-and-terrace-with-floating-concrete-panels-showing-Asif-Khan-interpretation-of-Sudorkin-murals-V-Simpson.jpg Tselinny Center of Contemporary Culture south facade and terrace with floating concrete panels showing Asif Khan https://www.studiointernational.com/images/articles/t/032-tselinny-2025/Steel-doors-along-north-side-Veronica-Simpson.jpg Steel doors along north side of the Tselinny Center of Contemporary Culture. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/copyright_laurianghinitoiu_asifkhanstudio_tselinnycenter-10.jpg Tselinny Center of Contemporary Culture, 2025. Copyright Laurian Ghinitoiu and Asif Khan Studio. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/copyright_laurianghinitoiu_asifkhanstudio_tselinnycenter-15.jpg Barsakelmes performance, 6-7 September 2025, Tselinny Center of Contemporary Culture. Copyright Laurian Ghinitoiu and Asif Khan Studio. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/copyright_laurianghinitoiu_asifkhanstudio_tselinnycenter-11-(1).jpg Tselinny Center of Contemporary Culture, 2025. Copyright Laurian Ghinitoiu and Asif Khan Studio. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/copyright_laurianghinitoiu_asifkhanstudio_tselinnycenter-14.jpg Tselinny Center of Contemporary Culture, 2025. Copyright Laurian Ghinitoiu and Asif Khan Studio. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/Asif-Khan-even-designed-wayfinding-and-logos-V-Simpson.jpg Wayfinding and logos designed by Asif Khan. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/copyright_laurianghinitoiu_asifkhanstudio_tselinnycenter-17.jpg Tselinny Center of Contemporary Culture, 2025. Copyright Laurian Ghinitoiu and Asif Khan Studio. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/copyright_laurianghinitoiu_asifkhanstudio_tselinnycenter-20.jpg Tselinny Center of Contemporary Culture, 2025. Copyright Laurian Ghinitoiu and Asif Khan Studio. https://www.studiointernational.com/images/articles/t/032-tselinny-2025/copyright_laurianghinitoiu_asifkhanstudio_tselinnycenter-5.jpg Tselinny Center of Contemporary Culture, 2025. Copyright Laurian Ghinitoiu and Asif Khan Studio. https://www.studiointernational.com/index.php/ghosts-visualizing-the-supernatural-review-kunstmuseum-basel-switzerland https://www.studiointernational.com/images/articles/g/009-ghosts-2025/gd11_a032073_2025-09-16_s-nb-e2-r1-001.jpg Susan MacWilliam, Where are the dead? 2013. Photo: Max Ehrengruber. https://www.studiointernational.com/images/articles/g/009-ghosts-2025/william-blake.jpg William Blake, Hamlet and his Father https://www.studiointernational.com/images/articles/g/009-ghosts-2025/Houghton-ew11_0096829_2025-05-13.jpg Georgiana Houghton, The Spiritual Crown of Annie Mary Howitt Watts, 1867. © Collection of Vivienne Roberts, London. https://www.studiointernational.com/images/articles/g/009-ghosts-2025/cd34_v002041_2025-09-18_medienkonferenz_s-041.jpg Ghosts, exhibition view, Kunstmuseum Basel, New Building. Photo: Julian Salinas. https://www.studiointernational.com/images/articles/g/009-ghosts-2025/cornelia-parker-psycho-barn_v002041_2025-09-18_medienkonferenz_s-040.jpg Cornelia Parker, PsychoBarn (Cut Up), 2023. Courtesy of the artist and Frith Street Gallery, London. Photo: Julian Salinas. https://www.studiointernational.com/images/articles/g/009-ghosts-2025/Claudia-Casarino-2025-09-16_s-nb-e2-r7-001.jpg Claudia Casarino, Desvestidos [Undressed], 2005. © the artist. Photo: Max Ehrengruber. https://www.studiointernational.com/images/articles/g/009-ghosts-2025/ryan-gander-s-052.jpg Ryan Gander, Tell my mother not to worry, 2012. © Private Collection; Anish Kapoor, London. Photo: Julian Salinas. https://www.studiointernational.com/images/articles/g/009-ghosts-2025/1000-750-cd34_v002041_2025-09-18_medienkonferenz_s-049.jpg Paul Benney, The Tenant, 2012. © Private Collection, London; Tony Oursler, Fantasmino, 2017, Collection of Tony Oursler. Photo: Julian Salinas. https://www.studiointernational.com/images/articles/g/009-ghosts-2025/erwin-wurm.jpg Erwin Wurm, Yikes (Substitutes), 2024. Courtesy of the Artist and König Galerie © 2025, ProLitteris, Zurich Photo: Markus Gradwohl. https://www.studiointernational.com/images/articles/g/009-ghosts-2025/gd11_a032073_2025-09-16_s-nb-e2-r6-001.jpg Left: Gillian Wearing, Me as a Ghost, 2015 © Lent by the Royal Academy of Arts, London; Right: Adam Fuss, Untitled from the series My Ghost, 2001. Courtesy the Artist and Fraenkel Gallery, San Francisco. Photo: Max Ehrengruber. https://www.studiointernational.com/index.php/susan-roth-interview-art-can-be-made-by-anybody-anytime-anywhere-thats-gospel https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Lucille,-1983.jpg Susan Roth. Lucille, 1983. Canvas, acrylic, 150 x 237.5 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Heart-Murmuring,-1984.jpg Susan Roth. Heart Murmuring, 1984. Canvas, acrylic, 170 x 271 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/White-Rabbit,-2025,-synthetic-stone,-73.5-x-51-x-33cm.jpg Susan Roth. White Rabbit, 2025. Synthetic stone, 73.5 x 51 x 33 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Sand-Castles,-1997.jpg Susan Roth. Sand Castles, 1997. Canvas, acrylic, 46 x 38 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Back-to-Black,-2024.jpg Susan Roth. Back to Black, 2024. Black gessoed canvas, acrylic, archival paper, canvas, acrylic skin and accretions, 142.5 x 145 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Cleopatras-Needle,-2006.jpg Susan Roth. Cleopatra https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Portrait-of-Susan-Roth-by-Alec-Erlebacher-2.jpg Susan Roth. Photo: Alec Erlebacher. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/All-Along-the-Watchtower,-1986.jpg Susan Roth. All Along the Watchtower, 1986. Canvas, acrylic, 91.5 x 213.5 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Claudius,-2000.jpg Susan Roth. Claudius, 2000. Canvas, acrylic 172.5 x 73.5 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Cocktail-Dress,-1991.jpg Susan Roth. Cocktail Dress, 1991. Acrylic, canvas, 86.5 x 51 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Court-of-Solomon,-2010.jpg Susan Roth. Court of Solomon, 2010. Canvas, acrylic, boxtop accretion, 91.5 x 54.5 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/images/articles/r/017-roth-susan-2025/Thor,-1996.jpg Susan Roth. Thor, 1996. Canvas, acrylic, 145.5 x 86.5 cm. Photo copyright and courtesy of the artist. https://www.studiointernational.com/index.php/theatre-picasso-review-tate-modern https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/Theatre-Picasso-at-Tate-Modern-Photo-(c)-Tate-(Larina-Fernandes)-(6).jpg Theatre Picasso at Tate Modern. Photo © Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/Weeping-Woman-(1937)-Tate-(c)-Succession-Picasso-DACS,-London-2025.jpg Pablo Picasso, Weeping Woman 1937. Oil paint on canvas. Tate. © Succession Picasso / DACS, London 2025. https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/The-Three-Dancers-(1925)-Tate-(c)-Succession-Picasso-DACS,-London-2025.jpg Pablo Picasso, The Three Dancers 1925. Tate. © Succession Picasso / DACS, London 2025. https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/Nude-Woman-in-a-Red-Armchair-(1932)-Tate-(c)-Succession-Picasso,-DACS-London.jpg Pablo Picasso, Nude Woman in a Red Armchair, 1932. Tate. © Succession Picasso / DACS London 2025. https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/Girl-in-a-Chemise-(1905)-Tate-(c)-Succession-Picasso-DACS,-London-2025.jpg Pablo Picasso, Girl in a Chemise c1905. Tate. Bequeathed by C. Frank Stoop 1933. © Succession Picasso / DACS, London 2025. https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/Theatre-Picasso-at-Tate-Modern-Photo-(c)-Tate-(Larina-Fernandes)-(2).jpg Theatre Picasso at Tate Modern. Photo © Tate (Larina Fernandes). https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/Bottle-of-Vieux-Marc,-Glass,-Guitar-and-Newspaper-(1913)-Tate-(c)-Succession-Picasso-DACS,-London-2025.jpg Pablo Picasso, Bottle of Vieux Marc, Glass, Guitar and Newspaper, 1913. Tate: Purchased 1961. © Succession Picasso / DACS, London 2025. https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/Horse-with-a-Youth-in-Blue-(1905-6)-Tate-(c)-Succession-Picasso-DACS,-London-2025.jpg Pablo Picasso, Horse with a Youth in Blue, 1905-6. Tate. Bequeathed by C. Frank Stoop 1933. © Succession Picasso/DACS, London 2025. https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/Minotaur-(1935),-Musee-Picasso-Antibes-Photo-(c)-Francois-Fernandez-(c)-Succession-Picasso,-DACS,-London-2025.jpg Pablo Picasso, Tapestry Le Minotaure 1935, made after a work by Pablo Picasso dated 1928. Wool and silk tapestry, woven in Aubusson. Donated by Marie Cuttoli in 1950. Musée Picasso, Antibes. Photo © François Fernandez © Succession Picasso / DACS, London 2025. https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/The-Acrobat,-1935,-Musee-National-Picasso-Paris.-(c)-Succession-Picasso-(c)-GrandPalaisRmn.jpg Pablo Picasso, The Acrobat, 1930. Paris, Musée National Picasso-Paris. © RMN-Grand Palais (Musée national Picasso-Paris) / Adrien Didierjean © Succession Picasso / DACS, London 2025. https://www.studiointernational.com/images/articles/t/031-theatre-picasso-2025/The-Studio-(1955)-Tate-(c)-Succession-Picasso-DACS,-London-2025.jpg Pablo Picasso, The Studio, 1955. Oil paint on canvas. Tate. © Succession Picasso / DACS, London 2025. https://www.studiointernational.com/index.php/material-resistance-review-anna-barlik-marlena-kudlicka-magdalena-abakanowicz-and-agnieszka-nguyen-wahed-gallery-new-york https://www.studiointernational.com/images/articles/m/&063-material-resistance-2025/250910_Material-Resistance_01.jpg Left and right: Marlena Kudlicka, Black Discrete 00 and Black Discrete 01, 2025. Powder coated steel, each 90 3/5 × 11 4/5 × 11 4/5 in (230 × 30 × 30 cm). Installation view, Nguyen Wahed Gallery, New York, 2025. Photo courtesy Nguyen Wahed Gallery. https://www.studiointernational.com/images/articles/m/&063-material-resistance-2025/250910_Material-Resistance_12.jpg Works by Anna Barlik, installation view, Nguyen Wahed Gallery, New York, 2025. Photo courtesy Nguyen Wahed Gallery. https://www.studiointernational.com/images/articles/m/&063-material-resistance-2025/Kurant-Sentimentite.jpg Agnieszka Kurant, Sentimentite, 2022. Image courtesy Nguyen Wahed Gallery. https://www.studiointernational.com/images/articles/m/&063-material-resistance-2025/250910_Material-Resistance_08.jpg Material Resistance: Anna Barlik, Marlena Kudlicka, Magdalena Abakanowicz and Agnieszka Kurant, installation view, Nguyen Wahed Gallery, New York, 2025. Photo courtesy Nguyen Wahed Gallery. https://www.studiointernational.com/images/articles/m/&063-material-resistance-2025/250910_Material-Resistance_10.jpg Marlena Kudlicka, Black Discrete 00, 2025. Powder coated steel, 90 3/5 × 11 4/5 × 11 4/5 in (230 × 30 × 30 cm). Installation view, Nguyen Wahed Gallery, New York, 2025. Photo courtesy Nguyen Wahed Gallery. https://www.studiointernational.com/index.php/renee-so-interview-commodities-sculpture-and-ceramics-compton-verney https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Rene-So-Chinese-bronze-1.jpg Wine vessel and cover, fangjia, with owl motif. Late Shang Dynasty (about 1550-1050 BC). Bronze, 30.7 cm high. Part of the Chinese bronze collection at Compton Verney. Photo: Sabine Casparie. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Commodities,-Install-View,-Copyright-Compton-Verney-and-Jamie-Woodley-(18).jpg Renee So: Commodities – Sculpture and Ceramic, installation view, Compton Verney. Copyright Compton Verney and Jamie Woodley. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Renee-So,-Poppy-Head-Snuff-Bottle,-2024.jpg Renee So, Poppy Head Snuff Bottle, 2024. Glazed stoneware, 42 x 27 x 21 cm. Courtesy the artist and Kate MacGarry. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Renee-So,-Colony-by-Jean-Patou-Perfume-Bottle,-2024.jpg Renee So, Colony by Jean Patou, Perfume Bottle, 2024. Glazed earthenware, 53 x 22 x 25 cm. Courtesy the artist and Kate MacGarry. Photo: Angus Mill. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Commodities,-Install-View,-Copyright-Compton-Verney-and-Jamie-Woodley-(5).jpg Renee So: Commodities – Sculpture and Ceramic, installation view, Compton Verney. Copyright Compton Verney and Jamie Woodley. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Commodities,-Install-View,-Copyright-Compton-Verney-and-Jamie-Woodley-(3).jpg Renee So: Commodities – Sculpture and Ceramic, installation view, Compton Verney. Copyright Compton Verney and Jamie Woodley. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Commodities,-Install-View,-Copyright-Compton-Verney-and-Jamie-Woodley.jpg Renee So: Commodities – Sculpture and Ceramic, installation view, Compton Verney. Copyright Compton Verney and Jamie Woodley. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Commodities,-Install-View,-Copyright-Compton-Verney-and-Jamie-Woodley-(12).jpg Renee So: Commodities – Sculpture and Ceramic, installation view, Compton Verney. Copyright Compton Verney and Jamie Woodley. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Renee-So,-Fingered-Lemon-Snuff-Bottle,-2024.jpg Renee So, Fingered Lemon Snuff Bottle, 2024. Glazed stoneware, 41 x 31 x 22 cm. Courtesy the artist and Kate MacGarry. Photo: Ben Westoby. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Renee-So,-Opium-Snuff-Bottle,-2024.jpg Renee So, Opium Snuff Bottle, 2024. Glazed earthenware, 41 x 35.5 x 18 cm. Courtesy the artist and Kate MacGarry. Photo: Angus Mill. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Renee-So,-Snuff-by-Schiaparelli-Snuff-Bottle,-2024.jpg Renee So, Snuff by Schiaparelli Snuff Bottle, 2024. Glazed earthenware, 41 x 45 x 14 cm. Courtesy the artist and Kate MacGarry. Photo: Angus Mill. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Renee-So-Chinese-Bronze-2.jpg The Chinese bronze collection at Compton Verney. Photo: Sabine Casparie. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Commodities,-Install-View,-Copyright-Compton-Verney-and-Jamie-Woodley-(13).jpg Renee So: Commodities – Sculpture and Ceramic, installation view, Compton Verney. Copyright Compton Verney and Jamie Woodley. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Commodities,-Install-View,-Copyright-Compton-Verney-and-Jamie-Woodley-(16).jpg Renee So: Commodities – Sculpture and Ceramic, installation view, Compton Verney. Copyright Compton Verney and Jamie Woodley. https://www.studiointernational.com/images/articles/s/&041-so-renee-2025/Commodities,-Install-View,-Copyright-Compton-Verney-and-Jamie-Woodley-(17).jpg Renee So: Commodities – Sculpture and Ceramic, installation view, Compton Verney. Copyright Compton Verney and Jamie Woodley. https://www.studiointernational.com/index.php/amalia-pica-interview-keepsake-cample-line-dumfriesshire https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Cample-line-Amalia-Pica_MBP_0029.jpg Amalia Pica: Keepsake, installation view, Cample Line, 4 October – 14 December 2025. Image courtesy the gallery. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/buenos-aires-BP-15_2015_4.jpg Amalia Pica, Asamble, Performance, BP.15, Buenos Aires, AR, 2015. © Amalia Pica. Courtesy of the artist; BP.15, Buenos Aires; and Herald St, London. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Cample-line-Amalia-Pica_MBP_0054.jpg Amalia Pica: Keepsake, installation view, Cample Line, 4 October – 14 December 2025. Image courtesy the gallery. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Still-from-134-Years-of-Smoke-3.jpg 134 Years of Smoke. Film still. Amalia Pica in collaboration with filmmaker Rafael Ortega. Courtesy of the artist and Herald St https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Cample-line-Amalia-Pica_MBP_9809.jpg Amalia Pica: Keepsake, installation view, Cample Line, 4 October – 14 December 2025. Image courtesy the gallery. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Keepsake-12-(1).jpg Amalia Pica, Keepsake #12, 2024. Cotton and wool on linen, 40 x 30.2 x 3.6 cm. © Amalia Pica. Courtesy of the artist and Herald St, London. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/keepsake-10-(1).jpg Amalia Pica, Keepsake #10, 2024. Cotton and wool on linen, 40 x 30.2 x 3.6 cm. © Amalia Pica. Courtesy of the artist and Herald St, London. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Keepsake-15-(3).jpg Amalia Pica, Keepsake #15, 2025. Cotton and wool on linen, 135 x 135 cm. © Amalia Pica. Courtesy of the artist and Herald St, London. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Hora-Catedra_2002_3.jpg Amalia Pica, Hora Catedra (Class Period), 2002. Projected yellow light, Tucuman, Argentina. © Amalia Pica. Courtesy of the artist and Herald St, London. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Bureaucratic-Obstacle_2023_Installation-view_4.jpg Amalia Pica, Bureaucratic Obstacle, Installation view, Museo Jumex, Mexico City, MX, 2023. © Amalia Pica. Courtesy of the artist; Herald St, London; and Museo Jumex, Mexico City. Photo: Ramiro Chaves. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Cample-line-Amalia-Pica_MBP_0006.jpg Amalia Pica: Keepsake, installation view, Cample Line, 4 October – 14 December 2025. Image courtesy the gallery. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/Cample-line-Amalia-Pica_MBP_0007.jpg Amalia Pica: Keepsake, installation view, Cample Line, 4 October – 14 December 2025. Image courtesy the gallery. Photo: Mike Bolam. https://www.studiointernational.com/images/articles/p/&091-pica-amalia-2025/keepsake-11-(1).jpg Amalia Pica, Keepsake #11, 2024. Cotton and wool on linen, 40 x 30.2 x 3.6 cm. © Amalia Pica. Courtesy of the artist and Herald St, London. https://www.studiointernational.com/index.php/david-weiss-the-dream-of-casa-aprile-review-masi-lugano-switzerland https://www.studiointernational.com/images/articles/w/022-weiss-david-2025/06-David-Weiss_MASI-Lugano.jpg Hermann Hesse, Carona, (Carona, 28 July 1923), 1923. Ink on paper. Private collection. https://www.studiointernational.com/images/articles/w/022-weiss-david-2025/02-David-Weiss_MASI-Lugano.jpg Meret Oppenheim, Mountains opposite Agnuzzo (Ticino), 1937. Oil on cardboard. Private collection. © 2025, Prolitteris, Zurich. https://www.studiointernational.com/images/articles/w/022-weiss-david-2025/09-David-Weiss_MASI-Lugano.jpg Esther Altorfer, Untitled, 1980. Mixed media on handmade paper. ART-Nachlassstiftung Bern, Courtesy DuflonRacz Galerie. Photo: Paola Caputo, Esther Altorfer. © 2025, ProLitteris, Zurich. https://www.studiointernational.com/images/articles/w/022-weiss-david-2025/04-David-Weiss_MASI-Lugano.jpg Willy Spiller, David Weiss in Casa Aprile, 1975. Photograph. Courtesy Willy Spiller. https://www.studiointernational.com/images/articles/w/022-weiss-david-2025/03-David-Weiss_MASI-Lugano.jpg Peter Schweri, Untitled, 1972. China ink and watercolor on paper. Nachlass Peter Schweri / Stella Diess. © C2J 025, Prolitteris, Zurich. https://www.studiointernational.com/images/articles/w/022-weiss-david-2025/07-David-Weiss_MASI-Lugano.jpg Urs Luthi, Selfportrait with landscape, 1970. Black and white photography on canvas. City of Zurich Art Collection. https://www.studiointernational.com/index.php/marie-antoinette-style-review-v-and-a-museum-london https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/Portrait-de-Marie-Antoinette-a-la-rose.jpg Elisabeth Louise Vigée Le Brun. Marie Antoinette with a Rose, 1783. Oil on canvas, 46 × 35 in (116.8 × 88.9 cm). © Château de Versailles, Dist. Grand Palais RMN / Christophe Fouin. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/(C)-Victoria-and-Albert-Museum,-London-(12).jpg Marie Antoinette Style, installation view. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/(C)-Victoria-and-Albert-Museum,-London-(20).jpg Marie Antoinette Style, installation view. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/(C)-Victoria-and-Albert-Museum,-London-(17).jpg Marie Antoinette Style, installation view. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/(C)-Victoria-and-Albert-Museum,-London-(14).jpg Left: The guillotine. Right: The white petticoat Marie Antoinette wore to the execution. Installation view, Marie Antoinette Style. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/One-slipper-belonging-to-Marie-Antoinette-beaded-pink-silk.jpg One slipper belonging to Marie Antoinette beaded pink silk. Photo: CC0 Paris Musées / Musée Carnavalet - Histoire de Paris. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/(C)-Victoria-and-Albert-Museum,-London-(9).jpg Marie Antoinette Style, installation view. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/(C)-Victoria-and-Albert-Museum,-London-(3).jpg Marie Antoinette Style, installation view. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/(C)--750-Victoria-and-Albert-Museum,-London-(21).jpg Marie Antoinette Style, installation view. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/(C)-Victoria-and-Albert-Museum,-London-(18).jpg Marie Antoinette Style, installation view. © Victoria and Albert Museum, London. https://www.studiointernational.com/images/articles/m/&062-marie-antoinette-style-2025/(C)-Victoria-and-Albert-Museum,-London-(5).jpg Marie Antoinette Style, installation view. © Victoria and Albert Museum, London. https://www.studiointernational.com/index.php/isabel-rock-things-fall-apart-the-centre-cannot-hold-review-hastings-contemporary https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/Isabel-Rock,-Cell.jpg Isabel Rock, Cell, 2024. Acrylic ink, 100 x 70 cm. © Isabel Rock. Photo: Paul Plews. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/Isabel-Rock,-End-of-everything.jpg Isabel Rock, End of Everything, 2024. Woodblock collage, acrylic ink, acrylic paint, 250 x 150 cm. © Isabel Rock. Photo: Paul Plews. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/HC-002-isabel-rock-installation-021.jpg Isabel Rock: Things Fall Apart, The Centre Cannot Hold, installation view, Hastings Contemporary. Photo: Jorge Stride. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/Isabel-Rock,-Cat-milk-shoes.jpg Isabel Rock, Cat milk shoes, 2024. Paper mache. © Isabel Rock. Photo: Paul Plews. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/HC-002-isabel-rock-installation-043.jpg Isabel Rock: Things Fall Apart, The Centre Cannot Hold, installation view, Hastings Contemporary. Photo: Jorge Stride. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/HC-002-isabel-rock-installation-008.jpg Isabel Rock: Things Fall Apart, The Centre Cannot Hold, installation view, Hastings Contemporary. Photo: Jorge Stride. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/HC-002-isabel-rock-installation-018.jpg Isabel Rock: Things Fall Apart, The Centre Cannot Hold, installation view, Hastings Contemporary. Photo: Jorge Stride. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/HC-002-isabel-rock-installation-002.jpg Isabel Rock: Things Fall Apart, The Centre Cannot Hold, installation view, Hastings Contemporary. Photo: Jorge Stride. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/HC-002-isabel-rock-installation-016.jpg Isabel Rock: Things Fall Apart, The Centre Cannot Hold, installation view, Hastings Contemporary. Photo: Jorge Stride. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/HC-002-isabel-rock-installation-022.jpg Isabel Rock: Things Fall Apart, The Centre Cannot Hold, installation view, Hastings Contemporary. Photo: Jorge Stride. https://www.studiointernational.com/images/articles/r/016-rock-isabel-2025/HC-002-isabel-rock-installation-026.jpg Isabel Rock: Things Fall Apart, The Centre Cannot Hold, installation view, Hastings Contemporary. Photo: Jorge Stride. https://www.studiointernational.com/index.php/sandra-mujinga-skin-to-skin-review-stedelijk-museum-amsterdam https://www.studiointernational.com/images/articles/m/&061-mujinga-sandra-2025/Stedelijk-Adam_Sandra-Mujinga_PT_Sept-2025.jpg Sandra Mujinga – Skin to Skin, installation view, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis. https://www.studiointernational.com/images/articles/m/&061-mujinga-sandra-2025/Stedelijk-Adam_Sandra-Mujinga_PT_Sept-2025-1204.jpg Sandra Mujinga – Skin to Skin, installation view, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis. https://www.studiointernational.com/images/articles/m/&061-mujinga-sandra-2025/Stedelijk-Adam_Sandra-Mujinga_PT_Sept-2025-1199_Web.jpg Sandra Mujinga – Skin to Skin, installation view, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis. https://www.studiointernational.com/index.php/the-costume-house-cosprop-game-of-thrones-keith-lodwick-book-review-yale-university-press https://www.studiointernational.com/images/articles/t/030-the-costume-house-2025/Behind-the-Scenes-at-Cosprop-(c)-Paul-Bulley.jpg Behind the Scenes at Cosprop. © Paul Bulley https://www.studiointernational.com/images/articles/t/030-the-costume-house-2025/Out-of-Africa-Meryl-Streep-Wedding-dress-(c)-Cosprop,-Julia-Buckmiller,-Jon-Stokes.jpg Out of Africa (1985), Costume for Karen Blixen (Meryl Streep). Costume Designer: Milena Canonero. © Cosprop - Jon Stokes / Julia Buckmiller. https://www.studiointernational.com/images/articles/t/030-the-costume-house-2025/Sense-and-Sensibility-Alan-Rickman---Wedding-(c)-Cosprop,-Julia-Buckmiller,-Jon-Stokes.jpg Sense and Sensibility (1995), Costume for Colonel Brandon (Alan Rickman). Costume Designers: John Bright, Jenny Beavan. © Cosprop - Jon Stokes / Julia Buckmiller. https://www.studiointernational.com/images/articles/t/030-the-costume-house-2025/Howards-End-(c)-Cosprop,-Jon-Stokes,-Julia-Buckmiller.jpg Howards End (1992), Costume for Ruth Wilcox (Vanessa Redgrave) Costume Designers: John Bright, Jenny Beavan. © Cosprop - Jon Stokes / Julia Buckmiller. https://www.studiointernational.com/images/articles/t/030-the-costume-house-2025/A-Room-with-a-View-Helena-Bonham-Carter-(c)-Cosprop,-Jon-Stokes.jpg A Room with a View (1985), Costume for Lucy Honeychurch (Helena Bonham Carter). Costume Designers: John Bright, Jenny Beavan. © Cosprop - Jon Stokes / Julia Buckmiller. https://www.studiointernational.com/images/articles/t/030-the-costume-house-2025/the-costume-house-book-cover-750.jpg The Costume House: The Inside Story of Cosprop from A Room with a View to Game of Thrones by Keith Lodwick, published by Yale University Press. https://www.studiointernational.com/index.php/sophie-barber-mackerel-sky-never-long-wet-dry-review-hastings-contemporary https://www.studiointernational.com/images/articles/b/&066-barber-sophie-2025/Barber-Hastings-02-2-final.jpg Sophie Barber, Mackerel sky, mackerel sky, never long wet, never long dry, installation view, Hastings Contemporary, 27 September 2025 – 15 March 2026. Courtesy Alison Jacques. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/b/&066-barber-sophie-2025/Barber-Hastings-04-final.jpg Sophie Barber, Mackerel sky, mackerel sky, never long wet, never long dry, installation view, Hastings Contemporary, 27 September 2025 – 15 March 2026. Courtesy Alison Jacques. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/b/&066-barber-sophie-2025/Barber-Hastings-02-final.jpg Sophie Barber, Mackerel sky, mackerel sky, never long wet, never long dry, installation view, Hastings Contemporary, 27 September 2025 – 15 March 2026. Courtesy Alison Jacques. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/b/&066-barber-sophie-2025/Barber-Hastings-01-final.jpg Sophie Barber, Mackerel sky, mackerel sky, never long wet, never long dry, installation view, Hastings Contemporary, 27 September 2025 – 15 March 2026. Courtesy Alison Jacques. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/b/&066-barber-sophie-2025/Barber-Hastings-05-final.jpg Sophie Barber, Mackerel sky, mackerel sky, never long wet, never long dry, installation view, Hastings Contemporary, 27 September 2025 – 15 March 2026. Courtesy Alison Jacques. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/b/&066-barber-sophie-2025/Barber-Hastings-06-final.jpg Sophie Barber, Mackerel sky, mackerel sky, never long wet, never long dry, installation view, Hastings Contemporary, 27 September 2025 – 15 March 2026. Courtesy Alison Jacques. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/b/&066-barber-sophie-2025/Barber-Hastings-03-final.jpg Sophie Barber, Mackerel sky, mackerel sky, never long wet, never long dry, installation view, Hastings Contemporary, 27 September 2025 – 15 March 2026. Courtesy Alison Jacques. Photo: Michael Brzezinski. https://www.studiointernational.com/index.php/made-in-la-biennial-2025-hammer-museum-los-angeles https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/14-Pat-O-Neill_Safer_than_Springtime,-1964.jpg Pat O’Neill, Safer than Springtime, 1964. Fiberglass, aluminum, steel, paint. Courtesy of the artist and Philip Martin Gallery, Los Angeles. Photo: Brian Forrest. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/patrick-martinez-IMG_6114.jpg Patrick Martinez, Hold the Ice, 2020. Neon on plexiglass. Installation view, Hammer Museum, Los Angeles, October 5, 2025–March 1, 2026. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/brian-rochefort-haze-2025.jpg Brian Rochefort, Haze, 2025. Ceramic, glaze, glass fragments. 20 × 21 × 22 in. (50.8 × 53.3 × 55.9 cm). Courtesy Sean Kelly Gallery. Photo: Marten Elder. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/20-Work-by-Kelly-Wall-Photo-Sarah-Golonka.jpg Work by Kelly Wall, installation view, Made in L.A. 2025, Hammer Museum, Los Angeles, October 5, 2025–March 1, 2026. Photo: Sarah Golonka. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/03-Greg-Breda_Here-Am-I,-2025.jpg Greg Breda, Here Am I, 2025. Acrylic on polyester canvas. Courtesy of the artist and Patron, Chicago. Photo: Brica Wilcox. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/15-Work-by-Gabriela-Ruiz-Photo-Sarah-Golonka._2.jpg Gabriela Ruiz, Collective Scream, 2025. Acrylic, gouache, pastel, coloured pencil, acrylic pens, epoxy clay, metal hooks, metal pipes, metal hardware, LCD monitors, TV monitor, roll-up gate, LED streetlamp, and surveillance camera on wood panel. Courtesy of the artist. Made in L.A. 2025, installation view, Hammer Museum, Los Angeles, October 5, 2025–March 1, 2026. Photo: Sarah Golonka. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/18-Work-by-Freddy-Villalobos-Photo-Sarah-Golonka._2.jpg Freddy Villalobos, waiting for the stone to speak, for I know nothing of aventure, 2025. Single-channel video, automotive paint (Cadillac Black Rose and Cadillac Black Diamond), MDF, pigment suspended in slaked lime on burlap, acrylic sheet, neon, subwoofer, chopped and screwed audio, steel, lime plaster projection screen. Courtesy of the artist. Made in L.A. 2025, installation view, Hammer Museum, Los Angeles, October 5, 2025–March 1, 2026. Photo: Sarah Golonka. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/David-Alekhuogie-Still-life-with-okra,-corn,-and-tomato-2022.jpg David Alekhuogie, Still Life With Okra, Corn, and Tomato, 2020. Made in L.A. 2025, installation view, Hammer Museum, Los Angeles, October 5, 2025–March 1, 2026. Photo: Sarah Golonka. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/16-Work-by-Alake-Shilling-Photo-Sarah-Golonka.jpg Alake Shilling, Buggy Bear Crashes Made in L.A., 2025. Co-presented by the Hammer Museum and Art Production Fund in association with Made in L.A. 2025. Installation view, Hammer Museum, Los Angeles, October 5, 2025–March 1, 2026. Photo: Sarah Golonka. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/RR78-combined.jpg Left: Robert Rauschenberg, Publicon–Station I, 1978. Painted wood cabinet with fabric collage, Plexiglas mirror, polished aluminum, with gold-leafed paddle and electric lights, 59 x 30 x 12 in (149.9 x 76.2 x 30.5 cm) all dimensions in closed position. Right: Publicon–Station IV, 1978. Wood and aluminium with baked epoxy enamel, collaged fabrics, bicycle wheel, plexiglas, fluorescent light bulb, and lacquer, overall (closed): 71.1 × 91.4 × 33 cm (28 × 36 × 13 in); overall (open): 132.08 × 162.56 × 33.02 cm (52 × 64 × 13 in). Courtesy of Gemini G.E.L. and the Artist. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/carol-bove-2025_BH_BOVE_016.jpg Carol Bove, Nights of Cabiria, 2025, installation view. © Carol Bove Studio LLC. Photo: Maris Hutchinson, Courtesy Gagosian. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/Carol-Bove-2025_BH_BOVE_021.jpg Carol Bove, Nights of Cabiria, 2025, installation view. © Carol Bove Studio LLC. Photo: Maris Hutchinson, Courtesy Gagosian. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/04-Work-by-Ali-Eyal-Made-in-L.A.-2025,-Photo-Sarah-Golonka.jpg Ali Eyal, And Look Where I Went, 2025. Oil on linen. Courtesy of the artist. Made in L.A. 2025, installation view, Hammer Museum, Los Angeles, October 5, 2025–March 1, 2026. Photo: Sarah Golonka. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/13-Work-by-Brian-Rochefort-and-Greg-Breda-Photo-Sarah-Golonka._2.jpg Work by Brian Rochefort (foreground) and Greg Breda. Installation view, Made in L.A. 2025, Hammer Museum, Los Angeles, October 5, 2025– March 1, 2026. Photo: Sarah Golonka. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/06-Work-by-Patrick-Martinez-Photo-Sarah-Golonka.jpg Patrick Martinez, Battle of the City on Fire, 2025. Stucco, cinder blocks, neon, acrylic paint, spray paint and latex house paint on scorched panel. Made in L.A. 2025, installation view, Hammer Museum, Los Angeles, October 5, 2025–March 1, 2026. Photo: Sarah Golonka. https://www.studiointernational.com/images/articles/h/&095-hammer-biennial-2025/17-Alake-Shilling_Mister-Spitz,-2021.jpg Alake Shilling, Mister Spitz, 2021. Glazed ceramic and enamel. 18 × 24 × 25 in. (45.7 × 61 × 63.5 cm). Collection of Shio Kusaka and Jonas Wood. Photo: Evan Bedford. Courtesy of the artist and Jeffrey Deitch, Los Angeles and New York. https://www.studiointernational.com/index.php/andrew-kinghorn-interview-edinburgh-sculpture-workshop https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/03-JG_kin-006.jpg Andrew Kinghorn, Wayside Cross for a Warzone, Bronze, steel, 5 x 1.75 x 1.5m. Photo: James Glossop. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/15-In-the-Shadow-of-the-New-Republic.jpg Andrew Kinghorn, In the Shadow of the New Republic, 1982. Bronze, steel, wood, 2.5 x 4.5 x 4.5 m. Photo courtesy the artist. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/14-Manic-3.jpg Andrew Kinghorn, Self Portrait whilst Manic. Bronze, 59 x 36 x 36 cm. Photo: Robin Gillanders. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/12-Self-portrait-as-Dr-David-Kelly-4.jpg Andrew Kinghorn, Self Portrait as Dr David Kelly. 170 x 100 x 70 cm. Photo: Robin Gillanders. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/10-CF192242-1.jpg Andrew Kinghorn, Muse in a Japanese Garden. Bronze, stainless steel, antique red coral, 22 x 45 x 18 cm. Photo: John McKenzie. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/13-Exploded-head.jpg Andrew Kinghorn, Exploded Head. Bronze, 58 x 36 x 36 cm. Photo: Robin Gillanders. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/16-Anvil-with-wings-and-horns-DSC_0290.jpg Andrew Kinghorn, Anthropomorphs. Bronze, stainless steel, largest of the 15 = 340 x 90 x 45 cm. Photo courtesy the artist. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/06-20251007_165038.jpg Andrew Kinghorn, Portrait of Alison. Stainless steel, bronze, 150 x 40 x 40 cm. Photo: John McKenzie. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/11-20251007_160246.jpg Andrew Kinghorn, Portrait of my Father. Bronze, steel, copper, 50 x 80 x 40 cm. Photo: John McKenzie. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/04-JG_andrew-kinghorn-006.jpg Andrew Kinghorn, Madonna. Bronze, wood, steel 2.5 x 1.7 x 1.2m. Photo: James Glossop. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/07-AK-2405233208.jpg Andrew Kinghorn, Shrine. Bronze and stainless steel, 24 x 43 x 22 cm. Photo: John McKenzie. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/08-AK-2405233191.jpg Andrew Kinghorn, Shrine. Carrara marble and bronze, 65 x 45 x 15 cm. Photo: John McKenzie. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/09-20241201_141749.jpg Andrew Kinghorn, Neo Cubist Family. Bronze, aluminium, stainless steel, gilt brass, 18 x 22 x 12 cm. Photo: Oana Stanciu. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/02-JG_kin-002.jpg Andrew Kinghorn, Wayside Cross for a Warzone, Bronze, steel, 5 x 1.75 x 1.5m. Photo: James Glossop. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/studio-cover-vol-196-no-1002-1983.jpg Studio International, Volume 196, Number 1002, 1983. https://www.studiointernational.com/images/articles/k/021-kinghorn-andrew-2025/studio-cover-vol-199-no1015-1986-87.jpg Studio International, Volume 199, Number 1015, 1986/1987. https://www.studiointernational.com/index.php/georg-baselitz-a-life-in-print-review-kode-bergen-norway https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Akt-mit-drei-Armen_1977_Photo-Museum-Wurth_Ivan-Baschang_GB_G_1977_04_04_EA1_Wuerth.jpg Georg Baselitz, Akt mit drei Armen (Nude with Three Arms), 1977. Linocut. © Georg Baselitz. Photo: Museum Würth / Ivan Baschang. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Elke-VII_2017.jpg Georg Baselitz, Elke IV, 2017. Linocut. © Georg Baselitz / Photo: P. Cummings / Courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Oberon_1964_Photo-Jochen-Littkemann_GB_G_1964_00_00_04_WVZ_4_A10_Littkemann.jpg Georg Baselitz, Oberon, 1964. Etching. © Georg Baselitz. Photo: Jochen Littkemann. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Waldweg_2004.jpg Georg Baselitz, Waldweg, 2004. © Georg Baselitz. Photo: Jochen Littkemann. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Ohne-Titel_1974.jpg Georg Baselitz, Untitled, 1974. Etching, drypoint and aquatint. © Georg Baselitz. Photo: Siegfried Wameser. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Adler-2-XI_1981_Photo-Farbanalyse.jpg Georg Baselitz, Adler (Eagle) 2 XI, 1981. © Georg Baselitz. Photo: Farbanalyse. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Silence_2005-6.jpg Georg Baselitz, Silence, 2005-6. Linocut. © Georg Baselitz. Photo: Jochen Littkemann. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/KODE-Georg-Baselitz-foto-Thor-Brodreskift_23.jpg Georg Baselitz: A Life in Print, installation view, Kode. Photo: Thor Brødreskift. © Georg Baselitz. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Kopf_1981.jpg Georg Baselitz, Kopf (Head), 1981. Linocut. © Georg Baselitz. Photo: Farbanalyse. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Kopf_1982.jpg Georg Baselitz, Kopf (Head), 1982. Linocut. © Georg Baselitz. Photo: Martin Kolb / Courtesy CFA Berlin https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Poet-in-Stiefeln_2008.jpg Georg Baselitz, Poet in Stiefeln, 2008. Colour woodcut. © Georg Baselitz. Photo: Jochen Littkemann. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/Georg-Baselitz_Rauschenberg-(gelb)_2018.jpg Georg Baselitz, Rauschenberg (Yellow), 2018. Etching with sugar-lift aquatint. © Georg Baselitz. Photo: Courtesy Alan Cristea Gallery. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/KODE-Georg-Baselitz-foto-Thor-Brodreskift-22.jpg Georg Baselitz: A Life in Print, installation view, Kode. Photo: Thor Brødreskift. © Georg Baselitz. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/KODE-Georg-Baselitz-foto-Thor-Brodreskift_2.jpg Georg Baselitz: A Life in Print, installation view, Kode. Photo: Thor Brødreskift. © Georg Baselitz. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/KODE-Georg-Baselitz-foto-Thor-Brodreskift_26.jpg Georg Baselitz: A Life in Print, installation view, Kode. Photo: Thor Brødreskift. © Georg Baselitz. https://www.studiointernational.com/images/articles/b/&065-baselitz-2025/KODE-Georg-Baselitz-foto-Thor-Brodreskift_30.jpg Georg Baselitz: A Life in Print, installation view, Kode. Photo: Thor Brødreskift. © Georg Baselitz. https://www.studiointernational.com/index.php/joy-gregory-catching-flies-with-honey-review-whitechapel-gallery https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/01-Joy-Gregory,-Autoportrait-Lips.jpg Joy Gregory, Autoportrait, 1989-90. Silver Gelatin Lith Print. © Joy Gregory/ Courtesy the artist and DACS. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/07-Joy-Gregoy,-Eyelash.jpg Joy Gregory, Eyelashes from the series Objects of Beauty, 1992-95. Kallitype. © Joy Gregory. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/08-Joy-Gregory,-candy-stripe-bathing-costume.jpg Joy Gregory, Candy Stripe Bathing Costume from the series Girl Thing, 2002-04. Cyanotype. © Joy Gregory. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/09-Joy-Gregory,-Celebrity-Blonde.jpg Joy Gregory, Stockwell Siren from the series Celebrity Blonde, 2001. Performance. © Joy Gregory. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/13-Joy-Gregory,-Cadiz.jpg Joy Gregory, Cadiz from the series Cinderella Tours Europe, 1997–2001. Fuji Crystal Archive Print. © Joy Gregory. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/Joy-Gregory,-Memory-and-Skin,-1998-1.jpg Joy Gregory, Memory and Skin, 1998. Installation view, Joy Gregory: Catching Flies with Honey, Whitechapel Gallery, London. Photo © Razvi Adam. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/02-Joy-Gregory,Eyes-Complete2.jpg Joy Gregory, Autoportrait, 1989-90. Silver Gelatin Lith Print. © Joy Gregory/ Courtesy the artist and DACS. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/03-Joy-Gregory,-Autoportrait-9-.jpg Joy Gregory, Autoportrait, 1989-90. Silver Gelatin Lith Print. © Joy Gregory/ Courtesy the artist and DACS. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/04-Joy-Gregory,-Daucus-Carota-(Carrot)C.jpg Joy Gregory, Daucus Carota (Carrot) from the series The Invisible Life Force of Plants, 2020. Cyanotype. © Joy Gregory. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/06-Joy-Gregory,-Comb.jpg Joy Gregory, Comb from the series Objects of Beauty, 1992-95. Kallitype. © Joy Gregory. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/11-Joy-Gregory,-Phillippa.jpg Joy Gregory, Phillippa from the series Fairest, 1999–2010. Fuji Crystal Archive Print. © Joy Gregory. https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/Joy-Gregory,-Autoportrait,-1989-1990.jpg Joy Gregory, Autoportrait, 1989-90. Installation view, Joy Gregory: Catching Flies with Honey, Whitechapel Gallery, London. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/g/007-gregory-joy-2025/Joy-Gregory,-Memory-and-Skin,-1998-3.jpg Joy Gregory, Memory and Skin, 1998. Installation view, Joy Gregory: Catching Flies with Honey, Whitechapel Gallery, London. Photo © Razvi Adam. https://www.studiointernational.com/index.php/shadowscapes-heaney-jmw-turner-and-quantum-review-orleans-house-gallery-london https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/Shadowscapes-detail-(Wilderness-Within)_2025_Libby-Heaney_Photo-Max-Colson-2.jpg Libby Heaney, Shadowscapes (Wilderness Within), 2025. Installation view, Orleans House Gallery, London. Photo: Max Colson. https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/image00006.jpg Installation view, Shadowscapes: Heaney, JMW Turner and Quantum, Orleans House Gallery, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/image00004.jpg JMW Turner, The Hero of a Hundred Fights, c1800–10, reworked and exhibited 1847 (detail). Installation view, Shadowscapes: Heaney, JMW Turner and Quantum, Orleans House Gallery, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/image00002.jpg Installation view, Shadowscapes: Heaney, JMW Turner and Quantum, Orleans House Gallery, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/Family-Shadow-(Throat)_2025_Libby-Heaney_Photo-Max-Colson-2.jpg Libby Heaney, Family Shadow (Throat), 2025. Photo: Max Colson. https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/Kkkccccc-Eeeuuggh-and-Personal-Shadow-(belly)_2025_Libby-Heaney_Photo-Max-Colson.jpg Libby Heaney, Kkkccccc Eeeuuggh and Personal Shadow (belly), 2025. Photo: Max Colson. https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/image00010.jpg Installation view, Shadowscapes: Heaney, JMW Turner and Quantum, Orleans House Gallery, London. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/Shadowscapes-(Wilderness-Within)_2025_Libby-Heaney_Photo-Max-Colson-2.jpg Libby Heaney, Shadowscapes (Wilderness Within), 2025. Installation view, Orleans House Gallery, London. Photo: Max Colson. https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/Shadowscapes-(Emotional-Dumping-Ground)_2025_Libby-Heaney_Photo-Max-Colson.jpg Libby Heaney, Shadowscapes (Emotional Dumping Ground), 2025. Photo: Max Colson. https://www.studiointernational.com/images/articles/s/&040-shadowscapes-2025/image00009.jpg Installation view, Shadowscapes: Heaney, JMW Turner and Quantum, Orleans House Gallery, London. Photo: Bronac Ferran. https://www.studiointernational.com/index.php/gilbert-and-george-21st-century-pictures-hayward-gallery-london https://www.studiointernational.com/images/articles/g/097-gilbert-and-george-2017/George-the-cunt-and-Gilbert-the-shit.jpg Gilbert & George’s Magazine Sculpture, first displayed in a black-and-white, censored version in Studio International, May 1970, Vol 179 No 922, pp 220-221. © Studio International Foundation. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Gilbert-George-FUNKY-2020.jpg Gilbert & George. Funky, 2020. Mixed media, 118 ⅞ x 174 13/16 in (302 x 444 cm). © Gilbert & George. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Installation-view-of-Gilbert-and-George-04..jpg Installation view, Gilbert & George: 21st Century Pictures. Photo: Mark Blower. Courtesy of the Hayward Gallery. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Gilbert-George-MAGNOLIA-HEADS-2019.jpg Gilbert & George. Magnolia Heads, 2019. Mixed media, 118 ½ x 198 13/16 in (301 x 505 cm). © Gilbert & George. Courtesy White Cube. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Gilbert-and-George,-HETERODOXY,-2005-(c)-Gilbert-and-George.jpg Gilbert & George, Heterodoxy, 2005. 125 3/16 x 178 3/8 in. (318 x 453 cm). © Gilbert & George. Courtesy of Gilbert & George and White Cube. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Gilbert-and-George,-HA-HA,-2022-(c)-Gilbert-and-George.jpg Gilbert & George, Ha-Ha, 2022. Mixed media, 74.8 x 88.98 x 1.5 in (190 x 226 x 3.81 cm). © Gilbert & George. Courtesy the artists and Lehmann Maupin, New York, Seoul, and London. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Gilbert-and-George,-SEX-MONEY-RACE-RELIGION,-2016.-Dimensions-variable-(c)-Gilbertand-George.-Courtesy-of-Gilbert-and-George-and-White-Cube(3).jpg Gilbert & George, Sex Money Race Religion, 2016. Dimensions variable. © Gilbert & George. Courtesy of Gilbert & George, Fondation Louis Vuitton, Paris and White Cube. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Gilbert-George-DATE-STONES-2019.jpg Gilbert & George. Date Stones, 2019. Mixed media, 89 x 174 in. (226 x 442 cm). © Gilbert & George. Courtesy White Cube. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Gilbert-George-Metalepsy-2008.jpg Gilbert & George. Metalepsy, 2008. Mixed media, 150 x 237 13/16 in. (381 x 604 cm). © Gilbert & George. Courtesy White Cube. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Gilbert-George-School-Playground-2008.jpg Gilbert & George, School Playground, 2008. 74 13/16 x 118 ⅞ in. (190 x 302 cm). © Gilbert & George. Courtesy White Cube. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Installation-view-of-Gilbert-George-03.jpg Installation view, Gilbert & George: 21st Century Pictures. Photo: Mark Blower. Courtesy of the Hayward Gallery. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Installation-view-of-Gilbert-and-George-02.jpg Installation view, Gilbert & George: 21st Century Pictures. Photo: Mark Blower. Courtesy of the Hayward Gallery. https://www.studiointernational.com/images/articles/g/008-gilbert-and-george-2025/Installation-view-of-Gilbert-and-George_-21ST-CENTURY-PICTURES.-SEX-MONEY-RACE-RELIGION-[2016].-Photo_-Mark-Blower.-Courtesy-of-the-Gilbert-&-George-and-the-Hayward-Gallery..jpg Installation view, Gilbert & George: 21st Century Pictures. Photo: Mark Blower. Courtesy of the Hayward Gallery. https://www.studiointernational.com/index.php/suzanne-treister-interview-prophetic-dreaming-retrospective-modern-art-oxford https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/01-Venus-On-Tv-On-The-Moon,-1986.jpg Suzanne Treister, Venus on TV on the Moon, 1986. Copyright The Artist, courtesy Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/a-simple-maze-Suzanne-Treister-Selection-(High-Res)-1.jpg A Simple Maze, 1988 (centre), installation view, Suzanne Treister: Prophetic Dreaming, Modern Art Oxford. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/04-Suzanne-Treister,-Fictional-Video-Game-Stills.jpg Suzanne Treister, Fictional Videogame Stills / Would You Recognise A Virtual Paradise? 1991-1992. Courtesy the artist, Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/05-SacredVision.jpg Suzanne Treister, SOFTWARE / Sacred Vision, 1993-4. Copyright The Artist, courtesy Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/MAO-Suzanne-Treister-Selection-(High-Res)-12.jpg Rosalind Brodsky’s Electronic Time Travelling Costumes, installation view, Suzanne Treister: Prophetic Dreaming, Modern Art Oxford. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/07-Rosalind-Brodsky-and-the-Satellites-of-Lvov-band-poster.jpg Rosalind Brodsky and the Satellites of Lvov. Band poster. Image copyright The Artist, courtesy Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/15-HEXEN-5-0-Historical-Diagrams.jpg Suzanne Treister, HEXEN 5.0 / Historical Diagrams / From Mass Extinctions via The Climate Crisis to Cybernetic Ecosystems and Spiritual Earth System Science towards a Return to a Self-Regulating Planet, 2024-5. Image copyright The Artist, courtesy Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/10b-HEXEN-2-0-Tarot.jpg Suzanne Treister, HEXEN 2.0/Tarot, 2009-11. Image copyright The Artist, courtesy Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/16a-HEXEN-5-0-Tarot.jpg Suzanne Treister, HEXEN 5.0 / Tarot / Ten of Pentacles – Redeployment of Everyone to Restore the Planet, 2023-24. Courtesy the artist, Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/MAO-Suzanne-Treister-Selection-(High-Res)-16.jpg Suzanne Treister: Prophetic Dreaming, installation view, Modern Art Oxford. Photo: Rob Harris. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/03-Suzanne-Treister,-Easyworld-5.jpg Suzanne Treister, Easyworld 5, 1991. Copyright The Artist, courtesy Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/13-SURVIVOR-(F)-The-Sky-Was-The-Colour-Of-The-Death-Of-The-Internet.jpg Suzanne Treister, SURVIVOR (F)/The Sky Was The Colour Of The Death Of The Internet_01, 2016-19. Image copyright The Artist, courtesy Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/12-SURVIVOR-(F)-One-Million-Years-Before-And-After-The-Internet.jpg Suzanne Treister, SURVIVOR (F)/One Million Years Before And After The Internet, 2016-19. Courtesy the artist, Annely Juda Fine Art, London and P·P·O·W Gallery, New York. https://www.studiointernational.com/images/articles/t/029-treister-suzanne-2025/MAO-Suzanne-Treister-Selection-(High-Res)-20.jpg Suzanne Treister: Prophetic Dreaming, installation view, Modern Art Oxford. Photo: Rob Harris. https://www.studiointernational.com/index.php/candice-lin-ghosti-review-whitechapel-gallery-london https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-29.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-18.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-19.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-9.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-37.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-13.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/1000-Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-16.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-10.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-15.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-2.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-g-hosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-8.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/images/articles/l/020-lin-candice-2025/Candice-Lin,-ghosti,-2025-Installation-Photography,-Whitechapel-Gallery-Photo-(c)-Above-Ground-Studio-(Matt-Greenwood)-5.jpg Candice Lin, g/hosti, 2025. Installation view, Whitechapel Gallery. Photo © Above Ground Studio (Matt Greenwood). https://www.studiointernational.com/index.php/grace-ndiritu-compassionate-rebels-in-action-sit-in-5-review-cooper-gallery-duncan-of-jordanstone-dundee https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/BT6A5408.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/BT6A5390.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/BT6A5298.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/BT6A5301.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/BT6A5357.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/BT6A5365-2.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/IMG_8842.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5, Cooper Gallery, DJCAD. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/BT6A5315.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/Cooper-Gallery-entrance-Image-Sally-Jubb.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/BT6A5365.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/images/articles/n/054-ndiritu-grace-2025/1000-Cooper-Gallery-ground-floor-installation-Image-Sally-Jubb.jpg Grace Ndiritu: Compassionate Rebels in Action. The Ignorant Art School Sit-in #5. Photo: Sally Jubb, courtesy Cooper Gallery, DJCAD. https://www.studiointernational.com/index.php/lucy-raven-rounds-review-barbican-curve-london https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/03-Murderers-Bar-(2025)-by-Lucy-Raven,-Installation-View,-The-Curve.jpg Lucy Raven, Murderers Bar, 2025. Installation view, The Curve, 9 October 2025 – 4 January 2026. © Jo Underhill, Barbican Art Gallery. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/03-Film-still-from-Lucy-Raven,-Murderers-Bar,-2025-(c)-Lucy-Raven.jpg Lucy Raven: Rounds. Film still from Lucy Raven, Murderers Bar, 2025, Courtesy of the Artist and Lisson Gallery, © Lucy Raven. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/02-Murderers-Bar-(2025)-by-Lucy-Raven,-Installation-View,-The-Curve.jpg Lucy Raven, Murderers Bar, 2025. Installation view, The Curve, 9 October 2025 – 4 January 2026. © Jo Underhill, Barbican Art Gallery. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/02-Film-still-from-Lucy-Raven,-Murderers-Bar,-2025,-2-(c)-Lucy-Raven.jpg Lucy Raven: Rounds. Film still from Lucy Raven, Murderers Bar, 2025, Courtesy of the Artist and Lisson Gallery, © Lucy Raven. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/07-Hardpan-(2025)-by-Lucy-Raven.jpg Lucy Raven, Hardpan, 2025. Installation view, The Curve, 9 October 2025 – 4 January 2026. © Jo Underhill, Barbican Art Gallery. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/01-Murderers-Bar-(2025)-by-Lucy-Raven,-Installation-View,-The-Curve.jpg Lucy Raven, Murderers Bar, 2025. Installation view, The Curve, 9 October 2025 – 4 January 2026. © Jo Underhill, Barbican Art Gallery. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/04-Murderers-Bar-(2025)-by-Lucy-Raven,-Installation-View,-The-Curve.jpg Lucy Raven, Murderers Bar, 2025. Installation view, The Curve, 9 October 2025 – 4 January 2026. © Jo Underhill, Barbican Art Gallery. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/01-Film-still-from-Lucy-Raven,-Murderers-Bar,-2025-(c)-Lucy-Raven.jpg Lucy Raven: Rounds. Film still from Lucy Raven, Murderers Bar, 2025, Courtesy of the Artist and Lisson Gallery, © Lucy Raven. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/05-Film-still-from-Lucy-Raven,-Murderers-Bar,-2025-(c)-Lucy-Raven.jpg Lucy Raven: Rounds. Film still from Lucy Raven, Murderers Bar, 2025, Courtesy of the Artist and Lisson Gallery, © Lucy Raven. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/06-Hardpan-(2025)-by-Lucy-Raven,-Installation-View,-The-Curve.jpg Lucy Raven, Hardpan, 2025. Installation view, The Curve, 9 October 2025 – 4 January 2026. © Jo Underhill, Barbican Art Gallery. https://www.studiointernational.com/images/articles/r/015-raven-lucy-2025/08-Hardpan-(2025)-by-Lucy-Raven.jpg Lucy Raven, Hardpan, 2025. Installation view, The Curve, 9 October 2025 – 4 January 2026. © Jo Underhill, Barbican Art Gallery. https://www.studiointernational.com/index.php/holly-stevenson-interview-folia-istanbul https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/07-Tracing_The_Irreatraceable_Install_Freud_HS_0002.jpg Holly Stevenson, Tracing The Irretraceable, The Freud Museum, 2025. Installation view of Anna Freud’s room with Eye Feel The Sun, 2024. Photo: Charlie Gray. https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/08-Tracing_The_Irreatraceable_Install_Freud_HS_0017-copy.jpg Holly Stevenson, The Witness, 2025, ceramic: glazed stoneware with Freud https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/09-HS_Sibling_-Displacement_1.jpg Holly Stevenson, Sibling Displacement, 2025. Ceramic: glazed stoneware: Unique work from the series Sigmund Freud’s Ashtray. https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/04-HS_My-mother-came-in,-white-with-fury-+-I-dont-eat-cakes.jpg Holly Stevenson, https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/06-1_I-shall-wear-her-face-instead-of-mine-this-evening..jpg Holly Stevenson, I shall wear her face instead of mine this evening, 2025. Exhibition image from A Hyena Wore My Face Last Night at C+N Gallery Canepaneri, Milan. Photo: Mattia Mognetti. https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/03-1Holly-Stevenson_Absolute-Troopers_2024.jpg Holly Stevenson, Absolute Troopers, 2024. Ceramic: glazed stoneware. NHK Collection. https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/05-2_Turn-around-and-see-how-pretty-I-am!.jpg Holly Stevenson, Turn around and see how pretty I am, 2025. Exhibition image from A Hyena Wore My Face Last Night at C+N Gallery Canepaneri, Milan. Photo: Mattia Mognetti. https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/01-Holly-Stevenson_The-Earth-Tastes-My-Lips_2023-4-4.jpg Holly Stevenson, The Earth Tastes My Lips, 2024. Ceramic: glazed stoneware. Omer Koç collection. https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/10-HS_Sticky_Libido-1.jpg Holly Stevenson, Sticky Libido, 2025. Ceramic: glazed stoneware: Unique work from the series Sigmund Freud’s Ashtray. https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/11-Holly-Stevenson-Freud-Residency_EYE_DREAM_HOME_1-copy.jpg Holly Stevenson, Eye Dream Home, 2024. Ceramic: glazed stoneware with wool and cotton. Unique work from the series knitting machine heads. https://www.studiointernational.com/images/articles/s/&039-stevenson-holly-2025/12-Holly-Stevenson-Freud-Residency_Labyrinth_Votive_2.jpg Holly Stevenson, Labyrinth, 2024. Ceramic: glazed stoneware and velvet. Made on FAR (Freud Artists Residency) at the Jane McAdam Freud Estate. https://www.studiointernational.com/index.php/a-story-of-south-asian-art-mrinalini-mukherjee-and-her-circle-review-royal-academy-of-arts https://www.studiointernational.com/images/articles/a/&079-a-story-to-south-asian-art-2025/key-236.jpg Nilima Sheikh, Home, Land 2, 2024. Mixed tempera on Sanganer paper, 76.2 x 193.04 cm. Sunita and Vijay Choraria. © The Artist. https://www.studiointernational.com/images/articles/a/&079-a-story-to-south-asian-art-2025/Key-3.jpg Benode Behari Mukherjee, Lady with Fruit, 1957. Paper and graphite on paper, 25.7 x 28 cm. Tate: Purchased with funds provided by the South Asia Acquisitions Committee 2015. Photo: © Tate. Courtesy of Mrinalini Mukherjee Foundation. https://www.studiointernational.com/images/articles/a/&079-a-story-to-south-asian-art-2025/key-77.jpg Mrinalini Mukherjee, Forest Flame IV, 2009. Bronze, 175.3 x 88.9 x 68.6 cm. Taimur Hassan Collection. Photo: Humayun Memon. Courtesy of Mrinalini Mukherjee Foundation. https://www.studiointernational.com/images/articles/a/&079-a-story-to-south-asian-art-2025/key-29.jpg Jagdish Swaminathan, Untitled (Lily by my Window), circa early 1970s. Oil on canvas, 106.7 x 121.9 cm. Private collection, Switzerland. Photograph Courtesy of Sotheby’s, Inc. © 2025. © J. Swaminathan Foundation. https://www.studiointernational.com/images/articles/a/&079-a-story-to-south-asian-art-2025/key-4.jpg Mrinalini Mukherjee, Jauba, 2000. Hemp fibre and steel,143 x 133 x 110 cm approx. Tate: Presented by Amrita Jhaveri 2013. Photo: © Tate. Courtesy of Mrinalini Mukherjee Foundation. https://www.studiointernational.com/images/articles/a/&079-a-story-to-south-asian-art-2025/key-72-ALT-1.jpg Leela Mukherjee, Schematic Seated Figure, c1950s-80s. Wood, 36.8 x 21.6 x 7.6 cm. Taimur Hassan Collection. Photography: Justin Piperger. Courtesy of Mrinalini Mukherjee Foundation. https://www.studiointernational.com/images/articles/a/&079-a-story-to-south-asian-art-2025/AAA-Image-1.jpg Mrinalini Mukherjee and works in progress at her garage studio. New Friends Colony, New Delhi, c1985. Courtesy of Mrinalini Mukherjee Foundation and Asia Art Archive. Photo: Ranjit Singh. https://www.studiointernational.com/images/articles/a/&079-a-story-to-south-asian-art-2025/key-255.jpg Gulammohammed Sheikh, शिकार Hunted, 2018 – 2024. Acrylic on board, 213.4 x 39.4 cm. Taimur Hassan Collection. © Gulammohammed Sheikh. https://www.studiointernational.com/images/articles/a/&079-a-story-to-south-asian-art-2025/key-62.jpg K. G. Subramanyan, Untitled, c1950s. Gouache on paper. Taimur Hassan Collection. Photo: Justin Piperger. © Uma Padmanabhan. https://www.studiointernational.com/index.php/wayne-thiebaud-american-still-life-review-courtauld-gallery-london https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/03-Wayne-Thiebaud,-Three-Machines,-1963-Fine-Arts-Museums-of-San-Francisco-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud, Three Machines, 1963. Oil on canvas, 76.2 x 92.7cm. Fine Arts Museums of San Francisco © Wayne Thiebaud / VAGA at ARS, NY and DACS, London 2025. Image: Photo: Randy Dodson, courtesy of the Fine Arts Museums of San Francisco. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/09-Wayne-Thiebaud,-Candy-Counter,-1969-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud, Candy Counter, 1969. Oil on canvas, 120.7 x 91.8 cm. Private Collection © Wayne Thiebaud / VAGA at ARS, NY and DACS, London 2025 https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/07-Wayne-Thiebaud,-Delicatessen-Counter,-1963-Private-Collection-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud, Delicatessen Counter, 1963. Oil on canvas, 153.7 x 185.4 cm, Private Collection. © Wayne Thiebaud / VAGA at ARS, NY and DACS, London 2025. Image: Julia Featheringill Photo. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/06-Wayne-Thiebaud,-Five-Hot-Dogs,-1961-Private-Collection-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud, Five Hot Dogs, 1961. Oil on canvas, 45.72 x 61cm. Private Collection. © Wayne Thiebaud / VAGA at ARS, NY and DACS, London 2025. Photo: John Janca. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/01-Wayne-Thiebaud,-Pie-Rows,-1961-Collection-of-the-Wayne-Thiebaud-Foundation-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud, Pie Rows, 1961. Oil on canvas, 46 x 66cm. Collection of the Wayne Thiebaud Foundation. © Wayne Thiebaud / VAGA at ARS, NY and DACS, London 2025. Image: Wayne Thiebaud Foundation. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/05-Wayne-Thiebaud,-Four-Pinball-Machines,-1962-Private-Collection-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud, Four Pinball Machines, 1962, Oil on canvas, 172.7 x 182.8cm. Private Collection. © Wayne Thiebaud / VAGA at ARS, NY and DACS, London 2025. Image: Courtesy of Acquavella Galleries. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/10-Wayne-Thiebaud-in-his-studio-in-Sacramento-with-Professor-Paul-Beckmann,-1962-or-3-Collection-of-the-Wayne-Thiebaud-Foundation-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud in his studio in Sacramento with Professor Paul Beckmann, 1962. Collection of the Wayne Thiebaud Foundation. © Wayne Thiebaud / VAGA at ARS, NY and DACS, London 2025. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/09-Installation-view-of-Wayne-Thiebaud-American-Still-Life-at-The-Courtauld-Gallery-Photo-(c)-Fergus-Carmichael.jpg Wayne Thiebaud: American Still Life, installation view, The Courtauld Gallery, 2025. Photo: © Fergus Carmichael. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/01-Installation-view-of-Wayne-Thiebaud-American-Still-Life-at-The-Courtauld-Gallery-Photo-(c)-Fergus-Carmichael.jpg Wayne Thiebaud: American Still Life, installation view, The Courtauld Gallery, 2025. Photo: © Fergus Carmichael. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/02-Installation-view-of-Wayne-Thiebaud-American-Still-Life-at-The-Courtauld-Gallery-Photo-(c)-Fergus-Carmichael.jpg Wayne Thiebaud: American Still Life, installation view, The Courtauld Gallery, 2025. Photo: © Fergus Carmichael. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/02-Wayne-Thiebaud,-Cakes,-1963-National-Gallery-of-Art,-Washington,-DC-(c)-wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud, Cakes, 1963, Oil on canvas, 152.4 x 182.9cm. National Gallery of Art, Washington, D.C. © Wayne Thiebaud / VAGA at ARS, NY and DACS, London 2025. Image: Courtesy National Gallery of Art, Washington. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/04-Wayne-Thiebaud,-Cup-of-Coffee,-1961-Manetti-Shrem-Museum-of-Art-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud, Cup of Coffee, 1961. Oil on canvas, 45.7 x 30.5cm. Manetti Shrem Museum of Art © Wayne Thiebaud / VAGA at ARS, NY and DACS, London 2025. Image: Courtesy of The Fine Arts Collection, Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis. Photo: M. Lee Fatherree. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/08-Wayne-Thiebaud,-Caged-Pie,-1962-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.-Image-courtesy-the-San-Diego-Museum-of-Art.jpg Wayne Thiebaud, Caged Pie, 1962. Oil on canvas, 51.1 x 71.4 cm, The San Diego Museum of Art, Museum Purchased through the Earle W. Grant Acquisition Fund. 1977.109 © Wayne Thiebaud/VAGA at ARS, NY and DACS, London 2025. Image courtesy the San Diego Museum of Art. https://www.studiointernational.com/images/articles/t/028-thiebaud-wayne-2025/11-Wayne-Thiebaud,-1961-Photographer-Betty-Jean-Thiebaud.-Collection-of-the-Wayne-Thiebaud-Foundation-(c)-Wayne-Thiebaud-VAGA-at-ARS,-NY-and-DACS,-London-2025.jpg Wayne Thiebaud in his studio in Sacramento with his painting Pies in the background, 1961. Photo: Betty Jean Thiebaud. Collection of the Wayne Thiebaud Foundation. © Wayne Thiebaud/VAGA at ARS, NY and DACS, London 2025. https://www.studiointernational.com/index.php/joseph-wright-of-derby-from-the-shadows-review-national-gallery-london https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/01.jpg Joseph Wright of Derby, An Experiment on a Bird in the Air Pump, 1768. Oil on canvas, 183 x 244 cm. © The National Gallery, London. https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/04.jpg Joseph Wright of Derby, Two Boys Fighting Over a Bladder, about 1767-70. Oil on canvas, 91.5 x 71.2 cm. Private collection, care of Omnia Art Ltd. © Omnia Art Ltd. https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/02.jpg Joseph Wright of Derby, A Philosopher Giving That Lecture on the Orrery in Which a Lamp Is Put in Place, 1764-1766. Oil on canvas, 147.3 x 203.2 cm. Derby Museum and Art Gallery (1884-168). © Derby Museums. https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/05.jpg Joseph Wright of Derby, The Blacksmiths Shop, 1771. Oil on canvas, 125.7 x 99 cm. Derby Museum and Art Gallery. © Derby Museums. https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/06.jpg Joseph Wright of Derby, The Alchymist, in Search of the Philosophers Stone, Discovers Phosphorus, and prays for the successful Conclusion of his operation as was the custom of the Ancient Chymical Astrologers, 1795. Oil on canvas, 127 x 101.6 cm. Derby Museum and Art Gallery. © Derby Museums. https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/10.jpg Joseph Wright of Derby, Self-Portrait in a Black Feathered Hat, about 1767-70. Charcoal heightened with white chalk on paper, 53.3 x 36.8 cm. Derby Museum and Art Gallery (1953-186). © Derby Museums. https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/03.jpg William Pether, Three Persons Viewing the Gladiator by Candlelight, 1769. Mezzotint. Derby Museum and Art Gallery. © Derby Museums. https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/07.jpg Joseph Wright of Derby, A Philosopher by Lamplight, about 1769. Oil on canvas, 128.2 x 101.6 cm. Derby Museum and Art Gallery. © Derby Museums. https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/08.jpg Joseph Wright of Derby, Earthstopper on the Banks of the Derwent, 1773. Oil on canvas, 96.5 x 120.6 cm. Derby Museum and Art Gallery. © Derby Museums. https://www.studiointernational.com/images/articles/w/021-wright-joseph-2025/09.jpg Valentine Green, An Experiment on a Bird in the Air Pump, 1769. Mezzotint. Derby Museum and Art Gallery. © Derby Museums. https://www.studiointernational.com/index.php/anna-ancher-painting-light-review-dulwich-picture-gallery-london https://www.studiointernational.com/images/articles/a/&078-ancher-anna-2025/Anna-Ancher,-A-Girl-in-the-Garden-in-Summertime.-Skagen,-1914-Courtesy-of-Skagens-Museum.jpg Anna Ancher, A Girl in the Garden in Summertime. Skagen, 1914. Image courtesy of Skagens Museum. https://www.studiointernational.com/images/articles/a/&078-ancher-anna-2025/Anna-Ancher,-Interior-Brondums-Annex,-1916-Courtesy-of-Skagens-Museum.jpg Anna Ancher, Interior. Brøndum https://www.studiointernational.com/images/articles/a/&078-ancher-anna-2025/Anna-Ancher,-Sunlight-in-the-blue-room,-1891-Image-courtesy-of-Skagens-Museum.jpg Anna Ancher, Sunlight in the blue room, 1891. Oil on canvas. Image courtesy of Skagens Museum. https://www.studiointernational.com/images/articles/a/&078-ancher-anna-2025/Anna-Ancher,-The-Maid-in-the-Kitchen,-1883-86-Courtesy-of-The-Hirschsprung-Collection.jpg Anna Ancher, The Maid in the Kitchen, 1883–86. Courtesy of The Hirschsprung Collection. https://www.studiointernational.com/images/articles/a/&078-ancher-anna-2025/Anna-Ancher,-The-Harvesters,-1905-Courtesy-of-Skagens-Museum..jpg Anna Ancher, The Harvesters, 1905. Image courtesy of Skagens Museum. https://www.studiointernational.com/images/articles/a/&078-ancher-anna-2025/Anna-Ancher,-A-Field-Sermon,-1903-Courtesy-of-Skagens-Museum.jpg Anna Ancher, A Field Sermon, 1903. Image courtesy of Skagens Museum. https://www.studiointernational.com/index.php/rhiannon-hiles-interview-chief-executive-beamish-art-fund-museum-of-the-year-2025-north-east-england-county-durham https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/Art-Fund-Museum-of-the-Year-2025-winner-Beamish-with-Secretary-of-State-and-Jenny-Waldman-Photo-David-Oates.jpg Left to right: Jenny Waldman, Director of Art Fund, Rhiannon Hiles, Chief Executive of Beamish, and Culture Secretary Lisa Nandy at the Art Fund Museum of the Year 2025 ceremony earlier this year. Photo: David Oates. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1i-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1c-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1k-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1b-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1d-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1e-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1f-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1h-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1a-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1g-Beamish,-The-Living-Museum-of-the-North,c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1j-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/images/articles/b/&064-beamish-museum-2025/1m-Beamish,-The-Living-Museum-of-the-North,-c-David-Levene,-Art-Fund-2025.jpg Beamish, The Living Museum of the North, winner of the Art Fund Museum of the Year 2025. Photo: © David Levene. https://www.studiointernational.com/index.php/anawana-haloba-video-interview-artes-mundi-11-2025-aberystwyth-arts-centre-wales https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Anawana-Haloba,-Installation-view-at-Aberystwyth-Arts-Centre,-Artes-Mundi-11-Rolant-Davis-(2).jpg Anawana Haloba, installation view, Aberystwyth Arts Centre, Artes Mundi 11, 2025-26. Photo: Rolant Davis. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Anawana-Haloba,-Installation-view-at-Aberystwyth-Arts-Centre,-Artes-Mundi-11-Rolant-Davis-(7).jpg Anawana Haloba, installation view, Aberystwyth Arts Centre, Artes Mundi 11, 2025-26. Photo: Rolant Davis. https://www.studiointernational.com/index.php/jumana-emil-abboud-video-interview-artes-mundi-11-2025-mostyn-llandudno-wales https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Jumana-Emil-Abboud,-Installation-view-at-Mostyn,-Artes-Mundi-11-Photo-Rob-Battersby-(2).jpg Jumana Emil Abboud, installation view, Mostyn, Artes Mundi 11, 2025-26. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Jumana-Emil-Abboud,-Installation-view-at-Mostyn,-Artes-Mundi-11-Photo-Rob-Battersby-(4).jpg Jumana Emil Abboud, installation view, Mostyn, Artes Mundi 11, 2025-26. Photo: Rob Battersby. https://www.studiointernational.com/index.php/artes-mundi-11-2025-review-jumana-emil-abboud-anawana-haloba-sancintya-mohini-simpson-video-interviews-wales-cardiff-swansea-mostyn https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Sancintya-Mohini-Simpson,-Installation-view-at-National-Museum-Cardiff,-Artes-Mundi-11-Photo-Robin-Maggs.jpg Sancintya Mohini Simpson, installation view, National Museum Cardiff, Artes Mundi 11, 2025-26. Photo: Robin Maggs. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/sancintya-detail-IMG_1148.jpg Sancintya Mohini Simpson, installation view (detail), National Museum Cardiff, Artes Mundi 11, 2025-26. Photo: Martin kennedy. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Sawangwongse-Yawnghwe,-Installation-view-at-National-Museum-Cardiff,-Artes-Mundi-11-Photo-Robin-Maggs.jpg Sawangwongse Yawnghwe, installation view, National Museum Cardiff, Artes Mundi 11, 2025-26. Photo: Robin Maggs. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Kameelah-Janan-Rasheed,-Installation-view-at-National-Museum-Cardiff,-Artes-Mundi-11-Photo-Robin-Maggs-(2).jpg Kameelah Janan Rasheed, installation view, National Museum Cardiff, Artes Mundi 11, 2025-26. Photo: Robin Maggs. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Antonio-Paucar,-Installation-view-at-Mostyn,-Artes-Mundi-11-Photo-Rob-Battersby-(1).jpg Antonio Paucar, installation view, Mostyn, Artes Mundi 11, 2025-26. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Jumana-Emil-Abboud,-Installation-view-at-Mostyn,-Artes-Mundi-11-Photo-Rob-Battersby-(2).jpg Jumana Emil Abboud, installation view, Mostyn, Artes Mundi 11, 2025-26. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Sancintya-Mohini-Simpson,-Installation-view-at-Chapter,-Artes-Mundi-11-Photo-Polly-Thomas-(2).jpg Sancintya Mohini Simpson, installation view, Chapter, Artes Mundi 11, 2025-26. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Sancintya-Mohini-Simpson,-Installation-view-at-Chapter,-Artes-Mundi-11-Photo-Polly-Thomas-(4).jpg Sancintya Mohini Simpson, installation view, Chapter, Artes Mundi 11, 2025-26. Photo: Polly Thomas. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Anawana-Haloba,-Installation-view-at-Aberystwyth-Arts-Centre,-Artes-Mundi-11-Rolant-Davis-(2).jpg Anawana Haloba, installation view, Aberystwyth Arts Centre, Artes Mundi 11, 2025-26. Photo: Rolant Davis. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Anawana-Haloba,-Installation-view-at-Aberystwyth-Arts-Centre,-Artes-Mundi-11-Rolant-Davis-(7).jpg Anawana Haloba, installation view, Aberystwyth Arts Centre, Artes Mundi 11, 2025-26. Photo: Rolant Davis. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Jumana-Emil-Abboud,-Installation-view-at-Mostyn,-Artes-Mundi-11-Photo-Rob-Battersby-(4).jpg Jumana Emil Abboud, installation view, Mostyn, Artes Mundi 11, 2025-26. Photo: Rob Battersby. https://www.studiointernational.com/images/articles/a/&077-artes-mundi-11-2025/Sancintya-Mohini-Simpson,-Installation-view-at-Chapter,-Artes-Mundi-11,-Photo-Polly-Thomas.jpg Sancintya Mohini Simpson, installation view, Chapter, Artes Mundi 11, 2025-26. Photo: Polly Thomas. https://www.studiointernational.com/index.php/push-the-limits-culture-strips-to-reveal-war-review-fondazione-merz-turin https://www.studiointernational.com/images/articles/c/&064-culture-strips-2025/05.jpg Mona Hatoum, Hot Spot (stand), 2018 © Mona Hatoum. Photo © White Cube (Photo: Ollie Hammick). https://www.studiointernational.com/images/articles/c/&064-culture-strips-2025/04.jpg Katerina Kovaleva, Memory table, 2025. Dimensions variable. Installation view, Fondazione Merz, Turin, 27 October 2025 – 1 February 2026. https://www.studiointernational.com/images/articles/c/&064-culture-strips-2025/06.jpg Mirna Bamieh, Sour Things: the Pantry, 2024. Multicomponent installation. Noordbrabants museum, 2024. Photo Jan-Kees Steenman. https://www.studiointernational.com/images/articles/c/&064-culture-strips-2025/19.jpg Emily Jacir, Crossing Surda, 2002. Two-channel video. Courtesy Simondi Gallery. https://www.studiointernational.com/index.php/robert-macbryde-colquhoun-artists-lovers-outsiders-review-charleston-lewes-sussex https://www.studiointernational.com/images/articles/m/&060-MacBryde-Colquhoun-2025/Ian-Fleming-The-Two-Roberts,-Colquhoun-and-MacBryde-1937-1938.jpg Ian Fleming, The Two Roberts, Colquhoun and MacBryde, 1937–1938. Oil on canvas. The artist’s estate, Glasgow School of Art. https://www.studiointernational.com/images/articles/m/&060-MacBryde-Colquhoun-2025/Robert-MacBryde,-Apples-on-Paper-Copyright-the-artists-estate.jpg Robert MacBryde, Apples on Paper. Oil on board. © the artist’s estate. Pallant House Gallery, Chichester. https://www.studiointernational.com/images/articles/m/&060-MacBryde-Colquhoun-2025/Robert-Colquhoun,-Woman-with-a-Goat,-Copyright,-the-artist_s-estate-Photo-Bridgeman-Images.jpg Robert Colquhoun, Woman with a Goat. © the artist https://www.studiointernational.com/images/articles/m/&060-MacBryde-Colquhoun-2025/Robert-Colquhoun,-Bitch-and-Pup-1958-(c)-the-artist_s-estate,-Bridgeman-Images.jpg Robert Colquhoun, Bitch and Pup, 1958. Oil on canvas. © the artist’s estate, Bridgeman Images. City Art Centre, City of Edinburgh Museums & Galleries. https://www.studiointernational.com/images/articles/m/&060-MacBryde-Colquhoun-2025/The-Two-Roberts,-Photo-Felix-Man,-Getty-Images.jpg The Two Roberts, Photo: Felix Man, Courtesy of Getty Images. https://www.studiointernational.com/images/articles/m/&060-MacBryde-Colquhoun-2025/John-Minton,-Painter-and-Model-1953-Image-copyright-Russell-Cotes-Art-Gallery-and-Museum.jpg John Minton, Painter and Model, 1953. Oil on canvas. © Russell-Cotes Art Gallery and Museum. https://www.studiointernational.com/images/articles/m/&060-MacBryde-Colquhoun-2025/Robert-Colquhoun,-Women-in-Ireland-1958.jpg Robert Colquhoun, Women in Ireland, 1958. Oil on canvas. The Dick Institute by permission of East Ayrshire Leisure, East Ayrshire Council. https://www.studiointernational.com/index.php/ben-edge-children-of-albion-review-fitzrovia-chapel-london https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-20.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-20-2.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-26.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-49.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-7.jpg Ben Edge: Children of Albion. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-14.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-19.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-50.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-62.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-64.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/images/articles/e/050-edge-ben-2025/untitled-80.jpg Ben Edge: Children of Albion, installation view, Fitzrovia Chapel, London, 6-26 November 2025. Photo: Sylvie Tata Photography. https://www.studiointernational.com/index.php/betty-parsons-sheer-energy-review-de-la-warr-pavilion-bexhill-on-sea https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons,-Found-Forms,-1978.jpg Betty Parsons, Found Forms, 1978, Oil on canvas, 109 x 125.3 x 6 cm (42 7/8 x 49 3/8 x 2 3/8 in), framed. Courtesy Alison Jacques, London and Alexander Gray Associates, New York. © The Betty Parsons Foundation. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons-Moonshot-(1972)-(c)-The-Betty-Parsons-Foundation.-Photo_-Michael-Brzezinski.jpg Betty Parsons, Moonshot, 1972. Acrylic on canvas, 122 x 122 cm (48 x 48 in), framed. © The Betty Parsons Foundation. https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons-Sheer-Energy,-2025,-Installation-View,-De-La-Warr-Pavilion,-Bexhill-On-Sea-(5).jpg Betty Parsons: Sheer Energy, 2025, installation view, De La Warr Pavilion, Bexhill-On-Sea. Photo: Rob Harris. Courtesy Alison Jacques, London and Alexander Grey Associates, New York. https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons,-Circles,-1967.jpg Betty Parsons, Circles, 1967. Acrylic on canvas, 117 x 239 x 6 cm (46 x 94 1/8 x 2 3/8 in) framed. Courtesy Alison Jacques, London and Alexander Gray Associates, New York. © The Betty Parsons Foundation. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons,-Untitled,-1969.jpg Betty Parsons, Untitled, 1969, Acrylic on canvas, 50.8 x 40.6 x 3 cm (20 x 16 x 1 1/8 in), framed. Courtesy Alison Jacques, London and Alexander Gray Associates, New York. © The Betty Parsons Foundation. Photo: Michael Brzezinski. https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons-Sheer-Energy,-2025,-Installation-View,-De-La-Warr-Pavilion,-Bexhill-On-Sea-(1000).jpg Betty Parsons: Sheer Energy, 2025, installation view, De La Warr Pavilion, Bexhill-On-Sea. Photo: Rob Harris. Courtesy Alison Jacques, London and Alexander Grey Associates, New York. https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons-Sheer-Energy,-2025,-Installation-View,-De-La-Warr-Pavilion,-Bexhill-On-Sea-(2).jpg Betty Parsons: Sheer Energy, 2025, installation view, De La Warr Pavilion, Bexhill-On-Sea. Photo: Rob Harris. Courtesy Alison Jacques, London and Alexander Grey Associates, New York. https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons-Sheer-Energy,-2025,-Installation-View,-De-La-Warr-Pavilion,-Bexhill-On-Sea-(7).jpg Betty Parsons: Sheer Energy, 2025, installation view, De La Warr Pavilion, Bexhill-On-Sea. Photo: Rob Harris. Courtesy Alison Jacques, London and Alexander Grey Associates, New York. https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons-Sheer-Energy,-2025,-Installation-View,-De-La-Warr-Pavilion,-Bexhill-On-Sea-(8).jpg Betty Parsons: Sheer Energy, 2025, installation view, De La Warr Pavilion, Bexhill-On-Sea. Photo: Rob Harris. Courtesy Alison Jacques, London and Alexander Grey Associates, New York. https://www.studiointernational.com/images/articles/p/&090-parsons-betty-2025/Betty-Parsons-Sheer-Energy,-2025,-Installation-View,-De-La-Warr-Pavilion,-Bexhill-On-Sea.jpg Betty Parsons: Sheer Energy, 2025, installation view, De La Warr Pavilion, Bexhill-On-Sea. Photo: Rob Harris. Courtesy Alison Jacques, London and Alexander Grey Associates, New York. https://www.studiointernational.com/index.php/nigerian-modernism-review-tate-modern-london https://www.studiointernational.com/images/articles/n/053-nigerian-modernism-2025/14-Justus-D-Akeredolu,-Thorn-Carving.jpg Justus D. Akeredolu, Thorn Carving c1930s. © Justus D. Akeredolu. Research and Cultural Collections, University of Birmingham. https://www.studiointernational.com/images/articles/n/053-nigerian-modernism-2025/10-Aina-Onabolu,-Portrait-of-an-African-Man-1955.jpg Aina Onabolu, Portrait of an African Man 1955. © Aina Onabolu. Yemisi Shyllon Museum of Art, Pan-Atlantic University. https://www.studiointernational.com/images/articles/n/053-nigerian-modernism-2025/01-Ben-Enwonwu,-The-Dancer-(Agbogho-Mmuo-Maiden-Spirit-Mask)-1962.jpg Ben Enwonwu, The Dancer (Agbogho Mmuo - Maiden Spirit Mask) 1962. © Ben Enwonwu Foundation, courtesy Ben Uri Gallery & Museum. https://www.studiointernational.com/images/articles/n/053-nigerian-modernism-2025/18-Uche-Okeke,-Fantasy-and-Masks-c1960.jpg Uche Okeke, Fantasy and Masks c1960. © The Prof Uche Okeke Legacy Limited and Asele Institute Ltd. Photo courtesy of Research and Cultural Collections University of Birmingham. https://www.studiointernational.com/images/articles/n/053-nigerian-modernism-2025/06-Bruce-Onobrakpeya,-The-Last-Supper-1981.jpg Bruce Onobrakpeya, The Last Supper 1981. © reserved. Tate Collection. https://www.studiointernational.com/images/articles/n/053-nigerian-modernism-2025/08-Uzo-Egonu,-Stateless-People-an-artist-with-beret-1981.jpg Uzo Egonu, Stateless People an artist with beret 1981. © The estate of Uzo Egonu. Private Collection. https://www.studiointernational.com/images/articles/n/053-nigerian-modernism-2025/03-1000-Uzo-Egonu,-Will-Knowledge-Safeguard-Freedom-2-1985.jpg Uzo Egonu, Will Knowledge Safeguard Freedom 2 1985. © Estate of Uzo Egonu. Tiana and Vikram Chellaram. https://www.studiointernational.com/index.php/ayoung-kim-delivery-dancer-codex-review-moma-ps1-museum-of-modern-art-new-york https://www.studiointernational.com/images/articles/k/020-kim-ayoung-2025/03-Ayoung-Kim_Delivery-Dancers-Sphere_2022_Still.jpg Ayoung Kim. Delivery Dancer’s Sphere. 2022. Single-channel video, 25 min. Courtesy the artist and Gallery Hyundai. https://www.studiointernational.com/images/articles/k/020-kim-ayoung-2025/02-Ayoung-Kim_Delivery-Dancers-Sphere_2022_Still.jpg Ayoung Kim. Delivery Dancer’s Sphere. 2022. Single-channel video, 25 min. Courtesy the artist and Gallery Hyundai. https://www.studiointernational.com/images/articles/k/020-kim-ayoung-2025/05-PS1.jpg Ayoung Kim. Delivery Dancer’s Arc: 0º Receiver, 2024. Three-channel video, 32 min. Courtesy MoMA PS1. Photo: Roz Akin. https://www.studiointernational.com/images/articles/k/020-kim-ayoung-2025/04-PS1.jpg Ayoung Kim. Delivery Dancer’s Arc: Inverse. 2024. Three-channel high-definition video (colour, sound). 27 min. Courtesy MoMA PS1. Photo: Roz Akin. https://www.studiointernational.com/images/articles/k/020-kim-ayoung-2025/08-PS1.jpg Ayoung Kim. Ghost Dancers A. 2022. Helmets, video, tablets, wire, corrugated tube, and metal chain. Courtesy MoMA PS1. Photo: Roz Akin. https://www.studiointernational.com/images/articles/k/020-kim-ayoung-2025/07-PS1.jpg Ayoung Kim. Ghost Dancers B. 2022. Mannequins, costumes, helmets, LED masks, gloves, boots, reinforced cases, and tempered glass. Courtesy MoMA PS1. Photo: Roz Akin. https://www.studiointernational.com/images/articles/k/020-kim-ayoung-2025/06-PS1.jpg Ayoung Kim. Delivery Dancer’s Arc: Inverse (detail). 2024. Three-channel video, lighting installation, random video playback and lighting synchronization control program, sundial sculpture, graphic sheets, and circular screen. Courtesy MoMA PS1. Photo: Roz Akin. https://www.studiointernational.com/images/articles/k/020-kim-ayoung-2025/Ayoung-Kim-Delivery-Dancers-Arc-Inverse-(still)-2024.jpg Ayoung Kim. Delivery Dancer’s Arc: Inverse (still). 2024. Three-channel video, colour, two-channel sound, lighting installation, random video playback and lighting synchronization control program, sundial sculptures, graphic sheets and circular screens (27 min). ACC Future Prize Commission. Courtesy the artist and ACC. https://www.studiointernational.com/index.php/jaune-quick-to-see-smith-wilding-review-fruitmarket-edinburgh https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Jaune-Quick-to-See-Smith,-I-See-Red--10,000-Years,-1992.jpg Jaune Quick-to-See Smith, I See Red: 10,000 Years, 1992. Courtesy the Tia Collection. Image courtesy of The Estate of Jaune Quick-to-See Smith, Garth Greenan Gallery, New York and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Jaune-Quick-to-See-Smith,-Montana-Memories-Into-the-Dusk,-1989.jpg Jaune Quick-to-See Smith, Montana Memories: Into the Dusk, 1989. Image courtesy of The Estate of Jaune Quick-to-See Smith, Garth Greenan Gallery, New York and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Jaune-Quick-to-See-Smith,-I-See-Red--Indian-Drawing-Lesson,-1993.jpg Jaune Quick-to-See Smith, I See Red: Indian Drawing Lesson, 1993. Image courtesy of The Estate of Jaune Quick-to-See Smith, Garth Greenan Gallery, New York and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Jaune-Quick-to-See-Smith,-I-See-Red--The-Past-Shadows-the-Present,-1992.jpg Jaune Quick-to-See Smith, I See Red: The Past Shadows the Present, 1992. Image courtesy of The Estate of Jaune Quick-to-See Smith, Garth Greenan Gallery, New York and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Jaune-Quick-to-See-Smith,-Red-Cross-(CS-1854),-1989.jpg Jaune Quick-to-See Smith, Red Cross (C.S. 1854), 1989. Image courtesy of The Estate of Jaune Quick-to-See Smith, Garth Greenan Gallery, New York and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Jaune-Quick-to-See-Smith,-American-Citizens-Map,-2021.jpg Jaune Quick-to-See Smith, American Citizens Map, 2021. Collection Philip Holzer. Image courtesy of The Estate of Jaune Quick-to-See Smith, Garth Greenan Gallery, New York and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Jaune-Quick-to-See-Smith,-War-is-War,-2023.jpg Jaune Quick-to-See Smith, War is War, 2023. Private Collection, New York. Image courtesy of The Estate of Jaune Quick-to-See Smith, Garth Greenan Gallery, New York and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Jaune-Quick-to-See-Smith--American-Slang-Map,-2023.jpg Jaune Quick-to-See Smith, American Slang Map, 2023. Courtesy of Arte Collectum. Image courtesy of The Estate of Jaune Quick-to-See Smith, Garth Greenan Gallery, New York and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Jaune-Quick-to-See-Smith,-Tierra-Madre-Robin-Wall-Kimmerer-2024-25.jpg Jaune Quick-to-See Smith, Tierra Madre: Robin Wall Kimmerer, 2024–25. Image courtesy of The Estate of Jaune Quick-to-See Smith, Garth Greenan Gallery, New York and Stephen Friedman Gallery. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/FM_JS_Wilding021.jpg Jaune Quick-to-See Smith: Wilding, installation view, Fruitmarket, Edinburgh, 7 November 2025 – 1 February 2026. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/Trade-Canoe-Turtle-Island-(2024-25)-Pic-V-Simpson.jpg Jaune Quick-to-See Smith, Trade Canoe: Turtle Island, 2024-25. Installation view, Fruitmarket, Edinburgh, 7 November 2025 – 1 February 2026. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/FM_JS_Wilding026.jpg Jaune Quick-to-See Smith: Wilding, installation view, Fruitmarket, Edinburgh, 7 November 2025 – 1 February 2026. https://www.studiointernational.com/images/articles/s/&038-smith-jaune-quick-to-see-2025/FM_JS_Wilding017.jpg Jaune Quick-to-See Smith: Wilding, installation view, Fruitmarket, Edinburgh, 7 November 2025 – 1 February 2026. https://www.studiointernational.com/index.php/cecilia-vicuna-interview-reverse-migration-a-poetic-journey-irish-museum-modern-art-dublin https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/Plant-Quipu,-Aran-Quipu-and-Mourning-Dialogue(1).jpg Cecilia Vicuña: Reverse Migration, a Poetic Journey, installation view, IMMA, Dublin, 7 November 2025 – 5 July 2026. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/A-Poetic-Journey-in-Northern-Ireland,-Cecilia-Vicuna,-2006,-courtesy-the-artist.jpg Cecilia Vicuña, A Poetic Journey in Northern Ireland, 2006. Courtesy the artist. Installation view, IMMA, Dublin, 7 November 2025 – 5 July 2026. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/Cecilia-Vicuna-(What-is-Poetry-to-you_),-1980,-courtesy-the-artist.jpg Cecilia Vicuña, Que es para usted la poesía (What is Poetry to you), 1980. Courtesy the artist. Installation view, IMMA, Dublin, 7 November 2025 – 5 July 2026. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/Sheela-na-gig,-Sier-Kieran-in-Co,-Offaly,-13th-17th-centuary,-on-loan-from-national-museum-of-Ireland.jpg Sheela-na-gig, Sier Kieran in Co, Offaly, 13th-17th century, on loan from National Museum of Ireland. Installation view, IMMA, Dublin, 7 November 2025 – 5 July 2026. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/ceremonial-dress,-cecilia-Vicuna,-courtesy-the-artist.jpg Cecilia Vicuña, Ceremonial dress. Courtesy the artist. Installation view, IMMA, Dublin, 7 November 2025 – 5 July 2026. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/Another-of-Cecilia-Vicunas-Precarios-photo-V-Simpson.jpg Cecilia Vicuña, Precario, installation view, IMMA, Dublin, 7 November 2025 – 5 July 2026. Photo: Veronica Simpson.. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/(L-R)Brujo-Rojo,-Brujo-Celeste,Brujo-Polpo,-Tierra-Negra,-Celia-Vecuna,-1966-2023,-courtesy-the-artist.jpg Left to right: Brujo Rojo, Brujo Celeste, Brujo Polpo, Tierra Negra, Celia Vicuña, 1966-2023. Courtesy the artist. Installation view, IMMA, Dublin, 7 November 2025 – 5 July 2026. Photo: Ros Kavanagh. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/30761.jpg Cecilia Vicuña, Llaverito (Blue Lady) / Ladilla, Crab, 2019. Oil on canvas. 109.22 x 91.44 cm. Private collection. Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. © 2025 Cecilia Vicuña. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/arbol-de-manos.jpg Cecilia Vicuña, Arból de manos, 1974. Collage on paper, 30.5 x 23 cm. Private collection. Courtesy of the artist. © 2025 Cecilia Vicuña. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/2023_VICU23101.jpg Cecilia Vicuña, Obstructing the Doors is Dangerous, 1972/2023. Oil on canvas, 101.6 x 76.2 cm. Private collection. Courtesy the artist and Xavier Hufkens, Brussels. © 2025 Cecilia Vicuña. https://www.studiointernational.com/images/articles/v/062-vicuna-cecilia-2025/Prayer-for-the-Rebirth-of-Peace-in-all-lands,-2024,-courtesy-the-artist(2).jpg Celia Vicuña, Prayer for the Rebirth of Peace in all lands, 2024. Courtesy the artist. Installation view, IMMA, Dublin, 7 November 2025 – 5 July 2026. Photo: Ros Kavanagh. https://www.studiointernational.com/index.php/lee-miller-review-tate-britain-london https://www.studiointernational.com/images/articles/m/&059-miller-lee-2025/01-Lee-Miller,-Portrait-of-Space,-Al-Bulwayeb-near-Siwa-1937-(c)-Lee-Miller-Archives,-England-2025-All-rights-reserved.jpg Lee Miller, Portrait of Space, Al Bulwayeb near Siwa, 1937. Lee Miller Archives. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk. https://www.studiointernational.com/images/articles/m/&059-miller-lee-2025/02-Lee-Miller,-Model-with-Lightbulb-c1943-Lee-Miller-Archives.jpg Lee Miller, Model with Lightbulb, c1943. Lee Miller Archives. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk. https://www.studiointernational.com/images/articles/m/&059-miller-lee-2025/06-Lee-Miller,-You-will-not-lunch-in-Charlotte-Street-today,-London-1940-Lee-Miller-Archives.jpg Lee Miller, You will not lunch in Charlotte Street today, London, 1940. Lee Miller Archives. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk. https://www.studiointernational.com/images/articles/m/&059-miller-lee-2025/04-Lee-Miller,-Model-Elizabeth-Cowell-wearing-Digby-Morton-suit,-London-1941-Lee-Miller-Archives.jpg Lee Miller, Model Elizabeth Cowell wearing Digby Morton suit, London, 1941. Lee Miller Archives. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk. https://www.studiointernational.com/images/articles/m/&059-miller-lee-2025/Installation-Photography-of-Lee-Miller-at-Tate-Britain.jpg Lee Miller, installation view, Tate Britain, 2 October 2025 – 15 February 2026. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk. Photo: © Tate (Sonal Bakrania). https://www.studiointernational.com/index.php/rae-yen-song-tua-mak-review-tramway-glasgow https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0023.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0076.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0104.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0042.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0097.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0001.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0007.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0096.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0055.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0068.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0080.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/images/articles/s/&037-song-rae-yen-2025/TRYS-1125-0093.jpg Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•, installation view, Tramway, Glasgow, 15 November 2025 – 16 August 2026. Photo: Keith Hunter. https://www.studiointernational.com/index.php/artes-visuales-latin-american-avant-garde-in-print-review-bertha-karl-leubsdorf-gallery-hunter-college-new-york https://www.studiointernational.com/images/articles/a/&076-artes-visuales-2025/Installation-view-7-of-Artes-Visuales,-The-Latin-American-Avant---Garde-in-Print-.jpg Artes Visuales, The Latin American Avant-Garde in Print, installation view, Bertha and Karl Leubsdorf Gallery, Hunter College Art Galleries, 2025. Photo: JSP Art Photography. https://www.studiointernational.com/images/articles/a/&076-artes-visuales-2025/Installation-view-1-of-Artes-Visuales,-The-Latin-American-Avant---Garde-in-Print.jpg Artes Visuales, The Latin American Avant-Garde in Print, installation view, Bertha and Karl Leubsdorf Gallery, Hunter College Art Galleries, 2025. Photo: JSP Art Photography. https://www.studiointernational.com/images/articles/a/&076-artes-visuales-2025/Installation-view-9-of-Artes-Visuales,-The-Latin-American-Avant---Garde-in-Print.jpg Artes Visuales, The Latin American Avant-Garde in Print, installation view, Bertha and Karl Leubsdorf Gallery, Hunter College Art Galleries, 2025. Photo: JSP Art Photography. https://www.studiointernational.com/images/articles/a/&076-artes-visuales-2025/Installation-view-4-of-Artes-Visuales,-The-Latin-American-Avant---Garde-in-Print.jpg Artes Visuales, The Latin American Avant-Garde in Print, installation view, Bertha and Karl Leubsdorf Gallery, Hunter College Art Galleries, 2025. Photo: JSP Art Photography. https://www.studiointernational.com/images/articles/a/&076-artes-visuales-2025/Installation-view-5-of-Artes-Visuales,-The-Latin-American-Avant-(1)-750.jpg Artes Visuales, The Latin American Avant-Garde in Print, installation view, Bertha and Karl Leubsdorf Gallery, Hunter College Art Galleries, 2025. Photo: JSP Art Photography. https://www.studiointernational.com/images/articles/a/&076-artes-visuales-2025/Installation-view-2-of-Artes-Visuales,-The-Latin-American-Avant---Garde-in-Print.jpg Artes Visuales, The Latin American Avant-Garde in Print, installation view, Bertha and Karl Leubsdorf Gallery, Hunter College Art Galleries, 2025. Photo: JSP Art Photography. https://www.studiointernational.com/images/articles/a/&076-artes-visuales-2025/Installation-view-3-of-Artes-Visuales,-The-Latin-American-Avant---Garde-in-Print.jpg Artes Visuales, The Latin American Avant-Garde in Print, installation view, Bertha and Karl Leubsdorf Gallery, Hunter College Art Galleries, 2025. Photo: JSP Art Photography. https://www.studiointernational.com/images/articles/a/&076-artes-visuales-2025/Installation-view-6-of-Artes-Visuales,-The-Latin-American-Avant---Garde-in-Print.jpg Artes Visuales, The Latin American Avant-Garde in Print, installation view, Bertha and Karl Leubsdorf Gallery, Hunter College Art Galleries, 2025. Photo: JSP Art Photography. https://www.studiointernational.com/images/articles/a/&076-artes-visuales-2025/Installation-view-8-of-Artes-Visuales,-The-Latin-American-Avant---Garde-in-Print.jpg Artes Visuales, The Latin American Avant-Garde in Print, installation view, Bertha and Karl Leubsdorf Gallery, Hunter College Art Galleries, 2025. Photo: JSP Art Photography. https://www.studiointernational.com/index.php/berthe-weill-art-dealer-of-the-parisian-avant-garde-review-musee-de-l-orangerie-paris https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/19a-Cover-Pan.jpg Cover of Berthe Weill’s Memoirs Pan! Right in the Eye, or Thirty Years Behind the Scenes of Contemporary Painting 1900-1930. Copy on paper from the Imperial Manufactures of Japan, Librairie Lipschütz, 1933. © Marianne Le Morvan Collection – Berthe Weill Archives. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/11a-Emilie-Charmy-Autoportrait.jpg Émilie Charmy, Self-Portrait, 1906-1907. Oil on canvas, 81 × 65 cm. Private collection. Photo: © Studio Gibert. courtesy Galerie Bernard Bouche. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/17a-Alice-Halicka-Nature-morte-au-violon.jpg Alice Halicka. Still Life with Violin, 1918. Oil on canvas, 92.5 × 73 cm. Bordeaux, Musée des Beaux-Arts, purchase, 1972. City of Bordeaux, Musée des Beaux-Arts, Photo © F. Deval. © Adagp, Paris 2025. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/13a-Pablo-Picasso-Hetaira.jpg Pablo Picasso, Hetaira [or Courtesan with a Jewel Necklace], 1901. Oil on canvas, 65.3 × 54.5 cm. Turin, Pinacoteca Agnelli. Photo: © akg-images. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/20a.-Cesar-Abin-Leurs-figures.jpg César Abín. Portrait of Berthe Weill Surrounded by Derain, Chagall, Léger, Picasso, and Braque, in Their Faces: 56 Portraits of Contemporary Artists, Critics, and Dealers, with a commentary by Maurice Raynal Imprimerie Muller et Cie., Paris 18th, 1932. © Marianne Le Morvan Collection – Berthe Weill Archives (gift of Alain Endewelt). https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/7a-Amedeo-Modigliani-Nu-au-collier-de-corail.jpg Amedeo Modigliani. Nude with Coral Necklace, 1917. Oil on canvas, 66.5 × 101.1 cm. Oberlin, Allen Memorial Art Museum, Oberlin College, Ohio. Gift of Joseph and Enid Bissett. Photo: © Allen Memorial Art Museum, Oberlin College, Ohio. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/3a-Suzanne-Valadon,-La-Chambre-bleue.jpg Suzanne Valadon. The Blue Room, 1923. Oil on canvas, 90 × 116 cm. Paris, Centre Pompidou, Musée National d’Art Moderne / Centre de Création Industrielle, on deposit at the Musée des Beaux-Arts de Limoges. Photo: © Centre Pompidou, MNAM-CCI, Dist. Grand Palais Rmn / Jacqueline Hyde. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/24a-Georges-Kars.jpg Georges Kars. Portrait of Mme Berthe Weill, Art Dealer, 1927. Charcoal, signed lower right, 49 × 32 cm. Private collection. Photo © Caroline Coyner Photography. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/10a-exhibitiion-view.jpg Left: George Kars, Portrait of Berthe Weill, 1933, installation view, Berthe Weill: Art Dealer of the Parisian Avant-garde, Musée de l’Orangerie, Paris, 8 October 2025 – 26 January 2026. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/1a-Exhibition-view-with-Emilie-Charmy-portrait-of-Berthe-Weill.jpg Installation view, Berthe Weill: Art Dealer of the Parisian Avant-garde, Musée de l’Orangerie, Paris, 8 October 2025 – 26 January 2026. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/21a-Marc-Vaux-Bal-masque-pour-les-trente-ans-de-la-Galerie-B-Weill.jpg Marc Louis René Vaux. Masked Ball for the Thirtieth Anniversary of the B. Weill Gallery, December 13, 1931. (Berthe Weill seated in a tuxedo at the center). Photograph, 15.8 × 20.5 cm. Marianne Le Morvan Collection – Berthe Weill Archives (gift of Antoinette Karlinsky). © photo: Musée d’Orsay / Allison Bellido / © Centre Pompidou - MNAM / CCI - Bibliothèque Kandinsky. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/23a-Photographie-du-peintre-Francis-Smith.jpg Anonymous, Francis Smith, Berthe Weill, and Yvonne Mortier-Smith in Saint-Tropez, 1924. Photograph, 11 × 8.5 cm. Pierre Brethes Collection. © Musée d’Orsay / Allison Bellido Espichan. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/4a-Henri-Matisse,-Premiere-nature-morte-orange.jpg Henri Matisse. First Orange Still Life, 1899. Oil on canvas, 56 × 73 cm. Paris, Centre Pompidou, Musée National d’Art Moderne / Centre de Création Industrielle, on deposit at the Musée Départemental Matisse, Le Cateau-Cambrésis. Photo: © Centre Pompidou, MNAM-CCI, Dist. Grand Palais Rmn / Bertrand Prévost. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/6a-Otto-Freundlich,-Composition-1939.jpg Otto Freundlich. Composition 1939, 1939. Tempera on paper mounted on canvas, 193 × 146 cm. Pontoise, Musée Tavet-Delacour. Photo: © Musée d’Art et d’Histoire Pissarro-Pontoise. https://www.studiointernational.com/images/articles/w/020-weill-berthe-2025/8a-Maurice-de-Vlaminck-Restaurant-de-la-Machine-a-Bougival.jpg Maurice de Vlaminck. Le Restaurant de la Machine à Bougival, 1905. Oil on canvas, 60.0 × 81.5 cm. Paris, Musée d’Orsay, donation of Max and Rosy Kaganovitch, 1973. © Musée d’Orsay, dist. Grand Palais Rmn / Patrice Schmidt. © Adagp, Paris 2025. https://www.studiointernational.com/index.php/anindita-dutta-the-shadows-of-duality-review-sylvia-wald-po-kim-gallery-new-york https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Abhay-(Fearles).jpg Anindita Dutta, Abhay (Fearless), 2024, installation view, Anindita Dutta: The Shadows of Duality, The Sylvia Wald and Po Kim Gallery, New York, 15 October –19 December 2025. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Sex,-Sexuality,-and-Society-AUSTRALIA.jpg Anindita Dutta, Sex, Sexuality, and Society – AUSTRALIA, 2023, used shoe, used clutch bags, animal horn, 14 ½ x 5 ½ x 10 ½ in. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Garden-of-ripped-shoes-01.jpg Anindita Dutta, Garden of Ripped Shoes - 01, 2025, used shoes, animal horn, purse, animal hide, hand stitched rib cage, used leather coat, 81 x 33 x 7 in. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Sex,Sexuality-and-Society-BOTSWANA.jpg Anindita Dutta, Sex,Sexuality and Society - BOTSWANA, 2023, used shoes, animal horn, hide, 91 x 81 x 13 in. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Song-under-the-carpet.jpg Anindita Dutta, Song Under the Carpet, 2025, carpet, used shoes, belts, artificial flowers, 80 × 49 × 12 in. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Hall-of-Opened-Purses.jpg Anindita Dutta, Hall of Opened Purses, 2024, leather belt, bag, boot, fur coat, dyed animal horns and dyed flowers, 79 × 58 × 8 1/2 in. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Field-of-flowering-bones.jpg Anindita Dutta, Field of flowering bones, 2025, used shoes, used leather coat, human hair, purse, broken frame, artificial flowers, 79 × 39 × 13 in. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Orchard-within-the-hide.jpg Anindita Dutta, Orchard within the hide, 2025, animal hide, horn, shoe, velvet cloth, 83 × 32 × 12 in. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Z-Gallery-View02-1000.jpg Anindita Dutta: The Shadows of Duality, installation view, The Sylvia Wald and Po Kim Gallery, New York, 15 October –19 December 2025. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Z-Gallery-View01.jpg Anindita Dutta: The Shadows of Duality, installation view, The Sylvia Wald and Po Kim Gallery, New York, 15 October –19 December 2025. Photo: Martin Seck https://www.studiointernational.com/images/articles/d/030-dutta-anindita-2025/Z-Gallery-View03.jpg Anindita Dutta: The Shadows of Duality, installation view, The Sylvia Wald and Po Kim Gallery, New York, 15 October –19 December 2025. Photo: Martin Seck https://www.studiointernational.com/index.php/women-of-influence-the-pattle-sisters-review-watts-gallery-artists-village-guildford-surrey https://www.studiointernational.com/images/articles/p/&089-pattle-sisters-2025/G-F-Watts-(1817-1904)-Miss-Virginia-Julian-Dalrymple-(Mrs-Francis-Champneys),-1872-Watts-Gallery-Trust.jpg G F Watts, Miss Virginia Julian Dalrymple (Mrs Francis Champneys), 1872. Oil on canvas, 132 x 84 cm. Watts Gallery Trust. https://www.studiointernational.com/images/articles/p/&089-pattle-sisters-2025/Julia-Margaret-Cameron-(1815-1879)--Red-album-gifted-to-Virginia-by-Julia-Margaret-Cameron,-1863-Photographs--Credit-Eastnor-Castle-Collection.jpg Julia Margaret Cameron, Red album gifted to Virginia by Julia Margaret Cameron, 1863, Photographs pasted onto paper, 37 x 28.5 cm. Eastnor Castle Collection. https://www.studiointernational.com/images/articles/p/&089-pattle-sisters-2025/Edward-Burne-Jones-(1833-1898)-The-Little-Holland-House-album-1859.jpg Edward Burne Jones, The Little Holland House album,1859. Bound leather handmade book, 24.2 x 20 x 3.8 cm. Private Collection. https://www.studiointernational.com/images/articles/p/&089-pattle-sisters-2025/G-F-Watts-(1817-1904)-Humanity-in-the-Lap-of-the-Earth,-1851-52.jpg G F Watts. Humanity in the Lap of the Earth, 1851-52. Oil and turpentine on plaster, 115 x 91 cm. Leighton House, Royal Borough of Kensington and Chelsea. https://www.studiointernational.com/images/articles/p/&089-pattle-sisters-2025/Unknown-maker,-Green-dress-worn-by-Virginia-Dalrymple-in-Miss-Virginia-Julian-Dalrymple-(Mrs-Francis-Champneys),-1872-by-G-F-Watts.jpg Unknown maker, The Green Dress, c1870. Silk bows and ribbon, metal hooks, metal eyes, lined with cream cotton. Watts Gallery Trust. https://www.studiointernational.com/images/articles/p/&089-pattle-sisters-2025/Vanessa-Bell-(1879-1961)-Portrait-of-the-Artists-Mother.jpg Vanessa Bell, Portrait of the Artist https://www.studiointernational.com/images/articles/p/&089-pattle-sisters-2025/G-F-Watts-(1817-1904)-Miss-Virginia-Pattle-(1826-1910),-1849-1850-Eastnor-Castle-Collection.jpg G F Watts, Miss Virginia Pattle (1826-1910), 1849-1850. Oil on canvas, 249 x 143 x 11 cm. (with frame or mount). Eastnor Castle Collection. https://www.studiointernational.com/index.php/playing-with-fire-edmund-de-waal-and-axel-salto-review-the-hepworth-wakefield https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/Playing-With-Fire-0446repro.jpg Playing with Fire: Axel Salto and Edmund de Waal, installation view, The Hepworth Wakefield, November 2025. Photo: Michael Pollard. https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/Playing-With-Fire-38829repro.jpg Playing with Fire: Axel Salto and Edmund de Waal, installation view, The Hepworth Wakefield, November 2025. Photo: Michael Pollard. https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/Playing-With-Fire-38848repro.jpg Playing with Fire: Axel Salto and Edmund de Waal, installation view, The Hepworth Wakefield, November 2025. Photo: Michael Pollard. https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/Playing-With-Fire-0476repro.jpg Playing with Fire: Axel Salto and Edmund de Waal, installation view, The Hepworth Wakefield, November 2025. Photo: Michael Pollard. https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/750-Playing-With-Fire-38816repro.jpg Playing with Fire: Axel Salto and Edmund de Waal, installation view, The Hepworth Wakefield, November 2025. Photo: Michael Pollard. Michael Pollard https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/No02-Axel_Salto-CLAY-RC-Collection.jpg Axel Salto looking at the sculpture The Core of Power in the kiln, 1956. CLAY - Royal Copenhagen Collection. Photo by Aage Strüwing. © Axel Salto/VISDA. https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/No04-Axel-Salto.-Wood-cut-CLAY-RC-Collection.jpg Axel Salto. From the folio La Côte d’Azur, 1926. Coloured woodcut, 31.4 X 23.8 cm. CLAY - The Royal Copenhagen Collection. © Axel Salto/VISDA. https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/No05-Vase-in-the-sprouting-style-Tangen-Kunstsilo.jpg Axel Salto, Vase in the sprouting style, 1950. Blue Mussel Glaze. H: 28 cm. The Tangen Collection / Kunstsilo. Photo: Dannevig Foto AS/Kunstsilo. © Axel Salto/VISDA. https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/No06-Axel-Salto,-Vase-The-Tangen-Collection-Kunstsilo.jpg Axel Salto, Vase, 1946. Solfatara glaze. H: 22,5 cm. The Tangen Collection/Kunstsilo. Photo: Even Askildsen / Kunstsilo. © Axel Salto/VISDA. https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/No11-Design-by-Axel-Salto.jpg Axel Salto. Decorated paper. Ear of corn motif, 1943. Privately owned. Photo: CLAY PR. @Axel Salto / VISDA. https://www.studiointernational.com/images/articles/p/&088-playing-with-fire-2025/No14-Axel-Salto.-Vase-in-sprouting-Style.jpg Axel Salto. Vase in sprouting style, undated. Stoneware with sung glaze, H: 35 cm. CLAY - The Royal Copenhagen Collection. Photo: Ole Akhøj. © Axel Salto / VISDA. https://www.studiointernational.com/index.php/karimah-ashadu-tendered-review-camden-art-centre-london https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/Femi_Shoulder-Press_MUSCLE-Film-Still_Karimah-Ashadu_HR.jpg Karimah Ashadu, Muscle, 2025. Film still, HD digital film, colour with sound. single channel. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/(27)--Installation-view-of-MUSCLE-(2025).jpg Karimah Ashadu, Muscle, 2025. HD digital film, colour with sound. single channel. Installation view, Camden Art Centre, 2025. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/(3)-Installation-view-of-King-of-Boys-(Abattoir-of-Makoko)-(2015).jpg Karimah Ashadu, King of Boys (Abattoir of Makoko), 2015. HD digital film, colour with sound, 5 mins. Installation view, Camden Art Centre, 2025. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/(7)-Installation-view-of-Cowboy-(2022)-in-Karimah-Ashadu.jpg Karimah Ashadu, Cowboy, 2022. HD digital film, colour with sound, two channel, 10:40 mins. Installation view, Camden Art Centre, 2025. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/1000-(21)-Installation-view-of-MUSCLE-(2025.jpg Karimah Ashadu, Muscle, 2025. HD digital film, colour with sound. single channel. Installation view, Camden Art Centre, 2025. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/BJ_MUSCLE-Film-Still_Karimah-Ashadu_HR.jpg Karimah Ashadu, Muscle, 2025. Film still, HD digital film, colour with sound. single channel. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/(11)-Installation-view-of-Cowboy-(2022).jpg Karimah Ashadu, Cowboy, 2022. HD digital film, colour with sound, two channel, 10:40 mins. Installation view, Camden Art Centre, 2025. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/King-of-Boys-(2015)-courtesy-of-the-artist.jpg Karimah Ashadu, King of Boys (Abattoir of Makoko), 2015. HD digital film, colour with sound, 5 mins. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/King-of-Boys_Installation-025.jpg Karimah Ashadu, King of Boys (Abattoir of Makoko), 2015. HD digital film, colour with sound, 5 mins. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/King-of-Boys_film-still-man-walks-into-red_Karimah-Ashadu.jpg Karimah Ashadu, King of Boys (Abattoir of Makoko), 2015. HD digital film, colour with sound, 5 mins. Courtesy the artist, Fondazione In Between Art Film, Sadie Coles HQ, London and Camden Art Centre. https://www.studiointernational.com/images/articles/a/&075-ashadu-karimah-2025/karimah-ashadu-Camden-Art-Centre-3.jpg Karimah Ashadu, Pure Rugged Water, 2025 and Cotch I & II, 2025, installation view, Camden Art Centre, 2025. Courtesy the Artist, Sadie Coles HQ, London and Fondazione In Between Art Film. Photo: Rob Harris. https://www.studiointernational.com/index.php/gerhard-richter-review-fondation-louis-vuitton-paris https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/gerhard-richter-01.jpg Gerhard Richter, Table, 1962. Oil on canvas, 90 x 113 cm. Private Collection. Photo: Jennifer Bornstein. © Gerhard Richter 2025. https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/10.jpg Gerhard Richter, Self-Portrait, 1996. Oil on linen, 51 x 46 cm. The Museum of Modern Art, New York. Gift of Jo Carole and Ronald S. Lauder and Committee on Painting and Sculpture Funds, 1996. © Gerhard Richter 2025. https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/gerhard-richter-06.jpg Gerhard Richter, Venice (Staircase), 1985. Oil on canvas, 51.4 x 71.8 cm. The Art Institute of Chicago. Gift of Edlis Neeson Collection. © Gerhard Richter 2025. https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/gerhard-richter-03.jpg Gerhard Richter, Ema (Nude on a Staircase), 1966. Oil on canvas, 200 x 130 cm. Museum Ludwig, Cologne / Donation Ludwig Collection 1976. © Gerhard Richter 2025. https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/gerhard-richter-07.jpg Gerhard Richter, Apple Trees, 1987. Oil on canvas, 67 x 92 cm. Private collection. © Gerhard Richter 2025. https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/gerhard-richter-05.jpg Gerhard Richter, Carrot, 1984. Oil on canvas, 200 x 160 cm. Collection Fondation Louis Vuitton. © Gerhard Richter 2025. https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/gerhard-richter-02.jpg Gerhard Richter, Uncle Rudi, 1965. Oil on canvas, 87 x 50 cm. Collection Lidice Memorial, Czech Republic Photo: Richard Schmidt. © Gerhard Richter 2025. https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/gerhard-richter-08.jpg Gerhard Richter, Gudrun, 1987. Oil on canvas, 250 x 250 cm. Fondation Louis Vuitton, Paris. Photo: Primae / Louis Bourjac © Gerhard Richter 2025. https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/gerhard-richter-04.jpg Gerhard Richter, Candle, 1982. Oil on canvas, 95 x 90 cm. Collection Institut d’art contemporain, Villeurbanne / Rhône-Alpes, Hirshhorn Purchase Fund, 1994. © Gerhard Richter 2025. https://www.studiointernational.com/images/articles/r/014-richter-gerhard-2025/gerhard-richter-09.jpg Gerhard Richter, Reader], 1994. Oil on canvas, 72 x 102 cm. Collection San Francisco Museum of Modern Art. Purchase through the gifts of Mimi and Peter Haas and Helen and Charles Schwab, and the Accessions Committee Fund: Barbara and Gerson Bakar, Collectors Forum, Evelyn D. Haas, Elaine McKeon, Byron R. Meyer, Modern Art Council, Christine and Michael Murray, Nancy and Steven Oliver, Leanne B. Roberts, Madeleine H. Russell, Danielle and Brooks Walker, Jr., Phyllis C. Wattis, and Pat and Bill Wilson. © Gerhard Richter 2025. https://www.studiointernational.com/index.php/saodat-ismailova-as-we-fade-review-baltic-centre-for-contemporary-art https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/01-Saodat-Ismailova-As-We-Fade-(c)-Baltic-Centre-for-Contemporary-Art-2025-Photo-by-Tom-Carter-(1).jpg Saodat Ismailova, As We Fade, installation view, Baltic Centre for Contemporary Art, Gateshead 8 November 2025 – 7 June 2026. © Baltic Centre for Contemporary Art 2025. Photo: Tom Carter. https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/Clip-from-Swan-Lake-(2025)-showing-dancers-briefly-emerging-on-right-Pic-V-Simpson.jpg Saodat Ismailova, Swan Lake, 2025. Installation view, Baltic Centre for Contemporary Art, Gateshead, 8 November 2025 – 7 June 2026. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/01B-Saodat-Ismailova-As-We-Fade-(c)-Baltic-Centre-for-Contemporary-Art-2025-Photo-by-Tom-Carter-(1).jpg Saodat Ismailova, As We Fade, installation view, Baltic Centre for Contemporary Art, Gateshead 8 November 2025 – 7 June 2026. © Baltic Centre for Contemporary Art 2025. Photo: Tom Carter. https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/Clip-from-Melted-Into-the-Sun-(2024)-with-ornate-bean-bags-for-reclining-on-Pic-V-Simpson.jpg Saodat Ismailova, Melted Into the Sun, 2024. Installation view with ornate bean bags for reclining on, Baltic Centre for Contemporary Art, Gateshead, 8 November 2025 – 7 June 2026. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/Opposite-view-of-projection-of-As-We-Fade-(2024)-onto-front-silk-panel-at-Baltic-Pic-V-Simpson.jpg Saodat Ismailova, As We Fade, 2024, projected onto 24 panels of silk gauze, installation view, Baltic Centre for Contemporary Art, Gateshead, 8 November 2025 – 7 June 2026. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/Clip-from-Zukhra-(203)-From-Baltic-show-Pic-V-Simpson.jpg Saodat Ismailova, Zukhra, 2013. Installation view, Baltic Centre for Contemporary Art, Gateshead, 8 November 2025 – 7 June 2026. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/05-Saodat-Ismailova-Still-from-Melted-Into-the-Sun-at-(c)-Baltic-Centre-for-Contemporary-Art-2025-Photo-by-Tom-Carter.jpg Saodat Ismailova, As We Fade, installation view, Baltic Centre for Contemporary Art, Gateshead, 8 November 2025 – 7 June 2026. © Baltic Centre for Contemporary Art 2025. Photo: Tom Carter. https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/04B-Saodat-Ismailova-As-We-Fade-(c)-Baltic-Centre-for-Contemporary-Art-2025-Photo-by-Tom-Carter.jpg.jpg Saodat Ismailova, As We Fade, installation view, Baltic Centre for Contemporary Art, Gateshead 8 November 2025 – 7 June 2026. © Baltic Centre for Contemporary Art 2025. Photo: Tom Carter. https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/03-Saodat-Ismailova-As-We-Fade-(c)-Baltic-Centre-for-Contemporary-Art-2025-Photo-by-Tom-Carter.jpg Saodat Ismailova, As We Fade, installation view, Baltic Centre for Contemporary Art, Gateshead 8 November 2025 – 7 June 2026. © Baltic Centre for Contemporary Art 2025. Photo: Tom Carter. https://www.studiointernational.com/images/articles/i/065-Ismailova-Saodat-2025/Visitors-watch-Melted-Into-The-Sun-(2024)-at-Baltic-Pic-V-Simpson.jpg Saodat Ismailova, Melted Into the Sun, 2024. Installation view, Baltic Centre for Contemporary Art, Gateshead, 8 November 2025 – 7 June 2026. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/merlin-daleman-interview-mutiny-photo-book-photography-brexit https://www.studiointernational.com/images/articles/d/029-daleman-merlin-2025/merlin-daleman-Two-Grannies.jpg Two ladies stand in a shopping centre in Romford, June 2018. "69.7% voted for Brexit in the London borough of Havering, England." – Merlin Daleman. https://www.studiointernational.com/images/articles/d/029-daleman-merlin-2025/merlin-daleman-McDonalds.jpg Merlin Daleman. A boarded-up house and a church behind a McDonald’s sign, Dudley, October 2017. https://www.studiointernational.com/images/articles/d/029-daleman-merlin-2025/merlin-daleman-Malcolm.jpg Malcolm at home, Brierley Hill, June 2017. "He has had a difficult life and struggles with mental health issues, but he’s trying to make the best of it. He finds it increasingly hard to be around people and that’s tricky while trying to hold down a job." – Merlin Daleman. https://www.studiointernational.com/images/articles/d/029-daleman-merlin-2025/merlin-daleman-Two-Girls-it-was-all-a-dream.jpg Merlin Daleman. A reflection of in the window of Archie’s Burgers in Birmingham, July 2022. https://www.studiointernational.com/images/articles/d/029-daleman-merlin-2025/merlin-daleman-Pleasure-Boat.jpg A couple in a pleasure boat ride along the exterior of Pleasure Beach, Skegness, July 2019. "I found it remarkable that someone would pay money to sit in a boat that goes along a ride with no view." – Merlin Daleman. https://www.studiointernational.com/images/articles/d/029-daleman-merlin-2025/merlin-daleman-Veiled-Women-with-Balloon.jpg Mailbox, Birmingham, July 2024. "I spotted the young ladies walking into a coffee shop, hoping to catch them on their way out, when the girl on the left looked over in my direction." – Merlin Daleman. https://www.studiointernational.com/images/articles/d/029-daleman-merlin-2025/merlin-daleman-Two-Men-Looking-out-over-countryside-with-flag.jpg Merlin Daleman. The window of a supermarket advertising British produce in Morecambe, November 2019. https://www.studiointernational.com/index.php/beyond-the-visual-review-henry-moore-institute-leeds https://www.studiointernational.com/images/articles/b/&063-beyond-the-visual-2025/HMI-Beyond-the-Visual_Joanne-Crawford-11.jpg Beyond the Visual, installation view, Henry Moore Institute 28 November 2025 – 19 April 2026. Photo: Joanne Crawford. https://www.studiointernational.com/images/articles/b/&063-beyond-the-visual-2025/HMI-Beyond-the-Visual_Joanne-Crawford-36.jpg A visitor and her Guide Dog with Aaron McPeake, Rings, 2025 in Beyond the Visual at Henry Moore Institute 28 November 2025 – 19 April 2026. Photo: Joanne Crawford. https://www.studiointernational.com/images/articles/b/&063-beyond-the-visual-2025/HMI-Beyond-the-Visual_Joanne-Crawford-13.jpg David Johnson, Inhibition: Beyond the Doubt of a Shadow, 2025. Installation view of Beyond the Visual at Henry Moore Institute 28 November 2025 – 19 April 2026. Photo: Rob Harris Photo: Joanne Crawford. https://www.studiointernational.com/images/articles/b/&063-beyond-the-visual-2025/Beyond-the-Visual,-Henry-Moore-Institute-(High-Res)-(c)-Rob-Harris-(3)-.jpg Serafina Min, Pass Away, 2025 in Beyond the Visual at Henry Moore Institute 28 November 2025 – 19 April 2026. Photo: Rob Harris. Courtesy of the artist. https://www.studiointernational.com/images/articles/b/&063-beyond-the-visual-2025/HMI-Beyond-the-Visual_Joanne-Crawford-42.jpg Ken Wilder, Pendulum, 2025 in Beyond the Visual at Henry Moore Institute 28 November 2025 – 19 April 2026. Photo: Joanne Crawford. https://www.studiointernational.com/images/articles/b/&063-beyond-the-visual-2025/HMI-Beyond-the-Visual_Joanne-Crawford-57.jpg Two visitors and a Guide Dog with an Information Assistant interacting with Henry Moore https://www.studiointernational.com/images/articles/b/&063-beyond-the-visual-2025/Beyond-the-Visual,-Henry-Moore-Institute-(High-Res)-(c)-Rob-Harris-(20)-.jpg Lenka Clayton, in collaboration with The Fabric Workshop and Museum, Philadelphia, Sculpture for the Blind, by the Blind, 2017 in Beyond the Visual at Henry Moore Institute 28 November 2025 – 19 April 2026. Courtesy of the artist and Catharine Clark Gallery, San Francisco. Photo: Rob Harris. https://www.studiointernational.com/images/articles/b/&063-beyond-the-visual-2025/HMI-Beyond-the-Visual_Joanne-Crawford-21-750.jpg Beyond the Visual, installation view, Henry Moore Institute 28 November 2025 – 19 April 2026. Photo: Joanne Crawford. https://www.studiointernational.com/index.php/luigi-ghirri-polaroid-79-83-review-centro-pecci-prato-italy https://www.studiointernational.com/images/articles/g/006-ghirri-luigi-2025/GHIRRI-29.jpg Luigi Ghirri, Roma, 1979, Serie. Polaroid, 8 x 8 cm. © Courtesy Thomas Dane Gallery, London and Naples. https://www.studiointernational.com/images/articles/g/006-ghirri-luigi-2025/GHIRRI-57.jpg Luigi Ghirri, Modena, 1980, Serie. Polaroid, 8 x 8 cm. © Courtesy Thomas Dane Gallery, London and Naples. https://www.studiointernational.com/images/articles/g/006-ghirri-luigi-2025/GHIRRI-58.jpg Luigi Ghirri, Formigine (Mo), 1983, Serie. Polaroid, 8 x 8 cm. © Courtesy Heirs of Luigi Ghirri. https://www.studiointernational.com/images/articles/g/006-ghirri-luigi-2025/Centro-Pecci-Prato_-Luigi-Ghirri-Polaroid-79-83_-ph-Andrea-Rossetti_05.jpg Luigi Ghirri: Polaroid ‘79–‘83, installation view, Centro per l https://www.studiointernational.com/images/articles/g/006-ghirri-luigi-2025/Centro-Pecci-Prato_-Luigi-Ghirri-Polaroid-79-83_-ph-Andrea-Rossetti_03.jpg Luigi Ghirri: Polaroid ‘79–‘83, installation view, Centro per l'arte contemporanea Luigi Pecci, Prato, 2 November 2025 – 10 May 2026. Photo: Andrea Rossetti. https://www.studiointernational.com/images/articles/g/006-ghirri-luigi-2025/Centro-Pecci-Prato_-Luigi-Ghirri-Polaroid-79-83_-ph-Andrea-Rossetti_04.jpg Luigi Ghirri: Polaroid ‘79–‘83, installation view, Centro per l'arte contemporanea Luigi Pecci, Prato, 2 November 2025 – 10 May 2026. Photo: Andrea Rossetti. https://www.studiointernational.com/index.php/frank-gehry-architect-remembered https://www.studiointernational.com/images/articles/g/005-gehry-frank-2025/guggenheim-bilbao.jpg Police guarding the entrance to the Guggenheim Bilbao before its opening in October 1997. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/g/005-gehry-frank-2025/frank-gehry-remembered.jpg Frank Gehry sitting in one of the Little Beaver cardboard armchairs he designed. Photo: Ann Philbin. https://www.studiointernational.com/index.php/dana-awartani-standing-by-the-ruins-review-towner-eastbourne https://www.studiointernational.com/images/articles/a/&074-awartani-dana-2025/Towner-Art-Gallery-Dana-Awartani-62.jpg Dana Awartani: Standing by the Ruins, installation view, Towner Eastbourne. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/&074-awartani-dana-2025/Towner-Art-Gallery-Dana-Awartani-53.jpg Dana Awartani: Standing by the Ruins, installation view, Towner Eastbourne. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/&074-awartani-dana-2025/Towner-Art-Gallery-Dana-Awartani-29.jpg Let Me Mend Your Broken Bones, 2023. Installation view, Dana Awartani: Standing by the Ruins, Towner Eastbourne. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/&074-awartani-dana-2025/Towner-Art-Gallery-Dana-Awartani-35B.jpg Let Me Mend Your Broken Bones, 2023. Installation view, Dana Awartani: Standing by the Ruins, Towner Eastbourne. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/&074-awartani-dana-2025/Towner-Art-Gallery-Dana-Awartani-21.jpg Dana Awartani: Standing by the Ruins, installation view, Towner Eastbourne. Photo: Rob Harris. https://www.studiointernational.com/images/articles/a/&074-awartani-dana-2025/Towner-Art-Gallery-Dana-Awartani-13.jpg Dana Awartani: Standing by the Ruins, installation view, Towner Eastbourne. Photo: Rob Harris. https://www.studiointernational.com/index.php/erasure-review-lais-amaral-solange-pessoa-dana-awartani-goodwood-art-foundation-west-sussex https://www.studiointernational.com/images/articles/e/049-erasure-2025/TA401414.jpg Laís Amaral, Le maître des arcanes, 2025 and Solange Pessoa, Nihil Novi Sub Sole, 2019–21, installation view, Erasure, Goodwood Art Foundation. Photo: Toby Adamson. https://www.studiointernational.com/images/articles/e/049-erasure-2025/Lais-Amaral,-Untitled,-2023.jpg Laís Amaral, Untitled XI, Cimento e água, Gamboa series, 2023. Acrylic and oil pastel on linen, 180 x 160 cm. Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York. Photo: Hugard & Vanoverschelde. https://www.studiointernational.com/images/articles/e/049-erasure-2025/TA401405.jpg Solange Pessoa, Nihil Novi Sub Sole, 2019–21. Carved soapstone sculptures, installation view, Erasure, Goodwood Art Foundation. Photo: Toby Adamson. https://www.studiointernational.com/images/articles/e/049-erasure-2025/I-Went-Away-and-Forgot-You-(c)-Dana-Awartani.jpg Dana Awartani, I Went Away and Forgot You, 2017. © Dana Awartani, Courtesy Hirshhorn Museum and Sculpture Garden, Photo: Ron Amstutz. https://www.studiointernational.com/images/articles/e/049-erasure-2025/I-Went-Away-and-Forgot-You-(c)-Dana-Awartani,-Courtesy-the-Artist-and-Lisson-Gallery.jpg Dana Awartani, I Went Away and Forgot You, 2017. © Dana Awartani, Courtesy the Artist and Lisson Gallery. https://www.studiointernational.com/images/articles/e/049-erasure-2025/L1380705.jpg Erasure, installation view, Goodwood Art Foundation, featuring mixed-media paintings by Laís Amaral and carved soapstones by Solange Pessoa. Photo: Toby Adamson. https://www.studiointernational.com/images/articles/e/049-erasure-2025/TA305622.jpg Solange Pessoa, Nihil Novi Sub Sole, 2019–21. Carved soapstone sculptures, installation view, Erasure, Goodwood Art Foundation. Photo: Toby Adamson. https://www.studiointernational.com/index.php/william-nicholson-review-pallant-house-gallery-chichester https://www.studiointernational.com/images/articles/n/052-nicholson-william-2025/Nicholson_The-End-of-War_1917_PHG.jpg William Nicholson, The End of War, 1917. Lithograph on paper, Purchased by Pallant House Gallery (2024). https://www.studiointernational.com/images/articles/n/052-nicholson-william-2025/Nicholson_James-McNeill-Whistler_1897_PHG-Cropped.jpg William Nicholson, James McNeill Whistler, 1897. Lithograph from the original woodblock, 24.5 x 22.5 cm. Muriel Wilson Bequest (2019). https://www.studiointernational.com/images/articles/n/052-nicholson-william-2025/Nicholson_Jennie-as-Infanta_1913_PC.jpg William Nicholson, Jennie as Infanta, 1913. Oil on canvas, 58.5 x 55 cm. https://www.studiointernational.com/images/articles/n/052-nicholson-william-2025/Nicholson_William_Nancy_wth_feather_hat_1910_Richard_Green_Gallery-(1).jpg William Nicholson, Nancy with Feather Hat (The Artist’s Daughter), 1910. Oil on canvas, 75 x 62.2 cm. Private collection, courtesy Richard Green Gallery, London. https://www.studiointernational.com/images/articles/n/052-nicholson-william-2025/Nicholson_The-Gold-Jug.jpg William Nicholson, Gold Jug, 1937. Oil on canvas board, 40.9 x 32.7 cm. Lent by His Majesty the King. © Royal Collection Enterprises Limited 2025. All Rights Reserved. https://www.studiointernational.com/images/articles/n/052-nicholson-william-2025/Nicholson_Snow-in-the-Horseshoe_1927_PC-cropped.jpg William Nicholson, Snow in the Horseshoe, 1927. Oil on canvas board, 32.5 x 40 cm. Private collection courtesy of Hazlitt Holland-Hibbert. https://www.studiointernational.com/images/articles/n/052-nicholson-william-2025/Nicholson_Rose-Lustre_1920_PC.jpg William Nicholson, Rose Lustre, 1920. Oil on panel, 27.5 x 33 cm. Private Collection c/o Hazlitt Holland-Hibbert. https://www.studiointernational.com/images/articles/n/052-nicholson-william-2025/Nicholson_Lady_in_grey_1918_PC-cropped.jpg William Nicholson, Lady in Grey, 1918. Oil on canvas laid on board, 100.5 x 66.5 cm. Osbourne Samuel Gallery. https://www.studiointernational.com/images/articles/n/052-nicholson-william-2025/Nicholson_The-Silver-Casket-and-Red-Leather-Box-1920_PC.jpg William Nicholson, Silver Casket with Red Leather Basket, 1920. Oil on panel, 33 x 40.5 cm. Private Collection. https://www.studiointernational.com/index.php/emilija-skarnulyte-review-tate-st-ives https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/15)-Emilija-Skarnulyte,-Tate-St-Ives,-2025.jpg Emilija Škarnulytė, Tate St Ives, 2025. Photo © Ansis Starks. https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/11)-Still-from-Aphotic-Zone-2022.jpg Emilija Škarnulytė, still from Aphotic Zone, 2022. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/16)-Emilija-Skarnulyte,-Tate-St-Ives,-2025.jpg Emilija Škarnulytė, Riparia, 2023, Tate St Ives. Photo © Tate (Sonal Bakrania). https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/19)-Emilija-Skarnulyte,-Tate-St-Ives,-2025.jpg Emilija Škarnulytė, Riparia, 2023, Tate St Ives. Photo © Tate (Sonal Bakrania). https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/8)-Still-from-Aequalia-2023.jpg Emilija Škarnulytė, still from Æqualia 2023. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/18)-Emilija-Skarnulyte,-Tate-St-Ives,-2025.jpg Emilija Škarnulytė, If Water Could Weep (Mermaid Tears), 2023–4 and Æqualia, 2023, Tate St Ives. Photo © Tate (Sonal Bakrania). https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/Image-of-Aldana-in-her-kitchen,-with-apple-peelings,-and-herb-and-grasses-canopy-above.jpg Emilija Škarnulytė, Aldona, 2013. Installation view, Tate St Ives, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/4)-Emilija-Skarnulyte_Riparia-(2).jpg Emilija Škarnulytė, Riparia, 2023. Courtesy of the artist. Co-produced with Ferme-Asile and Taurus Foundation for Art and Science. https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/9)-Still-from-Aequalia-2023.jpg Emilija Škarnulytė, still from Æqualia 2023. Courtesy of the artist. https://www.studiointernational.com/images/articles/s/&036-skarnulyte-emilija-2025/Mermaids-Tear-in-foreground-with-fictional-underwater-data-centre-in-background.jpg Emilija Škarnulytė, installation view, Tate St Ives, 2025. Photo: Veronica Simpson. https://www.studiointernational.com/index.php/the-medium-is-the-message-review-college-of-psychic-studies-london https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/AMHW-Untitled-tracing1.jpg Anna Mary Howitt Watts, Untitled, c1856–72. Ink and gouache on paper. Collection of The College of Psychic Studies. Photo: Siyu Chen Lewis. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/Mimei-Thompson-Transmission--hi-res.jpg Mimei Thompson, Ancestor (Transmission), 2023. Acrylic and gouache on paper. Courtesy the artist. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/Paulina-Peavy-Smoky.jpg Paulina Peavy, Untitled, c1978. Smoke on paper. Paulina Peavy Estate, courtesy Andrew Edlin Gallery, New York. Photo: Siyu Chen Lewis. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/SManley-3-CPS_0005-JPG.jpg Sidney Manley, Untitled, c1965–70. Pastel on board. Collection of The College. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/AIonowa-1959.jpg Aleksandra Ionowa, Untitled, 1959. Coloured pencil and graphite on paper. Collection of The College of Psychic Studies. Photo: Siyu Chen Lewis. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/101GHostStories_27_The-Evidence_SarahSparkes_2021.jpg Sarah Sparkes, 101 GHost-stories:27. The Evidence, 2021. Gouache on khadi cotton rag. Collection of The College of Psychic Studies. Image courtesy the artist. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/Ann-Churchill-Large-Blue-Mid--(5).jpg Ann Churchill, Large Blue Drawing, 1974–76. Ink on paper, 67.8 x 101.6 cm. Courtesy the artist. Photo: David Bebber. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/College-of-PS-Medium_is_the_message_Dan-Weill-Photography-22.jpg The Medium is the Message, installation view, The College of Psychic Studies, London, 2025. Left to right: Ithell Colquhoun (vitrine), Nicole Frobusch, Chantal Powell, Ithell Colquhoun. Photo: Dan Weill. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/Cara-Macwilliam,-Courting-of-the-Glistening-Veil-Photo-by-Laura-Hutchinson.jpg Cara Macwilliam, Courting of the Glistening Veil, 2024. Gouache and watercolour on watercolour paper. Courtesy the artist. Photo courtesy Jennifer Lauren Gallery, by Laura Hutchinson. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/AMHW-LifeofthePaintingMedium.jpg Anna Mary Howitt Watts, Life of the Painting medium, c1856–72. Pencil on paper. Collection of The College of Psychic Studies. Photo: Siyu Chen Lewis. https://www.studiointernational.com/images/articles/t/027-the-medium-is-the-message-2025/Ethel-Le-Rossignol---Fig31-The-Creative-Power-of-the-Spirit.jpg Ethel Le Rossignol, The Creative Power Of The Spirit, No.31 of a A Goodly Company’series, 1920–33. Gouache and gilding on card. Photo: Siyu Chen Lewis. Collection of The College of Psychic Studies https://www.studiointernational.com/index.php/mai-nguyen-long-interview-children-are-now-talbot-rice-gallery-university-of-edinburgh https://www.studiointernational.com/images/articles/n/051-Nguyen-Long-Mai-2026/BT6A5652.jpg Mai Nguyễn-Long, Vomit Girl: Grounding, 2025, The Children are Now, exhibition view, Talbot Rice Gallery, the University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/n/051-Nguyen-Long-Mai-2026/BT6A6304.jpg Mai Nguyễn-Long, Vomit Girl: Grounding, 2025, The Children are Now, exhibition view, Talbot Rice Gallery, the University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/n/051-Nguyen-Long-Mai-2026/1K1A4258.jpg Mai Nguyễn-Long, Vomit Girl: Grounding, 2025, The Children are Now, exhibition view, Talbot Rice Gallery, the University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/n/051-Nguyen-Long-Mai-2026/1K1A4268.jpg Mai Nguyễn-Long, Vomit Girl: Grounding, 2025, The Children are Now, exhibition view, Talbot Rice Gallery, the University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/n/051-Nguyen-Long-Mai-2026/1K1A4331.jpg Mai Nguyễn-Long, Vomit Girl: Grounding, 2025, The Children are Now, exhibition view, Talbot Rice Gallery, the University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/n/051-Nguyen-Long-Mai-2026/1K1A4352.jpg Mai Nguyễn-Long, Vomit Girl: Grounding, 2025, The Children are Now, exhibition view, Talbot Rice Gallery, the University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/n/051-Nguyen-Long-Mai-2026/1K1A4286.jpg Mai Nguyễn-Long, Vomit Girl: Grounding, 2025, The Children are Now, exhibition view, Talbot Rice Gallery, the University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/n/051-Nguyen-Long-Mai-2026/BT6A6302.jpg Mai Nguyễn-Long, Vomit Girl: Grounding, 2025, The Children are Now, exhibition view, Talbot Rice Gallery, the University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/images/articles/n/051-Nguyen-Long-Mai-2026/1K1A4251.jpg Mai Nguyễn-Long, Vomit Girl: Grounding, 2025, The Children are Now, exhibition view, Talbot Rice Gallery, the University of Edinburgh. Photo: Sally Jubb. https://www.studiointernational.com/index.php/frick-collection-historic-interior-one-east-seventieth-street-xavier-salomon-book-review https://www.studiointernational.com/images/articles/f/038-frick-collection-2026/7-West-Gallery.jpg West Gallery, The Frick Collection, New York. Photo: Miguel Flores-Vianna. https://www.studiointernational.com/images/articles/f/038-frick-collection-2026/2-Dining-Room.jpg Dining Room, The Frick Collection, New York. Photo: Miguel Flores-Vianna. https://www.studiointernational.com/images/articles/f/038-frick-collection-2026/4-Living-Hall.jpg Living Hall, The Frick Collection, New York. Photo: Miguel Flores-Vianna. https://www.studiointernational.com/images/articles/f/038-frick-collection-2026/17-Walnut-Room.jpg Walnut Room, The Frick Collection, New York. Photo: Miguel Flores-Vianna. https://www.studiointernational.com/images/articles/f/038-frick-collection-2026/8-Oval-Room.jpg Oval Room, The Frick Collection, New York. Photo: Miguel Flores-Vianna. https://www.studiointernational.com/images/articles/f/038-frick-collection-2026/frick-collection-1000.jpg The Frick Collection: The Historic Interiors of One East Seventieth Street, published by Rizzoli Electa in association with the Frick Collection. Right: Library Gallery, The Frick Collection, New York. Photo: Miguel Flores-Vianna. https://www.studiointernational.com/images/articles/f/038-frick-collection-2026/10-South-Hall.jpg South Hall, The Frick Collection, New York. Photo: Miguel Flores-Vianna. https://www.studiointernational.com/images/articles/f/038-frick-collection-2026/13-Breakfast-Room.jpg Breakfast Room, The Frick Collection, New York. Photo: Miguel Flores-Vianna. https://www.studiointernational.com/images/articles/f/038-frick-collection-2026/14-Boucher-Room.jpg Boucher Room, The Frick Collection, New York. Photo: Miguel Flores-Vianna. https://www.studiointernational.com/index.php/kira-freije-unspeak-the-chorus-review-hepworth-wakefield https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-4L1050166.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/2-Installation-9L1050201.jpg Kira Freije, The Calm Endurance of Grief, 2025, installation view, Unspeak the Chorus, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-16L1050286.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-13L1050259.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-2L1050142.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/750-Installation-4L1050166.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-11L1050245.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-12L1050252.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-14L1050275.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-15L1050279.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-1L1050134.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-3L1050164.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-5L1050169.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-6L1050170.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-7L1050177.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-8L1050181.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/images/articles/f/039-freije-kira-2026/Installation-9L1050201.jpg Kira Freije: Unspeak the Chorus, installation view, The Hepworth Wakefield, November 2025 – May 2026. Photo: Lewis Ronald. https://www.studiointernational.com/index.php/still-glasgow-review-gallery-of-modern-art-glasgow https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Returning-from-the-Game,-about-1960s_70s-Eric-Watt-.jpg Eric Watt, Returning from the Game, about 1960s/70s. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Girls-petting-dog,-1964-5-Joseph-McKenzie.jpg Joseph McKenzie, Untitled (photograph depicting girls petting dog). © Joseph McKenzie. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Girl-at-chalk-marked-wall,-about-1960s-Eric-Watt.jpg Eric Watt, Girl At Chalk-marked Wall, about 1960s. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Gorbals-Children,-1964-65-Joseph-McKenzie.jpg Joseph McKenzie, Gorbals Children 1964-65 (1964-65). © Joseph McKenzie. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/10-Red-Road-Court-2012-Iseult-Timmermans_-two-girls.jpg Iseult Timmermans, 10 Red Road Court, 2012. © Iseult Timmermans. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Family-on-the-Roundabout,-2023-Khansa-Aslam.jpg Khansa Aslam, Family on the Roundabout. © Khansa Aslam. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Friends-Getting-Together,-2023-Zubaidah-Azad.jpg Zubaidah Azad, Friends Getting Together. © Zubaidah Azad. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/10-Red-Road-Court-2012-Iseult-Timmermans_view-from-window.jpg Iseult Timmermans, 10 Red Road Court, 2012. © Iseult Timmermans. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Colourful-Fruit-in-Strawberry-Garden,-2023-Rashida-Hanif.jpg Rashida Hanif, Colourful Fruit in Strawberry Garden. © Rashida Hanif. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Man-on-monocycle,-man-with-stilts,-1993-David-Eustace.jpg David Eustace, Man on monocycle, man with stilts. The Buskers Portfolio October 1993. © David Eustace https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Schools-Build-Better-Generations-and-Should-Be-Respected,-2023-Sadia-Azhar.jpg Sadia Azhar, Schools Build Better Generations and Should Be Respected. © Sadia Azhar. https://www.studiointernational.com/images/articles/s/&035-still-glasgow-2026/Whats-It-To-You,1975-Stansfield-Hooykaas-1.jpg Madelon Hooykaas / Elsa Stansfield, What’s it to You?, 1975. © Stansfield/Hooykaas. https://www.studiointernational.com/index.php/monuments-review-geffen-contemporary-at-moca-the-brick-los-angeles https://www.studiointernational.com/images/articles/m/&058-monuments-2026/Lee-Sherman-statue-(2)-IMG_7289.jpg Laura Gardin Fraser, statue of generals Stonewall Jackson and Robert E Lee. Installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/beware-traitors-20251022_MOCA_Mons_C1_233.jpg BEWARE TRAITORS spray-painted on the base of Laura Gardin Fraser https://www.studiointernational.com/images/articles/m/&058-monuments-2026/KWalker_Unmanned-Drone_2023-Ruben-Diaz__TBK3427.jpg Kara Walker, Unmanned Drone, 2023. Photo: Installation view, Monuments, The Brick. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Ruben Diaz. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/Hank-Willis-Thomas-A-Suspension-of-Hostilities-IMG_7287.jpg Hank Willis Thomas, Suspension of Hostilities, 2019. 1969 Dodge Charger. Installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/Matthew-Fontaine-Maury-statue-next-to-Walter-Price-paintings-IMG_7255.jpg Matthew Fontaine Maury statue next to Walter Price’s series Cadence, 2022-24. Installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/20251022_MOCA_Mons_C1_238.jpg Andres Serrano, The Klan, 1990. Installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/Nona-Faustine-Ye-Are-My-Witness-2018-Brooklyn-Adrian-Van-Brunt-Farm_s.jpg Nona Faustine, Ye Are My Witness, Brooklyn, New York, 2018. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/20251020_MOCA_Mons_C1_089.jpg Khalil Robert Irving, New Nation (States) Battle of Manassas, 2014. Installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Fredrik Nilsen. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/deville-20251021_MOCA_Mons_C1_183.jpg Abigail DeVille, Deo Vindice (Orion’s Cabinet), 2025. Installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Fredrik Nilsen. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/Grasslands-IMG_7457.jpg Tavares Strachan, Rice Grass Meadow Gallery. Installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/barbershop-IMG_7446.jpg Tavares Strachan, Barbershop, installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/Washroom-IMG_7459.jpg Tavares Strachan, Laundromat, installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Jill Spalding. https://www.studiointernational.com/images/articles/m/&058-monuments-2026/20251020_MOCA_Mons_C1_031-2.jpg Installation view, Monuments, The Geffen Contemporary at MOCA. Courtesy of The Museum of Contemporary Art (MOCA) and The Brick. Photo: Fredrik Nilsen. https://www.studiointernational.com/index.php/proximities-review-seoul-museum-of-art-uae-south-korea https://www.studiointernational.com/images/articles/p/&087-proximities-2026/Farah-Al-Qasimi,-Conversation-(2023).-Courtesy-of-the-artist-and-The-Third-Line,-Dubai.jpg Farah Al Qasimi, Conversation, 2023. Courtesy of the artist and The Third Line, Dubai. https://www.studiointernational.com/images/articles/p/&087-proximities-2026/Abdulla-Al-Saadi,-Stone-Slippers,-2013,-Installed-in-Proximities-at-SeMA-Seoul-Photo-courtesy-of-ADMAF.jpg Abdulla Al Saadi, Stone Slippers, 2013. Installed in Proximities at SeMA Seoul. Photo courtesy of ADMAF. https://www.studiointernational.com/images/articles/p/&087-proximities-2026/Ammar-Al-Attar,-Door-Series,-2011.-Photo-courtesy-of-SeMA-Seoul-Credit-Cocoapictures.jpg Ammar Al Attar, Door Series, 2011. Photo: Cocoapictures, courtesy of SeMA Seoul. https://www.studiointernational.com/images/articles/p/&087-proximities-2026/Mohammed-Kazem,-The-Window-2003-2005-(2005)-Installed-in-Proximities-at-SeMA-Seoul-Photo-courtesy-of-ADMAF.jpg Mohammed Kazem, The Window 2003-2005 (2005). Installed in Proximities at SeMA Seoul. Photo courtesy of ADMAF. https://www.studiointernational.com/index.php/dom-sylvester-houedard-dsh-optimism-is-natural-but-a-little-excessive-review-tina-london https://www.studiointernational.com/images/articles/d/028-dsh-2026/dsh-tantra.jpg Dom Sylvester Houédard, yantra of sex, 1966. Typed page. Image courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/d/028-dsh-2026/tina-3.jpg dsh: optimism is natural but a little excessive, 2025, installation view, TINA, London. Photo courtesy of TINA. https://www.studiointernational.com/images/articles/d/028-dsh-2026/dsh10-wordwomb-1967.jpg Dom Sylvester Houédard, wordwomb, 1967. Typed page, 16.3 x 20.2 cm (6 3/8 x 8 in). Image courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/d/028-dsh-2026/dsh1-Dom-Sylvester-Houedard-Untitled-1963.jpg Dom Sylvester Houédard, Untitled, 1963. Typed page, 12.7 x 20.4 cm (5 x 8 in). Image courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/d/028-dsh-2026/dsh2-Dom-Sylvester-Houedard-Untitled-1963.jpg Dom Sylvester Houédard, Untitled, 1963. Typed page, 12.7 x 20.4 cm (5 x 8 in). Image courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/d/028-dsh-2026/dsh3-Dom-Sylvester-Houedard-mandala-of-directional-buddhas-and-consorts-1967--.jpg Dom Sylvester Houédard, mandala of directional buddhas & consorts, 1967. Typed page, 21.2 x 20.4 cm (8 3/8 x 8 in). Image courtesy of Lisson Gallery. https://www.studiointernational.com/images/articles/d/028-dsh-2026/IMG_6035.jpg Installation view at TINA, London, E.E. Vonna-Michell, in collaboration with Henri Chopin, To Ray the Rays,1985. 16mm film transferred to video, sound, colour, 7 min 55 sec. Image courtesy of the artist and Jan Mot, Brussels. Photo: Corey Bartle-Sanderson. https://www.studiointernational.com/images/articles/d/028-dsh-2026/IMG_6021.jpg Installation view at TINA, London, E.E. Vonna-Michell, in collaboration with Henri Chopin, To Ray the Rays,1985. 16mm film transferred to video, sound, colour, 7 min 55 sec. Image courtesy of the artist and Jan Mot, Brussels. Photo: Corey Bartle-Sanderson. https://www.studiointernational.com/images/articles/d/028-dsh-2026/IMG_6039.jpg Installation view at TINA, London, E.E. Vonna-Michell, in collaboration with Henri Chopin, To Ray the Rays,1985. 16mm film transferred to video, sound, colour, 7 min 55 sec. Image courtesy of the artist and Jan Mot, Brussels. Photo: Corey Bartle-Sanderson. https://www.studiointernational.com/images/articles/d/028-dsh-2026/tina-15.jpg dsh: optimism is natural but a little excessive, 2025, installation view, TINA, London. Photo courtesy of TINA. https://www.studiointernational.com/index.php/jerwood-photoworks-awards-5-review-drawing-room-and-tannery-arts-london https://www.studiointernational.com/images/articles/j/068-jerwood-photoworks-2026/_DSC3038.jpg Roman Manfredi, TRA. Jerwood / Photoworks Awards 5, installation view, Drawing Room and Tannery Arts, London. Photo: Studio Deew. Courtesy of Photoworks. https://www.studiointernational.com/images/articles/j/068-jerwood-photoworks-2026/_DSC3060.jpg Roman Manfredi, TRA. Jerwood / Photoworks Awards 5, installation view, Drawing Room and Tannery Arts, London. Photo: Studio Deew. Courtesy of Photoworks. https://www.studiointernational.com/images/articles/j/068-jerwood-photoworks-2026/_DSC3064.jpg Roman Manfredi, TRA. Jerwood / Photoworks Awards 5, installation view, Drawing Room and Tannery Arts, London. Photo: Studio Deew. Courtesy of Photoworks. https://www.studiointernational.com/images/articles/j/068-jerwood-photoworks-2026/_DSC3054.jpg Sayuri Ichida, 空席 (Kūseki). Jerwood / Photoworks Awards 5, installation view, Drawing Room and Tannery Arts, London. Photo: Studio Deew. Courtesy of Photoworks. https://www.studiointernational.com/images/articles/j/068-jerwood-photoworks-2026/_DSC3055.jpg Sayuri Ichida, 空席 (Kūseki). Jerwood / Photoworks Awards 5, installation view, Drawing Room and Tannery Arts, London. Photo: Studio Deew. Courtesy of Photoworks. https://www.studiointernational.com/images/articles/j/068-jerwood-photoworks-2026/_DSC3057.jpg Sayuri Ichida, 空席 (Kūseki). Jerwood / Photoworks Awards 5, installation view, Drawing Room and Tannery Arts, London. Photo: Studio Deew. Courtesy of Photoworks. https://www.studiointernational.com/images/articles/j/068-jerwood-photoworks-2026/_DSC3050.jpg Roman Manfredi, TRA. Monochrome Super 8 film. Jerwood / Photoworks Awards 5, installation view, Drawing Room and Tannery Arts, London. Photo: Studio Deew. Courtesy of Photoworks. https://www.studiointernational.com/images/articles/j/068-jerwood-photoworks-2026/_DSC3017.jpg Jerwood / Photoworks Awards 5, installation view, Drawing Room and Tannery Arts, London. Photo: Studio Deew. Courtesy of Photoworks. https://www.studiointernational.com/images/articles/j/068-jerwood-photoworks-2026/_DSC3066.jpg Jerwood / Photoworks Awards 5, installation view, Drawing Room and Tannery Arts, London. Photo: Studio Deew. Courtesy of Photoworks. https://www.studiointernational.com/index.php/reflections-picasso-x-barcelo-review-museo-de-almeria-spain https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/16-Miquel-Barcelo-in-the-workshop.jpg Miquel Barceló in the workshop. © Photo: Jean Marie del Moral. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/IMG_5700-2.jpg Alcazaba fortress in Almería. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/05-Reflections-Picasso-x-Barcelo.jpg Reflections. Picasso x Barceló, installation view, Museo de Almería, 16 December 2025 – 15 March 2026. Photo: Chema Artero © Museo Picasso Málaga © Museo de Almería, 2025. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/IMG_5750.jpg Reflections. Picasso x Barceló, installation view, Museo de Almería, 16 December 2025 – 15 March 2026. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/19-Pablo-Picasso-Plate-Decorated-With-a-Goat-s-Head.jpg Pablo Picasso, Plate Decorated With a Goat https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/IMG_5745.jpg Reflections. Picasso x Barceló, installation view, Museo de Almería, 16 December 2025 – 15 March 2026. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/13-Reflections-Picasso-x-Barcelo.jpg Reflections. Picasso x Barceló, installation view, Museo de Almería, 16 December 2025 – 15 March 2026. Photo: Chema Artero © Museo Picasso Málaga © Museo de Almería, 2025. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/IMG_5737-2.jpg Reflections. Picasso x Barceló, installation view, Museo de Almería, 16 December 2025 – 15 March 2026. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/02-Miquel-Barcelo,-Artist-2.jpg Miquel Barceló, Artist, at Reflections. Picasso x Barceló exhibition at the Museo de Almería. Photo: Chema Artero © Museo Picasso Málaga © Museo de Almería, 2025. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/IMG_5746-2.jpg Reflections. Picasso x Barceló, installation view, Museo de Almería, 16 December 2025 – 15 March 2026. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/IMG_5748-2.jpg Reflections. Picasso x Barceló, installation view, Museo de Almería, 16 December 2025 – 15 March 2026. Photo: Bronac Ferran. https://www.studiointernational.com/images/articles/p/&086-picasso-barcelo-2026/IMG_5733-2.jpg Reflections. Picasso x Barceló, installation view, Museo de Almería, 16 December 2025 – 15 March 2026. Photo: Bronac Ferran. https://www.studiointernational.com/index.php/richard-hawkins-potentialities-review-kunsthalle-vienna https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/Hawkins-006.jpg Richard Hawkins: Potentialities, installation view, Kunsthalle Wien 2025. Courtesy the artist; Galerie Buchholz, Cologne / Berlin / New York and Greene Naftali, New York. Photo: Markus Wörgötter. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/Hawkins-Left-to-His-Own-Devices.jpg Right: Richard Hawkins, Left to His Own Devices, 2024. Acrylic on panel, 224 x 178 x 5 cm; Left: To Divide Him Vein by Vein, 2020, acrylic on panel, 178 x 223.5 x 5 cm. Installation view, Kunsthalle Wien 2025. Courtesy the artist; Galerie Buchholz, Cologne / Berlin / New York and Greene Naftali, New York. Photo: Markus Wörgötter. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/(2)-Richard-Hawkins,-Sombre-Soul-Unsleeping,-2020.jpg Richard Hawkins, Sombre Soul Unsleeping, 2020. Courtesy of the artist; Galerie Buchholz, Cologne / Berlin / New York; and Greene Naftali, New York. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/Hawkins-003-2b.jpg Richard Hawkins: Potentialities, installation view, Kunsthalle Wien 2025. Courtesy the artist; Galerie Buchholz, Cologne / Berlin / New York and Greene Naftali, New York. Photo: Markus Wörgötter. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/(5)-Richard-Hawkins,-Ankoku-21-(Danae),-2012-Courtesy-of-the-artist_-Galerie-Buchholz,-Cologne_Berlin_New-York_-and-Greene-Naftali,-New-York_-photo_-Fredrik-Nilsen.jpg Richard Hawkins, Ankoku 21 (Danae), 2012. Courtesy of the artist; Galerie Buchholz, Cologne / Berlin / New York; and Greene Naftali, New York. Photo: Fredrik Nilsen. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/Hawkins-010.jpg Richard Hawkins: Potentialities, installation view, Kunsthalle Wien 2025. Courtesy the artist; Galerie Buchholz, Cologne / Berlin / New York and Greene Naftali, New York. Photo: Markus Wörgötter. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/1000-Hawkins-008.jpg Richard Hawkins: Potentialities, installation view, Kunsthalle Wien 2025. Courtesy the artist; Galerie Buchholz, Cologne / Berlin / New York and Greene Naftali, New York. Photo: Markus Wörgötter. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/Hawkins-011.jpg Richard Hawkins: Potentialities, installation view, Kunsthalle Wien 2025. Courtesy the artist; Galerie Buchholz, Cologne / Berlin / New York and Greene Naftali, New York. Photo: Markus Wörgötter. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/(1)-Richard-Hawkins,-Softly-yet-Weirdly-Ways,-2020.jpg Richard Hawkins, Softly yet Weirdly Ways, 2020. Courtesy of the artist; Galerie Buchholz, Cologne / Berlin / New York; and Greene Naftali, New York. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/(3)-Richard-Hawkins,-0998-pulsonial-array,-2017.jpg Richard Hawkins, 0998 pulsonial array, 2017. Courtesy of the artist; Galerie Buchholz, Cologne / Berlin / New York; and Greene Naftali, New York. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/(4)-Richard-Hawkins,-Mystery-Cult-of-Harpocrates,-2018.jpg Richard Hawkins, Mystery Cult of Harpocrates, 2018. Courtesy of the artist; Galerie Buchholz, Cologne / Berlin / New York; and Greene Naftali, New York. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/(6)-Richard-Hawkins,-Cavalier-(detail),-2022-Courtesy-of-the-artist_-Galerie-Buchholz,-Cologne_Berlin_New-York_-and-Greene-Naftali,-New-York_-photo_-Zeshan-Ahmed.jpg Richard Hawkins, Cavalier (detail), 2022. Courtesy of the artist; Galerie Buchholz, Cologne / Berlin / New York; and Greene Naftali, New York. Photo: Zeshan Ahmed https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/Hawkins-003.jpg Richard Hawkins: Potentialities, installation view, Kunsthalle Wien 2025. Courtesy the artist; Galerie Buchholz, Cologne / Berlin / New York and Greene Naftali, New York. Photo: Markus Wörgötter. https://www.studiointernational.com/images/articles/h/&094-hawkins-richard-2026/Hawkins-005.jpg Richard Hawkins: Potentialities, installation view, Kunsthalle Wien 2025. Courtesy the artist; Galerie Buchholz, Cologne / Berlin / New York and Greene Naftali, New York. Photo: Markus Wörgötter. https://www.studiointernational.com/index.php/nat-faulkner-video-interview-strong-water-camden-art-centre-london https://www.studiointernational.com/images/articles/f/037-faulkner-nat-2026/Installation-view-of-Nat-Faulkner,-_Strong-water_-at-Camden-Art-Centre,-2026-Photo-Rob-Harris-45.jpg Nat Faulkner, Aperture (Iodine), 2026. Iodine solution, acrylic frame. Installation view, Nat Faulkner: Strong water, Camden Art Centre, London. Courtesy of the artist and Brunette Coleman. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/037-faulkner-nat-2026/Installation-view-of-Nat-Faulkner,-_Strong-water_-at-Camden-Art-Centre,-2026-Photo-Rob-Harris-19.jpg Nat Faulkner, Analogue (Studio floor), 2026. Recycled X-ray silver on copper sheet. Installation view, Nat Faulkner: Strong water, Camden Art Centre, London. Courtesy of the artist and Brunette Coleman. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/037-faulkner-nat-2026/Installation-view-of-Nat-Faulkner,-_Strong-water_-at-Camden-Art-Centre,-2026-Photo-Rob-Harris-27.jpg Nat Faulkner, Analogue (Window), 2026. Recycled X-ray silver on copper sheet. Installation view, Nat Faulkner: Strong water, Camden Art Centre, London. Courtesy of the artist and Brunette Coleman. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/037-faulkner-nat-2026/Installation-view-of-Nat-Faulkner,-_Strong-water_-at-Camden-Art-Centre,-2026-Photo-Rob-Harris-30.jpg Nat Faulkner, Analogue II (Corridor), 2026. Recycled X-ray silver on copper sheet, acrylic frame. Installation view, Nat Faulkner: Strong water, Camden Art Centre, London. Courtesy of the artist and Brunette Coleman. Photo: Rob Harris. https://www.studiointernational.com/images/articles/f/037-faulkner-nat-2026/Installation-view-of-Nat-Faulkner,-_Strong-water_-at-Camden-Art-Centre,-2026-Photo-Rob-Harris-15.jpg Installation view, Nat Faulkner: Strong water, Camden Art Centre, London. Courtesy of the artist and Brunette Coleman. Photo: Rob Harris. https://www.studiointernational.com/index.php/mark-manders-video-interview-room-with-all-existing-words-london-mithraeum-bloomberg-space https://www.studiointernational.com/images/articles/m/&057-manders-mark-2026/mark-manders-installtion-view-2026-04.jpg The Roman Temple of Mithras, 240 CE, London Mithraeum Bloomberg Space. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&057-manders-mark-2026/mark-manders-installtion-view-2026-01.jpg Mark Manders: Room with All Existing Words, installation view, London Mithraeum Bloomberg Space, 22 January – 4 July 2026. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&057-manders-mark-2026/mark-manders-installtion-view-2026-05.jpg Mark Manders: Room with All Existing Words, installation view, London Mithraeum Bloomberg Space, 22 January – 4 July 2026. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&057-manders-mark-2026/mark-manders-installtion-view-2026-02.jpg Mark Manders: Room with All Existing Words, installation view, London Mithraeum Bloomberg Space, 22 January – 4 July 2026. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&057-manders-mark-2026/mark-manders-installtion-view-2026-03.jpg Mark Manders: Room with All Existing Words, installation view, London Mithraeum Bloomberg Space, 22 January – 4 July 2026. Photo: Martin Kennedy. https://www.studiointernational.com/images/articles/m/&057-manders-mark-2026/mark-manders-installtion-view-2026-06.jpg Mark Manders: Room with All Existing Words, installation view, London Mithraeum Bloomberg Space, 22 January – 4 July 2026. Photo: Martin Kennedy. https://www.studiointernational.com/index.php/something-else-entirely-the-illustration-art-of-edward-gorey-review-society-of-illustrators-new-york-city https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/E-is-for-Edward.jpg E Is for Edward: A Centennial Celebration of the Mischievous Mind of Edward Gorey by Gregory Hischak. Issued by the Edward Gorey Charitable Trust and produced in creative partnership with The Edward Gorey House. Photo: Andres Otero. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/3-Lilliput-Stained-Glass-Cover-Design.jpg Lilliput Magazine Cover, unpublished circa 1952. Courtesy of The Edward Gorey Charitable Trust. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/52-Rumpelstiltskin-Tonight-I-bake.jpg Tonight my cakes I bake... from Rumplestiltskin, published by Scholastic Books 1973. Courtesy of The Edward Gorey Charitable Trust. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/IMG_3920.jpg Cover art for Lafcadio https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/a-clutch-of-vampires.jpg Cover art intended for A Clutch of Vampires, by Raymond T. McNally, 1974. Pen and ink on paper. From the collection of Russell Lehrer and David Rosen. Courtesy of The Edward Gorey Charitable Trust. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/10-The-Monkeys-Paw-.jpg The Monkey https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/IMG_3919.jpg Fruitcake. Art for limited edition Christmas Card, 1990. Pen and ink on paper. Albondocani Press. From the collection of Irwin Terry and Bill Campbell. Courtesy of The Edward Gorey Charitable Trust https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/kenyon-review.jpg Cover art for November 1966 issue of The Kenyon Revue, 1966. Pen and ink on paper. From the collection of Irwin Terry and Bill Campbell. Courtesy of The Edward Gorey Charitable Trust. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/IMG_3922.jpg Illustration for Auguries of Innocence by William Blake, 1975. Pen and ink on paper. From the collection of The Edward Gorey Charitable Trust. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/New-Yorker-Cat-Fancy.jpg Cover art for the December 10, 2018 issue of The New Yorker, 1992. Watercolour and pen and ink on paper. Originally submitted in 1992. From the collection of Russell Lehrer and David Rosen. Courtesy of The Edward Gorey Charitable Trust. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/summer-reading.jpg Image for Bantam Books’s 1995 Summer Reading Campaign, 1995. Watercolour and pen and ink on paper. Bantam Books. From the collection of The Edward Gorey Charitable Trust. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/Edward-Gorey-Something-Else-Entirely-c-Andres-Otero-Photography-(6).jpg Something Else Entirely: The Illustration Art of Edward Gorey, installation view, Society of Illustrators, New York City, 4 October 2025 to 7 February 2026. Photo: Andres Otero. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/Edward-Gorey-Something-Else-Entirely-c-Andres-Otero-Photography-(9).jpg Something Else Entirely: The Illustration Art of Edward Gorey, installation view, Society of Illustrators, New York City, 4 October 2025 to 7 February 2026. Photo: Andres Otero. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/Edward-Gorey-Something-Else-Entirely-c-Andres-Otero-Photography-(1).jpg Something Else Entirely: The Illustration Art of Edward Gorey, installation view, Society of Illustrators, New York City, 4 October 2025 to 7 February 2026. Photo: Andres Otero. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/Edward-Gorey-Something-Else-Entirely-c-Andres-Otero-Photography-(10).jpg Something Else Entirely: The Illustration Art of Edward Gorey, installation view, Society of Illustrators, New York City, 4 October 2025 to 7 February 2026. Photo: Andres Otero. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/Edward-Gorey-Something-Else-Entirely-c-Andres-Otero-Photography-(4).jpg Something Else Entirely: The Illustration Art of Edward Gorey, installation view, Society of Illustrators, New York City, 4 October 2025 to 7 February 2026. Photo: Andres Otero. https://www.studiointernational.com/images/articles/g/004-gorey-edward-2026/Edward-Gorey-Something-Else-Entirely-c-Andres-Otero-Photography-(5).jpg Something Else Entirely: The Illustration Art of Edward Gorey, installation view, Society of Illustrators, New York City, 4 October 2025 to 7 February 2026. Photo: Andres Otero. https://www.studiointernational.com/index.php/lord-arthur-saviles-crime-review-sadie-coles-hq-london https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/Installation_view__Lord_Arthur_Savile_s_Crime__Sadie_Coles_HQ_Savile-Row_London_2.jpg Lord Arthur Savile https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/HQ15-SL8570S_Loungers_1_19_canonical.jpg Sarah Lucas, Loungers #1, 2011. Tights, fluff, plastic bucket (orange), plastic lounger, 186 x 62.5 x 55.5 cm (73 ¼ x 24 ⅝ x 21 ⅞ in). © Sarah Lucas. Courtesy Sadie Coles HQ, London. https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/HQ29-NW22470S_A_Gay_Crime_2025_canonical.jpg Nicole Wermers, A Gay Crime, 2025. Reinforced air dry clay, VHS tapes and covers, overall 41 x 54 x 23 cm (16 ⅛ x 21 ¼ x 9 in), clay sculpture: 20 x 48 x 23 cm (7 ⅞ x 18 ⅞ x 9 in), VHS tapes: 21 x 54 x 12 cm (8 ¼ x 21 ¼ x 4 ¾ in). © Nicole Wermers. Courtesy the Artist and Sadie Coles HQ, London. Photo: Katie Morrison. https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/HQ29-AW22356P_TBC_2025_canonical.jpg Ambera Wellmann, The Pure Present, 2025. Oil on canvas, 147.3 x 160 x 3.2 cm (58 x 63 x 1 ¼ in). © Ambera Wellmann. Courtesy the Artist and Sadie Coles HQ, London. Photo: Katie Morrison. https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/HQ29-GC22395P_The_expectation_of_guilt__2025_canonical.jpg Guglielmo Castelli, The Expectation of Guilt, 2025. Oil on canvas, site size: 60 x 80 cm (23 ⅝ x 31 ½ in), frame size: 62 x 82 x 7 cm (24 ⅜ x 32 ¼ x 2 ¾ in). © Guglielmo Castelli. Courtesy the Artist and Sylvia Kouvali, London / Piraeus. Photo: Nicola Morittu. https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/Installation_view_Lord_Arthur_Savile_s_Crime_1000.jpg Lord Arthur Savile's Crime, installation view, Sadie Coles HQ, Savile Row, 21 January — 21 March 2026. © The Artist/s. Courtesy the Artist/s and Sadie Coles HQ, London. Photo: Katie Morrison. https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/Installation_view__Lord_Arthur_Savile_s_Crime__Sadie_Coles_HQ__Savile_Row__London__21_January_-_21_March_2026_3_canonical.jpg Lord Arthur Savile's Crime, installation view, Sadie Coles HQ, Savile Row, 21 January — 21 March 2026. © The Artist/s. Courtesy the Artist/s and Sadie Coles HQ, London. Photo: Katie Morrison. https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/HQ29-CB22310P_The_drawing_room__2025_canonical.jpg Cecily Brown, The drawing room, 2025. Oil on linen, 48.3 x 58.5 x 3.8 cm (19 x 23 x 1 ½ in). © Cecily Brown. Courtesy the Artist and Thomas Dane Gallery. Photo: Genevieve Hanson. https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/HQ29-KH22391P_TBC_2_canonical.jpg Kati Heck, Lieber F.,, 2026. Oil and kitchentowel on canvas, artist frame with metal plates and spoon, 123 x 103 x 6.4 cm (48 ⅜ x 40 ½ x 2 ½ in). © Kati Heck. Courtesy the Artist and Sadie Coles HQ, London. Photo: Pieter Huybrechts. https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/HQ29-SH22347P_Matter_of_Fact_2025_canonical.jpg Sophie von Hellermann, Matter of Fact, 2025. Acrylic on canvas, 150 x 180 x 3.8 cm (59 x 70 ⅞ x 1 ½ in). © Sophie von Hellermann. Courtesy the Artist and Sadie Coles HQ, London. Photo: Katie Morrison. https://www.studiointernational.com/images/articles/l/019-lord-arthur-saviles-crime-2026/TJ_Wilcox_Green_Carnation_2025_HQ29-TW22414V_still_01_canonical.jpg T.J. Wilcox, Green Carnation, 2025 (Still). Digital video, editing: Morgana Birch, duration: 1 min 41 sec. © T.J. Wilcox. Courtesy the Artist and Sadie Coles HQ, London. https://www.studiointernational.com/index.php/bloomberg-new-contemporaries-2012 https://www.studiointernational.com/images/articles/n/new-contemporaries-2012/Freya_Douglas-Morris_They_Visited_Twice_2012-b.jpg Freya Douglas Morris. They Visited Twice, 2012. Paint and collage on paper, 70 x 100 cm. © the artist. Image courtesy of ICA. Photograph: Stephen White. https://www.studiointernational.com/images/articles/n/new-contemporaries-2012/Jan_May_Fronds_2011-b.jpg Jan May. Fronds, 2011. Acrylic and watercolour on linen, 56 x 41 cm. © the artist. Image courtesy of ICA. Photograph: Stephen White. https://www.studiointernational.com/images/articles/n/new-contemporaries-2012/SIMON_SENN_MEADOWLANDS_ZONE_1_2010-b.jpg Simon Senn. Meadowlands Zone 1, 2010. © the artist. Image courtesy of ICA. Photograph: Stephen White. https://www.studiointernational.com/images/articles/n/new-contemporaries-2012/TonyLaw-Strolling07-b.jpg Tony Law. Strolling, 2012. Single-channel video, 3 min 24 sec (looped). © the artist. Image courtesy of ICA. Photograph: Stephen White. https://www.studiointernational.com/index.php/cecil-beaton-theatre-of-war https://www.studiointernational.com/images/articles/c/cecil_beaton_theatre_of_war_2012/03-Mary-le-Bow-Church-Bomb-Damage-b.jpg Cecil Beaton. Blitz: A workman with a wheelbarrow clears up fallen debris from the roof of St Mary-le-Bow after its first bombing, London, 1942. Part of Imperial War Museum’s ‘Ministry of Information Second World War Official Collection’. https://www.studiointernational.com/images/articles/c/cecil_beaton_theatre_of_war_2012/04-Flying-Officer-Nevill-Duke-b.jpg Cecil Beaton. Flying Officer Nevill Duke of No 92 (East India Squadron, A Battle of Britain pilot with his Spitfire at RAF Biggin Hill 1941). Part of Imperial War Museum’s ‘Ministry of Information Second World War Official Collection’. https://www.studiointernational.com/images/articles/c/cecil_beaton_theatre_of_war_2012/05-Sailor-on-Leave-b.jpg Cecil Beaton. A British sailor on shore leave, Harrogate 1941. Part of Imperial War Museum’s ‘Ministry of Information Second World War Official Collection’. https://www.studiointernational.com/images/articles/c/cecil_beaton_theatre_of_war_2012/06-Cairob.jpg Cecil Beaton. Cairo, Egypt, 1942. Part of Imperial War Museum’s ‘Ministry of Information Second World War Official Collection’. https://www.studiointernational.com/images/articles/c/cecil_beaton_theatre_of_war_2012/07-Chinese-Police-Force-1944-b.jpg Cecil Beaton. China, 1944: The Chinese Police Force: the Assistant Chief of Police and his staff grouped in a circular doorway at headquarters in Chengtu. Part of Imperial War Museum’s ‘Ministry of Information Second World War Official Collection’. https://www.studiointernational.com/images/articles/c/cecil_beaton_theatre_of_war_2012/Fig-01-Bloomsbury-Square-b.jpg Cecil Beaton. Bomb damage, Bloomsbury Square, London 1940. Part of Imperial War Museum’s ‘Ministry of Information Second World War Official Collection’. https://www.studiointernational.com/images/articles/c/cecil_beaton_theatre_of_war_2012/Fig-02-Bomb-Damage-Guildhall-1940-b.jpg Cecil Beaton. Bomb damage to the Church of St Lawrence Jewry, Guildhall, London 1940. Part of Imperial War Museum’s ‘Ministry of Information Second World War Official Collection’. https://www.studiointernational.com/index.php/alan-robb https://www.studiointernational.com/images/articles/a/alan_robb/alan-robb-Brazil-the-Taste-of-Blood-b.jpg Alan Robb. Brazil, The Taste of Blood, 2005-8. Oil on linen, 168 x 182 cm. https://www.studiointernational.com/images/articles/a/alan_robb/alan-robb-Clip-Strip-b.jpg Alan Robb. Clip Strip, 2011. Acrylic on canvas, 184 x 162 cm. https://www.studiointernational.com/images/articles/a/alan_robb/alan-robb-I-am-what-I-Know-b.jpg Alan Robb. I Am What I Know, 1993-4. Oil on linen, 154 x 184 cm. https://www.studiointernational.com/images/articles/a/alan_robb/alan-robb-I-Live-Now-b.jpg Alan Robb. I Live Now, 1999-2000. Oil on linen, 168 x 184 cm. https://www.studiointernational.com/images/articles/a/alan_robb/alan-robb-Toys-for-Boys-b.jpg Alan Robb. Toys for Boys, 1985. Acrylic on canvas, 184 x 152 cm. Private collection https://www.studiointernational.com/images/articles/a/alan_robb/alan-robb-Novice-with-Host-b.jpg Alan Robb. Toasted Susy is my Ice Cream, 2012. Acrylic on canvas, 132 x 122 cms. https://www.studiointernational.com/index.php/van-gogh-to-kandinsky-symbolist-landscape-in-europe-1880-1910 https://www.studiointernational.com/images/articles/v/van_gogh_to_kandinsky/Murnau-with-Church-II-Kandinsky-b.jpg Wassily Kandinsky. Murnau with Church II, 1910. Oil on canvas, 96 x 105.5 cm. Van Abbemuseum, Eindhoven. https://www.studiointernational.com/images/articles/v/van_gogh_to_kandinsky/Wassily-Kandinsky-Cossacks-b.jpg Wassily Kandinsky. Cossacks, 1910–11. Oil on canvas, 94.6 x 130.2 cm. Tate, London. Photography © Tate, London 2011. https://www.studiointernational.com/images/articles/v/van_gogh_to_kandinsky/Akseli-Gallen-Kallela-Lake-Keitele-b.jpg Akseli Gallen-Kallela. Lake Keitele, 1905. Oil on canvas, 53 x 67 cm. Lahti Art Museum, Finland. Photography: Finnish National Gallery/Central Art Archives/Hannu Aaltonen. https://www.studiointernational.com/images/articles/v/van_gogh_to_kandinsky/Hugo-Simberg-Lenteavond-b.jpg Hugo Simberg. Spring Evening (During the Ice Break), 1897. Oil on canvas, 27 x 37 cm. Ateneum Art Museum, Finnish National Gallery, Helsinki. https://www.studiointernational.com/images/articles/v/van_gogh_to_kandinsky/Mondrian-Bosch-(woods)-near-Oele-1908-b.jpg Piet Mondrian. Bosch (woods) near Oele, 1908. Oil on canvas, 155.2 x 186.0 cm. Collection of Gemeentemuseum Den Haag. https://www.studiointernational.com/images/articles/v/van_gogh_to_kandinsky/Van-Gogh-The-Sower-1888-b.jpg Vincent van Gogh. The Sower, 1888. Oil on canvas, 32 x 40 cm. Van Gogh Museum, Amsterdam. Photograph: Van Gogh Museum Amsterdam (Vincent van Gogh Foundation) https://www.studiointernational.com/index.php/lindsay-seers-nowhere-less-now https://www.studiointernational.com/images/articles/l/lindsay_seers/Lindsay-Seers,-2012. Image1.jpg Lindsay Seers. Nowhere Less Now, 2012. An Artangel commission. Image (one) courtesy of the artist. https://www.studiointernational.com/images/articles/l/lindsay_seers/Lindsay-Seers,-2012. Image 3.jpg Lindsay Seers. Nowhere Less Now, 2012. An Artangel commission. Image (three) courtesy of the artist. https://www.studiointernational.com/images/articles/l/lindsay_seers/Lindsay-Seers,-2012. Installation-image 1.jpg Lindsay Seers. Nowhere Less Now, 2012. An Artangel commission. Installation image (one) by Marcus Leith. https://www.studiointernational.com/images/articles/l/lindsay_seers/Lindsay-Seers,-2012.-An-Artangel-commission-b.jpg Lindsay Seers. Nowhere Less Now, 2012. An Artangel commission. Installation image (two) by Marcus Leith. https://www.studiointernational.com/index.php/beat-nation-art-hip-hop-and-aboriginal-culture https://www.studiointernational.com/images/capsules/beat-nation-toronto-c80.jpg Skeena Reece, Raven: On the Colonial Fleet (detail), 2010. Performance regalia. Courtesy the artist. Photo by Sebastien Krete. https://www.studiointernational.com/index.php/perspectives-ai-weiwei https://www.studiointernational.com/images/capsules/ai-weiwei-fragments-b500.jpg Ai Weiwei. Fragments, 2005. Ironwood (tieli). Tables, chairs, parts of beams, and pillars from dismantled temples of the Qing dynasty (1644–1911). Sigg Collection https://www.studiointernational.com/index.php/inverted-house-tina-gverovic-and-sinisa-ilic-project-space-tate-modern https://www.studiointernational.com/images/articles/i/inverted-house-2014/01.jpg Tina Gverović and Siniša Ilić. 
Inverted House, 2013
. Gouache and acrylic paint on prepared paper, 
122 x 152 cm.
 © Tate Photography. https://www.studiointernational.com/images/articles/i/inverted-house-2014/09.jpg Siniša Ilić. 
Untitled, 2013
. Acrylic on paper
, 18 x 24 cm. © The artist. https://www.studiointernational.com/images/articles/i/inverted-house-2014/15.jpg Tina Gverović. Parastates: House Apart, 2013. Gouache on prepared paper, 27 x 35 cm. © Photograph: Marko Ercegović. https://www.studiointernational.com/images/articles/i/inverted-house-2014/Project-Space-Belgrade-21-11-2.jpg Tina Gverović and Siniša Ilić. 
Inverted House, 2013. Installation view,
 Tate Modern. © Tate Photography. https://www.studiointernational.com/images/articles/i/inverted-house-2014/Project-Space-Belgrade-21-11.jpg Tina Gverović and Siniša Ilić.
 Inverted House, 2013. Installation view (2), 
Tate Modern. © Tate Photography. https://www.studiointernational.com/index.php/ryan-mosley-interview-alison-jacques-gallery https://www.studiointernational.com/images/articles/m/mosley-ryan-2014/Ryan-Mosley-Between-Seamers-2014-.jpg Ryan Mosley. Between Seamers, 2014. Oil on canvas backed with sail cloth, 215 x 145 cm. Copyright the artist, courtesy Alison Jacques Gallery, London. https://www.studiointernational.com/images/articles/m/mosley-ryan-2014/Ryan-Mosley-Smoking-Pilgrimage-2014.jpg Ryan Mosley. Smoking Pilgrimage, 2014. Oil on canvas backed with sail cloth, 215 x 145 cm. Copyright the artist, courtesy Alison Jacques Gallery, London. https://www.studiointernational.com/images/articles/m/mosley-ryan-2014/Ryan-Mosley-The-Educationalist-2014-.jpg Ryan Mosley. The Educationalist, 2014. Oil on linen, 220 x 190 cm. Copyright the artist, courtesy Alison Jacques Gallery, London. https://www.studiointernational.com/index.php/shezad-dawood-interview https://www.studiointernational.com/images/articles/d/dawood-shezad-2014/shazad-dawood-interview-2014.jpg Shezad Dawood talks to Studio International about his work and his exhibition at Parasol Unit, London, May 2014. https://www.studiointernational.com/index.php/deb-covell-interview-from-nowt-to-summat-sha-boogie-bop https://www.studiointernational.com/images/articles/c/covell-deb-2014/image2.jpg Deb Covell. Fold 1. Acrylic paint, 23 x 18cm; Back Flip Acrylic paint, 26 x 21cm. Photograph: Cathal Carey. https://www.studiointernational.com/images/articles/c/covell-deb-2014/image3.jpg Deb Covell. Fold 2. Acrylic paint, 23 x 17 cm; White Curve. Acrylic paint, 27 x 17cm. Photograph: Cathal Carey. https://www.studiointernational.com/images/articles/c/covell-deb-2014/image4.jpg Deb Covell. Submerged Square. Acrylic paint (1-3), 15 x 11cm each (total expanse 45cm). Photograph: Cathal Carey. https://www.studiointernational.com/images/articles/c/covell-deb-2014/image5.jpg Deb Covell. Submerged Square. Acrylic paint (1-3), 15 x 11cm each (total expanse 45cm). (View 2). Photograph: Cathal Carey. https://www.studiointernational.com/images/articles/c/covell-deb-2014/image6.jpg Deb Covell. Drape. Acrylic paint, 27 x 8cm; Submerged Square. Acrylic paint (1-3), 15 x 11cm each (total expanse 45cm). Photograph: Cathal Carey. https://www.studiointernational.com/images/articles/c/covell-deb-2014/IMG_9785.jpg Deb Covell. From Nowt to Summat, 2014. Acrylic paint, 4.87 x 6.09m (16 x 20ft). Installation view at Middlesbrough Institute of Modern Art, 2014. Photograph: Cathal Carey. https://www.studiointernational.com/images/articles/c/covell-deb-2014/IMG_9792.jpg Deb Covell. From Nowt to Summat, 2014. Acrylic paint, 4.87 x 6.09m (16 x 20ft). Installation view (2) at Middlesbrough Institute of Modern Art, 2014. Photograph: Cathal Carey. https://www.studiointernational.com/images/articles/c/covell-deb-2014/IMG_9801.jpg Deb Covell. From Nowt to Summat, 2014. Acrylic paint, 4.87 x 6.09m (16 x 20ft). Installation view (3) at Middlesbrough Institute of Modern Art, 2014. Photograph: Cathal Carey. https://www.studiointernational.com/images/articles/c/covell-deb-2014/IMG_9807.jpg Deb Covell. From Nowt to Summat, 2014. Acrylic paint, 4.87 x 6.09m (16 x 20ft). Installation view (4) at Middlesbrough Institute of Modern Art, 2014. Photograph: Cathal Carey. https://www.studiointernational.com/images/articles/c/covell-deb-2014/IMG_9852.jpg Deb Covell. From Nowt to Summat, 2014. Acrylic paint, 4.87 x 6.09m (16 x 20ft). Installation view (5) at Middlesbrough Institute of Modern Art, 2014. Photograph: Cathal Carey. https://www.studiointernational.com/index.php/clementine-keith-roach-interview-hunter-whitfield https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Lac.jpg Clementine Keith-Roach. Lac, 2018. Ceramic, plaster, paint, 52 x 34 x 32 cm. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Kore.jpg Clementine Keith-Roach. Kore, 2018. Ceramic, plaster, paint, Roman ring, 52 x 30 x 27 cm. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Musk_Chaise.jpg Ben Burgis and Ksenia Pedan. Musk Chaise, 2017. Metal, foam and painted fabric, 74 x 28 x 62 cm. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Speculum.jpg Christopher Page. Speculum, 2018. Oil and acrylic on panel, 120 x 60 cm. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/OnlyForward.jpg Simon Mathers. Only Forward, 2018. Aluminium and epoxy resin, 203 x 62 x 24 cm. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Veranda_at_dusk.jpg Jack McConville. Veranda at Dusk, 2018. Oil on board, 40 x 40 cm. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Rain.jpg Beatrice Loft Schulz. Rain, 2018. Yarn on rug canvas, 92 x 71 cm. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Yawn_Yawn_England_Prawn.jpg Jesse Wine. Yawn, yawn, England Prawn, 2018. Glazed ceramic, 35.6 x 43.2 x 38.1 cm. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/interiority_1.jpg Interiority, 2018. Installation view, Hunter/Whitfield, London. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Opis_Ladies-Paradise1.jpg Clementine Keith-Roach. Opis, 2018. Ceramic, plaster, acrylic paint, 55(h) x 33(w), 118 cm circumference. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Omphalos.jpg Clementine Keith-Roach. Omphalos, 2018. Ceramic, plaster, acrylic paint, 48(h) x 29(w),100 cm circumference. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/2018_MoCA_storefront_Full_Haus_01.jpg Storefront: Full Haus: The Seeld Library at The Museum of Contemporary Art Los Angeles. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Interiority_3.jpg Interiority, 2018. Installation view, Hunter/Whitfield, London. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Organlust.jpg Clementine Keith-Roach. Organlust, 2018, for Effects Journal. https://www.studiointernational.com/images/articles/k/098-keith-roach-clementine-2018/Organlust1.jpg Clementine Keith-Roach. Organlust, 2018, for Effects Journal.