Contents
222 Comment: Censorship, obscenity and context/Jasia Reichardt
224 Symbolism and child art/Anthony Carter
226 What kind of art education?
229 L. S. Lowry: an unclassifiable genius/T. G. Rosenthal
236 Alfred Wallis: the poetry of ‘what used to be’/Edwin Mullins
244 Scottie Wilson: the visionary experience/Mervyn Levy
248 A group of primitives and naïfs/Bryan Pearce
252 Starting from Bonnard. London commentary/Edward Lucie-Smith
259 In homage to Rouault/Josef Herman
260 Studying form. London commentary/David Thomson
264 On exhibition: a selection from current and forthcoming exhibitions
266 Six Swedish painters. Commentary/Olle Granath
270 Marketing techniques in the promotion of art. New York commentary/Dore Ashton
274 Art prices current. Growing interest in German painting/George Savage
Editor/Peter Townsend
Advertising & Publicity Manager/Benson Zonena
Art Editor/Michael Young
Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford (London)
Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson
International Advisory Panel:
Austria: Dr Werner Hofmann
Argentina: Jorge Romero Brest
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Reidar Revold
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon-Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic
