Studio International

Studio International – December 1968

Studio International – December 1968

Volume 176 Number 906

Contents

234  The Canadian War Memorials Collection in Ottawa/R. F. Wodehouse

237  An evaluation of visual poetry in terms of movement/John Sharkey

238  News

239  Correspondence/Richard Demarco, Peter Hall, Kay Hunt, George Rapp, Roger Sutherland, William Tucker, Peter Varley

241  A Canadian scene, part 3/David Thompson

245  Canadian Artists ’68 awards

246  De Kooning’s women/Andrew Forge

252  Richard Lindner and the human being as a toy/Wieland Schmied

256  Tantra art/Phillip Rawson

260  London commentaries/Robert Hughes, Jasia Reichardt, Paul Waldo Schwartz

266  New York commentary/Dore Ashton

268  Paris commentary/Paul Waldo Schwartz

270  On exhibition: a selection from current and forthcoming exhibitions

275  Oslo/John Boulton Smith

276  Supplement: Lithographs and prints/contributions by Colin Self, David Hockney, Rosemary Simmons, Robert Simon, Gene Baro

Editor/Peter Townsend
Assistant Editor/Charles Harrison
Advertising & Publicity Manager/Benson Zonena
Art Editor/Michael Young
Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford (Berlin)

Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Argentina: Jorge Romero Brest
Austria: Dr Werner Hofmann
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Leif Ostby
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon -Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic



Studio International, December 1968, Volume 176 Number 906. Cover image: Cover: detail from a screenprinted video-disque, one of an interchangeable suite by Peter Sedgley. Sedgley's video-rotors and video-disques were recently shown at the Redfern Gallery, and the exhibition was described in our November issue.