Studio International

Published 01/07/2011

Shara Hughes in her studio, 2018. Photo courtesy the artist.

Shara Hughes – interview: ‘I wanted the works to feel like figures you...

Emily Spicer: Who inspires your work? Are there any art...

Sam McKinniss, Lil Nas X with Friends and Cops, 2021. Oil on linen, 183 x 124.5 / 72 x 49 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica.

Sam McKinniss: Country Western

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Sam McKinniss: Country Western

A suite of works by the N...

Shneel Malik.

Shneel Malik – interview: ‘I’m a crazy optimist. I know that the rig...

Veronica Simpson: What was your journe...

Sadie Morgan. Photo: Jim Stephenson.

Sadie Morgan – interview: ‘When you’re part of a community, architec...

Veronica Simpson: You have said that when the three fou...

Sarah Wood, Renaissance. Still from Here is Elsewhere, 2020. © Sarah Wood.

Sarah Wood – interview: ‘At the moment we all want to gather around st...

Emily Spicer: How did you first arrive at the idea for ...

Shaping the World: Sculpture from Pre-History to Now, by Antony Gormley and Martin Gayford. Published by Thames & Hudson; Antony Gormley, Another Place, 1997. Permanent installation, Crosby Beach, Merseyside, England. A Sefton Metropolitan Borough Council Commission. Photo: Stephen White. © the artist.

Shaping the World: Sculpture from Prehistory to Now – book review

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Shaping the World: Sculpture ...

Susie MacMurray.

Susie MacMurray – interview: ‘A feather is never just a feather, and a...

Anna McNay: Before we entered the second lockdown, you ...

Tracey Emin, It was just a kiss, 2010 (photography of original 2010 work). Neon lights, 57.7 × 97.3 cm. Private collection. © Tracey Emin. All rights reserved, DACS/Artimage 2020. Image courtesy the artist.

Sin

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Sin

A compact, but rich exhibition at the National Gallery finds moral transgressio...

Stuart Whipps, If Wishes Were Thrushes, Beggars Would Eat Birds, 2020, Dundee Contemporary Arts. Photo: Ruth Clark.

Stuart Whipps: If Wishes Were Thrushes, Beggars Would Eat Birds

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Stuart Whipps: If Wishes Were Thr...

Ibrahim Mahama, No Friend but the Mountains 2012-2020, 2020. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Commissioned by the Biennale of Sydney with generous support from Anonymous, and assistance from White Cube. Courtesy the artist; Apalazzo Gallery, Brescia and White Cube, London / Hong Kong. Photograph: Zan Wimberley.

Sydney Biennale 2020: Nirin

dhuray (Yam-connection: food); Gurray (Transformation); Muriguwal giiland (Different storie...

Sarah Lucas, Cool Chick Baby, 2020. Tights, wire, kapok, shoes, acrylic paint, vinyl and metal chair, 96.5 x 77.5 x 90 cm plus 20.3 x 121.9 x 121.9 cm. Image courtesy of Sadie Coles HQ. © Sarah Lucas, courtesy Sadie Coles HQ, London. Photo: Robert Glowacki.

Sarah Lucas: Honey Pie

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Sarah Lucas: Honey Pie

One of the most infamous YBAs returns to ...