Published 01/07/2011
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Shara Hughes – interview: ‘I wanted the works to feel like figures you...
Emily Spicer: Who inspires your work? Are there any art...
Sam McKinniss: Country Western
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Sam McKinniss: Country Western
A suite of works by the N...
Shneel Malik – interview: ‘I’m a crazy optimist. I know that the rig...
Veronica Simpson:
What was your journe...
Sadie Morgan – interview: ‘When you’re part of a community, architec...
Veronica Simpson: You have said that when the three fou...
Sara Barker – interview: ‘I tackle sculpture from the position of pain...
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Sara Barker – inter...
Sarah Wood – interview: ‘At the moment we all want to gather around st...
Emily Spicer: How did you first arrive at the idea for ...
Shaping the World: Sculpture from Prehistory to Now – book review
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Shaping the World: Sculpture ...
Susie MacMurray – interview: ‘A feather is never just a feather, and a...
Anna McNay: Before we entered the second lockdown, you ...
Sin
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Sin
A compact, but rich exhibition at the National Gallery finds moral transgressio...
Stuart Whipps: If Wishes Were Thrushes, Beggars Would Eat Birds
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Stuart Whipps: If Wishes Were Thr...
Sydney Biennale 2020: Nirin
–dhuray (Yam-connection: food); Gurray (Transformation); Muriguwal giiland (Different storie...
Sarah Lucas: Honey Pie
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Sarah Lucas: Honey Pie
One of the most infamous YBAs returns to ...
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