Studio International

Published 01/07/2011

Philip Pearlstein. Angel of Death over Training Soldiers, Summer 1943. Pen and ink on paper, 16.8 x 12.2 cm (6.6 x 4.8 in).

Philip Pearlstein: ‘I decided I didn’t want to express other artistsâ€...

Janet McKenzie: You have been an active and productive ...

Pablo Picasso. Still Life with Compote and Glass, 1914–15. Oil on canvas, 25 x 31 in. Columbus Museum of Art, Columbus, OH. © 2016 Estate of Pablo Picasso / Artists Rights Society (ARS), New York | Gift of Ferdinand Howald.

Picasso: The Great War, Experimentation and Change

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Picasso: The Great War, Experimentation and Ch...

Peter Fischli David Weiss. Selections from Suddenly This Overview, 1981. Series of approx 600 sculptures in unfired clay, various dimensions, between 6 x 7 x 5 cm and 82 x 83 x 5 cm © Peter Fischli and David Weiss. Installation view: Peter Fischli & David Weiss: Flowers & Questions: A Retrospective, Kunsthaus Zürich, June 8–Sept. 9, 2007 Photograph: Courtesy Fischli Weiss Archive, Zürich.

Peter Fischli David Weiss: How to Work Better

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Peter Fischli David Weiss: How to Work Better

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Wassily Kandinsky. Murnau The Garden II, 1910. Oil on cardboard, 67 x 51 cm. Merzbacher Kunststiftung. Photograph © Merzbacher Kunststiftung.

Painting the Modern Garden: Monet to Matisse

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Painting the Modern Garden: Monet to Matisse

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Pat Sachs. A Folly, 2014. Collage, 73 x 70 mm (2⅞ x 2¾ in).

Pat Sachs: ‘The small, intimate scale has felt ideally suited for my vis...

Janet McKenzie: You chose to make tiny collages in the ...

Paul Huxley in his west London studio, 14 December 2015. Photograph: Martin Kennedy.

Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...

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Paul Huxley: ‘I hav...

Phyllida Barlow. Installation view: set, The Fruitmarket Gallery, Edinburgh, 2015. Courtesy the artist and Hauser & Wirth. Photograph: Ruth Clark.

Phyllida Barlow: Set

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Phyllida Barlow: Set

Barlow’s art is genuinely challenging. The ...

Petra Cortright. Installation view of XXX BLANK BLANK BLANK at Steve Turner Contemporary, Los Angeles, 2013. Medium variable, dimensions variable.

Petra Cortright: ‘I wanted to raise questions about the way we view wome...

A Will Brown: Congratulations on your exhibition at the...

Primary Codes. Panoramic view of the first floor. Photograph: Thales Leite.

Primary Codes

References
1. An Emergent Paradigm by Paul Brow...

Pulitzer Building: Pulitzer Arts Foundation. Photograph: Robert Pettus.

Pulitzer Arts Foundation marks its relaunch

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Pulitzer Arts Foundation marks its relaunch

Patricia Cronin: Shrine for Girls, Brooklyn Rail Curatorial Projects, Chiesa di San Gallo, Venice, 7 May 2015. Photograph: Martin Kennedy.

Patricia Cronin: 'A silent protest can be quite powerful' – Venice Bienn...

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Patricia Cronin: ‘A...

Penny Slinger. Still from film Lilford Hall, 1969, featuring Penny Slinger, Susanka Fraey. Camera Peter Whitehead. 16mm film. Courtesy Blum and Poe Gallery. © Penny Slinger.

Penny Slinger: ‘Being different is just who you are. What you do with it...

Anna McNay: You were a prominent figure on the London a...