Published 01/07/2011
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Peter Freeth: 40 Years of Aquatints
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Peter Freeth: 40 Years of Aquatints
Peter Free...
Pope.L: Notations, Holes and Humour
. Another sits on the floor, which has been carpeted with fake turf. A third is absent...
Peter St John – interview: ‘You can see how this building has develope...
Veronica Simpson: How and when did you find out about, ...
Pavilion Tokyo 2021
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Pavilion Tokyo 2021
As the city holds the 2020 Olympics, architects...
Private art museums – ‘I like to collect by myself and make decisions ...
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Private art museums â...
Philip Hughes – interview: ‘Drawing captures the memory of a place lik...
Janet McKenzie: Painting the Ancient Landscape of Austr...
Peter Kennard – interview: ‘Montage is about allowing people to think ...
JOE LLOYD: You began as a painter. What were you earlie...
Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happ...
Anna McNay: You were born in the Indian state of Mahara...
Pamela Phatsimo Sunstrum – interview: ‘I needed to put my own body on ...
Allie Biswas: The human figure plays a central part in ...
Pat Steir – interview: ‘I want the paint to make the painting, to make...
Lilly Wei: Could you tell me how the film that Veronica...
Pine’s Eye
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Pine’s Eye
From rejecting cultivated gardens in favour of wild spaces to...
Pacita Abad: Life in the Margins
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Pacita Abad: Life in the Margins
Abad’s exuberant mi...
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