Studio International

Published 01/07/2011

Martin Eder portrait, Parasites, Newport Street Gallery, Prudence Cummings Associates.

Martin Eder: Parasites

References
1. The Parasite by Michel Serres (translated by Lawrence R Schehr), published by t...

Dora Kallmus. Elsie Altmann-Loos, 1922. Gelatin silver print. Photo: Photoarchiv Setzer-Tschiedel/ IMAGNO/ picturedesk.com

Make Me Look Beautiful, Madame D’Ora

679::/cck::
::introtext::

Make Me Look Beautiful, Madame D'Ora!

The Leopol...

Mary Kuper at her exhibition Language Shift.

Mary Kuper: ‘Where you have greater language diversity in the world, you...

MK Palomar: From an early age, you have been immersed i...

Albert Birkle. The Acrobat Schulz V, 1921. Oil paint on canvas, 92 x 60.7 cm. The George Economou Collection. © DACS, London 2018.

Magic Realism: Art In Weimar Germany 1919-33

674::/cck::
::introtext::

Magic Realism: Art In Weimar Germany 1919-33

<...

Mark Fox talking to Studio International at the opening of Intersection: International Art and Culture, Arthur M Sackler Museum of Art and Archaeology at Peking University, Beijing, 27 May 2018. Photograph: Martin Kennedy.

Mark Fox, interview

666::/cck::
::introtext::

Mark Fox, interview

Mark Fox, who was brought up as a Catholic, has...

Mark Wallinger talking to Studio International at the Jerwood Gallery in Hastings, 2018. Photograph: Tom Hastings.

Mark Wallinger: ‘I’m reversing what happens at Madame Tussauds’

Tom Hastings: What is your relation to Hastings and to the Je...

Michael Wang, The Drowned World, 2018. Environmental installation. Photograph: Wolfgang Träger. Courtesy of Manifesta 12, Palermo.

Manifesta 12

646::/cck::
::introtext::

Manifesta 12

The latest edition of the roving European biennial is a sensi...

Manuel Mathieu. Loyalty, 2017. Mixed media, 70 x 80 in. Photograph: Guy L’ heureux.

Manuel Mathieu: ‘Life experience sometimes forces you to see things that...

Emily Spicer: You were born in and grew up in Haiti. Ho...

Mariele Neudecker. There is Always Something More Important, 2012.
Fibreglass, spray, plywood, 2-channel video, two 10.2 inches monitors, 207 x 65 x 440 cm. © Bruno Lopes.

Mariele Neudecker: ‘I get labelled as a climate change artist at times, ...

‘I get labelled as a climate change artist ...

Miguel Chevalier talking to Studio International in his Paris studio, February 2018. Photograph: Martin Kennedy.

Miguel Chevalier: ‘I feel that I live in what’s happening today’

559::/cck::
::introtext::

Miguel Chevalier: ‘I fee...

Marino Marini. Fondazione Marini Marini.

Marino Marini: Visual Passions

545::/cck::
::introtext::

Marino Marini: Visual Passions

At the home of his iconic...

Michele Oka Doner talking to Studio International at the opening of Bringing the Fire, David Gill Gallery, London, 21 March 2018. Photograph: Martin Kennedy.

Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...

547::/cck::
::introtext::

Michele Oka Doner: â€...