Published 01/07/2011
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David Brian Smith: ‘My cause is to fight for the plight of the English c...
Emily Spicer: Your paintings are born from personal exp...
David Kohn: ‘In trying to broaden what architecture could be, it feels l...
Veronica Simpson:
Collaboration is a r...
Donna Huanca: ‘Memory is perhaps the most permanent architecture’
Alexander Glover: The nude bodies of the models in the exhibi...
Daubigny, Monet, Van Gogh: Impressions of Landscape
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Daubigny, Monet, Van Gogh: Impressions of Lan...
Dialogue with Trees: Five Stories of Rebirth and Renewal
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Dialogue with Trees: Five Stories of Reb...
Douglas Kotwall: ‘We want to incubate young, contemporary Chinese artist...
Anna McNay: Perhaps we could start with you telling me ...
Daniel Sinsel
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Daniel Sinsel
A pulse of eroticism runs through this collection of Sinsel...
Dana Schutz: ‘I think of the viewer as the painter’
RK Lynn: Was there a specific moment in your life when you decided to becom...
Diane Arbus: in the beginning
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Diane Arbus: in the beginning
Burnished by a brilliant in...
David Hockney RA: 82 Portraits and 1 Still Life
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David Hockney RA: 82 Portraits and 1 Still Life
Dóra Maurer: ‘My work has been based on change, shifting, traces, tempo...
Matthew Rudman: 6 out of 5 at the White Cube contains t...
David Claerbout: ‘I sculpt in duration’
A Will Brown:
I would like to discuss your work more broadly, in terms...
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