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Arthur Watson. Voyage: falling haar, 2014. Screenprint

Drawing as the catalyst for contemporary printmaking in the UK

References
1. Arthur Watson, email to Janet McKenzie,...

Danh Vō. 2.2.1861, 2009‐. Ink on A4 paper, 29.6 x 21 cm. Last letter by St. Jean Théophane Vénard to his father before he was decapitated, copied by Danh Vo’s father, Phung Vo. Title and number of existing copies remains undefined until the death of Phung Vo. Each handwritten text arrives in an envelope mailed by the artist’s father directly to the buyer. Courtesy the Artist and Marian Goodman Gallery. Copyright Danh Vō.

Danh Vō: Homosapiens

The work of the Vietnamese-born Danish arti...

David Weiss. Grosse Zeichnungen: Quiet Nights (Farben der Nacht), undated. Ink on paper, 72 x 99.5 cm.

David Weiss: Works, 1968-1979

This exhibition of Swiss ar...

David Birkin. Pietà, 2012. AP wire-photograph overlaid with Afghan lapis lazuli, 7 x 8 in.

David Birkin, Mouths at the Invisible Event

References
1. WJT Mitchell in The Life and Death of Images: edited by Do...

David Altmejd. Untitled 7 (Rabbit Holes), 2014. Polyurethane foam, epoxy gel, epoxy clay, synthetic hair, acrylic paint, resin, 18 x 30 x 18 cm (7 1/8 x 11 3/4 x 7 1/8 in).

David Altmejd: ‘I believe in the power that art has to generate meaning�...

Harry Thorne: Let’s talk about body parts – more sp...

Daniel Coombs. Woman with Teacup, 2012. Oil on canvas, 60 x 45 cm. © the artist.

Dan Coombs: ‘Art is grounded in reaching for the real’

Janet McKenzie: You used the exhibition you curated

DALeast interview: ‘I’m constantly thinking about creating something m...

Kelly Robbins: How did you come to make this mural?

Deb Covell interview: ‘I want to show how far painting can be pushed’

Anna McNay: Your works explore the material and sculptura...