Studio International

Published 01/07/2011

Alexandra Haeseker: The Botanist’s Daughter. Installation view, Edinburgh Printmakers, 2020. Photo: Alix MacIntosh.

Alexandra Haeseker: The Botanist’s Daughter

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Alexandra Haeseker: The Botanist’s Daughter

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Ann Dumas in Giverny.

Ann Dumas – interview: ‘Every exhibition is fraught with problems and ...

Juliet Rix: The RA has just appointed its first female ...

Alison Carlier. Photo: © the artist.

Alison Carlier – interview: ‘Drawn marks can describe and convey human...

Janet McKenzie: Drawing has increasingly become a struc...

Portrait of Alfredo Jaar. Image courtesy of Goodman Gallery.

Alfredo Jaar – interview: ‘You can talk about violence without humilia...

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Alfredo Jaar – inte...

Tau Lewis. Installation view, Art Basel Miami Beach 2019. Photo: Jill Spalding.

Art Basel Miami Beach 2019

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Art Basel Miami Beach 2019

Hit the refresh button! Just as t...

Anselm Kiefer, Superstrings, Runes, The Norns, Gordian Knot, White Cube Bermondsey 15 November 2019 - 26 January 2020 © Anselm Kiefer. Photo © White Cube (Ollie Hammick). Courtesy White Cube.

Anselm Kiefer: Superstrings, Runes, The Norns, Gordian Knot

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Anselm Kiefer: Superstrings, Runes, T...

The Baroque monastery of Santa Clara-a-Nova, Coimbra. Photo: Ana Duarte.

AnoZero’19 – Coimbra Biennial of Contemporary Art: A Terceira Margem/T...

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AnoZero’19 – Coim...

Ann Christopher: If You Stop Asking Questions - - -, installation view, Pangolin London, London. Photo: Steve Russell Studios.

Ann Christopher: If You Stop Asking Questions - - -

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Ann Christopher: If You Stop Asking Questions...

Anthony Eyton by Sarah Eyton, 2019. © Sarah Eyton.

Anthony Eyton – interview: ‘I’m still dealing with my mother’s ear...

Juliet Rix: Having an exhibition that is almost entirel...

Alan Davie. Glory, 1957. Oil paint on canvas. © The Estate of Alan Davie. Private Collection.

Alan Davie and David Hockney: Early Works

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Alan Davie and David Hockney: Early Works

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Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark.

Alberta Whittle: How Flexible Can We Make the Mouth

References
1. 1492: What Is It Like to Be Discovered? by Debora...

Antony Gormley, Matrix III, 2019. Approximately six tonnes of 6 mm mild steel reinforcing mesh, 7.1 x 9.3 x 15.15 m. Installation view, Antony Gormley, Royal Academy of Arts, London, 21 September – 3 December 2019 © the Artist. Photo: David Parry / © Royal Academy of Arts.

Antony Gormley

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Antony Gormley

There is metal everywhere in this engaging exhibition, wh...