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Published 25/07/2012 email E-MAIL print PRINT


Orson Welles. Photo: Getty Images. Olivia Erlanger, installation at And Now, Frieze New York 2019.  Photograph courtesy Frieze. Michael Takeo Magruder with Drew Baker (3D visualisation & programming), Imaginary Cities — NYC (11062471656), 2019. Real-time virtual environment (Unity3D) with soundscape (Flash), infinite duration. Photo: David Steele © Michael Takeo Magruder. Lawrence Lek, AIDOL, 2019. HD CGI Video, 84 min. Courtesy the artist and Sadie Coles HQ, London. Victor Wong and A.I. Gemini. Image courtesy of 3812 London Gallery. Nye Thompson: CKRBT, installation view, Watermans Art Centre, London, 2019. Photo: Geoff Titley. Joanna Piotrowska. Untitled, 2015. Originally commissioned through the Jerwood and Photoworks Awards 2015. Courtesy Southard Reid. Jack Whitten. Apps for Obama, 2011. Acrylic on hollow core door, 213.4 x 231.1 cm. Private collection, courtesy Zeno X Gallery. © Jack Whitten, courtesy Zeno X Gallery, Antwerp. Photo: John Berens. Robert Mapplethorpe. Self Portrait, 1988. Photograph, gelatine silver print on paper, 57.7 x 48.1 cm. ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © Robert Mapplethorpe Foundation. The Weston, Yorkshire Sculpture Park designed by Feilden Fowles. Photo: Peter Cook. Portrait of Angelica Mesiti in her exhibition ASSEMBLY, 2019. Commissioned by the Australia Council for the Arts on the occasion of the 58th International Art
Exhibition – La Biennale di Venezia, courtesy of the artist and Anna Schwartz Gallery, Australia and Galerie Allen, Paris. Photography: Zan Wimberley. Dale Chihuly. Neodymium Reeds and Turquoise Marlins, blown glass, (date not specified). Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay. Born to Kill helmet, original prop from the film Full Metal Jacket. Photo: Ed Reeve, courtesy of the Design Museum. Antonello da Messina, Portrait of a Young Man, 1478. Oil on walnut, 20.4 x 14.5 cm. Staatliche Museum, Gemäldegalerie, Berlin. © 2018. Photo: Scala, Firenze/bpk. Bildagentur fuer Kunst, Kultur und Geschichte, Berlin. Jonathan Baldock, Mask LVI, 2018. Courtesy the artist and Camden Arts Centre. Aliza Nisenbaum, London Underground: Brixton Station and Victoria Line Staff, 2019. Commissioned by Art on the Underground. Photo: Angus Mill. Jonathan Monk, Exhibit Model Four – plus invited guests. Installation view, Maschinenhaus M1, KINDL – Centre for Contemporary Art. Photo: Jens Ziehe. Irina Nakhova, Kiss, 2017. Diptych. Oil on canvas. Collection of the artist. Photo: Natasha Kurchanova © 2019 Irina Nakhova. Perilous Bodies, installation view, image courtesy of Ford Foundation Gallery. Photo: Sebastian Bach. Sean Scully. Robe Magdalena, 2017. Oil on aluminium, 215.9 × 190.5 cm. Private collection. © Sean Scully. Photo: courtesy the artist. Tadao Ando – Emaki Drawings, installation view, Château La Coste, Provence, France. Oscar Murillo, Violent Amnesia, 2019. Kettle’s Yard, University of Cambridge. Photo: Matthew Hollow. Balkrishna Doshi: Architecture for the People, 2019. Installation view. © Vitra Design Museum. Photo: Norbert Miguletz. Wong Ping, installation view, Golden Shower, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai. Allan Sekula, Black Tide/Marea negra, 2002-03. 20 colour photographs in 10 frames, text. Copyright Allan Sekula. Courtesy the artist and Marian Goodman Gallery New York, Paris and London. Laura Buckley. Henry Moore, Reclining Male Nude, c1922. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Michel Muller. Performance view of BMW Tate Live Exhibition: Anne Imhof: Sex at Tate Modern 2019, © Tate Photography (Oliver Cowling). Emma Kunz at her working table, Waldstatt, 1958. Photo copyright Emma Kunz Centrum. The Shed, New York, by Diller Scofidio + Renfro, lead architect and Rockwell Group, collaborating architect. Photo: Miguel Benavides.


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