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Published 25/07/2012 email E-MAIL print PRINT


Michael Landy. Mate, what’s this shit?, 2019. Ink on paper, 35 x 84.1 cm (13 3/4 x 33 1/8 in). © Michael Landy. Courtesy the artist and Thomas Dane Gallery. Bartolomé Bermejo. Desplà Pietà, 1490. Oil on poplar panel, 175 × 189 cm. Barcelona Cathedral. © Catedral de Barcelona (Photo: Guillem F-H). Bertille Bak. Faire le mur, 2008. Video 4:3 stereo, 17 mins, set photography. Production Le Fresnoy – Studio national des arts contemporains. Courtesy Bretelle Bak / Le Fresnoy Leila Heller on opening night of her new gallery space at 17 East 76th Street. Documentation of the making of Assisted Self-Portrait of Kristel Asjoe, from Assembly (2013-2014) by Anthony Luvera. Heike-Karin Föll, my brain, 2010–19. Installation view (detail), Speed. KW Institute for Contemporary Art, Berlin, 2019. Photo: Frank Sperling. Serpentine Pavilion 2019, designed by Junya Ishigami, Serpentine Gallery, London © Junya Ishigami + Associates, Photo © 2019 Iwan Baan. France-Lise McGurn. Photo: Tate Photography. Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate. Andermatt Concert Hall. Photo © Roland Halbe. Milton Avery. Two Poets, 1963. Oil on canvas, 127 x 152.4 cm (50 x 60 in). Courtesy Victoria Miro, Venice. Leo Warner, director of 59 Productions. Alberto Giacometti in his studio, 1960. Photo: Rene Burri/Magnum Photos. Issy Wood, All The Rage, installation view, Goldsmiths Centre for Contemporary Art, 2019. Photo: Mark Blower. Patrick Staff: The Prince of Homburg, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark. Maryam Najd at the opening of Botanic: National Amalgamation Project, Arthur M Sackler Museum of Art and Archaeology at Peking University, 2019. Photo: Arthur M. Sackler Museum. Terry Gilliam, Freud Analysed, 1969. Collage, airbrush and watercolour on card, 40 x 30.8 cm. Lent by the artist. Gustav Metzger practicing for a public demonstration of Auto-destructive art, possibly by John Cox, for Ida Kar, 1960. © National Portrait Gallery, London. Calder Stories, installation view, Centro Botín. Photo: Belén de Benito. Installation view of work by Wolfgang Laib, as part of Yorkshire Sculpture International, at The Hepworth Wakefield. Courtesy the artist and The Hepworth Wakefield. Photo: Nick Singleton. Attributed to Francesco Melzi, A portrait of Leonardo, c1515-18. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019. Koen Vanmechelen. Photo: Florian Voggeneder. Tess Jaray. Photo: Turkina Faso, 2019. John Akomfrah, Precarity, 2017. Ballasts of Memory installation view, BALTIC Centre for Contemporary Art, 2019. Photo: Rob Harris © 2019 BALTIC Courtesy of the artist, Smoking Dogs Films and Lisson Gallery. Persia Reframed: Iranian Visions of Modern and Contemporary Art by Fereshteh Daftari, published by IB Taurus. Olafur Eliasson in collaboration with Einar Thorsteinn. Model room, 2003. Wood table with steel legs, mixed media models, maquettes, prototypes, dimension variable. Installation view: Tate Modern, London. Photo: Anders Sune Berg, Moderna Museet, Stockholm. Purchase 2015 funded by The Anna-Stina Malmborg and Gunnar Höglund Foundation. © 2003 Olafur Eliasson. New Orleans Museum of Arts Sydney and Walda Besthoff Sculpture Garden, installation view. Photo: Richard Sexton. Ibrahim Mahama, Parliament of Ghosts. Installation view, Whitworth Art Gallery, Manchester, 2019. Photo: Veronica Simpson. Félix Vallotton, Self-portrait at the Age of Twenty (Autoportrait à l’âge de vingt ans), 1885. Oil on canvas, 70 x 55.2 cm. Musée cantonal des Beaux-Arts de Lausanne. Acquisition, 1896. Inv. 620. Photo: © Nora Rupp, Musée cantonal des Beaux-Arts de Lausanne. Francesc Ruiz. Photo: the artist.


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